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text:
Suzanne Scott Photo by: Oswaldo Sandoval
Suzanne Scott makes a hell of an impression! There is unveiling poetry to her paintings, a song in the silence.
Admittedly, it is times like these; I love to be able to apprise things that are not obvious right away. She has been able to execute with finesse and kindness accurate, deeply personal, colorful depictions of one's thoughts, experiences, and physical attributes in a portrait, unlike many of us have ever experienced.
Self Portrait- Deliver the Work and Don't Show"
Photo Courtesy of: Suzanne Scott
Suzanne has kind eyes, a beautiful smile, and an empathetic, intuitive wisdom. The world in her paintings are an adaptation, reflecting someone else's curves, edges, scars, and bumps, depicted in varicolored fluidity.
Although it is a very accurate portrait, "It looks just like me," is not something you may hear from her subjects, and most times, one would probably not be able to pick their own out in a line-up.
She names her works by something she has heard said or experienced by the subject. Her work is a happy balance of the dichotomy she has had in finding her path of wanting to be representational and, at the very same time, abstract artist.
What we see is her impression of her subject and their lives. Everyone's very own secret logo— our fingerprint.
Upon realization, you are admiring a hand-painted thumbprint, makes one immediately appreciate Suzanne's technical skills, as the smallest of ridges become magnified as vast spheres, creating a colorful vocabulary she feels is representational of one's life (up until now.) Within the canvas, she offers a voice to something that most times goes virtually unnoticed. It is a different communication revealing a celebration of life, as her imagination turns everything ever touched by the subject into visual poetry.
Since speaking to Suzanne, the notion of how these unique markings most of us possess, leave a mark behind wherever we go, indicate every chapter of our inner life. We do have our whole World and story in our hands, as our endless adventures shape our fingerprints as we go. The more we use our hands, the deeper our fingerprints become.
Suzanne will sit with and talk with the person she will paint for hours. Learning about their lives, important experiences and nuances.Then the subject gives her their thumbprints. She uses opposable thumbprints. Here is where the physical impression is given. Suzanne gives them an intentional autonomy as to how they leave the print. She notes that everyone's personality is different when leaving her a fingerprint, and she feels, after observing many people, how they apply the print is often very much indicative of their personality. It could be quick and stamp like, or a slow steam roller, intentionally precise or sloppy. Each work is deeply personal, and often it can take some time because she begins when she has a stronghold on the person with whom she is working. Then, thoughtfully, intuitively, she will begin to paint as she sees the entire story in color, complete.
Beginning the portrait always in the upper left-hand corner of the canvas, some are bright; some are dark, there are voids of color, for there may be something in the dialogue left for growth, or yet to be had experiences. She also points out that at different times in one's life, their portrait, although having an almost identical similar subject matter physically, could look and feel quite different depending on things that may happen to them over time, as we are all a work in progress.
When I first saw Suzann's works, they appeared to be beautiful, softly drawn ethereal abstracts, reminiscent of a shell, or cosmos. Then, after one of her friends told me what they were, I realized there was a profound anatomical connection throughout her work. Her canvases flow from the beautiful golden ratio of nature, and our eyes see a portrait with an element of soul. It is really, very divine.
I sat with her on a perfect afternoon by the beach. We spent the afternoon together and she told me about her work and how it all began.
Photo: Courtesy of: Suzanne Scott
How do you pick the colors?
SS- "Personality. It is all the person and their personality. My background is very much biomedical because growing up, I loved forensics and wanted to be a forensic pathologist.
When I was in high school, I went to University to go to Governor's school. I did that for the arts, and that changed everything for me. Back in the late '80s and '90s, not everyone went to school for art. We had a rebellious mentality. I went to Maryland Institute College of Art, took a year off, then re-registered at Mason Gross at Rutgers."
"I was conflicted because I saw some of my friends' edge go away after studying art; it was looking all the same. So I wanted to learn technical ability when I felt I had a voice. I spent two years on the back of a motorcycle around America, from 23-25 years old. It formed a lot of my vocabulary, the interactions with people and just how important human contact is. It slowly percolated."
"Then I studied human anatomy at the Art Student's League for four years, and that gave me really good technical ability. I worked as a medical illustrator for an implant device company, but all the while painting minimalist abstract. I have always had this dichotomy to be really representational and detailed with perfect representation, yet abstract. I had a lot of trouble being divided that way. I needed that outlet of refinement and studied technical obsessive realistic lines. For me, that was not fulfilling."
"I have the Williams Syndrome" Photo Courtesy of: Suzanne Scott
How did the fingerprints come to be?
SS- "I was making some paintings before that were oil on canvas, just these weird sort of biomorphic, kind of anatomical works. I was applying something I learned from Chuck (Chuck Close, her mentor) that taught me, you take the same shape, and you become a different artist every time until you find your language. What mark-making feels good to you. Simple. Give your self a set of rules, and each time you make a different kind of mark, you keep manipulating it until you find your voice. I made a ton every day, Always square. I have always been into painting squares. Proportionally, the information fills itself in beautifully."
"Through a hard time in my life, there were very compassionate people around me, and I thought at the time, how can I be surviving without all these friends and family? And then I thought, what makes us, us? People would do very specific things that fit their personality, and my paintings already looked like fingerprints, and I started collecting fingerprints."
What are the most exciting fingerprints you have ever seen?
SS- "One I have yet to paint. It's a friend of mine. He is married to a friend and poet named Richard Howard. He is over 90. He won the Nobel prize for translating, The Little Prince. So it's his husband, and he is a visual artist. His fingerprint is like nothing I have ever seen. It is symmetrical in a linear way I've never seen."
Can you look at a thumbprint in a blind test and tell the gender?
SS-"That wouldn't be fair (she laughs) because most of the time, it would be obvious based on size. Although, when someone gives me their fingerprints, their personality comes out right away, I have a friend, super uptight, really wound, and her little fingerprint was like a quick stamp, there is a lot of personality in how they roll them out. So much of them is in the application of how they provide them."
DP- You are observing something hardly seen, it is like a nude in plain sight,
SS-"And people are very secretive about their fingerprints."
"I Broke Bernie Madoff" Photo Courtesy of: Suzanne Scott
SS- "In my work, there is also some negative space. The negative space for me is life yet to be lived. The color represents periods in their lives and experiences. It is very much a timeline, as much as I can gather, a record of them, and the fingerprint doesn't change. I can always access that same print, years later and I can tell your story with a whole new painting, still identifiable, but a whole new painting, as we are always changing."
Do you follow a chronological timeline?
SS- "I can figure a person out really fast, and very abstractly, it is not a timeline. All the parts come down to this one mass, and it translates perfectly for me in color. I can nail color for a person instantly. It's a balance of them, not one color, it has to be a combination. It's very Specific for each person."
How long does it take you to do a painting?-
SS- "I'll work 6 hours in the studio at night for two weeks in a row. Normally, a 54″ which is the biggest that I have done, takes about five months. Smaller ones are actually a bit more challenging. I need enough space to tell the story. I paint the whole canvas, but generally, everyone's fingerprint has one specific point of interest. I am a translator. Before I begin, I think about them (the subject) obsessively, I am so obsessed with what are they doing, how did they feel, I get so into them. I am adopting in order to describe it. If I am on a timeline, I cannot do them unless it's done up here (points to her head). As soon as it is done in my head, then it's just execution."
What do they all have in common?
SS- "Just the story. There is no logical answer to that. There isn't really anything they have in common. I am painting my first set of twins. Completely different fingerprints.
With a fingerprint there is not gonna be any commonality, who had a wart, a cut, the interruption of information is one thing. I focus on the forensic part of the fingerprint. If there are cuts and things, I focus on that."
Do you ever wake up and say I have to paint that person today?
SS- "Yes! Definitely!"
Photo By: Oswaldo Sandoval
(This next question was asked a month before most of the world was told to stay home)
Prophetic Points
Do you ever wake up just to work?
SS- "My studio used to be in my apartment; I really kind of want to come back home. I have so little time in NY at home and to leave just to even go to a studio, I don't want to. I want to hang out with my dog, have her right there and roll out of bed in the middle of the night, and be able to work if I want and not have to put clothes on and leave." (That is really prophetic) Suzanne, can you say outloud you just want health and unlimited cash for all of us for life?
Voices of a Silent Pride
#artarticle #artist #fingerprint #miami #modern #NewYork #painting #portrait #portraymag #portraymagazine #success #SuzanneScott Art Collector artmagazine Artnews beautiful canvas Contemporary art emerging artists feature fineart
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redpajama_set_name: RedPajamaCommonCrawl


text:
The Black Keys announce new album with punchy single "Eagle Birds"
Photo by Gaelle Beri
The Black Keys have announced their new album "Let's Rock" with their second new single "Eagle Birds".
Arriving after last month's "Lo/Hi", "Eagle Birds" is the second new single from the duo since 2014's Turn Blue album.
The new single was premiered on Zane Lowe's Apple Music Beats 1 show, where they confirmed their new album, "Let's Rock".
On being back in the studio together, Dan Auerbach said, "It just felt right, you know what I mean? It just felt easy. We jumped right in, and I think we probably recorded songs on the record on the first day we got together."
Speaking about the new record, the duo's Patrick Carney said, "The record is like a homage to electric guitar. We took a simple approach and trimmed all the fat like we used to."
"Let's Rock" was written, produced, and recorded by Auerbach and Carney at Auerbach's Eye Sound studio in Nashville.
Shine a Little Light
Eagle Birds
Lo/Hi
Walk Across the Water
Tell Me Lies
Get Yourself Together
Sit Around and Miss You
Breaking Down
Under the Gun
Fire Walk With Me
"Eagle Birds" is out now. "Let's Rock" drops 28 June via Easy Eye Sound / Nonesuch Records. The Black Keys tour North America later this year. Find out more.
Bleached's Jessica Clavin on losing inhibitions
John Giddings on the Isle Of Wight Festival: "Characters keep the music business alive"
Recontres TransMusicales De Rennes: Festivals as cultural ecosystems


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redpajama_set_name: RedPajamaGithub


text:
Laura and Her Mothers
It isn't clear how long Laura has been presented on the FamilySearch Tree as the illegitimate daughter of a ten year-old child.
She has two exclams –
Seven years ago, a contributor left a collaboration note for Elizabeth HARDWICK born 1837 (ticked green in the screenshot above) placing her correctly in the 1841, 1851 and 1871 census returns. In 1871, this Elizabeth is living with her parents, William and Ann Hardwick, at Cote Grange, Northallerton. Elizabeth is 31 years old and unmarried. Also part of the household are William and Ann's grandchildren, Frederick FOWLER (6) and Laura HARDWICK (5).
Laura has two sources attached to her record on FamilySearch – her birth registration and baptism. The mother's maiden surname is not given in the first and in the second her mother is described as a Singlewoman.
Her abode – Pill Rig – is significant. The family's address in 1861 is "Pill Rigs…Sowerby under Cotecliffe". The name has survived and you can see a photograph of a track to the farm on Geograph. The Google Satellite View below shows the farm's proximity to Kirby Sigston, where Laura was baptized at St Lawrence's Church.
If you go to ArchiUK you will be able to zoom out from Kirby Sigston to the places nearby where other players in the "Two Mother Story" lived.
In 1873 Elizabeth married George MOON, a widower and father of a daughter a year younger than Laura. In 1881 the quartet was enumerated at Clacks House, Osmotherley. George's occupation then was "Corn Miller" but "Farmer" in the next three censuses. In 1911, George (77) and Elizabeth (73) were living at "Clack Pleasant, Osmotherley".
In 1881 "Laura Moon" is fifteen but the only death registration I have found that fits, in Northallerton December Quarter 1886, is for Laura Hardwick, age 21. (Osmotherley is in the Northallerton Registration District.)
Pedigree Collapse (Tuesday's post) gives Laura a dual relationship to her "false mother", Elizabeth Hardwick born 1856. She is a first cousin with common ancestors William Hardwick and Ann FAWCETT and a second cousin with ancestors Thomas Fawcett and Jane MARWOOD.
So, what became of cousin Elizabeth? She rose above being feloniously assaulted (some sources say "raped") when only four years old and traduced as an unmarried mother aged ten by FamilySearch contributors.
In the second quarter of 1878 she married William GRAINGER in Northallerton. Within a year their first child, Tom, arrived. He was followed by Harry, Annie, George, Hardwick and Louie. All the children reached adulthood but Harry died in 1905, aged 23.
William was a blacksmith for much of his working life but the 1911 census says he was an "Agent for Cakes and Manners". Quite a career change. He died in 1927 aged 73 and just over a year later Elizabeth joined him in the next world, aged 72. If the five children who made it to 1911 were still alive then, their ages ranged from 32 to about fifty. That Elizabeth the Younger has been misrepresented on FamilySearch for so long suggests that descendants don't have much of an interest in their roots. Not on FamilySearch anyway.
Found Object 48 · Spider Man
Muston Sands
February 4, 2021 Ian Elsom
Elizabeth Hardwickfamily historyFawcettGeorge MoonKirby SigstonLaura HardwickMarwoodmistaken identityOsmotherleyWilliam Grainger
← Path 121 · To the Brigg
Insect 29 · Bluebottle →


text:
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Our lawyers invest in developing their reputations not just as accomplished practitioners, but as important educators on today's most topical and breaking issues.
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Adams Interviewed by Law360 on What Associates Need to Do to Make Partner
Charles P. Adams Jr.
Adams and Reese Partner Chuck Adams was interviewed by Law360 in a Q&A article on "What Associates Need To Be Doing To Make Partner."
Adams said: "Understand the difference between being an owner and an employee. Partners are owners. They are responsible for making the firm better and stronger through their efforts and constructive criticism. Employees work at the level expected and pick up a check. There are many staff members and associates who act like partners. Unfortunately, there are many partners who act like employees. Firm leaders always are looking for more partners."
Mark Surprenant Receives Loyola University New Orleans College of Law's St. Ives Award
Government Relations, State and Local
Former LOGA Communications Director, Jindal Administration Deputy Director of Legislative Affairs Jordan D. Gleason Joins Adams and Reese's Government Relations Team in Baton Rouge
Patrick Dungan Named to Mobile Bay Magazine's 40 Under 40
Bradley A. Waters Named Partner in Charge of Adams and Reese's Houston Office


text:
Jackals blank South Carolina behind goalie Motte
Elmira goalie stops all 32 shots in 2-0 road victory
Elmira goaltender C.J. Motte made 32 saves Friday night for the shutout as the Jackals handed the South Carolina Stingrays a 2-0 loss at North Charleston Coliseum.
It was the first win in four games this season for Motte, who had allowed 13 goals on 78 shots over his first three appearances. He held off the Stingrays' comeback bid with 13 saves in the final period.
Tyler Currier scored an unassisted goal for the Jackals just under six minutes into the game. He has scored goals in all three games with Elmira since making his Jackals debut last weekend after he was acquired in a trade with the Orlando Solar Bears.
Mike Seidel added a power-play goal off assists from Zach Tolkinen and Justin Bernhardt with 1:37 to go in the second period.
Elmira evened its record at 4-4-0-0. South Carolina fell to 4-5-1-0.
Stingrays goalie Vitek Vanecek stopped 22 of 24 shots.
The teams play again at 7:05 p.m. Saturday at North Charleston Coliseum.
Elmira's next home game is at 7:05 p.m. Friday against Norfolk at First Arena.
On Twitter: @SGAndrewLegare
Friday's score: Elmira 2, South Carolina 0
Next game: 7:05 p.m. Saturday at South Carolina.
Radio: WELM (1410-AM).
TV: WETM-2
Next home game: 7:05 p.m. Nov. 13 vs. Norfolk at First Arena.


I couldn't have asked for a better wedding! I have to say that we haven't stopped getting compliments about the beautiful venue, delicious wine/food and spectacular service you provided for us! At first we were a bit upset our destination wedding wasn't happening but come sunday morning after the wedding we can truly say that there is no regret about having our wedding at home and choosing to have it at Vino Vista! You come highly recommended by us and we can't wait to have another party at your place for our 25th wedding anniversary!!
Great work Eadie,Laura,Tony,Chef Don & your wonderful staff!


I was only able to record the warmup sets. Ran out of battery. I spotted that I wasn't sitting back enough and knees were coming forward on the squat which was fixed in the later sets. Always try to record your training if you don't have training partners to look at your form.


Home / Web Solution / What is the Best Way to Learn Web Site Development?
What is the Best Way to Learn Web Site Development?
Web development has a very good career scope. To become web developer you or as a beginner, you need to have the basic idea of Designing, photo editing, and graphics skills you do not need to be expert for that, it is just that you should have some knowledge about them. And for development, you should be knowing about front-end and back-end, for front-end you should be familiar with any of the framework supported by the language you are interested in and same for the back-end.
Web Development is also about User Interaction (UI) and user experience (UX). It plays an important role, So learn about UI and UX.
Nowadays in web development companies, websites developed are platform independent and responsive. Website fits themselves in such a way that it looks good and do not affect the user experience. So learn responsive Web development.
There are 2 kinds of websites. Static and Dynamic.
Opposite to this dynamic websites is those which update the data provided at the user side with respect to the changes occurring. Eg PHP, Python. Data is transferred as a request to the server and then after processing, sends the result in the form of output as HTML web pages.
The backend is what connects the front end to the server side. So learn backend technologies in detail.
The best way to use your knowledge is the practical implementation of whatever you have learned. Choose the topic for your project and start working over it. When you start your first project go for some easy topic or the most popular project because in case if you get stuck while web developing you can get help online at Google or YouTube.
You can learn web development online or you can join the web development courses in any web development company. You can also join online forums and discussions to ask your doubts.
Learn about Git, Shell, Working with terminals, SSH.
At last, build a project by applying above all.
After building a website its important that it should reach to the customers or viewers, So for that, you need to perform its Digital Marketing. For that, there are lots of digital marketing companies available. Get in touch with Webisolution A Web Development and Digital Marketing Company.


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Q: Swift: retrieving text from a UITextField in a custom UITableViewCell and putting it in an array I'm making a very simple app where the user enters the number of people in the first Screen.
In the second screen it generates a number of UITableViewCell based on the number the user entered in the first screen. The UITableViewCell have a UITextField in them and I'm trying to store the data entered in those fields in an array once the user clicks to go to the third screen.
How can I do that? Thanks in advance!
Edit: I'm using the storyboard.
Here is what the code that calls for the custom UITableViewCell looks like for my UIViewController:
func tableView(tableView:UITableView, cellForRowAtIndexPath indexPath: NSIndexPath) -> UITableViewCell{

    var cell: EditingCell = tableView.dequeueReusableCellWithIdentifier("Cell") as EditingCell

    if indexPath.row % 2 == 0{
        cell.backgroundColor = UIColor.purpleColor()
    } else {
        cell.backgroundColor = UIColor.orangeColor()
    }

    let person = arrayOfPeople[indexPath.row]

    cell.setCell(person.name)

    return cell
}

Here is what the code for the UITableViewCell looks like:
class EditingCell: UITableViewCell{

    @IBOutlet weak var nameInput: UITextField!

    override func awakeFromNib() {
        super.awakeFromNib()
        // Initialization code
    }

    override func setSelected(selected: Bool, animated: Bool) {
        super.setSelected(selected, animated: animated)

        // Configure the view for the selected state
    }

    func setCell(name:String){
        self.nameInput.placeholder = name
    }
}

A: There is a problem with your approach if the number of rows in your table exceeds the number that can fit on screen.  In that case, the cells that scroll off-screen will be re-used, and the contents of the nameInput textField will be lost.  If you can be sure that this will never happen, use the following code (in the method that handles button taps) to compose your array:
        var arrayOfNames : [String] = [String]()
        for var i = 0; i<self.arrayOfPeople.count; i++ {
            let indexPath = NSIndexPath(forRow:i, inSection:0)
            let cell : EditingCell? = self.tableView.cellForRowAtIndexPath(indexPath) as EditingCell?
            if let item = cell?.nameInput.text {
                arrayOfNames.append(item)
            }
        }
        println("\(arrayOfNames)")

Alternatively....
However, if it is possible that cells will scroll off-screen, I suggest a different solution.  Set the delegate for the nameInput text fields, and then use the delegate methods to grab the names as they are entered.
First, add variables to your view controller, to hold the array and the row number of the text field currently being edited.
    var arrayOfNames : [String] = [String]()
    var rowBeingEdited : Int? = nil

Then, in your cellForRowAtIndexPath method, add:
    cell.nameInput.text = "" // just in case cells are re-used, this clears the old value
    cell.nameInput.tag = indexPath.row
    cell.nameInput.delegate = self

Then add two new functions, to catch when the text fields begin/end editing:
func textFieldDidEndEditing(textField: UITextField) {
    let row = textField.tag
    if row >= arrayOfNames.count {
        for var addRow = arrayOfNames.count; addRow <= row; addRow++ {
            arrayOfNames.append("") // this adds blank rows in case the user skips rows
        }
    }
    arrayOfNames[row] = textField.text
    rowBeingEdited = nil
}

func textFieldDidBeginEditing(textField: UITextField) {
    rowBeingEdited = textField.tag
}

When the user taps the button, they might still be editing one of the names.  To cater for this, add the following to the method that handles the button taps:
        if let row = rowBeingEdited {
            let indexPath = NSIndexPath(forRow:row, inSection:0)
            let cell : EditingTableViewCell? = self.tableView.cellForRowAtIndexPath(indexPath) as EditingTableViewCell?
            cell?.nameTextField.resignFirstResponder()
        }

This forces the textField to complete editing, and hence trigger the didEndEditing method, thereby saving the text to the array.

A: Here for new swift versions of answer
    var arrayOfNames : [String] = [String]()
    var i = 0
    while i < taskArrForRead.count {
        let indexPath = IndexPath(row: i, section: 0)
        let cell : taslakDuzenlemeCell? = self.tableView.cellForRow(at: indexPath) as! taslakDuzenlemeCell?
        if let item = cell?.taslakTextField.text {
            arrayOfNames.append(item)
        }
        i = i + 1
    }
    print("\(arrayOfNames)")

redpajama_set_name: RedPajamaStackExchange


This cereal consists of small graham pieces, honey puffed rice, very tiny oat clusters and fiber "twigs".
I liked the initial flavor quite a bit. You get hints of the vanilla and graham flavors but it's not overwhelming. They're more like underlying flavors than in-your-face tastes. As you eat more and more, those subtle flavors get a bit lost in the mix, but the diversity of textures and earthy flavor from the "twigs" keeps you interested through a full serving.
The sad thing about this "clusters" cereal is that you'd be hard pressed to find a cluster in the box. If two oats stick together, Kashi feels comfortable calling it a cluster. In my world of testing cereals. that does not constitute a cluster.
So while my overall impression is a good one, it should be stated that this cereal would have been better if it had more of everything they promote on the box. If Vanilla Graham Clusters Go Lean had more vanilla, more graham and more clusters, this good cereal could have been a great cereal.
One other positive note: A single serving did keep me feeling full for about 4 hours.
Nutritional Considerations: Each 1 cup serving of this cereal has 170 calories, 1.5 grams total fat (0 saturated and 0 trans), 0mg cholesterol, 85mg sodium, 36 grams total carbs, 9 grams dietary fiber, 9 grams sugar and 11 grams protein.
What do you think of Vanilla Graham Clusters Go Lean?


text:
Q: ASP.NET MVC: Implement client side validation with attribute without IClientValidatable How can I create a custom validation attribute with client side validation without implementing IClientValidatable?
How does System.ComponentModel.DataAnnotations.RequiredAttribute client side validate?
The reason to do this is because I'm using objects from classes in another project as models in my views and I don't want to add the System.Web.MVC reference to that project.
EDIT to add more information:

*

*I know that IClientValidatable is used to add custom attributes to
the HTML to be used later by the unobtrusive validation.

*I know I'll need to add the javascript code to made the validation in
the client.
What I don't know is how to use the information from the custom validation attribute to add the necessary attributes to the HTML for unobtrusive validation to work.
This is my custom validation attribute:
public class RequiredGuidAttribute : ValidationAttribute
{
    public override bool IsValid(object value)
    {
        Guid? guidValue = value as Guid?;

        if (guidValue == null)
            return false;

        return guidValue != Guid.Empty;
    }
}

This is my property with the attribute applied:
    [RequiredGuid(ErrorMessageResourceType = typeof(ClientOrderResources), ErrorMessageResourceName = "RequiredShippingMethod")]
    public Guid ShippingMethodId
    {
        get { return GetProperty(ShippingMethodIdProperty); }
        set { SetProperty(ShippingMethodIdProperty, value); }
    }

And finally I'm rendering a hidden input for that property in the view using Html.HiddenFor.
Now, how can I get the error message from the attribute to apply it to the HTML? Should I do it my self using Reflection or there is a better way?
And then how can I tell Html.HiddenFor to use that information to add the necessary attributes to the HTML?

A: We had a similar problem. We have a model we use for our account creation that uses IClientValidatable on its custom attributes. However, we created a batch account creation process that sits outside of the website that we weren't able to reference System.Web.Mvc in. Because of this, when we called Validator.TryValidateObject, any custom validator that inherited from IClientValidatable was simply skipped. Here's what we were working with that was failing to validate outside of our website:
public class AgeValidatorAttribute : ValidationAttribute, IClientValidatable
{
    public int AgeMin { get; set; }
    public int AgeMax { get; set; }

    public override bool IsValid(object value)
    {
        //run validation
    }
}

public IEnumerable<ModelClientValidationRule> GetClientValidationRules(ModelMetadata metadata, ControllerContext context)
    {
        var rule = new ModelClientValidationRule
        {
            ErrorMessage = ErrorMessageString,
            ValidationType = "agevalidator"
        };

        rule.ValidationParameters["agemin"] = AgeMin;
        rule.ValidationParameters["agemax"] = AgeMax;

        yield return rule;
    }

Removing System.Web.Mvc required us to also remove GetClientValidationRules and the IClientValidatable reference. In order to do this and still have client side validation, we had to create a new class:
public class AgeValidatorClientValidator : DataAnnotationsModelValidator<AgeValidatorAttribute>
{
    private readonly string _errorMessage;
    private readonly string _validationType;

    public AgeValidatorClientValidator(ModelMetadata metadata, ControllerContext context, AgeValidatorAttribute attribute)
        : base(metadata, context, attribute)
    {
        this._errorMessage = attribute.FormatErrorMessage(metadata.DisplayName);
        this._validationType = "agevalidator";
    }

    public override IEnumerable<ModelClientValidationRule> GetClientValidationRules()
    {
        var rule = new ModelClientValidationRule
        {
            ErrorMessage = this._errorMessage,
            ValidationType = this._validationType
        };

        rule.ValidationParameters["agemin"] = base.Attribute.AgeMin;
        rule.ValidationParameters["agemax"] = base.Attribute.AgeMax;

        yield return rule;
    }
}

As you can see, it does essentially the same thing as it used to, it's just done using the DataAnnatotationsModelValidator rather than IClientValidatable. There's one more step we need to do to actually attach the DataAnnotationsModelValidator to the atttribute, and that's done in the Global.asax.cs Application_Start method
DataAnnotationsModelValidatorProvider.RegisterAdapter(
typeof(AgeValidatorAttribute), typeof(AgeValidatorClientValidator));
Now you can use this just as you would use a normal attribute:
[AgeValidator(AgeMax = 110, AgeMin = 18, ErrorMessage = "The member must be between 18 and 110 years old")]
public string DateOfBirth { get; set; }

I know this question is a year old, but I spent all day yesterday and half of today trying to figure this issue out. So I hope this helps somebody who runs into the same problem if OP hasn't figured the answer out yet.
Please note, I did not include any javascript in this writeup as it required no changes from the standard implementation of custom validation rules using jQuery.validate.

A: You can't have custom validation on the client unless you implement IClientValidatable. And for that you also need to add client script as well.
http://msdn.microsoft.com/en-us/vs2010trainingcourse_aspnetmvccustomvalidation_topic3.aspx

A: It is possible, i found this article on how to do it:
http://xhalent.wordpress.com/2011/05/12/custom-unobstrusive-jquery-validation-in-asp-net-mvc-3-using-dataannotationsmodelvalidatorprovider/
basically you have to create a DataAnnotationsModelValidator on your client an register it in Application_Start().
And don't forget that you still have to write the Javascript for client side validation.


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With more diversity than you could shake an Oscar at, Liverpool continues to embrace all forms of the musical spectrum as Getinothis Craig MacDonald finds out.
As the Academy of Motion Picture Arts and Sciences continues to spar with Donald Trump over who can be the most narrow minded, bigoted, racist, homophobic person in the whole of the world, we are thankful to live in a city that continues to embrace and thrive on diversity.
From the cities bustling African and Chinese communities, to the razzle dazzle of the Gay Quarter, to the edible delights of Bold Street, everyone is welcome to our party. To further prove this point, you can look no further then to the assortment of musical talent that comes into our city, with this week being no exception.
Such is the choice on offer this week that we even think we could get Donald and his buddies at the Academy to see the light and grab some Jerk chicken before heading to a gig or two. To see what the fuss is about, here's our picks for what to see this week.
Following their amazing collaboration with Stealing Sheep last year, the creative minds behind Immix Ensemble team up with Dialect and James Canty to bring new collaborative commissions to The Buyers Club.
By using various instruments they continue to explore the boundaries of experimental music as they plunge into the depths of emotive electronica to experimental orchestral arrangements.
To get an idea of what to expect, click here.
An eagerly anticipated return from roots royalty comes in the form of Kitty, Daisy & Lewis as they return to Liverpool for the first time time five years to play Leaf.
The group have an ever-growing legion of fans that will no doubt be out in force when they bring songs from their latest album The Third. They continue to push the boundaries of their chosen field to great effect with their latest release proving their most diverse, beguiling and impressive effort to date.
Support on the night comes from the bluesy Americana soaked tones of Barns Courtney who has been gaining plaudits with his gravely charming tracks.
Wearing their hearts proudly on their sleeves, Spanish rockers Lancaster kick off their UK tour having gained acclaim from many for their debut album Journeys, with a date in the confines of Maguires Pizza Bar.
On Journeys, the Catalonia group have created a powerful, melodically expansive gem of a debut which will please fans of Mallory Knox and Young Guns to no end. With album number two now in production, expect to hear some new cuts at this one too.
Having seen his Grey Tickles, Black Pressure album feature in many peoples Album Of The Year lists last year, the phenomenal John Grant returns to the Philharmonic Hall in what should be a glorious occasion.
Just ask anyone that saw him play the great hall a couple of years ago. We have seen him grow from playing the tiny Static Gallery to become the charming giant of song he is today and no doubt he will impress all that see him play on the night.
For our full preview, click here.
LA rock and roll powder keg together Pangea are unpredictably raw and who knows what may occur when they take to the stage at Studio 2 in support of their latest cut The Phage.
With hooks hitting your face at a rate of knots, they have developed their sound to embrace more influences from the likes of Neil Young through to The Clash.
With Didsbury's finest "snot-pop" quartet FLESH and Dutch garage pop coming in the form of Mozes and the Firstborn also on the line up, its bound to be a stifling time down on Parr Street.
The quaint sound of Irish born Glasgow based songwriter Martha Ffion finds its way to The Shipping Forecast. On tracks like the irresistible So Long, her surf grunge tinged take on folk has seen her hook in anyone that has been lucky enough to have listened to her as she slowly but surely covers the land with her charms.
Making raw emotionally savy jams with plenty of groove, this should be an appealing close to the weekend for many.Support on the night comes from favorites Del Florida who have been building momentum with their jazz-fused post-rock hooks.


text:
Miguel González Sinde (carrer Espalter, Retiro, Madrid, juny de 1948) és un editor de cinema espanyol, oncle d'Ángeles González-Sinde

El seu pare era un executiu discogràfic amb vocació de pintor. Va estudiar als Sagrats Cors i es va graduar en Enginyeria Tècnica de Telecomunicacions. En els darrers anys del franquisme va entrar a treballar a TVE com a auxiliar de muntatge, i allí va aprendre l'ofici a base de moviola i revisar grans pel·lícules. El 1973, però, fou detingut com a militant del Partit Comunista d'Espanya i acomiadat de la seva feina. Després de treballar en l'edició de curtmetratges debutà com a editor a Asignatura pendiente (1977) de José Luis Garci, director amb el que ha treballat de muntador a moltes de les seves pel·lícules d'aleshores, com Solos en la madrugada (1978), El crack (1981) i El crack II (1983) i Sesión continua (1984), a la sèrie de televisió Página de sucesos (1985-1986). També va formar part de l'equip de rodatge de Volver a empezar, guanyadora de l'Oscar a la millor pel·lícula de parla no anglesa.

El 1994 va rebre la Medalla del CEC al millor muntatge per la seva tasca a Canción de cunade Garci, pel·lícula per la que també fou nominat al Goya al millor muntatge als IX Premis Goya. El 1999 tornaria a ser nominat al Goya pel seu treball a El abuelo, també de Garci. Finalment, obtindria el preuat guardó el 2001 pel seu treball a You're the one (una historia de entonces) de J. L. Garci. Seria nominat novament pel seu treball a Ninette el 2005. Després ha concentrat la seva tasca en l'ensenyament com a professor de muntatge a l'Escola de Cinematografia de la Comunitat de Madrid (ECAM) i com acadèmic de l'Acadèmia de Cinema Espanyol

Filmografia

 2005: Ninette
 2003: Hotel Danubio
 2002 Historia de un beso
 2002 Primer y último amor
 2000: You're the one (una historia de entonces)
 1998: El abuelo
 1997: Las ratas
 1997: La herida luminosa
 1996: Sombras y luces: Cien años de cine español (documental)
 1988-1996: Historias del otro lado (sèrie de televisió)
 1994: Canción de cuna
 1993: El laberinto griego
 1989: El río que nos lleva
 1988: Soldadito español
 1988: Jarrapellejos
 1987: Asignatura aprobada
 1986: El disputado voto del señor Cayo 1985-1986: Página de sucesos (sèrie de televisió)
 1984: Sesión continua
 1983: El crack II
 1982: Volver a empezar
 1981: El crack
 1979: Las verdes praderas
 1978: Solos en la madrugada
 1977: Asignatura pendiente

Referències

Artistes madrilenys
Guanyadors del Premi Goya al millor muntatge
Editors de cinema espanyols

redpajama_set_name: RedPajamaWikipedia


It took a while for us (one whole year to be exact) to come up with a new batch of designs, but it's only because I didn't want to release something just for the sake of keeping up with trends. February is about getting inspiration from the world, finding beauty in the odds, and making that into a wearable reality that we can all enjoy. After another year of travel, experiencing differnt cultures and meeting new people- we've come up three quirky new designs to add spice to your looks this season. We're back- with a bang! A literal one! Find fun fringes on all our slings in a variety of ways. Using the same Japanese straw, Philippine Raffia, and Buri, we've created the same 100% handmade, high quality bag that you've always enjoyed.
And because it's 100% hand made- up to the hand-painted lady bugs and beads- we're slowly churning out these bags in 2-3 weeks. Which means my readers will get the chance to PREORDER one for 10% off if you place an order by this weekend (April 16)! We will process your orders after the holidays (April 17), and ship out your bags 2-3 weeks from now. This is super exclusive for my readers (it's not even up on the site yet!!!) so just email your orders to info@februarylifestyle.com with your name, address, contact number, and order; and on Monday, we will email you back with the total amount + shipping and bank details. Sound good?
Inspired by the many faces people put when they meet other people from different walks of life. The straw full bangs, red pouty lips, long lashes and single earring in the form of the zipper handle all contribute to her mystery and allure.
People tend to fall in line when the rest of society does. It's a natural tendency to want to fit in, and do what everyone else is doing. But we encourage you to dare to be different. Follow rules, but know when to break them. Fall in line, but know how to stand out.
Come out of your hiding place! Nothing great ever came out of comfort zones. The world is a humungous place with lots of space for you to grow and discover yourself. Get out there and live your life!
Waaahhh I think talagang nama-mark na spam comments ko coz I was putting links to my blog before pa huhuhu 🙁 Auto-deleted ata. Haaay! Ayan I try to change my deets to a diff email address and I just put my instagram as my website … huhu. Baka need pa approve or not mark as spam / moderate stuff.
Anyway I just said ang cute nyo talagang magbabarkada 🙂 I love the cutie lashes design and the stripes. Nautical stripes is never going to fade I guess. I so love that style. You're so lovely!
Congrats on your new collection!!!! I'm so happy for you! Look how far you've got! more precious things will come your way for sure!! And thanks for giving us great times reading your blog and now with your collection!
I love watching your "how to" videos☺ its very useful to those who are wanting to learn how to put on make-ups.
Seriously, your price is way HIGH for most of your followers who can't even afford your coin purse. I love your idea – you have a lot of followers BUT your first collection was a bust because your prices are ABSURD! Youre trying to make money off your follower count but it doesnt translate to sales because 99% of your followers dont have purchasing power. Youre more of an aspiration than an influencer, tbh. Maybe you should just sell chinamade sunnies that you can peddle At 300 pesos to your followers.
Hi Janey, I could do that. But I decided to help out the local community by sourcing local materials and having everything done hand made and hand painted. I also wanted to pay them well, so they could have a good life, so I did not haggle the cost of production. The prices are higher than China goods, because they are not China goods. They are crafted and designed with love. You don't have to be such a hater just because you think differently. I hope you get a little dose of love in your heart. It is lent after all. God bless you!
Hi Ate Janey. Can please stay away here? Nakakabad vibes ka te.


The "traditional" turkey dinner is my husband's favorite meal in the whole world. Every year after Thanksgiving he says, "Let's do this dinner more often, like three or four times a year." I always say, "sure why not?" Finally, this year, we actually pulled off an extra turkey dinner in September! We found a local farm with organic free range birds (frozen when not in season), invited over a bunch of friends, and put it all together.
Thawing out a turkey is a bit of a pain, but can't be avoided unless your meal is planned during the short-window while fresh birds are "in season" (November through December). See: Thawing instructions and times. In my experience, the refrigerator thawing never works, and my bird ends up in the extra sink undergoing the water-thawing technique which always saves the day!
Stuffing - Since I love bread stuffing, if I'm cooking a turkey it will be stuffed.
Roasting - Here is the simplest Roasted Turkey Recipe I have found. Honestly, I actually never bother with basting (either I'm a little lazy or I just like to keep things simple, maybe both!). I think the most important thing is to start with a good quality bird. I have noticed that free range birds are much leaner than regular ones, as should be expected. So much so that the bird isn't swimming in it's own fat which saves the step of having to separate the fat from the drippings to make the gravy. Gravy is a treat, and like stuffing, if I'm making a turkey then I will also be making turkey gravy!
Turkey Soup - There is nothing like homemade turkey soup! So after the leftover meat is carved off the bird this is the next step.
light meat, skinless; 4 oz.
dark meat, skinless; 4 oz.


To make Penaeng paste, place all ingredients into a mortar and pestle and pound until smooth. Or place ingredients into a blender and process until smooth.
Heat wok over medium high heat, Add thick part of coconut cream and allow cream to split and separate (it will look curdled).
Add paste and cook for a further 1-2 minutes or until fragrant.
Add garlic and remaining coconut cream and cook for 1 minute until it thickens.
Stir in fish sauce and sugar. Reduce heat to medium and simmer 5 minutes.
Add beef and cook for 3-4 minutes. Stir in lime leaves and basil and cook for a few more minutes (add a little water if needed but it is meant to be a dry curry).
To serve top with sliced chilli and drizzle of coconut cream.


text:
Q: Loading local storage items for multiple dropdown lists I'm trying to make a table with multiple dropdowns, which all have the same values but different ID's which should retain values even after refreshing or closing and opening the page again.
It has to run on a local computer without php or any server sided scripting and without any addons, so standard browser configuration.
I've searched a lot on google and found:
local storage for multiple select option dropdowns
which helps with keeping the data, but as soon as I close the browser and load it again. The values are gone.
Can somebody help me figure this out?
Thanks in advance.
example of the code as requested:
<select name="1" id="1" class="test">
   <option value="-">-</option>
   <option value="Mike">Mike</option>
   <option value="Steven">Steven</option>
   <option value="Sacha">Sacha</option>
   <option value="Wilfried">Wilfried</option>
   <option value="Kevin">Kevin</option>
   <option value="Stefan">Stefan</option>
   <option value="Koen">Koen</option>
   <option value="Wasil">Wasil</option>
</select>
<select name="2" id="2" class="test">
   <option value="-">-</option>
   <option value="Mike">Mike</option>
   <option value="Steven">Steven</option>
   <option value="Sacha">Sacha</option>
   <option value="Wilfried">Wilfried</option>
   <option value="Kevin">Kevin</option>
   <option value="Stefan">Stefan</option>
   <option value="Koen">Koen</option>
   <option value="Wasil">Wasil</option>
 </select>

this is the js file.
 $('.test').change(function() {
      localStorage.setItem(this.id, this.value);
 }).val(function() {
   return localStorage.getItem(this.id)
 });

A: Good that you added some code :) I've tested exactly your code and it worked. Check this Fiddle:
https://jsfiddle.net/96hrybu2/
Your problem might be that you are not binding the elements correctly.
Try to change your code to this:
       $(document).ready(function(){
            $('.test').change(function() {
              localStorage.setItem(this.id, this.value);
            }).val(function() {
               return localStorage.getItem(this.id)
            });
       });

What seems to be happening is that he tries to bind those elements faster then they are rendered in the DOM.
Either that or your browser doesnt support localStorage.
Let me know if it helped.
Also check your console for some kind of errors and don't forget to add the jQuery library but I guess you know that :P
Cheers.


text:
Will Peace Reconcile Burma's New Government and Army?
by Ma Thida / March 21, 2016 / No comments
National League for Democracy leader Aung San Suu Kyi during the 2012 campaign in Burma. Image via Wikipedia.
Though historic elections made headlines, the road to a peaceful turn of power, and a peaceful future, is proving to be fraught in Burma.
The long transition of power since last November's election makes the people of Myanmar increasingly concerned regarding the lessening possibility of essential transition from military-dominated to civilian-dominant government. Because of constitutional constraints, Aung San Suu Kyi's presidency may not be easy: the military may continue to hold power within all three pillars of government, by holding twenty-five percent of legal but non-legitimized seats in the parliaments, and holding seats in three important ministries, which control most of executive and judiciary powers.
Literature is an echoing voice of people's thought. Along with its people, Burma's literature and media have suffered greatly during five decades of censorship. The majority of Burma's population are voiceless, and many untold stories are yet to be discovered by local or international writers and journalists. Here, let's try to find out and listen to what problems people are feeling, thinking, and facing regarding freedom of expression in their everyday lives in Burma.
Ma Thida is a Burmese human rights activist, writer, medical doctor, and former prisoner of consciousness. In 1993, she was sentenced to twenty years in Burma's Insein Prison for actively supporting the Nobel laureate Aung San Suu Kyi. She served six years of her sentence, largely in solitary confinement, and was released through the efforts of Amnesty International and PEN International. She has published nine books in Burmese and English, including The Sunflower (1999), The Roadmap (2011), and Sanchaung, Insein, Harvard (2012), a memoir. Ma Thida is currently president of PEN Myanmar.
The 2008 constitution states that the President shall appoint the Commander-in-Chief of the Defense Services with the proposal and approval of the National Defense and Security Council (NDSC). But current negotiations of power transfer are between commander-in-chief Min Aung Hlaing and elected party leader Aung San Suu Kyi. The three transition meetings between them tell the story of hard and heated negotiations on power sharing between new civilian-dominant government and army.
At the same time, both locals and foreigners have started talking about their concerns regarding the capacity of the newly elected (but long-time oppositional) parliament and government. New arrests of students' supporters and heavier charges placed on students on trial; violent attacks on antidrug activists in Kachin state; almost-daily seizures of enormous amounts of yaba pills but failure to arrest the owners; denial of government responsibility to respond to new parliaments by current and outgoing government ministers; and secret bonds of some new business between state ministries and their cronies just after last year's election are the stuff of the daily news, and are discussed over breakfast. This atmosphere gives the people of Burma less and less hope of genuine reconciliation between the military and civilians.
In August 2015, the Nation-Wide Ceasefire Agreement (NCA) between eight ethnic armed forces and the state military was established, and the NCA text was ratified by parliament. However there are eleven more ethnic armed forces (four out of those are recognized as combatant), which did not sign the NCA. Among those non-signatories, some forces are union level, some state level and some, are especially combatant. These combatant forces are rather new (formed three years ago) but have quickly grown and are well equipped with up-to-date weapons, which are usually made in China. Nine of those non-signatories are members of the United Nationalities Federal Council (UNFC). The Myanmar Peace Center (MPC), founded in 2012, is an established body for facilitating technical assistance to the peace process. The MPC was present, and delt with some UNFC leaders. Since divisions between signatories and non-signatories are widening, some non-UNFC ethnic forces accused the MPC of giving legitimacy to UNFC, while UNFC accused the state military of using the NCA as a 'military and political weapon. Recently in Shan state, fighting between the Restorative Council of Shan State (RCSS), a signatory, and the Ta'ang National Liberation Army (TNLA), a non-signatory, pushed thousands of people out of their homes to become Internationally Displaced Persons (IDP).
Indeed some ethnic armed forces believe their organizations are totally independent and cannot be controlled by parliament nor government. Some of those forces are also fighting each other, either physically or ideologically. When a ceasefire agreement is the topic to discuss, most of them are just as concerned about their territory as the state military. After four years' experience of ceasefire negotiations, the Union Peace Conference was held in Naypyidaw in early January 2016. On the grounds of free discussion, most of the groups who were invited spoke frankly about what they felt, thought and envisioned. Future power sharing among ethnic peoples, including the Bamar majority, was one of the most popular topics. The state military's centralized federalism was also a strong point of discussion since the military still holds most of the state's power. But national reconciliation between the military and civilians, and among different ethnic groups was ignored.
State military considers itself to be the guardian of the state as a whole, since ethnic armed forces could barely guard their limited territory. This concept of being the 'guardian' of the state gave birth to the National Defense and Security Council (NDSC). It is the highest decision-making body that has the authority to declare national emergency for the military to take charge of all government's power. It includes eleven members: six are from the state military and five are from the civilian government, including the President and the Foreign Minister. Given this situation, Aung San Suu Kyi and NLD should make the community watching the government the true guardian of the state and the state military a the part of government, not an independent organization which tries to control both parliament and government.
Many experts have pointed out that peace can only be established and sustained by political negotiation, not by territory sharing after ceasefire. In this case, the role of state military is limited. Political negotiation can only be done by the new government, which has its full legitimacy and mandate. Aung San Suu Kyi is still a figure who must win trust from all different ethnic and political groups. Building trust is still a key to making a successful negotiation. For that reason, future peace process might be still promising. And if there will be no peace, there will be neither development nor democracy in the future. That is why military and the new government should look to the peace process as their key channel for reconciliation.
Tags: Aung San Suu Kyi, blogslider, Burma, columnslider, democracy in Burma, democracy in Myanmar, drug trade, elections in Myanmar, ethnic groups, ethnic militias, homeslider, Kachin State, Ma Thida, Myanmar, Nation-Wide Ceasefire Agreement, president of Myanmar, Shan State, student arrests, The Myanmar Peace Center, yaba
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text:
22nd FIFA World Cup 2022 kick starts in Al Khor, Qatar
22nd FIFA World Cup 2022: The 22nd FIFA men's world cup was formally declared open at a colourful ceremony held at the Al Bayt Stadium in Al Khor, Qatar on 20 November. It is for the first time that an...
Published On November 21st, 2022
Adidas appoints Bjorn Gulden as CEO of the company
Adidas has appointed Bjorn Gulden, the CEO of rival Puma, as its new chief executive, and he will take over the German sportswear brand in January as the company. Gulden will replace Kasper Rorsted, Adidas' CEO since 2016, whose departure...
Published On November 9th, 2022
Adidas CEO Kasper Rorsted to step down next year
Adidas CEO, Kasper Rorsted will step down next year, the sports apparel maker. Rorsted, who has been CEO since 2016, and its supervisory board mutually agreed that he will hand over during the course of 2023. Rorsted's departure was a...
Published On August 24th, 2022


Ben Sanderson: I came here to drink myself to death. Sera: How long will it take you? Ben Sanderson: I'd say about three to four weeks.
ScienceDaily (May 12, 2008) — Women and men tend to have different types of stress-related psychological disorders. Women have greater rates of depression and some types of anxiety disorders than men, while men have greater rates of alcohol-use disorders than women. A new study of emotional and alcohol-craving responses to stress has found that when men become upset, they are more likely than women to want alcohol.


ClickSend Help Docs - What reporting is available on the dashboard?
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Treat yourself to this Napoli SSC polo, ideal to feel like Marek Hamsik, Lorenzo Insigne or Dries Mertens. Indispensable for any supporter of the Neapolitan club.
2 button collar. Napoli SSC writing in the back. Club logo and Kappa logo integrated.


text:
Q: How to make element responsive using bootstrap and css? I have a simple section in which I have left content and the right content, in left content I have a bunch of text, on right I have two ellipses/circles, I want these ellipse or circles to be responsive.  here jsfiddle live demo
Here is what I have so far
HTML

          left content

Here is css
.c1, .c2 {
  border-radius: 50%;
  width: 200px;
  height: 200px;
  background: aqua;
  position: absolute;
}

.c1 {
  left: 20px;
  top: 50px;
}

.connect1 {
  position: absolute;
  right: -80px;
  top: 130px;
  background: orange;
  border-radius: 50%;
  width: 40px;
  height: 40px;
}
.connect1::before, .connect1::after {
  content: '';
  display: block;
  background: orange;
  height: 10px;
  position: absolute;
  z-index: -1;
}
.connect1::before {
  width: 200px;
  top: -20px;
  left: -180px;
  transform: rotate(20deg);
}
.connect1::after {
  width: 200px;
  right: -160px;
  top: 70px;
  transform: rotate(35deg);
}

.c2 {
  left: 300px;
  top: 180px;
}

The above solution gives me this on a mobile device

Here is the expected result on mobile device

A: The circles will not be responsive because they have a fixed widht & height. They are absolute positioned with fixed distances, thats another reason why they cannot be responsive.
Take a screenshot (already done I see), save it as a jpg image, and put it in the html like this

.img-w100 {
  display: block;
  width: 100%;
}


For the last 7 years my family has been blessed to spend Thanksgiving with a wonderful family. We have seen our kids grow and time fly by.
Their one request is to get lemon meringue pies. And this year was not an exception. I baked 2 pies.
I couldn't find the recipe I used last year which solidifies the reason why I started this blog in the first place. I want to keep all recipes in one place and be able to find them within a few keystrokes.
So this year I was inspired by the recipe I found from One Dashed Spiced at a Time.
1. Bake unfilled crust as instructed in package.
2. Remove pie crust from oven and let cool.
This looks delicious, I love meringue pies! Constantly losing/forgetting recipes is one of the recipes I started a blog too!
These look soo good. Delish.


Maybe you've noticed that Thing 8 on my blog is coming after Thing 9 instead of before....I could come up with some real creative and cool explanation for how that occurred but it would all be contrived and, quite frankly, a huge fib. I skipped around with my Herculean tasks of the TIS program, and I can't promise that it will be the last time. Alas...I confess I'm not a numbers person. The task of the day is to create 2 tutorials: one video tutorial and one written "cheat sheet." Since all of our computer labs will soon be virtualized, I decided to create a tutorial for logging on to the virtual machines. I know that sounds lame and like something that should be quite easy for everyone to accomplish, but believe it or not, it does cause grief and stress for teachers and students who are unfamiliar with the process. So hopefully, this will be something that will make that part of teaching and learning a little easier.
If you prefer the print version, you may access it below.


text:
РYC
Volgograd Gets Ring Road Boost To Ease Traffic And Boost Trade Along Europe's Largest River
August 29, 2019 Posted by Russia Briefing Written by Chris Devonshire-Ellis
11 Of Russia's 20 Largest Cities Lie Along The Volga Route, while Volgograd Connects Calais to Kazakhstan
Op/Ed by Chris Devonshire-Ellis
The Russian city of Volgograd, which is sited on the Volga River, is the recipient of what will be the largest road development Russia has seen for the past five years. The Volgograd bypass project is largely aimed at redirecting Volgograd's huge traffic flow, especially cargo transportation, and moving it outside the city, which is located half-way between Moscow and Russia's southern regions. The project is also seen as an opportunity to develop the Volgograd territory as a whole, drawing in new businesses and investors.
"This project is one of the largest for the next five years – I'm not talking merely about money, I'm talking about the scale of the project. It is easy to see: at the moment, three federal highways converge in the city, which makes it impossible to live in." Russian presidential aide Igor Levitin was quoted as saying.
The cost of it is estimated at 19 billion rubles (US$290 million), according to the construction agreement. Work on the first stage of the road has already started in the Svetloyarsky district of the Volgograd region. The first stage of the bypass is set to be completed in 2024. It is to include construction of three motorway interchanges and a bridge across the Volga-Don Shipping Canal. According to the local authorities, the bridge over the canal is the most complex part of the entire project, as they "can only carry out the superstructure sliding during the inter-navigation period," which starts in December.
The Proposed Volograd Bridge Over The River Volga
Volograd holds a special place as a city in Russian history; previously known as Stalingrad it was the centre of intense fighting against the Nazi Germans in World War 2 and was subjected to intense artillery fire. Over 2 million people died in the battle which raged for 6 months and essentially leveled the city. After their defeat at Stalingrad, the German High Command had to withdraw vast military forces from the Western Front to replace their losses, meaning that Stalingrad was a turning point in the war against the Nazis.
Today the city has a population of just over a million, and is an important industrial base. Industries include shipbuilding, oil refining, steel, aluminum and chemical production, as well as machinery and an auto industry. The Volga is a navigable river, can take larger container vessels and provides access to Russia's heartland.
The Volga River is the longest river in Europe with a catchment area of 1,350,000 square km. It is also Europe's largest river in terms of discharge and its drainage basin. The Volga flows through Central Russia and into the Caspian Sea, while eleven of the twenty largest cities in Russia, including Moscow, are located in the Volga's drainage basin.
Volgograd itself is a major railway junction served by the Privolzhskaya Railway. Rail connections from Volgograd include Moscow; Saratov; Astrakhan; in addition to Ukraine, the Caucasus and Siberia. The European Route E40, which connects with Calais to the West and Ridder in Kazakhstan to the east, also passes through Volgograd, as does the Russian M6 highway linking Moscow and the Caspian Sea. This makes Volgograd an important strategic and logistics hub along the Belt & Road and Eurasian Economic Union, one reason for the new highway development.
Key Logistics Hubs Along Russia's Meridian Road
The Trans-Siberian Land Bridge – The Top 20 Key Cities Linking Vladivostok To Europe
Russia Briefing is produced by Dezan Shira & Associates. The firm assists foreign investors in Russia and Russian investors in Asia, and maintains partner offices in Moscow and St,Petersburg, and full professional service offices throughout China, ASEAN and India. Please contact us at russia@dezshira.com for assistance or visit our website at www.dezshira.com
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text:
def print_two(*args):
	arg1, arg2 = args
	print "arg1: %r, arg2: %r" % (arg1, arg2)

# Ok, that *args is actually pointless, we can just do this
def print_two_again(arg1, arg2):
	print "arg1: %r, arg2: %r" % (arg1, arg2)

# This just takes one argument
def print_one(arg1):
	print "arg1: %r" % arg1

# This one takes no arguments
def print_none():
	print "I got nothin'."

print_two("Zed","Shaw")
print_two_again("Zed","Shaw")
print_one("First!")
print_none()

# Describe first function print_two
#	1. First we tell Python we want to make a function using
#	def for "define".
#	2. On the same line as def we give the function a name. In
#	this case we just called it "print_two" but it could also be
#	"peanuts". It doesn't matter, except that your function
#	should have a short name that says what it does.
#	3. Then we tell it we want *args (asterisk args) which is a
#	lot like your argv parameter but for functions. This has to
#	go inside () parentheses to work.
#	4. Then we end this line with a : colon, and start indenting.
#	5. After the colon all the lines that are indented four spaces
#	will become attached to this name, print_two. Our first
#	indented line is one that unpacks the arguments the same as
#	with your scripts.
#	6. To Demonstrate how it works we print these arguments out,
#	just like we would in a script.

# Study Drills
#	Create a function checklist for later exercises. Write these
# 	checks on an index card and keep it by you while you complete
#	the rest of these exercises or until you feel you do not need
#	the index card anymore:
#		1. Did you start your function definition with def?
#		2. Does your function name have only characters and _
#		(underscore) characters?
#		3. Did you put an open parenthesis ( right after the
#		function name?
#		4. Did you put your arguments after the parenthesis (
#		separated by commas?
#		5. Did you make each argument unique (meaning no
#		duplicated names)?
#		6. Did you put a close parenthesis and a colon ): after
#		the arguments?
#		7. Did you indent all lines of code you want in the
#		function four spaces? No more, no less.
#		8. Did you "end" your function by going back to
#		writing with no indent (dedenting we call it)?

# Drill
def checklist(first, second, third):
	print "First: %r, Second: %r, Third: %r" % (first, second, third)

checklist("Live","Play","Die")


text:
Game-by-Game Statistics
for Merion Haskins
Career High Points: 12 - | Georgia - 1/12/1976 |
Career High Rebounds: 5 - | Tennessee - 1/10/1976 | Georgia - 1/12/1976 | Bowling Green - 12/17/1976 |
Career High Assists: 3 - | Tennessee - 2/7/1976 |
Career High Field Goals: 5 - | Georgia - 1/12/1976 |
Career High Field Goal Attempts: 7 - | Georgia - 1/12/1976 |
Career High Free Throws: 7 - | North Carolina - 12/8/1975 |
Career High Free Throw Attempts: 10 - | North Carolina - 12/8/1975 |
Career High Minutes: 23 - | Northwestern - 12/1/1975 |
1976-77 Senior Season
11/27/1976 Wisconsin 0 0 0 0 3 1 1 0
12/2/1976 Texas Christian 0 0 0 0 0 0 0 0
12/6/1976 Indiana 0 0 0 2 2 0 0 0
12/11/1976 Kansas 1 2 0 0 1 2 2 2
12/13/1976 South Carolina 1 2 0 0 2 0 0 2
12/17/1976 Bowling Green 0 2 0 0 5 1 1 0
12/18/1976 Utah 0 1 2 4 2 1 1 2
12/30/1976 Notre Dame 1 1 0 0 2 1 1 2
1/8/1977 Vanderbilt 0 0 0 0 0 1 0 0
1/12/1977 Tennessee 0 0 0 0 1 0 0 0
1/15/1977 Auburn 0 0 0 1 1 2 0 0
1/17/1977 Florida 1 1 0 0 0 1 0 2
1/22/1977 Louisiana State 0 1 0 0 0 0 0 0
1/24/1977 Mississippi 0 0 2 2 1 3 1 2
1/29/1977 Alabama 0 0 0 0 0 0 0 0
1/31/1977 Mississippi State 1 1 4 5 4 2 0 6
2/7/1977 Florida State 0 1 3 5 2 0 0 3
3/5/1977 Tennessee 0 0 0 0 0 1 0 0
3/7/1977 Georgia 0 0 0 0 1 2 1 0
3/12/1977 Princeton 2 4 0 0 2 2 2 4
3/17/1977 Virginia Military 2 2 0 0 0 0 0 4
3/19/1977 North Carolina 0 0 0 1 0 1 0 0
Totals 16 27 11 21 34 24 13 43
1975-76 Junior Season
12/1/1975 Northwestern 2 3 3 4 0 1 0 7
12/8/1975 North Carolina 0 0 7 10 3 0 0 7
12/10/1975 Miami (OH) 0 0 0 0 0 0 0 0
12/15/1975 Indiana 0 1 0 0 0 0 0 0
12/19/1975 Georgia Tech 0 0 0 0 0 0 0 0
12/20/1975 Oregon State 0 0 0 0 0 0 0 0
1/3/1976 Mississippi State 0 0 0 0 0 1 0 0
1/5/1976 Alabama 0 0 0 0 0 1 2 0
1/10/1976 Tennessee 4 6 2 2 5 2 1 10
1/12/1976 Georgia 5 7 2 2 5 0 0 12
1/17/1976 Vanderbilt 0 0 0 0 0 1 0 0
2/2/1976 Louisiana State 1 3 0 0 3 0 1 2
3/13/1976 Niagara 0 0 2 3 0 2 0 2
3/16/1976 Kansas State 1 1 0 0 0 0 0 2
3/18/1976 Providence 0 0 2 2 0 0 1 2
3/21/1976 UNC-Charlotte 0 0 0 0 2 1 0 0
1974-75 Sophomore Season
11/30/1974 Northwestern 1 2 0 0 1 0 1 2
12/2/1974 Miami (OH) 0 2 0 0 2 1 0 0
12/9/1974 North Carolina 0 0 0 0 0 0 0 0
12/20/1974 Washington State 0 1 0 0 1 0 0 0
12/21/1974 Oklahoma State 0 1 0 0 2 1 0 0
3/15/1975 Marquette 0 0 0 0 2 0 0 0
3/20/1975 Central Michigan 0 0 0 0 0 0 0 0
3/22/1975 Indiana 0 0 0 0 0 0 0 0
3/29/1975 Syracuse 0 0 2 2 1 0 1 2
Totals 10 30 4 7 25 11 6 24
1973-74 Freshman Season
Totals 0 1 0 0 3 0 0 0
Return to statistics, teams, opponents, players, coaches, opposing coaches, games or Kentucky Basketball Page


Todays surprise announcement at Blizzcon of the early stages of development into a World of Warcraft Classic Server is something I didn't expect would happen.
There's a few reasons. One I suspect it's technically quite hard. It's not just a case of reverting the source code to an earlier version. But I also didn't think there was enough motivation to spend all that effort on a game that is still doing extremely well after all these years.
Sure, World of Warcraft has lost a lot of subscribers over the years. While Blizzard has stopped issuing numbers, there have been estimates of 3 to 4 million, 5.5 million, even up to 10 million. Even at the lower numbers, that's still a decent subscriber base in what is essentially now a free to play market, after all these years.
I last resubscribed to WoW about a year ago after a gap of maybe five years. I'd downloaded and created a free account to try out the Worgen, Goblins, and Pandas a year or two earlier, but that didn't really stick once I got to the max on my Worgen. Level 20 I think.
Anyway, I began completing quests that were already in my log and just continued on from there. I finished up Outland. Moved on to Northrend. Got a little way in, perhaps a dozen or so quests including the volcano crater, and stopped.
I think the problem was that it was way to easy. It almost felt like I could fall asleep with my face on the keyboard and beat the mobs I was fighting. Years ago, unless I felt adventurous I avoided elite mobs. Now I was downing them with two or three shots.
I also like 'building' a character. The talent trees as I knew them are gone, replaced by a simple system that gives no real choice in how I develop my character. I know it's an overused term, but dumbed down describes how I feel about the game.
So I cancelled my subscription. I thought, for the last time.
Then today. The announcement. World of Warcraft Classic Servers.
That might bring me back to Azeroth. At least for a little while. A World of Warcraft Classic Server would return to pre Burning Crusade, but nothing else. I'll subscribe for the nostalgia at least, if Blizzard can pull it off. I still have my doubts if this will really happen.
But what I'd really like to see is the entire game from A to Legion and beyond using the classic server ruleset. Undumbed.


text:
Cover News Politics
Insecurity: South East Leaders, Unions Review Strategy Ahead Of Christmas, New Year Celebrations
The spate of insecurity in the South-East occasioned by renewed killings and kidnappings, particularly by murderous herders, has caused tension and anxiety in the zone ahead of the Yuletide.
The Ohanaeze Ndigbo, Nzuko Umunna, Alaigbo Development Foundation (ADF), and the Coalition of South East Youth Leaders (COSEYL), among others, have called on governors of the five states in the region to rise up to their primary duty of protecting the lives and property of their people.
This was as the Association of South East Town Unions (ASETU) said the zone must reorganise and reinforce its homeland security.
Worried by the precarious security situation in the zone, the South East Governors' Forum agreed on October 30 to set up a 24-hour joint patrol in all major highways within the region.
Rising from a meeting at the Government House, Enugu, they called on the federal government to come to their aid in providing security in the zone, bearing in mind that elections were around the corner.
Recently, Eha-Amufu, a farming community in Isi-Uzo Local Government Area of Enugu State, bordering Benue State, has come under horrendous attacks by herdsmen, leading to the death of many and displacement of several villages. This is outside several cases of kidnapping for ransom perpetrated by herdsmen in the area.
Unconfirmed reports said at least 200 people were killed and many others raped or wounded, while hundreds took refuge in Internally Displaced Persons Camps in the previous attacks on the community.
Because of the insecurity, residents of Ohuolu Mgbede, Aguamede, Mgbuji and Ebo communities in Eha-Amufu fled their homes in what was akin to a war situation.
This situation in the Enugu community has continued to elicit condemnation. The state government called on heads of security agencies to rise to the challenge and deploy more personnel to the affected communities to provide adequate security for life and property.
Chairman of Ohanaeze Ndigbo Council of Elders, Chief Emmanuel Iwuanyanwu, has called on the governors and the apex Igbo body to convene an emergency meeting of political, religious and traditional rulers to address the herders' incident in Enugu. The elder statesman, who appealed to the federal government to address the killings and destruction of farmlands and property by herdsmen in parts of Enugu and Ebonyi states, warned that the Igbo would no longer tolerate further onslaught.
Speaking during the week in Owerri, Iwuanyanwu said: "I will also recommend that the South East Governors' Forum, in collaboration with Ohanaeze Ndigbo, set up a relief committee that will give individuals opportunity to contribute money towards the alleviation of not only those who were attacked by herdsmen but also those affected by the flood.
"It's very important; the council of elders would be able to talk to business leaders to support the state governments, because they cannot do it alone, I want to assure all of them that Igbo are in deep sympathy with them. We're not going to forget them and we would keep praying for them."
ASETU has declared that only an indigenous security system could save Igbo homeland from the increasing attacks by herdsmen.
National President of Igbo Town Unions, Chief Emeka Diwe, urged the people to be vigilant, noting that there would not have been cause for concern if the Ebubeagu Security Network set up by some governors in the region had the required local content.
Diwe told Saturday Sun that the Igbo were an endangered species in Nigeria, but urged communities that had not activated their indigenous security system to do so in order to be able to checkmate any security threats in their domains.
Harping on the vulnerability of Ndi Igbo, Diwe said: "Any security structure worth its name must be indigenous security system. The Association of Igbo Town Unions is the only group that has established indigenous administrative structures (Town Unions). The Association operates at various levels, from the village up to the regional and national level. So, an indigenous security that has multi-level operational independence, free from the control of the governor is what is required. The government can finance the operation but the management should be outside their control."
Indeed, killings by suspected AK-47-wielding herders have been on the rise, a reason the Indigenous People of Biafra (IPOB) gave for floating the Eastern Security Network (ESN) two years ago.
IPOB leader, Nnamdi Kanu, had said during the launch of ESN that it was established to shield the South-East and South-South regions from banditry and terrorism. The South-East governors had prevaricated on the call by their people to set up regional security outfit just like their counterparts in the Southwest had done with Amotekun before the Ebubeagu was eventually established
Meanwhile, a leading Igbo group, Nzuko Umunna, has inaugurated a formidable team to investigate the security situation in Enugu State, with a view to meeting the state government with its report.
The team was also charged to verify reported cases of dropping of weapons by a helicopter in Enugu State, as well as the killings and alleged beating up of women by the military in the state.
Daily Sun
ALAIGBO DEVELOPMENT FOUNDATIONCHRISTMAS CELEBRATIONINSECURITYNEW YEARNZUKO UMUNNAOHANEZE NDIGBOSECURITY STRATEGYSOUTH EAST NIGERIA
INEC Office Set Ablaze In Orlu LGA, Imo State In Another Sabotage Of 2023 Elections
Fake Italian Engineer Jailed Six Months For €20,000 Scam In Abuja
Azubogu, Others Mourn, Pay Tributes To Aides Of Senator Ubah Killed In Ambush Attack
Halt deployment of 5G network in Nigeria, Senate tells FG
Insecurity: Nigeria's future under threat with students' abductions, attacks by terrorists, bandits, UN tells Federal Government
Global Upfront September 9, 2021 September 9, 2021
End of strike in sight as FG releases N4.5bn to 31 teaching hospitals for payment of doctors' hazard, other allowances
Global Upfront June 19, 2020 June 19, 2020
Military bans soldiers from public transport in Northeast
U.S. Police Officer Chauvin, killer of George Floyd, transferred to Minnesota correctional facility, awaiting sentencing
Global Upfront April 21, 2021 April 21, 2021
EFCC Arrest Of Tompolo's Operations Director Puts Nigeria's Anti-Crude Oil Theft War In Jeopardy
Global Upfront 1 week ago 1 week ago
Increase in price of petrol, diesel, kerosene imminent in Nigeria
Global Upfront July 1, 2020 July 1, 2020
USAID launches new early grade learning books in Igbo, Yoruba languages
Global Upfront January 28, 2021 January 28, 2021
MIT Mathematicians Solve an Old Geometry Problem on Equiangular Lines
Global Upfront October 9, 2021 October 9, 2021


text:
Home > Our Club
The Fenerbahçe emblem was designed by Topuz Hikmet who played left wing in 1910 and was made by Tevfik Haccar (Taşcı) in London. The emblem contained of five colours. The white section which includes the writing 'Fenerbahçe Spor Kulubu 1907' represents purity and open heartedness, the red section represents love and attachment to the club and symbolises the Turkish flag. The yellow middle section symbolises admiration and envy, while the navy symbolises nobility. The 'oak acorn' leaf which rises from the navy and yellow section shows the power of Fenerbahçe. The green colour of the leaf shows the success of Fenerbahçe which is imperative.
Topuz Hikmet describes the story of our emblem like this:
"After the change of the club's colours from yellow and white to yellow and navy, it was an issue to create an emblem with our new colours. My friends left the design of this emblem to me.
Firstly, I brought together the colours of our national flag, red and white. Then drew a heart shape over the red and gave it a yellow and navy colour, adding an acorn leaf that represents resistance, power and strength. I wrote the club name and foundation date on the white section. When drawing our emblem, I tried to give this meaning: 'Serving the club with dependence from heart.'
The design was liked by my friends and our new emblem was made through the guidance of Tevfik Haccar, who was in Germany at that time. After the new alphabet was approved, the design was protected, but the club name on the emblem was changed to 'Fenerbahçe Spor Kulübü - 1907'.
Usage of Emblem and Logo
The official registered logo of Fenerbahçe Sports Club is being used in a different format in some news and internet sources. The registered right format and colour scale is given below.
Cyan 100 -Magenta 65 - Yellow 0 - Kontrast 31 - (Pantone 288 C)
Kindly presented for your information.
Stadyum - 2. Sayfa
Legendary Goalscorers
A Legend: Şükrü Saracoğlu
Fenerbahçe Museum
Old Squads


text:
Walmart Latest To Tap Bond Market With $5bn Offerings
September 07, 2022 3:03 PM By Donna Ahern
Walmart Inc will raise $5 billion in bond offerings, joining a host of big retailers and restaurant chains to tap the debt market ahead of the US Federal Reserve's next potential rate move.
A company filing showed on Wednesday that its bonds will be due between 2025 and 2052 and have a coupon rate of between 3.9% and 4.5%.
The Federal Open Market Committee Meeting is scheduled for 20-21 September, where the Fed is expected to decide on whether to go for another 75bp rate increase.
Investment-Grade Bond
IFR reported on Tuesday that at least 19 investment-grade bond deals were expected to price, as issuers and investors get ready for what is expected to be a busy post-Labor Day session.
Target Corp is offering $1 billion in notes due 2032, while McDonald's Corp is offering about $1.5 billion in two-part bonds due 2052 and 2032, the companies disclosed in separate filings on Tuesday.
Separately, Lowe's Cos Inc also announced the pricing of a four-part notes offering at $4.75 billion and Dollar General priced four-part senior notes worth $2.3 billion.
Massmart Buy Out
Walmart Inc has signed an agreement to begin buying the 47% stake in South African retailer Massmart it does not own, the companies said in a joint statement.
Massmart had said that its majority owner Walmart had offered it 6.4 billion rand ($373 million) to purchase the remaining shares and to delist the company from the Johannesburg Stock Exchange.
The offer would allow Walmart to cut costs, invest more capital and turn around Massmart which has been posting losses and losing market share to bigger local rivals.
News by Reuters, edited by Donna Ahern, Checkout. For more retail stories, click here. Click subscribe to sign up for the Checkout print edition.
Walmart Inc
Lidl GB To invest £4bn In UK Food Businesses In 2023
Britain's Morrisons Puts Faith In Sharper Pricing To Win Back Shoppers


text:
Railroad Bridges - A Waymarking.com Category
All Categories > Structures > Bridges
Railroad Bridges
Managed By: Railroad Bridges
This waymark category is for the waymarking of either active or inactive railroad bridges of any type. The railroad bridge can currently have other uses and still be waymarked here (i.e. rails-to-trails, resurfaced for other vehicles to use).
UPDATE: Naming Convention Added 8-2013
Total Records: 31 Page: 1 of 2 prev<<<[12]>>>next
Pinkerton High Bridge - Great Allegheny Passage - Markleton, Pennsylvania
in Railroad Bridges
This is one of two railroad bridges along the Great Allegheny Passage at the Pinkerton Neck along the border of Addison/Upper Turkeyfoot Townships in Somerset County, Pennsylvania
posted by: outdoorboy34
last visited: 10/3/2010
NE0.5 km
Pinkerton Low Bridge - Great Allegheny Passage - Markleton, Pennsylvania
This is one of two railroad bridges along the Great Allegheny Passage at the Pinkerton Neck along the border of Black/Upper Turkeyfoot Townships in Somerset County, Pennsylvania
SW7.9 km
Harnedsville Bridge - Great Allegheny Passage - Confluence, Pennsylvania
The Harnedsville Bridge carries the Great Allegheny Passage across the Casselman River at the border of Lower Turkeyfoot and Addison Townships in Somerset County, Pennsylvania.
E17.2 km
Salisbury Viaduct - Great Allegheny Passage - Meyersdale, Pennsylvania
The Salisbury Viaduct on the Great Allegheny Passage spans Old and New US Route 219, the Casselman River, CSX Mainline and a stream in Summit Township, Somerset County, Pennsylvania
W21.1 km
Ohiopyle Low Bridge - Ohiopyle, PA
Former rail bridge is now a pedestrian pathway
posted by: stinger503
Keystone Viaduct - Great Allegheny Passage - Meyersdale, Pennsylvania
The Keystone Viaduct is located on the Great Allegheny Passage, about two miles southeast of Meyersdale in Summit Townhsip, Somerset County, Pennsylvania.
NW34.3 km
Bowest Bridge - Great Allegheny Passage - Connellsville, Pennsylvania
This is one of two railroad bridges located within three-tenths of a mile in Dunbar Township (1-1/2 Miles from) Connellsville, in Fayette County, Pennsylvania
last visited: 10/21/2011
Sheepskin Trail - Bridge No. 1 - Dunbar, Pennsylvania
This is one of two railroad bridges on the abandoned Sheepskin Rail Line of the former B & O that was decked for trail use in 2008. The bridge is located in Dunbar Borough, Fayette County, Pennsylvania.
Greenwood Bridge - Great Allegheny Passage - Connellsville, Pennsylvania
The Greenwood Bridge is located about 1 mile and a half south of Connellsville in Dunbar Township, Fayette County, Pennsylvania.
This is one of two railroad bridges on the abandoned Sheepskin Rail Line of the former B&O Railroad that was decked for trail use in 2008. The bridge is located in Dunbar Borough, Fayette County, Pennsylvania.
Elkhart Junction Bridge - Great Allegheny Passage/Western Maryland Scenic Railroad - Cumberland, Maryland
The Elkhart Junction Bridge is located near Cumberland, Maryland. It is used by both the Great Allegheny Passage and Western Maryland Scenic Railroad (Allegany County, Maryland)
SE48 km
Western Maryland Railroad bridge over C&O Canal - Cumberland, MD
An old bridge over the C&O Canal.
posted by: vivaronaldo
The 8th-Crossing - Wiley Ford, WV/Cumberland, MD
This is an old railroad bridge that is no longer in use.
Banning Bridge - Fayette County, PA
The Banning Bridge is a railroad trestle currently owned by the Wheeling & Lake Erie Railway spanning the Youghiogheny River since it's construction in 1930 by the American Bridge Company.
posted by: Team AlphaOmega
Booths Creek F M & P RR Bridge - Morgantown, WV
This Fairmont, Morgantown, and Pittsburgh Railroad bridge crosses Booths Creek at the point where it flows into the Monongahela River. To day it is part of the Mon River Trail.
posted by: onfire4jesus
location: West Virginia
Potomac River Bridge, Nr. Paw Paw, WV
The bridge is located in Maryland and can be seen from the C&O canal Paw Paw tunnel parking and picnic area.
posted by: garmin_geek
Clairton Blvd RR Bridge - Baldwin, PA
Railway bridge over Clairton Blvd
Monongahela Connecting Railroad Bridge and Hot Metal Bridge - Pittsburgh, PA
This bridge, also just called the Hot Metal Bridge, is a pair of truss bridges now carrying vehicular on one bridge and pedestrian traffic on the other, both once carrying railroad tracks.
posted by: NorStar
NE90.6 km
Muleshoe Curve Bridge - Duncansville, Pennsylvania
The Pennsylvania Railroad built this bridge across (old) Route 22.
posted by: r.e.s.t.seekers
West Liberty Ave. Wheeling & Lake Erie Railway Bridge - Pittsburgh, PA
Neat old girder bridge
Monongahela/Panhandle Bridge - Pittsburgh, PA
The Monongahela or Panhandle Bridge is an iron truss bridge in downtown Pittsburgh and currently carries the Pittsburgh Port Authority Allegheny County (PAT) "T" light rail transit over the Monongahela River.
Bessemer & Lake Erie Railroad Bridge, Harmar Pennsylvania
A scenic long span crossing the Allegheny River at Harmar, Pennsylvania for the Bessemer & Lake Erie Railroad.
posted by: Red Shoe & The Navigator
N100.7 km
Abandoned Railroad Bridge - Freeport, Pennsylvania
abandoned railroad bridge
posted by: sherpes
NE101.7 km
Pennsylvania Railroad Overpass - Altoona, Pennsylvania
The stone arch bridge was built by the Pennsylvania Railroad in the 1840's. It is still in use today by the Norfolk Southern Railroad.
24th Street Overpass - Altoona, Pennsylvania
Old steel girder bridge to carry train traffic over PA Route 36 at 24th Street and 9th Avenue.
N 39° 50.404 W 79° 14.957