Although the high speed Thunderbolt protocol was introduced with Apple's MacBook Pro line in March 2011, products have been slow to reach consumers, but Matrox looks to change that with its DS1 docking station.
Launched last week, the $249 Matrox DS1 is one of the first Thunderbolt docking stations to hit the market, providing a breakout box into which Mac users can connect their collection of peripherals with one cable.
Most Thunderbolt-equipped accessories seen so far have been high-end hard drives or external SSDs, monitors and specialty equipment targeted at professionals. While this trend is normal with many new I/O formats, Thunderbolt has taken an unusually long time to curry favor with device makers marketing to the average consumer.
Currently, MacBook Pro or Air owners have few choices when it comes to a Thunderbolt-ready hub, one being Apple's own Thunderbolt Display, which is disappointing given the spec's bandwidth capabilities.
As for the Matrox DS1, the concept is simple: create a dock that leverages the 10-gigabit per second protocol to consolidate a number of components on a Mac user's desk.
Matrox DS1 front view when connected to laptop and "SuperSpeed" USB 3.0.
Build quality is high, with an aluminum frame protecting substantial, weighty innards. On the back are two USB 2.0 ports, separate audio in/out plugs, a Gigabit Ethernet port and either an HDMI or DVI output connector, while the front stays clean with one "SuperSpeed" USB 3.0 port and one Thunderbolt port. The unit is not very large and sits rather unassumingly at the end of a Thunderbolt daisy chain.
Note that the DS1 must be at the end of a chain because it does not support Thunderbolt pass-through, something painfully obvious as the station only holds one Thunderbolt port. While not a problem for most consumers, pass-through is a main feature of the high-speed I/O tech and mimics the abilities of FireWire. In the case of Thunderbolt, the specifications limit the chain to seven devices, including two Thunderbolt-enabled displays, at least one of which requires two ports.
On the topic of FireWire, the DS1 curiously lacks support the legacy high-speed standard, a choice which could be a deal breaker for some. Many pro users, especially those in the audio/visual industry, still have equipment that outputs through FireWire. Matrox says that market studies indicate that most MacBook Pro and Air users don't own FireWire equipment, so the company opted for USB 3.0 instead.
Backside ports. From left: HDMI, Gigabit Ethernet, two USB 2.0, audio out, mic in, power.
Over the week AppleInsider was able to test the DS1, it performed as expected, with high transfer rates over USB 3.0 and low-latency display output through HDMI. There was zero lag when mirroring a late 2011 15-inch MacBook Pro's desktop, including full-screen video, on a 55-inch HDTV in full 1,920-by-1,080 resolution. It should be noted that customers must decide between either a DVI or HDMI configuration as the docking station does not support both.
Transfer speeds over USB 2.0 and Gigabit Ethernet were on par with the direct output from the laptop's ports, and the so-called SuperSpeed USB 3.0 was a welcome addition to the year-old laptop which lacks the newer interconnect. The station also delivers power over USB as the current iterations of Thunderbolt still rely on copper wire, though this will change once interconnects switch to fiber optic sometime down the road.
For owners of current Retina display MacBook Pros, the station basically replicates the existing I/O ports, the only addition being Gigabit Ethernet and one USB connection. The choice to stick with two USB 2.0 ports in the rear of the DS1 is also questionable as it seems like a step backward from Apple's all-USB 3.0 offerings.
Plug-and-play operability was solid, and devices were recognized quickly and without fault. Thunderbolt peripherals, like LaCie's external SSD, saw negligible drops in speed, and USB 2.0 HDDs worked normally. When all ports were connected to and operating a peripheral, the DS1 got a bit warm, as did the Apple Thunderbolt cable feeding out from the laptop, but temperatures never reached a critical level.
Size comparison with iPhone 5.
It is clear Matrox is targeting the mass market with the DS1, with more standard USB and HDMI ports and a desktop-friendly design, but the accessibility comes at a steep price. With Apple leading the charge in Thunderbolt adoption, however, docking stations like the Matrox offering could begin to hit store shelves at increasingly lower prices.
The unit is on sale now at select retailers and the online Matrox store for $249.


text:
Choreographing with the Stars: Elliot Emadian '17 Dancer, choreographer, musician, mathematician: Elliot Emadian '17 has many roles, both on and off the stage.
By Gabrielle Tremo
"If you want to do something here, you can. You just have to ask someone. It will happen and someone will help you do it."
Dancer, choreographer, musician, mathematician: Elliot Emadian '17 has many roles – both on and off the stage!
I've been dancing since I was 2 years old. I started in tap, jazz, ballet, the typical small-town basics. I wasn't introduced to modern dance until college, but professor Jenefer Davies truly opened my eyes. I joined the Repertory Dance Company in my first semester, and I began exploring choreography in my second. She's been an amazing resource throughout my time at W&L, both in teaching me herself and in introducing me to opportunities for growth at and outside of W&L.
The Theater Department as a whole has been an amazing place to root myself, actually. I've received grants to attend the American Dance Festival, the Dance Department has sponsored performances in New York where I was able to present choreography, and I've had many other opportunities and experiences. I've been so fortunate with Professors Collins and Evans as department heads who really want to promote student-driven art.
Along those lines, during Spring Term of my junior year, I was involved with a Mindbending student play called "Police Squad In Color!" It was my first time acting in a straight play, although straight-faced, I was not. (It was a hilarious play.) After it ended one night, professor Jemma Levy came up to me with a proposition for an independent study for my senior year, choreographing "Dracula," by Steven Dietz. At the time I thought "Dracula" was a musical, and, naturally, I was stoked. I later discovered that it was another straight play and that I was in for one of the biggest challenges of my W&L career. I had choreographed before, but only for my own pieces, contemporary-modern works set on members of the dance company. For this, I had to develop a movement vocabulary that was not only based on a pre-existing story and script, but also could be executed by a cast of non-dancers.
At first, I was nervous about whether our visions would line up, and how much she exactly wanted me to contribute, but almost as soon as we began to work we developed an awesome dynamic. We would step into a scene, both having our ideas about its direction, and begin to chip away until we had a fully formed unit. There were moments when I would take the actors through a specific piece of choreography or movement, and Jemma would step in to clarify or make a suggestion, while other times she would be directing and would stop to ask me if I had a suggestion for how someone could stand, or how to make "Dracula" seem more magical.
Working on "Dracula" with Jemma was an absolutely eye-opening experience, and the incredible foray into theater that I had been craving since starting college. I was so fortunate that she let me take on such a major role as choreographer. So, when Jemma asked me to work with her on "Macbeth" this summer, as my first post-graduation job, I didn't even have to think about it. I knew I wanted to work with her again. My rehearsals start two days after graduation, and the show opens July 7th at Agecroft Hall in Richmond.
If you know a W&L student who would be a great profile subject, tell us about it! Nominate them for a web profile.
A little more about Elliot
Normandy, Tennessee
Mathematics, Dance Minor
Extracurricular involvement:
– ResLife
– W&L Repertory Dance
– Traveller
– wlulex
Off-campus activities/involvement:
I'm a freelance dancer/choreographer as well as a musician (Elliot Reza) and photographer (Rezalution Photography).
Why did you choose your major?
I grew up competing in math contests throughout middle and high school (because I am a nerd), but when I came here, I thought I would stop doing math. I took Multivariable Calculus with Dr. Carrie Finch Fall Term of my first year, and declared my math major in winter, with Dr. Finch as my advisor.
What professor has inspired you?
Oh gosh, so many. All of them really. Jenny Davies, my dance professor, has really been my biggest cheerleader for me pursuing a career in dance, though. She gave me the opportunity to dance in her company in New York, Roanoke and Richmond. She has shown me how dance can be a driving force for change and community throughout history and the present day, and I'm excited to hopefully continue that trend.
What's your personal motto?
What's your favorite song right now?
"Scholasticism" by Purser, but "The Cure" by Lady Gaga is a close second.
Best place to eat in Lexington? What do you order?
Blue Sky. I get the California Sun-Dried.
What do you wish you'd known before you came to campus?
If you want to do something here, you can. You just have to ask someone, who probably knows someone, who works with someone, who knows someone else who absolutely wants to help you do that thing. It will happen and someone will help you do it.
Post-graduation plans:
I'm pursuing a master of fine arts in dance at the University of Illinois Urbana-Champaign in fall 2017.
Favorite W&L memory:
I have so many amazing memories, but one of my favorites was the summer I spent here doing research with Dr. Finch. Walking up the Colonnade on a brisk foggy morning with an iced coffee and my notes in hand, I felt very academe chic.
Favorite class:
British Literature: Queered Science, Spring Term of junior year (very closely followed by Aerial Dance, Spring Term of senior year).
Favorite W&L event:
QuestBridge Ball or the Equality Gala, or both…back-to-back weekends of dancin'.
Favorite campus landmark:
The Graham-Lees archway.
Netflix . . . also broadening access to dance via social media . . . also pizza.
What's something people wouldn't guess about you?
I'm half-Iranian.
Why did you choose W&L?
Related //Dance, Mathematics, Theater, Dance and Film
Tagged //2017, arts, Class of 2017, Dance, math, mathematics, Music, Office of Diversity and Inclusion, Theater, Theater/Dance, wlu17

redpajama_set_name: RedPajamaCommonCrawl


Like Schrödinger's famous cat paradox, it is not until you actually observe and monitor your security state that you will know where it stands. Think about it like this: if someone came to you today and asked if you were protected, what would be your reply?
This week in Security: the U.S. Department of Customs and Border Protection release updated guidelines regarding searches of traveler's devices; why digital security is quickly becoming a mandatory skill for all journalists; the WiFi Alliance announces the latest version of the WPA standard, WPA3; and Intel reveals at CES that they have a functional 49-qubit quantum test processor.
Security News Bytes: Can We Trust the Broken Cert Ecosystem?
This week, a new study titled: 'Issued for Abuse: Measuring the Underground Trade in Code Signing Certificates' was released by American and Czech researchers, investigating various forms of abuse that allow malware authors to produce malicious code carrying - yet valid - digital signatures.


text:
CSS Login
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News Center}
St. Scholastica News}
Clare Boothe Luce grant
Grant to encourage females in STEM careers
The College has received a three-year, $196,200 grant that will be used to encourage female students to pursue science and math careers.
The award is one of only 10 grants nationwide, from the Clare Boothe Luce Program of the Henry Luce Foundation. It will be used to engage female college students in collaborative research with faculty mentors in computer science, mathematics, and chemistry.
"This is a testament to St. Scholastica's longstanding tradition of encouraging women in Science, Technology, Engineering and Mathematics (STEM) fields," said Aileen Beard, dean of the School of Sciences.
Such support is critical to help women build careers in math and science fields where they are underrepresented, she said.
"Grants such as this help provide encouragement, support and mentoring to young women interested in pursuing careers in these fields," Beard said. "In particular, the opportunity to engage in undergraduate research is a powerful mechanism to excite students about science and allow them to participate in solving scientific problems in a meaningful way."
Thomas Gibbons, associate professor of computer science, said the grants will fund eight undergraduate students each summer for the next three summers for research in computer science, math and chemistry.
"Undergraduate research opens the door to graduate school for our students," Gibbons said. "The research piques the students' interest in graduate school and helps them get accepted into the competitive programs."
Students will work with faculty to select research projects that build upon their current work, including such topics as robot vision, mapping and navigation; and antimicrobial compounds in honey.
Beard said The College is committed to expanding opportunities for all underrepresented groups in STEM fields.
"We plan to continue to pursue funding that supports research opportunities," Beard said.
The Clare Boothe Luce Program is a leading source of private support for women in science, mathematics and engineering. Luce was a playwright, U.S. ambassador to Italy, and the first woman from Connecticut to be elected to Congress. The CBL Program has supported more than 1,900 women so far.
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©2018 The College of St. Scholastica
©2019 The College of St. Scholastica


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China today launched a satellite that will serve as the communications relay for a future probe on the moon's far side. The satellite, dubbed Queqiao(Chinese for "Magpie Bridge"), lifted off from the Xichang Launch Center in southwest China atop a Long March 4C rocket at 5:28 a.m. local time May 21 (2:28 p.m. PT today).
This entry was posted in GeekWire and tagged China, Moon, Space. Bookmark the permalink.


text:
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10 yrs experience | Licensed in DC, IL, MI, Patent Bar | verified
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Abstract The initial growth behaviors of nonplanar 10,10'-dibromo-9,9'-bianthryl (DBBA) molecules on the Au(111) substrates, which is either pristine or Bi-3 x root 3-Au(111), at low deposition rates have been systematically investigated using low temperature scanning tunneling microscopy (LT-STM) and density functional theories (DFT) calculations. The effects of such substrates on the subsequent graphene nanoribbons (GNRs) formation are addressed. On clean Au(111), DBBA molecules self-assemble into highly ordered commensurate single-molecule chains along <11<(2)over bar>>(Au) at a coverage of 0.8 monolayer (ML), and collectively transit into long-range ordered commensurate double-molecule chains along <1<(1)over bar>0>(Au) but with many single-molecule vacancies at a coverage of 1.2 ML, revealing the delicate competing between intermolecular interactions and molecule-substrate interfacial interactions. The interfacial interactions are further tuned by introducing bismuth to form a Bi-3 x root 3-Au(111)surface, where DBBA molecules self-assemble into an unique hexamer phase due to the enhanced intermolecular interactions via C-H center dot center dot center dot pi and halogen bonds. DFT calculations confirm the proposed molecular configuration change of single DBBA molecule when adsorbed on different substrates. The calculated difference in C-Br bond gives further insight into why no GNRs formed on Bi-3 x root 3-Au(111). (C) 2017 Elsevier B.V. All rights reserved.
GB/T 7714 Tian, G,Shen, YX,He, BC,et al. Effects of monolayer Bi on the self-assembly of DBBA on Au(111)[J]. SURFACE SCIENCE,2017,665(-):89-95.
APA Tian, G.,Shen, YX.,He, BC.,Yu, ZQ.,Song, F.,...&Huang, H.(2017).Effects of monolayer Bi on the self-assembly of DBBA on Au(111).SURFACE SCIENCE,665(-),89-95.
MLA Tian, G,et al."Effects of monolayer Bi on the self-assembly of DBBA on Au(111)".SURFACE SCIENCE 665.-(2017):89-95.


text:
#include <cflow.h>
#include <parser.h>

unsigned char *level_mark;
/* Tree level information. level_mark[i] contains 1 if there are more
 * leafs on the level `i', otherwise it contains 0
 */
int level_mark_size = 0;   /* Actual size of level_mark */
int level_mark_incr = 128; /* level_mark is expanded by this number of bytes */

int out_line = 1; /* Current output line number */
FILE *outfile;    /* Output file */

static void
set_level_mark(int lev, int mark)
{
     if (lev >= level_mark_size) {
	  level_mark_size += level_mark_incr;
	  level_mark = xrealloc(level_mark, level_mark_size);
     }
     level_mark[lev] = mark;
}

/* Print current tree level
 */
void
print_level(int lev, int last)
{
     int i;

     if (print_line_numbers)
	  fprintf(outfile, "%5d ", out_line);
     if (print_levels)
	  fprintf(outfile, "{%4d} ", lev);
     fprintf(outfile, "%s", level_begin);
     for (i = 0; i < lev; i++)
	  fprintf(outfile, "%s", level_indent[ level_mark[i] ]);
     fprintf(outfile, "%s", level_end[last]);
}

/* Low level output functions */

struct output_driver {
     char *name;
     int (*handler) (cflow_output_command cmd,
		     FILE *outfile, int line,
		     void *data, void *handler_data);
     void *handler_data;
};

static int driver_index;
static int driver_max=0;
struct output_driver output_driver[MAX_OUTPUT_DRIVERS];

int
register_output(const char *name,
		int (*handler) (cflow_output_command cmd,
				FILE *outfile, int line,
				void *data, void *handler_data),
		void *handler_data)
{
     if (driver_max == MAX_OUTPUT_DRIVERS-1)
	  abort ();
     output_driver[driver_max].name = strdup(name);
     output_driver[driver_max].handler = handler;
     output_driver[driver_max].handler_data = handler_data;
     return driver_max++;
}

int
select_output_driver(const char *name)
{
     int i;
     for (i = 0; i < driver_max; i++)
	  if (strcmp(output_driver[i].name, name) == 0) {
	       driver_index = i;
	       return 0;
	  }
     return -1;
}

void
output_init()
{
     output_driver[driver_index].handler(cflow_output_init,
					 NULL, 0,
					 NULL,
				         output_driver[driver_index].handler_data);
}

void
newline()
{
     output_driver[driver_index].handler(cflow_output_newline,
					 outfile, out_line,
					 NULL,
				         output_driver[driver_index].handler_data);
     out_line++;
}

static void
begin()
{
     output_driver[driver_index].handler(cflow_output_begin,
					 outfile, out_line,
					 NULL,
					 output_driver[driver_index].handler_data);
}

static void
end()
{
     output_driver[driver_index].handler(cflow_output_end,
					 outfile, out_line,
					 NULL,
					 output_driver[driver_index].handler_data);
}

static void
separator()
{
     output_driver[driver_index].handler(cflow_output_separator,
					 outfile, out_line,
					 NULL,
					 output_driver[driver_index].handler_data);
}

#if 0
static void
print_text(char *buf)
{
     output_driver[driver_index].handler(cflow_output_text,
					 outfile, out_line,
					 buf,
					 output_driver[driver_index].handler_data);
}
#endif

static int
print_symbol (int direct, int level, int last, Symbol *sym)
{
     struct output_symbol output_symbol;

     output_symbol.direct = direct;
     output_symbol.level = level;
     output_symbol.last = last;
     output_symbol.sym = sym;

     return output_driver[driver_index].handler(cflow_output_symbol,
						outfile, out_line,
						&output_symbol,
						output_driver[driver_index].handler_data);
}

static int
compare(const void *ap, const void *bp)
{
     Symbol * const *a = ap;
     Symbol * const *b = bp;
     return strcmp((*a)->name, (*b)->name);
}

static int
is_var(Symbol *symp)
{
     if (include_symbol(symp)) {
	  if (symp->type == SymIdentifier)
	       return symp->storage == ExternStorage ||
	 	      symp->storage == StaticStorage;
	  else
	       return 1;
     }
     return 0;
}

int
symbol_is_function(Symbol *symp)
{
     return symp->type == SymIdentifier && symp->arity >= 0;
}

static void
clear_active(Symbol *sym)
{
     sym->active = 0;
}

/* Cross-reference output */
void
print_refs(char *name, struct linked_list *reflist)
{
     Ref *refptr;
     struct linked_list_entry *p;

     for (p = linked_list_head(reflist); p; p = p->next) {
	  refptr = (Ref*)p->data;
	  fprintf(outfile, "%s   %s:%d\n",
		  name,
		  refptr->source,
		  refptr->line);
     }
}

static void
print_function(Symbol *symp)
{
     if (symp->source) {
	  fprintf(outfile, "%s * %s:%d %s\n",
		  symp->name,
		  symp->source,
		  symp->def_line,
		  symp->decl);
     }
     print_refs(symp->name, symp->ref_line);
}

static void
print_type(Symbol *symp)
{
     if (symp->source)
	  fprintf(outfile, "%s t %s:%d\n",
		  symp->name,
		  symp->source,
		  symp->def_line);
}

void
xref_output()
{
     Symbol **symbols, *symp;
     size_t i, num;

     num = collect_symbols(&symbols, is_var, 0);
     qsort(symbols, num, sizeof(*symbols), compare);

     /* produce xref output */
     for (i = 0; i < num; i++) {
	  symp = symbols[i];
	  switch (symp->type) {
	  case SymIdentifier:
	       print_function(symp);
	       break;
	  case SymToken:
	       print_type(symp);
	       break;
	  case SymUndefined:
	       break;
	  }
     }
     free(symbols);
}

/* Tree output */

static void
set_active(Symbol *sym)
{
     sym->active = out_line;
}

static int
is_printable(struct linked_list_entry *p)
{
     return p != NULL && include_symbol((Symbol*)p->data);
}

static int
is_last(struct linked_list_entry *p)
{
     while ((p = p->next))
	  if (is_printable(p))
	       return 0;
     return 1;
}

/* Produce direct call tree output
 */
static void
direct_tree(int lev, int last, Symbol *sym)
{
     struct linked_list_entry *p;
     int rc;

     if (sym->type == SymUndefined
	 || (max_depth && lev >= max_depth)
	 || !include_symbol(sym))
	  return;

     rc = print_symbol(1, lev, last, sym);
     newline();
     if (rc || sym->active)
	  return;
     set_active(sym);
     for (p = linked_list_head(sym->callee); p; p = p->next) {
	  set_level_mark(lev+1, !is_last(p));
	  direct_tree(lev+1, is_last(p), (Symbol*)p->data);
     }
     clear_active(sym);
}

/* Produce reverse call tree output
 */
static void
inverted_tree(int lev, int last, Symbol *sym)
{
     struct linked_list_entry *p;
     int rc;

     if (sym->type == SymUndefined
	 || (max_depth && lev >= max_depth)
	 || !include_symbol(sym))
	  return;
     rc = print_symbol(0, lev, last, sym);
     newline();
     if (rc || sym->active)
	  return;
     set_active(sym);
     for (p = linked_list_head(sym->caller); p; p = p->next) {
	  set_level_mark(lev+1, !is_last(p));
	  inverted_tree(lev+1, is_last(p), (Symbol*)p->data);
     }
     clear_active(sym);
}

static void
tree_output()
{
     Symbol **symbols, *main_sym;
     size_t i, num;
     cflow_depmap_t depmap;

     /* Collect functions and assign them ordinal numbers */
     num = collect_functions(&symbols);
     for (i = 0; i < num; i++)
	  symbols[i]->ord = i;

     /* Create a dependency matrix */
     depmap = depmap_alloc(num);
     for (i = 0; i < num; i++) {
	  if (symbols[i]->callee) {
	       struct linked_list_entry *p;

	       for (p = linked_list_head(symbols[i]->callee); p;
		    p = p->next) {
		    Symbol *s = (Symbol*) p->data;
		    if (symbol_is_function(s))
			 depmap_set(depmap, i, ((Symbol*)p->data)->ord);
	       }
	  }
     }

     depmap_tc(depmap);

     /* Mark recursive calls */
     for (i = 0; i < num; i++)
	  if (depmap_isset(depmap, i, i))
	       symbols[i]->recursive = 1;
     free(depmap);
     free(symbols);

     /* Collect and sort all symbols */
     num = collect_symbols(&symbols, is_var, 0);
     qsort(symbols, num, sizeof(*symbols), compare);

     /* Produce output */
     begin();

     if (reverse_tree) {
	  for (i = 0; i < num; i++) {
	       inverted_tree(0, 0, symbols[i]);
	       separator();
	  }
     } else {
	  main_sym = lookup(start_name);
	  if (main_sym) {
	       direct_tree(0, 0, main_sym);
	       separator();
	  } else {
	       for (i = 0; i < num; i++) {
		    if (symbols[i]->callee == NULL)
			 continue;
		    direct_tree(0, 0, symbols[i]);
		    separator();
	       }
	  }
     }

     end();

     free(symbols);
}

void
output()
{
     if (strcmp(outname, "-") == 0) {
	  outfile = stdout;
     } else {
	  outfile = fopen(outname, "w");
	  if (!outfile)
	       error(EX_FATAL, errno, _("cannot open file `%s'"), outname);
     }

     set_level_mark(0, 0);
     if (print_option & PRINT_XREF) {
	  xref_output();
     }
     if (print_option & PRINT_TREE) {
	  tree_output();
     }
     fclose(outfile);
}

redpajama_set_name: RedPajamaGithub


Posted December 5, 2018 by tsvdo & filed under Fashion Trends.
Fashion is a general term for a currently popular style or practice, especially in clothing, foot wear, accessories and hairstyles. In recent years, it was commonly illustrated through portraits and several other artifacts showing entirely different forms of fashion. Fashion books and magazines are essential tools for everyone in fashion industry and mostly for individuals who always want to keep up with the latest trend.
Most of these books and magazines were written by fashion experts, who have a wide range of knowledge when it comes to appropriate attire and styles and have the capability to influence individuals choice and taste. On the other hand, fashion nowadays was likewise greatly exploited in the movies and music industries. Movie and music enthusiasts usually follow the style of their favorite icons, thus making the celebrities become trendsetters.
Fashion movies and music industries impact society. For instance, a teenager may choose to cut her hair for a short curly hairstyle or highlight it simply because her favorite star looks the same in a particular movie or her favorite rock star wears the same. These fashion trends have all happened at different times where people can simply copy their favorite celebrities after watching them on TV or going out to the movies. Media influence is an all important factor in todays society.
In India, Bollywood celebrities greatly influenced the latest fashion among young boys and girls because it uses glamorous look and standout fashion trends. From time to time, film makers create new exclusive designs and styles feature in the movies, which are accepted in everydays lifestyle. Fashion movies generally took advantage of the inherent theatrics of fashion. In Hollywood, on the other hand, several fashion movies greatly affect the viewers preference because of its standout and beautiful clothes and styles.
Audrey Hepburn in Breakfast at Tiffanys established little black dress as a fashion must-have. This style basically fit her long and thin body frame, and practically no curves interfere with the garment silhouette. In The Seven Year Itch, Marilyn Monroe standout at a particular movie scene where she wore white halter dress and got hit with a blast of cold air. The movie became so popular and was imitated by most women even equally famous celebrities.
While most of the clothes are a bit skimpy to have been worn in the 1920s, fashion designers did a great job evoking the jazz age in the movie Chicago, which is starred by Nicole Kidman and Catherine Zeta-Jones. If you like great music, clever cuts, and over-the-top costumes, then you will understand why Colleen Atwood won the Oscars Best Costume design for this movie.


text:
HEAVEN SHALL BURN – 'VETO' OUT IN EUROPE TODAY VIDEO FOR 'HUNTERS WILL BE HUNTED' ONLINE | FESTIVALPHOTO
HEAVEN SHALL BURN – 'VETO' OUT IN EUROPE TODAY VIDEO FOR 'HUNTERS WILL BE HUNTED' ONLINE
In order to celebrate the release of their new album, 'VETO', HEAVEN SHALL BURN have launched a new video for the album track 'Hunters Will Be Hunted'. This video-clip was produced and directed by Film-M and Philipp Hirsch, who previously made the videos for HEAVEN SHALL BURN's 'Endzeit' and 'Black Tears', as well as the 'Bildersturm' DVD and bonus DVD for 'Invictus'.
Maik Weichert (guitars) comments about the video for 'Hunters Will Be Hunted': "The topic of the video is very important to us. No matter if it's hobby hunters in our regions, tourists going hunting in Africa or the ineffable whalers that Sea Shepherd are luckily setting more and more bounds to – Theodor Heuss' (first President of the Federal Republic of Germany) words are universal: 'Hunting is merely a cowardly circumlocution for the especially cowardly murder of fellow creatures who don't have a chance. Hunting is a variant of human mental illness.' The video is a bit unusual for a metal band, but we think it is a little different and standing out against the normal stereotypes of the scene. We are really proud that we could win Denise Rombouts over for the main female role. It was great fun working with such a talented and professional model. She really taught every one of us a lesion when it came down to being tough and keep on working during an ice cold winter day."
CD and LP formats:
- Standard CD Jewelcase
- Ltd. Edition 2CD: The luxurious Mediabook comes with an extended booklet, a bonus track ('European Super State' originally by Killing Joke) and a bonus-CD entitled '500.Live' (15 live songs)
- Ltd. Edition 3CD Box Set (strictly limited, only available in Germany, Austria, Switzerland): The Box Set comes with the Ltd. Edition 2CD plus a CD in a Jewelcase with the alternative 'Blizzard Over England Mix' by Colin Richardson. Additionally you are getting a HSB belt, hand signed poster A3, lanyard, HSB VETO army meet & greet competition pass, VETO whistle.
- LP + CD: While the vinyl comes in an alternative mix by Colin Richardson ('Blizzard Over England Mix') the CD features the Tue Madsen mix.
Digital Downloads:
- Standard album
- Digital Deluxe: standard album + '500.Live' (15 live songs)
- iTunes Exclusive: standard album + 'European Super State' (originally by Killing Joke) + 'River Runs Red' (originally by Life Of Agony) + 'Whatever It May Take 2013'
- iTunes Exclusive Digital Deluxe: standard album + 'European Super State' (originally by Killing Joke) + 'River Runs Red' (originally by Life Of Agony) + 'Whatever It May Take 2013'
+ '500.Live' (15 live songs)
CMDistro.com also offers a strictly limited golden vinyl as well as the Ltd. Edition 2CD in a bundle with a shirt: https://www.cmdistro.de/Search?q=veto
HEAVEN SHALL BURN are currently working on a full European tour that will kick off in November of 2013.
HEAVEN SHALL BURN online:
http://www.heavenshallburn.com
http://www.facebook.com/officialheavenshallburn
http://twitter.com/centurymediaeu
http:/www.cmdistro.com


Special screening of the sequel to the 2015 Chinese box office hit, in association with the East Asia Film Festival Ireland – April 5th to 8th 2018.
Wuba is a pudgy, adorable CGI creature, born of human parents, with a growling voice and an infectious giggle. Having sent him off to the monster world to be with his own kind, his parents decide to bring him back. Wuba, however, is on the run from the evil monster king.


One Need Church Benevolence » Need 18.39 – Mother Lost Job – Goal Met!
Need 18.39 – Mother Lost Job – Goal Met!
We alert you today to single mother that has lost her job. She was working in administration at a local university where she was laid off earlier this month. She has been living paycheck to paycheck, and the lost income has put her and her high school daughter in danger of being evicted. They have no family support. We are working with her closely on regaining employment and have provided her with food through our local partner. Her rent is due in a few days, and we want to help her by securing her housing while working with her to gain new employment. We are also going to provide financial counseling after addressing these urgent needs.


The new year calls for new gym gear: whether you're training for your next marathon or just need a style boost to keep you pounding the pavements, these are the pieces that will help you peak in performance and style.
This must-have mesh top works for both high- and low-intensity workouts, offering breathability where you need it most.
FOR HER: Try a stretch-jersey tank top for days on the treadmill and a hooded jacket with panelled cut-outs and thumbholes for outdoor workouts.
FOR HIM: A mesh panelled hoodie with smooth, flatlock seams and moisture-wicking technology is perfect for running outdoors in the cooler months.
Pilates, barre or strength training: whatever your choice of workout, your tights should feel like a second skin, while keeping sweat at bay.
FOR HER: Bamboo leggings with contouring side stripes. Not only is bamboo breathable and moisture-wicking, it also protects the skin from ultraviolet rays. If you're an avid gym goer, opt for medium to high compression.
FOR HIM: Compression tights – they can improve blood flow and muscle recovery and regulate your moisture levels from the warm-up to the cool-down.
Elevate your squats, side lunges and sun salutations with a mat that balances style and function.
FOR HER: A yoga mat made from recycled rubber and cork will make planking much more bearable. Plus, cork is antimicrobial and has just the right amount of grip so you won't slip during downward dog.
FOR HIM: A large fitness mat that's built to withstand impact from cardio workouts and absorb shock – whether it's burpees or standing sprints – will work wonders for at-home workout sessions.
Practical but polished. Water-repellent and scratch resistant. Your gym bag should be all of these and still elevate your workout wardrobe.
FOR HER: A colour-block duffle bag crafted from cotton canvas, with an easy-access side pocket for your water bottle, will seamlessly transition from workouts to weekends away.
FOR HIM: A metallic quilted backpack with contrast colour handles and a ventilated compartment for trainers. Best of all, it can double as your commuter bag.
A stylish water bottle is sleek, sustainable and will keep you well hydrated so you can perform better. You'll never pick up a single-use plastic bottle again.
FOR HER: A plastic-free bottle – think one made from stainless steel or even sugar cane – is sustainably sourced, will stand out in the gym and is free from phthalates and additives.
FOR HIM: Look for a BPA-free design with an insulated sports cap to eliminate condensation, and a built-in hydration tracker.


4. Call Notify - Displays a call or sms icon in the status bar when calls or SMS's are missed.
5. Canola BlueHi - BlueHi is a Canola's plugin to send medias (audio, video and photo) by Bluetooth Network. Initially developed on Zagaia Development Center, supported by INdT/FUCAPI.
6. Remember The Milk plugin for Canola2 - A plugin for Canola2 which allows to manage personal ToDo lists and sync data with rememberthemilk.com service.
9. Squishee Archive Manager - Squishee is a lightweight graphical archive manager that supports zip, bzip2, gzip, tar, rar and 7-zip archive formats. Squishee relies on command line tools (such as gzip, tar and 7-zip) to provide archive compression and decompression capabilities.
11. NotYet: GTD in maemo - NotYet is a GTD ("Getting things done") program for maemo platform. The goals are simplicity and usability: just the required functions with thumb-friendly controls, so input and review tasks is easy, fast and comfortable.


text:
Charter Blogs
Charter for Compassion Blog
Welcome to the Charter for Compassion's Blog - Original content from Staff and Partner organizations around the world.
Co-creating Safety in a World of Uncertainty
Marilyn Turkovich
Today's guest author is Donna Mills, she co-coordinates, together with Sara Jamil, the Gender Partnerships sector of the Charter for Compassion. Donna has taken on a topic that is central to the wellbeing of each of us--personal safety, and security. I remember a study done decades ago asking individuals who were displaced by war what they wished for most frequently. Several answers consistently rose to the top: feeling secure, having the entire family together, and waking up in the same place each day. Donna reminds us of Plato and his association with wonder and how his thought resembles living in safety. In fact, Goal 11 of the UN Sustainable Development Goals has us considering how to make our communities inclusive, safe, resilient, and sustainable. Embedded in Goal 11, and Plato's state of wonder, is another principle that comes from his thinking and that is the path to happiness. Our goal is to claim being happy as we delve into our right to being safe and secure.
In a world of uncertainty, what is the difference between safety and security? And do we have either? For that matter, are we even guaranteed certainty?
This past week, I viewed a short video of Barry Michels, co-author of The Tools and Coming Alive, where he spoke about certainty and wonder. Michels shared two perspectives on wonder from Plato and Aristotle.
Plato began every inquiry with wonder, as did Aristotle. The difference for them was how they ended their inquiry. For Plato, wonder was that with which you began and ended each inquiry. For Aristotle, wonder was employed to begin an inquiry, but it was certainty that was at the end of his inquiry
And for the last 2,500 years, so it has gone. It was Aristotle's search for certainty that brought us the scientific model. A useful tool, to be sure. However, one must admit that Aristotle's need for certainty has diminished the value of wonder to a childhood asset of sentimentality. What if more adults wondered, and wondered, and wondered even more? What if we employed wonder and the scientific model as a balanced yin/yang concept?
The Charter for Compassion Women and Girls Sector is exploring the common language of violence and peace through a Partnership for a Safe and Sacred NOW, (PSSN) and wondering what we might discover if we included Plato's philosophy of the "wonder" bookends to our inquiry into safety and security. As we can see from the definitions below, safety: denoting something designed to prevent injury or damage, has intent written into it. Security, on the other hand, a bit like certainty, is the state of being free from danger or threat. And that is just an impossibility.
You might ask, "Well, how can we be safe, but not secure?" Fair question! When we design something, say society, to be a safe place to exist, we are building a collective and collaborative narrative of how we wish to be in a human relationship with each other. We are choosing new narratives. And this is the time in human history to do it. In the end, both wonder and safety require thoughtfulness, responsibility, and participation. Certainty and security are both an assumed state of being, but this is no longer a passive world, and they will no longer do.
The Partnership for a Safe and Sacred NOW gathers September 22, 2021 at 9 am Pacific time to explore new narratives of Safety and Security. Please join us, as we discuss how committing to safety - how designing ourselves and our communities with the intent to prevent injury and damage - offers us more than a sense of false security.
What is the difference between Safety and Security? Why does it matter? How does language and intent create new narratives? Do we work to end violence? Or create safety? Let us utilize our innate knowing and body-sense to define what safety means to us individually and collectively.
noun: safety
1. the condition of being protected from or unlikely to cause danger, risk, or injury.
2. denoting something designed to prevent injury or damage.
noun: security
1. the state of being free from danger or threat.
2. from securus 'free from care' Latin
Co-Lead of Women & Girls Sector for the Charter for Compassion
This message from Donna. Mills, Co-Lead of Women & Girls Sector for the Charter for Compassion, appears in our 08/08/2021 weekly newsletter. To sign up for our newsletter, scroll all the way down to the end of this page to get to the bottom menu, in the newsletter section enter your email address and click on subscribe.
Let's Talk About Laughter
Love Paves Bridges to Compassion
Subscribe to updates from author Unsubscribe to updates from author Marilyn Turkovich
Thursday, 26 January 2023 Celebrating Life 2023
Friday, 20 January 2023 The Building of a Beloved Community
Thursday, 12 January 2023 It could start with a Sandwich
Guest - Vicki Cutherell (website) on Monday, 09 August 2021 12:00
Guest - Vicki Cutherell on Monday, 09 August 2021 11:57
Thank you for such thought provoking ideas. As we strive to create a world that accepts both vaccinated and unvaccinated, may we be open to wonder. Compared to the state of Washington, Texas has a much different view of safety and security when it comes to wearing masks in schools. I'm hoping for partnerships between government and educational entities.
Guest - Vicki Cutherell on Monday, 09 August 2021 11:57 Thank you for such thought provoking ideas. As we strive to create a world that accepts both vaccinated and unvaccinated, may we be open to wonder. Compared to the state of Washington, Texas has a much different view of safety and security when it comes to wearing masks in schools. I'm hoping for partnerships between government and educational entities.


text:
Clippers' Kawhi Leonard in quarantine protocol after arriving in Orlando
Ohm YoungmisukESPN Staff Writer
Ohm Youngmisuk has covered the Giants, Jets and the NFL since 2006. Prior to that, he covered the Nets, Knicks and the NBA for nearly a decade. He joined ESPNNewYork.com after working at the New York Daily News for almost 12 years and is a graduate of Michigan State University.
Follow him on Twitter » Ohm's chat archive »
Kawhi Leonard is in Orlando, Florida, and going through the quarantine protocol before joining the LA Clippers for team activities.
Coach Doc Rivers confirmed Saturday that the Clippers' All-Star forward did arrive at the Walt Disney World Resort as expected after Leonard was excused by the team to tend to a family matter when the Clippers flew to Orlando on Wednesday.
"Kawhi, he is here, he is going through the protocol," Rivers said. He will be quarantining for two days.
The Clippers closed their team facility out of caution after there was a positive coronavirus test among their travel party, ESPN's Adrian Wojnarowski reported on July 2.
The biggest dark horse contenders in the NBA restart
Rivers said the Clippers players who are in Orlando are healthy, including Leonard. And that was something he could not say for much of the season. Leonard has managed a knee issue for much of the time, and Paul George eased his way into the season as he recovered from offseason surgeries on his shoulders.
But George said his shoulders are 100 percent and that the Clippers benefited from the four-month hiatus amid the coronavirus pandemic to let nagging injuries heal. Rivers would not say how the Clippers plan to ramp Leonard back up for postseason play.
"I don't know that yet," Rivers said. "I think everybody's healthy, that is a great thing. Guys were not as healthy in training camp at the beginning of this year. Now we got Paul George healthy, we have Kawhi healthy, we don't have a guy that's injured right now, knock on wood. Hope that continues."
The Clippers (44-20) went through their second practice on Saturday as they resume their title chase. Guard Lou Williams said the Clippers held a team vote on whether to even go to Orlando and take part in the NBA restart.
Williams was "50-50" about whether to play again because he, like some other players around the league, feared that games could distract from the protests around the country against social injustice and police brutality. Williams voiced his concerns about the league being able to promote Black Lives Matter and continue the momentum the movement had.
"We spoke as a team and we decided that our decision, it was going to be everybody or nobody," Williams said. "And so once we sat down, we decided to take a vote and we just had more things in common and we just decided that we were going to come as a group. So I'm part of the group.
"I have a lot of thoughts and ideas of the things that I felt strongly about personally, but I represent a group. I represent an organization; so ultimately that led to my decision."
Rivers said the organization "pushed" the players to talk about returning to play so that they had the "right mindset" and also the ability to speak up for what they believe in while in Orlando.
The Clippers' coach passionately spoke up during his Zoom session with reporters about Sen. Josh Hawley of Missouri. Hawley sent a letter to NBA commissioner Adam Silver about the league's social justice messages on uniforms. Hawley tweeted, "why not 'Support our Troops' or 'Back the Blue'? Or given how much $$ @nba makes in #China, how about 'Free Hong Kong'!"
"They always try to turn it into the military or the police," Rivers said. "There's no league that does more for the military than the NBA. But how about that senator? I'll make up a challenge. We will do things for the troops as long as he acknowledges Black Lives Matter. I think that would be really cool for him to do.
"It's funny, whenever we talk about justice, people try to change the message," Rivers continued. "Colin Kaepernick kneels, it had nothing to do with the troops. It had to do with social injustice. And everyone tries to change the narrative. How about staying on what we're talking about and dealing with that instead of trying to trick us or change or trick your constituents? How about being real?
"I guarantee you that we have done more for the military than probably that senator. And I guarantee you this, we are going to do things for Black Lives Matter, how about him? Maybe he should join into that."


There are currently 7 homes available in Villa Calissa with an average price of $729,000. For availability or more information about homes for sale in Villa Calissa call Patsy Wilson at 904-501-9331 .
Villa Calissa is located in St Augustine FL, St. Johns County. There are currently 7 homes active and for sale inside the neighborhood with the average price being $729,000. The number of homes for sale in Villa Calissa is always changing so if you see a home you like and you would like to schedule a time to take a look please give me a call at 904-501-9331.


Cellular based M2M communication is used for wide coverage area using a cellular network. The devices get connected on the Internet through cellular networks and the communication takes place. Such kind of communication is used between machines located at different sites and also for the machines that remain mobile for the major part of time and need to communicate about their statuses periodically.
The report aims to provide an overview of Global M2M Cellular Modules Market along with detailed segmentation of market by applications, services, user type and five major geographical regions. Global M2M cellular modules market is expected to witness rapid growth during the forecast period due to increased adoptions of asset tracking applications by supply chain industry and various associated applications of it.
Some of the important players in M2M cellular modules market are AT&T, Verizon Communications, Vodafone Group PLC, Sprint Corporation, Amdocs Inc., China Mobile Limited, Deutsche Telecom AG, Telefonica SA, Aeris Communications, and Sierra Wireless.


text:
Ephemeralist
Matisse Takes Manhattan
The Snail (L'Escargot), 1953. Gouache on paper, cut and pasted, on paper, mounted on canvas. 112 ¾ x 113" (286.4 x 287 cm). Tate. Purchased with assistance from the Friends of the Tate Gallery, 1962. © 2014 Succession H. Matisse / Artists Rights Society (ARS), New York
Henri Matisse: The Cut-Outs, at MoMA through February 8
This large exhibition of Matisse's late phase paper cut-outs shows the artist's brilliant use of negative space, the reduction of a form, and his vibrant palette. It's one of those shows when words don't do justice.
Two Dancers (Deux danseurs), 1937-38. Stage curtain design for the ballet Rouge et Noir. Gouache on paper, cut and pasted, notebook papers, pencil, and thumbtacks. 31 9/16 x 25 3/8" (80.2 x 64.5 cm). Musée national d'art moderne/Centre de création industrielle, Centre Georges Pompidou, Paris. Dation, 1991. © 2014 Succession H. Matisse / Artists Rights Society (ARS), New York
Is it worth it, amid all the hyped and timed tickets? Depending on your capacity to endure crowds, yes. But investing in a catalogue might be smarter, and there's also a new children's book as well, and a dedicated, insightful website that includes such gems as this:
Studio assistant Annelies Nelck with tracing of Apollo on the floor of the Hôtel Régina, Nice, c. 1953
Labels: Cut-Outs, Henri Matisse, MOMA, susan yung
What's happening in NYC dance?
DanceNYC Event Calendar
Chris Ofili at the New Museum—Embracing the Dark
Fall for Dance—Maturing, But Still Sweet
Lar Lubovitch's Cheeky Side
Pacific Northwest Ballet—A Prodigal Daughter Bids ...
Fashionable Premieres at New York City Ballet
Kyle Abraham's Watershed


This is a cozy and spacious complex, which offers city and district residents opportunity to acquire the necessary goods for the home, work and active leisure in one place.
The anchor tenants, such as large chain stores of building materials and home appliances, cafe, bank, pharmacy, as well as a number of smaller complementary operators: furniture store, doors and windows store, pet shop, fishing tackle shop and the other represent the shopping center. In addition, the project provides a mother-and-child room in the shopping center.
The land for construction in Gomel is conveniently located along one of the main streets of the city - Sovetskaya street, which goes to the ring road and Gomel-Mogilev track. The shopping center will be located in densely populated Zheleznodorozhny area, where multistory residential buildings prevail, as well as where industrial enterprises are concentrated.
Moreover, the shopping center will be popular with people going to their cottages or agricultural settlements, which are located 3-5 km in the direction out of the town.


If you're even thinking about a kitchen remodel, odds are you have been leafing through design magazines. Both are great ways to jumpstart the process, but to get the most out of this step, you'll need to do more than turn pages and program your TiVo.
To get a general idea of how much you have to spend on a kitchen remodel, you will need to crunch some numbers. Our Designers offers a worksheet that makes the math easy. Are granite countertops a must-have? How about stainless steel appliances? Do a little research into the costs of your wish list items and compare them with your preliminary budget. Are you on target?
4. Set a Time Budget.
When most people hear the word budget, they automatically think of money. However, when remodeling, it's also important to budget time. Is there an event on the calendar that would be affected if your kitchen was under construction? Discuss your time budget when interviewing potential remodelers.
Find a professional. You're going to meet our professional design team to help you through this process, especially if there are electrical or plumbing changes involved.
Discuss the floor plan and timeline. Before our team gets started, you will need to know the schedule and exactly what the finished product will look like. Our team will bring in one of our top designers or draw up a floor plan of the remodel, which you will need to approve.
Sign a contract. This step is imperative. If you don't sign a contract with your contractor, he or she might not be held liable for any mistakes or misunderstandings. You do not want to be saddled with additional repairs after the fact, so make sure you get in writing the scope of the project and his or her responsibilities. In addition to a full project description, the contract should also include the cost estimate and timeline.


text:
Pharma Asia
Eisai and Arena Pharmaceuticals Complete Registrational Trials of an Extended Release Formulation of Lorcaserin
by Michael Gibney |
-- New Drug Application for once-daily formulation of lorcaserin expected to be submitted to the FDA later this year --
WOODCLIFF LAKE, N.J. and SAN DIEGO, Calif., April 10, 2015 /PRNewswire/ -- Eisai Inc. and Arena Pharmaceuticals, Inc. (NASDAQ: ARNA) today announced the completion of two Phase 1 registrational clinical trials that Eisai and Arena believe demonstrate bioequivalence of an investigational once-daily extended release formulation of lorcaserin, as compared to the twice-daily immediate release formulation approved by the US Food and Drug Administration (FDA) and marketed as BELVIQ®. If approved, the extended release formulation is expected to be marketed as BELVIQ XR, which is the brand name conditionally approved by the FDA.
"This extended release formulation has the potential to offer once-daily dosing," said Jack Lief, Arena's President and Chief Executive Officer. "We expect the results from these trials will allow us to submit a New Drug Application with the FDA for the treatment of weight management later this year and may also support our efforts to further pursue additional opportunities within our lorcaserin lifecycle management portfolio."
Each of the two randomized, crossover trials evaluated the safety, tolerability, pharmacokinetics and bioavailability of an extended release formulation of lorcaserin in 36 healthy adult subjects. Patients in each trial were divided into two treatment groups and received both doses in a two-way crossover sequence. Patients in the first study were dosed under fasted conditions either 10 mg twice-daily (BID) immediate release or 20 mg once-daily (QD) extended release. Patients in the second study were dosed either 20 mg QD extended release in the fasted state or 20 mg QD extended release in the fed state.
The most common treatment-emergent adverse events were similar to those seen in the Phase 3 clinical trials of BELVIQ, and included mild or moderate headache, constipation, dizziness and nausea. There were no discontinuations for adverse events, and no serious adverse events were observed.
Lorcaserin extended release formulation is investigational and not approved by any regulatory agency.
About BELVIQ® (lorcaserin HCl) CIV
Immediate-release lorcaserin is approved under the brand name BELVIQ for weight management by the FDA and the Ministry of Food and Drug Substances in South Korea. Eisai Inc. and Ildong Pharmaceutical Co., Ltd., market and distribute BELVIQ in the United States and South Korea, respectively, and Arena manufactures and supplies the finished commercial product from its facility in Switzerland.
BELVIQ is a serotonin 2C receptor agonist indicated in the United States as an adjunct to a reduced-calorie diet and increased physical activity for chronic weight management in adults who have a body mass index (BMI) of 30 kg/m2 or greater (obese), or BMI of 27 kg/m2 or greater (overweight) with at least one weight-related medical condition, such as high blood pressure, high cholesterol, or type 2 diabetes. The safety and efficacy of coadministration of BELVIQ with other products intended for weight loss, including prescription drugs (e.g., phentermine), over-the-counter drugs, and herbal preparations, have not been established. The effect of BELVIQ on cardiovascular morbidity and mortality has not been established.
For more information about BELVIQ, click here for the full US FDA-approved Product Information or visit www.BELVIQ.com.
BELVIQ should not be taken during pregnancy or by women who are planning to become pregnant.
BELVIQ is a serotonergic drug. The development of potentially life-threatening serotonin syndrome or Neuroleptic Malignant Syndrome (NMS)-like reactions have been reported during use of serotonergic drugs, including, but not limited to, selective serotonin-norepinephrine reuptake inhibitors, and selective serotonin reuptake inhibitors, tricyclic antidepressants, bupropion, triptans, dietary supplements such as St. John's Wort and tryptophan, drugs that impair metabolism of serotonin (including monoamine oxidase inhibitors), dextromethorphan, lithium, tramadol, antipsychotics or other dopamine antagonists, particularly when used in combination. Patients should be monitored for the emergence of serotonin syndrome symptoms or NMS-like reactions, including agitation, hallucinations, coma, tachycardia, labile blood pressure, hyperthermia, hyperreflexia, incoordination, nausea, vomiting, diarrhea, and muscle rigidity. Treatment with BELVIQ and any concomitant serotonergic or antidopaminergic agents should be discontinued immediately if the above events occur, and supportive symptomatic treatment should be initiated.
Patients should not take BELVIQ in combination with drugs that have been associated with valvular heart disease (eg, cabergoline). In clinical trials, 2.4% of patients taking BELVIQ and 2.0% of patients taking placebo developed valvular regurgitation: none of these patients were symptomatic. BELVIQ should be used with caution in patients with congestive heart failure (CHF). Patients who develop signs and symptoms of valvular heart disease, including dyspnea, dependent edema, CHF, or a new cardiac murmur, should be evaluated and discontinuation of BELVIQ should be considered.
Impairment in attention, memory, somnolence, confusion, and fatigue have been reported in patients taking BELVIQ. Patients should not drive a car or operate heavy machinery until they know how BELVIQ affects them.
The recommended dose of 10 mg twice daily should not be exceeded, as higher doses may cause euphoria, hallucination, and dissociation. Monitor patients for the development or worsening of depression, suicidal thoughts or behaviors, and/or any changes in mood. Discontinue BELVIQ in patients who develop suicidal thoughts or behaviors.
Weight loss may increase the risk of hypoglycemia in patients with type 2 diabetes mellitus who are being treated with antidiabetic medications, so measurement of blood sugar levels before and during treatment with BELVIQ is recommended. Decreases in doses of antidiabetic medications or changes in medication regimen should be considered.
Men who experience priapism should immediately discontinue BELVIQ and seek emergency medical attention. BELVIQ should be used with caution with erectile dysfunction medications. BELVIQ should be used with caution in men who have conditions that might predispose them to priapism (eg, sickle cell anemia, multiple myeloma, or leukemia), or in men with anatomical deformation of the penis (eg, angulation, cavernosal fibrosis, or Peyronie's disease).
Because BELVIQ may cause a slow heartbeat, it should be used with caution in patients with a history of bradycardia or heart block greater than first degree.
Consider monitoring for CBC changes, prolactin excess, and pulmonary hypertension.
In patients without diabetes: headache (17%), dizziness (9%), fatigue (7%), nausea (8%), dry mouth (5%), and constipation (6%).
In patients with diabetes: hypoglycemia (29%), headache (15%), back pain (12%), cough (8%), and fatigue (7%).
BELVIQ should not be taken by women who are nursing.
BELVIQ® is a federally controlled substance that may lead to abuse or dependence.
About Eisai Inc.
At Eisai Inc., human health care is our goal. We give our first thoughts to patients and their families, and helping to increase the benefits health care provides. As the U.S. pharmaceutical subsidiary of Tokyo-based Eisai Co., Ltd., we have a passionate commitment to patient care that is the driving force behind our efforts to help address unmet medical needs. We are a fully integrated pharmaceutical business with discovery, clinical, manufacturing and marketing capabilities. Our key areas of commercial focus include oncology and specialty care (Alzheimer's disease, epilepsy and metabolic disorders). To learn more about Eisai Inc., please visit us at www.eisai.com/US.
Eisai Inc. has affiliates that are part of a global product creation organization that includes R&D facilities in Massachusetts, New Jersey, North Carolina and Pennsylvania, as well as a global demand chain organization that includes manufacturing facilities in Maryland and North Carolina. Eisai's global areas of R&D focus include neuroscience; oncology; metabolic disorders; vascular, inflammatory and immunological reaction; and antibody-based programs.
About Arena Pharmaceuticals
Arena is embracing the challenge of improving health by seeking to bring innovative medicines targeting G protein-coupled receptors to patients. Arena's focus is discovering, developing and commercializing drugs to address unmet medical needs, and BELVIQ® (lorcaserin HCl) is Arena's first internally discovered drug approved for marketing. Arena's US operations are located in San Diego, California, and its operations outside of the United States, including its commercial manufacturing facility, are located in Zofingen, Switzerland. For more information, visit Arena's website at www.arenapharm.com.
Arena Pharmaceuticals® and Arena® are registered service marks of Arena Pharmaceuticals, Inc. BELVIQ® and BELVIQ XR® are registered trademarks of Arena Pharmaceuticals GmbH.
Certain statements in this press release are forward-looking statements that involve a number of risks and uncertainties. Such forward-looking statements include statements about the therapeutic indication, use, safety, efficacy and potential of BELVIQ and BELVIQ XR, including the potential of BELVIQ XR to offer once-daily dosing; submission of a New Drug Application for BELVIQ XR, including related timing; the potential approval and marketing of the extended release formulation of lorcaserin, including under the brand name BELVIQ XR; the results of the registrational trials of BELVIQ XR, including their significance, demonstrating bioequivalence, allowing the submission of a New Drug Application with the FDA and supporting efforts to pursue additional opportunities; pursuing additional opportunities within the lorcaserin lifecycle management portfolio; the collaborations with Eisai and Ildong and related activities and expectations; embracing the challenge of improving health; seeking to bring innovative medicines to patients; and Arena's focus, plans, goals, strategy, expectations, research and development programs, and ability to discover and develop compounds and commercialize drugs. For such statements, Arena claims the protection of the Private Securities Litigation Reform Act of 1995. Actual events or results may differ materially from Arena's expectations. Factors that could cause actual results to differ materially from the forward-looking statements include, but are not limited to, the following: we may determine not to submit a regulatory application for BELVIQ XR or the FDA (or any other regulatory agency) may not accept any such application, agree that bioequivalence has been established or ever approve any such application; risks related to commercializing drugs, including regulatory, manufacturing, supply and marketing issues and the availability and use of BELVIQ; cash and revenues generated from BELVIQ, including the impact of competition; the risk that Arena's revenues are based in part on estimates, judgment and accounting policies, and incorrect estimates or disagreement regarding estimates or accounting policies may result in changes to Arena's guidance or previously reported results; the timing and outcome of regulatory review is uncertain, and BELVIQ may not be approved for marketing in combination with another drug, for another indication or using a different formulation or in any other territory for any indication; regulatory decisions in one territory may impact other regulatory decisions and Arena's business prospects; government and commercial reimbursement and pricing decisions; risks related to relying on collaborative arrangements; the timing and receipt of payments and fees, if any, from collaborators; the entry into or modification or termination of collaborative arrangements; unexpected or unfavorable new data; nonclinical and clinical data is voluminous and detailed, and regulatory agencies may interpret or weigh the importance of data differently and reach different conclusions than Arena or others, request additional information, have additional recommendations or change their guidance or requirements before or after approval; data and other information related to any of Arena's research and development may not meet regulatory requirements or otherwise be sufficient for (or Arena or a collaborator may not pursue) further research and development, regulatory review or approval or continued marketing; Arena's and third parties' intellectual property rights; the timing, success and cost of Arena's research and development; results of clinical trials and other studies are subject to different interpretations and may not be predictive of future results; clinical trials and other studies may not proceed at the time or in the manner expected or at all; having adequate funds; and satisfactory resolution of litigation or other disagreements with others. Additional factors that could cause actual results to differ materially from those stated or implied by Arena's forward-looking statements are disclosed in Arena's filings with the Securities and Exchange Commission. These forward-looking statements represent Arena's judgment as of the time of this release. Arena disclaims any intent or obligation to update these forward-looking statements, other than as may be required under applicable law.
Contacts: Eisai Inc.
Investor Inquiries:
Alex Scott
Laurie Landau
Contact: Arena Pharmaceuticals, Inc.
Media Contact: Russo Partners
Scott A. Rieger
David Schull
Senior Director, Investor Relations
Michael Gibney


These are the perfect statement earrings for christmas - a bright red pearl surrounded by red and green rhinestones. These measure just a bit over 0.75 inches in diameter, but the best part about these is that they are acrylic so they are nice and lightweight. I have finished these with surgical steel studs.
Please Note: All stud earrings are MADE TO ORDER so please allow up to 72 hours for me to make the earrings prior to shipment.


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War of the Rebellion: Serial 002 Page 0486 OPERATIONS IN MD., PA., VA., AND W. VA. Chapter IX.
and take the enemy on his right flank and in reverse at Centreville. Difficulties, however, of an insuperable character, in connection with means of transportation and the marching condition of his troops, made this impracticable, and it was determined our forces should be united within the lines of Bull Run, and thence advance to the attack of the enemy.
In consequence of the untoward detention, however, of some five thousand of General Johnston's army corps, resulting from the inadequate and imperfect means of transportation for so many troops at the disposition of the Manassas Gap Railroad, it became necessary, on the morning of the 21st, before daylight, to modify the plan accepted to suit the contingency of an immediate attack on our lines by the main force of the enemy, then plainly at hand.
The enemy's forces, reported by their best-informed journals to be fifty-five thousand strong, I had learned from reliable sources on the night of the 20th were being concentrated in and around Centreville and along the Warrenton turnpike road to Bull Run, near which our respective pickets were in immediate proximity. This fact, with the conviction that after his signal discomfiture on the 18th of July before Blackburn's Ford-the center of my lines-he would not renew the attack in that quarter, induced me at once to look for an attempt on my left flank, resting on the stone bridge, which was but weakly guarded by men, as well as but slightly provided with artificial defensive appliances and artillery.


Cancer affects everyone. With more than 15.5 million people living with and beyond cancer in the U.S. today – and more than 32 million cancer survivors worldwide – everyone knows someone whose life has been touched by cancer. On Sunday, June 4, 2017, communities around the world will gather to recognize these cancer survivors as part of the 30th annual National Cancer Survivors Day®.
National Cancer Survivors Day® is an annual worldwide "Celebration of Life" that is held on the first Sunday in June. Hundreds of cities across the U.S. and abroad will hold celebrations on this day to acknowledge the cancer survivors in their community, to raise awareness of the ongoing challenges cancer survivors face because of their disease, and – most importantly – to celebrate life.
"Life after cancer is about more than just surviving. It's about living well. It's celebrating milestones and thriving in spite of adversity," says Foundation spokesperson, Laura Shipp. "National Cancer Survivors Day® is an opportunity for cancer survivors – and those who support them – to come together and celebrate life, celebrate the fact that, for the majority of survivors, cancer isn't the death sentence that it once was.
The National Cancer Survivors Day Foundation is encouraging everyone – cancer survivors, caregivers, healthcare professionals, family members, and friends – to join their community's NCSD celebration. To find the one nearest you, check with your local cancer treatment center, hospital, or American Cancer Society office. Or you can host an event of your own using the resources available through the National Cancer Survivors Day® website, ncsd.org.
Because of the great strides researchers have made in preventing, detecting, and treating cancer, more people are surviving and living longer after cancer than ever before. However, many survivors face limited access to healthcare specialists, inadequate or no insurance, difficulty finding employment, and psychosocial struggles. Once active treatment ends, cancer survivors still must cope with the long-term effects of cancer, which can include ongoing physical and emotional side effects, increased risk for second primary cancers and other health problems, and potentially devastating financial setbacks.
The National Cancer Survivors Day Foundation, along with NCSD 2017 national supporters Coping with Cancer magazine, Elekta, Genentech, Janssen, Seattle Genetics, and Teva Oncology, is encouraging citizens across the globe to stand with these survivors on National Cancer Survivors Day® and make a commitment to addressing the challenges of cancer survival.
Leading up to the 30th annual National Cancer Survivors Day®, the NCSD Foundation urges everyone to spread the message that life after cancer is about more than just surviving. It is about living well.
Free graphics are also available for download to share on social media sites to show support for National Cancer Survivors Day®.