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text:
If it's not my body, is it still my choice?
Lilly Gibson-Dougall | Cyber Security Fellow
Image Credit: CAFA Art Museum (CC)
As a young woman with a smartphone and multiple social media accounts, I've always thought very deeply about what images I'm posting and who I share them with. I'm not alone; the fear of revenge porn is, sadly, one that young people have become accustomed to.
Recently though, I've become worried about the idea of my face being overlaid in a pornographic video. Why? Because 96 per cent of deepfakes are pornographic. This doesn't just happen to celebrities; it also happens to ordinary women outside of the public eye.
Deepfakes are manipulations of human images which are superimposed onto footage using artificial intelligence-based software. Victims of deepfake pornographic attacks include actors Gal Godot, Emma Watson, Scarlett Johansson, and Indian investigative journalist Rana Ayyub.
To make matters worse, technological advancements are making deepfakes far more difficult to recognise.
Not all deepfakes are pornographic—far from it—but their potential to threaten the privacy and security of women is profound. Indeed, the case of US politician Katie Hill, who was forced to resign after sexually explicit images of her were released to the media, is noteworthy.
Deepfakes highlight a lack of respect for women, their sexuality, and their bodies. Deepfakes, like revenge porn, can be used to demean and silence women and ruin their careers or reputations. It is a very modern form of sexual violence.
As Forbes magazine wrote: "In addition to violating the victim's rights to her own images and privacy, a major concern is deepfakes' potential impact on revenge porn. As we saw in the case with Representative Katie Hill, revenge porn can end someone's political career. With technologies like deepfakes, revenge porn or cyber smear campaigns can take on a whole new dimension and potentially impact a wider population of victims"
It is already abundantly clear that the anonymity of communicating online helps to fuel the harassment and abuse of women in explicit ways. The internet is not a safe space for women and deepfakes only add to this problem.
Pornographic deepfakes aren't just harmful to the women who are the intended targets. The videos that provide the basis for deepfakes are often taken from pornographic content without the consent of actors or directors. Their bodies are being used in contexts they haven't agreed to, and definitely aren't comfortable with. Sex workers whose content has been abused for the creation of deepfakes appear complicit in the harassment of these women.
As a recent article in Wired explained: "Instead of merely worrying that your own image will be distributed in a way that feels off-brand or even offensive, performers must now consider the possibility that their bodies will be cut up into parts and reassembled, Frankenstein-style, into a video intended to harass and humiliate someone who never consented to be sexualised in this manner."
So we see a strange dichotomy where women's bodies are both weaponised and victimised within the same space. The consistent factor? That both of the parties have lost their autonomy and consent over their own bodies.
Obviously, there are some major ethical and legal debates to be had about deepfakes. Is permission always required before someone's image is used? I have previously written about how the Dali Museum in Florida used deepfake technology so visitors could interact with the deceased artist Salvidor Dail.
Is this an invasion of privacy or a violation of consent? Or should we focus more on the intent behind the creation of the deepfake? While these are difficult questions to answer, if we understand the creation of pornographic deepfakes as sexual abuse, we can view them within a broader legal framework.
In Australia, revenge porn or image-based sexual abuse (IBSA) is Federal criminal offence under the Enhancing Online Safety (Non-consensual Sharing of Intimate Images) Act, and all states and territories (except Tasmania) have made it a criminal offence. This is a positive development and provides some legal basis from which deepfakes can be included in definitions of IBSA.
The difficulty with pornographic deepfakes, however, is the ability to obscure identity. You don't need a nude picture of your target; you only need their face, which can be taken off any social media account (including LinkedIn) or from a quick Google search. This makes tracing where the video originated from a tricky task. Furthermore, these videos can be spread across vast areas of the internet, making their ultimate destruction or erasure almost impossible. While the existing legislature provides a solid foundation, it is not fully equipped to deal with deepfakes.
As someone who is passionate about cyber security, I'll be the first to admit that advancing technology presents exciting opportunities. However, we need to acknowledge that it also creates instability not only through cyber attacks, but by reinforcing dangerous stereotypes of how women are viewed within society as well as enabling online abuse.
We need to move past advising women to 'be careful' with what they share online, and acknowledge the creation of deepfake pornography for what it is: sexual violence. Until then, the humiliation and silencing of women online will continue.
Lilly Gibson-Dougall is the Cyber Security Fellow for Young Australians in International Affairs.
This article was originally published in BroadAgenda Blog.

redpajama_set_name: RedPajamaCommonCrawl


Bitcoin went on bull runs just before but practically nothing like this: Price ranges this work week shot throughout the $3,500 indicate as the popular media confirmed digital currency as a new advantage. Then it got an additional boost as the blue-chip brokerage house, Faithfulness, allowed its consumers to create bitcoin accounts.
Now, some persons are contacting for it goes possibly higher. As Quartz records, a Perspective Research expert has called a focus on of $5000 intended for bitcoin by 2019. This improves the query of regardless ordinary investors ought to put a smidgen of their particular savings, or actually their retirement living accounts, into shopping for bitcoin.
The tax situation about Bitcoin is a real clutter. INTERNAL REVENUE SERVICE Notice 2014-21 says Bitcoin ought to be cared for as property, not as money. That means Bitcoin traders pay the reduce long-term financial gains tax price on their valued Bitcoins but it, in fact, slows down the advancement of Bitcoin as a functional currency. It requires merchants and then consumers possess to keep the monitor on every transaction and this kind of is a huge headache. In turn that's a poor thing for investors as it slows down down the ownership of Bitcoin as a method of payment. Possibly a large bottom of users would lower unpredictability of the growing advantage class.
It is even now fairly hard to spend at level. There is The Bitcoin Investment Reliabilitysubsidized by Greyscale, that deals on the exchange but it deals at a fairly large high quality to its fundamental net advantage value. That requires you are buying expensive Bitcoin. People are still performing it as you will keep GBTC on tax-advantaged accounts unlike Bitcoin itself. You can just keep Bitcoin directly throughout U.S. based systems like Coin base or Kraken or actually on a hardware Bitcoin wallet you detach from the Internet just like Trezor or Journal. All come with plus and minus are far as protection goes. In the protection of Bitcoin, that issue really isn't unique to Bitcoin. Gold traders, or buyers wanting to hold cash, encounter some of the exact problems.
A few global bankers and specialists have cautioned investors against trading in cryptocurrencies since they are of the thoughts and opinions that it is absolutely nothing but a bubble that is simply about prepared to burst.
Due to the absence of government control, extortionists will be also using the cryptocurrency house to their benefit. "Bitcoins clients on either eliminate of a transaction can stay relatively private and cybercriminals have discovered ways to cover up their details, so it may be difficult for government authorities and corporations to track such illegal actions.
← Knowing the Best Types of Charging Electronics to use and the Future of Charging Technology.


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The Food Movement, a taste of creativity in Kilifi
A natural space with good food and more
24-10-2019 by Freddie del Curatolo
Until 30 years ago, Kilifi was the Happy Valley on the Kenyan coast.
Just inside the creek cove and the inlets of Takaungu, amidst sudden cliffs overlooking the sea and hidden white beaches, were expanses of fruit trees and cashews, green pastures for cattle and sheep, rows of sisal as far as the eye could see and corn fields.
Today the endless spaces of the "Kilifi Plantation" are no longer the pride of agriculture in the coastal region, the production of milk, fruit juices and other products is limited, the large factory where the fruits of cashew were processed has closed and many barns, furnaces, factories and warehouses have been transformed into social projects, local cooperatives, small businesses.
Just enter the road of Mnarani, just after the bridge of Kilifi, arriving from Malindi, cross the barrier and explore the dirt tracks in the middle of greenery and baobabs.
Between those who still work the sisal and other creative people that we will talk about later, a sign will invite you to discover an unusual local.
It's called "Food Movement" and it's apparently a tavern between ruined houses and disused buildings, with wooden boards in a veranda at the foot of an imposing ficus benjamin where stands out a swing made from a local canoe.
But there are many intuitions of this place, starting from the graffiti on the walls, which lead directly to two young artists who founded "4 shore", a line that markets t-shirts and other clothing with original designs produced with totally natural colors.
There is also a small shop where you can buy organic jams and chutneys from the area, baobab powder, chili and other healthy and original delicacies, as well as handicrafts and t-shirts.
A stone's throw from what looks like a model post-sixty-eight community country house, there is the Indian Ocean and the many inevitable young people from every corner of Europe and Kenya have fun with kitesurf and deep sea fishing. But the real surprise is the cuisine (otherwise what "Food Movement" would be?), entrusted to local women who have learned the culinary art also taking advantage of the presence for a few weeks of an imaginative and capable Irish chef, offering attractive and original combinations of food and colorful and artistic presentations of the dishes.
The smoked tuna is served on light fried scones and a bed of lawyer, rocket and caramelized peanuts, fish tacos or shrimps sautéed in beer with spicy tamarind sauce and many fanciful salads with zero kilometer products that are also sold in the fruit and vegetable department that is practically in the middle of the restaurant. The menu is written on a blackboard and changes every week, with some fixed points that are omelettes, scrambled eggs and combined with avocado or other "topping" and for the greedy, chocolate mahamri.
You can eat like this, drink beer (or non-alcoholic) and above all you can enjoy in the midst of simplicity, positive and carefree young people and creativity. All this in a paradise of nature and silence at the gates of Kilifi, three quarters of an hour from Malindi and just over an hour from Mombasa.
TAGS: locali kilificibo kilificreatività kenyanatura kenyabio kenya
by Leni Frau
In Kilifi County, 70 per cent of workers employed will have to be native
New law from County Assembly for local firms and companies
A law that favours local employment and the indigenous people of the coast.
It is the one that has passed through the parliament of Kilifi County in recent days.
This regulation will oblige county companies, particularly those...
READ ALL THE REVIEW
Kenya North Coast in trouble for no water
Bills not paid, back to the same old problems
North coast of Kenya, from Magarini in Kilifi back in anguish for closing water taps by the Coast Water Service Board, which administers the central Baricho water from which almost all of the water supply to the County of Kilifi....
€ 30 M investments in Kilifi County
Kingi: "In 10 years a € 10 M industrial area in Vipingo"
30 million euro ready from domestic and foreign investors to launch industrial projects in Kilifi County.
This was announced by Governor Amason Kingi on the sidelines of the conference on the economy Kilifi and investment in the county, which closed yesterday...
Here's the new edition of Kilifi County Magazine
The 2019 "What's Best" to promote tourism
Malindi, Watamu and Kilifi County are promoting themselves again this year with the magazine...
Kilifi festival will be the first carbon neutral event in Africa
From 30th december to 2nd january zero emissions
This year's Kilifi Music Festival will be the first ever zero-emissions event on the African...
READ ALL THE ARTICLE
Deputy Governor of Kilifi County leave ODM for Jubilee
Kenneth Kamto, Kingi's strong man, join Mung'aro campaign
A major blow ahead of national elections next August for the Governor of Kilifi Amason Kingi and his party, the Orange Democratic Movement of opposition leader and challenger of the incumbent president, Raila Odinga.
E 'yesterday's news of the defection...
Washing absorbents from italians to the Kilifi inland girls
Africa Milele Onlus handle a project with local communities
A project that combines women's support with the protection of the environment in the inland of Kilifi and Malindi.
The Italian association Africa Milele, which can count on a growing number of volunteer enthusiasts and is mainly active in Chakama,...
A magazine to promote tourism in Malindi and Watamu
"What's best in Kilifi County" shows beauties of the North Coast
It's called "What's Best in Kilifi County" and is the first edition of a glossy magazine for free distribution showing the sights and the main activities related to tourism in Malindi and Watamu in particular. The magazine is written in...
READ ALL AND SEE THE MAGAZINE IN THE GALLERY
A nursery in Langobaya thanks to Karibuni Onlus
A new school for 80 pupils, with the donation of an italian couple
The social work of Karibuni Onlus in the Malindi inland never stops, thanks to the generosity of the Italians.
The new "Tiziana Nursery School" in Langobaya was delivered yesterday to the local authorities.


The activities conducted by the Nagoya Kiwanis Club include those that are in line with the objectives of Kiwanis International, such as cooperation/support for the Kiwanis International Foundation, Initiatives to Eradicate IDD (Iodine Deficiency Disorders), and the Rainbow Project (support of developing nations), as well as many other activities it conducts on its own.
The Kiwanis Public Welfare Award is awarded every spring to those who have dedicated themselves over long periods of time to the improvement of public welfare. The purpose of the award is to pay our respects to the achievements made by these persons and to help publicize their invaluable presence.
Last year, the 33rd Nagoya Kiwanis Public Welfare Award Ceremony was held on April 26, at the 1690th Regular Meeting. The recipient, the Chubu Guide Dogs Association (1-70-4 Juichiya, Minato-ku, Nagoya; Chairman, Hiroshi Kansaku.), was awarded a certificate of commendation and a prize of \1,000,000.
The Nagoya Kiwanis Club is very concerned about the recent trend for children to have an alienation toward reading. And it wants to foster a love of books and reading in young children in the future. With this wish in mind, the Club conducts various activities to donate books to children.
The Nagoya Kiwanis Club recently donated \500,000 worth of books and reading material to special schools for the disabled in Aichi Prefecture that have educational classroom instruction (6 hospitals and 1 care facility) as well as to the Aichi Children's Medical and Heath Center (ACHEMEC).
Funding for this Kiwanis book drive comes from our donation chest called the "Happy Box" and is furnished through the contributions of Kiwanis members. Money received during the charity bazaar held at our annual family Christmas event and from the system where members voluntarily make donations on or around their birthday at regular meetings, goes towards the community service activities conducted by the Club.
Family-Education Speech Program in line with "Young Children : Priority One"
As part of activities related to Kiwanis International's service program titled Young Children : Priority One which addresses the needs of children, the Nagoya Kiwanis Club has for many years served as co-sponsor of speech forums organized by the Nagoya City Board of Education. PTA organizations from primary and junior-high schools in Nagoya City participate in this program, and it has continued to be promoted focusing on themes such as 'the ideal nature of family education' and 'the role of parents/the way child discipline should be handled,' and other issues.
This year a speech by Ms. Michiko Yamamoto was given.
Co-sponsoring "The Fifth Nagoya Child-Rearing Forum"
Recently, the number of parents/guardians who feel at a loss regarding how to raise their children has been increasing, and they often experience uneasiness or anxiety about child-rearing and lack someone close by to turn to for advice. This Forum was launched by the Nagoya City Early-Childhood Research Association in order to create opportunities that will allow parents/guardians to become aware of the joys of child-rearing. This year a speech was presented by Ms. Masami Ohinata.


We had a nice healthy run but it's come to an end. Tuesday Kaili developed a low grade fever and some mediocre whining, nothing else. Wednesday night was rough, she woke up every few hours and at 2:00 A.M. she was burning up. I took her temperature 3 times and it averaged to a 102 degree fever. I gave her some Advil and went back to bed trying not to worry. I laid there until the sun came up, checking on her every so often.
Kaili was yelling "mommy, I wake up" by 6:00, this was going to be a long day. Thankfully, I already had the day off and Shane would be home soon.
Her Advil wore off and her fever came back along with hoarseness and a cough. She is in a decent mood considering and she goes through some sever whining fits but fingers crossed this is the worst of it!?!?
Tomorrow, is my last scheduled day of work for now. I really enjoy working but I also miss having some free days. The grass is always greener I guess.
Monday is my sono aka Sonohysterogram at Reproductive Partners, here we go again….Ready for all the fertility lingo?


text:
Different Bar Mitzvah Customs
ONE TRADITION, DIFFERENT CUSTOMS
The Ashkenazic experience
by Rabbi David Rogut
A Bar Mitzvah boy reading from an Ashkenazi-style Torah Scroll.
The source of the bar mitzvah celebration is based on Halacha LeMoshe MiSinai, a tradition handed down by God to Moses on Mount Sinai, that a boy becomes bar mitzvah at the age of 13 years and one day. It later became customary to mark this occasion by calling up the bar mitvah celebrant on his 13th birthday, when he reads the concluding section of the sidra called Maftir. This was an automatic religious elevation to manhood without ceremony. Prior to his 13th birthday, the boy is not called up to the Torah. In later years, the sages added a section from the Prophets called the Haftorah. The bar mitzvah event is marked by a Seudah — religious feast — which is celebrated after reading the Maftir and Haftorah.
The Sephardic experience
by Rabbi Michael Chriqui
A Sephardi boy reading the Torah at his Bar Mitzvah. The Sephardi custom is for the Torah Scroll to be kept in a wooden case which opens so that it may be read, but the Scroll is not removed from the case. The black straps at the back of the boy's head are part of his tefillin and indicate that this was a weekday Bar Mitzvah since tefillin are not worn on Shabbat.
In Sephardi tradition, a Bar Mitzvah celebration is often referred to as "Tefillin" ie. the laying of tefillin which the Bar Mitzvah boy would do publicly by singing out the Shema and Kadesh-li with great celebration. A meal is held right after the laying to accentuate the joy and importance of the actual mitzvah observance of tefillin, which will be practiced daily for the rest of his life. It is customary that the grandparents, the father and the uncles of the boy are each honoured with winding the tefillin straps around his arm. It is a custom of many Sephardim that the Bar Mitzvah boy is called up to the Torah at the first opportunity (ie. Monday or Thursday where applicable as well as Shabbat). As the boy is called to the Torah, "Piyutim" songs are sung in his honour. The Bar Mitzvah is celebrated for a few days, including the day of tefillin laying, on Shabbat and on Motzei Shabbat when the boy gives a Torah talk. Generally the boy honoured on this day, and is escorted to the synagogue by relatives, guests and friends.
The Chabad Bar Mitzvah
by Rabbi Zalman Kastel
Bar Mitzvah celebrations at Chabad reflect an emphasis on preparation for life after the event. The boy or girl will have spent at least a year learning with a Rabbi or Rebbetzin including insights of Jewish mysticism, which gives them a rich understanding of Judaism and Mitzvot. The Bat Mitzvah is a meaningful ceremony with the B'not Mitzvah presenting their own insights, including mystical dimensions along with primary traditions. Bar Mitzvah boys explain the Torah portion and Haftorah, and are encouraged to demonstrate their ability to participate in a Shabbat service by leading a portion of the service.
The Reform Bar/Bat Mitzvah
by Rabbi Richard G Lampert
Boys and girls who wish to celebrate becoming reform Bar/Bat Mitzvah are required to attend Hebrew and religion school classes twice a week for a minimum of two years. This is to prepare themselves for their lives as Jews and their role in the service. A year before the B'Mitzvah they are also required to attend lessons and services every Shabbat morning. During the service, every child conducts the statutory sections of the service (mainly in Hebrew), reads or chants 30-50 verses of the Sedra and the Haftarah in English and if possible in Hebrew. There is no difference in the ceremony between boys and girls — the girls do whatever the boys do. The parents are involved in the service by placing the Tallit around the child's shoulders in a specially designed Tallit ceremony and by both parents and other family members being called to the Torah during the Torah reading. The entire family is then called up to the Bimah for a family "Mishe'beirach". Finally, the child reads a B'Mitzvah prayer in front of the Ark and is blessed by a Rabbi.
One outstanding Bar Mitzvah
One outstanding bar mitzvah of last century would have to be that of a Russian boy named Nicolai Krohn. In 1941 at the Leningrad train station, Krohn encountered American engineer Joseph Levinson. An American technical expert sent to assist Russian industry and railroad, Levinson was being evacuated from Leningrad. Krohn was travelling to commence studies at the state (Communist) school in Vologda. Krohn's aunt, who was farewelling him, assumed that Levinson was Jewish and probably had Jewish education. She also appreciated that he would be travelling for several hours on the same train as her nephew.
She implored him to convey to her nephew all that he knew about Judaism as he was turning 13. In their cabin, an American who knew very little of his own heritage was able to arouse a young man's interest in his Jewishness. In fact, that journey became a turning point in Nicolai rohn's life-long search for Jewish meaning. Krohn took Levinson's challenge seriously and went on to study Hebrew, later becoming a refusenik who was imprisoned for applying to go to Israel. While in prison, he inspired other Jewish prisoners with a love of Torah and Hebrew. Eventually, Krohn was granted permission to make aliyah and he currently lives in Jerusalem with his children and grandchildren.
Sadly, there are too few bar mitzvah boys today such as Nicolai Krohn for whom bar mitzvah is a turning point in their life. Bar mitzvah often becomes a ritual devoid of content. However, an analysis of the origins of bar mitzvah reveals the inspirational dimension to this ceremony that we must attempt to recover.
The Mishna (Ethics of the Fathers, 5:21) states "At age of thirteen one is obligated to observe the mitzvot". What is this statement's biblical basis? The commentators derive this from a biblical verse in Bereishit (34:25), which states of Shimon and Levy, the sons of Jacob and brothers of Dinah, that "each man took his sword in his hand".
In this episode, Dina the daughter of Jacob, was being held by the Canaanites. These two young men, her brothers, were reacting to the capture of their sister. It was their outrage that led them to take their swords and set out to rescue their sister. The Sages calculate that these young men were 13. Since the verse specifically describes each lad as an ish (man) and because we know that they were 13 at the time of this episode, the Sages conclude that this is an indication that manhood is reached at age 13. What is problematic about this derivation is that there are countless other verses in the Torah in which the word 'ish' or 'adam' are used and where the age of 13 does not apply. Why is it that the Sages chose this episode to represent maturity?
The Sages are teaching us something deeper. The word 'ish' is chosen from this episode in Bereishit, as these particular circumstances encapsulate the very essence of maturity in Jewish thinking. By choosing the word ish as it appears specifically in this episode, our Sages are pointing out that this is the essence of maturity and what bar mitzvah is all about. It was Shimon and Levy's state of outrage at an injustice (their sister's capture) and their refusal to accommodate assimilation, intermarriage and the suppression of Jewish dignity and pride that motivated their actions. Their actions showed that they were no longer young boys who passively looked on.
When youth act out of conviction, when the continuity of the Jewish people becomes a matter of deep concern, they then merit the term ish that acknowledges their maturity. When our youth refuse to sit by and follow the trends towards assimilation, when they are prepared to stand up and be counted Jewishly and act according to what they know to be correct behaviour, then we know that bar mitzvah has been a turning point in their lives. This is a meaningful bar mitzvah!
Finally, two pleas. The first is directed to bar mitzvah teachers and the second to bar mitzvah parents. I recall at the time of my own bar mitzvah that the late Rabbi Israel Porush, Chief Minister of the Great Synagogue, asked all bar mitzvah boys whether they had yet purchased kosher tefillin and if they intended to put them on every day. When the boys invariably explained that their morning schedules involved early morning travel to high school which would preclude synagogue attendance, Rabbi Porush asked them to commit to a mere five to eight minutes daily at home for laying of tefillin and recital of the Shema before starting the day.
Bar mitzvah teachers must be realistic about the agenda they adopt for boys. At the same time they must be sure to demand a minimal daily commitment to such mitzvot as tefillin. They must explain the meaning of such mitzvot and at the very least, the content of the Torah portion they are teaching. And now my plea to bar mitzvah parents: "Hand-me-down tefillin" send a terrible message to your children. When a father tells his son "Here, you take my tefillin, I no longer need them", he is communicating that mitzvot are to be discarded with maturation, a message absolutely antithetical to bar mitzvah. I believe that these steps are absolutely essential. If we fail to teach mitzvah observance we are inviting a situation in which our children will one day turn to us and say "Why did you not teach us, correct us, direct us and show us the paths of the Torah and its mitzvot?" Let's put the mitzvah back into bar mitzvah and get some real nachas from our children.
This article republished with thanks to the Australian Jewish News


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Q: Django/Python - Unable to decode FILE Upload I'm working with Django v1.11 and Python.  I'm attempting to upload a file and then parse it.  The file has some odd encoding, so I initial wrote a test script and discovered the file was using utf-16 encoding.  With that test script (which I used outside of Django) I used:
inputFile = open(inputFilePath, 'rt', encoding='utf-16')

When using Django, I am having trouble doing the decoding. In my views.py I use:
if "specFile" in request.FILES:
    specFilePath = request.FILES['specFile']
    if(request.POST['specType'] == 'Absorbance'):
        doStuff(specFilePath)

Which goes to the simple method:
def doStuff(specFilePath):
    for line in specFilePath:
        print(line)

Here I get encoded text:
b'\xff\xfe#\x00#\x00B\x00L\x00O\x00C\x00K\x00S\x00=\x00 \x006\x00\r'
b'\x00\n'
b'\x00P\x00l\x00a\x00t\x00e\x00:\x00\t\x00e\x001\x00\t\x001\x00.\x003\x00\t\x00P\x00l\x00a\x00t\x00e\x00F\x00o\x00r\x00m\x00a\x00t\x00\t\x00E\x00n\x00d\x00p\x00o\x00i\x00n\x00t\x00\t\x00A\x00b\x00s\x00o\x00r\x00b\x00a\x00n\x00c\x00e\x00\t\x00R\x00a\x00w\x00\t\x00F\x00A\x00L\x00S\x00E\x00\t\x001\x00\t\x00\t\x00\t\x00\t\x00\t\x00\t\x002\x00\t\x002\x006\x000\x00 \x002\x008\x000\x00 \x00\t\x001\x00\t\x002\x004\x00\t\x003\x008\x004\x00\t\x001\x00\t\x001\x006\x00\t\x00\t\x00\r'
    ...

When putting in
    line = line.decode(encoding='latin1')

b'\xff\xfe#\x00#\x00B\x00L\x00O\x00C\x00K\x00S\x00=\x00 \x006\x00\r'
b'\x00\n'
b'\x00P\x00l\x00a\x00t\x00e\x00:\x00\t\x00e\x001\x00\t\x001\x00.\x003\x00\t\x00P\x00l\x00a\x00t\x00e\x00F\x00o\x00r\x00m\x00a\x00t\x00\t\x00E\x00n\x00d\x00p\x00o\x00i\x00n\x00t\x00\t\x00A\x00b\x00s\x00o\x00r\x00b\x00a\x00n\x00c\x00e\x00\t\x00R\x00a\x00w\x00\t\x00F\x00A\x00L\x00S\x00E\x00\t\x001\x00\t\x00\t\x00\t\x00\t\x00\t\x00\t\x002\x00\t\x002\x006\x000\x00 \x002\x008\x000\x00 \x00\t\x001\x00\t\x002\x004\x00\t\x003\x008\x004\x00\t\x001\x00\t\x001\x006\x00\t\x00\t\x00\r'
...

When putting in
line = line.decode(encoding='utf-16')

I get the error message:
UnicodeDecodeError: 'utf-16-le' codec can't decode byte 0x0d in position 24: truncated data
I'm not sure where to go from here.  Is there some other way to do the decoding?
Also, apologies for any errors or poor phrasing in this question.  This is my first Stack Overflow question ever asked and Django/Python are just tools I use in my work in the scientific side of Drug Discovery platform development.

A: I came up with a rather janky solution that seems to work:
line = line.strip().replace('\xff', '').replace('\xfe', '').replace('\x00', '').rstrip()

This seems to do the trick by eliminating the \xff type stuff.
And for reference and easy googling, these problems arose from the data file from a Molecular Devices Spectromax absorbance / fluorscence plate reader.

redpajama_set_name: RedPajamaStackExchange


This necklace features a large heavy handmade fine silver six 6 rune pendant on an oxidized textured sterling silver chain. The necklace is finished off with a sterling silver lobster clasp. The runes on the pendant are up to you - you can pick up to 6 runes - a name, initials, word, or series of runes with meaning to you. See "Pick Your Rune" below.
Need more letters/runes? Each additional letter is $10 and I have some listings for these already (1 through 6 runes) but if you don't see it then contact me for a reserved listing. To see the rune listings I have already made - enter keyword "rune" in my shop's search bar.
The pendant as shown is approximately 3" long. It is heavy and chunky and rustic looking. Each one will be unique as they are hand formed. The length and width of your charm will vary a bit depending on how many runes you want. If you want a smaller number of runes, search for "rune" in my shop.
The pendant is handmade from precious metal clay - a very cool clay that when is fired at 1400 degrees F turns into pure (fine) silver. Since these are customized, please allow 5 business days for completion of the runes.
The runes on your necklace is up to you - you can see a rune chart with descriptions of their meanings in the 5th picture & 6th picture (Elder Futhark runes). Anglo Saxon runes are shown in the 7th picture. Just let me know what you prefer (tell me the rune name, and whether you prefer Elder Futhark or Anglo Saxon.
Please send me a note telling me your rune choices. It is best to say the English letter and rune name to avoid any confusion. For example, this listing shows FENRIR in the Elder Futhark alphabet. There is a spot during checkout to leave a note to seller. Your note should include: Runes you would like, rune finish (see below) preferred necklace length (see below) and necklace material (see below). If you miss it, send me a note afterwards by contacting me through my shop. I will choose Elder Futhark unless you specify Anglo Saxon runes.
If you want fewer than 6 runes on your charm, I do make smaller rune necklaces. You can see my other runic items by entering keyword "rune" in my shop's search bar.
The necklace as shown here is a sterling silver oxidized textured chain. For that, choose "sterling chain" from the Necklace pull down menu. You can also get it on leather cord. For leather, choose black leather, brown leather, or distressed brown leather from the pull down menu. The leather necklaces are finished off with a sterling silver lobster clasp and sterling silver cord ends.
Total necklace length as shown in the photos is 18" . As always, you can have the necklace length made to suit your needs. Lengths from 16" up to 26" are available - just select the length you need from the pull down menu. Please be aware: 16" is suitable for girls and petite women. 18" is a women's average size.
These are made to order. Please allow a week for creation. If you are in a rush, contact me first for turn around times and to discuss faster shipping methods if needed.


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Better Than Something: Jay Reatard
Imaginary Gemma March 1, 2012 no Comments
{Better Than Something is screening at the Grand Illusion Cinema March 2-8}
My angry youth had passed before Jimmy Lee Lindsey Jr., better known as Jay Reatard, dropped out of high school in Memphis and began pumping out punk albums as fast as he could play them. So I missed out on this charismatic and talented artist until after his death, when I got to know him via the documentary Better Than Something.
Like many rock docs, Better Than Something is short on facts. The chronology of events in Jay's life is vague, discographies are absent, and if you didn't know the names of all his many bands and side projects before watching it, you still won't afterwards. What the film does, though, is assemble interviews with Jay and the people who knew him, together with archival concert footage, into a mosaic portrait of the artist. The film gets out of its own way, and places the focus squarely on Jay himself. If you didn't know who Jay Reatard really was before watching Better Than Something, you'll have a pretty good idea afterwards.
Better Than Something reveals Reatard as a real punk, in both the authentic and the "asshole" senses of the word. A self-taught musician, Jay played a five gallon bucket on his earliest records because he couldn't afford drums. He invented new recording techniques in his garage sale-stocked home studio because he didn't know or care how other people got the job done. He also routinely stormed offstage, abruptly ending his fevered performances, or even continued performing while assaulting members of audience — or his own band. He managed to be simultaneously smarter and more messed up than most of the people around him.
Few artists in any genre are as prolific as Jay Reatard. When they even come close, it is usually the result of hard work and discipline. Jay worked hard, but had absolutely no discipline at all. His work was the result of drive and passion. That unmoderated energy kept his music from sounding derivative even though he wore his influences on his sleeve. It's possible to tell what he was listening to when he made each recording, and his taste grew more sophisticated and varied over time. While his live performances remained frenzied, his last recordings were more notable for their pop melodies than their punk roots. Many early fans assumed a sellout, but the truth was far more interesting: early in the film, as the camera follows Jay as he prepares for an in-store performance, he says, "I picked up acoustic guitar about a year ago and started using it at shows. It's like aesthetic terrorism against punks."
Jay wasn't only interested in scaring the squares. He was just as pleased to piss off the punks. His complete disregard for what others expected of him was both his genius and his downfall. Only a few months after that in-store performance, Jay's reckless use of cocaine and alcohol killed him. And that pisses me off.
Recommended Show + Ticket Giveaway! Win tix to Blue Skies for Black Hearts {3/9}
Must-see Pre-Hunger Games viewing: Battle Royale at the NWFF {Fridays, 3/2-3/30}


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The 5 Best High-Protein Breakfast Ideas on Pinterest—That Aren't Eggs
Craving some variation in your morning routine? Read on for inspiration.
By Alex Van Buren Updated October 12, 2018
Breakfast can be a polarizing meal. You've got your bacon-egg-and-cheese on a roll people, your avocado toast millennials, your cereal regulars, and your smoothie bowl types. Some folks need only a couple of hard-boiled eggs to start their days, and some can't live without a donut. Many of us, in fact, get stuck in a routine.
My breakfast of choice is a yogurt-fruit smoothie, but I wanted to mix it up with some protein-forward breakfasts that don't require turning on a stove (i.e.: no eggs). Upon learning that Pinterest was brimming with such ideas, I spent some time seeking inspiration, testing some of the most promising-looking recipes, and coming up with a few new morning go-tos—both for fast weekday mornings and leisurely weekend brunches.
White Bean Spread Avocado Toast
pinterest-breakfast-white-bean-spread
I've recently been doing The Avocado Toast thing, but have almost always been adding mozzarella, Parmesan, a fried egg (on weekends) or any other sort of handy protein. Those are all tasty options, but I don't think any of them were as good as this lemony, garlicky white bean spread sporting a few slices of avocado on top, from Love & Lemons. White beans, lemon, garlic and olive oil are a classic combo, and this spread requires zero cooking—just five minutes with the food processor. If you can handle the idea of a bit of garlic and olive oil first thing in the morning, as I can, this is a fabulous dip to have in the fridge to spread quickly on toasted bread. (Note: Always rinse canned beans of the sludge they're packed with before eating them.)
RELATED: 10 Delicious Toppings for Toast (Besides Avocado)
Egg-Free Breakfast Sandwich
pinterest-breakfast-sandwich.jpg
A good breakfast sandwich is a feat of architecture as much as it is taste. You've got to have fresh elements, a sauciness, some smokiness, and properly toasted bread, all in the right order. How good does this vegan one by Sunday Morning Banana Pancakes look? I have my eye on it for an eggless weekend morning. I don't think I'd miss the eggs, which would be, on its own, a breakfast miracle.
Black Bean and Corn Quesadillas with Avocado
black-bean-corn-quesadillas-breakfast.jpg
You know what comes really close to omelets, chilaquiles, and breakfast burritos in terms of killer flavors? These black bean and corn quesadillas from Tastes Better From Scratch. Why not have a quesadilla for breakfast? Make it the night before, heat it on a skillet or in a toaster oven, and love your life. Black beans and cheese are packed with protein. Done and done.
Healthier Chocolate-Glazed Donuts
pinterest-breakfast-chocolate-glazed-donuts
The recipe for these baked whole wheat donuts, from Running With Spoons, uses vanilla protein powder in place of powdered sugar in the glaze. It also calls for Greek yogurt. Who knew donuts could be protein-forward snacks?
RELATED: The 20 Best Foods to Eat for Breakfast
Maple-Pecan Almond Flour Pancakes
I've been hearing raves aboutalmond flour. Along with buckwheat flour, it has a reputation for being delicious in baked goods, and I love that two tablespoons contain four grams of protein. I used Bob's Red Mill gluten-free almond flour, which is made of just one ingredient: blanched almonds. I quite liked the look of these pancakes (because who wouldn't?) and made the recipe—which was originally published in the New York Times—without walnuts and cranberries, as I don't like either. I didn't have high hopes for the wheat flour because it doesn't work well in my go-to no-knead bread loaf. But I was relieved, and wrong-headed, because these pancakes—a 2:1 mix of whole wheat flour and almond flour—are fantastic. The combination of buttermilk, maple syrup and the almond flour lightened whole wheat's heavy footstep. They cooked up super-light, puffy, and very lightly sweet. Be sure not to overmix the batter, which will keep them from puffing, and enjoy the fact there's no processed sugar in this recipe.
To get more healthy recipes delivered to your inbox, sign up our newsletter!
Alex Van Buren is a Brooklyn-based writer, editor and content strategist whose work has appeared in The Washington Post, Bon Appétit, Travel + Leisure, New York Magazine, Condé Nast Traveler, and Epicurious. Follow her on Instagram and Twitter @alexvanburen.


text:
Q: Use jquery to convert divs into spans I am trying to alter the HTML output of a widget I have no control over.  Basically the issue is that the widget outputs HTML that uses divs inside of a p which is not valid..

This is a random item

This is a random item

This is a random item

This is a random item

This is a random item

This is a random item

This is a random item

This is a random item

My idea is to change the divs into spans which are inline elements, the HTML should then be valid.  I have been looking at jquery to try and select the class and then convert these divs into spans.  Can anyone point me in the right direction or a tutorial of someone achieving something similar?

A: You do not need jQuery for that, you can simply use regular expression to replace
 tags with  tags. Try this:
var widgetHTML = $('div.widget_output').html();
    widgetHTML = widgetHTML
       .replace(/
/g, '')
       .replace(/<\/div>/g, '');
$('div.widget_output').html(widgetHTML);

Demo: http://jsfiddle.net/codef0rmer/daYL4/3/

A: Just stuck a JSFiddle together:
http://jsfiddle.net/daYL4/3/
$(".widget_output div").replaceWith(function() {
    return "" + this.innerHTML + "";
});

Seems to work better than my original suggestion.

But take a look at the answers to this related question, as they cover some good points:
Use jQuery to change an HTML tag?


text:
Watch This New Dragon Quest XI Gameplay Footage (VIDEO)
The Dragon Quest series has been an RPG staple in console gaming since the NES era, but in recent years, Western fans of the series have had unfortunate luck when it comes to seeing the game on home consoles. The last home console Dragon Quest RPG game to be released was Dragon Quest VIII on the PlayStation 2, with Dragon Quest IX being available only on Nintendo DS and Dragon Quest X not seeing a Western release. We did see Dragon Quest Heroes release on consoles last year, but that was a more action-based spinoff game produced by a division of Koei Tecmo, separate from the usual Square Enix-produced, RPG-focused core entries in the series.
Naturally, Western fans were ecstatic to hear that Dragon Quest XI would not only see a Western Release, but that it would be coming to PlayStation 4, Nintendo 3DS and the Nintendo Switch. The Switch version was actually one of the first games announced to be officially coming to the new Nintendo console, so fan expectations of this game are now even higher than before. Now, the fans have a new Dragon Quest XI gameplay video to help give shape to their expectations for the new game.
https://www.youtube.com/watch?v=xkntKOgnaTg
This new gameplay video, posted by MKIceAndFire on Youtube, first shows footage from the console version of the game in action. We see the player character in an open area, with many of the series' familiar enemies populating the field. While we do not see the player directly battling any of the enemies, we do see the player mount on his horse and ram an enemy with the steed while continuing forward through the terrain.
The second half of the video showcases the 3DS version of the game, with both screens simultaneously shown in the demo. What is unique about the 3DS version besides the obvious reduced graphical detail, is that the top screen shows the 3-dimensional open world like the console version, while the bottom screen shows the same map in classic 8-bit style, as the player progresses in the same world from two different perspectives.
It sounds like players will be able to switch between these two versions easily throughout the game, and that definitely has me metal sliming myself with anticipation! What do you guys think? Did you like this Dragon Quest XI gameplay video? What features do you hope to see in the game? Let us know in the comments below!
Be sure to stay tuned here to Don't Feed the Gamers for all of the latest Square Enix game news, like the new Holiday Final Fantasy XV DLC!
Win a Free PS4 or Xbox One At GameStop - 5 Given Away Daily in Local Stores
Witcher 3 Developers, CD Projekt RED, Granted $7 Million for Seamless Multiplayer Research
Final Fantasy XVI Release Window Confirmed With Epic New Trailer
All Nintendo Switch Online N64 Games Confirmed So Far (UPDATED)


Philippe named Paris' Champs Elysées, Pey-Berland Square in Bordeaux and Capitol Square in Toulouse as areas that would be subject to such bans. He said that rioters who weren't part of the yellow vest movement were to blame for the violence.
"I do not mix up criminals and the majority of gilets jaunes," he said.
The protests turned violent as police used water cannons and tear gas to disperse the crowd. Protesters threw rocks and set up barricades.
"The people involved were not demonstrators, they were rioters (...) whose unique goal was to raid, burn, destroy and hurt. And by burning, they also took the risk of killing," Philippe said.
After the violence, Philippe said he asked for a "reorganization" of law enforcement. On Monday, he announced that Paris Police Chief Michel Delpuech would be replaced on Wednesday by Didier Lallement.
Philippe said the government wants to protect "the right to demonstrate," citing Saturday's peaceful march for action on climate change.
"On Saturday, 140,000 people demonstrated in France, 36,000 in Paris, pacifically, for climate. We want this to stay that way."
"When a demonstration will be declared and pacifist, it will be accompanied by law enforcement. Nothing will be changed," he said.
"But we are implementing a reinforced strategy against extremist militants," he added.


Situated in the select neighborhood of La Californie, Villa Cristal is basically the most restrictive and extravagant occasion manor in Cannes. Roosted on a slope high over the city, the staggering 1592m² property is set in 1.3 hectares of finished gardens and offers clearing perspectives of the Mediterranean from the Bay of Cannes directly down to St Tropez. Offering each conceivable solace and comfort, the shiny new estate can rest up to 16 visitors in remarkable style and highlights both indoor and outside swimming pools, a private spa, dance club and home film among its numerous courtesies.
Perfectly planned and adorned, the estate is a definitive setting for an extraordinary occasion in the French Riviera's most glitzy resort. As you stroll into the fundamental house you'll be invited to your home far from home by a breathtaking living divider with a tropical water highlight, which sets the tone for whatever is left of your remain. Unwind by the grand open air boundlessness pool and jacuzzi, appreciate an after-supper stogie in the custom-manufactured wine basement, or basically kick back and appreciate the all encompassing ocean sees from one of the manor's various patios, a stay at the Villa Cristal is a genuinely novel occasion understanding.


text:
75%Drama2011
Flashbacks reveal a woman's calamitous efforts to raise her firstborn son while, in the present, she grapples with the aftermath of his horrific act.
Tilda Swinton, John C. Reilly, Ezra Miller
Watch We Need to Talk About Kevin
We Need to Talk About Kevin (Trailer)1:37
How can I watch We Need to Talk About Kevin?
Download the Peacock app and start streaming We Need to Talk About Kevin. View the full list of supported devices.
How long is We Need to Talk About Kevin?
We Need to Talk About Kevin has a running time of 1 hour and 52 mins. Stream it on Peacock.


The air quality in your home isn't always as easy to see as it is to feel. If you have contaminants in the air, your home in Stuart, Florida, won't feel like a healthy haven. While you can clean some problems on your own, there are a few signs that you should leave your troubles to a professional.
You may be particularly susceptible to these if you suffer from asthma or allergies. If you're feeling the effects of your home's IAQ problems, it's better to let a professional deal with them than to try yourself. Stirring up irritants will only make your discomfort worse.
If you're dealing with a widespread biological growth or other contamination in your home, it's best to contact a professional to make sure you have the proper tools to completely eradicate the issue. DIY solutions may work for a small problem area. But contamination that has spread throughout the home won't respond as well to home remedies. In the long-term, investing in professional help is often cheaper than going through several failed rounds of DIY remediation.
Air quality issues are often tricky to pinpoint. Persistent health problems and poor home comfort may give you clues that something is amiss long before you pinpoint the problem. Our HVAC service technicians can perform an in-depth inspection of your HVAC system. We'll uncover irritants or contaminants that you didn't know were even there. Getting professional assistance will help you resolve difficult issues more quickly and efficiently.
If you need help improving your home's air quality, contact Preferred Air Conditioning & Mechanical, Inc. at 772-905-3358. We'll help you find an effective indoor air quality solution for your home.


Evolution is a journey, not a destination.
We spent our first years establishing a reliable payment processing system to meet the strict technical, financial, and security standards of the U.S. Federal Government. Our team of engineers developed a full spectrum of business activities and support for what is now the Velocity Payment System.
Once the groundwork for a secure payment system was established, we took our knowledge and scaled it to meet the evolving needs of various industries.
Velocity's full suite of payment solutions is used by some of the nation's largest banks as part of their cash management offering to optimize revenue collection. Major U.S. processors also use Velocity to provide vertically specific solutions in their target industries.
Velocity's modules are designed to enable a full spectrum of business activities including back-end reporting, data management and administrative tools that integrate with legacy accounting, cash management and CRM systems.
Rapid deployment and easy integration through the Velocity Payment System gets added to the First American Payment Systems' suite of payment solutions. Govolution becomes a First American subsidiary with capabilities that transcend the public sector niche in payments.
Velocity's Integrated Web Payments solution delivers an enhanced payment experience worthy of recognition. In fact, in 2014 a Govolution client received the Governor's Technology Award for the deployment of web payment and mobile technology for their taxpayers.
Our approach is unique. When you engage our sales and support teams or relationship managers, they will hone in on your objectives, challenges and current situation. They will then coordinate a meeting for you to speak with our payment experts or technology specialists to provide you with insights and suggestions relevant to your needs. Following this discussion, you will be provided with the details you need to assess our potential offering and a game plan should you wish to engage our services.
Connect with a payments expert today to get the best solution for your organization.


text:
NFL Preview
The Antonio Brown Helmet Saga Is Too Much Even for 'Hard Knocks'
The all-access training camp show can't keep up with the ever-evolving story of the Oakland Raiders wideout and his beloved helmet
By Danny Heifetz Aug 21, 2019, 2:16am EDT
Share All sharing options for: The Antonio Brown Helmet Saga Is Too Much Even for 'Hard Knocks'
Getty Images/Ringer illustration
The Raiders have one more season to play in Oakland before they disembark for Las Vegas. This year, HBO's Hard Knocks is following the Raiders through their preseason training camp, and we'll be breaking down each episode. "There's no whining in football," the voice-over intones, "but every August football comes to wine country." And how!
Not even Hard Knocks can keep up with the swirling winds of the Antonio Brown helmet drama. Episode 3 figured to be spectacular after the Hard Knocks cameras chased the eye of one of the NFL's strangest storms the past week and a half. In that span, Antonio Brown had his helmet saga revealed, lost his grievance to wear the helmet, tweeted he would swap a signed helmet for a newer version of the helmet he wants to wear, returned to practice for the Raiders, learned his helmet loophole had been rejected, stopped practicing, filed a second grievance against the NFL, and got publicly chewed out by general manager Mike Mayock.
"It is time to be all in or all out," Mayock said.
That seems impossible for the people producing Hard Knocks. Whether because Brown's story is moving so fast or the Raiders are flexing their muscle over HBO's editorial choices, the show has not revealed the depths that it is capable of regarding helmetgate. There was no revealing footage of the possibly homemade paint-job helmet Brown reportedly tried to wear earlier this month, and there weren't any boiling frustrations between head coach Jon Gruden and Brown. Instead, this episode focused on the good vibes Brown shared with Gruden in the handful of days between when Brown thought he could wear his helmet (August 13) and learned he couldn't (August 17). We don't have many answers after Tuesday or satisfying reveals, but we do have plenty of funny anecdotes.
Antonio Brown Is Like MJ, Sort Of
Hard Knocks introduced Brown's return to Raiders training camp the same way Space Jam introduced Michael Jordan to the Tune Squad.
A bunch of players doing silly warm-ups are interrupted by a dramatic entrance that says, "Look who's finally ready to play." A slow-motion shot pans from Brown's ludicrously expensive shoes to a faint smile, and then Brown spends the rest of practice dunking on his teammates while everyone watches starry-eyed and R&B music plays. The only difference between that Space Jam scene and Brown's introduction in Hard Knocks is that tight end Luke Willson's calves are frailer than Daffy Duck's.
Brown even has his version of Michael's secret stuff. Drinking from a green Gatorade bottle during practice, he can't focus on anything but how delicious the watermelon-and-berry-flavored sideline concoction one of the assistants conjured for him is.
"This shit is sick," Brown says. "Keep this shit by the damn cooler."
The assistant keeps his word, because Brown is on the sideline of the team's preseason game against the Arizona Cardinals, handing out drinks and telling people it's his secret concoction, offering it on the rocks.
Everyone who can sidle up to Brown wants to know about how his feet, which were frostbitten from cryotherapy. Problematic guard Richie Incognito continued his newfound friendship with Brown and made some small talk before cutting to the chase.
Hot-Air Balloons and Horseback Riding: Breaking Down the First Episode of 'Hard Knocks'
'Hard Knocks' Episode 2 Recap: "Has Anyone Seen My Friend Antonio Brown?"
"What are they doing for your feet?" Incognito asked. "Oils and shit?"
Browns shook his head. "Cut the skin off."
Brown's attitude is new skin, new me. "Too much noise right now," Brown says in a one-on-one with the cameras. "More work, less noise." (It's important to note that he would stop practicing a few days after this message.) He adds that he feels like the "enemy of the fucking state."
The episode ends on a cop-out. Brown's attempt to exploit a regulation loophole and wear a newer version of his old helmet is blocked, and once again he stops practicing. This story isn't told through behind-the-scenes footage, but rather through NFL Network clips, a Mike Mayock statement that had already been on social media for two days, and a voice-over explaining that the good vibes we saw of Brown at practice had ended.
The episode does not dive into the substance of Brown's helmet issues, the potential medical ramifications of him not wearing approved equipment, or any of the rancor between Gruden, Mayock, and Brown—a sharp contrast to the Cleveland Browns' approach last year on the show when the disconnect between then–head coach Hue Jackson and offensive coordinator Todd Haley was palpable. It's possible the Raiders are flexing their control over the editorial process more than predecessors: As Peter King wrote in his column this week at Pro Football Talk, "I've said this multiple times: Jon Gruden and Mike Mayock do not want any part of Hard Knocks, and because teams have the opportunity to view the prospective show before it airs each week, there's no question in my mind that the Raiders are being heavy editors." Perhaps Jackson and Haley both being fired midseason for internal squabbling solidified for Gruden and Mayock that little net good can come from cameras everywhere.
The Hard Knocks producers seemed to offer a mea culpa by leaving us with one gem. At one point during practice, Gruden asks Brown whether his feet hurt.
"When it's real hot that shit starts to burn, I've got to take my shoes off," Brown says.
"Why don't you go to a cryochamber?" Gruden asks.
The Duality of Man
In one of the finest pieces of editing in cinematic history, Hard Knocks captures a conversation between tight ends coach Frank Smith and tight end Darren Waller in which Smith is trying to convince Waller to watch Fight Club. Smith explains it is about "the duality of man, the good side and the bad side." With that, the camera cuts to backup quarterbacks Mike Glennon and Nathan Peterman.
The majestic voice of narrator Liev Schreiber takes over: No. 7 Mike Glennon and no. 3 Nathan Peterman understand the yin and the yang. Light and dark.
Gruden's demand of Glennon and Peterman to be more assertive on and off the field has been one of the best subplots of the entire series, as Gruden tries to rehabilitate former Bills punch line Peterman.
Yet Gruden is not thrilled with the (lack of) progress that Peterman is making either, and when asked whether he wants Glennon or Peterman to play the majority of their next preseason game, Gruden spends a solid seven seconds making this face:
That is a man staring into the abyss.
Gruden decided to give Glennon more playing time, and the decision eventually bore fruit as he posted 175 yards and two touchdowns in the 33-26 victory. After the game, Gruden addressed the locker room about their coming game against Green Bay in Canada and celebrated Glennon's performance.
"We've got a weird week coming up, but we're a bunch of weird guys," Gruden says before he names Glennon the standout performer of the game to cheers from the team. "Mike Glennon's got some neck, man! We've got some neck!"
This is Mike Glennon:
This Week in Jon Gruden
Gruden lets quarterback Derek Carr have the final say at the end of a team meeting, and Carr announces that he has a special guest: Jon Gruden. Gruden is confused. In walks famed impersonator Frank Caliendo, who does his Gruden impersonation in front of the entire team. It's not the first time the two have been in the same room together.
Caliendo's Gruden voice is so good it's not clear whether real or fake Gruden is speaking when the camera isn't on his face.
"Glennon, love you man," fake-Gruden says. "We needed a quarterback on the team with a lot of neck, we've got a good guy for that."
Swallowing Gum
On the sideline of their preseason game against Arizona, Raiders linebacker Tahir Whitehead tells rookie safety Johnathan Abram that he gets dry mouth when he wears a mouthguard, which is why he chews gum on the field. Abram (the same guy who insisted "salmon" was pronounced sammon in the premiere) agreed, but said that gum tastes so good he ends up swallowing it. Whitehead tells Abram he can't swallow gum.
"Man, I swallow all my gum," Abram says.
Raiders linebacker Vontaze Burfict interjects to say he can only have gum in his mouth for two minutes before he swallows it. Whitehead shakes his head and says that's like swallowing rubber.
"You shit it out!" Burfict says. He then admits it kind of hurts.
"You're going to be fucking constipated," Whitehead says.
"They're going to get you an enema," Abram says.
"I don't even know what that is," Burfict says.
"That's like when they take the old folks, and …" Abram says, but he is laughing so hard he cannot finish his sentence. It's a stomach-churning but heartwarming reminder of what Hard Knocks is all about. Every team has to work through some shit.
Disclosure: HBO is an initial investor in The Ringer.
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Pyrausta terminalis is een vlinder uit de familie grasmotten (Crambidae). De wetenschappelijke naam van deze soort is voor het eerst geldig gepubliceerd in 1917 door Wileman & South.

De soort komt voor in tropisch Afrika.

terminalis
Dier uit het Afrotropisch gebied

redpajama_set_name: RedPajamaWikipedia


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Missouri transportation funding ballot initiative would raise taxes by $5 billion and ban tolling statewide.
Voters in the Show Me State will be asked next month whether they support a $5 billion sales tax hike to pay for the Missouri Department of Transportation's wish list of spending priorities, including road maintenance as well as a long list of projects unrelated to driving. The funding language will be added to the state constitution if a simple majority of voters approve it on the August 5 primary election ballot.
The proposal would raise the state's sales tax by 0.75 percent for the next ten years, mandating that the funds be spent only on transportation. Although the ballot language highlights the money going to "state and local highways, bridges and transportation projects" it does not clearly point out that the list of priorities includes nature trails, trolleys, bus terminals, bicycle lanes and airports. If it passes, the tax would automatically appear again on the ballot for reauthorization by a majority vote in the year 2024 and every ten years thereafter.
According to the state funding priority list, the majority of funds would go toward resurfacing and repairing bridges and roads, but very little extra capacity would be added to the road network. In the central region, for instance, Jefferson City would add lanes to Route 53 for $17 million. Route 50 would receive new lanes from California to Tipton at a cost of $91 million. Route 63 would see extra lanes in Rolla for $11 million.
In the central region, every transit project would receive $5.4 million to expand service hours. On top of this, Boone County would receive $10.5 million will add two hours to bus service hours. At a cost of $8 million, Jefferson City will get four more bus hours, and the Amtrak station will get $5 million for renovations. Another $5 million would improve Amtrak rail service in Osage.
Kansas City would spend $124 million on streetcars, and $24 million on bicycle paths, and $35 million for other bicycle projects. Buses would receive $85 million. St. Louis Mayor Francis G. Slay (D) praised the tax hike plan precisely because it would lavish millions on his city's non-motoring priorities.
"For the first time ever, the state would support major funding not just for highways and bridges but also for special transportation needs and opportunities in cities like ours," Slay wrote.
If the measure is approved, toll roads would be banned from Missouri for ten years or more.
"The state highways and transportation commission shall not authorize, own or operate a toll highway or toll bridge on a state highway or bridge while the sales and use tax authorized by this section is in effect," Proposition 7 states. "A county or municipality shall not authorize, own or operate a toll highway or toll bridge on any highway or bridge under its jurisdiction while the sales and use tax authorized by this section is in effect."
A copy of the ballot measure is available in a 1.8mb PDF file at the source link below.


All Parish Council meetings are held in the village school and commence at 7:30 p.m.
These meetings are open to all residents and start with a short period for questions and answers.
Public participation during the formal part of the meeting is at the discretion of the Chairman.
You do not have to stay for the whole meeting. If you wish to slip away after the Public Participation session at the beginning of the meeting we will not mind.
We do encourage you to come to the meetings and take part in our management of your Parish.
At most meetings our County and District Councillors try to attend for at least part of the meeting. They are willing to listen to your comments and answer questions.


A Hard Day's Night is from an era when pop and showbiz were inseparable-- and if it doesn't transcend that time, it does represent its definitive peak.
Pop in 1964 was part of showbiz: Once the Beatles hit a certain level of box office, there would never have been any question over making a film. Pop music meant teenagers, which meant fads, which meant the clock was running on the band's fame. The jazzman George Melly, who was writing about pop in the UK press at this time, remembered being convinced several times that the Beatles had hit a peak and their fans would soon desert them. I doubt this was an unorthodox opinion.
A film career might extend the fame a little, and smooth the band's inevitable transition to light entertainment. If the film was an enjoyable romp, so much the better-- John Lennon asked for A Hard Day's Night director Richard Lester on the basis of a comedy short he'd made (later referenced in the film's famous "Can't Buy Me Love" sequence), but Lester had also helmed 1962's It's Trad, Dad!, a snapshot of the British pop world just pre-Beatles (Tagline: "The newest, most frantic fad!"). He knew how to mix music and feelgood filmmaking to commercial effect.
A Hard Day's Night, in other words, is a crucial inflection point in the Beatles' career. Coinciding with their leaving Liverpool and moving to London, this could easily have been their first step on a road of crowd-pleasing predictability: Instead, both film and this soundtrack album are a testament to how fabulous pop can be when you take care over doing it.
The album is most famous now for being the first all-original record the band put out-- and their only all Lennon-McCartney LP. Formidably prolific at this point, the pair had been creating songs-- and hits-- for other performers which must have given them useful insight into how to make different styles work. There's been a particular jump forward in ballad writing-- on "And I Love Her" in particular, Paul McCartney hits a note of humble, open-hearted sincerity he'd return to again and again. His "Things We Said Today" is even better, wintry and philosophical before the surprising, stirring middle eight.
But the dominant sound of the album is the Beatles in full cry as a pop band-- with no rock'n'roll covers to remind you of their roots you're free to take the group's new sound purely on its own modernist terms: The chord choices whose audacity surprised a listening Bob Dylan, the steamroller power of the harmonies, the gleaming sound of George Harrison's new Rickenbacker alongside the confident Northern blasts of harmonica, and a band and producer grown more than comfortable with each other. There's detail aplenty here-- and the remasters make it easy to hunt for-- but A Hard Day's Night is perhaps the band's most straightforward album: You notice the catchiness first, and you can wonder how they got it later.
The best example of this is the title track-- the clang of that opening chord to put everyone on notice, two burning minutes thick with percussion (including a hammering cowbell!) thanks to the new four-track machines George Martin was using, and then the song spiraling out with a guitar figure as abstractedly lovely as anything the group had recorded. John Lennon's best songs on the record-- "A Hard Day's Night", "Tell Me Why", "When I Get Home", "You Can't Do That"-- are fast, aggressive, frustrated and spiked with these moments of breathtaking prettiness.
The Hard Day's Night film itself was also a triumph in its way-- Lester's camerawork capturing the frenzy of Beatlemania and the way the group's music was feeding off it. It had the happy effect of introducing the group's millions of new global fans to their world-- the fire escapes, boutiques, bombed-out spaces, and well-preserved salons of 60s London. In fact the film's knowing dialogue and pop-art cinematography has a level of surface sophistication that the Beatles' records don't approach for another year or two (though they were already far more emotionally nourishing).
Watching the film you're reminded that what the Beatles had set in motion was pop music's catching up with the rest of British popular culture: In art, in TV satire, in film and fashion and literature, the 60s were already a boom time. Pop had been left behind-- tastemakers looked instead to jazz and folk to soundtrack this creativity. What the Beatles had-- accidentally-- unlocked was pop music's potential to join, then lead, the party-- though it wasn't yet a given that they'd be the band to realize said potential. A Hard Day's Night is an album of an era when pop and showbiz were inseparable-- and if it doesn't transcend that time, it does represent its definitive peak.


Following are links to some music that you can enjoy while viewing my site. To find out more about the wonderful artists responsible for these selections, please go to Links of Interest page on this site.
This is a selection from the music of Wild Women Trio, a wonderful group from Southern Indiana. I have the pleasure of knowing one of the performers, Leah Robling.
Wonderful music by a new FB friend-JoJo Zawawi, classical and jazz composer and musician.
Copyright 2013 Jamila Zahran . All rights reserved.


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Family offices divided on Bitcoin's place on risk spectrum
Article | 12 February, 2014 11:00 AM | By Jessica Tasman-Jones
Family offices are allocating money to Bitcoin from two opposing ends of the risk-return spectrum, according to the founder of a fund dedicated to the digital currency.
The Bitcoin Investment Trust, launched in September last year, currently has net assets of $53.9 million (€39.5 million) with around 150 investors, and New York-based founder Barry Silbert says family offices are one of three main groups invested in the private fund.
The others are tech entrepreneurs and Wall Street executives.
Silbert says: "The fact family offices are investing is not a surprise to me, because family offices have very long term investment horizons, they tend to be fairly well diversified, they tend to like investing in alternative assets."
Silbert says that interestingly family offices fall into two distinct groups when it comes to what part of their investment portfolio they're allocating to Bitcoin from.
He says there is one type of family office investor taking money out of gold and placing it in Bitcoin, while the other type is younger families who are treating it like a high tech start-up.
"The interesting thing about these two allocations is that they're really on opposite ends of the risk-return spectrum," Silbert says. "Bitcoin has a lot of the attributes of gold, in that there's a finite supply, that's kind of built into the technology, and the money supply is going to grow at a known, predictable rate."
However, he explains that investors coming at it from the tech side believe it could have the upside potential of Google or Facebook.
Bitcoin is both a digital currency and a global transaction network. It can either be bought with traditional currencies, or "mined" by those with the appropriate technological know-how.
In the five years since January 2009, when it was founded, the exchange rate for Bitcoin rose from just under one dollar to $871. However, it can be prone to price fluctuations, and on Monday it had plunged to $572 when one of the world's biggest Bitcoin exchanges, Japan's Mt Gox, suspended withdrawals due to a software flaw.
Toby Birch, a financial forecaster and family office adviser based in the UK, says Bitcoin should be treated like gold in a family office portfolio, but says the services surrounding the currency could be an area for family offices to invest in tech start ups.
He says one area that's lacking in Bitcoin at the moment is a credible way of storing it: "If you think of it like gold, from a prospecting point of view, the people who made a lot of money and took the least risk were the people who were actually supplying services – the picks and pan handles effect."
Birch, who plans to launch a scheme this year where Bitcoin and gold can be exchanged directly, says he has not yet seen a lot of family offices showing interest in Bitcoin, but says he would recommend they do have exposure to the currency. "A lot of old-time gold guys don't particularly like it, although they might like gold," Birch explains. "They might see it as a form of Fiat currency because there's nothing really tangible about it, it's a tenuous concept to get."
Ronnie Armist, chairman of London-based multi family office Stonehage Investment Partners, says Bitcoin does not fit with their investment strategy of capital preservation and risk management.
"While Bitcoin has been a 'get rich quick' scheme for many investors, it is volatile and unregulated and displays a risk-return profile we would not consider suitable for our clients," Armist says.
Back in the US, Silbert says the genesis of the idea for the Bitcoin Investment Trust fund was to provide sophisticated investors with a vehicle to invest in the currency.
Silbert says it also provides a secure way to store Bitcoin. "Compared with gold bullion and gold coins, Bitcoin takes a little bit more technological savvy to secure. Those family offices don't necessarily want to worry what is the best way to secure their digital assets," Silbert says.
The Winklevoss twins, best known for their lawsuit claiming they were behind the idea for Facebook, also have ambitions of becoming Bitcoin moguls. They are planning to launch a publicly-traded fund once they have approval from the Securities and Exchange Commission.
Related terms: Alternatives, Barry Silbert, Bitcoin, Bitcoin Investment Trust, Family Office, FB News, gold, risk appetite, risk-return spectrum, Toby Birch, Family Business, FB Wealth, Investment
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"I always had empathy for objects, and in my practice in recent years, I have become more specifically interested in collecting those awkward and sometimes ugly fragments, those hidden beauties, those components that were intended for life as jewellery. I try to provide them with a new opportunity, a chance to sing again or to sing at last. I have a great clamoring collection, all demanding attention, each one such a handful that I keep them tucked away, restless in their boxes, waiting for their day to shine. Is their oily smile, their rugged gesture, the rust of their metal, the giggle of the plastics, the wink of glass, the jungle of material emotions locked in these fragments, that I am looking to give room for expression".
Extract from PREMIO COMINELLI catalogue 2015, p. 14.
Today, artistic jewellery sits within the realm of fine arts debate; however its position within a history of traditional trade emphasize the role of its material . If there is anything that defines contemporary jewellery, it is the connection with material; a connection that resonates with its primitive roots. For centuries, jewellers have experimented with materials in order to understand the ways in which their hands can transform material into physical object that can be touched and caressed. But the contemporary jeweler doesn't not only work in dialogue with physical materials like stone, metal and plastic; instead, they are open to other territories, where the materials are made of doubts and desires, curiosities and fears, uncertainties, and reiterations of unexpected innovations.


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