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text:
OTHER STUFF »
Obituaries - cavers remembered »
Mike Boon
Author Topic: Mike Boon (Read 27385 times)
Joe Duxbury
menacing presence
Re: Mike Boon
Quote from: cobz on January 24, 2015, 02:03:40 pm
It turned out to be one long roller-coaster ride from start to finish, climbing, caving and endless parties with femail students from the Oastler Teacher Training College.
It was whilst at college that Mike consolidated his reputation as one of the leading cavers of his generation with an exploration of an extension to Marble Arch Cave in Northern Ireland.
It was then we discovered and explored extensions to the Screen Hill Passage of Marble Arch Cave, which included the largest section of cave passage in the system.
Interestingly, on that first occasion Mike "hitchhiked" from Canada!
he will be missed, left with memories that took place only yesterday.
Badlad
I have fond memories of doing a few Dales classics with Mike Boon in the early eighties. Mike was the inspiration behind the 1984 Untamed River Expedition to Papua New Guinea, which sadly in the end he wasn't able to come on and we lost touch.
In 1989 after a caving trip to Mexico four of us decided to travel down to Guatemala for a look around. We crossed the Mex/Guatemalan border at a fairly remote border post and took a bus to the nearest local town. It had a 'wild west' sort of feel and as we checked into the only hotel I noticed a familiar face sat in the small foyer reading a book. Of course it was Mike. We cracked a few beers and went on our way the next day. Never saw him again.
There must be so many stories about cavers which often die with them. I am thinking of opening up a new section of 'obituaries' on UKcaving so that people can record their memories or pay tribute as they wish. Do people think this is a good idea and will it get used?
Bottlebank
Quote from: Badlad on January 28, 2015, 01:15:03 pm
I think a website is far better suited to this sort of thing than a forum - the forum has far too many irrelevant threads cluttering things up and becomes too reliant on searches.
Maybe the Wiki would be much better suited to this?
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Quote from: Bottlebank on January 28, 2015, 01:30:19 pm
Yes - I think you have a valid point. Forums are more of a conversation whcih is recorded whereas a Wiki is more like a document whcih can be maintained and consulted easily.
I'm not a complete idiot: some parts are missing!
bograt
Speliodecrepit
I think an active thread will bring back a lot more memories than the Wiki, as this one is doing.
Sometimes I think of many of my mates who have 'Gone Dead' and recall occasional incidents that are not worth composing an article for but may be worth a quick post.
Someone might be willing to edit and compile a Wiki entry from the posts.
The tribute to Keith Joules in the last 'Derbyshire Caver' is a good example of a 'communal obit'.
WRT to Pauls last post which came up as I was previewing mine, the best reminiscences in my opinion come from a chat in the pub, ( Do you remember when so&so did so&so?) I think these sort of chats are more likely to be revealed on a live thread than constructed into a Wiki article.
Aim low, achieve your goals, avoid disappointment
There is probably room for both chats on the forum reminiscing and trading stories about the person's life and an Obit. on the Wiki.
Forum posts would only involve those who knew the person. Having a more formal obituary on the Wiki would be more of a historic record. For example, how many younger cavers even know who Mike Boon was or any of his outstanding achievements?
Forum posts, like chats in the pub with mates, are fleeting whereas a Wiki post is more permanent.
Quote from: paul on January 28, 2015, 06:03:54 pm
Agreed but recollections on the forum would add additional an insight to the character of the corpse? as I said, both are valuable and an editor would have more material to work from to compose a Wiki entry. Why should 'chats in the pub' (or on forums) be 'fleeting'?
Simon Wilson
It's funny that you should say forums are a conversation; I remember saying the same thing recently but I'll say no more because this is definitely off topic.
I Also seem to recollect sugesting obits on Wiki !!, but---What the hell---??
Quote from: Simon Wilson on January 28, 2015, 10:37:40 pm
Global Moderator Comment The Topic in question is about the recent death of Mike Boon. Bottlebank brought up the point about whether the discussion (about this recent death and any others in the future) would be better placed on the Wiki rather than a separate Obituary Forum section as suggested by Badlad. So the subsequent points raised were still regarding Mike Boon's death and the discussions about this. So they are On Topic. A conversation can either be about a single subject and still be on topic, or can drift off onto irrelevancies and then be off the original topic.
So a forum, like a chat in a pub, doesn't necessarily have any organised structure.
Maybe Badlad should seek a few Wiki volunteer editors to began compiling a "Caving Hall of Fame" - certainly Boon would be a fitting place to start by all accounts?
I'd be happy to help with that, and I'm sure others would?
Looking at the Wiki the basic structure seems to be in place already? See http://ukcaving.com/wiki/index.php/People
As far as a "Caving Hall of Fame" goes, there is a distinct cross-over here with the pen portraits (+ photos) in place for people interviewed on the audio archive, especially this subset of those already gone.
http://caving-library.org.uk/audio/intlist.php?type=deceased
Apologies for the on topic/off topic thing. If anything it was an error on my part. I have been considering making space on here for memories of the departed and the Boon topic seemed a good place to bring it up.
I was not really talking about a formal obituary, that maybe best placed in Descent or on a Wiki as has been suggested. I was thinking more of peoples [fond] memories of a person. These are not always included in an obituary and not everyone who knew the deceased gets included in writing it. Personally if a caver passes away I am always interested in hearing stories about them, be they about great achievements, funny anecdotes, or both, and we have seen a number of these written about Mike Boon in this topic.
Personally I think it's a good topic for discussion, and couldn't care less whether it's on or off topic.
Totally agree on the content - there's some great stories to be told.
How about a compromise - encourage people to add links into the Wiki to specific forum threads, links to the BCA archive if material is there, external links and try collate the best stories directly on the Wiki as well?
I've never really been involved in Wiki's. What's to stop us just going ahead and doing this?
What's to stop us just going ahead and doing this?
Nothing as far as I can see, lets go for it!!.
Easy enough - http://ukcaving.com/wiki/index.php/Boon,_Mike
My good friend Mike Boon died peacefully in his sleep while taking an afternoon nap on the 20th December 2014.
I am inviting all to a gathering to say a final farewell to Mike.
Where: Jasper Alberta Canada
When: May Long week-end, 16 and 17, May 2015
Saturday 16 May:
Athabasca Hotel 7pm, renew friendships and swap stories of Mikes antics.
Sunday 17 May:
11am meet at the picnic site next to the bridge on the Maligne River for a celebration of life for Mike.
Drive east from Jasper approximately 4 km to the Maligne Canyon junction and turn right.
Drive 37.7 kilometres' to the bridge and look for picnic site parking area on the left, just before the bridge.
This location was chosen because Mike challenged others to a race down the river. His collapsible kayak made of wood bottom and canvas sides was crushed and destroyed. Mike's strong swimming skills saved him. ( see Pete Thompson's story attached also Mike's obituary is attached.) Mike stories… we all have our favorites if you would like to share yours I will put them in a binder for us all to see.
John Michael Boon (1940 - 2014)
Mike Boon loved water in caves. He delighted in discovering a clean-washed stream-way, leading in Mike's imagination, if not in practice, to The Main Drain or a Master Cave that collected all the subterranean waters and carried them to a clean, clear spring. Mike moved easily and gracefully in cave passage, but to see him excel, he needed water. He would slide like an otter into a pool and with scarcely a ripple glide away into the unknown. His inventiveness and cool determination were obvious from his early explorations in Swildon's Hole in the Mendip Hills of the UK where he became the first cave-diver to remove his air tank completely and push it ahead of himself through tight passage. His powerful swimming was needed in Mexico in the waters of Yochib where he swam through raging flood waters to save his companion and himself. In Canada even glacial melt-water could not cool his determination to explore Raspberry Rising, where he took sections of a may-pole through the sump to climb the water-falls on the far side. Perhaps his strangest exploit was the exploration of Agua Escondida in Guatemala by kayak, taking two days to progress upstream to a camp site, and taking two hours to exit, kayaking downstream by the light of his caving lamp.
Mike Boon was one of the best-known British cavers of modern times. Boon explored caves throughout Europe, North America and Central America, and epitomized the penniless caver traveling the globe in search of unexplored caves. Respected by his peers, and revered by some, his drive and unique personality often made him difficult to work with.
Boon first went caving at age 17 in Somerset, southwest England, and soon joined the Shepton Mallet Caving Club. He began caving energetically throughout Britain and, later, further afield. Boon became a bold sump diver, learning his craft in the tight, murky sumps of Mendip caves. He pioneered the change from oxygen re-breathers to compressed air and was one of the first sump-divers to use a hip-mounted "tadpole" tank of 26 cubic ft. capacity, extending its duration by careful control of his breathing. In 1962 the records of the Cave Diving Group show 11 divers active in the UK, and Boon made 18 out of a total of 48 dives, being the only person using compressed air. In 1966 he wrote A Technical Review of Cave Diving On Air.
He led or participated in
* Breakthrough dives in Sump VI and Sump VII in Swildon's Hole, Somerset, Britain.
* Explorations in Mossdale Caverns, Yorkshire, once considered the most difficult cave in Britain.
* Survey of the entrance crawls in Daren Cilau, south Wales.
* Exploration of passage on the far side of sumps in Predjama in Slovenia.
* An eight-month expedition documenting the river-caves of Jamaica.
This period is covered in his book Down to a Sunless Sea.
In 1963 he participated in a trip to the Gouffre Berger (then the deepest cave in the world) when Ken Pierce dived the final sump.After the Jamaica expedition Boon moved from Britain to Canada and joined Dr. Derek Ford's Karst Research Group based out of McMaster University, Hamilton, Ontario where Boon also studied for a degree in English Literature. The KRG summer camps in the Canadian Rockies were the first organized cave explorations there.
Significant exploration here included:
* Survey of the main stream passage in Nakimu Caves.
* Initial exploration of Castleguard Cave, with Peter Thompson to Thompson's terror.
Boon moved west to Alberta in 1970, joining the Alberta Speleological Society and continuing his participation in western cave explorations.
* In 1970 Boon undertook a solo exploration in Castleguard Cave past the previously-unclimbed pitch that now bears his name (Boon's Aven) to discover the Ice Plug under the glacier.
* Bottoming of the 536m deep Arctomys Cave, for many years the deepest cave north of Mexico.
* Boon participated in a British caving expedition to Pierre St. Martin in the Pyrenees.
Living in Canada made inexpensive road trips to caving regions further south feasible for Boon. In addition to trips to the eastern United States, Boon spent much time in Mexico and Guatemala where he undertook his best-known explorations, including:
* Rio Iglesia –535m
* Sotano de San Agustin –612m
* Cueva San Agustin
* Agua Carlota
* Joya de Salas
* Sotano de Tenejapa
* Sumidero de Chenalho
* Cruz Pilal
* Huixtan Resurgence (Mapachero)
* Sumidero Yochib
* Guayateno and other caves in Cuetzalen
* Sumidero Chicja
* Sumidero de Agueyaco
* Sumidero de Tenejapa
* Xumula
Guatemala and Belize
* Investigation of the sinks of Chiquibul
* El Sumidero (Rio Huista)
* Sumidero de San Ramon
* Agua Escondida, explored in kayaks
In 1980 Boon wrote The Great San Agustin Cave Rescue, by dictating the text over a three day period, so giving a very personal perspective on his participation in the rescue of two seriously-injured Polish cavers.
In 1983, due to illness Boon was forced to abandon the planning of a British-Canadian expedition to Nare, a huge river-cave in New Britain, and spent some time recovering in hospital.
Following his retirement from active caving, Boon pursued small-scale political and human-rights causes and spent some years as a one-man, hands-on aid program to the Jacalteco natives of Guatemala and helped some specific families put their children through school. In later years Boon lived quietly, studying Buddhism, on a modest disability pension in Calgary, Alberta. He passed away on December 20, 2014.
J. M. Boon. Down to a Sunless Sea. The Stalactite Press, 1977.
J. M. Boon. Solo. Inside Earth, no. 3, 1974.
J. M. Boon. The Great San Agustin Rescue. The Stalactite Press, 1980
I. McKenzie. An Interview with Mike Boon. The Canadian Caver, vol 25 no 1, 1993.
W. Steele. Yochib, the River Cave. Cave Books, 1985
Martyn Farr. The Darkness Beckons – The history and development of cave diving. Cave Books,
St. Louis, Missouri, 1991.
Various authors, The Canadian Caver, no 1 through vol 15 no.2.
Sent via John Donovan.
T pot 2
I am seriously thinking of making a trip to jasper ab in order to see mike put to rest.
Anyone up for a two week jolly pm me.
T pot
Seats already booked - Calgary here we come
Posted on FB today....
'Mike Boon farewell event, Jasper, Alberta, Canada'
rhychydwr1
The Mayor of Cwm Parc
With the ropes dry. It is time to cut, measure, and inventory them. Here is part 2 of the history of British cave diving. Look for an interview with the late Mike Boon.
CAVE DIVING STORY, PART TWO, THE DEVIL IS A GENTLEMAN:
https://www.youtube.com/watch?v=bBw1pBfumIs&feature=youtu.be
The part with Mike Boon starts at 13 minutes in.
See my "About Me" page:
http://members.ebay.co.uk/ws/eBayISAPI.dll?ViewUserPage&userid=rhychydwr1
ianball11
I watched the Sid Perou cave diving films recently on youtube which featured Mike Boon, blimey, he was a fearless trailblazer. Then reading the Descent memorial, you can see why his book is so hard to come by.
Did you know Mike Boon? You might be amused by some of the tales told at the farewell gathering weekend before last in Calgary. Bill Steele recorded these; somebody recorded Steele's own comments, but I haven't seen them.
Ian Drummond
Daryl Donovan

redpajama_set_name: RedPajamaCommonCrawl


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Microsoft isn't simplest focusing on an unique normal content material but also making gaming easily purchasable to all consumers together with cell users, which is a positive. for that reason, here's more likely to maintain gaming revenues ticking, moving ahead.
Microsoft currently incorporates a Zacks Rank #3 (cling). Some stronger-ranked shares in the same trade are Synopsys, Inc. SNPS and Symantec enterprise SYMC, both sporting a Zacks Rank #1 (strong purchase). you can see the finished checklist of today's Zacks #1 Rank shares here.
lengthy-term earnings increase price for Synopsys and Symantec is projected at 10% and 7.9%, respectively.
Is Your investment consultant Fumbling Your financial Future?
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On my project at work they recently upgraded their TFS 2013 on-premise installation to TFS 2018 and I am loving it. I got to play around with build and release definitions and they set up pipelines for most of their applications. They could finally automate everything that should be automated. After seeing the results of this I wanted the build definitions to also run the unit tests for the respective projects. They were able to set this up for most of their projects, but I was struggling with a specific problem: how to get their unit tests to run on their Mac agent.
We have a Xamarin application (iOS and Android) which has some unit tests for the shared code used between the iOS and Android application. The problem was that Mac as a build agent does not have the VSTest capability which is required to run the unit tests, unlike Windows. This is a problem when you want to build and deploy the iOS application (which has to be done from a Mac) and at the same time run the unit tests. They discovered this obstacle when trying to run their build which contained the Visual Studio Test task in its build definition. So my question was: How can I get their tests to run on both a Mac and a Windows agent? The answer was: convert the test project to .NET Core!
Seeing as they use the SpecsFor framework, which in turn uses the NUnit framework, they needed to include the NUnit3TestAdapter NuGet package. Without it, TFS won't be able to discover the tests. They were also using an older version of SpecsFor that they needed to update, which also prevented the tests from being discovered.
After a suspensful wait for the build to finish, it worked! Although, there was something missing. When you use the Visual Studio test task you get this nice little graph on your build details view in TFS telling you how many tests passed, how many failed and other useful info about your tests. This was missing. The only info I got about their tests now was by checking the build logs. I wanted this to be more visible and maybe even affect if the build would fail or not.
Here's where some of the frustration of working with an on-premise installation of TFS kicked in. According to the documentation, there should be an option to check "Publish test results", which should be directly under the Arguments field. However, this is only available in the version 2.* of the .NET Core task (notice how the screenshot above is using version 1.*). In their installation of TFS 2018 Update 2, version 2 is only available as a preview and does not include this checkmark. Sigh.
Note how they have selected VSTest as "Test result format". I was a bit confused by this since NUnit is also an option here, but seeing as they produced a Visual Studio Test Results File in the previous step, this makes more sense. They have also pointed to the produced file in the "Test results files" field.
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text:
Ajax Magazine is a Dutch bimonthly sports magazine published in Amsterdam, focusing on the association football club AFC Ajax with 8 issues appearing per season. It was established in 1986 and ran for 20 years with its first edition appearing in February 1986 with Marco van Basten on the cover. The 2006/07 season marked the final season of the printed magazine.

In 2011, the magazine was relaunched in digital format as the  available as a free download from the AFC Ajax website, in order to supply the demand for emerging digital handheld technology.

History
Ajax Magazine was established in 1986 by association football club AFC Ajax to provide a bimonthly magazine surrounding the Dutch club. The first issue of the magazine appeared in February 1986 and had Marco van Basten on the cover. The magazine would go on to appear with 8 issues a year for 20 years before shutting down operations following the 2006/07 season. The magazine would follow a format of introducing a presentation guide for the season as its first issue, until the 12th year when the presentation guide was released independently from the 8 issues which appear during the course of the season. From 2001 to 2007, the editor-in-chief was Michel Sleutelberg.

See also
1900 magazine
Ajax-nieuws

References

External links

1986 establishments in the Netherlands
AFC Ajax
Association football magazines
Eight times annually magazines
Dutch-language magazines
Sports magazines published in the Netherlands
Magazines established in 1986
Magazines published in Amsterdam

redpajama_set_name: RedPajamaWikipedia


July 26 - Saints Joachim and Anne - Memorial - My Catholic Life!
Late First Century B.C. – Early First Century A.D.
Many parents think their child is perfect. Only two sets of parents were ever right. Saint Mary and Saint Joseph raised a perfect God-son, while the parents of Saint Mary conceived their daughter in the normal human fashion but without the stain of original sin. So their daughter was superior to them from the start, and it had nothing to do with hubris. Today's feast celebrates those humble parents of Mary, unnamed in Scripture, but known to long tradition as Saints Joachim and Anne. They reared the perfect child, and were grandparents to the Son of God.
The Muslim Quran refers to Saint Anne in Arabic as Hannah, says that she conceived in her old age, expecting a male, but was given a daughter, naming her Mary. The first mention of Anne and Joachim in the Christian tradition is an apocryphal text from the second century. The text was condemned as fraudulent by the earliest experts in scripture. It is natural for the Church to exalt the earthly origins of Jesus of Nazareth. It communicates something important—that everyone comes from somewhere and someone, even God. The historical Jesus plants a flag in the ground of a certain place, a certain time, and a certain family. No one is from everywhere. No one is from always. No one is a citizen of the world, really and truly. Everyone has one mom, one dad, and four grandparents.
There is a powerful modern tendency to spiritualize Jesus of Nazareth. To assert that what matters most is that He was, not who he was or what he did. This spiritualizing sees Jesus as the highest human manifestation of an ideal, a concept, or a religious principle, but not necessarily as a real man. Such thinking readily accepts that the divine is in the grand sweep of time, in the universal vagaries expressed by karma, transcendentalism, the chi, the tao, nature, and the dreamcatcher. This approach implicitly sees material reality as a mask. The physical environment is a curtain that must be pulled to the side to reveal the truer, hidden realities of the spirit-based world that invisibly governs the earth. There are many problems with such a worldview, most importantly that it rejects, a priori, that God would communicate Himself to us in outward forms.
Christianity is not a pastiche of environmental concerns, emotions, moral truisms, and soft love. The Church is not a big electric blanket. She's doesn't exist to make us feel cozy. God comes to us through the very outward, historical forms of a hierarchical institution, through the water, bread, wine and oil of the sacraments, through words, events, and people. God can speak to us from the inside, from the spirit, from the quiet of the heart. Yes. But He comes to us primarily, in a manner protected from subjective misinterpretation, in outwardness, in time, and in structures. The Supreme Being not only sustains history, then, He is found at a certain point inside of history. History, for the Christian, doesn't just recede further and further into the past. It is ever present to us because God is ever present to us.
For the salvation of just one man there would be no need for a Church, for the incarnation, or for the cross. But no one exists by himself and so no one can save himself by himself. There is never just one man. Everyone comes from two others. The body implies descent from others while the spirit does not. Jesus Christ gave us His Body and Blood in the Holy Eucharist, not a treatise of lofty ideals. He did not hand out bibles at the Last Supper, look the Apostles in the eyes, and say "Read this in memory of me." When He gives His body He gives the DNA of Mary and Anne and Joachim. We touch God. We eat God. We digest God. God becomes part of us. His body becomes our body. And that Body, that flesh and that blood, came down through His grandparents Saints Joachim and Anne.
Saints Joachim and Anne, may your quiet, hidden roles in the Divine plan inspire all who work in the Church behind the scenes and out of view, to persevere in providing crucial support for the Church's saving mission.
ST. ANNE was the spouse of St. Joachim, and was chosen by God to be the mother of Mary, His own blessed Mother on earth. They were both of the royal house of David, and their lives were wholly occupied in prayer and good works. One thing only was wanting to their union — they were childless, and this was held as a bitter misfortune among the Jews. At length, when Anne was an aged woman, Mary was born, the fruit rather of grace than of nature, and the child more of God than of man. With the birth of Mary the aged Anne began a new life: she watched her every movement with reverent tenderness, and felt herself hourly sanctified by the presence of her immaculate child. But she had vowed her daughter to God, to God Mary had consecrated herself again, and to Him Anne gave her back. Mary was three years old when Anne and Joachim led her up the Temple steps, saw her pass by herself into the inner sanctuary, and then saw her no more. Thus was Anne left childless in her lone old age, and deprived of her purest earthly joy just when she needed it most. She humbly adored the Divine Will, and began again to watch and pray, till God called her to unending rest with the Father and the Spouse of Mary in the home of Mary's Child.
Reflection.— St. Anne is glorious among the Saints, not only as the mother of Mary, but because she gave Mary to God. Learn from her to reverence a divine vocation as the highest privilege, and to sacrifice every natural tie, however holy, at the call of God.


text:
Ned Russin (Glitterer, Title Fight, Disengage, Bad Seed, Stick Together, Big Contest, Liberty)
By Zane Daniel | 2.12.2019
Glitterer at Satellite Bar, Houston, TX, 2019. (Photo: Zane Daniel)
The year is either 2011 or 2012, I've just started middle school and the only music I've known is from the CDs I stole from my dad and whatever was playing on pop radio stations, so my music taste ranged somewhere between Soundgarden and "I've Got a Feeling" by the Black Eyed Peas. So, when my friend—who was already in high school—showed me the music video to "27" by Title Fight, it was the coolest thing I had ever heard.
A few years later, I found out about a new project called Glitterer featuring Title Fight's bassist/vocalist, Ned Russin, I was immediately interested. I was instantly blown away by the 2017 self-titled record, and I was thrilled a year later when it was followed up with Not Glitterer. I never thought I would get the chance to see Glitterer live unless I drove hundreds of miles, which is a difficult task for me considering my near 80-hour work schedule. So, when I found out that there was a Texas weekend run planned I was thrilled. I'm excited to present to you my interview with Ned Russin below.
How did Glitterer come to be?
I was just writing music by myself; I bought a little MIDI controller to do drums and keyboard stuff with, and other than that I just had my bass. There's a very specific sound that comes with that, and it's kind of unavoidable. I was writing songs maybe four or five years ago, when I moved to New York. There was somewhat of a mental block, where I felt like I couldn't finish them. I couldn't find the right way to do vocals over the tracks, and I sort of canned the whole thing. Two years later, I revisited all of those tools that I had abandoned, with a better idea of what I wanted to do, and how I would go about using them. I eventually came up with a couple of songs together, and started to somewhat wrap my head around what I was doing. To me, the origin of the band is kind of boring, because I literally just bought some stuff and fooled around with it [laughs].
Glitterer by Glitterer
That's kind of how a lot of music is being made these days though. A lot of people are veering off the full band route, and going solo.
Yeah, and I never wanted it to be considered a solo project, since that kind of comes with a weird stigma, more or less. To me, it's just something that kind of happened, I was writing music, I started to play shows and it just felt right. It's starting to become more normal to me as I'm writing more and playing more. I'm finally starting to understand what it actually is, versus what what I thought it was originally (which are two different things.) So, it was just catching up to what I didn't fully understand at first, and I think that's what took me so long to come back to those songs. It just took me a while to figure out a way that I could do it and feel comfortable.
Glitterer at Above the Bayou, Washington, DC, 2017. (Photo: Pat Gaffney)
With Glitterer, or any band you've been involved with, what are your favorite songs to play live?
It's always new songs. Doing something new just feels exciting, because you're still figuring it out. You may have a certain idea for a song that you used when recording, but then you catch up to those ideas and start to make slight changes to them, be it vocal patterns and lyrics mostly. Playing those songs live has a certain way of making you find more comfortable and natural ways of figuring out those melodies.
Not Glitterer by Glitterer
I've experienced that for myself with writing music vs. playing shows, it almost makes you want to go back and re-record them.
Yeah, and to me that's an exciting thing, because it seems like something is happening that's almost out of your control even though it is. Playing new songs has always been my favorite.
On Not Glitterer you collaborated with Alex G, aka Sandy, on the producing side of things. What was it like working with him?
Well, writing songs for Glitterer was something totally new for me; Writing songs by myself made me feel sort of insecure, because I've never had to okay something by myself, having other people sign off on something makes something feel safe, even if nothing changes. I wanted to bounce Ideas off of somebody and I though a cool person would be Alex, and he was happy to do it. I sent him the songs and he messed around with them and sent them back. That collaboration was a very modern phenomenon, because it was essentially us texting and emailing each other [laughs]. I would send him something and he'd send it back to me. We never met in person, or anything, but it was cool because the songs were able to take on a new energy while maintaining the original structure. It was very exciting, because it was exactly what I wanted; He offered an extra set of ears and it made the process a lot easier. He's an extremely talented songwriter and I'm very fortunate to have worked with him.
I remember seeing Title Fight on tour with him back in late 2015, is that a relationship you built on that tour?
We met Alex a little bit before that tour. We played a show with him the summer before we did the tour. We were friendly, and I was a big fan of his band, and then we did the tour and became better friends. We just stayed in touch over the following years, and did our own
I've noticed in all of your music you've been pretty open and honest about the way you feel at the time. Is it harder or easier to open up in this new setting of being a one-man band?
In all honesty, I was pretty guarded at first. The band started at a time in my life that was difficult for lack of a better word. I was going through some personal stuff, and I felt very strange writing lyrics, at the time, and I was thinking a lot about listener expectation, and what people would want out of me in a given situation, and I was upset by that idea. It's vague, but when someone expects you to write songs of a certain emotion, where it's anger and sadness, I felt resentful thinking people would think "at least we got good songs out of it." I was trying to think of a way to circle around that idea, and not do what would be expected.
I was trying to find ways to work through my own problems while being honest, which was kind of weird, but as it went on the songs felt like a different platform almost. When you write a song, everything needs to fit perfectly, in a way different songs convey different ideas. As I became more comfortable, I was able to mess around with the lyrics a bit more, and it took some time to get to the point to be more vulnerable or whatever one dollar word you want to use.
How does playing Glitterer shows compare to playing shows in past bands? Does the smaller setting remind you of the earlier Title Fight days, or is it something completely of its own?
I guess a little bit of both, it's not like I ever stopped playing shows. On the most recent Title Fight tour, we played two house shows, and I've always had Disengage, Stick Together, and Big Contest going as well, so it's not like I ever really stopped. Each band has had its own unique feel of playing, while maintaining similarities. Glitterer never really felt like a return to form, but at the same time it's the most different project I've done, so it took awhile for me to get comfortable up by myself. Even in Disengage, where I only sang, I still had three people behind me, and it felt more comfortable to have loud music coming from behind me, and to share the stage with friends of mine.There's always been a safety blanket behind me, but in this there's nothing, so it's weird to get used to.
Overall it's been fun. I really enjoy playing shows, making music, and it's especially nice to be able to show up with only a backpack and a laptop [laughs].
Disengage at Casa Jimenez, California, 2011. (Photo: Dan Rawe)
You aren't having to drag around an 8x10 bass cab everywhere, which must be nice.
Yeah, and your bass head? Don't even get me started...But it is a fun new thing with a lot of the same old stuff.
You played a few new songs tonight, and I really enjoyed them. When should we be expecting to hear those, and is there a full length album coming anytime soon?
I'll just quote the t-shirts and say "Always working on something new."
I've heard about your vintage hardcore shirt collection. What are some of your favorite pieces that you've acquired?
I'd probably have to say all of my Youth of Today stuff. I like Youth of Today a lot, and I spent a lot of time and energy tracking down a lot of their cool stuff, so those things are very special to me. The best thing that comes with collecting is the relationship and the stories that come with the stuff. My friend Zach Wuerthner (Intent, Moshers Delight) gave me a Youth of Today tank top, which is so kind and cool of him, even though I could never see myself in a tank top, it's still an awesome gift and I'm extremely appreciative of him for doing that. Thinghs like that are just as important if not more important.
Speaking of Youth of Today, you've had the chance to perform with them before in Disengage, and you're playing with them again in this coming March. What's it like to get the chance to play with bands that you grew up admiring?
It's a really cool experience because, I feel like I've been fortunate to be able to play with bands that I've looked up to, and bands that have really had a major impact on my life. I learned from a very young age that those people involved are human. I think being involved in punk, hardcore, and underground subcultural stuff, there's this idea that everyone's the same, but there's still this weird disconnect. People still get very excited to see a band that they've looked up to forever, not that it's bad, but it creates somewhat of a false idol. Playing with bands I admired at a young age kind of let me break down that idea early on, and just get to see that these bands are made up of people just like you and me. The cool thing about art and music is that it's an attainable thing; Like these four of five people did this thing that's amazing, so that means that four or five people can go do it again.
Disengage by Disengage
What are some of your proudest moments of being a musician?
Playing shows, to put it simply. It sounds like a cop out answer, but to me, that's when music becomes real, when you share it between people. I've been fortunate to be playing music for 15 years give or take and it's still an exciting and fun thing for me. If any band I've ever been in means anything to anybody, that's very astonishing and humbling to me. Being able to share music with people is something I really enjoy.
Big Contest at Not Dead Yet Fest 2018 (Photo: Michael D. Thorn)
Do you have any future projects planned? And do you have any plans on revisiting other bands like Title Fight, Disengage, Stick Together, or Big Contest?
Big Contest has plans for a 5-song 7' on Lockin' Out this year.
America's Hardcore Volume 4 by Various Artists
For my last question, what would you have to say to any bands coming up in the scene?
Make music selfishly. Make music that you wanna hear that says something to you, that you think is important, and that you think is a valuable contribution to the world. Do something you're passionate and care about. That's what makes people care about what you're doing, and that's what makes people interested, because you, yourself are interested. I think that's something that's simple but isn't thought of a lot. Make music for yourself; That's the coolest thing. Just being able to write a song is awesome regardless of whether anyone hears it or likes it, as long as you enjoy.
Title Fight at Chain Fest, Santa Ana, CA, 2016. (Photo: Jose Calixto)
Glitterer social media pages: Facebook | Twitter |Instagram | Bandcamp
If you're shopping for vinyl, CD, and cassette hardcore titles, head to No Echo's partner store, Reverb LP, to see what they have available. Every purchase you make helps No Echo with site costs.
Tagged: bad seed, big contest, disengage, glitterer, liberty, stick together, title fight
Zane Daniel
A self-taught photographer and musician from the Dallas/Fort Worth region of Texas, Zane Daniel has been shooting and playing shows since 2015. A straight edge vegan, he's drawn huge influence from such hardcore musicians as Walter Schreifels, Pat Flynn, and Tim McMahon. Zane is also a huge fan of shoegaze, post-hardcore, folk music, and dream pop, so his Spotify playlists can get pretty confusing. See more of his work on Flickr.
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CBMC, the new electronic device circuit breaker, was designed to meet your specific requirements: it combines a compact design and options for individual adjustments.
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Hey! I'm Harry. I'm a Consultant Front-End Architect (I clear floats for a living) from the UK. I specialise in CSS Architecture, performance, and scalability. Basically the CSS side of working on big projects/teams.
I've been working for myself since November last year, and since then I've had the great fortune to work with some really fantastic clients. From people like the BBC, to individuals in their homes out in the hills of Frankfurt, so I've seen a lot of variety. It's been great.
13'' MacBook Air which has been kitted out with more RAM and storage. I love Airs, purely because of their power and portability—it's hard to find a machine as good as the Air in that respect. Considering I move around a lot with work, I need something light and discrete, but that can also turn its hand to most of the work I need it to do.
iPhone 5S because I need a smartphone, but I don't want the configurability that something like Android might offer. I want a reliable, decent phone that JustWorks™. And to call it a phone is somewhat naive and dated anyway—our phones are way more than that to us, we carry them around with us all day every day, doing far more than making calls. It also has an excellentcamera, which lends itself well to my Instagramming. I've never been let down by an iPhone yet.
Apple Thunderbolt Display for when I'm stationary. They're expensive (dare I even say,overpriced), but I can't fault it. The amount and quality of the extra real estate is a real treat.
iTerm2 is my Terminal of choice. I spent 90% of my time in Terminal.
Vim is my text editor. I made the big switch to Vim about a year ago (perhaps a little over) and now I write everything in Vim. I often find myself typing jk:wq (leave Insert mode, save, and exit) in Tweets/Facebook/email/etc.
Git is my VCS of choice, pretty much everything I do lives in Git. I also use Git from the command line.
Chrome is my preferred browser for anything I do on the internet, I use it on all my devices.
Spotify keeps me going. I listen to music all the time, and Spotify makes it so enjoyable and painless (and cheap).
Finch is an incredible, incredible app that I've been alpha testing a little lately. I can't go into too much detail, but it's basically (among other things) a way of viewing your responsive dev-sites, live, on any device in the world. It means I can test my work-in-progress on my phone without having to push anything to a staging area, or manually putting anything on a publicly-available URL. It makes responsive workflows so much faster and more efficient. It's very alpha at the moment, but I hear there's a beta about to launch, so you should definitely keep an eye on the Twitter account: twitter.com/meetfinch. I honestly think Finch will be something of a game-changer for front-end developers.
Dropbox is where I keep nearly all of my stuff, so I definitely couldn't live without that.
You can actually read a little more about My Setup.
Being around friends motivates me a lot. I'm—as I type this—working from my friend Josh's offices. Hacking on stuff together with, or even just near, like-minded people really gets me pumped. I also worked very intensely alongside one of my really good friends Nick Payne a couple of years back (we're talking non-stop hack weekends, and late-night code marathons), and that was really great. I just seem to get a lot of motivation from being around nice and enthusiastic people.
Music is a big thing. Being able to listen to music hugely effects my output for the better.
Casualness really helps. I like being able to chill out, not have to dress formally, and just feel comfortable. I can't work a strict 9–5 because I can't guarantee that I will have a constant stream of ideas and solutions between those hours. I like being able to wander about, chat, grab a drink, and work at a productive rather than prescriptive pace.
Real-life, mainly. A lot of what I do is about trying to solve and simplify problems when building websites. It turns out that people have been building 'things' for centuries, and, even though they were working with tangible materials, a lot of the principles of common-sense production methods can be carried over to our work on the web. I have a keen interest in construction and architecture (not in an academic sense) because a lot of the problems they've encountered and solved are much the same as the ones developers do.
Professionally, people like Nicolas Gallagher, Nicole Sullivan, and Jonathan Snook are really important. They've done a lot of solid work in taking CSS more seriously, and actively working to make it a more powerful tool.
Personally, my parents are a huge inspiration. They've taught me a lot about work ethic, capitalism (in a nice way), and making your own way in the world. They're a pretty great rags-to-riches story, and without them, I'm pretty sure I wouldn't have the motivation to keep getting up and working hard to get where I want to be.
I also have friends who I really admire because of their skill, passion, drive, and determination. I always love seeing people succeed off the back of their own hard work or ideas, and I have a lot of friends who are doing that every day.


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Composer/Conductor Makes Music with Kennedy Students
On May 1, orchestra, band and vocal students at Kennedy High School worked with composer/conductor Stephen Melillo ahead of their evening concerts.
One of the most internationally recognized composers for wind band music, Melillo is known for his techniques in concert music, revolutionizing the video game industry in terms of how they use music, film scores, TV shows, as well as multiple Pulitzer nominations for his music.
"The transformation my students had in a total of less than four hours with Stephen Melillo was absolutely incredible," said JFK Band Director Walter Avellaneda. "They understood passion and they understood how to play their instrument with beauty and intensity at such an intense level. They played from their hearts in such a way that I have been silent and speechless about it since then."
"It's always a meaningful experience when our students have the opportunity to work with professional musicians," said Cheryl Fontana, the district's director of the fine & performing arts. "We are so grateful to Mr. Melillo for sharing his knowledge and passion with our young musicians."
A special highlight of the event is that the music department commissioned a piece by Melillo, honoring Lorraine Poppe, the school's late former principal. The piece, "to Love & be Loved," will soon be released worldwide.
"We were able to send a recording of the work to Ms. Poppe and her family a few weeks ago," explained Avellaneda. "Her sister said it was the last piece of music that she was listening to as she passed. They were playing it over and over for her; it brought their family much comfort during a difficult time."
Avellaneda said it was an honor to play for Poppe's family who attended the evening concert. "Without her vision, the music program would have never flourished," he added. "And now we are lucky to have the same endless support by Principal Gerard Owenburg who encourages these types of experiences; it is truly fitting that the piece was premiered on National Principal's Day," he added.


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What Drum Moments Give You the Chills
Thread starter Hewitt2
Hewitt2
Thought it would be fun to share those timeless drum moments that you listen to time and time again that still give you the chills. Maybe we'll get some ideas of new stuff to listen to:
- ZZ Top - Jesus Left Chicago from Tres Hombres - The open quarter notes Frank Beard lays into on the hats during the guitar solos at 1:30 and 2:57
https://www.youtube.com/watch?v=vMjqgIZ1_YM
- Genesis - Afterglow from Seconds Out - Chester Thompson and Phil Collins complete and complement each other's fills in an amazing display of chemistry (especially cool is how they split out playing the Zappa fill - no mean feat) in what is for me the emotional high point of a brilliant live album. Check it out from 3:10 onwards
*** sorry can't find a functional link on youtube****
- Billy Cobham -Stratus from Spectrum -
After the helter skelter beginning of random noises and drum runs, Billy Cobham et al settle down and put down one of the great all time grooves at 3:05.
https://www.youtube.com/watch?v=5aw2rM0w-pc
- Dream Theatre - Hell's Kitchen - Falling Into Infinity -
Love how Mike Portnoy plays out the final section of the song at 3:18 after locking in with the guitars and keyboards on a multi-bar fill.
https://www.youtube.com/watch?v=TGbYf8xKcLE
So many others, but those are the first that come to mind for me. What about you guys?
Boomka
The whole darned thing is incredible, but when Buddy drops that accented single stroke roll in the shout chorus, my panties drop. Not to mention the two fills before that -- especially the one that finishes on the BD -- already have me moist: https://www.youtube.com/watch?v=JOnVI9RwXO4
It's not just the famous verse groove from 50 Ways to Leave Your Lover that gets me, it's when Steve drops into the slinkiest four-on-the-floor ever played on the chorus that I end up in another place: https://www.youtube.com/watch?v=298nld4Yfds
Again, the whole tune is a brilliant display of touch, taste and unpretentious time playing by Russ Kunkel but the fills leading into the outro on James Taylor's Fire and Rain (about 2:50 in) get me every time: https://www.youtube.com/watch?v=7ALnh3w32VE
Those are just a few that sprung to mind. There are about a million more.
Odd-Arne Oseberg
The whole intro on Raju from the Five Peace Band record. So intense and so groovy.
AllTheCoolNamesAreTaken
Everything Joe Morello ever played (there's a reason Buddy Rich, and every other contemporary drummer, looked up to him).
But particularly the flourish he does during Take the A Train. This video has just the drum solos and fours, it's at 2:50
https://youtu.be/v3ZDAX6p2J8?t=170
There's also a video of his solo during Sounds of the Loop where his drumset is sliding away from him. He keeps soloing with his left hand and pulls the kit back with his right. Never breaks tempo:
https://youtu.be/B0XED9VI2cg?t=240
And of course his beautiful, musical solo in Take Five (studio version). This guy memorized it:
https://www.youtube.com/watch?v=8J_iM12dpnk
Morello understood space and dynamics. I have nothing against Buddy Rich, I get why people like him, but when I listen to him play it's like machine guns firing.
Skyking
Michael Shrieve, Woodstock 1969, Soul Sacrifice. It still gets to me.
www.youtube.com/watch?v=AqZceAQSJvc
michelshrievewoodstock.jpg
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Keith Moon on Live at Leeds. Particularly "Magic Bus" and "Sparks".
opentune
starts at 2:45, this is when 2 drummers works
https://www.youtube.com/watch?v=KU2bOYiBX28
The staet of "When the Levee Breaks" Simple but perfect.
Copeland's "backwards" drumming on Roxane. Perfect, simple, genius.
johnwesley
The late, great "Turtle" Morgan was one of those artists that always gave me goosebumps and really put a smile on my face. Although known as the world's slowest drummer (averaging 10 bpm) it was the way he'd catch you by surprise with that one purposeful "crack" which seemed to come from nowhere but fit so well and gave real meaning to the music at hand. There was also the time when Turtle did a single stroke roll from his snare to his rack tom and down to his floor tom that took 6 measures to complete, utilizing only 12 hits with his sticks. It was an amazing feat of both timing and control. To this day no one has been able to duplicate his genius.
Drummerworld Pro Drummer - Administrator
Few parts/grooves/songs make me smile as much as "Let a Woman Be a Woman and a Man Be a Man" by Dyke & The Blazers (you'll recognize the hook as sampled for The Heavy's "How You Like Me Now")
https://www.youtube.com/watch?v=dZq3jNzlGJE
This is an early example of the very funky James Gadson. Apart from an already insidious groove - which he makes sound so fluid - he changes it up in subtle and not-so-subtle ways, each time making me think 'I wish I'd thought of that' (and mostly 'I wish I could play that!') There are several such variations in the verse and choruses, yet he never manages to lose the consistency of the groove. It's a brilliant approach that most drummers don't effectively apply, and doesn't necessarily work in every song. Here, it does!
incrementalg
This! Many others to boot, but Live at Leeds stands out for me.
bermuda said:
Mmmm...that is good.
larryace
"Uncle Larry"
I get chills when I play drums outside with no shirt in sub freezing temperatures.
Boomka said:
yeah - never heard that song before. That is some killer playing..
incrementalg said:
You know, a lot of "whiplash" style drummers just don't think Keith was any good, and that he's only known for being a maniac but not a good drummer. I've listened to/watched videos of him, seen him live a dozen times and I always catch something new. Maybe he wasn't a rudimental sort, or a nerd who had to read his part, but that dude could outdrum anyone in rock music. He was off the charts and more creative than any I've ever seen. PLUS, it all came from within and NOT off a music stand. RIP Keith.....
1st moon.jpg
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2bsticks
Ringo on Ed Sullivan,
https://www.youtube.com/watch?v=It3Cctk6BRs
Mike Shrieve Woodstock
https://www.youtube.com/watch?v=xBG6IaSQCpU
Carl Palmer circa 1974
https://www.youtube.com/watch?v=A54JLBm_cIM
Jeremy Bender
Something a little different to all the really cool moments that have been mentioned so far: These deep Cooperman drums reverberating off the stone walls of the old fort.
Freaking scary how powerful the sound was live...
https://www.youtube.com/watch?v=GqMryyZN4kE
Drum solo: https://www.youtube.com/watch?v=Y_63RbN-j7I
2bsticks said:
Three excellent choices. Thanks for sharing.
When I hear the fantastic opening of Make Me Smile by Chicago:
https://www.youtube.com/watch?v=gWEt5NeXAA4
This, sir, is true dedication to a joke. I salute you!


In this edition of the LRCCS Spotlight Series, I sat down with LRCCS Faculty Professor Martin Powers, the Sally Michelson Davidson Professor of Chinese Arts and Cultures. In this interview, he talks about how a discourse of social justice has persisted in China since Han times, and more of the fascinating new ideas to be presented in his upcoming book.
Couillard: So let's take it all the way back – where do you call home?
Prof Powers: I grew up in a working class neighborhood in Chicago. I was lucky to be sent to a Catholic school where the academic standards were higher. My parents hadn't gone to college but I had a teacher in high school who really pushed me in that direction, so I ended up at Shimer College, where I majored in art history.
Prof Powers: When I declared my major at the University of Chicago, they wanted me to choose between European or Chinese art, and I chose China. This was the 60s so there was kind of an "Asia craze" at that time. You could go into any book store and find books on Zen, Haiku, etc.
Couillard: So what's the area of art history you specialize in?
Prof Powers: Well that's changed over time. I have a couple books on the Warring States to Han periods and they focus on bureaucracy, and more recently I've published quite a bit on the early modern period, especially the Song. I've always blended art and politics, social issues, things like that. My first book deals with student demonstrations – probably the first in the history of the world.
Couillard: When did those happen?
Prof Powers: The Han period. The students came from the Capital University in Luoyang. I found the situation at that time strangely similar to my own upbringing. Before Kennedy, for the most part only the children of upper class families could attend college. But then Kennedy comes around with student loans in the 60s and so college becomes much more accessible. Once higher education includes more than the most privileged, student demonstrations start to happen.
This parallels what happened in the Han Dynasty. Up until about the year 130, higher education was limited mostly to the the sons of higher officials,, but after Emporer Shundi, the sons of lower and middle official families had access to higher education.
So in 157 CE, there was a lot of corruption coming from the eunuchs, and the less well-off students led a major protest against it. That's what my first book was about, Art and Political Expression in Early China.
Couillard: Where does art fit in?
Prof Powers: There was a lot of political art at the time. Many of the people involved in the resistance were killed by the eunuchs, so people made commemorative paintings and hung them up in the postal stations as portraits of martyrs, hoping to stir up the population.
Couillard: Wow. That sounds very similar to the "Say their names" movement going on today (http://saytheirnames.org/). I guess history repeats itself.
Prof Powers: The manuscript I just finished deals with England and China. England learned a lot about political theory and practice in China from the 1660s through the early 19th century. Some of the social justice issues discussed in the Chinese documents were similar to those that concerned English radicals – such as free speech or rule of law.
Couillard: How was England learning about China at that time?
Prof Powers: The Jesuits provided a lot of information – the customs, the political system, and even translations of exemplary laws and policy documents. At that time, any Chinese taxpayer, including women, had the right to bring suits to court. Anyone could appeal a case. You could even sue the magistrate. If a magistrate was accused of a crime, the county was not permitted to investigate the matter – they had a separate department that checked on official corruption.
So the English started learning about this stuff. Voltaire was reading about it. Sam Johnson wrote a book review about the content of a major tome on the subject by J.B. Du Halde (1738). Much of this new information came into the enlightenment discourse by the 1750s and 1760s.
Prof Powers: Yeah. I think there's stuff in the history of that time that should go out to a broader audience. People need to know that China had a bigger role in the discourse of human rights as it was developing in the 18th century.
It's not about saying "China did it first" – I have little patience with nationalism. There's much more at stake. There's a trend among bloggers in recent years to the effect that human rights and democracy is just a fluke of Western Civiliazation, and that through most of history, a few rich people at the top have always ruled over the masses. They think democracy's time is over and now we're just going back to normal, which is to say, feudalism.
That argument is unfortunate. Because if you broaden your gaze to include China (and probably other places as well), then you find many more cogent arguments for individual rights than the people posing those arguments are aware of. So maybe an egalitarian legal system is not just a fluke – if some of the same arguments for free speech, or equality before the law, appear in both China and in Europe, maybe these concerns are inherent in the human condition.
Couillard: That's so cool! So what are you hoping will be the impact of changing that discourse?
Prof Powers: Number one, I want to undermine that narrative. But more concretely, from the China side, if they could take ownership of this idea, their leadership might take the notion of human rights more seriously. I'm also hoping that knowledge of China's history of social justice writing can help to build bridges. So instead of the US flogging China for failing to embrace "Western values", we can focus on our common ground.


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Dalton State Hosts Basketball Fundraiser as Part of Homecoming Week
The Dalton State Foundation and the College's Department of Campus Recreation will co-host the second annual "Hoops for Higgins" basketball fundraiser as part of the College's Homecoming festivities this week.
The game between Dalton State alumni and faculty/staff will be on Saturday, Feb. 20, at 1 p.m. in Bandy Gymnasium on campus.
Admission is $5 per person at the door, and all proceeds go to the Spence Higgins, Jr., Memorial Scholarship Fund at Dalton State. Legendary Roadrunners men's basketball coach Melvyn Ottinger will be the honorary coach for the alumni team.
"With the generous consent of the Higgins family, we hosted the first 'Hoops for Higgins' alumni versus faculty/staff basketball game with the College's Department of Campus Recreation last year in honor of Dalton State's first elected student body president," said David Elrod, director of the Dalton State Foundation. The Foundation oversees alumni relations for the College.
"This is Homecoming Week, and the campus is full of activities and events for students, alumni, faculty and staff, and friends of the institution," Elrod said.
"The fun culminates on Saturday with several events, including 'Hoops for Higgins,' and we're hearing that the faculty/staff team is out to avenge last year's loss to the alumni."
Higgins was the first elected student body president at Dalton State in 1968. After he completed his studies, he continued as an active member of the local community, and when he died in 2014, his passing earned a front-page notice in The Daily Citizen and a public comment from the College.
"Spence is held in such high esteem on campus that our premier student leadership awards are named for him," Elrod said. "We invite everyone who enjoys a good game, who knew Spence, or who wants to support scholarships for our students to join us Saturday."
Persons interested in establishing a scholarship at Dalton State may contact the Foundation at 706-272-4473.


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