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– japońska firma zarządzająca talentami głosowymi seiyū. Jej siedziba znajduje się w Shinjuku.

Członkowie

Mężczyźni
 Hideto Ebihara
 Takayuki Fujimoto
 Yuzuru Fujimoto
 Hitoshi Hamano
 Ryūzō Hasuike
 Takashi Hikida
 Tadashi Hirose
 Hiroaki Ishikawa
 Hiroya Ishimaru
 Takuo Kawamura
 Masafumi Kimura
 Fumio Matsuoka
 Hiroshi Naka
 Makoto Naruse
 Ikuo Nishikawa
 Ken'ichi Ogata
 Kazuki Ogawa
 Jirō Saitō
 Takayuki Sakazume
 Keiichirō Satomi
 Shigeru Shibuya
 Hiroshi Shirokuma
 Ken Shiroyama
 Yoshinori Sonobe
 Jun'ichi Sugawara
 Takashi Taguchi
 Keiichi Takahashi
 Kōsei Tomita
 Katsumi Toriumi
 Sōmei Uchida
 Eiji Yanagisawa
 Hiroyuma Yokō

Kobiety
 Sayaka Aoki
 Junko Asami
 Hideko Eguchi
 Mioko Fujiwara
 Hitomi Harada
 Hiroko Hirata
 Mana Hirata
 Shion Hirota
 Yukari Honma
 Junko Hori
 Chizuko Hoshino
 Miyuki Ichijō
 Teiyū Ichiryūsai
 Hisako Kanemoto
 Yūmi Kikuchi
 Madoka Kimura
 Misa Kobayashi
 Sanae Kobayashi
 Satomi Kōrogi
 Megumi Kubota
 Nami Kurokawa
 Chihiro Kusaka
 Yukie Maeda
 Mari Mashiba
 Yuki Matsuoka
 Ako Mayama
 Junko Midori
 Atsuko Mine
 Tomoko Miura
 Eri Miyajima
 Yūko Mizutani
 Emi Motoi
 Sayuri Nakano
 Megumi Nasu
 Fumi Oda
 Noriko Ohara
 Junko Sakuma
 Airi Sakuno
 Ayana Sasagawa
 Aki Sasamori
 Akiko Takeguchi
 Roko Takizawa
 Akane Tomonaga
 Kikumi Umeda
 Akiko Yajima
 Aya Yamakawa
 Miho Yushida
 Saori Yumiba

Dawni członkowie

Mężczyźni
 Kinryū Arimoto (teraz Heiya Kikaku)
 Eisuke Asakura (teraz Arts Vision)
 Chō (Yūichi Nagashima) (teraz Tokyo Actor's Consumer's Cooperative Society)
 Takashi Demura (teraz Media Office)
 Jun Fukuyama (teraz Axlone)
 Tōru Furusawa (teraz Kenyū Office)
 Nobuyuki Furuta (teraz Kenyū Office)
 Jun Hazumi (teraz Arts Vision)
 Satoshi Hino (teraz Axlone)
 Katsuhisa Hōki (teraz Kenyū Office)
 Kenyū Horiuchi (teraz dyrektor Kenyū Office)
 Kazuhiko Inoue (teraz B-Box)
 Ryūzō Ishino (teraz 81 Produce)
 Kaneta Kimotsuki (teraz Winner Entertainment, dyrektor 21st Century FOX)
 Naoki Kinoshita (teraz Kenyū Office)
 Takurō Kitagawa (teraz Sigma Seven)
 Ichirōta Koizumi
 Takehito Koyasu (teraz dyrektor Diizufakutorii)
 Junro Maruyama (teraz Arts Vision)
 Yasunori Matsumoto (teraz Sigma Seven)
 Takahiro Mizushima (Axlone)
 Makoto Terada (teraz Media Office)
 Shūsei Nakamura
 Masayuki Nakata (teraz Vive)
 Ken Narita (teraz Aksent)
 Hideki Ogihara (teraz Diizufakutorii)
 Takayuki Okada (teraz Kenyū Office)
 Kōsuke Okano
 Kenichi Ono (teraz Rimakkusu)
 Shinya Ōtaki
 Takao Ōyama (teraz Bijuaru Space)
 Mitsuo Senda (teraz 81 Produce)
 Yutaka Shimaka (teraz Production★A Collection)
 Noriaki Sugiyama (teraz Axlone)
 Katsumi Suzuki (teraz Arts Vision)
 Seiichi Suzuki (śmierć)
 Nobuyuki Tanaka
 Kazuya Tatekabe (dyrektor Kenyū Office)
 Yūichi Tauchi
 Kei Tomiyama (śmierć)
 Ken Yamaguchi (dyrektor OYS Produce)
 Takumi Yamazaki (teraz T.S.P.)
 Shinnosuke Tachibana (teraz Axlone)
 Masaki Aizawa (teraz Bell Production)

Kobiety
 Runa Akiyama (teraz 81 Produce)
 Shizuka Arai (teraz Feathered)
 Mayumi Asano (teraz Office Osawa)
 Sachiko Chijimatsu (teraz Arts Vision)
 Yūko Gotō (teraz Axlone)
 Rei Igarashi (teraz Office Osawa)
 Sayuri Ikemoto (teraz Kenyū Office)
 Kazue Ikura (teraz Aoni Production)
 Emiko Itō
 Rie Iwatsubo (na emeryturze)
 Mai Kadowaki (teraz Kaleidoscope)
 Tomoko Kawakami (śmierć)
 Shōko Kanoki
 Eriko Kawasaki (teraz Sigma Seven)
 Chie Kōjiro (teraz 81 Produce)
 Naoko Matsui
 Ai Orikasa (teraz Axlone)
 Yoshiko Sakakibara
 Yūko Sanpei (teraz Axlone)
 Yūko Satō (teraz Aksent)
 Chie Sawaguchi (teraz Across Entertainment)
 Mari Shimizu
 Kei Shindō (teraz Axlone)
 Akemi Shinohara (teraz Arts Vision)
 Miki Takahashi (teraz SplashDream)
 Kumiko Takizawa (teraz 81 Produce)
 Miki Tsuchiya (teraz Aswan Entertainment)
 Aki Unone (teraz Arts Vision)

Linki zewnętrzne
 oficjalna strona

Przedsiębiorstwa w Japonii
Agencje zarządzające japońskimi talentami głosowymi
Przedsiębiorstwa w Shinjuku (Tokio)


Ridesharing services have grown increasingly popular in recent years. Uber and Lyft are convenient alternatives to standard taxi services. Taking a rideshare car to your destination with these services is generally cheaper than a taxi because the drivers are using their own personal vehicles.
However, just like with any other vehicle, an Uber or Lyft vehicle can get into an accident. If you happen to be in the car when a crash occurs, it can be devastating and a scary experience. If you suffer injuries, you will question what to do next.
The safety of everyone involved in the crash is the main priority. Check to ensure that you are okay and then see if anyone else is injured. Call 911 immediately, even if no one seems injured, so that police and an ambulance come to the scene. Be sure to move yourself to a safe position so that traffic does not pose a safety risk to you or others.
A police investigation of the crash is often helpful. The police will take statements from those involved in the crash and those who witnessed the crash. The statements usually prove important should a personal injury claim be made at a later date.
If you are injured, seek medical attention promptly. Timely medical attention will give you the best opportunity to recover fully from your injuries. Medical treatment will also document the scope and severity of your injuries should your claim for injuries be questioned by an insurance company.
Ask the driver for relevant information. You should request the name of the at-fault-driver, the name of the ride-share driver, each driver's address and telephone number, the vehicle license plate number, the make and model of their vehicle, and the driver's insurance company name. You will also want to get the names and contact information of any witnesses to the accident. The Police Crash Report will often contain this information, but it can never hurt to ask for the same information.
If you are physically able to do so, take pictures of the scene of the accident with your smartphone's camera. Focus on the vehicles involved, skid marks on the road and any property damage. In addition, you will want to make note of the traffic conditions, the weather, and if any traffic lights, stop signs or other warning signs were ignored. You can present all of this information to a personal injury attorney to help build your case.
Getting compensation after an accident in an Uber or Lyft vehicle can be complicated. In general, most ridesharing services attempt to hire their drivers as independent contractors. This attempt is made in an effort for the ridesharing company to try to minimize its liability for any negligence on the part of the Uber/Lyft driver. Hiring an attorney who is experienced with ridesharing cases can dramatically improve your chances for a full monetary recovery for your injuries and losses. The experienced attorneys at Shevlin Smith can help you seek the fair and full compensation you deserve.
If you were injured while taking a rideshare vehicle, contact our firm at (703) 721-4233 today to discuss your case.


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Carlyle's David Rubenstein wants second Brexit vote as UK PE deals dwindle
By Adam Lewis
February 28, 2019 View comment (1)
David Rubenstein acknowledged that, as a US citizen, he wasn't in an ideal position to be commenting on Brexit. But The Carlyle Group co-founder nonetheless weighed in on the UK's impending split from the European Union at a private equity conference Wednesday in Berlin.
His opinion? A second vote is the "only solution."
"It's difficult for an American to come to Europe and tell Europeans how to run their country because we haven't run ours perfectly. So it's hard for me to give advice to people in England." Rubenstein told attendees, per the Financial Times. "But I do think that the only solution that I can see that would make sense to resolve this problem is a re-vote. The first vote was—you could say—not relatively informed because it wasn't clear what Brexit really meant. Now it is clear."
Rubenstein's buyout shop has joined a growing number of private equity firms that have scaled back investments in the UK. Last year, private equity deal value dropped a whopping 27.7% in the UK, while the rest of Europe dipped 5.9%, according to PitchBook's 2018 Annual European PE Breakdown. Private equity deal count took a hit in the UK as well, dropping 9.5%.
It's not just the UK that would be affected, either, per PitchBook analyst Wylie Fernyhough, who called Brexit a "lose-lose situation" from a financial markets perspective.
"Any ramifications are likely to have spillover effects in continental Europe, because more capital flows from the UK to the rest of Europe than the other way around. In fact, Europe has a $90 billion annual trade deficit with the UK. Moreover, UK investors invested in £16.6 billion (€18.8 billion) worth of PE deals in Europe in 2018 against the £7.1 billion (€8.0 billion) that European investors closed in the UK. With many of the major European economies looking fragile, including [Germany's], a hard Brexit may be enough to throw the whole region into recession.
UK prime minister Theresa May has been unable to renegotiate her exit deal with the EU so far—and the pressure is mounting. Earlier this week, she proposed a series of parliamentary votes on the possibility of a revised Brexit deal, a no-deal exit or delaying the March 29 Brexit date altogether.
In the meantime, don't be surprised if many private equity firms stay away from UK deals as the drama continues. Carlyle, for instance, has made just one UK-based PE deal so far this year after striking 16 in 2018, per PitchBook data.
"I think for the time being we are going to partially move forward in a really uncertain way," Rubenstein said, per the FT. "I think that's really going to hurt UK growth and it will hurt UK property values and really hurt the European economy."
To download our full 2018 Annual European PE Breakdown, click here.

redpajama_set_name: RedPajamaCommonCrawl


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Home / Blog / Beauty / What Does it Mean to Truly Detoxify Your Skin?
What Does it Mean to Truly Detoxify Your Skin?
Sponsored post by Clarins, learn more.
With all of the detox programs out there―juice, digital, relationship―we often overlook our body's largest organ, our skin. With Clarins' gentle daily cleansers and Spa Facials, you can detox your skin and achieve a spa-fresh glow, starting from day one.
The way our skin looks is a direct reflection of what is happening externally and internally. It would be nice if we lived in a stress-free world, eating only pure, organic foods―but come on, life is hectic! If you're reading this, you're probably trying to maintain a healthy balance as best you can―however, the food we eat, the air we breathe, overload our systems with impurities that reflect negatively on our skin. The old adage, "we are what we eat" is more true today than ever. It's a fact: what we eat and how we feel show up on our skin.
But first things first. To understand Lymphatic Drainage Massage―which may sound like something a plumber would major in―it's important to understand your body's lymphatic system. The lymphatic system is the part of your circulatory system that rids your body of toxins and waste. If your system becomes overloaded and polluted with toxins, your body can't efficiently filter impurities, and skin rebels in the form of a dull, sallow, tired-looking complexion―often accompanied by fine lines, wrinkles, acne, blackheads, enlarged pores and/or the dreaded oil slick. When lymphatic circulation slows down, so does cellular turnover, which accelerates aging! Need we say more?
Every customized Spa Facial employs Clarins' exclusive Lymphatic Drainage Method, and the gentle healing power of the therapists' touch, to flush-away any stagnant fluids and toxins that may have collected beneath the skin's surface—a leading cause of facial and eye puffiness, and dark under eye circles.
Improving lymphatic circulation is at the core of every Clarins Application Method—at home, and in Clarins Skin Spas—and is the secret to our stay-young strategy.


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Q: "set a style in addons.php" string appears at top of WordPress page As you can see here https://www.acumaxindex.com/solutions/humanresources/ there is just a string printed at the beginning of the page saying "set a style in addons.php."
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redpajama_set_name: RedPajamaStackExchange


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[PMID 10577907 ] Complement factor H gene mutation associated with autosomal recessive atypical hemolytic uremic syndrome.
[PMID 10762557 ] Complement factor H gene mutation associated with autosomal recessive atypical hemolytic uremic syndrome.
[PMID 16470555] De novo gene conversion in the RCA gene cluster (1q32) causes mutations in complement factor H associated with atypical hemolytic uremic syndrome.
[PMID 17076561 ] Atypical haemolytic uraemic syndrome associated with a hybrid complement gene.


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`Some pointers from: https://vdocuments.site/floorball-training-guide-introduction-to-floorball-floorball-is-a-fast-paced.html
Floorball is a fast-paced stick and ball sport that is safe, fun, inclusive, and easy to learn. There is no contact between opposing players. Play centers around ball control, quick passing and lots of running. Floorball was originally developed in Sweden where the game has been played since the mid 1970s. It is the fastest growing team sport in Europe. The roots of
Floorball can be found in many different sports; soccer, hockey, and basketball to name a few, which means that many concepts and strategies from those sports can be seen in Floorball. Floorball is governed by the International Floorball Federation (IFF). Currently there are 52 member nations with over 270,000 licensed players. It is estimated that there are over one million players worldwide. The World Championships are played every year in even years for Men and U19 Women (players under 19 years old), and in odd years for Women and U19 Men.
The rules of Floorball have one focus- the safety of the players. Contact between players or the player's stick is not allowed. The ball cannot be played above the knees and players may not swing above the waist. Minor infractions lead to a free hit; play stops and the other team takes the ball from the location of the foul. Major infractions cause a shorthanded situation for the offending team. Floorball can be played with minor modifications to these rules. The most important thing to remember is the safety of all the players
Several factors should be observed in unit instruction. Reinforce these factors during drills to assist the student's retention of the rules.
o Strictly enforce the rules on incorrect hits and stick contact. An incorrect hit is the most called infraction in floorball.
o Do not allow students to raise their sticks above the waist (can be modified to the knee); call high sticking quickly.
o Quickly call any violation of the rules against body contact
The rules of floorball gather elements from many other sports and combine them to shape a unique and exciting new sport. Although superficially similar to floor hockey, it is important to follow the rules of floorball closely in order to differentiate the two sports.
The object of the game is to hit the ball into the opponent's goal. Goals count as one point.
An international regulation game consists of three 20-minute periods with a 10 minute break between each period. At the end of the game the team with the most points wins. Each team has five field players and a goalie. The players are generally described as:
o 1 goalie
o 2 defensemen
o 1 center
o 2 forwards
The game begins with a face-off at the middle of the centerline; a face-off also occurs after each correctly scored goal.
Face-off Specifics
o The ball is placed on the center face off dot.
o All players on each team must be on their own side of the mid-line and must be at least 3m from the face off dot.
o The two players taking the face off should have their feet placed perpendicular to the center line. Each player shall have both his feet at the same distance from the center line.
o The blades shall be placed perpendicular to the center line on either side of the ball, but without touching it.
o The sticks shall be held with a normal grip (thumbs pointing downward) and with both hands above the grip mark of the stick.
o When the ball is damaged unintentionally (stepped on) there is a face-off from the nearest face-off dot. After the face-off the offense and defense battle for control of the ball; each team tries to advance the ball forward and score on the opponent's goal. Play is continuous, players will be moving constantly. Substitutions are continuous as well: they take place in a defined substitution zone and may happen at any time.
Hit-Ins and Free Hits
Hit-ins and free hits are stoppages in play due to various game situations. They both share some of the same characteristics and can be considered almost identical. Hit-ins and free hits are crucial aspects of floorball and should be thoroughly understood.
A hit-in is given to the non-offending team when the ball leaves the rink. The offending team is considered to be the team whose player, or player's equipment, last touched the ball before it left the rink. A free hit is awarded when a minor infraction of the rules occurs. They allow a team to stop, regroup, change lines, or execute set plays. They often lead to scoring situations when taken close to an opponent's goal.
Common Aspects of Hit-Ins and Free Hits
o Both shall be taken from the location where the foul was committed or where the ball went out ofbounds.
o Neither is taken behind the imaginary extensions of the goal lines, instead they are moved to the nearest corner face-off dot.
o Opponents must stay at least 3m from the ball, sticks included.
o The player taking the free hit or hit-in does not have to wait for the opponents to take position.
o The ball shall be played cleanly with the stick, not dragged, flicked, or lifted on the stick.
o The player taking the free hit or hit-in must not touch the ball again before it has touched another player or another player's equipment.
o Both hit-ins and free hits may go directly into the goal.
Events Leading to a Hit-in
o When the ball goes out-of-bounds or over the boards
o When the ball touches the ceiling or another object above the court.
o If the ball touches the ceiling or objects above the rink, the hit-in shall be taken 1.5 m from the board at the same distance from the center line.
Events Leading to a Free Hit
o When a player hits, blocks, lifts or kicks an opponent's stick.
o When a player, in control of the ball or trying to reach it, hits an opponent's foot or leg with his stick.
o When a player raises the blade of his stick above waist level
o When a field player uses any part of his stick or his foot, to play or try to play the ball above knee level.
o When a field player places his stick, foot, or leg between an opponent's legs or feet.
o When a player, in control of the ball, or trying to reach it, forces or pushes an opponent in any way other than shoulder to shoulder.
o When a field player kicks the ball twice, unless in between each kick it has touched the player's stick, another player or another player's equipment.
o When a player receives a foot pass from a player in the same team.
o When a field player jumps up and stops the ball.
o When a hit-in or a free-hit is incorrectly performed or intentionally delayed.
o When a goalkeeper entirely leaves the goal crease during a throw-out.
o When a goalkeeper throws or kicks the ball over the center line.
o When a goalkeeper has the ball under control for more than 3 seconds.
o When a goalkeeper receives a pass from a field player on the same team.
Players are punished for major rules violations with a penalty. Penalized players must sit out of the game for the duration of the penalty and are not allowed back on the court until the penalty is over or, in most cases, the other team scores. Many penalties are for more drastic occurrences of an infraction that would otherwise call for a free hit.
In social or other informal play situations where there is not a good mechanism for keeping track of penalty time you can substitute a free hit for technical rule violations and a penalty shot for dangerous or unsportsman like behavior.
The following result in a penalty:
o When a player, hits, blocks, lifts or kicks an opponent's stick in order to win a considerable
advantage, or with no possibility of reaching the ball.
o When a field player plays the ball above waist level with any part of his stick or his foot.
o When a player is guilty of dangerous play with the stick.
o When a player forces or pushes an opponent against the board or the goal cage.
o When a player, trying to reach the ball, tackles or trips an opponent.
o When a player holds an opponent or an opponent's equipment.
o When a player intentionally moves to obstruct an opponent, who is not in control of the ball.
o When a field player actively obstructs the goalkeeper's throw-out.
o When a player violates the 3 m rule at a hit-in or a free-hit.
o When a field player participates in play without a stick.
o When a field player stops or plays the ball when lying or sitting down. This also includes
stopping or playing the ball with both knees or one hand on the floor, stick-holding hand excluded.
o When a field player stops or plays the ball with his hand, arm or head.
o When an incorrect substitution takes place.
o When a team plays with too many players on the rink.
o When a field player omits to pick up his broken or dropped stick from the rink and bring it to his substitution zone.
Basic 10-lesson Lesson Plan
Lesson 1 – Rules & Passing the Ball
Lesson 2 – Ball Skills & Shooting 1
Lesson 4 – Game Emulation 1
Lesson 6 – Coordination Skills 1
Lesson 8 – Tactical
Lesson 9 – Penalty Shooting
Lesson 10 – Goaltending


In the present work we establish an energy quantization (or energy identity) result for solutions to scaling invariant variational problems in dimension 4 which includes biharmonic maps (extrinsic and intrinsic). To that end we first establish an angular energy quantization for solutions to critical linear 4th order elliptic systems with antisymmetric potentials. The method is inspired by the one introduced by the authors previously in "Angular energy quantization for linear elliptic systems with antisymmetric potentials and applications" (2011) for 2nd order problems.
Citation Information: Advances in Calculus of Variations, Volume 6, Issue 2, Pages 191–216, ISSN (Online) 1864-8266, ISSN (Print) 1864-8258, DOI: https://doi.org/10.1515/acv-2012-0105.


Wasn't Born the Kingfisher is a Side Quest in Assassin's Creed Odyssey. This walkthrough shows how to complete the quest.
Head to the waypoint and deal with the large group of bandits that you encounter there. Afterwards, talking to the farmer reveals the truth about The Kingfisher's real name. That's the whole side quest. Seriously.
This concludes the Wasn't Born the Kingfisher Side Quest in Assassin's Creed Odyssey (ACOD). For all other side quests check out the full Assassin's Creed Odyssey Side Quests Walkthrough.


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First Colombia Development Corp. Appoints Mario Gobbo to Board of Directors
SAUSALITO, CA / ACCESSWIRE / July 9, 2019 / First Colombia Development Corp. ("FCOL") (OTC PINK: FCOL) today announces the appointment of Mario Gobbo to its board of directors.
Christopher Hansen, founding CEO and president of FCOL, stated, "We are grateful that Mario Gobbo has agreed to join our board given his decades of experience in banking and corporate finance in the healthcare and bioscience sectors. This expertise is especially relevant to our business plan and will be of great value to FCOL as we continue moving into the next phase of our development."
"I am delighted to become involved with First Colombia Development Company as a member of the board," stated Mario Gobbo. "I expect the next few months, in particular, to be very exciting, as we move from planning into action within the burgeoning medical cannabis market, and I look forward to contributing valuable input to the long-term direction and growth of FCOL."
Mario Gobbo, First Colombia Development Corp. Board of Directors
About Mario Gobbo
Mario Gobbo has 35 years of banking and corporate finance experience in healthcare and energy. His expertise encompasses venture capital and private equity as well as investment banking and strategic advisory services. Currently, he is the founder and owner of Castruccio Advisors. He is also on the board of Zavarovalnica Triglav, the largest Slovene insurance company, spearheading healthcare insurance in Central Europe and, previously, was chairman of the board and chair of the audit committee of Helix BioPharma, a Toronto-listed biotech company developing interesting novel complex biomolecules to combat various cancers. As an executive director, he was also on the board of Lazard Brothers, the London branch of the international investment bank.
Mario Gobbo participated in a study of the Malaysian medical devices industry, authoring a paper on the subject as part of a World Bank project. His work in the healthcare sector has spanned many aspects of the industry. While managing director for Health Care Capital Markets and Advisory with Natixis Bleichroeder in New York, from 2006 to 2009, he secured transactions for the bank's M&A and equity capital markets pharmaceuticals and life sciences group. He obtained mandates for several IPOs and follow-on transactions on NASDAQ, as well as advisory assignments for health care and medical devices companies. When with the International Finance Corporation, a World Bank Group institution dealing with private sector investments, the team he led completed several highly successful equity and loan investments in biotech and generic pharmaceutical companies and funds in India, Latin America, China and Central Europe. From 1993 to 2001, he was with Lazard in London, where he created and managed their Central and Eastern European operations, including Turkey. Mr. Gobbo advised on M&A, fundraising and privatization efforts for several key firms in the region, including transactions for the pharmaceutical companies Pliva, Bosnalijek, Lek and Krka and investments in the APDC Biotech fund, now renamed VentureEast, one of the first Indian life sciences funds, and BVCF, a highly successful and innovative healthcare fund in China. Prior to Lazard, he worked with Swiss Bank Corporation International Ltd. in London, where he worked on the IPO of Ares Serono, the Swiss biotech company, subsequently sold to Merck KgaA. He was also on the investment committee of AHF, an India-focused health care fund, Ocimum Biosolutions/Gene Logic, an Indian contract research organization, and CellPraxis, a U.S./Brazilian stem cell research, privately owned firm.
Mario Gobbo holds a Bachelor of Arts in organic chemistry from Harvard College, a Master of Science in biochemistry from the University of Colorado and an MBA, a Master of Business Economics and a PhD (Management) from the Wharton School of the University of Pennsylvania.
This press release is not an offer of securities, or a solicitation for purchase, subscription or sale of securities in the United States of America or in any other jurisdiction in which it would be unlawful to do so.
www.FirstColombia.com
investors@firstcolombia.com
media@firstcolombia.com
SOURCE: First Colombia Development Corp.
https://www.accesswire.com/551268/First-Colombia-Development-Corp-Appoints-Mario-Gobbo-to-Board-of-Directors


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====Search for articles, papers, studies:==== =====Search databases===== [https://core.ac.uk/search/ CORE] search open access research papers [https://doaj.org/ Directory of Open Access Journals] search for articles and journals in the social sciences [http://www.icpsr.umich.edu/icpsrweb/ICPSR/ ICPSR] Inter-university Consortium for Political and Social Research at the University of Michigan; find and analyze data [http://www.icpsr.umich.edu/icpsrweb/ICPSR/citations/index.jsp ICPSR Data-related publications] search page [http://metalib.gpo.gov MetaLib] a federated search engine that searches multiple U.S. Federal government databases, retrieving reports, articles, and citations while providing direct links to selected resources available online [http://oaister.worldcat.org/ OAISTER] a freely available database of over 30 million records from 1500 sources; for background on OAISTER see OCLC's [http://www.oclc.org/oaister.en.html webpage] [http://www.preprints.org/ Preprints] the multidisciplinary search platform for early versions of research publications [https://www.semanticscholar.org/ Semantic Scholar] search engine covering computer science research [https://osf.io/preprints/socarxiv SocArXiv Preprints] open archive of social science research papers [http://network.bepress.com/social-and-behavioral-sciences/ Social and Behavioral Science Commons] search the Digital Network Commons subset in the social sciences [http://www.ssoar.info/en.html SSOAR] Social Science Open Access Repository; search over 30,000 texts from the social science fields [http://ssrn.com/ Social Science Research Network] "Social Science Research Network (SSRN) is devoted to the rapid worldwide dissemination of social science research and is composed of a number of specialized research networks in each of the social sciences." [http://eprints.whiterose.ac.uk/ White Rose Research Online] search research output from a consortium of British universities =====Search journals===== [http://www.doaj.org Directory of Open Access Journals] search for journals in your field (a title search); or search for articles in the journals (articles search) [http://journals.sas.ac.uk/ SAS Open Journals] a collection of open journals in the social sciences from the School of Advanced Study, University of London [http://www.ubiquitypress.com/journals Ubiquity Press] browse through the contents of open access journals in the social sciences including such titles as Architectural Histories or The Journal of Conservation and Museum Studies. ====Bibliographies==== [http://digital-scholarship.org/ Digital Scholarship] "information and commentary about digital copyright, digital curation, digital repository, open access, scholarly communication, and other digital information issues." [http://digital-scholarship.org/search/ds-search.htm Search] Digital Scholarship. ====Open access journals==== [http://www.agathos-international-review.com/ Agathos] an international review of humanities and social science [http://www.asjournal.org/ American Studies Journal] [http://culanth.org/ Cultural Anthropology] [http://www.qualitative-research.net/index.php/fqs/index FQS] Forum: Qualitative Social Research [http://www.mdpi.com/journal/futureinternet Future Internet] an open access journal [http://www.ibimapublishing.com/journals/journals.html IBIMA Publishing] browse and search a collection of open access journals [http://openarchaeologydata.metajnl.com/ Journal of Open Archaeology Data] "peer reviewed data papers describing archaeology datasets with high reuse potential" [http://livingreviews.org/ Living Reviews] [http://scholarworks.iu.edu/journals/index.php/mar/index Museum Anthropology Review] a peer-reviewed open access journal [http://www.scirp.org/journal/jss/ Open Journal of Social Sciences] an open access journal published by Scientific Research [http://benthamopen.com/tosscij/openaccess2.htm The Open Social Science Journal] published by Bentham Open [http://www.uk.sagepub.com/researchandpolitics/#.UoplBeLlDEG Research and Politics] "peer-reviewed research in political science and related fields" [http://www.rcommunicationr.org/ Review of Communication Research] an open access journal [https://us.sagepub.com/en-us/nam/journal/sage-open Sage Open] an open access journal for the social sciences published by Sage [https://www3.mruni.eu/ojs/social-technologies/index Social Technologies] a research journal published by the Mykolas Romeris University; abstracts and article citations available [https://www.sociologicalscience.com/ Sociological Science] a peer-reviewed open access journal ====Websites==== [http://chnm.gmu.edu/ Center for History and New Media] George Mason University's research center [http://www.cmsimpact.org/ Center for Media and Social Impact] a research center at American University; provides access to case studies and research reports [http://www.issuelab.org/ Issue Lab] a service of the Foundation Center; the site provides free access to thousands of case studies, white papers and issue briefs that discuss pressing social problems [http://luminosoa.org Luminos] a collection of open access books in the social sciences from the University of California Press [http://www.pewresearch.org/ Pew Research Center] find research papers, publications, reports, statistics on social trends, global issues, the internet and society, politics and the media [http://socialphysics.media.mit.edu/ Social Physics] [http://www.socialsciencespace.com/ Social Science Space] news and information for social scientists; site is sponsored by Sage Publications ====Research articles==== The Anthropology of Virtual Worlds: World of Warcraft by Alex Golub. v. 43. no. 2 Reviews in Anthropology (2014). Download the article [http://www.tandfonline.com/doi/full/10.1080/00938157.2014.903150#.VANp5mO-bEE here]. Neogeography and Preparedness for Real-to-Virtual World Knowledge Transfer: Conceptual Steps to Minecraft Malta by Saviour Formosa. Vol. 6 Issue 3 [http://www.mdpi.com/1999-5903/6/3/542 Future Internet] (2014). Virtual Ethnography (a thematic issue) published in Vol. 8 No. 3 Forum: Qualitative Social Research (2007). [http://www.qualitative-research.net/index.php/fqs/issue/view/8 All articles] are open access. ====Books==== Archaeologists in Print: Publishing for the People by Amara Thornton. UCL Press, 2018. Read this book for free at [http://www.ucl.ac.uk/ucl-press/browse-books/archaeologists-in-print the UCL Press.] Alternate Reality Games for Behavioral and Social Science Research, by Ruthanna Gordon. ETC Press, 2015. Download a [http://press.etc.cmu.edu/content/alternate-reality-games-behavioral-and-social-science-research free version of the book] from ETC Press (Carnegie Mellon University). Coming of age in Second Life : an anthropologist explores the virtually human by Tom Boellstorff. Princeton : Princeton University Press, 2008. Ethnography and virtual worlds : a handbook of method by Tom Boellstorff. Princeton, NJ : Princeton University Press, 2012. [http://www.thepublicdomain.org/ The Public Domain: enclosing the commons of the mind] by James Boyle. Yale University Press, 2010. Download creative commons copy at http://www.thepublicdomain.org The Routledge Companion to Remix Studies Edited by Eduardo Navas, et al. Routledge, 2015. Visit [https://www.routledge.com/The-Routledge-Companion-to-Remix-Studies/Navas-Gallagher-burrough/p/book/9781138216716 Routledge] to view the Table of Contents. For a review of the book, see [http://digitalcommons.uri.edu/jmle/vol8/iss1/8/ The Journal of Media Literacy Education], 2016. What is Discourse Analysis? by Stephanie Taylor. Bloomsbury Academic, 2013. Available as a creative commons publication on [http://dx.doi.org/10.5040/9781472545213 Bloomsbury Open Access]. What is Inclusive Research by Melanie Nind. Bloomsbury Academic, 2014. Available as a creative commons publication on [http://dx.doi.org/10.5040/9781849668149 Bloomsbury Open Access]. What is Qualitative Research? by Martyn Hammersley. Bloomsbury Academic, 2013. Available as a creative commons publication on [http://dx.doi.org/10.5040/9781849666084 Bloomsbury Open Access].
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So we went to see Wonder Woman on opening night, and were not disappointed. Lots of other people had the same experience, because the movie made over 100k opening weekend and is being hailed as a needed course correction for the DC movie-verse.
I grew up watching the Batman/Superman Adventures, and the animated Justice League of America and Justice League Unlimited. I never really read the comics, but I've seen snippets here and there. Somehow, though, when DC makes the leap to the silver screen they forget the core of what makes things work and just take the skin. They take the skin, change out the soul, and then wonder why it doesn't do as well as they expected.
Wonder Woman is a movie whose soul is hope and faith. Semi spoiler alert?
Diana is raised in a peaceful place that is constantly preparing for war, and teaching about good and evil. She initially sees the world as we wish it was–a good world that is only corrupt because of one corrupter. The first man she meets, Steve, is a bit blown away by her version of the world, but doesn't bother trying to argue with her. I mean, he just saw an island of Amazons and experienced the lasso of truth, he knows enough to know that's not an argument worth getting into until he knows more than he knows now, you know? When Diana is faced with the reality that it's not that simple, that mankind itself is corrupted, Steve argues with her about saving it. Because it's not that simple; it's not a question of what you deserve, but what you believe (how's that for a core truth about the way the real world works?). She comes to realize that, in the words of Samwise Gamgee, there is some good in this world, and it's worth fighting for.
Unlike other DC movies, the good worth fighting for is a bit more obvious in this story (we aren't sure there actually IS any good in most of the other recent movies). Diana is surrouned by a cadre of diverse souls who decide to risk it all in a desperate mission for the sake of brotherhood, a leader worth following, and the world. They have no one forcing them to do this, and nothing to gain for themselves.
The film has many of the same elements as Rogue One, actually. It's not quite as skillfully executed in terms of tightness of story or world building (or science…poison gas exploding in the sky instead of on the ground doesn't actually solve much–your only hope is that it is somehow light enough to….go into space? Maybe? Before it falls back to earth in the rain), but the elements of depth are there and carry the movie through it's weaker elements. (I was personally bothered that the hero's name is Steve, which wasn't very typical in WWI, and that the depiction of the "Front" involved villagers fleeing the front in a panic like the Front just got there. And lets not even talk about young Ares' mustache.) The movie isn't doing well because of accurate world building, it's doing well because it's a story with heart and soul. The hope it leaves you with is real, because the film actually demonstrated what love looks like.
The success of this is due in no small part to the flawless performance of Gal Gadot, but also an excellent supporting cast and plenty of inspiring cinematography.
I'm sure much will be made of the fact that this is a movie with a female superhero carrying it–and how that's never been done before (or has it? Rogue One, Force Awakens, Hunger Games, all dominated by their heroines). I'm sure people will fight about how it's feminist (woman in armor is lead fighter!) or not feminist (her armor is far to feminine and skimpy to be feminist) but that's not what I saw when I watched the movie. I saw a movie about a warrior who was compassionate and determined to protect those who could not protect themselves. She also happened to be a woman, and still feminine with her flowing hair. Honestly, I saw everything I want to be. She respected people (men and women alike) as equals and saw her role, her particular role, as protector. The world as she saw it divided people only by skills. It looked a lot like the world I see in my head. It's not necessarily the way the world IS, but it's how it should be.
Note: This post originally appeared August 1, 2012 on my other blog.
Four years ago, when they were promoting The Dark Knight, I decided that I probably didn't want to see it because I didn't want to see the Joker.
The Joker is one of the best Batman villains, and my favorite Joker of all time is the one from the Batman/Superman Adventures voiced by Mark Hamil (you might remember him better as Luke Skywalker). Having seen Tim Burton's Joker, I knew that the mad clown wasn't nearly as fun when translated to the live action world–he was probably one of the scariest villians possible, and the Joker of Nolan's gritty Gotham was undoubtedly the most terrifying villain ever. The Joker of the animated series was after two things; money, and besting "Bats"–the Joker of TDK was after one thing; pushing Batman over the edge. After the untimely death of Heath Ledger I was even less interested in plumbing the depths of evil with the Dark Knight.
Every now and then Zorro would tell me that TDK was one of the best done films he had ever seen, but it was a hard film to watch. I would agree with him (having known all the major plot points and twists since it was released) and that was that. As everything built up to the release of The Dark Knight Rises my curiousity got the better of me and on TDKR's opening day I finally watched The Dark Knight. I'm glad I did. I'm also glad that it was 4 years before my morbid curiousity got the better of me! At least I could watch TDKR shortly after seeing TDK.
Why? Because I didn't like the end of TDK.
It's a rough film that explores themes of good, evil, and how far good should go to stop evil. Batman is faced with a villain with no backstory, no identity, and no motivation except to destroy Batman from the inside. Why? Sounded like fun. That's all. Just wants to see the world burn. The Joker is not mad–not at all–he's just evil. The Joker believes that deep down, each person is just like him. The frightening thing is that he's right. The Christianese for it is "sin nature"–the translation is "nobody's perfect." Harvey Dent, the White Knight, Gotham's hope–Bruce Wayne's hope–proved Joker's point with resounding consequences. Dent–representing "the best of us"–gave in to the temptation of the power of evil, the power of no checks and no rules. He hung onto his two headed coin as a sort of blankie, a way to say it was't not his fault–life is all pure chance so why shouldn't he do what he likes? He set out to punish the world for what he lost–but only if the coin dictated their death. He sought to relieve his own pain by inflicting it on others. He gave himself to the evil inside him and became Two-Face.
Joker won the battle for Harvey Dent, however, the people of Gotham and Batman prove that even if evil is tempting, we do have a choice. We can choose not to be like the Joker or like Two-Face. Joker tries to goad Batman into breaking his rules and killing him, he tries to goad the refugees and inmates on two ferries into blowing each other up to save themselves. But they don't. They almost do. They want to. But when it comes down to doing the deed they don't.
After the people of Gotham prove themselves, and Batman finally succeeds in capturing the Joker, there is still the problem of Two-Face Dent on his revenge-driven killing spree. Batman and Commissioner Gordon have been struggling to keep Harvey Dent's nose clean since Joker upped the anti in Gotham (a fact that probably should have tipped them off that maybe he's not the White Knight they thought). They desperately want him to be what they believe they can't–a shining example of good for the people of Gotham to aspire to. Consequently, they do everything possible to save Harvey Dent's image from the mire he plunged it into. Batman heroically takes the blame for Harvey's sins. A lot of people really loved the symbolism of Batman's sacrifice–but I didn't. Yes, taking Harvey's place was noble, but it required a pretty dang huge lie. Noble lies have a way of going wrong. The effects of this noble lie nearly cost Bruce Wayne his life.
How dabbling in movie making changed how I watch movies.
This post originally appeared on 8/22/2015 on my other blog.
I worked on an independent film once. I even got paid. Before that I'd volunteered on some productions and also been very involved in my college's film club. I still miss the acting and writing–even the costume design–and think about ways to get back into it.
However, this post isn't about that.
The summer between my Junior and Senior year I worked as a Script Supervisor on an indi production. (I even have a page on IMDB. It's basically nothing but my name…but hey, it's there.) Between that and some experiences writing and working on student films, I don't watch movies the way other people do.
I learned a lot that summer. I can't say I'm running to L.A. to be a script supervisor, but it was a good experience. There is usually one "scripty" per film–sometimes two if there is a second unit. The scripty is the right side of the director's brain. I was responsible for keeping track of each and every shot the director wanted, and making sure he got each shot he wanted. I was responsible for recording the technical details for each shot (like, the lens, the zoom, the height of the camera, its distance from the object, etc) and also the time stamp of each take (we didn't have a real digital clapper). I was also responsible for continuity photos (pictures taken of the set before and after a take). Was the glass half full, or three quarters full at that particular spot on the actor's line?
Yeah. Mind boggling details. You have all caught mistakes in movies. Forgive the scripty, please.
The nice thing was that I was the only person who got to tell the director what to do. The bad thing was that there was only one of me so I had to be on set the entire time. I could only take a break if everyone was.
Let's just say chocolate covered espresso beans were essential to my lucidity. Buckets of vitamins and supplements are probably the only reason I didn't die of the plague halfway through production.
In the film club I wrote, directed, produced, and acted. (I like the writing and acting best). My senior year I also tried my hand at writing an adaptation (book to radio drama). My entire view of movie-making and the book-to-movie process changed.
-As an art, movie making is collaborative. One person can wear many hats, but most of the time you need a lot of people from just about every skill-set you can imagine; attorney, accountant, business manager, mastermind, artist, writer, carpenter, make up artist, talent scout, actor, camera man, lighting specialist, event planner, caterer…the list only goes on. Artists often dream of the silver screen, but I wonder how many business managers set out to navigate the massively risky and varied waters of movie production?
–Movies are stressful. There is a lot on the line, and there are a lot of artsy people trying to share a vision. This is why chains of command are wildly important.
–Movies fail for thousands of reasons. Movies succeed for thousands of reasons. Most movies don't pay for themselves and studios are kept afloat by the blockbusters than knock it out of the park.
–Every film shoots a lot of scenes that will not make it into the movie. The extras on the DVD? Just a sampling. Most of them are cut for a good reason. Some are cut just for time constraints. You wouldn't believe what we do for time constraints.
–Timing is everything. The Wizard of Oz and The Princess Bride bombed in the box office. They became cult classics after they were released on home video. The TV show Firefly is another example of late blooming success.
–Adaptations are freaking hard to do. When I watch a movie that came from a book, I judge it as a two hour summary of a 300 page book. I do not judge the movie by the book, nor the book by the movie. The only exception to this is The Princess Bride. Having seen the movie and read the book, I can say I love both for basically the same reasons.
–Medium matters, pacing and suspense techniques that work in the book will necessarily look different when translated to a visual production.
–Part of what makes adaptations so hard is the perspective of the book–IE, the first person limited knowledge of The Hunger Games posed an extreme challenge to the film makers. They probably could have made a better movie (or one that conveyed more of the facts of the story) if they had treated it more like a third person omniscient. I think they figured that out and the rest of the films in the series were much better. I think I may even prefer them to the books. Most stories are written in limited omniscient or first person, and most movies are told in omniscient or limited omniscient. However, you can get a heck of a lot more detail and character development in a book than you can in a movie. Witness the 6 hour BBC Pride and Prejudice vs. the 2 hour Focus Features Pride and Prejudice. I think both films are excellent adaptations given the time restraints.
–Yes, movie making is a ton of fun. Most people do it because they like it. Despite the crazy-go-nuts hours and conditions. Believe me, the crew doesn't do it for the money.
Basically, having an understanding of how it's done, how much money things cost, and how much effort goes into a production, I have a lot more grace for the movies I watch. That doesn't mean that I think they should get away with laziness or sloppiness or weak stories…it just means that I get it.
Well, Zorro and I watched Suicide Squad and Batman vs Superman over the weekend.
I have a lot of thoughts skittering about, so for my own sake I'm writing them down.
I know the whole "my disguise is glasses frames" thing is really thin, but why on earth does Lex Luther know EVERYTHING about EVERYONE???
Also….why is the Bat mobile tricked out with machine guns? Batman is a detective and a crime fighter, and he has this thing about guns. Yeah, he doesn't use them. I can forgive the trippy dream sequences, because they were a worst case scenario and he would be horrified he was using guns. But really now, we're messing with core Batman principles here. Things that set him apart.
While we're on the topic: I would really like to see Batman the Detective more. DC's movie people seem to be stuck on Batman the Superhero Goes To War, when not everything needs to be about the end of the world or the end of Gotham.
I could also here go on a rant that the reason Superman works is because he's just a good guy trying to do good things…from what I heard about the Superman movie, they messed with that. It seemed like Batman v Superman was a lot of back pedalling to address the things everyone hated about the Superman Movie, and also to introduce Batman, Wonder Woman, The Flash, Aquaman, and was that Cyborg? Very much a transitional film.
Also, these heroes hallucinate a lot. And there are random montages and things that really do not make sense. Yes, I caught the blurb from future Flash trying to warn Batman about someone (presumably Superman, but we don't actually know that) but it was mostly just mystifying.
We all know why Superman figures out who Batman is, but Batman is never shown putting any thought at all in figuring out Superman's identity (contrast: the Batman/Superman adventures, they get that hurdle out of the way pretty quickly) and why on earth does Lex Luther know everything about everyone???
Speaking of Lex. He talked about his father so much I wondered if they were trying to imply that he was bald Lex's son. But I guess since he goes bald at the end he must be THE Lex Luther. Except he's not. He's not the genius business tycoon who is essentially Bad Bald Batman–this Lex truly felt more like a Joker or Scarecrow character.
There isn't going to be much left in the world if they keep destroying cities at this rate. I mean…Metropolis has been devastated. They made it a point in Batman v Superman to say repeatedly that the city had been (magically) evacuated and the bulk of the fight was in a huuuuge abandoned dockyard…which is now much flatter than it used to be. It was almost entertaining how they were very, very careful to say that about each fight location.
And Suicide Squad…Midway City got a little devastated (by the bad guys, at least) and the US military got a serious beating around the world. We're talking fleets and bases are gone now. Just gone.
So I feel like they are sort of trying to tone it down after the audience reaction to that Superman movie…but they aren't actually succeeding a lot.
So. Suicide Squad. I actually liked it. I know, right? Amanda Waller was definitely Amanda Waller, lifted perfectly out of the animated world and brought to life by Viola Davis. It seems that DC's live action predisposition to darkness has finally found a home in villains. Deadshot is an intensely likable assassin perfectly played by Will Smith, Harly Quinn is extremely well done, Boomerang was entirely unnecessary to the plot, and Joker…well…Joker….he wasn't as important as Jared Leto seems to think. I feel that the mad clown might just be doomed as a live action villain. I appreciated Heath Ledger's version of Joker–the Joker you weren't actually sure was mad–but I wish they would take a hint from the animated series and tone down the disturbing stuff. I think that I am mostly stuck on his torture of Harley (since they also appear to have a love you just want to root for, which is so uncomfortable) and his teeth. And how the actor misapplied method acting and was a truly impressive jerk to his co-stars. Something that was really unnecessary on so many levels I've lost count.


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Home Technology Gaming
MIT Entrepreneurs Think Globally, Act Locally | MIT News | Massachusetts Institute Of Technology – MIT News
Born and raised amid the natural beauty of the Dominican Republic, Andrés Bisonó León feels a deep motivation to help solve a problem that has been threatening the Caribbean island nation's tourism industry, its economy, and its people.
As Bisonó León discussed with his long-time friend and mentor, the Walter M. May and A. Hazel May Professor of Mechanical Engineering (MechE) Alexander Slocum Sr., ugly mats of toxic sargassum seaweed have been encroaching on the Dominican Republic's pristine beaches and other beaches in the Caribbean region, and public and private organizations have fought a losing battle using expensive, environmentally damaging methods to clean it up. Slocum, who was on the U.S. Department of Energy's Deepwater Horizon team, has extensive experience with systems that operate in the ocean.
"In the last 10 years," says Bisonó León, now an MBA candidate in the MIT Sloan School of Management, "sargassum, a toxic seaweed invasion, has cost the Caribbean as much as $120 million a year in cleanup and has meant a 30 to 35 percent tourism reduction, affecting not only the tourism industry, but also the environment, marine life, local economies, and human health."
One of Bisonó León's discussions with Slocum took place within earshot of MechE alumnus Luke Gray '18, SM '20, who had worked with Slocum on other projects and was at the time was about to begin his master's program.
"Professor Slocum and Andrés happened to be discussing the sargassum problem in Andrés' home country," Gray says. "A week later I was on a plane to the DR to collect sargassum samples and survey the problem in Punta Cana. When I returned, my master's program was underway, and I already had my thesis project!"
Gray also had started a working partnership with Bisonó León, which both say proceeded seamlessly right from the first moment.
"I feel that Luke right away understood the magnitude of the problem and the value we could create in the Dominican Republic and across the Caribbean by teaming up," Bisonó León says.
Both Bisonó León and Gray also say they felt a responsibility to work toward helping the global environment.
"All of my major projects up until now have involved machines for climate restoration and/or adaptation," says Gray.
The technologies Bisonó León and Gray arrived at after 18 months of R&D were designed to provide solutions both locally and globally.
Their Littoral Collection Module (LCM) skims sargassum seaweed off the surface of the water with nets that can be mounted on any boat. The device sits across the boat, with two large hoops holding the nets open, one on each side. As the boat travels forward, it cuts through the seaweed, which flows to the sides of the vessel and through the hoops into the nets. Effective at sweeping the seaweed from the water, the device can be employed by anyone with a boat, including local fishermen whose livelihoods have been disrupted by the seaweed's damaging effect on tourism and the local economy.
The sargassum can then be towed out to sea, where Bisonó León's and Gray's second technology can come into play. By pumping the seaweed into very deep water, where it then sinks to the bottom of the ocean, the carbon in the seaweed can be sequestered. Other methods for disposing of the seaweed generally involve putting it into landfills, where it emits greenhouse gases such as methane and carbon dioxide as it breaks down. Although some seaweed can be put to other uses, including as fertilizer, sargassum has been found to contain hard-to-remove toxic substances such as arsenic and heavy metals.
In spring 2020, Bisonó León and Gray formed a company, SOS (Sargassum Ocean Sequestration) Carbon.
Bisonó León says he comes from a long line of entrepreneurs who often expressed much commitment to social impact. His family has been involved in several different industries, his grandfather and great uncles having opened the first cigar factory in the Dominican Republic in 1903.
Gray says internships with startup companies and the undergraduate projects he did with Slocum developed his interest in entrepreneurship, and his involvement with the sargassum problem only reinforced that inclination. During his master's program, he says he became "obsessed" with finding a solution.
"Professor Slocum let me think extremely big, and so it was almost inevitable that the distillation of our two years of work would continue in some form, and starting a company happened to be the right path. My master's experience of taking an essentially untouched problem like sargassum and then one year later designing, building, and sending 15,000 pounds of custom equipment to test for three months on a Dominican Navy ship made me realize I had discovered a recipe I could repeat — and machine design had become my core competency," Gray says.
During the initial research and development of their technologies, Bisonó León and Gray raised $258,000 from 20 different organizations. Between June and December 2021, they succeeded in removing 3.5 million pounds of sargassum and secured contracts with Grupo Puntacana, which operates several tourist resorts, and with other hotels such as Club Med in Punta Cana. The company subcontracts with the association of fishermen in Punta Cana, employing 15 fishermen who operate LCMs and training 35 others to join as the operation expands.
Their success so far demonstrates "'mens et manus' at work," says Slocum, referring to MIT's motto, which is Latin for "mind and hand." "Geeks hear about a very real problem that affects very real people who have no other option for their livelihoods, and they respond by inventing a solution so elegant that it can be readily deployed by those most hurt by the problem to address the problem.
"The team was always focused on the numbers, from physics to finance, and did not let hype or doubts deter their determination to rationally solve this huge problem."
Slocum says he could predict Bisonó León and Gray would work well together "because they started out as good, smart people with complementary skills whose hearts and minds were in the right place."
"We are working on having a global impact to reduce millions of tons of CO2 per year," says Bisonó León. "With training from Sloan and cross-disciplinary collaborative spirit, we will be able to further expand environmental and social impact platforms much needed in the Caribbean to be able to drive real change regionally and globally."
"I hope SOS Carbon can serve as a model and inspire similar entrepreneurial efforts," Gray says.


Explore our extensive car collection spanning more than 100 years of motor heritage. From vintage to veteran, curious and comical to weird and wonderful, our collection is certain to awaken many motoring memories.
Our museum is home to over 100 motorcycles and scooters and traces the development of some classic British marques. From performance bikes to cultural icons, our collection is varied and appeals to all.
Known as the Rolls Royces of the motorcycling world. Our display includes the Black Shadow, Comet, Rapide & Black Lightening & tells the intriguing story of the company's founder Philip Conrad Vincent & his determination to change the world of motorcycling.
Housed in its own unique building, our Campbell Bluebird Exhibition is a tribute to the racing career of Sir Malcolm and Donald Campbell. Highlights include full sized replicas of the 1935 Blue Bird car, 1939 Blue Bird Boat K4 and 1967 jet hydroplane Bluebird K7.
The museum has perhaps the largest collection of motoring memorabilia on public display in the UK. View our unique collection of petrol pumps, globes, enamel advertising signs, die-cast scale models and many more.
Explore our huge range of cycles and pedal-powered contraptions. We have examples of bikes from 1870 to the present day including, safety bicycles, petrol-powered and bizarre using a variety of materials and purposes.
Our stunning range of pedal cars celebrate over 110 years of make-believe and we have a collection of over 50 at the museum. Pedal cars were often made using similar materials to the marques they represented and are beautiful objects for both child and adult alike.
The UK and The Lake District have a rich camping and caravanning history and our museum has some fine examples of these iconic 'home from homes'.
Did you also know that you can also see our key exhibits in the museum on a timeline.
Use our interactive museum map to explore our special displays and sections.


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The standards have been developed in easy English as a word only version and with pictures version. The documents are titled Rules: We call them the Human Services Standards.
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Human Services Standards policy - updated August 2019 (Word)
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The meteoric rise of the Aam Aadmi Party—from inception to running the state of Delhi in thirteen months—is a story with three principal strands. First, Arvind Kejriwal; iconoclast, leader, and disrupter par excellence, who has dared to defy the fundamental templates of Indian politics and governance. Second, the coalescing of a group of unprecedented diversity—a journalist, a lawyer, an academic, a policymaker, a CEO, a retired NSG commando, an architect, and a poet, among many others—on the streets of New Delhi, all bound together by a shared idea of an India that could have been. And, third, of the awakening of the aam aadmi, and of his realization that he can be as active a participant and change-maker in national politics as any other.
In The Disrupter, veteran journalists Gautam Chikermane and Soma Banerjee provide an in-depth, fly-on-the-wall account of how these three strands came together to create a brand-new political tapestry. And how a single political party shattered the status quo; captivated the imagination of the citizenry, taking people beyond the usual cynical labels of caste and creed; and changed the contemporary political narrative in ways that are both unthinkable and unpredictable.
In a first innings of twenty-three years, as a journalist in The Economic Times, Soma Banerjee chronicled the energy sector, the political theatre and the corridors of power. While she still feels the tug of that profession, she recently embarked on a second innings, heading the energy vertical of the Confederation of Indian Industry. Here she participates in the narrative of public policy by engaging with key stakeholders as she tries to make energy a coffee-shop conversation. When she's not dealing with such weighty matters, she immerses herself in music and keeps threatening to become serious about her Hindustani classical practice.
Gautam Chikermane is a writer, tracking the unholy trinity of money, power and faith. He is currently excavating a subaltern trilogy on the Mahabharata. As a journalist, he has held leadership positions in some of India's largest newspapers and magazines, including Hindustan Times, The Indian Express and Outlook Group. A keen participant in non-profits, he is a director at CARE India and has served three terms as director and one as vice chairman at Financial Planning Standards Board India. His body lives in Delhi, his soul in Pondicherry. You may follow him on Twitter at @gchikermane.


All our high quality 20, 35, 50, 70 and 100 light led Christmas light sets arranged by number of bulbs on each string and available in different bulb spacing. Find what which led light set is right for your lighting application. All our short or long LED Christmas Lights are commercial grade and for indoor and outdoor use.


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Over 100 drown as boat sinks in Congo river; 51 bodies recovered
KINSHASA, Oct 9: More than 100 people have drowned when a makeshift, overcrowded boat sank in Congo river, provincial authorities said.
The provincial authorities have declared a three-day mourning from Monday for the dead.
The vessel was reportedly made up of traditional wooden canoes, known as pirogues.
Fifty-one bodies have been recovered by late Friday. The boat sank Monday-Tuesday night. Another 69 are believed to be missing, Nestor Magbado, a spokesman for the Governor of the northwestern province of Mongala, told AFP. He said there were 39 survivors.
Search and rescue operations are continuing. It is unlikely more survivors will be found.
Boat accidents are common in the mineral-rich country because vessels are often overloaded with passengers and cargo. At least 60 people died in February after a vessel carrying 700 passengers capsized on the Congo River in Mai-Ndombe province.


o really understand the passion behind Barney's Farm, you need to travel right back to the 1980's, when Derry, the owner, set out to travel the world in search of landrace genetics. This journey of genetic discovery took him across Asia and the Middle East, visiting places that are now famously known for their grassroots strains, such as Afghanistan, Tibet, Pakistan, India and Thailand – to name but a few.
The Greenhouse Seed Company was established in 1995 in Amsterdam, The Netherlands by Arjan Roskam and is one of the leading brands in the cannabis business today.