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Luther Hughes' You Smell Like Outside: Coloring Outside the Lines
By Luther Hughes | September 23, 2019
"You Smell Like Outside" is Luther Hughes' wonderful column for Frontier where he seeks to answer the question every month: can poetry help us with our real, day-to-day life? For September, Luther turns toward craft, with an insightful and interrogative eye on ekphrasis.
Coloring Outside the Lines
I always consider myself a young babe in poetry because of how I came to it—late—or more so, how late I became serious about studying it, which wasn't until I was twenty-three. Even more so, I didn't study, or wasn't interested in studying pre-contemporary poetry; I was interested in studying living and breathing poets. One of which was Rickey Laurentiis, a poet I truly admire and have situated my poems after for years. (Shout out to Francis for recommending Rickey to me all those years ago.)
In Laurentiis's book, Boy with Thorn (University of Pittsburgh Press), winner of the 2014 Cave Canem Poetry Prize, I came across what I considered (and still pretty much consider) the most mind-blowing type of poetry—the ekphrastic: poems about art. I was deeply intrigued—no, I was shaken by the way Laurentiis was able to do more than describe the work of art, but push the art into new psychological and emotional worlds; the poems were breathing without the art. In the poem, "Vanitas with Negro Boy," inspired by David Bailly's painting with the same name, Laurentiis constantly interrupts the image of the black boy, inserting thoughts or questions, which, in tandem interrupts canonized art, power, and the white gaze, and illustrates taking back one's own power:
It's true: his face, his boyhood even
(And what is my boyhood, and where is it from?)
would fade if not for the rope of attention
yanked glittering across that face. Look.
This is my painting, my version of that Dutch
stilleven.
This is how I learned how to write ekphrastic poetry, and this is how I see ekphrastic poems working at its highest quality.
But before I get into that, I suppose some background is needed, yes? Ekphrasis breaks down into:
ek: out
phrasis: tell
The Oxford Dictionary describes it as, from the 17th century, "an exploration or description of something." So, at its root, ekphrasis means to describe; it's a description. The earliest account of the ekphrastic poem is in Book 18 of The Iliad, which describes the shield of Achilles. This "description," in a sense, wasn't even materialized, it was, of course, fictional:
Then first he form'd the immense and solid shield;
Rich various artifice emblazed the field;
Its utmost verge a threefold circle bound;
A silver chain suspends the massy round;
Five ample plates the broad expanse compose,
And godlike labours on the surface rose.
There shone the image of the master-mind:
There earth, there heaven, there ocean he design'd;
The unwearied sun, the moon completely round;
The starry lights that heaven's high convex crown'd;
The Pleiads, Hyads, with the northern team;
And great Orion's more refulgent beam;
To which, around the axle of the sky,
The Bear, revolving, points his golden eye,
Still shines exalted on the ethereal plain,
Nor bathes his blazing forehead in the main.
I am drawn by the breadth of this description— "Rich various artifice emblazed the field; / Its utmost verge a threefold circle bound; / A silver chain suspends the massy round"—because of the sheer gravitas of it. It truly makes the ekphrastic for what it is.
I am, however, really attuned to the definition that Grove Art gives, which I believe holds truest to how we look at ekphrastic poetry today:
"An ekphrasis generally attempted to convey the visual impression and the emotional responses evoked by the painting or building, not to leave a detailed, factual account. In an ekphrasis of a painting the author did not confine himself to the specific moment represented but was free to discuss the general narrative context, referring both forwards and backwards in time. He was also free to imagine what the characters might be feeling or saying and might even be moved to address them."
So, the questions that arise for me is: what is art and who has the authority to define it? Honestly, I can't tell you, for certain what art is and isn't. But there is one thing I believe to be true: art cannot be interrogated without the society it was created in; art does not live in a bubble. When rendering art, I think one must keep in mind consumerism (both monetary and bodily), audience, and privilege and power. Those who can say what art is are usually the ones who have the means, privilege, and power to consume said art. But these consumers don't necessarily make them the "audience." Who's to say the water bottle next to me isn't art. Has it not been crafted, studied, and critiqued for emotional and audience response? And, about authority, you know, it's a funny thing. One can have authority over a lot of things until that thing goes out into the world, and once it's out many people have authority over it. For example, when submitting a poem, the authority of that poem now lives in the hands of those editors who can clearly say, "This isn't a poem." Does that make it true? When Jean-Michel Basquiat first started "arting" across the city, people called him a nuisance, a vandal. It someone with power and authority to say what he was doing was actually art.
Okay, so what is art? In Voyage of the Sable Venus (Knopf), winner of the 2015 National Book Award, Lewis uses both art—sculptures, paintings, pottery—and everyday things like combs and forks, putting them in the same ballfield as what we think of as art:
A slave carries jar and two dead birds.
Another slave who carries three
fish and a sheaf of wheat
enters a tower.
Askos, a black woman dancing
between a maenad and a satyr, black dancer
beside woman playing a tabor—
sacred dance performed
during an Isiac Ceremony, Negroid
dancers and musicians overall.
View: a juggler, a black dancer, Female
Offering Bearer Young Female Slave
with Negroid features carrying a stool mask
of a woman shown holding pouch and basket—
or urn—above two geniuses holding garland.
A standing figure of a Laughing Person
wearing a short tunic with large broad nose, thick
lips, and both male and female attributes: his right
arm broken off at the elbow, the left
arm completely missing.
Lewis is doing something wonderful when she threads together all of these titles/works of art with everyday things. They're threaded seamlessly together so much that I can't always tell which is "art" and which is quotidian. There are slaves carrying fish and wheat and dead birds, there are black dancers, there is a figure of a Laughing Person—what might be considered quotidian transcends and compliments, nicely, the work of art. To Lewis, I think, "art" is in how things interact with each other and how we, as voyeurs, respond to said interaction, whether between two objects or between the object and the audience.
You must be thinking now, Okay Luther, but how do I write about art? Good question. I think "Knowledge" by Natasha Trethewey, written after a chalk drawing by J. H. Hasselhorst. In this poem, Trethewey moves from the subject, to description, to an imagined scape, to the "I."
In subject:
Whoever she was, she comes to us like this:
lips parted, long hair spilling from the table
like water from a pitcher, nipples drawn out
for inspection. Perhaps to foreshadow
the object she'll become: a skeleton on a pedestal,
a row of skulls on a shelf.
In the descriptive parts of the poem, the subject changes from person to person like camerawork, creating a propelling motion, pushing the reader forward. The drawing becomes alive, movielike, or it's as if the drawing is being drawn in front of our eyes:
all the men
in coats, trimmed in velvet or fur – soft as the down
of her pubis. Now one man is smoking, another
tilts his head to get a better look. Yet another,
at the head of the table, peers down as if
enthralled, his fist on a stack of books.
When the "I" comes in, truthfully, I'm a little shaken:
the anatomist's blade opens a place in me,
like a curtain drawn upon a room in which
each learned man is my father
and I hear, again, his words – I study
my crossbreed child
There was a "we," but the "we" was universal—"we" as voyeurs. The "I" isn't so "voyeuristic" here but becomes vulnerable. The speaker places themselves as the subject and the men become their father. It's actually quite horrifying. There's something four-dimensional that happens when the act of vulnerability happens in this poem that drives everything home. When it comes to art, I think the strongest rendering of it, in a poem, is when the reader is able to see the speaker interact with the work on a level that lifts beyond description and into an emotional state.
That, is what makes the ekphrastic alive, working. When the poem does more than just simply describe what's happening but is able to breathe and live on its own psychologically, when it's able to rub up against power and authority, when the speaker is vulnerable. I think an important question to ask oneself when writing an ekphrastic poem is: what effect does the "art" have on me and can the effect live without the knowledge of what caused it? Can affect = effect?
Luther Hughes
Luther Hughes is a Seattle native and author of Touched (Sibling Rivalry Press, 2018). He is the Founding Editor in Chief of The Shade Journal, Executive Editor for The Offing, and Editor-at-Large of Frontier Poetry. A Cave Canem fellow, his work has been published or is forthcoming in various journals including, Hayden's Ferry Review, New England Review, TriQuartlery, Four Way Review, and others. Luther received his MFA from Washington University in St. Louis. You can follow him on Twitter @lutherxhughes. He thinks you are beautiful.


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Menno Daams
Trumpet Player, Arranger, Composer
Trumpet Player
Composer / arranger
Equal Interval System
Unaccounted Four
Menno Daams was born in Amsterdam on January 30th, 1961.
While studying with Freddy Grin (then solo cornettist of the Concertgebouw Orchestra), he began to play jazz with friends, modelling himself after Louis Armstrong and the great trumpeters of the Swing Era.
Playing in traditional jazz idioms — ranging from dixieland to bebop — and equally adept at reading music as he is at improvising, Menno has toured the world with numerous bands or as a soloist.
Some of the many legendary players Menno has played with are Jake Hanna, Scott Hamilton, Warren Vaché, Dan Barrett, Howard Alden, Lew Tabackin, Lee Konitz, Toots Thielemans and Monty Alexander.
An outstanding arranger, Menno contributes to the books of many jazz-, pop- and marching bands and even the odd symphony orchestra.
Apart from co-leading the Unaccounted Four with reed player David Lukacs, Menno is teaching music in both The Hague and the Amsterdam Conservatory, and at the annual Ascona workshop in Switzerland.
In August 2013, after five years of studying with David Blumberg and Ardell Hake, he graduated from Lyle Murphy's System of Horizontal Composition, a 1200-page course.
Nicki Parrott, Menno Daams & Paolo Alderighi
First review of Menno Daams' Unaccounted Four CD "Playground"

redpajama_set_name: RedPajamaCommonCrawl


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Spliced by Jon McGoran
Features, Latest Books
by Donna Galanti
A Hidden Agenda
In SPLICED, young people modify themselves by splicing animal genes into their own to become chimeras. When sixteen-year-old Jimi Corcoran's best friend Del finally escapes his sadistic father, she is horrified to learn he has gone to get spliced. As Jimi plunges into the world of chimeras to save Del, the world erupts in a backlash against chimeras, and the group Humans for Humanity, or H4H, pushes through a new law that strips chimeras of their rights as human. As Jimi learns to respect, understand and even love the chimeras she meets, she also learns a terrifying truth: Those behind the backlash have a hidden agenda more hateful and horrific than anything she could have imagined.
With his first novel for teens, John McGoran delivers a chilling tale set in a near future with a science-fiction twist that is disturbingly all too real. New York Times bestselling author Joelle Charbonneau claims SPLICED is intense and provocative and "questions whether humanity is defined by our genetic make-up or our compassion." In this cautionary tale, readers will also question on a whole new level what they believe about body modification and the social impact of technology.
McGoran's other books include the acclaimed ecological thrillers Drift, Deadout, and Dust Up, as well as The Dead Ring, based on the hit TV show The Blacklist. Writing as D. H. Dublin, he is also the author of the forensic thrillers Body Trace, Blood Poison and Freezer Burn. When not writing novels and short fiction or co-hosting The Liars Club Oddcast, McGoran works as a freelance writer and developmental editor.
This month he spoke to The Big Thrill about the inspiration and research behind SPLICED.
The Liars Club Oddcast cohosts: Keith Strunk, Greg Frost, Jon McGoran, Merry Jones and Kelly Simmons
Kirkus Reviews says SPLICED is "Timely, thrilling, and more than a little scary." Why did you choose to write about DNA modification now and how close do you think our society is to your story becoming more fact than fiction?
I'm fascinated by all sorts of near future technologies, and how we are going to get from here and now to there and then. My last few books have been about biotech, and it was while researching them that I had the idea for SPLICED. I do think it is one of the more compelling and dynamic technologies, and one that, while it has already greatly impacted society, seems poised to change things even more. My last few books—Drift, Deadout and Dust Up—were science thrillers, whereas SPLICED is more a science fiction thriller.
I've thought a lot about the difference between those two subgenres, and in my mind, a big part of it is that in a science thriller, there is a central scientific element, but it takes place in our world, whereas in a science fiction thriller like SPLICED, the world is different, defined in part by the scientific elements. SPLICED takes place several decades in the future, so while some of the crazy science in the previous books came true or partially true within a year or two of publication, I think the technologies in SPLICED are still some time off. That said, there are definitely elements of the book that are already on the horizon.
In SPLICED, you've created a subculture of young people who splice themselves with animal genes. All your previous books have been written for adults. What inspired you to create this subculture with youth rather than adults?
Partly, I just wanted to write a young adult book. I love how the emotions are a little closer to the surface, and the characters, by definition, are in a more dynamic state than older adults. Plus, YA is more welcoming to playing with genre conventions. But also, the more I fleshed out the central idea for this book, the more I came to realize it made perfect sense that this would be a part of youth culture.
The term chimera comes from Greek mythology, an imaginary monster compounded of diverse types of species. The reality is that chimeras already exist amongst us through genetic modifications, correct? What spawned the idea for this terrifying story about biohacking?
That is true, there are all sorts of engineered chimeras, created by scientists to grow organs for transplant or to produce materials or substances (including a goat that has been spliced with spider DNA to create silk in its milk). I had read about biohacking while researching my earlier books, and I was both fascinated and frightened by the idea of people tinkering with genetic engineering in their garages—some more responsibly than others.
I knew I wanted to write about biohacking, and at first considered a story where things go wrong and something terrible escapes from the lab, etc. But then I had the idea of this biohacking subculture combining with the body modification subculture to form something entirely new. It was really intriguing to consider what that might look like given time to mature, socially and technologically, as well as how society might react to such a phenomenon. To me, that is the scariest aspect of the book: how non-chimera society reacts to the chimeras. Unfortunately, it's not hard to see where those ideas came from.
Your main character, 16-year-old Jimi Corcoran, bravely plunges into the world of chimeras to prevent her best friend from getting spliced. Why did you choose a female for this role? And with your first teen protagonist, were there challenges in crafting Jimi?
McGoran "spliced" with a lion
There are challenges with every character, but yes, it was more challenging than if I was writing about a middle-aged male writer. A lot of thought went into the decision to make the main characters who they are. I knew the protagonist would be a teen, which would be a challenge in itself. I think part of being a writer is internalizing and remembering the things that you experience and the things that you see around you, and being able to draw from them.
Partly, I focused on remembering what my life was like as a teen, and who were my contemporaries, both male and female, and also thinking about the teens I know now, both male and female, and the similarities and differences—what seems to be universal versus what seems unique to a moment in time. I had written a female protagonist before, Madison Cross in the D. H. Dublin books, and it was a challenge, but I really enjoyed it and I thought it was successful.
As the basic plot elements came into focus, I thought it would be more interesting to have a female protagonist, and I liked the idea of writing a kickass female protagonist, and following her as she becomes so kickass. I think writing a protagonist who is different from you helps you step outside of yourself, it helps you question your preconceptions and assumptions. It also helps you stretch as a writer.
Altering one's body through DNA modification takes body piercing to a whole new level. How did you incorporate the current notions of body modification today in SPLICED?
Body modification is kind of the jumping off point for getting spliced, and originally, I thought the similarities between today's body modification and getting spliced would be stronger. But as I got into the book, and as I got into creating the world in which the book took place, I realized that for a lot of people, getting spliced would take on a different meaning than other forms of body modification. In many ways getting spliced is a statement about the world in which these teens live, so it ended up becoming much more of its own thing.
What kind of research fed into SPLICED? Did your research bring to light new areas of this revolutionary science for you that affected the story?
Jon McGoran
Many of the central ideas came from earlier research, so a lot of the basic research was done before I had the idea for the book, including ways viruses have been used as vectors in gene therapy. But this book isn't about scientists developing these technologies, it is about young people using them long after they have been developed and been adapted to street use, so a lot of the technical research in that area, while important to the book's underpinnings, isn't really shown in the story.
There was plenty of other research as well. Climate change and energy issues and economics and epidemiology shape the world in which the book takes place, and implantable computers also figure prominently. All those things required substantial research of one sort or another, but they were also areas that I had previously researched for other projects, or for my own interest.
One thing I have found is that when looking a little further out into the future, the research tends to be more about reading, whereas when researching technologies that currently exist, or are just about to, it is much more helpful to find experts working on the specific technology in question, and more important, since you are trying to accurately depict things that already exist.
You raise many questions in SPLICED about undefined laws when it comes to new medical breakthroughs in genetics. How did your personal views thread into this story based on its scientific and political playing field?
Definitely, much of my writing is informed by the political and scientific observations of my life so far. In my previous books I have explored concerns about inadequate government oversight of the food, pharma and chemical industries, and increasing corporate influence on science, and those are areas I hope to continue to explore.
In SPLICED, I focus on other issues. Without a doubt, politicization of science and the ramifications of climate change and climate change-denial help shape the world in which SPLICED takes place, as do the unintended consequences of political decisions.
One of the most prominent themes, however, and one that I think is particularly relevant today, is how xenophobia and prejudice can drive politics and can be exploited for political gain, and also how the laws that are created to further those impulses are often not only morally reprehensible, but ill conceived, poorly crafted, and fortunately, often ultimately unworkable.
In SPLICED you also raise questions about what it means to be human, specifically: do genetics define us or does compassion? How did you decide to walk the line between this dilemma?
I think the whole question of what defines humanity or personhood is fascinating, and one that will have to be grappled with as technology forces the issue on a practical level – especially if and when true AI becomes a reality.
A lot of very talented writers are exploring trans-humanism or post-humanism and how the boundaries of what is considered human could be pushed through genetic or machine enhancements, both of which figure into SPLICED.
In researching the book, I read about the animal personhood movement, which people are often dismissive about because they don't understand it. The argument is not that all animals are people, but rather that animals aren't inanimate objects, either. A dog is different from a brick, and so mistreating a dog is different from mistreating a brick. Living things are different and deserve a certain legal standing. It is an idea that is gaining legal traction, and I think part of an increasingly nuanced understanding of the fluidity and ambiguity of boundaries and definitions that were once accepted as stark and rigid. In defining personhood, my strong feeling would be to embrace the broadest reasonable definition. Anything less feeds into humanity's worst impulses.
SPLICED speaks to the very relevant prejudice today against people who modify their bodies from piercing to skin implants to gender reassignment surgery. How did this timely backlash fit into your story?
It can be very tricky when an idea serves as both a metaphor and an essential story element. In my writing, I try to always put story first, because I believe strongly that whatever you are writing about, whatever themes or issues you are grappling with, if the story doesn't make sense, if it is not engaging, no one is going to care about any of that other stuff. If people don't feel compelled to read the story, they aren't going to get the point of your metaphor. In my mind, metaphor by definition is imperfect.
In the example you give, I would draw a pretty stark delineation between piercings or implants, which may be important elements of self image or self identification but are essentially choices, and gender reassignment, which is generally considered to be more a matter of reconciling one's physical body with their innate gender identity. But I do think that many of the distinctions that were traditionally considered cut and dried, like race and sexual identity, are increasingly being recognized as more nuanced.
Recent research suggests that the boundaries between species are not as clear-cut as once thought, either. The exchange of genetic material between very different species is much more common than previously thought, so I think the idea of chimeras does work as a metaphor for many things.
But getting spliced isn't just a metaphor: in the world of this book, people decide to become chimeras for specific, individual reasons. It has been pointed out, and rightly so, that in SPLICED the people are making a choice to become chimeras, and while, in our world, people can surely be persecuted because of choices they make, more often they are persecuted based on racial designation or gender or sexuality.
So, while I think being a chimera in this book works as a metaphor on many levels, ultimately, as often happens, the literal implications come into conflict with the metaphorical. That is one of the limits of metaphor, or at least this one.
Will Jimi's story continue in a sequel to SPLICED or can we expect some new terrifying science-technology based tale from you?
Both! I have a couple of projects on the go, but I'm very excited to report that I am currently working on two more books in the SPLICED series.
Jon McGoran is the author of SPLICED, a near-future YA science fiction thriller that Kirkus calls "Timely, thrilling, and more than a little scary." McGoran's other books include the acclaimed ecological thrillers Drift, Deadout, and Dust Up, as well as The Dead Ring, based on the hit TV show The Blacklist. Writing as D. H. Dublin, he is also the author of the forensic thrillers Body Trace, Blood Poison and Freezer Burn. When not writing novels and short fiction or cohosting The Liars Club Oddcast, McGoran works as a freelance writer and developmental editor.
To learn more, please visit his website.
Donna Galanti
Donna Galanti is an ITW Debut Author of the paranormal suspense novel, A HUMAN ELEMENT, which M.J. Rose claimed to "be utterly absorbed by this riveting debut that had me reading till the wee hours of the night." Book 1 and book 2 in her middle grade series, JOSHUA AND THE LIGHTNING ROAD, releases in 2015. Donna has lived from England as a child to Hawaii as a U.S. Navy Photographer. She now resides in an old farmhouse in Pennsylvania with lots of nooks and fireplaces but, sadly, no ghosts.
Visit Donna on the web at: www.donnagalanti.com.
Latest posts by Donna Galanti (see all)
Spliced by Jon McGoran - September 30, 2017
A Filthy Business by William Lashner - April 27, 2017
Longbow Girl by Linda Davies - February 29, 2016
Double Trouble in Iowa by Wendy Byrne
Coyote Zone by Kathryn Lane
Donna Galanti September 30, 2017


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Disarm – ballada rockowa grupy The Smashing Pumpkins, napisana przez jej frontmana, Billy'ego Corgana. Została ona wydana jako trzeci singel z drugiego albumu zespołu, Siamese Dream. Utwór zwykle uznaje się za jeden z najważniejszych w karierze The Smashing Pumpkins, zaś sam Corgan uważa go za mający dla niego osobiście największe znaczenie ze wszystkich zawartych na płycie.

Historia
Stacja BBC odmówiła grania piosenki w programie Top of the Pops ze względu na padające w niej słowa cut that little child ("utnij to małe dziecko"), zaś z tego samego powodu utwór rzadko pojawiał się w brytyjskich stacjach radiowych. Ta linijka, razem z innymi, w tym what I choose is my choice ("to, co wybieram, to mój wybór) oraz the killer in me is the killer in you ("zabójca we mnie to zabójca w tobie"), doprowadziła do kontrowersji, budząc skojarzenia z aborcją. Sam Corgan wyraźnie zaprzeczył tej teorii, mówiąc, że tematem piosenki są złe stosunki z rodzicami podczas jego dorastania. Mimo wymienionych problemów z promocją, piosenka uplasowała się na jedenastej pozycji w notowaniu UK Singles Chart ze względu na wysokie wyniki sprzedaży.

Podczas gdy zespół często wykonywał na żywo lżejsze, akustyczne wersje wielu swoich cięższych piosenek, "Disarm", w wersji studyjnej akustyczna ballada, na koncertach zwykle była grana w ostrzejszej, elektrycznej aranżacji. Jeden z zarejestrowanych występów wchodzi w skład wydawnictw Vieuphoria oraz Earphoria.

Wydano dwie różne wersje singla, "Heart" i "Smile". Różniły się one okładkami i zawartymi zestawami b-side'ów.

Teledysk do utworu wyreżyserował Jake Scott. Został on nagrany na czarno-białej taśmie i przedstawia członków grupy lecących nad domami, a także idącego tunelem starca. Wmontowane zostały do tego kolorowe ujęcia, pokazujące bawiącego się chłopca, mającego symbolizować wspomnienia starca. Teledysk otrzymał pierwsze w karierze grupy nominacje do nagród MTV Video Music Awards za rok 1994 w kategoriach najlepszy teledysk alternatywny i najlepszy montaż.

Lista utworów

Wersja "Heart"
 "Disarm" (Corgan)
 "Landslide" (Nicks)
 "Dancing in the Moonlight" (Thin Lizzy)

"Wersja Smile"
 "Disarm" (Corgan)
 "Soothe (demo)" (Corgan)
 "Blew Away" (Iha)

Winyl 7"
 "Disarm" (Corgan)
 "Siamese Dream" (Corgan)

Przypisy

Ballady rockowe
Single wydane w roku 1993
Single The Smashing Pumpkins
Single wydane w roku 1994

redpajama_set_name: RedPajamaWikipedia


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Q: How to make 3d collada model solid in scenekit I am working for a game in which i have a man which can move under the cave and when this man collide with cave walls it cross the wall and come outside,therefore i want the walls of cave should be static so that the man should not come out when hit the walls.How can i apply physics on my collada model in scenekit?Here is my model image
Here is my code
 scene = SCNScene(named: "game.scnassets/UpdatedTunnel/second.dae")!
   let Tunnel = scene.rootNode.childNodeWithName("skpC1CB", recursively: true)!
   TunnelNode.addChildNode(Tunnel)
    var shape:SCNPhysicsShape?
    if let geometry = TunnelNode.geometry{
        shape = SCNPhysicsShape(geometry: geometry, options: nil)
        var nodePhysicsBody = SCNPhysicsBody(type: SCNPhysicsBodyType.Static, shape: shape)
        TunnelNode.physicsBody = nodePhysicsBody
        nodePhysicsBody = SCNPhysicsBody.staticBody()

    }

redpajama_set_name: RedPajamaStackExchange


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Android photo Recovery
How to spy on Samsung Galaxy S5
Kids are tech savvy, have their own idea about whether they're responsible enough for gadgets, and can be awfully persuasive. If you're one of the mom or dad who gifted your kid a state of the art gadget like the Samsung Galaxy S5, be aware that you also handed out a powerful communication and production tool that can be used to broadcast their status and locations, take pictures and upload to the web, download just about anything in the world. If you're having doubts and want to stay on top of things before anything harmful happens to the kids, this is one possible solution.
The mSpy software solution can inconspicuously keep tabs on all activities of the target Galaxy S5, including text messages, phone calls, internet usage, GPS location, multimedia files and much more. mSpy is comprised of three part, the agent – a piece of code that needs to be planted into the target Galaxy S5, the agent does the field work and upload the information to the server – where the data logs and files are stored, all the information will be neatly organized and displayed in the Control Panel – a web portal where user can browse, search, flag, analyze entries of the gathered information.
The Control Panel
Text Call Logs GPS Locations
Download the spy app
Features of mSpy
Manage phone calls
All incoming and outgoing phone calls of the target Galaxy S5 can be scheduled for recording, call logs, duration, numbers or contact information (if available in the phone address book) are displayed in the control panel. You can also set up a restriction call list, incoming calls initiated by the numbers on the blacklist are automatically rejected.
Track text messages
SMS sent and received with the target Galaxy S5 are displayed in the control panel, the contents, time stamp, numbers or names of the sender or recipient are also displayed.
Report GPS location
Knowing the current whereabouts of the Galaxy S5 sometimes can be crucial. The locations the target Galaxy S5 has traveled will be presented on a detailed map as lines and dots in the control panel. Route history can be generated, if the GPS location were turned off on the target device, the spy will resort to identify the Wi-Fi network the device is currently connected and determine the general location of the device.
The geo fencing feature allows user to draw a virtual safe zone on the spy's build in map. The administrator will be alerted upon every entrance/exit of the border. Each zone will be painted with ranging color to indicate the frequency of visit.
Monitor third party instant message apps
Popular chat apps including Skype, Snapchat, WhatsApp, Viber can be monitored with mSpy, chat history including text, photos or gifs will be forwarded and displayed in the control panel.
Read emails
Emails sent and received with the target Galaxy S5 are forwarded to the control panel and displayed in a threaded view.
Browsing history, bookmarked sites of the default browser and Google chrome are listed in the control panel, you can also set up a black list to block adult sites from being accessed.
Photos captured by the phone camera are listed in the control panel in thumbnail form, the original file can be downloaded, though it will consume considerable amount of data of the target Galaxy S5.
Remotely uninstall apps from the phone, you can wipe or lock the target Galaxy S5 from control panel.
Is it difficult or technical to install the mSpy app?
To install mSpy you need about 5 to 15 minutes of physical access to the device, the installation won't be a problem if you read and follows the step by step guide, which will be sent to you along with your account after subscription.
Will the mSpy app be detected and how to opt out?
No, once successfully installed, the spy operates in compete stealth. You can remotely uninstall mSpy and wipe the device if you want to opt out.
27.08.2019 Category: Blog Author: Jim
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by jesse· September 24, 2010· in People and Portraits, Photography· 2 comments tags: edmonton, Erin Straughan, Whyte Ave.
So, I recently discovered if cut my sleep hours down from 6 to 4 hours I get 14 hours a week back, awesome hey? Well, not really but, that's how it goes right now. With this new found abundance of time I was able to shoot more, this is my friend Erin, she's one of them normal types so, conversation throughout the shoot probably just made things awkward for her(I tend to talk too much for the first part of a shoot and weird out normies). Regardless of what was probably inappropriate conversation, the pictures turned out quite well, check it out.


From seats that monitor your heartbeat to cloud-based gaze-tracking and new air vents, new tech is changing how car interiors look, feel and work.
Technologies ranging from cloud computing to shape-changing dashboards are about to change how vehicle interiors look, feel and work.
The work at two suppliers' Detroit-area engineering centers focuses on new levels of connectivity and reimagining interiors for a day when an autonomous vehicle's steering wheel may disappear as the instrument panel morphs into a movie screen.
Step into Nuance Communications' Drive Lab in Farmington Hills, and expect to hear terms like "cogntive arbitrator" and "gaze detection" as engineers take the company's expertise in voice recognition into new areas.
That's where cognitive arbitration comes in. Nuance uses the same techniques that let it recognize spoken commands to send a driver's questions about directions, gas stations, restaurants … whatever, to the car's onboard system and the cloud.
The arbitrator then picks the best answer or offers the driver choices from both, essentially making Siri or other smartphone assistants cooperate with the car's embedded system. The system can also learn your preferences, for instance your preferred fuel brand and that you usually fill up when you hit a half tank.
Nuance does most of its automotive research at its Detroit-area lab.
French supplier Faurecia's come a long way from its origins as a seat maker, though the new technologies on display at its Auburn Hills tech center include advanced seats that can evaluate your physical condition and adjust their position, interior lighting and more.
A new structure for seats is designed to reposition its occupant for maximum safety in a crash within 200 milliseconds if autonomous safety systems say a collision is unavoidable.
Faurecia is also working on an autonomous-vehicle dashboard in the steering wheel disappears into for autonomous driving. At the same time, the gauges transform into a movie screen and slides from in front of the driver to the center of the dash where everybody can see it.
Faurecia also has touch screens that can be put on curving surfaces, so interior designs won't have to include a big flat panel. The first production vehicle using the system should hit the road in 2019.
"The idea is to be able to make anything a designer can draw," said Bob Kinney, Faurecia vice president of engineering and R&D.
Even the humble air-conditioning vent is ripe for reimagining. Faurecia's slim DecoVent fits into crowded instrument panels, but also creates better air circulation and can accommodate ambient lighting and other features.


text:
Act and according to its limitations shall be a lawful structure, and shall be recognized and known as a post route, upon which also no higher charge shall be made for the transmission over the same of the mails, the troops, and the munitions of war of...
General Orders - Page 1
by United States. War Department - 1883
The Statutes at Large of the United States from ..., Volume 24
United States Department of State - 1886
...post-route; and the strnctnrenudpoetsame is hereby declared to be a post-route upon which also no higher ron" charge shall be made for the transmission over the same of the mails, the troops, and'the munitions of war of the United States than other persons pay for like transportation ; and...
House Documents, Otherwise Publ. as Executive Documents: 13th ..., Volume 7
United States. Congress. House - 1871 - 1190 pages
...structures, aud shall be recognized and known as post routes, upon which also no higher charge shall bo made for the transmission over the same of the mails, the troops, and munitions of war of the United States, than the rate per mile which the company or companies erecting...
Annual Reports of the War Department, Part 1
United States. War Department - 1886 - 908 pages
...tobe a lawful its limitations shall be a lawful structure, and shall be reengni/ed anil structure an d known as a post route, upon which also no higher charge shall be post-route. made for the transmission over the «ame of the mails, the troops, and the munitions of...
Annual Report of the Secretary of War
...2. That the brioge that shall be built under this act shall be recognized and known as a post-route, upon which also no higher charge shall be made for the transmission o\er the same of the mails, the troops, and the munitions of war of the United States than the rate...
Interstate Commerce Commission Reports: Decisions of the ..., Volume 1
United States. Interstate Commerce Commission - 1887 - 1598 pages
...shall prescribe. "Sec. 8. That any bridge constructed under this Act and according to its limitations shall be a lawful structure, and shall be recognized...of the mails, the troops, and the munitions of war of the United States, than the rate per mile paid for their transportation over the railroads or public...
Report of the Chief of Engineers U.S. Army
United States. Army. Corps of Engineers - 1887 - 1090 pages
...be a lawful tions shall be a lawful structure, and shall be recognized and known as a postTroute * post- route, upon which also no higher charge shall...transmission over the same of the mails, the troops, aud the munitions of war of the United States, or passengers or freight passing over said bridge, than...
United States. War Department - 1887 - 1102 pages
...a post-route, upoa which Proviso. Location. Construction. Provisos. Spans. Draw. To be a lawful and also no higher charge shall be made for the transmission over the sams of the mails, the troops, and the inanitions of war of the United States, or for passengers or...
Statutes of the United States of America
United States - 1887 - 522 pages
...SEC. 2. That any bridge built under this act and subject to its limitstructure and post- atjons SUall be a lawful structure, and shall be recognized and known as a post-route, upon which also no higher charge shall be made for the transmission over the same of the...
United States Reports: Cases Adjudged in the Supreme Court, Volume 125
United States. Supreme Court, John Chandler Bancroft Davis, Henry Putzel, Henry C. Lind, Frank D. Wagner - 1888 - 766 pages
...be it further enacted, That any bridge constructed under this act, and according to its limitations, shall be a lawful structure, and shall be recognized...of the mails, the troops, and the munitions of war of the United States, than the rate per mile paid for their transportation over the railroads or public...
United States. Army. Corps of Engineers - 1888 - 836 pages
...authorized by the provisions of this act. SEC. 0. That ¡my bridge constructed under this act and according to its limitation, shall be a lawful structure, and shall be recognized and known as a post-route, upon which no higher charge shall be made for the transmission over the same of the mails,...


Craft D Cave: Christmas in July!
There is a lot that can be done with this bundle for sure. Plus there will be other additional product that coordinates with it. We have to wait for the new Holiday catalogue to see what those are!


The Rady School of Management (http://rady.ucsd.edu) at UC San Diego is committed to academic excellence and diversity within the faculty, staff, and student body. The Rady School invites applications for temporary lecturers from a broad range of business subjects including, but not limited to, accounting, marketing, project management, supply chain, finance, ethics, entrepreneurship, and innovation to teach courses in our MBA, Masters of Finance, Masters of Business Analytics, and Undergraduate programs. Appointments will likely be part-time, and possible full-time, from one quarter up to one year's duration. Candidates must have a Bachelor's degree in a Business-related field. Preferred candidates will have experience or a willingness to participate in teaching, mentoring, research, or service towards building an equitable and diverse scholarly environment. Preference will be given to experienced applicants with a graduate degree in business administration, accounting, or a related field, teaching experience, and subject matter expertise typically obtained through practical business experience.
Review of applications begins July 1, 2018, and continues until all positions are filled.
State the discipline and position applying for in the cover letter. In the personal statement on diversity, please describe any teaching strategies you currently use or plan to use to foster a diverse and inclusive learning experience, and to enable all students to excel and fully participate in the learning process. Additional information regarding diversity statements can be found online here: http://facultyequity.ucsd.edu/Faculty-Applicant-C2D-info.asp .


text:
lh3.googleusercontent.com
coloradoencyclopedia.org
goodfreephotos.com
colorado.com
Pikes Peak, CO
coloradosprings.gov
5089 Pikes Peak Hwy, Cascade, CO 80809
Pikes Peak is the highest summit of the southern Front Range of the Rocky Mountains in North America. The ultra-prominent 14,115-foot fourteener is … See more
Catching a ride on the Pikes Peak Cog Railway, or hiking the 12. 6 mile Barr Trail from Manitou Springs
Highest Summit of the Southern Front Range
Panoramic Views of Four States
Prior booking for train ride is recommended
triphobo.com
Best and easiest way to explore this peak for tourists is to hop on a ride on the railway
Fuel up before you start your journey – there are no gas stations along the scenic highway
The eastern edge of the Rockies, serving as a visible landmark far into the Great Plains
peakery.com
Drivers race up the road in a famous annual race called the Pikes Peak International Hill Climb
You should always have contact details of emergency services
You'll be required to take a complimentary shuttle up to the summit
The visitor center and associated support buildings have been demolished
The mountain is open to exploration throughout the year (weather permitting
These hours are more limited between Labor Day to Memorial Day
Prerequisite binoculars that provide visitors with a closer look at the surroundings
outdoorproject.com
We suggest you scroll through the information provided for public safety stations
Can be seen at its majestic best from the garden of the gods balcony
If you are going up barr start at the latest 4:30 before the snow softens to paste.
summitpost.org
To get to the summit, travel by car or train
As you ascend, keep a sharp eye out to spot local wildlife
Rising 7400ft straight up from the plains, more than half a million visitors climb it every year
lonelyplanet.com
Visitors today ascend to the summit house cafe and gift shop via railway, car or foot
michelin.com
Climbing this mountain can be as simple as driving up the pikes peak highway
atlasobscura.com
Check off two bucket list items at once
This Is a Great Road Trip
At 14,115 feet, Pikes Peak is one of the highest in the Rocky Mountains. Located in Pike National Forest about 12 miles from downtown Colorado Springs, the peak is named after Zebulon Pike, an early explorer of the area. Visitors can reach the top by driving on the Pikes Peak Toll Road or by riding the Pikes Peak Cog Railway. Dating from 1892, the cog railway trip starts in Manitou Springs and takes about three hours. Trekking is another way to get to the top; the 13-mile Barr Trail is one of the most popular trails. If you are looking for things to do in Colorado Springs with kids, this is a great road trip. From the summit, you can appreciate amazing views of the Garden of the Gods, the Continental Divide, and much more. Colorado destinations: Boulder, Aspen, Denver, Colorado Springs, Fort Collins, Steamboat Springs, Estes Park, Telluride, Durango, Crested Butte. 25 Fun Things to Do in Colorado Springs - Photo: margaret 900/Fotolia
vacationidea.com
Jaw-Dropping Views
The views from atop a fourteener are hard to top, but they're also not accessible to everyone. Not everyone has the mental or physical ability to endure a grueling hike. Luckily, you can experience a fourteener without having to break a sweat. Pikes Peak near Colorado Springs tops out at 14,115, which means jaw-dropping views. But you can hitch a ride all the way to the top on the world's highest cog train. Check off two bucket list items at once.
Elevated Beauty to Its Fullest
Set in the majestic Rocky Mountains, Pikes Peak Summit is undeniably one of the most popular in the United States and with its gigantic height, it deserves to be! The Peak is named after explorer Zebulon Pike whose expedition led to the discovery of this peak in the 1700's. Hiking up to the peak has since then been on the bucket list of ambitious climbers and the routes include picturesque but dangerous spots like the Barr Trail, ride on the Broadmoor's Pikes Peak Cog railway and a road trip on the highway. The best and easiest way to explore this peak for tourists is to hop on a ride on the railway and enjoy this elevated beauty to its fullest without challenging much of your adrenaline!
A Perfect Family Adventure
The Pikes Peak Highway provides you the opportunity to enjoy 19 miles of mountain terrain, with frequent pull-offs for you to get out, stretch your legs, and take photos. You'll be treated to breathtaking views, four different Colorado life zones and unique animal sightings, like the Rocky Mountain Bighorn Sheep, yellow-bellied marmots and Big Foo
Composed of a Characteristic Pink Granite
Pikes Peak is a mountain in the Front Range of the Rocky Mountains within Pike National Forest, 10 mi west of Colorado Springs, Colorado, in El Paso County in the United States of America. Originally called "El Capitán" by Spanish settlers, the mountain was renamed Pike's Peak after Zebulon Pike, Jr., an explorer who led an expedition to the southern Colorado area in 1806. The Arapaho name is heey-otoyoo'. Geography and geology Pikes Peak is the easternmost fourteen thousand foot peak in the United States, located 10 miles west of the city of Colorado Springs. Pikes Peak is composed of a characteristic pink Granite called Pikes Peak granite. The color is due to a large amount of potassium feldspar. It is thought that the granite was once magma that crystallized at least 20 miles beneath the Earth's surface, formed by an igneous intrusion during the Precambrian, approximately 1.05 billion years ago, during the Grenville orogeny. Through the process of uplifting, the hardened rock pushed through the Earth's crust and created a dome-like mountain, covered with less resistant rock. Years of erosion and weathering removed the soil and rock leaving the exposed mountain. History The first European-American to climb the peak came 14 years after Pike in the summer of 1820. Edwin James, a young student who had just graduated from Middlebury College in Vermont, signed on as the relief botanist for the Long Expedition after the first botanist had died. The expedition explored the South Platte River up as far as present-day Denver, then turned south and passed close to what James called "Pike's highest peak." James and two other men left the expedition, camped on the plains, and climbed the peak in two days, encountering little difficulty. Along the way, he was the first to describe the blue columbine, Colorado's state flower. Pikes Peak today There are several visitor centers on Pikes Peak, some with a gift shop and restaurant. These centers are located at the 6 mile, 12-mile and the summit itself, and there are several ways to ascend the mountain. The Manitou And Pike's Peak Railway is a cog railroad operating from Manitou Springs to the summit year-round, conditions permitting. Automobiles can be driven to the summit via the Pikes Peak Highway, a 19 mi road that starts a few miles up Ute Pass at Cascade. This road, which until October 2011 was unpaved after the halfway point, was made famous worldwide by the short film Climb Dance featuring Ari Vatanen racing his Peugeot automobile up the steep, twisty slopes as part of the annual Pikes Peak International Hill Climb race. The road has a series of switchbacks, treacherous at high speed, called "The W's" for their shape on the side of the mountain. The road is maintained by the city of Colorado Springs as a toll road.
touristlink.com
Super Accessible Backcountry Skiing
Pikes Peak Toll Road can grant you access to a ton of super accessible backcountry skiing if you have the equipment and knowledge. From roughly Glen Cove up to the summit of the mountain you can access terrain varying from steep chutes off the summit to easy glades in an abandoned ski resort. This is a north facing area, so most of the runs are safest in the spring time. If you are lucky enough to have two cars with you, you can also shuttle from the bottom of the cove to the top of the ridgeline to save you some elevation gain.
theoutbound.com
JEEP TOUR - Pikes Peak or Bust
Pikes Peak Tours & More
From Denver: Pikes Peak and Garden of the Gods Guide…
getyourguide.com
Pikes Peak Regional Wonders Full Day Tour From Denver
sg.trip.com
Denver: Private Tour To Pikes Peak And Garden Of Gods
Wines of Colorado
Mucky Duck Restaurant & Cat…
The Blue Moose Tavern
The Queen's Parlour Tea Room
British · $$$$
The Mate Factor Cafe
Ruffrano's Hell's Kitchen Pizza
Sahara Cafe
Coffee House · $$$$
Armadillo Ranch.
Cliff House Dining Room
Border Burger Bar
The Mad Hatter Saloon LLC
Fern's Diner & Drinkery
The Outlook Lodge
3-star hotel · Green M…
Little Beaver Inn
The Green Mountain Falls Lodge
Adobe Inn At Cascade
3-star hotel · Cascade
Lone Duck Campground
Cascade Lodge
Rocky Top Motel & Campground
Saturday Night Stand-Up
Denver Comedy lounge
Today · 7:30 PM
Buell Theater
Colorado Springs Philharmonic: Jos…
Pikes Peak Center
Buell Theatre
Eggy with MagicBeans
10 Mile Music Hall
Colorado Symphony Orche…
Boettcher Concert Hall
La India Yuridia
Phat Daddy
Hoffbrau
Same Cloth
Who's Bad: The Ultimate Michael …
Bluebird Theater
Ogden Theatre
Pikes Peak Center Schedule | Colorado Springs Seating Chart
https://tickets-center.com
Ad2022 Pikes Peak Center Schedule & Tickets. Secure Colorado Springs Resale Tickets Online. View Huge Inventory with Interactive Seat Maps, Great Customer Service & Secure Checkout.
Amenities: Huge Inventory, Interactive Seating Chart, Schedule & Tickets
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Ringo Starr Tickets ·
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6 Million+ Visitors/Month ·
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8 Top Rocky Mountain Hikes | How To Hike The Rockies
https://www.colorado.com/Hiking-Rockies
AdRisky Things To Do In Colorado. See Top & Unique Activities For A Thrilling Trip. Check Out All The Special Offers On Colorado Hotels And Lodging And Book One Today!
Colorado Vacation Guide ·
Colorado Events Calendar


text:
Justin Glover's Personal Sponsor Page
Dear Family and Friends,
On November 23rd, I am participating an all-day fitness fundraiser called CF|24. I will be competing in a marathon of workouts and all funds raised will be donated to Special Olympics Canada Foundation. Any pledges made to my fundraising page are greatly appreciated and will go a long way in supporting Special Olympics programs in Canada.
Special Olympics was founded upon one simple notion: sport has the incredible capacity to transform lives, change attitudes, and make communities stronger by supporting Canadians with an intellectual disability. By bringing people together, Special Olympics teaches us to recognize our similarities rather than focusing on our differences.
For more information on Special Olympics please visit http://www.specialolympicscanadafoundation.ca/
To learn more about CF|24 please visit: https://cf24.ca
Thank you very much for your support,
Justin has raised $70 of their goal of $150
Justin's Honour Roll:
Justin Glover $50
John Stockton $20
Show my name in Justin's honour roll
Show my donation amount in Justin's honour roll


text:
package lsh.ext.gson;

import java.io.IOException;
import java.io.Reader;
import java.util.ArrayDeque;
import java.util.Iterator;
import java.util.Queue;
import javax.annotation.Nullable;

import com.google.common.annotations.Beta;
import com.google.common.collect.Iterators;
import com.google.gson.internal.LazilyParsedNumber;
import com.google.gson.stream.JsonReader;
import com.google.gson.stream.JsonToken;

/**
 * Represents a pushback implementation of {@link JsonReader} similar to {@link java.io.PushbackInputStream} and {@link java.io.PushbackReader}.
 *
 * @author Lyubomyr Shaydariv
 */
@Beta
public final class PushbackJsonReader
		extends JsonReader
		implements Iterable<ValuedJsonToken<?>> {

	private final Queue<ValuedJsonToken<?>> tokens = new ArrayDeque<>();

	private Mode mode;

	private PushbackJsonReader(final Reader jsonReader, final Mode mode) {
		super(jsonReader);
		this.mode = mode;
	}

	/**
	 * @param reader Reader to provide JSON character stream
	 *
	 * @return An instance of {@link PushbackJsonReader}.
	 */
	public static PushbackJsonReader getAndRecord(final Reader reader) {
		return new PushbackJsonReader(reader, Mode.RECORDING);
	}

	@Override
	public void beginArray()
			throws IOException {
		switch ( mode ) {
		case RECORDING:
			super.beginArray();
			tokens.add(ValuedJsonToken.arrayBegin());
			break;
		case REPLAYING:
			replayValue(JsonToken.BEGIN_ARRAY);
			break;
		case REPLAYED:
			super.beginArray();
			break;
		default:
			throw new AssertionError(mode);
		}
	}

	@Override
	public void endArray()
			throws IOException {
		switch ( mode ) {
		case RECORDING:
			super.endArray();
			tokens.add(ValuedJsonToken.arrayEnd());
			break;
		case REPLAYING:
			replayValue(JsonToken.END_ARRAY);
			break;
		case REPLAYED:
			super.endArray();
			break;
		default:
			throw new AssertionError(mode);
		}
	}

	@Override
	public void beginObject()
			throws IOException {
		switch ( mode ) {
		case RECORDING:
			super.beginObject();
			tokens.add(ValuedJsonToken.objectBegin());
			break;
		case REPLAYING:
			replayValue(JsonToken.BEGIN_OBJECT);
			break;
		case REPLAYED:
			super.beginObject();
			break;
		default:
			throw new AssertionError(mode);
		}
	}

	@Override
	public void endObject()
			throws IOException {
		switch ( mode ) {
		case RECORDING:
			super.endObject();
			tokens.add(ValuedJsonToken.objectEnd());
			break;
		case REPLAYING:
			replayValue(JsonToken.END_OBJECT);
			break;
		case REPLAYED:
			super.endObject();
			break;
		default:
			throw new AssertionError(mode);
		}
	}

	@Override
	public boolean hasNext()
			throws IOException {
		final boolean hasNext;
		switch ( mode ) {
		case RECORDING:
			hasNext = super.hasNext();
			break;
		case REPLAYING:
			final ValuedJsonToken<?> token = tokens.peek();
			hasNext = token.getToken() != JsonToken.END_ARRAY && token.getToken() != JsonToken.END_OBJECT;
			break;
		case REPLAYED:
			hasNext = super.hasNext();
			break;
		default:
			throw new AssertionError(mode);
		}
		return hasNext;
	}

	@Override
	public JsonToken peek()
			throws IOException {
		final JsonToken peek;
		switch ( mode ) {
		case RECORDING:
			peek = super.peek();
			break;
		case REPLAYING:
			peek = tokens.peek().getToken();
			break;
		case REPLAYED:
			peek = super.peek();
			break;
		default:
			throw new AssertionError(mode);
		}
		return peek;
	}

	@Override
	public String nextName()
			throws IOException {
		final String nextName;
		switch ( mode ) {
		case RECORDING:
			nextName = super.nextName();
			tokens.add(ValuedJsonToken.name(nextName));
			break;
		case REPLAYING:
			nextName = replayValue(JsonToken.NAME);
			break;
		case REPLAYED:
			nextName = super.nextName();
			break;
		default:
			throw new AssertionError(mode);
		}
		return nextName;
	}

	@Override
	public String nextString()
			throws IOException {
		final String nextString;
		switch ( mode ) {
		case RECORDING:
			nextString = super.nextString();
			tokens.add(ValuedJsonToken.value(nextString));
			break;
		case REPLAYING:
			nextString = replayValue(JsonToken.STRING);
			break;
		case REPLAYED:
			nextString = super.nextString();
			break;
		default:
			throw new AssertionError(mode);
		}
		return nextString;
	}

	@Override
	public boolean nextBoolean()
			throws IOException {
		final boolean nextBoolean;
		switch ( mode ) {
		case RECORDING:
			nextBoolean = super.nextBoolean();
			tokens.add(ValuedJsonToken.value(nextBoolean));
			break;
		case REPLAYING:
			final Boolean valueToReplay = replayValue(JsonToken.BOOLEAN);
			assert valueToReplay != null;
			nextBoolean = valueToReplay;
			break;
		case REPLAYED:
			nextBoolean = super.nextBoolean();
			break;
		default:
			throw new AssertionError(mode);
		}
		return nextBoolean;
	}

	@Override
	public void nextNull()
			throws IOException {
		switch ( mode ) {
		case RECORDING:
			super.nextNull();
			tokens.add(ValuedJsonToken.value());
			return;
		case REPLAYING:
			replayValue(JsonToken.NULL);
			break;
		case REPLAYED:
			super.nextNull();
			break;
		default:
			throw new AssertionError(mode);
		}
	}

	@Override
	public double nextDouble()
			throws IOException {
		final double nextDouble;
		switch ( mode ) {
		case RECORDING:
			nextDouble = super.nextDouble();
			tokens.add(ValuedJsonToken.value(nextDouble));
			break;
		case REPLAYING:
			final Number valueToReplay = replayValue(JsonToken.NUMBER);
			assert valueToReplay != null;
			nextDouble = valueToReplay.doubleValue();
			break;
		case REPLAYED:
			nextDouble = super.nextDouble();
			break;
		default:
			throw new AssertionError(mode);
		}
		return nextDouble;
	}

	@Override
	public long nextLong()
			throws IOException {
		final long nextLong;
		switch ( mode ) {
		case RECORDING:
			nextLong = super.nextLong();
			tokens.add(ValuedJsonToken.value(nextLong));
			break;
		case REPLAYING:
			final Number valueToReplay = replayValue(JsonToken.NUMBER);
			assert valueToReplay != null;
			nextLong = valueToReplay.longValue();
			break;
		case REPLAYED:
			nextLong = super.nextLong();
			break;
		default:
			throw new AssertionError(mode);
		}
		return nextLong;
	}

	@Override
	public int nextInt()
			throws IOException {
		final int nextInt;
		switch ( mode ) {
		case RECORDING:
			nextInt = super.nextInt();
			tokens.add(ValuedJsonToken.value(nextInt));
			break;
		case REPLAYING:
			final Number valueToReplay = replayValue(JsonToken.NUMBER);
			assert valueToReplay != null;
			nextInt = valueToReplay.intValue();
			break;
		case REPLAYED:
			nextInt = super.nextInt();
			break;
		default:
			throw new AssertionError(mode);
		}
		return nextInt;
	}

	@Override
	public void close()
			throws IOException {
		switch ( mode ) {
		case RECORDING:
			super.close();
			tokens.clear();
			break;
		case REPLAYING:
			super.close();
			tokens.clear();
			break;
		case REPLAYED:
			super.close();
			break;
		default:
			throw new AssertionError(mode);
		}
	}

	@Override
	public void skipValue()
			throws IOException {
		switch ( mode ) {
		case RECORDING:
			@SuppressWarnings("resource")
			final Iterator<ValuedJsonToken<?>> iterator = JsonReaders.readValuedJsonTokenRecursively(this);
			while ( iterator.hasNext() ) {
				@SuppressWarnings("unused")
				final ValuedJsonToken<?> token = iterator.next();
			}
			break;
		case REPLAYING:
			final ValuedJsonToken<?> token = tokens.peek();
			switch ( token.getToken() ) {
			case BEGIN_ARRAY:
			case BEGIN_OBJECT:
				skipComplexValue();
				break;
			case NAME:
				skipEntry();
				break;
			case STRING:
			case NUMBER:
			case BOOLEAN:
			case NULL:
				skipSimpleValue();
				break;
			case END_ARRAY:
			case END_OBJECT:
			case END_DOCUMENT:
				throw new AssertionError();
			default:
				throw new AssertionError(token.getToken());
			}
			break;
		case REPLAYED:
			super.skipValue();
			break;
		default:
			throw new AssertionError(mode);
		}
	}

	@Override
	public String toString() {
		final String toString;
		switch ( mode ) {
		case RECORDING:
			throw new UnsupportedOperationException("Not implemented yet"); // TODO Implement
		case REPLAYING:
			throw new UnsupportedOperationException("Not implemented yet"); // TODO Implement
		case REPLAYED:
			toString = super.toString();
			break;
		default:
			throw new AssertionError(mode);
		}
		return toString;
	}

	@Override
	public String getPath() {
		final String getPath;
		switch ( mode ) {
		case RECORDING:
			throw new UnsupportedOperationException("Not implemented yet"); // TODO Implement
		case REPLAYING:
			throw new UnsupportedOperationException("Not implemented yet"); // TODO Implement
		case REPLAYED:
			getPath = super.getPath();
			break;
		default:
			throw new AssertionError(mode);
		}
		return getPath;
	}

	@Override
	public Iterator<ValuedJsonToken<?>> iterator() {
		return Iterators.unmodifiableIterator(tokens.iterator());
	}

	/**
	 * Stops the recording and resets the reader state to replay recorded JSON tokens.
	 */
	public void pushback() {
		mode = Mode.REPLAYING;
	}

	private enum Mode {

		RECORDING,
		REPLAYING,
		REPLAYED

	}

	@Nullable
	private <T> T replayValue(final JsonToken expectedJsonToken) {
		@Nullable
		final Object valueToReplay;
		final ValuedJsonToken<?> valuedJsonToken = tokens.poll();
		final JsonToken actualToken = valuedJsonToken.getToken();
		if ( actualToken != expectedJsonToken ) {
			if ( actualToken == JsonToken.STRING && expectedJsonToken == JsonToken.NUMBER ) {
				@SuppressWarnings("unchecked")
				final ValuedJsonToken<String> stringValuedJsonToken = (ValuedJsonToken<String>) valuedJsonToken;
				valueToReplay = new LazilyParsedNumber(stringValuedJsonToken.getValue());
			} else {
				throw new IllegalStateException("Expected token: " + expectedJsonToken + " but was " + actualToken);
			}
		} else {
			valueToReplay = valuedJsonToken.getValue();
		}
		if ( tokens.isEmpty() ) {
			mode = Mode.REPLAYED;
		}
		@SuppressWarnings("unchecked")
		final T castValueToReplay = (T) valueToReplay;
		return castValueToReplay;
	}

	private void skipSimpleValue() {
		tokens.poll();
	}

	private void skipComplexValue() {
		for ( int level = 0; level > -1; ) {
			final JsonToken jsonToken = tokens.poll().getToken();
			switch ( jsonToken ) {
			case BEGIN_ARRAY:
			case BEGIN_OBJECT:
				level++;
				break;
			case END_ARRAY:
			case END_OBJECT:
				level--;
				if ( level == 0 ) {
					return;
				}
				break;
			case NAME:
			case STRING:
			case NUMBER:
			case BOOLEAN:
			case NULL:
				// do nothing
				break;
			case END_DOCUMENT:
				throw new AssertionError();
			default:
				throw new AssertionError(jsonToken);
			}
		}
	}

	private void skipEntry() {
		tokens.poll();
		tokens.poll();
	}

}

redpajama_set_name: RedPajamaGithub


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text:
Hindutva Mentality Crushing Humanity in India!
On the night of 11-12 August 2020, Naveen Kumar, nephew of Akhanda Srinivasa Murthy MLA of Congress, from Pulikeshi Nagar, Bangalore Karnataka uploaded blasphemous content against Prophet Muhammad ﷺ on Facebook. As soon as the blasphemous content was uploaded the news spread like fire in the last hours of the night among Muslims. They all knew Naveen Kumar and his father; contacted the local police station, DJ Halli. Police remained lethargic as routine and were unable to understand the seriousness of the situation. Perhaps they were unaware that Muslims will tolerate everything but the insult of their Last Prophet is intolerable and they are always ready to sacrifice everything including their lives. On the lethargic attitude of the Police, violent Muslims arrived at the home of Naveen Kumar and his uncle that are adjacent to each other. Muslims were demanding that Naveen Kumar should be handed over to them. in spite of understanding the situation, Hindus supporting MLA attacked Muslims. The number of Muslims was increasing; in no time the whole area was turned into the battlefield. In meanwhile Police also woke up and arrived there. Muslims told Police that they have nothing to do with Hindus living there, they just want Naveen Kumar. Police tried to control the situation by suppressing Muslims when Police failed to control the situation, Police baton-charged Muslims. Muslims burnt the vehicles parked outside the house of MLA and Naveen Kumar.
Understanding the seriousness of situation Police announced that Naveen Kumar has been arrested and shifted to Police Station. Muslims left for the Police Station. When they reached Police Station, they were told that the accused has been shifted to some unknown place. Muslims realized that they are being deceived. They broke into the two PS of the area. after setting vehicles and office of the PS on fire, the violent mob tried to enter living areas of Police. Police started straight firing, killing 19 years old Yasin, 18 years old Wajid, and 26 years old Siddique on spot; many people were injured out of which 3 are seriously injured. 200 Muslims were arrested. In the areas of two Police Stations of Bangalore curfew was imposed.
On the 12 August 2020, Chief Minister B.S Yediyurappa called an emergency meeting, ordered the investigations to be carried out and told media that blasphemous the content was removed from Facebook on the same night, however, he did not tell that where is Naveen Kumar and whether any case has been registered against him or not? Interior Minister Basavaraj Bommi accused Muslims of organized burning of MLA house and Police Stations hinting that Muslims, not Naveen Kumar will be punished.
MLA Akhanda Srinivas Murthy gave the statement, "I appeal to my Muslim brethren not fight over some who has violated the law. Whatever be a matter we are all brothers. Whoever is responsible we shall ensure that proper punishment is given to those responsible. I am with you".
This statement was repeatedly telecasted by state and local channels. Indian National channels, newspapers, and TV channels reported that violent Muslims tortured journalists during the protest and broke their cameras. India Today journalists reported that journalists were tortured by Police not Muslims. Commenting on the post protest situation he said that the place on which journalists were present, there was only Police and no one else. Policemen knew that they are all journalists. When police started beating journalists they targeted journalists of specific media groups especially those who were against Modi's extremist policies in India.
In the areas where Muslims were killed by Police, the situation was tense. In the meanwhile, Muslims besieged a Hindu temple by making human chain by taking hands into hands. They did not want that Muslims get violent due to Police's policies against Muslims and damaged temple. In such a scenario the situation might have been converted into Hindu Muslim riots causing a great loss of innocent lives. Especially Amit Shah and Modi may exploit the situation against Muslims all across India. The protection of the temple by Muslims was appreciated at all levels in India except by extremists of BJP, RSS, and other extremist parties. Naveen Kumar issued a statement that blasphemous content was not uploaded by him. His Facebook account was hacked for spreading Hindu Muslim riots. Sashi Tharoor of Congress party condemned the Facebook post fueling riots saying that mere a post on Facebook should not be given such importance. He appreciated the protection of the temple by Muslims and said that followers of all religions should practice such patience. Bangalore's Muslim MLA Rizwan Arshad and MLA ABZ Zamir said that they demand strict action against Naveen Kumar and appealed Muslims to remain peaceful. Pakistani Foreign Ministry's strict response against blasphemy was also reported in Indian media.
Astonishingly, other Muslim countries did not react against the blasphemy. facebook's role in spreading the riots and removal of the post after the death of 3 Muslims on 3rd day was also criticized. The third story was reported on the 3rd day as well as reporting that Naveen Kumar is linked with BJP and inclined towards Hindu extremism. MLA Murthy told media that he has ended terms with Naveen Kumar for last year. He expressed solidarity with Muslims saying that he has been elected MLA 3rd time by the support of Muslims. This should be also taken in mind that Karnataka is ruled by BJP. BJP was exploiting the situation to divide Muslims of Bangalore. CM Karnataka BS Yediyurrapa is working to take action against the Muslim leadership of the Social Democratic Party of India (SDPI) as they were the first to give the call for the protests. Whatever the situation of internal politics is in India, Muslims of India have proved that they are true lovers of Prophet Muhammad ﷺ and will not tolerate any blasphemy...
Date: 21 August 2020.
Labels: blasphemos, blasphemous, Extemist Hindus, Hindu Extremists, Mother of Democracy or Hindu Extremism


text:
Bosnia and Herzegovina: an ethnically divided country | DW Documentary
In our documentary series, this time you can watch a new documentary called "Bosnia and Herzegovina: an ethnically divided country | DW Documentary". To watch this documentary please click the title or image above. More details and video can be found in the article. Have fun watching.
Ethnic divides still exist in some neighborhoods in Bosnia and Herzegovina. In a school in Travnik, a fence separates Muslim and Croat pupils.
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In our documentary series, this time you can watch a new documentary called "Bosnia and Herzegovina: an ethnically divided country | DW Documentary
Watch full Bosnia and Herzegovina: an ethnically divided country | DW Documentary for fee. All details and information about Bosnia and Herzegovina: an ethnically divided country | DW Documentary can de found below.
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Amela is a Muslim. She went to school in Travnik and grew up with this ethnic segregation. Bosnia's constitutional court declared the "two schools under one roof policy" unconstitutional in 2012. But this policy is still practiced in everyday life, even though nobody calls it that anymore. It's not just in schools that the distance between the ethnic groups is visible. The parents also foster ethnic segregation from their neighbors. It's always been this way - Amela will of course marry a Muslim.
The country is home to Bosnian Muslims, Bosnian Croats and Bosnian Serbs. They say they live together but on closer inspection they just live side by side. Very few would accept a spouse from a different ethnic group.
Exciting, powerful and informative – DW Documentary is always close to current affairs and international events. Our eclectic mix of award-winning films and reports take you straight to the heart of the story. Dive into different cultures, journey across distant lands, and discover the inner workings of modern-day life. Subscribe and explore the world around you – every day, one DW Documentary at a time.
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text:
Home / ... / hidden europe 23 / exploring the European Arctic
Exploring the European Arctic
An earlier generation of Arctic explorers engaged with the landscape in a manner we have lost. Speed has eclipsed understanding. We take time out to feel the pulse of Europe's Arctic environments.
Wanny Wolstad was a remarkable woman. In the early nineteen thirties she became Tromsø's first female taxi driver. It was an occupation which doubtless afforded her some passing contact with trappers and hunters arriving with their spoils in the remote Norwegian city off boats from Svalbard, the Arctic archipelago almost one thousand kilometres away to the north of Tromsø. In a startling change of vocation, Wolstad decided, over the space of just a few days in the summer of 1932, that driving a taxi, though giving a decent income, really had its limitations. She jacked in her job, boarded a ship called Mayflower, and headed for Spitsbergen. Wanny Wolstad spent five successive winters in the Hornsundet area of southwest Spitsbergen, hunting bears and other animals, and so earning herself a place in the history books as one of the very first women to have elected to live the life of a hunter and trapper in the European Arctic.
Wolstad, once she had experienced life in the high Arctic, simply could not keep away, just like generations of travellers since. Expedition cruises now take tourists to many of Europe's Arctic islands, and for rich adventurers the Russian nuclear-powered icebreaker Yamal even makes a couple of trips each summer from the Barents Sea port of Murmansk to the North Pole and back. With prices starting at over thirty thousand euros for a basic double cabin for the two week trip, there are presumably not a lot of hidden europe readers rushing to book places.
Yet despite the growing number of tourists venturing into Arctic wilds, the human imprint on the European Arctic remains relatively modest. Our Arctic territories are a terra incognita on our very doorstep. A sizeable chunk of Europe lies north of the Arctic Circle. The Svalbard archipelago alone is over twice the size of Belgium. Russia has two groups of islands around the Barents Sea that fall within our purview: Franz Josef Land and Novaya Zemlya. The latter, as the northward extension of the Ural Mountains, effectively marks the Arctic boundary between Europe and Asia and incidentally boasts in Cape Zhelaniya Europe's easternmost point. And, the offshore islands apart, four countries on the European mainland (Russia, Norway, Sweden and Finland) have substantial areas north of the Arctic Circle - with vast tracts of northern forests and tundra that still lie far beyond the regular tourist trails.
source: https://hiddeneurope.eu/exploring-the-european-arctic
Night sleepers
Enthusiasts for European train travel, we have noticed, sometimes get a little edgy this time of year. It is that season when train timetables, which have served us well - or sometimes less than perfectly - for almost twelve months are suddenly ...
Local media from Andalucia to the Arctic
When we are not on the road, the hidden europe team keeps a finger on the pulse of European affairs. Local newspapers from the Arctic to the Aegean are grist to the mill of this endeavour. Few are better than Svalbardposten, arguably the world's ...
Anxious Days
You are most likely, as we are, staying close to home. We have time to ponder. And that itself can be a very positive thing. Rest assured that we'll continue to reflect European lives and landscapes with our regular Letter from Europe, ever aware ...
of cabbages and kinder
Istanbul's western districts
an English Eden: Tresco
footnotes to history: lost microstates
Medvednica
children of the Russian century
coffee and cake: a Belgrade centenary
in her element
one summer of fame: Kukes in Albania
all change: 2009 rail schedules
Hugo connections
Simenon in Liège
autumn in Trieste
Filfla (Malta)
Norway Spitsbergen