Bathroom : Diy Bathroom Ideas Great Bathroom Ideas Luxury Shower Designs Office Bathroom Design Ideas Bathroom Designs For Home. Office Bathroom Ideas. Bathroom Designs. How To Decorate A Small Bathroom. Small Toilet Design.
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Our Top 10 Classic Thanksgiving Recipes 24 comments Making a brand new recipe for Thanksgiving (the biggest food day of the year) is risky and intimidating, so instead of sharing something new, I put together a list of our top 10 favorite, tried-and-true, . The most-delicious Thanksgiving pie fillings deserve the absolute best when it comes to crust. That's why you need Ina's Perfect Pie Crust, made with just the right balance of butter and shortening. Here's our Top Top 10 Quick & Easy Thanksgiving Recipes for Dinner including Desserts, Appetizer, Starters and Side dishes recipes. Recommended: What Day is Thanksgiving or When Is Thanksgiving in ? Hello guys, hope you would be doing all well and will be busy in shopping for the Thanksgiving The biggest enjoyable worth mentioning a thing about Thanksgiving is the delicious dishes and .
© 2018	| Proudly Powered by	WordPress Top 10 Thanksgiving-friendly recipes, very easy and delicious. Cook them at home for Thanksgiving or Friendsgiving celebrations or any day of the year. Top 10 Thanksgiving-friendly recipes, very . 40 Recipes for Your Best Thanksgiving Stuffing Skip Ad. Advertisement - Continue Reading Below. More From The Best Thanksgiving Ideas for Every Black Friday Deal We Know About So Far 9 Stores Open on Thanksgiving Day Advertisement - Continue Reading Below. Since turkey is our most popular Thanksgiving recipe (no surprise there!), we wanted to include our most popular vegetarian main too. This meat-free loaf is loaded with toasted nuts and mushrooms, and is guaranteed to be a hit with vegetarians and omnivores alike.


The following is a list of our current kids chat administration team. They are a very hard working and dedicated team of individuals determined to make this website a safe and friendly environment for kids. Please obey any instructions given to you by any of the moderators. They can usually be found at the top of the userlist. We do try to have 24 hour a day coverage, but that cannot always be guaranteed. It is also your responsibility and duty to be wary of the potential dangers of socializing online in kids chat rooms.
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Members of the A&D community can earn continuing education units (CEUS) by attending the Bringing the Urban Forest Full Circle Conference, Friday, March 18 at Hamburger University.
The credits are being offered to members of the American Institute of Architects through special arrangement with the Illinois Chapter of the U.S. Green Building Council.
Architects and designers attending the program will learn about the unique appeal of converting community trees into lumber used for furniture, cabinets, flooring and other wood products and building materials.
Presentations on successful urban wood partnerships in Chicago, Ann Arbor, MI; and Milwaukee, WI.
Overview of the urban wood market and its source local/buy local appeal.
Urban Wood Products Showcase featuring displays of cool stuff made from urban wood.
Portable sawmill demonstration hatches the inner beauty of a tree.
Plenty of networking opportunities, including a Networking reception featuring table top exhibits at the end of the program.
The conference is presented by the Illinois Wood Utilization Team.
View the full schedule and register.
For additional information, contract Rich Christianson, Conference Director, at richc.illinoisurbanwood@gmail.com or 773-822-6750.


text:
Millyuns
How I make millions blogging.
Steven Van Zandt Quotes
Steven Van Zandt quotes: Little Steven's brutally-honest life lessons.
"Reach for greatness, nothing less. And make sure you have some fun along the way."
"Life should never be boring."
"The best part of success, real success, is getting a chance to work the way you want to work, do what you want to do."
"You have to love what you're doing in order to find the energy. You gotta love everything you do. You just gotta do it."
"The old expression is 'the harder you work, the luckier you'll get,' and I think there's something there. In other words, when the opportunities present themselves, if you're not ready, it's irrelevant. It's all luck. I mean, why are we who we are? Let's get down to basics. The characteristics that make up who you are, you don't have very much to do with that."
"I came up with four elements of who we are. The first three are DNA, circumstance and environment. By that, I mean the circumstances of your life. You're born in the middle of Africa or you're born in New Jersey. Environment means your parents showed love for you or they didn't. DNA is DNA, and that provides inclination or is at least a factor in terms of your inclination. Whether you realize that inclination is another story. But the fourth thing, and in some ways, it's the smallest part of who you are and the most important, is willpower. And that plays a funny role. That, I think, determines a lot of where you end up, and you can call that ambition in some ways, but willpower is more than ambition. It's a certain drive to realize one's potential, to be somebody not necessarily famous, but to realize your potential. I don't care if you're a carpenter, you still want to build that perfect house."
"I try to impress upon people to not take anything for granted."
"Timing really is nearly everything. And what it isn't, circumstance makes up for."
"Every successful person needs to have at least one person in their life who's not afraid of them."
"You can't manage yourself. You can't be your own manager, no matter how much you understand the business. That's because the one thing you can't be is an advocate, and that's the main job of a manager. Advocate. To be the person that sells you and encourages you, and is a fan of yours, and constantly pumps you up when you get depressed and all that stuff. All those clichés are all valuable and they're all true. You need that. You need somebody out there selling your work, because content, as I learned the hard way, is only half the story. The other half is marketing."
"I am interested in the interaction of a group of people who have a common goal, or a common obsession, each contributing something unique to make something greater than the sum of its parts. I don't know why, but from day one, that has interested me."
"Being a rock 'n' roll star ain't a part-time gig."
"I don't wake up every day and just write to write. I only write with purpose."
"Whatever I'm doing, I try and keep the quality very high."
"Your celebrity capital rises and falls in any given year. And when you have some—temporarily, usually—you try to use it for some good."
"From the age of 14, 13, I guess I wanted to be a rock 'n' roll star. And that was it. I wanted to make a living playing rock 'n' roll, and it was a ridiculously impossible dream at that time. But it was kind of all I ever wanted to do. I didn't care about anything except rock and roll. So it's nice that it turned out to be something that you find a way to make a living from."
"Does ambition or talent matter more to success? Both. The old-school way of thinking would be more of the second than the first, but I don't think that's true in the modern world."
"I tell everybody, if you've got a band that works, it's a miracle. It's never going to be perfect, but if it works on some level, hold on to it with both hands and don't ever let it go."
"I learned everything I know from leaving the E Street Band. And of course, one of the things I learned is, I never should have left."
"You tell yourself, 'Hey I walked out on probably 100 million dollars, but I saved a few lives maybe.' So what the f*ck, it was worth it."
"I grew up in a renaissance period, a very lucky time when the greatest music ever made was also the most commercial. We'll never see that again, so for me, there's only one criteria, which is greatness. That's all I care about. Is what I'm doing reaching for greatness? Whether I achieve it or not, that is one 100% of my criteria."
"I was very lucky with [playing a role in] The Sopranos."
"I am having the experience two times in my life of doing something that makes New Jersey fashionable [referring to playing with Bruce and acting on The Sopranos]. What are the odds on that?"
"The performing part of what I do in general is fun and important in its own way, but what really gets me off and what I really dig is the creative stuff which is producing and writing. I've always had more of an interest in the behind-the-scenes sort of thing rather than being necessarily in the spotlight."
"I was a terrible student. All I cared about was getting to band rehearsal. After high school I went on the road with a band, came back, and ran into my old friend Bruce Springsteen. There was a little local club called the Upstage Club where we jammed until five a.m. That was where we really started to develop our identity musically."
"If I had to identify myself, it would be as a writer-producer. You're contributing to something that is complex, and recognizing greatness is one of the things that I can do. As a troubleshooter, I make bad things good, good things great, and great things better. I know how to do that. But chasing greatness has really been what gets me off in life. I seek it out, I support it when I find it, I try and create it, or I contribute to it. You don't run into greatness that often, but it's important as a producer, if that's one of your gifts, that gift is recognizing it when you see it. So I'm a good soldier and a good leader because I understand both sides of the story."
"Music will forever be humanity's most effective and consistent source of inspiration and motivation, and, we have learned, music turns out to be our most solid common ground for establishing communication between teachers and students, which is where education begins."
"Art is an absolutely necessary part of the quality of life and it also helps kids learn. It gives them a comfortable place to learn from. I sincerely believe now it's important to teach kids how to think instead of what to think. The arts is connecting the dots. It has to do with instinct and emotion and imagination, the things that every kid possesses. Statistics show that it helps them in science and math, by the way."
"Compare yourself to the greatest ever in whatever field you're in, that's what counts. But nobody's born great, it takes years of focus and development. That's the problem these days: everybody is in such a hurry, so greatness will continue to elude future generations, until they can find a way to shut the phone off for a few hours. We gotta turn the computer off for a few hours a day—until we stop being distracted, we're never gonna get there."
"That theme of never giving up is in all of my stuff in some ways."
"I've had offers through the years to write a book, but I don't feel that I've quite done enough yet. I got some big ideas left."
"Don't worry. I retire when they pull my guitar from my cold, dead hands!"
"The music drives me. It lifts you up, no matter how you're feeling."
"I haven't accomplished 95% of what's in my head. I have tons of ambition. All I need is time."
"I learned much too late the usefulness of money and fame and success. Instead of walking away from it, I should have held on to it and used it. But there's nothing worse than a rock star complaining. I've been lucky."
"What's my biggest extravagance? I believe in quality of life. I don't call that an extravagance."
"I'm happy when I accomplish something. And when I'm home with my wife and dogs."
"I believe in the right now."
"My life is mostly about work. And honestly, I am usually very frustrated in my output. I'm constantly trying to catch up and have more output and work harder and get stuff done. So I'm obsessed with work most of the time. So when it comes to grief, I've decided, my mind has gone to a place where it's a very useful defense mechanism called denial. We spend the first half of our lives fighting denial and confronting our fears and what is false and trying to get to the truth and understand ourselves and be as honest and open to the truth as we can be and live it. I try and avoid funerals if I can. I'd just rather be in denial about it, because it's the only way to live with it, really, because they're such big losses."
"I mean, there's so many [deaths]. Your mother, your father. And after a while, the older you get, it's happening all around you all the time. What are you going to do? You can either spend your life in grief, or you just say, just be in denial about it. It's like, 'Alright, I'm just not seeing them at the moment. They're busy. I'm busy, they're busy.' And that's how I deal with it."
"Touch the earth, speak of love, walk on common ground."
"It ain't passive. It ain't TV. Go out there and rock 'n' roll and dance and have fun."
Related: Tom Petty quotes.
Cory Johnson: your momma's neighbor's side chick's last Uber Eats delivery guy's third-favorite blogger. Here's how he makes millions of dollars blogging without being bothered.

redpajama_set_name: RedPajamaCommonCrawl


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College Board of Trustees Eliminates SAT Essay and Subject Tests and…
Home World France Young couple rescued from certain death in Australian outback recount their survival
Young couple rescued from certain death in Australian outback recount their survival
A couple who were rescued from near death after being stranded in the Australian outback earlier this month have shared their miracle story of survival.
Jose Merlos and his fiancee Nicky Wong were driving through a remote area of northern South Australia with their dog Loki when their 4WD got stuck in the sand.
Unable to move the car, the couple spent two days walking 65 km in the scorching heat – and unable to eat – as they searched for the nearest town of Innamincka.
Mr Merlos was forced to drink his own urine and muddy trough water in a battle to stay alive as temperatures soared to nearly 40C and heat exhaustion set in.
"It was so hot and we were scared, I thought we were going to die," Mr. Merlos said.
Jose Merlos and Nicky Wong (pictured) were driving their dog Loki along a remote part of South Australia earlier this month when their SUV got stuck and they were forced to walk to search help.
The couple jotted down handwritten notes, including the one above, and left them by the side of the road in hopes someone would read them and find the pair.
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"We barely spoke as we walked because our mouths were so dry. We had little food left but we could not eat it because we had no saliva and could not swallow.
" I was worried that my fiancee Nicky wouldn't do it because she needed more and more breaks to rest, and I had to beg her to keep walking. "
Telephone reception was interrupted and several attempts to contact emergency services were unsuccessful.
" My phone was only saying SOS, and I kept trying to call for help over and over again, but the call was not going through, " Mr. Merlos said.
The couple left handwritten notes strewn along the way and also wrote " SOS " in giant letters in the sandy soil so the distress sign could be seen by planes.
"Need help, got stuck … running out of supplies," a note read.
"We have been walking for about 60 km. We hope to find people or campsites or an emergency call reception.
Mr Jose was certain the couple were going to die in the outback – until a field worker at the Santos oil and gas company, whom the couple only knew as Craig, ran into them.
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The couple walked 60 km in two days without food or water, desperately trying to be saved. In the photo, a note left by the couple
The stranded couple also etched SOS (pictured above) into the dirt in an attempt to be saved
"Craig told us that he only takes this road once every six weeks and that we still have 25 km to go to get to Innamincka," said Merlos.
It was so hot and we were scared I thought we were gonna die
"If he hadn't found us, we would have perished.
Craig drove them to his base labor camp, where they were given food and water.
Mr. Merlos, from France, and Ms. Wong, from Hong Kong, were then taken to Innamincka for treatment by the Royal Flying Doctor Service.
"They were in very good physical condition," said Chris Belshaw, a nurse for RFDS.
" A little touching because they realized how at risk they were.
"Fortunately for them, the temperature was cooler than usual for this time of year, and only between 30 and 30 years old.
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Mr Belshaw said the average temperature in the region in January was 45 ° C.
The couple were on their way home to Adelaide from Cairns and had planned to travel through New South Wales, but were forced to go through the South Australian Outback due to Covid-19 border restrictions.
Innamincka (pictured above) is a remote region in southern Australia where conditions are harsh all year round
"If it was normal temperature I think they would have perished," he said.
The couple and their dog were returning to Adelaide after a vacation in Cairns.
They had planned to drive through New South Wales by car, but due to Covid-19 border restrictions imposed by South Australia, they were forced to drive through the remote northeastern part of their state of origin.
"If we were to travel to the outback again, we would buy a satellite phone and make sure that the city authorities in front of us know they are waiting for us," Merlos said.
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84R34225 BPG-D
By: Giddings H.R. No. 3515
R E S O L U T I O N
WHEREAS, Morgan H. Constantino has ably served her fellow
Texans as legislative director in the office of State
Representative Helen Giddings during the 84th Legislature; and
WHEREAS, Ms. Constantino's resourcefulness and initiative
have earned the appreciation of her colleagues, and her
contributions to carrying forth the legislative agenda of
Representative Giddings have helped address issues facing citizens
across the Lone Star State; and
WHEREAS, A graduate of the Appalachian School of Law and
member of the State Bar of Texas, Ms. Constantino was especially
involved in work on House Bills 2684 and 2885, relating to the use
of force against students by public school district officers; she
first joined the office of Representative Giddings as an intern
during the 83rd Legislative Session, and she went on to serve as a
legislative aide before her promotion to legislative director in
December 2014; in addition, she has been a law clerk for the
American Civil Liberties Union of Georgia and for the South
Carolina Department of Consumer Affairs; and
WHEREAS, This esteemed public employee has performed her
duties as legislative director with skill and dedication, and she
is indeed deserving of special recognition for her fine work; now,
therefore, be it
RESOLVED, That the House of Representatives of the 84th
Texas Legislature hereby commend Morgan Constantino for her service
as legislative director in the office of State Representative Helen
Giddings and extend to her sincere best wishes for continued
success in all her endeavors; and, be it further
RESOLVED, That an official copy of this resolution be
prepared for Ms. Constantino as an expression of high regard by the
Texas House of Representatives.


text:
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The team at CLP are proud to have achieved Lexcel accreditation, recognising our commitment to client satisfaction and high-quality practice management standards.
Lexcel is an accreditation scheme specifically for the legal sector, which is operated by the Law Society of England and Wales. As part of the application process, our firm had to complete a thorough assessment process, including a site visit from an independent Lexcel assessor. Various aspects of our firm were scrutinised, from information management to file and case management. At the end of the assessment process, our firm was credited with excellence in legal practice management and client care.
With Lexcel accreditation our clients and employees can have the confidence that our operations are consistent and efficient, and put their best interests first.
Philip Bennett Director of CLP said: "We place considerable importance upon identifying, reviewing and updating our policies and procedures to ensure that we meet the standards expected by the Law Society's recognised accreditation scheme. We have already seen the benefits both to our clients and to the firm in terms of greater efficiency, productivity and the delivery of value for money services. We are thrilled to have been accredited and that all of our staff are able to demonstrate that we meet the standards required".


Create a unique background for your layout with Instant Horizons. Easy to install, these printed backdrops add depth and distance by creating a smooth transition between you actual scenery and backdrop. 24 x 36".
Fewer details and plenty of sky add miles of scenery and a wide, open look to any layout.


text:
package com.raizlabs.android.dbflow.test.sql.fast;

import com.raizlabs.android.dbflow.annotation.Table;
import com.raizlabs.android.dbflow.test.TestDatabase;

/**
 * Description:
 */
@Table(database = TestDatabase.class)
public class NonFastModel extends FastModel {
}

redpajama_set_name: RedPajamaGithub


text:
Q: How to debug connection from computer to server, server-side My Centos 7 server is running apache 2.4.6, and is serving up a django webapp using mod_wsgi.  My problem is that I cannot access the server url from my browser from another computer.  I am not getting any errors from apache and its up and running no problem. I've set the error logs to 'debug' in the http.conf file but still no errors.  I know the server is in fact connected to the internet by pinging it, i know it is listening on port :80 by running
netstat -tunlp | grep 80.
tcp        0      0 0.0.0.0:60080           0.0.0.0:*               LISTEN      3841/name-gu
tcp6       0      0 :::80                   :::*                    LISTEN      13882/httpd

I have temporarily turned off all firewalls server-side as well
My settings.py has the url, ip address, and localhost under ALLOWED_HOSTS
How do i debug this issue so i have an error i can look into?

Log:
Let me know if more information is need
ran tcpdump -nn tcp port 80 on server computer
then ran curl -v myurl.com on my machine and get these results on my server:
13:11:52.225076 IP 10.0.24.67.40658 > 10.0.26.20.80: Flags [S], seq 3327782620, win 29200, options [mss 1460,sackOK,TS val 36451589 ecr 0,nop,wscale 7], length 0
13:11:52.225355 IP 10.0.26.20.80 > 10.0.24.67.40658: Flags [S.], seq 1689726058, ack 3327782621, win 28960, options [mss 1460,sackOK,TS val 73904848 ecr 36451589,nop,wscale 7], length 0
13:11:52.225960 IP 10.0.24.67.40658 > 10.0.26.20.80: Flags [.], ack 1, win 229, options [nop,nop,TS val 36451590 ecr 73904848], length 0
13:11:52.226198 IP 10.0.24.67.40658 > 10.0.26.20.80: Flags [P.], seq 1:101, ack 1, win 229, options [nop,nop,TS val 36451590 ecr 73904848], length 100: HTTP: GET / HTTP/1.1
13:11:52.226448 IP 10.0.26.20.80 > 10.0.24.67.40658: Flags [.], ack 101, win 227, options [nop,nop,TS val 73904849 ecr 36451590], length 0
13:11:52.231414 IP 10.0.26.20.80 > 10.0.24.67.40658: Flags [P.], seq 1:286, ack 101, win 227, options [nop,nop,TS val 73904854 ecr 36451590], length 285: HTTP: HTTP/1.1 200 OK
13:11:52.232052 IP 10.0.24.67.40658 > 10.0.26.20.80: Flags [.], ack 286, win 237, options [nop,nop,TS val 36451596 ecr 73904854], length 0
13:11:52.232814 IP 10.0.24.67.40658 > 10.0.26.20.80: Flags [F.], seq 101, ack 286, win 237, options [nop,nop,TS val 36451597 ecr 73904854], length 0
13:11:52.233003 IP 10.0.26.20.80 > 10.0.24.67.40658: Flags [F.], seq 286, ack 102, win 227, options [nop,nop,TS val 73904856 ecr 36451597], length 0
13:11:52.233414 IP 10.0.24.67.40658 > 10.0.26.20.80: Flags [.], ack 287, win 237, options [nop,nop,TS val 36451597 ecr 73904856], length 0

A: First I would focus on verify that you can access some static test page on your Apache server, because it is listening only on an IPv6 port. (It is the most suspicious detail presented on your server. Maybe you configured only a DNS for an IPv4 address or you did not also ping6 on the IPv6 address. If it is a public server then it should probably listen finally on IPv4 also. It's clear that no service is listening on IPv4 tcp port 80, neither a proxy.) If it was not the problem then I will describe a strategy "debugging":
... Great, you checked some useful particular facts, but the most effective strategy is to try to bisect a big area of possible problems to "half" sized areas that can be checked independently whether they work or don't work and how it would manifest itself specifically if anything in that area is broken.
I would look in access log /var/log/httpd/access_log (default Apache log on CentOS) that a request has been received by Apache and what was the status code and that the size of response was zero or nonzero and that everything is ok between Apache and a browser. It is more useful to easily test the server first by one request from the same server, before you start to suspect a firewall etc., e.g. test it by a command line utility wget -S -O - http://mysite.example.com or curl -i http://mysite.example.com. If you check anything by a browser you should use developer tools Inspect (Ctrl+Shift+I), Network tab and see if the problem is related only to a response or still to sending the request.
I would eventually also verify that the logging from Python/Django works and that you are looking into the right Python log, e.g. by adding a log.info("something") command at the end of models.py, not only that you don't see any error.
The text "I cannot access the server url from my browser" requires more information what is exactly meant by it. Literally it would mean that the problem would not be related to Django/Python, but between Apache and browser, if it really can not start to connect and send headers of a request. A missing response requires to consider primarily Django/Python. Even an unconfigured Apache shows a test page and can be accessed by ip address, without a valid DNS: http;//numeric.ip.address. You may verify that you can configure temporarily a simple test static site on the same domain...
EDIT The debugging continued by responses and suggestion in comments and by added formatted log in the question. The logical process is more important than only a resume.

redpajama_set_name: RedPajamaStackExchange


New York City Ballet concluded its Spring 2018 season with seven performances of Coppélia and a closing night repeat of the season opening all-Balanchine program. While neither of the two Coppélia performances I saw was deficient in any way, through no fault of anyone I left the DHK Theater on both occasions feeling less than satisfied.
Coppélia is generally considered to be one of the greatest comic ballets of the 19th Century. Originally choreographed by Arthur St. Leon in 1870, Marius Petipa restaged it in 1884, and it is that version (revised by Cecchetti in 1894) that has survived. In this production, Balanchine and Alexandra Danila modified some of the choreography for Acts I and II, but Act III, the wedding between Swanilda and Franz and post-ceremony divertissement celebration, is all Balanchine.
The story is simple, and since Coppélia is not an unfamiliar ballet, I'll limit that exposition. Swanilda, the spirited Galician town pistol, loves Franz, accurately described in the program as a "bumpkin." Not the sharpest knife in the drawer, Franz, who claims to love Swanilda, is enamored of a girl (the titular Coppélia) sitting in a chair on a second-floor balcony without moving a muscle. He blows her kisses, and Swanilda gets jealous. Eventually, as the reclusive Dr. Coppélius, the town weird old guy, emerges for his constitutional, Franz and his equally bumpkinish friends jostle him for no particular reason (in New York, it's called a mugging). Coppélius loses his house key, which the curious Swanilda picks up and, with scaredy-cat friends in tow, goes in search of the starched floozy. Coppélius follows after he realizes someone's entered his home, and clever Franz decides to go directly for that hot doll on the balcony – with a ladder. After Swanilda and her friends wreak havoc with Coppélius's dolls and then discover that the girl Franz has lusted after is really made of wood (Coppélia and Franz really were perfect for each other), the mad doctor snares Franz coming through his window, gets him drunk, tries to steal his life force and transfer it to his doll, but ultimately realizes he's been tricked. Swanilda and Franz run off triumphant, Dr. Coppélius's somewhat perverted life's work is destroyed, and without the doll to distract him, Franz marries Swanilda, and the town celebrates.
I've seen this NYCB version of Coppélia many times previously, and enjoyed it (as I did the production by American Ballet Theatre, which that company has not presented in about 4 years). But, with exceptions, the Swanilda performances this year – at least in Act I and to a lesser extent in Act II – seemed more cartoonishly, and unnecessarily, exaggerated than I recall. It seems obvious to me that, since that aspect of the characterizations was evident in both portrayals I saw, this was intentional – and maybe it's been that way all along and I was just too involved to notice.
But being described as one of the best comic ballets of the 19th century suggests, if not requires, that it be considered in its 19th century context. At least in Acts I and II, Coppélia resembles opera buffa – with the exaggerated antics portrayed in comic operas of the period from the late 18th to mid 19th centuries (with roots in Commedia dell'arte before that). Coppélia also is generally considered to be an example of the Romantic ballet genre (and the last of the Romantic ballets), featuring the supernatural and the fantastic: imaginary beings, weightless ballerinas, spirits that come out at night to bedevil common people, and/or ogres, sorcerers, or witches – in this case, a mad scientist who attempts to bring dolls to life. Finally, and related, Coppélia also has roots in the macabre. The ballet is based on the stories The Sandemann (The Sandman) and and Die Puppe (The Doll) by E.T.A. Hoffman – the same storyteller who wrote The Nutcracker and the Mouse King, which evolved into The Nutcracker ballet. Hoffmann was the Edgar Allen Poe of his era, creating stories filled with gothic horror. As with The Nutcracker, however, Hoffman's horror was sanitized out of Coppélia – except in certain productions vestiges remain in the form of grotesque-looking eyes that Coppélius would attach to his doll creations.
The point of this digression is that the exaggeration that I now see as unnatural and superfluous really isn't. I may find it overbaked, but it's not at all inappropriate in context.
All that having been said, and aside from exaggeration and having more experience than is my preference, the two Swanildas I saw performed marvelously. Sterling Hyltin just keeps getting better, although that's hardly possible. Even though she was smarter (in character) than anyone else on the stage, it was an endearing blend of playful exuberance and technical brilliance. And when she was able to place characterization somewhat aside in Act III, she delivered Balanchine's highly complex choreography flawlessly.
I had greater concerns with Andrew Veyette's Franz. I could suspend disbelief as to Hyltin's Swanilda (it didn't take much – her vibrancy was real), but in terms of the character he's supposed to be, I couldn't believe he was of the same generation – which might not be a concern in other roles, but in this one it is. This role no longer suits him. His execution was less problematic – although Veyette of late seems to run out of gas quickly (or, seen a different way, saves his energy as long as possible), somehow he also always manages to pull it out at the end. And his partnering remains top-notch. He doesn't only partner securely, he's a preventive partner, with his attention and his hands always ready to assist his ballerina.
On Saturday evening, the program featured Ashley Bouder and Joseph Gordon as Swanilda and Franz. Bouder, who has been with the company since 2000 and, remarkably, had not performed Swanilda until her role debut the previous night, appeared to me to be even more forced and unnaturally perky in Act I than Hyltin was. While not over the top, it was far more "out there" than I was comfortable with, and looked like overcompensation. However, in every respect her technical execution was at a quality level that Bouder has managed consistently to achieve throughout her NYCB career: superlative in every way.
But in this cast, the contrast with her Franz was pronounced. Gordon, who also debuted in his role the previous night, not only fit the part in appearance, he delivered a sensational performance to boot. I rarely find a performance with nothing to nit-pick about, but this was one of them. He'll add a bit more comic flair as he grows more comfortable in the role, but it was a noteworthy portrayal.
Also debuting the previous night was Giovanni Villalobos as Dr. Coppélius (it was a pleasure to welcome back Robert LaFosse in that role the previous week). Villalobos is a cantankerous Coppélius, less the pixilated and somewhat endearing old geezer than a crotchety, slightly deranged mad inventor – which is probably closer to the way the role is supposed to be played, even though nearly every portrayal I've seen, from Shaun O'Brien (the original Dr. Coppélius in this production) on, leans the other way.
Although it's always enjoyable to watch accomplished dancers execute at their anticipated high level, I find the opportunity to see dancers on the cusp assaying featured roles to be more rewarding, and at these performances, there were an abundance of examples in Balanchine's Act III divertissements.
This has been a tumultuous year for NYCB, and credit goes to the "Interim Artistic Team" of Jonathan Stafford, Justin Peck, Craig Hall, and Rebecca Krohn for keeping things on an even keel following Peter Martins's departure. The Robbins 100 Celebration was a huge success artistically and, apparently, financially based on the full houses for the performances I attended (and should have lasted longer); the extraordinary Winter 2018 season that Maria Kowroski had continued this Spring (and even though I thought one role – in In G Major – did not suit her, she executed it brilliantly); Joaquin De Luz is going out (he's scheduled to retire this coming Fall season) on a high, with brilliant outings in major roles; and Tiler Peck, Sara Mearns, and Hyltin have had abundant opportunities to continue to excel, which they continue to do.
But praising the current team does not require discrediting Martins's previous accomplishments. Taking over from Balanchine almost guaranteed failure – no one could match his choreography, and Martins was brutalized for not being Balanchine, for taking risks that proved unsuccessful, and for seemingly letting the company deteriorate.
But at least since 2009 (probably earlier), under Martins's stewardship NYCB has become the most exciting ballet company in New York. If he was in some way responsible for its seeming decline prior to that point (which may simply have been a reflection of not being Balanchine), deserved or not, he is also in some way responsible for its ascendance, deserved or not, and he deserves the credit. The abundance of quality talent that was encouraged with featured and leading roles rather than festering in the corps (the embarrassment of riches that I and others frequently observed); the risk-taking; the outreach to new generations of audiences by making ballet and ballet dancers appear more like remarkably talented kids next door than visiting nobility; all occurred under his watch. Attributing the company's present success to Martins's departure recreates history, and serves only to ratify a collateral agenda.
While the current leadership team has maintained the company's standards, it's necessarily interim. Consequently, risks taken are few. The season was set by Martins, but the casting most likely was not. It's premature to raise red flags, but it appears to me (perhaps inaccurately, since obviously there were performances and castings that I was unable to see) that since the Winter 2018 Season began there have been far fewer opportunities provided to corps and soloists to appear in featured and leading roles than in the recent past (with the exception of Erica Perreira, who has finally been given the opportunity to assay roles that were not assigned to her previously), and far greater reliance on rank and experience. That these more experienced dancers are well-qualified for their roles isn't the point – without providing real opportunities for highly promising and qualified corps dancers, and challenges for younger principals, the company risks stagnating. I trust that what I perceive is a product of understandable caution in the absence of any mandate beyond not to screw things up, rather than a change in essential artistic policy.
Finally, a salute to those company members who are departing (at least those I'm aware of). Soloist Savannah Lowery is leaving prematurely – in the past year or two, the quality of her execution, to my eye, has improved markedly. Cameron Dieck has been a reliable (and, at least on stage, unassuming) dancer and partner, and Likolani Brown stood out for the comforting serenity, as well as competence, that she brought to her performances. Finding her on stage somehow always gave me a sense of feeling grounded. All will be missed.


text:
Imports Microsoft.VisualBasic
Imports System.IO

Imports Aspose.Cells
Imports Aspose.Cells.Drawing

Namespace Articles
    Public Class ExtractOLEObjects
        Public Shared Sub Run()
            ' ExStart:1
            ' The path to the documents directory.
            Dim dataDir As String = RunExamples.GetDataDir(System.Reflection.MethodBase.GetCurrentMethod().DeclaringType)

            ' Open the template file.
            Dim workbook As Workbook = New Workbook(dataDir & "oleFile.xlsx")

            ' Get the OleObject Collection in the first worksheet.
            Dim oles As Global.Aspose.Cells.Drawing.OleObjectCollection = workbook.Worksheets(0).OleObjects

            ' Loop through all the oleobjects and extract each object in the worksheet.
            Dim i As Integer = 0
            Do While i < oles.Count
                Dim ole As Global.Aspose.Cells.Drawing.OleObject = oles(i)
                ' Specify the output filename.
                Dim fileName As String = dataDir & "outOle" & i & "."
                ' Specify each file format based on the oleobject format type.
                Select Case ole.FileFormatType
                    Case FileFormatType.Doc
                        fileName &= "doc"
                    Case FileFormatType.Excel97To2003
                        fileName &= "Xlsx"
                    Case FileFormatType.Ppt
                        fileName &= "Ppt"
                    Case FileFormatType.Pdf
                        fileName &= "Pdf"
                    Case FileFormatType.Unknown
                        fileName &= "Jpg"
                    Case Else
                        '........
                End Select
                ' Save the oleobject as a new excel file if the object type is xls.
                If ole.FileFormatType = FileFormatType.Xlsx Then
                    If ole.ObjectData IsNot Nothing Then
                        Dim ms As MemoryStream = New MemoryStream()
                        ms.Write(ole.ObjectData, 0, ole.ObjectData.Length)
                        Dim oleBook As Workbook = New Workbook(ms)
                        oleBook.Settings.IsHidden = False
                        oleBook.Save(dataDir & "outOle" & i & "output.xlsx")
                    End If

                    ' Create the files based on the oleobject format types.
                Else
                    If ole.ObjectData IsNot Nothing Then
                        Dim fs As FileStream = File.Create(fileName)
                        fs.Write(ole.ObjectData, 0, ole.ObjectData.Length)
                        fs.Close()
                    End If
                    End If
                    i += 1

            Loop
            ' ExEnd:1
        End Sub
    End Class
End Namespace


Boy oh boy! What did I let myself in for with this colour combination and stamp set?
The colour combination was Baja Breeze, with More Mustard and Cherry Cobbler from the Colour Coach. The stamp set was of all things Animal Stories. I immediately thought what a combination for a nursery style stamp set! Used the Baga Breeze as my base, and stamped just the antlers of the giraffe around the edges in ink the same colour. I then matted the base with More Mustard which I had embossed with Petals a Plenty embossing folder. Measured and cut 3 small squares of Cherry Cobbler measuring 4 x 4cm, topped that with More Mustard that I punched out using the 1 3/8" square punch. Stamped just the 'head and shoulders' of the Giraffe, Elephant and the Whale and also punched them out using the 1 1/4" square punch. The top and the bottom images are attached directly onto the More Mustard Mat, whereas the the centre image is up on dimensionals. To soften the look I added two small white bows and placed a rhinestone on each of the four corners of the middle image. I you remember yesterday I said the other stamp set to use was Friends 24-7. The Colour coach has decreed that I will be using Daffodil Delight and the images that will be stamped will be from the Friends 24-7 set. I hope you like what I am doing with thes little self challenges and if you feel that you would like to play along please feel free to join me and share your creations! Well thats it for today, so bye for now, Gwen.
Gorgeous card Gwen. Love what you are doing with these challenges.


text:
from readHR import EcgReader
from hrmcalcs2oo import hrmcalcs
from hrmtb import TachyBrady

class HrmOutput:

    def __init__(self, file='Test_ECG.csv', average_window=20,
                 brady_limit=60, tachy_limit=100):
        """

        :param file: String representing ECG file used to make heart rate
        calculations

        :param start_min: User-inputted value for the "starting minute" of
        average heart rate calculations, in minutes.

        :param end_min: User-inputted value for the "ending minute" of average
        heart rate calculations, in minutes.

        :param brady_limit: The threshold value for bradycardia, with the
        default set at 60 bpm

        :param tachy_limit: The threshold value for tachycardia, with the
        default set at 100 bpm
        """
        self.file = file
        self.average_window = average_window
        self.brady_limit = brady_limit
        self.tachy_limit = tachy_limit
        self.valid_file = False
        self.peak_vector = []
        self.instant_hr = []
        self.average_hr = None
        self.tachy = []
        self.brady = []
        self.extract_vals()
        if self.valid_file:
            self.print_hrm_output()

    def extract_vals(self):
        """
        This method extracts the main vectors to be used towards calculations,
        using the imported classes

        :return: This method returns many main vectors, which are the
        following. Timebeat, the time between heart beats, the instantaneous
        heart rate, the average heart rate, along with the tachy and brady
        vectors, which marks the occurrences of tachycardia and bradycardia
        respectively through vectors of 0s and 1s (1 marking an event
        detection).
        """
        read_ecg = EcgReader(self.file)
        if read_ecg.csv_check and read_ecg.data_check:
            self.valid_file = True
            self.peak_vector = read_ecg.peak_vector
            self.time = read_ecg.time
            timebeat = np.diff(read_ecg.peak_vector)
            calc_ecg = hrmcalcs(self.time, timebeat, read_ecg.peak_vector,
                                self.average_window)
            calc_ecg.hrm_instant()
            self.instant_hr = calc_ecg.instant_hr
            calc_ecg.hrm_average()
            self.average_hr = calc_ecg.average_hr
            tb_ecg = TachyBrady(self.instant_hr, self.brady_limit,
                                self.tachy_limit)
            tb_ecg.tb()
            self.tachy = tb_ecg.tachy
            self.brady = tb_ecg.brady

    def print_hrm_output(self):
        """
        :return: This method returns a printed output file of the heartbeat
        occurrence time, the instantaneous heart rate, and the occurrence
        of tachycardia or bradycardia.
        """
        save_name = self.file.replace(".csv", "_HRoutput.txt")
        with open(save_name, "w") as f:
            f.write("Time of Heartbeat (s), Instant HR, Average HR, Bradycardia (true/false), "
                    "Tachycardia (true/false)\n")
            for row in list(zip(self.peak_vector, self.instant_hr, self.average_hr,
                                self.brady, self.tachy)):
                f.write("{},{},{},{}\n".format(np.round(row[0], 2),
                                               np.round(row[1], 2),
                                               np.round(row[2], 2),
                                               np.round(row[3], 2)),
                                               np.round(row[4], 2))


Why is the little boy so afraid when he walks past his neighbour's house? In this heartwarming story, the boy learns that a wise and wonderful new friend may only be a smile away.
This is the second instalment of the Treaty Tales trilogy.
This beautiful children's book is the first installment of Treaty Tales, an original trilogy that makes learning about the treaties and their history fun and engaging.
The final installment of the Treaty Tales trilogy.
This profound little book encourages us to set aside our limited expectations, and to fall in line with God's.


Usually everything has a cure. Alopecia Areata is different.
We can google, search or hunt, but there is no cure for Alopecia Areata. Even though there have been many trials with different medicines thought to cure the condition, there isn't any foolproof medicine which eradicates the condition completely.
Though there are corticosteroids, drugs or strong anti inflammatory drugs can often suppress the immune system and might withhold the effects of the condition for some time. Nonetheless, this is a temporary treatment since this condition is highly unpredictable in nature.
There are other medicines as well which might stimulate the regrowth of hair, but they are not meant to prevent the formation of new patches on the skin.
Intralesional Corticosteroid Injections: This treatment involves injecting steroids in the bald patch of the skin directly. These injections are to be repeated every four to six weeks.
The results of these injections are visible within three to four weeks and new hair growth is seen on the scalp.
The drawbacks of these injections are that, even though they stimulate the growth of new hair in the body, they do not prevent hair loss from happening again. Also, there have been reports mentioning some of the side effects of these injections called 'temporary depressions' of the skin that occur.
Anthralin Cream: This cream is thick and dark in texture. It is used very commonly in treating alopecia areata. The cream is usually applied to the patches of skin which are devoid of hair and then post 30-60 minutes, it is washed off with water.
This is not a foolproof solution just like corticosteroids, if new hair growth is visible, it is usually seen within eight to twelve weeks. It also results in a temporary discoloration of the skin if used more frequently than required.
When all else fails, there is always another option which provides a solution for people who need a more permanent fix.
A common procedure which is opted for fixing Alopecia Areata is Mesotherapy. This is a non-invasive surgical procedure, where active substances are administered just below the epidermis with the superficial micro injections. Some of the substances which are used in the procedure are minoxidil, vitamins, medications and plant extracts. This procedure is helpful with prevention of hair loss, activation of new hair growth and improvement of the quality of existing hair as well. Also with the help of this procedure the environment of the hair follicle improves which results in better growth.
Non-invasive cosmetic surgeries have proven to be more effective as a fix for hair loss only when done by a reputed cosmetic surgeon or institute. It is very important to know that even though cosmetic procedures can fix Alopecia, the condition is highly unpredictable and can relapse anytime.


text:
Evespérides (en griego, Εὐεσπερίδες), posteriormente llamada Berenice, es el nombre de una antigua colonia griega de Libia donde formaba parte de la llamada pentápolis de Cirenaica. Se encontraba situada en el lugar de la actual Bengasi.

Arcesilao IV de Cirene envió colonos a la ciudad, pero su fundación debió ser anterior ya que se han encontrado restos de cerámica del siglo VI a. C. y también es mencionada como un lugar donde llegó una expedición persa hacia el año 514 a. C.

Heródoto destaca la fertilidad de su territorio, aunque no tanto como el de Cínipe. Tucídides menciona que, en el año 413 a. C. estaban sitiados por los libios y fueron socorridos por hoplitas procedentes del Peloponeso que habían sido llevados a Libia por una tempestad. Con ayuda de estos hoplitas, derrotaron a los libios. Más tarde, tras la victoria de Esparta en Egospótamos, Evésperides solicitó colonos griegos para defenderse de los libios y acudieron entonces mesenios bajo el mando de Comón, que habían sido expulsados por los espartanos de Naupacto. Posteriormente, después de la victoria de los tebanos en Leuctra, estos enviaron mensajeros a los mesenios que había en Evespérides para que regresaran a su patria.
Tras la muerte de Alejandro Magno, hacia el año 322 a. C. se desató una guerra entre el ejército dirigido por el espartano Tibrón contra la ciudad de Cirene, y los evesperitas apoyaron a Tibrón.

Teofrasto cita la ciudad en su Historia de las plantas indicando que allí abundaba el azufaifo, que usaban como combustible, así como el silfio y menciona que a pesar de la escasez de lluvias, el rocío bastaba para mantener a las plantas.

Posteriormente el lugar fue abandonado y, al refundarse a mediados del siglo III a. C. en un lugar situado unos 3 km de la ubicación antigua, cambió su nombre por el de Berenice, en honor a Berenice II o a una hija suya que tuvo el mismo nombre. Este nombre fue al parecer compartido con el de Hespérides con el que se la cita en diversas fuentes como el Periplo de Pseudo-Escílax y recogido también en la Geografía de Estrabón. De hecho, algunos autores situaban en sus proximidades el mítico jardín de las Hespérides.

Estrabón, que sitúa Berenice a 3600 estadios de la isla de Zacinto, cita en sus inmediaciones el lago Tritón, que tenía una isla donde había un templo de Afrodita. Cerca se hallaba otro lago llamado «de las Hespérides» que recibía las aguas del río Latón.

En el año 46 a. C., en el contexto de la Segunda guerra civil de la República romana, desde Berenice partió Marco Catón al frente de un ejército de diez mil hombres y atravesó la región de Sirte en treinta días. En tiempos de Justiniano (siglo VI) se repararon las murallas de Berenice y se construyeron baños públicos.

Referencias

Antiguas colonias griegas en África

redpajama_set_name: RedPajamaWikipedia


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What's the business case for ITV's F1 website? - Without the broadcast rights, the broadcaster continues coverage online
Published 3 January 2009 by Mr. C
With the UK's Formula One television rights now in the hands of the BBC, we were expecting ITV's online F1 presence to disappear at the start of this year. Surprisingly ITV-F1 is still going strong.
It was pointed out to viewers at the end of the season, that the team had every intention of continuing with the site, but seeing as they no longer have any exclusive access, nor any unique video content, it's hard to see why they would bother?
Commercial matters
The most likely answer is the site still brings in enough advertising revenue to justify it's costs. However, the main promotion for said site was a television program which regularly publicised it. Without any ongoing plugs, shouldn't the number of readers begin to drop like a stone?
Make no mistake, the British commercial broadcasters online popularity was massive. Googling the phrase F1 sees ITV listed second behind only Bernie's official homepage, and here's how Google Trends rates them compared to Autosport and F1 Live (who sit beneath them in the search results).
According to that data, ITV ranked second behind F1 Live throughout 2008, but ahead of Autosport. We can't see the most up-to-date information, but towards the end of November, after the season was over, they were clearly falling ever further into the clutches of Autosport's grasp.
You can see the chart in more detail on the trends website. It's hard to gauge just how reliable the figures are, but we were discussing web statistics in the comments recently, and by comparison they appeared to be the most reliable of those freely available.
I'm not dead yet
With declining figures and no cost effective means with which to further promote the homepage, I assumed it would only be a matter of time before the thing was axed. At least, that was until I read an interview with Mark Blundell yesterday.
Talking to Crash.net, Mark revealed he still has a year left to run on his contract with ITV and they're looking at doing something a little bit different, but still motorsport related in the future.
It seems the broadcaster really hasn't given up on the project just yet, but if what we're led to believe is true, and the company really didn't want to deal with F1 any longer, why on earth are they hanging on in there. Drivers on their books and a website with content updated as recently as Thursday, it doesn't make sense.
Filed under F1 coverage
References Mark Blundell
Previous post Who's working the hardest?
Next post Sidepodcast Diaries 11 - Unanswered questions
ITV to show live F1 coverage online
Website review - BBC Formula 1
UK F1 coverage returns to its rightful home
Price drop for ITV F1 sponsorship?


A simple to use safety alarm for fall management. Includes a versatile mounting bracket for use in beds or with wheelchairs where there is a risk of users falling.
A magnetic pull cord is clipped to the users clothing, activates a loud or soft sound signal that calls for help/attention when the user gets up or falls.
The magnet should not be placed within 150mm (6") of someone with an implanted device. Mounting bracket and screws included.
W51 x H108 x D25mm (2 x 4.5 x 1").


Soothing spice: Spicy cinnamon and juicy apple perfectly each other in this tempting blend that brings hot apple pie to mind--with none of the calories! A hint of chamomile adds a soothing touch to this aromatic tea. Drink plain or with sugar or honey.


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XML Templating for Java

## Background

This library provides simple templating functionality for Java (and other JVM-based languages).
It takes a template in XML and outputs either XML or HTML, performing substitutions as required.

It is particularly useful for templating HTML pages.


We made caramel candies today. Or rather, at the moment we're at the 'waiting for the caramel to harden so we can cut it up' stage. Cilli keeps walking downstairs into the kitchen to check on it. Her last words, just as she walked out of my office a minute ago were: "That caramel is *all* for us! We're not giving *any* of that away! I'm going to go hide it!"
You absolutely raised her right! Good for you!!
Hey, have you had any ideas of what sort of fic you'd like for your Christmas present? Not that I'm trying to rush you, I'm just writing whenever I can find time lately and don't want it to get pushed aside.
Oh oh... sounds like an epic in the making! GW?
I'm a true 1x2/2x1 shipper. It's my OTP and likely to stay that for as long as I read/watch GW. I don't mind all sorts of other combinations, but that one has to be central. I'm not particular about which character has more 'story-time' - Heero or Duo (though I do tend to lean towards Duo).
I love the guys being tough and manly (no Duo hip-swishing or simpering/whimpering/whining/bouncing etc. Duo), but not inhuman (no Perfect Soldier! emotionless Heero). I want them to have lives, with hobbies and friends and pets (maybe... ^^), but still keeping that edge that made them Gundam Pilots - and now Preventers.
I *hate* m-preg, waif!abused!whore!Duo (unless the story really manages to tell my *why* he's turned into that), and all the other really bad purple-prose fanon-cliches.
And don't cut off Duo's braid.
Anything else the bunny needs?
Recht hat sie, die besten Naschereien werden nicht verschenkt ^^!
mmmm... Plätzchen. Hatten am Sonntag Besuch da, die haben ganz leckere Plätzchen mitgebracht. Was macht mein noch-Ehemann? Frisst sie alle alleine auf. >.
A friend of mine years back brought me some for Xmas and I asked her for the recipe. Her mother had made the ones she brought me. WouldYouBelieve, that she told me her mother would not even give her the recipe???!!!
I just find it funny to think back on now, in this season, when so much is passed on to other generations. At least we know your kid isn't deprived of the basic facts of life/love.
Your gift story sounds like something I'll be watching out for too.
It actually is 2009! Two plus Nine = 11. Or Two Ones.
How can it not be a great year?
I can't believe in people not sharing recipes, let alone with their own family. But, my college roommate once told me, that when people were asked to contribute to a local church cookbook, they deliberately left something out of the recipe. They wanted to be the only ones who could make the dish. I found it very sad that years later my co-worker told me that her own mother had the same mentality.
Wow, can you share some of your recipes? I've never tried canning, just some simple stir and shake recipes.
Hm... I'll have to try and convert them. Or just post the original recipe and leave it up to you to convert them to American measures?


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Home » Zein Abdalla named president of PepsiCo
Zein Abdalla named president of PepsiCo
PURCHASE, N.Y. — Zein Abdalla, currently the chief executive officer of PepsiCo, Inc.'s European division, has been named president of the company. He replaces John Compton, who has resigned to become c.e.o. of Pilot Flying J Oil Corp., Knoxville, Tenn.
"We have drawn from our strong and seasoned cadre of business leaders in appointing Zein Abdalla as president," said Indra Nooyi, chairman and c.e.o. of PepsiCo. "Zein's strategic vision, global experience and focus on execution will serve him very well in this new assignment.
"Zein has demonstrated outstanding business and operational results as the leader of our European sector. During his tenure the division grew revenues from $7 billion to $14 billion; he led the transformation of the European portfolio, shifting it towards the higher-growth markets in the region; and along the way he also helped PepsiCo become the largest food and beverage company in Russia."
In his new role as president, Mr. Abdalla will oversee PepsiCo's global category groups, operations, marketing services and corporate strategy. Working with the geographic business units, Mr. Abdalla's team will be charged to drive innovation and brand building while reducing the overall cost structure of the company.
Mr. Compton leaves PepsiCo after 30 years.
"I love PepsiCo, and I will always be part of the PepsiCo family," he said. "I have deep and personal ties to Tennessee, and my family's plan all along has been to return to Tennessee at some point. It isn't often that the opportunity arises to run one of America's largest private companies, and this new opportunity was a once in a lifetime chance to do so. This is something I just had to do."
Enderson Guimaraes will replace Mr. Abdalla as c.e.o. of PepsiCo Europe. Mr. Guimaraes currently is president of PepsiCo's Global Nutrition Group.
Business Companies Baking Manufacturers PepsiCo
Mulford named president of Flowers Baking Co. of Thomasville
Ramon Laguarta named new c.e.o. of PepsiCo
John Ruff named president of I.F.T.
The Changing Rules of DSD in Today's Market


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Ernest Airlines war eine italienische Billigfluggesellschaft mit Sitz in Mailand und Basis auf dem Flughafen Mailand-Malpensa. Die Fluggesellschaft stellte den Betrieb nach einem Lizenzentzug durch die italienische Luftaufsichtsbehörde im Januar 2020 ein.

Geschichte
Das Unternehmen wurde 2016 unter dem Namen Fly Ernest als virtuelle Fluggesellschaft gegründet, um Verbindungen von Italien nach Albanien aufzunehmen. Anfangs arbeitete die Gesellschaft mit Mistral Air zusammen, welche die Flüge durchführte.

Am 11. April 2017 erhielt das Unternehmen ein Air Operator Certificate und änderte parallel dazu seinen Namen in Ernest Airlines. Gleichzeitig wurde ein Airbus A319 als erstes eigenes Flugzeug geleast.

Ende 2019 wurde mitgeteilt, dass die italienische Flugaufsichtsbehörde der Airline per 13. Januar 2020 die Lizenz vorerst entziehen werde.

Am 20. November 2020 wurde Insolvenz eingereicht.

Flugziele
Ernest Airlines bedient von verschiedenen Destinationen in Italien aus Flüge nach Tirana und in die Ukraine.

Flotte
Mit Stand Januar 2020 bestand die Flotte der Ernest Airlines aus vier Flugzeugen mit einem Durchschnittsalter von 11,5 Jahren.

Siehe auch
 Liste von Fluggesellschaften

Weblinks
 Webpräsenz der Ernest Airlines (italienisch, albanisch, englisch)
 Fotos der Ernest Airlines auf airliners.net

Einzelnachweise

Ehemalige Fluggesellschaft (Italien)
Unternehmen (Mailand)
Gegründet 2016


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text:
Adelaide Friday, Oct 12, 2018
"Too-hard basket": Govt scraps election pledge after investment warning
The Marshall Government has abandoned an election promise requiring public sector superannuation funds to be locally administered after an outcry from unions and the Funds SA board about the potential impact on its $30 billion investment.
Tom Richardson @tomrichardson
Rob Lucas in estimates last month. Photo: Tony Lewis / InDaily
Friday October 12, 2018 12 Comments
12 Comments Print article
The Liberals announced before the March election that a Marshall Government would "support the growth of SA's local funds management industry", which would "create more jobs in our state".
"For too long, this sector has been neglected, resulting in many of our talented people and investment dollars heading interstate or overseas," now-Treasurer Rob Lucas said at the time.
"The state Liberals will implement measures to ensure there is greater management of our public sector funds locally."
The centrepiece was a move to make the government-owned superannuation trust Funds SA require "most" of its contracted fund managers "to maintain a substantive local presence".
A policy document stated fund managers "will need to meet the same standards regarding expected investment returns and prudential requirements, but will be required to employ some people locally".
"It is reasonable to expect Funds SA, in its engagement of fund managers, to have ready access to the people making investment decisions on behalf of South Australians," it said.
Funds SA invests over $30 billion worth of assets on behalf of the government and its employees, through around 50 different fund managers worldwide.
Documents recently released to the Labor Opposition reveal that only three of those managers – AMP, LendLease and Macquarie – have any kind of local presence.
A minute from Funds SA CEO Jo Townsend to Lucas further states that "whilst AMP and Macquarie have offices in Adelaide, these are retail focussed offices and no institutional funds management activities are undertaken".
Lucas told InDaily that Funds SA had warned against implementing the Liberals' election policy, which was now "in the too-hard basket".
"Funds SA has expressed concern in relation to heading down that particular path," he said.
"The board expressed concern about potential impact of that -which I accept… I'm not in the position to direct Funds SA in relation to these things."
Advice from Funds SA released via Freedom of Information notes that while contracts with some fund managers can be quickly terminated, others which invest "into illiquid assets which are not easily bought or sold" require "a commitment to invest for a period of 10 years or more".
Lucas was also prompted to write to various public sector unions before the election to assure them members' superannuation investment returns would not be adversely affected.
"I gave a commitment [that] we wouldn't be taking any action which led to any impact on their members' returns," he said.
Lucas said the Government was now "contemplating some other options which might be able to encourage development of a local funds management industry" but "in terms of the commitment I made, we won't be mandating a particular number".
He conceded that while there was a small local presence among the 50 fund managers currently contracted, "in the context of what we're talking about, they don't manage funds out of those particular offices".
Lucas conceded under questioning in a recent estimates hearing that "I think the honest answer is that [meeting the election commitment] is going to be very difficult".
"That is certainly the advice from Funds SA and the board chairs both past and present, most certainly the present one," he told Labor shadow Treasurer Stephen Mullighan at the time.
It comes after Premier Steven Marshall just last month told parliament the Liberal Government was meeting "each and every single one" of its election commitments.
"The people of South Australia voted for a government that made commitments, and we were delighted when we brought down our very first budget… to implement each and every single one of those commitments," he said.
"This is a government which is implementing each and every one of its commitments."
Mullighan described the climb-down as a "broken promise".
"There is now no plan to attract and create jobs in the financial services industry in SA, leaving young South Australians with little option but to head interstate or overseas to find work in this industry," he said in a statement.
"Steven Marshall may talk big when it comes to growing jobs in SA, but this is another example of where the budget gives little hope for jobs growth in the state's economy."
rob lucas
state election 2018
12 Show comments Hide comments
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What we know today, Friday January 15
Andrew Spence Friday, January 15


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Utilizing two primary materials, concrete and aluminum composite material, Studio Benicio transformed a Sydney home into an enviable residence. The designer, Ian Bennett of Studio Benicio, worked closely with the home owners, Anna and Phil, to create a design that would not only accommodate their family of four, but also create a modern reflection of the family itself.
Concrete was chosen as the primary material for several reasons, one of which, it embodies home-owner Phil as he owns a local concrete formwork company, allowing his house to be in essence an advertisement for his growing business.
Originally, the site featured a one-story, brick and tile cottage built in the 1950s. The owners were looking for a more modern residence that would take advantage of natural light and its surroundings. Yet, demolishing and rebuilding proved to be a difficult task in that strict standards were required in the development of the new home by the building Council.
Forcing the designers to create a home that was completely compliant, to expedite the process and not cause unnecessary building delays. But the materials in which they chose were all low-maintenance, as requested by the family. Concrete and white Alucobond aluminum composite material creates a beautiful level of modest modernity to the neighborhood.
The use of natural building materials, timber and concrete, with the added and unassuming natural of a white ACM creates a captivating dynamic where it showcases, especially when placed in an 1950s locality, our collective movement towards innovative design practices.


text:
Q: Serial communication behavior Im trying to learn about serial communication and I saw that command in below link
http://www.tldp.org/HOWTO/Serial-HOWTO-19.html#pinout_
Only 3 of the 9 pins have a fixed assignment: transmit, receive and signal ground. This is fixed by the hardware and you can't change it.
But the other signal lines are controlled by software and may do (and mean) almost anything at all.
So, these 6 pins, are they reliable to control state of them?
I have many devices, is there any way to make hardware handshaking in a common way?
what I have to do, If some drivers does not handle this pins accurately?
Is there any way to make them fixed assigned by program?


text:
Entrepreneur and blogger with a passion.
Alexandra Iwan is an enthusiastic Mercedes-Benz fan. Her 380 SLC is the only car that enters into consideration for a cruise down the Königsallee in Düsseldorf.
A grand entry.
PR agency head and author Alex Iwan from Düsseldorf loves making a grand entry in her 380 SLC. "Only" 35 years old, her classic car exudes a touch of exclusivity. Just the right amount for the taste of the people of Düsseldorf. Just like this centre of fashion and lifestyle on the Rhine, the 380 SLC embodies classic looks, style and luxury. Alex Iwan calls it "passion".
Blogger with Mercedes genes.
There was never any other brand of car in the life of Alex Iwan. As her father worked for Daimler-Benz, daughter Alex enjoyed such exotic countries as West Africa and Indonesia from an early age. Her youth left its mark on her: "I can't imagine driving a different brand," she says, looking admiringly at her classic car. Even though the new Mercedes-Benz models impress with their design, comfort and technology, the PR agency boss is in love with classic cars. And she regularly shares this passion with the readers of her Daimler blog. Her latest post is, naturally, about the 380 SLC.
How it all began.
1200 deutschmarks – that's how her great love of Mercedes-Benz classic cars began. As a student of art history, Alex Iwan earned a little extra on the side from her first PR assignment. And she immediately invested the freshly earned money in a new "old" car. "I wanted to fulfill a lifetime dream and become the owner of a classic car. But I didn't really know the difference between a classic car and an old car." She bought a Slash Eight. And it was a love that turned out to be a genuine love story: she met her husband in her "mega cool" car.
Focus on design and color.
Her 380 SLC is coffee brown. For Alex, it's simply a fantastic color; for the first owner of the Mercedes, it was a lifestyle statement, as the proprietor of a coffee roasting house was inspired by the coffee bean when it came to choosing the color of her car, too. Manganese brown metallic was the name of the evocative color. And in the interior: Brazil brown leather. Incidentally, the 380 SLC is one of the rare eight-cylinder models produced in 1980 and 1981. Design matters: "The slats in the rear window are just super," says the PR boss.
Not the only one.
If you ask Alex Iwan about her favourite car, you shouldn't expect a clear answer. At the moment, it's her 380 SLC, model series C 107. The lady from Düsseldorf is no automotive expert – the communication specialist has little interest in kW, hp or cc. Until recently, anyone asking her how many hp her coffee brown classic car had would have received the answer: 380. After all, that's what it says on the back of the car, she adds. In truth, of course, the vehicle has "just" a sporty 218 hp. But that doesn't really interest Alex Iwan.
A life full of Mercedes.
Something like "Prada blue" was the color of the second Slash Eight in Alex Iwan's life. It was a wedding present from her husband. Yet her love for that car didn't last long. It was only the third Slash Eight that became her constant companion. The handsome coupé, built in 1973, whiles away its time not under the often cloudy skies of Düsseldorf but in the Spanish sunshine – as a car for vacationing on Mallorca. In Düsseldorf, the blogger remains faithful to her C 107.
Contact inquiry.
For all enquiries to Mercedes-Benz Classic Magazine, please contact us here.
Out there, the adventure awaits.
A road trip with the Mercedes-Benz Club Colombia from capital Bogotá through the Andes cordillera towards t...
Captain Gaus: The digital pioneer.
For over four decades, Professor Hermann Gaus was one of the most innovative minds at Mercedes-Benz.
Mercedes Benz x Avatar: The Way of Water
A campaign page about the Mercedes-Benz x Avatar: The Way of Water co-promotion.
Mercedes-Benz X SUPERPLASTIC: The Superdackel
Discover more about the Mercedes-Benz X SUPERPLASTIC partnership and the launch of new Superdackel characte...
Mercedes-Benz X Sara Shakeel.
Sparking emotions: an interview with the artist Sara Shakeel.
Mercedes-Benz Classic Magazine.
Mercedes-Benz Classic is the official vintage car magazine by Mercedes‑Benz Group AG. The periodical for cl...
"A Mercedes-Benz needs to look like a Mercedes-Benz."
Bruno Sacoo created icons of automotive history. The former chief designer of Mercedes-Benz and his C 126 s...
Champions of their generations.
Three generations of champions: Racing car icons with the star.
Welcome to the AMG Private Lounge.
The Mercedes-AMG Private Lounge is where fans and drivers from all over the world connect to share their pa...


This is to anyone with some knowledge with these tickets. I received a ticket for open alcohol in my vehicle under the L.L.A. and was informed by a friend of mine who doesn't have a driver's license that he has had the same ticket while being a passenger and has never paid the ticket to date. I'd imagine he might have trouble getting his license if he ever decides to one day.
As for me, if I just decide not to pay the ticket, will I get my driver's license suspended like it states on the conviction notice?
LLA offences do not appear on your drivers abstract, therefore they are not likely to prevent you from getting your licence. However, there are still methods that the government can use to collect - such as collection agencies.
Simon Borys wrote: LLA offences do not appear on your drivers abstract, therefore they are not likely to prevent you from getting your licence. However, there are still methods that the government can use to collect - such as collection agencies.
Here is a link to the City of Toronto's website that details how they collect unpaid fines.
What if he urinated in the bottle? I would fight it, order disclosure then make your decision on what to do.
We were heading towards the wasaga beach, however my friends is on passenger side having a liquor with open container, having a drink without my understanding, that i did not know, we were almost there, and police officer was just waiting for us on road and told me to pull a car, and i did it so, and officer found that my friend is consuming a alcohol with open container, and asked him for his ID, and asked for my driver license and insurance and ownership paper and i hand it over to him, and told me to come out from my car, for a breath on their machine, as i did not consumed anything and it was zero alcohol in my body, and told me be seated in your car, i will come and see you. and i did it so, and told me you will not a get ticket, the officer was so kind to me, such a big relieve, but my friend is on passenger side got the ticket, worth of $125 with sec 31(2). but on his ticket he mentioned my car number plate does it affect my driving history or insurance.