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Fun Facts | Soccer
Football Coaching Qualifications: Complete Guide
Football Association (FA) coaching badges are necessary if you seek to become a qualified football coach in the UK (Similar structures are observed in other countries as well).
1. How many coaching badges are there?
2. The FA Level 1 in Coaching Football
2.1. What are the requirements to attain an FA Level 1 Football Coaching Qualification?
2.2. How long does it take to complete and what are the costs?
3.1. what are the perks of the program?
4. The FA Level 3 (UEFA B) in Coaching Football
4.1. what do you learn in FA level 3 coaching qualification?
4.3. some pre-requisites:
4.4. How long it takes to complete and what are the costs?
5. The FA Level 4 (UEFA A) in Coaching Football
6. The FA Level 5 (UEFA Pro) in Coaching Football
7. The FA Advanced Youth Award
7.1. What are the requirements to attain the FA Advanced Youth Award?
8. conclusion:
The badges currently cover levels from Level 1 to The FA UEFA Pro License. However, to become a coach at the elite level, you will need to invest a lot of time and hard work in order to gain the required football coaching qualification.
Above all, they propose that all aspiring coaches should learn about their Long-Term Player Development program. Furthermore, coaches should understand how they should be addressing the four stages of a player's development: technical, physical, social and psychological.
How many coaching badges are there?
On the path of becoming a football coach, there are five levels of qualifications:
1. FA Level 1 Football Coaching Qualification – provide you with an introduction to coaching the game and working with players under 7 years of age.
2. FA Level 2 Football Coaching Qualification – license holders can lead sports sessions on their own, with assistance from other coaches.
3. FA Level 3 (UEFA B) Football Coaching Qualification – for head coaches of men's amateur clubs, youths up to age 16, and assistant coaches for professional clubs.
4. FA Level 4 (UEFA A) Football Coaching Qualification – for head coaches of youth teams up to age 18, reserve teams (B teams) for top-flight clubs, and men's professional second-tier clubs.
5. FA Level 5 (UEFA PRO) Football Coaching Qualification – for managers of football clubs in the top tier of any European nation's league system on a permanent basis and to manage in the UEFA Champions League and the UEFA Europa League competitions.
Additionally, the FA Advanced Youth Award, meant for FA Youth Award holders, allows you to train youth professionals at an elite level across all ages.
The FA Level 1 in Coaching Football
The FA Level 1 in Coaching Football will be the first step in your coaching career. Often described as an introduction to the organization, it aims toward the development of youngsters.
This qualification will provide you with the necessary foundation to coach the game and work with young talents, under seven years of age.
This will also give you much-needed insight into the style of the game in England and show you how to provide better support and conditions for the development of future players. Achieving this football coaching qualification will introduce you with:
England DNA Elements (How We Coach, How We Play, How We Support and The Future Player)
FA 4 Corner Model for a better understanding of player long-term development
FA "Plan, Do, Review" Model for appropriate training sessions
Practical coaching ideas, for creating safe and fun sessions to help the players' development
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What are the requirements to attain an FA Level 1 Football Coaching Qualification?
For FA Level 1 Coaching Qualification there are no preconditions. This course organizes local County FA and anyone can take this course and begin his coaching career. An FA Level 1 coach will usually work alongside an FA Level 2 or UEFA B qualified coach as their assistant. To enrol onto the course, you must be at least be 16 years of age.
Furthermore, you must hold a current FA Emergency Aid Certificate and have attended The FA Safeguarding Children Workshop as a minimum. But don't let that dissuade you. These two 3-hour workshops are provided as part of the course.
How long does it take to complete and what are the costs?
FA Level 1 Football Coaching Qualification consists of seven workshops which focus on key elements of the DNA and eight workshops with emphasis on safety and emergency aid. The course has 33 contact hours with FA tutors and 43 hours in total.
To finish the course successfully, candidates must complete all the tasks specified within the course program and deliver a 20-minute practical coaching session, assessed by the FA tutors. Prices normally range from £150 – £235. The FA Level 1 Certificate provides candidates with a good platform to get onto the coaching ladder and start their coaching career.
FA Level 2 in Coaching Football is a nationally recognized qualification that will allow you to go in depth with English football style and England DNA core elements. This program will show you how to coach and train and it will also help you in building your own football philosophy.
what are the perks of the program?
This football coaching qualification usually allows the holder to lead sports sessions on their own, with assistance from other coaches. The FA Level 2 in coaching football builds upon what was learned in the FA Level 1 course and upgrades it by going into more specific detail. FA Level 2 Football Coaching Qualification will help you:
Develop an understanding of the game, the players' roles and yourself as a coach
Create game-like conditions, with decision-making as the focal point
Plan, deliver and evaluate the quality of coaching sessions
Judging your players' ability according to their age, maturity and experience
The course is all about empowering players and about being able to make mistakes. It is about designing relevant match simulation practices with plenty of decision-making situations. The goal is to enable the players to practice in an environment that is both positive and enjoyable.
This program has a strict list of conditions that students must fulfil:
Have completed the Level 1 Football Coaching Qualification
Are able to communicate effectively in English (this includes listening, speaking, reading and writing)
Hold a valid FA Level 1 Introduction to First Aid in Football (IFAiF) (previously known as FA Emergency Aid)
Hold a current certificate for The FA Safeguarding Children Workshop and The FA Safeguarding Children How We Support or The FA Online Safeguarding Children Recertification
Have regularly coached a group of players in England who are aged U7+ and regularly play in organized/competitive fixtures
FA Level 2 Football Coaching Qualification takes 145 hours to complete (total qualification time), with 73 hours of guided learning with an FA tutor. This will take the student approximately ten days to complete. According to official FA information, prices for this course will vary between different County FAs due to regional differences in costs and funds' availability.
Prices normally range from £200 – £370 but often your County FAs receive funding, which they put towards discounting the cost of coaching course, so be sure to always check with your County FA.
The FA Level 3 (UEFA B) in Coaching Football
After you completed the Level 1 and Level 2 license, the next step is to take the UEFA B course. FA Level 3 (UEFA B) in Coaching Football's aim is to help coaches take players' decision-making process to the next level, while addressing their technical, tactical, physical, psychological and social needs.
what do you learn in FA level 3 coaching qualification?
Football is a complex game with a lot of variables to include in various scenarios. Developing decision-making through game simulation practices will ensure that players are ready when it is time to make the right call in a competitive match. FA Level 3 Football Coaching Qualification will grant you:
Upgraded understanding of England DNA philosophy
Refining your values and coaching philosophy
Increasing your players' progress considering their technical, tactical, physical, psychological and social needs
Gain an understanding of the players' roles and help them adapt to various roles and responsibilities within team
Recognizing effective practice in training and competition
Principles of attacking, midfield play and defending and goalkeeping
Counterattacking and defending counterattacks
Planning the coaching sections skill
The application process is not an easy task. The course has only 24 places and a lot more applicants, so you need to impress during the selection process. In addition, there are usually only two courses per year in each region. So, how to qualify for this license?
First, in order to qualify for Coaching Qualification Selection, you need to fulfil several basic conditions:
Need to be a holder of The FA Level 2 in Coaching Football license
You have completed your FA Level 2 action plan
Actively coaching a team in a season-long competition based in England
You are able to effectively communicate in English
After prior qualification, the selection process is undertaken. Coaches must prove that they are actively participating in competition with at least 18 fixtures. For this purpose, coaches should provide endorsement by the appropriate club.
some pre-requisites:
Following the selection process and preceding certification of Level 3 Football Coaching Qualification, you must also satisfy the listed criteria:
Hold an in-date FA Level 1 Introduction to First Aid in Football
Hold an in-date completion certificate for The FA Safeguarding Workshop or the new FA Safeguarding for Coaches Workshop
Complete both eLearning modules (Coaching Journey + Equity/Diversity)
Attend all four blocks of program (How We Play, The Future Player, How We Coach and How We Support), including all of 18 Workshops of the course
Complete an 18-game project based around your own players and club environment – please note that this is reduced to a 12-game project for those that already hold the full FA Youth Award
Receive a minimum of 3 in-situ visits with your team, and be deemed practically competent
Conduct a 30 minute presentation of your project to your course colleagues and staff.
How long it takes to complete and what are the costs?
This course is 17 days long with several segments, and one must deliver over the course of a season. The first one is five days long, and the second block is four days long, and after that we have five support days, and in the end a three-day final assessment. The estimated cost of this course is £720.
The FA Level 4 (UEFA A) in Coaching Football
You have completed a UEFA B Coaching Qualification. Next phase of your professional rise is achieving an FA Level 4 License, popularly known as UEFA A License. The FA Level 4 (UEFA A) in Coaching Football program targets the building of technical and tactical coaching skills.
This includes covering the latest football trends, strategies, and tactics, and supporting the development of players in the 11v11 environment at international, professional, and semi-professional levels. This program's aim is to develop the coaches' capability of thinking outside the box. The course enhances the abilities of the coaches to:
Be creative and curious
Realize the importance of reflective learning
Establish themselves as a coach who can design, organize, deliver and evaluate
Identify those who have appropriate skills
Upgrade your understanding of advanced tactics and strategies
Candidates must have previously completed the UEFA Level 3 Coaching Qualification and the course director must approve their application after they enrol the course. The set of criteria used when assessing applications consist of:
Compliance with UEFA B Action Plan
Evidence of coaching practice
Evidence of capacity to work with an 11 a side team in accordance with UEFA B practice format
Keep in mind that priority is given to candidates that are currently working and living in England, full-time professional coaches and those who need the qualification in order to meet EPPP regulations.
The course length is 18 days during a one-year period. The program is divided into six modules, three days each, held at the FA football's national center, St. George's Park. Students also receive in-situ support between modules.
The UEFA A Football Coaching Qualification has varying price structure. For current or former professionals, the FA will usually cover up to 50% of the costs. The usual rate is £3,655 incl. VAT.
The FA Level 5 (UEFA Pro) in Coaching Football
FA Level 5 (UEFA Pro) in Coaching Football is the highest professional coaching license in England, designed for generating new leaders. This is the final step in your professional career.
The focus of this program is to generate management strategies that will ensure long-term player development and success. This qualification is considered mandatory for all those who wish to work at the most elite level of football.
Students are challenged to upgrade their knowledge and their skills into leadership with the goal of providing high-performance squads. By the end of this course, you will learn:
Critical self-reflective skills, so you can identify areas for further development
Effective decision-making strategies
Problem-solving methods
Technical and tactical insight
Greater cohesion of the team, both players and staff members
Long-term development planning
UEFA PRO License requires:
Holding a valid UEFA A Coaching Qualification
A full time position as a professional coach, manager, assistant manager, head coach, academy manager, head of recruitment, technical director or a player with a minimum of five years' experience playing.
Note that priority is given to applicants who have vast coaching experience with senior players in the domestic professional league. Also, the FA Advanced Youth Award is desirable.
The program, which combines theoretical and practical modules, spans over 25 days of face-to-face learning (two days of assessment and profiling, six three-day modules, five day study visit), and a minimum of six one-to-one tutor visits. The course is delivered over an 18-month period.
The UEFA Pro License pricing structure is slightly different than those for UEFA A Coaching License. Whereas the UEFA A courses are actively encouraged with a 50% share of the cost, no such offer exists for the Pro Level.
With it being the highest qualification that a coach can gain, and an elite coaching license, this certificate is in high demand. Course fees are divided into two different categories:
FA Licensed Coaches' Club members pay £8,915.00 including VAT
Non-member FA price comes to £9,770.00 with VAT included.
This fee covers a range of different costs and benefits, whose aim is to give coaches the full experience they need. These include:
Full board accommodation across all sessions at St. George's Park
An overseas study visit
A tablet or similar device on which all course content will be accessible
The FA Advanced Youth Award
The FA Advanced Youth Award is a course for developing skills and attributes required for helping talented young players reach their full potential. The course will show you how to reinforce designed technical and tactical training programs with the physical, social and psychological disciplines.
This is to create an elite professional development experience for your players. It covers three age-phases: Foundation (age 5-11), Youth Development (age 12-16), and Professional Development (age 17-21).
When you finish this course, you will be able to:
Line up your coaching sessions with the demands of the Elite Player Performance Plan (EPPP)
Understand the impact of "four corners" on players' development
Create an individual training plan
What are the requirements to attain the FA Advanced Youth Award?
This program is meant for coaches already working with EPPP plan and elite youth players, above 21 years of age. Besides this condition, you will also need to comply following:
Hold the FA Youth Award (Modules 1, 2, 3 and assessment) or an equivalent via The FA Youth Award APL qualification
Have achieved The FA Level 3 (UEFA B) in Coaching Football
Hold a valid FA coach license
Hold the FA Level 3 in Coaching Goalkeepers (Goalkeeper specific)
The course plan is designed to last for 15 days (five days modules) across a nine-month period at St. George's Park. During this time, you will also get three in-situ visits. Projected fee for this course is £2,820 including VAT. This fee includes:
Accommodation at St. George's Park
Tuition across all program areas
Assessment and certification fee
Completing this course alongside the FA Level 4 (UEFA A) in Coaching Football will help you to fall within the application criteria of future FA Level 5 (UEFA Pro) placements.
After extensively reading about 6 levels of coaching qualification, you must be feeling great! We've picked up a lot of knowledge today. Each depends more on the tactical genius of the coach than the physicality of its players. Because football is now played with brain!
Learning about these qualification might be the beginning of something really special for your own football journey. Whether you're a player, coach, or a dad coaching your kids' weekend soccer team, this was important for us all equally.
Perfect! Let's leave it like that here. See you!
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F&B background and recent experience in resorts of around 150 rooms with meeting facilities (lifestyle resort preferably) with international chain in Indonesia; overseas experience is an advantage.
The candidate will report to the General Manager; operation department heads will report to the candidate although he/she will be encouraged to progressively interact and influence the Finance, Human Resources and Sales and Marketing heads.
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text:
The Penitentiary Act (19 Geo. III, c.74) was a British Act of Parliament passed in 1779 which introduced a policy of state prisons for the first time. The Act was drafted by the prison reformer John Howard and the jurist William Blackstone and recommended imprisonment as an alternative sentence to death or transportation.

The prison population in England and Wales had swollen following the initial fighting in the American Rebellion and the government's attendant decision, by the Criminal Law Act 1776 (16 Geo. 3 c.43), to temporarily halt use of the American Colonies as the standard destination for transported criminals. As early as 1777, Howard had produced a report to a House of Commons select committee which identified appalling conditions in most of the prisons he had inspected.

While the purpose of the Act had been to create a network of state-operated prisons, and despite its passage through Parliament, the act resulted only in considerable study of methods, alternatives and possible locations; no prisons would be built as a direct result of the act, although the prison network and alternatives would be created over time.

References

Great Britain Acts of Parliament 1779
Penal system in the United Kingdom

redpajama_set_name: RedPajamaWikipedia


text:
Q: issue with WordNetLemmatizer() when using a list of tuples I find out that there is a difference in the way we pass an argument to WordNetLemmatizer()
When I run:
m=[('recurrances', 'NNS')]
wnl = WordNetLemmatizer()
print '>>>>', wnl.lemmatize(m[0][0], 'n')
the result is "recurrances", but when I run:
print '>>>>', wnl.lemmatize('recurrances', 'n')
the result is what I expect >> "recurrance"
Why is it like this?
Is there any way to get the correct result (i.e. the singular form) in the first case?

A: I cannot reproduce the difference you are talking about between passing m[0][0] or the string directly (and it would really surprise me if there was one, it's probably due to something else in your code).
The fact that it does not return what you may expect, could be due to wordnet not recognizing the word you are feeding its lemmatizer. Suboptimal solution, but you can work around this, as @alvas suggests, by using a stemmer instead. A bit more rudimentary, but also more robust.
Something like the following:
from nltk.stem import WordNetLemmatizer
from nltk.corpus import wordnet
from nltk.stem import SnowballStemmer
snowball_stemmer = SnowballStemmer('english')

m=[('recurrances', 'NNS')]
wnl = WordNetLemmatizer()
print(wnl.lemmatize(m[0][0], pos='n'))
print(wnl.lemmatize('recurrances', pos='n'))

word = m[0][0]
if wordnet.synsets(word):
    lemma = wnl.lemmatize(word, pos='n') # you might want to do pos-tagging if you have the whole sentence to not always pass it pos-tag n...
    print('Lemma:', lemma)
else:
    stem = snowball_stemmer.stem(word)
    print('Stem:', stem)

Output (where, as you can see, the first two lines are identical):
recurrances
recurrances
Stem: recurr

redpajama_set_name: RedPajamaStackExchange


The Buck-Boost DC-DC Converter is a DC-DC Converter for charging a 12V or 24V service battery in vehicles with a smart alternator. The converter will charge the auxiliary battery with a pre-set charge voltage, eliminating high voltages (e.g. Mercedes: 15,4V) and low voltages.


text:
Led Zeppelin: All the Albums, All the Songs, Expanded Edition
by Martin PopoffMartin Popoff
Hardcover(Expanded)
$27.00 $30.00 Save 10% Current price is $27, Original price is $30. You Save 10%.
Just in time for their 50th anniversary, Led Zeppelin breaks down one of the world's most prolific bands—track by track, album by album—in this expanded edition, revised to include rarities, outtakes, and B-sides from their storied catalog-.
Formed by the unlikely alliance of two ace London studio musicians and two bar-band bumpkins from the north, Led Zeppelin went on to create the template for the modern marauding rock 'n' roll band. Though Zeppelin is often described as "heavy," any true fan will tell you that the band's catalog is actually a complex amalgam of blues, psychedelia, rock, folk, and country that reflect the specific influences carried by each of Led Zeppelin's four members.
Veteran music journalist Martin Popoff picks apart each of these 81 studio tracks, as well as a slew of non-album tracks in exquisite detail, and, for the first time ever, he analyzes the circumstances that led to their creation, the recording processes, the historical contexts, and more.
Celebrate Led Zeppelin's 50th anniversary with this veneration of the band's extensive catalog of rock music.
Voyageur Press
Martin Popoff has been described as the world's most famous heavy-metal journalist, though he has covered plenty of Punk and New Wave albums in his career of 7,000-plus album reviews. He has penned many books on various bands, genres of rock, and record collecting, including Voyageur Press' Rush: The Illustrated History; Metallica: The Complete Illustrated History; The Art of Metal; and The Big Book of Hair Metal. He has also worked on film documentaries about Rush and ZZ Top. Popoff lives in Toronto.
The story of Led Zeppelin begins with the rapid-fire dismantling of the Yardbirds in August 1968, with their leader Jimmy Page forming the New Yardbirds to fulfill Scandinavian touring obligations (as well as the guitar legend's vaulted ambitions to take over the world).
One can divine a more detailed history of the band from countless other sources, but since our focus here is the songs, suffice to say that our history of the band per se begins and ends with the lineup of the New Yardbirds, soon to be renamed Led Zeppelin: Jimmy Page, the last standing Yardbird; session bassist John Paul Jones; and two mates from Birmingham in different bands, both essentially unknowns — Robert Plant, the hippie, and John Bonham, the loudest drummer in town.
It must also be said that the story of Led Zeppelin, and notably its rapid conception and capable assembly, is necessarily linked to the myriad blues and folk influences woven through Jimmy's career in the '60s, as well as bits and pieces of writing he had done with the Yardbirds.
The nine songs on Led Zeppelin were recorded essentially live (engineer Glyn Johns, a pal of Jimmy's from teenage years, presiding), a procedure not particularly uncommon for the time. Jimmy was inclined to keep overdubs to a minimum so that the band could reproduce the material faithfully on stage afterward. Against the norm of the day, the album was recorded in stereo only, not stereo and mono versions.
Setting the situation up for success was the fact that Led Zeppelin, just two and a half weeks old, recorded immediately following fifteen hours of rehearsal and that fourteen-date Scandinavian tour. The band hadn't even been signed to Atlantic yet, with Jimmy and manager Peter Grant financing the record. Zeppelin worked at Olympic Studios in West London in October 1968, completing the sessions in thirty to thirty-six hours over the course of about nine days, with Jimmy chuckling that he remembers the number of hours because he paid the bill, reported to be 1,782 pounds.
The record deal would come quickly and pretty much effortlessly when Jerry Wexler and Ahmet Ertegun at Atlantic won a bidding war, paying an advance of two hundred thousand dollars (the same amount that they had recently paid for the Bee Gees).
As for the album's iconic cover art, it portrays Luftschiff Zeppelin 129 Hindenburg moments after exploding into flames in New Jersey on May 6, 1937. The final George Hardie design replaced his original line art concept, which can be seen in miniature on the album's back cover, which is dominated by a gauzy photograph taken by ex-Yardbird Chris Dreja, soon to become a lifelong professional photographer.
With respect to the band's name, various stories exist, but it's most likely a variation of the old show biz expression "went over like a lead balloon." The most popular account has it that "Led Zeppelin" was cooked up by the Who's John Entwistle, possibly as a band name he might use when he finally had enough and left the Who. Entwistle surmised that the idea might have gotten over to Page through road manager Richard Cole, who worked for the Who before Zeppelin — Entwistle even laid claim to the idea for the album cover.
GOOD TIMES BAD TIMES
PAGE/JONES/BONHAM/2:46
There is no better action-packed sequence of sounds in the Led Zeppelin canon with which to open the band's historic debut record than the prevocal pound of "Good Times Bad Times." "Communication Breakdown" might be the more explosive song, but the slamming stacked chords that introduce "Good Times Bad Times" included a canny statement of intent that this was going to be a dramatic, world-beating band worth watching.
What's more, with the combination of E major barre chords and licks marbled betwixt, Jimmy builds an early, proto-metal version of a note-dense riff. And before we even hear the singer, we know that his Black Country mate, John Bonham, is every bit worthy to stand shoulder to shoulder with the band's session-bred guitarist of note.
Quickly we are introduced to Plant, and not one line is out of his mouth before we realize that the veteran bassist is the equal of both Page and Bonham. For Robert's part, he doesn't join the ranks as equal until he peels off some of his patented high screams late in what is a very short song — so short that it doesn't even seem quite complete.
In fact, most of Robert's singing on "Good Times Bad Times" supports his claim that at twenty-one years old and up against two seasoned big-city studio session veterans (although neither is much his senior), he was unsure of himself, singing tentatively, not taking as many chances as he might have later, with his confidence emboldened.
Fact is, all around the horn, "Good Times Bad Times" is a hard rock tour de force for late 1968, with tasty appointments such as Bonham's quick grace note-style triplets on a single bass drum. All manner of drummers would later try to decipher how he did it, and whether in fact it can be done on anything fewer than two bass drums, as he had. Bonham apparently picked up the trick from Vanilla Fudge's Carmine Appice, who also inspired his use of very large Ludwigs, most notably a twenty-six-inch bass drum.
In any event, Bonzo waits until the second line to lay it on us, then waits until the more casual second verse and last verse — oddly, after both the break and the guitar solo passage — to bring it back, and for double the duration to boot. None other than Jimi Hendrix was impressed by Bonzo's quick right foot, likening the effect to castanets.
Then there's Jimmy's guitar solo, which finds his custom-painted Fender 1959 Telecaster (dubbed Dragon, a gift from Jeff Beck) driven through a Leslie speaker, a piece of equipment whose dizzying effect created by its rotating speaker was usually reserved for Hammond organs. Jimmy very carefully tried mics around the room, not only in front of the amps but as far as twenty feet away, to achieve an ambient live feel and reveling in the bleed between instruments (although remaining somewhat less enamored with the resulting vocal bleed).
"Good Time Bad Times" features artful fingerpicked flights of fancy from Jones during the chorus, the break, the guitar solo, and even the verse lick, where he mirrors Jimmy's notable guitar hero sequence. Jonesy, who could generally stake a writing claim to Zeppelin songs with lots of notes in them, was in his milieu here. He later cited this track as an example and one of the hardest for him to play. Indeed, Page gives Jones the verse and takes the chorus himself, also using Bonham's bass drum part for inspiration.
Lyrically, "Good Times Bad Times" is classic ambiguous handwringing of the blues variety (also signature is the call and response between vocal and lead guitar). Robert asserts his experience despite having little, reminisces about the days of his youth, and seems about to tell us how to deal with women. But he's quickly self-deprecating, relating bad times along with the good, getting into "the same old jam," getting dumped, and losing "another friend," who smartly could be interpreted as a guy friend betrayed or as a conquest who, now seduced, is something other than a friend. By the last verse, less formal than the first to the point of sounding nearly improvised, the sense of defeat is conveyed in an admission of loneliness and a longing for home — although there's also the inference that the speaker's lovemaking sessions with his latest lover are enough to drive the neighbors crazy.
"Good Times Bad Times" was issued as Zeppelin's first single (Atlantic 45-2613 in the US; not issued in the UK), backed with "Communication Breakdown," the two tidy tracks on this album touted most vehemently by those who argue that Led Zeppelin invented heavy metal.
BABE I'M GONNA LEAVE YOU
TRAD. ARR. PAGE/6:40
With "Babe I'm Gonna Leave You," Jimmy Page serves notice that Led Zeppelin won't stand for being tagged yet another British blues-boom band. In polar contrast to the record's hard rock opener, this torrid folk classic is the first in an acoustic canon from Page that largely is over and done four albums later.
Since 1990, the writing credit on this track has read "Anne Bredon/Page/ Plant." American folkie Bredon wrote the original in the late '50s. Joan Baez had picked it up from one Janet Smith, who had heard Bredon, thirty years old at this point, perform the track on Berkeley, California, radio station KFPA in 1960. By the time folk boom prodigy Baez had gotten around to her ethereal version, she was erroneously crediting it as traditional and included it on her In Concert Part 1 album in 1962 (the tablature version in The Joan Baez Songbook from 1964 credits correctly). This is the version Jimmy Page had heard and liked, toying with it on six-string while playing with Marianne Faithfull. Both Page and Plant greatly admired Baez for her near magical grasp of folk's charms, especially compared to the academic vibe then coming from men operating within the idiom.
Of note, in 1968 Quicksilver Messenger Service covered the song (credited to Bredon and two others) in a manner closer to the Plebs' jaunty rock 'n' roll version from 1964 (credited "Trad. arr. Dennis"). In between is the nearly proto-power ballad version by the Association (1965), credited to Anne H. Bredon, arranged by Terry Kirkman and Bob Page(!).
Hence the credit on Led Zeppelin was later amended to include Bredon as well as Robert, with Bredon receiving substantial royalties. Now disputed is how much Robert had to do with the song and, indeed, the originals on the first album, having been left off the credits wholesale. It has been theorized this was due to Robert's contractual ties to CBS or because Jimmy still had him on "probation," unlike Jones and Bonham, in whom he was confident.
What one can surmise, given how vastly altered the song is from both the Bredon and Baez versions, is that the guitar changes are Page's and the very transformative vocal melodies could only have come from Plant. Page, for his part, has said he came up with the arrangement years earlier and played it for Robert the first time the two met, in July of 1968 at Jimmy's Pangbourne home. Plant, meanwhile, has expressed fond memories of "rearranging" the song in the studio with Page and marveling at their efficient creative connection.
In any event, in the hands of Led Zeppelin, the A minor-based song was much more structured, enforced by repetition and dramatic Spanish-style flourishes from Page, rarely to be revisited. The guitar Jimmy played here was a Gibson J-200 with heavy-gauge strings and owned by Big Jim Sullivan, perhaps the only 1960s English session guitarist more famed than Jimmy.
For that warm tone, Jimmy used plate reverb and his dual mic technique. There are also more recurring overdubs than most elsewhere on the album (including acoustic on acoustic and an eerie electric slide), and a bashing heavy section utilizing a descending bass line, constant crash cymbals, and electric guitar massaged with the ever-present acoustics. At 1:41 the famed "ghost" vocal from Robert ("I can hear it calling me") is the result of vocals bleeding into nonvocal mics.
A gorgeous track that foreshadows the light-and-shade structure of "Over the Hills and Far Away" and "Stairway to Heaven," "Babe I'm Gonna Leave You" ends with a poignant descending finale made all the more special in its formality by the fact Led Zeppelin never again played the song live after the 1969 tour.
YOU SHOOK ME
DIXON/6:30
Alas, how extra-spicy Led Zeppelin would have been had the band included sparkplug "Sugar Mama" from these sessions rather than tired ol' twelve-bar blues "You Shook Me," first recorded by Muddy Waters and credited to his bassist Willie Dixon and later also J. B. Lenoir. It is said that Earl Hooker should be credited as well, given the song was based on his instrumental, "Blue Guitar."
In May of 1968, the Jeff Beck Group recorded a version of the song that would show up on the Truth album, issued in August 1968, two months before the Led Zeppelin sessions. Although Jimmy claims to have been unaware of the recording, his own bassist, John Paul Jones, had played keyboards on the session, a role he would repeat on the Led Zeppelin version. The Jeff Beck version includes piano by Nicky Hopkins and is much shorter although, in the end, just as dull. Beck was crestfallen that the song showed up on Led Zeppelin, but there's been some degree of consolation in that many critics have posited that Truth, crudely stated, is the first Led Zeppelin album.
In any event, "You Shook Me" — or at minimum, the act of including it on an album at the time — illustrates all that was claustrophobic and restrictive about the British blues boom. In the pudding, especially with so much other derivative material on the record, Led Zeppelin come off as mere mortals not particularly removed from the imagination-lacking pack, in stark contrast to the excitement they would inject just a few tracks later with "Dazed and Confused" and even on a second Willie Dixon track, "I Can't Quit You Baby," which at least features Bonham modestly unchained. Chucking in a nod to Robert Johnson's "Stones in My Passway" only goes to show how so much of this music was interchangeable and thus in need of the type of makeover Zeppelin would execute in fine fashion over the course of nine albums, though not on this track.
Bonham decides to play it sparse here, straight and uncharacteristically clunky, the band choosing a crushingly slow tempo spread over six and a half minutes. Page, Plant, and Jones make the best of a bad situation with some interesting yet small individual victories.
At Plant's end, there's torrid singing for miles, some rote call and response, and nice blends with Page's "singing" Earl Hooker-styled guitar work throughout, as well as lots of harmonica, neither exemplary nor clumsy.
Jones pulls double duty, playing bass and, in a rare move, a Hammond M-100 without a Leslie speaker, utilizing instead the instrument's built-in vibrato. As for Page, "You Shook Me" is the album's only track on which his electric is not his Telecaster — here he's using a Gibson Flying V, borrowed from someone who was trying to sell it to him. The guitar's big humbuckers caused his amp to break up a bit in the middle of the track, but Jimmy liked to hear an amp having a hard time of it. Elsewhere, Jimmy employs a backward echo technique, first unveiled all over the Yardbirds' single-only cover of Harry Nilsson's "Ten Little Indians." Here he applies this technique at the end, mostly to Robert's vocal and a bit to his guitar. The effect is a somewhat ghostlier version of feedback mixed with bleed and not loud in the mix — it's overpowered by the call and response, an idea later made more famous by Ian Gillan and Ritchie Blackmore in Deep Purple. Jimmy had argued with engineer Glyn Johns over being able to make the effect work, winning in the end, as Johns meekly turned up the faders and accepted the sonic evidence.
All told, "You Shook Me" betrays Zeppelin as rushed (a typical occurrence at the time), unwilling, or too pressed to respect their own creative instincts and wait for more of the superlative writing that was waiting inside this band like a caged dragon.
PAGE/6:27
"Dazed and Confused" originated as a song written by Jake Holmes that showed up on his debut album, 1967's "The Above Ground Sound" of Jake Holmes. Jake had opened for the Yardbirds at the Village Theatre in New York, and Yardbirds drummer Jim McCarty was struck by the harrowing song, causing him to buy the otherwise fairly upbeat album the next day. Yardbirds vocalist Keith Relf adjusted the lyrics and the lads worked up a new arrangement for full band (Jake's was sans drums), Jimmy driving a guitar stake through it, and entered the song into their set list.
The song was never recorded by the Yardbirds, but did show up on an exploitative posthumous release called Live Yardbirds Featuring Jimmy Page, notably as "I'm Confused" and without writing credit.
Holmes eventually attempted to contact the Zeppelin camp in the early 1980s. Initially he got no reply but settled out of court in 2012 after bringing suit in 2010. Recent releases of the song credit it as written by Jimmy Page and "inspired by" Jake Holmes.
By the time of the Yardbirds' nexus, the song was essentially the same song Zeppelin would record, right down to the rhythmic call-and-response section (which had occurred in the Jake Holmes version, albeit in an quieter form). Also featured on the Yardbirds version was Jimmy's famed work with a violin bow (regular bow, more tension and more rosin) and frankly each and every hammer-and-tongs section that would appear on Led Zeppelin. And at 6:47, the album version would certainly prove to be the most succinct take the band would perform.
(Continues…)
Excerpted from "Led Zeppelin"
Copyright © 2018 Martin Popoff.
Excerpted by permission of The Quarto Group.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Introduction, 6,
Led Zeppelin, 10,
II, 36,
III, 62,
Untitled, 90,
Houses of the Holy, 116,
Physical Graffiti, 140,
Presence, 180,
In Through the Out Door, 204,
Coda, 222,
Over the Hills and Far Away: 16 Essential Rarities, 248,
Acknowledgments, 282,
About the Author, 282,
Image Credits, 283,
Index, 285,
Because it's gorgeous. And loaded with fantastic pictures, memorabilia and ephemera. And if you are a Zep, fan, you're gonna love this book. - AllMusicBooks.com
Led Zeppelin: All the Albums, All the Songs, Expanded Edition 5 out of 5 based on 0 ratings. 1 reviews.
bookwomen37 8 months ago
I have read a lot of these books and again this one did not disappoint. It follows the same format as the others. This one covers the Led Zeppelin albums released as a band but it also includes the albums that came after. There is a lot of information included. I really enjoy all the photographs. Hardcore and casual fans will both enjoy this book. Put some headphones on, dust of your vinyl and Enjoy
book by jon larsen
book by neil daniels
book by lisa steele
book by martin popoff
rush album by album
book by jon bream
Aerosmith: The Ultimate Illustrated History of the Boston
One of Guitar World magazine's Top 15 rock books of 2011.Aerosmith is one of the ...
One of Guitar World magazine's Top 15 rock books of 2011.Aerosmith is one of the greatest rock 'n' roll bands of all-time. After their 1970s success was derailed by band strife and Dionysian excess, Boston's Bad Boys received a career ...
Curious Creatable Creatures: 22 STEAM Projects That Magnetize,
Experiment, learn, and imagine as you make the 20+ bubbling, honking, and illuminating projects in Curious Creatable ...
Experiment, learn, and imagine as you make the 20+ bubbling, honking, and illuminating projects in Curious Creatable Creatures. What can a creatable creature do? They stick, spit, glide, and one of them can even double as a wallet. Add a pair of legs, subtract ...
In Search of Stardust: Amazing Micrometeorites and Their
Tiny pieces of space rock called micrometeorites are everywhere on Earth. In Search of Stardust ...
Tiny pieces of space rock called micrometeorites are everywhere on Earth. In Search of Stardust shows you how to find them and keep them safe.The solar system is a dusty place. Every day approximately 100 metric tons of cosmic dust ...
Iron Maiden: Album by Album
Required reading for any metalhead, Iron Maiden is a compendium of in-depth, entertaining, and profusely illustrated conversations ...
Required reading for any metalhead, Iron Maiden is a compendium of in-depth, entertaining, and profusely illustrated conversations about all sixteen of the legendary metal band's studio albums. This new book from prolific rock journalist Martin Popoff pays tribute to the Iron Maiden's ...
Iron Maiden - Updated Edition: The Ultimate Illustrated
Few bands have as widespread global appeal as Iron Maiden. This up-to-date book showcases the ...
Few bands have as widespread global appeal as Iron Maiden. This up-to-date book showcases the band in all its beastly glory.Formed in 1975 by a young, East London bass player named Steve Harris, Iron Maiden went on to become one ...
Let's Hatch Chicks!: Explore the Wonderful World of
Introduce children to the life cycle of chickens from egg, to hatching, and beyond with Let's ...
Introduce children to the life cycle of chickens from egg, to hatching, and beyond with Let's Hatch Chicks!. Author Lisa Steele, of Fresh Eggs Daily, shows the entire process in kid friendly terms. In this book you'll meet Violet, a plucky and ...
London in 3D: A Look Back in Time:
Relax and flip through this book for a real in-depth jaunt through time and place!From ...
Relax and flip through this book for a real in-depth jaunt through time and place!From the late 1800s until the advent of radio and television, stereoscope viewers were one of the most popular forms of home entertainment. Special cameras make ...
Metallica: The Complete Illustrated History
Formed in Los Angeles in 1981, Metallica has become the single bestselling heavy metal act ...
Formed in Los Angeles in 1981, Metallica has become the single bestselling heavy metal act in music history, with more than 100 million album sales to its credit. Now based in the San Francisco Bay Area, the band remains hugely ...

redpajama_set_name: RedPajamaCommonCrawl


Hi, Happy Hump Day. Going to be super warm and humid here today, yuck!
Today's card is for the challenge at Totally Tilda (#24), which this time is to use the colors Red, White, and Blue.
I chose this adorable sailor Tilda. The papers are from the DCWV Stack, Nantucket.
I colored her with Copic Markers. Shells are from an old Dots set! Crepe paper along back edge is Melissa Frances. Seagulls are from River City Rubber Works. Sentiment is Stampouri.
Sue, what a lovely card, beautiful colours.
what a great and beautiful card you have made sue.
wow Sue love it!! just stunning and colouring is perfect!
love the sentiment & the nestie shapes to frame your Tilda really work..gorgeous creation for our R/W/B theme at Totally Tilda chall thanks for sharing with us.
What a gorgoues card you´ve made Sue :) Love the marine touth and the traditional colours :) Stunning!
What a great card! I love how you took stamps with totally different styles and made them work together. Such a talent! Just wonderful!
Stunning card Sue thanks for sharing with us at Totally Tilda.
Lovin this image with the sentiment. It is perfect. The card is really good, so many details.
This is so stinkin' cute and that sentiment just makes it!!
Tilda's are near and dear to my heart. I love this sweet card. I have an idea for a nautical project that won't let me rest at night!!! lol I go to sleep dreaming of my next project-but this one is haunting me. ha ha. I love the shell embellishments. This is simply divine!
Love how you colored Tilda and the label shapes. Beautiful easel card!
What a clever card Sue! Love the style and that sentiment is cute as heck!


text:
Q: Continuity of the inverse Laplace Transform If I know $Y(s)$,
can I predict when $\mathscr{L}^{-1}[Y(s)]=y(t)$ will be continuous or continuously differentiable or even stronger conditions?
For example; I'm solving an ODE with the Laplace Tranform method so it turns out that the solution is $\mathscr{L}^{-1}[Y(s)]=y(t)$.
How do I know that that function will be countinuously differentiable up to the order of the ODE?


The Champion Sports Fitpro Hop Along Pon Pon Ball is a fun way to get a cardiovascular and muscle toning workout. Riders simply sit on the ball, hold on, and bounce. These balls offer superior elasticity and strength, and feature an exclusive handle fitted directly into the mold of the ball, so your ride is stable. The Hop Along Pon Pon Ball, available in three sizes, is a fun activity for all ages!
The Champion Sports FitPro Training & Exercise Ball can be used for a wide range of balance, core, flexibility, and rehabilitation exercises. Made from the highest quality Italian resin, this burst resistant ball is available in several sizes.
The Champion Sports Maxafe® Sitsolution Ball is the best on the market and is made with top of the line materials. This Sitsolution Ball is a healthy and effective alternative to a traditional chair, promoting good posture and core strength. Constructed with Flexton Silpower® exclusive material, this ball is guaranteed to deflate slowly if accidentally punctured. Stability legs prevent the ball from rolling away during use.


FIFA fever is on! The world's biggest sporting carnival has kick-started, and fans around the world are pumped-up to cheer for their favorite teams. As not all can go to Russia, they are showing their support in innovative ways. From using props to creative displays, many are grabbing the attention of other fans worldwide.
Some big brands have also started unique contests to make winners watch a FIFA World Cup 2018 match live from the stands in a Russian stadium.
What's your creative idea to support your favorite team this FIFA World Cup and get tracked by other fans across the world? Don't worry if you haven't yet! Here, we have found some fun ways that you can use to cheer for your team and get noticed.
Friends are crazy! And when it is about a sport, they can make every moment special. With them, nail-biting moments become more exciting when you are watching your favorite team playing in this FIFA World Cup. To make it more amazing, you can host a FIFA-themed party at your place. You can put flags of your favorite team and posters of players. And yes, don't forget to get some delicious snacks! Record some cool moments in the form of pictures and videos, and post them on social media. If they are really exciting, no one can stop them from going viral.
During one month of the FIFA World Cup 2014, #worldcup was used more than 24 million times. In just a few hours of the 2014 opening game between Brazil and Croatia, there were over 12 million tweets. The top tweets of that time are still trending among fans. This shows how powerful the social media is in the today's world.
You can also share your favorite moments of a game, some cool facts about players, or your prediction about the game. Don't forget to use the right hash-tag!
In addition to wearing the t-shirt of your favorite team, you can get some other personalized accessories that you can use this world cup season. For example, customized silicone bracelets and caps are some of the things that you can personalize as per your choice.
You can get customized silicone bracelets with a name of your favorite team or player on them. You can wear them around your wrist all the time and show your support for the team. These wristbands are cost-effective items that you can customize yourself. This time, you can get plenty of them and distribute among your friends who are also fans of the same team.
Many malls, stores, and shopping centers around the world have been painted in the spirit of football. Shopkeepers have decorated their shops in a way that shows support for their favorite team. You can also try such things.
Even if you don't have a store to decorate, you can start with your room. Add some posters of your favorite players, flags of your favorite team, and various other items related to the game.
Many die-hard football fans have a hobby of collecting items related to the game. Earlier, a fan was interviewed who has a hobby of collecting football shoes. If you are also a passionate fan, then start collecting some items that you like. Who knows when a sports journalist will call you for an interview!
FIFA World Cup 2018 will give you lots of moments of celebration. In addition to cherishing them, record them and let others know about your passion for the game.


text:
package example.service;

import example.repo.Customer139Repository;

import org.springframework.stereotype.Service;

@Service
public class Customer139Service {
	public Customer139Service(Customer139Repository repo) {}
}

redpajama_set_name: RedPajamaGithub


Find holiday lodges in West England couldn't be easier - just take a look at our great selection of West England mobile home, caravan, lodge and tent self catering accommodation below. Click 'more' to see further details about the holiday park features or click 'book' to find out about its availability. Use the search box below to refine your search by a favourite feature.


Carly never won a damn thing in her short life that she didn't lose.
I wouldn't call her a loser, though. She was a champ when it came to letting things slide.
Won Honor Roll and blew it with truancy. Won a Nerf cannon at the Carver Desire Baptist church raffle and had it broken when she shot Captain Mahoney's cruiser.
Won me over. Even though I hauled her in on possession charges about every time she got a progress report from Carver High.
Even though I should know better about kids like Carly, she still had that Tinkerbell keychain, that oversized beret, that hang-dog smile telling you there wasn't a wrong in the world that could touch her.
There was plenty wrong with Carly. It began with her choice of drugs.
Carly huffed glue when she was 13. She smoked Wet—formaldehyde-laced pot—so often you'd figure her dad was a mortician rather than locked up in Angola.
I caught her spray-painting a scene of Never-Neverland on the Montegut Market one night, her brain popping prismatic from the tin of nutmeg she ate.
You'd never guess from that Sears-Roebuck grin that Carly was dodging bullets on a weekly basis.
As much as was wrong with Carly, the worst wrong was the company she kept.
We'd photographed the whole 2004 Wing Snack shooting before we found Carly.
She was huddled bloody behind the toilet. Tinkerbell rubbed between her fingers. Wet smoke drizzling from her lips.
"You alright, Carly?" I checked if any of the blood was hers.
"I got only one thing to say," Carly said as I dragged her melted bones out of the bathroom.
Carly was cool as they came, but cool with the wrong people.
In 2002, she ran rock for Bebe Pink and Crush. In 2003, when Crush and Bebe got warring, she ran between both sides.
By 2004, battle lines were a pleasant memory; the Ninth Ward became a free-for-all, like laser tag played with AK-47s.
Carly caromed from one murder scene to the next. She lost friends, lost trust, lost her house when Will Clementine burned it down to get at Bebe Pink. The bullets kept flying but Carly kept bouncing from one gang to the next, unscratched.
Sooner or later, I figured, she'd stop bouncing and lay there for good.
Sooner came sooner than anybody expected.
"We're going to save this town." Carly kept staring at the sky. I turned my mirror shades to it.
It didn't take a week before Carly was listed as a Person of Interest, gone missing after the Old Crows blew Vicious' Saints out of Desire.
I don't hold onto things well either.
Hard things. The badge. My partner, Hakk. A brick for busting heads when I'm off the clock.
Not Carly. I hardly thought of her.
Then Katrina hit. The whole city became a ghost town.
Three weeks after the waters receded, I cruised the ruin that used to be Desire's main drag, Louisa. I did a triple-take spotting Carly.
I got word Carly swung a hammer forty times before passing out from the paint she inhaled at the job site. Next week was shirms with the Salvation Army clothes drive. Then speed with Mexican day-labor roofers.
Carly kept at rebuilding, though.
Some things, she refused to lose.


text:
THE MASTER OF FRANKFURT (ACTIVE ANTWERP, LATE 15TH/EARLY 16TH CENTURY)
Portrait of a man, traditionally identified as Emperor Ferdinand I, half-length, in a fur-lined overmantle
oil on panel, shaped top, in an engaged frame
Edmond Riel de Beurnonville; Pillet, Paris, 9-16 May 1881, lot 324, as 'Hans Holbein'.
M. Édouard Aynard; (†) his sale, Galerie Georges Petit, 1 December 1913, lot 27, as 'École de Holbein,' when acquired by the following,
with Julius Böhler, Munich, until February 1917, when acquired by the following,
with A.S. Drey, Munich.
Anonymous sale; Dorotheum, Vienna, 17 October 1995, lot 375, as 'Follower of Hans Holbein'.
with Galerie de Jonckheere, Paris, 1996.
Private collection, France; Christie's, London, 7 July 2006, lot 114 (withdrawn).
This work belongs to a small group of intricately executed male portraits by the Netherlandish Master of Frankfurt, produced during the first decades of the sixteenth century. With the attribution confirmed by Professor Stephen Goddard in a private communication in 2006, it probably dates to the late 1510s or early 1520s and depicts a wealthy gentleman of the patrician middle classes.
Positioned facing to the viewer's right, this picture may originally have been paired with a portrait of the sitter's wife, painted to commemorate a significant event. While few of the Master of Frankfurt's portraits can be identified, his Portrait of Franz von Taxis (private collection, Germany) suggests that the painter may have worked in court circles, with Franz von Taxis being the postmaster to the Emperor Maximilian I from 1489, and then to his son Philip the Handsome from 1504. It is thus possible that the present sitter may have held a position at the Imperial court in the Netherlands. Much can be gleaned from sitter's fashionable contemporary attire, with his white chemise under a black doublet, sleeves of grey and black figured velvet and large fur-lined overmantle. While previously identified as a portrait of Ferdinand I (1504-1563), Holy Roman Emperor from 1556, this identification appears tenuous upon comparison with other known portraits of the sitter, like that by Jan Cornelisz. Vermeyen, painted circa 1531 to commemorate the sitter's election as King of the Romans (Toulouse, Fondation Bemberg).
The painter appears to have maintained a busy and successful practice and, as well as executing works specifically on commission, his workshop also produced compositions for the open market. Amongst his most successful works, however, are the small group of portraits he produced throughout his career. Perhaps the most famous of these is the Portrait of the artist and his wife (Antwerp, Koninklijk Museum voor Schone Kunsten), dated '1496' on the frame. Alongside the present work, other portraits in this small group include the Portrait of a man in Munich (Alte Pinakothek), the Portrait of a man (whereabouts unknown; see S.H. Goddard, 'The Master of Frankfurt and his shop', Verhandelingen van de Koninklijke Academie voor Wetenschappen, Letteren en Schone Kunsten van België, XLVI, 1984, p. 131, no. 3), a circular Portrait of a man (formerly with E.V. Thaw Gallery, New York; ibid., p. 131, no. 4, fig. 25), the Portrait of a man with a rose dated 1518 (private collection; ibid., p. 132, no. 6, fig. 9) and his Portrait of Franz von Taxis (private collection, Germany; ibid., p. 131, no. 4, fig. 25).


text:
Q: Añadir un archivo .js en un archivo.blade.php Tengo una plantilla con un formulario con diversos campos, algunos de ellos son solo para aquellos usuarios que sean menores de edad y están todos dentro de un div con el id=formulariomayores
@csrf

    DNI

        <input class="form-control bg-light shadow-sm" type="text" name="dni" value="{{ old('dni', $cliente->dni)}}">

Nombre del cliente

        <input class="form-control bg-light shadow-sm" type="text" name="nombre" value="{{ old('nombre', $cliente->nombre)}}">

Apellidos del cliente

        <input class="form-control bg-light shadow-sm" type="text" name="apellidos" value="{{ old('apellidos', $cliente->apellidos) }}">

Url para el cliente

        <input class="form-control bg-light shadow-sm" type="text" name="url" value="{{ old('url', $cliente->url) }}">

Codigo Postal del cliente

        <input class="form-control bg-light shadow-sm" type="text" name="codigopostal" value="{{ old('codigopostal', $cliente->codigopostal) }}">

Dirreción del cliente

        <input class="form-control bg-light shadow-sm" type="text" name="direccion" value="{{ old('direccion', $cliente->direccion) }}">

Localidad del cliente

        <input class="form-control bg-light shadow-sm" type="text" name="localidad" value="{{ old('localidad', $cliente->localidad) }}">

Provincia del cliente

        <input class="form-control bg-light shadow-sm" type="text" name="provincia" value="{{ old('provincia', $cliente->provincia) }}">

Pais del cliente

        <input class="form-control bg-light shadow-sm" type="text" name="pais" value="{{ old('pais', $cliente->pais) }}">

Email

        <input class="form-control bg-light shadow-sm" type="email" name="email" value="{{ old('email', $cliente->email) }}">

Telefono del cliente

        <input class="form-control bg-light shadow-sm" type="text" name="telefono" value="{{ old('telefono', $cliente->telefono) }}">

Fecha de Nacimiento

        <input class="form-control bg-light shadow-sm" type="date" id="fechana" name="fechana" value="{{ old('fechana', $cliente->fechana)}}">

Nombre completo del tutol del menor

        <input class="form-control bg-light shadow-sm" type="text" name="nombrecompletome" value="{{ old('nombrecompletome', $cliente->nombrecompletome) }}">

Direccion del tutol del menor

        <input class="form-control bg-light shadow-sm" type="text" name="direccionme" value="{{ old('direccionme', $cliente->direccionme) }}">

Localidad del tutol del menor

        <input class="form-control bg-light shadow-sm" type="text" name="localidadme" value="{{ old('localidadme', $cliente->localidadme) }}">

Provincia del tutol del menor

        <input class="form-control bg-light shadow-sm" type="text" name="provinciame" value="{{ old('provinciame', $cliente->provinciame) }}">

País del tutol del menor

        <input class="form-control bg-light shadow-sm" type="text" name="paisme" value="{{ old('paisme', $cliente->paisme) }}">

Email del tutol del menor

        <input class="form-control bg-light shadow-sm" type="text" name="emailme" value="{{ old('emailme', $cliente->emailme) }}">

Telefono del tutol del menor

        <input class="form-control bg-light shadow-sm" type="text" name="telefonome" value="{{ old('telefonome', $cliente->telefonome) }}">

Vinculación del tutol con el menor

        <input class="form-control bg-light shadow-sm" type="text" name="vinculacionconmenor" value="{{ old('vinculacionconmenor', $cliente->vinculacionconmenor) }}">

    <button class="btn btn-primary btn-lg btn-block">{{$btnText}}</button>
    Cancelar

Por otra parte tengo una función JavaScript que me debería calcular la edad, sacando la diferencia entre la fecha actual y la fecha que se añade al formulario.
fecha = document.getElementById("fechana");

fecha.addEventListener("change", calculateAge);

function calculateAge(birthday) {
    var birthday_arr = birthday.split("/");
    var birthday_date = new Date(birthday_arr[2], birthday_arr[1] - 1, birthday_arr[0]);
    var ageDifMs = Date.now() - birthday_date.getTime();
    var ageDate = new Date(ageDifMs);
    return Math.abs(ageDate.getUTCFullYear() - 2022);
}

var age = calculateAge("$cliente->fechana");
alert( age );
let fechana= $("#fechana").val();

Y por último tengo un archivo .blade.php en el cual debería añadir mi función .js pero no sé como hacerlo, dicho archivo es:
@extends('plantilla')
@section('titulo', 'Creación de Clientes')

@section('contenedor')

@include('partials/validation-errors')

<form class="bg-white shadow rounded py-3 px-4" method="POST" action="{{route('cliente.store')}}">

Creación de Clientes

    @include('carclientes/_form', ['btnText'=>'Guardar'])

</form>

@endsection

Mi mayor duda es como compilar todo para que me funcione a la hora de rellenar el formulario. Muchas gracias a todos.


Conflict, as between persons having dissimilar ideas or interests; clash.
(Template loop detected: Template:context 1): A force that resists the relative motion or tendency to such motion of two bodies in contact.
French: frottement m., friction f.
Dutch: wrijving f., frictie f., onenigheid f., geschil n., conflict n.
German: Reiberei f., Friktion f.
Greek: προστριβές (prostrivés) f. pl.
Dutch: wrijving f., frictie f.
French: friction f., frottement m.
This page was last modified on 11 September 2008, at 05:15.
This article uses material from the English Wiktionary entry "friction".


text:
Austin Healey Jigsaw Puzzle Game
Austin Healey Puzzle Details:
About: Austin-Healey was a British sports car maker. The marque was established through a joint-venture arrangement, set up in 1952 between Leonard Lord of the Austin division of the British Motor Corporation (BMC) and the Donald Healey Motor Company, a renowned automotive engineering and design firm. Austin-Healey cars were produced until 1972 when the 20-year agreement between Healey and Austin came to an end.
Image Credits: The Pug Father
Puzzle Of The Day On: 02/Mar/2012
Today's new puzzle features and old tractor parked by a farmers house.
Classic Fiat 500
Ready to go on a relaxing trip in the countryside? Click start and jump aboard the red classic Fiat 500 featured in today's puzzle. If you don't know, the Fiat 500 (Italian: Cinquecento) is a rear-engined, four-seat, small city car that was manufactured and marketed by Fiat Automobiles from 1957 to 1975. Have fun!
Green Jaguar
Time for another auto themed puzzle. In this new game we feature a beautiful green Jaguar parked in front of an brick building. If you didn't know, Jaguar's business was founded as the Swallow Sidecar Company in 1922, originally making motorcycle sidecars before developing bodies for passenger cars. Jaguar first appeared in September 1935 as a model name on an SS 2,5-litre sports saloon. Jaguar made its name by producing a series of successful eye-catching sports cars, the Jaguar XK120 (1948–54), Jaguar XK140 (1954–57), Jaguar XK150 (1957–61), and Jaguar E-Type (1961-75). Over the years many Jaguar models have sported the famous chrome plated Leaping Jaguar, traditionally forming part of the radiator cap. Known as "The Leaper" this iconic mascot has been the subject of controversy in recent times when banned for safety reasons from cars supplied to Europe. Have fun!
1955 Porsche 356 Speedster
Today's new puzzle feature a beautiful classic car - the 1955 Porsche 356 Speedster. The 365 was Porsche's first production automobile. It was built by the German company from 1948 to 1965.The 356 "Speedster" was introduced in late 1954 after Max Hoffman, the sole US importer of Porsches, advised the company that a lower-cost, somewhat spartan open-top version could sell well in the American market. With its low, raked windscreen, bucket seats and minimal folding top, the Speedster was an instant hit in the US, especially in Southern California.
Maserati Quattroporte Sport GT S
Solve this jigsaw puzzle and put back together the Quattroporte Sport GT S- an exciting combination of luxury sedan and performance sports car from Maserati.
This sports car was produced by Italian automaker Lamborghini between 1966 and 1972. The car is widely considered to have begun the trend of high performance, two-seater, mid-engined sports cars. At launch, it was the fastest production road car available.
Dump Truck Tires
If you didn't already know, a dump truck, known also as a dumper truck or tipper truck is used for transporting loose material (such as sand, gravel, etc) for construction. The dump truck is thought to have been first conceived in the farms of late 19th century western Europe. Thornycroft (a United Kingdom-based vehicle manufacturer which built coaches, buses, and trucks) developed a steam dust-cart in 1896 with a tipper mechanism. The first motorized dump trucks in the United States were developed by small equipment companies such as The Fruehauf Trailer Corporation, Galion Buggy Co. and Lauth-Juergens among many others around 1910. In today's puzzle we feature a close-up of the massive wheels and tires on such a machine. Pick your difficulty level and give it a try!
In today's new puzzle we feature a Lamborghini Gallardo - a sports car built by Lamborghini from 2003 to 2013. It is best-selling Lamborghini car to date. The vehicle was designed by Luc Donckerwolke and was based on the 1995 Cala prototype by Italdesign Giugiaro. During the 2007 Geneva Auto Show Lamborghini launched the Gallardo Superleggera. The name paid tribute to the construction style of the first Lamborghini production model, the 350GT and its emphasis on weight reduction.
Willys Interlagos Berlineta
The Willys Interlagos was based on the Alpine A108 -a light-weight glass-fibre bodied, rear-engined two-door coupe produced for a young competition-oriented Dieppe based Renault dealer called Jean Redele. The model was built in three versions: berlineta, coupe, and convertible. The car had a successful racing career during it's life time and it's still popular with auto enthusiasts. Only a total of 822 Interlagos were built from 1962 to 1966.
Classic Yellow Cab
Today we feature a legend of the US city and rural roads -the yellow cab. So choose your difficulty level and jump aboard our classic yellow taxi in this fun new puzzle.
A fun an challenging puzzle featuring a krypton green Lotus Elise.
Vintage Firetruck And Taxi
In this fun new puzzle we're going back in time to the era of vintage cars (the period of 1919 to 1930). Featuring a vintage taxi and firetruck both based on early Ford models this fun new game will let you get a glimpse of the early days of the automotive industry. Pick your difficulty level, click start and put the bright red firetruck and the wooden framed taxi cab back together piece by piece and relax with today's auto themed puzzle. Have fun!


EXCLUSIVE: Rahul is visting temples, should clarify stand on Ram temple, says Fadnavis.
India TV Exclusive: Story of 'Sanyasi' Prashant Sankhla.
India TV Exclusive: Story of 'Sanyasi' Dishant Patel.
India TV Exclusive: Story of 'Sanyasi' Balbir Singh.
Tanushree Dutta accused Nana Patekar of sexually harassing her and asking her to do intimate scenes with him during the shooting of Horn OK Please.
The video, which has surfaced a couple of days ahead of the second anniversary of the secret military action, shows terror launch pads being bombarded and destroyed by Indian soldiers.
Watch special show on "ISKCON Sannyasi"
Watch a special show on a fake godman.
India TV Exclusive: Untold story on viral grandmother-granddaughter photo on social media.
Falguni from Falguni Shane Peacock chats exclusively about everything bridal giving her expert tips at Vogue Wedding Show 2018.
Vogue Wedding Show 2018: Monica from the label JADE by Monica & Karishma talks about all things bridal.
Vogue Wedding Show 2018: Shyamal from the label Shyamal & Bhumika talks exclusively on everything bridal for your wedding this season.
Jewelry influencer, Prernaa Makhariaa gives her expert tips for all the brides at Vogue Wedding Show 2018.
Fashion designer Gaurav Gupta shares expert advice for a bride-to-be exclusively with India TV News Digital at Vogue Wedding Show 2018.
Celebrated Bollywood fashion designer, Manish Malhotra exclusively talks about his new collection, Zween and the inspiration to design it along with the sustainability of his creative traits.
India TV News brings you an exclusive video on meaning, symptoms and causes of stress along its remedy. Expert advice by psychologists - Aayushi Khaneja, Avneesh Narain, and Varsha Gupta.
In an exclusive interview with India TV, BJP leader and Union minister Ravi Shankar Prasad on Thursday said that the Public Interest Litigation (PIL), which was dismissed by the Supreme Court today as frivolous, was filed to serve the interests of Congress.


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Photo: Mark Wilson/Getty ImagesPhoto: Mark Wilson/Getty Images
Republicans Sell Access to Congressional Staffers, Flouting Cardinal Ethics Rule
Documents show that two Republican congressional campaign committees are offering donors meetings with legislative staff.
Lee Fang Nick Surgey
Lee Fang, Nick Surgey
April 20 2017, 2:23 p.m.
Congressional Republicans are baldly enticing donors with the promise of meetings with senior legislative staff, effectively placing access to congressional employees up for sale to professional influence peddlers and other well-heeled interests.
Documents obtained by The Intercept and the Center for Media and Democracy show that the National Republican Senatorial Committee and the National Republican Congressional Committee are both telling donors that in exchange for campaign contributions, they will receive invitations to special events to meet with congressional staff including chiefs of staff, leadership staffers, and committee staffers.
While selling donors access to senators and representatives and their campaign staff is nothing new, the open effort to sell access to their legislative staff — the taxpayer-funded government employees who work behind the scenes to write legislation, handle investigations, and organize committee hearings — appears to be in violation of ethics rules that prohibit campaigns from using House and Senate resources in any way.
Congressional ethics rules flatly forbid Capitol Hill employees from engaging in fundraising activities as part of their official duties. Any explicit fundraising work must be done strictly as a volunteer, and there must be a clear firewall separating government work from campaign work.
It's arguably the last fig leaf left when it comes to giving the appearance that campaign contributions are not directly linked to official acts.
"You can't use resources that are paid for by the taxpayer to service campaign donors. That's blatantly illegal," said Caroline Fredrickson, the former chief of staff to Sen. Maria Cantwell, D-Wash.
Senate ethics rules allow for only de minimis, or incidental, overlap between government responsibilities and campaign work. For instance, when a Senate employee receives an unsolicited campaign communication, they may forward it on to the campaign staff.
Source: Senate Ethics Committee
House ethics rules cite a court ruling that "the basic principle that government funds should not be spent to help incumbents gain reelection."
Source: House Ethics Committee
But a document obtained by The Intercept and the Center for Media and Democracy from the NRSC, the Senate GOP campaign arm, lists the benefits of "D.C. Personal Giving Memberships," which costs as little as $1,500 a year. Among them: "Invitation to attend events with Republican Chiefs of Staff, Leadership Staff, and Committee Staff."
Source:NRSC
The NRCC, the House GOP campaign arm, describes its "218" program on its public website as being "comprised of Washington, DC GOP activists committed to a Republican Majority." The group's main objectives include providing financial support to the NRCC and targeted GOP candidates; and serving as an advisory group between the DC community and NRCC leadership."
For as little as a $5,000 annual contribution, members are eligible for monthly briefings that include "House Leadership Staff" and "receptions with Chiefs of Staff, Leadership Staff & Committee Staff" as well as other more customary benefits.
Source: NRCC.org
It's not the first time a major Capitol Hill funding outfit has raised campaign cash using congressional employees. In 2013, the Democratic Senatorial Campaign Committee advertised a "Women on the Hill Dinner" with chiefs of staff to Democratic senators. The event was asked for a suggested donation of $1,000.
But the new Republican effort is more structured, making the exchange of money for meetings with a variety of congressional staffers an official element of the party's fundraising apparatus, with regular events and tiered levels of access.
"It's the blatant buying and selling of access," said Michael Beckel, the research manager at IssueOne, a campaign finance reform group. "Congressional staffers, paid by the taxpayers, don't have carte blanche ability to participate in political fundraising. A reasonable person could easily conclude that this selling of access would be prohibited under congressional ethics rules because it's mixing official business with more than a de minimis amount of campaign activity."
"This is the first time I have heard of party fundraisers based on pay-for-access to congressional staff," said Craig Holman, an ethics expert with the watchdog group Public Citizen. "It raises serious issues of ethics and corruption."
"This takes money buying access to a new level," said Jessica Levinson, a law professor and ethics expert at Loyola Law School. "This means that people with money can buy, in a very concrete sense, a meeting with important staffers."
But Chris Ashby, a Republican campaign finance lawyer, argued that congressional staffers are free to engage in political work as a volunteers, and that simply using their congressional titles in a fundraising appeals does not raise ethical concerns. "We allow members to use their titles in political communications, I think the same allowance fairly applies to staffers," Ashby said. "What staffers should not do is use or permit the use of their job titles or any other government indicia — such as official seals or office email accounts — in such a way that expresses or implies the support of the government for their political activities."
According to another NRSC document obtained by The Intercept and the Center for Media and Democracy, Hazen Marshall, a former lobbyist who is now policy director for Sen. Mitch McConnell, R-Ky., met with "Article One" donors to the "D.C. Personal Giving" program ($5,000 and up annually). The event was held at the NRSC headquarters, just north of the Capitol building. Hazen is paid $170,000 a year for his government job.
Source: NRSC
The NRCC and NRSC did not respond to multiple requests for comment. Their Democratic counterparts, the DSCC and DCCC also did not respond as well.
Signs of intermingling congressional staff and fundraising activity have previously attracted great interest from ethics investigators.
In 2011, a report by the Office of Congressional Ethics found that several lawmakers regularly brought legislative staff along for meetings with campaign donors. The OCE report charged that the fundraising events may have influenced official actions in Congress, including amendments to a financial regulatory bill.
Lawmakers fought the allegations, claiming the legislative staff had helped raise money strictly as campaign volunteers working outside the scope of their official, government jobs.
The chief of staff to then-Congressman (now Trump's secretary of health and human services) Tom Price, R-Ga., told investigators that although he had asked donors for money and helped drive Price to fundraising events, his role at the fundraisers was limited to driving the lawmaker, and he was never asked by Price to attend a fundraiser.
The chief of staff to Congressman Joe Crowley, D-N.Y., a member of the Democratic leadership, was found emailing lobbyists for campaign contributions and setting up meetings with potential donors.
The House Ethics Committee ultimately did not take action on the OCE investigation. Its report specifically noted that Price's chief of staff and legislative assistant "had no official role at any of the events. Nor were they told to attend. Neither of them engaged in any specific discussions with the attendees regarding official business or specific legislation."
Legislative staffers advertised as attending the NRCC and NRSC events would by definition have an official role and required presence.
"This is really, I have to say, one of the more blatant swamp-like activities that's going on right now," said Fredrickson, the former Democratic chief of staff. She is now president of the American Constitution Society. "The indication that they're there in their official capacity is very troubling."
Lee Fang[email protected]theintercept.com@lhfang
Nick Surgey[email protected]documentedinvestigations.org@nicksurgey


U.S. News and World Report ranks UT Southwestern Medical College in the high 25 nationally in both analysis and first care. Unfortunately, I am actually not sure about medical faculties in Canada, though they seem to have a really related system to these within the US. The best way it works in the US is that MOST colleges contemplate permanent residence as in the event that they were citizens, including the monetary assist – but once more, it is best to double-check if it works the same way in Canada. It is usually necessary to note the emotional effectively-being of the scholars and the general ambiance of the college so you'll be able to determine whether or not it is best for you. At my prime selections, I undoubtedly knew that these schools supplied an environment that was condusive to an grownup studying fashion. Medical faculty is nerve-racking enough and you don't want any monetary points to distract you out of your work as a medical scholar.
International students not holding a inexperienced card will have a more challenging time within the college admissions course of, as a result of only a restricted variety of colleges can contemplate them. Request you to kindly share your e mail ID with me on my account [email protected], I'm in a state of affairs and need to ask you some crucial questions concerning medical faculty.. please reply to me on my email. After medical school, graduates are mandated to spend one yr of housemanship (internship) and one year of group service before they're eligible for residency. Harvard Medical School has a bigger than average endowment when compared with other medical schools. I'm sure they will also be happy to let you recognize when you have all the conditions or not.
I'll give attention to US DO schools as well as residency options for worldwide college students in one in every of my future posts – keep tuned! Medical school is usually 6 years, and by the tip of the 6 years the students acquires a bachelor's degree of Medication and Surgery. Physicians who need to be a part of a specialization program should undergo a brand new selection examination considered as aggressive as that required to hitch a medical college.
The common GPA of scholars admitted to Harvard Medical School is 3.ninety three. It can undoubtedly be tougher to gain admission into schools with excessive common admitted GPA scores. I defintely agree with Zess – the International Students and Scholars Office (or an equal) at your school ought to be able to help you.
In case you are already at a medical college, it is perhaps simpler so that you can finish the French medical school after which apply for residency programs in the US as an IMG (Worldwide Medical Graduate) – if you want to practice within the US, that's. The medical coaching is sort of equivalent and each are licensed to practice in all states.


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Hamleys Coupons
Last Updated : 16 Dec 21 | 1 सत्यापित ऑफर |
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Emilio Aguinaldo
The Philippine revolutionary leader Emilio Aguinaldo (1869-1964) fought for independence of the Philippine Islands, first against Spain and then against the United States.
Born on March 23, 1869, Emilio Aguinaldo grew up in Kawit in Cavite Province and was educated in Manila. Appointed to a municipal position in his home province, he was also the local leader of a revolutionary society fighting Spanish rule over the Philippines. By an agreement signed with rebel leaders in January 1898, Spain agreed to institute liberal reforms and to pay a large indemnity; the rebels then went into exile.
When war broke out between Spain and the United States in April 1898, Aguinaldo made arrangements with the U.S. consuls in Hong Kong and Singapore and with Commodore George Dewey to return from exile to fight against Spain. On June 12 Aguinaldo proclaimed the independence of the Philippine Islands from Spain, hoisted the national flag, introduced a national anthem, and ordered a public reading of the declaration of independence.
When he realized that the United States would not accept immediate and complete independence for the Philippines, he organized a revolution against American rule that resulted in 3 years of bloody guerrilla warfare. He was captured on March 23, 1901, by Gen. Frederick Funston. Funston and several other officers, bound hand and foot, pretended to be prisoners and were taken to Aguinaldo's camp by Filipinos loyal to the United States. Released and given weapons, they easily captured Aguinaldo, who then took an oath of allegiance to the United States and issued a peace proclamation on April 19. The bitterness caused by the war was soon transformed into friendship as Americans and Filipinos joined to work toward Philippine independence. Aguinaldo retired to private life, and his son entered West Point in the same class as Gen. Funston's son.
In 1935 Aguinaldo ran unsuccessfully for president of the Philippine Commonwealth against Manuel Quezon. After the Japanese invasion of the Philippines in 1941, he cooperated with the new rulers, even making a radio appeal for the surrender of the American and Filipino forces on Bataan. He was arrested as a collaborationist after the Americans returned but was later freed in a general amnesty. He explained his action by saying, "I was just remembering the fight I led. We were outnumbered, too, in constant retreat. I saw my own soldiers die without affecting future events. To me that seemed to be what was happening on Bataan, and it seemed like a good thing to stop."
In 1950 he was named to the Council of State, an advisory body for the president, and in his later years he was chairman of a board which dispensed pensions to the remaining veterans of the revolution. He died in Manila on Feb. 6, 1964.
Further Reading on Emilio Aguinaldo
Aguinaldo tells his own story in A Second Look at America (1957). The outstanding early work on Philippine affairs is W. Cameron Forbes, The Philippine Islands (2 vols., 1928; rev. ed. 1945). Leon Wolff is more sympathetic to the Philippine rebels in Little Brown Brother: How the United States Purchased and Pacified the Philippine Islands at the Century's Turn (1961). A more scholarly account is Garel A. Grunder and William E. Livezey, The Philippines and the United States (1951).
Turot, Henri, Emilio Aguinaldo, first Filipino president, 1898-1901, Manila, Philippines: Foreign Service Institute, 1981.


Effects: Deal 75000 Water damage to all Fire enemies. Affected by enemy element and defense. Enhance Water orbs. +6% per orb, up to +180% for full board.
But... When are we getting the real plan in NA?
Whos chibi this suppose to be?
Plan, a monster that there are only 100 copies of in JP PAD. she was limited edition.
if there is a god, they will give us all a chance at chibi Plan ._.


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