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Clarinet Music with Piano
Composers A-K
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(Including Piano Reductions, Music with Organ, and with Percussion)
(Updated 26 December 2022)
This page has music for clarinet with piano accompaniment (including piano reductions of works with orchestral accompaniment). There are a small number for clarinet and organ. There are several pieces with bass and drums (one without piano) and another for clarinet and percussion. All collections of clarinet music (some have piano accompaniment) are on the Clarinet Music Collections page. Items are listed in alphabetical order by composer whose last names begin with the letters A-K (mostly, use the Find Command in your browser or Search from our menu, if necessary).
All music specifically for BASS CLARINET is now on its own page. There are works on this page for E-flat clarinet, clarinet in A, clarinet in B-flat, basset horn, basset clarinet and alto clarinet. We have marked music for E-flat clarinet with this symbol:
We have drawn on the works of Dr. Norman Heim on clarinet literature for comments on some of these pieces.
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C1575: Clarinet Solos & Duos. CD Sheet Music LLC, 2010, 1200+ pages on CD. This collection makes available a wealth of music for solo clarinet including sonatas, concertos, and solo works by 28 composers from the 18th, 19th and early 20th centuries. Also included are two complete volumes of collected works: Easy Duets in two books and Album of Short Solos by Various Composers. Scores and parts are included for many ensemble works.
Works include: Baermann, C. (Duo Concertante); Baermann, H. (Adagio); Beethoven (3 Duos for Clarinet and Bassoon); Berg (4 Pieces for Clarinet & Piano); Brahms (Sonata Nos. 1 & 2); Busoni (Elegie for Clarinet & Piano); Cavallini (30 Caprices for Clarinet); Debussy (Première Rhapsodie); Fauré (Berceuse); Gade (4 Fantasy Pieces); Glazunov (Saxophone Concerto [for clarinet & piano]); Jeanjean (Variations on "Au Clair de la Lune"); Klosé (Souvenir); Mason (Sonata for Clarinet & Piano); Mendelssohn (Concert Piece for 2 Clarinets & Piano); Mozart, L. (Concerto in Bb major); Mozart, W.A. (3 Duets for 2 Clarinets); Paganini (14 Caprices); Pierné (Pièce in G minor); Prokofiev (Visions Fugitives); Reger (Sonata Nos. 1 & 2); Reinecke (Sonata, Undine); Saint-Saëns (Sonata in Eb major); Schumann (Fantasy Pieces, 3 Romances); Spohr (Concerto Nos. 1-4); Stravinsky (3 Pieces for Clarinet Solo); Wagner (actually by Baermann) (Adagio for Clarinet & Strings); Weber (Fantasia & Rondo, Grand Duo Concertante).
Easy Duets: Book 1: works by Fodor, Pleyel, Volckmar, Wanhal. Book 2: works by Mazas, Bruni, Campagnoli, Gebauer, Geminiani, Haydn, Pleyal, Viotti.
Album of Short Solos by Various Composers: 30 familiar works arranged for clarinet, including Brahms (Cradle Song), Dvorák (Humoreske), Fibich (Poéme), Handel (Largo), Giordani (Caro mio bien), Richter (Seppl-Polka), Schubert (Ave Maria), Schumann (Träumerei), Weber (Bauernwalzer), and more. Also includes composer biographies and relevant articles from the 1911 edition of Grove's Dictionary of Music and Musicians.
Click on the image cover to view the complete Table of Contents.
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C1210: Cinq Pièces Faciles Op. 138 (Five Easy Pieces) for clarinet or alto saxophone and piano by Jean Absil. Lemoine, 1969, SS, 10 + 5 pages (includes both clarinet and alto saxophone parts). Jean Absil (1893-1974) was a Belgian composer, organist, and professor at the Brussels Conservatory. This is excellent material for a recital performance by an intermediate student. The pieces are: 1. Badinerie (Allegretto, 2. Chant de marins (Andantino), 3. Parade (Allegro Moderato), 4. Spleen (Andante), and 5. Joyeux départ (Vivo).
C634: Gnarly Buttons Reduction for Clarinet and Piano by John Adams. Boosey & Hawkes, 1996, SS, 40 + 15 pages. Written for Michael Collins and premiered by him.Three movements: I. The Perilous Shore, II. Hoedown (Mad Cow), and III. Put Your Loving Arms Around Me. An advanced, professional level piece.
"Adams' most personal and cathartic work, Gnarly Buttons is a memorial tribute to his father, using the clarinet, his father's instrument, to trace and salute his father's pervasive influence upon his own life and career. It opens with the scales his father taught him to practice, and then alludes to Benny Goodman (whom his father revered), the marching bands and community orchestra in which they played together, and the emergence and development from such roots of Adams' own eclectic musical style. It ends with the confusion, pain and vulnerability of his father's final dementia (during which he became obsessed that someone was trying to steal his instruments) and a brief, peaceful elegy. A curious mélange when heard in the abstract, Gnarly Buttons becomes acutely poignant in context." -- Copyright 2001 by Peter Gutmann used with permission.
C2101: Pacific Serenade for clarinet and piano by Miguel del Aguila. Peermusic, 2001/2013, SS, 15 + 6 pages. Miguel del Águila (1957-) is an Uruguayan-born American composer of contemporary classical music. Written in 1998 and originally for clarinet and string quartet, Pacific Serenade was commissioned by Pacific Serenades Ensemble who premiered it 1998 in Los Angeles. In general the music is extremely quiet, delicate, sensuous and sentimental. The sensuousness is created by the use of South American folkloric idioms, especially the Brazilian choro, which is at times combined with Blues melodies and Jazz harmony. In this version for clarinet and piano, some movements are expanded and some piano harmonies are . The clarinet part remains close to the original. Early college level with some glissandos. Here is a performance of the first movement (of four with the clarinet tacit on the very brief third movement).
C1077: Chant d'Amour for clarinet and piano by Isaac Albeniz arranged by H. Delacroix. Alphonse Leduc, 1922, SS, 4 + 1 pages. This is a very familiar melody. The rhapsodic nature of this piece and the 8 measure half step shift in the middle of the piece (without changing key signature) will add to challenge for the intermediate student.
C2309: Chant d'Amour for clarinet and piano by Isaac Albeniz arranged by H. Delacroix. LudwigMasters, SS, 4 + 1 pages. This is a nice copy of the Leduc edition.
C1007: Tango Op. 165 for clarinet and piano by Isaac Albeniz arranged by Béla Kovács. EditionDarok, 2006, SS, 4 + 1 pages. This familiar tango was originally written for piano. This rates as an intermediate piece but the triplet figures and grace notes along with playing it with the proper expression will challenge the student and please the more experienced clarinetist.
WW248: Concerto in D minor Op. 9 No. 2 for Oboe (or Clarinet or Soprano Saxophone) and Piano by Tomaso Albinoni edited by Ber Joosen. Molenaar, 1966, SS, 18 + 4 pages. Originally for oboe and string orchestra. In three movements: Allegro e non presto, Adagio, and Allegro. Includes both oboe and clarinet/saxophone parts. Duration about 12-13 minutes.
C2283: Concerto in D minor Op. 9 No. 2 for Clarinet and Piano by Tomaso Albinoni transcribed by Gilles Secq, edited by Jacques Merrer. International Music Diffusion, 2014, SS, 16 + 4 pages. The same piece as above. The differences are that the print in this edition is slightly smaller, it has orchestra cues for the second and third movements, and the added annotations are marked as such. In three movements: Allegro e non presto, Adagio, and Allegro. Duration 12-13 minutes. Click on the cover image to view the first page of the clarinet part.
C1649: Concerto for Clarinet and Orchestra by Robert Livingston Aldridge. C.F. Peters, 2005, SS, 19 pages (clarinet part) plus rehearsal CD. This piece was written of clarinetist David Singer who asked the composer to write a piece that would combine elements of classical music with folk. It is in three movements in the traditional fast, slow, fast format. This is a virtuoso piece for the clarinetist with a duration of about 29 minutes. Instead of a piano reduction it includes a CD with a midi realization of the accompaniment (which sounds very good).
C2256: Gradus Sonorum Concertino for Clarinet and Piano by Giancarlo Aleppo. Edizioni Eufonia, SS, 13 + 4 pages. Giancarlo Aleppo (1937-) is an Italian conductor, composer and teacher. This is a sectional piece which while continuous resembles a multimovement work. The main sections are: Allegro, Moderato, Adagio and Presto. College level. Click on the cover image to view the score. Free Media Mail shipping on this music to US, IF ordered with another item.
C1723: Sonata for clarinet and piano by William Alwyn. Boosey & Hawkes, 1963, SS, 25 + 7 pages. William Alwyn (1905-1985) was an English composer who studied at the Royal Academy where he later joined the faculty. He composed symphonies, oratorios and concertos, but was most successful as a composer for films. This sonata is a multi-sectional work in one movement (duration 12:00). Prof. Heim has written that the style is highly romantic, but dissonance is used for emphasis. While writing for clarinet is lyric; there are also periods of technical flourish and climax. The work requires great breath endurance and excellent finger dexterity and is suggested for mature performers.
C841: Burlesko for clarinet (or violin) and piano by André Ameller. Leduc, 1968, SS, 2 + 1 pages. A brief, fast (Scherzando, allegretto leggero) piece probably best suited for an encore (clowns are optional).
C2566: Starry Night for clarinet and strings (piano reduction) by David Amram. Edition Peters, 2000, SS, 15 + 4 pages. David Amram (1930-) is a versatile American composer who has written for many genres. A very nice college level piece with a duration of about 8:35. Click here to listen to a performance with strings. Click on the cover image to view a page of the clarinet part.
C1937: Tango for Clarinet (Trumpet/Flugelhorn) and Piano by Siegmund Andraschek. Advance Music, 2012, SS, 6 + 2 pages. Siegmund Andraschek (1975-) is an Austrian trombonist, composer and music educator. In one movement Con fuoco (mm=110). From the notes on this piece: "The composition 'Tango' lends itself to being performed within the framework of young soloists' competitions and can, in general, also be used in exams. For professional musicians, it might be the ideal complement to the second set of their recital program." Click on the cover image to view the first page of the score.
C516: Capriccio for Clarinet and Orchestra (Rossini in Paris) Piano Reduction by Dominick Argento. Boosey & Hawkes, 1986, SS, 36 + 15 pages. Dedicated to and premiered by George Silfies. This piece was inspired by a visit to Rossini's birthplace to hear the first opera he composed in Paris. It requires both B flat and A clarinets and is in three movements: Une Réjouissance (Molto allegro ed esuberante), Une caresse à ma Femme (Andante amoroso, senza trascinare), and Un petit Train du Plaisir (Molto allegro e spiritoso). A work for professional performers.
C559: Concerto for Clarinet and Strings by Malcolm Arnold (transcription for clarinet and piano by the composer). Lengnick, 1952, SS. 36 + 8 pages. Dedicated to Frederick Thurston. It is in three movements: Allegro, Andante con moto, and Allegro con fuoco and is written in conservative style with little dissonance. The second movement requires the most technique with thirty second note arpeggios. It is a good concerto for a medium level college student.
C560: Concerto for Clarinet No. 2 Op. 115 (Piano Reduction) by Malcolm Arnold. Faber Music, 1981, SS, 25 + 7 pages. Dedicated to Benny Goodman who gave the first performance in 1974. Three movements: I. Allegro vivace, II. Lento, III. (The Pre-Goodman Rag) Allegro non troppo. In the first movement, the clarinetist is instructed to "Improvise a cadenza as jazzy and way out as you please, based on the concerto's themes. For upper college level and advanced performers and should appeal to many audiences.
C1965: English Dances for Clarinet and Piano by Malcolm Arnold arranged by Paul Harris. Lengnick & Co., 2004, SS, 21 + 10 pages. These five dances have been arranged from orchestral music (Op. 27 and 33) written by Arnold in 1950 and 1951. They are 1. Con Brio, 2. Andantino, 3. Mesto, 4. Grazioso and Allegro non troppo. They resemble the Finzi 5 Bagatelles although they may be slightly more difficult. Better high school clarinetists and up. Click on the cover image to view the first page of the clarinet part.
C1230: Scherzetto for clarinet and piano by Malcolm Arnold. Queen's Temple Publications, 2001, SS, 4 + 2 pages. The origin of this piece is the score Arnold wrote for the 1954 film comedy You Know What Sailors Are. This "bubbling showpiece" was written for Jack Thurston. After a short Moderato introduction the piece takes off with a catchy Allegro melody followed by a short Lento section and the return of the Allegro melody to the end. This will be a real audience pleaser and may find a place in college and professional recitals (possibly as an encore). Duration about 2:45.
C611: Sonatina for Clarinet and Piano by Malcolm Arnold. Lengnick, 1951, SS, 16 + 7 pages. This piece is in three movements: Allegro con brio, Andantino, and Furioso with the middle movement as a quiet interlude between powerful outer movements. It is tonal but with some dissonance. The clarinet part is well written, with many repeated figurations, and the range spans two and one-half registers. The Sonatina is similar in style and difficulty to Arnold's Concerto and is excellent repertoire for the college clarinetist and is also suitable for professional recitals.
C1112: Capriccio for Clarinet in B-flat and Piano by Claude Arrieu. Amphion, 1971, SS, 9 + 4 pages. Claude Arrieu (1903-1990) was a prolific French composer who enjoyed a long and successful career. This piece was written for the Concours de Conservatoire National Supérior de Paris of 1971. It is an appropriately challenging piece that begins Lento which after a few measures evolves into a cadenza. A brief piano transition leads to the Scherzando section which is in mixed meter (5/8, 9/8, 6/8 etc.). Slow and fast sections (without the mixed meter) alternate to the end of the piece.
C2140: Prayer for Solo Bass Clarinet or Clarinet by Lera Auerbach. Sikorski, 2018, SS, 4 pages. Lera Auerbach (1973-) is a Russian-born American composer and pianist. This is a college level work with a duration of about 7 minutes. It has a variety of tempos and is written without a key signature but has many accidentals. The lowest note is an F below the staff and there is no altissimo. Click on the cover image to view the first page.
C834: Hillandale Waltzes for Clarinet with Piano Accompaniment by Victor Babin arranged by Dennis Nygren. LudwigMasters/Alfred Music, 1993/2014, SS, 22 + 8 pages. This popular set of eight waltz variations (on a theme from Hummel) was completed by Russian-American composer Victor Babin (1908-1972) in 1947. College level.
C2670: Hillandale Waltzes for Clarinet with Piano Accompaniment by Victor Babin. Eble Music Co. SS, 16 + 6 pages. This popular set of eight waltz variations (on a theme from Hummel) was completed by Russian-American composer Victor Babin (1908-1972) in 1947. College level.
C1537: Polish Caprice for Clarinet and Piano by Grażyna Bacewicz. Polskie Wydawnictwo Muzyczne (PWM Edition), 1982, SS, 6 + 2 pages. Grażyna Bacewicz (1909-1969) was a Polish composer and violinist. She studied in Warsaw and Paris and performed as a violinist in the 1930s and early 1940s before shifting to composing as her primary activity. The piece begins with a short Andante section in 3/4. The remainder of the piece is dance-like with a brief Allegro section in 2/4 where the tempo accelerates to Presto (mm=184) for the balance of the piece. Early college level with the tempo as the main challenge. Click on the cover image to view the first page of the clarinet part. Free Media Mail shipping on this music to US, IF ordered with another item.
C1280: Adagio in E-flat major S. 1017 by Johann Sebastian Bach arranged for Clarinet (or Alto Flute or English Horn) and Keyboard by Karl Kraber. International Music Co., 2008, 3 + 1 pages. This is from the Sonata No. 4 in C minor for violin and harpsichord. Intermediate level.
C1871: Air On The G String by Johann Sebastian Bach arranged for Clarinet and Piano by Frank J. Halferty. Kendor Music, 2011, 3 + 1 pages. This is from Orchestral Suite No. 3. The publisher rates this as (US) grade 3. Click on the cover image to view the first two pages of the score.
C1483: Bourrée from the Third Violoncello Suite by Johann Sebastian Bach arranged for Clarinet and Piano by David L. Hite. Southern Music Co., 1966, SS, 5 + 2 pages. There are actually two Bourrées which are the fifth and sixth (of seven) movements of the third suite originally written for solo cello. As they are to be played one after the other with a da capo to the first movement, the arranger has put them together as one piece. He also added a piano part that works very well. The publisher lists this as grade 3. Click on the cover image to view the first page of the clarinet part. Free Media Mail shipping on this music to US, IF ordered with another item.
C271: Divertimento for Clarinet and Piano by Carl Baermann edited by Sidney Forrest. Southern Music Co., 1988, SS, 11 + 3 pages. Carl Baermann (1810-1885) was a German clarinetist and composer and the son of Heinrich Baermann. The publisher lists this as grade 3 (out of 6). It might be a bit more difficult.
C2315: Duo Concertant Op. 4 for Clarinet and Piano by Carl Baermann edited by Eric Perrier. Billaudot, 2015, SS, 20 + 7 pages. This early clarinet showpiece was written in 1843 and features sections in various styles and tempos. The publisher lists it as grade 7-8 (out of 9). It has duration of about 10 minutes. Click on the cover image to view the last page of the clarinet part. (Not to be confused with the Duo Concertant Op. 33 which is for two clarinets and piano.)
C1743: Baermann Etude Op. 63 No. 22 for Clarinet and Piano by Carl Baermann edited by Harry R. Gee. Kendor Music, 2011, 7 + 2 pages. This is from Book 2 of the Op. 63 studies and useful since the piano parts for these etudes are difficult to find. The publisher lists this as grade 4 (out of 6). It is on the easier side of that grade. Free Media Mail shipping on this music to US, IF ordered with another item.
C1758: Fantasie Brillante Op. 7 for Clarinet and Piano by Carl Baermann edited by Bernhard Päuler. Amadeus, 2007, SS, 19 + 7 pages. A sectional piece consisting of Andante maestoso, Moderato (the theme), two variations, and an extended Rondo Allegretto conclusion. A college level Baermann showpiece.
C216: Adagio by Heinrich Baermann arranged for clarinet and piano by David Hite. Southern Music Co., 1991, SS, 6 + 2 pages. Originally for clarinet and string quartet, this piece was attributed to Richard Wagner when it was discovered in 1922. In 1964, Hans-Georg Bach revealed that it was actually the middle movement of Baermann's Clarinet Quintet, Op. 23.
C272: Air Varié Op. 12 No. 2 by Heinrich Baermann edited by H. Voxman and R.P. Block. Southern Music Co., 1991, SS, 12 + 4 pages. For clarinet and piano. A florid finish for this theme and variations.
C258: Baermann Concerto (Quintet) for Clarinet in E-flat major Op. 23 Piano Reduction by Heinrich Baermann edited by Harald Strebel. Schott, 1986, SS, 37 + 10 pages. In three movements: Allegro non troppo, Adagio, and Rondo. This is the source of the famous Adagio shown above. The existence of ad libitum horn parts for the first and last of the three movements suggest that it can be performed either as a concerto or a quintet. The string quartet parts are also available.
C541: Introduction and Polonaise Op 25 for Clarinet and Piano by Heinrich Baermann edited by John hill. Musica Rara, 1981, SS, 12 + 4 pages. This is one of a number of pieces Baermann wrote to show off his power of expression and his virtuosity. The piece begins with an Allegro agitato with recitative elements, then an Andante section followed by an extended Polacca. Early college level. The piano part is mostly accompaniment and is not difficult.
C935: Clarinet Sonata Clarinet and Piano by David Baker. Keiser, 1990, SS, 26 + 9 pages. David Baker (1931-2016) was an American composer, author, conductor and music educator who was also a renowned jazz performer. An advanced work with a strong jazz influence in three movements: 1. Blues, 2. Loneliness, and 3. Dance. Very neat manuscript parts. Here is an audio recording of the first movement. The other movements are on YouTube as well.
C2042: Sonata for B-flat Clarinet and Piano by Jesus Bal y Gay. Peer Music, 1953, SS 31 + 9 pages. Jesús Bal y Gay (1905-1993) was a Spanish composer, music critic, and musicologist. He studied in Spain and with Nadia Boulanger. Because of the Spanish Civil War he lived in exile in Mexico from 1938 to 1965. This piece was written during that period, in 1946-47. It is in three movements: I. Allegro, II. Adagio, and III. Adagio/Allegro. (Early) college level with a duration of 17:20.
C1386: Concerto for Clarinet and Strings Piano Reduction by Christopher Ball with piano reduction by Russell Denwood. Emerson Edition, 2007, SS, 45 + 9 pages. Christopher Ball (1936-) is a British composer who began his career as an orchestral clarinetist and also served as a conductor in the United Kingdom and Canada. This piece is dedicated to Leslie Craven. It is in three movements: 1. Allegro, 2. Adagio non troppo, 3. Allegro vivace. The composer states his goal was to write a clarinet concerto which would make the instrument sound at its "magical best" in hopes that a child might be inspired to love the clarinet as he had. You can listen to the first movement (with strings) here. The other movements are also on YouTube. College level with a duration of about 24 minutes.
C1389: Four Folksongs for clarinet and piano arranged by Christopher Ball. Emerson Edition, 2008, SS, 11 + 4 pages. These are arrangements the composer made as a student to use as encores at clarinet recitals. The four folksongs are: 1. The Lark in Clear Air (Andante affettuoso), 2. The Star of the County Down (Giocoso), 3. Skye Boat Song (Andante) and 4. Over the Hills and Far Away (Allegro moderato). High school level skills should be sufficient for these pieces but they will be enjoyable for clarinetists of all ages.
C263: Chant Slave for clarinet and piano by J. Ed. Barat. Alphonse Leduc, 1958, SS, 4 + 2 pages. Early high school level. Often found on festival lists. Free Media Mail shipping on this music to US, IF ordered with another item.
C1525: Cuatro piezas breves (Four Short Pieces) for clarinet and piano by Francisco Asenjo Barbieri edited by Pedro Rubio. Bassus Ediciones Musicales, 2009, SS, 7 + 2 pages. Francisco Asenjo Barbieri (1823-1894) studied composition, piano, and clarinet and Madrid Conservatory. He was a struggling musician until 1846 when is situation began to improve and he could concentrate on composing. These pieces are taken from a collection of exam pieces between 1857 and 1877 in which only clarinet parts remain. These were probably sight reading pieces from 1863 exams. The piano parts have been recreated for this publication. They are Minueto (Andantino), Ariette (Allegro moderato), Intermezzo (Moderato), and Canzonetta (Andante/Più mosso). Total duration of about 5 minutes with the Canzonetta longer than the others combined. Advaced high school/early college level.
C748: Romanian Folk Dances for Clarinet and Piano by Béla Bartók arr. Zoltán Székely trans. Kalmán Berkes. Universal Edition, 1989, SS, 9 + 6 pages. Six Romanian folk songs written for piano by Bartók, then arranged for violin by Székely, and finally transcribed for clarinet by Kalmán Berkes. An interesting set of pieces for the advanced intermediate player. The primary challenges are rhythm (although not as difficult as many Eastern European dances), ornamentation, and tempo.
C2439: Romanian Folk Dances for Clarinet, Bartók Edition with Piano by Béla Bartók arranged Hywel Davies. Boosey & Hawkes, 2016, SS, 15 + 6 pages. There are six dances: 1. Stick Dance (Allegro moderato), 2. Sash Dance (Allegro), 3. In one Spot (Andante), 4. Dance from Bucsum (Moderato), 5. Romanian Polka (Allegro), and 6. Fast Dance (Allegro). Click on the cover image to view the first dance from the clarinet part.
C2389: Sonatina for Clarinet and Piano by Béla Bartók arranged Bela Kovacs. EditionDarok, 2016, SS, 8 + 4 pages. Originally for piano, this piece has three movements: I. Dudások (Bagpipes) Allegretto, II. Medvetánc (Bear Dance) Moderato, and III. Finale Allegro vivace. College level. Click on the cover image to view the first page of the clarinet part.
C1328: Three Folksongs from the County of Csík for Clarinet and Piano by Béla Bartók arranged Gyögy Balassa. Editio Musica Budapest, 1955, SS, 2 + 1 pages. Three Bartok folksongs have been combined into one sectional piece. We have one copy with the previous cover at this price.. Here is a link to an .mp3 performance.
C369: Concert Fantasia on Motives from Verdi's "Rigoletto" by Luigi Bassi edited by Alamiro Giampieri. Ricordi, SS, 13 + 7 pages. For clarinet in B-flat and piano. A very entertaining (and frequently recorded) fantasy. Challenging for the clarinetist but the piano part should not be a problem for a competent accompanist. There are a number of videos on line of this piece. Here is one.
C1152: Sonata for Clarinet and Piano by Arnold Bax. Chappell Music Ltd/Studio Music,1935, SS, 20 + 6 pages. Written in 1934, this Sonata is one of Bax's (1883-1953) mature works. It was first performed by Frederick Thurston in 1935. It is in two movements: I. Molto moderato and II. Vivace. An excellent work, with an important piano part, for mature performers.
C1706: From Grandmother's Garden Op. 97 for Clarinet and Piano by Amy Marcy Beach transcribed by John Gibson. JB Linear Music, 2009, SB, 36 + 10 pages. Amy Marcy Beach (1867-1944) was an American woman composer. She wrote in a mature and virtuosic style for piano (the original version of this piece) with use of chromaticism, fine melodic lines, and impressionistic styles. It is those elements of Impressionism, using musical styles of Ravel and Debussy, that make "From Grandmother's Garden" so interesting to the performer and audience. The piece includes 5 short pieces describing or at least alluding to garden plants you might find in a Victorian garden: Morning Glories, Heartsease, Mignonette, Rosemary and Rue, and Honeysuckle. Early college level. There is a shaky video on YouTube: Part 1, Part 2.
C2719: Clarinet Tales Vol. 1 for Clarinet and Piano by Beatrix Becker. Hofmeister, 2020, SS, 26 + 8 pages. Beatrix Becker (1978-) studied clarinet and piano in Germany and received further training in Jazz and World Music from Giora Feideman and others. This book has four original compositions. Three of the four pieces have spots for improvisation and there are chord symbols in both the clarinet and piano parts. Click on the cover image to view a sample page of the clarinet part.
C1805: Variations on a German Folksong for Basset Horn and Piano by Alois Beerhalter edited by Hans Rudolf Stalder. Edition Kneusslin/Edition Kunzelmann, 1980, SS, 14 + 6 pages. Alois Beerhalter (1800-1852) was a German musician who learned many instruments to support himself before finally turning to the clarinet and then the basset horn around 1828. This piece has a substantial Andante cantabile introduction, the Theme, five variations, and an Allegro vivo finale. Almost no altissimo but the bottom three octave range of the basset horn is fully exploited. Click on the cover image to view a .pdf of the first two pages of the basset horn part.
C2421: Adagio from the Pathetique Sonata for Clarinet and Piano by Ludwig van Beethoven arranged by Gregory Yasinitsky. Almitra Music Co./Kendor Music, 2016, SS, 4 + 2 pages. This is from Movement II, Piano Sonata No. 8, Op. 13, one of Beethoven's most famous works. It was written in 1798 and first published in 1799. The duration is 3:25. The publisher has marked this as (US) grade 4, although it is on the easier end of that grade. Click on the cover image to view the first two pages of the score.
C1839: Für Elise for Clarinet and Piano by Ludwig van Beethoven arranged by Lloyd Conley. Almitra Music Co./Kendor Music, 2011, SS, 5 + 2 pages. Ludwig van Beethoven wrote Bagatelle No. 25 in A minor, subtitled Für Elise, in 1810. It features warm, expressive lines that work well on the clarinet. Duration 3:00. Click on the cover image to view the first two pages of the score.
C2451: Rondo from the Pathetique Sonata for Clarinet and Piano by Ludwig van Beethoven arranged by Gregory Yasinitsky. Almitra Music Co./Kendor Music, 2016, 10 + 4 pages. This is from Movement III, Piano Sonata No. 8, Op. 13, one of Beethoven's most famous works. It was written in 1798 and first published in 1799. The duration is 3:55. The publisher has marked this as (US) grade 4+. I would remove the plus sign. Click on the cover image to view the first two pages of the score.
C401: Sonata in D minor for Clarinet and Piano by William Henry Bell. Rosewood Publications, 2000, SS, 25 + 6 pages. English composer William Henry Bell (1873-1946) studied and later taught at the Royal Academy of Music in London during the period 1889 to 1912. He then emigrated to South Africa and taught music at the university level until his retirement in 1935. This Sonata in D minor was written in 1926. It is in four movements: I. Allegro moderato, II. Moderato grazioso (in 24/8 time), III. Adagio, and IV. Allegro non troppo. Something a bit different for college level clarinetists.
C1695: Concerto for Clarinet or Saxophone (in B-flat) and Piano by Vincenzo Bellini arranged by Ber Joosen. Moelnaar, 1963, SS, 11+ 2 pages. This piece was composed for oboe circa 1819-25. Two main sections: Larghetto cantabile and Allegro (alla polonese). Advanced high school or early college level. The original concert key has been preserved so the solo part could be used with the existing orchestral parts.
C2255: Signature for Clarinet and Piano by Giuliano Bellorini. Edizioni Eufonia, SS, 11 + 2 pages + CD. Giuliano Bellorini (1965-) is an Italian composer, pianist, harpsichordist, and organist. This is a sectional piece with a number of tempo changes playable by better high school level players. The CD includes both a complete performance and the accompaniment. Duration is about 4:45. Click here to listen to a recording. Click on the cover image to view the score.
C1187: Pastoral Variée for Clarinet and Piano (1945) by Paul Ben-Haim. Israel Music Institute, 2001, SS, 27 + 9 pages. Paul Ben-Haim (1897-1984) was a German-born Israeli composer and conductor who emigrated to Palestine in 1933. He was a champion of Jewish music and his compositions are in a late Romantic vein with Middle Eastern overtones. This is a piano reduction prepared by the composer (the original is for clarinet, harp and strings). This piece is begins with Thema-Sostenuto e dolce which is followed by six variations in various tempos and styles. Click on the cover image to view the final page of the clarinet part. It includes the last portion of variation number 6 (Allegretto molto graziosos, half note = 60 in 3/2 time) and Tempo I, Allegretto.
C644: Three Songs without Words for Clarinet or Tenor Saxophone and Piano by Paul Ben-Haim. Israel Music Institute, 1953, SS, 12 + 3 pages. Conceived as vocalises for high voice and piano it occurred to the composer that the songs lent themselves to instrumental performance as well. Consequently he arranged them for several instruments, with the clarinet or tenor saxophone edition presented here. The three songs are Arioso (Molto moderato), Ballad (Allegretto), and Sephardic Melody (Largamente rubato e molto appassionato).
C663: Jamaican Rumba for Clarinet and Piano by Arthur Benjamin edited and transcribed by Reginald Kell. Boosey & Hawkes, 1938, SS, 5 + 2 pages. A cute little piece that at the marked tempo (mm=72) should be playable by high school students and above (the recording below is much faster).
C590: Le Tombeau de Ravel for Clarinet and Piano by Arthur Benjamin. Boosey & Hawkes, 1958, SS, 28 + 8 pages. Subtitled "Valse - Caprices," this is a multi-sectional work by Australian born, London based Benjamin (1893-1960). The sections are Introduzione, Allegro molto; 1 Poco lento; 2 Presto, volante; 3 Andante, semplice; 4 Allegro, Vigoroso; 5 Allegretto, preciso; and Finale, Non troppo allegro. This piece requires good technique and is classified as an upper college level work.
C2555: Darkwood for Alto Clarinet and Piano by David Bennett. Carl Fischer, 1938, 7 + 3 pages. David Bennett (1892-1990) was an American clarinetist, composer, and arranger. Darkwood begins with a lento recitative section typical of many of Bennett's compositions. What follows are sections which are Vivace, Allegro moderato, Lento, Allegro and Presto. Click on the cover image to view the first page of the score. Free Media Mail shipping on this music to US, IF ordered with another item.
C1914: Ballad in Memory of Shirley Horn for Clarinet and Piano by Richard Rodney Bennett. Novello, 2006, SS, 9 + 4 pages. Richard Rodney Bennett (1936-2012) was an English composer renowned for his film scores and his jazz performance as much as for his challenging concert works. He was based in York City from 1979 until his death in 2012. Shirley Horn (1934-2005) was an American jazz singer and pianist. This is an attractive college level piece with a duration of about 7 minutes. It opens Lento expressivo and about half way moves to a mostly 5/8 section (A tempo, poco rubato) before returning to 4/4 (Come prima, tranquillo) for the final section of the piece. Here is an audio recording. Click on the cover image to view the first page of the clarinet part.
C1915: Troubadour Music for Clarinet and Piano by Richard Rodney Bennett. Novello, 2009, SS, 8 + 4 pages. This piece which was written in 2006 is based on the thirteenth century Trouvère melody: volez vous que je vous chant. Early college level with a range to altissimo A and a duration of about 5 minutes. In three sections: Vivo, Andante semplice, and Alla marcia. Click on the cover image to view the final page of the clarinet part (mm=120).
C251: Four Pieces (Vier Stücke) for Clarinet and Piano Op. 5 by Alban Berg. Universal Edition, 1924, SS, 10 + 10 pages. Two complete parts in score format. This piece was written in 1913. Dr Heim wrote that it has a certain romanticism mixed with its atonality and is probably the best work in the repertoire in this style of writing. The clarinet part has flutter-tonguing and is rhythmically difficult.
C877: Four Pieces Op. 5 for Clarinet and Piano by Alban Berg. Henle, 2006, SS, 8 + 8 pages. Two complete parts in score format (printed so there are no page turns within each piece). This is a scholarly edition that includes a preface and notes on the editing in German, English, and French. As noted above, Dr Heim wrote that this piece has a certain romanticism mixed with its atonality and is probably the best work in the repertoire in this style of writing. The clarinet part has flutter-tonguing and is rhythmically difficult.
C808: Scene and Air Op. 82 from Luisa di Montfort for Clarinet and Piano by Michael Bergson edited by Himie Voxman. Rubank, 1948, 12 + 3 pages. A popular solo for better high school students often used for solo and ensemble festivals. Includes a suggested cut if playing time needs to be reduced. This is also in the Concert and Contest Collection for Clarinet (C191) and the Play Along CD (PA027) which includes a sample performance. Free Media Mail shipping on this music to US, IF ordered with another item.
C1337: Clarinet Concerto (Piano Reduction) by Michael Berkeley with piano reduction by Susan Bradshaw. Oxford University Press/Allegro Music, 1998, SS, 42 + 12 pages. Michael Berkeley (1948-) is a British composer, music educator and broadcaster who studied at the Royal Academy of Music and with Richard Rodney Bennett. This is a challenging work in one continuos movement. There is an explanation of the composer's inspiration for this work on the Oxford web site (scroll down in the description box to find it). Duration about 20 minutes.
C491: Concerto Lyrique for Clarinet and Orchestra (Piano Reduction) by Alain Bernaud. Alphonse Leduc, 1954, SS, 36 + 11 pages. The contest piece for the Conservatoire National de Musicque in 1954. Three movements: Allegro giusto, Lento sostenuto, and Vivo e giocoso. An excellent example of the French clarinet concerto at mid-century, similar to the Bozza. For advanced performers. The publisher had discontinued this piece but decided to make it available again.
C1029: Leonardo's Vision for Clarinet and Piano by Leonard Bernstein, Ron Odrich, and Larry Fallon. Boosey & Hawkes, 1998, SS, 7 + 3 pages. On a visit to the office of Ron Odrich, periodontist and well-know jazz clarinetist, Leonard Bernstein noticed an eye chart hanging on the wall. The chart had musical notations as well as letters in its design. Bernstein wrote down the notes and later wrote them into a line for solo clarinet. He titled it "Visione Fugitava" and sent the manuscript as a gift to Odrich. After Bernstein's death, Odrich and his composer partner Larry Fallon created a set of variations for clarinet and piano exploring the musical theme that Bernstein had culled from the eye chart.
C735: Riffs from Prelude, Fugue and Riffs for Clarinet and Piano with optional Percussion and String Bass by Leonard Bernstein arranged by Scott Eyerly. Boosey & Hawkes, SS. Riffs is the third movement of Prelude, Fugue and Riffs written for Benny Goodman in 1949 (for solo clarinet and jazz band) and first performed in 1955. The optional percussion (for drum set) and string bass parts will enhance the performance of this arrangement. (The CDs are of the original version.)
C1557: Sonata for Clarinet and Piano by Leonard Bernstein. Boosey & Hawkes, 1943/2001/2010(?), SS, 20 + 7 pages + CD. Written for David Oppenheim, this was Bernstein's first published work. This is a edition of this work which includes a CD of a performance by Todd Levy and the piano accompaniment by itself. The CD also includes software for adjusting the tempo when played on a computer. This edition includes a biography of Leonard Bernstein, the history of the piece and this edition, and thoughts on playing the Sonata by Todd Levy. The previous edition of this piece is now out of print. This version removes the two sharp key signature in the clarinet part and the enharmonic spelling of many notes has been changed to reflect Bernstein's manuscript and the first published edition. College level with a duration of 10 minutes. Here is a video of a performance.
C1957: Sonata for Clarinet and Piano by Leonard Bernstein. Boosey & Hawkes, 1943/2001/2012, SS, 20 + 7 pages. The revised version of this piece without the CD.
With CD
No CD
C1372: Instruktive Variationen for Clarinet and Piano by Friedrich Berr edited by Karl Schütte. Hofmeister, 1956, SS, 10 + 4 pages. Friedrich Berr (1794-1838) was a German born clarinetist who composed a number of works for clarinet. The work which is subtitled "on an Air Varié of Friedrich Berr" is in the form of an extended introduction (Moderato), followed by a theme, three variations, and a coda. Upper intermediate level with a duration of about 7:30.
C1387: Sonata for Clarinet in B-flat and Piano by David Bevan. Emerson Edition, 2000, SS, 14 + 5 pages. David Bevan (1951-) is a British composer, music director and educator. This sonata was written in 1996. The outer movements rely on the statement of a theme, followed by continuos development with a short contrasting middle section. The whole work is both lyrical and unusual in style. College level with a duration of about 8 minutes.
C1379: Sonata for B-flat Clarinet and Piano by Johanna Magdalena Beyer. Hofmeister, 2009, SS, 14 + 6 pages. Johanna Magdalena Beyer (1888-1944) was born in Germany. She immigrated to the United States in 1924 where she continued her music studies and worked as a piano teacher. She affiliated herself with the experimental music community in York but only one of her compositions was published in her lifetime. This piece, which is dedicated to Rosario Mazzeo and Nicolas Slonimsky, was written in 1936. It is in four movements: Allegro, Adagio, Allegretto, and Lento. The Adagio movement is unusual with the clarinet mostly playing whole and half notes above the staff, while the piano plays melodic figures in the first part of the piece and descending arpeggios in the second. The Lento, with nothing quicker than a quarter note, has a range to altissimo A. College level.
C1388: El Casot for Clarinet and Piano by Daniel Bimbi. Emerson Edition, 2008, SS, 15 + 6 pages. Daniel Bimbi (1971-) was born in Carcassonne in Southern France. He studied clarinet with Guy Deplus and more recently has been studying composition with Jan Van der Roost. El Casot is a little house in the middle of the vineyards around Girona in Spain. This is a brilliant showpiece that captures the elements of flamenco, czardas, and klezmer of the seasonal workers in this region. An advanced work with a duration of about 7:30.
C2045: Bagatelle for Clarinet and Piano by Marcel Bitsch. Alphonse Leduc, 1975, SS, 13 + 4 pages. Marcel Bitsch (1921-2011) was a French composer who was a professor of counterpoint and fugue at the National Conservatoire in Paris from 1956-1988. A sectional piece (Lento; Vivo, tempo giusto; Détendu; Presto; and Allegro scherzando). The second section has some mixed meter of the 5/8, 6/8, 7/8 and 8/8 variety. This was the Concours du Conservatoire National de Musique piece for 1975. College level. Click on the cover image to view the first page of the clarinet part.
C1094: Pièce Romantique for Clarinet and Piano by Marcel Bitsch. Alphonse Leduc, 1950, SS, 4 + 2 pages. Most of this piece is at Allegro with the clarinet alternating between sixteenth note passages and more sustained melodies while the piano plays a rhythmic sixteenth note accompaniment. Early college level.
C2191: The Toreador Song for Clarinet and Piano by Georges Bizet arranged by Frank J. Halferty. Kendor Music Inc, 2014, 7 + 3 pages. This familiar piece is from the opera Carmen. The publisher rates this a (US) grade 5 but I believe grade 4 would be more accurate. Two minutes in duration. Click on the cover image to view the first two pages of the score. Free Media Mail shipping on this music to US, IF ordered with another item.
C1696: Sonatine for Clarinet (or Soprano/Tenor Saxophone) and Piano by Michel Blavet arranged by Ber Joosen. Molenaar, 1963, SS, 7 + 3 pages. Michel Blavet (1700-1768) was a French flute virtuoso. In three movements: Allegro moderato, Lento, and Allegro vivace. Better high school players. Free Media Mail shipping on this music to US, IF ordered with another item.
C504: Pastoral for Clarinet in A (or B-flat) and Piano by Arthur Bliss. Novello, 1980, SS. This is one of two pieces composed by Bliss in about 1916 for clarinet and piano. The other, Rhapsody, is lost. It is a brief (4 minutes) and pleasant piece that could be played by many high school students. The A clarinet part is in the key of F (B-flat is in the key of E).
C612: Denneriana for Clarinet with Piano accompaniment by André Bloch. Alphonse Leduc, 1940, SS, 11 + 3 pages. Named in honor of the inventor of the clarinet, this was the solo du concours piece for 1938. It opens with a clarinet cadenza, then a short Quasi adagio section, alternates between a tempo of 120 and 80 (with a brief cadenza), and concludes with a final Vivo. College level, requiring strong technique.
C2198: Grande Sonate Op. 52(?) for Clarinet and Piano by Charles Bochsa edited by Dieter Klöcker. Kunzelmann, 1983, SS, 31 + 12 pages. Charles Bochsa (ca. 1750-1821) was born in Bohemia and died in Paris. This is a sectional piece: Adagio, Allegro agitato, Andante amabile (with several variations), and Rondo-Allegro. There are a number of spots for cadenzas. Early college level. Click on the cover image to view the first page of the clarinet part.
C1632: Concerto for Clarinet and Orchestra (Piano Reduction) by William Bolcom. Marks Music, 1992/1995, 39 + 18 pages. Commissioned by the York Philharmonic in honor of its 150th Anniversary and dedicated to Stanley Drucker who gave the premier performance on January 3rd, 1992. While the composer was never commissioned to write a concerto for Benny Goodman (there had been some efforts in that direction) he described this concerto as having many "Benny-isms." "The first movement is in roughly Sonata-Allegro form and has a strong Goodman nuance, as does the slow 12-beat-to-the-bar second movement. The last movement alternates a Brazilian chorino with an ebullient Ravelian waltz". The movements are marked: I. Allegro, II. Cantabile (with a jazz feeling), and III. Scherzo-finale (Quasi una cadenza, ma in tempo)/Allegro assai (A chorinho tempo, slightly swung)/(concluding) CRASSLY GRAND! There are a few contemporary techniques such as growling and a slap key. An advanced work with a duration of 20 to 23 minutes.
C346: Little Suite of Four Dances for E-flat Clarinet and Piano by William Bolcom. Marks Music, 1984, SS, 22 + 8 pages. The four dances are: Rag, Apache-Jungle, Quasi-Waltz, and Soft Shoe.
C2350: Minuet for Clarinet and Piano by Giovanni Bolzoni arranged by Forrest L. Buchtel. Kjos Music, 1976, 4 + 2 pages. Giovanni Bolzoni (1841-1919) was an Italian composer and violinist, who is especially known for this minuet which was originally for string orchestra. Publisher's grade 3.5 (US). Duration 3:30 to 4:00 minutes. Click on the cover image to view the first page of the clarinet part.
C860: Deux Caprices en Forme de Valse for Clarinet Solo and Piano or String Orchestra by Paul Bonneau. Alphonse Leduc, 1981, SS, 21 + 11 pages. The is the piano edition. The first caprice is Tempo di Valse rubato while the second, which is much more difficult, is Presto alternating with slower tempos throughout.
C861: Suite for Clarinet and Piano by Paul Bonneau. Alphonse Leduc, 1944, SS, 12 + 5 pages. In four movements: I. Improvisation, II. Danse des Démons, III. Plainte, and IV. Espièglerie. Range is moderate as it also for cornet. Early college level with the very frequent retards making the ensemble more challenging. The piano part is important and probably more difficult than the clarinet part.
C1504: Little Suite (Kleine Suite) for Clarinet and Keyboard Instrument (Piano/Organ) by Helmut Bornefeld. Universal Edition, 1987, SS, 19 + 7 pages. The composer's introduction states that this piece was written with the "aspiring clarinetist in mind." However, the somewhat unusual notation and other features of this suite suggests at least college level performers. There are six movements (English titles): 1. Prelude (At an easy pace), 2. Dialogue, 3. Round (Cheerful), 4. Dance I , 5. Nocturne (Very calm), and Dance II (Brisk and jaunty). Organ pedals are used sparingly if at all.
WW306: Polovetsian Dance No. 17 for Flute or Oboe or English Horn or Clarinet (in A) and Piano by Alexander Borodin arranged by Graham Bastable. International Music Co., 2013, SS, 3 + 1 pages. Also called Gliding Dance of the Maidens the melody from Prince Igor inspired the song Stranger in Paradise. High school level. Click on the cover image to view the first page of the score.
C2743: Deux Morceaux (Nocturne and Cortege) for Clarinet and Piano by Lili Boulanger arranged by Graham Bastable. International Music Co., 2022, SS, 10 + 4 pages. Lili Boulanger (1893-1918) was a French composer and the first female winner of the Prix de Rome composition prize. Her older sister was the noted composer and composition teacher Nadia Boulanger. Click on the cover image to view the first page of the clarinet part for Cortege.
C743: Sonata Op. 109 for clarinet and piano by Edwin York Bowen. Emerson Edition, 1985, SS, 38 + 14 pages. Bowen (1884-1961) was an English composer and professor of piano at the Royal Academy of Music. This piece was dedicated to Pauline Juler (who was also the dedicatee of the Finzi Five Bagatelles) in 1943. It is in three movements: I. Allegro moderato, II. Allegretto poco scherzando, and III. Finale (Allegro molto con fuoco). College level.
C2048: Thoughts of You for clarinet and piano by Andrew Boysen Jr. Kjos, 1997, SS, 27 + 6 pages. Andrew Boysen (1968-) wrote this piece in 1991 as a gift to his wife on her 21st birthday. He is currently an assistant professor in the music department at the University of Hampshire, where he conducts the wind symphony and teaches conducting, composition and orchestration. This is a lyrically expressive and reflective work for intermediate to advanced soloist. Publisher's grade 5 (US). It alternates between fast and slow sections and includes some mixed meter. Click on the cover image to view the first page of the clarinet part.
C264: Aria for Clarinet in B-flat and Piano by Eugene Bozza. Alphonse Leduc, 1936, SS, 3 + 1 pages. A brief (but popular) high school level piece.
C1793: Ballade arranged for Clarinet and Piano by Eugene Bozza arranged by Arthur Ephross. Southern Music, 1992, SS, 8 + 3 pages. This is the Ballade for bass clarinet (our C845) arranged for soprano clarinet. The arranger has transposed a few passages up an octave but it is otherwise unchanged. It is one movement sectional piece that is at turns lyrical and rhythmic. Free Media Mail shipping on this music to US, IF ordered with another item.
C477: Bucoloque for Clarinet and Piano by Eugene Bozza. Alphonse Leduc, 1949, SS, 12 + 4 pages. Dedicated to Ulysee Delécluse, this was the solo du concours of the Conservatoire National de Paris for 1949. Professor Heim describes this piece as a brilliant tour de force for the graduate student and professional recitalist.
C265: Caprice-Improvisation for Clarinet in B-flat and Piano by Eugene Bozza. Alphonse Leduc, 1963, SS, 9 + 4 pages. Advanced college/professional level.
C478: Claribel for Clarinet and Piano by Eugene Bozza. Alphonse Leduc, 1952, SS, 10 + 3 pages. A pleasant college level work with alternating slow and fast sections.
C1449: Concerto for Clarinet and Chamber Orchestra or Piano (Piano edition) by Eugene Bozza. Alphonse Leduc, 1952, SS, 22 + 11 pages. Written for Ulysse Delécluse. In three movements: Allegro moderato (2/4), Andantino (6/4) and Vif (6/8). All movements have tempo changes and there are two cadenzas in the last movement.. Prof. Heim wrote: "One of the best concertos from the twentieth century. The clarinet part demands a virtuoso technique involving many fast notes, some with scales in octaves. The middle movement is quiet with a beautiful melodic line and sumptuous chords. This is good recital literature for graduate and professional use."
C266: Fantaisie Italienne for Clarinet and Piano by Eugene Bozza. Alphonse Leduc, 1939, SS, 8 + 3 pages. A sectional, one-movement work, beginning with a cadenza, followed by a quiet 6/8 section, and ending with a brilliant Allegro. An excellent piece for a college recital.
C479: Idylle for B-flat Clarinet and Piano by Eugene Bozza. Alphonse Leduc, 1959, SS, 2 + 1 pages. A much shorter and easier piece than the other Bozza works listed here. It should be playable by early high school level students.
WW074: Prélude et Divertissement for Alto Saxophone or Clarinet and Piano by Eugene Bozza. Alphonse Leduc, 1960, SS, 5 + 2 pages (includes both alto saxophone and clarinet parts). The Prélude is at a tempo of Modéré (avec une grande tendresse) while the Divertissement is Allegro giocoso. College level.
C476: Pulcinella for B-flat Clarinet and Piano by Eugene Bozza. Alphonse Leduc, 1944, SS, 5 + 2 pages. A playful but challenging piece in the key of B major, which includes much interplay with the piano, shifts between 6/8 and 9/8, and a brief cadenza.
(Except other items with free shipping.) 14.20
C480: Rhapsodie Niçoise for Clarinet and Piano by Eugene Bozza. Alphonse Leduc, 1977, SS, 18 + 6 pages. Dedicated to André Dufour who was professor of clarinet at the Conservatoire of Music of Valenciennes where Bozza was the director. This late work features many of the styles of writing for clarinet that Bozza employed during his career.
C475: Suite for Clarinet in B-flat and Piano by Eugene Bozza. Alphonse Leduc, 1974, SS, 22 + 7 pages. Three movements: Moderato (avec souplesse), Reveur, presque lent, and Animé. Many changes in meter, fast notes, and changing rhythms. Requires experienced performers on both parts.
C1939: Brahms Clarinet Quintet Op. 115 for Clarinet in A and Piano by Johannes Brahms arranged by Pamela Weston. Fentone Music, 1974, SS, 34 + 11 pages. The renowned quartet for clarinet and string quartet arranged for clarinet and piano. The version with the original instrumentation is here.
C1283: Intermezzo Op. 117 No. 1 for Clarinet and Piano by Johannes Brahms arranged by Nicolai Popov. Kunzelmann, SS, 5 + 2 pages. From the late Brahms work for piano. There are three short movements: Andante moderato, Più Adagio, and Un poco più Andante. Intermediate level.
C1892: Intermezzo Op. 118 No. 2 for Clarinet and Piano by Johannes Brahms arranged by William Ransom and edited by Richard Stoltzman. Lauren Keiser, 2011, SS, 5 (x 2) + 2 (x 3) pages. From the late (1893) Brahms work for piano. This edition provides a number of options for performance. The original key is A major and there is a version for A clarinet in that key (written C major) and transposed version for the B-flat clarinet (in B major). There is also a version of the piano part that has been transposed to B-flat major so the B-flat clarinet can play in C major. For the easily confused, a separate B-flat clarinet part has been provided for this version which is of course identical to the A clarinet part. Intermediate level (in C major).
C1284: Intermezzo Op. 119 No 3 for Clarinet and Piano by Johannes Brahms arranged by Nicolai Popov. Kunzelmann, SS, 6 + 2 pages. From the late Brahms work for piano. This is in one short movement (1:45). The tempo of Grazioso e giocoso make this somewhat more difficult than Op. 117 No. 1. There is an optional arpeggio passage near the end that begins on an altissimo A.
C1592: Sonata in G major Op. 78 by Johannes Brahms arranged for Clarinet and Piano by Peter Goldberg. Comus Edition, 1996, SS, 38 + 11 pages. The publisher describes this as "a sensitive transcription for clarinet of Brahms' popular G major Violin Sonata." In three movements: I. Vivace ma non troppo, II. Adagio, and III. Allegro molto moderato.
C2134: Brahms Sonatas for Piano and Clarinet Op. 120, No. 1 and No. 2 by Johannes Brahms edited by Egon Voss and Johannes Behr with fingering for the piano part by Klaus Schilde. Henle, 2014, PB/SS, 59 + 15 pages. Includes a preface and notes on the editing in German, English, and French. This is a revised edition based on the Henle Brahms Complete Edition.
C1474: Brahms Sonatas for Piano and Clarinet Op. 120, No. 1 and No. 2 by Johannes Brahms edited by Heinrich Bading. C.F. Peters, SS, 58 + 16 pages. Also includes the viola part for that version.
C2394: Brahms Sonatas in F minor and E-flat major for Clarinet and Piano Op. 120 by Johannes Brahms edited by Clive Brown and Neal Peres Da Costa. Baerenreiter (BA 10906), 2015, PB/SS, 57 + 16 pages. In addition to the music, this edition includes a Preface and Performance Practice Commentary (in both English and German (62 total pages). Following the music is another 6 pages in English about the editing. You can read more about this edition and see sample pages here on the publisher's website.
C1030: Brahms Sonata Op. 120, No. 1 for Clarinet (or Viola) and Piano edited by Hans-Christian Müller, Jost Michaels (clarinet part), and Emil Seiler (viola part). Wiener Urtext Edition, 1973, SS, 32 + 11 pages. This edition was edited from the engraver's copy and the original edition. It includes a Preface with a brief history of this work and information on the sources for and Critical Notes on the actual editing (in German and English). The viola part is included. We wanted an edition that was the same quality as the Henle for those who want to purchase these sonatas individually. Our research indicated this Wiener Urtext Edition was the best choice.
C137: Brahms Sonata Op. 120, No. 1 for Clarinet and Piano (Harold Wright Legacy Series) edited by Ethan Sloane and Ruth Wright. Southern Music Company, SS, 40 + 12 pages. Includes notes from Harold Wright's copy of this work. We don't think this is a good value so we aren't stocking it. We will order it if you wish.
C2049: Brahms Sonata Op. 120, No. 1 for Clarinet and Piano. International Music Company, SS, 26 + 8 pages.
C138: Brahms Sonata Op. 120, No. 2 for Clarinet and Piano (Harold Wright Legacy Series) edited by Ethan Sloane and Ruth Wright. Southern Music Company, SS, 32 + 11 pages. Includes notes from Harold Wright's copy of this work.
C1003: Sonata for Clarinet and Piano by Carolyn Bremer. Arsis Press, 1995, SS, 31 + 9 pages. The Sonata is in three movements and is permeated with subtle rhythmic shifts. The opening movement represents a microcosm of the whole in which two outer slow sections frame a quick driving section. A pair of clarinet cadenzas are featured in the slow second movement. Marked "aggressively", the concluding movement emerges from the second cadenza of the preceding movement. This piece was premiered by Håkan Rosengren at the 1989 Louisiana Festival in Copenhagen, Denmark. This is an advanced work with a duration of about 15:30. No longer available.
C1896: Serenade arranged for Clarinet and Piano by Frank Bridge arranged by Russell Denwood. Emerson Edition, 2011, SS, 7 + 2 pages. This attractive piece, composed by Frank Bridge in 1903 and originally for violin or cello and piano, has been adapted for clarinet and piano by Russell Denwood. Better intermediate players and up. Allegretto grazioso in one (at mm=50). Duration about 2:50.
C1798: Autumn for Clarinet and Piano by Dirk Brossé. Metropolis Music, 2000, SS, 7 + 2 pages. Dirk Brossé (1960-) is a Belgian composer and conductor who is especially known for both writing and conducting music for films. This piece is part of the Circle of Nature which is an evocation of the four seasons. Sectional in a variety of tempos. There is some contemporary notation in the piano part. This is an advanced piece with a duration of 5:12.
C1416: Tango Tout Court Clarinet and Piano by Dirk Brossé. Metropolis Music, 2000, SS, 7 + 2 pages. This piece is inspired by the Argentinian tango tradition: sometimes excited and sensual while at others full of tender sorrow. This is in slow/fast/slow format. The features some high altissimo (which may be taken down an octave). College level. Click on the cover image to view the first page of the clarinet part.
C1417: War Concerto Clarinet and Piano by Dirk Brossé. Metropolis Music, 1999, SS, 41 + 17 pages. This work was commissioned by Eddy Vanoosthuyse and is dedicated to all the victims of the Third Balkan War (1991-2001). This is an advanced work with many tempo changes, mixed meter, and some high altissimo. There are orchestra and symphonic band editions available as rentals.
C2083: Sonata for Clarinet and Organ by Rayner Brown. Western International Music, 1970, SS, 53 + 16 pages. Rayner Brown (1912-1999) was an American organist and composer. In four movements: 1. Allegro, 2. Andante, 3. Scherzo, and 4. Fugue. Early college/college level with a duration of about 14:15. This is a nice piece for a combination that isn't very common. The YouTube recording is in two parts: Part 1 (first three movements) and Part 2 (last movement).
C1404: Kol Nidrei Op. 47 for Clarinet and Piano by Max Bruch arranged by Charles W. Salinger. Roncorp, 2004, SS, 8 + 3 pages. The Kol Nidrei begins the evening service at the start of Yom Kippur. In the 16th century, a Cantor in Germany composed a melody for this prayer which Bruch used as the basis for his Adagio on Hebrew Melodies for Violoncello and Orchestra. Clarinetist Charles Salinger has arranged this piece for clarinet and piano. In two sections: Adagio ma non troppo and Un poco più animato. Early college level with a duration about 7:30 minutes. There is a very nice performance of the original for cello and orchestra in two parts on YouTube. (Part 1, Part 2)
C2325: Romanze Op. 85 for Clarinet and Piano by Max Bruch arranged by Mark Denemark. Hofmeister, 2014, SS, 12 + 3 pages. This piece was composed for viola and orchestra in 1911. In one movement: Andante con moto, Un poco stringendo, and Tempo I. We have chosen the display page to highlight some of the figures more common in string writing. Click on the cover image to view the second page of the clarinet part.
C1685: Princess Helene for Clarinet and Piano by Forrest L. Buchtel. Neil A. Kjos Music Co., 1965, 3 + 1 pages. At (US) grade 2, this piece is easier than most of what carry, but it looks like it might be nice little piece for a late first year or early second year student to perform. It is a minuet with a range from low B-flat to clarion D and has a duration of 2:30. Free Media Mail shipping on this music to US, IF ordered with another item.
C2243: Introduction and Polonaise for Clarinet and Piano by Edouard Dupuy. Edition Hug, 1992, SS, 12 + 4 pages. Edouard Dupuy (1770-1822) was born in Switzerland, studied in Paris, and worked for much of his life in Sweden. According to a manuscript copy of this piece that was the source for this publication it was written in 1810. The Introduction is marked Adagio non troppo and includes a cadenza. The Polonaise is marked Grazioso. Advanced high school/early college level. Click on the cover image to view the first page of the clarinet part.
C254: Burgmüller Duo for Clarinet and Piano in E-flat major by Norbert Burgmüller edited by Walter Lebermann. Schott, 1970, SS, 15 + 7 pages. Burgmüller was born into a musical family, studied with Spohr among others and was friends with Mendelssohn. The clarinet Duo dates from 1834, near the end of his short life (1810-1836).
C1099: Rhapsody for Clarinet and Piano by Geoffrey Bush. Novello, 1953, SS 10 + 4 pages. This is for clarinet in A and is a reduction from the original string accompaniment. Geoffrey Bush (1920-1998) was an English composer who wrote a wide variety of instrumental and vocal music. This piece was written in 1940 for a fellow student with the first public performance in 1950 by Frederick Thurston. It begins and ends with the pastoral voice of the unaccompanied clarinet and follows a rhapsodic style throughout. College level with a duration about 8:30.
C538: Concertino for Clarinet and Small Orchestra in B-flat Major Op. 48 Piano Reduction by Ferruccio Busoni edited by Otto Tabumann. Breitkopf, SS, 15 + 7 pages. This work in late Romantic style was written for and dedicated to Spanish Clarinetist Edmondo Allegro. It is in one movement with three major sections: Allegretto sostenuto, Andantino, and Allegro sostenuto. College level.
C333: Early Character Pieces (Frühe Charackterstüke) for Clarinet and Piano by Ferruccio Busoni edited by Georg Meerwein. Henle, 1991, PB, 51 + 18 pages. These are some of Busoni's earliest surviving works (from around 1879 when was about 13 years of age), published for the first time. Despite the composer's youth these pieces will take some skill to perform (Busoni father was the clarinetist Ferdinando Busoni). Includes a preface and editors notes in German, English, and French. The pieces are Andante Con Moto (both B-flat clarinet and original C clarinet versions are included); Suite: Improvvisata (Impromptu), Barcarola, Elegia, Danza Campestre, Tema variato, and Serenata; Solo Dramatique; Andantino; Serenade; and Novellette.
C531: Elegie for Clarinet and Piano by Ferruccio Busoni. Breitkopf, SS, 4 + 1 pages. This Elegie was written as a birthday present for the Swiss clarinetist Edmondo Allegra, for whom Busoni also wrote the Concertino. Marked Andante sostenuto, the piano part gives it an in eight feeling until near the end. Playable by a good high school level clarinetist. About 5 minuets in length. The printing of this edition is very slightly better than the one below.
C620: Elegie for Clarinet and Piano by Ferruccio Busoni. Masters Music, SS, 4 + 1 pages. Marked Andante sostenuto, the piano part gives it an in eight feeling until near the end. Playable by a good high school level clarinetist. About 5 minuets in length.
C842: Aragon sur des airs populaires d'Espagne Op. 91 for Clarinet and Piano by Henri Busser. Alphonse Leduc, 1934, SS, 11 + 4 pages. Henri Busser (1872-1973) was a French composer and conductor who worked closely with Debussy and Massenet. He was the professor of composition at the Paris Conservatoire when he wrote this contest piece for 1934. This is a sectional piece (Andante espressivo, Allegretto vivo, Piu mosso, Piu tranquillo, and Allegretto vivo) with a Spanish flavor. The Piu tranquillo section ends with a cadenza. College level with a duration of about 5:30.
C1997: Cantegril Op. 72 for Clarinet and Piano by Henri Busser. Alphonse Leduc, 1924, SS, 10 + 3 pages. Subtitled: "Piece de Concert, Sur des Airs languedociens." This was the 1924 clarinet piece for the Concours du Conservatoire de Paris. It is is sectional with a cadenza in the middle. It was featured in the Master Class section of The Clarinet magazine, published by the International Clarinet Association in December 2012.
C534: Cantilène for B-flat Clarinet and Piano by Louis Cahuzac. Billaudot, 1971, SS, 8 + 4 pages. Louis Cahuzac (1880-1960) was a French clarinet virtuoso who also composed (mostly for clarinet). A cantilène (English: cantilena) is a lyric, melodic passage for voice or instrument. This piece by French clarinetist Cahuzac certainly lives up to its name. While the tempo is a leisurely Allegretto (con fantasia) the many runs require solid technique to maintain a light and effortless feel. A beautiful piece.
C862: Concertino d'après un Quintette de H. Baermann for B-flat Clarinet and Piano by Louis Cahuzac edited by Jacques Lancelot. Billaudot, 1985, SS, 21 + 9 pages. Based on the Baermann Quintet (see above), this concertino is a college level piece in three movements: Allegro commodo, Adagio, Rondo (Allegro vivo). The first movement includes a cadenza. Duration is about 13 minutes.
C1207: Fantaisie Variée Sur un Vieil Air Champêtre for Clarinet and Piano by Louis Cahuzac. Billaudot, 1972, SS, 9 + 4 pages. The title can be translated as Fantasy Variations on an Old Pastoral Air. This piece begins with the Air played by the piano (Andante maestoso) followed by a clarinet cadenza and an Allegretto version of the Air. This is followed by four variations and an Allegro Vivo Finale. For those who love fantasy variations and have the technique to perform them, this piece offers some variety from Cahuzac's more frequently played works.
C600: Pastorale Cevenole for Clarinet and Piano by Louis Cahuzac. Billaudot, 1972, SS, 5 + 2 pages. The Cévennes are a mountain range in Southern France and this brief work contains echos of those mountains. In one movement with a number of sections, it is marked senze rigore e como improvisando. There is a version of this work for clarinet and strings which is a rental. Here is an audio recording of this piece on YouTube.
C269: Variations sur un air du Pays d'Oc for Clarinet and Orchestra or Piano by Louis Cahuzac. Alphonse Leduc, 1953, SS, 12 + 7 pages. This is the edition with piano accompaniment. Upper division college level.
G282: Advent & Christmas: Two Preludes for Solo Instrument and Organ by Charles Callahan. MorningStar Music Publishers, 2014, SS, 10 + 4 pages. For solo treble instrument and organ, An Advent Prelude includes the tunes Veni Emmanuel and Conditor Alme Siderum. A Christmas Prelude includes the tunes Adeste Fideles, Stille Nacht, The First Noel, Divinum Mysterium, Es Ist Ein Ros, and Mendelssohn. Parts are included for both C (oboe or flute) and B-flat instruments (clarinet, soprano saxophone or possibly tenor saxophone.). Charles Callahan has written harmonically interesting music yet the solo parts are relatively easy (except for the key signatures which range up to six flats and five sharps). Click here to listen to an audio sample. Click on the cover image to view the score.
C2160: Dos Piezas Concertantes, Fantasia y Capricho for Clarinet and Piano by Enrique Calvist. Bassus Ediciones, 2013, SS, 23 + 7 pages. Enrique Calvist y Serrano (ca. 1851-1897) was a Spanish clarinetist, teacher, musical arranger and composer. This publication consists of two pieces originally for clarinet solo and wind band which were written around 1880. They are both sectional with different tempos in each section. The durations are Fantasia 10:36 and Capricho 6:39. Click on the cover image to view the first page of each piece.
C1419: Concertino for Clarinet and Strings Piano Reduction by Charles Camilleri. Metropolis Music, 1999, SS, 25 + 11 pages. Charles Camilleri (1931-2009) was a Maltese composer and is regarded as Malta's national composer. From 1950 onward he lived in Australia (performing as a piano player in Asia and the United States), London, and Canada before returning to Malta in 1983. This piece was composed in 1961-62. It is in three movements: I. Allegro moderato, II. Andante molto, and III. Allegro vivace. College level. Here is a video of a performance of the second movement with piano.
(2nd Movement)
C1418: Four Greek Songs Clarinet and Piano by Charles Camilleri. Metropolis Music, 1998, SS, 17 + 6 pages. This work was composed in 1951 and revised in 1977. The songs are not named. They are: I. Lento, II. Vivo, III. Andante piacevole, and IV. Allegro molto. The first movement may be a lament (or even a slow dance) and has many complicated rhythmic figures. The rest are straight forward and dance-like. Duration about 7 minutes.
C1420: Sonatina Clarinet and Piano by Charles Camilleri. Metropolis Music, 1999, SS, 34 + 11 pages. This work was composed in 1971 and revised in 1992. In three movements: I. Vivo, II. Libero - Statico, III. Vivo/Moderato. A challenging contemporary piece.
C1266: Fantasía with Clarinet Obbligato for Clarinet and Piano by Ramón Carnicer y Batlle edited by Pedro Rubio. Bassus Ediciones Musicales, 2008, SS, 13 + 6 pages. Ramón Carnicer y Batlle (1789-1855) was a conductor (especially of opera), composer, and professor of composition. This piece was written for the exams for clarinet professor at the Madrid Conservatory which took place in 1849 with Antonio Romero as the only candidate. This publication also includes what is probably an earlier version of the clarinet part with extensive altissimo to high C. The first portion of the piece is Andante sostenuto and is connected with a cadenza to the Allegretto billiante section which concludes it. An advanced college level piece with a duration of about 9 minutes.
C747: Sonata for Clarinet and Piano by Gary Carpenter. Camden Music, 1991, SS, 24 + 11 pages. This is a professional level piece written by British composer Carpenter (1951-) for and first performed by Fiona Cross . In three movements: I. lento espressivo/Andantino/Animato/Andantino, II. Lento, and III. Agitato è misterioso/Lento espressivo/Presto. The parts are a neat but busy manuscript. Duration about 12 minutes.
C1070: Dance Pieces for Clarinet and Piano by Paul Carr. Cramer Music, 1984, SS, 16 + 4 pages. Paul Carr (born 1961) is an English composer whose early interested focused wind chamber music like this, but is now composing primarily for film and TV. There are four pieces: I. Allegro, II. Presto, III. Adagio, IV. Presto. The Presto features quite a bit of mixed meter, some of which is of the more difficult 4/4, 5/8, 3/8, 6/8 type. College level. Click on the cover image to view the clarinet part for the Presto.
WW157: Three Bagatelles for Flute or Clarinet and Piano by Paul Carr. Cramer Music, 1883, SS, 12 + 4 pages. The Three Bagatelles are I. Moderato, II. Andante, and III. Allegro. They include quite a bit of mixed meter but it is of the easier 6/8, 2/4, 3/4 variety. Advanced high school/early college level.
C2105: Clarinet Concerto for Clarinet and Piano by Elliot Carter. Boosey & Hawkes, 1997/2008, SS, 67 + 18 pages. Elliot Carter (1908-2012) was an American composer. This is an advanced work originally intended for Alain Damiens and the Ensemble InterContemporain of Paris with mostly one player on a part but can in the orchestral version also be performed with a larger string section. It is in seven sections and except for the final tutti the clarinetist moves close to the section (percussion, woodwinds, strings etc.) which is the performing the accompaniment by themselves. Duration is about 19 minutes. You can listen to a recording on YouTube: Part 1 and Part 2.
C1885: Pastoral for Clarinet in A and Piano by Elliot Carter. Merion Music, 1945/1982, SS, 14 + 4 pages. This piece is sectional: Allegretto (5/8), Giocoso (2/4), Tempo I (5/8), Giocoso (2/4, mostly), and finally it goes back into 5/8 and accelerates almost to the end. College level with a duration of 12 minutes.
C1818: Fantaisie on themes from Verdi's opera Macbeth for Clarinet and Piano by Benedetto Carulli. International Music Diffusion, 2010, SS, 25 + 8 pages. Benedetto Carulli (1797-1877) was an Italian clarinetist and composer whose famous students include Cavallini, Bassi, and Orsi. This fantasia is a virtuoso work based on Verdi's 1847 opera. It is a sectional medley with the piano taking the leading role in some places. College level.
C358: Sonata Op 128 for Clarinet and Piano by Mario Castelnuovo-Tedesco. Ricordi, 1977, SS, 50 + 17 pages. Professor Heim describes this piece as a monumental work of four movements with excellent writing for the clarinet. He rates it as grade 6, the most difficult.
C906: Adagio and Tarantella for Clarinet and Piano by Ernesto Cavallini edited by Jean and David Hite. Southern Music, 2002, SS, 10 + 5 pages. This piece, one of the most famous for clarinet and piano by Cavallini (1807-1874) is based on original themes. A showpiece, but as David Hite wrote, one that lies neatly under the fingers. Duration about 6 minutes. Here is a video.
C843: Adagio e Tarantella for Clarinet and Piano by Ernesto Cavallini edited by Alamiro Giampieri. Ricordi, SS, 8 + 4 pages. This edition is similar to the Southern Music edition with a few differences in articulation noted. The printing is somewhat smaller as the clarinet part is four pages long in this edition. Duration about 6 minutes. Here is a video. Free Media Mail shipping on this music to US, IF ordered with another item.
C863: Adagio-Tarantella for Clarinet and Piano by Ernesto Cavallini arranged by George Waln. Neil A. Kjos Music, 1945, SS, 8 + 4 pages. This edition has some of the music (at the beginning, middle, and a small section near the end) edited out. Presumably this is to reduce the playing time (listed as 4:00) for festival use.
C1128: La Calma Romanza senza parole for Clarinet and Piano by Ernesto Cavallini edited by Colin Bradbury. Lazarus Edition, 1999, SS, 8 + 2 pages. In 1870 Cavallini returned to Milan from St. Petersburg and took up a professorship at the Conservatoire. La Calma belongs to this period. It opened the last of a three volume set of pieces which also included Una Lagrima sulla tomba dell'immortale Rossini, and it makes a suitable close to the life of this great artist who, recipient of numerous honors from his own country, died in Milan in 1874. College level.
C1830: Canto Greco for Clarinet and Piano by Ernesto Cavallini edited by Sergio Bosi and Michele Mangani. Edizioni Eufonia, SS, 16 + 7 pages. This piece was originally written for clarinet and string quartet then reduced by the composer for clarinet and piano. It was first published and performed by the composer in 1843. It is in typical theme and variation format with Introduction (Andantino/Allegro), Tema, nine variations, and a concluding Allegro (Tempo di Valzer). Here is an audio file on YouTube of Sergio Bosi playing this piece (the audio file has been edited to reduce its length).
C603: Carnival of Venice (Carnevale di Venezia) for E-flat Clarinet and Piano by Ernesto Cavallini. Robert Lienau, 1993, SS, 13 + 4 pages. I figured you can't have too many versions of the Carnival of Venice, but was surprised when I received this one to discover it was for E-flat clarinet. Introduction, Theme, and eight variations. A real showpiece.
C1616: Concerto No. 1 in E-flat major for Clarinet and Orchestra (Piano Reduction) by Ernesto Cavallini edited by Davide Pedrazzini. Edizioni Musicali Eufonia, SS, 18 + 11 pages. The preface by Luigi Magistrelli (in Italian and English) provides a brief biography of Cavallini. It also describes this piece of which this is the first publication since the original in 1845 as using Weber as a model and writing "with typical Italian bel canto lines and tricky technical passages, [it was] composed and conceived for his own [Cavallini's] virtuoso qualities." It is in the theme and variation form (one reference calls this a operatic fantasy based on a theme from Joseph Weigl) with an opening Allegro, then Adagio assai followed by a cadenza, and then the theme (Andantino). This is followed by four virtuoso variations and a concluding coda. College level. We can order the orchestral parts (1/2/2/2 2/0/0/0 Strings Timpani) for this piece. The price would be about $99.95. Click on the cover image to view portions of the piano score.
C2152: Concerto No. 2 in C minor for Clarinet and Orchestra (Piano Reduction) by Ernesto Cavallini edited by Diego Losero. Edizioni Musicali Eufonia, SS, 38 + 11 pages. This is a traditional clarinet concerto in the style of Weber and was published in 1832. It is in three movements: Allegro (moderato), Adagio, and Allegro. It is a virtuoso work with cadenzas in each movement. We can order the orchestral parts (2/2/0/2 4/2/3/0 Strings Timpani) for this piece. The price would be about $141.95.Click on the cover image to view portions of the piano score.
C1799: Fiori Rossiniani for Clarinet and Piano by Ernesto Cavallini edited by Sergio Bosi and Michele Mangani. Edizioni Eufonia, SS, 26 + 9 pages. This capriccio, based on the operas of Rossiani, is now available in a edition. (The Ricordi edition has been out of print since at least 2007.) It is an advanced work in the typical 19th century virtuoso style.
C2230: Lontano Dalla Patria (Romanza) for Clarinet and Piano by Ernesto Cavallini edited by Sergio Bosi and Michele Mangani. Edizioni Eufonia, SS, 13 + 5 pages. Another Italian showpiece from Cavallini. Sectional: Andante sostenuto, Agitato, Cantabile, and I Tempo. College level with a duration of approximately 9 minutes. Here is a version with orchestra, not quite the same as this edition but very close with some added ornamentation in the first section. Click on the cover image to view the score.
C2016: Clarinet Concertino for Clarinet and String Orchestra (Piano Reduction) by Jordi Cervelló. Editorial de Música Boileau, 2009, SS, 24 + 10 pages. This clarinet concertino is based on the composers Concertino for Violin and String Orchestra, composed in 1993. At that time he had already sketched both versions for solo clarinet and flute. It is a work of length similar to the concertos of the Baroque and divided in three typical movements. Two quick framing one slow. The first two - Allegro burlesco and Adagio cantabile follow the ABA form. The third begins with a cadenza using thematic material from the previous slow movement to link without interruption with the Presto. It uses main ideas from the first movement but in 3/4 instead of 4/4 and at a somewhat faster tempo. Another clarinet cadenza leads to the jovial and brief final coda. College level. This page from the publisher's web site has recorded excerpts and some of the score of the orchestral version (which didn't all display properly).
C2487: Variations on the Nutcracker (Casse-Noisette) for Clarinet and Piano by Alexandre Chabod. Clarinet-Edition, 2013, SS, 22 + 10 pages. This work says it is an arrangement by the composer. While it follows the original closely there are places where the composer has added original material to the Tchaikovsky work. The variations follow some of the movements of the ballet and include: Ouverture, Marche, Tarentelle, Danse de la fée-dragée (Dance of the Sugar Plum Fairy), Trepak and Coda. This is an advanced work with a duration of about 12 minutes. You may view a performance (which leaves out the Tarentelle) here.
G258: Meditation for Solo Instrument and Organ by Cécile Chaminade arranged by Charles Callahan. MorningStar Music Publishers, 2008, SS, 7 + 2 pages. Cécile Chaminade (1857-1944) was a pioneering French woman composer. While she wrote mostly salon songs and character pieces for piano, she is probably best known today for her flute concertino. This piece was originally for piano (Op. 76, No. 6). Parts are included for Flute, Oboe, Violin, Viola and instruments in B-flat (clarinet, soprano saxophone or possibly tenor saxophone.) Here is a YouTube video of this arrangement being performed with flute and organ.
C535: Andante and Allegro for clarinet with piano accompaniment by Ernest Chausson edited by Robert Fontaine. Billaudot, 1977, SS, 20 + 4 pages. A two-part (obviously) piece written in 1881 as a submission for the Prix de Rome competition. The Andante begins in a beautiful and lyrical fashion, than gains in speed and intensity before a brief conclusion by the piano at the original tempo. The Allegro (Allegro Assai) moves along at a rapid tempo and is distinguished by its frequent use of triplet figures. Marked with a duration of 9:30, our recordings are 8:06 and 8:24. An early college level piece.
C1060: Chinese Ancient Dances for Clarinet and Piano by Chen Yi. Theodore Presser, 2006, SS, 12 + 4 pages. Chen Yi (1953-) was born in China and educated there and in the United States (DMA from Columbia University). This work was commissioned from her for David Shifrin and André-Michel Schub. There are two dances: I Ox Tail Dance (which has a slow tempo but many 5,6,7, and 9-tuplets) and II. Hu Xuan Dance (Lively). An advanced work for both performers. Duration about 8 minutes.
C2153: Three Bagatelles from China West for B-flat or E-flat Clarinet and Piano by Chen Yi. Theodore Presser, 2009/2014, SS, 9 + 4 or 4 pages. Originally composed for flute and piano for a Meet the Composer anthology of recital music, many soloists and ensembles have requested transcriptions of Chen Yi's Three Bagatelles from China West for their own instruments – the sign of a true addition to the repertoire. In this adaptation for clarinetist Jun Qian, Chen Yi has provided complete parts for B-flat Clarinet and for E-flat Clarinet, so players may switch between movements, or play the complete work on either instrument. The movements are: I. Shan Ge, II. Mao Guo Hou, and III. Duo Duo. For advanced performers with a duration of about 10 minutes. Click on the cover image to view selected pages from the score.
C1353: Nocturne No. 20 for Clarinet and Piano by Frédéric Chopin arranged by Sidney Forrest. Southern Music, 1961, SS, 8 + 2 pages. In two primary sections Lento and Adagio. It has a short cadenza near the end (with a simplified version also available). The publisher rates this as grade 3.
C2138: Concerto for Clarinets for Clarinet and Piano by Alexis Ciesla. Advance Music, 2014, SS, 39 + 15 pages. Alexis Ciesla is a French clarinetist and composer. This is a version of a piece for solo clarinets and clarinet choir published in 2012 (listed here). It is intended for the soloist to play B-flat clarinet, bass clarinet, basset horn, and E-flat clarinet in turn but there is an alternate solo part for B-flat for all movements. The first movement is a Fantasia. The second movement is a Habañera. There are two notes in the extended bass clarinet range with alternates give. The third movement for basset horn is a Scherzo. There are no notes in the extended (basset) range. The last movement is a Tarentella for E-flat clarinet. This is an upper college level piece. There are a number of sample pages available here on the publisher's website.
Ob147: Concerto for Oboe (or Clarinet) and Piano by Domenico Cimarosa arranged by Arthur Benjamin. Boosey & Hawkes, 1942, SS, 12 + 4 pages. Domenico Cimarosa (1749-1801) was born near Naples but also lived and worked in St. Petersburg and Vienna. It is in four movements: I. Introduzione (Larghetto), II. Allegro, III. Siciliana, and IV. Allegro giusto. The clarinet part is not a straight transposition of the oboe part as it goes below the range of the oboe in several places.
C2229: Prélude et Musette for Clarinet and Piano by Robert Clérisse. Billaudot, 1971, SS, 4 + 1 pages. A piece suitable for young students which probably rates as an easy (US) grade 3. The Prélude is Modéré (mm = 72) while the Musette is a bit faster at mm=84.
C1299: Promenade for Clarinet and Piano by Robert Clérisse. Alphonse Leduc, 1980, SS, 3 + 1 pages. A relatively brief piece, with sections in contrasting tempos. Suitable for an intermediate player. Duration of about about 3 minutes. Here is a nice performance from a young student.
C1374: Kirchensonate Op. 5b for Organ and Clarinet in A by Franz Xaver Clausing edited by Edgar Eichstädter. Hofmeister, 1999, SS, 13 + 2 pages. Franz Xaver Clausing (1910-1994) was a German composer of church and organ music. This piece was composed in 1934 based on the Gregorian "Vexilla regis" and the old hymn "Da Jesus an dem Kreuze stund."
C2000: Concerto No. 1 Op. 62 for Clarinet (in A) and String Orchestra (Piano Reduction by the composer) by James Cohn. XLNT Music, 1986, SB, 34 + 12 pages. Dedicated to Jon Manasse. In three movements: I. Allegretto, II. Andante pastorale, and III. Allegro con fuoco. College level with altissimo to A-sharp. We can get the string parts for this piece. The price will depend on the number of string parts needed.
C970: Sonatina Op. 56 for clarinet and piano by James Cohn. XLNT Music, 1981, SB, 19 + 6 pages. Written for Jon Manasse. In three movements: I. Allegretto marcato, II. Nocturne (Andante, con moto e cantabile), and III. Allegretto scherzando. An advanced piece with some high altissimo.
C2148: Sonatine for Clarinet and Piano by Valerie Coleman. Theodore Presser Co., 2014, SS, 14 + 6 pages. Valerie Coleman is an American composer and flutist and the founder of the Imani Winds. This is an 8-minute recital work in one movement inspired by Coleman's travels throughout Europe, most notably while touring with jazz icon Steve Coleman. The work is reminiscent of a performance at a nightclub, where players wailed soulful tunes and riffs on a lovely summer evening in Berlin. Sonatine starts on fire, and thrives with intensity, rhythmic drive, and drama for both clarinetist and pianist. For advanced performers. Click on the cover image to view selected pages from the score.
C879: Festival Solo for Clarinet and Piano by James Collis. Boosey & Hawkes, 1960, SS, 8 + 3 pages. An (upper) intermediate level solo for, well, festivals. Includes several sections in different styles and tempos. The faster parts of the piece are easy to play but the two cadenzas will require some work.
C1391: Alla Marcia clarinet and piano by Arnold Cooke. Emerson Edition, 1947/1989, SS, 4 + 2 pages. This march-like work is in 4/4 at an Allegro tempo. Probably rates as mid-high school level. Duration about 4:30. Free Media Mail shipping on this music to US, IF ordered with another item.
C1757: Concerto for Clarinet and String Orchestra (Piano Reduction) by Arnold Cooke. Novello, 1964, SS, 47 + 15 pages. In three movements: Allegro, Lento, and Allegro Vivace. Dr Heim wrote that the music was influenced by Hindemith, the Lento is rhythmically complex and perhaps the most difficult movement, and that work is an excellent recital piece for a college level player.
C299: Sonata in B Flat for Clarinet and Piano by Arnold Cooke. Novello, 1962, SS, 43 + 12 pages. This four movement work is beautifully written for both instruments in chamber music style.The music has drive and interest for performer and listener and is an excellent recital piece for college level students and more advanced performers.
C291: Concerto for Clarinet and String Orchestra by Aaron Copland. Boosey & Hawkes, 1952/2013, SS, 30 + 12 pages. One of the best known and most frequently recorded contemporary clarinet concertos. This is the piano reduction by the composer. Written for Benny Goodman and some portions show a jazz influence. A one movement work with several sections and an extended cadenza. This edition has been reengraved and has detailed notes on the music. Includes ossias from the 1948 manuscript (which are more challenging then the originally released version).
C616: Sonata for Clarinet and Piano by Aaron Copland. Boosey & Hawkes, 1988, SS, 32 + 12 pages. Transcribed by the composer from his Sonata for Violin and Piano (1943). The clarinet part was edited by Timothy Paradise. In three movements: Andante semplice, Lento, and Allegretto giusto. Prof. Norman Heim wrote: The style is typical of Copland at the time of Appalachian Spring and has similarities with the Concerto for clarinet. There is some use of polytonality and minimal dissonance with a score has a lean texture that contrasts with full sonorities. The clarinet part is not adventuresome but extends in range to the middle of altissimo register. Musically, the work requires advanced performers with the piano accompaniment, perhaps, more demanding than clarinet part. This transcription is excellent music by one of the outstanding composers of the twentieth century.
C1109: Mélodie et Scherzetto Op. 68 for clarinet with piano accompaniment by Arthur Coquard. Alphonse Leduc, SS, 7 + 2 pages. This piece by Arthur Coquard (1846-1910) was the Solo de Concours piece for 1904. The first part of the piece is an Adagio in 3/4 which is followed by faster 6/8 and 2/4 sections which alternate for the rest of the piece. It has a duration of about 6 minutes and rates a 5 out of 9 on the publisher's difficulty scale. Here is a video.
C2610: Mélodie et Scherzetto Op. 68 for clarinet with piano accompaniment by Arthur Coquard. Schott, 2018, SS, 9 + 3 pages. Mélodie et Scherzetto was composed in 1904 as examination piece for the Paris Conservatoire. Subtle melodies, fierce imagination and drama nurtured by the composition of stage works make the work a varied work full of emotions which, even today, is perfect for music lessons and concerts. It has a duration of about 6 minutes and rates as a 4 (intermediate to advanced) out of 5 on the publisher's difficulty scale for this series of music. Here is a video.
C1916: La Folia, Theme and Variations by Arcangelo Corelli arranged for clarinet and piano by Béla Kovács. EditionDarok, 2012, SS, 10 + 5 pages. Arcangelo Corelli (1653-1713) was an Italian who was a highly influential and successful violinist and composer of Baroque music. La Folia originated as a Spanish or Portuguese folk tune which became popular during the Renaissance and Baroque periods as the basis of theme and variation compositions. The work was originally for violin and continuo. College level with a duration of about 11 minutes.
C930: Sonata by Arcangelo Corelli arranged for clarinet and piano by Eric Hanson. Ludwig Music, 1962, 8 + 2 pages. This three movement work (Courante, Sarabande, and Gigue) is suitable for upper intermediate students. Free Media Mail shipping on this music to US, IF ordered with another item.
C1513: Sonate No. 7 by Arcangelo Corelli arranged for clarinet and piano by Laurence Boulay edited by Jacques Lancelot. Editions Musicales Transatlantiques, 1977, SS, 8 + 4 pages. In four movements: Prelude (Vivace), Corrente (Allegro), Sarabande (Largo), and Gigue (Allegro). Upper (but not by much) intermediate level. Free Media Mail shipping on this music to US, IF ordered with another item.
C1514: Sonate No. 9 by Arcangelo Corelli arranged for clarinet in A and piano by Laurence Boulay edited by Jacques Lancelot. Editions Musicales Transatlantiques, 1978, SS, 9 + 3 pages. In three movements: Prelude (Andante con moto), Allegretto moderato (in 12/8), and Allegro, Tempo di Gavotta. The final movement is mostly upward or downward interval jumps of a third to a sixth or more on quarter notes in cut time. While this is very characteristic for the violin, it will be good exercise for the clarinetist.
C2276: Friend for Clarinet and Piano by Vincenzo Correnti. Edizioni Eufonia, SS, 8 + 3 pages. This is an original swing tune by Correnti who is an Italian clarinetist, composer and conductor. The piano part had chords throughout. The clarinet has them in the middle section which is in the style of an improvised solo. The duration is about 5 minutes. Here is an audio recording. Click on the cover image to view the score.
C2642: Petite Promenade for Clarinet and Piano by Vincenzo Correnti. Edizioni Eufonia, 2017, SS, 5 + 2 pages. While the music doesn't call this piece a waltz, it clearly is. Looks like fun. For early high school level clarinetists. Click on the cover image to view pages from the score.
C2253: Piccolo Angelo for B-flat Clarinet and Piano by Vincenzo Correnti. Edizioni Eufonia, SS, 5 + 1 pages. A touching lullaby for clarinet and piano. Here is an audio recording. Click on the cover image to view the score.
C825: Clarinet Caprice for B-flat Clarinet and Piano by James Corigliano. Ethos Publications, 1992, SS, 9 + 2 pages. In two sections, first Allegro moderato dotted quarter = 76 (6/8) then Andante con espressivo with a DC and ending with a Coda. Not too difficult. Approximately intermediate level with an Ossia for a section that goes above altissimo E.
C537: Concerto for Clarinet and Orchestra Clarinet and Piano by John Corigliano. G. Schirmer, 1993, SS, 80 + 28 pages. This piece was commissioned by the York Philharmonic. It was premiered in 1977 by Stanley Drucker and Leonard Bernstein to whom it is dedicated. The original is for a large orchestra. It has three movements: Cadenzas, Elegy, and Antiphonal Toccata. This edition includes two pages of description by the composer. This is a long (30 minutes), difficult work which uses some contemporary notation and technique.
C778: Reliances Concerto for Clarinet in E-flat and Orchestra (Piano Reduction) by Bernard de Crépy. International Music Diffusion. 1998, SS, 40 + 12 pages. Bernard de Crépy (1939-) is a French composer who was for many years a professor of composition at the Paris Conservatory. In four movements. I. Allegro Assai, II. Presto leggiero, III. Lento espressivo, and IV. Allegro molto vivace. Uses some clear contemporary notation for accelerating runs. An advanced piece.
C2410: Tango por la Noche for Clarinet and Piano by Joos Creteur. Golden River Music, SS, 5 + 2 pages. Joos Creteur is a Belgian (?) clarinetist, composer, conductor and music educator. This tango is in a minor key and is probably most suitable for early college clarinetists looking for a contrasting piece for a recital and for adult performers. Click here to play a short sample from the beginning of this piece on the publisher's website. Click on the cover image to view the first portion of the score.
C343: Concerto for Clarinet in E-flat major No. 1 Op. 1 Piano Reduction by Bernhard Henrik Crusell edited by Brent Coppenbarger. Musica Rara, 1990, SS, 45 + 13 pages. Bernhard Henrik Crusell (1775-1838) was one of the most outstanding clarinet virtuosos of his time and well as being a prolific composer. In three movements: I. Allegro, II. Adagio, and III. Rondo (Allegretto). Brilliant use of the instrument and wonderful recital literature. For advanced performers. This edition has been beautifully prepared and printed. Click on the cover image to view the first page of the clarinet part.
C1354: Concerto for Clarinet and Orchestra in E-flat major Op. 1 Piano Reduction by Bernhard Henrik Crusell edited by Pamela Weston. Universal Edition, 1990, SS, 30 + 10 pages. Another edition of this concerto. In three movements: I. Allegro, II. Adagio, and III. Rondo (Allegretto). Also nicely printed but slightly smaller print. As compared to the Musica Rara edition, there are differences in articulations, tempos (slower), and Weston shows some material in the solo part in the first and last movements that is within rests or cued in the Music Rara. Click on the cover image to view the first page of the clarinet part.
C2458: Concerto for Clarinet and Orchestra in E-flat major Op. 1 Piano Reduction by Bernhard Henrik Crusell edited by Nicolai Pfeffer. Henle, 2016, SS, 29 + 9 pages. A edition of this concerto from Henle. In three movements: I. Allegro, II. Adagio, and III. Rondo (Allegretto). Similar is in some ways to the Universal Edition but different choices have been made for the tutti sections. Includes a forward in German, English and French and notes on the editing in German and English. Click on the cover image to view the first page of the clarinet part.
C744: Concerto for Clarinet and Orchestra in F minor No. 2 Op. 5 Piano Reduction by Bernhard Henrik Crusell edited by Pamela Weston. Universal Edition, 1991, SS, 28 + 11 pages. The concerto is in a style similar to Weber but was written earlier. This excellent recital music provides a technical challenge for the clarinetist. We can get the orchestral parts and score for this piece. Contact us for details. Click on the cover image to view the first page of the clarinet part.
C2290: Concerto for Clarinet and Orchestra in F minor (No. 2) Op. 5 Piano Reduction by Bernhard Henrik Crusell edited by Nicolai Pfeffer with piano reduction by Johannes Umbreit. Henle, 2015, SS, 27 + 10 pages. Neither the manuscript nor the original score of this work has survived. This edition is based on the parts for the first edition which have survived. Includes a preface and notes on the editing. We can get the orchestral parts and score for this piece. Contact us for details. Click on the cover image to view the first page of the clarinet part.
C277: Concerto for Clarinet in B-flat major No. 3 Op. 11 Piano Reduction by Bernhard Henrik Crusell edited by David Hite with piano reduction by Jean Knox. Southern Music Company, 1989, SS, 47 + 15 pages. Prof. Norman Heim thought that this may be the best work written by Crusell and is excellent recital repertoire for the professional and advanced college students. This edition has optional cuts marked in the first movement to eliminate long orchestra passages when played with piano. Here is an audio recording with orchestra. Click on the cover image to view the first page of the clarinet part.
C407: Concerto for Clarinet and Orchestra in B-flat major Op. 11 Piano Reduction by Bernhard Henrik Crusell edited by Irene Alberti. Kunzelmann, 1992, SS, 38 + 14 pages. This edition has larger print than the Southern Music edition (above) and the piano reduction is more complex. Click on the cover image to view the first page of the clarinet part.
C252: Concerto for Clarinet and Orchestra Op. 11 Piano Reduction by Bernhard Henrik Crusell edited by Pamela Weston. Universal Edition, 1988, SS, 36 + 12 pages. Yet another edition of this work. The clarinet part is similar to the Kunzelmann edition (although the print is not as large) while the piano reduction is more like the Southern Music version. Click on the cover image to view the first page of the clarinet part.
C2382: Concerto for Clarinet and Orchestra Op. 11 Piano Reduction by Bernhard Henrik Crusell edited by Nicolai Pfeffer with piano reduction by Johannes Umbreit. A edition of this work with very clear printing. Includes a preface (in German, English and French) with information of Crusell and this work and notes on the editing (in German and English). Click on the cover image to view the first page of the clarinet part.
C933: Introduction et Air Suédois Varié for clarinet and piano by Bernhard Henrik Crusell. Billaudot, 1981, SS, 11 + 4 pages. This piece has an Introduction, the statement of the theme (a Swedish Air), and five variations at various tempos. A virtuosic showpiece but the range is moderate and mercifully there are piano interludes between most sections of the piece.
C433: Gypsy Moods Op. 6 for Clarinet and Piano by Randall Cunningham. Woodwindiana, 2001, SS, 6 + 2 pages. This is an intermediate recital and contest solo. (I would place it right in the middle of the intermediate range.) In two connected movements: Meditation and Dance and about 5 minuets long. Here is an audio recording of a performance of this piece by clarinet professor and frequent klezmer performer Michele Gingras. Michele takes the tempos a bit faster than marked.
C1143: Variations on the Theme by Haydn Op. 5 for Clarinet and Piano by Randall Cunningham. Woodwindiana, 2005, SS, 6 + 2 pages. Using the most well-known theme from the Haydn Surprise Symphony, Randall Cunningham has fashioned an attractive set of variations at the intermediate level. The variations feature (I) staccato eighth note patterns, (II) triplets, (III) expressively in a minor key, and (IV) sixteenth note patterns. About 4 minuets long.
C1864: Intimations for Clarinet and Piano by Sebastian Currier. Boosey & Hawkes, 1989, SS, 22 + 7 pages. Sebastian Currier (1959-) is an American composer. This work was first performed on a concert of the York Guild of Composers in February 1989. A one movement work where ideas are hinted at before they are stated outright. The title also refers to the inward, personal nature of the work as a whole. The sections are: Whispered, Fragmentary - Whirling, at Times Frenzied - Remote. An advanced work with a duration of 12-14 minutes.
C1786: Klezmer Diptych for Clarinet and Piano traditional arranged by Mike Curtis. Advance Music, 2010, SS, 7 + 4 pages. This piece features two contrasting traditional klezmer tunes. Originally played at weddings, Mazl Tov Shver un Shviger (Congratulations to the In-laws) is a medium-tempo dance with several evocative sections. Koyln (Coal), which follows almost without pause, is quick and lively. Mike Curtis has arranged these to reflect the clarinet styles of Naftule Brandwine and Dave Tarras. Click on the cover image to view the first page of the score.
C1133: Aida di G. Verdi Fantasia Op. 240 for Clarinet and Piano by Giusto Dacci edited by Colin Bradbury. Lazarus Edition, 2003, SS, 23 + 11 pages. Entering the Royal Parma School of Music as a boarder at the age of eleven, Giusto Dacci (1840-1915) was to spend the rest of his working life there as piano teacher, Professor of Harmony and eventually, in 1875, Director and Composer in Residence. His compositions, over 500 in all, include songs, piano pieces, chamber music and operatic fantasies for various instruments, including five for clarinet and piano. The fantasia on Aida was published approximately two years after the first performance of Verdi's opera at the Cairo Opera House (24 December 1871). It makes free use of the priests' motive first heard in the opera's prelude to link together a selection of the work's best known tunes. An advanced work.
C2539: Burlescamente (Theme and Variations) for Clarinet and Piano by Pietro Damiani. Edizioni Eufonia, SS, 7 + 3 pages. Pietro Damiani (1933-) is an Italian composer and conductor. Early in his career he was also a clarinetist. This piece has three variations and a duration of 3:35. Advanced high school level and up depending on the tempo. Click on the cover image to view most of the score. Free Media Mail shipping on this music to US, IF ordered with another item.
C1212: Suite for Emma for Clarinet and Piano by John Dankworth. Chester (CH55820), 1986, SS, 22 + 9 pages. John Dankworth (1927-2010) was born Essex and grew up in London. After studying at the Royal Academy of Music he had a highly successful career as a jazz musician, band leader, and composer. This piece was written for Emma Johnson who became the BBC 1984 Young Musician of the Year at age 17. It is in four movements: 1. Valse, 2. Pavane, 3. Ballade, and 4. Scherzo.
C1078: Concert Piece No. 1 in B flat major for Clarinet and Orchestra (Piano Reduction) by Franz Danzi edited by John hill. Breitkopf & Härtel/Music Rara, SS, 19 + 5 pages. Franz Danzi (1762-1817) was a composer, cellist, and the teacher of Weber. He wrote three concert pieces under the title "Potpourri." This particular work has not been in print in many years and has just been published, edited and with the piano reduction by John hill. It beings with a short Andante moderato introduction which is followed by two more extended sections: Allegretto (cut time) and Moderato (3/8).
C344: Concert Piece No. 2 in G minor for Clarinet and String Quartet (Piano Reduction) by Franz Danzi edited by Sigfried Beyer. Music Rara, 1991, SS, 13 + 7 pages. This work has an introduction, theme, variations, and a virtuosic conclusion. The edition includes notes from the editor. This piece is also known as Fantasy on 'La ci darem la mano' from Mozart's "Don Giovanni." They have finally added "(Potpourri; 'La ci darem la manoa')" to the title page.
C2639: La ci darem la mano (Piano Reduction) by Franz Danzi edited by Nicolo Gulli. Eufonia, 2018, SS, 16 + 5 pages. This is the same piece as above. Subtitled Pot pourri per clareinetto and orchestra. One reason for the difference in the number of pages of the clarinet part is this edition has rests for the orchestral tutti parts.
C345: Concert Piece No. 3 in B flat major for Clarinet and String Quartet (Piano Reduction) by Franz Danzi edited by Sigfried Beyer. Music Rara, 1991, SS, 13 + 7 pages. Dedicated to Heinrich Baermann. Like Concert Piece No. 2, this work has an introduction, theme, variations, and a virtuosic conclusion.
C1382: Sonate in F Op. 62 for Basset Horn (or Violoncello) and Piano by Franz Danzi edited by Kurt Janetzky. Hofmeister, 1961, SS, 58 + 8 pages (includes cello part in addition to basset horn part). In three movements: I. Larghetto/Allegretto, II. Larghetto sostenuto, and III. Allegretto. While there are a few odd measures of bass clef, anyone who owns a basset horn should be able to play this without any problem. Duration 22:45. (The recording is on a period instrument at A=430.)
C606: Sonate in B-flat Major for Clarinet and Piano by Franz Danzi edited by György Balassa. Schott, 1971, SS, 35 + 7 pages. This piece is sometimes titled Sonata Concertante. Three movements: Allegro, Andante sostenuto, and Allegretto. Prof Heim wrote, "The first movement is written as solo piano with obbilgato clarinet, the second movement features a very beautiful melodice style in the clarinet with fully-scored piano accompaniment, and the third movement is a theme with several variations and a long coda. The rhythmic structure of the measures is unusual. Recommended for college and professional level receitals. The piano part requires an excellent performer."
C1688: Brooklyn Bridge Reduction for Solo B-flat Clarinet and Piano by Michael Daugherty. Boosey & Hawkes, 2004/2008, SS, 45 + 21 pages. This 26 minute work for clarinet and symphonic band was inspired by the stunning views from the Brooklyn Bridge. In four movements (each of which represents a view): I. East, II. South, III. West, and IV. North. When performed with band the work is unusual as it puts a clarinet choir (of 6 B-flat clarinets, 2 bass clarinets and E-flat contra) in front of the rest of the band. Here is Steve Cohen playing the first movement in a YouTube video.
C1114: Récit et Impromptu for clarinet and piano by Marcel Dautremer. Alphonse Leduc, 1943, SS, 11 + 4 pages. Marcel Dautremer (1906-1978) composed this piece as the Solo de Concours for 1943 and dedicated it to the clarinet professor at that time Auguste Périer. A sectional work with a duration of about 7:15, the publisher rates this a 7 on their 9 step difficulty scale.
PA004: Introduction, Theme and Variations from Sehnsuchts-Walzer by Franz Schubert by Ferdinand David. Carl Fischer. For clarinet in B-flat. Includes downloadable piano accompaniment and printed music for both clarinet and piano (score). This is a popular piece Op 8, by Ferdinand David (1810-1873) that is now available only in this format. About the same difficulty level as the Weber Concertino.
C2627: Sonata for Clarinet and Piano by Peter Maxwell Davies. Chester, 1989, SS, 30 + 10 pages. Peter Maxwell Davies (1934-2016) was an English composer and conductor. This work, which was written shortly after the Trumpet Sonata and the Five Pieces For Piano, was first performed by Georgina Dobree and the composer at the 1957 Darmstadt Festival. The score was subsequently lost, but was rediscovered by Kevin Corner in 1983. This is a dramatic, emphatic and at times extravagant piece. The first movement is a Moderato reaching through wide-flung clarinet lines and keen piano gestures to a great climax near the end. Then comes a quick movement, a kind of demonic scherzo, including a cadenza for the clarinetist. The finale is an Adagio that gradually achieves a sort of simplicity, though not before exceedingly testing times for both players. Duration is about 25 minutes. This is an advanced work for both the clarinetist and pianist. Click on the cover image to see the second page from the clarinet part.
C1451: Arabesques for Clarinet and Piano by Claude Debussy transcribed by Alfred Piguet. Lauren Publications, SS, 15 + 4 pages. This is a reproduction of the original 1912 Durand edition of the First Arabesque which is out of print from the publisher and the Second Arabesque (still available). They were originally for piano.
(#1 with organ)
C539: Four Pieces for Clarinet and Piano by Claude Debussy edited by B. Prorvich. Music Rara, 1969, SS, 18 + 5 pages. The four pieces are The Girl with the Flaxen Hair, Minstrels, Footsteps in the Snow, and Heather.
C536: La fille aux cheveux de lin (The Girl with the Flaxen Hair) by Claude Debussy transcribed for clarinet and piano by E. Lucas. Durand, 1910.
C980: The Girl with the Flaxen Hair (La fille aux cheveux de lin) by Claude Debussy arranged for clarinet and piano by David Hite. Southern Music, 1988, SS, 3 + 1 pages.
C362: Petite Pièce for Clarinet and Piano by Claude Debussy. Durand, 1910, SS, 2 + 1 pages. A brief but enjoyable piece. Not especially difficult, but calls for sensitive playing by both performers.
C285: Premiere Rhapsodie for Clarinet and Orchestra (Piano Reduction) by Claude Debussy. Durand, 1910, SS, 17 + 4 pages. One of the standards of the clarinet repertoire. Beautiful in the slow sections and brilliant in the fast part. An advanced work for both performers. We can get the orchestral parts and score for this piece. Contact us for details.
C481: Premiere Rhapsodie and Petite Piece for Clarinet and Piano by Claude Debussy edited by Ernst-Günter Heinemann with fingering of the piano parts by Klaus Schilde. Henle, 2004, SS, 22 + 6 pages. A and attractive edition that includes both of these Debussy clarinet pieces. Includes (in English, French, and German) a preface with the history of these pieces and extensive notes on the editing. We can get the orchestral parts and score for this piece. Contact us for details.
C1923: Premiere Rhapsodie for Clarinet and Piano by Claude Debussy edited by Graham Mackie. Chester Music, 1986/1991, SS, 12 + 4 pages. While superficially similar to the Durand edition, this version is more clearly printed, has better page turns in both the clarinet and piano parts and has been edited. It includes a preface describing the piece and a page of notes on the editing. We can get the orchestral parts and score for this piece. Contact us for details.
C989: Premiere Rhapsodie for Clarinet and Piano by Claude Debussy edited by David Hite. Southern Music, 1988, SS, 12 + 4 pages. This edition includes notes on the piece, a glossary of terms, and a few fingering suggestions.
C2113: Premiere Rhapsodie for Clarinet and Piano by Claude Debussy edited by Guy Dangain. Billaudot, 2013, SS, 17 + 7 pages. Dangain has consulted the two original manuscripts (clarinet and piano, clarinet and orchestra) to bring about a edition in a light. Where discrepancies exist between the two manuscripts, the alternatives are noted in the score. For advanced performers. Because this edition presents two and in one case three alternatives for some phrases, the clarinet part takes more pages than the traditional editions. We recommend it for those who are already familiar with the work and want to study it in more detail. Click on the cover image to see a sample page from the clarinet part.
C2624: Premiere Rhapsodie for Clarinet and Piano by Claude Debussy edited by Douglas Woodfull-Harris. Baerenreiter, 2017, SS, 25 + 5 pages. Debussy's Première Rhapsodie is one of two concertante works completed, premiered and published during his lifetime. He was commissioned to write it in 1909 for the final examination at the Paris Conservatoire in 1910. Debussy orchestrated it in the summer of 1911. While transferring the clarinet part from the already published version for clarinet and piano, he made a few subtle changes, particularly in m. 201, which has been a bone of contention among clarinettist's for over a century. The present scholarly-critical publication is the first Urtext edition of the orchestral version. It draws on every known source and takes into account a previously ignored source that sheds light on the piece. Includes an introduction in English, French and German as well as Sources and Critical Commentary in English. Click on the cover image to see a sample page from the clarinet part.
C926: Second Arabesque (Deuxième Arabesque) for Clarinet and Piano by Claude Debussy transcribed by Alfred Piguet. Durand, 1912, SS, 8 + 2 pages. Originally for piano, the tempo is Allegretto scherzando.
C1100: Three Debussy Pieces for Clarinet and Piano by Claude Debussy edited by Ethan Sloane and Thomas Weston. Southern Music, 2008, 24 + 11 pages. The pieces are La Plus Que Lente, Arabesque No. 1 and Arabesque No. 2, all originally for piano. The arrangements are based on sketches found in the Harold Wright studio library. Arabesque No. 1 is for A clarinet with an alternate part of B-flat clarinet. This edition of Arabesque No. 1 is different from the out of print Piguet edition while Arabesque No. 2 is almost identical to the Piguet version (above).
C1244: Two Pieces: Clair de Lune and Rêverie for Soprano or Tenor Saxophone or Clarinet and Piano by Claude Debussy arranged by J. Michael Leonard. Masters Music, 2008, 12 + 3 pages. Two popular Debussy pieces arranged for clarinet or saxophone and piano.
C2577: Valse Romantique for Clarinet and Piano by Claude Debussy transcribed by Zoltán Kocsis. Editio Musica Budapest, 2016, SS, 6 + 2 pages. Suitable for students and possibly as an encore for the more experienced, this piece uses much of the clarinet compass to an altissimo E. Click on the cover image to view the first page of the clarinet part.
C1650: Concerto for Clarinet (Konsert För Klarinett) Strings, Harp and Percussion (Piano Reduction) by Gunnar de Frumerie. Gehrmans, 1960, SS, 30 + 10 pages. Gunnar de Frumerie (1908-1987) was a Swedish composer and pianist who studied in his native country, Vienna and Paris. His work has been described as possessing a Brahmsian complexity mixed with an impressionistic elegance. This composition is his Op. 51 and was written in 1957/58. In two movements: I. Andante (with alternating faster sections and a cadenza), II. Allegretto grazioso (also with a variety of tempos and meters). College level with a duration of 16 minutes.
C1155: Three Essays for Clarinet and Piano by Norman Dello Joio. Marks Music, 1974, 17 + 5 pages. Norman Dello Joio (1013-2008) was a Pulitzer Prize-winning American composer. These are three contrasting pieces with both melodic and technical elements. The language is intense, colorful and buoyant and will please both the player and the audience. They may be performed individually or together. I. Allegro, con brio. II. Adagio sostenuto, and III. Allegro energico. Early college level with a total duration of 10:30.
C2751: Cantilene for Clarinet and Piano by Fernande Decruck. Billaudot, 2022, 3 + 2 pages. Fernande Decruck (née Breilh) (1896-1954) was a French female composer who composed many works for the saxophone. Her studies in improvisation on organ led her to travel to America where she gave her first organ recitals in New York. Her husband, Maurice Decruck, a clarinetist, saxophonist and double-bassist, played both bass and saxophone with the New York Philharmonic. Here is a recording.
C898: Fantaisie Italienne Op. 110 for Clarinet and Piano by Marc Delmas. Billaudot, 1928, SS, 11 + 3 pages. Now a popular recital piece, this was the 1921 contest piece for the Paris Conservatory. In two sections: Lent and Mème mouv. College level.
C1211: Promenade for clarinet and piano by Marc Delmas. Billaudot, 2 + 1 pages. A brief lyrical piece at the upper intermediate level. (You can listen to the beginning on this web site.) Free Media Mail shipping on this music to US, IF ordered with another item.
C2334: Adiós a la Alhambra for Clarinet and Piano by Jesús de Monasterio arranged by Pedro Rubio and Ana Benavides. Bassus Ediciones, 2015, SS, 7 + 3 pages. Jesús de Monasterio (1836-1903) was a Spanish composer and violinist. This piece was originally written for violin in 1855. In 1873 a version for clarinet (which has not survived) was played in the presence of the composer by the famous Spanish clarinetist Antonio Romero. Versions for both B-flat and A clarinet are included, with the A clarinet probably the preferred instrument. Tempos are Andantino and Allegretto. Click on the cover image to view the first page of the clarinet part.
C1216: Sonate for Clarinet and Piano by Edison Denisov (Denissow). Deutscher Verlag für Musik, 1995, SS, 32 + 10 pages. Written in 1993 this piece has two movements: I. Agitato and II. Moderato. An advanced work. (Denisov also wrote a sonata for solo clarinet in 1972.)
C642: First Sonata for Clarinet and Piano by Francoise Devienne edited by Jean-Pierre Dautel and revised by Jacques Lancelot. Editions Musicales Transatlantiques, 1962, SS, 18 + 8 pages. Devienne, Francois (1759-1803) was a flutist and bassoonist, and professor at the Paris Conservatory. In three movements: Allegro con spiritoso (C), Adagio (2/4) and Rondo allegretto (6/8). Professor Heim wrote that the solo part is scored principally in the upper two registers and is florid with ornamentation figures making this work more difficult. The Adagio is played with one beat to the measure and has many fast notes while the Rondo has a Mozartian flavor. This is good material for college and professional recitals.
C643: Second Sonata for Clarinet and Piano by Francoise Devienne edited by Laurence Boulay and revised by Jacques Lancelot. Editions Musicales Transatlantiques, 1962, SS, 19 + 8 pages. The Second Sonata is in three movements: Allegro con spiritoso (4/4), Adagio (3/8) and Rondeau (2/4). The range is more limited than in the first sonata but still requires good technique. Some embellishments and sixteenth-note groupings may present a problem in the first movement. The second movement is florid, and the Rondo is more like Weber than Mozart. This is also a good sonata for college and professional level recitals.
C2200: Concerto in B-flat major for Clarinet and Orchestra (Piano Reduction) by Anton Dimler edited by György Balassa and Ákos Fodor. Edition Kunzelmann, 1973, SS, 33 + 11 pages. Anton Dimler (1753-1819) was a German musician and composer (and part of the tradition of the Mannheim school). In three movements: I. Allegro, II. Adagio, and III. Rondeau (Allegretto grazioso). All three movements are available for viewing on YouTube with the long tutti at the beginning of the first movement shortened by the performers.
C2640: Vidrieras for Clarinet in G or B-flat and Piano by Claudio De Siena. Eufonia, SS, 10 + 3 + 3 pages. "Vidrieras" means stained glass windows in Spanish. This piece which was apparently written for the very rare G clarinet also includes a part for clarinet in B-flat (which is in an easier key). This is a Milonga. Advanced high school or early college level with a duration of about 6:15. You can watch and listen to it being played on a G clarinet on YouTube. Click on the cover image to view the first page of the B-flat clarinet part.
C1065: Tempest Hora for Clarinet and Piano by Grigoras Dinicu arranged by Michael Drapkin. Roncorp, 2004, SS, 8 + 4 pages. Grigoras Dinicu (1889-1949) was a Romanian Romani composer and violinist. This is a fast moving Eastern European dance. College level with a duration of about 3:30. You can watch and listen as Michael Drapkin plays it on YouTube.
C1110: Fantaisie Orientale for Clarinet and Piano Accompaniment by Max d'Ollone. Alphonse Leduc, SS, 15 + 4 pages. Max d'Ollone (1875-1959) was a student of Jules Massenet and a prolific composer, especially of stage works. This was the Solo de Councours for 1913 (repeated in 1926 and 1941). It begins with a Lento section featuring arpeggios, then a melodic section (molto tranquillo e melacolico), which is followed by a final 2/4 Presto section. College level with a duration of about 7:45.
C882: Concertino for Clarinet in B-flat and Piano by Désiré Dondeyne. Leduc, 1957, SS, 11 + 6 pages. Désiré Dondeyne (1921-2015) was a French clarinetist, composer, conductor and music educator. He spent 1939-1953 as the solo clarinetist in the Musique de l'air (the French Air Force Band). This is a sectional piece. The first part is Allegro with some mixed meter and a cadenza. The second part begins Andante (3/8) but moves through a wide number of tempos and time signatures. This was the National (Paris) Conservatory test piece for 1957.
C384: Concertino in B-flat major for Clarinet and Chamber Orchestra Piano Reduction by Gaetano Donizetti edited and reconstructed by Raymond Meylan. Henry Litolff's Verlag/C.F. Peters, 1979, 12 + 3 pages. A very pleasant work in two movements: Andante sostenuto and Allegretto. Lower college level (technically about the same level as the Mozart clarinet concerto).
C2137: Studie for Clarinet by Gaetano Donizetti with piano accompaniment by Bela Kovacs. EditionDarok, 2014, SS, 12 + 4 pages. This is the same piece as Studio Primo (C1255) with the addition of a piano accompaniment. It was written by Italian composer Gaetano Donizetti (1797-1848) in 1821 as he was completing his studies. It is believed that the composer was influenced by Paganini's Etude for Solo Violin which had been published the year before as well as other virtuoso Paganini works. Advanced high school/early college level. Duration about 4:45. Free Media Mail shipping on this music to US, IF ordered with another item.
C2020: Dance Music for Mr. Mouse for E-flat Clarinet and Piano by Daniel Dorff. Theodore Presser, 1994/2013, SS, 16 + 6 pages. Dance Music was composed for Sherry Apgar and premiered in 1981. Originally conceived as the score to a farcical animation about an adolescent mouse who dances himself to death (and ascends to heaven), the music is built in a series of episodes in the manner of a heroic tone poem. An advanced work with a duration of about 9:30 minutes. This replaces a print on demand edition that was $41.95. Click on the cover image to view the first 4 pages of the score.
C2507: Summer Solstice for Clarinet and Strings Piano Reduction by Daniel Dorff. Presser, 1993/2017, 27 + 10 pages. This work is for clarinet in A. The composer wrote: "In 1986 I began a 'Lyric Quintet' for Clarinet and String Quartet, composing two movements of the projected three that year. . . . Coming back 6 years later with a fresh point of view, I decided this would be better for Clarinet and String Orchestra. This change to a larger string ensemble allows the thick jazz chords to be played more richly and smoothly, allows the contrasts of solo strings and tuttis, and brings the advantages of having a conductor. Having started life as intimately blended chamber music rather than a concerto, the music tends to use the clarinet as a balanced ensemble member at least as much as a soloist, and there are also many solo passages for strings. Only the third movement was originally conceived for full string orchestra, leading the final movement to have more dramatic contrasts between clarinet and strings. The music has a light, summery feel, and the friendly relationship of the clarinet to the strings somehow struck me as a solstice-like meeting point, therefore the title 'Summer Solstice.'"
C2704: Sonate Op. 38 for Clarinet and Piano by Felix Draeseke. Amadeus Verlag, 1985, 32 + 11 pages. Felix Draeseke (1835-1913) was a composer of the " German School" admiring Franz Liszt and Richard Wagner. He wrote compositions in most forms including eight operas and stage works, four symphonies, and much vocal and chamber music.This work was composed in the mid-1880s. It has four movements: I. Allegro moderato, II. Adagio ma non troppo, III, Scherzo (Allegro molto vivace-Presto)/ Trio (Un poco piu lento), and IV. Finale (allegro con brio). The duration is about 25 minutes. Here is a recording. Click on the cover image to view the first page of the clarinet part.
C2035: Sonatina for Clarinet and Piano by Donald Draganski. Alry Publications, 2012, 12 + 6 pages. Donald Draganski was born in Chicago in 1936 and is a life-long resident of the metropolitan Chicago area. He has been a bassoonist, music librarian, and composer although has never worked as a full time musician. This piece has its origins in the composer's half finished Suite for clarinet and piano of 1966. In 1982 he took it up again after a request for a piece to be performed at a recital and this is the result. It is modeled after the Sonata for Bassoon and Piano by Hindemith. In two movements: I. Moderato con moto and II. Tempo di marcia; Cadenza; Pastorale. Advanced high school/early college level. Click on the cover image to view the first page of the score.
C1329: Dances from Korond for Clarinet and Piano by László Draskóczy. Editio Music Budapest, 1981, SS, 12 + 4 pages. László Draskóczy (1905-1967) was a Hungarian composer and music educator. This a sectional piece in Eastern Euopean style. Early college level. Free Media Mail shipping on this music to US, IF ordered with another item.
C2029: The Cape Cod Files for Clarinet and Piano by Paquito D'Rivera. Boosey & Hawkes, 2009/2012 (second impression with edits), SS, 39 + 23 pages. Commissioned by the Cape Cod Music Festival on the occasion of their 30th Anniversary and dedicated to Jon Manasse and Jon Nakamatsu. In four movements: Benny @ 100. Inspired by Benny Goodman's unique way of jazz phrasing, as well as his incursion in the so-called "classical" arena, this movement is a celebration of the most famous clarinetist's 100th birthday. Bandoneon. An Argentinean Milonga that recreates the nostalgic sound of the exotic instrument that in the opinion of many, represents the very soul of the Tango. Lecuonerías. Unaccompanied solo clarinet improvisations around some of the melodies written by the foremost of the Cuban composers, pianist extraordinaire Ernesto Lecuona. Chiquita Blues. Using elements of the American 12 bar blues, as well as traditional Cuban Danzón and contemporary atonal music, the final movement of The Cape Cod Files was inspired by Antonio Orlando Rodríguez's novel "Chiquita," based on the life of a 26 inch tall Cuban Lilliputian singer and actress who achieved great success in York at the end of the 19th and beginning of the 20th century. This is an advanced work with a duration of 17 minutes. You can listen to an audio sample from the last movement here. Click on the cover image to view a page of the score from the Bandoneon movement (MM=88).
C2107: Three Pieces for Clarinet and Piano by Paquito D'Rivera. Boosey & Hawkes, 1991/2011, SS, 17 + 6 pages. The three pieces are: Contradanza (dedicated to Ernesto Lecuona) a Cuban dance, Habanera (dedicated to Maurice Ravel), and Vals Venezolano (dedicated to Antonio Lauro) a fast 3/4 waltz in the Venezuelan style. The first and third piece (especially) are longer versions of the music in C1104 (immediately below). College level with a total duration of 7 minutes. Click here to hear the first two pieces.
C1104: Vals Venezolano and Contradanza for Clarinet Solo or Clarinet and Piano by Paquito D'Rivera. International Opus, 1991/1996, SS, 6 + 3 pages. Cuban born D'Rivera serves up two short pieces: Vals Venezolano (dedicated to Antonio Lauro) is a fast 3/4 waltz in the Venezuelan style and Contradanza (dedicated to Ernesto Lecuona) is a Cuban dance. Click here to listen to this version of Contradanza.
C1189: Beaugency-Concerto for Clarinet in B-flat and Orchestra (Piano Reduction) by Pierre Max Dubois. Alphonse Leduc, 1969, SS, 30 + 12 pages. In three movements: I. Allegretto, II. Mt de Menuet, III. Andante, and IV. Rondo. College level. Here is an audio file of the first movement.
C267: Coïncidence for Clarinet in B-flat and Piano by Pierre Max Dubois. Alphonse Leduc, 1977, SS, 14 + 7 pages. This is dedicated to Ulysee Delécluse and was the contest piece for the Conservatoire National Supérieur de Musique for 1977. It is regarded by at least one reviewer as one of Dubois more interesting pieces. College level with a duration of 6:25. This has been in stock for some time. The current price is $28.15.
C721: Nine Impromptus (Neuf Impromptus) for Clarinet in B-flat and Piano by Pierre Max Dubois. Alphonse Leduc, 1965, SS, 11 + 5 pages. Nine short pieces that look at first like etudes but the piano accompaniment transforms them into something special. Kathy Pope's CD is highly recommended. Taken as a whole this is a college work, however, several of the individual piece should be playable by intermediate level clarinetists.
C1183: Sonatina for Clarinet and Piano by Pierre Max Dubois. Alphonse Leduc, 1956, SS, 16 + 6 pages. This piece is in three movements: Misterioso (4/4), Vif et léger (1 2/8) and Calmato (4/4). The melodic material is lyrical and melodious but may also be highly decorated with runs and arpeggios (first movement). The second movement is in tarantella style; third movement is very quiet and in a simple mood. The piano accompaniment requires an excellent performer with good technique. This is good repertoire for the advanced college clarinetist.
C942: Ballet-Music for Clarinet for Clarinet and Piano by Lajos Dudas. EditionDarok, 1993, SS, 13 + 4 pages. Lajos Dudas (1942-) is a Hungarian clarinetist and composer. In four movements: I. Moderato con espressivo/moto Adagio, II. Allegretto, III. Allegro moderato, and IV. Presto. Probably rates as early college level.
C910: Alla Gitana for Clarinet and Piano by Paul Dukas transcribed by Philippe Paquot. Masters Music, 1993, SS, 6 + 2 pages. In two sections, starting Andantino, un poco capriccio and then doubling the tempo in the middle.
C764: Recitatif et Presto for Clarinet and Piano by Philippe Dulat. International Music Diffusion. 1987, SS, 14 + 5 pages. Philippe Dulat (1956-) is a French violist, composer, and conductor. The piece uses some contemporary notation and will be challenging for both performers.
C293: Phantasy Suite Op. 91 by Thomas Dunhill. Boosey & Hawkes, 1941, SS, 18 + 7 pages. For clarinet and piano. Prof. Heim wrote: A six-movement work in conservative English style; well written. Excellent work for college student (beginning). Grade 4.
G284: Cantilène for Oboe/Flute/Violin/Clarinet/Soprano Saxophone and Organ by Marcel Dupré edited and arranged by Charles Callahan. MoringStar Music Publishers, 2016, SS, 7 + 2 pages. This is the second piece of Three Pieces for Cello and Piano by Marcel Dupré (1886-1971) which was composed in 1916 and first published in 1920. It is in the concert key of A minor. The tempo is Andante moderato (mm=66). The part for C instruments is included in this edition. The B-flat part can be downloaded from the publisher's website. Click on the cover image to view sample pages from the score.
C549: Sonatine Op. 100 for B-flat Clarinet and Piano by Antonín Dvorák arranged by Stephan Korody-Kreutzer. Zimmermann, 1990, PB, 43 + 18 pages. This work, originally for violin, has been arranged for clarinet. In four movements: Allegro risoluto, Larghetto, Scherzo (Molto vivace), and Finale (Allegro molto/Molto tranquillo). This is potentially an upper intermediate work, although tempos may be a challenge for some players at that level.
C1053: Canto Popolare for Clarinet and Piano by Edward Elgar. Belwin Mills, SS, 4 + 2 pages. In 1904, Elgar who was wintering in Italy was inspired to write his overture In the South. The theme from this work became popular in a vocal arrangement with some lines by Shelley under the title "In Moonlight." Elgar wrote this version with Charles Draper in mind. It is for A clarinet (and quite easy).
C2496: Salut D'Amour Op. 12 for Clarinet in A and Piano by Edward Elgar arranged by Graham Bastable. International Music Company, 2017, SS, 4 + 1 pages. This piece was written in 1888 and was originally for violin. It is at an Andantino tempo (with some variation). It isn't difficult but reaches the altissimo twice with the highest note a G. It has been arranged for a number of instruments and for small orchestra.
C709: Clarinet Concerto (Piano Reduction) by Martin Ellerby. Studio Music, 2001, SS, 34 + 8 pages. This work was composed for Linda Merrick and premiered by her. In three movements: 1. Carousel (Vivace), 2. Cameo (Andante contabile con rubato), and 3. Charabanc (Allegro molto). College level. A wind band accompaniment is available.
C2218: Pepperino (Concert Caprice) for Clarinet Solo or Duet with Piano by R.M. Endresen. Rubank, 1936, 4 + 2 + 2 pages. This piece is intended for students and is probably at the upper end of (US) grade 3. Entirely at a Scherzando tempo. Click on the cover to view the first page of the Solo Clarinet I part.
C2725: First Roumanian Rhapsody B-flat Clarinet and Piano by Georges Enesco transcribed by Eric Simon. Bourne Co., 1969, SS, 40 + 13 pages. Georges Enesco (1881-1955) was a Romanian musician. Enesco is regarded as one of the greatest musicians in Romanian history; he was a composer, violinist, pianist, conductor, and teacher. He wrote two rhapsodies in 1901 and they were premiered together in 1903. They employ elements of lăutărească music (Roma), vivid Romanian rhythms, and an air of spontaneity. This piece is upper (US) grade 4 or lower grade 5.
C629: Vier Lyrische Stücke (Four Lyrical Pieces) Op. 35d for Bass Clarinet (or Clarinet) and Piano by Heimo Erbse. Doblinger, 1981, SS, 19 + 5 pages. Erbse (1924-2005) was born and studied (flute, conducting, opera directing) in Germany, but moved to Austria in 1957. The four pieces are not named: I. Andantino (6/8), II. Allegretto (3/4), III. Lento (2/4), and IV. Allegro (various meters). College level.
C1082: Andante y Allegro for Clarinet and Piano by Hilarión Eslava y Elizondo edited by Pedro Rubio. Bassus Ediciones Musicales, 2007, SS, 9 + 3 pages. Hilarión Eslava y Elizondo (1807-1878) was a Spanish priest who wrote many religious pieces, three operas, and several instrumental works such as this one which was probably written around 1844. It was originally for clarinet and string orchestra and has been arranged for clarinet and piano by Rubio and Ana Benavides. In two movements Andante (6/8) and Allegro con brio (4/4), it finishes with a flourish of 32nd note triplet figures. College level with a duration of about 6:50.
C1318: Aria and Scherzo for Clarinet and Piano by Frank Erickson edited by David Shifrin. Alfred, 1977, SS, 3 + 1 pages. A very easy popular solo for first year students. The Aria is Moderately slow (mm=88) while the Scherzo is Quickly (mm=144). The range is from low G to C in the staff.
C215: Ballade for Clarinet, Harp and String Orchestra by Eric Ewazen, edition for clarinet and piano by the composer. Southern Music Co., 2003, SS, 27 + 7 pages. This piece was composed in 1986 for Jean Kopperud. Ballade was inspired by balmy sunny weather on the shore of the Chesapeake Bay. The orchestral version is available as a rental from the publisher.
C2588: A Song from the Heart for Clarinet and Piano by Eric Ewazen. Theodore Presser, 2011/2018, SS, 9 + 2 pages. Originally composed for Trumpet and Piano, A Song from the Heart is one of those rare works that immediately captures performers and listeners in a wide range of settings. A beautiful melodic solo sings over a lush piano accompaniment, with passages that stick in the mind well after the performance. A Song from the Heart will be at home on any program, whether memorials, recitals, or weddings. For intermediate to advanced performers. The tempo is Andante Teneramente (mm = 66) so it is not difficult although the clarinet part goes to altissimo F. Duration of about 7 minutes. Click on the cover image to view the second page of the clarinet part. Free Media Mail shipping on this music to US, IF ordered with another item.
C497: Concerto for Clarinet Piano Reduction by Joseph Eybler prepared by Alexander Weinmann. Eulenburg, 1976, SS, 38 + 12 pages. This classical period concerto is in three movements: Allegro maestoso, Adagio, and Rondo (Allegro). The first and third movements have alternate (somewhat easier) parts for much of the movements. The piano part is well done and suitable for performance. A good command of the altissimo is needed for this piece.
C765: Sonate for Clarinet and Piano by Marc Eychenne. International Music Diffusion. 1990, SS, 38 + 13 pages. Marc Eychenne (1933-) is an Algerian-born French composer and violinist. This Sonate is a fairly lengthy work in four movements: I. Allegro moderato (san rigueur), II. Intermède (Allegretto), III. Andante, and IV. Allegro. An interesting piece, very tonal (especially for something this recent), with interesting melodies, and contrasting sections. The third movement features some showy elements including a short cadenza while the last movement concludes with some quick rhythmic figures in 5/8 and 4/4. College level.
C2549: Spanish Dance for Clarinet in A and Piano by Manuel de Falla arranged by Bela Kovacs. EditionDarok, SS, 13 + 5 pages. Manuel de Falla (1876-1946) was a Spanish composer. This piece begins with an Allegro furioso Introduction by the Dance (Allegro, molto ritmico). A relatively challenging piece at tempo. Click on the cover image to view the first page of the clarinet part.
G155: Rumanian Folk Dances for Clarinet (or Flute, Violin, or Viola) and Piano by Ferenc Farkas, Editio Musica Budapest, 1953, SS, 15 + 4 pages. Subtitled: from the collection of Béla Bartók of the County Bihar. Characteristic Eastern European folk dances similar to Farkas's work for clarinet quartets and other woodwind ensembles. At four pages, this is a relatively extended work for this genre. The tempo is Allegro moderato with brief accelerations and rubato moments.
C1360: Concerto in B-flat major for Chalumeau (Clarinet), Strings, & Basso continuo (Piano Reduction) by Johann Friedrich Fasch edited by Manfred Fechner. Hofmeister, 1995, SS, 16 + 4 pages. Johann Friedrich Fasch (1688-1758) was German composer who was a contemporary of J.S. Bach and Telemann. He composed cantatas, masses, overtures and concertos. This edition includes parts for Chalumeau (in C) and B-flat clarinet. In four movements: Largo, Un poco allegro, Largo, and Allegro. The work was written at a time when the Baroque style was assimilating some of the early Classic period features. The movements are relatively short with a total duration about 10:00 minutes. Good repertoire for intermediate players.
C2497: Après un Rêve Op. 7, No. 1 for Clarinet in A or B-Flat and Piano by Gabriel Fauré arranged by Graham Bastable. International Music, 2017, SS, 3 + 1 (x2) pages. This popular piece, which has been arranged for many instruments, was written for voice and piano in the 1870s. Translated as After a Dream, it is at the easy high school level, but will be popular with many more advanced musicians. The B-flat version is in a friendlier key (1 sharp rather than 4 flats). Both versions are entirely in the lower register.
C2542: Élégie Op. 24 for Clarinet and Piano by Gabriel Fauré arranged by Mark Denemark. Hofmeister, 2016, SS, SS, 9 + 2 pages. Originally conceived as a movement of a sonata for violoncello and piano, the piece was published under the title "Elégie" with overwhelming success in 1883. This is an advanced work (see the sample page). Click on the cover image to view the second page of the clarinet part. Free Media Mail shipping on this music to US, IF ordered with another item.
C405: Fauré 4 Mélodies for Clarinet and Piano by Gabriel Fauré edited by Douglas Woodfull-Harris. Baerenreiter (BA8156), 1996, SS, 14 + 4 pages. The four melodies, drawn from the many songs of Fauré, are Les Berceaus (The Cradles), Sylvie, Au bord de l'eau (On the Shore), and Toujours (Always). These pieces are generally at the intermediate level although much of Toujours is in the altissimo (up to a G).
C1071: Sicilienne Op. 78 for Clarinet and Piano by Gabriel Fauré arranged by Jerry Lanning. Cramer Music, 1983, SS, 7 + 2 pages. The familiar Sicilienne of Fauré arranged for clarinet and piano. Early high school level. Free Media Mail shipping on this music to US, IF ordered with another item.
C2578: Sicilienne Op. 78 for Clarinet and Piano by Gabriel Fauré arranged by Graham Bastable. International Music Co., 2017, SS, 6 + 2 pages. The familiar Sicilienne of Fauré arranged for clarinet and piano. Early high school level. Click on the cover image to view the first page of the clarinet part.
C286: Four Short Pieces for Clarinet and Piano by Howard Ferguson. Boosey & Hawkes, 1937, SS, 11 + 4 pages. This work by British composer Ferguson (1908-1999) is typical of several small pieces that have proved popular with professional and amateur alike, and are well within the range of the average player. Four movements: Prelude, Scherzo, Pastoral, and Burlesque.
C1012: Selanka Pastorale for Clarinet and Piano by Zdenko Fibich edited by A. Louis Scarmolin. Ludwig Music/Alfred Music, 1960, 7 + 2 pages. Zdenko Fibich (1850-1900) was a Czech composer. His first name is usually spelled "Zdeněk." This work was originally composed around 1879 for clarinet or violin and piano and has enjoyed some popularity ever since. Intermediate level (the publisher says US grade 4). Now available. Free Media Mail shipping on this music to US, IF ordered with another item.
C2710: Selanka (Pastorale) for Clarinet and Piano by Zdenek Fibich edited by Milan Kostohryz. Baerenreiter Editio Suprahon Praha, 1945, 6 + 2 pages. Zdenek Fibich (1850-1900) was a Czech composer. This work was originally composed around 1879 for clarinet or violin and piano and has enjoyed some popularity ever since. Both the Clarinet and Violin parts are included. Intermediate level (another publisher said US grade 4). Here is a video (there are quite a few video on YouTube but generally the piano is too loud). Free Media Mail shipping on this music to US, IF ordered with another item.
C1115: The Snail & the Rosebush for Clarinet, Narrator and Piano by Elaine Fine. Seesaw Music, 2004, SS, 25 + 6 pages. This is a setting of a story written by Hans Christian Andersen that concerns a rosebush, who leads an unexamined life producing roses, and a snail who criticizes her and finally retreats into his own shell. This 9 minute work is not technically difficult but will probably take some rehearsal to synchronize the narration with the music.
C287: Clarinet Concerto Op. 31 for Clarinet and String Orchestra (Piano Reduction) by Gerald Finzi. Boosey & Hawkes, 1951, SS, 34 + 10 pages. An excellent mid-twentieth century work with beautiful melodies, yet much chromaticism.
C288: Five Bagatelles Op. 23 for Clarinet and Piano by Gerald Finzi. Boosey & Hawkes, 1945, SS, 21 + 8 pages. Wonderful writing for clarinet. The first four movements should be with in the capabilities of a good high school clarinetist, with the final movement presenting more of a challenge. Here is an arrangement of the accompaniment part for string quartet. We have been told that this edition is being phased out, but we still have it.
C1889: Five Bagatelles Op. 23 for Clarinet and Piano by Gerald Finzi. Boosey & Hawkes, 1945/2012, SS, 21 + 8 pages + online audio access. This is another edition of this work. It has been reset and is sharper in appearance than the older edition. It includes notes on the work and about Finzi. Includes access to online audio of accompaniments and performance recordings by Todd Levy, principal clarinet of the Milwaukee Symphony Orchestra and Santa Fe Opera. Here is an arrangement of the accompaniment part for string quartet.
C2615: City of Lost Chances for Clarinet and Piano by Karl Fiorini. United Music Publishing, 2017, SS, 10 + 5 pages. Karl Fiorini (1979-) was born in Malta and began his studies in composition there continuing them in London. This advanced work begins with a cadenza and has a short cadenza near the conclusion. The piece has a duration of about 7 minutes. Click on the cover image to view the first page of the clarinet part.
C2616: Noli (Hide and Seek) for Clarinet and Piano by Karl Fiorini. United Music Publishing, 2017, SS, 9 + 4 pages. This piece is not as difficult as the piece above but will still challenge college level players. It includes flutter tonging and many short and longer runs of various types. Duration of about 4 minutes. Click on the cover image to view the first page of the clarinet part.
C1431: Sonatine for B-flat Clarinet and Piano by Clare Fischer. Advance Music, 1994, SS, 29 + 7 pages. Clare Fischer (1928-) is an American composer and musicians. His web site described him as "trained in the classics, inspired by jazz artists, healed by the rhythms of Latin and Brazilian music, his eclectic sound finds expression in every chart and instrument he touches." This piece was commissioned by Richard Stoltzman. It is in three movements: I. mm = ca. 80, II. Slowly & freely, and III. Metrically steady with a lilt (dotted eighth = 66 for this movement which is mostly in 6/8). College level with a duration of about 21:20. Here is a YouTube video of Stoltzman playing the first half of the first movement.
C397: Sonata for Clarinet and Piano by Roger Fiske. Rosewood Publications, 2000, SS, 27 + 9 pages. Roger Fiske (1910-1987) was and English musicologist, broadcaster and author. This work was written in 1941 for Frederick Thurston and was first played by him accompanied by the composer, but was not performed in public during their lifetimes. The movements are Andante con moto, e poco rubato; Variation; and Allegro molto. There are numerous changes in meter in some sections of the work including some 3/4 + 3/8 in the last movement. This appears to be a challenge worthy of an advanced college player.
C398: Sonatina for Clarinet and Piano by Roger Fiske. Rosewood Publications, 2003, SS, 23 + 8 pages. The movements of this Sonatina are marked Allegro moderato, Tempo di Minuetto, and Allegro. This piece, which was written in 1951, is considerably easier than Fiske's Sonata and would be appropriate for advanced high school or early college performers.
C2291: Elegy for Clarinet and Piano by Lukas Foss edited by Richard Stoltzman. Keiser Classical, 2015, 8 + 3 pages. This piece was written in 1949 and dedicated to Artie Shaw but was not performed or published during the composer's lifetime (1922-2009). In a slow, fast, slow format. Originally for clarinet and orchestra (available as a rental), Stoltzman edited this beautiful work and presented the world premiere transcription for clarinet and piano in 2014. College level.
C2530: Three American Pieces for Clarinet and Piano by Lukas Foss arranged by Richard Stoltzman, clarinet part edited by Seunghee Lee. Carl Fischer, 2002/2017, SS, 22 + 7 pages. This edition of the beautiful Three American Pieces (Early Song, Dedication, and Composer's Holiday) by Lukas Foss offers revisions by acclaimed clarinetist Seunghee Lee. As a student, Lee fell in love with clarinet icon Richard Stoltzman's original arrangement and would later work directly with Lukas Foss to improve the piece's playability for performance on the clarinet. Lee has been performing her version for years and in tandem with the release of this edition, she is also releasing the world-premiere recording of the piece on her album, Full Circle. Probably early college level. There is mixed meter in all the pieces and an altissimo A in the second piece. Click on the cover image to view the second page of the first piece.
C2517: Jeanie with the Light Brown Hair for Clarinet and Piano by Stephen Foster arranged by Bela Kovacs. EditionDarok, SS, 8 + 4 pages. This familiar tune by Stephen Foster has been arranged as a Theme and Variations. After the Andante Theme, the variations are I. Poco piu mosso, II. L'stesso tempo, III. Lento, maestoso and IV. Allegro molto. The final variation includes a cadenza. Advanced high school level.
Four Hebraic Pictures in the Klezmer Tradition. Five pieces (the first number has two) by three composers. Suitable for good high school players (who will probably need some help with the style) and above. They may be played individually or combined into a suite.
C419: (1.) The Wedding by Gregor Fitelberg arranged for clarinet and piano by Simeon Bellison edited by Sidney Forrest. Southern Music Co., 1996. The Wedding has The Preparation of the Bride (adagio recitativo) and the Procession (Allegreto grazioso quasi moderato).
C420: (2.) Canzonetta (Grandmother's Tale) by Jacob Weinberg arranged for clarinet and piano by Simeon Bellison edited by Sidney Forrest. Southern Music Co., 1996. Allegretto grazioso.
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C421: (3.) Hebrew Dance by Boris Levenson Op. 69, arranged for clarinet and piano by Simeon Bellison edited by Sidney Forrest. Southern Music Co., 1996. Allegretto grazioso. The piano part looks like a workout on this one.
C422: (4.) The Maypole by Jacob Weinberg arranged for clarinet and piano by Simeon Bellison edited by Sidney Forrest. Southern Music Co., 1996. Alternates between Presto and a bit slower with a Prestissimo finish.
C689: Sonatina for Clarinet and Piano by Arthur Frackenpohl. Manduca Music, 1996, 15 + 7 pages. In three movements: 1. Not too fast (mm=126), 2. Very Slowly, and 3. Quite fast (mm=152-160). College level.
C824: Concerto for Clarinet and Orchestra (Piano Reduction) by Jean Françaix. Editions Musicales Transatlantiques, 2013, 45 + 18 pages. This is a edition of this work. It was decided that the piano reduction in the previous edition was too difficult to execute correctly. A one has been prepared by Claude Françaix (the composer's daughter) and Tiziana de Carolis. In 1992 this work was performed by Phillipe Cuper under the direction of the composer. It was determined that the tempos were too fast in each movement and that has been corrected here. This is a difficult contemporary (1968) French concerto in four movements: Allegro, Scherzando, Andantino, and Allegrissimo.
C359: Tema Con Variazioni for Clarinet in A and Piano by Jean Françaix. Eschig, 1974, 16 + 7 pages. Dedicated to "Olivier," the composer's grandson. This was the 1974 Solo de Concours piece. It consists of a theme and six variations, with a solo clarinet "Cadence" before the last variation. A highly entertaining but difficult work.
C897: Sonatine for Clarinet and Piano by Pierre Gabaye. Leduc, 1959, SS, 19 + 8 pages. Pierre Gabaye (1930-2000) studied under Aubin at the Paris Conservatory. He is most noted for his works for wind instruments with piano. In three movements: Allegro, Largo and Prestissimo. The first movement is in the style of a prelude; the second movement is florid; while third movement is like a rondo. The clarinet part requires ample technique; although range is limited mostly to the lower two registers. The piano part has the greater challenge; requiring a strong, mature performer. This is good material for the college level player.
C627: Ballade Op. 23 for Bass Clarinet (or Clarinet) by Wolfgang Gabriel. Doblinger, 1980, SS, 22 + 12 pages. The work by Austrian composer and conductor Wolfgang Gabriel (1930-) was completed in 1974 for Josef Horák, bass clarinet, and Emma Kovarnová, piano. It is in three movements: I. Praeludium (Allegro Molto), II. Carmen (Lento), and III. Hymnus. College level.
C1828: Aria e Scherzo for Clarinet and Piano by Agostino Gabucci edited by Sergio Bosi and Michele Mangani. Edizioni Eufonia, SS, 7 + 2 pages. Agostino Gabucci (1896-1976) was an Italian clarinetist and composer. This is an excellent festival piece for advanced middle school or early high school student. The expressions and tempo changes are clearly marked and it has suggested tempos for the Aria (Adagio, mm=70) and the Scherzo (Vivace, 3/4 in one at mm=80).
C529: Fantasias for Piano and Clarinet or Violin Op. 43 (Fantasistykker) by Niels W. Gade. Wilhelm Hansen, SS. 18 + 4 pages (includes both clarinet and violin parts). This work is in four movements: Andantino con moto, Allegro vivace, Moderato, and Allegro molto vivace. It has beautiful romantic melodies, written in the style of Song without Words, and similar to the Schumann Fantasy Pieces. The piano accompanies the clarinet, but each have equal roles. This is excellent music for recitals (early college level).
C1540: Klezmer Tunes with a Classical Touch for Clarinet (or Violin) and Piano by Daniel Galay. Or-Tav Music Publications, 1998, PB, 52 + 24 pages. First of a popular series by the Israeli composer and pianist Daniel Galay. Galay appears frequently as a klezmer performer and clinician. There are chord symbols on the clarinet part but they are in the concert key. The tunes are: Far Rivke (For Rivka), Farfelekh (Farfel), Farvelkung (Fading), Far Pinyes Tekhter (For Pinye's daughters), Far Vos Raboysay? (For what, gentlemen?), Far Dvoyrele (For Deborah), Farbaysekhts (A snack), Farn Keyser (For the emperor), Farginer (The benevolent), Far Ale Mol! (Forever!), Farkatshte Arbl (Folded sleeves), Farputste Lordn (Elegant lords), Farshpetykung (Lateness), Fardreyte Mayse (A crooked story), Far Yentele (For Yentel), Far Khosn-Kale (For bride and groom), Farshtopte Kep (Closed heads), and Farn Oylem (For the audience). Michèle Gingras has recorded them all.
C1656: Klezmer Tunes with a Classical Touch 2 for Clarinet and Piano by Daniel Galay. Or-Tav Music Publications, 2005, SS, 31 pages plus CD. This second volume includes a CD with performances of all 18 tunes by Michèle Gingras and .pdf files of the piano parts. The book also has several pages of performance tips from Ms Gingras. The tunes are: Oyfbli (Flowering), Oyf tish un oyf benk (It was a grand old time), Oyf der elter vert kelter (It's colder when you're older), Oyf de heyser minut (At the eleventh hour), Oyf tsu lokhes (Out of spite), Oyf Shabbes (For the Sabbath), Oyf mir gezogt! (I should be so lucky), Oyf tsures (in trouble), Oyfn-oyvn (Sleeping over the fireplace), Oyf simkhes (Happy occasions), Oyfshpil (Opening number), Oyf keyver uves (Visiting ancestor's graves), Oyf shpilkes (On pins and needles), Oyf kapores (Worth nothing), Oyfruf (A call), Oyfgekokhte tsiblkes (Cooked onions), and Oyf di "La Plata" bregn (On the shores of "La Plata").
C2266: Concertstück (Concert Piece) for Clarinet and Piano by Raymond Gallois Montbrun. Leduc, 1946, SS, 15 + 4 pages. Raymond Gallois-Montbrun (1918-1994) was a French violinist and composer. He studied violin and composition at the Conservatoire de Paris, and won the Prix de Rome in 1944. The Concertstück was composed for the competition of the Paris National Conservatory of Music in 1946 with a dedication "In friendly tribute to Mr Auguste Perier, Professor at the Conservatory." It is a 7 minute showpiece for advanced players. There are a number of recordings of this piece on YouTube. Here is one.
C2548: Tango for Clarinet and Piano by Carlos Gardel arranged by Bela Kovacs. EditionDarok, 2017, SS, 6 + 2 pages. The actual title of this piece is Por una Cabesa although that isn't printed anywhere on this version. Carlos Gardel (1890-1935), who grew up in Argentina, was a singer, songwriter and actor, and is one of the most prominent figures in the history of tango. This piece was written in 1935, refers to the Spanish horse-racing phrase meaning "by a head", which refers to a horse winning a race by the length of one head. The lyrics speak of a compulsive horse-track gambler who compares his addiction to horses with his attraction to women. This edition begins with a molto rubato cadenza before getting into the melody which is Tempo di Habenera. Click on the cover image to view the first page of the clarinet part. Free Media Mail shipping on this music to US, IF ordered with another item.
C1332: Suite über ungarische Volkslieder for Clarinet and Piano by Zolt Gárdonyi. Zimmermann, 1984, SS, 14 + 4 pages. Zolt Gárdonyi (1946-) is a composer and music educator of Hungarian-German descent, He was born in Budapest and studied there and in Germany. In four movements: 1. Lento/Tempo giusto, 2. Presto, 3. Adagio, molto espressivo, and 4. Con moto. Early college level.
C2084: Fantasy for Clarinet (A) and Organ by Antony Garlick. Seesaw Music, 1973, SS, 14 + 4 pages. We haven't found much information on Antony Garlick, but we believe his dates are 1927-2000 and that he was a music professor and composer at Wayne State College in Nebraska. This piece has some contemporary aspects especially multiphonics (fingerings given). It is sectional with a variety of tempos and has a cadenza which has been printed on a separate sheet. An advanced work. Click on the cover image to view the second page of the clarinet part.
C2014: Reflejos Ibicencos for Clarinet (or Violin) and Piano by Carlota Garriga. Editorial de Música Boileau, 1997, SS, 26 + 9 pages. Carlota Garriga (1937-) is a Belgian pianist and composer who has lived in Barcelona for many years. The piece, whose title means Reflections of Ibiza, was written on a holiday to the Balearic Islands in the Mediterranean Sea in 1986. The three movements refer to places on the island(s). They are Illetes (Tranquilo), Ses Salines (Cantabile) and Cap Roig (Vivo). Advanced high school/early college level. Includes both clarinet and violin parts. Click on the cover image to view the first page of the score.
C278: A Joyous Lament for a Gilly Flower for Clarinet and Piano by Margaret Garwood. Southern Music Co., 1983, 11 + 5 pages. This piece is in slow tempo (~mm=60) then accelerates during a cadenza to mm=108 where it remains for the rest of the piece. Frequent meter changes. Early college level. Click on the cover image to view the second page of the clarinet part.
C521: Fantaisie for Clarinet and Piano by Philippe Gaubert. Heugel, SS, 13 + 4 pages. Gaubert, a flutist, conductor, and composer wrote this piece for the Paris Conservatoire contest of 1911 and dedicated it to his friend, colleague, and the incumbent clarinet professor Prospère Mimart. The piece alternates between Lent (in six) and Allegro, then accelerates at the end with Très vif followed by Poco Vivace. This is regarded as one of the more difficult contest pieces.
C1173: Fantaisie for Clarinet and Piano by Philippe Gaubert revised by Daniel Bonade. Southern Music Co. SS, 13 + 4 pages. Compared to the Heugel edition, there are a few added or changed dynamic and tempo markings (no note changes that I could see). The printing in the Heugel edition is somewhat clearer.
C1004: Five Easy Pieces for Clarinet and Piano by Alexander Gedike arranged by A. (Aron?) Pressman. Masters Music, SS, 11 + 5 pages. Alexander Gedike (1877-1957) was a Russian composer, pianist, and organist. There is no indication of the source of these pieces which are: 1. Song without Words, 2. Miniature in the form of an Etude, 3. Etude, 4. Lullaby, and 5. Minuet. They are intermediate level pieces with some variation in difficulty.
C1729: Dixie Fantasy for clarinet and piano arranged by Harry R. Gee. Conjarco/Kendor, 2011, 5 + 2 pages. The publisher rates this as (US) grade 3 but with the 16th note section that begins midway through the piece it is certainly on the upper end of that grade if not higher. Here are samples pages from the publisher's web site which, unfortunately, does not show the more difficult part of this piece. Free shipping on this music to the US IF ordered with another item.
C1126: Romance for Clarinet and Piano by Edward German edited by Colin Bradbury. Lazarus Edition, 1998, SS, 11 + 2 pages. Edward German (1862-1936) studied at the Royal Academy of Music, studying harmony and counterpoint with Prout and winning organ and violin as well as composition prizes. Although eventually overshadowed by that of his friend Elgar, German's music enjoyed great success in the later Victorian and Edwardian periods, ranging from symphonies, suites and concert overtures to ballads and salon pieces. The Romance dates from German's early years as a professional composer, and was originally one of a pair (of which the other is now lost). The first known performance was by Oscar Street (1869-1923), a pupil of George Clinton, at the Oxford University Musical Union on January 29, 1890. This piece is not difficult and is suitable for intermediate level clarinetists.
C1136: Song without Words for Clarinet and Piano by Edward German edited by Colin Bradbury. Lazarus Edition, 2007, SS, 8 + 3 pages. The Song without Words (or "Album Leaf," as it was originally called) was written for Manuel Gomez, who gave the first performance at a Prom in September 1898. The Observer described the work as "simply a little gem. A theme of great simplicity and haunting beauty, full of grace and tenderness and developed with considerable skill and variety of resource, places this little work among the most successful of Mr. German's smaller pieces." Upper intermediate level with a duration of about 5 minutes.
C1620: Blues da Un Americano a Parigi for Clarinet and Piano by George Gershwin arranged by Michele Mangani with clarinet elaboration by Hengel Gualdi. Edizioni Eufonia, SS, 6 + 2 pages. After a number of requests we have made this clarinet solo based on An American in Paris our first direct import from Italy. We have found two somewhat different performances on YouTube that will give you a good idea of what this sounds like (neither of these play straight through on my computer). The first has a small amount of improvisation (most of the jazz is written out) and is with orchestral accompaniment that does not come across very well. The second is at a slower tempo than the first, sticks more closely to what is written, is with band accompaniment that sounds good, but last 16 bars or so are missing. We can get the accompanying parts. The orchestral version would be approximately $150 and the band edition $125. The duration is a little less than 4 minutes.
C514: George Gershwin's Preludes for Piano adapted for solo clarinet and piano by James Cohn. Warner Bros., 1987, SS, 12 + 6 pages. This piece is often referred to as the Three Preludes for Piano. This arrangement is by composer James Cohn. The first and third preludes are quite challenging and will require a player with excellent technique. The second prelude (which is for A clarinet) is much easier and can probably be played by most competent high school players and above. Click on the cover image to view the final page of the clarinet part.
C2441: George Gershwin Rhapsody in Blue transcribed for clarinet and piano by Frederic Cellier. Editions Henry Lemoine, 2013, SS, 38 + 9 pages. From Gregory Barrett' review in Clarinet: French clarinetist Frédéric Cellier has followed in the footsteps of George Gershwin's original orchestrator, Ferde Grofé, ... Cellier's full page written introduction to this transcription recounts Gershwin's compositional inspirations and the importance to him of the clarinet as well as the piano. Cellier's version retains the entire form of the well-known Grofé orchestration and, for the most part, retains the solo piano's writing in the clarinet/piano version. Smartly, Cellier does occasionally move melodic writing from the piano into the clarinet to more equally balance the role of clarinet and piano. The clarinet plays the expected licks and the main melodic lines whether they are from woodwind, string or brass in Grofé's familiar version. Both musicians will be very busy from start to finish, even the more so if the clarinetist takes the bass clarinet option in place of clarinet for two sixteen measure sections. Have fun! Click on the cover image to view the first three pages of the score.
C2674: Rhapsody in Blue for clarinet and piano by George Gershwin and Istvan Kohan. Lakeshore Music, 2019, SS, 29 + 7 pages. This is more of a fantasy on Rhapsody in Blue than a literal transcription. It is more difficult than the work above. Click on the cover image to view the first page of the clarinet part.
C2571: Summertime for Clarinet and Piano by George Gershwin and Henghel Gualdi transcribed by Michele Mangani. Edizioni Eufonia, SS, 4 + 2 pages + CD. Henghel Gualdi (1924-2005) was an Italian jazz clarinetist who was considered by many to be the best Italian jazz clarinetist of all time. We believe this is a transcription of how he played Summertime. A wonderful piece, but for performance the clarinetist needs to be comfortable with the jazz style. Range to altissimo B-flat. We believe the CD is a string accompaniment. Click here to see a performance of this edition. Click on the cover image to view the first page of the clarinet part.
C2287: George Gershwin's Three Preludes for Clarinet and Piano transcribed and arranged by Charles Neidich. Lauren Keiser Music Publishing, 1927/2014, SS, 10 + 4 (+1) pages. Taking inspiration from Jascha Heifetz' masterful transcription of George Gershiwn's wonderfully original Three Preludes, clarinetist Charles Neidich has created a work that functions as a real duet between the clarinet and piano. Rather than simply transpose the Heifetz violin part, Neidich adapted the work to fit the clarinet, taking what works well and changing other parts, often returning to Gershwin's original to fit the character of the clarinet. The transcription includes an A clarinet part in E minor for those who find the second Prelude's original key of D-sharp minor daunting. Click on the cover image to view the final page of the clarinet part.
C2060: Promenade (Walking the Dog) by George Gershwin arranged for clarinet and piano by Shirley Denwood. Emerson Edition, 2008, SS, 3 + 1 pages. This catchy tune was written for the 1937 film Shall We Dance which starred Fred Astaire and Ginger Rogers. Suitable for clarinetists who can play this piece with panache which will include many better high school students and up. This would also be a good encore piece to end a clarinet recital. The duration is about 5 minutes. Click on the cover image to view the first page of the score.
C881: Concerto for Clarinet and String Orchestra (Piano Reduction) by Armando Ghidoni. Leduc, 2003, SS, 25 + 11 pages. Born in Italy but choosing to live in France Ghidoni is a virtuoso saxophone player and composer. This is one of Leduc's er publications. The first movement begins with a brief Adagio which is followed by an extended cadenza and then the rest of the first movement with a variety of time signatures and tempos (beginning with Moderato in 7/4). The second movement is Adagio with a cadenza in the middle and an accelerando at the end. The third and final movement begins Allegro (in 15/8 in groups of 3), this is followed by section with a jazz feel, and another with some very wide intervals. Near the end is another cadenza. An advanced college level work (there is no extended technique although there is some high altissimo) with a duration of 14 minutes. The orchestral parts are available as a rental.
C1674: Tosca Fantasia Op. 171 for Clarinet and Piano by Carlo Della Giacoma edited by Johannes Fleischhut. Musica Rara/Breitkopf, 2010, SS, 11 + 4 pages. Carlo Della Giacoma (1858-1929) was an Italian clarinetist, composer and conductor of musical groups. This work was written in 1900 when he was a member of a military band. It is a mixture of ornamental variation, paraphrase and potpourri. Various themes from the opera Tosca are used including the famous clarinet solo that precedes the aria "E lucevan le stelle." College level.
C389: Carnival of Venice (Il Carnevale di Venezia) by Alamiro Giampieri. Ricordi, 11 + 4 pages. The theme and variations for clarinet with piano accompaniment features a florid opening with two brief cadenzas, the theme followed by several variations and the finale. We also have Jeanjean version of this piece.
C2335: Pieces Romantiques for Clarinet and Piano by Paul Gilson. Andel, SS, 15 + 5 pages. Paul Gilson (1865-1942) was a Belgian musician and composer. This work was written in the period 1934-1936. 1. Preludium (Allegretto), II. Barcarolle (Lento), and III. Alla Polacca (Tempos di Polacca mm=84). Advanced high school/early college level. Click on the cover image to view the first page of the score.
C434: Sonata II for B-flat Clarinet and Piano by Arsenio Giron. Woodwindiana, 2003, SS, 24 + 8 pages. Arsenio Giron was born in Renteria, Spain in 1932 and immigrated to York in 1942. Giron studied music at the Oberlin Conservatory of Music, Tulane University and finally Washington University before immigrating to Canada in 1968. Giron has been commissioned by several performing ensembles, and has written works for piano, orchestra, band, wind ensemble, chorus, solo voice, and string ensemble. Retired as professor emeritus from the University of Western Ontario, he still maintains a busy composition schedule. Sonata II (1996), like most music by Arsenio Girón, makes equal demands of its performers, both clarinetist and pianist. A conservative, contemporary work which emphasizes linear gestures--often requiring much technical skill--rapid tempos, lively rhythms and tight interlocking motifs. Four movements and a duration of about 15 minutes.
C2664: Trois Miniatures Op. 42: Pastorale, Polka & Valse for B-flat Clarinet and Piano by Alexander Glazunov transcribed by Mark Tanner. Spartan Press, 2018, SS, 19 + 9 pages. Alexander Glazunov (1865-1936) was a well known Russian composer who trained under Rimsky-Korsakov and was head of the Saint Petersburg Conservatory for many years. He left the Soviet Union in 1928 and lived abroad for the rest of his life. This piece was originally for piano. Advanced high school/early college level. Click on the cover image to view the first page of the clarinet part.
C909: Suite Hebraique for Clarinet in B-flat and Piano by Srul Irving Glick. Boosey & Hawkes,1968, SS, 19 + 6 pages. A popular piece in the Hebraic tradition. Like the four dances above, this piece could probably be played by a good high school clarinetist with the proper coaching. There are six pieces in this suite: 1. Cantorial Chant (Adagio sostenuto), 2. Chasidic Dance (Allegretto grazioso), 3. Hora (Ritmico), 4. Lullaby (Lento sostenuto), 5. Dialogue (Andante sostenuto), and 6. Circle Dance (Allegro). The piano part is not difficult.
C2006: Remembrance for Clarinet and Piano by Mikhail Glinka arranged by Carlo Duerto. EditionDarok, 2011(?), SS, 4 + 1 pages. Mikhail Glinka (1804-1857) was a Russian composer who had an important influence on his successors. I have not been able to determine the origin of this piece. It is Allegro moderato with some tempo changes. It is not difficult. Click on the cover image to view the first page of the score.
C1390: Summer Evening at Bryanston for Clarinet and Piano by Alma Goatley. Emerson Edition, 1947/2005, SS, 4 + 1 pages. Alma Goatley (1889-1964) studied piano at the Royal Academy of Music and was a successful concert pianist until she married in 1920. This is her only purely instrumental composition written for her son when a was studying clarinet while at Bryanston School. It is marked "Slowly - with atmosphere (very smoothly)." High school level with a piano part that is more than just accompaniment. Duration about 4:30.
C1132: Two Pieces Op. 26 (Evening & Rondo Caprice) for Clarinet and Piano by Otto Goldschmidt edited by Colin Bradbury. Lazarus Edition, 1999, SS, 18 + 4 pages. Otto Goldschmidt (1829-1907) was born in Hamburg and studied piano and composition at the Leipzig Conservatorium under Bülow and Mendelssohn. He married the great Swedish soprano Jenny Lind in 1852 and settled in London in 1858. His Two Pieces for clarinet and piano were published in 1900 with a dedication 'to my friend Oscar W. Street.' Evening (Adagio) is in fact a straight transcription of a song published nearly fifty years earlier as the second of Goldschmidt's Sechs Lieder Op. 9, a setting of a poem by Hölty entitled Gruss an den Abend. The quotation in the Rondo Caprice(Vivace/Andantino) is presumably from another early song, as yet unidentified.
(Evening only)
C2251: Elegia for Clarinet and Piano by Diego Gordi. Edizioni Eufonia, SS, 3 + 1 pages. A beautiful and sweet melody marked Adagio cantabile (mm=60). Click on the cover image to view the score. Free Media Mail shipping on this music to US, IF ordered with another item.
C1127: Lorito Caprice for Clarinet and Piano by Francisco Gomez edited by Colin Bradbury. Lazarus Edition, 1997, SS, 6 + 3 pages. Francisco Gomez (1866-1938) was a Spanish born composer and clarinetist who along with his brother (also a clarinetist who premiered this work in 1898) studied the clarinet with Cyrille Rose in Paris before coming to England. Lorito means "Little Chatterbox." College level.
C386: Derivations for Clarinet and Band Piano Reduction by Morton Gould. G. Schirmer, 1956 (1994 printing), 46 + 12 pages. "For Benny Goodman" and recorded by him. Derivations is for solo clarinet and a 14 piece jazz band (there is an alternate version with flutes, clarinets, and bassoons replacing the saxophones). In four movements: Warm Up, Contrapuntal Blues, Rag, and Ride Out.
C931: Aria from "Mireille" for clarinet and piano by Charles Gounod arranged by Henri Marteau. Ludwig Music, 1966, 5 + 2 pages. An intermediate level solo which incorporates the original vocal aria and some of the orchestral accompaniment in the clarinet part. It is at a tempo of Allegro moderato and the upper range is an altissimo E-flat. There are a few sixteenth note runs, mostly scale-wise passages. Currently not available.
C2346: Two Famous Ave Marias for clarinet and piano by J.S. Bach/Charles Gounod and Franz Schubert arranged by David Marlatt. Eighthnote Publications, 2001, 7 + 2 pages. These two works are among the most popular music in the repertoire for solo voice and keyboard. The first Ave Maria was originally name Meditation by the composer, Charles Gounod. He wrote this famous melody to the accompaniment of the first prelude of the Well-Tempered Clavier by JS Bach. Franz Schubert based his Ave Maria and a text taken from the Lady of the Lake by Sir Walter Scott. Suitable for second year students. The Schubert, although at a slower tempo, is the more difficult of the two with more complex notation including many triplets and a few grace notes.
C1578: Concerto for clarinet and orchestra (piano reduction) by Ida Gotkovsky. Editions Musicales Transatlantiques, 1968, SS, 42 + 15 pages. Ida Gotkovsky (1933-) is a French composer who studied with Nöel Gallon, Oliver Messiaen, Tony Aubin and Nadia Boulanger. She has won many prizes for her compositions. Concurs du Conservatoire National Supérieur de Musique de Paris and dedicated Ulysse Delecluse. In three movements: 1. Misterioso-quasi cadenza-ad libitum, 2. Perpetuum Mobile (Prestissimo), and 3. Final. Prof. Heim wrote: The first movement begins with a long section of ad libituum (but measured) clarinet passages with limited participation by the accompaniment. The third movement has two cadenzas: the first begins the movement and is one page long; the second is brief (in the middle of the movement). This concerto is of major proportions and is reminiscent of Bozza's style and, in a limited way, the Tomasi concerto. The clarinet part demands a facile, quick and flexible virtuosic technique although the range is just a little over three octaves. The pianist has a difficult part with many full chords requiring all fingers and many passages in octaves. The harmonic material is complex with some polytonality, mixed seventh chords and added tones while the melodic material for clarinet can be lyric but is usually flamboyant. This work has excellent music and is at the top of the literature for the most advanced player. A CD of this piece is currently unavailable but there are some sound samples here.
C1203: Concerto Lyrique for clarinet and orchestra (piano reduction) by Ida Gotkovsky. Billaudot, 1982, SS, 48 + 14 pages. This advanced work is in four movements: I. Intenso-Declamando, II. Presto con spirito, III. Simplice molto legato, and IV. Final (Prestissimo). A CD of this piece is currently unavailable but there are still some sound samples here.
C2550: Andaluza for Clarinet in A and Piano by Enrique Granados arranged by Bela Kovacs. EditionDarok, SS, 6 + 2 pages. Enrique Granados (1867-1916) was a Spanish pianist and composer. This piece was originally written for piano and was part of 12 danzas españolas (1890). For those who own an A clarinet this would be an enjoyable (and possibly familiar) piece to play with piano. For students who don't, working on the somewhat tricky rhythms in the solo part of what is probably a (US) grade 3 piece could be useful. The highest note is an altissimo F. Click on the cover image to view the first page of the clarinet part. Free Media Mail shipping on this music to US, IF ordered with another item.
C2568: La Ville Entiere for E-flat Clarinet and Piano by Philip Grange. Edition Peters, 1984, SB, 30 pages (2 copies in score format). Philip Grange (1956-) is an English composer who studied with Peter Maxwell Davies. There is no time signature at the beginning of the piece. There are many tempos in the piece and some flutter tonguing. The parts are large size (roughly 16.5 x 12) and unbound.
C2176: Tributes for Clarinet and Piano by Edward Gregson. Novello, 2011, SS, 24 + 10 pages. Edward Gregson (1945-) is an English composer best know for his concertos. This work is similar in concept to the Kovacs Hommages. It includes five pieces: 1. to Francis Poulenc for Emma Johnson, 2. To Gerald Finzi for John Bradbury, 3. to Igor Stravinsky for Linda Merrick, 4. to Oliver Messiaen (after "Louange à l'Éternité de Jésus") for Nicholas Cox, and 5. to Béla Bartók for Michael Collins. The first four Tributes have clarinet parts that are one or two pages in length while the last is four pages. There is some variation in difficulty with the Finzi and Meassiaen pieces being the easiest. Click on the cover image to view the Messiaen tribute.
C2013: Romanza (Romança) for Clarinet and Piano by Rafael Grimal. Editorial de Música Boileau, 2002, SS, 12 + 4 pages. Rafael Grimal (1945-) was born in Cuba but lives in the Barcelona area of Spain where he is a composer, conductor, clarinetist and saxophonist. In two movements. Andante tranquillo, characterized by an expressive melodic and lyrical character with an element of nostalgia. Allegro, in a sonata like form with a tarantella in the middle which returns as a coda at the end. Better high school level clarinetists and up. Click on the cover image to view the first page of the score (which isn't typical of the entire work).
C801: Prelude - Montuno fugato for Clarinet or Soprano Saxophone and Piano by François Grosborne. International Music Diffusion, 2000, SS, 15 + 5 pages (includes CD). In two sections (obviously). The term "montuno" comes from Cuban dance music. The Montuno Fugato section is very fast (mm=200). College level. The included CD has versions with clarinet and piano and with piano alone. Click on the cover image to view the first page of the clarinet part.
C762: Rivages I, II, III for clarinet and piano by François Grosborne. International Music Diffusion, 2000, SS, 15 + 4 pages (includes CD). Three relatively short related works at the college level. The first is mostly in 5/8 and the last mostly in 7/8 but they are quite accessible and rhythmic. The included CD has versions with clarinet and piano and with piano alone (played by the composer).
C745: Concertino for Clarinet and Piano by Gabriel Grovlez. Éditions Combre, SS, 8 + 3 pages. Grovlez (1879-1944) was a French composer, conductor, and critic. It is dedicated to Auguste Périer (1883-1947) who was clarinet professor at the Paris Conservatoire. This piece is in three sections: Allegro scherzando (with mixed meters), Andanate espressivo, and Allegro.
C270: Lamento et Tarentelle for Clarinet and Piano by Gabriel Grovlez. Alphonse Leduc, 1923, SS, 8 + 3 pages. This was the contest piece for the Conservatoire National de Musique de Paris for 1923.
C1017: Sarabande et Allegro for Clarinet and Piano by Gabriel Grovlez transcribed by Ulysse Delécluse. Alphonse Leduc, 1953, SS, 6 + 3 pages. In two parts: first a sarabande which is a slow Spanish dance in 3/4 followed by an Allegro ma non troppo, mostly in 4/4. Early college level.
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C2707: America by Henghel Gualdi transcribed by Michele Mangani for Clarinet and Piano. Edizioni Eufonia, SS, 6 + 2 pages. Henghel Gualdi (1924-2005) was an Italian musician and clarinetist especially know for jazz. This piece is in swing. With QR Code for audio downloads. Click here to view a version with a big band. In addition to the version with band listed below, there is also a version for solo clarinet, with clarinet quartet and drum set here. Click on the cover image to view the first page of the clarinet part.
C2706: America by Henghel Gualdi transcribed by Michele Mangani for Clarinet and Band. Edizioni Eufonia.
with Piano
C2491: Sonata Romantica by Henghel Gualdi transcribed by Michele Mangani. Edizioni Eufonia, SS, 8 + 3 pages. This piece is in three parts, Andante, Allegretto and Tempo I. Click on the cover image to view the first pages of the score.
C317: First Concertino by Georges Guilhaud. Rubank, 1972, 8 + 3 pages. A one movement work with three sections. On some state festival lists and also some lists for college auditions.
C2275: Harlem Notturno (Harlem Nocturne) by Earl Hagen arranged for Clarinet and Piano by Vincenzo Correnti. Edizioni Eufonia, SS, 6 + 2 pages + CD. This is a swing arrangement of this famous tune which was written in 1939. The duration is about 3:30 minutes. Here is an audio recording. The CD is different than the piano part that comes with the music but can be used as accompaniment. Click on the cover image to view the score. Free Media Mail shipping on this music to US, IF ordered with another item.
C2694: Sonatina for Clarinet and Piano by Gunter Habricht. Breitkopf, 1975, SS, 10 + 3 pages. Gunter Habricht (1916-2010) was a German composer who primarily resided in East Germany. He was a teacher of music theory and clarinet. This work was aimed at advanced students and amateur musicians. It is in three movements: I. Allegro giocoso (Der Sanguiniker), II. Larghetto con dolore (Der Melancholiker), and III. Rondino burlesco (Der Choleriker). Click on the cover image to view the first page of the clarinet part.
WW181: Hungarian Shepherd's Songs for Flute or Clarinet and Piano by Mihály Hajdu. Editio Musica Budapest, 1954, SS, 14 + 6 pages. Mihály Hajdu (1909-1990) who was a student of Bartok, was a Hungarian composer and music educator. This piece has three movements: I. Allegro, II. Parlando rubato, and III. Giusto. Early college level.
C1977: Sarabande et Thème Varié for Clarinet and Piano by Reynaldo Hahn. Masters Music, SS, 10 + 4 pages. Reynaldo Hahn (1874-1947) was a Venezuelan born, naturalized French citizen, composer, conductor, music critic, diarist, theatre director, and salon singer. As a composer, he was best known for his songs. This was the Concours du Conservatoire de Paris piece for 1903. It is sectional: Majestueux sans lenteur, Modéré, Un peu plus lent, Un Peu plus animé, and Très vif (à un temps). Early college level.
C2110: The Blue Bag for Clarinet and Piano by Adolphus Hailstork. Theodore Presser, 2013, SS, 18 + 5 pages. Adolphus Hailstork (1941-) is an American composer and educator. He grew up in Albany, New York, where he studied violin, piano, organ, and voice. A recent work from 2011, The Blue Bag was composed for Anthony McGill. Says Hailstork, "In the back of my mind, I carried the images and music making of four classy-sassy ladies of song: Nancy Wilson, Lena Horne, Ella Fitzgerald, and Aretha Franklin." Bag is short of Bagatelle. For advanced performers with a duration of 6 minutes. Click on the cover image to view a number of pages from the score.
C962: Concerto in G Minor for Clarinet and Piano by Georg Freidirch Handel (Haendel) transcribed from the oboe concerto by Albert J. Andraud. Southern Music, 1941/1958, SS, 14 + 2 pages. Composed in 1703, this piece is in four movements: Grave, Allegro, Sarabande (Largo), Finale (Allegro). Prof. Heim describes this as excellent music which is suitable for an advanced high school student but is also good program material for an experienced recitalist.
C675: Handel Sonate XI Clarinet and Piano by Georg Freidirch Handel (Haendel) arranged by Jacques Lancelot and Marie Claude. Billaudot, 1978, SS, 8 + 4 pages. In four movements: Larghetto, Allegro, Sicilienne, and Allegro. Intermediate level.
C686: Handel Three Pieces Clarinet and Piano by George Frederic Handel transcribed by Reginald Kell. International Music Co., 1958, SS, 11 + 4 pages. The pieces are: 1. Adagio, 2. Allegro, and 3. Siciliana and Giga. Intermediate level.
C649: Fantasy for Clarinet and Piano by Howard Hanson edited by K. Tod Kerstetter. Carl Fischer, 2003, SS, 6 + 2 pages. This piece was included in a rarely performed ballet entitled Nymph and Satyr written in 1978. It was discovered in the Sibley Library at the Eastman School of Music with a piano reduction by the composer. The editor (Professor of Clarinet at Kansas State University) describes it as "a beautifully flowing and expressive work, representative of Hanson's lyrical style. It is a thoroughly enjoyable work to play, and provides a beautiful diversion on any recital program."
C2442: Sonata for Clarinet and Piano by Amanda Harberg. Theodore Presser, 2016, SS, 20 + 7 pages. Amanda Harberg in an American composer and pianist. Amanda Harberg's Sonata for B-flat Clarinet and Piano is a substantial addition to the clarinet repertoire. With a uniquely American sound, Harberg gives voice to the clarinet's expressive and virtuosic powers within a traditional three-movement sonata. The first movement (Gentle, Playful) begins with a sweetly mellifluous melody contrasted by a playful secondary theme, as a nostalgic exploration of youthful innocence. The second movement (Interlude) serves as a bridge into another emotional space, colored by sadness and loss. The final movement (Agitato) transforms the material from the opening movement into an insistent dance exploding with dark, agitated energy. For advanced performers. Here is an audio recording of the first two movements.
C1162: Benniana B-flat Clarinet and Piano by Steven Harlos. Woodwindiana, 2007, SB, 27 + 9 pages. Steven Harlos (1953-) is best known as a collaborative pianist. This piece is dedicated to James Gillespie who gave the first performance with the composer in 2004. It is intended as a tribute to Benny Goodman . Goodman moved freely between jazz and classical music and this piece is an attempt to represent both styles and recreate some of the jazz sounds reminiscent of Goodman's playing. In three movements: Benny's Dream (allegro moderato), Blues Nocturne (Slow & dirty blues), and Jazz Rondo (Fast swing). Lots of key changes. Advanced college level. Here is an audio sample from the middle of the third movement (click the play icon when the page has loaded).
C1948: Encore! for Clarinet and Piano by Paul Harris. Queen's Temple Publications, 2012, SS. 7 + 5 pages. Encore! is both the perfect encore to round off any clarinet recital or can be played as a stand alone show-piece. Also particularly suitable for festivals and competitions. The writing is very melodic and flamboyant and the work is a sure audience pleaser. The publisher rates this as UK grade 8. It has a range to altissimo A-flat. Duration about 3:45. Here is a video.
C2227: Concerto for Clarinet and Orchestra "Landscapes with Blues" Piano Reduction by Stephen Hartke. Keiser Classical, 2001/2014, SS, 48 + 24 pages + CD of performance by Richard Stoltzman with orchestra. This 28 minute concerto pays tribute to the Mississippi Delta blues tradition. It is an advanced work for clarinet in A. In three movements: 1. Senegambia (Lively and loquacious), 2. Delta Nights (Dark and Still), and 3. Philamayork (Hard-driving and heavy). A complete description of this piece is here on the composer's website. You can also listen to the beginning of each movement on the Naxos website. The orchestral score of this work is for sale, but the parts are a rental.
C827: Soliloquy & Scherzo for E-Flat Clarinet or E-Flat Sopranino Saxophone and Piano by Walter S. Hartley. Ethos Publications, 2001, 7 + 3 pages. Walter S. Hartley (1927-) studied at the Eastman School of Music, receiving his Ph.D. in composition in 1953. He has about 200 published works including many for woodwinds. The Soliloquy is marked Adagio. The Scherzo is in three sections; 2/4 Allegro, 6/8 Vivace, and a final 2/4 Presto. Early college level with a duration of about 4:00. Free Media Mail shipping on this music to US, IF ordered with another item.
C826: Metamorphoses for Clarinet and Piano by Walter S. Hartley. Ethos Publications, 1979, SS, 24 + 7 pages. In two movements: Allegro moderato and Piu mosso. Probably this would be early college level for performance majors. There is some high altissimo in the first movement and a glissando into the altissimo and some flutter tonguing in the second.
C625: Sonata for Clarinet and Piano by Eugene Hartzell. Doblinger, 1983, SS, 23 + 11 pages. Eugene Hartzell (1932-2000) was born and studied in the United States (through a MM at Yale) but spent most of the rest of his life in Austria. He studied with Hans Erich Apostel, a pupil of Arnold Schönberg and Alban Berg. This piece is in three movements: I. Adagio molto (but with many tempo changes), II. Andante, and III. Vivo (includes several sections with no meter). Advanced level and about 18 minutes in duration.
C284: Sonata for Clarinet and Piano by Paul Harvey. Southern Music Co., 1981, 31 + 12 pages. Dedicated to James Gillespie. In three movements: Lento drammatico-allegro, Andante cantabile-scherzo and Allegro vivace. It is in a conservative style with little dissonance, is idiomatic for the instruments and has small jazz inflections. An excellent work for good college level students and also has audience appeal for professional recitals.
C1694: Concerto for Clarinet or Soprano Saxophone and Piano by Franz Joseph Haydn arranged by Willem Meijns. Molenaar Edition, SS, 26 + 7 pages. An arrangement for clarinet or soprano saxophone of the Haydn oboe concerto, which is generally regarded as not being by Haydn. In three movements: 1. Allegro spirituoso, 2. Andante and 3. Rondo (Allegretto). Suggested for better high school performers and up.
C1130: Sonata for Clarinet and Piano by Charles Swinnerton Heap edited by Colin Bradbury. Lazarus Edition, 1999, SS, 47 + 12 pages. This work by Charles Swinnerton Heap (1847-1900) was composed in 1879, and is a remarkable early example of the English clarinet sonata. It anticipates sonatas by his fellow countrymen, Prout, Tovey and Stanford and the great German sonatas by Brahms and Reger. As a composer Heap had been prolific, his oeuvre including sacred works and cantatas, organ pieces, works for piano solo and chamber works including this Sonata for Clarinet and Piano dedicated to his friend Henry Lazarus (1815-1895). In three movements: Allegro grazioso, Adagio, and Finale (Allegro spiritoso). Most of this work is not difficult with the only technical challenges coming at the end of the Finale.
C292: Sonatina for Clarinet and Piano by Bernhard Heiden. Associated Music Publishers Inc., 1957, SS, 17 + 6 pages. Bernhard Heiden (1910-2000) was born in Germany and studied composition with Hindemith who strongly influenced his work. He lived in the United States from 1935 onward and is primarily associated with the Indiana University School of Music where he taught composition for many years. The Sonatina is a three movement work: Con moto, Andante, and Vivace ma non troppo.
C1922: Sonata for Clarinet & Percussion by John Heins. Southern Music, 1985, 19 pages (2 copies in score format). This is a college level work that would add variety to a recital. In three movements: I. Allegro moderato, II. Andante, and III. Vivo. This work can be played on either an A or B-flat clarinet and calls for percussion (single player) instruments consisting of small snare drum, suspended cymbal, triangle, temple blocks (5), bongos and timbales. The duration is about 10 minutes. A video of the third movement is here . Click on the cover image to view the first page of the score.
C2136: Concertstük for Clarinet and Piano by Gustav Adolph Heinze edited by Yasmin A. Flores. Roncorp, 2012, SS, 27 + 8 pages. Gustav Adolph Heinze (1821-1904) was a German composer and clarinetist. This was his first work and was composed in 1837. It has been described as in the style of Weber. It is in three movements: Allegro agitato, Allegretto and Allegro agitato. The first movement has two short cadenzas while the final movement has a long one. Click on the cover image to view the first page of the clarinet part.
C2023: 'Point Forms' (after Kandinsky) for Basset Clarinet and Piano by Kenneth Hesketh. Schott, 2011, SS, 27 + 10 pages. This piece is for basset clarinet (in A) and includes an alternate part for A clarinet. Kenneth Hesketh (1968-) is a British composer of contemporary classical music. 'Point Forms' was written for Mark Simpson in 2009 and is based on the collection of diagrams found in Wassily Kandinsky's book Point and Line to Plane. This is an advanced which uses some extended articulation techniques. Altissimo to C. The pianist is required to place a glass rod on the strings during one section of the piece. The piano score includes performance notes and notes from the composer. Duration of 12 minutes. Click on the cover image to view the second page of the basset clarinet part.
C981: Sonata Clarinet and Piano by Frigyes Hidas. EditionDarok, 2004, SS, 18 + 7 pages. Frigyes Hidas (1928-2007) was a Hungarian composer and musical director who was especially known for his wind band music although he composed for many genre. Three movements: I. Moderato assai (3/2), II. Allegro vivo (3/8), and III. Moderato, molto tranquillo (4/4). College level.
C1421: Jiddische Sjlimmert for Clarinet and Piano by Patrick Hiketick. Metropolis Music, 2009, SS, 10 + 4 pages. Jiddische means Yiddish. The word Sjlimmert is a play on words and can be described as a combination of Flemish words meaning 'smart' and 'sentimental'. A klezmer inspired piece with increasing tempos throughout. Here is a performance with the composer at the piano. Also available as a clarinet quartet.
C608: Concerto for Clarinet in A and Orchestra (Piano Reduction) by Paul Hindemith. Schott, 1950, SS, 39 + 11 pages. This four movement work was written for Benny Goodman in 1947. For mature performers, it is very effective with the piano reduction.
C217: Sonate for Clarinet and Piano by Paul Hindemith. Schott, 1940, SS, 28 + 10 pages. Professor Norman Heim wrote that this work is a model for sonata writing with good balance between the clarinet and piano and that it is an excellent work for all clarinetists beginning at the high school level.
C1609: Two Estate Gardens for E-flat Clarinet and Piano by Jaren Hinckley. Woodwindiana, 2010, SB, 21 + 8 pages. The two pieces in this set A Walk Around Le Grand Canal at Versailles (6:00) and The Water Gardens Near Fountains Abbey (England) (7:00), are idyllic and programmatic and stand on their own as well as together. Intended for the college or professional player, Two Estate Gardens, with their tonal and romantic spirit, will appeal to diverse audiences. Here is a page with audio samples from the publisher.
C1338: Clarinet Concerto Op. 3 (Piano Reduction) by Alun Hoddinott. Oxford University Press/Allegro Music, 1955/1964, SS, 22 + 7 pages. Alun Hoddinott (1929-2008), was the first Welsh composer of classical music to receive international recognition. This piece for clarinet in A and orchestra was first performed in 1954 by Gervase de Peyer. In three movements: I. Capriccio (Allegro giocoso), Arioso (Lento con malinconia), and III. Burlesca (Allegro piacevole). This concerto has excellent music and, although the work can be played by advanced college students, the piece should be considered for professional recitals. Duration about 13:00.
C1339: Sonata for Clarinet Op. 50 by Alun Hoddinott. Oxford University Press/Allegro Music, 1968, SS, 24 + 7. The first performance was given by Keith Puddy in 1967. It is in three movements: 1. Cadenza (Allegro brioso), 2. Aria (Adagio) and 3. Moto Perpetuo (Presto). Prof. Heim had the following observations: the clarinet and piano participate in dialogue in the Cadenza movement, many jazz inflections in the melodic material, the chordal material is often dissonant, rhythmic material is intricate but logical, and he concluded that this is an excellent piece for advanced performers; seldom played outside England. Duration about 11 minutes.
C1188: Concerto in B-flat major for Clarinet and Orchestra (Piano Reduction) by Franz Anton Hoffmeister edited by György Balassa with piano reduction and cadenzas by Mihaly Hajdu. Kunzelmann, 1978, SS, 30 + 8 pages. Franz Anton Hoffmeister (1754-1812) was a German composer and music publisher. This piece, which is presumed to have been written in the early 1780's, has three movements: Allegro, Adagio, and Rondo. Prof. Heim writes that performers at the college level will enjoy playing it.
C2584: Escaramuza for Clarinet in A and Piano by Simon Holt. Chester Music, 2012, SS, 14 + 6 pages. Simon Holt (1958-) is a British composer. Escaramuza (the Spanish word for "skirmish") is an 8 minute single movement for clarinet and piano. It takes the form of a volatile, cinematic fragment that begins in an almost oppressive, static way, but quickly lurches into a more restless, impulsive state. Here is an excerpt. This is a challenging advanced work with flutter tonguing and high altissimo.
C1225: Concerto in E-flat for Clarinet and Piano by James Hook. Nova Music/English Woodwind Edition, 1984, SS, 32 + 9 pages. James Hook (1746-1827) was an English composer and musician who enjoyed many years of success beginning at age 6. This concerto was written in 1812. It is in three movements: I. Allegro, II. Adagio, and III. Allegretto Rondo. Prof. Heim wrote that it requires facile technique, good endurance and that it is excellent program material for the advanced clarinetist.
WW247: English Sonata (Engelse Sonate) for Oboe (or Clarinet or Soprano/Tenor Saxophone) and Piano by James Hook edited by Ber Joosen. Molenaar, SS, 10 + 2 pages. In three movements: Allegro non troppo, Moderato, and Giocoso. Includes parts in B-flat and C. Better high school players. Free Media Mail shipping on this music to US, IF ordered with another item.
C677: Clarinet Concerto (Piano Reduction) by Katherine Hoover. Theodore Presser, 1989, SS, 40 + 16 pages. This concerto was written for Eddie Daniels who gave the premiere performance in 1987. It is in three movements (Allegro, Elegy, Allegro vivace). The composer has incorporated elements from both the classical and jazz traditions with numerous elements of jazz and big band sounds--harmonies, rhythms, riffs, and some improvisation. The orchestral parts are available as a rental and the instrumentation is listed.
C1204: Ritual Clarinet & Piano by Katherine Hoover. Papagena Press, 1991, SS, 24 + 7 pages. The composer wrote: "Ritual was written in 1989 and is influenced by my study of Greek folk music, which features the clarinet as a virtuoso solo instrument. The piece is in three distinct parts. The first consists mostly of isolated gestures; a sort of recitative. This moves into a mournful, measured duet that builds in steady motion to a climax that recalls some of these opening gestures. This is followed by a fast, at times almost frenzied dance. Many of the runs, interval patterns and rhythms, particularly in the dance, are related to the Greek tradition."
C294: Sonatine for Clarinet in A and Piano by Arthur Honegger. Salabert, 1925, SS, 11 + 4 pages. One of the great standards of the literature. A three-movement work, with the third movement highly influenced by the jazz idiom. Grade 5.
C1098: Concertante for Clarinet and Piano by Joseph Horovitz. Chester Music, 1953, SS 12 + 4 pages. This is a piano reduction of the original for clarinet and strings. It was written for Gervase de Peyer in 1948 and is Op. 1, his first published work. It is modeled on the Weber Concertino and is in three sections: Andante, Andantino and Allegro grazioso. College level with a duration of about 8 minutes.
C302: Sonatina for Clarinet and Piano by Joseph Horovitz. Novello, 1982, SS, 24 + 9 pages. This piece was written in 1981 for Gervase de Peyer who had been a fellow music student of the composer many years before. The Sonatina is a lighthearted work in three movements. It is tonal and melodically and rhythmically influenced by jazz and other popular music. It calls for equal virtuosity from both players.
C1301: Andante and Waltz for Clarinet and Piano by Nilo W. Hovey and Beldon Leonard. Belwin/Alfred, 1962, 3 + 1 pages. A popular work for younger students (probably grade 2). The tempos (which are set by the piano before the clarinet entrances) are Andate moderato/Giocoso/Andante. The range is to the A above the staff with nothing faster than eighth notes.
C2365: Clouds in Summer for Clarinet and Piano by Nilo W. Hovey and Beldon Leonard. Belwin Mills/Alfred Publishing Co., 1948, 3 + 1 pages. This brief piece opens Andante con moto and features chromatic scales in the middle (Agitato) section. While probably intended for a middle school level player, the video features a graduate student. The duration is 2:22 minutes. Here is the video.
C1300: Song of Spring for Clarinet and Piano by Nilo W. Hovey and Beldon Leonard. Belwin/Alfred, 1962, 3 + 1 pages. A popular work for younger students (probably grade 2). The tempo is Moderato. The range is to the A above the staff with nothing faster than eighth notes.
C2043: Night of a White Cat for Clarinet and Piano by Alan Hovhaness. Peer Music. 1983, SS, 4 + 1 pages. This piece is Andante espressivo and in 6/4. High school level and up. The duration is 3 minutes. Here is a video. The music starts at 3:45.
C1630: A Near-Minuet for Clarinet and Piano by Herbert Howells. Novello, 1992, SS, 4 + 2 pages. Herbert Howells (1892-1983) was an English composer, organist, and teacher. This charming character piece was written in 1946, while Howells was teaching at St. Paul's Girls' School, for one of his pupils there, Ann Carew Robinson. This was the first publication. Intermediate level. Click on the cover image to view the first page of the score (the clarinet part is in concert key).
C1369: Fantasie for Clarinet and Piano by Werner Hübschmann. Hofmeister, SS, 3 + 1 pages. Werner Hübsch (1901-1969) was a German composer and music teacher with a special interest in folk music. This short piece will be good for intermediate students who are ready for challenges besides "more notes." It is mostly in the key of E major, it has a number of tempo changes, and the middle part has mixed meter 3/8-4/8.
C822: 5 Miniatures for Clarinet and Piano by Bertold Hummel. Simrock, 1972, SS, 9 + 4 pages. Bertold Hummel (1925-2002) was a German composer who studied with Harald Genzmer and was a proponent of " Music." The brief contrasting movements have been composed in 12-tone style. More information on the work is available here. About 5 minutes in duration.
C2033: Clarinet Polka arranged for Clarinet Solo, Duet or Trio with Piano by Herman A. Hummel. Rubank, 1946. The parts are relatively equal although only the first part has the trills and sixteenth note triplets. Click on the cover image to view the first page of the score. Free Media Mail shipping on this music to US, IF ordered with another item.
C336: Four Characteristic Pieces for Clarinet and Piano by William Hurlstone. Emerson Edition, 1978, SS, 27 + 8 pages. William Yates Hurlstone (1876-1906) was a talented British composer whose untimely death, before he could reach full maturity as a composer, has resulted in undeserved obscurity. This set of four pieces (Ballade, Croon Song, Intermezzo, and Scherzo) is sure to please audiences. It is should be within the capability of an excellent high school player, but will require a skilled pianist to bring off successfully.
C1794: Aria for Clarinet in A and Piano by Jacques Ibert. Alphonse Leduc, 1931, SS, 3 + 1 pages. The Ibert Aria has been transcribed for many instruments and as a vocalise. The tempo is Larghetto (mm=48). Early college level.
C1795: Aria for Clarinet in B-flat and Piano by Jacques Ibert. Alphonse Leduc, 1931, SS, 3 + 1 pages. The clarinet part is the same as the edition for A Clarinet. The piano part has been transposed.
Free Media Mail shipping on each of this pieces of music to US, IF ordered with another item.
A Clarinet
C785: Jacasserie Concertino for Clarinet in E-flat and Piano by Roland Ingelaere. International Music Diffusion. 1996, SS, 12 + 8 pages. An advanced contemporary composition which does not use extended techniques. The piano line is given in parts of the clarinet part to assist with ensemble. The title can be translated as "chatter."
C2258: Scherzo Fantastico for Clarinet and Piano by Angelo Inglese. Edizioni Eufonia, SS, 40 + 7 pages + CD. Angelo Inglese is an Italian composer and conductor whose studied clarinet with his father. A challenging and beautiful composition that expands the repertoire of the clarinet. It was written in 1995 and revised in 2011. The duration is about 12 minutes. It is dedicated to Antonio Tinelli and Giuliano Mazzoccante who perform it on the CD and here on YouTube.
C517: Fantasy-Sonata for Clarinet in B-flat and Piano by John Ireland. Boosey & Hawkes, 1945, SS, 22 + 7 pages. Dedicated to Frederick Thurston. Prof. Heim wrote that this is very poetic music, steeped in late romantic period style but with modernistic, and somewhat impressionistic, approach. While a one movement work, it has six major sections with contrasting tempos. It is both very beautiful music and a great challenge for both performers. While advanced college level students can handle this work, it would be most successful on professional recitals.
C2226: Mini Concerto for Clarinet and String Orchestra (Piano Reduction) by Gordon Jacob. Boosey & Hawkes, 1980, SS, 17 + 6 pages. Gordon Jacob (1895-1984) was an important English composer who wrote many instrumental works. Four movements: I. Allegro, II. Adagio, III. Allegretto moderato and IV. Allegro vivace. The piano reduction is by the composer and Thea King edited the clarinet part. Early college level with a duration of about 10:30. Click on the cover image to view the first page of the clarinet part.
C1190: Sonatina for Clarinet and Piano by Gordon Jacob. Novello, 1949, SS, 22 + 7 pages. Originally for viola, this version is for clarinet in A. Three movements: I. Allegro giusto, II. Andante expressivo, and III. Allegro con brio. Dr Heim writes that this piece has nice melodic writing for clarinet with the piano usually in an accompanying role. It is a good recital piece for beginning college level students but also has audience appeal for professional programs.
C823: Three Clarinet Pieces for Clarinet and Piano by Michael Jacques. ABRSM Publishing, 1990, 8 + 3 pages. Three attractive intermediate level pieces. Summer Landscape (Andante grazioso) in 6/8, Still Life (Andante Tranquillo) in 3/4, and Street Scene (Allegro giocoso) in cut time.
C2326: Romance for Clarinet and Piano by Leos Janacek arranged by Mark Denemark. Hofmeister, 2015, SS, 9 + 2 pages. This is an arrangement for A or B-flat clarinet of a work originally for violin. The tempo of this piece is Moderato, Andante, and Moderato. The part for the A clarinet is in the key of G which is much easier than the B-flat part in the key of F-sharp. Duration about 4:15. Click on the cover image to the first page of the clarinet part.
C2164: Sonata for Clarinet and Piano after the Violin Sonata by Leos Janacek arranged by Shirley Brill. Baerenretier Praha, 2014, SS, 27 + 7 pages. This arrangement of the well-known violin sonata was prepared by Israeli clarinetist Shirley Brill, who teaches at the Hanns Eisler School of Music Berlin. Her version displays the specific potential of the clarinet to good advantage; in a few passages it proved necessary to adapt the piano accompaniment. The arrangement was commissioned for the International Janácek Competition 2014 in Brno, Czech Republic. It is in four movements: I. Con moto, II. Ballad, III. Allegretto, and IV. Adagio. It includes a forward by the arranger in English, Czech and German. Click on the cover image to view a sample page from the score. Click here to view the notes. You may want to listen to the violin version if you are not familiar with this piece.
C751: Guisganderie for Clarinet and Piano by Faustin and Maurice Jeanjean with piano reduction by Pierre Max Dubois. Billaudot, 1993, SS, 12 + 4 pages. This is a lesser known clarinet showpiece with a melody that is primarily eighth notes in cut time (Très vif et léger). Most suitable as an encore piece (duration 2:10) it features a three measure glissando at the end. There is also a clarinet quartet accompaniment available.
C723: Andantino for Clarinet and Piano by Paul Jeanjean edited by Daniel Bonade. Southern Music Co., SS, 12 + 4 pages. Much of the work of clarinetist Paul Jeanjean has been described as romantic and charming. This piece published in 1926 fits that characterization. College level.
C483: Arabesques by Paul Jeanjean. Alfred Publishing Co., 1926, 6 + 2 pages. For clarinet and piano. Many tempo changes and a cadenza near the end. The print is quite small. Here is a performance video.
C1295: Arabesques, Fantasie for Clarinet and Piano by Paul Jeanjean. Billaudot, SS, 6 + 3 pages. Another edition of this piece. The print is larger but by no means large. Here is a performance video.
C318: Carnival of Venice by Paul Jeanjean. Carl Fischer, 1941, 12 + 6 pages. The theme and variations for clarinet with piano accompaniment features the statement of the theme by the piano, a clarinet cadenza, the theme played by the clarinet, and four variations. We also have Giampieri version of this piece.
C722: Clair Matin for Clarinet and Piano by Paul Jeanjean. Billaudot, SS, 7 + 2 pages. Another work by clarinetist Paul Jeanjean that can be described as romantic and charming. Published in 1926. Early college level.
C279: Scherzo Brillante for Clarinet and Piano by Paul Jeanjean revised by Daniel Bonade. Southern Music Co., SS, 15 + 4 pages. In one movement with several sections. Requires great technical facility and interval flexibility.
C993: Variations on "Au Clair de la Lune" for Clarinet and Piano by Paul Jeanjean. Kalmus, SS, 15 + 7 pages. Another showpiece from Jeanjean. Theme, cadenza, followed by eight variations (several of which are for piano alone allowing the clarinetist some short rests), concluding with a Molto vivace coda. A technical and endurance challenge. (Robert Spring's recording has an appropriate subtitle of Variations acrobatiques et Symphoniques.)
C1829: Au Clair de la Lune (Variazioni acrobatische) for Clarinet and Piano by Paul Jeanjean edited by Enzo Toscano. Edizioni Eufonia, SS, 17 + 8 pages. This edition has been cleaned up and reset with the orchestral cues which are in the piano part in the Kalmus edition removed.
C1191: Sonate in G Major for Piano and Clarinet in A by Gustav Jenner edited by Horst Heussner. Schott, 1987, SS, 36 + 10 pages. Gustav Jenner (1865-1920) was a German composer who studied with Brahms and directed choral groups in Vienna. This work which was first performed in 1899 by Richard Mühlfeld. It is in four movements: Allegro moderato e grazioso, Adagio espressivo, Allegretto grazioso, and Allegro energiro. Professor Heim wrote that although deeply influenced by the Brahms style (of of similar difficulty), the work stands on its own merit. This is a major work, meriting performance by the professional recitalist. Duration of 25 minutes.
C2336: Concertino Op. 132 for Clarinet and Piano by Jos. Jongen. Andel, SS, 16 + 6 pages. Joseph Jongen (1873-1953) was a Belgian organist, composer, and music educator. This was the Concours des Conservatoire Royal de Musique de Bruxelles piece for 1947. It is sectional in a fast/slow/fast format. College level. Click on the cover image to view the first five pages of the score.
C2742: Felicity Rag for Clarinet and Piano by Scott Joplin and Scott Hayden arranged by Graham Bastable. IMC, 2022, 6 + 2 pages. This piece was published for piano in 1911. Click on the cover image to view the first page of the clarinet part.
C2734: Paragon Rag for Clarinet in A or B-flat and Piano by Scott Joplin arranged by Graham Bastable. IMC, 2021, 7 + 2 (2) pages. This piece was published for piano in 1909. The A part is in B-flat and E-flat; the B-flat part is in A and D. Another great piece by the master of the rag. Click on the cover image to view the first page of the A clarinet part.
C1726: Zwei Stücke Op. 25 (Two Pieces Op. 25) for Clarinet (or Violin) and Piano by Paul Juon. Robert Lienau Musikverlag, 2010, SS, 16 + 9 pages (includes both clarinet and violin parts). Paul Juon (1872-1940) was a Russian born composer of Russian & German parentage. He completed his musical studies in Berlin and remained there as a composer and composition professor. Most of his compositions are instrumental works. This is the first publication of this work that was written in 1902. The two pieces are Sinnig (Andante) for clarinet in B-flat and Sonnig (Allegro) for clarinet in A. Notes on the composer and the piece are included. Early college level with a duration of about 7 minutes.
C2005: Triste Canzone for Clarinet and Piano by Vasily Kalinnikov arranged by Carlo Duerto. EditionDarok, 2011, 2 + 1 pages. Vasily Kalinnikov (1866-1901) was a Russian composer. This piece, which is usually known as "Chanson triste," was originally for piano and was written in the period 1892-93. The tempo is Andante and it is not difficult. However, one unusual feature is that it is in 5/4. Duration of about 2 minutes. Click on the cover image to view the first page of the score.
C379: Introduction and Variations for Clarinet and Piano Op. 128 by Johann Wenzeslaus Kalliwoda edited by Dieter Klöcker. Kunzelmann, 1985, SS, 14 + 5 pages. Johann Wenzeslaus Kalliwoda (1801-1866) was a Bohemian violinist and composer who was well known during his life and wrote symphonies, chamber music, and violin music. This is a showpiece in theme and variation form. It begins with an extended Introduction (about 90 measures). Then the theme, which is quite florid, two fast variations (con fuoco and con vivacita), followed by two pages (in the clarinet part) of further development, a restatement of the theme and the conclusion (Più mosso).
C1146: Morceau de Salon Op. 229 by Johann Wenzeslaus Kalliwoda edited by Colin Bradbury. Chester, 1982, SS, 12 + 6 pages. A fine example of a salon piece of the nineteenth century (composed in 1862) with difficult-sounding fast passages and beautiful melodies. It has six sections resembling theme and variations and requires excellent technique. It is well worth performing today.
C2488: Reflections for Clarinet and Piano by Jeffrey Kaufman edited by Lawrence Sobol. Kendor Music Inc., 2006, 17 + 6 pages. Inspired by works of Ravel and Poulenc, this work as edited by clarinetist Lawrence Sobol features long flowing lines along with technical challenges of a grade 5 work. In three movements, the final movement, a moto perpetuo in 5/4 time, should prove both exciting for the performer and audience alike. An optional A clarinet solo part is also provided for the first movement. Total duration of 8:45. Here is a link to an audio recording of the first movement on YouTube. The other movements are there, too. Click on the cover image to view the first two pages of the score.
C934: American Standard for Clarinet and Piano by Michael Kaulkin. Swirly Music, 1994, SS, 16 + 7 pages. Originally written for British clarinetist Peter Furniss, this single-movement work has an overtly theatrical aspect, harkening back to the composer's spiritual home in musical theater. A dialogue is established between two contrasting but thematically related sections. The slow, lyrical, aching theme heard at the outset becomes interspersed with a second that is more mischievous, even grotesque in character. Constant development of this faster material provides a means of pushing forward with considerable virtuosity to the composition's rather resigned conclusion, where both themes (and moods) are finally juxtaposed. An advanced work with a duration of about 9 minutes. Here is an audio recording which also shows the score.
C547: Second Sonate in B major for Clarinet in A and Piano Op. 139b by Sigfrid Karg-Elert. Zimmermann, 1965, SS, 27 + 7 pages. The piece is in two extended movements: Ziemlich bewegt and Sehr rasch, mit íœbermut. Each movement has several sections. There are many markings of style and tempo, mostly in German. The piano part is technically and rhythmically difficult (especially written in B major key), with many added accidentals. While the clarinet part is conservative in range is it virtuosic in content. The rhythm in both parts is complicated, requiring the ensemble to be exact for a good performance. There is a wonderful chamber music relationship between the clarinet and piano. This is an advanced work for the best players. (Description from Clarinet Literature in Outline by Dr. Norman Heim.)
C792: Dialogues for Clarinet and Piano by Ginette Keller. International Music Diffusion, 1989, SS, 17 + 5 pages. Ginette Keller (1925-) is a French composer and music educator who studied at the Conservatoire de Paris with Nadia Boulanger, Tony Aubin and Olivier Messiaen. This is a contemporary piece using a few extended techniques (flutter tonguing and two multiphonics). It is unusual in that it is with piano. There are four movements. It will be challenging for both performers with mixed meter and one especially unusual time signature of 5/4 and 1/2.
C435: Four Pieces Op. 70 for B-flat Clarinet and Piano by Michael Kibbe. Woodwindiana, 1999, SS, 22 + 7 pages. Each of these pieces for clarinet and piano, is conceived on a small scale. Although generally quite chromatic and non-diatonic, there is a strong lyrical thread, sometimes hinting at a key center running through each movement. A fine musical and technical challenge for the college-level clarinet student. Contemporary harmonies served up in an accessible fashion. About 10 minutes. Click here to hear the beginning of the last movement (begins with piano).
C1988: 1st Sonate Op. 85 for Clarinet and Orchestra (version for clarinet and piano) by Charles Koechlin. Billaudot, 1993, SS, 14 + 6 pages. Charles Koechlin (1867-1950) was a French composer. This edition includes parts for B-flat clarinet (0-6 sharps) and an alternate part for A clarinet (2 sharps to 5 flats). It was written in 1923 and is dedicated to Gaston Hamelin. It is in three movements: I. Allegro, II. Andante quasi adagio, and III. Final (Allegro moderato san lenteur, bien allant mais sans précipiter le rythme). There is quite a bit of mixed meter but all of the whole beat variety. The duration is 9 minutes. College level.
C1989: 2nd Sonate Op. 86 for Clarinet and Orchestra (version for clarinet and piano) by Charles Koechlin. Billaudot, 1991, SS, 17 + 4 pages. Written in 1923, it is in three movements: I. Allegro Ben Moderato, II. Andante con moto, and III. Allegro sans traîner. The first and third movements do not have time signatures. College level with a duration of about 8:45. Here is a recording with orchestra (different than CD below).
C1987: 14 Pieces Op. 178 for Clarinet and Piano by Charles Koechlin. Billaudot, 1992, SS, 47 + 19 pages. This work was composed in 1942. Eight of the pieces are for clarinet in B-flat, five for clarinet in A, and one for clarinet in C. While these pieces are not technically very difficult (early college level) the pieces for A clarinet are in 4 and 5 sharps and 5 and 6 flats. An overall duration of about 24 minutes. Click on the cover image to view the first page of the score of one of the pieces (the clarinet part is in the concert key).
C1905: Le Portrait de Daisy Hamilton Op. 140 Vol. 5 Eight Pieces for Clarinet (in B-flat and A) and Piano by Charles Koechlin. Schott, 2008, SS, 31 + 6 pages. Koechlin was fascinated by the movies. This volume includes extensive notes in French, German, and English which explain this film related work inspired by British born actress Lilian Harvey (who worked primarily in Germany), lists all of the 89 pieces (some of which were not written), and provides a glossary. The eight short pieces for clarinet range in difficulty from 3 pieces that are quite easy to 3 that are relatively difficult with 2 in the middle.
C2598: Hassidic Tunes for Clarinet and Piano by Lev Kogan. Israel Brass Woodwind Publications (Or-Tav Music), 1980, SS, 40 + 12 pages. Lev Kogan (1927-2007) was born in Azerbaijan in the Soviet Union. He immigrated to Israel 1972. He was a composition student of Arman Khatchturian. Hasidism, sometimes Hasidic Judaism, is a Jewish religious group that arose as a spiritual revival movement in the western Ukraine during the 18th century and spread rapidly throughout Eastern Europe. This is a collection of 10 pieces with tempos between mm=82 and 190. Grade (US) 3 and 4 depending on tempo. Click on the cover image to view the first page of the clarinet part.
C2358: Hungarian Fantasy No. 1 for Clarinet and Piano by Istvan Kohan. Lakeshore Music, 2015, SS, 7 + 4 pages. István Kohán (1990-) is a young Hungarian clarinetist who has lived in Japan since 2013. This is a challenging college level piece with sections at different tempos. Click on the cover image to view the first page of the clarinet part. Free Media Mail shipping on this music to US, IF ordered with another item.
C2068: Sekler Devilishly (Székely ördöngös) for Clarinet and Piano by Árpád Könczei. EditionDarok, 2013, SS, 20 + 8 pages. Árpád Könczei is an Eastern European composer. Székely is an ethnic group of Transylvania and of present-day Romania. This piece is in five movements. College level. Click on the cover image to view the first page of the clarinet part.
C984: Ukiyo-E (Floating World) for Clarinet and Piano by Laura Koplewitz. Arsis Press, 1989, 5 pages (piano score). Ukiyo-E (meaning "floating world") is an homage both to the genre of Japanese prints depicting waves and other scenes from nature and to the Impressionist composer, Claude Debussy, who was drawn to the Japanese prints. Early college level with a duration of about 5:30.
C913: Romance for Clarinet & Piano by Edward Knight. Subito Music, 2003, SS, 33 + 13 pages. Dr. Edward Knight is composer-in-residence and director of music composition at Oklahoma City University. The three movements of this playful piece tell the story: I. Dinner, Then A Movie, II. The Ride Home, III. And Then… Duration about 16 minutes. Upper college level.
C1198: Four Hungarian Dances for Clarinet & Piano by Rezső Kókai. Editio Musica Budapest, 1956, SS, 38 + 14 pages. Rezső Kókai (1906-1962) was a Hungarian composer who was educated in Budapest and Germany and used folk music (or the Hungarian folk style, especially from the 19th century) in many of his compositions. The four dances are Recruiting Dance (Verbunkos), Folk Dance, Mourning Dance, and Fresh. College level.
C1867: Á La Flamenco for clarinet in A and piano by Béla Kovács. EditionDarok, 2011, 7 + 3 pages. An original composition in the flamenco style, this piece opens with an unbarred Moderato, molto rubato recitative/cadenza over sustained piano chords. The middle of the piece is at a moderato tempo (but with plenty of notes) in mixed meter (3/4, 6/8, 5/8, 8/8). Near the end, a portion of the Moderato, molto rubato returns followed by the Presto conclusion. College level. (We now have a version of this piece for clarinet and guitar C2516). Click on the cover image to view the first page from the clarinet part. Free Media Mail shipping on this music to US, IF ordered with another item.
C1875: Á La Paganini for clarinet in B-flat and piano by Béla Kovács. EditionDarok, 2011, 6 + 2 pages. This is the same piece as Hommage à N. Paganni but with piano accompaniment and some changes in articulation and dynamics .This piece is in three sections. The first is in 6/8 at a moderato tempo with staccato eighth notes with large intervals between (like a pizzicato violin part). The second section is Allegro molto with sixteenth notes mostly in running passages with a few arpeggios. The first style returns for a final 8 bars at the end. Early college level. Free Media Mail shipping on this music to US, IF ordered with another item.
C944: After You, Mr. Gershwin for clarinet and piano by Béla Kovács. EditionDarok, 2004, 9 + 5 pages. Along the lines of his popular Hommages for solo clarinet, Kovacs has written some virtuoso pieces for clarinet in the style of popular composers. This one is a Gershwinian tour de force that quotes the honoree from time to time. You can watch Ben Redwine performing it on YouTube.
C2039: Also sprach R. Strauss for clarinet and piano by Béla Kovács. EditionDarok, 2013, 8 + 3 pages. This is the same piece as Hommage à Richard Strauss but with piano accompaniment. It is sectional: Sehr lebhaft, Allegretto, Langsam, Schnell, Allegretto, Walzer, Sehr schnell and Sehr lebhaft. College level.
C1292: Armenian Lament and Dance for clarinet and piano by Béla Kovács. EditionDarok, 2007, SS, 9 + 3 pages. This begins with three short sections: Moderato, Andante (mostly a cadenza) and Allegro, then concludes with an Allegro molto section which is two of the three pages of the clarinet part. College level.
C1856: Easy Moments for clarinet and piano by Béla Kovács. EditionDarok, 2011, SS, 7 + 3 pages. Subtitled: Jazz for Clarinet and Piano. This piece begins with a jazz cadenza then after a short statement (a theme) in swing by the clarinet the piano joins in. Should be fun.
C1626: Fantaisie de Concert sur des motif de ballet 'Sylvia' de Léo Delibes for clarinet and piano by Béla Kovács. EditionDarok, 2010, SS, 16 + 6 pages. Sylvia was one of two popular ballets written by Delibes (Coppélia is the other). Kovacs has crafted a showpiece from its motives. After a piano introduction, the clarinet has an extended cadenza. This is followed by sections as Kovacs spins his fantasy on the ballet's many themes. Two short cadenzas link sections in the middle and at the presto conclusion. College level with a duration of about 9 minutes.
C1478: Fantasia di Concerto on motives from the opera Il barbiere di Siviglia by Rossini for clarinet and piano by Béla Kovács. EditionDarok, 2009, SS, 16 + 6 pages. A sectional piece which should be another Kovacs crowd pleaser. College level with a duration of 10 minutes. Click on the cover image to view the first page from the clarinet part.
C1918: Fantasia di Concerto on motives from the opera Norma by Bellini for clarinet and piano by Béla Kovács. EditionDarok, 2009, SS, 15 + 6 pages. We missed this one when it was released and are happy to add it now (August 2012). A sectional piece with a number of short cadenzas. College level with a duration of 11 minutes.
C1724: Hungarian Folk Song and Variations (à Zoltán Kodály) for clarinet and piano by Béla Kovács. EditionDarok, 2011, SS, 8 + 4 pages. The statement of the theme is followed by six variations and a brief finale. Early college level but with some rapid tempos.
C2609: Hungarian Verbunk Music from Pannonia for clarinet and piano compiled by Béla Kovács. EditionDarok, 2018, SS, 14 + 4 pages. A Verbunk is a recruiting dance performed by men. Pannonia was a province of the Roman Empire, corresponding to present-day western Hungary and parts of eastern Austria, as well as portions of several Balkan states, primarily Slovenia, Croatia, and Serbia. This is a sectional piece at a variety of tempos but generally accelerating as it proceeds. It is dedicated to László Gy. Kiss, master of the tárogató. Click on the cover image to view a sample page from the clarinet part.
C943: Ich begrüße Sie, Herr Johann Strauss! for clarinet and piano by Béla Kovács. EditionDarok, 2004, 8 + 3 pages. In the style of Johann Struass this showpiece includes waltzes and marches. Click on the cover image to view the first page from the clarinet part. Free Media Mail shipping on this music to US, IF ordered with another item.
C945: Il Carnevale di Venezia, variations for Clarinet and Piano (A little bit differently) by Béla Kovács. EditionDarok, 2004, SS, 11 + 3 pages. And what is different? The four variations are: I. Alla Flamenco (in 5/8), II. Tango, III. Walzer, and IV. Samba. Advanced level. You can hear the composer play the Walzer and the beginning of the Samba here (it takes a while to load). Click on the cover image to view the first page from the clarinet part. Free Media Mail shipping on this music to US, IF ordered with another item.
C1291: Introduction, Theme and Variations à la C.M. von Weber for clarinet and piano by Béla Kovács. EditionDarok, 2005, SS, 11 + 6 pages. In the style of Weber with five variations. College level. This is nearly the same as Hommage à C.M. von Weber with piano but with a few note and articulation changes. The Theme marking is in the wrong place on the clarinet part but correct on the piano part. Free Media Mail shipping on this music to US, IF ordered with another item.
C948: Moses Fantasia (Aria, Thema and Variations after Paganini's Moses Fantasia) for clarinet and piano by Béla Kovács. EditionDarok, 2004, SS, 11 + 4 pages. This piece has five variations, many very violin like, which provides some technical challenges to the clarinetist. Free Media Mail shipping on this music to US, IF ordered with another item.
C1887: Mr. Thomaskantor à la J.S. Bach for clarinet in A or B-flat and piano by Béla Kovács. EditionDarok, 2012(?), SS, 6 + 3 pages. The Thomaskantor is the musical director of the Thomanerchor in Leipzig, founded in 1212. He is appointed by Leipzig's city council and his duties are to lead the weekly services called Motette, Sunday services and other services in the Thomaskirche. Johann Sebastian Bach was the most famous Thomaskantor, he served from 1723 to 1750. The composer writes that the music of Bach inspired him to compose this piece. It begins with a brief Adagio which is followed by Allegro assai (mm = 140). The A part in one flat will be preferred over the B-flat part with four sharps. Early college level with a duration of 3:30. The A clarinet version is the same Hommage à J.S. Bach with a few articulation changes and tempo additions. Free Media Mail shipping on this music to US, IF ordered with another item.
C2395: Nostalgic Song for clarinet and piano by Béla Kovács. EditionDarok, 2016, 3 + 1 pages. This is at the early intermediate level. It is marked Andante, tranquillo (mm=86). The range is limited and the most challenging aspect are the triplets that are shown in the score sample. Click on the cover image to view a page from the score. Free Media Mail shipping on this music to US, IF ordered with another item.
C2225: Paganiniana for clarinet and piano by Béla Kovács. EditionDarok, 2014, SS, 12 + 5 pages. This piece was inspired by the Paganini Caprice XXIV but is not a transcription. It is in a theme and variations format. College level. (This is completely different than the Paganini piece in Hommages, see C1875). Click on the cover image to view a page from the clarinet part. Free Media Mail shipping on this music to US, IF ordered with another item.
C2576: Paraphrase on Die Fledermaus for clarinet and piano by Bela Kovacs. EditionDarok, 2018, SS, 12 + 4 pages. Die Fledermaus (The Bat) is an operetta composed by Johann Strauss II. It was first performed in Vienna in 1874 and has been popular every since. This paraphrase, in the form of a clarinet showpiece, incorporates the themes from the operetta. Click on the cover image to view the first page of the clarinet part. Free Media Mail shipping on this music to US, IF ordered with another item.
C2280: Rondo Alla Mozart for clarinet and piano by Béla Kovács. EditionDarok, 2015, SS, 6 + 3 pages. Another of Kovacs' tribute pieces, this one in the style of Mozart. Advanced high school level and up with a duration of 3 minutes. Click on the cover image to view the first page of the clarinet part. Free Media Mail shipping on this music to US, IF ordered with another item.
C946: Salute, Signore Rossini! for clarinet and piano by Béla Kovács. EditionDarok, 2004, SS, 7 + 3 pages. In the style of Gioachino Rossini. Tempos are: Allegro molto, Adagio, Allegro, and Presto. You can listen to the composer play a portion of this piece here (it takes a while to load). Click on the cover image to view the first page of the clarinet part.
C947: Sholem-alekhem, rov Feidman! for clarinet and piano by Béla Kovács. EditionDarok, 2004, SS, 9 + 3 pages. Here is a tribute to the klezmer style of Giora Feidman. You can listen to the composer play a portion of this piece here (it takes a while to load). Version for clarinet quintet. Version for for clarinet and string quintet.
C2493: Three Small Pieces for clarinet and piano by Béla Kovács. EditionDarok, 2017, SS, 7 + 5 pages. Three apparently unrelated pieces: Romantic Theme and Variations, Waves, and Funny Theme and Variations. The first two pieces are in 6/8 (with Waves somewhat resembling the first variation of Romantic Theme and Variations). Funny Theme and Variations is in 4/4 and is different than the other two. These pieces might be suitable for a high school student before working on more substantial literature or for an adult amateur who enjoys Kovács. Click on the the cover image to view the first page of Romantic Theme and Variations. Free Media Mail shipping on this music to US, IF ordered with another item.
C2078: Tribute to the memory of Béla Bartók for clarinet and piano by Béla Kovács. EditionDarok, 2013, SS, 9 + 3 pages. This is the same piece as Hommage à B. Bartók but with piano accompaniment. Sectional and in the Hungarian style of Bartok. College level.
C2079: With admiration to Claude Debussy for clarinet in A and piano by Béla Kovács. EditionDarok, 2013, SS, 8 + 3 pages. This is the same piece as Hommage à C. Debussy but with piano accompaniment and a few very minor changes in the articulation. Sectional: Lent, Plus en vif en peu, Scherzando, and Presto. College level.
C1120: Kleine Suite for Clarinet in B-flat and Piano Op. 28 by Ernst Krenek. Baerenreiter, 1969, SS, 9 + 3 pages. The Little Suite by Vienna born Krenek (1900-1991) was written in 1924. It has five movements: 1. Praeludium (Moderato), 2. Air Andantino, 3. Bourrée (Allegro), 4. Adagio (Adagio molto), and 5. "moderner" Tanz (Tempo giusto). Early college level with a duration of 5:30.
C702: Suite for Clarinet and Piano by Ernst Krenek. Broude International Editions, 1956, SS, 12 + 4 pages. This Suite has four short movements: Andante Sostenuto, Allegro moderato, Andante, and Vivace. The duration is about 8:50. The composer also prepared a version for Clarinet and String Orchestra which uses this clarinet part.
C2619: Variations Op. 36 for Clarinet and Orchestra (Piano Reduction) by Conradin Kreutzer edited by John Newhill. Breitkopf & Härtel, 2003, SS, 18 + 6 pages. Conradin Kreutzer (1780-1849) was a German composer and conductor who also played clarinet and piano. Kreutzer wrote a number of clarinet works for his own very virtuoso use, such as the Variations Op. 36. In the work's original setting, the solo instrument is accompanied by a (string) orchestra. As a conductor in Stuttgart, Donaueschingen and Vienna, Kreutzer was able to draw on a number of good ensembles for his performances. Since there was no edition for clarinet and piano, John hill has come to the aid of performers by remedying this omission. This work begins with a Maestoso, followed by the theme (Allegretto), and four variations. Click on the cover image to view a page of the clarinet part.
C2165: Fantasiestücke Op. 108 for Bass Clarinet or Clarinet and Piano by Bernhard Krol. Boosey & Hawkes, 1991, SS, 13 + 4 pages. Bernhard Krol (1920-2013) was a German composer and horn player. His music is tonal, looking back towards composers such as Max Reger or Paul Hindemith. This piece is in two movements Arietta (Andante) and Scherzo (Agitato). There are two optional low Ds. College level for the bass clarinet and a bit easier on a soprano clarinet. Click on the cover image to view the last part of the Arietta and the first part of the Scherzo on the solo part.
C409: Concerto in E-Flat for Clarinet and Orchestra Op. 36 Piano Reduction by Franz Krommer edited by Melinda Berlász. Kunzelmann, 1975, SS, 48 + 15 pages. In three movements: Allegro, Adagio, and Rondo (Allegro moderato). This is written in a florid, melodic style and is a good college level concerto. This composer is also known as "Kramer-Krommer." The clarinet part of the Kunzelmann edition has larger print than the Southern edition (below) and has most of the tutti parts included. The Southern edition's piano reduction may be slightly easier.
C273: Concerto in E-flat Op. 36 for B-flat Clarinet and Orchestra Piano Reduction by Franz Krommer edited by Bernard Portnoy. Southern Music Co., 1988, SS, 31 + 14 pages.
C669: Concerto in E-flat Op. 36 for B-flat Clarinet and Orchestra Piano Reduction by Franz Krommer (Frantisek Kramar-Krommer) edited by Jiri Kratochvil with piano reduction by Ladislav Simon. Baerenreiter Prague, 2003, SS, 31 + 12 pages. The best of all worlds? Large, clearly printed pages, all tutti parts included, and a piano reduction about the same level as the Southern Edition.
C1206: Concerto in E minor Op. 86 for Clarinet in A and Orchestra Piano Reduction by Franz Krommer edited by William Martin. Musica Rara/Breitkopf, 1981/2000, SS, 44 + 13 pages. This concerto was originally for flute. Joseph Küffner made an arrangement for clarinet with the approval of the composer and this edition is based on that publication. Three movements: Allegro, Adagio, and Rondo allegro moderato. Prof. Heim wrote that "Musically and formally, this concerto may be the best Krommer work for clarinet (although arranged) [and] would be an excellent recital piece for the advanced college player and professional performers."
C1428: Introduction, Theme and Variations for Clarinet and Piano by Joseph Küffner edited by Béla Kovács. EditionDarok, 2009, SS, 14 + 5 pages. Joseph Küffner (1776-1856) was a German musician and composer who wrote symphonies and a wide range of chamber music (much which includes woodwinds and/or guitar). There are seven variations with the editor providing a cadenza for variation V.
C1848: Clarinettino Op. 11 Concertino for Clarinet and Strings (Piano Reduction) by Ondřej Kukal. Editio Baerenreiter Praha, 2008, SS, 29 + 10 pages. Ondrej Kukal (1964-) is a Czech conductor and composer. This work was written in 1990 and won an award the year it was written. It was also used as a competition piece for the Prague Spring International Music Competition in 2008. It is in one extended movement with many tempo changes. College level with a duration of about 12:30. The string parts are available as a rental from the publisher in Prague.
C1872: Tunnels of Love a Jazz Concerto for Clarinet, Bass and Drums (No Piano) by Meyer Kupferman. Soundspells Productions, 1989, SS, 21 pages (clarinet part). Includes score, clarinet and bass parts in manuscript. The drummer ad libs from the score. Meyer Kupferman (1926-2003) was an American composer and clarinetist. Sectional: Fast Jazz Beat, Adagio con rubato, Very slow "blues" tempo, Con moto, Easy Waltz Tempo, Tempo I, (clarinet) Cadenza, and Slow blues tempo. This is an advanced work. The bass has several solos and has a challenging and important part, especially in the slower sections. Duration of about 24:30.
C2106: Concerto for Clarinet and Orchestra (Piano Reduction) by Karol Kurpinski edited by Jozef Madeja. PWM Edition, 1960, SS, 20 + 7 pages. Karol Kurpiński (1785- 1857) was a Polish composer, conductor and pedagogue. Kurpiński was one of the most honored and important Polish composer before Frédéric Chopin. Only the first movement of the Clarinet Concerto which was first performed in 1823 has survived. It is in the sonata allegro form with three themes. The work was popularized by Józef Madeja, who played it frequently, edited it and provided it with a virtuoso cadenza. College level with a duration of about 13 minutes. Click here to listen to a performance with orchestra. Click on the cover image to view the first page of the clarinet part.
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