The Helmingham car show is a large popular event every year and is always well represented from all manner of cars being represented. I spotted a Falcon, but not the sort with wheels! This year there was some birds of prey doing some training and display work which was amazing to watch. Unfortunately my photography skills are lacking when it comes to trying to capture these beautiful creatures in flight.
The birds were kept well away from little hands trying to touch them. Such beautiful creatures and i never realised how big the golden eagle was!
So on to the cars, again there is no real logic for the photos, just they are in batches as I was walking around.
A car I knew very little about this 'Imperial – Le Baron', quite what a huge presidential car is doing in the UK I'm not so sure, but I loved it! Anybody else know and could let me know.
I just loved this Chevy in turquoise blue, such a nice looking car.
After I wandered back from the first couple fields with cars in I took a couple of more pics of my little lady.
The final installment will be in another couple of days. I'm hoping to get some Semi Pro photography of my car to post, the only trouble is that is was so busy you couldn't get a clean uncluttered shot! But, looking at the samples they look pretty good.
This entry was posted in Car, car shows, Photo's and tagged birds of prey, Chevy, ford, Mustang, One man and his Mustang, Presidential. Bookmark the permalink.
What is the insane looking hotrod in batch #4? I can't identify it….
If you mean the purple one that is a Camaro, and it was beautiful.
That Imperial, based on its so-called fuselage body, is from the early 1970's. The LeBaron was an upuper trim level for the Imperial. The presidential seals are obviously add-on's. To my recollection, the U.S. Secret Service was only using heavily armored cars after JFK's assassination in 1963. Nice car, though. It's HUGE by anyone's standards.
Excellent info Richard thank you. That all makes sense as it didn't look that armoured to me. That would need a barn to store it rather than a garage.
Very nice shots of the birds. They are cool. The Eagle is a huge bird, I see a lot of Bald Eagles here, where I am from, but, I don't see many Golden ones, unless they are part of a zoo or sanctuary.
Interesting to see American military vehicles over there, but, I guess a lot where left after WWII.
The Presidential car is interesting. Wish I knew more about it and could tell you, but, I don't.
Your "little lady" looks really nice, love seeing it.
Thank you, I was surprised at the diversity of cars there. Then on top of that birds of prey flying around. A good day all round was had by all.
Raptors and classic cars. Perfect!
Thanks Timothy, it was a good day with lots of cars.


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There were many big events going on over the past week ranging from state golf to crucial divisional football matchups.
This week's group of nominees for the Tribune's Prep Athlete of the Week came through in the clutch in many instances, stepping up for their team when they needed it the most.
To cast your vote for Prep Athlete of the Week, make your way to gftrib.com and find this story.
If the poll doesn't immediately appear, refresh the page.
Polls close at 10 p.m. on Tuesday, so be sure to cast your vote before then.
Peyton Vining, Centerville volleyball: The senior had a fine week, tallying a team-high 34 kills in a pair of conference wins over Geraldine-Highwood and Cascade and the Miners' runner-up finish at the CJI Showcase, adding six aces, 37 digs and five blocks.
Brynn Klinefelter, CMR soccer: The sophomore forward was the catalyst in the Rustlers' 4-1 crosstown victory over Great Falls High on Tuesday, notching two goals and an assist to teammate Kelsey Hogan in the win.
Renae Heisler, GFH golf: Heisler had a fine state tournament for the Bison in Billings, putting together an All-State finish at Lake Hills with a two-day total of 163 to place sixth overall.
Dylan Miller, North Star football: Miller put together quite the day as the Knights rallied to beat Big Sandy in Six-Man North contest, rushing for 248 yards on 30 totes for five touchdowns.
Dawson Allen, Fairfield football: The sophomore notched two crucial interceptions as the Eagles held tough for a 24-16 win over Cut Bank Friday, delivering a pick six at the end of the first half before picking off another pass on a potential game-tying drive by the Wolves late in the fourth frame.
Mike Roach, Cascade football: The senior pulled down an interception on the final play of a wild win over Great Falls Central Saturday, picking off a potential game-winning Hail Mary pass in the end zone to preserve the Badgers' 28-22 Northern C win.
All athletes nominated for Athlete of the Week honors throughout the school year will be honored at the Great Falls Tribune's second annual Northcentral Montana Sports Awards banquet this spring.


Tony Nathan was a star running back for Birmingham's Woodlawn High School in the racially charged 1970s. His story is told in the major motion picture called "Woodlawn". Tony joins Greg to talk about what he's doing now after football and what it was like to see his life portrayed on the "big screen". Part 3of a 3 part series.


Coding Basics is a blog with a lot of tutorials and guides to help people who are just starting out with Magento. We have used Magento since 2012, and have created several big projects for clients that are very happy with our work. Since the Magento community is such a big one, we decided to open up our own blog in 2014 where we share tips and tricks about the open source shopping cart platform. We also feature Extensions, themes and Ecommerce talk in general. We have also written a few guides about Magento development, and we will start writing more and more over time. So, check our site regularly to stay up to date with the latest news/developments about Magento.
If you are looking for a Magento developer, please don't hesitate to drop us a line via the Contact form on our website. We are happy to help and will respond to your question within 24 hours. We also offer help in installing (our) extensions and themes.


A 200-year-old, hand-hewn timber frame from a Richland County barn provides the framework and inspiration for this one-of-a-kind venue.
Enhance your event experience by utilizing the ScottsMiracle-Gro Community Garden Campus. This four-acre edible garden is adjacent to this venue and is ideal for a cocktail hour. Guests may enjoy an outdoor Live-Fire Cooking Theater and mingling in colorful, inspiring gardens.


OK, so I did a little research, and found a few tools I thought my help me. I decided to tackle this one problem at a time. First, let's get rid of that stupid desktop wallpaper. A quick trip to Display Properties then the Desktop tab, Customize Desktop and the Web tab to get rid of any extra entries there. Then I used this reg file from bleepingcomputer.com to fix the registry entries that were keeping me from changing the wallpaper. One restart later, and that was taken care of.
One problem down. One much more complicated problem left to tackle.
Ewido at least identified what I was dealing with. Something called Adware.Virtumonde. Since this sucker was running even in safe mode, I borrowed an NTFS boot disk from work, and had a couple of tools I found to help specifically and went to town. First I tried out Symantec's removal tool. Unfortunately, this tool's scan returned nothing. Couldn't even find the infection. Not sure if the dll's had been programmed to hide from Symantec's tool, or if it was looking for a different version, but either way, this was useless.
The next tool to try was the VundoFix from atribune.org. This was the jackpot. It found the infected dll's and even managed to kill running processes long enough to get rid of them. After letting it do it's thing, and restarting, there were no alerts any longer.
At this point, I wanted to do a couple more things. I used the boot disk to make sure the dll's that had been identified as infected were actually gone. They were. Then I started normally and ran a deep scan using AdAware. When it found nothing, and Process Explorer and Ewido showed no unusual processes, I had a good feeling that we were relatively safe, at least safe enough to run behind my Hawking firewall/router at home, so it was time to hookup to the Internet and start getting updates. Except I couldn't connect to Windows Update. Seems the hosts file had a whole bunch of entries pointing to 127.0.0.1 including windows update, most A/V company sites, and links to anti-spyware downloads. Seems AVG updates weren't on that list, and since I was loading programs from my thumb drive, I really hadn't run into this until now. So I wiped out the hosts file and went back to getting my updates.
After I had all the updates, I grabbed a copy of Windows Defender as well, and ran a full scan with that. It found a couple of left-behind fragments, but nothing that was running currently. I did a quick install of a previous version of Zone Alarm to verify that nothing was trying to connect to the Internet, and then uninstalled it because I've been having so many problems with it on our work laptops.
The last thing I did was set-up this machine in a simple, yet relatively safe, configuration. I left AVG, Windows Defender and AdAware installed. I turned on the Windows firewall. I turned on Automatic Updates, and set AVG and Windows Defender to get updates automatically as well. I typed up a description of what I had done along with some recommendations for safe surfing, and I turned it back over to it's owner Friday morning.
Monday, my wife was handed a nice thank you card and a batch of made-from-scratch, delicious, chocolate chip cookies to take home to me.
In Part 3, an epilogue if you will, I'll go into detail on why I made some of the choices I did, and try to list some more useful links to help cleanup malware, so if you have any tools that you have been using, let me know so I can add them. Thanks!
Trojan Hunter from http://www.misec.net/ is what we use to clean stubborn infections. It's always picked up stuff the others (AdAware/Spybot S&D/Windows Defender) have missed.


17th November 2011: "Where do Daddies Come From?" Published today!
Our latest title "Where do Daddies Come From (A Pregnancy Guide for Men)" by Steve Cummins is published today! This book is now available from our international distribution partners or directly from Glasnevin Publishing.


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Home » Lifestyle » Katie Holmes' Stylist Defends Her Viral Jeans and Dress Outfit: It Was 'Fun'
Katie Holmes' Stylist Defends Her Viral Jeans and Dress Outfit: It Was 'Fun'
Katie Holmes shocked fashionistas all over the world when she attended the 2022 iHeartRadio Jingle Ball on Friday, December 9, in a mini dress and jeans. Now, her stylist, Brie Welch, has come forward to share the reasoning behind the ensemble, which reminded many of Us of the early 2000s.
About Last Night: See the Best Dressed Stars on the Red Carpet and Beyond
In an interview with The New York Times, published on Wednesday, December 14, Welch explained that the silky dark blue number was actually a top and not a frock. "We decided the rich color and subtle bustier effect detailing of the top was elegant and would be fun if paired with jeans," she told the newspaper, adding that both she and Holmes, 43, wanted to create a "youthful" feel for the holiday soiree.
As for the sneakers, the fashion guru said Holmes wanted to be comfortable. "On the day of — and because Katie has her own effortless style that should be appreciated here, she said she wanted to wear sneakers because it was a concert and obviously there would be a lot of dancing to Dua Lipa," Welch told the Times. (In addition to Lipa, 27, Lizzo, Charlie Puth, Demi Lovato, Dove Cameron and more took the stage at Madison Square Garden.)
In response to all the chatter and questions surrounding the outfit, Welch added: "[Holmes] is more than capable of looking cool in an unintentional trend 20 years later."
The Best, Boldest and Most Beautiful Hair Moments of 2022: Jodie Turner-Smith, Kim Kardashian and More
While it's clear the Alone Together star wasn't intentionally trying to pay homage to her 2000s-character Joey Potter from Dawson's Creek, the mini dress and jeans combo is one of the most memorable trends of all time. It was seen on the red carpet by stars including Miley Cyrus, Ashley Tisdale and Anne Hathaway and on TV by Sex and the City's Carrie Bradshaw (Sarah Jessica Parker) and Girlfriends' Joan Clayton (Tracee Ellis Ross).
Through the years, Holmes has made a name for herself as a style queen. Whether she's reviving styles like overalls or denim skirts or hitting the red carpet in sparkly dresses and tailored suits, the Ohio native always slays.
The Most Striking Makeup Moments of 2022: Bold Lips, Dramatic Eyes and More
She opened up about her wardrobe in September, telling British Vogue: "My personal style is pretty classic."
She continued: "I like taking risk and having fun with fashion, but I tend to gravitate towards simple design and things that are very meaningful. I appreciate the work that is involved in making a piece … I'm very honored that people like my style because I like to infuse design into everything that I do."

redpajama_set_name: RedPajamaCommonCrawl


Please email or call us if you have any questions about the information below. If you would like to schedule a session after reviewing these details, we encourage you to view our Services to learn which package is best for you.
2. Traffic Signs: When you first start driving, you will notice just how many different types of signs are on the road. It may seem confusing at first, sort of like looking at some strange "sign" language (we laughed a little when we wrote that…); however, over time you will become familiar with the colors, shapes, and sizes of signs and the various phrases placed on them. You will react almost instinctively, but it all starts with studying the signs first.
9. Special Conditions: Special conditions such as rainy or snowy weather, darkness and poor lighting, icy roads, and more affect how you drive. You will become familiar with these special conditions over time, but well before experiencing them, you should study and think about how you would handle them. Ask your instructor for more information as well.
10. Road Test: Our students usually contact us because they want to pass the road test and earn their driver's license (of course!). We're proud that the vast majority of all our students pass their road test on their first or second try.
Whew! It might look like a lot, but it's all easy to pick up once you have quality instruction and practice while using a safe and well-maintained vehicle. Contact us to learn more. We are here to help in case you need anything. Good luck!


The aim of the research project by ITCF Denkendorf, DITF-MR and TITV Greiz is to establish a reliable data basis for pretreatment when using inkjet printing. The idea is to find better integration between substrate and ink through a series of laboratory experiments.
For this purpose the ITCF characterizes printing ink of various compositions by means of their physical parameters such as surface tension, viscosity and wetting behavior and prints them on textiles that have been pretreated in various ways. The impregnation is chemically modified in such a way as to achieve together with the printing ink and textile that is used, the optimum wetting properties.
The capillary rise method is used as the method of measurement: fabric is dipped into a watery dye solution. Over a period of time observations are made in regards to what extent the watery solvent and dye spread onto the textile. This method offers evidence in regards to the affinity of dyes to specific textile materials and in regards to hydrophilicity and wetting speed.
The results can be correlated with the print resolution and reliably demonstrate in which way a pretreatment should be carried out in order to prepare a specific textile for printing in the best possible way.
Methods of measurement supported by images reveal information in regards to the wetting kinetic of individual ink drops and allow detailed understanding of how even minimal changes affect the ink formulation and composition of the pretreatment (impregnation).
Finally, the measurements obtained in the laboratory should be summarized in a data base. With this, it should be possible to consistently ascertain the ideal combination of ink, pretreatment and textile – for reproducible user results.


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Dog Day Afternoon and Inside Man
Dog Day Afternoon Inside Man
Bank heists and hostage situations come under examination in this episode, as we talk about Dog Day Afternoon and Inside Man. Listen in, or suffer the consequences.
What was in the water in 1970s Hollywood? Something special, I think (maybe water being at the heart of Chinatown was a little nod to the truth). Whatever it was, it meant that so many of the films made in that era were amongst the greatest ever of their type, and few, if any, have been bettered (matched, maybe, but seldom surpassed). Various entries in the crime genre, and its attendant subgenres, are prime examples, and it is one such, in the heist-gone-wrong group, that we're looking at now.
Sidney Lumet's Dog Day Afternoon features one of Al Pacino's finest performances, in a decade full of outstanding Pacino performances, as he plays Sonny Wortzick, a real person who attempted to rob a bank in Brooklyn in 1972 in order to pay for his boyfriend's sex change operation.
On a sunny afternoon in sweltering Brooklyn three armed men enter a bank as it's getting closed up for the day. Things go almost immediately south as one of the trio declares that he can't go through with it, leaving Pacino's Sonny and John Cazale's Sal to carry out the robbery. Soon, Sonny's burning of the traveller's cheque register draws unwanted attention to the bank, and a bank robbery turns into a hostage situation, with TV crews, crowds of onlookers and a harassed detective trying to resolve the situation while being undermined by other police units outwith his control.
Dog Day Afternoon has undoubtedly lost some of its power since its release in 1975, removed as it is from the simmering racial, sexual, economic and political tensions of mid-70s New York City, and its release only four years after the Attica prison riot, but it's nonetheless captivating. Pacino is superb in the lead role; while we are always cognisant of the fact that he's an armed bank robber, he engenders a great deal of sympathy and makes us believe that he's impetuous rather than malevolent, and genuinely has no desire to harm anyone. It is also nice to be reminded (because it's so easy to forget) quite how much subtlety Pacino can bring to a role.
As he did in 12 Angry Men, director Lumet has provided a masterclass in increasing tension amid sweltering confines (there's no music, and all of the atmosphere comes from Lumet's direction and Dede Allen's editing): it's easy to convince yourself that you can feel the sizzle of the heat of the pavement or the muggy interior of the bank alongside the characters. Lumet also allows his cast to inhabit their characters, and Frank Pierson's excellent script to breath, allowing for moments of humanity and humour that never feel forced, but are rather the believable products of real people being in that stressful situation.
It's almost farcical at points, from the teller chiding Sonny that he's not a very good planner, and did he just rob the bank on a whim; the guy who bailed early complaining about how he'll get home if he can't take the getaway car; more than one teller seeming to be more concerned by the fact Sonny has a potty mouth than a loaded rifle; Sonny himself being cheered on by the crowds gathered outside; to the husband of one of the staff calling the bank and asking if the robbery will take long. There is always an undercurrent of tension, though: it's clear that while the bank staff may be sharp-tongued, they're also just trying to cope with their situation, and the facts of loaded guns, a slowly unravelling Sonny and an on-edge Sal are never far from their thoughts, and the moments of levity feel natural, real, earned: a quip to cut the tension as a result of situation, not script. The characters, robbers and hostages together, share a camaraderie and understanding that comes from similar status and prospects, rather than accelerated Stockholm syndrome.
One other thing worth noting is quite how progressive it is (for a 1970s major studio picture): while the news reports change (after more information leaks out of the situation) to emphasising that "two homosexuals" have taken hostages in a bank, Sonny's being bisexual is treated almost matter of factly, and there is little gay stereotyping, certainly not of the type particularly prevalent in the 1970s. There is, perhaps, a slight femininity to Chris Sarandon's Leon, Pacino's boyfriend, but while there is a momentary tittering from the assembled cops when he tells Charles Durning's Detective Moretti that he and Sonny were married by a priest, it is otherwise regarded dispassionately.
Dog Day Afternoon is intense, naturalistic and brilliant, and, in unexpected ways, heroic and hopeful. A film I have always loved, and one I'm thoroughly delighted to find I enjoy just as much after what is probably a fifteen year gap.
This 2006 Spike Lee Joint takes a similar framework of cops surrounding robbers and turns it into an altogether more mysterious affair than the character piece of Dog Day Afternoon.
We're introduced to Denzel Washington's Detective Keith Frazier with the cloud of an internal affairs investigation hanging over him, but he's nonetheless called on to lead the police response to a bank robbery turned hostage situation. Clive Owen's Dalton Russell and his gang have rolled up to a Manhattan bank, announced their intentions and got to work dressing the hostages in the same boiler suit get-up as they sport, but don't seem all that obsessed with the cash, strangely enough.
The bank's owner, Christopher Plummer's Arthur Case, is worried about the situation for more than just the obvious reasons, and hires a fixer in the shape of Jodie Foster's Madeleine White to see that certain things stay buried.
The awkward part in all of this turns out to be Detective Frazier, who understandably does not like being told to look the other way or to stop pursuing paths of investigation, balancing this along with managing the response to Russell's changing demands, even as his suspicions of their ultimate intent grows, all the way to the unexpected ending where they appear to melt away into a crowd without having taken anything.
Of course, things are not what they seem, and the path to the ultimate reveal of what's going on has a few twists and turns and is never less than entirely engaging. It helps, of course, that so much of the film features Denzel Washington and Clive Owen, both of whom I'd happily watch reading a phone book, and the top rate supporting cast – Foster, Plummer, Willem Dafoe, Chiwetel Ejiofor: there's no-one slacking on this production.
Spike Lee is a filmmaker that I always intend to watch more of, and somehow never do, so I'm not well placed to judge the Spike-Lee-i-ness of the film, but I can say that it's really well shot, paced and edited, so that's a good thing, I suppose.
I'm a little surprised to see that Russell Gewirtz wrote this. Surprised, because this is a very interesting story with snappy dialogue, and he also wrote Righteous Kill, which was very much the opposite. I suppose in less talented hands the dialogue might not play quite so well, but thankfully there's no shortage of safe pairs of hands here.
There's perhaps little in the way of capital A artistry here for Inside Man to echo down the ages, but it's a really enjoyable heist based mystery and a great way to spend a couple of hours. I recommend you do so.


The Registry of Deeds handles all property records for Barnstable County, serving all 15 towns on Cape Cod. We are located in the Deeds & Probate Building in the Barnstable County Complex, located at 3195 Main St. (Route 6A) in Barnstable Village.
The Registry of Deeds is an office of Record where the public may register deeds, mortgages and other land records. Copies of these records and others such as easements, mortgage discharges, liens and plans of land, many of them dating back to the early days of the colonies, are to be found at the Registry. These documents affect the legal or financial status of real property with the County of Barnstable.
At the Registry it is possible to determine property ownership, to research land titles and to acquire copies of recorded documents and plans. Towns' Boards of Assessors depend on the Registry to furnish them with Copies of all property transfers and related matters to enable them to keep municipal ownership records up to date.
The Registry provides a permanent public record of the title to property. In doing so, it places the public legally on notice as to that title, and thereby provides permanent protection for the rights of ownership.
An essential step in the current recording process is that of electronically scanning all documents, instruments and plans. Multiple layers of backups are created in different media formats with offsite underground storage for long-term archival security.
The Registry of Deeds is a county office operated under the supervision of the Register of Deeds who is an elected county official. By virtue of his office, the Register of Deeds is also an Assistant Recorder of the Massachusetts Land Court. All transactions recorded in the land court section of the Registry deal with registered land, the title to which is insured by the Commonwealth.
Mr. Meade is the elected Register of Deeds and has held the position since 1989. He is an attorney licensed to practice law in the Commonwealth of Massachusetts. Prior to assuming the office of Register, Mr. Meade maintained a successful law practice in the town of Falmouth. Mr. Meade received his B.A. from Bates College in Maine and his law degree from Emory University Law School in Atlanta Georgia. He is the former President of the Massachusetts Registers and Assistant Registers of Deeds Association and a member of the Barnstable County Bar Association.
Mr. Murphy has been the appointed Assistant Register of Deeds since 1998. An attorney licensed to practice in the Commonwealth, he holds a Juris Doctor from Suffolk University Law School, an L.L.M in Taxation from Boston University Law School and received his B.A. from Providence College. Prior to becoming Assistant Register, Mr. Murphy worked with Maurice H. Sullivan Jr., P.C. in Brighton.
Of more than passing interest is the historic court house fire which destroyed the original Registry of Deeds. The history of deeds recorded in Barnstable County dates back to 1686. (Prior to that time the land records were recorded in Plymouth County). By the year 1827 ninety-four volumes of land records had been recorded at the Barnstable Registry. On October 27, 1827, a disastrous fire destroyed the Court building which housed the Registry of Deeds. All but one the ninety-four volumes of land records then in existence were lost in the blaze. Even though many of the instruments were subsequently re-recorded, the effect of this loss is being felt to this day.


text:
Q: string produced by matcher.group does not work correctly with List.contains I have created a class named Titles and i have an attribute in it called 'name', which is a String.
class Title{
   String name;
   Title(String name){
       this.name = name;
}

I am looking for words that fit my puprose in a textfile and then I create an object of type Title with this word as an argument, like this (titles is a List containing all the created objects):
while(in.hasNextLine()) {
            line = in.nextLine();
            Matcher m = libPattern.matcher(line);
            while(m.find()) {
                String token = m.group(1);
                Title newTitle = new Title(token);
                if(!titles.contains(newTtile)) {
                    titles.add(newTitle);
                    System.out.println(newTitle.getName());
                }

            }

I have overrided the equals and hashCode methods with the standard way:
@Override
public boolean equals(Object o) {
    if(o == null)
        return false;
    if(o == this)
        return true;
    if(!(o instanceof Title))
        return false;
    Title t = (Title) o;
    return t.getName() == this.getName();
}

@Override
public int hashCode() {
    return this.getName().hashCode();
}

Now my problem is that although I check if the titles List already contains a Title object with the same name, it always returns false, so I get Title objects with the same name many times in my List. I have debugged this in all the ways I could think of and I couldn't solve it.
If i replace token with, let's say token = "TitleName" , then create Title(token), add it in the List and then do the check, it understands that it already exists. I tried the following:
Title titleObj = new Title("titleName");
titles.add(title);
if(titles.contains(titleObj))
    System.out.println("true");

and it does return true. So I guess the cause of the problem is the line
String token = m.group(1);

but i can't find the solution. Could anyone help?

redpajama_set_name: RedPajamaStackExchange


text:
Version at BMCR home site
Nicoletta Momigliano (ed.), Knossos Pottery Handbook: Neolithic and Bronze Age (Minoan). BSA Studies 14. London: The British School at Athens, 2007. Pp. xv, 276; figs. 148; tables 34; pl. 1; CD. ISBN 978-0-904887-55-6. $170.00; £60.00.
Reviewed by Sean Hemingway, The Metropolitan Museum of Art, New York
Disclaimer: The reviewer has worked with several of the authors, most notably J.A. MacGillivray but also E. Hatzaki and P. Tomkins, at Palaikastro, another Minoan excavation on Crete sponsored by the British School at Athens.
The Knossos Pottery Handbook: Neolithic and Bronze Age (Minoan) can be seen as the prequel to the Knossos Pottery Handbook: Greek and Roman, which appeared in 2001.1 As its title implies, the book covers a vast time span from approximately 6500 to 1100 B.C. By any measure it is a significant achievement and the editor and authors are to be commended for collectively bringing together in one volume the most up-to-date presentation of the pottery produced at Knossos, the largest and single most important archaeological site on Crete in the prehistoric period. Some years ago an eminent British archaeologist gave a lecture in New York on the Indo-European question and during the discussion afterwards was asked how Crete fit into his theoretical models. He replied quite seriously that the problem with prehistoric Crete was that there was too much information available. At first blush, the reader of this book may have a similar impression. Taken as a whole, the quantities and variety of pottery that were produced at Knossos in the Neolithic and Bronze Age are staggering. However, the wealth of archaeological information that often renders the application of even sophisticated theoretical models inadequate is precisely what enables the kind of detailed ceramic analysis so carefully presented in this book. One must also keep in mind that this book is a reference work and is not meant to be read from cover to cover. It is aimed at the pottery specialist and field archaeologist. This reviewer would not recommend it for general or even undergraduate level reading. Its greatest strength lies in its rigorous application of stratigraphic sequencing to every period and its pottery, providing a clear and traceable thread of history through this important site, which has been the subject of study and excavation for more than a century. In this way, the reader can see how secure or in some cases how tenuously each ceramic phase is tied to that which precedes it and that which follows.
The book consists of an introduction by the editor, Nicoletta Momigliano, and six chapters written by specialists that are arranged chronologically. Momigliano stresses that this book is not a corpus of all prehistoric pottery that has been found at Knossos but instead focuses on local ceramic production. Momigliano provides a brief overview of the history of excavation and ceramic sequencing at the site beginning in 1878 under the direction of Minos Kalokairinos and Sir Arthur Evans's historic and monumental research between 1900 and 1931, which culminated in his multi-volume work, The Palace of Minos at Knossos. Momigliano highlights the contributions of Evans's colleague, Duncan MacKenzie, who was the first to phase Neolithic and Minoan pottery each into three main stages, using the labels Lower, Middle and Upper Neolithic and Early, Middle and Late Minoan consistently, a scheme that Evans whole-heartedly endorsed.2 Together Evans and MacKenzie further subdivided the Minoan phases into three sub-phases (Early Minoan I, II, III, etc.) for a total of nine phases for the Bronze Age. This tripartite Minoan classification system has remained in use for the Knossian ceramic sequence to the present day and Momigliano assesses some of its continuing problems at the site and especially when applied in the broader context of other sites on the island and in the Aegean. After Evans, Arne Furumark made important refinements to the later Knossian Bronze Age sequence in his monumental study of Mycenaean pottery and Mycenaean chronology first published in 1941. Numerous additional campaigns of excavations at Knossos in the second half of the twentieth century have sought to clarify the Knossian ceramic sequence. Most notable among these are Sinclair Hood's excavations along the Royal Road and in the palace in 1957-1961, which yielded a wealth of important new stratified material, and the excavations of the Minoan Unexplored Mansion by Popham and Sackett in the 1960's and 1970's.
It is important to note that the present volume is not merely a synthesis of what has already been published on Knossian pottery, as one might presuppose from its slightly misleading title of handbook, but is a new approach. The authors have formed a sequence of representative pottery groups founded on stratigraphic and stylistic observations that were initially determined without labels such as Early Minoan IIB or Middle Minoan IA. Each chapter adheres to a basic presentation that begins with a brief introduction to the period and the history of the scholarship. The main archaeological deposits for each pottery group are listed and their contexts discussed. The characteristics of the ceramic group are articulated through a description of the most common fabrics, wares and their decoration, and forms and their shapes; this constitutes the largest part of the text in each chapter. The body chapters conclude with sections on the relative chronology of the pottery group/ceramic phase and any synchronizations that it has with ceramic deposits at other Cretan sites as well as sites further afield in the Aegean and more generally the Eastern Mediterranean region. The synchronizations are also listed in useful tables that accompany each chapter.
There is not space in this review even to mention all of the different kinds of pottery from Knossos discussed within the book. Rather what follows are some measured comments on the different chapters. The first chapter, by Peter Tompkins, covers the entire ceramic producing Neolithic period (ca. 6500-3100 B.C.). The period is defined as nine strata which are divided into 9 pottery groups (Strata IX-VIII, VII-VIB, VIA-V, IV, IIIB, IIIA, IIB, IIA, and IC). Knossos occupies a central place in our understanding of the Cretan Neolithic as its earliest settlement precedes ceramic production, the Aceramic Neolithic, and the site shows continuous occupation to the very end of the Neolithic and into the Bronze Age. This chapter presents an excellent survey of this early period at Knossos and provides a sense of the rich Knossian ceramic sequence. In general the line drawings throughout the book are of a high quality. For a handbook, though, one expects to see as many complete shapes represented as possible. There are just nine whole shapes illustrated for the entire Neolithic and all appear as line drawings. It would have been nice to have had some photographs of whole vases as well. In Betancourt's book on the history of Minoan pottery, for example, there are three complete or nearly complete pots from Middle Neolithic Knossos.3 None of these is represented in Tompkins's drawings and one wonders how many other shapes, which are carefully described in the text, could have been illustrated. This chapter is the only one to include a microscopic analysis and presentation of the different fabrics used to make the pottery. Tompkins shows how the Knossos pottery sequence helps to secure later Neolithic Cretan chronology and identifies a range of imported pottery in the Knossos sequence, beginning with the very earliest pottery producing levels, that allows the Knossos sequence to be securely anchored to other Greek and Anatolian pottery sequences. Tompkins's chapter ends with a discussion of the issue of "Sub-Neolithic" pottery of the Early Minoan I period and concludes that there is no longer any reason to think that the Early Minoan I period begins any later than Early Cycladic I in the Cyclades, Early Helladic I in Greece, or Early Bronze I in the East Aegean. One gets the sense that, given the very fragmentary nature of the material, our understanding of this important early period will continue to evolve with on-going adjustments and re-analysis of the pottery and this chapter should be taken as the latest, not the last word, on this subject.
Chapter two, entitled Early Prepalatial (EM I-EM II), by David E. Wilson, is divided into four pottery groups: The EM I Well Group, the West Court House Group, the North-East Magazines Group and the South Front Group. Sir Arthur Evans's excavations did not produce much stratified evidence for the Early Minoan period despite extensive tests that were undertaken between 1900 and 1908. It was only in later tests undertaken in the late 1950's and early 1960's by Sinclair Hood and Gerald Cadogan that well-stratified Early Minoan layers were identified. Subsequent soundings by J.D. Evans and then Peter Warren have enabled a refinement of the Early Minoan II period into EM IIA and EM IIB. Part of the problem for understanding this early period is the fact that much of the site is so heavily rebuilt in later periods that these early layers are less accessible or heavily disturbed. The most important deposit for understanding Early Minoan I ceramics at Knossos is a deep fill in a well located in the north-east wing of the later palace, which is one of twelve deposits excavated at the site that Wilson defines as diagnostic for this period. Wilson does not see a clear ceramic subdivision within the Early Minoan I period as has been previously argued. There is strong continuity in pottery fabrics and wares from Early Minoan I to Early Minoan IIA, represented by the West Court House Group (Early Minoan IIA early) and the Northeast Magazine Group (Early Minoan IIA late), when differences in forms and surface decoration allow for period subdivisions. The Wiped and/or Washed Ware is one characteristic ware of EM I that does not continue into EM IIA. Burnished wares, the Dark-on-Light Ware, which becomes so characteristic of Minoan pottery in later periods, and Red/Black Slipped Ware, including Light-on-Dark, comprise much of the fine pottery in addition to cooking and pithos wares. Perhaps not surprisingly, the fundamental cooking vessels -- tripod cooking pots and baking dishes -- begin in Prepalatial times and have a long history in Minoan ceramics. Wilson notes that there are no off-island ceramic imports at Knossos in the Early Minoan I period but Cycladic pottery does begin to appear in EM IIA contexts when imported pottery from East Crete and the Mesara also appears at Knossos. The EM IIB pottery phase, defined as the South Front House Group, by contrast, does not have many links across the island except for imported Vasiliki Ware, which, however, is not common outside of eastern Crete.
Chapter three on the Late Prepalatial period, or Early Minoan III-Middle Minoan IA, is written by Momigliano. Momigliano describes the EM III period at Knossos as a time of retrenchment and isolation, continuing certain trends of the preceding EM IIB period and she sees the Middle Minoan IA period as a time of recovery, growth, and increasing contacts leading up to Protopalatial developments. Early Minoan III and Middle Minoan IA are often linked together in archaeological literature. The Early Minoan III ceramic phase has been controversial because it is not represented at many sites, which were destroyed and abandoned in EM IIB and not re-inhabited until MM IA or later. However, Knossos is a site that was continuously occupied and Momigliano is able to subdivide the period into EM III Early, the SFH Foundation Trench Group, and EM III Late, the Upper East Well Group, although as yet without detailed ceramic definitions of these sub-phases. The EM III pottery phase is represented by 10 deposits with a predominance of Light-on-Dark Ware. Knossian EM III pottery continues to be handmade with a few exceptions suggesting the first attempts at the use of the potter's wheel. Barbotine Ware and Polychrome ware make their first appearance but occur very rarely and NM suggests the latter may be imported to Knossos at this time. The Middle Minoan IA ceramic phase is called the House C/RRS Fill Group and only seven deposits are assigned to this group. There is much continuity in terms of fabrics, wares and forms from the EM III period and pottery generally continues to be handmade. Major innovations of this ceramic phase are the adoption of polychrome decoration and the appearance of new vessel forms such as straight-sided and carinated cups. As in the other chapters throughout the book less attention is given to the coarse wares and cooking wares. This is largely due to their secondary or non-treatment in earlier publications, and not because they do not exist and cannot add to our understanding of diagnostic pottery assemblages. Knossian imitations of Cycladic pottery appear in MM IA at Knossos and recent excavations at Akrotiri on Thera have yielded a few MM IA imports from Knossos. A Knossian imported vase at Lapithos is suggestive of the first clear Knossian contacts with Cyprus in the Middle Minoan IA period.
The fourth chapter on Protopalatial (MM IB-MM IIIA) pottery is by J.A. MacGillivray. This chapter is largely derived from MacGillivray's book on this subject, and follows the typology terminology that he establishes there.4 The author only discusses fine ware, deviating from the schema established in the earlier, and later, chapters. JAM contends that in this period Knossos received exchanges, offerings and tributes from a wide variety of sources but notes it is at present difficult to distinguish between local products and imports. However, the most important pottery of this period, Kamares Ware, named early on after the cave on Mount Ida where large deposits were found, is one of the most recognizable ceramics in the world and MacGillivray argues that it was largely produced in the Knossos-Archanes region. Its high-quality, lustrous, black ground surface probably imitates the black luster of oxidized silver and the sharp, crisp forms of many of the shapes certainly look to metal prototypes. In addition, intricate red, orange, yellow, violet and white designs were applied on the dark ground to produce a vivid polychrome effect. This pottery required considerable technical knowledge and skill to produce. It was not for every day use but likely featured in feasting rituals and other celebrations. MacGillivray suggests that Knossos was a center for communal gatherings in this period, not a seat of worldly authority as it would become later. Middle Minoan IB is termed the Early Chamber Beneath the West Court Group and is represented by 15 deposits from many different locations of the palace and town. For the first time there is significant use of the potter's wheel and many more kinds of pottery were produced than before, among them: Barbotine Ware, Shallow Grooved Ware, Early Printed Ware, and greater varieties of Light-on-Dark Ware, as well as the Polychrome or Kamares Ware. The Middle Minoan IIA ceramic phase is termed the Royal Pottery Stores Group and is represented by 11 archaeological deposits. A hallmark of this phase is 'Egg-shell' Ware, with its exceptionally thin walls of less than a millimeter, which must be the product of a specialized workshop, and is the finest pottery of its time. Another ceramic innovation at Knossos in MM IIA is the creation of Stamped and Impressed Ware and, more generally, the widespread adoption of the potter's wheel. Knossian pottery of this period travels to the Near East and has been found on Cyprus and in the Levant. MacGillivray also sees strong parallels in the silver ware found at Tôd in Egypt with MM IB and MM IIA Knossian ceramics.5 The Middle Minoan IIB ceramic phase is termed the Trial KV Group and is the most difficult to define stratigraphically at Knossos with only four archaeological contexts listed. Most characteristic of this phase is Precision Stamped Ware and polychrome styles on cups and bridge-spouted jars. A good number of contemporary pottery deposits in destruction layers at other sites on the island have been identified and some Knossian pottery exports have been found in the Levant and Egypt, notably at Tell el-Daba'a, where Minoan style frescos also occur, and Abydos. MacGillivray identifies the MM IIIA ceramic phase at Knossos as the West and South Polychrome Deposits Group represented by only six archaeological contexts. MacGillivray now believes that the palace at Knossos was brought down at the end of this period by a seismic event sometime after the destruction of the palace at Phaistos.
The final two chapters of the book -- on the Neopalatial, Final Palatial and Post Palatial pottery from Knossos -- are by Eleni Hatzaki. The Neopalatial period at the site is divided into three distinct destruction horizons: a MM IIIB seismic destruction, a second seismic destruction associated with the Theran eruption in LM IA and a fire destruction at the end of LM IB. Hatzaki argues that the emphasis Popham placed on "type-fossils", specific vessels and types of decorations produced and consumed within the span of a single ceramic phase, does not work so well for the Neopalatial period (MM IIIB-LM IB) since most Neopalatial vessel types and decorative motifs have longer life spans, straddling more than one ceramic phase. Hatzaki elucidates some other terminology issues: notably that in previous scholarship MM IIIB, MM IIIB/LM IA transition, and early LM IA have been used to describe the same thing. Hatzaki does not see stratigraphic or stylistic evidence to support subdivisions of the three main phases as has sometimes been suggested before and as is sometimes possible at other sites like Mochlos in the LM IB period. Instead, Hatzaki proposes a new revised sequence based on three main pottery groups. The MM IIIB ceramic phase is identified as the KS 178 Group, named after a deposit excavated by Colin MacDonald in the early 1990's. It is unfortunate, given the importance of this book, that Hatzaki was unable to study the complete vases from the palace and acropolis houses which are stored in the Herakleion Museum, but Hatzaki states that this only prevented a more detailed discussion of fabrics and formation techniques. One distinctive motif that begins in this phase is the use of ripple decoration as a frieze on lustrous and non-lustrous Dark-on-Light Ware. The LM IA ceramic phase is termed the Gypsades Well (Upper Deposit) Group with 24 diagnostic archaeological contexts listed. This ceramic phase exhibits an increase in use of elaborate decorative motifs, which seem to parallel developments in fresco painting. The reed style and its local variants applied on both fine and coarse wares is a hallmark of this period and one of the main features for distinguishing between MM IIIB and LM IA deposits. The so-called 'Jackson Pollack' or spray-painted style also appears to begin in LM IA and is an example of another distinctive style that continues into the next ceramic phase. EH defines the LM IB ceramic phase as the SEX North House Group. One has to go to the index to learn that SEX stands for Stratigraphical Museum Extension Site. Hatzaki reports that, surprisingly, a detailed LM IB ceramic phase remains slightly elusive at Knossos because of the relatively small amount of published pottery. However, at a recent conference on LM IB pottery held at the Danish Institute in Athens, Sinclair Hood presented a wealth of unpublished pottery from destruction deposits along the Royal Road. When this material is published it will rectify the situation considerably with a very wide range of pottery shapes and styles as one expects would have been produced at this major palace center during one of its renaissance periods. At present cross-island synchronizations in the LM IB period are still largely defined by the existence of a small group of open and closed vessels in fine buff clay decorated in Marine and Alternating style of the Special Palatial Tradition, the majority of which were probably produced in Knossian potter's workshops.
The last chapter is devoted to the Final Palatial and Post Palatial periods. The Final Palatial period (LM II-LM IIIA2) witnesses the rise of Knossian hegemony as the single functioning palace on Crete. The LM II ceramic phase is called the MUM South Sector Group and with 25 archaeological contexts listed is clearly defined with extensive assemblages. Hatzaki notes that the surface of the pottery is usually less well preserved than those of the LM I and LM III periods. In terms of pottery, links with mainland Greece in this period at Knossos are based more on mainland inspired new ceramic shapes, such as the kylix, trough-spouted jug and squat alabastron, than actual imports. LM IIIA1 is defined as the Long Corridor Cists Group with 17 archaeological deposits. Hatzaki points out that the published pottery of this period provides only part of the picture as it is a highly selective representation of a restricted number of fine and mostly decorated vases. Among these though, the one-handled ledge-rimmed decorated cup and the plain kylix have become 'type fossils' of this ceramic phase. Floral and abstract motifs in Dark-on-Light Ware assume greater prominence while marine themes become less popular. The LM IIIA2 ceramic phase is termed the MUM Pits 8, 10-11 Group. An assemblage of pottery in tomb θ at the Katsambas cemetery demonstrates the co-existence of LM IIIA1 and LM IIIA2 stylistic features and highlights the need to view assemblages in their entirety instead of focusing on individual vessels. Hatzaki reminds us that Popham's palace destruction horizon is an event, not a ceramic phase. It occurred at a time when pottery with stylistic features of LM IIIA1 and LM IIIA2 overlapped. Hatzaki does not believe it is possible at present to support the subdivision of LM IIIA2 into Early and Late as Popham had argued but future research may shed light on this issue. The LM IIIA2 ceramic phase at Knossos does not have many synchronisms with other Cretan sites because there is so much regionalism in pottery production coinciding with the vacuum caused by the destruction of the palace at Knossos. The best evidence for contacts between LM IIIA2 Crete and the eastern Mediterranean is at Kommos and only a few exports from Crete to Cyprus, the Levant and Egypt are known.
The Post Palatial period is divided into three pottery groups: the Makritikhos 'Kitchen' Group (LM IIIB Early), the MUM North Platform Pits Group (LM IIIB Late), and the SEX Southern Half Group (LM IIIC Early). In the LM IIIB Early ceramic phase, there is generally a decrease in Dark-on-Light Lustrous Ware with a much more limited repertoire of motifs and a much greater predominance of plain wares, which is a trend observed beyond Knossos at this time. Hatzaki's presentation of the LM IIIC Early ceramic phase is based only on preliminary reports as the deposits of this phase have not yet been fully published. At present there is no evidence for an LM IIIC Late ceramic phase at Knossos. The Sub-Minoan pottery from the site is essentially contemporary with the beginning of the Early Iron Age in the rest of Greece. The CD attached to the back cover of the book contains an additional 187 illustrations, many in color but of varying quality, and forms an extremely useful supplement to the book.
1. J.N. Coldstream, L.J. Eiring, and G. Forster, Knossos Pottery Handbook: Greek and Roman, British School at Athens Studies 7, London, 2001.
2. Momigliano has done considerable research on the MacKenzie -- Evans relationship. See N. Momigliano, Duncan Mackenzie. A Cautious Canny Highlander & the Palace of Minos at Knossos, Institute of Classical Studies, School of Advanced Study, University of London, London, 1999.
3. Philip P. Betancourt, The History of Minoan Pottery, Princeton University Press, Princeton, 1985, pl. 1a, c, f.
4. J.A. MacGillivray, Knossos: Pottery Groups of the Old Palace Period, British School at Athens Studies 5, London, 1998.
5. On the Tôd treasure, see now J. Aruz, et al., eds., Beyond Babylon: Art, Trade and Diplomacy in the Second Millennium B.C., The Metropolitan Museum of Art, New York, 2008, pp. 65-69; see also p. 60, catalogue no. 32 with color illustration, for the Kamares Ware bridge-spouted jar from Byblos mentioned by JAM on p. 140.


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Q: Centering a line between to nodes using tikz I'm trying to create a tikz picture where I have an image with some text to the right of it. Between the image and the text I want to draw a vertical line that is the same distance away from the edge of the image as from the edge of the text. See the included picture.

Currently I have the following code:
\documentclass{article}
\usepackage{tikz}
\usetikzlibrary{positioning}

\begin{document}
\begin{tikzpicture}

\node[inner sep=0pt] (image) at (0,0)
    {\includegraphics[width=.25\textwidth]{example-image-a}};

\node[anchor = west ,xshift=0cm, yshift=0, text width = 0.5\textwidth, right = of image]{\Huge Text};

\draw[line width=1mm](2.25,-1) -- +(0,2);

\end{tikzpicture}
\end{document}

Important to note is that I would prefer an exact solution, not an estimation like I did by having the line at x=2.25 within the tikz picture (which 'looks' right). I would like a solution that dynamically changes location when the images is moved (the text already moves dynamically with the picture using right=of image).

A: You can use the calc library:
\documentclass{article}
\usepackage{tikz}
\usetikzlibrary{positioning,calc}

\begin{document}
\begin{tikzpicture}

\node[inner sep=0pt] (image) at (0,0)
    {\includegraphics[width=.25\textwidth]{example-image-a}};

\node[anchor=west,right=of image,inner sep=0pt] (text) {\Huge Text};

\draw[line width=1mm] ($(image.east)!0.5!(text.west)$) +(0,-1) -- +(0,1);

\end{tikzpicture}
\end{document}


The glass used to make this pretty little Christmas tree hanger is tumbled sea glass. It has come from old bottles so the pieces are quite three dimensional. We have used metallic red beads to be the decorative balls on the tree, and a silvered glass bead for the star on the top. The back of the mosaic is laser cut plywood with an attractive brown edge.


Measures long-term selective attention and concentration and general ability.
DAUF identifies changes in attentional performance in terms of reaction speed and accuracy in persistently demanding situations. The measurement of sustained attention captures aspects of general ability and willingness to achieve. It also yields information about the respondent's resilience. The test is used to assess suitability for positions with safety-related requirements (safety assessment) and in sports psychology. It is used in clinical neuropsychology to identify deficits and verify the success of treatment.
Depending on the test form, a series of either five or seven triangles appears on the screen; the rows are either regularly or irregularly spaced. Some of these triangles point upwards and some point downwards. The respondent must press a button when either two (and only two) or three (and only three) of the triangles point downwards.
S1: Clinical Form 1 with five triangles (2∇) in regular jumps.
S2: Clinical Form 2 with five triangles (2∇) in irregular jumps.
S3: Normal form with seven triangles (3∇) in irregular jumps.
Number correct: The total number of correct reactions within the set time – measure of the accuracy with which the test has been worked.
Mean time correct: Average reaction time (in seconds) where the answer was correct.
Norms for ages 13+ (S1).
Special norms available of individuals with neurological abnormalities.


text:
Centre of the Body
Events, Publications and Productions
Researchers and Research Associates
The Centre of the Body's Researchers and Research Associates
For general inquiries, please email centreofthebody (@gold.ac.uk)
Our researchers can be found on the Centre's homepage:
Anna Furse (Theatre and Performance)
Ronit Yoeli-Tlalim (History)
Monica Greco (Sociology)
Lisa Blackman (Media and Communications)
Sophie Day (Anthropology)
Originally from Spain, Jorge is a PhD candidate, and his research focuses on performative presence and how to train it. He is also an award winning choreographer whose work has been performed in the main theatres around the world: The New York City Centre (USA), 798 District in Beijing (China) or Sadlers Wells and the Royal Opera House in London (UK).
Jorge's website
Chirine El Ansary
Cairo born Storyteller Chirine El Ansary was raised between Egypt and France, she completed her MA at Goldsmiths where she is a PhD candidate, Department of Theatre and Performance. 'Performing in a dominated body' is the title of her Practice as Research, which draws from her experience as a One Thousand and One Nights performer.
Maud Lannen
Maud is a French choreographer and dancer. She has a BA in Fine Art from The University of Nottingham and an MA in Performance Making from Goldsmiths. Her PhD is a practice-as-research project with the early title 'Seeing/Knowing Difficulty: The problematic sexual body of the mother in the performance encounter'.
Jean Lee (Seoul, South Korea) started her career as a lecturer, dance dramaturge, critic and essayist. She later studied at Roehampton, London and Bauhaus, Dessau in Germany, whilst presenting academic papers in international conferences, dancing and choreographing. Her PhD, 'Immersive Subject, Affective Object', envisages the philosophical reflections on subjectivity through dance experience.
Susan Marshall
Susan Marshall is a British costume designer, design historian and lecturer based in Italy. Her PhD explores the pivotal role of scenographic costume in performance and the relationship between play, constraint and creativity in finding an approach to space, form and movement that overrides the constrictions imposed by the costumes.
Dafne Louzioti
Dafne Louzioti is an interdisciplinary artist whose work stems from research and work with the body. She is pursuing a practice-led PhD focusing on Capoeira Angola, games and the power relationships in the performer-audience exchange, while also teaching in the Theatre & Performance department at Goldsmiths and at Mountview.
Elizabeth de Roza
Elizabeth de Roza is a performance maker and an embodied researcher/practitioner based in Singapore. Her work draws from contemporary cross-cultural performance practices. She co-convenes the Embodied Research Working Group within IFTR and her PhD title is The Embodied Practitioner: Charting towards a contemporary cross-cultural in performance practice.


Former President Manuel Zelaya's leftist Liberty and Refoundation Party (LIBRE) and Salvador Nasralla's centrist Anticorruption Party (PAC) had joined to form the Alliance Against Dictatorship coalition to run in the elections.
Supporters of the opposition alliances have experienced electoral fraud in the past. It was President Juan Orlando Hernandez's National Party that engineered the coup which deposed President Manuel Zelaya from office. Hernandez' National Party has control over many of the country's institutions, including the Supreme Electoral Tribunal (TSE) and the Supreme Court, that eliminated terms limits so he could run for re-election.
Amid allegations of fraud, the TSE, which is responsible for overseeing elections, still has not declared a winner in Sunday's presidential vote.
With 60 per cent of ballots counted, the TSE announced initial results on Sunday showing Alliance Against the Dictatorship's presidential candidate Salvador Nasralla leading by 5 per cent over incumbent National Party candidate Juan Orlando Hernandez. Two members of the Supreme Electoral Tribunal (TSE), Marco Lobo and Eric Mejia, stated the Opposition Alliance candidate Salvador Nasralla's lead in the vote was irreversible.
Inexplicably, election authorities then stopped giving results for more than 24 hours. The long pause in results have led many in Nasralla's party to suspect fraud and his supporters have taken to the streets in protest.
On Tuesday, the TSE finally began releasing vote totals which showed, Nasralla's lead dropping rapidly, and by Wednesday morning results showed that it has shrunk to about 1 per cent.
Hernandez has increasingly militarized the Honduran police and adopted a military style approach to the problem of migration, drugs and crime, an approach favoured by the White House administration -- the steady increase of U.S. assistance to the Honduran armed forces is an indicator of tacit U.S. support.


text:
The Markup is a new journalism venture to examine technology through data
News / data journalism, technology
Founded by Sue Gardner, the former head of the Wikimedia Foundation and Julia Angwin and Jeff Larson, journalists formerly for ProPublica, The Markup will aim to use data to help non-experts better understand everyday technologies that often go unchecked.
When Angwin and Larson worked together at ProPublica, their data-driven investigations included exposing discriminatory advertising practices at Facebook, bias in software that is used in criminal sentencing and algorithms that result in unfair car insurance pricing. They also uncovered evidence of domestic surveillance practices in the Snowden archives and revealed technology vulnerabilities at the President's Mar-A-Lago country club.
"I'm excited to build a team with deep expertise that can really scale up and advance the work Jeff and I began at ProPublica," Angwin said. "We see The Markup as a new kind of news organization, staffed with journalists who know how to investigate the uses of new technologies and make their effects understandable to non-experts."
"People know that these new technologies are important and want to better understand their societal effects. We will help them do that," said Larson. "The Markup will hold the powerful to account, raise the cost of bad behavior, and spur reforms."
The venture is primarily backed by a $20 million donation from Craigslist founder Craig Newmark and $2 million from the Knight Foundation. Amazing.
Looking forward to this.
Data journalism lessons available from ProPublica Data Institute
NSA programs with goofy names
Open source Data Journalism Handbook launched
Data Underload #14 – Popeil Pitch
As corny as the Ronco infomercials are, you can't help …
Million to One Shot, Doc
Between 2009 and 2014, there were an estimated 17,968 visits to the emergency room for things stuck in a rectum. Here are those things' stories.
Data Underload #24 – My Candy
One pound for them. Nine pounds for you. Happy Halloween. …
Shift Your Point of View to When America Was "Better"
How good or bad something is depends on what you compare against.


Everyone has been evacuated from the plane.
At least eight people suffered minor injuries and have reported "back and neck pain". Four other people suffered anxiety attacks.
It happened on Southwest Flight 345 from Nashville around 6 p.m. on Runway 4.
The flight took off at 2:33 p.m. local time from Nashville. It was scheduled to arrive at LaGuardia at 5:10 p.m.
There were a total of 150 passengers including crew members on board.
The FAA says LaGuardia Airport is not closed, but they are not accepting arriving flights.
Port Authority spokesperson Lisa MacSpadden tells ABC News that one of the airport's two runways will be open, but the other will remain closed indefinitely. She says, "Passengers need to be prepared for major delays."
She added that "a wheel popped off the aircraft's landing gear after landing."
Also, there was no fuel leak or fire but foam was deployed as a precaution.
Southwest released a statement saying, "Southwest Airlines flight 345 landed at New York's LaGuardia at 5:40 PM Eastern Monday evening from Nashville. The aircraft is a Boeing 737-700. Eyewitness reports indicate the aircraft's nosegear collapsed upon landing. There were 150 people on board including Customers and Crew. All Customers have been deplaned and transferred to the terminal. Initial reports indicate local responders are caring for five Customers and three flight attendants who have reported injuries at this time. Southwest is cooperating with local authorities, and the NTSB has been notified."
The NTSB is sending an investigator to the accident.
Governor Andrew Cuomo released a statement saying, "Earlier this evening, the Port Authority Police Department and LaGuardia Airport staff took quick and decisive action to ensure the safety and well-being of the passengers of Southwest Airlines Flight 345," Governor Cuomo said. "We are all grateful that there were no fatalities and do not appear to be any serious injuries resulting from the collapse of this flight's landing gear. I commend the actions of the Port Authority personnel and all emergency workers who assisted with the safe evacuation of Flight 345's passengers and crew."


A detailed edit is extremely important to the overall quality of your book. Within six to eight weeks, depending on our queue and the complexity of your work, your manuscript will be returned polished and ready for publishing. Call 1800 050 315 for more information or to receive a price quote for your manuscript.


Once your talents been recently used to create your website, launch the site and now you are onto the next step which is advertising. Think about keeping your site invigorating? Do you know how to develop a website once it has been created?
Another reason to purchase a new seat is so which you will have the instructions necessary to properly install your child carseat. Read the instructions and follow them. We repeat, read the instructions and follow them. If your car seat needs some kind of tether strap to secure the seat to the car in addition to the regular seat belt, be sure to be able to it. If you drive an older model of car that has no anchor to secure the tether strap, call a local dealer of your model and order a bracket to have installed in your vehicle.
That said, make sure you are clear with the seller in terms for the size. Don't feel that it's fine just because the tag says its for your son or daughter's age. Still make use of the weight and height of your child as indicators. Don't assume that you will get something bigger for when your child springs up. It's a bad idea not to find perfect fit.
The first type would be a baby seat, where also you can use as child carrier. It is a cocoon-like seat where your baby is a semi-reclining position for better and also head support. It would possibly accommodate babies weighing between 4 to 35 pounds and that is only used in the rear facing position. In fact you will be admiring this car seat for kids for its additional features. It is also suggested that kind of seat should provide until your baby turns 2 years of or if he reaches more when compared with the maximum weight precondition.
After noting the kinds of car seats for kids available on the market, then however choose one to all your child. Here are 3 tips to choosing which car seat is suitable for your own child. The first tip is must other parents for advice on the best place to purchase baby carseats for kids. These parents will direct you to stores they believe sell quality car lotto tickets. In addition, you need to read parent's comments on the highly ranked child's car seat websites so that you choose a brand that it will be the best. While comments you will have the ability to find information from real parents on the associated with seats that are easy to install and those that have comfortable armrests.
The art of massage became popular in the US in the 19th century. It had a surge of popularity until the 1930's. When modern medicine came to the forefront, the art of massage therapy became discounted as lesser than. Suddenly, it became popular again in the 1960's and 1970's when nurses begin to use it to relieve pain in people. It again gained credibility when, involving 1996 Summer Olympics in Atlanta work out plans deemed a core medical service.
The hand, including the feet, have specific pressure points which affect different parts within the body. Your local masseuse will have the ability to show you a roadmap of the hands and tell you the pressure points and what's affected by each specific solitary. Both the palm and back of your hand, as well as the fingers have different pressure points. Different techniques also affect different parts. Each pressure point is numbered and targets each specific area. For example, point #31 when rubbed will help with a weak bladder, whereas point #22 when twisted will relieve constipation. Rubbing the side on the middle finger tip will relieve power. Pressing and rubbing point #30 will relieve dizziness. Whatever ails you, help massage may cure it. Try it at your local spa.


text:
Rob Ford would be a disaster as Toronto mayor
By Bob HepburnStar Columnist
Thu., April 1, 2010timer3 min. read
Rob Ford loves to portray himself as the champion of the little guy, a lone wolf fighting on behalf of taxpayers fed up with waste and incompetence at city hall.
It's a role Ford has honed to perfection during his 10 years as a Toronto City Councillor.
Now, the combative councillor from Etobicoke North is taking his act out across the city as he mounts a full-scale campaign to become the city's next mayor.
Cheered on by hardline Conservatives, radio show hosts and right-wing newspaper columnists, the brash-mouthed Ford is running a strong race to succeed outgoing David Miller as mayor.
Next to former provincial Liberal cabinet minister George Smitherman, Ford is likely the best-known candidate in the race. He could place second to Smitherman in the early opinion polls, ahead of Rocco Rossi, who like Ford is trying to capture right-wing votes.
Ford's boosters argue that he's the kind of leader Toronto needs today, a populist politician who will act on behalf of voters fed up with garbage strikes, lousy TTC service, rising taxes, councillors' salaries, litter in the streets, petty crime, downtown elites and every other conceivable "angry guy" gripe.
In truth, though, Ford as mayor would be the worst thing that could happen to this city.
On one point, Ford is right – the city is in big trouble, from finances to traffic gridlock and job loss.
That's why leadership is so critical, and why Ford is so unqualified for the job.
To be a good mayor, a person must be someone who can build coalitions, work with residents of all persuasions, get city councillors on side and win support from provincial leaders on issues that matter for Toronto.
To date, Ford has shown none of those traits.
He is a solitary voice on council, with a history of screaming tirades. He's bombastic. He's often a buffoon. That style may work for a city councillor seeking cheap headlines, but it would be fatal for a mayor, who must be a consensus builder as well as a forceful leader.
Ford has officially been in the race only six days, but it's clear he isn't about to tone down his style. For example, his campaign team talks about this campaign as "a war." So much for reasoned debate.
At the same time, his vision for the city is limited to cutting taxes and spending, attacking public employees and the TTC, berating other councillors and sucking up to suburban voters by suggesting the city ignores them and only pays attention to downtown residents.
To assess how Ford would be as mayor, it's important to look back at his history.
In 2002, Ford called fellow Councillor Giorgio Mammoliti, who is also running for mayor, "a scammer" and "Gino-boy" in reference to his Italian heritage.
In 2003, he wanted Toronto declared a "refugee-free zone" and called council's decision to ban the use of pesticides a sign of "dictatorship." The following year he said the city's bylaw to protect trees "is communism, if you ask me."
In 2005, he called Councillor Gloria Lindsay Luby a "waste of skin." He once suggested that "it's their own fault" if cyclists are killed in traffic accidents.
In 2006, he was ejected from the Air Canada Centre for being drunk and verbally abusing fans at a Maple Leafs game, calling them "communist bastards." Later, Ford denied he was even at the game, but subsequently admitted he lied, saying "I'm going through a few personal problems."
Also in 2006, he fought against a $1.5 million AIDs prevention program, claiming he didn't understand why more women were becoming AIDS patients, adding "Maybe they're sleeping with bisexual men."
In 2008, he claimed "Oriental people work like dogs... They're slowly taking over." He later said he meant it as a compliment, but apologized anyway. Also that year, he was arrested and charged with assault and threatening death, but the charges were later dropped.
For his part, Ford said last week on John Oakley's radio show when he announced his candidacy that he realizes he's "not in opposition anymore. I have to be a leader."
Given his record, this is not the "leader" that Toronto needs.
Bob Hepburn's column appears on Thursday. bhepburn @ thestar.ca


Acrylic paint, origami papers and tea bag papers on gallery wrapped canvas. Beautifully painted sides, so no need to frame!
This painting is a stone water urn, called a tsukubai, found in Japanese gardens, and it is textured with tea papers to give it a rocky look. A ladle rests on bamboo sticks and a leaves in various stages of turning red surround and overlap the urn.
The background has layers of subtly colored circles emerging from the calming teal background. Origami papers sprinkle the foreground surrounded with texture. Circles are everywhere, in the stone urn, and in the background.
Solace evokes a sense of magic, yet peaceful stillness you might experience in a quiet corner of a Japanese garden. This painting has a grounding effect, creating a calm environment.
Professionals know the value of hanging art like this in their office space to relax their clients and patients. At home, you slow down and mellow out a little, and this painting hanging in just the right spot provides that sense of peace you need after a hurried day.
See how I made this painting, mistakes and all, in this blog post about it.
Prefer a video? Take a painting tour!
For more painting views, click on each photo in the gallery area and enlarge even more by clicking on the upper left corner to see all the detail up close and personal.
Solace is a relaxing painting, evoking a sense of well-being when imagining yourself in a serene and beautiful Japanese garden.


text:
Beyonce Knowles Bra Size, Age, Weight, Height, Measurements In 2019
Did you know: On Instagram Beyoncé (@beyonce) is the fifth-most-followed user (117 million followers)
Beyonce Knowles Net Worth: $355 Million
Beyonce Knowles Height: 5 feet 7 inches (1.69 M)
Beyonce Knowles Weight: 62 kg
Horoscope:
Father's Name:
Mathew Knowles
Mother's Name:
Tina Knowles
Parker Elementary School, Elsik High School, Elsik High School,
Solange Knowles, Bianca Lawson
$105 million USD (Annual)
Jay-Z (m. 2008)
Beyonce Knowles Biography
American singer Beyonce Knowles was born on September 4th,1981 in Houston, Texas United States of America. Beyonce wanted to become a superstar at an early age and at the age of just 21 years she had achieved her dreams of becoming a superstar both in singing and acting.
Beyonce was raised in Houston, Texas where she grew up as a child. Beyonce was a shy while still a child, and her parents took her to a dance class when she was seven years old. Her mother owned a very successful beauty salon in Houston Texas. Her father who was also a very hardworking man was a sales representative who sold medical equipments.
She went to St. Mary's Elementary School in her early childhood then went to Parker Elementary School and High School for the Performing and Visual Arts.
Beyonce Knowles Career
She rose to stardom while with the group Destiny's Child for which she was the writer of most of the songs they did. She later decided to go solo by releasing her hit debut dangerously in love in 2003. She also did another single hit song Crazy in Love in which she featured her boyfriend, Jay-Z.
The song was well received worldwide and was one of the biggest hits of the summer of year 2003. She got to earn a lot of money from the hit song she also got win awards from the same hit song. Some of the awards she won with the song include a Grammy Award and an MTV Video Music Award.
Beyonce's younger sister called Solange is also a talented performer. Solange released her first album titled "Solo Star" in 2013. She is also involved in theatre and started it during her early childhood. Beyonce has also made appearances in films such as Dreamgirls, Pink Panther, and Obsessed.
She received a Globe Award Nomination for her role in the film Dreamgirls. Beyonce has really shown talent both in singing and acting thanks to the hard work that she puts in both fields. Talking about Beyonce's marriage she got married to America rapper Jay-Z in 2008.
Her acting abilities were exhibited in 2002 when she appeared in Mike Meyer's Austin Power series "Austin Powers in Goldmember "she starred as Foxxy Cleopatra. Later in 2003 Beyonce she appeared alongside actor Cuba Gooding Jr. in the film "Fighting Temptations". She has also been considered for a number of prestigious duties like acting a spokesperson for Pepsi and also the spokesperson of cosmetics maker L'Oreal.
Beyonce Knowles Measurements
If you are interested in Beyonce Knowles measurements such as Beyonce Knowles height, then you will find more about her body facts below:
Weight in Pounds: 130lbs
Body Measurement and Size: 34-26-38
Bra Size: 34C
Beyonce Knowles Quote
The more successful I become, the more I need a man
Beyonce Knowles Bra Size, Age, Weight, Height, Measurements
American singer Beyonce Knowles was born on September 4th,1981 in Houston, Texas United States of America
Paula Hawkins By celebsheightweight.com
https://celebsheightweight.com/


Hospice care has immeasurable benefits for terminally ill patients and their family members. Unfortunately, one recent article from Dayton Daily News indicated that hospice services are often underused not just throughout the Ohio area but also nationwide. Hospice care can be a better alternative to traditional end-of-life care for people with terminal illnesses, but many people do not end up using hospice at all or do not seek hospice care for as long as this type of care could benefit them.
Zimmer Law Firm knows that making medical decisions at the end of life or when a terminal illness is diagnosed can be very difficult. This is especially true when a person with a terminal illness is not able to communicate his or her own wishes and when family members are not certain what the patient would have preferred for end-of-life care.
Because anyone could be diagnosed with a terminal illness, everyone should have a plan in place that is communicated with their family members and with medical care providers about what types of life-saving and life-extending care should be provided. An experienced Cincinnati elder law attorney can provide assistance with the creation of a healthcare power of attorney and can provide help with the creation of a living will so you can take control over what types of medical care you want to receive. A HIPAA Release should also be included to allow the appropriate persons with access to your confidential health information at critical times. Creating a plan in advance for end-of-life care allows you to die with dignity, avoid life-extending medical care you don't want, and take advantage of options for an easier passing.
Dayton News reports on many of the benefits that are associated with hospice care for people who have terminal medical conditions. According to the News, the Journal of Pain and Symptom Management has indicated people who have terminal illnesses can sometimes extend their lives by choosing hospice care rather than opting for more aggressive medical treatments. Hospice care has been life-extending because the care focuses on providing comfort and managing pain, rather than trying to treat a terminal condition with aggressive medical treatment.
A hospice care team typically involves a nurse, a home health aid, a physician, a chaplain, a social worker, as well as volunteers. Many hospices will provide additional services to patients and their families which are personalized to the needs of the patient. This could include massage therapy, musical therapy, and other services that can help hospice patients to manage pain and improve their quality of life.
Hospice care can be provided in a nursing home, a hospital, or a specialized hospice facility because all of these facilities are equipped to provide acute care services including symptom management and administration of pain medication. Increasingly, efforts are also being made to provide hospice care within the home of a patient. Providing hospice care in the home of a patient or a family member means that loved ones can be more involved with the care of the patient at the end of the patient's life while still receiving necessary support from a team of medical professionals.
Despite the benefits that are associated with hospice, studies have demonstrated that many patients use hospice service for a very limited period of time or not at all. One study from the Journal of the American Medical Association indicated that 25 percent of all patients who used hospice services used the services for three or fewer days. A total of 40 percent of the patients who were referred to hospice only for a brief period of time took advantage of the hospice services only after they had undergone an intensive-care stay in a hospital.
Medicare Part A covers hospice services for those with a terminal illness when the patient has a life expectancy of six months or less, so there are generally no financial limitations on the use of hospice care. Today's hospice care is not just for patients at the end stage of terminal illness.
As part of a comprehensive estate plan, you should ensure that you provide instructions for the type of care that you want to receive at the end of your life. In the event of a terminal illness or a serious injury, both a durable power of attorney and a living will directive can ensure that life-extending measures are not used when you do not want them to be. A HIPAA Release is essential. Discussing these documents and your wishes with family and making these documents available 24/7/365 area just as important as making the documents in the first place.
Zimmer Law Firm can assist you in creating a comprehensive plan so your loved one knows your wishes and so you have control over the care you will receive if you become very sick. We also have an inexpensive and effective solution that makes these critical legal documents available immediately when needed. Give us a call at Toll Free Phone 866-799-4050 or browse our special reports to learn more about how we can help.


Published on February 12, 2019. Simple Modern Living Room Design. Simple and modern living room design, living room simple living room design with modern. Emejing simple living room ideas photos design with tv. Furca.


SCALES MDM framework contain functionality to harmonize master data based on a central company account hosting the Enterprise's selected master-, reference- and parameter data.
Having thorough control of master data within the Enterprise is essential for every organization operating with multiple companies where harmonization of master and reference data is required! SCALES offers a framework to support centralized creation and maintenance processes for master data, which are configurable to the specific needs and scope for the Enterprise without compromising the standard shared data architecture within Dynamics 365.
SCALES MDM framework contain functionality to harmonize master data based on a central company account hosting the Enterprise's selected master-, reference- and parameter data. By implementing this framework an easy implementation, secure MD creation process and world-class data quality output can be obtained without extra cost!
Multiple configuration options are offered to taylor-fit the need for individual master data table/field control.
Central repository for all the selected Enterprise master data based on dedicated company account.
Configurable table- and field control to support any need of centralization of master data without losing flexibility on field level.
Configurable subscriber feature (definition of which companies are included in the MDM framework).
Visibility for the user on any MDM controlled form/screen to identify which field(s) are amendable centrally respectively locally within individual company accounts.
No code footprint into the standard Dynamics 365 product.
Full compitability with Dynamics 365 standard security framework; Security are controlled using the standard security roles and -artifacts.
Workflow enabled; support creation/maintenance process cycle - both in central MDM company and individual subscriber companies.
Instant update of changes; when master data amendment is done centrally the changes are instantly synchronized in the relevant subscriber companies for the records in question.
No use of virtualization; all the features and the architecture is implemented without the need to virtualize any table – this ensures as well future harmonization across applications and supports different field values in different subscriber companies, if configured so as well as optimizing (limiting) the number of accessible records within each individual company account.
System governed master data repository and – publication features.
High quality in output data for statistics and reporting. Lowering the cost of information in the Enterprise.
Process oriented creation and maintenance control compatible with the standard Dynamics 365 case workflow.
No code footprint and upgrade constraints.
Easy customization of additional master data entity to be included in the MDM scope.
Granular control on field level for any centrally controlled data entity.
Parameter data can be included to enforce/secure streamlined/harmonized process-controlling system configuration; speeds up subsequent company account implementations as well as providing higest value for the Enterprise in the daily operational processes where process harmonization is required.


Last Month, I said that almost any business could be fixed or improved if only those in charge had the will to do so. This month, I'm continuing on that theme. When I was 15 years old I worked the summer splitting my time between two contractors. To this day, I remember some of the lessons learned on those jobs. Yes, some of those lessons have served me well living in an older University City home, but more of them have served me well in dealing with people and business issues.
I remember being called aside by the boss one day when he was leaving and he told me that I needed to be the "Push" while he was gone! "What's the Push?" was my obvious question. He explained to me that on any job, the "Push" is the one person responsible for setting the tone and pushing people to get things accomplished!
People tend to excel when challenged to do more. While some naturally push themselves to accomplish as much as possible, others need an external "push" to do their best. I tend to be very competitive by nature, and I know that I work better with a team of equally motivated individuals.
Years later, as I look at small businesses that are languishing (and frankly, think back on my experiences within large organizations); the problem with many is that they have no "Push"! No one is setting the tone or holding people accountable within the organization for goals and objectives. Usually, someone filled this role at one point. But as time has gone by, that person has either left the organization or lost their enthusiasm for the business. The result is an organization that lacks drive.
Employees show up at work, perform their tasks in a routine manner, and walk out the door at the end of the day. Sometimes it's a problem with the rewards system (or lack thereof), other times it's a problem with a few "rotten apples", and still others it is the example set at the top. But whatever the cause of the problem, the results show up on the financial statements.
So, the next time that you sit down and look at your financial statements (why not do it today?), ask yourself if you're getting all that you can from your business.
If you need help with your business, financial plans, or goal setting, please give me a call at (314) 863-6637 or send an email to [email protected] And, remember . . . Your Cash Is Flowing. Know Where.


I have created a data logger using the W5100 Ethernet Shield and BMP085 sensor. It works perfectly when I connect the Induino board through USB. However, nothing is written to the SD Card when I connect the board to a 9V external battery. I have checked that the battery is giving 8.9V and the voltage after the power socket of the board is 5V. What am I doing wrong? Please advise.
you need to set up your router to let the ethernet shield act as a server and find a web service that will help you with dns to dynamic ip mapping.
I used the the program in this page to control the red of the rgb led and just added a few more outputs to control the relay, it worked great but the page stops loading after sometime. So my question is do I have to change anything in the setup of the serial and client communication when using more than one output? Or the program should work by just adding a few more outputs? and what do need to change in the setup of the serial port and client to support more outputs?
Arduino communicates with both the W5100 and SD card using the SPI bus (through the ICSP header). This is on digital pins 10, 11, 12, and 13 on the Uno and pins 50, 51, and 52 on the Mega. On both boards, pin 10 is used to select the W5100 and pin 4 for the SD card. These pins cannot be used for general I/O.
I wasn't using pin 10-and pin 4, it's working great but sometimes I just have to reset it cause the html page stops loading.
I think it's when I switch on my ceiling fan through the relay, the don't think it can take the load.
i want help to make communication between ADXL345 to Induino ..
Thank you very much for the tutorials. Have small issue - could upload only when the ethernet shield is not connected. Every time, before uploading, have to remove the shield, upload & reinstall the shield. Is this by design or am I missing something?
I have connected the W5100 ethernet shield to the induino R3 board. I uploaded the WebServer program from examples in arduino program & connected the ethernet shield to the D-LINK wifi router. I tried to access 192.168.1.177 from all browsers from my laptop which is also connected to the same D-LINK router but could not get any response from the shield. Do I need to change any parameters in the program?
Please help me as I am blocked with any progress from here.


Due to dynamic growth and expansion, EW Nutrition USA has appointed Donald G. Lewis as dedicated key account manager for the increasing and important poultry business.
Lewis has held different positions in animal nutrition where he started more than 25 years ago. The various roles and responsibilities provide him with intensive and deep knowledge in poultry feed. An ideal line-up that offers customers a high level of experience and consultancy.
"Donald´s considerable expertise in the poultry industry will help EW Nutrition to further strengthen its position as a leading solution provider for animal nutrition" stated Mark Richards, president EW Nutrition USA.
Lewis added: "I'm looking forward to bring in my comprehensive experience in the poultry nutrition to improve our customer´s profitability".
EW Nutrition is located in Germany (headquarter and subsidiaries Agrochemica and Humavet) but is present in different locations with EW Nutrition USA (Des Moines), GRASP (Curitiba, Brazil), EW Nutrition Japan (Gifu), EW Nutrition China (Beijing), EW Nutrition South East Asia / Pacific (Singapore), EW Nutrition Turkey (Istanbul), EW Nutrition South Africa (Johannesburg), EW Nutrition Australia (Griffith NSW) and EW Nutrition Poland (Puszczykowo).


text:
DROP TABLE IF EXISTS alternatives_objectives;
DROP TABLE IF EXISTS objectives;
DROP TABLE IF EXISTS alternatives;
DROP TABLE IF EXISTS cases;
DROP TABLE IF EXISTS users;

CREATE TABLE users (
  id BIGSERIAL PRIMARY KEY,
  email VARCHAR(255),
  name VARCHAR(255)
);

CREATE TABLE cases (
  id BIGSERIAL PRIMARY KEY,
  user_id INTEGER REFERENCES users(id) ON DELETE CASCADE,
  name VARCHAR(255),
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  create_at DATE,
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);

CREATE TABLE objectives (
  id BIGSERIAL PRIMARY KEY,
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  sub_name VARCHAR(75),
  case_id INTEGER REFERENCES cases(id) ON DELETE CASCADE,
  evaluation_objective VARCHAR(255),
  low_is_better BOOLEAN,
  "order" INTEGER,
  unit_name VARCHAR(75),
  unit_prefix VARCHAR(75),
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CREATE TABLE alternatives (
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CREATE TABLE alternatives_objectives (
  alternative_id INTEGER REFERENCES alternatives(id) ON DELETE CASCADE,
  objective_id INTEGER REFERENCES objectives(id) ON DELETE CASCADE,
  value REAL
);

redpajama_set_name: RedPajamaGithub


In just a very short amount of time, Colombian-born Victor Turpin has been living his lifelong dream of being a professional actor. Within the last year, Turpin has appeared in Will and Grace and Happily Divorced. Keen-eyed soap opera fans may recall seeing him play Diego on Days of Our Lives.
This summer, Turpin is earning a new set of international fans as Enrique on the hit NTV series Shades of Blue, where of course he shares many scenes with Jennifer Lopez and Ray Liotta. Turpin spoke to The Herald about himself and his career.
As a teenager, Turpin started singing in a choir and going to open call auditions for local TV stations. While studying advertising in university, he continued singing and even modelling. After graduation, he decided to follow his passion which was acting and singing. Turpin moved to Bogota, Columbia and began searching for a producer to make a music album. During this time, he took acting classes. After working for commercials and telenovelas, he then decided to take it a step even further and move to Los Angeles – which he refers to as "the land of opportunities," where he was looking to advance his career.
Turpin is doing that this summer with his role as Enrique on Shades of Blue. He admits that the level of talent on the popular drama is quite extraordinary with Lopez and Liotta. He says when all actors merge talents it creates something special.
With performers on shows such as Will and Grace and Shades of Blue now being performers for 20 to 30 years, Turpin admits this is the kind of lasting career he would also ultimately like.
Most every actor has that dream role in mind, the one they feel they must play and Turpin is no exception.
While the three series Turpin have appeared in this year, Will and Grace, Shades of Blue and of course Days of Our Lives are broadcast on NTV, we of course asked Turpin would it take to get him down here to Newfoundland to dazzle audiences in a project?