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I Puritani
December 8, 2013By Nick HammondMusic
Bel Canto Version of
Maria Agresta as Elvira in "I Puritani." Photo: Opéra National de Paris/Andrea Messana
Vincenzo Bellini's 11th and final opera, I Puritani, has strong Parisian roots, having been premiered at the city's Théâtre-Italien in January 1835. The Sicilian composer died near Paris of acute intestinal inflammation only a few months later, at the age of 33. Given that he wrote such masterpieces of the bel canto repertoire as La Sonnambula and Norma, it is sobering to think what he might have produced had he lived longer. This new production of I Puritani by Laurent Pelly, conducted by Michele Mariotti (who is barely older than the composer was when he wrote the work), at the Bastille Opera does ample justice to Bellini's prodigious talents.
I Puritani, with a libretto by Count Carlo Pepoli based on a French work, Têtes Rondes et Cavaliers by Jacques-François Ancelot and Joseph Xavier Saintine – itself based on a novel by Sir Walter Scott (as most romantic Italian operas seem to be) – is set against the backdrop of the Puritan-Royalist conflicts in 17th-century England. Elvira, daughter of Cromwell supporter Lord Valton (the Italianized or misspelt names are a particular delight), is engaged against her will to the Puritan Sir Riccardo Forth but is in love with Lord Arturo Talbot, a Cavalier loyal to the Stuart monarchy. When Arturo, in spite of his great love for her, leaves her at the altar to help a mysterious woman (who turns out to be King Charles I's widow, Queen Enrichetta) escape imprisonment, Elvira's reason abandons her at various intervals. Why limit yourself to a single mad scene, as is demanded in bel canto opera, when you can have two or three?
As wildly improbable as some of the plotting may be (the opera's denouement is particularly sudden and implausible), the music itself is glorious. Not only is there the required virtuoso high singing by soprano and tenor (performed here with precision and panache by Maria Agresta as Elvira and Dmitri Korchak as Arturo), but Bellini also includes duets for bass and baritone (the music for Valton and Riccardo, robustly sung by the Polish singers Wojtek Smilek and Mariusz Kwiecien, is exceptional) and some vivid writing for the chorus, simply but beautifully choreographed in their Puritan attire in this production. Only the somewhat thin-voiced Andreea Soare as Enrichetta is a disappointment.
Mariotti directs the Paris National Opera Orchestra with great energy, always taking care to shape the orchestral lines in an authentic bel canto style. I was sitting just behind the conductor, and it was hard not to be swept away by his enthusiasm as he coaxed and cajoled his instrumentalists, even though his sharp intakes of breath and not entirely tuneful humming proved a diverting counterpoint to the stage action.
The stage set (a transformable lacy steel structure, which at moments traps Elvira like a caged bird) is starkly simple but always visually effective, especially at the beginning of the final act, when the kaleidoscopic lighting effects on the revolving set reflect Elvira's mental state particularly well.
If Italian bel canto is your thing, make sure not to miss this production. And even if it isn't your thing, you will find plenty to enjoy.
Nick Hammond
Opéra National de Paris: Place de la Bastille, 75012 Paris. Métro: Bastille. Tel.: 0 892 89 90 90 or + 33 (0)1 71 25 24 23 (from abroad). Remaining performances: December 12, 14, 17 and 19 at 7:30pm. Tickets: €5-€180. www.operadeparis.fr
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© 2013 Paris Update
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Œdipe
Paris Opera's Inaugural Concert
Pelléas et Mélisande
French Music for the Stage


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Project: Custom design and fabrication of custom cases for retail iPads.
Materials: Reclaimed oak (salvaged from a church), chalk paint, leather and acrylic.
Project details: Reclaimed wood fabrication with leather inlay. Custom laser etching and hand painting and finishing.
Materials: Hard maple, Linseed oil and enamel paint.
Project details: Local solid maple boards were finished and assembled. CNC carve of custom map, hand chiseling of waterways and hand painting and finishing.
Materials: MDF (exhibit display) and birch plywood (magnifying viewer).
Project details: In collaboration with Michael Simon Design. Custom design and fabrication of 3 window display and custom magnifying devices for museum attendees.
Materials: Tweed wool and leather.
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Candidate Trump Becomes President Trump With Cries Of America First
After Donald Trump won the nomination, we had hoped that it was just an act to win the Republican nomination, and he would take on a more reasonable tone. Instead he fought with a gold star family and continued to campaign for the presidency as he campaigned for the nomination. After he won the election, we hoped again that he would be more reasonable. Instead he attacked the free press and fought with people ranging from Meryl Streep to John Lewis. We hoped that he might change once he was president, but again their was no pivot, as Trump gave a terrible speech, which was widely criticized on the right as well as on the left. George Will called it "the most dreadful inaugural address in history" and Joe Scarborough called it "a primal scream aimed at Washington, D.C."
The speech (full text here) sounded more like a Trump campaign rally than a speech from a newly elected president desiring to unite the nation behind him. He pandered to isolationism, xenophobia, and religious bigotry, stressing the slogan America First, oblivious to its history. Walter Shapiro wrote:
Trump may well be a president who, like automaker Henry Ford, believes that "history is bunk." But it was striking how much borrowed 1930s imagery was embedded in the 16-minute speech.
Even though the slogan "America First" harks back to Charles Lindbergh and his isolationist (and sometimes anti-Semitic) movement against U.S. entry into World War II, Trump has continued to embrace it with a passion.
There was also an echo of FDR's 1937 inaugural address as Trump portrayed the America he was inheriting. Roosevelt declared, "I see one-third of a nation ill-housed, ill-clad, ill-nourished." For President Trump, it was "rusted-out factories scattered like tombstones" and "the crime and the gangs and the drugs that have stolen too many lives."
Of course, there is overwhelming evidence that the crime rate has plunged (especially in Trump's hometown of New York) over the past two decades. And economists will eagerly point out that changing technology (like robotics) have done far more than trade treaties like NAFTA to hollow out America's 1950s industrial core.
But that's not the view that the new president saw from the campaign trail and from his fortress of solitude atop Trump Tower. Much about Trump may reflect the cynicism of the eternal huckster, but his portrayal of a dying America calling out for rescue by a superhero seems sincere.
Jonathan Chait wrote that, The System Has Failed and a Con Artist Has Won:
The gall of Trump's populism is astonishing. "For too long, a small group in our nation's capital has reaped the rewards of government while the people have borne the cost," he announced, shamelessly. "Washington flourished, but the people did not share in its wealth. Politicians prospered, but the jobs left and the factories closed." This from the first president in decades to refuse to disclose his tax returns, and the first in centuries to use the presidency to enrich himself and his family!
The presidency raises the stakes of Trump's con game to a completely new level. In his inaugural address, Trump declared his fealty to the People, promising to unleash untold wealth to them that was being held by elites in Washington and by foreigners. "We will bring back our jobs," he said. "We will bring back our wealth." He promised to quash crime and "eradicate" Islamic terrorism "from the face of the Earth." The grandiosity of these promises is necessary to get even the minority of the electorate that can tolerate Trump to overlook his overt grossness and corruption.
The methods of a skilled con artist have worked just barely well enough to deliver the presidency to Trump. But what happens when his grandiose promises fail to materialize? And when the aspects of his program that he never mentioned in his speech — tax cuts for the rich, stripping away health insurance from millions, massive graft — do take place? A con artist who always escaped his old victims and found new ones has reached the maximal limits of his strategy. What happens when the marks are demanding that the promises he made be redeemed, and there is nowhere for him to go, and he commands the powers of the state?
We only saw a glimpse of policy on Trump's first day in policy, but it was not good. Despite 2016 being the warmest year on record, climate change has gone down the memory hole at the White House web site. Civil rights and LGBT rights have also disappeared. A list of Melania's magazine cover appearances and information on her jewelry line at QVC have been added. (Update: The references to QVC have been removed.)
Posted in Donald Trump, Environment. Tags: Civil Liberties, Climate Change, Donald Trump, Social Conservatives. 4 Comments »
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redpajama_set_name: RedPajamaCommonCrawl


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Carrion Is A Gory, Brutal Reverse-Horror That Turns Us Into Monsters
By : Ewan Moore On : 17 Jun 2019 15:56
One of the defining aspects of a Metroidvania is their typically labyrinthine worlds. With so many tunnels, crevices, cracks, and secrets to explore, you'll often feel like nothing more than a tiny, insignificant cog in something much larger and unknowable.
At least, I've always found this to be the case. Whether I'm playing as Samus Aran or Simon Belment, as I slowly unpick a Metroidvania, the world becomes a little less mysterious as each room braved reveals a little more information. But in the beginning? I always find them kind of terrifying – the idea that the next room could hold some monstrous creature ready to devour you.
Carrion, the new indie game from Phobia Game Studio and Devolver Digital is a Metroidvania where I'll never need to worry about what might be lurking around the corner, because I am the thing that lurks around the corner.
During my brief hands-on with Carrion, I saw what is largely the first 20 or so minutes of the game, with an interconnected HUD-type area apparently cut out from the demo for the purposes of getting me between levels a little quicker.
The game starts with you – a thriving, sentient mass of muscle and viscera – trapped in a containment jar surrounded by scientists. You break out, and the characters around you very much start losing their shit, as you squelch and slime along the ground of your cell before slinking up through a nearby vent.
The movement controls are the first thing that present themselves to you in Carrion, and they're perfect. You aren't supposed to feel like a bounty hunter in a power suit, or a plumber with a love of jumping, but a slithering, heaving thing. As such, you'll stumble and snake over every surface, and along walls, throwing yourself across gaps using your tentacles to grab objects and throw them around. It feels perfect, and all too immersive.
Your tentacles are also used to take on enemies – though there's a definite feeling that they can't really put up much of a fight. I'd imagine the challenge in this area will build the further into the game, but I expect the point is that the humans aren't really ready for your attacks and can't stand in your way.
In fairness, a little towards the end of the demo I started encountering humans who wielded flamethrowers, which the monster didn't seem to like, so it looks as if certain weaknesses will show themselves as we progress.
Any any rate, you'll use terrible tendrils to latch onto humans and either slam around until they resemble a sticky paste, or drag them towards you and devour them.
While the game's pixel art means it's not super distressing to watch (although still bloody), the crunching, slurping sounds mixed with the screams of both your victims and you yourself as the monster makes dispatching enemies a a gruesome, yet satisfying task.
The more people you consume, the larger you become, and the more satisfying it feels to crash through a vent before devouring anything that moves within seconds.
In terms of the Metroidvania aspect of Carrion, your monster can "merge" with various test tubes around the underground station where you're being held to learn new powers, which will then grant you access deeper into the world – or in this case, further out of the world? I guess the idea is that we're trying to break out.
In my time with the game I picked up the power to shoot a line of webbing, which could be used to stick enemies to walls before eating them alive, or shoot through walls and activate various switches. There was also a dash attack I developed which I could use to smash through obstacles I couldn't before.
The catch seems to be that you don't have all your powers all of the time, and will instead have to return to certain points to switch between abilities based on what you need at that time in that area. I'm not sure if that'll cause too much pointless backtracking, but Phobia seem to have the Metroidvania essence down, so I'm inclined to put my trust in them.
I had a blast during my time playing as John Carpenteresque abomination in Carrion. The controls are tight, the atmosphere is oppressive, and ending fights in a whirlwind of blood and screams is a sight to behold.
I don't know why the monster is so bent on causing chaos, or what exactly it wants. In my head, it just wants to be free, but I fear that when the full game releases in 2020 I'll discover its intentions aren't quite so straightforward – and I'll still have no problem guiding it to freedom.
If you have a story you want to tell, send it to UNILAD via [email protected]
Ewan Moore
Ewan Moore is a journalist at UNILAD Gaming who still quite hasn't gotten out of his mid 00's emo phase. After graduating from the University of Portsmouth in 2015 with a BA in Journalism & Media Studies (thanks for asking), he went on to do some freelance words for various places, including Kotaku, Den of Geek, and TheSixthAxis, before landing a full time gig at UNILAD in 2016.
Topics: Carrion,devolver digital,E3 2019,horror,Indie


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July 3rd
Backstage Sustainability Workshop, Roskilde Festival 2012
June 24, 2012 Culture FuturesCreative Cities, Creative Industries, Cultural Values, Decision Makers, Dissemination, Ecological Age, Financial Motivations, Futures, Guided Tour, International Collaboration, July 3rd, Mediums, Necessary Transition, Preconceived Notion, Research And Development, Sustainability Culture, Sustainable Solutions, Viden, Vision Of The Future, Way Of Thinking
This post comes to you from Culture|Futures
Roskilde Festival and Backstage invites you to Backstage Sustainability Workshop on July 3rd from 10:00-14:00. Get a guided tour of the festival ground and experience quirky experiments, green installations and sustainable solutions.
For registration, see:
http://roskildegruppen.dk/raadgivning_viden/backstage/backstage_2012/sustainability/
Culture|Futures is an international collaboration of organizations and individuals who are concerned with shaping and delivering a proactive cultural agenda to support the necessary transition towards an Ecological Age by 2050.
The Cultural sector that we refer to is an interdisciplinary, inter-sectoral, inter-genre collaboration, which encompasses policy-making, intercultural dialogue/cultural relations, creative cities/cultural planning, creative industries and research and development. It is those decision-makers and practitioners who can reach people in a direct way, through diverse messages and mediums.
Affecting the thinking and behaviour of people and communities is about the dissemination of stories which will profoundly impact cultural values, beliefs and thereby actions. The stories can open people's eyes to a way of thinking that has not been considered before, challenge a preconceived notion of the past, or a vision of the future that had not been envisioned as possible. As a sector which is viewed as imbued with creativity and cultural values, rather than purely financial motivations, the cultural sector's stories maintain the trust of people and society.
Go toThis post comes to you from Culture|Futures
"Edward Burtynsky: Oil" at the Royal Ontario Museum, Toronto
April 30, 2011 Cultura21Berlin Germany, Canadian Art, Copenhagen Denmark, Cozzolino, Ecological Footprint Analysis, Ecosphere, Edward Burtynsky, Energy Options, Francesca, Image Arts, Industry Experts, Jennifer Baichwal, July 3rd, Kagan, Kajsa, Koefoed, Manufactured Landscapes, Mars Discovery, Mexico City, New America Foundation, Oil Extraction, Oleg, Paris France, Photographic Work, Policy Initiative, Possibility And Necessity, Rana, Richard Rhodes, Richard Sears, Royal Ontario Museum, Ryerson University, Sacha, sustainability, University Of British Columbia, Vitality, William Rees
Exhibition until July 3rd; Symposium on May 6th and 7th
The images of the exhibition Edward Burtynsky: Oil explore the hotly-debated effects of oil extraction and our international dependency on the substance. The symposium in May brings together top scientific and arts industry experts for two days of discussion about essential issues of oil, planetary sustainability, and the energy options available to us, from both the scientific and aesthetic points of view.
Program of the Symposium
Friday May 6, 7:00 p.m. – How Humanity Became a Rogue. The Growing Economics and the Shrinking Ecosphere: Keynote by William Rees, Professor, School of Community and Regional Planning, University of British Columbia, Originator and co-developer of ecological footprint analysis.
8:00 p.m. – Topography and Spectacle: Contextualizing the Landscapes of Edward Burtynsky: Keynote by David Harris, Associate Professor, School of Image Arts, Ryerson University, Curator and Writer.
9:00 p.m. – Manufactured Landscapes, Dir. Jennifer Baichwal, 2006 (90 min): A striking documentary that follows Edward Burtynsky through China, as he shoots the evidence and effects of that country's massive industrial revolution.
Saturday May 7, 10:00 a.m. – Interview on Stage: Edward Burtynsky Discusses His Groundbreaking Photographic Work With Richard Rhodes, Editor of Canadian Art.
11:00 a.m. – Kicking the Fossil Fuel Habit. Possibility and Necessity: Keynote by Tom Rand, Director of VCi Green Funds, Lead Advisor at the MaRS Discovery District. The lecture is based on his highly popular book of 2010 Kick the Fossil Fuel Habit: 10 Clean Technologies to Save Our World.
2:00 p.m. – Innovations for the Future. The Final Decades of Oil and Beyond: Scientific Panel Discussion with Lisa Margonelli (Director of the New America Foundation Energy Policy Initiative, Washington), Tom Rand, William Rees, Richard Sears (Visiting Scientist at the MIT Energy Initiative and the Laboratory for Information and Decision Systems, former Executive at Shell), David Naylor(Professor, Department of Mechanical & Industrial Engineering, Ryerson University). Moderator: Edward Burtynsky
4:00 p.m. – Photography as Intervention: Aesthetics Panel Discussion with Sarah Milroy (Art Critic and Writer, former Art Critic at the Globe and Mail), Michael Mitchell (Photographer, Filmmaker and Writer), Paul Roth (Executive Director of The Richard Avedon Foundation, New York and Curator of the Edward Burtynsky: Oil exhibition at the Corcoran Gallery of Art, Washington, D.C.), Robert Burley (Photographer, Professor, School of Image Arts, Ryerson University). Moderator: Eleanor Wachtel (Writer and Host of CBC's "Writers and Company")
The admission is free. For more information visit the website: ryersongallery.ca or call: 416-979-5000 x6843.
For the whole schedule and more information about the speakers read here.
Partly reposted from www.projetcoal.org


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Claim vs. Fact: Administration Officials Respond to Richard Clarke Interview
Article Mar 22, 2004
Defense, Foreign Policy, Terrorism
Sam Hananel
shananel@americanprogress.org
Doug Molof
dmolof@americanprogress.org
Download: DOC, RTF, PDF
Bob Boorstin's Column: The Canary in the Coalmine
In the wake of Richard Clarke's well-supported assertions that the Bush Administration neglected counterterrorism in the face of repeated terror warnings before 9/11, the Bush Administration has launched a frantic misinformation campaign – often contradicting itself in the process.
CLAIM #1: "Richard Clarke had plenty of opportunities to tell us in the administration that he thought the war on terrorism was moving in the wrong direction and he chose not to."
– National Security Adviser Condoleezza Rice, 3/22/04
FACT: Clarke sent a memo to Rice principals on 1/24/01 marked "urgent" asking for a Cabinet-level meeting to deal with an impending Al Qaeda attack. The White House acknowledges this, but says "principals did not need to have a formal meeting to discuss the threat." No meeting occurred until one week before 9/11.
– White House Press Release, 3/21/04
CLAIM #2: "The president returned to the White House and called me in and said, I've learned from George Tenet that there is no evidence of a link between Saddam Hussein and 9/11."
FACT: If this is true, then why did the President and Vice President repeatedly claim Saddam Hussein was directly connected to 9/11? President Bush sent a letter to Congress on 3/19/03 saying that the Iraq war was permitted specifically under legislation that authorized force against "nations, organizations, or persons who planned, authorized, committed, or aided the terrorist attacks that occurred on September 11." Similarly, Vice President Cheney said on 9/14/03 that "It is not surprising that people make that connection" between Iraq and the 9/11 attacks, and said "we don't know" if there is a connection.
CLAIM #3: "[Clarke] was moved out of the counterterrorism business over to the cybersecurity side of things."
– Vice President Dick Cheney on Rush Limbaugh, 3/22/04
FACT: "Dick Clarke continued, in the Bush Administration, to be the National Coordinator for Counterterrorism and the President's principle counterterrorism expert. He was expected to organize and attend all meetings of Principals and Deputies on terrorism. And he did."
CLAIM #4: "In June and July when the threat spikes were so high…we were at battle stations…The fact of the matter is [that] the administration focused on this before 9/11."
FACT: "Documents indicate that before Sept. 11, Ashcroft did not give terrorism top billing in his strategic plans for the Justice Department, which includes the FBI. A draft of Ashcroft's 'Strategic Plan' from Aug. 9, 2001, does not put fighting terrorism as one of the department's seven goals, ranking it as a sub-goal beneath gun violence and drugs. By contrast, in April 2000, Ashcroft's predecessor, Janet Reno, called terrorism 'the most challenging threat in the criminal justice area.'"
– Washington Post, 3/22/04
CLAIM #5: "The president launched an aggressive response after 9/11."
FACT: "In the early days after the Sept. 11, 2001, attacks, the Bush White House cut by nearly two-thirds an emergency request for counterterrorism funds by the FBI, an internal administration budget document shows. The papers show that Ashcroft ranked counterterrorism efforts as a lower priority than his predecessor did, and that he resisted FBI requests for more counterterrorism funding before and immediately after the attacks."
CLAIM #6: "Well, [Clarke] wasn't in the loop, frankly, on a lot of this stuff…"
– Vice President Dick Cheney, 3/22/04
FACT: "The Government's interagency counterterrorism crisis management forum (the Counterterrorism Security Group, or "CSG") chaired by Dick Clarke met regularly, often daily, during the high threat period."
CLAIM #7: "[Bush] wanted a far more effective policy for trying to deal with [terrorism], and that process was in motion throughout the spring."
FACT: "Bush said [in May of 2001] that Cheney would direct a government-wide review on managing the consequences of a domestic attack, and 'I will periodically chair a meeting of the National Security Council to review these efforts.' Neither Cheney's review nor Bush's took place." By comparison, Cheney in 2001 formally convened his Energy Task Force at least 10 separate times, meeting at least 6 times with Enron energy executives.
– Washington Post, 1/20/02 , GAO Report, 8/22/03, AP, 1/8/02
CLAIM #8: All the chatter [before 9/11] was of an attack, a potential al Qaeda attack overseas.
– Deputy National Security Adviser Stephen Hadley, 3/22/04
FACT: Page 204 of the Joint Congressional Inquiry into 9/11 noted that "In May 2001, the intelligence community obtained a report that Bin Laden supporters were planning to infiltrate the United States" to "carry out a terrorist operation using high explosives." The report "was included in an intelligence report for senior government officials in August [2001]." In the same month, the Pentagon "acquired and shared with other elements of the Intelligence Community information suggesting that seven persons associated with Bin Laden had departed various locations for Canada, the United Kingdom, and the United States."
[Joint Congressional Report, 12/02]
Rising Anti-China Sentiment in South Korea Offers Opportunities To Strengthen US-ROK Relations
Haneul Lee, Tobias Harris, Alan Yu
A Trillion-Dollar Defense Budget?
Lawrence J. Korb, Kaveh Toofan
Seeking Accountability and Justice for Crimes Committed in Ukraine
Carolyn Kenney
Even if Putin prevails in Ukraine, he's already lost the world
Stephen J. Cimbala, Lawrence J. Korb


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Another Wii U system update has been released by Nintendo today, juicing up the console's firmware to Version 5.3.1 worldwide.
This has largely been pushed live to address an issue that users were experiencing when uploading highlight reels in Mario Kart 8, where recurring error code 104-1852 would appear. Otherwise, you can enjoy the usual improvements to system stability!
Resolved an issue that resulted in some users receiving error code 104-1852 while uploading a Mario Kart 8 highlight reel to YouTube.
Good. Now I can get back to uploading Mario Kart videos.


This NBA 2K13 patch changes the NBA team logos that appear on the team selection menu into new custom 3D ESPN style logos.
Features:ESPN 3D logos for all current NBA teams (30).
The pack doesn't include 3D logos for the classic teams.
or Extract the downloaded file and place all files in the NBA 2k13 folder to NBA 2k13 Installation Directory.Replace existing files.


Symbolism initially developed as a French literary movement in the 1880s, gaining popular credence with the publication in 1886 of Jean Moréas' manifesto in Le Figaro. english literature study guide pdf THE ORGANIZATION: The organization ALMSD (Art, Literature and Music in Symbolism and Decadence) is a follow up to the three day international interdisciplinary conference Symbolism, Its Origins and Its Consequences which took place in April 2009 at Allerton Park, a retreat center of the University of Illinois.
but later revised, renamed, and republished in book form as The Symbolist Movement in Literature in 1899 is one of the most important programmatic definitions of literary modernity in late-nineteenth-century criticism.
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Here is news of two events both next Thursday evening, 27 March, at 7.30 pm.
First of all, Kings Heath Transition is reinstating its popular Film Cafe at the Kitchen Garden Cafe to show an inspirational film about one man's struggle to grow crops in the African desert. Poster attached with details.
which provides medical help for pregnant women and their babies in Africa and other low income countries. This really does save lives. Poster also attached for details plus booking form.
Choose which event you would like to attend and pass on the details if you are able to. Unfortunately they do clash!


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Friday, October 10, 2008 - Volume 36 Issue 41
Cost of the
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posted Friday, October 10, 2008 - Volume 36 Issue 41
Measure for Measure at Stone Soup Theatre
by Miryam Gordon - SGN A&E Writer
Directed by Beth Raas
Stone Soup Theatre
Through October 19
Shakespeare's Measure for Measure is being performed by Ghost Light Theatricals in the tiny Stone Soup Theatre (on Stone Way, of course). This is a large cast that has to work in a very small stage area, so it takes all the ingenuity of the cast and director and all the forbearance of the audience to manage the flow of action. They manage pretty well.
The play is kind of a comedy, since it ends with everyone (almost) living happily ever after, which is supposed to be a hallmark of Shakespeare's comedies. But it's on the soberly happy side, so it skirts the edge of the tragedies. Duke Vicentio likes to find out what people really say about him, so he disguises himself and disappears into the common throngs for periods of time. This time, he leaves the rule of the land to his servant, Angelo, a sort of master chamberlain, and takes the role of a priest.
Angelo is a conservative guy who dislikes how laws have become suggestions and decides that laws should stand up for themselves again, and he starts arresting people who break them and sentencing them to hang. The unfortunate Claudio gets arrested for making his girlfriend pregnant, even though he intends to marry her. He is to hang, unless his church-novitiate sister, Isabella, can intervene with her goodness and convince Angelo to let Claudio go. Angelo falls for Isabella and makes a dastardly offer: he will let Claudio go if Isabella has sex with him. Isabella finds this fake priest, really the duke, and he convinces her to agree to the proposition, but he will have Angelo's ex-fiancee take Isabella's place, since Mariana is still in love with Angelo. Angelo beds Mariana, thinking it's Isabella (in the dark) and still orders Claudio killed. So, the duke intervenes and stops the execution. Hence, the comedy element.
David van Wert as Angelo is suitably stern and self-righteous, and ominously evil when threatening Isabella. Daniela Melgar as Isabella keeps herself pure in intention and earnest in her emotions. There are other mostly bit parts that standout, with Evan Woltz playing a variety of clods in a very funny way, Molly Mahar as Angelo's sister (though that is typically a male role), Matt Lyman as a master, and Jeff Pierson as a sarcastic troublemaker, Lucio, who is the one guy who doesn't get off well in the end. The large role of Duke Vicentio, by John-Paul Wilson, is less stellar, with Wilson speaking the lines, but losing a fair amount of the meaning of them in the speaking.
Costumes by Allen Mann are modern, but well-suited, and Derek Van Heel creates a spare, clean set, but never before has Stone Soup looked as good, since the walls and floors are painted into the set and even some of the lights are covered for effect. Light designer Rob Bergquist doesn't have many lights to work with, but works them as well as anyone can work eight lights. It's a measured effort, in a challenging space. The story is clear, and you'll just have to forgive Shakespeare if it seems impossible for anyone to not recognize the duke as the priest, and if it seems impossible to love someone as vile as Angelo. The play was written a long time ago and it's not going to be changed now.
For more information, go to www.ghostlighttheatricals.org or call 800-838-8006 or go to www.brownpapertickets.com.
Comments on reviews go to sgncritic@gmail.com.
New!! LGBT & LGBT friendly
"What's Happening WA"
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text:
Goodbye My FriendsBy Daniela Cohen
Forums > AFRIBLOGs > Goodbye My FriendsBy Daniela Cohen
Goodbye My Friends
By Daniela Cohen
Published on Mon, Jun 08 2009 by Daniela Cohen
Last night marked the end of an era. It was a celebration of nine months of intensity: intense learning, intense partying, intense loving, and intense laughing. The AY students were finally graduating. The soft glow of the candles placed on the staircase led us slowly into the lecture hall, packed with smartly-dressed people.
Hors d'oeuvres were laid out on the tables: cheese & ham and egg mayonnaise sandwiches, samoosas, mini cheese pies, and more. Students and teachers were mingling in their evening wear, enjoying the opportunity to simply socialize at the end of their academic year.
Sitting with the other staff members a short while later, I took a good look at the students' faces. It was hard to believe that students who had been in my level four class—the first class I taught at the school—were now departing. They had developed so much since then on so many levels.
We had created awards in the vein of an Oscar ceremony: the Most Hardworking, Laziest, Best Laugh, Most Improved, and Most Talented.�Their faces shone as they came up to the podium and gave a short acceptance speech. It was a good feeling to recognize their accomplishments, and I was especially glad to publicly acknowledge my talented Krygz student for his invaluable technological expertise in producing our monthly school newspaper. The surprise of the night came when the Laziest appeared to receive his award!
Next were the awards students had invented for the staff. Enthusiastic cheers rang out as the Craziest Staff member was picked up and spun around by a Frenchman who could definitely be described as one of the crazier students. The Teacher of the Year smiled in a way that left no question as to how much of her heart was invested in her profession, expressing her gratitude to the students stating, "it takes two to tango." I felt my own gratitude being able to work with a team of colorful characters who manage to be professional but so much fun at the same time.
Three groups of students showed videos they made of their eight months in Cape Town. The music on the final video blended scenes seamlessly into each other.�The captions made me laugh and brought me close to tears. I saw in those videos just how much this experience had meant to these people, how it had changed their lives in so many ways, and how they would carry it with them always. And I felt them being added to the memories I already carry of all the special students I have taught over the years, an experience that can never be replaced.


The effort focuses on the water plants — which includes those operating in Los Angeles, Ontario, and Cabazon — as well as ice cream plants in Bakersfield and Tulare and a milk processing plant in Modesto.
• Work is underway in Modesto to transform Nestlé USA's milk factory into a "zero water" factory, meaning the plant will not use any groundwater at all for its operations. The project is expected save nearly 63 million gallons of water each year.
• Nestlé invested $2.5 million in its bottled water plants to recover and reuse much of the process water across its California operations, saving an estimated 28 million gallons per year since 2011.
• Nestlé food factories in the state have also reduced water usage by 70 million gallons per year through a variety of operational improvements, changes to irrigation practices, and implementation of more water-efficient cleaning processes.
• At Nestlé Purina's Maricopa litter facility, a water reduction project was installed in 2010, reducing the water withdrawal rate at the site by nearly 40 percent, or 8 million gallons per year.
Lazgin says Nestlé has plans to bring new technologies and practices to California that will save an additional 144 million gallons of water a year, including projected savings of 55 million gallons at its bottled water operations compared to 2014.
To put the situation in perspective, Californians use about 13 trillion gallons of water each year. Nestlé says it uses less than 1 billion gallons in all of its operations across the state, including five bottled water plants and four food plants, or about 0.008 percent of the state's total usage.
In a recent online Q&A document, Nestlé Corporate Affairs says: "Closing our operations or reducing the amount of water we withdraw won't fix the drought. If Nestlé were to shut down all of its plants in California the resulting annual savings would be less than 0.3 percent of the total the governor says the state needs residential and public users to save." The company also points out that it employs more than 7,000 people in the state.
Bottled water consumption continues to grow, with the International Bottled Water Association estimating a 7.4 percent increase in 2014 alone. By 2016, bottled water is predicted to be the No. 1 packaged beverage sold in the United States. "People want to make healthier choices, and bottled water is one of the few packaged beverages with no calories, sugar, or sweeteners," Lazgin says.
Nestlé's water conservation effort will focus on two areas: reduction of the amount of water used through the filtration process and by reducing the water used in maintaining the hygiene of the water processing plant. In some cases it may be a matter of buying a new piece of equipment, or it may mean the purchase of "a new washer or filter," Brown was quoted as saying.
One conservation method Nestlé uses involves the extraction of water from its dairy operations. The milk is processed in an evaporator, and the water vapor is condensed and cleaned for reuse.
Lazgin points out that the majority of the savings will come from recycling the water within the plants' systems. That water that is recaptured from the manufacturing is cleaned and reused within the process, but is not sold as bottled water. The water used for bottled water comes from multiple sources, including municipal tap water or from the Arrowhead spring site in Strawberry Canyon within the San Bernardino National Forest.
Water conservation is being gained incrementally through changes in technology and processes that result in relatively small savings that add up, Lazgin explains. The company has developed its own Water Target Setting methodology to review potential improvements, using a cross-functional team of internal and external experts who map all of the water streams and analyze them for the most appropriate technology.
While it does not involve water conservation, Nestlé adds that it is improving the sustainability of the bottles it uses for water. Bottled water already has one of the lightest environmental footprints of any packaged beverage, Lazgin says. Since 1994, Nestlé has reduced the PET plastic content of its .5L water bottles by 60 percent, saving more than 3 billion pounds of plastic since 2003. Nestlé has .5L packaging with 100 percent recycling plastic (rPET) for its Resource brand; 50 percent rPET for its Arrowhead brand in California and Deer Park in the Baltimore/Washington, D.C. area. Reducing bottle weight also reduces the company's greenhouse gas emissions.


text:
Q: jQuery Getting uploaded image's name

//Picture upload
$(function() {
  $(":file").change(function() {
    if (this.files && this.files[0]) {
      var reader = new FileReader();
      reader.onload = imageIsLoaded;
      reader.readAsDataURL(this.files[0]);
    }
  });
});

function imageIsLoaded(e) {
  $('#myImg').attr('src', e.target.result);
};
<form id="form_roomtype" class="form-horizontal" style="padding-top: 57px;" action="roomtype" method="POST" enctype="multipart/form-data">
  <input type="hidden" id="current_roomtype_id" name="current_roomtype_id" value="0">
  <input type="hidden" id="roomtype_id_to_remove" name="roomtype_id_to_remove" value="0">
  <input type="hidden" id="chk_tarif_applicable" name="chk_tarif_applicable" value="0">
  <input type="hidden" id="photo_name" name="photo_name">

    ROOM PICTURE

    <input type="file" name="file" id="file" />

    <img id="myImg" src="<%=request.getContextPath()%>/images/insert_images.png" alt="room image" height="175" width="285" onclick="file" />

Destination:
    <input type="text" value="C:\Project\Booking_Engine\Java\booking\src\main\webapp\data" name="destination" />

    <input type="submit" value="Upload" name="upload" id="upload" />

</form>

I need to take the id of the input (#file) and assign it to the hidden input with id (#photo_name) using the picture upload js on top.
I need to take the id of (<input type="file" name="file" id="file" />) and assign it to the id of (<input type="hidden" id="photo_name" name="photo_name">).
I already have the JS that I posted before... I need to use it to do the assigning of id.
I already have the id of the input file though the JS... (this.file[0]) already gives me the name of the uploaded files... now what I need is take this name and assign it to the id of the hidden input.

I need the value of photo_name in my java code below:
@Override
    protected void doPost(HttpServletRequest request, HttpServletResponse response)
            throws ServletException, IOException {
    String currentRoomTypeIdStr = request.getParameter("current_roomtype_id");
    Integer currentRoomTypeId = Integer.valueOf(currentRoomTypeIdStr);

    String photoName = request.getParameter("photo_name");

if (!Objects.equals(currentRoomTypeId, null) || !Objects.equals(roomtypeIdToRemove, null)) {
            try {
                mUserTransaction.begin();
            if (currentRoomTypeId == 0) { // Add mode
                ChambreTypeEntity typeChambreEntity = new ChambreTypeEntity();
                typeChambreEntity.setLibelle(inputTypeRoom);
                typeChambreEntity.setCode(inputCodeRoom);
                typeChambreEntity.setDescription(inputDescriptionRoom);
                typeChambreEntity.setNbMinPers(inputMinPerson);
                typeChambreEntity.setNbMaxPers(inputMaxPerson);
                typeChambreEntity.setNbEnfGratuit(inputChild);
                mEntityManager.persist(typeChambreEntity);

                ChambrePhotoEntity chambrePhotoEntity = new ChambrePhotoEntity();
                chambrePhotoEntity.setNomPhoto(photoName);
                chambrePhotoEntity.setTypeChambre(currentRoomTypeId);
                mEntityManager.persist(chambrePhotoEntity);

            }
            else { // Modification mode
                Query query = mEntityManager.createQuery("FROM ChambreTypeEntity WHERE id=:pId")
                        .setParameter("pId", currentRoomTypeId);
                List<ChambreTypeEntity> typeChambreEntityList = query.getResultList();
                if (!typeChambreEntityList.isEmpty()) {
                    ChambreTypeEntity typeChambreEntity = typeChambreEntityList.get(0);
                    typeChambreEntity.setLibelle(inputTypeRoom);
                    typeChambreEntity.setCode(inputCodeRoom);
                    typeChambreEntity.setDescription(inputDescriptionRoom);
                    typeChambreEntity.setNbMinPers(inputMinPerson);
                    typeChambreEntity.setNbMaxPers(inputMaxPerson);
                    typeChambreEntity.setNbEnfGratuit(inputChild);
                    mEntityManager.persist(typeChambreEntity);
                    mEntityManager.persist(chambreTypeTarifTypeEntity);

                    ChambrePhotoEntity chambrePhotoEntity = new ChambrePhotoEntity();
                    chambrePhotoEntity.setNomPhoto(photoName);
                    chambrePhotoEntity.setTypeChambre(currentRoomTypeId);
                    mEntityManager.persist(chambrePhotoEntity);

                }
            }
            mUserTransaction.commit();
        }

But right now the value of photo_name is "". I need it to be the value that i chose while doing the picture selection.

A: Is the following is what you're looking for?

//Picture upload
$(function() {
  // This is a better way of selecting the input field
  $("input[name^=file]").change(function() {
    if (this.files && this.files[0]) {
      var reader = new FileReader();
      reader.onload = imageIsLoaded;
      reader.readAsDataURL(this.files[0]);

      // This is what you should do
      $('#photo_name').val(this.files[0].name);
    }
  });
});

function imageIsLoaded(e) {
  $('#myImg').attr('src', e.target.result);
};

<form id="form_roomtype" class="form-horizontal" style="padding-top: 57px;" action="roomtype" method="POST" enctype="multipart/form-data">
  <input type="hidden" id="current_roomtype_id" name="current_roomtype_id" value="0">
  <input type="hidden" id="roomtype_id_to_remove" name="roomtype_id_to_remove" value="0">
  <input type="hidden" id="chk_tarif_applicable" name="chk_tarif_applicable" value="0">
  <input type="hidden" id="photo_name" name="photo_name">

    ROOM PICTURE

    <input type="file" name="file" id="file" />

    <img id="myImg" src="<%=request.getContextPath()%>/images/insert_images.png" alt="room image" height="175" width="285" onclick="file" />

Destination:
    <input type="text" value="C:\Project\Booking_Engine\Java\booking\src\main\webapp\data" name="destination" />

    <input type="submit" value="Upload" name="upload" id="upload" />

</form>

redpajama_set_name: RedPajamaStackExchange


text:
Brain MRIs Can Be Used to Detect Early Signs of Parkinson's Cognitive Impairment, Study Suggests
Brain magnetic resonance imaging (MRI) scans could be used to detect early and subtle markers of cognitive impairment in people with Parkinson's, which may help predict patients' prognoses and disease progression, a recent study suggests.
Such early detection also allows people with the neurodegenerative disease to start appropriate care strategies earlier, the researchers say.
The results of the study, "Texture features of magnetic resonance images: A marker of slight cognitive deficits in Parkinson's disease," were published in the journal Movement Disorders.
Cognitive impairment is a common non-motor symptom of Parkinson's disease and a cause of significant disability for patients and a burden for caregivers. The extent and progression of cognitive deficits vary, with about 20.3% to 60.5% of individuals experiencing mild cognitive impairments (MCI). In more severe cases, such impairment can result in dementia.
Those at-risk can benefit from early detection of cognitive alterations, which allows them to initiate appropriate care strategies such as cognitive stimulation therapy. Such therapy can result in a marked improvement in cognition and quality of life, according to researchers. However, standard neuropsychological assessments are time-consuming and not easy to do in routine clinical practice. Moreover, such evaluations can be influenced by medication, pain, anxiety, and other factors.
Therefore, additional markers of cognitive deficits are needed for Parkinson's patients, the researchers say. One potential option is the use of magnetic resonance imaging (MRI), an imaging exam that uses a powerful magnetic field, radio waves, and a computer to produce detailed pictures of the body's internal structures.
"Texture features" — a well-known method of MRI image processing used for medical purposes — could offer insights on subtle brain changes. These features could be used to detect the damage to brain cells, long before any symptoms of cognitive impairment develop.
Recognizing the potential of this method, a team of French researchers now tested whether such signals could be used as early markers of Parkinson's cognitive impairments — "potentially even before the atrophy [loss of brain volume, a usual sign of cognitive decline] becomes manifest," they said.
The team investigated if MRI texture analysis is sensitive enough to be an early marker of cognitive alterations, specifically of cognitive slowing, in Parkinson's patients.
They analyzed brain MRI scans of 102 people with Parkinson's from centers in Lille, France, and Maastricht, the Netherlands, who were involved in a previous study.
Based on tests of attention, memory, executive function, language, and visuospatial functions, three groups of patients were considered for the study. These groups were cognitively intact patients (PDCN); cognitively intact patients with slight cognitive slowing (PDCN-S); and patients with mild cognitive deficits, particularly in executive functioning (PD-EXE).
A group of 17 age‐matched healthy people (controls) was included for comparison. All participants were examined on a 3T whole-body scanner and T1‐weighted images were acquired.
Six regions of the brain previously reported to suffer from atrophy (volume loss) in Parkinson's patients with cognitive impairments were specifically chosen by the researchers for analysis. These regions were the thalamus, the hippocampus, the puramen, the pallidum, the caudate nucleus, and the amygdala.
The researchers found that values for two texture features — skewness and entropy — could distinguish individuals who had normal cognition from those with slight cognitive slowing, and from those with mild impairments. Skewness is a parameter that quantifies the asymmetry of the intensity of MRI signals. Entropy represents the degree of uncertainty of the texture intensity.
These texture features were at three specific regions in the brain: the hippocampus, the thalamus, and the amygdala.
The values for these features gradually decreased in those patients with worse cognitive function, suggesting it is possible to detect early cognition deficits in people with Parkinson's using MRIs. The researchers noted that the best performances regarding sensitivity and specificity were obtained by measuring skewness in the hippocampus. In fact, skewness in the hippocampus was a significant marker of slight cognitive slowing.
"Our results suggest that hippocampal neurons could be affected very early in PD patients, even before atrophy can be detected with commonly used methods, and this could cause a general slowing of information processing," the researchers said.
"These results support the assumption that signal alterations associated with Parkinson's disease–related cognitive decline can be captured very early by texture analysis," they added.
The researchers believe that brain MRI imaging could be combined with other methods, such as cognitive assessments and electroencephalograms. That would allow scientists to build a combined model "not only for the profiling but also for the prognosis and the prediction of evolution" of cognitive impairment, they said.
Tagged brain atrophy, brain MRI, cognitive impairment, early marker, mild cognitive impairment (MCI), MRI scan, texture features.
Previous: I'm Learning that Life Doesn't Always Need to Be Lived 'My Way'
Next:No Link Between Drinking Alcohol and Increased Parkinson's Risk in Women, Large UK Study Finds


Discussion in 'Just Commodores Video Channel' started by Jecs, Jan 18, 2013.
I thought we should make better use from this section.
Pretty straight forward, all YOUTUBE videos auto related go here.
3. Moderators reserve the right to remove any post they feel is unsuitable without notice.
501.2RWHP E85 L67 VS S Pack 6 Speed.


Cougar Rock Campground, on the southwest side of the park, is convenient to the Paradise area. Paradise is the most popular destination in the park, with a lodge and visitor center, many miles of hiking trails, and a commanding view of the mountain.
Located fourteen miles east of Ashford on State Route 706/ Paradise Road.


text:
/**
 * Module dependencies.
 */

var EventEmitter = require('events').EventEmitter
    , events = require('./events')
    , redis = require('../redis')
    , reds = require('reds')
    , noop = function () {
    };

/**
 * Expose `Job`.
 */

exports = module.exports = Job;

exports.disableSearch = false;

/**
 * Search instance.
 */
var search;
function getSearch() {
    if (search) return search;
    reds.createClient = require('../redis').createClient;
    return search = reds.createSearch('q:search');
}

/**
 * Default job priority map.
 */

var priorities = exports.priorities = {
    low: 10, normal: 0, medium: -5, high: -10, critical: -15
};

/**
 * Map `jobs` by the given array of `ids`.
 *
 * @param {Object} jobs
 * @param {Array} ids
 * @return {Array}
 * @api private
 */

function map(jobs, ids) {
    var ret = [];
    ids.forEach(function (id) {
        if (jobs[id]) ret.push(jobs[id]);
    });
    ret = ret.sort(function (a, b) {
        return parseInt(a.id) - parseInt(b.id);
    });
    return ret;
}

/**
 * Return a function that handles fetching
 * of jobs by the ids fetched.
 *
 * @param {Function} fn
 * @param {String} order
 * @return {Function}
 * @api private
 */

function get(fn, order) {
    return function (err, ids) {
        if (err) return fn(err);
        var pending = ids.length
            , jobs = {};
        if (!pending) return fn(null, ids);
        ids.forEach(function (id) {
            exports.get(id, function (err, job) {
                if (err)
                /*fn*/console.log(err);
                else
                    jobs[job.id] = job;
                --pending || fn(null, 'desc' == order
                    ? map(jobs, ids).reverse()
                    : map(jobs, ids));
            });
        });
    }
}

/**
 * Get with the range `from`..`to`
 * and invoke callback `fn(err, ids)`.
 *
 * @param {Number} from
 * @param {Number} to
 * @param {String} order
 * @param {Function} fn
 * @api public
 */

exports.range = function (from, to, order, fn) {
  redis.client().zrange('q:jobs', from, to, get(fn, order));
};

/**
 * Get jobs of `state`, with the range `from`..`to`
 * and invoke callback `fn(err, ids)`.
 *
 * @param {String} state
 * @param {Number} from
 * @param {Number} to
 * @param {String} order
 * @param {Function} fn
 * @api public
 */

exports.rangeByState = function (state, from, to, order, fn) {
  redis.client().zrange('q:jobs:' + state, from, to, get(fn, order));
};

/**
 * Get jobs of `type` and `state`, with the range `from`..`to`
 * and invoke callback `fn(err, ids)`.
 *
 * @param {String} type
 * @param {String} state
 * @param {Number} from
 * @param {Number} to
 * @param {String} order
 * @param {Function} fn
 * @api public
 */

exports.rangeByType = function (type, state, from, to, order, fn) {
  redis.client().zrange('q:jobs:' + type + ':' + state, from, to, get(fn, order));
};

/**
 * Get job with `id` and callback `fn(err, job)`.
 *
 * @param {Number} id
 * @param {Function} fn
 * @api public
 */

exports.get = function (id, fn) {
  var client = redis.client()
        , job = new Job;

    job.id = id;
    client.hgetall('q:job:' + job.id, function (err, hash) {
        if (err) return fn(err);
        if (!hash) { exports.removeBadJob(job.id); return fn(new Error('job "' + job.id + '" doesnt exist')); }
        if (!hash.type) { exports.removeBadJob(job.id,hash); return fn(new Error('job "' + job.id + '" is invalid')) }
        // TODO: really lame, change some methods so
        // we can just merge these
        job.type = hash.type;
        job._delay = hash.delay;
        job.priority(Number(hash.priority));
        job._progress = hash.progress;
        job._attempts = hash.attempts;
        job._max_attempts = hash.max_attempts;
        job._state = hash.state;
        job._error = hash.error;
        job.created_at = hash.created_at;
        job.updated_at = hash.updated_at;
        job.failed_at = hash.failed_at;
        job.duration = hash.duration;
        try {
            if (hash.data) job.data = JSON.parse(hash.data);
        } catch (e) {
            err = e;
        }
        fn(err, job);
    });
};

exports.removeBadJob = function (id, hash) {
    var client = redis.client();
    if( hash && hash.state ) {
        client.zrem('q:jobs:' + hash.state, id);
    }
    client.multi()
        .del('q:job:' + id + ':log')
        .del('q:job:' + id)
        .zrem('q:jobs', id)
    .exec();
    if( !exports.disableSearch ){
        getSearch().remove(id);
    }
};

/**
 * Remove job `id` if it exists and invoke callback `fn(err)`.
 *
 * @param {Number} id
 * @param {Function} fn
 * @api public
 */

exports.remove = function (id, fn) {
    fn = fn || noop;
    exports.get(id, function (err, job) {
        if (err) return fn(err);
        if (!job) return fn(new Error('failed to find job ' + id));
        job.remove(fn);
    });
};

/**
 * Get log for job `id` and callback `fn(err, log)`.
 *
 * @param {Number} id
 * @param {Function} fn
 * @return {Type}
 * @api public
 */

exports.log = function (id, fn) {
    /*redis*/Job.client/*()*/.lrange('q:job:' + id + ':log', 0, -1, fn);
};

/**
 * Initialize a new `Job` with the given `type` and `data`.
 *
 * @param {String} type
 * @param {Object} data
 * @api public
 */

function Job(type, data) {
    this.type = type;
    this.data = data || {};
    this._max_attempts = 1;
//  this.client = redis.client();
    this.client = Job.client/* || (Job.client = redis.client())*/;
    this.priority('normal');
    this.on("error", function(err){});// prevent uncaught exceptions on failed job errors
}

/**
 * Inherit from `EventEmitter.prototype`.
 */

Job.prototype.__proto__ = EventEmitter.prototype;

/**
 * Return JSON-friendly object.
 *
 * @return {Object}
 * @api public
 */

Job.prototype.toJSON = function () {
    return {
          id: this.id
        , type: this.type
        , data: this.data
        , priority: this._priority
        , progress: this._progress || 0
        , state: this._state
        , error: this._error
        , created_at: this.created_at
        , updated_at: this.updated_at
        , failed_at: this.failed_at
        , duration: this.duration
        , delay: this._delay
        , attempts: {
            made: Number(this._attempts) || 0
          , remaining: this._attempts ? this._max_attempts - this._attempts : Number(this._max_attempts)||1
          , max: Number( this._max_attempts ) || 1
        }
    };
};

/**
 * Log `str` with sprintf-style variable args.
 *
 * Examples:
 *
 *    job.log('preparing attachments');
 *    job.log('sending email to %s at %s', user.name, user.email);
 *
 * Specifiers:
 *
 *   - %s : string
 *   - %d : integer
 *
 * @param {String} str
 * @param {Mixed} ...
 * @return {Job} for chaining
 * @api public
 */

Job.prototype.log = function (str) {
    var args = arguments
        , i = 1;

    str = str.replace(/%([sd])/g, function (_, type) {
        var arg = args[i++];
        switch (type) {
            case 'd':
                return arg | 0;
            case 's':
                return arg;
        }
    });

    this.client.rpush('q:job:' + this.id + ':log', str);
    this.set('updated_at', Date.now());
    return this;
};

/**
 * Set job `key` to `val`.
 *
 * @param {String} key
 * @param {String} val
 * @param {String} fn
 * @return {Job} for chaining
 * @api public
 */

Job.prototype.set = function (key, val, fn) {
    this.client.hset('q:job:' + this.id, key, val, fn || noop);
    return this;
};

/**
 * Get job `key`
 *
 * @param {String} key
 * @param {String} fn
 * @return {Job} for chaining
 * @api public
 */

Job.prototype.get = function (key, fn) {
    this.client.hget('q:job:' + this.id, key, fn || noop);
    return this;
};

/**
 * Set the job progress by telling the job
 * how `complete` it is relative to `total`.
 *
 * @param {Number} complete
 * @param {Number} total
 * @return {Job} for chaining
 * @api public
 */

Job.prototype.progress = function (complete, total) {
    if (0 == arguments.length) return this._progress;
    var n = Math.min(100, complete / total * 100 | 0);
    this.set('progress', n);
    this.set('updated_at', Date.now());
    events.emit(this.id, 'progress', n);
    return this;
};

/**
 * Set the job delay in `ms`.
 *
 * @param {Number} ms
 * @return {Job|Number}
 * @api public
 */

Job.prototype.delay = function (ms) {
    if (0 == arguments.length) return this._delay;
    this._delay = ms;
    this._state = 'delayed';
    return this;
};

/**
 * Set or get the priority `level`, which is one
 * of "low", "normal", "medium", and "high", or
 * a number in the range of -10..10.
 *
 * @param {String|Number} level
 * @return {Job|Number} for chaining
 * @api public
 */

Job.prototype.priority = function (level) {
    if (0 == arguments.length) return this._priority;
    this._priority = null == priorities[level]
        ? level
        : priorities[level];
    return this;
};

/**
 * Increment attempts, invoking callback `fn(remaining, attempts, max)`.
 *
 * @param {Function} fn
 * @return {Job} for chaining
 * @api public
 */

Job.prototype.attempt = function (fn) {
    var self = this
        , client = this.client
        , id = this.id
        , key = 'q:job:' + id;

    //TODO this now can be removed, since max_attempts is set in the constructor
    client.hsetnx(key, 'max_attempts', 1, function () {
        client.hget(key, 'max_attempts', function (err, max) {
            client.hincrby(key, 'attempts', 1, function (err, attempts) {
                fn(err, Math.max(0, max - attempts), attempts, max);
            });
        });
    });

    return this;
};

/**
 * Set max attempts to `n`.
 *
 * @param {Number} n
 * @return {Job} for chaining
 * @api public
 */

Job.prototype.attempts = function (n) {
    this._max_attempts = n;
    return this;
};

/**
 * Remove the job and callback `fn(err)`.
 *
 * @param {Function} fn
 * @return {Job} for chaining
 * @api public
 */

Job.prototype.remove = function (fn) {
    var client = this.client;
    this.removeState(function (err) {
        client.multi()
            .del('q:job:' + this.id + ':log')
            .del('q:job:' + this.id)
            .zrem('q:jobs', this.id)
        .exec( function( err ){
//            events.remove(this);
            if( !exports.disableSearch ){
                getSearch().remove(this.id, fn);
            } else {
                fn && fn(err);
            }
        }.bind(this));
    }.bind(this));
    return this;
};

/**
 * Remove state and callback `fn(err)`.
 *
 * @param {Function} fn
 * @return {Job} for chaining
 * @api public
 */

Job.prototype.removeState = function (fn) {
    var client = this.client
        , state = this._state;
    if( state && state != '' ) {
        client.multi()
            .zrem('q:jobs:' + state, this.id)
            .zrem('q:jobs:' + this.type + ':' + state, this.id)
        .exec( fn );
    } else {
        fn && fn();
    }
    return this;
};

/**
 * Set state to `state`.
 *
 * @param {String} state
 * @param fn
 * @return {Job} for chaining
 * @api public
 */

Job.prototype.state = function (state, fn) {
    var client = this.client
        , fn = fn || noop;
    if( this._state && this._state != state ) {
        this.removeState();
    }
    this._state = state;
    this.set('state', state, function(){
        var multi = client.multi()
            .zadd('q:jobs:' + state, this._priority, this.id)
            .zadd('q:jobs:' + this.type + ':' + state, this._priority, this.id);
        //  increase available jobs, used by Worker#getJob()
        ('inactive' == state) ? multi.lpush('q:' + this.type + ':jobs', 1) : '';
        multi.exec(function (err, replies) {
            this.set('updated_at', Date.now());
            fn( err );
        }.bind(this));
    }.bind(this));
//        }.bind(this));
//    }.bind(this));
    return this;
};

/**
 * Set the job's failure `err`.
 *
 * @param {Error} err
 * @return {Job} for chaining
 * @api public
 */

Job.prototype.error = function (err) {
    var str, summary;
    if (0 == arguments.length) return this._error;

    if ('string' == typeof err) {
        str = err;
        summary = '';
    } else {
        str = err.stack || err.message;
        summary = str ? str.split('\n')[0] : '';
    }
    this.set('failed_at', Date.now());
    this.set('error', str);
    this.log('%s', summary);
    events.emit(this.id, 'error', str);
    return this;
};

/**
 * Set state to "complete", and progress to 100%.
 */

Job.prototype.complete = function (clbk) {
    return this.set('progress', 100).state('complete', clbk);
};

/**
 * Set state to "failed".
 */

Job.prototype.failed = function (clbk) {
    return this.state('failed', clbk);
};

/**
 * Set state to "inactive".
 */

Job.prototype.inactive = function (clbk) {
    return this.state('inactive', clbk);
};

/**
 * Set state to "active".
 */

Job.prototype.active = function (clbk) {
    return this.state('active', clbk);
};

/**
 * Set state to "delayed".
 */

Job.prototype.delayed = function (clbk) {
    return this.state('delayed', clbk);
};

/**
 * Save the job, optionally invoking the callback `fn(err)`.
 *
 * @param {Function} fn
 * @return {Job} for chaining
 * @api public
 */

Job.prototype.save = function (fn) {
    var client = this.client
        , fn = fn || noop
        , max = this._max_attempts
        , self = this;

    // update
    if (this.id) return this.update(fn);

    // incr id
    client.incr('q:ids', function (err, id) {
        if (err) return fn(err);
        // add the job for event mapping
        var key = 'q:job:' + id;
        self.id = id;
        self.subscribe(function () {
            self._state = self._state || 'inactive';
            if (max) client.hset(key, 'max_attempts', max);
            client.sadd('q:job:types', self.type);
            self.set('type', self.type);
            self.set('created_at', Date.now());
            self.update(fn);
        }.bind(this));
    }.bind(this));
    return this;
};

/**
 * Update the job and callback `fn(err)`.
 *
 * @param {Function} fn
 * @api public
 */

Job.prototype.update = function (fn) {
    var json;

    // serialize json data
    try {
        json = JSON.stringify(this.data);
    } catch (err) {
        return fn(err);
    }

    // delay
    if (this._delay) this.set('delay', this._delay);

    // updated timestamp
    this.set('updated_at', Date.now());

    // priority
    this.set('priority', this._priority);

    this.client.zadd('q:jobs', this._priority, this.id);

    // data
    this.set('data', json, function () {
        // state
        this.state(this._state, fn);
    }.bind(this));

    if( !exports.disableSearch ) {
      getSearch().index(json, this.id);
    }
};

/**
 * Subscribe this job for event mapping.
 *
 * @return {Job} for chaining
 * @api public
 */

Job.prototype.subscribe = function (callback) {
    events.add(this, callback);
    return this;
};

redpajama_set_name: RedPajamaGithub


Home / Google Recaptcha / Google Recaptcha I am not a Robot / How to use the "I'm not a Robot"? / Google Captcha or Recaptcha, How to use the "I'm not a Robot"?
Google Captcha or Recaptcha, How to use the "I'm not a Robot"?
Step 1 : In the first step, we need to prepare API key for your site/domain where you want to implement Google recaptcha "I'm not aRobot".
Go to link (https://www.google.com/recaptcha/admin)for create API key and see below instruction. i.e.
Step 2 : In the second step, get site key and secret key for display Google recaptcha. i.e.
Step 3 : Please use the api.js and data-sitekey for recaptcha. i.e.
Step 4 : The example in detail about Google Recaptcha, How to use the "I'm not a Robot"? as given below.


text:
Trithemis furva é uma espécie de libelinha da família Libellulidae.

Pode ser encontrada nos seguintes países: Angola, Camarões, Chade, Costa do Marfim, Guiné Equatorial, Etiópia, Guiné, Quénia, Libéria, Madagáscar, Malawi, Moçambique, Namíbia, Nigéria, Serra Leoa, Somália, África do Sul, Sudão, Tanzânia, Uganda, Zâmbia, Zimbabwe e possivelmente em Burundi.

Os seus habitats naturais são: florestas subtropicais ou tropicais húmidas de baixa altitude, savanas áridas, savanas húmidas, matagal árido tropical ou subtropical, matagal húmido tropical ou subtropical, rios, marismas de água doce e marismas intermitentes de água doce.

Libellulidae
Espécies descritas em 1899

redpajama_set_name: RedPajamaWikipedia


text:
PPT #3: The Contributions of Political Science, Psychology, and
Διαφάνεια 1
... Ethics of science Definition: Ethics of science is a new form of normative ethics that attempts to establish/ introduce into the scientific area certain principles, cognitive as well as ethical, with which scientists are enabled to confront ethical dilemmas and moral problems that may emerge before ...
The history of science is the study of the development of science and scientific knowledge, including both the natural sciences and social sciences. (The history of the arts and humanities is termed as the history of scholarship.) Science is a body of empirical, theoretical, and practical knowledge about the natural world, produced by scientists who emphasize the observation, explanation, and prediction of real world phenomena. Historiography of science, in contrast, often draws on the historical methods of both intellectual history and social history.The English word scientist is relatively recent—first coined by William Whewell in the 19th century. Previously, people investigating nature called themselves natural philosophers. While empirical investigations of the natural world have been described since classical antiquity (for example, by Thales, Aristotle, and others), and scientific methods have been employed since the Middle Ages (for example, by Ibn al-Haytham, and Roger Bacon), the dawn of modern science is often traced back to the early modern period and in particular to the scientific revolution that took place in 16th- and 17th-century Europe. Scientific methods are considered to be so fundamental to modern science that some consider earlier inquiries into nature to be pre-scientific. Traditionally, historians of science have defined science sufficiently broadly to include those inquiries.From the 18th century through late 20th century, the history of science, especially of the physical and biological sciences, was often presented in a progressive narrative in which true theories replaced false beliefs. More recent historical interpretations, such as those of Thomas Kuhn, tend to portray the history of science in different terms, such as that of competing paradigms or conceptual systems in a wider matrix that includes intellectual, cultural, economic and political themes outside of science.


text:
Why CDC Recommends Influenza Antiviral Drugs | CDC Online Newsroom | CDC
Why CDC Recommends Influenza Antiviral Drugs
The 2014-2015 flu season has been a difficult one for a number of reasons, including circulation of H3N2 viruses which are typically associated with more severe flu seasons, and reduced vaccine effectiveness because circulating H3N2 viruses are different or have "drifted" from the H3N2 virus used to make vaccine. A number of media and online outlets have inquired about the public health rationale behind CDC's influenza antiviral recommendations. This statement provides background information and explains the rationale for CDC's influenza antiviral recommendations.
3D graphical representation of a generic influenza virus.
Getting a flu vaccine is the best way to prevent influenza illness and protect against its potentially deadly consequences. When a person is sick with flu, however, antiviral flu drugs are a treatment option. They work best when taken within 48 hours of becoming sick.
Two of the currently recommended flu antiviral drugs were first approved by the Food and Drug Administration (FDA) in 1999 to treat acute, uncomplicated influenza. The drugs work by binding to part of the flu virus -- the neuraminidase protein -- to stop replication of influenza viruses in the body[i]. Randomized control trial (RCT) data submitted to FDA by manufacturers showed these drugs reduced duration of illness and made symptoms milder[ii],[iii],[iv],[v],[vi]. No RCT data was submitted that looked at prevention of serious flu outcomes.
Since 1999 a large and growing body of observational data, including in hospitalized patients, shows there are benefits to using antiviral drugs beyond the treatment of uncomplicated illness. In medical practice, these drugs have been documented to reduce serious flu complications. In 2008, CDC began recommending these drugs for early treatment of severely ill and high risk patients based on that data. During and after the 2009 H1N1 pandemic, clinical studies in medical practices continued to show that people very ill with flu who got antiviral drugs fared better than those who did not; sometimes these drugs were associated with preventing severe illness and death [vii],[viii],[ix],[x],[xi],[xii],[xiii],[xiv],[xv],[xvi],[xvii]. For that reason, CDC continues to recommend that the neuraminidase inhibitor influenza antiviral drugs be used for early treatment of people who are very sick with influenza or of people who are sick who are at high risk of serious influenza-associated complications. Most previously healthy people will recover from flu without treatment.
CDC's responsibility is to make public health recommendations using all available data. Its sister agency, FDA, evaluates new drugs for safety and efficacy—a very different and important role. The two agencies consider different data in carrying out their roles.
CDC's recommendations for using influenza antiviral medications aim to protect the people who are most vulnerable to serious complications from flu. The recommendations for antiviral drugs are based on data from randomized clinical trials as well as from observational studies of patients receiving treatment in medical practice.
CDC recognizes that currently recommended influenza antiviral drugs have limitations; however, these drugs are the only influenza-specific therapy approved by FDA with activity against circulating influenza viruses.
Severity indicators for the 2014-2015 season are among the highest seen in the past decade, including the highest hospitalization rate for people 65 and older in the 10 years since this type of record-keeping began.
Antiviral Drugs: Information for Health Care Professionals
[i] Palese P, Compans RW. Inhibition of influenza virus replication in tissue culture by 2-deoxy-2,3-dehydro-N-trifluoroacetylneuraminic acid (FANA): mechanism of action. J Gen Virol. 1976 Oct;33(1):159-63.
[ii] Hayden FG, Osterhaus AD, Treanor JJ, et al. Efficacy and safety of the neuraminidase inhibitor zanamivir in the treatment of influenzavirus infections. GG167 Influenza Study Group. N Engl J Med 1997;337:874--80.
[iii] Monto AS, Fleming DM, Henry D, et al. Efficacy and safety of the neuraminidase inhibitor zanamivir in the treatment of influenza A and B virus infections. J Infect Dis 1999;180:254--61.
[iv] Nicholson KG, Aoki FY, Osterhaus AD, et al. Efficacy and safety of oseltamivir in treatment of acute influenza: a randomised controlled trial. Neuraminidase Inhibitor Flu Treatment Investigator Group. Lancet 2000;355:1845--50.
[v] Treanor JJ, Hayden FG, Vrooman PS, et al. Efficacy and safety of the oral neuraminidase inhibitor oseltamivir in treating acute influenza: a randomized controlled trial. US Oral Neuraminidase Study Group. JAMA 2000;283:1016--24.
[vi] Whitley RJ, Hayden FG, Reisinger KS, et al. Oral oseltamivir treatment of influenza in children. Pediatr Infect Dis J 2001;20:127--33.
[vii] McGeer A, Green KA, Plevneshi A, et al. Antiviral therapy and outcomes of influenza requiring hospitalization in Ontario, Canada. Clin Infect Dis 2007 Dec 15;45(12):1568-75.
[viii] Lee N, Chan PK, Choi KW, et al. Factors associated with early hospital discharge of adult influenza patients. Antivir Ther 2007;12(4):501-8.
[ix] Lee N, Cockram CS, Chan PK, Hui DS, Choi KW, Sung JJ. Antiviral treatment for patients hospitalized with severe influenza infection may affect clinical outcomes. Clin Infect Dis 2008 Apr 15;46(8):1323-4.
[x] Coffin SE, Leckerman K, Keren R, Hall M, Localio R, Zaoutis TE. Oseltamivir shortens hospital stays of critically ill children hospitalized with seasonal influenza: a retrospective cohort study. Pediatr Infect Dis J 2011 Nov;30(11):962-6.
[xi] Nelson Lee Paul K. S. Chan David S. C. Hui et al. Viral Loads and Duration of Viral Shedding in Adult Patients Hospitalized with Influenza The Journal of Infectious Disease (2009) 200 (4): 492-500
[xii] Hiba V, Chowers M, Levi-Vinograd I, Rubinovitch B, Leibovici L, Paul M. Benefit of early treatment with oseltamivir in hospitalized patients with documented 2009 influenza A (H1N1): retrospective cohort study. J Antimicrob Chemother. 2011 May;66(5):1150-5.
[xiii] Louie JK, Yang S, Acosta M, Yen C, Samuel MC, Schechter R, Guevara H, Uyeki TM. Treatment with neuraminidase inhibitors for critically ill patients with influenza A (H1N1)pdm09. Clin Infect Dis. 2012 Nov;55(9):1198-204
[xiv] Muthuri SG, Venkatesan S, Myles PR, et al Effectiveness of neuraminidase inhibitors in reducing mortality in patients admitted to hospital with influenza A H1N1pdm09 virus infection: a meta-analysis of individual participant data. Lancet Respir Med. 2014 May;2(5):395-404.
[xv] Hernán MA, Lipsitch M. Oseltamivir and risk of lower respiratory tract complications in patients with flu symptoms: a meta-analysis of eleven randomized clinical trials. Clin Infect Dis. 2011 Aug 1;53(3):277-9.
[xvi] Lipsitch M, Hernán MA. Oseltamivir effect on antibiotic-treated lower respiratory tract complications in virologically positive randomized trial participants. Clin Infect Dis. 2013 Nov;57(9):1368-9
[xvii] Dobson J, Whitley RJ, Pocock S, Monto AS. Oseltamivir treatment for influenza in adults: a meta-analysis of randomised controlled trials. Lancet. 2015 Jan 30. pii: S0140-6736(14)62449-1.


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text:
package ru.freefry.furniture_factory.core

import akka.actor.Props
import akka.testkit.TestActorRef
import ru.freefry.furniture_factory.core.TestMasters.TestAssemblyMaster
import ru.freefry.furniture_factory.util.SequenceGenerator.{uidD, uidS}
import ru.freefry.furniture_factory.util.{Numbers, Repeat}

class TabletopMasterImplSpec extends ActorSpec with TabletopMasterImpl
  with TestAssemblyMaster {

  import AssemblyMaster._
  import Numbers._
  import Repeat._
  import TabletopMaster._

  val actor = TestActorRef[TabletopMasterActor](Props(new TabletopMasterActor())).underlyingActor

  "TabletopMasterImpl" when {
    "created" should {
      "have correct price" in {
        actor.tabletopPrice should be(10.0)
      }
    }
  }

  "TabletopActor" when {

    "produce() TabletopOrder" should {
      "produce 10 tabletops with the same price" in {
        val price = actor.tabletopPrice

        10 times {
          val order = tabletopOrder
          actor.produce(order) should be(Tabletop(order, price))
        }
      }

      "increase price after producing each 10 tabletops" in {
        val price = actor.tabletopPrice

        // skip 10 orders
        10 times { actor.produce(tabletopOrder) }

        actor.tabletopPrice should be(price + price * 0.05)

        val increasedPrice = actor.tabletopPrice
        val order = tabletopOrder
        actor.produce(order) should be(Tabletop(order, increasedPrice))
      }
    }

    "onProduced()" should {
      "schedule assembling unit" in {
        val unit = TestProducedUnit(tabletopOrder, uidD())
        actor.onProduced(unit)
        assemblyMasterProbe.expectMsg(unit)
      }
    }
  }

  private def tabletopOrder = TabletopOrder(uidS())

}


text:
Milgram, Stanley
Stanley Milgram was born in New York City on August 15, 1933. After earning an A.B. degree at Queens College (1954) and a Ph.D. at Harvard University (1960), Milgram served as an assistant professor of psychology at Yale University, where he conducted his well-known experiments on obedience to authority. His later research while teaching at Harvard (1963-1967) and at the City University of New York (1967-1984), in addition to obedience, included studies of human communication, television violence, urban psychology, mental maps, and photography. Milgram died in New York City on December 20, 1984.
Stanley Milgram was born in New York City, on August 15, 1933. He attended James Monroe High School in the Bronx, graduating in 1950. After receiving an A.B. degree from Queens College in 1954, he entered Harvard University's Department of Social Relations as a Ford Foundation fellow in the behavioral sciences.
At Harvard, Milgram studied with Gordon W. Allport and Solomon E. Asch. Milgram served as Asch's teaching assistant at Harvard and later worked as his research assistant at the Institute for Advanced Study in Princeton, New Jersey. From 1957 to 1959 Milgram conducted field research leading to his 1960 Ph.D. dissertation "Conformity in Norway and France." Milgram continued to examine conformity and the effects of group pressure in later experiments at Yale University.
From 1960 to 1963 Milgram was an assistant professor of psychology at Yale. During this time he conducted his innovative and controversial experiments on obedience to authority. Milgram's experiment was designed to examine how far one individual will go in hurting another at the behest of a recognized authority figure. Employing more than twenty variations of the experimental situation, Milgram examined the relation of gender, setting, education, and other factors on an individual's willingness to comply with the experimenter's orders to give electric shocks to another person. The experiments also provoked controversy relating to the ethics of experimenting on human subjects. Milgram's findings appeared in numerous articles. He later described his work in the book Obedience to Authority: an Experimental View (1974).
From 1963 through 1967 Milgram taught psychology at Harvard University and served as the executive director of the Comparative International Program in the Department of Social Research. During this period he investigated communications systems. Using his lost letter technique Milgram developed a method for gauging community attitudes toward political groups and other institutions. By deliberately losing stamped envelopes addressed to various organizations and individuals and comparing the proportions of letters found and mailed to each target, Milgram was able to gauge the prevailing attitude toward the various organizations. In his small world research, Milgram sought a method to determine how many intermediate acquaintance links are needed to connect any two people in the world.
Milgram accepted a professorship in psychology at the Graduate Center of the City University of New York in 1967, on whose faculty he would remain until the end of his life. He received a Guggenheim fellowship to study in Paris during the academic year 1972-1973. In 1980 he was made Distinguished Professor of Psychology.
Early in his tenure at CUNY, Milgram designed an experiment to examine the influence of violence in television programming on individual behavior. Milgram was able to get CBS to produce a particular episode of its dramatic series Medical Center with three different endings and he used these three versions in a series of field experiments in which resulting anti-social acts could be observed.
At CUNY Milgram also expanded his interest in the field of urban psychology, studying such concepts as groups and crowds, overload, social intrusion, the familiar stranger, and cognitive maps. In the latter study Milgram analyzed and compared the ability of New Yorkers and Parisians to identify photographs of various locations throughout their cities and to represent their city on a hand-drawn map. While at CUNY Milgram also studied the sociological and psychological effects of the camera and photography as a human activity.
At the very end of his life, Milgram was engaged in a set of experiments in which subjects interviewed an individual who appeared to be conversing normally but who in fact was delivering the responses and comments of a third person. The third person would communicate to him through a tiny radio receiver in the ear. Milgram called this technique "cyranic speech."
In addition to his books and numerous papers, Milgram was an accomplished documentary filmmaker. His films included Obedience, Invitation to Social Psychology, Independence and Conformity, Nonverbal Communication, and Human Aggression . He won a silver medal at the International Film and Television Festival in 1972 for his work on The City and the Self . His films were distributed widely for use in teaching about social psychology.
Milgram was a fellow of the American Association for the Advancement of Science, the American Psychological Association, and the American Academy of Arts and Sciences. He died on December 20, 1984.
From the guide to the Stanley Milgram papers, 1927-1993, (Manuscripts and Archives)
creatorOf Stanley Milgram papers, 1927-1993 Yale University. Department of Manuscripts and Archives
referencedIn Antioch Review mss., 1940-2007 Lilly Library (Indiana University, Bloomington)
associatedWith Antioch review. corporateBody
Permalink: http://n2t.net/ark:/99166/w6mb30nh
Ark ID: w6mb30nh


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Thanks, I have been wondering how it is done. I have noticed that if I mistype one character when logging in, my router takes much longer to reject the password. Is that only true of some consumer routers?


I love warm muffins any time of year, but there's something wonderful about warm muffins on a snowy morning. We made these the other day and ate them while watching the snow fall outside. Bliss.
These muffins are loaded with goodies: shredded carrot, coconut, apples and chopped dates (which I didn't have, so I just used raisins. The raisins work, but the dates are better).
1. Combine the first 3 ingredients and mix well.
2. Add the carrot, apples, coconut, dates and walnuts and stir to combine.
3. Mix the remaining ingredients, then add to the wet mixture.
4. Fill muffin cups 3/4 full; bake at 350 for 35 to 40 minutes.
Enjoy with some fresh fruit. We ate ours with some seasonal grapefruit and the whole house just smelled of December to me--cinnamon and citrus!
those sound super healthy and really yummy! I think that we might try these soon! Thanks for sharing.