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Nonesuch releases the first studio recording of John Adams' 2005 opera, Doctor Atomic. Longtime Adams collaborator Peter Sellars created Doctor Atomic's libretto, drawing from original sources. The composer leads the BBC Singers and the BBC Symphony Orchestra in this recording, which features a cast led by Gerald Finley, who originated the role of Dr. J. Robert Oppenheimer.
In addition to the San Francisco premiere, Finley has sung Oppenheimer in productions in New York, Amsterdam, Chicago, and London. He is joined on the album by Julia Bullock (Kitty Oppenheimer), Brindley Sherratt (Edward Teller), Samuel Sakker (Captain James Nolan), Andrew Staples (Robert Wilson), Jennifer Johnston (Pasqualita), and Aubrey Allicock (General Leslie Groves). This recording was made possible in part through generous support from New Music USA. Doctor Atomic concerns the final hours leading up to the first atomic bomb explosion at the Alamagordo test site in New Mexico in July 1945. The focal characters are the physicist and Manhattan Project director, Dr. J. Robert Oppenheimer; his wife Kitty; Edward Teller; and General Leslie Groves, US Army commander of the project. Sellars' libretto draws on original source material, including personal memoirs, recorded interviews, technical manuals of nuclear physics, declassified government documents, and the poetry of Muriel Rukeyser, an American poet and contemporary of Oppenheimer.
John Adams' works, spanning more than four decades, have entered the repertoire and are among the most performed of all contemporary classical music, among them Harmonielehre, Shaker Loops, Chamber Symphony, Doctor Atomic Symphony, Short Ride in a Fast Machine, and his Violin Concerto. His stage works, all in collaboration with director Peter Sellars, include Nixon in China (1987), The Death of Klinghoffer (1991), El Niño (2000), Doctor Atomic (2005), A Flowering Tree (2006), and the Passion oratorio The Gospel According to the Other Mary (2012). In November 2017, Adams's new operaGirls of the Golden West, set during the 1850s California Gold Rush, received its world premiere at San Francisco Opera. The opera's libretto, assembled by Sellars, includes original Gold Rush song lyrics, letters, journal entries, and personal memoirs from the era. Doctor Atomic is Nonesuch's thirty-first recording of the works on John Adams, beginning with Harmonielehre in 1986; the label has released forty-seven first recordings of Adams pieces.


text:
global entertainment
{GANKUTSUOU} The Count of Monte Cristo
By Guest milk tea!
July 17, 2006 in Japan
Guest milk tea!
http://www.montecristodvd.com/
"While visiting the festival on Luna, Viscount Albert de Morcerf and Baron Franz d' Epinay make the acquaintance of the Count of Monte Cristo, a self-made nobleman. When they part, the Count promises to visit Albert in Paris. After he arrives, he insinuates himself into the most powerful families in France (the Morcerfs, the Danglars, and the Villeforts).
The plot of Gankutsuou, while broadly the same, changes many aspects of the source material. The story of "The Count of Monte Cristo" is focused heavily on the Count, whereas Gankutsuou's narrative places more importance on the character of Albert. In the novel, the events in the Count's life proceed chronologically; in the anime, the story begins with Albert and Franz meeting the Count on Luna (which occurs many hundreds of pages into the book), and the back story is pieced together throughout the series. The plot changes include supernatural elements, different fates for some characters, the disposal of several side-plots, and an altogether different ending.
These changes result in a different tone; the Count's quest for revenge in the novel is seen very sympathetically, but various plot elements in the anime lead the viewer's sympathy towards Albert, making the Count a far more antagonizing figure. Gankutsuou's plot could largely be classified as a coming-of-age story for Albert, catalyzed by the discovery of the dark history of the Count."
1. At the End of Our Travels, We Meet
2. Until the Sun Rises on the Moon
3. 5/22, Tempest
4. Mother's Secret
5. Do You Love Your Betrothed?
6. Her Gloom, My Gloom
7. The Secret Nectar of the Flower Garden
8. A Night in Boulogne
9. I Had a Dream of the Color of Darkness
10. A Letter from Edmond
11. Engagement, Broken
12. Encore
13. Haidee
14. Wandering Heart
15. The End of Happiness, the Beginning of Truth
16. Scandal
17. Confession
18. Duel
19. If I Had Become Unlike Myself
20. Farewell, Eugénie
21. The True Identity of the Nobleman
22. Counterattack
23. Edmond Dantès
24. By the Seashore
Opening Song: "We Were Lovers" by Jean-Jacques Burnel
Ending Song: "You Won't See Me Coming" by Jean-Jacques Burnel
My sister randomly found it on YouTube and I thought it's style was interesting so I decided to watch it. I thought it was a good series and nice to watch a different style other than something typical like in Honey & Clover, Fruits Basket, Bleach, etc ^^
Here's the trailer on youtube: http://www.youtube.com/watch?v=xjY_j5tcsWc
Has anyone else watched this?
Volumes: 3 (Complete) http://www.mangaupdates.com/series.html?id=619
Published by: Del Rey
Anime Episodes: 24
viedeluxe
Fan Level: 30-0
Friends of Soompi
Hmm there's an anime about this now? I read the book and it's one of my favorites.
Guest ShouHipon~
looks good!!! =D
i have to check this out!
Guest kakashi
i saw the first few eps only .. didnt think it was that great so i stopped watching it. maybe i should get myself a copy and see it again.
Guest FirstTheWorst
Hmm I started watching this, but the...patterns were...kind of weird so I stopped watching it because I lost interest. But otherwise, it's...pretty much okay.
At least in the beginning. I watched the real movie for it and I really liked that...so..?
Guest Take Five
isn't this supposed to be the best show gonzo has ever done or something? anyway, i'll probably watch it soon.
do you have something against H&C and fruits basket? o_0
Guest disgruntled_ricecooker
Gankutsuou is a very entertaining title for me but those who enjoyed the original novel may be disappointed with the adaptation. For one thing, the Count's characterization is altered and he becomes more sinister. If you overlook the differences (i.e. the characterization, futuristic setting, Eugenie not being a man-hating lesbian, etc), it's a solid series. I'm waiting for the last DVD to come out and it might be my favorite title from GONZO (although Basilisk seems like a strong contender as well).
cutiek028
Wow! The art looks so beautiful and the fact that it's set in a futuristic Paris! Really cool!
this show really was levels above anything gonzo ever made. so good.
Guest angelqian
I thought the anime itself was well done, but I didn't like the interpretation of the original book, (The Count of Monte Cristo by Alexandre Dumas) which kinda ruined the ending for me, it just wasn't what I wanted to happen from what I've read.
kyohei_seb
i've only read the news that "the count of monte cristo" would be adapted into an anime...
but i have not watched it.... i must check this one out....
hope the interpretation would be similar or even better than the actual novel....
DDuk
this was an ok anime... i liked the story plot.. and it had a futuristic feel about it.. but one thing that just made me stop watching the show...
it made me dizzy... the drawing are beautiful, but it was a little to much for me... i mean every time they move i was wondering where are their arms, and legs?
No, lol. Those are my favorite types of anime and I've watched a lot of those, so this was a refreshing anime to watch. That's all I meant
I found the art style a bit funky at first too, but you get use to it.

redpajama_set_name: RedPajamaCommonCrawl


New "Comfort Touch" reel seat, with textured, soft rubberized finish. Improved grip and comfort, and lightweight for enhanced sensitivity.
Beautiful Teal, Metallic Blue, or Twilight color patterns Thread Wraps.


The English verb to be (e.g. "is", "are", etc) doesn't explicitly exist in American Sign Language. Every language has its own "to be" grammatical rules.
For example, the Russian language has the past and future tenses for the "to be" verbs but no "to be" verb in the present tense.
As for American Sign Language, it has its own rules and its own ways of expressing. Its verbs are usually active. Below are some examples of the ASL sentences that substitute the "to be" verbs.
Please note that facial grammar and some grammatical nuances are not included in glossing.
The English "to be" verbs am, is, are are the present tenses. Use some ASL words that tell the present time, such as now and today. Or, sometimes there are no mention of the present-related words which generally tells the present time.
E.g. ix-me fine for I'm fine.
ix-me name fs-jane for my name is jane.
The English sentence ASL isn't English is expressed in ASL as ASL itself not English.
The English "to be" verbs such as was, were are the past tenses. Use the ASL words that tell the past time, such as before, finish, and many other time indicators.
E.g. this morning ix-me suddenly sick laid-back.
When used appropriately, the ASL verb become is sometimes used.
E.g. ix-me not-want become father for I don't want to be a father.
Every language has some words that cannot be translated word by word into another language. Translation is to interpret a concept or meaning in one language that is equivalent to the same concept in another language.
About verbs in sign language.


text:
"""
Created on Mon Jan 11 22:48:55 2016

@author: derricw

high_level_mpl.py

Example for high level camera API using matplotlib to show the image.

Demonstrates how to:

1) Initialize SentechSystem
2) Open a camera
3) Read camera properties
4) Set some camera properties
5) Grab a frame
6) Show the frame using matplotlib
7) Release the camera

"""
import matplotlib.pyplot as plt
from pysentech import SentechSystem

# initialize SentechSystem
sdk_folder = r"C:\Users\derricw\Downloads\StandardSDK(v3.08)\StandardSDK(v3.08)"
system = SentechSystem(sdk_folder)
#system = SentechSystem()  # or this, if you have set SENTECHPATH env variable
print("Cameras: {}".format(system.camera_count()))

# open a camera
cam = system.get_camera(0)

# get some camera into
print("Camera model: {}".format(cam.model))
print("Driver version: {}".format(cam.driver_version))

# get some image properties
print("Image size: {} bytes".format(cam.image_size))
print("Image pixel format: {}".format(cam.pixel_format))
print("Image shape: {}".format(cam.image_shape))
print("Max image shape: {}".format(cam.max_image_shape))

# set some image properties
cam.image_height = 1040
cam.pixel_format = "Mono8"

# grab a frame
frame = cam.grab_frame()

# cast frame as numpy.ndarray
nd_img = frame.as_numpy()

# show it using matplotlib
plt.imshow(nd_img, cmap='gray')
plt.show()

# release camera
cam.release()
print("Camera released!")

redpajama_set_name: RedPajamaGithub


text:
Q: Method for safe getting property in angularjs/lodash I have following code:
return _.map(_.compact([
                $scope.status() ? false : "status",
                ($scope.evidenceLevel || {}).id ? false : "evidence_level",
                ($scope.association || {}).id ? false : "association",
                $scope.predictiveStatement ? false : "predictive_statement",
                $scope.evidenceStatement ? false : "evidence_statement",
                ($scope.hasIncludedReference() || isReferred()) ? false : "reference"
            ]), myFunction);

Sonarqube thinks that this method too complicated (complexity is 11, max allowed is 10), is there any standard function for such code - ($scope.association || {}).id?

A: You can eventually use _.defaults. Supported by Underscore and probably by lodash.
http://underscorejs.org/#defaults

redpajama_set_name: RedPajamaStackExchange


Today the church is awakening from a long slumber of ignorance. Many Christians now seek to keep the biblical feasts that God outlined in scripture for both Jews and believing Gentiles who place their faith in Jesus Christ. This includes keeping the "full Feast of Passover" rather than just a portion of it by drinking what the church calls the "communion" cup during the Lord's Supper.
This book provides fresh insight for you regarding God's set appointments to meet with His family. It answers the question..."Why Should Christians celebrate Passover? and outlines Apostle Paul's instruction to the church to observe it. This book not only biblically destroys the myth that Passover is just for the Jews, but highlights the prophetic insight of why Christians were included in God's Passover from the beginning.
This book will help to restore to you the corresponding blessing of observing Passover and help catch you up on what you've been missing at the Passover Feasts. In this first book of a three part Passover series; you'll see that God has reserved a special place at the Passover Feast for you.
You've decided to celebrate Passover. So now what? This book will make it easy for you to host Passover with your family and friends. It will guide you in the basics of what you should do to prepare before your guests arrive at your Passover table. In a few, simple, easy steps; it outlines what you need to know to set up for your Passover celebration including your Seder plate grocery list! This book is part two in a three part "Passover series." You will want to refer to this book as you prepare for Passover year after year.
The Passover is a well-known Jewish holiday and time of remembrance of Israel's history of enslavement by the Egyptians. Each year at Passover, Jews worldwide celebrate God's spectacular deliverance of the nation of Israel from slavery in Egypt.
But did you know that Apostle Paul tells Christians to also keep and observe the yearly Feast of Passover; and calls Jesus Christ our Passover Lamb? This often forgotten instruction given by Apostle Paul to the church has resulted in the blessing of observing the Passover to be lost to many Christians today.
In this book you will clearly see how the Lord planned for this time of remembrance to not only be observed by Jews; but also to be a unique time of remembrance for Christians also seated at the Passover table.
This book explains not only why Paul instructs the church to observe Passover every year; but how you as a Christian can actually conduct an orderly, biblical, step by step Passover observance in your home with family and friends or with your church. The Passover: Order of Service for Christians, completes a powerful three part series on Passover; helping Christians to recapture for themselves the blessing of Passover. You'll find this series to be useful to you year after year.
In spite of frequently saying "God bless you" and "Oh, I'm blessed" the reality for many Christians who attend church, pay tithes, worship, pray and praise is that experiencing God's blessing is a "hit or miss situation" and sadly more miss than hit. The blessings of God are noticeably absent in their lives and they struggle with sickness, addictions, family strife, divorce, conflict, abuse, lack and poverty as much or more than those who never claim to be blessed by God.
But God promises to bless His people and Christians are His people. So what's the problem?
This book helps you identify the problems and fix them through using the ancient principle of blessing. God first gave this power to Jews and later extended it to Christians who believe in the Jewish Messiah Jesus. Jews continue to practice this powerful principle and walk in God's blessings today. But the church suffers because it virtually lost this valuable practice. These pages will restore to Christians what God still wants for His people-to have a better life through blessing.
The guide to biblical peacemaking ministry for individual, families and churches. It provides practical steps to bring peace and reconciliation to conflict situations and bring healing to broken relationships.
This book provides practical steps for ordinary Christians to reach the people of the nations living in their neighborhoods with the gospel of Jesus Christ. It gives simple tips on evangelism helpful to use in personal and corporate ministry outreach. It is effective for youth and adult evangelism training.
This book reveals God's exceptional and divine purpose for creating the African nation and its people. It reveals how God uniquely equipped the nation of Africa to accomplish and carry out their purpose in the earth.
and nine other wonderful children songs!


text:
Michael Doheny (Rockfield, comtat de Tipperary, 1805 - Nova York 1862) fou un poeta i revolucionari irlandès, un dels fundadors de la Germandat Feniana.

Antic partidari de Daniel O'Connell, es passà a la Jove Irlanda i participà en la revolta de Ballingarry; fou un dels primers líders del moviment fenià als EUA. Havia fugit amb el seu amic James Stephens, però el 1852 s'havia establit a Nova York, on Stephens li envià 400 $ per fundar l'associació Germandat Feinana el 1858 amb John O'Mahony, formada principalment per emigrants, organitzat en cercles i molt radical. Fou un dels principals organitzadors de la Germandat Republicana Irlandesa fins a la seva mort sobtada a Nova York.

També és conegut per un petit treball, The Felon's Track, (1867), i de dos poemes, "Achusha gal machree" i "The Outlaw's Wife."

Referències
 The Poets of Ireland: A Biographical and Bibliographical Dictionary of Irish Writers of English Verse (1912)

Poetes irlandesos en anglès
Persones de Munster
Poetes estatunidencs en anglès

redpajama_set_name: RedPajamaWikipedia


The Low Bar: Are there any legal definitions for abortion being murder?
Are there any legal definitions for abortion being murder?
No, there are not. At least not in America. Something to keep in mind as the debate gets heated up again.
Animal Farm Friday II - Who Pooped?
Freedom in a Free Speech Zone?


The Shaaron Special School is located in India, in Rajapalayam City, in Tamilnadu State.
We have clean and well ventilated classrooms with lights and hygienic atmosphere with sufficient furniture.
We provide van facility to pick-up & drop the children in Rajapalayam.
We provide lunch for the children & staff on working days.
For the children we provide Vocational trainings, Physiotherapy, Speech therapy and Behavior therapy.


text:
Q: Laravel - Eloquent. Autoreference another row inside the same table/model I have a Group.php model. The db table is like the columns: id, title, description, parent.
The parent column has reference to a id of another group inside this table. So if a record has value in parent column then it is a child of another group. How can I go with eloquent and get the hierarchy of the the nested groups.
I want to use this so when I am in blade I want to do foreach for the outer parent groups and then do foreach for each child to see if has any other child and then do foreach again.

A: you should create children relationship in Group Model:
 function children(){
    return $this->hasMany(Group::class, 'id','parent');
 }

in controller you need to create recursion function
function list_groups($groups)
{
  $data = [];

  foreach($groups as $group)
  {
    $data[] = [
      'id' = $group->id,
      'title' => $group->title,
        //ToDo addd Your Data Here
      'children' = list_groups($group->children),
    ];
  }

  return $data;
}

now you can use
 $root_groups = Group::with('children')->whereParent(0)->get(); //get All Root group
 $groups = list_groups($root_groups); // now get all childs

Note, Code Not Tested


Ann Turner wants to get away from it all–her job (middle school teacher), her ex-husband (cheating scumbag), her city life in Boston (harried and superficial). With a small inheritance, she looks for a piece of land. Just a little place in the middle of nowhere. Vermont, maybe. Breathe the fresh country air. Meet some down-to-earth folks. Buy fresh corn and blackberries from a roadside stand.
Well … don't we all?!
But most of us aren't dealing with Ann's mess of a life. Her dismissal for 'inappropriate touching' of a student. Friends who abandoned her. The brother who went missing several years ago.
Of course she finds love, again, too. It's probably Ann's revelations about love and loneliness that touched me the most. Like always, I'm so taken by a novel where a male author speaks with such accuracy about women's inner lives–and Hecht did this well. Like chick lit on a deeper level.
On Brassard's Farm is a good read.


text:
We want to hear your NOC news
CISNOC secretary general says Cook Islands Games achieved objectives
ANOC main menu
Cook Islands Sports and National Olympic Committee (CISNOC) secretary general Owen Lewis has claimed last month's Cook Islands Games achieved its objective to bring people together.
The Cook Islands Games ran from October 3 to 17 on the island of Rarotonga.
Twenty-one sports featured on the programme.
Lewis, writing in the Cook Islands News, said the Games engaged the nation and believes the performances of athletes bodes well for future multi-sport events.
"We brought the islands and national federations together in July and started this event that engaged a whole nation and Cook Islanders around the world," Lewis wrote.
"I challenge any other country to be able to do that.
"I have been humbled by the spirit and pride of each and every island and competing athlete.
"We wanted a "Games" and we got a celebration, a party that brought a nation together.
"On top of that we had some sport and not just social sport, sport of a high quality and performances that we can build on for future Pacific, Commonwealth and Olympic Games."
Mauke wins the title for 2020 ?
Posted by Cook Islands Sports on Sunday, 18 October 2020
Lewis claimed the Games had recorded 12 million viewers worldwide.
He praised the efforts of the young Organising Committee and support staff associated with the event, particularly amid the challenges caused by the coronavirus pandemic.
The CISNOC secretary general hopes the event also inspires people to remain active and ensure sport is a key part of society in the Cook Islands.
"The Games are proof that the Cook Islands is a sporting nation," Lewis wrote.
"We have a major role in ensuring our people stay active and live healthier lifestyles.
"The challenge to all in the sports sector is to keep this going, to ensure we develop sporting pathways for our young people whether in high performance sport or social, to ensure there are sports opportunities for us aged and ageing members of society and to ensure we have competitive opportunities for those who strive for higher honours.
"There is a lot to do but we have just been given a platform from which to start.
"CISNOC needs to do its part by continuing to support and advocate for its member federations, by challenging those same members to provide these programmes and opportunities and by continuing to lobby for resources to support all athletes and federations."
The next edition of the Games is due to take place in 2022.
October 2020: Bach thanks CISNOC for leading by example with Cook Islands Games
August 2020: CISNOC schedule Cook Islands Games for October under planned return of sport
June 2020: Cook Islands to focus on domestic athletes after pandemic
March 2020: CISNOC to crown 11 winners at Cook Islands Sports Awards
January 2020: Cook Islands Sports and National Olympic Committee launch Beach Games
Cook Islands Cook Islands Games


Former Judas Priest singer Tim Owens will be touring Dio Returns holograms this summer. He was outraged by people who love to see dead musicians in films and hate hologram performances.
He spoke out against those who object to earning money from the memory of Freddie Mercury.
It is known that the Freddie Mercury biopic "Bohemian Rhapsody" overcame the mark of 900 million dollars in world box office. "It's funny, but all the people went and watched the movie" Queen ", where they will also earn money from it. Wendy Dio has spent several billion dollars to make fans happy. People object to the hologram, but go with pleasure to the wax museum, "says Owens.
As is well known, Owens will sing a couple of Freddie Mercury songs with a hologram.


text:
"""
Dispatcher tests.

"""
from json import dumps

from hamcrest import assert_that, greater_than, has_properties

from microcosm_pubsub.conventions import created
from microcosm_pubsub.message import SQSMessage
from microcosm_pubsub.result import MessageHandlingResultType
from microcosm_pubsub.tests.fixtures import DerivedSchema, ExampleDaemon

MESSAGE_ID = "message-id"

class TestDispatcher:

    def setup(self):
        self.daemon = ExampleDaemon.create_for_testing()
        self.graph = self.daemon.graph

        self.dispatcher = self.graph.sqs_message_dispatcher

        self.content = dict(bar="baz", uri="http://example.com")
        self.message = SQSMessage(
            approximate_receive_count=0,
            consumer=self.graph.sqs_consumer,
            content=self.content,
            media_type=DerivedSchema.MEDIA_TYPE,
            message_id=MESSAGE_ID,
            receipt_handle=None,
        )
        self.graph.sqs_consumer.sqs_client.reset_mock()

    def test_handle_message_succeeded(self):
        result = self.dispatcher.handle_message(
            message=self.message,
            bound_handlers=self.daemon.bound_handlers,
        )
        assert_that(
            result,
            has_properties(
                elapsed_time=greater_than(0.0),
                result=MessageHandlingResultType.SUCCEEDED,
            ),
        )

    def test_handle_message_ignored(self):
        """
        Unsupported media types are ignored.

        """
        self.message.media_type = created("bar")
        assert_that(
            self.dispatcher.handle_message(
                message=self.message,
                bound_handlers=self.daemon.bound_handlers,
            ),
            has_properties(
                elapsed_time=greater_than(0.0),
                result=MessageHandlingResultType.IGNORED,
            ),
        )

    def test_handle_message_expired(self):
        """
        Messages whose TTL have reached 0 are ignored

        """
        self.message.content = dict(
            opaque_data={
                "X-Request-Ttl": "0",
            },
        )
        assert_that(
            self.dispatcher.handle_message(
                message=self.message,
                bound_handlers=self.daemon.bound_handlers,
            ),
            has_properties(
                elapsed_time=greater_than(0.0),
                result=MessageHandlingResultType.EXPIRED,
            ),
        )

    def test_handle_message_published_time(self):
        """
        Messages that have a published time header calculate that time

        """
        self.message.content = dict(
            opaque_data={
                "X-Request-Published": "0",
            },
        )
        assert_that(
            self.dispatcher.handle_message(
                message=self.message,
                bound_handlers=self.daemon.bound_handlers,
            ),
            has_properties(
                handle_start_time=greater_than(0.0),
                elapsed_time=greater_than(0.0),
                result=MessageHandlingResultType.SUCCEEDED,
            ),
        )

    def test_handle_message_reached_processing_limit(self):
        """
        Messages that have reached the processing limit are ignored

        """
        self.dispatcher.max_processing_attempts = 1
        self.message.approximate_receive_count = 2
        assert_that(
            self.dispatcher.handle_message(
                message=self.message,
                bound_handlers=self.daemon.bound_handlers,
            ),
            has_properties(
                elapsed_time=greater_than(0.0),
                result=MessageHandlingResultType.SKIPPED,
            ),
        )

    def test_handle_batch_with_message_succeeded(self):
        batch = [
            dict(
                MessageId=MESSAGE_ID,
                ReceiptHandle="receipt-handle",
                Body=dumps(dict(
                    Message=dumps(dict(
                        mediaType=DerivedSchema.MEDIA_TYPE,
                        bar="baz",
                        uri="http://example.com",
                    )),
                )))
        ]
        self.dispatcher.sqs_consumer.sqs_client.receive_message.value = dict(Messages=batch)
        result = self.dispatcher.handle_batch(
            bound_handlers=self.daemon.bound_handlers,
        )[0]
        assert_that(
            result,
            has_properties(
                elapsed_time=greater_than(0.0),
                result=MessageHandlingResultType.SUCCEEDED,
            ),
        )


text:
using namespace std;

vector<string> anagrams(vector<string> &strs) {

}

int main(void) {

	return 0;
}


text:
Friends of Estonia in the Parliament of Norway () is a pro-Estonia caucus group consisting of Members of the Parliament of Norway.

The Friends of Estonia in the Parliament of Norway was founded in November 2009, largely by the initiative of Progress Party politician Jørund Rytman. At the founding meeting of the group, more than twenty Members of Parliament joined in. Although Rytman found many good things about the country, the market liberal economic policies were cited as one of the most appreciated policies. Rytman also cited the country's low taxes, highly ranked internet and computer services and coverage, an all-around ID-card used for many public and private services, and a reduction of bureaucracy, with "100 percent" of the public sector being on the internet.

The group had 22 members as of July 2010, from the Progress Party (FrP), Conservative Party (H), Christian Democratic Party (KrF) and Labour Party (AP). They were:

References

Politics of Norway
Storting
Foreign relations of Estonia


Southeast Asia, comprising of densely inhabited countries such as Indonesia, Thailand, Singapore, Malaysia, etc. is getting hold of the attention of the world. A current report launched by Google, the electronic economic situation of the area, which currently rests at an approx. $72 billion, will certainly triple by the year 2025!
Digital economic situation is comprised of elements such as shopping, online media, on-line traveling and ride-hailing (such as Uber). For the year 2018, they are approximated at approximately $23B, $11B, $30B and also $8B respectively. The projection for 2025, nevertheless, is looking huge! Google's record says they will certainly reach $102B, $31B, $78B, as well as $29B specifically!
Out of all the Southeast Oriental countries, Indonesia is the one that attracts attention. The market size of the country, which is the fourth largest by population, is presently at $27B. By 2025, it is said to practically quadruple as well as get to $100B, thus outperforming its fellow countries by miles! Such an advancement is said to be the resultant of the expanding pattern of ride-hailing, e-commerce as well as on-line food purchasing in Southeast Asia. Businesses such as Uber (gotten by Grab) and also Go-Jek are broadening their profile with on-demand solutions, which is bring in more profits for the nation.


I had this to say from the chancel at the Unitarian Universalist church Sunday, August 12 on the topic of what gamers can teach us about church. I want to share with all of you. Comments welcome.
I know almost nothing about Alternate Reality Games. Sometimes a Facebook friend asks me for cows or pigs on Farmville, but I generally ignore their requests. So this reflection is my chance to look at some of the ideas that interest Reverend Jacks. And to borrow gamer's lingo, I feel on the verge of an epic win.
Now that I know what they are, I will be referring to alternate reality games as ARGs rather than aaarrg which is what pirates say as in Aaaargh, matey. And I hope in response to my quick assimilation of jargon, you will level me up or plusoneme on my use of terminology or UOT, as I am now calling it.
It turns out that both Reverend Jacks and I plan to explore our church experience from the playful perspective of creating our own UU Universe at 1187 Franklin. We each have in mind an alternate religious reality so exciting and engaging, so full of rewards, we willingly pay to be part of it. And if this church is that for you already, think about your personal payoff and how you can make that possible for everyone.
So what can we learn from ARGs? Why do people want to immerse themselves in these unrealities? Those who know say it's the following: a feeling of urgent optimism due to a reasonable hope of success, the ability to weave a social fabric that makes you like people better, and offers a payoff of epic meaning. According to Jane McGonigal, author of the book Reality is Broken, How Games Change the World and How They Make Us Better, the most popular ARGs guarantee us the four rewards she says we crave most: more satisfying work, better hope of success, stronger social connectivity and more meaning.
It will help to know we UUs already have a lot in common with ARGs. The narrative behind an ARG must be inferred from rules that are not specified at the outset but must be uncovered in the process of the game. Likewise, we UUs pride ourselves on needing no defining creed to arrive at our common values. In an ARG we choose our particular alternate reality, similarly we choose when and how we will be part of the UU Universe.
In my UU Universe, step one will be to design a stunning avatar. I want her to be cuter than I am. I want her hair always the same color with no scheduled salon appointments. I invite you all to imagine your cute self.
The next step is to evaluate our current UU reality. For example: on a scale of one to ten how satisfied are you? Joyful? Empowered? Connected? Inspired? Scoring at the upper end, you know your needs are being met in your church experience. If you are at the low end and you're still here, you must have something else interesting going on and we could benefit from knowing about it. If all of this seems ridiculous, so much the better if it leads to laughter rather than to cynicism and complaining, of which we already have our share.
So how do I score myself? What brings me back? For me no other religion is as rewarding as Unitarian Universalism because it welcomes wisdom from many sources including the Judeo-Christian. I feel deeply and joyfully connected to many in this community whom I have met through Small Group Ministry, on committees, and doing other work of the church. I show up because these people's wellbeing matters to me.
How do you score yourself? Some people feel satisfied in their current UU Universe; they have found the right place for their talents and desired level of involvement. Some sing in the choir, gather in small group ministry to explore ideas, some teach in religious education, some feed homeless men in the winter shelter, some trash talk to keep us green, some serve youth in the community in Up on Top, some make fruit salad for the Forum, or eat lunch and listen to speakers at SCW and so on or working for social justice.
But I can't score my experience on the high end for everything. Despite what I love, I feel less engaged here than in other endeavors. I find myself wanting more meaning, more to remind me of the larger humanity of which we are a part. Some of my malaise may be because I miss hearing the truths that shape the lives of others in our community. Hearing their wisdom during Sunday services moves my heart.
Part of the allure of an ARG is that it makes space for a range of talent while managing to fulfill everyone's needs. And in our UU Universe, everyone is not going to want the same experience. But each of us can feel we are doing what we are good at to make this community cohesive as we circle outward from those places of individual meaning to create a more generous reality of sharing.
When finally, I design an avatar for my UU Religious Reality, I will give her long embracing arms, a speaking presence, a beaming face with a ready smile, two or more really big ears and year-round hair. What will you look like in your religious reality?


Settle in for what may be the least shocking awards season yet.
Wieden + Kennedy, Portland, Ore., breezed in to collect the $50,000 grand prize for its Old Spice "Response" campaign at the 2011 International Andy Awards, celebrated Thursday evening at the Times Center in New York. The agency won a total of eight trophies, including six gold.
That's another feather in the cap for creative directors Jason Bagley and Eric Baldwin, the latter of whom jumps ship May 1 to join Gerry Graf's new agency. Graf served on the jury for this year's show, led by Big Spaceship's Michael Lebowitz and co:'s Ty Montague.
Y&R came second with four golds out of eight prizes total. Euro RSCG picked up three gold and one silver. Leo Burnett and DDB picked up 10 and seven awards, respectively, but only one gold each.


BABRÁNÁ ਬਬਰਾਨਾ The long loose disheveled hair of a faqír ; Báwaríyáṇ .
BÁBRÍYÁṆ ਬਾਬਰੀਆਂ The long loose disheveled hair of a faqír ; Báwaríyáṇ .
DAGLÁ ਦਗਲਾ A loose quilted garment ; Dhaglá .
ḌHAILÁ ਢੈਲਾ Lazy , not active , loose , inattentive , willing to relinquish a quarrel ; hoṉá . See Ḍhillá .
ḌHILLÁ ਢਿੱਲਾ Loose , not tight ; lazy , remiss , in- attentive , late:—ḍhillá . maṭṭhá , Lazy , remiss , slow .


text:
Barnes&Noble.com - $16.95
The Abbess of Andalusia: Flannery O'Connor's Spiritual Journey
Lorraine V. Murray
Saint Benedict Press, 2009 - Biography & Autobiography - 233 pages
Flannery O'Connor has been studied and lauded under many labels: the Southern author whose pen captured the soul of a proud region struggling to emerge out of racism and poverty, the female writer whose independent spirit and tragically short life inspired a generation of women, the Catholic artist whose fiction evokes themes of sin and damnation, mercy and redemption.
Now, and for the first time, The Abbess of Andalusia affords us an in-depth look at Flannery O'Connor the believer.
In these pages you will come to know Flannery O'Connor not only as a writer and an icon, but as a theologian and apologist; as a spiritual director and a student of prayer; as a suffering soul who learned obedience and merited grace through infirmity; and truly, as the Abbess of her own small, but significant, spiritual house. For decades Flannery O'Connor the author has touched her readers with the brilliance of her books. Now be edified and inspired by the example of her life.
New from Saint Benedict Press.
Lorraine Murray
Lorraine V. Murray, PhD, is the author of The Abbess of Andalusia, Grace Notes, Why Me? Why Now?, Confessions of an Ex-Feminist, and mystery novels, Death in the Choir and Death of a Liturgist. She's also a columnist with the Atlanta Journal-Constitution and the Georgia Bulletin, and works at the Pitts Theology Library at Emory University. Lorraine and her husband, Jef, live in Decatur, Georgia, and are parishioners at St. Thomas More Catholic Church. Her website is www.lorrainevmurray.com.
Title The Abbess of Andalusia: Flannery O'Connor's Spiritual Journey
Author Lorraine V. Murray
Publisher Saint Benedict Press, 2009
Literary Figures
Biography & Autobiography / Literary Figures
Biography & Autobiography / Religious


text:
class UniValue {
public:
    enum VType { VNULL, VOBJ, VARR, VSTR, VNUM, VBOOL, };

    UniValue() { typ = VNULL; }
    UniValue(UniValue::VType initialType, const std::string& initialStr = "") {
        typ = initialType;
        val = initialStr;
    }
    UniValue(uint64_t val_) {
        setInt(val_);
    }
    UniValue(int64_t val_) {
        setInt(val_);
    }
    UniValue(bool val_) {
        setBool(val_);
    }
    UniValue(int val_) {
        setInt(val_);
    }
    UniValue(double val_) {
        setFloat(val_);
    }
    UniValue(const std::string& val_) {
        setStr(val_);
    }
    UniValue(const char *val_) {
        std::string s(val_);
        setStr(s);
    }
    ~UniValue() {}

    void clear();

    bool setNull();
    bool setBool(bool val);
    bool setNumStr(const std::string& val);
    bool setInt(uint64_t val);
    bool setInt(int64_t val);
    bool setInt(int val_) { return setInt((int64_t)val_); }
    bool setFloat(double val);
    bool setStr(const std::string& val);
    bool setArray();
    bool setObject();

    enum VType getType() const { return typ; }
    const std::string& getValStr() const { return val; }
    bool empty() const { return (values.size() == 0); }

    size_t size() const { return values.size(); }

    bool getBool() const { return isTrue(); }
    bool checkObject(const std::map<std::string,UniValue::VType>& memberTypes);
    const UniValue& operator[](const std::string& key) const;
    const UniValue& operator[](unsigned int index) const;
    bool exists(const std::string& key) const { return (findKey(key) >= 0); }

    bool isNull() const { return (typ == VNULL); }
    bool isTrue() const { return (typ == VBOOL) && (val == "1"); }
    bool isFalse() const { return (typ == VBOOL) && (val != "1"); }
    bool isBool() const { return (typ == VBOOL); }
    bool isStr() const { return (typ == VSTR); }
    bool isNum() const { return (typ == VNUM); }
    bool isArray() const { return (typ == VARR); }
    bool isObject() const { return (typ == VOBJ); }

    bool push_back(const UniValue& val);
    bool push_back(const std::string& val_) {
        UniValue tmpVal(VSTR, val_);
        return push_back(tmpVal);
    }
    bool push_back(const char *val_) {
        std::string s(val_);
        return push_back(s);
    }
    bool push_backV(const std::vector<UniValue>& vec);

    bool pushKV(const std::string& key, const UniValue& val);
    bool pushKV(const std::string& key, const std::string& val_) {
        UniValue tmpVal(VSTR, val_);
        return pushKV(key, tmpVal);
    }
    bool pushKV(const std::string& key, const char *val_) {
        std::string _val(val_);
        return pushKV(key, _val);
    }
    bool pushKV(const std::string& key, int64_t val_) {
        UniValue tmpVal(val_);
        return pushKV(key, tmpVal);
    }
    bool pushKV(const std::string& key, uint64_t val_) {
        UniValue tmpVal(val_);
        return pushKV(key, tmpVal);
    }
    bool pushKV(const std::string& key, int val_) {
        UniValue tmpVal((int64_t)val_);
        return pushKV(key, tmpVal);
    }
    bool pushKV(const std::string& key, double val_) {
        UniValue tmpVal(val_);
        return pushKV(key, tmpVal);
    }
    bool pushKVs(const UniValue& obj);

    std::string write(unsigned int prettyIndent = 0,
                      unsigned int indentLevel = 0) const;

    bool read(const char *raw);
    bool read(const std::string& rawStr) {
        return read(rawStr.c_str());
    }

private:
    UniValue::VType typ;
    std::string val;                       // numbers are stored as C++ strings
    std::vector<std::string> keys;
    std::vector<UniValue> values;

    int findKey(const std::string& key) const;
    void writeArray(unsigned int prettyIndent, unsigned int indentLevel, std::string& s) const;
    void writeObject(unsigned int prettyIndent, unsigned int indentLevel, std::string& s) const;

public:
    // Strict type-specific getters, these throw std::runtime_error if the
    // value is of unexpected type
    const std::vector<std::string>& getKeys() const;
    const std::vector<UniValue>& getValues() const;
    bool get_bool() const;
    const std::string& get_str() const;
    int get_int() const;
    int64_t get_int64() const;
    double get_real() const;
    const UniValue& get_obj() const;
    const UniValue& get_array() const;

    enum VType type() const { return getType(); }
    bool push_back(std::pair<std::string,UniValue> pear) {
        return pushKV(pear.first, pear.second);
    }
    friend const UniValue& find_value( const UniValue& obj, const std::string& name);
};

//
// The following were added for compatibility with json_spirit.
// Most duplicate other methods, and should be removed.
//
static inline std::pair<std::string,UniValue> Pair(const char *cKey, const char *cVal)
{
    std::string key(cKey);
    UniValue uVal(cVal);
    return std::make_pair(key, uVal);
}

static inline std::pair<std::string,UniValue> Pair(const char *cKey, std::string strVal)
{
    std::string key(cKey);
    UniValue uVal(strVal);
    return std::make_pair(key, uVal);
}

static inline std::pair<std::string,UniValue> Pair(const char *cKey, uint64_t u64Val)
{
    std::string key(cKey);
    UniValue uVal(u64Val);
    return std::make_pair(key, uVal);
}

static inline std::pair<std::string,UniValue> Pair(const char *cKey, int64_t i64Val)
{
    std::string key(cKey);
    UniValue uVal(i64Val);
    return std::make_pair(key, uVal);
}

static inline std::pair<std::string,UniValue> Pair(const char *cKey, bool iVal)
{
    std::string key(cKey);
    UniValue uVal(iVal);
    return std::make_pair(key, uVal);
}

static inline std::pair<std::string,UniValue> Pair(const char *cKey, int iVal)
{
    std::string key(cKey);
    UniValue uVal(iVal);
    return std::make_pair(key, uVal);
}

static inline std::pair<std::string,UniValue> Pair(const char *cKey, double dVal)
{
    std::string key(cKey);
    UniValue uVal(dVal);
    return std::make_pair(key, uVal);
}

static inline std::pair<std::string,UniValue> Pair(const char *cKey, const UniValue& uVal)
{
    std::string key(cKey);
    return std::make_pair(key, uVal);
}

static inline std::pair<std::string,UniValue> Pair(std::string key, const UniValue& uVal)
{
    return std::make_pair(key, uVal);
}

enum jtokentype {
    JTOK_ERR        = -1,
    JTOK_NONE       = 0,                           // eof
    JTOK_OBJ_OPEN,
    JTOK_OBJ_CLOSE,
    JTOK_ARR_OPEN,
    JTOK_ARR_CLOSE,
    JTOK_COLON,
    JTOK_COMMA,
    JTOK_KW_NULL,
    JTOK_KW_TRUE,
    JTOK_KW_FALSE,
    JTOK_NUMBER,
    JTOK_STRING,
};

extern enum jtokentype getJsonToken(std::string& tokenVal,
                                    unsigned int& consumed, const char *raw);
extern const char *uvTypeName(UniValue::VType t);

static inline bool jsonTokenIsValue(enum jtokentype jtt)
{
    switch (jtt) {
    case JTOK_KW_NULL:
    case JTOK_KW_TRUE:
    case JTOK_KW_FALSE:
    case JTOK_NUMBER:
    case JTOK_STRING:
        return true;

    default:
        return false;
    }

    // not reached
}

static inline bool json_isspace(int ch)
{
    switch (ch) {
    case 0x20:
    case 0x09:
    case 0x0a:
    case 0x0d:
        return true;

    default:
        return false;
    }

    // not reached
}

extern const UniValue NullUniValue;

const UniValue& find_value( const UniValue& obj, const std::string& name);

#endif // __UNIVALUE_H__


Support the NACC with an Original NFHS Locker Plaque!
Over the past two years, nearly 200 people have taken advantage of the opportunity to sponsor one of the NACC's original lockers. For a $100 donation, we will inscribe a name – yours, a friend's, a parent's – on a name plaque which will then be placed permanently on a locker.
Art of Beer Returns to the NACC on March 8th!


KUALA LUMPUR - The Malaysian government has injected RM950 million (S$355 million) in standby credit to 1Malaysia Development Berhad (1MDB) to help the debt-laden state investment agency, second finance minister Ahmad Husni Hanadzlah confirmed in Parliament on Thursday.
"The amount we gave is standby credit, means when needed, RM950 million," he was cited as saying by Malay Mail Online.
This is less than the earlier speculated figure of RM970 million, he said in response to queries by Pandan MP Rafizi Ramli. Rafizi had asked for clarification on rumours of new government funding into 1MDB, which is facing a probe into its accounts, reported Malaysian Digest.
Democratic Action Party (DAP) MP Tony Pua has called the move a "bailout" due to the alleged use of taxpayers' money, according to Malay Mail Online.
Owned by the Finance Ministry, 1MDB has racked up RM42 billion of debt in five years - one-third of which is guaranteed by taxpayers.
Auditor-General Ambrin Buang has been tasked with an independent audit review of the state investment agency, whose advisory board is chaired by Prime Minister Najib Razak.
Mr Ambrin has said his audit will have a "very board manadate" and Mr Najib will be called up "if necessary".
Mr Najib had earlier assured the public that misconduct in 1MDB will not be condoned. The law "will be enforced without exception" if any wrongdoing is proven, he said.
But 1MDB boss Arul Kanda insisted the Finance Ministry, "as the 100 per cent shareholder", had provided the facility to "help ensure that it is able to realise maximum value from these plans".
"The facility, of up to RM950 million, is being provided as a loan on commercial terms. Any funds drawn would be used for clearly defined purposes as agreed with the Ministry of Finance," he said in a statement.


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Dairy (UDV)
Workplace Relations
Workplace Relations & Farm Safety
Regional Development & Infrastructure
Animal Welfare & Biosecurity
Independent Assessment of Social and Economic Conditions in the Basin
Home/Submissions/Water/Independent Assessment of Social and Economic Conditions in the Basin
The Victorian Farmers Federation (VFF) welcomes the opportunity to provide comment to the Independent Assessment of Social and Economic Conditions in the Basin.
Northern Victoria is the Foodbowl of Australia producing much of the nation's food and exports. Northern Victoria alone produces:
25% of the Nation's milk with 9 major milk processing factories and over 8000 jobs on farm and in processing
90% of Australia's pears
81% Australia's dried fruit
15% Australia's citrus production
75% Australia's table grape production
40% of Australia's apples
40% of Australia's stonefruit
68% of Australia's almonds
99% of Australia's tomatoes for processing
Significant cropping and livestock
This agricultural production is being badly impacted by the implementation of the Basin Plan.
While the VFF welcomes comments by the Independent Panel stating:
"water reform is a bundle of many reforms – some delivered wins to irrigators and other water users and to the broader community. But significant transfers of wealth and opportunity across industries and regions have taken place – some communities have watched jobs dwindle away, communities decline, and in some cases nearly disappear …
We heard from people living in the Basin who have a deep distrust in governments – local, state and federal. They feel abandoned by all levels of Government" (Pg viii)
Use of Language on Basin Plan:
The VFF believe the Panel need to be more explicit in their discussion about the impacts of the Basin Plan. Much of the language throughout the report bundles the term 'water reform', rather than calling out the key impacts and problems with the Basin Plan.
The VFF believe the Panel's Terms of Reference (ToR) requires the Panel to be explicit about the impacts of the Basin Plan. The ToR states:
"The review will assess (positive and negative) of water reforms including the Basin Plan".
The Panel often fails to describe the details of the 'water reforms' they are discussing and there are many water reforms in the National Water Initiative that have not been implemented.
Summary of Recommendations
Recommendation 1: That the Independent Panel explicitly document the impacts of the Basin Plan, rather than grouping commentary of impacts under the catch all of 'water reform'.
Recommendation 2: That the Independent Panel recommend that the recovery of the 450 GL of upwater does not proceed based on existing evidence of the socio-economic impacts and deliverability constraints they have provided.
Recommendation 3: That the Independent Panel amend its position on water buybacks consistent with the evidence they have provided and recommend that buybacks should no longer be pursued in the Southern Basin due to the regional socio-economic costs.
Recommendation 4: That the Independent Panel clarify its support for addressing deliverability issues during the irrigation season and opposition to relaxing constraints to provide over bank environmental flows in the spring in response to the widespread community opposition, third party impacts and negative socio-economic impacts.
Recommendation 5: That the Panel provides a clear statement about what elements of the Basin Plan should continue to be implemented with its reasons and tangible evidence that effective adjustment measures can be implemented to offset the socioeconomic impacts it has identified.
Recommendation 6: The Panel expand the focus of river health to include physical form, streamside zone, water quality and aquatic life of our river system.
Recommendation 7: The Panel explicitly describe the negative impacts associated with on- farm projects.
Recommendation 8: The Panel review draft finding 29 and acknowledge the adaption of farmers through off-farm projects. acknowledge the negative impacts associated with on- farm projects.
Recommendation 9: The Panel review draft finding 11 and acknowledge the implementation of the Basin Plan is increasing water prices.
Recommendation 10: The Panel recommend the Basin Plan be completed in 2026 at which time it is substantially amended to only focus on compliance beyond 2026.
Multi Jurisdictional Management and Execution of the MDBP
State Budget 2020-21
Latrobe Valley Regional Rehabilitation Strategy
About The VFF
The Victorian Farmers Federation is an active, powerful lobby group dedicated to the interests of farmers and making a difference to communities.
With a strong record of successful political advocacy and leadership, the VFF has generated substantial benefits for the agriculture sector since its formation in 1979.
Address:	Farrer House, Level 5, 24 Collins St, Melbourne, VIC 3000
Fax:	03 9207 5500
Email:	members@vff.org.au
Copyright © 2021 Victorian Farmers Federation


The study examines how prison inmates experience and cope with particular stressful situations, ordinary present during imprisonment. Self-report measures of stress intensity, perceived event controllability, some situational features, and coping mechanisms, were taken in the sample of 453 males incarcerated in several Croatian penal institutions. Canonical discriminant analysis was performed to assess the differences in appraisals and coping mechanisms among 7 groups of subjects formed according to the category of problems selected as most stressful: accommodation, relations with other prisoners, institutional regime, relations with staff, contacts with the outside, vagueness in institution, and health. Three significant discriminant functions accounted for 80% of total intergroup variability of the analyzed set of cognitive appraisal, situational and coping variables. Neither coping mechanisms nor cognitive appraisals, however, were particularly strongly determined by specific stressors as indicated by canonical correlation values and positions of group centroids on derived functions.


I have learned over the years that success is directly proportional to motivation. If you are not passionate about your business then your chances of failure are greatest. Let me explain.
A Simple and Reliable Wealth Building Strategy Anyone Can Do, plus Much, Much More!
Author TWickPosted on June 27, 2018 July 4, 2018 Categories Earn Money OnlineLeave a comment on Don't Die Broke!
Would you invest ten minutes right now, if it could potentially change your life forever? Yes, of course!
Would you like to ethically, duplicate an online business that is generating thousands of dollars per day, all-the-while working in the comfort of your own home while learning this amazing system with only a laptop and a cell phone? Yes, Why Not?
What Business Is Right For Me?
Author TWickPosted on May 23, 2018 July 4, 2018 Categories Earn Money OnlineTags Digital Marketing, earn money online, How to Build an Online Digital Marketing Business, Online Business, Sales Funnel, Trust YourselfLeave a comment on What Business Is Right For Me?
1. Have desire. Without desire, there can be no creativity.
2. Have a plan. Businesses thrive on having a good plan. You cannot just throw up a website and think you are in business. Planning is the key to implementation and success.
3. Have a mentor. Your success will increase if you are following in the footsteps of someone who has "been there and done that." It can shave years off the learning process and lead to dramatic profitability. Proper guidance is essential to business success.
I would like to tell you about my journey as an internet marketer and how I thought I was succeeding and not failing online. But….
I failed miserably! There was no "Order" but rather "Chaos" described my attempt at mastering internet marketing! But we definitely don't want chaos.
You have found this page because, like me, things were not working out as we had expected over the years.
In my case, I had a good job but that didn't ensure my financial security later in life. I was on the losing side in the Employee/Self-Employed side of Robert Kiyosaki's Cash Flow Quadrant. But, I wanted to meet financial freedom on the right side of the Cash Flow Quadrant as a Business Owner/Investor.
A major problem of getting to the right side of the quadrant is cost. You can spend thousands of dollars before you take in your first dollar of revenue. This not only applies to brick and mortar businesses but online businesses as well.


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Home » David Murphy at Dales Countryside Museum
David Murphy at Dales Countryside Museum
Meeting Point-
Outdoors-
Sculpture Installation and Performance
Dales Countryside Museum
Arts&Heritage
Arts Council England's Museum Resilience Fund
The Dales Countryside Museum shares the stories of the people and places of the Yorkshire Dales National Park. In 2016, they wanted to commission an artist to respond to the protected landscape of the Yorkshire Dales, together with the extraordinary items within the museum's prehistory collection, in particular a late Bronze age spearhead, which was found at Semerwater in Wensleydale.
The Dales Countryside Museum was one of nine heritage sites selected by Arts&Heritage to take part in its Meeting Point 2016 programme. The museum took part in a series of A&H training workshops and visits, to learn how to successfully deliver a contemporary art project. The museum then developed their own Artist's Brief, and presented this to 40 artists from across the UK at a networking event. From Expressions of Interest, three artists were shortlisted to draw up a more detailed proposal from which the museum selected David Murphy for the commission.
For the commission, Murphy presented an architectural intervention on Lake Semerwater titled SPEAR – celebrating the Museum's treasured spearhead and remembering the myths and legends of Semerwater. The project saw an architectural-scale copper spearhead installed on the lake's waters over two nights, (28 & 29 October 2016). The installation physically acknowledged the treasures the lake has bestowed on the area, 'returning' the famous spearhead to the site on which it was found.
The fully-accessible installation reached 30 metres across Lake Semerwater, connected to the shore by a floating walkway. Visitors had the chance to explore the artwork and to view the landscape from a unique position on the lake itself.
Taking place during the UK-wide Museums at Night festival, a series of events helped to bring the installation to life. Music, readings and special performances from Rhoda Fraser and Sion Parkinson told the story of Lake Semerwater and its mythical past. A volunteer team connected with the Museum and Yorkshire Dales National Park Authority assisted with the installation and visitor management over the weekend.
"As an artwork it is the most ambitious project I have ever undertaken; I think it has pushed my practice forwards both in terms of scale and in terms of organisation. As a sculpture it has brought new ways of working – publicly, collaboratively, and on an architectural scale […] I hope it sets the tone for more ambitious work in the future." – David Murphy, 2016
The beginnings of the Dales Countryside Museum go back to 1941, when artist Marie Hartley was working with writer, Ella Pontefract. Horne's Private Museum at Leyburn was closing and with great foresight, Marie and Ella attempted to prevent an important collection from being distributed beyond the Yorkshire Dales. They bought thirteen lots at the sale, and here began the unique collection that we can see today. Over the years, other items were purchased and donated, and together these provide an excellent impression of all aspects of life in the Dales.
Following the tragic death of Ella in 1945, Joan Ingilby joined Marie and by the late 1960s, it had become widely known that Marie and Joan had created an unofficial museum in their home and the donation of objects by local people continued. They also kept detailed records created for the acquired objects. The stock book and card index provided information on the provenance of individual items, increasing their significance and value by presenting a historical picture of life in the Dales.
In 1972, Marie and Joan offered the collection to the then North Riding County Council (now North Yorkshire County Council). After many years in storage, a collaboration occurred between the National Park Committee (now the Yorkshire Dales National Park Authority) and the County Council, which resulted in the purchase of the former Hawes Joint Station Yard and its buildings at Hawes. The council offered the Goods Warehouse as premises for a museum in 1977, which is now The Dales Countryside Museum.
David Murphy (b.1983, Newcastle Upon Tyne) studied at the Glasgow School of Art (2006) and currently lives and works in London. He was the recipient of the Kenneth Armitage Foundation Fellowship, London (2015-2017), completed a residency with the Yorkshire Sculpture Park (2014), and exhibited at the John Moores Painting Prize (2016) and the Jerwood Drawing Prize (2017).
Recent exhibitions include New Art Centre, Roche Court, Wiltshire (2020); Bartha Contemporary, London (2020); Stephane Simoens Fine Art, Belgium (2020); Yorkshire Sculpture Park (2019); ALMA ZEVI Venice, Italy (2019); British Council, Cairo (2016); Galleria Monica de Cardenas, Milan (2015); New Arts Centre, Roche Court, Wiltshire (2016), PEER, London (2014). Murphy has worked on large-scale commissions for the National Trust, UK (2018); The Dales Museum, UK (2017); Edinburgh Sculpture Workshops UK (2015) and The Blanket at the Piece Hall in Halifax,UK (2019).Forthcoming projects include a permanent new installation for Oxford House, Oxford Street, London (with Great Portland Estates to be unveiled in 2021) and a new public sculpture for the historic St Mary's Church, Harlow, in association with Harlow Arts Trust, Essex (2021).
He is Represented by ALMA ZEVI (Venice/London) and Monica De Cardenas (Milan/Zuoz).
Tod Hanson at Port Sunlight Village Trust
An exploration of the unique architectural features of Port Sunlight village and its industrial heritage, in particular the Lever Brothers' famous soap factory.
Sophie Dixon at Grace Darling Museum
A multi-screen visual installation that considered the story of Grace Darling from her childhood, right through to her death in 1842.
Nuala Clooney at Middleport Pottery
Working in partnership with members of the local community, artist Nuala Clooney used original dessert moulds from Middleport Pottery's archive to create new artworks.


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Q: jQuery hover gets confused Hoping someone might help me figure out the weird issue I'm having with jQuery. I have a fancy hover going on for the footer nav and it blinks whenever I hover off and then back on the subnav that hasn't finished it's transition. So here's what I got code-wise.
jQuery:
   if($('#ft_navi .nav').length > 0){
    $('#ft_navi .nav ul').css('display', 'none'); /* if user doesn't have JS enabled, it will show everything for the customer */

    $("#ft_navi .nav > li").hover(function() {
        $(this).find('ul').stop(true, true).show('slow');
    },
    function(){
        $(this).find('ul').stop(true, true).hide('slow');
    }); //end of hover
} /* end of footer */

Here's the HTML:

             Automotive

Overview

Credit

So in detail what happens is that the hover/over off works just fine and dandy until someone gets quick with the mouse. If you hover off the top li and hover back onto the subnav before it finishes closing, the subnav blinks uncontrollably and doesn't stop. Without the stop functions and it just being like this:
     $(this).find('ul').show('slow');

...just makes it open and close rapidly.
Thanks for any tips!

A: One way to fix this is to add a delay on the hover:
http://jsbin.com/obenec/1/
if($('#ft_navi .nav').length > 0){
  $('#ft_navi .nav ul').css('display', 'none'); /* if user doesn't have JS enabled, it will show everything for the customer */

  $("#ft_navi .nav > li").hover(function() {
    $(this).find('ul').stop(true,true).delay(300).show('slow');
  },
  function(){
    $(this).find('ul').stop(true,true).delay(300).hide('slow');
  }); //end of hover
} /* end of footer */

A: Because without stop (which stop animation on element if it already animating), it will bind show and hide number of times you hover on element. jQuery stop


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Tag Archives: concerts
Magma: live in concert (pt. 2)
Posted on April 5, 2015 by Matt
That was certainly a prog rock band.
Now, I'm not ready to give up on prog just yet. There's got to be something out there I can really get into. Maybe I should finally give these King Crimson guys that everyone keeps talking about a spin. But Magma is definitely not for me.
There's no arguing that Magma are talented. The tone their bassist gets out of his instrument is incredible. Their drummer's vocal solo in what you informed me was your favourite Magma song of all time would put any classically trained tenor in the world to shame, and his drum face is amazing. There were definite moments in the set that I enjoyed. But there's only so far that raw talent can take you in terms of making music that's actually enjoyable for (most) people to listen to. Sure, it's very technically impressive that you can play in weird keys and modes and flawlessly stick to bizarre time signatures and invent an entire language in which to sing. But that means you end up with music with no riffs to ride on, no grooves to lock into, and no vocal hooks to lodge in people's brains.
In other words, you end up with probably the least accessible music I have ever heard.
I expressed this sentiment to you after the show, and you didn't disagree. And indeed, the lack of accessibility doesn't seem to have prevented Magma from growing a solid fanbase over the years — a substantial portion of the crowd were nodding/singing/otherwise moving in a way that suggested rather intimate familiarity with the material. So what's the missing link here? What am I not getting?
You've said that you don't like not liking things because it makes you feel ignorant, and that's kind of how I'm feeling about this. I found myself asking myself the same thing you asked of Beardyman: 'What is this music even for?' Since everything is so abstract and non-traditional, they could be just standing there making shit up for an hour and a half and I would have no idea. In calling these guys out, though, I feel kind of like the guy who complains that his three-year-old could paint a Jackson Pollock.
I don't know. Maybe it's telling that I was at the same venue less than a week prior to see the Ting Tings, who are about as diametrically opposed to Magma as you can get while still actually playing drums and stringed instruments. Maybe going to a show with the intention of intellectualizing it afterward is a flawed approach, especially when an MC comes out before the show and explicitly instructs the audience to not try to intellectualize the show. But the more I think about it the more I realize: apart from virtuosic performances, that show had almost none of the elements I appreciate in live music, or even music in general.
But that's not what a band like Magma is going for, is it.
Posted in Responses | Tagged 10s, concerts, prog | Leave a reply
Posted on March 29, 2015 by Matthew
How appropriate that immediately after my confused, vaguely angry response to Die Antwoord, you're coming with me to see Magma in concert.
Let me explain Magma. Magma is a jazz-fusiony prog band from France, led by virtuoso drummer Christian Vander. They've made 11 albums, each of which further expounds the sprawling utopian sci-fi mythos that they've developed over the course of their half-century of existence. Magma doesn't just do concept albums. They're a concept band.
The actual story that the albums tell is pretty tough to discern, because the bulk of the music is sung in Vander's constructed language of Kobaïan, which is sort of a blend of French, German and speaking in tongues. Vander even came up with a Kobaïan name for the genre of music Magma plays. It's called "Zeuhl" (pronounced "tsoil"), and it is characterized by slow-burning repetitive patterns, chanting from the small choir of backup singers that always accompanies the band, and virtuosic free improvisations on the bass, drums and guitar.
Lyric translations are not available because many Kobaïan words don't have literal meanings. However, we do know that the basic premise of Magma's mythology is that after an ecological crisis on Earth, a segment of humankind takes to space and colonizes the far-off planet of Kobaïa. Then there is adventure and and there are wars and there is quite a lot of chant-based spirituality.
I've never quite been able to figure out whether Vander actually believes that this story will come to pass. Most of his interviews are in French, so I've had trouble getting a handle on him. But, it wouldn't surprise me to find out that he thinks himself a prophet.
Look, I obviously disagree with some of what you said about prog back in your Van Der Graaf Generator response. I don't think that prog is silly by definition. But Magma is fucking ridiculous. Magma is everything that you thought Van Der Graaf Generator was, times an infinity. An entire infinity. They are maybe the silliest band ever, even more so because they are completely sincere, and most of their audience appears to enjoy them without the barest hint of irony, as well.
I find this a completely untenable way of approaching Magma. They're the sort of band that leaves me reaching for Susan Sontag's "Notes on Camp" to explain why I enjoy them. But I do enjoy them, very sincerely. It's just that a significant part of my enjoyment comes from my sincere appreciation for ridiculousness. I'm completely okay with the sort of music where the artist's reach exceeds their grasp, many times over. I even find it preferable to most of the alternatives.
I'm a bit jealous of you for getting to experience Magma for the first time, live. Their shows are famously impressive and intense, to the point where their live albums almost make their studio output feel superfluous. The lineup has changed constantly since the 70s, but every cohort has been pretty much equally stellar. They've made some of their most acclaimed music in the last decade.
I have my doubts about whether this will be for you. But, you'll at least be able to say that you've seen one of the strangest acts in popular music. This is like seeing Beefheart, or Henry Cow, or John Cage blending vegetables in front of an audience.
So, I'll see you Thursday, for the greatest evening of virtuoso sci-fi jazz you're ever likely to experience. I'll expect your response sometime Friday.
I am ludicrously excited.
Posted in Assignments | Tagged 10s, concerts, prog | Leave a reply
Beardyman: live in concert (pt. 2)
What do you mean I couldn't get anybody else to go see Magma with me? I've got tons of friends who like Magma! Scads, even! I wish you could meet them, but they all live in Canada. Wait…
Beardyman was fun. Really, it was a great show and I had a good time. But, dear god I am a walking cadaver today. As you'll no doubt be acutely aware yourself, the concert ended after 1 AM — on a Wednesday night. I am writing this in stolen moments during coffee/lunch breaks, animated only by a truly monstrous amount of caffeine. Be informed that my present exhaustion, and the fact that I am a young/old man who Just Cannot Handle This Kind of Thing, is probably colouring my recollections of the concert.
Let me start by enthusing about the Beardytron 5000. This contraption is every musician's dream. It's what Frank Zappa thought he'd found when he discovered the Synclavier. "It's my nightmare," said Beardyman last night, "but it's also set me free."
That's a familiar sentiment to anybody who has ever played an instrument. I remember the frustration from my years as a trumpet student: I knew how I wanted the music on the page in front of me to sound, but the tool at my disposal was a difficult, primitive piece of 19th-century technology — basically, a metal tube that you make fart noises into.
The metaphor I use to explain this sometimes is that playing an instrument is like paying rent. Your rent payment is the thing that allows you to continue living in your apartment. But, it can also be the obstacle that prevents you from continuing to live in your apartment. Likewise, instruments are the things that allow you to make music, but they're simultaneously the thing that comes between your musical vision and the actual sound.
When Beardyman says that the Beardytron has set him free, he means rent-free. In the context of my metaphor. God, I'm tired.
But, let's focus for a second on the first part of Beardyman's explanation: "It's my nightmare." He said that because for all it's awesomeness, the Beardytron is still a ludicrous, cobbled-together Rube Goldberg machine (with a name straight out of Calvin and Hobbes) that sometimes does not work.
Last night, there were at least two instances where the Beardytron was misbehaving sufficiently for its maker to comment on it. They may have been my favourite parts of the night, because those moments emphasized the extent to which Beardyman is a musical Doc Brown: undoubtedly a genius, but an incredibly silly one whose unlikely inventions sometimes blow up in his face.
That's what makes Beardyman fun — not just that he's a fantastic musician (good lord, can this man beatbox), but that he's willing to go to ridiculous lengths to get all those beats out of his head and into the world.
All the same, there were moments where this concert got tiresome for me. As you know, my attitude towards dancing is somewhat along the lines of Taber, Alberta. So, I spent the concert standing with the (reassuringly large) contingent of people who'd rather just listen.
Occasionally, I found myself thinking that I was going about this all wrong. Dance music is sometimes of only limited interest to people standing still. But equally often, I would look down at that writhing horde, dancing to a beat constructed from Beardyman's ramblings about Bryan Adams and Celine Dion killing the Queen, and think: "What are you even doing? What is this music even for?"
And then I stopped thinking, and I felt just fine.
Posted in Responses | Tagged 10s, concerts, electronic | Leave a reply
Posted on March 9, 2015 by Matt
I'm pleased to hear that you liked Wrong. It fills me with hope.
But, as discussed in real life, we'll be doing something a little different this week. I know it's a little early in this blog's life for a format change, but you had the idea that we should make each other go to some live shows. Mostly I just think you couldn't convince anyone else to go see Magma with you later this month, but either way, we're switching it up this week, and this week, you're coming with me to see Beardyman.
Daren 'Beardyman' Foreman is hard to describe; any one term I think of is inadequate on its own. He's a beatboxer. He's a mimic. He's an improviser. He's a live looper. He's a producer. He's got about a million things going on in his head at any one time, and he keeps getting better and better at turning them into music with ever decreasing latency. To this end, he has created a device he calls the Beardytron 5000, and that's what he'll be using when we see him play on Wednesday.
The Beardytron 5000 is, essentially, a device for translating the sounds in Foreman's head into music in as close to real time as possible. It's a series of iPads and various control surfaces hooked up to a number of computers, and Foreman uses it to sample his voice, and then loop and tweak it in any boundless number of ways. It may look like he's using prerecorded noises or preset synthesizers up there, but he's not — it's all built on his voice.
He's also hilarious. I expect that this particular performance will be mostly just him making (comparatively) straightforward music, since he's touring to promote his new album, but at other times his performances are almost closer to standup comedy. A favourite gag of his is to ask the audience to shout out genres and made-up song titles, which he will create on the spot. (His sense of humour is also pitch black, which I'm beginning to realize is a common feature in things I like.)
I'm not sure how much appreciation you have for electronic dance music, but I know you like talented and unique musicians, and there are few musicians more talented or more unique than Beardyman. I hope you enjoy the show.
Posted in Assignments | Tagged 10s, concerts, electronic | Leave a reply