The race for the seat to represent Barnstable's 2nd District in the Massachusetts House pits an experienced politician against a relative political newcomer, but in this case what the novice may lack in terms of time in office, he more than makes up for in vision.
Will Crocker, R-Centerville, touts his experience as one of the reasons to send him back to Beacon Hill, but he has had two years as the representative of the district to make a name, and has done little to distinguish himself in terms of legislative accomplishments. Crocker says he has worked to improve his office's communication with local leaders and constituents. He has been active on the question of wastewater treatment, working with his Democratic colleagues to develop big-picture solutions, but on some of the other big issues facing this region – including drug abuse and affordable housing – he has offered little in the way of plans to constructively engage problems.
We also get the sense that Crocker would rather follow than lead his constituents, much like those spineless legislators in the Deep South whose constituents supported Jim Crow laws in the 1960s. Here on the Cape, rather than enabling a small, vocal group of constituents to block or delay the Vineyard Wind project from running its transmission line through Lewis Bay and into Yarmouth, he should be actively supporting the renewable energy project that will ultimately benefit all his constituents.
And sometimes, Crocker has come down on the wrong side in terms of his voting record. His vote against a proposed ban on conversion therapy in Massachusetts represented a particularly low point. The bill passed overwhelmingly in the House, and Crocker was one of only two Cape legislators to oppose it. Crocker tied his position against outlawing the controversial procedure to representing the opinions of his constituents, but taking such a stance and then abdicating ownership of his choice suggests a lack of leadership rather than a principled decision.
We are similarly troubled by his views on two upcoming ballot questions. His opposition to Question 2, which seeks to establish a commission that would push for a Constitutional amendment that would roll back the Citizens United Supreme Court decision, is unsettling, as is his support of an effort (Question 3) to roll back the 2016 state law banning discrimination based on gender identity.
In contrast, Democrat Paul Cusack may be relatively new to Cape Cod, but he is no newcomer when it comes to public service. He spent time as an aide to then-Vice President Al Gore during President Bill Clinton's second term. After the attacks of Sept. 11, 2001, he enlisted in the military, spending more than four years with the Army Rangers and serving two tours of duty in Afghanistan.
Cusack's family has lived in Osterville since the 1980s, and he says he has spent the past several months attending well over 150 community meetings to get a sense of the issues facing the Cape. He says he believes local elected offices provide "a bulwark against the worst national impulses," and he sees a need for more civility, pluralism, and community service. He also understands the region's desperate need for careers that offer viable options for young people, including the blue economy, health care, and artificial intelligence.
In a recent interview with the editorial board, Cusack described himself as a proponent of renewable energy – he sees the Cape becoming a net exporter of renewable energy. He also called for the Cape to become more of a place where communities build bridges and connections between generations. Saying he wants to embrace and represent the voiceless, he exudes a principled, progressive approach to local politics that could very well help energize the next generation of public servants to come forward.
That sounds like a vision worth celebrating. We therefore wholeheartedly support Paul Cusack in the race for a seat in the Massachusetts House of Representatives.


text:
Dare Power
Scott Power
Brisbane Festival
Doctor Zhivago
Zen Zen Zo's Cabaret
Exit the King
Metro Street
Two Left Feet
Arts Asia Pacific
State Theatre Company of South Australia
Gaiety Theatre
Darlinghurst Theatre Company
Zen Zen Zo
State Theatre Company of South Australia is the state's flagship professional theatre company performing an annual season of classic and contemporary Australian and international theatre works at its main performance home - the Dunstan Playhouse.
The Company is a major community and cultural resource for all South Australians and is vital to artistic life in the state.
State Theatre Company also plays an important role in the bigger picture of the Australian theatre scene, contributing touring productions and providing employment and career opportunities for artists and technical and administrative staff.
The State Theatre Company of South Australia committed to the development of new works for the stage and to the development of South Australian artists through their creative fellowship programs.
Throughout their 37 year history, the Company has played a pivotal role in the careers of many of Australia's leading actors, writers and directors, attracting artists of the calibre of Neil Armfield, Ruth Cracknell, Judy Davis, Gale Edwards, Mel Gibson, Geoffrey Rush, Jim Sharman, Hugo Weaving and John Wood.
Visit the State Theatre Company of SA
Copyright © 2019 PowerArts. All rights reserved.
thirteendigital.com.au

redpajama_set_name: RedPajamaCommonCrawl


Merlot is grown on the Kopland vineyard at Fairview. The soils are all of shale origin and of fairly low growth potential. Merlot is usually very fertile and tends to overcrop, but by planting it in these fairly heavy soils with their high clay content the growth and cropping are restricted.
Merlot was harvested ripe at about 24 degrees balling and destalked but not crushed before being inoculated with Bordeaux Red yeast. Malolactic fermentation was completed in stainless steel tanks. The wine was then transferred to French oak barrels where it spent a total of 14 months.
ageing : The wine is drinking well now, but will reach optimum maturity between 2000 and 2005.
in the cellar : This Merlot is dark ruby in colour with opulent plum and mulberry flavours on the nose together withmineral like qualities and well integrated wood. The palate is of luscious berry flavours with a classic structure and grip.


A remarkable work of reportage by Nobelnbsp;Prize Laureate V. S. Naipaulnbsp;that surveys belief andnbsp;religion amongnbsp;the disparate peoples of Africa. nbsp; Like all of Naipaul's "travel" books, The Masque of Africa encompasses a much larger narrative and purpose: to judge the effects of belief (in indigenous animisms, the foreign religions of Christianity and Islam, the cults of leaders and mythical history) upon the progress of civilization. It is a masterly achievement by one of the world's keenest observers and one of its greatest writers.
Nobel Prize-winning author Naipaul spirals outward from the central African country of Uganda, to Nigeria, Ghana, the Ivory Coast, Gabon, and concluding in South Africa, to unearth in six chapters a sense of African ancestral belief and practice.
ils:192934|Book|Books||English|Vintage|2011|241 p. 20 cm.; pbk.


text:
Female genital...
Female genital mutilation: whose problem, whose solution?
BMJ 2006; 333 doi: https://doi.org/10.1136/bmj.333.7559.106 (Published 13 July 2006) Cite this as: BMJ 2006;333:106
Ronán M Conroy (rconroy@rcsi.ie), senior lecturer
Department of Epidemiology, Royal College of Surgeons in Ireland, Dublin 2, Ireland
Tackle "cosmetic" genital surgery in rich countries before criticising traditional practices elsewhere
In this week's BMJ, Elmusharaf and colleagues present a study of the agreement between self reports of female genital mutilation and the findings of clinical examination in a cohort of girls and another of women.1 They report that girls and women were inaccurate in describing what had been done to them, and that the actual mutilations did not readily fit into the World Health Organization's classification system. These findings have implications for research and, more broadly, for tackling the problem of female genital mutilation worldwide. They suggest that we need to re-examine our current conceptualisation of female genital mutilation with a view to defining a valid and reliable definition and classification system.
In Pokot society as in many others, genital mutilation marks entry into adulthood
The literature on female genital mutilation is long on polemic and short on data. Some writers make unsupported claims of physical and psychological adverse effects, something that hardly makes their case more credible among the very people who need to be convinced in …
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Ronán M Conroy
Conroy Ronán M. Female genital mutilation: whose problem, whose solution? BMJ 2006; 333 :106
Articles by Ronán M Conroy
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Child and adolescent psychiatry (paedatrics)
Sleep disorders (neurology)


02/10/2000 #3 Additional docket fee in the amount of $150. received from Hastings Villge, Inc.
02/18/2000 #4 Additional fee of $150.00 received from Hasting Village Inc..
02/28/2000 #5 Copy of DAR application of Wellesley Zoning Bd of Appeals & Town of Wellesley.
03/13/2000 #6 MOTION to consolidate 00-P-245 with 00-P-246, filed by Wellesley Zoning Bd. of Appeals & the Town of Wellesley.
03/13/2000 #7 RE#4: Allowed. Case 2000-P-245 is consolidated with 2000-P-246 for purposes of briefing and oral argument. For purposes of reference, the appeals shall proceed as 2000-P-245. *Notice/Image.
03/16/2000 #8 MOTION to extend brief & appendix due date, filed by Wellesley Zoning Bd of Appeals & Town of Wellesley.
03/20/2000 #9 RE#5: Extension allowed to 04/19/2000. No further enlargements. *Notice.
03/20/2000 #10 SERVICE of brief for Plaintiffs/Appellants Wellesley Zoning Bd. of Appeals & the Town of Wellesley.
03/20/2000 #11 SERVICE of brief & appendix-1 vol. for Plaintiff/Appellant Richard Woerner.
03/21/2000 #12 Letter from Atty. James A. Goodhue re: withdraw paper #5.
04/14/2000 #13 MOTION to extend brief due date of Hasting Village Inc..
04/18/2000 #14 MOTION to extend brief due date of Housing Appeals Committee.
04/18/2000 #16 SERVICE of appendix for Plaintiffs/Appellants Wellesley Zoning Bd of Appeals and Town of Wellesley.
04/19/2000 #17 RE#9: Extension to 04/28/2000 granted for filing of brief of Hasting Village Inc., Defendant/Appellee. Notice to counsel.
04/28/2000 #18 DAR DENIED (on 04/27/00).
04/28/2000 #19 SERVICE of brief for Defendant/Appellee Hasting Village, Inc.
05/10/2000 #20 Motion to file a supplemental appendix of up to fourteen pages, filed by Housing Appeals Committee.
05/15/2000 #21 Notice of change of address of attorney Atty De Vasher Jr.
05/15/2000 #22 MOTION to extend reply brief due date, filed by Appellants'.


text:
package io.dockstore.webservice.core;

import com.fasterxml.jackson.annotation.JsonIgnore;
import com.fasterxml.jackson.annotation.JsonProperty;
import com.google.common.base.MoreObjects;
import com.google.common.collect.ComparisonChain;
import io.dockstore.webservice.CustomWebApplicationException;
import io.dockstore.webservice.helpers.GitHubSourceCodeRepo;
import io.dockstore.webservice.helpers.GoogleHelper;
import io.dockstore.webservice.helpers.SourceCodeRepoFactory;
import io.dockstore.webservice.jdbi.TokenDAO;
import io.swagger.annotations.ApiModel;
import io.swagger.annotations.ApiModelProperty;
import io.swagger.v3.oas.annotations.media.Schema;
import java.io.Serializable;
import java.security.Principal;
import java.sql.Timestamp;
import java.util.Date;
import java.util.HashSet;
import java.util.List;
import java.util.Map;
import java.util.Objects;
import java.util.Optional;
import java.util.Set;
import java.util.SortedMap;
import java.util.SortedSet;
import java.util.TreeMap;
import java.util.TreeSet;
import javax.persistence.CascadeType;
import javax.persistence.Column;
import javax.persistence.ElementCollection;
import javax.persistence.Embeddable;
import javax.persistence.Entity;
import javax.persistence.EnumType;
import javax.persistence.Enumerated;
import javax.persistence.FetchType;
import javax.persistence.GeneratedValue;
import javax.persistence.GenerationType;
import javax.persistence.Id;
import javax.persistence.Index;
import javax.persistence.JoinColumn;
import javax.persistence.JoinTable;
import javax.persistence.ManyToMany;
import javax.persistence.MapKeyColumn;
import javax.persistence.NamedQueries;
import javax.persistence.NamedQuery;
import javax.persistence.OneToMany;
import javax.persistence.OrderBy;
import javax.persistence.SequenceGenerator;
import javax.persistence.Table;
import javax.persistence.Transient;
import javax.persistence.UniqueConstraint;
import org.apache.http.HttpStatus;
import org.hibernate.annotations.CreationTimestamp;
import org.hibernate.annotations.UpdateTimestamp;

/**
 * Stores end user information
 *
 * @author xliu
 */
@ApiModel(value = "User", description = "End users for the dockstore")
@Entity
@Table(name = "enduser", uniqueConstraints = @UniqueConstraint(columnNames = {"username"}))
@NamedQueries({@NamedQuery(name = "io.dockstore.webservice.core.User.findAll", query = "SELECT t FROM User t"),
    @NamedQuery(name = "io.dockstore.webservice.core.User.findByUsername", query = "SELECT t FROM User t WHERE t.username = :username"),
    @NamedQuery(name = "io.dockstore.webservice.core.User.findByGoogleEmail", query = "SELECT t FROM User t JOIN t.userProfiles p where( KEY(p) = 'google.com' AND p.email = :email)"),
    @NamedQuery(name = "io.dockstore.webservice.core.User.findByGoogleUserId", query = "SELECT t FROM User t JOIN t.userProfiles p where( KEY(p) = 'google.com' AND p.onlineProfileId = :id)"),
    @NamedQuery(name = "io.dockstore.webservice.core.User.countPublishedEntries", query = "SELECT count(e) FROM User u INNER JOIN u.entries e where e.isPublished=true and u.username = :username"),
    @NamedQuery(name = "io.dockstore.webservice.core.User.findByGitHubUsername", query = "SELECT t FROM User t JOIN t.userProfiles p where( KEY(p) = 'github.com' AND p.username = :username)"),
    @NamedQuery(name = "io.dockstore.webservice.core.User.findByGitHubUserId", query = "SELECT t FROM User t JOIN t.userProfiles p where(KEY(p) = 'github.com' AND p.onlineProfileId = :id)"),
    @NamedQuery(name = "io.dockstore.webservice.core.User.findAllGitHubUsers", query = "SELECT t FROM User t JOIN t.userProfiles p where(KEY(p) = 'github.com')"),
    @NamedQuery(name = "io.dockstore.webservice.core.database.UserInfo.findAllGoogleUserInfo", query =
        "SELECT new io.dockstore.webservice.core.database.UserInfo(user.username, userProfiles.username, userProfiles.email, KEY(userProfiles))"
            + " FROM User user INNER JOIN user.userProfiles as userProfiles WHERE( KEY(userProfiles) = 'google.com' )"),
    @NamedQuery(name = "io.dockstore.webservice.core.database.UserInfo.findAllGitHubUserInfo", query =
        "SELECT new io.dockstore.webservice.core.database.UserInfo(user.username, userProfiles.username, userProfiles.email, KEY(userProfiles))"
            + " FROM User user INNER JOIN user.userProfiles as userProfiles WHERE( KEY(userProfiles) = 'github.com' )")
})
@SuppressWarnings("checkstyle:magicnumber")
public class User implements Principal, Comparable<User>, Serializable {
    @Id
    @GeneratedValue(strategy = GenerationType.SEQUENCE, generator = "enduser_id_seq")
    @SequenceGenerator(name = "enduser_id_seq", sequenceName = "enduser_id_seq", allocationSize = 1)
    @Column(name = "id", unique = true, nullable = false, columnDefinition = "bigint default nextval('enduser_id_seq')")
    @ApiModelProperty(value = "Implementation specific ID for the container in this web service", position = 0, readOnly = true)
    private long id;

    @Column(nullable = false, unique = true)
    @ApiModelProperty(value = "Username on dockstore", position = 1)
    private String username;

    @Column
    @ApiModelProperty(value = "Indicates whether this user is an admin", required = true, position = 2)
    private boolean isAdmin;

    @Column(columnDefinition = "boolean default false")
    @JsonIgnore
    private boolean isBanned;

    @ElementCollection(targetClass = Profile.class)
    @JoinTable(name = "user_profile", joinColumns = @JoinColumn(name = "id", columnDefinition = "bigint"), uniqueConstraints = {
        @UniqueConstraint(columnNames = {"id", "token_type"})}, indexes = {@Index(name = "profile_by_username", columnList = "username"), @Index(name = "profile_by_email", columnList = "email")})
    @MapKeyColumn(name = "token_type", columnDefinition = "text")
    @ApiModelProperty(value = "Profile information of the user retrieved from 3rd party sites (GitHub, Google, etc)")
    @OrderBy("id")
    private SortedMap<String, Profile> userProfiles = new TreeMap<>();

    @Column(columnDefinition = "text")
    @ApiModelProperty(value = "URL of user avatar on GitHub/Google that can be selected by the user", position = 7)
    private String avatarUrl;

    // database timestamps
    @Column(updatable = false)
    @CreationTimestamp
    private Timestamp dbCreateDate;

    @Column()
    @UpdateTimestamp
    private Timestamp dbUpdateDate;

    @ManyToMany(fetch = FetchType.LAZY, cascade = { CascadeType.PERSIST, CascadeType.MERGE })
    @JoinTable(name = "user_entry", inverseJoinColumns = @JoinColumn(name = "entryid", nullable = false, updatable = false, referencedColumnName = "id", columnDefinition = "bigint"), joinColumns = @JoinColumn(name = "userid", nullable = false, updatable = false, referencedColumnName = "id", columnDefinition = "bigint"))
    @ApiModelProperty(value = "Entries in the dockstore that this user manages", position = 9)
    @OrderBy("id")
    @JsonIgnore
    private final SortedSet<Entry> entries;

    @ManyToMany(fetch = FetchType.LAZY)
    @JoinTable(name = "starred", inverseJoinColumns = @JoinColumn(name = "entryid", nullable = false, updatable = false, referencedColumnName = "id", columnDefinition = "bigint"), joinColumns = @JoinColumn(name = "userid", nullable = false, updatable = false, referencedColumnName = "id", columnDefinition = "bigint"))
    @ApiModelProperty(value = "Entries in the dockstore that this user starred", position = 10)
    @OrderBy("id")
    @JsonIgnore
    private final SortedSet<Entry> starredEntries;

    @Column(columnDefinition = "boolean default 'false'")
    @ApiModelProperty(value = "Indicates whether this user is a curator", required = true, position = 11)
    private boolean curator;

    @Column(columnDefinition = "boolean default 'false'")
    @ApiModelProperty(value = "Indicates whether this user has accepted their username", required = true, position = 12)
    private boolean setupComplete = false;

    @Column(columnDefinition = "Text default 'NONE'")
    @Enumerated(EnumType.STRING)
    @ApiModelProperty(value = "Indicates which version of the TOS the user has accepted")
    private TOSVersion tosVersion =  TOSVersion.NONE;

    @Column
    private Date tosVersionAcceptanceDate;

    @Column(columnDefinition = "Text default 'NONE'")
    @Enumerated(EnumType.STRING)
    @ApiModelProperty(value = "Indicates which version of the privacy policy the user has accepted")
    private PrivacyPolicyVersion privacyPolicyVersion =  PrivacyPolicyVersion.NONE;

    @Column
    @ApiModelProperty(value = "Time privacy policy was accepted", position = 16, dataType = "long")
    @Schema(type = "integer", format = "int64")
    private Date privacyPolicyVersionAcceptanceDate;

    @Column
    @ApiModelProperty(value = "Set of organizations the user belongs to", required = true, position = 13)
    @OneToMany(mappedBy = "user", fetch = FetchType.LAZY)
    @JsonIgnore
    private Set<OrganizationUser> organizations;

    @ManyToMany(fetch = FetchType.LAZY)
    @JoinTable(name = "starred_organizations", inverseJoinColumns = @JoinColumn(name = "organizationid", nullable = false, updatable = false, referencedColumnName = "id", columnDefinition = "bigint"), joinColumns = @JoinColumn(name = "userid", nullable = false, updatable = false, referencedColumnName = "id", columnDefinition = "bigint"))
    @ApiModelProperty(value = "Organizations in Dockstore that this user starred", position = 14)
    @OrderBy("id")
    @JsonIgnore
    private final Set<Organization> starredOrganizations;

    @Column(columnDefinition = "boolean default 'false'", nullable = false)
    @Schema(description = "Indicates whether the user is required to change their username before being allowed to do various operations on Dockstore.")
    @ApiModelProperty(value = "Indicates whether the user is required to change their username before being allowed to do various operations on Dockstore.", position = 17)
    private boolean usernameChangeRequired;
    /**
     * The total number of hosted entries (workflows and tools) a user is allowed to create.  A value of null
     * means to use the configured system limit.
     */
    @Column()
    @JsonIgnore
    private Integer hostedEntryCountLimit;

    /**
     * The total number of versions a user is allowed to create for a single entry. A value of null
     * means to use the configured system limit.
     */
    @Column()
    @JsonIgnore
    private Integer hostedEntryVersionsLimit;

    /**
     * A temporary credential to hold the access token of a request made to Dockstore with
     * a token not minted by/through Dockstore. For example, if a user got an access token
     * by logging into Google outside of Dockstore, then made an API call to Dockstore using that token,
     * this field is used to hold the token.
     */
    @Transient
    @JsonIgnore
    private String temporaryCredential;

    @OneToMany(cascade = CascadeType.ALL, mappedBy = "user", orphanRemoval = true)
    @JsonIgnore
    private Set<CloudInstance> cloudInstances;

    /**
     * The user's ORCID id in the format xxxx-xxxx-xxxx-xxxx
     */
    @Column()
    private String orcid;

    public User() {
        entries = new TreeSet<>();
        starredEntries = new TreeSet<>();
        organizations = new HashSet<>();
        starredOrganizations = new TreeSet<>();
    }

    public Set<OrganizationUser> getOrganizations() {
        return organizations;
    }

    public void setOrganizations(Set<OrganizationUser> organizations) {
        this.organizations = organizations;
    }

    /**
     * Updates the given user with metadata and no source specified (defaults to trying both)
     *
     * @param tokenDAO The TokenDAO to access the user's tokens
     */
    public void updateUserMetadata(final TokenDAO tokenDAO) {
        updateUserMetadata(tokenDAO, null, true);
    }

    public void updateUserMetadata(final TokenDAO tokenDAO, boolean throwException) {
        updateUserMetadata(tokenDAO, null, throwException);
    }

    /**
     * Updates the given user's profile with metadata depending on the source
     * If no source is specified try updating both
     *
     * @param tokenDAO          The TokenDAO to access the user's tokens
     * @param source            The source to update the user's profile (GITHUB_COM, GOOGLE_COM, NULL)
     * @param throwException    The option to throw an error and stop the API call from processing if tokens are not valid
     */
    public void updateUserMetadata(final TokenDAO tokenDAO, TokenType source, boolean throwException) {
        try {
            if (source == null) {
                if (!updateGoogleMetadata(tokenDAO) && !updateGithubMetadata(tokenDAO)) {
                    throw new CustomWebApplicationException(
                            "No GitHub or Google token found.  Please link a GitHub or Google token to your account.", HttpStatus.SC_FORBIDDEN);
                }
            } else {
                switch (source) {
                case GOOGLE_COM:
                    if (!updateGoogleMetadata(tokenDAO)) {
                        throw new CustomWebApplicationException("No Google token found.  Please link a Google token to your account.",
                                HttpStatus.SC_FORBIDDEN);
                    }
                    break;
                case GITHUB_COM:
                    if (!updateGithubMetadata(tokenDAO)) {
                        throw new CustomWebApplicationException("No GitHub token found.  Please link a GitHub token to your account.",
                                HttpStatus.SC_FORBIDDEN);
                    }
                    break;
                default:
                    throw new CustomWebApplicationException("Unrecognized token type: " + source, HttpStatus.SC_BAD_REQUEST);
                }
            }
        } catch (Exception ex) { // Catch any exceptions thrown by this method or any nested methods and throw that exception only if the option is toggled
            if (throwException) {
                throw ex;
            }
        }
    }

    /**
     * Tries to update the user's GitHub profile
     *
     * @param tokenDAO The TokenDAO to access the user's tokens
     * @return True if the user has a GitHub token and updating the GitHub profile was successful
     */
    private boolean updateGithubMetadata(final TokenDAO tokenDAO) {
        List<Token> githubByUserId = tokenDAO.findGithubByUserId(getId());
        if (githubByUserId.isEmpty()) {
            return false;
        } else {
            Token githubToken = githubByUserId.get(0);
            GitHubSourceCodeRepo sourceCodeRepo = (GitHubSourceCodeRepo)SourceCodeRepoFactory.createSourceCodeRepo(githubToken);
            sourceCodeRepo.checkSourceControlTokenValidity();
            sourceCodeRepo.syncUserMetadataFromGitHub(this, Optional.of(tokenDAO));
            return true;
        }
    }

    /**
     * Tries to update the user's Google profile
     *
     * @param tokenDAO The TokenDAO to access the user's tokens
     * @return True if the user has a Google token and updating the Google profile was successful
     */
    private boolean updateGoogleMetadata(final TokenDAO tokenDAO) {
        List<Token> googleByUserId = tokenDAO.findGoogleByUserId(getId());
        if (googleByUserId.isEmpty()) {
            return false;
        } else {
            Token googleToken = googleByUserId.get(0);
            return GoogleHelper.updateGoogleUserData(googleToken, this);
        }
    }

    @JsonProperty
    public long getId() {
        return id;
    }

    @JsonProperty
    public String getUsername() {
        return username;
    }

    public void setUsername(String username) {
        this.username = username;
    }

    @JsonProperty
    public boolean getIsAdmin() {
        return isAdmin;
    }

    public void setIsAdmin(boolean isAdmin) {
        this.isAdmin = isAdmin;
    }

    public Set<Entry> getEntries() {
        return entries;
    }

    public void addEntry(Entry entry) {
        entries.add(entry);
    }

    public Set<Entry> getStarredEntries() {
        return starredEntries;
    }

    public Set<Organization> getStarredOrganizations() {
        return starredOrganizations;
    }

    public void addStarredEntry(Entry entry) {
        starredEntries.add(entry);
    }

    public boolean removeStarredEntry(Entry entry) {
        return starredEntries.remove(entry);
    }

    public void addStarredOrganization(Organization organization) {
        starredOrganizations.add(organization);
    }

    public boolean removeStarredOrganization(Organization organization) {
        return starredOrganizations.remove(organization);
    }

    @Override
    @ApiModelProperty(position = 8)
    public String getName() {
        return getUsername();
    }

    @Override
    public boolean equals(Object obj) {
        if (obj == null) {
            return false;
        }
        if (getClass() != obj.getClass()) {
            return false;
        }
        final User other = (User)obj;
        // do not depend on lazily loaded collections for equality
        return Objects.equals(id, other.id) && Objects.equals(username, other.username) && Objects.equals(isAdmin, other.isAdmin);
    }

    @Override
    public int hashCode() {
        return Objects.hash(id, username, isAdmin);
    }

    @Override
    public int compareTo(User that) {
        return ComparisonChain.start().compare(this.id, that.id).compare(this.username, that.username)
                .compareTrueFirst(this.isAdmin, that.isAdmin).result();
    }

    @Override
    public String toString() {
        return MoreObjects.toStringHelper(this).add("id", id).add("username", username).add("isAdmin", isAdmin).toString();
    }

    public Map<String, Profile> getUserProfiles() {
        return userProfiles;
    }

    public void setUserProfiles(SortedMap<String, Profile> userProfiles) {
        this.userProfiles = userProfiles;
    }

    public boolean isCurator() {
        return curator;
    }

    public void setCurator(boolean curator) {
        this.curator = curator;
    }

    public String getAvatarUrl() {
        return avatarUrl;
    }

    public void setAvatarUrl(String avatarUrl) {
        this.avatarUrl = avatarUrl;
    }

    public void setId(long id) {
        this.id = id;
    }

    public boolean isSetupComplete() {
        return setupComplete;
    }

    public void setSetupComplete(boolean setupComplete) {
        this.setupComplete = setupComplete;
    }

    public Integer getHostedEntryCountLimit() {
        return hostedEntryCountLimit;
    }

    public Integer getHostedEntryVersionsLimit() {
        return hostedEntryVersionsLimit;
    }

    public void setHostedEntryCountLimit(Integer hostedEntryCountLimit) {
        this.hostedEntryCountLimit = hostedEntryCountLimit;
    }

    public void setHostedEntryVersionsLimit(Integer hostedEntryVersionsLimit) {
        this.hostedEntryVersionsLimit = hostedEntryVersionsLimit;
    }

    public String getTemporaryCredential() {
        return temporaryCredential;
    }

    public void setTemporaryCredential(String temporaryCredential) {
        this.temporaryCredential = temporaryCredential;
    }

    @JsonIgnore
    public boolean isBanned() {
        return isBanned;
    }

    @JsonProperty
    public TOSVersion getTOSVersion() {
        return this.tosVersion;
    }

    public void setTOSVersion(TOSVersion version) {
        this.tosVersion = version;
    }

    @JsonProperty
    public PrivacyPolicyVersion getPrivacyPolicyVersion() {
        return this.privacyPolicyVersion;
    }

    public void setPrivacyPolicyVersion(PrivacyPolicyVersion privacyPolicyVersion) {
        this.privacyPolicyVersion = privacyPolicyVersion;
    }

    // tosVersionAcceptanceDate is split into two properties in the resulting OpenAPI.
    @JsonProperty
    @ApiModelProperty(value = "Time TOS was accepted", position = 15, dataType = "long")
    @Schema(type = "integer", format = "int64")
    public Date getTOSAcceptanceDate() {
        return this.tosVersionAcceptanceDate;
    }

    @Schema(type = "integer", format = "int64")
    public void setTOSVersionAcceptanceDate(Date date) {
        this.tosVersionAcceptanceDate = date;
    }

    @JsonProperty
    public Date getPrivacyPolicyVersionAcceptanceDate() {
        return this.privacyPolicyVersionAcceptanceDate;
    }

    public void setPrivacyPolicyVersionAcceptanceDate(Date date) {
        this.privacyPolicyVersionAcceptanceDate = date;
    }

    public String getOrcid() {
        return this.orcid;
    }

    public void setOrcid(String orcid) {
        this.orcid = orcid;
    }

    @JsonIgnore
    public void setBanned(boolean banned) {
        isBanned = banned;
    }

    public void setCloudInstances(Set<CloudInstance> cloudInstances) {
        this.cloudInstances = cloudInstances;
    }

    public Set<CloudInstance> getCloudInstances() {
        return cloudInstances;
    }

    public boolean isUsernameChangeRequired() {
        return usernameChangeRequired;
    }

    public void setUsernameChangeRequired(boolean usernameChangeRequired) {
        this.usernameChangeRequired = usernameChangeRequired;
    }

    /**
     * The profile of a user using a token (Google profile, GitHub profile, etc)
     * The order of the properties are important, the UI lists these properties in this order.
     */
    @Embeddable
    public static class Profile implements Serializable {
        @Column(columnDefinition = "text")
        public String name;
        /**
         * Only use this for computations inside the webservice.
         */
        @Column(columnDefinition = "text")
        @JsonIgnore
        public String email;
        @Column(columnDefinition = "text")
        public String avatarURL;
        @Column(columnDefinition = "text")
        public String company;
        @Column(columnDefinition = "text")
        public String location;
        @Column(columnDefinition = "text")
        public String bio;
        @Column(columnDefinition = "text")
        public String link;
        /**
         * Redundant with token, but needed since tokens can be deleted.
         * i.e. if usernames can change and tokens can be deleted, we need somewhere to let
         * token-less users login
         */
        @Column(columnDefinition = "text")
        public String username;
        @Column
        @JsonIgnore
        public String onlineProfileId;

        @Column(updatable = false)
        @CreationTimestamp
        private Timestamp dbCreateDate;
        @Column()
        @UpdateTimestamp
        private Timestamp dbUpdateDate;
    }
}

redpajama_set_name: RedPajamaGithub


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text:
Fault rerupture during the july 2019 ridgecrest earthquake pair from joint slip inversion of insar, optical imagery, and gps
Yohai Magen, Alon Ziv, Asaf Inbal, Gidon Baer, James Hollingsworth
The Ridgecrest earthquake pair ruptured a previously unknown orthogonal fault system in the eastern California shear zone. The stronger of the two, an Mw 7.1 earthquake that occurred on 6 July 2019, was preceded by an Mw 6.4 foreshock that occurred 34 hr earlier. In this study, distinct final slip distributions for the two earthquakes are obtained via joint inversion of Interferometric Synthetic Aperture Radar (InSAR), optical imagery, and Global Positioning System (GPS) measurements. Special attention is paid to the merging of dense (e.g., InSAR and optical imagery) and sparse geodetic (e.g., GPS) datasets. In addition, a new approach is introduced for data and model discretization through intermittent model-and data-space reconditioning that stabilizes the inversion, thus ensuring that small changes in the data space do not cause disproportionate large changes to the model space. Although the coseismic slip of the Mw 6.4 earthquake was complex, involving three distinct asperities distributed among an intersecting orthogonal set of faults, the coseismic slip of the Mw 7.1 earthquake was limited to the main northwest-striking fault. In addition to the Mw 7.1 earthquake, that northwest-striking fault plane also hosted one of the Mw 6.4 asperities. Slip on this coplanar foreshock asperity increased the shear stress at the future site of the Mw 7.1 hypocenter, and triggered a vigorous aftershock activity on the main northwest fault that culminated in its rupture. This, in turn, reactivated the coplanar foreshock asperity. In addition to failing twice within 34 hr, we find that the reruptured asperity slipped about six times more during the Mw 7.1 than during the Mw 6.4 earthquake. This repeated failure is indicative of an incomplete stress drop and premature rupture arrest during the Mw 6.4 fore-shock, requiring an efficient frictional strengthening and emphasizing the causal link between highly rate-dependent friction, dynamic frictional restrengthening, and partial stress drop that has been observed in numerical studies of frictional sliding.
Bulletin of the Seismological Society of America
https://doi.org/10.1785/0120200024
10.1785/0120200024
Dive into the research topics of 'Fault rerupture during the july 2019 ridgecrest earthquake pair from joint slip inversion of insar, optical imagery, and gps'. Together they form a unique fingerprint.
imagery Physics & Astronomy 100%
earthquakes Physics & Astronomy 99%
Drop Chemical Compounds 69%
asperity Earth & Environmental Sciences 69%
slip Physics & Astronomy 68%
inversions Physics & Astronomy 65%
inversion Earth & Environmental Sciences 56%
earthquake Earth & Environmental Sciences 53%
Magen, Y., Ziv, A., Inbal, A., Baer, G., & Hollingsworth, J. (2020). Fault rerupture during the july 2019 ridgecrest earthquake pair from joint slip inversion of insar, optical imagery, and gps. Bulletin of the Seismological Society of America, 110(4), 1627-1643. https://doi.org/10.1785/0120200024
Magen, Yohai ; Ziv, Alon ; Inbal, Asaf ; Baer, Gidon ; Hollingsworth, James. / Fault rerupture during the july 2019 ridgecrest earthquake pair from joint slip inversion of insar, optical imagery, and gps. In: Bulletin of the Seismological Society of America. 2020 ; Vol. 110, No. 4. pp. 1627-1643.
@article{a92544fa9bb946d394cd2ff721335098,
title = "Fault rerupture during the july 2019 ridgecrest earthquake pair from joint slip inversion of insar, optical imagery, and gps",
abstract = "The Ridgecrest earthquake pair ruptured a previously unknown orthogonal fault system in the eastern California shear zone. The stronger of the two, an Mw 7.1 earthquake that occurred on 6 July 2019, was preceded by an Mw 6.4 foreshock that occurred 34 hr earlier. In this study, distinct final slip distributions for the two earthquakes are obtained via joint inversion of Interferometric Synthetic Aperture Radar (InSAR), optical imagery, and Global Positioning System (GPS) measurements. Special attention is paid to the merging of dense (e.g., InSAR and optical imagery) and sparse geodetic (e.g., GPS) datasets. In addition, a new approach is introduced for data and model discretization through intermittent model-and data-space reconditioning that stabilizes the inversion, thus ensuring that small changes in the data space do not cause disproportionate large changes to the model space. Although the coseismic slip of the Mw 6.4 earthquake was complex, involving three distinct asperities distributed among an intersecting orthogonal set of faults, the coseismic slip of the Mw 7.1 earthquake was limited to the main northwest-striking fault. In addition to the Mw 7.1 earthquake, that northwest-striking fault plane also hosted one of the Mw 6.4 asperities. Slip on this coplanar foreshock asperity increased the shear stress at the future site of the Mw 7.1 hypocenter, and triggered a vigorous aftershock activity on the main northwest fault that culminated in its rupture. This, in turn, reactivated the coplanar foreshock asperity. In addition to failing twice within 34 hr, we find that the reruptured asperity slipped about six times more during the Mw 7.1 than during the Mw 6.4 earthquake. This repeated failure is indicative of an incomplete stress drop and premature rupture arrest during the Mw 6.4 fore-shock, requiring an efficient frictional strengthening and emphasizing the causal link between highly rate-dependent friction, dynamic frictional restrengthening, and partial stress drop that has been observed in numerical studies of frictional sliding.",
author = "Yohai Magen and Alon Ziv and Asaf Inbal and Gidon Baer and James Hollingsworth",
note = "Funding Information: This research was supported by National Science Foundation (NSF)/ EAR-U.S-Israel Binational Science Foundation (BSF) Award Number 1801720 and by the Israel earthquake preparedness committee. The authors thank Ran N. Nof for advice regarding the Interferometric Synthetic Aperture Radar (InSAR) processing and Benjam{\'i}n Idini for providing them their fault model. The authors thank Editor Zachary E. Ross and the reviewers Kejie Chen and Gareth Funning for reviewing this article and for the insightful and constructive remarks. Publisher Copyright: {\textcopyright} Seismological Society of America.",
doi = "10.1785/0120200024",
journal = "Bulletin of the Seismological Society of America",
publisher = "Seismological Society of America",
Magen, Y, Ziv, A, Inbal, A, Baer, G & Hollingsworth, J 2020, 'Fault rerupture during the july 2019 ridgecrest earthquake pair from joint slip inversion of insar, optical imagery, and gps', Bulletin of the Seismological Society of America, vol. 110, no. 4, pp. 1627-1643. https://doi.org/10.1785/0120200024
Fault rerupture during the july 2019 ridgecrest earthquake pair from joint slip inversion of insar, optical imagery, and gps. / Magen, Yohai; Ziv, Alon; Inbal, Asaf; Baer, Gidon; Hollingsworth, James.
In: Bulletin of the Seismological Society of America, Vol. 110, No. 4, 01.08.2020, p. 1627-1643.
T1 - Fault rerupture during the july 2019 ridgecrest earthquake pair from joint slip inversion of insar, optical imagery, and gps
AU - Magen, Yohai
AU - Ziv, Alon
AU - Inbal, Asaf
AU - Baer, Gidon
AU - Hollingsworth, James
N1 - Funding Information: This research was supported by National Science Foundation (NSF)/ EAR-U.S-Israel Binational Science Foundation (BSF) Award Number 1801720 and by the Israel earthquake preparedness committee. The authors thank Ran N. Nof for advice regarding the Interferometric Synthetic Aperture Radar (InSAR) processing and Benjamín Idini for providing them their fault model. The authors thank Editor Zachary E. Ross and the reviewers Kejie Chen and Gareth Funning for reviewing this article and for the insightful and constructive remarks. Publisher Copyright: © Seismological Society of America.
N2 - The Ridgecrest earthquake pair ruptured a previously unknown orthogonal fault system in the eastern California shear zone. The stronger of the two, an Mw 7.1 earthquake that occurred on 6 July 2019, was preceded by an Mw 6.4 foreshock that occurred 34 hr earlier. In this study, distinct final slip distributions for the two earthquakes are obtained via joint inversion of Interferometric Synthetic Aperture Radar (InSAR), optical imagery, and Global Positioning System (GPS) measurements. Special attention is paid to the merging of dense (e.g., InSAR and optical imagery) and sparse geodetic (e.g., GPS) datasets. In addition, a new approach is introduced for data and model discretization through intermittent model-and data-space reconditioning that stabilizes the inversion, thus ensuring that small changes in the data space do not cause disproportionate large changes to the model space. Although the coseismic slip of the Mw 6.4 earthquake was complex, involving three distinct asperities distributed among an intersecting orthogonal set of faults, the coseismic slip of the Mw 7.1 earthquake was limited to the main northwest-striking fault. In addition to the Mw 7.1 earthquake, that northwest-striking fault plane also hosted one of the Mw 6.4 asperities. Slip on this coplanar foreshock asperity increased the shear stress at the future site of the Mw 7.1 hypocenter, and triggered a vigorous aftershock activity on the main northwest fault that culminated in its rupture. This, in turn, reactivated the coplanar foreshock asperity. In addition to failing twice within 34 hr, we find that the reruptured asperity slipped about six times more during the Mw 7.1 than during the Mw 6.4 earthquake. This repeated failure is indicative of an incomplete stress drop and premature rupture arrest during the Mw 6.4 fore-shock, requiring an efficient frictional strengthening and emphasizing the causal link between highly rate-dependent friction, dynamic frictional restrengthening, and partial stress drop that has been observed in numerical studies of frictional sliding.
AB - The Ridgecrest earthquake pair ruptured a previously unknown orthogonal fault system in the eastern California shear zone. The stronger of the two, an Mw 7.1 earthquake that occurred on 6 July 2019, was preceded by an Mw 6.4 foreshock that occurred 34 hr earlier. In this study, distinct final slip distributions for the two earthquakes are obtained via joint inversion of Interferometric Synthetic Aperture Radar (InSAR), optical imagery, and Global Positioning System (GPS) measurements. Special attention is paid to the merging of dense (e.g., InSAR and optical imagery) and sparse geodetic (e.g., GPS) datasets. In addition, a new approach is introduced for data and model discretization through intermittent model-and data-space reconditioning that stabilizes the inversion, thus ensuring that small changes in the data space do not cause disproportionate large changes to the model space. Although the coseismic slip of the Mw 6.4 earthquake was complex, involving three distinct asperities distributed among an intersecting orthogonal set of faults, the coseismic slip of the Mw 7.1 earthquake was limited to the main northwest-striking fault. In addition to the Mw 7.1 earthquake, that northwest-striking fault plane also hosted one of the Mw 6.4 asperities. Slip on this coplanar foreshock asperity increased the shear stress at the future site of the Mw 7.1 hypocenter, and triggered a vigorous aftershock activity on the main northwest fault that culminated in its rupture. This, in turn, reactivated the coplanar foreshock asperity. In addition to failing twice within 34 hr, we find that the reruptured asperity slipped about six times more during the Mw 7.1 than during the Mw 6.4 earthquake. This repeated failure is indicative of an incomplete stress drop and premature rupture arrest during the Mw 6.4 fore-shock, requiring an efficient frictional strengthening and emphasizing the causal link between highly rate-dependent friction, dynamic frictional restrengthening, and partial stress drop that has been observed in numerical studies of frictional sliding.
U2 - 10.1785/0120200024
DO - 10.1785/0120200024
JO - Bulletin of the Seismological Society of America
JF - Bulletin of the Seismological Society of America
Magen Y, Ziv A, Inbal A, Baer G, Hollingsworth J. Fault rerupture during the july 2019 ridgecrest earthquake pair from joint slip inversion of insar, optical imagery, and gps. Bulletin of the Seismological Society of America. 2020 Aug 1;110(4):1627-1643. https://doi.org/10.1785/0120200024


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Jimmy Kevin Sayer attended Muskowekwan Indian Residential School (1983-1984). "I've spent half my life incarcerated, and I blame residential school for that. But I also know I have to give up my hate because I'm responsible for myself. I have three adult daughters, and I was in jail for the duration of their childhoods. I have a two-year-old son now, and I need to be there for him. I have to be different." Image by Daniella Zalcman. Canada, 2015.
For her project "Signs of Your Identity," photographer Daniella Zalcman juxtaposed her subjects against something related to his or her experience with Canada's Indian Residential Schools. In 2008, the Canadian government apologized for the residential school system, which eventually a commission officially labeled "cultural genocide." "It was the worst 10 years of my life," said Mike Pinay, pictured against the residential school he attended from 1953 to 1963. "I was away from my family from the age of 6 to 16. How do you learn about family? I didn't know what love was. We weren't even known by names back then. I was a number." Image by Daniella Zalcman. Canada, 2015.
Join 2016 FotoEvidence Book Award winner Daniella Zalcman for the launch of her new book "Signs of Your Identity" at the Cathedral of St. John the Divine in New York on Wednesday, October 26, 2016.
Zalcman discusses her reporting and signs her book during the evening, which also includes an exhibition of Zalcman's "Signs of Your Identity" photography along with the work of FotoEvidence Book Award finalists Mario Cruz, Narciso Contreras, Hossein Fatemi and Ingetje Tadros. The exhibit runs through Friday, November 4, 2016.
The FotoEvidence Book Award is given each year to a photographer whose work demonstrates courage and commitment in documenting social injustice. As part of the award, FotoEvidence published Zalcman's work into the book, "Signs of Your Identity."
"Signs of Your Identity" documents the stories of indigenous Canadians who were placed in church-run boarding schools in order to force their assimilation into the dominant culture. Zalcman uses double exposure portraits to portray her subjects. These multiple exposure portraits juxtapose survivors with the sites where those schools once stood, artifacts of forced assimilation and places where, even today, First Nations people struggle to access services that should be available to all Canadians.
For more information on Zalcman's project and to order "Signs of Your Identity," visit the FotoEvidence website.
The exhibit at Cathedral of St. John the Divine runs through Friday, November 4, 2016.


The PeaCock basket has ping-ponged between Anna and me for more than a year now. It is not difficult to make, but requires a lot of cutting – no problem if you are the fortunate owner of a cutting machine. The pattern comes in 7 parts. When you plan the colours you will observe, that some forms are repeated in greater number than you need. This is to use the paper in full and to give you the opportunity to mix and match the colours – you need not hand cut the pieces you do not need.
For my peacock I used 7 colours and printed 8 sheets. I printed: Colour 1 – dark blue (part 1/7 and 7/7). Colour 2 – purple (part 2/7). Colour 3 – green (part 3/7). Colour 4 – metallic dark blue (part 4/7). Colour 5 – light green (part 5/7). Colour 6 light blue (part 6/7). Colour 7 – dark green (part 7/7 again).
The basket forming the peacock's body is woven. After weaving add the handle and then the head. If you like you may add a small piece of paper on the rear side of the head to colour the eye. Also you may vary the angle and position of the head to obtain different expressions.
The tail is joined – i.e. each of the 4 largest trains is made from two pieces, while the 5th and smallest is just one colour. Make the two faces of the basket separately. For each face join Aa and Ab, Ba and Bb, Ca and Cb, and Da and Db. Line up. The oblique sides of the lower parts of the a-pieces shall line up – not the bottom lines. Fix in the exact position with a little glue at the centre of each joined train. Add the smallest train on top.
Drop the two tail pieces in the basket.
We have uploaded a video on youtube explaining how to put the PeaCock together.
This is gorgeous pattern. I love peacocks and this is beautiful!!
Again most beautiful.Thank you and Anna. Can't what to make several. This will be part of my families Christmas gifts. One question though. What weight paper did you use?
In general I use 80 g/m2. This paper comes in many, many colours – if you are prepared to buy 500 sheets of the same. Sometimes you may find a package with 12 different colours. But particularly the darker colours are difficult to locate. Now and then I am lucky to find 90 g/m2 or 100 g/m2 (a great deal more expensive) writing paper in the colours I lack. This paper is much better quality and also survives the cutting machine better.
Endnu en gang er jeg dybt imponeret.
I am confused about the body of the peacock. It is not woven like your other baskets? Can you elaborate? Thanks.
It IS woven. The pattern is just like the Gingerbread heart, however more pointed and more arms. The pattern is the wavey parts from page 4 and page 7. You must crease alonge the central symmetry axis. I see now I did not indicate that on the pattern. Sorry. Also I put 2 parts on each page. Most economic, but that is also confusing. You only need 1 from each page. It is not difficult to weave, but take care to plan the weaving correctly, i.e. turning the pieces in the right way so that a basket with a sort of handle (the neck) is formed. Hope this helps.
Thank you. I think I understand. You fold wavey parts from page 4 and page 7 in half and then thread/weave them into each other. Is that correct? Thanks again.
Hej jeg har et problem med de her filer med at skære dem ud på min silhouette cameo.
Den skærer dem ud i sådan nogen hakker og ikke lige linier ? jeg har lavet pdf filen om til både jpg og png men intet virker.
Hvordan gør I selv ?
Open the pdf in Inkscape (or some other program that can edit vector files like CorelDraw or Adobe Illustrator–if you have one).
Inkscape is free, by the way….
Save the file as a DXF or SVG. Open in Silhouette Studio or RoboMaster. Cut!
jeg har prøvet at gøre det som i skriver både i inkscape og illustrator men intet virker ?
jeg har cameoen ved ikke om det er forskellen ?
Hm. Det lyder mærkeligt. Er du sikker på at den fil du starter med stadig er en VEKTOR pdf – og ikke bare et almindeligt billede? Er det én af mine?
ja jeg har hentet pdf filerne her til denne fugl, på links ?
Jeg har lige prøvet med den første af de cut-filer, der står nederst i posten. Og det virker fint. Så et eller andet må være på en anden måde hos dig. Jeg har ikke en cameo selv, men jeg skal prøve at finde en, der kan hjælpe dig.
Przepiękny ptak. Wprawdzie dużo wycinania nożyczkami ale warto. Gratuluję pomysłu i wykonania.


text:
But this is not so with David's aunt Elizabeth, who really seems to care about the boy. As today's episode opens, she is brooding at the drawing room window when Carolyn comes in to inform her that the search has thus far turned up nothing. Elizabeth is inconsolable.
Carolyn: I'm sure he'll turn up.
Elizabeth: If he doesn't… if anything happens to him… I'll never forgive Miss Winters. Never.
Talk about stoning the messenger. Vicki had only done what any responsible governess would have; if there's a problem with her charge, she takes the matter to her employer for resolution. Instead, all she gets for her trouble is blamed:
Vicki: I'm only worried about David.
Mrs. Stoddard: And you should be! If it weren't for you David never would have left the house. I engaged you to care for David, not to drive him away!
Vicki: I didn't.
Mrs. Stoddard: Oh, come now, Miss Winters. Why do you think he's gone?
Vicki: Because I found the valve in his dresser drawer. Because I told him what I'd learnt.
Mrs. Stoddard: Because you accused him of a horrible crime. Because you told him he was guilty of trying to injure his own father.
Vicki: But it's true.
Mrs. Stoddard: The only truth I can see, Miss Winters, is because of your accusations, David is no longer here. Now I'd like you to go, please. I want to be alone.
Fortunately for Vicki, Carolyn is on her side to play the role of mediator:
Carolyn: Mother, I don't understand you. So help me I don't.
Mrs. Stoddard: What are you talking about?
Carolyn: Vicki. Don't you realize what you said to her?
Mrs. Stoddard: I don't think I need a lecture from my own daughter.
Carolyn: How could you even hint that you don't believe her story?
Elizabeth's repudiation is such that she's even willing to believe that her governess, after only one day on the job and who had only spoken to Roger on just two occasions, may be the one responsible for Roger's car going off the road.
Carolyn: Mother, Vicki said she found the valve in David's dresser drawer, and you didn't believe her.
Mrs. Stoddard: I have to be sure.
Carolyn: And the magazine, with the full description of the brake cyl –
Mrs. Stoddard: What do you want me to do, Carolyn? Destroy David?
Carolyn: I want you to face the truth.
Mrs. Stoddard: What truth?… The magazine was in Miss Winters' room. Don't forget that. And anyone reading it would know how to remove a brake valve.
Carolyn: Of course. But David gave it to her.
Mrs. Stoddard: I only have her word for it. Just as I only have her word that she did find the valve.
Carolyn [shocked, voice low]: Oh, mother!
Mrs. Stoddard: Why do you want to accuse David? Isn't it equally possible that Miss Winters could have removed the valve?
Carolyn: Do you really believe that?
Mrs. Stoddard: No.
This would be a good opportunity to have another close look at what motivates Elizabeth Collins Stoddard. It should be kept in mind that few characters in the beginnings of Dark Shadows could be written with as much depth and complexity as that of Elizabeth Stoddard. Executive producer Dan Curtis had simply dreamed a governess into existence. But for story creator Art Wallace, the prototype for Elizabeth Stoddard precedes Dark Shadows by a dozen years. In a 1954 episode of the anthology TV series The Web (The House, broadcast August 29, 1954), Wallace brought his tale of reclusive matriarch Elizabeth Stallworth to the small screen (whose teenage daughter Carolyn was dating a local fisherman named Joe; the story even featured a drunken local artist named Sam). A one-hour treatment of The House was brought to the Goodyear Playhouse TV drama series in 1957, this time with the names switched around; Caroline Barnes was the mother's name and Elizabeth Barnes the daughter's.
For his Dark Shadows outline Shadows on the Wall, which became the series bible, Wallace describes Elizabeth Stoddard as a woman whose sense of loyalty to family is of uppermost importance, as someone who is stern but also caring:
"Elizabeth is still a proud woman, as protective of the Collins name as were her ancestors. She is generally taciturn…but one can occasionally catch a glimpse of warmth under the shell that has hardened under the eighteen years of virtual isolation." (Shadows on the Wall, pp. 14-15)
She is determined that her daughter Carolyn should be happy:
"For Elizabeth did love her daughter. Let there be no question about that. All the affection, compassion, and warmth the older woman possessed were channelled towards the girl who was the only reminder of a marriage that had lasted much too briefly.
"Elizabeth's energies were devoted to ensuring for Carolyn the happiness that she herself had never really possessed." (Shadows on the Wall, p. 16)
The only reason Roger has been allowed to return to Collinwood is for the sake of David:
"Elizabeth had made no secret of the fact that she would not allow his return. But now the situation had changed. Roger made an unexpected visit to his sister at Collins House, pleaded the cause of his son….the 'poor nine-year-old child, with no mother to care for him'. He appealed to Elizabeth's family pride, skillfully reminded her that David was the heir to the Collins name, faithfully promised a renewal of responsibility and sobriety." (Shadows on the Wall, pp. 26-27)
In fact, when you think about it, the only member of the Collins family who does feel any sense of affection and obligation to David is his aunt Elizabeth. Carolyn despises her nephew, and more often than not Roger couldn't care less; both repeatedly refer to him as a monster. If David is to have any chance at all, it is to be through the love and protection bestowed on him by his aunt Elizabeth.
You would have thought that Elizabeth had been thus far denying David's guilt in Roger's accident because she wanted to be true what all appearances and probability suggested, that it had been Burke Devlin who had tampered with the brakes on Roger's car; this way, the threat that Devlin represented to the interests and well-being of Collinwood and its residents would have been eliminated. But now with David having disappeared and Elizabeth continually agonizing over his whereabouts and emotional state, she hasn't mentioned the name of Burke Devlin once.
Finally, she regains her composure and issues an apology to Vicki:
Mrs. Stoddard: I'm a foolish woman, Miss Winters, and I say many foolish things. I want to apologize for the way I talked to you.
Vicki: Well, I know how worried you must have been.
Mrs. Stoddard: Worried? Yes I was, and I still am. But I'm afraid I was trying to deny reality, and trying to make you suffer for it.
Vicki: I'm sure David will be alright.
Mrs. Stoddard: I hope so. He belongs to this house, Miss Winters. And there's no peace here. Not for me, not for Carolyn, not for poor little David. And I'm not sure there ever can be peace.
Notice how she doesn't mention the name of her brother. This could be the Dark Shadows way of advising the viewer to pay Roger no mind. After all, he's the villain of the piece. Besides, as of the production of today's episode, Art Wallace is only planning to have the character of Roger Collins killed off – the series bible calls for it.
With executive producer Dan Curtis having given director Lela Swift a break for a few episodes to think about her continued misbehavior during the taping of episodes despite his repeated warnings, Curtis pretty much says it all as he consults with interim director John Sedwick during the opening theme segment:
Dan Curtis: Should be a nice, quiet episode without Lela in the control room. I finally got fed up with her complaining about my supporting actors all the time…
There isn't much talk coming through the control room microphone during the taping of this episode, except for the final scene in Burke's room where Burke steps over to the window to comment on an approaching storm. The camera angle shows a piece of equipment on the floor evidently left over from perhaps the dress rehearsal, and Dan chews out his stand-in director about it:
Dan: Jesus Christ! What the fuck is that huge cable doing across the floor of the set? Don't you clean up before you start taping? That's one thing Lela would never let happen.
John Sedwick: I'm sorry, Dan. That's something I overlooked. This is all new to me. I'll get it right for the next episode.
To provide some idea of what a set on Dark Shadows would look like before the taping of an episode, here's the floor of the Blue Whale set ahead of the taping of episode 1:
(Photo from Dark Shadows: The First Year by Nina Johnson and O. Crock, Blue Whale Books, 2006)
A moment after the exchange between Curtis and Sedwick concludes, as Burke sends David out of the room to wash up for the drive back to Collinwood, Mitch Ryan pats David Henesy on the backside to send him on his way; just a sportsmanlike gesture, the way a coach would interact with a young ballplayer. But Dan can't resist taking the opportunity to gossip in the absence of his regular director:
Dan: He patted him right on the ass. I wonder what Lela would think about that. Lela has an ass fetish. Everything she talks about, it's always about ass with her. There's no end to it.
JS: That Fred Stewart episode was crazy!
Over the end credits, the discussion about Lela continues:
Dan: One other thing about Lela. She only complains about trousers when they're worn by men, never when they're worn by women. Have you noticed that?
JS: Sure I've noticed it. I think she's a lesbian but won't admit it…
The Dan and Lela Show will return to its regularly scheduled programming, after a short break.
"Mother, we just have to face the fact that either David's found himself a corner we don't know about, or he's decided to hit the road."
Burke assures David that he would never lie to him.
David plants the missing brake valve in Burke's room.
Mrs. Stoddard is distant toward Vicki when she asks about the search for David.
"If it weren't for you, David never would have left the house."
"The only truth I can see, Miss Winters, is because of your accusations, David is no longer here."
Carolyn reassures Vicki not to blame herself for David.
Burke and David become instant friends.
Carolyn tries convincing her mother that Vicki wasn't lying about David.
"Carolyn, what's happening to us?"
Mrs. Stoddard receives word of David's recent whereabouts from Maggie Evans.
Mrs. Stoddard explains to Vicki why there can never be peace for anyone living at Collinwood.
After sending David to the other room to wash up, Burke looks under the sofa cushions and discovers the real reason why David came to see him.
Favorite Lines/Exchanges:
Elizabeth: David's only nine years old, he wouldn't run into the dark.
Carolyn: Well, it wasn't dark when he left. Besides, if I were in his spot I might have done the same thing.
Elizabeth: If anything happens to him… Carolyn, I love David.
Carolyn: He's a horror, and you know it.
David: I've been waiting to talk to you.
Burke: Well if you're a salesman, I don't want a thing.
David: I've been waiting for almost two hours.
Burke: Well, in that case, you'd better come in… I admire persistence. Do you know what that word means, David?
David: How did you know my name?
Burke: Well you're a very famous fellow. The disappearing David Collins. The boy who vanished in the restaurant while his father was looking for him. Tell me something, David. Where were you hiding?
David: In the phone booth.
Burke [laughs approvingly]: Hey, a born spy, huh? Tell me something else. Why did you try to sneak into my room?
David: I didn't.
Burke: David, let me tell you something. I've broken lots of promises in my time. To doctors, lawyers, firemen, even an Indian chief. But to a nine-year-old boy, never.
Carolyn: Oh, Vicki, don't blame yourself for David. He was a problem long before any of us had ever heard of you.
Background/Production Notes:
Episode 29 is the first to require more than one take. Episode 1 was done in three takes, but was not necessary. Having had the luxury of a long preparation for the debut, the makers of Dark Shadows just wanted to guarantee that the first episode would be good. As a rule, multiple takes for an episode taping were never done unless absolutely necessary.
The opening of this episode shows a back lawn view of Seaview Terrace (aka the Carey Mansion) in Newport, Rhode Island, to represent the exterior of Collinwood…
…with the camera moving in for a close-up on one of the windows intended to represent the drawing room at Collinwood…
…which then dissolves to the studio set as Elizabeth Stoddard stands at the window worrying over David's disappearance.
This is one of the "in between" episodes where caretaker Matthew Morgan is mentioned by name but does not appear in the episode, in the teaser where Carolyn provides her mother with an update on the search for David: "I asked Matthew to go down to the main road and see what he could find." George Mitchell, who originated the role of Matthew Morgan, left after episode 16. The character will be mentioned again by name in episodes 30 and 32, but won't appear onscreen again until Thayer David assumes the role in episode 38.
The start of Act I shows location footage taken in Essex, Connecticut, of the Griswold Inn, to represent the exterior of Collinsport Inn…
…which then dissolves into the studio set for Burke's room.
In Act III, when Carolyn takes a phone call in the drawing room, this is the only time in the entire series when the hotel restaurant/diner/coffee shop is described exactly as it was originally scripted beginning with episode 1: "It's Maggie Evans. She works in the Collinsport Restaurant."
This is the second episode to feature the special effects of thunder and lightning. Thunder is first heard in Act II when Carolyn pays a visit to Vicki's room. The first flash of lightning appears in Act IV when Burke looks out the window of his hotel room to check for the approaching storm. Thunder and lightning effects were first used in episode 14 for the Collinwood sets.
This is the first episode to be directed by then associate director John Sedwick.
Daily studio schedule for Dark Shadows in 1966
7:00-11:00 a.m. Lighting
8:30-10:30 Morning Rehearsal
10:30-11:30 Break/Make-Up
11:00-12:00 Engineering Set-Up
11:30-2:00 Camera Blocking & Run Through
2:00-2:30 Dress Rehearsal
2:30-3:00 Test Pattern
3:00-3:30 Episode Taping
3:30-4:00 Knockdown
3:45-4:15 Technical Meeting
4:00-6:30 Dry Rehearsal for Next Episode
4:00-7:00 Reset Studio
Bloopers/Story Continuity:
In the teaser, the long camera shot looking in through the Collinwood drawing room window all the way across to the foyer picks up the shadow of the boom mic and its arm extending across the wall of the foyer. As Carolyn enters the drawing room, the shadow moves upward as the boom mic is being raised.
In Act I, when Vicki suggests to Mrs. Stoddard that the police should be called, Joan Bennett says: "What story do you want me to tell them, Miss Winters? The same story you told me? That my nephew is responsible for my, his br, father's accident?"
In Act I, as Vicki follows Mrs. Stoddard into the drawing room, the shadow of the boom mic moves up the foyer wall as the device is being raised.
At the end of Act I, as Vicki begins making her exit from the drawing room, she walks under the boom mic, the shadow of which meets her forehead.
The shadow of the boom mic arm can be seen across the top part of the chair to the left of the fireplace, before being moved out of view.
In Act II, in Vicki's room, as Carolyn tries consoling Vicki over responsibility for David's disappearance, above the armoire in the background the top edge of the set is visible.
In Act II, in Burke's room, Burke mispronounces David's name: "Hey, come on, Damie, tell me what's on your mind."
In Act III, in the Collinwood drawing room when Mrs. Stoddard gets on the phone with Maggie Evans, Joan Bennett says: "This is David aunt, David's aunt…"
In Act IV, in Burke's room a boom mic shadow settles against the shade of a lamp beside the sofa.
In Act IV, in Burke's room a long, thick studio cable can be seen stretching diagonally from the sofa to the wall at stage left.
Food & Drink in Collinsport:
In Devlin's room at the Collinsport Inn, Burke fixes David a drink he calls the Burke Devlin Special, a concoction of a couple of different fruit juices, which he mentions he used to enjoy as a kid.
It's hard to tell from black and white, but it appears to be a mix of pineapple and orange.
In the days before health food stores began appearing to popularize blended fruit juice drinks, there was the Burke Devlin Special.
Joan Bennett's 1970 autobiography (original front and back covers).
The Bennetts: An Acting Family, the 2004 biography (front cover).
From the page I created for Dark Shadows Wiki:
Dark Passages is a novel written by Kathryn Leigh Scott and published in 2011 by Pomegranate Press, Ltd.
Set in the 1960s, Meg Harrison leaves her native Minnesota for New York to pursue a career in acting while working as a Playboy Bunny in New York's Playboy Club. After changing her name to Morgana Harriott, she soon lands the role of Margie, a restaurant waitress and daughter of a local artist, in the new daytime TV serial Dark Passages. The show will eventually feature a vampire, but the catch is that Morgana is one in real life.
The characters described on the sets of Dark Passages resemble quite vividly those on Dark Shadows and the actors who played them. The diner set where Margie works is greatly similar to that of the Collinsport Inn restaurant on Dark Shadows.
For the back cover, Jonathan Frid wrote the following blurb: "Reading DARK PASSAGES was like being back on the sets of DARK SHADOWS, except with real vampires behind the scenes!"
Recommended Listening:
In this eight-CD box set of composer Robert Cobert's series soundtrack, every music cue used on Dark Shadows is available, including the full-length original recordings of the guitar instrumentals heard at the Blue Whale.
Since 2006, UK production company Big Finish has been extending the Dark Shadows legacy with audio dramas offering new stories featuring cast members from the original TV series. My favorite is the 2015 audio drama …And Red All Over, in which Mitchell Ryan reprises his role as Burke Devlin to the backdrop of an eerily compelling backstory on how he came to acquire his wealth in business. Also starring Kathryn Leigh Scott as Maggie Evans, with original series themes and music cues composed by Robert Cobert. A must listen for any fan of the first year of Dark Shadows.
Coming next: Episode 30: The Rain in Maine Falls Plainly All in Vain
— Marc Masse
(aka PrisoneroftheNight)
© 2018 Marc Masse and Dark Shadows
from the Beginning. All rights reserved.
Unauthorized use and/or duplication of
the content herein is a violation of the
terms and standards as set forth under
U.S. copyright law.
Author PrisoneroftheNightPosted on May 6, 2018 March 10, 2019 Tags Art Wallace, Burke Devlin, Burke's hotel room, Collinsport Inn, control room microphone, Dan Curtis, David and attempted murder, David Collins, Fred Stewart, George Mitchell, John Sedwick (director), Lela Swift, Matthew Morgan, Mechano Magazine, Missing brake valve, Shadows on the Wall, Thayer David, the Burke Devlin Special, The Dan and Lela Show, thunder and lightning
2 thoughts on "Episode 29: Mechanics Made Easy, Pt. 2"
JoeyT says:
Who is Fred Stewart?
PrisoneroftheNight says:
Fred Stewart played Dr. Reeves in episode 17, who treats Roger Collins for injuries after his car runs off the road. Reeves returns in the role for one episode in 1967 during the Phoenix story (episode 158) before the character is replaced by Dr. Woodard.
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Dark Shadows from the Beginning Special Edition: The Perils of Mark Allen, Revisited, Pt. 1 December 30, 2020
Episode 70: A Serial Thriller Is Born November 12, 2020
Episode 69: Avengers Uncorporated October 11, 2020
Episode 68: The Most Charming Man in the World September 18, 2020
Episode 67: Mourning Has Broken August 25, 2020


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text:
June 12, 2014 June 13, 2014 Jana J. Monji
DreamWorks Dragons: 'Riders of Berk' and 'Defenders of Berk' are family-friendly for dragon lovers
As a dragon lady, of course I love dragons and "DreamWorks Dragons" is a wonderful example of computer animation with a heartfelt story of family, friends and cross-species communication.
"DreamWorks Dragons" is the Cartoon Network TV series follow-up to the Oscar-nominated 2010 movie "How to Train Your Dragon." Hiccup has gained his father's respect, changed the way his community of Berk islanders relates to dragons and gotten positive attention from his crush, Viking girl Astrid.
Now that his gang all are dragon riders, life in their village of Berk needs a few adjustments. In "Riders of Berk Part I" Hiccup (Jay Baruchel) and Toothless face several problems because it's not easy living with dragons and it's also not easy being a teen. Hiccup stars a Dragon Academy ("How to Start a Dragon Academy"), but the dragons frighten the more ordinary domesticated animals ("Animal House") and cause damage ("In Dragons We Trust"), but they also are hated by grumpy Berk resident Mildew (Stephen Root). Mildew plots to have the dragons expelled from Berk and rival Vikings, the Outsiders, are introduced.
Alvin the Treacherous (Mark Hamill) leads the Outcast Tribe on a raid of the Berk island in order to find the Dragon Conqueror ("Alvin and the Outcasts"). There's also a parallel with the dragons as Toothless is shown to have his own enemy: a Whispering Death.
In Part II, having driven the Outcast tribe away, Hiccup teaches his father Stoick how to ride, using Toothless, but each person must have their own dragon "How to Pick Your Dragon") and Stoick (Nolan North) eventually finds a dragon suitable for his personality. This brings Hiccup and his father closer together, but Stoick still wishes he had a son who was more like a traditional warrior and less the slender geek that is his son ("Portrait of Hiccup as a Buff Man").
Astrid (America Ferrera) and Hiccup have a few awkward moments together, but they each are growing in respect to each other, yet the sudden appearance of another girl named Heather, causes Astrid to become jealous. Yet credit the writers for not so easily dismissing Heather as an evil person. Astrid ends up helping Heather ("Heather Report") as the threat of Alvin and the Outcasts reappears.
Astrid also helps Hiccup grow emotionally. When Hiccup has the opportunity to show up Snotlout (Zack Pearlman), her disappointment in Hiccup's behavior helps him remain humble ("Thawfest").
At the end of the season (20 March 2013), Hiccup attempts to find Toothless' family when he learns about an island where Night Furies nest, but his information is false and he and Toothless are trapped and held captive by Alvin and the Outcasts.
The 20 episodes of Season 1 are all fun and filled with humor and lots of dragons and dragon lore to appreciate. As always, despite all the faults of each character, the stories emphasize that each one brings something valuable to the group.
The second season the dragon riders become "Defenders of Berk."
"Defenders of Berk" begins where "Riders of Berk" leaves off. The people of Berk ready to defend themselves against Alvin and the Outcasts ("Live and Let Fly"), but they are surprised at Alvin's tactics and the continue to learn more about dragons–new species and even their own mounts. Of course, the good lessons include the importance of each team member and teamwork.
Fishlegs and his Gronckle, Meatlug, accidentally discover a new metal alloy which is lighter and sturdy ("The Iron Gronckle"). Fishlegs helps Gobber at a time when Meatlug's slow flight pace is criticized by the rest of the dragon flying gang. Ultimately, Hiccup and the others realize that Fishlegs goes slow enough to study the geography and map out their discoveries. They want him back on their patrols and a few new tools are made with the Gronckle iron that Fishlegs has no idea how to make again.
While on a training exercise devised by Astrid ("The Night and the Fury"), the Defenders of Berk are on Dragon Island and run into Dagur the Deranged who is not focused on dragon hunting and Dagur learns their secret–they don't hunt dragons, the people of Berk train them.
Alvin and the Outkasts haven't gone away and they bring Berk a present that causes their well to run dry ("Tunnel Vision"). At the same time, Hiccup and his friends meet Whispering Death hatchlings and learn about a new type of dragon: Screaming Death ("Appetite for Destruction").
Snotlout learns that sometimes he knows better than his father when his dragon becomes sick and they must find a cure for an exhaustion sickness ("Race to Fireworm Island"). Toothless also becomes sick during this season from eel pox ("The Eel Effect"), but don't let that put you off of eating eels. The past comes to haunt Astrid when she seeks to find a ghostly dragon that caused her uncle to freeze in terror ("Fright of Passage"). She's fighting for her family honor, but needs the help of her friends. Other dragons include the swift Speed Stingers ("Frozen" without the musical talents of Idina Menzel) and the lightning-powered Skrill ("A View to a Skrill").
Throughout, the threat of Alvin and the Outkasts, Dagur and Mildew is always in the background until the last two episodes in which Hiccup learns something about his father and Hiccup and Snotlout come to a better understanding of each other's strengths and weaknesses. In both seasons, we are reminded that Hiccup is also in training to some day be chief.
Both "Rider of Berk" and "Defenders of Berk" are available as DVD sets. Subtitles are available in Spanish and French.
Berk resident Mildew
Dragon Academy
Riders of Berk
Previous Press release: Are you a Guardian of the Galaxy?
Next More life lessons on 'How to Train Your Dragon 2'


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