Drilling holes for the anchor nuts. The flange is very narrow, so care is needed. Trimming the module to get this far is tricky, since you have the Catch 22 that you can't see where to trim until it fits, which it doesn't until you have completely trimmed it..
The trick of course is to trim it before bonding the top on. I didn't. Duuuh.
Over the coffee tray part the anchor nuts are on the firewall side.
Despite having a beautiful carbon panel, I decide to first make aluminium facings to absorb the inevitable mistakes and changes of mind. Cut, drilled and deburred.
I take the panel to a professional for painting. Here Rennie is admiring his filling skills.
Beautifully splatter painted a dark grey, it should combine nicely with the final carbon inserts. Playing around with the aluminium ones to get a feeling about how I want the final layout before getting out the hole saw.
Avionics panel filled up. Realise too late that the interior space does not extend straight back from the front, so transponder is a very tight fit. Will need to take that into acoount when making the final insert.
I've got a carbon fiber panel, but at 1 mm it is not quite strong enough. Solution is to make a laminate with a 1mm layer of aluminium. Araldite in between and it should be bulletproof.
I can't vacuum bag it, but sandbagging is a good and cheaper alternative.
Finished avionics panel. I find that the heat from the hole saw is high enough to melt the Araldite, so make sure of doing it with adequate pauses for cooling.
This look sooo good, I can drool over it for hours. Use MS35215-55 screws to complete the "black" theme. Just the switch panel to go.


text:
<?php

namespace Siga21\FamiliaBundle\Controller;

use Symfony\Bundle\FrameworkBundle\Controller\Controller;

class DefaultController extends Controller
{

    public function indexAction($name)
    {
        return $this->render('Siga21FamiliaBundle:Default:index.html.twig', array('name' => $name));
    }
}

redpajama_set_name: RedPajamaGithub


FM Sylvan continues to evolve and grow as we expand into new markets and industries, provide new services, and build on our heritage as the nation's leading industrial services contractor. Whether it's delivering next generation eco-friendly projects, helping our existing customers expand operations, winning an award, or being granted a bid, we are continuously adding to the FM Sylvan story.
FM Sylvan continues to evolve and grow.


You'll find some nice detail at this link (Daisychains of Silence by Catherine MacLeod) on formatting for the Kindle. She gives a nice breakdown and more links for further detail if you need it.
I'm about to take a slightly different route by trying to format with Scrivener for the first time. (Shivers.) However you climb the mountain, go slow and be methodical and try not to cry in front of the children.
Thank you for posting this informative piece. I needed it NOW! The instructions are great and even I, a newbie, am not terrified to tackle the job. With a first novel due to be published June 20 I had no idea how to format for Kindle. You have taken all the stress out of it!
I am dreading my second attempt. I had a nightmare the first time around. Need all the tips going, thanks for the article link.
Yeah, formatting is a pain. I have someone lined up to do formatting on one of my books (as a perk from a charity) but I want to learn how to do it myself, too, for the future. It's good stuff to know, but the learning curve is steep.


text:
Hillbilly Elegy, Venom, Birds, Wrong Goodbye
When I first moved to Greensboro back in 1983, there was an employee at the company where I worked who grew up in the mountain country of western North Carolina. To me, that was merely a mildly interesting datum -- no more significant than if she had grown up in Raleigh or Ocean Isle.
But the person telling me this acted as if it were a huge deal, and she ended the conversation with a strict warning: Never, never call her a "hillbilly," or even say "hillbilly" anywhere near her, because she was very sensitive about it.
That was the first hint I had that hillbilly had any negative connotations. The only time I had ever heard the word used was in the title of The Beverly Hillbillies, that fish-out-of-water sitcom from the 1960s. The opening sequence always showed the Clampett family arriving in Beverly Hills riding in and on a truck laden with all their earthly possession, with Granny perched on a rocker lashed to the top.
From this I gathered that hillbillies were out of step with modern times, and from the theme song (come on, all you old people like me can sing it), I learned that Jed Clampett was poor and barely kept his family fed. But he was also called a "mountaineer," which to me meant, and still means, somebody who climbs, hikes in, and explores mountains.
I didn't realize then that "hillbilly" was somewhere between a social class and an ethnic group. Maybe even a tribe.
But it stuck with me, that warning not to refer to anyone as a hillbilly. Since I had never in my life thought of, let alone spoken of, any human being as a hillbilly, the warning was completely superfluous, and there was nothing about the employee in question that suggested her hillbillitude. She had a western Carolina accent, but so did a lot of other people, including some highly educated people and close friends.
In fact, there were times, even when I was teaching and intermittently living in Boone, that I thought the whole "don't say 'hillbilly'" thing was just part of the general insanity of the place where I had worked in Greensboro, and not a real thing at all.
But now that I've read Hillbilly Elegy, by J.D. Vance (in fact, I listened to the author do a superb job of narrating the audiobook), I understand it a lot better -- and I know that it's real.
Technically, Vance, a Yale-educated lawyer, did not grow up in the mountains of eastern Kentucky, but as he documents in Hillbilly Elegy, his clan's homeland was there, decades after many of them had been transplanted to the manufacturing city of Middletown, Ohio. There were so many trips back and forth that Vance and most of his kin thought of themselves as Kentuckians, no matter what their birth certificates said.
But what did being a "hillbilly" mean, in practical terms? For Vance, it meant ties to the land, a childhood in or near the woods, and familiarity with guns that were aimed at animals and at people. He had relatives who had taken part in the famous Hatfield-McCoy feud, and there were plenty of other feuds and fights if you missed out on the big one.
Conflict, even among friends and family, quickly escalated to violence, and some of the people in Vance's childhood were kind of terrifying -- except that to him, some of them were his protectors, and he counted on their violence to keep him safe. He learned to fight -- savagely, until complete victory -- from a young age, and he and his kind were known to be a rowdy, dangerous, ignorant, and uneducable bunch.
Alcohol flowed freely, and had a terrible destructive power in Vance's family. His mother's parents tore their own marriage apart during their child-rearing years, leaving Vance's mom to fight her way to adulthood through various marriages and relationships. Vance liked some of his step-dads better than others, and he has memories of good times with several of them, and with his father-by-blood as well.
But he also knew that no matter how much he liked any of these guys, there was little point in letting himself love any of them, or their own children, because whether there was a marriage license or not, Mother would see to it that the relationship broke up soon.
But there was no particular shame in this, as there would have been in the social class and ethnic group I grew up in, because among the hillbillies -- Vance's term -- of industrial Ohio and the Kentucky mountains, such short-term, high-conflict, alcohol-sodden marriages and liaisons were the norm.
What saved Vance and his sister was mostly their mother's parents, who, having wrecked their own family, were now at peace, with a constant promise to take the kids in when life with Mom and her men got too crazy.
And it did get crazy. Like the time when Vance, as a teenager, got into his mother's car, only to have her explain to him her intention to solve all her problems (and his) by running into a bridge abutment or some other unmoving obstacle at high speed. Some of Vance's narrow escapes from death at the hands of drunken, drugged, or insane relatives are harrowing to read about.
Yet there were also memories of love, of pleasure, and of pride in his heritage. Though he knew well the problems and weaknesses of his hillbilly tribe, he also knew himself to be one of them. Only gradually did he come to understand that it was possible for people who were married to be kind to each other.
In his experience, married people fought as if they meant to destroy each other. There was nothing so terrible it could not be said. Then he gradually came to know various good marriages -- including those of an aunt and of his sister -- in which arguments didn't ever turn into fights, and nobody was ever cruel.
He himself fell in love with an outsider whose family seemed idyllic to him. It took time and effort, but he not only learned how to be kind to his new wife, but also stopped getting into those savage fistfights with strangers whenever his pride was injured.
Now he records that the only peaceful marriages he knows of are those between one of his kind and somebody from outside. The pure hillbilly marriages remain hostile and, in his experience, unsustainable.
Growing up -- and even now, as an adult -- he experienced firsthand the futility of all the government problems that tried to address the poverty, poor education, and broken family life of the poor mountain people. Good intentions didn't change the fact that with only a few exceptions, government programs were powerless to change anything, and often did more harm than good.
For instance, even when he feared for his life at his mother's hands, Vance testified falsely in court that she never hit him or his sister -- because if Mom were convicted of something, then whether she went to jail or not, she would lose custody.
No, her kids did not want to live with her. But they knew that if Mom lost custody, the government would assign them to foster homes, and in that time and place, the foster parents would have to "qualify" by standards that their grandparents did not and could not meet. In order to stay with Mamaw and Papaw, in order to preserve their ties with the mountain culture, they had to officially remain with Mom, and then escape to the grandparents' house whenever things got too scary.
What Vance didn't seem to know was that many aspects of his "hillbilly" childhood spread across social classes, even if the problems don't seem to be so pervasive in other groups.
I grew up in a home where everybody lived in fear of provoking -- or simply being present for -- one of Mom's rages, which were treated as a force of nature. The person who triggered such a rage was shunned by the siblings as if he had caused a tornado or tsunami, and these attitudes and fears continued far into adulthood.
Yet we also loved that tsunami and rarely blamed her or expressed any resentment for the way she deformed our lives -- even though we all knew that she could control her rages whenever she bothered to try, since the rage switched off the moment it seemed that some outsider might witness it.
Shame was a far stronger motivator for her than love or mercy, yet at my mother's funeral, those rages went unmentioned while her other, undeniable gifts were extolled to the point of sainthood. So, like Vance, I know what it means to live in constant dread of family conflict, and, again like Vance, I struggled not to pass that legacy on to another generation.
Isn't that the best we can do, really: try to make things better for our children than they were for us? I'm always a little saddened by people who, politically or within the family, think that poverty is the cause of the problems and therefore money will be the solution. In fact, poverty is as likely to be the result of family conflict, and the way to achieve financial security is to rise out of the social habits that tear families apart.
That's something government can't do. It's something that impoverished, conflict-ravaged tribes must struggle to achieve for themselves. Meanwhile, many government poverty programs merely subsidize the alcoholic madness. Yet that government money helps children survive long enough for some to get free.
J.D. Vance's book, despite the fact that it chronicles so much pain and failure, is filled with love and nostalgia. Vance had a few helping hands along the way, as he did the seeming impossible and rose out of that desperate culture to become a lawyer and, now, a "principal at a leading silicon Valley investment firm."
Hillbilly Elegy is a bittersweet love song. I was enthralled and emotionally involved every step of the way. Even if you have lived an idyllic, conflict-free life, this book will have great value because so many people that you know and so many strangers you hear about on the news are caught up in just such patterns of rage, madness, and fear in their home life.
Hillbilly Elegy also offers hope that children can grow up and escape from these destructive patterns, and assures us that acts of kindness and protection within a maelstrom of rage can have a saving influence on children and adults alike.
This book is so candid that I can't help but imagine that some people in Vance's life must resent him for writing it. But I can't help but believe that most of his fellow hillbillies will be, at some level, grateful to know that they are not alone in their experiences, and that a person of achievement, education, and compassion has exposed their darkest tales to the light of day.
In Michael Connelly's newest -- and, I believe, most emotional and moving -- mystery novel, The Wrong Side of Goodbye, detective Harry Bosch no longer works for the Los Angeles Police Department. Having sued the department, he has acquired the resentment of many cops and administrators, but in the town of Pasadena, its independent police force has no such feelings. There, Bosch is helping out as a kind of temp, with a badge but without a salary.
Meanwhile, he's trying to make a go of his new business as an independent private investigator, and it's in that capacity that he's invited to the home of a reclusive billionaire and given a highly secret assignment. The old man never married and has no known heirs, so his multi-billion-dollar holdings are going to fall to his corporation, whose administrators will have free rein over the money and the enterprises -- including the ability to set their own salaries.
The trouble is that the dying old man did fall in love in his youth, and though his father prevented him from marrying the girl, she might have born his child. Now the old man wants Bosch to find out if he has any living heirs. He dies before Bosch can find definite answers, but shortly afterward, Bosch receives in the mail a new will, naming Bosch as executor. The will gives everything to the old man's descendants -- whom Bosch has now found, but who may not be willing to accept the life-changing money and the court fights likely to come along with it.
It's fun to watch Connelly bring Bosch's half-brother, the Lincoln Lawyer immortalized in Connelly's other series and by the movie starring Matthew McConaughey. And there is another mystery going on at the same time -- the Pasadena police departments effort to identify and stop a serial killer. Most of the physical danger to Bosch and his friends comes from that regular police work, and when the case is solved, the work on the dead billionaire's estate seems almost anti-climactic.
But it isn't, in part because, at its heart, The Wrong Side of Goodbye is a story of undying if unrequited love, with personal tragedies whose scars can't be healed by great wealth.
If you've never read any Michael Connelly, it won't matter -- though this is a late entry in a long series, it contains all the information you need to know in order, not just to follow, but also to care deeply about the story being told.
Speaking of caring about detective stories, I have to say that the new TV series Lethal Weapon has moved far beyond being an echo of the Mel Gibson-Danny Glover movies. The most recent episode I've seen has plenty of adventure and plenty of detective work, but it is also a story so personal and emotional that I actually had to watch the denouement twice and was even more moved the second time.
Clayne Crawford has completely emerged from Mel Gibson's shadow in his role as grief-maddened Martin Riggs, while Damon Wayans, as Roger Murtaugh, is as funny as he needs to be -- while also making us believe in and care about his character.
I had no high opinion of the Wayans brothers from any of their comedic work. The other night, though, I came across on late-night cable a determinedly second-rate movie from twenty years ago called Bulletproof, which I imagine was promoted as an Adam Sandler-Damon Wayans comedy. This is a combination I would have tuned out immediately, so I never saw it in the theater.
However, I suspect that even if I had, I wouldn't have enjoyed it as much as I did on TV the other night. This is because in the theater, I would have had the cheap-laugh expectation that comes with Sandler and any Wayans, while Bulletproof was filtered through my memory of having just seen Damon Wayans do an effective job of believable dramatic acting in Lethal Weapon.
And I suspect Bulletproof was a bit of a box-office flop because, while Adam Sandler is funny, he's not funny in an Adam-Sandler-movie way. There's no hint of Little Nicky or The Waterboy in this -- rather, Sandler plays it pretty straight, almost to the degree of his performances in Punch-Drunk Love and Spanglish, arguably his two best films so far.
Am I recommending Bulletproof? Oh, not really. As a late-night cable find, it was good enough to keep me watching to the end. But I wouldn't invite friends over to watch it together.
Speaking of late-night movies, I recently caught most of Sixth Sense. I've grown so cynical about M. Night Shyamalan movies, what with so many of them seeming to be stolen from the work of uncredited and unpaid novelists, that I had forgotten how brilliant Sixth Sense was.
The big surprise about the shrink played by Bruce Willis has overshadowed the deep storytelling about Haley Joel Osment's life as a "weird kid" with a desperately worried mother, and about the individual dead people he is able to help and set free. Some of those stories are such weepers that the revelations about Bruce Willis seem almost like afterthoughts.
Sixth Sense is worth pulling off your shelf of DVDs or streaming from one of the services, because it holds up surprisingly well after all these years.
I recently reviewed The Hidden Life of Trees, an excellent entry in the growing genre of Books About Science By Scientists. Since the author of that book was an experienced forester and tree scientists in Germany, his book was full of personal anecdotes and observations that helped bring cutting-edge science to life.
Another entry in that genre is Venomous, by Christie Wilcox. It suffers from the serious drawback that venomous animals come from among so many different kinds of creatures that the only similarity that Wilcox can really get into is the effects of their poisons on people.
There are fascinating speculations on why some species are harshly venomous, while genetically close kin have no venom at all, with the tentative conclusion that many were descended from a venomous common ancestor, while some or many of those descendants no longer needed to pay the enormous biological cost of producing venom.
The result is that even though there wasn't a coherent saga as in The Hidden Life of Trees, Wilcox was able to keep me fascinated with her anecdotes about real people -- including herself and other scientists -- who ran afoul of some of the creatures they worked with.
The only actively boring part of the book was the long time that was spent on the insane people who deliberately dose themselves with various venoms, either to promote their own immunity or tolerance to the venom, or in order to get the reputed "high" that venoms are (probably falsely) rumored to supply.
I'm not interested in reading about people who put harmful substances into their body without need, any more than I care about the stories of bungee jumpers and rock climbers. What such people have in common is that for no better reason than private thrills, they risk death -- and also risk the lives and waste the time of the people whose job it is to rescue or heal these needless risk-takers.
Overall, though, I found the entire book fascinating, especially when Wilcox tells us about the worst venoms and the strangest creatures to have venom.
As an added bonus, I had downloaded Venomous from Audible.com without noticing who the narrator was. So imagine my surprise when the narrator's voice sounds strangely familiar and it finally dawns on me that it's my own daughter, reading under her married name, Emily Rankin.
I knew she was very good at her work -- but in this age when Audible (a subsidiary of Amazon) is cutting out the producers and directors who used to assure high quality, she did something that is almost vanishingly rare. In a book that required the narrator to say dozens if not hundreds of complicated, unfamiliar, hard-to-pronounce scientific terms, she went to the trouble of learning how to pronounce them all exactly right.
Contrast this with the narrator of the next book I'm going to review, who pronounces the word mammalian repeatedly as "mammilion," to rhyme with billion. There are so many egregious and easily prevented mispronunciations in audiobooks today that the standards have sunk almost as low as the standard of editing and proofreading in the world of printed books and, for that matter, magazines and newspapers.
There are no such problems in Venomous, so that even when the book itself has some tedious moments, the narration is good enough always to carry us through.
The science-by-scientists book I'm just finishing is The Genius of Birds, by Jennifer Ackerman (audiobook narrated, with mispronunciations, by Margaret Strom). I assumed that the title used the word "genius" in its most ancient sense, as the inborn spirit and inspiration of a person or group.
But no. Ackerman's book is a radical revision of traditional views of bird intelligence. She tells about how the old bias that has long disparaged birds -- giving rise to negative terms like "birdbrain" -- is scientifically wrong, and always was.
In the early days of taxonomy and evolutionary science, there was a strong bias toward looking at humans as the pinnacle of evolution -- nature's finest achievement. Since our intelligence seemed to be seated in the six-layer, multi-folded cerebral cortex, the fact that birds' brains completely lacked that organ was taken as proof that birds were no smarter than reptiles.
Even when birds were found to be descended from dinosaurs -- along with recent discoveries showing that the family of dinosaurs that gave rise to velociraptors and birds all had feathers before any of them could fly -- that assumption about their stupidity continued in the minds of many scientists.
But alongside that bias were the many cases of birds that showed creative, problem-solving intelligence that equalled anything achieved by mammals, including near-human primates like chimpanzees and orangutans.
The smartest birds, like the corvids (crows and ravens), had brain sizes vastly greater than the one-trick birds like pigeons, which specialize in navigation and remembering vast numbers of food-storage caches. So something was going on in bird brains that raised many of them far above the stereotypes of bird dumbness.
Thus George R.R. Martin's use of ravens instead of pigeons as messenger birds in his Game of Thrones series now seems exactly right. I'm betting that when he made that artistic decision, Martin was keeping up with the science of bird intelligence better than I had.
Serious scientific investigation has shown that bird and mammalian brains used different strategies and structures to achieve very similar ends. Some birds are able to work out complicated, multi-step problems -- and when they do so, unique structures in their brains achieve those intellectual feats in exactly the way the cerebral cortex does in mammals.
Of course, not all birds are equally smart, though almost all of them are smarter than people used to think. When you think about it, there should be at least as much variety and difference among birds as there are among mammals -- after all, there are twice as many different bird species as there are species of mammals.
Nor should we expect a lot of bird solidarity. After all, it would be hard to make a case that predator mammals show any sign of fellow-feeling with other mammals -- only a few people reject shoe leather because it comes from another "mammal like us."
So birds prey on, deceive, and exploit each other as mammals do. And, just as mammals in time of drought seem often to form truces at the few watering holes, so also in winter we find widely divergent bird species forming "feeding flocks," taking turns at the bird feeders in our yard, even though during the summer they don't get along at all.
I have often observed birds diverge from what their heredity supposedly requires of them. Our "worm-eating" bluebirds usually go straight to the sunflower feeder; only after some serious dining there do they bother with our worm feeder. Likewise, woodpeckers take their turn with the sunflower chips right along with visits to the suet feeder they're supposed to specialize in.
Birds adapt, and adaptation often requires, or at least rewards, clever, oversized brains. The brains of birds have to be small, because they can't afford to be weighed down by a heavy blood-sucking organ like our human brain. Nor can they afford heavy bone structures to protect the brain.
Yet the anatomy of bird brains and skulls are perfectly adapted to their needs, and while their brains never compare with the sheer mass of human brains, it isn't mass that counts. The best science shows that it's the number of neurons and synapses that matter, and in that area, the brains of birds compare much more favorably with mammal brains.
The Genius of Birds is, in its own way, as revelatory as The Hidden Life of Trees. Not every scientist is a good writer, but Ackerman is, and while she doesn't have the terrifying anecdotes that we find in Venomous, her book is full of stories of the achievements of birds, both in and out of the lab. I find that my longtime fascination with and admiration for birds is fully justified -- they really are smarter than anyone has been giving them credit for.
So to my neighbors whose collared cats are allowed to roam free, and who lurk in our yard because to them our bird feeders are a smorgasbord, I hope you won't mind when I protect my property from your murderous pets by whatever means it takes. The birds they kill are as valuable to me -- and as high in the evolutionary ladder -- as your cats are to you. When you let your cats roam free, you make them my lawful prey as soon as they trespass on my property.
Birds aren't stupid creatures that it's OK to kill, like mosquitoes or roaches. They're smart, they have fascinating lives, and on my property I want them safe from subsidized killers like cats. Consider yourselves warned; if Puddy Tat doesn't come home one of these days, who can say but what a consortium of crows, along with the occasional human ally, has eliminated a feline serial killer?
Last week, my friend Rusty Humphries told me about a new musical on Broadway called Dear Evan Hansen. It's so new that the original-cast album has not yet been released, though you can download from Amazon one song, "Waving Through a Window."
From that song, I gather that this is a traditional Broadway score -- at least I hope that it's uncorrupted by modern pandering to rap, hip-hop, or other annoying tastes. The song is gorgeous.
The plot is strange -- teenager Evan Hansen, on the advice of his therapist, has written a letter to himself, but when another teenager, Connor, also a senior at the same school, dies, that note is found in circumstances that make it seem to be from Connor to Evan.
Connor's parents seem to take so much comfort from their dead son's supposed letter to Evan, that Evan, motivated by compassion, writes more letters to himself, pretending that he and Connor were close friends.
I have no idea where the story goes from there, because I haven't seen it yet. Rusty has seen it, and seemed quite impatient with me for not knowing anything about it when we talked on his radio show last week.
I can assure you and Rusty that my wife and I are trying to work out a plan to get tickets to this new hit show -- but I thought I'd tell you about it even before I see it, so that you, too, if you're a Broadway theatre-goer, can start your ticket quest relatively early.

redpajama_set_name: RedPajamaCommonCrawl


text:
LawOffice
ElementX
5 Sites for Learning Coding and Programming for FREE
There was a time when knowing how to program was for the most technical person only. That's not exactly the case today. As most entrepreneurs, freelancers and marketers will tell you, learning how to program can help you succeed.
You don't even need to shell out a ton of money or put yourself in debt to learn how to code, either. These 5 places offer coding courses for free:
1. CodeAcademy
One of the most popular free places to learn coding is CodeAcademy. In fact, more than 24 million people have already learned how to code through this educational company's engaging experience. At CodeAcademy, you can dive right in and take courses that teach you everything from HTML & CSS, JavaScript, jQuery, PHP, Python and Ruby.
Founded in 2012, Coursera has grown into a major for-profit educational-technology company that has offered more than 1,000 courses from 119 institutions. While you can pay for certain programs to receive a certificate, there are a number of free introductory programming courses in various specializations from universities such as the University of Washington, Stanford, the University of Toronto and Vanderbilt.
3. edX
EdX is another leading online-learning platform that is open source instead of for-profit. It was founded by Harvard University and MIT in 2012, so you know that you'll learn about cutting-edge technologies and theories. Today, edX includes 60 schools. You probably can't go wrong with the free Introduction to Computer Science from Harvard University.
Founded in 2010, Udemy is an online learning platform that can be used as a way to improve or learn job skills. While there are courses you have to pay for, there are plenty of free programming courses, which are taught via video lessons, such as Programming for Entrepreneurs – HTML & CSS or Introduction to Python Programming.
5. aGupieWare
AGupieWare is an independent app developer that surveyed computer-science programs from some of the leading institutions in the U.S. It then created a similar curriculum based on the free courses offered by Stanford, MIT, Carnegie Mellon, Berkeley and Columbia. The program was then broken into 15 courses: three introductory classes, seven core classes and five electives.
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text:
Australia Coal Magnate Offers to Buy Whitehaven
By Robb M. Stewart
June 12, 2012 10:16 pm ET
MELBOURNE—Australian coal industry magnate Nathan Tinkler has made a nonbinding offer for Whitehaven Coal Ltd. , the mining company said Wednesday.
Whitehaven in a statement said it had received a proposal from Mr. Tinkler's unlisted Tinkler Group Pty. Ltd., although the offer is highly conditional and "not considered capable of being progressed at this time."
A spokesman for Mr. Tinkler, who owns a roughly 21% stake in Whitehaven, declined to comment.
Whitehaven said a committee has been established and its directors have taken steps to ensure the independence of the company's response to a proposal from Mr. Tinkler, if one develops that is less conditional and more complete.
The company is being advised by Grant Samuel Corporate Finance and Corrs Chambers Westgarth.


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Want to make this recipe at home?
Massage the sweet potatoes in olive oil and bake until soft (30 minutes). Remove from oven and let them cool. Once cooled, discard the skin and mash the potatoes with a fork.
Remove the stem from the mushrooms and pulse in the food processor until finely chopped. Add the sun-dried tomatoes and continue to pulse in the food processor.
Grate zucchini and then place grated pieces between two paper towels to remove excess moisture.
Heat 1 tbs olive oil in a skillet over low temperature. Cook shallots and red pepper flakes, than add mushroom, tomatoes and zucchini. Cook until dry, a couple of minutes.
Transfer to a large bowl and mix in quinoa and season with salt, peppar, smoked paprika and any spice you like.
Add breadcrumbs and lemon juice. If the mixture is too loose, add more bread crumbs or non gluten flour.
Form the mixture into patties. Cook patties in skillet until brown, 4 minutes each side.Medium temperature.
Build burgers on white kale or Roman Sallad leaves, carrots, humus, salsa, sprouts and avocado.


Children in the Mumbwa District of Zambia raise their hands eager to answer the questions their teachers ask them. They look forward to group activities, sharing their knowledge and learning from each other.
Their school employs effective classroom practices that were introduced through ChildFund and the International Reading Association, which implemented Active Teaching and Learning Approaches in Schools (ATLAS).
No longer are they stuck in overcrowded classrooms with few learning materials. Now they are eager to learn.
promote more interaction in their lessons.
ATLAS was officially launched April 30 in Washington, D.C. Doras Chirwa, ChildFund Zambia program manager, and Dr. Phyllis Hildebrant, technical advisor for International Reading Association, were guest speakers at the event.
ATLAS is a partnership and collaboration of ChildFund International, ChildFund Zambia, ChildFund New Zealand, International Reading Association, Ministry of Education of Zambia and the Mumbwa Child Development Agency.


text:
A Marketing Miracle...
$600 Million in six months.
$1.4 Billion in a year.
Self-financing advertising creating new brand names within weeks.
The IT REALLY WORKS! Story.
We've been involved in Direct Response Television for over 20 years. For 12 of those years we published the Infomercial Marketing Report, considered in 20 countries to be the bible of the industry, in addition to yearly supplements in Adweek and Brandweek Magazines.
We've discovered products, like the Total Gym, which have gone on to gross over $1.2 billion dollars.
In an industry in which only one out of 50 infomercials produced are profitable, every one of the infomercial we've produced has been wildly successful.
Some call us 'Direct Response Geniuses.'
But the truth is, we have a secret. We are not guns for hire, like most in this industry.
We will not get involved with any product or service we don't believe will make people's lives better, more fun, or more educational.
We will not take on any product in which we don't first believe we have the breakthrough idea on how to create an irresistible infomercial that will compel people to ACT NOW.
In other words, We Are Your Partner!
"Steve Dworman has done for direct response television what David Ogilvy's Confessions of an Advertising Man did for general advertising a generation ago."
—Peter Sealey,
Former Chief Marketing Officer of Coca-Cola and President of Marketing & Distribution for Columbia Pictures
It Really Works! is honored to be the recipent of three prestigious Silver Telly Awards. These awards are in recognition of their outstanding work on the infomercial, The Book of Inside Information, created for Boardroom, Inc. and featuring John Cleese.
Founded in 1978, the Telly Awards is the premier award honoring outstanding local, regional and cable TV commercials and programs, the finest video and film productions, including online film and video.
The Telly Awards annually showcases the best work of the most respected advertising agencies, production companies, television stations, cable operators, interactive agencies, and corporate and video departments in the world. The competition receives over 13,000 entries annually from all 50 states and countries around the world.
The Truth About Shipping & Handling Costs
Reader's Digest, Feb 2010 · Have you noticed the shipping and handling charges tacked onto all these TV treasures? For many companies, those easily ignored fees are a gold mine.
Marking 20 Years of Infomercials
All Things Considered, Sept 27, 2004 · NPR's Michele Norris talks with Steve Dworman, publisher of the Infomercial Marketing Report, about the 20th anniversary of the infomercial being celebrated in Las Vegas at the Electronic Retailing Assn. conference.
These Offers Won't Last!
on the MEDIA, Jan 2, 2004 · "Then you also had Tony Robbins with Personal Power, which was a real breakthrough infomercial as far as documentary style..."
site design: from art to design inc.
copyright 2015 It Really Works, Inc. All Rights Reserved


In May 2018 artists completed murals on seven downtown storm drains. The educational art installations reinforce the important message — only rain belongs in a storm drain!
Storm drains can become hot spots for illicit dumping—grease, paint, cigarettes, and more. Stormwater pollutants make their way to the Cedar River without treatment, affecting the river's health. Aquatic life, recreational life, and drinking water all rely on healthy waterways.
The project was a collaboration between the City of Cedar Rapids, Iowa BIG, the Downtown District, Paint Iowa Beautiful, and Diamond Vogel. to install educational murals on seven downtown storm drains.
Two drains located between 1st and 2nd Avenue SE can be accessed along 3rd Street SE via the alley adjacent to Theatre Cedar Rapids.
One drain located between 2nd and 3rd Avenue SE can be accessed along 3rd Street SE via the alley adjacent to White Star Ale House.
One drain located between 3rd and 4th Avenue SE can be accessed along 3rd Street SE via the alley adjacent to the Cornerstone building.
One drain located between 1st and 2nd Avenue SE can be accessed along 2nd Street SE via the alley adjacent to Red's Public House.
One drain located between 2nd and 3rd Avenue SE can be accessed along 2nd Street SE via the alley under the skywalk, adjacent to the Cornerstone building.
One drain located between 3rd and 4th Avenue SE can be accessed along 2nd Street SE via the alley adjacent to Edward Jones.


text:
package com.portpiratech.team4804.robot.commands;

import com.portpiratech.team4804.robot.Robot;

import edu.wpi.first.wpilibj.command.Command;

/**
 *
 */
public class DriveToggle extends Command {

	public boolean finished = false;

    public DriveToggle() {
        // Use requires() here to declare subsystem dependencies
        requires(Robot.driveTrain);
    }

    // Called just before this Command runs the first time
    protected void initialize() {
    }

    // Called repeatedly when this Command is scheduled to run
    protected void execute() {
    	Robot.driveTrain.toggleDriveSetting();
    	finished = true;
    }

    // Make this return true when this Command no longer needs to run execute()
    protected boolean isFinished() {
        return finished;
    }

    // Called once after isFinished returns true
    protected void end() {
    }

    // Called when another command which requires one or more of the same
    // subsystems is scheduled to run
    protected void interrupted() {
    }
}


You can identify the complexity of source code by using DT10.
You recognize the complexity of source code and modify it; this will lead to improvement of software quality.
After automatic Test Point insertion, open DTPlanner.
Please select [Tool] ->[Open DTPlanner] in menu.
Please check the number of Test Point in the function in a "step" field of a certain function.
Test Points are automatically inserted in every branch.
The ProcessMsgGet_FileManagerTskTask function in the following figure indicates the number of "step" is 89. You will notice this function is more complicated than the next function.


text:
Michelle Arnold • 3/5/2013
In his memoirs, Treasure in Clay, Bishop Fulton Sheen (1895–1979) tells of giving instructions in the Catholic Faith to a young woman. During the lesson on confession, the young woman suddenly jumped from her chair and yelled at Bishop Sheen that she would never become Catholic because of what he had told her about confession. Sheen waited for her to finish speaking, then commented that her reaction was in no way proportionate to what he had just said about confession. "Have you had an abortion?" he asked her. The young woman's shoulders slumped. Yes. Yes, she had.
I have heard the claim that Bishop Sheen could "read souls"—that is, that he was given a special grace from God to know things about a person he couldn't know unless God specially revealed it. Whether or not Bishop Sheen had that spiritual gift, he didn't need it here. All he needed was a keen grasp of psychology to know that this young woman was protecting herself from a reality she couldn't acknowledge.
Recently I read a blog post that reminded me of Bishop Sheen's exchange. Secular feminist and abortion-rights activist Michelle Kinsey Bruns wrote for the blog Feministing about her encounter with a group of teenagers headed home from the 2013 March for Life.
Bruns was riding on a train when she learned that one of the cars had been reserved for a group of students that would board the train in Washington, D.C. It was the day after the March for Life, so she suspected that the students would be pro-life teens headed home from the March. When she saw their Catholic school sweatshirts and pro-life signs, she knew she was right. She entered their car, called them to attention, and then proceeded to tell them her abortion story because she wanted them to "hear, for perhaps the first time in their lives, a positive, no-regrets, post-abortion narrative."
The story she told though wasn't at all positive. It was the story of an abused teen desperately seeking a way out of terrible circumstances. Bruns put down her shaking voice to adrenaline and nerves, but by her account her voice started to shake at the very point she was confessing, "And that abortion saved my life—" What she did admit to regretting was that in that moment on the Amtrak, before a group of more than 50 teenagers who gave her the courtesy of listening quietly, she forgot the bulk of her canned pro-abortion talking points.
Bruns sets the story of her abortion within a bitter narrative of her life as a Catholic school student, convinced by middle-school age of a need for abortion rights, but oppressed by a nun who didn't want to hear her opinion. She resented not being allowed to make a persuasive speech in favor of abortion. She then projects onto these teens all of her own feelings about her Catholic school years, assuming that these "exploited" teens are at the March merely to get out of diagramming sentences.
Even as Bruns holds these kids in contempt, she feels compelled to tell them her story. Most years she goes to the March to counter-protest, and she was upset that a business trip made it seem unlikely she could do so this year. Learning the teens would be on the train, with chaperones she accuses of being "exploitative," she can't pass up the opportunity to exploit the teens herself by turning them into a captive audience:
I swallowed my weird guilt for not being in D.C.—like those naïve kids and their exploitative handlers were getting away with it if I wasn't there telling them they were wrong—by telling myself I'd attend in 2014. As long as there are field-trip-loving Catholic-school kids, there will always be a March for Life.
I got my chance to counterprotest much sooner than I thought.
Remember Bruns' objective: "to let them hear, for perhaps the first time in their lives, a positive, no-regrets, post-abortion narrative." If her experience was positive and she was without regret, why is she compelled to accost children, stifle their chaperone with an assertion that she is "a private citizen, who exercises my rights," and force these children to listen to her story when all they were doing was returning home after exercising their own free-speech rights? What was it about these young people that evidently compelled her to invade their space and make a spectacle of herself on a train?
All I could think was that, like Bishop Sheen's student, Michelle Kinsey Bruns is haunted in her own way by her abortion. She does not acknowledge that, has instead submerged herself in a life of activism for abortion rights, but the haunting grief is there, leaking through her story and into her voice. "I've done enough justifying of my life to strangers this week" (emphasis added).
Groups like the Silent No More Awareness Campaign provide a great service in giving post-abortive women an opportunity to speak out against abortion. But we must not forget that not all post-abortive women become pro-life activists; many become pro-abortion activists. When we are tempted to become angry at the pro-abortion rhetoric, perhaps we ought to take a moment and listen for unacknowledged grief lying beneath the surface.


Cela dit, le gestc de se polir les ongless fait penser a Le gose, film de 1921 dans lequel le gamion, surpirs ausdsi part un agent de pliice lorsqu'il est le point de casser une vitre, accomplit exactment la meme action.
120) Another example was the law of one-fifth, which required the exactment of punitives in the amount of one-fifth of the value of the "thing" misappropriated pursuant to fraudulent business transactions and other pre-defined offenses.
Shades of "pragmatism" in halakhah: a model for legal reform?


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Get an edge on your rivals or just light up the room with the ROG Strix Flare from ASUS, a colourful beast with some impressive customisation.
If there is one area where ROG has surprised me in terms of peripherals it's their very appealing keyboards. ROG otherwise known as Republic Of Gamers is a division of ASUS who bring us some very colourful products, to say the least. Since the older ROG Claymore caught my eye on release I've been keeping tabs on what may be the next keyboard and here it is, the ROG Strix Flare from ASUS. Unlike the Claymore, this keyboard feels more professional but is still packed with similar impressive features.
The Flare is visually pleasing on the eye with a relatively simplistic 2-tone plastic being used, a quarter of which is made to look like brushed aluminium. They let the RGB shine through quite literally as each key is backlit along with some lighting on the sides and illuminating the see-through Perspex slide at the top. The RGB switches are enhanced with this white base covering the bottom which is a nice touch. The keyboard comes with a choice of Cherry MX switches but the one I'm using features Cherry Red switches. The keyboard features onboard memory, a USB passthrough, and some robust media keys but this luxury keyboard comes with quite a high price tag so let's have a look.
Design – very attractive looking keyboard.
Removable Wrist Rest – increased comfort.
Great Features – customisable RGB and dedicated media keys.
Choice of Switches – customise with the range of Cherry MX switches.
Durable – sturdy keyboard with little give.
Intuitive Software – user-friendly and easy to use.
Material – plastic all over.
Price – expensive price point.
As you can imagine the box is filled with brightly coloured neon lights dashing from the product to simulate the intense RGB featured in the keyboard. The packaging is stylish and far from boring as you would expect from ROG and has the product on the front. To the back, we have an annotated keyboard image with all the features laid out and where to find them. The keyboard came in an extra fabric/polyester sleeve to protect the product further.
Now the Strix Flare length is 45.4 cm and is a 100% (full) keyboard. It's your standard size and has a nice chunky feel whilst also being fairly low profile with a height of 3.1 cm. I quite like the height, it feels like a substantial sturdy keyboard without taking over the desk. The keys sit in the body and with a width of 15.5 cm, there is some extra room for the excellent media keys featured at the top. With a weight of 1,256 grams, the keyboard does have a bit of heft to it. It's not so heavy you would struggle to transport it, in fact, it's probably slightly below average in terms of weight for a full keyboard but seeing as its main material is plastic that's no surprise. There is an internal steel plate which gives it this weight and plants it on the desk but we won't be moving it around too often so the weight doesn't matter too much.
The keycaps are made from an ABS plastic and have been laser engraved for the backlighting to shine through the key vibrantly. It's a common material and process to use with RGB mechanical keyboards and unfortunately will still wear over time. The laser etching looks great when the board is lit up and the black coating contrasts well with the lighting and white base. The keycaps are floating off the base which makes the board easier to clean but I would have liked to see the case being a lower profile to show off the fact they are floating but it's still a nice feature.
The Strix Flare we have here features the Cherry MX RGB Red switches but is also available with the Brown, Black and Blue switches. The Cherry MX Red's have a low actuation of 45g and have no tactile response to tell you when a key press is made. This speed of pressing is usually best suited for gamers as they look for greater response times from their peripherals. The Red switches can be easy to accidentally press from time to time but it's not something I noticed in-game too much it was more with typing at the office or when on the internet I'd see some typos. As a gamer, the Red MX switches are my first choice and always will be but have a look at our switch guide here to see what switches you may prefer.
The design is simplistic but great, it's a full keyboard but doesn't feature an extra 10 or so keys along the sides and everything sits in its natural place as a no-nonsense high-end board. As mentioned its made from plastic all over but does feature an angular quarter, designed to look more like brushed aluminium. This is a nice touch but for the price, I was expecting some real brushed aluminium such as what you find with the Corsair K70 keyboards.
Anyway, complaints aside it's a lovely looking keyboard and once it's plugged in and flashing away you don't really want to turn it off. It's more or less a perfect rectangle and the bezels (edges) are quite thin providing a nice border to your lit up keys. There is a bit of extra room at the top of the board as Asus has added a variety of media keys. The media keys have been placed on the left-hand side which is great for right-handed gamers. This is a superb idea as your left hand will travel less to press the media keys and you won't have to take your right hand off the mouse again. The media keys themselves are brilliant and on the furthest left, there is a volume scroll bar. These scroll bars have never really been something that interests me if I'm honest but after getting to use to a keyboard with one for the last few months I can't ever go back to a board without as it's just so convenient. The volume bar is clickable and this function allows you to instantly mute volume, again a great feature. To the right of the bar, we have the media keys and the most interesting button here is the windows key lock function button. I can't remember the last time I used the windows key, it's pointless but at least with this keyboard, I can lock it stopping any accidental tab outs that can come with these switches. The other keys are your simple play/pause and fast forward/rewind buttons and then another button to change the RGB brightness which has 4 levels.
The branding is all over the board but in a dignified way, the side that faces you has 'Strix' engraved into it. There is also a unique design feature to this board located in the top right corner which is a piece of personalised perspex you slide in and out of the board but as default comes with the ROG logo. There is a large ROG logo on the underside of the board but you won't ever see that and most importantly the entire keycap set is in the Republic Of Gamers font which is an excellent touch.
Underneath the board is 3 large rubber grips to keep the board planted along with the steel plate inside. To the top as you would expect there are 2 folding stands that feel very sturdy and have the same rubber material on the bottom again providing grip. There is a groove running through the keyboard which seems to be cut out for another peripheral cable depending on how you are set up.
The cable is very thick and it has a nice tight braid to it giving it extra durability and to be honest, braiding is nicer to look at. It's around 2 metres long and features dual USB connectors but the board has a USB pass-through so it's not going to take up extra room.
When you plug in the ROG Strix Flare for the first time you are met with an array of colours sweeping over the board. RGB backlighting is expected of a keyboard in this price category and this cycle does a good job of demonstrating the potential of the RGB feature. You can adjust the brightness in 4 different stages or have it turned off completely if you are a bit strange. The RGB lighting also lights up the perspex slide that sits in the top right corner, you can make your own personalised slide with the extra blank bit of plastic they provide in the box if you really wanted to. This personalised feature is cool but it comes at an extra bit of effort and I would have liked to have seen some stickers that came with the keyboard that I could customise this slide with rather than having to draw on it or print off templates from the Asus website. Both the left and right sides of the keyboard have some fantastic RGB strips illuminating the desk to match the colour/effect on the keys.
You don't need to download the software to make use of the boards RGB functions as it comes with some preprogrammed light effects which you can control via the Fn key + left and right arrows which are labelled 'mode'. It's worth noting you get more customisation with the software and more colours but we will go into this a bit later.
The keyboard comes with a detachable wrist rest and is made of the same 2 tone plastic we see on the case of the board. The wrist rest is soft to touch but that's down to it being a smooth plastic, It would of have been nice with maybe some padding for the price but its still comfy to use. As I mentioned the rest is detachable and it slots in place very easily. It's a passive rest and will fall off if you move or lift the board but when playing it never loosened or let me down once so it works well.
A simple but great feature on a lot of modern keyboards is a USB passthrough. The passthrough on the Flare keyboard is located next to the cable and is pretty convenient. There are a few gamers like my self that have a peripheral which needs to be plugged in/unplugged regularly so it's quite handy to have a port I can use without moving my system around. This passthrough could be great if you have a wireless mouse and want the receiver on your desk without using the USB extender wireless mice come with.
The board comes with some default profiles saved on to the onboard memory. These profiles like the colour effects are accessible by the user without installing software meaning you can start to personalise different keyboard profiles for different games or tasks. In much the same way as the colour changing before you start by holding down the Fn key and simply then press numbers between 1-5 on the number strip to select which profile you would like. The board offers on the fly Macros but you can also record them via the board too which is a great feature. To record a macro you simply press the Fn key in and then hit the right Alt key to start and repeat the process to stop recording.
Overall the keyboard was flawless, never let me down and great in-game. It's a highly responsive keyboard with the Red switches implemented and with the addition of the media keys over near my 'wasd' hand for easier access it was a joy to use. Using the Red switches did mean I had the odd accidental tab out but when I finally realised there was a lock windows button this became one of my favourite boards (I'm easily pleased).
The Flare can be used without software but if you want to really get into the customisation and power of the board then you will need to download the ROG armoury software. The software is worth getting though as you delve deeply into the RGB by setting different lighting to each individual key if you wanted. Using Aura Sync you can synchronise your ROG peripherals to your ROG PC components which is a really cool feature and wait till you see a full system in RGB unison, it's beautiful.
I enjoy ROG products, what can I say I'm a sucker for flashing lights but the ROG Strix Flare is more than that. Firstly with the RGB, the board looks excellent but the functionality was superb and the media buttons being moved over to the left made so much sense. The media buttons themselves don't seem like some unwanted afterthought that will break down in a year but rather solid, sturdy, fit for purpose buttons. The volume scroll bar is possibly my favourite feature and I'm aware they are on most boards now but this is the first board where I have used that featured and I won't be going back to the caveman ways of button pressing. This board is around £150 but that puts it in a similar price category to the main keyboard manufacturers and this isn't something I'm used to from ROG as they like to charge a premium. Here you are getting a premium board packed with features and when your office/bedroom lights are out this thing illuminates the desk like nothing else. It's worth noting there was no tool to remove keys or any extra keys with the Flare keyboard but the fact you can personalise it with RGB, the perspex slide and switches makes this keyboard a big contender that I would happily use daily.


text:
YOU RIG KEURIG
This Keurig Coffee Maker is 33% Off on Amazon Today Only
The programmable model comes with six K-Cup pods for you try in different customizable strengths.
Get 40% Off Home Audio Brands Like Samsung and Vizio Today
The Prime Day deal covers 11 distinct discounts from these brands and more.
Hafiz Saeed founded the Lashkar-e-Taiba group blamed for the Mumbai attacks which left at least 174 people dead.
The $41.9 million had been designated for Guatemala and Honduras, but instead will go towards backing the Venezuelan opposition.
Released Data: 76B Opioid Pills Flooded U.S. in Six Years
Three companies reportedly produced 88 percent of the opioid pills in the U.S. between 2006 and 2012.
Neuralink will seek U.S. Food and Drug Administration approval to start clinical trials on humans as early as next year.
The King of Pop Has Died
Michael Jackson was rushed to a Los Angeles hospital after going into cardiac arrest and died this afternoon, according to TMZ. Jackson had been rehearsing in LA for his highly-anticipated series of concerts in London, though he has been dogged by rumors of being physically unable to make it through all the routines. Jackson's mother and brothers are at the hospital. He is survived by his children Michael Joseph Jackson, Jr., Paris Michael Katherine Jackson, and Prince "Blanket" Michael Jackson Jr. Producer Quincy Jones said of Jackson's death: "I am absolutely devastated at this tragic and unexpected news. For Michael to be taken away from us so suddenly at such a young age, I just don't have the words."
Read it at TMZ


Demandware(R), Inc. (NYSE:DWRE) , the industry-leading provider of enterprise cloud commerce solutions, today announced that Dooney & Bourke, a leading American designer of fine accessories, migrated its digital commerce operations from an on-premise solution to Demandware Commerce. The new site – www.dooney.com – provides consumers with an enhanced online shopping experience, serving more than 40 countries in North America, Europe and Asia Pacific.
Dooney & Bourke designs fashion accessories for both men and women, including handbags, travel totes, small leather goods, watches and jewelry. The retailer operates more than 25 retail and outlet stores in the U.S. and 150 boutiques internationally. With Demandware, Dooney & Bourke is able to provide a consistent digital shopping experience leveraging Demandware's responsive web design capabilities.
Dooney & Bourke's new ecommerce site provides detailed information on each of its product collections, including videos, lifestyle imagery and a shoppable lookbook. In addition, the retailer provides advanced navigation options, allowing customers to shop by style, material, collection or specialty shop. The new site also leverages dynamic search functionalities to help customers quickly and easily find products.
The implementation was led by Optaros, a Demandware LINK Solution partner. In addition, the company leveraged several pre-built integrations for Avalara, Bazaarvoice, ChannelAdvisor, Clutch, Gigya, PayPal, Pitney Bowes and Tealium technologies available through the Demandware LINK Marketplace.
Dooney & Bourke designs and crafts instant classics with the perfect union of timeless American style, the highest regard for materials and craftsmanship, and a dedication to effortless functionality. The company offers a broad range of fashion accessories for women and men including handbags, men's bags, women's and men's small leather goods, watches, weekend and travel accessories, scarves, jewelry and more. With over 25 retail and outlet stores throughout the United States, and over 150 boutiques internationally, Dooney & Bourke's iconic designs are always within arm's reach.
Demandware, the category-defining leader of enterprise cloud commerce solutions, empowers the world's leading retailers to continuously innovate in our complex, consumer-driven world. Demandware's open cloud platform provides unique benefits including seamless innovation, the LINK ecosystem of integrated best-of-breed partners, and community insight to optimize customer experiences. These advantages enable Demandware customers to lead their markets and grow faster. For more information, visit http://www.demandware.com, call +1-888-553-9216 or email info@demandware.com.


text:
\documentclass[class=scrbook,crop=false]{standalone}

\input{./preamble}

\begin{document}

    \section*{Projektsitzung 4. April 2016}

    \begin{tabular}{ll}
        \textbf{Datum} & 4.4.2016 \\
        \textbf{Zeit} & 13:10 \textendash 13:55 Uhr \\
        \textbf{Ort} & \acs{hsr} \\
        \textbf{Anwesende} & \proff \\ & \ubos \\ & \pchr
    \end{tabular}

    \subsection*{Traktanden}

    \begin{itemize}
        \item Review Sprint 1
        \item Domänenmodell
        \item Resultat vom letzten Meeting mit \gls{nine}: Kein Regelwerk
        \item Preview Sprint 2
    \end{itemize}

    \subsection*{Protokoll}

    \begin{itemize}
        \item Ausdrucke 'Domainmodel' und Gantt-Diagramm von Sprints abgegeben
        \item'Kein Regelwerk' dokumentieren
        \item Zwischenpräsentation
        \begin{itemize}
            \item Insgesamt 45 Minuten
            \item 20-30 Minuten Slide-Präsentation
            \item Inhalt: Overview, Motivation, Stand, Ziel, aktuelle Probleme
            \item Schwerpunkt ist fachlicher Inhalt, Projektplanung kurz zeigen
            \begin{itemize}
                \item Bsp: Wie ist Concurrency gelöst?
            \end{itemize}
            \item Dem Examinator dürfen auch Fragen gestellt werden
        \end{itemize}
        \item Schlusspräsentation ist ebenfalls 20-30 Minuten Slide-Präsentation
    \end{itemize}

\end{document}


text:
Lifestyle / Society / Beloved former Italian Ambassador to the PH Massimo Roscigno passes away
Lifestyle, Society
Beloved former Italian Ambassador to the PH Massimo Roscigno passes away
Published August 12, 2020, 11:46 PM
by Krizette Laureta-Chu
CI RICORDEREMO DI TE Portrait of the beloved former Italian ambassador, photo by specchioeconomico
Most ambassadors fulfill their three-year posts and leave, checking the Philippines as one of their more memorable postings. Not former Italian Ambassador Massimo Roscigno who, in his posting in the Philippines, has become a beloved fixture not just in the diplomatic circle but in the social circuit.
Ambassador Roscigno was first assigned to the Philippines as counsellor and deputy head of mission of the Embassy of Italy in Manila in 1988. He stayed until 1992. He came back to the Philippines as ambassador in February 2014.
His first posting in 1988 would be memorable and significant. It was when the envoy met his Filipino wife Agnes when she went to the embassy to talk business, where she would meet the dashing deputy chief of mission, Massimo.
Wherever Massimo was posted, his wife was with him, whether it was in Beirut or Shanghai or Los Angeles. In LA, the Roscignos welcomed the crème de la crème of Italian Hollywood royalty, from Dino de Laurentiis, Joe Pesci, and Giancarlo Giannini to Roberto Cavalli.
In the Philippines, when he became ambassador, Massimo Roscigno tried his hardest to bring Italian goodwill to his wife's country.
Newly installed as ambassador in the months following the Supertyphoon Yolanda tragedy, Ambassador Roscigno helped provide some P84 million worth of post-Typhoon Yolanda rehabilitation and reconstruction projects funded by the Italian government to its beneficiaries.
Ambassador Massimo Roscigno personally gave the projects to Tanauan Leyte Mayor Pel Tecson and Iloilo governor Arthur Defensor Sr.
FROM ITALY WITH LOVE Italian Ambassador Massimo Roscigno with President Rodrigo Duterte, photo from the Embassy of Italy in the Philippines
The project improved the productivity of 1,500 small fishermen and farmers through the donation to farmers' organizations and local cooperatives of training in their use, agricultural equipment, and training modules on crop production and marketing.
It was also under his term as ambassador that the Philippines and Italy signed a Memorandum of Understanding (MOU) providing a mechanism for bilateral consultations that would further strengthen relations between the two countries, especially in the areas of trade and investment.
In July of 2017, Amb. Roscigno paid President Duterte a farewell visit to signal the end of his tour of duty.
Ambassador Massimo Roscigno, who passed away from cancer on Aug. 11, is survived by his wife Agnes and only daughter Ursula.
Arthur Defensor Sr.
Italian Ambassador
Krizette Chu
Massimo Roscigno
["lifestyle","society","lifestyle"]


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text:
Q: Unix: Subsetting data - Selecting rows based on (multiple) values in a column I have a .tsv file that I would like to filter in Unix .
I want to select the rows that have certain numerical values (e.g 30700, 10600, ... etc) in a particular column.
Thus far, I have seen examples online where rows have been selected based on one particular value in a column. However, in my case, a particular column can have about 20-30 accepted values. How do I go about the subsetting of my data in this case?

A: awk '{ if ($1 == 1 || $1 == 2) print $0; }'

would do the trick; but nobody gets promoted for writing 40 term if statements; so you might like to consider:
BEGIN { a[1] = a[2] = 1; }
{ if (a[$1]) print $0; }

as a template.
look at Ed's solution instead.
Nice thing about awk; it is such a flexible language that there are probably dozens of different ways to approach this.  The difficult thing about awk; it is such a flexible language that there are probably dozens of different ways to approach this.

A: The right way to do this is:
BEGIN {
    split("30700 10600",tmp)
    for (i in tmp) {
        vals[tmp[i]]
    }
    FS = "\t"
}
$1 in vals

redpajama_set_name: RedPajamaStackExchange


text:
Oxytropis kotschyana är en ärtväxtart som beskrevs av Pierre Edmond Boissier och Rudolph Friedrich Hohenacker. Oxytropis kotschyana ingår i släktet klovedlar, och familjen ärtväxter. Inga underarter finns listade i Catalogue of Life.

Källor

Klovedlar
kotschyana

redpajama_set_name: RedPajamaWikipedia


text:
Jamie Shinkewski
Skiing Your Age a Growing Trend
73 kilometres for 73 years: Gunner Rasmussen celebrated his birthday by skiing the same distance as his age. – Photo Submitted
One man's birthday tradition has turned into a new challenge for local Nordic skiers.
Seventy-three-year-old Gunner Rasmussen celebrated his birthday on Jan. 24 by hitting the cross country trails and skiing his age in kilometres. It's a tradition he began on his 65th birthday and has continued for the past nine years.
"I decided to do something special every time on my birthday and of course my birthday is, lucky enough for me, in January. Most of the time we're at Sun Peaks so I said why not go out and ski my age every birthday and that's what I've been doing since," Rasmussen said.
This year's birthday celebration took Rasmussen, accompanied by Tourism Sun Peaks (TSP) president Christopher Nicolson, seven hours and three minutes of total ski time. Including breaks for food and waxing skis, they were active for nearly eight hours.
"Christopher and I found around the 35-km mark we would feel a little bit of fatigue but after that we picked it up and I would say the last piece back home I could've went out again and done another loop of the top no problem," Rasmussen said.
"Even at 73 I can do the same I did 20 years ago. As you get older it just takes a little longer time," he added with a laugh.
The two men started from the village and made their way to McGillivray Lake where they skied five laps of a 12.4 kilometre loop Rasmussen mapped out. The highlight for the birthday boy was when a group gathered to help him celebrate.
"He (Nicolson) was skiing ahead at one time. Halfway down one trail system he assembled four or five people and started singing happy birthday when I was passing by, so that was quite a highlight," Rasmussen said.
"Word kind of spread that Gunner was skiing 73 km so everybody after awhile knew and everyone was cheering him on 'go Gunner go,'" Nicolson said.
"I tell my wife when I turn 100 it's going to be a long day"
The Sun Peaks Nordic Club has now challenged its members to follow Rasmussen's example. Cross country skiers of all ages are encouraged to ski their age in kilometres, although the challenge can be completed over the course of a week instead of a single day.
"It's a great challenge out there and other Nordic skiers in Sun Peaks are starting to rise up to the challenge," said Phil Youwe, Nordic operations co-ordinator for Sun Peaks Resort LLP. "Some of them have already skied their age on the day, some of them are skiing it over a week's time, so that's encouraging the adult skiers to get out and ski more and keep track of their kilometres."
It is one of two challenges promoted by the Nordic club this ski season. Groups of eight skiers are tasked with skiing the distance from Sun Peaks to San Francisco before the end of the season. Each week skiers track their kilometres with the goal of compiling over 18,000.
"There are a lot of people skiing a whole lot of (kilometres) right now. Within the Nordic Club there's a whole energy, it's a lot of fun," Nicolson said. "It's a conversation piece and it's motivating.
"If you have a goal, it's just like going skiing, but at least you have a goal to go for and you push yourself a little bit more and put more kilometres in. It's a good way to be more ambitious," Rasmussen said.
Rasmussen said he hoped to see his tradition catch on with more skiers and he expects to continue as long as his body will allow him.
"I tell my wife when I turn 100 it's going to be a long day," he said.
Photo Submmitted
Gunner Rasmussen
sun peaks resort
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text:
NY Supreme Court, Appellate Division
HYMAN v. J.J. & L. Mechanical Corporation, Defendant-Respondent,
Supreme Court, Appellate Division, First Department, New York.
Kathleen J. HYMAN, etc., Plaintiff, v. AURORA CONTRACTORS, INC., Defendant-Appellant-Respondent, J.J. & L. Mechanical Corporation, Defendant-Respondent,
Borders, Inc., etc., Defendant. J.J. & L. Mechanical Corporation, Third-Party Plaintiff-Respondent, v. Environmental Systems Of New York, Third-Party Defendant-Respondent-Appellant.
Decided: May 21, 2002
MAZZARELLI, J.P., SULLIVAN, ELLERIN, WALLACH and GONZALEZ, JJ. Thomas Michael Laquercia, for Defendant-Appellant-Respondent. Michael J. Sweeney, for Defendant-Respondent and Third-Party Plaintiff-Respondent. Steven I. Brizel, for Third-Party Defendant-Respondent-Appellant.
Amended order and judgment (one paper), Supreme Court, New York County (Ira Gammerman, J.), entered March 9, 2001, which, in an action brought pursuant to Labor Law § 240(1), awarded damages upon a jury verdict apportioning liability as against, inter alia, defendant Aurora Contractors, Inc. and third-party defendant Environmental Systems of New York (Environmental), unanimously affirmed, without costs.
Plaintiff, a construction worker employed by third-party defendant Environmental, fell to his death through an unguarded skylight at the subject construction site. Since the jury's apportionment of liability turned upon its finding as to which of the defending parties controlled the area surrounding the skylight, evidence concerning the implementation of post-accident safety measures was properly admitted (see, Fernandez v. Higdon Elevator Co., 220 A.D.2d 293, 632 N.Y.S.2d 546).
Environmental's contention that the court erred in permitting the action against it to stand on the ground that defendant Aurora had a pending "cross claim" against it is raised for the first time on appeal. We note, however, that Environmental answered Aurora's "cross claim" against it as if it were a proper pleading, and thereby waived the claim of error it now makes. Had a timely objection been made, the court could have simply extended the time in which to serve the third-party complaint on Environmental nunc pro tunc to the time that the cross claim was originally served on it, the cross claim having fully apprised Environmental of the nature of Aurora's claim against it.


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BAPE's Spring/Summer 2014 collection is available at their online shop… Check it out from the gallery below!
Kanye West has collaborated with artist Wes Lang for the release of some new Yeezus tour merchandise. Check out some of the stylish and contreversial merch from the gallery below and shop at Geo Design One.


This portfolio is comprised of 10 inspired lithos from the Italian master Gabriele Dell'Otto. He has collaborated with the Japanese legend, Go Nagai's team for 2 years and have produced this keepsake , stunning portfolio set. Strictly limited to 150 sets world wide. It sold out in 3 days in Lucca this October, where it debuted! A must for any Janpanimation or Dell'Otto fan!
Please choose , Select regular shipping rate when ordering this item.