text:
Nothing in Biology Makes Sense!
Making sense of life as we know it, in the light of evolution.
Six Months After the March for Science
Oct30 by cej9f
"On April 22, more than a million people took to the streets, in Washington, D.C., and over 600 satellite locations around the world, to march for science. But six months later, the eponymous organization behind those gatherings—March for Science (MFS)—is still struggling with many of the same issues that have troubled it since its conception.
On Monday, Aaron Huertas, the former communications lead for MFS, posted an open letter that called out the group's leaders for creating a culture beset by miscommunication, opacity, and disorganization. "Though the organization calls itself an open, grassroots movement, it is run like a closed, hierarchical organization," the letter says. Seven other people told The Atlantic that their experience of working with March for Science was consistent with the open letter. "I really do think everyone has the best intentions, but not everyone has the skill sets they need to run a grassroots organization," Huertas says.
"This is what happens when you have a group of very passionate, well-meaning people without the organizational experience who take on a tremendous amount of work, with this sort of Herculean mission of saving science," says Jacquelyn Gill, who volunteered for the March for Science in its early stages, left the organization in April, and had signed the new open letter. "It set the stage for a culture that was big on enthusiasm and energy but weak on logistics."
In a statement responding to the letter, Temple-Perry notes that the organization has taken several steps to address these problems, including soliciting feedback from partners and volunteers, running a retreat in May, issuing an open invitation to join an internal communications network, and staging biweekly calls with satellite organizers and partners. "Unfortunately, individuals on the letter have not yet called in to participate," she notes. "That being said, the concerns brought up in this letter are being discussed by the board. We will continue to work toward greater transparency in all stages of our development as an organization and movement."
Given the degree to which science is under attack in the US at the moment, this is an important movement and important time to be pro-science. And as a community we need to address these concerns."
This entry was posted in politics, science careers, science communication.
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How do you rate "curiosity" on a scale of human virtues – and would it ever occur to you to consider using curiosity as a centerpiece for a book? And would a reader stick to a book in which curiosity is the so called hero?
Brian Grazer, a successful Hollywood producer has turned his "hobby" into "A Curious Mind," a highly readable book on that subject.
And, dear reader, if you don't have a curious enough mind to read further, sad for you – but you have my permission to turn the page.
Grazer's grandma encouraged his curiosity to the point where he was not averse to listening to (read that: eavesdropping on ) other people's conversations, which actually is how he became one of the most successful producers in Hollywood, a story he tells at the beginning of the book, that turned out to be the foundation of his career.
Interesting people make interesting stories—and Hollywood is nothing but stories. Grazer's understanding of this concept sharpened as he moved from "delivery boy" at Warner's studio to mogul-producer; "A Beautiful Mind," "Splash," "Apollo 13,""The Da Vinci Code," and many more.
"Over time, I discovered that I am curious in a particular way… in what I call "emotional" curiosity. I want to understand what makes people tick. I want to …. connect with a person's attitude and personality, their work, their challenges, their accomplishments." And this is not to negate his broader curiosity about how things work.
The end of the book has a 27 page listing of people with whom Grazer has "conversed": well known and lesser known writers, artists, scientists, business moguls, politicians, 'creatives.' (my word) sports figures, celebrities, academics, miscreants, "plain" people – you name it.
In the body of the book you will learn who is a "good interview," and who is a "stonewaller." You actually get clear insights into personality and motivation, including Grazer's own.


agreed on the Joile comment, onlie she looks ugly here. Pfft half those things faces don't look anything like who they are supposed to, maybe that's why I never buy these things.
Haha, wicked if I find this figure, I'll probably pick it up.
I agree with Andrea, the aliens and preds are decent, but their whole line from Aliens with all the marines, my god those things look NOTHING like the actors.


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Q: Ubuntu 20.04 freezing randomly on laptop? Hey I installed ubuntu 20.04LTS in my nvme ssd. I also have an auto-mounting hard drive for personal data and games. My kernel is the latest available on ubuntu (5.4 low latency).
The system works fine but once in a while it crashes, and it does not respond at all (no mouse, no keyboard, the display freezes totally, so the only way to make it respond is hard reset). Also I think it could be a nautilus error since I looked on the internet. My system log shows the following message just before the system freezes, but i'm not shure if a single app can freeze the whole computer to the point to make it freeze:
"alled "net usershare info" but it failed: Falló al ejecutar el proceso hijo «net» (No such file or directory)" (my language is spanish)
This happened in the last 2 crashes, the first one when actually using nautilus and the second one watching youtube on firefox (the video just stopped, no image nor audio). I don't know what could be causing this problem.
Also I did have ubuntu installed on my hard drive before installing this ssd, the problem begun with this installation, the hard drive was wiped and formatted (ext4) and now the system is booting from the nvme ssd. Before this installation the computer was running flawlessly on the hard drive.
My specs:
Laptop model: Lenovo Ideapad S340 14API
AMD Ryzen 5 3500U with Radeon Vega 8 graphics (MESA latest drivers)
SSD nvme 250GB
1TB HDD
8GB RAM single channel
Please help

redpajama_set_name: RedPajamaStackExchange


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text:
class CreateArchDecisions < ActiveRecord::Migration
  def self.up
    create_table :arch_decisions do |t|
      t.column :summary, :string, :null => false
      t.column :problem_description, :text
      t.column :resolution, :text
      t.references :project, :null => false
      t.references :created_by, :class_name =>"User", :foreign_key => true, :null => false
      t.references :updated_by, :class_name =>"User", :foreign_key => true, :null => false
      t.references :assigned_to, :class_name =>"User", :foreign_key => true
      t.column "created_on", :timestamp
      t.column "updated_on", :timestamp
    end
  end

  def self.down
    drop_table :arch_decisions
  end
end

redpajama_set_name: RedPajamaGithub


text:
Enterprise software gets less butt-ugly: Mesosphere acquires H1
by Matt Asay in Developer on December 3, 2014, 7:48 AM PST
If anything should be complex, it's Mesos -- the software that lets you run your data center like Google. But Mesosphere wants to make it easy and beautiful. Matt Asay explains.
In the pantheon of crimes against humanity, enterprise software falls way down the list. But that doesn't mean we shouldn't complain about horrifically bad user experiences.
And, in fact, we do. One of the primary reasons for the massive spread of shadow IT -- generally underreported by 10X -- is our desire to escape the imposition of terrible software (and hardware). Even behind our self-imposed firewalls, we want to use software with the simplicity of Google's search or the elegance of Apple's Mac OS X.
Today, Mesosphere announced the acquisition of design firm H1 Studios. While unremarkable on its face -- hot but small startup acquires another startup -- it signals a potential groundswell toward a brighter future of much better enterprise software.
After all, Mesosphere, the company behind Apache Mesos, offers a distributed kernel that basically helps enterprises scale their data center services like Google.
It's the stuff that infrastructure geeks dream of.
But now, apparently, it's going to get a serious design makeover even a marketer could love. I spent some time with H1 Studios co-founder John Ashenden, who will become Mesosphere's head of design as part of the acquisition, to better understand why enterprise software is so terrible and how design can improve it.
Why enterprise software makes us suffer
The primary problem with enterprise software is that it's built in a communist enclave. Well, not really, but it amounts to the same. Employees are forced to use their company's technology. It's all centrally managed. No one gets to choose, and employee satisfaction is often not the deciding factor in IT's software decisions.
As open-source luminary Miguel de Icaza opines, that lack of choice makes a huge difference in the consequent software the enterprise makes:
"[E]nterprise software is so bad because there is no competition, or the cost of migrating is so high. When users are locked, there is really no incentive to change the application to use something more polished. In some cases, the business calculation will be one where you want to just deliver a solution, and the polish is just something that you can afford to ignore."
Shadow IT, as mentioned, is one way that employees seek to circumvent the butt-ugly status quo, but other, larger forces are also at play.
Infrastructure software was supposed to be different. This is the realm inhabited by command line-loving uber geeks, the kind that insist on running Linux on their laptops.
Or used to.
As anyone that attends an O'Reilly conference can attest, even the hard-core programmers of the world now indulge themselves in Macs. Yes, it still gives them access to a UNIX command line, but it also lets them live much of their day in a beautifully designed software experience.
The rise of design
Across the spectrum of software, design has emerged in recent years as a key differentiator in the success of consumer and enterprise technology. Apple pioneered this path with its Macintosh Computer in 1984, and again in 2007 with the iPhone.
Top venture capital firms, such as Google Ventures, Kleiner Perkins Caufield & Byers, and NEA (among others), have established design specialist practices in-house to support their portfolio companies. Facebook acquired design firm Hot Studio in 2013 to bolster its own design team.
Which brings us to Mesosphere's acquisition of H1 Studios. The New York-based web, mobile, and branding design firm has worked with market-leading brands, such as Bitly, Desk.com, Heroku, Phone.com, Quirky, Rdio, and, yes, Mesosphere. It's an interesting blend of consumer and geeky enterprise technology companies.
For Ashenden, what H1 Studios does should find its way into all enterprise software:
"The goal of design in software is to provide structure, set boundaries, delight the user at every touch-point, and build a clear line of communication with the individual using the product or tool. Why should 'enterprise software' be the exception?"
The obvious answer is "it shouldn't," but it's arguably easier to justify beautiful design for a social media app than software designed to "abstract CPU, memory, storage, and other compute resources away from machines (physical or virtual), enabling fault-tolerant and elastic distributed systems to easily be built and run effectively."
That's necessarily complex and, well... ugly, right?
The beast with 7,000 heads
Not according to Ashenden. But he's also not kidding himself that it will be easy. He calls the data center a "beast with 7,000 heads," and acknowledged that it's not a technology he and his H1 Studios team knows a lot about.
But that's the point. I asked him if there are any special considerations that need to be addressed when designing data center software. As he told me, the primary concern is "what we don't know about the [data center]," but "that concern is what tends to drive the best work."
H1 Studios will know it has succeeded when Ashenden and others like him can steer themselves through the tooling behind a Google-like data center. That's the mission he took on, and it's telling that Mesosphere would assume that burden.
After all, one of the world's greatest software franchises -- Microsoft's server software business -- was built on the back of Visual Basic and other tools that dramatically lowered the bar to becoming productive as a programmer, network administrator, and more.
With its acquisition of H1 Studios, Mesosphere seems determined to usher in the next Microsoft-esque era, making it easier and more intuitive than running a single server.
Comment and share: Enterprise software gets less butt-ugly: Mesosphere acquires H1
By Matt Asay
Matt Asay is a veteran technology columnist who has written for CNET, ReadWrite, and other tech media. Asay has also held a variety of executive roles with leading mobile and big data software companies.
| See all of Matt's content
Developer Data Centers Mobility Tech & Work CXO Software Hardware Developer on ZDNet

redpajama_set_name: RedPajamaCommonCrawl


Do you want a learning experience that utilizes the latest technology to bring top-level Experts to your living room. We can't wait to see what sort of shape the Warriors are in when we reconvene Monday.
This is the most widely collected of all Booths patterns, and was produced for most of the 20th century, finally coming to an end in 1999. We believe this was produced by adding gilding to the brown version - in the photo you can clearly see that on this example the gold band does not accurately mask the brown below. Gold on the rim but the central portion of the inner band is brown, flanked by two gold bands.
My tastes have since moved on, but even today a collection in a single colour-way does it for me and a collection of yellow Foxglove still makes me think of my dear old Mum.Here are some examples: 335 - March 1935 1127 - November 1927 9.16 - September 1916 Unfortunately, many dealers still insist on the dates given by Godden, even when items are clearly impressed with contradictory date stamps.This confusion is also widespread amongst other Booths patterns with the Silicon China "Crown" mark, such as Parrot, Netherlands, Pagoda, etc, which were all produced much later than the supposed 1912 cut-off point, as is evident from impressed dates.Parkin follows the information given in Geoffrey Godden's Encyclopedia of British Pottery & Porcelain Marks, which implies the following dates for Booths china: These dates correlate with our observations of impressed date stamps on a wide selection of Real Old Willow flatware.The date stamps, when present, take the form of 3 or 4 numbers, often accompanied by the word BOOTHS, and give the month and year of manufacture of the clay body upon which the transfer was fired.


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Album Review: Kendrick Lamar – DAMN.
Kung Fu Kenny throws off the messianic trappings of a rap god and contemplates mortality
Karas Lamb
April 19, 2017 | 12:00am ET
"Whoever thought the greatest rapper would be from coincidence/ Because if Anthony killed Ducky/ Top Dawg could be servin' life/ While I grew up without a father and die in a gunfight."
For the first time ever, we are forced to grapple with the idea of life on Earth without Kendrick Lamar. Over bullets and extra biscuits, we become acquainted with a previously elusive Top Dawg, Ducky, and his son, "Kung-Fu Kenny" — the Kendrick Lamar with the itchy trigger finger, razor-sharp tongue, and quiet reluctance to touch his hard-earned riches. All of them black men on these circuitous but seemingly preordained missions — from the projects to the front register of KFC and cartwheels at the estate — to bring or ultimately speak life into the world. To fill a very obvious void. Whether that requires taking young spitters off the street and placing them in the studio, torching other rappers for their failures, putting competing label rosters to shame, or penning protest anthems, Kendrick Lamar Duckworth and Anthony "Top Dawg" Tiffith's common calling is one constructed to relay the human experience and somehow finally cement rap as more than the reductive valuations of hyper-critical outsiders who have leaned for decades on the suggestion that hip-hop is not art, but instead just talk. To make black manhood more than just lifeless bodies, iced-out caricatures, and exaggerated media tropes. It is a calling that becomes very real and urgent when Kendrick avoids the predictable gut punch of rap beef on wax to instead call out Geraldo Rivera and FOX News within the first trio of tracks. Even more, however, these men remain committed to making the brevity of black life very real by the end of the opener, which finds Kendrick perfecting his cinematographic pen game and dying at the hands of a blind, gun-toting assailant in spite of his success on "BLOOD.". Play the project loud enough and the opening shot is palpable. The pause after the gun fires is just long enough to force each listener to contemplate the toll this calling has taken on Kendrick and the role they may have played in inflicting the damage.
By the Good Friday 2017 release of DAMN., Kendrick Lamar had battled the evils of Lucy and journeyed to the mountaintop to lay claim, once and for all, to high power. At the arrival of his fourth studio LP, he stands at the summit and stares out over the universe — worlds he created and those he inherited by virtue of his birth — ultimately disappointed by the awe-inspiring transcendence he does not find there and likely at a loss for words as it pertains to what he will tell the homies waiting for him back below the base of the mountain, fanned out across the block, still eager to get on. Ultimately, he defaults to being brutally honest — a forte of his and a fitting decision given his aversion to uplift by this point. With the release of this album. Kendrick Lamar throws off the messianic trappings of life as a rap god and the unlikely voice of a cursed people to focus instead on Kung-Fu Kenny, the mortal man. If a speeding bullet is not enough to elicit appreciation for a life, then what is? Here, Kid Capri lends his unmistakable signature to the mix as the intermittent voice of god, reminding the ungrateful mortals listening that "what happens on Earth stays on Earth"; the riches, bitches, bling, and other trappings of the rap life are not the summation of a human being or appropriate measures of the expanse that is the immortal soul. On "DNA.", Kendrick slices himself down the middle, spills his guts, and mines the finer points of all of his moving parts over an 808-heavy production from Mike Will Made It. The combination may sound to purists like it should not work on paper, but it is absolute fire, and they reprise their magic again on "HUMBLE." and "XXX.", challenging rap's own perceptions of itself and what value really boils down to from the Hot 100 to the underground.
A sonic departure from the jazz inflected funk of To Pimp a Butterfly and the hyper-melodic, west coast revival feel of good kid, m.A.A.d city, DAMN. is much more concerned with trading groove for thump and concept for straight spitting. With Rihanna dropping bars by "LOYALTY.", it becomes clear that even at its most poignant, DAMN. is built for the whips. "PRIDE." follows, giving context to the cock-grabbing bravado of "HUMBLE." — both tracks ultimately offer a window into the conscience of a man crumbling under the weight of success even as he continues to add bricks to his ivory tower. Sourcing writing and production from Mike WiLL Made It, Ricci Riera, Kaytranada, Anna Wise, Zacari, Steve Lacy, BadBadNotGood, Greg Kurstin, Alchemist, 9th Wonder, and Cardo, Kendrick creates a sonic landscape that references earlier projects but stands as an entirely separate chapter that should be respected as the singular release that it is. Usual suspects DJ Dahi, Sounwave, Terrace Martin, and Top Dawg shepherd the production, which is driven in large part by the contributions of Bekon aka Daniel Tannenbaum — the relatively silent sound man behind a rack of left coast releases including tracks from Eminem, Snoop Dogg and Anderson .Paak. Borrowing from Juvenile's flow on the deep-fried NOLA anthem "Ha", Kendrick serves up a stylistic homage to the gangster drawl of the founding Cash Money Baller on "ELEMENT." That nod echoes a "game recognize game" tip of the hat to Jay Z earlier in the release. A surprising contribution from James Blake helps the track to levitate as Kendrick turns into Candy Man and Blake's burnished, weepy timbre takes a turn from the evocative to the ultra hard.
Still unsure of who exactly is praying for him, Kung-Fu Kenny stands naked in the mirror on "XXX." to give the United States of America a good look at herself. The decidedly subdued vocal contribution from U2 frontman Bono is a sobering contrast to the booming police chase of a production that Mike Will provides for Kenny's verses. Arguably a very sobering continuation of "Alright" and stylistic nod to the critical exploration of race and manhood The Roots capped with 2014's …And Then You Shoot Your Cousin, the track initially feels like the denouement of DAMN. — a dissection of the country that created the circumstance of blackness for Kenny the Israelite, ultimately burning down everything good, bright and holy for black men in America. Continuing his examination of the topic, K-Dot goes back into "The Heart…" to introduce the listener to the subtext of the project — and arguably his entire life — on the Alchemist-produced "FEAR.". Kendrick looks to Deuteronomy 28 at the suggestion of his cousin, hoping to find his place among a cursed people. He digs deep into the consequences of mankind's failure to obey the laws of god — still dying of thirst but more immediately afraid of drowning inside himself. Then the self-titled 9th Wonder-produced closing track, "DUCKWORTH.", arrives to obliterate the notion that Kendrick was anywhere near spent. The climax of the beginning has only metastasized by the chronological end of the project as the possibility of never having had a Kendrick Lamar in the first place is only reinforced by imagining the worst. Listening front to back or in reverse, DAMN. is an album with no resolution, driven by what might be the boldest statement Kendrick Lamar has ever made — the suggestion that he could, in spite of every dollar, every win, and all of his promise, still slip through our fingers and manage to disappear. How many other young, black men have been looked over, under-appreciated, and ultimately lost the exact same way?
Essential Tracks: "DNA.", "ELEMENT.", "XXX.", and "DUCKWORTH."
Adele's 30 Is Much More Than a Divorce Album -- It's a Hard-Won Journey to Self-Love
An Evening with Silk Sonic Is a Moonlit Dream That We Never Want To End
Red Like We Never Knew: Taylor Swift Finishes the Story on Her Terms
With Things Take Time, Take Time, Courtney Barnett Highlights the Beauty in the Mundane
Album Review: Kendrick Lamar - DAMN.


text:
Alvise Zorzi (10 June 1922 – 14 May 2016) was an Italian journalist and writer from the city of Venice.

He was the son of Elio Zorzi, a journalist and the director of the Mostra Internazionale d'Arte Cinematografica of the Biennale di Venezia in the years immediately following World War II. He was the director of cultural programs for RAI, Italy's state television network and was a member of the UNESCO committee for Venice.

Zorzi authored a number of books on the history and civilization of Venice, including biographies of Carlo Goldoni, Marco Polo, Titian and prominent denizens of the city.  The final book he published during his lifetime is Napoleone a Venezia, which went into print in 2010.

Sources

Short biography at an Italian website

1922 births
2016 deaths
Writers from Venice
Italian journalists
Italian male journalists

redpajama_set_name: RedPajamaWikipedia


text:
Q: Configure western digital essential 3TB to work with boxee box I have a new western digital "my book elements" 3TB external harddrive. When I plug it in via USB to my boxee box it is not recognized.
Based on feedback from boxee forums I have tried:

*

*GPT partitioning it.

*Changing sector size to 512.

*Creating 2 - 1.5tb partitions.

None of these solutions cause the boxee box to recognize the drive. Any suggestions how to fix this?


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Caring Christians. Occasionally we laughingly refer to our class as "The Young Adults"! However, we have "matured" as our ages are now in the sixties and seventies! We are "Young at Heart"! We have studied the Men and Women of the Bible, Seamless, and other video studies. Please come join our group. Led by Joe Little, Johnny Webb, Jeanie Hollinger.
Circle of Faith. Consists of men and women, and we have no age limit. Our curriculum/study is always a book of the Bible. Actively support local and foreign missions. Led by Peyton Burford and Judy Bonner.
Companions in Christ. Singles and couples, mostly in our 30's and 40's - but anyone is welcome to join us. We have a very laid-back atmosphere that encourages open discussion. Topics of study include books of the Bible, Biblical History, Current Events, and various life applications. We utilize Right Now Media, written studies, and more. Led by Barrett Falkenberry.
Friends in Faith. We are mostly singles and couples aged 40 and up, but Anyone is welcome to join us. We have traveled "Through the Bible" and studied "Women of the Bible" as well as "Great Characters of the Bible." In addition to our delivery of grilled chicken plates to special friends in the community each December, we support local missions. Our curriculum consists of current events happening in the world today and how they pertain to books of the Bible. Led by George Fendley.
The Rough Bunch. Men of all ages. Teaching from the Bible. If you come, have a thick skin. Led by Malcolm Smith.
Girls with Swords. Open to all women ages 19-up. We are a food-loving, fun-loving, Jesus-loving, God-worshiping group of ladies. We study directly from God's Word and have just recently started looking closely at The Lord's Prayer. We welcome anyone who would like to join us. Led by Elaine Jonakin.


In Section 2 Dosage and Administration a new subsection was added regarding renal and hepatic laboratory testing before and during treatment with REYATAZ. This information is consistent with current labeling practice.
Renal laboratory testing should be performed in all patients prior to initiation of REYATAZ and continued during treatment with REYATAZ. Renal laboratory testing should include serum creatinine, estimated creatinine clearance, and urinalysis with microscopic examination.
Section 4 Contraindications was updated to include elbasvir/grazoprevir because concomitant use may increase the risk of ALT elevations due to a significant increase in grazoprevir plasma concentrations.
Section 5 Warnings and Precautions, section 6 Adverse Reactions and section 17 Patient Counseling were updated to include information on chronic kidney disease based on post-marketing data.
Chronic kidney disease in HIV-infected patients treated with atazanavir, with or without ritonavir, has been reported during postmarketing surveillance. Reports included biopsy-proven cases of granulomatous interstitial nephritis associated with the deposition of atazanavir drug crystals in the renal parenchyma. Consider alternatives to REYATAZ in patients at high risk for renal disease or with preexisting renal disease. Renal laboratory testing (including serum creatinine, estimated creatinine clearance, and urinalysis with microscopic examination) should be conducted in all patients prior to initiating therapy with REYATAZ and continued during treatment with REYATAZ. Expert consultation is advised for patients who have confirmed renal laboratory abnormalities while taking REYATAZ. In patients with progressive kidney disease, discontinuation of REYATAZ may be considered.
Renal System: nephrolithiasis, interstitial nephritis, granulomatous interstitial nephritis, chronic kidney disease.
Inform patients that treatment with REYATAZ may lead to the development of chronic kidney disease, and to maintain adequate hydration while taking REYATAZ.
The updated label will soon be available at drugs@fda.


Report injury to Health Services on the day of the injury. If it is after-hours please access closest health care location if medical care is required.
Students must notify their instructor if injury occurred in a program-related injury.
Fill out an Injury Treatment Report and fax it to 416-675-6320 (North campus) or 416-252-3416 (Lakeshore campus) on the day of the injury.
Triage the student's health care needs.
Access closest health care location.
Notify the Occupational Health department of agency where injury occurred.
Fill out a Student Work Clinical/Field Placement Injury Report and fax it to 416-675-6320 on the day of the injury.
Access closest health care location if medical care is required.
Notify the Occupational Health department or director of agency where injury occurred.
Notify Humber instructor and placement co-ordinator.
Fill out a Student Work Placement Injury Report and fax it to 416-252-3416 on the day of the injury.
Report injury to the health centre on the day of the injury. If it is after-hours please access closest health care location if medical care is required.
Employees must notify their manager.


text:
Read Next:	Motion Picture Association of America Hires Emily Lenzner as Communications Chief
September 12, 2018 10:22AM PT
Netflix Buys Jennifer Aniston Comedy 'Dumplin"
CREDIT: Matt Baron/REX/Shutterstock
Netflix has bought Jennifer Aniston's comedy "Dumplin,'" and plans to release the film on the streaming platform later this year in the U.S. and select international territories.
"Dumplin'" will also be released in select U.S. theaters. Danielle Macdonald stars alongside Odeya Rush, Dove Cameron, Harold Perrineau, Bex Taylor-Klaus and Ginger Minj.
Anne Fletcher directed from a script by Kristin Hahn, based on Julie Murphy's novel. Dolly Parton has recorded new versions of her songs with collaborators such as Sia and Miranda Lambert, in addition to six new original songs co-written by Parton and Linda Perry. Michael Costigan, Mohamed AlRafi, Hahn, and Trish Hofmann produced. AlRafi produced through 50 Degrees Entertainment. Aniston and Danny Nozell executive produced.
The story centers on a confident teen girl — named Dumplin' by her former beauty queen mom (Aniston) — taking a job at the local fast-food joint. She meets a former jock whom she likes and he seems to like her back, but when she begins to doubt herself, she sets out to take back her confidence by entering a beauty pageant and gaining respect for her mother.
Variety first reported in 2015 that Disney acquired the movie rights preemptively prior to publication of Murphy's Texas-set novel with Costigan producing. Disney decided not to go ahead with the project.
Macdonald broke out as the star of the 2017 Sundance drama "PattiCake$." Fletcher's directing credits include "Hot Pursuit," "The Guilt Trip," "The Proposal," and "27 Dresses."
News of the Netflix deal was first reported by the Hollywood Reporter.
Danielle Macdonald


Want your Workplace Giving (WPG) program participation to skyrocket in 2018?
Leading employers come to together to share how an 'opt-out' approach to WPG delivers significant results.
Challenge pre-conceptions about how to achieve WPG success.
Share innovations that have delivered double-digit growth in Award winning WPG programs - 5% to 48% participation in just 6-months!
Demonstrate how to shift your WPG focus - away from generating sign-ups to celebrating community impact.
CSR and HR professionals, as well as other executives responsible for WPG.
The traditional model describes when employees are automatically enrolled into a WPG program, with a modest donation deducted per pay. The process can only apply to new employees and it is clearly communicated that they may choose to opt-out at any time. As more employers embrace 'opt-out', the model is evolving and this event will showcase a number of different approaches.
ACF acknowledges PwC's generosity in hosting the event.


Testament: the command not to resist evil.
1. No one harms God´s people unless God allows them to do so.
2. Suffering cheerfully brings a blessing to His people and a curse upon their enemies.
3. God will eventually avenge and repay everyone who harms His people.
4. God´s people will receive eternal life so death is not the end.
5. In heaven there will be greater rewards for those who suffered the most.
6. When God´s people suffer the Holy Spirit comes to them to comfort them.
This command is clearly not followed by most Christians. That is a huge mistake.
of God is something only a fool or an atheist would do.
command is a critical part of that promise.
and this is the fruit of it.
up at once, and possess it; for we are well able to overcome it.
up against the people; for they are stronger than we.
it are men of a great stature.
the people wept that night.
we had died in this wilderness!
prey? were it not better for us to return into Egypt?
assembly of the congregation of the children of Israel.
departed from them, and the LORD is with us: fear them not.
congregation before all the children of Israel.
all the signs which I have shewed among them?
and will make of thee a greater nation and mightier than they.
pillar of a cloud, and in a pillar of fire by night.
this people, from Egypt even until now.
whereinto he went; and his seed shall possess it.
of Israel, which they murmur against me.
years old and upward which have murmured against me.
Jephunneh, and Joshua the son of Nun.
wilderness they shall be consumed, and there they shall die.
land, died by the plague before the LORD.
So those who do not believe that God can protect and fight for them are cursed by God.
His enemies. He still will love those who love Him.
them to condemn their spirits before God and to bring God´s blessings on the righteous.
purpose of evil spirits is to do harm and hurt to the wicked.
blessing and praying for our fellow men.
cast out into the earth, and his angels were cast out with him.
to be ready to do battle against enemies which seem much too strong for them.
It requires faith that there really is a righteous God and that He is with them.
know that it was in God´s wisdom to allow that to happen.


Intention Bracelet: To be a voice of authority.
Intention: To be voice of authority.
Affirmation: "I express my feelings as a responsible and successful person. I easily gain respect from others."
Collections: $100+, Career, Communication, Self Development, Ships Today!


One of Facebook's independent child safety advisers has criticised the firm over a scheme that gave it access to teenagers' highly personal information, without taking more effort to verify their parents had given permission.
Facebook said participating teens had provided signed parental consent forms.
But tests by the BBC and others suggested youngsters could easily sign up without getting permission.
Stephen Balkam said Facebook's "rather lax approach" was very worrying.
Facebook is still carrying out the "market research" on Android devices.
Another update relating to consent. FB statement said teens had provided parental consent before using the program. I asked FB what exactly that meant – signed form, scanned? – they said the vendors handled it. For at least one of the vendors, consent was basically a checkbox.
But it ended the effort on iPhones because it broke Apple's rules.
"Facebook Atlas is a questionable programme on a number of fronts," said Mr Balkam, chief executive of the Family Online Safety Institute and a member of Facebook's Safety Advisory Board.
"Most concerning is the rather lax approach to getting verifiable parental consent for the teens who participated.
The BBC's North America technology reporter Dave Lee had been able to sign up to the app by registering himself as a 14-year-old boy and was never asked for proof of parental consent.
Facebook has blamed this on a third-party company it had employed to add volunteers.
"We reached out to the vendor in this instance, who explained that based on their initial investigation, an error was made in late 2018 that allowed participants under 18, who they normally would have blocked, to participate in the study," a spokeswoman told the BBC.
The existence of the scheme was revealed on Wednesday after an investigation by the TechCrunch news site.
Participants were told to keep the existence of the scheme and their involvement in it "confidential", and in return would earn $20 (£15.30) of gift tokens a month.
In an interview with Bloomberg, chief operating officer Sheryl Sandberg said there was "nothing secret about it", despite the fact it caught many company-watchers by surprise.
Mr Balkam said that Facebook had never consulted its Safety Advisory Board about the matter.
Only volunteers based in the US and India were targeted.
But the EU's leading data protection watchdog has shown an interest.
"The Irish Data Protection Commission became aware of this story through yesterday's media reporting," said a statement for the regulator.
"Before we can make any assessment as to whether or not there are any data protection concerns, we will need to understand better to what extent, how and on what basis the personal data in question is being processed and used.
Part of the issue is that the social network may have copied messages and images sent to the volunteers from their friends, who would not have known of the scheme's existence.
However, Facebook has indicated that this was not the case.
"The app was designed to collect data that helps us understand how people use apps, not the content of the messages they send or receive," a spokeswoman told the BBC.
It has also emerged that Google ran a similar data collection scheme involving an iOS app called Screenwise Meter.
Like Facebook, it circumvented Apple's rules by offering the app to consumers via "enterprise certificates", which are supposed to be reserved for providing software to staff or other limited instances.
Google's programme had been in existence since 2012 but has now been pulled.
"The Screenwise Meter iOS app should not have operated under Apple's developer enterprise program – this was a mistake, and we apologise," it said in a statement to TechCrunch.
Unlike Facebook's scheme, Google only signed up under-18s if they were part of a family group involving adults from the same household.
However, TechCrunch said it was once open to users as young as 13 without this caveat.
It is not known whether Apple plans to take any retaliatory action against the search firm.
However, the iPhone-maker did revoke Facebook's enterprise certificates on Wednesday.
That caused the social network's iOS test apps to stop working as well as other iPhone software it offered exclusively to staff, including a workplace chat app and an app to summon transport.
"Our internal apps are no longer operable and we are working with Apple to resolve this issue," the spokeswoman for Facebook said.
One of Facebook's independent child safety advisers has criticised the firm over a scheme that gave it access to teenagers' highly personal information, without taking more effort to verify their parents had given permission. Facebook said participating teens had provided signed parental consent forms. But tests by the BBC and others suggested youngsters could easily sign up without getting permission.


Jason Michael Carroll is headlining this benefit concert for the Morristown, Indiana Boys & Girls Club. Funds raised will go toward a purchase of a Van and help with operations of the club.
Country music hit-maker Jason Michael Carroll brings his showman ship to every stage he steps foot on. Wherever Jason performs you can bet it'll be electrifying and the crowd is into the show just as much as he is. Jason, who just released his latest album just last summer "What Color Is Your Sky" is on tour all across America and over seas playing sold out shows year round.
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