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Q: In react-native scrollToOffset in flat list is not working properly? In flatlist scroll to offset is not working properly when the no of items are less than 3. If the no of items are greater or equal to 3 than it is working exactly fine.
import React, { Component } from 'react'
import { Animated, Dimensions, RefreshControl, StyleSheet, View, TouchableOpacity } from 'react-native'
import { HEADER_HEIGHT } from '.'
import { CustomText, FlatListWrapper, FlatListWrapperProps } from '../../../common-library/components'
import { ScrollValueContext } from './Context'
import { get } from 'lodash'
import { CENTER, colors, dimens, ROW, SPACE_BETWEEN } from '../../../common-library/config'
import { TAB_BAR_HEIGHT } from './CommunityHeaderComponent'
import { IconButtonWrapper } from '../generic'
import { icons } from '../../common'
import { log } from '../../config'

const labels = {
    GO_TO_TOP: 'Go to Top'
}

const styles = StyleSheet.create({
    contentStyle: {
        paddingTop: HEADER_HEIGHT
    },
    scrollToTopContainer: {
        position: 'absolute',
        top: TAB_BAR_HEIGHT,
        alignItems: 'center',
        left: 0,
        right: 0,
        zIndex: 999
    },
    buttonsContainer: {
        borderColor: colors.DuckBlue,
        backgroundColor: colors.DuckBlue,
        borderRadius: dimens.size25,
        width: 110,
        flexDirection: ROW,
        justifyContent: SPACE_BETWEEN,
        paddingVertical: dimens.size10,
        alignItems: CENTER
    },
    buttonCta: {
        paddingLeft: dimens.size15
    },
    goToTopLabel: {
        color: colors.White,
        textAlign: CENTER
    },
    crossIconCta: {
        justifyContent: CENTER,
        alignItems: CENTER,
        paddingRight: dimens.size15
        // paddingTop: dimens.size2
    }
})

interface State {
    shouldRefresh?: boolean
    showScrollToTopView?: boolean
    dontShowGoToTop?: boolean
}

interface Props extends FlatListWrapperProps {
    uniqueKey?: string
    getFlatListRef?: (ref) => any
    getScrolledPosition?: (contentOffset) => any
    onPullToRefresh?: () => any
    renderScrollToTopView?: boolean
}

export class StickyScrollableFlatlistComponent extends Component<Props, State> {
    flatListRef
    scrolledValue
    timerRef
    state = {
        shouldRefresh: false,
        showScrollToTopView: false,
        dontShowGoToTop: false
    }

    componentDidUpdate(prevProps) {
        const { showScrollToTopView, dontShowGoToTop } = this.state
        if ((!prevProps.isFetching && this.props.isFetching) || (prevProps.isFetching && !this.props.isFetching)) {
            if ((showScrollToTopView || dontShowGoToTop) && this.props.renderScrollToTopView) {
                this.setState({
                    showScrollToTopView: false,
                    dontShowGoToTop: false
                })
            }
            setTimeout(() => {
                log('setTileout is called', this.scrolledValue > HEADER_HEIGHT, this.scrolledValue)
                this.flatListRef.scrollToOffset({
                    offset: this.scrolledValue > HEADER_HEIGHT ? HEADER_HEIGHT : HEADER_HEIGHT,
                    animated: false
                })
            }, 2000)
        }
    }

    onRefresh = () => {
        const { onPullToRefresh } = this.props
        if (onPullToRefresh) {
            this.setState({
                shouldRefresh: true
            })
            onPullToRefresh().then(() => {
                this.setState({
                    shouldRefresh: false
                })
            })
        }
    }

    showScrollToTopView = () => {
        const { showScrollToTopView } = this.state
        const DEVICE_HEIGHT = Dimensions.get('window').height
        if (this.scrolledValue >= 2 * DEVICE_HEIGHT - HEADER_HEIGHT && !showScrollToTopView) {
            this.setState({
                showScrollToTopView: true
            })
        } else if (this.scrolledValue <= DEVICE_HEIGHT - HEADER_HEIGHT && showScrollToTopView) {
            this.setState({
                showScrollToTopView: false
            })
        }
    }

    onClikCrossIcon = () => {
        this.setState({
            dontShowGoToTop: true,
            showScrollToTopView: false
        })
    }

    moveToTop = () => {
        this.flatListRef.scrollToOffset({
            offset: HEADER_HEIGHT,
            animated: true
        })
    }

    renderScrollToTopView = () => {
        return (
            <View style={styles.scrollToTopContainer}>
                <View style={styles.buttonsContainer}>
                    <TouchableOpacity onPress={this.moveToTop} style={styles.buttonCta} activeOpacity={1}>
                        <CustomText textStyle={styles.goToTopLabel}>{labels.GO_TO_TOP}</CustomText>
                    </TouchableOpacity>

                    <TouchableOpacity onPress={this.onClikCrossIcon} style={styles.crossIconCta} activeOpacity={1}>
                        <IconButtonWrapper iconImage={icons.CROSSWHITE_ICON} iconHeight={dimens.size10} iconWidth={dimens.size10} />
                    </TouchableOpacity>
                </View>
            </View>
        )
    }

    render() {
        const { shouldRefresh, showScrollToTopView, dontShowGoToTop } = this.state
        const { getFlatListRef, uniqueKey, getScrolledPosition, renderScrollToTopView = false } = this.props
        return (
            <ScrollValueContext.Consumer>
                {(context) => (
                    <>
                        {showScrollToTopView && !dontShowGoToTop && renderScrollToTopView && this.renderScrollToTopView()}
                        <FlatListWrapper
                            {...this.props}
                            onScroll={Animated.event([{ nativeEvent: { contentOffset: { y: context.scrollYValue } } }], {
                                useNativeDriver: true,
                                listener: ({ nativeEvent }) => {
                                    const yOffsetValue = get(nativeEvent, 'contentOffset.y', 0)
                                    log('Flatlist wrapper on event is called', yOffsetValue)
                                    this.scrolledValue = yOffsetValue
                                    // context.scrollYValue.setValue(this.scrolledValue)
                                    {
                                        renderScrollToTopView && this.showScrollToTopView()
                                    }
                                    if (getScrolledPosition) {
                                        getScrolledPosition(yOffsetValue)
                                    }
                                }
                            })}
                            refreshControl={
                                <RefreshControl
                                    refreshing={shouldRefresh}
                                    progressViewOffset={HEADER_HEIGHT}
                                    onRefresh={() => {
                                        this.onRefresh()
                                    }}
                                />
                            }
                            showCustomizedAnimatedFlatList={true}
                            contentContainerStyle={[styles.contentStyle, this.props.contentContainerStyle]}
                            scrollEventThrottle={16}
                            inputRef={(ref) => {
                                log('inputRefinputRefis called')
                                if (ref) {
                                    this.flatListRef = ref
                                    if (getFlatListRef) {
                                        getFlatListRef(ref)
                                    }
                                    context.addFlatListRef(this.flatListRef, uniqueKey)
                                }
                            }}
                            onMomentumScrollEnd={({ nativeEvent }) => {
                                const { contentOffset } = nativeEvent
                                if (contentOffset.y === 0) {
                                    log('inside onMomentumScrollEnd')
                                    context.flatListRef.forEach((item) => {
                                        if (item.key !== uniqueKey) {
                                            item.value.scrollToOffset({
                                                offset: 0,
                                                animated: false
                                            })
                                        }
                                    })
                                }
                            }}
                        />
                    </>
                )}
            </ScrollValueContext.Consumer>
        )
    }
}

So my code is like this. where flatlist wrapper is just the wrapper of flatlist.
In flatlist scroll to offset is not working properly when the no of items are less than 3. If the no of items are greater or equal to 3 than it is working exactly fine.


text:
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International exchange and cooperation has always been a distinct feature of Beijing Foreign Studies University since its founding. It admits 1,000 international students from 60 countries and sends hundreds of Chinese students to study at dozens ... read more
OVERALL RATING 4.7
September 23, 2017 Fun In Beijing And Other Places
I gained a lot of language skills. My listening and speaking skills really improved. It was definitely worth the trip Cassie - Hamline University
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May 17, 2017 Exciting And A Never Ending Adventure In China
I gained a greater appreciation of the culture and the people. I was born in China and this was my fourth time traveling to China, so I think I was able to appreciate being there more than my past trips. A student - Trinity University
Past Review Ies Beijing: A Wonderful Way To Experience China
Studying abroad in China for the 2015-16 academic year with IES Abroad was undoubtedly one of the most enjoyable, challenging and transformative experiences of my life so far, and I look back on my experiences in Beijing as the highlight of my college career. China is a great choice of study abroad destination because it is a un... Megan - University of Michigan - Ann Arbor
Past Review 12.5% Of My College Experience
I improved my Chinese, gained new friends from around the world, discovered things about China I never knew before, and I grew into a better person. Yes, it was absolutely worthwhile. Brandon Berardo - Wofford College
Past Review Best Of Beijing
Not only did I vastly improve my language skills, I also made memories that will last me a lifetime. Emily Weinstein - University of Michigan - Ann Arbor
Past Review Awesomeness Awaits You, So Just Go For It!
I became a seeker of new adventures, and (besides the language) I learned how to enjoy my life fully. It was definitely worthwhile. Mohammad A - University of Rochester
Past Review Unforgettable
Absolutely worthwhile, I gained such an intercultural perspective on life Gretchen T - Swarthmore College
Past Review A Life Changing Experience
I learned how to concentrate, I learned about mainland Chinese culture, but most importantly I learned about myself. Ashton B - Trinity University
Past Review An Intensive Language And Cultural Immersion Experience
I gained an in-depth, on-the-ground experience in a country I had long studied. I improved my language skills exponentially and got to enjoy a major world city right at my fingertips. It was definitely worthwhile! Susanna D - University of Pittsburgh - Pittsburgh
Past Review Contemporary Issues
My Chinese language skills and general knowledge of Chinese culture and politics improved significantly. And I made great friends over the semester! I would definitely do it again! A student - University of Louisville
Past Review International Relations In Beijing
I am most proud of having developed a thesis topic while I was abroad. The professors at IES were not only helpful in guiding their course material towards my interests, but they also pointed me in the directions of resources I would not have found on my own. Aida P - Brown University
Past Review Ies Beijing! Yas!
Yes, I loved this experience. I want to go back! Carolyn N - Beijing Foreign Studies University
Past Review I Didn't Expect To Fall In Love With Beijing...But I Did!
It was 100% worthwhile. My Chinese improved probably two levels, I got to know a new culture, and I made friends that I will have for life! Lauren R - The University of Texas at Austin
September 18, 2017 Can I Go Again?
Life longs friends, a set of skills that set me apart from the average college student, fluency in Chinese that was beyond my own expectations, professional connections that will hopefully provide in the future. Yes, 100% worthwhile. Samantha McHugh - Pennsylvania State University - University Park / Penn State
March 06, 2017 I'm So Happy I Decided To Do This.
I learned to be happy with what I have, I learned so much more about Chinese culture than I feel like most American know, in fact many Chinese habits seem to make more sense than American habits. It was very worthwhile. Jessie Myrose - Tulane University
Past Review Beijing: An Amazing Experience Abroad
I improved my Chinese skills and I gained a greater sense of confidence in my abilities. I also gained a better appreciation for Chinese culture. It was definitely a worthwhile semester! A student - Wofford College
Past Review An Adventure Of A Lifetime
I gained a better understanding of the Chinese culture, as well as Chinese language. I met many different types of people and made friends who I will never forget. The program was challenging but I think it was worthwhile. It really helped me figure out who I want to be. A student - Pennsylvania State University - University Park / Penn State
Past Review Beijing
Definitely worthwhile. It was an awesome experience. A student - Trinity University
Past Review Intensive Language, Intense Experiences
I gained independence and language. This program made me come out of my shell and try new things. It also helped my chinese improve immensely. Nicole C - University of Massachusetts - Lowell
Past Review Ies Beijing
This past summer, I studied abroad in Beijing, China through IES Abroad. Studying abroad was one of the most challenging experiences I have faced, but it was also extremely rewarding. I had a really great time immersing myself in Chinese culture (everything from food to shopping to museums). I also really enjoyed taking Chinese... A student - University of Illinois - Urbana-Champaign
Past Review Fantastic Program For Those Dedicated To Learning Chinese
Language skills, competency abroad, and a wealth of unique experiences James W - The College of William and Mary
Past Review Ies Abroad Beijing
It was definitely worthwhile. I gained the confidence to live on my own in a foreign city. Olivia R - University of Michigan - Ann Arbor
Past Review Best Decision I've Ever Made
I loved my IES Abroad program! I attended the Beijing Language Intensive program in the summer and fall of 2014, and had the time of my life. The faculty were amazing, and truly understood what it is like to learn Chinese as a foreigner. The program also makes it easy to get out and explore Beijing and the rest of China. With IE... Kalli M - George Washington University
Past Review If You Have Just An Inkling To Improve Mandarin And Go On An Adventure, Do It
Confidence. Friends who understand the exact struggles and fun you went through. Study abroad is such a unique experience that you'll really appreciate for a long time. J K - Northwestern University
Past Review Look! It's A Laowai!
The trip was an extremely worthwhile experience: I learned about China, and I learned more Chinese than I ever could at home. The experience taught me that I would not want to live in China permanently, but that staying in China even once is a necessary component to knowing the culture and the language. Julia S - Trinity University
International exchange and cooperation has always been a distinct feature of Beijing Foreign Studies University since its founding. It admits 1,000 international students from 60 countries and sends hundreds of Chinese students to study at dozens of foreign colleges every year.
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Mass Effect: Andromeda is the first game in the series to benefit from EA's Frostbite engine, which has been used been used to superb effect in recent games such as Star Wars Battlefront. Its ability to render dazzling explosions, razor-sharp textures and vibrant lighting effects should mark a generational leap in quality, despite the much-discussed controversy over Andromeda's facial animations.
In light of these supposed shortcomings, we've compiled images spanning different in-game scenarios across the entire Mass Effect series to showcase the improvements over the years. What is evident is that while Andromeda might fall short in some areas, in most others, the Frostbite engine absolutely delivers. Andromeda now represents the visual pinnacle in the series, balancing stunning detail with jaw-droppingly large vistas.
This image showcases the subtle but noticeable improvements Mass Effect 2 (bottom) made over the original with regards to lighting. The sequel's more vibrant color palette and better use of lighting are slightly superior to its predecessor's washed out aesthetic. Facial detail also shows some improvement.
Here, we see that Mass Effect 3 really doesn't seem to have pushed on hugely from the second game. The textures are still fairly bland, despite a decent amount of detail present in Shepard's face. Andromeda, on the other hand, has upped the ante in a big way, with a whole new level of detail. Check out nuances such as weathering effects on the environment. Not to mention, the avatar's color is much more vivid and generally looks sharper due to an increased resolution.
With lasers whizzing past, explosions flying, and multiple characters on the screen, the heat of battle puts a strain on performance. Here, we really do see a big improvement over the original (top) as Mass Effect 2 again adds depth to color, improves textures and lighting, and its detail generally looks sharper across the board.
Mass Effect Andromeda is the first game in the series to benefit from EA's Frostbite engine, which has been used to superb effect in recent games such as Star Wars Battlefront. Its ability to render dazzling explosions, razor-sharp textures and vibrant lighting effects should mark a generational leap in quality, despite the much-discussed controversy over Andromeda's facial animations.
In light of these supposed shortcomings, we've compiled images spanning different in-game scenarios across the entire Mass Effect series to showcase the improvements over the years. What is evident is that while Andromeda might fall short in some areas, in most others, the Frostbite engine absolutely delivers. Andromeda now represents the visual pinnacle in the series, balancing stunning detail with jaw-droppingly large vistas.


If Big Bang Creationism about the origin of all that exists is true, the Bible obviously has no credibility on anything. If, however, Biblical Creationism about the origin of all that exists is true, Big Bangism with all of its baggage has no credibility on anything. That's the long and the short of it. The whole contest between what is true and what is false comes to rest on the issue of ORIGINS. This "contest" is actually Spiritual Warfare from start to finish. The Theoretical Science Establishment is in the Origins business...no two ways about it. Its dictates about the Origin of all that exists have provided a foundation for modern man's "knowledge" in all areas of learning (HERE).
The Copernican Revolution initially provided and still provides the foundation upon which this doomed edifice of Bible-contradicting deception has been built.
From Copernicus to the present, assumptions based increasingly on "reconstructed mathematics and physics" have paved the way for the success of evolution and all the "learning" based on that myth. More, those assumptions have gradually been elevated to the status of "scientific facts" by the fraudulent use of computer-driven space technologies programmed to beguile and bamboozle us relentlessly with Big Bangism in all its Relativistic, Expanding Universe, Kabbala-fulfilling sophistry. We're talk'n a BIG Humpty-Dumpty number here when God goes to work on the False Science Idol!
The evidence is plain that ALL of modern cosmology is: a) Totally dependent upon the unproven assumption of a rotating earth; b) Dominated by Theoreticians fraudulently mis-using high technology to promote their agenda-fulfilling but unsubstantiated hypotheses; c) Totally driven by NASA's stated "Origins Program" agenda, viz., the "search for man's cosmic roots" (i.e., the establishment of extraterrestrial and earthly evolutionism); d) Totally geared to a fulfillment of the Kabbala/Talmud religion (HERE).
Several upcoming short essays dealing with heliocentricity-connected assumptions will be presented one or two at a time beginning this month with PART I of "The Theoretical Science Establishment Controls Cosmological And Biological Sciences".If you have wondered about the dramatic shift in evolutionary focus from earth to space, this month's PART I analysis of the Darwin-destroying evolutionary alternative of Panspermia, go HERE and see what a hot potato this is!
Check the 50 or so links below relating to Copernicanism, Darwinism, & their offspring.
The History of Big Bangism's Triumph; A Comedy of Errors. Look for that title in November's PART II of "The Theoretical Science Establishment Controls Cosmological and Biological Sciences".
The purpose of this Web Page is to identify and expose the chief things that have all but destroyed the Credibility of the Bible as the source of Absolute Truth from God. There are two main areas where this systematic destruction has been at work, viz., in the area of False Doctrines, and in the area where "science falsely so called" has contradicted the Bible in the foundational matter of the Origins of the universe, the Earth, and all life forms...including most especially mankind. As for False Doctrines, One Page Summaries of a dozen or so with full Scriptural support available can be considered (HERE). As for the role of False Science in the ongoing attempt to completely destroy Bible Credibility, the multiple links on this Domain make it abundantly clear that the Copernican and the Darwinian counterfeits of Biblical Creationism are symbiotically connected instruments of this intended but doomed attempt (Rev. 12:12) to replace the Bible as the God-given source of all Truth.
Tycho Brahe poisoned?! That's what a forensic study of hair from his beard has revealed! Go HERE for the full report on that finding. Also, as readers of The Earth Is Not Moving know, an interesting case for Kepler (pp.44-63) doing Brahe in can be made. Certainly he had motive and opportunity and background.... Go HERE for highlights about Kepler from the book (#4, 2nd page under title: "Copernicanism and Darwinism: Inseparable Concepts Historically, Philosophically, Spiritually, and Scientifically"). Given all the circumstances, this new forensic evidence increases the likelihood of Kepler's guilt a lot.
Identifying and exposing certain lies is an operation so dangerous go great power structures built upon them that the movement to classify all such investigations as HATE CRIMES is gaining momentum around the globe. Note an update on this cleverly disguised but utterly diabolical strategy for ending Free Speech, Freedom of the Press, The Right to Assemble, etc. (HERE).
Does Historical Revisionism offer mankind its last best hope of uncovering and explaining Truths and Lies that impact every facet of our lives? Go (HERE) for some examples of how this process is already under way now that the Internet has given access to all kinds of vital information which has been routinely controlled, distorted, and suppressed in the establishment media.
If you have any doubts that modern man's "knowledge" is dominated by deceptions that are wholly derived from and dependent upon preventing an investigation and exposure of Copernican Heliocentrism and Darwinian Evolutionism, see if those doubts remain after reading the message (HERE).
Be sure to scroll down thru the titles to other links that are directly or indirectly related to the universally prevalent myth that the earth rotates on an "axis" and "orbits" the sun, AND goes around a galaxy, AND is retreating from a Big Bang explosion 15 billion years ago...all at speeds from over 1,000 MPH to 66,000 MPH to 500,000 MPH to 660,000,000 MPH!!.... The Truth will set you free as nothing else can.
If you consider yourself a "Defender of The Word" (in conjunction with being a "defender of the faith"), this latest essay on where and why God's Judgement begins will give your claim the acid test. Where will you stand if you learn that multiple doctrines held by your church contradict The Word of God?
And even more pointedly, where will you stand if you learn that Biblical Geocentricity is both scientifically viable AND a foundational Creationist doctrine which all churches have abandoned?!
The universally held conviction that science has proven that the Earth rotates on an "axis" daily and orbits the sun annually is the philosophical superglue that holds the entire structure of modern man's "knowledge" together.
You don't think so? You don't see how this could be?
It's quite simple, really, and basically irrefutable.
Go HERE for a few pages of explanation entitled: "Exposing the Copernican Deception: The Cataclysmic Impact On Every Field Of Modern Man's Knowledge".
Check the June Bulletin for: "Scripture's Promised Judgement Begins "At the House Of God" And Causes The Fall Of Babylon."
As promised in the last Bulletin, the chapter on "TIDES" taken from The Earth Is Not Moving can be seen HERE . I believe the goofy excesses of Gravitational Theory will become quite plain in this example pertaining to tides.
If, indeed, Gravitational Theory simply cannot explain a great deal of the phenomena in the cosmos that it is called upon to explain (which it most emphatically can not do), then the explanations put forward in "The Electric Sun" (or "Electric Universe") model become evermore attractive to explain the phenomena that actually (not hypothetically) exist. As delineated in last month's link to that subject (HERE), the geocentricity model fits with those explanations quite handily in some very important ways.
Check the May Bulletin for: "Exposing the Heliocentricity Fraud: The Cataclysmic Impact On Every Field of Modern Man's 'Knowledge'".
Look for a Summary of "The Electric Sun" hypothesis in the March Bulletin. In spite of the non-Biblical motivation of its proponents, this concept of the makeup and interaction of the sun and all the other stars has much potential for being adapted to the requirements of the geocentric universe taught in the Bible.
Previous Bulletins can be seen HERE.


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Q: Keeping track of an entry's index in Tkinter menus I don't have a lot of GUI programming experience and very little in Tkinter, so bear with me. It seems to me that the Tkinter menu interface is seriously wrong. I'm referring in particular to the way menu entries are addressed.
Menu entries are not widgets. add_command - or, for that matter, any add - does not return an object which we can use to address the entry. In order to

*

*reconfigure

*delete

*insert relative to

an entry, an index must be provided. The index is, usually, just an index in the current list of entries in the menu. That means, all entries that exist (after additions and deletions) at the present time in the index.
It seems logical to organize the code in a GUI around groups of functions that are related from a user's point of view. Say, Undo and Redo should be together in the Edit menu. But the Edit menu may also contain other groups of functions - Cut, Copy, Paste, or perhaps Find. It makes sense to put the code that handles Undo and Redo in one module, the code for Cut, Copy and Paste in another, the code for Find in yet another. These modules are unrelated to each other, except for the fact that they all exist in the Edit menu. However, just because of that fact, it seems that in Tkinter menus they need to know if a module "above" inserts or deletes an entry in its own "area", because that affects the indices of their own entries. Isn't that quite fragile? Or am I missing something?

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text:
Cagliostro, Count assumed name of an Italian adventurer, Giuseppe Balsamo (1743–95), who posed successfully as an alchemist and magician in late 18th-century Paris society; he was banished after his involvement in the Affair of the Diamond Necklace. In 1789 he was arrested in Rome, and spent his final years in prison.
The Oxford Dictionary of Phrase and Fable
"Cagliostro, Count ." The Oxford Dictionary of Phrase and Fable. . Encyclopedia.com. 16 Jan. 2021 <https://www.encyclopedia.com>.
"Cagliostro, Count ." The Oxford Dictionary of Phrase and Fable. . Encyclopedia.com. (January 16, 2021). https://www.encyclopedia.com/humanities/dictionaries-thesauruses-pictures-and-press-releases/cagliostro-count
"Cagliostro, Count ." The Oxford Dictionary of Phrase and Fable. . Retrieved January 16, 2021 from Encyclopedia.com: https://www.encyclopedia.com/humanities/dictionaries-thesauruses-pictures-and-press-releases/cagliostro-count
Platelets , Definition A platelet count is a diagnostic test that determines the number of platelets in the patient's blood. Platelets, which are also called thr… George S. Counts , Progressive educator, sociologist, and political activist, George S. Counts challenged teachers and teacher educators to use school as a means for cr… Fernan Gonzalez , Fernán González (fārnän´ gōnthä´lāth), d. 970, first count of Castile. As count of Burgos from c.930 he took advantage of Leonese divisions and the w… Bastille , Bastille •allele, anele, anneal, appeal, Bastille, Beale, Castile, chenille, cochineal, cockatiel, conceal, congeal, creel, deal, eel, Emile, feel, f… Volscians , Volscian a member of an ancient Italic people who fought the Romans in Latium in the 5th and 4th centuries bc until absorbed into Rome after their fi… Frangipane , frangipane •airplane, terreplein •sailplane, tailplane •mainplane •seaplane, ski-plane •chilblain •biplane, triplane •warplane • towplane • Tamerlane…
Schumacher, Peder, Count Griffenfeld
bacterial count
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Cahan, Yaakov
Cahen, Isidore
Cahensly, Peter Paul


SQL SERVER – Introduction of Rollup Clause using SUM and GROUP BY clause.
Hell everyone, I am going to share the basic understanding of Rollup clause using SUM and GROUP BY clauses in SQL Server.
The Rollup clause is used to handle the aggregate operation on multiple levels in hierarchy.
A Rollup operation can calculate the equivalent of an OLAP dimension or hierarchy.
The Query for the same to understand in detail how is work.
The Query result as given below.


Vivienne Westwood Sonia Shopper 190047 Black [vi85431] - $173 : Vivienne Westwood, Pleasurements Online Shop, Up to 70% Off, 100% Authentic., Free Worldwide Delivery, Free Returns.
Adopting an asymmetrical shape, the sleek Sonia Shopper is produced from smooth, supple black leather. Chicly detailed with glossy silver hardware to the handle, this stylish bag is finished with contrasting bold red cotton lining.


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P&G Apologizes for Putting Rosie the Riveter Back in the Kitchen
By Elizabeth S. Mitchell
Frustration with the gender roles portrayed in ads for cleaning supplies is nothing new — with a few notable exceptions, women are cast as cardigan-wearing overlords of all things tidy, while men are depicted as bumbling oafs who can't tell a vacuum from a garbage disposal.
While most of us roll our eyes at these outdated stereotypes, every once in a while an ad comes along that inspires more ire than eye-rolling. A recent campaign for Swiffer has done just that, leaving parent company Procter & Gamble scrambling to make amends.
The modern American woman wears many hats — including the one labeled "primary breadwinner" in 40% of US households — so it comes as no surprise to us that Swiffer's domesticated reinvention of Rosie the Riveter, a character created to urge women to join the workforce during World War II, has caused something of an uproar.
While Rosie's catch phrase "we can do it" originally referred to holding down a job in a man's world while keeping up with family life and other responsibilities, Swiffer's reinvention leaves us imagining that "it" now refers to mopping the floor to a sparkling clean — somehow, not quite as inspiring.
In response to blogosphere and social media backlash, Procter & Gamble is working to remove the image everywhere it's being used.
Our core value is to make cleaning easier, no matter who's behind the handle. We apologize and are working hard to remove the image.
— Swiffer (@Swiffer) June 4, 2013
While we do of course realize that many women are the ones mopping the kitchen floors (and that Rosie herself probably had to return home from a long day of riveting to fix dinner), turning an icon of the female workforce into a mop-wielding house frau was a concept bound to fall flat; P&G is likely doing the right thing by pulling the image, demonstrating its dedication to addressing customer concerns.
http://adweek.it/2kwAPVT


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Sydney Opera House Symphony performance
Concerts and Live Music
From classical to jazz, rock and pop, Sydney hums with live music at iconic and intimate venues. The exciting events calendar is full of wonderful concerts all year. The majestic Sydney Opera House and the City Recital Hall in the Angel Place laneways, near Martin Place, host a great range of concerts.
The Metro Theatre, on George Street near Town Hall Station, has been rocking the city centre with heavy-metal, indie and alternative bands for more than two decades. For more bands, as well as pizza, head for Frankie's Pizza on Hunter Street. The specialty of the house is rock 'n' roll.
For edgy performance art and live music, go to the Oxford Art Factory, in Darlinghurst, a warehouse-like venue with several performance spaces. The Soda Factory in nearby Surry Hills is another popular venue for live music. A jazz favourite is the artist-run Venue 505, on Cleveland Street.
Since opening its doors in 1908, the Enmore Theatre in Newtown is the oldest-running music venue in New South Wales and hosts a wide range of live music events. Another big music venue is the Hordern Pavilion in Moore Park, home to the Sydney Cricket Ground and the Fox movie studios.
Among Darling Harbour's waterside restaurants is the ICC Sydney, which has a compelling calendar of concerts in its theatre. In neighbouring Pyrmont is the dazzling Sydney Lyric. For stadium-size concerts, check out the musical acts at ANZ Stadium and Qudos Bank Arena in Sydney Olympic Park.
You'll find smaller venues in pubs, bars and clubs across Sydney, such as the Cali Club on Bayswater Road in Kings Cross. In arty Marrickville, discover bands and other live performances at the Factory Theatre and the Red Rattler Theatre. World music and jazz fans will love the Camelot Lounge.
Live music at vibrant Vivid Sydney
Classical at the Sydney Opera House
Great live music at the Enmore
Cool musical acts at the Factory
Check out more Sydney concerts
Dance and performing arts
History of Sydney
An Intimate Evening of Magic: Dinner and Show
An Intimate Evening of Magic: Dinner and Show comprises of a two-course light dinner followed by a classic 20th Century…
Kittyhawk Live Music Saturdays
Kittyhawk is a high volume cocktail bar and modern French restaurant that slings a 1940s Liberation Day vibe every day of…
16 Jul - 31 Dec
A Romantic Dinner Date On Board Sydney Showboats!
On the lookout for romantic date night ideas in the harbour city of Sydney? Why not go for Sydney's iconic dinner cruise…
Kittyhawk Live Music Thursdays
21 Dec - 21 Dec
Carols by The Cauldron
Join them for an exciting Christmas Fair followed by Carols in the evening! A Christmas Fair the whole family will enjoy!…
Sydney Christmas Fair


By clicking at the picture of an item, you will get access to the individual product, where you can amplify the picture and look at the cloths back and forth. You will also find information on sizes, colours, prices etc.
If you would like to combine the several pieces, you can visit our fitting room (Paskamer) and try on the several cloths on a mannequin. In the fitting room you will find two dummies, standard black trousers and a black legging, to enable you to see how tops, blouses and dresses or tunics combine with some basic items. These items are not for sale.
If you would like to place an order, you can send an email to info@mardelnorte.nl with your details and item, colour and size of your choice, or fill in the contact form under 'Contact' on the website. We will send you an order number with a review of your order, the final price, transport cost and the bank account for your transfer. When we receive your payment, we will immediately send you the articles ordered.
change/return, article number and order number included and the reason for returning it.
2. You will receive then a return-number from us by email.
3. Write this number on the delivery note enclosed in the package and send it together with the items you would like to change/return.
4. Your package has to arrive at our office within 7 days of receiving you return number.
The article you would like to return should be in the same state as it was sent to you with all labels still attached. The article has to be new, not worn and not washed and it has to be returned in the original package.
The returned package has to contain (a copy of) the delivery note at which is stated which products are returned, including your return number.
The cost for returning the product to MardelNorte is for your own account unless otherwise agreed. The return-package has to be sufficiently stamped by all means, or we cannot accept the returned articles and your account will not be credited. The risk for returning the product is for the one returning the package.
Receipt of the returned article will be confirmed to you by email, after your notice by email and receipt of the undamaged package. The amount of the returned article(s) will then be refunded to your bank account.
If you would like to change an article, MardelNorte will pay the transport cost for the new article to be sent to you. Please note that MardelNorte will only pay once for the transport cost of sending you the changed article. After this first change, transport cost will be for your own account. Therefore, pay attention to sizes and colours to be sure to choose the right article. If you are not sure about the size, please send us your question through the contact form under 'Contact' and we will be more than happy to help you!


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Streaming Friday–yes, we're still on about this, but c'mon, it's just so obvious–comes correct today with an anticipated anthology, a new David E. Kelley, a series version of a cult 1994 corporate revenge flick, and a bizarre supernatural western starring Josh Brolin that promises to at least be better than Cowboys & Aliens. Let's dig in.
Roar [Apple TV}
GLOW creators Carly Mensch and Liz Flahive see their first release through their new deal with Apple, and it's this dark comedy anthology, starring Nicole Kidman, Cynthia Erivo, Issa Rae, Merritt Weve, Alison Brie, Betty Gilpin, and Meera Syal, Fivel Stewart, and Kara Hayward. Roar isn't an all-female adaptation of the Heath Ledger 90s drama (I wouldn't mind a revival, though!) but an adaptation of Cecelia Ahern's short stories.
Swimming with Sharks [Roku]
Lou may seem like a naive intern at Fountain Pictures, but she's got an obsession with her boss, Joyce. what will Lou do as her dark obsession grows? Swimming With Sharks will give you the answer. It's a remake of the 1994 film starring Frank Whaley and Kevin Spacey as the assistant and abusive Hollywood mover-and-shaker, respectively, is an unlikely movie to make into a 2022 series. Kieran Shipka and Diane Kruger take on those central roles and, you know, this could be very good if you can find the Roku Channel.
Outer Range [Amazon Prime]
The modern Wild West, strange symbols, suddenly appearing bottomless sinkholes, mysterious travelers, and Josh Brolin: what's not to be intrigued by in Amazon Prime's latest blockbuster series. It could be overblown and awful, but it could come together into something special.
RuPaul's Drag Race [VH1, 8p]
After the world's longest season of Drag Race, it comes as no surprise that we are headed into the grand finale with a top five. But! Before we get there we've got one final hurdle, the reunion episode! I'm looking forward to hearing what the queens have to say about the season and who gets voted Miss Congeniality!
David E. Kelley is known for well-written office dramas like Boston Legal and Boston Public (ok, he has a type). His debut for Netflix, Anatomy of a Scandal is an anthology featuring a different salacious story each week and the first chapter talks about political corruption in Bos… oh, wait, the UK. Good for him!
The latest Peanuts special was apparently co-written by a wooden wall plaque from Home Goods. It's the Small Things, Charlie Brown debuts on Snoopy et al's current home of Apple TV.
If you are in your 30s and want to double down on animated children's nostalgia, Paramount+ rings in the new series of the Rugrats reboot. So if you wanna go there, Paramount+ can take you there.
Like the South Bronx she ruled over, Lorine Padilla has cleaned up a lot since the start of the 1980s. The Showtime documentary La Madrina: The Savage Life of Lorine Padrina tells her story from her days as "first lady" of the Savage Skulls street gang to navigating the gentrification that she helped bring about through her efforts to build up the once maligned neighborhood.
We're not huge on dance competitions, but the premise behind Come Dance with Me could be genuinely really cool. Under 18 prodigies of the field bring on their parents who try to keep up with them. LL Cool J & Chris O'Donnell created it (between NCIS: Los Angeles takes?) and Philip Lawrence hosts.
There's a pair of new imports on Netflix: Heirs to the Land is a sweeping Spanish period drama that takes place in 14th Century Barcelona (assuredly at some point in the century that would lend to a Black Plague story); the thriller Mai hails from India and deals with a mother feverishly trying to figure out who's to blame when her daughter is killed by a truck in front of her.
Amazon Prime's lone new import is from Brazil. The series Verdict involves a lawyer who contemplates a new path when her friend is mewed up by the justice system.
Call it Jumanji with more gore and a higher death count: in Choose or Die, a coder uncovers a cursed horror video game from the 1980s, and as you can imagine, no good comes of it. It's on Netflix.
Not to be outdone, horror mavens Shudder unveil their latest fright-fest, and as a positive, it stars Eliza Cushbert. The plot of The Cellar is pretty standard though as a family moves into a new and spooky house with an even spookier subterranean floor.
Speaking of horrifying things, contrarian comedian and one-time top-rate talk show host Bill Maher has a new HBO standup special Bill Maher #Adulting. Frankly, we think he can go fuck himself as can his condescending title. However, some people like him and if you are one of them… there you are.
Lifetime-Hallmark Vortex. New Lifetime Movie. It's on LMN. It's called Killer Design.
April 15, 2022 April 15, 2022 · Posted in What to Watch · Tagged Anatomy of a Scandal, Bill Maher #Adulting, Choose or Die, Come Dance with Me, Heirs to the Land, How to Survive Being Single, It's the Small Things Charlie Brown, Killer Design, La Madrina: The Savage Life of Lorine Padilla, Mai, Outer Range, Roar, Rugrats, Rupaul's Drag Race, Swimming with Sharks, The Celler, Titanic 666, Verdict ·


The Alessi Nut Splitter Walnut Opener splits walnuts. Perfectly. In half and with no cracking of the shell or loss of walnut flesh. No nutcracker or hammer required.
It works by inserting its pointy part into the slight aperture at the blunt end of the walnut, then twisting. The walnut will split perfectly into halves. Old Italian farmer technique was to do it with well-practiced bare hands and a nail.
The Alessi Walnut Splitter was developed by young ex-pat Australian Jim Hannon-Tan. He left Australia in 2001 to live in Italy and is now one of the handful of Australians to create for Milan's mighty Alessi design house.
His Nut Splitter measures a tiny 4cm x 3cm. It's based on the shape of the maple seed, is in gloss stainless steel, and comes nicely gift boxed. It can be engraved - by an elf.


text:
AL »
Satsuma »
Satsuma High School
1 Gator Circle, Satsuma, AL 36572
Satsuma High School is a coeducational public school for students in grades 8 through 12.
Institution Type: Public Setting: Suburban
www.satsumaschools.com
Satsuma High School's Full Profile
Public schools are supported through local, state, and federal funding, and do not charge tuition to students who attend them.
Adequate Yearly Progress
AYP was Met Overall for the year 2012.
AYP for Graduation was Met for the year 2012.
AYP for Math was Met for the year 2012.
AYP for Reading was Met for the year 2012.
AYP is a measurement defined by the United States federal No Child Left Behind Act that allows the U.S. Department of Education to determine how every public school and school district in the country is performing academically according to results on standardized tests.
Satsuma High School's relatively variable enrollment profile may offer insights into student retention rates, local population changes, real estate costs, and the accessibility of alternative educational options.
to find out more about the specific factors influencing Satsuma High School's enrollment numbers.
Socioeconomic Diversity
47% of students qualify for a free or reduced price school lunch at Satsuma High School.
Questions about Satsuma High School
Want more info about Satsuma High School? Get free advice from education experts and Noodle community members.
Which 3 extracurricular activities at Satsuma High School are most popular? Which extracurriculars would you recommend?
Anonymous answered • Aug 26, 2015
1) Spanish club 2)Art club and 3)Fccla I recommend the Art Club because for one you can be yourself. learn more about art an two do so many awesome contestants in win which is huge and last make ...
NCES Common Core of Data • Collected on 23 December 2014
Baker High School
The Arnold School
Tl Faulkner School
Mary G Montgomery High School
Alma Bryant High School
George H Bryant Vocational - Agricultural
Theodore High School
The Murray School
Phillips Preparatory Middle School
Bernice J Causey Middle School


This is a placeholder page for Delores Heller, which means this person is not currently on this site. We do suggest using the tools below to find Delores Heller.
You are visiting the placeholder page for Delores Heller. This page is here because someone used our placeholder utility to look for Delores Heller. We created this page automatically in hopes Delores Heller would find it. If you are not Delores Heller, but are an alumni of Miller Place High School, register on this site for free now.


text:
Love in the Hills er en amerikansk stumfilm fra 1911 af D. W. Griffith.

Medvirkende
 Blanche Sweet
 Wilfred Lucas
 Charles West
 Joseph Graybill
 Kate Toncray

Referencer

Eksterne henvisninger

Stumfilm fra USA
Amerikanske film fra 1911
Dramafilm fra USA

redpajama_set_name: RedPajamaWikipedia


The whole reason I got involved with BlogCampaigning was to check the grammar on Espen's English writing (he's Norwegian, in case you missed it). When Jens started writing for us, I edited his posts as well (based on my small sample size, I'd say that Norwegians frequently mix-up singular and plural when writing in English and Germans write paragraph-long sentences rather than using a few periods). Now, we've got someone else to do that copy editing: Adam Gorley. He's a Toronto-based professional copy editor, and he volunteered to have a look at each of our posts before they go live. I've never thought I was a perfect writer, and I'm sure that long-time readers of this blog will have noticed a few typos, grammatical errors and even unfinished sentences here and there. I don't envy the work he's going to be doing on Jens' posts.
I'm hoping that with Adam Gorley's touch, these things will be a thing of the past.
He's @AdamGorley on Twitter and he also maintains his own blog of miscellany at AdamGorley.Blogspot.com. While he's gainfully employed right now, I'm going to go ahead and say that if you need any help with Copy Editing, he's probably your man.