text:
Permanent commissions
Residencies / Workshops
Lectures / Presentations
Rafael Lozano-Hemmer was born in Mexico City in 1967. In 1989 he received a B.Sc. in Physical Chemistry from Concordia University in Montréal, Canada.
Electronic artist, develops interactive installations that are at the intersection of architecture and performance art. His main interest is in creating platforms for public participation, by perverting technologies such as robotics, computerized surveillance or telematic networks. Inspired by phantasmagoria, carnival and animatronics, his light and shadow works are "antimonuments for alien agency".
His large-scale interactive installations have been commissioned for events such as the Millennium Celebrations in Mexico City (1999), the Cultural Capital of Europe in Rotterdam (2001), the UN World Summit of Cities in Lyon (2003), the opening of the YCAM Center in Japan (2003), the Expansion of the European Union in Dublin (2004), the memorial for the Tlatelolco Student Massacre in Mexico City (2008), the Winter Olympics in Vancouver (2010), and the pre-opening exhibition of the Guggenheim in Abu Dhabi (2015).
Recently the subject of solo exhibitions at the San Francisco Museum of Modern Art, the MUAC Museum in Mexico City, and the Museum of Contemporary Art in Sydney, he was the first artist to officially represent Mexico at the Venice Biennale with a solo exhibition at Palazzo Soranzo Van Axel in 2007. He has also shown at Art Biennials and Triennials in Havana, Istanbul, Kochi, Liverpool, Montréal, Moscow, New Orleans, Seville, Seoul, Shanghai, Singapore and Sydney. Collections holding his work include the MoMA in New York, Tate in London, AGO in Toronto, CIFO in Miami, Jumex in Mexico City, DAROS in Zurich, Borusan Contemporary in Istanbul, MUAC in Mexico City, 21st Century Museum of Art in Kanazawa, MAG in Manchester, MUSAC in Leon, MONA in Hobart, ZKM in Karlsruhe, MAC in Montréal and SAM in Singapore, among others.
He has received two BAFTA British Academy Awards for Interactive Art in London, a Golden Nica at the Prix Ars Electronica in Austria, "Artist of the year" Rave Award from Wired Magazine, a Rockefeller fellowship, the Trophée des Lumières in Lyon, an International Bauhaus Award in Dessau, the title of Compagnon des Arts et des Lettres du Québec in Quebec, and the Governor General's Award in Canada. He has lectured at Goldsmiths college, the Bartlett school, Princeton, Harvard, UC Berkeley, Cooper Union, USC, MIT MediaLab, Guggenheim Museum, LA MOCA, Netherlands Architecture Institute, Cornell, UPenn, SCAD, Danish Architecture Cente, CCA in Montreal, ICA in London and the Art Institute of Chicago.
Border Tuner / Sintonizador Fronterizo (curated by: Kerry Doyle and Alejandro Morales ), Chamizal Park, Ciudad Juárez, México / El Paso, California, United States, November 7th - November 24th.
Presencia Inestable (curated by: Rudolf Frieling and Lesley Johnstone), Museo de Arte Contemporáneo de Monterrey, Monterrey, México, August 23rd - December 1st.
Atmospheric Memory (curated by: Jose Luis de Vicente), Manchester International Festival, Manchester, United Kingdom, July 6th - July 21st.
Rafael Lozano-Hemmer: Flujo Óptico, Galería Max Estrella, Madrid, Spain, February 13th - April 27th.
Rafael Lozano-Hemmer: Pulse (curated by: Stéphane Aquin), Hirshhorn Museum and Sculpture Garden, Washington, D.C., United States, November 1st - April 28th 2019.
Rafael Lozano-Hemmer: Voice Array, Mexican Cultural Institute Washington D.C., Washington, D.C., United States, October 31st - April 28th 2019.
Rafael Lozano-Hemmer: Solar Equation (curated by: Bernard Lamarche), Musée national des beaux-arts du Québec, Québec, Québec, Canada, September 27th - April 11th 2019.
Rafael Lozano-Hemmer: Confirmation Bias, bitforms gallery, New York City, New York, United States, September 5th - October 21st.
Rafael Lozano-Hemmer: Voice Theatre (curated by: Sabine Himmelsbach), Haus der Elektronischen Künste Basel - Augusta Raurica, Basel, Switzerland, June 9th - July 1st.
Rafael Lozano-Hemmer: Unstable Presence (curated by: Rudolf Frieling and Lesley Johnstone), Musée d'Art Contemporain de Montréal, Montréal, Québec, Canada, May 23rd - September 9th.
Rafael Lozano-Hemmer: Decision Forest (curated by: KyoungRan Kim), Amorepacific Museum of Art, Seoul, South Korea, May 2nd - August 26th.
Rafael Lozano-Hemmer: Wavefunction, Subsculpture 9, University of Michigan Museum of Art, Ann Arbor, Michigan, United States, April 22nd - July 31st.
Rafael Lozano-Hemmer: Transition States (curated by: Natalie Marsh), Gund Gallery, Gambier, Ohio, United States, October 10th - January 2nd 2017.
Rafael Lozano-Hemmer: Preabsence (curated by: Sabine Himmelsbach), Haus der Elektronischen Künste Basel, Basel, Switzerland, June 8th - August 28th.
Rafael Lozano-Hemmer: Pseudomatismos, Museo Universitario Arte Contemporaneo, Mexico City, México, October 28th - April 17th 2016.
Rafael Lozano-Hemmer: Lapsus Lumen, bitforms gallery, New York City, New York, United States, September 13th - November 1st.
Solar Equation, Ulm Cathedral, Ulm, Germany, May 24th - August 23rd.
Rafael Lozano-Hemmer: Polynomials, Art Bärtschi & Cie, Genève, Switzerland, March 18th - May 23rd.
Rafael Lozano-Hemmer: A Draft of Shadows (curated by: Cecilia Andersson), Bildmuseet, Umeå, Sweden, November 2nd - May 3rd 2015.
Rafael Lozano-Hemmer: Signos e ͍ndices, NC-arte, Bogotá, Colombia, October 25th - February 21st 2015.
Rafael Lozano-Hemmer: Obra Sonora, Carroll / Fletcher Gallery, London, United Kingdom, September 25th - November 1st.
Rafael Lozano-Hemmer: Pulse Spiral, Exploratorium, San Francisco, California, United States, May 15th - August 17th.
Rafael Lozano-Hemmer: Abstracción Biométrica, Fundación Telefónica, Madrid, Spain, May 14th - October 12th.
Rafael Lozano-Hemmer: Polímeros, Galería Max Estrella, Madrid, Spain, May 10th - September 7th.
Rafael Lozano-Hemmer: The Year's Midnight, Canada Council for the Arts, Ottawa, Ontario, Canada, January 27th - September 30th.
Lumiere, Durham University Science Site, Durham, United Kingdom, November 14th - November 17th.
Voice Array, Casa Daros Rio, Rio de Janeiro, Brazil, November 8th - March 9th 2014.
Rafael Lozano-Hemmer: Vicious Circular Breathing (curated by: Kathleen Forde), Borusan Contemporary, Istanbul, Turkey, September 14th - February 16th 2014.
Pulse Room, International Charitable Foundation "IZOLYATSIA, Platform for cultural initiatives", Donetsk, Ukraine, September 5th - January 10th 2014.
Voice Tunnel, Park Avenue Tunnel, DOT Summer Streets, New York City, New York, United States, August 3rd - August 17th.
Frequency and Volume (curated by: Rudolf Frieling), San Francisco Museum of Modern Art, San Francisco, California, United States, November 3rd - February 3rd 2013.
Rafael Lozano-Hemmer: Trackers, Fundación Telefónica, Buenos Aires, Argentina, October 18th - December 23rd.
Open Air, Philadelphia Live Arts, Association for public art, Philadelphia, Pennsylvania, United States, September 20th - October 14th.
Rafael Lozano-Hemmer: Voice Array, bitforms gallery, New York City, New York, United States, September 6th - October 20th.
Voice Array performance by beatboxer Rahzel - The Godfather of Noyze, bitforms gallery, New York City, New York, United States, September 6th - September 6th.
Rafael Lozano-Hemmer: X no es la nueva Y, Galería OMR, Mexico City, México, April 17th - September 1st.
Rafael Lozano-Hemmer: Recorders, Museum of Contemporary Art, Sydney, Australia, December 16th - February 12th 2012.
Rafael Lozano-Hemmer: Trackers, La Gaîté Lyrique, Paris, France, September 29th - November 13th.
Pulse Spiral, Pei Ling Chan Gallery, Savannah College of Art and Design, Savannah, Georgia, United States, January 10th - February 25th.
Pulse Show (curated by: David Familian), Beall Center, University of California, Irvine, California, United States, September 30th - January 22nd 2011.
Rafael Lozano-Hemmer: Recorders, Manchester Art Gallery, Manchester, United Kingdom, September 15th - January 30th 2011.
Solar Equation, Light in winter festival, Federation Square, Melbourne, Australia, June 4th - July 9th.
Vigilancias Materializadas, Galería Max Estrella, Madrid, Spain, May 13th - July 24th.
Vectorial Elevation, Cultural Olympiad, English Bay, Vancouver, British Columbia, Canada, February.
Levels of Nothingness, Guggenheim Museum, New York City, New York, United States, September 21st - September 27th. Commissioned by Works & Process at the Guggenheim Museum, celebrating its 25th anniversary together with the Museum's 50th anniversary. Funded by the Colección/Fundación Jumex, Deutsche Bank, German Consulate General and Mexican Cultural Institute.
Transition States, Haunch of Venison, New York City, New York, United States, September 10th - October 24th.
Recent works, Galerie Guy Bärtschi, Genève, Switzerland, May 14th - September 5th.
Pulse Glow, Pulse Glow Festival, City Hall, Eindhoven, Netherlands.
Rafael Lozano-Hemmer, Haunch of Venison, London, United Kingdom, October 15th - November 29th.
Frequency and Volume (curated by: Francesco Manacorda and Ariella Yedgar), The Curve, Barbican Centre, London, United Kingdom, October 9th - January 18th 2009. Commissioned by Kate Rich.
Rafael Lozano-Hemmer: Recorders (curated by: Sabine Himmelsbach), Edith Russ Haus für Medienkunst, Oldenburg, Germany, June 7th - August 17th.
Body Movies, Te Papa Museum, Wellington, New Zealand.
Body Movies, Fête du 400e anniversaire de Québec, Parc de la Cétière, Québec, Québec, Canada.
Pulse Park, Madison Square Park, New York City, New York, United States.
Pulse Spiral (curated by: Molly Dent-Brocklehurst), Center for Contemporary Culture - Melnikov Garash, Moscow, Russia.
Under scan, Trafalgar Square, London, United Kingdom.
Voz Alta (curated by: Sergio Raul Arroyo), Memorial for the Tlatelolco student massacre, Mexico City, México.
Wavefunction, Kulczyk Foundation, Poznan, Poland.
Rafael Lozano-Hemmer, bitforms gallery, New York City, New York, United States.
Pulse Front (curated by: Gregory Burke from Power Plant), Power Plant, Harbourfront, Toronto, Ontario, Canada. Public art installation commissioned by and premiered at LuminaTO and co-produced with Harbourfront Centre.
Some Things Happen More Often Than All Of The Time (curated by: Príamo Lozada and Bárbara Perea), Mexican Pavilion, 52 Biennale di Venezia, Venice, Italy.
Under scan, East Midlands Development Agency, Castle Wharf, Nottingham, United Kingdom, March. Public art commission.
Under scan, East Midlands Development Agency, Market Square, Derby, United Kingdom, February - March. Public art commission.
Under scan, East Midlands Development Agency, Humberstone Gate West, Leicester, United Kingdom, January. Public art commission.
Body Movies, Museum of Art, HK Arts Development Council, Hong Kong, China.
Under scan, East Midlands Development Agency, Brayford University Campus, Lincoln, United Kingdom, November - December. Public art commission.
33 Questions per Minute (curated by: Andreas Broeckman), Spots Mediafaçade, with realities:united, Postdamer Platz 10, Berlin, Germany - 2005.
Subsculptures, Galerie Guy Bärtschi, Genève, Switzerland.
Subtitled Public (curated by: Itala Schmelz and Jennifer Teets), Sala de Arte Público Siqueiros, Mexico City, México.
Rafael Lozano-Hemmer, Galería OMR, Mexico City, México, November - December.
Vectorial Elevation, celebrations of Europe expansion, O'Connell Street, Dublin, Ireland.
Relational Architectures (curated by: Priamo Lozada), Laboratorio Arte Alameda, Mexico City, México, May - June.
Amodal Suspension, opening project of the Yamaguchi Center for Art and Media, Yamaguchi, Japan. Access Pods and terminals for the piece were installed at: MACBA in Barcelona, MARS Lab in Bonn, C3 in Budapest, Fundación Telefónica in Buenos Aires, MIT MediaLab in Cambridge, Bauhaus in Dessau, IAMAS in Ogaki, ZKM in Karlsruhe, Kyoto Art Center in Kyoto, FACT in Liverpool, Science Museum in London, Ojo Atómico in Madrid, Laboratorio Arte Alameda in Mexico City, SAT in Montréal, Sarai in New Delhi, Eyebeam in New York City, Wood Street Galleries in Pittsburgh, V2_Organisatie in Rotterdam, Itaú Cultural Center in São Paulo, Sendai Mediatheque in Sendai, Art Center Nabi in Seoul, NTT-ICC in Tokyo, MeSci in Tokyo, Ontario Science Centre in Toronto, Emily Carr in Vancouver, WRO Center in Wroclaw and Multimedia Institute in Zagreb.
Body Movies, Duisburg Akzente, Duisburg, Germany.
Vectorial Elevation (curated by: Claire Peillod), Fête des Lumières, Place Bellecour, Lyon, France.
Body Movies (curated by: Eddie Berg and Lewis Biggs), Liverpool Biennial, Williamson Square, Liverpool, United Kingdom.
Two Origins (curated by: Marta Gili), Printemps de Septembre Festival, Place du Capitole, Toulouse, France.
Vectorial Elevation (curated by: Juan Guardiola and Javier González de Durana), Opening project of Artium, Basque Contemporary Art Museum, Vitoria-Gasteiz, Spain.
Airport Cluster (curated by: Pat Binder), Foto/Graphik Galerie Käethe Kollwitz, Berlin, Germany.
Body Movies (curated by: Alex Adriaansens and Andreas Broeckmann), Cultural Capital of Europe Festival, V2 Grounding, Rotterdam, Netherlands.
Vectorial Elevation, Zócalo Square, Mexico City, México - 1999.
Re:Positioning Fear (curated by: Charlotte Pöchacker), 3rd Internationale Biennale Film +Architektur, Graz, Austria.
On the Same Hand but in a Different Vein, Galerie Stornaway, Montréal, Québec, Canada.
The Future and Arts, Mori Art Museum, Tokyo, Japan, November 19th - March 29th 2020.
La Tête dans le Nuage, Musée de la Civilisation, Québec, Québec, Canada, November 7th - December 6th.
Project 1 , Artprize, Grand Rapids, Michigan, United States, September 7th - October 27th.
The Watchers, The 8th Floor, New York City, New York, United States, July 11th - October 12th.
Level of Confidence, Documentary Edge Festival, Wellington, New Zealand, June 13th - June 23rd.
Entanglement, SMoCA, Scottsdale, Arizona, United States, June 8th - October 6th.
Level of Confidence, Documentary Edge Festival, Auckland, New Zealand, May 30th - June 9th.
ARCO Lisboa, Max Estrella, Lisbon, Portugal, May 16th - May 19th.
Reincarnation of Media Art (curated by: Exonemo), WRO Art Center, Wrocław, Poland, May 15th - September 30th.
Montluçon Art Mobile, Fond d'Art Moderne et Contemporaine, Montluçon, France, April 12th - June 2nd.
Public Art Fund 2019 Spring Benefit, Public Art Fund, New York City, New York, United States, April 11th - April 11th.
Now is the Time, 2019 Wuzhen Contemporary Art Exhibition, Wuzhen, China, March 31st - June 30th.
Level of Confidence, Hirshhorn Museum and Sculpture Garden, Washington, D.C., United States, March 1st - March 31st.
ARCO '19, Galería Max Estrella, Madrid, Spain, February 27th - March 3rd.
Writing the History of the Future (curated by: Peter Weibel), Zentrum für Kunst und Medien Karlsruhe, Karlsruhe, Germany, February 23rd - March 28th 2021.
Sandbox (curated by: José Luis de Vicente), Llum Festival, Barcelona, Spain, February 15th - February 18th.
bitforms gallery LA, bitforms gallery , Los Angeles, California, United States, February 12th - March 17th.
Zona MACO, PACE Gallery, Mexico City, México, February 6th - February 10th.
Faces, Es Baluard - Museum of Modern and Contemporary Art, Mallorca, Spain, January 31st - September 29th.
Art in the Age of the Internet, 1989 to Today (curated by: Eva Respini), UMMA - University of Michigan Museum of Art, Ann Arbor, Michigan, United States, December 15th - April 7th 2019.
Untitled Art Fair, Galería Max Estrella, Miami, Florida, United States, December 4th - December 8th.
Untitled Art Fair, bitforms gallery, Miami, Florida, United States, December 4th - December 8th.
Entangle / Physics and the Artistic Imagination (curated by: Ariane Koek), Bildmuseet Umeå University, Umeå, Sweden, November 16th - April 14th 2019.
12th Shanghai Biennale (curated by: Cuauhtémoc Medina), 12th Shanghai Biennale, Shanghai, China, November 10th - March 10th 2019.
Exposición Inagural, Museo de Arte Cintemporáneo Querétaro, Querétaro, México, November 8th - March 3rd 2019.
Unsettled (curated by: JoAnne Northrup), Palm Springs Art Museum, Palm Springs, California, United States, October 27th - April 30th 2019.
La No Comunidad (curated by: Blanca de la Torre, Ricardo Ramón Jarne), CentroCentro, Madrid, Spain, October 26th - January 27th.
ArtBO, Galería Max Estrella, Bogotá, Colombia, October 25th - October 28th.
Temporalidades Arte Latinoamericano, Museo de Arte e Historia de Guanajuato, Guanajuato, México, October 19th - February 3rd 2019.
Üvercinka A Selection from the Borusan Contemporary Art Collection (curated by: Necmi Sönmez), Borusan Contemporary, Istanbul, Turkey, September 15th - February 17th 2019.
Message from Our Planet, Orange Door Chicago - Thoma Foundation, Chicago, Illinois, United States, September 14th - August 1st 2019.
Reincarnation of Art Media, Yamaguchi Center for Arts and Media, Yamaguchi, Japan, July 21st - October 28th.
I Was Raised on the Internet, Museum of Contemporary Art Chicago, Chicago, Illinois, United States, June 23rd - October 14th.
Global Positioning System Not Working (curated by: Madhusree Dutta), Akademie der Künste der Welt, Cologne, Germany, May 9th - June 9th.
Unsettled (curated by: Joanne Northrup), Anchorage Museum, Anchorage, Alaska, United States, April 20th - September 9th.
You Are Here: Light, Color, and Sound Experiences, North Carolina Museum of Art, Raleigh, North Carolina, United States, April 7th - July 22nd.
Relations, Kunstkraftwerk, Leipzig, Germany, March 28th - February 24th 2019.
Printemps Numérique X 5 à 9 au McCord, McCord Museum, Montréal, Québec, Canada, March 22nd - March 22nd.
L'Invention de Morel, Maison de l'Amerique Latine, Paris, France, March 16th - July 21st.
Reality Machines - An Art Exhibition on Post-Truth, CRASSH, Cambridge, Massachusetts, United States, March 9th - March 29th.
Armory Show, Galería Max Estrella, New York City, New York, United States, March 8th - March 11th.
Authenticate, Cypress College Art Gallery, Cypress, California, United States, March 8th - April 11th.
New Media, New Millennium: Digital Art from the Thoma Foundation, Hunter Museum of American Art, Chattanooga, Tennessee, United States, February 9th - April 29th.
Art in the Age of the Internet, 1989 to Today (curated by: Eva Respini and Jeffrey De Blois), The Institute of Contemporary Art Boston, Boston, Massachusetts, United States, February 7th - May 20th.
Corpus , New Media Gallery, New Westminister, British Columbia, Canada, January 26th - April 8th.
Digital Dynamics 2018: Interaction, The Museum, Kitchener, Ontario, Canada, January 26th - May 13th.
Group exhibition, D.I.X., Genève, Switzerland, January 20th - February 20th.
¡VIVA! (curated by: Randy Shull and Hedy Fischer), Projective Eye Gallery - UNC, Charlotte, North Carolina, United States, January 19th - February 25th.
NGV Triennale, National Gallery of Victoria, Melbourne, Australia, December 15th - April 15th 2018.
Untitled Art Fair, bitforms gallery, Miami, Florida, United States, December 7th - December 10th.
B3 Biennial of the Moving Image, Four Frankfurt, Frankfurt, Germany, November 29th - December 20th.
La Ciudad de México en el Arte. Travesía de Ocho Siglos. , Museo de la Ciudad de México, Mexico City, México, November 24th - April 1st 2018.
Aproximacions Creatives - Collecció BEEP d'Art Electrònic (curated by: R. Bosco and S. Caldana), Museo Salvador Vilaseca, Reus, Spain, November 23rd - March 29th 2018.
Electronic Superhighway (1966-2016), Museum of Art, Architecture, and Technology, Lisbon, Portugal, November 8th - March 19th 2018.
Lección de Arte, Museo Thyssen-Bornemisza, Madrid, Spain, November 7th - February 28th 2018.
Sin Título (Untitled) (curated by: Dan Cameron), Jonathan Ferrara Gallery, New Orleans, Louisiana, United States, November 4th - December 27th.
Anthology - Monumental Works from the Collection, Arsenal, Montréal, Québec, Canada, October 25th - December 22nd.
Nivel de Confianza, XLIV Festival International Cervantino, Guanajuato, México, October 11th - October 29th.
Drawn from a Score (curated by: David Familian), Beall Center, Irvine, California, United States, October 7th - February 3rd 2018.
Future Shock (curated by: Irene Hofmann), Site Santa Fe, Santa Fe, New Mexico, United States, October 5th - May 7th 2018.
Art of the Selfie (curated by: Sarah Greinch), Helen Day Art Center, Stowe, Vermont, United States, September 22nd - November 11th.
Viva, Asheville, North Carolina, United States, September 16th - October 14th.
Never the Same: What (else) Can Art Writing Do?, Contemporary Calgary, Calgary, Alberta, Canada, September 15th - September 17th.
Virtual Views: Digital Art from the Thoma Foundation (curated by: Jason Foumberg), Orlando Museum of Art, Orlando, Florida, United States, September 15th - December 31st.
Datumsoria: The Return of the Real (curated by: Zhang Ga), Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany, September 9th - March 18th 2018.
KM3, Quartier des Spectacles Montréal, Montréal, Québec, Canada, August 30th - October 15th.
Unsettled (curated by: Joanne Northrup), Nevada Museum of Art, Reno, Nevada, United States, August 26th - January 21st 2018.
Blood, Science Gallery Melbourne, Melbourne, Australia, August 2nd - September 26th.
Soundtracks (curated by: Rudolf Frieling and Tanya Zimbardo), SFMOMA, San Francisco, California, United States, July 15th - January 1st 2018.
Redundant Assembly Projection, Festival de Luz y Vanguardias, Salamanca, Spain, June 15th - June 18th.
Universal Exhibition - Expo 2017 (curated by: Jerome Neutre), Art Pavilion at Expo 2017, Astana, Kazakhstan, June 10th - September 10th.
En Marche. Faire un Pas, c'est Faire un Choix, Le Pénitencier - Musées Cantonaux du Valais, Sion, Switzerland, June 3rd - January 7th 2018.
Collectiva 23º Aniversario, Galería Max Estrella, Madrid, Spain, May 27th - July 8th.
Collective V, Art Bärtschi & Cie, Genève, Switzerland, May 18th - June 30th.
Seeing Now, 21C Museum, Nashville, Tennessee, United States, April 15th - May 30th.
Citizens, Petach Tikva Museum of Art, Petah Tikva, Israel, April 14th - January 14th 2018.
The Rise of Bio-Society, Riddoch Art Gallery, Mount Gambier, Australia, April 7th - May 7th.
From Selfie to Self-Expression, Saatchi Gallery, London, United Kingdom, March 31st - September 7th.
No Secrets!, ERES Stiftung, Munich, Germany, March 25th - July 16th.
Nothing to Hide? Art, Surveillance, and Privacy (curated by: Jessica Hodin and Edward A. Shaken), Real Art Ways, Hartford, Connecticut, United States, March 4th - June 19th.
ARCO '17, Colección BEEP, Madrid, Spain, February 22nd - February 26th.
ARCO '17, Galería Max Estrella, Madrid, Spain, February 22nd - February 26th.
Discursos Premeditats. Collecció Fundación Caja Mediterráneo (curated by: Rosa Maria Castells), Centre del Carme, Valencia, Spain, February 17th - March 17th.
Virtual Views: Digital Art from the Thoma Foundation, Knoxville Museum of Art, Knoxville, Tennessee, United States, February 3rd - April 16th.
Looking at One Thing and Thinking of Something Else - Part Three: United We Stand, Carroll / Fletcher Gallery, London, United Kingdom, January 13th - March 4th.
Untitled Art Fair, bitforms gallery, Miami, Florida, United States, November 30th - December 4th.
Bienal de Cuenca (curated by: Dan Cameron), Casa Bienal, Cuenca, Ecuador, November 25th - February 5th 2017.
Looking at One Thing and Thinking of Something Else, Carroll / Fletcher Gallery, London, United Kingdom, November 11th - December 23rd.
Nivel de Confianza, Post-Screen Festival, Lisbon, Portugal, November 11th - January 15th 2017.
bitforms Fifteen-Year Anniversary Exhibition, Minnesota Street Project, San Francisco, California, United States, November 5th - March 4th 2017.
De Muerte Presente - Der Tod in der mexikanischen Gegenwartskunst, Kunstmuseum Heidenheim, Heidenheim, Germany, October 8th - January 8th 2017.
Le Mexique des Renaissances (curated by: Agustín Arteaga), Grand Palais, Paris, France, October 5th - January 23rd 2017.
RIXC Festival (curated by: Raitis Smits and Rasa Smite), RIXC, Riga, Latvia, September 29th - November 6th.
Robots Building Robots, Hedreen Gallery, Seattle, Washington, United States, September 22nd - October 12th.
Witness, New Media Gallery, New Westminister, British Columbia, Canada, September 8th - November 6th.
Lo que nos Falta. Imágenes desde la Ausencia, Museo de la Ciudad de Querétaro, Galería Libertad, Querétaro, México, August 20th - August 20th.
El Turment I L'Èxtasi (curated by: Nekane Aramburu and Gerardo Mosquera), Es Baluard - Museu d'Art Modern i Contemporani de Palma, Palma de Mallorca, Spain, July 2nd - October 2nd.
Mouse in the Machine: Nature in the Age of Digital Art (curated by: Jason Foumberg), Thoma Foundation - Art House, Santa Fe, New Mexico, United States, June 18th - July 20th 2017.
Art Basel Unlimited - Art Basel 47, Art Basel, Basel, Switzerland, June 13th - June 19th.
50JPG - 50 Jours pour la Photographie (5th Triennial), Centre de la Photographie, Genève, Switzerland, June 1st - July 31st.
VI Bienal de Arte Contemporáneo, Fundación Once, Madrid, Spain, May 26th - September 30th.
Eco Expanded City / Synthetic Nature, WRO Art Center, Wrocław, Poland, May 13th - June 30th.
Love, Devotion, and Surrender (curated by: Randy Shull and David Raymond), 22 London, Asheville, North Carolina, United States, May 13th - June 1st.
GIEI Ayotzinapa, Universidad del Claustro de Sor Juana, Mexico City, México, April 24th - April 24th.
Art Brussels, Carroll / Fletcher Gallery, Brussels, Belgium, April 22nd - April 24th.
Dallas Art Fair, bitforms gallery, Dallas, Texas, United States, April 14th - April 17th.
Fairholme Unlimited Foundation, Inc., The Lowe Art Museum, Coral Gables, Florida, United States, April 1st - December 31st.
FAVCA-XIII Festival de las Artes Visuales de Campeche, TBA, Ciudad del Carmen, México, March 14th - March 19th.
Remote Signals, ARSi maja, Tallinn, Estonia, March 14th - March 20th.
ARCO '16, Art Bärtschi & Cie, Madrid, Spain, February 24th - February 28th.
ARCO '16, Galería Max Estrella, Madrid, Spain, February 24th - February 28th.
Art-Facto-Today, Eastern Bloc, Montréal, Québec, Canada, February 20th - February 20th.
Digital Revolution, Zorlu Performing Arts Centre, Istanbul, Turkey, February 20th - June 12th.
Zona MACO, Galería OMR, Mexico City, México, February 4th - February 7th.
Electronic Superhighway, Whitechapel Gallery, London, United Kingdom, January 29th - May 15th.
I'll Be Your Mirror: Interactive Reflections, Telfair Museums, Savannah, Georgia, United States, January 27th - April 10th.
Real Time, Arts Santa Mònica, Barcelona, Spain, January 26th - April 10th.
Nivel de Confianza, Gund Gallery, Gambier, Ohio, United States, January 22nd - May 30th.
Cómo hacer arte con palabras, MUSAC, León, Spain, December 18th - April 24th 2016.
Art Basel Miami Beach, Galería OMR, Miami, Florida, United States, December 3rd - December 6th.
Big Bang Data, Somerset House, London, United Kingdom, December 3rd - March 20th 2016.
Untitled Art Fair, bitforms gallery, Miami, Florida, United States, December 2nd - December 6th.
Nivel de Confianza, Pinta Miami, Aluna Art Foundation, Miami, Florida, United States, December 1st - December 6th.
Encan Esse Auction, Musée des Beaux-Arts de Montréal, Montréal, Québec, Canada, November 26th - November 26th.
Proyecto de Arte Verano 2015, Heart Ibiza, Ventana Contemporary, Ibiza, Spain, November 21st - February 5th 2016.
Latin America Auction, Phillips, New York City, New York, United States, November 18th - November 18th.
The Age of Catastrophe, Actual Contemporary, Winnipeg, Manitoba, Canada, November 13th - December 12th.
Nivel de Confianza, La Cigarra, Chiapas, México, November 6th - November 6th.
Performing Likeness, Fort Worth Contemporary Arts, Fort Worth, Texas, United States, October 23rd - December 19th.
Digital Revolution, Onassis Cultural Centre, Athens, Greece, October 12th - January 10th 2016.
First Open Auction, Christie's, New York City, New York, United States, September 30th - September 30th.
ISMAR, City Museum, Fukuoka, Japan, September 29th - October 3rd.
Carteles por Ayotzinapa: Primer Bienal Internacional de Carteles Oaxaca, OPC - Oficina de Proyectos Culturales, Puerto Vallarta, México, September 26th - November 14th.
Nivel de Confianza, Benemérita Universidad Autónoma de Puebla, Facultades de Ingeniería, Medicina y Filosofía y Letras, Puebla, México, September 21st - September 26th.
Global Control and Censorship (curated by: Bernhard Serexhe and Lívia Rózsás), Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany, September 18th - May 1st 2016.
Sensory System, Grundy Art Gallery, Blackpool, United Kingdom, September 11th - November 7th.
Sydney Contemporary , Carroll / Fletcher Gallery, Sydney, Australia, September 10th - September 13th.
El Estado de las Cosas, FotoMuseo Cuatro Caminos, Mexico City, México, September 9th - January 17th 2016.
ANT, Galería Punto, Valencia, Spain, September 8th - September 11th.
Desire, Borusan Contemporary, Istanbul, Turkey, September 5th - February 21st 2016.
Meta, Narrativas Digitales, Galería Andrea Pozzo - Universidad Iberoamericana, Mexico City, México, August 13th - October 2nd.
Seeing Now, 21C Museum, Durham, North Carolina, United States, August 13th - January 18th 2016.
Secrets, Science Gallery, Dublin, Ireland, August 6th - November 1st.
Art Marbella, Galería Max Estrella, Málaga, Spain, July 30th - August 3rd.
Luminous Flux v2.0 (curated by: Jason Foumberg), Thoma Foundation - Art House, Santa Fe, New Mexico, United States, July 24th - April 30th 2016.
Avec des Mots, Art Bärtschi & Cie, Genève, Switzerland, July 16th - September 5th.
Level of Confidence, Baltan Laboratories, Eindhoven, Netherlands, July 16th - September 16th.
Memory Burn (curated by: Chris Romero), bitforms gallery, New York City, New York, United States, July 10th - August 16th.
Fuera de Lugar, FAD - Disseny Hub Barcelona, Barcelona, Spain, June 29th - October 31st.
E-Merge, Arsenal Montréal, Montréal, Québec, Canada, June 19th - September 13th.
Calvino After Calvino (curated by: A. Le Genissel and R. Della Poeta), Blue Project Foundation, Barcelona, Spain, June 12th - October 31st.
DarkMOFO Festival, Detached, Hobart, Tasmania, Australia, June 12th - June 22nd.
Aesthetica 50 Years of Computer Generated Art, DAM Gallery, Berlin, Germany, May 29th - July 18th.
Nivel de Confianza, Ciudad Juárez, México, May 29th - May 29th.
Poetics and Politics of Data, Haus der Elektronischen Künste Basel, Basel, Switzerland, May 29th - August 29th.
Surveillance Awareness Bureau, Modelab, Wellington, New Zealand, May 27th - June 13th.
C2 Conference+Creativity, Arsenal Montréal, Montréal, Québec, Canada, May 26th - May 28th.
Royal Canadian Academy of Arts, Beaux Arts des Amériques Gallery, Montréal, Québec, Canada, May 7th - May 16th.
Art and Conflict Symposium, Wolfson College, University of Oxford, Oxford, United Kingdom, May 2nd - May 3rd.
Eurocaravana 43, Juicebrothers No2, Vienna, Austria, April 28th - April 28th.
Art Brussels, Galería Max Estrella, Brussels, Belgium, April 25th - April 27th.
Nivel de Confianza, The Neon Rex Project, Mexico City, México, April 18th - May 23rd.
Public Art Fund Spring Benefit, New York City, New York, United States, April 14th - April 14th.
Nivel de Confianza, Museo Universitario Arte Contemporáneo, Mexico City, México, April 9th - August 30th.
Nivel de Confianza, Centro Nacional de las Artes CENART- Galería de Arte Electrónico Manuel Felguérez, Mexico City, México, April 9th - June 12th.
SP-Arte Fair, Baró Gallery, São Paulo, Brazil, April 9th - April 12th.
The Governor General's Awards in Visual and Media Arts 2015, National Gallery of Canada, Ottawa, Ontario, Canada, April 9th - August 30th.
Level of Confidence, FOFA Gallery, Montréal, Québec, Canada, March 27th - April 10th.
Escuela Experimental de Arte, Centro Cultural de España en Tegucigalpa, Tegucigalpa, Honduras, March 24th - March 24th.
Art Dubai, Carroll / Fletcher Gallery, Dubai, United Arab Emirates, March 18th - March 21st.
Bear Witness Auction, Sotheby's, London, United Kingdom, March 9th - March 11th.
ARCO '15, Galería Max Estrella, bitforms gallery, Madrid, Spain, February 25th - March 1st.
Vídeo-Régimen, Museo Lázaro Galdiano, Madrid, Spain, February 13th - May 11th.
Seeing Through Light (curated by: Susan Davidson, Sasha Kalter-Wasserman and Maisa Al Qassimi), Guggenheim Abu Dhabi, Abu Dhabi, United Arab Emirates, January 8th - January 18th.
Kochi-Muziris Biennale (curated by: Jitish Kallat), Kochi, India, December 12th - March 29th 2015.
Untitled Art Fair, Galería Max Estrella, Miami, Florida, United States, December 3rd - December 7th.
Untitled Art Fair, bitforms gallery, Miami, Florida, United States, December 3rd - December 7th.
1+2: Coleccion Jumex in Dialogue with the Lowe Art Museum, Lowe Art Museum, Miami, Florida, United States, December 1st - May 24th 2015.
Permanent Collection presentations of Contemporary International Art Exhibition (curated by: Simon Maidment), National Gallery of Victoria, Melbourne, Australia, November 15th - April 19th 2015.
ArtBO, Galería OMR, Bogotá, Colombia, October 24th - October 27th.
Blood (curated by: Luke O'Neill), Science Gallery, Dublin, Ireland, October 24th - January 15th 2015.
Cruce de Colecciones (curated by: Omar-Pascual Castillo), CAAM, Las Palmas, Spain, October 16th - January 25th 2015.
Limited Visibility (curated by: Patricia Garcia-Velez Hanna and Natalia Zuluaga), Contemporary Art Museum, Raleigh, North Carolina, United States, October 3rd - January 4th 2015.
Luminous Flux, Thoma Foundation, Art House, Santa Fe, New Mexico, United States, September 24th - March 21st 2016.
Pencil/Line/Eraser, Carroll / Fletcher Gallery, London, United Kingdom, August 1st - September 14th.
Digital Revolution (curated by: Produced by Barbican International Enterprises, Guest Curator: Conrad Bodman), Barbican Centre, London, United Kingdom, July 3rd - September 14th.
Collective III, Art Bärtschi & Cie, Genève, Switzerland, July 1st - September 5th.
La Beautée du Geste / The Grace of a Gesture, Musée d'Art Contemporain de Montréal, Montréal, Québec, Canada, June 19th - September 7th.
Art Basel 45, Galería OMR, Basel, Switzerland, June 18th - June 22nd.
DarkMOFO Festival, Museum of Old and New Art, Hobart, Tasmania, Australia, June 12th - June 22nd.
Digital Latin America, 516 Arts, Albuquerque, New Mexico, United States, June 7th - August 30th.
Identity Control (curated by: Julia Villaseñor), Vadehra Art Gallery, New Delhi, India, May 17th - June 17th.
Art Basel Hong Kong, Galería OMR, Hong Kong, China, May 15th - May 18th.
Seeing Now (curated by: Alice Gray Stites), 21C Museum, Louisville, Kentucky, United States, May 1st - January 15th 2015.
Art Brussels, Carroll / Fletcher Gallery, Galería Max Estrella, Brussels, Belgium, April 25th - April 27th.
//the_ART_of_DATA (curated by: Peter Hirshberg), Boulder Museum of Contemporary Art, Boulder, Colorado, United States, April 24th - July 6th.
SP-arte Fair, Baró Gallery, São Paulo, Brazil, April 3rd - April 6th.
Art Dubai, Carroll / Fletcher Gallery, Dubai, United Arab Emirates, March 19th - March 22nd.
Permission to be Global (curated by: Jesús Fuenmayor with Jen Mergel and Liz Munsell), Museum of Fine Arts Boston, Boston, Massachusetts, United States, March 19th - July 13th.
Portrait: A Group Exhibition, TrépanierBaer Gallery, Calgary, Alberta, Canada, March 8th - June 13th.
Armory Show, Baró Gallery, New York City, New York, United States, March 6th - March 9th.
1 + 1 = 1 (curated by: Stéphane Aquin and John Zeppetelli), Musée des Beaux-Arts de Montréal, Montréal, Québec, Canada, February 22nd - June 15th.
ARCO '14, Galería Max Estrella, Carroll / Fletcher Gallery, Madrid, Spain, February 19th - February 23rd.
Everybody is Nobody for Somebody from the Kulczyk Collection (curated by: Timothy Persons), Fundación Banco Santander, Madrid, Spain, February 15th - June 15th.
Zona MACO, Galería OMR, Galería Max Estrella, Mexico City, México, February 5th - February 9th.
An Antipode so close... (curated by: Julia Villaseñor Bell), Vadehra Art Gallery, New Delhi, India, December 12th - January 11th 2014.
Art Basel Miami Beach, Galería OMR, Miami, Florida, United States, December 5th - December 8th.
Permission to be Global (curated by: Jesús Fuenmayor with Jen Mergel and Liz Munsell from the MFA Boston), The Cisneros Fontanals Foundation, Miami, Florida, United States, December 4th - February 23rd 2014.
INTER[IN]VENÇÃO, Fundação Eugénio de Almeida, Évora, Portugal, November 29th - March 9th 2014.
0 to 60: The Experience of Time through Contemporary Art, Pratt Manhattan Gallery, New York City, New York, United States, November 22nd - January 25th 2014.
5000 Moving Parts (curated by: Laura Knott), Massachusetts Institute of Technology Museum, Cambridge, Massachusetts, United States, November 21st - November 16th 2014.
Modern Contemporary permanent collection, North Carolina Museum of Art, Raleigh, North Carolina, United States, September.
The Art of Idea Festival, 21C Museum, Louisville, Kentucky, United States, September - October.
Aspen Ideas Festival, Resnick Gallery, Aspen, Colorado, United States, June 26th - August 10th.
Collective II, Galerie Guy Bärtschi, Genève, Switzerland, June 25th - September 6th.
The Red Queen, Museum of Old and New Art, Hobart, Tasmania, Australia, June 19th - April 21st 2014.
Art Basel Hong Kong, Galería OMR, Hong Kong, China, May 23rd - May 26th.
A different Kind of Order: The ICP Triennial, International Center of Photography, New York City, New York, United States, May 17th - September 22nd.
Art Rock Festival, Saint-Brieuc, France, May 17th - May 19th.
Art Brussels, Galería Max Estrella, Brussels, Belgium, April 18th - April 21st.
Inner Journeys, Maison Particulière Art Center, Brussels, Belgium, April 18th - June 30th.
Virginia Arts Festival, Norfolk, Virginia, United States, April 18th - April 28th.
Zona MACO, Galería OMR, Mexico City, México, April 10th - April 14th.
0 to 60: The Experience of Time through Contemporary Art, North Carolina Museum of Art, Raleigh, North Carolina, United States, March 24th - August 11th.
Rafael Lozano-Hemmer: No Hay Mariachi, Armory Show Art Fair, bitforms gallery, New York City, New York, United States, March 6th - March 10th.
ABC: MTL, Canadian Centre for Architecture, Montréal, Québec, Canada, February 28th - March 30th.
Desplazamientos, FEMSA collection group show, El Instituto Tamaulipeco para la Cultura y las Artes, Matamoros, México, February 13th - April 14th.
Sundance Film Festival, Park City, Utah, United States, January 17th - January 27th.
Volume: Hear Here (curated by: Christof Migone), Justina M. Barnicke Gallery, University of Toronto, Toronto, Ontario, Canada, January 16th - March 10th.
Pulse Miami, bitforms gallery, Miami, Florida, United States, December 6th - December 9th.
Unsaid/Spoken (curated by: José Roca and Moacir dos Anjos), The Cisneros Fontanals Foundation, Miami, Florida, United States, December 3rd - February 3rd 2013.
Feria ArtBO, Galerí OMR, Bogotá, Colombia, October 19th - October 22nd.
FEMSA "desplazamiento de Arte Moderno", Museo Reyes Meza, Nuevo Laredo, México, September 27th - October 27th.
Expo Chicago 2012, Navy Pier, Galería Max Estrella, Chicago, Illinois, United States, September 19th - September 23rd.
Son et Lumière (curated by: Chieko Kitade), 21st Century Museum of Contemporary Art, Kanazawa, Japan, September 16th - March 17th 2013.
Field Conditions (curated by: Joseph Becker), San Francisco Museum of Modern Art, San Francisco, California, United States, September 1st - January 1st 2013.
Transverso: Instalaciones y nuevos medios en Iberoamérica (curated by: José Manuel Noceda and Orlando Britto), Instituto Valenciano de Arte Moderno, Valencia, Spain, September - October.
Copenhagen Art Festival (curated by: Andreas Broegger), Kunsthallen Nikolaj, Copenhagen, Denmark, August 24th - October 21st.
Ruhr Triennal (curated by: Heiner Goebbels), Jahrhunderthalle Park, Bochum, Germany, August 15th - September 30th.
Urdaibaiarte (curated by: Alberto Sánchez Balmisa), Urdaibai Park, Urdaibai, Basque Country, Spain, July 20th - September 23rd.
Play with me (curated by: Cecilia Fajardo-Hill, Idurre Alonso and Selene Preciado), Museum of Latin American Art, Los Angeles, California, United States, June 17th - August 19th.
Zones of Contention (curated by: Xandra Eden), Weatherspoon Art Museum Greensboro, Greensboro, North Carolina, United States, June 16th - September 2nd.
Art Basel 43, Galería OMR, Basel, Switzerland, June 14th - June 17th.
C2-MTL Conference, Montréal, Québec, Canada, May 22nd - May 26th.
Art Hong Kong, Hong Kong Convention and Exhibition Centre, bitforms gallery, Hong Kong, China, May 17th - May 20th.
Focal Points: Art and Photography (curated by: Tim Wilcox), Manchester Art Gallery, Manchester, United Kingdom, May 17th - June 2nd 2013.
Museo Nacional de Bellas Artes, The Cisneros Fontanals Foundation, Havana, Cuba, May 11th - June 11th.
The Eleventh Bienal de la Habana (curated by: Ibis Hernández), Havana, Cuba, May 11th - June 11th.
Migration, ARNDT Gallery, Sydney, Australia, March 29th - May 20th.
WBA3: Architecture in the Expanded Field (curated by: Dr. Ila Berman and Douglas Burnham of envelope A+D), Wattis Institute of Contemporary Art in San Francisco, San Francisco, California, United States, March 8th - April 7th.
Time-Lapse (curated by: Irene Hofmann), Site Santa Fe, Santa Fe, New Mexico, United States, February 16th - May 20th.
No, No, I Hardly Ever Miss a Show (curated by: Anna Tomczak and Stanislaw Welbel), Zacheta National Gallery of Art, Warsaw, Poland, December 10th - February 12th 2012.
Art Basel Miami Beach, Galería OMR, Miami, Florida, United States, December 1st - December 4th.
The space between now and then, Galería OMR, Mexico City, México, November 23rd.
Decode, digital design sensations, Design Museum Holon, Holon, Israel, November 18th - March 10th 2012.
Machina, Medium, Apparatus (curated by: Karla Jasso), Laboratorio Arte Alameda, Mexico City, México, October 29th - January 22nd 2012.
Seeing/Knowing: Inauguration show, Gund Gallery, Kenyon College, Gambier, Ohio, United States, October 27th - March 4th 2012.
Resonance: Looking for Mr. McLuhan (curated by: Berta Sichel), Pratt Manhattan Gallery, New York City, New York, United States, October 21st - December 21st.
Espectros (curated by: Honor Harger and José Luis de Vicente), Arts Santa Mònica, Barcelona, Spain, October 14th - March 6th 2012.
AA2 Exhibition, AKC Medika Gallery, Zagreb, Croatia, October 7th - November 6th.
Triennale Québecoise 2011 (curated by: Marie Fraser), Place des Festivals, Musée d'Art Contemporain de Montréal, Montréal, Québec, Canada, October 7th - November 6th.
Rewriting Worlds: The 4th Moscow Biennale (curated by: Peter Weibel), Moscow, Russia, September 22nd - October 30th.
Global Contemporary (curated by: Peter Weibel), Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany, September 17th - February 19th 2012.
Borusan Contemporary, Perili Köşk, Istanbul, Turkey, September 13th - November 13th.
Drawing in Relation, DNA Gallery, Berlin, Germany, August 26th - October 16th.
Freedom to Create, The National Museum of Bosnia and Herzegovina, Sarajevo, Bosnia and Herzegovina, July 20th - August 2nd.
interconexiones 2000-2009: Arte contemporáneo en la Colección FEMSA, Colección FEMSA, Pinacoteca Diego Rivera, Xalapa, México, July 14th - September 18th.
Non-site (curated by: Irena Janysek, Izabela KaszyÅ"ska, Beata Łyżwa-SokóÅ', Ewa Odyjas, Anna Ostrowska, Weronika Panasewicz, Magda Szadkowska, Hanna Szpil, Zuzanna WaltoÅ› and Jolanta Woszczenko), Centre for Contemporary Art, Ujazdowski Castle, Warsaw, Poland, July 8th - September 18th.
Laboratori d'Interacció. Els sentits de les màquines (I/O/I), Disseny Hub IDAT, Barcelona, Spain, June 21st - January 31st 2012.
Art Hong Kong, bitforms gallery, Hong Kong, China, May 26th - May 29th.
Entreprise collective (curated by: Nicolas Mavrikakis), Espace Création, Loto-Québec, Montréal, Québec, Canada, May 25th - August 21st.
Freedom to Create, Galerie Mirchandani + Steinruecke, Mumbai, India, May 19th - June 2nd.
Madison Square Park Spring Party and auction, Madison Square Park Conservancy, New York City, New York, United States, May 18th.
Objects of Change, Article 25, London, United Kingdom, May 16th - May 20th.
Al calor del pensamiento, obras de la daros latinamerica collection (curated by: Katrin Steffen), Sala de Arte de la Ciudad Grupo Santander, Boadilla del Monte, Spain, April 30th.
Art Brussels, Galería Max Estrella, Brussels, Belgium, April 28th - May 1st.
Art Brussels, Galería OMR, Brussels, Belgium, April 28th - May 1st.
Storefront Spring Benefit, Storefront for Art and Architecture, New York City, New York, United States, April 11th.
Zona MACO, Centro Banamex, Mexico City, México, April 6th - April 10th.
"Open House" Singapore Biennale 2011 (curated by: Matthew Ngui, Russell Storer and Trevor Smith), Singapore Art Museum, Singapore, Singapore, March 11th - May 15th.
Armory Show, Pier 94, Galerie Guy Bärtschi, New York City, New York, United States, March 3rd - March 6th.
Decode, digital design sensations, Garage Center for Contemporary Culture, Moscow, Russia, February 11th - April 10th.
Extimidad (curated by: Pau Waelder), Es Baluard Museum, Palma, Spain, January 29th - May 1st.
Monanism (curated by: Delia Nicholls), Museum of Old and New Art, Hobart, Tasmania, Australia, January 22nd - October 7th 2014.
Hyperlinks: Architecture and Design, Art Institute of Chicago, Chicago, Illinois, United States, December 11th - July 20th 2011.
Art Basel Miami Beach, Galería OMR, Miami, Florida, United States, December 2nd - December 5th.
2010 Freedom to Create Prize, Cairo Opera House, Cairo, Egypt, November 25th - December 17th.
Decode, digital design sensations, Central Academy of Fine Arts Museum, Beijing, China, October 15th - November 21st.
Art star IV video biennale, Galerie SAW Gallery, Ottawa, Ontario, Canada, September 25th - October 25th.
Glow, Santa Monica Beach, Santa Monica, California, United States, September 25th.
ShadowDance, Kunsthal KAdE, Amersfoort, Netherlands, September 16th - January 10th 2011.
archiTECHtonica, Colorado University Art Museum, Boulder, Colorado, United States, September 9th - December 18th.
Trayectos: paisaje y memoria. Arte contemporáneo en la Colección FEMSA, Centro Cultural de Chiapas Jaime Sabines, Tuxtla Gutiérrez, México, July 22nd - September 24th.
Intensif-Station, K21 Ständehaus, Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany, July 10th - September 4th 2011.
Open this End, Expo 2010, Shanghai, China, June 18th - October 31st.
Volta, bitforms gallery, Basel, Switzerland, June 14th - June 20th.
Raum für Raum, K21 Ständehaus, Düsseldorf, Germany, June 10th - July 11th.
20 ans déjà, Galerie Guy Bärtschi, Genève, Switzerland, May 20th - June 16th.
Optimismo Radical, Josée Bienvenu Gallery, New York City, New York, United States, May 20th - June 26th.
Trayectos: paisaje y memoria. Arte contemporáneo en la Colección FEMSA, Planetario Villahermosa, Villahermosa, México, April 29th - July 4th.
InTERvenciones (curated by: José Roca), Consejo Nacional de la Cultura y de las Artes, Valparaíso, Chile, February 28th - April 15th.
Galería OMR, Mexico City, México.
ARCO '10, Galería Max Estrella, Madrid, Spain.
ARCO '10, Galerie Guy Bärtschi, Madrid, Spain.
ARCO '10, bitforms gallery, Madrid, Spain.
ARCO '10, Haunch of Venison, Madrid, Spain.
Artefact Festival (curated by: Pieter-Paul Mortier), Leuven, Belgium.
Atopia (curated by: Josep Ramoneda e Iván de la Nuez), CCCB, Barcelona, Spain.
Gala Benefit, Storefront for Art and Architecture, New York City, New York, United States.
Art Bologna, Galerie Guy Bärtschi, Bologna, Italy.
Sculpture as time, Art Gallery of Ontario, Toronto, Ontario, Canada.
Extra-Muros (curated by: Alain Mongeau), Mutek Festival 10th anniversary, Red light district, Montréal, Québec, Canada, May 27th - May 31st.
5 Solos, Galería OMR, Mexico City, México.
Armory Show, Galería OMR, New York City, New York, United States.
Art & Electronic Media (curated by: Edward Shanken), bitforms gallery, New York City, New York, United States.
Being in the World (curated by: Berta Sichel), The Cisneros Fontanals Foundation, Miami, Florida, United States.
Conjugaciones: Arte Contemporáneo Latinoamericano en la Colección FEMSA (curated by: Miriam Kaiser), Museo de los pintores Oaxaqueños, Oaxaca, México.
Decode, digital design sensations (curated by: Louise Shannon and Ligaya Salazar), Victoria and Albert Museum, London, United Kingdom.
Emergentes (curated by: José-Carlos Mariategui), Fundación Telefónica, Santiago, Chile.
Enter Action-Digital Art Now (curated by: Gitte Orskou, Anne Sophie Lossing, Pernille Taagaard Dinesen and Anne Sophie Witzke), ARoS Aarhus Kunstmuseum, Aarhus, Denmark.
Hundred Stories about Love (curated by: Chieko Kitade), 21st Century Museum of Contemporary Art, Kanazawa, Japan.
Inpoliticos (curated by: Laura Bardier), Palazzo Art Napoli, Naples, Italy.
Open Space (curated by: Yukiko Shikata), NTT InterCommunication Center (ICC), Tokyo, Japan.
Pulse Art Fair, bitforms gallery, Miami, Florida, United States.
Socially Active (curated by: Rachael Baum, Vivian So Hyun Choi, Helena Copsey, Sue-Na Gay, Grace Zihua Lu and Sara Taylor), University Gallery, University of Essex, Colchester, United Kingdom.
The World is Yours (curated by: Anders Kold), Louisiana Museum, Copenhagen, Denmark.
Un Mundo Feliz (curated by: Rewell Altunaga), 10th Bienal de la Habana, Havana, Cuba.
YOU_ser_: Das Jarhundert des Konsumenten (curated by: Peter Weibel), Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany.
White Tie & Tiara Charity Ball, Elton John AIDS Foundation, London, United Kingdom.
Pulse Miami, bitforms gallery, Miami, Florida, United States, December 3rd - December 7th.
The Prisoner's Dilemma (curated by: Leanne Mella), The Cisneros Fontanals Foundation, Miami, Florida, United States, December 3rd - March 1st 2009.
Maquinas y Almas - Souls and Machines (curated by: Montxo Algora and Jose Luis de Vicente), Museo Nacional Reina Sofía, Madrid, Spain, June 26th - October 12th.
Haunch of Venison, New York City, New York, United States.
Art Basel 39, Galería OMR, Basel, Switzerland.
Art Forum, Galerie Guy Bärtschi, Berlin, Germany.
Asedio (curated by: José Luis Barrios), Museo Universitario de Arte Contemporáneo, Mexico City, México.
Emergentes (curated by: José-Carlos Mariategui), Centro Fundación Telefónica, Lima, Peru.
Emergentes (curated by: José-Carlos Mariategui), Espacio Fundación Telefónica, Buenos Aires, Argentina.
Fortunate Objects (curated by: Cecilia Fajardo Hill), The Cisneros Fontanals Foundation, Miami, Florida, United States.
In Memoriam Albert Hofmann (curated by: Michel Blancsubé), Laberinto de la Ciencia y Las Artes, Jumex Collection, San Luis Potosí, México.
Intruders (curated by: Mélanie Boucher), Musée national des beaux-arts du Québec, Québec, Québec, Canada.
LOOP '08, Galerie Guy Bärtschi, Catalonia Ramblas Hotel, Barcelona, Spain.
No es Neutral (curated by: Felicitas Rausch), La Tabakalera, International Contemporary Culture Centre, San Sebastián, Spain.
Phantasmagoria: Specters of Absence (curated by: José Roca), Salina Art Center, Salina, Kansas, United States.
Phantasmagoria: Specters of Absence (curated by: José Roca), Fisher Gallery, University of Southern California, Los Angeles, California, United States.
Phantasmagoria: Specters of Absence (curated by: José Roca), The John and Marbe Ringling Museum of Art, Sarasota, Florida, United States.
Phantasmagoria: Specters of Absence (curated by: José Roca), McColl Center for Visual Art, Charlotte, North Carolina, United States.
Prospect.1, New Orleans Bienniale (curated by: Dan Cameron), New Orleans Museum of Art, New Orleans, Louisiana, United States.
Synthetic Times - Media Art China, A Beijing Olympics Cultural Project (curated by: Zhang Ga), National Art Museum of China, Beijing, China.
The Art of Participation: 1950 to now (curated by: Rudolf Frieling), San Francisco Museum of Modern Art, San Francisco, California, United States.
The Fifth Floor: Ideas Taking Space (curated by: Peter Gorschlüter, Lindsey Fryer and the people of Liverpool), Tate Liverpool, Liverpool, United Kingdom.
Turn and Widen, 5th Seoul International Media Art Bienniale (curated by: Raul Zamudio), Seoul Museum of Art, Seoul, South Korea.
YOUniverse, 3rd International Bienniale of Contemporary Art (curated by: Peter Weibel, Marie-Ange Brayer and Wonil Rhee), Centro Andaluz de Arte Contemporáneo de Sevilla, Sevilla, Spain.
New Zealand Festival, Te Papa Museum, Wellington, New Zealand.
E-art (curated by: Jean Gagnon), Musée des Beaux-Arts de Montréal, Montréal, Québec, Canada, September 20th - December 9th.
LA Art in New York, Galería OMR, New York City, New York, United States, February 23rd - February 25th.
ARCO '07, bitforms gallery, Madrid, Spain, February 15th - February 19th.
ARCO '07, Galerie Guy Bärtschi, Madrid, Spain, February 15th - February 19th.
ARCO '07, Galería OMR, Madrid, Spain, February 15th - February 19th.
Arte Fiera Bologna, Galerie Guy Bärtschi, Bologna, Italy, January 26th - January 28th.
The Cisneros Fontanals Foundation, Miami, Florida, United States.
Art Basel Unlimited - Art Basel 38, Galería OMR, Galerie Guy Bärtschi and bitforms gallery, Basel, Switzerland.
Auto Emotion (curated by: Gregory Burke), Power Plant, Toronto, Ontario, Canada.
Automatic Update (curated by: Barbara London), Museum of Modern Art, New York City, New York, United States.
Collective I, Galerie Guy Bärtschi, Genève, Switzerland.
Emergentes (curated by: José-Carlos Mariategui), The Laboral Art Center, Gijón, Spain.
Floating Artworks (curated by: Bruce Ferguson), TD Centre, Art Gallery of Ontario, Toronto, Ontario, Canada.
Lines of Flight (curated by: Celina Jeffrey), LEF-CAAC, Hunter College, New York City, New York, United States.
Phantasmagoria: Specters of Absence (curated by: José Roca), ICI, Biblioteca Luis Angel Arango, Bogotá, Colombia.
Art Brussels, Galerie Guy Bärtschi, Brussels, Belgium.
Huge, Artcore Gallery, Toronto, Ontario, Canada.
Pulse Fair, bitforms gallery, New York City, New York, United States.
FIAC, Galerie Guy Bärtschi, Paris, France, October 26th - October 30th.
ARCO '06, Galería OMR, Madrid, Spain.
Art Basel 37, Galería OMR, Galerie Guy Bärtschi, bitforms gallery, Basel, Switzerland.
Caleidoscopios (curated by: Gustavo Romano), Centro Cultural de España en Buenos Aires, Buenos Aires, Argentina.
Forms of Classification: Alternative Knowledge and Contemporary Art (curated by: Cecilia Fajardo-Hill), The Cisneros Fontanals Foundation, Miami, Florida, United States.
Microwave International New Media Arts Festival, Hong Kong, China.
Plataforma (curated by: Priamo Lozada), Fábrica La Constancia, Puebla, México.
Pre-Emptive (curated by: Philippe Pirotte), Kunsthalle Bern, Bern, Switzerland.
Scrabble (curated by: Álvaro Rodríguez Fominaya), Centro Atlántico de Arte Moderno, Las Palmas, Spain.
Volta, Galerie Guy Bärtschi, Basel, Switzerland.
Zones of Contact (curated by: Charles Merewhether), Biennale of Sydney, Art Gallery of New South Wales, Sydney, Australia.
Electrohype, Malmö, Sweden.
Levinas: Ethics of Encounter, McGill University, Montréal, Québec, Canada.
Only the Paranoid Survive, HVCCA, Peekskill, New York, United States.
Toronto Art Fair, Artcore Gallery, Toronto, Ontario, Canada.
Art Basel Miami Beach, Galería OMR, Miami, Florida, United States, December.
Beyond Delirious, The Cisneros Fontanals Foundation, Miami, Florida, United States, November 30th - February 3rd 2006.
Subsculptures, Galerie Guy Bärtschi, Genève, Switzerland, November 5th - January 14th 2006.
FIAC, Galerie Guy Bärtschi, Paris, France, October 6th - October 10th.
Dataspace (curated by: Priamo Lozada), Laboratorio Arte Alameda, Mexico City, México, February - March.
Art Meets Media (curated by: Yukiko Shikata and Fumihiko Sumitomo), NTT InterCommunication Center (ICC), Tokyo, Japan, January - March.
bitforms Seoul, Seoul, South Korea.
Centro Cultural de España, Mexico City, México.
Algorithmic Revolution (curated by: Peter Weibel), Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany - 2005.
ARCO '05 Black Box (curated by: Mark Tribe), bitforms gallery, Madrid, Spain.
Art Basel Unlimited - Art Basel 36, Galería OMR, Basel, Switzerland.
Dataspace, Conde Duque, Madrid, Spain.
MUSAC (curated by: Agustín Perez Rubio and Rafael Doctor), León, Spain.
X Salón de Arte Bancomer (curated by: José Luis Barrios, José Springer and Sylvia Navarrete), Museum of Modern Art, Mexico City, México.
Art Cologne, Galería Metropolitana, Cologne, Germany.
Elektra Festival, Musée d'Art Contemporain de Montréal, Montréal, Québec, Canada.
In the Line of Flight, Tsinghua University, Beijing, China.
Techniques of the Visible (curated by: Xu Jiang, Sebastián López, Shengtian Zheng and Zhang Qing), Shanghai Biennial, Shanghai Art Museum, Shanghai, China, October - November.
Art&D, Society for Arts and Technology (SAT), Montréal, Québec, Canada, September 1st - October 2nd.
Navigator exhibition (curated by: Jun-Jieh Wang), National Taiwan Museum of Fine Arts, Taichung, Taiwan, July - August.
LA MOCA (Digital Gallery) (curated by: Alma Ruiz), Los Angeles, California, United States.
Art Cologne, bitforms gallery, Cologne, Germany.
LOOP, Galería Metropolitana, Barcelona, Spain.
Critical Conditions (curated by: Tim Druckrey), Wood Street Gallery, Pittsburgh, Pennsylvania, United States.
Ill Communication (curated by: Rob Tufnell), Dundee Contemporary Art, Dundee, United Kingdom.
Paris Photo (curated by: Daniela Franco), Statement Project Room, Paris, France.
Radiant City Exhibition (curated by: Achille Bonito Oliva), Fundación Bancaja, Valencia, Spain.
OPEN: New Designs for Open Space, Van Alen Institute, New York City, New York, United States.
Cibervisión 2 (curated by: Karin Ohlenschläger), Conde Duque, Madrid, Spain.
Egofugal (curated by: Yuko Hasegawa), 7th International Istanbul Biennial, Istanbul, Turkey.
6th International Festival for Architecture in Video, Florence, Italy.
Ars Electronica Festival, OK Centrum, Linz, Austria.
E-phos Festival, Athens, Greece.
Emoçao Art.ficial, Itau Cultural, São Paulo, Brazil.
Resonancias, Observatori, Valencia, Spain.
Sapphire '02, Atlantico Pavillion, Lisbon, Portugal.
Interactiva '00, Museo de Arte Contemporaneo, Mérida, México.
Istanbul Biennial, Istanbul, Turkey.
MAD '01, Ifema, Madrid, Spain.
Media Arts Festival, Tokyo Metropolitan Museum of Photography, Tokyo, Japan.
Net.artmadrid, ARCO, Madrid, Spain.
Art electrònic a Espanya (curated by: Claudia Gianetti), Sala d'Exposicions de la Caixa de Sabadell, Sabadell, Spain.
Centro de Arte Contemporáneo Wifredo Lam (curated by: Ibis Hernández Abascal, Nelson Herrera Ysla and Magda Gonzalez), 7th Bienal de la Habana, Havana, Cuba.
Yo y mi Circunstancia (curated by: Paloma Porraz and Guillermo Santamarin), Musée des Beaux-Arts de Montréal, Montréal, Québec, Canada.
File, Museum of Image and Sound, São Paulo, Brazil.
International Festival for Architecture in Video, University of Florence, Florence, Italy.
Mediaterra 2000, Fournos Center, Athens, Greece.
Next Festival, Karlstad, Sweden.
Splitski Filmski Festival, Split, Croatia.
Art Futura '99 Festival, Sevilla, Spain.
Interactive Urban Landscapes, Copenhagen, Denmark.
Medienkunstpreis 2000, Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany.
Viper '98, Webart selection, Lucerne, Switzerland.
Festival de Video de Navarra, Pamplona, Spain.
Image architettura in movimento, Torino, Italy.
Lo Mejor de los dos Mundos, Cuenca, Spain.
Arte Virtual, Realidad Plural, Museo de Monterrey, Monterrey, México, November - January 1998.
Festival Internacional de Info-arquitectura, MOPU, Madrid, Spain.
Remote Sensations, Ars Electronica Festival, Linz, Austria.
Nova Scotia Community College, Halifax, Nova Scotia, Canada.
Apple Computer, Cupertino, California, United States.
Actual '96, Logroño, Spain.
ARCO '95, Fundacion Arte y Tecnologia, Madrid, Spain.
European Media Art Festival, Osnabrück, Germany.
Forskningscentrum fur Informatik, University of Karlstad, Karlstad, Sweden.
Infografía en España series, Museo Nacional Reina Sofía, Madrid, Spain.
The External Interior (Interactive Spectator), Ex-caotica group show, Galeria Cruce, Madrid, Spain.
Theater, Music, Dance and New Technologies, Torino, Italy.
Akademie der Bildenden Kunste, Nuremberg, Germany.
ARCO '93, Madrid, Spain.
2!M VR Exhibition, Comunidad de Madrid, Madrid, Spain.
En-red-arte, Círculo de Bellas Artes, Madrid, Spain.
Tomorrow's Realities, SIGGRAPH'93, Anaheim, California, United States.
Festival Les 20 jours du théâtre à risque, Musée national des beaux-arts du Québec, Québec, Québec, Canada, November.
The Dancers Answer Questions, Banff National Park, Banff, Alberta, Canada.
Speaking Willow, Planet World, Washington, D.C., United States, April 1st.
States of Mind, States of Being; Meditations on the Human Condition, Musée des Beaux-Arts Montréal, Montréal, Québec, Canada, May 28th.
Métronomos, Museo Memoria y Tolerancia, Mexico City, México, February 28th.
Sesiones con El Nigromante, Centro Cultural Ignacio Ramírez - El Nigromante, Guanajuato, México, June 22nd.
Colorimètre, Maison Manuvie, Montréal, Québec, Canada, November 27th.
Bilateral Time Slicer Intermix, 21C Museum, Nashville, Tennessee, United States, April 15th.
Pulse Room, Museum of Old and New Art, Hobart, Tasmania, Australia, January 1st.
De Ferron à BGL, Musée national des beaux-arts du Québec, Québec, Québec, Canada, June 22nd.
Fiducial Voice Beacons, Science museum, Information Age gallery, London, United Kingdom, October 24th.
Zero Noon, Fidelity HQ, Boston, Massachusetts, United States, August 10th.
Bifurcation, Phi Centre, Montréal, Québec, Canada, November 15th.
Blow-Up Hall 5050 Hotel, Grazyna Kulczyk Foundation, Poznan, Poland.
HUMO workshop, Interfacing realities master class, AEC Linz, Linz, Austria, February 2003.
Karlstad University, Karlstad, Sweden, March 2000.
SAGAs writing interactive fiction, Munich, Germany, November 1999.
Centro Nacional de las Artes, Mexico City, México, November 1994.
Complutense University of Madrid, Madrid, Spain, January-June 1993.
Banff Centre for the Arts, Banff, Alberta, Canada, May-November 1990.
Symposium: The Air of Turbulence, Manchester International Festival, Manchester, United Kingdom, July 8th - July 8th.
Conversation with José Luis de Vicente, Manchester International Festival, Manchester, United Kingdom, July 6th - July 6th.
Walking Tour: Voices in the Air, Ghosts in the Machine, Manchester International Festival, Manchester, United Kingdom, July 6th - July 7th.
Guided Tour: The technology behind Atmospheric Memory, Manchester International Festival , Manchester, United Kingdom, July 2nd - July 2nd.
Documentary Edge Festival, Documentary Edge Festival, Wellington, New Zealand, June 17th - June 18th.
Documentary Edge Festival , Documentary Edge Festival , Auckland, New Zealand, June 3rd - June 9th.
Doors Open Toronto 2019, University of Toronto - John H. Daniels Faculty of Architecture, Landscape and Design, Toronto, Ontario, Canada, May 25th - May 26th.
Newport Beach Film Fest 20th Anniversary, Newport Beach Film Fest , Newport Beach, California, United States, May 2nd - May 2nd.
Megalodemocrat: The Public Art of Rafael Lozano-Hemmer, Hirshhorn Museum and Sculpture Garden, Washington, D.C., United States, April 27th - April 27th.
Keynote, Texas Association of Museums, El Paso, Texas, United States, April 3rd - April 3rd.
Megalodemocrat: The Public Art of Rafael Lozano-Hemmer, Hirshhorn Museum and Sculpture Garden, Washington, D.C., United States, March 31st - March 31st.
Megalodemocrat: The Public Art of Rafael Lozano-Hemmer, Hirshhorn Museum and Sculpture Garden, Washington, D.C., United States, March 27th - March 27th.
EPOS International Art Film Festival, Tel Aviv Museum of Art, Tel Aviv, Israel, March 19th - March 19th.
FICUNAM Festival, Universidad Nacional Autónoma de México, Mexico City, México, March 1st - March 1st.
Rafael Lozano-Hemmer: Présence instable, IAAC - Institute for Advanced Architecture of Catalonia, Barcelona, Spain, February 14th - February 14th.
OCMA, Orange County Museum of Art, Santa Ana, California, United States, February 10th - February 10th.
Talk with Krzysztof Wodiczko, Daniels Faculty of Architecture - University of Toronto, Toronto, Ontario, Canada, January 22nd.
Conversation about Megalodemocrat, Hirshhorn Museum and Sculpture Garden, Washington, D.C., United States, January 12th.
Rafael Lozano-Hemmer: Pulse, Newseum, Washington, D.C., United States, January 12th - January 13th.
DART Festival, Venue to be announced, Barcelona, Spain, December 1st.
Artist Talk: Rafael Lozano-Hemmer, Hirshhorn Museum and Sculpture Garden, Washington, D.C., United States, October 30th.
Keynote, ACADIA 2018 Conference, Mexico City, México, October 20th.
Painting with Light: Festival of International Films on Art, National Gallery Singapore, Singapore, Singapore, October 5th - October 28th.
Art sonore, nouvelles technologies et espace urbain, Rhythmopolis, Montréal, Québec, Canada, September 8th.
Rafael Lozano-Hemmer and Krzysztof Wodiczko in conversation, Concordia University, Montréal, Québec, Canada, September 7th.
Artist Talk: Rafael Lozano-Hemmer, North Carolina Museum of Art, Raleigh, North Carolina, United States, April 8th.
Conversation with Samuel Bianchini and Emanuele Quinz, Musée d'Art Contemporain de Montréal, Montréal, Québec, Canada, March 21st.
Festival International du Film sur l'Art, Monument National, Montréal, Québec, Canada, March 8th.
Latin GSD Symposium 2018, Harvard University Graduate School of Design, Cambridge, Massachusetts, United States, February 6th.
IALD Enlighten Americas 2017, International Association of Lighting Designers, Denver, Colorado, United States, October 14th.
Future Shock, Site Santa Fe, Santa Fe, New Mexico, United States, October 8th.
"Techs-Mechs" A Run-Through the History of Mexican Technological Culture, MUTEK , Montréal, Québec, Canada, August 24th.
Curated Conversations, Lahore Biennale 01, Lahore, Pakistan, May 5th.
IALD, Denver Union Station, Denver, Colorado, United States, April 21st.
IALD, Utah Museum of Fine Arts, Salt Lake City, Utah, United States, April 20th.
Symbolic Reparations Symposium, Harvard University, Cambridge, Massachusetts, United States, April 1st.
Mextrópoli-Festival Internacional de Arquitectura y Ciudad, TBD, Mexico City, México, March 11th - March 14th.
Inst-Int Conference, Inst-Int Conference, New Orleans, Louisiana, United States, February 22nd - February 24th.
Lecture at Director's Circle dinner, SFMOMA, San Francisco, California, United States, February 8th.
Symposium: It is Forbidden not to Participate, Pérez Art Museum Miami, Miami, Florida, United States, February 4th.
Conversation with Ed Shanken, Gund Gallery, Gambier, Ohio, United States, November 7th.
Best Practices for Conservation of Media Art from an Artist's Perspective, The Institute of Fine Arts - Conservation Center - NYU, New York City, New York, United States, October 3rd.
Media Architecture Summit 2016, TIFF Bell Lightbox, Toronto, Ontario, Canada, September 29th.
Media in the Expanded Field, Fundación Casa Wabi, Puerto Escondido, México, July 12th - July 18th.
Rafael Lozano-Hemmer: Preabsence, Hochschule für Gestaltung und Kunst FHNW, Basel, Switzerland, June 8th.
American Institute of Conservation - 44th Annual Meeting , Palais des Congrès de Montréal, Montréal, Québec, Canada, May 15th - May 17th.
Rafael Lozano-Hemmer and Rudolf Frieling in conversation, Zona Maco Art Fair, Mexico City, México, February 4th.
Conversations in Contemporary Art, Concordia University, Montréal, Québec, Canada, January 14th.
Keynote, Museo Universitario Arte Contemporaneo, Mexico City, México, October 28th.
Conversation with Krzysztof Wodiczko, Museo Universitario Arte Contemporaneo, Mexico City, México, October 24th.
Miercoles de SOMA - Rafael Lozano-Hemmer, SOMA, Mexico City, México, October 21st.
Conference in the International Congress of Museums, Museo Universitario Arte Contemporaneo, Mexico City, México, October 16th.
Explaining Public Art Symposium, Madison Square Park, New York City, New York, United States, May 18th.
IMDA presentation - ELEKTRA 16, Phi Centre, Montréal, Québec, Canada, May 16th.
Let's Talk Forum, Kochi-Muziris Biennale, Kochi, India, January 11th - January 11th.
Keynote "Monument / Anti-monument conference", Laumeier Sculpture Park, St. Louis, Missouri, United States, April 10th - April 12th.
Round Table "Vida Art and A-life Awards", Fundación Telefónica, Madrid, Spain, March 12th.
Penny Stamps Distinguished Speaker, University of Michigan, Detroit, Michigan, United States, January 16th.
Keynote, The Participatory Condition, hosted by Media@McGill, Musée d'Art Contemporain de Montréal, Montréal, Québec, Canada, November 15th.
IdeaFestival, The Kentucky Center, Louisville, Kentucky, United States, September 27th.
Keynote, Eyeo Festival, Minneapolis, Minnesota, United States, June 5th - June 9th.
7 on 7, New Museum of Contemporary Art, New York City, New York, United States, April 19th - April 20th.
Antimonuments and Subsculptures, North Carolina Museum of Art, Raleigh, North Carolina, United States, April 14th.
Gutai as Science Fiction, Guggenheim Museum, New York City, New York, United States, March 12th.
Lecture followed by Seth Horvitz performance, San Francisco Museum of Modern Art, San Francisco, California, United States, November 1st.
Discussion with Richard Sommer, PennDesign, University of Pennsylvania, Philadelphia, Pennsylvania, United States, October 3rd.
Panel with Steve Diets, Adelina Vlas and Penny Balkin Bach, Philadelphia Museum of Art, Philadelphia, Pennsylvania, United States, September 22nd.
Turbinenhalle, Jahrhunderthalle, Bochum, Germany, August 19th.
Antimonuments and Subsculptures, Sydney Opera House, Sydney, Australia, December 5th.
Art, Design, and Public Domain Lecture Series: Rafael Lozano-Hemmer, Harvard University, Cambridge, Massachusetts, United States, November 28th.
The Culture of Ubiquitous Information, Danish Architecture Center, Copenhagen, Denmark, November 11th.
Keynote, Institute for Comparative Modernities, Cornell University, Ithaca, New York, United States, May 13th.
Keynote, Arnold Hall Auditorium, Savannah College of Art and Design, Savannah, Georgia, United States, February 25th.
Canadian Centre for Architecture, Théâtre Paul Desmarais, Montréal, Québec, Canada, December 9th.
Keynote, CHIN Digital Heritage Symposium, Vancouver, British Columbia, Canada.
Keynote, ON.Fire National Media Arts Conference, CBC Glenn Gould studio, Toronto, Ontario, Canada.
ACMI, Melbourne, Australia.
Art Museum of the Americas, Washington, D.C., United States.
FPAA, Philadelphia, Pennsylvania, United States.
USC, Los Angeles, California, United States.
Whitworth Gallery, Manchester, United Kingdom.
Keynote, Adelaide Film Festival, Adelaide, Australia.
21st Century Museum of Contemporary Art, Kanazawa, Japan.
Association of Performing Arts Presenters, New York City, New York, United States.
Concordia University, Montréal, Québec, Canada.
Museum of Modern Art, New York City, New York, United States.
Université de Montréal, Montréal, Québec, Canada.
Institute of Contemporary Arts, London, United Kingdom.
Museo Tamayo, Mexico City, México.
Barbican Centre, London, United Kingdom.
Cooper Union / Parsons, New York City, New York, United States.
Edith Russ Site for Media Art, Oldenburg, Germany.
Goldsmiths College, London, United Kingdom.
Musée des Beaux-Arts, Montréal, Québec, Canada.
New School, New York City, New York, United States.
Princeton University, Princeton, New Jersey, United States.
Science Museum, London, United Kingdom.
Fondazione Bevilacqua la Massa, Venice, Italy.
Power Plant, Toronto, Ontario, Canada.
Tate Modern, London, United Kingdom.
Art Gallery of NSW, Sidney Bartlett School of Architecture, University College London, London, United Kingdom.
Guggenheim Museum, New York City, New York, United States.
ICC, Tokyo, Japan.
Logo Parc, Amsterdam, Netherlands.
Q-Arts, Derby, United Kingdom.
Avenue Campus, University of Northampton, Northampton, United Kingdom.
Broadway, Nottingham, United Kingdom.
IVF, Vitoria, Spain.
Kodak Lecture, Ryerson University, Toronto, Ontario, Canada.
Loopholes Symposium, Harvard University, Cambridge, Massachusetts, United States.
Metro Cinema, Derby, United Kingdom.
Phoenix Arts, Leicester, Massachusetts, United States.
SAPS, Mexico City, México.
School of Architecture, University of Lincoln, Lincoln, United Kingdom.
Centro Nacional de Investigación, Documentación e Información Teatral "Rodolfo Usigli", Mexico City, México.
Fundación Telefónica, Madrid, Spain.
IDCA, Aspen, Colorado, United States.
Lowe Manhattan Cultural Council, New York City, New York, United States.
Media Space, Stuttgart, Germany.
MICA, Baltimore, Maryland, United States.
Société des Arts Technologiques, Montréal, Québec, Canada.
Udla symposium, Puebla, México.
Universidad Carlos III de Madrid, Madrid, Spain.
California Science Center, Los Angeles, California, United States.
Digifest, Toronto Emily Carr Institute of Art and Design / UBC, Vancouver, British Columbia, Canada.
Embassy of Canada to Japan, Tokyo, Japan.
Festival du Nouveau Cinéma (ex-FCMM), Montréal, Québec, Canada.
Laboratorio Arte Alameda, Mexico City, México.
Making Art of Databases, V2_Organisatie, Rotterdam, Netherlands.
Museum of Fine Arts, Boston, Massachusetts, United States.
Royal College of Art, Estocolmo, Sweden.
Art in Motion lecture series, The Museum of Contemporary Art in Los Angeles, Los Angeles, California, United States.
Arts International, Rhizome blender, New York City, New York, United States.
Bauhaus, Dessau, Germany.
Department of Art, University of California in Los Angeles, Los Angeles, California, United States.
MIT MediaLab, Cambridge, Massachusetts, United States.
Museums as Media Symposium, Guggenheim Museum, New York City, New York, United States.
National Research Council of Canada, IRC Ottawa, Ottawa, Ontario, Canada.
National Research Council of Canada, IMI Montréal , Montréal, Québec, Canada.
Prix Ars Electronica Forum, Linz, Austria.
Subtle Technologies conference, University of Toronto, Toronto, Ontario, Canada.
Art, Technology and Culture Colloquium, University of California in Berkeley, Berkeley, California, United States.
Engineers of Experience, Ars Electronica Festival, Linz, Austria.
Interventions Symposium, National Museum of Photography in Bradford, Istanbul Biennial, Istanbul, Turkey.
Media Arts and Culture Colloquium, Wexner Center, Ohio State University, Columbus, Ohio, United States.
Santa Rosa College, Santa Rosa, California, United States.
School of the Art Institute of Chicago, Chicago, Illinois, United States.
Transmediale, Berlin, Germany.
Transurbanism Symposium, Netherlands Architecture Institute, V2, Rotterdam, Netherlands.
Yamaguchi Center for Arts and Media, Yamaguchi, Japan.
Center for the Arts and Humanities, Syracuse University, Albany, New York, United States.
Next Conference, Karlstad, Sweden.
Consejo de la artes de Nuevo Leon, Monterrey, México.
In Art '98, Universidad de Granada, Tenerife, Spain.
Dutch Electronic Art Festival, Rotterdam, Netherlands.
Imagina 98, Le Sens du Numérique, Monaco, Monaco.
Virtual Museum Symposium, Arch Foundation, Salzburg, Austria.
Conocimiento del Arte, Residencia de Estudiantes, Madrid, Spain.
Keynote, IATM conference, Palacio de Correos, Madrid, Spain.
Jornadas El Objeto Inmaterial, Trasforma, Vitoria-Gasteiz, Spain.
Seminari.
Seminario Ciberarte, Fundación CAM, Alicante, Valencia y Murcia, Spain.
Festival Sonar '96, Barcelona, Spain.
Milia '96, Cannes, France.
Seminario de Paul Hertz, Valencia, Spain.
Art Futura '95 Festival, Madrid, Spain.
Festival Cyberría '95, Bilbao, Spain.
Department of Art, Universidad Nacional Autónoma de México, Mexico City, México.
Department of Communications, Tecnológico de Monterrey, Monterrey, México.
Jornadas sobre Arte y Comunicación Multimedia, Politécnico, Valencia, Spain.
Learning in Networks Conference, University of Karlstad, Karlstad, Sweden.
Fundacion Arte y Tecnología de Telefónica, Madrid, Spain.
Consejo de Ciencia y Tecnologia (CONACYT), Mexico City, México.
Department of Design, Universidad Autonoma Metropolitana - Azcapotzalco, Mexico City, México.
Museo de Antropologia, Mexico City, México.
Canadian Studies Association, Pamplona, Spain.
Communications Department, Concordia University, Montréal, Québec, Canada.
Department of Design, Concordia University, Montréal, Québec, Canada.
Oboro Gallery, Montréal, Québec, Canada.
Ontario College of Art & Design, Media Arts Department, Toronto, Ontario, Canada.
School of Social and Political Science, York University, Toronto, Ontario, Canada.
21st Century Museum of Contemporary Art, Kanazawa, Japan 2009.
Technological Contemporary Dance with Transition State Theory:
X'Teresa Arte Alternativo, Mexico City, México, November 1994.
Akademie der Bildenden Kunste, Nuremberg, Germany, November 1993.
SIGGRAPH '93 Festival, Anaheim, California, United States, August 1993.
Circulo de Bellas Artes, Sala de Columnas, Madrid, Spain, June 1993.
Performances with Dick Higgins:
Storm Riders hörspiel, Danish State Radio, Denmark, October 1992.
Several short Fluxus pieces, Alberta College of Art, Calgary, Alberta, Canada, October 1990.
The City that Could performance, Banff Centre, Banff, Alberta, Canada, September 1990.
Technological Theatres with PoMo CoMo:
Ars Electronica Festival, Linz, Austria, June 1992.
Experimental Intermedia, New York City, New York, United States, December 1991.
Artscourt, Ottawa, Ontario, Canada, November 1991.
Musée d'Art Contemporain de Montréal, Montréal, Québec, Canada, October 1990.
Hallwalls Gallery Vault, Buffalo, New York, United States, May 1990.
The Music Gallery, Toronto, Ontario, Canada, May 1990.
Articule Gallery, Montréal, Québec, Canada, July 1988.
Learneds Conferences, Université Laval, Québec, Québec, Canada, May 1988.
Strategies of Critique, York University, Toronto, Ontario, Canada, March 1988.
Radio & Radio Art
Read my Blips, electroacoustic music piece, International Radio Conference, McGill University, Montréal, Québec, Canada, July 1991.
Hysterical Male, radio art piece, AccompaNew Yorking the book of the same name by Arthur and Marilouise Kroker. St. Martin's Press, New York City, New York, United States, December 1990.
Radio Art Exhibition, Galerie SAW Gallery, Ottawa, Ontario, Canada, June 1990.
Radia 89.9FM, Radio station manager, Banff Centre, Banff, Alberta, Canada, May-November 1990.
Printemps Electroacoustique, CBC Radio, Montréal, Québec, Canada, April 1990.
New World Perspectives, Montréal, Québec, Canada, August 1989.
Co-host and producer of "The Postmodern Commotion" a weekly radio program, CKUT 90.3 FM, Montréal, Québec, Canada 1987.
Becoming Nobody, electroacoustic music piece.
Panic Encyclopedia Cassette; co-creator with Arthur and Marilouise Kroker, Montréal, Québec, Canada.
21C Museum, Louisville, Kentucky, United States.
Amore Pacific Museum of Art, Seoul, South Korea.
Art Gallery of Ontario, Toronto, Ontario, Canada.
Art Stations Foundation, Poznan, Poland.
AT&T Collection, Dallas, Texas, United States.
Borusan Contemporary, Istanbul, Turkey.
Caisse de dépôt et placement du Québec, Montréal, Québec, Canada.
Centro de Arte Dos de Mayo (CA2M), Madrid, Spain.
Cisneros Fontanals Art Foundation, Miami, Florida, United States.
Currier Museum of Art, Manchester, New Hampshire, United States.
Daros LatinAmerica, Zürich, Switzerland.
DHC Foundation, Montréal, Québec, Canada.
FEMSA Collection, Monterrey, México.
Fidelity Art Collection, Boston, Massachusetts, United States.
FRAC Collection Aquitaine, Bordeaux, France.
Fundación Banco Santander, Madrid, Spain.
HeK - Haus der elektronischen Künste Basel, Basel, Switzerland.
Hirshhorn Museum and Sculpture Garden, Washington, D.C., United States.
Jumex Collection, Mexico City, México.
Manchester Art Gallery, Manchester, United Kingdom.
MUAC, Mexico City, México.
Muros Museum, Cuernavaca, México.
MUSAC, León, Spain.
Musée d'art contemporain de Montréal, Montréal, Québec, Canada.
Musée Giverny Capital, Montréal, Québec, Canada.
Musée national des beaux-arts du Québec, Québec, Québec, Canada.
Museo del Barrio, New York City, New York, United States.
Museum of Old and New Art, Hobart, Tasmania, Australia.
National Gallery of Victoria, Melbourne, Australia.
NC Arte, Bogotá, Colombia.
North Carolina Museum of Art, Raleigh, North Carolina, United States.
Sammlung Alison & Peter W. Klein, Eberdingen-Nussdorf, Germany.
San Francisco Museum of Modern Art, San Francisco, California, United States.
Singapore Art Museum, Singapore, Singapore.
Sorigue Foundation, Lleida, Spain.
Speyer Family Collection, New York City, New York, United States.
Tate Collection, London, United Kingdom.
Thoma Foundation Art House Santa Fe, Santa Fe, New Mexico, United States.
Vancouver Art Gallery, Vancouver, British Columbia, Canada.
Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany.
Compagnon des Arts et des Lettres du Québec, Conseil des Arts et des Lettres du Québec, Québec, Québec, Canada, June 13th 2016.
Governor General's Award in Visual and Media Arts 2015, Canada Council for the Arts, Ottawa, Ontario, Canada, April 8th 2015.
Event of the Year: Open Air Philadelphia, Philadelphia Geek Awards, Philadelphia, Pennsylvania, United States, August 2013.
Premio Mentes Quo+Discovery 2013, Quo Magazine and Discovery Channel, Mexico City, México 2013.
Joyce Award, The Joyce Foundation, Chicago, Illinois, United States 2012.
Knights Arts Challenge for Open Air, Philadelphia, Pennsylvania, United States 2011.
National Endowment for the Arts grant for Open Air, Washington, D.C., United States 2011.
BAFTA British Academy Award for Interactive Art 2005, London, United Kingdom 2005.
Distinction, SFMOMA Webby Awards 2004, San Francisco, California, United States 2004.
Artist/Performer of the year, Wired Magazine Rave Awards, San Francisco, California, United States 2003.
Best Interactive Installation, HorizonZero, Banff, Alberta, Canada 2003.
Foreign Affairs ACA Grant, Canada 2003.
Production grant from the Daniel Langlois Foundation, Montréal, Québec, Canada 2003.
Rockefeller-Ford Fellowship, New York City, New York, United States 2003.
Trophée des Lumiéres, Lyon, France 2003.
World Technology Network Award for the Arts, San Francisco, California, United States 2003.
Gold Award, Interactive Media Design Review 2002, I.D. Magazine, United States 2002.
Interactive Art Distinction, Ars Electronica 2002, Linz, Austria 2002.
International Bauhaus Award 2002, 1st Prize, Dessau, Germany 2002.
Jury member, Fondation Daniel Langlois, Montréal, Québec, Canada 2001.
Media Arts Grant, Canada Council for the Arts, Canada 2001.
Excellence Award, Media Arts Festival 2000, CG Arts, Tokyo, Japan 2000.
Finalist, Medienkunstpreis 2000, ZKM, Karlsruhe, Germany 2000.
Interactive Art Golden Nica, Ars Electronica 2000, Linz, Austria 2000.
Interactive Art Honorable Mention, Ars Electronica 1998, Linz, Austria 1998.
Best Installation, Interactive Digital Media Awards 1996, Toronto, Ontario, Canada 1996.
2nd Prize, Cyberstar, Köln, Germany, June 1995.
Canada Council Computer Integrated Media Grant 1994.
Equipment Grant, Communications Canada 1993.
Travel Grant, ICEX España 1993.
Travel Grant, External Affairs Canada 1992.
Bourse circulation, Ministère des Affaires culturelles du Québec 1991.
Canada Council Touring Office Grant 1991.
Canadian Consulate Grant, New York City, New York, United States 1991.
5Cyberconf, sponsored by the Art and Technology Foundation, Madrid, Spain, June 1996.
Chair and co-organizer, 5th International Conference on Cyberspace 1996.
Co-creator and organizer, "Life x.0" International art and a-life competition, sponsored by the Telefónica Foundation, Madrid, Spain 1998 - (ongoing).
Curator, "Arte Virtual, 12 Propuestas de Arte Reactivo", Madrid, Spain, May 1994.
Grand Jury, Prix Milia d'Or, Cannes, France, January 1995.
International Advisory Committee, Inter-Society for the Electronic Arts (ISEA) (ongoing).
International Committe, Living in Mixed Realities, GMD conference, Bonn, Germany 2001.
International Patent for "System for 3D tracking of a remote point" with Will Bauer - WIPO #9814798A1, January 1998.
Jury member, Leonardo Artnodes, Barcelona, Spain 2005.
Jury member, Transitios_MX festival, Mexico City, México 2005.
Jury member, Fusedspace competition, Netherlands 2004.
Jury member, Latinamerican Experimental Hypermedia Center, Buenos Aires, Argentina 2003.
Jury member, Video ARCO '93, Madrid, Spain, February 1993.
Research and Creativity Committee, Hexagram, Montréal, Québec, Canada 2003.


text:
Windows Server 2012, Part 1 of 6: Installing and Core
LearnNow Online
In this session we're first going to introduce you to many of the new features in Windows Server 2012. We're then going to talk about how to decide whether your current hardware can support this server operating system, and whether you can upgrade in place from your older version of Windows Server. We'll then look at the difference between the two main editions of Windows Server, how you can tell which one you're running from either the GUI or the command line. We'll talk about the different ways you can add and remove server components both through the graphical user interface and from the command line. Next, we're going to start with an overview of Server Core and look at its compelling advantages. We're then going to explore a new feature in Windows Server 2012 in which you can actually switch back and forth between a Server Core installation and a GUI installation of Windows Server.
Each LearnNowOnline training course is made up of Modules (typically an hour in length). Within each module there are Topics (typically 15-30 minutes each) and Subtopics (typically 2-5 minutes each). There is a Post Exam for each Module that must be passed with a score of 70% or higher to successfully and fully complete the course.
The course assumes that students have some familiarity with Microsoft Windows, basic networking concepts, and a fundamental understanding of computer hardware.
JC Mackin
JC Mackin (MCSA, MCSE) is a writer, analyst, and trainer who has specialized in Windows networks since Windows NT 4.0. He has authored or co-authored more than 10 books about Windows administration and certification, including many Microsoft Training Kits and the Exam Ref for Exam 70-417.
Video Runtime
Time to complete
Installing Windows Server (25:49)
Introducing Windows Server (03:52)
System Requirements (01:56)
Upgrade Paths (01:10)
Windows Server 2012 Editions (01:58)
Demo: Versions and Upgrading (02:18)
Upgrade Windows Server (00:34)
GUI Example (03:57)
Initial Configuration Tasks (00:22)
Demo: Adding a Static IP (00:39)
Demo: Power Shell (03:47)
Demo: Changing IP Address (00:59)
Demo: DNS Server Address (01:45)
Demo: Configuration Tasks (00:43)
Summary (00:21)
Adding and Removing Components (17:44)
Method 1:Wizards (01:02)
Demo: Wizards (02:31)
Method 2:PowerShell (02:05)
Demo: PowerShell (03:48)
Demo: Instal Removed Component (03:34)
Method 3: DISM (01:16)
Demo: DISM (02:49)
Servicing Images with DISM (15:48)
More About DISM (02:59)
DISM/Get-ImageInfo (00:29)
Demo: DISM/Get-ImageInfo (01:35)
DISM/Mount-Image (01:21)
Demo: DISM/Mount-Image (02:56)
Get and Add Packages (01:27)
Demo: Packages (02:05)
DISM/Add-Driver (00:52)
Demo: Add Driver (01:22)
Server Core (18:18)
Disadvantages of Server GUI (02:28)
Server Core Installation (01:06)
Server Core Interface (00:26)
Demo: Task Manager (00:25)
Server Core Configuration (00:48)
Demo: Sconfig (02:57)
Demo: PowerShell in Server Core (03:31)
Server Core & GUI: Server Manager (01:13)
Server Core & GUI (00:47)
Demo: Removing the GUI (02:06)
More Configuration Options (09:07)
Switching Displays (00:15)
New: Minimal Server Interface (00:41)
Demo: Minimal Server Interface (02:41)
What about Desktop Experience? (00:22)
Switching Displays: PowerShell (01:35)
Switching Displays: DISM (00:44)
Upgrade AND Change Install? (00:56)
Remote Desktop to Server Core (00:34)
Windows Server 2012 Admin, Part 5 of 8: Managing Remote AccessInteractive ⋅ 241 mins
Windows Server 2008, Server Administrator, Part 3 of 5Interactive ⋅ 30 mins
Windows Server 2008, Server Administrator, Part 2 of 5Interactive ⋅ 187 mins
Average completion time126 mins
Topics coveredTechnology Skills, Programming and Web Development
TagsIT Pro, Windows Server 2012, 70-410
More from LearnNow Online

redpajama_set_name: RedPajamaCommonCrawl


text:
using System;
using System.Collections.Generic;
using System.Linq;
using System.Text;
using System.Threading.Tasks;

namespace statsd.net.Backends.Librato
{
  public enum LibratoMetricType
  {
    Counter,
    Gauge,
    Timing
  }
}

redpajama_set_name: RedPajamaGithub


【TRANSPARENT TOP COVER】A clear PVC top on the underbed storage bag provides easy visibility of contents without opening the bag. WATER-PROOF!
【PEVA MATERIALS】Durable & Breathable, protect laundries against dust, pests, mildew & other airborne particles. Size: 42 x 18 x 6 inches.
【CONSOLIDATE BOTTOM】1.7mm double gray cardboard included at the bottom of the bag.
【OTHER SMART FEATURES】Good quality metal Zipper, gliding so well; easy to store and space-saving when not in use.
Dimension 41.7 x 18.5x 5.7 inches.


text:
EnglishDeutschPortuguêsEspañolFrançaisItaliano日本語한국어简体中文繁體中文
San Francisco Festivals and Events in February
Wed, 01/08/2020 - 18:50 — Dan Rosenbaum
There's always something to do in the month of February. Check out our top picks for festivals and events in San Francisco.
Read more about San Francisco Festivals and Events in February
San Francisco Festivals and Events in November
Mon, 12/09/2019 - 12:16 — Dan Rosenbaum
There's a lot to be thankful in November. Here are the top festivals and events to attend in San Francisco
Read more about San Francisco Festivals and Events in November
San Francisco Festivals and Events in May
You'll have time of your life visiting San Francisco during the month of May. Here are our top picks for the month's festival and events you need to attend.
bay to breakers
yerba buena gardens festival
Read more about San Francisco Festivals and Events in May
San Francisco Festivals and Events in August
August is the end of Summer for some, but not in San Francisco. It's the beginning. Here's what you should do.
Read more about San Francisco Festivals and Events in August
San Francisco Festivals and Events in July
It's not as hot in San Francisco as other places are during July. Come cool off the Summer heat with these great festivals and events.
Read more about San Francisco Festivals and Events in July
San Francisco Festivals and Events in April
April is the perfect month to visit San Francisco. Here's our top picks for festivals and events that should give you all the more reason to visit.
Read more about San Francisco Festivals and Events in April
San Francisco Festivals and Events in June
June is the month to be in San Francisco. Here are top picks for festivals and events to attend during the month.
north beach festival
Read more about San Francisco Festivals and Events in June
San Francisco Festivals and Events in September
September has a lot going on in San Francisco. Here are the top festivals and events you should attend in San Francisco.
Read more about San Francisco Festivals and Events in September
San Francisco Festivals and Events in March
Tue, 11/19/2019 - 13:24 — Dan Rosenbaum
March is a great month to visit San Francisco. Here's why...
Read more about San Francisco Festivals and Events in March
San Francisco Festivals and Events in October
Fri, 09/13/2019 - 14:32 — Dan Rosenbaum
October is the heart of "Indian Summer" in San Francisco. Here's what you should be doing during the month.
Read more about San Francisco Festivals and Events in October


text:
Comics Reviews
New 52 – Justice League #12 review
By Andrew Asberry August 29, 2012 August 29, 2012 0
The good news is this is a great jumping on point for new readers and there will be quite a few since the whole Superman/Wonder Woman kiss seen both on the variant cover and in countless news articles is being widely publicized. The bad news is that the nice 3-page recap of what's happened so far in The Villain's Journey saga is narrated by TMZ. I'm not joking. It's not like they swapped the actual name TMZ out with "TMI" like the Aaron Sorkin show The Newsroom or the way most shows and books will rename a product (like this month's Amazing Spider-Man and its "Horizon" phones) this is TMZ and even the two guys talking are spot-on likenesses of their real life counterparts. I hate TMZ. I hate everything about it and what it represents. That said, the use of TMZ was probably only a big distraction for me and I'm not going to knock points off the score of this review because of it. It makes complete sense why they were used as narrators because they are all about celebrity worship and in the DC universe the members of the Justice League are the biggest celebrities in the world. I just get a migraine anytime I see that TMZ show and I thought…I thought comics were safe!
Anyway, on to the actual content…
I enjoyed this issue of Justice League more than any of the 11 issues before it. It's not just big splash-page action and heroic poses broken up by the team's banter. There's great action, yes, and the posing still happens too, but the big difference is that there's a real story here. Characters have real discussions rather than snappy one-liners. These characters develop in new ways, new relationships are explored, and quite a bit of change occurs that could lead to some pretty exciting stories in the future. The issue's biggest draw back is the kiss. Not because it's a bad moment mind you, but because DC pushed it so hard that when it finally came it wasn't a surprise. Had they not slapped it on the cover and overly publicized it then that moment would have been a terrific surprise in an already great issue. Instead, it was more of a distraction. Anytime the characters would be shown together I would wonder "Are they gonna kiss now?"
My only other major complaint about the issue is that the villain, Graves, has a an 80s He-Man action figure character design, he never developed into a villain that was all that interesting or formidable, and he is brought down way too easily. However, his actions do make a major impact on the series and it is because of the events of his journey that I think the series is really going to hit its stride in the months to come.
Something that might disappoint folks is that there isn't a Shazam backup this month and those stories have been the best part of the Justice League series for months. Perhaps throughout the entire run. But thankfully the actual League story is so big and so good that I didn't mind missing out on Shazam's adventure this month.
The conclusion to the The Villain's Journey is a great issue not only for those who have stuck with the series, but anyone who wants to hop on now–which is really rare for an arc's final issue. Jim Lee's artwork is gorgeous, especially in the quieter moments and there's even some art by Ivan Reis, Joe Prado, and David Finch at the back of the book that teases what's to come in future issues. I think the only people who are going to be really disappointed by this issue are Flash fans because that guy didn't contribute much at all to this fight or the events that follow. Otherwise, this book is totally worth your time and money.
SelectGraphic Novels Batgirl (comic) Batgirl and the Birds of Prey: Rebirth (comic) Batman (comic) Batman '66 (comic) Batman '66 Meets the Man From U.N.C.L.E. (comic) Batman and Robin (comic) Batman and Robin Eternal (comic) Batman/Superman (comic) Batman v Superman (General Mills) Batman/Teenage Mutant Ninja Turtles (comic) Batman: Arkham Unhinged Batwing (comic) Catwoman (comic) Detective Comics (comic) Earth 2 (comic) Earth 2: Society (comic) Gotham Academy (comic) Gotham Academy: Second Semester (comic) Gotham by Midnight (comic) Grayson (comic) Harley Quinn (comic) Injustice: Gods Among Us (comic) Injustice: Gods Among Us: Ground Zero (comic) Justice League (comic) Justice League/Mighty Morphin Power Rangers (comic) Justice League of America (Rebirth) Mother Panic (comic) New Suicide Squad (comic) Nightwing (comic) Poison Ivy: Cycle of Life and Death (comic) Red Hood/Arsenal (comic) Red Hood and the Outlaws (comic) Robin: Son of Batman (comic) Teen Titans Go! (comic) Titans (comic) We are Robin (comic)


SST's primary purpose is to serve as a bridge between the highly specific demands of involved scientific calculations and the more traditional aspects of the Java programming language.
True to the Java way, the SST strives for idioms and primitives that are powerful and yet general enough to enable the user to write concise, correct, and fast code for most scientific tasks.
The SST is best suited for deployment code where integration and portability are priorities -- in other words, prototype in Matlab, deploy in the SST.
· A full-featured class hierarchy of multidimensional arrays supporting slicing operations, elementwise operations, dimensionwise operations, FFT's, and linear algebraic functions.
· A parallel dataflow engine that facilitates the exploitation of multi-core hardware.


text:
Q: How do I add multiple markers to a stripplot in seaborn? I would like to know how I could get multiple markers in the same strip plot.
tips = sns.load_dataset("tips")

coldict={'Sun':'red','Thur':'blue','Sat':'yellow','Fri':'green'}
markdict={'Sun':'x','Thur':'o','Sat':'o','Fri':'o'}

tips['color']=tips.day.apply(lambda x: coldict[x])
tips['marker']=tips.day.apply(lambda x: markdict[x])

m=sns.stripplot('size','total_bill',hue='color',\
                marker='marker',data=tips, jitter=0.1, palette="Set1",\
                split=True,linewidth=2,edgecolor="gray")

This doesn't seem to work as marker only accepts a single value.
Also preferably I would like to make the corresponding 'Sun' values as transparent red triangles. Any idea how this could be achieved?
Thank you.
Edit:
So a much better way to do it was to declare a my_ax = plt.axes()
and pass my_ax to each stripplot(ax=my_ax). I believe this is the way it should be done.

A: Caution it's a little hacky but here ya go:
import sns

tips = sns.load_dataset("tips")

plt.clf()
thu_fri_sat = tips[(tips['day']=='Thur') | (tips['day']=='Fri') | (tips['day']=='Sat')]
colors = ['blue','yellow','green','red']
m = sns.stripplot('size','total_bill',hue='day',
                  marker='o',data=thu_fri_sat, jitter=0.1,
                  palette=sns.xkcd_palette(colors),
                  split=True,linewidth=2,edgecolor="gray")

sun = tips[tips['day']=='Sun']
n = sns.stripplot('size','total_bill',color='red',hue='day',alpha='0.5',
                  marker='^',data=sun, jitter=0.1,
                  split=True,linewidth=0)
handles, labels = n.get_legend_handles_labels()
n.legend(handles[:4], labels[:4])
plt.savefig('/path/to/yourfile.png')

A: Lmplot is your friend! However, not possible to add multiples :/ [or at least I did not yet figure it out]
enter image description here

redpajama_set_name: RedPajamaStackExchange