Sparkly gift guide: $25 and under.
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Welcome to the first edition of Diamonds in the Library's holiday gift guides! I'm a little late for Hanukkah (or right on time, depending on which night you want to give gifts!) but there's no bad time of year to give the gift of jewelry.
Jewelry is one of the most dependable gift choices, as long as you understand the taste of the person you're buying it for. I love receiving jewelry from people I care about – every time I wear it I'm reminded of the person who bought it for me and the fact that I matter to them.
Beautiful jewelry can be expensive, but it doesn't have to be. Today we'll be looking at pretties that cost less than $25. I'll be inching upwards in price with each new gift guide – tune in tomorrow for $25-$50.
This BaubleBar bracelet stands out in every way – shape, color, and texture.
It looks far more expensive than it is. Also comes in green.
This lovely little necklace would add a pinch of sparkle to any outfit.
"skinny minnies" look like they'd be perfect.
What a cute way to add a little pizazz to an outfit.
These classic, lacy earrings are destined to become a wardrobe staple.
These are simple but beautiful, with their bright color and lacy gold edging.
How fun is this one? A great staple – I've seen similar things for much more money.
These are wonderful everyday earrings – they'd be great with business casual outfits.
but that one was rather large and chunky and this one is delicate.
Buy it for your favorite librarian, editor, or bespectacled buddy.
Come back again tomorrow to see the next tier of the Diamonds in the Library gift guide: pretties from $25 to $50!


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What's With The Dandilions At UW-Superior? Aren't They Weeds?
At the University of Wisconsin-Superior, every first-year horticulture or turf student learns a simple lesson: What a plant is, and what a plant is not. The professors teach students that weeds are just plants out of place. A plant in the right place with the desired function is not a weed- and that is the case with the dandelions at the University of Wisconsin—Superior campus Apiary. The University, students and staff are doing their part to help the bees in Wisconsin thrive.
About The Apiary
The University Of Wisconsin-Superior Apiary is a strange sight to campus visitors and passersby who don't understand what they are seeing. At first glance, it appears to be a field covered in dandelions, which many people assume are weeds on campus. What many don't know is that these Dandelions serve a purpose. Dandelions, one of the first bloomers of the spring, are purposefully left here for the bees to have a source for pollen.
In recent years, honey bees have been dying at higher rates than ever. This is significant because honey bees are essential for agriculture, with their work as crop pollinators being one of their most important functions. According to the American Beekeeping Federation, honey bees are responsible for the contribution of nearly $20 billion to the value of U.S. crop production.
How Does The Apiary Help?
Dandelions, one of the first bloomers of the spring, are purposefully left at the University of Wisconsin-Superior Apiary for the bees to have a source for pollen in the early spring. The bees are waking up in the early spring and looking for flowers to pollinate and get nectar from, and the dandelions serve as a great source of food while the bees wait for other flowers to bloom. As other, more desirable flowers start blooming a little later in the year, the dandelions are not as important, but as a one of the only boomers early, and these dandelions are not weeds at all.
SSC Services For Education partnered with the University of Wisconsin-Superior to provide a creative solution to create awareness of the Apiary. Our Grounds, Communications and Marketing teams partnered with our Graphics Shop to create a message explaining the field of dandelions. This message is displayed on signs at the Apiary, which direct visitors to campus to this resource with further explanation about the purpose of the Apiary.
In the early spring months, take time to appreciate the beauty of the yellow flowers that help feed our bees. These small, harmless insects are a significant source for pollinating our fruits and vegetables. Looking for ways to help at home? Consider planting a bee garden in your own yard with plenty of flowers, using less chemicals in your gardens and supporting local beekeepers in your area. Check out our resource center for more fun examples of what we do at educational facilities around the country!

redpajama_set_name: RedPajamaCommonCrawl


Below is a summary of ALL our members, worldwide. You can filter by broad region or country, or you can search by name. Click on 'View Details' on any summary to view a full member profile.
CTM Media Group Inc. is one of North America's largest distributors of visitor information. With a comprehensive network encompassing 19,000 visitor information displays and over 400 award-winning digital touch screens, CTM proactively reaches visitors when they are actively looking for fun things to do.
Zoom On Arts provides the main cultural locations in Brussels with printed information aimed at their visitors. They promote your business through a wide network of brochures displays and frameworks. Their team will be happy to help you choose the best marketing campaign for your activity.
CTM Media Group Inc. is one of North America's largest distributors of visitor information. With a comprehensive network encompassing 19,000 visitor information displays and over 400 award-winning digital touch screens, CTM reaches visitors when they are actively looking for fun things to do.
BMSA is Southern Africa's largest brochure display network, displaying tourism and travel related information on 4,000 strategically located display boards. A world-class operating system ensures clients receive information on the distribution of brochures and there is flexibility in display options to suit every budget and marketing strategy.
Certified Folder Display Service, Inc. is North America's largest professional travel brochure distribution and display service. With over 22,000 visitor information display racks throughout Western and Central United States and Western Canada, their display racks supply the traveling public with helpful information on things to see and do.
Brochure Distribution Service is the #1 brochure distribution service in the Smoky Mountains, providing the highest quality service and the hottest rack locations. They also provide state-of-the-art inventory tracking systems and the latest in reporting technology, taking intercept marketing services to the next level.
BHS Promotion provides the main tourist locations in Belgium with printed information aimed at their visitors. They promote your business through a wide network of brochures displays, 'Visites Passion' cards, maps and mobile applications. Their team will be happy to help you choose the best marketing campaign for your activity.
InterWest Alberta has been serving Alberta Tourism since 1984. They provide major tourist-related clients and locations in Alberta with first-class distribution and information display services in both print + digital formats to over 450 prime locations.
Culture & Promotion provides the main cultural locations in Belgium with printed information aimed at visitors. They promote your business through a wide network of brochures displays and frameworks. Their team will be happy to help you choose the best marketing campaign for your activity.
Savannah's daily distributor of tourism and hospitality-industry printed materials since 1983! With more than 160 locations, they distribute brochures for tours, restaurants, service companies, shops and other attractions.
Scotland's best print and digital visitor information provider. Their Welcome Bedroom folders are in 90% of Scottish accommodation outlets and have a 15M readership. They produce 2.3M multi-lingual guides in 7 languages. They have 5,000 brochure display outlets.
Targeted marketing for the tourism, culture and events sectors. They display brochures in 5,000 great rack displays across Scotland including accommodation, attractions, visitor information points, leisure and shopping centres. Other services include poster distribution, promotional activity, storage, stock logistics and online ordering.
Print Distribution Service is the leading brochure distributor in northeast Tennessee, southwest Virginia and the high country of North Carolina. They regularly service their custom brochure racks located in the nicest hotels throughout their territory to promote the region's premier tourist attractions.
Getaways On Display gets tourism brochures in the hands of qualified consumers throughout the Mid-Atlantic, USA. Their hundreds of display locations reach highly valued visitors. They also operate Pennsylvania On Display – serving roadside information and service centers throughout Pennsylvania. They also publish maps and manufacture brochure displays.
Glance Promotions provide a range of products and services, throughout Ireland, targeting visitors during their holiday. Glance services include brochure display; town and city GuideMaps, 'Your Daily Adventure' magazine guides to attractions and special displays at Dublin, Cork, and Shannon Airports.
Kenney Communications (established 1982) provides a quality brochure service in their custom built displays to the Central Florida area. Kenney is also the exclusive provider of brochure service and digital advertising to the 8 Florida Turnpike State Service Plazas. In addition, Kenney publishes 2 visitor guides, Enjoy Florida Magazine and Orientation Magazine.
BHS Promotion Riveria provides the main tourist locations on the French and Italian Riviera with printed information aimed at visitors. They promote your business through a network of brochures and card displays, maps, posters and mobile applications.
FBS is a leading provider of visitor information in Paris, providing brochure/map distribution in more than 2 000 displays around the City. They also run video campaigns on touch screen displays in hotels; produce a quarterly magazine 'Greater Paris' and distribute mini-cards in cafes and restaurants throughout the City.
DINAMIX Media is the market leader in Berlin for the distribution of brochures, magazines, free postcards, city maps & guides, posters and Minicards. It is a member of the German Association of Ambient Media (F.A.M.) and is part of the Morris Visitor Publications worldwide network of companies.


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Exhibiting 20th century history
Museums and cultural representations of history are central to any historical culture
History museums and exhibitions are spaces in which meaning is produced collectively, and in this way, they are central to any historical culture. Museums in Central, Eastern and Southeastern Europe have gone through much change over the past three decades as they adapted to the new conditions and expectations to exhibiting history for public consumption. Numerous new museums have emerged that challenge long-standing methods and ways of displaying history; changing cultural policies have put museums and curators centre stage in historical debates and so-called culture wars. At the same time, and not only in Central and Eastern Europe, museums react to the growing demand for more interactive and participatory ways of representing history. Thus, curators and designers make active use of new visual tools and interactive possibilities provided by digital media in order to expand the ways they communicate with visitors.
While articles in this section primarily focus on museums and interesting recent exhibitions – both in the region and beyond -, other forms of visualizing, performing and aestheticizing the past in the cultural sphere also require our attention. As narrative contestations and mnemonic dissonances find expression in theatre performances, feature and documentary film, in songs, public re-enactments or literary representations, they essentially contribute to the shaping and forming of collective historical imaginations and cultures. Both museums and other cultural representations of the past thus provide an important platform for negotiating history beyond politics, allowing new perspectives and new aesthetics to enter the field of historical meaning-making in the public.
Only a Beginning: The Sered' Holocaust Museum in Slovakia
Monika Vrzgulová · 16. May 2019
The Sered' Holocaust Memorial Museum is the only one of its kind in Slovakia. Located on the original site of the former labour and concentration camp, it tells the story of…
A Museum of Memories: The New 'Vabamu' in Tallinn
Heiko Pääbo and Eva-Clarita Pettai · 27. Mar 2019
A new generation of historians and curators have taken over the former Museum of Occupations in Tallinn, Estonia. They renamed the museum and opened a permanent exhibition built…
Layered Spaces of Meaning: The Estonian National Museum
Kara Brown · 05. Jul 2018
The Estonian National Museum (ERM) is one of Europe's youngest state museum buildings, and it has a (national) story to tell. The article analyses how through a deliberate use of…
A Dual Legacy: Reviewing the New Exhibition at the Former Nazi Camp Salaspils
Paula Oppermann · 31. May 2018
When in February 2018 a new exhibition opened at the site of the former National Socialist 'Work Education Camp' Salaspils, its reception in the Latvian media was mixed. The…
The House of European History: In Search of a Common History and its Future
Jakub Jareš · 12. Oct 2017
Plans to create a museum of European history in Brussels have existed ever since 2007. It took ten years of preparation for the House of European History to finally open in the…
Sites of Memory, Sites of Contestation: the Tbilisi Museum of Soviet Occupation and Visions of the Past in Georgia
Nutsa Batiashvili · 01. Jun 2017
The Museum of Soviet Occupation in Georgia's capital Tbilisi, which opened in 2006, is a site of mnemonic contestation where the Soviet past is being displayed in a manner meant to…
Too Beautiful to Hurt Anyone: The New Permanent Exhibition at the AfricaMuseum Tervuren
Zofia Wóycicka · 29. Sep 2020
The Royal Museum for Central Afrika in Tervuren, Belgium, has long been seen as a racist institution. Recently it has come out with a new permanent exhibition that aims at a more…
Facing a Difficult Past? The Yser Tower in Dixmude, Belgium
Maarten Van Alstein · 16. Nov 2016
"No more war" is the message the Yser Tower Museum in the small Belgian town of Dixmunde tries to convey. It seems as if this war museum which showcases the atrocities of the First…
The Museum of Socialist Art in Sofia and the Politics of Avoidance
Nikolai Vukov · 05. Dec 2012
The "Museum of Socialist Art" in Sofia is the first state-supported museum focused on the communist period in Bulgaria. Paying attention to debatable issues regarding its concept…
The Colour of Compromise: The 'Documentation Centre for Displacement, Expulsion, Reconciliation' as a Negotiated Museum
Matěj Spurný · 31. Oct 2021
In June 2021, the much anticipated Documentation Centre for Displacement, Expulsion and Reconciliation opened its doors in Berlin. The article reviews the Centre's permanent…
The German Hygiene Museum's Exhibition 'Racism. The Invention of Human Races'
Verena Meier · 04. Mar 2019
Against the backdrop of rampant racism and xenophobia in both public life and the social media, the 'Racism'-exhibition in Dresden came at the right time. It gave interesting…
Displaying Gendered Experiences of Socialism and Escape: The Checkpoint Charlie Museum and Tränenpalast
Emily Gioielli · 29. Apr 2018
How are women who lived in and escaped from the GDR represented in two of the most popular tourist sites in Berlin: the Checkpoint Charlie Museum and the Tränenpalast? In comparing…
Buchenwald Revisited
Zofia Wóycicka · 08. Feb 2018
In spring 2016, a new permanent exhibition opened at the Buchenwald Memorial near Weimar. The article provides a critical review of the exhibition against the backdrop of previous…
1945 – Defeat. Liberation. New Beginning. Twelve European Countries after the Second World War
Daniel Logemann · 25. Oct 2015
The article critiques a recently opened temporary exhibition about Europe's post-war history at the German Historical Museum (DHM). While the exhibition treats all major themes of…
The Ruhr Museum at Zollverein
Ulrich Borsdorf · 05. Jun 2014
The identity of Germany's Ruhr area has been shaped by industrialisation, which transformed the former rural landscape and small towns into a centre of the industrial revolution on…
Architecture in the Service of the Nation: The Exhibition 'Architecture of Independence in Central Europe'
Maciej Czerwiński · 11. Apr 2019
How were processes of nation state-building and modernization reflected in early 20th century architecture? This and other questions guided a recent exhibition at the International…
When Local Memory Confronts State Historical Policy: Staging Edward Gierek's Life in Sosnowiec
Valentin Behr · 03. Sep 2018
Since 2015 when the Law and Justice (PiS) party returned to power, 'history policy' has become an important part of the political agenda in Poland. Its main targets are museums and…
The Blessed Jerzy Popiełuszko Museum in Warsaw: Between History and Religion
Zuzanna Bogumił · 12. Jan 2018
What happens when the Church engages in public negotiations of history by hosting and funding a museum? "The Blessed Jerzy Popiełuszko Museum in Warsaw" poses this question as it…
An Engaged Narrative: the Permanent Exhibition of the Museum of the Second World War in Gdańsk
Andrzej Hoja · 24. Jul 2017
In recent years, no other museum exhibition in Poland has been disputed to a similar extent as the one in the Museum of the Second World War in Gdańsk. The dispute seemingly…
Towards a Balanced Tribute to the Polish Righteous? The Ulma Family Museum of Poles Saving Jews in Markowa
Florian Peters · 08. Dec 2016
A small but state-of-the-art museum in the countryside of Poland's southeast opened its doors in 2016 to commemorate Józef and Wiktoria Ulma, who shielded two Jewish families in…
"The Light of History": The First Permanent Exhibition on Upper Silesian History in Poland
Juliane Tomann · 01. Mar 2016
The Silesian Museum opened in 2015 in a former coal mine in Katowice. The new permanent exhibition is the first attempt to exhibit the history of Upper Silesia, one of Poland's…
When History Speaks Through Objects… "45: The End of the War in 45 Artefacts"
Anna Muller · 16. Nov 2015
While the Museum of the Second World War in Gdańsk was still awaiting the opening of its final location, its staff prepared an exhibition that in 45 artefacts tells the story (or…
The Germans Did Not Come, or History as Material for Contemporary Art
Jakub Zarzycki · 25. Oct 2015
The new exhibition at Wrocław's Contemporary Museum collected around thirty works centred on the formation of a Vratislavian identity following World War II. According to the…
Solidarność Yesterday – Solidarity Today? The European Solidarity Center in Gdańsk endeavors to combine the past with the present
Florian Peters · 12. May 2015
The European Solidarity Center, which opened its doors in Gdańsk in August 2014, is one of several new museum projects in recent Poland. Maybe this is why the museum's founders…
From the Beginning to the End 1918 – 1991. Exhibition in the Museum of Yugoslav History
Ivana Dobrivojević · 23. Oct 2013
A new exhibition was opened in Belgrade on 1 December 2012, the ninety-fifth anniversary of the unification of South Slavs in The Kingdom of Serbs, Croats and Slovenes. This was a…
'Territory of Terror': Observations on the Musealization of Soviet Crimes in L'viv
Alexandra Wachter and Ekaterina Shapiro-Obermair · 07. Mar 2017
This article discusses the new memorial site "Territory of Terror" in L'viv. It explores the ways in which the creators have tried to produce 'new' narratives of Western Ukrainian…
(Re)construction of Czech History: The National Museum and its New Permanent Exhibition on the Twentieth Century
Karolína Bukovská · 25. Nov 2021
After twelve years of restauration and preparation, the new permanent exhibition on twentieth century Czech history finally opened its doors last July at the National Museum in…
Museum or Tourist Attraction? The Museum of Communism in Prague
Karolína Bukovská · 17. Apr 2020
Why is it that one of the most visited museums in Prague, the Museum of Communism, is largely ignored by Czechs? Whose narrative is being presented here and who is being addressed?…
Commemorating a Martyr: The Jan Palach Memorial in Všetaty
Jakub Jareš · 25. Feb 2020
In October 2019, a new memorial was opened in the former family house of Jan Palach in the small Czech town of Všetaty. With an impressive architecture and a small exhibition, the…
Creating Silesian Identity: A Comparative Review of Three Regional Museums
Ondřej Táborský · 21. Jun 2018
The complex history of Silesia with its shifting political, cultural and geographic boundaries and its current location spanning across three state borders, poses a challenge to…
'Bukhenval'dskii nabat': The Life and Transformation of a Peace-Song in Soviet and Post-Soviet Historical Culture
Gero Fedtke · 27. Aug 2021
For many decades Soviet and post-Soviet collective memory of the Second World War has been closely tied to the song 'Bukhenval'dskii nabat' (Alarm Bell of Buchenwald), performed at…
#givemebackmy90s: Memories of the First Post-Soviet Decade in Russia on Instagram and TikTok
Mykola Makhortykh · 28. Jun 2021
Thirty years have passed since the dissolution of the Soviet Union. In Russia's public sphere today, the decade that followed is remembered with ambivalence while politically,…
Éva on Insta: Holocaust Remembrance 2.0
Kata Bohus · 31. Oct 2019
A recent Instagramm project called 'eva-stories', in which a young girl (played by an actress) 'experiences' the Holocaust and documents it on her Insta account received much…


In my convoluted adventures upon the underground today I arrived at Baker Street at around 1:30pm and went up to the Met Line platforms hoping to jump on a Southbound train to Euston Square. I looked northbound and saw a train stopped at the foot of Platform 4, showing no destination on the trains destination indicator. I waited for a while and the train didnt move. Announcements on platform 3 were telling us to go to platform 5 to "continue our journey". I hung around and the train remained in situ. It appeared to block the southbound approach and as such, no trains passed through platform 3.
I figured that the train mustve tripped on the outer blind trainstop. Was this so?
To continue on this point, do such events count as SPADs since there is no actual signal associated with the trainstop?
Generally getting tripped on a blind train stop is seen as a performance issue (as no SPAD has technically occurred) but this will all depend on the exact circumstances. Immediate actions from all parties will generally follow the same procedure as a SPAD (indeed, most 'tripped in vicinity of' instances will), but it's worth noting that getting tripped in may not necessarily be the train operator's fault, even with a SPAD.
As an example, Edgware Road is fitted with a number of speed-controlled train stops on all platforms, allowing for adjacent moves to take place whilst negating the possibility of a side-swipe if a train did pass the starter at danger. The speed for these train stops, however, is variable, depending on what other moves have been set up and allowing headways to be maintained if there's no need for an adjacent move. The system isn't perfect and sometimes trains will get tripped on these train stops even if the speedometer is showing at or below the signed limit. In all instances the train is fully berthed, driver met and welfare checked and initial investigations made. Whilst it could be the result of excessive speed, it often isn't.
The same is true of many other speed- and approach-controlled train stops; they can sometimes be slow to lower, tripping trains even when they are being driven to the appropriate standard.
Edgware springs to mind - signed as 15 mph, but try doing anything above about 11-12 mph and guaranteed to hit one of the trainstops. The first one on Platform 2 used to be particularly dodgy.
As for reporting being tripped - in my view this is a rather grey area. There's nothing in the current Rule Book which specifically gives guidance one way or the other, just a vague rule about reporting "train incidents", whilst of course failing to define what a train incident actually is.
From past experience where I am, in reality I think few drivers used to report hitting a trainstop - the aforementioned one on Edgware Platform 2 used to get hit pretty often judging by the marks it used to have on it. By the letter of the law the controller should be informed in order to get the reset cord re-sealed by a car examiner, but few bothered.
No harm in reporting though to cover one's back - I remember one particular case when a train got tripped on a fox. The driver was well aware there were no stop signals in the area, so to avoid delay he reset and continued, and reported it once he was on the move. Unfortunately people started sticking their nose in, a download was done, and someone noticed that the location of the tripping was next to a signal. I won't post the number, but suffice to say it started with R. This one rumbled on for quite a few days before someone who knew what they were doing got hold of it!
The pitfall with not reporting is that as a driver you are then taking all the liability on yourself. Okay if you are 100% sure that you haven't hit a signal, but make the wrong judgement call and your rear will be bitten hard.
I can't find any service related notices on that day and time frame, usually during off-peak hours Watford services predominantly use platform 1 with platform 4 hosting the occasional late running or "runs as required" services.
This might need clarifying but from memory NB signal A896 is situated close to the point work and so theoretically would it be possible for are train to come to a halt whilst straddling the junction? If it is possible for such a move to be permissible then getting gapped or at least stalling between the web of tacks leaving Baker Street could have explained your stranded train.
Sorry to be asking the obvious here zcap but did it have its headlights or taillights on?
Edit note: Scenario has been gauged as implausible and as such has been struck out.
Whilst theoretically possible it would be extremely unlikely that a train would be stopped at A896 on departure from Baker Street, and even more unlikely that it would get stalled there unless missing a significant number of shoes.
In any case, if that was the case it would have caused much more disruption than seems to have been reported, inevitably also impinging onto the C&H service as Met trains would have been unable to leave the City. That no disruption is noted suggests that no trains became stalled.
Thanks MoreToJack and North End for those answers. I wouldve thought it a bit harsh to treat it the same as a SPAD, unless of course a SPAD occurs. I remember reading somewhere that Whitechapels "old" layout was also particularly awful for trains tripping, much like Edgware road, with their delayed trainstops.
As far as I remember, the headlights were on (however i'm not 100% certain). I remember seeing someone walking around the cab. The saloon lights were on too, so the train was on juice. From my position I couldnt make out whether the rear of the train was clear of no.7 points or not. A train was waiting on platform 2 (northbound) during my wait, but no trains came into platform 3.
In our stock defect book for the 1973 stock, we have a specific instruction if the front tripcock is operated. "You must not move your train until you have received authority to do so". So although there is nothing in the Rule Book, that is a standard instruction that we must follow on our line.


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JP Morgan CEO to talk poverty in Cincinnati
Fatima Hussein
fhussein@enquirer.com
Jamie Dimon, the chairman and chief executive of the largest bank in the U.S., will speak about combating poverty this week in Cincinnati.
Dimon, who has been chief executive of JPMorgan Chase & Co. since 2005, will be the keynote speaker at the Cincinnati Works 20th anniversary luncheon at Xavier University's Cintas Center on Wednesday.
Founded in 1996 by Dave and Liane Phillips, Cincinnati Works helps job seekers below the federal poverty guidelines find employment and work toward economic self-sufficiency. The theme of the anniversary event is drawing connections between poverty and Cincinnati's economy.
Dimon is vocal about the need to address poverty through wage increases and other methods traditionally shunned by the business community. The JPMorgan Chase Foundation has also contributed more than $500,000 to Cincinnati Works since 2008.
Last July, Dimon wrote in an opinion piece for the New York Times, that JPMorgan would raise its minimum wage for 18,000 U.S. employees from $10.15 an hour (plus benefits) to between $12 and $16.50 per hour over the next three years.
Raises will depend on geographic and market factors. "A pay increase is the right thing to do," he wrote in the article dated July 12.
"Wages for many Americans have gone nowhere for too long. Many employees who will receive this increase work as bank tellers and customer service representatives. Above all, it enables more people to begin to share in the rewards of economic growth," Dimon wrote.
Chase is the sixth largest bank in the Cincinnati region, with local deposits of $1.9 billion and a 2.1 percent market share, according to FDIC data.
In Cincinnati, he will speak about wage inequality and skills development, the state of American business. He also will share his thoughts on leadership and problem solving, according to Jeff Lyttle, his New York-based spokesman.
In the past, Dimon has stated he would like to see more income tax credits for more workers, which would lessen the tax burden on the working class.
He has also voiced support in the past for legalizing undocumented immigrants in the U.S., reforming urban schools, higher infrastructure spending, and lower corporate taxes.
Eric Cepela, a spokesman for Cincinnati Works, said that "JPMorgan Chase is active in the fight against poverty and is a major supporter of Cincinnati Works."
Dimon "is not only able to provide insight into the issue but also has the notoriety to help us further catch the attention of Cincinnati and its leaders," Cepela said in an email.
Cincinnati consistently ranks as having one of the highest poverty rates in the nation.
"Despite these statistics, there is opportunity in Cincinnati – it is a matter of assisting individuals to take advantage of and benefit from that opportunity," Cepela said.
Also slated to speak at the event are John Barrett, CEO, president, and chairman of Western & Southern Financial Group; and Dave Herche, CEO of Enerfab and chairman of Cincinnati Works.
The event will also include the release of a study conducted by University of Cincinnati's Economics Center regarding the economic impact of Cincinnati Works on the city of Cincinnati.


Brown's established programs include International Writers Project (IWP) , which now-emeritus professor Robert Coover founded in 1989 in response to conflict over protests in Beijing's Tiananmen Square. Since then, the IWP has awarded fellowships to writers facing persecution—last year's fellow was Jorge Olivera Castillo, a Cuban writer who was held in solitary confinement for nearly two years for pro-democracy writing. In 2016, Brown launched the Endangered Scholars Program, sponsoring a scholar from Syria. The Brown Arts Initiative also does this work. They are currently housing a Nigerian artist for a one-year residency, Quinn says.
For scholars, the University provides housing, stipend support, and health insurance. Students are also offered free tuition. "We have one or two or maybe three scholars at a time," says Quinn, who points out that in joining with UIE, exiled scholars at Brown will now have the opportunity to network with scholars at other universities who are in similar positions. "I think that's one of the more powerful pieces of the program," says Quinn.


These 14" x 10" activity sheets feature a full color design with mixed themes. Sheets are customizable to incorporate your kids menu and restaurant logo. Both sides of these sheets are filled with coloring activities and games. These sheets are sure to help keep young diners entertained while visiting any restaurant.


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Explorer Sir Ranulph Fiennes brings his Mind Over Matter show to King's Lynn Corn Exchange
Chris Bishop
Published: 12:09 PM June 7, 2017 Updated: 11:05 AM October 10, 2020
Sir Ranulph Fiennes, who is bringing his show to the Corn Exchange. Picture: Submitted - Credit: Archant
The world's greatest living explorer is heading for Norfolk.
Sir Ranulph Fiennes's escapades and expeditions have taken him in almost every direction around the globe, including a 52,000 mile odyssey through both poles in the first circumpolar navigation of the Earth (1979-82), the first unsupported crossing of Antarctica (1993) and the first crossing of the Antarctic Continent by foot.
He completed the Marathon des Sables, aged 71, in 2015 dubbed the 'toughest footrace on Earth' to become the oldest Brit to complete it, whilst raising £1m for Marie Curie Cancer Care.
He is currently attempting to become the first person ever to cross both polar caps and climb the highest mountain on each continent.
Sir Ranulph Fiennes will be taking to the stage at King's Lynn Corn Exchange next month with his theatre show Mind Over Matter.
It offers an opportunity to hear Sir Ranulph recount the personal journey through his life. From light-hearted to strikingly poignant, Mind Over Matter is the inspirational story of Sir Ranulph's life of conquering several of the most challenging, record-breaking, expeditions and adventures.
Sir Ranulph Fiennes - Born in the UK in 1944, just after his father was killed in the war, Sir Ranulph was brought up by his mother in South Africa. Returning to the UK to attend Eton, Sir Ranulph left school having failed his A levels. He joined the Royal Scots Greats (Tanks) and later the SAS and became the youngest Captain in the British Army.
Following a campaign against Marxist Terrorists between 1968-1970, Sir Ranulph was awarded the Sultan of Oman's Bravery Medal in 1970 by HM The Queen. The same year saw Sir Ranulph marry his childhood sweetheart Ginny Pepper and together they launched a series of record breaking expeditions that kept them ahead of their international rivals for three decades.
e planned, organised and took part in the first polar circumnavigation of Earth (1979-1982) - a £29m three year, 52,000 mile odyssey which took intricate planning and a 52 person team to achieve.
Mind Over Matter will be at King's Lynn Corn Exchange on Thursday, July 13. To book call 01553 764864 or go to kingslynncornexchange.co.uk.


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The lollipop incision is often the ideal choice for women who experience moderate breast ptosis. An incision is made around the areola, and another vertical incision is made from the bottom of the areola to the bottom of the breasts. This creates an incision that resembles a lollipop.
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Reigning European Champions, Toulon, will visit the Recreation Ground on Saturday 23rd January, kick-off 15.15, it was today confirmed.
The French giants head across the channel for the climax of this year's group stages a week after Bath Rugby travelled to Dublin to face three-times winners Leinster Rugby on Saturday 16th January, kick-off 17.30.
Before the final two games, Bath have to navigate a trip to the South of France on Sunday 10th January, kick-off 16.30 (local time), to play the re-arranged Round 1 fixture against Toulon.
It's still all to play for in Pool 5, so a cracking start to the New Year is in store to ease the January blues!
Tickets for the two away games can be bought directly from Toulon here and Leinster here.


Zachary Piper Solutions is looking for a Systems Administrator to support a project of upgrading 2000+ devices from Windows 7 to Windows 10 operating system. The position is in support of a contract with the Administrative Office of United States Courts – Administrative Office Technology Office (AOUSC-AOTO) in Washington DC.
The successful candidate will have prior experience in upgrading Windows 7 to Windows 10 operating system, excellent people skills and strong problem-solving skills. The candidate will work exclusively on imaging machines, migrating user profile, installing customer requested applications and deploying the device as per the schedule. The position is part of special project team consisting of engineers and a subject matter expert who will report to Senior Project Manager.
Excellent customer support skills (In-person and on the phone). Excellent soft skills including a mastery of customer service – theory and execution.


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Home Album Review Shady's Revenge: Kamikaze Album Review
Shady's Revenge: Kamikaze Album Review
At midnight on August 31, just eight and a half months after Revival, Detroit rapper Eminem casually dropped a tweet that sent the hip-hop community into a panic. With the caption "tried not 2 overthink this 1…enjoy (middle finger emoji)," Eminem unexpectedly dropped his 10th studio album, Kamikaze.
Coming off he critically reviewed and downright awful Revival, Slim Shady had just about everything to prove. Since the glory days of the early 2000s which included three of the best rap albums ever conducted (Slim Shady LP, Marshall Mathers LP, The Eminem Show), Em has faced significant criticism for his cringe-worthy and corny music. Revival was the last and biggest straw in a string of criticized albums that led Eminem to release Kamikaze.
Instead of "Walk on Water," the soft, torn-apart opening of Revival, Eminem gets right to business on Kamikaze. He opens the album with "The Ringer," which starts with a vintage Em intro: "I'm just gonna write down my first thoughts / see where this takes me / 'cause I feel like I wanna punch the world in the fuckin' face right now!" On this track, Slim Shady holds nothing back. This track is a direct shot at members of the rap community who have come at Eminem for his recent music. Although Em comes off bitter to a fault at points, the flow and lyrical skill exerted in the opening track draws a promising comparison to the old Eminem. Neither the bitterness nor skill stopped on the first track.
Throughout the album, Eminem uses his lyrical genius to fire back at people that have criticized him. Heavy critics of Revival, such as Joe Budden, Charlamagne Tha God, DJ Akademiks, and Tyler, the Creator receive backlash from the Detroit rapper in several songs throughout the project. Although many of the disses are clever, the constant complaining gets tiresome.
But Shady doesn't just call out his critics. In songs like, "The Ringer," "Not Alike," "Fall," and "Lucky You," Eminem takes shots at the rappers of the new-generation "mumble rap" culture. He takes aim at their lyrical inability and lack of substance while also copying flows from songs like "Gucci Gang," and "Bad and Boujee."
Em is clearly upset with where rap culture is headed. "I'm gonna crumble you / and take a number two and dump on you / if you ain't Joyner, / if you ain't Kendrick or Cole or (Big) Sean / then you're a goner." Eminem even takes a massive shot a Machine Gun Kelly (29), who called his daughter "hot as fuck" in 2012, when she was just 16 years old. MGK has since responded with a diss track, coming at Eminem's old age and complainers attitude.
Kamikaze isn't just about firing back at rappers and other cultural figures that Em's pissed at. The track "Stepping Stones," Eminem bids a bittersweet goodbye to D12 reminds fans of songs like "When I'm Gone" and "Mockingbird" from his prime. "Not Alike" and "Lucky You," feature Royce da 5'9 and Joyner Lucas, and are a couple of the best collaborations Em has ever released and appropriately showcase the lyrical firepower of each artist. On the other hand, songs like "Normal," "Nice Guy," and "Good Guy," contain subpar production, choppy flows, and corny bars.
Shady shows flashes of his past greatness, puts most of his corny lyrics on hold, and raps about how he feels on Kamikaze. He finds a flow and style that matches his age better than it has in some time, with lyrics remaining dynamic and clever.
Although there are several low points on the album, Em deserves a ton of credit for his comeback after Revival. Look for a lyrical minefield to be dropped on Machine Gun Kelly in the coming days, as he does not take disses lightly.
Overall: 6.8/10
-Shane Simmons
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Phanoderma ocellatum är en rundmaskart som beskrevs av Nathan Augustus Cobb 1920. Phanoderma ocellatum ingår i släktet Phanoderma och familjen Phanodermatidae. Inga underarter finns listade i Catalogue of Life.

Källor

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ocellatum

redpajama_set_name: RedPajamaWikipedia


The generosity of Hambleton Racing's owners is well established but their kindness and support for charity was once again in evidence at this year's syndicate Owners' Day at the weekend as we asked owners to support Macmillan.
Our great friend and northern racing icon Bill Warby had nominated Macmillan after receiving treatment for throat cancer last year and our owners got right behind our efforts to raise funds for this excellent cause, with £2,500 raised on the afternoon.
With five prizes on offer in our charity raffle, there was a huge level of support from across the box while owners also gave generous support via a charity race, either for buying extra runners in the race or just making kind donations.
An auction lot proved very popular and witnessed some hugely generous bidding with Paul, an owner in Spiorad and our Sepoy two-year-old colt with David O'Meara, gaining the day with a winning bid of £1,100.
Paul's generosity typified the attitude of our owners who helped us raise an impressive total for Macmillan.
Bill was thrilled to learn such a worthwhile amount had been raised for a charity so close to his heart. For our part, we'd like to take this chance to thank all our owners who supported this great cause at the weekend.


on one off my older boats wich i used for waterskiing i placed a high five prop. the boat jumped quicker out off the water, top speed was almost the same.
One question that has not been asked is what drive ratio do you have. It is stamped on the side of the drive. It will be 1.47: or 1.62:1. This makes a big difference in what prop will work. I have an Enertia 17p that really works well on my 2000 Sr3 with a 5.0L with a 1.47:1 ratio. My old boat was a 2000 sr with a 4.3 with a ration of 1.62:1 on this boat a 18p Rev 4 was a great choice but too much for my new boat.


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Richard Noffsinger has 20 years of information technology and healthcare experience. Since 2007, he has been chief executive officer of Anvita Health, a healthcare analytics company. He previously served as president and COO of Amicore, a health IT company jointly founded by Microsoft, IBM, and Pfizer to serve physicians and clinical management. Noffsinger also served as group industry manager, worldwide healthcare market for Microsoft, where he led the company's business development team in healthcare. He received a bachelor's in Business Administration from The University of Washington in Seattle.


Why, hello there! I'm Marissa, and I'm going to be here blogging all week while Beth is on vacation. You might have seen me on Glamour.com before, writing [NSFW!] tips like these, but this week I'm focusing on beauty, not booty.
There might be some people out there who don't want to smell like a cupcake. And that's their personal choice. But me? I want to smell like I just bathed in a vat of sugary batter at any given time. It makes me happy!
Phytonectar Shampoo: In addition to being ridiculously moisturizing to hair, this honey-color shampoo smells just like orange blossoms.
TIGI S Factor Serious Conditioner: Any former chewers of Strawberry Big League Chew Gum out there today? Anyone? Anyone? Well, this conditioner smells like the sweetest, juiciest strawberry gum of your childhood.
__Suave Tropical Coconut Shampoo:__The best part of this shampoo is not even its extremely affordable price—it's the fact that it makes your hair smell like you're Brooke Shields in The Blue Lagoon and you just cracked open a coconut to wash your hair because that's normal.
Primal Elements Cupcake Sugar Whip: If you're a fan of Aquolina Pink Sugar, or the smell of sugary sweetness in general, you'll love this body scrub. The texture is exactly like sugar, and this exfoliating scrub turns into a creamy lather as you use it.
SHIKAI Gardenia Moisturizing Shower Gel: This health food store staple brand uses natural essential oils to scent its products, and it's evident when you take a whiff. The shower gels are especially addicting—try the gardenia scent to feel (almost) like you're in an outdoor shower on a tropical island.
100% Pure Vanilla Bean Body Scrub: I always have one of these sugary scrubs on hand. I especially love the vanilla bean scent, which is the shower product equivalent of sitting by a fire in winter, or eating a slice of homemade apple pie—comforting, sweet, and delicious.
Now, if you know of a product that smells amazing, don't be shy. I want to hear about it!


Money Smart Week is a national initiative between the American Library Association (ALA) and the Federal Reserve Bank (Chicago) to provide financial literacy programming to help members of our community better manage their personal finances.
Peruse our financial databases, books and apps using this resource to obtain valuable investment information. Or, attend one of our financial classes on topics such as starting your own business.
Learn how manage your personal finances with free Quickbooks classes offered at library branches all around the county.


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Madlyn McAuliffe
Communications Manager, NUMO Alliance
Contact Madlyn
Madlyn is the Communications Manager for NUMO, the New Urban Mobility alliance, hosted by WRI Ross Center for Sustainable Cities.
Prior to joining NUMO, Madlyn worked as a writer, editor, journalist, producer, and communications consultant. She was the Senior Editor of The Fem Word, a digital platform dedicated to amplifying the voices and stories of women around the world; wrote the script for an award-winning short documentary film following a Bangalore girl's journey to win a life-changing spelling bee; and provided communications, marketing, and public relations support for non-profit organizations and a sustainable retail brand. Her work has appeared on PopSugar and DC Trending, among other publications.
Madlyn holds a B.A. in English from the University of Virginia.
She lives in Northern Virginia with her cat, Suki.
madlyn@numo.global
PODCAST: Transportation Is the Heart of Cities
NUMO, the New Urban Mobility Alliance
Channeling tech-based disruptions in urban transport to create joyful cities where sustainable and just mobility is the new normal
Increasing access to electric vehicles and charging infrastructure, and optimizing to reduce emissions.
Shared Mobility Principles for Livable Cities


2010 Holiday Barbie Doll is wearing an elegant red and white gown with gold trim.
The dress has a full white skirt with a red and gold bodice with a dropped waist.
She has a long red wrap and a red ribbon bow and sash at the waist, along with ruby red chandelier earrings and a matching headband.
The Caucasian version has the Mackie face sculpt and long blonde hair, while the African American Barbie has the Goddess face sculpt and long dark hair.
There was also a matching ornament.
Both dolls have a new arm and hand sculpt with separated fingers.
The box is trimmed in red to match the red in Barbie's dress.


Looking to transform your nail polish collection, then look no further with Essie's Luxeffects collection. Initially released for the 2011 holiday season, we're now being graced with these dynamic top coats on the other side of the Pacific. It truly was a pleasant surprise to see these in French Pink, as they are somewhat of an urban legend in the US due to the shelves being raided by polish fiends and nail enthusiasts. I first came across one variation of the flakie polish here, but never gave it a proper go as I get my nails done on a weekly basis. Now I don't have any excuses to not wear it. Heavy on dimension, depth, and personality - flakie top coats really add that extra sparkle to one's overall appearance. The opalescent shine lends itself to a myriad of colours; by pairing it with anything from the rainbow, it can truly give you endless options and be transformative as it wears you.
For my base colour I went with Essie's Funny Face, a punchy pink that smacks of raspberry.
Depending on how the light hits your nails, you can catch specks of gold, green, yellow, orange, blue and pink. Application was a cinch; Janice applied one coat of Funny Face and then followed it up with Shine of the Times. Wear time was optimal - I didn't notice any chipping or peeling except on the usual right pointer finger (darn zipper).
This week I switched things up a bit more and played with Set in Stone and Pure Pearlfection. Make sure to check back next week!
Happy St. Patrick's Day and have a shamrock shake for me.


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NC State Researchers Take On COVID-19
November 10, 2020 Deborah Strange
While COVID-19, the disease caused by SARS-CoV-2, has brought much of the world to a standstill, it hasn't stopped research at NC State.
Faculty and the staff at the university have pivoted from their customary research to study COVID-19, using their expertise in battling the pandemic. Their research has covered a large scope, from how the novel coronavirus can be effectively managed and analyzed to how it affects society's food safety and supply chains.
Our researchers spoke, virtually, during NC State's Research Week to share their progress.
Managing a Pandemic Efficiently and Equitably
Julie Swann, head of the Department of Industrial and Systems Engineering, is studying how mathematical, analytical and computational skills can be applied to the complex logistics of managing a pandemic in a nation with 50 state health departments.
"The public health system in the United States is pretty complicated," Swann said. "There are many players."
Public and Private Partners Deliver PPE to Health Care Workers Statewide
A coalition of public and private partners have joined forces to fulfill current and upcoming needs for North Carolina's hardest-hit communities.
Operation Warp Speed, which aims to produce and deliver 300 million doses of COVID-19 vaccines, is managed by the U.S. Department of Health and Human Services. The U.S. Centers for Disease Control and Prevention distributes interim vaccine guidance to state health departments. Vaccines are shipped from distribution centers to hospitals, pharmacies, local health departments and more.
In 2009, Swann was a science adviser for the H1N1 pandemic response at the CDC. As an industrial engineer, she examines how decisions can be made more efficiently — for example, in terms of cost, speed, efficacy and, importantly, equity.
Breaking Down the Test Kit Supply Chains
Robert Handfield, executive director of the Supply Chain Resource Cooperative and a distinguished professor of operations and supply chain management, is leading a team to develop a COVID-19 test kit supply chain model.
There have been shortages of components that make up test kits. During the COVID-19 pandemic, a shortage in plastic components limits the throughputs of testing platforms. An inability to quickly test a population quickly obscures the scope of a pandemic.
"We've learned the distribution of test kits is not a well-defined problem with an easy solution," Handfield said. "There's been shortages of test kits, and we know it generates its own set of supply chain challenges."
Experts Propose New Approach to Emergency Preparedness
After the Strategic National Stockpile failed during the COVID-19 pandemic, academic and military experts are calling for a more dynamic, flexible approach to emergency preparedness.
He and his team examined how 3 million antigen tests could be distributed across North Carolina based on county-level priority measures, including the level of test positivity and the trend in reported cases of COVID-19. Their research is funded by the National Institute for Innovation in Manufacturing Biopharmaceuticals and the National Institute of Standards and Technology.
Intersecting Probiotics and Vaccines
Rodolphe Barrangou is a professor of food science and the leader of NC State's CRISPR lab, which researches probiotics and starter cultures to enhance food supply and human health.
His team has been working with probiotic bacteria to engineer mucosal vaccines. They were developing a rotavirus vaccine for a project funded by the National Institute of Health when the coronavirus pandemic hit. So, researchers pivoted to developing a COVID-19 vaccine.
This month, animal trials begin with multiple engineered probiotics with confirmed surface-expressed COVID-19 proteins.
"We are one of 600 groups in the world working on COVID-19 vaccine projects, and that is great because all we need is one in 600 to work," Barrangou said.
Linking Environmental Chemicals and Vaccine Response
Jane Hoppin, a professor in the Department of Biological Sciences, researches how chemicals in the environment affect people's health.
In the GenX Exposure Study, she looked at per- and polyfluoroalkyl substances (PFAS) — man-made chemicals found in many commercial household products — and their effect on people's health in Wilmington, North Carolina, and other areas in the Lower Cape Fear region. In 2017, people in Wilmington had much higher exposure levels to PFAS because drinking water was contaminated.
Some people exposed to PFAS have reduced responses to vaccines. But because people are vaccinated against many diseases early in life, it's difficult to look at exposures to novel chemicals.
Hoppin's team will test the blood of 1,200 people in Wilmington, Fayetteville and Pittsboro to measure levels of PFAS and COVID antibodies. The team will repeat the tests in a year to assess changes and, if possible, the response to a COVID-19 vaccine.
New Research Projects
Several of our faculty members and staff have been awarded research projects related to COVID-19 from the National Science Foundation, the National Institute of Food and Agriculture and more. An updating list is available on the Research Development Office's website.
Results Magazine
Your source for the latest research and innovation coming out of NC State.
Discover more stories
Designing Healthy and Resilient Societies
office of research and innovation
The Future of History: How New Tools Tap Into Diverse Perspectives on the Past


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Q: Migrating from Silverlight 2 to 3 We are considering porting a moderately complex Silverlight 2 app to Silverlight 3. Are there any potential pitfalls to be aware of? Have people had good experience doing this port?
I'm aware of the MSDN guidance on porting.

A: So far our porting of a LOB application was successful. We used 3rd party controls where we had to wait until they compiled their controls for the silverlight 3 runtime, but before that, their SL2 controls worked fine after we ported the application to SL3. We didn't need to rewrite any code or anything at all.
But to leverage the benefits of SL3, we modularized our styles from 1 file into multiple files depending on which member was working on what part of their control.

redpajama_set_name: RedPajamaStackExchange


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Q: Explain why a determinant function is a cubic polynomial I am studying for a test, and I am completely lost at this problem.
Let $f(t)=detV$, with $x_1, x_2, x_3$ all distinct. Explain why $f(t)$ is a cubic polynomial, show that the coefficient of $t^3$ is nonzero, and find 3 points on the graph of $f$.
Compared to the other questions in my textbook, this one is a curveball, and I can't find others like it.

A: On the bottom of the page where this exercise is from (D. Lay, Linear Algebra and its applications, p. 186) it is written:

Exercises 9 and 10 concern determinants of the following Vandermonde matrices:
  \[ V(t) = \begin{pmatrix} 1 & t & t^2 & t^3 \\ 1 & x_1 & x_1^2 & x_1^3\\ 1 & x_2 & x_2^2 & x_2^3 \\ 1 & x_3 & x_3^2 & x_3^3 \end{pmatrix}
  \]

(Remark: and another one which is not important for the exercise above).  The exercise above is No. 10:

10. Let $f(t) = \det V$, with $x_1$, $x_2$, $x_3$ all distinct. Explain why $f(t)$ is a cubic polynomial, show that the coefficient of $t^3$ is nonzero, and find 3 points on the graph of $f$.

I dont't know if this qualifies as an answer, but it's too long for a comment.

A: If the matrix is the one on the last answer, then the condition of $x_1$, $x_2$ and $x_3$ being different implies that the minors $V_1^n$ are non-zero (check by computation). Particularly, $V_1^4 \neq 0$, which will be the coefficient of $t^3$ (up to sign change):
$$\mbox{coeff}(t^3) = (-1)^{1+4}( x_2x_3^2 + x_3x_1^2 + x_1x_2^2 - x_2x_1^2 - x_3x_2^2 - x_1x_3^2). $$


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Ankle Pain TreatmentJim McDannald2022-12-17T17:01:16+00:00
Ankle Pain Treatment – King of Prussia
Ankle pain is often caused by an injury like a sprain or a medical condition like arthritis. The ankle is composed of two joints, the true ankle joint, and the subtalar joint.
The true ankle joint is composed of three bones, the tibia, which forms the medial (inside) portion of the ankle; the fibular, which forms the lateral (outside) portion of the ankle; and the talus underneath. The true ankle joint allows for the up and down motion of the foot.
The subtalar joint is under the true ankle joint and consists of the talus on top and the calcaneus on the bottom. The subtalar joint allows for the side-to-side movement of the foot.
Common Ankle Injuries and Conditions Injuries
Achilles tendonitis is a common injury among athletes, particularly runners. The Achilles tendon connects your calf muscle to the heel. It is the largest tendon in the body. Since the Achilles tendon is used for numerous day-to-day activities, such as walking, running, climbing, and jumping, it is susceptible to injury and inflammation (Achilles tendonitis).
Learn More About Achilles Tendonitis
Ankle arthritis is a degenerative condition (also known as osteoarthritis) that causes pain, stiffness, and disability to the ankles. Over time, the protective cartilage begins to wear away, eventually causing the bones to rub against each other. Ankle arthritis can be just as disabling as hip arthritis, but it is not as well-known as other types of arthritis.
An ankle fracture is a common sports injury. It is often caused by the ankle rolling inward or outward. A fracture is a partial or complete break in a bone.
An ankle fracture can range in severity from an avulsion injury where small pieces of bone have been pulled off to a more severe shattering-type break of the tibia and fibula.
An ankle fracture requires special care and early diagnosis. The sooner an ankle fracture is taken care of, the sooner you can get back in action!
An Achilles tendon rupture is a complete or partial tear that occurs when the tendon is stretched beyond its capacity. A tendon is a band of tissue that connects a muscle to a bone. The Achilles tendon runs down the back of the lower leg and connects the calf muscle to the heel bone. Also called the "heel cord," the Achilles tendon facilitates walking by helping raise the heel off the ground.
Forceful jumping, pivoting, or sudden accelerations of running can overstretch the tendon and cause a tear. An injury to the tendon can also result from falling or tripping.
Ankle Strain
An ankle strain results from a stretched or torn muscle or tendon. The tendon is the thick muscle that connects to your bone. A strain can be anywhere from minor to severe. A severe strain can result in a muscle tear.
An ankle sprain occurs when one or more of the ligaments in the ankle is injured. Some ankle sprains are worse than others.
The severity of an ankle sprain depends upon the damage to the ligament. The ligament can be stretched, partially torn, or completely torn. Multiple ligaments can also be damaged. An ankle sprain is not the same as a strain. An ankle sprain affects your muscles; an ankle sprain impacts your ligaments.
A ligament is a band of tissues, kind of like rubber bands. They connect your bones and bind the joints together. An ankle sprain occurs when there is an injury to the lateral ligamentous complex. The lateral ligamentous complex is composed of two ligaments, the anterior talofibular and the calcaneofibular ligaments. Both of these ligaments support the ankle.
Dr. Melissa Will Help Get You Back On Your Feet
Dr. Melissa Wawrzynek is a board-certified foot and ankle specialist and offers a broad range of advanced orthopedic, sports medicine, and regenerative treatments.
Our doctor and her team will consult with you regularly to ensure you return to health and receive the highest quality care.
If you're ready to return to full speed as quickly, easily, and safely as possible, schedule an appointment today.


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Address: Gabon Street, Meskel Flower area.


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Featuring a garden, a terrace and a shared lounge, Tushita - Nepal Yoga Retreats is set in Pokhara and is 300m from World Peace Pagoda. Boasting a 24-hour front desk, this property also provides guests with a children's playground. The property is 1.3 km from Fewa Lake and 4.1 km from International Mountain Museum. All units in the resort are equipped with a kettle. With a private bathroom fitted with a shower and free toiletries, rooms at Tushita - Nepal Yoga Retreats also feature a mountain view. At the accommodation, the rooms include a TV with cable channels. Guests at Tushita - Nepal Yoga Retreats will be able to enjoy activities in and around Pokhara, like cycling. There is a tour desk and car rentals are available, while the business center has newspapers. Mahendra Cave is 9 km from the resort, while Begnas Lake is 15 km from the property.


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Q: Alternating groups using three-cycles Consider you have a even permutation $p$ ,which is represented by disjoint cycles and I need to  multiply by three-cycle to reach identity permutation.
I have been able to solve this question when the permutation only has three-cycles or two-cycles ,that is if it has  a three-cycles $(ijk)$ then I would multiply it by $(kji)$ (that is $(ijk)(kji)$ is idenity)
and if has a two-cycle $(ij)$ then find other two-cycle $(kl)$ then
form a identity $(ij)(kl)=(ijk)(jkl)$ and then apply the rule from three-cycle, but if it has a cycle of length $k$, where   $k\gt 3$ I do not know the method
How should I proceed for a general case?

A: Of course we need $n > 2$.

Assume $n\ge 3$.

Our goal is to show that every element of $A_n$ can be multiplied by a product of $3$-cycles to reach the identity.

We start by proving the following claim . . .

Claim:$\;$Every element of $A_n$ is a product of $3$-cycles.

Proof:

For $3\le n\le 4$, the claim can be verified by direct computation (write each even permutation explicitly as a product of $3$-cycles).

Next assume $n\ge 5$.

Let $G$ be the subgroup of $S_n$ generated by the set of $3$-cycles of $S_n$.

Since $3$ is odd, all $3$-cycles are even permutations, hence $G$ is a subgroup of $A_n$.

Since $n\ge 5$, $A_n$ is simple.

Note that $G$ is not the trivial group.

Thus, to show that $G=A_n$ it suffices to show that $G$ is a normal subgroup of $A_n$.

Let $g\in G$ and $a\in A_n$.

Since $g\in G$ we can write $g=c_1\cdots c_m$ where each $c_i$ is a $3$-cycle.

Then $aga^{-1}=(ac_1a^{-1})\cdots (ac_ma^{-1})$, which is a product of $3$-cycles, since the conjugate of a $3$-cycle is a $3$-cycle.

Hence $aga^{-1}\in G$, which proves that $G$ is a normal subgroup of $A_n$.

Therefore $G=A_n$, which completes the proof of the claim.

Returning to the original goal, let $g\in A_n$. Then $g^{-1}$ is a product of $3$-cycles, hence from $gg^{-1}=e$, it follows that $g$ can be multiplied by a product of $3$-cycles to reach the identity.

Note:$\;$With the same reasoning, we get the following more general result . . .

Fix an odd positive integer $k\ge 3$, and let $n$ be any positive integer such that $n\ge k$.$\;$Then

*

*Every element of $A_n$ is a product of $k$-cycles.$\\[4pt]$

*Every element of $A_n$ can be multiplied by a product of $k$-cycles to reach the identity.

A: *

*You have already shown that a product $\ (ij)(kl)\ $ of two disjoint transpostions can be written as the product $\ (ijk)(jkl)\ $.

*The product of two transpositions which share a single entry can be written as $\ (ij)(jk)\ $ without loss of generality, and this is just the $3$-cycle $\ (ijk)\ $.

*The only other type of product of two transpositions is for the two to be identical, in which case their product is the identity.

Any even permutation can always be written as a product of an even number of transpositions in which successive pairs are either of the first or second of the above types. Each successive pair can thus be replaced either by a single $3$-cycle (if it's of the second type) or a product of two $3$-cycles (if it's of the first type).

A: Of course we need $n > 2$.

Assume $n\ge 3$.

Claim:$\;$Every even permutation in $S_n$ can be multiplied by a product of $3$-cycles to reach the identity.

Proceed by induction on $n$

For $n=3$, the claim can be verified by direct computation.

Let $n\ge 4$ and suppose the claim holds for the case $n-1$.

Let $F_{n-1}$ be the subgroup of $S_n$ which fixes $n$ (regarding elements of $S_n$ as permutatons of the set $\{1,...,n\}$).

We can identify $F_{n-1}$ with $S_{n-1}$, hence we can freely regard elements of $F_{n-1}$ as elements of  $S_{n-1}$, and vice-versa.

Let $g\in S_n$ be an even permutation.

Let $h=gc$, where $c$ is a $3$-cycle such that $c(n)=g^{-1}(n)$.

Then $h(n)=g(c(n))=g(g^{-1}(n))=n$, hence $h\in F_{n-1}$.

Since $c$ is a $3$-cycle, $c$ is an even permutation, hence $h$ is even, both as an element of $S_n$ and as an element of $S_{n-1}$.

Hence by the inductive hypothesis, regarding $h$ as an element of $S_{n-1}$, $h$ can be multiplied by a product of $3$-cycles $t_1,...,t_m$ in $S_{n-1}$ to reach the identity in $S_{n-1}$. Recasting $t_1,...,t_m$ as elements of $F_{n-1}$, it follows that $g{\cdot}c{\cdot}t_1\cdots t_m=e$ in $S_n$, which completes the induction.

This completes the proof.


text:
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The success of the HDR | Hurley Palmer Flatt Group is built on our commitment to adding value beyond engineering. The company has grown and expanded its offering over time with the acquisition of complementary businesses including HDR | Andrew Reid, HDR | Bradbrook Consulting and HDR | Concentre Consulting. The company continues to grow its turnover organically.
We have over 500 staff located throughout our 10 office locations, delivering projects worldwide. The Group is Headquartered in London, with six other offices across the UK, in addition to offices in Dubai, Mumbai, Singapore and Sydney.
In 2019, we joined HDR, whose core businesses' encompass; Transport, Water, Resources, Defence, Architecture and Building Services Engineering. Together the two firms represent more than 10,000 employees in over 200 locations around the world, and significantly increase our Building Engineering Services to more than 1,200 employees.
Group Facts
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For more information and resources, please view our 'Publications' page.


text:
The github issue list is for bugs, not discussions. If you have a question you want to ask you have many alternatives:
- [The SignalR forum](http://forums.asp.net/1254.aspx/1?ASP+NET+SignalR)
- [The JabbR chat room](https://jabbr.net/#/rooms/signalr)
- [Stackoverflow](http://stackoverflow.com/questions/tagged/signalr)

When filing issues, please use our [bug filing templates](https://gist.github.com/signalrcoreteam/5317001). The best way to get your bug fixed is to be as detailed as you can be about the problem.
Providing a minimal project with steps to reproduce the problem is ideal. Here are questions you can answer before you file a bug to make
sure you're not missing any important information.

1. Did you read the [documentation](https://github.com/SignalR/SignalR/wiki)?
2. Did you read the [FAQ](https://github.com/SignalR/SignalR/wiki/Faq)?
3. Did you include the snippet of broken code in the issue?
4. Can you reproduce the problem in a brand new project?
5. What are the *EXACT* steps to reproduce this problem?
6. What operating system are you using?
7. What version of IIS are you using?
8. What version of Visual Studio?

Github supports [markdown](http://github.github.com/github-flavored-markdown/), so when filing bugs make sure you check
the formatting before clicking submit.

## Contributing code

### Coding guidelines

We follow the [ASP.NET webstack coding guidelines](http://aspnetwebstack.codeplex.com/wikipage?title=CodingConventions)

### Project Workflow

Our workflow is loosely based on [Github Flow](http://scottchacon.com/2011/08/31/github-flow.html). We actively develop in the **dev** branch. This means that all pull requests by contributors need to be developed and submitted to the dev branch.
The master branch always matches the current release on [nuget.org](http://nuget.org/packages/Microsoft.AspNet.SignalR/) and we also [tag](https://github.com/SignalR/SignalR/tags) each release.
When the end of a milestone is coming up, we create a branch called **release** to stabilize the build for the upcoming release.
The release is then merged into master and deleted and the cycle continues until the end of the next milestone.

### Issue management

**Tag Format**

- **Bug** – A Bug
- **Feature** - A Feature
- **Task** – Has no effect on product code

**States**

- **Ready** – Bug/Feature ready to be worked on
- **Working** – In process of development
- **Review** – Bug/Feature is coded and now needs to be reviewed before being "accepted" as final
- **Done** (Open) – Bug/Feature has been "accepted" as final and is ready for verification (pushed to source)
- **Done** (Closed) – Bug/Feature has been "accepted" as final and has resolved the corresponding issue

### Submitting Pull requests

You will need to sign a [Contributor License Agreement](https://cla.msopentech.com) before submitting your pull request. To complete the Contributor License Agreement (CLA), you will need to submit a request via the form and then electronically sign the Contributor License Agreement when you receive the email containing the link to the document. This needs to only be done once for any Microsoft Open Technologies OSS project.

Make sure you can build the code. Familiarize yourself with the project workflow and our coding conventions. If you don't know what a pull request is
read this https://help.github.com/articles/using-pull-requests.

Before submitting a feature or substantial code contribution please discuss it with the team and ensure it follows the product roadmap. Note that all code submissions will be rigorously reviewed and tested by the ASP.NET SignalR Team, and only those that meet an extremely high bar for both quality and design/roadmap appropriateness will be merged into the source.
[Don't "Push" Your Pull Requests](http://www.igvita.com/2011/12/19/dont-push-your-pull-requests/)

Here's a few things you should always do when making changes to the SignalR code base:

**Commit/Pull Request Format**

```
Summary of the changes (Less than 80 chars)
 - Detail 1
 - Detail 2

#bugnumber (in this specific format)
```

**Tests**

-  Tests need to be provided for every bug/feature that is completed.
-  Tests only need to be present for issues that need to be verified by QA (e.g. not tasks)
-  If there is a scenario that is far too hard to test there does not need to be a test for it.
   - "Too hard" is determined by the team as a whole.

redpajama_set_name: RedPajamaGithub


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FSA training and production at Seringal Veneza
This is a brief description of the work in the State of Acre, Brazil. From 5th to 15th November 2012 the FSA training and production happened at Seringal Veneza with rubber tapping families that are part of the producers association of Parque da Cigana.
Vanda (who is the chemistry researcher from the Lateq) and I travelled on the 5th from Brasília to Rio Branco, and then to Feijó, and then to the community of Parque da Cigana on the 6th, after many setting up plenty of materials, food, utensils to take to the training days. Mr. Tabota from Seaprof in Feijó was really kind and efficient in helping us to sort everything out.
The first thing I did in Brasília was to buy Renascença laces in a crafts fair to make printing tests with the rubber. These laces are from a cooperative of women from the State of Paraíba.
Mr. Raimundo Flor is the president of the Parque das Ciganas Producers' Association.
Coincidentally, we had just arrived in Rio Branco and met people from Parque das Ciganas Producers' Association. They were going to travel to a rubber tapping conference, but unfortunately, later we heard they lost their flight. So, Raimundo and Edinaldo return to the community to work with us, which was important as they are local leaders.
On the 'ramal', as they call the ways to the communities in the rainforest.
First meeting with the families. Clarifications about the training and production.
Very participative discussion about the logistic of the next days of working. Who would do what; what needed to be organised, fixed, done.
We were very welcome by the families who would be involved in the course. However we were a bit frustrated because we expected to have latex to begin the course on the same day, but the production was not organised yet. In the end everything was right as we employed the time to discuss how things would work during the next days. Soon, women and men assumed their best roles, one in tapping the trees, others in organising the work space, cleaning, and producing the rubber sheets, among others. On the next day, each one were in their way to makes things happen.
Lovely breakfast before working. In the first picture, Miss Rosa holds a paca she was preparing for lunch. Mr. Raimundo hunted it on the previous evening.
Reorganising the producing unit.
Women cleaning the trays to the rubber sheets production and organising materials.
While we were waiting the guys with the latex, I played with the rubber showing them how we could work with the material to develop jewellery and other artefacts.
Mrs. Andreia and Mrs. Heloilda were very keen in learning and developing crafts with the rubber.
I brought these FSA (Semi-artefact sheets) to show them.
Mr. Vanderlei and children going to the river to take water.
In front of the processing unit.
As the latex arrived, the first production took over. Mr. Piloto (wearing hat) highlighted himself for his performance in fixing, building, transporting, organising. Mr. Gentil collected a good amount of latex and were happy for this.
Mrs. Andreia highlighted herself among others for being very articulated and for her expertise in doing the FDL, consequently having great facility to learn how to deal with the FSA.
Mrs. Heloilda and Mr. João mixing the latex.
Testing pigments.
The first production was very enthusiastic. We made about 60 rubber sheets, but lost some of them because it was also a day of testing the latex with new pigments to achieve the pastel colours we wanted. We also lost a part of the latex because of the long distance and warm weather.
Tests with laces on rubber
On the second day we could see what were the pigments and sheets that worked and the ones that did not. From our notes, Vanda and I knew beforehand what worked well and what we should not repeat. After pressing the coagulated rubber we did some tests of printing some sheets with laces textures.
From semi-artefact to artefacts
After pressing all the rubber sheets I showed Iris and Andreia how to work with the wet rubber to develop products. They were enthusiastic about it and immediately began to materialise ideas. I was also glad to be part of this emerging creativity process.
Later on, the team of the The Economist newspaper, with WWF UK and WWF Brazil arrived. They came out in such special moment, which just became even better through out the reportage. The rubber tappers exposed the difficults they are facing because of deforestation and the importance of the rubber and other productive activities in the forest. Moreover, we explained the FDL and FSA technologies, which the processing method was demonstrated by Vanda and the producers.
Andreia showing the lace printing.
Robin, Amanda, Fernanda and I.
Flavia, Dande, Edinaldo and Andreia.
Iris, Andreia, Flavia, Fernanda, Amanda and Robin.
Flavia, Amanda, Vanda and Helen.
Mr. Antônio's house.
I was presenting the FSA.
Sunset in front of the Envira River, Feijó.
I am the design consultant of the Rainforest Fashion Project of the Sky Rainforest Rescue in partnership with WWF UK and WWF Brazil. This was initially a private blog made to share the development of the jewellery collection in Brazil with team members. Know more about the development of Lily Cole's jewellery collection.
UA-62600807-1 © Flavia Amadeu


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Sona Bolagh (, also Romanized as Sonā Bolāgh; also known as Şūnābolāghī) is a village in Baba Jik Rural District, in the Central District of Chaldoran County, West Azerbaijan Province, Iran. At the 2006 census, its population was 86, in 27 families.

References

Populated places in Chaldoran County


text:
California Conquest
Action / Adventure / History / Romance / Western
Keywords: california settler
Get Expert VPN
The period is the 1840's and California is part of Mexico. Many of the citizens wish to become part of the United States. Other countries are also interested and the Russians have established bases in the northern part of the territory. To further their hold they have stolen guns and Don Arturo Bordega, a leader of those wanting statehood, is out to recover them.—Maurice VanAuken
Lew Landers
Cornel Wilde as Don Arturo Bordega
Teresa Wright as Julia Lawrence
John Dehner as Fredo Brios
Hank Patterson as Sam Lawrence
Reviewed by richardchatten 6 / 10
Cornel Wilde follows in the footsteps of Zorro in this quickie from the team of producer Sam Katzman and director Lew Landers set long ago when Los Angeles was just a collection of shacks but the Russkies were already the menace.
Villainy is supplied by those usual suspects Alfonso Bedoya and John Dehner, while the biggest (and most pleasant) surprise is a unique appearance in Technicolor by the usually demure Theresa Wright as a feisty young filly who strides about in boots and britches and is handy with a gun. She should given Wilde a swift clip about the ear for calling them "those horrible pants" and the film subscribes to the usual nonsense that she's only capable of turning heads when she changes into a nice frilly dress.
"The Czar has no territorial ambitions"
California Conquest was a film of its times at the height of the Cold War and the McCarthy period when some in Hollywood felt it was their duty to show the Russians for the grasping imperialists they were even before Karl Marx drew breath. Cornel Wilde plays a California Don already looking forward to statehood with USA and Teresa Wright is the daughter of an American settler in California who has a dry goods business.
I'm of the opinion that a lot of Hollywood players to make themselves blacklist proof did films like California Conquest. Wilde himself was a person of no political leanings that I've discovered took a film like this so that no one would question his patriotism in those times.
As history records the last Russian settlement in California closed up shop in 1841 that being Fort Ross which was mentioned here. It is here though that Ivan Lebedeff and Lisa Ferraday are the Czar's agents weaving a plot to bring all of California into the Russian fold. As their agents they have Alfonso Bedoya bandit leader in the Gold Hat tradition and the ambitious John Dehner who is setting himself as a Quisling.
No mention here of the Mexican War to come or of that phrase that had a lot of currency back in those days about American 'Manifest Destiny' to spread from the Atlantic to the Pacific and if you don't agree too bad.
Don't get me wrong there were some good anti-Communist films of the time. California Conquest just isn't one of them.
Reviewed by boblipton 3 / 10
Defeating the Dialogue Directors
Cornel Wilde does a Mexican accent. He does a really bad Mexican accent with an often wooden delivery. For me that trumps every other aspect of this movie, which is supposed to be about California in the 1840s and jockeying between Mexico, the U.S. England and Russia to control it, but seems to be about Wilde getting into sword fights, breaking into peoples' hotel rooms to rob them and wooing Teresa Wright.
It even makes Teresa Wright seem like a bad actress. She had been nominated for two Oscars a decade earlier and had won one, and was a wonderful actress, but her delivery, which was just right when speaking with Gary Cooper or Joseph Cotten, well, here it makes her seem as if she thinks that Cornel Wilde is slightly deaf or stupid.
There are other aspects of this movie one might consider, I suppose, but I find it impossible to concentrate on them enough to offer them for your consideration. Let's simply note that this movie was decent enough to keep me watching to the end and that's why it's not an absolute bomb. But it's not worth your time to look at it.


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Through the interplay of a real mannequin and the Microsoft HoloLens, the augmented reality application "Medical Holoman" becomes an interactive experience for medical enthusiasts. Users interactively explore the human anatomy by intuitively controlling the app with their gaze. But there is even more: Users can also use their x-ray vision to explore medical components such as the Metha® Short Hip Stem System.