Many forex traders want to trade forex news. They check the economic calendar which is scheduled for the release of major economic data, such as the famous Non-Farm payrolls and prepare for trading their currencies after or before one of the major events. Of course if something unexpected happened and they were alert at that moment, they might try to jump that too.
There are several different methods commonly used in news trading. Let's look at each turn and explore the advantages and disadvantages of each before drawing a conclusion.
This may not be as stupid as it sounds, depending on what you expect. For example, if you think, after a broad analysis of economic data and track records of involved personalities that the Reserve Bank of Australia will almost certainly cut their interest rates tomorrow, while markets think this is an impossible outcome, then you might have a smart reason to open short trading in Australian dollars. If not, you will only gamble with opportunities against you with results that may be worse than 50-50.
The advantage of taking a smart view before the market news release is that you might get a very good price for your trading without a high spread or other slippage. The disadvantage is that you may experience periods of high volatility in the minutes of the announcement, where this will make the price reach your stop-loss or ensure that you will need a very large stop loss to ensure your trading is alive, limiting the potential profit to the risk ratio .
This sounds logical: establishing what the market expects, and your instincts seeing that expectations have far exceeded or none at all, open the trade properly.This will almost never work for a number of reasons: liquidity will be very thin, there will be very large slips, the spread will be very high and your broker may very well not even be able to give you a price.
Usually when a retail trader can enter the market following the main market news, prices are a very bad one. This might not matter if the event is a real game change like United States Non-farm payrolls but this will always be like that at other times. Believe me, this methodology has always been the worst.
It might seem like a good idea to wait for major market news releases such as the FOMC Meeting Minutes or US Non-farm Payrolls and just before release you place a pending order with your broker to buy maybe 50 pips ahead and sell maybe 50 potters below.
In reality this is a very bad idea because liquidity becomes very thin in the seconds before and after the main news release where prices and spreads can go anywhere. You can easily find your trading open and stop at one or two points which is a very unpleasant experience.
Even if you can do it right, you are still very likely to suffer a large slippage of trading triggered if the results are strong.
This method requires some discipline, brain work and market analysis, but this really is the only way to trade news. You must compare the results of the news released with market expectations and decide whether it has fundamentally changed market sentiment towards the currency. After you make a decision, then you have to wait a few minutes and see where the price will go.
This method avoids various problems such as slippage, thin liquidity, wide spreads and poor execution.
This is a little secret about trading news: most of the time, news doesn't change market movements, this will only speed it up. If you pair this with the fact that the market tends to revolve most of the time, then you will realize that most real news trading opportunities are trading against the initial movement, not from the expected follow-up. That's a little knowledge of how to trade forex news that you can apply to your own daily forex system.
Related Post "How to trade Forex News?"
Why Are These Six Currencies To Be Popular For Trading?


We need to talk. And I think you know why.
Look, I'm not going to beat around the bush. We've been growing apart for weeks now, and I think it's time we both acknowledged that we might be coming to the end of our run…sorry, bad pun. I think we need to go our separate ways.
We had a great ride – sheesh, sorry again.
The puns are kinda unavoidable.
We spent some great times together these past few months, and you made a potentially unbearable summer not only bearable, but brighter by being there for me when I needed you. I know that's probably little consolation now, but hey – the fact is, I think the writing was on the wall when the Nashville B-Cycle folks moved the bike kiosk away from the Greenway entrance. It was almost as if they were trying to come between us, and as much as I hate to admit it – I think they pulled it off.
At the beginning of the summer, when I needed a safe place, you gave it to me…and you grew with me when my needs changed and i took to biking instead of the evening walks we used to share. You were there when I got the worst sunburn of my life…you were there for my first 10+ mile bike ride…you were there when I needed a friend. I'll always remember that.
But when the bikes went away, it was hard to go back to just walking with you…it felt like we were going backward.
And…well, the BUGS. There were always the bugs. Every night, the damn bugs.
I know, I know…they were there before you were, and there was nothing you could do about them…but that didn't change anything. They came between us from day one – those tiny little swarming bastards were constantly trying to create friction between us, and it worked.
But even so, it's not just that.
The summer's over, and we both know it…and soon, the weather is going to get colder, and the days will get shorter, and – well, I just don't think we were meant to be anything but a summer affair. We're just not built for the whole year 'round, under the circumstances.
And…I don't want to hurt you, but I'm going to be completely honest, here.
There's someone else. Actually, there are a couple of "someone elses".
When the bikes went away, I started seeing Shelby Park.
Yeah, that Shelby Park. The one that everybody else loves, the one that you're probably a little jealous of in the first place…but you have to understand – this was a practical decision. It was never about you, not as much as it was about the bikes and the greenway trails and the lack of the beating sun and…well, look – Shelby just made sense for me. She's closer to where I live, where you're in the backyard of my job…and Shelby has the bikes.
Yeah, at the end of the day, it comes down to the bikes. I really am that superficial.
Maybe that shouldn't be a big deal, but it is. For me.
Hey, listen – you're wonderful without bikes. Really, you are.
Well, except for the bugs.
I'm sorry, I know I promised I wouldn't keep bringing up the bugs, but it's a big deal to me. I wish it were different, but that's just who I am.
But you know, your hands aren't clean here, either. I mean, there were other people biking and running on your asphalt almost EVERY time we spent time together…so it's not as if I was the only unfaithful one. But what really hurt was seeing other people walking on you at sunset. I mean, that was OUR THING! The running and the biking, OK…but you had to share OUR thing, too?
If it makes you feel better, I'll share this with you…I'm probably going to be breaking up with Shelby Park soon, too.
I haven't told her yet, so I'm not sure why I'm telling you…but I thought you should know.
The fact that Shelby Park has the bikes now doesn't change the fact that winter is coming, nor the fact that it's soon going to be dark for a big chunk of the day. You two have that in common.
So I decided to join a gym.
Don't get angry, please. Hear me out. I'm trying to explain myself.
I joined the Planet Fitness in Madison.
We both know that I've been growing in this direction for a while, and I need to be with someone who's going to grow with me, and I feel good about my relationship with Planet Fitness. I know, a lot of you hate her, you think she's cheap and vanilla and boring – and I guess I can understand why you'd see her that way…you're not alone.
But I have needs. And Planet Fitness doesn't have the obstacles that you have in meeting my needs.
She's just plain better for me, and I have to honor that.
I realize that there's nothing I can say to lessen the pain of this…and frankly, it cuts both ways. When we first got together, I couldn't see a time in the future when it wouldn't be you and me, at sunset on the Cumberland River, watching the barges crawl along the waterline and listening to the traffic humming over the interstate.
But love is blind that way. When you first connect, all you see are possibilities – but when you settle into getting to know one another, the pitfalls of a relationship always end up showing themselves sooner or later.
I'm sure there'll come a time at some point in the future when I'll outgrow Planet Fitness, too…but right now, she's what I need.
I'm sorry we've come to this. I'd really like to remain friends, if that's not too painful or awkward. I think we'd still be able to enjoy the occasional get-together, once the cellophane wears thin and we're able to hang out like normal people. You don't have to answer that right now…it's just something I'd like you to think about.
Good luck, OK? and thanks for everything. You earned a pretty important place in my life by being in it when you were…but I have to move on now.


text:
Grandpa Francis
On June 27th, the 25th anniversary of his ordination as a bishop, Pope Francis had some reflections on the role of grandparents. Speaking to the Cardinals in a homily delivered entirely off the cuff, the Pope said:
When Abraham was called he was more or less our age: he was about to retire, to retire to rest . . . , an elderly man, with the weight of old age. . . But the Lord said to him: "Rise! Look! Hope!"
So the Lord says to us: "Rise! Look! Hope!" He tells us that it is not the hour to close our life, not to close our history, not to truncate our history. The Lord tells us that our history is still open: it is open to the end; it is open with a mission. And with these three imperatives, he indicates to us the mission: "Rise! Look! Hope!"
Those who do not love us say that we are the gerontocracy of the Church. That is ludicrous. We are not the aged, we are grandfathers. And if we do not feel this, we should ask for the grace to feel it — grandfathers whose grandchildren look at them. Grandfathers who must give them a sense of life with our experience. Grandfathers not closed in on the melancholy of history, but open to giving. And for us, this "rise, look, hope," is a call "to dream." We are grandfathers called to dream and to give our dream to today's youth. They need it because they will draw from our dreams the strength to prophesy and to carry their task forward.
The pass age of Luke's Gospel (2:21-38) comes to mind, Simeon and Anna, two grandparents, but what capacity to dream these two had! They spoke what they dreamed to Joseph, to Our Lady, and to the people. And Anna went tattling all over saying: "It is he! It is he!" She told the dream of her life. And this is what the Lord asks of us today: to be grandparents, to give enthusiasm to young people. Because young people expect it from us, let's not close ourselves but give our best.
I ask the Lord to give all of us this grace, the grace to be grandparents, the grace to dream, to give this dream to our young people: they need it.
Pope Francis lives in Rome and is the head of the Catholic Church.
Copyright © 2017 Grandly – The Strategic Grandparents Club.
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redpajama_set_name: RedPajamaCommonCrawl


: A case with numerous complaints is resolved with a snake remedy, arrived at by the Sensation method.
This is a case of a woman who was 34 years old when she first consulted me for her sore throat. Earlier when I had taken her case she seemed to be Calcarea Sulph and she was actually benefitted to some extent in her sore throat and skin complaints by this remedy. However, as I saw that she was not overall improving I retook her case and many many thanks to THE SENSATION METHOD that cured her of her palpitations for which she had been advised to have an operation.
Following is the verbatim transcript of the case taken in July 2011. Here you will see that her main complaint was palpitation, but as she was talking about other complaints I didn't interfere and allowed her to tell her whole story.
Dr: Tell me about your complaints.
Pt: First is my palpitation …then… My main problem is my palpitations ….then… as such I don't have any problems, like everyday there is not a problem but some or the other problem…sometimes neck pain (Touches her neck with hand) as I have spondylitis, sometimes head pain but it doesn't stay for a long time, mainly related to stomachache; if related to indigestion then there is headache. I don't get colds easily and get a cough if it gets irritated but it doesn't remain for a long time; and ever since I have taken your medicine [CALC SULPH] the cough never remains for longer than 2 days. Menses problem: initially when I started [Menarche] I had it for 8 days, after delivery it was 7 days and now it is 6 days and that's also with your medicine [CALC SULPH] the flow is a bit less. Right now I don't have any major problem but I get mouth ulcers [Hg: shows her mouth with hand and that too making a circle with her index finger] before periods.
Dr: What complaints do you get before periods?
Pt : [Coughs] Every time I don't get pain in the same part; sometimes it starts with backache, sometimes I get chest pain, means it feels heavy [ hg : showing with both the hands fingers extended showing as if carrying some load ] , sometimes I have pain in thighs and otherwise nothing and pain in abdomen is okay since these long time it's okay; we can bear but when I was young I had problem with pain in abdomen; if I would vomit then only I was relieved [Clears throat]. But one thing is there because of this heart problem if I talk much [ left hand showing some weight near chest] I go breathless ' Aaaahh ' [ exhales loudly] I have to do this, but I can talk as much as I want but [hg : hand showing a linear movement] not constantly for one hour 'PAK PAK PAK'. I cannot talk that way ; for a second or two I have to do this ( shows with deglutition movement) then only I can talk further [hg : hand moving further ] I don't know whether this thing has any connection with that ( her palpitations). Otherwise I don't have any problems [quickly darts her tongue and licks her lips].
Dr: Talk more about it.
Pt: [Touches her forehead above the eyebrow with her index finger] I had migraine ; sun headaches; only half of my head would pain; only one side the mucus would get accumulated. [Bending her head to right side and shows heavy] That decreased gradually. [With some AURVEDIC medicine] It occurs but the severity is not there.
Pt: Yes I had herpes on forehead [Hg: index finger pointing to forehead] . It started from vertex and spread to forehead and around eyes and it touched my retina and that's why I got spectacles.
Dr: It started from vertex and how did it spread?
Pt: First I had a pimple on vertex and then it spread down from here to there [Shows affected area from head to nose and area around left eye] then it came into my nose.
Dr: Was it inside your mouth?
Dr: Only on left side?
Pt: Yes, nothing on right side.
Dr: Was ear affected? Or any pain?
Pt: See right now also it is there [Showing her face with her index finger] means sometimes I get. Because my sleep is less that's why or because of constipation … I don't know I go for three times in a day but the morning call should be clear [hg hand moving in forward direction] which is not there. It should be all clean. [Hg] sometimes it is not there sometimes it is there.
Dr: Talk about all clean.
Dr: Not in your context but in general only explain what you did with your han; do it again and tell.
Pt: [Eyes wide open] Means? [Hg: both the hands moving away from each other.] Feel relaxed and no problem is there and otherwise if my motion is not clear then I feel that my head [Hg: shows as if holding head with her right hand] is paining; giddiness [same hg of right index finger making circles] my stomach is upset [Same hg of hand moving forward] like I don't feel comfortable.
Dr: Dissociate yourself from all these and only tell me about the word meaning of ALL CLEAN.
Pt: [Putting a hand on her chin and thinking deep] ALL CLEAN means feel like … I feel good.
Dr: Remove 'YOU' from that.
Pt: Toxic gets removed no? Nothing remains in your stomach.
Dr: What am I telling? Not in your context.
Pt: I didn't really get what you want?
Dr: If I tell you to give me the meaning of some word [e.g. all clean] like that.
Pt: For me ALL CLEAN is TO FEEL GOOD. NO PROBLEM; IF EVERYTHING IS REMOVED PROPERLY THEN IT WILL NOT TORTURE YOU [ HG : SAME BOTH THE HANDS SHOWING SOME WEIGHT] and your concentration will be on that particular thing only because this did not happen…[hg : index finger showing some particular point].
Pt: TORTURE means which irritates you very much.[ hg : both the hands showing as if holding her head] and keeps on banging on your mind [ hg : one hand showing hitting of head] that only.
Dr: Talk about " BANGING".
Pt: [Looks sideways as if finding something] Aaaan… I cannot… [ coughs] I am that sensitive. If my husband tells me anything then I take it very… [hg: both the hands moving towards chest] immediately it affects my mind…though after one day that is not in my mind even… but that whole night I will not be able to sleep [hg: hands showing denial] I feel GUILTY about myself that what expectations does he have from me that what is being done by me is not liked by him; every times why he is saying the same things ; where I am lacking ? Where am I less that he has to complain?
Pt: I won't be able to make him happy if I am lacking somewhere… if I am lacking somewhere; if he's complaining that means he's not satisfied.
Dr: I'm not asking you in his context; tell me only about lacking somewhere. What do you mean by that?
Pt: Lacking is I feel that I'm not doing well. Appreciation should be there everywhere right? We are not saying that appreciation should be there but there is one inner satisfaction [hg : touching chest with hand] is also there that I feel that no he's happy; from his behaviour[hg] there is some behaviour pattern from which we get to know that the other person [hg] is convinced with us or not.
Dr: Talk about that thing.
Pt: Of course if he talks with me very good way, nicely , politely… of course harshly also, but he is communicating with you; talking with you so that satisfaction is there that no he is talking with me ; he's not keeping quiet with me.
Dr: So how do you feel?
Pt: It makes me feel good.
Dr: Say if he's not talking to you?
Pt: I feel what's the problem? CLEAR IT OUT NO?
Dr: What is clear it out?
Pt: What's the problem? You say something and stop in between; I call him ATKELAL!!!! [Meaning: One who has stopped] He would not make it clear that what the problem is.
Dr: What is TO MAKE CLEAR?
Pt : You tell me what's the problem… but if you don't tell only and tell something and stop there only [hg ] you don't go forward only [ hg : hand moving in forward direction] how I'll make it out ? That is ATKELAL.
Dr: Tell about this hand gesture of yours. Forget about your husband.
Pt: Repeats the same thing .Why he's sticking to the same point?
Dr: What is STICKING TO THE SAME POINT?
Pt: It is like ok. In the past, I may have done some mistakes but he'll torture me on that particular point that you did this, you did that. He would say: in past you did this [hg: finger pointing] that's why I'm telling you like this.
Dr: So, how does it feel?
Pt : it feels guilty… once that matter is cleared out ; I've even said sorry and assured that it will not happen again then why he's not trusting me ?
Dr: Why he can't have faith on you?
Dr: Why one couldn't trust?
Pt : I don't know.[hg : ? mark] that's why only somewhere I'm [hg : both the hands pointing herself] lacking …it's his nature only; he will not say much but he'll stick to the same point [hg: hand pointing to something] he will not elaborate.
Pt: He'll repeat the same thing.
Dr: forget him. Just what is sticking to the same point?
Pt: If you repeat one thing on and off; on and off; on and off [hg: of making circles like coil type of movement] it feels very bad.
Dr: Repeat on and off on and off… how does it feel ? Express the feeling.
Dr: Hold. Express the pinch.
Dr: What is finishing it off?
Pt : TO STOP means you are not living a smooth life … at the back of your mind one question is there only that now what must be going on in his mind ? Now why he's not talking with me? Now what has happened? Why he's behaving like that? that question remains in my mind …I do my work but…the question is there in my mind… it dwells … I am doing my work but it drags me to hell…here or there why it keeps happening to me ? What have I done that I always have to face this with him or somebody else? Why I can't live a normal life?
Dr: What is a normal life?
Dr: Then how do you feel to convince?
Pt: I never mind to do it because it's been a routine for me to convince him for everything. Normally he won't say yes for the first time for anything but if I need it then obviously I'll have to convince him…but sometimes you expect that they be with us.
Pt: [Spontaneously] I don't like violence.
Pt: If somebody's fighting i don't like it [hg] it's like BANG BANG [hg: hands as if banging head] that I don't like.
Dr: Talk about BANG BANG.
[Here, again pt starts narrating incidences with her husband and thereafter with others … she talks about how her husband is attention seeking and how he wants her to take care of her… then she talks about how possessive he is…and about her children and everything … but not going a level deep than EMOTION LEVEL. So here I stop and call her again after some days to my clinic. I did prescribe for her after this case taking and I gave her PYTHON REGIUS 200 one powder dose. And then I called her to my clinic after a week for the follow up.
v Pt talks about two faces and on one face somebody is saying nice things and behind back he is talking bad about that person.
v Pt has aversion to tight collars and wants open neck clothes, otherwise she will feel uneasy.
v Pt does hand gestures of coiling movement and talks about holding on and its opposite relaxing; which reflects the exact energy of a python. A typical python behaviour is: lying still; then as the victim approaches near, suddenly coiling itself around the victim; and then gradually tightening its coils around it with some interval of stopping till the victim succumbs to the pressure of the coil and dies due to respiratory arrest…then python swallows the victim from head to toe whole!
v And here we can see the glimpse of this pattern in patient's history and we will also see it clearly in the follow-ups as the pt will become more aware of this pattern. Here pt talks about her husband's behaviour which shows her own sensitivity to sticking to the same point, holding on, not letting go, stopping in between the talk, keep on dwelling, contracting and releasing movements [with hg] which gives her relief in all her complaints like knee pain, urinary infection etc. This is very true that we can only see or feel the things within our range of sensitivity and other things don't touch us… in this case we could see how she is sensitive to repeating of the same thing on and on and how she gets irritated to the behaviour of her husband when he stops while talking and not going further or repeating the same thing. This is actually the patient's sensitivity and the best way to get pt's sensitivity is by asking her to describe somebody else's behaviour or nature which affects her.
v Python moves by rectilinear movement and this movement is shown by pt while narrating many of her complaints through hand gestures.
v Patient cannot forgive or forget other's mistakes and that thing keeps on dwelling in her mind, which she wants to get rid of and have a normal life and relax!!!
Pt got PYTHON REGIUS 200 one powder dose. Right from the day she took the dose she actually had a whole night's deep sleep; otherwise she had trouble falling to sleep and got up unrefreshed. Her energy level increased and lethargy disappeared. She gradually stopped taking medicine for the cardiac arrhythmia and then was totally on homeopathy.
This time patient has come with some urinary infection.
Pt: There is much itching at the place of urination. [hg] not while passing urine but on that place[hg] it burns!
Dr: When does it burn?
Pt: There is slight burning while first part of urine is passing then nothing.
Dr: How does it feel?
Pt: Slight burning. It pains…not pain [hg] it doesn't feel smooth. This started after horse riding. This is not the first time I'm having it. Then I feel like splashing water on it. I feel like putting something into it. Only this much is there. All the medicine for palpitation is stopped and I'm taking only your medicines. There is no neck pain and sleep was also better.
Dr: Can you wear high neck dresses?
Pt: No I cannot. It irritates. Mentally I don't like. I feel like closed [hg] here. [Shows neck] I like it open around my neck. [Both hands moving away from neck] I don't like to see it even. I have such clothes but I avoid.
Dr: What makes it better?
Pt: If I splash water.
Dr: Hot water or cold?
Pt: Cold because already it is irritated. Whenever I have my periods I splash a lot of water [hg] and that time I need really hot water; even Luke-warm water can't do. I splash a lot of water and many pieces come out [hg] and I clean it out.
Dr: Tell me about your dreams.
Pt: I get dreams very rarely but when I get they are never of fantasy but they are always AROUND [hg] my family or AROUND [hg] my friends.
Dr: What kind of pain is there in the head?
Pt: I don't feel good [darts tongue] that kind but not severe pain.
Dr: How does it occur?
Pt: It doesn't pain much but it feels like paining slightly and if I bend my head this side [shows by bending head to the left] then it feels good but if I bend it the opposite side then [show by bending head to the right side] then while sleeping I feel like all weight is coming on this side.
Dr: Describe all the weight coming to that side.
Pt: [hg] it feels heavy here.
Pt: [hg] It's like somebody holding it.
Pt: [Pt sitting very still and about to protrude tongue but doesn't] it feels tight and as if we want to do something else but something stops us that no you cannot go [hg] outside of this!!! [Utter nonsense] that is holding.
Pt: We want to get rid [hg] of it… suppose we want to let go [hg] ok it has happened and we want to let go [hg]… we come out of one thing [hg] and start another thing [hg] and we know that this is not going to work out [hg] there are no hopes [hg] but there is some inner feeling which tells us that no still we can try it out [hg] that is holding on. [Hg] We don't give up 100% i.e. holding on. [hg] or you can say suppose if we have a fight [hg] and I patch up with you but [hg] mentally it keeps blinking in my mind that no she had done this bad with me. [Itches her neck] That is holding on.
Dr: What happens if it holds on?
Dr: Describe holding on; the word-meaning.
Dr: Not letting go forward and keeping you there only?
Pt: I don't like it.
Dr: Then what could happen?
Dr: Do it again [hg] which you did.
Pt: [Laughs loudly… bursts out laughing] I am not doing anything.
Dr: See this is the most important part so you concentrate and tell.
Pt: [hg] We cannot get rid of it and we feel there should be a limit…[hg] that lets leave it; go forward [hg] but it doesn't let us stop. We cannot put a full stop to it. We don't put a full stop; instead there is a comma[,] then we go forward again a comma [,] [hg] again we go forward…HOLD ON [HG] HOLD ON [HG] HOLD ON [HG] like that.
Dr: What is holding on then comma then going forward?
Pt: [Hg: pushing in a coiling movement] one by one it keeps on adding. It's not like leave it. [Hg] No feeling of leaving. No feeling of letting go.
Dr: what will happen again?
Pt: that same situation if created again then what? Why we can't be normal? [Hg] Why we can't be SMOOTH?
Pt: It means one face talking something and the second face talking something else; I don't like it. [Hg] be normal. Whatever is in your mind talk on face. Don't keep double feelings. [Hg] you have a double face; one side you talk good about someone and as soon as that person turns then you talk bad about him. [Hg] That is not good. I don't like it.
Dr: Tell more about the feeling when holding on?
Pt: I feel like crying from inside; I don't like anything that time. I don't like quarrels.
Dr: What is the exact feeling when holding on?
Dr: what does it mean?
Dr: talk about your sleep.
Pt recently had an episode of palpitation so here I ask her to describe it.
Pt: it had become breathless… [One hand resting on another forearm] If we run a long distance then how we get exhausted? I cannot express how it feels. [hg] but it feels uneasy; how would you feel after dancing; [hg: hand making a fist and slowly contracting and releasing] your heartbeats will increase and then it will slow down…it feels like dhad-dhad-dhad-dhad…[hg].
Dr: How do you feel that time?
Pt: As if all the water is drained out from body [hg] and body becomes very loose; [hg] mind doesn't work; all concentration is there only [hg].
Dr: What is becoming loose?
Pt: To get tired [hg] yes, sensation of great fatigue; no desire to do anything; you don't have any energy left that you could do something; you don't have energy even to think.
Dr: Breathless means how do you feel?
Pt: You cannot breathe normally [hg] like usually we do and feel fresh. You have to [strain] apply pressure to breath.
Pt: Weight. You have to [breath] forcefully. Normal easy breath is not there. You have to check frequently that whether its slow or fast. [Hg] sometimes it becomes very slow and sometimes very fast; breath means pulse fluctuates. [Hg] Nothing is going to happen inside [my body] but I anticipate that something will happen.
Pt: I don't know. I feel that heart is connected with our life. [hg] If heart stops working then some complication will be there inside and when these thought comes I get tensed. [hg] if heart stops then I die.
Dr: How is the experience?
Pt: Only uneasiness. [Hg: as if pumping with hand; hand contracting and releasing] Whenever I've had palpitation only the frequency of my pulse has gone up and down.
Pt: [hg: of contracting] it means sometimes slow and [hg: releasing fist] sometimes fast. [Repeats] our normal pulse rate is between 72 to 90… But sometimes it suddenly increases to 120 and sometimes decreases to 60-70.
Dr: Tell more about the same hg.
Pt: How our heart beats? [Hg] Sometimes it becomes slow [hg: hand contracting] and sometimes it becomes fast. [Hg: hand releasing] So, when it gets slower and slower I have to breath deep. [pt takes a slow deep breath] and if it becomes fast automatically the breath also becomes fast.
Dr: How is the feeling?
Pt: I don't like it. Uneasy. I want it to get over soon. It should be normal soon.
[Then I ask the pt about motherhood and she gives incidences about how she is very caring to her children and how her own mother was supporting her and python is a snake which takes care of its eggs till hatching, which differentiates Boas from Pythons. In Boas no parental care is seen. So I select PYTHON REGIUS and pt is at the emotional level, therefore the 200 C potency. But later I have also given her 1M as the state demanded.
Swapna Honavar presents a case of depression that she solved by tracing the etiology.
Dr. Menka Chaturvedi presents a case of ovarian disease in a woman of 35.
A Case of Aurum sulph.
A useful article about A Case of Aurum sulph..Full details about A Case of Aurum sulph.
Really nice case Dr.Hetal I also use Sensation method. It's a intresting case of Python.. I never used this remedy but from your case i definitely get a better idea of it's understanding.
Dear Dr Yamini, thank you for your comments. I think sharing our successful cases can increase our experience many a folds. with regards, Hetal.
Yes You are absolutely right Dr Hetal. sharing increases our knowledge.. looking forward for more such cases..
i want to learn this sensation method so can you guide me?
is there any book available?
thanks a lot for sharing and looking forward for more cases.
Its an interesting case, your description about the case is also interesting, can we read more about sensation method, is there any book available on this method.?
Looking forward for more cases based on sensation method.
Этот полезный web-сайт , он рассказывает про https://progressive.ua.


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'A Lee Chip' Captures the Sound of an Island
Language and Life Project
NC State-Produced Documentary Wins Emmy Award
The Language and Life Project at NC State was honored for "Talking Black in America," a feature-length film that highlights the rich history of African-American English.
Language, Gender and Disney Princesses
With billions of dollars in box office and retail sales, the films in Disney's Princess collection have an immense reach. And while entertaining, their messages can also be influential in how children learn about social norms and behaviors. In this Q&A, NC State graduate student Karen Eisenhauer discusses her research on how language in the Disney Princess movies can depict and represent gender roles.
The Importance of African-American Speech: a Q&A with Walt Wolfram
Linguistics scholar Walt Wolfram reflects on the importance of understanding and appreciating African-American speech — the subject of a new documentary, "Talking Black in America," produced by the Language and Life Project at NC State.
When Caroline Myrick first went to the Caribbean island of Saba in 2012, she had no idea that she'd be publishing a dictionary on the native language four years later.


GB Save Soldier Escape is another point & click escape game developed by GelBold. In this game, it needs another rescue operation from your side: this time it's a soldier you have to save by using objects and hints to solve puzzles. Good luck and have fun!


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News, Unbelievable
Harvey Weinstein Gets 23 Years in Prison After Whining, 'This Is Wrong'
Convicted movie mogul told judge he has "remorse for this situation" but says he and victims have "different truths."
Two years after dozens of women bravely stepped forward to accuse Harvey Weinstein of sexual misconduct, the disgraced movie mogul has been sentenced to 23 years in prison for rape and sexual assault.
Weinstein, 67, was convicted last month of sexually assaulting former Project Runway production assistant Miriam Haleyi and raping former actress Jessica Mann. The Oscar-winner faced a minimum of five years and up to 29 years in prison.
"It is time for people who rape other people to pay with their life and the life they took," Mann told the court shortly before he was sentenced.
All six women who testified against Weinstein at trial embraced as the sentence was read and received a round of applause as they walked out of the courtroom.
Both Haleyi and Man delivered emotional statements at the sentencing, describing the trauma they've endured in the aftermath of their assaults.
"He violated my trust, my body, and my basic right to reject my sexual advances," Haleyi said. "When he attacked me that evening, it scarred me emotionally and physically."
After the sentencing, the women tearfully hugged each other and were cheered by dozens of people as they walked outside.
At the hearing, Weinstein delivered a rambling statement of his own that garnered audible gasps in the courtroom, claiming that he had "serious friendships" with the two women and insisting he never really had much power in Hollywood.
"I am a builder. I know how to build and I know how to generate and pass my success forward," he said, claiming that his victims would say he's "generous in that part of the relationship."
Weinstein went on to say that while he has "remorse for this situation," he's worried about America.
"I am just feeling for the thousands of men and women who are losing due process," he said. "I am worried for this country."
"People are losing their jobs over the fact that they testified," he continued. "This is the United States of America. This is wrong. I had no great powers in this industry. At the height of it's power, Miramax was a small business."
Original Source: https://www.thedailybeast.com/harvey-weinstein-sentenced-to-23-years-in-prison-for-sex-crimes?source=articles&via=rss&fbclid=IwAR1orjcoUlyjPONSG_Kc9VnHnZf-9-Jtduj5EI7uoyR1BPPpchr-8PZTPxA
Conspiracy theorist Alex…
Light Language –…


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KFIZ Sports Scoreboard : 1/14/20
High School Sports - Monday's Results:
Boys Basketball:
New Holstein 72, St. Mary's Springs 59
--Aidan Ottery scored 18 points to lead the Ledgers in the loss. Alex Baackes scored 25 points to lead New Holstein in the win.
Laconia 58, Campbellsport 48
Oshkosh Lourdes 97, Ripon 84
--The Knights and Tigers combine to make 31 three-pointers in the game
Central Wisconsin Christian 54, Elkhart Lake-Glenbeulah 43
College Softball:
The Marian University Softball Team has announced the hiring of Brooke Balk as its new assistant coach. Balk joins the Marian staff and head coach Tony Draves after playing two seasons at Luther College and two seasons at St. Cloud State. Balk earned her Bachelor of Arts degree from Luther in Exercise Physiology and served as a strength coach intern with the school's athletic department.
CFP National Championship:
#1 LSU 42, #3 Clemson 25
--Heisman Trophy winner Joe Burrow threw for 463 yards and five touchdowns to lead LSU to the victory in the National Championship Game in New Orleans. The Tigers end the season 15-0, and end Clemson's 29-game win streak.
College Hoops:
The Maryland Terrapins need a win at Wisconsin to put a season-worst loss to Iowa in the past. The Badgers and Maryland meet at the Kohl Center tonight at 8:00 P-M. The Terps are trying to move past the 67-49 loss last Friday in Iowa City. Since transfer Micah Potter became eligible, Wisconsin has won five-of-six and is playing much better. Potter scored 24 points last time out and has averaged nine-and-a-half points-a-game since he was cleared to play. Listen to coverage of the game joined in progress following High School Hoops on KFIZ.
The Milwaukee Bucks return home from a successful, three-and-one road trip, to host the New York Knicks tonight. After dropping the first game in San Antonio, Milwaukee won three in a row at Golden State, Sacramento and Portland. At the season's midway point, Milwaukee carries a league-best 35-and-6 record. New York brings an 11-and-29 mark to the Fiserv Forum for tonight's game. Tipoff time is 7 pm, no broadcast on KFIZ because of high school and Badgers basketball.
Boston 113, Chicago 101
Oklahoma City 117, Minnesota 104
New Orleans 117, Detroit 110 (OT)


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Looking ahead to the Tony Awards: An off year for musicals, but 'Once' deserves to win
By Chris Jones and Chris Jones
NEW YORK — What with "Ghost,""Lysistrata Jones" and other wearying disappointments, the 2012-13 Broadway season hardly will go down as a banner year for new American musicals. Indeed, should the best-musical Tony Award go, at Sunday night's ceremony, to a show other than "Once" or "Newsies" — the only remotely viable candidates for this most important of theatrical honors — the theater chatterati will be speechless and Tweetless. For a couple of seconds.
"Leap of Faith," a missed opportunity for a more substantial look at the role of faith in Red State America, and "Nice Work If You Can Get It," a genial but wholly artificial construct that feels more like a desire to exploit a great song catalog than a show with a coherent artistic purpose, have about as much chance of winning a Tony on Sunday as the NBC comedy "Smash" has of achieving belated verisimilitude. But all the wailing and gnashing of teeth about the state of the musical — a form, it should be noted, that has survived far leaner years than this one — should not detract from the formidable and underappreciated achievement of "Once," a musical that displays significantly more originality and breathtaking artistry than last year's winner, "The Book of Mormon," a hit so potent and popular it also will be featured on this year's Tony Awards.
Sure, "Once" is based on existing material — in this case, John Carney's 2006 independent movie about a love-lorn busker and an already-married Czech immigrant who totter precariously on the edge of Eros in Dublin. But I'd argue that, formatively speaking, this is one of the best screen-to-stage adaptations that Broadway has ever seen, not the least because the bookwriter, Enda Walsh, the director, John Tiffany, and the choreographer, Steven Hoggett, are all worthy Tony winners who understand the crucial difference between film and theater.
For those of us who have sat open-mouthed on Broadway as huge scenic pieces flew or rolled through a progression of tedious and superfluous short scenes in past movies-turned-musicals such as "Nine to Five" or "Women on the Verge of a Nervous Breakdown," "Once" stands out as a model of its form. It takes a multi-locale, cinematic story and distills it to its theatrical essence, avoiding artifice and understanding that crucial person-to-person communication on stage can only be foregrounded when there is a minimum of clutter.
"Once" is far better as a musical than as a movie (and it was a good movie) because it deepens the metaphoric weight and universality of the characters.
As beautifully performed by Cristin Milioti, who truly floats through the theater, the unnamed character of Girl feels like a guardian angel whom we'd all like to have setting us back on our feet. How come such a selfless, empowering person doesn't show up to take care of all we lost souls? We can, at least, go to the theater to see her.
"Newsies," a rollicking melodrama of striking paperboys, can't compete on an emotional or structural level and shouldn't win. Still, it offers a few of its own lessons for next season's musical wannabes, not the least of which is the palpable, hurricane-strength force of offering up a fleet of lovable protagonists (making characters lovable on Broadway is harder than almost anyone thinks). But the appeal of "Newsies" is as simple as that. These singing, dancing dudes — Crutchy, Specs and all the flat-capped pals — are eminently, endlessly likable. Almost likable enough to win a Tony on the sheer force thereof. But not quite.
This past season of Broadway plays was far healthier. Some theater-goers have construed that as a cheering aesthetic development, for which there is an argument to be made. But I think it's mostly a matter of economics. These days, there is not money to be made off-Broadway and there are plenty of actors with familiar names ready and willing to burnish their high-end reputations by making themselves available for a limited run of something substantial. And there are several busy producers with very good taste.
As a result, there were plenty of decent plays on Broadway this year, including "Other Desert Cities," "Peter and the Starcatcher," "Venus in Fur" and even the worthy "Chinglish," which was not nominated for a Tony due, to my mind, to producing mistakes made between Chicago and New York. Still, the best of them all is Bruce Norris' "Clybourne Park." Norris, a familiar name to Chicago theatergoers who came late to the expression of personal vulnerability, finally managed to puts his heart into a play without softening his long-honed satirical bite. And in this most clever of conceptions, he also figured out that the best way to explore the abiding racial divides in America is by looking at the separation of neighborhoods, past and present. Race has long been aligned with real estate; houses offer a way to hide distrust and discomfort for generations. That's the Tony right there.
With the beautifully sung "The Gershwins' Porgy and Bess" less than a complete dramatic success — Porgy was, to put it bluntly, too much of an obvious choice in that he did not demand enough of Bess — the Broadway revival of "Follies," a sepia-toned and intensely beautiful production, looks set to dominate the slate of musical revivals, which is as it should be. (However, it's worth noting that Gary Griffin's almost simultaneous revival for Chicago Shakespeare Theater was the stronger production when it came to the raw human vulnerability this exquisite piece demands). One could see the Broadway "Follies" as a consummate, uppercase Revival, an evocation of all that very word evokes. Clearly, there is an affinity between the title and the category, an affinity that Tony voters won't be able to resist.
Given the distinguished career of Mike Nichols and his lead actor, Philip Seymour Hoffman, the revival of "Death of a Salesman" will probably prove similarly successful, even though this production offered up an overly neurotic and youthful Willy Loman who thus lacked the force of representative magnitude that Arthur Miller intended, just as Andrew Garfield's Biff lacked the scars of a young man who'd already been in jail.
I'd give the best featured-actor award to Christian Borle, the "Smash" star who turned "Peter and the Starcatcher" into a compelling piece of storytelling and who has had, whatever happens Sunday night, an incredible year.
The American Theatre Wing's 66th Annual Tony Awards will be broadcast live on CBS from the Beacon Theatre in New York City on Sunday at 7 p.m. CST
Chris Jones' Tony Award predictions:
Best play: "Clybourne Park."
Best musical: "Once"
Best book of a musical: Enda Walsh for "Once."
Best original score: Alan Menken and Jack Feldman for "Newsies."
Best revivial of play: "Death of a Salesman."
Best revival of a musical: "Follies."
Best performance by an actor in a leading role in a play: James Corden, "One Man, Two Guvnors."
Best performance by an actress in a leading role in a play: Tracie Bennett, "End of the Rainbow."
Best performance by an actor in a leading role in a musical: Steve Kazee, "Once."
Best performance by an actress in a leading role in a musical: Cristin Milioti, "Once."
Best performance by an actor in a featured role in a play: Christian Borle, "Peter and the Starcatcher."
Best performance by an actress in a featured role in a play: Celia Keenan-Bolger, "Peter and the Starcatcher."
Best performance by an actor in a featured role in a musical: David Alan Grier, "The Gershwins' Porgy and Bess."
Best performance by an actress in a featured role in a musical: Elizabeth A. Davis, "Once."
Best direction of a play: Nicholas Hytner, "One Man, Two Guvnors."
Best direction of a musical: John Tiffany, "Once."
Best choreography: Steven Hoggett, "Once."
Best orchestrations: William David Brohn and Christopher Jahnke, "The Gershwins' Porgy and Bess."
Best scenic design of a play: Donyale Werle, "Peter and the Starcatcher."
Best scenic design of a musical: Bob Crowley, "Once."
Best costume design of a play: Mark Thompson, "One Man, Two Guvnors."
Best lighting design of a play: Jeff Croiter, "Peter and the Starcatcher."
Best lighting design of a musical: Natasha Katz, "Once."
Best sound design of a play: Paul Arditti, "One Man, Two Guvnors."
Best sound design of a musical: Acme Sound Partners, "The Gershwins' Porgy and Bess."


Described as a reassuring presence in court, Helen has a knack for calming nervous clients and of working with those suffering from mental health disorders.
Combining this with thorough preparation and a persuasive manner, she has built a busy defence practice since completing pupillage at One Inner Temple Lane in November 2015. Following the merger of One Inner Temple Lane and 2 King's Bench Walk in January 2017, her London based practice has expanded to include regular appearances on the Western Circuit, particularly in Portsmouth and on the Isle of Wight. While the majority of her practice is in the area of general crime, she has a particular interest in the increasing use of technology in the commission of offences and how this is impacting the types of evidence in court. With a strong background in mobile telephone and cell site evidence, she is also familiar with the concepts behind deep and dark web, cryptocurrencies such as Bitcoin and the incoming internet connection records regime.
For the past five years Helen had delivered courtroom skills training across the country. Having worked with a range of professional bodies and independent companies over this time she is now in demand as a speaker, particularly at events focusing on mobile phone and other forms of digital evidence. A firm believer that training should never be "death by PowerPoint" she mixes personal experience with lessons learnt from wider communications data community to provide bespoke training for every audience.
Having now served for over sixteen years in the Royal Navy, as an aviator in the Fleet Air Arm and now as a Submarine Controller with the Royal Navy Reserve, Helen has an in depth understanding of the pressures faced by service personnel and their families. From personal experience, she knows how difficult it can be to make safety critical decisions in high pressure situations, and how hard it can be dealing with the problems of day to day life when your loved one is deployed.
R v L (Portsmouth Crown Court) – Led junior defending a client charged with importation and supply of class A drugs via the dark web.
R v M & G (Portsmouth Crown Court) – Defence of a youth jointly charged with an adult of committing grievous bodily harm with intent.
R v M (Portsmouth Youth Court, certificate for Counsel) – Defence of a youth charged the random stabbing of a taxi driver at night. This case included legal argument to exclude the full confession made by the defendant in interview due to the unusual circumstances surrounding the confession.
R v J (Inner London Crown Court) – Led junior for the first defendant in a multi-handed kidnap, false imprisonment and blackmail trial. Instructed due to the extent and complexity of the mobile phone evidence relied upon by the Crown.
R v P (Court Martial) – Successful defence of an officer accused of sexual assault against a fellow officer while in training. The matter was stayed as an abuse of process on the first day of trial.
R v R (Court Martial) – Defended an officer charged with multiple counts of JPA fraud. The defendant was reprimanded (the equivalent of an absolute discharge) following pleas to the lesser, service disciplinary, offence of making a false records being accepted.
R v R (Croydon Crown Court) – Defended a youth jointly charged with an adult of conspiracy to supply class A drugs. A plea to possession with intent to supply of a small amount of drugs was eventually accepted by the Crown after challenges to the mobile phone evidence were raised.
R v R (Highbury Corner Youth Court, certificate for Counsel) – Defended of a 15 year old charged with three counts of attempted grievous bodily harm with intent. Although convicted, the defendant was sentenced in the youth court following substantial mitigation.
R v W (Woolwich Crown Court) – Successful defence of a homeless woman charged with possession of a pointed article in a public place on the basis the item was used in the taking of drugs.
R v A (City of London Magistrates Court) – Represented the defendant in a matter of wasting police time where the case rested on Skype and other computer records.
R v H (City of London Magistrates Court) – Counsel for the defence in a matter of a £19,700 benefit fraud. Substantial personal mitigation put forward resulting in a fine of £250 rather than custody being imposed.
Member Great Britain Rifle and Pistol Squad 1999-2003. Competed at the 2002 World Championships, Lahti, Finland and acted as the Assistant Squad Manager for the 2006 Nordic Championships.


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Valmont News
Valmont Coatings Wins 5 Excellence in Hot-Dip Galvanizing Awards
OMAHA, Neb., April 24, 2017 /PRNewswire/ -- Valmont Industries, Inc. (NYSE: VMI), is a global leader, designing and manufacturing highly engineered products that support global infrastructure development and agricultural productivity. Valmont's Global Coatings Segment is an industry leader in providing services that protect against corrosion, improve appearance and lengthen the service lives of steel and other metal products.
Valmont's Coatings Segment captured five wins at the "Excellence in Hot Dip Galvanizing" awards, in the annual event sponsored by the American Galvanizing Association (AGA). Competition for awards in 15 categories included 121 inspiring projects from galvanizers around the world, submitted to an independent panel of architects and engineers for consideration. The winning Valmont submissions include:
In the "Food and Agriculture" category, a project submitted by Valmont's Intermountain Galvanizing was a winner for galvanizing the structure of a heat recovery system utilized in an environmentally friendly greenhouse, where the only water leaving the site is contained in the tomatoes!
Valmont's Industrial Galvanizer facility in Melbourne, Australia won the "International" category for work done as part of the Melbourne University Arts Faculty Redevelopment. More than 480 steel frame sections were hot dip galvanized to form a louvered facade to three sides of the building, creating a stunning 3D visual feature.
In the "Water & Marine" category, Valmont's Tampa Galvanizing is a winner with its galvanization of material for the Volcano Bay Water Park, a spectacular creation from Universal Studios in Orlando, Florida.
Galvanizing and paint coating for the Miami-Dade Animal Services Pet Adoption & Protection Center in Doral, Florida merited an award in the "Duplex Systems" category (paint over hot dip galvanizing), submitted by Valmont's Miami Galvanizing.
Valmont's Virginia Galvanizing was recognized in the "Industrial" category with its galvanized work performed for the Cove Point gas liquefaction plant, the first on the East Coast, in Lusby, Maryland.
Rick Cornish, Group President of Valmont's Global Coatings Segment, commented "Valmont Coatings is once again honored to receive accolades in the 'Excellence Awards in Hot-Dip Galvanizing' awards competition. The competition promotes the innovative applications of hot dip galvanizing for our industry services." Valmont Coatings operates 33 facilities, in six countries, with 2,000 employees around the globe.
SOURCE Valmont Industries, Inc.
Renee Campbell Phone: 402-963-1057
investorrelations@valmont.com


Above price includes renting necessary equipment for access. An additional 1 time charge may apply if network card and router/firewall are needed.
Additional email accounts $3.00 each per month.
Setup up to $99.00 – Installed Antenna and cable to "mechanical room/utility" in house.
A discount of 10% will apply for yearly payment.


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Near-ultraviolet optoelectronic transmitter/receiver system
Researchers in China and Japan have used III-nitride on silicon (Si) technology to create integrated near-ultraviolet (NUV) optoelectronic transmitter/receiver systems [Chuan Qin et al, Appl. Phys. Express, vol11, p051201, 2018]. The monolithic devices were released from the silicon growth substrate and transferred to glass on a test pad. The NUV light was emitted and detected by indium gallium nitride (InGaN) multiple quantum wells (MQWs) in aluminium gallium nitride (AlGaN) barriers. The light transfer was enabled by an integrated waveguide.
The team from Nanjing University of Posts and Telecommunications and Zhengzhou University in China and Nagoya University in Japan suggests that the platform could be used for on-chip power monitoring of light-emitting systems, free-space light communication, and wearable optoelectronics in the NUV region. The advantages of using silicon substrates include low material cost and potential for mass production from larger-diameter wafers.
Figure 1: Epitaxial structure.
The researchers grew III-N films on (111) Si (Figure 1). This material was used to fabricate the multi-component optoelectronic system (Figure 2). Inductively coupled plasma reactive ion etching created two isolation mesas for the transmitter and receiver sections, and exposed the n-AlGaN contact layer. The p- and n-contact electrodes consisted of nickel/silver, which can also function as mirrors directing light out of the bottom of the structure. Further etching created the 6μm-wide, 100μm-long optical waveguide connection between the devices, and the support beams for the membrane formation.
Figure 2: Schematic of fabrication, release, transfer and wire-bonding process flow for monolithic NUV multi-component system.
The release of the silicon substrate was prepared by applying a photoresist to the wafer top side as protection. Deep reactive ion etching removed the silicon to give suspended membranes. The III-nitride layer was then thinned with further etching from the back side. The 0.8mm-diameter device structure was released and transferred to a foreign substrate. The system was then connected to the test pad by wire bonding.
The turn-on voltages of the MQW diodes were 2.8V. The peak wavelengths of the devices shifted after the transfer due to changes in internal stresses that affect the electric fields in the devices due to the charge polarization of the various III-nitride atomic bonds. The dominant electroluminescence peak was at 386nm after transfer to glass. The response function peak of the MQW diode (operated as a photodiode receiver) is blue-shifted toward ~372nm, but there was some overlap for detection.
Figure 3: Eye diagrams for free-space light communication at transmission rate of 200Mbps.
Non-return-to-zero on–off keying modulation, with 3.5V peak-to-peak signals and 2.2V offset, produced open eye diagrams at 200 megabits per second (Mbps) pseudorandom binary sequence (PRBS) data streams (Figure 3).
Tags: Near-ultraviolet optoelectronic transmitter/receiver InGaN AlGaN
Visit: https://doi.org/10.7567/APEX.11.051201
The author Mike Cooke is a freelance technology journalist who has worked in the semiconductor and advanced technology sectors since 1997.


This week in addition to playing at at least 5 other venues in the area….It was all about weddings!
The beautiful ceremonies-the yaaaay cocktail hours and then the receptions diner and…live dancing!! Super fun.
Usually Ceremonies might be solo or small ensemble. But occasionally I've played amazing ceremonies along with for example..a mariachi band…an almost orchestral ensemble replete with bagpipes…These can be very exciting and fun to put together!
And can be totally personal and unique.
Receptions- usually diner is a smaller combo or a solo piano. Moving into a trio or full band for dancing and fun to the end of the evening!
And on Sunday an early wedding. 1100am to 330p. We cocktail houred them with some light swinging jazz! Leading through the day into a fantastic Hora and the..the toasts, the bouquet, etc…and finally the whole wedding reception practically on the dance floor or smiling along with the dancers! Until they threw us out at 3:30pm! : ) So much fun.
Of course there was the time I got hired to play for an AFTER wedding party…just me and my keyboard and my BOSE speaker!
Me and about 200 people came in and proceeded to DANCE and SING every super high energy whooo hooo piano bar song I knew for at least 3 hours straight…starting at 11pm!
And then also this week I was hired to play for an engagement party but…that's another story!


With so many serious things going on in the world today I thought it was time to cover something on the lighter, more brainless side. For some years I have thought that certain Bollywood actors and Hollywood actors look remarkably similar to one another. In this column you will find the ones I consider to be the TOP 5 dopplegangers in #BollywoodHollywood. While I am NOT the first to make up any of these connections, this top 5 ranking is brought to you by usindiamonitor.
How awesome would it be if these guys actually met and we could see pictures of them shoulder to shoulder?
5) SAIF ALI KHAN & CHARLIE DAY. I'm not sure that either actor would appreciate being compared with the other on looks. After all, Charlie Day is a pure slapstick comedian who gets pushed around and ruthlessly made fun of in It's Always Sunny in Philadelphia or movies he appears in. Meanwhile Khan has attempted to be a serious actor, landing parts such as in Netflix's Sacred Games where he is an unsmiling, brooding cop. No matter. These guys look so eerily similar, when I did image searches of one I wondered whether it was the other.
4) KATRINA KAIF & COBIE SMULDERS. By no coincidence, I have a huge crush on both of these ladies. They are most notably different in skin tone, but otherwise they could practically be sisters. Why are my hands shaking as I type this???
3) HRITHIK ROSHAN & BRADLEY COOPER. Shout out to my fellow Georgetown alum Bradley Cooper, who has some smarts and even singing chops to go along with those good looks and awesome acting. There can be no question that Hrithik is just as much of a heartthrob for Indian women everywhere. My Indian bias notwithstanding, I think Hrithik wins by a… hair.
AAMIR KHAN & TOM HANKS. I think it's only fair that the top honors should go to the best actors in the entire group. Aamir is easily the best Bollywood actor on this list with a long and illustrious career. Not to be outdone, Tom Hanks has been killing it in Hollywood for many decades as well.


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Evans stifled by Wellington | State Basketball
By Buddy Collings
| LAKELAND
Evans' Clarence Cummings (3) stops Wellington's Chris Walker (40) during the Class 9A state semifinal on Friday in Lakeland. (Stephen M. Dowell/Orlando Sentinel)
Evans High forward Andy Antoine teared up and choked on his words when asked in a postgame press conference what will come to mind when he thinks back on a surprisingly successful senior season that ended at the state tournament on Friday night.
"We came a long way. We played together. I love these boys and my coaches," Antoine said before burying his head in his arms and sobbing.
Antoine and the Trojans achieved more than anybody outside their circle could have predicted. But their dreams of a state-final appearance were dashed Friday night. Wellington stifled the Evans offense and won 50-32 in a Class 9A boys basketball state semifinal in Lakeland.
Wellington players celebrate during Friday's Class 9A state semifinal vs. Evans in Lakeland. (Stephen M. Dowell/Orlando Sentinel)
The Trojans (23-8) were clinging to some hope, down by less than double digits, until Wellington's Chris Walker beat the buzzer ending the third quarter with a 3-point shot from 30 feet out. That put the Wolverines up 31-19.
Antoine, a 6-foot-7 senior, led Evans with 12 points, 6 rebounds and 5 blocked shots. Deshjaun Osbourne added 8 points.
Evans won a tight district tournament final against Wekiva 55-53 and stormed back from a 15-point deficit to beat a better-rated Seminole team 80-76 in the Region 1 final. But there was no more magic after the Trojans fell behind early vs. Wellington.
"It was a great season. We came from nothing to something," Evans senior guard Andrew Marseille said after the loss.
The Trojans scored 13 points in the final 4:05. But that was way too little and way too late. The Trojans made only 26 percent of their shot attempts (12-of-46) and scored just six points in the first quarter, five in the second and eight in the third. Evans was 1-of-16 from 3-point territory.
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"The more we couldn't knock down shots, the more they were packing it in on defense," Evans coach Lonza Morgan said. "Through it all my boys kept fighting."
Evans made its seventh state tournament appearance. It won a championship when Darryl Dawkins was the centerpiece of a loaded Trojans title team in 1975 and was a state runner-up in 1968, 2013 and 2014.
Wellington (25-6) will play for the championship Saturday at 7 at the RP Funding Center.
The Wolverines have a five-year record of 137-19, which includes a 57-56 state-title victory over Hagerty in 2015, a 52-50 semifinal loss to state champ Osceola in 2017 and a state runner-up finish behind Oak Ridge last year.
Most Read • Varsity Sports
Varsity scores and top performers for Oct. 27


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Study in the vibrant south coast resort of Eastbourne. Learn English at one of the many language schools or study at the University of Brighton campus in Eastbourne. The sunniest resort in the UK, Eastbourne offers a packed programme of events and is a gateway to the South Downs National Park and just 60 minutes from London Gatwick, making it the ideal location for studying and exploring the South East.
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EF Language School
Learn English with EF at our International Language Centres in Eastbourne to begin your next adventure. With over 50 years' experience and more than 450 schools and offices in 54 countries, EF is the world leader in language education. You'll make guaranteed progress in your studies thanks to our innovative blend of classroom based lessons, interactive tools and cultural immersion.
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ADVENTURES IN ENGLISH: This course, for students aged from 7 to 18 years, runs in 5 centres (Bede's Eastbourne, Lancing, Bede's Dicker, Windlesham and Vinehall) all of which are reputable boarding schools in the South East of England. Courses run for 2 to 7 weeks. Day Course option is available for students staying in Bede's Eastbourne with their families from Monday to Saturday 8.30am to 5.00pm.
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Moira House International Summer School
At Moira House School we accept boys and girls aged 8 - 16 years of age. All levels from complete beginners in English through to advanced learners can join the course. Students can improve their English and have a fun and exciting time while doing so. Along with our residential staff, they live within the boarding houses and make meals at the school. Summer school students enjoy exactly the same facilities at the school as year-round boarders and thus they benefit from having all facilities in one place.
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Study English at LTC Eastbourne, a unique location for your English language course. The school is in Compton Park, a beautiful 18th Century mansion house that used to be home to the Dukes of Devonshire.
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Elac Study Vacations is a small, but growing English Language School. It was established in 1991 in Eastbourne and initially ran a family stay course here. In 2000 Elac opened its first residential summer school at Eastbourne College. Though Elac has grown as an organisation in recent years, the company still has the virtues of a small family-run business: a personal service, a high standard of care and welfare, attention to detail and a focus on quality.
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Study English at a leading government-owned college offering high-quality courses and award-winning student care. You will receive a high level of support to help you to achieve your study aims. Sussex Downs College has over 20 years' experience in English language training. We have been awarded the second highest number of publishable points of excellence of any English language centre in the UK, following our British Council inspection report in 2010.
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Founded in 1936, Eastbourne School of English, is a not-for-profit school with an international reputation for providing a wide range of quality English language courses for adults, expert teachers and excellent student services. We understand that everyone is unique with different needs and different goals. From your first contact with us, we will provide you with individual attention.
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text:
Q: option[Any] pattern matching in Scala I've written the following code for finding the value corresponding to a key and returning it as Double.
def getDouble (key: String, map: HashMap[String, _]) : Double = {
    if (map contains key) {
        val o = map get key
        o match {
          case Some(i: Int) => return i.asInstanceOf[Int].toDouble;
          case Some(d: Double) => return d.asInstanceOf[Double];
          case Some(s: String)
              => return  augmentString(s.asInstanceOf[String]).toDouble;
          case Some(int) => return o.asInstanceOf[Int].toDouble;
          case Some(double) => return o.asInstanceOf[Double].toDouble;

          case _ => return -1234567.00;
        }
    }
    else {
      return -1234567.00
    }
}

What is the difference between case Some(int) and case Some(i: Int)?
Do I need to use both case Some(int) and case Some(i: Int) for checking type int?

A: Some(int) matches any Some, and declares a variable named int of type Any from the contents of the Option. int is just an identifier here, not a type. So for example Some("String") would be matched by it, and would throw an exception when you tried to return it as an Int.
Some(i:Int) only matches if o is an int, and declares a variable named i of type Int. This means you don't need the asInstanceOf in this case, because it's already an Int.
What you want for your code is this:
def getDouble (key: String, map: HashMap[String, _]) : Double = {
  val o = map get key
  o match {
    case Some(i: Int) => i.toDouble;
    case Some(d: Double) => d;
    case Some(s: String) => augmentString(s).toDouble;
    case _ => -1234567.00;
  }
}

This removes

*

*The asInstanceOfs. Correctly matching on type makes them unnecessary, and they're generally considered bad practice.

*The map contains key check, because if it's not contained, it will return None, which is caught by case _ =>.

*The unnecessary returns. Since the match is the final thing in the function, its own value will automatically be the return value.

redpajama_set_name: RedPajamaStackExchange


text:
george@georgedolese.com
George's creative journey with food started a few days afte graduating from U.C. Berkeley when he boarded a plane for Paris,
where he enrolled in the Grand Diplome program at Ecole de Cuisine, La Varenne.
He lived and worked in Paris for 5 years as a food stylist and since then has worked on location throughout Europe, Asia, South Africa, and America. Currently based in the San Francisco Bay Area, he brings a rich background of food and design experience to the table. He has helped define the look and creative direction of countless cookbooks, editorial projects and advertising campaigns for leading consumer brands. He is the author of four top selling cookbooks, including Williams-Sonoma Entertaining, winner of the IACP Best General Cookbook Award.
His approach to creating great food and lifestyle photography can encompass everything from the initial concept to recipe development, pre-production, and on set styling.
Collaborations include
Bon Appetit, Country Home, Delicious Living, Elle (Italia), Family Fun, Food and Wine, Saveur (France), Self, Sunset, Têtu, Wired
Chronicle Books, Les Éditions de l'Épure, Morrow, Oxmoor House, Rizzoli, Ryland Peters & Small, Scribner, Simon Schuster, Sunset Custom Publishing, Ten Speed Press, Time Inc., Weldon Owen
ARC Worldwide, BBDO, Carré Noir, DDB, Dragon Rouge, Euro RSCG, FCB, Goodbye Silverstein, Grey, JWT, Ketchum, Landor, Leo Burnett, McCann, Ogilvy, Publicis, Saatchi&Saatchi, Sterling Rice Group, Y&R
Air France, Alaska Seafood, Almond Board, Annie Chun's, Avocadoes From Mexico, Beaulieu Vineyards, Budweiser, Chevy's, Chili's, Clorox, ConAgra, Danone, Del Monte, Dole, Driscoll's, Duncan Hines, Foster Farms, Kashi, Kellogg's, Kendall Jackson, Kikkoman, Kohl's, Kroger, Macy's, McDonald's, Mondavi Wine, Nescafe, Nestlé, Newman's Own, Noah's Bagels, Nordstrom, Pottery Barn, Reynolds, Safeway, Starbucks, Torani, Trinchero Family Estates, Tyson, Walnut Board, West Elm, Williams-Sonoma, Zone Bars


text:
Carson Palmer: No room for Chad Johnson on Raiders
By Marc Sessler
Published: Aug. 22, 2012 at 05:15 p.m.
Updated: Aug. 23, 2012 at 01:57 p.m.
Atkins off Bengals' PUP list
Panthers kicker pushes trombone player at halftime
Oakland Raiders quarterback Carson Palmer played alongside Chad Johnson for seven seasons with the Cincinnati Bengals, forming one of the better QB-WR combos in franchise history.
Johnson's rather epic free fall from grace has him looking for work, but it's unlikely teams will come calling any time soon -- especially the Raiders.
Gbajabiamila: Chad needs F.B.I. help
Chad Johnson must increase his F.B.I. -- football intelligence -- if he wants to play again, writes Akbar Gbajabiamila. More ...
Oakland's young group of receivers is banged up after two preseason games. Jacoby Ford is in a protective boot after injuring his foot. Denarius Moore's hamstring remains a nuisance, and Darrius Heyward-Bey is back at practice after spraining his shoulder in last Friday's loss to the Cardinals.
Despite the rash of injuries, Palmer sees no reason to upset the apple cart by signing Johnson -- but it's nothing personal.
"I had a great time playing with Chad. I had no issues with him at all. He'd be a great add for any team but we've got young guys that are just coming along," Palmer told Comcast SportsNet California, via its Bay Area affiliate. "I mean Denarius will be back any day. Jacoby's deal is not that bad. So we're not going to give up on any of those guys. They're too good of players and young."
Palmer's excitement over the Raiders' collection of pass-catchers is mostly justified. Along with Moore and Ford, Heyward-Bey comes off his best season, while Rod Streater has turned heads in recent weeks. Chad Johnson to the Raiders might have made sense in some bygone season under Al Davis, but coach Dennis Allen and friends have nothing to gain by adding the 34-year-old sideshow in 2012.
Palmer stressed that he "got along great" with Johnson back in the day and offered encouragement for his friend: "Chad's going to bounce back. He's been through a lot, not just in his NFL career, but throughout his entire life. I know Chad will bounce back."
Follow Marc Sessler on Twitter @MarcSesslerNFL.


text:
Bertram Arthur Patrick (April 5, 1912 Denver, Colorado – March 4, 1998 Lakeside, Berrien County, Michigan) was an American bandleader, saxophonist, songwriter, and arranger who performed from the middle 1930s to the early 1960s primarily in Chicago.

In 1947, Patrick recorded as a sideman on saxophone in studio sessions with King Records of Cincinnati. In 1955, he composed songs and recorded as a sideman on saxophone in studio sessions for a small Chicago-based label, Drexel Record Corp., which existed from 1954 to 1958.

Career sketches
In 1932, Patrick was performing with Lovely Walker and his Blue Knights in southern Illinois for a long engagement at the Cotton Club in Moline. The band members included Joe Kelly (banjo), Lovely Walker (piano), Jimmy "Red" Williams (drums, trombone), Al Draden (trumpet, arranger). Following the Cotton Club gig, that same band played at the Harper Hotel in Rock Island, Illinois.

As a Chicago musician, Patrick had an "indefinite" contract with Local 208 dated March 15, 1945, to perform at The Irish Village, followed by another "indefinite" contract dated June 7, 1945.

In November 1946 Bert Patrick was playing in drummer Hillard Brown's six-piece band at the Joe's Deluxe Club (1936–1954) owned by Joseph J. Hughes (1910–2005).

In December 1948, Patrick was playing with trumpeter William (Bill) Martin (1914–1972) and his Hy-Tones at Joe's Delux Club. Besides Martin and Patrick, members included Dolphus Dean (1914–1977) (bass), Jimmy Adams (drums), Moses C. Gant (1916–1972) (tenor sax), and Simeon "Pete" Hatch (1913–1986) (piano).

In 1954, Bert Patrick, was playing tenor sax in the studio band for several vocal sessions at Drexel Records. His first session with Drexel featured a doowop group, the Gems, singing "Talk about the Weather," which he co-composed with Leslie Ford Caldwell, one of the label's founding owners.

Selected compositions
 "You're Tired of Love," words & melody by Leslie Ford Caldwell (1940), arranged by Patrick
 Recorded by The Gems & released as a single on Drexel (June 1955)
 Vocals: Ray Pettis (tenor lead), Bobby "Pee Wee" Robinson (first tenor and guitar), David "Moose" Taylor (second tenor), Wilson James (baritone and bass), and Rip Reed (bass)
 Reissued in a compilation: The Gems meet the Melloharps,
 "Talk About the Weather," music by Patrick & Leslie Ford Caldwell (1915–1998) (1943)
 Recorded by The Gems & released as a single on Drexel (June 1954)
 Reissued in a compilation: The Gems Meet the Melloharps,
 "Burr Bench Boogie," words & melody by Patrick & Leslie Ford Caldwell (1943)
 "Atlantic Boardwalk," words & music by Patrick and Leslie Ford Caldwell (1915–1998) (1949)
 Recorded by Dave Turner (vocal) & released as a single on Drexel (1955)
 Recorded at Universal Recording, Chicago, 1955
 "Crazy About 'Cha, Baby," words & music by Patrick & Virginia Caldwell (1949)
 "Black Gold," music by Patrick & Leslie Ford Caldwell (1915–1998) (1952)
 "Blam," words & music by Patrick, Leslie Ford Caldwell, and Leslie Simmons (1915–1998) (1952)
 "Stoney Island," words & melody by Patrick & Leslie Ford Caldwell (1952)
 "Tell Me, Tell Me, Tell Me," words & music by Patrick (1991)
 "All That Happiness," words & music by Patrick (1992)

Discography
 Bert Patrick Quartet, SD Records, Chicago
 Recorded at the Uptown Playhouse Theater, Chicago, January 1946
 Bert Patrick (alto sax); Red Norvo (vibes); Jack Goss ( –1971) (guitar); Jim Hall (drums); Josh Billings  (suitcase)
 "Confessin' "
 "Exactly Like You"
 "I Talk About the Weather"
 Dorothy Logan (45 rpm; single), Chicago: Drexel (February 1945)
 Recorded in Chicago, 1954
 Musicians include Bert Patrick (tenor sax); Denni Tillman (piano)
 Matrix D-902-X45: "Since I Fell for You," music by Buddy Johnson
 Dwight Gatemouth Moore, King Records, Cincinnati (1947)
 Recorded December 26, 1947, in Cincinnati
 Dwight Gatemouth Moore, William (Bill) Martin (1914–1972) (trumpet), Bert Patrick, Moses Gant (1916–1972) (tenor sax), Nat Walker, Simeon "Pete" Hatch (1913–1986) (piano), Dolphus Dean (1914–1977) (double bass), James Adams (drums)
 "Hey Mr. Gatemouth"  †
 "Did You Ever Try to Cry?" †
 "Something I'm Gonna Be" †
 "You're Having Hard Luck Blues" †
 "My Woman Blues" †
 "She Wants Me to Move" †
Reissued on a 27-track compilation CD:Hey Mr. Gatemouth — Complete King Recordings, Westside Records, London (2000)

References

1912 births
1998 deaths
20th-century American male musicians
20th-century American saxophonists
American jazz bandleaders
American jazz saxophonists
American male saxophonists
American music arrangers
Jazz arrangers
American male jazz musicians

redpajama_set_name: RedPajamaWikipedia


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text:
Questions, though, remain.
The loss of those 18 seniors, like it would on any team, is noticeable and will be felt. MMU, 9-2 in its title run last year, must replace all-state players like quarterback Asa Carlson, running back Jehric Hackney, Patrick Burke, the Free Press' athlete of the year, lineman Mark Howland and receiver Harrison Leombruno-Nicholson, among others.
"Everyone feels like they want to prove something because we know we have a target on our backs now," Reinfurt said. "You can ask any guy here, I don't think we've dropped off one bit. I think we are ready to prove that we still got it, just like last year."
The Cougars, who will remain a spread team, do have some experience and talent back in the fold. Reinfurt, Wolf and Mason Combs are key cogs defensively, and Combs figures to gain some looks in the slot with the speedy Cooper Knight on the outside.
Jacob Grimm and Ian Clark are the top returning linemen and Owen Trudeau is the leading candidate for the starting QB spot.
"It's definitely going to be a change, but I feel like all the returnees and newcomers, we have a great group," said Combs, also a co-captain. "If we can just come together, we have some good weapons we can use."
Michaud said it was important to make clear his philosophy while maintaining Richards' core program values.
"Especially as a first-year guy coming off the coattails of Marty, he was the face of this program," Michaud said. "I think following what he created as far as the structure and making sure the kids are disciplined is something that I want to do."
MMU opens its season at home on Aug. 31 vs. BFA-St. Albans.
Become a member of the Vermont Varsity Insider Facebook group at https://bit.ly/2MGSfvX.
Contact Alex Abrami at 660-1848 or aabrami@freepressmedia.com. Follow him on Twitter @aabrami5.


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text:
Home / HEADLINES / INDIA / I've become stronger now: Yo Yo Honey Singh
I've become stronger now: Yo Yo Honey Singh
By Durga Chakravarty
New Delhi, Sep 29 (udaipur kiran) He gained instant stardom by belting out hits such as "Main Sharabi", "Angrezi beat" and "Lungi dance". Punjabi rapper Yo Yo Honey Singh, who has openly spoken about his struggles with bipolar disorder and alcoholism, says he has emerged stronger after his battles with his demons.
Singh was missing from the limelight around 2016-2017. He made a stunning comeback with songs like "Dil chori" and "Chhote chhote peg" in the film "Sonu Ke Titu Ki Sweety". He even featured in music video after four years with the single "Makhna".
Has he come out stronger? "I have become stronger now. I never faced such problems in life but when it happened I had my family to support me and help me fight and get out of it," Singh told udaipur kiran.
Singh, who real name is Hirdesh Singh, says he was sick and hence his career got a little slow during that phase.
"I was sick and when I recovered I chose to stay in the studio, and I think I made around more than 35 songs from 2017 to 2019. All these songs will come out soon."
Singh can be labelled as the face of Punjabi pop in the late 2000s. His tracks became Bollywood specials, often a film's main ingredient, as he started giving one hit after the other in movies such as "Cocktail", "Chennai Express", "Khiladi 786" and "Boss".
However, Singh has faced his share of brickbrats as his work has been perceived as misogynist by many.
How does he deal with the criticism? "I just keep working. I think an artiste should keep working. Many people might feel bad about several things but my intention has never been to hurt anyone. I just make music. Whether it works or not, and if it is liked or not or if anyone is hurt… I can't do anything about it," he said.
This year Singh was named Best Music Director for the film "Sonu Ke Titu Ki Sweety".
He finds winning awards as motivation.
"It is a big thing for me. In fact, any award an artiste wins becomes a big inspiration for them. They may say that awards don't matter, but I feel winning an award does matter to an artiste. It motivates to do more good work," he said.
Now since he has made a powerful comeback, what can his fans expect from him?
"Lots of things are coming. There is a song by me for the film 'Pagalpanti'. There is a single featuring Sidharth Malhotra and Nushrat Bharucha. I have another single coming up in December. It is a christmas gift. It is a crazy song," he winds up.
(Durga Chakravarty can be contacted at [email protected])
dc/vnc/in


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Endemic birds, animals and plants are those which have evolved into a distinct form which is restricted in its distribution to a particular locality. Genetic isolation, such as that found on islands, is often a factor which contributes to a high degree of endemism.
On Santa Catalina Island Catalina the California quail and Bewick's wren are endemic.
Note: If a species is listed, it is known from one or more California Channel Islands.


text:
W.H.K. Pollock
Before we begin our review of the excellent work by Urcan and Hilbert, let's take a moment to mention the new title Chess International Titleholders, 1950-2016 by Gino Di Felice, McFarland, ISBN 9781476671321, Paperback, 376pp. $49.95.
The book lists more than 18,000 players who received FIDE (Fédération Internationale des Échecs) titles from 1950 to 2016. Entries include, when available, the player's full name, federation, date of birth, place of birth, date of death, place of death, title and year of award and peak rating (month and year), with references provided. It lists those players from candidate master to grandmaster, including wome's titles and excluding correspondence titles.
One might well question the importance of listing every candidate master, whose rating threshold is 2200 and above for men, and 2000 and above for women. Yet, if you have achieved that title, then, no doubt, you are pleased to be included in the book. Also, consider players such as FIDE Master (2300 or higher) John Curdo, a New England legend, who certainly deserves acclaim, and deserves to be mentioned in a work of this sort.
Chess International Titleholders, 1950-2016 will be an invaluable resource to chess journalists and historians, as well as of keen interest to everyone listed in the book.
W.H.K. Pollock, A Chess Biography with 523 Games, Olimpiu G. Urcan and John S. Hilbert, McFarland, ISBN 9780786458684, Hardcover, 512pp. $65.00
Olimpiu Urcan and John Hilbert are both authors of the Past Pieces column here at ChessCafe. Both have published several books on chess history from McFarland and other publishers, and Urcan is a regular contributor to Edward Winter's Chess Notes online column. It is a credit to the authors that Winter wrote, "The Pollock book is one of the finest in the entire McFarland catalogue."
This biography of William Henry Krause Pollock examines in great detail his chess career and life in America, England, and Ireland. Pollock played matches against players such as Eugene Delmar, John McCutcheon, and Jackson W. Showalter among others.
The main contents are divided as follows:
Part One: Life and Chess Career (1859-1896)
Part Two (1882-1896): Games 1-518
Part Three: Appendices, Bibliography, Indices
Of this latter section, there are thirteen appendices and five indices. There are also sixty-eight historical photos and line drawings throughout the book. Collected here are more than five hundred annotated games and fragments played by Pollock. Compare this to the 145 games in Pollock Memories by Frideswide Rowland from 1899 and you can see the incredible amount of research that went into this book. Sources include chess journals and magazines with chess columns from America, Canada, and the United Kingdom. In fact, the footnotes alone would probably fill the contents of a book from a lesser publisher.
The description of Pollock's playing style from the preface should energize any reader to a deeper investigation into its contents:
"In chess Pollock loved sacrifice, tactical complications, and a rollicking game full of wit and adrenaline, a fireworks display of personality and daring."
The authors note that "as might be expected of someone whose keenest delight lay in opening lines and pursuing attacks, the number of decisive games among Pollock's published oeuvre is overwhelming: 90 percent." They describe Pollock as an idealist in life as well as in chess. A doctor of medicine by training, Pollock took up the "precarious" life of a chess professional; "one that barely afforded him the chance even to return to the home of his youth to die."
While I recommend the book highly, there are some items of dissatisfaction. For one, the prose is a little dry in the biographical section. History as story-telling, rather than a plain recitation of facts, is more engaging to the reader. Also, when mentioning prize monies won, I would have wished to have seen the modern exchange equivalent to put them into context.
A greater issue is that there is too much of a disconnect between the biographical section and the games section. When the authors are discussing a particular tournament or game, it would be convenient to have that game presented immediately, or at least referenced with a page or game number to which to turn. As it is, one must thumb to the index, find the listing, and then go to the proper page. A cumbersome task to expect from the reader. If you are discussing a game in the text, it makes sense to present the game directly, rather than make the reader hunt and peck for it. Similarly, in the game section, if you want to know the details of the tournament, you have to return to the biographical section for the details. And, there are no crosstables whatsoever. So there is no way to easily examine the standings of any single event.
This disconnect also leads to discrepancies. For instance, in the biographical section, in discussing the game Pollock-Ryan, New York, 1953, we have the following on page 152:
"After 26 moves in a Ponziani Opening, Pollock obtained the following, dominating position:"
[FEN "5rk1/p1q2pp1/1p2b2p/4PNr1/1Q1P4/P1P5/5RPP/4R1K1 w – – 0 27"]
"Pollock continued correctly for a time with 27.Ne7+ Kh8 28.d5! (stronger than 28.Ng6+ Rxg6 29.Qxf8+ Kh7). But after 28…Re8, he missed the brilliant 29.fxe6! Rxe7 30.Qxe7! Qxe7 31.fxe7, with a simple win for White. Instead, Pollock played the inferior 29.d6, allowed Ryan to sacrifice the exchange to release the pressure, and then blundered severely, allowing his queen to be trapped. The game lasted three hours and 48 minutes and was a complete collapse for the unfortunate Pollock, who thereby lost what easily could have been one of his cleanest wins in the tournament."
Turning to the games section, on page 403, the authors write "28.d5!? The simple 28.Ng6+ Rxg6 29.Qxf8+ Kh7 30.Re3 was perhaps more straightforward."
The games section itself has the following peculiarity:
399. Pollock-J.L. McCutcheon
Pittsburg, Allegheny Chess Club
[FEN "8/8/2n3p1/pK1k1p1p/P1p2P1P/2Pp4/1P4P1/2B5 b – – 0 1"]
"An endgame sequence rich in errors on both sides. 1…Nb8? 1…Ne7 2.Kxa5 Kc5 3.g3 Nd5 4.Bd2 Kc6 would have kept the balance. 2.Kxa5 Nd7 3.Kb4? 3.Kb5! Nc5 4.a5 should have won. 3…Nc5! 4.a5 Nb3 5.Bd2? 5.Kb5 Nxc1 6.a6 d2 7.a7 d1Q 8.a8Q+ Ke6 9.Qe8+ Kf6 10.Qf8+ would have secured a perpetual check. 5…Nxd2 6.a6 Ke4? 7.a7 Ke3 and the game was drawn several moves later. 1/2-1/2 Objectively White should win this as follows: 8.a8Q Ne4 9.Qa7+ Ke2 10.Qg7 d2 11.Qxg6 Nf2 (11…d1Q 12.Qxh5+ Ke1 13.Qxd1+ Kxd1 14.h5 Nf6 15.h6 Kc2 16.Kxc4 Kxb2 17.Kd4 and White wins.) 12.Qxf5 d1Q 13.Qxh5+ Ke3 14.Qxd1 Nxd1 15.f5 Nxb2 16.Kc5 Na4+ 17.Kxc4 and Black cannot stop the pawns."
535. Pollock vs. John L. McCutcheon
1…Nb8 and White (Pollock) drew
[FEN "8/8/2n3p1/pK1kpp1p/P1p2P1P/2Pp4/1P4P1/2B5 b – – 0 1"]
"F.F. Rowland: 'The following fine ending arose in a game played in Pittsburg, between Mr. Pollock, of Albany, New York, and Mr. John L. McCutcheon. Black drew elegantly, as follows: 1…Nb8 2.Kxa5 Nd7 3.Kb5 Nc5 4.a5 Nb3 5.Bd2 Nxd2 6.a6 Ke4 7.a7 Kxf4 8.a8Q Ke3 and the game is drawn.' A few notes by the authors: 1) Black can win with 1…e4! 2.Be3 Ne7 3.Bd2 Nc8 4.Kxa5 Kc5 5.Be3+ Kc6 6.Kb4 Nb6 7.Bd2 e3 etc. 2) 3…Nc5 is an error that gave White winning chances; best was 3…e4 with a draw in hand; 3) Instead of 4.a4 (sic), even stronger was 4.fxe5! Nd7 5.e6 Kxe6 6.a5; 4) Instead of 5.Bd2, 5.a6! was more precise for a clear win."
On page 33 the authors disparage MacDonnell for being critical of Pollock's play: "Although some of his wrath appears to have been fueled by his own loss to the younger man:"
"Mr. Pollock came out next to Mason with a score of 3 games. His play disappointed me very much. It was only episodically good. He frequently drifted into a bad position without knowing it."
MacDonnell goes on to say that Pollock's win against him was a matter of luck, and that Pollock's play could benefit from a little more earnestness and enthusiasm if he is to reach the highest levels. The authors note that MacDonnell never had the slightest advantage in their encounter, and that he evaluated Pollock's play "through the lens of his own ego."
However, MacDonnell's assessment seems accurate given the authors own description of Pollock's playing style, and when compared with the quote from the Leeds Mercury (Weekly Supplement), taken from Pollock's obituary, that begins the book:
"A brilliant man was poor Pollock, an enemy to no one but himself, and decidedly a chess genius, in whose compnay none could be for a moment dull. He has left many marks of his brilliant chess genius, and it may possible be the work of some enthusiast to gather his gems together, and present them to the chess world as a most appropriate monument to his memory."
Nevertheless, let's be thankful that Urcan and Hilbert chose this moment to present us with W.H.K. Pollock.


AND, sorry, does anyone know where to still get these without using ebay? I've found 1 seller and they want $55 just to ship!
Any front emblems still for sale?!
I've used JZS International. Which is probably the guy from eBay who charges $55 to ship. I figure it's getting harder to get the stuff here since it seems all the US dealers have given up on Scion. Parts have always been new from Toyota, packed well and tend to get here faster than some of the stuff I've ordered from the US.