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general-doubt-clamp-wedge-problem
If there is an inclined plane with a pulley fixed to it which further has a string block connection, do we account the tension in the string while making the free-body-diagram of the wedge????Give a reason also I found a solution to a problem in which it was accounted(from irodov) and another in which it wasnt(from HC VERMA)
If there is an inclined plane with a pulley fixed to it which further has a string block connection, do we account the tension in the string while making the free-body-diagram of the wedge????Give a reason also
I found a solution to a problem in which it was accounted(from irodov) and another in which it wasnt(from HC VERMA)
ritik kamra, 10 years ago
Aman Bansal
Dear Ritik,
Science originates by observing nature and making inferences from them followed by devising and doing experiments to verify or refute theories. The three laws of motion discovered by Newton govern the motion of every object in nature all the time but due to the presence of friction and air resistance, they are a little difficult to see.
Newton's first law is stated as:
"In the absence of external forces, an object at rest remains at rest and an object in motion continues in motion with a constant velocity (that is, with a constant speed in a straight line)".
Though this is not what we observe everyday. A ball rolling on the floor eventually stops, faster on a sandy floor as compared to a marble floor. This is due to the force of friction present between the ball and the floor. An opposing force in the direction opposite to that of its velocity slows the ball down and eventually brings it to rest. If the ball were rolling on a frictionless floor(ideal case), it would never stop in the absence of external forces.
Newton's second law states:
The acceleration of an object is directly proportional to the net force acting on it and inversely proportional to its mass.
∑F = ma
This law is a little easier to observe as compared to the first law. You can throw a lighter shot put farther than a heavier one even if you put all your energy (or force) in both the cases. This happens because the lighter one gets more acceleration as compared to the heavier one and it is able to cover more distance before falling down. Though there are a lot of other factors like angle of throwing, air drag, etc. which govern the distance covered by the shot put before landing but assuming those factors to be equivalent in both the throws, this should give you some insight that Newton's second law holds.
Newton's third law states:
If two objects interact, the force F12 exerted by object 1 on object 2 is equal in magnitude to and opposite in direction to the force F21 exerted by object 2 on object 1:
F12 = -F21
This law can be understood by considering the following example. When you hit a football with a barefoot, the foot hurts less if you hit it softly and it hurts more if you hit it with greater strength. Thus, the football exerts as much force on your foot as you hit it with. Now, there can be a confusion regarding this rule when you think of all the bodies that the earth is attracting with its force of gravitation. What about the force they exert back on the earth? This is very true, anything that the earth attracts towards itself also attracts the earth towards themselves with a force equal to the magnitude of g (acceleration due to gravity), but the mass of earth is so large as compared to the magnitude of force applied that it effectively remains at rest whereas the body accelerates towards it and falls on the surface of the earth.
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Drug companies distributed nearly 900 million opioid pills in Arkansas between 2006 and 2012
Home Dining Dining Review Indian Kitchen is curry as comfort food
Dining Review
Indian Kitchen is curry as comfort food
Guy Lancaster
Indian Kitchen's Idli Sambar Brian Chilson
Brian Chilson
Indian Kitchen
A while back, the wife and I were driving down John Barrow Road when she suddenly said, "Did we just pass an Indian restaurant?" It seemed an unlikely place for a new curry joint, but sure enough, the next time we passed by, we saw it — what looked like an old blue house sitting on the hill right at the intersection of Barrow Road and West 33rd St. with a sign reading "Indian Kitchen," complete with pictures of various dishes.
Indian Kitchen (3300 John Barrow Road) is primarily a take-out joint, as you will gather when you walk inside. There are a few tables with fold-out chairs, and on the day we visited, the place was cooled by two different wall units. A wall display on the inside showcases "Everyday's Special," conveniently divided by price into five and ten dollars. Among the five-dollar specials are idli sambar with chutney, veggie samosas (four per order) or chicken samosas (three per order), various pakodas, double ka mitha, while the $10 specials include chicken biryani with raita, Chicken 65, chicken curry with rice and salad, gulab jamun and more. The drinks include various canned and bottled beverages, including basic Coke products as well as mango lassi and Indian sodas such as Limca and Thumbs Up.
Indian Kitchen naan
You can dine in, though, as we did once. The wife ordered the idli sambar, while I got the Chicken 65; we also got an order of the veggie samosas and some naan. If you haven't had it, idli sambar is a South Indian speciality that consists of a steamed bun made of fermented rice (idli), served with a lentil and vegetable curry (sambar) and a peanut chutney. Most Indian cuisine popular in America is northern Indian, but we became enamored of this dish when Curry in a Hurry was still in business. Indian Kitchen's version of this dish included several hot idli and a very robust sambar.
Indian Kitchen's Idli Sambar
Meanwhile, the samosas were dense and filling, and if not especially flavorful themselves, they came with a tamarind chutney that lent the pastry a sweet astringency. At $5 a dish, both of these were a great value. The naan was a little on the chewy side and very likely store-bought, but serviceable. The Chicken 65 came garnished with a wealth of jalapeños and cilantro. Although the portion size was incredible, the breading was a little thin on some pieces, and aside from the jalapeños, it was rather lacking in fire. Nonetheless, it disappeared with alacrity.
Indian Kitchen's Chicken 65
We were the only customers in the restaurant for the duration of our stay, and as far as we could tell, the entire restaurant staff at the time was but two people; the cook was also our server. The food was brought to us in its to-go containers, minus the lids, along with some paper plates and plastic forks.
As noted, Indian Kitchen has a rather limited basic menu, but they do have daily specials, such as a $10 mutton dum biryani on Fridays, as well as a Sunday buffet. However, they offer an expansive catering menu. Indeed, catering seems to be their main source of income, with various dishes available in both "big tray" and "small tray" sizes. Just to illustrate the extent of their catering menu, they offer a dozen goat curries, from goat masala to achari gosht and kheema kaleji, and nearly 20 vegetarian dishes. Indian Kitchen is also, to the best of my knowledge, the only restaurant in Little Rock to offer Pani Puri since the closing of Flavor of India. Pani Puri is a popular street food that consists of a hollow, fried bread product (the puri), rather like a bready eggshell, in which one punches a hole to fill with various things, like chutneys or potatoes.
Indian Kitchen's Samosas
Ordering from Indian Kitchen can be a bit tricky. Once, my wife phoned on a Tuesday shortly after 5 p.m. (the place closes at 6 p.m.) only to be told that they had run out of food for the day. Too, now and then the restaurant will be closed for special events; they do announce these on their Facebook page, however. So call ahead or keep tabs on social media for changes in their schedule.
If Indian Kitchen does not have the fanciest dishes in Little Rock, it nonetheless offers us an experience that has been sorely lacking in this city, even as Indo-Pak cuisine has proliferated — namely, curry as comfort food. Often, when we seek comfort, we seek something simple and quick. In other countries that have a deeper heritage of the Indian diaspora, such as the United Kingdom, curry and related dishes have long graduated from the exotic to become the stuff of everyday life — the tinfoil-wrapped vindaloo you might pick up after a hard day's work, just as you would a burger or pizza here. Indian Kitchen, then, is a true symbol of Little Rock's evolution. No longer is Indian food just fine dining. Now, it's also cheap takeout on Barrow Road. Our city has come of age.
3300 John Barrow Road
Hours: 11 a.m-6 p.m. Tuesday through Sunday.
Closed occasionally for private parties.
Other info: No alcohol, only canned or bottled beverages available.
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redpajama_set_name: RedPajamaCommonCrawl


Green Amethyst Modern Twist Necklace, silver and leather.
10 by 14mm oval cut green Amethyst mounted in a modern twisted Sterling Silver design.
This piece is hand made and hung on a 16 inch black leather cord.


This story chronicles a largely unknown but important aspect of 20th century Australian political history during the Cold War, when the Communist leadership closed down many Jewish organisations and declared Zionism an ideological enemy. Soviet Jews often suffered hardships, not being allowed to enlist in universities, work in certain professions or participate in government.For three critical decades, 1959-89, Australian Jews and their community leaders were deeply involved in the international Soviet Jewry movement, with distinctive contribution to international affairs by some leading Australians including Bob Hawke, Garfield Barwick and Malcolm Fraser. By any measure, Australia played a role above and beyond what might be expected from a middle-ranking nation with limited international influence.But the lead actor was Isi Leibler, and this is very much also his story. Widely recognised and honoured internationally, his involvement and leadership - his 'magnificent obsession' - with the refuseniks and Soviet Jews, merit a full account.The emigration of over a million Jews to Israel, after an international campaign lasting more than three decades, redefined the notion of human rights. Indeed, Natan Sharansky, the leading 'Prisoner of Zion', claims it as the 20th century's most successful human rights movement.


Lee and Kathy Baker are former members of The Church of Jesus Christ of Latter Day-Saints (Mormon Church) and are the hosts of the Mainstream Mormonism radio program an are part of the 4Witness Ministry.
Lee was a faithful member of the LDS Church for 32 years, and was even a bishop, before he was excommunicated for asking questions about the Church and Kathy resigned from the Church when Lee was excommunicated.
The Recovering Faith Podcast is an honest and nonjudgmental discussion on faith in God, why it is often difficult to trust God and what we can do about it. Many of the topics discussed center on rebuilding faith after a tragedy or when coming to Christianity from a non-Christian or pseudo-Christian world view.


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Once a swamp area heavily used as a dock, Docklands has grown as a waterfront suburb offering a mix of inner city living including shopping, business, parks, entertainment, dining, sporting events, community events, arts and culture. According to the 2016 Census, Docklands had a population of 10,964. Of the occupied private dwellings, 97% were flats or apartments and only 2.3% were semi-detached, townhouses. In 2031, it is estimated to be a residential area for over 22,000 people. With its vision to rapidly grow residential real estate, it is expected that the new apartment blocks will have limited space. Here, at Spacer, we hope to solve this problem by connecting individuals with spare spaces and those who need it.
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A friend and I were passing by a tennis court the other day, where people were happily playing tennis together. It struck me in that moment how prevalent it is for people to enjoy each others' company through competitive activities.
Certainly this is not true for all shared activities, but it tends to be true for many of the more active ones. I wondered out loud whether there could be a sentient species who would find such a way of spending time completely incomprehensible — who might even find such behavior downright psychotic.
In other words, could a species evolve intelligence without ever evolving a sense of pleasure in competing with other members of their own species? Or is such a species impossible on first principles?
My friend pointed out, quite sensibly, that puppies and children compete with each other as a way to grow their skills. There is clear survival value in learning through competition.
But that didn't completely satisfy me. That merely shows that competition is one successful paradigm for evolution. It doesn't show that competition is necessary for all possible successful paths of evolution.
I found myself positing a species that is more like The Borg from STTNG. In such a species, individuals might be physically separate beings, yet possess a kind of communication that to us would seem like telepathy, like cooperating cells in a single organism. The evolutionary advantage possessed by such creatures would be linked to an inherent quality of cooperation, somewhat the way the tentacles of an octopus always cooperate with each other, even when they are engaged in disparate subtasks.
That still doesn't mean that evolution of this kind of intelligent species is possible. There could be sound evolutionary reasons why it is not possible. But for now, it seems at least plausible.
This entry was posted on Wednesday, May 31st, 2017 at 5:27 pm	and is filed under Uncategorized. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.
Hail to the slime mold !
Competition needs to be defined here. What do you mean by it, vs what do others mean by it, vs what do species mean by it?
The trees that compete for sun? The smaller ones learn to make do with less light and more shade and be smaller, different kinds of trees, etc.


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June 28, 2019 Uncategorizedmovie recs, reviews, Rocketmankathleenmkellett
As far as forms of storytelling go, I'm pretty one-note. I'm a novelist. Honestly, I've never really tried my hand at anything else. Sure, in college I had to write short stories for workshops, but I mostly cheated and used pieces of longer ideas that I had. Some forms don't really personally interest me; others have been placed in the "maybe at some point" file; still others fascinate me but seem particularly difficult. I mean, novels are hard and all, but have you ever tried to write a genuinely good picture book? (Not that I'm exactly taking it easy on myself over here. My current project has multiple in-world first-person POVs, plus a couple of other "primary sources" including POETRY, which I don't even write, with one character compiling and annotating this document. Because I'm a masochist, apparently.)
One form towards which I've generally had the attitude of "won't catch me attempting that" is the biopic. I don't just think that biopics are difficult; I think they're inherently impossible. Try as you might, you can't actually shoehorn a life into two hours, nor can you make it conform to a three-act structure. To quote the inimitable Crazy Ex-Girlfriend, "life doesn't make narrative sense." Trying to force it to do so requires lots of cutting and altering, while still trying to maintain an air of realism and historical accuracy. That isn't even meant as disparaging, because the filmmakers have to cut and alter; otherwise, the movie would be an unwatchable mess. But viewers know that life doesn't make narrative sense, so the formula of biopics too often seems thin and dishonest. Often you'll be left with the frustrating thought of I know there was more to it than that, and it was probably more interesting.
All of that to say, I really liked Rocketman.
I saw it with my mom and sister the other day, and all of us had high opinions of it. My mom mentioned that one of her friends hadn't realized going in that it's actually a jukebox musical instead of just a straight biopic. Apparently, her friend hadn't liked the fantastical and surreal musical numbers, prompting me to ask, "Does she not enjoy FUN?" Which is not to say that all of the songs are fun; some are, while others are heartbreaking. All of them, however, were emotionally overwhelming, totally immersing the viewer in the inner world of Elton John.
As far as I'm concerned, all would-be biopic filmmakers and screenwriters should go and take notes. Rocketman did not try to maintain an air of realism and historical accuracy. Songs were used wherever they'd be most emotionally relevant, with no regard for the actual chronology of Elton John's catalog. This is obvious from the beginning, as his child self sings The Bitch is Back while his orange-devil-suited older self looks on. There's no point in asking "is this how it really happened," because the answer is obviously no. "This is a constructed narrative!" the movie brazenly shouts from the opening frames. That allows the typical anxiously maintained facade of based-on-a-true-story to fall away (indeed, the tagline of the movie is literally "based on a true fantasy"), leaving the screenwriter and director (Lee Hall and Dexter Fletcher, respectively) to focus on emotional as opposed to historical accuracy.
I am all for this style of storytelling about real people. After all, we all construct our lives in various ways. We have our favored anecdotes and the influences we decided in hindsight were formative. We streamline our memories and allow most quieter moments to dissipate, if only because we don't have room to hold them all. But every person knows their own inner complexity, the desire and passion and ambition and love and disappointment and fear and sheer cussed stubbornness that define us to ourselves. I'm only 30 and have had a far less interesting life than Elton John, and I'd still have a hell of a time putting my whole emotional universe into two hours and deciding which life events were "major" enough to include in the right order and trying to trick an audience into believing that that's exactly how it all unfolded. Rocketman is still technically a biopic, so it has to do a bit of the picking and choosing, but in dispensing entirely with the pretense of realism, it can focus the vast majority of its energy on Feelings. It wears its bruised heart on its sparkly sleeve. It still can't put Elton John's whole universe into two hours, but it can give us an awfully moving glimpse.
In general, I am more and more interested in stories that are unabashedly about Feelings over everything else. For example, after a good long run as a fan of the MCU, I think I'm officially superhero-ed out. Too much Action, too many Twists, not nearly enough time spent on Emotions beyond what the valiant actors managed to wear on their faces. And, I mean, I'm literally a fantasy author, so I can't exactly dispense with plot — nor would I want to — but I want every detail to be in service of this is how it feels to be human. Biopics, when they creatively bypass the restrictions of its form, can show us this is how it feels to be this human. And though I'm still quite certain that I'd never try to write a biopic myself, I'd certainly go to see more if they can pull this off as gorgeously as Rocketman does.
February 28, 2019 Uncategorizedawful babies, egregiously earnest and lacking in subtlety, reviews, Schitt's Creekkathleenmkellett
What should I write my blog about this month? I asked myself when I woke up this morning and realized it was the last day of February. I answered that question with another question: Well, what's just about the only thing you've thought or cared about this month aside from all the schoolwork you have to do? And the answer to that, gentle blog readers, was my new favorite sitcom of all time, Schitt's Creek. If you have not already done so, please get thee to Netflix, where the first four seasons are waiting to delight you and also probably take up more time than you have to spend. (I have recently taken to literally unplugging my router to make myself stop rewatching favorite scenes and do my work.) (It's open in another tab right now, god help me.)
Before you binge away, though, you can continue reading this blog, because I'm not really going to be talking about the specifics of the show's plot. Instead, I want to discuss the reasons that stories like this one are so attractive to me. I commented in a Twitter conversation about the show that, to me, Disasters Learning To Love is the story type to which I keep returning. (Actually, what I really said was that it's the only type of story that matters and is worth telling, because hyperbole is where I live, but also was I really being hyperbolic? Nah.) For those of you unfamiliar with the premise, Schitt's Creek is about a filthy rich family that loses their fortune after their business manager embezzles everything away, and the one asset remaining to them is the titular rural town that they bought as a joke. Obviously, the resulting culture shock is … significant.
Basically all the major characters in this show qualify as awful babies, a term coined by my dear Anna to describe the best type of fictional character. I can't remember if I've ever used this perfect turn of phrase on this blog before, so for the uninitiated (i.e., those of you who somehow haven't heard me expound upon this in real life), awful babies are characters who are very bad at their own emotions (Anna once used the metaphor of "flailing ineffectually against the current of their feelings") and are consequently Terrible. Not all awful babies are created equal, and plenty of different personality types can translate into awfulness. If I may be so arrogant as to use my own work as an example, I really enjoy creating characters who are very different from one another, but I exclusively write awful babies. In fact, "all your characters are assholes kathleen" (also from Anna) is one of the greatest texts I've ever received, and high on the list of my most prized compliments about my writing.
With all of that said, it may seem a contradiction to admit that when it comes to sitcoms, I really only like those with characters whose company I think I'd actually enjoy in real life. For example, I've never been a Seinfeld person, simply because I'd last about thirty seconds in a room with those characters before walking right out the door again. (I also fully understand that that was part of the point, don't @ me.) But there's a very important distinction between an awful baby and a just plain gross human being. The former do have the ability to experience personal growth — or, more accurately, to drag their own selves into personal growth kicking and screaming. That's the story that makes me laugh and makes me care. After all, what can be more (often alarmingly) relatable?
My parents have the same sitcom sensibilities as I do, and after watching the first two episodes of Schitt's Creek on my recommendation, they were unsure why I recommended it, because they mistook these incredible awful babies for gross human beings. I have been flat-out begging them to trust me, because this show has some of the best slow-burn character development I've seen in a long, long time. That's also why I've refused to show them any of the scenes that I know would convince them that these characters are worth investing in, because they have to see them earn it. Everything is so much more satisfying when it's that hard-won! I've been reading a lot of books lately that are Relevant To My Research Interests, which means I can't just stop reading them when they fail to fully engage me. Honestly, one of my main complaints with fiction that bores me is when the main characters a) aren't awful enough, which means that b) they don't have to work hard enough for their victories.
Dan Levy, who is the showrunner and one of the stars of Schitt's Creek and is now my latest creative idol, is committed to storytelling without cynicism. The many interviews I've been reading (those are two good ones) make this clear, but so does the work itself. And to me, being an awful baby aficionado as both a writer and a consumer of fiction is rooted in compassion and delight for people in general. We're so dumb, bless us! We're so bad at so many things, especially managing our own messy, scary, ridiculous lives. I love finding points of comparison between my own strand of melodramatic, vain, recalcitrant awfulness (that I hide, for the most part, relatively well (or at least I hope I do)) with fictional characters who are flailing just as wildly as I am towards something like happiness. Towards the ability to love, and love well. That's a hard journey, but if you like people, it can also be a deeply funny journey.
I'm personally not a comedy writer. My stuff is just a wee bit too dark for that. (My newest project is about, um, death.) But that's not to say my characters don't make me laugh, especially when they're at their awfullest, and I really hope that they'll inspire the same kind of tender, indulgent fondness that I feel about the characters from Schitt's Creek. Because you know what that does? It allows people to feel the same tender, indulgent fondness about themselves. And that's what makes the stories worth telling.
March 31, 2018 UncategorizedA Wrinkle in Time, movie recs, reviewskathleenmkellett
Almost all the snow in my backyard has melted. We might get more on Monday, but I'm pretending that we won't. I'm sitting in a quiet yellow room, waiting for life to start blooming again.
I finally managed to see A Wrinkle in Time, and I predictably loved it. It wore its heart right on its fancy, shiny, sparkly sleeve, and it didn't feel self-conscious about it at all. I respect and admire that about any type of art. I can't really speak to it as an adaptation, because I don't quite remember the book well enough to do so, but as a movie for children and people who are not afraid of Big Feelings, I found it very successful.
Blooming is, I think, a good word for A Wrinkle in Time. Colors open up and spill out across the screen, music crescendos, hope turns its face towards the sun. Or, you know, towards Oprah. Though my dear Claire wondered if she would feel, as she perfectly and delightfully put it, Oprah-whelmed by Mrs. Which, we both agreed that all of the gloriously decked out celestial guides were perfect for both Meg and the viewers. Mrs. Which especially isso gentle in her power. Gentleness is an awfully underrated quality. It provides rich soil for seeds of hope to hide in when they're not quite ready to grow.
Meg herself is not quite ready to grow for much of the movie. This movie is not remotely subtle, but Storm Reid's acting is. Even though a lot of emotions wind up baldly (and I'll admit occasionally jarringly) stated in the dialogue, Ms. Reid conveys a whole host of unsaid things, as well. She conveys Meg's sense of isolation, of smallness, within the tension in her shoulders and the slight frown on her face. Meg, of course, is not small, but fear is a diminishing state, and Meg has existed in that state for a long time. She fears that she is unworthy and unlovable, and so she doesn't look up or out, in case she finds evidence that she is right.
But her story makes her look up and look out and look within. In all directions, she sees the universe, and that universe, the movie insists, is glorious. The universe doesn't care if you think it's too sentimental or showy in its beauty. The splendor of existence won't mind if you think it's a try-hard. It will be as vast and spectacular as it naturally is, and it will make room for even the smallest, most frightened girl to be vast and spectacular, too. Because she is. Because she always was.
It's spring, and there may be more snow coming, but it's time to bloom anyway — gentle and powerful, hopeful and huge.


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It's time to pay the final total.
But my diets were anecdotal.
Added to each of my dimensions.
But I ate it my way.
And I ate it my way.
I also drank, my share of boozing.
Even at little stops along the highway.
Not only the meals, but all of the treats?
As we edge closer to the grave.
'Cause I ate it my way.
© 2011 Gavin Miller. All rights reserved.


Our policies provide a set of guiding principles to help with our decision making.
The policies at Melanoma UK are not long or complicated, they are clear, simple statements of how we intend to conduct our business.
Ensuring compliance with charity law and the Charity Commission rules, regulations and guidance.
Provide appropriate controls including a framework for delegation by the board of trustees to staff or volunteers that set out how things should be done and what is expected of people.
Transparency and accountability that the board of trustees will be conducting the work of the charity appropriately.


Description: General maintenance, possible tasks range from cleaning to lawn work, assisting in minor construction projects, general maintenance and more.
Salary: Begins at $10, advances to $11 after 90 days. Beyond that based on performance and skills. No special job skills, must be regularly available, willing to do manual labor and try new tasks.
Description: No special job skills required. Must be regularly available, willing to do manual labor and try new tasks. We can train you if your have aptitude and basic eye-hand coordination. Curiosity is a plus. Tolerance to extreme heat and cold a must.
Salary: Begins at $10, advances to $11 after 90 days. Beyond that based on performance and skills.
Description: Some prior retail skill preferred, good people skills a must, honesty and strong dependable work ethic desired, self motivation a must. Leadership of two other employees included. Team player skills absolutely necessary.


First, check your policy schedule and the appropriate section of your policy to make sure that what you are claiming for is covered.
Note: Use of the European Health Insurance Card (EHIC) will remove the policy excess in the event of requiring medical assistance abroad or when submitting a medical expenses claim.
Please telephone the claims company on 0330 400 1416, visit www.travelclaimsservices.com or email claims@travelclaimsservices.com.
All claims must be notified within 31 days of your return by completing the relevant claim form and enclosing any original documentation, where applicable. Please refer to the relevant section of your policy for specific conditions and details of the supporting evidence.
It is advisable to retain copies of all documents when submitting your claim form.
For full details of the claims process, please refer to your policy document.
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Programs that monitor, assess and report on water quality, and are involved in watershed protection and restoration.
Each of the CRP Partner Agencies maintains a web site that includes annual Basin Highlights Reports, and Basin Summary Reports that provide a detailed review of historical water quality data. In addition, the data generated by the CRP, TCEQ Region Offices, and other water quality monitors around the state is used for a variety of purposes at the TCEQ, including statewide assessment reports.
procedural manuals that describe how field measurements and water samples are collected.
The Clean Rivers Program coordinates watershed management with two other important state programs for which the TCEQ and the Texas State Soil and Water Conservation Board (TSSWCB) are responsible.
The Nonpoint Source Program fulfills requirements of Section 319 of the federal Clean Water Act to prevent and reduce water pollution from nonpoint sources—pollutants that are not discharged from a single, readily identifiable source, which are often transported by runoff and washoff to streams, lakes, and bays. The TCEQ is the State's lead agency for preventing and abating nonpoint source pollution from urban and other nonagricultural sources. The Texas State Soil and Water Conservation Board fulfills those responsibilities for agricultural and forestry lands. Both agencies administer grant funds that may be used to prevent or reduce nonpoint source pollution.
The Total Maximum Daily Load (TMDL) Program conducts modeling activities to identify the loads associated with pollutant sources in the watershed, and develops Implementation Plans that outline management strategies to improve water quality in impaired water bodies in Texas. These activities are carried out in accordance with requirements laid out in Section 303(d) of the federal Clean Water Act. Find out more about TMDL projects under way or completed by the TCEQ.
Nonpoint source pollutants—contaminants that are not discharged from a single, readily identifiable source, which are carried to streams, lakes, and bays by runoff and washoff.


Madge Jones is a real estate expert with Nino and Associates Realtors® and has lived in the Greater Houston area for the last 17 years. Although professional pursuits have taken Madge and her family around the world (twice!), she remains a proud resident of Houston and has witnessed, first-hand, its emergence as one of the world's most desirable places to live.
Before embarking on a career in real estate, Jones constantly monitored Houston's housing market and attended open houses, all while watching the action from the outside. She recently decided to jump in "head-first", obtain a real estate license and become an insider.
Jones has known from day one that this is an ideal match for her passion, enthusiasm and people skills. Her infectious, bubbly personality, legendary love for people and attention to detail are inspiring. It's no wonder that she burst on the scene with a bang and closed multiple deals in her first month. She's definitely not looking back!
Jones has been married to her husband, Keith Jones, a Senior Vice President with the Houston Rockets for 22 years. They are the proud parents of three fantastic children, Morgan (a junior at Texas A&M University), Alex (Dulles high, junior) and Isaiah (Dulles High, sophomore). She is native of Minnesota and a graduate of the University of Minnesota, where she received a bachelor's degree in finance.
Madge is the youngest of 11 children, so she is used to fighting for what she (and her clients) want and she usually gets it!


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Emporia's Dirty Kanza Weekend | City Guide
Monday, June 26, 2017 5:00 PM by KANSAS! magazine
At the central-eastern gateway of the Flint Hills, Emporia has become known as the gravel-grinding capital of the world for hosting the annual Dirty Kanza. This premier cycling competition in June consists of several races for the hard-core mountain-biking crowd, with distances of 25, 50, 100 and 200 miles. For the athletes, it can be a grueling, transformative feat of endurance. For spectators, it is a chance to witness physical strength and mental prowess—as well as a reason to enjoy a weekend in Emporia.
Founded in 1857 as the Emporia Town Company by a real estate group and an ambitious young newspaperman, the area grew rapidly after the 1862 Homestead Act brought in settlers and railroad development. First was the Missouri, Kansas and Texas (the "Katy") line, and then the Atchison, Topeka and Santa Fe Railway. This larger railroad company made Emporia a division maintenance point and built a two-story depot complete with a Harvey House restaurant. The Kansas Legislature passed a bill in 1863 creating the Kansas State Normal School, which later became known as Emporia State University and continues to be widely recognized for its teacher training and glass-blowing programs.
Emporia is small enough that visitors can spend much of their time exploring its downtown region by foot, but it's large enough to offer several attractions for a busy extended weekend. While the Dirty Kanza should not be missed (beginning on May 30 with the big events over the weekend of June 2–4), any summer weekend spent exploring the town will be time well spent.
1:00 p.m. Arrive early to spend time exploring Emporia State University. Stop in at the Union for an iced coffee and stroll over the bridge at Wooster's Lake to the school's William Allen White Library, which houses a rich children's literature collection with items such as the illustrations of Lois Lenski (best known for her books Strawberry Girl, Cowboy Small and Little Fire Engine). Other attractions include the collections of the Johnston Geology Museum in Cram Hall, which boasts a collection of fluorescent minerals, the bones of a Kansas mosasaurus and the remains of a giant sloth. If you have time, you can also visit the National Teachers Hall of Fame in Visser Hall to see if your favorite teacher is honored in the gallery. emporia.edu/libsv | emporia.edu/~es/museum/museum.htm | nthf.org
4:00 p.m. Preliminary events have been going on all week, but the Dirty Kanza festivities start up on this day, and now is the time to join them. Go downtown to Commercial Street for the All Things Gravel Bicycle Expo. This huge celebration shuts down the town's main street for the day as sponsors sell and display everything you can imagine (and some things you might never have considered) that can be used for biking on gravel. Dirtykanza.com | emporiamainstreet.com
6:00 p.m. You don't have to go far for dinner with three great dining choices within 3 blocks of one another on Commercial Street. Radius Brewing Company, a microbrew with a full menu, is a popular choice. You can also opt for Casa Ramos for Mexican fare or Pho' BannLao for great Asian noodle soups. After dinner, sit outside on the patio at Mulready's Pub and enjoy craft beers and scotch from around the world.
Overnight Emporia has several hotel options, including Candlewood Suites and Holiday Inn Express—but be warned, rooms are booked well in advance for Dirty Kanza weekend. Start planning now. If you can find an opening, or visit during a different time of the year, consider checking in at the Gufler Mansion.
Designed by Emporia architect Henry Brinkman, constructed of rag brick and trimmed with Algonite stone, the house was built in 1915 for Albert Gufler, manager of the Theodore Poehler Mercantile Company. Though the third-floor ballroom is now an apartment, the grand staircase and much of the original woodwork remain. Gufler Mansion is a fabulous mix of period and modern with rooms available through Airbnb.
6:00 a.m. Be a hero and join the early-rising racers for the starting gun of the big event, the 200-mile race. It takes off downtown, in front of the Granada Theater. You can send off the pack with applause and give special cheers to Kansans such as multiple champion Dan Hughes and 2015 champion Bryan Jensen.
6:20 a.m. Starting gun of the 100-mile race.
6:40 a.m. Starting gun of the 50-mile race.
7:00 a.m. This puts things into perspective. The Dirty Kanza is such an amazing showcase of athleticism that the community fun ride that starts at 7:00 a.m. goes on for an entire 25 miles. That's considered the short, nothing-to-it distance. Send them off with waves and cheers as you plot your breakfast moves.
7:15 a.m. Consider stopping in at the Granada coffee shop and grabbing some pastries or cinnamon rolls from Amanda's. A bigger sit-down breakfast is possible at the popular Huddle House.
8:30 a.m. Take advantage of the cooler morning temperatures to explore Emporia's Peter Pan Park. Writer William Allen White (more on this famous Kansan later in the day) used royalties from the obituary for his daughter to create this park as a tribute to her. Designed by Harr and Harr of Kansas City (known for their work on The Plaza), the park is a beautiful, natural site with disc golf, picnic tables, horseshoe pits and a lake. The park's amphitheater and Monkey Island building (no longer used to house monkeys) were built in the 1930s by WPA laborers who earned 40 cents an hour to create these enduring structures.
10:00 a.m. Downtown Emporia shops are opening for the day. There are several original stores within walking distance, and you will want to choose from your interests. Ellen Plumb's Books is a must for bookworms; the owner knows her stock and knows great reads … plus there is coffee on hand. Paper Moon Antiques is another delightful find. A small shop with not many open spaces, it features salvaged lighting, Victorian furniture and glassware. Finally, Cowgirl Boutique is another fun visit—trendy, funky clothes and accessories.
Noon Go to Amanda's Bakery & Cafe for fresh homemade bread and soup. For dessert, try the hot and gooey Whoopie Pie.
1:00 p.m. It's time to get back to William Allen White, a key figure in Emporia's—and the state's—history. You can explore the legacy of this original Kansan by visiting his home, Red Rocks, a state historic site. White's essay "What Is the Matter with Kansas?" propelled him to national fame as the editor and owner of the Emporia Gazette in the 1890s. He went on to become a leading progressive voice who also championed small-town life. A friend of Teddy Roosevelt, White ran for governor in the 1920s with the intention of getting rid of the KKK in Kansas. While he didn't win the election, White's campaign helped spur Kansas to became the first state to outlaw the Klan. White's house, administered by the Kansas State Historical Society, looks much as it did when he lived there and includes many original items. An art fair is held on the grounds during the Dirty Kanza weekend.
3:00 p.m. Consider visiting one or touring all the city's monuments to war veterans. Emporia honors America's veterans with an All-Veterans Memorial, a Civil War Veterans Monument, a Hispanic American World War II Veterans Monument, a Spanish-American War Memorial and a memorial to student and alumni veterans of Emporia State University. The Emporia CVB has a full listing of locations and hours for each memorial. visitemporia.com
4:30 p.m. Return downtown to the finish line where riders in the shorter racers have been arriving and the party is in full swing. Commercial Street is closed to traffic, and you'll be able to find a wide variety of food and drink vendors, including Free State Brewing and the Granada Theater, who partner to put on a beer garden (and to serve a special brew, the Dirty Kanza Kolsch). There is also a climbing wall, inflatables and a lot of good people-watching. Stay around for dinner and the after-race party with musical performances that go until midnight.
10:00 a.m. Start a bit later and grab a light breakfast before heading over to the David Traylor Zoo. It is a smaller park, but fully accredited by the Association of Zoos and Aquariums and dedicated to the well-being of its animals, which include bison, lemurs, pumas, bald eagles and more. Note: If you are traveling with a group that would consider the zoo the primary attraction, consider making an earlier stop by the grounds at Friday, 7 p.m. when the zoo screens a free outdoor showing of the animated 2016 family film The Wild Life.
1:00 p.m. Before leaving town, you have one big choice to make—which Emporia burger joint to visit. Emporia seems evenly divided on its pick for the top burger place. Jay's offers satisfying traditional burgers with soft-serve ice cream while you wait; Do-B's offers burgers with toppings such as pastrami, teriyaki sauce or creole mustard. Either one will be a worthy send-off.
Emporia is small enough to spend much of the time exploring its central, downtown region by foot, but large enough to offer several attractions for a busy extended weekend.
Categories: Travel
Tags: Travel, Flint Hills, hamburgers, Emporia, outdoors, biking, summer, City Guide, Guide
Author: KANSAS! magazine
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The London Marathon was won seven times in 12 years by athletes who have recorded suspicious blood scores, according to the Sunday Times.
The tally represents nearly 30% of winners in the 24 men's and women's races.
Last week the newspaper - along with German broadcaster ARD - revealed details from a leak of 12,000 blood test results from 5,000 athletes.
The latest revelations focus on what the Sunday Times calls "the alarming extent of suspected cheating by elite athletes in the six mass public marathons around the world."
London, Boston, Chicago, New York, Berlin and Tokyo are the races to which they refer.
The winners of 34 major city marathons - one in four - "should have faced censure or at least been investigated over evidence of potential blood doping within their test results."
Athletes whose results were considered suspicious by the Sunday Times's experts collected more than £4m in prize money from those marathons.
In London, seven wins, six second places and seven third places were secured by "athletes whose blood tests were deemed suspicious by the experts".
The files belong to world governing body the International Association of Athletics Federations (IAAF), but have been leaked by a whistle-blower.
London Marathon chief executive Nick Bitel said the IAAF has agreed to increase out-of-competition tests for athletes at the world's six major marathons, but criticised the organisation.
"We are disappointed when we have been doing more than anyone to fight doping in our sport," Bitel told BBC Radio 5 live's Sportsweek.
"This is about the IAAF's failure to take effective action."
Two of the world's "foremost anti-doping experts", scientists Robin Parisotto and Michael Ashenden, have reviewed the data.
According to them, a third of the medals claimed in endurance events at World Championships and Olympics were won by athletes with abnormal or suspicious blood tests. It is claimed none of these athletes have been stripped of their medals. Parisotto said he had never seen such an abnormal set of blood values.
"So many athletes appear to have doped with impunity, and it is damning that the IAAF appears to have idly sat by and let this happen," he said.
The evidence is not proof of doping, but the revelations will raise more serious questions over whether the sport is doing enough to combat cheating ahead of the World Athletics Championships in Beijing later this month.
London Marathon chief criticises IAAF Analysis: Can Lord Coe fix athletics' damaged reputation?
On Friday the World Anti-Doping Agency (Wada) announced that it would launch an "urgent" investigation into the allegations. The IAAF has agreed to hand its full database - seen by the BBC - to the anti-doping body.
In a statement, it said: "In sharing what we believe to be the database in question with the Independent Commission formed by Wada, the IAAF is comfortable that an independent, impartial assessment of the data and the follow-up action by the IAAF will now be made by the competent authority."
This week, the IAAF is set to strip a number of athletes of medals won over the last decade, the BBC understands. This retrospective action - or "delayed justice" - will be a result of the re-testing of old samples and analysis of blood passports.
However, the IAAF has condemned the leak, and insists that the two experts had "no knowledge whatsoever of the actions taken by the IAAF in following these suspicious profiles" and that their analysis "contains a number of seriously incorrect assertions".
It added: "Of most concern to us is that the two scientists continue to defend their statements that the IAAF did nothing to act on 'suspicious profiles'.
"If these scientists have evidence that the IAAF did not follow up suspicious samples, then they should immediately make this available to the Wada Commission.
"If they do not have evidence, then we urge that they refrain from making assertions of wrongdoing."
The IAAF also said that Ashenden and Parisotto "conveniently ignore the fact that more than 60 athletes have been sanctioned on the basis of abnormal blood values collected after 2009, and these athletes accrued 140 notable international medals, three world records, six world marathon majors wins, 13 other big city marathon wins before they were exposed by the IAAF as cheats".
The IAAF said that before the introduction in 2009 of the biological passport to monitor blood values, its testers had "systematically pursued" all results that were deemed "atypical" with immediate urine tests for EPO and then target-tested those athletes in and out of competition.
"We condemn the fact that two experienced scientists were naive enough to place themselves in a situation where their analysis of incomplete data is being used against athletes in the public domain," it said.
Since the introduction of the passport, the IAAF says it has "pursued more cases under the passport system than all other anti-doping organisations together", and is spending $2m a year on combating cheating. "As a percentage of overall annual budget this is the highest of any sport," it added.
There can be various reasons for abnormal blood samples other than performance-enhancing drugs. Illness, altitude training and pregnancy can all influence values.
The Sunday Times reports that eight British athletes - including Mo Farah and Jo Pavey - have published their blood test data "to show they are clean" with results falling within the normal expected range.
"I'm happy to do what it takes to prove I'm a clean athlete," said double Olympic champion Farah. "The decision to release my results is a personal one."
Pavey said: "It's nice to get it [her blood data] out there, as a clean athlete I've got no reason not to."
UK Athletics said it was "counselling caution" to athletes because "full transparency requires release of all of an athlete's testing history rather than incomplete data that has the possibility of being open to misinterpretation."
It added: "Athletes that have chosen to allow their results to be published have in many cases asked for guidance before agreeing to do so, in order to be better informed of any risks involved."
UK Anti-Doping said it has a "robust" Athlete Biological Passport system in place and is "confident" in its procedures.
On Friday a former winner of the London Marathon was stripped of her title for doping.
Russian Liliya Shobukhova, who won in 2010 and was runner-up in 2011, has had her results since 2009 annulled. The Sunday Times claims that she recorded "extreme blood scores" for nine years before the athletics authorities finally took action against her in 2014, and that marathon organisers were not told about the scores.


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Q: SharedPreference on different Application with different Certificate So basically, Im working on Android project that use SharedPreference
My Apps should share a dynamic string with other Application that developed by Different Developer on Different PC (so both Application has different certificate)
can I do that? I have try with two Application in same certificate successfully, but no luck with different certificate (both application has same sharedUserId) Any Idea how to do such thing? is there any other approach to do this? Thanks in advance

redpajama_set_name: RedPajamaStackExchange


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Home *writing author-illustrator children's book translation Geronimo Stilton graphic novels Illustrators interview Luisa: Now and Then Nanette McGuinness opera singer SCBWI BI SCBWI UK translator writing TRANSLATION Nanette McGuinness
TRANSLATION Nanette McGuinness
In our series of interviews with children's book translators, translators explain just what goes into their work. This month's interview is with translator – and opera singer – Nanette McGuinness, who has translated many graphic novels.
What is a recent project you're excited about?
I'm going to focus – mostly – on Luisa: Now and Then, which I translated from French, because of its recent Honor Book status. But first I'd like to briefly mention two other graphic novels that were fun to translate and somewhat typical of what I work on. One is a middle-grade series; the other is an issues-based, standalone YA graphic novel.
Cover of Geronimo Stilton: Lost in Translation by Ryan Jampole
1) The Geronimo Stilton graphic novels (Papercutz), written by Elisabetta Dami, were such a joy to work on, with 19 volumes and mounds of cheese, mouse and cat puns, jokes and wordplay in a time-travelling setting. The books feature digestible snippets of information and a race to save the world before the Pirate Cats change history irrevocably.
Cover of California Dreamin' by author-illustrator Pénélope Bagieu
2) California Dreamin': Cass Elliot Before the Mamas & the Papas (First Second Books), is an upper YA biography by award-winning writer/illustrator Pénélope Bagieu. In the context of the early life of Mama Cass, Bagieu addresses issues of body image, self-esteem, music, and more.
What made you interested in translating this particular book?
Luisa: Now and Then is a fabulous coming-of-age story that sensitively handles an important topic, coming to terms with one's repressed sexuality; it's also a time-travelling fantasy that uses the graphic-novel format imaginatively by having the protagonist meet her younger self.
How did you become interested in French, Italian, and German?
Because my mom was a Francophile, I spoke French before English when I was very little. Italian came about from my being an opera singer and studying Italian to sing it, as Italian is the prime language for classical singing – Italy being the birthplace of opera.
Many years ago, I was singing the role of Musetta in a production of La Bohème in northwestern Italy. Alfredo, our wonderful Italian stage director, spoke French, and we quickly became friends. When the maestro (conductor, in this context) asked me if I wanted a translator, I told him that if he didn't mind the inconvenience, I'd rather try to improve my Italian; Alfredo volunteered to help me out in French if I got stuck. That really helped me improve quickly. Interestingly, though, because I had more years studying German formally, I found it easier later on to write to my Swiss-Italian agent in German (Lorenzo wrote me back in Italian and we got along quite well).
I first studied German in college because I'd always been interested in languages. (One of my life goals has always been to study 10-12 languages, and although I'm not fluent in even half of those, I've studied and/or sung a dozen by now.) When I was working on my doctorate in musicology, I'd already decided my dissertation topic would be the Renaissance composer Orlando di Lasso, who spent much of his career in Bavaria. As most of the secondary literature was in dense, scholarly German, I knew I'd best improve my German to be able to do a good job and so I took a summer course in Germany with the Goethe-Institut. Later on, when I was auditioning in Germany for agents, I studied at the Goethe-Institut again. In the end I've sung a good deal in German, too.
Cover of Luisa: Now and Then by author-illustrator Carole Maurel
How did you become a translator? What made you interested in writing and translating in the first place?
I've written all my life, despite – or in addition to – being a singer, and have both a Master's in Vocal Performance and also a PhD specializing in musicology – essentially, writing about music history.
During an extended period of health issues when it was harder for me to perform, I found myself drawn to writing for children, as I'd never lost my love of children's books. I also found myself drawn to book translation. I started writing articles and stories and doing commercial translation, hoping to find literary work. Once healthy – my singing career moving forward again – I continued to write and translate. About seven years later, I was looking for the right house for a manuscript submission when I bumped into a publisher who needed a translator.
What made you want to translate for children/young adults?
I love books and especially children's literature: some of the best writing today is being done for young readers, with fascinating, often difficult issues addressed directly and well. Good children's literature in any language, let alone in translation, allows the reader to see through another's eyes and feel another's feelings, opening a window to other world views. So children's books in translation help shape children's minds, insidiously influencing tomorrow's adults. In what other forum can an artist have such an impact and cast such a long shadow?
Some of the best writing today is being done for young readers.
How did this translation 'find' you?
As did all my other translations: the publisher asked me if I was available and interested… and I definitely was! I've been lucky to work with great editors, whose punny bones often exceed mine, and who send me lovely books to translate.
How long did the translation take?
Roughly six weeks, as I recall. Graphic novels tend to have tight turnaround times. (I find deadlines a useful antidote to perfectionism.) Given the compressed timelines, I'm often to be found pondering the perfect word choice in the wee hours. I always start with a first rough draft filled with alternatives and questions marks – especially for the wordplay, rhymes, slang and jokes – and revisit choices across multiple passes of revising and proofreading, to make sure that my final version sounds smooth, native to the new language, and with a voice true to the author and characters – also that I wasn't so absorbed by the story that I've missed a stray balloon, which I find easy to do.
A page from Luisa: Now and Then with kind permission from Humanoids imprint Life Drawn
What were the hardest parts to translate? Was there anything you wished you could ask the author? Any funny stories about the translation?
I love translating rhymes, jokes, lyrics, word play and puns, but these can definitely be a challenge. And they need time to marinate in my brain. References to current pop culture often send me scurrying to the internet.
Sometimes it would be great to ask the author whether the internal rhyme in a prose line is deliberate or a happy accident. Kipling's 'satiable Elephant's Child is clearly a relative…
What kinds of sources do you use when you don't understand what something means?
I consult a host of online bilingual dictionaries and websites, plus I search Google, YouTube, translator's forums and email listservs, if necessary. In a pinch, I can ask friends who are native speakers. When I started out, I had huge bilingual dictionaries – heavy tomes that threatened to pull my back out if I carried them carelessly.
Have you ever translated a book you didn't like?
At the very start, there were a few that I didn't adore, although in general, I love books, so most have something to hook me. But since the early days, no. At this point, I would turn it down if I can see I won't like it. I live with a book in my mind and my emotional landscape for too long and too strongly to take on something I truly dislike.
Have you received any letters from readers about the book?
Although translators are mostly invisible to readers – our names are typically buried rather than emblazoned on the title page – a reader once wrote to me on Goodreads about two of the Sherlock, Lupin, and Me novels, asking me if I'd please translate more of the series. I explained that it was up to the publisher, but that I would pass their feedback on. It's a lovely series – a teen Sherlock… what's not to like, right? – but the U.S. publisher stopped at the fourth volume.
I've also had a lot of adults come up to me and tell me how much their kids or students love the Geronimo Stilton graphic novels, although nowadays, it's more likely to be The Sisters graphic novels they comment about, as these are still being written and published, whereas this particular Stilton graphic novel series has ended (others continue).
What do you hope to translate next? What would you love to translate?
I recently heard about an Italian novel, Nebbia, which won the 2020 Strega Prize for 6-10 year-old readers and sounded fascinating. Also, it would be great to return to that young Sherlock series. Finally, although I'm only known to graphic-novel publishers, I would love to translate picture books, too: there are so many excellent ones coming out.
What other translators do you admire?
There are so many fine children's translators! I'd hate to forget someone important accidentally if I started a list… However, if I had to single out a translator, probably the one I admire most out of all those many excellent ones is Anthea Bell, who passed away recently. She translated one of my favourite graphic novel series into English – one that I have read in several languages at this point, Asterix et Obelix – along with works by Hans Christian Anderson, Cornelia Funke, Kerstin Gier, Freud, Kafka, E.T.A. Hoffmann, and many more. She was a giant in the field.
* Feature image: Jess Stockham
Award-winning opera singer Nanette McGuinness is the translator of over 50 books and graphic novels for children and adults from French, Italian, and German into English, including the well-known Geronimo Stilton Graphic Novels. Two of her latest translations, Luisa: Now and Then (Life Drawn, 2018) and California Dreamin': Cass Elliot Before the Mamas & the Papas (First Second, 2017) were chosen for YALSA's Great Graphic Novels for Teens, Luisa: Now and Then was also named a 2019 Stonewall Honor Book and a 2020 GLLI YA Honor Book. Her most recent translations are Undead Messiah 3 (TOKYOPOP, 2020, German>English), Little Josephine: Memory in Pieces (Life Drawn, 2020, French>English) and Super Sisters (Papercutz, 2020, French>English). She was honored to give SCBWI's first presentation on translation at SCBWI's 2015 summer conference.
Nanette's website: www.athenatranslations.nanette.biz
Facebook: www.facebook.com/NanetteMcGuinness
Instagram: https://www.instagram.com/nanettemcguinness/
Twitter: www.twitter.com/nanettemcg
Avatar from Nanette McGuinness
Some of the "origin story" part of this interview appeared originally in Nanette's interview with Avery Fischer Udagawa in the SCBWI blog.
TRANSLATION Nanette McGuinness Reviewed by Julie Sullivan on 06:30 Rating: 5
Tags : *writing author-illustrator children's book translation Geronimo Stilton graphic novels Illustrators interview Luisa: Now and Then Nanette McGuinness opera singer SCBWI BI SCBWI UK translator writing
CREATIVE SECRETS Piers Torday
DEBUT DIARIES – ONE YEAR ON Justin Davies
ILLUSTRATION FEATURE Selling Goods Pt 1
SPARKS Sound effects
EVENTS Separate but together: an online writers' r...
ILLUSTRATION MASTERCLASS Portfolio Breakouts
BLOG BREAK Can You Kanban?
NETWORK FOCUS Central West
SPECIAL FEATURE Published During Lockdown
CELEBRATIONS, June 2020
DEBUT JOURNEYS Maria Kuzniar
WELLBEING KNOWHOW Are you sitting comfortably?
CREATIVE FLO by Kerina Strevens
BLOG BREAK Sniggering and Silliness
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EVENTS Industry Insiders goes online
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SLUSH PILE CHALLENGE April 2020 Results
INSPIRATIONS FROM THE BOOKSHELF Tamora Pierce
OPENING LINES June 2020


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English Premier LeagueChelseaManchester CityLeaguesCups
Alvarez To Start, Haaland Continues | 4-3-3 Manchester City Predicted XI Vs Chelsea
By Ankit Seth
Ankit Seth
Ankit is a 24-year-old, aspiring to have his voice heard through what he writes. Charismatic and frankly moral, adhering to his principles and beliefs. Out to search for a purpose in life and yet to settle on that matter.
Manchester City will resume their rivalry with Chelsea as they welcome them to the Etihad Stadium on Sunday evening for the third round of the FA Cup. The Sky Blues recorded a narrow 1-0 victory over the Blues in their last outing at Stamford Bridge, so they will be looking to produce a better result going ahead into this fixture.
Pep Guardiola could shift to the more convenient 4-3-3 formation allowing Julian Alvarez to play from the start after returning victorious from the World Cup while Erling Haaland continues his rich run of form down the middle.
4-3-3 Manchester City Predicted XI Vs Chelsea
Ederson Moraes will continue to operate in between the sticks looking to secure a clean sheet again in this home encounter. Manuel Akanji will play from the start to form the customary centre-half partnership with John Stones at the heart of City's backline.
Ilkay Gundogan Of Manchester City
Sergio Gomez could be given the opportunity to express himself in the left-back position, whereas Joao Cancelo will fill in on the other flank as the right-back. The full-backs will be expected to stretch the opposition and keep their shape defensively.
Nathan Ake and Kyle Walker would have to provide cover from the bench as they wait for an opportunity to feature in the latter half of the game.
Rodri will continue in the holding midfield position; he'll be tasked with shielding the backline and distributing possession to his teammates proficiently.
Kevin De Bruyne remains a guaranteed starter at the central midfield position while Ilkay Gundogan keeps his place in the middle of the park. The duo would be determined to set up some clear-cut goal-scoring chances in front of the goal making forward runs into the opposition's backline.
Bernardo Silva will take a spot on the bench as he waits for his opportunity to impress in the second if Guardiola decides to call upon his services.
Phil Foden and Julain Alvarez will take up the wide positions, playing on the left and right wing respectively, trying to cut inside and create chances in front of the goal.
Erling Haaland will continue to lead the charge for the Etihad club in this weekend's encounter. The Norwegian international will pick up on his excellent run of form trying to find the back of the net and getting his name on the scoresheet.
Riyad Mahrez and Jack Grealish will take a spot on the bench as they wait for an opportunity to impress in the second half.
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424 rows�� Giga Impact (Japanese: ??????? Giga Impact) is a damage-dealing Normal-type move introduced in Generation IV. It has been TM68 since Generation IV. It can be upgraded to the special Z-Move Pulverizing Pancake by Snorlax holding Snorlium Z . how to get another snorlax in pokemon y The impact of this can be seen on cryptocurrency mining related businesses. US-based Bitcoin mining firm Giga Watt has now announced the shutdown of their operations. US-based Bitcoin mining firm Giga Watt has now announced the shutdown of their operations.
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Breaches of a shareholders agreement cannot form oppression
The Federal Court in Jet-Tech Materials Sdn Bhd & Anor v Yushiro Chemical Industry Co Ltd & Ors and another appeal [2013] 2 MLJ 297 (original Grounds of Judgment here) set out an important (and another possibly controversial) clarification on the law concerning oppression proceedings under section 181 of the Companies Act 1965 ("the Act").
Raus Sharif PCA (delivering the judgment of the Court) first held that the just and equitable principle under 218(1)(i) of the Act, being principles emanating from the House of Lords decision of Ebrahimi, would equally apply in a situation involving section 181 of the Act. This is very useful and it helps streamline our Malaysia approach to the English approach already set out in the House of Lords decision of O'Neill v Phillips in that the concept of unfairness under section 210 of the English Companies Act (the equivalent of section 181 of the Act) is parallel to the concept of "just and equitable" expounded in Ebrahimi.
But the Federal Court seems to have made a sweeping finding at [37] that matters concerning a shareholders agreement and the breach of such an agreement are not matters relating to the affairs of the company. Therefore, such breaches cannot form the basis for a section 181 action. It was held that these are only private matters enforceable by the parties to the shareholders agreement. I do not think other jurisdictions and other cases in Malaysia have actually made such a far-reaching finding.
Oppression under section 181 of the Act revolves around whether there is commercial unfairness. Such unfairness is judged by the agreement, both formal and informal, reached among the parties. That is why the Articles of Association and, I would have thought, any shareholders agreement would be the primary assessment of whether any of the acts are unfair and are in breach of those formal agreements.
So say for instance, a typical situation where a shareholders agreement provides that there are reserved matters that will require the vote of the minority shareholder / nominated director of the minority shareholder. The shareholders agreement could contain a clause that the Articles of Association would be amended to reflect the terms of the agreement but it is quite common to see that the Articles of Association not amended. If the majority shareholder pushes through certain resolutions (for instance to transfer out assets) which is oppressive against the minority, a direct application of the Jet-Tech decision would mean that the minority shareholder would have not be able to rely on section 181 of the Act. The minority's remedy may only be to sue for damages for a breach of the shareholders agreement.
I don't think any Malaysian case or authorities from other jurisdictions have made such a sweeping finding before, in that breaches of a shareholder agreement cannot form the basis of oppression.
On a related note, this statement by the Federal Court, applied directly, may be used in support of the conflict between an arbitration clause in a shareholders agreement and statutory relief under section 218/181 of the Act (see for instance, the English Court of Appeal decision in Fulham Football Club (1987) Ltd The Football Conference Ltd [2011] EWCA Civ 855). It is now quite common to find an arbitration clause in a shareholders agreement. Therefore, if a breach of the shareholders agreement is only a private matter, then there may not be section 181 relief and parties may only be able to rely on the arbitration clause and have the dispute (for instance, the above example of the resolutions passed in breach of the agreement) referred to arbitration.
Posted by Lee Shih in arbitration, company law
Tagged: arbitration, company law, Federal Court
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4 thoughts on "Breaches of a shareholders agreement cannot form oppression"
Weng Tchung says:
I agree with your views that the Federal Court's sweeping findings is far-reaching. The reasoning is highly unsatisfactory and divorced from commercial reality.
If it is of any interest to you, my comments on the Federal Court's decision can be found here: http://www.weng.com.my/Archives/Details.aspx?id=3
Lee Shih says:
Hi Weng! We meet again on cyberspace. Congratulations on the opening of your firm. Thank you very much for the link to your comments. Very insightful and detailed. Unfortunately, the decision of Jet-Tech is already being used in practice (both by ourselves and opposing counsel).
Thanks for the kind words Lee Shih.
Jet-Tech together with Ngiu Kee are in my opinion seriously stripping s.181 of the protection it was meant to afford minority shareholders. Only the lawyers are winners I suppose.
Thanks for the link to my article too.
Pingback: Another Commentary on the Decision of Jet-Tech | Of Counsel


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Titles and Finals
#Singles# Ranking
22 (1997.10.20)
154lbs(70kg)
Fernando Vicente
Titles & Finals
-- Won title on 22nd birthday in hometown of Moscow (d. Mannarino). Reached Hamburg final (l. to Basilashvili)...Earned career-high 38 wins and achieved career-high No. 22 in ATP Rankings on 21 October -- joining Khachanov and Medvedev as 1st Russian trio in Top 25 since Andreev, Davydenko and Tursunov on 13 July 2009...Posted biggest career win over No. 3 Federer in 62 minutes to reach 1st ATP Masters 1000 QF at Cincinnati as Q (l. to eventual champion Medvedev). Quickest loss by Federer since 2003 Sydney 1R (l. to Squillari in 54 minutes)...Also qualified at ATP Masters 1000 events in Miami (l. to Shapovalov in 3R) and Monte-Carlo (l. to eventual champion Fognini in 1R). Reached 3R at Indian Wells as LL (l. to Khachanov) and Shanghai (l. to A. Zverev)...Defeated fellow former World No. 1 juniors Tsitsipas and Kyrgios en route to US Open 4R (l. to Berrettini)...Advanced to 2nd ATP Masters 1000 doubles final at Paris w/Khachanov (l. to Herbert/Mahut)...Did not drop a set en route to Indian Wells, USA Challenger final (l. to Edmund)...Withdrew from Roland Garros and Stuttgart qualifying due to wrist injury.
2018 -- Achieved career-high No. 31 in ATP Rankings on 19 February...Went 3-2 at Next Gen ATP Finals for 2nd straight season (l. to Tsitsipas in SF, d. Munar in 3rd-place match)...Saved 1 MP vs. Pella to reach 2nd ATP World Tour singles final of career at Doha (l. to Monfils)...Squandered 1 MP vs. Thiem in ATP Masters 1000 Monte-Carlo 2R and 4 MPs vs. de Minaur in Washington SF...Reached QFs at Montpellier (l. to Tsonga), Rotterdam (d. Pouille in 1R, l. to Dimitrov) and Umag (l. to Haase)...Snapped 6-match losing streak by beating Sousa in Beijing 1R (l. to Fognini in 2R)...Advanced to 2nd ATP World Tour doubles final at ATP Masters 1000 Miami w/Khachanov (l. to Bryan/Bryan)...Withdrew from Auckland (right arm) and did not play from 17 April to 17 July (lower back stress fracture).
2017 -- Russian captured 1st ATP World Tour title in 1st final and after 1st SF at Umag as LL (d. Dodig and Lorenzi)...After losing to No. 174 Balazs in Umag Q2, became 1st lucky loser to win an ATP title since Ram at 2009 Newport...Defeated Quinzi, Shapovalov and Coric en route to final of inaugural Next Gen ATP Finals (l. to Chung)...Became youngest US Open quarter-finalist since Roddick in 2001 (d. Dimitrov and Goffin, l. to No. 1 Nadal)...Ended 0-10 start to career in 2R matches by reaching 1st ATP QF at Halle as WC (d. Youzhny, l. to Khachanov)...Beat Sock and Berdych before falling to former junior doubles partner A. Zverev in Beijing QF...Broke into Top 100 on June 26 and Top 50 on July 24, peaking at career-high No. 35 on October 9...Earned 1st Grand Slam main draw win of career at Australian Open as Q (d. Lu, l. to No. 1 Murray in 2R)...Qualified at Marseille (l. to Marchenko in 1R) and Wimbledon (d. Travaglia in 5 sets, l. to Ramos-Vinolas in 5 sets)...Advanced to 3rd Challenger final of career at Rennes, FRA (l. to Ignatik 76 in 3rd)
2016 -- Russian achieved career-high No. 154 in Emirates ATP Rankings on March 21...Received WCs and advanced to 2R at Chennai (l. to No. 4 Wawrinka) and St. Petersburg (l. to Sousa)...Lost in 1R at Miami as WC (l. to Cervantes), Monte-Carlo as WC (l. to A. Zverev) and Istanbul as Q (l. to Sela)...Captured 1st ATP Challenger Tour title in 1st final at Quimper, FRA as Q (d. Khachanov, Lacko and Mathieu)...Defeated No. 47 Paire to reach Mouilleron-le-Captif, FRA, Challenger final (l. to Benneteau in 3 sets)...Beat Harrison 76 in 3rd on 11th MP en route to Irving, USA Challenger QF (l. to Donaldson)...Helped RUS return to Davis Cup World Group by teaming w/Kravchuk to beat Golubev/Nedovyesov (RUS d. KAZ 3-1)...In Group I tie vs NED, defeated Haase and teamed w/Kravchuk to clinch tie vs Haase/Middelkoop (RUS d. NED 4-1)
2015 -- Russian finished as 3rd-youngest player in Top 200 behind Tiafoe and Fritz...Improved year-end ranking 300+ spots from No. 517 to No. 174...Achieved career-high ranking of No. 173 on Nov. 2, 2015 following 1R win at Valencia (d. Granollers)...Became youngest ATP World Tour doubles champion since 17-year-old Nadal at 2004 Chennai by winning Moscow title with 32-year-old countryman Tursunov (d. Albot/Cermak)...Stands 4th among active players with 8 career wins before 18th birthday (Nadal 31, Hewitt 17, Gasquet 9)...Qualified at US Open (l. to Anderson in 1R) and Barcelona (d. Verdasco, l. to Fognini in 2R)...Also advanced to 2R at Delray Beach (l. to Johnson), ATP Masters 1000 Miami (l. to Isner), Istanbul (l. to Giraldo) and Geneva (l. to No. 10 Cilic in 3 sets)...In Davis Cup play, clinched a World Group Play-off berth for RUS after winning 5th rubber vs. DEN (d. Pedersen) and ESP (d. Andujar)...Advanced to 1st ATP Challenger SF on home soil at Moscow, RUS (d. Donskoy in QF, l. to Albot)
> Earned career-high 38 wins in 2019 and achieved career-high No. 22 on 21 October 2019. Broke into Top 150, Top 100 and Top 50 during 2017 season. Went 3-2 at Next Gen ATP Finals in both 2017 and 2018. Runner-up as No. 1 seed in 2017 before finishing 3rd in 2018.
> Enjoyed 1st ATP Tour SF, final and title at 2017 Umag as LL. Won 2nd title at 2019 Moscow on his 22nd birthday and in his hometown. Four years earlier, won doubles title at 2015 Moscow w/Tursunov as WC. Remains youngest ATP Tour doubles champion since Nadal, 17, at 2004 Chennai.
> Advanced to 2017 US Open QF as 19-year-old. Youngest US Open quarter-finalist since Roddick, 19, in 2001. Defeated fellow former World No. 1 juniors Tsitsipas and Kyrgios en route to 2019 US Open 4R.
> Qualified and earned biggest career win over No. 3 Federer in 62 minutes to reach 1st ATP Masters 1000 singles QF at 2019 Cincinnati. Quickest loss by Federer since 2003 Sydney 1R (l. to Squillari in 54 minutes). Reached ATP Masters 1000 doubles finals w/Khachanov at 2018 Miami and 2019 Paris.
> Ended 2014 as World No. 1 junior. Posted 109-38 record on ITF Junior Circuit with wins over future ATP Top 10 players Berrettini, Tsitsipas and A. Zverev. Won 2014 Roland Garros boys' singles title and reached 2014 Wimbledon boys' doubles final w/Kozlov.