Open a new report and select the template you would like to add the auto-comment to.
Click to highlight the inspection item you would like to show the auto-comment.
Type your comment in the comment box at the bottom of the screen.
Check for Errors! : Check your comment for errors, or it'll have those errors when you see use it in the future.
When the comment is ready, click the magic wand with the plus sign just above the comment box.
Give the comment a Short Name - a summary of the comment.
Short Names: If the comment is "The doorbell appears to be in a non-working condition" your short name for the comment could be "Doorbell Broken".
HomeGauge will prompt you to choose a category (this category is from the Global List - read more below).
Warning! If you click OK without choosing a category, the comment will be added to the "Uncategorized" category. This can cause problems in the future.
Instead, choose a category where the comment belongs, then click OK.
Click Save T or File Save Template to save your changes for future reports.
Open a new report and select the template that contains the auto-comment you would like to edit.
Click to highlight the inspection item that has the auto-comment you would like to edit.
Click the magic wand icon above the comment box. This opens a window with a list of auto-comments.
Click to highlight the comment you would like to edit.
Click the wrench icon above the list of comments to edit.
Edit the comment as needed. For more about Smart Text, read this article (click here).
When the edit is complete, click OK at the bottom of the window.
Click Cancel to close the window without inserting a comment, or choose one of the other options to insert the comment.
Clicking Cancel will not undo the edit to the comment.
Follow steps 1-5 above to Edit an Auto-Comment.
Click the small house icon. This will open the Attach Document List.
Click the orange plus icon. This will allow you to browse your computer for the picture or drawing you wish to include with your Auto-Comment automatically.
Open a new report and select the template that contains the auto-comment you would like to delete.
Click to highlight the inspection item that has the auto-comment you would like to delete.
Click to highlight the comment you would like to delete.
Click the red X icon above the list of comments. HomeGauge will ask if you're sure you want to remove the comment. Click OK to proceed.
This does not delete the comment from your library, but just removes it from this inspection item. To remove the comment altogether, read the next set of instructions below.
Click Cancel to close the window without inserting a comment.
From the top-level menu, click Template All Comments.
Find the comment you would like to remove and click it to highlight it.
Click the red X icon to the right of the comment list. HomeGauge will ask if you're sure you want to permanently remove the selected comment. Click OK to proceed.
Click OK at the bottom of the window to exit the Global List.
Navigate to the inspection item that you would like to bring in comments to. Click the magic wand icon (Insert Auto-Comment).
Once in the Auto-Comments window, click the orange plus icon (Insert Comment from Global List) above the list of comments. This will bring up the Global List for your template.
Locate the comments that you wish to add by choosing the category on on the left and then searching the comments on the right. Once you have selected all of the desired comments for this inspection item, click OK.
Advanced Search: If you are searching for a single comment, click Filter at the top of the categories list to begin a specific search.
Selecting Comments: If you would like to select multiple comments in a row, hold down the SHIFT key on your keyboard before selecting the first and last comment in the row. If you would like to select multiple comments not grouped together, hold down the CTRL key before selecting comments.
Once back in the Auto-Comments window, check to see newly imported comments are at the bottom of the list. Use the Up T and Down T arrows to move the comments if desired.
Repeat steps 1-4 to bring in desired comments to all of your inspection items.
HomeGauge keeps your comments in 2 places: the Local List and the Global List.
The Local List is the list of auto-comments available when you go to add an auto-comment to an inspection item.
The Global List is a master list of all the auto-comments in the entire template. Think of it as a bookshelf where all the comments in a template are kept.
To help understand the Global List, here are the two most common questions about these comment lists.
Why does HomeGauge keep my comments in two lists (the Local and Global Lists)?
Why are the categories in the Global List not the same as my Components or inspection items?
Here's an example to answer those questions: you've inspected a garage with a window, and that window has a defect.
If the Global List categories matched perfectly with your Components or inspection items, you would have to write a window comment for the Windows category, then write a separate window comment for the Garage category. That's a lot of work.
Instead, you can write a single window comment and keep it in the Global List in the Windows category. Now, you can use that comment for both Window inspection items and Garage inspection items. For example, you can add that comment to your Garage Local List so you can comment on window defects if the garage has a window.
You could also add that same auto-comment to an outbuildings component or other areas with windows. That's just one example. If you do room-by-room inspections (instead of system-by-system), you could write one auto-comment for electrical outlets and keep it in the Global List's Electrical category, and then use it for every room you inspect.
By allowing the Global List categories to be separate from your Components or inspection items, you only have to save the comment once, but use it in a lot of places.


text:
using namespace PushMe;
using namespace std;

VMBoardBase::VMBoardBase(QObject *parent) :
    QObject(parent)
{

}

QRectF VMBoardBase::finalField() const
{
    if(_board.get() == nullptr)
        return QRectF();
    return QRectF((_board->GetFinalField().x + 1)*_cellSize, (_board->GetFinalField().y + 1)*_cellSize, _cellSize, _cellSize);
}

QRectF VMBoardBase::finalBlock() const
{
    if(_board.get() == nullptr)
        return QRectF();
    BlockF b = _board->GetBlockF();
    return QRectF((b.Position().x+1)*_cellSize, (b.Position().y+1)*_cellSize, _cellSize, _cellSize);
}
void VMBoardBase::UpdateBlocks()
{
    _blocks.clear();
    if(_board.get() != nullptr){
        for(auto& bh: _board->GetHorizontalBlocks())
            _blocks.push_back(RectFromHBlock(bh));
        for(auto& bv: _board->GetVerticalBlocks())
            _blocks.push_back(RectFromVBlock(bv));
    }
    emit GetBlocksChanged();
}

void VMBoardBase::SetCurrent(float x, float y, float width, float height)
{
    _currentBlock.setX(x); _currentBlock.setY(y);
    _currentBlock.setWidth(width); _currentBlock.setHeight(height);
    emit currentBlockChanged();
}
void VMBoardBase::SetBoard(BoardBase *board)
{
    _board = unique_ptr<BoardBase>(board);
    emit cWidthChanged();
    emit cHeightChanged();
    emit finalFieldChanged();
    emit finalBlockChanged();
    UpdateBlocks();
    SetCurrent();
}

redpajama_set_name: RedPajamaGithub


text:
La gare de Pont-Érambourg est une ancienne gare ferroviaire française de l'ancienne ligne de Caen à Cerisy-Belle-Étoile, située sur le territoire de la commune de Saint-Pierre-du-Regard, dans le département de l'Orne, en région Normandie.

Elle est mise en service en 1868 par la Compagnie des chemins de fer de l'Ouest et fermée à tout trafic en 1979.

Situation ferroviaire
Établie à  d'altitude, la gare de Pont-Érambourg est située au point kilométrique (PK) 288,998 de l'ancienne ligne de Caen à Cerisy-Belle-Étoile, entre les gares de Berjou et de Condé-sur-Noireau.

Histoire
La gare fut mise en service en 1868 par la compagnie des chemins de fer de l'Ouest. Il n'y avait alors qu'une simple halte à Pont-Érambourg, lieu-dit en limite des communes de Saint-Denis-de-Méré, Saint-Pierre-du-Regard et Condé-sur-Noireau. En 1880, cette compagnie obtint l'autorisation de la classer « station » (ordonnance du ) et d'y appliquer ainsi des tarifs de grande et petite vitesse. Au meilleur de son activité, alors que la ligne était reprise en 1908 par la Compagnie des chemins de fer de l'État, la gare de Pont-Érambourg eut à gérer plus d'une douzaine de trains de marchandises par jour, tandis que 15 trains de voyageurs s'y croisaient quotidiennement. Depuis , la ligne a été gérée par la SNCF. Elle fut exploitée jusqu'au . Depuis 1999, la plate-forme ferroviaire est entretenue par les soins de l'Amicale pour la mise en valeur de la ligne Caen-Flers. La gare connaît une activité nouvelle grâce au Dépôt-musée de Pont-Érambourg. Depuis 2005, la ligne fait l'objet d'un débat pour sa réouverture au service TER. Finalement, le , le conseil régional de Basse-Normandie a pris la décision de sauvegarder la ligne.

Services
L'ancien bâtiment voyageurs est de style « standard Ouest ». Il existe dans cette gare une belle halle à marchandises du début du .
L'amicale pour la mise en valeur de la ligne Caen-Flers y propose des promenades en cyclo-draisines sur la voie jusqu'à l'entrée du tunnel des gouttes, via la gare de Berjou ainsi que la visite de son dépôt-musée.

Notes et références

Voir aussi

Articles connexes
 Liste de gares de France
 Liste des gares de Basse-Normandie
 Ligne de Caen à Cerisy-Belle-Étoile

Liens externes
 Site de l'amicale pour la mise en valeur de la voie ferrée de Caen à Flers

Pont-Erambourg

redpajama_set_name: RedPajamaWikipedia


text:
//
//
// THIS FILE HAS BEEN GENERATED. DO NOT MODIFY.
//

using System;
using System.Collections.Generic;
using byps;

namespace com.wilutions.jsfs
{

	public sealed class BRequest_FileSystemService_uploadFilesMultipartFormdata : BMethodRequest, BSerializable
	{

		#region Execute

		public override int getRemoteId() { return 145996442; }

		public override void execute(BRemote __byps__remote, BAsyncResultIF<Object> __byps__asyncResult) {
			// checkpoint byps.gen.cs.GenApiClass:406
			try {
				FileSystemService __byps__remoteT = (FileSystemService)__byps__remote;
				BAsyncResultSendMethod<Object> __byps__outerResult = new BAsyncResultSendMethod<Object>(__byps__asyncResult, new BResult_19());
				__byps__remoteT.UploadFilesMultipartFormdata(itemsValue, urlValue, methodValue, BAsyncResultHelper.ToDelegate(__byps__outerResult));
			} catch (Exception e) {
				__byps__asyncResult.setAsyncResult(null, e);
			}
		}

		#endregion

		#region Fields

		internal FormItem[] itemsValue;

		internal String urlValue;

		internal String methodValue;

		#endregion

		public static readonly long serialVersionUID = 240503306L;
	} // end class
}  // end namespace


After Lune River, Art and I headed up to Georgetown to catch our flight back to the mainland. Art needed to get back for a test on Wednesday. We had called previously and Promair had told us that they had flights Monday and Tuesday night at 11:30pm. When we called them from Georgetown however, they said they had just received 3 tons of fish and couldn't get us on until Wednesday morning. We got bumped by fish... After an exciting few days in Georgetown (I went to the public library one day), we got our flight. It was a twin engine prop, just Art, I and the pilot. Art got to sit in the copilots seat. This got us to Whelshpool where we caught a lift with a Promair person to a train station which got Art back just hours before his test. All and all, quite the adventure. Not what we'd expected, but then I suppose it wouldn't have been an adventure.


The Four Sisters -- ONLY ONE LEFT!!!
GeorgeBoards has taken this Instrument to a Class higher than superlative. Art Beauty Culture in its finest manifestation.
Nickel/Silver bars for fret lines inlayed into the figured mahogany fret board, Black Pearl Inlay dots, graduating in size as the frets narrow, edge bound with Tortoise Vintage Binding. Extreme attention to detail.
The Body has - triple fine line black-white-black Perfel (same as used on Taylor-Martin-Collins) sheathed with Tortoise Edge Binding.
Nickel Plated polished screws for the string receiver and fret board go in addition to the nickel tuners with Black Buttons.
The String Receiver and Nut holder are matched Burgundy Silk-Oak Lacewood, pleasing to the eye, alluring Snake Wood Control Knobs and Figured Koa Highlite trim on the Pickup, Visually Stunning!!
It is only fitting to have the extra deluxe epoxy treatment to create a smooth surface to accept the Intense Deep Coats of CAB Acrylic Lacquer -- Micron Polished out to a Glass Finish.
There are no more than 4 of these awesome pieces of "One of a Kind" Art made from Solid Dense Maranti Mahogany with a deep Reddish-Brown natural color.
Comes with a Signed and Dated Individual Blue Ribbon Certificate of Authenticity.
30% Restock Fee on Returns. Must be returned within 3 days in original packaging.
Domestic shipping $60 includes insurance.


3d printers produce products a layer at a time much like a bricklayer building a house a row are a time. This 22 second video provides a closeup of a Creality Ender 5 3D printer in action.
I love learning new things. I have taught both formally and informally for over 40 years. Here at DrVax.com I will combine my passion for learning with my skills at teaching.
Retiring. Bored. Here is the solution.
Why Boomers Should Become Makers?
I love learning new things and sharing what I have learned. When I was young they called people who built and fixed stuff by themselves "do-it-yourselfer". Today they are called "makers". If you also enjoy learing about technology, woodworking, web design, software, 3D printing and the latest fun tech toys please subscribe to the DrVax youtube channel and keep coming back to this website.
Don't Retire. Retool as a Maker.
Instead of retiring visit this site often and learn new valuable skills to reboot your life as a maker. The maker movement is open to everyone not just Gen X, Y and younger. 3d Printers, Laser Cutters, Single Board Computers, and Woodworking equipment are now within reach of everyone.


Singapore's vision of a Smart Nation aims to bring all of us to the forefront of 21st century living – better standards of living, greater opportunities and stronger communities.
With technology enabling a more connected environment to drive organisational productivity, greener and safer workplaces and even creating disruptive competitive advantages, this new wave has also increased business vulnerability to cyber attacks.
This exposure can lead to threats that aim to steal or alter data, disrupt daily activities, and cripple critical infrastructure supporting businesses. Through being more aware of the nature of such threats, organisations in Singapore can be better prepared to deal with the ever-evolving cyber threats as they emerge.
According to the Cyber Security Agency of Singapore (CSA) and the Singapore Police Force (SPF), the pervasiveness of cyber crime has been steadily increasing from 7.9% in 2014 to 13.7% in 2016.1 This will only continue to rise unless robust measures are put in place to ensure a resilient and safe cyber environment.
Of all the cyber attacks recorded in 2016, it has been observed that the top four most prevalent types of attacks are Ransomware, Defacements, Command & Control (C&C) servers and Distributed Denial of Service (DDoS), and Phishing. In this blog post, we will examine these four common cyber attacks – who are most susceptible, and how businesses and individuals can combat future threats.
Arguably one of the most operationally disruptive cybersecurity threat to Singapore, ransomware is a type of malware that encrypts files and entire drives on a victim's device, rendering them inaccessible until a ransom is paid in digital currencies such as Bitcoins. The perpetrators carry out these attacks for financial gains or to disrupt business operations. Spread unsuspectingly through e-mail or malicious and unsafe ads, the attacks are opportunistic and may happen to anyone, large and small businesses alike.
Should you suffer a ransomware attack, you may refer to SingCERT's "NoMoreRansom" website2 for guidance on available decryption tools to restore "locked" files. New decryption tools are available for more recent ransomware such as NemucodAES, LambdaLocker, MacRansom and Jaff.
Nearly 1,800 website defacements were detected in Singapore in 2016, with the majority being websites belonging to SMEs. These defaced websites typically experience a drastic change in visual appearance, coded by Hacktivists (hackers) through unauthorised access to the web-hosting server.
Website owners are advised to keep their applications (including plug-ins) and operating systems up-to-date to prevent hackers from exploiting known vulnerabilities on outdated systems. If you are still on Windows 8, update to Windows 10, likewise for Mac, update to the latest OS. Companies that use third-party Internet Service Providers (ISP) are advised to find out about the preventive measures in place from their hosting provider(s).
A C&C server is a machine operated by hackers to communicate with devices that have been infected with malware. Instructions are communicated to the group of infected devices, collectively known as a botnet, to perform malicious activities such as DDoS attacks.
A DDoS attack occurs when a system is bombarded with large volumes of data or specially crafted malicious traffic sent from a botnet. This affects the system's ability to respond to legitimate users in a timely manner. 2016 saw the growth of DDoS extortion threats, with many organisations in Singapore receiving e-mails demanding payment in digital currency, or else they face a potential DDoS attack.
Simple Service Discovery Protocol (SSDP), Domain Name Servers (DNS) and Network Time Protocol (NTP) are some of the services that, if not configured properly, can be used to facilitate DDoS attacks.
Remediation for these vulnerabilities can be as simple as changing the configuration of your switches and routers to automatically reject external network packets, or updating your device's username and password from the default.
Phishing refers to websites that are compromised or created by hackers to trick Internet users into believing they are accessing a legitimate and trusted website.
& Finance sector appearing to be the most spoofed (31 per cent of all observed phishing URLs).4 Among online services, PayPal was spoofed most often in phishing campaigns. The cause could be for financial gains as Hacktivists fish out personal data from potentially any and everybody.
as passport numbers that could be traded in underground markets.
As an example, in February this year, Mindef experienced a cybersecurity breach in which the personal details of 850 national servicemen and staff were stolen.5 These recent attacks impugned our Nation's cybersecurity measures and led to the introduction of a two-step verification process for e-Government transactions to enhance security.
Users and/or potential victims should always seek to verify the URL and e-mail addresses they receive. Good indicators of a spoofed site are its bad grammar, poor spelling and/or inappropriate images. When in doubt, err on the side of caution and refrain from submitting any sensitive information.
As our world gets increasingly hyper-connected, we can expect cyber threats to also increase globally. However, not all is bleak as the Singapore Government raises its efforts to spur greater involvement of all stakeholders – Government agencies, Singapore's cyber industry, professionals, academia, researchers and even students – to come up with new and more effective ways to combat ever-evolving cyber threats.
Knowing the enemy, their motivations and techniques, will allow us to have a fighting chance of detecting intrusions earlier and dealing with them promptly. Aim for resilience as it is impossible to prevent successful attacks 100% of the time.
Everyone has a part to play, and everyone has to play his or her part. Cybersecurity is a team effort and together, we can make Singapore a safe and trustworthy Smart Nation.
Benchmark your organisation's readiness against top-line survey results.


text:
Q: How to add a animation while unzipping files with php? I have to unzip large .zip files on my server. To prevent that someone is running the unzip code multiple times, I want to add a animation while unzipping.
Can you tell me how and where in the code I have to add the animation?
(unzip code is from stackoverflow)
$zip = new ZipArchive;
$res = $zip->open('file.zip');
if ($res === TRUE) {
  $zip->extractTo('/myzips/extract_path/');
  $zip->close();
  echo 'woot!';
} else {
  echo 'doh!';
}

A: You can call your script with Ajax and show some kind of animation while your php script is being executed.
Something like:
$("#animation").show()
$.ajax({
    type:"POST",
    url:"/your_script.php"
    dataType:"json",
    success:function(response){
        $("#animation").hide();
    }
});

redpajama_set_name: RedPajamaStackExchange


text:
ACCEPTED

#### According to
Index Fungorum

#### Published in
Proc. Linn. Soc. London 157: 191 (1946)

#### Original name
Microcallis scutiae Hansf.

### Remarks
null


Another windy day for Junior Varsity Tennis. #1 Doubles Jada Guinn & Jadyn Hackmann, #4 Doubles Olivia Aldanondo & Kayla LaBombarbe, #6 Doubles Subs Madelyn Jankowski & Chelsea Moore, and #7 Doubles Evelynn Harvey & Brooke Dailey won their pro-set matches. The other 3 doubles came really close to winning their match, but had a difficult time adjusting to the wind. Lincoln wins 4-3 against Tecumseh.


Prom night is undoubtedly one of the most special times in every youngster's life. It is the time when the girls get dolled up boasting their best looks and the guys sport their tuxedos. You will definitely want it to be great and therefore starting it greatly becomes important. It is therefore suggested that you hire a party bus for yourself and your large group of friends from a limo bus company. It serves as a safe option, while not interfering in your fun moments with your friends. Not only will you and your friends arrive in style for the prom, but renting a party bus ensures that your prom becomes more magical and worth remembering. Let us take a look at how hiring a party bus will be perfect for this grand event.
Limo cars are less costly than hiring a party bus. But it can fit in a large number of people on board and is spacious enough for people to walk around comfortably. A party bus rental is a perfect way to arrive in style with a group of 20 to 30 people altogether. Thus, you can save the expense of hiring 2 to 3 limos for a large group of people. Attending the prom in a party bus is not only entertaining but also a cheap affair when you share the rent among all your friends traveling with you.
A limousine will gather a small group of people. Although quite comfortable, it is not spacious enough for people to tap their feet and dance around. But, a party bus will. It is large enough to accommodate a big group of 20-30 individuals at a time. Moreover, it is roomy enough for the passengers to move around and dance while rolling on the wheels. Therefore, you can expect to have more fun when traveling with a busload of excited and happy individuals.
Every party bus is driven by a professional chauffeur having a valid license and the experience of driving, along with the knowledge of every directions and route in the city. Therefore, you can enjoy a pleasant as well as a safe ride. You can book a party bus conveniently and the drivers ensure to pick you and all your guests from their homes or any pre-decided location. After the party gets over, you and your friends will be dropped back to their home safely. Moreover, a professional limo bus rental company ensures of offering well-maintained party buses, so that the travel is hassle free.
Your timely arrival matters a lot on prom. You don't want to miss out the ramp show, or the live performance of your favorite band in the event. When you hire a party bus for the prom night, you can expect to show up for the event with your group right on the time without missing out on anything.
Having fun with your friends is one of the main motives of prom night. And a party bus rental is a perfect way to get the party started and keep it going on till you return home.


I have 3 network nodes running neutron-server ..
in the bridge mapping of the node connected to the external network , i have external_net mapped to the correct bridge ..
on both nodes( node002 and node003 ) , because they DO NOT have this network defined ! so is this a bug or such a setup is not valid ?
and when you create an external network you have to specify that it's based on physnet1 physical network.
Several Network Nodes makes sense to combine into fail-over cluster , via creating (Distributed && VRRP) or VRRP (HA) neutron router on Mitaka either just VRRP (HA) router on Liberty.
Network nodes are running neutron agent services , but not Neutron Server itself .
The one hosting HA neutron router at the moment will be responsible for forwarding egress/ingress traffic from your Compute Nodes to Internet . Once again on Mitaka you may have Distributed && HA neutron router created due to encapsulation Keepalived daemons into SNAT namespaces on Network Nodes and set up DNAT forwarding via "fg" interface of fip-namespaces residing on Compute Nodes. Thus South/North traffic may be spread across Compute Nodes avoiding classic schema for any VM having floating IP. East/West traffic will avoid forwarding via Network Node as well. So you may benefit via DVR avoiding network congestion on Mitaka. In case of Liberty just Network Nodes fail-over servers cluster using HA (VRRP) neutron router . Two Network Nodes in both case are enough ( vs HA Controller's setup).


text:
Hertz gets court approval for Bankruptcy deal with top bidders Knighthead and Certares
PUBLISHED ON 2021-05-16 09:37:00 EST Pavankumar
Hertz Global Holdings Inc. won bankruptcy-court approval to hand control of the rental-car company to Knighthead Capital Management LLC, Certares Management LLC and other investors that won a bidding war over the company.
While shareholders typically receive nothing in corporate bankruptcies, the winning bid for Hertz will provide a distribution of more than $7 and as much as $8 a share to the company's current owners, according to Hertz's estimates.
The winning bid reflected a dramatic rise in Hertz's prospects in recent weeks as investor groups competed to buy the company out of bankruptcy. Earlier offers from potential bidders offered nothing for Hertz's equity, and, as recently as mid-April, the company said its shareholders would come away empty-handed in the chapter 11 proceedings. Hertz filed for bankruptcy last May, fighting for survival as its revenue plummeted during the pandemic.
"Today we're on the verge of a remarkable recovery," company lawyer Tom Lauria said at a virtual hearing Friday in the U.S. Bankruptcy Court in Wilmington, Del.
Covid-19 vaccinations and a rebound in consumers' eagerness to vacation are expected to reinvigorate the travel business and ease Hertz's path out of chapter 11. Hertz's creditors will be paid in full, and shareholders will see a substantial return, Mr. Lauria said.
Rachel Strickland, a lawyer for bondholders that were outbid for control of the company, said they would fight to ensure that they would have everything paid to them that was due, including accrued interest.
Under the bankruptcy deal, Knighthead, Certares and its co-investors are buying the bulk of Hertz's equity for roughly $2.8 billion. Shareholders also are backing a roughly $1.6 billion equity rights offering, while Apollo Global Management Inc. is purchasing $1.5 billion in preferred equity.
Having gotten the auction results approved, Hertz is expected to seek confirmation of its chapter 11 plan next month, its last major step in court before leaving bankruptcy.
Hertz's trip through bankruptcy court was notable for the interest it sparked among individual investors who piled into the stock despite the bankruptcy filing, driving its price up nearly a year ago.
Hertz tried to capitalize on the rally last June by selling stock, but suspended efforts to sell shares after the Securities and Exchange Commission raised questions. Hertz was later delisted from the New York Stock Exchange, but continued to trade over the counter.
At the Friday court hearing, Mr. Lauria said the Hertz bankruptcy "proves that no one, not even the SEC or the New York Stock Exchange, knows the future." Hertz was shot down, Mr. Lauria said in regards to its plans to sell shares last year.
Source: wsj

redpajama_set_name: RedPajamaCommonCrawl


You are welcome R.J. It was very very fun. You are a great photographer, coach and DJ. I had lot of fun tonight. And also I thought because you were very easy going, relaxed, fun and funny, I felt very comfortable posing.


text:
Macrocentrus coloradensis är en stekelart som beskrevs av Elbert Halvor Ahlstrom 2005. Macrocentrus coloradensis ingår i släktet Macrocentrus och familjen bracksteklar. Inga underarter finns listade i Catalogue of Life.

Källor

Bracksteklar
coloradensis


text:
lifefaithministryNewsabout
Keene Church Members Are Blessing Families with Food
KEENE, TEX. – Food insecurity (not having enough food) is one of the biggest issues for many families in the Keene area. Without meals provided through public schools, many children would not be able to eat. This is changing through an initiative launched by the Keene Seventh-day Adventist Church called LIFT.
LIFT, an acronym for Love, Inspire and Fill, Together, began in November of 2018 with a community food pantry open once a month for the community to take home 20-40 pounds of food. Throughout this past year, the LIFT food pantry has grown and doubled in size with more than 1,000 individuals receiving food each month and more than 100 volunteers serving.
LIFT has also expanded its ministry into the public schools by providing "Blessing Bags" to students at three schools in the Keene Independent School District.
The Keene church family donates kid-friendly food packed in Blessing Bags that are delivered each week. The food is confidentially given to students that have signed up for the program. Currently, more than 65 bags are prepared and delivered.
We are excited to find new ways to show the love of Christ through the simple act of being there for our community and ministering to their physical needs. This is opening doors that have never been opened before for us to love, connect and share with our community.
By Rick Weaver, Pastor
More Than The 3Rs
Ingathering Time
Sell a Fish, Gain a Fish
Education 360°
The Southwestern Union Record is a bimonthly publication of the Seventh-day Adventist churches in Arkansas, Louisiana, Oklahoma, New Mexico, and Texas.
© 2019 Record All rights reserved
record@swuc.org
777 S. Burleson Blvd.


PLC Wealth / Financial Life Planning / Budgeting / How much do I need to save to retire?
We recently read a Wall Street Journal article called "Five Ways to Improve 401(k)s", and thought one part of the article, "Raise the default savings rate," was important enough to justify an entire blog post. In the article, the author discusses the possibility of the federal government encouraging employers to set employees' default savings rates higher in 401(k)s. WSJ notes that many plans "set initial contribution rates under automatic enrollment at 3% [and]… gradually raise the level to 10%." The article then says that if instead, contribution rates began at 6% and rose to 15% over time, employees would be in much better shape at retirement.
An obvious question is, is this amount too much, too little, or just right? Like most answers, it depends. How many years do you have until you retire? How much of your previous earnings were you spending?
Another important question to ask is, "What will it take to get there?" Said another way, this question could be phrased, "How much do I need to save to retire?" If you don't know where the finish line is, you will never know when you cross it.
The good-news answer to this question is, regardless of whatever the federal government does with 401(k) rules, the largest single variable in this equation is under your control. How much you save, as a percentage of your income, is the biggest contributor to the success or failure of your retirement plan. The impact of your savings rate on your retirement plan outweighs the impact of higher returns. And increasing your savings rate is much simpler and more reliable than chasing exceptional returns.
Of course, we can offer endless caveats to this insight. The timing of your savings going into your retirement accounts, when the "good" return years happen, and what the returns environment is like when you begin to take distributions all figure into the probability of success or failure of the plan – basically whether you, the investor, ever run out of money or not. When we run goal-projections for PLC Wealth's clients, we will use a Monte Carlo simulation software to model the probabilities of various outcomes, but those results cannot be easily shown here. For this article, we will make simplifying assumptions to illustrate the impact of savings rate.
The only variable we change is savings rate.
We ignore inflation for salary and expenses, but apply it to the portfolio. All dollar-figures shown are 2018 dollars, and we use a 5% post-inflation rate of return for the portfolio.
We ignore taxes in the distribution phase.
We assume the investor can access his or her own or spousal accounts to save this much money in qualified accounts. Even if this last assumption was invalid, the impact of the higher savings rates is still valid even if the savings is done in taxable brokerage accounts.
We assume 4% is a safe withdrawal rate in perpetuity (we know this assumption is debatable, but we believe this is a helpful jumping-off point).
Looking at these numbers, we can see where planners get their "save 10% – 15%" mantra. Investors who set aside this amount of money, and receive Social Security, stand a very good chance of retiring successfully at age 65. Additionally, if reported statistics are to be believed, a 10% – 15% savings rate is much higher than the national average.
Notice too that as you raise your savings rate in retirement accounts, the taxing authorities become your partners in growing your wealth. Part of your increased savings is coming directly from tax savings, a fact most investors enjoy.
Once families begin hitting savings rates of 20% or more, they put themselves in the position to retire early. Or to downshift at some point in their career. Or to make meaningful gifts to people and organizations they love. Saving 30% of their income, this family lives on $36,851 per year. After thirty-five years, they will have investments capable of supporting annual spending of $85,353 per year – a $48,502 annual income buffer!
In the 5% savings-rate analysis, increasing nominal portfolio returns to 12% results in a portfolio value of $881,718. This portfolio should support about $35,269 in annual withdrawals. A 12% expected return is unrealistic for financial planning projections. And $35,269 per year is considerably lower than the $53,069 this family has been spending. Investors are better served to increase their savings rate to 15% or 20% of your income (or even more), and to anticipate more realistic returns from your portfolio. Then, if your investments do better than expected, you'll have some extra money to enjoy or give away.
As lifespans extend, "spending down" a portfolio until some anticipated terminal date is daunting. With large enough investments and flexible consumption needs, a portfolio becomes a perpetual-motion machine. With sufficient assets and flexible budgeting, your portfolio should continually generate returns that exceed your annual needs in perpetuity. This is a very comfortable position as an investor or retiree.
When you consider your own situation, you may think, "But I don't have thirty-five years left in my career!", or, "I don't have access to employer-sponsored retirement accounts!" Nevertheless, the message to take to heart is: Increasing savings rate increases retirement security. At PLC Wealth, we can help you work through the unique details of your personal situation. In an article like this one, our goal is to raise awareness among investors of tools at their disposal to tilt the odds of retirement success in their favor.
In our experience, increasing your savings rate is the fuel for the fire of achieving and maintaining financial independence. Savings rate rises when you invest more, pay off debt, or grow assets in a private business. No matter where you put the money, it's this elevated savings rate that can power you to financial independence. It's a rewarding journey and a worthwhile destination. Happy Investing!


Kosice - 770g / Observed Fall!
Iron meteorites are around 6 percent of all falling meteorites. They are characterized by the presence of two metal alloys of nickel-iron: kamacite and tenite. Depending on the percentage of nickel and iron, they are divided into hexahedrites, octahedrites and ataxites.
Octahedrites are the most common iron meteorites. They have very unique structural feature which manifests itself when the surface of the polished cross-section of the meteorite is being treated with a low-grade nitric acid. This structure is known as the Widmanstätten pattern, renamed after Alois von Widmanstätten, its discoverer. The more nickel is in the meteorite, the more flat those structures are. Because of thickness of these patterns, octahedrites are divided into three main groups: coarse octahedrites (Og), medium octahedrites (Om) and fine octahedrites (Of).
Hexahedrites consist mainly of kamacite. After etching the surface of such meteorite, thin, parallel lines show up. They are called Neumann lines – this name comes from theirs discoverer, Franz Ernst Neumann.
Some iron meteorites do not have any inner structures which would show up after treating the meteorite with nitric acid. Those are ataxites – this names comes from Greek word which means without structure. They consist mainly of tenite. In the majority of iron meteorites rounded nodules of troilite (iron sulfide mineral) or graphite may occur, as long with schreibersite (iron nickel phosphide mineral) and cohenite (iron nickel cobalt carbide mineral).


Profile '15 is a significant curated award exhibition of contemporary jewellery, objects and metalsmithing by members of the Jewellers and Metalsmiths Group of Australia NSW (JMGA NSW). With awards on offer for both emerging and established artists, there will be a diverse and comprehensive cross-section of work from some of our membership's most talented contemporary jewellers.
Profile '15 is part of the official exhibition program of edgesbordersgaps, the 16th Biennial Conference of the Jewellers and Metalsmiths Group of Australia, 10-12 July, 2015.
While the city spreads smoke into the sky.
The three vessels and pendant presented in this mini collection explores the dialogue and practice of giving and acknowledges a past and history but also a return for auspicious and spiritual assumptions associated with ancestor veneration. These object vessels in part aim to reconcile these notions through the reflective qualities of lacquer application and iridescent pearl characteristics. The exterior of the vessels are dressed with floral graphic interpreted in various dimensions. The internal spaces invite the viewer to look inside.
Within this exploration of ritual and cultural expressions, it is the terrain of these objects and wearable I am investigating. It is this space and connectivity I am concerned with. Translation and integrating methods of traditional lacquering techniques for new surface translation.
Earrings are shaped after coins from the Tokugawa/Edo era. Studies suggest they were shaped after rice barrels that were valued as currency at the time. The little Koban were used as actual currency while the big Oban were made as gifts of honour and were not circulated as currency in the market. Thus the age old question: which would you choose, actual value or face value?
The Big Oban earrings are large but gold plated sterling. The Small Koban earrings are small but solid 18t gold. Reflecting the concept, the 2 earrings are priced the same, prompting the question to the wearer.
This piece also embodies my quest for experimenting with the surface texturing of metal. The old Koban's have horizontal markings on the coin that create an interesting reflection. Studies suggest they were made as proof to show the coin is solid gold in the inside. These marking inspired me to chisel the surface the way I did. There is also an interesting effect with the difference in scale.
This work continues my interest in the relationship between the single entity and the whole. This idea can be embodied by the phenomenon of 'scattering', where small particles acting together with light rays make the sky appear coloured.
Or, in another scenario, our eyes could focus either on a pocket of individual elements, such as petals, or they could see the larger mass of the whole hedge trembling in the wind.
Temporary Promises: The Deluxe Edition™ is a kit comprised of temporary tattoo rings that traditionally celebrate relationship milestones. Easily applied, these rings wrap around one's finger, last only a few days and can easily be removed with warm water.
Perfect for the commitment phobe or cash strapped connoisseur, Temporary Promises: The Deluxe Edition™ allows you to take your relationship to the next level without the responsibility of a permanent commitment or long-term consequences.
My awareness of the natural world has always been strong. My childhood was spent close to the Australian bush, watching the seasons change and the various plants yield their pods and flowers. I often stop and examine fallen objects lying on the ground, their patterns and construction always fascinate me and they are like small sculptures- hiding secret inner worlds, rich in complexity and pattern. I feel a natural affinity with the translation of plant references into metal components; its tension is softened by the forms created and forms a comparison to the mobility and softness of nature.
My work is an exploration of light and glass and how these two interact with the body – the saturation of light through the glass is shaped, absorbed and refracted, creating a heightened perception of depth and dimensionality. Glass, an age old material fused from the sands of the earth, holds a complex and mysterious quality, seemingly fragile and yet bonded to give strength, capturing and reflecting the ever changing light. I use glass to make these reflections, not only within the work itself but to also reflect upon the wearer, reflections that move with the natural movement of wearing –changing and evolving, reacting to the environment of light.
A constant ever changing pattern for the eye to see, a feeling of transcendence and illumination – a reflection both within and on to the wearer.
I grew up in an inner-city suburb and I pass through that same area most days now. Recently gigantic construction cranes have risen up around my daily commute. Despite how large they are, against an empty sky, they appear delicate. I see them so often now that I have developed a habit of crane spotting. I have begun to anthropomorphise. Suspended so high above us their distance seems physical and emotional, as if indicative of a haughty coldness – or neutrality: they do not concern themselves with the comings and goings of the small creatures who walk below them.
Crane structures are repetitive and looking at them becomes meditative. Time slows down when I examine them – but they are themselves a sign of change. Although I divorce them from human actions they are nevertheless a direct result of population and housing growth. Their direct role in changing the landscape around me seems incongruous with their otherworldly forms. This duality, this strangeness, is perhaps why I find them so fascinating. I have begun exploring ways of translating these repetitive structures on to the intimate surface of the body.
This series continues my interest in the choices we make in life and the chance events that influence an outcome. The interplay between choice and chance leads us to arrive at a particular spot which may or may not be where we intended to be.
I see myself as an urban hunter-gatherer. For this work I have used a familiar material and taken it out of context: the humble fruit and veggie net. Through re-purposing and upcycling the common net is transformed into something wearable. I enjoy working with seemingly non-precious materials, and see my work as a constant exploration and evaluation of what makes jewellery precious.
This ring has two faces, allowing the wearer to decide which one is exposed and which one is kept private. What you choose to hold within and what you share contributes to the fabric of the world we live in.
The skull is the human carapace that enshrouds and protects our brain. It also symbolises our mortality. In this work I am questioning is there life after death or is it the final frontier?
'Shan Shan' is my Chinese name; the word 'Shan' means coral in Chinese. This series is inspired by the planulae (coral larva) travelling and settling phenomenon in coral ecology. It is a metaphor for my own travelling and settling experiences.
This series explores the effect of cultural differences in our life experiences through short term travel and long term settlement: the 'hybridity' of cultural difference experiences acting on a person. It is also about the interactions between the choices we make in life in relation to our surroundings; it is a process of 'facticity and transcendence'.
I am currently exploring Asian historical jewellery, traditional significance of wearable art and the ritual associated with these objects. Researching, appropriating and reinventing notions of jewellery as an indicator of status, cultural significance and as personal protector. This body of work merges my interest in Asian history, ceramics, jewellery and sculpture.
This work is curly and it is cut lots of times. The catch needs some work, but I like the way it is cut. The way it was made was enjoyable. When I do more I will slowly work out the process (this is the first) and make some beautiful things in time…. It was carved while it was all clamped together – lots of pieces of laminated rock maple. Fun….
Created in response to the conference title, edgesbordersgaps, these 3 brooches illustrate the shift and flow of boundaries, both physically and politically.
Acknowledging the continuous movement of people, governments and the continents themselves, suggests that fixating on static territories is an outmoded way of thinking.
Breaking the world up and moving continents around is a way of illustrating that borders are only a construct, often created by those who wish to hold power over others.
Now that we as a planet are more connected than in previous eras it may be time to question these constructs and form a new unified way of viewing this planet and our place on it.
Interpretations of aesthetics unique to remote Australian landscapes have been the focus of my recent studio practice. Using the vessel as my canvas, I seek to express notions of the sublime in the landscape. Experimental surface applications utilising enamel as a catalyst, allow me to articulate the beauty of the surfaces I observe in the landscape. This body of work references the devastating outcome of the bushfires in the Victorian High Country in February 2009.
These works explore an anxiety around Australia's continuing focus on digging resources out of the ground for short term gain to the detriment of the environment. I am interested in deepening, through the language of jewellery and object, my exploration of the social and environmental impacts of resource usage and the material and social values of western cultures.
This work situates itself as an infection, an outbreak of brooches, spreading out from the original site/wound to be carried away by host bodies.
Society has scheduled our lives to move in unison; we go to bed, we get up, we go to work, we eat and we relax. However, working evenings and the weekend, I find my timetable is the polar opposite of others. Instead, I move through unoccupied spaces with only traces of people left behind.
These pieces are representative of a larger collection of work titled silver city dreams made in response to a residency in Broken Hill during the winter of 2014. The works refer to real and imagined stories from the history of the Silver City and each incorporates materials collected there during the residency. The title and materials of the works may be read together to create an implied narrative (or not).
In using the same techniques and materials for each pendant but inverting them for Innie and reversing them for Outie I wanted to show that those connections are much closer than we realise.
Subtle breeze is inspired by observing the delicate movements of leaves on trees and shrubs. The leaves movements' are sketched into a basic line drawing. The drawing are re-drawn in to simplify lines to form the basic shape and transfer into metal.
Sterling silver uses for this pieces are recycled silver. They are melted down and re-roll in to different shape of metal sheet. The process determines to the size and shape of the overall leaves shape.
When the wearer wears the necklace the movement of the body will creates movement of the leafs like a subtle breeze.


text:
namespace blink {

namespace {

// For quota purposes we count each character as 2 bytes.
size_t QuotaForString(const String& s) {
  return s.length() * sizeof(UChar);
}

size_t MemoryForString(const String& s) {
  return s.CharactersSizeInBytes();
}

}  // namespace

StorageAreaMap::StorageAreaMap(size_t quota) : quota_(quota) {
  ResetKeyIterator();
}

unsigned StorageAreaMap::GetLength() const {
  return keys_values_.size();
}

String StorageAreaMap::GetKey(unsigned index) const {
  if (index >= GetLength())
    return String();

  // Decide if we should leave |key_iterator_| alone, or reset to either the
  // beginning or end of the map for shortest iteration distance.
  const unsigned distance_to_current = index > last_key_index_
                                           ? index - last_key_index_
                                           : last_key_index_ - index;
  const unsigned distance_to_end = GetLength() - index;
  if (index < distance_to_current && index < distance_to_end) {
    // Distance from start is shortest, so reset iterator to begin.
    last_key_index_ = 0;
    key_iterator_ = keys_values_.begin();
  } else if (distance_to_end < distance_to_current && distance_to_end < index) {
    // Distance from end is shortest, so reset iterator to end.
    last_key_index_ = GetLength();
    key_iterator_ = keys_values_.end();
  }

  while (last_key_index_ < index) {
    ++key_iterator_;
    ++last_key_index_;
  }
  while (last_key_index_ > index) {
    --key_iterator_;
    --last_key_index_;
  }
  return key_iterator_->key;
}

String StorageAreaMap::GetItem(const String& key) const {
  auto it = keys_values_.find(key);
  if (it == keys_values_.end())
    return String();
  return it->value;
}

bool StorageAreaMap::SetItem(const String& key,
                             const String& value,
                             String* old_value) {
  return SetItemInternal(key, value, old_value, true);
}

void StorageAreaMap::SetItemIgnoringQuota(const String& key,
                                          const String& value) {
  SetItemInternal(key, value, nullptr, false);
}

bool StorageAreaMap::RemoveItem(const String& key, String* old_value) {
  const auto it = keys_values_.find(key);
  if (it == keys_values_.end())
    return false;
  quota_used_ -= QuotaForString(key) + QuotaForString(it->value);
  memory_used_ -= MemoryForString(key) + MemoryForString(it->value);
  if (old_value)
    *old_value = it->value;
  keys_values_.erase(it);
  ResetKeyIterator();
  return true;
}

void StorageAreaMap::ResetKeyIterator() const {
  key_iterator_ = keys_values_.begin();
  last_key_index_ = 0;
}

bool StorageAreaMap::SetItemInternal(const String& key,
                                     const String& value,
                                     String* old_value,
                                     bool check_quota) {
  const auto it = keys_values_.find(key);
  size_t old_item_size = 0;
  size_t old_item_memory = 0;
  if (it != keys_values_.end()) {
    old_item_size = QuotaForString(key) + QuotaForString(it->value);
    old_item_memory = MemoryForString(key) + MemoryForString(it->value);
    if (old_value)
      *old_value = it->value;
  }
  DCHECK_GE(quota_used_, old_item_size);
  size_t new_item_size = QuotaForString(key) + QuotaForString(value);
  size_t new_item_memory = MemoryForString(key) + MemoryForString(value);
  size_t new_quota_used = quota_used_ - old_item_size + new_item_size;
  size_t new_memory_used = memory_used_ - old_item_memory + new_item_memory;

  // Only check quota if the size is increasing, this allows
  // shrinking changes to pre-existing files that are over budget.
  if (check_quota && new_item_size > old_item_size && new_quota_used > quota_)
    return false;

  keys_values_.Set(key, value);
  ResetKeyIterator();
  quota_used_ = new_quota_used;
  memory_used_ = new_memory_used;
  return true;
}

}  // namespace blink


text:
Q: Prove that a set cannot have two different size $$ and $, ≠n$. We define the number of elements in set by bijections as follows:

$|X| = n$ means that there exists a bijection from X to the set $\{1,2 \dots, n\}$.

I already showed that:

*

*if $X$ and $Y$ have same size, then there exists a bijection from $X$ to $Y$

*if $X$ has size $n$, and there exist a bijection from $X$ to $Y$, then $Y$ has size $n$ too.

Now, I want to prove following:

Prove that a set cannot have two different size $m$ and $n$, $m \neq$n.
Be careful not use the intuitive notion of "size" but only the definition via bijections. Procced by induction.

In the book is the solution (without base case), but I am not sure. So, I write them down and write my explenation. I write number to each step, if you do not agree then please write why.

PROOF: It suffices to prove that there is no bijection from the set $\{1,2, \dots, n\}$ onto a proper subset $A \subset \{1,2, \dots, n\}$.

(1) To reason why it is possible is that, by definition if there is no bijection between two sets, then the size of these sets cannot be same.

Proceed by induction on $n$. The case $n=1$ is clear.

(2) There is only one proper subset of $\{1\}$, nameley $\emptyset$. So we need show there is no bijection beetween $\{1\}$ to $\emptyset$. So let $f: \{1\} \rightarrow \emptyset$. Since $\{1\} \times \emptyset = \emptyset = f$, so $f$ is not function neither bijection.

Suppose there were such a bijection $f: \{1,2,\dots,n\} \rightarrow A, n > 1$.

(3) From this sentence, I know that proof is given by contradiction.

If $f(n) = n$ or $n \notin A$ then $f$ restricted to $\{1,2, \dots, n-1\}$ gives a bijection of $\{1,2\dots,n-1\}$ to its proper subset.

(4) In the proof is not explicitly written induction hypothesis, but it may look as "Suppose for $n-1$ there is no bijection between $\{1,2, \dots,n-1\}$ to $A \subset \{1,2, \dots,n-1\}$". So, we reach a contradiction in this case.

If $f(n) = i \neq n$ and $f(j) = n$ for some $j < n$ then define $g(j) = i, g(k) = f(k)$ for $k\neq j, n$. This g is again a bijection of $\{1,2, \dots, n-1\}$ on its proper subset.

(5) Again, we reached a contradiction. Clearly $f(n) = n$ or $f(n) \neq n$ so we consider all possibilities.

A: Here's the proof desiigner is alluding to:
Let $p(m)$ be the statement "If there is a bijection $f:[m]\to[n]$, then $m=n$" for $m\in\mathbb N$. We induct on $m$.

*

*Base case: For $m=0$, $[m]=\emptyset$ so a bijection
$f:\emptyset\to[n]$ implies $[n]$ is also empty.

*Induction step: Suppose $p(m)$, we want to show a bijection
$f:[m+1]\to[n]$ implies $m+1=n$. Since $m+1\ge1$, $1\in[m+1]$ so $f(1)\in[n]$. This means $[n]$ is inhabited so $n\ge 1$ and $[n-1]$ is defined. We show $m=n-1$.
Define $f\restriction_{[m]}:[m]\to[n]\setminus\{f(m+1)\}$ to be the restriction of $f$ to $[m]$ with codomain $[n]\setminus\{f(m+1)\}$, which is bijective. Now we use the following Lemma:

If $X$ is inhabited, then there is a bijection $f:X\setminus\{a\}\to X\setminus\{b\}$ for all $a,b\in X$.

In particular, there is a bijection $g:[n]\setminus\{f(m+1)\}\to[n]\setminus\{n\}$ with $[n]\setminus\{n\}=[n-1]$. Then $g\circ f\restriction_{[m]}$ is a bijection. By induction hypothesis, $m=n-1$ so $m+1=n$.

This proof is lifted from An Infinite Descent into Pure Mathematics by Clive Newstead, which can be found at https://infinitedescent.xyz/.


text:
package com.brazoft.virtuoze.showcase.ui.pages;

import com.brazoft.virtuoze.showcase.ui.Bundle;
import com.brazoft.virtuoze.showcase.ui.Callout;
import com.brazoft.virtuoze.showcase.ui.CodeConsumer.CodeRepository;
import com.brazoft.virtuoze.showcase.ui.Example;
import com.brazoft.virtuoze.showcase.ui.Page;
import com.brazoft.virtuoze.ui.Badge;
import com.brazoft.virtuoze.ui.ListGroup.ListGroupItem;
import com.brazoft.virtuoze.ui.Pills;

public class BadgePage extends Page {
  private static final String TITLE = "Badge";

  public BadgePage() {
    super(TITLE);
    this.setup();
  }

  private void setup(){
    String value = "10";

    Example example = this.addExample();
    example.sample().add(new Badge().text(value));
    example.code().add(CodeRepository.get().java("badge", value));

    this.addTitle().text("Self collapsing");
    this.addText().html("When there are no new or unread items, badges will simply collapse (via CSS's :empty selector) provided no content exists within.");

    Callout callout = this.addCallout(Callout.Color.DANGER);
    callout.addHeading().text(Bundle.constants.crossBrowser());
    callout.addText().html("Badges won't self collapse in Internet Explorer 8 because it lacks support for the :empty selector.");

    this.addTitle().text("Adapts to active nav states");
    this.addText().text("Built-in styles are included for placing badges in active states in pill navigations.");

    example = this.addExample();
    Pills pills = new Pills();
    pills.addPill().text(Bundle.constants.home()).addBadge().text(value);
    pills.addPill().text(Bundle.constants.profile());

    example.sample().add(pills);
    example.code().add(CodeRepository.get().java("badge.adapt.pill", Bundle.constants.home(), value, Bundle.constants.profile()));
  }

  @Override
  public Page summary(ListGroupItem item) {
    item.addHeading().text(TITLE);
    item.addText().html("Easily highlight new or unread items by adding a Badge to links, Bootstrap navs, and more.");
    return this;
  }
}


text:
Angebote zu "Crew" (20 Treffer)
E. Gent, B: New dictionary of the terms ancient and modern o
Erscheinungsdatum: 01.09.2019, Medium: Taschenbuch, Einband: Kartoniert / Broschiert, Titel: A new dictionary of the terms ancient and modern of the canting crew, in its several tribes of Gypsies, beggers, thieves, cheats, &. with an addition of some proverbs, phrases, figurative speeches, Autor: E. Gent, B., Verlag: Alpha Editions, Sprache: Englisch, Schlagworte: HISTORY // General, Rubrik: Geschichte, Seiten: 188, Informationen: Paperback, Gewicht: 245 gr, Verkäufer: averdo
Gent, B. E.: A New Dictionary of the Terms
Erscheinungsdatum: 03.04.2018, Medium: Taschenbuch, Einband: Kartoniert / Broschiert, Titel: A New Dictionary of the Terms, Titelzusatz: ancient and modern of the canting crew, in its several tribes, of Gypsies, beggers, thieves, cheats, &c., with an addition of some proverbs, phrases, figurative speeches, &c., Autor: Gent, B. E., Verlag: hansebooks, Sprache: Englisch, Rubrik: Schulbücher, Seiten: 188, Informationen: Paperback, Gewicht: 294 gr, Verkäufer: averdo
Step Up 1-3 Box Set
Step Up Fans of Dirty Dancing and Fame will appreciate the moves in this tale of a sullen young thug named Tyler (Channing Tatum) who winds up doing community service at the Baltimore High School for the Performing Arts. At first he's just smirking and mopping the floors, but then Nora (Jenna Dewan), a talented dancer and choreographer, loses her partner to a fractured ankle mere weeks before the big showcase, and Tyler steps in as her partner. At first he doesn't take it too seriously but then again, he's never had a real chance in life. His best friend from the street (Damaine Radcliff) gets jealous and forces Tyler to decide which side of the tracks he thinks he belongs on. Meanwhile, romance heats up between Tyler and Nora, and there's some side business with the school's hip-hop composer (Mario) falling in love with Nora's hot friend Lucy (Drew Sidora), who is going out with an older man -a successful artist who cheats on her. As far as dramatic steps go, that's all fairly by the numbers, but the performances are strong. Tatum manages to be charismatic while playing his character like a real high school kid, that is to say, monosyllabically. The dialogue crackles and the editing is tight, while the big dance climax is, of course, a crowd-pleasing showstopper. Rachel Griffiths (Six Feet Under) plays the school principal. Alyson Stoner connects with some warmth and spontaneity as Tatum's little sister, as does rapper Heavy D in a bit part as a local crime lord.Step Up 2 The Streets Jon M. Chu directs this feel-good sequel about pursuing what you love and finding yourself along the way. Andie (Briana Evigan, daughter of actor Greg Evigan) is a tough Baltimore teen who grew up dancing and is now part of the 410, the hottest dance crew in the city and reigning champions of the Streets, an underground dance competition. Unable to control Andie's rebellious ways, her guardian, Sarah (Sonja Sohn), has decided to send her to Texas to live with her aunt. But Andie has one last chance to stay with her crew in her beloved Baltimore: the Maryland School of the Arts (MSA). Unfortunately, maintaining her studies at MSA means less time with the 410. To make matters worse, Andie is having a hard time fitting in at her new high school, where tradition is revered and being outside the box is frowned upon. Luckily, she has a partner in crime in classmate Chase Collins (Robert Hoffman), whose stuffy brother, Blake (Will Kemp), is the school's director and a constant thorn in his younger brother's side. When the 410 boots Andie out, she and Chase find their own crew of overlooked MSA dancers and take it all the way to the Streets. The real star of Step Up 2 The Streets is the amazing dancing and there's plenty of it. From the opening scene in a Baltimore subway to the playground to studio rehearsals to the Streets, these kids give it everything they've got. Channing Tatum briefly reprises his role as Tyler Gage, who knows Andie from the neighbourhood.Step Up 3 Moose (Adam Sevani) teams up with a talented street dance crew for a competition against some of the most talented hip-hop dancers around in this eye-popping instalment of the popular dance film series.
Anbieter: Zavvi
A new dictionary of the terms ancient and modern of the canting crew in its several tribes of Gypsies beggers thieves cheats &. with an addition of some proverbs phrases figurative speeches
A new dictionary of the terms ancient and modern of the canting crew in its several tribes of Gypsies beggers thieves cheats &. with an addition of some proverbs phrases figurative speeches ab 11.49 € als Taschenbuch: . Aus dem Bereich: Bücher, Taschenbücher, Geist & Wissen,
A new dictionary of the terms ancient and modern of the canting crew
A new dictionary of the terms ancient and modern of the canting crew ab 17.9 € als Taschenbuch: in its several tribes of gypsies beggers thieves cheats. Aus dem Bereich: Bücher, Wissenschaft, Geschichte,
A New Dictionary of the Terms
A New Dictionary of the Terms ab 17.9 € als Taschenbuch: ancient and modern of the canting crew in its several tribes of Gypsies beggers thieves cheats &c. with an addition of some proverbs phrases figurative speeches &c.. Aus dem Bereich: Bücher, Schule & Lernen,
A new dictionary of the terms ancient and modern of the canting crew ab 17.9 EURO in its several tribes of gypsies beggers thieves cheats
Anbieter: ebook.de
A New Dictionary of the Terms ab 17.9 EURO ancient and modern of the canting crew in its several tribes of Gypsies beggers thieves cheats &c. with an addition of some proverbs phrases figurative speeches &c.
Canting


omg that is great. And the mice! I love it.
Racism is still in the world... but it's no longer white on blacks in the (majority), it's blacks on whites (is the new majority) people are brainwashed into thinking it's still whites on blacks... numerous cases can back me up on this.
Nice composition, keep it up and have a great time!
Wonderful and creative! This is what makes your art great.
Pretty effective in it's simplicity and in how relatable it is. I could see this on a billboard or in a magazine. Nice work!
Nice work! I like the concept!
I like the concept, you chose a very unique way to convey your message.
Very powerful image and concept well done!
Great work I'm glad to see important issues like racism brought up in art, because honestly, you don't see it very often. Art with messages like this tend to be over looked and dominated by more popular themes, which is sad.
This does take a humorous effect if you consider a Zebra being there!
I like the concept. People are blind, sometimes.
HOLY CRAP I WAS BORN HERE! Every newborn has to find it´s way into the world and the society. EVERYBODY has to integrate him/herself into society!
... sorry for spamming, but you touched a subject, I could talk about the whole day.


Peter said how brave he would be. Then at the various trials after Jesus is arrested he denies that he even knows Jesus. Some of the women go to the tomb to finish the burial process and find the tomb empty, and two angels there. The message above in from one of the angels. Peter gets a special invitation. He blew it, he messed up, when the going got tough Peter fell apart.
Jesus didn't give up on him. He gave him special attention.
Peter came through big, preaching the first sermon, going to the Gentiles first, and becoming one of the main leaders of the church.
When you are coaching and a player blows a big play, this is when you find out what kind of character you have.
Do you yell at him, and insist that he blew it for you, and put him on the end of the bench?
Or do you bring him through it and build up his confidence and show him that one play doesn't define him?
One way the player shrinks back and plays with hesitation, the other the player grows and works hard and wants his chance at another tough play.
And if you are the player, do you let a play define you, or do you use it as motivation to work hard and let it bring out the best in you.
Results: a team can get better as the season goes on, or it can actually get worse by the end of the season. A big part of it is how you handle the AND PETER moments.