text:
Series Overview: World War II Stories As Ken Burns' documentary series The War debuts on PBS, NPR explores a handful of stories from World War II that haven't been widely told. They're all stories about people who experienced the war in unique ways.
World War II Stories
NPR explores a series of World War II stories that haven't been widely told.
Series Overview: World War II Stories
Deborah George
Kate Nolan, right, with fellow Army nurses at Fort Bragg in 1944, just before deployment overseas. Courtesy Kate Nolan hide caption
Courtesy Kate Nolan
Kate Nolan, center, with fellow Army nurses at Fort Bragg in 1944, just before deployment overseas.
There weren't many Americans whose lives were untouched by World War II.
A generation lived the war together — whether it was on the home front or the battlefront. In the decades since, it has been explored in countless classrooms, books and movies. So, it seems incredible that stories from that war can still surprise us. As Ken Burns' documentary series The War debuts on PBS, NPR explores a handful of stories from World War II that haven't been widely told. They're all stories about people who experienced the war in unique ways.
Part 1, today on All Things Considered: Producer Joe Richman began by talking to a friend's grandfather ... and wound up on the slopes with an octogenarian who carries his oxygen tank along with his skis. The result is an audio history of the World War II's "ski troops," the 10th Mountain Division. The 10th began as an experiment. Their basic training was designed to enable them to fight and survive in the toughest terrains of Europe. It included ski lessons and cold weather survival tactics, such as building snow caves. The 10th carried out a number of dangerous assaults on the German army in the mountains of northern Italy and suffered one of the highest casualty rates of the war. Veterans of the 10th are widely credited with developing America's ski industry in the postwar years.
Part 2, on Weekend Edition Sunday: Richard Gonzales reminds us of the as many as 500,000 Mexican Americans who served in World War II. The veterans he talked to overwhelmingly described the war as a pivotal experience in their lives. Back home, they were victims of ugly racism. In the Army, they proved they were capable fighting men and when they got home, they refused to accept second class citizenship. Many of them became the activists who created the Mexican-American movement.
Susan Stamberg and producer Cindy Carpien crafted two moving profiles of World War II vets.
Part 3, Monday on Morning Edition: Stamberg and Carpien's first profile is of Kate Nolan, an Army combat nurse who tended soldiers on the battlefields of Europe. Nolan earned five battle stars and recently received the French Legion of Honor for her wartime service in France.
Part 4, Tuesday on Morning Edition: Vernon Tott is the "angel of Ahlem" to survivors of a slave labor camp he helped liberate in 1945. Tott snapped pictures that day which stayed in a shoebox in his basement for decades. In the mid-1990s, he began tracking down the people in his photos. Tott died two years ago but is honored by the people he photographed because he gave them a great gift — the ability to see and remember themselves at that terrible time.
Part 5, Tuesday on All Things Considered: The last of our stories gives a fresh twist to the old question — "What did you do in the war, Dad?" It came from an obituary in The Washington Post. It was about a veteran who never told his family what he'd done in the war until mid-1990s. That's when the Pentagon declassified the records of the 23rd Special Troops and, for the first time, officially acknowledged the existence of a group of soldiers who fought to fool the enemy. Lynn Neary tells of the artists, ad men, designers and sound technicians who created fake tanks and howitzers, sound effects, and who spread rumors and thought up other deceptions to confuse the Germans.
Several of the people in our stories have died since they were interviewed. We honor them and all the veterans of World War II who participated in our series.
Deborah George was the series producer.
For Ken Burns, a 'War' Not as Advertised Sept. 21, 2007
PBS: 'The War'


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Otago MBA
About the Otago MBA
On-campus MBA
China MBA
Meet your 2022 OUSA President
Thursday 17 February 2022 1:57pm
Auckland-born, Christchurch raised Melissa Lama is stepping into the role of Otago University Students' Association (OUSA) President for 2022.
Melissa is currently finishing her Master of Business Administration and hopes to explore a PhD looking at Pacific youth resilience and how engagement in that space feeds into policy.
We took a moment to ask Melissa a few questions about why this role is important and what she would like to achieve as President this year.
Why did you want to become OUSA President?
Last year I was the University of Otago Pacific Islands Student Association (OPISA) President. Being among OUSA executive in this role made me aware of the different happenings around the University on a strategic level. I also felt I had a lot to give from my experience of being a young mum, trying to study and all my other different social obstacles. I felt I could serve students and get them engaged in decision-making. While I'm in this role I want to make myself a really accessible president for everybody. I want to bring in some of my Pacific culture and my community and be a representative for them in this space – we can branch out.
What do you feel are the main issues currently faced by students?
Obviously COVID-19 is a big one with all of its different changes which seem to occur on a daily basis. There is also the transition of leaving home and understanding how the tertiary system works. There are a lot of wellbeing issues and students come here with a lot of academic expectations for themselves. There are many diverse situations in students' lives. I want to encourage kindness and support in these things. On a positive note, I think this generation of students is so full of ideas, everyone is so unique. I love discovering their energy and hearing what they bring to the table. I think we should be learning from them.
What are your aims for this year?
My aim for this year is to have as much engagement as possible with students. I'd like to have them interested in student politics and I'd like to know that what we have is reflective of them. I'd like to ensure sustainability for the Association. I'd like to work with the University on how we can collaborate, advocate for the issues brought up by students and work on a lot of the sustainability goals we have set over the years. There is so much more I want to learn in the sustainability area.
What aspects of the usual student experience are still on offer in our current climate?
While all our big events for Orientation Week have had to be cancelled, we are still working to create other opportunities which fit in with government guidelines. It won't be the same but I do want to highlight Clubs and Socs is still open, the four-dollar lunches are on again, and Radio One and The Critic are back into the swing of things now too.
We have our usual OUSA support services including tenancy support, the foodbank, the hardship grants as well as the Hub - an online service which has great resources on it. We also have the Radio One card which gives you access to discounts.
The President role is one of 12 executive members who are here to represent and advocate for students.
A final word?
I'd like students to know I am someone you can talk to. I'm here to support and to listen. Most of all, I don't want students to feel they are alone. There are always plenty of us here for you. We rally together to support, that's what makes being a student here special.
Kōrero by Internal Communications Adviser, Chelsea McRae
© Otago MBA
Email otagomba@otago.ac.nz
High global rankings
Application processs
IT support team
Find the Otago MBA on

redpajama_set_name: RedPajamaCommonCrawl


text:
[![Build][build-badge]][build]
[![Coverage][coverage-badge]][coverage]
[![Downloads][downloads-badge]][downloads]
[![Size][size-badge]][size]

List of escapable characters in markdown.

## Installation

[npm][]:

```bash
npm install markdown-escapes
```

## Usage

```javascript
var escapes = require('markdown-escapes');

// Access by property:
escapes.commonmark; //=> ['\\', '`', ..., '@', '^']

// Access by options object:
escapes({gfm: true}); //=> ['\\', '`', ..., '~', '|']
```

## API

### `escapes([options])`

Get escapes.  Supports `options.commonmark` and `options.gfm`, which
when `true` returns the extra escape characters supported by those
flavours.

###### Returns

`Array.<string>`.

### `escapes.default`

List of default escapable characters.

### `escapes.gfm`

List of escapable characters in GFM (which includes all `default`s).

### `escapes.commonmark`

List of escapable characters in CommonMark (which includes all `gfm`s).

## License

[MIT][license] © [Titus Wormer][author]

<!-- Definitions -->

[build-badge]: https://img.shields.io/travis/wooorm/markdown-escapes.svg

[build]: https://travis-ci.org/wooorm/markdown-escapes

[coverage-badge]: https://img.shields.io/codecov/c/github/wooorm/markdown-escapes.svg

[coverage]: https://codecov.io/github/wooorm/markdown-escapes

[downloads-badge]: https://img.shields.io/npm/dm/markdown-escapes.svg

[downloads]: https://www.npmjs.com/package/markdown-escapes

[size-badge]: https://img.shields.io/bundlephobia/minzip/markdown-escapes.svg

[size]: https://bundlephobia.com/result?p=markdown-escapes

[npm]: https://docs.npmjs.com/cli/install

[license]: license

[author]: https://wooorm.com

redpajama_set_name: RedPajamaGithub


text:
Anicla is een geslacht van vlinders van de familie Uilen (Noctuidae), uit de onderfamilie Noctuinae.

Soorten
A. cemolia Franclemont, 1967
A. ignicans Guenée, 1852
A. incaica Köhler, 1979
A. infecta Ochsenheimer, 1816
A. mahalpa Schaus, 1898
A. oceanica Schaus, 1923
A. ornea Druce, 1889
A. striolata Draudt, 1924
A. temperata Schaus, 1894

redpajama_set_name: RedPajamaWikipedia


text:
Bands No One Admits Listening to That Have Sold Millions of Albums
Mike Gitter
Mike Gitter Published: February 25, 2013
Vince Bucci, Getty Images
Who bought all those Nickelback records anyway?
You know them, you may even own their complete discographies but you'll never cop to loving (or even remotely liking) 'em. Still, consider these bands implacable, stone-cold facts of today's musical landscape.. (Drum roll please)
Bands no one admits listening to that have sold millions of albums.
Mat Szwajkos, Getty Images
New nose, new haircut and Avril Lavigne. Does it matter what the hipsterati have to say about the biggest Canadian musical force since Bryan Adams? Does it matter that he's proved himself on a lyrical level with the likes of Dr. Dre and 2 Live Crew when waxing on that "She looks much cuter with something in your mouth." 50 million Nickelback fans can't be wrong. No matter how much we wish they were.
Ethan Miller, Getty Images
Has David Draiman done the world a favor by knocking Disturbed on the head at least for the time being? Clearly this Torah citing rock institution has had their share of fans and detractors over the years, but you can't argue with the millions that have been down with the proverbial sickness. Hey, I'll even confess a passing fondness for their 'Ten Thousand Fists' album. These nu-metal post-grads took rock radio in their steely grip as early as 2000 and haven't let go, racking up 13 million records sold worldwide and four number one debuts.
Praise the Lord that these one-time arms-wide-open Tampa-reared Jesus freaks have pretty much called it a day. Yes, Creed did shift mucho product with their post-Pearl Jam moves and spiritual truisms (see songs like 'Higher'). Still, it didn't help that frontman Scott Stapp has made a tool of himself starting with getting slapped with a couple DUI's and committing general rockstar silliness at the peak of Creed's career. Would make that him a convenient Christian? See U2 for inspiration on that score. Now, thankfully, guitarist Mark Tremonti did manage to keep it real with Alter Bridge and his solo work. Of course there was that dreaded Creed reunion tour last year.
Carlo Allegri, Getty Images
The Joker's card has clearly been dropped on us all. Violent J. (Joseph Bruce) and Shaggy 2 Dope (Joseph Ultster) have taken their carnival of carnage, once mired in over-the top gangsta rap, pro-wrestling and cult superstardom and turned it into one of their hometown of Detroit's minor (but sizeable) industries. While they've turned to mellower (dare we say spiritual) lyrical turf: make sure you check their pop-culture piercing "Miracles" video, ICP still manage to stir the cultural Faygo (their beverage of choice): they recently sued the FBI itself for classifying their fanbase (known to the world as Jugalos) as a gang. Clearly, a nation of millions can't hold 'The Clown back.
Patrick Riviere, Getty Images
Korn partied at Ground Zero for Generation Nu. Jonathan Davis provided the requisite angst for the Juggalo Nation. They became Metallica for a generation to whom Rage Against the Machine was Led Zeppelin, and Dr. Dre's 'The Chronic' was a cultural touchstone. The band itself plumbed the depths of the seriously downtuned and dissonant like nobody's business. and created a genre in the process. Two records later they pimped it all out with the thumping disco beat of Follow the Leader and gave Fred Durst a career in the process. And yes, Korn has spawned a ton of shitty music: on the other hand, they also inspired the likes of Slipknot and Deftones. Now Korn don't suck. They've just become culturally uncool. And their recent remix platter certainly beats the pants off lowbrow beat-slingers like Methods of Mayhem. Then again bassist Fieldy did think his rap solo project Fieldy"s Dream was a good idea. Not so much Reginald.
Scott Gries, Getty Images
Sure, former Styx keyboardist, songwriter and occasional vocalist Dennis DeYoung may be one of rock's most pompous players (yes, he still performs as "Dennis DeYoung and the Music of Styx"). And sure, songs like 'Mr. Roboto' may be permanently anchored into the firmament of '80s schlock. Still, Styx gets a raw deal when they've delivered some of history's finest schmaltz-rock with the likes of 'Lady' or perhaps the greatest paen to alien abduction: 'Come Sail Away' on 1977's big, bombastic and many-times-platinum 'The Grand Illusion.' Let's not forget that some of their '72-'76 output scraped the outer limits of prog whilst flirting with the mainstream. OK, perhaps those inclinations went awry with gawdawful concept records like 1983's 'Kilroy Was Here' but there's a lot more to these chart-scaling Chicagoans than their impact on Middle American wedding receptions.
Brenda Chase, Getty Images
Bless Fred Durst. He did it all for the Nookie and reaped the rewards of transforming himself into Dr. Dre for the soul-patch set. Still, he has tried to legitimize himself acting in a few films and directly the family-friendly flick 'The Longshots' in 2008. Can a man truly escape his past? Does he need to? Fred certainly shifted the units back in the day. A lot of 'em. Well, it's 2013 and despite lackluster sales of the Bizkit's 'Gold Cobra,' 2011's "comeback" album, The Durst presses on, now signed to Lil Wayne's Cash Money Records for both a new album and a sequel to 2005's 'The Unquestionable Truth Part 1' with long-time producer Ross Robinson in-tow. So what if Limp Bizkit turned Woodstock 99 into the Altamont of Nu-Metal and authored some of history's finest mainstream mook-rock? Plenty of roofers, ex-Marines and Nookie-ettes will always understand.
15 Mash-Ups You Need to Hear


text:
Ottawa advances FWSAR programme with C295 acceptance
By Craig Hoyle2020-01-03T14:13:00+00:00
Canada has formally taken receipt of its first C295 fixed-wing search and rescue (FWSAR) aircraft from Airbus Defence & Space, with the asset to be used in support of personnel training activities in Europe for the next several months.
Accepted at the manufacturer's San Pablo site in Seville, Spain, the twin-turboprop is the first of an eventual 16 being acquired via Ottawa's FWSAR programme.
Source: Airbus Defence & Space
Lead aircraft is in Seville to support personnel training
Announcing the development on 20 December by Twitter, Airbus says that following additional testing and training the aircraft will be flown to its home base at Comox, British Columbia, "by mid-2020".
The Royal Canadian Air Force will field the FWSAR-configuration aircraft – locally designated as the CC295 – as replacements for aged De Havilland Canada DHC-5s and Lockheed Martin C-130Hs flown during search and rescue operations.
Adaptations made for the Canadian programme have included installing Collins Aerospace Pro Line Fusion avionics, reinforcing the lower rear fuselage and adding an upper escape hatch for use in the event of ditching at sea, fully enclosing its main landing gear and incorporating vortex generators on the rear ramp.
Mission equipment includes a maritime search radar, turret-housed electro-optical/infrared sensor and enhanced vision system, plus two onboard operator stations, maritime automatic identification system equipment and large bubble observation windows.
The air force's Comox base – which also will be home to a new FWSAR training centre – will eventually accommodate five CC295s. Three aircraft each will be stationed in Winnipeg, Manitoba, Trenton, Ontario, and Greenwood, Nova Scotia, with the remaining two airframes to be positioned as required to support operations.
WestJet to connect Halifax and Manchester
WestJet will begin seasonal service between Halifax and Manchester in June – a city pair that is currently not connected with a nonstop flight - the Canadian airline says on its website.
Bombardier G5500 and 6500 gain FAA certification
Bombardier says that its Global 5500 and 6500 have received FAA certification, completing its approval requirements in three of the world's major jurisdictions and allowing it to begin delivery of the aircraft to customers.
Bombardier delivers first business jet fuelled with SAF
US charter and management company Latitude 33 Aviation has become the first Bombardier customer to take delivery of a business jet fuelled by sustainable aviation fuel (SAF).
More Defence
Beijing celebrates new year with JF-17, J-20 progress
The Block III version of the Chengdu/Pakistan Aeronautical Complex JF-17 fighter has conducted its maiden flight, and China appears to be making progress with indigenous engines for the J-20 stealth fighter. Social media accounts covering Chinese defence aerospace developments were busy over the holidays, with two notable developments. ...
Raytheon receives $768 million AMRAAM deal
Raytheon has secured a $768 million contract from the US Air Force to produce Advanced Medium Range Air-to-Air Missiles (AMRAAM) for the US military as well as foreign partners. The deal covers production lot 33 and will be completed in 28 February 2023, according to the US Defense Department's ...
KC-390 achieves key airdrop milestones
The Embraer KC-390 tactical transport has completed a campaign involving aerial drops of cargo. "The KC-390 Millennium new generation multi-mission medium airlifter has successfully concluded the testing campaign for gravity airdrop and extraction drop of heavy loads by the use of the Container Delivery System (CDS) and Low Velocity ...


To love our pets is a mixed blessing. We are able to experience life altering moments through our relationship with them. We experience the unadulterated joy they exhibit. We feel the love and camaraderie they share. We become their family and they become our as they allow us into their lives and make us theirs. We are their humans as much as they are our pets.
Unfortunately to love an animal is to guarantee oneself an eventual heartache. We will always live to see the passing of our beloved fury family members. This is a gut renching trial to go through. There is no filling the void that is left when one of ours leaves us.
Even though this member of our family is no longer with us in physical form they can remain with us in spirit. We can commemorate their lives and celebrate the important impact that they have had in our lives. We will always have the memories that we shared with them and others in our lives.
I am writing this today to commemorate the life of Stripe a great cat who lived a long life of 14 years. She was my and my wife's cat. She was a loyal animal and seemed to care in a way most people don't associate with cats. She also loved our dogs. She spent every waking moment trying to insert herself into our lives and our dogs lives. She made sure that we will never forget her. From her scampering play sessions where she will be chasing various household objects across the floor to her playful nibbles and rubbing up against you. She lived a long life and in recent times she had begun to get a little frail. But she still had that spark of life to her. That never say die attitude that let you know she was never going to give up and she was always going to be around. And in the end it was that never say die attitude and desire to stay with us that shown through. We came home to find her very sick and seemingly on deaths door at midnight. She We did not know what was wrong with her or what had happened but it was clear that it was serious. It was made difficult by the time of day it happened and the fact that it was a Friday night so there was no easily accessible vets. We did everything we could think to do for her to try and get her better. But nothing seemed to help. She would seem to be fading and be about to go to sleep and pass on and then she would fight it and stay with us. After a long while my wife made the gut wrenching decision that we needed to call the vet and have her put to sleep to end her suffering. I do not envy my wife being the one to make this decision. The vet was compassionate and handled the situation quickly and professionally. We gave Stripe her on plot in the back of our yard and we will get he a marker for her spot. From there she can keep an eye on us and keep us safe. Now she is outside, which is where she always wanted to be anyway.
I think this is always a trying time for a pet owner as doubt always creeps in. Did we do the right thing. Was there nothing else to be done. Was she suffering. I know I feel all these things. But in the end I think we did what was best for this important member of our family.
Stripe we will always love you and miss you. Nothing will ever fill the void you have left in our family.
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Hey all I'm back with a game made for local multiplayer, a true rarity these days. It's Nidhogg II!
Gameplay: Your goal in Nidhogg II is to defeat your opponent, then dash quickly towards the edge of their side of the arena. There are multiple weapons, from daggers to bows, and each is a bit different. What isn't different is the fact that you can throw your weapon at your opponent, although they may very well dodge it, leaving you weaponless. You have three angles of attack, High, Middle, and Low to utilize as well as throwing your weapon at your opponent.
If you and your opponent have your weapon at the same height you parry each other, if you don't it scores a quick hit and the hit person dies. The good news is that you respawn very quickly, and it's not over until one of you reaches the other's side of the field.
Thankfully that isn't a huge problem as there will more than likely be multiple weapons lying around that you can pick up quickly from both you and your opponent gutting each other repeatedly.
Unfortunately, that's pretty much the entirety of Nidhogg II. It's really made for multiplayer and if you just play against the CPU it gets boring very quickly. That being said if you do have local multiplayer, it's a blast.
Definitely invite some friends over to play this one. And if you are lucky enough to have a group that gets together to play often, Nidhogg II is a game you will want to put into rotation.
Art: The art is okay, and while it has its own very unique style and "charm," it's not amazing artwork like you'd see in a Final Fantasy game or even a Tales of game.
Music: This also isn't spectacular, but then the point of the game is be played with multiple people at one time, so you are unlikely to notice the music if you actually do that.
Overall: A decent game, but it's meant for only a short time to play. Multiplayer will extend that time, but it's meant more as a party game, more than a long-term time sink.
For those who like: Fighting Games, Easy Game Mechanics, Multiplayer, Oddball Art Styles.
Not for those who don't like: Any of the above, or a game that can get boring very quickly.


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17th Primetime Emmy Awards
The 17th Emmy Awards, later known as the 17th Primetime Emmy Awards, were handed out on September 12, 1965. The ceremony was hosted by Sammy Davis, Jr. and Danny Thomas. Winners are listed in bold and series' networks are in parentheses.
Hollywood Palladium, Los Angeles, California
Academy of Television Arts and Sciences
Television/radio coverage
← 16th
Primetime Emmy Awards
18th →
The structure of the ceremony was a complete departure from previous years. Categories were streamlined so that there were only four major categories (the previous year had 20 major categories). As a result of this, only five shows won an award. NBC's Hallmark Hall of Fame was the top show of the night, winning three major awards. The new format would be scrapped for the traditional one the following year. The traditional format would be used for all future Primetime Emmy Awards ceremonies.
Winners and nomineesEdit
ProgramsEdit
Outstanding Program Achievements in Entertainment
The Dick Van Dyke Show, (CBS)
Hallmark Hall of Fame: "The Magnificent Yankee," (NBC)
My Name is Barbra, (CBS)
Young People's Concerts: "What Is Sonata Form?", (CBS)
The Andy Williams Show, (NBC)
Bob Hope Presents the Chrysler Theatre, (NBC)
A Carol for Another Christmas, (ABC)
Danny Thomas Special: The Wonderful World of Burlesque, (NBC)
The Defenders, (CBS)
The Man from U.N.C.L.E., (NBC)
Mr. Novak, (NBC)
Profiles in Courage, (NBC)
Walt Disney's Wonderful World of Color, (NBC)
Who Has Seen the Wind?, (ABC)
ActingEdit
Outstanding Individual Achievements in Entertainment - Actors and Performers
Leonard Bernstein as Himself on Young People's Concerts, (CBS)
Lynn Fontanne as Fanny Bowditch Holmes on Hallmark Hall of Fame, (Episode: "The Magnificent Yankee"), (NBC)
Alfred Lunt as Oliver Wendell Holmes on Hallmark Hall of Fame, (Episode: "The Magnificent Yankee"), (NBC)
Barbra Streisand as Herself on My Name is Barbra, (CBS)
Dick Van Dyke as Rob Petrie on The Dick Van Dyke Show, (CBS)
Julie Andrews as Herself on The Andy Williams Show, (NBC)
Johnny Carson as Himself on The Tonight Show Starring Johnny Carson, (NBC)
Gladys Cooper as Auntie Margaret on The Rogues, (NBC)
Robert Coote as Timmy Fleming on The Rogues, (NBC)
Richard Crenna as James Slattery on Slattery's People, (CBS)
Julie Harris as Florence Nightingale on Hallmark Hall of Fame, (Episode: "The Holy Terror"), (NBC)
Bob Hope as Himself on Bob Hope Presents the Chrysler Theatre, (Episode: "Bob Hope Comedy Special"), (NBC)
Dean Jagger as Principal Albert Vane on Mr. Novak, (NBC)
Danny Kaye as Himself on The Danny Kaye Show, (CBS)
David McCallum as Illya Kuryakin on The Man from U.N.C.L.E., (NBC)
Red Skelton as Various characters on The Red Skelton Show, (CBS)
DirectingEdit
Outstanding Individual Achievements in Entertainment - Directors
Paul Bogart for The Defenders, (Episode: "The 700 Year Old Gang"), (CBS)
Dwight Hemion for My Name is Barbra, (CBS)
WritingEdit
Outstanding Individual Achievements in Entertainment - Writers
David Karp for The Defenders, (Episode: "The 700 Year Old Gang"), (CBS)
Gerald Gardner, Larry Siegel, Buck Henry, Gloria Steinem, Robert Emmett, Calvin Trillin, Dee Caruso, William Boardman, Joseph Hurley, Herbert Sargent, David Frost, Jim Stevenson, Thomas Meehan, Saul Turteltaub, for That Was the Week That Was, (NBC)
Robert Hartung for Hallmark Hall of Fame, (Episode: "The Magnificent Yankee"), (NBC)
Carl Reiner for The Dick Van Dyke Show, (Episode: "Never Bathe on Sunday"), (CBS)
Arnie Rosen, Coleman Jacoby for Danny Thomas Special: The Wonderful World of Burlesque, (NBC)
Most major nominationsEdit
By network [note 1]
NBC – 21
CBS – 14
ABC – 2
Hallmark Hall of Fame (NBC) – 5
The Defenders (CBS) / The Dick Van Dyke Show (CBS) / My Name is Barbra (CBS) – 3
Most major awardsEdit
CBS – 8
NBC – 3
The Defenders (CBS) / The Dick Van Dyke Show (CBS) / My Name is Barbra (CBS) / Young People's Concerts (CBS) – 2
^ a b "Major" constitutes the categories listed above: Program, Acting, Directing, and Writing. Does not include the technical categories.
^ Emmys.com list of 1965 Nominees & Winners
Emmys.com list of 1965 Nominees & Winners
17th Primetime Emmy Awards on IMDb
Retrieved from "https://en.wikipedia.org/w/index.php?title=17th_Primetime_Emmy_Awards&oldid=833945676"


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A video demonstrating Uruguay's democratic coexistence
Uruguay's former presidents traveled together to Brazil for Lula's inauguration
Uruguayan President Luis Lacall Bowe and former presidents Jose Mujica and Julio Maria Sanguinetti flew to the Brazilian capital on Sunday.They attended the inauguration of Luiz Inacio Lula da Silva.
As far as he could tell EFEThey did so on a private plane that took off from Carrasco International Airport on the outskirts of the Uruguayan capital at 10:00 local time (13:00 GMT).
A video shows the moment the Uruguayan president and ex-president board a plane together, then share a chat with each other. The images are a model of healthy democratic coexistence in the South American country, which stands in stark contrast to other countries in Latin America. In Brazil, for example, former President Bolsonaro did not attend Lula's inauguration and instead traveled to the United States.
Lula was joined by Uruguayan President Luis Lacal Bowe and former presidents Jose Mujica and Julio Maria Sanguinetti at the Brazilian president's inauguration.
Following the President's call, the centre-right Sanguinetti (1985-1990 and 1995-2000) Colorado partyand Mujica (2010-2015), from the left-wing Frente Amplio, with LaCal Po – from the centre-right National Party – and its Foreign Minister Francisco Bustillo at a ceremony in Brasilia.
Mujica, an "old friend" of Lula's, already had a plan to go, as he pointed out to reporters last Friday. Despite their politico-ideological differences, they agreed to go with Lagall For thinking that "the image of the country is what matters"..
Something similar was expressed by Lacalle Pou, who said that his call demonstrates "institutional and republican democratic continuity" that "few countries in the entire world can show" in today's world.
Photo provided by the Presidency of Uruguay Former Presidents Julio María Sanguinetti (D) and Jose Mujica (I), and Uruguayan President Luis LaGalle Pú (C) prepare to travel to Brasilia today, on flight no. 1, on the outskirts of Montevideo (Uruguay). EFE/Walter Pacillo/President of Uruguay
For the first time in twenty years, Luiz Inacio Lula da Silva took office this Sunday as president of Brazil in the presence of officials from fifty countries and with a huge popular festival that brought together about 300,000 people.
See also Elon Musk bragged about turning down the Davos invitation, but organizers said he didn't make the list.
Lula was in power for two consecutive terms between 2003 and 2010 and returned to the presidency at the age of 77 and after a fierce election campaign in which he defeated far-right Jair Bolsonaro in the second round and by just 1.8 percentage points.
The swearing-in ceremony was held amid a massive police operation that mobilized around 15,000 agents from all state security forces due to the threat. Violent groups of the Bolsonaro far-right.
The militants have caused widespread unrest in Brasilia in recent weeks and attempted to blow up a tanker truck at the airport with a homemade bomb.
With information from EFE
Continue reading:
Uruguay's President Tina Polwarte will encourage regional support for the government
Uruguay Wants to "Open to the World": How Its Ambitions Affect Mercosur
Latest news and news about Russia's war in Ukraine since January 2
Ukrainian film editor Viktor Onysko died on the front lines
Olaf Scholes seeks to counter China's dominance in the lithium triangle in South America


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Tax Filing Suggests Child Sex Offender Jeffrey Epstein Made His Wealth Flipping Hot IPOs on Wall Street
Reuters: Epstein sought to pay off potential witnesses, U.S. prosecutors say
UNSEALING THEIR ABOMINATIONS
Mossad, Epstein, Systematic Subversion, and a Rift in the QCommunity? #NewQ
from Neon Revolt:
Q just don't stop! And neither do Anons! Let's get into it. (And some of these won't require any additional commentary from me, so we'll just keep moving along): Yeah, so for those who still haven't heard: I imagine the Dems will throw up the line that Barr's dad hired Epstein when he was 20 …
Oops!! Court Docs Show Epstein LITERALLY Had 21 Ways to Get in Touch with Slick WIllie!
from HighImpactVlogs:
DEEP DIVE: KILLROOM: PIZZAGATE EXPOSED
by Rich Winkel, Thought Crime Radio:
This 4 hour documentary is not light going, but for those with the time it's both a thorough investigation and a historical record worth reviewing. I'm only about half way through, but it seems to me it should have the FBI and DC police shaking in their boots at its exposure of their obvious malfeasance. Any enterprising police department in the world could mount a credible investigation with this video as a starting point.
Another Epstein/Virtue Signaling Democrat "Relationship"
from HighImpactFlix:
Meet the Madam: Epstein Arrest Casts Spotlight on Ghislaine Maxwell
Following the arrest of pedophile financier Jeffrey Epstein last Saturday, many outlets have turned their attention to his longtime confiante, socialite heiress Ghislaine Maxwell – who has been accused by three women of procuring and training young girls to perform massage and sexual acts on the 66-year-old registered sex offender and his associates.
Maxwell, 57, comes from money. Her father was publisher Robert Maxwell – who himself faced accusations of being a Mossad double (and possibly triple) agent and a "bad character" who was "almost certainly financed by Russia," according to the British Foreign Office. Robert Maxwell died in 1991 when he fell from his yacht, the Lady Ghislaine – however the circumstances surrounding his demise have been rife with speculation (including that it was a Mossad assassination – a theory which attorney and longtime Epstein associate Alan Dershowitz slammed in a 2003 op-ed).
Hoh Hoh: Epstein Accused of Witness Tampering
by Karl Denninger, Market Ticker:
And now we know what will be part of the Bail hearing Monday.…
NEW YORK (Reuters) – Jailed American financier Jeffrey Epstein made payments to two potential witnesses seeking to influence them in the child sex trafficking case against him late last year, prosecutors said late on Friday.
This is especially damning conduct if the government can prove it — and it looks like they can. I assume this means they have a lot more when it comes to financial records, since the allegation is that these were wire transfers, which are trivially traced and, of course, since The Fed is the clearing agent for them any wire transfer is immediately and indelibly traceable to you.
FBI press conference nets dozens of new Epstein accusers
For many, the recent arrest of Jeffrey Epstein has exposed a dark and terrifying reality about the world at large: If you're rich enough or well connected enough, you'll never face true justice.
Epstein was arrested in New York this week on charges of child sex trafficking and conspiracy to commit that act. The accusations against him are horrible, but unfortunately not surprising.
The Mossad Epstein Connection
from Steve Pieczenik:
This pretty much NAILS it! #Mossad #CIA #Epstein #Pedogate
Jeffrey Epstein's mysterious wealth could be explained by a Ponzi scheme
from True Pundit:
The mystery source of Jeffrey Epstein's wealth could be buried in a 1980s fraud case resurfacing as the billionaire financier faces a slew of sex-trafficking charges.
For years, Epstein's old boss, and former owner of The New York Post, Steven Hoffenberg, has claimed that Epstein was his accomplice in a Ponzi scheme Hoffenberg ran through his Towers Financial Corp.
The Clinton-Epstein Connections Keep Getting Stranger
from The Red Elephants Vincent James:
Podcast 2 The Amazing Story of How Jeff Epstein Got Busted
from Blackstone Intelligence Network:
CNN's Cuomo: 'Please Don't Get Caught Up In The Intrigue Of Who Was Better Friends' With Epstein – 'Who Cares?'
Fake News Alert
by Chris Menahan, Information Liberation:
CNN host Chris Cuomo begged his viewers to "please" not "get caught up in the intrigue of who was better friends" with Jeffrey Epstein and instead focus on how the case was "handled."
"When we're talking about Epstein, you got to stick to what is common sense on these things, all right?" Cuomo said on his show Wednesday night. "Don't get buried in legalese, don't follow the finger-pointing, and please don't get caught up in the intrigue of who was better friends with this guy. Who cares? Let's take a look at the facts of what we know about how it was handled. Okay? We are going to dissect them with one of the best investigators around. What was done that seems fine and what was fugazi."
Jeffrey Epstein Indictment Unsealed: Are We Seeing The Power Elite Finally Come Down?
by Richard Enos, Collective Evolution:
"The arc of the moral universe is long, but it bends toward justice."–19th century clergyman Theodore Parker
Martin Luther King popularized the quotation above as it was emblematic of his fervent belief that in due time–and he recognized this time could be after he had passed away–true justice would prevail in the world. This notion also resonates with the world's popular spiritual traditions, where many prophesy that a 'day of judgment' would eventually be upon us, a day that would signal the end of one human era and the beginning of another.
How DEEP, SICK and IN-YOUR-FACE is this P…E…D….O Rabbit Hole?!?
Meet The Madam: Epstein Arrest Casts Spotlight On Clinton-Linked Socialite


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The Vault of Soul: Ray Charles
Discover WERS, The Vault of Soul :: 06.24.2021
Graphics by Ainsley Basic
By Mason Standish, Staff Writer
To celebrate Black Music Month, we brought back our Vault of Soul series by spotlighting a soul artist every Friday of June. Stepping inside the vault, you can discover the life and legacy of some of the world's greatest soul artists, both past and present. This month we spotlighted Mavis Staples, Dionne Warwick, and Quincy Jones. Now, for the final installment of the month, we are excited to take a deep dive into Ray Charles' incredible life and career.
Ray Charles Robinson, regarded by many as "The Genius of Soul," was born September 1930 in Albany, Georgia. Coming up in an extremely impoverished household, Charles' mother had no choice but to take up a string of laborious jobs to pay for the essentials. This in combination with Charles' father leaving the family for another woman shortly after his birth made him deeply devoted to his mother. At the age of four, Ray would begin to lose his eyesight as a result of glaucoma.
His musical curiosities were initially piqued at Wylie Pitman's Red Wing Cafe, a restaurant and jazz club that Ray's family was briefly living in. One night the club's owner played some simple songs and chords on an upright piano for Ray. The owner would later go on to help Ray learn the basics of piano technique. Around this time, Ray fully lost his eyesight, leading him to be enrolled at Florida School for the Deaf and Blind. It was here that he would fully realize his passion for piano while playing during his music classes. He went on to stay at the school from 1937 to 1945 until the death of his mother. This event proved to be extremely traumatizing for young Ray. His mother's passing led him to unenroll in school at the age of fourteen to pursue music.
MAKING A NAME FOR HIMSELF
Now residing in Jacksonville, Florida he began his search for work. Charles' talent and confidence in his musical abilities helped pave the way for performance opportunities and small paid gigs. His lack of income, however, essentially forced him into picking up various small jobs around the city. Through working and performing, Charles met McKee and Milton Garret. Their shared passion for music led to the creation of the McSon Trio. Their fun, soulful, sound garnered the public's attention. Soon, Charles was offered work arranging music for some of the biggest artists at the time such as Cole Porter and Dizzy Gillespie.
Charles later signed with Swing Time Records, quickly recording two of his biggest hits "Baby, Let Me Hold Your Hand" and "Kissa Me Baby." The following year, however, he would switch record labels from Swing Time to Atlantic Records. The move opened the door for Ray Charles to become a mega-star. Here, Charles reached the pinnacle of his success with the release of his smash-hit blues album "What'd I Say."
A LASTING LEGACY
In June of 2004, Ray Charles passed away in his Beverly Hills home at the age of 72.
Today, Ray Charles' place in music legend is universally undisputed. From a six-time Academy Award-winning biopic to countless tribute tours and shows, Ray Charles' energy is still felt even almost 20 years after his death.
As a child, some of Charles' biggest musical influences were classical composers Beethoven, Johan Sebastian Bach, and Amadeus Mozart. Their pristine piano technique alongside their supernatural musical composition abilities was awe-inspiring and important towards Ray's musical development. In particular, Charles took a liking to Mozart, who he was first introduced to at the Florida School for the Deaf and Blind. Ray Charles and Mozart are unique in that both artists are missing one of their vital senses - sight for Charles and hearing for Mozart.
After beginning to book paid shows, Charles stated his biggest influence as Nat King Cole, a prominent American jazz singer and pianist. While still categorically separate, a clear similarity in both artist's showmanship is incredibly apparent.
WHO RAY CHARLES INFLUENCED
Although Ray Charles worked almost entirely within the soul and blues genre, his musical influence on others defies any singular genre. Artists ranging from Steely Dan to Kanye West have accredited Charles with being a clear influence to their music. Other notable musicians such as James Brown, Michael Jackson, The Everly Brothers, Billy Joel, and even The Zombies cite Charles as being the reason they even pursued playing music as a career in the first place.
In homage to Charles, many musicians will sample small pieces of his music as either easter eggs for keen listeners or unapologetic rips of full verses. Famously, Kanye West sampled one of Charles' biggest hits "I've Got A Woman" in his song "Gold Digger." This was important in that it showed Ray Charles' music continuously resonates with youthful generations decades after its release.
Rhythm & Blues Performance (Grammys, 1961)
Best Male Vocal Performance (Grammys, 1961)
The Rock and Roll Hall of Fame (1986)
Lifetime Achievement Award (Grammys, 1987)
National Medal of Arts (1993)
Best R&B Vocal Performance (Grammys, 1994)
Kennedy Center Honors (1996)
Polar Music Prize (1998)
Album of the Year (Grammys, 2005)
SPOTLIGHT TRACKS
"I've Got a Woman" (1957)
Ray Charles proved himself to be a master of soul music time and time again. He famously would mix different genres and subgenres of music to create his own unique sound. This is evident in one of his quintessential tracks, "I've Got a Woman." Charles would typically integrate variations of gospel, pop, R&B, and country music. By mixing his sharp soulful vocals with swing-inspired, brassy, instrumentals Charles created a masterful piece of music that is still being enjoyed over 60 years following its release. "I've Got a Woman" has been featured in the form of sampling in many modern musical projects. It was featured in Dire Strait's song "Walk of Life" (1985) as well as Kanye West's popular song "Gold Digger" (2005).
"Hit The Road Jack" (1961)
Easily one of Charles' most well-known tracks, "Hit The Road Jack" remains as slick and timeless as ever. The song was first recorded as an acapella demo track meant to only be heard by music executives. However, once Charles got to professionally recording it the track quickly shot up to number one for two weeks on the Billboard Hot 100. The recording process of "Hit The Road Jack" is where Charles met Margie Hendrix, the mother of his first son. Hendrix sang backup vocals on many of Charles' projects and Charles would play piano on many of Hendrix's projects. The track also serves as another example of Charles utilizing genre-bending.
"Unchain My Heart" (1961)
One of Charles' early singles, "Unchain My Heart"'s clear Bossanova inspiration helps to further the personal messages that are littered throughout the track. Charles was no stranger to being honest, personal, and intimate with his audience. While he will always be remembered for his energetic presence, his more emotional songs also truly strike a chord with listeners. Charles often cited woes in his real love life when writing his music. "Unchain My Heart" was one of his biggest "love-gone-awry" songs. It went on to sit within the top 10 on the Billboard Hot 100 and be covered by dozens of artists including Trini Lopez, Joe Cocker, the Bobs and even the star of the television series "House," Hugh Laurie. It remains one of Charles' most played songs to date.
You can revisit past Vault of Soul articles here, featuring artists such as James Brown, Aretha Franklin, Marvin Gaye, and more.
Interested in exploring the Soul genre beyond the vault? Be sure to tune into 88.9 every night between 10 pm and 2 am for The Secret Spot. Let host D Danubian wind you up and simmer you down with a blend of R&B, Soul, and Slow Jams.
Also, be sure to check out ERS+, our new HD radio experience. Take a deep dive into R&B and Hip Hop with the legendary voices of Soul alongside new and pioneering MCs. Find ERS+: Boston's Black Experience online at WERSPlus.Org
The Vault of Soul: Etta James
The Vault of Soul: Marvin Gaye
The Vault of Soul: James Brown's Electrifying Career
The Vault of Soul: Dionne Warwick


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Emma Elwick-Bates
Style Editor
Emma Elwick-Bates is a London based style and fashion editor.
Elwick-Bates graduated from Central Saint Martins in 2002 with an MA (Hons) in fashion history. She joined British Vogue in 2005 as fashion features assistant and also held the position of market editor. In 2013 Elwick-Bates was named as Vogue's style editor. She has previously worked at Dazed & Confused and at the BBC in their factual entertainment department and contributed to The Guardian and BBC News. Elwick-Bates also sits on the British Fashion Council's Newgen panel.
Get your weekly fashion fix
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Zanobi es un nombre propio masculino de origen italiano.

Variantes
 Alterados: Zenobi, Zenobio.
 Femenino: Zenobia

Origen y difusión
Deriva del Idioma griego Ζηνοβίος (Zenobios), de las palabras Zeus (el dios griego) y bios (vida), puede ser traducido en Que ha traído vida de Zeus.

Santoral
 San Zanobi o Cenobio, santo de Florencia muerto en el 417, recordado el 10 de mayo.

Personas
San Zanobi
Zanobi Acciaiuoli
Zanobi da Strada
Zanobi Strozzi
Zanobi Buondelmonti
Zanobi Poggino
Zanobi del Rosso

Nombres masculinos

br:Zenobio
it:Zenobio
pl:Zenobiusz


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In addition to running an indie label, maintaining a number of podcasts, and keeping things going with their main gig, Matt Carter and Toby Morrell of Emery recently released I Quit Church under their Matt & Toby moniker. Matt took some time to talk with staff writer Mason Haynie about the motivation behind the album, the dichotomy of the track list, and plans regarding their next two full-length releases...
This interview took place on: October 17, 2017.
Click here for Matt & Toby's Artist Profile page.
JFH (Mason Haynie): There's been a number of hymn-related releases this year. Aside from that seeming to be a trend in Christian music, what was it about making an album composed almost entirely of hymns that interested you and Toby in the first place?
Matt Carter: Well, we had the music of it already. Toby and I have put a ton of time into making arrangements for local churches in the past. He worked at a church and I volunteered, but we wrote the music in a way that we really liked, so we figured, why not record those songs?
JFH (Mason): So, even though a number of the hymns on the record have been done before, you weren't too worried about adding more versions of them to the mix?
Matt: No, not really. We just wanted to put it out because we had it and liked it. It's not like I'm worried about the strategy of the career of Matt & Toby. That's the freedom we have -- it's not our full-time gig. It's something we get to do and people like it. I just want it to be something we like the sound of because that's all it's really supposed to be.
JFH (Mason): You mentioned how these arrangements originated from church. That helps explain why it sounds the way it does, but musically, this is a departure from anything you've done so far. If anything, it's probably closest to the Classics Reimagined EP you put out earlier this year.
Matt: Yeah, I'd agree with that. I'm actually fixing up the mixes and promotion for that project right now, -- since it's going to be an LP itself, but that's just kind of the space we're in. Right now, it's real live and raw and that's just very much what I'm into.
JFH (Mason): Oh, is there a release date planned for that full-length?
Matt: Yeah, it's November 17th. We probably won't even have CDs; we're just gonna have it out so everyone can stream it. It was part of the crowdfund of the next Emery album.
JFH (Mason): Out of all the unique sounds on the album, the really dry and biting strings on "Pastor Stopped By" intrigued me the most. Do you remember how you recorded them?
Matt: Oh, I didn't record it.
JFH (Mason): Oh, ok.
Matt: That's the key, I didn't record anything on the Matt & Toby record (*laughs*). Zach Bolen recorded it. I know him from Mars Hill and we just have a similar vibe a lot of the time. I love the way he arranges and writes songs, so I figured why not hire him? He's not really a producer; he's more of a creative, so I thought he'd be the perfect person for the job. I've become more convinced that the recording side of things shouldn't be so heavy-handed. A microphone should just be put in front of an instrument and it'll the sound the way it sounds.
JFH (Mason): So you fit more of the studio musician and arranger role this time around?
Matt: Yeah, I think half of the arrangements are mine and half are Toby's. I mean, I do enjoy recording, it's just that I think it's time for me to do less of that and more just collaborating and letting go of control. I don't have to do it all when there's more people with talent around me like Toby and Zach. And that way, I get to actually hear things for the first time instead of beating them into the ground. There's a lot of nuance and layers that I've only barely got to hear on the record, which is a feeling that I haven't had in a long time.
JFH (Mason): I'd imagine that since you and Toby did the arrangements that you also had exclusive control of what hymns were on the album. Is there any thematic significance to the ones that you chose?
Matt: Well, the hymns are supposed to be your run-of-the-mill list of everyone's favorites. We have about 30 or 40 that we've done, so we sandwiched those and played around with the themes of the few originals on the record. Actually, this is a good story: I thought we only had two originals on the album, but Toby kept saying three. I didn't understand what he meant, but apparently he wrote "Good Gracious Lord" and I didn't even know (*laughs*).
JFH (Mason): Yeah, the structure of that song is like all the other hymns, but I guess the idea of "this world is much harder than we thought" feels like a more modern lyric to me.
Matt: Yeah, that's true.
JFH (Mason): The interesting thing about doing hymns is that they're usually theologically dense. With your openness to outside ideas that is obvious to your BadChristian listeners, there's probably a few hymns on here that you might intellectually disagree with to some extent. Was that ever taken into consideration?
Matt: Hmm. I like that question. You're probably right, but the truth is I hadn't really thought about that at all. For me, there's some element of the tradition and the cultural part, regardless of if somebody has the theology exactly right or not, that seems really familiar and unifying. I'm not trying to avoid theology or Scripture at all, but I think tons of people who sing spiritual songs don't care about them whatsoever. Like "Amazing Grace" being played on the bagpipes - what does that really have to do with the lyrics? They're so ingrained in our history as a culture that I might have some theological disagreements with these hymns, but I just haven't thought about it a ton. It doesn't matter to me if you half-way, or even completely, disagree with the theology; I'd still feel unified with anybody that would sing a hymn or say they are a Christian at all. I think there's more in that broad unit than there is in narrow statements of the specifics of faith. Plus, with the factor of interpretation, the original authors could have meant some of the language to be figurative in a way that I couldn't know about anyway.
JFH (Mason): That's definitely possible, and you're right that even within the general packages of these hymns, there is a draw towards Christianity that is certainly impactful. When you and Toby were talking early on in the year about this album, I got the impression that it would be a back-and-forth dialogue between hymns and original critiques of the Church. I had to shift my expectations a bit when I realized that it'd be more worship-heavy than I thought.
Matt: Yeah and the name I Quit Church will throw you off a bit. I guess it's a little…heavy-handed (*laughs*).
JFH (Mason): I guess so (*laughs*). But even then, there's probably going to be critics that say that this kind of critique isn't appropriate alongside worship. Do you have a response to that idea?
Matt: I think the whole point of it is the complexity. It's the combination of experiences that make up any complex person. So, this is just an attempt to relate to what that feels like. I hope it makes people uncomfortable, but I know that people who want things to be simple won't like it. I don't really mind that there's a barrier to entry here.
JFH (Mason): That makes sense. I think the fans who have been keeping up with the podcast will understand that.
Matt: I think that we made it in a way that people will be able to digest the nuance and the staunch critics who won't hear what we are saying, well, they're probably not paying attention anymore. You can read a headline and be mad about it, but you're not going to listen to the podcast for 200 minutes a week just to be mad at someone. And the people who will get it and care are the people who should like it. I don't think anyone else is paying enough attention to really hate it, but if they are, that's ok. It's part of the space we've created.
JFH (Mason): Understanding all that nuance and complexity, is there a particular way you hope this album hits people? Any specific goals you want to accomplish with this album?
Matt: Well, I think we're almost always looking for people to be a little uncomfortable and then press through to find out that it's ok. You know, just stick with it and maybe it'll make sense. I like that about art and when other people do it to me, so this is similar. Musically, it's not crazy like math rock, or anything (*laughs*). I hope people just see each song as a nice little piece.
JFH (Mason): Great! So we've got the release date for the Classics Reimagined album…what can you tell me about LP7?
Matt: I just put a new section in a song today that I'm really excited about. So I can tell you we're in the middle of song one (*both laugh*). We're just going one song at a time, but we're in full production mode of song number one now. I believe we'll finish it in the next few months, so it'll come out next spring or summer. If it goes faster, I'll update you.
Matt & Toby's latest album, I Quit Church is available now wherever music is sold!


BT is evaluating the performance of Dell EMC disaggregated switches against traditional integrated switching hardware to test the performance, economics and programmability of this new, virtualized approach, which is important as customers increasingly require more flexible, agile networks.
BT will work with Dell EMC to look at a number of potential use cases as part of the trial as the company evolves its network strategy to maximise the benefits of SDN (software-defined networks), NFV (network functions virtualization) and programmable silicon. These include the instant activation of Ethernet circuits from a third party (such as an enterprise), and the ability of the system to deliver real-time network operational data.


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Q: Looking up a deactivated widget's ancestor is unsafe on call from Provider flutter This issue is weird in that upon fully restarting the app, it works fine until you navigate to the CreateJoinPage, then navigate back to the homepage and then navigate forward to CreateJoinPage and then try to execute the block of code, the error message will start to pop up. I am creating a listener in CreateJoinPage that listens for input from socket.io:
void createRoomSuccessListener(BuildContext context) {
_socketClient.on('createRoomSuccess', (room2) {
  Provider.of<RoomDataProvider>(context, listen: false)
      .updateRoomData(room);
  Provider.of<RoomDataProvider>(context, listen: false).insertPlayer(room);
  Navigator.push(
    context,
    MaterialPageRoute(
        builder: (contextPage) => const ActivitySelectionPage()),
  );
});

}
and this error is called from either of the two Provider.of lines being part of the code.
This listener is called from my CreateJoinPage(StatelessWidget) as such:
SocketMethods().createRoomSuccessListener(context);

The full error code is:

Error: Looking up a deactivated widget's ancestor is unsafe.
At this point, the state of the widget's element tree is no longer stable.
To safely refer to a widget's ancestor in its dispose() method, save a reference to the ancestor by calling dependOnInheritedWidgetOfExactType() in the widget's didChangeDependencies() method.

A: It looks like the problem is that the context gets destroyed in the meantime a socket event arrives. To fix that the listener should be removed if the CreateJoinPage widget is disposed. First, change the CreateJoinPage from StatelessWidget to StatefulWidget to override the disposed method like so:

void removeRoomSuccessListener() {
  _socketClient.off('createRoomSuccess');
}

class CreateJoinPage extends StatefulWidget {

  @override
  State<CreateJoinPage> createState() => _CreateJoinPageState();

  ...
}

class _CreateJoinPageState extends State<CreateJoinPage> {
  @override
  void dispose() {
    SocketMethods().removeRoomSuccessListener(context);
    super.dispose();
  }

  ...
}

And declare the SocketMethods.removeRoomSuccessListener like so:
void removeRoomSuccessListener() {
  _socketClient.off('createRoomSuccess');
}

redpajama_set_name: RedPajamaStackExchange


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PROSPECT REPORT: Brett Gravelle
The final 2015-2016 tender to be covered in our Prospect Reports is forward Brett Gravelle from Forest Lake, Minnesota. During his first season of junior hockey in 2014-2015, Gravelle started the year with the Minnesota Wilderness of the North American Hockey League (NAHL). He then moved on to the North American Tier 3 Hockey League (NA3HL) to play with the North Iowa Bulls and put up stellar numbers in an abbreviated season. In only 36 regular season games, Gravelle tallied 21 goals and 40 assists for a total of 61 points. He continued to produce in the playoffs, contributing 8 goals and 7 assists in only 9 games. Prior to his junior hockey career, Gravelle played prep hockey at Forest Lake High School.
Magicians Head Coach Tom Upton said of Gravelle, "Brett was one of the top players in the NA3HL last season for one of the most successful organizations in North Iowa. He was also a top high school player from his time at Forest Lake. He can skate well and shoots the puck in stride. His skating and work ethic create scoring opportunities for himself. We are excited to see Brett continue to develop and have an impact at the NAHL level and beyond."
The Magicians initial roster for the 2015-2016 season will be determined following the team's main camp in Late July at Richfield Ice Arena. Follow the team on Facebook and Twitter to stay up to date with all the latest news and information!
PROSPECT REPORT: Matt Riggleman
PROSPECT REPORT: Casey Jerry
DRAFT REPORT: Nate Nelson
DRAFT REPORT: Bryce DeFazio
DRAFT REPORT: Tommy Altounian
DRAFT REPORT: Josh Mayanja


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3 tools every hyper-growth leader needs to implement today
Part 1 of a five part series by Kevin Eyres, the MD who managed LinkedIn Europe through the hockey stick years.
In 2007, I became MD of LinkedIn Europe and the company's first employee outside of the US. For the next four years, I was one of the leaders who crafted and executed the hyper-growth strategy that helped LinkedIn expand into five countries, hire 200+ new team members in Europe, and sustain over 150% YOY growth.
My time at LinkedIn, and my recent work coaching hyper-growth leaders, has given me tremendous insight into the new world of rapid growth. In this article series, I share the key hyper-growth lessons I've learned from my own experience, from my team and from 15 hyper-growth CEOs, some of whom I've drawn lessons from here.
Imagine when you wake up tomorrow, your dream is reality: the hockey stick growth you've been planning for is here. Your customer base has doubled. Your sales are increasing exponentially. You need many more employees, and an entirely new infrastructure, just to meet today's demand. The team is overwhelmed and looking to you, their leader, to act decisively. Now what?
You often hear people talk about "hyper-growth" like it's a rocket ship without an operator, blasting your organization off into the unknown. Luckily, hyper-growth doesn't have to mean a loss of control. By viewing growth hurdles with three distinct lenses (operational, leadership and coaching), you can gain perspective on this foreign terrain and step up to hyper-growth's challenges — aligning yourself and your organization to achieve clear results.
Hyper-growth hallmarks
Imagine your company's 2014 revenue figure. Now, make it this year's Q2 target. Flash forward 12 months: that Q2 target is your projection for November. For this to happen, how would you and your company have to step up? Are you equipped to tackle that challenge?
Welcome to the reality of hyper-growth, a state in which an organization achieves 100 percent or more YOY growth for multiple years. Hyper-growth usually brings to mind tech companies like Uber, Snapchat, Instagram and WhatsApp, but they're not the only ones experiencing it. Companies like Hawthorn, in the furniture industry, and Metro International, a Swedish media company, prove that hyper-growth can span sectors and industries.
Hyper-growth usually begins with an inflection point where things in a business clearly start taking off. That's where the "hockey stick" we all know from strategy decks comes into play. From there, it's usually a fast build sustained for just 3-4 years. Successful hyper-growth means you've brought your company to sustained growth without blowing up.
But hyper-growth isn't as easy as the hockey stick analogy would make you believe. When you hit the inflection point, the increase is so sharp that it looks and feels like there's a mountain in front of you. From that point on, everything is magnified. "Objects may appear closer than they really are" — or more disastrous, with inevitable bumps taking on the look and feel of crises. It's as if you're learning to drive a car. You're in the driver's seat operating the clutch, the brake, the accelerator and the indicators — not to mention hearing the backseat drivers offering advice as you try to navigate.
So how do you regain control of this unfamiliar terrain? It all comes back to perspective.
Shift your perspective and "step up"
When you're in hyper-growth, it's not enough to be simply an operator anymore. You need to "step up" and grow right along with the organization. Leaders who "step up" do a number of things very well: align their organization behind core values, architect strong teams and infrastructure, and develop the internal strengths that ensure their organization shows clear, sustainable results year after year.
The first step is using these three lenses whenever you're confronted with hyper-growth challenges.
1. Operations: It's a hygiene thing
When the daily grind wears you down, operations keeps the heart of your business vibrant and alive. The operational lens prioritizes the tactical systems that allow your company to grow to its highest potential. In interviews with hypergrowth CEOs, one of the most commonly expressed regrets was failing to invest in operations early on.
2. Leadership: Build a culture, define the vision
Hypergrowth magnifies your actions and behaviors as a leader. You define what "good" and "acceptable" look like, and set the culture for others to follow.
This lens helps you focus on the horizon so your team can look past the dramatic changes experienced in the day-to-day. If you build a strong team and a "culture of possibilities," your company will be prepared for the dramatic changes to come.
3. Coaching: Transform your organization, transform yourself
How does hyper-growth impact us as people?
It's an extremely important question, because during hyper-growth, your personal identity must transform as much as the company itself.
Essentially, leaders must look inward to cultivate qualities in themselves, and their teams, in order to grow into their changing roles. This truth goes largely unspoken and unrecognized during a phase of hyper-growth, with much human potential and many human capabilities lost along the way.
Consider these lenses your ultimate leadership tools. Rather than being merely along for the ride, you can use these lenses to gain a new perspective on challenges and puts the levers squarely in your hands.
The result? You're on your way to leading your organization toward its goals — whether they're boosted revenue, increased engagement or the cultivating of talent.
If you're wondering how to implement the three lenses, check back next week for the second installment in the series, all about how to regain control when hyper-growth causes the systems around you to break down — and believe me, they will!


early 15c., "faithfulness, devotion," from Middle French fidélité (15c.), from Latin fidelitatem (nominative fidelitas) "faithfulness, adherence, trustiness," from fidelis "faithful, true, trusty, sincere," from fides "faith" (from PIE root *bheidh- "to trust, confide, persuade"). From 1530s as "faithful adherence to truth or reality;" specifically of sound reproduction from 1878.


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Kerala, Jul 04,2018 : Every one of India's 1.3 billion people uses an average 11kg of plastic each year. After being used, much of this plastic finds its way to the Arabian Sea and Indian Ocean, where it can maim and kill fish, birds and other marine wildlife.
Fisherman in Kerala are taking on the battle to cut the level of plastic waste in the oceans.
In Suchitwa Sagaram's first 10 months, fisherman have removed 25 tonnes of plastic from the Arabian Sea, including 10 tonnes of plastic bags and bottles, according to a UN report on the scheme.
Think the a country has to ban plastic completely.


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Blue gum tree | Strong eucalyptus tree species from Australia!
Blue gum trees are native to South Australia and common in states like Tasmania, Victoria and New South Wales. The scientific name of blue gum is eucalyptus globulus and is part of the mytaceae family. Blue gum is famous and loved for its wind and sound break capabilities by both men and animal. This vigorous large tree forms dense thickets and today far outside Australia in many parts of the world. Blue gum wood is excellent firewood it has a bright flame and leaves little ash.
The blue gum tree can grow to heights up to 230 feet or 70 meters. The tree is classed evergreen and has leaves all year. Blue gum leaves have a lifespan of a few months depending on weather conditions. Old leaves will be replaced and this way the tree stays evergreen all year.
Blue gum leaves are arranged alternate and sickle shaped. New leaves are silvery blue gray colored and turn to dark green when aging. Mature leaves can reach lengths up to 12 inches or 30 cm.
Blue gum trees have very nice white looking flowers that hang in pairs on long strings. The flowers contain a great amount of nectar and play a vital role in the production of honey.
Blue gum trees have a rough green grey to reddish bark. Old bark will form long peeling ribbons that hang from the trunk and branches. This is a distinctive characteristic of many eucalyptus tree species. Blue gum is fast growing and the trunk can extend 35 meters in 30 years. The diameter of the trunk depends on the age of the tree. Older trees can have trunks with a diameter up to 6.5 feet or 2 meters.
Fresh blue gum heartwood has a light yellow to brown color. The sapwood is much lighter but exposure to sunlight gives it a darker color, more in line with the heartwood. Blue gum wood has a medium to coarse texture, heavy, moderate strength and shock resistance properties. The average dried weight of the wood at a moisture content of 12% is 900 kg per cubic meter. The durability of blue gum wood is classed as III moderate durability.
Blue gum wood nails, screws, glues, and works well both by hand or machine. Pre drilling is advised when screws or nails are used. When working with wood type it is recommended to let it acclimatize to the environment.