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Home Equipment Software Top 10 Best DAW Recording Software of 2020
Top 10 Best DAW Recording Software of 2020
Music Critic
So, you're looking for the best DAW Recording software right now? It's a digital age, as we all know. No matter what aspect of our lives music is in, music studio computers have completely revolutionized it. It's not so different in the industry either. What used to take days and weeks can now be done in a few hours. The output is also very refined and the ease of use is simply remarkable.
The Best DAW Recording Software of 2020
1. Ableton Live 9 Suite DAW Software
2. FL Studio 12 Producer Edition Recording Software
3. Pro Tools 10 Audio Recording and Editing Software
4. Propellerhead Reason 7 DAW Music Software
5. ACID Pro 7 Digital Audio Workstation
6. Steinberg Cubase 7 DAW
7. PreSonus Studio One 3
8. Cakewalk Sonar Platinum
9. Studio One 3 Professional
10. Apple Logic Pro 9 Studio
Useful Item Guide
1. What is a digital audio workstation (DAW)?
2. Free vs. Paid DAW's
3. How to choose your production software
4. Which DAW is best for electronic music?
Recording Software for Each Experience Level
1.Beginner
2. Intermediate/Semi-Professionals
3. Expert
In this guide we will be giving answers to some of the most commonly asked questions by music producers - which software do you buy and how can it improve your skills?
At a glance: Our top 3 picks
Your shortcut to our team's top 3 recommendations
Ableton Live 9 Suite DAW Software
Multi Track Audio Recording
Compatible with Many Controllers
Complete Package for Production
Click here for price
FL Studio 12 Producer Edition Recording Software
New & Improved User Interface
Record Both Internal & External Audio
Rearrange Audio with Simple Mouse Clicks
Pro Tools 10 Audio Recording and Editing Software
Comtains Lots of Virtual Instruments
Modern Plugins & Effects
Check Sweetwater Price
Ableton Live 9 Suite is a complete package from for creative music performance and production. With its advanced features, this music making software is the perfect choice for live music. The reason why this software is called "Live" is because it seamlessly connects studio performances to live performances, letting performers and creators do a lot more.
With arranging, sequencing, and time-stretching capabilities, you can take your musical ideas and turn them into finished products.
One of the highlights of this product is its multi-track audio recording (32-bit/192 kHz). As well as that, Ableton Live 9 Suite comes with various effects and sounds and can work with almost any controller or instrument.
+ Multi Track Audio Recording
+ Compatible with Many Controllers
+ Complete Package for Production
Why We Liked It - Here are some of the top reasons why we liked this particular product – the multi-track audio recording, real-time stretching and advanced wrapping, the included sound libraries, and original sounds of 50 GB.
FL Studio 12 is a real musical delight. The reason why we say this is because it comes with an all new and improved user interface. This one is a complete music production software, a result of years of hard work, dedication, and experience. Whether you need to compose, edit, arrange, mix, or record, the FL Studio 12 Producer Edition has got you covered. Many musicians call it the easiest way for music to flow from your brain to the speakers. Producer edition allows producers to record both internal and external audio.
This software also enables you to record the maximum number of sessions your PC hardware can support. It comes with an ability to record guitar, full orchestra, or a single vocalist. With the feature of a playlist, you can arrange audio as you like. Other than that, this great product comes equipped with time stretching, beat slicing, pitch shifting, cropping, the ability to record unlimited audios, and last but not least, the ability to rearrange audio with a simple mouse click.
+ New & Improved User Interface
+ Record Both Internal & External Audio
+ Rearrange Audio with Simple Mouse Clicks
Why We Liked It - This software comes with lifetime updates. It's able to capture all the inputs on your interface simultaneously. The software has an easy-to-understand user interface, which makes it simple to learn, use, and master.
Pro Tools 10 is one of the best softwares a musician could ask for. The sound processed with this software is simply easier, faster and better. It is one of the most powerful software products available in the market today for mixing music, editing, composing and, of course, recording. The package contains a variety of virtual instruments, including, drums, pianos, synths, and other sample instruments.
Pro Tools 10 Audio Recording and Editing Software for audio productions come with 8 GB of loops. With some of the most modern plugins and effects, you can shape your sound in any way you like. The advanced editing tools let you craft, improve, and perfect your musical creations. This software offers excellent portability and flexibility by allowing you to work on a dedicated audio interface or from your laptop.
+ Comtains Lots of Virtual Instruments
+ Modern Plugins & Effects
+ Great Value
Why We Liked It - The best thing about this amazing performance tool is the fact that it lets you work with or without an interface. It also lets users create bigger mixes (96 audio tracks). Working with virtual instruments has never been easy with Pro Tool 10 Audio Recording Software.
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Propellerhead Reason 7 gives you all the reasons to fall in love with your music creations. Whatever your music demands, this performance tool has got it all covered. The product comes from Reason, a legendary music production studio known for their ultra high-tech software.
Whether you want to write, create, or remix, this software will help you create masterpieces. With the help of an inbuilt sequencer, you can craft your songs the way you want. You can use tools like synths, loop players, samplers, and drum machines. You have complete freedom to add guitars, MIDI, vocals, or record your entire band.
Through its amazing console, you can easily finish your songs in no time. With its intuitive flow and sound bank, Reason change your creative ideas directly into audio, putting musicians right where they belong – into their music!
Why We Liked It - This software comes with numerous effects and instruments. It has a studio-grade mixing console, which helps you create music like pros. With this feature, you and people around you, will be amazed by your work.
Sony Acid Pro 7 is truly a masterpiece. Its powerful, digital audio workstation is considered to be one of the best on the market. It comes with features like multi-track mixing, home recording, legendary loop manipulation, and comprehensive MIDI sequencing for super music creation. The interactive tutorials, contained within the package, help you get up and running in no time. These tutorials are a good choice for both beginners and expert.
Some of the major highlights of this software include the MIDI track freeze, the dedicated mixing console, tempo curves, input busses, and great format support. Other than that, ACID Pro 7 also contains around 3000 loops and a huge collection of MIDI files for composing great music seamlessly. Acid Pro 7 is not a resource-hungry software, which means that it can run on almost any average computer.
Read Similar Music Equipment Reviews Here.
It supports every Windows operating system, from Windows Vista onwards. For installation, you only require 500 MB of free hard disk space, and to run the software you need a recommended of 2 GB ram.
Why We Liked It - There are many reasons why we like this particular product. Firstly, the low running requirements, as well as the fact that it can run on any PC, is what makes this product our favorite. Then we have things like perfect MIDI sequencing, a track freeze mixing console, and others that contribute to our liking.
If you're looking to create music that's out of this world, then the Steinberg Cubcase 7 is the right choice. There's nothing you can't do with this amazing software.
The new mixing console has entirely changed the overall look of the software, which, of course, is great. It is also very user-friendly; you are bound to learn a new trick or two every time you use it.
Some of the major highlights of this product are chord track with chord assistance, high-tech vari audio, a variety of instruments, and more
Why We Liked It - There is a lot to love about this product. We especially like its new and improved interface, a variety of different sounding instruments, and hosts of other improvements.
PreSonus Studio One 3 is a music software that is easy to learn and setup. It's one of the best choices for someone who wants to spend quality time producing amazing music. From setting up, recording, dialing in sounds, sonic experimentation to mixing, this software has it all. Studio One 3, keeps musicians inspired and focused on their work at all times. This brings out your creativity, helping you to create some beautiful tunes and music.
The software has an easy-to-use, drag-and-drop style user interface, which makes recording and editing for audio productions fun. With version 3, it is now possible to make use of the vast variety of virtual instruments, easily find backing tracks, sequencing, and more. All these modern features, enable PreSonus Studio One 3 to record sound easier and faster than ever before.
Why We Liked It - The all-new updated browser lets you easily search, find effects, tempos, presets, and more. This software has some of the most advanced editing tools, such as groove extraction, step recording, multitrack comping, and event-based effects. It has a unique single-window work environment with an easy-to-use drag-and-drop option.
Cakewalk by Sonar is more than just a modern DAW. It is, in fact, one of the most advanced, and top-notch industry standard music software available in the market today. Cakewalk Sonar is a top DAW and comes with a membership option, which enables the user to download an unlimited number of updates and support. This includes improvements, new features, fixes, tutorials and more. The update and support are extremely easy through the cakewalk command center. This means that you can concentrate on what matters the most - making quality music.
Cakewalk Sonar comes with new, improved and advanced features that are a great fit for any musician, regardless of the level of expertise. Some of the main highlights of this industry standard software are ProChannel Module, mix recall, acoustic guitar presets, addictive drums, vocal sync, audio snap, and more. All these features in Sonar Platinum actually make sure that you have the flexibility to create some great, pleasing music.
Why We Liked It - The single window interface, with drag and drop support, the analog strip, addictive drumming sounds, a variety of virtual instruments, and the vocal alignment in town, known as VocalSync.
Studio One 3 Professional is a special musical software, built for creative people by creative people. The software has almost everything that will let you create super music. Some of the highlights of this great software include production and songwriting tools that put you in charge of your thoughts, drag-and-drop, a fast interface, and awesome 64 bit sound quality.
All these features make Studio One 3 Professional a favorite musical companion of both inspiring and professional musicians. It's also one of the most widely used musical software in the world. Its iPad control gives more control when mixing, and the multi-touch support platform provides ease of use.
One 3 Professional works like a charm on high-resolution displays. With its inbuilt help and documentation, you are never far away from finding a solution to your problem.
Why We Liked It - Some of the features that make this product our favorite include the multi-touch support with an easy drag-and-drop option. Unlimited audio tracks, effects, and buses make the electronic music production easy and fun. The software also includes Mai Tai polyphonic and XT sampler, which is one of the highlights of this product.
Apple Logic Pro 9 Studio features numbers of virtual instruments, audio loops and effects. With 200+ new and improved features, this is the complete package for musicians looking to record, perform, and produce music.
This software features Flex Time, which is capable of manipulating and editing audio tempo and timing, giving more freedom to musicians to play around with their creative ideas. The loopback and playback features let you take your system to the stage, and captivate your audience with your performance. With more than 80 studio-grade plugins, 1,000 plus instruments, and amazing 20,000 Apple Loops, you can now play and produce music at easy with the Apple Logic.
This software is one of the best for musicians looking to do everything on their own - it helps them record, write, produce, and perform at their best using their Mac. With this software installed on your Mac, you can take your system anywhere with you, and produce music anywhere you like. What else could a musician want?
Why We Liked It - Here are some of the reasons why we like this particular product. Firstly, it's a great software for users of every skill set. Whether you're a professional music producer or someone who's learning, this software might be your best choice. Other than that, there are 20,000 royalty-free loops that you can use any way you want.
In the recent past, music recording was something that was only associated with specialized studios, with heavy, and expensive music equipment. People keen on music recording and producing used to have to go through a series of hurdles, such as enrolling in a relevant program or spending time in a studio with a professional. This isn't easy for someone who wants to learn music-making as a hobby, or just as a part-time affair. Previously, even if you had to record a demo of your song or music tunes, you had to go through some serious studio time, which often came at a hefty cost. All this, and much more, has changed now, thanks to advancements in technology, e-commerce, and music developers that are willing to help out the masses.
Due to technology our devices at home, such as PC, laptops, tablets and cell phones, are now much more powerful. These devices are now powered with hardware which enables them to host a low budget recording studio at home. With a few wisely-chosen recording gears, dedication, and a love for music, almost anyone can form a small recording studio at home - and at pretty low cost. What this means now is that young and inspiring music developers can get ample hands-on experience of software, hardware, and tools right from the comfort of their homes. The next big music sensation of the world could, right now, be headbanging and producing some great music from his home.
This guide will tell you how to start with music-making software if you're a beginner, have intermediate skills, or an expert in the field already.
Let's start with some of the most commonly asked questions by people looking to buy music-making software.
In this phase, we will be giving answers to some of the most commonly asked questions by music producers.
A computer in itself is nothing unless you have the proper software installed. In layman's terms, software helps humans communicate with the computer system. The software understands our input, and then conveys the same to the hardware.
When it comes to the music industry, it's the software that turns your computer into a music-making powerhouse and, enabling you to make magic. We are talking about the digital audio workstation here. It's that very software which is capable of mixing, recording, and mastering music tracks. This software is also known as a sequencer at times.
The market is saturated when it comes to popular DAWs. They are available with a variety of price tags and features. From costing nothing to thousands of dollars, digital audio workstation software can turn your home into an electric music production powerhouse, when installing on your PC or Mac. This software usually enables you to arrange an almost unlimited number of music tracks. With music making software, it feels like you have the whole world in your hands. So, if you're a solo musician who wants to have an entire orchestra backing you, you have to buy the right DAW for you.
As they say, all good things in this world have a price.
This question is probably the most asked by beginners, and you shouldn't blame them. When you're starting something and not sure what the future holds, you might not feel like you should invest in software. We're not totally against free DAWs, but as things get serious, you should invest in a better, paid version.
One of the most common problems with the free digital audio workstation is the fact that it doesn't let you create professional sounding music tracks. There are a lot of limitations that you sometimes deal with, it's your creativity and music that ultimately suffers. The free DAWs are usually pretty, with a nice, easy to use interface, but they typically don't have the ability to polish up tracks like paid ones. So, yes, you can make a start with this free music making software, but don't expect your output to be a masterpiece. Some free DAWs may have the feature of VST instruments, but they are likely to freeze your computer, or become slow when using multiple features at the same time.
Investing in a paid DAW is worth the money, even if you're a beginner, or just taking music-making up as a hobby. Your output will be awesome with this software, and you can showcase your skills easily to friends on social media. There is one thing to keep in mind, though – when buying a DAW, make sure that you avoid those bootlegged versions as that don't support updates. Updates to your DAW software are important, as they usually contain bug fixes, new instruments, effects, and more. It's always better to pay a few hundred dollars in exchange for a lifetime update and stable software that can enhance your skills.
So, our final say would be that paid DAWs are capable of a lot more, and when talking about value for money, they are worth it.
We've already discussed that the market for software is pretty saturated, even when you talk about the paid versions. When you're deciding on which music making software to buy, you should be careful. Choose the best one for your needs, and the one that can go along with your music in the future. Keeping all that in mind, we've decided to help you make the right choice.
Of course, this is the most important. You don't want to buy anything too fancy, especially if you're new to the music industry. To make the right choice here, we've only got one suggestion for you – research, research, and research. Talk to people who are already in the industry about which software to buy in a budget. The Internet is also a good place to read some reviews about the products you're intersted in. You can then do a comparison yourself. It's also important to set your budget. That is, how much you can afford to spend on a DAW, as other things might require a budget too. Once you have the budget set, it would be easier for you to make a decision.
The second consideration, while you are selecting a DAW, should your experience level. If you are a beginner you shouldn't look for fancy stuff, as most of the features in it would be useless at your level. Why pay for something you're not likely to use in the future?
For a beginner, it's a good idea to list down the features you need, and then buy something that's close to what you require.
If you're a musician at an intermediate level, you should also do the same as above. List your requirements and buy software that is a right for, not only your skills, but your budget as well.
Things are different if you're a professional. You should be investing in software that's the complete package. Buying the best DAW out there should be your number one priority. So, don't think much about the price, but the benefits and features it has on offer.
Performing Live
Let's admit it; nothing pleases a musician more than a live performance. Live performances are what differentiates between an average and a great musician. If you're ready to prove your metal in the music industry, you have to show your skills during a live performance. Some advanced DAW software can help you achieve just that. So if you're ready to rule during a live performance, your DAW should be able to complement you.
When it comes to electronic music, the choice of the DAW becomes increasingly important. DAW helps musicians produce beats and input mixes together. For modern music producers, it's hard to imagine life without a DAW, but the ultimate question here is: which one should you buy? We've decided to compile the best choices for readers who're making an entry to electronic music production, and for those who are already a pro in the field.
Ableton is easily one of the best choices for electronic music producers. With its modern features, Ableton is specially designed for electronic music. Electronic music producers can do almost everything with this software because it sounds just as good in live performances as it does in the studio.
Cubcase is probably one of the oldest DAWs for electronic music producers. While this software might not be as easy to learn as some of the others, once you master it, the sky is the limit.
FL Studio can also be your best friend if you're producing electronic music. It's one of the favorites of the industry, especially if you're a hip hop fan. This great software is only available for Windows, however. Hard luck for Mac users here.
Now let's move on to different music softwares for different skill sets.
Are you making a start in music-making? Or are you someone making a return who might have forgotten the basics? If you're one of these, you're in the right spot. We've discussed some of the basics of music-making, such as which software is best suited for your needs, and how to grow your career in the music industry (if you're making music casually, then this portion is still for you). So, whether you want to learn music as a hobby, are semi -professional, or are looking to be the next music sensation, this section will benefit you in one way or another.
If you're a beginner musician, just learning the art involved in music-making, you should be careful with what you choose. We say this because we've come across many beginners who might have made it big, but couldn't. And that's only because they made some of the most basic mistakes in their entry-level - one of these mistakes being the choice of recording and editing software. The market is, indeed, saturated. All types of companies and brands are trying to sell their products to the masses. However, not every software out there will be suited for your needs.
So, before we go any further, let's start with what makes beautiful, soulful music; the killer combo of instruments (like guitars, violin, etc.) and vocals. Gone are the days when music was produced only with vocals and instruments. It's a digital age, and now you can create music using digital tools. Yes, we're talking about choosing a software that complements your creativity and skills to help you create magic. For those looking to start learning the tricks of the trade, we recommend the Image Line FL Studio 12 Producer Edition.
There is a lot to love about this product, so let us tell you the details of why this product is the most suitable for beginners. Firstly, a lot has changed in this software. All new, basic functionalities have been added – all this keeping the beginner level users in mind. This product is a result of years of hard work and experience. Developed by actual musicians, on this software, you will not only be learning the basics but also excelling with your skills.
There are certain steps involved in music-making, namely composing, arranging, recording, editing, and mixing – all these steps are made extremely easy, through Image-Line FL Studio. So, no matter what your skills are, you can produce music like pros with this software.
Alright! So, you know the basics and want to learn more? If you're in the intermediate stage, itching to produce great music to show people around you, you matter! We recommend our readers to be very careful at this stage. Why? Because you might try something at this point that's not suited to your skillset. You might feel like you know everything, but in fact, you don't. What you need is a reliable partner who can carefully take your skills to the next level. That is, help you climb the ladder from an intermediate stage to a professional stage.
What we're going to give you here is exactly that; music-making software that will help you master those added skills you've been dreaming about, and create music that's bound to impress anyone. We're talking about one of the most technically advanced music making software – "Steinberg Cubase 7 Retail DAW Advanced Music Production System."
This amazing software is packed with every feature a semi-professional or an intermediate music producer could ask for. It takes your creativity to a whole new level, enabling you to produce breathtaking tunes. The overhauled mixing console is specially built upon the requirements of intermediate learners. It's neither too techy nor too basic. The different sounding instrument content that it contains helps you play around with lots of music, and create your own.
Music is an art, and there's no end when it comes to learning and exploring art. When you're a pro, or an expert musician, you'll realise that every day is an opportunity to learn and create something new. You're an expert because you know there's still a lot to learn, and you're always on the lookout for something new. At this level, what you need is something more reliable that can adjust to your work habits and environment.
We introduce you to the Ableton Live 9 Suite. This software is a powerhouse when it comes to creating unrivaled music and performance on stage. The best thing about the Ableton Live 9 Suite is its ability to bridge the gap between live performance and studio sessions. Whatever you can do in the closed environment of your studio, you can do it live with this software as well. With Ableton, possibilities are endless.
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Title: Future changes in Aridity Index at two and four degrees of global warming above preindustrial levels
Authors: Xiaoxin Wang, Dabang Jiang, Xianmei Lang
The continuous emission of greenhouse gases into the atmosphere has led to global warming since the industrial revolution. By the end of the 21st century, it is projected that the global mean surface air temperature will increase by 0.3–4.8°C, relative to the mean of 1986–2005. Future global warming is expected to result in a series of threats to the environment, including ecosystem degradation, and the sustainable development of the economy and society. Several scenarios of global warming, relative to the preindustrial period, have attracted much attention, such as 1.5°C, 2°C, and 4°C. In this paper, through using data from multiple climate models, Wang et al. (2020) indicate that the global mean temperature increases of 2°C and 4°C, relative to the preindustrial levels, would be most likely reached in the years 2042 and 2084, respectively. At that time, the global mean terrestrial annual precipitation and potential evapotranspiration (representing the evaporative demand of the atmosphere) are projected to increase, and the aridity index (AI) is projected to decrease (indicates drier conditions). Here AI is defined as the ratio of the annual precipitation to potential evapotranspiration, which is a quantitative indicator for the background climatological dryness or wetness of the land surface at given climate conditions. Most notably, decreases in AI occur in northern high latitudes and the magnitude of the decrease in AI increases with the global warming intensity. According to the classification of wet and dry subtypes, at the 2°C and 4°C warming levels, the semi-arid regions expand most, followed by the arid regions. Changes in AI are determined by potential evapotranspiration in northern high latitudes, and thermodynamic factors contribute most to the potential evapotranspiration changes. This work provides stakeholders and decision-makers with scientific support to combat with climate change.

redpajama_set_name: RedPajamaCommonCrawl


City folk like myself may have a hard time fully grasping the awe and wonder of a film like Tornado Alley, the new IMAX documentary in which filmmaker Sean Casey drives a homemade tank into the heart of a tornado just to get the perfect shot. Admittedly that should sound like a neat concept to just about anybody, but if you don't actually live in Tornado Alley – the widespread area in the center of the U.S. where tornados are most frequent, and most violent – you may find yourself wondering why any reasonable person ever would. The scenes here of the carnage following a large twister are powerful, even biblical, and although I live in earthquake-prone Southern California it's not like just anybody can grab a camera and film a life-threatening natural disaster in Los Angeles every year. But that's what Casey did, for tornados at any rate, and the result is spellbinding but short, thrilling but lacking palpable drama. It's an IMAX documentary, and we're here for the big screen presentation of events we cannot experience for ourselves, for better or worse, more than any other reason.
Casey spent almost a decade preparing for Tornado Alley, building his homemade tank with armor plating and spikes that shoot into the ground to prevent an updraft, and then going out in search of a tornado that he would have time to get in front of. It's a level of commitment unmatched by the film's running time – 43 minutes – and storytelling structure, which in no way indicates his relentless efforts, exacerbation at repeated failure, or indeed any kind of real conflict. Casey gets in his tank, tries and fails a couple of times, and finally gets the shot. That's more-or-less the end. The footage is intercut with informative pieces about tornado science and history, and the parallel story of other, more professional storm chasers using high-tech equipment to acquire actual information about the meteorological phenomenon as opposed to simply record it on film. Their story has no satisfying conclusion, perhaps because their dedication to science provides them with no specific goal to accomplish… just a lifelong pursuit of life-saving information.
For that reason it's a little surprising to see no actual interaction between the intrepid Casey and these equally intrepid scientists, both of whom risk their lives for their jobs. It's easy to imagine a clash between their ideologies, with college professors thumbing their nose at the thrill-seeker or possibly even openly arguing with Casey about his tactics, shenanigans and so forth. Or maybe they all got along famously. We'll never know. Tornado Alley lacks character, Casey's or anybody else's, but that's not what it's about: it's about filming tornadoes in 75mm, and that footage is startling.
With powerful winds, looming clouds and Godlike twisters dominating the screen, the actual towns – riding the bottom of the frame for dear life – feel helpless in the tornados' presence. Plumes of destruction emerge from the clouds before our very eyes and it's difficult not to feel something uncanny during the experience. These tornados are at once natural and wrong, giving the impression that once in a while the world just turns against us with an all-powerful furor, and with no discernable motive. Tornado Alley captures that awe and spectacle and Casey eventually gets his shot… although really the sound-design takes center stage at that point. Wind doesn't actually look like anything, we discover with mild disappointment. It's a brief rush that might have been the most incredible moment in Casey's life, but we don't 'quite' feel what he feels because the film doesn't do a good enough job of making his journey ours: skimping on the duration of his struggle, the conflicts he must have endured, and the little details that would have made it all seem real to us.
Perhaps that's more of reality television's thing: documenting people's lives as they pursue a goal, perhaps a foolish goal, that provides conflict and setbacks, victory and ultimately resolution. A bit of personality, or preferably character, would have made Tornado Alley into a 'Must See.' Instead it's a fascinating curio, a thrilling snippet of greatness for the scientifically inclined or perhaps simply anybody who thought Twister was cool. The filmmakers sure did. They brought on Bill Paxton to narrate the film. His dry southern tones add an air of importance and even melancholy to the proceedings, but don't quite bring the film out of its shell. It may be an incredibly shot documentary about tornados, but Tornado Alley still could have used a few more twists and turns.


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Part of HuffPost Women. ©2020 Verizon Media. All rights reserved.
12/21/2011 09:35 am ET Updated Dec 21, 2011
Reverse Bucket List: What Not To Do Before You Die
By Katie Bindley
Ah, the bucket list. It's a great idea, in theory, to compile a list of all of the things you'd like to do in the little time you have on Earth. What an ingenius way to motivate yourself to get the most out of life, not to let it all pass you by, carpe diem, etc. etc., right?
But if you've ever spent some time perusing other people's bucket lists -- or just gazing at the many unchecked items on your own -- you may have noticed that these lists can also make you feel that you've accomplished virtually nothing your entire life.
Here at HuffPost Women, we've decided 'tis the season to feel better about yourself, not worse. As such, we'd like to take a moment to honor the Reverse Bucket List -- a list of everything you don't ever want to or feel compelled to do.
Back in October, Atlantic MontlyAdvice columnist Jeffrey Goldberg got the ball rolling with his reverse bucket list, which included cleansing of any kind (juice, colon or ethnic), and "making love on the dunes of the cape" (apparently he's not a fan of Pina Coladas).
Then last week, Rose Surnow at the Hairpin got into it with a list that included "confront my fears (sharks/elevators/intimacy)" and "be alone in nature for any amount of time." Hairpin commenters have chimed in with some items on their own lists, including "learning to knit" and "running/walking/moving in a marathon."
To keep this worthwhile enterprise going, we'd love to hear what's on your reverse bucket list. Tweet your items @HuffPostWomen at #reversebucketlist, and we'll feature the standouts in a slideshow here.
Katie Bindley
Women Bucket List New Year's Resolutions Resolutions


There is some story telling involved, bear with me please. Please do ignore the bad quality of the photos (at least I could clicked few - you will know why at the end of the story).
Also, apologies in advance as you may not find finer details of the roads, hotels and so on like most of the travelogues on our forum. I am not good at keeping track of such important stuff.
In May of 2018, our dear friend announced his wedding with location as HP state. So it was indeed a right decision to be friends with him is what we three (we are a group of four bffs) could conclude after more than a decade. The wedding venue was a border town in HP just few kms away from PB border. In fact, it was right next to the pong dam.
We wanted to make most of this opportunity as going all the way to HP from Pune just for the wedding wouldn't be so motivating. I mean who spends so much time and money to witness your bestie getting culled?
So we thought of various places to visit. Right from Leh till Amritsar everything was discussed over conference calls (one of us lives in another part (read town) of the MH state, God knows why). However, we finalised on Mcloedganj, Dharamshala and few places nearby and then the wedding (if time permits) and back to Pune.
Next challenge was to convince the ladies at respective homes about how boring this trip would be and it is purely a formality of attending the wedding. It wasn't easy but we managed eventually. And so it became a boys only trip!
Initially, the plan was to drive all the way from Pune to Mcloedganj and then to the wedding venue and back. But that was a tricky part: should we risk the whole boys trip for this?
The situation was comparable to this: a toddler trying to steal a cookie from a jar in the middle of night. Once he is successful in getting one out without any noise, the greed creeps in. Now the question is whether to go for another one by risking the one in hand or be happy with just one. Like a smart toddler (however, it's debatable in case of some of us) we deiced to be happy with one only.
So we finalised to fly down to Delhi and drive from there to Mcloedganj same day, spend a day in Mcloedganj and then drive down to the wedding next day and day after drive back to Delhi to catch a late night flight.
20-July-2018: Reach Delhi airport early morning. Then pick-up car from self-drive rental (Aerocity) and drive down to Mcloedganj directly.
22-July-2018: Early morning trek (one of us wanted to do this. Remember smart-toddler-debatable thing?). Then drive down to the wedding venue. Try to reach there by late afternoon as the wedding was at night.
23-July-2018: Early morning drive to Delhi to reach airport before evening to catch flight for Pune.
After somehow twisting Google maps to show the travel time as 5-6 hours from Delhi to Mcloedganj, we got the final approval from the ladies for this plan. So finally we can now eat the cookie in peace.
The not-living-in-Pune friend decided to take an overnight train to Delhi instead of flight due to time convenience. Perks of staying in small towns.
I took a flight to Delhi on 19th evening partly for the reason of taking rest and partly due to "Maaj" ("masti" in hindi). Reached Delhi airport around 9pm and took Uber to the hotel which was 10-15 mins away. Checked-in and dozed off after having a ok-ok meal at the hotel.
The third friend decided to land early morning on 20th and reach my hotel around 9am. By that time I had already picked-up self-rental Terrano. I had booked the vehicle online from MyChoize and got it for 9k total excluding fuel for four days. The pick-up experience was good. It was done in 15 mins and the executive was patient to answer all my questions.
He also proactively asked me to video tape the car from 360 deg to avoid any issues later on.
The vehicle pick-up point was just a stone's throw distance from the hotel. I was back to the hotel to have breakfast with the other friend and then checked-out.
While giving the car for valet parking, the valet initially thought I am taxi driver looking at yellowish plates. I was surprised as self-rental in common in Delhi is what I was told. Anyways, I still tip him.
So we were on our way from Aerocity at around 10am. The friend-in-train was about to reach around 10am at main train station in Delhi. We had two options to pick him up that is either the train station or ask him to get to Pitampura (last metro station towards North) and pick him up there.
We decided for Pitampura. Now, here our town friend shows his pedestrian skills. We explicitly asked him to stand on left side of the road and at least 100m away from the end point of flyover.
Delhi is not equal to his town is what we tried to explain him for the rest of the journey.
Pick-up sorted (albeit with some verbal abusing), we hit the straight NH-44 towards Chandigarh. Enroute we decided to have lunch. Two were in favour of non-veg while the unskilled pedestrian was in favour of veg simply to be able to eat at his suggested place. We were surprised to note that almost all Dhabbas on that road serve pure-veg only.
We zeroed on "Amrik Sukhdev" which had lip smacking food. I would rate it 10/10 on taste, service and quantity.
I mean when we asked for extra butter for the paratha, we got a whole bowl full of desi butter. If we try this in Pune, we will be given half a spoon of Amul butter with dirtiest possible looks and a verbal degradation thrown in if the place is anywhere close to old Pune. Only thing that wasn't up to the mark was paan which we had outside the Dhabba. Well, sorry Pune for the bashing in earlier sentence, you rock when it comes to Paan.
So with our tummies full, we embarked on our further journey at around 2pm. We crossed in to HR state and stopped for a quick bio break plus "Shikanji-soda" break. After almost 20 years, I had "Goti" soda drink. Brought back lovely memories from childhood. Not that we are anywhere close to being a grown-ups now, but some external factors have changed for sure.
This whole time I was driving and it was concluded that it should be me who will drive all the way. For me there are only two options when traveling in a car. Either I drive or ride shotgun. I simply can not sit at the rear. But that was not the issue. Having a GPS-is-God kind of believing friend as your navigator is surely asking for trouble. But as the road was pretty clear from the beginning, it wasn't an issue. GPS was stored safely in the pocket.
Call us fools or lazy, but even after warning from the self-rental guy, we did not take online state tax for PB & HP. We missed the small and conspicous tax booth while entering Chandigarh. And as luck will have it, we were flagged down by cops. After negotiating, they let us go by paying some "fine" and asked us to get the tax receipt made at next counter which was 3kms from that place. We drove at 4kmph speed (much to unpleasant amusement of other patrons on road) to absolutely not miss that counter. And again, it was a tiny tin shade booth which is practically not possible to notice while driving. Got down, paid the tax and on our way to HP.
While entering HP, there are two type of fees. One is toll and another is state tax. After our fiasco we were super alert about any tolls or such. In fact, in over excitement I was about to pay extra toll at one location. However, we paid the toll plus state tax for a week and on our way to Dharamshala.
Last edited by the_skyliner : 31st January 2019 at 15:48.
Let me run through the technicalities of the trip as it might get boring to just listen to a story without any petrol-headness.
NH44 is as good as it gets. And we traveled most of the 1200 kms on it so it was all good. Very less traffic. In fact, we didn't encounter traffic anywhere in the whole journey. Interior roads in HP are decent. Nothing to complain about. Two lanes at most places but good quality tarmac. Again, very less traffic overall.
However, one has to be careful about driving on steep climbs in Mcloedganj. It can get more than just challenging if you have a low powered vehicle. Terrano was not bad but the issue was with semi-worn out clutch. Also, turbo in smaller engine works against you in hills as there is a "dead zone" before the turbo kicks-in.
We saw that most of the taxis where old generation Altos (one of my all time favourite cars) which makes complete sense in those areas.
Terrano was amazing in terms of ride comfort and handling. It handles like a hatchback so you can confidently throw it around the corners. Please I feel it offers top class ride comfort. Way better than many upper segment cars/SUVs. It can make a fantastic beater car.
The only issue we faced was about the airbag warning light. Which appeared somewhere near fag end of our first leg of the journey. It used to disappear after a while but did show up in between for the rest of the journey.
Cost of rental Terrano for four days: 9k + state taxes worth 1.5k or so.
Our hotel in Mcloedganj: 8 Auspicious Him View Hotel. This hotel is run by a family and has a warm and friendly feel to it. The view from room is good however there are obstructions due to new buildings. Breakfast was okay with pancakes being the best of the lot. Location wise, this is a pretty good option in Mcloedganj save for the tricky parking and super steep approach. The town centre point was 10 mins walk for the hotel. Rooms are very clean and comfortable for 2-3 people or a small family.
Cost of hotel: 3k for two nights for three people. The actual rate was 3-4k per night but our Google-review baba got us a super deal by the means of a complex algorithm of CC reward points, online deals and some coupons. We didn't take efforts to understand the technicalities but suggested him to look for better deals in future (praising spoils our friend fast).
Cost of resort: Zero. Paid by the Groom. There had to be some benefit of attending the wedding after all.
Cost of food: Around 6-7k altogether.
We reached Dharamshala around 9pm. It was dark with very little traffic on road. We reached a point where I got the taste of first incline which looked as a very steep climb and narrow road. Out of us three, I am the most averse of taking risks so I asked some folks there if there is an alternate route to Mcloedganj. There was one but around 5-6 kms lengthier than this one.
Both friends were forcing me to take the shorter one and be adventurous. But I rejected and took the lengthier but safer route. Lame, I know but with age comes wisdom (Thank you, Johnny English Reborn) which unfortunately is not true for the other three. While they kept cribbing about how big a cry baby I am, I was engaged in getting these folks to the hotel ASAP so that they will stop cribbing. Food, rather lack of it, does funny things to our friends.
We reached the top finally at 10pm and after much efforts found a parking spot right in the main square. Mcloedganj, like any other popular mountain town, is super crowded and with lots of vehicles pouring it makes it difficult to find place for parking. Then we moved to a local restaurant and had noodles, soup and chicken. As we all were quite hungry, the food tasted awesome. But I doubt it was any better than what we get in Pune in any basic Chinese joint.
Dinner sorted, we moved to the hotel which was 5 mins from that place. Again on a very, very steep decline. The attendant of hotel was waiting for us at the gate (as we called him few mins ago) and showed a parking spot. Again, super tight spot for parking with no room for error. However, good part is that we could see the car from our room. It's like parking dream come true for me.
We were so tired that without further arguments we dozed off. Only to be woken up by king size snoring of our friend. But somehow we all had a good sleep and were up by 6am.
We decided to not have breakfast at the hotel and go to a famous cafe called "Lhamo's Croissant". It was some 15 mins walk from our hotel but all uphill.
At the cafe we had croissant which our friend (not the town one) pronounced as "Kro-sa-nt". Plus coffee and some cake. Taste was different and good but nothing to write home about (yet here I am writing).
The place was a two story house with a very homely feel to it. The host was very friendly and welcoming.
Next, we debated (yes we love that) about what to do. Whether to visit waterfalls first or go to uphill for lunch at a cafe with awesome view. At the mention of food, the argument came to an end.
After a hike of almost 30 mins, we reached the cafe Morgan which was situated right on the cliff and offered bird-eye view of the town below.
Here we came to know about the ulteir motives of our friend from town. He wanted us to come here to see the base of a trek which he wanted us to undertake next morning. Trek? Exercise on holidays? Who does that? But we decided not to argue just yet as there is whole day ahead of us to tear in to each other's plans/wishes. And besides we wanted to have lunch.
We had pizzas and some drinks when it started raining.
Not too much but enough to take the beautiful view away from us.
Without letting our spirits down we decided to move out of the cafe to explore more places. We decided to visit the falls. Went downhill from another route and was much shorter than the one we took uphill. This happens regularly with us. Life.
As expected we were hungry in about 15 mins after lunch. So we stopped at a cafe mid-way and had some snacks plus coffee. It was okay, nothing special.
On our way to falls, another argument broke about cloths. Whether we should manage with small napkins and no extra cloths or get it from the hotel. As hotel as few meters away, we decided against it. Who will take a detour of 50m?
So off we went to the falls.
What we didn't know that it was few thousands steps up. I had thoughts of giving up and returning multiple times Enroute but to avoid the risk of getting another loser award, I marched on. We reached at the top. The other two decided to take a dip in that ice cold water. Why? Well, I have stopped asking this question to myself a long time ago. My only wish was not to get another loser award so I pretended to be interested and entered in the water to just sit on the rocks with legs in that ice cold water. But it indeed was refreshing. Water was crystal clear and flowing with decent pace.
We also had some snacks (how can we not) at the small shack and decided to return to the town to explore more food options. It was 4pm by then.
We were back to the town around 5 and went straight to the Dalai Lama temple which was super hyped by our fourth friend whose wedding got us here. We had our doubts already as he was insisting on not missing this one. As expected, we were disappointed. No offence, but the monks didn't seem genuine. All that shouting and verbal fighting seemed fake and over the top.
Anyways, we didn't waste this opportunity and called our friend immediately to show our displeasure in way that is not possible to mention here. With completely satisfied with our action of taking his 30 mins of time over call a day before wedding, we moved on to our next cafe (Cafe Illiterati).
It was some 2kms from the temple and again on an edge of a cliff. But really, it was a waste of time. No real good options to eat and the ambience was a little funny. A mid aged couple was sitting next to us giving us funny looks and pretending to read some book and trying to look rich. What we observed is that none of them turned a single page in the 15 mins that we were there. High? May be.
So then it was already 8pm and we were super tired. An app on my mobile (installed by wife) showed that we walked 16 kms! I immediately took a screenshot of it to WhatsApp back home to earn some brownie points. A married person has only two basic jobs. A day job to earn living and all-time job to earn brownie points.
For our dinner we decided to go to a Korean joint which was just next to our hotel. Found it after some back and forth walking and got a place to sit. This place was nice and different. They had some board games kept in shelf for customers to play while they wait for food to arrive. One of us took out the one game to play. After 45 mins of reading instructions the friend and our collective IQ, we could not figure out how to play and moreover why to play? So while keeping the game box back in shelf, our friend smartly hid the "5+" years tag on the box.
Again, nothing that one will not find in a city like Pune. So it was not surprising that our friend-from-town found it great. So we let him be in his illusion.
Now, came the most crucial part of the trip. Trekking. To do or not to do was the question. Rather it was question for one of us as the other two were sure of not getting involved in any kind of physical activity. 16kms walking in a day, we are done for a month in fact.
It was difficult to convince our friend to skip trekking, so we let it be and prayed for the next best thing. That he wakes up late and then there will be no chance.
Last edited by the_skyliner : 31st January 2019 at 18:06.
True to his past record, he gets up way past the planned start time for trek. Now, any normal person would accept the mistake and move on. But no, no. We are talking about a seasoned actor here. He spent next two hours (and spoiled our breakfast fun too) about why he dropped the trek plan due to his stomach upset and not because he overslept.
Without much listening to the made-up explanation, we started packing and went for breakfast. It was a limited menu, but nice breakfast.
It started raining heavily as we were about to finish the breakfast. Our car was parked just 3.5 meters from the hotel gate.
There was a super narrow road to exit and the car was parked correctly in that direction. Any sane person would have just taken the luggage to the car and drive off even if it was raining heavily. Plus there was the attendant ready to help with luggage as well as umbrella. But our great friend had a genius idea to save us from the efforts of carrying the luggage to the car (again, 3.5 meters away and total luggage was 2.5 bag packs - of the size of laptop bags).
I cautioned him as there was one way and super narrow road on a super incline stretch. But no, listening to each others sane advice is not something we are used to.
He reverses the Terrano after 4-5 point turns with black smoke coming out of the exhaust and proudly parks it in front of the gate. Literally, in 30 seconds, there was a traffic jam of 10-15 cars on that super-inclined road. We are screwed!
Then started a marathon of putting stones in front of the wheels revving the car to max, half-clutching and what not. All this was absolutely unnecessary. Something which our friend never accepted.
After removing the car from the way of oncoming vehicles, we let all the cars go. The looks those drivers gave us (especially me because I was in their line of sight) can beat any Pune shop owner hands down. At one point I was waiting for someone to throw something (leftover and all) at us. Thankfully, nothing of that sort happened.
Once the road was cleared, we took the car back to the parking spot only to learn that there is no road from that side. After few pace-palms, our friend turned the car back and without losing momentum drove it to city exit point 2 kms away. Me and other friend walked to that spot and from there bid our good-byes to a nice town of Mcloedganj and on our way to the wedding town.
As per the my friends, there was some time in between which we can utilise to visit some place. Wedding town was some 2 hours from there and it was 10am. Our friend had asked us to reach there by 3pm. So technically we had 5 hours but as per my friend we had 8 hours. How? The answer was: what will we do there? My response: it's his wedding for God's sake, a few hours time with him before the wedding would be nice. Friends: Let's go to the Bhakhra dam, its just 3 hours from here. What did I tell you about the not listening part?
However, after some arguments, we dropped the idea of visiting dam and instead we decided to visit Kangra fort.
Absolute waste of time is what it tuned out to be. Our town friend didn't shy away from getting an audio guide. So we made him our guide. He used to pause the audio and explain to us the significance of each spot in the fort. However, the spot and story never matched. At some gate, he was explaining how the Rani jumped in to the well. We started looking for some well hidden in the gate somewhere. But no, no luck. When we found the well few meters away he was talking about how a particular pillar was built. So like a misguided missile, we let him be.
Fort out of the way, we finally started our journey to the wedding town. On our way to Pong dam resort, we witnessed some river and valleys. Few spots were worthy of a stop so we took few mins breaks in between to soak in the beauty of the place.
It was some 2.5 hours from the fort and it was around 1pm. We decided to have lunch in between. However, as we didn't have any knowledge of the place, we let our GPS-loving friend work with his phone. After 3 failed attempts, we finally zeroed on a Dhabba which was few kilometres away. We have this habit of judging the quality of food served based on the how full the parking is or how less show the Dhabba/restaruant puts up. We had already rejected 3 options based on this undeniable science and were skeptical about the 4th one too. 4th didn't even had a parking and was a hole-in-a-wall kind of Dhabba. Such places can be insanely bad or insanely good. It was the latter! Yey!
The owner was chef himself and he had only two options. Mutton or veg. Without letting our exceptions go out of control, we ordered three Mutton thalis and hoped it to be edible at least. It was the best food of the trip! Simply amazing. And he served us hot rotis and considered all our request of: "bhaiya, jarra kadak roti do", "muje, normal roti do", "thoda, pyaaz do" and what not.
After, this sumptuous meal, we concluded that the trip was worth it and even if we skip the wedding now, it should be fine. But as the wedding town was on our way to Delhi, we thought why not. And so we reached the wedding town around 4pm. Not before stopping enroute and contemplating whether to climb a small rock patch or not. For a change I wanted to but the other two were too full with that delicious meal that we let it go.
Wedding was in a town but the staying arrangement was right next to the Pong dam. It was a resort with multiple tents and our friend had booked all of those. We three got one for ourselves and decided to doze off. But now that the forth one was there, how can he let us be in peace? He came to us armed with emotional blackmailing about decorating his wedding car. Yaha pe bhi kaam karvaye ga tu? Anyways, our GPS-baba is also a Google review baba, so he searched for some places where we can get flowers. We found two options. One was in a town near wedding town and another was in PB which means we have to cross state border. The one near wedding town seemed to be more sensible option but we didn't want to lose an opportunity to earn the right to win the title of "friends who cross borders for friend".
Shockingly, there was not a single florist in any of the nearby towns. So the Google baba was confused and started questioning his faith on Google reviews. GPS was still safe.
So we decided to buy ribbons and stuff. It took us good 3 hours to get this and be back to resort. As it was late, we decided to decorate the car at the wedding spot itself. We got ready and jumped in to the car and the convey of 10-12 cars head to the wedding. Our Groom would have never felt so important in his life like that day. We didn't spoil his day by letting him know this.
After artistically decorating the car (half windows covered with ribbons and rest left untouched - who will take efforts of getting another ribbon), and a good meal at wedding, we decided to head back to the resort around midnight.
While we were driving back, we suddenly cam across a bunch of wild deers. They were crossing the road and seemed to be not bothered by our car. I asked friend at shot-gun to click pics. Any normal person with iPhone or the likes today will be able to click a photo in approximately, 10 seconds. Our friend took 30 seconds to reach the camera app.
The other friend and me: Face-palm! We didn't say anything. Partly, we because we were tired and partly because we were in utter shock that such photography skills could exist.
As we moved a km ahead, guess what? Yes, we saw another bunch of deers standing in the middle of the road. This time our photographer friend was successful in getting to the camera in less than 30 seconds but just by 2 seconds only. Outcome: a blurred photo of deer's tail and leg which can be easily mistaken for a bush and leaves.
We reached the resort around 1am and dozed off. Last argument of the day was the starting time for the journey to Delhi. I wanted to leave as early as possible while the other two wanted to leave at a later time so that we can enjoy the trill of missing our flights.
However, we could leave on time thanks to the greed for tea and snacks. We packed, had tea and left around 7am. After one overspending ticket, one worst meal of the trip, two re-fuelings and 600kms we reached Aerocity metro station ahead of our scheduled arrival by an hour or so. Handed the car to MyChoize executive who was equally good and the process took just 10 mins.
We took metro to the airport and killed some time there before proceeding to our respective gates for boarding.
This was my first encounter with the mighty Himalayas (if I can call it an encounter). It was mesmerising and I can see myself coming back to the North more often than any other place on the planet!
One short but fine trip came to an end. Next one will follow soon…..(sssssuh, the ladies are listening).
Your drawing skills are too good, how about creating few for educated drivers/owners from Pune.
We got ready and jumped in to the car and the convey of 10-12 cars head to the wedding.
Where is the photo of decorated car(s)?
I asked friend at shot-gun to click pics.
Hoping that you had as much fun with your close friends as me reading this travelogue.
Sir, I can't even draw a straight line.
This is MS paint's skills.
Will post soon but will need some disclaimers.
Glad you enjoyed! We were laughing our guts out. I had to park the car on the side for few mins to calm myself down.
I enjoyed reading the travelogue.
I can imagine your struggle on the steep incline road of Mcloedgunj while loading the luggage and the mini traffic jam that got created it. The nimble and small altos are fit for that steep incline road to Mcloedgunj.
I enjoyed reading your live narration. Those food photographs were mouthwatering. A road trip with friends always has its own charm. We end up doing absurd things. Believe me, that iPhone camera thing happened with me many times.
Thanks for this travelogue, the_skyliner. However, I accepted more photographs of mountains of Mcloedgand.
Thanks! Being an Alto fan myself, it was fun to watch them in action on the challenging terrain.
Sure, will add more pics once I get them from friends. However, there is less chance to click mountains from the town of Mcloedganj. I guess one has to undertake the Triund trek to be able to do that.
Both friends were forcing me to take the shorter one and be adventurous. But I rejected and took the lengthier but safer route. Lame, I know but with age comes wisdom (Thank you, Johnny English Reborn) which unfortunately is not true for the other three.
Here are few clips from the shorter route captured during my drive. Yes, this route is not an easy one, especially with traffic on both sides. Local taxis will keep pushing you from behind.
A good read and your friends seems to be good at keeping you well entertained.
Very well written and interesting narration !
The shorter route from Dharamshala to McLo is just not worth the trouble. Also it was good that you reached so late. Otherwise you might have had to waste some of your time in the jam that is ever present during day time. I have been coming to this area since 20 yrs and now reside over here but have never been to Kangra Fort myself. Just never seemed worth it. If you come over next time, try visiting Bir-Billing, Barot Valley and/or Parashar Lake. Much more beautiful and relaxed than the crowded McLo.
Extremely well written and hilarious! I could sense your excitement while reading through and you captured live moments perfectly. This trip will be cherished in your memories forever!


Bishkek, Jan. 20 / Kabar /. Kyrgyz Ambassador to Qatar Nuran Niyazaliev met on January 19 in Doha with Chairman of the Qatar Charitable Foundation Yusuf Bin Ahmed Al-Kuwari, the press service of the Ministry of Foreign Affairs of Kyrgyzstan reports.
During the meeting they discussed the main directions of cooperation in the implementation of socio-economic projects in the Kyrgyz Republic. In particular, the sides discussed the construction of the medical center and equipping of several small health centers in remote areas of the country, promoting the activities of the Foundation of the spiritual culture "Yiman" and the Red Crescent Society.
Ambassador Niyazaliev, expressing gratitude for the assistance, stressed the importance of implementing projects in close coordination with the government authorities of the country, in particular the Ministry of Health, Ministry of Labour and Social Development, the Social Fund, the Ministry of Foreign Affairs of the Kyrgyz Republic and local governments.


text:
Q: Add geometry Attributes (area and perimeter) using PyQGIS So this is my code :
    from qgis import processing

    inlayDir = iface.activeLayer()

    Sp_Offset = 'E:/QGIS/General/20230117_Boundaries R8/PVD Hectares/PH_RPSOffset8-0_AEB.gpkg'
    Sp ='E:/QGIS/General/20230117_Boundaries R8/PVD Hectares/PH_RPS8-0_AEB.gpkg'

    dissolved=processing.runAndLoadResults("native:dissolve",
                                 {'INPUT': inlayDir,
                                  'FIELD':[],
                                  'OUTPUT': 'TEMPORARY_OUTPUT'})

    UN_Sp_Offset = processing.runAndLoadResults( "qgis:union",{
                            'INPUT' : Sp_Offset,
                            'OUTPUT' : 'TEMPORARY_OUTPUT',
                            'OVERLAY' : dissolved['OUTPUT'],
                            'OVERLAY_FIELDS_PREFIX' : '' })

    Clip = processing.runAndLoadResults("native:clip",
                                { 'INPUT':UN_Sp_Offset['OUTPUT'],
                                'OVERLAY' : dissolved['OUTPUT'],
                                'OUTPUT' : 'TEMPORARY_OUTPUT',
                                })

    # create an instance of QgsDistanceArea
    distance_area = QgsDistanceArea()

    # create the fields list
    fields = QgsFields()
    fields.append(QgsField('area', QVariant.Double))

    inlayDir = iface.activeLayer()

    fields.append(QgsField('perimeter', QVariant.Double))

    # start editing the vector layer
    with edit(clip):
        # add the fields
        for field in fields:
            vl.addAttribute(field)

        # loop into the features
        for feature in vl.getFeatures():
            geometry = feature.geometry()

            # update the feature with teh QgsDistanceArea calculation
            feature['area'] = distance_area.measureArea(geometry)
            feature['perimeter'] = distance_area.measurePerimeter(geometry)

            Clip.updateFeature(feature)

# add the layer to the map
project.addMapLayer(Clip)

and I want to add "Area and Perimeter" in another column in my attribute table next to my columns:

Error Message:
# Python Console
# Use iface to access QGIS API interface or type help(iface) for more info
# Security warning: typing commands from an untrusted source can harm your computer
exec(Path('C:/Users/CMCA/AppData/Local/Temp/tmp8h99ttbs.py').read_text())
Traceback (most recent call last):
  File "C:\PROGRA~1\QGIS32~1.0\apps\Python39\lib\code.py", line 90, in runcode
    exec(code, self.locals)
  File "<input>", line 1, in <module>
  File "<string>", line 15, in <module>
  File "C:\PROGRA~1/QGIS32~1.0/apps/qgis/./python\qgis\core\additions\edit.py", line 38, in __enter__
    assert self.layer.startEditing()
AssertionError
exec(Path('C:/Users/CMCA/AppData/Local/Temp/tmpd0rbj1lv.py').read_text())
Traceback (most recent call last):
  File "C:\PROGRA~1\QGIS32~1.0\apps\Python39\lib\code.py", line 90, in runcode
    exec(code, self.locals)
  File "<input>", line 1, in <module>
  File "<string>", line 42, in <module>
  File "C:\PROGRA~1/QGIS32~1.0/apps/qgis/./python\qgis\core\additions\edit.py", line 38, in __enter__
    assert self.layer.startEditing()
AssertionError
exec(Path('C:/Users/CMCA/AppData/Local/Temp/tmplsle_e88.py').read_text())
Traceback (most recent call last):
  File "C:\PROGRA~1\QGIS32~1.0\apps\Python39\lib\code.py", line 90, in runcode
    exec(code, self.locals)
  File "<input>", line 1, in <module>
  File "<string>", line 42, in <module>
  File "C:\PROGRA~1/QGIS32~1.0/apps/qgis/./python\qgis\core\additions\edit.py", line 38, in __enter__
    assert self.layer.startEditing()
AssertionError
exec(Path('C:/Users/CMCA/AppData/Local/Temp/tmp2ubmh9vo.py').read_text())
Traceback (most recent call last):
  File "C:\PROGRA~1\QGIS32~1.0\apps\Python39\lib\code.py", line 90, in runcode
    exec(code, self.locals)
  File "<input>", line 1, in <module>
  File "<string>", line 42, in <module>
  File "C:\PROGRA~1/QGIS32~1.0/apps/qgis/./python\qgis\core\additions\edit.py", line 38, in __enter__
    assert self.layer.startEditing()
AssertionError

Can someone help me with the coding?

A: If you want to use Processing algorithms you can concatenate many algorithms.
In you case:
from qgis import processing

clip = processing.run("native:clip",
                        { 'INPUT':union['OUTPUT'],
                        'OVERLAY' : dissolved['OUTPUT'],
                        'OUTPUT' : 'TEMPORARY_OUTPUT',
                        })['OUTPUT']

processing.runAndLoadResults(
    "qgis:exportaddgeometrycolumns",
    {
        'INPUT':clip,
        'CALC_METHOD':0,
        'OUTPUT':'TEMPORARY_OUTPUT'
    }
)

Or you can use standard pyqgis code like the following:
clip = processing.run("native:clip",
                            { 'INPUT':union['OUTPUT'],
                            'OVERLAY' : dissolved['OUTPUT'],
                            'OUTPUT' : 'TEMPORARY_OUTPUT',
                            })['OUTPUT']

# get the project instance
project = QgsProject.instance()

# create an instance of QgsDistanceArea
distance_area = QgsDistanceArea()

# create the fields list
fields = QgsFields()
fields.append(QgsField('area', QVariant.Double))
fields.append(QgsField('perimeter', QVariant.Double))

# start editing the vector layer
with edit(clip)
    # add the fields
    for field in fields:
        vl.addAttribute(field)

    # loop into the features
    for feature in vl.getFeatures():
        geometry = feature.geometry()

        # update the feature with teh QgsDistanceArea calculation
        feature['area'] = distance_area.measureArea(geometry)
        feature['perimeter'] = distance_area.measurePerimeter(geometry)

        clip.updateFeature(feature)

# add the layer to the map
project.addMapLayer(clip)

redpajama_set_name: RedPajamaStackExchange


text:
Nextremity Cuts Ribbon on New HQ
Thursday, July 29, 2021 05:15 PM EDT Updated: Thursday, July 29, 2021 05:21 PM EDT
By Alex Brown, Assistant Managing Editor
(photo courtesy of Nextremity Solutions)
Warsaw-based Nextremity Solutions Inc. is in a new building the company says will mean more jobs. The privately held orthopedics company has consolidated operations into what was a shell building in the Warsaw Technology Park and plans to hire an additional 111 workers over the next three years.
Nextremity first announced plans for the facility in May 2020. The company invested $4.5 million to convert the shell building for its purposes. The decision to consolidate operations came after Nextremity acquired Warsaw-based contract manufacturer Lakeland Technology Inc.
The company currently employs nearly 100 in Warsaw.
"I love the phrase, 'Begin with the end in mind,' and today brings us to a new crossroad, but this is not where the journey is going to end, I am quite confident," said Rod Mayer, chief executive officer of Nextremity. "We're going to continue to see accelerated growth as we remain passionately committed to our mission and to our values and remain passionately committed to serve surgeons who serve patients around the world."
The ribbon-cutting ceremony featured a variety of local and state officials, including Warsaw Mayor Joe Thallemer and Indiana State Representative Craig Snow.


The percentage of the population ages 16-19 that is not enrolled in school and not working (either unemployed or not in the labor force).
Whether a young person is in school or working is an indicator of future success. Reasons for youth not being in the workforce or enrolled in school vary significantly, but one common factor is the level of literacy and math skills developed in school. The United States has a larger share of disengaged youth and individuals with low numeracy skills than other developed nations. Young people not in school or working are more likely to engage in risky behaviors such as drug use and violence.
In 2013-17, 5% of youth in Essex County were not in school or not working, similar to the state and less than the national rate of 7%. Since 2000, the rates for Essex County, the state and nation have all remained relatively flat.
Essex County's rate was similar to Lake, IL and Westchester, NY, but above Middlesex, MA, which had a rate of 3% in 2013-17.


Image Title: Hudson Valley 4016 PN Washington Contemporary Polished Nickel Throughout Pendant Lights Plan 0. Filename: hudson-valley-4016-pn-washington-contemporary-polished-nickel-throughout-pendant-lights-plan-0.jpg. Image Dimension: 800 x 800 pixels. Images Format: jpg/jpeg. Publisher/Author: omarrobles. Uploaded Date: Saturday - May 05th. 2018 00:02:04 AM. Category: Architecture. Image Source: architecture.com.
Tap The Thumbnail Bellow to See Related Gallery of "Hudson Valley 4016 PN Washington Contemporary Polished Nickel Throughout Pendant Lights Plan 0"


Have you ever try to drink these popular beers ?
#1 Wine with snakes, lizards and scorpions This drink is for the brave ones. For the ones who hate that wine critics and their sophisticated sense of taste. If you like the feeling of snakes, lizards and scorpions touching your teeth and tongue while drinking wine, this one is the best choice for you.


text:
El marquesado de Piedrabuena es un título nobiliario español creado el 19 de julio de 1764 por el rey Carlos IV y concedido, con el vizcondado previo de Vista-Alegre, en favor de Julián Robiou y Chevilllé, secretario del rey Felipe V, intendente y comisario de guerra.

Marqueses de Piedrabuena

Concesión
El 14 de junio de 1764, por encargo del rey, el ministro marqués de Esquilache insinuó a Julián Robiou y Chevilllé que eligiese un título marquesal de su preferencia, partir de una lista simultáneamente facilitada, junto con un vizcondado previo. La elección recayó en el marquesado de Piedra Buena y el vizcondado previo de Vista-Alegre. Carlos III de España, finalmente, oficializó la concesión por real decreto dado en San Ildefonso el 19 de julio de 1764, según consta en el documento original hoy almacenado en el Archivo Histórico General de Simancas (Dirección General del Tesoro, inventario 24, legajo 285, folio 259).

Historia de los marqueses de Piedrabuena

Julián Robiou y Chevilllé (Saint-Malo, Francia, 23 de mayo de 1717-La Coruña, 23 de septiembre de 1775), I marqués de Piedrabuena, secretario del rey Felipe V y comisario de guerra (diciembre de 1745), caballero de la Orden de Santiago (1746), comisario ordenador (1755), intendente-corregidor de la provincia de León (1761), intendente de ejército, del reino de Galicia y corregidor de La Coruña (1763). Era hijo de René Robiou, señor de Lupin, natural de Saint-Maló, y de Françoise Chevillé y Le Clavier, casados el 18 de junio de 1715.
Casó el 25 de septiembre de 1750, en Cádiz, con María Josefa de Tallapiedra y Garay, hija del marqués de Tallapiedra, José Antonio de Tallapiedra, y su esposa Ana Isabel Pantaleona Garaicoa. Le sucedió su hijo:

Juan de Dios Robiou y de Tallapiedra (Cádiz, 4 de diciembre de 1759-11 de diciembre de 1796), II marqués de Piedrabuena.
Casó el 22 de julio de 1779, en la catedral de Cádiz, con Antonia Gutiérrez de la Huerta y Vandin-Salgado (n. 1759).

Juan de Dios Robiou y Gutiérrez de la Huerta (Cádiz, 15 de mayo de 1780-Cádiz, 30 de mayo de 1872), III marqués de Piedrabuena.
Casó el 27 de octubre de 1823, en Puerto Rico, con María Teresa de la Torre y Chico de Guzmán. Con ella tuvo a:
Juan de Dios Ulises Robiou y de la Torre (n. 1824), que contrajo matrimonio con María Concepción Uceda y Far el 26 de abril de 1854, en Cádiz. De esta unión nació la cuarta marquesa de Piedrabuena y, por tanto, nieta del tercer marqués:

María Teresa Robiou y de la Torre (Cádiz, 23 de abril de 1855-1922), IV marquesa de Piedrabuena desde el 5 de diciembre de 1872.
Casó, a los 17 años, con José Madrid Mateo, hijo de José Madrid Sánchez-Valverde y de Magdalena Mateo Nuche. De esta unión nacieron cuatro hijos: un varón, José Luis, y tres mujeres: María Josefa, María del Carmen y una tercera, María Teresa, que el 2 de febrero de 1961, tras solicitud cursada el 24 de octubre de 1950 (BOE del día 30 de ese mes) y decreto del 2 de febrero de 1961 (BOE del día 9), sucedió por rehabilitación:

María Teresa Madrid Robiou (Cádiz, 30 de marzo de 1884-Madrid, 10 de mayo de 1961), V marquesa de Piedrabuena.
El 15 de noviembre de 1974, tras solicitud cursada el 29 de junio de 1962 (BOE del 17 de julio) y orden del 17 de enero de 1974 para que se expida la correspondiente carta de sucesión (BOE del 7 de febrero), le sucedió:

Fermín Urmeneta y Robiou, VI marqués de Piedrabuena.
El 24 de septiembre de 1981, tras orden del 5 de septiembre de 1980 para que se expida la correspondiente carta de sucesión (BOE del día 25), en trámite de ejecución de sentencia, le sucedió:

María Dolores Ramos y Robiou, VII marquesa de Piedrabuena.

Referencias

Bibliografía

Marquesados creados por Carlos III
España en 1764

redpajama_set_name: RedPajamaWikipedia


from my teenage years and I wanted one !
70's , they would surely have been scrapped , dismantled , broken , trashed , junked .
became a band of Microcar enthusiasts , appearing often at North of England events .
many trips abroad , carrying the three of us , plus camping equipment .
able to offer Isetta models ( Wee-settas ) to other enthusiasts .
Africa , Australia and even Japan .
next?" page . Maybe your favourite will be next !


Late February is the time when most Eurasian Spoonbils return North to their summer abode. However I was luck to see a few stragglers at the Keoladeo NP. The birds are still in breeding plumage though the colors are not a vibrant.
I planning a 2019 photo tour and workshop for Birds, Tigers, Landscapes and of course Agra for the Taj Mahal. Let me know by email or a comment if you are at all interested.
I have just completed a review of the Edelkrone FlexTilt Head 2. The full article can be seen here.
Even though the copy of the Leica f/2.8 200mm lens is a pre-production unit I foun it performing exceptionally well. It focuses fast and the camera and lens combination have no problems following birds in flight.
The Learn to Swallow Large Fish. Lumix G9 with the Leica 100-400mm. Exposure triad: f/6.3, 1/1250 sec, ISO 200.
This was a very active nest. The adult had brought 5 or 6 fish and regurgitated them multiple times.
Green Heron Sky-Pointing – Corkscrew Swamp. Lumix G9 with the Leica 100-400mm. Exposure triad: f/6.3, 1/500 sec, ISO 640.
This was the first time I witnessed a Green Heron Sky-Pointing which is a very common mating behavior with Great Blue Herons and various Egrets.
Three American White Pelican flying after the sun had set. Lumix G9 with the Leica 100-400mm. Exposure triad: f/6.3, 1/1000 sec, ISO 400.
Ding Darling NWR was a big disappointment. The birds were sparse with the exception of Pelicans, Willets, Dowitchers and Dunlins. As the sun set, these Pelicans started departing the sand-bar they were on, probably to roost elsewhere.
Really wanted to see the G9's performance with dynamic range and the ability to capture good shadow detail. I was very pleased with the performance as you will see from these images.
After a full day of disappointments at Corkscrew and Ding Darling, I got to Cape Coral just as the sun was setting. Made it to three nests, each with just one owl. There were two owls in the in the first one but one scampered down the burrow as I was focusing on the pair.
All images were captured hand-held.
This last image was captured after the sun had set and you can see the camera's performance at ISO 8000.
Black-crowned Night Heron. Lumix G9 with the Leica 200mm f/2.8 and the 1.4X Teleconverter (equivalent focal length 560mm). Exposure triad: f/5.6, i/2500 sec, ISO 640.
It was a very cold 40 degree morning at the Venice Rookery, Florida and I wanted to capture birds in flight. Many of the birds were hunkerd down while a few went about their chores, bringing food and nesting material. This image was captured using the Lumix G9 with a preproduction version of the Leica 200mm f/2.8 prime coupled with the 1.4X teleconverter. The preproduction version is great and I am sure the production version will be even better.
Barbets are a species of tropical birds in the family Capitonidae (order Piciformes). Barbets are named for the bristles at the bases of their bills that they use to dig holes in rotting trees where there will nest. They have large heads and short tails and are not agile fliers. They eat insects, lizards, birds' eggs, fruit, and berries.
The Keoladeo NP has three species of Barbet. I was able to photograph only the Brown-headed Barbet Psilopogon zeylanicus and the Coppersmith Barbet Psilopogon haemacephalus, The third, White-cheeked Barbet was not found.
As these birds sit in very dense leaf trees the light is hard to work with and high ISOs become mandatory.
On this very short visit to India, my wife and I spent three days in Bharatpur, Rajasthan at the Keoladeo National Park to photograph wildlife. These three images are of the three species of Kingfisher that can be found in the region this time of year. The Stork-billed and Black-capped are known to be around but I have not been lucky to ever see or photograph them. Of the three, the Common Kingfisher is the most elusive and least common. The White-throated is easy to find and easy to photograph. The Pied kingfisher can be seen at many locations but is very elusive for photography. It hovers with a very rapid wing beat so requires high very shutter speed.
For these three days, I used the Panasonic Lumix G9 with the Leica 100 – 400mm lens and the Leica 200 mm f/2.8 and the 1.4X tele-extender. I can not say enough about how much I enjoyed this kit and its performance truly excels.


text:
British transatlantic passenger liner, launched and foundered in 1912
RMS Titanic was a British passenger liner that sank in the North Atlantic Ocean on 15 April 1912 after colliding with an iceberg during her maiden voyage from Southampton, England to New York City. The sinking of Titanic caused the deaths of 1,514 people in one of the deadliest peacetime maritime disasters in history. She was the largest ship afloat at the time of her maiden voyage. One of three Olympic class ocean liners operated by the White Star Line, she was built between 1909–11 by the Harland and Wolff shipyard in Belfast. She carried 2,208 people; 1,496 died in the sinking and 712 were saved.
SourcedEdit
I cannot imagine any condition which would cause a [large] ship to founder. . . . Modern shipbuilding has gone beyond that.
The captain of The Titanic. Quoted in The Watchtower magazine, published by Jehovah's Witnesses, April 15, 1988.
God himself could not sink this ship.
A crew member of that vessel said to a passenger. Quoted in The Watchtower magazine, published by Jehovah's Witnesses, April 15, 1988.
The Titanic sank about 2:20 a.m. April 15, 1912, according to the records. I saw it slide down into the ocean to its horrible finish. The moment it sank left a memory of something that haunts me till this day. It was the eerie sound of the people groaning and screaming frantically for help, as they were hurtled into the icy water. Almost all died from the cold water. The sounds lasted for about 45 minutes and then faded away.
Louis Garrett, Titanic survivor. Quoted in Awake! magazine, October 22, 1981.
In safety, . . . it was believed, the last word had been uttered in the construction of the 'Titanic."'
New York Times, April 16, 1912.
During the sinkingEdit
Great God, man! Open the gate and let the girls through!
A Night to Remember[1]. This quote is sometimes given as:
For God's sake man, let the girls past to the boats, at least![2]
James "Jim" Farrell to a crew member who was blocking a passageway. Farrell's actions saved the lives of four Irish women by allowing them to reach the lifeboats.[3].
Not damn likely.
Second Officer Charles Lightoller after refusing a direct order from Chief Officer Wilde to enter a lifeboat.[4].
We have lived together for many years. Where you go, I go.
Said by Ida Straus to her husband Isidor after she refused to board a lifeboat.[5]
If you will get to hell out of that, I shall be able to do something. Do you want me to lower away quickly? You will have me drown the whole lot of them.
Fifth Officer Harold Lowe to J. Bruce Ismay, owner of the White Star Line, who had been repeating the order "Lower away!" to the men lowering Lifeboat No. 5. Said at the United States inquiry. Lowe hesitated to repeat his exact words, saying the language was "not very parliamentary". Ismay, who was present, suggested that Lowe write down the offending word and pass it to the chair of the proceedings, Senator William Alden Smith (R-MI), who consented to its being spoken aloud. [6]
MisattributedEdit
I asked for ice, but this is ridiculous.
Said to have been said by Colonel John Jacob Astor, but for various reasons this attribution is spurious.[7]
External linkEdit
Retrieved from "https://en.wikiquote.org/w/index.php?title=RMS_Titanic&oldid=2627320"


We are structured in a way that allows us to take on any one of our services or a combined service form each office. Our structure allows for a Director or Associate Director led commission, working across our service specialism if necessary to allow our Clients a single point of contact. We believe in resourcing the scope, not the fee.
Our people are used to working in a collaborative environment and we structure our teams in a way that allows for support and development through our people s careers. We are passionate about staff retention and development and use our annual and interim appraisals to assess our people's needs.
Our people know that delivering our service is more than just doing the job. It is important that our teams understand your needs and aim at every opportunity to enjoy delivering our service and be proud of our commissions.
We are always looking for talented individuals who are inspiring to deliver our high standards of service.
Andy has over 20 years experience within the construction industry and has been involved in programmes and projects ranging from £100,000 up to £550 million.
Whilst experienced in most sectors, for the last 15 years Andy has been delivering Project and Cost Management services to large FTSE 100 clients within the retail sector. These clients include: Asda, EE, Home Retail Group, Marks & Spencer, Morrisons, Primark, Sainsbury's and Tesco.
Andy's key strength is to understand a clients business and develop bespoke solutions to achieve the clients objectives.
Giles has over 20 years experience within the construction industry gaining a broad sector experience from a number of retail, mixed use, commercial, leisure, residential, banking, arts & heritage, water and infrastructure projects.
This project experience has been gained working within the private and public sector, with a number of projects delivered for Stakeholder organisations. Project values range from £100,000 to £450 million delivering single project consultancy services or programme level support.
Giles's key strength is to understand a client's business and develop bespoke solutions to achieve the clients objectives.
Yusoff has 20 years experience primarily supporting and delivering clients requirements within the Private and Public Sectors. His sector specialisms include commercial, residential, retail and end-user requirements, with this experience successfully adapted and applied to Public Sector clients.
He has successfully delivered Cost Management and Employers Agent services on bespoke projects and rollout programmes. Project values range from £1 million to £250 million, with the majority of these larger projects involving multi-headed clients/stakeholders.
Yusoff's key strengths are focused from a projects inception through to contract award, testing commercial drivers, balancing risk with commercial return and developing robust processes to safeguard delivery.
As a Chartered Building Surveyor, Barry has over 26 years of technical and practical knowledge and experience in both the property and financial business sectors combined with a strong understanding of property law.
He has acted for a wide variety of high profile clients from both the Private and Public Sectors as his key strength is in listening to clients, understanding their requirements and providing unique solutions that suit these requirements.
Barry's expertise lies in designing, managing and administering fit-out, refurbishment and new build projects, accurate dilapidations assessment and negotiations resulting in significant cost benefits to Landlords and Tenant, provision of clear and concise investment and asset management surveys, and expert property consultancy advice on a wide range of property related elements.
Jason is a chartered quantity surveyor with a demonstrated history of working in the construction industry.
He is an experienced cost manager having worked in a broad range of sectors including banking & finance, commercial, retail, mixed use developments, education, residential, hotels and leisure.
Proficient in cost planning and cost management, Jason will offer a practical hands-on approach that is focused on accurate cost planning and procurement to facilitate best value for the client.
Jason is also experienced in the strategic cost management of roll-out programmes offering the client reassurance in developing accurate initial budgets, and simultaneous project cost control.