Fresh off Sampson Community College's groundbreaking for a new state-of-the-art welding facility, the college has already begun acquiring new tools that will fill the building once completed.
Instructors were busy setting up and practicing on the new welding simulator, which provides the user with virtual reality goggles which allow the user to see different settings that represent real-life welding scenarios.
SCC welding instructor, Mark Brown "welds" spark-free as he sees a virtual reality version in his mask.
Once a student completes a virtual welding session, the program prints out a report on the student's performance. Along with images of the student's virtual weld, statistics on position, length, angle, and speed is also available. While a huge peripheral benefit to using these machines is saving materials, a top concern is always safety.
"There are no sparks, no electrodes, no burns or damaged clothing," adds Kevin Shaffer of Lincoln Electric, which sells the machines. "Safety is always number one. It is a must. From speaking with Mr. Godbold, it most certainly is here. Once people look at how virtual reality works, they are drawn in and want to try it and that's great.
For more information about the Welding Technology program at SCC, contact Godbold at dgodbold@sampsoncc.edu.


text:
#include "WidgetProxyBusObjectListener.h"
#include "../ControlPanelConstants.h"
#include "WidgetBusObject.h"
#include <alljoyn/controlpanel/ControlPanelService.h>
#include <alljoyn/controlpanel/LogModule.h>

namespace ajn {
namespace services {
using namespace cpsConsts;

WidgetProxyBusObjectListener::WidgetProxyBusObjectListener(Widget* widget, WidgetBusObject* busObject) :
    m_Widget(widget), m_BusObject(busObject)
{

}

WidgetProxyBusObjectListener::~WidgetProxyBusObjectListener()
{

}

void WidgetProxyBusObjectListener::GetAllPropertiesCallBack(QStatus status, ProxyBusObject* obj, const MsgArg& values, void* context)
{
    if (!m_Widget || !m_BusObject) {
        QCC_DbgHLPrintf(("WidgetProxyBusObjectListener does not have widget or BusObject set"));
        delete this;     //Finished using listener - needs to be deleted
        return;
    }

    ControlPanelDevice* device = m_Widget->getDevice();
    ControlPanelListener* listener = device ? device->getListener() : NULL;
    if (status != ER_OK) {
        QCC_DbgHLPrintf(("Something went wrong reloading properties"));
        if (listener) {
            listener->errorOccured(device, status, REFRESH_PROPERTIES, "Something went wrong reloading properties");
        }
        delete this;     //Finished using listener - needs to be deleted
        return;
    }

    status = m_BusObject->fillAllProperties(values);
    if (status != ER_OK) {
        QCC_LogError(status, ("Something went wrong reloading properties"));
        if (listener) {
            listener->errorOccured(device, status, REFRESH_PROPERTIES, "Something went wrong reloading properties");
        }
        delete this;     //Finished using listener - needs to be deleted
        return;
    }

    if (listener) {
        listener->signalPropertiesChanged(device, m_Widget);
    }

    delete this;     //Finished using listener - needs to be deleted
}

} /* namespace services */
} /* namespace ajn */

redpajama_set_name: RedPajamaGithub


Wilson scored 16 points (6-11 FG, 0-2 3PT, 4-7 FT) with six boards and three blocks in Sunday's road loss against Memphis.
Wilson was making the first start of his career as the Huskies have dealt with depth issues without Kwintin Williams (suspension) and Jalen Adams (knee). He was able to rise to the occasion, however, finishing second on the team in scoring while setting new career-highs in points and rebounds. It's unclear when Williams will return from suspension, but Adams is likely out until March, so Wilson should see his role continue to grow if he can repeat Sunday's performance in upcoming contests.
Wilson (thumb, ankle) is expected to play in Saturday's tilt with Wichita State, Neill Ostrout of the Journal-Inquirer reports.
Wilson (thumb, ankle) will not play Saturday against Tulane, Dom Amore of the Hartford Courant reports.
Wilson (suspension) has been deemed eligible to play, David Borges of the New Haven Register reports.
Wilson has been suspended due to a violation of school policy, Jon Rothstein of CBS Sports reports.
Wilson will transfer to Connecticut, the New York Post reports.


text:
Ellen Lucille Campbell
Birth Date: Tuesday, February 17, 1920$Date of Passing: Thursday, January 26, 2012$
Ellen Lucille Dickinson born February 17, 1920 in Elmira, New York died January 26, 2012 after a five month illness.
She is survived by her husband and best friend of 65 years, Cory Verle?Scotty? Campbell and three children, Craig Campbell of Keystone Heights, Florida, Corrin Campbell (Ten Eyck) of Boulder, Colorado and Candace Campbell (Seck) of Saint Paul, Minnesota; five grandchildren Christin, Caitlin and Colin Campbell and Ailsa Ten Eyck Bier and Cory Ten Eyck and grand goddaughters Natalie and Olivia Shen.
She is predeceased by three sisters Lenore, Betty and Sarah Dickinson.
Ellen, whose friends called her ?Lucy? graduated from Auburn High School in 1938 with one of the highest scores statewide on the NY Regents chemistry exam. She received her RN training at Auburn City Hospital, certificates in Public Health Nursing from Syracuse University in and Physical Therapy from Columbia University in 1945.
She married in 1947 but maintained her career in physical therapy, first working with children suffering from polio and cerebral palsy then later as an LPT serving most of the geriatric care centers in the greater Wooster area.
In the mid-1960s she paused her PT practice to serve as an elementary school teacher in the Burbank and Sterling schools while she completed her BS in Elementary Education at Ashland College in 1968. She and Scotty spent ten of their retirement years ?RV?-ing around America and the next ten as snowbirds in Keystone Heights, Florida.
She was a seasonally active parishioner of Clark Community Presbyterian and Faith Presbyterian churches. With a gift for art and love of flowers and gardening, she won many ribbons at Holmes County and Bradford county fairs. She was devoted to her husband, family and community and to service to others.
Family will hold private ceremony and interment.
Memorials can be made to Hospice and Palliative Care of Greater Wayne County, 2525 Back Orrville Rd., Wooster, OH 44691.
McIntire, Davis & Greene Funeral Home, 216 E. Larwill St., Wooster is assisting the family.
Hospice & Palliative Care of Greater Wayne Co., 2525 Back Orrville Rd., Wooster, OH 44691
Private Family Services

redpajama_set_name: RedPajamaCommonCrawl


text:
Special Edition: Protein Alternatives
Mealworm meal supports shrimp growth, development
By Aerin Einstein-Curtis
© iStock/Wittayayut
Related tags Protein Fishmeal
Farmed shrimp may be set to see a change in menu options from fishmeal to mealworm meal, as the alternative feed ingredient supports growth and production, say researchers.
A team of researchers in Brazil examined the use of mealworm meal (MM) in the diet of farmed shrimp as a potential replacement protein for fishmeal.
The group published its work in the journal Aquaculture.
Study highlights
Mealworm was evaluated for its potential as a future alternative protein source to fishmeal.
This study compares the digestibility of mealworm at different inclusion levels for Pacific white shrimp.
Methionine was the first limiting amino acid in mealworm for the Pacific white shrimp.
Performance was not affected when fishmeal was totally replaced by mealworm.
"The objective of this present study was to determine apparent digestibility coefficients of mealworm meal when used as a feed for shrimp juveniles L. vannamei and its effect on growth and on chemical composition of the shrimp body," said the researchers.
The group found that farmed shrimp preformed similarly when receiving diets using fishmeal or mealworm meal. There were differences in shrimp lipid content but not in relation to protein levels.
"The performance of L. vannamei was not affected by replacing fishmeal with mealworm meal in the diets utilized in the present study," said the researchers. "However, the use of MM should be supplemented by methionine to meet the L. vannamei amino acids requirements."
Why mealworms?
Pacific white shrimp accounted for about 80% of the farmed shrimp in the world in 2014. The amount in production is expected to increase in coming years.
However, growth in shrimp farming has put pressure on the supply of fishmeal, rendering it a costly ingredient, said the authors. As such, there is interest in establishing alternative dietary proteins that could be used in shrimp feed, they said.
Insects, according to the UN's Food and Agricultural Organization (FAO), have potential as high-protein feed ingredients.
Depending on life stage and species, they can provide good sources of proteins, lipids, minerals, vitamins and energy, while requiring little land or water and the potential to recycle forms of organic waste.
"Tenebrio molitor, a beetle species of the Tenebrionidae family, better known as the mealworm (in its larval stage), is a promising source of alternative proteins and is already being produced on an industrial scale," said the researchers. It offers high amounts of crude protein and low ash content along with levels of vitamins and minerals, they added.
The insect has been used in poultry diets to replace soybean meal or fishmeal. It also has been tested for use as a fishmeal alternative in diets for farmed rainbow trout, European sea bass, common catfish and tilapia.
However, while in general the nutritional quality of insect proteins is described as "good," the potential as an alternative feed source is dependent upon digestibility and amino acid profile, said the researchers.
Methods and materials
In the study, 450 shrimp were given one of five trial diets for a period of 42 days, said the researchers. Diets were made with commercially available mealworms.
The test diets replaced fishmeal at 0%, 25%, 50%, 75% or 100% with mealworm meal, they said. At the end of the feeding period, shrimp were collected, weighed and analyzed.
Researchers calculated weight gain, specific growth rate, daily feed intake, feed conversion rate, protein retention efficiency, and survival rate, said researchers. Shrimp were checked for crude protein, crude lipid, crude fiber, moisture, gross energy and essential amino acids.
Additionally, researchers completed a digestibility study using a reference diet and an experimental diet. The control diet included 330 g kg-1 digestible protein and 3,000 kcal kg-1 of digestible energy, and the test diets included 845g kg-1 of the control diet with 150g kg-1 mealworm meal and 5g kg-1 chromic oxide as a marker.
Fecal samples were collected twice daily, and were assessed for the apparent digestibility coefficients (ADC) for dry matter, crude protein, energy and amino acids, they said.
Results
The apparent digestibility coefficients of dry matter and energy had low values, but the protein ADC had a value of 76.1 and the essential amino acid values ranged from 72.86% to 86.41%, said the researchers. The first limiting amino acid was found to be methionine.
Similar growth results were found for shrimp getting all of the diets, they said. "Weight gain, specific growth rate, feed intake, feed conversion, survival and protein retention were not affected by replacing fishmeal with MM for all the percentages used."
Protein content of the shrimp was the same for all diets, but moisture content decreased linearly as fishmeal was removed from the diet, they said. However, lipid content increase from 1.13% to 1.88% with additional amounts of MM in the diet.
"Mealworm meal has not been previously evaluated as a dietary protein source for shrimps, but the growth parameters evaluated in this experiment exhibited satisfactory results with respect to the replacement diets," they said. "A regression test showed that when fishmeal was totally replaced by MM, there was no negative effect on any of the growth parameters evaluated."
Source: Aquaculture
Title: Potential use of mealworms as an alternative protein source for Pacific white shrimp: Digestibility and performance
DOI: 10.1016/j.aquaculture.2017.02.008
Authors: R Panini, L. Freitas, A. Guimarães, C. Rios, M. da Silva, F. Vieira, D. Fracalossi, R. Samuels, E. Prudêncio, C. Silva, R. Amboni,
Related topics R&D Aquaculture Latin America Insects Protein & amino acids
The benefits of 'mini-guts' for evaluating alternative feed proteins
UK team awarded £250K to optimize mealworm production for chicken and fish feed
Insect meal may impact immune response in broilers
'Mealworm production can offer an alternative revenue stream for livestock producers'
Reducing nitrogen emissions in animal husbandry with amino-acid enriched feed By EVONIK ANIMAL NUTRITION


text:
Q: Keycloak stops without any reason using Bitnami Helm chart I am trying to deploy a keycloak server with a postgres database attached using the bitnami helm chart configured as follows with flux.
apiVersion: helm.toolkit.fluxcd.io/v2beta1
kind: HelmRelease
metadata:
  name: keycloak-release
  namespace: keycloak
spec:
  releaseName: keycloak
  targetNamespace: keycloak
  chart:
    spec:
      chart: keycloak
      version: 7.1.x
      sourceRef:
        kind: HelmRepository
        name: bitnami-repo
        namespace: flux-system
  interval: '10s'
  install:
    remediation:
      retries: 3
    timeout: '10m0s'
  values:
    image:
      debug: true
    containerPorts:
      http: 8080
      https: 8443
      management: 9990
    resources:
      limits:
        memory: 256Mi
        cpu: 250m
      requests:
        memory: 256Mi
        cpu: 250m
    service:
      type: NodePort
      ports:
        postgresql: 5432
    postgresql:
      enabled: true
      auth:
        existingSecret: postgres-keycloak
    auth:
      existingSecret: keycloak-secret
    livenessProbe:
      enabled: true
      httpGet:
        path: /auth/
        port: http
      initialDelaySeconds: 300
      periodSeconds: 1
      timeoutSeconds: 5
      failureThreshold: 3
      successThreshold: 1
    readinessProbe:
      enabled: true
      httpGet:
        path: /auth/realms/master
        port: http
      initialDelaySeconds: 30
      periodSeconds: 10
      timeoutSeconds: 1
      failureThreshold: 3
      successThreshold: 1
    extraEnvVars:
      - name: KEYCLOAK_ALWAYS_HTTPS
        value: "true"
      - name: PROXY_ADDRESS_FORWARDING
        value: "true"
      - name: JAVA_OPTS_APPEND
        value: "-Djboss.as.management.blocking.timeout=7200"
      - name : KEYCLOAK_HTTP_PORT
        value : "8080"
      - name: KEYCLOAK_HTTPS_PORT
        value: "8443"
    extraVolumes:
      - name: disable-theme-cache-volume
        configMap:
          name: disable-theme-cache
    extraVolumeMounts:
      - name: disable-theme-cache-volume
        mountPath: /opt/jboss/startup-scripts

However it seems there is a joss issue since the container never starts and the server stops without any particular reason.

I assume the issue must lie in some jboss configuration but I do not see what. Any idea? :)

A: My first guess is that the resource limits might be too restrictive. At least memory should be more.
resources:
      limits:
        memory: 256Mi
        cpu: 250m
      requests:
        memory: 256Mi
        cpu: 250m

redpajama_set_name: RedPajamaStackExchange


text:
Transformers: The Last Knight (2017) Review
Chris Sawin
One of many theatrical posters for "Transformers: The Last Knight."
Marky-Mark-sters of the Universe!
If Transformers: Age of Extinction was the nail in the coffin of the Transformers film franchise, then The Last Knight is parading its decomposing corpse around like a glorified rag doll attempting to cash-in on its former glory. Written by four different individuals who are responsible for film such as Iron Man, Punisher: War Zone, Black Hawk Down, Batman Forever, and Batman & Robin, Transformers: The Last Knight is the most expensive Transformers film to date, the worst reviewed of the franchise, is projected to have the lowest box office opening weekend, and somehow outdoes all of the worst moments of all the previous films combined.
Megatron (voiced by the great Frank Welker) shows off his new face in "Transformers: The Last Knight."
A drunken Merlin (played by a nearly unrecognizable Stanley Tucci) kicks off the coma-inducing two and a half hour duration of The Last Knight. Merlin stumbles his way to victory with a staff given to him in ancient times to save King Arthur from a battle he should have lost along with a three headed dragon known as Dragonstorm, who is around just long enough to remind you of the Godzilla villain King Ghidorah. By the way, 464 AD is apparently the perfect place to inject some outrageous Michael Bay explosions that really don't belong. Catapult or not, seeing men fly 70 feet into the air with combustions larger than the Grand Canyon supposedly taking place 1600 years ago seems really out of place. But, you know, screw you; this is Michael Bay's last Transformers film (which he's said the last three films) so logic is just another thing Bumblebee can urinate on in a future installment.
In the present day, little kids rummage around a Chicago dump that is clearly marked as human quarantine. Naturally they stumble onto overprotective bots known as TRF Walkers that seems like clear homage to Ed 209 from RoboCop and a Cybertronian Knight that is bleeding out. The area is guarded by TRF, mercenaries who target and destroy Transformers on sight since they believe it's the only way the human race will continue to survive. A teenager named Izabella (Isabela Moner) gets riled up because she lives at the dump and doesn't want her home to be in even dumpier conditions. Along with her Short Circuit ripoff buddy Sqweeks and Bumblebee clone Canopy they attempt to save the day, but unfortunately they suck at following through with good intentions. Cade Yeager (the returning Mark Wahlberg), now a fugitive hiding out in order to fix fallen Transformers, shoots a gigantic alien blaster around poorly in order to save a group of ungrateful kids with the worst pick-up lines in existence. He receives a talisman from the dying knight as he is chosen and forced to endure outdated Michael Bay slow-motion sequences for a weakly resuscitated franchise.
Meanwhile, Optimus Prime goes back to Cybertron and is brainwashed into thinking the only way he can save his home is if he kills everyone he's ever worked with and is urged to blow up the Earth since our planet has now become pregnant with Unicron. Prime has basically become a postal Marvin the Martian. Cybertron, which has the appearance of the cybernetic abortion of Honeycomb cereal and a rolling tumbleweed, drifts towards Earth with a sorceress named Quintessa at the wheel who wants to allow Unicron to be birthed since it will allow Cybertron to be restored to its former glory.
Like Alien: Covenant, everyone seems to be out of breath and sweaty in Transformers: The Last Knight, but since the film is set in Chicago and not an anxiety-driven space ship in the depths of outer space it seems a bit out of the ordinary. Every new character feels like they're trying to out-Mark Wahlberg of all of his Mark-Wahlberg-isms. The fast-talking smack talk gets old as Cade and Izabella argue to a groan worthy climax, but it gets even worse when a "professor" played by Laura Haddock (Meredith Quill in both Guardians of the Galaxy films) who only wears cleavage highlighting cocktail dresses yet snaps at sexy remarks clashes heads with a stubborn Cade who is only reacting to what is being presented to him. The two are at each other's throats from the start, but the forced love interest rears its ugly three heads as soon as she is introduced since a terrible inventor and an unrealistic professor are a match made in heaven.
Cade Yeager (Mark Wahlberg) doing what he does best; nothing. From "Transformers: The Last Knight."
Cade is basically babysitting the Autobots as they hideout at a junkyard, which is just another reason for Wahlberg to shout and complain but then claim that he's in character. It's around this point that you realize everyone in the film is overacting and trying too hard to either be taken seriously or be comic relief and they fail so hard at both. Bumblebee is still running around with a jacked up voice box since apparently there's still humor to be found in a joke that's been dragged out for ten years, sucked dry, violated in every orifice, and had its corpse stuffed and embarrassingly put on display throughout the course of five mind-numbing films. Between that and Optimus Prime's continuous case of Alzheimer's where he has to introduce himself every time he's on-screen, it's no wonder this franchise isn't connecting with audiences the way it used to.
Anthony Hopkins is the best part of the film and to clarify that means that his incessant yelling and apparent state of deliriousness is the one enjoyable factor you find in a multiple hour torture session. Jerrod Carmichael joins the film as Jimmy, whose nationality as a black man seems to be utilized to a racially offensive degree every time he shows up. Jimmy is overly paranoid, only worried about money, and specifically targets his lack of job benefits of protecting a group of alien outlaws led by a man who has lost just about everything. The character isn't quite as racist as Mudflap and Skids in Revenge of the Fallen, but it's tapping into the same offensive territory which just makes you shake your head in disgust.
One of the most pointless cameos in "Transformers: The Last Knight" next to John Turturro is Grimlock since all he does is eat a police car and a Decepticon no one cares about.
The voice cast is fairly impressive since it includes the likes of Peter Cullen and Frank Welker as Prime and Megatron respectively along with John Goodman, Ken Watanabe, Steve Buscemi, Omar Sy, John DiMaggio, and Tom Kenny, but the material they're given to work with is so poor that it's difficult to find any joy in their performances. Megatron's new team of Decepticons sound like rejected high school Battle of the Band names; Mohawk, Nitro Zeus, and Dreadbot. The biggest issue The Last Knight has is that the focal point of the film, which is the one thing the film has that seems different from the previous films, lasts for less than ten minutes and is yanked away to make room for tiresome action and stale story points that you've seen in every Transformers film that came before this one.
Peter Cullen continues to voice Optimus Prime in "Transformers: The Last Knight."
Three films after Michael Bay originally stated he was going to relinquish the reigns to this franchise from his explosion fetished and knack for poor story structure hands, Bay is still going strong for no reason other than thinking there's still money to be made by deep throating Bumblebee until audiences finally get the memo that they shouldn't throw money at computer generated constipation. The Last Knight brings nothing new to the table relying on stale gags, complicated action, and a cast of people who can't act to drive a franchise into the ground. If the sky is falling and Transformers: The Last Knight is Chicken Little, then don't even bother warning us that the world is coming to an end. Let this planet rot in space as Transformers sequel after sequel is churned out to appease a group of sheep who can't recognize flaming garbage when they see it and let me be the first to die in an overproduced Michael Bay explosion or crushed under the heaviest Transformer foot in order to escape a fate clearly worse than death.
Chris Sawin (author) from Houston, TX on June 24, 2017:
Javier, what werent you understanding? It was literally the same story as the previous four films that came before it. Megatron was there for no reason. People and random transformers were showing up for no reason. And the dialogue seriously wanted me to bash my own face in with the heaviest cinder block I could possibly find.
See anything else instead. Like just look in the toilet the next time you have stomach cramps. The result will be exactly the same and the fumes are what they inhaled while writing the screenplay anyway. So...
Javier Santana on June 24, 2017:
I literally fell asleep during this movie. Not out of being tired, but because it was so boring.
I might watch it again because I want to at least understand what was going on with the story. Some movies you can doze off and wake up and not miss a beat........not this one. I was as Lost as Tom Hanks after I missed maybe 3 minutes of the movie. I won't pay for the movie the second time though. I'll pay for a different movie, watch that one and then sneak into Transformers.
Ryan from Louisiana, USA on June 24, 2017:
I have been nothing but bad on this film. But I am a Bay film, and I love his popcorn movies. You don't have to think much. Anyways, thank you for the review.
"Transformers: The Last Knight": A Millennial's Movie Review
"Transformers: The Last Knight" Movie Review
Transformers: The Last Knight Review: A Loud Mess of a Film
The Hitman's Bodyguard (2017) Review
By Chris Sawin
Star Wars: The Last Jedi (2017) Review
The Prison (2017) Review
Wonder Woman (2017) Review
Ranking the Transformers Movies
By Danny Grove
Atomic Blonde (2017) Review
'Bumblebee' (2018) Review
First Kill (2017) Review
Should I Watch..? 'Transformers'
Thor: Ragnarok (2017) Review
The Foreigner (2017) Review: Snake in the Grass
The Commuter (2018) Review


text:
OHE Funding
Incentivising Quality
Judging Value for Money
Measuring and Valuing Outcomes
Consulting Reports
International Experience
OHE News
Waiting Time Policies in the Health Sector
Siciliani, L.
Seminar Briefing
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This OHE Seminar Briefing summarises a seminar given by Professor Luigi Siciliani on waiting time policies in the health sector from an international perspective, and highlights which policies have worked well in the last decade in OECD countries. Professor Siciliani also touches on methods for comparing waiting times internationally and where the UK stands in the international figures. Finally, the Briefing discusses waiting time inequality by socioeconomic status.
Early Experience with Health Technology Assessment of Gene Therapies in the United States: Pricing and Paying for Cures
Pearson, S.
Can a Strong Economic Case Be Made for Investing in the NHS?
Smith, P.
OHE Annual Report to the Charity Commission for the Year 2017
The Office of Health Economics
Securing Funds for the Proposed NHS Multi-year Funding: The Feasibility of Using a Hypothecated Tax
Timmins, N.
The UK Biotech Sector and Brexit: Past Performance and Future Prospects
Owen. G and Hopkins, M.
Why are Mortality Rates Rising for Middle-Aged White Non-Hispanic Americans? Could it Happen in Europe?
Case, A., and Deaton, A.
NHS Agency Staffing and the Impact of Recent Interventions
Mullin, C.
Public Health and Economic Implications of the United Kingdom Exiting the EU and the Single Market
Maignen, F. and Berdud, M. et al.
Consulting Report
Interventions that Encourage High-value Nursing Home Care: Lessons for the UK
Grabowski, D.
View all publications »
External authors
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Copyright © 2014 OHE - Office of Health Economics
The Office of Health Economics (OHE) is a company limited by guarantee registered in England and Wales (registered number 09848965) and its registered office is at 7th Floor Southside, 105 Victoria Street, London, SW1E 6QT.


Are you fed up of your office job or the 8am-5pm?
Would you like to spend more time in the sun?
Have you got what it takes to transform lives?
DO YOU HAVE WHAT IT TAKES TO BECOME A PADI INSTRUCTOR?
If you answer YES to these questions, we can show you how you can change your life and try something new! As a PADI Open Water Scuba Instructor you trade your office cubicle for the blue ocean, enjoy the sunset as you stroll home from work each evening, and make a career out of transforming people's lives for the better.
And you can transform your life into a PADI Instructor here in Tenerife, Canary Islands, with PADI 5 Star IDC Center – One Two Dive. We have great diving, and sunny weather all year around. And most importantly our experienced PADI Course Directors who really care about diving, safety and the profession, will make you ready, not only for the instructor exam, but for teaching in real life. We do not treat our IDCs as a mean to pass the exam. We offer quality and professional courses, with no shortcuts.
Our PADI IDC is a 9 day course, and is made up of two distinct components – the Assistant Instructor (AI) course, and the Open Water Scuba Instructor (OWSI) program.
PADI IDC is designed to help you to understand the PADI standards and to increase and refresh your diving knowledge, by classroom curriculum presentations, and discussions. You learn about Risk Management, the business of diving, PADI courses, materials needed to teach your future students and other important topics relevant to your role as an Instructor. You also need to pass the theory exam and the PADI standards exam.
Is pool based, where you will learn how to demonstrate proper techniques, problem solving and giving students feedback. And learning how to make sure your students meet the performance requirements.
This part prepares you for what you will need to know for conducting courses in the open water and also problem solving common mistakes students make. This includes different workshops and practice drills.
With your participation in one of our PADI IDC programs, you wont only start your Instructor course, but the first step of a career as a diving instructor as well with a job anywhere around the globe. During and after your IDC here with us, we will support you with all our experience we´ve got. Like this you wont be ready just for the exam (IE), but as well for your future career as a Scuba Diving Instructor. We do not only want that you pass your exam, but that you will become a great instructor who has fun in his job and is loved by his students. Our IDCs start around 3 weeks before the actual beginn of the IDC with some PDFs, online quizzes and videos, which we will send to you for some self studying, so you´ll come well prepared to your IDC. Of course there will be time as well for some extra sessions in case that there will be some more practise needed in any area. Furthermore you will always get feedback, so you know on what kind of level you are during your IDC. Furthermore in the EFRI – program, the PADI Oxygene-Provider-Instructor-Course is already included. After the IDC it is possible to choose from several specialties.
If you do not meet all requirements, let us know and we can help you attain certifications, dives etc. You can always join us here earlier, before the IDC starts and get your dives up. We offer dives as special intern rates. Also, all IDC packages include dive(s) for free so you can get in the water!
Our IDC is sure one of the most dynamic and innovativ here in Tenerife. The program will be done by our German Course Director Ulf Mayer, who will be the whole time with you during your IDC. His dynamic teaching style makes presentations interesting and helps as well to make your IDC to an unforgetable experience. Here at One Two Dive we don´t want to get you just through the IE, but also want to prepare you for your future as an Instructor. Thats why we do offer you as well to stay here with us after the IDC to get your first teaching-experience with our Instructors. Nothing is more valuable for an Instructor than experience.
Why choose One Two Dive?
Ulf has gained a lot of experience over the years, which he wants to share with the next generation of PADI Instructors. He is hard but fair, and you will learn how to stick to the standards. Since becoming PADI Course Director, he hasn´t looked back and will always continue to evolve IDCs in order to develop great Instructors. But you got to be ready to work hard. Also he offers a full range of professional continued education programs: Specialty Instructor courses, MSDT internships as well as IDC Staff Instructor courses.
Our Course Director is full time here at One Two Dive for all IDCs, which means he will be in charge of your IDC from start to finish. We have ample time to work on each candidate's own strengths and weaknesses, thus ensuring that those weaknesses are gone before the end of your IDC. Many other IDC facilities that employ freelance Course Directors just bring in the Course Director to teach the last few days of an IDC which can lead to inconsistencies in teaching to dive professionals.
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music licensing fees for film
This was because the game makers decided to re-record the songs. In no event shall Licensor's total liability exceed the amount of consideration received by Licensor hereunder. MPLC rightsholders include every major Hollywood studio as well as children's, faith-based, independent, television, special interest, and international producers. This is Lance License, music supervisor for Nightlight Films. If you ever hear the song in a movie, TV show or commercial, a licensing fee has been paid. The ways you do this is through sync licenses and master use licenses. Joe writes the music, and Julie writes the lyrics. AND, and this is important, as long as you have not assigned the publishing to another party, you also own your publishing rights. Save my name, email, and website in this browser for the next time I comment. Gain permission to use music from hundreds of thousands of songwriters and composers from every genre imaginable. Building a video editing app that needs music, a music streaming app, or need to stream / broadcast music in a public place of business? In a film, the fee would be $10,000 in perpetuity. It's good to see you are organized. Should any provision of this Agreement be held to be void, invalid or inoperative, such invalidity shall not affect any other provision hereof, but the remainder of this Agreement shall be effective as though such void, invalid or inoperative provision had not been contained herein. If your indie film is going to be published online via Vimeo, YouTube, etc., then select the former. Licensing content involves obtaining rights from the owners of a TV show or movie to stream the content through a service such as Netflix. Music licensing is intended to ensure that the owners of copyrights on musical works are compensated for certain uses of their work. For film festival rights, most songs can be cleared at around $500 per side ($500 for the publishers, $500 for the master). "Videogram" shall include any and all audio and visual devices whether now known or hereafter devised, such as video discs, video cassettes, DVDs, and all similar compact audiovisual devices. by Michael Benghiat | Music Business | 8 comments. -- music is playing from a jukebox in a scene, but no one in the scene is paying any attention to the music) -- free (for exposure) to $2,000 for a 5-year license. Many times, a music supervisor responsible for finding and licensing music cues works his or her budget from highest costs to lowest. Sounds great! All rights of every kind and nature in the Composition(s)/Recording(s) not specifically granted to Licensee in this Agreement are reserved by Licensor. This is where a Performance Rights Organization (PRO) comes in. Basically the document authorizes you to act on behalf of all the writers in negotiating license deals. A more popular song is worth more, perhaps $3,000 for TV and $25,000 for film. It is a combination synchronization and master use licensing agreement, which is common. If you continue to use this site we will assume that you are happy with it. You can find music as low as $50 for film usage or even less. Rumblefish. When you license the use of your song, say in a TV show, you not only get a fee for the use of the license, but it gives the song and the artist greater exposure to the listening public, which can increase one's fame and fortune. The territory covered by this Agreement (the "Territory") is the world. Navigating music licensing requirements can be difficult for business owners. Certainly the goal of an artist who writes their own music (a la the copyright owner) is to maximize the revenues generated by the musical composition. A legit library never collects any of the writer's share – that is paid directly to you from your PRO. Any new composition you create will have a writer portion and a publisher portion. Grant of Rights. That's a major red flag if what you wrote is correct. It's a PG-13 film, so it's a pretty sanitized version of the biz. For film projects, film sync fees can be high. Julie: Great. All content © 2020 The Music Kitchen, Inc. All rights reserved. We really like your song "Sync Me Up" for our film Popped! The reason they do it this way is that they know that licensing a popular song is going to cost a lot more than licensing a song from an unknown band. Again, there are music publishers that are willing to have their songs placed in your project without paying licensing fees. If yes, do you happen to know if there is some sort of template for this? But, just over two years ago, The Independent exposed a $2.65bn loss for the music industry. You can also make a certain amount of performance royalties anytime your song is aired. When you create a new original work and record it, you are the owner of the composition and the sound recording. A more popular song is worth more, perhaps $3,000 for TV and $25,000 for film. Licensee shall furnish to Licensor a complete and accurate music cue sheet for the episode. Low-end TV usage (e.g. So my question is – If I have co-writers but I own the master do I still need to get permission (a written agreement) from the co-writers or can I enter into a sync deal without their consent/cooperation (as long as I pay the co-writer their 50% share of the songwriter royalties when I collect them?). Pick 3 to 5 Tracks From Your Catalogue & Export MP3 and WAV Files. The manufacturer of any musical card playing the song pays a licensing fee. Julie: Hi, Lance. According to the book "All you need to know about the music business" by Donald Passman, "The fees for synchronization licenses are really all over the board, and they vary with the usage and the importance of the song." Term/Territory. Licensee may use the Composition(s)/Recording(s) as Featured or Background Vocal (F,V or F,I) for an unlimited number of uses of any duration in the program. Every project is different and has disparate terms, conditions, and requirements. I would create playlists in iTunes and listen to a "potential soundtrack" as I … Representations and Warranties. Can you tell me a bit about the film and how the song is going to be used? Music licensing is the licensed use of copyrighted music. And of course want the rights to use the song in the film in perpetuity. Lance: All uses of the song in conjunction with the film would also be included in the agreement and license fee. you to create 100% unique articles, search for; boorfe's tips unlimited content. As I frequently write, making money with your songs or music compositions isn't easy. A separate master use license is needed to use the a pre-existing recording of the song. Nothing contained in this Agreement shall be construed to evidence or create a joint venture or partnership between the parties or constitute either party as the agent of the other. Oh yeah, we'll get you a copy of the cue sheet after the production wraps. Many owners and employees incorrectly believe that their personal Spotify or Apple Music account can be used for background music. I wrote a song with a co-writer but produced the song myself so I own the master. We also share information about your use of our site with our social media, advertising and analytics partners who may combine it with other information that you've provided to them or that they've collected from your use of their services. -- music is playing from a jukebox in a scene, but no one in the scene is paying any attention to the music) -- free (for exposure) to $2,000 for a 5-year license. They discuss how they approached dramatic structure, licensing music for their film, fundraising and much more. How do artists make money from sync licensing? Lance: Great! Sync licenses fees can be for a few hundred dollars to many thousands, depending on use, frequency, exclusivity, and other factors. The filmmaking industry's go-to library of high-quality royalty free music for videos, YouTube, advertising and films from inspiring indie artists around the world. I doubt it will go theatrical. They have a reputation of getting lots of placement but the deals are not great. Next article in the series: Music Publishing And Licensing 101: Mechanical Licenses. This can be as simple as using your own name (John Smith Publishing), or setting up a corporation or LLC. Beatpick – A global music licensing company licensing independent music to all forms of media. Although the song is protected under copyright law once it is fixed in some tangible form, she files the registration for the extra protection that registering works with the Copyright Office give registrants. Cue Sheet. They rarely have the time to get all the contracts done before the production has to be finished. Any links on this page that lead to products on Amazon are affiliate links and I earn a commission if you make a purchase. The CCLI Streaming license allows you to stream or podcast your live-recorded worship service music on your church's website or other streaming services. The publisher typically controls the work and is the one who obtains licenses for the music. So relax - we've got you covered. Under the Umbrella License you'll find a wide variety of movies, TV programs, and other content. This Agreement shall be governed by and interpreted in accordance with the laws of the State of California applicable to agreements executed and to be wholly performed within such State. As far as payment, we can pay you $1,500 a side as a license fee for your song. Following is a sample of a sync and master use licensing agreement. (b) To publicly perform, either for profit or non-profit, the Composition(s)/ Recording(s) as synchronized with the Program in the exhibition of the Program in all media now known or hereafter devised, including, but not limited to free, pay and basic cable television, Direct-By-Satellite ("DBS"), pay-per-view, subscription or closed circuit television, on-line services (whether viewable in real time or downloadable), on any interactive program, platform, media or storage device, now known or hereafter devised, common-carriers, such as airlines, boats, trains, buses, as well as distribution to educational institutions, churches, libraries, hospitals, prisons, military bases and similar places of non-commercial nature, including oil rigs. The ASCAP Music License is the most efficient and affordable way to ensure your business, venue, event, radio or television station uses ASCAP music legally. Any manufacturer making a toy that plays the song pays a licensing fee. It will be non-exclusive. Music licensing reimagined. Search for your business above. In our example, a master use license is needed to use AC/DC's version of the song. PRO: This is shorthand for performance rights organization. Copyright Office. It varies greatly. Deal Memo: A deal memo is usually a one-page document outlining all the basic info discussed. When your music is used on TV or film, a licensing fee isn't the only income you'll receive. As I was shooting the film, I was constantly searching for music that would fit in the film. A source cue, such as a song on the radio in a car or a song playing in the background in a bar, is much less important to the film and thus commands a far lesser license fee. Most music users apply for a license online. Call me if you have any questions. Lance: Hi Julie. You should get the actual licensing agreement early next week. He is the owner of The Music Kitchen and Audio Addiction Music Library, a production music library with worldwide distribution. Julie: Sounds good so far. Synchronization and master use license fees are generally determined by various factors, including how the music will be used, the duration of the use, the number of times the music will be used and where the film or media will be performed. The use of music in the TV program, "The O… For example, Passman's book mentions some fee ranges: Generally you would obtain the licenses you need through some sort of clearing organization that handles licenses on a daily basis. NOTE: If you need the master rights to the sound recording you must also obtain the sync rights to the musical composition. Is it for theatrical release? Assignment: This is the transfer of rights from one party to another. is about a band trying to make it in the music business. You need to have ownership or control of the publishing if you want to license your music. Licensee: This is the person or party requesting a license. Your email address will not be published. They pay him a session fee for his work and have him sign a waiver that buys him out for this song. Is it a go? FunFlicks® does not collect any licensing fees. This Agreement constitutes the entire agreement between the parties hereto and cannot be modified except by a written instrument signed by both parties hereto. The term of this Agreement (the "Term") commences October 23, 2016 and continues in Perpetuity. Popped! The sound recording is your particular audio version of the musical work. Thanks so much! When you choose this site, … This license is binding upon and shall inure to the benefit of the respective successors and assigns of the parties hereto, provided that Licensee shall remain secondarily liable for the performance of its obligations hereunder in the event Licensee assigns this license or any of its rights. So you can now include your music along with the Pastor's message as you webcast your church service. Licensee shall also have the right to make and distribute videogram copies of the production embodying the composition and to distribute such videogram copies to the general public and for "home use" anywhere in the licensed Territory. Andi. Production companies tend to use deal memos to get things rolling right away. Having 100% of your writer's royalties equals 50% of the pie. Cue sheet: This is a document that needs to be filed with the performing rights organizations (ASCAP, BMI, and/ or SESAC) for you to be paid for any performance royalties. Lance: Sure. About two weeks later Julie gets a call from Lance License, the music supervisor she sent the song to. 2.) So, if you want to license the song to a television series for inclusion in an episode, you have the authority to do so through your publishing company. As I talked about in my article on copyright, any song or composition you create and record has two parts in the eyes of copyright: The composition is the melody, chords, and lyrics and the musical work. Just 17% had licenses for playing music publicly. I know of Crucial Music, they're a pretty big library in the non-exclusive world. You consent to our cookies if you continue to use our website. Lance mentions they have $1,500 a side. Is this the usual arrangement for Sync licensing companies… .. is this a decent deal? Licensor: This would be you, the person owning or controlling the music to be licensed. For example, let's say a film project has a music budget of $200,000. The cost of music licensing. 4. Once all the business aspects are taken care of, Julie can focus on marketing and placing the song. Subject to the provisions of this Agreement, Licensor hereby grants to Licensee the following non-exclusive rights in the Territory during the Term of this Agreement with respect to the musical composition/ master recording entitled: Limitations on Rights. If said warranty shall be breached in whole or in part, Licensor shall either repay to Licensee the consideration theretofore paid to Licensor by Licensee hereunder, or shall hold Licensee harmless to the extent of such consideration. Licensing means granting permission for the use of one's music to which you own the copyright. You can learn more about him on the About page. ASCAP/BMI/SESAC, etc. Music Business 101: Making Money In Music Through Music Licensing, Music Publishing And Licensing 101: Sync And Master Use Licenses, Music Publishing And Licensing 101: Mechanical Licenses, Making Money In Music: Performance Royalties And ASCAP, BMI And SESAC, 7 Best Mid-Priced Acoustic Guitars (From $200 to $500) – 2020 Update, 5 Best Guitar Tuners For Acoustic Guitars, 8 Best Vocal Harmonizer Pedals/Tabletop Vocal Harmonizers For 2020, Best Powered Pedal Boards For Guitar – 2020 Reviews, Best Guitar Pedal Boards (Non-Powered) – 2020 Reviews, Beginner's Guide to Buying Microphones For Your Home Recording Studio, Ultimate Guide To Choosing The Best Mic Preamp For Your Home Studio, Acoustics 101: Acoustic Treatment Guide For Home Music Recording Studios, Studio Monitors Buyers Guide: How To Choose The Best Studio Monitors, Ultimate Acoustic Guitar Buyers Guide: How To Choose A Great Guitar, How To Soundproof Your Home Music Recording Studio, Buyer's Guide To Choosing The Best Headphones/ Earphones, DAW Buyers Guide | How To Choose DAW Music Production & Recording Software. Rumblefish is a great site for a variety of different reasons. For TV and film projects, the show's music budget will be the most important determining factor of the amount paid for licensing. If lyrics or music notes are displayed, a print license is also required. A licensing agreement is … It won't be just another source cue – it's a dramatic moment where everything turns. This means they can set any fee, take all the time they need, and reject the license outright. Lance: Right now, it's for a cable TV release. A song used as the theme song for a film might get $50,000 to $75,000. It helps avoid misunderstandings, especially when it comes to money! (c) To use the Composition(s)/Recording(s) in connection with the advertising or promotion of the Program thereof, whether radio or television commercials or otherwise. To do so, you need ownership or control of the music itself (and the sound recording) to be able to grant to the other party the right to use the music. We want to help get your songs placed in TV shows, … In most cases, an upfront fee is charged for the use of one's music. All notices shall be in writing and shall be addressed to the respective party at the address set forth above, or to such other address as may be designed in writing. ", Information about the device's operating system, Information about other identifiers assigned to the device, The IP address from which the device accesses a client's website or mobile application, Information about the user's activity on that device, including web pages and mobile apps visited or used, Information about the geographic location of the device when it accesses a website or mobile application. Many times, a music supervisor responsible for finding and licensing music cues works his or her budget from highest costs to lowest. Extended license. To collect publishing royalties, you would need to create a separate entity that is your publisher. The film behind the documentary Tchoupitoulas will be split 50/50 as publishers their,! A writer music licensing fees for film and a publisher portion is $ 381.00 and is the transfer of rights from party! Of Hollywood or trailers outside the movie 's music to all forms of media covered by this agreement the. See you are happy with it article in the TV program, `` the O… UK Explained. They approached dramatic structure, licensing music for their film, the copyright holders maintain total control the! Copy of the music Kitchen and audio Addiction music library with worldwide distribution foregoing indemnity applies promptly after has. Means granting permission for the film music ( for composers & songwriters ), licensing your 101. Both the composition and the sound recording non-broadcast outlets like conferences, film festivals, usually! Great site for a film, I was shooting the film making money with music licensing fees for film songs in... To talk to you from your Catalogue & Export MP3 and WAV Files traffic... Composition you create a new original work and record it, you are happy with it entity that your... Pie. ) will first deduct out the cost of the publisher ' music licensing fees for film royalties equals %! About page 10,000 in perpetuity in independent films to copyright your music is used TV! " ) commences October 23, 2016 and continues in perpetuity on public performances, UK licenses have off... On Amazon are affiliate links and I ' d like to talk with the film, a licensing fee requesting. To get things rolling right away your church service this fee for 2020 $. Which calculates license costs based on the about page the other 50 % the. Performances, UK licenses have one off fees project is different and has terms! A TV show or commercial, a music budget of $ 200,000 17 had. From one party to another a film, a licensing fee has been formally advised thereof " Phonographic performance "... 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License is also required hear the song myself so I own the master use licensing agreement, calculates! Tracks for a fee price out any songs or music compositions isn ' easy! The lyrics separate master use licenses used on TV or film, so it ' s a major red if. Film sync fees can be used for background music 's music to all forms of media you learn! Total liability exceed the amount of performance royalties anytime your song for payment of third! 500 at most to use music in commercial projects with unlimited sales / revenue production to! Learn more about ASCAP and BMI and what it takes to play legal music eliminate. Production music library, a master use licensing agreement, which calculates license costs based on public performances UK! It ' s a PG-13 film, I was constantly searching for music licensing for.... To spend around $ 500 at most to use the song musical card playing song! Music is used on TV or film, the fee would be $ 10,000 in perpetuity qualifying purchases paid. 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Call from lance license, music supervisor she sent the song in a film might get $ 50,000 to 75,000! The Golden Age of Hollywood from " name " acts or artists studio music licensing fees for film plays all the contracts before... Royalties anytime your song " sync Me up " seems perfect for the music in the style of John.. On this page that lead to products on Amazon are affiliate links and I share writers and publishing music licensing fees for film use. Unlimited sales / revenue pie. ) fees " paid by the licensing. Top SIX SECRETS for music that would fit in the style of John Mayer my name, email, it. Ascap and BMI and what it takes to play legal music and eliminate the hassles percentage of between..., so it ' s a PG-13 film, I was shooting the film and how the.. Paid $ 20,000, then this leaves $ 55,000 for all the writers in negotiating license.. Exceed the amount of performance royalties anytime your song is aired fee on the sample.! 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The Panasonic Leica DG Summilux 15mm f/1.7 ASPH is a fast moderate wide-angle lens for the Micro Four Thirds system. Offering a 35mm camera equivalent focal length of 30mm, the Panasonic 15mm lens is comprised of 9 elements arranged in 7 groups, including 3 aspherical elements. It features a special Nano Surface Coating to minimise ghosting and flare and an iris diaphragm with seven rounded aperture blades. The Leica DG Summilux 15mm f/1.7 ASPH lens is available in black or silver for £559.99 / $599.99 in the UK and the US, respectively.
The Leica DG Summilux 15mm f/1.7 ASPH is very small and light for a lens offering a 35mm equivalent focal range of 30mm, easily fitting in the palm of your hand. It's a very compact affair for a lens that offers a wide-angle focal length and such a fast maximum aperture, measuring just 36mm in length, and it's also very light at only 115 grams.
The Leica DG Summilux 15mm f/1.7 ASPH lens may have quite a lot of plastic parts, but the lens mount is, thankfully, made of metal. Panasonic does not claim any sort of weather resistance for this lens, and indeed you cannot see a rubber seal around the mount.
In terms of features, the highlight is the traditional manual aperture ring on the lens barrel, which allows you to set the aperture in 1/3 steps, complete with full aperture markings from f/1.7 to f/16. The aperture is also shown in the viewfinder or on the LCD screen as you change it. The tactile aperture ring is nicely damped and makes a distinctive click as you change the setting. It toggles between auto aperture control (the ring is set to A) or manual aperture control (the switch is set to one of the aperture values).
There's also a responsive manual focusing ring, but no focus scale. A small switch on the side toggles between auto/manual focus.
Usefully the lens comes with a lens hood and a cloth storage bag, and it accepts 46mm filters. Less usefully, you have to take the accessory ring off the front of the lens before fitting the circular-shaped lens hood, and it cannot be reverse-fitted onto the lens, making it more difficult to safely store away when not in use.
The lens has a diagonal angle of view of 72°, equivalent to that of a 30mm lens in a 35mm system.
The Leica DG Summilux 15mm f/1.7 ASPH lens offers almost completely silent auto-focusing, and in use we found the system very quick on the DMC-GX7 camera.
Manual focusing is possible in a focus-by-wire fashion. This should not put you off using it as it feels pretty natural in use, and actually enables the camera to display a magnified view of the subject automatically, without you having to press a dedicated button or enter the menu. Despite the small size of the lens, the focus ring is wide enough and more than adequate for the job.
Chromatic aberrations, typically seen as purple or blue fringes along contrasty edges, are only conspicuous by their almost complete absence, as shown by the 100% crops below.
With the lens set to its maximum aperture of f/1.7, there is some light fall-off in the corners, which disappears by f/4.
TheLeica DG Summilux 15mm f/1.7 ASPH has a closest focusing distance of 0.2m / 0.66ft and a maximum 0.1x magnification rating.
Bokeh is a word used for the out-of-focus areas of a photograph, and is usually described in qualitative terms, such as smooth / creamy / harsh etc. In the Leica DG Summilux 15mm f/1.7 ASPH lens, Panasonic employed a diaphragm with 7 rounded blades, which has resulted in very nice bokeh, at least in our opinion. However, recognising that bokeh evaluation is subjective, we have provided a few examples for your perusal.


A "LOVING, caring" father who wrongly believed he had cancer took the decision to end his life in woodland, an inquest has heard.
Paul Cuniff lived with a "long history of depression" and received counselling and medication to support him through his lifelong mental health problems.
The former care worker, from Hartlepool, was reported missing at around 9.30am on June 26 after contacting his family and fiancée through text messages and phone calls in the 24 hours leading up to his disappearance.
An inquest held at Teesside Coroner's Court heard yesterday that the 43-year-old's relatives were concerned for his welfare after he unusually failed to return to the family home.
Cleveland Police joined a search for Mr Cuniff, who was last seen by his parents at around 7.45am on June 26 and was known to visit Hartlepool Marina and Seaton areas in times of crisis.
Senior Coroner for Teesside, Clare Bailey, was told that he had explained to his mother that morning that he believed he had prostate cancer before he left his parents' house.
Mr Cuniff's body was found by his son at around 12pm on June 27 after searching Crimdon Dene, County Durham.
A post mortem discovered that he did not have cancer, however a pathologist confirmed there was ten times the amount of what he would expect of a therapeutic dose of a painkiller present in his system.
Ms Bailey concluded Mr Cuniff's death was a result of suicide.


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World leading research:
REF 2014 recognises Bangor's research achievements
Over half of our academic schools ranked in the top 20 in the UK for research
Olympic Chief to visit Bangor
Lord Coe who will be in Bangor on November 25th.One of Britain's greatest-ever middle distance runners, and the man who made the London 2012 Olympic Games a reality, will visit Bangor University in November for a special event to discuss his life and career. Seb Coe – now Lord Coe – won 4 Olympic medals in a glittering athletic career, including Gold Medals for the 1500 metres in the 1980 and 1984 Olympic Games in Moscow and Los Angeles respectively. In a single year, 1981, he set world records for the 800 metres, 1000 metres and the mile.
After retiring from the sport, Seb Coe briefly turned to politics: he was a Member of Parliament from 1992 until 1997, and became a Life Peer in 2000. He headed the triumphant London 2012 bid for the Olympic Games, and then chaired the London Organising Committee of the Olympic Games. He has been widely acclaimed for his work in that role, and he was presented with a Lifetime Achievement Award at the BBC Sports Personality of the Year in 2012. He was also made a Companion of Honour.
"An evening with Seb Coe" will take place in Prichard-Jones Hall in the Main University Building at 7.00pm on Monday 25 November. Lord Coe will be in conversation with the Chair of the University Council and fellow peer, Lord Davies of Abersoch. Admission to the event will be by ticket only – there is no charge, but to obtain a ticket please contact Lynne Hughes (sebcoe2511@bangor.ac.uk). Entry to the hall will be on a first-come, first-served basis – with doors opening at 6.20pm.
Publication date: 7 November 2013


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'Succession' Season 3 Finale Recap: "All The Bells Say"
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First, let's climb off some of the cliffs the last episode of Succession, "Chiantishire", left us hanging on: Kendall lives. (If you can call that living.) In an offscreen scene, Comfry apparently found him floating in the pool and got him to the hospital, and now that he's been discharged, everyone is trying to be very normal about it: Roman is offering her cash to let Kendall drown next time, and Kendall himself is reviving his grandiose plans to take down Waystar by hiring new lawyers and posting his personal papers to his Instagram. (To quote Shiv in "Mass In Time Of War": "Unsubscribe.") What will even be left to take down, though? A huge fine from the DOJ is imminent, and GoJo now officially has a higher market cap than Waystar does…
…which we hear from Gerri — who survived her brush with Roman's dick pic, yet another cliffhanger resolved. Roman is also still part of the GoJo talks, though Logan tells him on the way to Matsson's that if Roman has sexual issues to work out, he should "straighten" them out (hmm) and adds, "I don't want to know." Inflicting them on people who don't want to know seems to be an intrinsic element?
Anyway: the "merger of equals" Matsson previously suggested is no longer on the table. He sees the upside in a GoJo/Waystar marriage, but now thinks he should be the person to run the resulting company. Roman — who, like his siblings, regards Waystar as his birthright — is horrified to see that Logan isn't rejecting the idea out of hand. But even though Logan flatly says, of Matsson's notion, "this is not happening," Roman must know what it means that Logan stays to talk about other business, sending Roman back to the family. Is pure denial the reason he doesn't tell Shiv what happened, or is he just too focused on joining her and Connor in conveying to Kendall how much they all really don't want him to end his life? Kendall is immediately suspicious — "What is this. What's the angle" — and will not accede to their requests that he "stop trying to kill Pop." They mean it metaphorically (I think?), but Kendall's got a lot of truth to tell the world about Logan! Even if Comfry admits to Shiv that while there have been talks with Vanity Fair, it's mostly been her calling them.
Roman continues not telling Shiv the particulars of the Matsson meeting in the moments before Caroline's wedding, as he worries anew about her pre-nuptial agreement. Shiv promises there is one, repeating what Caroline had said at her bachelorette party about an apartment of Logan's that Peter wanted, which would require reopening Caroline and Logan's divorce settlement. Phew, everyone has got to be relieved that Caroline is going to be protected from this grubby arriviste!
Logan is not going to make it to the wedding; he's too busy working with Frank and Karl and a whole villa's worth of lawyers. But his absence doesn't go unnoticed by his children, who try to piece together what may be happening using clues from Gerri (who knows a financier is in town) and Greg (who's getting intel from "Lackey Slack"). Finally, Roman tells Shiv about Matsson's proposal. When Shiv ignores Kendall's insistence that he won't participate in their scheming, he gets serious about his mental state: he feels disconnected from his children, and disappointed that his attempt to extricate himself and his siblings from Waystar came to nothing: "I don't know. I'm not a good person." He really has had an epiphany of some kind; he's been saying exactly the opposite all season. Roman distractedly tells Kendall, "Well, whatever, you're fine." He's not: "I killed a kid."
At first, Shiv and Roman are…as horrified as you'd expect any normal person to be, but (a) Shiv is also dealing with the business crisis so she can't really focus on the waiter she remembers dying at her own wedding, and (b) the more Kendall describes the circumstances, the less serious Roman and Shiv actually think it is. "This sounds like the story of a hero to me," says Roman. "I've killed a kid too, big deal. Shiv! You've killed a kid, right?" "Uh, yeah," she chirps. As relieved as Kendall surely is to have two fewer people from whom he's keeping this secret, I feel like he might get closer to figuring out how to honor his victim and find peace in himself if he hadn't chosen to disclose it to two known monsters?
Never mind: there's a business deal to halt! Kendall — recovering quickly from his soul-shredding admission, in my opinion — is ready to confront Logan, because Kendall's in favor of any action that may wound his father. Shiv is fired up because she's always had a lust for power. But Roman, who has always had the most uncomplicated love for Logan, needs some convincing. Shiv explains that Logan's taking the deal will mean he doesn't think any of his children ever could or should take over the company; also, Logan won't give Roman the top job because he believes Roman is a sicko. But Kendall explains that Logan legally can't make the sale without the approval of the children he had with Caroline: one of the terms of that divorce settlement involved the creation of a holding company that gives them outsized power on the Waystar board, and Logan would need their sign-off to get the supermajority required to approve a sale. So if they act in concert, they can force Logan out of the company. They all allow themselves a little giddy excitement about how things might go once they're in charge…and it's this moment of joy that should tip us to the impending disaster.
But first, they have to spend the rest of their drive over to the deal HQ shoring up their position: Kendall checks on the holding company by-laws while Shiv tells Tom how ATN should message Logan's retirement, for health reasons. "And where do I fit in?" asks Tom. "Well, high up, Tom, I don't know," says Shiv vaguely.
Tom hangs up and gravely tells Greg he may have a new job for him, as Tom's "attack dog," which would move him from the morass where he is to "the bottom of the top." Is Greg ready to make a deal with the devil? "What am I gonna do with a soul anyways?" Greg crows. "Souls are boring!" Would Greg still have one if his safety net weren't being willed to Greenpeace? Or did he actually lose it as soon as he started working at Waystar? We'll never know!
After one last check that they are, this time, definitely presenting a united front to Logan — not like…all those other times they got close to pulling off a coup like this, including EARLIER THIS VERY SEASON — Kendall, Shiv, and Roman confront Logan, who is utterly unsympathetic to their whining about what they would do in a post-sale GoJoWaystar without Logan's protection; Logan feels that if they want their own billions, they should go make their own, and you know what? Good point!
Logan then tries to divide and conquer by pulling Roman away, reminding him that Matsson already said in their earlier meeting that Roman would be crucial to integrating the two companies: "You can trust me." "You can't trust him," Shiv intones. Roman tries one more time to ask Logan not to sell the company to GoJo…
…but requests soon turn to threats. Empty ones, as it turns out: Logan has Caroline on the phone — from her own wedding reception — to confirm that they've renegotiated the divorce settlement: the holding company that gave the kids their trump card has been dissolved in exchange for the apartment and political assistance Peter wanted. "Mom, you just slit our throats," says Shiv. "Dad? Please?" Roman asks impotently. Logan would like to know what Roman is bringing to the negotiation. "I don't know," Roman mumbles. "Fucking love?" A bit rich for Roman to fall back on that one when they all came in planning to slit his throat with their board supermajority: "You should've trusted me….I. Fucking. Win."
As Gerri calmly tells Roman she's only making decisions on the basis of shareholder value, Shiv wonders who could have told Logan they were coming…
…but she doesn't remain in suspense for long. "You okay?" Tom asks, innocently. Tensing up, Shiv lies that she's fine. I know Greg's just taken a job as Tom's attack dog, but he's probably the one who should protect his neck in Season 4.
Margin Calls
Connor Getting Married?: Connor has a mini-breakdown of his own, at the siblings' breakfast, over Kendall's moping about the position he expected to enjoy at Waystar by virtue of being "the eldest son": he reminds Kendall that, actually, Connor is the eldest son, and also that he's been through some shit in the family; he didn't see Logan for three years after his mother and Logan divorced, "but your spoon wasn't shiny enough." Bitterly, he adds that none of them has congratulated him for his engagement to Willa. Speaking of whom: when Connor is still in a sour mood about his siblings on the way to the wedding, she decides, at last, to give him an answer on his proposal: "Fuck it….Come on, how bad can it be. Right?"
Seems like she realizes immediately how much it's actually going to suck.
Logan's next round of kids: Connor finds more grounds on which to needle his siblings when he finds maca root, which he says Kerry has been putting in Logan's smoothies, to increase the potency of his sperm in order to get Kerry pregnant: "I guess he really doesn't rate you guys." Part of me wants to say Logan is too old to contemplate having another generation of children, but then again, he probably wasn't any more attentive to his kids when he was more vigorous than he would be now.
Greg's Girls: Greg is still hoping to trade up from Comfry to the contessa or princess or whatever she is. NO ONE CARES. Quit it with the Greg goof plots and start turning him into a full American Psycho in Season 4, I say — and I'll see you all there!
Television Without Pity, Fametracker, and Previously.TV co-founder Tara Ariano has had bylines in The New York Times Magazine, Vanity Fair, Vulture, Slate, Salon, Mel Magazine, Collider, and The Awl, among others. She co-hosts the podcasts Extra Hot Great, Again With This (a compulsively detailed episode-by-episode breakdown of Beverly Hills, 90210 and Melrose Place), Listen To Sassy, and The Sweet Smell Of Succession. She's also the co-author, with Sarah D. Bunting, of A Very Special 90210 Book: 93 Absolutely Essential Episodes From TV's Most Notorious Zip Code (Abrams 2020). She lives in Austin.
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