Published 04/18/2019 11:01:57 am at 04/18/2019 11:01:57 am in Clearance Window Ac Units.
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Chopard Love Triple Strand Pave Diamond Bracelet 853225-1001. This bracelet is made of 18 karat white gold and features three white gold chains set with pave diamond stations. The center of the bracelet has the word "love" set with diamonds. The center of the heart-shaped "o" has a single floating diamond. Total diamond weight is 1.54 carats. Bracelet closes with a lobster clasp.


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        <link rel="stylesheet" type="text/css" href="../css/fontastic.css" />
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        <title>Explorador Producción (carpetas)</title>

Explorador Producción (carpetas)

            No se encuentrar registros de carpetas

redpajama_set_name: RedPajamaGithub


text:
Imports System.IO
Imports System.Runtime.InteropServices

Public Class Form1

    Private Sub Button1_Click(sender As Object, e As EventArgs) Handles Button1.Click
        Dim objApp As SolidEdgeFramework.Application
        Dim objDoc As SolidEdgePart.PartDocument
        Dim objRefPlane As SolidEdgePart.RefPlane
        Dim objProfiles(0 To 3) As SolidEdgePart.Profile
        Dim objLines As SolidEdgeFrameworkSupport.Lines2d
        Dim objRelations As SolidEdgeFrameworkSupport.Relations2d
        Dim objLine(0 To 4) As SolidEdgeFrameworkSupport.Line2d
        Dim objBaseLines As SolidEdgeFrameworkSupport.Lines2d
        Dim objBaseProfile(0 To 2) As SolidEdgePart.Profile
        Dim objBaseRelns As SolidEdgeFrameworkSupport.Relations2d
        Dim objModel As SolidEdgePart.Model
        Dim objLoftCut As SolidEdgePart.LoftedCutout
        Dim objLoftCuts As SolidEdgePart.LoftedCutouts
        Dim lngStatus As Long
        Dim xOrigin As Double, yOrigin As Double
        Dim OriginArray(0 To 3) As Object
        Dim Origin(0 To 2) As Double
        Dim SectionTypes(0 To 3) As Long
        Dim objBaseFaces As SolidEdgeGeometry.Face
        Dim objTargetFaces As SolidEdgeGeometry.Face
        Dim objFaces As SolidEdgeGeometry.Faces = Nothing
        Dim objFace As SolidEdgeGeometry.Face = Nothing
        Dim objExtProt1 As SolidEdgePart.ExtrudedProtrusion = Nothing
        Dim objExtProt2 As SolidEdgePart.ExtrudedProtrusion = Nothing

        Dim StartVertex As SolidEdgeGeometry.Vertex
        Dim TopCapMethod As SolidEdgePart.FeaturePropertyConstants
        Dim BottomCapMethod As SolidEdgePart.FeaturePropertyConstants
        Dim StartCapMethod As SolidEdgePart.FeaturePropertyConstants
        Dim EndCapMethod As SolidEdgePart.FeaturePropertyConstants
        Dim objTargetEdges As SolidEdgeGeometry.Edges
        Dim objBaseEdges As SolidEdgeGeometry.Edges
        Dim StartOffsetValue As Double, EndOffsetValue As Double

        Dim GrooveWelds As SolidEdgePart.PartGrooveWelds
        Dim GrooveWeld As SolidEdgePart.PartGrooveWeld

        Dim LabelWeldDC As SolidEdgePart.LabelWeldDataCollection
        Dim LabelWeldObject As SolidEdgePart.LabelWeldData

        Dim objTargetTopEdges As SolidEdgeGeometry.Edge
        Dim objTargetBottomEdges As SolidEdgeGeometry.Edge
        Dim objBaseTopEdges As SolidEdgeGeometry.Edge
        Dim objBaseBottomEdges As SolidEdgeGeometry.Edge

        Try
            ' Get the application with specific settings
            objApp = Marshal.GetActiveObject("SolidEdge.Application")

            'objApp = CreateObject("SolidEdge.Application")
            objDoc = objApp.Documents.Add("SolidEdge.PartDocument")
            objApp.Visible = True

            ' Draw the Base Profile
            objBaseProfile(0) = objDoc.ProfileSets.Add.Profiles.Add(pRefPlaneDisp:=objDoc.RefPlanes.Item(1))
            objBaseLines = objBaseProfile(0).Lines2d
            Call objBaseLines.AddBy2Points(x1:=0, y1:=0, x2:=0.1, y2:=0)
            Call objBaseLines.AddBy2Points(x1:=0.1, y1:=0, x2:=0.1, y2:=0.1)
            Call objBaseLines.AddBy2Points(x1:=0.1, y1:=0.1, x2:=0, y2:=0.1)
            Call objBaseLines.AddBy2Points(x1:=0, y1:=0.1, x2:=0, y2:=0)
            ' Define Relations among the Line objects to make the Profile closed
            objBaseRelns = objBaseProfile(0).Relations2d
            Call objBaseRelns.AddKeypoint(Object1:=objBaseLines(0), Index1:=SolidEdgeConstants.KeypointIndexConstants.igLineEnd, Object2:= _
                                          objBaseLines(1), Index2:=SolidEdgeConstants.KeypointIndexConstants.igLineStart)
            Call objBaseRelns.AddKeypoint(Object1:=objBaseLines(1), Index1:=SolidEdgeConstants.KeypointIndexConstants.igLineEnd, Object2:= _
                                          objBaseLines(2), Index2:=SolidEdgeConstants.KeypointIndexConstants.igLineStart)
            Call objBaseRelns.AddKeypoint(Object1:=objBaseLines(2), Index1:=SolidEdgeConstants.KeypointIndexConstants.igLineEnd, Object2:= _
                                          objBaseLines(3), Index2:=SolidEdgeConstants.KeypointIndexConstants.igLineStart)
            Call objBaseRelns.AddKeypoint(Object1:=objBaseLines(3), Index1:=SolidEdgeConstants.KeypointIndexConstants.igLineEnd, Object2:= _
                                          objBaseLines(0), Index2:=SolidEdgeConstants.KeypointIndexConstants.igLineStart)

            ' Check for the Profile Validity
            lngStatus = objBaseProfile(0).End(ValidationCriteria:=SolidEdgePart.ProfileValidationType.igProfileClosed)
            'Create the Base Extruded Protrusion Feature
            objModel = objDoc.Models.AddFiniteExtrudedProtrusion(NumberOfProfiles:=1, _
                                                                     ProfileArray:=objBaseProfile, _
                                                                     ProfilePlaneSide:=SolidEdgePart.FeaturePropertyConstants.igRight, _
                                                                     ExtrusionDistance:=0.1)
            objBaseProfile(0).Visible = False
            ' Create a new reference plane.
            objRefPlane = objDoc.RefPlanes.AddParallelByDistance( _
                              ParentPlane:=objDoc.RefPlanes.Item(2), Distance:=0.15, _
                              NormalSide:=SolidEdgePart.FeaturePropertyConstants.igRight, Local:=True)
            ' Create a new profile set and profile to use for the first section.
            objProfiles(0) = objDoc.ProfileSets.Add.Profiles.Add(pRefPlaneDisp:=objRefPlane)
            ' Get the model space origin relative to profile space.
            Call objProfiles(0).Convert3DCoordinate(x3d:=0, y3d:=0, z3d:=0, _
                                                    x2d:=xOrigin, y2d:=yOrigin)
            ' Save the coordinates to define the start point for this profile.
            Origin(0) = 0.03
            Origin(1) = 0.03
            OriginArray(0) = Origin
            ' Set a reference to the Lines2d and Relations2d collections on the profile.
            objLines = objProfiles(0).Lines2d
            objRelations = objProfiles(0).Relations2d
            ' Draw 4 lines for the Rectangular profile graphics.
            objLine(0) = objLines.AddBy2Points(x1:=0.03, y1:=0.03, x2:=0.07, _
                                                   y2:=0.03)
            objLine(1) = objLines.AddBy2Points(x1:=0.07, y1:=0.03, _
                                                   x2:=0.07, y2:=0.07)
            objLine(2) = objLines.AddBy2Points(x1:=0.07, y1:=0.07, _
                                                   x2:=0.03, y2:=0.07)
            objLine(3) = objLines.AddBy2Points(x1:=0.03, y1:=0.07, _
                                                   x2:=0.03, y2:=0.03)
            ' Connect the lines with relationships
            Call objRelations.AddKeypoint(Object1:=objLine(0), Index1:=SolidEdgeConstants.KeypointIndexConstants.igLineEnd, Object2:= _
                                          objLine(1), Index2:=SolidEdgeConstants.KeypointIndexConstants.igLineStart)
            Call objRelations.AddKeypoint(Object1:=objLine(1), Index1:=SolidEdgeConstants.KeypointIndexConstants.igLineEnd, Object2:= _
                                          objLine(2), Index2:=SolidEdgeConstants.KeypointIndexConstants.igLineStart)
            Call objRelations.AddKeypoint(Object1:=objLine(2), Index1:=SolidEdgeConstants.KeypointIndexConstants.igLineEnd, Object2:= _
                                          objLine(3), Index2:=SolidEdgeConstants.KeypointIndexConstants.igLineStart)
            Call objRelations.AddKeypoint(Object1:=objLine(3), Index1:=SolidEdgeConstants.KeypointIndexConstants.igLineEnd, Object2:= _
                                          objLine(0), Index2:=SolidEdgeConstants.KeypointIndexConstants.igLineStart)
            ' End and validate the profile.
            lngStatus = objProfiles(0).End(ValidationCriteria:=SolidEdgePart.ProfileValidationType.igProfileClosed)
            If lngStatus <> 0 Then
                MsgBox(" Invalid Profile")
            End If

            'Create another Base Extruded Protrusion Feature
            objModel = objDoc.Models.AddFiniteExtrudedProtrusion(NumberOfProfiles:=1, _
                                                                     ProfileArray:=objProfiles, _
                                                                     ProfilePlaneSide:=SolidEdgePart.FeaturePropertyConstants.igRight, _
                                                                     ExtrusionDistance:=0.1)
            objProfiles(0).Visible = False

            objExtProt1 = objModel.ExtrudedProtrusions.Item(1)

            ' Get all base faces collection
            objFaces = objExtProt1.Faces(SolidEdgeGeometry.FeatureTopologyQueryTypeConstants.igQueryAll)

            ' Collect INPUT Base faces
            objBaseFaces = objFaces.Item(3)

            objExtProt2 = objModel.ExtrudedProtrusions.Item(2)
            ' Get all base faces collection
            objFaces = objExtProt2.Faces(SolidEdgeGeometry.FeatureTopologyQueryTypeConstants.igQueryAll)
            ' Collect INPUT target faces
            objTargetFaces = objFaces.Item(6)

            objBaseFaces.Style = objDoc.FaceStyles("red")
            objTargetFaces.Style = objDoc.FaceStyles("red")

            LabelWeldDC = objDoc.LabelWeldDataCollection
            LabelWeldObject = LabelWeldDC.Add(ZSymbol:=0, Tail:=0, DashLine:=0, WeldInField:=0, OffsetTopBottom:=0, WeldAllAround:=0, Symmetrical:=0, TopNote1:="Test1", TopNote2:="Test2", TopTreatmentType:=0, TopType:=0, TopNote3:="Test3", TopNoteZ:="", TailNote:="", BottomNote1:="", BottomNote2:="", BottomTreatmentType:=0, BottomType:=0, BottomNote3:="", BottomNoteZ:="", TopTypeCompound:=0, BottomTypeCompound:=0, CenterType:=0, CrossSectionArea:=0, TailNote2:="", TopNoteCSize:="", BottomNoteCSize:="", TopNoteAngle:="", BottomNoteAngle:="", TopNoteDepth:="", BottomNoteDepth:="", TopPosOffset:=0, BottomPosOffset:=0)
            ' Target edges collection
            objTargetEdges = objTargetFaces.Edges()

            objTargetTopEdges = objTargetEdges.Item(1)
            objTargetBottomEdges = objTargetEdges.Item(3)

            ' Base top and bottom edges
            objBaseEdges = objBaseFaces.Edges()
            'objBaseTopEdges = objBaseEdges.Item(1)
            'objBaseBottomEdges = objBaseEdges.Item(3)

            'Get Start Vertex.
            StartVertex = objTargetTopEdges.StartVertex

            ' Initialize all inputs
            TopCapMethod = SolidEdgePart.FeaturePropertyConstants.igWeldGrooveCapSurface 'Extend Surface'
            BottomCapMethod = SolidEdgePart.FeaturePropertyConstants.igWeldGrooveCapSurface 'Extend Surface'
            StartCapMethod = SolidEdgePart.FeaturePropertyConstants.igWeldGrooveCapSurface  'Plane'
            EndCapMethod = SolidEdgePart.FeaturePropertyConstants.igWeldGrooveCapSurface  'Plane'
            StartOffsetValue = 1.0
            EndOffsetValue = 1.0

            'Get Groove weld collection
            GrooveWelds = objModel.PartGrooveWelds

            ' Add a  new Groove weld
            GrooveWeld = GrooveWelds.Add(objBaseFaces,
                                         objTargetFaces,
                                         objBaseTopEdges,
                                         objBaseBottomEdges,
                                         objTargetTopEdges,
                                         objTargetBottomEdges,
                                         StartVertex,
                                         TopCapMethod,
                                         BottomCapMethod,
                                         StartCapMethod,
                                         EndCapMethod,
                                         StartOffsetValue,
                                         EndOffsetValue,
                                         LabelWeldObject)

        Catch ex As Exception
            MsgBox(ex.ToString)
        Finally

            ' USER DISPLAY
            ' Release objects
            objApp = Nothing
            objDoc = Nothing
            objRefPlane = Nothing
            objProfiles(1) = Nothing
            objProfiles(2) = Nothing
            objProfiles(3) = Nothing
            objLine(1) = Nothing
            objLine(2) = Nothing
            objLine(3) = Nothing
            objLine(4) = Nothing
            objRelations = Nothing
            objLines = Nothing
            objBaseProfile(1) = Nothing
            objBaseLines = Nothing
            objBaseRelns = Nothing
            objModel = Nothing
            objLoftCut = Nothing
            objLoftCuts = Nothing

        End Try

    End Sub
End Class


text:
Tenzing-Hillary Everest Marathon & Extreme Ultra
Khumjung, Nepal May 29, 2023
60K, Marathon, Half Marathon
Tenzing-Hillary Everest Marathon is probably the most adventurous trail run in the world. The journey begins with a sweeping scenic flight from Kathmandu to Lukla, then we trek through Sherpa villages with beautiful view of the world's highest snowcapped peaks. The highest spot of this trip is Kalapatthar at 5545m/18,200 … MORE
Tenzing-Hillary Everest Marathon is probably the most adventurous trail run in the world. The journey begins with a sweeping scenic flight from Kathmandu to Lukla, then we trek through Sherpa villages with beautiful view of the world's highest snowcapped peaks. The highest spot of this trip is Kalapatthar at 5545m/18,200 ft, from the summit of which we can enjoy a breathtaking panoramic view of Himalayan peaks, ranges and glaciers including Mt Everest a stone's throw away.
With New Mount Everest Height 8848.86m, from the Government of Nepal, the Marathon will run as "New Higher Mount Everest Marathon" to celebrate the new increase of Mount Everest Height after the 2015 Earthquake in Nepal.
The Everest Marathon is an international high altitude adventure sports event held on May 29 every year from Mt. Everest Base Camp crisscrossing the high Sherpa trails of Khumbu valley. This event celebrates the historical successful ascent of Mt. Everest by Late Tenzing Norgay Sherpa and Sir Edmund Hillary on 29th May 1953.
Runners from everywhere can take part in their desired categories 60 km Extreme Ultra, 42 km Full Marathon, and 21 Km Half Marathon. Runners from all walks of life take part in this event – from highly professionals to new runners.
Tenzing Hillary Everest Marathon is not just a running event – it is truly a once-in-a-lifetime experience. Starting from Everest Base Camp the Full Marathon, the Olympic Style, 42.195KM (Golden Jubliee Celebration Trail) ends at Namche Bazar. Each year hundreds of participants run the full category in Tenzing Hillary Everest Marathon. Participants will camp at Everest Base Camp before the race day. The course of Full Marathon is mostly downhill and is a trekking trail hence caution while running is a must. The trails of the 42.195 km Marathon descend through Gorakshep and head down towards Dingboche where runners will make a loop at Biber. From here, the tracks will be descended to Namche via Kyanjuma.
Participants will climb Kala Patthar, a view spot at 5,643 m before the race. Glorious views of Mt. Everest, Nuptse, Lhotse, and other mountains are visible in a panoramic structure from Kala Patthar.
The 21Km Marathon is the shortest distance in Tenzing Hillary Everest Marathon which is three-seven digits (7+7+7 km), which has a very high spiritual meaning in Buddhism. We add another seven for 7 meters, making our marathon 21km + 7 m to spiritualize run connected with Lord Buddha's Life. By doing this we also earn some spiritual value in our RUN for our Everest Marathon Runners.
Buddhist philosophy believes that buddha walked seven steps immediately after birth, Queen Maya Devi died after seven days after giving birth to Buddha, on the seventh year during his meditation Sakya Prince Siddhartha Gautam got enlightenment in Bodhgaya. Buddha's body was kept for seven days after his death for the Emperors and Kings to arrive there to decide what to do next.
Starting from Dingboche the tracks of the half marathon end at Namche Bazar. Mostly downhill, the track is a trekking trail. Hence, we recommend some good trail running shoes. The half marathon is an exciting yet adventurous run that starts exactly on the half point of the Full Marathon.
The 60KM ultra-marathon (Diamond Jubliee Celebration Trail) is for extreme adventure. Starting from Everest Marathon, tracks of the ultra-marathon start from Everest Base Camp and end at Namche Bazaar like the full marathon. However, the ultramarathon moves towards Nha La from Phortse and descends via Mongla towards Namche Bazaar, making it an ultimate adventure run.
Local Weather (May 29):
H (° C) 2 2 -1 2 28
L (° C) -7 -8 -12 -11 18
You're #1! Be the first to review the Tenzing-Hillary Everest Marathon & Extreme Ultra
Richard St. John (Jul 2012)

redpajama_set_name: RedPajamaCommonCrawl


A few years ago we published a list of the top employers specifically for the E-3 visa and at the time it was the first and as far as I can still only list of US employers who specifically employ Australians under the E-3 visa. Last we looked at the major statistics of E-3 Visa Applications and today we are going to present an updated list of employers along with some new information including average salaries, top jobs that are sponsored as well top locations that Australians work in the US under this work visa.
If you are a regular reader you will know that we have done similar lists for the H-1B work visa which is open to all nationalities and given the data is far more vast because of the volume (approx 16x more issued annually) there is more reason to update that regularly. However the E-3 visa may be the single biggest reason people come to The Visa Coach given there are very few resources online and almost none of these are good except for a couple of personal experience blogs.
What is interesting about the above Top 30 US employers of Australians is that they only represent 13% of all the employees. In other words there is a long tail of employers that have sponsored Australians over the last 12 months, most of which just sponsored 1 person. To be exact there were 3,285 different US employers that sponsored Australians over the last year.
In the above list you can obviously see a lot famous tech companies like Microsoft, Amazon, Google, Apple & Facebook along with some of the major consulting and finance brands like PWC, EY, Deloitte and Goldman Sachs. There are also a couple of well known brands to Australians like Westfield and Macquarie. In general there is a good portion of the same brands that were on the 2009 list with Microsoft still on top. However there are certainly far more technology brands in the top section than on the employer list from 5 years ago.
This is a new list and largely done as a point of warning about the US Immigration system, the application process and the potential for wasted time and money, corruption and unscrupulous players. This isn't any commentary on any of the above organizations as I know almost none of them other than Morgan Stanley who is also a Top 30 employer and one other. However these were the top employers who had their visa applications denied for the LCA for the E-3 visa over the past 12 months and you should be wary about anyone asking for money from you in advance to help you secure sponsorship and a US work visa.
This list is probably largely no surprise to anyone based on general desires of place to live as well the population and nature of industries and companies that Australian professionals are working for in the US. In terms of hard numbers almost 30% work in New York City and about 60% are spread across the Top 12 cities listed here covering 9 different states and the District of Columbia. The 40% other proportion covers 713 different cities and towns around the US so there is broad number of places around America that Australians are working.
An important point to note is note where the denials of applications are happening. In general these are proportional to the applications but not always. New York State (of which over 90% is for New York City) represents 30% of applications but 37% of all denials. In fact New York State has more denials (241) than all other states barring itself, California and Texas have approvals. California is the next highest with 25% of all denials versus 23% of all approvals. With 60% of all denials between these 2 states it is important to realize while the desire might be the highest to move here it also the most competitive for foreigners in general as well as Australians and thus also most prone to non-professional or worse behavior.
The nature of specifying a job on your ETA-9035(e) application to get your approved Labor Condition Application (LCA) for your E-3 visa is largely based on the way the prevailing wage works and the official sources of information where you can lookup this information. This is why these job titles look funny and broad in nature and may actually differ from the company job title you have that would be on a business card.
These categories in total comprise 54% of the total of all job roles on the E-3 visa over the past 12 months and the remaining 46% cover over 250 other job roles. In general IT Developers, Marketing, Senior Management and Finance roles dominate which correspond strongly with the companies that are top employers.
For the approved applications over the past 12 months for the E-3 visa this was the annual salary level on the application paid to Australians. As you can see 63% of the salaries are between $50,000 USD and $150,000 USD and about 15% of the salaries are greater than $150,000.
Interestingly a couple of the very low salaries were as low as $17,000 USD and looking at the individual cases they were for farming type jobs in Georgia which would be seen to breach the bachelor's degree, specialty occupation and prevailing wage conditions. I would guess in most cases these would be denied and may have been denied once they went for the US Consulate interview. The highest salary was one person and was $1.25M USD.
It is a source of confusion for many foreigners when they realize that there is actually a minimum wage that they must be paid to be sponsored on an H-1B Visa, E-3 Visa or O-1 Visa that is not related to general US minimum wage law. This is known as the Prevailing Wage and it differs by profession, level, geography and nature of the role.
When an employer files the ETA-9035(e) form to the Department of Labor (DOL) to get your approved Labor Condition Application (LCA), a part of that form relates to inputting the Prevailing Wage from a verified source. This is the only step required in a standard E-3 visa application prior to an applicant going to their US Consulate interview if outside the country but it is the preceding step to filing the I-129 form to the USCIS which is mandatory for H-1B visa, the O-1 Visa and for the E-3 Visa if the applicant is already present in the US under an approved status.
The actual Prevailing Wage can be slightly subjective but the important thing to note is that it is never a very low amount and the LCA can be rejected if the DOL determines it is not the appropriate job code and pay level given your role. Many foreigners fall at this step in their eagerness to get to the US they are willing to be paid a lot less for the chance not realizing this is part of the process.
The are a few government approved sources but the most common is the FLC Data Center. They have a wizard where you can enter your location and job type and you can manually find which job code is most suitable relative to the role you are going to fill and the Level from I to IV which largely corresponds to seniority.
It is here with job codes and similar job types and the seniority that people get creative with what job code is suitable to match their pay level. However you want to be careful as if you are a professional leading a team and you just put down a Level I, Entry Level Job code for your job type, you could be rejected and face additional scrutiny for any future application. As mentioned these job rates relate to professional jobs so the rates are far higher than any minimum wage level for the state.
Also it is worthwhile noting there will be significant differences for the same role depending on your location. A Business Analyst working for Ernst & Young for example in NYC will have to be paid more than if they were working in Seattle at the minimum allowed level. Ultimately you should negotiate the best wage, benefits, bonus, equity and severance package policy at the beginning and this minimum level should never be an issue.


Japanese auteur director Hirokazu Koreeda uses an impending typhoon to metaphorically capture the faltering fatherhood of Ryota, played by Hiroshi Abe, a six-foot writer years past his award-winning first novel who seeks to reassess lost opportunities under the ever watchful eye of his aging mother and disgusted sibling, as his ex-wife moves on, only seeing him for seldom forthcoming child support payments. Following the death of his father, living hand-to-mouth while trying to reconnect with his own son, Ryota is described by family as "taking too long to bloom" working as a private detective sneaking into homes and eavesdropping on other people's bad weather, while he claims to do research for his next book. As the typhoon hits, there's a break in the clouds beyond his dad's ghost and lottery obsession, where he just might clear a path so his dreams may materialize before his estranged family moves beyond his reach.


text:
Home » Sport » Jockey Chris Caserta, 26, presumed dead after being dragged out to sea in late-night swim with friend
Jockey Chris Caserta, 26, presumed dead after being dragged out to sea in late-night swim with friend
JOCKEY Chris Caserta is presumed dead after being dragged out to sea by swirling currents during a late-night swim with a friend.
A massive air and sea search operation involving water police, lifeguards and surf lifesavers has been underway for the 26-year-old Australian rider.
But police have now confirmed his 'timeframe for survival has passed' and that they have informed Caserta's family they are looking for his body.
Senior sergeant Jay Notaro, of Gold Coast water police, said: "We're searching for Chris' body as the timeframe for survival has passed.
"It is an absolute tragedy at any time but particularly just before Christmas.
"We'll continue the search and our goal is to return Chris to his family."
The extensive search operation was hampered by winds, a choppy swell and murky water following heavy rain.
Passersby reportedly heard screaming as Caserta and apprentice rider Amy Graham got caught up in rip currents at Surfers Paradise at around 10pm local time.
Graham – who was reportedly 'distressed' and had swallowed a lot of sea water – managed to get to shore.
But those on the scene were unable to help Caserta, a hugely popular rider with 154 victories and more than £2.7million in winnings on the track.
Graham, 25, said she did her best to save her friend in those desperate final moments but they both just kept getting 'dunked over and over and over again' by waves.
In a text message reported by punters.com.au, Graham said: "I thought I was going to die, I tried my best to save him, keep him calm and breathe without struggling myself.
'WE GOT DRAGGED OUT'
"But we just kept getting dunked over and over and over again. It happened so fast, we just got dragged out.
"We didn't even go that far but the ocean took us out. I didn't even want to go in but I couldn't let him go in alone."
Graham's boss John Zielke told the Gold Coast Bulletin: "He had dinner and two drinks and he wanted to go for a swim.
"Amy is doing it pretty tough at the moment."
Gold Coast Turf Club officials said: "Caserta was at Surfers Paradise beach last night and went for a swim at 10pm with a trackwork rider, they pulled her out and they can't find him.
"The female track rider with him was rescued and was taken to hospital."
Racing Queensland chief executive Brendan Parnell said: "Our thoughts are with Chris, and his family at this time."
Caserta was a popular member of the jockey ranks and moved to Queensland two years ago to chase more opportunities in the saddle.
PRO KNOWN FOR EXTREME WEIGHT LOSS
He made headlines in 2019 following his extreme weight loss.
Caserta cut right down to just 6st 13lbs to ride in a race in which he eventually finished last.
Gold Coast trainer Kacy Fogden worked with Caserta in recent months and praised his professionalism as news of his situation spread.
She said: "He's very professional. I know jockeys can lead colourful lives. He wasn't over the top.
"It's just disbelief at the moment and this can't be true. It's very eerie at the track – everyone has heard what's going on."
Naga Munchetty apologises to BBC Breakfast co-star after nasty snipe
Ant and Dec take down Boris Johnson with savage swipe on I'm A Celebrity
02/12/2021 Sport Comments Off on Jockey Chris Caserta, 26, presumed dead after being dragged out to sea in late-night swim with friend


Keeping Up with Kids: IFLS Youth Services: Honoring Dr. Martin Luther King, Jr.
A place for librarians to get and share information, ideas and inspiration about serving youth of all ages--and their caregivers. Especially for librarians in west-central Wisconsin's Indianhead Federated Library System.
Welcome to this latest attempt to connect librarians from west-central Wisconsin with each other! Please send in content (booklists, ideas, photos, etc.), and comment on posts so we can help each other. If you were using feedmyinbox to get new posts sent to you before, you'll need to switch to another service (blogtrottr works like feedmyinbox, googlereader is a good blog-reader to try).
Honoring the work and legacy of Dr. Martin Luther King, Jr. should be something we do year-round, and not just on a particular day or month. But since it is MLK, Jr. Day today, it seems important to think about some things we can do that continue his important and unfinished work. Here are a few things I have been thinking about, and I'm interested to hear about other thoughts!
Looking at our collections, displays, and books we use for programming to make sure they reflect the diversity of the world around us, including books by and about people of color. Even if you work in a predominantly or overwhelmingly white community, this is crucial!
Learning and listening! There is SO much to learn! One organization that, as a white person, I have found useful lately is Showing Up for Racial Justice. Lots of great resources and tips and things to think about!
Discussing race. Modeling talking about it in storytime. Discussing it with co-workers. Talking about it with kids and teachers and community members. Knowing we'll mess up sometimes and talking about it anyway.
Thinking about economic inequality, and what we can do to make our libraries more welcoming and relevant to people who are poor and working class.
Thinking about the voices we invite to serve on our committees and leadership positions, the people we ask for advice and guidance on how we serve the community. Does it reflect the socio-economic diversity of our communities? And how do we change the opportunities we have to make them ones that truly welcome and include people from diverse backgrounds? Do we offer childcare? Transportation assistance? How do we conduct our meetings to make them truly welcoming and allowing for different communication styles? I feel like I have a lot to learn in this area. I'd love to hear from folks who are doing it well.


text:
CDs and Cassettes
NEW AGE MIDWEST
Crow Killer Limited Edition T-Shirt
Maniac "War & Insanity 12" LP Test Pressing
Mean Season "Bleed to Me" 7" Test Pressing
TRIED AND TRUE SINCE 1988
REDBAIT
RedBait did not come from a music scene, but instead from the ranks of St Louis activists and organizers. The common musical influences from punk, metal, and hardcore may be front and center, but it is at the combined consciousness of community building, advocacy, and workers' rights that one will find the heart of the group.
Under the current political and economic climate, the post-industrial regions of the Midwest are the battleground of progress and regress. Life in St Louis, a metropolitan area existing in two greatly differing states, is a rollercoaster ride of concurrent tragedy and victory. It is constant hustle, endless struggle, and uphill standoffs between classes, while simultaneously being a celebration of diversity, intersectional coalition-building, and a parade of underdog triumphs. RedBait naturally reflects this atmosphere in sound and action.
Major influences include Tragedy, Hope Conspiracy, Dystopia, Thrice, and Nausea. RedBait features ex-members of Seven Generations, Hellfire Trigger, Resolve, Shallow Breath, and Slaughterchops.
Sure, RedBait can play your show, but they can also negotiate a union contract, set up a 501c3, introduce you to elected officials, cook for 100 people under budget, and change your mind. RedBait stands with workers, animals, and the environment.
Madeline - Vocals
Rebecca - Vocals
N - Guitar
B - Guitar
R - Bass
D - Drums
Their debut on New Age, "Cages" arrived summer 2019.
© 2020, New Age Records. Powered by Shopify


text:
https://www.ourmidland.com/sports/highschool/article/Dream-Team-by-the-numbers-6971042.php
Dream Team ... by the numbers
Published 10:37 am EDT, Wednesday, March 28, 2012
Maura McAfee (sr. F),
Midland High
* 13.4 points per game
* 10.9 rebounds per game
* 2.9 steals per game
* 2.3 blocks per game
* 2.2 assists per game
* 48% FG
* All-Saginaw Valley League First Team
* Saginaw Valley League MVP
* Class A All-State honorable mention
"Maura's been a pivotal player for me as a coach," said Chemics' coach Elaine Mahabir. "I really feel like she's been one we could hang our hat on, as far as what we want our program to stand for. ... If I could get all Midland High basketball players to model themselves after someone, she'd be the person."
Jennifer Jarema (sr. G),
* 14.0 ppg
* 4.0 rpg
* 2.2 apg
* 2.2 spg
"I think Jen's been kind of a sparkplug for us over four years," said Chemics' coach Elaine Mahabir. " ... She brings a level of energy that you can't coach. She brings an athleticism to the game that makes it fun to watch. When she's on the court, she's giving it 100 percent."
Jessica Walter (soph. G),
"Jessie has done an amazing job of making our group (of seniors) better and being a vital part of our team but never taking (the attention) away from the seniors," said Chemics' coach Elaine Mahabir. "She's done an outstanding job of being a really good player and not trying to make it about her."
Tori Jankoska (jr. G), Freeland
* 44.6% FG
* 71.6 FT
* All-Tri-Valley Conference Central First Team
* Class B All-State First Team
"Tori had a remarkable year. She is one of the hardest workers in practice and worked extremely hard on her defense this year," said Falcons' coach Tom Zolinski. "She scored a ton of points this year but (also) excelled in several different areas, including leadership, shot blocking, and involving her teammates."
Emilie Pretzer (sr. G),
Bullock Creek
* 9.4 ppg
* school single-season record 95 steals
"Emilie was our heart and soul," said Lancers' coach Justin Freeland. "She was one of the best leaders I've ever coached who grew as a player and as a person over her career."
Karli Herrington (soph. F),
* 11.6 rpg
* 4.2 bpg
* school-record 233 regular-season rebounds
* school-record 89 blocks
* Class B All-State honorable mention
"Karli's got unlimited potential. A lot of college teams are interested in how she'll do this summer with her AAU team," said Huskies' coach Brandon Kalina. "She's a really fine shooter, and she wants to get better (as an all-around player), so she's willing to put in the work this summer to (attain) her dream of a Division I (college) scholarship some day."


Outsource Management Group, LLC provides online, distance-based consulting solutions to colleagues, providers, provider staff, insurance professionals, and other healthcare professionals as needed.
Who Would Need Online Consulting Services?
These services can be utilized by anyone who is not local to our corporate offices, or who does not feel their issues warrant having our experts traveling to perform the consulting. If you have ever answered yes to any of the following questions then we can assist your office quickly, professionally and do it all online!
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We will review & research, if needed, the correct use of modifiers for your individual claim or claims.
Need help filling the claim form? Learn how to correctly fill out this claim form to get reimbursed in full the first time.
Proper documentation of appeal letters & the steps needed to acquire the revenue due to you following an insurance denial.
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Assistance with what codes can be billed together and what codes can not used in conjunction with others.
Learn how to properly utilize all ICD9 codes to get your office or client full reimbursement. Can't find the correct code? Let us help you find the code you need, including the hard to find codes needed to get your claim paid in full the first time.
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Outsource Management Group, LLC provides a host of consulting services to assist your office with getting your claims paid properly. If you have a need that is not listed above please let us know, we can help. If we can not help or answer your question, you will be reimbursed in full for all fees paid to Outsource Management Group, LLC for the services in question.
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by clicking the correct button below and filling in your credit card and personal information on the secure server on the next page.
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We will reply with the answer to your question within 48 hours of your form submission except on Fridays and Holidays.
Click the desired button below to pay for your services, then you will be redirected to the page to ask your question or questions.
Outsource Management Group, LLC provides a host of online consulting services to assist your office. If you have a need that is not listed above please let us know, we can help. If we can not help or answer your question, you will be reimbursed in full for all fees paid to Outsource Management Group, LLC for the services in question.
Click Here To Contact Us with any Questions About Our Online Consulting Services!
We continually strive to be innovative and provide your practice with a customized complete billing and claims management solution that is designed to simply do one thing, maximize your revenue.
The leader in online billing consulting services!


A new Captive Thought Leader Video featuring Stewart Feldman, CEO and general counsel of Capstone Associated Services, Ltd., titled "How To Select a Captive Manager," has recently been added to the Captive.com video library.
Mr. Feldman advises that a prospective captive owner should consider a number of factors before selecting a captive management team. There is no commonly accepted definition of a captive manager and its responsibilities. However, a captive owner or prospective captive owner should ensure that someone has responsibility for the overall planning, including insurance, legal, tax, regulatory, claims handling and management, financial reporting, and compliance.
The captive manager should also be evaluated on its track record of success and its experience level as well as its approach to feasibility studies. There are also many moving parts in forming and designing a captive insurance company. Costs include actuarial, underwriting, claims handling, pooling, legal, tax, audits, and captive redesign as tax and state laws change. A captive manager should have a good handle on all of the moving parts and all of the associated costs.
Does Captive Insurance Make Sense for Your Business?


text:
HollyShorts: Civil - Stephen Takashima Interview
8:00 AM HollyShorts - Civil - Stephen Takashima Interview, JBN, JBN MEDIA, Jean Book Nerd No comments
Photo Credit: JBN Media
Stephen Takashima is a filmmaker with experience in videography, non-linear editing, VFX, and 3D rendering/animation, and have a passion for making connections with people through art and story.
Stephen Takashima is in constant exploration of how to tell better stories and create moving experiences, especially through filmmaking. Stephen hopes that as he continue to pursue excellence in storytelling and hone in his craft, his work passes beyond either hobby or utility into something that truly engages and stretches people.
A young door-to-door salesman finds that getting his first sale is the least of his worries.
ABOUT THE CAST
Bryson L Thomas ― Deshawn
Bryson L Thomas is an actor, known for Chicago Fire (2012), Concessions (2015) and Civil(2017).
Kevin Bodee ― Remi
Kevin Bodee is an actor, known for Civil (2017).
Michael Vizzi ― Sam
Michael Vizzi is an actor and writer, known for Just Friends Forever (2017), Civil (2017) and Venere (2018).
Jillian Warden ― Tiff
Jillian Warden is an actor, known for Civil (2017).
Civil (Trailer) from Stephen Takashima on Vimeo.
Walt Sloan ― Marshall
Walt Sloan has appeared in over 20 plays in the Chicago area, over 80 films and television productions, in several national and regional commercials, and numerous industrial and educational films.
He has appeared in supporting roles in several award-winning short and feature films, including "4 and a Half Terrorists," winner of the 2008 Chicago Comedy TV Pilot Competition. Walt had a lead role in "Only Thunder," awarded First Place in the short film category at the 2013 Sunset International Film Festival in Los Angeles, and a lead role in "Fate Accompli," winner of Best Thriller Short in the 2014 Illinois International Film Festival. He also had a supporting role in "Return to the Hiding Place," winner of Best Feature and Audience Choice Award at the 2013 San Antonio Christian Film Festival, and a lead role in "Day 1," winner of Best Guerrilla Feature at the 2016 Action on Film International Film Festival. As a writer, he received a Best Screenplay Award in 2011 for his religious thriller "The Salus Imperative."
In addition to acting and writing, Walt sings bass/baritone with The Buckthorns, a 12-member mixed a cappella group that has been performing in the Chicago area since 1995.
Stephen Takashima on the Red Carpet with JBN Journalist, Americo Galli.
Stephen Takashima on the Red Carpet at HollyShorts.
THE JBN TEAM INTERVIEW WITH STEPHEN TAKASHIMA
JOURNALIST: AMERICO GALLI
LOCATION: HOLLYSHORTS, THE CHINESE THEATER, HOLLYWOOD, CA ― AUGUST 9TH - 18TH
INTERVIEW: AUGUST 12, 2018
HollyShorts takes place August 9-18, 2018 at the TCL Chinese Theater, Harmony Gold Theater and other locations in Hollywood. Nearly 400 short films will compete for the festival's top prizes. Last year HollyShorts finalists included 3 out of the 5 Live Action Oscar nominees and the winning short Silent Child from Rachel Shenton and Chris Overton. This year, HollyShorts received an all-time record 5,000 submissions from over 80 countries. The competition will feature Live Action, Animation and Documentary Shorts as well as web series, student shorts, music videos, TV pilots, and VR. The festival also features a screenplay competition where the winning short gets greenlit, shot and shown at next year's festival courtesy of Seattle Film Summit.
Video: Erik Werlin. Audio/Edit: James Vallesteros (@jamesvallesteros). Sound: Edward Chung.
ABOUT HOLLYSHORTS
HollyShorts Film Festival is an organization devoted to showcasing the best and brightest short films from around the globe, advancing the careers of filmmakers through screenings, networking events, and various panel and forums. The Oscar Qualifying HollyShorts Film Festival showcases the top short films produced 40- minutes or less. Categories include Short Animation, Short Live Action, Short Documentary, Music Video, Webisode, Commercials, TV, and Digital Microbudget.
jbnfilms, jbnmediainterviews, jbnfilmfestivals, jbnpastinterviews


text:
6 Apple Watch Compatible Safety Apps for Whenever You Feel Unsafe
by Sunidhi Patel
Entrepreneurs have released applications for women's protection to let people move around with confidence and to alleviate the anxieties of family members.
Need for a Safety App
List of Safety App
Eyewatch SOS for Women
iGoSafely
My SafetyPin
Shake2Safety
SpotnSave Feel secure
Trakie
Fear has been sown in the hearts of the women owing to the increase in crimes against women. Because of these concerns, rigid timetables and standards are finally imposed, which every woman must follow whether she wants to or not. These regulations progressively convert young women into shy creatures unable to face the outside world, not boosting their confidence.
Here are 6 such safety apps that will serve as the woman's personal security guards, keeping them safe in every circumstance.
Eyewatch SOS for Women records audio and video of the user's surroundings and transmits it, together with an alarm message, to the registered contacts. The great location accuracy, GPRS-free operation, and safety verification feature of this safety app have all received acclaim.
When they get to the destination safely, users may let others close to them know by hitting the I'm Safe button.
Availability: Android and iOS
Upon activation, iGoSafely delivers alert emails, texts, and/or GPS location information to emergency connections. Until the alarm is disarmed with the secret disarm code, the app keeps delivering notifications every minute. In addition to the information provided above, iGoSafely also sends a 30-second audio recording made using the phone's mic.
You may turn on the feature by rocking the phone or by taking off the headphones.
The My SafetyPin safety app functions as your guide to choosing the most appropriate and safest route if you find yourself at a crossroads. This software sends notifications when you approach a dangerous area, and you can ask loved ones to keep tabs on you. Several factors, such as accessibility by public transportation, visibility, security, etc., are used to gauge an area's safety.
After hitting the power button four times or shaking the phone, this software immediately calls or sends an SOS message to the previously chosen contacts in case of an emergency. Without an internet connection and even with the screen locked, Shake2Safety functions. Reporting instances of robbery, accident, or natural catastrophe is also helped using this app.
One of the most cutting-edge safety apps, SpotnSave Feel Secure notifies the pre-selected connection every two minutes of an alarm along with the location. The wristband, which has the software and a button to click, may be used by the user if he does not have access to a mobile phone. Similar to how a phone operates, this makes use of Bluetooth.
With Trakie, you can track all of your loved ones' movements, locations, battery levels, signal quality, and travel speeds in real-time. The software offers all of these capabilities in addition to allowing users to interact with contacts.
Through this software, real and legitimate phone numbers may be registered since the OTP and SIM serial numbers are used for verification.
We hope this blog gives you some insight into the safety apps that you could use anywhere and anytime if you feel unsafe.
Can an Apple Watch keep you safe?
If you've fallen hard, Apple Watch Series 4 and higher can assist you in making an emergency call. Additionally, if you are unable to move, your Apple Watch will immediately contact emergency personnel and then notify your emergency contacts of your position.
Will Apple Watch call 911 if your heart stops?
No, the Apple Watch won't dial 911 in the event of a heart attack. The Apple Watch's notifications function can warn you of low or high pulse rates and abnormal heart rhythms, but it is unable to identify a heart attack or notify somebody if your heart has stopped.
How sensitive is the Apple Watch fall detection?
Each fall was carefully examined to see if the Apple Watch had recorded the incident. The Apple Watch identified 14 falls out of 300 fall trials, with a sensitivity of 4.7% and a false negative rate of 95.3%.
Categories Gadgets
The Unlimited Guide to Laser Lettering and Engraving on All Materials
The Ultimate Guide to Finding Cheap Online Essay Writing Services


text:
Landi Ferenc (1939. november 12. – 1986. február 12.) labdarúgó, kapus.

Pályafutása
Sportpályafutását úszóként kezdte. 1954-ben egy orosházi sportünnepélyen került a kapuba, majd leigazolta az Oroházi Kinizsi. Innen hívták be az ifi és az utánpótlás válogatottba. 1959 és 1962 között volt a Ferencváros játékosa, ahol egy-egy bajnoki ezüst- és bronzérmet nyert a csapattal. A Fradiban 56 mérkőzésen szerepelt (38 bajnoki, 18 nemzetközi). Távozása után Debrecenben szerepelt. 1963-ban az Egyetértés játékosaként az NB IB-ben szerzett bajnoki címet. 1969-ben az NB I-es újonc Egri Dózsához igazolt. Csapatával az 1971–72-es szezonban ismét az első osztályban szerepelhetett.

Sikerei, díjai
 Magyar bajnokság
 2.: 1959–60
 3.: 1961–62
 Másodosztály
 1.: 1963

Jegyzetek

Források

1939-ben született személyek
1986-ban elhunyt személyek
Magyar labdarúgók
Labdarúgókapusok
A Ferencváros labdarúgói
Az Egri FC labdarúgói

redpajama_set_name: RedPajamaWikipedia


text:
Q: how to set 2 iterator on one hashmap I know how to iterate over a hashmap but I'm not sure whether we can set 2 iterators on a single Hashmap or not?
let say I have the following hashmap:
Map m = new HashMap<Integer, String>;
m.put(112334,"A");
m.put(221345,"B");
m.put(321411,"C");
m.put(431254,"D");

I want to get all combinations of values out of the Hashmap in such a way that no pair is repeated. So in this case, 4 values --> 6 pairs (AB,AC,AD,BC,BD,CD). I'm thinking of something like:
for(int i=0; i < (size-1); i++)
    for(int l = 1;  < size; l++)....

But in java we use Iterator so how can I do that using the Iterator? (If you can find a way to use the index of the set that would be fine as well).
PS: Sorry, I just moved from C++ to java so I'd need your help starting up.

A: Make sure the values implement the Comparable. String implements Comparable<String> so you're fine (read some tutorial about Comparable if you like).
Do the double loop to get all pairs (x,y) and then exclude (x,x) and (y,x) using the compareTo method:
Map<Integer, String> map = new HashMap<Integer, String>();
map.put(112334,"A");
map.put(221345,"B");
map.put(321411,"C");
map.put(431254,"D");

Collection<String> values = map.values();
for (String str1 : values) {
    for (String str2 : values) {
        if (str1.compareTo(str2) < 0) {
            System.out.println(String.format("unique pair: (%s, %s)", str1, str2));
            // or whatever you want but do not modify map here!
        }
    }
}

A: Given the rest of your approach, there is nothing wrong with using the two for loops as you've posted in your question plus a couple fixes.
for(int i=0; i < (size-1); i++)
    for(int l = i+1; l < size; l++)....

That said, it certainly wouldn't be my approach to use a Map when an array is probably what you really want.

redpajama_set_name: RedPajamaStackExchange


Located at Bali "the Mother Temple of Basakih or Pura Besakih", known for' its famed terraced rice paddies, remarkable man-made creations meshed in an emerald-green natural setting'. Casa Kayu Aya is perfect for both business & leisure travelers.
There is no shortage of things to do or food to try within the vicinity of Casa Kayu Aya. Within short distance from the property are attractions and restaurants travellers can enjoy.
Casa Kayu Aya is close to major transportation hubs. It is 41 - minute drive to Ngurah Rai International Airport and 33 - minute drive to Kura Kura Bus Stop.
To maximize convenience, Casa Kayu Aya offers Airport Shuttle upon request, payable by cash to drivers.


Fire up the grill and round up your friends for some fun and great, grilled food. Officially Invited offers an array of affordable BBQ invitations for events for the whole family, or just the grown-ups. Perfect for birthdays, special celebrations, block parties and holidays, barbecues are crowd-pleasing events. We're happy to help you get the word out about your outdoor party.
Gather all of your grown-up friends for a few cocktails or cold beers, and some delicious steaks fresh off the grill, for a swanky barbecue party. Choose a simple, red party cup on bright blue, or a scene featuring a girl and a guy in a outdoorsy settings and themes, such as western and more contemporary presentations. With a variety of color combinations, from warm grey and pink to teal with hints of green and hot pink, you will find a look which is ideal for your barbecue.
Get the whole family together for a bit of fun in the sun and some delicious grub. How about a juicy burger with all the fixings, a pickle and crunchy potato chips on a red and white check tablecloth? Or choose a "BBQ" sparkling in bright orange with lines a la grill marks above a burger and a dog for a scrumptious welcome to your place. No one, big or small, will be able to resist your tasty invite.
When seafood is on the barbecue menu, we have cheap BBQ invitations that will have your mouth watering. Head to the fish market and grab some crawfish or lobster and plan an outdoor seafood boil. Pick a comical motif starring a crowd of silly crawfish. These colorful characters can be found juggling potatoes, corn and hot sauce or dancing across the bottom of a horizontal layout with their musical instruments in hand. For a more formal affair, have a peek at combinations of lobsters and seashells or an arrangement featuring a sign you might see on an upscale restaurant by the shore. Whatever you are planning, you will surely find a look that suits your party here.
Officially Invited is here to help every step of the way, including personalization services. Simply upload your text and voila, invitations arrive ready to slip into an envelope, address, and drop right in the mail or deliver around the neighborhood. Everyone you invite will be happy to pitch in with a potluck item and join in the fun. They will be asking you to host a barbecue every year.


I have used all friction settings, free spinning my camera on a zero setting for trailing lights as well as using the heaviest settings for macro work. I enjoy the versatility that I get and most of all, the reliability. I have never had an issue with the OConnors. What more can I ask for?
Platform for 2575D: OConnor Plate, 120mm Euro Plate, Panavision Dovetail Plate, Arriflex Dovetail Plate, Arri 24" (60.96 cm) Plate.
Infinitely adjustable counterbalance from 0-90lbs, altered easily with a collapsible counterbalance crank knob and numerical readout.
Platform release lever with a one touch finger actuated safety release catch – allowing for one "finger" or hand action to undo the safety catch and open the lever.
Stepless, ultra-smooth pan & tilt fluid drag.


text:
Title: App Engine SDK 1.2.5 released for Python and Java, now with XMPP support
Date: 2009-09-08 15:04
Author: eamonnfaherty
Category: development
Tags: google apps, social networking, xmpp
Slug: app-engine-sdk-1-2-5-released-for-python-and-java-now-with-xmpp-support

[Wow!](http://googleappengine.blogspot.com/2009/09/app-engine-sdk-125-released-for-python.html)

Google have released an update to the apps sdk! They are now supporting
XMPP! XMPP seems to be the next biggest thing on the net! Now is the
time to get behind it! Anyone interested in starting an open source
social networking project get in touch with me!


If you maintain good oral health with regular cleanings and exams, you may be a candidate for cosmetic dental procedures. These procedures go beyond the basics of general and preventive dentistry, which focuses of oral hygiene. Cosmetic dentistry focuses primarily on improving the appearance of your teeth so they are whiter and brighter. Transforming your smile can provide a significant boost for your self-image and confidence.
Veneers, made of porcelain, are thin artificial coverings that are adhesively bonded over the front of your natural tooth. Veneers are used to close spaces between teeth, protect a chipped or cracked tooth from further damage or lengthen teeth.
A crown is a "cap" that is created to replace a tooth. The crown is bonded to an existing tooth or to a dental implant. They are created in a lab based on molds that are made from impressions of your teeth. Crowns are typically porcelain or ceramic, but can also be made from gold or metal.
The most common cosmetic dentistry procedure is teeth whitening. Everyone wants a bright, white smile. Teeth can become discolored from smoking, the types of food you eat and the beverages you drink – such as coffee, tea, and wine. Teeth whitening can be done in the dentist office, or in the privacy of your own home. The Zoom!® Professional Whitening System is a bleaching process performed in a dentist's office and can lighten teeth up to eight shades. At-home teeth whitening systems such as Opalescence, offers professional whitening results in the comfort of your own home.
If you have an overly gummy smile or early signs of periodontal disease, you may be a candidate for laser therapy. Compared to traditional periodontal treatments, laser gum therapy is much less invasive. The dentist uses a special light to remove inflamed or infected gum tissue, then the dentist removes all plaque from below the gum line, leaving a smooth, clean surface. Most patients do not need anesthesia, and bleeding, pain, and swelling are greatly reduced compared to oral surgery. As a result, recovery and healing times are shorter. Lasers can also target the areas that need treatment with unmatched precision and accuracy.
The dentists at Wasserman Cosmetic and Family Dentistry want to help you achieve your perfect smile. Call us today at (718) 548-6900 to schedule your appointment. One of our helpful staff will be happy to assist you.


text:
import os, argparse

from selenium import webdriver
from selenium.webdriver.common.by import By
from selenium.webdriver.support.ui import WebDriverWait
from selenium.webdriver.support import expected_conditions as EC
import random
import time
import utils

MABINOGI_URL = "https://tw.event.beanfun.com/mabinogi/e20170511/index.aspx"

def main(game_type):
    driver_path = os.path.dirname(os.path.abspath(__file__)) + "/chromedriver"
    users = utils.load_account("account.json")

    for user in users:
        driver = get_driver(driver_path)
        start_new_session(driver, user, game_type)
        stop_session(driver)

def start_new_session(driver, user, game_type):
    driver.get(MABINOGI_URL)
    game.get(game_type, login)(driver, user)

def stop_session(driver):
    driver.close()

def get_driver(driver_path):
    driver = webdriver.Chrome(driver_path)
    return driver

def login(driver, user):
    # Use dice game as login entry page
    dice_entry = driver.execute_script("return $('a[href=\"Dice.aspx\"]')[0]")
    dice_entry.click()
    login_routine(driver, user)
    time.sleep(3)

def login_routine(driver, user):
    # Login elements is in iframe, should switch to it
    login_iframe = WebDriverWait(driver, 10).until(
        EC.presence_of_element_located((By.ID, "ifmForm1"))
    )
    driver.switch_to_frame(login_iframe)
    login_btn = WebDriverWait(driver, 10).until(
        EC.presence_of_element_located((By.ID, "btn_login"))
    )
    account = driver.find_element_by_id("t_AccountID")
    account.send_keys(user["account"])
    password = driver.find_element_by_id("t_Password")
    password.send_keys(user["password"])
    login_btn.click()

    # Choose game account
    game_account_selector = driver.find_element_by_id("ddl_service_account")
    for option in game_account_selector.find_elements_by_tag_name('option'):
        if option.text == user["game_account"]:
            option.click()
            driver.find_element_by_id("btn_send_service_account").click()
            break

def dice_game(driver, user):
    # Find dice game
    dice_entry = driver.execute_script("return $('a[href=\"Dice.aspx\"]')[0]")
    dice_entry.click()

    # If not logon
    try:
        login_routine(driver, user)

        while i_have_coin_haha(driver):
            # Start to dice
            go_dice = WebDriverWait(driver, 10).until(
                EC.presence_of_element_located((By.ID, "btnGoDice"))
            )
            time.sleep(random.randint(2, 5))
            driver.execute_script("arguments[0].click()", go_dice)
            # Continue game
            continue_game = WebDriverWait(driver, 10).until(
                EC.presence_of_element_located((By.XPATH, "//a[@class='btn_B']/input[@id='btnGoDice']"))
            )
            time.sleep(random.randint(2, 5))
            driver.execute_script("arguments[0].click()", continue_game)
        print "No coin."

    finally:
        print "User %s game over." % user["account"]

def redeem_all_luckyeggs(driver, user):
    ferris_wheel = WebDriverWait(driver, 10).until(
        EC.presence_of_element_located((By.ID, "gacha_ferriswheel"))
    )
    ferris_wheel.click()

    try:
        login_routine(driver, user)

        redeem_btn = WebDriverWait(driver, 10).until(
            EC.presence_of_element_located((By.XPATH, "//a[@href='LuckyEgg_Exchange.aspx']"))
        )
        driver.execute_script("arguments[0].click()", redeem_btn)

        while(True):
            redeem_first_luckyegg(driver)
    except Exception as e:
        print "It seems there's no luckyegg of this user. Go next."

def redeem_first_luckyegg(driver):
        luckyegg = WebDriverWait(driver, 10).until(
            EC.presence_of_element_located(\
                (By.ID, "ItemListRepeater_ctl00_DoExchange"))
        )
        driver.execute_script("arguments[0].click()", luckyegg)

        submit_btn = WebDriverWait(driver, 10).until(
            EC.presence_of_element_located((By.XPATH, "//a[@id='btnExchange']"))
        )
        driver.execute_script("arguments[0].click()", submit_btn)
        WebDriverWait(driver, 5).until(EC.alert_is_present())
        alert = driver.switch_to.alert
        alert.accept()

        redeem_btn = WebDriverWait(driver, 10).until(
            EC.presence_of_element_located((By.ID, "btnExchange")))
        driver.execute_script("arguments[0].click()", redeem_btn)

def i_have_coin_haha(driver):
    coin_field = WebDriverWait(driver, 10).until(
        EC.presence_of_element_located((By.CLASS_NAME, "coin"))
    )
    coin = coin_field.text.encode('utf-8').split("剩餘代幣:")[1]
    return int(coin) > 0

if __name__ == '__main__':
    parser = argparse.ArgumentParser(description='Compile smart contracts')

    parser.add_argument('--game_type', \
                        help='Its value is one of %s and %s' % ('login', 'dice'),
                        default='login')

    args = parser.parse_args()

    game = {
        "login": login,
        "dice": dice_game,
        "redeem": redeem_all_luckyeggs
    }

    main(args.game_type)


With cranberries, fresh sage, and roasted fennel, this gluten-free cornbread stuffing is both sophisticated and delish.
First let's talk about fennel. Does it scare you? It scared me at first because of its strange appearance and distinct licorice-taste when eaten raw. I haaaaaaaaaaate licorice. But I was pleasantly surprised that fennel's flavor is quite mild when you roast it. I added it to one of my favorite fall salads and even juiced it. I know it's not a traditional ingredient for stuffing. But, I love that it aids in digestion and has a surprisingly mild flavor (roasted). With such a heavy meal like Thanksgiving dinner, any digestion help is appreciated, am I right?
You can use any cornbread to make this stuffing, but I happen to LOVE my Chickpea Cornbread featuring Silk's unsweetened almondmilk.
Looking for other health(ier) Thanksgiving dishes?
This vegetarian spinach and cranberry stuffed acorn squash is to die for.
This over-the-top-delicious pecan pie is made without corn syrup.
This cranberry tart with gingerbread crust is so gorgeous it's almost too pretty to eat.
This creamy pumpkin polenta is a great alternative to potatoes.
This pumpkin flatbread would make a killer turkey day appetizer.
These white chocolate pumpkin pie bites are lightened up with Greek yogurt.
Packing this cornbread into a lunchbox was a super hit! Remember my year-long project with Silk? --- it's hard to say which one is my favorite... this one or this one or this one or this one)?! They're all so yummy.
An organic fruit/veggie pouch -- this combo of pumpkin, banana, and carrots was perfect.
This conversation is sponsored by Silk. The opinions, recipe, beautiful food photography and text are all mine.
* This is the cornbread recipe I used, but feel free to use whatever type of cornbread you prefer!
Slice the cornbread into small cubes, approximately 1 inch or smaller.
Preheat the oven to 425. Lay the fennel bulb slices on a baking sheet and brush the maple syrup over the tops. Roast for 15 minutes or until lightly browned, then remove from oven.
Reduce oven temp to 375.
In a large skillet over medium high heat, melt 4 tbsp of butter, then add in the onion, sage, sausage, and montreal chicken seasoning. Cook for about 8 minutes until onion is softened and sausage is browned.
In a large mixing bowl, combine cornbread chunks, sauteed onion and sausage, cranberries, and chicken broth. Pour it in a large casserole dish, then top with the fennel rounds and thin slices of butter (2 tbsp total).
Bake for 30 minutes at 375.


text:
Our website has moved to a new hosting provider and we updated the Knowledgebase software to phpMyFAQ. Some content will be in different locations than before.
Author: Brandon Munday
Chordplayer Software
If you try to install a version of Worship LIVE! (or our other software) that was released before Vista, it will probably not install correctly, and will complain that certain files were not properly installed, and ask you to reinstall the software. That is a valid error - because Vista's "User Access Control" features try to prevent unauthorized software from affecting the operating system. But it's a little bit TOO aggressive at this attempt.
So be SURE to install it with administrator privileges - you must log into Windows as an administrator, or run the installer with admin privileges; installing it with limited privileges will usually cause problems properly registering files for the software to use.
Also, if you still have trouble, the software will run fine under Vista and Windows 7 if you run it in Windows XP compatibility mode. The software needs to have elevated privileges to run properly in Vista. Please review http://support.microsoft.com/kb/292533 on how to do this, or review our own KnowledgeBase article.
Transpose Software
Transposition and Fonts
Transposition is a very tricky business, even for a human. We put a lot of brain power into the job. Our software works very hard to simplify the process, and to make the results just what you'd expect, but there are some things you can do to make the chord spacing work out better in the end.
There are two basic types of fonts: proportional and non-proportional (aka Monospaced).
A font like Times or Arial is a proportional font. In other words, the width of each character is proportional to its size; an "m" is obviously wider than an "l", and a proportional font allows more width on a line for an "m". On the other hand, a font like Courier New is a non-proportional font. That means every character is given the same width on the page.
When you're working with chords on a typed page, you probably use tab characters or spaces to position the chords. This is where the transposition process becomes complex.
When you change the chords, you may end up with different numbers of characters - for example, if you transpose from the key of C to the key of B, a G will become an F# - two characters instead of one.
If you change fonts, the opposite happens - the width of the characters changes. A long line of lyrics will become much shorter if you change from Courier to Times - and the line of chords above it will become MUCH MUCH shorter because spaces are the narrowest thing in a Times font - so the chord alignment would become completely incorrect.
Of course, when you transpose or change fonts, you want the chords to stay right where you left them. Chords moving to a new position is obviously a bad thing. If you transpose a song in Courier, it's fairly easy for the transposition code to maintain chord spacing - if you change from Em to F#m, for example, you just delete one of the spaces after the chord, and then things to the right don't move around. (This works okay as long as there's not another chord one space after that!) But if the chord is in Times, then a space is not the same size as a letter. Two letters plus one space don't equal three letters. So it's VERY complex transposing a song in Times or any font other than Courier. It's also even MORE complex changing the font without changing the chord spacing. It's doable - the software manages okay - but even on a decently powerful home PC, it takes a second or two or five for the software to handle.
(This complicated work is well beyond the scope of the web-based software, which is why we don't include a formatted-text editor for the free Web Transpose Tool.)
So what can you do to make it easier?
First, the software will work much faster if you stick to non-proportional fonts like Courier or Monaco.
Second, once you've picked a font, stick with it. You can change the font, but you will find things shifting around a little bit, no matter how well the software handles the transposition.
Third, avoid using tab characters in your chording arrangements. Use spaces to align the chords.
Fourth, avoid the Arial Black font for anything with chords. Yes, it looks great for projection, and is really easy to read - but Windows often cannot accurately calculate the width of its letters (this is a Windows bug, not something in our software), and so the transposition spacing results will often be poor.
Finally, avoid using Bold fonts whenever possible. This changes the width of the characters, and makes the transposition spacing less accurate.
Hopefully, these tips will keep your font changes and transposition results looking their best!
Transposition tip: Ignored Terms
A common question is asked about Worship LIVE! transposition: "When I transpose a song, this or that line of chords does not transpose. All the other lines do."
The issue is usually some text added to the chords line, indicating a technique for the musicians or singers, like adding "(to Bridge)" or "Go to verse".
Our software will transpose any line containing ONLY chords. It tries to transpose every chunk of text in the song, first assuming it's a chord. Of course if it doesn't start with A thru G, it can skip right out. "Bridge" requires a bit more work - "B" is a valid letter to begin a chord - but "r" (the second letter) is obviously not part of any common chord - only m, #, b, 7, etc. would be appropriate. "(to" is also obviously not a chord... etc. So the software sees that some of the character groups on that line are not transposable, it simply skips the line.
This may seem a bit odd... why not just transpose the things that ARE chords? Unfortunately, some things that ARE chords are also real words - like "A" or "Am". As an example for why this won't work, what if we had a song containing the line "I am a Christian"? It would be odd to end up with "I Bbm Bb Christian".
There is one exception to this rule: the Worship LIVE! software has a "Ignored Terms" list, on the preferences tab of the same name. Anything on this list will be ignored during transposition, so it can exist on the same line as chords. Note that this list can contain only single words - so "(to Bridge)" can't be added without splitting it up into two separate entries.
Therefore, here's the workaround for this issue:
1) Move the technique notes to a lyric line
2) Add "(to" and "Bridge)" and "verse)" to the Ignored Terms list.
We recommend option #1, as a regular way of writing technique notes - always put them on a non-chords line.
Transpose and Vista/Win7 Compatibility
The Tray Transpose Tool software will normally run under Windows Vista and Windows 7 if you install with Administrator Privileges. To do this, right-click on the installer and select [Install as Administrator]. This is usually sufficient to allow the software to install and run properly.
If not, follow the steps below for further tweaks that may help.
Setting Up Windows 7 or Vista Compatibility Mode
Even if you install as administrator, some Windows Vista or Windows 7 installations may have problems running the Tray Transpose Tool, just because so much has changed under the hood from Windows XP days when this software was programmed. However, there is a compatibility mode that can be easily set.
To configure the compatibility mode, just locate the installation directory (it should be [C:\Program Files\Tray Transpose Tool\] and right click on the .exe file, selecting Properties from the menu.
Select the Compatibility tab:
Set the program to run in [Windows XP SP2] compatibility mode, and check the [Run this program as an administrator] button.
TimeToStart Software
Worship LIVE! Software » Installation
"Hey! I'm a registered user. Worship LIVE! was running fine, completely unlocked, and now it's suddenly locked again. "
Worship LIVE! stores its unlock information in the Windows registry, and it encrypts that information based upon the network name of your computer (which you selected when you installed Windows in the first place). For this reason, several things can affect the unlock status of the software.
1. Did you change the network name of your computer under the Network:Identification:Computer Name control panel tab? Worship LIVE! uses this information to verify the registration information. You need to re-unlock Worship LIVE! (you DID save the unlock key and username, right?) and this will not happen again unless you change the computer name.
2. Did you reinstall Windows? The Worship LIVE! preferences, saved in the Windows Registry, may have been lost. Dig out that unlock key and user name (you DID save it, right?) and re-unlock.
To save you some frustration, the software stores the unlock information several additional places. As long as you have backups of these files, you may find them convenient.
1. A file named WorshipLIVE_UnlockInfo.txt in your My Documents folder. You can manually reenter the unlock codes.
2. An "unlock token" in your Application Data folder, usually located at
C:\Documents and Settings\ (your user name) \Application Data\SIMusic\WorshipLIVE
If this unlock token exists, simply drag it onto Worship LIVE's song list to unlock again.
Worship LIVE! Software » General
Moving songs between computers
• How can I move a song between two different computers?
• How can I copy the entire database for another user?
• How can I back up my database?
All of these questions have a similar set of answers.
Option 1. Use the Worship LIVE! software Export and Import features.
From the Edit menu, select Export, and then Entire Database for Sharing. Follow the prompts. This will create a single large file containing all the songs in the current database. Move this one file to the other computer, and follow the Import:Entire Database for Sharing option from the Worship LIVE! software's Edit menu on the new computer.
Option 2. Move the files from Windows.
The entire database is saved on disk, one file per song. At the bottom of the song list, on the status bar, is the folder of the currently open database - which contains the path on disk where the songs can be found. Open that folder from Windows. You can copy an entire folder full of song files to a floppy or CD-R or any suitable media, move it to any other location on your hard disk, etc. Note: make sure Worship LIVE! isn't running if you move or delete files; you may confuse Worship LIVE! if you try to use a deleted song! Also, see the KB article on CD backups.
Notes: Neither of these options export all the media files - any audio files you have linked to those songs. If you have lots of media files linked to your songs, you will need to ensure the file structure on both computers is the same, or you will need to manually re-associate the files. Option 1 is better if you don't care about the audio files, because it can automatically strip out the associations for you.
Maintaining Administrator control over the database
You may ask "Several people use the church copy of Worship LIVE, but I'd really prefer that only I could add or delete songs."
Easy enough - set a Song Editing Password in the Unlock preferences. This is not really secure, since anyone can delete the password, but it is a strong indication that you want some control over the database. Remember, anyone can edit or delete the song files stored on disk without using Worship LIVE, so this password is merely a deterrent.
Databases and CD-ROM backups
If you back up your songs to a CD-R and later restore them, you may have trouble using the song files.
This is because Windows makes all files written to a CD-R into "Read-Only" files. Once marked this way, the files cannot be edited - meaning our software cannot rewrite or modify or delete the files, such as to increment the usage information, or save changes you make to the lyrics.
The software will warn you when a a song is read-only, but you'll still need to know how to fix this problem.
Close the Worship LIVE! software.
Open your My Documents folder, and find your Worship Songs folder within it. (Or, of course, find wherever your songs are stored.)
Right click on the entire folder of songs, and select "Properties" from the popup menu.
Near the lower left corner is a checkbox marked "Read-only". Click this checkbox until it is clear - not grey ("mixed state") or checked. Then click OK.
You should now be able to use your songs as before.
Watch a Flash tutorial on this topic at http://www.worship-live.com/tutorial_readonly.shtml
Worship LIVE! and Windows "Data Execution Protection" (DEP) compatibility
Windows XP and newer versions of Windows all include an anti-malware system called "Data Execution Protection". It's designed to catch attempts by rogue software to execute code outside of Windows' security system. However, it is known to work TOO WELL in some cases, flagging legitimate programs and activity and instantly terminating those programs.
With Windows XP, this mode was optional and was turned off by default. With Vista and Windows 7 it became more common, and in Windows Server and all 64-bit editions of Windows, it is turned on by default.
Unfortunately, this DEP system can trip up the Worship LIVE! and other software, and cause it to quit unexpectedly and instantly, with no chance to save your work, and without even allowing the software to report the problem properly. You will get a generic Windows error but if you look closely you'll see the DEP warning at the bottom:
Fortunately, it is possible to turn off this DEP feature, either for ALL software (we don't recommend this) or for just the Worship LIVE! software (this is the best choice).
How to turn on/off DEP in Windows XP or Windows Vista?
In windows XP,
Log in as administrator
Open the Start menu, right-click on My Computer and Choose "Properties" from the context menu.
On the "System Properties" window, click the "Advanced" tab .
Click the Settings button under Performance
Click the "Data Execution Prevention" tab
Choose either "Turn on DEP for all programs and services except those I select:" or "Turn on DEP for essential Windows programs and services only to select the OptIn policy"
If you choose "Turn on DEP for all programs and services except those I select:", click Add to add the programs that you do not want to use the DEP feature.
Click OK twice
Restart the computer for the changes to take effect
In Windows Vista,
Open the Start menu and right-click "Computer"
Choose "Properties" from the context menu.
Choose "Advanced system settings" from under "Tasks" in the left pane.
Approve the User Account Control query (You will have to be an administrator to do it).
Click the button "Settings" in the Performance section.
Click the tab "Data Execution Prevention"
Note that 64-bit versions of Windows automatically enforce DEP for all programs.
If you want to define policy_level as AlwaysOn or AlwaysOff, you must do it directly via Boot.ini file as detailed below:
Click Start, right-click My Computer, and then click Properties.
Click the Advanced tab, and then click Settings under the Startup and Recovery field.
In the System startup field, click Edit. The Boot.ini file opens in Notepad.
In Notepad, click Find on the Edit menu.
In the Find what box, type /noexecute, and then click Find Next.
In the Find dialog box, click Cancel.
Replace policy_level with AlwaysOn or AlwaysOff, as you may want. But make sure that you enter the text accurately. For eg., if you want to set it as AlwaysOn, Boot.ini file switch should read as /noexecute=AlwaysOn
Click Save on the File menu in Notepad to save the configuration
http://techblissonline.com/enable-disable-dep-in-windows-xp-vista/
CCLI notes
About three weeks ago (early July 2008), CCLI made major changes to their web site, which effectively were intended to block third-party software (like Worship LIVE!) from accessing the site directly. We have not yet determined what we need to do about this. Based on a long conversation with a CCLI administrator, it was clear that the changes were largely driven by the music publishers, not CCLI, who would very much prefer to allow us to access their site more easily. We hesitate to try to make the CCLI interface work when CCLI has intentionally blocked it - that would not be very appropriate for a Christian business.
For now, you can still use CCLI manually - logging in from their web page directly, then searching for songs and downloading the USR files as you always do. We will keep working on finding another easier method that honors CCLI and the music publishers' wishes, and let our customers know when we have some results.
You may wish to try the DelicateFade or IWillWorship searches too. These work well and were not affected by the changes made by CCLI.
Worship LIVE! Software » Projection
The projection and playlist screens are loaded with keyboard shortcuts. When you've got a playlist in projection mode:
You can jump between song verses with a number key. "0" will jump to the entire song. If the song has verses, you can hit 1 through 9 to jump to that numbered verse.
You can jump between playlist items with Ctrl-(number). For example Ctrl-3 will jump to the third item on the playlist. If the item has verses, it will jump to the first checked verse of the third item.
Page up and page down move up and down the playlist between checked items.
B blanks and unblanks the projection screen.
If you're using projection on a single-display computer, you can pop up a "quick find" list with Ctrl-F. A list of available song titles will appear in the lower right corner; you can start typing a song title to jump down the list, and hit Enter to immediately project the selected item.
If you're projecting a very long item without a background image (with a solid color background) you can scroll up and down the item with the up and down arrow keys, and the Home and End keys. (However, the Page Up and Page Down keys will still jump to the next or previous item on the playlist.)
Choreography is a feature that can automatically sync projection changes with audio files. You can set up an entire playlist for one-click playback. Audio files will be played, the appropriate verses will be shown on the projection screen, and when it's done then the audio playback will stop. You can run an entire worship song set this way.
The basic steps to use choreography include:
1) Associate an audio file with a song
2) Set up choreography timings for that song
3) Add the song to a playlist
4) Project the playlist
5) Start the choreography running
We'll cover these topics below.
1. Associate an audio file with a song. See Changing Song Properties for details. Choreography will only work if the song has an audio file.
2) Set up choreography timings for a song. See this help page for details. Basically you create a series of timing events; each contains a time for the event, plus a type of event: a jump to another song, or a jump to a verse within the song, or blanking the screen. If you set a Next or Previous action in the song, the choreography will jump to the appropriate song when that event's timing is reached.
3) Add the song to a playlist. Use F9 or Add to Playlist.
4) Project the playlist.
5) Start the choreography running. To do this, click the green arrow next to the Choreography pane, to expand the pane. Click any verse of the song, and then click the Start Choreography button.
If audio playback is already running when you click the Start Choreography button, any subsequent events will simply happen. If the playback hasn't started yet, it will start when you click the button.
When a Next event or Prev event occurs, there must be another choregraphed song next (or previous) on the playlist. If not, choreography will simply stop, and the audio will continue. But if there IS another song to be choreographed, the currrent song's audio playback will stop, the subsequent audio file will begin, and the timing events for that new song will be played.
Vista Compatibility Notes
As of version 6.0.17, Worship LIVE! is Vista-compatible.
1) Help file compatibility
To give you the most complete and useful help file (including context-sensitive Help), the Worship LIVE! help file uses the WinHelp32 file format. With Vista, Microsoft deliberately stopped including built-in support for WinHelp files. However, you can easily download and install the required software from the Windows website (sorry, but we are prohibited by Microsoft from including these files in our installer). If you try to launch the Help file from the Worship LIVE! Start folder, Vista will tell you about this lack of support; the message will include a link to the location where you can download the software.
You can read about this problem here:
and you can download the software here:
2) User Access Control
Vista's new security features prevent you from easily using one feature in the Worship LIVE! software. Normally, the Worship LIVE! installer will take care of this for you, but you may need the information below from time to time.
Worship LIVE! includes a built-in ability to associate the Worship LIVE! file types (song files, database files, and so forth) so that double-clicking or right-clicking on those files (from the Windows desktop) will use them with the Worship LIVE! software.
To use this feature, you need to run Worship LIVE! with elevated privileges. Simply do this by right-clicking the program file or shortcut and then clicking Run as Administrator. When you run with elevated privileges, you will need to dismiss a User Access Control prompt.
If you'd like more information about the User Access Control and running as administrator, this is a good resource:
http://articles.techrepublic.com.com/5100-10877_11-6139428.html
Worship LIVE! Software » Playlists
Automation and Powerpoint Upgrades to the Playlist added to Version 5.1
Worship LIVE! version 5.1, included significant upgrades to the playlist.
Changes of note are:
- Automation features (formerly called Choreography). Automation offers the ability to completely script the playlist, including jumps between items and user-selectable timings for each item, for true one-click song services. (By contrast, Version 5.0 included basic automation features, but not the ability to jump back and forth, no ability to control the action at the end of each song, and rather limited control over the duration of an item.)
- Slideshow Helper. Along with the basic Automation features, we've added a Slideshow Helper. This will help you pick an audio file and any number of images, create an automated playlist, and even launch projection if you wish. Just a few clicks, and a whole folder full of images will be looping with music for your congregation.
- Powerpoint interface upgrades. When a Powerpoint file is added to a playlist, Worship LIVE! reads its contents and shows each slide as a subitem. It also shows the number of click animations in the slide, and shows previews of each slide as you move your mouse cursor over each item (just like all the other playlist items). The Next and Prev buttons on the playlist window now control the Powerpoint playback, just like other playlist items. In short, the Powerpoint features are much more tightly integrated into the rest of the playlist.
- Easier addition of items. When you select an item to add, Worship LIVE! will remember that item type and you can repeat the action with a single mouseclick on the Add toolbar button. Also, you can now select multiple files of any type to add all at once.
- Fully selectable playlist columns. You can now pick which columns you'd like to appear on the playlist. The only fixed column is the Title column.
You can view a preview screenshot of the updated playlist at http://www.worship-live.com/images/version51preview.gif
In particular, note that the Powerpoint file now shows its slides on the playlist, and also notice the icons and descriptive text in the Automation column.
If you wish to use automation or you heavily use Powerpoint files in your playlists, and you're interested in helping to beta test this new version, please contact us via http://www.simusic.com/contact.html