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Events in Croatia in 2017 for Embassies
The exhibition Legacy Stories (Slovenia and the Succession after Yugoslavia), prepared by the Archives of the Republic of Slovenia in cooperation with Radio-Television Slovenia (RTV Slovenia) and the Slovenian Ministry of Foreign Affairs Diplomatic Archives, supported by the Embassy of the Republic of Slovenia Zagreb, at Croatian State Archives in Zagreb, Croatia
Ljubljana – a Mediterranean City? Plečnik's Experiment, a lecture by Peter Krečič, supported by the Embassy of the Republic of Slovenia Zagreb, at Hrvatski muzej arhitekture HAZU in Zagreb, Croatia
18 October to 30 November 2017
The exhibition Plečnik on Brioni, organised in cooperation with Plečnik House and NUK Manuscript Collection, supported by the Embassy of the Republic of Slovenia Zagreb, at Hrvatski muzej arhitekture HAZU in Zagreb, Croatia
10 July to 1 September 2017
Sculptured Time, a photography exhibition of Tomaž Pandur's theatre opus in Croatia by Aljoša Rebolj, supported by the Embassy of the Republic of Slovenia Zagreb, at the Dubrovnik Summer Festival at Sponza Palace in Dubrovnik, Croatia
29 May to 5 June 2017
Days of Slovenia in Slavonia film programme, featuring Nika, directed by Slobodan Maksimović Nora Production Group, Nightlife, directed by Damjan Kozole (Vertigo), and Valley of Peace, directed by France Štiglic, supported by the Embassy of the Republic of Slovenia Zagreb at Kino Urania in Osijek, Croatia
23 May to 23 July 2017
Janez Puhar, the first photographer in Slovenia supported by the Embassy of the Republic of Slovenia Zagreb at Technical Museum Nikola Tesla in Zagreb, Croatia
A concert by pianist Dubravka Tomšič Srebotnjak, supported by the Embassy of the Republic of Slovenia Zagreb at the St. Mark's Festival at Croatian Music Institute in Zagreb, Croatia
A literary evening featuring poets Barbara Korun, Stanislava Repar, Lidija Dimkovska, organised in cooperation with the Embassy of the Republic of Slovenia Zagreb, at Bogdan Ogrizović Library in Zagreb, Croatia
On Renaissance Beauty by Marko Uršič (Faculty of Arts, University of Ljubljana), a book presentation supported by the Embassy of the Republic of Slovenia Zagreb, at Bogdan Ogrizović Library in Zagreb, Croatia
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Somewhat curiously, it is not so easy to write a DOM tree to an output stream. The easiest approach is to use the Extensible Stylesheet Language Transformations (XSLT) API. For more information about XSLT, turn to Section 2.8, "XSL Transformations," on p. 173. Right now, consider the code that follows a magic incantation to produce XML output.
We apply the do-nothing transformation to the document and capture its output. To include a DOCTYPE node in the output, we also need to set the SYSTEM and PUBLIC identifiers as output properties.


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The Publishing Bug
Posted in Intersections, Life, Pavement, Records by SM on February 1, 2012
I've come to the realize that all I've ever wanted to do was write. There's some regret that I didn't use my college years to develop my writing more than I did. Instead, I decided teaching children was a better use of my skills. Boy, was I wrong.
Blogging has only been a hobby of mine for the past five years. Aside from a few posts picked up by the local paper, I've generally only seen my words in digital ink and not the soy variety. However, this is the closest I've come to both developing my writing and actually publishing what I wrote.
That's about to change. As some of my regular readers are aware, I've often contemplated turning what I do here into a book of some sort. Obviously, these posts are a long, long way from being published, but the growth I've seen in my writing has me thinking that I could do this with some polish here and there. Plus, I am never short on ideas. Yeah, I go weeks with barely anything to say, but I've maintained several blogs at once over the years, sometimes able to post on a daily basis. Although I lack polish, I more than make up for it with ideas. I'm like the Bob Pollard of blogging. Sort of.
Although, I have been talking about writing for a while, I really got serious a couple of weeks ago while having beers with a friend. He's "dabbled" in publishing and suggested that I should just start contributing articles or reviews to magazines. I don't know whether he was a little drunk, actually enjoys what I have to say, or was seducing me, it made me realize how easy it would be to submit writing to a publication. Actually getting published might be another story, but the idea was to put something out there, to at least try.
So, I started considering publications to approach. I know a guy who wrote every-other record review for the year-end issue of Magnet. (Yes, they're publishing Magnet again.) He's an excellent writer, but he seems to appreciate some of my ideas now and again. It make me feel as if I could do what he does, or at least a fraction of it. It may be time to write a record review for submission beyond this blog.
Then, I flipped through to the last page of the March issue of All About Beer. The magazine closes with a feature called "It's My Round" where people briefly tell their beer-related stories. This particular piece was written by a daddy blogger about his first sips of beer and how he wants to wait to share beer with his son. I could have written those words, but I didn't. Then, I saw a note at the bottom explaining how to inquire about submissions. That was the opening I needed. I'll write about beer and Pavement in a beer magazine. It might not get printed, but at least I'll be able to say I tried.
Finally, the other night, semi-frequent commenter Holly sent me a link to a call for submissions. The venerable 33 1/3 series which features short book on some seminal albums is asking for submissions for new projects. The books are simply memoirs about some of the greatest albums of the last 30 or so years. Some editions just tell the story of the recording of said albums. Others tell a band's story, focusing mostly on one moment in their history. Still, others tell the story of the listener's relationship to the album. Whatever, I decide to do, this is a project I must try!
I had to drive for 90 minutes after learning of the call. So, I had time to think. My mind raced from album to album, trying to pinpoint the album most deserving of a 33 1/3 edition. I then had to consider my angle as the call implied that unique stories would receive preferential treatment. Maybe I could write about an album in relation to the rise of craft beer. Maybe there's an angle I could consider that I've already explored on this site. Maybe I have a perspective no one else has…
So, I came up with a list of possible proposals for the series, but the publishers will only accept one. Feel free to submit your own, but all I ask is that you don't steal any of my worthy ideas (if there are any). Tell me which I should pursue in the comments. I have an idea which one will stand the best chance of being accepted and actually completed, but I want to see what you all think. I also welcome any ideas you may have for me that I'm completely missing.
Terror Twilight – Pavement
This isn't even my favorite Pavement record, but I feel there's a story that hasn't been told. For those who aren't aware, this was Pavement's last record. Between my experiences throughout the nineties with the band, my attendance at their final North American show (the first time around), my attendance at two of their reunion shows in 2010, and the stories swirling around their inevitable breakup during the recording of Terror Twilight, I think there is easily an entire book to write.
The Body, the Blood, the Machine – The Thermals
This album carried me through a tough time in my life and is just so ridiculously good. I thought that I might connect it to the rise of craft beer in Portland (or the rise of Portlandia in general). Plus, I have established a rapport with head Thermal Hutch Harris. Still, it might be a stretch to make the connections I'm trying to do here. That, and I've never been to Portland. I also considered albums by Cursive and Spoon during their brief sojourns to Portland or the transplanted albums by The Shins or Stephen Malkmus and the Jicks.
Number Seven Uptown – Swearing at Motorists
I always felt that this album just sounded like growing up in Ohio. Dave Dougman has an interesting story cutting his teeth in Dayton, before heading to Philly and eventually Berlin. He also seems really approachable. However, I don't know that this album is known well enough for it to garner its own spot in the series. It's certainly seminal to my experiences, but that might not be enough for 33 1/3. Other possibilities could include a Guided By Voices album not yet featured (Alien Lanes?), The Amps' record, or Brainiac's Hissing Prigs in Static Couture.
Other records I would consider but would probably just research the band, possibly leaving out my own experiences…
Perfect from Now On by Built to Spill
The Lonesome Crowded West by Modest Mouse
Come On Feel the Illinoise by Sufjan Stevens
Any album by Archers of Loaf
Funeral by Arcade Fire (Seriously, no one has written this book yet.)
Please come correct with your suggestions or your take on what I've cooked up here. Particularly, I'd love to hear the perspective of my beer enthusiast readers who know of a beer/music connection I must explore.
Tagged with: 33 1/3, Pavement, Swearing at Motorists, The Thermals
My "Interview" with The Thermals
Posted in Live by SM on May 30, 2011
As mentioned before, I have a little side project over at The CoMo Collective where I cover the local music scene. I've tried my best to parlay that into opportunities to interview national acts. So far, I received a half-hearted reply from The Walkmen and no answer from The New Pornographers and Yo La Tengo. I won't quit as the follow interview (done over email) demonstrates just how fun this little gig can be. Hutch Harris was super cool in taking time from his busy touring schedule to not only answer my lame questions, but he also responded to the follow-ups. I just wish I was in town to see them play…
Which brings me to the next topic. For the first two weeks of June, I will be in Spain. I'm not taking a computer. So, the posting around these parts should be scarce. I'll try to update when possible, but I'm not promising anything. In the meantime, search through my archives. I'm sure there's something embarrassing there you can call me out on.
Poster by Justin Nardy
The Thermals are touring and said tour makes a stop at Mojo's this Wednesday. The tour is in support of the threesome's latest release, last year's Personal Life, the rare punk rock record about relationships. While the band has taken a bit of a break from the somewhat political messages typically associated with their previous work, fans are still sure to find vintage Thermals pop-punk that will induce pogoing for an entire hour-long set.
Recently, The Thermals' Hutch Harris and I sat down (in front of our laptops) and chatted (via email) about touring, records, and dating. Take a moment and read what he had to say about these topics. Then, be sure to catch The Thermals Wednesday at Mojo's.
TCC: For people with non-rock 'n roll jobs, we often have to explain what we do for a living in a short, concise manner. I call this the "elevator talk." You have to explain what it is you do in the time it takes for the elevator to reach your floor. So, how would The Thermals' elevator talk go?
HH: we play in a rock band for a living. we make money playing shows and putting out records. (now we'll just stand here in silence uncomfortably until we reach our floor.)
TCC: The Thermals hail from Portland. What's that like? Do you bump into indie rock royalty (other than yourselves) every time you go to the grocery store or library? Does every Portlandian survive on craft beer-only diets?
HH: portland is the best. we've lived here for thirteen years now. yes, indie-rock royalty is everywhere. but you won't find them at the library because it's not cool. and yes, we survive on craft beer, as long as it's organic and gluten-free. which isn't cool either.
TCC: Is someone in the band gluten intolerant? That sucks. How do you make that work on the road?
HH: no, none of us are gluten-free. it's just very popular in portland.
TCC: Speaking of Portland, have you seen *Portlandia*? What do you think of it?
HH: of course we've seen it. we played the premiere in NYC, it was awesome! we love the show – fred and carrie are both friends of ours, we've done a lot of shows with both of them over the years.
TCC: 2006's The Body, the Blood, the Machine was a breakthrough for the band in a lot of ways. It received a fair amount of critical acclaim and was a pretty charged political statement in some uncertain times. How did that record and the response it received from critics and fans change or support how you felt about this band? Can you see another political album like The Body… in the band's future?
HH: TBTBTM was the first record that kathy and i made just the two of us. we were very proud of it but had no idea what people would think of it. the response it received was amazing! it was great that so many people understood what i was trying to say, and responded so positively. that's really the most you can hope for as an artist. most records we've made have been political in one way or another. i'm not sure we'll ever make a record quite like TBTBTM. But we may try.
TCC: With the follow-up to The Body…, Now We Can See demonstrates a newfound maturity, an ability to see more clearly. From where did that perceived maturity come? Was it just a case of not wanting to do the same album over? Did anything really change? Was it related to your move from Sub Pop in any way?
HH: we are getting older and wiser, we can't help it! we definitely did not want to make the same record twice. we wanted to make a record with no religion or politics, although both subjects did manage to sneak in there. it was totally unrelated to the label change.
TCC: Personal Life is your relationship record. (I know this because Pitchfork told me so.) What brought that on? Was there intent to make a record about love and love lost?
HH: every time i sit down to start lyrics for a record, i try not to have a theme in mind. i like to just start and see what comes out. although i did want to make a record that was more simple and down to earth than the last few records we had made.
TCC: The last time you played Columbia, Mojo's was about half empty despite all the critical acclaim and media attention the band was getting at the time. Is it hard to get up to play for a crummy turnout on a weeknight in a midwestern town (although, I danced my ass off that night) or is it invigorating to play in such an intimate setting?
HH: i'm most concerned about how well we play. if we put on a good show, i'm satisfied. it doesn't bother us so much if the turnout is small. although that hasn't been a problem for a long time.
TCC: Do you remember where you ate last time in Columbia? Any other fond memories of Columbia?
HH: um, indian food i think? was this the show where we supported mates of state? you'll have to remind me.
TCC: First, I apologize if you ate at India's House. No one should ever have to eat there. No, you were the headliner that night. It was in Mojo's, a weeknight, I believe. I actually almost approached you all, but you looked like you were on your way out, possibly to eat. So, I chatted up the girl selling your merch. She was studying for the GRE. Either way, your answer suggests that the stop in Columbia wasn't all that memorable, but that's understandable. What do you find to be the most challenging to stops in small, midwestern towns? Or is it a nice respite from the hustle and bustle of the big city?
HH: oh yeah it was 2007. it's coming back now. we play hundreds of shows each year so it gets hard to remember! any town can be fun, as long as the vibe is good and the people are friendly. there are few towns in the US we don't like.
TCC: What's next for The Thermals?
HH: we are supporting matt and kim for six weeks in june and july, then heading back to europe (we are touring here now) in august for festivals.
TCC: Finally, in reference to my earlier question concerning Personal Life's status as a relationship album, would you fill out the following (theoretical) dating site profile for The Thermals?
Relationship Status: Looking for… HOTT men and women.
Kids? we promise we will try to not knock you up.
Religious Views: nope.
Political Views: pro-fascism, as long as it's done right.
Tattoos and/or Piercings: no cherries or birds please.
What do you like to do for fun? fuck you all night.
What would be your ideal date? yr bed.
If you were an animal, what would you be? kesha.
I don't know about you, dear readers, but that was hot. So hot that I expect you to make it out to Mojo's this Wednesday for The Thermals set. The openers are Morning Teleportation. Doors open at 8:00 and it'll cost you twelve bucks to get in.
Tagged with: The CoMO Collective, The Thermals
Three Records Reviewed
Posted in Records by SM on October 7, 2010
The Thermals recorded a record about relationships. There. I said it. And you know what? This record isn't as bad as that might sound.
Personal Life is a record that lies closer to Guided By Voices[1]
and Weezer than it is to Billy Bragg or Fugazi. Sure, there's politic in the personal, but this record deals with relationships in a real way, a way we can all relate. Melodrama is left behind as real emotion comes through in what must be the most mid-tempo record The Thermals have ever set to tape. It's not completely poppy, but it's approaching a pop sensibility not normally associated with a KRS act. Still, I like it. It's relationship music at its finest. I'm a sucker for this and The Thermals did it right.
The biggest difference in this album and previous Thermals records is the aesthetic. Nothing creates more criticism or praise for an album than aesthetic. Which is too bad as the songwriting and musicianship usually remains relatively the same or improves over time. In The Thermals' case, it's a cleaner, ready-for-radio sound that mirrors a Weezer or a Ocasek-era GBV[2]. Still, Kathy Foster's heavy bass lines are more in-front than I've ever noticed. All this is good in a lofi era that prefers more bedroom and less digital. The key is that The Thermals did not tweak their aesthetic too much. Personal Life is still unmistakably a Thermals'record. The production and new themes demonstrate a band who knows what they are and are simply growing. I mean, you can't play punk rock forever, can you Billie Joe[3]?
In much the same way The Thermals have slightly altered their aesthetic, The Walkmen continue to play with their own aesthetic that won them a Saturn commercial and our collective indie rock hearts so long ago. Lisbon is yet another boozy, late-summer gem[4] that not only furthers The Walkmen mystique but also plays with the formula a bit.
I'm a huge fan of The Walkmen. I've made no secret of this fact. They play a post-punk soul like no one since The Afghan Whigs fucked it up back in the mid-nineties[5]. The Walkmen have a recipe that works. They look good. They keep it simple. And they just put out good records.
Lisbon starts off a bit slow, but upon repeated listen, opening track "Juveniles" grows on the listener with nuance and feeling. This is how the rest of the record rolls. The band knows how to use their retro sound and sparse production to create one of the most engaging and sonic aesthetics in music. No one makes records like these. Soul, punk, sonics, feedback, nods to the past, booze, soft-loud dynamics, etc. This just works every time.
Most interesting in the transformation of The Walkmen sound is Hamilton Leithauser's voice. It's actually improved. I'm sure it's from tour after tour of screaming himself hoarse every night or not. And the development feels authentic. This is not a classically trained singer by any means. I always appreciated his imperfections, but the steady improvement of his vocals are noticeable and welcomed.
This post is heavy on aesthetic. All three albums I'm reviewing here represent my tastes as far as aesthetics are concerned[6]. The Thermals represent a youthful punk exuberance. The Walkmen channel ghosts of rock n roll past as played over a sonic wall few can achieve. All three take advantage of some level of lofi, feedback heavy aesthetic, but Deerhunter comes to this most purposefully. Few bands represent the current trend in indie aesthetic more than Deerhunter. This is not to downgrade their material, it's just how they represent on a superficial level. Of course, their music is anything but superficial or merely for aesthetics alone. This is just how they sound on first listen, without much investigation.
First, Halcyon Digest will never be confused for Microcastle. Or any other heavy-handed previous Deerhunter release[7]. Still, somehow, the band maintains its aesthetic of guitar jangle, muffled bedroom vocals, noise, malleable lyrics, etc. Aesthetic preserved.
Halcyon Digest is not at all what I expected, but it works for the most part. It's loopy, laid back, and sloppy. There's plenty of angst in the lyrics. It's compact and whatever the opposite of sprawling is. It's a ghost of an album and sometimes that's all you need. The quieter moments in this record are the strongest and most satisfying for sure[8].
That said, I am having trouble finding some cohesion[9] in this record. At times, it challenges, then it invites air time on your favorite Clear Channel alt radio station. It lulls you to sleep and jerks you awake. I'd say the sequence is uneven, but I can't figure out where…
OK. I'm nit-picking. There isn't much wrong with Halcyon Digest, but I am having trouble grasping its brilliance and its folly. The trouble with this indecision is that I don't think it's a grower. Some albums tell you that over the course of the first three or so listens. This one doesn't indicate to me that it will grow on me, but I don't know that it's supposed to.
Whatever. Deerhunter still records a better record than 99.9% of the bands earning 9+ on P4k. That should be worth something, maybe a little faith in their recipe. Like I said, at least the aesthetics are there[10].
So, there's the three record reviews promised in the title. It's as schizophrenic a post as I've done in a while, but the important thing to remember is that aesthetic tells us as much about the music we love as almost anything else. All three records present a different aesthetic, but all are worth your time and hard-earned dollars.
Please comment and make sense of what I just told you.
1More Tobin Sprout than Bob Pollard.
2Blinkerton Weezer. Also, Ocasek-era GBV is not the best era and did not involve Tobin Sprout. Yes, I contradict myself.
3Seriously, Billie Joe, hang it up.
4Although Lisbon and You & Me are the only two that have actually been released at the end of the summer, all their records sound that way.
5Seriously. The Afghan Whigs had something going with Gentlemen and even Black Love (to a lesser extent) until they sort of forgot what they were doing. Kids today don't realize how good that band was.
6This post also represents my tendency to being repetitive. Repeatedly. Again.
7Honestly, I'm not that familiar with Deerhunter's discography. I'm going by what I've heard and read.
8The sonic levels reached are quite enjoyable as well, but they don't reach as high as the last time out.
9This is the point where this post loses its own cohesion.
10What a copout.
Tagged with: Deerhunter, The Thermals, The Walkmen

redpajama_set_name: RedPajamaCommonCrawl


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CVU boys soccer season ends in OT heartbreaker
By Lauren Read on November 2, 2016 No Comment
Champlain Valley's Dillon Hamrell runs past a Burlington defender during Tuesday's D-I boys soccer semifinal game at Burlington High School. Photo by Lauren Read
With the clock counting down in the first overtime period and all zeros on the scoreboard, the Champlain Valley boys soccer team was looking for something, anything, to separate themselves in the Division I semifinals.
Unfortunately for the Redhawks, Burlington found their magic moment first.
Arun Karki struck a perfectly placed shot from 15 yards out that fit right under the crossbar to lift the Seahorses to the 1-0 win over Champlain Valley on Tuesday afternoon.
"It was an even match," said Champlain Valley coach Katie Mack. "They had a really incredible shot, we didn't get one."
The loss wraps up the season for the Redhawks, who finish the year at 12-3-2 after earning the No. 3 seed in the VPA tournament.
"This group has been plagued by injuries and we have had a couple of bad losses but the ability to be resilient is a huge hallmark of this group," Mack said. "No matter what…everyone felt equally invested in the team and that says a lot about the kids."
CVU will say good-bye to nine seniors, including captains Tre Tomasi, Brock Werner, Joey Franceschetti, George Davis, Joe Parento, Kyler White-Hansen, Max Akey, Max Hamrell and Dillon Hamrell.
"Their dedication and their enthusiasm and their loyalty to each other, that drove a lot of our success" Mack said of her graduating seniors. "I am really proud of this season and the kids and the heart that they put onto the field."
The game was a story of momentum changes and trading scoring chances, with the Redhawks coming out of the gate strong.
After a few looks at goal for CVU, the Seahorses turned the tide toward Redhawks goalie Aidan Johnson (five saves) and had some shots of their own.
The second half was much of the same, with the two teams trading who got the better look, but neither side was able to crack the goal.
"We executed our game plan really well," Mack said. "I think it was a really balanced match…we just couldn't get one in. We needed to have a little bit more danger in the box."
With just under 10 minutes remaining in the first OT, Seraphin Iradukunda tapped the ball to Karki, who made a couple of moves across the top of the penalty box and then unloaded a shot that found its way just under the crossbar and just over the outstretched hand of Johnson.
"We are really evenly matched teams," Mack said. "We had opportunities that we could have put away…ultimately they got one in and we didn't."
BHS goalie Niels Arentzen stopped two shots to earn the shutout. With the win, Burlington moves on to the D-I title game, where the second-seeded Seahorses will face No. 1 Essex.
In the Division I quarterfinal match against Burr and Burton last Friday, CVU stuck to their game plan: controlling the ball, with lots of chances while keeping the pressure on the Bulldogs.
"We just didn't execute our game plan 100 percent. We were just a little tight coming out," said CVU coach Katie Mack. "They kept their composure."
The switch flipped in the second half, with Joe Parento striking for two goals, and CVU emerged with the 4-0 win over the sixth-seeded Bulldogs to advance to the semifinals.
CVU boys soccer season ends in OT heartbreaker added by Lauren Read on November 2, 2016
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Home > Journal > Frampton, Potter, Martens – and exemplification
Frampton, Potter, Martens – and exemplification
The latest issue of Oase, the journal of architecture, is worth getting hold of. It is devoted to a discussion Kenneth Frampton's theory of 'critical regionalism', which he published first in an essay of 1983. In this special issue of Oase, the original article is reprinted in facsimile, with Dutch translation added; there is a retrospective interview with Frampton, and discussions of the critical regionalism theory by other, younger practitioner-historian-critics: the combined role that Frampton has himself exemplified in his now long career.
The issue is of course designed by Karel Martens, working with his daughter Aagje Martens (the colophon has 'Martens and Martens'). It seems like a return to the early issues that he designed, in the 1990s, with well-judged typesetting – not always so when Oase was co-designed with Martens's students. The material qualities of the production (paper, binding) are exemplary.
Frampton and Potter
Kenneth Frampton's book Modern architecture: a critical history was first published in 1980; I bought and read much of it in the summer of that year. I was just then working with Norman Potter on a new and much extended edition of his book What is a designer, which we published late in 1980. The original edition of the book, from 1969, had had no pictures in it, and this was a point of principle: images introduce unwanted specificity and also distraction from a book that wants to encourage thought and imagination. As we worked on the new edition, Norman wondered whether pictures might not help find readers. He had an idea: he would ask a number of architects and designers to choose examples of work that they had liked, from the 10 years since the book's first appearance – in other words, from the 1970s. We would publish the results as a section inserted within the new edition, perhaps printed on coated paper.
We sent out a letter, dated (characteristically) 1 May, to 20 people – most of them people that Norman had known in the 1960s, during his time teaching at the RCA and then at Bristol. (All of them were men: a bias that we tried to correct later, without success.) The project proved hard work: the more canny among them replied quickly to say that they couldn't do it; others didn't reply at all. We found others to ask, beyond the original group. Eventually we had just enough contributions, but Norman had decided that he didn't want these pictures and texts in his book. The work chosen was too dull or even just horrible. The 1970s hadn't been good for design. We changed tack. At high speed, Norman wrote an essay to make a pamphlet, called Designing a present, within which we would publish what we had gathered from the guests. The 40-page booklet had the same format of the new What is a designer, and we hoped it would be seen as an appendage to it, though it was sold separately.
Among the old mates that Norman invited was Kenneth Frampton, who in 1965 had moved from London to live and work in New York. Frampton had not replied to our letter, but when, in August, Norman tried him on his old London number, he just happened to be visiting the flat and picked up the phone. Frampton was persuaded to write something, which he did, by hand on a sheet of paper, lined and with punched holes for loose-leaf binding (written on his knee in some airport lounge, I always imagined).
Kenneth Frampton nominated two buildings that featured in the last chapter of his Modern architecture: the Siedlung Halen in Berne (Atelier 5, 1960) and Vinetaplatz in Berlin (Josef Kleihues, 1977).
Designing a present
For Norman these were among the dull choices: buildings without character. I found them exciting and was proud to publish this brief and very compact exposition of Frampton's thesis:
'Each one defines a centroid, each one declares a perimeter, each one constitutes a "micro-urban" domain if built one at a time, although each one, if repeated, would constitute a larger public continuum. … As far as future development is concerned we have no choice but to create places, to stand against the ubiquitous sea of process and space-endlessness.'
Kenneth Frampton asked if he could see a typed version of his text, which I sent him for approval. In my covering letter I wrote: 'Thank you very much – it's very good to be able to publish this – most of the others have avoided committing themselves to anything much.' He replied with a postcard: 'Why don't people commit themselves. What is the problem?'
In December 1980, we launched the new What is a designer and its associated pamphlet Designing a present (and with them, we launched Hyphen Press) with a reception at the Architectural Association in London. The debate over modernism and postmodernism had been coming to the boil. In May of that year, Frampton had resigned from the jury of the Venice Biennale's 'Presence of the Past' exhibition, which would help to usher in architectural postmodernism (this is documented in Oase 103). For Norman Potter, the modern movement had been a constituent part of his life, as a sustaining belief, for 40 years or more. The new edition of his book included quite lengthy expositions of what it was and what it meant. A generation younger than him, I too was a committed modernist, as part of a whole political view of the condition of Britain. I remember thinking then that the architects and designers whom you had known as modernists were switching, almost overnight, to postmodernism – along the lines of Don Siegel's film The invasion of the body snatchers.
Architects who had worked with structure and enjoyed exposing it, whose plans followed patterns of use, were suddenly building symmetrically, with façades that employed pillars and porticos. 1980 was when Terry Farrell split from Nick Grimshaw, the former going postmodern, the latter sticking with 'high-tech'. James Stirling was perhaps more slowly going neo-classical and polychromatic.
In that year, 1980, Jürgen Habermas delivered his Adorno Prize lecture in Frankfurt, and he gave it again the next year in New York. It was published in English translation, as 'Modernity and postmodernity', in New German Critique (no. 22, winter 1981) and I read it when it came out; one could buy copies of that journal in the basement of the old Compendium Bookshop in Camden Town. Later, in 1983, Habermas's text was the lead contribution in the anthology titled (in its US edition) The anti-aesthetic, edited by Hal Foster. It now had the title 'Modernity – an incomplete project'.
After years of living in culturally deprived Reading, I moved to London and looked for discussion, joining a reading group of politically committed artists. After working our way through Adorno's Aesthetic theory (in its first, flawed English translation), a few pages every week, we went on, in 1985, to read Hal Foster's anthology. Habermas's essay opened the book and was followed by Frampton's 'Towards a critical regionalism: six points for an architecture of resistance'. Habermas and Frampton made a mutually reinforcing pair. Neither wanted to give up on 'the modern' and on modernity, rather they wanted to come to terms with it, to seek ways forward, to find points of resistance to the ravages of what would come to be called neo-liberalism (the world seen only in economic, transactional terms, run by competition rather than collaboration). One of the virtues of Frampton's approach was and is that he points to specific examples that could be models for how to design and build now, as with the buildings by Atelier 5 and Josef Kleihues.
The idea of critical regionalism may be briefly outlined as follows. Modern architecture has become global and is an expression of rapacious development, driven by the values of capital accrual. The ground is razed, made flat, to build anonymous structures that offer no sense of place; cities and landscapes are shaped by the needs of the private motor car. One way out from here is to turn to images of the past, to make an architecture of image, especially one derived from pictures of classical buildings and plans – a scenography. This is what the neoclassical postmodernists do. Frampton, like Habermas, proposes to continue 'the project of modernity', but now with a critical dimension that is aware of what it is doing and can adapt accordingly. This approach is regionally conscious, is not nostalgic or kitschy, but rather seeks to adapt to local conditions: to respect specific topographies and landscapes. Local climate is not denied by air-conditioning, and, where possible, light is natural rather than artificial. Frampton found his exemplars of this critical-regional architecture beyond the metropolitan centres, in Denmark and Switzerland; Alvar Aalto's Finland gave him a forerunner. Kenneth Frampton developed this idea in the years that followed, giving further examples of contemporary critical regionalism from other places. He also came to focus on the constructional craft of architecture – work that culminated in his book Studies in tectonic culture (1995). Meanwhile his Modern architecture went through further revisions (1985, 1992, 2007) incorporating in concluding chapters his latest thinking, including critical regionalism.
Exemplification
In the mid-1980s, with some impulse from both Habermas and Frampton, I wrote my own book, Modern typography: an essay in critical history. The time-span of the book (from 1700 in France and England, to now) was a conscious reflection of Frampton's book, and I started the discussion by referring to the Habermasian thesis of 'the continuing project of modernity'. Resisting the lure of a publisher who wanted to make a large-format scenographic book out of it, eventually (in 1992) I published it myself, in a more modestly produced work.
The illustrations were confined to a section at the end, which culminated in a Frampton-like proposal: here are some examples of current work that I think exemplifies the thesis of the book. How can we make work that continues the modern project? The examples that I gave were designed by Richard Hollis, Jost Hochuli, Hans Rudolf Bosshard, Harry Sierman, Erik Spiekermann's MetaDesign, Joaquim Nolla, Karel Martens. With one exception, these were people whom I had met and or would soon come to meet. I think they could all be in some sense 'critical regionalist' in mentality. Whether graphic design and typography could ever qualify as 'regional' is questionable: unlike architecture, it is made in multiple copies that can be shipped around the world. But it seemed significant that some of these designers lived and worked away from the metropolitan centres of their countries: Hochuli in east Switzerland, Nolla in Catalonia, Martens in a village in the east of the Netherlands.
In January 1991 I had travelled to Arnhem to meet Karel Martens for the first time. He was working on the redesign of Oase: the first issue in this series (no. 28) carries the date December 1990.
Among the nice bits of confirmation in our meeting, I saw that the new Oase would be changed from its old A4 page-size and have the 240 × 170 mm 'Lexikon' format that I was giving my book Modern typography: a standard size that comes out of a B2 sheet with no wastage. Martens became for me one of the clearest and most inspiring designers who were carrying on the ideas of modernism, in a critical and tempered way.
Through these years in the 1990s, the debates over modernism and postmodernism continued, sometimes even they raged. From time to time I wrote statements and articles, exemplifying the arguments with real examples, in the Frampton spirit. One of these, in 1993, was a short piece written for a short-lived magazine published by the Monotype company, Quarter Point. (The company was then known as Monotype Typography, and Andrew Boag, a serious information designer, was in charge of its publications.)
Under the title 'More light!' I called – in a rather shrill way – for a reflective, undogmatic typography, and chose work that I thought would exemplify these ideas. The designers invited were George Mackie, Ken Garland, Arlette Brouwers, Jost Hochuli, Wigger Bierma, Ontwerp Bureau Quadraat, Jack Stauffacher, Jerry Cinamon, and Karel Martens – a fairly unstarry lot with a high percentage of 'old white men'. A count of all the participants' nationalities shows: one Scottish, one English, one Swiss, one from the USA, one US expatriate, and four Dutch.
This anti-manifesto manifesto can't have been noticed by many people (a company publicity publication was the wrong place for it), but at least one designer took notice, as he later told me. Stuart Bailey, then an undergraduate student at Reading, liked it. In 1998 as a founding 'participant' he joined the self-organizing postgraduate course at the Werkplaats Typographie, Arnhem, in its first years under the co-direction of Karel Martens and Wigger Bierma. In 2002, Stuart was the main figure behind the book In alphabetical order, which documented the first years of the Werkplaats. Among the texts in a small anthology of statements in this book was 'More light!'
For an earlier discussion of some of these themes, see here.


Do you mean like a kitchen sing language? I've got a long list for one of those, composed by a number of us smoking good stuff indeed!
It doesn't have to be kitchen sink, but it certainly could be.
I'll have to dig it up and edit it into a proper post!
I'm reworking Bodus' moons to all be potato-shaped and non-icy, and to be farther from the planet.
Well, perhaps they can be buttery in stead!
Also, any chance for a couple ravioli shaped moons?
In order to work out grammar, it might be nice to see the lyrics.
Long answer: Administratively, I was grouped as Other in some places, but not in other places.
:sigh: Only in my dreams. Well, I guess that's half the time!
I usually have to put "Other" when asked my ethnicity, because most forms that ask don't have a category for Middle Eastern groups.


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Arthur C. Lee with Whit Walker - 'Vital Signs'. Released March 1, 2011.
Sometimes words and music come together from disparate sources so perfectly that you wonder how and why they were created the way they were. Arthur Lee has been working these beautiful pieces of music as instrumentals for three or so years. Whit Walker has kept these lyrics in his memory bank, in some cases for more than ten years. Have you ever wondered what it was like when peanut butter discovered jelly, ham found cheese? If you have, then sit back and be taken to a place where flowers walk with the gods of sand. Vital Signs is just that, Arthur and Whit's evolution as artists and friends in this journey through life, and a vital part of every great day. Thank you.


Join our VIP interest list for the latest updates and specials on The James!
It's only natural things get better and evolve with time. We use the past as a reference for how to move forward. The James pays homage to that which laid the foundation for its present possibilities in order to progress into the future. The future that holds the trails still left to be blazed.
Centrally located within Historic Downtown San Jose that serves as a beacon continually welcoming you home from wherever your day takes you. Adjacent to two VTA Stations, you have access to all of Silicon Valley. Prefer to stay in the neighborhood? San Pedro Square is one block away as well as multiple restaurants and bars! San Jose State is also just a few blocks away!
At The James we wanted to offer our residents more than just a pet friendly community by creating a culture that embraces pets as important family members. As a result, Pup Culture was born. Whether you're a "canine person" or a "feline lover", we welcome all types of furry companions. In fact, The James provides numerous pet perks from biscuit buffets to The Canine Cleanse (Dog Wash). We have elevated our approach to pet-friendly and we are confident our furry residents will enjoy their new home.
The James is distinguished by design rather than intention; courting you with new-fashioned features and historically refined finishes.


The memorial service for James Copeland is going to be Saturday March 30th on 129th and 7th Avenue at the Salem Baptist Church from 1 to 3. We will reenact the Matt Talbot Funeral Service midway during The Memorial. Hope to see many of you there.
Deposits are Non-Refundable- No personal checks ALL DEPOSITS MONEY ORDERS ONLY!
Handicapped Accessible. Special diets not accommodated, however there is a refrigerator.
FRANK R.BELL FUNERAL HOME, INC.
The first step in breaking the cycle of cravings, urges and relapse is to identify the unique triggers that prompt the need to drink or use drugs. Triggers can be defined as any situation or stressor that creates a thought, feeling or action to use.
Triggers come from internal and external factors. Sometimes they are obvious and other times they are subtle. Triggers can come out of the blue or intensify over time. These disparities make triggers difficult to recognize because they manifest in different ways for different people.
Let's take a look at examples of external and internal triggers.
Triggers are unique to each individual. What may urge one person to use drugs or alcohol may not affect another. This is why it's important to understand which things set you off and the proper steps to take if you encounter them.
This entry was posted in Relapse Prevention and tagged Triggers on May 2, 2016 .
These usage patterns are similar to what's seen among tobacco users. "What's going on here is that over the last 20 years marijuana went from being used like alcohol to being used more like tobacco, in the sense of lots of people using it every day," Caulkins said in an email. Adults with less than a high school education accounted for 19 percent of all marijuana use in 2012 and 2013 (compared to 13 percent of the total adult population), according to the survey. This is similar to their 20 percent share of all cigarette use, but considerably higher than their 8 percent share of all alcohol use.
In order to get the IDNYC card, applicants must present documents proving their identity and address. The city is using a point system similar to the NYS Department of Motor Vehicles. Applicants must present a list of documents which add up to 4 points. The city provides a document calculator which can help you with this task. New York city residents with a NYS Driver's License, NYS DMV Identification Card, NYS learner's Permit or NYC pistol Permit is all that is required, provided that these items have a New York City address.
(1) Documents with a total of least four (4) points.
– Documents proving identity must add up to at least three (3) points .
– Documents proving residency must add up to At least one (1) point.
or younger and is accompanied by a caretaker who can demonstrate proof of relationship.
(3) At least one (1) of the documents submitted has the applicant's date of birth.
No expired documents will be accepted except machine readable passports that expired within the last three years. Only original documents and copies certified by the issuing agency will be accepted.
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Mark Wilson/Getty Images News/Getty Images
Birth Control May Be Limited Under H.R. 586
by Crystal Lewis
The H.R. 586 Bill goes by many names — the "Sanctity of Human Life Act," the "personhood bill" — but no matter what it's called, it's a threat to women's reproductive rights everywhere. The bill declares that each human life begins with fertilization, and is a threat to women's right to choose. But in addition to abortion, the bill may impact other aspects of women's reproductive health, including birth control. So would birth control be illegal if the personhood bill passes?
H.R. 586 grants Constitutional rights, including the right to life, to a fertilized egg in a woman's body. The bill was proposed by House member Jody Hice, who has consistently worked to pass anti-abortion legislation.
Up until now, legally and medically, pregnancy begins when a fertilized egg attaches to the uterus. But the H.R. 586 bill would completely change that definition because, under it, any fertilized egg, regardless of whether it's attached to a uterus, could be considered a pregnancy. This is why the bill may make certain types of birth control illegal.
Most forms of contraceptives prevent sperm from fertilizing an egg. Condoms simply keep sperm out of a woman's body, while the birth control pill prevents ovulation. These methods of contraceptives would likely not be affected by the H.R. 586 Bill.
However, there are some methods of contraceptives that work after fertilization — and those methods would very likely be targeted if the bill passes. Emergency contraceptives such as Plan B delay ovulation, but it can also work by preventing a fertilized egg, known as an embryo, from attaching itself to the uterine wall, according to the FDA's definition. But in recent years, some studies suggest that emergency contraceptives may be ineffective against preventing a fertilized egg from attaching to a uterine wall. Despite these studies, some religious advocates insist that emergency contraceptives terminate a life.
A copper IUD can also prevent a fertilized egg from attaching to the uterus within five days of sex. Although most women don't use IUDs as a form of emergency contraception, because they can be used in this matter, they would likely be banned as well.
So if this bill passes, the rights of an unattached embryo will trump your rights to use Plan B or to get an abortion.
Banning emergency contraceptives could be disastrous. The morning after pill is critical for women who may have had a condom break or slip, or who can't afford birth control.
And what's worse is that the women who need emergency contraceptives may grow, since the Senate voted against an amendment requiring insurance companies to cover contraceptives as part of the process to repeal the Affordable Care Act. So not only is the affordability of contraceptives in danger, the contraceptive options women have will become more limited if this bill passes.


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DHC Men's A team take out Division Two
March 25th. The 84th day in the year 2018, or for the Chinese readers under us: the 37th day in the year of the Dog. A quick look on Wikipedia teaches us that March 25th is historically quite an uneventful day, except in 1958 when on this date a processor of the European Union was established. But after today, the 25th of March would be known for the day that DHC A (men section) became THE champion of the second hockey league in Hong Kong. The overcrowded trophy case of the Club and most of its individual A team members was about to increase.
A lot can be said about DHC's A team. Some interesting facts you should know about them:
• The number 1 position in the league had been permanently captured since the second play round, however the league's number 2 had been catching up closely since the winter break. DHC therefore needed to win their last match against KCC to become the champion!
• Thomas 'Wanchai Warrior' Kluijtmans had the doubtful honor of the least minutes played this season for the Club, shortly followed by Rene van Mill (also known as 'The Ghost' for obvious reasons). Two very rare species. If we combine their total number of minutes on the pitch this season, the outcome will show us the exact number of women Michael shared his bed with during University, which by the way, is also close to zero.
• The Dutch National Anthem played shortly before commencement of the last game, and especially its reference to 'German Blood' (The Dutch sing in the first line they are of German Blood), had a dual significance because of the two German star players in the team. After half a year playing with them, we can confirm it is true what they say about the Germans: no sense of humor. But brilliant hockey players!!
• Sjoerd Reniers proudly worn the 'captains belt' around his arm this season. We have heard from his wife that he sleeps with this belt around his arm all year through! And yes, it is true that Sjoerd's Linkedin page makes a reference of being our captain. It is to be hoped for the team that he continues. Great job, Sjoerd!
• DHC A is the most productive team in their league this season, with a massive total number of goals scored. 75. Gareth made it to team topscorer by netting 15 of them. - Personal facts about my team members' productivity other than on the pitch are available with me upon request. Some of them are very interesting -
• DHC A conceded one of the least number of goals this season in their league (27). Credits to DHC's goalie Frank Li, who had an excellent (and perhaps boring) season. For those who are interested in collector's items: Frankie's unwashed toque shall be auctioned during the General Meeting in May. Stay tuned!
• Apparently, the mailbox of the DHC has been flooded this year, mainly with questions related to the status of Berend. The DHC board regretted replying to all this fanmail that Berend actually has a girlfriend (of the non-inflatable sort). However, if you are female in the age category of 50-59, have blond hair and size 42 or above, you stand a little chance for a flirt (every Friday evening at Pastis might be your best shot!).
Anyway, let's get back to DHC A writing history. Many spectators found their way to Kowloon and were responsible for a fantastic atmosphere hanging over Kings Park' stadium, where the game begun at 6 PM local time. DHC took the initiative immediately after the first whistle blow, and it didn't take long before they started to create chances. Marius converted a rebound into a goal, after a shot of Gareth which got saved by KCC's goalie in the fifth minute. DHC's defense was resolute, though KCC got a huge chance not much later. A long ball from their sweeper reached KCC's attacker which took a shot from the head of the D. Fortunately for the DHC, the shot just went wide.
DHC quickly wrestled their way back into the game. Julian passed the ball to Koene who dribbled into the D and shot the ball in the far corner (2-0). After about 20 minutes DHC scored their third goal of the day, which came off Tom's stick after a nice combination with Marius.
DHC continued their attacking game resulting in 2 penalty corners, but unfortunately, they failed to make use of both opportunities.
After about half an hour Berend made the score 4-0, thanks to a superb solo via the side and on baseline. Thanks to his quick hand-eye coordination he managed to mislead the goalie and pushed it high into the net (4-0). If goals could be framed, then this one would surely have made it into Hong Kong Museum of Art' spring collection.
Shortly before halftime, KCC managed to make a goal as well. After a personal mistake in DHC's defense, KCC was awarded with a penalty corner which they converted with a bit of luck.
As the break arrived, Ali readied some stern words and suggested some new tactics. DHC began strongly in the second half. Thanks to the tireless running of the midfielders & attackers, Julian was able to pass the ball into deeper positions. Berend, Koene, Gareth, Tom, Marius and Daan were all unlucky with shots on goal which went narrowly wide or got saved. Also the 2 penaltycorners which DHC got awarded within the second half, were not converted.
Defensively, DHC worked hard as a unit – marshalled by Sjoerd & Michael – denying the opponent space in attacking areas. KCC wasn't able to create any chance in the second half.
The 4-1 end result was certainly justified, and in fact could and should have been higher.
I think it is appropriate to say thank you to our trainer Ali, all of the board members and obviously our very own captain. It is because of their efforts that we can play on a weekly basis.
It was a pleasure playing with you all, DHC A. My conclusion of the past 7 months (and the preceding 8 seasons) is that we are a bunch of nutcases with a shared interest in chasing a small ball with a stick and drinking a beer afterwards. I am looking forward seeing you on the remaining activities.
Koene
PS: For all whom missed the epic championship battle: there is still a chance to see the DHC heroes of today shining on April 15th in their Cup game. Cards are personally being taken care of by the undersigned, while goals are personally guaranteed by all of our strikers (rumors has it that even Daan promised to score one goal, although that could have been the champagne talking – after all alcohol and overconfidence are close siblings).
Hong Kong Football Club - Mini Hockey Tournament 2017
This sunny morning started early for the coaches and the U10 team, as the first match was scheduled at 8am. Liesbeth was welcoming everyone at the blue pitch. Our son, part of the U8 team, started one hour later under great guidance from Amelie. Full enthusiasm 6 little players tried to get the ball and were running as fast as they could. In this enthusiasm the flute signal was often not heard........For most of the little players this was their first ever tournament so they had to get used to the dynamics of the game. After the first couple of matches it went much better and especially big improvements were made in the defence. Unfortunately this resulted not in a win, but all beginning is difficult. The kids had fun and politely shaked hands with the other team after each match. Amelie and Kelly-Ann did a great job in positioning the little players and supporting the team. After the last match everyone received an award and a group picture we made.
A big THANK YOU to all the coaches (Kelly-Ann, Liesbeth and Amelie) for the great guidance and their enthusiasm. It is such a good experience for all kids and they learnt a lot today.
Esther Ko Verhoek
(James' mum)
Thank you Esther for the great write up on the HKFC tournament.
I'd like to thank all the parents, helpers and coaches who came along to support our DHC Hockey Stars in their first tournament this year, and for many, it was their first tournament ever!
This year at the HKFC Mini-Tournament (a 6-a-side game), we entered 1 Under 10 team, and 2 Under 8 teams, where one of our under 8 teams was mostly made up of Under 6's!
The whole group learned so much.
I loved seeing how the Under 10 team worked so well as a team, with great passing, dribbling and defending, they all grew so much. They were also helped out by two younger siblings, Ruben and Seppe who stepped up to assist when they could, again, a valuable piece of experience for them. Thank you to Sjoerd for picking up where my running around meant I couldn't properly sit the team down. The groups 2-0 win over the Lions was fun to watch, and the DB Pirates was a close game. The "PLK" team rocked up with a goalie and some players who should probably be in Senior Nationals, but oh my, this game was where our defence was so strong, a number of players rotated in our goal.
The Senior Under 8 team improved game on game, Liesbeth (you can see pictured above) having a team talk with the group before they got started, really getting into the team spirit! It wasn't easy playing on the rugby pitch either! This team is going to grow and grow over the rest of the year.
The Junior Under 8's were in a tough league, with some far more experienced teams, but they still put on a courageous effort and by the end were even participating in one-on-one competitions which James saved the day on! The under 10's did manage to get one pre-game "Dutch" cheer, and after every game all the teams shook hands with the opposition. That's the spirit!
I'm looking forward to seeing the juniors back out again next weekend for the Hong Kong Hockey Association tournament at Happy Valley, this time 5-a-side!
Kelly-Ann
Junior Convener
Dutch A Men versus Kowloon Cricket Club C
After our undisputed win of 4-0 last week, the men turned up at the Kings Park stadium. They somehow managed to turn up on time, eager to secure their position at the top. It was 25 degrees and sunny, a perfect match day. After Ali thoroughly explained the tactics, the spirits were high and we were ready to start the game!
The first half started off well. We pressured the opponent well, intercepting balls which the opponent constantly hit to the front with high-speed. Our veteran player Dorus knew from the beginning that this would be a sure win and therefore decided that the match could use some excitement. He lost the ball at our own 23, giving the opponents their first attempt, which directly was a goal. The Dutch A's immediately reorganized and started to work harder, leading to loads of circle penetrations, short corners and attempts at goal, which all went wide or were stopped by KCC C's goalie. Our defense was strong and the defenders were intercepting the balls spotless, giving the opponents hardly any opportunities. Although the Dutch A was dominating the first half, it was a 1-0 defeat.
The second half was started with high intensity by the Dutch A with a full press, shocking the opponent. In no time or midfielder Max put us on the scoreboard after a backhand shot which was nearly stopped by the keeper of the KCC C but found the back of the net! This gave the men confidence to secure the win! We got a free ball at the right of the pitch near the 23 of the opponent. Our defender Marc pushed the ball hard to Max who flicked the ball to our striker Jules. Struggling to get the ball under full control in such a small area he managed to shoot with his powerful backhand securing the lead for the Dutch A's! Shortly after we got a short corner. Max flicked the ball to the right post where our forward Koene was running for a tip-in. The ball however found the foot of an opponent on its way which deflected the ball into the goal, putting the Dutch A's in a 3-1 lead. Although the win felt secured, the KCC C's managed to squeeze the ball through our nearly faultless defense. The opponent pushed the ball from the penalty point but our keeper Jelmer managed to keep the ball out of our goal.
It was an exciting match, with loads of opportunities and individual skills from both teams. The Dutch A team successfully secured their lead in the competition due to an excellent team effort in which everybody kept working hard to win the match!
Max van Delft
Our Dutch Student
Dutch B Men versus HKFC G
In just about perfect weather, our Dutch B Men put up a great game against Hong Kong Football Club Hockey G team.
The Dutch B Men fought hard with only 12 men against the 16 of the HKFC, Dutch B won 2-1 with two amazing goals of Ben Lammens.
Check out the continuing team spirit that is our Dutch B Men with pics of the game, including one of the 3rd half (!) ending for some at 3 AM!!!
What an awesome start to the season!
Bas Fransen
Lok Fu Tuesday for the Mens Hockey Teams
The two mens teams had to forgo their Tuesday training (the Ladies had over 30 attendees!) for games at Lok Fu on the 17/10/2017.
Men's A played a hard fought game with a 1-1 draw against Recreio A, whilst the Mens B team (4th Dvision) had an unfortunate loss against Aquila C 0-3.
As always the Men's B team were great team sports and got a fantastic group photo with Aquila at the end of the game.
Keep the spirit up!
Ladies B come off with a great win!
This year, the Ladies B welcomed a lot of new players to the team, hailing from all corners of the hockey-playing world. Having trained and played at different times and different styles, forming a cohesive team would be the biggest challenge to tackle right off the bat. That being said, enthusiasm, hard work and support has not been in short supply since the start and training attendance has been at an all-time high!
It was the fourth game of the season and after 3 hard-fought games which unluckily ended in losses, the Ladies B were looking to finally pull the big W against Aquila A. We played the first half strong and steady, managing to keep most of the possession of the ball. A solid defense led by our former captain Amélie kept our defending circle relatively spotless, while a strong midfield pushed the ball up and gave us several circle penetrations and goal opportunities. However, we just could not manage to convert them and the first half ended in a 0-0 tie.
We picked up the pace again in the second half, with centre-mid 'Dr. Dre' putting us on the scoreboard and giving us a new wave of confidence. Despite many failed attempts to penetrate our circle and convert goals by the opposition, they managed to squeeze a goal by our defense, tying the score and putting the pressure on. Not giving up, we persisted in attacking their circle, which gave our newest player Bonnie the opportunities to tip-in not one, but two of her first ever goals in her budding field hockey career, and putting us firmly in the lead. The team swarmed her in celebration and morale shot 'through the roof'. To top it off, Emma, slammed in a final shot for good measure to seal our long-awaited and well-deserved victory.
Unsurprisingly, Bonnie was unanimously voted woman of the match by the team. Nonetheless, the victory is a testimony the hard work and undying spirit from all our players who have never given up or stopped smiling from the get-go!
Looking forward to a fun and fantastic season ahead ladies!
Tiffany Lo
Ladies B Captain
Wins all around for the Men against Elite
The Dutch Men's B won a tough game against Elite C, with a great goal by Ewout Stumphius and a 1-0 victory!
The Men's A team are lavishing being in the 2nd Division this year it seems, with a mighty win against Elite A in the heat of midday. The Mens A team was visited by longtime Hockey Legend Frank van Ginkel, who provided some great half time feedback.
Did you catch the action on our Instagram story? @dhchkhockey
Women's A's get off to a blazing start
On a scorching hot Saturday afternoon, the Dutch women's As took to the Happy Valley pitch for our first game of the season against Aquila As. With a number of new players to the club and only a few training sessions under our belt, we were prepared for some disorganisation on the field, a battle with the heat and a game of finding our feet. But we needn't have worried! The team gelled quickly, communication was strong and the work we had done in training really paid off.
We took control of the game very early, with the forwards and midfield making it incredibly difficult for the opposition to break through our press. We controlled possession and where they did break through, our defenders were well organised and strong in the tackle. Before long, our persistent attacking led to a short corner, which Liesbeth smashed straight into the goal taking us to 1-0 up. Play continued in our favour, with good passing and some excellent skills from many of the players. One attack led to Charlie receiving the ball on the inside of the D, she demonstrated her silky skills, skinning the keeper and pushing the ball to the back of the net. 2-0 up for half time!
After a half time pep talk, plenty of water and an entire packet of energy tablets (never before happened!), we returned to the field to continue what we'd been doing. The second half was much the same as the first - we dominated possession and our press kept the opposition at bay. When they had any opportunity at attacking our defenders worked their magic and Lan saved the day in goal. Our persistent attacking meant we had lots and lots of chances on goal. A strong keeper on their team and a little trouble converting some of these chances kept us goalless for a lot of the second half. But patience eventually paid off… Maud, who dominated the right side of the field throughout the game, received the ball and used her pace and skills to dribble into the D. She looked like she was going to slap the ball, but quickly realised she had little space so she dodged a few more players and reverse hit the ball taking us to 3-0.
The whistle blew for the end of the game just as Aquila had been granted a short corner. In true team spirit everyone used the last of their energy to quickly close the opposition down and clear the ball. The game was an excellent start to the season - all players worked hard, worked together and just about survived the heat. The victory and the dehydration certainly made that post match beer taste even better!
Charlotte Brearley
Ladies A Captain
DUTCH DELIVER AGAINST CRICKET CLUB
(HONG KONG CRICKET CLUB 1 - 3 DUTCH MEN's A)
It was all too hot to handle for the Hong Kong Cricket Club; as the Dutch secured a winning start to the season. The match was played in +34 degree heat as the two teams did their best to create chances in an end-to-end game of hockey.
As usual against the Cricket Club, the Dutch were expecting a tough game against a well-organised and fit team, and this is what they got. Both sides struggled to play their nicest hockey in a first half under the beating sun, but both sides creating a series of decent attacks. Big gaps opened in the Cricket Clubs defence as the Dutch took an early lead in the first 20 minutes; Van Mil getting the opening goal at short-distance. But the first half was to end equal as the Cricket Club were gifted a goal of their own, a touch of football from the Umpire's feet allowing a break-away attack that led to a one-on-one goal. The first half ending 1-1, with both sides very sweaty and totally exhausted.
The tempo was raised immediately in the second half with both teams refreshed and perhaps that a slight percentage increase in performance could bring a positive result in this game - the heat was draining and demanded that extra boost of energy. Dutch took the lead within the opening 10 minutes as Van Mil opened his second scoring account for the season following a string of passes that started out-wide and finished just inside the circle. The Dutch defence and attack was being connected well by Jules, driving forward the attacks at every occasion. With just over 15 minutes left to guarantee a win from the game the Dutch kept their ability to keep creating chances. Following a string of pressure at in the Cricket Club's half, Berend added a beautiful backhand shot in the high left corner of the goal.
So the Dutch are off to a winning start!
With a few players still to come back next weekend it is looking super positive for the season
Gareth Welsh


With manual focusing, you lend yourself much more towards the serendipity, which to me is the wonderful joy of photography. Who do not enjoy the surprised gift? Take this as an example. Here is my favorite shot from the trip to Vietnam in 2012. I saw the boy jumping while walking along the beach in the morning. I was not sure if I got it until I saw the scan and smiled happily.


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San Marcos teen auditioned for The Voice
By | on October 22, 2015
Dawson Daugherty, the 17-year-old singer and guitarist from Mission Hills High, was chosen to perform a blind audition that was aired on NBC's "The Voice" on Oct. 6. He performed an Ariana Grande song for a television audience of 24 million, but didn't make the final cut.
Around 50,000 singers try out for the popular show every year and fewer than 100 of them make it to the blind audition, Daugherty said.
"It was a good experience," he added. "It's crazy to even get a blind audition… and I'm proud of myself."
Daugherty said performing for cameras seemed a lot tougher than his presentations before live audiences with his band, Mondays.
"There's a lot of personal connection in front of a live audience and it's a harder connection in front of a camera," he said. "I love singing live and seeing them enjoy it, that's priceless."
The choice of the Ariana Grande song was risky, but potentially worth bonus points for difficulty.
"I really was trying to push the pressure aside and just focus on myself," he said.
Daugherty has been performing since he was 11 years old. He wrote and recorded his first CD album when he was 13.
He's definitely not in it for the short term. He sees the experience as a positive, valuable learning tool.
The Christian singer's voice is available on YouTube and Mondays' next gig is at 9:30 p.m. on Nov. 6 in the Emmanuel Faith Community Church gymnasium.


DETROIT -- On Tuesday (July 24), fourteenth-year head coach Frank Solich, redshirt senior running back A.J. Ouellette (Covington, Ohio) and junior quarterback Nathan Rourke (Oakville, Ontario) represented Ohio football at the 2018 Mid-American Conference Football Media Day at Ford Field.
Check out the social media highlights of yesterday's event as well as several videos from OhioBobcatTV featuring 'Voice of the Bobcats' Russ Eisenstein and Rob Cornelius.
�� op at @fordfield - home of the 2018 @MACSports Championship Game!


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The beautiful new toilet paper that doesn't just look great in your bathroom.
Lizzie Marton
"Toilet paper is boring and stale. When we first started we knew that we definitely wouldn't be stocked in supermarkets, so it was about how to make our product different."
Welcome to Mamamia's art endeavour, the Voulez-Vous Project. Every week we celebrate emerging artists, designers, illustrators, creators and cats who dress like their owners (not joking). Our aim: to help the internet become a slightly more beautiful, captivating, or thought-provoking place by making art accessible.
To find out more about the Voulez-Vous project, click here. Click here to see all the previous Voulez-Vous posts.
Toilet paper. Generally the most unglamorous household item you can think of, right? Well, not exactly, especially if you're Simon Griffiths, Jehan Ratnatunga and Danny Alexander, who founded Who Gives A Crap, a company that makes pretty stylish (yes, stylish) toilet paper with a difference.
After learning that 2.5 billion people across the world don't have access to a toilet (roughly 40 per cent of the world's population), the trio began the company in 2012, donating 50% of their profits to WaterAid to build toilets and improve sanitation in the developing world.
And it isn't just good for your conscience either: The trio are transforming a generally utilitarian product into something you actually want to display in your bathroom, because their designs are both bright and fun.
And their latest collaboration is with an incredible Melbourne based author, illustrator and designer, Beci Orpin.
Beci Orpin's designs for Who Gives a Crap's latest project.
"Toilet paper is boring and stale. When we first started we knew that we definitely wouldn't be stocked in supermarkets, so it was about how to make our product different." Simon Griffiths, a cofounder of Who Gives a Crap says.
And their innovative designs are clearly resonating with people, in July sales of the product had raised enough money to give over 69,380 people access to a toilet for a whole year.
Coming Soon: Your Daily Dose Of You Beauty
Hitched
Introducing What I Eat When...
Griffiths explains that bringing Orpin on board for their latest edition was an obvious collaboration for the company,
"Beci has an amazing aesthetic, and we knew she would help take the designs into a fun new direction. Because we do think about all parts of the cycle of the product Beci was perfect for it, because with her designs, people would want to hold on the paper, and turn it into a craft project, Beci is amazing at that."
"For us, it is really about considering every single part of the product's lifecycle. We want to delight, surprise and wow the customer." Griffiths says.
There are instructions in each pack detailing how to make various craft projects, including a hanging mobile, envelopes, a fortune teller, toilet roll glasses and party balls.
"This is the first of ongoing limited edition designer, every year we do a Christmas edition, we will have them coming out in mid November this year. We've also go something in the works which will come out April or May next year" Griffiths says.
Profits from the collaboration will go towards educating children about sanitation as well as building toilets East Timor and Papua New Guinea, especially important in light of the fact that 1400 children die from diarrhoea-related diseases every day . The limited edition collection is available online through the Who Gives A Crap website.
Check out some of Beci Orpin's work in the gallery below.
Beci Orpin on Instagram.
@beciorpin
Do you know an artist (or are YOU an artist) who creates beautiful or thought-provoking work and whom you think should be featured on Mamamia's Voulez-Vous Project? Send an email to [email protected]mamamia.com.au.


A soft sweater featuring the new and trendy bell sleeves. The side slit hems create a graceful flow of movement. Pair with denim or white jeans for the perfect weekday happy hours and Saturday brunches look!
This sweater is perfect, nice weight and great lines. The color is bright and fun. It can easily be dressed up or down. I ordered another in the ivory.
Love the color, fit and the bell sleeves!! This will be my favorite fall top for sure. Shipped So fast!!
I am always searching for non-wool sweaters, and this one is perfect! Such a pretty sweater to dress up or down. The fit is true to size.
Great style, fits really well and the color is great! Excited to add this to my wardrobe!
Absolutely love this sweater. The color is very bright and unconventional for fall. As someone allergic to Wool, this blend was perfect for me. Seems like it will keep its shape well. The fun sleeve detail is super cute and I will be wearing this all fall. Bought several others from this brand. Will definitely be back for more.
Very flattering, great color....I think I might have to get it in black too!!
Have 3 of these similar sweaters love them!
This is a great buy. It's the perfect weight for the transition from summer to fall. The bell sleeves are adorable. I've gotten compliments each time I've worn it. Fits true to size.
This is the perfect black sweater with a fun twist! It runs true to size and is great quality.
I love it! It fits perfect, very flattering and a great length.
This sweater is so comfy and cute! The material is light and not bulky.
Great 3/4 length sleeve white fall sweater. Just the right weight to be cozy and not too warm for the fall. Goes with everything and perfect for jeans, too!


Improve your productivity by resolving technical issues quickly and accurately. As your manufacturing lifecycle changes, so does your need for technical support. Having the right technical skills and resources to resolve problems is a key component to maintaining automation and plant floor equipment. Rockwell Automation gives you the flexibility to choose the level of electronic and phone support you need, when you need it – helping you become more productive.
Real-time, 8am-5pm phone support (24x7 option), comprehensive electronic support tools and software and flash firmware updates for your Allen-Bradley and Rockwell Software products. Click here for a full summary TechConnect Support . There are different levels of support, click here for a summary.
To request a quote for a new customer TechConnect Support Contract, please contact Katie Wisniewski (North TX) or Regina Pence (Gulf Coast).
Download the rate and delivery terms document to review the list prices and general terms and conditions of delivery for OnSite Services Callout Services. Contact your local authorized Allen-Bradley distributor or the Rockwell Automation Call Management Center for service dispatch.


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Hubert Joseph Édouard Ordinaire, né le  à Besançon (Doubs) et mort le  à Maisières-Notre-Dame (Doubs) est un médecin, alpiniste, publiciste et homme politique français.

Biographie
Fils de Désiré Ordinaire, recteur de l'académie de Strasbourg, il étudie la médecine dans cette même ville et sort diplômé en 1836. Il séjourne de 1837 à 1841 à Paris, où il devient phalanstérien (fouriériste), « médecin fouriériste dissident ». Il travaille de 1841 à 1851 à l'école de médecine de Besançon.

Alpiniste, il réussit en cinq jours deux fois l'ascension du Mont-Blanc en 1843 et en 1847, il réussit à atteindre le Silbersattel () avec Victor Puiseux et autres par le glacier du Mont Rose.

En 1848, il fonde le Républicain de France-Comté et se fait candidat pour le Doubs aux élections de 1848, mais il n'est pas élu. Il est maire de Maisières de 1854 à 1870. En 1867, il est élu conseiller général du Doubs pour le canton d'Ornans. Il est lié au peintre Gustave Courbet avec lequel il a une correspondance ; les deux fils d'Édouard, Olivier et surtout Marcel, assisteront le peintre. Son pamphlet contre le régime impérial: Une élection dans le Grand-duché de Gerolstein, se déroule à Ornans. Cela lui vaut d'être destitué de sa fonction de maire. Il est député républicain du Doubs de 1869 à 1870. Il siège à gauche et vote systématiquement contre l'Empire.

Il est brièvement préfet du Doubs entre le  et le , démissionnant face aux enjeux militaires sous la pression de la population et de Léon Gambetta. Entre-temps il aura fondé une Ligue républicaine de l'Est le , et si la formation est d'inspiration patriotique elle s'avère néanmoins directement contrôlée par des membres de l'AIT qui s'impliqueront dans les préparatifs de la Commune de Besançon. Il est nommé maire de Besançon (apparemment sans entrer en fonction), avant de se retirer de la vie politique.

Il entre en 1846 à la loge maçonnique "Sincérité, Parfaite Union et Constance Amitié"  du Grand Orient de France et sera l'interlocuteur de Proudhon à son intronisation en 1847. Il est promu maître cette même année.

Publiciste, il écrit surtout des textes politiques, non dépourvus d'humour.

Publications
 Aux phalanstériens. La commission préparatoire de l'Institut sociétaire, 1837.
Une élection dans le Grand-duché de Gerolstein, 1867.
 Lettre électorale d'un maire de village à ses collègues, 1868.
 Lettre circulaire de la Ligue de "l'Est" pour la défense de la République, 1870.
 Des candidatures officielles et de leurs conséquences, 1870.
 Du perfectionnement de la race préfectorale, 1870.
 Veillées franc-comtoises, 1873.

Notes et références

Annexes

Sources

 Edward Castleton, « Le moment "proudhonien" de Gustave Courbet ? Max Buchon, Edouard Ordinaire et les Opinions et propos d'un citoyen d'Ornans », Courbet, peinture et politique, Besançon, Éd. du Sekoya, collection « Les cahiers de l'ethnopôle », 2013, .

Liens externes

Député du Doubs
Député du Second Empire
Préfet du Doubs
Alpiniste français
Commune de Besançon
Naissance en mars 1812
Naissance à Besançon
Décès en mars 1887
Décès dans le Doubs
Décès à 74 ans

redpajama_set_name: RedPajamaWikipedia


At first glance, you wouldn't even think it's a theater. Tucked next to a cafe/coffee house off The Ave, there's a place where Bogie and Bacall still have a home. In the day of stadium seating and 3-D blockbusters, the U-District's Grand Illusion Cinema has been offering up classic movies and independent releases since 1968. In fact, it's Seattle's longest running independent cinema. But that long run may soon come to a close.
Things have turned around for the better lately, but these are still desperate times. The GI, which is an all volunteer non-profit organization, gives film lovers an intimate experience. Inside the theater that's decked out in red velvet and gold, you can sit back in one of 70 plush seats. The staff tries to show movies in 35mm whenever possible mixing everything from the classics, to cult flicks, to the downright bizarre.
Simply buying a ticket to a movie at Grand Illusion can help, but the theater needs film lovers to dig much deeper to keep it alive. Memberships start at $30 and offer discounts on tickets along with private screenings and parties. The GI also plans to have a full blown fundraiser in September. Alter says losing the theater would be not only a personal loss, but a loss to the entire city.
To learn more about how you can help the Grand Illusion, click here.


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Donald Trump Slams San Juan Mayor For Exposing His Lackluster Hurricane Relief Efforts
By Desire Thompson
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While spending time at a golf club in Bedminster, New Jersey this weekend, President Donald Trump found time to take to Twitter to slam San Juan Mayor Carmen Yulín Cruz for "poor leadership ability" after she criticized the slow response in relief efforts for Puerto Rico.
Trump's twitter fingers went off Saturday (Sept. 30), stating Cruz and the people of Puerto Rico "want everything to be done for them when it should be a community effort." His comments come just days before his expected trip to the island on Tuesday (Oct. 3), where millions are left without clean water and power after Hurricane Maria.
Trump sent praise to military and federal workers who were reportedly doing "a fantastic job." After facing immediate backlash from the Latinx community and its affiliates, Trump went on to claim news outlets were painting his relief efforts to Puerto Rico in a bad light.
https://twitter.com/realDonaldTrump/status/914094625488502784
Cruz responded to the noise by remaining focused on the people.
The goal is one: saving lives. This is the time to show our "true colors". We cannot be distracted by anything else. pic.twitter.com/7PAINk19xM
— Carmen Yulín Cruz (@CarmenYulinCruz) September 30, 2017
"We are dying, and you are killing us with the inefficiency, and the bureaucracy," Cruz said Friday (Sept. 29) at a news conference which more than likely set off Trump's twitter rant. Surrounded by private donations, Cruz called out the Trump administration for failing to provide additional distribution assistance. Cruz also claimed many of the donations sent to Puerto Rico have been from companies like Goya.
Dr. Dre Slams "Divisive" Rep. Marjorie Taylor Greene Over "Still D.R.E." Usage
"This is what we got last night. Four pallets of water, three pallets of meals, and 12 pallets of infant food — which, I gave them to the people of Comerio, where people are drinking off a creek," she said. "So I am done being polite. I am done being politically correct. I am mad as hell."
Trump isn't the only one who beleives his efforts are A1. CNN reports interim Homeland Security Secretary Elaine Duke believed FEMA and federal officers in Puerto Rico was a "good news story" for the administration."I know it is really a good news story in terms of our ability to reach people and the limited number of deaths that have taken place in such a devastating hurricane," Duke said Thursday (Sept. 28).
Find out how you can help the people of Puerto Rico here.
Hurricane Maria Relief


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