text:
Frequent question: Which countries use soccer?
Does Australia say soccer or football?
Do they say soccer in Canada?
Why is soccer called other countries?
Which country is soccer most popular?
What do they call soccer in England?
Does Japan call soccer football?
Which club is older City or United?
Is soccer big in Canada?
Did the English invent soccer?
Why do Americans call it football?
What was soccer first called in China?
How old is the sport of soccer?
South Africa soccer sokker in Afrikaans
Spain fútbol the Spanish term for football
As is the case in the United States and Canada, association football is most commonly referred to in Australia as soccer. Historically, the sport has been referred to as British association rules and British football.
In Canada, similar to the US, the term "football" refers to gridiron football (either Canadian football or American football; le football canadien or le football américain in Standard French). "Soccer" is the name for association football in Canadian English (similarly, in Canadian French, le soccer).
The word "soccer" comes from the use of the term "association football" in Britain and goes back 200 years. … "Association football" became "soccer." After these two sports spread across the Atlantic, Americans invented their own variant of the game that they simply called "football" in the early 1900s.
IT IS INTERESTING: What grounds were used in the 1966 World Cup?
Soccer is played in over 200 countries. In fact, other than in North America, soccer is virtually the most popular sport on every continent.
Number of Fans.
Population "Interested" or "Very Interested" in Soccer
Mexico 73%
Spain 70%
South Africa 70%
Italy 67%
One of the best-known differences between British and American English is the fact that the sport known as football in Great Britain is usually called soccer in the United States. Because the sport originated in England, it is often assumed that soccer is an Americanism.
Although the official English name of the Japan Football Association uses the term "football", the term sakkā (サッカー), derived from "soccer", is much more commonly used than futtobōru (フットボール). The JFA's Japanese name is Nippon Sakkā Kyōkai.
Just two years separate the existence of the two Manchester clubs, with United holding bragging rights as the oldest as they were formed in 1878, while City were established two years later.
IT IS INTERESTING: Your question: How many edges are on a soccer ball?
Soccer in Canada is the most popular sport in terms of participation rate. According to FIFA's Big Count, over 2.6 million people played in Canada in 2006. Canada's men's and women's national soccer teams are ranked 78th and 7th respectively in the FIFA World Rankings, as of September 1, 2019. …
The game was played at the Rugby School and became known as rugby football, later shortened to rugby. Both soccer-style football and rugby-style football eventually found their way to America. … So because the American game was really just another form of the European football games, it too became known as football.
An early form of football was developed in China in the Han dynasty, during the second and third centuries BCE, called Cuju or Tsu' Chu. This is in fact the earliest form of football worldwide for which there is documentary evidence, in the form of a military manual.
IT IS INTERESTING: Is the World Cup every 4 years?
How many goals have Ronaldo and Messi scored?
Is football the most physically demanding sport?
How many goals did Messi score in his entire life?
Are there any Dominican players in the NFL?
How wide is a football upright?
Your question: What year soccer invented?
Why is strength training important for football?

redpajama_set_name: RedPajamaCommonCrawl


text:
Tokyo Olympics reach 6-months-to-go mark
TOKYO — Tokyo put on a flashy fireworks display on Friday to mark the 6-months-to-go milestone for this year's Olympics.
The show took place high above a barge stationed in Tokyo Bay that supports a massive replica of the five Olympic rings, a reminder the games are almost here.
Japan residents needed to enjoy the fireworks. These may be the last for awhile.
More than 70 summer festivals across Japan featuring traditional fireworks shows have been canceled or have changed their dates. The Associated Press counted at least 56 festivals that said the Tokyo Games were the reason for the move, citing a shortage of police and security guards that have been assigned instead to the Olympics and Paralympics.
The Olympics are a massive security drain. Tokyo organizers say 50,850 police, private security, military, volunteers, coast guardsmen and emergency services personnel are needed. Organizers show a budget of $800 million for security — $500 million in public money.
The cost is surely much higher with some security expenditures not represented in the Olympic budget.
The Olympics are even impacting Hiroshima in western Japan, where the annual August fireworks festival on the scenic island of Miyajima has been canceled.
"Many of the local authorities, including the Hiroshima prefecture police, coast guard and private security companies, will be mobilized to the Olympic venues and areas around them, which makes it very difficult to ensure safety on Miyajima island," the Hiroshima prefecture tourism bureau said in a statement.
The summer fireworks festivals share a special place in Japanese culture, much like July 4th celebrations across the United States.
Tokyo has brought forward several of its festivals, including the massive display on the Sumida river. The city of Saitama, north of Tokyo, has decided to cancel its 150-year-old fireworks festival because it conflicts with Olympic golf. And in Kamakura, known for its giant Buddha statue, July fireworks are off because logistics clash with Olympic sailing.
The Tokyo Olympics are unprecedented in many ways.
Ticket demand for Japan residents exceeds supply by at least 10 times; probably 20 times.
Local sponsorship is just over $3 billion, at least two times larger than any previous games.
And the $1.43 billion national stadium by Kengo Kuma is a jewel. It's green and wood exterior feels like it's been there forever, promising to be the centerpiece — much the way Kenzo Tange's Yoyogi Gymnasium was for the 1964 Tokyo Olympics.
"Assuming there is no disaster with the heat or so forth, the Olympics will be well-handled," David Leheny, a political scientist at Waseda University in Tokyo, said in an interview with the AP. "They are not going to be any worse in terms of the chaos of getting from place to place than most Olympics. They will probably be handled better in a lot of ways. And Japan can be charming."
Japan is officially spending $12.6 billion to put on the Olympics, but the national audit bureau puts the figure closer to 3 trillion yen — about $28 billion.
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It is important to get auto accident police reports, get witnesses, take pictures of the scene if possible, and do whatever else possible to protect your rights in your auto and personal injury case.
Call Carabin Shaw at 210-222-2288 for a free initial consultation regarding your personal injury, serious injury, or wrongful death case if you were hit and injured by a commercial vehicle like a bus, an 18 wheeler, city owned vehicle, bobtail truck, cab, construction vehicle, police vehicle, cement mixer, or any other commercial type of vehicle.
Seek medical attention as soon as possible. Call an ambulance if necessary.
Tell the officer investigating about the injury.
Leave your vehicle, and the debris in the place it was in after the accident (unless it is causing a danger or a traffic hazard).
Cooperate with the police, but only discuss the accident with the investigating officer, your doctors, your own insurance, and your lawyer.
Keep track of anything said by the other driver.
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text:
IRCTC to compensate passengers if Mumbai-Ahmedabad Tejas Express gets delayed
Times of IndiaTimes Travel Editor/TRAVEL NEWS, INDIA/ Created : Jan 7, 2020, 00:01 IST
Currently running in Chennai, 100-year-old The Great Bombay Circus to shut down in 2020
Fancy a flight on-board world's first craft beer airline?
London is home to Library of Things where you can borrow almost anything!
IRCTC has decided to pursue a dynamic fare scheme for the highly-awaited Mumbai-Ahmedabad Tejas Express, which is ready to start its commercial operations from January 17, 2020. According to the news reports, the train will run on … Read more
IRCTC has decided to pursue a dynamic fare scheme for the highly-awaited Mumbai-Ahmedabad Tejas Express, which is ready to start its commercial operations from January 17, 2020. According to the news reports, the train will run on the basis of fares for regular, hectic and festive seasons. Read less
IRCTC has decided to pursue a dynamic fare scheme for the highly-awaited Mumbai-Ahmedabad Tejas Express, which is ready to start its commercial operations from January 17, 2020. According to the news reports, the train will run on the basis of fares for regular, hectic and festive seasons.
The Mumbai-Ahmedabad Tejas Express is the second train in India, which is completely operated by IRCTC. It will run for six days a week on the Mumbai-Ahmedabad route.
For the first time ever from the train's inception, IRCTC has announced to pay the passengers in case the Mumbai-Ahmedabad Tejas Express is delayed. In case of an hour-long delay, train passengers will get a compensation of INR 100. If the delay is for two hours or more, the passengers will be offered a compensation of INR 250. However, there won't be any concept of Tatkal tickets in the Tejas Express train.
Claiming the refund amount in the event of train delay
In case the Mumbai-Ahmedabad Tejas Express is running late, the passenger can fill up a compensation claim form with the insurance firm in the link provided on the web. Passengers can also make a claim on its toll-free number. The details of travel, hours of train delay along with the PNR number and bank account details of the passenger need to be mentioned. Once the form is processed, the insurance company would transfer the refund to passengers' bank accounts
The scheme of paying passengers in the event of a train delay was launched with Lucknow-Delhi Tejas Express. On October 19, the newly-launched Delhi-Lucknow Tejas Express was late by three hours. As a result, IRCTC had to pay INR 1.62 lakh as compensation to the passengers.
Reportedly, it is for the first time that IRCTC has come up with a free insurance of INR 25 lakh to the passengers travelling in the Mumbai-Ahmedabad Tejas Express. The insurance cover also features INR 1 lakh insurance against theft or robbery during the journey. The passengers can also request for taxi hiring and hotel bookings facilities from IRCTC.
1IRCTC to compensate passengers if Mumbai-Ahmedabad Tejas Express gets delayed
2Currently running in Chennai, 100-year-old The Great Bombay Circus to shut down in 2020
3Fancy a flight on-board world's first craft beer airline?
4London is home to Library of Things where you can borrow almost anything!
5IRCTC's New Year 2020 gift: tour to South India, Goa and Andamans
IRCTC has decided to pursue a dynamic fare scheme for the highly-awaited Mumbai-Ahmedabad Tejas Express, which is ready to start its commercial operations from January 17, 2020. According to the news ...


text:
Julian Casablancas – I'll Try Anything Once and Sofia Coppola's musical habits
Air, Julian Casablancas, Phoenix, Sofia Coppola, Somewhere, The Strokes
Love Cass Bird.
Well the first trailer for Sofia Coppola's new film, Somewhere is out. For me, any new work from the director of The Virgin Suicides and Lost In Translation is a cause for excitement and celebration, but for the general population of music lovers, there's that extra sweet trimming worth waiting for. If you haven't heard the news, buzz band Phoenix will be doing the score/soundtrack for the film, obviously because they are out-of-this world awesome, but also seemingly because lead singer Thomas Mars is Ms. Coppola's baby daddy and hubby. Watch the trailer below:
The song you hear playing over the wistfully-bathed trailer is Julian Casablancas' solo, bare and raw 'You Only Live Once' demo version of The Strokes' track "I'll Try Anything Once." The stripped down version of The Strokes' song is fit like a glove for Somewhere's trailer. And now, I am inevitably stoked to see what Phoenix has in store for the OST/score of the Somewhere.
I just recently discovered that for Sofia Coppola's 1999 debut feature film, The Virgin Suicides, she had another French band, Air, to score do the film's score. The movie, which is layered with specks of young, desperate love made great canvas for Air's eerie and aphrodisiacal music. Air's astoundingly beautiful work befits both as a score to the film and as a stand-alone album. Hopefully this post will be a fairly adequate to translate how hopeful I am that Phoenix's work for Ms. Coppola's new film track will equate or even better her previous film scores. Check them out below.
♫ Julian Casablancas – I'll Try Anything Once (You Only Live Once Demo Version) (From Somewhere Trailer)
♫ Air – Playground Love (From The Virgin Suicides Soundtrack)
♫ Air – Alone in Kyoto (From Lost In Translation Soundtrack)
♫ Phoenix – Too Young (From Lost In Translation Soundtrack)
♫ Phoenix – Love Like A Sunset (From Wolfgang Amadeus Phoenix)


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text:
Q: How to add obstacles for a sfml snake game? Code is running pretty well but since I am new to SFML I am not sure on how to create obstacles so when the snake hits it it is game over. should you put them in calculated spaces? where it would be too hard to put each obstacle and stack them 1 by 1 or put something altogether so that even if you put the specific image where if they hit that sprite the snake dies and it's game over? How would it be processed?
#include <SFML/Graphics.hpp>
#include <time.h>
using namespace sf;

int N = 30, M = 20;
int size = 16;
int w = size * N;
int h = size * M;

int dir, num = 4;

struct Snake
{
    int x, y;
} s[100];

struct Fruit
{
    int x, y;
} f;

void Tick()
{
    for (int i = num; i > 0; --i)
    {
        s[i].x = s[i - 1].x;
        s[i].y = s[i - 1].y;
    }

    if (dir == 0)
        s[0].y += 1;
    if (dir == 1)
        s[0].x -= 1;
    if (dir == 2)
        s[0].x += 1;
    if (dir == 3)
        s[0].y -= 1;

    if ((s[0].x == f.x) && (s[0].y == f.y))
    {
        num++;
        f.x = rand() % N;
        f.y = rand() % M;
    }

    if (s[0].x > N)
        s[0].x = 0;
    if (s[0].x < 0)
        s[0].x = N;
    if (s[0].y > M)
        s[0].y = 0;
    if (s[0].y < 0)
        s[0].y = M;

    for (int i = 1; i < num; i++)
        if (s[0].x == s[i].x && s[0].y == s[i].y)
            num = i;
}

int main()
{
    srand(time(0));

    RenderWindow window(VideoMode(w, h), "Snake Game!");

    Texture t1, t2, t3;
    t1.loadFromFile("images/whiter.png");
    t2.loadFromFile("images/red.png");
    t3.loadFromFile("images/green.png");

    Sprite sprite1(t1);
    Sprite sprite2(t2);
    Sprite sprite3(t3);

    Clock clock;
    float timer = 0, delay = 0.1;

    f.x = 10;
    f.y = 10;

    while (window.isOpen())
    {
        float time = clock.getElapsedTime().asSeconds();
        clock.restart();
        timer += time;

        Event e;
        while (window.pollEvent(e))
        {
            if (e.type == Event::Closed)
                window.close();
        }

        if (Keyboard::isKeyPressed(Keyboard::Left))
            dir = 1;
        if (Keyboard::isKeyPressed(Keyboard::Right))
            dir = 2;
        if (Keyboard::isKeyPressed(Keyboard::Up))
            dir = 3;
        if (Keyboard::isKeyPressed(Keyboard::Down))
            dir = 0;
        if (Keyboard::isKeyPressed(Keyboard::A))
            dir = 1;
        if (Keyboard::isKeyPressed(Keyboard::D))
            dir = 2;
        if (Keyboard::isKeyPressed(Keyboard::W))
            dir = 3;
        if (Keyboard::isKeyPressed(Keyboard::S))
            dir = 0;

        if (timer > delay)
        {
            timer = 0;
            Tick();
        }

        ////// draw  ///////
        window.clear();

        for (int i = 0; i < N; i++)
            for (int j = 0; j < M; j++)
            {
                sprite1.setPosition(i * size, j * size);
                window.draw(sprite1);
            }

        for (int i = 0; i < num; i++)
        {
            sprite3.setPosition(s[i].x * size, s[i].y * size);
            window.draw(sprite3);
        }

        sprite2.setPosition(f.x * size, f.y * size);
        window.draw(sprite2);

        window.display();
    }

    return 0;
}

redpajama_set_name: RedPajamaStackExchange


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NEW YORK — Despondent investors intensified their selloff of blue chip stocks Thursday, accelerating the decline in the Dow Jones industrial average and narrowly avoiding bear market territory.
A last-hour rally allowed the Dow to recover somewhat, but the index still closed with a loss of nearly 100 points.
Despite the late recovery, the market's litany of grim numbers "points out how much damage has been done, and how we have gone from irrational exuberance to irrational depression," said Alfred E. Goldman, director of market analysis for A.G. Edwards & Sons in St. Louis.
According to traditional measures, a bear market occurs when there is a drop of 20 percent over a sustained period. While the tech sector landed in bear market turf last year, Wall Street has been debating whether the broader market has also become bearish, or has just dipped into bear territory. The S&P 500 officially entered a bear market on March 12.
The Dow was able to curb its losses as the Nasdaq advanced on a rebound in deeply discounted tech stocks. Still, Kaltbaum said, it's doubtful the Dow will be able to sustain a recovery for quite some time.
"You had to bounce from somewhere," he said.
The Dow began its plunge last week when the market's fears of a recession widened to include the possibility of a halt in growth globally, especially given news that Japan is in a state of deflation and that the country's banking system is burdened by debt.
Investors sold blue chips on a deepening conviction that the economy and corporate earnings won't improve any time soon, particularly if demand for U.S. goods and services slumps abroad as well.
The market also remains irritated by the interest rate cut the Federal Reserve made Tuesday. Investors, who wanted the Fed to reduce rates by 0.75 percentage point, don't think the 0.5 point reduction will be enough to boost earnings and the economy.
Among blue chips hurting Thursday was Procter & Gamble, down 45 cents at $62.75, after confirming earlier reports that it is slashing 9,600 jobs as it tries to restore long-term growth.
General Motors skidded $1.22 to $52.30 after announcing plans Wednesday to briefly idle more North American assembly plants in the next three months as it winnows inventories.
GM idled two assembly plants, affecting 5,600 workers, earlier this week.
The impact of slowing demand from consumers abroad has hurt other Dow stocks. McDonald's, which warned earlier this month that Europe's fears about the spreading of mad cow disease will pinch profits more than expected, fell 54 cents to $25.11.
A new report showing the economy has further slowed added to investors' sour mood.
Declining issues outnumbered advancers nearly 3 to 1 on the New York Stock Exchange, where consolidated volume was very heavy at 2.04 billion, compared with 1.56 billion on Wednesday and close to the record 2.2 billion shares traded on Jan. 3.
Overseas, Japan's Nikkei stock average closed down 1.9 percent.
Stocks dove even further in Europe. Germany's DAX index fell 4.2 percent, Britain's FTSE 100 declined 4.1 percent and France's CAC-40 closed down 4.0 percent.


In Part 1 of this review, I focused on the contentious origins of the new Crystal Bridges Museum of American Art and the problematic concept of provincialism that quietly plagues any small or medium-sized cultural center in this country.
Built with the purpose of redefining a predominantly rural community as a new cultural destination, the greatest challenge for the CBMAA is to create a space and collection capable of meeting the established standards for world-class museums while also representing solidarity with its specific location.
Although the work on the grounds and building has yet to be completed, the museum has already proven itself to be generally successful in striking this delicate balance. In some instances, however, its achievement comes hand-in-hand with a curatorial timidity that has kept the CBMAA from being as intellectually daring as it could be.
Be that as it may, there is much to celebrate in the new Crystal Bridges Museum. One of its most refreshing aspects is the self-evident intention of all involved to create an innovative space that responds to the natural and cultural environment of the institution's surroundings without sacrificing the larger story of American art.
Both in- and outside of the building itself, the curving lines and sloping shapes of Moshe Safdie's architectural design clearly draw on the forms of organic bodies, while the many walls of glass invite as much contemplation of the world outside as the art within.
Not only does his design harmonize well with its natural setting, but it is in easy dialogue with another nearby structure of architectural note: the glass and steel Mildred B. Cooper Memorial Chapel, designed by Fay Jones and Maurice Jennings and dedicated in 1988.
If museums are the secular cathedrals of modernity, then the parallel designs of these two spiritual houses seem particularly telling. Both museum and chapel were designed to allow the natural world to visually penetrate the interior and define the visitor's experience of the space. Taken together, the buildings' shared concern with transparency and the inclusion of the natural environment suggest the development of a noteworthy local trope in contemporary architecture and the potential for the cultivation of a related style.
Similarly, landscape architect Scott Eccleston modified the CBM's grounds, which constitute a lightly forested area with trails, streams, and—eventually—a lake that abuts the rear of the building, but did not drastically alter their character. The outdoor sculpture and installations, too, were chosen for their responsiveness to the natural environment, although the sensitivity or sophistication of this responsiveness varies. Highlights include James Turrell's site-specific installation The Way of Color (2009), which incorporates native rock into his signature investigation of natural light effects; Roxy Paine's stainless steel tree, Yield (2011), located at the museum's entrance; and Mark di Suvero's Lowell's Ocean (2005–2008), visible both in- and outside of the building.
For a nature-loving, feminist, cross-cultural art historian like myself, that is a very exciting declaration of intent.
A wander around the museum revealed the list to have been arranged in decreasing order of success or urgency, although each concept was indeed present. A fifth motif, not mentioned in the literature but clearly woven throughout the collection, was the subject of conflict. However, this is perhaps the inevitable but unintended consequence of focusing on works that deal with issues of nature, gender, innovation, and cross-cultural interaction.
I was pleased with the quality and selection of much of the work on display throughout the collection, a sample of which can be found in the images at the end of this post. I also liked that between the chronologically divided sections were areas where people could sit and peruse any of a large collection of books. While tables supporting a few exhibition catalogues directly related to the show at hand have become commonplace in temporary exhibits, the selections provided by the CBM are far more comprehensive—and the sitting areas far more welcoming—than found elsewhere.
My greatest criticism of the museum is that it tends to be a little too safe, as was particularly evident in the temporary exhibition of contemporary work titled, Wonder World: Nature and Perception in Contemporary American Art. Excluded from the title but endemic to the works featured in Wonder World was a clear preference for contemporary artists drawing on historical modes of making. Each of these topics—nature, perception, and traditional practices in contemporary art—is a welcome basis for an exhibition, and there is quite a bit of good work in the show. Yet, when viewed together, the pieces felt a little one-note and lacking in radically innovative contributions.
Stagnation is particularly a problem for a museum that takes "artist as innovator" as one of its driving concepts. And with a subject as broad as wonder, nature, and perception, the narrowness of artistic approach seems doubly strange. For instance, why not include people who take the systems of nature as their starting point? Or who play with the nature of nature via an investigation of physics or biology or even taxonomy? While there is nothing wrong with utilizing the convention of representation in contemporary art, there are so many contemporary artists working in non-representational modes, or whose relationships to nature and perception are both subtle and complex, that to lean so heavily on visually and conceptually straightforward works does a disservice to the exhibition's topic and its visitors.
My other point of concern lies in the apparent definition of American art, which tends towards the mainstream or canonical (albeit expanded for both gender and, in the more recent sections, race). For example, although the collection includes depictions of Native Americans, I do not recall any historical objects by Native Americans in the main galleries.* I suspect this is due partly to lines drawn by citizenship and partly to pre-existing art historical categories put in place to make collections and the narratives they tell manageable and coherent.
In other words, the presence of these somewhat arbitrary collection standards and definitions is not only understandable, but in accordance with typical museum practice. However, should the CBM choose to complicate the concept of "American" in the future by incorporating works which do not stem mainly from European traditions, the story they could tell would be fuller and, in my opinion, more interesting. Such a shift would also represent a challenging and innovative curatorial decision that is already overdue in most museological practice.
Finally, the café is worth mentioning, as it represents a fusion of a high-end sensibility that is typical of museum eateries and the low prices that are a hallmark of both Wal-Mart and Midwestern towns. Even here, the museum exhibits a savvy awareness of the expectations of its varied audience that, if continued, will be the institution's greatest strength.
Indeed, perhaps what the Crystal Bridges Museum does best, and what it needs to do most, is break down the centuries-long fallacy that nature and culture represent binary opposites. During a period of wide-spread concern for the environment, increased use of urban gardens and suburban farms, and the decentralization of ideas and information away from large cosmopolitan cities, a new museum that takes the fusion of nature and culture as its basis is truly an institution that embodies the concerns of its time.
For further exhibition and visiting information, go to the Crystal Bridges Museum website: http://crystalbridges.org/.
*The CBM does have a dedicated section of cases that presents samples from the collections of other local museums. In addition to representing a uniquely neighborly practice, the cases also suggest the kinds of materials that may be related to, but are not otherwise present in, the CBM's own collection. Among these is a display for the Museum of Native American History (formerly the Museum of Native American Artifacts).


text:
Goalie Mask • The Daily Dose
Goalie Mask
Hockey |
Joseph Jacques Omer Plante changed the face of hockey.
In the winter of 1927, Elizabeth Graham—the star goaltender for the Queen's University women's hockey team in Kingston, Ontario–had some dental work done. Wishing to protect his daughter's teeth, her father insisted Miss Graham wear a fencing mask on the ice. On February 7, 1927, she led the Golden Gaels to a 3-2 victory over the Toronto Varsity Blues while becoming the first netminder in hockey history to wear a mask in a game. She never wore a mask again.
Clint Benedict was a goalie for the NHL's Montreal Maroons in 1930. After stopping a Howie Morenz slapshot with the bridge of his nose, Benedict was out of action for six weeks. When he returned, Benedict adopted a crude leather facemask to protect himself, becoming the first goaltender in NHL history to wear a mask in a game. Mr. Benedict, who was later inducted into the Hockey Hall of Fame, was also the first goalie to drop to his knees to stop the puck along the ice, which was illegal at the time. The method earned him the nickname "Praying Benny" and led to the NHL's first rule change, legalizing his playing style. "It was leather with a big nosepiece," recalled Benedict. "The nosepiece proved to be the problem, because it obstructed my vision." Praying Benny wore the mask for five games before permanently abandoning it.
Japan's Teiji Honma wore a distinctive mask during the 1936 Olympic hockey tournament. Similar to a baseball catcher's mask, the device was made of leather and had a wire cage to protect his face and glasses. Mr. Honma was 0-2 in net for Japan during the tournament, which was won by Great Britain.
In November 1959, Montreal Canadians goalie Jacques Plante was struck in the face by a shot from New York Rangers forward Andy Bathgate early in the first period. The puck opened a cut from the corner of his mouth all the way up through is nostril, requiring the future hall of famer to seek treatment in the dressing room. After 21 minutes and seven stitches, Plante returned to the Madison Square Garden [Daily Dose, 12/15/15] ice wearing a mask. Plante had worn the mask in practice, but Montreal coach Toe Blake [2/29/16] would not allow it in games, fearing it would obstruct his netminder's vision. Plante gave his coach an ultimatum: "If I don't wear the mask," threatened Plante, "I'm not playing." NHL teams did not have backup goaltenders in those days. Not wanting to forfeit the game, Blake obliged, and Montreal won, 3-1.
Plante continued to wear the mask–a piece of fiberglass contoured to his face—and the Canadians went on an 18-game unbeaten streak. Hockey purists called Plante a "sissy" while many questioned his dedication and bravery. Modern Man magazine wrote, "Crouched in the cage with the sun white glare of hockey rink floodlights carving his artificial 'face' into deeply shadowed eyesockets and a gaping hole of a 'mouth,' Plante looks like something out of a horror film." Plante—who led Montreal to six Stanley Cup titles in ten years and was a four-time goaltender of the year—responded by likening tending goal maskless to a person skydiving without a parachute. The face-hugging fiberglass goaltender mask soon became the standard in hockey. Three years after Plante, Terry Sawchuk—still the NHL's career leader in shutouts—started wearing one.
Legendary Russian goaltender Vladislav Tretiak [Daily Dose, 9/28/15] pioneered the helmet/cage combination in the 1970s. That gave way to the full fiberglass helmet and mask popularized by Dominik Hasek, a two-time Stanley Cup winner and holder of the highest save percentage [0.9223] of all time. The modern single-piece mask is made of fiberglass, carbon fiber or Kevlar and is better able to disperse the impact of the puck than did earlier versions. It has become fashionable for goaltenders to decorate their masks. It started in 1968, when Boston's Gerry Cheevers would have Bruins trainer Frosty Forristall draw stitches on his mask every time Cheevers was hit in the face with a puck or stick. New York Rangers' goalie Henrik Lundqvist's helmet features an image of the Statue of Liberty while Brent Johnson's featured Led Zeppelin graphics and lyrics during his playing days.
The advent of the mask changed the way goaltenders played. Before Plante, netminders stayed standing as much as possible in order to avoid concussions and lacerations. The modern mask allows goalies to make saves on their knees without fear of serious head or facial injuries. Hasek and Lundqvist have routinely used their heads to stop shots. The last goalie to play without a mask was Andy Brown, who was between the pipes for the Pittsburgh Penguins April 7, 1974. Nicknamed "Fearless," Brown gave up six goals to the Atlanta Flames that night and set an NHL record for penalty minutes by a goalie [60] that year. He continued to play mask-less in the WHA, where he tended goal for the Indianapolis Racers through 1977.
The goalie mask is part of modern culture. Jason Voorhees wears a version molded from a Detroit Red Wings model in the Friday the 13th horror movie series, Casey Jones sports a face-hugging fiberglass mask in Teenage Mutant Ninja Turtles and Dennis Miles [aka D-Roc the Executioner]–guitarist for the heavy metal band Body Count–wore a mask on stage. Canadian realist Ken Damby's At The Crease is an iconic painting from 1972 depicting a hockey goalie defending his net while an old-style fiberglass mask has been part of the Anaheim Mighty Ducks' logo since their inception in 1993. Baseball catcher's masks now resemble those of a hockey goalie. Charlie O'Brien pioneered the hockey-style mask while catching for the Toronto Blue Jays in 1996.
The National Hockey League has required all players to wear helmets beginning with the draft class of 1979. Surprisingly, the league has no rule forcing goalies to wear masks.
On this date in 1959, Jacques Plante wore a goalie mask in an NHL game, pioneering a revolution in ice hockey. Plante's mask now rests at the Hockey Hall of Fame in Toronto.
Joe Newton
Great Daily Dose. One of the very best ever. Renew my subscription.


These are some of the most common statements heard from people who have just listened to a survivor tell their emotional story of sexual abuse or assault. In fact, helping others is a huge reason why survivors decide to open up. However, telling your trauma story can be one of the most effective coping strategies for dealing with trauma related stress and a significant step in the healing process.
With the support of a professional, shaping and sharing your story helps organize memories and feelings into a more manageable and understandable narrative. Plus, the process of creating the story is in itself beneficial. Additionally, listeners provide much needed interaction and support with their willingness to hear what the survivor has to say. Not everyone has to tell their story to a group since everyone's trauma and situation are different. Some may prefer to say things out loud in a quieter setting, like talking one on one with an ACTS Trauma Counselor or Specialist or in a support group of their peers. Regardless, through various desensitization processes, like repeating your story over and over again, your mind and body get used to the triggers, feelings and sensations so that they no longer create the same involuntary anxiety reaction.
These are some of the words survivors of sexual assault say as their share the last chapter of their story…out loud.


text:
module Rpush
  module Client
    module ActiveModel
      module Wpns
        module Notification
          def self.included(base)
            base.instance_eval do
              validates :uri, presence: true
              validates :uri, format: { with: %r{https?://[\S]+} }
              validates :data, presence: true
            end
            def alert=(value)
              return unless value
              data = self.data || {}
              data['title'] = value
              self.data = data
            end
          end
        end
      end
    end
  end
end

redpajama_set_name: RedPajamaGithub


Unfortunately, Pennsylvania is considered the "bull's-eye" for Lyme disease, as we are the nation's leader in cases. It is a regrettable distinction that I would like to change.
Chances are, you know a relative or friend with Lyme disease. Sometimes, months or even years pass before you know you're infected with the tick-borne illness, and the effects of delayed treatment can be catastrophic.
Lyme disease latches onto a victim and does not release its grasp, similar to the deer ticks that transmit the ailment. Once an individual is infected, there is no known cure.
The most recent tick surveillance study found the presence of Lyme in ticks in all 67 state counties. Unfortunately, Pennsylvania is considered the "bull's-eye" for Lyme disease, as we are the nation's leader in cases. It is a regrettable distinction that I would like to change.
Funding to prevent the spread of Lyme disease was a key part of a $32.7 billion 2018-2019 spending plan approved in June by Pennsylvania lawmakers. The budget allocates $2.5 million to support Lyme disease awareness, prevention and surveillance.
The funding will be used to hire staff to implement the Lyme disease task force's 18 recommendations; enhance and build a more robust Lyme disease prevention and education program; conduct statewide environmental surveys; and improve participation in tick-borne disease surveillance with providers and local health departments.
The funding allocated in the 2018-2019 spending plan is just a start, but it is my hope that this financing becomes a recurring part of our budgeting process. I look forward to working with the Department of Health as this new program progresses, for the betterment of all Pennsylvanians.
As we work to better identify, prevent and treat Lyme disease, there are steps every state resident can take to minimize the risks posed by this terrible affliction.
If you discover a tick quickly, experts believe time is on your side, because the disease is transmitted only after many hours of feeding. After you identify the tick, removing it safely is essential. Tweezers are recommended, but sometimes it isn't that easy.
A first line of defense is recognizing Lyme disease indicators. Early symptoms include a rash, and some appear as a bull's-eye. Common symptoms include fever, chills, joint aches, swollen lymph nodes, headache, fatigue and rashes. Antibiotics help with recovery, but when untreated, the infection can lead to arthritis and other severe problems.
Research has indicated that half the populace does not take proper steps to protect themselves against tick bites, especially during warm weather.
For example, outdoor enthusiasts are encouraged to wear clothing that covers the skin, and to use insect repellent. Walk in the middle of trails, avoid leaning against trees and sitting on logs, and think twice before going outside while barefoot. Long-sleeved shirts and pants – tucked into socks – are recommended. Clothes should be light-colored so ticks can be easily spotted.
For more information, a good resource is the American Lyme disease foundation website: www.aldf.com. Additionally, I have brochures available at my district offices in Chambersburg, Hanover and Gettysburg.
State Sen. Rich Alloway, R-Chambersburg, represents the 33rd district.
The Staff of Grove Family Library would like to thank many local businesses for their generous donations to our library.
Donations were used as incentives and prizes for participation in our 2018 Summer Reading Program "Libraries Rock!" Prizes were awarded to our patrons during the week of August 20th.
We also would like to thank our patrons who came to our library to participate in programs, check out books and media, and took the time to log their items. We are thankful for the many ways our community helps and supports Grove Family Library.
We were able to offer many wonderful prizes thanks to the following businesses.
Benny's Pizza & Italian Restaurant; Big Oak Café; Brother's Pizza; Bruster's Real Ice Cream; Buffalo Wild Wings; The Butcher Shoppe; Café Del Sol; Chambersburg Community Theatre; Giant; Hat's Heroes; H Ric Luhr's Center; Hoss's Steak House; Kenny's Grill; Kenzo Japanese & Asian Fusion; Longhorn Steakhouse; Meadow's Original Frozen Custard; MJ Hair Studio; Mod Pizza; Molly's Restaurant; Nellie Fox Bowl and Sports Shop; Norland Avenue Pharmacy; Pat & Carla's Italian Eatery; Perkins Restaurant and Bakery; Royer's Flowers; Texas Roadhouse; TGIFriday; Totem Pole Playhouse; and The Franklin County Library System.


text:
Spain apologizes to Bolivia for presidential plane delay
Bolivian President Evo Morales (L) is accompanied by his aide-de-camp at the Vienna International Airport in Schwechat July 3, 2013 file photo. REUTERS/Heinz-Peter Bader
LA PAZ (Reuters) - Spain apologized on Monday for its part in the events that led Bolivian President Evo Morales' plane to be delayed earlier this month during an international search for U.S. fugitive Edward Snowden.
Bolivia has accused Spain, France, Portugal and Italy of closing their skies to Morales' plane, which was searched at the airport in Vienna on July 3, after being told it was carrying the former U.S. spy agency contractor from Moscow to Bolivia.
"We recognize publicly that perhaps the procedures used in the Vienna airport by our representative were not the most effective," Spain's ambassador to Bolivia, Angel Vázquez, told journalists after dropping the letter off at Bolivia's Foreign Ministry.
"We regret this fact ... the procedure was not appropriate and bothered the president (Morales), putting him in a difficult situation," Vázquez said.
Spain's Foreign Minister Jose Manuel Garcia-Margallo said last week that the country was ready to apologize to Bolivia for inconveniencing Morales, but denied it had closed its airspace to his flight.
Spain is keen to maintain historical ties to South America, a growing export market, and has renewed efforts to nurture relationships with Latin America after expropriations last year by Bolivia and Argentina hit Spanish companies.
The unusual treatment of the Bolivian leader touched a sensitive nerve in Latin America, which has a history of U.S.-backed coups, and Venezuela, Nicaragua and Bolivia offered Snowden asylum.
U.S. President Barack Obama has said any country that gives Snowden shelter would face serious repercussions. Snowden has been holed up at Moscow's Sheremetyevo International Airport since June 23, when he landed in Russia from Hong Kong.
Russian President Vladimir Putin said on Monday he wanted Snowden to leave, but also signaled that the American was moving towards meeting Russia's asylum conditions.
Reporting by Daniel Ramos; Writing by Caroline Stauffer; Editing by Paul Simao


text:
Transit Reporter
Tribune Publishing
https://careers-tribpub.icims.com/jobs/2132/reporter-%28transit%29/job?ss=1&mode=job&iis=BuiltInNYC&iisn=BuiltInNYC
Tribune Publishing is seeking a Transit Reporter to join our award-winning team at New York Daily News!
In this role, you will report and write news and feature stories about New York City's transit system, and how it impacts the lives of New Yorkers.
At Tribune Publishing, we believe in comprehensive rewards packages:
Exciting opportunities with room for growth within the company
A competitive insurance package including medical, dental, vision, and life
401(k) with company matching
Other coordinated discounts/perks
To develop, report and write news and feature stories about the city's subways, focusing not just on the nuts and bolts of the trains but the way it affects New Yorkers lives.
Carry out investigative or explanatory projects with minimal supervision.
To generate ideas for news, features, and enterprise pieces while demonstrating the ability to cover some of the news organization's highest-profile stories.
To build an advanced network of sources that keeps the New York Daily News ahead of the competition.
Coordinate with another transit reporter to cover all angles of city transportation
To assign photographs, video, and other visual elements, and to provide information for graphics.
A Bachelor's degree or equivalent related experience.
At least five years of reporting experience at a daily news organization on a wide range of complex topics or a consistent demonstration of advanced reporting and writing skills as a Reporter at a hard news outlet.
The demonstrated ability to judge the news effectively, to pursue information aggressively, and to produce accurate complete and compelling news copy on deadline for online and in print.
A high degree of expertise in the subway system or a high degree of versatility in general assignment. Advanced knowledge of libel, privacy and access laws.
A command of spelling, grammar, and fact-finding. A working knowledge of Web and online techniques and technologies.
The ability to: work effectively under deadline pressure; sit for extended periods while writing and move about for interviewing and observation; conduct interviews in person and by telephone; take accurate notes; and observe persons, objects, and events both close up and far away so that they can be described in stories.
A valid driver's license.
Preference given to those with access to a vehicle for use in newsgathering.
Tribune Publishing is a media company rooted in award-winning journalism, which harnesses proprietary technology to present personalized, premium content to a global audience in real time. Tribune Publishing draws content from its vast media portfolio, where a commitment to informing and inspiring communities has earned 92 Pulitzer Prizes and a monthly audience of 60 million. From pixels to Pulitzers, tronc brands optimize content and create engaging experiences for audiences across all channels. Learn more at www.tribpub.com.
At Tribune Publishing, we believe in fostering growth, learning new skills, and making sure every team member feels valued. If you think you'd be a great fit here, we'd love for you to apply!
Tribune Publishing is an Equal Opportunity Employer. All qualified applicants will receive consideration for employment without regard to race, color, religion, sex, sexual orientation, gender identity, national origin, or protected veteran status and will not be discriminated against on the basis of disability.
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4 New York Plaza, New York, NY 10004
What are Tribune Publishing Perks + Benefits
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text:
#ifndef llamaos_net_intel_regs_xoffrxc_h_
#define llamaos_net_intel_regs_xoffrxc_h_

#include <cstdint>

#include <ostream>

namespace apps {
namespace net {
namespace intel {
namespace regs {

/**
 * @brief XOFF Received Count register.
 *
 */
class XOFFRXC
{
public:

   /**
    * @breif Construct from value.
    *
    * @param value Initial value (usually read from hardware).
    *
    */
   XOFFRXC (uint32_t value);

   /**
    * @breif Convert to 32-bit integer.
    *
    */
   operator uint32_t () const;

private:
   uint32_t value;

};

/**
 * @brief Stream insertion operator.
 *
 */
std::ostream &operator<< (std::ostream &, const XOFFRXC &);

} } } }

#endif // llamaos_net_intel_regs_xoffrxc_h_


text:
FeaturesInterviews
Interview: John Digweed
With a career built purely on substance, perseverance, and talent, John Digweed has become one of the planet's finest DJs and all around dance music icons over a three decade career.
From ethereal, swirling cinematic soundscapes to energy-infused bass-bothering tech growlers, there's nothing quite like being locked into a John Digweed set, of which many have been heard in every corner, and on every respectable dancefloor, across the globe.
But there is more to John than just DJ, as his seminal Bedrock brand can attest. A record label, event series, co-production alias alongside Nick Muir, and promotion company, Bedrock has provided a slew of hits from some of the world's most diversely talented artists: Guy J, Marco Bailey, Christian Smith and John Selway to name but a few.
As for John himself, the list of accolades goes on: top 40 smashes like 'Heaven Scent' and 'For What You Dream Of', world renowned mix CDs for Renaissance, Global Underground and Northern Exposure, a #1 DJ Mag World's Top DJ ranking, and a Transitions radio show broadcast in over 45 countries.
Now, John Digweed embarks on a world tour in support of his latest Bedrock compilation mix Re:Structured. Touching down in Amsterdam at Melkweg on 25 March, I managed to speak with John about his relationship with the city, his relationship with my old stomping grounds, New York, and much more.
"I always wanted to be a DJ from the age of 11 so I have and still am living the dream 24/7, 365."
On 25 March you will be bringing your Re:Structured tour to Amsterdam's Melkweg. During ADE, you also performed an evening at the venue. What are your impressions of Melkweg as a space? Why would you consider it to be your Amsterdam venue of choice?
I love playing in Holland and especially at the Melkweg, there is so much history at that club and I am proud to have been playing there for so many years.
How would you say Amsterdam stacks up against dance music "centers" like London and Berlin? In my opinion, there is a very educated fanbase with promoters and industry figures frequently looking to expand the artistry and creativity behind their respective roles. Would you agree?
Amsterdam is definitely up there, just look at how many festivals take place there every year and ADE is now seen as the place for the music industry to meet up, discuss and do business, It can only get bigger at this point.
As mentioned, the 25 march date is part of your Re:Structured. As this 3rd edition of your structured series, essentially, highlights the current state of Bedrock as a label and brand. In your own words, what would you say this current state is?
We just try and showcase the latest releases through artists new and established with the label. This album also gave me a chance to dig into the back catalogue and get some of my favourite tracks remixed and brought to the attention of the new generation who might have missed them first time round. We also included a great DVD with interviews with Danny Howells and myself plus some amazing footage from two great Bedrock events.
How has the digital landscape affected Bedrock, as well as your own approach to, for example, mixes. 15 years ago, a Global Underground mix from you, Sasha, Nick (Warren), Danny (Howells) and others was truly an event, but now, with Soundcloud, radio shows (including your own Transitions), mixes are all over the place. Good thing or bad thing?
This is true but if you put something out that captures peoples imagination it will still be a big talking point. We just released the Latest "Live In" album from Montreal which was just under 8 hours of my set spread over 6 CDs and it was crazy the reaction we got selling out before it's release. We spent loads on the packaging and made it a real collectors piece. You're right though, people have so much access to free music and mixes if you want people to buy it it needs to have something that is more than just a CD.
How do you walk that line between adaptability and expectation, especially as a label boss, brand manager, and veteran DJ? Do you find there to be an organic balance between what is "expected" of you and the general adaptability needed in such a fast moving (digital) landscape?
I just do what I have always done, give everything 100% have a high standard of what I do and expect to deliver and try and give people the best that I can with everything I do.
[gallery_bank type="images" format="filmstrip" title="false" desc="false" img_in_row="3″ display="all" sort_by="random" animation_effect="bounce" image_width="600″ album_title="false" album_id="217″]
Heaven Scentjohn digweedmelkwegNick MuirRe:StructuredTwilo
Steve Rickinson
Steve is Editor in Chief of DHA and does some other things too
Cops Fine DJ For Playing N.W.A.'s 'F*ck the Police' in Bar
12inchCity Presents 'In Retraite' Festival, Set In Historic Monastery
Exclusive Interview With Curses
Flight Facilities Landing In Melkweg Amsterdam This Week
5 Classic Sets: Sasha & John Digweed
Premiere: Paul C & Paolo Martini – Hot Line (Original Mix)


Thu, 21:10: Wrote 14,911 words during July, which makes 29,714 in June & July together. After such a dry spell, I can't tell you how good this feels.
Thu, 21:27: I never made so many friends my whole life as in the few years since I started writing. Such an unexpected blessing.


If you feel stressed out, depressed, suffocated, and confused in a relationship, certainly it is time to take action to heal your relationships than to sit back and worry and see the relationship deteriorate further.
Relationships form an important part of our life, yet we often see sufferings in most of our relationships, whether it is with our parents, our partners, our children, our colleagues. Often we see similar patterns in all of our relationships and we continue to attract such relationships which are devoid of love and harmony. In spite of putting our 100 percent, we fail to find love and harmony in our relationships and blame the other person for failed relationships.
In our consultations, we go beyond the surface and retrieve the belief patterns which have caused such a situation. Through healing and coaching, we heal the emotional pain you are going through and also release and resolve the issues and the belief system that are resulting in such relationships.
People who have joined our coaching and healing sessions, have reported a marked improvement in their relationships and have brought back love and harmony in all of their relationships.
We offer special counseling and advice to heal the relationships between husband and wife, parents and children and in all your relationships to bring about harmony and mutual respect in those relationships.


text:
Bluetooth Scale
The 5 Best Bar Inventory Apps of 2019
Leave a Comment	/ Bar Inventory, Restaurant Management, Restaurant Start-Up / By Dave Allred Bar Patrol
A Closer Look at the Best Bar Inventory Apps of 2019
Here we take an in-depth look at the top 5 bar and liquor inventory apps for managing your bar inventory, including: features, functionality, reporting and pricing.
Ok, full disclosure: you are reading this on a bar inventory management website, where we are a bit biased when it comes to the bar and liquor inventory app that provides the most bang for the buck, but we are also an open door when it comes to shining a light on our system, as well as other systems.
We have no problem admitting that any one of these systems would be fantastic in helping you count, track and manage your inventory at the highest level.
With that said, we are putting out this review and article with great eagerness because we enthusiastically believe that when it comes to making an investment for your business, nothing saves you more time or increases your profits faster than a cutting-edge inventory system.
All of these systems sync through the cloud, so no need to brag about that in the features listed below.
With that said, let's get to it, and remember: in the end, you should make the best choice for you and your business.
1. BAR PATROL INVENTORY APP
Yep, top dog, baby! What kind of company would we be if we timidly listed our liquor inventory app and system at #4 just to be humble? But Bar Patrol App isn't just #1 because we're feigning confidence.
Developed by bar industry expert Dave Allred, Bar Patrol App was built for the bar owner/manager who wants a top-of-the-line app without adding a large monthly expense. Having taken thousands of inventories using various systems, Allred developed the system to be remarkably fast, accurate, and easy-to-use while having all the most powerful features and analytics involved.
Although many competitors try to beat Bar Patrol App at its own game, the truth is, the bar inventory app by Bar Patrol has the same or more features than the other top 4 listed here, at 1/4 the cost. If you want to test drive it for free you can click here to check it out at no risk.
Count On Multiple Devices: Yes
Integrates With POS Systems: Yes
Measuring Method: Bluetooth Scale (2% margin of error)
Counts Food: Yes
Reporting: Stock-on-Hand, Usage, Variance, Invoicing, Item Costing, Purchase Orders, Historical Data
Recipes/Item Costing: Yes
Available Devices: iOS Only
Ordering & Invoicing: Invoicing and Automatic Ordering Sends Weekly Orders Directly to Your Vendors With One Click of a Button
Avg. Pricing: $59 Per Month (Depending on Monthly or Yearly subscription)
Support: Online Chat, Email Support, Phone by Appointment
CLICK HERE TO CHECK OUT PRICING
2. BEVSPOT
Bevspot inventory is a worthy competitor when it comes to bar inventory management and we actually love what they're doing over there. They have a variety of articles and resources on their website to help owners and managers succeed.
When it comes to a bar and food inventory system, Bar Patrol and Bevspot offer very similar features and benefits, but Bevspot raised millions of dollars to pay for office buildings and sales people to sell Bevspot to bar owners, so they have to charge a lot more to pay for those salaries, which means you're paying 4 times as much to get the same system.
Integrates With POS System: Yes
Measuring Method: Slider (6 – 8% % margin of error)
Reporting: Stock-on-Hand, Usage, Variance, Invoicing, Item Costing, Historical Performance, Item Sales Performance
Item Costing: Yes
Available Devices: iOS & Android
*Avg. Pricing: $273 Per Month ($249 Per Month or $199 Per Month Paid Annually, plus $49 to add-on POS integration)
Support: Online Chat, Email Support, Phone
*Bevspot has multiple pricing tiers, but in order to get all the features and reporting that you really need, you have to pay the most premium price ($249/month).
3. BEVINCO MOBILE BY SCULPTURE HOSPITALITY
Bevinco is one of the originators of bar inventory management, going all the way back to the 80's. They are also a franchise that has Bevinco reps who come in and take full inventory audits for a ridiculous amount of money, but it's still worth it, as it will save you money.
Again, Bevinco Mobile has very similar features and benefits of Bar Patrol and Bevspot. The only knock we have on Bevinco is that they use a scanner which we don't like as it actually takes longer to turn each bottle around while you try to line the red laser up with the bar code. Bar Patrol & Bevspot are faster and more streamlined because of this.
Measuring Method: Bluetooth Scale (2% Margin of Error) + Scanner
Counts Food: As a Separate Software For an Additional Fee
*Avg. Pricing: $175/Month (Depending on Premium or Select Tiers)
Support: Online Email Form, Phone
*Like Bevspot, Bevinco Mobile has multiple pricing tiers, but you don't really get anything valuable until you pay for the top tier, which in this case is around $175/month.
4. BEVAGER
Bevager is a bit different than the previous 3, as it integrates directly to some accounting software, which is pretty cool if that's important to you. What we don't like about Bevager is that they claim your bar inventory will take 20 minutes across your entire restaurant and bar which is ridiculous.
Not all bars/restaurants are the same, and some have huge inventories. We offer the same challenge we did with Partender to Bevager: If you can come in our chosen bar and do a full inventory in 20 minutes, we will pay you $50,000.
Bevager also uses a scanner which again, we do not like, but besides that, Bevager overall has a pretty slick system.
Measuring Method: Point Counting/Slider ( 6 – 8% margin of error) + Scanner
Reporting: Stock-on-Hand, Usage, Variance, Invoicing, Item Costing, Purchase Orders, Accounting
*Avg. Pricing: $200/Month (Depending on Premium and Pro Pricing)
Support: Email and Phone
*Pricing tiers again, but you only get all the necessary features at the most premium price ($200/month)
5. PARTENDER
Partender is the sexy friend who people want to be around, until you hang around them for awhile and realize that there isn't much substance there. And not to jump on them, but their message is so full of BS, I wouldn't be surprised if a swarm of flies came buzzing out of the app. Inventory in 15 minutes? You've got to be kidding me. 99.2% accurate. Nope. Not with that little slider. These are made-up stats pulled out of thin air. The scale is the most accurate measurement device and even it is only 98% accurate.
In addition, Partender claims that you can run your variance, but you have to MANUALLY enter your sales data to do this which could take up to 30 minutes or more, unlike the other four systems which upload your sales data instantly.
We will say that Partender does have a better slider system than the others because it's a snap shot of the actual bottle so you can use the brand label to get a more accurate reading.
With that said, Partender will get the job done, and it's easy to use. But again, are you willing to spend $249/month for an inferior system?
Integrates With POS System: No
Measuring Method: Point Counting/Slider ( 4 – 6% margin of error)
Counts Food: No
Reporting: Stock-on-Hand, Usage, Invoicing, Purchase Orders, Identifies Top-Sellers, Manual Variance
Item Costing: No
Ordering & Invoicing: You are able to run an invoice report that shows you what to order, but no automatic ordering
*Avg. Pricing: $249/Month
*Pricing tiers once again, the lower ones giving you very little.
OUR BAR INVENTORY APP CONCLUSION
All in all, you would most likely be happy with any one of these systems. Most of them provide the same features and benefits (sans Partender). The main difference here is that Bar Patrol has an average cost of $59 per month, while the average cost of the other four combined is $212 per month, 3 – 4 times the cost of Bar Patrol, which is why we have become the #1 bar and liquor inventory app for mid-sized bars and restaurants.
In the end, you need to choose the best liquor inventory system that's works best for you and your business.
We wish you all the success in the world. We really do.
Cheers, until next time,
The Bar Patrol Team
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TCU at Kansas: The Horned Frogs got past the difficult part on their conference schedule with only one loss. A trip to Texas on Thanksgiving night looks like the only test left this season. It will be interesting to see if the Playoff Committee ranked TCU higher than a one-loss Mississippi State. I think they would.
Arizona State at Oregon State: The Sun Devils have won five straight games and are coming off big home wins against Utah and Notre Dame. Their trip to Oregon State could be a hangover situation but it's hard to trust the struggling Beavers to cover a spread.
Oregon vs Bye: Oregon is three games away from making the Playoff. College football fans would love to see an Arizona State-Oregon Pac-12 title.
Auburn at Georgia: Auburn may have been looking ahead to Georgia but their loss to Texas A&M was shocking and maybe one of the biggest upsets on the season. It's hard to see the Tigers being motivated after suffering a crushing defeat. Georgia might not be playing for a Playoff spot but a trip to the SEC Championship up for grabs, and the Bulldogs will be looking for revenge against Auburn after what happened last season.
Michigan State at Maryland: The Spartans had a chance to make a statement on Saturday night and their defense was exposed. Now they travel to unfamiliar territory at Maryland with nothing to play for. If Michigan State is a touchdown favorite, I would strongly recommend taking the Terrapins.
Northwestern at Notre Dame: Arizona State made Everett Golson pay for early mistakes and Notre Dame's playoff chances were crushed in the desert. It will be interesting to see how they respond at home against Northwestern. It looks like a good spot to pick against the Irish but Northwestern has been in a free fall since their early season conference wins at Penn State and against Wisconsin.
Kansas State vs Bye: It was fun while it last for Bill Snyder's team. They have this weekend off before going to West Virginia on a Thursday night in Week 13.
Ohio State at Minnesota: Ohio State might think they have a shot at the Playoff but they would need a lot of help. Their win in East Lansing was impressive and the Buckeyes showed why they will be the Big Ten favorite in 2015. Ohio State goes on the road again to play 7-2 Minnesota. The Gophers played their best game of the season in Week 11 by beating Iowa 51-14. However, Minnesota struggled against Northwestern and Purdue in October wins. A week later they lost to Illinois before a bye. Passing on this game might be the best decision but make sure to check the weather as it could get nasty this time of year.
LSU at Arkansas: Before knowing the line, I really like Arkansas in this situation. The Razorbacks have to win a conference game, right? This would seem like a good week to do it. Arkansas is back at home off a byes week and host LSU, who were part of a very hard fought war against Alabama. Now a young LSU team has to do some traveling and it will be hard to duplicate the maximum effort they displayed on defense.
Utah at Stanford: Utah lost to Oregon 51-27 but the score should've been much closer. A 14-point swing in Oregon's favor after a boneheaded play by Utah changed the entire game in Salt Lake City. After a loss like that, it feels that the Utes are in a bad spot when they travel to Stanford who are coming off a bye.
Missouri at Texas A&M: Texas A&M's roller coast season continued when the upset Auburn. Will they carry that momentum on Saturday or will they have a letdown game? This is definitely not one of the best games on the week but will be interesting to see where the line ends up.


Eleven is a Dutch contemporary artistic duo consisting of brothers Liam and Noah. In early 2012, the siblings – then enrolled at the University of Applied Sciences and the University of Technology respectively – opted to drop out of their studies, quit their jobs and take on the challenge of becoming among the most renowned artists of their time. It was a decision, in their words, to "give in to the fire within." "We both realised that if you are going to do anything worthwhile in your life, you are going to have to burn some bridges and break the rules." As they began to experiment with different media and techniques in their search for "the perfect painting", they took on the role of awakening others through their work.
An especially notorious example of this came in 2015, when they declared a crumpled can of Coke to be art and offered it for sale for what would have been a record-breaking price of $322 million, or £203.9 million. As the brothers explained it at the time: "Yes, it's just a can of Coke, and we are selling it for millions. It's time for you to wake up." Can of Coke epitomised the brothers' devotion to helping others to see the light, in much the same way as they had in deciding to become artists in the first place.
As late as 2017, the young visionaries continued with stencil graffiti bearing such thought-provoking titles as "Some People Need a High-Five. In The Face. With a Chair" and "Woodstock (Middle Finger)", playing on much-riffed-upon motifs from pop icons like Mickey Mouse to comics like Batman.
Want to learn more about Eleven?


These waterproof, versatile tiny 12VDC LED dock lights install totally flush with the surface and are the perfect way to indicate the left (port) and right (starboard) side of your dock or boat landing. The perfect addition to our Dock Dot™ Kit to really make your dock stand out.
This expandable 2 pack is designed to work in accordance with the complete kit. This 2 pack does not include a transformer, transconnect cable, Forstner bit, or EZ Photocell Timer. In order to set up this 2 pack alone, additional purchase of mentioned accessories is needed.
All mariners know how important it is to define the port and starboard sides of a dock at night. This marine light indicator pack of DEKOR® Dock Dot™ 1" diameter, waterproof, LED, dot style lights, are a great way to identify each side of your dock. As part of our Plug-N-Play system, our Dock Dot™ is easy to install. All connections are waterproof.
With one port (left) red and one starboard (right) green light in each pack you can mark your dock by simply plugging the indicators in line with your other DockDot™ lights. For even more impact you can get multiple packs and line either side of you dock to make an even greater impression. Just remember to affix a red and green light at the end of your dock to help you steer your boat to the correct side at night. Avoid leaving your dock end unilluminated.
Available in both Standard (38 lumens) or NEXGen (78 lumens) LED configurations our Dock Dots™ will make your waterside dock stand out. You can connect Dock Dots™ with any of our other world class products, like our post lamps and post caps to truly create a complete low voltage, LED lighting design that will take your dock to another level.
Dimmable warm white light. Dock Dot™ LEDs emit light at 3200° K, and are dimmable with DEKOR's EZDIMMERWP or their WiFi Dimmer and app.
Long lasting and durable. Dock Dot™ LEDs are extremely strong, will not rust or crack, and are built tough. Dock Dot™ LEDs have thick transparent domed polycarbonate covers that will not yellow with age. The lights are built to withstand years of "wear and tear" and come with an industry leading 10 year warranty.
Connector Cable Length. This kit comes with 10 foot or 20 foot heavy duty Plug-N-Play cables so lights can be spaced along the edge of your dock as desired.


We love seeing your images of historical places in Britain and across the world so much that we put them in the magazine!
Every issue in Postcards from the Past we feature some of our favourite snaps of historical place and monuments that you've photographed on your travels. From grand castles and royal palaces to eerie ruins and sombre memorials, if it has a link to the past we'd love to see it.
Submit your pics to photos@historyrevealed.com or use the hashtag #historyrevpostcards on Twitter and Instagram.
It's a great help if you also provide us with two or three lines telling us what the historical link is and what you love about the image.


text:
Q: Lightning Community - relative page navigation to page with lightning:input breaks I have a strange problem that occurs whenever I navigate to another lightning page using an anchor tag with an href value containing a relative URL (e.g. If I have a lightning page with the url "/mypage", the href value is "/mypage"), or when I fire the e:force:navigateToURL event with a relative URL. What happens is on the 2nd instance of navigating to any lightning page that renders a lightning:input component on initial load, the page will freeze as if there was a JavaScript exception thrown. Sometimes the page will freeze with no indication of it being broken, and sometimes there will be a "..." overlay in the centre of the page that will hang indefinitely. The page remains unusable until I do a hard refresh. There are no errors reported on the console and, when using Chrome, the lightning inspector does not report any errors.
I isolated the issue to the presence of a lightning:input component on the lightning page being rendered because of an error I found when using the "Preview" mode in the Community builder.

I verified that lightning:input is the issue by replacing any instance of lightning:input with either ui:input or a standard HTML5 input tag. Doing so fixed the navigation issue described above.
I haven't found any any other relevant questions on SF Stack Exchange one on developer.salesforce.com, so I'm wondering if anyone else has experienced something similar, and any possible solutions to this problem. I'd ideally like to continue using lightning:input on my pages or at least understand the core reason why this is happening.
--- Edit ---
After coming up with an example for others to replicate, I found out that the root issue is the combination of using 's afterScriptsLoaded attribute to fire a method that will dynamically create a lightning input (it can directly create a lightning input or create another component that, in its markup, has a lightning input) with a relative page navigation. The issue I found is specifically to do with using ltng:require with afterScriptsLoaded, as I cannot reproduce the issue with using an aura handler on the "init" event and using an action.
To replicate:

*

*Create a lightning community

*Create a test page, which I called "nav-bug-1"

*Create a lightning component, which I called "LightningInputContainer", with the following (replace "" with your own value):

LightningInputContainer.cmp
<aura:component implements="forceCommunity:availableForAllPageTypes">

    <ltng:require
        afterScriptsLoaded="{!c.doInit}"
    />

    <aura:attribute type="Aura.Component[]" name="lightningInput" />

    <button onclick="{!c.navToCurrentPage}" type="button">Initiate relative page nav</button>

    {!v.lightningInput}

</aura:component>

LightningInputContainerController.js
({
    doInit : function(cmp, event, helper) {

        $A.createComponent(
            'lightning:input',
            {
                label : 'test'
            },
            function(newComponent, status, errMsg) {
                if (status === "SUCCESS") {
                    cmp.set("v.lightningInput", newComponent);
                } else {
                    alert(errMsg);
                }
            }
        );

    },

    navToCurrentPage : function(cmp, event, helper) {
        let urlEvent = $A.get("e.force:navigateToURL");
        urlEvent.setParams({ "url" : '/nav-bug-1' });
        urlEvent.fire();
    }

})

*

*Using the Community builder, drag and drop LightningInputContainer onto the "nav-bug-1" page

*Using the "Preview" option on the builder, click the anchor "Initiate relative page nav"

*You should see an error window pop up, similar to what has been posted above

A: I never found the root solution of the issue, and Salesforce support doesn't seem to have much insight on this issue either.
It seems like the issue is the timing of when the lightning component input is dynamically created in its parent component's lifecycle. This issue only manifests using ltng:require with afterScriptsLoaded, but not when using the init event handler. $A.createComponent is already asynchronous, but if I create wrap it in window.setTimeout, even with no specified delay, the creation works as expected and the problem goes away. So the issue is resolved if I create the component outside of the regular component lifecycle.
I ended writing a helper function to help me do this -
createInitialComponents: function(cmp, callback) {
    window.setTimeout($A.getCallback(callback));
}
where the callback argument is where I do all my dynamic component creation, e.g. $A.createComponent()


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text:
import re

from django.db import connection
from hashlib import sha256

from graphite.tags.base import BaseTagDB, TaggedSeries

class LocalDatabaseTagDB(BaseTagDB):
  def find_series_query(self, tags):
    # sql will select series that match all tag expressions that don't match empty tags
    sql = 'SELECT s.path'
    sql += ' FROM tags_series AS s'
    params = []

    where = []
    whereparams = []

    all_match_empty = True

    # expressions that do match empty tags will be used to filter the result
    filters = []

    i = 0
    for tagspec in tags:
      (tag, operator, spec) = self.parse_tagspec(tagspec)

      i += 1
      s = str(i)

      if operator == '=':
        matches_empty = spec == ''

        if not matches_empty:
          where.append('v' + s + '.value=%s')
          whereparams.append(spec)

      elif operator == '=~':
        # make sure regex is anchored
        if not spec.startswith('^'):
          spec = '^(' + spec + ')'

        matches_empty = bool(re.match(spec, ''))

        if not matches_empty:
          where.append('v' + s + '.value ' + self._regexp_operator(connection) + ' %s')
          whereparams.append(spec)

      elif operator == '!=':
        matches_empty = spec != ''

        if not matches_empty:
          where.append('v' + s + '.value<>%s')
          whereparams.append(spec)

      elif operator == '!=~':
        # make sure regex is anchored
        if not spec.startswith('^'):
          spec = '^(' + spec + ')'

        matches_empty = not re.match(spec, '')

        if not matches_empty:
          where.append('v' + s + '.value ' + self._regexp_not_operator(connection) + ' %s')
          whereparams.append(spec)

      else:
        raise ValueError("Invalid operator %s" % operator)

      if matches_empty:
        filters.append((tag, operator, spec))
      else:
        sql += ' JOIN tags_tag AS t' + s + ' ON t' + s + '.tag=%s'
        params.append(tag)
        sql += ' JOIN tags_seriestag AS st' + s + ' ON st' + s + '.series_id=s.id AND st' + s + '.tag_id=t' + s + '.id'
        sql += ' JOIN tags_tagvalue AS v' + s + ' ON v' + s + '.id=st' + s + '.value_id'

      all_match_empty = all_match_empty and matches_empty

    if all_match_empty:
      raise ValueError("At least one tagspec must not match the empty string")

    if where:
      sql += ' WHERE ' + ' AND '.join(where)
      params.extend(whereparams)

    sql += ' ORDER BY s.path'

    return sql, params, filters

  def _find_series(self, tags):
    sql, params, filters = self.find_series_query(tags)

    def matches_filters(path):
      if not filters:
        return True

      parsed = self.parse(path)

      for (tag, operator, spec) in filters:
        value = parsed.tags.get(tag, '')
        if (
          (operator == '=' and value != spec) or
          (operator == '=~' and re.match(spec, value) is None) or
          (operator == '!=' and value == spec) or
          (operator == '!=~' and re.match(spec, value) is not None)
        ):
          return False

      return True

    with connection.cursor() as cursor:
      cursor.execute(sql, params)

      return [row[0] for row in cursor.fetchall() if matches_filters(row[0])]

  def get_series(self, path):
    with connection.cursor() as cursor:
      sql = 'SELECT s.id, t.tag, v.value'
      sql += ' FROM tags_series AS s'
      sql += ' JOIN tags_seriestag AS st ON st.series_id=s.id'
      sql += ' JOIN tags_tag AS t ON t.id=st.tag_id'
      sql += ' JOIN tags_tagvalue AS v ON v.id=st.value_id'
      sql += ' WHERE s.path=%s'
      params = [path]
      cursor.execute(sql, params)

      series_id = None

      tags = {tag: value for (series_id, tag, value) in cursor.fetchall()}

      if not tags:
        return None

      return TaggedSeries(tags['name'], tags, series_id=series_id)

  def list_tags(self, tagFilter=None):
    with connection.cursor() as cursor:
      sql = 'SELECT t.id, t.tag'
      sql += ' FROM tags_tag AS t'
      params = []

      if tagFilter:
        # make sure regex is anchored
        if not tagFilter.startswith('^'):
          tagFilter = '^' + tagFilter
        sql += ' WHERE t.tag ' + self._regexp_operator(connection) + ' %s'
        params.append(tagFilter)

      sql += ' ORDER BY t.tag'
      cursor.execute(sql, params)

      return [{'id': tag_id, 'tag': tag} for (tag_id, tag) in cursor.fetchall()]

  def get_tag(self, tag, valueFilter=None):
    with connection.cursor() as cursor:
      sql = 'SELECT t.id, t.tag'
      sql += ' FROM tags_tag AS t'
      sql += ' WHERE t.tag=%s'
      params = [tag]
      cursor.execute(sql, params)

      row = cursor.fetchone()

    if not row:
      return None

    (tag_id, tag) = row

    return {
      'id': tag_id,
      'tag': tag,
      'values': self.list_values(tag, valueFilter=valueFilter),
    }

  def list_values(self, tag, valueFilter=None ):
    with connection.cursor() as cursor:
      sql = 'SELECT v.id, v.value, COUNT(st.id)'
      sql += ' FROM tags_tagvalue AS v'
      sql += ' JOIN tags_seriestag AS st ON st.value_id=v.id'
      sql += ' JOIN tags_tag AS t ON t.id=st.tag_id'
      sql += ' WHERE t.tag=%s'
      params = [tag]

      if valueFilter:
        # make sure regex is anchored
        if not valueFilter.startswith('^'):
          valueFilter = '^' + valueFilter
        sql += ' AND v.value ' + self._regexp_operator(connection) + ' %s'
        params.append(valueFilter)

      sql += ' GROUP BY v.id, v.value'
      sql += ' ORDER BY v.value'
      cursor.execute(sql, params)

      return [{'id': value_id, 'value': value, 'count': count} for (value_id, value, count) in cursor.fetchall()]

  @staticmethod
  def _insert_ignore(table, cols, data):
    sql = table + ' (' + ','.join(cols) + ') VALUES ' + ', '.join(['(' + ', '.join(['%s'] * len(cols)) + ')'] * len(data))
    params = []
    for row in data:
      params.extend(row)

    if connection.vendor == 'mysql':
      sql = 'INSERT IGNORE INTO ' + sql
    elif connection.vendor == 'sqlite':
      sql = 'INSERT OR IGNORE INTO ' + sql
    elif connection.vendor == 'postgresql':
      sql = 'INSERT INTO ' + sql + ' ON CONFLICT DO NOTHING'  # nosec
    else:
      raise Exception('Unsupported database vendor ' + connection.vendor)

    with connection.cursor() as cursor:
      cursor.execute(sql, params)

  @staticmethod
  def _regexp_operator(connection):
    if connection.vendor == 'mysql':
      return 'REGEXP'
    if connection.vendor == 'sqlite':
      # django provides an implementation of REGEXP for sqlite
      return 'REGEXP'
    if connection.vendor == 'postgresql':
      return '~*'
    raise Exception('Database vendor ' + connection.vendor + ' does not support regular expressions')

  @staticmethod
  def _regexp_not_operator(connection):
    if connection.vendor == 'mysql':
      return 'NOT REGEXP'
    if connection.vendor == 'sqlite':
      # django provides an implementation of REGEXP for sqlite
      return 'NOT REGEXP'
    if connection.vendor == 'postgresql':
      return '!~*'
    raise Exception('Database vendor ' + connection.vendor + ' does not support regular expressions')

  def tag_series(self, series):
    # extract tags and normalize path
    parsed = self.parse(series)

    path = parsed.path

    # check if path is already tagged
    curr = self.get_series(path)
    if curr and parsed.tags == curr.tags:
      return path

    with connection.cursor() as cursor:
      # tags
      self._insert_ignore('tags_tag', ['tag'], [[tag] for tag in parsed.tags.keys()])

      sql = 'SELECT id, tag FROM tags_tag WHERE tag IN (' + ', '.join(['%s'] * len(parsed.tags)) + ')'  # nosec
      params = list(parsed.tags.keys())
      cursor.execute(sql, params)
      tag_ids = {tag: tag_id for (tag_id, tag) in cursor.fetchall()}

      # tag values
      self._insert_ignore('tags_tagvalue', ['value'], [[value] for value in parsed.tags.values()])

      sql = 'SELECT id, value FROM tags_tagvalue WHERE value IN (' + ', '.join(['%s'] * len(parsed.tags)) + ')'  # nosec
      params = list(parsed.tags.values())
      cursor.execute(sql, params)
      value_ids = {value: value_id for (value_id, value) in cursor.fetchall()}

      # series
      if curr:
        series_id = curr.id
      else:
        # hash column is used to support a unique index in mysql since path can be longer than 191 characters
        path_hash = sha256(path.encode('utf8')).hexdigest()
        self._insert_ignore('tags_series', ['hash', 'path'], [[path_hash, path]])

        sql = 'SELECT id FROM tags_series WHERE path=%s'
        params = [path]
        cursor.execute(sql, params)
        series_id = cursor.fetchone()[0]

      # series tags
      self._insert_ignore(
        'tags_seriestag',
        ['series_id', 'tag_id', 'value_id'],
        [[series_id, tag_ids[tag], value_ids[value]] for tag, value in parsed.tags.items()]
      )

    return path

  def del_series(self, series):
    # extract tags and normalize path
    parsed = self.parse(series)

    path = parsed.path

    with connection.cursor() as cursor:
      sql = 'SELECT id'
      sql += ' FROM tags_series'
      sql += ' WHERE path=%s'
      params = [path]
      cursor.execute(sql, params)

      row = cursor.fetchone()
      if not row:
        return True

      (series_id, ) = row

      sql = 'DELETE FROM tags_seriestag WHERE series_id=%s'
      params = [series_id]
      cursor.execute(sql, params)

      sql = 'DELETE FROM tags_series WHERE id=%s'
      params = [series_id]
      cursor.execute(sql, params)

    return True


Commercial electrical services are all about safety, security, and performance, and outdoor pole lighting is an important component of a business's electrical needs. Many people don't give a second thought to exterior illumination until it's not there. As a property owner, it's your job to stay one step ahead and make sure your commercial property is adequately lit at night.
Here are a few important ways that outdoor pole lighting can transform your business.
Keeping customers, visitors, and employees safe in the parking lot starts with illumination. Lighting parking areas deters physical attacks, as well as property crime such as vehicle break-ins. And even if your female employees never mention it to you, most women have experienced an uneasy feeling in a dark parking garage or lot. Upgrading or adding to your outdoor pole lighting could be all it takes to keep would-be criminals away and provide your personnel with a stronger sense of security the premises.
If your business stores equipment, vehicles, or inventory in outdoor areas, keeping the exterior brightly lit at night will protect those investments for you. Whether or not a thief can see a security camera or people watching him doesn't matter. Just knowing that he is lit up for the whole world to see is usually enough to turn away vandals and robbers. And if you do have cameras trained on the area, bright lights will make it easier to identify and capture criminals caught on tape in the event of an incident.
This one is especially important if people visit your business in the early morning or late afternoon hours. Being able to see your signs, building, and parking areas from the road is vital in helping people locate you in the dark. It can be really frustrating when your customer's GPS says they have arrived at your office, but the lack of illumination makes it hard to see where you are. If someone has to turn around and make another pass or two to find you, you have already made a bad impression.
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