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HomeNewsClarksville Community Concert Association kicked off 2013-14 Community Concert Series with a...
Clarksville Community Concert Association kicked off 2013-14 Community Concert Series with a performance by the Toomai Quintet
By Bill Larson
Clarksville, TN – The Clarksville Community Concert Association (CCCA) held this season opener at the George and Sharon Mabry Concert Hall on Austin Peay State University Friday evening. The concert featured the Toomai String Quintet and what was the first quintet to be featured in a Clarksville community concert series event.
The program was entitled songs without words and featured a selection of choral music played with their five instruments performing the role of the voices. It was sublime. These five performers were able to draw the emotional complexity from the music with apparently effortless ease.
The Toomai Qunitet at the George and Sharon Mabry Concert Hall
The quintet is comprised of violinists Emilie-Anne Gendron and Pala García, violist Erin Wright, and double bassist Andrew Roitstein. Austin Peay State University's own Assistant Professor of Music Eli Lara joined the group for the evening as guest cellist.
Composers featured included Henry Cowell, J. S. Bach, Josef Suk, and Luigi Boccherini.
"They were Brilliant! Amazing! Virtuosic! and I especially liked the Ponce," said Christopher Groves a guitar Major at Austin Peay State University.
Josh C. a freshman at Collierville High School was more succinct in his appraisal as he exclaimed, "It was awesome!"
Pastor Angela Roberts Jones from the Green Hill Church wasn't feeling well, and thought she be forced to leave before the end of the concert, but the music held her until the end. "and thoroughly enjoyed it".
CCCA President Gail Oturu talks ot the audience about the current season
Even though this was the season opener the second concert of the year in what is an ambitious season with four world-class classical musical performances remaining.
The next concert features the Los Angeles Guitar Quartet on Friday, November 15, 2013 at 7:30 PM.
Members of the Grammy award-winning Los Angeles Guitar Quartet, for three decades, have continually set the standard for expression of virtuosity among guitar ensembles, while perennially redefining themselves in their musical explorations popularly known as LAGQ, the Los Angeles Guitar Quartet is recognized as one of America's premier instrumental ensembles. The LAGQ has given recitals in many of the worlds top venues. As one of the most charismatic groups performing today, there critically acclaimed transcriptions of constant masterworks providing fresh look at the music of the past, while their interpretations of works from the contemporary and world-music rounds continually break new ground.
It promises to be an amazing evening.
It is not too late to purchase season tickets to the Clarksville Community Concert series, there are four concerts remaining.
Following the Los Angeles guitar Quartet will be the baritone Andrew Garland, on January 16th; pianist Conrad Tao on February 4th; and the season closes out on April 5th with the Gregoire Maret Quartet in conjunction with Austin Peay State University's Midsouth Jazz Festival.
Not only do subscribers get these amazing concerts they also receive complimentary passes to performances at the Pennyroyal Arts Councils live at the Alhambra series in Hopkinsville Kentucky.
Their remaining season includes Ring of Fire on October 28th; The Steel Drivers on November 15th; an evening with Ann Jones on January 25th; Route 66, finding that King Cole on February 8th; and closing out on April 11th with The Lion, the Witch and the Wardrobe.
Season Passes are a great value at $130.00; since bought individually tickets would run $30.00 per concert.
Clarksville Community Concert Association
Clarksville Community Concert Series
Clarksville TN
Eli Lara
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Bill Larson
Bill Larson is is politically and socially active in the community. Bill is a member of the Friends of Dunbar Cave. You can reach him via telephone at 931-249-0043 or via the email address below.

redpajama_set_name: RedPajamaCommonCrawl


text:
Q: PHP Symfony Attempted to load class "SonataIntlBundle" from namespace "Sonata\IntlBundle" I am new to Symfony and PHP in general, I just want to set up a project from GitHub and instruction says that I have to run composer update. So after this command an error logs:
 Script Sensio\Bundle\DistributionBundle\Composer\ScriptHandler::clearCache handling the symfony-scripts event terminated with an exception

  [RuntimeException]
  An error occurred when executing the "'cache:clear --no-warmup'" command:

  Fatal error: Uncaught Symfony\Component\Debug\Exception\ClassNotFoundException: Attempted to load class "SonataIntlBundle" from namespace "Sonata\IntlBundle".
  Did you forget a "use" statement for another namespace? in /Users/xxx/Documents/project/app/AppKernel.php:28
  Stack trace:
  #0 /Users/xxx/Documents/project/vendor/symfony/symfony/src/Symfony/Component/HttpKernel/Kernel.php(427): AppKernel->registerBundles()
  #1 /Users/xxx/Documents/project/vendor/symfony/symfony/src/Symfony/Component/HttpKernel/Kernel.php(128): Symfony\Component\HttpKernel\Kernel->initializeBundles()
  #2 /Users/xxx/Documents/project/vendor/symfony/symfony/src/Symfony/Bundle/FrameworkBundle/Console/Application.php(62): Symfony\Component\HttpKernel\Kernel->boot()
  #3 /Users/xxx/Documents/project/vendor/symfony/symfony/src/Symfony/Component/Console/Application.php(117): Symfony\Bundle\FrameworkBundle\Console\Application->doRun(Object(Symfony\Component\Console\Input\ArgvInput), Obj
  ect(Symfony\Component\Console\Output\ConsoleOutput))
  #4 /U in /Users/xxx/Documents/project/app/AppKernel.php on line 28

  PHP Fatal error:  Uncaught Symfony\Component\Debug\Exception\ClassNotFoundException: Attempted to load class "SonataIntlBundle" from namespace "Sonata\IntlBundle".
  Did you forget a "use" statement for another namespace? in /Users/xxx/Documents/project/app/AppKernel.php:28
  Stack trace:
  #0 /Users/xxx/Documents/project/vendor/symfony/symfony/src/Symfony/Component/HttpKernel/Kernel.php(427): AppKernel->registerBundles()
  #1 /Users/xxx/Documents/project/vendor/symfony/symfony/src/Symfony/Component/HttpKernel/Kernel.php(128): Symfony\Component\HttpKernel\Kernel->initializeBundles()
  #2 /Users/xxx/Documents/project/vendor/symfony/symfony/src/Symfony/Bundle/FrameworkBundle/Console/Application.php(62): Symfony\Component\HttpKernel\Kernel->boot()
  #3 /Users/xxx/Documents/project/vendor/symfony/symfony/src/Symfony/Component/Console/Application.php(117): Symfony\Bundle\FrameworkBundle\Console\Application->doRun(Object(Symfony\Component\Console\Input\ArgvInput), Obj
  ect(Symfony\Component\Console\Output\ConsoleOutput))
  #4 /U in /Users/xxx/Documents/project/app/AppKernel.php on line 28

Can anyone help me with this one? I'm kinda lost.

A: As @Cid mentioned, I re-cloned the repo and this time used composer install instead of update and it works just fine!

redpajama_set_name: RedPajamaStackExchange


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Virginia bill will put more pressure on Dominion Energy to justify cost recovery
Written By Elizabeth McGowan April 6, 2020
Skip Plitt / Wikimedia Commons
The Virginia Statehouse in Richmond.
House Bill 528, now awaiting the governor's signature, offers state regulators more authority over monopoly utilities.
A scantly noticed bill curated by a freshman legislator from northern Virginia elicited giant cheers from Dominion Energy watchdogs when it passed both the Senate and the House of Delegates just seven days before the General Assembly adjourned on March 12.
Though overshadowed by the Virginia Clean Economy Act, supporters view the success of House Bill 528 as a momentous first effort to shift power from utility monopolies and toward regulators and ratepayers.
On its face, the measure deftly shepherded by Del. Suhas Subramanyam is simple. It restores the State Corporation Commission's oversight of Dominion's cost recovery timeline for early retirements of all types of power plants.
"This is part of a larger effort to even the playing field and make sure a monopoly plays by the same rules as any other company," the Loudoun County Democrat said in an interview. "No one else can determine how to depreciate their own assets and I don't think people understood the implications of that."
Subramanyam's measure reverses current law, passed in 2018 as part of the massive Grid Transformation and Security Act. That allowed Dominion to recover — as a one-time expense — the remaining balance on a retired power plant instead of refunding the extra earnings to customers.
"I was trying to reverse an accounting trick that would prevent ratepayers from getting refunds," he said. "When I first started with this, I thought it was a long shot. Once people understood what it did, they saw it as a common-sense bill."
Part of what spurred him to push his bill was the imminent passage of the overarching Virginia Clean Economy Act, which is designed to shift energy priorities and speed up the retirement of coal- and natural gas-fired plants. To decarbonize Virginia's electricity grid by 2045, the act establishes aggressive energy efficiency standards, broadly expands incentives for rooftop solar, and kickstarts a massive offshore wind industry.
Brennan Gilmore, executive director of Clean Virginia, praised what he called a newly emergent bipartisan coalition of lawmakers for challenging Dominion with HB 528 and on several other fronts.
For instance, legislators blocked Senate Bill 1096, a Dominion-backed bill to expand an exclusive electric school bus contract. They also advanced pilot competition bills for energy services, signaling interest in overhauling the state's vertically integrated monopoly structure.
And they came remarkably close to passing the bipartisan Fair Energy Bills Act, which would have empowered state regulators to examine Dominion's earnings, decide how much is fair, then direct the utility to refund the surplus to customers.
Dominion has overcharged customers by more than $1.3 billion since 2015, according to State Corporation Commission figures.
Combined, those initiatives sent "a strong message that Dominion Energy will no longer be able to use the General Assembly as a rubber stamp for its profit-padding legislation," Gilmore said. "New lawmakers have joined seasoned members of both chambers to build a firewall of support for consumer protection, good governance and distributed clean energy."
Dominion Energy did not respond to a request for comment for this article.
HB 528 is a start
Will Cleveland, a senior attorney with the Southern Environmental Law Center, said he was disappointed legislators who professed to care about ratepayers bucked the Fair Energy Bills Act.
It was a necessary complement to the Clean Economy Act because "as long as rates are where they are, we're not doing a transition to zero carbon emissions in the power sector in the least-cost manner," he said.
Subramanyam's bill isn't comprehensive enough to solve that problem.
"HB 528 is a good starting point, but it fixes only one of the many things wrong with Virginia's regulatory structure," Cleveland said. "The Fair Energy Bills Act would have removed all of the obstacles."
That latter oversight measure would have applied to Dominion's 2021 rate case, when utility regulators will be examining four years of records — from 2017 to 2020 — and setting Dominion's next base rate and allowed profit level.
Five years ago — when the Obama administration's U.S. Environmental Protection Agency was rolling out the Clean Power Plan — Virginia legislators voted to let Dominion keep excess profits in exchange for freezing base rates for seven years.
"The State Corporation Commission is not failing to do its job," Cleveland said about the overcharging. "It's not legally allowed to do so."
He noted that passage of the Clean Economy Act is "the first time a major piece of energy legislation has passed that Dominion didn't write," adding that the bill educated lawmakers about shortcomings in their state. "I'm excited about the number of people committed to helping to fix this in the future."
Dominion will be filing its next version of an Integrated Resource Plan on May 1. Regulators have asked the utility to include a model detailing the costs of executing the Clean Power Plan.
"It's the first time that Dominion is having to put numbers to paper in front of a court rather than through a press release," Cleveland said. "Nobody has done a good job of quantifying the costs and savings of the Clean Economy Act."
A push for accountability
Some advocates intent on reining in Dominion emphasized that legislators found voting for the Clean Economy Act more palatable after Subramanyam's bill passed, even though it wasn't as comprehensive as the Fair Energy Bills Act.
An analysis by state regulators said the Clean Economy Act would lead to Dominion collecting $50.8 billion more from its ratepayers.
But J.R. Tolbert, the managing director for the Advanced Energy Economy, questioned the accuracy of the commission's math. He said a 5 Lakes Energy study commissioned by his organization was more spot-on. It predicted customers' monthly bills would drop by about $4 a month between 2020 and 2030.
Tolbert attributed legislators' attempts to constrain Dominion this session to years of frustration by lawmakers and clean energy advocates in the trenches. Strategic thinking and the first Democratic majority in both chambers in a generation allowed that pent-up anger to be released.
"We reached a full boil on how we handle and address Dominion's rates and everything else," said Tolbert, who has tracked the General Assembly since 2008, the year after Virginia electric utilities returned to a regulatory model. "This year there was an enormous push for more accountability."
The coalition that crafted the Clean Economy Act chose to achieve 100% clean energy without breaking the bank, he said.
"We know there are flaws in the current regulatory regime," he continued. "But we can't fix and change that regulatory model and put Virginia on a path to clean energy in the same package."
Some key breakthroughs Tolbert cited include:
Removing barriers to rooftop solar by raising the cap on power purchase agreements in Dominion service territory from 50 megawatts to 1,000 MW and increasing the size of those individual projects from 1 MW to 3 MW.
Expanding distributed solar by reducing the upfront capital required to invest in solar, establishing a 1% carveout for distributed solar in the renewable portfolio standard and increasing the net metering cap in investor-owned utility service territories from 1% to 6%.
Declaring up to 5,200 MW of offshore wind to be in the public interest by 2035 as part of the renewable portfolio standard.
Creating an accelerated buyer program for companies leading on clean energy and requiring those large energy users to procure up to 50 MW of offshore wind, thus lowering the overall cost for other ratepayers.
Ensuring that utility-scale renewable energy is built on a lowest-cost basis by requiring competitive procurement for all projects and that 35% of all solar and onshore wind projects be third-party owned.
"We tried to fight for things that achieve the goals but take into account the impact on ratepayers, families and businesses," Tolbert said. "Are there places where it could have been better or stronger? Yes."
For instance, his coalition wanted third parties to have a higher ownership stake in renewable energy projects. But that didn't fly.
Still, "the clean energy folks were able to get out in front," he said. "As a result, we were able to make sure the conversation was based off our sheet of paper instead of the utility sheet of paper.
"Both Dominion and Appalachian Power came to the table to work on the bill."
Gathering bipartisan support
Democratic Gov. Ralph Northam is expected to sign Subramanyam's ratepayer protection bill into law early this month. The Senate greenlighted it on a 35-5 vote, while the House passed it 50-43.
"It's a really big deal," Subramanyam said. "This bill would have never passed in previous years because of the opposition from regulated utilities."
During back-and-forth negotiations, he agreed to a few amendments to advance his measure. For instance, one allows Dominion to present specific amortization cases involving plant shutdowns to regulators — but commissioners have the power to make the ultimate decision.
Subramanyam, elected in 2019, credits his mentors for helping him to navigate the intricacies of legislating. However, he knows the value of listening and give-and-take.
He might be a rookie in Richmond, but his background is on Capitol Hill and in President Barack Obama's White House.
"I think it was a surprise to the investor-owned utilities that there were both Democrats and Republicans who stood up in support," he said. "Sometimes this is about relationships."
About Elizabeth McGowan
Elizabeth is a longtime energy and environment reporter who has worked for InsideClimate News, Energy Intelligence and Crain Communications. Her groundbreaking dispatches for InsideClimate News from Kalamazoo, Michigan, "The Dilbit Disaster: Inside the Biggest Oil Spill You Never Heard Of" won a Pulitzer Prize for National Reporting in 2013. Elizabeth covers the state of Virginia. Her book, "Outpedaling 'The Big C': My Healing Cycle Across America" will be published by Bancroft Press in September 2020.
More by Elizabeth
Report: Dominion Energy must start planning now for coal plant transition
An analysis warns that market forces and policy changes put the underperforming Virginia City Hybrid Energy Center on a path to abrupt closure.
To win over this critic, Dominion Energy needs to prioritize energy efficiency
NRDC policy director Walton Shepherd says the utility over-relies on blockbuster projects that do more for its image and bottom line than for customers.
No longer in Atlantic Coast Pipeline's path, landowners consider next steps
After a half-decade fight over pipeline easements, property owners look to recoup legal costs and property values.
More on Virginia
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Home/ Montblanc Muses Elizabeth Taylor Ballpoint
Montblanc Muses Elizabeth Taylor Ballpoint
Due to supply issues Montblanc cannot guarantee delivery in time for the Holidays.
This product is excluded from additional special offers and discounts.
Limited edition Montblanc ballpoint celebrating the violet-eyed screen icon
She was a legendary beauty, an Oscar-winning actress, a pioneering AIDS activist and one of the most talked-about women of our time. Montblanc captures the essence of Elizabeth Taylor (1932-2011) in a superbly designed special edition ballpoint pen inspired by the aesthetics of the 1950s and 1960s, the period in which she reached her acting zenith in Hollywood.
The dark-violet marbleized lacquer barrel pays homage to Elizabeth Taylor's stunning eye color, while the ring-shaped clip and platinum-coated cone with 1950s-inspired geometric engraving represent her well-known passion for jewelry. Celebrate your own love for life with Montblanc's Elizabeth Taylor ballpoint pen.
Established in 1906 in Hamburg, Germany, Montblanc rapidly rose to international prominence as a manufacturer of writing instruments. The early Montblanc designers sought to produce a line of upscale fountain pens that would change the face of writing. To this day, they are still dedicated to producing top of the line pens, including ballpoint and rollerball pens, writing accessories and premium refills. They introduced world-famous pen collections like the Rouge et Noir in 1908 and the Meisterstück in 1924. Shop all Montblanc pens, refills and accessories.
- Precious resin barrel lacquered in a marbleized deep violet
- Mid-century modern design elements evoke the 1950s and 1960s
- Ring-shaped clip and platinum-coated cone
- Deploys with a twist
- We offer Montblanc ballpoint refills
- Comes exquisitely gift boxed
- 5L x 3/5 diameter; 1.85 ounces
Personalized 3 x 5 Horizontal Note Cards (Set of 500)
Diario Mio
Wall Street Leather File Folder


Futsal is the official five-a-side indoor soccer game and the only indoor soccer recognized by FIFA. Futsal is beginning to take the country by storm as more and more soccer players, coaches, clubs and associations discover the unique and positive qualities of Futsal. It is a game played around the world as many of today's world stars began their youth soccer by playing Futsal. The Brazilians attribute their world soccer success to Futsal. Pele, Zico, Socrates, Ronaldo, Kaka and Ronaldinho grew up playing Futsal and credit Futsal with developing their skills.
Futsal is a small-sided game (5v5 including the goalkeepers) played on a small field roughly the size of a basketball court. The game is played with the touchline boundaries and does not require the use of dasher boards. The official ball is a special low bounce ball that is smaller than an official size 5 soccer ball. The ball forces a player to use their skill rather than the ball's bounce to propel it. It is a complete skill game. Futsal develops the overall fundamentals of soccer more effectively. It has been proven that youth players develop quicker reflexes, faster thinking and pinpoint passing. It is a superior game in terms of establishing players' touch and technique.
One touch passing is essential in maintaining ball possession on a smaller surface. Therefore, an individual's overall ball handling skills and off-the-ball movement enhance considerably. A player's split second thinking improvesautomatically as one learns how to maintain possession and distribute the ball quickly. Shots must be more accurate, since a shot off target will not produce a rebound. More shots are also taken during the course of a game, which will enhance a player's confidence, by taking on a defender and shooting quickly. A player does not have as much space or time to dribble with the ball. Futsal helps to develop tremendous close-quarters footwork.
Ø Fun – Players enjoy the challenge of playing a fast paced skill oriented game that tests their abilities.
Ø Safety – Futsal is much safer than outdoor and some other forms of indoor soccer. The rules of Futsal restrict physical play, and there are no walls to run into.
Ø Ball Touches – According to a FIFA report, in an average 40-minute futsal contest an outfield player will touch the ball roughly every 29 seconds, or 80 touches. Now compare that to a 90-minute outdoor game where it's only around 30-40 touches. That is more than double in just half the time.
Ø Ball Control – With Futsal, the emphasis is clearly on control and technique. Without control and technique you cannot expect to succeed in Futsal. With limited space, boundary lines, and constant opponent pressure, improved ball control skills are required.
ØSpeed of Play – With limited space and constant opponent pressure, players learn to play fast to survive.
Ø Continuity of Play – Action is continuous so players are forced to continue play in support of their teammates.
Ø Mandatory Support – With only 4 field players on the field and always needing the proper support positions offensively and defensively, a player will instinctively learn better spacing, passing and general tactics from playing Futsal. Players without the ball must move to space and must truly support their teammates.
Ø Framing the Goal – The goal and Penalty Area are a perfect size for narrowing the angle so teams learn to frame the goal to score goals.
Ø Knowledge – With four court players and all the basic options of the outdoor game, players' understanding of the game is enhanced.
Ø Encouraged Learning – The rules of Futsal encourage playing a skilled game by punishing all physical contact fouls.
Ø Rewards – Futsal rewards the same basic skills, tactics and knowledge of the game as the 11v11 outdoor game.
Ø Insurance – Every player, coach and referee registered with the indoor league is covered by an insurance policy. Very few indoor soccer facilities offer their players any insurance coverage at all. All junior and senior players will be insured through our association with Football Federation Victoria.
Ø Cost – Many people think the cost of indoor soccer is expensive, but when compared to other activities it is actually quite reasonable. Depending on the number of players, the average cost per player for a night of soccer is less than $10.00. Compare this to going to the movies along with the customary snack and drink, the price is very reasonable and healthier. If you are serious about skills and technique development, Futsal is the superior activity. If you haven't had the opportunity to see a Futsal game, check it out!
Futsal was started in Montevideo, Uruguay, in 1930 when Juan Carlos Ceriani created a version of football for competition in YMCAs. In Brazil, this version developed on the streets of Sao Paulo, and eventually a rule book was published. The sport began to spread across South America, and its popularity ensured that a governing body was formed under the name of FIFUSA (Federación Internacional de Fútbol de Salón) in 1971, along with the World Championships. The first FIFUSA World Championships were held in São Paulo, with hosts Brazil crowned champions ahead of Paraguay and Uruguay. Even more countries participated in the second World Championships held in Madrid in 1985. Due to a dispute between FIFA and FIFUSA over the administration of fútbol, FIFUSA coined the word fut-sal in 1985.
Futsal has become the standard for indoor play world wide. With the smaller playing field and reduced team size, each player has more involvement in the game and touches on the ball. The reduced bounce ball ensures true roll and the need for a precise touch. Futsal requires the same control and strategy needed on the full-size outdoor fields. Futsal sharpens both your playing and mental skills which allow continual personal growth and development throughout the year. It's also a lot of fun!


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2 Montana residents killed in Wyoming highway crash
MTN News
By: MTN News
Posted at 12:02 PM, Jul 19, 2021
Two Montana residents were killed and a third injured in a multi-vehicle crash Sunday near Evanston, Wyo.
According to the Wyoming Highway Patrol, the crash happened at about 2 p.m. on Interstate 80.
The patrol said a 2002 Totota RAV-4 and 2013 Ford F-150 were stopped in traffic due to an earlier crash blocking the roadway when the driver of a 2018 GMC Sierra failed to see the stopped traffic and collided with the Toyota, which then hit the back of the Ford.
The driver of the Toyota, 71-year-old William J. Baker of Wolf Point, was seriously injured and later died after being transported by helicopter to a hospital in Utah.
A juvenile passenger, Scobey J. Baker also of Wolf Point, died at the scene, the patrol said. Both were wearing a seatbelt.
A second passenger, 19-year-old Kade Baker also of Wolf Point, was injured and transported to a hospital in Evanston.
The driver of the GMC has been identified as 29-year-old Greeley, Colo. resident Braylin Wertenberger, who was not wearing a seatbelt. Wertenberger was transported to a hospital in Evanston. A passenger has been identified as 42-year-old Brighton, Colo. resident Mollie Wright. Wright was not wearing a seatbelt and was transported by helicopter to a hospital in Utah.
The driver of the Ford has been identified as 36-year-old Bluffdale, Utah resident Rosario Ortiz Garcia. Ortiz Garcia was wearing a seatbelt and was not injured in the crash. The passengers in the Ford have been identified as 46-year-old West Valley, Utah resident Maria Lopez, and one juvenile passenger. They were both restrained correctly, and Lopez was transported to a hospital in Evanston.
The patrol said driver inattention and speed on the part of Wertenberger are being investigated as potential contributing factors.


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Music Out of the Moon ist ein Musikalbum aus dem Jahr 1947. Die Kompositionen von Harry Revel werden von Samuel Hoffman auf dem Theremin gespielt, der von einem von Les Baxter geleiteten Ensemble begleitet wird. Die Arrangements stammen von Les Baxter, der damit seinen ersten Hit landete. Das Album erschien bei Capitol Records.

Das Album, mit dem in der ursprünglichen Edition drei Schellackplatten zusammengefasst wurden, sollte der Planung nach ein Kulthit werden, der ein bestimmtes offenes und junges Publikum ansprach. Auf dem Cover räkelte sich, aufsehenerregend für die damalige Zeit, eine spärlich bekleidete Frau auf der Mondoberfläche, es hatte die Coveraufschrift Music Unusual Featuring the Theremin – Themes by Harry Revel. Auch wenn keine genauen Verkaufszahlen bekannt sind, waren die Verkäufe hoch genug, um Zeitungen von der "meistverkauften Capitol-Platte" aller Zeiten schwärmen zu lassen.

Music Out of the Moon war eines von zwei Musikalben, die Neil Armstrong bei der Apollo-11-Mission mitnahm. Die Astronauten hatten einen Kassettenrekorder dabei, und Armstrong neben der Antonín Dvořáks Symphonie Aus der neuen Welt noch eine Aufnahme von Music Out of the Moon mitgenommen.

Das Album, das 1950 auch als Vinyl-Langspielplatte erschien, besteht aus sechs Stücken mit Namen wie Lunar Rhapsody, Celestial Nocturne oder Radar Blues.

Es ist ein Pionieralbum des Exotica/Space Age Pops, und war eine Blaupause, an der sich Alben und Soundtracks für die nächsten zehn Jahre orientieren. Revell/Baxter benutzten lateinamerikanische Rhythmen, einen Chor, der keine Worte, sondern nur einzelne Vokale sang, ein großes Orchester mit Harfe, das für einen vollen, harmonischen Hintergrundsound sorgt. Dies kontrastiert ein einzelnes elektronisches Instrument – hier das Theremin –, das gleichzeitig im beginnenden Space Age ein Verweis auf Technik und deren Zukunftspotenziale war.

1999 wurde das Album zusammen mit zwei weiteren Hoffman/Revel-Alben (Perfume Set to Music und Music for the Peace of Mind) in einer 3-CD-Box wiederveröffentlicht.

Literatur
 Timothy Dean Taylor: Strange sounds: music, technology & culture Routledge, 2001 ISBN 0415936837 S. 83–88

Weblinks
 Bei Discogs

Einzelnachweise

Album 1947
Konzeptalbum
Album (Electronic)
Album (Pop)

redpajama_set_name: RedPajamaWikipedia


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Section 38: Validity of marriages
57.The rules as to which law governs the validity of marriage in cases involving a foreign element (such as where one of the spouses is domiciled in one country but married in another) depend partly on statute and partly on common law. Section 38 offers more clarity in this regard by providing for which rules will apply, in certain circumstances. Subsection (1) provides that, subject to the Foreign Marriage Act 1892, the formal validity of a marriage will be governed by the laws of the place where the marriage took place. Subsection (2) provides that the question of whether a party had capacity, or had consented, to marry will be determined by the law of that person's domicile, but is subject to the exceptions in subsections (3) and (4). Subsection (3) makes provision that where a marriage takes place in Scotland, notwithstanding any rule of law of either party's domicile, Scots law in relation void marriages shall prevail. Subsection (4) provides a public policy exception to subsection (2). Subsection (5) makes provision in relation to the capacity of a person to marry in Scotland where the law of that person's domicile requires parental consent to be obtained.


Tonight is Moms' Night Out, which is another way of saying Boys' Night In, which is another way of saying Jack & I are going out for dinner.
Wounded in Africa during World War II, Nazi Col. Claus von Stauffenberg (Tom Cruise) returns to his native Germany and joins the Resistance in a daring plan to create a shadow government and assassinate Adolf Hitler. When events unfold so that he becomes a central player, he finds himself tasked with both leading the coup and personally killing the Führer. Bill Nighy and Eddie Izzard co-star in this drama based on actual events.


With over 160 stores including high street and designer brands this is the Telford Shopping Centre YouTube channel featuring videos of upcoming and past events at the Centre to show you everything the Centre has to offer for you and your friends and family.
Telford Centre Christmas light switch on - Duration: 94 seconds.
Unwrap the magic of Christmas - Duration: 38 seconds.
Experience the magic of Christmas at The Telford Centre - Duration: 37 seconds.
The pirate ship has landed at Telford - Duration: 76 seconds.
The pirate ship has landed at Telford - Duration: 53 seconds.
Telford Shopping Centre Food Event 2017 - Duration: 65 seconds.
Telford Shopping Centre Food Event 2017 - Duration: 33 seconds.
Half Term Fun @ Telford - Duration: 57 seconds.
Sharing the love in Telford - Duration: 100 seconds.
Telford Shopping Centre sales - Duration: 60 seconds.
Shop the light fantastic with Christmas @ Telford - Duration: 31 seconds.
Telford Shopping Centre Harry Potter Book Launch - Duration: 111 seconds.


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Q: Call Member Routes in ActionController::TestCase I'am new to Ruby and I have to write tests for a Rails Application.
My problem is that I don't know how can I invoke the accept action of the FriendshipsController
Here is the FriendshipsController:
class FriendshipsController < ApplicationSocialController
  # ...

  # create method is getting called
  def create
    # accessing params[:user_id]
  end

  # accept method doesn't get called
  def accept
    # accessing params[:id] and params[:user_id]
  end
end

In the following test code I saw that the FriendshipsController.create method is called:
current_user = users(:users_002)
friend_user = users(:users_003)
@request.session[:user_id] = current_user.id
post :create, :user_id => friend_user.id # works fine

But how can I call the FriendshipsController.accept method?
current_user = users(:users_002)
friend_user = users(:users_003)
friendship_from_current_to_friend = create_friendship(current_user, friend_user)
# friend_user should can accept friendship request
@request.session[:user_id] = friend_user.id
put :accept, :user_id => current_user.id, :id => friendship_from_current_to_friend.id

The put call works without an exception, but accept of FriendshipsController is never called.
Here is the routes.rb
RedmineApp::Application.routes.draw do
  # ...
  resources :users do
    # ...
    resources :friendships do
      # ...
      member do
        put :accept
        put :deny
      end
    end
  end
  # ...
end

What is the correct way to invoke accept?
Edit
Here is an except of routes

GET    /users/:user_id/friendships/accepted(.:format)       friendships#accepted
GET    /users/:user_id/friendships/pending(.:format)        friendships#pending
GET    /users/:user_id/friendships/denied(.:format)         friendships#denied
GET    /users/:user_id/friendships/write_message(.:format)  friendships#write_message
PUT    /users/:user_id/friendships/:id/accept(.:format)     friendships#accept
PUT    /users/:user_id/friendships/:id/deny(.:format)       friendships#deny
GET    /users/:user_id/friendships(.:format)                friendships#index
POST   /users/:user_id/friendships(.:format)                friendships#create
GET    /users/:user_id/friendships/new(.:format)            friendships#new
GET    /users/:user_id/friendships/:id/edit(.:format)       friendships#edit
GET    /users/:user_id/friendships/:id(.:format)            friendships#show
PUT    /users/:user_id/friendships/:id(.:format)            friendships#update
DELETE /users/:user_id/friendships/:id(.:format)            friendships#destroy

A: Try using $ rake routes
           Prefix Verb   URI Pattern                       Controller#Action
      friendships GET    /friendships(.:format)            friendships#index
                  POST   /friendships(.:format)            friendships#create
   new_friendship GET    /friendships/new(.:format)        friendships#new
  edit_friendship GET    /friendships/:id/edit(.:format)   friendships#edit
       friendship GET    /friendships/:id(.:format)        friendships#show
                  PATCH  /friendships/:id(.:format)        friendships#update
                  PUT    /friendships/:id(.:format)        friendships#update
                  DELETE /friendships/:id(.:format)        friendships#destroy
accept_friendship PUT    /friendships/:id/accept(.:format) friendships#accept
  deny_friendship PUT    /friendships/:id/deny(.:format)   friendships#deny
                  GET    /friendships(.:format)            friendships#index
                  POST   /friendships(.:format)            friendships#create
                  GET    /friendships/new(.:format)        friendships#new
                  GET    /friendships/:id/edit(.:format)   friendships#edit
                  GET    /friendships/:id(.:format)        friendships#show
                  PATCH  /friendships/:id(.:format)        friendships#update
                  PUT    /friendships/:id(.:format)        friendships#update
                  DELETE /friendships/:id(.:format)        friendships#destroy
            users GET    /users(.:format)                  users#index
                  POST   /users(.:format)                  users#create
         new_user GET    /users/new(.:format)              users#new
        edit_user GET    /users/:id/edit(.:format)         users#edit
             user GET    /users/:id(.:format)              users#show
                  PATCH  /users/:id(.:format)              users#update
                  PUT    /users/:id(.:format)              users#update
                  DELETE /users/:id(.:format)              users#destroy

The output tells us that accept_friendship does not take a user_id param.
put :accept, :id => friendship_from_current_to_friend.id

A: I found the problem:
Every friendship request consists of two corresponding friendship objects
On either

*

*the right user, i. e.friend_user, accepts the wrong friendship id or

*the wrong user, i. e. current_user, accepts the correct friendship id
the accept method will not called.
So if the right user accepts the right friendship id, the accept method will called fine. But this doesn't clarify why the accept method doesn't get called with a wrong input.


Imbolc is the old Celtic celebration of the return of the light. On February 1, the old ancient Goddess Brigid* returns after being held in captivity by the old Hag of winter. It's on the horse of Angus Og, she rides while the cold winds are blowing.
It's a celebration of the first milk of sheep after the long dark cold winter. I invite you to contemplate how you are connected to the galaxy, knowing that galaxy stems from the Greek word galaxias, a word that means milk.
I will encourage you to monitor the food you give yourself, the food for your body and that for your soul. We all know that those two are related like the web of Indra.
The first lesson will tell you a mythological story about Brigid, the Goddess of (inner) light.
The second lesson is an invitation for you to interpret the mythological about Spring Goddess Brigid to get your creative juices flowing. Even though I would never suggest that the interpretation offered in the course is the only way to incorporate the mythological theme presented, I hope that these insights help you to connect with the archetypical energies that the story touches upon.
The third lesson consists of open-ended questions for you to contemplate. How do these archetypical energies manifest themselves in your life right now? Questions like: Bridged is the Goddess associated with poetry. If your life is a poem, what would be its tune? If you don't read poetry, just play your favourite song. Dance like it's a meditation (it's the only way to dance as far as I am concerned).
The fourth and final part of this Imbolc celebration consists of a dream Incubation. You are welcome to share your dreams on the Facebook page that belongs to this course. Once you sign up you will be added this group. Enjoy a year full of dreaming and connection with fellow dreamers.
*There is the question of the name: sometimes it is spelled Brigit, sometimes Brigid. According to James MacKillop, author of 'Myths and Legends of the Celts' the Celtic Goddess her name is spelled Brigit and the Christian Saint is called Brigid. No matter how her name is spelled, in my eyes the energy of both the Celtic Deity and the Catholic Saint is the same. Because the story I chose to share with you is based upon a story of a priest, I have chosen to write her name that way: Brigid.
According to ancient beliefs, the 12 nights between Christmas and Epiphany are a special time for dreaming. Each night should predict something about the month of the following year.
*click to read more and join the fun.
The Thirteen Holy Nights of dreaming are revelatory. Since I took the course during the 2016-2017 season, it's become a yearly ritual I look forward to now and possibly my favorite two weeks of dreaming during the year. Susanne puts together a very magical, mythical movement through these 13 nights. If you are craving for a very rich, mythic experience, she does such a phenomenal job creating and guiding the experience of these holy nights! I really can't praise them enough!
My dreams from this experience gave me such a very powerful, symbolic road map for 2017 – and I was going to need it.
A week before our group began, I had a dream, which I believe was Lady Holle (whom our process was dedicated to) and I was told I'd have to surrender my "death" to her. What an introduction! Going into it with this, I felt like this process was definitely calling me!
At the time of this experience, I was at one of the hardest points of an internal rite of passage I am undergoing that was initiated by a lucid dream in 2015. I had no job, no money, and was about to lose my immediate family, and later almost my own family I've started.
January's dream showed me coming up with the money I needed for rent and praising God for always taking care of me. This actually happened. I was beginning to receive ultimatums that if I didn't have it, I was getting the boot. I couldn't believe that between Xmas money, birthday money (my birthday is in January), and a very random money order sent to me by an anonymous friend contained exactly the remaining amount I needed. It was so bizarre and beautiful! Saved my life…till the next month!
February's dreams foretold of some steep happenings. One, I see a poster of my father and I in the style of a boxing showcase – as if some big showdown was coming. The second, my son dies in the dream and I could have done something to save him if I had only shown up for him. I didn't want to tell anyone because how ashamed I felt about it.
In February, I did have a huge falling out with my father and we didn't talk for about four months. He wrote me off, finally breaking, not understanding what I was doing with myself. It was a blessing in disguise, as I have given him and his opinion on certain things about me way too much power over me. This helped me to rectify a healthier dynamic.
At the very end of February, very beginning of March, my fiancée almost finally left me, too. It had been a long, hard year and a half for her, as I was stripped of everything in my life that I gave my power over to. My son has shown up more times than not in my dreams as the "new life" that is emerging through this rite of passage into a new me (as he showed up right in thick of it). This dream of him dying was a warning dream that that month I would run the risk of letting that new life/new me die.
In the lucid dream, I was told that to come into my power I would have to kill something and create some beautiful in its place in both my waking and dreaming lives. As I came to my great waking death moment of having nothing and having to see if I could still love myself, the temptation to surrender to the voices around me telling me I was wrong and stupid and selfish and despicable was hard. Trusting that this was what I was being asked and would be taken care of was brutal – especially in the face of breaking the heart of the one I love and losing my beautiful baby boy.
Something seriously died that day that everything crashed down, but what a gift it was to prove to myself beyond a shadow of a doubt that even with nothing I now know I have the strength to love myself before anything and anyone and an unwavering trust that Spirit will always take care of me. That next day, I was offered a job and I was able to begin the hard work of reconciling my relationship with my love. Providence on so many levels.
The next couple months had themes of shadow issues, new learning, and symbols of beginning to "get in the game" after what had felt like a lot of prep for the "game." In one of the dreams for April, I tell my mother-in-law that there is still a "titch" in my victim archetype (which I had done extensive work with). I had the realization in June that my lyricist archetype had an enormous amount of victim energy attached to it. I had been unconscious of that being the reason I struggled to fully embrace it within me.
One of my dreams for July, spoke of me starting a new job, one as a musician, and that I started "next weekend." "Next weekend," once awake, felt like it implied the next month, so August. Which would end up being true. That month my dreams began offering me songs to write to help me in my attempts to heal my lyricist after becoming so aware of its dysfunction.
September saw a dream where I was freestyling and song lyrics were just flowing through me so effortlessly! The songs my dreams were inspiring were like this. It was like since they were being offered from somewhere deep within me that they were already there, just waiting for me to sit down and let it come through. It usually takes me a year to write an album. This one took two and a half months! It was SUCH an inspired project!
Another dream for that month had a notion of my Anima being given the lead in my creative life and this, too, was very much true. She is my muse and I was surrendering to the process and giving her the wheel.
October's dream was of me meeting the wise old man/wizard archetype. There was a notion of jumping in a circular pond. True initiates would feel pleasant, warm water. Those who weren't yet, would feel soul chilling cold water. I get in and it's pleasant. In hindsight, I feel this was saying that I was fulfilling the second part of the directive in that lucid dream for the waking state portion – something had to die and reviving my music was my act of beauty to replace it! I feel this point was the start of the Return aspect of my journey. That of which is still happening as I continue to climb back from my waking "death" and await yet what this death in the lucid state will be.
For November, I have an amazing dream that is of Christmas morning with my family. I go outside with a friend and he asks me if I will be sharing my story today. I say yes! Then we meditate and I say "I am one with the force, the force is with me" and I'm wrapped in a divine energy. November is the month I finished recording my album. It was a great ode to all the work I had been doing throughout my rite of passage – it was my "story!" During the recording of it, continuing to surrender to this process, I felt like the divine came through me. It was a gift from Spirit definitely (Xmas)!
My final dream for December showed me at a club. I am recording myself talking, as if to post on social media to inspire others. I say "I'm here tonight trying to bring action to my dreams. To get out of my head and really bring them to life. I'm sure many people can relate to this problem." This has always been my problem. Since September, I had begun performing again at a monthly open mic per request by my dreams. By December, I was getting my confidence back for being on stage and the beginning of 2018 would see me begin performing even more consistently than I ever have.
The dreams of this progression are so special to me! They certainly showcase the dream's prophetic potency in a way that baffles me. I believe our dreams always offer us what we need. I really needed this consistent of a road map, but I'm sure others in our group probably didn't receive the same, but I suspect they did receive from it what they, too, needed.
I think surrender is key to this process. Susanne will offer you amazing incubations for each night. Hold those firm and deeply surrender for the wisdom of the dream to manifest that exactly as THEY see fit. You can trust them! When it comes to prophecy, we tend to brace ourselves and go, "show me…but it better be pretty and happy." Let that go, affirm you trust even if it's not what you'd want.
I hope you join us this coming season!
Join us now! Spiritual Soul Searching.
Do you think all living things are connected? I think we are connected in much more ways than we are aware of.
When people start to connect, energy changes. For the better or for the worse, but transformation is an inevitable result. We add value to our live and the life of others when we connect. We do not want walls. Even though the may protect us, they leave us feeling alone, depressed and isolated.
This blog connects to Spiritual Soul Searching. If you want to find out how you can add value to your own life by connecting your own inner strength to this world, this is the blog for you.
If you have ever stood on the top of a mountain and looked down, you must have felt it. Every little thing on this earth is connected. Life is build on cycles. There is the cycle of water, there are inner cycles in your body that govern your hormones and glucose levels.
And life is build up this way to maintain homeostasis. Inner balance. Only when you are able to sustain inner balance, you are able to live a healthy life.
You want to do more than look at yourself as a physical unity, as a "car". You know you are so much more than a collection of homeostatic cycles. You have felt it in waking life. You have met mythological giants in your dreams. You yearn to have a better sense of your own innate spirituality. You know that it will make you happier. Better equipped to face challenges of life.
Mindfunda offers you an online course to guide you through this re-connection with inner strength. Step by step, during the course of a month we will tune into dreams, meditations and questions about different aspects of spirituality.
We will connect wit our innate sense of spirituality. We will dive into our own shadow. We will carefully analyse dreams to detect the archetypes they represent. And finally you express your new sense of spirituality through art. Because often there are no words to express this inner feeling.
If you think back, what were the circumstances when you looked at your life and recognised how things are connected? Once, I was flying back to Europe after I gave a presentation about dreams in America, I looked out of the window, and admired the beauty of the earth. I said to the lady next to me: "how gorgeous is this world we are living on". And she responded: "yes, I feel blessed every day". Looking downwards upon the trees, the mountains, the water, I could so easily feel how things are connected. Not only physically. Connected mentally and spiritual as well.
But the world is hard and you are not always on top of a mountain or in a plane. Life gets you down. When you feel depressed, you feel alone. You have lost the ability to connect. This loss happens in your psyche and is reflected in the world around you. Mindfunda Spiritual Soul Searching contains four lessons that will re-connect you with your inner sense of spirituality.
After we have explored dreams that showed our innate spirituality, it is time to take the next step. We will follow the path of the hero. We will incubate dreams about our own shadow. There is an ancient technique called dream incubation. You write a clear statement that will focus your dreaming mind into receiving dreams about a certain topic. Every dream you remember will be interpreted by you as an expression of the shadow.
This course is not about dream interpretation. It is aimed at enhancing your knowledge so you can make connections. You will discover metaphors that your dreaming mind uses and you will be able to make more sense of your life and the path you have taken so far. The course offers four incubations for you to use to capture your own dreams.
James Hillman, who coined the term "Archetypical Psychology" in the seventies of last century said: "dreams tell us where we are, not what to do".
Hillman was the first director of the Jungian Institute in Zurich. An archetype is an innate, universal prototype for ideas and may be used to interpret observations.
Mindfunda Spiritual Soul Searching will devote itself to help you look for, and connect with archetypical energy. Not only the archetypical Father, but also the archetypical Mother. We will discover that archetypes represent the origins of life as well as personifying the unconscious.
This might be the most interesting, life changing course you have ever done in your life. If you take the version with personal guidance, you will get four hours of personal coaching. An objective perspective of either me, Susanne van Doorn, or Christian Gerike. You will get one coach, so he/she can mentor your process of personal growth. This way, you can be sure that repeating dream themes are detected and that your dream incubations will be more effective. It is in human nature to perform better with a personal mentor.
a treasure for the rest of your life.
When you finish the course you will have created a personal roadmap for your Spiritual Self. A valuable asset to obtain inner balance. A way to seek fulfilment within. It will keep you focussed and balanced.
Add more value to your life exploring your own Spirituality. Come and join us!
An even more personal experience is provided to you when choosing the premium Personal Guidance Plan, with an additional 4 hours of One-on-One consultation.
Each week, after you have collected your dreams and answered your questions you will get one hour of personal guidance on Skype, so you can make a quantum leap in your spiritual development.
Check out the Course page at Mindfunda Courses now, just click the button to read more. The course can be paid safely with PayPal or CreditCard (Stripe), even in 4 weekly terms.
Jeffrey Bennet is the author of a new book about Albert Einstein his theory of relativity. He writes in his introduction: "Prior to studying relativity, I had misunderstood the basic nature of space and time". That sounds intriguing doesn't it? If you are like me, you have this eagerness to learn more about the hidden laws of nature. And Einstein seemed to have uncovered some of these laws and was well on his way to compose the theory that explains everything. In this blog I tell you more about the book What is Relativity? An intuitive Introduction to Einstein's Idea's, and Why They Matter and I encourage you to find laws of the human psyche together with me. Because if nature depends on laws, the human psyche does too.


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Some historical context on the future of Bitcoin
On March 29, 1879, a widely circulated newspaper called the American Register published a scathing editorial stating that "it is doubtful if electricity will ever be [widely] used" because it was too expensive to generate.
Several months later, the Select Committee on Lighting and Electricity in the British House of Commons held hearings on electricity, with experts stating that there was not "the slightest chance" that the world would run on electric power generation.
It's not that electricity didn't exist at the time. It did. Serious study and research had been devoted to electricity since the 1600s.
But even by 1879 it was still considered an expensive fantasy.
Then on New Years Eve of that same year, Thomas Edison publicly unveiled his incandescent light bulb in Menlo Park, New Jersey.
At the time he allegedly stated "We will make electricity so cheap that only the rich will burn candles."
Three years later in 1882, Edison would switch on the world's first public electrical utility.
And by the end of the decade he would go on to found General Electric, which remained one of the most important companies in the world until a bunch of buffoons ran it into the ground in the early 21st century.
We know, of course, what happened with electricity: it eventually became ubiquitous… slowly, then rapidly.
By 1908, 26 years after Edison switched on the first public electric utility, still only about 10% of US households were on the grid.
But then the pace of adoption accelerated. By 1941, 80% of households were on the grid.
So the first 10% took 26 years, and the next 70% took just 33 years.
For subsequent technologies the adoption curve was even steeper.
The refrigerator, for example, took just two decades to increase its prevalence in US households from 10% to 80%.
Mobile phones were even faster, soaring from 10% to 80% in just 14 years, from 1994 through 2008.
This is an important point: newer technologies are being adopted at faster and faster rates… once they reach a minimum critical mass.
The adoption of cryptofinance and distributed ledger technology (DLT) may likely follow this trend.
As we just discussed yesterday, banks are in desperate need of a giant kick in the ass– what technophiles refer to as 'disruption'.
Banks have had a monopolistic stranglehold on their customer's money for centuries.
And as we constantly see in the headlines, banks are not shy about abusing this privileged trust.
Crypto and DLT destroy their monopoly by decentralizing and disintermediating financial transactions.
After all, it's 2018. There's no reason anymore to put a bunch of middlemen between you and your savings.
Sending money should be as easy as sending an email… and the technology to do so should be as widespread as email itself.
Crypto and DLT make this all possible. And history would suggest that we could see widespread adoption of those technologies just 10-years after they reach a minimum critical mass.
For argument's sake, let's suppose that 'minimum critical mass' means that roughly 10% of individuals and businesses regularly use the technology for financial transactions.
A study from Cambridge University in March 2017 estimated the number of active Bitcoin users at between 2.9 million and 5.8 million.
That's up from zero in 2009… so impressive growth for sure.
But even an optimistic view of those numbers would suggest that crypto and DLT use is far below a minimum critical mass for their widespread adoption to accelerate.
Clearly there's still a long way to go until these technologies are as ubiquitous as email or mobile.
The question is– how much longer will it take to reach that critical mass?
The mobile phone industry may be an illustrative example.
The earliest cell phones were developed between 1971 and 1973. But it took more than 20 years for their usage to go from 0% to 10% of the population. (But then just 14 years to go from 10% to 80%.)
So using mobile phones as a benchmark, and given that crypto is already a decade old, it may be another 10 years before we reach that minimum critical mass.
The flip side of this means that we could still have another decade of incredibly compelling opportunities to explore, which I'd categorize as follows:
1) Core technology. In the earliest days of a major technological trend, there are always opportunities to develop, improve, and iterate the core technology that underpins that trend.
It always starts out with individuals– a guy like Steve Wozniak building circuit boards in his garage.
But eventually those opportunities are taken over by huge companies… and as time goes on it becomes more difficult for the little guy to compete.
That's starting to happen with crypto: niche development opportunities that were once dominated by small teams of programmers are now attracting competition and resources from mega-companies (like JP Morgan).
It's still possible to succeed in this area. But it will become increasingly difficult over the next several years.
2) Selling shovels to gold miners. These are the people and businesses who build core infrastructure and facilitate the technology's adoption.
In the early days of the Internet, it was America Online.
This is a very compelling area in crypto right now, and there are a lot of major firms (Fidelity, Goldman Sachs) that are building infrastructure to make it easier to buy and sell cryptocurrency.
3) Application of the technology.
Think Amazon: Jeff Bezos took a new technology (the Internet) and applied it to a 5,000-year old business model (physical retail sales). He's now the richest man in the world. And some of the most prominent names in retail are going bust.
This is, by far, the most exciting opportunity in the sector.
It's not about speculating on some coin or ICO anymore; the real opportunity is in applying the technology to other industries.
And given the relatively low rate of adoption for the technology at the moment, this opportunity is WIDE open.
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The US government is about to lose its #1 lender
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3. Street scenes of Singapore, c.1941.
A non-descript road. Except for the taxis that used to ply the streets. The taxis of yore.
Taxi services in the 1940-50s. Public transportation between the suburbs and the city center.
The vehicle that is traveling on the road at the upper section of this film-still is a trolley bus. In the 1930s-40s, trolley buses were popular means of transportation. Earlier, electric trams that ran on tracks were phased out in favour of trolley buses that ran on rubber tires. The trolley buses were operated with electricity fed from overhead cables. In turn, the trolley buses will later be replaced by buses that run on fuel.
A trolley bus of the Singapore Traction Company, c.1930.
A typical road junction of the 1940s. A traffic marshal – the center of attraction.
A Sikh traffic marshal. The traffic marshals wore rotan (cane) "arms". c.1940.
Traffic Marshal. The "arms" were collapsible in earlier versions. c.1915.
A rickshaw for two. Tough labour.
Rickshaws for tourists? The rickshaw-pullers wore numbers on their hats. Labourers for a rickshaw-tour-ride company? c.1940.
Trishaws for tourists. The trishaw-riders wear uniforms. "Uncles" for a trishaw-tour-ride company. c.2010.
The Fall of Singapore. Japanese troops streamed into Singapore. February 1942.
Japanese army tanks and the "bicycle brigades" advanced into the partially-ravaged city-center. The building with the distinctive facade was the Boustead Institute, at the junction of Anson Road and Tanjong Pagar Road.
Soldiers on two wheels. The notorious "bicycle brigades" that stormed down the Malayan Peninsula and conquered Malaya in 55 days.
The Fall of Singapore. Japanese army trucks. Can anyone identify the name and location of this bridge?
Cavenagh Bridge, c.1941. Completed in 1869, it is the oldest surviving bridge in Singapore today.
Rickshaws on Cavenagh Bridge. Boat Quay in the background.
Boat Quay and Bullock Cart.
Clarke Quay with sampans, bumboats, tonkangs and twa-kows.
At the hairdressers. Hair Salon for the boys.
Entertainment and recreation for the local masses. "Wayang" — a Malay word which translates into "theatrical performance" — often refers to the Chinese street opera in Singapore. It is a form of Chinese musical theatre that incorporates song, dance, acrobatics and martial arts. Street opera stages were often temporary and were built on open spaces during the festive periods.
Entertainment and recreation for the colonialists. Sheltered patio dining area near the entrance to the Raffles Hotel in Singapore. c.1941.
The Raffles Hotel entrance and the extended patio dining area. c.1941.
The tower wedding cake was leaning towards them. Observe how Harry grabbed Geok Choo's hand.
As I work on this film project, I have enjoyed browsing through the photo collection on the National Archives' PICAS website for images related to the filming locations or film-stills that I am presenting in the blog posts. And I always find myself drawn towards certain types of images – political leaders, places that do not exist anymore or have undergone drastic changes, strikes, protests, and "subversive" activities of various kinds. So, for this post, I felt compelled to present the following images that contained certain acts of socio-political "subversion". These images surfaced after searching for "taxi drivers" and "hairdressers" in PICAS.
The top banner in Chinese possibly reads: "坚决打倒美英帝国主义及其傀儡拉曼李光耀", which translates into "Down with Anglo-American Imperialism and its Puppets Rahman and Lee Kuan Yew." "Rahman" refers to former Malaysian Prime Minister Tunku Abdul Rahman.
Pay attention to the caricatures of Lee Kuan Yew (L.K.Y.) and Tunku Abdul Rahman.
A search for "barber" on PICAS also called up this following image from the 1970s.
We could have been called a "fashion-police-state".
What a name. Operation Snip Snip.


text:
#ifndef OBJECT_FILE_HH
# define OBJECT_FILE_HH

# include <libport/path.hh>

# include <urbi/object/cxx-object.hh>

namespace urbi
{
  namespace object
  {
    class URBI_SDK_API File: public CxxObject
    {
      URBI_CXX_OBJECT(File, CxxObject);

    /*--------------.
    | C++ methods.  |
    `--------------*/

    public:

      typedef rPath value_type;
      value_type value_get();

    /*---------------.
    | Urbi methods.  |
    `---------------*/

    public:

      // Construction
      File();
      File(rFile model);
      File(const std::string& path);
      static rFile create(rObject, const std::string& path);
      void init(rPath path);
      void init(const std::string& path);

      static rFile createTemp(rObject);
      void remove();
      rFloat size() const;

      // Conversions
      rList as_list() const;
      rPath as_path() const;
      virtual std::string as_string() const;
      std::string as_printable() const;

      /// The contents of the file.  Might not be a text file, hence it
      /// returns an instance of Binary, not a std::string.
      rObject content() const;

    /*----------.
    | Details.  |
    `----------*/

    private:
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}

#endif

redpajama_set_name: RedPajamaGithub


text:
Map of major prehistoric archaeological cultures in the southwestern United States and northwestern Mexico
Mogollon culture (/ˌmoʊɡəˈjoʊn/)[1] is an archaeological culture of Native American peoples from Southern New Mexico and Arizona, Northern Sonora and Chihuahua, and Western Texas. The northern part of this region is Oasisamerica,[2][3][4] while the southern span of the Mogollon culture is known as Aridoamerica.[5]
The Mogollon culture is one of the major prehistoric Southwestern cultural divisions of the Southwestern United States and Northern Mexico.[6] The culture flourished from the archaic period, c. 200 CE, to either 1450[7] or 1540 CE, when the Spanish arrived.[6]
The rock wall of the canyon, the Cueva de las Ventanas cliff-dwelling is located left of center above a debris-covered cone.
The name Mogollon comes from the Mogollon Mountains,[7] which were named after Don Juan Ignacio Flores Mogollón, Spanish Governor of New Spain (including what is now New Mexico) from 1712 to 1715. The name was chosen and defined in 1936 by archaeologist Emil W. Haury.[6]
Cultural traits
Macaw Pens at Paquimé, Chihuahua
The distinct facets of Mogollon culture were recorded by Emil Haury, based on his excavations in 1931, 1933, and 1934 at the Harris Village in Mimbres, New Mexico, and the Mogollon Village on the upper San Francisco River in New Mexico[8] Haury recognized differences between architecture and artifacts from these sites as compared with sites in the Hohokam archaeological culture area and the Ancestral Pueblo archaeological culture area. Key differences included brown-paste, coil-and-scrape pottery, deeply excavated semi-subterranean pit-houses and different ceremonial architecture. Eight decades of subsequent research have confirmed Haury's initial findings.[9] Today, the distinctiveness of the Mogollon pottery manufacture, architectural construction, ground-stone tool design, habits and customs of residence location, and mortuary treatment is generally recognized.[10][11]
The earliest Mogollon pithouses were deep and either circular or oval-shaped. Over time, Mogollon people built rectangular houses with rounded corners and not as deep. Their villages also had kivas, or round, semi-subterranean ceremonial structures.[12]
Man and crane, Mangas-Mimbres pot, c. 1000 CE, showing figure-ground reversal
Mogollon origins remain a matter of speculation. One theory is that the Mogollon emerged from a Desert Archaic tradition linked to the first (late Pleistocene) prehistoric human occupations of the area (around 9000 BC). In this theory, cultural distinctions emerged in the larger region when populations grew enough to establish villages and larger communities. An alternative theory is that the Mogollon descended from migrants from farming regions in central Mexico around 3500 BC, and displaced descendants of the Desert Archaic peoples. A third theory is that Mogollon descended from the Cochise culture[12] (the early pithouse, late Desert Archaic) who had arrived around 5000 BC, and were not linked to the earlier inhabitants, but adopted farming from Central Mexico.[citation needed]
Initially, the Mogollon were foragers who augmented their subsistence by farming. But during the first millennium CE, dependence on farming probably increased. Water control features are common among Mimbres branch sites from the 10th through 12th centuries CE.
The nature and density of Mogollon villages changed over time. The earliest villages consist of several pithouses -- houses dug into the ground, with stick and thatch roofs supported by a network of posts and beams, and faced on the exterior with earth. Villages grew and by the 11th century surface pueblos became common. They had ground-level houses with walls of rock and earth and roofs supported by post and beam networks. In the 13th and 14th centuries, cliff-dwellings became common.
Research on Mogollon culture has led to the recognition of regional variants, of which the most widely recognized in popular media is the Mimbres culture (Mimbres Mogollon branch). Others include the Jornada, Forestdale, Reserve, Point of Pines (or "Black River"), San Simon, and Upper Gila branches. Although the Mimbres culture is the best-known subset of the Mogollon archaeological culture-area, the entire Mogollon occupation spans a greater interval of time (roughly one millennium) and a vastly larger area than is encompassed by the Mimbres culture.
Developmental periods
Kinishba Ruins near Fort Apache, Arizona
Mogollon culture is often divided into five periods proposed by Joe Ben Wheat in 1955:
Mogollon 1 (200 – c. 400 CE): Pine Lawn, Georgetown, Penasco, Circle Prairie, and Hilltop phases
Mogollon 2 (c. 400–650 CE): San Lorenzo, Dos Cabezas, Circle Prairie, and Cottonwood phases
Mogollon 3 (650–850 CE): San Francisco, Pinaleno, Galiuro, Forestdale, and San Marcial phases
Mogollon 4 (850–1000 CE): Three Circle, Cerros, Corduroy, Mesilla, and Capitan phases
Mogollon 5 (1000–1450 CE), including the Classic Mimbres phrase (1050–1200 CE): Mangus, Mimbres, Encinas, Reserve, Tularosa, Dona Anna, Three Rivers, El Paso, and San Anders phases.[7][13]
Another way to divide Mogollon history is in three periods of housing types:
Early Pithouse (200–550 CE)
Late Pithouse (550–1000 CE)
Mogollon Pueblo (1000–1450 CE).[14]
Archaeological sites attributed to the Mogollon culture are found in the Gila Wilderness, Mimbres River Valley, along the Upper Gila river, Paquime and Hueco Tanks, an area of low mountains between the Franklin Mountains to the west and the Hueco Mountains to the east. Gila Cliff Dwellings National Monument in southwestern New Mexico was established as a national monument on 16 November 1907. It contains several archaeological sites attributed to the Mimbres branch. At the headwaters of the Gila, Mimbres populations adjoined another more northern branch of the Mogollon culture. The TJ Ruin, for example, is a Classic Mimbres phase pueblo, however the cliff dwellings are Tularosa phase. The Hueco Tanks State Historic Site is approximately 32 mi (51 km) northeast of El Paso, Texas.[15]
Mimbres branch
Looking out from one of the Gila Cliff cave dwellings
Mimbres may, depending on its context, refer to a tradition within a subregion of the Mogollon culture area (the Mimbres branch or the Mimbres Mogollon) or to an interval of time, the "Classic Mimbres phase" (also known as the "Mimbres culture"; 1000–1130 CE, roughly) within the Mimbres branch.
The Mimbres branch is a subset of the larger Mogollon culture area, centered in the Mimbres Valley and encompassing the upper Gila River and parts of the upper San Francisco River in southwestern New Mexico and southeastern Arizona as well as the Rio Grande Valley and its western tributaries in southwest New Mexico. Differentiation between the Mimbres branch and other areas of the Mogollon culture area is most apparent during the Three Circle (825–1000 CE roughly) and Classic Mimbres (1000–1150) phases, when architectural construction and black and white painted pottery assume locally distinctive forms and styles.[16] Classic Mimbres phase pottery is particularly famous pottery, and Classic Mimbres pottery designs (mainly drawn from the Swarts Ruin excavations of 1924–1927) were imitated on Santa Fe Railroad "Mimbreños" china dinnerware from 1936 to 1970.
Mimbres sub-group pot with geometric design
Three Circle phase (825/850–1000) pithouse villages within the Mimbres branch are distinctive. Houses are "quadrilateral", usually with sharply-angled corners; plastered floors and walls; and average about 17 m2 (180 sq ft) in floor surface area. Local pottery styles include early forms of Mimbres black and white ("boldface"), red-on-cream, and textured plainware. Large ceremonial structures (often called "kivas") are dug deeply into the ground and often include distinctive ceremonial features such as foot drums and log grooves.
Classic Mimbres phase (AD 1000–1130) pueblos can be quite large, with some composed of clusters of communities, each containing up to 150 rooms and all grouped around an open plaza. Ceremonial structures were different from the previous pithouse periods. Most common were ceremonial rooms within roomblocks. Smaller square or rectangular semi-subterranean kivas with roof openings are also found. (The word "kiva", a Hopi term with specific meaning, has generally been applied to Northern Pueblo populations. It may be a poor term in discussing the Mogollon in their broadest contexts.[17]) The largest Classic Mimbres sites are located near wide areas of well-watered floodplain suitable for maize agriculture, although smaller villages exist in upland areas.
Mimbres pottery
Mimbres bowls at Stanford University
Ceramics, especially bowls, produced in the Mimbres region are distinct in style and painted with geometric designs and representational images of animals, people, and cultural icons in black paint on a white background. Some of these images suggest familiarity and relationships with cultures in northern and central Mexico. The elaborate decoration suggests the Mimbres Mogollons enjoyed a rich ceremonial life. Early Mimbres black-on-white pottery, called Mimbres Style I (formerly "Boldface Black-on-White"), is primarily characterized by bold geometric designs, although some early examples feature human and animal figures.
Mimbres black-on-white bowl, c. 1000–1150 CE at the California Academy of Sciences
Mountain lion effigy from 1300–1400, found in a protected cave in the general Mimbres area. Note the similarity to Zuni fetishes
Both geometric and figurative designs grew increasingly sophisticated and diverse over time. Classic Mimbres Black-on-White pottery (Style III) is characterized by elaborate geometric designs, refined brushwork, including very fine linework, and may include figures of one or more animals, humans, or other images bounded either by simple rim bands or by geometric decoration. Bird figures are common on Mimbres pots, including images such as turkeys feeding on insects and a man trapping birds in a garden. Fish figures are also depicted on Mimbres pottery, and some are marine species typically found in the Gulf of California.[18]
Mimbres bowls are often found associated with burials, typically with a hole punched out of the center, known as kill holes. Bowls with kill holes have been commonly found covering the face of the interred person. However, archaeological evidence suggests that most potteries were not buried with the dead.[19] Wear marks on the insides of bowls show they were actually used, not just produced as burial items. The distinctive style, which includes "diamond-shaped eyes and receding chins for human figures", created demand on the black market beginning in the 1960s, and vandalism and looting of gravesite took pace and has continued into the present day.[20]
Mimbres pottery is so distinctive that until fairly recently, the end of its production around 1130 to 1150 was equated with the "disappearance" of the people who made it. More recent research indicates that substantial depopulation did occur in the Mimbres Valley, but some remnant populations persisted there.[21] Both there and in surrounding areas, people changed their pottery styles to more closely resemble those of neighboring culture areas, and dispersed into other residential sites with different types of architecture.
The area originally settled by the Mogollon culture was eventually filled by the unrelated Apache people, who moved in from the north. However, contemporary Pueblo people in the southwest claim descent from the Mogollon and other related cultures.[22][23] Archaeologists believe that the Western Pueblo villages of the Hopi and Zuni people are potentially related to the Mogollon.[24] Ceramics traditions and oral history link the Acoma, Hopi, and Zuni, to the Mogollon.[25]
List of dwellings of Pueblo peoples
La Junta Indians
Mogollon Rim
Patayan
Prehistoric Southwestern cultural divisions
Swarts Ruin
Cuarenta Casas
Casas Grandes, or Paquimé, Chihuahua
Gila Cliff Dwellings National Monument
Kinishba Ruins, a National Historic Landmark in the Fort Apache Indian Reservation
^ "Mogollon". Oxford English Dictionary (Online ed.). Oxford University Press. (Subscription or participating institution membership required.)
^ Flores Rangel, Juan Jose (2010). Historia de México I (in Spanish). Cengage Learning Editores. p. 81. ISBN 978-6074811667. Retrieved 16 November 2015.
^ Brody et al. 23
^ Austin and Lujan 38
^ Serrano, Jesus (2019). Antologia de Historia de México I: Tercer Semestre Bachillerato General. p. 44.
^ a b c Peregine, Peter N.; et al. (2001). Encyclopedia of Prehistory: Volume 6: North America. Springer. p. 287. ISBN 978-0306462603. Retrieved 16 November 2015.
^ a b c "Mogollon culture". Encyclopædia Britannica. Retrieved 16 November 2015.
^ Haury, Emil W. The Mogollon Culture of Southwestern New Mexico. Medallion Papers No. XX. Gila Pueblo, Globe, Arizona, 1936.
^ Among others this research was conducted by teams based out of the Field Museum of Natural History, the Arizona State Museum at the University of Arizona, the Amerind Foundation, the Mimbres Foundation, and the Peabody Museum of Archaeology and Ethnology at Harvard University. Recent or ongoing excavations have been conducted by teams from Arizona State University, the University of Arizona, University of Colorado Boulder, University of Texas Austin, University of Texas, San Antonio, University of New Mexico, New Mexico State University, University of Nevada, Las Vegas, and University of Oklahoma.
^ Cordell, Linda, Archaeology of the Southwest, 2nd edition (San Diego: Academic Press, 1997), page number unknown
^ Fagan, Brian M. (2005). Ancient North America: The Archaeology of a Continent (4th ed.). New York: Thames and Hudson. ISBN 978-0-500-28532-9. page number unknown
^ a b "Mogollon". Logan Museum of Anthropology. Beloit College. Retrieved 16 November 2015.
^ Wheat, Joe Ben (1955). "Mogollon Culture Prior to A. D. 1000". Memoirs of the Society for American Archaeology (10): 11: Table 1. JSTOR 25146631.
^ "Who or What Is Mogollon". Archaeology Southwest. May 2013. p. 1. Retrieved 16 November 2015.
^ "Hueco Tanks State Park & Historic Site". Texas Parks & Wildlife. Retrieved 16 November 2015.
^ Brody, et al.[page needed]
^ Lekson, Stephen H. Archaeology of the Mimbres Region, Southwestern New Mexico. BAR International Series 1466. Archaeopress, Oxford, 2006.
^ Jett, Stephen C.; Moyle, Peter B. (1986). "The Exotic Origins of Fishes Depicted on Prehistoric Mimbres Pottery from New Mexico". American Antiquity. 51 (4): 688–720. doi:10.2307/280860. ISSN 0002-7316. JSTOR 280860.
^ Brody, J. J. (2005). Mimbres Painted Pottery. School of American Research. ISBN 9781930618664. OCLC 150349890.
^ Roberts, David. "Tracking a Vanished People Through the Sierra Madre". Smithsonian Magazine. Retrieved 2020-03-23.
^ Nelson, Margaret C. Abandonment, Continuity, and Reorganization: Mimbres During the 12th Century. University of Arizona Press, Tucson, 1999.
^ Skibo et al. 234
^ Kelly, Shannon. "Mogollon Rim, Arizona." Archived 2007-12-13 at the Wayback Machine. Land Use History of North America: Colorado Plateau. Retrieved 29 jan 2013.
^ Gregory, David A., and David A. Willcox, eds. Zuni Origins: Toward a New Synthesis of Southwestern Archaeology. University of Arizona Press, Tucson, 2007. ISBN 978-0816524860
^ Hutt, Sherry (25 October 2005). "Notice of Intent to Repatriate a Cultural Item: U.S. Department of Agriculture, Forest Service, Gila National Forest, Silver City, NM, and Field Museum of Natural History, Chicago, IL". National NAGRA. Federal Register 70, no. 206. pp. 61, 837–61, 838. Retrieved 16 November 2015.
Alfredo López Austin and Leonardo López Luján. Mexico's Indigenous Past. Norman: University of Oklahoma Press, 2005. ISBN 978-0-8061-3214-3.
Fewkes, J. Walter. The Mimbres: Art and Archaeology. Avanyu Publishing, Albuquerque, New Mexico, republished 1993. ISBN 0-936755-10-5.
Brody, J. J., Steven Le Blanc, and Catherine J. Scott. Mimbres Pottery: Ancient Art of the American Southwest: Essays. New York: Hudson Hills, 1983. ISBN 978-0-9339-2046-0.
Noble, David Grant. Ancient Ruins of the Southwest. Northland Publishing Company, Flagstaff, Arizona, 1995. ISBN 0-87358-530-5.
Powell-Marti, Valli S., and Patricia A. Gilman. Mimbres Society. University of Arizona Press, Tucson, 2006.
Plog, Stephen. Ancient Peoples of the American Southwest. Thames and Hudson, London, England, 1997. ISBN 0-500-27939-X.
Skibo, James M., Michael W. Graves, Miriam T. Stark. Archaeological Anthropology: Perspectives on Method and Theory. Tucson: University of Arizona Press, 2007. ISBN 978-0-8165-2517-1.
Woosley, Anne I., and Allan J. McIntyre. Mimbres Mogollon Archaeology: Charles C. Di Peso's Excavations at Wind Mountain. University of New Mexico Press, 1996. ISBN 978-0-8263-1674-5
Brody, J. J. Mimbres Painted Pottery: Ancient Art of the American Southwest. Santa Fe, NM: School of American Research Press, 2005. ISBN 978-1-9306-1866-4.
Diehl, Michael W., and Steven A. LeBlanc. Early Pithouse Villages of the Mimbres Valley and Beyond: The McAnally and Thompson Sites in their Cultural and Ecological Contexts. Papers No. 83. Peabody Museum of Archaeology and Ethnology, Harvard University, Cambridge, Massachusetts 2001. ISBN 0-87365-211-8.
Reid, Jefferson and Stephanie M. Whittlesey. Prehistory, Personality, and Place: Emil W. Haury and the Mogollon Controversy (Tucson: University of Arizona Press, 2010). Examines the controversy occasioned by the American archaeologist's identification of the Mogollon as a people distinct from their Pueblo and Hohokam neighbors.
Shafer, Harry J. Mimbres Archaeology at the NAN Ranch Ruin. Albuquerque: University of New Mexico Press, 2004. ISBN 978-082632204-3.
People of the Colorado Plateau
Firecracker Pueblo, a Jornada Mogollon pueblo in West Texas
Mogollan artwork, collection of the National Museum of the American Indian
Mimbres Pottery at the Weisman Art Museum[permanent dead link]
Mimbres pottery at Arizona State University
Wikimedia Commons has media related to Mogollon culture.
Indigenous peoples of Arizona
Contemporary peoples native to Arizona
Chemehuevi
Chiricahua
Cocopah
Halchidhoma
Havasupai
Southern Paiute
Quechan
Hopi-Tewa
O'odham
Tohono O'odham
Akimel O'odham
Tonto Apache
Southern Ute
Prehistoric cultures in Arizona
Ancestral Pueblo
Basketmaker
Hohokam
Mogollon
Sinagua
See also: List of Indian reservations in Arizona
Pre-Columbian North America
Lithic
Post-Classic
Ancient Beringian
Buttermilk Creek Complex
Caborn-Welborn
Calf Creek
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List of Hopewell sites
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List of Mississippian sites
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Roberts Island complex
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Russell Cave National Monument
Salmon Ruins
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SunWatch
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Town Creek Indian Mound
Turkey River Mounds
Upward Sun River site
Velda Mound
West Oak Forest Earthlodge
Windover
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Anzick-1
Arlington Springs Man
Buhl Woman
Kennewick Man
La Brea Woman
Leanderthal Lady
Melbourne Man
Minnesota Woman
Peñon woman
Spirit Cave mummy
Vero man
Aridoamerica
Black drink
Ceremonial pipe
Chanunpa
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Container Revolution
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Eden point
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Falcon dancer
Folsom point
Green Corn Ceremony
Horned Serpent
Mi'kmaq hieroglyphic writing
Mound Builders
N.A.G.P.R.A.
Norse colonization of North America
Oasisamerica
Piasa
Projectile point
Southeastern Ceremonial Complex
Three Sisters agriculture
Underwater panther
Water glyphs
Genetic history
Pre-Columbian era
Mogollon culture
Archaeological cultures of North America
Indigenous peoples in Mexico
Indigenous peoples of Aridoamerica
Native American history of New Mexico
Native American history of Arizona


After a long day, come home to this warm and welcoming light-filled abode. Tucked between Mt. Auburn Street and the Charles River, its most amazing location is only seconds away from Darwin's Market and convenient to Harvard University and the shops and restaurants in Harvard Square. Renovated in 2014, it is stylish and well designed, with an open plan living/dining/kitchen flanked by two separate and private rooms. You decide whether to use them both as bedrooms or have one for your bedroom and the other for your study. There is even a private outdoor space tucked behind the building for al-fresco dining or just sitting quietly and reading a book. Double glazed Pella windows, French doors, lovely oak floors, in-unit laundry, mosaic detail tiles in the bath, a large lockable storage room in the basement and a Walk Score of 89 are some of this property's many enticing attributes. This one should not be missed!


Watch previews for the Hallmark Channel Original Movie "Love Blossoms," starring Shantel Check out photos from behind the scenes of "Love Blossoms. Мышцы груди являются достаточно крупными, а потому их нужно тренировать очень сильно. Watch Movie Love Blossoms (2017) Online, Full Length English Movie Online Free on Watch online English movies absolutely free in hd 720/1080 quality.
Feb 19, 2017 . Love Blossoms : After her father's premature death, Violet (Shantel VanSanten) is left with only a small vial of his last perfume, the third Survival China Travel Tips and Tricks. These China Travel Tips, Survival Techniques, will help you get around and make your trip to China easier Bereken besparing LED lampen Hoeveel bespaar je als je overstapt op LED verlichting? LED lampen maken hun opkomst. Echter zijn ze qua aankoop nog wel duurder.


Close To My Heart's new alphabet stamp sets are some of my favorite yet! They introduced four new ones this season: Bohemian, Polka Dot, Bingo and Token. Today, I'll show you two of those, and hopefully I'll have time this week to show you the other two. I've got my AORN fundraiser this weekend and there's lots to do to get ready all week.
The card design comes from the Wishes book using the "Confidential" blueprint. The Bingo Alphabet, of course, is great fun to play with and create all kinds of combinations. This card is more of a masculine one using the new Lucky papers and wooden buttons.
The bingo card pulls out from its pocket revealing the rest of the birthday message.
The inside shows off the Token Alphabet which is so easy to use with your circle punches. I can see so many uses for this one.
For a more girly look, I used Pear ink to stamp the Token Alphabet on this layout. These pages are part of my Cherish Club monthly club gathering for March. I love how the Magic book gives us a CD in the back with printable templates on it. It made placement of these circles so easy and precise!
Thanks for stopping by. Stay tuned for more this week using two more alphabet sets. Meanwhile, enjoy your Monday!
I absolutely love the Bohemian alphas!!!
I love all of our new Alpha sets too! Don't forget the Pennant alphabet, I have it but didn't use it yet. I like the Bingo card idea TFS!


The Phillies have been on a slide for more than a month, but the last two weeks have been especially bad. The team enters Friday's game on a five-game losing streak and is 2-9 in September.
"As long as we are still in the race, as long as we still have games left with Atlanta, and as long as we can mathematically catch them, I will believe in this club," first-year Phillies manager Gabe Kapler told reporters earlier this week. "That will not waver."
After getting swept at home by the Washington Nationals, the Phillies are 28-35 against the rest of the NL East this season. They are, however, 9-7 against the Marlins -- the only team in the division the Phillies have a winning record against.
"I haven't been doing a good job of executing my pitches when I need to," Eflin told mlb.com after the outing. "When you don't execute pitches, they put a six-spot in three innings. But I don't think I'm far off."