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Honeycomb is the tenth studio album by American alternative rock musician Frank Black, released in July 2005 on Back Porch Records. His first original solo work since 1996's The Cult of Ray, Honeycomb was recorded in Nashville, and features notable local session musicians, such as Steve Cropper and ex-Presley guitarist Reggie Young.

Background
Frank Black had discussed making a Black on Blonde record for about ten years with producer Jon Tiven, where he would travel to Nashville (like Dylan with Blonde on Blonde) and record with local musicians. In 2005, Black eventually found the time to record such an album. He went to Nashville and met with musicians whom Tiven had selected for the record. Black said, "I knew he'd ask all stellar people, though I had no idea it was going to be guys like Steve Cropper. They were challenged... well, more amused than challenged. I don't think it was hard for them, but they had to think a little bit."

Covers
Unusually for a Frank Black album, it has 3 cover songs: "Song of the Shrimp," "Sunday Sunny Mill Valley Groove Day" (by Doug Sahm) and "Dark End of the Street". Black said that, for the cover of "Song of the Shrimp," he took his cue from the version by Townes Van Zandt, adding that he had never heard Elvis Presley's version.

Track listing

Personnel
Credits adapted from the album's liner notes.
Musicians
Frank Black – vocals, guitar
Steve Cropper – guitar
Buddy Miller – guitar
Reggie Young – guitar
Spooner Oldham – keyboards, bells, vocals
David Hood – bass guitar
Billy Block – drums
Anton Fig – drums
Akil Thompson – drums
Chester Thompson – drums
Jean Black – duet vocal (8)
James Griffin – vocals
Ellis Hooks – vocals
Dan Penn – vocals
Jon Tiven – harmonica
Technical
Jon Tiven – producer, additional mixing
Dann Penn – engineer, additional mixing
Ben Mumphrey – additional engineer
Earl Drake – mixing
Jim DeMain – mastering
Elizabeth Parr – cover art
Violet Clark – package design
Nora Hagerty – package layout

References

2005 albums
Black Francis albums

redpajama_set_name: RedPajamaWikipedia


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Soprannominato "AJ", è due volte campione del mondo ed è stato detentore dei titoli mondiali IBF, WBA, WBO e IBO. In precedenza ha posseduto anche il titolo Britannico, del Commonwealth e WBC International della divisione. Come dilettante ha vinto una medaglia d'oro alle Olimpiadi di Londra 2012 contro l'italiano Roberto Cammarelle e una d'argento ai mondiali di Baku 2011. A maggio 2020 è ritenuto al terzo posto al mondo come miglior pugile peso massimo da BoxRec e controlla tuttora una percentuale di KO dell'81,5% per incontri disputati da professionista.

Joshua è il secondo pugile britannico, dopo James DeGale, ad aggiudicarsi sia un oro olimpico che un campionato del mondo, tuttavia resta il primo peso massimo inglese a riuscire in tale impresa. Joshua è inoltre il secondo pugile di sempre, dopo Joe Frazier, a vincere un titolo nella divisione pesi massimi, essendo ancora campione olimpico.

Biografia
Joshua nasce a Watford, in Inghilterra, da Yeta e Robert Joshua. Sua madre è nigeriana, mentre suo padre è di discendenza nigeriana e irlandese. La sua discendenza nigeriana si può ricondurre al popolo degli Yoruba.

Joshua ha trascorso parte della sua infanzia e adolescenza in Nigeria, frequentando lì le scuole elementare e medie. A seguito del divorzio dei suoi genitori, quando aveva 12 anni, ha fatto ritorno in Inghilterra. È cresciuto a Garston, nell'Hertfordshire; veniva chiamato "Femi" per via del suo secondo nome Oluwafemi. Eccelleva nel calcio e nella corsa, avendo stabilito il record della scuola in 11,6 secondi nei 100 m. All'età di 18 anni ha cominciato a praticare il pugilato, quando suo cugino Gbenga Ileyemi (campione britannico nel 2011 nella categoria dei pesi massimi) lo ha presentato alla Finchley Amateur Boxing Club, dove viene allenato da Sean Murphy.

Carriera

Dilettanti
Joshua si diede al pugilato relativamente tardi, nel 2007. Due anni più tardi vinse l'edizione della Haringey Box Cup, bissando il successo l'anno dopo. Nel 2010 vinse anche il titolo senior ABA messo in palio ogni anno dall'associazione pugili dilettanti inglese, rifiutando successivamente la somma di  sterline e l'accesso alla carriera professionistica, giustificandosi dicendo che pratica questo sport non per soldi ma per vincere qualche medaglia. Vinse lo stesso torneo anche l'anno successivo. Nel 2010 il successo locale gli garantì un posto nella squadra nazionale inglese di pugilato, in quello stesso anno divenne a tutti gli effetti il campione britannico della categoria dilettanti, sconfiggendo Amin Isa al GB Amateur Boxing Championship. Nel 2011 partecipò al torneo europeo di pugilato dilettanti, tuttavia venne fermato ai quarti di finale dal rumeno Mihai Nistor. In questo stesso anno fu nominato "dilettante dell'anno" dal Boxing Writers Club of Great Britain.

Campionati mondiali di pugilato dilettanti 2011

Durante la manifestazione dei Campionati mondiali di pugilato dilettanti 2011 tenutisi a Baku, in Azerbaigian, Joshua entrò prepotentemente nella scena del pugilato mondiale sconfiggendo l'italiano campione in carica e campione olimpico Roberto Cammarelle, dopodiché si aggiudicò anche lo scontro in semifinale contro il tedesco Erik Pfeifer, tuttavia perse in finale contro il pugile locale Magomedrasul Medžidov, aggiudicandosi così la medaglia d'argento. Nel corso della manifestazione si aggiudicò anche un posto ai Giochi olimpici di Londra 2012.

Giochi olimpici di Londra 2012

Joshua si presentò ai Giochi della XXX Olimpiade come un novizio, nonostante avesse già ottenuto una medaglia d'argento a un campionato del mondo. Già ai sedicesimi dovette fronteggiare un avversario molto tosto, il cubano Erislandy Savòn, giudicato numero 4 al mondo dalla AIBA e nipote del tre volte campione olimpico Félix Savòn. Il verdetto alla fine dei tre round fu 17-16 in favore del pugile di casa, questa decisione causò qualche polemica poiché certuni ritenevano che la vittoria spettasse al cubano. Nell'incontro successivo si confrontò con la medaglia d'argento di Pechino 2008 Zhang Zhilei, facendo crollare l'avversario nella seconda ripresa si aggiudicò la vittoria ai punti (15-11). Nella semi-finale fronteggiò il kazako Ivan Dyčko e nonostante lo svantaggio dal punto di vista dell'altezza riuscì a conquistarsi un posto in finale dopo la vittoria ai punti (13-11). Nell'incontro decisivo si trovò davanti il trentaduenne campione uscente dei giochi del 2008 e due volte campione del mondo Roberto Cammarelle. Dopo aver concesso all'italiano i primi due round (6-5) (13-10), Joshua fece un'ottima ripresa che lo portò al pari del suo avversario (18-18), tuttavia fu l'atleta di casa a essere coronato vincitore in quanto aveva portato più colpi all'avversario. In questa circostanza le polemiche si sono sprecate, gli esperti di boxe si divisero tra chi gridava all'ingiustizia e chi invece riconosceva la vittoria di Joshua.

Riassunto carriera amatore
 2009
 Sconfitta per decisione unanime contro Dillian Whyte (Inghilterra)
 2010
 ABA National Championship 91 kg+ (peso super-massimo) a Bethnal Green, Londra, primo classificato:
 Vittoria contro Chris Duff (Inghilterra)
 Vittoria contro Simon Hadden (Inghilterra)
 Vittoria contro Dominic Winrow (Isola di Man)
 Haringey International Tournament 91 kg+ (peso super-massimo) a Haringey, Londra, primo classificato:
 Vittoria ai punti su Otto Wallin (Svezia)

Nel corso della carriera da non professionista, Joshua ha collezionato un record totale di 40-3.

Professionisti

2013-2015: gli inizi
L'11 luglio 2013 confermò di essere passato a professionista sotto il marchio promozionale di Matchroom Sport. Il debutto avvenne qualche mese più tardi, il 5 ottobre, alla O2 Arena di Londra come main-event della serata, vincendo per TKO nel corso del primo round contro l'italiano Emanuele Leo.

Il secondo incontro avvenne poco tempo dopo, il 26 ottobre, contro il peso massimo inglese Paul Butlin, alla Motorpoint Arena di Sheffield, anche in questa circostanza Joshua vinse per TKO, nel corso della seconda ripresa.

Il terzo incontro da professionista avvenne alla PrizeFighter Series contro il croato Hrvoje Kisciek il 14 novembre 2013. Anche qui Joshua vinse per TKO nel corso del secondo round.

Nel febbraio 2014 Joshua collezionò la quarta vittoria consecutiva per TKO, nel secondo round, contro Dorian Darch. Il mese successivo nella undercard di Burns vs. Crawford, Joshua sconfisse Hector Alfredo Avila per KO al primo round, in quel di Glasgow, Scozia. A maggio dello stesso anno collezionò il secondo KO consecutivo ai danni di Matt Legg, come undercard di Froch vs. Groves, disputatasi a Wembley Stadium. Nel suo settimo incontro professionistico, all'Echo Arena di Liverpool, mise al tappeto Matt Skelton nel secondo round.

Il 13 settembre 2014 si confrontò con il peso massimo tedesco Konstantin Airich, portandosi sull'8-0 al terzo round.

Nella sua nona apparizione da professionista combatté nella main card di Matchroom Sport per il titolo internazionale WBC dei pesi massimi, contro l'ex campione Denis Bakhtov. Joshua mise fine all'incontro al secondo round per KO ottenendo il titolo a soli 24 anni.

Successivamente sconfisse Michael Sprott, per TKO nel corso del primo round. Complessivamente, dato che quest'ultimo incontrò durò 1 minuto e 26 secondi, Joshua, nei suoi primi 10 incontri, ha calcato il ring per soli 36 minuti e 36 secondi, poco meno di 3 minuti e 40 secondi a incontro.

Il 31 gennaio 2015 avrebbe dovuto sfidare l'americano Kevin Johnson, alla O2 Arena, ma l'incontro venne annullato per via di un infortunio alla schiena subito da Joshua. Tornò a combattere a Newcastle il 4 aprile 2015, sconfiggendo Jason Garven per KO alla terza ripresa. Il 9 maggio 2015 sconfisse Raphael Zumbano Love con un KO al secondo round.

Il 30 maggio 2015 disputò il match che era saltato contro Kevin Johnson che, salvato al primo round dalla campana, perse per TKO all'inizio del secondo round. Joshua raggiunse così il record di 13-0.

Il 21 settembre 2015 Joshua vinse il titolo vacante Commonwealth pesi massimi, sconfiggendo Gary Cornish al primo round. Cornish era imbattuto da 21 incontri.

Il 12 dicembre 2015 si misurò e sconfisse l'anglogiamaicano Dillian Whyte per KO tecnico durante la settima ripresa, in un match che vide Joshua messo in difficoltà per la prima volta in carriera.

2016-2019: la conquista del titolo IBF e il regno da campione unificato

Autore di una rapida ascesa a livello di popolarità, il 9 aprile 2016 affrontò a Londra il campione mondiale IBF Charles Martin. Il britannico ha la meglio per KO durante la seconda ripresa e si laurea campione del mondo per la prima volta nella sua carriera da professionista.

Joshua difese per la prima volta il titolo il 25 giugno contro un altro statunitense, Dominic Breazeale, il quale superò per KO tecnico alla settima ripresa, portando così il suo record a 17 vittorie consecutive tutte prima del limite. La seconda difesa del titolo avvenne il 10 dicembre seguente alla Manchester Arena contro Éric Molina che si rivelò essere un incontro a senso unico con Joshua vincitore per KO tecnico al terzo round.

Il 29 aprile 2017 difese il titolo dall'assalto dell'ex campione Volodymyr Klyčko, conquistando tra l'altro i mondiali vacanti WBA (Super) ed IBO, dinnanzi ad un tutto esaurito di 90 000 spettatori allo stadio di Wembley. Lo spettacolare e drammatico incontro vide Joshua subire il primo knockdown in carriera, per terminare però, in un momento di apparente equilibrio, con la sua vittoria per KO tecnico all'undicesima ripresa. Svoltosi nella categoria di peso più prestigiosa, il match si annoverò tra i migliori scontri nella storia dei massimi e contribuì a rilanciare lo sport del pugilato, da lungo considerato in declino, a livello mondiale.

Cementa ulteriormente il suo status il 31 marzo 2018 a Cardiff, fregiandosi anche del titolo mondiale WBO grazie a una vittoria ai punti sul neozelandese Joseph Parker, mentre nell'autunno seguente difende le corone dall'assalto del russo Aleksandr Povetkin con un KO tecnico alla settima ripresa.

Dal 2019: la perdita e la riconquista dei titoli

Il regno da campione dell'inglese subisce una svolta inattesa il 1º giugno 2019 quando è sconfitto dallo statunitense di origine messicana Andy Ruiz Jr., avversario scelto tre settimane prima a seguito della positività al doping dello sfidante originale Jarrell Miller. Joshua, al debutto in suolo statunitense, è fermato alla settima ripresa dopo aver subito quattro atterramenti e subisce così la prima sconfitta in carriera, oltre a perdere i quattro titoli mondiali in suo possesso.

Il 7 dicembre 2019, in Arabia Saudita, Joshua riconquista i titoli contro Ruiz, vincendo un incontro di 12 round per decisione unanime ai punti.

2020: La difesa dei titoli
Il 12 dicembre 2020 Anthony Joshua ha battuto in una Wembley Arena di Londra semivuota, presente solo un migliaio di spettatori causa Covid, il bulgaro Kubrat Pulev, ex campione europeo, intercontinentale ed internazionale, confermando i suoi titoli. La sfida, conclusa per ko al nono round, apre la strada a un combattimento senza precedenti con Tyson Fury che dovrebbe tenersi nel 2021 e che metterebbe in palio tutti i titoli della categoria pesi massimi.

2021: La perdita dei titoli
Il 25 settembre 2021 viene sconfitto da Oleksandr Usyk al Tottenham Hotspur Stadium, davanti a oltre 60.000 spettatori, per decisione unanime dei giudici al termine delle dodici riprese previste. Joshua perde i titoli WBA (Super), IBF, WBO, e IBO dei pesi massimi.

2022: Il rematch con Usyk
Il 20 agosto 2022, a Jeddah, nel rematch contro il campione del mondo dei pesi massimi Oleksandr Usyk, viene nuovamente sconfitto ai punti dal puglie ucraino.

Risultati nel pugilato

Vita privata
Joshua ha espresso il proprio interesse nel gioco degli scacchi e nella lettura, dicendo che lo aiutano a rilassarsi e a migliorare la tattica anche nel pugilato. Prima di concentrarsi nella boxe a tempo pieno lavorava come muratore.

Nel 2011 è stato arrestato con l'accusa di spaccio di droga, quando gli sono stati rinvenuti 200 grammi di cannabis nel corso di un controllo per eccesso di velocità.

Onorificenze

Note

Voci correlate
Campioni del mondo dei pesi massimi di pugilato

Altri progetti

Collegamenti esterni

Vincitori di medaglia d'oro olimpica per il Regno Unito
Pugili britannici campioni del mondo


text:
Q: How to make Object value to Object property in JavaScript I have an Object named category. Here the property/keys are in short-form and the value is in fullform. I need to assign Object property/keys to Object value for a short time moment.
Like.

'Technology' have to make tech

const category = {
    tech: 'Technology',
    gnr: 'General',
    ent: 'Entertainment',
    sci: 'Science',
}
let a
a=Object.values(category).map(i=>{
 Object.keys(category).map(j=>{
   i=j
 })
})
console.log(a)

A:

const categories = {
    tech: 'Technology',
    gnr: 'General',
    ent: 'Entertainment',
    sci: 'Science',
}

const predicate = 'General';

let match;

for (const category in categories) {
    if (categories[category] === predicate) {
        match = category;
    }
}

console.log(match);

A: let a = {};
for (let key in category)
{
    a[category[key]] = key;
}

or
let a = {};
Object.entries(category).forEach(kv=>a[kv[1]]=kv[0]);

A: Nope! Now after getting match with parameter that I will pass, I need that matching parameter Object Value's Property/Keys.
Like,
If General Match then I need gnr
Here I am getting 'General' but I need gnr

const category = {
    tech: 'Technology',
    gnr: 'General',
    ent: 'Entertainment',
    sci: 'Science',
}
let a
a=Object.values(category).filter(i=>{
  if(i=='General')  {
return Object.keys(i)
  }

})
console.log(a)

redpajama_set_name: RedPajamaStackExchange


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Transformation the Gospel Way: Cultivating Christ-Like Persons of Holy Character and Faithful Ethical Action
Speaker(s): Jonathan Wilson, Keith Krull, Kevin Boonstra, Mariam Kamell, Mark Buchanan, Rikk Watts, Ross Hastings, Soohwan Park
Date: May 6-9 2014
Length: 12h46min
Product ID: RGDL4413S
MP3 Download - $64.99
MP3 CD - $84.99
CD - $104.99
Many Christians today seem to lack ethical seriousness. When difficult choices arise, they demontrate a low level of commitment to scriptural teaching and often default to the norms of their environment. During the 2014 Regent College Pastors' Conference, we want to help pastors reframe the call to discipleship so that formation and transformation become an outflow of our participation in the triune God, producing an attractive, vivid, and effective pattern of faithfulness that reflects his desire for us to be truly human persons, "fully alive", bearers of the beauty of his holiness. Lectures include:
Being Human: Embodying God's Character - Rikk Watts
Having All You Need - Mark Buchanan
The Sexually Healthy Pastor - Keith Krull
The Spirit and the Cross: The Gospel and Christian Character - Rikk Watts
Making Every Effort - Mark Buchanan
Ethical Living and Social Justice - Soohwan Park and Jonathan Wilson
Living the Kingdom: Loving Your Neighbours as Christ Loves Them - Mariam Kamell
Increasing the Measure - Mark Buchanan
The Church and the Law: When Does a Pastor Need to Call a Lawyer? - Kevin Boonstra
Endurance in Faith (Fullness): The Certainty of Hope - Mariam Kamell
Participating in the Transforming Gospel - Ross Hastings
See All Audio by Jonathan Wilson Keith Krull Kevin Boonstra Mariam Kamell Mark Buchanan Rikk Watts Ross Hastings Soohwan Park
Jonathan R. Wilson (Ph. D, Duke) is Pioneer McDonald Professor of Theology at Carey Theological College. Before joining the Carey faculty in 2006, he was Professor of Theology and Ethics at Acadia Divinity College and Professor of Religious Studies at Westmont College. Among his books are Living Faithfully in a Fragmented World, God So Loved the World: A Christology for Disciples, A Primer for Christian Doctrine, and Why Church Matters: Worship, Ministry, and Mission in Practice.
Keith Krull was Director of Vancouver Christian Counselling Centre. VCCC is a professional counselling service located at First Baptist Church Vancouver.
Kevin Boonstra is a lawyer and partner at Kuhn LLP and works in Vancouver and the Fraser Valley. He practices in both litigation and commercial/charity matters for a broad spectrum of business and non-profit clients.
Mariam J. Kamell is Assistant Professor of New Testament at Regent College after previously serving as Postdoctoral Fellow for three years. She is co-author (with Craig L. Blomberg and Clinton E. Arnold) of Zondervan's exegetical commentary on James.
Mark Buchanan, Mark Buchanan is Associate Professor of Pastoral Theology at Ambrose Seminary in Calgary, Alberta. Mark is a pastor, teacher, speaker, and the author of widely-acclaimed books of practical theology including Your God is Too Safe: Rediscovering the Wonder of a God You Can't Control and Things Unseen: Living in the Light of Forever.
Rikk E. Watts is Professor of New Testament at Regent College. Previously, he served as an instructor at Gordon-Conwell Theological Seminary, Wycliffe Hall at Oxford University, La Trobe University, and the Bible College of Victoria (now the Melbourne School of Theology). He is author of Isaiah's New Exodus in Mark, as well as a founding member of On Being, an Australian Christian magazine.
Ross Hastings is Associate Professor of Pastoral Theology at Regent College. Previously, he served as the Senior Pastor at Peace Portal Alliance Church in Surrey, British Columbia, Canada. He is the author of Missional God, Missional Church: Hope for Re-evangelizing the West.
Soohwan Park is a freelance consultant focusing on international NGOs in relief and development. Soohwan's passion led her first to work among Dalits and Muslim poor in urban slums of Bangladesh, then to start a holistic ministry training network among urban churches in Korea, and finally to Bangkok, Thailand to head up global training and human resources for Food for the Hungry. Following the completion of her masters at Regent, she worked as a senior staff member at the Marketplace Institute of Regent, and volunteered at the Listening Post on the downtown east side of Vancouver. Drawing on her experience in Thailand during the Asian tsunami in 2004, Soohwan led a consortium of international NGOs to innovate local church-based holistic relief work in Fukushima, Japan after the devastating triple-disaster of 2011.
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You may have heard, on an oldies station, a song by one Crispian St. Peters that goes "I'm the Pied Piper/ Follow me," with a lot of piccolo in it. This is not that song.
It is another song, performed by a girl group called The Cupcakes, that also refers to the Grimm fairy-tale about the motley-dressed (or "pied") flute player whom, when he was not paid for removing the rats from Hamlin with his hypnotic flute-playing, came back and removed the children. This is why you have to "pay the piper" (yes, this is where the expression comes from).
In any case, our song here-- co-written by Richie Cordell (who sang "Dori Anne")-- credits Paul Simon on the 45 label. Not Jerry Landis or True Taylor, but Paul himself, under his own name. The year? 1965.
There is something wish-fulfilling about a musician writing a song about a guy who, just with his music, attracts all the girls. From Orpheus and his rabid groupies, the Bacchae, through Franz Liszt, to the girls a-swoon with Beatlemaina, music has attracted romantic attention. And for just as long, musicians have been hoping for some of that magical, musical aphrodisiac to work for them.
Here, the girls sing about it from their viewpoint. "He's up and down my block whistling his song/ I've got to follow him as he goes along." She is not alone: "There he goes, and right behind/ The girls all follow him in line... I'm only Number 5 and I fall right in line/ Pied Piper."
So, there's the effect. "I get this feeling that I just can't explain... Funny, how he's got a hold over me."
It's a pretty serious case. Even when he's not around, his impact is felt. "I get my homework and it's gotta get done/ It's almost 10:00 and I ain't begun." And when he actually shows up? "He's underneath my windowsill!/ Will I love him? Yes, I will!"
What's the cause, though? "He's the cutest boy I ever did see." Which never seems to hurt.
But mostly, "Here he comes again he's whistlin' that tune/ I get excited and I run out of my room." Yes, mostly it's the music.
The speaker admits, "I guess it's silly cause he'll never be mine," but still, "I don't feel bad." At some level, she knows it's a schoolgirl crush and is simply reveling in the glee of it all, like any good fan.
For once, the songwriter assays a woman's point of view-- what does he see through her eyes? Why, doting affection for an adorable musician, of course! A cute face and a pretty tune, that's what women want! How lucky for him that that's exactly what he's got.
But the tune is harmless. Adorable, in fact... and it should have been a hit. Shame that it was never rediscovered by, say, Berry Gordy or Phil Spector. How many girls could have identified with having a crush on the cute neighborhood musician? Probably more than a few.
For the guys, what an appropriate role model. Some off-beat clothes and a funky tune? Not to hard to come by. And hey, it worked for the Pied Piper.
The Cupcakes were, in fact, The Cookies. But they also recorded as The Cinderellas, The Palisades, The Honey Bees, The Stepping Stones... and sometimes weren't credited at all.


The Heather Pierson Acoustic Trio features Shawn Nadeau on upright bass and Davy Sturtevant on, as Heather often puts it from stage, "everything else" - guitar, mandolin, dobro, fiddle, cornet. Originally hailing from Erie, PA, Davy Sturtevant is a veteran touring artist, producer, engineer, songwriter, and performer who now makes his home in the western foothills of Maine. Armed with a gorgeous tenor voice and a mighty arsenal of instruments ranging from dobro to fiddle to cornet that come to life in his capable hands, Davy is at once a witty, thoughtful, and engaging stage presence. New Hampshire native Shawn Nadeau brings a rock solid thump and nearly two decades of performing experience to the trio, informed by a wide spectrum of unique rhythmic and melodic sensibilities ranging from rockabilly to reggae to jazz. In their able hands, these three veteran musicians have catapulted Heather's live performances of her deep well of Americana originals - folk, jazz, blues - with intricate instrumental arrangements and stirring three-part vocal harmonies. The trio's debut EP, Still She Will Fly, was released in May 2015. Its title track was the #2 single on the Folk radio charts for the year in 2015, and three other songs were also in the Top 100 singles on Folk radio in 2015. The trio's full-length debut, Singin', was released on June 30, 2017, the tenth release on Heather's own record label, Vessel Recordings, and debuted at #1 on the Folk radio charts.


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Lizzo reflects on journey from sleeping in her car to sleeping in her own home
Lizzo is grateful to be a homeowner after struggling with homelessness when she was younger. She will talk about her journey in an upcoming episode of CBS Sunday Morning.
In a teaser clip, the Grammy winner spoke about having to sleep in her car a decade ago and why she isn't taking her success for granted.
She also added just how incredible Christmas morning will be waking up in her own home for the first time, as it's something she's long dreamed of.
"It's, like, not having stuff for a long time, and now [that] I've got it, I'm going overboard. I'm literally Santa Claus," she smiled.
Lizzo shared how excited she is to have a place of her own after spending years "staying in people's rooms and sleeping on their couches."
"On this past tour, which I was blessed to stay in really nice places, but I was like, 'I miss my house. Like, I can't wait to come back to my own home and to my bed,'" she said, adding, "And I was like, 'This is the first time I've ever said this.' So, it's a milestone for me."
Lizzo's interview airs in full this Sunday, December 25, at 9 a.m. ET on CBS. It'll also stream on Paramount+.
Thursday, December 22, 2022 at 3:30PM by Megan Stone Permalink


Inside Higher Ed: Eighteen months into Education Secretary Betsy DeVos's tenure, colleges with poor student outcomes -- particularly for-profit institutions -- are poised to benefit from a more forgiving regulatory approach than under the Obama administration. Colleges had pushed for those changes, but consumer advocates say students will lose out.
DeVos late last month released details of a new borrower-defense rule that would raise the standards for students who were misled by their institution and are seeking to have their federal loans forgiven.


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Empress: A Novel (P.S.)
by: Shan Sa (author)
Now available with P.S., Empress is the hugely popular historical novel of one of China's most controversial historical figures: its first female emperor, Empress Wu, who emerged in the Tang Dynasty and ushered in a golden age. Writing with epic assurance, poetry, and vivid historic detail, Shan... show more
Now available with P.S., Empress is the hugely popular historical novel of one of China's most controversial historical figures: its first female emperor, Empress Wu, who emerged in the Tang Dynasty and ushered in a golden age. Writing with epic assurance, poetry, and vivid historic detail, Shan Sa, author of Alexander and Alestria, plumbs the psychological and philosophical depths of what it means to be a striving mortal in a tumultuous, power-hungry world.
ISBN: 9780061829604 (0061829609)
Novels, Literature, Cultural, Historical Fiction, Contemporary, Asian Literature, Asia, France, China, Chinese Literature, Fiction, Historical
Little Miss Book Freak rated it 5 years ago
http://naamadayan.booklikes.com Little Miss Book Freak 3.5 Empress/ Shan Sa
text Empress/ Shan Sa
3.5 stars This book isn't very long, but it took me something like a month to read! (and I'm not even in a reading slump!) Don't get me wrong, it is not a bad book- Heavenlight's story is fascinating, and Shan Sa's writing is extremely unique. you can definitely tell, when you're reading the boo...


A few rows is pathetic...and quest items are included within that pitiful amount of bag room we get!
Get's infuriating dropping out of questing just to continually sell up!
Please give us a few more rows...I'll happily pay for a few more rows myself if this occurs!
You are contradicting yourself. If you are going to pay for additional rows anyway after fully unlocking the first page when reaching level 20, why not do it from the get-go? How is "give me more free stuff so that I feel inclined to pay" a sound argument?
The post was edited 1 time, last by Trollwoot ( Dec 7th 2017 ).
Point being hitherto: The game offers meager bag space in the first instance...embarrassingly infinitesimal amount!
Even Runes of Magic, gave us more bag space than the initial 3 rows we get!
If you think that is sufficient room - including quest items - you are addlepated!
This was another issue I had with how this game is starting to be.. $3.50 worth of diamonds gets us one row of 8 slots of bags space after the 100 diamond and 200 diamond ones are gotten.
Let's look at another FTP MMO's bag space for real money.
In another FTP MMO I play, additional bag space costs $5.00 for generally 20 additional slots. For Bank slots roughly $8.00 will get you 30 additional spaces for your bank. In this game? $3.50 worth of Diamonds for 10 spaces.
Some MMO's also have a material bank to store crafting materials and a bank to store upgrade items. Some of the top MMO's out there FTP/PTP ect also have quest items separate of the main storage for items that have been dropped to the player.
Like I said in my other thread, I would LOVE to support this game.. but with all the limitations and the huge cash wall in it's current state, It is not worth supporting.
You are entirely addlepated, as you haven't ostensibly bolted on, to what I was alluding to in my opening exchange...and didn't expect a broadside for an accurate and obvious thread!
I was expressing a degree of largess, and help in funding their game - what it hades is malignant about that!?
I'm going to play a bit more to create a summary of what can be improved in this game by testing all the features available to us as I've come to discover even MORE things behind a paywall that should be given to players naturally.


Feast days in February are represented with several traditional candle ceremony. Feast of St. Blaise and Candlemas Day.
2 per boxCandlemas Candles. The tradition of carrying candles on Candlemas Day can be traced back as far as the fifth century. It represents the entry of Christ, the light of the world, into the temple of Jerusalem. Bringing the candle into the home is a sign that Christ is with you in your everyday life.
St Blase Candle.February 3rd-Feast of St Blase, the martyred Bishop of Sebaste in Armenia, reputed to have miraculously saved the life of a choking young boy. It is customary to bless the throats of the faithful on this day to preserve them from illnesses of the throat.Two 51% Beeswax candles customarily intertwined as one at the base.
Our unique St. Blaise Candle design consists of two 51% Beeswax candles intertwined as one at the base and includes a red ribbon.
Our Candlemas Candles are sold in pairs and come in various sizes.


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Will This Pull The Rug Out From Under Major Markets?
16306 Views March 03, 2015 GOLD, KWN, KWN II King World News
With the Dow near 18,200, crude oil still below $50 and gold on the move, today a legend in the business sent King World News a powerful piece that covers everything from Nasdaq 5000 to stock buybacks and what could pull the rug out from under major markets.
From Art Cashin's notes: "Buyback Fever – Corporate repurchases continued at a blistering pace. Here's a bit from Bloomberg:
Stock buybacks, which along with dividends eat up sums of money equal to almost all the Standard & Poor's 500's earnings, vaulted to a record in February, with chief executive officers announcing $104.3 billion in planned repurchases. That's the most since TrimTabs Investment Research began tracking the data in 1995 and almost twice the $55 billion bought a year earlier.
Even with 10-year Treasury yields holding below 2.1 percent, economic growth trailing forecasts and earnings estimates deteriorating, the stock market snapped back last month as companies announced an average of more than $5 billion in buybacks each day. That's enough to cover about 2 percent of the value of shares traded on U.S. exchanges, data compiled by Bloomberg show.
Records show that companies have bought over $2 trillion of their own shares since the low of 2009. They are on a pace to spend about 95% of their earnings on buybacks and dividends. No wonder we're at new highs.
Reminiscences Of Things Past – The return of Nasdaq to the 5000 level saw the financial media scrambling to parade folks to "recall" what it was like 15 years ago. Some of the recollections were – shall we say – foggy.
Several folks claimed that the Fed had raised rates to tame the soaring stock market and in doing so had inverted the yield curve. Well, the yield curve was inverted alright but the Fed's action had little to do with taming the market. The Fed was acting to clean up a mess that they, in fact, had created.
In 1997, the currency of Thailand, the Thai Baht collapsed, spreading chaos to the other Asian Tigers of southeast Asia. The Fed, and other central banks, poured money into the system to calm things down.
Before they got a chance to drain that infusion out, the Russian ruble collapsed, causing another infusion. Before they were done with that Long Term Capital Management collapsed and the Fed added even more money.
Next came Y2K, when all the computers would fail and your bank records would evaporate. To offset the expected hording of money by the public, the Fed pumped up reserves even further. When Y2K came within hailing distance, and no hording had occurred, the Fed began to draw down the flood of reserves that they had created over two years. By March of 2000 that pulled the rug out from under the Nasdaq and just about everything else. All in hands of professionals.
Consensus – Stocks look to pull back a bit as markets around the globe move lower. Shanghai got clocked over 2%. Stick with the drill – stay wary, alert, and very, very nimble." ***ALSO JUST RELEASED: Richard Russell – The Shocking Truth Central Planners Are Hiding From The World CLICK HERE.
© 2015 by King World News®. All Rights Reserved. This material may not be published, broadcast, rewritten, or redistributed. However, linking directly to the blog page is permitted and encouraged.
The audio interviews with Michael Pento, Gerald Celente, David Stockman, Marc Faber, Eric Sprott, Felix Zulauf, Andrew Maguire, John Mauldin, Egon von Greyerz, Dr. Paul Craig Roberts, Lord Christopher Monckton, Bill Fleckenstein, Dr. Philippa Malmgren, Stephen Leeb, John Embry and Rick Santelli are available now. Other recent KWN interviews include Jim Grant — to listen CLICK HERE.
Eric King
KingWorldNews.com
Greyerz – China & Russia Positioning To Collapse US Dollar As Global Financial War Heats Up
Richard Russell – Devastating Bear Market To Destroy The Current Monetary System
This Is Going To Turbocharge Upside Moves In Gold & Silver
John Embry – A Catastrophic Endgame Is Rapidly Approaching
Gerald Celente Just Issued One Of The Most Important Trend Alerts Of 2018
Here Are Two Important Charts
Michael Oliver – If You Are Worried About The Takedown In Gold And Silver, Read This…


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text:
Beijing International Challenger — профессиональный международный теннисный турнир, проводимый ITF в рамках своего женского тура и ATP в рамках своего тура Challenger.

Соревнования проводятся в столице Китая — Пекине на кортах олимпийского теннисного центра.

Общая информация
Турнир основан в 2010 году, как дополнительное крупное соревнование для азиатских теннисистов перед US Open.

Хозяева турнира пять раз выигрывали пекинское соревнование и каждый раз это были женские призы (трижды — парные). В мужских соревнованиях китаец лишь раз дошёл до финала (в одиночном турнире-2012).

Четырём теннисистам удалось выиграть местный турнир более одного раза: братья Ративатана и Сунь Шэннань дважды побеждали в парных соревнованиях, а Чжан Шуай по разу выигрывала одиночный и парный турнир.

Финалы прошлых лет

Мужской одиночный турнир

Женский одиночный турнир

Мужской парный турнир

Женский парный турнир

Примечания

Ссылки
 Официальный сайт

 Архив результатов на сайте женского тура ITF
 Архив результатов на сайте мужского тура ITF


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I recently had solar panels installed on my house. What an exciting day it was! Take a look….
The men arrive with 30 solar panels. The panels collect the sun's energy in the wires that run through the panels.
The panels turn the sun's energy into electrical energy.
The electricity made by my panels is sold back to Orange & Rockland Electric Company, reducing my electric bill each month. I like the idea of saving money!
Even more important, I'm reducing my "carbon footprint". If I can create electricity from the sun, then the electric company doesn't have to burn so much coal to create electricity for me. Burning coal puts pollution (carbon dioxide and other harmful gases) into the air. Less coal burned = cleaner air! 🙂
Air pollution is trapping the sun's heat near Earth. It's making the planet warmer. While that might seem appealing during the winter, it's upsetting the balance of nature. For more information on global warming, click here.
Turning on the solar panels so they can begin generating electricity.
It's good to know that there's something we can do to help reduce air pollution and slow down global warming.
I can see how much electricity my panels are generating. All the information is just a click away on my computer.
Looking at the bar graph above, you can see the number of kilowatt hours of electricity my solar panels generated in July. Can you tell which days were bright and sunny? Which days were overcast?
Electric meter on my house. This photo was taken at 9:30 in the morning on a day in January. Note the last two digits on the digital meter: 76.
This picture was taken the same day, at 4:30 in the afternoon. Even though we used electricity in our house during the day, our panels created more electricity than we used, so the meter number went down to 73 (kilowatts per hour). The electric company owes ME money!
31 thoughts on "Solar Panels for Ms. Christie-Blick's House"
Nicholas on April 27, 2018 at 12:27 pm said:
I didn't know how many kilowatts solar panels could save
aidan usa on February 13, 2018 at 2:32 pm said:
its so cool how the sun's energy provides electricity for you when you have solar panels so you don't have to pay money for the electric bill.
Ria on February 13, 2018 at 2:29 pm said:
I think it's really great that you installed solar panels to your house. I actually have solar panels on mine! I think it's so amazing that us humans can do something so small, yet make such a big difference. Solar panels can save energy, money, and most importantly, they can help save the Earth, too.
Jospeh on February 13, 2018 at 2:27 pm said:
How do the solo panles generate electrisaty at night ?
Michelle on February 13, 2018 at 2:26 pm said:
Wow! I wonder now how much ms.christieblick's house generates energy every hour. even in the summer because the sun is out longer and it's even hotter in the summer than the winter so it has to regenerate a lot of energy


John Cage, USA September 5th 1912 - August 12th 1992.
John Cage is regarded as one of the most influential musicians of the twentieth century, and his influence is still as strong as ever today.
Cage advocated the use of found sound and environmental sounds within his compositions, and was concerned about the role of the composer in musical work.
One of his most famous pieces contains no sound performed by the musician playing the piece. Instead it provides an arena for the audience to observe the world around them for a mere four minute and thirty-three seconds. The piece, 4'33", on first glance seems to be a totally silent work, but perhaps the point Cage was making is that there is in fact no such thing as silence, and we can very easily learn a lot about the world around us, and each other, if we only paid a little more attention.
Wherever we are, what we hear is mostly noise. When we ignore it, it disturbs us. When we listen to it, we find it fascinating. The sound of a truck at fifty miles per hour. Static between the stations. Rain. We want to capture and control these sounds, to use them not as sound effects but as musical instruments.
The video below shows a section of a performance by Cage of his three-movement piece 4'33" on a piano. Cage drew influence from Zen Buddhism for several of his pieces and approach to composition. Some people perceive this as one of his most controversial compositions, but Cage's work fits perfectly well within the realm of acoustic ecology.
Cage also attempted to remove any sense of the composer (himself) from his compositions, which is possibly an influence of the Zen Buddhism, and worked a lot with traditional instruments as well as environmental sound.
Recent developments include an application for iPhone, which allows users to record their own three-movement piece in the style of 4'33", with the option to upload or to listen to those recorded by others.


When you walk right into a space people have to discover you and also not your makeup. If they discover your makeup, your make-up is "worn-out". If nonetheless they discover you, your makeup is impressive. This is the Sacha ideology. Make-up needs to be used to underscore your finest features as well as far from your less flattering ones.
When doing a paint, the artist initially tops the canvas with a base shade. This primer should have adequate coverage to conceal the acnes in the product and also provide a smooth surface on which to function. It has to be a neutral shade to bring out the colors the musician plans to make use of. This neutral primer made use of is white.
A make-up musician, as the name suggests is a musician. The "guide" made use of is structure. When doing a transformation, you can not obviously use white, considering that it will certainly lead to a mask-like look. You should locate a "primer" that matches your all-natural skin tone.
This guide has to have good insurance coverage as well as be neutral sufficient to permit your eye, cheek as well as lip makeup to highlight your all-natural appeal. The greatest difficulty encountering any makeup musician or make-up wearer is finding.
PICKING THE RIGHT STRUCTURE: Structure is the cosmetic item that women pay one of the most focus on. It can make the distinction between having an organic, remarkable coating or seeming you are using a mask. The foundation market today is filled with many types and brands of structures. At the cosmetics counter you are challenged with a selection of options – liquid, cream, oil- complimentary, powder, allergic reaction checked, cake, stick,,stay-on, hypoallergenic, lotion to powder, non-comedogenic as well as camouflage structures. It is certainly fairly a mind-blowing encounter, particularly if you are a very first time customer. Making it easier for you to identify the kind that's best for you, we have put foundations right into 4 major categories:.
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LOTION STRUCTURES: Lotion structures are typically the leading option of make-up musicians. They are typically available in compacts or sticks, as well as give excellent protection. Structures of this consistency offer a creamy flawless surface as well as are very easy to use. Sacha's Lotion Foundation will perfectly match your complexion with a perfect, natural-looking finish. It is ideally suited to females with typical, dry or combination skin. This is the sort of foundation most often made use of by our Sacha Makeup artists at global appeal contests.
TWIN ACTIV POWDER STRUCTURE: In today's quick paced globe, the modern-day woman is always in search of a fast fix. To her, time is precious, yet she has to look wonderful in seconds. Several brand names supply their option to this – lotion to powder, twin activ, three-in-one – basically a multi-functional item. Sacha's Double Activ Structure, as the name implies, is a structure and also powder in one. It gives the simple application of a powder with the superb coverage of a structure. The outstanding feature of this foundation is that it starts as a powder as well as ends as a powder. It is remarkably yellow-based and perfect for regular to oily skin.
Next learn more for terrific ideas on everything false eyelashes from falseeyelashes.com, eye shadow and mascara!


Block out unwanted noise wherever you are with these Go Travel Soft Ear Plugs.
A restful nights sleep is never far away with these Go Travel Soft Ear Plugs. Super soft and made from flexible memory foam they can are the perfect choice for any long haul travel. When you're ready to go to sleep, simply roll them up and fit them into the ear canal. When you've had a long, restful sleep, you can remove the ear plugs and store them in their convenient travel case, ensuring they stay 100% hygienic at all times.


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Q: Acknowledgement page + report I'm writing a report and I want to place the Acknowledgement page without \section because it will number it 0.1
I tried to place it in another TeX document and use \input in the main document, but it did not work.

A: You can use the starred version of \section, \section*, to produced a non-numbered section as in the following example:
\documentclass{report}
\begin{document}
\section*{Acknowledgement}% This section is not numbered
\chapter{Chapter name}
\section{Section name}% This section is numbered
\end{document}

If you want to add the starred section to the table of contents you will have to replace
\section*{Acknowledgement}

with
\section*{Acknowledgement}\addcontentsline{toc}{section}{Acknowledgement}


text:
Israeli army seizes water pumps, electricity cables, destroys water network in Hebron-area village
HEBRON, Wednesday, March 9, 2022 (WAFA) – Israeli occupation forces, accompanied by a group of settlers, seized today evening two water pumps and electricity cables and destroyed a water network belonging to a Palestinian resident in the village of Birin to the south of Hebron, in the southern occupied West Bank, according to a local official.
Head of Birin village council, Fareed Borqan, told WAFA Israeli forces and settlers stormed the village of Birin and confiscated two water pumps and electricity cable, and destroyed the water pipes and tanks used to provide water and electricity to a Palestinian resident's home in the village of Birin.
He noted that the said village is subjected to repeated attacks by army forces and settlers to tighten the noose around the Palestinian residents with the aim of forcing them to leave for the benefit of expanding a nearby illegal settlement.


text:
Luistervoorbeeld
The Classic Tales with B. J. Harrison
Voorlezer
B. J. Harrison
5u 4m 24s
Peter Pan is a special little boy, dressed in withered leaves, who does not want to grow up. He lives with the fairies far, far away, on the magical island of Neverland. One night, Peter Pan flies into the room of Wendy and her brothers, Michael and John. He sprinkles them with magic pollen and shows them how to ride the wind and fly. The excited children follow him to Neverland, where incredible adventures await them.
Why did Peter Pan sprinkle the three children with the magic dust? What exciting adventures await them on the magic island of Neverland? Follow their journey and rediscover J. M. Barrie's classic children story.
B. J. Harrison started his Classic Tales Podcast back in 2007, wanting to breathe new life into classic stories. He masterfully plays with a wide array of voices and accents and has since then produced over 500 audiobooks. Now in collaboration with SAGA Egmont, his engaging narration of these famous classics is available to readers everywhere.
Sir James Matthew Barrie (1860-1937) was a Scottish dramatist and novelist. After he finished his education in Scotland, Barrie moved to London where he wrote a number of successful works. He is best known with his notorious character "Peter Pan". Some of his most popular books are "Auld Licht Idylls" (1888), "Sentimental Tommy" (1896), "Peter Pan" (1904) and "Barrie: the Story of a Genius" (1929).
SAGA Egmont
mp3 download en geschikt voor de Luisterrijk app
literary classic
James Matthew Barrie
Scottish literature
British literature
Toon aanbod
Nu ik je zie
Merlijn Kamerling
Allemaal de schuld van Montgomery
Maarten van Rossem
Reizigers van een nieuwe tijd
Abdelkader Benali


text:
Bruce Springsteen & the Seeger Sessions Band
Bubblewrapped
Bruce Springsteen returned to London with his, at last count, seventeen piece Seeger Sessions band. Playing two nights at the somewhat cavernous Wembley Arena, I was afraid that this show wouldn't translate to this large arena. But how wrong was I. This was perhaps the best live musical performance I have ever witnessed.
Saturday's show started relatively late for me, I had a seated ticket, so there was no need for stupid amounts of queuing in order to get a good spot. Coming down Wembley Park tube station's new flights of steps, the stadium looms in the near-distance, all lit up, it looks like some bizarre spaceship has landed in North West London. From the exterior it looks like a truly amazing stadium, I can't wait to see a band there, maybe even a reunited Bruce Springsteen and the E Street band in 2007 or 2008? Who knows.
To the right of the stadium a white building is lit up by ever-changing coloured lights and it's only then I realise that this is the arena. They've done extensive refurbishment work and even moved the entrance to the other side where a courtyard with a fountain now stands. With roving beer sellers and new beer pouring machines at the bar, queues are minimal and there is much less hassle than there once was. The refurbishment has certainly made a difference to the arena. Although gripes about its size cannot be forgotten about, the surroundings have improved enough for a concert there to no longer feel like an mini-ordeal.
The band came on stage a 8pm promptly. Loud shouts of "Brouuuce" can be heard echoing around the arena. The band file on stage one-by-one for what seems like an eternity as they take their places on the stage. Horns, trombones, trumpets, tubas, fiddles, an upright piano, an organ, backing singers, banjos, guitars, double bass, and a washboard were among some of the instruments used. The sound is like some mad hootenanny band from Mardi Gras at New Orleans mixing folk, rock, gospel, blues and soul and tying them all together to form the most American music possible. Its an amazing sound that blasts from the stage and unlike anything else in mainstream popular music.
Bruce takes to the stage wearing a shirt and waistcoat. No longer is dressed as the working class, blue collar worker of the 1980s or the beat-poet/hot-rod lover look of the 1970s. He now looks like the bastard love-child of Elvis and Woody Guthrie. In many respects this is a fitting look for the kind of music he's now making.
The majority of the material presented is from Springsteen's recent album We Shall Overcome. These are predominately traditional folk songs taken by Bruce and given a new lease of life. 'Old Dan Tucker' sees the crowd start singing the chorus before the introduction is over. Bruce smiles and comes to the mike snarling out the lyrics in his amazingly American accent. By the time of the musical bridge the horn section kicks in and you really do realise what an amazing bunch of musicians are on stage. 'O Mary don't you Weep' is another one of these songs, the up-right piano sounds like it was stolen from a saloon in some piss-poor Western film and Bruce is an impassioned performer on this one tonight. It almost seems as if his body's been taken over by the ghost of this traditional music and told to deliver it to the masses. 'Jesse James' starts with a brilliant banjo solo that goes on for about five minutes and Bruce again snarls the words into the mike with passion, flair and gusto. 'Erie Canal' a song from the late 1800s about mules pulling barges down the canal never felt anachronistic despite its subject matter, it was also helped by the fact that everyone in the audience sang the chorus in unison. Bruce has always had the knack of making large crowds and venues appear intimate through song and with the performance of this new material, it is no different.
As a final song before the encore, 'Pay Me My Money Down' saw the entire arena rise to its feet (without prompting) and sing the chorus over and over. As the band filed back stage, a lone tuba player continued to play the song for a while, the crowd continued singing, even continued when he'd finished his bit and joined his band mates. With continuous singing, clapping hands and stomping feet, Springsteen had blown away any sense of British reserve. Music is sometimes a powerful thing.
Other songs were more 'political' in their nature, 'Jacob's Ladder' is a chance for some crowd interaction, it is an old warhorse of the civil rights movement in the states. 'When the Saints' becomes a soulful gospel tinged tune, brilliantly delivered by the singers and Bruce. 'How can a poor man stand such times and live' is Bruce's song for New Orleans and its victims. I'm sure that there wasn't a single person in the crowd who wasn't moved by it.
Politics seems to be important for Bruce at the moment. He's not been afraid to speak up for what he believes in and there is undoubtedly a political aspect to We Shall Overcome. Tonight he commented on the recent American elections saying that, "some semblance of sanity has returned to the States". He then told us about going to see Lucinda Williams at Shepherds Bush and how in between the "boozing and the whoring" of his hotel room he had written a new song. And he then proceeded to play it! Taking what many performers would consider to be an incredible gamble, his new song was greeted in complete respect by the audience who remained utterly quiet. It was an amazing and incredible thing to witness. Of course, I had to have the seat in front of the only person determined to speak up. This middle aged lady who obviously had had one too many white wine spritzers, declared that she didn't want to hear this, she wanted to "rock and roll". She was quickly shushed by everyone in close proximity.
For this most recent tour, Bruce and the band have been playing larger sized venues, and with this come some responsibilities to his back catalogue. You need to play a few to keep the casual concert goer happy. 'Devils & Dust' was still a powerful anti-war, pro-soldier song, made even stronger by the band's backing. 'You Can Look (But You never can Touch)' was also brilliantly performed. However, both songs were very different to their original recordings, something the casual fan might not appreciate. But then again, I think it would be hard to find a single person unhappy with this concert.
The concert ended with 'Froggie Went a Courting', an old folk song that is fun little ditty which, of course, required audience participation. The band then lined up in a row and took a long bow. The cheers would ecstatic, everyone was out of their seats, as they had been for at least half of the concert. This was a natural reaction to the brilliance of the performance that we had all just witnessed. It felt like a communal experience, strangers with smiles on their faces hugging each other and people singing all the way to the tube station. This was a once in a lifetime concert experience, although seeing as I was a lucky bugger I had tickets for Sunday night's show! Sunday night couldn't come quickly enough.
'Blinded By The Light'
'Old Dan Tucker'
'Atlantic City'
'Eyes on The Prize'
'Jesse James'
'O Mary Don't You Weep'
'Growin' Up'
'Erie Canal'
'My Oklahoma Home'
'Devils & Dust'
'Mrs.McGrath'
'How can a Poor Man Stand Such Time And Live ?'
'Jacob's Ladder'
'Long Time Coming'
'Jesus Was An Only Son'
'Open All Night'
'Pay Me My Money Down'
'Gonna Be a Long Walk Home'
'You Can Look (But You Never Can Touch)'
'When The Saints'
'This Little Light of Mine'
'American Land'
'Froggie Went a Courtin"
Sunday started earlier. My friend and I decided that as we had standing tickets we'd like to get to the front of the standing area. It was incredibly well organised with people handing out special wristbands for those who had got there earlier. With our coveted wristbands we decided to hit the pubs. Although this being Wembley there seemed to be no pubs around. We eventually settled for the Hilton Hotel bar and Hotel Ibis bars. Not the ideal preparation for a concert, but until the construction work around Wembley is completed and the new proposed leisure facilities finalised, there isn't much choice for early concert-goers.
Re-hitting the queue at 6.30pm, we got talking to two groups of fans from Oslo and Holland. Both had travelled extensively to see the mighty Seeger Sessions Tour this time around and both groups were extremely happy at the thought of another night in the presence of the Boss. We spoke of Bruce, of our hopes for the E Street band and of the differences between a Bob Dylan and Bruce Springsteen show, the half hour or so we were in the queue simply flew by. When we got in, we went straight to the standing area (well not before we got some pints in) and secured ourselves a place about eight or so people from the front of the stage. This was better than we had hoped and a nice surprise. The atmosphere down the front was electric and the anticipation on people's faces was a delight to behold. Things got even more frenzied when people noticed that Sting had just taken his seat a few metres up from where we were standing. He was accompanied by his wife, all I could think about was tantric sex.
But as the lights went down all thoughts of tantric sex were blasted out of my mind. What hits you first from this distance is the sheer force of the music. It hits you like a heavy metal band's music does, but they're playing weird and wonderful instruments (in popular music terms at least). The horn section blasts out of the speakers and the fiddle is more emotive than any singing by the Boss. In fact the sound at both nights was fantastic, where as Wembley Arena had in the past a few problems with sound, on the evidence of these concerts, they seem to have fixed it.
From where I was, the view was incredible, one could see the sweat pouring from Springsteen's brow, the energy and passion that he exudes on stage. Of course we're a long way from the levels of energy and dexterity of his heyday but he is a relatively old man now, and a calmer performance is to be expected. But he didn't shy away from hard work. He was a generous performer, playing for two and a half hours with passion, much more than other classic artists usually tend to do.
Tonight the setlist didn't seem to work as well as the night before, although it was still excellent. The show didn't seem to have as much momentum as it did on Saturday either. That's not to say it was bad, it was far from bad, it just didn't seem to gel as a whole as well as the previous night. Tonight's highlights were more about his past songs. Surprises and songs that we thought we'd never hear, like 'Does this Bus Stop at 82nd Street' from his 1973 album Greetings From Ashbury Park. 'Johnny 99′ from 1982's Nebraska was completely transformed into a rollocking song and was absolutely amazing. 'Bobby Jean' from his most popular album Born in the USA was also very different, a far cry from the bombastic Springsteen of the 1980s. However, the highlight was definitely 'The River' from the 1980 album of the same name where the entire crowd cheered as if it were welcoming a long lost old friend. The audience sang along, knew every lyric word for word and it was an amazing thing to experience. Bruce was in the spotlight pouring his heart out into the microphone, eyes closed as he took himself back to the emotional place where he wrote this song, some twenty six or so years ago. It was a true performers tour de force and an incredibly moving moment as this bittersweet, melancholic song of love gained and love lost brought a tear to my eye and reminded me of how powerful and amazing a song it is. And how gifted a songwriter Springsteen really is.
The We Shall Overcome songs were as amazing as they were on Saturday. 'Jessie James', 'Old Dan Tucker', 'Erie Canal' and 'Mrs McGrath' are songs that I consider to be among his best (even if he didn't write them!). They work incredibly well in this context and only true hard-core E Street fans could hate them! The concert ended with a traditional English folk song, 'The Daring Young Man on the Flying Trapeze'. It was amazing to see Springsteen pay tribute to English folk music in the way that he has American folk music. A lovely touch and a fitting end to his short London residency.
Overall, how would I assess the two nights? I was completely blown away. By the passion of Springsteen, his near perfect rock voice that simply cannot be beaten, by his performance. As a performer he is better than Dylan, Bono and even my stadium favourites the Rolling Stones. Quite simply put there is not another live performing artist on this planet who is fit to lick his boots!
The Seeger Sessions Band come as a breath of fresh air, in our currently highly polluted musical marketplace. Playing older songs and reinvigorating life into them with passion, flair and gusto in a completely different way to most artists. Springsteen took an incredible artistic gamble playing these songs in this manner. He's reinvented himself, found the spark that made him start performing in the first place, and all the while is making beautiful, happy and moving music that is completely original. He made me feel as if I've known these songs all my life, as if they've been inside of me all of this time waiting to come out. It was also probably the most smile inducing event to have ever taken place at Wembley Arena, although Teletubbies live would probably be in competition, but to be fair they are targeting a different and easier to please audience.
I am so completely honoured to have been able to witness two nights of incredible music and see his gamble pay off. Please come back to London soon Mr Springsteen. Whether it be with the E Street Band or as a solo artist, it will have to be one hell of an amazing concert to top what I witnessed this past weekend with the seventeen piece 'Rock 'n Folk' band.
'Blinded By The Light'
'Does this bus stop at 82nd Street?'
'John Henry'
'Johnny 99′
'Further On (Up The Road)'
''O Mary Don't You Weep'
'Bobby Jean'
'Oklahoma Home'
'The River'
'How Can A Poor Man Stand Such Times and Live?'
'Long Time Comin"
'Land Of Hope And Dreams'
'You Can Look (But You Better Not Touch)'
'The Daring Young Man on the Flying Trapeze'
James Ketchell 13 November 2006
Return to the Sea


text:
Q: DocumentApp can't find file that was just created When I make a copy of an existing file with DriveApp, the DocumentApp is not able to find it.
My primary goal is to add some permissions to a file that was created by copying a template. Unfortunately by using DriveApp an email message is sent to users. When using the Document API this does not happen.
function copyTemplate() {
  var templateId = "xxxxxxx";
  var copy = DriveApp.getFileById(templateId).makeCopy("copy");
  var document = DocumentApp.openById(copy.getId());
  document.addEditor("xy@mail.com");
}

A: Both spreadsheets and documents have openById() methods, however they are filetype-specific. If you use DocumentApp.openById(), it must be given the ID of a google doc, not a spreadsheet.
Here's a utility that can handle both types for you.
/**
 * Create a new document or spreadsheet by copying a template, and give editing privileges
 * to the given editor.
 *
 * @param {string} templateId    ID of a spreadsheet or google doc, to be used as a template.
 * @param {string} filename      New file name.
 * @param {string} editor        (optional) Email address of user to be given editor privileges.
 */
function copyAndShareTemplate(templateId,filename,editor) {
  // If no editor provided, assume script owner
  var editor = editor || Session.getActiveUser().getEmail();

  // Make a copy of given template, as filename
  var copy = DriveApp.getFileById(templateId).makeCopy(filename);

  // Type-specific handling for spreadsheets & documents
  var filetype = copy.getMimeType();
  switch (filetype) {
    case MimeType.GOOGLE_DOCS:
      var document = DocumentApp.openById(copy.getId());
      break;
    case MimeType.GOOGLE_SHEETS:
      document = SpreadsheetApp.openById(copy.getId());
      break;
    default:
      throw new Error( "Unsupported document type." );
  }
  // Add editing permissions to doc or spreadsheet.
  // Note: the addEditor method exists for both.
  document.addEditor(editor);
}

A: Trough the DriveApp it will never send, you'll have to send an Email manually with MailApp, or enable Drive advanced services, and use Permission.Insert inside Apps Script.


Norak was present at GALA – Globalization and Localization Association Conference from 24th – 27th March.
We attended numerous conferences, workshops, networked and shared experiences with other companies from the language services industry. The main topics at this GALA were the challenges of AI and Machine Translation.
On top of that, Thomas Mosley, Head of Language Technology, was also the lucky winner of SDL's prize drawing, which he decided to share with the whole office.
Thank you SDL and thanks to GALA for an amazing conference!


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When you've used your rear axle bushing tool enough times to wear out the threads, there's no need to replace the whole tool. This replacement hardware kit includes the Grade 8 bolt, washers, and nut that we include with our MMT-1 bushing tool.
Maximum Motorsports MMT-1 tool for removing and installing the rear upper control arm bushings pressed into a 1979-2004 Mustang solid axle.
See the instructions for the MMT-1 bushing tool.


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text:
Federal Writers' Project - Life Histories/2013/Fall/Junius Allison
< Federal Writers' Project - Life Histories | 2013/Fall
This page is connected with English 105 at the University of North Carolina, Chapel Hill - Federal Writers' Project - Life Histories
Second and third grades of the Balboa School use the cafeteria as a classroom. June, 1941. San Diego, California.
3 Women in the Workforce
4 Public Education
5 Federal Writers' Project
5.1 Issues of Historical Production
6 References:
Junius Allison was a North Carolina resident who worked as a high school teacher during the Great Depression. Allison was interviewed by Anne Winn Stevens for the Federal Writers' Project on February 14, 1939.[1]
Biography[edit]
Junius Allison was a Caucasian woman born in North Carolina. Not many details are provided on her early years, but in 1931 she graduated from an unnamed state college. While in college she was the editor of the school's newspaper.[1]
Following graduation, Junius Allison immediately began teaching in a "small mountain school nearby," and was married to George Anderson, a business major one year her junior, in 1933.[2] Contrary to modern traditions, Allison kept her maiden name and the couple decided to continue their respective careers due to the tough economic times. An unspecified time period later, Junius attained a teaching position in Asheville, N.C. as a local high school English and French teacher. She was also the school's head librarian. While teaching she became deeply involved in extracurricular activities offered through the school. She coached class plays and pageants, arranged class socials, receptions, and banquets. She also directed a literary society, and coached girls' basketball.[1] During this period Allison earned $118 a month ($5 more than her husband) and received no extra compensation for her extracurricular involvement. The years following her wedding Junius Allison lived with her husband, George Anderson, in a small apartment. When George experienced troubles holding down a job, the two split up.[1] Anderson moved back into his parent's home and Allison continued to rent out of Asheville. Once Anderson attained a teaching job close to Asheville the couple rejoined one another.[1] However, they decided that they did not have the time to do regular housekeeping in their apartment, so they moved into a small boarding house.[1] Allison and her husband were both activists for schoolteachers in North Carolina. George Anderson was the head of the Classroom Teachers Association and together the couple argued for increased teaching salaries, a retirement fund available for educators, tenure, and the addition of a permanent twelfth grade to high school curriculum.[1]
Women in the Workforce[edit]
Origins of the Women's Movement were seen prior to the Great Depression; however, the collapse of the world economy created a proving ground for women to display their "value" outside of the home. Allison is representative of this new trend in women's role in society. She strived for her independence by maintaining her maiden name, pursuing her career after her marriage, and participating in and leading a wide array of extracurricular activities within her community.[1] The value of women's new role in society was seen from two very different perspectives. Many people, specifically women, believed that, "[Women's inclusion in the workforce were] sharp reminders of women's breadwinner roles [and] were necessary statements about the sameness of women to men."[3] However progressive ideals of gender roles were strongly pushed back against by the more conservative. This conflict was prevalent throughout society, and frequently occurred within households over whether a woman should work in a professional career field. Financial issues further exacerbated marital relations and ironically aided women in gaining independence through the regularization of divorce.[4] Allison experienced her own marital strain when her income exceeded that of her husband's. Challenging George's culturally defined notion of what it meant to be masculine, and his traditionalist view of gender roles.[1]
Public Education[edit]
During the Great Depression many states cut funding for education, and families across the nation pulled their children out of school to help increase the family's income. In this period of uncertainty national leaders seriously considered removing funding from schools.[5] North Carolina legislators disagreed with the nation's educational cuts. They stretched the state budget, and did not close one school during the Depression. Despite this effort, "Schools ... cut teachers by the hundreds, resulting in larger, sometimes crowded, classes. Teachers who kept their jobs often received salary cuts and sometimes even vouchers—promises of pay later—instead of actual paychecks."[6] Allison experienced the North Carolina education system from both perspectives, as a pupil and a teacher. While Junius Allison lived a much more comfortable life than the average American wage worker, she lived in constant state of uncertainty concerning job security and, like many Americans, worked her hardest to maintain some sense of continuity and financial security.[1]
Federal Writers' Project[edit]
The Federal Writers' Project (FWP) was a governmentally sponsored relief project for writers across the country during the Great Depression. Authors employed through this program were expected to travel the country and collect life histories of average American people who would normally not be included in the historical record. As such, "[The Federal Writers' Project] was expected to be a boon to the business community by stimulating travel, and to encourage pride in local histories and heritages."[7] Since the FWP's purpose was to offer as many jobs as possible to unemployed Americans, there was an inconsistency towards how life stories were written and recorded. In fact, "'writers' were actually people who simply had typing skills, or in the somewhat cynical terms of Harold Rosenberg… 'Anyone who could write English'."[7]
Issues of Historical Production[edit]
A historical inconsistency in the writing of Junius Allison's life history was through the interview technique. While this life history is meant to focus on Junius' life, the author only interviewed her husband, George Anderson. By only recording information of Junius' life that is relevant to her husband, the author, Anne Winn Stevens, portrayed Anderson's bias towards his wife's life. Events that George deem important are not necessarily benchmark events within Junius' life. This method of data collection is problematic because Stevens was gathering information from a secondary source and was portraying it as Junius' reflections on her own life.[1] It is unknown why Stevens took such liberties in producing such an unconventional life history, however it is quite likely that time constraints or her possible inexperience may have led to the discrepancies.[7]
References:[edit]
↑ 1.00 1.01 1.02 1.03 1.04 1.05 1.06 1.07 1.08 1.09 1.10 Allison, Junius. Interview by Anne Winn Stevens. Personal interview. 14 Feb. 1939.
↑ Allison, Junius. Interview by Anne Winn Stevens. Personal interview. 14 Feb. 1939. p.2
↑ Hobbs, Margaret. "Equality and Difference: Feminism and the Defense of Women Workers During the Great Depression."Athabasca University Press 32 (1993): 201–223. JSTOR. Web. 19 Nov. 2013. <http://www.jstor.org/stable/pdfplus/25143731.pdf?acceptTC=true&acceptTC=true&jpdConfirm=true.
↑ Liker, Jeffrey K, and Glen H Elder, Jr. "Economic Hardships and Marital Relations in the 1930s." American Sociological Association 48.3 (1983): 343–359. JSTOR. Web. 19 Nov. 2013. <http://www.jstor.org/stable/pdfplus/2095227.pdf?acceptTC=true&acceptTC=true&jpdConfirm=true.
↑ Mirel, Jeffery, and David Angus. "Youth, Work, and Schooling in the Great Depression." The Journal of Early Adolescence5.4 (1985): 489–504. Sagepub. Web. 19 Nov. 2013. <http://jea.sagepub.com/content/5/4/489.
↑ Davis, Dr. Anita P. "Public Schools in the Great Depression."NCpedia. State Library of North Carolina, Web. 19 Nov. 2013. <http://ncpedia.org/public-schools-great-depression>. p.16
↑ 7.0 7.1 7.2 Gorman, Juliet. "History of the Federal Writers Project."oberlin.edu. Oberlin College, Web. 19 Nov. 2013. <http://www.oberlin.edu/library/papers/honorshistory/2001-Gorman/FWP/FWPhistory/fwphist1.html>. p.2
Retrieved from "https://en.wikiversity.org/w/index.php?title=Federal_Writers%27_Project_-_Life_Histories/2013/Fall/Junius_Allison&oldid=1808568"
Federal Writers' Project - Life Histories


text:
Home alexander-arnold fitness news Trent Alexander-Arnold Nathaniel Clyne suffers fresh injury on his preparation to full fitness
Nathaniel Clyne suffers fresh injury on his preparation to full fitness
alexander-arnold, fitness, news, Trent Alexander-Arnold
Liverpool defender Nathaniel Clyne suffers set back in injury comeback
Clyne has yet to play this season in a Liverpool shirt and has not featured at all for his side in a competitive match since the final game of the previous campaign.
Liverpool have been relying on youngsters Joe Gomez and Trent Alexander-Arnold to fill in for Clyne, but the England international's experience has been missed.
The Reds have struggled at the back this season, conceding 17 goals in eleven games, and will want Clyne to return as soon as possible.
Clyne is believed to be suffering from a problematic back injury but he has now been hit with a setback.
Also see: PSG star linked with move to Liverpool
Liverpool new club record
Liverpool have not put a timeline on Clyne's return and Klopp gave an update at the weekend.
"No. You cannot rush it. He's here,' said Klopp.
"He was in a good way, running with high intensity, stuff like this.
"But the muscle showed a little reaction. That was not an injury, and usually with a healthy and fit player you wouldn't even think about it.
"But in his case because it was a little sign again from the back, we took him out and it's a few steps back again."
Labels: alexander-arnold, fitness, news, Trent Alexander-Arnold


text:
package com.hazelcast.cache.impl.journal;

import com.hazelcast.cache.CacheEventType;
import com.hazelcast.cache.EventJournalCacheEvent;
import com.hazelcast.internal.journal.DeserializingEntry;
import com.hazelcast.internal.serialization.SerializableByConvention;

import java.io.Serializable;
import java.util.Map.Entry;
import java.util.function.Function;
import java.util.function.Predicate;

/**
 * Utility functions used from Jet. They are here so that they can be also used
 * when Jet accesses remote imdg (non-jet) cluster.
 */
public final class CacheEventJournalFunctions {

    private CacheEventJournalFunctions() { }

    public static <K, V> Predicate<EventJournalCacheEvent<K, V>> cachePutEvents() {
        return new CachePutEventsPredicate<K, V>();
    }

    public static <K, V> Function<EventJournalCacheEvent<K, V>, Entry<K, V>> cacheEventToEntry() {
        return new CacheEventToEntryProjection<K, V>();
    }

    @SuppressWarnings("unchecked")
    public static <K, V> Function<EventJournalCacheEvent<K, V>, V> cacheEventNewValue() {
        return new CacheEventNewValueProjection();
    }

    @SerializableByConvention
    private static class CachePutEventsPredicate<K, V> implements Predicate<EventJournalCacheEvent<K, V>>, Serializable {
        private static final long serialVersionUID = 1L;

        @Override
        public boolean test(EventJournalCacheEvent<K, V> e) {
            return e.getType() == CacheEventType.CREATED || e.getType() == CacheEventType.UPDATED;
        }
    }

    @SerializableByConvention
    private static class CacheEventToEntryProjection<K, V>
            implements Function<EventJournalCacheEvent<K, V>, Entry<K, V>>, Serializable {
        private static final long serialVersionUID = 1L;

        @Override
        public Entry<K, V> apply(EventJournalCacheEvent<K, V> e) {
            DeserializingEventJournalCacheEvent<K, V> casted = (DeserializingEventJournalCacheEvent<K, V>) e;
            return new DeserializingEntry<K, V>(casted.getDataKey(), casted.getDataNewValue());
        }
    }

    @SerializableByConvention
    private static class CacheEventNewValueProjection implements Function, Serializable {
        private static final long serialVersionUID = 1L;

        @Override
        public Object apply(Object event) {
            DeserializingEventJournalCacheEvent casted = (DeserializingEventJournalCacheEvent) event;
            return casted.getDataNewValue();
        }
    }
}

redpajama_set_name: RedPajamaGithub


Cuba has not been historically known for its food scene, but this has rapidly changed in the last decade. Havana's food scene has become widespread and is attracting travelers from all regions of the world. With nearly 2,000 private restaurants in Havana, visitors in Cuba can enjoy a variety of cuisine from Italian to Vietnamese.
When Fidel Castro's brother, Raul, took control of the government, there began a shift in the restaurant industry. He increased the amount of chairs from 12 to 50 in restaurants and issued new licenses. This started the transformation of Havana's food scene. The re-establishment of diplomatic relations with Cuba in during Obama's presidency in 2015 additionally influenced the restaurant scene in Cuba.
Today, travelers who visit Cuba can enjoy a filet mignon, shrimp risotto, or a grilled seafood platter with lobster tail. Cubans who travel to Europe, Florida, and Mexico are bringing back foreign flavors and incorporating them into their cuisine.


The power of word is probably the most forgotten and neglected spiritual power in modern times. Believe it or not, the roots of witchcraft, as well as spirituality, lies in the power of WORD. In ancient times, especially in the pre-history periods, shamans believed in the power of the word.
As you already know, we are surrounded by the creationist energy of the universe. Every single object and being is part of the macro cosmos. Everything is in a relation and communication. The ancient spiritualist believed that each word has its own complexed meaning, energy, and effects- these things combined form the true power of the WORD.
That's why people chose words very wisely in the past and respected their own dignity more. They also knew how to use the power of words to make their lives better. Believe it or not, you can do it too. The power of words may represent positivity or negativity.
Using positive words more often than negative ones can kick-start the motivational centers of the brain, propelling them into action. On the opposite end of the spectrum, when we use negative words, we are preventing certain neuro-chemicals from being produced which contribute to stress management.
Each and every one of us is initially hardwired to worry; it's how our primal brain protects us from dangerous situations for survival. So, when we allow negative words and concepts into our thoughts, we are increasing the activity in our brain's fear center (the amygdala), and causing stress-producing hormones to flood our system.
Functions in the parietal lobe start to change, which changes your perception of yourself and the people you interact with. A positive view of yourself will bias you toward seeing the good in others, whereas a negative self-image will include you toward suspicion and doubt.
As you can see, it's very simple. We just need to stay focused on being positive. Vibrating in high-frequency vibrations is something that will make your life not only healthier but happier too.