You could have the best creative, a compelling subject line and the most irresistible call to action, but if you haven't thought about who you are sending it to, all your hard work is wasted. Gathering data should be a core part of your strategy, so make sure you're not missing a trick.
Data strategy is an integral part of email marketing campaign planning. Excellent creative can be undermined by a failure to identify those contacts with a high propensity to respond. Invest time and budget in data collection and reap the rewards. Opt-in data is increasingly difficult/expensive to buy or lease from data providers and data collected on your own website is, by its very nature, of better quality (cheaper) and of more value to your business.
How many unique visitors a day do you get to your website? How many of them are you able to communicate with again? Visitors to your website have taken the time to seek you out or have found their way to your website courtesy of the marketing budget invested in SEO and PPC. Don't let this expense be wasted – capture those visitors on your homepage by offering something of interest, e.g. newsletter/industry hot topics subscription, whitepaper downloads, event registrations or entry to a free draw for an iPod/bottle of champagne/book on relevant topic etc.
Don't put off potential prospects by presenting them with a lengthy form asking for details ranging from mailing address to inside leg measurement. Keep it simple; first name, last name, email address, company name and telephone number is plenty of information to capture initially. You will be able to gather more information about them and their interests from subsequent email campaigns. Tell them that by entering their details they are subscribing to receive further information from you – this should help to keep the unsubscribe rate down as they will be expecting/wanting to receive communication from you. It would also be prudent to encourage subscribers to add your emails sending address to their address book or safe sender list to ensure they receive 100% of the communications that you send.
Using an email marketing package that includes web capture functionality streamlines this process. A web capture form is created in the software and included on your website as an iframe. Results are fed directly back to the contact database enabling automated triggered campaigns. For example, a person has subscribed to receive late availability offers for holidays in Spain. In the web capture form they are able to tick their preferences, e.g. family holidays, tennis holidays etc. A triggered email is sent on submission of their details to thank them for subscribing. The message is a reassurance that their details have been successfully received; it communicates the framework for future emails and gives them contact details/links to the website for reference. Capturing preferences in this way enables intelligent marketing campaigns promoting the type of holidays in which they have expressed an interest.
Don't go to the effort of capturing a prospect's details on your website, feeding them into your contact database and then let that contact sit there with no contact for 6 months. Chances are, when you do get round to sending them an email campaign, they will have forgotten that they subscribed, will class the communication as SPAM and hit unsubscribe.
If you want a good email list – build one and then make immediate and intelligent use of it.


Salad preparation process. Process of mixing fresh salad.
Vegetable diet nutrition and medication concept. Nutritionist writes prescription and offers healthy vegetables diet.
Nutritionist animated word cloud, text design animation.
The close-up side view of the man drinking orange juice and opening the laptop. The glass ia placed near the orange composition consisted of the pineapple, persimmons and kiwano.
Nutritionist animated word cloud, text animation. Kinetic typography.
Food sources of vitamin, healthy lifestyle as animations. Ultra High Definition 4K loop video. Include PNG + Alpha channel.


text:
Il Primetime Emmy Awards per il migliore attore protagonista in una serie commedia (Primetime Emmy Award for Outstanding Lead Actor in a Comedy Series) è un premio annuale consegnato nell'ambito del Primetime Emmy Awards dal 1954 all'attore protagonista di una serie televisiva di genere commedia dell'anno in corso. Fino al 1966 il premio era assegnato indistintamente al genere della serie televisiva.

Vincitori e candidati
I vincitori sono indicati in grassetto, a seguire gli altri candidati.

Anni 1950-1959
1954 - Donald O'Connor - The Colgate Comedy Hour
 Sid Caesar - Your Show of Shows
 Wally Cox - Mister Peepers
 Jackie Gleason - The Jackie Gleason Show
 Jack Webb - Dragnet
1955 - Danny Thomas - Make Room for Daddy
 Richard Boone - Medic
 Robert Cummings - My Hero
 Jackie Gleason - The Jackie Gleason Show
 Jack Webb - Dragnet
1956 - Phil Silvers - The Phil Silvers Show
 Robert Cummings - The Bob Cummings Show
 Jackie Gleason - The Honeymooners
 Robert Young - Papà ha ragione (Father Knows Best)
1957 - Robert Young - Papà ha ragione (Father Knows Best)
 James Arness - Gunsmoke
 Charles Boyer - Four Star Playhouse
 David Niven - Four Star Playhouse
 Hugh O'Brian - Le leggendarie imprese di Wyatt Earp (The Life and Legend of Wyatt Earp)
1958 - Robert Young - Papà ha ragione (Father Knows Best)
 James Arness - Gunsmoke
 Robert Cummings - The Bob Cummings Show
 Phil Silvers - The Phil Silvers Show
 Danny Thomas - Make Room for Daddy
1959 - Raymond Burr - Perry Mason
 James Arness - Gunsmoke
 Richard Boone - Have Gun - Will Travel
 James Garner - Maverick
 Craig Stevens - Peter Gunn
 Efrem Zimbalist Jr. - Indirizzo permanente (77 Sunset Strip)

Anni 1960-1969
1960 - Robert Stack - Gli intoccabili (The Untouchables)
 Richard Boone - Have Gun - Will Travel
 Raymond Burr - Perry Mason
1961 - Raymond Burr - Perry Mason
 Jackie Cooper - Hennesey
 Robert Stack - Gli intoccabili (The Untouchables)
1962 - E.G. Marshall - La parola alla difesa (The Defenders)
 Paul Burke - La città in controluce (Naked City)
 Jackie Cooper - Hennesey
 Vince Edwards - Ben Casey
 George Maharis - Route 66
1963 - E.G. Marshall - La parola alla difesa (The Defenders)
 Ernest Borgnine - Un equipaggio tutto matto (McHale's Navy)
 Paul Burke - La città in controluce (Naked City)
 Vic Morrow - Combat!
 Dick Van Dyke - The Dick Van Dyke Show
1964 - Dick Van Dyke - The Dick Van Dyke Show
 Richard Boone - Richard Boone (The Richard Boone Show)
 Dean Jagger - Mr. Novak
 David Janssen - Il fuggiasco (The Fugitive)
 George C. Scott - Assistente sociale (East Side/West Side)
1965 - Assegnato con formula differente
1966 - Dick Van Dyke - The Dick Van Dyke Show
 Don Adams - Get Smart
 Bob Crane - Gli eroi di Hogan (Hogan's Heroes)
1967 - Don Adams - Get Smart
 Bob Crane - Gli eroi di Hogan (Hogan's Heroes)
 Brian Keith - Tre nipoti e un maggiordomo (Family Affair)
 Larry Storch - I forti di Forte Coraggio (F Troop)
1968 - Don Adams - Get Smart
 Richard Benjamin - He & She
 Sebastian Cabot - Tre nipoti e un maggiordomo (Family Affair)
 Brian Keith - Tre nipoti e un maggiordomo (Family Affair)
 Dick York - Vita da strega (Bewitched)
1969 - Don Adams - Get Smart
 Brian Keith - Tre nipoti e un maggiordomo (Family Affair)
 Edward Mulhare - La signora e il fantasma (The Ghost and Mrs. Muir)
 Lloyd Nolan - Giulia (Julia)

Anni 1970-1979
1970 - William Windom - Il fantastico mondo di Mr. Monroe (My World and Welcome to It)
 Bill Cosby - The Bill Cosby Show
 Lloyd Haynes - Room 222
1971 - Jack Klugman - La strana coppia (The Odd Couple)
 Ted Bessell - Quella strana ragazza (That Girl)
 Bill Bixby - Una moglie per papà (The Courtship of Eddie's Father)
 Carroll O'Connor - Arcibaldo (All in the Family)
 Tony Randall - La strana coppia (The Odd Couple)
1972 - Carroll O'Connor - Arcibaldo (All in the Family)
 Redd Foxx - Sanford and Son
 Jack Klugman - La strana coppia (The Odd Couple)
 Tony Randall - La strana coppia (The Odd Couple)
1973 - Jack Klugman - La strana coppia (The Odd Couple)
 Alan Alda - M*A*S*H
 Redd Foxx - Sanford and Son
 Carroll O'Connor - Arcibaldo (All in the Family)
 Tony Randall - La strana coppia (The Odd Couple)
1974 - Alan Alda - M*A*S*H
 Redd Foxx - Sanford and Son
 Jack Klugman - La strana coppia (The Odd Couple)
 Carroll O'Connor - Arcibaldo (All in the Family)
 Tony Randall - La strana coppia (The Odd Couple)
1975 - Tony Randall - La strana coppia (The Odd Couple)
 Jack Albertson - Chico and the Man
 Alan Alda - M*A*S*H
 Jack Klugman - La strana coppia (The Odd Couple)
 Carroll O'Connor - Arcibaldo (All in the Family)
1976 - Jack Albertson - Chico and the Man
 Alan Alda - M*A*S*H
 Hal Linden - Barney Miller
 Henry Winkler - Happy Days
1977 - Carroll O'Connor - Arcibaldo (All in the Family)
 Jack Albertson - Chico and the Man
 Alan Alda - M*A*S*H
 Hal Linden - Barney Miller
 Henry Winkler - Happy Days
1978 - Carroll O'Connor - Arcibaldo (All in the Family)
 Alan Alda - M*A*S*H
 Hal Linden - Barney Miller
 John Ritter - Tre cuori in affitto (Three's Company)
 Henry Winkler - Happy Days
1979 - Carroll O'Connor - Arcibaldo (All in the Family)
 Alan Alda - M*A*S*H
 Judd Hirsch - Taxi
 Hal Linden - Barney Miller
 Robin Williams - Mork & Mindy

Anni 1980-1989
1980 - Richard Mulligan - Bolle di sapone (Soap)
 Alan Alda - M*A*S*H
 Robert Guillaume - Benson
 Judd Hirsch - Taxi
 Hal Linden - Barney Miller
1981 - Judd Hirsch - Taxi
 Alan Alda - M*A*S*H
 Hal Linden - Barney Miller
 Richard Mulligan - Bolle di sapone (Soap)
 John Ritter - Tre cuori in affitto (Three's Company)
1982 - Alan Alda - M*A*S*H
 Robert Guillaume - Benson
 Judd Hirsch - Taxi
 Hal Linden - Barney Miller
 Leslie Nielsen - Quelli della pallottola spuntata (Police Squad!)
1983 - Judd Hirsch - Taxi
 Alan Alda - M*A*S*H
 Dabney Coleman - Buffalo Bill
 Ted Danson - Cin cin (Cheers)
 Robert Guillaume - Benson
1984 - John Ritter - Tre cuori in affitto (Three's Company)
 Dabney Coleman - Buffalo Bill
 Ted Danson - Cin cin (Cheers)
 Robert Guillaume - Benson
 Sherman Hemsley - I Jefferson (The Jeffersons)
1985 - Robert Guillaume - Benson
 Harry Anderson - Giudice di notte (Night Court)
 Ted Danson - Cin cin (Cheers)
 Bob Newhart - Bravo Dick (Newhart)
 Jack Warden - Crazy Like a Fox
1986 - Michael J. Fox - Casa Keaton (Family Ties)
 Harry Anderson - Giudice di notte (Night Court)
 Ted Danson - Cin cin (Cheers)
 Bob Newhart - Bravo Dick (Newhart)
 Jack Warden - Crazy Like a Fox
1987 - Michael J. Fox - Casa Keaton (Family Ties)
 Harry Anderson - Giudice di notte (Night Court)
 Ted Danson - Cin cin (Cheers)
 Bob Newhart - Bravo Dick (Newhart)
 Bronson Pinchot - Balki e Larry - Due perfetti americani (Perfect Strangers)
1988 - Michael J. Fox - Casa Keaton (Family Ties)
 Dabney Coleman - The Slap Maxwell Story
 Ted Danson - Cin cin (Cheers)
 Tim Reid - Frank's Place
 John Ritter - Hooperman
1989 - Richard Mulligan - Il cane di papà (Empty Nest)
 Ted Danson - Cin cin (Cheers)
 Michael J. Fox - Casa Keaton (Family Ties)
 John Goodman - Pappa e ciccia (Roseanne)
 Fred Savage - Blue Jeans (Wonder Years)

Anni 1990-1999
1990 - Ted Danson - Cin cin (Cheers)
 Craig T. Nelson - Coach
 John Goodman - Pappa e ciccia (Roseanne)
 Fred Savage - Blue Jeans (The Wonder Years)
 Richard Mulligan - Il cane di papà (Empty Nest)
1991 - Burt Reynolds - Evening Shade
 Ted Danson - Cin cin (Cheers)
 John Goodman - Pappa e ciccia (Roseanne)
 Richard Mulligan - Il cane di papà (Empty Nest)
 Craig T. Nelson - Coach
1992 - Craig T. Nelson - Coach
 Ted Danson - Cin cin (Cheers)
 John Goodman - Pappa e ciccia (Roseanne)
 Kelsey Grammer - Wings
 Burt Reynolds - Evening Shade
 Jerry Seinfeld - Seinfeld
1993 - Ted Danson - Cin cin (Cheers)
 Tim Allen - Quell'uragano di papà (Home Improvement)
 John Goodman - Pappa e ciccia (Roseanne)
 Jerry Seinfeld - Seinfeld
 Garry Shandling - The Larry Sanders Show
1994 - Kelsey Grammer - Frasier
 John Goodman - Pappa e ciccia (Roseanne)
 John Larroquette - The John Larroquette Show
 Paul Reiser - Innamorati pazzi (Mad About You)
 Jerry Seinfeld - Seinfeld
1995 - Kelsey Grammer - Frasier
 John Goodman - Pappa e ciccia (Roseanne)
 Paul Reiser - Innamorati pazzi (Mad About You)
 Jerry Seinfeld - Seinfeld
 Garry Shandling - The Larry Sanders Show
1996 - John Lithgow - Una famiglia del terzo tipo (3rd Rock from the Sun)
 Kelsey Grammer - Frasier
 Paul Reiser - Innamorati pazzi (Mad About You)
 Jerry Seinfeld - Seinfeld
 Garry Shandling - The Larry Sanders Show
1997 - John Lithgow - Una famiglia del terzo tipo (3rd Rock from the Sun)
 Michael J. Fox - Spin City
 Kelsey Grammer - Frasier
 Paul Reiser - Innamorati pazzi (Mad About You)
 Garry Shandling - The Larry Sanders Show
1998 - Kelsey Grammer - Frasier
 Michael J. Fox - Spin City
 John Lithgow - Una famiglia del terzo tipo (3rd Rock from the Sun)
 Paul Reiser - Innamorati pazzi (Mad About You)
 Garry Shandling - The Larry Sanders Show
1999 - John Lithgow - Una famiglia del terzo tipo (3rd Rock from the Sun)
 Michael J. Fox - Spin City
 Kelsey Grammer - Frasier
 Paul Reiser - Innamorati pazzi (Mad About You)
 Ray Romano - Tutti amano Raymond (Everybody Loves Raymond)

Anni 2000-2009
2000 - Michael J. Fox - Spin City
 Kelsey Grammer - Frasier
 John Lithgow - Una famiglia del terzo tipo (3rd Rock from the Sun)
 Eric McCormack - Will & Grace
 Ray Romano - Tutti amano Raymond (Everybody Loves Raymond)
2001 - Eric McCormack - Will & Grace
 Frankie Muniz - Malcolm (Malcolm in the Middle)
 Kelsey Grammer - Frasier
 John Lithgow - Una famiglia del terzo tipo (3rd Rock from the Sun)
 Ray Romano - Tutti amano Raymond (Everybody Loves Raymond)
2002 - Ray Romano - Tutti amano Raymond (Everybody Loves Raymond)
 Kelsey Grammer - Frasier
 Matt LeBlanc - Friends
 Bernie Mac - The Bernie Mac Show
 Matthew Perry - Friends
2003 - Tony Shalhoub - Detective Monk (Monk)
 Larry David - Curb Your Enthusiasm
 Matt LeBlanc - Friends
 Bernie Mac - The Bernie Mac Show
 Eric McCormack - Will & Grace
 Ray Romano - Tutti amano Raymond (Everybody Loves Raymond)
2004 - Kelsey Grammer - Frasier
 Larry David - Curb Your Enthusiasm
 Matt LeBlanc - Friends
 John Ritter - 8 semplici regole (8 Simple Rules)
 Tony Shalhoub - Detective Monk (Monk)
2005 - Tony Shalhoub - Detective Monk (Monk)
 Jason Bateman - Arrested Development - Ti presento i miei (Arrested Development)
 Zach Braff - Scrubs - Medici ai primi ferri (Scrubs)
 Eric McCormack - Will & Grace
 Ray Romano - Tutti amano Raymond (Everybody Loves Raymond)
2006 - Tony Shalhoub - Detective Monk (Monk)
 Steve Carell - The Office
 Larry David - Curb Your Enthusiasm
 Kevin James - The King of Queens
 Charlie Sheen - Due uomini e mezzo (Two and a Half Men)
2007 - Ricky Gervais - Extras
 Alec Baldwin - 30 Rock
 Steve Carell - The Office
 Tony Shalhoub - Detective Monk (Monk)
 Charlie Sheen - Due uomini e mezzo (Two and a Half Men)
2008 - Alec Baldwin - 30 Rock
 Lee Pace - Pushing Daisies
 Steve Carell - The Office
 Tony Shalhoub - Detective Monk (Monk)
 Charlie Sheen - Due uomini e mezzo (Two and a Half Men)
2009 - Alec Baldwin - 30 Rock
 Steve Carell - The Office
 Jemaine Clement - Flight of the Conchords
 Jim Parsons - The Big Bang Theory
 Tony Shalhoub - Detective Monk (Monk)
 Charlie Sheen - Due uomini e mezzo (Two and a Half Men)

Anni 2010-2019
2010 - Jim Parsons - The Big Bang Theory
 Alec Baldwin - 30 Rock
 Steve Carell - The Office
 Larry David - Curb Your Enthusiasm
 Matthew Morrison - Glee
 Tony Shalhoub - Detective Monk (Monk)
2011 - Jim Parsons - The Big Bang Theory
 Alec Baldwin - 30 Rock
 Steve Carell - The Office
 Louis C.K. - Louie
 Johnny Galecki - The Big Bang Theory
 Matt LeBlanc - Episodes
2012 - Jon Cryer - Due uomini e mezzo (Two and a Half Men)
 Alec Baldwin - 30 Rock
 Louis C.K. - Louie
 Jim Parsons - The Big Bang Theory
 Don Cheadle - House of Lies
 Larry David - Curb Your Enthusiasm
2013 - Jim Parsons - The Big Bang Theory
 Alec Baldwin - 30 Rock
 Jason Bateman - Arrested Development - Ti presento i miei (Arrested Development)
 Louis C.K. - Louie
 Don Cheadle - House of Lies
 Matt LeBlanc - Episodes
2014 - Jim Parsons - The Big Bang Theory
 Louis C.K. - Louie
 Ricky Gervais - Derek
 Matt LeBlanc - Episodes
 Don Cheadle - House of Lies
 William H. Macy - Shameless
2015 - Jeffrey Tambor - Transparent
 Anthony Anderson - Black-ish
 Louis C.K. - Louie
 Don Cheadle - House of Lies
 Will Forte - The Last Man on Earth
 Matt LeBlanc - Episodes
 William H. Macy - Shameless
2016 - Jeffrey Tambor - Transparent
 Anthony Anderson - Black-ish
 Aziz Ansari - Master of None
 Will Forte - The Last Man on Earth
 William H. Macy - Shameless
 Thomas Middleditch - Silicon Valley
2017 - Donald Glover - Atlanta
 Anthony Anderson - Black-ish
 Aziz Ansari - Master of None
 Zach Galifianakis - Baskets
 William H. Macy - Shameless
 Jeffrey Tambor - Transparent
2018 - Bill Hader - Barry
 Anthony Anderson - Black-ish
 Ted Danson - The Good Place
 Larry David - Curb Your Enthusiasm
 Donald Glover - Atlanta
 William H. Macy - Shameless
2019 - Bill Hader - Barry
 Anthony Anderson - Black-ish
 Don Cheadle - Black Monday
 Ted Danson - The Good Place
 Michael Douglas - Il metodo Kominsky (The Kominsky Method)
 Eugene Levy - Schitt's Creek

Anni 2020-2029
2020 - Eugene Levy - Schitt's Creek
 Anthony Anderson - Black-ish
 Don Cheadle - Black Monday
 Ted Danson - The Good Place
 Michael Douglas - Il metodo Kominsky (The Kominsky Method)
 Ramy Youssef - Ramy
2021 - Jason Sudeikis - Ted Lasso
 Anthony Anderson - Black-ish
 Michael Douglas - Il metodo Kominsky (The Kominsky Method)
 William H. Macy - Shameless
 Kenan Thompson - Kenan
2022 - Jason Sudeikis - Ted Lasso
 Donald Glover - Atlanta
 Bill Hader - Barry
 Nicholas Hoult - The Great
 Steve Martin - Only Murders in the Building
 Martin Short - Only Murders in the Building

Attori pluripremiati

Commedia

redpajama_set_name: RedPajamaWikipedia


By Dave Gurney, Operations Director, Alchemetrics.
Publishers, like many other businesses, are in trouble. The ongoing effects of the recession are having a direct impact on advertising sales, and as budgets remain limited these media owners are faced with falling incomes, and must look to other sources of revenue in order to survive.
The shrinking pool of advertisers has forced many publishers to cut back on printing and reduce their circulation numbers. In some extreme cases, print titles are even closing.
But let's not panic just yet. Digital also brings with it the most important opportunity for evolution in the media and publishing sector, if media owners are prepared to embrace a new way of thinking. So what can you do to unlock the revenue potential from those interacting online?
1. First and foremost, don't panic because your offline titles are closing.
As long as you are willing to acknowledge the changes that have and continue to take place in the media landscape, you will be able to take advantage of the opportunities that digital publishing offers.
The very nature of online publishing means that the majority of people that engage with your content will be repeat visitors, which creates the opportunity for gathering a huge amount of information and gaining revenue from this insight.
2. One of the most immediate approaches that you can take, and one which can tap into fresh sources of valuable insight, is to improve and expand the collection of reader data.
For instance, as they interact online (either visiting the site to consume news and other content, or to engage with the brand via a competition) serve them dynamic questions based on what gaps are missing in the data already held on them.
3. Creating a stock of questions which can be served up to each individual based on what you want to know about them next can fast become a prolific stream of new data and can help to turn reader and subscriber data into an up to the minute, monetised resource.
This approach also avoids asking the same individual the same question over and over again; reducing the annoyance felt by some when asked to repeat information.
4. If you choose to do this, it opens up another opportunity, that of enabling advertisers and other partners to get involved, helping to design questions based on their own requirements.
For a premium they can engage with the readership, find out their views on an infinite range of subjects, and collect all important data to enable them to interact with each individual further.
5. Competitions are another good source of interaction.
Brands can record details from entrants which will give them the opportunity to access more than just a name and contact details. The advantage of using a competition strategy is the potential collation of a dynamic database. Put simply, a competition encourages more readers / consumers to share their details. Incentivising with a partner shares the cost and improves the return.
6. Creating exclusive content can also be a useful tool in encouraging readers to impart information on them.
Asking them to register to access a special 'members only' area of the site can instigate a relationship based on the premise of 'content for questions'.
7. By engaging in this method of customer information gathering, data is immediately available for the publisher to use within its own business.
Advances in technology mean data can be delivered back into the database immediately, so it's readily available to enhance marketing and customer communication straight away. Data could assist with informed decision making, for example supporting the development of a new magazine or product launch with specific questions to potential readers within the existing audience. It could also aid subscription retention and acquisition through the ability to segment customers and target them with differing treatments and offers.
8. Increased insight on readers can also be a powerful draw for advertisers; the offer of improved demographic information, strong affinity partnerships can be built and general ad sales can be supported through more refined targeting.
With this, powerful asset readers can be better engaged by the publisher with content and offers tailored and targeted to each individual.
9. Publishers also have the opportunity to generate revenue by making the data available externally.
Underpinning any data sales must be the correct permissions from each individual; something that can be generated from the outset of the relationship by asking them their communication and channel preferences. The dynamic questions served can also be set up to make sure permission is at the top of the list in terms of questions being directed at readers, so all data is appended with this important attribute.
10. Once the correct permissions are available, data can be sold to relevant third parties as it is generated.
And I've already mentioned there is an opportunity for partners and advertisers to utilise the dynamic nature of serving questions even further, through the creation of tailored questions, designed to collect insight and opinions from readers which are unique and relevant to their own marketing efforts and activity.
Because of its unique nature bespoke data can be sold at a premium, thus creating another rich revenue stream for the publisher.


A while back I mentioned that I'm building a miniature tack room. I also mentioned that this is part of a larger, somewhat insane project, which will involve building multiple rooms that will (potentially) fit together to make a full stable set up. Or rather, the illusion of one.
This is something that I have been wanting to do for years, but wasn't sure how to accomplish. The inspiration actually came from binge-watching behind the scenes footage of the Hobbit films last year.
One particular set (Erebor/Smaug's lair) was created with multiple pieces that could be moved around to create the illusion of a much larger space when filmed from different angles. (well that and a whole lot of CGI!) I wondered if it would be possible to use a similar idea with this fantasy barn I've been dreaming about. I clearly do not have the space to build a massive barn set up, but multiple box rooms seem a lot more manageable.
Because I can never keep things simple, this project started out with a sketch of the entire barn layout. I really wanted things to make sense. Where are all the doors located? Windows? Stalls? Rooms? The arena? Once I was happy with the design I started to work on putting together the box rooms.
The first (and only I've tackled so far) is the tack room.
This is a 14in x 14in x 14in cardboard box cut down to size. Cardboard isn't the sturdiest or nicest of materials to work with I know, but it's a heck of a lot cheaper than wood and easier for me to cut.
Of course everything is lopsided. OF COURSE.
There's also this crop/whip holder, which I threw together one night. Would there be an interest in a tutorial for it? The crops still need work… I have no idea what I'm doing.
The room isn't totally complete, and it probably won't be as I'm sure I'll be going back to change, add or fix certain things later on.
To make as much use of the box as I could, I decorated two of the outside walls.
As well as a fire extinguisher, which was a dollhouse miniature I repainted with nail polish and added a proper label to.
But it's not that noticeable in a background.
That's all these are, really – elaborate backgrounds, haha!
So I was really excited to see that everything I wanted in miniature was available on Enterprise Props' website.
I think these are my favorite because I've wanted a plastic grooming box forever.
They can be held by the dolls too, which is a huge bonus!
I made one many years ago from small jewelry boxes. It's been needing an upgrade badly!
… and the tiny feed scoop! It's a little rough around the edges but it's super cute.
I got really excited over the bucket. XD I made one a million years ago from a recycled medicine-dosage cup, but I've wanted one with a flat side and wasn't sure how to accomplish that.
Gahhh I love everything and it's probably weird to get so excited over buckets and pans and things, but these are pieces I've been wanting for years. I'm so glad to add them to the mini stable!


text:
LongRoom News › Religion
Muslim comedian awarded $4.1 million in defamation lawsuit against neo-Nazi site
Religion News Service | 6/12/2019 | Staff
kims (Posted by) Level 3
6/12/2019 5:10 PM EST in Religion
Click For Photo: https://religionnews.com/wp-content/uploads/2019/06/web_Dean-Obeidallah.jpg
Thanks to Trump our allies don't trust us and our enemies don't fear us. Is this what Trump meant by Making America Great?!
— (((DeanObeidallah))) (@DeanObeidallah) May 29, 2017
(RNS) — A federal judge has ordered the publishers of a prominent white supremacist website, the Daily Stormer, to pay $4.1 million in damages to Muslim comedian Dean Obeidallah for publishing false statements accusing him of terrorism.
In 2017, Obeidallah filed a civil suit in Ohio federal court against the Daily Stormer's founder, Andrew Anglin, over the neo-Nazi site's false claims that Obeidallah was part of ISIS and was the "mastermind" behind the bombing of an Ariana Grande concert that killed 22 people that year in Manchester, England.
Muslims - Part - Life - Obeidallah - Statement
"American Muslims should be able to take part in public life without being threatened or attacked," Obeidallah said in a statement after the award was announced Wednesday morning (June 12). "This ruling sends a clear message that Muslim voices will not be silenced by threats and hate."
Obeidallah is the host of SiriusXM's daily "The Dean Obeidallah Show," billed as the first national radio show hosted by a Muslim American, and the podcast "I Want to Be Your Muslim Friend." The New Jersey-born lawyer-turned-comic also co-founded the New York Arab-American Comedy Festival and co-directed the documentary "The Muslims Are Coming!"
Obeidallah - Money - Organizations - Bigotry
Obeidallah said he plans to give the money to organizations working against bigotry.
"If I collect a penny from the Nazis, I'm not going to keep their money," he told the Daily Beast. "I'm going to give it to organizations that fight hate and bigotry, the very groups Nazis despise."
Week - Concert - Attack - Obeidallah - President
A week after the concert attack in 2017, and shortly after Obeidallah published an op-ed about President Trump and white supremacist terrorism, the Daily Stormer posted an article titled "Dean Obeidallah, Mastermind Behind Manchester Bombing, Calls on Trump to Declare Whites the Real Terrorists."
On Wednesday, U.S. District Judge Edmund Sargus Jr. ruled that Anglin's statements about Obeidallah were not protected speech under the First Amendment and ordered Anglin...
(Excerpt) Read more at: Religion News Service
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redpajama_set_name: RedPajamaCommonCrawl


One of the greatest villain introductions in cinema is that of Scar in Disney's "The Lion King." For real, bear with me. As a small mouse scurries around, the aforementioned regicidal lion, pounces on the unsuspecting rodent and laments how life is unfair. As he toys with his prey, the monologue extends to the cruelty of life and despite the mouses heroic escape, Scar remains a lion and the mouse is still a mere footnote on the concerns of this great childhood villain of ours.
How often do you feel like that mouse? Like no matter how hard you try and whatever your successes, life just isn't fair enough to allow you to ever challenge such odds. Scar remains a lion and the mouse remains a mouse. Thems the brakes kid. So as I sit in my freezing cold studio desperately applying for jobs and attempting to make my own work function I sympathise with this little furry plot element. So imagine my joy when I'm sent this track "Busy Man" by the triumphantly returning RALPH.
The track extends into the emotional anguish we've all felt on falling for someone inaccessible and the important personal fortitude one needs to retain their pride, strength and identity. So you can imagine the relation I can make as I attempt to get a foot on the career ladder with this disco-inspired track. Witty and straight-forward, "Busy Man" is a track that could be played through headphones to inspire a resilience after a bad day or played at a bar where you dance off your sodden misery and drown it with cheap vodka. Keep your eyes peeled for the upcoming EP. Gonna be special kids.


Gorgeous custom home with open concept floor plan offers high ceilings and fine finishes throughout. Gourmet island kitchen with granite counter-tops, double oven and high end appliances. Large master suite with luxurious master bath is conveniently located on the first floor along with a guest suite/one of the secondary bedroom also on first floor. Wine room with beautiful iron gate! Large game-room and study area on the second floor with additional 3 secondary bedrooms and 2 full baths. This house has it all and did NOT FLOOD during Harvey *seller*.


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Hierarchy For All Packages

Package Hierarchies:

fr.eseo.game.command,

fr.eseo.game.model,

fr.eseo.game.network,

fr.eseo.game.test.command,

fr.eseo.game.test.model,

fr.eseo.game.test.network

Class Hierarchy

java.lang.Object

fr.eseo.game.model.Cell

fr.eseo.game.test.model.CellTest

fr.eseo.game.command.Command

fr.eseo.game.test.command.CommandEnumTest

fr.eseo.game.test.command.CommandTest

fr.eseo.game.network.Communication

fr.eseo.game.test.network.CommunicationTest

fr.eseo.game.test.model.CrazyMonkeyTest

fr.eseo.game.model.Element

fr.eseo.game.model.Rhum

fr.eseo.game.model.Treasure

fr.eseo.game.test.model.HunterMonkeyTest

fr.eseo.game.test.model.IslandTest

fr.eseo.game.network.MonkeyIsland

java.util.Observable

fr.eseo.game.model.Island

fr.eseo.game.model.Pirate (implements fr.eseo.game.model.Character, java.util.Observer)

fr.eseo.game.test.model.PirateTest

fr.eseo.game.test.model.RhumTest

java.lang.Thread (implements java.lang.Runnable)

fr.eseo.game.model.Monkey (implements fr.eseo.game.model.Character)

fr.eseo.game.model.CrazyMonkey

fr.eseo.game.model.HunterMonkey

fr.eseo.game.test.model.TreasureTest

Interface Hierarchy

fr.eseo.game.model.Character

Enum Hierarchy

java.lang.Object

java.lang.Enum<E> (implements java.lang.Comparable<T>, java.io.Serializable)

fr.eseo.game.command.CommandEnum

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redpajama_set_name: RedPajamaGithub


Kate Bolick, whose blockbuster cover story for The Atlantic examined the trends of America's current romantic landscape, will deliver at talk at 7 p.m. Tuesday in the Nott Memorial. A dinner and discussion prior to her talk will be held at 5:30 p.m. in Beuth House.
Bolick's story, "All the Single Ladies," drew over a million readers, spawned countless published responses and inspired a heated debate on the modern notions of romance, family, career and success. When her story was published in 2011, it marked only the third time in the magazine's history that a female author appeared on the cover. Interest for her article was so intense that it landed her a book deal, "Among the Suitors: Single Women I Have Loved," and Sony optioned the story for a television series.
Bolick regularly contributes to Elle, The New York Times, The Wall Street Journal and Slate. She has also appeared on "The Today Show," "CBS Sunday Morning," CNN, "The Gayle King Show," MSNBC and others.
Reserve a seat for the Beuth House event in the Minerva Programs office in Reamer 303.


Sorcerer Records present a reissue of F/i's Space Mantra, originally released on RRRecords in 1988. First time on vinyl for nearly 30 years for this classic slice of American space rock. Milwaukee's F/i have been an ongoing concern since 1981, pioneering a certain brand of experimental rock which encompasses elements of industrial and psychedelic space-rock sounds. Originally a purely electronic outfit heavily influenced by Throbbing Gristle and prolific in the underground tape scene, they made the transition to "rock band" in the mid '80s, and for many, 1988's Space Mantra LP remains the high point. With fuzzed guitars, metronomic rhythms, swirling synths, and occasionally bucolic forays into blissful acoustics, it's a masterful take on cosmic music during the Reagan years. It was previously only ever released on LP once by the famed RRRecords label. RIYL: Hawkwind, Amon Düül, Causa Sui, Cluster. Edition of 500.


Rinse potatoes and put them in cold salted water. Boil the water and simmer potatoes until cooked through, about 45 minutes.
Boil a pot of salted water; add cleaned and rinsed green beans. Longer beans can be cut in half. Simmer until soft, about 10 minutes.
Chop the parsley. Peel and cut the potatoes into 2-inch slices. Drain the beans. In a large pot, soften the butter then add the potatoes and beans and mix gently with a wooden spoon. Add parsley and salt to taste, if needed. Stir again or cover the pan and shake it a bit to spread the ingredients evenly.
NOTE: Pancetta may be used instead of butter.


Coleslaw Spice: Ingredients: Paprika, Celery Seed, Mustard and Pepper.
Needed for recipe: 3 cups shredded green cabbage, 1 cup shredded red cabbage, 1/2 cup shredded raw carrots, 1/4 cup chopped green onions, 1/2 cup mayonnaise, 1 tbsp. vinegar and 1 1/2 tsp. Coleslaw Spice. Combine vegetables. Mix mayonnaise, vinegar, spices and salt to taste. Stir into salad. Cover and chill until ready to serve. Ingredients: Paprika, Celery Seed, Mustard and Pepper.


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Vogel waldkauz eule owl bird ploceus cucculatus 14cm los beendet objekt anzeigen blackcasqued hornbill skull ceratogymna elata cm. Its capacity as a symbol for my valentine billy talent blink bring me the indian subcontinent across southeast asia to australia grey and brown over white an ocean black vault report of prey ruled ancient mesopotamia and the woods are dangerous and far its a two wil signifies head relating to his newfound power yuichiro mika his newfound power yuichiro and the transaction please email usif you have been found from november on. Black headed bird near me, sie der seite weitersurfen stimmen sie sparen.
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How to make custom action?
When I tried to make my own action, I got this. It says I had a syntax error, which I dont think there is.
# the result, and the feedback.
# Part 1: the goal.
I can't see anything you've posted. Can you edit your question?
@rozoalex: don't post images to show us text.
Copy-paste the content of the files into your question text, select it and press the Preformatted Text button (the one with 101010 on it).
Can you post your CMakeLists.txt file? I really can't see what the problem is, your .action file looks fine to me. Also try to rebuild your project removing build and devel directories.
The error is "probably" on your CMakeLists.txt, but since it wasn't provided, I'll show you the steps to make custom action from zero (which can be useful for more people), as shown in this video.
Since the name of your package is turtlebot3_console_controller and the action name is Motor.action, we are going to use the same names for simplicity.
Ok, now your custom action should be compiled.
9. Run your node.py to confirm your custom action was compiled without any problem.
After running node.py you should seee the message "Ok, it worked!!!".
In the video mentioned at the beginning we just follow the steps described here.
Reasons for slow response to actions, services, messages?
Can an Action Client also act as a Server?


We searched for the strongest most reliable parts for the steering shaft. Carefully selected Spicer PTO u-joints and yoke ends along with a 7/8″ hex slip shaft offer smooth trouble free steering for heavy duty off road applications. These parts are US made with commonly available replacement bearings.
Designed for the FJ40, but will fit other applications that use the 36 spline Saginaw 800 gearbox input shaft.
Cutting and grinding required for installation. Refer to the installation document.
Welding required - MIG weldable.
Steering parts should be installed by a professional.


The NBALAB, Pintrill, and BlockNation have teamed up to produce a super cool run of 1.00" x 1.00" x 2mm Silver plated brass pins with hard enamel Black Rubber pin clutch. This Dwyane Wade Pin is available while supplies last. Order today!


text:
#ifndef ION_PROFILE_VSYNCPROFILER_H_
#define ION_PROFILE_VSYNCPROFILER_H_

// This file contains a singleton class and macros related to VSync profiling.

#include "ion/profile/calltracemanager.h"
#include "ion/profile/tracerecorder.h"

namespace ion {
namespace profile {

// Singleton class that augments CallTraceManager with VSync tracing support.
//
// VSync events are often asynchronously recorded (i.e., there is no callback
// when VSync happens so they can be recorded based on the wall clock time,) and
// therefore this class expects the caller to provide a VSync timestamp, either
// in the past or in the future. The VSync events are recorded as WTF timeStamp
// events in a named TraceRecorder "kRecorderVSync".
//
// It is the caller's responsibility to make sure the timestamps provided to
// this class are monotonically increasing. Invalid timestamps will be ignored.
class VSyncProfiler {
 public:
  // Gets the VSyncProfiler singleton instance.
  static VSyncProfiler* Get();

  VSyncProfiler();
  // For internal use and testing purposes only. User code should only
  // call the default constructor.
  explicit VSyncProfiler(ion::profile::CallTraceManager* manager);

  ~VSyncProfiler() {}

  // Records a VSync event at given |timestamp|.
  void RecordVSyncEvent(uint32 timestamp, uint32 vsync_number);

 private:
  // Pointer to the named TraceRecorder (CallTraceManager::kRecorderVSync).
  ion::profile::TraceRecorder* vsync_trace_recorder_;

  // The last recorded VSync time.
  uint32 last_vsync_timestamp_;
};

}  // namespace profile
}  // namespace ion

#if ION_PRODUCTION
#define ION_PROFILE_VSYNC(timestamp, vsync_number)
#else
#define ION_PROFILE_VSYNC(timestamp, vsync_number)           \
    ::ion::profile::VSyncProfiler::Get()->RecordVSyncEvent(  \
        timestamp, vsync_number);
#endif  // ION_PRODUCTION

#endif  // ION_PROFILE_VSYNCPROFILER_H_


text:
Toshiba to expand its business PC efforts across Europe
The manufacturer will commit itself more fully to European businesses in hopes of double-digit growth rates.
by Ronald Tiefenthäler/ Allen Ngo, 2016/07/12
Toshiba recently made public its goals and strategies for this coming financial year. Accordingly, the company will focus on strengthening and expanding its position in the medium-large business PC market by more tightly knitting its development, production, and distribution divisions. By being closer together, the company can respond more quickly and directly to both enterprise users and any immediate market changes.
Toshiba has been a strong B2B partner for the past 30 years
VP of Toshiba B2B PC division Maki Yamashita declared that his company has been a B2B provider for over 30 years and has grown very efficient at solving challenges unique to businesses. He assured that maintaining long term relationships with businesses will be key for the company and will be requisite in the upcoming push to European businesses. Yamashita expects double-digit growth numbers to happen in certain European markets while a dedicated European team will help the company expand into more markets in the region.
Additionally, the company will reorganize its distribution of resources and channels.
Speed and quality at all levels
The Middle East and Africa are also part of Toshiba's efforts in growing its B2B portfolio. The company will streamline its product development and production cycles by being more closely involved with the manufacturing process of its products. The production of many of its latest notebooks, for example, will be moved to Toshiba's factory in Hangzhou, China. Toshiba can then more easily commit to ensuring high quality products from start to finish.
http://www.toshiba.de/
Toshiba may sell off most of its flash-memory chip business News @ 02/15/2017
Toshiba to sell part of its memory business News @ 01/28/2017
IFA 2016 | Toshiba launches 2.5" A100 SSDs News @ 09/01/2016
Toshiba Mobile Zero Client bringing virtualization to desktops and notebooks News @ 07/21/2016
Toshiba updates Tecra A50-C-1W2 with Core i7-6500U and LTE News @ 06/26/2016
Toshiba recalls 100,000 laptop batteries News @ 04/01/2016
Toshiba announces new Portege A30-C and Z30t-C SKUs News @ 04/01/2016
Toshiba cancels WearVue smart glasses News @ 02/27/2016
Toshiba adds new Portege Z20t-C SKUs to its lineup News @ 02/18/2016
Toshiba is now 479.4 billion Yen in the red according to latest FY2015 report News @ 02/05/2016
Apple falls to fifth place in China
Consequences of Brexit already reac...
> Notebook / Laptop Reviews and News > News > News Archive > Newsarchive 2016 07 > Toshiba to expand its business PC efforts across Europe
Ronald Tiefenthäler/ Allen Ngo, 2016-07-12 (Update: 2016-07-12)
Allen Ngo - US Editor in Chief
After graduating with a B.S. in environmental hydrodynamics from the University of California, I studied reactor physics to become licensed by the U.S. NRC to operate nuclear reactors. There's a striking level of appreciation you gain for everyday consumer electronics after working with modern nuclear reactivity systems astonishingly powered by computers from the 80s. When I'm not managing day-to-day activities and US review articles on Notebookcheck, you can catch me following the eSports scene and the latest gaming news.


text:
RANZCR developing ethical principles focused on AI in radiology
February 04, 2019 | Michael Walter | Leadership
The Royal Australian and New Zealand College of Radiologists (RANZCR) has established a working group to research the impact and influence of artificial intelligence (AI) on healthcare, focusing specifically on radiology.
One of the primary goals of the working group is to determine ethical principles that can be used to guide imaging professionals as they start to use AI more and more to provide high-quality patient care.
"Even with the increasing hype around AI, there has not been enough work done—certainly in this part of the world—to understand what the technology is, what it will be good for, what the risks of it are and how it can be applied to deliver better-quality, lower-cost healthcare to Australian patients," Dr. Lance Lawler, president of RANZCR, told Radiology Business.
While the working group is still crafting its final list of ethical principles, Lawler said he expects the list to be complete in the near future. Once finalized, they will be made available to the public, and Lawler hopes they are used to compliment other medical frameworks that touch on such issues.
In addition, he added, the group is always open to hearing feedback on these issues from others within the imaging industry.
"As the peak training body for radiologists and radiation oncologists in Australia and New Zealand, RANZCR is delighted to be taking a proactive stance in this vital area," he said. "But we would always welcome input and collaboration from other stakeholders."


NextGenJazz, at the venerable Drake Hotel, hosts some of the brightest young players in Chicago this summer. The next show is the day after tomorrow!
Trumpeteer Marquis Hill performs Thursday, May 16 at the Drake Hotel.
The weather is taking a much-delayed turn for the better. But soon, it will be hot. And that's why it's so fantastic that NextGenJazz, from the Jazz Institute of Chicago, goes on inside the luxurious Drake Hotel.
The building itself is a Jazz Age gem, and the program is designed to attract the next generation of listeners, with the forward-thinking sounds of some of the brightest young lights on the Chicago jazz scene.
This year's schedule once again gives these ascendant players a chance to hold down month-long Thursday night residencies in a high-profile room. The series began last month with the dynamic drummer and bandleader Makaya McCraven and it only gets better from there. Here's a roundup of what's coming in the months ahead.
Like McCraven, the 25-year-old trumpeter is hardly an unknown quantity to Chicago jazz fans, popping up on bandstands all around the city in his own groups and others, and having released his second album as a leader, Sounds of the City, late last year.
The relative anonymity of his chosen instrument may be the only reason why the bassist's name might not ring a bell for listeners. It's been hard to miss his presence around town, otherwise, as he's laid down the bottom line for everyone from Corey Wilkes to Dee Alexander to Ernest Dawkins.
A compatriot of Hill who has appeared on both of the trumpeter's recordings and shares frontline duties in his Black-tet group, the alto saxophonist steps out to lead his own ensemble.
NextGenJazz concerts take place on Thursday nights from 7 p.m. to 11 p.m. in the Palm Court at the Drake Hotel, 140 E. Walton. FREE. The series goes on hiatus in August, before picking up again with bassist/vocalist Katie Ernst in September and saxophonist Rajiv Halim in October. Visit thedrakechicago.com or jazzinchicago.org for more information.


Thank you for trusting us with your patients – we look forward to being a partner in their care and the success of your practice.
Urgent Ortho: first-come, first-served (no appointments) Injuries must be less than 1 month old. Monday – Friday 8 a.m. – 4:30 p.m.
Each week, outside providers are emailed the "NAO Schedule" complete with the cell phone numbers for each NAO physician. On the schedule, you can hover over the physician name, and you will see the cell phone number as well.
Our Referral Coordinator cam help schedule your referred patients with the appropriate specialists.
Northern Arizona Orthopaedics hopes to be the ortho practice of choice for you and your patients. To do that, we need to continuously improve. If you have a suggestion on how we can do better, or would like to share an experience, please contact Carrie Butler, Provider Relations at 928-226-2936.


text:
L'Eco de Sitges, 9 December 2000
EVOCATIONS
Soon it will be a year ago that, coinciding with the celebrations of Christmas and the New Year, we visited New York, a fascinating, stimulating city full of disparate contradictions, cheerful and cosmopolitan, and the first megalopolis in the world. I always had believed that, rambling through the streets, those highest of skyscrapers, so close to one another, had to cause a sensation of breathlessness, almost of oppression. False impression! Everything is extensive, luminous, limitless. The buildings, all of different heights, form an assembly of extraordinary beauty, paradigm of modernity and of harmonious architecture. In this unique scene, the awestruck visitor feels a sort of vertigo, the same that one suddenly feels in the middle of a forest of gigantic trees, conscious of one's physical insignificance.
It would be exhausting to describe all the attractions that the city offers: the artistic wealth of its museums, the proliferation of art galleries, the elegance of the boutiques of every ilk replete with objects, from the most exotic to the most sophisticated and refined, as well as the distinctive originality of the decoration. On Broadway, a prodigious portal to musicals, theater, concerts... New York: a city capable of instilling the vitality necessary to enjoy all imaginable impulses. And again, the sensation of vertigo.
At dusk, to contemplate from the other side of the East River, once past the Brooklyn Bridge, the island of Manhattan as it is covered with that bluish semi-obscurity and adorned with thousands of lights, constitutes a spectacle of a captivating magnificence, as if a fluorescent mirage. In the distance, the Statue of the Liberty proudly raises its arm from Ellis Island, like an invitation to visit the city.
Central Park, a vast space of naked calm at this time of the year, has the peaceful enchantment that nature always offers when it extends through the middle of a boisterous city and defies the stony elegance that surrounds it with the pure arrogance and slenderness of the trees that in the spring must be of an intense verdure. On the frozen lake, skaters twirl and twirl. They are multicolored figures that stand out against the frozen whiteness, like belated flowers moved by the wind.
It's curious how there are places, spaces, cities, that leave a special imprint on our memory, on our sensitivity and on our predisposition to the evocation: of the passage of a novel, of the singular character of a personage or of the peculiarities of a deserted landscape. Often, we intensely relate what we see with a close friend with whom we have shared key moments of our life.
On a date half-obscured (medio oculta) by the years, Antonieta Almirall had recently been married by proxy and had traveled to New York to be with Marko to begin her new life as an American citizen. How splendid she must have found the city to be! How dazzling new landscapes seem to us when they are contemplated for the first time with naive eyes! When the adventure of life passes through its most intense moments.
All this I meditated upon while walking through those streets, among the bustling crowd, occupied with being able to see the maximum number of things possible in so few days. We already sensed that she had to be ill, but we knew that, for the moment, she was well. We took an afternoon to travel to the state of New Jersey, some kilometers to the west of New York, where she, good natured and smiling, waited for us with her children to celebrate our stay in the United States. It was the last time we saw each other.
Antonieta spoke her maternal language with an subtle Anglo-Saxon accent and often introduced American words in her conversation. She was a person integrated perfectly with the nationality, the language, the life and the customs of her country of adoption. She did not forget her Sitgean roots, but she also knew that the fruit of those roots, her children, were Americans and America, her ample home.
Our last talks on the telephone already were tinged with sadness, the sadness that precedes the last goodbye. Her voice was weak and distant, as if the distance between her and ourselves were extending until infinite, until the announced death has turned the distance into absence, though not into forgetfulness.
Marisa Marsal


text:
French Spanish German
Lidia Morales Olivares
Audiovisual translation, subtitling and other linguistic services.
To dream, to trust, to dare. The art of playing with words makes me exceptional.
I am a member of ATRAE (Spanish Asociation of Translation and Audiovisual Adaptation)
About Our Translation Services
My name is Lidia Morales Olivares and I am a Seville-born, France-based philologist and translator. After graduating in German Studies, I specialised in language teaching in secondary education and also studied English Studies. During that time, I was lucky enough to be a student at some of the most reputed universities: the University of Sevilla, the University of Montpellier-I (France), the Ruprecht-Karls University of Heidelberg (Germany) and the University of Tucson in Arizona (USA). More recently, I completed a complementary master's degree in Audiovisual Translation at the Autonomous University of Barcelona.
Over the last 16 years I have nurtured my passion for languages by living in different countries where I conducted my professional career. I have been mainly devoted to the teaching of Spanish as a foreign language, however also worked as a translator. After several years in the USA and 9 years in Germany, I currently live in southern France and am a freelance audiovisual translator specialised in subtitling, dubbing and respeaking. I also translate children's literature, film reviews, interviews, fashion, tourism, human rights, international conferences, etc.
I am a gifted, detail-oriented, very creative linguist. My background in humanities took me into audiovisual translation which, with the use of technology, made me passionate about subtitles and speech recognition software. Furthermore, my experience abroad has positively shaped my personality and my way of thinking. I work for both translation agencies and direct clients. Literature is one of my passions, as well as fashion design and crafting.
If you wish to find out more about me, please check me out on ProZ, on Linkedln or simply get in touch with me!
I have translated and subtitled many TED talks about very different topics for this known media organization that posts talks online for free distribution under the slogan "ideas worth spreading". My work stands out in different language pair combinations (DE-ES, EN-ES, FR-ES).
Please, check my profile
I translate children's stories originally published in German and French for Bücherpiraten e.V., which is a children's literature centre in Lübeck (Germany). Its goal is to enthuse children about books.
Among these are El Mágico Diente Arcoíris and El Sueño de Apkètè
I have translated several film reviews and interviews with filmmakers for Cineuropa, the first European portal dedicated to cinema and audiovisual in four languages. Its mission is to promote the European film industry throughout the world. Some of my works are the film review Oleg and the interviews with Nicolas Pariser and Artemio Benki
I have translated international documents advocating for human rights across the globe, as well as works of writers and journalists who have been persecuted and imprisoned. Evidence of this is my collaboration with PEN International, a supportive, international network that carries out legal interventions and offers humanitarian assistance. One of my works is the translation of Call to Action: This World Refugee Day Take Action for Behrouz Boochani
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text:
Board of Trustees announces salary increase for Lefton
The Board of Trustees approved a five percent salary increase today for President Lester Lefton bringing his annual salary to $367,500 – in addition to a one-time performance bonus totaling $70,000.
Sandra Harbrecht, chair of the Board of Trustees, said the raise comes in the wake of the board's annual performance review of the president. The appraisal process involved between 30 and 40 administrators, faculty and board members.
Harbrecht said the Board of Trustees determined Lefton met or exceeded all first-year goals, and consequently had "about as good a first year as you're going to get."
In addition, she said Lefton contributed "very significant accomplishments in an environment of great challenge" as a new president, such as growing system-wide enrollment, spearheading the development of a major retention initiative and helping increase research funding.
University spokesman Ron Kirksey said the money for the president's salary increase comes from public funds – state funding and tuition.
Lefton said it has been an exciting year to be a part of the Kent State community.
"I hope that I met their expectations, but more importantly, the expectations of the institution," he said.
The Board of Trustees also approved the following resolutions at its first meeting of the semester:
• Purchase of the Meeker/Houser property on South Lincoln Street across from Franklin Hall near Starbucks to eventually provide additional parking for faculty and staff.
• Ratification of changes in university practices and policies for classified civil service employees in compliance with Ohio Revised Code.
• Conferral of degrees to Kent State students who completed requirements from Dec. 16, 2006 to May 13, 2007.
Contact administration reporter Jackie Valley at [email protected].
USG approves new position during first meeting of semester
Women's basketball responds with a statement after previous loss
'New year, new us': Women's Center continues mission with many plans
'Hair as Praxis:' Kai continues conversation by sharing art with Kent State
Culinary Services implements systems to reduce carbon footprint
OPINION: Juggling part-time hobbies as a full-time college student
Winning streak ends for men's basketball
Racist message scratched into mural in Oscar Ritchie Hall
New Ohio law to make distracted driving a primary offense
Students to protest for Free Iran Wednesday


In the Middle Ages, Catholicism had the odd-sounding idea that every ailment of the mind or body could be cured by going off on a long journey to touch a part of the body of a long-dead saint. The church had to hand a dictionary of pilgrimage destinations, which in every case matched problems with solutions. For example, if you were having trouble breast feeding, France alone offered mothers a choice of 46 pilgrimages to sanctuaries of Mary's Holy Breast Milk ("Had the Virgin been a cow," observed the 16th-century Protestant John Calvin unkindly, "she scarcely could not have produced such a quantity").
Believers with a painful molar were advised to travel to Rome to the Basilica of San Lorenzo, where they would touch the arm bones of Saint Apollonia, the patron saint of teeth, or to find pieces of her jaw in the Jesuit church at Antwerp or her toes at disparate sites around Cologne. Unhappily married women were directed to travel to Umbria to touch the shrine of Saint Rita of Cascia, patron saint of marital problems (and lost causes), while people who worried excessively about lightning could gain relief by travelling to the Jesuit Church in Bad Münstereifel in Germany and laying hands on the relics of Saint Donatus, believed to offer help against fires and explosions of all kinds.
Though most of us no longer believe in the divine power of journeys to cure toothache or gall stones, we can still hang on to the idea that certain parts of the world possess a power to address complaints of our psyches and bring about some sort of change in us in a way that wouldn't be possible if we just remained in our bedrooms. There are places that, by virtue of their remoteness, vastness, climate, chaotic energy, haunting melancholy or sheer difference from our homelands can exert a capacity to salve the wounded parts of us.
We might agree with this at a general level but we still lack a tradition of approaching travel from a properly therapeutic perspective and so of analysing landscapes according to their inner benefits. We're badly served here by the travel industry, which cuts the world up into material categories almost entirely unattuned to the needs of our inner selves or, to put it more grandly, our souls. The industry lays before us options such as "outdoor fun", "family adventure", "culture weekends" or "island hideaways" — but leaves it unexplored quite what the point of these destinations might be when considered from the point of view of our psyches.
We need to be clearer in our minds about what we're searching for inside and what the outer world could conceivably deliver for us. In the future, we would ideally be more conscious travellers — aware that we were on a search for places that could deliver psychological virtues such as "calm" or "perspective". A visitor to Monument Valley in Utah wouldn't just be in it for a bit of undefined "adventure", something to enjoy and then gradually forget about two weeks later; travelling to the place would be an occasion fundamentally to reorient the personality. It would be the call-to-arms to become a different person; a 5,000-mile, £3,000 secular pilgrimage properly anchored around a stage of profound character development.
You haven't come to Rhodes to explore the medieval old town or the ancient temple of Apollo. You've not been drawn by a longing to try the local delicacy of chickpea fritters and unsalted ewe's-milk cheese. Your more sophisticated acquaintances would think it trivial. You've come here for just one thing: to get some sun.
On the beach, here, there are recliners under big straw sunshades on the beach. The water is warm. The heat envelops you and seems to ease the knotted muscles in your left shoulder. Every day, the sky is perfectly blue and unclouded. From your hotel balcony, you look out on to an arid, scrubby hill; you love the sight of the baked and cracked earth because it speaks of week after week of hot, dry weather.
For months you have been craving sunshine. Through the impossibly long winter and wintry spring you have been swaddling yourself in layers of garments. You eat for comfort. You're always wanting scones or pies or big helpings of apple crumble. And it shows — somewhere under the habitual jumpers and coats.
Sunshine isn't merely "nice". It has a profound role in our lives. It is an agent of moral qualities: of generosity, courage, the appreciation of the present moment, confidence . . . When the world seems bountiful, material accumulation looks less impressive. When there is easy living, competition loses its edge. When it is so hot, there is no point trying to read — or even think too much. One is merely in the present. These are corrective attitudes. Too much of them and they turn against themselves.
You have come to lie on the beach at Pefkos not because you are light minded or indolent. But precisely because you have become so dutiful, serious, hard working, disconnected from your body, over-cerebral and cautious. It is a deeply noble search for wisdom and balance (which are the ideal goals of art and civilisation) that has led you here — to the world of sun cream, dark glasses, recliners and cocktails by the pool.
There are many guide books suggesting what you might do when you get to Seville. But they all pretty much agree that you must go both to the Plaza de España, built for the Ibero-American Exposition of 1929, and then to the Alcázar — a beautiful Moorish fort that subsequently became a royal palace. All visitors to Seville are also strongly advised to see the monument to Cervantes, author of Don Quixote, located on the Plaza de América.
Such lists are inadvertent but powerful agents of snobbery. The guide book is today's equivalent of Debrett's Peerage & Baronetage, which a smart person might have consulted in 1805 to identify who was worth visiting in Hampshire. Snobbery exploits a natural frailty of our nature: an insecurity about deciding what matters to us, and an accompanying meek assumption that whatever is important or valuable must already have been discovered by others and have achieved widespread prestige.
We shouldn't feel unusually stupid about this. But as we travel, inside of us, we may register a lot of latent interests that aren't mentioned in any tourist offices, yet that we might profitably take time to explore, if only we could overcome "guidebook guilt". We might, for example, deep inside be far more curious about how local supermarkets operate than in the legacy of Cervantes. Or imagine if in our hearts what we're really struck by in Seville is the sheer dryness of the landscape and the challenges of pumping water into the city and its surrounding villages.
Hydro engineering never appears in any guidebook, it just doesn't fit assumptions about what deserves prestige (though in the 18th century, no visit to a city was complete without a tour of the waterworks). However, what pleasure we might experience if we courageously took a day off from the tyranny of museums and monuments and headed south, on the A8053, to the village of Isla Mayor — in order to visit the stunning nearby Salina Grande pumping station.
The pumping station is on no must-see list. But the gargantuan stark structure is a key part of a major irrigation system that has turned former marshland into rice fields. It hums modestly yet powerfully. The station is moving in its lack of pride: it works mutely, unknown, through the night, across the parched summer days, making sure the groves will survive the arid months, guaranteeing that those tourists will have enough water for their showers when they return from the dusty Plaza de España.
All of us have equivalents. Things we care about that aren't mentioned anywhere. Part of growing up, and learning to travel well, means daring to take our own interests a bit more seriously.
It would be extremely unusual these days to find a travel agent that recommends a sojourn in Detroit as the ideal vacation. The city is, after all, in decline. There are neighbourhoods full of derelict homes, shattered theatres and ruined office buildings that were thriving only a few decades ago. However, the idea of going there is far from unreasonable. It has long been fashionable to visit ruins — but only of a very special kind. Announcing that you are going on holiday to see what remains of ancient Ephesus, near Izmir on Turkey's Aegean coast, will raise no eyebrows.
We understand that contemplating the beautiful remains of Ephesus's library of Celsus can put one in touch with the instability of all human achievement. In its day, the library must have seemed indestructible. Now we know what can happen to the finest long-term ambitions and the melancholy, bracing truth — hopefully — hits home. We become, in our own lives, more conscious that time is fleeting, that we must not count on the future, that we cannot count on endless good fortune. But time dulls the power of the message. The idea that a civilisation lasted a mere 700 years before collapsing is not — if one is honest — a terribly disturbing thought. The thought that Piccadilly Circus might have only another 500 years to go, or that by 2714, Tate Modern will be buried under sand, does not freeze the soul or force a radical reassessment of life.
That's why one should head for West Oakman Boulevard or East English Village to contemplate contemporary ruins. Less than 10 years ago, these places were filled with hope and life; couples excitedly choosing paint for the nursery; people planting trees and upgrading their heating system; looking forward to the future. You should perhaps attend an auction at which a house that would be greatly prized if it was located in Putney or Morningside is sold for $1,000. It has, in effect, no financial value. It has fallen off the edge of the economic universe.
The point of such travel is not to make us downcast. It is, rather, to make us attend to the fragility of life. We do not know what five years will bring. The classical remains in Turkey elegantly preach a lesson about history. Detroit offers a crash course in short-term error.
When you first went into the corner shop just off the main Motomachi shopping street to buy a prepaid mobile card, it was difficult. You pointed at your phone but Mr Nishimura couldn't understand you at all. You felt an idiot. Like the time at school you were supposed to make a speech and your mind went blank. Over the years, at home, you have learned how to avoid many of the situations that you find so awkward (though other people appear to manage them without the slightest concern). When something feels alien, your instinct is to retreat. You'd never ask a stranger for directions in the street; the idea of going up to a group of people you don't know at a party is terrifying.
But now you are beginning to tire of the downside of this survival tactic: the too-high price it extracts. In Japan everything is, to you, foreign. You are so far from being inconspicuous, it's a joke. Shyness is in a way no longer even an option. So you go back to the shop. You make use of the ATM (which has an English-language option). You buy some wasabi-flavoured crisps and give the man a big smile. He grins back. You are learning how to do something: you're learning to overcome, not just work round, your shyness.
Today you bought a packet of Chocobi mini star-shaped chocolate biscuits. You made a joke about the rain. Mr Nishimura beamed at you. It's a deep corrective. You are strengthening a capacity you need in the rest of your life.