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Congratulations to the following students for qualifying for the 2nd round of the 2018 Spelling Bee!!!!
We had 45 participants and 13 qualified for the next round.
Thanks to all of the participants for your hard work and we will see the qualifiers on March 5th for the next round.


A representative for Pippa Middleton, the sister of Kate Middleton, the Duchess of Cambridge, recently revealed details about the guest list for Pippa Middleton's upcoming wedding to her hedge-fund manager fiancé, James Mathews. That announcement included the adorable news that Pippa Middleton invited her royal nephew and niece, Prince George and Princess Charlotte, to participate in the non-royal, private wedding on May 20. Still, questions abounded regarding who else might attend. For example, would Pippa Middleton allow Prince Harry to attend with a plus one? If so, would the plus one be Prince Harry's girlfriend, Suits actress Meghan Markle? Now we have more insight into that particular aspect, and it looks like the answer is yes---mostly.
Pippa Middleton did give Meghan Markle an invitation to the wedding reception at the £6million home of the Middleton sisters' parents in Bucklebury, Berks, according to People. However, Middleton did not extend an invitation for Markle to attend the ceremony itself, which will be held earlier in the day at St. Mark's Church in Englefield, Berkshire. There is some logical reasoning behind the decision. Even though it will be a non-royal, private event, there is still keen interest in the occasion, especially because two potential future kings--Prince William and his son--have invitations to attend along with Kate Middleton, who could one day go by Queen Catherine. As such, Pippa Middleton has to juggle the complications of a private wedding with the complexities of the formal rules of the throne. She most likely wants to keep her wedding small, but she probably also had to follow the protocol of "no ring, no bring," meaning there should be no guest list plus ones for people not married or engaged to an invited person.
Moreover, Prince Harry's relationship with Meghan Markle is relatively new to the public spotlight, so it would make complete sense for Pippa Middleton to ask him to attend the ceremony without a guest but allow him to bring someone to the after party. Some reports suggest Prince Harry and Markle have been together for a while, but they started taking things public just last autumn. So, in the grand scheme of things, theirs is a budding relationship. Then again, the fact that Markle did receive an invitation to attend the after party could indicate that she and her royal beau are getting serious in their relationship, whether or not it's new love. In fact, this year, Prince Harry opted out of joining Queen Elizabeth II, Prince William, and Kate Middleton at the traditional royal services for Easter at St. George's Chapel. Instead, he flew all the way from England to Canada to spend the holiday with his sweetie pie in Toronto, where Markle films scenes for Suits.
So, we now know that Meghan Markle has an invitation to attend James Mathews and Pippa Middleton's wedding reception. We are aware Middleton gave Prince George the job of page boy and Princess Charlotte the role of bridesmaid. Nevertheless, some questions about the guest list remain. For instance, it is unclear whether the brother of James Mathews, British television personality Spencer Mathews, from the show Made in Chelsea, will attend the wedding with a plus one and if that plus one will be his British reality-show personality, Vogue Williams. Perhaps Williams will receive the same kind of invitation that Middleton extended to Meghan Markle?
We will have to wait and see. Check back here for all the news on this special fairytale wedding.


Stirvox - The Market Economy: For or Against?
The Market Economy: For or Against?
Question 1: Do you know the difference between a market economy and a capitalist economy?
Question 2: Do you think that markets are a good system for social organization?
Question 3: Which of these is closest to your personal opinion?


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The Unconformity: the power and peculiarity of Tasmania's wild west
Queenstown's art festival embraces the unique features of a community set in deep wilderness.
Of the many festivals dotted across the island state of Tasmania, The Unconformity is particularly well named. It is an inherently unique event, responsive to the particularities of the western town of Queenstown's unique geology, ecology and culture.
Queenstown is nestled in Tasmania's mountainous West Coast Range, between Mt Owen and Mt Lyell, with an infamous reputation for inclement weather. And it is remote: at least three hours of winding drive from both Hobart and Launceston.
On a sunny day, the views are spectacular; some for their natural beauty, others for the demonstrable effects of over a century of mining, smelting and clearing. However, after three days of immersion in the town and the festival, I began to feel that Queenstown was somehow better evoked by the moments when the clouds hung low, only to occasionally break open, revealing unexpected and surprising views.
A central ethos of The Unconformity is the curatorial commitment to site-specific and locally engaged work. Many of the works are unique to the location and the people of Queenstown, and developed by artists through multiple visits to the town. Note must be made of the exceptional diversity of gallery-based works, including Lucy Bleach's enigmatic Variations on an Energetic Field and the overwhelming scale of Raymond Arnold's survey, 100 Etchings/35 Years in Tasmania. But I was particularly struck by the use of performance within this festival, as a model for engaging with the place that is "Queenie".
Queenstown's bare hills were denuded by over a century of mining. Shutterstock.
The power of listening
The pedestrian bridge over the town's Queen River became a makeshift stall for audiences wearing headphones for Tasdance's Junjeiri Ballun – Gurul Gaureima (Shallow Water, Deep Stories). Using the banks and the river itself, the bodies of five dancers explored the Indigenous history of the area and this waterway, which mine tailings and effluent once turned silvery grey and which remains, despite the remedial work to date, stained a remarkable shade of orange.
Tasdance's Junjeiri Ballun – Gurul Gaureima. The Unconformity festival.
Across the bridge, Prospect brought Dylan Sherridan's deft and thoughtful engagement with sound together with Sam Routledge's knack for engaging dramaturgical structures. Using hacked metal detectors, and again wearing headphones, prospectors walked through Passion Park, searching for sonic treasures. The dynamic score was a delight, and the uneven experience for participants (some struck it richer than others) an interesting counterpoint to the otherwise even distributions created by works for headphones.
Another work experienced with headphones, A Score to Scratch the Surface (Opening Scene) by momo doto (Tom Blake and Dominique Chen), offers a markedly different take on the roaming soundscape.
Beginning in the dress circle of the 1933 Paragon Theatre, looking out at the projection screen, we hear an assemblage of recordings taken in and around Queenstown. Curious sonic artefacts are woven with brief snippets of conversations with locals, which slip in and out. The audience of three is ushered out of the theatre, into a car, and driven on a meandering tour of the town by a local resident. These stories, like the sites on this particular tour, don't cry out for attention, forcing the ear and the eye to search for details. It's a subtle and meditative work, which engages deftly with diverse reflections on the value of Queenstown's natural resources.
As artist Tom Blake explained to me, the work was built slowly, over a number of visits to the town: "We were fortunate to have a development period that provided an opportunity to visit and revisit places and people over an extended period. We wanted to avoid being a flash in the pan – dropping by to make a work, then disappearing into the night."
A Score to Scratch the Surface gestures toward the surprising paradoxes of Queenstown. It's a place of riches, of devastation and resilience. With the mines closed since a tragic accident in 2013, and uncertainty about their reopening, the town sits in an uneasy limbo and faces difficult decisions. The challenges of regeneration – economically, environmentally and culturally – loom large. There are no easy answers, but the festival offers an opportunity to listen, to share and to understand something of this complexity.
Lucy Bleach's Variations On An Energetic Field (Variation 3) The Unconformity.
While not explicitly noted as a theme for the festival, the act of listening seemed to be a particular focus. This was most explicit in Jill Orr's durational performance Listening (made in collaboration with sound artist Richie Cyngler), staged in an old limestone quarry on the edge of town. This work asked audience members to record three wishes, while Orr, with characteristically otherworldly endurance, stood still and listened as these wishes were broadcast by loudspeakers and echoed around the quarry.
In the Medical Union building, Babel, directed by Glen Murray, allowed audiences to roam freely, exploring a panoply of other languages. While a remarkably simple conceit, the experience of wandering and listening to the diverse cast of performers was surprisingly compelling.
Starting with a bang
On a grander scale, the festival opened on Friday with Tectonica, a collaboration between Ian Pidd, Martyn Coutts and Dylan Sheridan, which closed down the main intersection to host a nine-tonne rock and some "bloody big speaker stacks". The tremendous, visceral soundscape condensed some 500 million-odd years of geological activity into an hour of epic, quadrophonic sound and, in the distance, an ominous red fissure opened up in the mountainside. Not content to lie dormant, the speakers rumbled sporadically throughout the weekend, felt and heard throughout the small town.
Tectonica a display created by artists Martyn Coutts, Ian Pidd and Dylan Sheridan. Unconformity festival.
The Falls, by Halcyon Macleod and Finegan Kruckemeyer, tells a story of young love, separation and return. It is a moving work, quite literally, as the audience dons headphones and climbs aboard a bus. The narrative of the play unfolds from a series of perspectives while journeying from one end of the Queen River – the Horsetail Falls – to the other, its confluence with the King River. It's an ambitious and expansive work – and neatly staged – but at times the poetry of the script seemed to overextend, attempting to translate the narrative and connection to this site perhaps beyond its specifics.
Local works
An ominous red fissure opens in Tectonica. Unconformity.
For all the innovative contemporary work in this festival, and the influx of city slickers who pour in from Hobart (vying for the title of Australia's new centre of hip) and the mainland, it would be all too easy to alienate the locals. But the festival does a remarkable job of keeping the West Coasters not only in the frame, but at the centre. While there was a palpable but subtle sense of reservation on the Friday night, by the closing Sunday the town seemed to reach a comfortable equilibrium.
Around noon on Sunday, after the ute muster took off and before the marquee football match on Queenstown's notorious gravel oval, the bloody big speaker stacks gave a last hurrah and belted out a locally curated playlist of AC/DC's greatest hits. An homage to the band's 1976 performance in the town, the music slowly drew a crowd. It grew, as more joined in and danced around, and on, the rock left in the centre of the intersection.
This festival, which began as the Queenstown Heritage and Arts Festival, and more recently reimagined as The Unconformity, has carved out a unique position in Tasmania and in Australia's cultural landscape. It will next run in 2020, and its growing esteem and success raise an important question about growth and sustainability. One of the key features of this festival is its scale, which allows it to balance the influx of visitors and locals; they meet, rather than being overwhelmed.
Under proud West Coaster Travis Tiddy's direction, however, the festival will hopefully approach its growth with the same focus and thoughtful reflection on place that made the 2018 version such a memorable success.
By Asher Warren, Lecturer, University of Tasmania.
This article was originally published on The Conversation.
Interested in studying art? Learn more.
TAGS:TheatreTasmaniaCollege-of-Arts-Law-and-EducationSchool-of-Creative-Arts-and-MediaCreativity-Culture-and-SocietyArt
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Real-world theatre experience in Tasmania's wild West
Theatre students immersed in The Unconformity.
Ten things you didn't know about the Commonwealth.
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redpajama_set_name: RedPajamaCommonCrawl


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Jonasz, imię świeckie Antun as-Suri (ur. 1970 w al-Minie) – libański biskup prawosławny służący w jurysdykcji Patriarchatu Antiocheńskiego.

Życiorys
Ukończył studia w zakresie elektroniki na Uniwersytecie Libańskim oraz studia teologiczne w Instytucie św. Sergiusza z Radoneża w Paryżu. W 2005 został wyświęcony na diakona przez metropolitę Trypolisu Eliasza. 24 lipca tego samego roku został wyświęcony na kapłana i skierowany do pracy duszpasterskiej w rodzinnej al-Minie. Przed 2008 złożył wieczyste śluby mnisze; w wymienionym roku otrzymał godność archimandryty. Od 2011 do 2015 był przełożonym monasteru Matki Bożej w Bkfatin. Był również publicystą pisma prawosławnego "Madżallat an-Nur" oraz pisma metropolitalnego "Al-Karma". W 2012 został schimnichem.

7 października 2015 Święty Synod Patriarchatu Antiochii nominował go na metropolitę Zahli i Baalbek. Jego chirotonia biskupia odbyła się 14 listopada tego samego roku w monasterze w Balamand, pod przewodnictwem patriarchy antiocheńskiego Jana X.

Przypisy

Urodzeni w 1970
Biskupi Patriarchatu Antiochii
Libańscy biskupi prawosławni

redpajama_set_name: RedPajamaWikipedia


text:
Council fined £120,000 after solicitor's wayward e-mails breach data protection law
Posted by Legal Futures
Data security: encryption failure
Stoke-on-Trent City Council has been fined £120,000 after an in-house solicitor sent highly sensitive information about a child protection case to the wrong e-mail address, rather than the barrister for whom it was intended.
It has led the Information Commissioner's Office (ICO) – which levied the penalty for a "serious breach" of the Data Protection Act – to remind organisations that sensitive personal information should be encrypted when being stored and sent electronically.
The breach happened on 14 December 2011 when 11 e-mails were sent by a solicitor at the authority to the wrong address. The e-mails included highly sensitive information relating to the care of a child and further information about the health of two adults and two other children. The e-mails should have been sent to counsel instructed on a child protection case.
The e-mails also contained the brief to counsel, suggested directions and comments about the conduct of the case.
While the authority was able to establish that the e-mail address used was valid, the recipient failed to respond when asked to delete the e-mails.
The ICO's investigation found the solicitor was in breach of the council's own guidance, which confirmed that sensitive data should be sent over a secure network or encrypted. However, the solicitor was not disciplined because the council had failed to provide the legal department with encryption software and knew the team had to send e-mails to unsecure networks. The council also provided no relevant training.
In reaching its decision, the ICO also took account of an undertaking previously signed by the authority in early 2010. During this incident sensitive data relating to a childcare case was lost after being stored on an unencrypted memory stick. At the time the council agreed to introduce improvements to keep people's data secure, including the introduction of encryption for portable devices used to store personal data.
Stephen Eckersley, head of enforcement at the ICO, said: "If this data had been encrypted, then the information would have stayed secure. Instead, the authority has received a significant penalty for failing to adopt what is a simple and widely used security measure.
"It is particularly worrying that a breach in 2010 highlighted similar concerns around encryption at the authority, but the issue was not properly resolved.
"The council has now introduced new measures to improve the security of information sent electronically, as well as signing a legal notice to improve the data protection training provided to their staff. This should limit the chances of further personal information being lost."
In a statement, the council said it had recently taken proactive extra measures to ensure data breaches are a thing of the past, including a new secure remote access systems for staff working from home, the encryption of all portable devices and media, blocking of unencrypted or non-council USB devices like iPhones and memory sticks, file encryption so that any information to be sent out of the council can be protected, a secure e-mail portal that allows it to communicate sensitive information safely with anyone outside the council and finally updating its anti-virus systems.
Steve Sankey, the council's assistant director of business technology, said: "We have implemented a lot of new procedures and security measures that will help to prevent future breaches. It was prudent after the Information Commissioner's Office notified us of our weaknesses that we acted immediately to improve the situation."
Kerry Quinn says:
Unfortunately it is always those meant to be protected that bear the pain of information leaks such as this. Lets hope the Council take this as seriously as the situation deserves!
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Big difference between Trump and Kennedy
Readers opinions
Big difference between Trump and Kennedy Readers opinions Check out this story on commercialappeal.com: http://memne.ws/2sE6Hyq
The Commercial Appeal Published 6:00 a.m. CT June 17, 2017
Vintage typewriter(Photo: File)
A recent letter (Viewpoint: 6-11-17, "Leaders should speak to each other") likened President Kennedy's use of "back-channel" communications with Kruschev during the Cuban Missile Crisis to the secret communications by Trump's people with Russian agents, when they were still private citizens. We don't yet know whether the contacts were harmless, but there are these big differences:
Kennedy was the President
He was trying to avert nuclear war
He used American mediators
He didn't use Russian facilities
He didn't lie about it or conceal it from proper authorities
Robert A. Lanier, Memphis
Understanding the real threat of Russia, Putin
As the daughter of a parent who endured and survived Russian aggression during WWII and Communism in Europe, it is of great concern to me that Russia continues its strategy of fomenting division where and whenever possible, evidenced by Russian intervention in the 2016 election, thereby raising questions about our national security. Unless, to use the expression, you have been "living in a cave" for the last many years, Putin will stop at nothing to make Mother Russia "great again." I fear many Americans could be in denial about Russia's ability to wreak havoc wherever it can. Nothing of consequence happens in Russia without Putin's stamp of approval.
Regardless of one's personal political ideology, the most significant and alarming affirmation from the former Director of the FBI James Comey's testimony before Congress, is the fact that Russia did, indeed, interfere with the 2016 election AND will continue this strategy here and across Europe. So what's the takeaway? As Michael Hayden, former director of the CIA and NSA, and James Clapper, former director of National Intelligence (DNI), have recently stated, it is time for America to be educated as to the real threat Russia continues to pose to our security and democracies all over the world. Preservation of democracy is what my family fought to preserve in WWII, Korea and Vietnam Nam.
Janet S. Howard, Germantown
Send letters of at least 150 words to letters@commercialappeal.com; fax to 901-529-6445; mail Letters to the Editor, The Commercial Appeal, 495 Union Ave., Memphis, TN 38103; or click on the "Submit Letter" link on the Opinion page at commercialappeal.com.
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As word comes down that Viacom is ditching YouTube for little-known start-up Joost, [pronounced juiced] I thought now would be a good time to compare the two big players in the peer-to-peer television network game, and whether or not either one can put a dent in the telecom stronghold.
Joost and Babelgum [pronounced babelgum] both use peer to peer technology, essentially meaning the backbone of their infrastructures, such as bandwidth, is supplied by its users. I don't pretend to understand all the technological aspects, but basically, they're both working to create an easy method of viewing video on your computers, and as your computers more easily link to television sets, that as well.
While clearly there's opportunity for these new networks to break the old network structure of simply them to us, there's obviously some major hurdles to cross as they work to avoid YouTube's perceived pitfalls.
A little background, Joost (originally called the Venice Project) is the brainchild of the founders of both Kazaa and Skype, Niklas Zennstrom, and Janus Friis. Although Kazaa still technically exists, it was essentially a casualty of the RIAA crackdown that gobbled up most peer to peer networks like Napster. Skype, a VoIP (voice over internet protocol) was bought by EBay for 2.5 billion dollars.
Babelgum, was founded by Silvio Scaglia, who was also the founder of fastweb, an Italian telecom.
Before I compare the two, it's more important to talk about their common challenges, as those may be the greatest battles of all.
First, can the web support it? You'll hear many people, Mark Cuban especially, talk about how the infrastructure of the web wasn't made for, and can't handle extreme proliferation of video on the scale of YouTube, or P2P networks such as these. And, he's probably right. Our current systems would likely crumble under the pressure of successful launches of either one of these new platforms, possibly screeching the flow of information on the web to a near stand still. These could be very real challenges we face, but I can't believe that these problems will not be overcome.
Simply put, there is money to be made in updating our systems to the point these can be handled. Lots of money. Cuban-esque wealth, even. And, when there's money to be made, there's usually someone out there who will figure out how to make it. So, does this mean strengthening the pathways or better condensing the files? I don't pretend to know, but I'd be willing to bet someone will figure it out.
Second, can they offer as much functionality as a DVR? Why would I use these networks if they're just not as good as what I already have? Neither can fast forward nor rewind easily. That's a huge problem for me, as the blogosphere has already taken my attention span down to that of a gnat. I like to jump around, and they need to make it easier to do so.
If they won't offer those simple features, TiVo could have a greater opportunity by integrating the two. I wouldn't be surprised if they're already considering this direction as an enhancement to the television we know today.
Third, how much quality content will each have? Neither Joost, nor Babelgum seem interested in becoming a heavily user-generated experience, which can be a good thing, as long as they make it easy for serious vloggers and amateur producers to upload their own stuff, too. I don't have much problem with the lack of inclusion of fourteen year-olds bemoaning the state of humanity into their parent's web cam, but there should be some sort of happy medium between the two.
There's real opportunity in helping to further steal back control from the networks, and allowing the users to become the stars. We really have no way to know how open they'll be at this point, but I'd hope that neither looks to become just another monolith.
to jam the thirty second spot down our throats? Will we still have to deal with three minute commercial blocks? If the answer is yes, then give it up now. They'll be wasting their time.
They have to innovate from the beginning, giving the control of the delicate balance of advertising to content back to the users, and not letting the almighty buck overwhelm that need. Using the Bebo, or Flip model of allowing users to have some level of choice in the advertising they see would be a good start, but my hope is that the commercial breaks will be minimal, and advertisers could work with the networks toward a more mutually beneficial end.
Joost obviously has the advantage here. Even before the addition of the extra Viacom content pulled from YouTube, the breadth of shows is much greater, and actually somewhat overwhelming if you have no agenda from the start.
Babelgum needs to make some content deals badly, or open it up to the masses. They do have some good stuff, but it doesn't take long to get bored and start searching for the TV remote.
As both these networks are in Beta, I don't want to spend too much time with this. It's much more important what they will do, rather than what they are doing currently.
One of my favorite Joost attributes is the ability to search for shows, then create a channel based on that request. For instance, I could search for Paris Hilton, and then only receive shows that involve her in some way on that channel.
With that said, Joost's search is still not anywhere near the level it needs to get to. One of the advantages of platforms like this is quantity of content. Because of this, it will be necessary to easily to find new shows. They do provide a "joost suggests" section, but I'd much rather have the ability to search shows based on popularity and view count.
Another major issue is with linking. It's incredibly important to the health of both these networks that they find a way to easily link to shows from social networks. Right now, it's much too hard to share content with your friends.
Babelgum is way further behind with search. Simply, they don't have it. Until this feature is added, I really don't understand what the point is.
Actually, both are surprisingly good. Now, I wouldn't exactly call them television quality, but they're definitely better than expected. I doubt many people would actually turn up their noses. The problem with getting much higher quality is the likelihood of skipping, which will kill either one of these networks quickly.
Luckily, I didn't really have many skipping or quality problems with either.
Both these guys definitely look sleek, especially Babelgum. It has a bit of an advantage with the smaller amount of content, so be interesting to see how it looks as they add functionality.
Both networks will have their share of troubles here as they move towards faster expansion. Even regular techies will probably have a few "huh?" moments as they navigate through the process. Some of these little quirks take getting used to, and some still leave me with question marks.
For instance, Joost's channel selection is a little awkward. They force you to switch between the channel guide and my channels to check out shows. So, to sample a show, you actually have to add the channel, which is a little annoying.
Also, when scrolling through menus, you never come to the end, it just starts repeating. On the main menu, you'll see a rotating list of help and preferences (like help, preferences, help, preferences…), which can be a pain when your scrolling through a list of more than a couple items. I generally want to know when I'm to the end.
Babelgum suffers from the same inconsistencies. You can add your own channels, but I couldn't figure how the hell to add any shows to them. They do have a nice feature where you can add a show to a "videos" section, but it's still quite difficult to maneuver.
Both these networks are touting their social aspects, which could really offer a tangible added benefit to regular television. This is also where Joost shows the largest advantage over Babelgum. With features like channel chat, which, as the names suggests, allows you to chat with others watching the same channel, integration with Google Talk, and the ability to create News Tickers by adding RSS feeds, Joost is well on their way to creating a more robust social network.
On the Babelgum site, they claim to help you, "Discover new content through friends, contacts and people with shared interests, and tell others about the content you love or hate." I didn't see anything that would allow for this, but if they're making these statements, I would hope they're on the way.
Neither network is anywhere near where they have to get. Although both allow for user ratings, neither yet allows for user reviews, which will be radically important in differentiating from normal television. I would hope that each will be creating (or buying) a social networking site to coincide with the platform as well. Building a YouTube or MySpace-like personal page, with user information, favorite shows, etc., will make it much easier to navigate through, and find quality shows.
Overall, Joost is obviously much more advanced than Babelgum, but as I said, their competition is less with each other, and more with the obstacles they collectively face at this point. But, with proven innovators at the helm of both, it's not unlikely that one of these players will change television as we know it.


Simple answer is; we see potential EVERYWHERE! Europe is full of great research, ideas and is still at the top in many areas globally.
But looking around the globe and seeing major technology trends, we believe there's potential to innovate everywhere; take high-level areas like healthcare, education, energy, transportation or government services and smart-cities.
Some of these are certainly areas where Europe has immense experience without many people realizing it. Our cities are smart, pretty good to live in, our healthcare is high quality. This gives us great base to build on. But high level look at our education or government services and you have the biggest areas for disruption. So disconnected from real people and technology trends. But don't take our word for it, look around the world and then come and talk to us about your ideas.
We don't look only on direct business opportunities. We carefully watch what's cooking in academic circles and many times we will cooperate with academia on concrete projects. Many global opportunities in Europe-originated projects lie in building on well funded primary research projects.
We look for and want to build on primary expertise in areas like physics, math, behavioral science, AI, robotics, material science.
By building on expertise we mean supporting projects and individuals from applied research, across early idea development and search for product market fit to successful commercialization and global growth. Many of the great global businesses started at academia, let's use this model too!
Now, one thing we haven't stressed enough is that we believe in students and young people being in the forefront of our future success.
Our hD42Lab is the space created mainly from our experience with young innovators and ideas holders.
Many really good and sound ideas don't cross the line into successful business world because of few miss-steps at the beginning. We are here to help and increase that success rate in cooperation with partners and universities. We'll help you find a place for that idea of yours.
What do you think? Where is your strength and how will you help push Europe forward? Don't forget, everyone counts and we want you as a member, a partner or a supporter. We are building on great partnerships from the past and we form new ones all the time. Every platform is fueled by its members, so if you are a student, open minded gal or guy, a research institutions, university, accelerator or investor. You may even be a business or corporation which believes in our vision then we are happy to have you on board…just reach out!


Rule nr 1 : Aim for the Waypoint (obvious).
Rule nr 2 : Switch over to the next waypoint is a function of speed : high speed = switch over at high distance !!
Rule nr 3 : Proportianal gain steering is a function of speed, higher speed = lower gain !
Rule nr 4 : Speed is function from up coming waypoint, if approaching sharp corner , lower the speed !
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In a recent newsletter, Clear Water for NC announced an upcoming conference call for discussion of Aqua NC-related issues. Join other Aqua NC customers from around the state to talk about what the current top concerns are and ways to work together toward common goals.
For more information about this and all Aqua NC-related matters, please reach out to Clear Water for North Carolina: http://www.cwfnc.org. You may also contact Katie Hicks (CWFNC) at 1-800-929-4480 / 828-251-1291, or katie@cwfnc.org.
This entry was posted in gv Communication, gv Other and tagged aqua NC, utility on February 20, 2015 by James.