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Prevent the orderly conduct of a University function or activity, such as lectures, meetings, interviews, ceremonies, and other public events.
Obstruct the free movement of vehicles or of persons, including, but not limited to in any building or facility, inclusive of blocking hallways and doors. If a protest area is established by a University official(s), protesters are required to comply with these physical boundaries.
Willfully cause injury or damage to persons or property.
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Jeopardize the safety and security of others, including, but not limited to, the presence of sticks, poles, or torches, which are prohibited.
Without authorization from the University Police, occupy a building after it is normally closed.
Without authorization from the Office of Campus Operations and Maintenance, construct structures, inclusive of objects requiring penetration in concrete or grass, or camp on University grounds.
Violate the provisions of the SUNY Policy 3653, titled Rules for Maintenance of Public Order.
Sponsors/organizers must restore the site to its original condition. If such restoration is not completed to the satisfaction of the University, the sponsor/organizer shall be held responsible for and liable to the University for payment of any and all costs incurred by the University to restore the site to its original condition.
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September 9, 2018, Sarasota, Florida (NewsJett) – Dr. Ray Mettetal | Eating veggies can be difficult for some individuals to stomach as advised by Dr. Ray Mettetal. They'd rather receive their nutrients which they might need from other groups of food as opposed to from vegetables from supplements and other alternatives.
Although Dr. Ray Mettetal and other nutritionists inform the public it appears that it is simply not sufficient to convince them in their diet include veggies on a regular basis. "They must make it a priority to consume more veggies," says Dr. Ray Mettetal. It has been noted that the daily portion vegetable amount is included by less than 25% of people in America. Dr. Ray Mettetal is seeking to make a difference. Most obese individuals in the U.S are impacted by some type of diabetes. One of the reasons is because in the body, which can help stabilize the glucose of the body and keep their cholesterol level down too.
Daily life in America could be stressful ", that's the reason they also follow the fast unhealthy way of eating" states, Dr. Ray Mettetal. Their foods include chemicals and additives that are not good for increasing a person blood pressure level. High blood pressure level is among the leading illness from the U.S. Causing heart problems and strokes. One of the causes of these diseases in America is because of a lack of vegetables and a proper dieting. A pregnant woman is recommended to consume food which is rich in folic acid, an essential nutrient which prevents birth defects. A few of them aren't vegetable eaters and some veggies are rich in folic acid.
Not just calcium, but also magnesium and potassium are essential in building bones says Dr. Ray Metteal. It implies not just milk, but veggies also are vital in maintaining your bones healthful you grow old. To prevent osteoporosis you must follow these tips. In addition, by eating veggies and by knowing many of those vegetable nutrition facts, people can definitely reduce the potential risk of having the aforementioned diseases at around 25%.
Health insurances have claimed they spend billion dollars with these sorts of ailments and all these diseases are because of an incorrect diet which excludes the right. Everybody must be knowledgeable as to the nutrients brought by vegetables are extremely beneficial. They're definitely low in fat and alone is a healthy step towards good health. They're also fiber-rich that removes toxins within your body, improves digestion problems, and lowers level of blood pressure level. Vitamin, potassium, magnesium, vitamin C, E vitamin, and a few more minerals and vitamins acquired from eating veggies which usually keep you healthful and let you live a longer life.
Contact Dr. Ray Mettetal here for more information!


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At Llanberis, in the sleepy little hamlet of Hollow Tree, the next generation of Halletts is about to move in. But beforehand, there's a little bit of work to be done.
Such as rewiring—no easy task when you're dealing with half-metre-thick sandstone walls. The unusual Gothic-style home is being repainted and re-pointed, and a chimney has been taken down, brick by brick, to be reassembled more securely. There have also been remarkable discoveries during the renovation, such as masses of horse hair padding out the walls and original flagstones under the laundry's timber floor.
Just down the road at the former Montacute homestead, on a hill commanding serene views of the Clyde Valley, St James is also enjoying something of a resurrection. The Halletts have taken it upon themselves to be caretakers of this little stone church since 1900.
As for Sherwood, the long-since-unoccupied four-storey sandstone mansion is boarded up, waiting for her turn to shine again.
Hollow Tree, near the Central Highlands town of Bothwell, largely comprises Llanberis, Montacute and Sherwood, all three owned by the Hallett family. In between managing what seems like a never-ending drought, they are faithful in tending to the wealth of cultural heritage in their paddocks.
Although the drought has indeed caused some decline of the landscaped Llanberis gardens, enclosed by a giant cypress hedge. As Richard and Amy Hallett, with their three young children, prepare to move into this old family home, salvaging them is pretty much a case of redesigning the garden landscape with a view to the changing climate.
So far as the house is concerned, it's the focus of a busy Block-style blitz involving electricians, stonemasons, painters, plasterers and plumbers, all at work at once. And Llanberis has been kept in good shape, with each generation doing its share of the upkeep.
Patterson as his matrimonial home, sited on a low knoll overlooking the Clyde Valley. The two-storey, twin-gabled front and timber verandah on three sides were added in the 1850s or 1860s.
The property underwent a few ownership changes, and a name change, before it was bought by the Halletts in 1914. They had bought neighbouring Montacute about ten years earlier.
Montacute had been a thriving pastoral settlement established by Captain William Langdon on land he was granted in 1823. As the operator of trading ships between Hobart and London, Langdon is somewhat dubiously recognised for introducing blackbirds to Tasmania; he also brought out pheasants and partridges. From Napoleon's grave at St Helena reputedly came willow trees that he planted along the River Clyde. And by his door he planted a rose cutting from Montacute House in his home town of Somerset, regarded as one of the United Kingdom's most glorious Elizabethan mansions.
Langdon's Van Diemen's Land version of Montacute House was much more modest, although it boasted an expansive slate roof. His settlement also included cottages, barns and a garden enclosed by a high brick and stone wall to repel Aborigines and bushrangers.
Langdon died in 1879 and the property passed to his son.
However Montacute was apparently built of inferior stone and rubble and over the years it declined. Vandals heightened the indignity, taking off with everything from the staircase to the cedar doors, fireplaces and mantelpieces. Today it is a ruin, albeit picturesque.
However the Montacute family chapel, which cost Langdon a small fortune to build in the 1850s, is still in use today. Consecrated in 1857, St James is part of the Southern Midlands parish of the Anglican Church and used for services from time to time; Richard and Amy's children, nieces and nephew were all christened there in the last five years. The font was carved from a single piece of sandstone, the original organ is behind the back pew and many Hallett descendants rest in its grounds.
The Halletts restored the church in its centenary year, 1957, and have tended to it ever since; part of the cost of the recent roof replacement was met with a small heritage grant. The Anglican Church can't afford to maintain some of its highest-profile heritage churches in Tasmania, let alone little St James at Montacute, and the amount of money, and skills, needed to maintain cultural heritage throughout Tasmania is a significant challenge.
It was difficult to account for his taste so far as it concerned the situation of his home. Here was a stately house hidden in the depths of a narrow valley, almost in the nature of a gulch, on the edge of a river subject to flooding, and with access presenting difficulties for the transport of the day ... But if, like [Captain William] Langdon, he expected the fertile valley to bring further settlement and neighbours, he was disappointed, for Sherwood has remained isolated and concealed by the folded hills for nearly 120 years.
Sherwin was a merchant who moved to Van Diemen's Land in 1823 with his wife, daughter and three sons, and initially established a log house on the property that was destroyed by Aborigines in an arson attack. When he set about building a more substantial settlement, Sherwin did not scrimp on sandstone.
The main house is a four-storey classic Georgian mansion (the cellar runs under the length of the home), with a kitchen, bakery and meat-house at the back. A coach-house and a barn are attached to the home, there were several stone cottages, and the ha-ha and dry-stone walls are considered excellent examples of their type.
In 1843, notorious Tasmanian bushranger Martin Cash spied Sherwood from a hill with his telescope. He spent several days monitoring the comings and goings down below before making his move. Cash had already escaped twice from the supposedly escape-proof Port Arthur penal settlement, the second time with two bushmen, Kavanagh and Jones. Cash and Co., as they became known, targeted the well-to-do, and earned a reputation as 'the gentlemen bushrangers' because they didn't use unnecessary violence.
Sherwin was in his sitting room, entertaining guests, when Cash struck one afternoon, taking fifteen servants hostage first and ordering them onto the sitting-room floor.
So another gave me to understand by signals that we could find some grog in the cellar, upon which I ordered a bucket of wine to be brought, and gave a cup full to each, assuring them that they should have no more in case they might get elevated, and that by doing so, we might be obliged to shoot some of them to keep the remainder in order. Mr Sherwin now requested me in a kind of whine not to give the men any more drink; I observed that when he was master of the premises, he might act as he pleased, but while I claimed the sovereignty, I would not be dictated to.
Cash seized some of the guns kept in the household, and then turned to the possessions of Sherwin and his guests, who included a founding member of the Hobart Quaker community Henry Propsting. 'Mr Propsting gave up some money, protesting on his honour that he had no more in his possession, but this, as we learned subsequently, was untrue, he having concealed his watch and 70 guineas in his boots; on being appraised of this circumstance through the medium of the Press, we solemnly resolved to trust no more Quakers in future,' Cash wrote. 'We collected a very respectable swag, however, of both money and property.' Legend has it that Cash buried a bottle of gold sovereigns on Sherwood Hill as he left, but despite the very best of efforts, they have never been found.
Later that year, Cash was sentenced to hang for the murder of one of his pursuers, but at the eleventh hour was sentenced to transportation for life at Norfolk Island, later returning to Tasmania a free man.
After a successful career in trade in Launceston, Sherwin's son Isaac retired to Sherwood in 1845 and made his mark by installing an irrigation system that is still regarded as an engineering marvel. A father-and-son team were tasked with excavating a tunnel through a sandstone hill above the River Clyde in order to transfer water into a channel system to irrigate the surrounding land. With only a pick and a shovel, they started at opposite ends, and when the two halves of the 150-metre long, one-metre deep tunnel met up in the middle, they matched almost perfectly.
Isaac Sherwin was instrumental in lobbying the government of the day to store winter water in nearby Lake Sorrell and Lake Crescent to release into the River Clyde in summer and irrigate the surrounding crops. The Clyde River Trust, formed in 1857, still operates today, but a summer flow from the lakes is increasingly difficult to obtain.
The Halletts acquired Sherwood in 1921. The house hasn't been properly lived in since the 1950s, save for some rabbit trappers and farm-hands. In the 1970s the Sandy Bay Scouts made the restoration of Sherwood one of their projects, and they visited about thirty weekends a year.
Since the scouts left, the Halletts have kept Sherwood in good repair and they may one day resurrect the property's famous roast ox nights at the homestead on the first Saturday of spring.
When Llanberis is done and St James spruced up a little more, their attention might turn to bringing Sherwood back to life as a home.


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The 50th Anniversary Collection
Harry James & His Orchestra Play 22 Original Big Band Recordings
by Harry James/Harry James & His Orchestra
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All Or Nothing At All

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Volunteer recruitment is now open for Open House 2018.
Open House is currently recruiting for volunteers to help at this year's festival which takes place on Saturday 22nd September 2018 and Sunday 23rd September 2018.
Open House is London's largest festival of architecture and design where over 800 buildings across London open their doors to the public for free. 6,000 people volunteer every year over the weekend event. You can read all about the festival on the Open House website.
New volunteers can express an interest in the volunteering on the Open House website here.
Previously registered volunteers can now choose their time slots for this year. Please sign in here.
If you have further questions about volunteering which aren't answered here, please contact volunteers@open-city.org.uk or call 0207 383 2131.


Working with M&G Prudential as an Investment Compliance Advisory Consultant means becoming part of a brand with a global reputation and an exciting vision: to become the best loved and most successful savings & investments business.
An opportunity has arisen to join us in London as an Investment Compliance Advisory Consultant.
The team provides professional and timely Compliance advice to M&G's institutional investment management business in a clear and constructive manner, ensuring that the business understands its regulatory and legislative responsibilities - "helping the business to build compliance into their processes and controls"


Tustin police say a man snuck up behind a woman walking eastbound on the street and tried to drag her off the sidewalk and take her clothes off, but she fought back.
During the assault, police say the suspect hit the woman in her face.
She continued to fight back until the he stopped and ran off.
Tustin police describe the suspect as a hispanic man, medium height and say he's around 25 to 35 years old and has black hair.
He was last seen wearing a red, zip-up hooded sweatshirt with Dickie-style pants, brown boots and carrying a black backpack with white lettering on it.


Registration is open for Fox Chapel Area Adult Education (FCAAE) Spring 2019 classes. New this semester - register and pay online at www.fcaae.org.
Adults and families are invited to enjoy the eight-lane high school pool during weekend Family/Recreational Swim. Adults can also learn to swim with semi-private or small group swim lessons, get fit during Aqua Exercise classes, swim laps on Tuesday and Thursday evenings as well as Saturday and Sunday afternoons, or perfect their swim stroke during a semi-private clinic.
In addition, more than 30 classes are offered on a wide variety of topics. Join the fun of new classes like Buddhist Meditation, Conversational German, Create A Mosaic Picture Frame, Gentle Yoga, Learn Your DSLR/Guided Photoshoots, Paint A Wood Sign For Spring, Pickleball, Portrait Drawing, Wines of Portugal, Wines of Spain, and Zentangle.
Join one of our many fitness classes: Balance Training, Basketball, Chair TriYoga, Essentrics, Kickboxing, Pilates, Women's Fitness and Strength Training, and Yoga. Have fun with Calligraphy, Hands in Clay, Line Dancing, and Watercolor Painting.
Fox Chapel Area Adult Education (FCAAE) is an outreach program of the Fox Chapel Area School District dedicated to providing enrichment classes to adults at a low tuition. We offer one-night and multiweek classes that start in March and April.


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Catcher in the Rye Essay: The Innocence of Holden - 897.
Innocence in The Catcher in The Rye Essay Theme Of Innocence In Catcher In The Rye. Salinger 191)) In The Catcher in the Rye, a harrowed teenager named Holden. Examples Of Innocence In Catcher In The Rye. Innocence is something that people lose as they grow older from childhood. Loss Of.
Catcher in the Rye Essay: The Innocence of Holden Holden Caulfield 's The Catcher Of The Rye. The Catcher in the Rye Symbolism Essay J.D Salinger's Catcher in the Rye,. The Catcher in the Rye by J.D. Salinger. Holden Caulfield, the protagonist of J.D. Salinger's classic coming of age tale.
Innocence in Catcher in the Rye If there were one word to tell what the theme of the book was it would be innocence. How we are all innocent at some point, how to try to keep our innocence, and how no one can keep their innocence forever. We all fall from our innocence.
One cannot hold onto their innocence forever, the longer he or she holds onto it, the more one can lose sight of their selves. In The Catcher in the Rye, by J.D. Salinger, Holden Caulfield struggles in accepting his loss of innocence which leads towards his downfall.
What role does innocence play in The Catcher in the Rye? As its title indicates, the dominating theme of The Catcher in the Rye is the protection of innocence, especially of children. For most of the book, Holden sees this as a primary virtue.
Innocence And The Catcher In The Rye Essay Sample. The innocence of childhood is eventually ripped away from us all. In J.D. Salinger's The Catcher in the Rye Holden Caulfield wishes to dedicate his life to preserving the innocence of everyone. Holden wants to save what was so cruelly ripped away from him with the death of his brother.
Book Analysis: The Catcher in the Rye The novel The Catcher in the Rye by J.D. Salinger is a tale told by the protagonist, Holden Caulfield. The story is set in the 1950s and adolescent Holden reflects on the events that lead him to end up in a mental hospital. Holden begins the story with how he failed out of his fourth school, Pencey Prep.
Innocence Themes in literary works are recurring, unifying subjects or ideas, motifs that allow us to understand more deeply the characters and their world. In The Catcher in the Rye, the major themes reflect the values and motivations of the characters.Some of these themes are outlined in the following sections. As its title indicates, the dominating theme of The Catcher in the Rye is the.
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Essay on Innocence in the Catcher in the Rye - 873 Words.
The catcher in the Rye Essay Through Salinger's use of symbolism, as a society, he depicts the importance of preserving innocence. We want to save innocence. In court people try to plead not guilty, meaning that they are innocent.
Innocence In The Catcher In The Rye 2 pages, 872 words In The Catcher in The Rye, by J. D, the main character, Holden, can be seen as a troubled teenager growing up in a less than perfect society. Throughout the novel Holden struggles with the fact that many young and innocent kids will grow up and see the world from a different perspective.
The innocence of childhood is eventually ripped away from us all. In J.D. Salinger's The Catcher in the Rye Holden Caulfield wishes to dedicate his life to preserving the innocence of everyone. Holden wants to save what was so cruelly ripped away from him with the death of his brother.
Loss of innocence in Catcher in the Rye Nothing Gold Can Stay by Robert Frost exemplifies the loss of innocence. The poem displays how you are pure and innocent when you are a child but as you mature, it is impossible to remain this way.
Innocence in Catcher in the Rye. Filed Under: Essays Tagged With: Catcher in the Rye. 3 pages, 1245 words. If there were one word to tell what the theme of the book was it would be innocence. How we are all innocent at some point, how to try to keep our innocence, and how no one can keep their innocence forever.. The Term Paper on The.
Catcher In The Rye Comparison Essay. The Catcher in the Rye by J. D. Salinger, a troubled teen, Holden Caulfield, sets a voice for younger generations as he struggles through the curved pathway to adulthood. Holden gets kicked out of Pencey Prep, ventures through the streets of New York, and confronts the issues of conformity in society.
The Essay on The Catcher in the Rye: An Innocence Lost. The Catcher in the Rye is a book by J. D. Salinger and the story of a boy named Holden Caufield. He is no longer innocent, but exposed to the world. Phoebe, Holden's sister, is the opposite she is quite the innocent, never really being exposed to the world outside her protective bubble.
The Catcher in the Rye Loss of Innocence: The Catcher in the Rye and Rebel Without a Cause Sierra Mai Summers 11th Grade. Each day, someone loses his or her innocence due to a seminal moment that changes his or her life forever. This concept of lost innocence is represented in both the novel The Catcher in the Rye and the film Rebel Without a.
Salinger wrote The Catcher in the Rye with this idea of childhood innocence and adult corruption in mind and wanting to express these ideas (3). Salinger uses an allusion to the poem by Robert Burns, "Comin' Thro' the Rye" to describe how children are innocent and pure, but as they enter the adult world, they become phony (SparkNotes Editors 14).
What would Holden think about the fact that The Catcher in the Rye is often taught in schools today? Chew on This The speeches given to Holden by Mr. Spencer and Mr. Antolini, at the beginning and end of the novel, respectively, act as thematic bookends for the plot structure.


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The Singapore Hypertension Society (SHS) was founded by a group of physicians from various disciplines with the common philosophy that since hypertension has many facets to its causation, pathogenesis, and clinical consequences, a multidisciplinary approach will achieve the most success for the goal of managing the disorder.
The SHS plays an important role in organising clinical meetings, seminars and conventions to advance the practice of hypertension management. The Society advocates research and publication of medical and scientific works on hypertension, as well as promoting regional and international cooperation in the study of hypertension.
The SHS is affiliated to the Asian Pacific Society of Hypertension, having been formally inaugurated on 23 February 2002 at the Pan-Pacific Hotel in Singapore. SHS hosted the 3rd Asian Pacific Congress of Hypertension on 3-7 April 2004. The Society works closely with, and has the strong support of the Singapore Heart Foundation, the Singapore Cardiac Society, and the Singapore Society of Nephrology.
With support from both medical and paramedical professionals, biomedical scientists, and the Government, the SHS will actively implement programmes to educate the community on the different aspects of hypertension, aiming to detect the condition early so as to minimise its complications.
Singapore Hypertension Society Founder Members
President Dr Low Lip Ping
Vice President Prof Chia Boon Lock
Honorary Secretary Dr Chee Tek Siong
Honorary Treasurer Dr Akira Wu Yik Tian
Prof Vernon Oh Min Sen
Dr Terrence Chua
Dr Susan Quek
Dr Wong Kok Seng
Singapore Hypertension Society Council for April 2020 to March 2022
President Assoc Prof Teo Boon Wee Jimmy
Vice President Adj Asst Prof Veerendra Chadachan
Honorary Secretary Adj Asst Prof Ashish Anil Sule
Honorary Treasurer Assoc Prof Tay Jam Chin
Council Members Dr Chee Tek Siong
Dr Emmett Wong
Prof Koh Tian Hai
Dr Low Lip Ping
Prof Vernon Oh
Prof N.V. Ramani
Internal Auditors Dr Akira Wu
Adj Asst Prof Pankaj Handa
Please refer to the SHS Constitution here.
Join the Singapore Hypertension Society as an ordinary member and interact with members of the hypertension community for the latest updates. Membership is available at $30 a year, and is open to all doctors with an interest in hypertension, who are currently working or have worked in a medical or health-related field. The SHS exists to serve all physicians who have an interest in improving the outcomes of care of their hypertensive patients.
To apply as a member, please download the form here.
Kindly refer to the membership criteria to ensure your eligibility before applying.


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Q: Data not getting marged in google sheet through query https://docs.google.com/spreadsheets/d/1q7P2DLVEh--HIE9Jibn2GrqBsqP0SYCTeM1FGHY8jw4/edit#gid=1448681395
This spreadsheet contains two sheets, data1 and data2. I am trying to add both of the sheet's data into 3rd sheet named merged.
The problem I am facing is data from col2 (B) in data2 is being left blank in merged sheet (data2 data starts from 225 rows), also both the col2, 3 data in data2 is kind of same still column c data is being added but b is left blank.
Query being used :
=QUERY({data1!A:C;data2!A:C},"SELECT Col1,Col2,Col3 WHERE Col1 IS NOT NULL",1)

A: Col B of data2 is formatted as text, where as Col B of data1 is numeric. Query has issues with mixed data types. Try formatting ColB of data2 as number and see if the problem persists?

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Rebel Yell Jazz Orchestra Return to Chiswick
Oct 31, 2019 | Community, Music
The Rebel Yell Jazz Orchestra will be returning to play at St Nicholas' Church in Chiswick on Friday 1st November. The programme will feature the virtuoso jazz suite 'Fellini 712'.
The West London based jazz orchestra are returning to St Nicholas after two years to play the music of the legendary Kenny Clarke / Francy Boland Band Big band of the 1960s.
You'll be treated to a highlight of the evening – the bands interpretation of Francy Boland's epic suite of music: 'Fellini 712.' It's a musical tribute to the city of Rome in three movements which evokes the magic, chaos and mystery of the Eternal City.
Over 40 minutes in duration, and originally recorded by the Clarke-Boland Big Band in December 1968, the piece has long considered one of the highwater marks in jazz writing. Now transcribed specially to suit the individual strengths of Rebel Yell, band leader Bill Symington describes 'Fellini 712' as 'one of the most audacious long-form pieces ever written for jazz orchestra'.
The Rebel Yell Jazz Orchestra is a 17 piece West London based big band that was founded for the express purpose of playing the music of the legendary Kenny Clarke / Francy Boland Big Band, which electrified the jazz scene in Europe between 1961 and 1972.
Tickets on the door: £10.00 (£7.00 concessions); Friends of St Nicholas Church: free
If you're an early bird, the doors open at 6.30pm and there's a cash bar.
PreviousSt Nick's Prepares For Art Auction Fund Raiser
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La classe di U-Boot Tipo U 139, originariamente designato "Project 46", era una classe di grandi sommergibili a lungo raggio costruiti durante la prima guerra mondiale dalla Kaiserliche Marine.

Descrizione
La classe, formata da tre grandi sottomarini da crociera, designati Tipo 139, furono ordinati alla Germaniawerft di Kiel, nell'agosto 1916. Con un dislocamento quasi 2.000 tonnellate e con una velocità di superficie di 15 nodi (28 km/h), erano armati con 24 siluri e due cannoni 15 cm Tbts K L/45 da 150mm, e aveva un'autonomia di crociera di circa 17.000 miglia nautiche (31.000 km). Il loro scopo era quello di catturare o distruggere le navi mercantili in superficie. I loro cannoni di grosso calibro e la loro velocità relativamente elevata consentirono loro di ingaggiare anche navi mercantili armate.

A differenza dei precedenti sottomarini Tipo U-151 (originariamente progettati come sottomarini mercantili), il Tipo 139 venne progettato fin dall'inizio per il servizio bellico. Furono montati quattro tubi lanciasiluri a prua e due a poppa, ma l'armamento principale erano i due cannoni di coperta da 15 cm, che potevano essere puntati sul bersaglio da un telemetro sulla sezione poppiera del ponte.

Un U-Boot tipo 139 costava all'epoca 8,7 milioni di marchi, e i cannoni da 15 cm rappresentavano circa il 7% del costo. Furono ordinati tre sottomarini di questo tipo, U-139, U-140 e U-141.

Un sottomarino da crociera ancora più grande venne proposto nel  "Project 47", ma non raggiunse mai la costruzione. Un singolo sommergibile avrebbe avuto un dislocamento di 2.500 tonnellate, avrebbe avuto una velocità massima di 21 nodi (39 km/h) e sarebbe stato armato con quattro cannoni da 150 mm e sei tubi lanciasiluri, due dei quali avrebbero sparato di lato.

Servizio
I sottomarini Tipo 139 furono inviati in missioni a lungo raggio, a sud attraverso l'Equatore e a ovest attraverso l'Atlantico, operando in modo indipendente.

Lothar von Arnauld de la Perière comandò l'U-139, il primo della classe, e chiamò il sottomarino Kapitänleutnant Schweiger, in onore di Walther Schwieger, morto nel 1917 e l'uomo che affondò l'RMS Lusitania nel 1915. Sotto von Arnauld, l'U-139 affondò cinque piccole navi nel maggio del 1918 e affondò l'ultima nave affondata da un U-boat tipo 139 nella prima guerra mondiale il 14 ottobre 1918.

U-Boot della classe
Furono costruiti tre sottomarini di tipo U 139, tutti commissionati dalla Kaiserliche Marine.

Note

Collegamenti esterni
 www.uboat.net - Tipo U 139

U 139

redpajama_set_name: RedPajamaWikipedia


Former President Goodluck Jonathan has urged the people of the West African nation to conduct peaceful and credible polls. (L-R) Former President Jonathan and head of Electoral Institute for Sustainable Democracy in Africa (EISA); former Deputy President of the Republic of South Africa Kgalema Petrus Motlanthe and and head of the African Union (AU) Mission; Sierra Leonean President Bai Koroma; Liberia's former Interim President Prof. Amos Sawyer and head of ECOWAS Mission as well as former Ghanaian President John Mahama who is leading The Commonwealth.
The former President who is leader of the Electoral Institute for Sustainable Democracy in Africa (EISA) Observer Mission to the March 7 elections gave the advice while meeting with different stakeholders in Freetown. A statement by Jonathan's media adviser Ikechukwu Eze said he had met with Sierra Leonean President Ernest Bai Koroma, chairman of the National Electoral Commission (NEC) Mohammed Conteh, chairman of the Political Party Registration Council (PPRC) Justice Patrick Hamilton, some Presidential candidates as well as leaders of the international community, youth associations, media unions, security outfits and civil society organisations.
He added that the Mission was in the country to support "the integrity of the electoral processes through diligent observation of the polling activities in line with the rules and code of conduct for international election observers." While welcoming Jonathan to his office the PPRC boss Justice Hamilton thanked the former President for his roles and contributions to the growth of democracy in Sierra Leone.
Meanwhile the international election observation missions (IEOMs) present in Sierra Leone on Tuesday issued a joint statement urging the people of the country to ensure that these elections "are transparent, credible and conducted in accordance with prescribed laws and regulations." The statement issued by Economic Community of West African States (ECOWAS), African Union (AU), The Commonwealth, Electoral Institute for Sustainable Democracy in Africa (EISA), European Union(EU), and The Carter Center (TCC). reads: "We recognise that the 2018 elections in Sierra Leone, the fourth since the end of the civil war, are critical to the maintenance of peace and stability in the country.
Based on consultations with Sierra Leonean stakeholders over the past weeks, have noted the efforts of the National Electoral Commission, the Political Parties Registration Commission, the Judiciary, the Office of National Security, the Sierra Leone Police, civil society, the media and other key institutions towards the conduct of peaceful and transparent elections. "We call on the political leaders, parties and their supporters to ensure peaceful elections and respect for the rule of law as they go to the polls tomorrow (Wednesday) and through the results tallying process.
Further urge them to uphold their commitments under the 'Freetown Declaration', which was signed by presidential candidates on 28 February 2018. "We further call on the NEC and party polling agents to conduct their duties in a professional manner, which would ensure that these elections are transparent, credible and conducted in accordance with prescribed laws and regulations. "We encourage candidates to accept the outcome of the elections in line with Article 9 of the ECOWAS Supplementary Protocol on Democracy and Good Governance (2001) and, in the event of complaints or disputes, encourage candidates to seek redress through legal channels whilst at all times refraining from acts of violence and intimidation. "We look to the government of Sierra Leone to uphold its constitutional obligations to provide a secure environment that guarantees the safety of candidates, voters, NEC officials and electoral materials.
The missions urge the security agencies throughout the country to demonstrate professionalism and to enforce the law in a neutral and proportional manner. The different IEOMs have deployed over 250 international observers across the country to follow all aspects of election day and some will remain to observe the tallying process and post-election period. The IEOMs present in Sierra Leone would like to take the opportunity to wish the citizens of Sierra Leone well in the exercise of their democratic rights; and pledge our unequivocal commitment to support the people of Sierra Leone to ensure a peaceful and credible conclusion of the electoral process.


text:
The Collected Works of Count Rumford, Volume I: The Nature of Heat
Count Rumford
Edited by Sanborn C. Brown
$127.00 • £101.95 • €114.50
27 line illustrations, 57 tables
The Collected Works of Count Rumford
SCIENCE: Physics: General
An American of wide-ranging interests and overflowing energy, Benjamin Thompson applied his scientific and technical knowledge to the improvement of public service and welfare institutions in Bavaria (a service for which he was made Count Rumford), Ireland, England, and Italy. In the process, he made important discoveries in physics. In this new edition of Rumford's Works, Sanborn Brown has arranged his writings according to subject matter: this first volume contains his papers on the nature of heat, and includes one paper which has never before been published in English.
The volume begins with Rumford's paper on the production of heat by friction, and continues with descriptions of the experiments by which he showed that heat has no weight, and his essays on the propagation of heat in solids and fluids. Subsequent volumes contain papers on practical applications of heat, devices and techniques (including studies of fireplaces and chimneys), armament, light and color, and on such public establishments and organizations as poorhouses, the army of Bavaria, and the Royal Institution in London.


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text:
Why and how Eli Broad is giving billions away
April 24, 2011 / 8:09 PM / CBS News
How Eli Broad gives his billions away 13:35
In this era of belt tightening, it's kind of refreshing to take a look at people whose happiest pastime is to give money away. Such a man is 77-year-old Eli Broad, a self-made billionaire, art collector and for the past ten years one of the most consistently generous philanthropists in America - supporting education reform, medical research and the arts. Broad also wants to transform that sprawling monster of a city Los Angeles into a cultural capital.
Broad thinks big, but his critics say he can act very small: that he may give billions away, but that he tries to micromanage almost every dollar he gives. Broad doesn't really care what they say - all he wants to do is die poor. Well, relatively poor.
"I believe in two things: One, Andrew Carnegie said, 'He who dies with wealth dies in shame.' And someone once said, 'He who gives while he lives also knows where it goes,'" Broad told "60 Minutes" correspondent Morley Safer.
There's no one quite so civic minded in America. Broad and his wife Edye have become paparazzi pets because of the money they lavish on Los Angeles, so far more than half a billion dollars.
Behold his footprint on Los Angeles. He's a driving force behind 16 major public institutions. In the center of downtown, there is a cultural corridor, anchored by the magnificent Disney Hall, home of the Los Angeles Philharmonic. Next to it is the home of the Los Angeles Opera, The Museum of Contemporary Art, The High School for the Performing Arts, and The School of Music.
In greater Los Angeles, three scientific research centers, a theatre, an art center, and another contemporary art museum are supported by Broad. He puts his name on almost all of them.
Extra: Investing in science
Extra: Eli and Edye Broad's "joint venture"
Extra: A peek at the art collection
"You said that your sense of being a wealthy man actually increased the more you gave money away?" Safer asked.
"I think it's true," he replied. "I don't feel I'm here to just maintain the status quo. I'm here to make things better or different."
"And you want the world to know about it by putting your name on all the things you do support?" Safer asked.
"I don't keep it a secret, that's for sure," Broad replied.
Broad took us to Grand Avenue, which he plans to transform into a vibrant city center, rivaling New York's Museum Mile.
Disney Hall, designed by Frank Gehry, almost did not get built. Broad rescued the project by putting up his own money and putting the squeeze on fellow plutocrats.
"It's really become the symbol of our city," Broad told Safer.
And then there's his own museum, The Broad. It's still a parking lot right now, but it will eventually hold his $1.6 billion art collection.
"How much is this going to cost...something approaching a billion dollars?" Safer asked.
"More," Broad said.
Safer and Broad were interrupted by an Angeleno driving by: "Eli, buy the Dodgers. Buy the Dodgers," the man said to Broad from his car.
"'Eli buy the Dodgers.' You could be the George Steinbrenner of Los Angeles?" Safer asked.
"Oh, no, no, no. I've got enough on my plate," he replied.
Broad runs his philanthropic foundation like a for-profit business, not a charity. Charity he says, is just writing checks. He practices what he calls venture philanthropy.
"We don't give it away, we invest it. And we want a return. Remember, I started work as a CPA, so that gave me fiscal discipline in everything I did in business. I guess some of it carries over to philanthropy," he explained.
Produced by Ruth Streeter"Eli Broad says I want results, and if you're not gonna show me results I'm not gonna give you the money, and incidentally after one year if you don't show me the results, I'm gonna stop funding you," New York's Mayor Michael Bloomberg said.
Bloomberg, no mean philanthropist himself, admires Broad's "uncuddly" approach and the $32 million he has given to New York schools.
"Eli Broad sets the standard," Mayor Bloomberg said. "I think it's really being a role model for others. And they look at Eli and because of him, they get the ideas, 'I'm going to be innovative and be philanthropic and do some other things.' The leverage of Eli Broad is really quite amazing."
Amazing to the extent of almost half a billion dollars he has poured into improving public education. He spends even more on medical research: eight years ago he teamed up with Harvard and MIT to create The Broad Institute in Cambridge, Mass. The Broad is the world's leading genomic medicine institute. All discoveries are free, available to anyone.
"Let me be rude and ask: How much have you put into this institute?" Safer asked.
"600 million dollars total," Broad replied.
Broad grew up in Detroit, the only child of immigrant shopkeepers. At 21, he married Edye Lawson.
"We borrowed $25,000 from her parents," Broad remembered.
Asked what that sum ultimately led to, Broad told Safer, "A lot of money."
In 1957, Broad and a partner launched a no-frills home building business; he was a millionaire by 27. He bought Sun Life Insurance in 1971 and sold it in 1999 for $18 billion. And that's when he and Edye decided to give most of it away.
"You're giving 75 percent of your wealth away?" Safer asked.
"Maybe more by the time it's over," Broad replied.
As for his two children, Broad said, "They're well taken care of. They're different then their dad."
"Different, how?" Safer asked.
"They don't have, frankly, the ambition to build a great business that I had," Broad replied.
"You've been open about admitting that you were not a great father," Safer remarked.
"Look when I started, it was 24/7 as they say, and I didn't spend enough time with the kids when they were growing up. I admit that," Broad acknowledged.
Asked if that is something he regrets now, Broad said, "I do to some degree. We all go back and would do things over differently in our lives."
Today, Broad balances his life with his passion for contemporary art. "Civilizations are not remembered by their business people, their bankers or lawyers. They're remembered by the arts," he said.
He has collected over 2,000 works of art; unlike most collectors, almost all of Broad's art is available for loan to museums. He loaned a number of pieces to the L.A. County Museum of Art, and threw in a $50 million building to house them.
One of his favorite artists is the irrepressible Jeff Koons.
"You know Morley and Eli, I just have to say standing here, what a fantastic location. I mean look at the natural light that is coming in on these works, it's a tremendous gallery," Koons said, as they stood in an exhibition space.
"And the Balloon Dog? What does it do to you? Do you get some kind of emotional kick?" Safer asked Broad, referring to a well-known Koons creation.
"I do, I do. It makes me smile, it makes me feel good, It make me proud, and it especially makes me proud when I see young people and others looking at the work. And it introduces them to art in a way that no other work really does," he replied.
"And a piece that quite honestly mystifies me. Michael Jackson and his chimp is it?" Safer asked, referring to a gold-adorned porcelain-like sculpture of the late pop star and his chimp.
"Michael Jackson and Bubbles," Koons said. "When I made this series, the banality series."
"Series of banality?" Safer asked.
"Of images. I was trying to communicate to people that whatever you respond to, it's perfect," Koons explained.
If you find Koons' art speak incomprehensible, well just wait: "These are to make references to be in the womb a little bit, ah, before birth and prior to any kind of concept of death," the artist said, explaining one of his pieces of art - a fish tank with three basketballs suspended inside.
"Do you totally get what he's talking about?" Safer asked Broad.
"Not to the extent that Jeff does, but I do listen and understand and learn from the artists, especially Jeff," he replied.
But not all artists are as respectful as Koons. Take architect Frank Gehry: "Eli is a control freak. I worked on a house for him. I didn't wanna do it."
Asked why, Gehry said, "I just told him I didn't like him. He said you'll learn to like me."
Broad fired Gehry, then built the house anyway using Gehry's drawings.
"After two years and seven different models I was impatient. I think he wanted to spend another year or two designing it. And I said, 'Frank, a work of art is never finished - it's only abandoned,'" Broad explained.
They worked together again three years later to build Disney Hall. Once again, Broad fired Gehry. But he had to eat humble pie when the Disney family insisted that he hire Gehry back.
"We did it. We built it. We weren't friends," Gehry remembered.
"You've made your peace with him at the same time you've...?" Safer asked.
"I won't do a project for him, that's true," Gehry said.
"Eli's middle name is 'strings attached.' Eli 'Strings Attached' Broad," Los Angeles Times art critic Christopher Knight told Safer.
Knight has been "Broad watching" for years. "He's a first generation male self-made gazillionaire and people in that category typically believe, and with good evidence, that they know how to make something a success. And that can be a problem," he told Safer.
With science, Broad leaves the details to the experts, but when he dangles his money and his art in front of most major museums in L.A., he sees himself as the expert - if they don't play, he won't pay.
"Well, I am a perfectionist, and things I do know something about, I do get involved," Broad said.
"We've talked to a number of people who say that you can turn into a bully," Safer pointed out.
"I don't think I am a bully. But on the other hand, I'm not a potted plant either," Broad replied.
"No, I am sure you're not a potted plant. But these people who say some pretty unkind things about you will not talk publicly. They clearly are scared of you," Safer said.
Broad replied, "I don't know why they're scared of me."
"Well because you're a rich guy, and therefore a powerful guy, and you've got a temper?" Safer remarked.
"I've got strong views on things," Broad replied.
"But even your good friend Frank Gehry says, 'Eli can be a real pain in the ass,'" Safer pointed out.
"I can understand why Frank could say that, because I am inpatient, and patience has its limits," Broad acknowledged.
"Number one, it's his money and you don't have to take it - so I'm sympathetic with that. Eli is not a micromanager as much as he has ideas on how you can make society better, and he's devoting his own money to doing it. Kind of hard to argue that he doesn't have the right to do it, and you don't have to play the game of you don't want to," New York Mayor Michael Bloomberg said.
"When you've got one 800 pound gorilla in the room, you're scared to death of the guy. Everybody does want something from Eli. And since he is the biggest game in town, nobody wants to alienate him," art critic Christopher Knight said.
There was quite a crowd at a gala in November 2010 for the Los Angeles Museum of Contemporary Art, which Broad bailed out two years ago for $30 million.
It was a scrum of culture vultures, fashion victims and art victims, dealers and collectors - a night when skinniness was next only to godliness, when philanthropy and social climbing, self-aggrandizement and greed dissolved into one gigantic air kiss - all under the benevolent eye of that feared and admired dictator, Eli Broad.
"Beyond the altruistic part of it, ego plays a part in this?" Safer asked.
"Oh absolutely," Broad admitted.
"A desire to be loved?" Safer asked.
"A desire to be respected. I'm not doing these things to become the most popular person in the city. I wanna be the most respected person," Broad said.
We left him on the roof of his art foundation, this fully contented man, master of all he surveys.
'What's this at the very end here? I know what this is," Safer said, referring to a sculpture of two very big feet sitting on top of the building. "It's big foot."
"It IS big foot," Broad agreed.
"And who is the biggest foot in Los Angeles right now?" Safer asked.
"I don't know," Broad said. "I don't think so."
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First published on April 24, 2011 / 8:09 PM
© 2011 CBS Interactive Inc. All Rights Reserved.


← New Update for Wednesday evening, March 5 – The Esplanade – Yonge to Scott.
This is the current construction schedule for 1 The Esplanade – L Tower parking and Backstage condominium – for March 3 – 7, 2014.
Fourth floor slab concrete pour #2, by subcontractor Italform, scheduled to begin at 10:00 am.
Link Line the contractor for Enbridge will be on site to install natural gas service to the Backstage condo. There will be a substantial impacts to eastbound vehicular traffic on The Esplanade between Younge and Scott Street for most of the day.
Pedestrian traffic should be unaffected.
Fourth floor slab concrete pour #2 part 2, by subcontractor Italform, scheduled to begin at 10:00 am.
CANCELLED: 50 cubic metre, wall and column concrete pour by subcontractor Italform. The pour is scheduled to begin at 1:00 pm and should be completed before 7:00 pm.


text:
Mistrzostwa Afryki w Piłce Ręcznej Kobiet 2010 – dziewiętnaste mistrzostwa Afryki w piłce ręcznej kobiet, oficjalny międzynarodowy turniej piłki ręcznej o randze mistrzostw kontynentu organizowany przez CAHB mający na celu wyłonienie najlepszej żeńskiej reprezentacji narodowej w Afryce. Służył również jako afrykańskie eliminacje do mistrzostw świata 2011. Odbył się wraz z męskim turniejem w dniach 11–20 lutego 2010 roku w egipskich miastach Kair i Suez. Tytułu zdobytego w 2008 broniła reprezentacja Angoli.

Wyznaczony do organizacji mistrzostw Egipt w listopadzie 2009 ogłosił zamiar rezygnacji z powodu wcześniejszych zamieszek wokół piłkarskich meczów z Algierią, ostatecznie jednak turniej odbył się zgodnie z planem.

Dominację w afrykańskiej piłce ręcznej kobiet potwierdziła reprezentacja Angoli zdobywając siódmy tytuł z rzędu i wraz z pozostałymi medalistami kwalifikując się do turnieju głównego mistrzostw świata 2011.

Uczestnicy
Losowanie grup odbyło się 23 listopada 2009 roku.
 Grupa A

 Grupa B

Faza grupowa

Grupa A

Grupa B

Faza pucharowa

Ćwierćfinały

Mecze o miejsca 5–8

Półfinały

Mecz o 7. miejsce

Mecz o 5. miejsce

Mecz o 3. miejsce

Mecz o 1. miejsce

Klasyfikacja końcowa

Przypisy

Bibliografia

Linki zewnętrzne
 Confédération Africaine de Handball

Mistrzostwa Afryki w piłce ręcznej
2010 w piłce ręcznej
2010 w Egipcie
Piłka ręczna w Egipcie


We are happy to announce that 25 contestants out of 101 entries have advanced to the Semifinalist round (Stage Two) of the Berkeley Prize 2004 competition. This includes thirteen teams of two or more persons. Architecture students from 28 countries entered this year's competition, including: Australia, Austria, Canada, the Czech Republic, Greece, Egypt, Indonesia, Iran, Israel, Nepal, New Zealand, Nigeria, Singapore, Spain, Uruguay, and the United States. Semifinalists are invited to submit a 2500-word essay based on their 500-word proposal by midnight, Pacific Time, February 26, 2004. The top five to seven essays will be selected for final judging by the Berkeley Prize Jury.
Auburn, Ryland, University of Southern California, USA: "A Tale of Tent Cities"
Badran, Abed Elkhaleq, University of Southern California, USA: "A Tale of Tent Cities"
Auburn, Ryland, Wizo-Canada College, Haifa, Israel, Israel: "VOLUTION AND NOT REVOLUTION: A paradigm of urban upgrading in Arab villages and refugees' cores in Israel"
Dhakhwa, Kamana, Institute of Engineering, Nepal: "A VOICE OF POVERTY"
Friend, Nicholas, Yale University, USA: "Design for the Displaced: Providing for an Unheard Voice"
Heatherton, Christina Yuriko Pablo Cid-Barraza and Chris Grabill, UC Berkeley, USA: "A Home in the Homeland?"
Hildebrand, Tracy, Savannah College of Art and Design, USA: "The Anatomy of Community"
Hoppenworth, Nicole, Iowa State University, USA: "Solutions?"
Hourigan, Kathryn, The University of Adelaide, South Australia, Australia: "VISIONS for the displaced; displacing the role of the architect."
Hyde, Adrian, Deakin University, Australia: "URBAN SURVIVAL OF THE HOMELESS - Recognizing the Homeless as People of the City."
Koff, Daniel, Washington University in St. Louis, USA: "Architecture as a Tool for Building Community"
Levy, Barak, Technion - Haifa, Israel, Israel: "The Right Path"
Ling, Andrea, University of Waterloo, Canada: "Architecture for the Homeless: An exercise in lack of control"
Nkya, Angela, Iowa State University, USA: "At Home in the City"
Pesudo Casas, Jordi, ETSAB, Spain: "Immigration and public space in Barcelona"
Pupilli, Adriano, University of Sydney, Australia: "Paper House - Self-help, waste reuse and composite technology towards low-cost and sustainable housing"
Rea, John, Virginia Polytechnic Institute, USA: "Let's have dinner"
Riesser, Adriane, University of Michigan, USA: "Address Homelessness Within Ann Arbor, Not Without It"
Sauer, Dylan, University of Cincinnati, USA: "(Dis-, Mis-, Re-) Placement in the Urban Realm"
Surface, Susan, Parsons School of Design, USA: "Private Sector, Public Good: The Necessity of Economic Sustainability in Architectural Activism"
Thomson, Sandra, Dalhousie University, Canada: "Productive Lives: Eradicating the Barriers"
Tubic, Snezana Ana Jeinic and Tajda Dedic, Technische University, Austria: "CHANGING ARCHITECTURE"
Vergne, Eric, Savannah College of Art and Design, USA: "Homeless Integration into Society through Urban Farms"
Voreakou, Myrto-Maria, National Technical University of Athens, Greece: "DIS-PLACED PEOPLE REINHABITING THE CITY OF ATHENS"
Wong, Shujun, National University of Singapore, Singapore: "A more public public space"
Zelaya, Franyel, Savannah College of Art and Design, USA: "While the Music Lasts"
The essays are due at 12:00 midnight, Pacific Standard Time (24:00 hrs. Universal Time), February 26, 2004 through the online submission system available on this page.
The Berkeley Prize Committee encourages Semi-Finalists to improve the crafting of their 2,500 word essays. As such, a few suggestions seem appropriate. First, and foremost, remember that the essay is a literary form that presents a specific opinion through a convincing argument.
Remember: In answering this year's Question, the Berkeley Prize Committee is particularly interested in responses that speak to the general public. If social architecture is to become the norm, rather then the exception, the PUBLIC must be persuaded of the value of design that reflects human worth. If social architecture is to be built, rather then simply discussed, the PUBLIC must be persuaded that there is added value to building buildings much different then most of the architecture being built today.
Remember: Your essay is based upon your original findings of the situation of the displaced persons ---refugees, the homeless, the urban poor ---in the city you are investigating. Make sure that you inform your readers about the city(cities) you are referencing. Your proposal for bettering the situation of the displaced may have particular validity because you have discovered that there are individuals or agencies within the city which are already pursuing the objectives you, too, are interested in. If so, tell the readers about the support within the city which you would find for your proposal. Finally, before you begin to write the 2,500 word essay it is essential that you carefully consider the Reviewers' comments about your proposal for the essay. These comments are meant to help you write a winning essay. Please review your reviewer comments in your Author Portfolio.
You have six weeks to produce your essay in final form. Use at least four of these weeks creatively to improve your writing abilities in English. Read some good prose written in English. Novels, poetry and architectural writing are great teachers.