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Native American Graves Protection and Repatriation Act
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April 26, 2016 - Inventories of Culturally Unidentifiable Native American Human Remains and Associated Funerary Objects and the Initiation of Consultation
Under NAGPRA, inventories of Native American human remains and associated funerary objects "shall be . . . completed in consultation with tribal government and Native Hawaiian organization officials and traditional religious leaders." Museum and Federal agency officials must initiate consultation on the human remains and associated funerary objects with any lineal descendants; representatives of Indian tribes and Native Hawaiian organizations that are, or are likely to be, culturally affiliated with the remains and objects; "tribal land" Indian tribes; and "aboriginal land" Indian tribes. If the initiation of consultation does not ultimately lead to a determination of cultural affiliation or lineal descent, then the human remains and associated funerary objects in question are deemed to be "culturally unidentifiable." In 2014, at the request of the Native American Graves Protection and Repatriation Review Committee, the National NAGPRA Program compiled a report identifying the museums and Federal agency units whose inventories of culturally unidentifiable Native American human remains and associated funerary objects contain no information indicating that consultation on any of the individuals in the inventory was ever initiated, based on information in the Program's inventory database. In this webinar, the National NAGPRA Program will walk participants through the steps for the museums and Federal agency units included in the report. Representatives of the museums and Federal agency units listed in the report are encouraged to attend, as well as NAGPRA staff for Indian tribes and Native Hawaiian organizations who might be consulting parties on the affected human remains.
Presenters: National NAGPRA Program staff
April 12, 2016 - Culturally Affiliated Native American Human Remains and Associated Funerary Objects that Have Not Yet Been Included in Notices
Under the inventory provisions of NAGPRA, "if the cultural affiliation of any particular Native American human remains or associated funerary objects is determined . . . the Federal agency or museum concerned shall . . . notify the affected Indian tribes or Native Hawaiian organizations . . . A copy of each notice [referenced above] shall be sent to the Secretary [of the Interior, or a designee], who shall publish each notice in the Federal Register." Thus, the publication of a notice of inventory completion for culturally affiliated human remains and associated funerary objects is not dependent on the museum or Federal agency receiving a repatriation request. In 2014, at the request of the Native American Graves Protection and Repatriation Review Committee, the National NAGPRA Program compiled a report identifying the museums and Federal agencies whose culturally affiliated inventories include human remains that are not yet represented in notices of inventory completion, based on information in the Program's inventory database. In this webinar, the National NAGPRA Program will walk participants through the steps for museums and Federal agency units in order to resolve the number of identified individuals in culturally affiliated inventories that have not been included in notices. Representatives of the museums and Federal agencies listed in the report (which is accessible through a link on the Program's homepage, at https://www.nps.gov/nagpra) are encouraged to attend, as well as NAGPRA staff for Indian tribes and Native Hawaiian organizations that are culturally affiliated with the identified individuals. Click here to start the recorded webinar.
March 15, 2016 - Guidance on Updating/Amending an Inventory or a Summary
Museums and Federal agencies are responsible for keeping their inventories and summaries up to date, be it under the provisions of 43 C.F.R. 10.13 (Future applicability), or as a result of initiating consultation with additional parties or re-determining the affiliation of cultural items. The National NAGPRA Program often is asked how, as a practical matter, the museum or Federal agency updates or amends its inventory or summary. This short webinar explains what to do. Click here to download the presentation
March 22, 2012 - What Difference Does It Make?: NAGPRA Inventories, Summaries, and Federal Register Notices
Under NAGPRA, Federal agencies and museums must complete inventories and summaries for the Native American human remains, funerary objects, scared objects, and objects of cultural patrimony under their control, and must submit these documents to Indian tribes and Native Hawaiian organizations, as appropriate, as well as to the National NAGPRA Program. Inventories and summaries form the basis for Notices of Inventory Completion and Notices of Intent to Repatriate Cultural Items. Publication of notices in the Federal Register, in turn, satisfies the process required in order for the disposition of such human remains and cultural items to occur. Inventories and summaries, thus, are directly linked to notices. Yet, while they share similar content, inventories and summaries are neither identical to nor interchangeable with notices. In this webinar, we will examine the NAGPRA inventory -- its form and purpose -- and demonstrate how to navigate the National NAGPRA Program's Inventory Database. Then, with a thorough understanding of inventories, we will examine the notice format, demonstrate how to prepare a conforming notice from an inventory, and explain the process of getting a notice to publication in the Federal Register. Similarly, we will spend some time looking at the connections between NAGPRA summaries and Notices of Intent to Repatriate. This webinar is especially targeted at NAGPRA practitioners whose responsibilities include the completion of inventories and summaries, and Federal Register notices. Time will be allocated for discussion and questions; however, participants are encouraged to send their questions at the time they register for the webinar.
Presenters: Mariah Soriano, National NAGPRA Program; and Alayna Rasile, Contractor, National NAGPRA Program
July 20, 2011 - Integrating 43 CFR 10.11, Final Rule - The Disposition of Culturally Unidentifiable Human Remains Into the NAGPRA Process
The Final Rule became effective May 14, 2010. Review the key elements of the CUI Rule. The webinar will be an opportunity for tribal, museum and federal agency officials as well as interested members of the public to review the CUI Rule with NAGPRA staff and attorneys and ask questions regarding its implementation. Time will be allocated for discussion and questions, however, participants are encouraged to send in any questions they have about the CUI Rule when they register.
April 24, 2014 - NAGPRA Notices: Types, Process & Content
In this webinar, NAGPRA notices, including Notices of Inventory Completion (and the similarities and differences between culturally affiliated and culturally unidentifiable notices) and Notices of Intent to Repatriate Cultural Items, will be explained in detail. In addition, Notices of Intended Disposition, Summaries and Inventories will be briefly discussed. New notice templates will be explored, and will be available for downloading during the presentation. This webinar is designed for Federal agency and museum staff working on NAGPRA compliance issues, and NAGPRA practitioners interested in better understanding the notice process. This forum seeks to thoughtfully consider your questions, so please include them along with your registration. Prior to attending this webinar, we highly recommend that you view the "NAGPRA Notices" segment of the NAGPRA Training Videos. The entire video series is posted on the National NAGPRA YouTube Channel, and is available on demand. Click here to start the recorded webinar.
Presenter: Melanie O'Brien, Notice Coordinator, National NAGPRA Program
April 2, 2013 - Determining Aboriginal Lands under NAGPRA
Under NAGPRA, museums and Federal agency officials must consult with Indian tribes from whose aboriginal land human remains and other cultural items were removed. With respect to discoveries on Federal lands after November 16, 1990, aboriginal occupation may be recognized by a final judgment of the Indian Claims Commission or the United States Court of Claims. With respect to holdings or collections, aboriginal occupation may be recognized by a final judgment of the Indian Claims Commission or the United States Court of Claims or, in addition, by a treaty, Act of Congress, or Executive Order. This webinar will demonstrate how to go about identifying "aboriginal land" tribes under NAGPRA. In order to ensure that this forum thoughtfully considers your queries, please include your questions along with your registration. Click here to start the recorded webinar.
Presenters: Melanie O'Brien, Notice Coordinator, National NAGPRA Program; Stephen Simpson, Senior Attorney, Office of the Solicitor, Division of Indian Affairs, Department of the Interior; and Karen Wurzburger, Cultural Anthropologist, Office of Indian Affairs and American Culture, Intermountain Region, National Park Service
January 26, 2016 - NAGPRA for Newbies: An Opportunity for New NAGPRA Staff to Ask Basic Questions
Some museums, Indian tribes, and Native Hawaiian organizations are especially prone to relatively frequent turnover in NAGPRA staffs. This webinar is for new NAGPRA staff to ask basic questions about NAGPRA. Before attending this webinar, participants who have not already done so should watch the 3-hour, two-part NAGPRA Basics training through a link on the Program's "Training" page, and available on demand courtesy of the Smithsonian National Museum of the American Indian. NAGPRA Basics covers the background of NAGPRA, the consultation and decision making process, notices, grants, and civil penalties. Both new and veteran NAGPRA practitioners have found this training to be helpful in their work. Click here to start the recorded webinar.
Presenters: National NAGPRA Program and Office of the Solicitor, Department of the Interior
May 22, 2014 - Ask Your NAGPRA Questions: An Open Forum
Do you have a question you would like to ask National NAGPRA Program staff or the Office of the Solicitor? Do you seek clarification of a NAGPRA issue? This webinar provides you with an opportunity to have your concerns addressed. In order to thoughtfully consider your questions, please include them along with your registration. Also, please note, the Office of Solicitor may address general legal issues, but cannot provide specific legal advice to participants.
May 2, 2013 - Ask Your NAGPRA Questions: An Open Forum
Do you have a specific question you would like to ask National NAGPRA Program staff or legal counsel? Do you seek clarification of a particular NAGPRA issue? This webinar provides you with an opportunity to hear about any new developments in the National NAGPRA Program, and to have your questions or concerns addressed. In order to ensure that this forum thoughtfully considers your queries, please include your questions along with your registration
April 12, 2012 - Ask Your NAGPRA Questions: An Open Forum
Do you have a specific question you would like to ask National NAGPRA Program staff or legal counsel? Do you seek clarification of a particular NAGPRA issue? This webinar provides you with an opportunity to hear about any new developments in the National NAGPRA Program, and to have your questions or concerns addressed. In order to ensure that this forum thoughtfully considers your queries, please include your questions along with your registration. Registration deadline is April 9.
April 13, 2011 - NAGPRA Open Forum
Have a burning question you would like to ask the NAGPRA staff? Need clarification on a particular NAGPRA topic? This webinar is an opportunity to hear about the latest developments at the National NAGPRA Program and to have staff answer questions or concerns you may have. In order to ensure that this forum adequately addresses your question or concerns, please include your questions along with your registration.
Have a burning question you would like to ask the NAGPRA staff? Need clarification on a particular NAGPRA topic? This webinar is a chance to hear from NAGPRA staff on the latest developments at the National NAGPRA Program and to answer questions or concerns you may have. In order to ensure that this forum adequately addresses your question or concerns, please include any questions you may have with your registration.
October 28, 2010 - International Repatriation: Points of Return for Native American Ancestors and Cultural Items Situated Outside of the United States
In recent years, Indian tribes and Native Hawaiian organizations have been actively pursuing the repatriation of ancestors and cultural items situated in foreign repositories. In some cases, NAGPRA has been used to effect their return, but most often, consultation and negotiation were conducted outside the scope of NAGPRA. This webinar has three parts. In the first segment, participants will develop an understanding of the extent to which NAGPRA applies to human remains and cultural items in the physical custody of a foreign repository. Next, they will hear first-hand from Indian tribe and Native Hawaiian organization practitioners about their repatriation work with foreign institutions. These presenters will provide insights into best practices in international repatriation learned during the course of their work. Topics to be covered during this segment will include: locating human remains and cultural items in foreign repositories; cultivating working relationships with foreign institutions; and negotiating the terms and logistics of repatriation across international borders. The last segment will be devoted to the United Nations Declaration on the Rights of Indigenous Peoples. The Declaration and its relevance for international repatriation will be discussed, and participants will learn about the current review by the United States of its position on the Declaration, and the role that they can play in that review.
Presenters: Shannon Keller O'Loughlin, Attorney for Indian Nations; Honor Keller; David Tarler, Training, NAGPRA Compliance, and Designated Federal Officer to the Review Committee
June 23, 2010 - Starting a Repatriation Program: What Every Tribe Should Know
What do tribes need to consider when starting a NAGPRA repatriation program? In this webinar, we will review the various elements including staff, equipment, volunteers, training and other resources needed to start and maintain a successful repatriation program. In addition, Eric Hemenway will share strategies for collaboration, working with museums and gaining commitment from a tribe's leadership. This webinar is designed for both newcomers to NAGPRA as well as staff that have been working with established repatriation programs. We welcome participants to share best practices, tips and other insights into what makes a successful program. Presented by Sangita Chari, Grants Coordinator, National NAGPRA Program, and Eric Hemenway, NAGPRA Specialist, Little Traverse Bay Bands of Odawa Indians.
February 3, 2010 - Understanding the Role of the Review Committee
David Tarler, Designated Federal Officer to the Review Committee, and current Review Committee members - Sonya Atalay and Dan Monroe - will explain the role of the Review Committee. Participants will gain a better understanding of reasons for the creation of the Review Committee, its role, how members are selected and what types of issues they address. In addition, participants will learn how to utilize the Review Committee to support their NAGPRA work.
February 23, 2016 - The Rule on Unclaimed Cultural Items Removed from Federal Lands after November 16, 1990
Section 3 of NAGPRA identifies who shall have ownership or control of cultural items removed from Federal or tribal lands after November 16, 1990. The NAGPRA regulations (43 CFR 10.6) provide guidance on the disposition of those cultural items to the appropriate lineal descendant, or Indian tribe or Native Hawaiian organization. If no potential Indian tribe or Native Hawaiian organization claimant can be identified, or if no identified potential Indian tribe or Native Hawaiian organization claimant makes a claim pursuant to those regulations, then the cultural items in question are "unclaimed." In Section 3 of the Act, Congress explicitly authorized the Secretary of the Interior to promulgate regulations for the disposition of unclaimed cultural items. On November 5, 2015, a final rule concerning the disposition of unclaimed human remains, funerary objects, sacred objects, or objects of cultural patrimony was published in the Federal Register, and became effective on December 7. This webinar walks participants through the provisions of the rule, and offers templates for Federal agencies to report unclaimed cultural items to the National NAGPRA Program and to publish notices of proposed transfer of cultural items, or reinterment of human remains or funerary objects. Click here to start the recorded webinar.
February 2, 2012 - Complying with Section 3 of NAGPRA on Tribal Land
Section 3 of NAGPRA (25 U.S.C. § 3002) addresses the disposition of human remains, funerary objects, sacred objects, and objects of cultural patrimony found on Federal and tribal lands after November 16, 1990. If discovered on tribal land, the excavation or removal of human remains and cultural items requires the consent of the Indian tribe or Native Hawaiian organization on whose tribal land the discovery is made, and ownership or control of the remains and cultural items is in the tribe or NHO (where a lineal descendant of human remains and associated funerary objects cannot be ascertained). What is tribal land under NAGPRA? How does the excavating party know with whom to consult? What is the NAGPRA compliance process? These questions and more will be the focus of this webinar. Time will be allocated for discussion and questions, however, participants are encouraged to send in any questions they have when they register.
Presenters: Marvin Keller, Archaeologist/FPO/ NEPA Coordinator, IA-DECRM, Indian Affairs; Annie Pardo, Museum Program Manager/National Curator/NAGPRA Coordinator, Indian Affairs; and Stephen Simpson, Senior Attorney, Office of the Solicitor, Division of Indian Affairs, Department of the Interior
September 15, 2011 - Coordinating Compliance with Section 3 of NAGPRA and Section 106 of the National Historic Preservation Act
Since November 16, 1990, whenever a project carried out, approved, or funded by a Federal agency is to occur on Federal land or tribal land, both Section 106 of the National Historic Preservation Act (NHPA, 16 U.S.C. 470f) and Section 3 of the Native American Graves Protection and Repatriation Act (NAGPRA, 25 U.S.C. 3002) are implicated. Under NHPA Section 106, if the project has the potential to affect historic properties on tribal land, or historic properties of significance to one or more Indian tribes or Native Hawaiian organizations on Federal land, then prior to beginning the project, the Federal agency must consult with officials of the appropriate Native Hawaiian organization(s) or federally recognized Indian tribe(s) on measures to avoid or reduce harm to the historic properties in the area of potential effect. Successful completion of Section 106 review, though, is no guarantee that the project may proceed uninterrupted, for Section 3 of NAGPRA will temporarily halt the project if Native American human remains or other cultural items are discovered and no plan is in place that addresses their excavation or removal, and disposition. Instead of putting such a project at risk of being suspended for lack of a plan to address its NAGPRA responsibilities, one course of action for the Federal agency would be to conduct consultation with (or, in the case of tribal lands, obtain the consent of) the appropriate Indian tribe or Native Hawaiian organization on a contingency plan ("Plan of Action") to address the excavation or removal, and disposition of any NAGPRA cultural items discovered during the project. In this webinar, the presenters will briefly review NHPA Section 106 and NAGPRA Section 3 responsibilities; explain why Federal agencies might wish to integrate NAGPRA Section 3 contingency planning in their NHPA Section 106 review; and demonstrate how, as a practical matter, this work may be accomplished.
Presenters: Valerie Hauser, Director, Office of Native American Affairs, Advisory Council on Historic Preservation; and Chuck Smythe, Ethnography Program Manager, Northeast Region, National Park Service
State Protocols and NAGPRA
August 16, 2016 - NAGPRA's Application to State and Local Governments
Under NAGPRA, any institution that "receives Federal funds" and has "possession" or "control" of "cultural items" must comply with the requirements of this law. State and local government institutions might not be aware that when State or local law gives them the authority to take discretionary actions with respect to NAGPRA cultural items, they have an interest in the cultural items sufficient to permit them to lawfully treat the human remains as part of a holding or collection for purposes of NAGPRA and its implementing regulations. This webinar will review the responsibility of State and local government institutions for complying with NAGPRA when applicable laws confer on them the authority to dispose of cultural items. Assistant State Attorneys General, City and County Attorneys, and State Historic Preservation Office staff whose responsibilities include NAGPRA compliance are encouraged to attend. Click here to start the recorded webinar.
Presenters: Office of the Solicitor, Department of the Interior and National NAGPRA Program
July 25, 2012 - State Protocols and NAGPRA
Discoveries of Native American human remains and other NAGPRA cultural items on state and private land are governed by state law. However, if the state takes possession or control of these discoveries pursuant to state law, these items are considered new collections, subject to Sections 5, 6, and 7 of NAGPRA. These items are also subject to 43 CFR 10.13, the section of the regulations that address the continuing duty to comply with NAGPRA. To navigate the intersection of state and Federal law, states may develop NAGPRA protocols to tailor the process for that state. Proposed state protocols may be presented to the NAGPRA Review Committee for their advice and recommendations, which are forwarded to the Secretary of Interior. A state protocol approved by the Secretary of Interior clarifies the process of complying with both state and Federal law for purposes of NAGPRA. To date, only Colorado and Iowa have NAGPRA state protocols. It may be advantageous for other states to develop these as well. In this webinar the advantages, development, approval, and implementation of state protocols will be discussed.Click here to start recorded webinar.
Presenters: Bridget Ambler of History Colorado worked on the Colorado NAGPRA Protocol. Sheila Goff of History Colorado is responsible for implementing the Colorado NAGPRA Protocol. Carla Mattix, attorney-advisor in the Department of the Interior, advises the NAGPRA Review Committee, and reviews the protocols submitted to the Secretary of Interior.
May 17, 2016 - Facilitating Consultation on, and the Repatriation/Disposition of, Native American Human Remains/Cultural Items from Michigan: The Work of the Michigan Anishinaabek Cultural Preservation & Repatriation Alliance (MACPRA)
The Michigan Anishinaabek Cultural Preservation & Repatriation Alliance (MACPRA) consists of eleven federally recognized Indian tribes and two nonfederally recognized Indian groups from the State of Michigan. It was established in 2000, after a consensus agreement was signed by all the Indian tribes resident in Michigan authorizing each Alliance tribe to act as agent for all the tribes on repatriation issues, on the understanding that all the Native American people of Michigan are culturally affiliated to each other. In the words of the consensus statement, "[i]t is the unanimous desire of the Native American people of Michigan (Anishinaabeg) that these [NAGPRA cultural] items be returned as quickly as possible to a Repatriation Designee of any of the undersigned tribes." In this webinar, the Chair of MACPRA will discuss the work of the Alliance in facilitating consultation on, and the repatriation/disposition of, Native American human remains/cultural items from Michigan and, together with museum NAGPRA staff, will describe their experiences with the NAGPRA compliance process. Click here to start the recorded webinar.
Presenters/Hosts: William Johnson, Chairman, MACPRA; Ben Secunda, NAGPRA Project Manager, Office of Research, University of Michigan; Amadeaus Scott, NAGPRA Collections Manager, Museum of Anthropological Archaeology, University of Michigan
July 28, 2010 - NAGPRA for Museums
Under NAGPRA, museums are defined as any institution or state or local government agency (including any institution of higher learning) that receives Federal funds and has possession of, or control over, Native American cultural items. In this webinar we will review the obligations of museums under NAGPRA, with an emphasis on policies and procedures, consultation, and the NAGPRA notice process. In addition, we will review NAGPRA civil penalties and discuss strategies and best practices for ensuring compliance with NAGPRA. Participants are strongly encouraged to share strategies and tips for success.
Jan Bernstein, President, Bernstein & Assoc.
Sangita Chari, NAGPRA Grants Coordinator
Jaime Lavallee, NAGPRA Notices Coordinator
Bob Palmer, NAGPRA Civil Penalties Investigator
February 6, 2014 - The Ingredients of a Successful NAGPRA Grant Application
Section 10 of the Native American Graves Protection and Repatriation Act authorizes the Secretary of the Interior to make grants to museums, Indian tribes, and Native Hawaiian organizations to assist the process leading to repatriation/disposition of Native American human remains, funerary objects, sacred objects, and objects of cultural patrimony. Management of the Secretary's responsibilities for NAGPRA grants is carried out by the National NAGPRA Program. Two types of grants are offered -- Consultation/Documentation grants and Repatriation grants. Consultation/Documentation grants are project-based grants that support the efforts of museums, Indian tribes, and Native Hawaiian organizations to consult on and document human remains and cultural items. These grants are competitive. Repatriation grants are noncompetitive awards that defray costs associated with the transfer of possession of human remains and cultural items (such as packaging, transportation, contamination removal, reburial, or storage). In this webinar, you will learn about NAGPRA grants, review the FY 2014 Consultation/Documentation grant application, identify fundable projects, and hear the perspectives of Grants Panel reviewers and a veteran successful grant writer on crafting a successful NAGPRA grant application. This forum seeks to thoughtfully consider your questions, so please include them along with your registration. Click here to start the recorded webinar.
Presenters: Jan Bernstein, Managing Director, Bernstein & Associates, LLC; Sherry Hutt, Manager, National NAGPRA Program; Thomas Cullerton, Grants Management Specialist, National NAGPRA Program; Reid Nelson, Director, Office of Federal Agency Programs, Advisory Council on Historic Preservation; and Jill Norwood, Community Services Specialist, National Museum of the American Indian, The Smithsonian Institution
December 6, 2011 - Applying for an FY2012 NAGPRA Grant
Section 10 of the Native American Graves Protection and Repatriation Act authorizes the Secretary of the Interior to make grants to museums, Indian tribes, and Native Hawaiian organizations for the purposes of assisting in consultation, documentation, and repatriation of Native American human remains, funerary objects, sacred objects, and objects of cultural patrimony. The National NAGPRA Program offers two types of grants -- Consultation/Documentation grants and Repatriation grants. Consultation/Documentation grants are project-based grants that support the efforts of museums, Indian tribes, and Native Hawaiian organizations to consult on and document human remains and cultural items. These grants are competitive; the maximum allowable award is $90,000. Repatriation grants are non-competitive awards for up to $15,000. These awards defray costs associated with the packaging, transportation, contamination removal, reburial, and/or storage of human remains and/or cultural items. In this webinar you will learn more about the NAGPRA Grants program, review the FY 2012 Consultation/Documentation grant application, and find out about new resources available on the NAGPRA Program's website to assist you in preparing your grant request.
Presenters: Sangita Chari, NAGPRA Grants Coordinator, National NAGPRA Program; and Kelsea Raether, Intern, National NAGPRA Program


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By Dan Atkinson/Staff Writer
Wicked Local Newton
Newton —
All decorative stickers on fire helmets were verboten for a few days last week, before the fire chief grandfathered in the dozens of cancer ribbons, 9/11 memorials, Italian flags and angry-looking bulldogs that adorn Newton jakes' headgear.
In an interoffice memo sent out Wednesday, Fire Chief Joseph LaCroix told firefighters that "helmets are to be cleaned of any patches, pins, paint or stickers." Only reflective trapezoids that were originally part of the helmet are still allowed, LaCroix said, although he's looking into purchasing EMT and American flag stickers that would meet safety codes.
"That's the only way to be consistent," LaCroix said. "The problem is everyone's doing whatever they want ... there's a 9/11 sticker that looks like it belongs on a car bumper."
But according to Union President Tom Lopez, LaCroix sent out a second memo on Monday that allowed stickers like the above that were already on helmets to stay attached. Most new stickers will have to go through the chief, Lopez said.
"He'll allow memorial stickers, but everything else needs to get his approval," Lopez said. "He wants to make sure there's nothing offensive in nature."
Fire helmet decoration became a hot issue a month ago when the department told firefighter Richard Busa to stop wearing his helmet, which was completely covered by a painting of the American flag. Referring to a TAB blog post about Busa's helmet that called for him to "hammer out a policy that has some credibility — and then enforce it uniformly," LaCroix said the memo would put all firefighters on the same standard. He said not everyone would agree with the policy, but they would at least be on the same page, and would modify their helmets as a unit.
"If you're patriotic, I'm all for it, but let's do it right and not make a spectacle of it," LaCroix said.
But firefighters have many different decorations already on their helmets. At least half the helmets in Station 3 Wednesday had stickers, ranging from 3-inch circular decals supporting Engine 4, to a red 6 placed over a large W to commemorate the six Worcester firefighters who died in1999, to the aforementioned bulldog clad in firefighter gear and brandishing an axe.
Lopez said last week that the majority of firefighters had at least one type of sticker, or a red patch of paint if they were in ladder companies. He said LaCroix had made it clear in the past that small stickers, especially memorial ones, were acceptable and he did not see a reason for changing the policy. He was glad on Monday when the second memo came out.
"I think he saw what was heading down the road and said 'The heck with it,'" Lopez said

redpajama_set_name: RedPajamaCommonCrawl


With its third straight error-free game, Henderson County used five innings of no-hit pitching by Brice Shofner to beat Breckinridge County 11-6 .
HENDERSON – Helped out by its third straight error-free game, Henderson County used five-plus innings of no-hit pitching by Brice Shofner and a pair of home runs to beat Breckinridge County 11-6 on Thursday at B.T. Wayne Field.
Shofner, a senior left-hander who has signed with Brescia University, pitched into the sixth inning without allowing a hit against the previously-unbeaten Tigers (4-1). He did walk five batters, including three in the third inning but escaped with just one run scored.
Trailing 2-1, Breckinridge County had runners on first and third with one out when Ian Pitt threw out Kaeveon Mitchell on an attempted steal of second. Evan Barr, the lead runner, tried to get back to third on the botched double steal, but second baseman Cameron Hanley picked him off for the double play.
Sparked by the middle of the lineup, the Colonels (3-2) had nine hits including a pair of home runs by Ian Pitt and Bryce Willett. Pitt drove in Willett with a two-out homer in the bottom of the first for his second home run of the season. After Breckinridge County had closed Henderson County's lead to 7-6 with five runs in the bottom of the fifth, Willett blew the game open with a grand slam in the bottom of the sixth.
Batting between Willett and Pitt in the three hole, Dylan Sutton hit two doubles and drove in a run. Jake Willoughby added an RBI double in the No. 5 spot.
"I like those guys in the middle of the order. They've done a good job" said Hines, who expects his offense to get another boost with the return of senior shortstop Nolan Melton from a shoulder injury this weekend.
Henderson County put up five runs in the fifth inning behind the doubles from Sutton and Willoughby. After a leadoff walk to Barr to start the sixth, Hines replaced Shofner with freshman Colton Evans, who gave up three hits and four runs in his varsity debut.
After the Tigers pulled within two runs, Hines brought junior lefty Jacob Workins out of the bullpen. After giving up an RBI single to Rob Carman, Workins recorded the final out of the inning. After Willett's grand slam restored the comfortable, Workins returned to pitch the seventh and earn the save.
Breckinridge County, which is ranked fifth in the state in the MaxPreps computerized rankings released on Tuesday, had allowed just two runs in its previous four games.
Henderson County will play two games Friday in the PBR Kentucky/Tennessee Challenge, taking on Arlington, Tennessee at 1:30 p.m. and host Hendersonville at 6:30 p.m. Saturday's schedule at Mt. Juliet has been reduced to one game as Houston has pulled out of the event.


Just a little blog about Mario and Nikki's life together (The Bubs).
After too many years of ignoring our blog, I figured it was time to give it some love. First the update we are doing well! Life is good and we are expecting our first child in March 2014.
Other than that as always we are out to eat good food.
This weekend we were craving German food. Bub made some tasty braised beef and I took on Spaetzle.
I have to rewind and tell you about my first experience cooking spaetzle. The first attempt I went into it a bit cocky, I thought "hey I'm 1/2 German I can do this". Little did I know how underprepared I was! I used almost every thing in the kitchen that had a hole in it. And made a huge mess. The first round turned out tasty but not to my standard. I knew something wasn't right and making spaetzle couldn't be THAT hard.
Fast forward to last night, I was much better prepared we had purchased a spaetzle tool. I'm sure there is a fancy name but that's what I'm calling it. It worked like a dream! After looking at a couple recipes again I went to my German roots and channeled my ancestors and said I could do this. And I DID! With less mess and less time. It actually looked and tasted like I knew what I was doing!
Now I won't lie the picture does this meal NO justice, but it was very tasty and enjoyable and cured our hankering for German food.
So I give to you my very first Spaetzle recipe.
Alternate between adding egg and half and half.
Let sit at room temperature for 15 minutes.
While waiting for batter, salt and boil water.
Find spaetzle tool of your choice.
Once boiling add spaetzle dough to tool. This needs to be done in batches your dough will cook on the tool. Let dough drop into water and cook in water about 30 seconds or until it floats. Remove with hand strainer and put in larger colander.
Once spaetzle is made let sit in colander for at least 15 mins.
When ready add butter to pan (I used the one the water was boiling in). Once butter is nice and hot toss in spaetzle and cook for about 5 mins until brown bits form on spaetzle pieces. Remove add parsley if doing so.
Notes: This makes a small portion. Best to double the recipe.
Wow how July has flown by. Summer Vacation for the two of us is right around the bend. In a few days we are starting off on our first ever Road Trip.
We will be driving from San Jose, CA and ending in Seattle, WA. The plan is to take HWY 1 all the way up. Each day we will drive about 3 hours per day, stop, then explore the town.
We will also be visiting some family. In Portland, OR we will be having dinner with the OR Hoff's and then we will be joining the Casey Clan for a wedding in Seattle! We will end our trip in Seattle and then fly home. The luxury of renting a car for this drive.
We are going to try our hardest to blog along the way, but who knows what will happen. All I know is we are both ready to ditch our schedules and busy lives and hit the road.
Wow how time just really slips by. I'm not one to dwell on the past, so on with the blog. Bub and I have been super busy with life and trying to continue to make our home everything we want it to be.
It is now our tradition that May is the month where we over turn our garden and start he summer garden. It looks so bare and sad right now. We over turned our garden about 3 weeks ago. But the crazy CA weather is preventing any real growth. So we wait.
We really learned a lot after last years garden. While last year was super successful, as novice farmers we need to keep fine tuning our methods. This year we attempted to combat the squirrels a bit more. All of our seedlings have cages around them. We also refined our watering system to be more efficient and less wasteful. We also bought some heavy duty tomato cages, last year our plants were so big they made the standard cages tip over. We also took the time this year to make real garden signs. Last year we used little plastic ones and they were an epic failure.
While we wait for our garden to begin to mature and produce, it is nice to look around our yard and see all the major changes we have made. It is also nice to see that our roses and various flowers are blooming and just so dang beautiful.
Wow, it really has been a long time since I've blogged. Of course we are still eating and doing all of the fun food things we enjoy. Life has been crazy. With both of us working full time and myself in Grad School, life has gone back to full speed. Funny enough, though life has been crazy and non-stop we have made it a point to find time in our lives for the little things we enjoy.
This year we have our first ever actual garden. We are growing crookneck squash, pumpkins, green beans, tomatoes, peppers, and a few failed attempts with corn and strawberries. Our garden allows us to check out of the hectic Silicon Valley and bond with the world we love. So I do truely apologize for the lack of entries. Hopefully we can find time to finish out this summer with many of the wonderful things we have been growing, cooking and eating.
I wanted to formally welcome our newest family member, Chance. He is a male read eared slider (RES) who I've known for about 3-4 years. We rescued him from my work. He was living in a classroom that seemed to have lost interest in him. RES's are a lot of work!
I first met Chance when I worked in his classroom. I was his care provider for quite sometime. He's who inspired me to get Molly. I moved on and he stayed behind. With the building of the pond it was time to move him into a better situation. So, on April 30, 2009 he moved into our life. I introduce the world to Chance Perotti.
Chance is a lot smaller and a bit more unsociable than Molly. He has very large claws, different markings, and a pointed face. It's nice to be able to tell them apart. I'd be a horrible mother of twins! After being with for a few weeks he is doing quite well. I even caught him basking with Molly one day.
Awww look it's there first meeting. I turned off the pump so I could see how they reacted to each other. She's HUGE compared to him. I think that Molly McButterPants remains queen of the pond. The look on Molly's face is priceless.
Hey sicko's first off get your minds out of the gutters. Maybe I should have titled it stabilized whip cream adventures. Enough of that, let's get our minds on food! A couple of weeks ago was Mario's 35th birthday. We had a great weekend of celebrating in a beautiful hotel on the California coast. Unfortunately, the big day actually fell on Monday.
Being the loving wife I am, I had to make sure he got to blow out his candles. I ran to our local grocery store to whip up a box of cake mix. On the way I called my mom and told her all about what I was going to make. I told her how Bub had said that his favorite cake was chocolate cake with whip cream frosting. And how the "I can do that" light went off in my head. As we talked about my plan, and she said the statement that sent my brain into a tale spin, "are you going to stabilize it?" I had no clue what the hell she was talking about.
The more we talked I realized she did know what she was talking about. Mom filled me in on how by not stabilizing my whip cream that it would not be stiff and it would be a watery mess by the second day. In a panic I asked her what I needed to do? She informed me to get the ingredients I was already going to get and to pick up some gelatin. As soon as I got home I hit the computer to make sure mom wasn't crazy . And wow she wasn't, I found that there is a pretty standard method of how to stabilize whip cream.
It was perfect and lasted for a good 3-4 days tasting just as good as it had the first night I made it. I have to say that 1. this will be my go to whip cream recipe for umm probably the rest of our lives and 2. Mom you were right (she likes to hear that)!
The final product for Mario's birthday baked treats were cupcakes and I also had tried making cupcakes in cones (which Bub loved). Adorable and perfect for kids. But not so great the second day, the moisture of the cupcake destroys the cone.
The other week we found ourselves in a conversation about our cookbooks and the need to try more new recipes. It started out as a conversation about stepping out of our comfort zone and dipping into the different flavor combos out there. So we decided that we would cook at least one new recipe a week. We decided that there are few rules, the two rules being it has to be new and not our own recipe!
We were so fired up about this idea we dove right into it! I thought it'd be great to take a picture of the cookbook and a pic of the final product. I know it's silly but I really wanted to see how closely we could get our dish to look like the dish in the book. I'm aware that not all books have pics but I thought it'd be fun for the ones that do.
Our first dish is brought to you from Jacque Papan's More Fast Food My Way 2008 book. I grew up watching this man on PBS and was so excited to get this book. We settled on a Pork Medallions with Grapes in Pomegranate Sauce. I think we were both a bit apprehensive to try this dish at first. Eventually it sunk in that pork and fruit tend to go together quite well.
Overall we agreed that the combination of flavors were yummy and the texture of the grapes were really enjoyable. I had expected the sauce to be a little thicker but then again I'm a gravy loving girl. Mario overall expected the dish to have a lot stronger flavor.
In the end it was a little disappointing dish. I think we expected some amazing flavors to pop due to the ingredient list and they were just very subtle. Now don't get me wrong we did enjoy this dish, it just probably won't get made again. I had it for lunch the next day and I think the sitting over night did it some justice. But we all know things taste better the second day.
Mario and Nikki make up "The Bubs" we have been cooking and enjoying food together for about 10 years. We are foodies who enjoy cooking just as much as we love eating! We also happen to be new home owners who are learning the ropes!
Bubs and Grub by Mario and Nicole Perotti is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License.


text:
Over 200 times more passenger cars than in 1927
© Hollandse Hoogte
In almost a century, the Dutch passenger car fleet has grown by a factor exceeding 200: from 41 thousand (1927) to 8.5 million cars (2019). This is due to multiple developments, including population growth, rising incomes and increasing commuter traffic. Statistics Netherlands (CBS) reports this based on a new analysis.
For this historical timeline, CBS conducted a long time series analysis of the Dutch motor vehicle fleet. After putting together all available data sources, additional estimates were performed to make up for the missing data. Time series breaks which developed over time due to changes in e.g. sources, definitions, composition of vehicle categories as well as reference year shifts have been mended.
Rapid fleet expansion in the 1960s
The first motor vehicle statistics were published in 1927, when 41 thousand passenger cars were recorded in the Netherlands. This number had gone up to 98 thousand by 1939. Although growth was interrupted during the Second World War, the 100 thousand threshold was already crossed in 1949. By 1965 there were 1 million cars, rising to 2 million four years later.This year, the motor vehicle fleet includes a total of 8.5 million passenger cars.
Show datatablePassenger car fleet
Passenger car fleet
Number of passenger cars x 1,000 (x 1,000)
Sharp rise in commuter traffic
In the post-war period, demand was boosted by the development of commuter traffic. Commuter flows could be derived from census data. A tripling took place in the number of people going to work outside their municipality of residence: from 544 thousand (1947) to 1.1 million (1960) to 1.6 million (1971). The commuting trend arose partly as a result of housing shortages; at the same time, the geographical spread of industrial establishments and a decline in agricultural employment contributed to this rise in commuter traffic. In the late 1960s, as housing shortages were solved in the smaller municipalities while the living environment in larger municipalities deteriorated, more and more people moved away from the city.
Commuter traffic has risen sharply ever since. In 1947, 15 percent of the labour force were working outside their municipality. In 1960, this share was 27 percent and in 1971 it was 34 percent. By 2017, the share of commuters among workers had gone up to 63 percent.
Desire for freedom
The car also enabled people to satisfy their desire for freedom and provided a way to spend increased leisure time. More people took the car to make trips. The first traffic jams were created in the 1950s. Initially these were limited to leisure time: road jams on the weekends and in holiday periods (Easter and Whitsun weekends, for example), and summer holidays. The car was a desirable object, with consumers willing to change their spending pattern accordingly.
Nearly 1 car in every 2 inhabitants
The relative growth in car fleet is as impressive as its absolute growth. Adjusted for the population increase, the fleet rose from 12 passenger cars per one thousand inhabitants in 1950 to 41 per thousand inhabitants in 1960; 153 in 1970 and 300 in 1981. By 2000, vehicle density was already 400 per thousand inhabitants. At the beginning of 2019, the counter stood at 494, nearly 1 car in every 2 inhabitants.
Show datatableNumber of passenger cars per thousand inhabitants
Number of passenger cars per thousand inhabitants
Cars per 1,000 inhabitants
commuting traffic
Statistics Netherlands historical library


Adding a rainbow to a photograph can make even a dull photo interesting. In this tutorial you are going to learn how to create a rainbow in Photoshop.
Start Photoshop and make sure that you have the photograph that you want to use open. In the toolbar click "Layer" then navigate to "New" and click on "Layer". Click "OK" in the dialog box that appears. Now, select the gradient tool from the menu on the left and at the top click on the drop down arrow next to the gradient box. Click on the small arrow in the right of the box and in the menu that appears click "Special Effects". In the dialog box that appears click "Append".
New gradients will be added and you want to click on the last one available. Click on the "Radial Gradient" icon. Now click on the bottom right of the image and drag all the way along the image to the point where you want the rainbow to end.
Now we are going to have to make the rainbow look more realistic. Click on the drop down menu in the layers panel that currently reads "Normal" and from the options that appear click "Screen". In the main menu click "Filter", "Blur" then "Gaussian Blur" and set the radius to around 40 pixels. Click "OK".
In the layers panel click on the layer mask icon and then click on the gradient selector again and choose the one that goes from black to white. Click and hold at the bottom of the image, close to the end of the rainbow and drag all the way up to the top of the image then release.
Finally, we want to erase part of the rainbow that comes in front of the object. If you photo is over a wider landscape you probably don't need to do this step. Select the eraser tool from the tools and use it to erase the part of the rainbow in front of the object – here the large ship. That's it, you now know how to add a rainbow in Photoshop.


Pack adds in game 159 military cargo.
Version 3.2 – added UK military vehicles: Challenger 1 Mk3, AS-90, FV433 Abbot.
This pack adds in traffic 355 BDFs with 703 skins of real companies.
But I want to let you guys see it and test it for your self's if something needs fixed.
Credit goes to respective authors.
1. The ability of install paint job "Lion Power" Man E6 on all cabins.
2. The ability to remove the top decals on the Volvo FH16 2012.
3. The ability to remove the front logo "MAN".
4. The ability to install other variants of the fenders on the MAN E6 and Scania NG.
It is fixed to 1.33 and 1.34 versions for Audi RS7.
There's an inside of the vehicle.
NOTE: If you experience a tab problem, type g_susp in the console and press "TAB s then type 0.1 and press u ENTER NOT.
You can only buy in a single-player game, "modify" and repair it already in Truckers MP.
– Ability to buy trailers without continental DLC.
– Ability to transport goods from the "Cargo Market" in any country (with the included modifications).
– Ability to store in any garage.
– Work in Trucker MP!
This mod add a better view of the exterior of the DAF euro 6 trucks.
Loads do not appear when loading empty trailers and are added to them initially.
Each trailer is suitable for the cargo that is on it.


Tennis is coming up soon, so you better get laced up and get on the court. Tennis starts Monday, April 1st. Make sure you have all your paperwork and money in. Bring your yellow slip because you can not practice without it. The high school and middle school tennis teams both practice at the middle school tennis courts.
Lindsay Arnold said she likes playing Tennis because she grew up watching her sister play Tennis so she really wanted to do it too. Her sister used to take her to go play tennis while she practiced so Lindsay has been playing for many years. Kyra Larsen likes to play tennis because it is fun and it gives her something to do. She has been playing since she was nine.


(#5) "Sweating and All That"
Subject: my story from the other end!
I had a young kid working for me who was only supposed to be using the computer to keep track of various items that come in and out of the shop. Other than this inventory tracking he was a laborer, manual, sweating and all that.
Well... one day I went into the room where this computer was at, and asked James what he was doing, he said he was entering some items into inventory. I could clearly see what he was actually doing in the window behind the desk, he was surfing!! Well, unbeknowst to me this kid knew his computers! The computer he was using DID have a LAN connection to all the computers in the office, but it was secured and not supposed to even have access to the internet at all!
So... this kid in the few short weeks he had been working for me had broken our security to the main LAN... AND.. to the main T connection to the net! All this and he only used the thing a few hours a day. I came to find out later he was in college for computer sciences and that he actually DID know his stuff!
He now works on the network maintenance for the entire shop offices and he's even designing a very nice web page for us! Kind of a bit of irony from a story that could have gone very bad (for the kid)! He's lucky he knew his stuff!


Installed front hitch- what to do about sway bar bracket?
Discussion in 'General, Performance, Upgrades & Accessories' started by flyarmyguns, Jun 25, 2018.
Wow, I'd love to hear from someone who solved this.... I installed a Curt front hitch on my 94 F350 2wd. Install requires dropping the sway bar brackets from the frame, raising hitch in place directly to the frame, and then raising the sway bar brackets back in place under the new hitch... This means that the hitch acts like a spacer between the frame and the sway bar brackets... So now my sway bar has a 1/2" (thickness of hitch) of up/down play inside the sway bar bracket!
Can anyone point the way? Thanks all!
"Yeah. we've heard about this before, and you could make some spacers if you want.... But, the hitch is only 5/16 thick, so it probably won't hurt anything just to leave it loose in the brackets."
A heavy flat bar all the way across the gap, bolting to the holes, longer bolts if needed, done.


text:
Q: CMake/QtCreator/CPack build directory location At the beginning of my develeopment I used KDevelop, and MainDir/build directory for building my generated stuff. After adding some Qt stuff, I changed to QtCreator, and accepted its convention to use MainDir-build for generated stuff. My experience is that cmake ..; make; make doc; make package works fine in the first case. In the second case cmake ../MainDir; make; make doc works fine. However, make package results in make: *** No rule to make target 'package'.  Stop The reason is outside my cmake files, the first method still works fine. Any help?
Directory structure; in the first case:
MainDir
  -- build
  CMakeLists.txt

In the second case
MainDir
  CMakeLists.txt
MainDir-build

redpajama_set_name: RedPajamaStackExchange


Full-color display for three different interfaces with an adjustable-fit clasp and smooth touch screen.
Compatibility: Support TF/SIM card -- Android IOS iPhone, iPhone, & most Bluetooth devices.
Time to stand up reminder!


text:
28 Mon Oct 2013
For 28 October 2013, Sts. Simon and Jude, based on Luke 6:12-16
Now during those days he went out to the mountain to pray; and he spent the night in prayer to God. And when day came, he called his disciples and chose twelve of them, whom he also named apostles: Simon, whom he named Peter, and his brother Andrew, and James, and John, and Philip, and Bartholomew, and Matthew, and Thomas, and James son of Alphaeus, and Simon, who was called the Zealot, and Judas son of James, and Judas Iscariot, who became a traitor.
By: Jim Donleavy, O.P. calling in from Ireland
Jim Donleavy, a friar of the Irish province, was ordained in 1961 and dedicated his life to preaching. He has been in the ministry of preaching ever since, in Ireland, England, the United States, the West Indies, and South Africa. He is currently prior and parish priest in Limerick.
« The twist in the tale	» Small but very, very great


To help build and lead the new Primary Care business, Sanofi is appointing Dieter Weinand as Executive Vice President. Effective November 1st , Mr. Weinand will report directly to Sanofi CEO Olivier Brandicourt and become a member of the Executive Committee. He will be based in the Bridgewater, New Jersey, United States. Stefan Oelrich, currently head of the DCV GBU, has decided to leave Sanofi and will join Bayer AG as a member of the Board of Management and head of the Pharmaceuticals division, replacing Mr. Weinand effective November 1st.
reporting directly to Dr. Brandicourt.
Sanofi expects to launch the new Primary Care and China & Emerging Markets global business units by the beginning of 2019. Sanofi's other GBUs—Sanofi Genzyme, Sanofi Pasteur and Consumer Healthcare—remain unchanged.


i have problem with my grid.
my json is nested data.
i can display 'success' in my grid .
but 'regdata' and other things can't.
It seems that you don't need to display value of 'success' but the data under 'd'. If so, you should config root for proxy reader.
P/S: try to put your code inside CODE tag then you will get more opportunity of getting support from community.
but my gird show this.
i have to display this grid panel.
is this may be problem in someday??
1. Make sure you defined all data fields (idx, title, state, regdate) in your projectList model.
2. Make sure you defined correct dataIndex for columns in grid.
this is my model and view.
i have to use 'success'.
because i will make if 'success'=='true' then i make this grid view displayed.
if delete belongTo, is it ok to use data of 'success'?
When do store loading, you set "success" to true to tell the store that the loading is succesful and then store will contain loaded data. Also, you can listen for store 'load' event and check the successful argument.
but 'success' has two options 'true' or 'false'.
when server sends me the value of 'success', i have decide to 'show grid' or not according to value of 'success'.
so i have to know value of 'success'.
If you listen for store 'load' event, the successful argument will tell you that thing. If success set to true, your store will loaded data, if not, your store will contains old data.
'success' is variable in my app.
so I have to know value of success.
Does your "success" indicate whether a loading request succeeded or failed? Is it the same as http://docs.sencha.com/ext-js/4-1/#!/api/Ext.data.reader.Reader-cfg-successProperty?
so it has no connection with 'loading of store or otherthings'.
so i have to know values of 'success' and other nested data.
If so, I suggest you use Ext.Ajax.request() to load the json data, no need to use a store to load this. On returning of request, you decode the json data, check the "success" property and do the right thing.


Known for the highest viewing deck (North Star gondola) on any cruise liner in the world. The Quantum of the Seas is also recognized for robot bartenders and satellite internet, just a few of the many high-tech features offered by this liner. The adventure also includes bumper cars and st sea skydiving.


text:
Q: Behaviour of last elements in grid I have got a bootstrap grid with dynamically generated images.
If the last element is alone in the row it should be centered.
And if there are two elements in row, the second element should float right.
This is what I want:
Two elements in row:
A   B   D
E   F   G
H       I

One element in row:
A   B   D
E   F   G
    H

HTML Code:

This is what I get:
Two elements in row:
A   B   D
E   F   G
H   I

One element in row:
A   B   D
E   F   G
H

I tried it with :last-child:nth-child(odd) and :last-child:nth-child(even), but in the first row the first element is odd, in the second row the first element is even, in the third row the first element is odd again and so on.
Notice that the content size variates.

A: You can use a mixture of nth-child and last-child:

.row {
  display: flex;
  flex-direction: row;
  flex-wrap: wrap;
}

.col-md-6 {
  width: 33.3333%;
  height: 100px;
  border: 1px solid black;
  box-sizing: border-box;
}

.col-md-6:last-child:nth-child(3n+2) {
  /* push second child to right if last child */
  margin-left: auto;
  border-color: red;
}

.col-md-6:last-child:nth-child(3n+1) {
  /* push first child to middle if last child */
  margin: auto;
  border-color: red;
}

    1

    2

    3

    4

    5

    6

    7

    8

    1

    2

    3

    4

    5

    6

    7

If you need this to work with bootstrap 3, rather than 4, then you can just use
.col-md-4:last-child:nth-child(3n+2),
.col-md-4:last-child:nth-child(3n+1){
  /* push second child to right if last child */
  margin-left: 33.333333%;
  border: 1px solid red;
}

Example bootply

A: You can do it using flex.

var numberOfFlexItmes = $('.flex').children('div').length;
if((numberOfFlexItmes%2) == 0){
     $('.flex').css('justify-content','space-between');
}
else{
     $('.flex').css('justify-content','space-around');
}
.flex{
  width: 300px;
  flex:1;
  display: flex;
  flex-wrap: wrap;
}
.flex-item{
  width:100px;
}

    A

    B

    C

    D

    E

    F

    G

    H

A: What you can do, is work out if it's got a remaining 2 or 1 when dynamically generating it and use the col-x-push-x to push it that many columns
Fiddle with two Remaining Image

Fiddle with One Remaining Image

A: You could approach the layout you want using flexbox.
Add justify-content: center to the row. This will center an item if it is in a row by itself.
Also target the second last item in a row. Set margin-right to auto. In a row with only two items, this will align the last item to the right.
Example:

body {
  margin: 0;
}

.row {
  display: flex;
  flex-wrap: wrap;
  justify-content: center;
}

.col {
  width: 33.3333%;
}

.col:nth-last-child(2) {
  margin-right: auto;
}

img {
  width: 100%;
  height: auto;
  display: block;
}


WE love a Friday at Home Park….because tomorrow is match-day.
Before we turned our attention to the visit of Luton Town in Sky Bet League One, it was a proud moment for the club looking ahead to the completion of the Home Park development and the introduction of a pioneering membership scheme.
It was then over to manager Derek Adams and our ambitions to the climb the table. Leading scorer Freddie Ladapo has a goals target for the campaign and we preview action involving the Ladies on Sunday.
Freddie revealed the massive influence of the Green Army and Derek had praise for Luton Town ahead of the big game.
Subscribers to iFollow can watch Derek's interview previewing the Luton game.
Tonight, we will have a report from the game with Tavistock and tomorrow morning will bring the Saturday preview, plus reports, pictures and reaction from the Luton game.


Absolute positive performance recorded in the first year of operations despite turbulent market conditions.
After a dreadful first week of May, European financial markets rebounded in the latter part of the month on the back of a sustained recovery of commodities prices, agreement reached between Greece and its creditors and decent economic indicators in the US.
The Fund's benchmark was up +2.50% in May but failed to recoup its yearly losses and was still down 4.18% for the year to 31st May. In that context, the Fund managed to post a positive performance as well with a +3.97% return in May, outperforming its benchmark by 1.47% for the month. Year to date, the Fund's performance stands at +1.20%, translating into a 5.38% outperformance versus its index.
This month also marks the end of the Fund's first year of operations (launch date was May 5th, 2015). Since inception, the performance stands at +0.49% compared with -8.10% for the Fund's benchmark. The Investment Adviser is very pleased to report a sizeable relative outperformance (+8.59%) coupled with capital preservation with a positive absolute performance despite turbulent market conditions since the launch.
23 investments recorded a positive performance in May and 7 were in negative territory. Kendrion was the most significant contributor, followed, this month, by Aubay and Saf- Holland. At the other end of the spectrum, Andritz, Vexim and Metsa-Board were the three main detractors. Two positions were exited during the month, Ascom and Metsa- Board.
June has so far been very volatile with fears of a Brexit scenario mounting day by day. As seen at the beginning of 2016, the Fund proves to be much more resilient than the market in general under such conditions. This aspect was proven right again this month. With capital preservation in mind, the Investment Adviser has also decided to increase the cash portion of the portfolio from 5% to a 15-20% range. Depending on the outcome of the vote on June 23rd, this cash could be redeployed rapidly or more gradually.
The views and statements contained herein are those of Pascal Investment Advisers SA in their capacity as Investment Adviser to the Fund as of 15/06/16 and are based on internal research and modelling.


Written by Grace Hees on September 25, 2018 . Posted in TLM.
As the saying goes, "Everything old is new again." Artist Andy Burgess, whose a local exhibition starts this month, has a distinctive and fascinating way of looking at designs from our near past.
Andy Burgess sees things that most of us don't — tiny nuances in shapes and colors. But then, that's his job.
A native of London, the talented and engaging visual artist grew up surrounded by deeply rooted history, and many branches of noteworthy architecture and design, all of which were worthy of detailed study.
Andy's father was John Burgess, an actor who had a long career in both the theater (including with the Royal Shakespeare Company), and on the big and small screens. His mother Lana had been a secretary, and then after his parents split up, a homemaker, remarrying and raising Andy and his siblings Harvey and Paul. Although his mom was an aficionado of the theater and opera, Andy says that all the culture surrounding him didn't lead him toward the stage or into music.
Fast forward a few years, and Andy's oldest brother Harvey and his wife moved to Tucson, where she landed a job as a nurse at St. Mary's Hospital. The Burgess family came out on visits, and it seemed the perfect place for Andy to get out of the cold and wet.
Living in the Southwest changed his life in many ways. He married his girlfriend and they had a child, and Andy turned his attention to painting images of Mid-Century Modern buildings. "The whole interest in painting specific modernist architecture happened just before I moved to Arizona," he says. "I was really interested in Bauhaus and European modernism. And when I moved here, the access was far more to the heir of that, which was Mid-Century Modern. Those architects who were from that tradition, like Rudolph Schindler and Richard Neutra, were émigrés. They came to the States and some of them settled in LA, and a few worked for Frank Lloyd Wright. That mixture of the Prairie style, Bauhaus and Modernism, with help from Palm Spring architects like Donald Wexler, Albert Frey and those guys, came to form a unique style of American architecture. You put all that together, and suddenly you have Bauhaus transferred to the desert. And I fell in love with that. It made perfect sense to follow through from drawing Bauhaus to drawing and painting Mid-Century, and going back and forth between the two to enjoy the connections.
Moving to America has been a boon to Andy's career, and he notes, "This year has been my best to date. I had the Nazraeli book [Mid-Century Perspectives: Paintings by Andy Burgess and Objects of Modern Design], and the Tucson Museum of Art exhibition, followed by a sell-out show in New York. Those three things were really phenomenal." He notes that he has been so busy that he has had to turn down requests from galleries, as well as some commissions.


text:
Source: Digital Collections, National Library of Scotland
http://digital.nls.uk/street-literature-about-napoleons-wars/pageturner.cfm?id=74587950&mode=fullsize
The Eighteenth of June
Like so many ballads of the period, this 'object' exists in different forms in different places. Composed by an unknown soldier in the wake of the battle, learnt from him by an injured Scot, Jim Shoubridge, and taken back to Falkirk, the song was immediately printed in a chapbook as 'The Famous Battle of Waterloo', in nine verses, set to a tune from the Seven Years' War. A century later it was collected from a Sussex singer's rendition as the 'Eighteenth of June', with three verses and a chorus, to a different tune, and tidied up by Ralph Vaughan Williams.
Unlike many loyalist domestic productions, it is a song of tragedy and compassion (text given in 'Further Information'). Rather than revelling in victory, these were soldiers articulating the pain and shock of an incredibly violent battle, identifying with the forlorn figure of Napoleon and committing the first-known 'facts' of the battle to oral memory – when it began (not with the first deaths, but with their getting up) and ended; how many died ('sixty thousand brave soldiers'); and, most obviously, the fatal date itself.
The later tune is mournful, in a minor key, returning to the same sad phrase in solemn, inexorable repetition. It matches the lyrics beautifully, accentuating the imagined grief of young girls at home, and dramatising 'the thunder of five hundred cannon'. It is unsurprising that, unlike so many other topical ballads, it survived to be sung two centuries later. The clip in the link below left shows Martin Carthy's interpretation.
Martin Carthy's version: https://www.youtube.com/watch?v=tPwt1BjFI8g
Text from Ralph Vaughan Williams et al., 'Songs Collected From Sussex', Journal of the Folk-Song Society 2 (1906). p. 193
All you people who live at home easy, and are far from the trials of war,
Never knowing the dangers of battle, but are safe with your family secure:
Know you the long scythe of destruction has been sweeping the nations all round,
But it never yet cut with the keenness that it did on the eighteenth of June.
And what a sad heart had poor Boney, for to take up instead of a crown,
A canter from Brussels to Paris, lamenting the eighteenth of June.
It began about five in the morning, and it lasted till seven at night.
All the people looked on in amazement; they had never yet seen such a sight.
And the thunder of five hundred cannon proclaimed that the battle was on,
And the moon in the sky overshone all, recording the eighteenth of June.
All you young girls with sweethearts out yonder, who go daily to buy the black gown,
It's a thousand to one I will lay you your love fell on the eighteenth of June.
Sixty thousand stout-hearted brave soldiers who died made an awful pall tune,
And it's many the girl will remember with sorrow the eighteenth of June.


While under Pfingsten's ownership, SpeeCo was a manufacturer of branded and private label agricultural implements and tractor replacement parts for farm, ranch, and related markets. Products included over 3,500 SKUs including log splitters, diggers, OEM parts, 3-point linkage parts for tractors and other farm accessories. The company sold its products to consumers through hobby farm and ranch retailers and dealers. SpeeCo is headquartered in Golden, Colorado. Pfingsten sold its interest in the business in 2010.


Just a quick update. I bought TBT April 19 calls at .16 on Tuesday and sold them today for 0.26. I had 2 targets in the stock; 19.10 then 19.45. I sold half at .26 early in the day when the stock was trading 19.10 then when we broke out above 19.10 I moved my stop up to .26 on the other half of the position and got stopped out shortly thereafter. Maybe a little aggressive on that but I was nervous about the market rolling over as it did later in the day so I kept it tight.


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It's been 40 years since the original Halloween changed the horror industry. That is no overstatement. The low-budget 1978 movie by John Carpenter was a box-office sensation and ushered in a decade-plus of bloody slasher cinema. It's even been 20 years since Halloween: H20, which was a 20-years-later sequel bringing original scream queen Jamie Lee Curtis back into the mix. It's now been another full H20 of time since that film, which makes me feel old, personally. Rob Zombie revived the franchise in 2007 with a back-story for methodical killing machine Michael Myers that nobody asked for (surprise: his family life was not great). Now an H40 later, director David Gordon Green and actor/writer Danny McBride have revived the franchise by going back to its roots, namely by ignoring all of the seven sequels and bringing back Curtis yet again. The new Halloween 2018 edition is a strange experience for fans. The first half feels like an elusive parody of the franchise, and then the second half drops comedic pretext and becomes much more serious and straightforward. As my pal Ben Bailey said, I can understand people hating this movie or loving it depending upon the half they focus on. This new Halloween ends on a high note but still could have been so much more.
In the decades since the original murders on Halloween, Laurie Strode (Curtis) is living a hermetic life. She's never fully recovered from the events of her traumatic youth, and so has been preparing intensely for Michael's eventual return. She rigorously trained her own daughter, Karen (Judy Greer), for self-defense to be a survivalist, locking her in the basement and training her with an array of firearms. Laurie thought she was drilling her daughter to be strong and a survivor, but the state had other interpretations, and so Karen was removed from her mother's home and grew up resenting her oppressive, paranoid mom who took away her childhood. Karen has forbidden her own daughter, Allyson (Andi Matichak), from interacting with her crazy grandma, but both find ways. Michael Myers breaks loose from a prison transport and is heading back to Haddonfield with a mission to find and kill Laurie. They're on a collision course H40 years in the making.
Let's focus on that peculiar first half first. There were several points that made me shake my head and wonder if they were trying to be subtlety tongue-in-cheek or bad on purpose, and because of the pedigree behind the project, I had to give it the benefit of the doubt, but to what end? Why skewer horror tropes in a subtle way that could be construed as simply being bad instead? Why even do it for this franchise and then mostly drop it by the second half? There were several moments where I had to laugh and I wasn't fully sure it was intended. This was my dilemma watching Halloween 2018 and I'm sure others will have a similar experience, scratching their heads and wondering why the movie is going the route that it is. Take for instance the horror trope of the bad babysitter. We have another situation where a nubile high school girl is going to invite her boyfriend over for some late-night action, nodding to the 1978 original film. Except the kid being babysat sees through everything and calls out his babysitter. He's a street-smart kid who speaks with the voice of the knowing participant, like when he tells the boyfriend that he will die if he goes upstairs (spoiler alert: this kid is prophetic). There's a string of kills that feel perfunctory, like the filmmakers have noticed that too much time has passed and have to satiate audience bloodlust to buy them another ten or so minutes of setup and characters. The kills themselves are lackluster. Even the gratuitous nudity is fleeting, confined to a quick flashback relating to young Michael Myers spying on his big sister (one of these days a slasher movie is going to be replete with wall-to-wall male nudity and no boobs just to mess with its target audience). There's the trope of the ineffective police officer. After finding out Michael Myers is on the loose, an officer bluntly says, "What are we gonna do? Cancel Halloween?" The answer is, yes, you cancel the trick-or-treat activities for the town where this guy is clearly heading and you adequately warn the populace. You ask for assistance from anyone with a cell phone to broadcast the whereabouts of fugitive Michael Myers. The guy is pretty large and easy to spot, plus he's not that traditionally fast. A citywide digital manhunt might have made for a more interesting movie premise with some genuine cultural commentary.
Or take for instance the stupid side characters meant to be fodder for the merciless kill count. The movie mysteriously gives these disposable characters little one-minute asides to present a glimpse of another story that we're just not privy to. There's the little kid who doesn't want to go hunting and wants to be accepted by his father as a dancer. Okay, that's a more interesting conflict than I thought, and then the dad immediately stops at the site of a bus crash with wandering chained inmates and says, "I'm gonna check this out, stay here." It's like Green and McBride gave us one page of characters from an indie drama and then had them smash back into idiotic plot devices making the most headache-inducing decisions. Another instance is a pair of cops debating over adult meals and bread. I appreciate the effort to try and flesh out the characters in a way that makes them feel more real, but then they have no larger bearing than being the next in a line of victims. There are other strange reminders that things just aren't exact with the movie, at least for the first half. It's this curiously overwrought, off sensation that keeps the audience from fully engaging, being told to possibly laugh with or at the movie.
I also think the film is fundamentally flawed in its approach, namely by elevating Laurie's granddaughter as a co-lead. Allyson is too removed from the situation to give an interesting perspective, so she becomes any other teenage heroine we've seen in scores of slasher cinema likely meant to appeal to a teenage ticket-buying audience. The real conflict and the real story is the relationship between Laurie and her estranged adult daughter. There is so much drama there to unpack and the movie would be far better had the filmmakers eliminated the majority of the extraneous characters and focused on these two women and their decades-long acrimony. Get rid of Allyson's boyfriend, who gets way too much screen time to simply be jettisoned without resolution (his lone purpose seems to be disposing of her cell phone). Get rid of his friend, a supposed "nice guy" with his own entitlement issues. Get rid of the babysitter friend and her dumb boyfriend. Get rid of the cops. Get rid of the Doctor Loomis prison doctor replacement, nicknamed the "new Loomis." Get rid of them all, including Allyson. I would have preferred Allyson being murdered in the middle of the second act as a means of raising the stakes and forcing Laurie and Karen together again. This is very much a PTSD film about the long ramifications of trauma and how it affects multiple generations. I would have loved seeing that play out in the interplay between Laurie and the daughter that she pushed away in an attempt to save her life. There is so much palpable drama there that I'm genuinely shocked how little Karen figures in Halloween 2018. It's such wasted dramatic potential as well as a better focal point for the movie.
It's the second half, and in particular the third act, that saved the movie for me. The finale is everything fans would want, transforming into a surging siege thriller built around Laurie's well-armed abode. It's here where the movie becomes a multi-generational fight to the finish and the Strode women must team up to fight the man responsible for the long lingering trauma that has defined their lives in innumerable ways. It's a climax that feels elevated by the pull of history, and it's terrific and terrifically satisfying. Watching Laurie stalk the house in search of Michael Myers, going from room to room and locking them down, is the first actually nervous sequence in the film, benefiting from the investment we have in Laurie as an avenging figure. It's during this sequence where Curtis (Freaky Friday) and Greer (Jurassic World) remind us what wonderful actors they can be. It made me wish for my more realized version of the two of them and their relationship even more. This is where Green (Stronger) also demonstrates his best sense of geography and escalation. Beforehand there are a few nifty tracking shots, paying homage to the opening of the original, but they're self-contained, congratulatory moments. It's the finale that made me realize what this movie should have been from its first frame. Lucky for Halloween 2018 it ends a high note (excluding the cliche post-credit revelation).
The newest Halloween movie has lit up the recent box-office charts and ensures this won't be the last we see of Michael Myers and potentially old lady Laurie Strode. That's kind of a shame because Green's movie serves up a fitting finale for the series that could work as a capper for Laurie as a character and a survivor of trauma. But alas, the ringing of cash registers will be enough to extend the franchise and carry on more blood-letting adventures for the man in the William Shatner mask. Halloween 2018 starts off fairly rocky with a question concerning overall tone and intent. There's humor that feels grafted on from other parallel reality versions of this story, somehow blurring together into a weird final product. The second half works much better than the first when it stops cracking wise and takes itself seriously enough to realize where the real drama lies, with Laurie facing down her demons and working together with the women of her family for maximum vengeance. Watching three generations of Strode women fighting together is a triumphant conclusion. It's a shame that it won't actually exist as a conclusion for that much longer.
Tags: danny mcbride, david gordon green, horror, jamie lee curtis, john carpenter, judy greer, sequel, serial killer, thriller
Stronger (2017)
An inspiring true-life story that still manages to stay grounded on its own terms, Stronger is an emotionally affecting movie buoyed by two sensational performances. Jake Gyllenhaal plays Jeff Bauman, an ordinary guy who is present at the 2013 Boston Marathon bombing and loses his legs in the attack. He was there to support his on-again off-again girlfriend, Erin (Tatiana Maslany). Needless to say, his whole world changes and he has to adjust to a new life, a new identity, and the hardships placed upon others within his family sphere, especially Erin. This is a very solid meat and potatoes kind of drama. It's not flashy or inventive but it has serious human drama and it treats it as such. I was on the verge of tears for a solid thirty minutes. Gyllenhaal delivers yet another Oscar-worthy performance, burrowing into an average screw-up thrust into the national limelight. Everyone tells him he's a hero, but he doesn't feel it. Everyone wants a piece of him and his doting mother (Miranda Richardson) often blurs the line between pride in her son and exploitation. The colorful, coarse, dysfunctional family dynamic will remind many of 2010's The Fighter. I greatly appreciated that even after the terrorist attack Jake is not canonized. He's no saint just because something terrible happened to him. Director David Gordon Green (Pineapple Express) takes great care to keep the movie grounded even as it hits the standard inspirational notes, finding moments of grace in unexpected places and people. The backbone of Stronger is the thoroughly moving relationship between Jake and Erin. They have exchanges of both ferocious anger and deep tenderness. A post-amputation sex scene between them is so intimately filmed by Green that you almost feel like you're intruding. Maslany (Orphan Black) can break your heart or make it melt just with an expression. The non-verbal acting in this movie is truly exceptional. Stronger is a strongly developed drama with characters that earn every one of your hard-fought tears.
Tags: book, clancy brown, david gordon green, disability, drama, jake gyllenhaal, miranda richardson, tatiana maslany, terrorism, true-life
Snow Angels (2008)
Director David Gordon Green is likely the most observant auteur today when it comes to exploring the realities of life in small towns. Snow Angels is a somber drama that follows an estranged couple (Sam Rockwell, Kate Beckinsale) going through the hard times of life in a snowy rural town. The couple is also beset by some tragic accidents that come in at the appropriate time, an hour into the film, which means that we've gotten to know the characters enough to build a relationship with them and also that there will be plenty of time left to watch these characters react. The movie has a handful of interrelated characters that don't all sustain the same level of interest. Watching a band geek lose his virginity to a smart girl (Oliva Thirlby, deflowering her second 2008 virgin) is just not comparable to other storylines. Snow Angels has an astute sense of resignation throughout, like the characters know they will forever be stuck in dead-end jobs and live the rest of their lonely lives as fated. The movie takes some very dark turns but they feel authentic to the drama. Green creates such a rich portrait of despair and the inequities of small town life.
Tags: david gordon green, drama, indie, kate beckinsale, olivia thirlby, sam rockwell
Pineapple Express (2008)
There's something to be said about a comedy that requires an audience to puff illegal substances in order to fully be entertained. Somewhere along the line the Judd Apatow comedy unit went down a wayward track with the stoner comedy, Pineapple Express, an amiable goof of a comedy at best. The premise is solid, two stoners (Seth Rogen and James Franco) witnessing a murder and on the run. Rogen and Franco have a great rapport with one another that translates to plenty of good vibes and humor (Danny McBride steals the show as a seemingly indestructible low-rent drug dealer). But the movie veers off into action territory with bloody violence that really harshes your mellow, man. Pineapple Express never really settles on a consistent tone, so when the movie fully transforms into a strained guns-a-blazin' action caper, the comedy has totally vanished. The realistic violence is intended to get the laughs. When people get shot, it's ugly, and when ear lobes get blown off it's just plain gross. There's no room for humor in the third act and the action is lazy and uninspired. If Rogen and his writing partner Evan Goldberg (who scripted the much funnier Superbad) were aiming to create an action parody, then they didn't push nearly hard enough. After the movie ended, I thought back to last year's superior action parody, Hot Fuzz, which had a consistent tone and packed jokes as hard as punches. As a sober moviegoer who has never inhaled any such wacky tobaccy, Pineapple Express just kept eluding me. The movie is too slipshod, too misshapen, and it completely goes up in smoke by the end.
Tags: action, craig robinson, danny mcbride, dark comedy, david gordon green, drugs, gary cole, james franco, judd apatow, seth rogen, stoner


You may know Max Levchin best as one of the cofounders of PayPal, or the entrepreneur who sold one of his startups, Slide, to Google for millions of dollars. Or you might know him as the mastermind behind the potentially revolutionary companies Glow and Affirm. Perhaps you know that he sits on the board of directors at Yahoo and Yelp.
You might not know he's a fast cyclist.
I learned this firsthand when I traveled to California to write a profile of him, share my passion for pedaling with a fellow obsessive, and, yes, test my mettle against his. As he probably has his whole life, Levchin won, and with grace.
Levchin brings a sharp focus and a high level of intensity to his business life and his cycling. He often wakes up early to go out for a ride, then it's into the office for a busy day. If he's pressed for time, he'll ride his indoor trainer for an hour. 'I try to touch my bike at least once every day,' he says.
Levchin's penchant for the stealth look borders on obsessive, but then again, obsessive is what roadies are. He avoids loud colours and showy brand logos whenever possible. Note the reflective tabs on his Swiss-made Assos apparel, on the back of his thighs and calves. On his left leg he wears a Road ID, which has his name and emergency contacts.
Before we roll out, Levchin tells me about the ride we're doing, Paradise Loop, one of the most popular routes in the Bay Area. He has ridden it more than a hundred times, so he knows each rise, downhill, and turn. He likes that he can test himself repeatedly over certain sections and compare his performance data over time.
Levchin always wears his prescription cycling glasses and a helmet. He even keeps the helmets he's crashed in -- he has 'a shelf of marginally intact helmets as a reminder of what not to do.' And he has a rule that if one of his carbon-fibre frames hits the ground hard, he doesn't touch that frame ever again. Ditto for helmets.
Riding in the Bay Area proved to be a rejuvenating retreat from my regular bike commute in New York City, even if Levchin kept the pace high and reminded me every mile or two that I don't like climbing. Max, he just loves when the road goes up.
In addition to being a diehard cyclist himself, Levchin follows pro racing obsessively -- 'I can rattle off more stats than you care to know,' he says. 'It's the only sport I follow.' His favourite pro? Jens Voigt.
The only time I managed to give Levchin a run for his money, so to speak, was on the flats, but then again he might have just been toying with me. For a climber, Max has a pretty good kick in the sprints.
After spending a little time with Levchin, in his office and on the road, I'd say he's probably the most competitive person I've ever met. He's at once reserved and passionate, as happy bombing a descent at 50 mph as he is seeking the next big thing in internet tech.


Joe Belfiore, Microsoft corporate vice president, Operating Systems Group, showcases the new Photos app for Windows 10 on Wednesday, Jan. 21, 2015.
Microsoft just cleared up some of the confusion around the different varieties of Windows 10 that will be available when it ships later this year.
The company confirmed Wednesday that the operating system will come in seven different editions, including desktop and mobile versions for homes and businesses, along with offerings for schools and the Internet of Things.
This isn't the first time Microsoft has offered different versions of its software — Windows 8 shipped in a number of different editions as well — but this marks the first time Microsoft has clearly outlined exactly how it's positioning its different Windows 10 experiences.
"We designed Windows 10 to deliver a more personal computing experience across a range of devices," Microsoft's Tony Prophet wrote in a blog post. "An experience optimized for each device type, but familiar to all. Windows 10 will power an incredibly broad range of devices – everything from PCs, tablets, phones, Xbox One, Microsoft HoloLens and Surface Hub."
As with Windows 8, the consumer-ready editions are focused on desktop and mobile.
Windows 10 Home: This is the "consumer-focused desktop edition" that will replace Windows 8 Consumer and the one most users will see on their PCs, laptops, tablets and "hybrid" 2-in-1 devices. It will ship with Cortana and Microsoft's Edge browser and have Continuum capabilities. Xbox users will also be able to play Xbox Live games on PCs with Windows 10 Home.
Windows 10 Mobile: Formerly Windows Phone 8.1, this edition will run on smartphones and tablets with smaller displays. It will run universal Windows 10 apps and the new Office apps optimized for smaller touchscreen devices.
For companies, Microsoft is offering two business-focused desktop editions, depending on the size of the organization.
Windows 10 Pro: Meant to replace Windows 8.1 Pro, it's designed for small businesses, with extra features to allow companies to manage apps and data across devices. Windows 10 Pro users can also take advantage of Microsoft's new Windows Update for Business program, which makes it easier for organizations to control how they get security and other updates from Microsoft.
Windows 10 Enterprise: This edition replaces Windows 8.1 Enterprise and is designed for larger companies. It has more robust security features and also supports the Windows Update for Business program. Enterprise customers aren't able to take advantage of Microsoft's free Windows 10 update as it's only available to volume licensing customers.
Windows 10 Mobile Enterprise: Formerly Windows Phone for Business, Windows 10 Mobile Enterprise is the enterprise edition for smartphones and smaller tablets. Also available to volume licensing customers, It gives companies more control over security features and how updates are installed.
Finally, Microsoft is adding new editions for schools and connected devices.
Windows 10 Education: The academic edition's feature set is similar to the enterprise edition in that it gives admins more control over how updates and security features are managed and is available through academic volume licensing. Microsoft also says there will be "paths for schools and students using Windows 10 Home and Windows 10 Pro devices to upgrade to Windows 10 Education."
Microsoft notes the company is "on track" for a summer release for Windows 10, though exact availability details are still unclear. Windows 10 will be a free upgrade for the first year to most consumers who already have licenses for Windows 7, Windows 8 or Windows 8.1.


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Roger Federer Embarrassed When He's Denied Entry to Wimbledon by Security Guard
The eight-time Wimbledon champion recalls being left red-faced as he had to explain who he was when a security guard at Wimbledon didn't recognize him.
AceShowbiz - Roger Federer was blocked from entering Wimbledon by a security guard. The eight-time Wimbledon champion wanted to visit SW19 to meet his coach while he was in London for a doctor's appointment but was turned away by a security guard who did not recognise him.
"When you win Wimbledon, you become a member automatically. And honestly, I don't know about membership cards, they are probably at home somewhere and I've just been travelling, so I had no idea. I'm like, 'No, I don't have my membership card, but I am a member. I'm just wondering where I can get in,' " Federer - who retired from tennis earlier this year - told "The Daily Show".
Federer's pleas fell on deaf ears and he ultimately had to explain who he was. The 41-year-old sports star said, "There's (usually) loads of people, and I come in a different way. And this is the first time I'm here while the tournament's not on and I don't know where to get in, so I'm just asking you again where I can get in."
"So I look at her one last time and I'm in a panic now - and I still can't believe I said this because I still feel bad about this - but I look at her and say, 'I've won this tournament eight times. Please believe me, I am a member. Where do I get in?' "
Federer managed to gain entry at a different gate after a different security guard recognised him. The 20-time Grand Slam winner quipped, "I thought about going over to the other side and giving a wave that I was in, but I didn't do it."
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