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Tuesday Night Music Club — дебютный студийный альбом американской певицы и автора Шерил Кроу, вышедший 3 августа 1993 года. Включён в «список 1001 альбомов, которые надо прослушать, прежде, чем умереть» (1001 Albums You Must Hear Before You Die). Альбом достиг мультиплатинового статуса в США и Великобритании и, в итоге, Кроу получила 3 премии Грэмми в 1995 году, включая такие престижные номинации как Лучшая запись года и Лучший новый исполнитель.

Название альбома возникло от имени группы «Tuesday Music Club», помогавшей Шерил Кроу в работе над диском и собиравшимся по вторникам. Продюсером альбома стал Билл Боттрелл, ранее работавший с Майклом Джексоном, Мадонной и другими известными музыкантами. Первый сингл «Run, Baby, Run» имел лишь частичный успех. Однако, альбом привлёк внимание после выхода и успеха третьего сингла «All I Wanna Do», основанного на поэме «Fun» американского поэта Wyn Cooper и написанным Шерил Кроу в соавторстве с David Baerwald, Биллом Боттреллом и Kevin Gilbert. Сингл достиг в США 2-го места в чарте синглов Billboard Hot 100, что позволило и альбому подняться до 3-го места в основном американском чарте Billboard 200, к январю 2008 года было продано более 5,3 млн копий альбома. В английском хит-параде UK Album Chart, Tuesday Night Music Club достиг 8-го места и был сертифицирован в 2-кр. платиновом статусе в Великобритании и в 7-кр. платиновом статусе в США (более 7 млн копий).

Об альбоме
Tuesday Music Club (Бейрвальд, Рикетс, Боттрелл, Шварц и Маклеод) существовал как случайный коллектив авторов песен до начала работы с Кроу, но быстро превратилась коллектив, который не только написал для её дебютного альбома, но и принял участие в его записи. Также авторами песен была сама Кроу и Кевин Гилберт, с которым она в то время встречалась. Её отношения с Гилбертом стали напряжёнными вскоре после выхода альбома, и возникли споры о фактическом авторстве песен. Позже в интервью Кроу утверждала, что сама написала их. И Гилберт, и Бейрвальд публично осудили Кроу, хотя позже Бейрвальд смягчил свою позицию. Аналогичное напряжение возникло и с Биллом Боттреллом после её второго альбома, над которым он работал на ранних стадиях. В феврале 2008 года Боттрелл сказал: «Правду трудно описать, но она лежит между тем, что выкрикивали все люди. Всё это было очень расплывчато и очень сложно. Она написала большую часть альбома. Мы с ребятами внесли свой вклад в написание и тексты песен, включая некоторые личные вещи. Однако звук был тем звуком, который я развил». Однако это было сказано во время продвижения их самой последней совместной работы и противоречит большинству его предыдущих заявлений, включая те, что содержатся в очень подробной книге Ричарда Бускина об этой ситуации. Боттрелл в прежние времена говорил, что Кроу получила вторую по величине часть издательских расколов на альбоме, чтобы мотивировать её усердно работать, так как ей всё ещё приходилось платить очень большой долг за свою невыпущенную настоящую первую пластинку, а публикация была единственным способом заработать деньги на своей новой пластинке.

Музыкальный клуб Tuesday Night Music Club продал около 7,6 миллиона копий в США и Великобритании в 1990-е годы. Альбом также получил три премии «Грэмми» в 1995 году: «Рекорд года», «Лучший новый исполнитель» и «Лучшее женское поп-вокальное исполнение».

Альбом Трэвиса Тритта 2002 года Strong Enough включает песню под названием «Strong Enough to Be Your Man» и был написан как ответ на оригинальную песню Кроу.

Tuesday Night Music Club был переиздан в 2009 году с дополнительным материалом. Делюкс-издание 2009 года включает в себя оригинальный альбом 1993 года, второй компакт-диск, содержащий Би-сайды, раритеты и ауттейки, а также бонусный DVD с шестью оригинальными видеоклипами альбома плюс редкую альтернативную версию «All I Wanna Do» режиссёра Романа Копполы. DVD также включает в себя выпущенный незадолго до того документальный фильм, состоящий из дорожных, закулисных, концертных кадров и саундчеков из тура Кроу в начале 90-х. Четыре из ранее не издававшихся записей на бонус‒диске — «Coffee Shop», «Killer Life», «Essential Trip of Hereness» и «You Want More» — были записаны в 1994 году и предназначались для последующего альбома Кроу. Нарезки были сведены для этого альбома оригинальным продюсером «Tuesday Night Music Club» Биллом Боттреллом. Бонус-диск также включает в себя три би-сайда с британских синглов — «Reach Around Jerk», альтернативную версию «The Na—Na Song» под названием «Volvo Cowgirl 99» и кавер-версию песни Эрика Кармена «All by Myself», а также кавер-версию песни Led Zeppelin «D'yer Mak'er» и песню «On the Outside», которая была выпущена как часть саундтрека к альбому «Секретные материалы».

Список композиций
 «Run, Baby, Run» (David Baerwald, Билл Боттрелл, Sheryl Crow) — 4:53
 «Leaving Las Vegas» (Baerwald, Боттрелл, Crow, Kevin Gilbert, David Ricketts) — 5:10
 «Strong Enough» (Baerwald, Боттрелл, Crow, Gilbert, Brian MacLeod, Ricketts) — 3:10
 «Can't Cry Anymore» (Боттрелл, Crow) — 3:41
 «Solidify» (Baerwald, Боттрелл, Crow, Gilbert, Kevin Hunter, MacLeod, Ricketts) — 4:08
 «The Na-Na Song» (Baerwald, Боттрелл, Crow, Gilbert, MacLeod, Ricketts) — 3:12
 «No One Said It Would Be Easy» (Боттрелл, Crow, Gilbert, Dan Schwartz) — 5:29
 «What I Can Do For You» (Baerwald, Crow) — 4:15
 «All I Wanna Do» (Baerwald, Боттрелл, Wyn Cooper, Crow, Gilbert) — 4:32
 «We Do What We Can» (Боттрелл, Crow, Gilbert, Schwartz) — 5:38
 «I Shall Believe» (Боттрелл, Crow) — 5:34

Участники записи
 Шерил Кроу — гитара, фортепиано, вокал
 David Baerwald — гитара
 Билл Боттрелл — гитара
 Kevin Gilbert — гитара, ударные («Run Baby Run», «All by Myself»), бас-гитара («All I Want To Do»)
 David Ricketts — бас-гитара («Leaving Las Vegas»)
 Dan Schwartz — бас-гитара
 Brian MacLeod — ударные

Награды

|-
| style="width:35px; text-align:center;" rowspan="5"|1995
|-
|rowspan="3"| «All I Wanna Do»|| Best Female Pop Vocal Performance ||
|-
| Премия «Грэмми» за лучшую запись года ||
|-
| Премия «Грэмми» за лучшую песню года ||
|-
| Шерил Кроу || Премия «Грэмми» лучшему новому исполнителю ||

Чарты

Chart positions

Итоговые годовые чарты

Чарты десятилетия

Примечания

Ссылки
 Sheryl Crow Official website

Альбомы США
Альбомы A&M Records
Альбомы, сертифицированные как платиновые Американской ассоциацией звукозаписывающих компаний
Альбомы Шерил Кроу
Дебютные альбомы 1993 года

redpajama_set_name: RedPajamaWikipedia


Red Wings seek to add tougher play to their arsenal.
The Red Wings brawled and scraped against a talented, powerful Avalanche team Sunday in the latest example of their desire to play rougher.
Detroit — The Red Wings aim to play tough.
They want opponents to understand they have a battle on their hands when they play the Wings, especially in Little Caesars Arena.
He thinks the Red Wings are getting there.
"Way better now than we were at the beginning of the year," he said after Sunday's hard-hitting, pugnacious game against the Avalanche, which made it feel like that once-bitter rivalry had been renewed.
"I didn't know what we were made of yet," he said of his perceptions in Traverse City during training camp "Did we have players that would fit that?
The Wings want Bertuzzi to play up to the line where antagonism ends and rules violations begin.
On Monday, the NHL ruled Bertuzzi crossed that line.
The Department of Player Safety suspended Bertuzzi two games for "unsportsmanlike conduct/roughing" after a hearing into a sequence near the Wings bench Sunday.
What the NHL found objectionable the Wings might well perceive as sticking up for themselves. They did a lot of it throughout the game, and called it progress in their development of an evolving roster.
When the Avalanche defenseman Ian Cole checked Andreas Athanasiou heavily in open ice in the third period, Bertuzzi fought Cole.
He delivered at least four punches for which Cole had little answer.
Then, Patrik Nemeth checked Dylan Larkin heavily into the boards. Larkin later said he believed Nemeth targeted his head.
Anthony Mantha immediately fought Nemeth, repeatedly landing right hands, including one punch that caused Nemeth to howl.
But the toughness the Red Wings and Blashill have in mind is not pugilism alone.
A difficult team to play against is also disciplined about the space it allows opponents.
Constantly "closing the gaps" is, in part, confrontational But, it also requires disciplined will and vigilance. And, it makes for good, tough defense.
"I think from a physicality standpoint, and from a hunting-and-hounding type of standpoint, we're closer to that than we were at the beginning of the year," Blashill said.
The tactics can frustrate opponents.
Jonathan Bernier played in goal Sunday against his former teammates. He said he noticed their frustration.
He said it included the high scoring line of Nathan McKinnon, Gabriel Landeskog and Mikko Rantanen.
Niklas Kronwall added to the rough stuff by debuting "Kronwalling" for 2018-19, with a vicious, frontal body check on Colin Wilson.
But, Kronwall said, the most effective toughness came while the Wings thwarted the Avalanche's high-powered offense, especially the top line.
"Whoever was out there against them tried to take away as much space as possible," Kronwall said. "That's how you've got to do it. It's not just one guy focused on them. Every single guy on the ice has to do that.
In training camp in 2017, Blashill talked about the need for the team to assume an identity. Preferably one more rough and tough.
Through a seasonlong search, it never quite took hold.
In 2018, he brought the slogan.
It seems to have helped, and it could prove a potent weapon in a league designed for parity.
Outlook: The Lightning played the Devils Monday night, while the Red Wings were off. Tampa's injuries include G Andrei Vasilevskiy and D Anton Stralman. The Lightning entered play Monday with the most points in the NHL (39) and tied for the second-best goal differential (24). The Wings are in 21st in the league standings and 22nd in goal differential.


This requisition/job description reflects potential co-op/intern openings for the Summer 2015 Co-Op/Intern Session (May - August). This is a general job description and represents multiple openings in various departments. College students must apply to this requisition to indicate their interest.
1. Welding various materials together via various welding processes (Resistance Spot welding as the primary) via structured test developed by Honda associates.
2. Destructive analysis of the welded samples (Cross sections and tensile tester use). This includes sample preparation for Macrograph analysis.
3. Data logging and analysis to create lab reports for explanation of results.
4. Material management for testing and general support of other processes in the weld lab, including testing consumables.
5. General support on various projects as needed.
Daily Tasks: Attend meetings, work on project activities, problem analysis, write technical reports, troubleshoot manufacturing or quality problems, and communicate to internal/external customers.
Term: Summer 2015 (May-August). Minimum of 10 weeks required.
Degree: Candidate must be enrolled in a bachelor degree program studying Weld Engineering, Weld Engineering Technology, or related field.


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Filled with unsettling thoughts but ultimately life-affirming, this is a strange and quirky novel about love, delusions and dependency from a unique voice.
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Kazuo Ishiguro reinvents himself again with this lyrical and moving novel about love, memories and society, all while skirting around the edge of fantasy.
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Mel Brooks famously said that "by using the medium of comedy, we can try to rob Hitler of his posthumous power and myths." But what if someone could ride an ironic wave to the top?
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A snapshot of a family unit in crisis, a peek behind the Ikea curtain and the idea of pristine Scandinavian life.
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text:
A Common Truth by Saltland
Packaging Notes
Deluxe vinyl is pressed on 180 gram audiophile LP at Optimal (Germany) and comes in a heavyweight jacket printed on 100% recycled 24pt Orford paperboard with black poly-lined audiophile dust sleeve, with a 12"x22" art print poster and 11"x11" art/credit insert, and a download code for a 320kbps MP3 copy of the album.
CD comes in a custom mini-gatefold jacket printed on thick 24pt. paperboard with matte UV varnish and a printed inner dust sleeve for the disc.
A Common Truth Saltland
180gLP+MP3
180gLP+WAV
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A Common Truth is the second album by Saltland, the solo project of veteran Montréal cellist and composer Rebecca Foon. Following the acclaimed 2013 debut I Thought It Was Us But It Was All Of Us, Foon performed Saltland live in various successful configurations, but as the concept and compositions for a new album began to materialize, she wished to further expand on an approach with her cello as primary source for all sounds on the record. Combining unadulterated, processed and sampled cellos, A Common Truth largely reflects this commitment and results in an album of gorgeous integrity, restraint, and meditative intensity. The one notable exception: longtime friend and prior collaborator Warren Ellis (Nick Cave, Dirty Three) is the album's special guest player, contributing violin, pump organ and loops to the album's four instrumental tracks.
Other links to buy
Bandcamp iTunes Norman Records (UK)
Spotify Apple Music Deezer YouTube
1. To Allow Us All To Breathe
2. Under My Skin
3. I Only Wish This For You
4. Light Of Mercy
5. Forward Eyes I
7. This Other Place
8. A Common Truth
9. Forward Eyes II
Running time: 00:40:53
Working with engineer Jace Lasek (The Besnard Lakes), Foon has produced a song cycle that alternates between wordless instrumentals and lyric-driven pieces, balancing austere, organic intimacy and lush, multi-layered expansiveness. The analog warmth of Lasek's naturalistic rock production anchors Saltland's juxtaposition of dry and processed strings, with the placement of Foon's voice very much within the mix but never veiled or concealed; a voice described as "an instrument of somnolent, gossamer allure which floats gracefully amid the eddying, amniotic music" (Mojo, 2013). Electronic music strategies, via signal processing and re-sampling, are deployed minimally and judiciously – and all the more powerfully as such.
A Common Truth also importantly channels other strands from Rebecca's life: the record is about climate change and marks an attempt to musically translate a complex mix of emotional, social and political resonances in this regard. The album's atmosphere and pace is guided by the coexistence of optimism and despair, resolve and resignation, the intimacy of the local/personal and the hope of the global/collective. Foon has devoted much of her life in recent years to working for decarbonization, land conservation and renewable energy – as a member of Sustainability Solutions Group cooperative, as founder of the conservation charity Junglekeepers, and as co-founder of Pathway to Paris, an international concert series bringing together musicians, writers and activists to help raise consciousness toward implementation of a robust international climate agreement.
Rebecca Foon's new Saltland album A Common Truth is a compelling coalescence and fullest musical expression of the inspiring trajectories charted by this committed and renowned artist, activist and organizer.
Written and performed by Rebecca Foon
Except 1, 4, 5, 9 co-written and featuring violin, pump organ & loops by Warren Ellis
Guitar & MS-20 on 3, 7, 8 by Jace Lasek
Backing vocal on 4 by Ian Ilavsky
Recorded by Jace Lasek at Breakglass, Montréal
Mixed by Jace Lasek, Ian Ilavsky & Rebecca Foon at Breakglass
Mastered by Ryan Morey
"Besides the first Saltland album in 2013 and her ongoing duties co-helming the consistently brilliant chamber group Esmerine, Foon has devoted much of her recent years to conservation causes and charities, notably co-founding Pathway To Paris, a concert series aimed at supporting the international climate agreement. So it's no surprise that Foon's second solo album as Saltland should address the complex emotions around tackling climate change. While the first was a varied mixture of lush dream pop, chamber music and spiraling post-rock littered with guests, A Common Truth is far more intimate, focusing on arrangements and whispered songs erupting around Foon's distinctly emotive cello. Due to the shifting blend of fear, despair, togetherness, hope and anger that characterizes the battle for climate change awareness, her song cycle aptly seeps its way into all nooks and crannies of the emotional spectrum. The one major guest contribution comes from old friend and Bad Seed Warren Ellis, who fleshes out four tracks on the album with pump organ, loops and violin. "To Allow Us All To Breathe" has Foon's wordless vocals and aching cello yearning to life over Ellis's pump organ drones, lamenting the loss of breathable air, only to jump straight to a lullaby-esque piano ballad titled "Under My Skin". Both the title track and lead single "I Only Wish This For You" seem to have Foon at her angriest, coaxing the cello strings into heavy distorted riffing behind a choir of multitracked Foons. A Common Truth closes with another instrumental duet with Ellis, this time blossoming with some convincing beauty and hope. Its sweetness however fails to quell the feeling of anger pervading this call to arms." – The Wire
"A Common Truth offers meditations on climate change, unfolding in spellbinding passages that entrance with deeply resonating, emotional dispatches… Built primarily from Foon's ethereal vocals and both acoustic and processed cello, that all manifests across the record nebulously, but there's an unmistakable gravity that insures it's all operating in the same realm… Foon's cello loops build stirring, densely populated worlds…[the album's] greatest strength might be its steadfast, righteous patience…a spiritually holistic, potent dose of manna fit to feed a weathered movement." – Exclaim! 8/10
"With a voice equally suited to opening petals and opening wounds, Foon sings to the earth like a mother to a newborn, beaming with hope while gripped with fear. But she also offers an alternate form of resistance: transformation." – NPR ("I Only Wish This For You" track premiere)
"Let's get the most important part out of the way: Rebecca Foon's second album as Saltland is a bona fide stunner. Potentially one of the most beautiful records you'll hear this year. It makes sweet misery out of melody while articulating a forlorn yet rousing sense of hope. Yes, we're smitten, but with good reason. There are pop songs of sorts here, notably the enthralling "Under My Skin", but their obscured lyrics drift through the fog like whispered, half-heard conversations; it often feels like more of a soundscape than a collection of songs. What lies beneath…is a series of emotional, political and ecological puzzles, where optimism lies parallel to despair (and if you can find a better sonic summary of the socio-political climate in 2017, we urge you to shout about it from the rooftops). There doubtless will be more grandiose political records to come in 2017...[but] we'd bet you won't want to live with them as long as this one: there are secrets and truths to be untapped, and the way Foon sets to her task is a genuine thrill." – The Skinny ★★★★
"It's in some ways surprising to learn that A Common Truth, cellist Rebecca Foon's second album as Saltland, is about climate change. Surprising not because the album lacks anything in darkness or dread—it carries both in abundance—but because it feels so personal, its atmosphere so cloistered and internal. Foon seems to recede to a distant, unlit corner of her own psyche, allowing the music to grow unfettered in the ambiguities of the unconscious. She conceives of her subject in broader terms than your typical political discourse, and as such the material never seems to take place 'out there' somewhere but rather in an aching, frightening within. Composed of four instrumental tracks and five featuring hushed alto vocals murmuring just beneath subtle loops and the superb, sparse cello arrangements, Rebecca Foon has managed to take what could have been a narrow exercise in chamber music and crafted something with real emotional depth and scope. She takes cues from sources as diverse as drone and freak folk while hewing devotedly to her core instrument. No matter your tastes and inclinations, you may be surprised just how affecting the album proves to be." – Popmatters 8/10
"On A Common Truth [Rebecca Foon] has filtered a cause that she cares deeply about through her considerable musical talents. The outcome is bountiful and expansive. Given the weighty issues she has tasked herself with, her approach is humble. For all the beauty on this record – and it is awash with it – this isn't some fey attempt at political engagement. She crafts a complex and dense soundscape so rich in detail that repeated listens always reveal further treasures. The album successfully shifts between fatalistic mourning and a pragmatic resolve towards optimism, capturing all the problematic and uncomfortable truths surrounding an environment in crisis. This is a quietly powerful, and intensely beautiful, record whose contemplations will bed themselves in your mind and hopefully move you towards caring about the issues raised as deeply as she clearly does." – MusicOhm ★★★★
"Exploits the full measure of her instrument's potential by layering and processing, besides featuring it in its naked, unadulterated form. Electronic music strategies such as signal processing and re-sampling are present, too, but applied inconspicuously, their impact often subliminally felt. As this consistently satisfying follow-up to 2013's I Thought It Was Us But It Was All of Us shows, Foon's is a singular artistic voice." – Textura
"Orchestral tones, shoegaze and drone conjure up vast, lonely terrains. Mountainous and haunting. With her cello bow as her chisel, Rebecca Foon sculpts her deepest ruminations into being, daring us to look away." – Record Collector ★★★★
"Had it been released a year ago, A Common Truth would have been a welcome voice in a virtual choir, calling attention to an essential issue; in today's context, it's a peaceful protest, a lament, a war cry. While Foon sings on half of the tracks, her voice is as integrated as that of Deirdre Rutkowski in This Mortal Coil; the music wraps around her words like a cocoon. The cello is such an emotive instrument that it's hard to hear its low tones without a feeling of sadness or dread. Each emotion is pertinent here. The timbre lands between modern composition and post-rock, as might be expected from the artist's pedigree, the music coming across as somber and cinematic. At once an elegy and a statement of injured hope, A Common Truth is a quiet yet insistent question raised by a reporter who won't go away: how do we break this vicious cycle? " – A Closer Listen
Waxing Moon Rebecca Foon
I Thought It Was Us But It Was All Of Us Saltland
Dalmak Esmerine
La Lechuza Esmerine
Lost Voices Esmerine
Mechanics of Dominion Esmerine
Entanglement Jessica Moss
13 Blues for Thirteen Moons Thee Silver Mt. Zion Memorial Orchestra
2x180gLP+MP3
2x180gLP+WAV

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text:
LS Net >> LShop >> Book >> Others >> Azim Premji: The Man...
Azim Premji: The Man Beyond the Billions
by Varun Sood & Sundeep Khanna
For over five decades, Azim Hasham Premji has been one of the trailblazers of India Inc. Taking over his family business of vegetable oils at the young age of twenty-one after the untimely demise of his father, he built one of India's most successful software companies along with a multi-billion-dollar conglomerate. As of 2019, he was the tenth richest person in India, with an estimated net worth of $7.2 billion. Yet, the one facet of the man which has overshadowed even his business achievements is his altruism. His commitment to the Azim Premji Foundation, a non-profit focused on education, totals around $21 billion, making him one of the world's top philanthropists. Azim Premji: The Man Beyond the Billions, the first authoritative biography of the icon, shows how Premji is a philanthropist at heart and a businessman by choice - a man who wanted to give away his billions but realized early enough that he would first have to earn them. It peels the layers off Premji's life while chronicling his professional and charitable work in the context of his many strengths and shortcomings. Based on interviews with hundreds of current and past Wipro executives, who have over the years worked closely with him, as well as with competitors, analysts, family friends and industry associates, this is a journalists' account of Premji the man, the businessman and the philanthropist.
SUNDEEP KHANNA is a regular columnist for Money Control as well as The Morning Context, a subscription-only business news outlet. In a journalism career spanning thirty years, he has been a senior editor at publications such as Business Today and Financial Express before retiring as executive editor of Mint. VARUN SOOD is a Bengaluru-based technology journalist. He started his career with Business Standard and in the past fourteen years has worked with a number of publications, including Financial Times and The Economic Times. In his last role, he was a National Editor in charge of breaking stories at Mint.


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Q: Sum a column in Excel based on two references in the column and two filter reference columns I need to sum the valumes of a column, but I need to identify the column based on two values in the column and I have to filter it by the values in two adjecent columns.
Here is an example:
Reference1            Act.   Act.   Act.    ...    Bud.   Bud.   Bud.
Reference2            Jan    Feb    Mar     ...    Jan    Feb    Mar

Reference3 Reference4
CAR        BLUE       1      2      3              4      5      6
CAR        BLUE       1      2      3              4      5      6
CAR        RED        1      2      3              4      5      6

So, I have to add all the CAR & BLUE & Act. & Jan = 1+1 = 2. And similarly for the other columns.
I would like to achieve something as follows:
Reference3 Reference4 Reference1 Reference2 Value
CAR        BLUE       Act.       Jan        2
CAR        BLUE       Act.       FEB        4

The problem I have is that formula to use in the Value column above. I can not do a SUMIFS as the columns in the original source table change. A VLOOKUP don't work as there is no single column for the lookup_value. I thought about using MATCH to identify the column, but as I have two references(1&2) it doesn't work either.
Any ideas on what formula(s) I could use to achive the above.
Thanks

A: Try making a pivot table from your data (this will not make formulas, though, but will nevertheless give you the desired results).
Here is a simple guide on doing that in Excel 2003 - http://www.techonthenet.com/excel/pivottbls/create.php

A: You can create a Key in a column:
= Reference3 & Reference4 & Reference1 & reference2

and after use the Subtotal command (Inside Data).
Every time you modify the data, you need to reuse Subtotal

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"Heroes are rebels with a cause. Rebels because they challenge the traditional ways of thinking and refuse to follow the herd. They have a cause, a vision, that's larger than life." - Sharif Khan, author of Psychology of the Hero Soul From a small-town Polish boy born to a retired army officer to become Pope; from a hard life in Nazi occupied Poland, his mother dead of kidney and heart failure, an older brother dead from scarlet fever, to become quite possibly "man of the century." How did such an unlikely candidate for the head of the Roman Catholic Church rise so quickly to such prominence? What leadership lessons can we learn from this global spiritual leader who so moved the world? Here is a brief timeline snap-shot of Karol Josef Wojtyla's exemplary leadership: Knowledge 1958: Pope Pius XII names Wojtyla auxiliary bishop of Krakow. By this time, Wojtyla was a professor of ethics and had two doctorate degrees; he had studied theology in clandestine during the oppressive Nazi occupation of Poland.
In Wojtyla's case, he took the time to gain knowledge of the world, himself, and beyond. As a chaplain for university students in Krakow, he used to go on frequent camping and kayaking trips and offered counseling and mentorship to the students. On these excursions, he would usually take an hour or more to be alone by himself to reflect, read, and pray. These moments of solitude gave him a strong internal compass and knowledge of self required of all great leaders. Humility 1978: Elected Pope John Paul II becoming the 264th pope and first non-Italian pope in 456 years; refuses formal papal coronation in favor of a simple inauguration ceremony and chooses not to use the royal plural "We" referring to himself plainly as "I". Wojtyla was not impressed by the trappings of power and its symbols and made that clear from the day he was elected Pope. He had a very simple, plain, and honest way of communicating that endeared people to him. He exemplified the servant-leader role by embodying one of the titles of the Pope: Servus Servorum Dei (Servant of the Servants of God). Leadership lesson: leaders are humble. We can learn from Wojtyla's example by not isolating ourselves in the corner office or ivory tower with each successive promotion, hiding behind closed doors and a sea of fancy titles, diplomas, awards, certificates, and press-clippings.
Like Wojtyla, we can make ourselves available to our people with open doors, seeking to understand and encouraging dialogue. Leadership by walking around and talking to people and listening to their needs earns respect and trust. Heart 1979: Visits his homeland, Poland, for the first time as Pope and speaks to his people, inspiring Solidarity, the first independent labor movement in the Soviet bloc. Risking his life against the totalitarian Communist Regime in Poland, Wojtyla returned to his homeland and did not speak in the typical, official 'visiting dignitary' tone. He spoke from his heart, from the gut, soul-to-soul – in their language. The people of Poland saw themselves reflected in him; he encouraged them to not crawl like animals but walk tall and 'be not afraid.' The crowd went wild and a flame of rebellion and counter-revolution was lit in the collective consciousness of the Polish people, sparking the Solidarity movement for independence and freedom that eventually toppled the Communist Regime. Leadership lesson: leaders have heart. Intellect is not enough; both head and heart have to be married. If you want to win over people, risk letting down your guard and speak from the heart.
The leader that speaks from the heart almost always wins over reason alone. Forgiveness 1983: Meets with assassin Ali Agca in prison. Just two years after the assassination attempt on his life by gunman, Mehmet Ali Agca, and several months of painful recovery, the Pope visited Agca in prison and offered forgiveness. (Much later, in 2000, the Italian government granted clemency to Agca, on the Pope's request). Leadership lesson: leaders are willing to forgive. We are all fallible human beings that make mistakes. The mark of a true leader is his or her willingness to forgive. It's also a smart leadership strategy in the long-term. While there's no excuse to keep someone who consistently fails to learn from their mistakes, the boss that fires an employee for making a big mistake is often mistaken for doing so. After all, there's always the risk that the next person hired could potentially make the same disastrous mistake.
But by offering forgiveness to the person that errs, that person is unlikely to repeat that same mistake, and will most likely remain fiercely loyal to you. Responsibility 2000: Offers a day of apology for sins committed by members of the Catholic Church over the centuries; visits Israel and pays homage to the victims of the Holocaust. Wojtyla was the first pope to visit the Auschwitz concentration camp in Poland in 1979, and later in 2000, he visited Jerusalem's Yad Vashem in remembrance of the six million Jews who died in the Holocaust, praying for reconciliation between Christians and Jews and apologizing for the sin of anti-Semitism by Christians. The day that former U. President, John F. Kennedy, took full responsibility for the Bay of Pigs fiasco, was the day he became a leader. The day that Wojtyla apologized and took responsibility for the sins of anti-Semitism committed by Christians, was the day he became a truly respected global leader. Leadership lesson: leaders take full responsibility for their organization.


SEO tips from a Kid!
SEO (Search Engine Optimization) – is a thing that usually drive people's heads off!! Naaahh! Ok, here's the thing: Search Engine Optimization is an act of optimizing your website or blog to be more Search Engine Friendly. Almost %75 of web traffic comes from search engines and that's why it is required to optimize your webpage.
Optimizing your website/blog is a procedure to maximize the unique visitors of your website by building a Search Engine Optimized webpage. You should be in charge of the top 3 search engines (Google, Yahoo and MSN) which take control of almost all the search traffic in the web. By Search Engine Optimization you could make your website to be in the first pages of those search engines above!
Keyword research – The most important in SEO is keywords, of course if you don't have the right keyword your nothing. Also internet marketing strategies should also be implemented in choosing the right keywords to optimize.
Monthly Optimization – Internet grows so fast but it changes faster, that's why it is needed to always update your webpage monthly and better do it weekly.
Update! Update! Update! – You should always update your site's pages based on the keywords you're optimizing, for your site have more appeal on search engines. Content is also a main factor for a better search engine visibility.
See, SEO is easy! Just implement those tips and you will be on top of the top 3 search engines in no time! Comments are open for complains and questions.


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Hygiene guidelines for food industry machinery
European Hygienic Engineering and Design Group provides clarity
Food & Pharma
The importance of a professional approach to hygiene in the food industry cannot be overemphasised. Even relatively minor shortcomings can have far-reaching consequences including serious illness and even death.
In view of the risks to public health, it is entirely appropriate that the European Union applies strict rules to hygiene in the food industry. It is a given that the health of people comes first. However, hygiene problems can also cause serious damage to the businesses concerned. The direct costs of recall campaigns can be very high indeed, but the costs resulting from damage to a company's reputation are often even more substantial. For example, an American food company suffered damage amounting to $160 million as a result of a hygiene problem and saw the value of its shares fall by 30%.
What does the law say?
The point is that while EU legislation specifies that machinery in contact with food must be easy to clean, it is up to manufacturers to decide how this task is accomplished exactly. In addition, there are also ISO standards on this subject, but they too contain little prescriptive detail.
Added value of the EHEDG
EHEDG – European Hygienic Engineering and Design Group – can be seen as an extension of the laws and ISO standards. The group develops guidelines on hygienic design that are based on clear and concrete examples, which can therefore be translated into practice.Companies that offer machines that comply with EHEDG guidelines can be certified for this on request. The organisation – which is recognised by the food industry – has 1,400 members worldwide, all of them working on a voluntary basis.
Improved hygiene thanks to easily maintained machines
"Machines used in the food industry must first and foremost be thoughtfully designed," says Hein Timmerman, Global Sector Specialist at Diversey, an international food safety company and board member of EHEDG.
"For example, we prefer to see as few parts as possible on a machine oriented horizontally. This is because contaminated substances can remain on them more easily. It's very important that the machines can be easily cleaned while at the same time ensuring that the effort required for this is kept to a minimum. It's also important that the machine stands on sufficiently high legs, otherwise it won't be possible to clean the underside properly. As a significant side-effect, machines that are kept clean also contribute to the elimination of allergens."
"In addition to the machine itself, environmental factors are also important. For example, hygienic drainage must be provided in the vicinity of the machine so that food residues, water and cleaning agents can be easily removed. The environment around the machine also has to be kept clean. There is after all little point in cleaning the floors around the machine if the people who have to work with the machine first have to walk through an adjacent area where the floors are dirty or otherwise contaminated."
"It's equally important that the people who have to carry out maintenance are well supported. Too often, foreign-language speakers are used for this purpose. While there is absolutely nothing wrong with that, but it does mean that the maintenance instructions have to be translated correctly and completely. Each individual must understand precisely what they have to do."
From PPM to PPB
"Today, we have more advanced analytical techniques at our disposal than ever before. In the past, checks were limited to PPM measurements (parts per million), but nowadays we are able to measure at PPB level (parts per billion). As far as food safety is concerned, we must never overlook any detail, at any time."
It's in the detail
"For example, rubber covers must be made of traceable and food-grade materials and threads may only be used if they are completely shielded. Otherwise, contaminated material may be left behind that subsequently ends up in the food."
"Maintenance technicians must also use clean tools. Any lubricants they use must be of a suitable 'food grade' type, and every part of the machine must be traceable, even if it is subsequently replaced. This means that in the event of a problem, it is possible to determine who is responsible."
It is important to note that machines that are easy to clean and maintain do not have to be more expensive than their less maintenance-friendly counterparts. Moreover, such machines often require fewer attachment points and are also more durable, as well as requiring fewer chemicals and less water to clean them properly.
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Lovely Condo in West Lafayette City School District! This beauty offers 2 bedrooms, 2 full baths, private den/office, bright sun room and much more! Formal dining room plus an eat in kitchen. Vaulted ceilings offer a roomy feel in the main living area. Spacious 20 x 24 garage. Located on a serene lot in Castle Ridge, overlooking a tree line. Terrific low maintenance living, offering mowing, snow removal, and exterior maintenance! Great West Lafayette location near shopping and bus line! This is a must see!


Bruce Springsteen, Jeff Buckley, Underworld and White Denim feature in the new issue of Uncut, dated April 2016 and out now.
The Boss is on the cover, and inside, the E Street Band discuss the making of The River, their upcoming celebratory tour and sticking together.
Meanwhile, Chris Isaak recalls the making of "Wicked Game", Eddie Kramer remembers engineering and producing classic albums by Jimi Hendrix, The Rolling Stones, Traffic and David Bowie, and Jeff Lynne answers your questions. We pay tribute to Glenn Frey and Paul Kantner, and speak to Kiran Leonard and Charles Bradley in our front section.
Our reviews section features new albums from Margo Price, Iggy Pop, Violent Femmes and The Coral, and archive releases from Alex Harvey, David Bowie and Bonnie 'Prince' Billy, while live we catch Tame Impala in Brussels and Scritti Politti in London.
In our Film and DVD sections, we look at new releases from Ben Wheatley and the Coen Brothers, and film tributes to George Harrison and The Melvins.
Uncut's free CD, On The Highway, features new tracks from The Coral, Richmond Fontaine, Grant-Lee Phillips, White Denim, M Ward, Kiran Leonard, Meilyr Jones and Bob Mould.


text:
Lepidochrysops inyangae är en fjärilsart som beskrevs av Pimhey 1945. Lepidochrysops inyangae ingår i släktet Lepidochrysops och familjen juvelvingar. Inga underarter finns listade i Catalogue of Life.

Källor

Juvelvingar
inyangae


With special guests Eva Lazarus, Edo.G and Joel Culpepper.
"Home Cooking" represents a new direction of sound for DJ Yoda – inspired by soul, jazz and 90s hip-hop with a sprinkle of his signature scratching mixed in for good measure.
Recorded between DJ Yoda's studio and the acclaimed Abbey Road, the album is influenced by Guru's 'Jazzmatazz' and showcases some of the most exciting talent within their genres.


We've released several new versions of MongoDB Compass in the past few months, and we're excited about the new features that we've introduced. Read on for details or download the latest version here.
If you're new to Compass, the best way to learn to use it is with the free online tutorial: M001: MongoDB Basics. In this series of online videos and hands-on exercises, you will use Compass to explore MongoDB data models, learn the MongoDB query language, and deploy and connect to MongoDB clusters in Atlas, MongoDB's fully managed cloud service.
With the introduction of a new plugin API, MongoDB Compass is fully extensible. From examining database users and roles to generating sample data, from viewing GridFS files to checking sharding status – if there's a specific feature you need that's not yet available in Compass, you can build a plugin for it. And if you need it, it might be useful to others as well! Plugins can be shared with the community and added to any build of Compass 1.11 or later.
You can learn more about creating plugins for Compass here or work through a tutorial to build an example plugin.
Typing queries became quicker and easier with an intelligent autocomplete bar that matches brackets and completes field names for you. There's also a new button for query history: use it to review queries you've run, run them again, or save common queries as favorites.
With the launch of MongoDB 3.6, we introduced a new distribution called Compass Community, which contains a subset of Compass functionality, but doesn't require a paid subscription to use in production. Compass Community has the core building blocks you need to get started with MongoDB: CRUD, indexes, explain plans, along with the new plug-in API.
You can get Compass Community from the download center. It also comes as one of the components of the MongoDB Community Server download.
If you want to view your data with Compass but don't need to edit it (or allow other developers to edit it!), you have a new option: a read-only build of Compass. No need to stress about unintended edits with this version, now available in the download center.
We hope you enjoy this latest release!


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North Allegheny Senior High School
50,000 Words. One month.
November is a time to focus on community, especially among writers throughout the world all focused on the same goal.
photo by Jess Daninhirsch
Writers use National Novel Writing Month to get as many words into a draft as they can in a demanding challenge to compose an entire novel in a single month.
By Aris Pastor, North Allegheny Senior High School
While some may think of November as the month of Thanksgiving break or the days when the chilly air turns into frosty mornings, many writers see the month as a different time. National Novel Writing Month, or NaNoWriMo, is a nonprofit organization created in 1999 focused on creativity, writing fluency, and education. Even though the website holds "camps" for several months a year, the main event is held in November, where writers around the world participate in an ambitious challenge—writing 50,000 words in one month.
"It's a big commitment, and I think it's easy to lose steam when you're engaged in that sort of task," Mrs. Janellen Lombardi, a GOAL teacher at NASH, said. "I kind of equate it to a boot camp where it's just really intense in a really short period."
While Lombardi isn't attempting the challenge, NASH junior, Kay Mi, has participated annually for four years, having completed the challenge in November 2018. She is participating again this year, and despite the challenge of the word goal, she is determined to succeed.
"I have to find ways to balance out my schedule with school work and my extracurricular activities," Mi explained. "I try to write whenever I have the time, whether it's in between classes or during breaks from homework or even at the late hours of the night—when inspiration strikes best for me. I can't dedicate a huge chunk of my time toward NaNoWriMo, but I'm doing the best I can."
Even with an abundance of time and motivation, 50,000 words is still a formidable goal. Problems like plot holes, writer's block, and tangled plot threads will all inevitably show up throughout the writing process.
"When I've done similar things, I might lose steam or lose inspiration halfway through," Lombardi said. "Another challenge is that people don't plan for obstacles, so if you plan for obstacles, you might be able to better handle them."
My only duty is to a blank page, so the need for validation is no longer such a burden."
— Kay Mi, NASH junior
While some people believe that the goal may be too ambitious for 30 days and that the product ends up half-baked and of decreased quality, NASH AP English Language and Composition teacher, Mr. Lance Rhinehart, believes otherwise.
"You can go back and mine or harvest out of that [draft] the gold or the good fruit of those ideas. And I know it's a creative writing technique to just write without thinking, to just write and write and write, and go back to see what's happened," Rhinehart said. "There's a kind of muscle memory there where quantity and not quality is the focus, but sometimes quality comes out of the quantity without trying."
A massive community exists around NaNoWriMo as well, from writing Discord servers to the website's online forums to the event's social media presence. Lombardi especially appreciates this, citing it as one of the major benefits of the event.
"You are participating with other people, you're encouraging others, you're getting motivation and inspiration from them," Lombardi said. "I think being involved in a community of writers is really important. I also think the accountability that group provides is essential."
Mi thinks that NaNoWriMo holds other major benefits as well, such as the ability for it to force people to write without barriers. The event dictates that a person write 1,667 words a day, so it's hard for self-doubt or perfectionism to stop the flow of work.
"These days in particular, I have this overwhelming obligation to myself to produce something good, which my brain defines as something worth reading for other people," Mi commented. "But when I'm writing for NaNoWriMo, I'm writing for the simple sake of putting down words. My only duty is to a blank page, so the need for validation is no longer such a burden."
Though it has been a week since the event has started, it is still possible to make an account and start the challenge late or plan for one of the camps in April or July. The nonprofit organization also accepts donations and has a shop for those willing to contribute.
This story was originally published on The Uproar on November 10, 2021.
Omicron brings challenges to students, staff
Regis Jesuit High School Fires Journalism Advisors, Removes Winter Issue of Student Magazine Over Pro-Choice Op-Ed
La Salle Clarifies Its Protocols in Reaction to the Omicron Variant, Striving To Continue In-Person Learning
San Mateo County unveils new COVID-19 testing plan
CCPS addresses ongoing transportation issues


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News in Brief: Business travel bounces back
PUBLISHED: February 8, 2011 at 6:39 p.m. | UPDATED: August 15, 2016 at 3:21 p.m.
Business travel bounces back: Business travel is bouncing back. U.S. companies are forecast to spend 5 percent more on travel in 2011 than they did last year — a sign of confidence in the economy that is giving a boost to airlines, hotels and rental-car companies. That's double the growth rate from 2010, which followed two years of decline. Last year's bump in business travel — companies spent an estimated $228 billion — helped U.S. airlines post their first collective profit in three years. And profits are rising at hotel chains like Marriott and Hyatt and rental-car companies like Avis and Hertz. Perhaps the most telling sign of a rebound, industry officials say, is the return of corporate retreats. They had all but vanished during the recession, part of an effort by businesses to avoid the appearance of extravagance at a time of government bailouts and rising unemployment.
More charges in insider trading probe: Federal authorities revealed charges Tuesday against three hedge fund portfolio managers and a hedge fund analyst, describing a paper-shredding, flash drive-destroying panic that ensued when they thought they faced the scrutiny of investigators. The two new arrests and the announcement of two guilty pleas expanded a federal crackdown on insider trading that masks itself as legitimate market research. The case raised the number charged in the probe to 12. The Securities and Exchange Commission said the conspiracy earned more than $30 million in illegal profits.
McDonald's sales top expectations: McDonald's reported a 5.3 percent rise in January sales at locations open more than a year, giving credit to its McCafe hot chocolate, Chicken McNuggets and the addition of oatmeal to the menu. A strong gain in Europe, the fast-food chain's largest region, made up for a relatively weak sales gain the U.S. The company has outperformed its competitors during the past few years with an expanding menu and an emphasis on low-priced items. Growth in the U.S., which accounts for 34 percent of the company's revenue, came in weaker than the rest of the world. U.S. sales at stores open at least a year rose 3.1 percent.
— Associated Press
California saw nearly 20% more deaths since 2020, and COVID alone can't explain it


First published in 1798, this Revolutionary War memoir is one of the few ever written by a senior Continental Army commander. It provides a unique glimpse into the administrative operations and inner workings of the army during the American Revolution. Major General William Heath offers rare insights on the war's major military personalities on both the American and British sides. Of particular interest are his wartime interactions with British generals John Burgoyne and William Phillips, as well as Continental Army generals such as George Washington and Charles Lee. Heath's memoir also gives readers a detailed look at the constant struggles faced by the army, including food, supply, personnel and funding shortages, and presents an almost daily chronicle of the tribulations and successes experienced by patriot forces during the war.
Sean M. Heuvel is a faculty member with the Department of Leadership and American Studies at Christopher Newport University, where he specializes in military leadership, the American Revolution, and the Civil War. He lives in Williamsburg, Virginia.


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Worst Queen songs Oct 8, 2020 7:03:18 GMT via mobile JFN and primejiveusa like this
Post by NathanH on Oct 8, 2020 7:03:18 GMT
Oct 8, 2020 2:52:22 GMT Frank said:
I think Drowse is fantastic, it's among the best on the album alongside Somebody To Love, Teo Torriatte, The Millionaire Waltz You And I and Long Away in my opinion (OK I should've just said the whole album!). Drowse is probably the best song he wrote at that point. And looking at everyone he written still in the top few I'd say. Lyrics wise they are incredibly strong a huge improvement from The Loser In The End.
Last Edit: Oct 9, 2020 12:28:59 GMT by NathanH
Just something about the song that doesn't resonate with me.
Post by Golden Salmon on Oct 8, 2020 8:07:59 GMT
Haha, funny how two of the worst songs to us are Freddie's.
I wouldn't be so hard on "Delilah" considering it was just indulgence towards him for obvious reasons. "Body Language" however, it's hard to believe it's in the same singles discography from the same artist that gave us "Bohemian Rhapsody" only 7 years earlier. Easily Freddie's lowest low and perhaps the point where he started to return to greatness.
I kinda hate thinking about best/worst songs because I like virtually everything they've done, but please add my vote to "Body Language" just to even things out a little.
Last Edit: Oct 8, 2020 8:09:03 GMT by Golden Salmon
Rain Must Fall has no redeeming features for me, and some of the melody sounds suspiciously like a well known disco record.
Post by BrƎИsꓘi on Oct 9, 2020 16:58:17 GMT
yep. surprised Mr Crawford's lawyers weren't all over it. but then, after Randy Wolfe/California's estate's final knockback against Zep, it's probably a case of "why bother"? you need deep pockets to litigate against the rich.
Last Edit: Oct 9, 2020 17:03:37 GMT by BrƎИsꓘi
Worst Queen songs Oct 13, 2020 4:35:38 GMT via mobile
Post by primejiveusa on Oct 13, 2020 4:35:38 GMT
Sept 26, 2020 17:47:48 GMT Frank said:
Sept 26, 2020 17:32:29 GMT Chopin1995 said:
I didn't intend to comment before, because there isn't any Queen song I hate. But there's one song I don't really like - I Want To Break Free. My issue with this song is that it's very lazy and it doesn't show even 10% of what they were capable of - just some synths everywhere and two vocal tracks, which probably takes a few minutes to record. This itself isn't a big problem, there are other songs like that. But there's another factor - it's one of the most frequently played songs on the radio. And when I'm with my friends or family and suddenly this song comes on the radio, I always feel a bit ashamed, because everyone knows that I love Queen. But it's definitely not because of songs like that. It's because of all the sophisticated stuff they did, their vocals, guitar orchestrations, songwriting skills, versatility, classical and vaudeville influences, etc. IWTBF has none of it. Of course it's very popular because of the video, which is very funny. But the song is very weak. And I have no problems with live versions.
I think the brilliance is found in its simplicity. Sometimes it's not what you add. It's what you leave out that makes it work. The use of synthesizer and drum loops is another discussion. But love or hate it, the song was very successful and was certainly of its time. Well, not here in America. You almost NEVER hear it on the radio over here. So if I want to listen to it, I really do have to put on The Works. So unlike you, I haven't been exposed to it ad infinitum like Another One Bites The Dust. Otherwise maybe I might feel the same way.
For that matter...I never hear Radio GA GA on the radio here in America, either.
Worst Queen songs Oct 13, 2020 4:49:56 GMT via mobile Chopin1995 likes this
I think the guitars are wonderful and Freddie gives a playful performance. I prefer it over Party, The Invisible Man, My Baby Does Me or Scandal from the same album.
Worst Queen songs Oct 13, 2020 12:51:49 GMT primejiveusa likes this
Oct 13, 2020 4:35:38 GMT primejiveusa said:
I've heard it occasionally – very occasionally – in Philly, but the last time I heard it might've been a few years ago, and even then it was surprising to hear a song post-'Under Pressure' being played on the radio.
Post by itsm on Oct 14, 2020 0:12:57 GMT
I forgot:
-The Invisible Man (cool bass tho)
-Now I'm Here
-Good Company
Worst Queen songs Oct 14, 2020 0:31:01 GMT
Post by Frank on Oct 14, 2020 0:31:01 GMT
Oct 13, 2020 12:51:49 GMT georg said:
That's so cool. I live in the area. Curious if you can recall the station. It wasn't 102.9 WMGK, was it?
Worst Queen songs Oct 14, 2020 1:15:51 GMT via mobile Frank likes this
Post by georg on Oct 14, 2020 1:15:51 GMT
Oct 14, 2020 0:31:01 GMT Frank said:
I feel like it might have been MGK though something tells me I wasn't listening to it then and it might actually have been on XPN as part of a callback week or something. It was definitely many years ago so my brain has forgotten specifics...
Oct 14, 2020 1:15:51 GMT georg said:
Totally understandable. Thanks for getting back to me though.
Worst Queen songs Jan 31, 2021 23:24:14 GMT via mobile
Post by Steve on Jan 31, 2021 23:24:14 GMT
Oct 14, 2020 0:12:57 GMT itsm said:
3 of my favourites!
Worst Queen songs Feb 1, 2021 1:07:24 GMT
Post by jo on Feb 1, 2021 1:07:24 GMT
The songs I don't care for have really changed over the years. There was a long period when Body Language made me cringe, but I've really come to appreciate that fact that it's just so Freddie how can you not laugh along with it.
The songs that I've really come to appreciate are some of Roger's early songs; Loser in the End, Tenement Funster Drowse, & Action This Day . Even Ride the Wild Wind is one that really like because it's so evocative. Teo Torriatte is another that of late I really enjoy, it has such a captivating melody.
My list;
Brighton Rock (I know, I know)
Friends Will Be Friends. (it's so contrived)
Give Me The Prize
jacquesdaniels
Post by jacquesdaniels on Feb 1, 2021 2:17:29 GMT
This'll be a tough one, because at a certain point in my life, I remember declaring to one of my slightly more musically educated friends about 19 years ago, that Queen was one of those bands that didn't have a bad song in their catalogue. RIP, said friend. I have since revised that opinion after education and exposure to more music, but I still think everything Queen ever released as a foursome had some good reason to be released, if nothing more than taking a chance at doing something different just for the heck of it.
My least favourite Queen songs at the moment are, in chronological order:
- Jesus (never really liked it, musically or lyrically)
- She Makes Me [Stormtrooper in Stilettos] (mixed feelings about this, a bit too cumbersomely marching for my taste)
- We Will Rock You (brilliant idea of a song, but for the extreme overexposure)
- More Of That Jazz (always thought it pretty boring as a composition, but I like the attitude)
- Rock It [Prime Jive] (too much rock'n'roll nonsense for me to find enjoyable)
- Body Language (although I've come to appreciate it's silliness more in the last 20 years)
- One Year Of Love (not a bad song as such, but I always felt Freddie was struggling with this one, feels too high to get the right emotion)
- Gimme The Prize (too much connected to Highlander to make for a good standalone song, and again, Freddie's struggling with his voice here, which annoys me)
- Don't Lose Your Head (again, too much connection to Highlander for a good standalone song, and the lyrics are a bit silly)
- Stealin' (just because it's part of a jam, doesn't make it a good song)
- Delilah (yeah, a silly song about cats is what Freddie wanted to do, but who says you have to like it... and I'm a cat person)
- The Hitman (kind of similar problem as with Gimme The Prize, but this is a better stand-alone song... still tend to skip it)
Mind you, the two Innuendo tracks absolutely belong on the album, and fit like a glove, for better or for worse. Seems like AKOM is my least favourite album, though it was the one I bought first into my collection (after the Greatest Hitses). Oh well.
Gordon's alive!
Post by Deleted on Feb 1, 2021 8:15:29 GMT
I don't agree with the latter 2. White Man is one heck of a powerful song, lyrically and musically. Sweet Lady is indeed not one of their best songs, but from 2:07 there's a better part but the ending is bad indeed. No puns intended, just my opinion
Worst Queen songs Feb 1, 2021 8:23:40 GMT badboybez likes this
Sept 24, 2020 22:40:49 GMT badboybez said:
I mostly agree with YOUR opinion! It's the only bad song I really can't stand, and the other bad songs are 12"extras, so it's not a shame when they're bad as songs. They're just extras for those who are interested and like it, but not album-worthy as they've worked out themselves too.
Worst Queen songs Feb 1, 2021 8:23:54 GMT via mobile
Post by Steve on Feb 1, 2021 8:23:54 GMT
Feb 1, 2021 1:07:24 GMT jo said:
2 amazing choices there mate in AGP and TH!
Last Edit: Feb 1, 2021 8:25:48 GMT by Steve
mrqueenguy
Post by mrqueenguy on Feb 1, 2021 8:35:37 GMT
For me it's Don't Lose Your Head, I really don't like it sorry
Worst Queen songs Feb 1, 2021 12:49:18 GMT
Post by jo on Feb 1, 2021 12:49:18 GMT
Rain Must Fall is the subject of this weeks Recovering Queen podcast. It worth a listen to hear a much better (IMHO) version of this song.
Post by rogercz on Feb 2, 2021 8:20:13 GMT
I am not a big fan of Get Down, Make Love, Pain Is So Close To Pleasure,Don't Try Suicide, The Hitman, I Want To Brak Free (live version were much better)...
I really hate and skip Body Language, My Baby Does Me, All God's People, Delilah, Cool Cat (without Bowie something is missing)..
But I do like No More Of That Jazz, Khashoggi's Ship or Invisible Man so my taste might not be the same as most of you :-D
Feb 1, 2021 12:49:18 GMT jo said:
Cheers. Will do.
Worst Queen songs Feb 2, 2021 13:20:44 GMT Steve, littlequeenie97, and 2 more like this
Post by Frank on Feb 2, 2021 13:20:44 GMT
Feb 2, 2021 8:20:13 GMT rogercz said:
I am not a big fan of ....I Want To Brak Free (live version were much better)...
I've always thought the studio version (both album and single versions) were far superior. Yeah, live you get Brian playing the solo and it's more organic, but Freddie more or less sounded like he was shout singing at some performances. It's just a little grating on my ears, honestly. But the studio version is magical.
snakecharmer
Post by snakecharmer on Feb 16, 2021 14:09:32 GMT
I am not a fan of " Don't Try Suicide", with the Police style guitar riff going on ,it is a real poor track .I would have stuck "Human Body" in it's place on "The Game".
Post by Lord Fickle on Feb 16, 2021 14:36:41 GMT
Feb 16, 2021 14:09:32 GMT snakecharmer said:
That could have worked, had they used the Freddie vocal for Rock It, although, personally, I would have replaced Coming Soon.
Worst Queen songs Feb 16, 2021 15:45:12 GMT via mobile Frank and robbybloodshed like this
Post by Steve on Feb 16, 2021 15:45:12 GMT
Feb 2, 2021 13:20:44 GMT Frank said:
Couldn't agree more mate!
I don't care that much for that song either, but for me it is mostly because I find the message/way they handle that touchy subject in the song to be kinda weird and maybe not the best. Keep Passing the Open Windows, although I don't think that song is that great either, at least handled the similar subject matter in a somewhat better and more positive/encouraging way IMO.
Worst Queen songs Feb 18, 2021 12:49:28 GMT Sakura4anime25 likes this
Post by ThomasQuinn on Feb 18, 2021 12:49:28 GMT
Yeah, the lyrics to DTS are really ham-fisted. When I first heard that track, must be twenty years ago, I grabbed the booklet and must've read them three times over because I just couldn't believe that the same people responsible for, well, almost every Queen-track up to that point really, wrote that stuff. It's what I'd expect from a high schooler with no particular literary talent who had to write a poem about suicide(-prevention) for a class assignment or something. I'm not sure I'd call it the worst Queen-song, but the lyrics are absolutely down there among the very worst!
Post by Billblackman on Feb 18, 2021 19:47:56 GMT
For me it's without a shadow of a doubt More of that Jazz, in second place See What A Fool I've Been and third Ex Aequo Don't lose your Head and Gimme the Prize (Kurgan's Theme)...


Although Daniel Dulitz, Product Manager, Google, emphasized the point that you don't necessarily have to have Google+ profile page to do well on Google search result, it was evident from other panelists' views that as a business you need to have Google+ profile page, and now.
Panelists talked about how, if you put a "+" operator and search for a business name on Google search, example "+nickelodeon suites resort" or "+search engine land," it will now directly take you to the business' Google+ profile page, skipping Google search result directly.
Other panelists opined that by adding this feature, Google has made it clear to businesses that they need to have a Google+ profile page.
Janet Driscoll Miller said that it's very important for any business to add a Google badge on their web site, along with setting up Direct Connect on your Google+ profile page. To setup Direct Connect, you will need to add your web site's link on the About Us page of your Google+ profile.
Daniel also emphasized that Google automatically enhances your content on Google+ with richsnippet microdata.
Sean Carlos concurred with the other panelists that Google+ importance has increased since its launch. He said that he saw a "super site link" – with title and a large snippet coming from Google+ for some of the search results. If you click on this link, you will end up on the company's Google+ page and not on the company's web site. Thus you have a more prominent search result that is directing users to your Google+ page. This clearly shows the impact Google+ is already having on organic searches.
In conclusion, the importance of Google+ profile pages showcased currently is only the tip of the iceberg. Over the course of time, impact of Google+ on Google search result is only going to increase.


Beetle assemblages from an Australian tropical rainforest show that the canopy and the ground strata contribute equally to biodiversity.
J. Res. Lepid. 26: 98–108.
Mud-puddling behavior in tropical butterflies: in search of proteins or minerals?


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Rob Mlenek Named BerganKDV Chief Financial Officer
Rob Mlenek was selected by the BerganKDV leadership team to serve as Chief Financial Officer (CFO). He began his duties on June 13 and is located at the firm's Bloomington, Minnesota office.
Mlenek is a key member of the leadership team, reporting to President Earl Edeburn and he assumed a strategic role in the overall management of the firm. As CFO, Mlenek operates in four capacities: steward to protect and preserve the assets of the firm; operator to balance capabilities, talent, costs and service levels to fulfill the finance organization responsibilities; strategist to provide leadership with respect to aligning financial and business strategies of the firm; and catalyst to stimulate behaviors across the firm to achieve strategic and financial objectives.
"Rob brings a history of business process improvement, team building and development, innovation and strategic planning to the firm," said Edeburn, "He is a good cultural fit for our team because he understands that the people of the organization ultimately drive success. I look forward to Rob's focus on attracting talented professionals, developing a team environment, and building the finance department that will support BerganKDV's fast growth in the next decade."
Mlenek is active with the Institute of Management Accountants and is a Certified Management Accountant. Rob received his bachelor's degree in accounting from St. Cloud State University and his MBA from St. Thomas University.
About BerganKDV: BerganKDV is a leading professional services firm with a contagious culture; where growth is fostered and making a difference means something. Our values drive our decisions, and our passion is empowering people and creating a wow experience for our clients.
Powered by people who do business the Midwest way, BerganKDV delivers comprehensive business, financial and technology solutions including business planning and consulting tax, assurance and accounting, technology, wealth management, and turnaround management services.
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text:
Eric S. Williams MD, MACC
Dr. Williams is Professor of Medicine (cardiology), and Associate Dean, Indiana University School of Medicine (IUSM). He is Executive Vice President and cardiovascular service line leader for the IU Health system.
Dr. Williams is a graduate of IUSM and its internal medicine and cardiovascular disease fellowship programs. He is a Diplomate of the American Board of Internal Medicine- Cardiovascular Disease.
Dr. Williams' academic career focus has been on clinical cardiology, and on cardiovascular disease training and education- both at the graduate and CME levels. Areas of particular focus have included the integration of bedside and testing findings- including electrocardiography- in clinical decision-making. He was director of the cardiac intensive care unit and program director of the Cardiovascular Disease fellowship for over 20 years, and he continues to represent CV fellowship programs nationally in a variety of forums and initiatives, on behalf of our professional societies. For more than 10 years, he has served as program co-director of the annual national ACCF Board certification and recertification review course. He has been a member and leader in a number of national committees, taskforces, and editorial boards. He was national Program Director for the 2002 ACCF Annual Scientific Sessions. He has been a leader and participant in national master clinician sessions. He was a member of the writing group to update the ACCF/AHA/SCAI Competency Statement for Percutaneous Coronary Intervention, and he is co-chair of the committee to develop COCATS 4.
Most recently, Dr. Williams has played a national leadership role in the development and definition of the core clinical competencies (and the mechanisms to evaluate and maintain them) for clinical cardiologists- both at the trainee (milestones) and practicing cardiologist (lifelong learning) levels. He chairs the national ACCF Cardiology Competencies Committee, and is a member of the Lifelong Learning Oversight Committee.
In 2014, Dr. Williams received the MASTER designation from the American College of Cardiology. He is the 2012 recipient of the Council on Clinical Cardiology Laennec Master Clinician Award from the American Heart Association. In 2009, Dr. Williams received the Glenn Irwin MD Distinguished Faculty Award from IUSM. He is recognized as Top Doctor by US News&World Report, Best Doctors, and Top Docs by Indianapolis Monthly.
2017 ACC/HRS Lifelong Learning Statement for Clinical Cardiac Electrophysiology Specialists
Risk After Hospitalization for Heart Failure, Acute MI, or Pneumonia
Management Practices and Major Infections After Cardiac Surgery
Outcomes Associated With Left Atrial Appendage Occlusion vs Direct Oral Anticoagulation in Atrial Fibrillation
Myocardial Fibrosis as a Predictor of Sudden Death in Patients With Coronary Artery Disease
Efficacy and Safety of Lowering LDL Cholesterol in Older Patients
Risk of Cardiovascular Disease Incidence and Mortality in Vegetarians and Eaters of Fish, Poultry, and Meat
Symptom-to-Balloon Time Linked to Infarct Size in STEMI
Drop in ED Visits for Cardiac Conditions Tied to Later Cardiac Deaths
Referrals for Acute Heart Failure Dropped During COVID-19
Stopping RAS Inhibitors May Worsen Outcomes in CKD
Patients With Low Socioeconomic Status Are Less Likely to Survive an In-Hospital Cardiac Arrest


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I-44 and SH-152 projects in southwest Oklahoma City
SH-152/Airport Rd. ramp closure and I-44 rehabilitation south of I-40 in Oklahoma City affects Will Rogers World Airport traffic through late 2021
To projects beginning Sept. 8, 2020 will significantly affect traffic on I-44 and SH-152/Airport Rd. in southwest Oklahoma City, including Will Rogers World Airport. Drivers should plan extra travel time in this area.
*Check the latest daily OKC Traffic Advisory at https://oklahoma.gov/odot/citizen/traffic-advisories.html
SH-152/Airport Rd. ramp to I-44 bridge rehabilitation
(Note: While I-44 runs north-south in this area, I-44 is an east-west interstate and locations are referred to as eastbound and westbound.)
Traffic Impacts - ***Work on SH-152 ramp complete***
This project to rehabilitate the eastbound SH-152/Airport Rd. bridge-ramp to eastbound I-44 (runs north) near Will Rogers World Airport in southwest Oklahoma City begins Sept. 8, 2020 and take about three months to complete.
The eastbound SH-152 ramp to eastbound I-44 (runs north) will be closed Sept. 28. through late fall 2020.
During the ramp closure, eastbound SH-152 traffic will be detoured on westbound I-44 (runs south) to S.W. 59th St. just to the south to turn around and go back east on I-44 (runs north) toward downtown Oklahoma City.
This will impact airport traffic, especially travelers coming to Oklahoma City and businesses in the area. Drivers should plan for this short detour or use other routes.
Work includes replacing expansion joints and making repairs to the bridge piers and approaches on the eastbound SH-152/Airport Rd. ramp to eastbound I-44.
The more than $610,000 construction contract was awarded to K&R Builders, Inc., of Wheatland, Okla., in July 2020.
I-44 bridge and pavement rehabilitation between I-40 and S.W. 74th St.
***Traffic impacts change from week to week - Check the latest daily OKC Traffic Advisory here***
Work to rehabilitate I-44 between I-40 (near mm 120) and S.W. 74th St. (mm 114) in Oklahoma City begins in mid-September 2020 and continues through 2021.
Commuters and especially Will Rogers World Airport traffic can expect significant delays and congestion and should plan extra travel time or use an alternate route.
Drivers should be prepared for a rougher driving surface on I-44 during construction, as the final process to smooth all of the new concrete will take place near the end of the project.
I-44 Lane Closures
I-44 will be narrowed to two lanes in each direction at various locations during the project. While two lanes in each direction will remain open during peak travel times; drivers can expect additional nighttime and weekend lane and ramp closures.
The eastbound I-44 bridge over Independence Ave., just northeast of S.W. 44th St., will be narrowed for up to several months. During this time, drivers will not see much work occurring on top of the bridge, because the crews will be working underneath.
City Street Closures
East and westbound S.W. 29th St. will be closed to through traffic between Portland Ave. and May Ave. later in the project. Pedestrians will also be unable to cross I-44 on S.W. 29th St. Traffic will be detoured to S.W. 15th St. and S.W. 44th St.
Closures on city streets will be announced as the project continues.
Drivers should consider using an alternate route to avoid the work zone, such as I-35 to the east or SH-4 or the John Kilpatrick Turnpike (toll road) to the west.
This project will rehabilitate the I-44 pavement and bridges between I-40 and S.W. 74th St., just south of I-240, in southwest Oklahoma City.
The existing concrete panels on I-44 will be replaced to create a smoother driving surface and nine bridges will be rehabilitated, including:
East and westbound I-44 bridges over the Oklahoma River (near mm 120)
East and westbound S.W. 29th St bridges over I-44 (mm 118)
Eastbound I-44 bridge over Independence Ave. (just north of S.W. 44th St., near mm 117B)
East and westbound I-44 bridges over S.W. 59th St. (mm 116A)
Eastbound I-44 bridge over I-240 (mm 115)
Westbound I-240 bridge/ramp to westbound I-44 (Exit 1A)
The $27.5 million contract for this project was awarded in June 2020 to Sherwood Construction of Tulsa. The contract contains internal milestones for completion of work at certain locations with significant traffic impacts.
This section of highway was built in the early 1970s and the I-44 bridges at the Oklahoma River, S.W. 29th St. and Independence Ave. are rated structurally deficient.
Last Modified on Nov 24, 2021
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