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For Ethical Anarchy in Art and Research! [1]
In the autumn of 1971, Norbert Kröcher, aka Knofo, and Gabriele Tiedemann get married in West-Berlin. In his memoires, Knofo describes how their marriage was motivated by pragmatic concerns [2]. Although they rejected the institution of marriage as part of the imperialist Federal Republic of Germany, they welcomed the 3000 Deutschmarks that were awarded by the government to stimulate newly-wed couples to start families.
The money was used to buy a small arsenal of handguns, automatic assault rifles and explosives, which formed the essential toolkit to conduct a series of bank robberies. Thus, they instrumentalized a government subsidy intended to secure the socio-political status quo, to provide the starting capital for the revolutionary Organization of the 2nd of June, as well as fund an anti-aircraft gun for the Vietcong in response to reports of American napalm attacks, among others.
I'd like to take this anecdote as a starting point to consider publicly funded and institutional art and research. A commonplace position is that research and art that take place in institutional structures or are supported by public funding are necessarily part of this very system and can thus not provide a fundamental systemic critique, let alone challenge the superstructure within which they exist. As a result, a vision of gradations of complicity has emerged, where those who choose to fully operate within state ideology argue that this is simply a precondition for their work within an institutional framework. In other words, the best we can do, is contribute to improving the system within which we operate.
Knofo and Gaby's marriage shows that this is not true. There is an essential difference between using institutionalized structures and resources with the intention to develop or improve the system in which they are embedded, or appropriating them to subvert the system and promote its eventual collapse.
Over the past decades there has been an increasing interest in regulating ethical conduct in research and artistic practice. Intertwined with 'health and safety' regulations, ever more detailed 'ethical approval procedures' accompanied by regulatory bodies are implemented at universities, art organizations and other public and private institutions.
It is hard to imagine how a so-called 'good person' could be against ethical behaviour or the promotion of all people's health and well-being, so in the first instance it might seem obvious that the development of organizational structures for ethical research and artistic practice is something we should all welcome.
But health and safety procedures are not only about health and safety. And ethics committees are not only about the promotion of ethical conduct. They are also instruments of power that regulate people's behaviour and direct their perception of the world around them.
In addition to protecting workers' well-being, health and safety regulations are frequently instrumentalized to prevent forms of artistic expression that are deemed inappropriate or undesirable. For example, in 2012 the performance event Tempting Failure at a venue in Bristol was cancelled on the basis of supposed health and safety concerns around 'bodily fluids' under the 2003 Licencing Act, after the organizers had challenged the venue managers' rejection of some of the work as 'inappropriate' for their audiences [3]. In a similar vein, ethical approval bureaucracy reduces the chances to 'operate under the radar' for individual or small scale research initiatives that go against commonplace assumptions on the interest of institutions. If you look for an ethical objection, you will often find one, or at least you will manage to make the procedure lengthy and cumbersome enough to jeopardize most efforts. Once all research is subject to detailed 'ethical approval' procedures, researchers are forced to disclose and file far-going details of their intended work in advance, thus promoting self-censorship and increased institutional surveillance.
Another aspect of the foregrounding of health and safety regulations and ethical approval procedures in art and research practice is its effect on the way the subjects and themes of the work are perceived. Foregrounding health and safety and ethical approval procedures on the one hand promotes the belief that ethically sound behaviour is primarily a matter of an administrative process (often accompanied by quantifiable data), while, on the other hand, the research process becomes dominated by the perception of ever more potential risks and threats in line with the scenario Paul Virilio describes in The Administration of Fear [4]. Virilio points out that in a culture where there is a continuous focus on threats, broad and thorough critical reflection is gradually overtaken by a state of permanent fear. Similarly, an art and research culture where ethics and health and safety administration dominates practically every move one makes results in an extreme fear of causing damage or offense, at the expense of bold, radical and wild ideas.
To avoid misunderstandings, health & safety regulations and ethics procedures have done us a lot of good: fewer builders break their backs at work, some journalists escape from getting shot on the frontline, human research subjects are now unlikely to suffer permanent mental or physical damage, and the chances for arbitrarily modified species to be let loose outside laboratories are very small.
However, my concern is the elevation of these mechanisms to the status of a universal, technocratic solution that guarantees an ethical culture. What we should also ask ourselves is: Is the broader systemic framework within which the 'ethical approval procedure' exists ethical? The systemic exploitation of those who are excluded from ownership of the means of production are rarely addressed by ethical approval committees, and I have thus far not encountered an ethics committee that identified the dogma of infinite growth of production and consumption – which now underpins almost every major research and art funding call, and hence research proposal – as unsustainable and therefore unethical.
If the answer is that the broader frame is unethical, should its internal ethical regulations be followed in endeavours to challenge its superstructure, especially when we consider that these regulations play a double role as both an instrument of ethics and an instrument of regulatory power? Although they may provide some short-term, small-scale improvements, a so-called green economy or an all-encompassing web of ethical approval procedures will not facilitate the establishment of a truly fair, sustainable planet. For this, the status-quo would have to collapse, the institutions turned to ruins.
Or, as Norbert Kröcher's gravestone reads: ¡ ANARQUÍA SÍ !
[1] Transcript of part of a lecture given at the ArtScience interForum, Royal Academy of Art, The Hague, December 2017
[2] Norbert "Knofo" Kröcher, 2017. K. und der Verkehr. Erinnerungen an bewegte Zeiten. Erster Teil: 1950 – 1989. Berlin: BasisDruck
[3] Manick Govinda, 2012. Licensed to censor performance art. Spiked Online, 16/1/2012. Online: http://www.spiked-online.com/newsite/article/11978#.WrtkwMi-mRs [accessed 28/3/2018]
[4] Paul Virilio and Bertrand Richard, 2012. The administration of fear. Los Angeles, CA: Semiotext(e)


Trying to be a yachtsman without being rich is a challenge these days. BUT if money is power, the DIY boater reigns supreme.
Trying to be a yachtsman without being rich is a challenge these days. Sanding and varnishing Mud Puddle Rose's teak is a daunting task. High gloss on the rails and satin on the floors at $45+ per quart. But now that it is done, she shines like a brand new yacht! People walk by the docks and comment on her gorgeous lines and shining teak! She looks so much better than the line of Clorox bottles around me, but this all comes with a price.
Everyday, I see mechanics and ship detailers lining up behind all the boats around me working on the other boats. I do wish that I could make a single call and ask someone to change my oil, varnish my rails, vacuum the bilge, change the filters, zincs, and impellers.
Just the other day my satellite TV had no reception. I wasn't sure whether to call 911 or radio "Mayday." The NFL channel did not record and I was about to miss my "Path to Draft" & "Black Sails" shows. HELP!
So, I call Direct TV in a total panic. The lady I spoke with was speaking to me from Honduras! What would Donald Trump say? She was very apologetic and reset everything short of my evening wine schedule. Nothing worked. So she said that she could have a service person come out the next day. Hell No! That would be $500 before he even opens his tool bag! He would be replacing things guessing that something would work, as I pay premium for parts and Dubai rates for labor. So what would any poor ex-jock do? Lucky for me, Lee was down in Sarasota, so she couldn't tell me I was too old to climb up the mast.
So armed with my anti-corrosion spray, I climb up my 2-step ladder which I placed on the ice chest on the flybridge. Carefully, I place my feet on the top handle and reach up to the radar bracket and climb up my mast to the satellite dome. The ladder slips off the ice chest so I am now stuck up on the mast and my life insurance has lapsed!
Then I realize that I am wearing my slippers. They are true to their name and one slips off my foot. I reach up to the wires at the base of the satellite and spray the hell out of the connection. As I now attempt to disembark from my perch the Ospreys and Sea Gulls watch to see if I know how to fly.
"Dude, just come down already."
Baci, my dog, is looking up at me with a ball in her mouth wanting to play, and I can feel the skin being removed from my shins as I attempt to slide down without landing on the dog and killing both of us. Fortunately the flybridge floor is overbuilt, anticipating some 64-year-old idiot stumbling down off the mast for unknown reasons. My blood pressure is raised around my heart but my shins are relieving it a rapid rate as blood drops down my leg. I land right side up and I quickly turn the TV on and rush to the master head for band aids before my newly varnished teak floor looks like a mass murder occurred.
Paper towels, band aids, hydrogen peroxide for the head rug and I am good to go. Up I go to the saloon and yay, "Path to the Draft" is on the screen. My fantasy as one of the performers in Cirque du Soleil is complete. The wine is poured and Baci and I sit down to relax. I avoided paying $10,000 for a complete varnishing job, $1,500 for an annual work up on the engines, and $3,500+ for a TV repair guy to fiddle with my TV and try to convince me to replace the satellite dome. All it did cost me was $3,00 for oil, filters, impellers and zincs, and $150 for varnish. Oh yeah, 50 cents of band aids, paper towels, and hydrogen peroxide! I probably drank a little extra wine to celebrate too.
Well, we are another step closer to leaving for the Bahamas and Nantucket. Well, I gotta sign off now and go up to Total Wine since I saved nearly a million dollars already and I'm low on wine again.


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HomeCommentShowing true grit
Showing true grit
Helen Jeys believes that building resilience and perseverance are as important for girls as getting good exam results
Debbie Botham
Several popular celebrities, including Sheryl Sandberg and Beyoncé, have recently proposed that we should ban the word 'bossy' when describing girls. The #BanBossy campaign asserts that girls fear being labelled 'bossy' as the word carries with it negative connotations which are more frequently associated with the stereotypical 'Queen Bee' than a chief executive. Rather, as Sheryl Sandberg states, "I want every girl who's told she's bossy to be told instead that she has leadership skills."
The campaign has good intentions. Indeed, it cites a study by the Girl Scout Research Institute, which reports that girls are twice as likely as boys to worry that leadership roles would make them seem bossy. It is this fear, apparently, that is preventing girls from aiming for such positions.
I think, like many, that this campaign misses the point. Being bossy, I would argue, is not the same as being an effective leader. Rather than focusing on banning a word or a label, surely we should focus on encouraging girls to embrace what it really means to lead and to enable them to develop the confidence to reject negative reactions from those around them. Part of this will include addressing the problems caused by deteriorating self-esteem among girls as they approach their teenage years and encouraging qualities such as resilience and perseverance. This is not an easy task. One need only consider the recent launch of the 'body confidence' badge by Girlguiding UK in March 2014 to appreciate the concerns relating to esteem and body-image among the girls in our schools.
However, focusing on teaching character will involve possibly controversial changes in our schools where our focus and duty to our students are often predominantly seen as helping them to achieve GCSE and A level success. In October 2013, the Social Mobility and Child Poverty Commission published a report which stated that "schools need to do more to prepare students broadly for work including assisting with work experience and promoting 'character' skills. Schools need to focus on developing those skills alongside improving their pupils' academic attainment. It is not a question of either/or. Schools need to be doing both." We all, therefore, need to consider how we are empowering our students to gain those characteristics which will be crucial for their future success.
In my school, we have begun this important journey. Girls are encouraged to become resilient, determined, empowered and successful, to embrace the importance of failure and to view challenges as stepping-stones to future progress. From our younger students in the preparatory department dressing up as inspirational women for the day to the focus in our Founders' Day celebrations on the lives of those long gone who believed in the importance of educating women, our students are encouraged to embrace the opportunities of leadership positively. In our recent Perseverance Week, girls shared their own recollections on the importance of perseverance and resilience in their own lives – in both academic and non-academic contexts.
Perhaps, therefore, we can all learn something from the system being introduced in Singapore this year. Identified by the OECD as "at or near the top of most education ranking systems", Singapore is introducing a new curriculum of character and citizenship education. As Minister of Education Heng Swee Keat puts it, the basis for this significant change is the recognition that "we must put character development at the core of our education system … Personal values such as grit, determination and resilience enable the individual to realise his or her potential … These values are intertwined, and are critical to the success of the individual and the society."
Surely it is this positive approach that will encourage and enable change, and not the media highlighting the misjudged link of the celebrity endorsed #BanBossy campaign.
Helen Jeys is Deputy Head Mistress at Manchester High School for Girls
www.manchesterhigh.co.uk

redpajama_set_name: RedPajamaCommonCrawl


Phillip Baker Hall's makes a career performance as Richard Nixon, rambling on in justifying his actions, his presidency, and his life. The DVD packaging calls it a "tour-de-force", and it's hard to disagree.
Post-resignation - one would imagine this to be a night not too far from when it was filmed in 1984 - we find Nixon, getting drunk and trying to dictate a defense for himself in the court of popular opinion, rambling on with more tangents than anything else. The strange thing is that the increasing incoherency of his argument is what makes most clear his character. To call Secret Honor a character study is about the same as saying water is wet.
Now, as a political film, and one where we are strongly led to question its central character, the question comes up as to how unbiased the film is. Certainly, Robert Altman's leanings are well known, and Nixon's fall resulted in perhaps the greatest swing of popularity in a national figure ever. Nixon comes off as unflattering, for sure, but there is really no room for any political stance here. It's all about desperation and self-justification, and any attempt to tacked-on posturing would have simply felt wrong.
There's a kind of sympathy that built for me through the piece, which I'm not sure it would be there for everyone. I couldn't help but feel that here is a man, whose best talents led him down possibly the worst possible path for him personally. For what it's worth, I'm more familiar with his time as a senator, when he was best known for his pursuit of communists in goverment. While McCarthy's efforts grew increasingly into self-promotion Nixon was at least sincere, and learned to distance himself from McCarthy. I'm not trying to write an apologetic here - especially one so obviously difficult - but good-intentions-gone-awry is basis enough to consider Nixon in this film.
It's fairly clear this is Robert Altman early on, from his fascination with objects, the way he lingers on something even as action and dialogue continue elsewhere. The use of security monitors was a brilliant touch as well. Watching one person ramble for ninety minutes is hard enough, without finding something else to look at.
Even at ninety minutes, some people will wonder if it can be shorter. The fact is, it could have been longer. In its origins as a one-man play, Secret Honor had seen more than an hour of additional material in it. Would more or less have helped? Mainly, the film would just have been... longer or shorter. You could cut enough tangential passages to make the film under an hour, or add more. There's not so much a plot as a series of ups and downs, and while we build to a smart and satisfying conclusion, the rest of the material works primarily by being simply unrelated to where we're headed. I don't think I'd argue with a single inclusion or exclusion, but probably many other arrangements of the material would have worked as well.
Overall, Secret Honor is a fascinating experiment in what film can be. Certainly, it won't be for everyone's tastes, but what an opportunity to challenge your aesthetics?


basic parameters for monitoring of population status and trends. The recent recognition of this population as genetically distinct and the recommendation by ICES WGMME to treat it as a separate management unit makes this work particularly timely.
Description: Determination of individual reproductive status and history, which together with age data will be used to construct maturity ogives (to establish age and size at sexual maturity), and determine the pregnancy rate and the annual reproductive cycle.


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A parlamentáris rendszer szuverén államok olyan demokratikus kormányzási rendszere, amelyben a végrehajtó hatalom a törvényhozástól eredezteti demokratikus legitimitását, és felelős is a törvényhozásnak. Egy parlamentási rendszerben az államfő és a kormányfő normálisan különböző személyek. Ez más, mint egy demokratikus elnöki rendszer, ahol az államfő gyakran egyben kormányfő is, és ami még fontosabb: a végrehajtó hatalom legitimitása nem a törvényhozástól ered.

Egy parlamentáris rendszerű ország lehet alkotmányos monarchia is, amelyben a monarcha az államfő és a kormányfő csaknem mindig törvényhozási tag is (mint például az Egyesült Királyság, Dánia, Svédország és Japán). Lehet parlamentáris köztársaság, ahol egy jórészt ceremoniális szerepű elnök az államfő és a kormányfő rendszerint a törvényhozásból jön (mint az Ír Köztársaság, Németország, India és Olaszország). Néhány parlamentáris köztársaságban (mint Botswana, a Dél-afrikai Köztársaság, Svájc, Suriname és Németország tartományai) a kormányfő államfő is, de választják és felelős a törvényhozásnak.

Fordítás

Politikai rendszerek

redpajama_set_name: RedPajamaWikipedia


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If you are searching for a romantic Christmas Market break, the cities along the Rhine and Moselle valleys can offer you that opportunity. Local vineyards and cinnamon create the calm and cozy atmosphere at the traditional Christmas markets. The beautiful towns in the region can captivate each visitor with their rich history, labyrinthine old quarters and amazing cathedrals. But during the holidays they are even prettier… The historical buildings are illuminated by thousands upon thousands of fairy lights and the mood all over the streets is positive and enchanting.
The Christmas markets in Trier and Cologne are particularly one of the most famous and are quite large.
Trier, which is Germany's oldest city, hosts a charming Christmas Market on the Hauptmarkt Square, with a cathedral providing an impressive background. There is also a large Christmas tree in the middle and a little train that can take you between some of the markets.
Cologne is known by its famous Cathedral and is Germany's fourth largest city. As Christmas approaches there are plenty of things to do, with attractions throughout Cologne, including many Christmas Concerts, Nativity Scenes and a huge temporary ice rink on the Heumarkt. Also in Cologne you can find one of the largest Christmas trees in the Rhineland, fascinating and spectacular.
Visit a Christmas market either in Trier or Cologne is a great opportunity to buy an unique Christmas gift and get into the Christmas spirit at the same time. Small wooden huts, lots of handcrafted gifts, wine and festive treats are just a small part of all the possibilities and things to do during a Christmas market adventure. Everything you can expect from the best of German Christmas markets is situated in Trier and Cologne. Even for the children, there is plenty to keep them amused like a puppet theater, a Santa Claus' grotto, toy stands and much more.
These are the various opportunities offered by the Christmas markets, which can be experienced in the best way only in Trier and Cologne.
River cruises are an incredible experience!
They have become very famous mostly because each cruise can offer you both a comfortable travel by water and the chance to see more cities, villages and places for less than a couple of hours. Of course like all other trips and especially when they are along the river, there are some advises and tips which can help you to create a well- organized and relaxing journey.
The length of a standard river cruise is about a week. There are some opportunities for 10 days up to two weeks but for more exotic destinations.
There is an essential thing which each person should check before a river cruise vacation- the weather during different seasons. Germany's summers are warm and sunny, often extending well into October. Winters are relatively mild, apart from the mountainous regions. Layers are your best option while travelling in Germany. Rain gear is recommended to be always with passengers!
Here are some small and useful packing things that are important for a river cruise: Comfortable walking shoes, some dressier shoes, umbrella, jacket/warm sweater/sweatshirt, sunglasses, sun hat or visor, toiletries (including medical remedies), warm coat, gloves and water-resistant footwear (as needed for cooler months).
A typical river cruiser has four decks, including an upper sun-deck. There are also two to three decks below it, containing a series of staterooms on each side of the ship. Staterooms often have a queen-size bed that can be separated into two single beds, a TV, storage space, and a small, though often modern bathroom with shower and usually no tub.
On the ship you can always find indoor and outdoor dining places. Also there is another opportunity: the easy-breezy alternative to the main dining room, with a pasta station, soup, and light-bites like club sandwiches, cucumber salad, fresh fruits and vegetables, rolls, coffee and dessert, and many other delicious things.
It is important to know that your time in each port is brief, but you're instantly immersed. The fees for daily excursions most of the times are included in the price for the cruise. Between local entertainment that is brought on-board nightly, cultural/historical lectures by the program director, regional dishes prepared by the chef, and informative guides, you get an excellent feel for the places you're visiting. There are special schedules and plans which can present to each person an information at what time is an exact event or tour.
Entertainment on a riverboat is not the same as on a large cruise ship- there is no spa centre or a casino. During the day the passengers are either on an excursion or on their way to the next destination. The scenery is so close on the riverbank and it is amusing to sit and observe an ancient castle ruins on a hill or river front villages. Guests on river cruises tend to be a well-travelled bunch with lots of stories to tell as they communicate between each other all the time. So new friendships are formed.
Usually service and staff on a riverboat provide a lot of extra opportunities. Laundry is included in the price, so each person can use it. Also the Wireless Internet is available on the ship at no charge. Most ships offer a library where reading materials, different games and puzzles may be used by everyone. A few ships have other services, such as a hair salon or massage. The information and extra services depends on the riverboat and the cruise.
It is useful if you have some Euro to use the local currency for shops, restaurants and for tips. If you have money only in your credit card probably you will get the worst exchange rate at a currency exchange shop and you will pay a commission.
Cruises are competitively priced, and you should expect to pay from $200 per person per day to $500 per person per day. It depends on the ship, how long will be the trip and the level of accommodations.
Hope we have been useful for your next river cruise adventure in Germany!
Trier is a magnificent city in Germany, situated in a valley between low vine-covered hills of ruddy sandstone, in the west of the state of Rhineland-Palatinate, near the border with Luxembourg. It is founded in 16 BC and that makes it the oldest city in Germany. Another interesting detail about Trier is that it's on the banks of Moselle which makes the city a perfect destination for tourists who enjoy both travelling along the river and watching gorgeous views.
Trier's proximity to its French neighbour is noticeable throughout the city. Especially when it comes to eating and drinking each tourist can feel the difference in the culture. Outstanding restaurants of international standing offer can provide a different dining experience. There are also excellent wines from the Moselle, Saar and Ruwer which is the reason for visitors to enjoy wine festivals and town celebrations very often. The annual highlight is the Moselle WeinKulturZeit, a month-long series of wine, gourmet and cultural events- a taste from everything around Trier.
A cruise along the Moselle is not only a memorable experience but it is punctuated with striking castles and charming towns. This is a place where a man can feel the atmosphere of extraordinary Roman ruins, romantic castle-dotted shores, and lively cities. The Mosel Valley is perfect for a leisurely drive where you can stop on a whim and smell the roses along the way. Almost like a fairytale the combination of Mosel and Trier makes the perfect beginning for an exceptional cruise.
It is a well- known fact that in the most romantic part of the Mosel (or Moselle) Valley, where the river curves between two hiking paradises – Eifel and Hunsrück – lies the old town of Cochem. The place is also recognized as a centre of the geographical area, especially appreciated by the tourists. There are over 3.300 beds in area hotels, pensions and vacation homes. Of the 350.000 annual overnight guests, 150.000 are foreigners. There are also three large camping areas.
As long as you step on the banks of Cochem you are already astonished by its pastel-painted and half-timber homes, winding streets and alleyways, next to a meandering river with vineyards planted at unimaginable angles. A combination which can make your cruise even more relaxing and comfortable as you can enjoy the opportunity to see the charm of Cochem and to feel the legend and the history of the town, which is also rated as one of the most beautiful places along the Mosel. All the castles are rising above Cochem and underline the exclusive architecture of the streets and the houses.
The Mosel river flows between the main-town and the Cond district, across the river by one of two connecting bridges. A really wide boulevard runs along the river. There is a number of hotels, restaurants, bars and seating areas which can be observed from the river. Also you have the opportunity to take river tours at frequent intervals.
The historical, medieval old town, the unique Moselle countryside with its picturesque and memorable villages makes the cruise along the Moselle one of the things that each person should do during his holiday or free time. A historical journey which leads to the next magical place- Koblenz.
One of the most interesting things about Koblenz is that the city is situated on both banks of the Rhine and the Moselle. Its name originates from Latin and means "confluence" or "merging of rivers". Even the name of Koblenz is a reason curious enough to see its narrow streets and romantic corners, situated near the merging rivers. Emperors, dukes and kings have resided in the city where they left historical steps which can be notice all over the streets and through the monuments. Visitors from around the world could also discover the buildings and cultural heritage kept during the years.
The people of Koblenz and all the tourists certainly enjoy the open-air life. They can be seen walking under the big trees and green nature of the Kaiserin Augusta park, the loveliest and most visited park on the Rhine, and on the cultivated banks of the Moselle.
Koblenz has both- an extraordinary situation and magnificent historical atmosphere- a combination which can influence each tourist and can create the perfect feeling for a good cruise end. After a relaxing, comfortable and emotional trip, a person needs to be astonished by something for the last time… this can be achieved by the unique background of Koblenz.
So don't hesitate to make yourself a well- deserved gift! Germany is waiting for your exceptional personality and in return will give you a possibility to experience a cruise from Trier to Koblenz.
You certainly may have noticed that we are brushing up our site a bit (still not finished). Yesterday we included a new so-called "header-graphic" on top. It is not totally authentic since our designer combined buildings from both Rhine and Mosel to create a nice scenario. However, this is about what you can expect if you visit the area, in particular the upper-Mosel and Rhin-valley from Koblenz ond southwards to Mainz.
The river Rhine in general and the area of Koblenz in particular is one of the beauties Germany has to offer. In 2011 Koblenz was hosting the Bundesgartenschau which is a large exhibition about gardening and landscaping architecture. Every second year or so another German city is elected to host this event which always attract some millions of visitors, both from Germany and abroad. And the good thing about this: after the end of the Bundesgartenschau most of the investments made will stay in place. So no wonder that there is such a tough competition amongst German cities as everyone knows that being a host not only gets you in the headlines of the news, but will also have a positive effect on the infrastructure of your city.
Expect some pictures from last year soon about the Bundesgartenschau 2011 and the beauty of River Rhine!
Copyright © 2014 Rhine and Mosel rivers in Germany: Enjoy tourism the romantic way.


Kevin Shields, General Manager, Beaver Creek Lodge, 26 Avondale Lane, Beaver Creek, Colorado 81620, USA.
Kindel Coren, Board Member, BizTV and BizTalkRadio Network, Denver, Colorado, USA.
Click here for the BizTV and BizTalkRadio Network Directory listing where you'll find links to all interviews with BizTV and BizTalkRadio Network in one place.
Click here for more info and links to all interviews featuring Kindel Coren.
Mitchell Kaplan, Founder and Owner, Books & Books, Maimi, Florida, USA.
Click here for the Books & Books Directory listing where you'll find links to all interviews with Books & Books in one place.
Click here for more info and links to all interviews featuring Mitchell Kaplan.


text:
Extreme Execs
Sometime in Africa
Forbes Africa
'Look At Me, I Want Your Business'
Africa: Undiscovered
There are two Nigerian cosmetic brands – Zaron and House of Tara – that are fast inducting many more young entrepreneurs into business of beauty and creating jobs across West Africa. The Nigerian women behind these brands are revolutionaries in Africa.
In West Africa, religion and tradition are strictly adhered to. In this environment, a woman choosing a career as a beautician would be frowned upon and castigated two decades ago. But that was then; we now have millionaire beauty experts in Africa and many promising young women emerging in the beauty industry around the continent.
This is an element of the big shift in Africa's business sphere. Businesses now operate in a society with young, self-conscious and independent consumers. Cosmetics and makeover artists are thriving amid this attitude of young people.
The presence of this younger generation on social media, with features such as 'Like' and 'Share' and selfies, are evidence of their "look at me" attitude. Businesses are thriving on this need for attention by young consumers.
For entrepreneurs, this clamour for attention demands a strategy that focuses on young consumers. The current African market must leverage this emotional need.
Let's consider the initiative Coca-Cola introduced to the market in 2015. I saw an alarming rush in Nigeria for the bottles of Coca-Cola that had consumers' names on the labels. This supports the notion that young consumers will enthusiastically respond to businesses that pay attention to their emotional yearning.
The Marketing Director of Coca-Cola in Western Europe, Lucie Austin, says "the campaign capitalized on the global trend of self-expression and sharing but in an emotional way". The result was phenomenal. Within six months of launching, there were 330 million impressions on Twitter. The company's reported earnings jumped by 19% and a statement from Coca-Cola says "the consumers had voted for the strategy with their dollars, the proof of which was Coke's higher sales of products".
What does this mean for an African entrepreneur? It means your business can benefit from an army of teenagers and millennials who are interested in personal symbols within products and services. Africa's consumers are interested in brands that honor them and display it to the public. They are seeking attention in an economy that had a culture of suppressing the voices of minorities. In a culture where most women and children are to be seen but not heard, businesses that recognize the emotional needs of these people will gain popularity, and eventually loyalty.
This also means that consumers are the most important factor of production. African entrepreneurs may be heading into the "prosumer" season as coined by American futurist Alvin Toffler in 1980. A prosumer is a person that consumes and produces.
In my personal view, customer satisfaction, rather than customer service, will be the game changer for businesses that focus on their end user. This is only realistic when attention is shifted to consumers. The smart choice for any entrepreneur is to start paying attention to people's interests. – Written by Victor Mamora
Related Topics:House of TaraMarketingmillenialsZaron
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Folorunso Alakija: Let's Learn From Each Other
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What Are You Doing Here, Woman?'
Cryptocurrency for Africans
George Gordon is on a quest to revolutionize the financial system. The director of Africa Master Blockchain Company talks digital currencies, blind risks and board games.
What is this new African cryptocurrency you are offering?
Where the majority of current digital currencies are based on speculative models, AfriUnion Coin (AUC) and the AfriNational Tokens (ANT)are designed for a transactional purpose allowing international payments, remittances, foreign direct investment as well as day-to-day transactions at local retail stores and other outlets. While the option for speculative trade is available with AUC, the focus is not around that.
Each African country will have a specially-designed ANT which will allow users to pay for goods and services and bills easily through completely digital means without requiring any bank account. AUC and ANT will be fully interchangeable to one another and there will be no fees for the user.
It's the natural next step for digital finance from mobile banking which most Africans are accustomed to. The ability to freely have the power to send and receive money locally and internationally will allow the freedom of choice and spending power many Africans don't have currently.
What is your own investment philosophy?
I am a gambler! I believe in taking risks and putting things on the line. That being said, blind risk or whimsical guesses don't get you very far. Always acquire enough information to understand to a reasonable level what the thing you are planning on investing is or how it works and then trust your instinct and gut feel.
What advice would you give entrepreneurs wanting to invest in blockchain?
First, do some research in terms of what the blockchain technology is being applied for or created in terms of its application to an industry or project. Thereafter, check the white paper for the design of the platform as well as its functionality and applicability to what it is trying to achieve. If it aligns with your personal investment rules, then go for it,however, remember that blockchain is continuously evolving and thus you need to explore outside the usual and standard.
First cash-less, now card-less. What is the future of online banking?
If we are looking into what is currently science fiction, I would say the future is digital contact lenses that will be able to connect you to all your social media accounts, internet, news as well as make payments by just looking at QR codes or specialized barcodes to approve and accept payments.
Now, realistically we are not far off from such innovation and technology, but for the time being, I think the next step is scanning of QR codes at retailers and having the transaction automated from your wallet to the retailers digitally.
What is your most prized investment and why?
My mind. I believe that the work I have put into developing my mind, and continue to do so every day, is the number one investment that I have ever done. It allows me to look at things in a unique perspective as well as provides me with the tools to push boundaries and create new opportunities.
Money, success, fame? Which is most important to you?
I would have to say success… because it is most likely going to bring the other two as well, right? But success in the form of starting something and letting it grow and succeed and knowing that something new exists because of your efforts.
What do you spend your money on mostly?
Board games. I love board games and believe it's a fantastic way to expand your mind as well as have fun with friends.
King Price CEO On Why He Invested On Insurance
Gypseenia Lion
King Price Insurance's CEO Gideon Galloway, who built an insurance company in South Africa worth over $226 million in six years, talks investments, industry trends and how self-driving cars will change the entire car insurance landscape.
Offering The American Dream
Ancillar Mangena
Gar Lippincott and Daniel Ryan of Atlantic American Partners were in South Africa recently looking for high-net-worth individuals wanting to invest in the US.
It's a warm spring day in September, and Gar Lippincott and Daniel Ryan have just arrived in South Africa. It is Lippincott's first time in the country, and he is jet-lagged.
A little over two months ago, he was booked to fly here from the United States (US) but was turned back at immigration.
"At Atlanta airport, the lady looked at Daniel's visa and let him through and she looked at my visa and she said 'I am afraid you can't get on the plane because you have to have a blank page on your passport'. I said 'I have three blank pages' and she said 'no, it's supposed to be the one that says visa on it'. She said it's the rules in South Africa so I had to sadly go back home… now when I was coming, I was told that's not an issue anymore so I am happy they have made traveling into the country easier," says Lippincott.
With a brand-new passport, he's here with Ryan looking for people who want to invest in the US in exchange for a green card.
Lippincott, the Managing Partner of Atlantic American Partners, says he has always been keen on South Africa for its growth opportunities and prospects.
"From what I understand, the things that are causing short-term decline in the economy in South Africa are set up to provide long-term growth and hopefully people will understand this," he says. Ryan, the company's Managing Director of Emerging Markets – Africa, agrees: "I lived in Malawi for 12 years and South Africa is still considered the shining one throughout the continent. Even with all the problems, everyone still wants to come here because of the opportunities."
According to an AfrAsia Bank report, South Africa comes second to Mauritius in boasting the highest number of high-net-worth individuals.
These are the kind of people Ryan and Lippincott target through their work at Atlantic American Partners. The company has real estate investors and professional private equity fund managers that manage money for banks, insurance companies, and pension funds. In addition, they help people get US green cards and ultimately US citizenship through the US government's EB-5 Immigrant Investor Visa Program.
"Basically we look for people who want to move to the United States and we help them do so legally by investing and the nice thing is, with our program, they are also able to get a nice return on investment," he says.
According to Lippincott, for a $500,000 investment that creates 10 jobs for American workers, you could get a green card in about two years and be a US citizen in about six or seven years. "Twenty seven countries have an investor visa program but with most of them, it's essentially a fee you pay, or you need to be actively engaged in the day-to-day operation of a business. For example, you invest $1.5 million in Australia, but you need to hire employees and generate a certain amount of revenue. One of the biggest advantages with our program is you actually invest the $500,000 into a fund. We act as a trustee of that money and within five to seven years, they get that money back with a bit of return on investment and you are a permanent citizen in the US."
Atlantic American Partners invests the money in real estate developments like hotels, apartments and student accommodation.
"What's nice about the program is it doesn't only cover the investor; it covers the spouse and children under 21. Our biggest family was a Hungarian family with seven children so they got nine green cards for $500,000," says Lippincott.
The company says it has had positive response in South Africa. "Two months ago, we were here and we had scheduled six presentations for 100 people and we ended up speaking to 450 people. Most were business people, people worried about the economy, people worried about the political future of South Africa and people concerned about the education future of their children," says Ryan.
According to Lippincott, despite the news of the clampdown on immigration, the US economy is booming and will perish without immigration. In the era of Donald Trump and his anti-immigrant views, that's heartening news indeed.
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Home › News › Design
Vivienne Westwood coming to Rue Saint-Honoré in Paris
Vivienne Westwood is about to take what is without doubt an important step in Paris. The British label is to open a store and showrooms at 175 Rue Saint-Honoré. Today, Vivienne Westwood is notably present in the French capital at the Galeries Lafayette Boulevard Haussmann. Its offices are in Rue du Mail.
The Rue Saint-Honoré store will cover 3,200 square feet with a small ground floor and a large basement. The showroom will have 5,400 square feet of space while a press showroom will consist of just over 1,200 square feet.
Its installation and thus opening will most likely not take place before 2016, though, depending on the duration of the work that will need to be done on the building.
This arrival in one of the French capital's most dynamic shopping streets, not far from the famous Colette concept store, is part of the development of a designer label that is still independently run.
Vivienne Westwood is currently present in some 80 countries. Almost half of the brand's turnover comes from the UK. For the rest, it is quite split up, with 9% in South Korea, 8% in Hong Kong, 7% in Japan, 6% in China, 5% in the United States, 3% in Italy… And 2% in France.
The designer label can be found in 700 multi-brand stores, 125 shop in shops department stores and around thirty single-brand stores. In Milan, for example, the store, press office and showroom are all in the same building, on Corso Venezia, as will be the case in Paris and, according to our sources, also soon to be in New York.
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The National Honor Society chapter of Horizon Science Academy is a duly chartered and affiliated chapter of this prestigious national organization. Membership is open to those students who meet the required standards in four areas of evaluation: scholarship, leadership, service, and character. Standards for selection are established by the national office of NHS and have been revised to meet our local chapter needs. Students are elected to be members by a 5-member Faculty Council, appointed by the principal, which bestows this honor upon qualified students on behalf of the faculty of our school each spring.
Students in the 10th, 11th, or 12th grades are eligible for membership, thus applicants must be in the 9th, 10th or 11th grade. For the scholarship criterion, a student must have a cumulative GPA of 3.5 or better on a 4.0 scale. Those students who meet this criterion are invited to complete a Student Activity Information Form that provides the Faculty Council with information regarding the candidate's leadership and service. A history of leadership experiences and participation in school or community service is also required.
To evaluate a candidate's character, the Faculty Council uses two forms of input. First, school records are reviewed. Second, members of the faculty are solicited for input regarding their professional reflections on a candidate's service activities, character, and leadership. The Faculty Evaluation Forms and the Student Activity Information Forms are carefully reviewed by the Faculty Council to determine membership. A majority vote of the Council is necessary for selection. Candidates are notified regarding selection or non-selection according to a predetermined schedule.
parents who have questions regarding the selection process or membership obligations can contact the chapter adviser, Jennifer Cooper (cooper@horizoncleveland.org), in Room 401 or by phone at 216-432-3660 ext 401.


As earlier detailed, WhatsApp Payments is going to be live in almost all Android based mobile interfaces. WhatsApp Payments is receiving new feature for its Android Beta Users.
WhatsApp users can request money from contacts, apart from sending money. This is limited to payments initiated by UPI ID and QR code, and doesn't work if you select the contact directly. The new request money feature was spotted in WhatsApp beta for Android v2.18.113, and is reportedly available only for a limited number of users. This facility is in testing mode in India.
WhatsApp Payments enabled, they will receive the request in the form of an SMS from another UPI payment app. Post requesting money, the Settings > Payments section will now have a Payment requests section, which shows the status of pending requests. Declined or approved requests will go the Payment history section.


Oily Skin (w. Acne)Skins with an excessive production of fat in the sebaceous glands that causes obstruction and infection, causing pimples that produce pain and inflammation.
Atopic SkinSkins whose protective skin barrier is weakened by not having the hydrolipidic mantle of the skin intact. The most characteristic manifestations are pruritus (itching), dryness, redness and peeling.
Psoriasic SkinSkins that for various causes suffer from inflammation and manifest themselves with reddish skin lesions covered with whitish scales. The lesions can cause itching and pain. The affected skin is usually dry and cracked.
Skin with RosaceaSkins whose protective barrier is weakened, showing dehydration and often dilated capillaries, especially in the nose, cheeks and forehead; as well as redness, pimples and pustules. They may have pruritus.
Seborrheic SkinSkins that have an excess in the production of fat, with enlarged pores and that show redness, itching and peeling.
Onco SkinSkins in current or recent quimio and/or radio treatment, are characterized by being dry, sensitive, irritated skin and with a feeling of tightness. These skins have little tolerance to external agents and may present desquamation and pruritus.
Oily and Dehydrated SkinSkins that have lost the balance that there should be between oil and water in the skin barrier. They are usually characterized by having a shiny but opaque appearance, with lack of light, enlarged pores, tightness (reduced elasticity) and being a bit rough to the touch.


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Q: [Cannot read properties of undefined (reading 'recordTypeInfos')]] I am trying to display my LWC for a specific recordType. The component works fine otherwise but after my session ends and when I log in again or sometimes even when I edit my record page to reposition my LWC I am shown this error:
[LWC component's @wire target property or method threw an error during value provisioning. Original error:
[Cannot read properties of undefined (reading 'recordTypeInfos')]]

I was facing this issue in full sandbox first but now I am also facing this issue in dev sandbox and since it doesn't happen everytime I am not sure how to resolve this issue. I am using two wire methods.
One to fetch the object details. Another to fetch the record details inside which I am matching the recordTypeId of the record with my specific recordTypeId.
Below is my JS code:
import { LightningElement, wire, api, track } from 'lwc';
import {getRecord, getFieldValue} from 'lightning/uiRecordApi';
import { getObjectInfo } from 'lightning/uiObjectInfoApi';
import OPPORTUNITY_OBJECT from '@salesforce/schema/Opportunity';
import CUSTOMOP_FIELD from '@salesforce/schema/Opportunity.CustomOPField__c';
const FIELDS = [CUSTOMOP_FIELD];

export default class DisplayLWC extends LightningElement {

@track displayData = [];
@api recordId;
@track customOPRecordTypeId;
@track isCustomOPRecord = false;
@api objectApiName;

//@wire(getObjectInfo,{objectApiName : OPPORTUNITY_OBJECT})objectInfo;

@track objectInfo;
@wire(getObjectInfo,{objectApiName : OPPORTUNITY_OBJECT})
    wiredObject(result){
        if (result.data) {
            this.objectInfo = result.data;
        } else if (result.error) {
            this.error = result.error;
        }
    }

@wire(getRecord, {recordId:'$recordId',fields:FIELDS})
    wiredRecord({error,data}) {
        if(error){
            let message = 'Unknown error';
            if (Array.isArray(error.body)) {
                message = error.body.map(e => e.message).join(', ');
            } else if (typeof error.body.message === 'string') {
                message = error.body.message;
            }
            this.dispatchEvent(
                new ShowToastEvent({
                    title: 'Error while loading',
                    message,
                    variant: 'error',
                }),
            );
        } else if(data){
            if(this.objectInfo.data && this.objectInfo.data.recordTypeInfos){
                const rtis = this.objectInfo.data.recordTypeInfos;
                const rtInfo= Object.keys(rtis).find(rti => rtis[rti].name === 'CustomOPRecordType');
                this.customOPRecordTypeId = rtInfo;
                if(data.recordTypeId == this.customOPRecordTypeId && data.fields.CustomOPField__c.value){
                    this.isCustomOPRecord = true;
                    //Then i am executing my logic here//
                    try{
                       //executing some more logic here//
                       let tempData = [];
                       //defining my tempData here//
                       this.displayData = tempData;
                    }catch{
                    console.error('Error',error);
                    }
            }
        }
    }
}

Below is my html:
<template>
   <template if:true={objectInfo.data>
    <template if:true={isCustomOPRecord>
        <lightning-card title="Custom LWC">
           <template for:each={displayData} for:item="disDat" for:index="index">
               <!--Some more html code -->
           </template>
        <lightning-card>
    </template>
  </template>
</template>

A: So, after considering the inputs from @sdandamud1, I made a couple of changes in my code i.e, by holding the provisioned value for later and by fetching the specific recordTypeId in my first wire method itself and then using it to match with my record's recordTypeId inside my getRecord wire method.
The final working version of my code looks like this:
JS:
@track customOPRecordTypeId;
@track isCustomOPRecord = false;
@api objectApiName;
@track objectInfo;

    @wire(getObjectInfo, { objectApiName: OPPORTUNITY_OBJECT })
    wiredObject(result) {
        if (result.data) {
            this.objectInfo = result.data;
            const rtis = this.objectInfo.recordTypeInfos;
            this.customOPRecordTypeId = Object.keys(rtis).find(rti => rtis[rti].name === 'CustomOPRecordType');
        } else if (result.error) {
            this.error = result.error;
        }
    }

    @wire(getRecord, {recordId:'$recordId',fields:FIELDS})
    wiredRecord({error,data}) {
         if(error){
                //handle your error
         }if(data){
             if(data.recordTypeId == this.customOPRecordTypeId && data.fields.CustomOPField__c.value){
                    this.isCustomOPRecord = true;
                    //Executing my logic here
             }
         }
    }

and in my html i am surrounding my code with <template if:true={objectInfo}>
If anybody finds this useful then kindly upvote it so that it may help others too.

A: i would recommend hold the provisioned value for later otherwise you will lost when ever  Object Destructur the wired result. added sample code
@track objectinfo;
    @wire(getObjectInfo,{objectApiName : OPPORTUNITY_OBJECT})
wiredobjectinfo({data,error}){
if(data){this.objectinfo = data; }
else if(error){console.error(error);}

@wire(getRecord, {recordId:'$recordId',fields:FIELDS})
wiredRecord({error,data}) {
    if(data){
        if(this.objectinfo  && this.objectinfo.recordTypeInfos){
            const rtis = this.objectinfo.recordTypeInfos;
            const rtInfo= Object.keys(rtis).find(rti => rtis[rti].name === 'CustomOPRecordType');
            this.customOPRecordTypeId = rtInfo;
}

redpajama_set_name: RedPajamaStackExchange


Home News Can Gold Fields Limited (GFI) Offer Investors Safety?
Can Gold Fields Limited (GFI) Offer Investors Safety?
Shares of Gold Fields Limited (NYSE:GFI) recorded -0.26% loss during trading session on April 16th, 2019. The script traded as low as $3.78 and last traded at $3.81. 4.11 million shares changed exchanged hands during trading, an increase of 20.69% from the 30-day average session volume of 5.18M shares. The firm had previously closed at $3.82. The company has $801.61M outstanding shares, price-to-earnings-growth ratio of 1.18and a beta of -1.03. The company has a RSI of 45.85, ATR of 0.13 and a volatility of 2.47% this week. GFI has a 52 week low price of $2.20 and a 52 week high price of $4.45.
Investors have identified the tech company Gold Fields Limited as an interesting stock but before investments are made there, an in-depth look at its trading activities will have to be conducted. The share is trading with a market value of around 3.05B, the company now has both obstacles and catalysts that affect them and they came from their mode of operations. With the company affected by events currently, it is a perfect time to analyze the numbers behind the firm in order to come up with a rather realistic picture of what this stock is.
Gold Fields Limited (GFI) Fundamentals that are to be considered.
When analyzing a stock, the first fundamental thing to take into account is the balance sheet. How healthy the balance sheet of a company is will determine if the company will be able to carry out all its financial and non-financial obligations and also keep the faith of its investors. For GFI, the company has in raw cash 399.7 million on their books with 615.5 million currently as liabilities. How the trend is over time is what investors should be concerned about. The company has a healthy balance sheet as their debt profile has been on a decline. In terms of their assets, the company currently has 0 total, with 1.99 billion as their total liabilities. This figure have given the company a good sense of viability under numerous contexts.
GFI were able to record 557.8 million as free cash flow during the recently reported quarter of the year, this saw their quarterly net cash flow reduce by 79.3 million. In cash movements, the company had a total of 557.8 million as operating cash flow.
In order to determine the future investment potential for this stock, we will have to analyze key trends that affect it. During the third quarter of the year, Gold Fields Limited recorded a total of 0 in revenue. This figure implies that they witnessed a quarterly year/year change in their earnings with nan% coming in sequential stages and their sales for the third quarter reducing by nan%.
What matters though is how it ends. When the core data for the company is broken down, then the stock sounds interesting. The company spent 0 trying to sell their products during the last quarter, with the result yielding a gross income of 0. This allows shareholders to hold on to 801.61M with the revenue now reading 0 cents per share.
Is the stock of GFI attractive?
Having a look at the company's valuation, the company is expected to record 0.04 total earnings per share during the next fiscal year. It is very important though to remember that the importance of trend far outweighs that of outlook. This analysis has been great and getting further updates on GFI sounds very interesting.
0 out of 4 analysts covering the stock have rated it a Buy, while 2 have maintained a Hold recommendation on Gold Fields Limited stock. 0 analysts has assigned a Sell rating on the GFI stock. The 12-month mean consensus price target for the company's shares has been set at $3.84.
Previous articleIs It Right Time to Be Bearish on Companhia Siderurgica Nacional (SID), Adient plc (ADNT)?


Pre-amplifier in black plastic housing. The various functions are governed by slides with tongues in rainbow colours. Maker: Lecron. Date: 1990 - 1999 - from the The Betty Smithers Design Collection at Staffordshire University.
Cream and silver lurex shift dress. Round neck, sleeveless with keyhole neck with ruffel and bow. All over design of large cream polka dots. Long zip to centre back. Lined in cream. No . Date: 1960 - 1969 - from the The Betty Smithers Design Collection at Staffordshire University.
Sleeveless shift dress with bold apple design in orange and brown on a white ground. Labels: D.L. Barron, London Size 12 To fit hips 36, bust 34 and washing instructions. Date: 1960 - 1969 - from the The Betty Smithers Design Collection at Staffordshire University.
Black plastic hand-held (or desk-top) slide viewer, supported by two triangular legs at back. Slot for slide entry at top. Maker: Enna - from the The Betty Smithers Design Collection at Staffordshire University.
Cassette tape recorder in cream metal housing; volume and microphone control dials to lower front. Maker: Rediffusion. Date: 1945 - 1955 (circa) - from the The Betty Smithers Design Collection at Staffordshire University.
Small handkerchief; white cotton with stylised foral design to centre and each corner, with floral sprays in orange and brown above. Bordered with a band of brown; edges are machine hemmed. - from the The Betty Smithers Design Collection at Staffordshire University.
Jacquard cape with full-length zip to centre front and collar to round neck. Scalloped detail over shoulders and bust. Pocket flaps over verical vents (for hands) to left and right fronts. Fully lined ion mauve polyester.. Maker: Bickler. Date: 1960 - 1969 - from the The Betty Smithers Design Collection at Staffordshire University.
Multicoloured horizontal striped knitted dress in blue, green, red pink and cream; 'V' neck with collar. Plastic zip with tassel at centre front to waist. Wide short sleeves. - from the The Betty Smithers Design Collection at Staffordshire University.
Black winter coat in woll with fake fur collar. mini-length with wide reveres and belt backed with PVC and brass buckle. Buttons are balck with brass rims. Maker: Tina, Kamperis. Date: 1970 - 1979 - from the The Betty Smithers Design Collection at Staffordshire University.
Silver jewelled court shoe with high heels and instep strap. Label: Vis e Vis. Maker: Vis e Vis - from the The Betty Smithers Design Collection at Staffordshire University.
Cream evening gown; double spaghetti straps, copper coloured floral motifs at right shoulder and left side of waist. Gathered detail at left side of bodice, concealing plastic zip. Long 'A' line skiry with underskirt. labels: Frank Usher London Made in England UK size 36 100%Triacetate and laundry instructions. Maker: Frank, Usher - from the The Betty Smithers Design Collection at Staffordshire University.
Small handkerchief; white with floral border in blue and green. Edged with with narrow red band; hem is machine stitched. - from the The Betty Smithers Design Collection at Staffordshire University.
Multi-coloured patchwork, many patterned skirt and shawl. Decorated with mirrors, very deep waistband with hooks and ties. - from the The Betty Smithers Design Collection at Staffordshire University.
Multi-coloured sweater dress; 'V' neck, long sleeves. Wide horizontal stripes of blue, navy blue and multi-coloured yarn. 'A' line skirt. Label has been partially cut away, but name is partly visible. . Maker: C and A - from the The Betty Smithers Design Collection at Staffordshire University.
White nylon/polymide bra-slip. Elasticated under bust. Upper part of cup are lace and there is a lace frill to hem.. Maker: Marks and Spencer - from the The Betty Smithers Design Collection at Staffordshire University.
Piece of red furnishing cotton with black and white motifs. Attached selvedge piece marked Kite Strings Designed by David Parsons. Date: 1956 - from the The Betty Smithers Design Collection at Staffordshire University.
Black wrap-over dress with green lining and leaf pattern. Bodice has 'V' neck edged with silver-grey ribbon. Short, loose and floating sleeves. Bodice loose fitting blouson style with belt of silver-grey ribbon. Flowing 'A' line skirt with silver ribbon detail. Large leaf and flower design in grey, orange and yellow. Fully lined, plastic zip to back. - from the The Betty Smithers Design Collection at Staffordshire University.
Record: C.1292. Speed 78 RPM. Rachmaninoff: Prelude in C Sharp Minor and Chopin: Polonaise in A Major. Maker: H.M.V. - from the The Betty Smithers Design Collection at Staffordshire University.
Purple dress; sleeveless with scalloped neckline. Black applique bead swirls on bodice. Metal zip to side seam. two pockets to skirt front which have scalloped edges. Full skirt. Label: Designed by Ludlow. Maker: Ludlow. Date: 1950 - 1959 - from the The Betty Smithers Design Collection at Staffordshire University.


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