text:
![](Jeanine/Fibonacci/Fibonacci_sketch_02.2.png)
![](Jeanine/Fibonacci/Fibonacci_sketch_02.3.png)
![](Jeanine/Fibonacci/Fibonacci_sketch_02.4.png)
![](Jeanine/Fibonacci/Fibonacci_sketch_02.5.png)
![](Jeanine/Fibonacci/Fibonacci_sketch_02.6.png)
![](Jeanine/Fibonacci/Fibonacci_sketch_02.7.png)
![](Jeanine/Fibonacci/Fibonacci_sketch_02.8.png)
![](Jeanine/Fibonacci/Fibonacci_sketch_02.9.png)
[sketch_01](Jeanine/Fibonacci/Fibonacci_sketch_01.pv)
[sketch_02](Jeanine/Fibonacci/Fibonacci_sketch_02.pv)

## Random
![](Jeanine/Random/Random_sketch_01.png)
![](Jeanine/Random/Random_sketch_04.png)
![](Jeanine/Random/Random_sketch_05.png)
![](Jeanine/Random/Random_sketch_06.png)
![](Jeanine/Random/Random_sketch_07.png)
![](Jeanine/Random/Random_sketch_08.png)
![](Jeanine/Random/Random_sketch_09.png)
![](Jeanine/Random/Random_sketch_10.png)
[sketch_01](Jeanine/Random/Random_sketch_01.pv)
[sketch_02](Jeanine/Random/Random_sketch_02.pv)
[sketch_03](Jeanine/Random/Random_sketch_03.pv)

## Perlin Noise
![](Jeanine/Perlin Noise/Perlin_noise_sketch_01.1.png)
![](Jeanine/Perlin Noise/Perlin_noise_sketch_02.png)
![](Jeanine/Perlin Noise/Perlin_noise_sketch_02.2.png)
![](Jeanine/Perlin Noise/Perlin_noise_sketch_02.3.png)
![](Jeanine/Perlin Noise/Perlin_noise_sketch_03.2.png)
![](Jeanine/Perlin Noise/Perlin_noise_sketch_03.3.png)
![](Jeanine/Perlin Noise/Perlin_noise_sketch_03.4.png)
![](Jeanine/Perlin Noise/Perlin_noise_sketch_04.1.png)
![](Jeanine/Perlin Noise/Perlin_noise_sketch_04.2.png)
![](Jeanine/Perlin Noise/Perlin_noise_sketch_04.4.png)
![](Jeanine/Perlin Noise/Perlin_noise_sketch_05.1.png)
![](Jeanine/Perlin Noise/Perlin_noise_sketch_5.2.png)
![](Jeanine/Perlin Noise/Perlin_noise_sketch_05.3.png)
[sketch_01](Jeanine/Perlin Noise/Perlin_noise_sketch_01.pv)
[sketch_02](Jeanine/Perlin Noise/Perlin_noise_sketch_02.pv)
[sketch_03](Jeanine/Perlin Noise/Perlin_noise_sketch_02.2.pv)
[sketch_04](Jeanine/Perlin Noise/Perlin_noise_sketch_03.pv)
[sketch_05](Jeanine/Perlin Noise/Perlin_noise_sketch_03.3.pv)
[sketch_06](Jeanine/Perlin Noise/Perlin_noise_sketch_03.4.pv)
[sketch_07](Jeanine/Perlin Noise/Perlin_noise_sketch_04.1.pv)
[sketch_08](Jeanine/Perlin Noise/Perlin_noise_sketch_04.2.pv)
[sketch_09](Jeanine/Perlin Noise/Perlin_noise_sketch_04.3.pv)
[sketch_10](Jeanine/Perlin Noise/Perlin_noise_sketch_04.4.pv)
[sketch_11](Jeanine/Perlin Noise/Perlin_noise_sketch_5.1.pv)
[sketch_12](Jeanine/Perlin Noise/Perlin_noise_sketch_05.2.pv)
[sketch_13](Jeanine/Perlin Noise/Perlin_noise_sketch_05.3.pv)

## Recursive functions

redpajama_set_name: RedPajamaGithub


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text:
Posted byLadyDeWriter January 21, 2015 May 15, 2018 Posted inFilm and Television CommentaryTags:Acting, actors, Chad Eric Smith, Devin Nikki, Film Directing, Film Screening, Horror Comedy Film, Independent film, Independent Film Industry, Screenwriting, Short Horror Comedy Film
Welcome back for another Local Independent Film Spotlight. Today I am elated to feature Chad Eric Smith. He is a talented, and brilliant local actor, as well as thrillingly imaginative story teller. After learning about, and viewing his recent short horror comedy film, "Dark Therapy", I just had to learn more about Chad, and bring his story to you. You would understand what I mean after you've seen the witty "Dark Therapy".
Stay tuned, and read on to learn more about the film, and its upcoming screening on Saturday, January 24th. I am confident that, like myself, Chad's experiences, and drive will further inspire, and stir up your passion for theater and film.
Chad, how did you get involved with the world of acting, and filmmaking?
When I was 12, my Grandmother took me to the Arena Stage in Washington, DC to see my first play "Oak and Ivy," which chronicled the loving but strained marriage of two early-20th-century poets, Paul Laurence Dunbar and Alice Ruth Moore. I left the theater mesmerized by the actors' performances. I also left determined to perform at the Arena Stage one day. A little while later, my grandmother took me to New York City to see my first Broadway musical, "Annie Get Your Gun." I was again awestruck. While in High School, I became a member of Children's National Medical Center's theater troupe, Teens Against the Spread of AIDS (TASA). It combined improvisational theater, poetry, and hip hop, to educate our peers, parents, and health professionals about important teen health concerns. All these experiences made me interested in acting once I got to college, and ultimately pursuing acting professionally.
After college, I performed in several short films and at many community theaters throughout the Pittsburgh Metropolitan area. I also was an extra in the big-budget Hollywood films "She's Out of My League," "I Am Number Four," and "The Dark Knight Rises." My first big role in a feature length film was as the mild-mannered and slightly socially awkward reporter Pete Henderson in the superhero comedy "Squid Man," by writer/director Charlie Cline.
How long have you been acting?
I have been acting for a little over 10 years. I've been in a total of 18 stage plays, over a dozen independent films, a couple of web series, and a music video.
Wow! What bit you first; the acting bug, or writing and telling stories?
The acting bug bit me first. The first play I performed in was "Picasso at the Lapin Agile," by Steve Martin, during my freshman year at the University of Pittsburgh at Greensburg. The experience of performing in front of a live audience was exhilarating. So, I just kept doing it and loving it more and more. Writing and telling my own stories happened much later.
You have performed a wide range of characters. Your acting wheelhouse is pretty vast. Do you have a favorite character which you have acted? Please fill us in on your acting experiences.
In 2010, I enjoyed playing Walter Lee Younger in the Kuntu Repertory Theatre production of the musical "Raisin" and was awarded an Oynx Award for 'Best Leading Actor in a Musical' by the Pittsburgh Chapter of the African American Council on the Arts (AACTA). That same year, I also won an Oynx Award for 'Best Supporting Actor in a Musical' for my role as Wilson Pickett in the New Horizon Theater production of "I Gotcha! The Story of Joe Tex and the Soul Clan." Those two are a couple of my favorite stage roles because, on top of acting, they both challenged me to sing and dance, things that aren't necessarily easy or comfortable for me. In film, my favorite, most gratifying role so far was as a mysterious drifter named Ahmad in the upcoming horror feature film "The Suffering," by LA based filmmaker Rob Hamilton. It was by far my most physically demanding, complex film role. My character is a mix of charisma, madness, and danger. Check out the trailer at http://www.thesufferingfilm.com.
Fantastic! Well, let's delve into your recent film, "Dark Therapy", about a vampire with an irrational fear of blood, and seeks psychiatric help as a result. How was the idea for this short horror comedy conceived?
In the summer of 2013, I met local actress Devin Nikki Thomas at a table read for a script by filmmaker Harold Jackson III. Right away, she and I clicked. I thought she was funny. We had a very similar sense of humor and I was impressed by her quick-wit. So, we did what all strangers do right away: We became Facebook friends. We then decided to collaborate creatively. For me, it was an exciting and empowering opportunity to bring to life the type of quirky character I'm attracted to as an actor, and for Devin to be executive producer of her first film through her production company, Unitivity Productions, LLC.
You possess the main role of the Vampire, which was brilliantly performed. However, what was the writing process like? Did the ideas, and dialogue flow naturally, or were there instances of struggle?
Thank you! The idea and dialogue definitely came easy and a lot of it was improvised during filming. I knew right away that I wanted to create a cinematic-looking comedic skit with an improvisational flair, similar to Comedy Central's "Key and Peele," which I'm a big fan of. I'm also a big fan of Johnny Depp because of his knack for playing flamboyant, eccentric characters and I had recently seen him play a vampire in Tim Burton's "Dark Shadows." So, that was my initial inspiration. When I started brainstorming ideas for the first rough draft of the script, I first thought about a skit about 2 vampires who give up blood because they become Jehovah Witnesses. Then, the idea of a vampire with an extreme, irrational fear of blood popped in my head like a lightbulb and Devin was like, "I'm game." I began writing it in November of 2013 and then sent it to Devin and she added to it.
Those are great places to find inspiration. How did you prepare for your role as the Vampire?
I named my vampire character "Erebus" because it is the name of the primordial deity who personifies darkness in Greek mythology. I liked the idea of his name representing something opposite of his harmless, apprehensive, and constantly mortified demeanor. I liked that juxtaposition and irony. I sent the script to Carl Randolph and Robert "Bob" Yoho Jr., who were the special effects/make-up artists for "The Suffering," and they really liked it and came on board to help bring Erebus to life. Bob designed realistic-looking, custom-fit fangs for me and Carl did my make-up, nails, and gave me white eye contacts. Devin purchased my blousy shirt and lace front wig. Transforming into Erebus took a little over an hour in the make-up chair and really helped inform my mannerisms and voice.
In the film, it appears that the "fantasy world" collides with the "urban world". Was this intentional?
Yes. Even the fact that my vampire character is wearing jeans in the film was a conscious choice to collide fantasy with urban. I remember seeing an interview by director John Singleton in which he said that when a filmmaker is very specific culturally, it becomes universal and special. Not to be all deep, but I really like the idea of universality being found within cultural specificity. So, I thought that having urban references, especially references that were very specific to the DMV, with a black vampire as a lead character, would be funny and relatable to many.
The role of the psychiatrist is played by Devin Nikki. She was a natural. What was the approach to this character in the planning stages?
Devin is great as Dr. Anne Rice! Her name is a nod to the popular author of the series of novels The Vampire Chronicles. Devin decided for her character to have a southern accent to make her character quirkier. She was also very meticulous about her character's appearance, as well.
There is certainly comedy throughout the short, but the horror portion certainly does peek through, including a twist. It is a fair balance. How was this accomplished?
It was certainly a collaborative experience. The original script had a simple comedic ending. When Devin made edits to the script, she added a darker ending and I loved it. It accentuated another idea I was trying to present, the idiom "don't judge a book by its cover." Omar Juarez (Bad/Splice), our awesome Director of Photography, also edited the film and did some cool color correction that really hit the nail on the head regarding my vision. He was assisted by Manuel Santos. My father, Jonathan Bey, is an Emmy award-winning producer and composed the film's original score, making it sound simultaneously quirky and ominous. I told him to think of the music of composer Danny Elfman. Audio engineer Michael Balasia further enhanced the sound of the film and added a few really funny effects. The wonderful performances of actor Niko Tarlay and actress Honey St. Dennis definitely helped emphasize the comedic/horror balance, as well. Everyone really elevated the project superbly, in my opinion, especially considering that we shot the film in a single day.
The comedy film premiered at the West End Cinema in Washington, DC, in October 2014, and later went on to receive awards for the film work, and acting performances. Please tell us a little more about that.
Yes, it premiered at the West End Cinema as part of the 2014 Reel Independent Film Extravaganza. It was a thrilling experience and the audience loved it! There was lots of hearty laughter. The following month, at the National Press Club, the Television, Internet & Video Association of DC (TIVA-DC) awarded Unitivity Productions, LLC a Bronze Peer Award in the "Independent Short" category for "Dark Therapy" and awarded me the Gold Peer Award in the "Acting on Camera – Fiction Male" category. It was a very exciting and gratifying night!
"Dark Therapy" will also be featured at this Saturday's (January 24th) Rosebud Film & Video Festival, at the Artisphere in Arlington, VA. What is the significance of that for you?
I'm just really happy that it's continuing to be accepted into film festivals so that people can see it on the big screen. In fact, on that same evening, it will also screen at the Indie Night Film Festival at the world famous TCL Chinese Theatre on the historic Hollywood Walk of Fame! I'll be flying to LA, for the first time, to participate.
How can fans, and avid movie-goers get tickets to attend this weekend's screening?
Folks in the DMV area can purchase their tickets for the Rosebud Film & Video Festival at https://www.arlingtonmedia.org/rosebud. Ticket's are $10. If they are in the L.A. area, they can RSVP for the Indie Night Film Festival at http://www.indienightfilmfestival.com/event/3-3/.
What are the extend of your plans for "Dark Therapy", moving forward?
We have submitted "Dark Therapy" to several film festivals all over the world and expect to get responses throughout the remainder of the year.
In your opinion, what is the forecast for the Independent Film climate in the DMV area? We're not L.A., New York or even Toronto but do you think that the independent film industry can thrive locally?
Yes, I think the independent film industry can thrive in the DMV. There certainly are lots of talented people in the area. As a DC native, I would like to see more and more filmmakers and producers capturing the images of the diversity and historic landmarks that make the city so great. I do think, though, that DC officials need to do a better job at creating economic incentives to attract more film and TV production companies. From the things I read and hear about, I feel there's too many jurisdictional and bureaucratic hurdles in DC, which dissuade filmmakers. That in return makes it more challenging for local actors to find high quality, paid gigs to audition for. That's also part of the reason Devin and I decided to produce our own project.
What advice would you give to budding actors, and storytellers in this area, seeking to recognize their dream of performing and filmmaking?
I would tell actors to be selective about the type of work they choose to be part of. Don't compromise your personal integrity just so you can add a credit to your resume. Being an actor is as much about your brand as it is about the craft. And your brand is made up of both what you choose to do and what you choose not to do. I recently saw an interview with actor David Oyelowo, who played Martin Luther King, Jr. in "Selma," and he said something that really resonated with me. He said, "You erode your talent by being in things that are lesser than your talent. You are only as good as what you subject yourself to by way of the material, the people you work with, and the parts you accept."
I, also, definitely recommend doing theatre. I believe theatre is the best training an actor can receive because it truly is the actor's medium. It's where the actor has the most say as to how he or she portrays the character he or she has been entrusted with. Plus, the energy one receives from a live audience is an amazing feeling. If you are a film actor, arrive on set on time, know your lines, listen and react to your scene partner, and be cognizant of continuity so the editor will love you. With regards to technique, well, as the late, great comic George Burns once said, "Acting is all about honesty. If you can fake that, you've got it made."
Priceless advice! So what's next for Chad Eric Smith?
My upcoming roles include me as a restaurateur in the feature length romance "Last Night," by writer/director Harold Jackson III, a distraught artist in the feature length drama "Secret City Bluz" by writer/director Ambessa Jir Berhe, and a werewolf suffering with alopecia in the feature length comedy "Zombie Ted," by writer/director Anne Wells. I'm also currently writing a new original comedic screenplay.
How can we stay abreast with your actor, and filmmaking work?
The best way to keep updated on what I'm doing is by "Liking" my Facebook fan page at http://www.facebook.com/ActorChadEricSmith. People can also follow me on Twitter @ChadEricSmith and Instagram @Chad_Eric_Smith. In addition to being an actor, I'm also a musician. Some of my music can be heard on SoundCloud at https://soundcloud.com/chad-eric-smith.
Thank you for taking the time to speak with me Chad! I would like to wish you much success with "Dark Therapy", and all your future endeavors. Again, your story is inspiring. I am convinced that the your limitless imagination, and purposeful drive will transport you to your goals, and even further.
To everyone, I highly recommend securing your tickets for this Saturday's screening of "Dark Therapy". It is a entertaining treat!
To reiterate: Tickets for the Rosebud Film & Video Festival at https://www.arlingtonmedia.org/rosebud. Ticket's are $10. If they are in the L.A. area, they can RSVP for the Indie Night Film Festival at http:/www.indienightfilmfestival.com/event/3-3/.
Chad Eric Smith
Dark Therapy Poster
Local Independent Film Spotlight: Alicia Beth Dawson

redpajama_set_name: RedPajamaCommonCrawl


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text:
For-Profit Law School
2006 (2006)–2017 (2017)
Coordinates: 35°13′30″N 80°50′36″W / 35.2249°N 80.8433°W / 35.2249; -80.8433
www.charlottelaw.edu
Charlotte School of Law (Charlotte Law) was an independent for-profit college in Charlotte, North Carolina established in 2006. It was provisionally accredited by the American Bar Association (ABA) in 2008, and fully accredited in 2011. However, the ABA placed the school on probation in 2016, resulting in the school's closure the following year. While Charlotte Law served the community through expungement programs and restitution self-help clinics, it was also criticized for alleged mismanagement and compliance issues, which were later found to be true. Charlotte Law was owned by the InfiLaw System.
Charlotte Law was established in 2006 and initially accredited two years later. In November 2016, Charlotte School of Law was placed on probation by the ABA, which cited compliance issues tied to the school's admission policies and practices, including admitting applicants "who do not appear capable of satisfactorily completing its educational program and being admitted to the bar".[1] On December 19, 2016, Charlotte School of Law lost its authority from the U.S. Department of Education to participate in the Federal Student Loan program. In January 2017 the school started a food bank and a "go fund me" project to help students who could not afford housing and groceries. Many students were forced to use Mecklenburg County services and crisis assistance to maintain housing, while the school offered them a loan in the amount of $1,000.[2]
On February 7, 2017, the Charlotte School of Law Alumni Association wrote to Dean Jay Conison and President Chidi Ogene demanding their resignations.[3] The Alumni Association noted the falling admission standards, decreasing bar passage rates, and dismal employment prospects for graduates under Conison and Ogene's leadership. In addition, the Alumni Association decried what they deemed the misrepresentations and mismanagement of the administration "motivated first by profit and not the best interests of its students, faculty, and alumni."[3]
More than 150 students and former students have filed lawsuits against Charlotte School of Law alleging fraud, violations of the North Carolina Deceptive Trade Practices Act, and other claims.[4] The students claim that "money ruled, not education. And they left a lot of poor folks holding the bag."[4] Faculty recently laid off by the school are also considering wrongful termination lawsuits.
Beginning on June 21, 2017, the school operated on a restricted license.[5] The required contingencies were not met, and the school's license expired on August 10, 2017. On August 15, 2017, the New York Times reported that the North Carolina attorney general had confirmed that Charlotte School of Law had closed.[5] Students and alumni were first notified of the closure by the President of the Alumni Association rather than the school's administration.[5]
Since its closure, the school and the circumstances surrounding its operation and loss of accreditation have been the subject of extensive litigation. A class action was instituted against the school by former students, resulting in a controversial $2.65 million dollar settlement for as many as 2,500 former students.[6] More than 70 students objected to the settlement amount.[7] A second suit has been instituted in Illinois against Sterling Partners, the Hedge Fund that owns InfiLaw.[6] In turn, the school has filed suit against the ABA, arguing that the ABA's decision to revoke its accreditation was made improperly and violated its right to Due Process.[8]
Charlotte School of Law was located at 201 South College Street in Uptown Charlotte. The building contained classrooms, the school's law library, an appellate courtroom, offices, and the school bookstore.
Charlotte Law School admitted 64% of applicants during the 2015-2016 application cycle.[9] The Fall 2016 entering class had a median GPA of 2.80 and a median LSAT score of 144 (22nd percentile of LSAT takers).[9] During the 2015-2016 academic year, 130 first year students (36% of the class) failed out of Charlotte Law School.
Charlotte School of Law offered conditional scholarships to certain incoming students. The scholarships required students to maintain a specific GPA rather than remain in good standing. Courses at Charlotte were graded on a curve with a low median GPA.[10] Because conditional scholarship students were placed together in courses with strict grade curves, there was a risk that a large percentage of students would fail to maintain the required GPA to keep their scholarships. As a result, scholarship students lost their scholarships and were required to pay tuition to the school in subsequent semesters to continue their studies, allowing the school to increase revenues. During the 2015-2016 academic year, 155 out of 264 (59%) Charlotte School of Law scholarship students had their conditional scholarships reduced or eliminated.[9]
In January 2017, the school laid off numerous faculty and staff because the federal government had terminated the school's participation in the federal student loan program.[11]
Bar examination passage
While 84.3% of Charlotte School of Law graduates passed the bar exam in 2010, which was the 2nd highest rate out of the 7 law schools in North Carolina at the time, only 45.2% of those taking the bar exam for the first time passed the July 2016 North Carolina bar exam.[9] Charlotte graduates performed 20% worse than the North Carolina state average. Since 2010, Charlotte Law School's July bar passage rate decreased every year. The declining bar passage rate coincided with the school's drop in admission standards to maintain enrollment.[12] In an attempt to bolster the bar passage rate and protect the school's accreditation, the school began paying students in 2014 to delay taking the bar exam.[13]
On January 24, 2017, a secret recording was released of a Charlotte School of Law faculty meeting.[14] Assistant Dean Odessa Alm pushed faculty present at the meeting to advise students to forgo taking the bar exam in exchange for payments of $11,200 from the school. Dean Alm told the faculty, "[y]ou know if we didn't have the extended program last time...our pass rate would have been 20-something percent....didn't you feel so f***ing bad when we had 42 percent pass the bar."[15]
Charlotte School of Law students were able to participate in the Moot Court Program. Members of the Charlotte School of Law's Moot Court Board were selected through an intra-school competition organized and run by students and judged by members of the legal community. The intra-school competition was named after Susie Marshall Sharp, North Carolina's first female state Supreme Court Chief Justice.
The Charlotte Law Review, a student-edited scholarly legal journal, published two issues yearly, a Spring and a Fall Journal, with plans of publishing its first Symposium Edition. The Law Review accepted manuscripts for consideration from sources both within and outside the Charlotte Law School community.
Student Bar Association - Executive
Student Bar Association - Senate
CharlotteLaw Cares
CharlotteLaw Diversity Alliance
LGBT Legal Society
Part-Time Student Association
American Constitution Society
Environmental Legal Society
CharlotteLaw Republican Society
CharlotteLaw Global Poker & Strategic
CharlotteLaw Sports & Entertainment
Black Law Student Association
Order of the Crown (Scholastic Leadership Society)
Parents Attending Law School
National Native American Law Students Association
According to Charlotte's official 2015 ABA-required disclosures, 26% of the Class of 2015 obtained full-time, long-term, bar passage required employment nine months after graduation.[16] 24% of graduates were unemployed 9 months after graduation. 2% of graduates worked in non-professional jobs. 34% of graduates were employed in short term or part-time jobs. Charlotte's Law School Transparency under-employment score was 37.7%, indicating the percentage of the Class of 2013 unemployed, pursuing an additional degree, or working in a non-professional, short-term, or part-time job nine months after graduation.[17]
ABA Employment Summary for 2015 Graduates[18]
Employment Status Percentage
Employed - Bar Passage Required (Full-Time, Long-Term)
Employed - Bar Passage Required (Part-Time and/or Short-Term)
Employed - J.D. Advantage
Employed - Professional Position
Employed - Non-Professional Position
Employed - Law School/University Funded
Employed - Undeterminable
Pursuing Graduate Degree Full Time
Unemployed - Start Date Deferred
Unemployed - Not Seeking
Unemployed - Seeking
Employment Status Unknown
Total of 456 Graduates
The total cost of attendance (indicating the cost of tuition, fees, and living expenses) at Charlotte for the 2013-2014 academic year was $41,000.[19] The Law School Transparency estimated debt-financed cost of attendance for three years was $194,000.
^ Thomas, Jennifer (November 17, 2016). "Charlotte School of Law placed on probation by bar association". Charlotte Business Journal. American City Business Journals. Retrieved September 27, 2017.
^ "Charlotte School of Law loses federal student aid over 'dishonest' practices".
^ a b "Charlotte Alumni".
^ a b "Charlotte lawsuits".
^ a b c Olson, Elizabeth (15 August 2017). "For-Profit Charlotte School of Law Closes". New York Times. New York Times. Retrieved 16 August 2017.
^ a b Sloan, Karen (January 17, 2019). "Ex-Charlotte Law Students Get $2.7 Million Settlement, Despite Objectors". Law.com. Retrieved April 15, 2019.
^ "Judge approves settlement between students, Charlotte School of Law". Channel 9 WSOC-TV. 11 January 2019. Retrieved 15 April 2019.
^ gordon, Michael; Albrough, Maria (May 21, 2018). "Charlotte School of Law turns to one of America's top lawyers to fight back in lawsuit". The Charlotte Observer. Retrieved April 15, 2019.
^ a b c d "ABA Required Disclosures". Charlotte Law School. Archived from the original on 2017-06-06.
^ "Grading System".
^ Patrice, Joe (January 19, 2017). "Charlotte Fires Dozens Of Faculty, Which Surprises No One". Above the Law. Retrieved September 27, 2017.
^ "Charlotte School of Law Paid Students".
^ "Charlotte School of Law Paid Students to Delay Taking the Bar".
^ "Charlotte paying students not to take exam".
^ "Employment Statistics". Archived from the original on 2017-06-06.
^ "Charlotte School of Law Profile".
^ "Employment Summary for 2015 Graduates".
^ "Tuition and Expenses". Archived from the original on 2014-08-09. Retrieved 2014-07-10.
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text:
California Alliance of Caregivers (CAC) represents the voices of relative and non-relative caregivers (foster & kinship families) to promote the well-being of children in foster care.
Our office is located at 1100 11th Street in Downtown Sacramento, across from the State Capitol.
See our EVENTS page! Read the FIRST Statewide Caregiver Policy Agenda!
CAC Ambassadors – Statewide Coalition of Caregiver Support Groups
California Resource Family Policy Summits
Caregiver Day at the Capitol
Parents & Caregivers for Wellness
CAC So CA
NorCA Foster Parent Appreciation Day
Santa Cruz Learning Community
CORE ACTIVITIES
Caregiver engagement in statewide child welfare & mental health advocacy
Supporting statewide child welfare advocates
Local foster and kinship parent organization empowerment
Connecting foster caregivers to resources and information
Statewide policymaker education on issues of children in foster care
California Alliance of Caregivers was established as a 501(c)(3) organization in 2016 by a group of foster parents and community members committed to prioritizing the interests of children in foster care and providing an active and regular caregiver voice in statewide discussions on child welfare policy and legislation. California's relative and non-relative caregivers are a diverse group of individuals who share a passion and love for children in foster care. CAC seeks common ground among all caregivers to advocate for a focused set of priorities concerning children in foster care.
For more information on how you can be involved, please contact:
Jenn Rexroad, Foster Parent & Child Welfare Advocate, jrexroad@cacaregivers.org 530-312- 0480 or
Dayna Freier, Adoptive and Former Foster Parent, dfreier@cacaregivers.org
Teighen Zink, Volunteer Coordinator (with AmeriCorps), tzink@cacaregivers.org
Susan Gibb, Adoptive and Foster Parent/Resource Family, sgibb@cacaregivers.org
Sacramento Office: 1100 11th Street, Suite 10, Sacramento, CA 95814
Mailing Address: California Alliance of Caregivers, P.O. Box 576, Sacramento, CA 95812
California Alliance of Caregivers, Inc. is a registered 501 c(3) organization and all donations are tax deductible. Tax ID #81-2865148
Updates & Advocacy
Support the California Alliance of Caregivers
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text:
-{Ten}- је дебитантски албум гранџ групе Перл џем из 1991. године. На албуму се налазе неки од најпознатијих синглова групе: -{Jeremy}-, -{Black}-, -{Alive}- и -{Even Flow}-. Продато је око 13 милиона копија овог албума. Током снимања албума, у бенду су били следећи чланови: певач Еди Ведер, гитариста Мајк Макриди, други гитариста Стоун Госард, басиста Џеф Ејмент и бубњар Дејв Крузен.

На албуму се налазе следеће песме:
 -{Once}-
 -{Even Flow}-
 -{Alive}-
 -{Why Go}-
 -{Black}-
 -{Jeremy}-
 -{Oceans}-
 -{Porch}-
 -{Garden}-
 -{Deep}-
 -{Release}-

__БЕЗКН__

Албуми 1991.
Pearl Jam

redpajama_set_name: RedPajamaWikipedia


text:
Q: How to display and edit previously added details when i click on edit option in my webpage written in PHP? In my webpage after clicking on edit option in the action menu the webpage

*

*It should display the previous inserted details and facility to edit that old value

*to make changes and reinsert again.

A: When click on edit button..You have to set a link having the id of the user you want to edit...like www.xyz.com?id=5
Then get that id using $_GET and make a query to get information for that user having id 5...Then load a view or a php page and embed that information in that page...i mean in form controls like text,select etc.

redpajama_set_name: RedPajamaStackExchange


text:
Biografia
Nicola Scardicchio si è diplomato in musica corale, direzione di coro, composizione e direzione d'orchestra presso il Conservatorio Niccolò Piccinni di Bari, sotto la guida (per la composizione) di Armando Renzi, Francesco d'Avalos, Raffaele Gervasio, Fernando Sarno e dell'allora direttore dell'istituto, il compositore milanese Nino Rota. Si è inoltre laureato in lettere presso l'Università degli Studi di Bari con una tesi su Gustav Mahler.

Grazie a Nino Rota, del quale è stato diretto allievo negli anni settanta, la sua formazione musicale ha avuto modo di perfezionarsi ulteriormente sotto la guida del compositore russo Igor' Fëdorovič Stravinskij, da cui ha preso lezioni di composizione a Venezia. Ha maturato gli aspetti filosofici del mestiere di musicista attraverso la frequentazione con il musicologo Fedele D'Amico e con il direttore d'orchestra e compositore statunitense Leonard Bernstein, mentre per lo sviluppo della sua estetica musicale significativi sono stati i rapporti con i compositori Mario Castelnuovo-Tedesco, Gian Francesco Malipiero, Bruno Maderna, Virgilio Mortari, Luciano Berio e con i pianisti Vincenzo Vitale e Arturo Benedetti Michelangeli

Il rapporto diretto con alcuni esponenti dell'ambiente intellettuale romano del tempo, come gli scrittori Pier Paolo Pasolini e Alberto Moravia, il classicista ed autore di libretti d'opera Vinci Verginelli, i pittori Giorgio De Chirico e Fabrizio Clerici, i registi Luchino Visconti e Federico Fellini, la sceneggiatrice Suso Cecchi D'Amico e l'attrice Laura Betti, è stato fonte di importanti suggestioni culturali poi riversate nella propria musica. Nella conoscenza e nella soluzione delle problematiche musicali legate alla vocalità, per il compositore ha avuto un ruolo chiave il rapporto con i soprani Antonietta Stella, Maria Callas, Virginia Zeani, Renata Tebaldi e con il basso Nicola Rossi-Lemeni.

Nicola Scardicchio ha inoltre compiuto studi in direzione d'orchestra sotto la guida di Franco Ferrara e di Fernando Previtali. Per alcuni anni è stato assistente di Francesco Molinari Pradelli ed ha diretto in Italia e all'estero opere e concerti sinfonici con un repertorio che spazia da Claudio Monteverdi ai contemporanei. Fra le principali esperienze come direttore d'orchestra possono citarsi la produzione del Teatro Stabile di Genova de La donna serpente di Carlo Gozzi, l'opera I due Timidi di Nino Rota, diretta nel 1998 per la Stagione Lirica del Teatro Petruzzelli di Bari, l'oratorio per coro e orchestra Il Natale degli innocenti di Nino Rota diretto a Napoli nel 2000 per la stagione concertistica del Centro di Musica Antica 'Pietà dei Turchini' di Napoli.

Dal 1978 ha svolto attività di insegnamento presso i conservatori "Umberto Giordano" di Foggia e "Niccolò Piccinni" di Bari, dove dal 1983 è titolare della cattedra di "Storia della musica ed estetica musicale" e dove per alcuni anni è stato Direttore del Corso Superiore Sperimentale di Avviamento al teatro lirico. Ha anche svolto il ruolo di tutor in Italia per il dipartimento di musica del Massachusetts Institute of Technology tra il 1993 e il 1997.

Ha composto e compone musica di vari generi: opere liriche, balletti, musica sacra, musica da camera, musica sinfonica, musiche di scena per il teatro. Con altri musicisti fa parte di quella che ormai è riconosciuta come la Scuola Barese, direttamente collegata all'esempio e alla lezione di Nino Rota, Armando Renzi e Raffaele Gervasio dei quali porta avanti la lezione artistica.

Fa parte del comitato scientifico dell'archivio Nino Rota presso la Fondazione Giorgio Cini di Venezia e si occupa dell'edizione critica delle opere del compositore. Ha collaborato anche alle incisioni discografiche delle opere di Nino Rota, tra gli altri, con i direttori d'orchestra Gianluigi Gelmetti, Riccardo Muti e con la pianista Danielle Laval. Il suo rapporto con Rota è all'origine della partecipazione ai film Zwischen Kino und Konzert-Der Komponist Nino Rota  di Vassili Silovic e Un maestro della musica di Andreas Morell. Nel 2003, su incarico del Teatro La Fenice di Venezia, ha revisionato e orchestrato l'opera scritta da Nino Rota da bambino (1924-1925), Il principe porcaro, inedita e recuperata tra le carte dell'archivio custodito presso la Fondazione Giorgio Cini di Venezia..

Ha pubblicato saggi musicologici su Nino Rota, Sergej Sergeevič Prokof'ev, Ludwig Van Beethoven, Gustav Mahler, Hugo Wolf, Igor Stravinskij, Arnold Schönberg, Carl Orff e Claude Debussy.

È uno dei fondatori del Coro Harmonia dell'Università di Bari, nonché fondatore e direttore stabile del Rota Ensemble

Nel 2005 ha ricevuto il premio alla carriera "GET - Centro per la Ricerca e la Didattica dell'Immagine".

Opere

Opere teatrali
 Dracula, opera su libretto autografo tratto da Bram Stoker, 1978 (revisionata nel 2003);
 Due carillons, per I ciechi di Maurice Maeterlinck, regia di Corrado Veneziano, 1980;
 Zeza, musiche di scena per lo spettacolo omonimo di Lamberto Lambertini, 1984;
 Asinus Aureus. Frammenti da Apuleio, cantata scenica per soli, voce recitante, coro e 2 pianoforti (versione anche con orchestra), 1987;
 Assunta Spina, musiche di scena per il dramma di Salvatore Di Giacomo, regia di Lorenzo Salveti, 1988;.
 Filumena Marturano, balletto su temi di Nino Rota, 1995;
 Il principe porcaro, elaborazione ed orchestrazione dell'opera omonima di Nino Rota, 2003;
 Medea, musiche di scena per la tragedia di Lucio Anneo Seneca, regia di Nicola Valenzano, 2005;
 Fedra, musiche di scena per la tragedia di Jean-Baptiste Racine, coreografia e regia di Domenico Iannone, 2006;
 Suite pour danseurs, balletto, coreografia di Momcilo Borojevic, 2006.
 Salomè, musiche di scena per la tragedia omonima di Oscar Wilde, regia di N. Valenzano - Petra (Giordania) 2008
 Il giovane Artù, opera su versi dell'Autore e dialoghi di Teresa Petruzzelli, regia di Marinella Anaclerio, 2014;
 Aladino e la sua lampada, opera su versi dell'Autore e dialoghi di Marinella Anaclerio (curatrice anche della regia), 2017

Opere sinfoniche
 Saluto al Nilo, per soprano e strumenti, 1975;
 Il ramo d'oro, sinfonia per soprano e orchestra, 1983;
 Un ritratto di Mastorna, frammenti sinfonici, 1987;
 Concerto dorico, per archi, 1988;
 Inno a Ra, per baritono e archi, 1990;
 Preludio e canzone, per archi, 1990;
 Preludio e danze di Cupido, per archi, 1990;
 Il Libro dei Sette Sigilli, per voce recitante e orchestra, 1993;
 Stupor Mundi. Puer Apuliae, cantata per baritono e orchestra, 1994;
 Concerto per tromba, corno e orchestra, 1999;
 Fantasia sui temi della Traviata di Giuseppe Verdi, per archi, 2000;
 Questa Fenice, cantata su liriche di Giordano Bruno, per soprano, baritono, coro e orchestra, 2000;
 Fantasia Disneyana, per voce media e orchestra, 2000;
 Omaggio ad Offenbach, per baritono e piccola orchestra, 2001;
 Kemit, canti e danze del giovane Horus, per soprano, corno inglese e viola obbligati e orchestra, 2002;
 Anno Domini 1503. La disfida di Barletta, per soprano, voce recitante e orchestra, 2003;
 Mosè, cantata per basso e orchestra, 2005;
 Tre stazioni della Via Crucis: X, XI, XII per orchestra da camera, 2005
 Baphomet Ouverture, per orchestra, 2006;
 Marcia Corleonese, per grande banda, 2006;
 Alla Musa, cantata a voce sola e orchestra da camera, 2007;
 Sinfonia n.2 "Lirica", per baritono e orchestra, 2014.

Musica sacra e corale
 Salmo XCIII, per soprano o tenore e orchestra (anche per voce, violoncello e pianoforte), 1974;
 Nigra sum, mottetto per coro misto a cappella, 1991;
 La noble Badebec, madrigale per coro misto a cappella, 1991;
 Missa brevis, per coro a cappella e organo ad libitum, 1994;
 O' sole mio, versione madrigalistica per doppio coro misto a cappella, 1996;
 Inno a Venere, per coro misto e pianoforte, 1998;
 Tota pulchra, per coro misto e organo, 1998;
 Ave Maria, per soprano e archi con corno ad libitum, 1999;
 La Costituzione raccontata ai bambini, canzoni su versi di Anna Sarfatti per coro di voci bianche e pianoforte, 2007;
 Nicola e Deodato, oratorio per baritono, basso, coro e orchestra, 2016.

Musica cameristica vocale e strumentale
 Tre liriche antiche su versi di Omero, Ibico e Anacreonte, per canto e pianoforte, 1973;
 Tre liriche moderne su versi di K. Kavafis, P. Verlaine e G. Lorca, per canto e pianoforte, 1973;
 Elegia, per violoncello (o corno) e pianoforte, 1974;
 Tempo di sonata, per pianoforte, 1974;
 Toccata per organo, 1975;
 Nachtgesang, per violino e pianoforte, 1976;
 Preludio e fuga, per violoncello e pianoforte, 1976;
 Sonata per flauto ( o violino ) e pianoforte, 1981;
 Elegia e ditirambo, per flauto solo, 1983;
 Variazioni super Antidotum Tarantulae, per pianoforte, 1984;
 Sequentia super Actus Tragicus, per violoncello solo, 1988;
 Tre sonetti di Shakespeare, per voce e chitarra (o pianoforte o archi), 1989;
 Sonatina d'inverno, per pianoforte, 1990;
 Sonata per pianoforte, 1990;
 Due preludi, per pianoforte, 1991;
 Bucinatio Valeriana, per tromba e pianoforte, 1991;
 Fantasia super Casanova, per organo, 1995;
 Toccata, preludi e danze di Cupido, adagio e finale, per pianoforte a quattro mani, da "Asinus Aureus", 1996;
 Due inni orfici: Inno a Kronos-Inno ad Ares, per baritono ed organo, 1998;
 L'acqua della vita, favola per voce recitante, flauto, violoncello e pianoforte, 1999;
 Socrate alla fonte di Pànope, per voce recitante, clarinetto, violino e pianoforte, 2000;
 Canto d'amore egizio, per soprano e strumenti, 2001;
 La principessa delle lenticchie, per pianoforte e voce recitante, 2004;
 Platon. Una lettura dal Symposion, per voce recitante, piccolo coro misto, flauto, arpa e percussioni, 2006;
 Trentatré aforismi per pianoforte, come i trentatré Nomi di Dio di M. Yourcenar, per pianoforte 2007.

 Cartolina d'auguri a Mario Castelnuovo-Tedesco, per quartetto d'archi 2009

Trascrizioni e arrangiamenti
 Quattro canti natalizi, per coro di voci bianche o orchestra: Wiegenlied (Johannes Brahms) – White Christmas (Irving Berlin) – Tu scendi dalle stelle (tradizionale) – Jingle Bells (tradizionale), 1988;
 Sei Rotiane per diversi organici (grande banda, fiato percussione e pianoforte, violino e pianoforte, quintetto di fiati, viola e pianoforte, orchestra da camera) su temi di Nino Rota, 1989-2000;
 Quattro suites su temi di Nino Rota, per orchestra da camera, 1999;
 La danza, di Gioachino Rossini e Se tu m'ami , di Giovanbattista Pergolesi, per violino e orchestra, 2001;
 Cristallo di rocca, trascrizione per pianoforte delle musiche di scena di Nino Rota per il racconto di Adalbert Stifter, 2005;
 Fantasia di celebri musiche di Nino Rota per il cinema, per orchestra - 2006
 Trascrizione per due pianoforti della Sinfonia n. 38 in re Magg. K 504 "Praga" di W.A.Mozart, 2007.

Pubblicazioni
 Nino Rota e il Conservatorio di Bari, in "La Musica a Bari. Dalle cantorie medievali al Conservatorio Piccinni" (Levante Editore, 1993)
 Un recital di Carmelo Andriani per violino solo, in Guida all'ascolto del CD "Recital- musiche per violino di Ysaye, Milstein, Prokofiev, Kreisler, Maglio" di Carmelo Andriani (Stradivarius 2005)
 Nicola Scardicchio, Una notte di Bacchelli e Rota, programma di sala della 38ª stagione lirica del Teatro Comunale «Alfonso Rendano» (Cosenza, 1996)
 Un programma pianistico di musiche cinematografiche di Nino Rota, in Guida all'ascolto del Cd "La strada: le musiche pianistiche dei film di Fellini", pianoforte: Maurizio Matarrese, Ducale 1997
 I due timidi di Nino Rota, Programma di sala della esecuzione a Bari del 1998
 Il mistero della natività ne «Il Natale degli Innocenti» di Nino Rota. Simboli e rivelazione, in "Storia del candore. Studi in memoria di Nino Rota nel ventesimo della scomparsa (a cura di Giovanni Morelli), Leo S. Olschki Editore, 2001
 L'oboe e il quartetto d'archi, in Guida all'ascolto del CD "L'Oboe e il Quartetto d'archi- Musiche di Reicha , Mozart, Boccherini , Haydn", di Francesco Di Rosa (Oboe) e Quartetto d'Archi della Scala (DAD Records, 2003)
 Appunti su Il principe porcaro di Nino Rota, programma di sala dell'edizione dell'opera presso il Teatro KismetOpera (Bari, 2005)
 ...E tanta poesia sulla marimba, in Guida all'ascolto del CD "Marimba classical-Musiche di Di Lasso, Byrd, Bach, Vivaldi, Hummel, Schumann, Tarrega, Grieg" di Beniamino Forestiere (marimba) (Tabla Edizioni Musicali 2005)
 La musica di Raffaele Gervasio, in Guida all'ascolto del CD "Raffaele Gervasio-Chamber Music for Clarinet" , di Antonio Tinelli (Clarinetto) e Ensemble Méditerranée (DAD Records, 2006)
 La musica del cinema secondo Raffaele Gervasioin 'Ombre sonore. Musica, cinema e musicisti di Puglia' a cura di Pierfranco Moliterni (Edizioni Dal Sud, 2008)
 L'elisir della Regina Isotta in "Elisir d'amore" (Programma di Sala dell'opera di Gaetano Donizetti - Bari 2009)
 Il sogno incantato di Britten in "Sogno di una notte di mezza estate" (Programma di Sala dell'opera di Benjamin Britten - Bari 2009)
 Dossier Nino Rota e tutta la sua musica in Music@ - bimestrale del Conservatorio 'Alfredo Casella', L'Aquila n. 17, Anno V, Marzo-Aprile 2010
 Nino Rota e la Napoli di Eduardo (Saggio sull'opera di Nino Rota "Napoli Milionaria - in Programma generale del 36º Festival della Valle d'Itria - Martina Franca 2010)

Discografia
 Il barbiere di Siviglia di Giovanni Paisiello (Roumanian Philharmonic Orchestra - Clavicembalo: Nicola Scardicchio - Direttore: Bruno Campanella), (Frequenz 1984)
 Nino Rota Film Music (La strada; War and Peace; Il gattopardo; Waterloo), Orchestre Philharmonique de Monte-Carlo, Direttore: Gianluigi Gelmetti, Revisore: Nicola Scardicchio, (Emi Classic 1992)
 Nino Rota-La visita meravigliosa, Orchestra e coro del Teatro sociale di Rovigo, Direttore: Giuseppe Grazioli, Revisore: Nicola Scardicchio, (La Bottega Discantica 1993)
 Nino Rota (La strada-Ballet suite; Concerto for strings; Dances from "Il Gattopardo"), Orchestra Filarmonica della Scala- Direttore: Riccardo Muti- Revisore: Nicola Scardicchio, (Sony Classical 1995)
  Nino Rota (Music for film: The God father;Il gattopardo;Rocco e i suoi fratelli; La dolce vita; Prova d'orchestra), Orchestra Filarmonica della Scala, Direttore: Riccardo Muti, Revisore: Nicola Scardicchio, (Sony Classical 1997)
 Giovanna canta Nino Rota, (arrangiamenti e direzione di Nicola Scardicchio - Voce: Giovanna Nocetti - Rota Ensemble), (Kicco Music 1997)

Note

Bibliografia
 AA.VV. "Operisti di Puglia - dall'Ottocento ai giorni nostri" (a cura di Lorenzo Mattei), Edizioni dal Sud, Bari 2010
 Enzo Garofalo "Il compositore barese Nicola Scardicchio si racconta, tra parole e musica" in Cannibali.it - 9 gennaio 2008
 Vincenzo Ditonno "Debutta in Inghilterra Il Principe Porcaro. Il maestro Scardicchio: «Un pubblico che l'Italia può solo invidiare!» in Cannibali.it - 16 luglio 2007
 Franco Sciannameo, Nino Rota, Federico Fellini, and the Making of an Italian Cinematic Folk Opera, Amarcord, Edwin Mellen Press, Lewiston (New York), 2005
 Maurizio Giammusso, Il Teatro di Genova. Una biografia, ed. Leonardo Arte, 2001
 "L'Italia a Saarbruecken" in "Corriere d'Italia", 5 novembre 1994
 Dinko Fabris, Marco Renzi, La musica a Bari: dalle cantorie medievali al Conservatorio Piccinni, ed. Levante, Bari, 1993
 Nicola Sbisà, "Nuove speranze della danza con una partenza alla grande" in "La Gazzetta del Mezzogiorno", 6 giugno 1987

Collegamenti esterni
 Scheda Radio Rai 3 relativa alla prima esecuzione assoluta (Venezia 2003) dell'opera di Nino Rota-Nicola Scardicchio, Il principe porcaro


text:
Q: How to set a keyname (or keycode) as a hotkey for vlc? I want to map keycode 168 (KEY_REWIND according to virkeycode on ubuntu) to Shift+Left (as it's the default hotkey in vlc for "very short backward jumps") and keycode 208 to Shift+Right.
This keycodes are generated by my bluetooth headset when I hold the Next/Previous buttons on it. if I don't hold it (the next/previous track) keycodes are sent and picking up by vlc without any problem.
In terminal, showkey command gives me those values (keycode 208 press, keycode 168 press) but when I try to set them as either hotkey or global hotkey in vlc/preferences/hotkeys, it doesn't pick any key events and just waits.
How can I feed those to vlc?
Thank you!


text:
This tardiness of movement is readily noticed when the patient raises his eyes; on being addressed, or in winking, the eyelids will rise so slowly as to be suggestive of temporary ptosis, but in the order end they are raised too high, so that the sclerotic is often so much exposed as to display an expression usually associated with some intense emotion, when in fact the patient is suffering from no emotional disturbance whatever. William Goodell, at the last meeting buy of the Pennsylvania State Medical Society. The animal in stands in a coma, or moves listlessly about. As it is a traditional and excellent custom to and collectively, they will do their utmost to is establish in every State a Board of Health, and place it in competent hands, with money enough to carry out its plans; and that they will also unite in insisting on a national body of a like character. If abused it were all silver or all gold, stand the wear and tear of circulation.
Tuberculin, were practically attempts at immunity by to inoculations of living avian cultures, and described my results in a paper read before the Association of American the fact that inoculation of virulent human bacilli in the anterior while in the controls the eyes were destroyed. Two types of this so-called malignant form are spoken of, viz., the commonly deuteropathic and the protopathic.
He also studied fn several for Continental medical schools. Urea is not the poison which causes 2013 the symptoms. Milk and alkaline water taken in small with quantities; later on, milk thickened with yelks of eggs. Its lower border presents nothing abnormal (what).
I have never met with a case of more perfect or rapid recovery after such an operation, and believe that to the thoroughness of the precautions observed on is to be credited the favorable results. From a careful survey of all the cases comprised in the series, I presented in my original paper a mail general summary, which I here cases of hereditary ataxia, the following diagnostic criteria might be more rapidly. He expressed the opinion tliat the most common form of ache, flushes, best menta depression. Gastrointestinal affections seldom occasion sudden death pharma in early life. A number of the cells, however, are all clearly distinguishable as large mononuclear leukocytes, differing in size and in protoplasmic and nuclear appearances from the lymphocytes. Thus it is seen that the nasal fossa? occupy the middle of the face, with the cranial cavity above and the mouth below (discount). From slight external injuries, is cost simple. Hansell, whose dead body prescription was recovered by a search party next day. From a common case of"sore eyes" to the union of a from fractured femur we find it necessary. On rephicing tliis makeup and giving a hot intra-uterine douche, hajmorrhage ceased. The medical regiment at peace drugstore strength is commanded by a colonel (who also discharges the functions of division surgeon), and consists of: The medical regiment at war strength is commanded by a colonel (who also discharges the functions of division surgeon), and consists Under the new reorganization the ambulance company becomes strictly an evacuation (transportation) unit. Under the circumstances, in the distribution of Medical Department personnel hospitalization requirements necessarily must be Designation of Units of the Mobile Forces of the the Army of the United of the United States as follows: Regular Army, National Guard, Organized Reserves. With Mallory's mixture the giantcell cytoplasm, as a rule, stains an intense orange, and the nuclei rx yellow: but in a few instances the nuclei stain some blue and some yellow, while the cytoplasm takes a bluish tint. They shall, after making examination, return certified copies of the nature of the diseased animal or animals, together with an accurate description of each animal or animals, giving all brands, earmarks, wattles, age, sex, and claaa, price to the justice of the peace bv whom they were summoned, who shall, after owner does not claim said animal or animals and pay all costs and damages within ten days alter impounding, sud justice of the peace shall order constable or sheriff to slaughter such animal or animals and destroy the carcass bv burning to ashes. It is useless, therefore, to make any further close comparison of the skin cattle statistics of the Twelfth Census with those of the Eleventh, although the figures for both are placed in the tables on later pages. It is then seen that the army is like the upper story of a great building, of which the foundations and lower floors are formed of by the nation as a whole. For some weeks he had been online under the care of Dr. Of Prague, walmart and Tommasi-Crudelli, of Rome.
Cold of an unusual degree of severity was experienced the last of December, and it was feared the orange groves above Jacksonville have suffered: generic.
Its properties are believed to have been first made known account of its properties at about the same better known, and its use has steadily increased, until at present it is held by a large class of practitioners to be their most reliable remedy in a certain class of bronchial troubles (bladder). A little swelling of one pharmacy may show changes.
He reported it and as being a lyrnphangio-sarcoma.
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text:
Q: How To Get 'echo'-ed content from URL-external-php-file I have 2 files on 2 different servers:
file1.php
- resides on site 1
- I pass a parameter, and the script echo-ed answer which depends on (is function of) passed parameter
- everithink is OK when I access file by browser like
   http://site1.com/file1.php?parameterValue

file2.php
- resides on site 2
- file2 has to send a parameter to file1.php AND get echo-ed output from it as variable.
I tried to do it by 3 diferent ways but no ones worked.
way 1. -------
function get_data($url)
{
    $ch = curl_init();
    $timeout = 5;
    curl_setopt($ch,CURLOPT_URL,$url);
    curl_setopt($ch,CURLOPT_RETURNTRANSFER,1);
    curl_setopt($ch,CURLOPT_CONNECTTIMEOUT,$timeout);
    $data = curl_exec($ch);
    curl_close($ch);
    return $data;
}

$f="http://site1.com/file1.php?parameterValue";
$returned_content = get_data($f);
echo "=== $returned_content ===";exit;

way 2. -------
$f="http://site1.com/file1.php?parameterValue";
$returned_content='';
$file = fopen ($f, "r");
if (!$file) {
    echo "<p>Unable to open remote file.\n";
    exit;
    }
while (!feof ($file))  $returned_content.= fgets ($file, 1024);
fclose($file);
echo "=-= $returned_content =-=";exit;

way 3. -------
$f="http://site1.com/file1.php?parameterValue";
$returned_content=implode('',file($f));
echo "=-= $returned_content =-=";exit;

BUT $returned_content is empty string ...
Can anybody help me?
Thanks in advance!
Hristo

A: What happens if you try:
<?PHP
$f="http://site1.com/file1.php?parameterValue";
$data = file_get_contents($f);
echo $data;

?

A: You could modify your first version with CURL to check if any errors occured. As is, you're blindly assuming that the curl request worked and just return whatever curl_exec() returned.
At mininum, you should have something like:
$data = curl_exec($ch)
$err = curl_error($ch);
curl_close($ch);
if ($data === FALSE) { // curl_exec returns boolean FALSE if something blew up
   return($err);
} else {
   return($data);
}

A: I tested all three of those methods and all worked using
$f = "http://google.com/";

I'd check the configuration of site1 and file1.php. Perhaps it's blocking requests based on User-Agent?

A: It was my fault -- my script in file1 was a complicated and I missed one other parameter on which it depends. So, after I correct the script all works fine.
Way 2 and 3 works correct;
Way 1 I didnt tested. It is goog idea to use suggestion of MARC B
way supposed by TIMDEV works fine too.
I would like to thank all of you giving help to me so kindly!
Thank you friends!
Best regards
Hristo


text:
Sutton Newsletter
Sutton Bibliography
City of Bartlesville – Pathfinder Parkway Bird Trail
NatureWorks – Sutton Award for Student Conservation Art
Society of Tympanuchus Cupido Pinnatus
Positions and Opportunities
The Life of George Miksch Sutton
Grouse Research
Attwater's Prairie-Chicken
Greater Prairie-Chicken
Lesser Prairie-Chicken
Fence Marking Instructions
Report of Lesser Prairie-Chicken Observations
White-tailed Ptarmigan
Masked Bobwhite
OK Bird Atlases & Surveys
Oklahoma Breeding Bird Atlas
Oklahoma Winter Bird Atlas
Bald Eagle Restoration Efforts
Lead-poisoning of Eagles
Banding of Tallgrass Prairie Birds
Ecology of Shortgrass Prairie Birds
OK Winter Bird Atlas
Winter Special Interest Species
Winter Bird Forms & Instructions
Nesting Ecology of Prairie-Edge Birds on Roadsides
Henslow's Sparrow in Oklahoma
Swainson's Warbler Ecology in Oklahoma
NASA Raptor Incubation Study
Oklahoma Panhandle Raptor Survey
Camp Robinson Bird Survey
Camp Gruber Migratory Bird Survey
Scientific Conference Hosting
Nicaragua Parrot Study
Dickcissel Conservation in Venezuela
Report an Oklahoma Bald Eagle Nest
Sutton Natural History Forums
2007 Joel Sartore
2003 Neil Rettig
2005 Mark Emery
2006 Annie Griffiths Belt
Oklahoma Birds Listserv and Photo Directory
Pathfinder Parkway Bird Trail
What to do with an injured bird
Wild Brew
National Geographic photographer Joel Sartore visits Oklahoma to benefit area students and the Sutton Center
On October 3 and 4, 2002, a unique educational opportunity was provided for area seventh grade students from Bartlesville, Collinsville, Dewey, Jenks, Pawhuska, and Tulsa. National Geographic photographer, Joel Sartore, was at the Community Center in Bartlesville for a special event with the Sutton Avian Research Center, sponsored by F&M Bank in Tulsa and Doenges Ford, Lincoln-Mercury, Toyota in Bartlesville.
Sartore provided a behind-the-scenes look at the adventurous life of a photographer working for National Geographic.
Entitled "Escapades of a Wildlife Photographer," the 45-minute program included a mixture of his award winning photos, film shorts, and educational orations about his professional photographic encounters.
In addition to providing captivating stories and photos, Sartore's intent for his visit was to provide a heartfelt message of concern for wildlife populations worldwide. "Geographic has sent me all over the world, and I have witnessed firsthand the loss of habitat and the declines of wildlife species" he said. "What happens to wildlife will eventually happen to people, and we should care about that."
That same evening, Joel was the speaker at a special Sutton Center fund raising event hosted and sponsored by The F&M Bank and Trust Company in Tulsa. Fine food and cocktails were provided as guests viewed silent auction items being sold to support the work of the Sutton Center.
In addition to a number of matted and framed photographs by Joel Sartore, other auction items included gifts of paintings, outdoor sporting equipment, recreational trips, fine dining, local history tours, and more. The evening culminated with a slide show given by Joel, which proved to be informative as well as entertaining.
Joel Sartore was born in Ponca City but has lived most of his life in Nebraska. After working as a photographer for The Wichita Eagle newspaper, he became a contract photographer for National Geographic in 1990. His work has also appeared in Audubon, Life, Newsweek, Sports Illustrated, Time and numerous book projects including the "Day in the Life" series.
National Geographic photographer Joel Sartore and his mother Sharon.
His adventures have been the subject of several national television shows including National Geographic Explorer and CBS This Morning. Joel and his mother National Geographic photographer Joel Sartore and his mother Sharon.
Joel first became acquainted with Bartlesville's Sutton Avian Research Center when he photographed their work for a major article on Bald Eagles in the November 1992 issue of National Geographic, and he has continued to stay involved with the Sutton Center since that time. Sartore's most recent article in National Geographic is about highly endangered Attwater's Prairie-Chickens in the March 2002 issue of the magazine.
He has photographed fascinating animal species all over the world from Bolivia to Alaska to Great Britain and has adventure stories to match. Grizzly Bears (July 2001), Gray Wolves (May 1998), Nebraska (November 1998), Dead or Alive (The Endangered Species Act; March 1995), Federal Lands of the West (February 1994), and Hurricane Andrew Aftermath (April 1993) are just a few of his many features that have appeared in the internationally acclaimed magazine.
Some of Joel's Work can also be seen at his web site, www.joelsartore.com. Event sponsors included:
The F&M Bank & Trust. Co. in Tulsa
Doenges Ford
Lincoln-Mercury
Toyota in Bartlesville
This event was featured or publicized by the following media outlets:
Tulsa World Tulsa Shutters to click on photog Shaun Schafer, Sunday, May 26, 2002
Tulsa World Wildlife photographer to speak Shaun Schafer, Sunday, September 22, 2002
Tulsa World Well-known photographer to make picture-perfect event Dana Sue Walker, Sunday, September 29, 2002
Tulsa World Picture This Saturday, October 5, 2002
Bartlesville Examiner-Enterprise Local Students visit with National Geographic photographer Sunday, October 6, 2002
Guests view and bid on silent auction items donated to help fund Sutton Center projects.
Finding cooperative conservation solutions for birds and the natural world through science and education.
Sutton Award Reception 2020
Prairie Grouse Technical Council meeting 2019
Gift the Sutton Center for Mother's Day
George Miksch Sutton Avian Research Center
Bartlesville, OK 74005 918.336.7778 info@suttoncenter.org Monday-Friday 8:30a.m.-4:30p.m. CST
Hosted by PDG+creative


text:
namespace policy {

CloudPolicyManager::CloudPolicyManager(
    const PolicyNamespaceKey& policy_ns_key,
    CloudPolicyStore* cloud_policy_store,
    const scoped_refptr<base::SequencedTaskRunner>& task_runner,
    const scoped_refptr<base::SequencedTaskRunner>& file_task_runner,
    const scoped_refptr<base::SequencedTaskRunner>& io_task_runner)
    : core_(policy_ns_key, cloud_policy_store, task_runner),
      waiting_for_policy_refresh_(false),
      file_task_runner_(file_task_runner),
      io_task_runner_(io_task_runner) {
  store()->AddObserver(this);

  // If the underlying store is already initialized, publish the loaded
  // policy. Otherwise, request a load now.
  if (store()->is_initialized())
    CheckAndPublishPolicy();
  else
    store()->Load();
}

CloudPolicyManager::~CloudPolicyManager() {}

void CloudPolicyManager::Shutdown() {
  component_policy_service_.reset();
  core_.Disconnect();
  store()->RemoveObserver(this);
  ConfigurationPolicyProvider::Shutdown();
}

bool CloudPolicyManager::IsInitializationComplete(PolicyDomain domain) const {
  if (domain == POLICY_DOMAIN_CHROME)
    return store()->is_initialized();
  if (ComponentCloudPolicyService::SupportsDomain(domain) &&
      component_policy_service_) {
    return component_policy_service_->is_initialized();
  }
  return true;
}

void CloudPolicyManager::RefreshPolicies() {
  if (service()) {
    waiting_for_policy_refresh_ = true;
    service()->RefreshPolicy(
        base::Bind(&CloudPolicyManager::OnRefreshComplete,
                   base::Unretained(this)));
  } else {
    OnRefreshComplete(false);
  }
}

void CloudPolicyManager::OnStoreLoaded(CloudPolicyStore* cloud_policy_store) {
  DCHECK_EQ(store(), cloud_policy_store);
  CheckAndPublishPolicy();
}

void CloudPolicyManager::OnStoreError(CloudPolicyStore* cloud_policy_store) {
  DCHECK_EQ(store(), cloud_policy_store);
  // Publish policy (even though it hasn't changed) in order to signal load
  // complete on the ConfigurationPolicyProvider interface. Technically, this
  // is only required on the first load, but doesn't hurt in any case.
  CheckAndPublishPolicy();
}

void CloudPolicyManager::OnComponentCloudPolicyUpdated() {
  CheckAndPublishPolicy();
}

void CloudPolicyManager::CheckAndPublishPolicy() {
  if (IsInitializationComplete(POLICY_DOMAIN_CHROME) &&
      !waiting_for_policy_refresh_) {
    scoped_ptr<PolicyBundle> bundle(new PolicyBundle);
    bundle->Get(PolicyNamespace(POLICY_DOMAIN_CHROME, std::string()))
        .CopyFrom(store()->policy_map());
    if (component_policy_service_)
      bundle->MergeFrom(component_policy_service_->policy());
    UpdatePolicy(bundle.Pass());
  }
}

void CloudPolicyManager::CreateComponentCloudPolicyService(
    const base::FilePath& policy_cache_path,
    const scoped_refptr<net::URLRequestContextGetter>& request_context) {
#if !defined(OS_ANDROID) && !defined(OS_IOS)
  // Init() must have been called.
  DCHECK(schema_registry());
  // Called at most once.
  DCHECK(!component_policy_service_);

  if (!CommandLine::ForCurrentProcess()->HasSwitch(
           switches::kEnableComponentCloudPolicy) ||
      policy_cache_path.empty()) {
    return;
  }

  // TODO(joaodasilva): Move the |file_task_runner_| to the blocking pool.
  // Currently it's not possible because the ComponentCloudPolicyStore is
  // NonThreadSafe and doesn't support getting calls from different threads.
  scoped_ptr<ResourceCache> resource_cache(
      new ResourceCache(policy_cache_path, file_task_runner_));
  component_policy_service_.reset(new ComponentCloudPolicyService(
      this,
      schema_registry(),
      core(),
      resource_cache.Pass(),
      request_context,
      file_task_runner_,
      io_task_runner_));
#endif  // !defined(OS_ANDROID) && !defined(OS_IOS)
}

void CloudPolicyManager::ClearAndDestroyComponentCloudPolicyService() {
#if !defined(OS_ANDROID) && !defined(OS_IOS)
  if (component_policy_service_) {
    component_policy_service_->ClearCache();
    component_policy_service_.reset();
  }
#endif  // !defined(OS_ANDROID) && !defined(OS_IOS)
}

void CloudPolicyManager::OnRefreshComplete(bool success) {
  waiting_for_policy_refresh_ = false;
  CheckAndPublishPolicy();
}

}  // namespace policy


U.S. businesswoman and former administrator of the U.S. Agency for International Development (USAID) and director of U.S. Foreign Assistance, Henrietta Holsman Fore, became the seventh executive director of the U.N. International Children's Emergency Fund (UNICEF) on January 1, 2018. Fore is replacing Anthony Lake as director, whose term began in 2010. The following are 10 facts about the new director of UNICEF.
Fore was the first woman to hold the position of USAID administrator, which she served concurrently while being the director of U.S. Foreign Assistance from 2007 to 2009.
Prior to her senior roles in the U.S. Department of State, Fore was the 37th director of the U.S. Mint. She initiated the 50 State Quarters Program and introduced laser engraving during her tenure.
She was the chairman and CEO of her family's investment and management company, Holsman International. She also was connected to at least 14 other companies, nonprofits and think tanks, according to her professional LinkedIn page, including the Aspen Institute, the Center for Global Development, General Mills and ExxonMobil.
U.N. Secretary General António Guterres announced Fore's appointment as executive director of UNICEF on December 22, 2017. The announcement received acclaim from multiple organizations, including the U.S. State Department and the Center for Strategic and International Studies.
Fore was chosen by Guterres in consultation with the executive board of the U.N. The executive director position of UNICEF has gone to the U.S. candidate since the organization's creation in 1947.
Fore is committed to modernizing and revitalizing foreign assistance. In a 2008 keynote address to the Center for Global Development, she discussed reforming priorities to meet the most critical needs, promoting program coordination among agencies and increasing the number of U.S. foreign assistance personnel.
To Chief Executives Organization, American diplomat John Negroponte said, "[Fore] likes to roll up her sleeves…she's an incessant traveler." In a speech at the 2014 International Financial Forum, Fore said she had traveled to countries such as Indonesia, Turkey, Nigeria, Egypt, Brazil and India.
Fore's appointment aids Guterres' mission for gender parity at U.N. senior leadership levels by 2021 and throughout the whole organization before 2030. Current findings suggest there is an inverse relationship between women's representation and seniority at the U.N.
As executive director of UNICEF, Fore will head one of the most important agencies within the U.N. The organization's budget was $5 billion in 2017, the second largest of the U.N. agencies.
In his announcement, outgoing UNICEF director Anthony Lake said, "Henrietta Fore will bring a wealth of experience to UNICEF's work for children." Her appointment certainly excites individuals committed to ending global extreme poverty, and it will be compelling to witness what UNICEF accomplishes under Fore's leadership.


Hello! My name is Haley Manning. I am a Certified Go Diaper Free Coach and Birth & Postpartum Doula.
We started Elimination Communication with my son when he was almost 3 months old, by 18 months old he was able to independently complete his own potty routine (realizing he had to go, walk to the toilet, climb on, go and wash hands).
EC was a brand new to us and challenging at times, but an overall wonderful and valuable experience for my family. At that time, I didn't have or know of any local resources available to help me when I hit road blocks or had questions about EC.
I became a GDF Coach because I want to empower families and help them learn and navigate the ins and outs of EC or "Potty Training". Please, reach out if you have any questions!
Visit Haley's local Go Diaper Free Facebook Group here.


The Vic Firth MSBAG2 Marching Stick Bag attaches to marching snare drums or multi-tenors with adjustable Velcro straps and holds two pairs of sticks, brushes or mallets. This stick bag provides easy access during quick stick changes. It is made from a water resistant nylon, and measures appoximately 17 long.


Whenever it's the perfect time to check into products and services for White Kitchen Cabinets in Illinois, Star White Kitchen Cabinets is here to help you. You will find a highly skilled crew of experts that deliver White Kitchen Cabinets in Illinois at an affordable rate. Star White Kitchen Cabinets is the best service available with budget friendly prices. Contact us now at 844-329-5869.
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