As a new parent you want to give your child the best start in life when it comes to their diet. There seems to be a minefield of information of what to give them, when and how. The following guidance will help guide you through your child's nutritional needs from baby through to toddler.
During the first six months, your baby will receive all of its nutritional needs from either breast or formula milk. How you decide to feed your baby is very personal. Whichever way you choose has to be right for both you and your baby. Your GP or Health Visitor can talk through the options with you. If you decide that breastfeeding isn't for you, or you've been unable to breastfeed, there are a number of formula milk brands available to support your baby through those first months. There are pros and cons to both breast and formula feeding.
it can help to reduce the risk of developing breast cancer.
you may need to express your breast milk (either manually or using a special pump) if you want time out from feeding for any reason.
it may allow you to return to work earlier if you choose to.
you'll need to have special equipment to properly clean (sterilise) the bottles to prevent your baby picking up any germs from 'old' milk and becoming unwell. Bottles will have to be prepared in advance and should only be used for formula or water (sugary drinks, like squash, can damage baby teeth).
Weaning can be a very exciting time as well as a very messy one. When your little one is ready to wean, usually around six months, remember to go slow. Their tummies are tiny and their digestive systems are still developing. Up to the age of one year their main source of nutrients will still come from breast or formula milk. But, as the weeks progress they'll increase from a few mouthfuls to three meals a day.
Baby rice (this is normal rice, ground to a very fine consistency, like flour. It often comes with added vitamins, such as zinc and iron).
Experiment - Don't be put off by your little one not liking something. Try mixing up mashed fruits and vegetables. Just because they might turn their nose up at something initially, it doesn't mean to say they won't like it in a week or two.
Variety - When they're able to manage finger foods, offer a selection of fruits and vegetables with breadsticks or pittas, for example, and allow them to choose what they like. Don't force them to finish their plate if they don't want to.
Persevere - It can be disheartening when your little one doesn't eat something you've prepared. Don't give up, remain calm and relaxed and try another day. Babies will often learn to eat and like foods they're given regularly.
Your toddler needs full fat milk until the age of at least two years. After that they can have semi skimmed milk if they're healthy and growing at a normal rate. You shouldn't give your child skimmed milk until the age of five.
Don't add salt to your cooking or to their meals. Too much salt can damage their young kidneys.
Try to avoid too many sweet treats and sugary drinks as this can lead to tooth decay.
Toddlers, unlike us, need high fat, low fibre diets. If they're given too many high fibre foods they'll fill up too quickly and may not want to eat the other foods offered to them.
Be aware of nuts that could be choked on. Grind them up and sprinkle over foods. Also make sure that any meat is fully cooked and tender, as your toddler is still mastering the art of chewing with their newly cut teeth.
Offer three small meals a day along with two healthy snacks and plenty of water to drink. They're growing quickly, and their tummies are small, so they need refuelling regularly.
If you've decided you'd like your toddler to have a vegetarian or vegan diet remember that they're at higher risk of having too much fibre and not enough iron for energy. Make sure they're given dark green vegetables, dried fruits, pulses, beans and fortified cereals.
Make sure you offer drinks frequently to avoid dehydration. Water is best, or a glass of milk. Fizzy drinks and squash offer little nutritional value and are bad for teeth; even fruit juices can cause dental decay, so dilute them with water and save them as a special treat.
It can be tricky trying to think of new dishes that are healthy, not too fiddly or expensive. If you struggle with inspiration for different recipes that both your toddler and the rest of the family can enjoy together, there are many cookbooks and recipe ideas on the internet.
NHS UK - Why breastfeed?


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Over £6m earmarked to restore derelict buildings in Armagh city centre
Heritage Lottery Fund offers extra £1.9 million for Armagh work
Armagh city centre looks set to benefit from an investment of over £6 million to restore and revitalise buildings and bring them back into productive use.
The Heritage Lottery Fund has now offered a further £1.9 million to see the work through.
The funding is under the Townscape Heritage initiative and follows an earlier award.
Heritage Lottery agreed last Tuesday to make a second cash payout.
And at a meeting of Armagh City, Banbridge and Craigavon Borough Council tonight (Monday), the recommendation to councillors will be that the offer is accepted.
If this is supported, this latest grant would – when taking into consideration match funding from council and private sector contributions – see a total investment in Armagh of £6.3 million.
The stage two bid was submitted earlier this year and was considered by the Lottery Fund's Northern Ireland Committee on Tuesday.
Up to 25 key properties in Armagh have now been identified for inclusion in the bid from within the Conservation Area.
This covers Barrack Street, Scotch Street, Upper English Street, Market Square, Russell Street and the Mall.
A letter of offer from HLF will be forthcoming "in due course", council has been told.
The match funding from council has already been included in its capital plan.
RelatedABC Councilarmagh
More in Armagh
Multi-million pound Ogle Street development to be named St Malachy's Court

redpajama_set_name: RedPajamaCommonCrawl


Our very first Bearbrick. As you can tell visiting our studios, we're very fond of these little things and thanks to Medicom, we were able to work on a project with them to coincide with our watch collaboration a few months before. We still have a few left in our online emporium so if you're interested, click here.


The connect handle created by IOServiceOpen. It will be destroyed by this function, and should not be released with IOObjectRelease.
A connection created with the IOServiceOpen should be closed when the connection is no longer to be used with IOServiceClose.


This is truly an imposing 3-stateroom yacht with beautifully-detailed and expansive salon. The fully-enclosed bridge deck provides seating for 8, dual electric sunroofs, sliding side windows and polished chrome frames surrounding the sliding cabin entry doors. An impressive, $60,000 sound system is capable of providing concert-style clarity that will enchant all who care to listen. Truly impressive from any angle, the Predator's profile and contoured exterior lines only tease the senses for what you will experience within. Fine joinery in highly-polished cherry wood surrounds you in every area of the yacht's interior. Sleek and powerful, her MAN 1200's will take you upwards of 30 knots, fitting testimony to Sunseeker's performance-oriented heritage.


Vibrant orange, purple, and green hues typical of this master of still life abstraction. Mostly known for her fondness for the abstracted still life, Jennifer Hornyak draws inspiration from what surrounds her. Hornyak's paintings reveal sophisticated colour mixing and generous textures, and are both intimate and universal. She studied at the Grimsby School of Art before moving to Canada. Her paintings have been shown in senior galleries and collections in Europe and North America.


PROSSER Twins Zachary and Angelina Bartlett didn't expect to manage a winery.
But when their father, master winemaker for Lapis Winery, and wicked stepmother die in a plane crash, the two return to the family business, only to come face-to-face with their father's dark past.
Does that plot sound as juicy as a ripe merlot grape?
It might be fiction, but a new novel starring the Bartlett twins is set in the reality of the Mid-Columbia wine country and features Prosser's Kestrel Vintners.
For the Sake of the Vine, a joint project that debuts in bookstores in June, is spearheaded by Seattle-based Tigress Publishing, said Kristen Morris, the company's chief executive officer.
It's the first in a series of three Merlot Murder Mysteries, all of which bring together the art of books, imagery and wine, she said.
"The idea behind Merlot Murder Mysteries is to get a collaborative effort and partner with a winery to create a new work of art," she said.
That winery is Kestrel, whose staff helped the author, Adria Lang, get all the winemaking facts right.
J.J. Compeau, Kestrel's director of sales, said the Washington setting will be good for the industry.
"The idea that someone wanted to use Washington ... that was exciting to us," he said.
Morris said one goal of the series is to highlight Washington's wine industry.
"Washington makes great wine, and it hasn't really gotten the attention it deserves," she said.
Aside from offering a setting for the book, Kestrel also provided expertise about the winemaking process.
Winemaker Flint Nelson is the voice of fact in the book.
"He sort of tries to help the fictitious vineyard and give them advice," Morris said. "We wanted people that are wine lovers to read it and go, 'Oh yeah, they know wine.' "
The team working on the book also includes artist Steve Montiglio and writer D. Michael Tomkins.
Peter Atkins, screenwriter for some of the Hellraiser movies, is to write one of the three books as well.
Compeau said the artistic talent of the team was another reason Kestrel wanted to be involved.
"(The talent) made it seem like it was going to be something special," he said.
Once the book is published, the plan is to carry the artistic creativity into its marketing.
Morris said events featuring the book will happen across Eastern Washington, and she's working on a promotion with a national hotel chain where the book and a bottle of wine will be packaged with the room rate.
The film rights also are being promoted in Los Angeles, she added.
The second and third books in the series likely will continue to feature Kestrel, as the characters will stay the same, Morris said. Two authors will write the books, and the mysteries will be told from a different perspective.
"This book is very much like making wine. Every year, you have different weather conditions (that make the vintage unique). We really like the idea of introducing the new voice, and perhaps changing perspectives," Morris said. "We want to maintain the connection to Eastern Washington."
For more information or to order a copy of the book, go to www.merlotmurdermysteries.com.


text:
Villa tickets sold out
Albion travel to Villa Park on March 3
ALBION will be backed by a bumper 2,900-strong away following for next month's short trip to neighbours Aston Villa having sold out their entire ticket allocation.
Having seen the club's away season ticket holders grab their seats for the Villa Park clash, Albion's online allocation to home season ticket holders was also snapped up within just 24 hours.
Remaining tickets went on sale to season ticket holders in person and over the phone yesterday and Baggies fans were quick to secure their place at Villa Park for the Barclays Premier League clash on Tuesday, March 3 (7.45pm).
Coach places still remain on sale, however, for fans who have already purchased a match ticket.
Coaches depart Kidderminster 5pm, Stourbridge & Lye 5.15pm and The Hawthorns 6pm. Prices are £10.
Albion will be bidding to record their first league double over Villa since 1973/74 after Craig Gardner's solitary strike secured a 1-0 victory at The Hawthorns in mid-December.


text:
Cops: Man with active warrants attempts to run from police
A Huntington man wanted on a pair of warrants led police on a brief foot pursuit after a Southold detective spotted him in Mattituck Thursday morning, according to a police press release.
Brian Shedrick, 31, reportedly had heroin and a "hypodermic instrument" in his possession when police apprehended him, police said. The detective saw Mr. Shedrick walking eastbound on Sound Avenue near Cox Neck Road at about 8:20 a.m. Mr. Shedrick was charged with resisting arrest, criminal possession of a controlled substance and criminal possession of a hypodermic needle, all misdemeanors, police said.
Mr. Shedrick was held for arraignment following his arrest, police said.
Mr. Shedrick has a history of fleeing police, according to prior reports. He allegedly led police on two chases in January 2016 and was arrested with the help of a K-9 unit, according to prior reports. Following that arrest, he was listed as having a Southold address. In 2010, he also pleaded guilty to bail jumping, resisting arrest and other charges and was sentenced to a total of 180 days in county jail and fined $700, according to prior reports.
Southold Town Police
01.16.2021	Police
Southold Blotter: Pedestrian avoids injury after being struck by unlicensed driver
Southold Town police cited a Mattituck woman for unlicensed driving after she reportedly struck a pedestrian on Pike Street...
Southold Blotter: Driver's vehicle impounded after DWI arrest
Rudy Elias, 41, of Laurel was arrested early Friday for DWI along Main Bayview Road in Southold. Police said...
Former Southold officer's lawsuit headed to trial after Appellate Division overturns prior ruling
A former Southold Town probationary police officer's suit against the town over his firing in May 2016 has won...
Cops: Greenport man responsible for multiple burglaries arrested
A Greenport man allegedly responsible for several burglaries of Greenport businesses was arrested Wednesday, according to Southold Town police....
Kayaker who died in Peconic Bay remembered for adventurous spirit
An 18-year-old kayaker whose body was recovered from Peconic Bay Saturday night is being remembered for his gentle and...
Police: Greenport man spit in officer's face during arrest after driver fled scene of crash
A 21-year old Greenport man was arrested early Monday morning after he spit in a Southold police officer's face...


Saturday was peaceful and quiet at the hospital, even though we had many patients. I prayed and walked the halls, before doing my rounds with the magazine cart.
One room in particular stands out. As I entered, there was a young person lying in bed looking very discouraged, like having recently received some upsetting news. At the bottom of the bed was a chair with a woman sitting there looking at my patient, maybe a relative, or a friend.
"Yes I am!" I told her.
"I volunteer too!" she told me. "What do you do here at the hospital?" she went on.
I stood there wondering if God would give me the correct words, because the request was obviously important. Privacy with our patients is also crucial, so I just remained quiet and motionless and waited for a response.
After contemplating for a couple minutes, head still bowed, the youngster nodded yes. I reached out and took the patient's hand in mine. Unsure of what to pray for, I just let the Holy Spirit lead me. The prayer for salvation and healing filled my mind with beautiful, loving, caring words for the needs of this soon to be child of God. I remember praying so softly and kindly with my voice, not normal for me. I'm kind of a loud personality, but not this time. My prayer ended respectfully and in Jesus's precious name.
When I lifted my head, they both looked deeply at each other, knowing something important, that I didn't know, had just happened. I took my cart and smiled before I left, but at the door I looked back and said, "I'll be praying all day for you, hon! I pray for all my patients the days I work!" Then I walked away.
That child came to my mind often the rest of my work day. Still is in fact, and it's now four days past my visit. I will wonder forever about that moment in my life, when maybe, just maybe, God used little ole me for something special.
So, to end this two part story, you see, one person may be ready for Jesus and want prayer, and another may not, but we can not miss any opportunity to talk about the Lord to anyone. The time is short until our Savior returns.
I'm troubled. Today was volunteer day and many people at the hospital were extremely ill. One patient keeps haunting my mind. Cancer is devouring this youngster. I entered the patient's room twice today. My first trip was to bring in a visitor. As we walked, the guest told me the infirmed was terminal.
We arrived quickly as I used a short cut to that room. I could see all the youngster's hair was gone from chemotherapy. I excused myself quickly and went back to the information desk.
Instantly, an older woman standing beside the bed angrily replied, "No, no, we don't want any of that either!" Then she brushed me off with a wave of her hand.
"OK," I replied. As I left the room I thought, "You can't stop me from praying silently out here in the hallway, and I asked the Lord to send someone else to bring the Word about Jesus to this terminally ill young person.
Now, I'm home, walking outside in my prayer field, and asking God to tell me if I should return, or would He please send another Christian that could talk to that youngster about Jesus, before it is too late. I'll keep praying and asking God. I will never know if this hospital case accepts or rejects an opportunity for salvation, but at least I planted a seed.
Part 2- entitled, "The Acceptance" will be blogged in a week or so. Thanks for reading.
I'm not sure why I am writing to you, but the Lord often impresses on my heart to write letters to people who are hurting. I'm wondering how you are doing dealing with so much loss since your accident last year? This month is also traumatic for my hubby, as this is the point in time he lost his three-year-old son to cancer.
Recently the Lord opened my eyes to an awareness of God. I read that, "If God has prophesied something there is nothing we can do to stop it from happening!" Makes sense doesn't it? God prophesied that a pestilence would take the first born of every house in Egypt, but the killer disease would pass over every house that had lambs blood on the door posts. Think about that! How can germs decide which house to pick? Does that make any sense to you?
John, you are probably wondering what I'm getting at. I believe the same applies to us today! When my husband signed the approval on the final powerful chemo treatment which ended his son's life, didn't matter. His son's time to be with God was supposed to be that split second in time in 1978.
I feel like the Lord wants me to tell you this; Whether or not yours was the vehicle that ended the life of another driver, that man was destined to be with the Lord that very day! It could have been the car before or after you! It was his time to go!
I know that doesn't give you any comfort, but when you open your eyes wide and look all around you, you will see that we really don't have a lot of control over our lives. God alone knows, every day, what is going to happen to us. He has total control!
I want to share a secret from my own life that has plagued me with guilt for over 20 years. I'll shorten my story. My car broke down and I needed a ride. (This was before cell phones.) A stranger offered me a lift and just then, I distinctly heard a clear warning from God, "Don't get in that car!" I heard the powerful words a second time, when I had my hand on the door handle of his vehicle. Still, I chose to ignore the premonition, and took the ride. Within 20 minutes, that stranger pulled onto a dirt road, stopped the car, and raped me.
I have been plagued with guilt ever since, about not heeding the warnings God graciously gave to me. But one day, I suddenly realized that the Lord already knew I wouldn't listen to His admonition. And He also knew I would be frightened, feel guilty, and traumatized by this incident for a long, long time! So, why then do I continue to punish myself for all these years? Guilt doesn't come from God! It comes from the devil. And he will do anything to rob us of the joy of being close to the Lord!
God already knew that you were going to be the catalyst that would bring that driver straight to Him, just like He knew I would reject His forewarnings about getting in that stranger's car. We can either spend the rest of our lives missing what Jesus has in store for us, or we can accept forgiveness for our failures and move on to whatever He wants us to do for Him.
I know you love the Lord as much as I do, John! And, I know He loves you as much as He loves me! We all need to move forward, forgive ourselves and start fresh, because our time here on earth is precious. We need our joy back! I'll be praying for you, John, to have peace in you life.


text:
Q: Authorization headers error while getting jsonp I'm trying to get json data from the Bing Search API.
What I have done is this
<!DOCTYPE html>

When I try to run this, the following error comes in the console:
Uncaught SyntaxError: Unexpected identifier

for the line
headers:{'Authorization':'Basic ' + azureKey      }

I have the following doubts:

*

*Whether I am doing the jsonp thing right?

*Whether I am correct in including two scripts:
language="JavaScript" type="text/javascript" src="jquery-1.12.3.js"> and the main script.
And of course, why the error.

A: The syntax error is a missing comma
dataType:"jsonp",
//              ^

You also have an extra } after the headers object, which will be another syntax error, change that to a comma.
    headers:{'Authorization':'Basic ' + azureKey      }
    ,
//  ^ comma not a }

You won't be able to use the authorization header with JSONP, it is not possible. If the service supports CORS (which it looks like it does) then you can use a normal XHR by setting the dataType to json.

redpajama_set_name: RedPajamaStackExchange


atohexlabel converts a human readable label into an internal text representation that is safe for storing in a public object. If no option is supplied, the label is assumed to be a sensitivity label.
Internal conversions can later be parsed to their same value. This internal form is often hexadecimal. The converted label is written to the standard output file. If no human readable label is specified, the label is read from the standard input file. The expected use of this command is emergency repair of labels that are stored in internal databases.
Identifies the human readable label as a clearance.
On failure, and writes diagnostics to the standard error file.
The label encodings file contains the classification names, words, constraints, and values for the defined labels of this system.
The command output is Committed for systems with the same label_encodings file. The command invocation is Committed for systems that implement the DIA MAC policy.
This file is part of the Defense Intelligence Agency (DIA) Mandatory Access Control (MAC) policy. This file might not be applicable to other MAC policies that might be developed for future releases of Solaris Trusted Extensions software.


text:
Star spills on trainwreck performance
Lana Del Rey was slammed for her SNL performance as "the worst musical guest ever to appear on the show"
by Leah Bitsky
26th Oct 2019 9:52 AM
ELTON John reached out to Lana Del Rey with some advice after the singer was lambasted for her first performance on Saturday Night Live in 2012.
"That's the first time I ever talked to you," John, 72, said in a new Rolling Stone magazine conversation with Del Rey, 34.
Lana Del Rey was slammed for her SNL performance, with many calling her "the worst musical guest ever to appear on the show". Picture: YouTube.
"I rang you up and said, 'Listen, I just want to offer my help. I know you're sober and everything, but just don't take any notice of these people.'"
He added, commending her for pushing through the criticism: "Most people, that would have flattened them forever. It was an outrageous assault."
During the SNL performance, Del Rey performed her songs Blue Jeans and Video Games. She was panned by the media, and Brian Williams even called it "one of worst outings in SNL history."
You can relive the uncomfortable performance below:
"(It) was so distressing for someone like me to see someone so crucified," John said.
"I've watched it, and it wasn't that bad!"
Del Rey, who just dropped her 6th studio album Norman F**king Rockwell, agreed she didn't think her performance was terrible.
Lana Del Rey said her SNL performance 'wasn't terrible'. Picture: Getty.
John continued: "It wasn't terrible at all. I don't know what the agenda was there, but where was the #MeToo movement there?"
"Oh, you said it, not me!" Del Rey responded.
Del Rey also recalled not being nervous at all for the performance, calling it "the one night in all my time performing that I wasn't nervous."
"I remember the intention I had," she added.
"Looking back, there was a more eccentric performative approach to it. I was thinking about Maria Callas, or someone darker coming through."
The singer said she wasn't nervous at all during performances of both Video Games and Blue Jeans. Picture: YouTube.
"I'm sure it gave you a lot of trauma. But it also gave you incredible backbone," John went on, bringing up Ashlee Simpson, who famously lip-synched her SNL performance in 2004. "And I didn't think it was a major f**k-up. I saw Ashlee Simpson and, yeah, that's a major f - k-up. That's funny. Not to her it isn't, but it's very funny to watch."
Del Rey quipped, "I'm not laughing!"
The infamously awkward performance prompted a follow-up SNL skit in which Kristen Wiig impersonated the singer.
'I think people thought I was stiff, distant and weird,' the comedian said in the skit. Picture: YouTube.
Del Rey addressed the performance previously in a 2012 interview with Rolling Stone, saying she "actually felt good about it."
"I thought I looked beautiful and sang fine," she told the publication.
This article originally appeared in the NY Post and was reproduced with permission
Star flaunts hairy armpits in tiny bikini
Ryan Reynolds' 'filthy' Joker tweet
Pitch Perfect star announces engagement
pop start
artist celebrity lana del ray pop start saturday night live snl
News Plans have been approved for the Coffs Harbour Masters site previously owned by Geoff King.
News RECEIVING around 100 calls a day, Lifeline Coffs Harbour is desperately seeking...
premium_icon Three people killed in horror crash as car left road
News Police remain on the scene of a triple fatality.


text:
MFA Alumna's Jewelry-Making Career Launches During Art School
For Julessa Barnes, recent graduate of the Academy's School of Jewelry & Metal Arts, making art is a way to tell her story. It's taken her almost 15 years of metalworking to become confident in her artistic voice. But Barnes feels it's just the beginning.
Jewelry artist and Academy of Art University MFA graduate Julessa Barnes
"I've been in school for a very short period of time," she admits. "But I've been honing these skills and working on perfecting these techniques for years.
"They say it takes 10,000 hours to become a master. I don't know if I am a master, but I know I've done more than 10,000 hours," says the 2019 online MFA grad and North Carolina resident.
Gaining Attention With Student Work
In her last semesters at school, major players in the jewelry world recognized Barnes' work.
In May 2018, she walked the runway at the Society of North American Goldsmiths conference in Portland, Oregon. The following August, the same organization accepted her work in its annual JaMS Jewelry and Metals Survey. In March 2019, Barnes was invited to her first museum gallery show by the Raleigh Fine Arts Society for an exhibition at the Contemporary Art Museum of Raleigh.
Having her work in a museum was always a goal—"the pinnacle" in Barnes' mind. She says that when strangers, industry professionals and the general public look at her work and immediately understand the message, it's a validation.
"Abandoned" by Julessa Barnes
"I really like the idea of being a part of history in the contemporary art jewelry world," says Barnes, who won the exhibition's student award. "That tells me I'm on the right track. Because some days you have that doubt."
Doubt and her life are baked into Barnes' thesis project, titled Identity. In this highly emotive and intimate collection, Barnes embeds a narrative into the fine details of four-finger rings, brooches, chained necklaces and a "Heart Armor" chest plate.
"Heart Armor" by Julessa Barnes
Visitors at the Academy's annual Spring Show got to see a few of these pieces up close. They included "Misdirection," a sterling silver brooch; "Abandoned," a dual neck piece with a framed photograph attached to a copper hand; and "Heart Armor," the chest shield she wore on the runway.
Building a Jewelry Career with Personal Narratives
Identity began with Barnes learning about her father through stories. She thought about how stories and other events—especially negative ones like heartbreak and disappointment—shaped her identity. Then she put her ideas into metal.
Jewelry by Julessa Barnes
"Exposing these dark, damaged or missing parts of myself helps me grow," Barnes wrote in her thesis statement. "With each piece, I learn something new to add to the many facets of my own identity…. Telling my story through narrative jewelry is my way of connecting with the outside world."
An Artist Encouraged to Embrace Learning
Karen Chesna, Jewelry & Metal Arts online coordinator, worked closely with Barnes throughout her time at the Academy. Chesna describes Barnes' progression as an artist as "growth went beyond critique." She says Barnes always went the extra mile and put exceptional care and attention into everything she did.
"She's still pushing," Chesna says. "She's always going, 'Let's learn something new. Let's embrace more.'"
Barnes plans to find a home for her Identity pieces in a solo show now that she's graduated. And she'll be working to put her art in more exhibitions and galleries. Taking notes from her instructors, Barnes says she would like to teach.
"Separation" by Julessa Barnes
"Sharing what…you're good at and passionate about is important. Art for me is very important, because it's healing. It helps me express my feelings that I can't always get out," Barnes says. "People always tell me when they see my work, 'Wow, you really do like what you do.' I wouldn't be doing this if I didn't. But it's important to me to share that with others."
"I feel like she's on this forward trajectory. School is her launching point," Chesna says. "We've given her [a] foundation, and now she's pushing off….there's only farther and farther up to go with her."
Original article by Nina Tabios published in Academy Art U News
Photos courtesy of Julessa Barnes
School of Jewelry & Metal Arts


For quite some time now, small luxury SUVs have occupied an odd place in the luxury segment. In many cases, their compact stature makes them great for zipping around the busy streets here in Haverhill and nearby Andover, but it also means that they lack some of the sophistication of their larger luxury SUV cousins. Fortunately, the upcoming 2019 Volvo XC40 is a small SUV that doesn't sacrifice an ounce of style or sophistication despite its modern, compact design, and we here at Jaffarian Volvo are confident that it'll prove to be the perfect fit for drivers all from Methuen to Newburyport and all points in between!
Take one look at the new 2019 Volvo XC40, and you'll find a small luxury SUV with the attractive yet subdued elegance that Volvo. Outfitted with an array of Volvo signatures including the striking Volvo front grille, Thor's Hammer LED headlights, and its sculptural silhouette, the 2019 Volvo XC40 also incorporates some bold, new design elements including new exterior color schemes and, most notably, black or white contrast roof colors that make it easy to stand out on the roads of North Andover.
Inside its cabin, you'll find the XC40 is well-appointed for its drivers' tastes and comfort. Featuring characteristically high quality materials and comfort-focused features like 2-Zone Climate Control, the XC40 differentiates itself from the rest of the Volvo portfolio with different interior color schemes and interior trim elements. Further accenting the 2019 Volvo XC40's distinctive appeal are a myriad of thoughtfully placed storage options, including a hook for your purse, a wireless charging pad for compatible mobile devices, and even a ticket holder for your parking passes mounted to the front windshield.
The 2019 Volvo XC40's powertrain consists of a 248-horsepower turbocharged engine mated to an eight-speed Geartronic™ automatic transmission with Start/Stop and Adaptive Shift technology, making it plenty powerful for daily commutes to and from nearby Andover, all while helping it to save fuel in stop-and-go traffic.
Standard all-wheel drive also means that the 2019 Volvo XC40 is a great fit for drivers here in the Merrimack Valley who're looking for a little more confidence when driving in Massachusetts winter weather. And with selectable drive mode settings including Eco Mode, Comfort Mode, Off-Road Mode, and Dynamic Mode, you'll be able to customize your driving experience to suit your daily needs with the new 2019 Volvo XC40.
Sophisticated tech and safety features have always been a hallmark of the Volvo brand, and the 2019 Volvo XC40 is no exception. Outfitted with a crisp 12.3-inch Digital Driver display with customizable graphics and functions, as well as the intuitive Sensus 9-inch touchscreen infotainment system with support for Apple CarPlay and Android Auto, you'll find the 2019 Volvo XC40 makes it only too easy to stay connected to all your navigation information, music, apps, and more.
On top of its outstanding convenience technology, the 2019 Volvo XC40 features an unparalleled suite of safety technology. With forward-thinking features like its Visual Park Assist with 360° camera, Adaptive Cruise Control, and City Safety Collision Avoidance Technology available on its long list of safety technologies, the 2019 Volvo XC40 is a small luxury SUV that will allow drivers from Haverhill to Newburyport to feel comfortable, safe, and secure behind the wheel.
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text:
UncategorizedThe Academy of Art compliance hearing: We should live...
The Academy of Art compliance hearing: We should live so long
After 20 years, school still violates laws with impunity, pays no fines -- and leaves some Planning Commission members stunned
By Tim Redmond
More than 20 years after the Academy of Art University began gobbling up San Francisco real estate and violating planning codes all over the map, the Planning Commission heard today that maybe, sometime the summer, there might be some effort to do something about it.
The commission heard an update from the planning staff about the school's master plan and an environmental impact report on its development future – and then heard from activists who remain stunned that this situation has gone on as long as it has.
"This has been going on for two decades," Chris Martin, a waterfront activist, said. "I'm not sure that there has ever been in history a property owner violating the planning code to this extent."
AAU has blatantly changed the uses of property without the proper zoning or permits, has cannibalized rent-controlled housing stock to the extent of a least 1,000 units and turned it into short-term dorms, and acts as if the laws that every other owner deals with don't apply.
It's been so bad that back in 2012, City Attorney Dennis Herrera told the planning director that "you continue to allow the [school] to violate the law without consequence."
Now, Martin pointed out, the city planners have gone a step further: They have agreed to hold what could be millions of dollars in fine in abeyance as part of a negotiation to encourage AAU to follow the law.
That's right: The city has told the school that if it finally, years later, fixes some of the problems it's created, maybe it won't have to pay the fines it owes.
"The department's treatment of AAU undermines and jeopardizes the [planning rules] and suggests that AAU is above the law," Martin said.
Spike Kahn, who owns commercial property in the Mission, seems astonished by the department's behavior. "I wasn't aware that I could do anything I wanted with any of my properties," she said. Unlike AAU, she noted, "if I have to get a sewer cover replaced it's a $100 fine."
The school's president has appeared at parties with Mayor Ed Lee. From the Chron:
At a luncheon in May at one of the properties, the Cannery at 2801 Leavenworth, Mayor Ed Lee proclaimed Academy of Art University "a beautiful institution" that has "done so much to fill so many vacancies in our city."
"By filling vacant properties, the academy has generated significant economic activity in some of the neighborhoods they reside in," Lee's spokeswoman, Christine Falvey said.
The president, Elisa Stephens, lives in a mansion on Nob Hill, and contributes money to numerous local elected officials.
Scott Sanchez, the zoning administrator, told the commissioners that the fines on just one illegally converted property now total $500,000. But "no penalties have been paid," he said.
Most property owners who defied the city for this much time would have the City Attorney's Office moving to collect the money, by placing liens on the property if necessary.
Commissioner Kathrin Moore was visibly frustrated by the department's report. If the school isn't accountable for its past violations, she wondered, what will make it behave in the future?
"Painful" as it is to say, she noted, "The EIR will be ignored, penalties will be ignored, housing will be ignored."
After Planning Director John Rahaim said that discussions with the institution were productive and progress was being made, Moore noted:
"I appreciate the optimism, but I have no confidence that it will lead to changed behavior." Right now, she said, there is now way to ensure that this massive scofflaw will stop breaking the law: "We are just mopping up after decades of bad behavior."
The reality, Rahaim said, is that many of the more than 30 properties AAU is operating in violation of city law will never be legalized. "So," asked Commissioner Dennis Richards, "how do we unwind this?"
Good question. It's going to mean a radical change in how AAU operates. And we haven't seen any sign that the school is ready for that.
The commission will revisit all of this again in July. And the game will continue.
Dennis Herrera
Mayor Ed Lee
Tim Redmond has been a political and investigative reporter in San Francisco for more than 30 years. He spent much of that time as executive editor of the Bay Guardian. He is the founder of 48hills.
How Recology's monopoly leads to very dubious rate accounting
City records show the way the garbage company could be inflating its costs—and charging consumers for it.
Recology files fake 'reform' petition
Company wants to undermine changes to its monopoly; 'even PG&E doesn't operate this way.'
Reforming the recall—and the mayor's power to appoint elected officials
Plus: What's going on with Mental Health SF, and is CPMC helping with the public-health crisis in the Tenderloin?
Eating Our Own: What a 1973 sci-fi movie says about the reality of 2022
Soylent Green predicted an apocalypse that isn't far from the truth. The problem is runaway Capitalism.
Marc Norton -
City College makes a move to save Cantonese classes
By classifying program as transferable to UC, school can get additional state money.
Garrett Leahy -
The only community garden in Daly City could become market-rate housing
School district wants to develop a site that is a rare oasis of green in an 'impervious concrete jungle.'
Emily Margaretten -
On normalizing relations with Cuba, where is Nancy Pelosi?
SF's rep hasn't joined her Bay Area Democratic colleagues in urging Biden to end the economic blockade.
Mark Ginsburg and Vicki Legion -


There is a heated discussion going on right now on the CourtTV forum boards about whether Larry Birkhead, age 34, got a nose job in his early twenties.
LARRY BIRKHEAD HAD A NOSE JOB HIS NOSE WAS HUGE!!! APPARENTLY YOU NEVER had seen his previous photos pre op?" "The tabloid wars are heating up!
Larry Birkhead was snapped out shopping with 14-month-old daughter Dannielynn (wearing a ... His nose job is very obvious. He used to have a normal, ?manly-sized? nose.
... first sit-down interview after Anna Nicole's death, an emotional Larry Birkhead ... LARRY you�re a? gold digger, bisexual and have a nose job. Talk about that!!!


Home / News / Press Release / GLANVILLE & GALACTIC SUPERLORDS ON TOUR!
René Hofmann (vocals) starts singing in 2000, and has been active as the singer and guitarist of the fusion rock band WIGHT as well as a music producer in Darmstadt since 2008. Experienced as a touring musician and FOH sound engineer across all of Europe.
Philipp Michel (lead guitar) has been guitarist and songwriter for THE EARWIX since 2009 and touring member of MILKING THE GOATMACHINE since 2009. Experienced as a touring musician across all of Europe.
Peter-Philipp Schierhorn (bass) has been the bass player for fusion rock band WIGHT and singer and guitarist for black metal trio FALLEN TYRANT since 2008. Experienced as a touring musician across all of Europe.
Thomas Hoffmann (drums) originally hails from Namibia, but has been living in Germany since 2008, where he was active as the drummer for stoner rock band BUSHFIRE from 2009 to 2014. Experienced as a touring musician across all of Europe.
Chris West (rhythm guitar) is a music producer and multi-instrumentalist from St. Albans, England. He co-founded TRIPPY WICKED and STUBB in 2006, acting primarily as a drummer and producer. Bass player of psychedelic rock band LANDSKAP since 2015. Experienced as a touring musician across all of Europe.


text:
Lucifer Season 5: Netflix Sets Premiere Date for the First 8 Episodes
By Matt Webb Mitovich / June 22 2020, 7:00 AM PDT
Lucifer, The Flash, Watchmen and Other Shows to Gather for Virtual Fan Event
Lucifer Fans Will Be Raving About Season 5's Ladies' Night (PHOTO)
After a helluva wait, Lucifer fans now have a date for the launch of Season 5.
Netflix has announced that Lucifer will return with new episodes on Friday, Aug. 21 — more than 15 months after the release of the supernatural-tinged procedural's initial run on the streaming service. (Because Season 5 was expanded from 10 to 16 episodes, it will be released in two batches; there is no word yet on the timetable for "5B.")
"In the stunning fifth season, the stakes are higher than ever," reads an official teaser. "Secrets will be revealed, beloved characters will die, and we'll finally get an answer to the question, 'Will they or won't they?'"
Watch a 66.6-second round-up of Lucifer's most devilish moments above.
Interestingly, nowhere does Netflix tout Season 5 as a final/farewell run, as it was originally labelled when ordered. The premiere date reveal comes not long after leading man Tom Ellis formally agreed to the terms for a potential, yet-to-be-ordered Season 6, following a months-long standoff.
For a handy round-up of all casting news, special episodes and other Season 5 scoop, check out TVLine's Everything We Know About Lucifer Season 5.
Picked up by Netflix after being cast off by Fox, Lucifer proved to be an irresistible binge, so much so that its Season 5 pickup came just 29 days after Season 4's release (meaning, within Netflix's critical "first month" timeframe). Lucifer Season 4 also ranked as the No. 1 binge, as measured by TV Time, for a record eight straight weeks, on its way to becoming the app's the most-binged program of 2019.
Want scoop on Lucifer, or for any other show? Email InsideLine@tvline.com and your question may be answered via Matt's Inside Line.
TAGS: Lucifer, Netflix
GET MORE: Scheduling News, Summer TV Preview


text:
Q: Make a jquery function wait till it's previous call has been resolved So, I've searched for this high and low and maybe I'm just having trouble understanding jQuery's deferred function or I'm completely on the wrong track. So any help would be appreciated folks!
I basically have a custom jQuery function messager that displays a message with a fadeOut and fadeIn.
(function ( $ ) {

    $.fn.messager = function(message, effect, speed) {

        $(this).fadeOut(speed).delay(speed).text(message).fadeIn(speed);

        return this;
    };

}( jQuery ));

So, I have a div called $elem and when $elem.messager gets called multiple times (with different messages), I would like the messager function to wait till its last call has finished. As in the last FadeIn has finished. Because currently what's happening is that the second call of the function is overwriting the animation effect of the first call of the function.
Any ideas?

A: jQuery Deferred Way
jQuery Deferred object (roughly compromising CommonJS Promises API) can help us managing queued operations. Here is my implementation of queuing messages. You can pass through multiple messages as an array in one call, or synchronize different message boards easily because #messager() returns jQuery object itself but also wrapped as a promise object which will be resolved just when message(s) being displayed.

(function ($) {
    function awaits($el) {
       var awaits = $el.data('_awaits');
       awaits || $el.data('_awaits', awaits = []);
       return awaits;
    }

    function resolveNext(curr /*, ignored */) {
       var head = awaits(this).shift();
       if (head === curr) {
           resolveNext.call(this, 'not await');
       } else {
           head && head.resolve();
       }
    }

    function display(message, speed) {
        var $self = this, await = $.Deferred(), willDone = $.Deferred();
        awaits($self).push(await) > 1 || await.resolve();

        await.done(function() {
            function reveal() {
               $self.text(message).fadeIn(speed, function() {
                   resolveNext.call($self, await);
                   willDone.resolve();
               });
            }

            $self.fadeOut(speed/2, reveal);
        });
        return willDone.promise(this);
    };

    $.fn.messager = function(message, speed) {
        speed = speed || 500;

        if ($.isArray(message)) {
            var arr = [];
            message.forEach(function(m) {
                arr.push(display.call(this, m, speed));
            }, this);
            return $.when.apply(this, arr);
        } else {
            return display.call(this, message, speed);
        }
    }

}( jQuery ));

function play() {
  $('#msgbox1').messager(['A demo of', 'queued messages'], 1000);
  for (var i = 3; i > 0; i--) $('#msgbox1').messager(i);
  $('#msgbox1').messager(['Ready to sing...', 'Singing...']);

  for (var i = 8; i > 0; i--) $('#msgbox2').messager('***');
  for (i = 1; i < 8; i++) $('#msgbox2').messager(String.fromCharCode(64 + i));

  $('#msgbox2')
      .messager('')
      .done(function() {
          $('#msgbox1')
              .messager(['End of demo.', 'Thank you.', 'Run again?'], 1000)
              .done(function() {
                  $('#msgbox1, #msgbox2').one('click', play);
                  $('#msgbox2').messager('>');
              });
      });
}

play();
html {
  background: rgba(0, 0, 0, 0.25);
}
#msgbox1, #msgbox2 {
  color: #FFF;
  padding: 0.3em 0.5em;
  font-size: 36pt;
  text-align: center;
  height: 1.8em;
  cursor: default;
}
#msgbox2 {
  color: yellow;
}
<!DOCTYPE html>

  <meta charset="utf-8">
  <title>Queuing Messages with jQuery Deferred Object</title>

A: Edit, Updated
Try
(function ($) {

    $.fn.messager = messager;

    function messager(message, speed, callback) {

        var that = $(this);
        if (that.data("queue") === undefined) {
            $.fx.interval = 0;
            that.data("queue", []);
            that.data("msg", []);
        };
        var q = that.data("queue"),
            msgs = that.data("msg");
        q.push([message, speed, callback]);
        msgs.push(message);

        var fn = function (m, s, cb) {

            return that.fadeOut(s, function () {
                that.text(m)
            })
                .delay(s)
                .fadeIn(s, cb)
                .promise("fx")
                .done(function (el) {
                console.log("callback", q.length);

                if (q.length > 1) {
                    q.splice(0, 1);
                    fn.apply(el, q[0])
                } else {
                    el.data("queue", []);
                    console.log("done", el.data("queue").length);
                    always(promise, ["complete", msgs])
                        .then(complete);
                }
                return el.promise("fx");
            })
        }

        , promise = $.when(!that.queue("fx").length
                               ? fn.apply(that, q[0])
                               : that.promise("fx"))

        , always = function (elem, args) {
            if (elem.state() === "pending") {
                console.log(elem.state(), args)
            } else {
                if (elem.state() === "resolved") {
                    elem.done(function (elem) {
                        console.log(msgs.length + " messages complete");
                    })
                };
            };
            return elem.promise("fx")
        };

        always(promise, ["start", message, q.length]);

        return that
    };
}(jQuery));

See .promise()

(function ($) {

    $.fn.messager = messager;

    function messager(message, speed, callback) {

        var that = $(this);
        if (that.data("queue") === undefined) {
            $.fx.interval = 0;
            that.data("queue", []);
            that.data("msg", []);
        };
        var q = that.data("queue"),
            msgs = that.data("msg");
        q.push([message, speed, callback]);
        msgs.push(message);

        var fn = function (m, s, cb) {

            return that.fadeOut(s, function () {
                that.text(m)
            })
                .delay(s)
                .fadeIn(s, cb)
                .promise("fx")
                .done(function (el) {
                console.log("callback", q.length);

                if (q.length > 1) {
                    q.splice(0, 1);
                    fn.apply(el, q[0])
                } else {
                    el.data("queue", []);
                    console.log("done", el.data("queue").length);
                    always(promise, ["complete", msgs])
                        .then(complete);
                }
                return el.promise("fx");
            })
        }

        , promise = $.when(!that.queue("fx").length
                               ? fn.apply(that, q[0])
                               : that.promise("fx"))

        , always = function (elem, args) {
            if (elem.state() === "pending") {
                console.log(elem.state(), args)
            } else {
                if (elem.state() === "resolved") {
                    elem.done(function (elem) {
                        console.log(msgs.length + " messages complete");
                    })
                };
            };
            return elem.promise("fx")
        };

        always(promise, ["start", message, q.length]);

        return that
    };
}(jQuery));

            var complete = function() {
                if (!$("pre").is("*")) {
                    $("body").append("
" + JSON.stringify($(this).data("msg"), null, 4))
                } else {
                    $("pre")
                    .text(JSON.stringify($(this).data("msg"), null, 4));
                    $("label[for=messages]").text("messages updated")
                    .show(0).delay(350).hide(0)
                };
            };

    var fx = function() {
        $(this).css("color", "purple").animate({
            fontSize: "72"
        }, 100, function() {
            $(this).animate({
                fontSize: "36"
            }, 100, function() {
                $(this).css("color", "inherit")
            })
        })
    };

    var input = $("input");

    var $elem = $("#messages");
    $elem.messager("0", 1000)

    .messager("1", 100)
    .messager("2", 200)
    .messager("3", 300)
    .messager("4", 400)
    .messager("5", 500)
    .messager("6", 600)
    .messager("7", 700)
    .messager("8", 800)
    .messager("9", 900);

    $.each("abcdefghijklmnopqrstuvwxyz".split(""), function(key, val) {
        $elem.messager(val, 200, fx);
    });

    $("button").on("click", function() {
        $elem.messager(input.val().length > 0 ? input.val() : $.now(), 200);
        input.val("")
    });
#messages {
    display:block;
    height:38px;
    font-size:36px;
    position : absolute;
}

label[for=messages] {
    color:blue;
}

pre {
  position:relative;
}

add messages

<input type="text" /><button>click</button>

messages

A:

It's good now.

A: The naive way of doing it recursively:
Make a global variable(boolean), in this case called queue. If queue is false, set it to true and begin executing the code you want to run. When that code finishes, set queue back to false. Otherwise, if queue was true, just recursively call _this.messager() until queue is set back to false, which would mean that the code is finished running.
fadeIn() and fadeOut() can take callbacks as the final argument, so I'm utilizing that here.
HTML:

javaScript:
(function ( $ ) {
  var queue = false;

  $.fn.messager = function(message, effect, speed) {
    var _this = $(this);

    if (!queue) {
        queue = true;
        _this.fadeOut(speed, function() {
          _this.text(message);
          _this.fadeIn(speed, function() {
            queue = false;
          });
        });
    } else {
        _this.messager(message, effect, speed);
    }
    return this;
  };
}( jQuery ));
$('#messageBox').messager('One', 300);
$('#messageBox').messager('Two', 300);
$('#messageBox').messager('Three', 300);

This typically results in:
Uncaught RangeError: Maximum call stack size exceeded

A more advanced example:
Here we create a second variable called counter to keep track of how many times 'messager' is called recursively and doesn't exceed the limit specified in the options. I set a default of 50, which can be overwritten by the options parameter.
In addition, we've separated out the code that you want to run. This could even be multiple functions that call each other, the important bit is making sure that when your code is finished running, you set queue to false rather than returning false and setting queue to the result of the function. Setting it to the result of the function just makes it undefined until the function finishes returning. We want it to remain as true until the code is finished executing.
This example also throttles the recursive calling so that it's only called once every 100 milliseconds, although that too can be overwritten with whatever value you like (in milliseconds) via the options parameter.
HTML:

javaScript:
(function( $ ) {
  var queue = false;
  var counter = 0;

  $.fn.messager = function(message, effect, speed, options) {
    var _S = $.extend({
        throttle: 100,
        counter: 50
    }, options);
    var _this = $(this);

    counter += 1;

    function codeToRun() {
      _this.fadeOut(speed, function() {
        _this.text(message);
        _this.fadeIn(speed, function() {
          queue = false;
        });
      });
    }

    if (!queue) {
      queue = true;
      codeToRun();
      counter = 0;
    } else {
      if (counter < _S.counter) {
        setTimeout(function() {
          _this.messager(message, effect, speed);
        }, _S.throttle);
      }
    }
    return this;
  };
})( jQuery );
$('#messageBox').messager('One', 300);
$('#messageBox').messager('Two', 300);
$('#messageBox').messager('Three', 300);

For some reason, calling methods on $(this) directly gives me:
[Window, jquery: "1.11.0", constructor: function, selector: "", toArray: function, get: function…]

But storing $(this) in a variable and calling methods on that variable gives me the correct element:
[div#messageBox, selector: "#messageBox", context: document, jquery: "1.11.0", constructor: function, toArray: function…]


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RICHMOND - The public is inivted to join the March of Dimes and Bon Secours Memorial College of Nursing as they celebrate nurses, the unsung heroes of a community. Their work is demanding; their hours long. Their quality care and compassion make a real difference in the lives of so many in Central Virginia.
Visit www.marchofdimes.com/virginia and nominate a special nurse who has touched your life.
Approximately 20 winners will be selected from a wide variety of nursing disciplines. Awards for Nurse Educator of the Year and Nursing Student of the Year will also be given. Nominees should work as a nurse or be a nursing student in Central Virginia, including the Greater Petersburg area.
The deadline for nominations is Aug. 1.
Winners will be announced on Sat., Nov. 12 at the inaugural March of Dimes Central Virginia Nurse of the Year Awards Gala, presented by Bon Secours Memorial College of Nursing. The gala will be held at the Virginia Museum of Fine Arts in Richmond and begin at 6 p.m. with a cocktail hour; seated dinner and awards ceremony will follow.


text:
Q: Average ifs with or in excel So, I have this problem, I would like to find the average of a column by using the OR function to check criteria from adjusted columns, I tried putting OR into AverageIf function, fail, also tried the "Average(IF(OR(" again not the correct return. Thought it is a simple thing could be done easily but don't know why it doesn't work. So my table is something like this:
ID:  Rate   Check 1 Check 2 Check 3
1    5         1       1       1
2    3         1               1
3    2                 1
4    4
5    5         1       1
6    3
7    4         1

I would like to find the average of the rate column by checking if there are any value in either Check 1; Check 2 or Check 3 columns, so in the above case i will get the average of all but row with the id 4 and 6. Is this possible without using a helper column?

A: You can use SUMPRODUCT()
=SUMPRODUCT(((C2:C8<>"")+(D2:D8<>"")+(E2:E8<>"")>0)*(B2:B8<>"")*B2:B8)/SUMPRODUCT(--((C2:C8<>"")+(D2:D8<>"")+(E2:E8<>"")>0)*(B2:B8<>""))

A: If your first ID starts in A2, use this formula (edited to handle empty values in the "Rate" column):
=AVERAGE(IF(MMULT(LEN(C2:E8)*LEN(B2:B8),ROW(INDIRECT("1:"&COLUMNS($C$1:$E$1)))),B2:B8))


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text:
Lion Attacking a Horse
Presentation/Study Size (1024 x 824 px • 275.93 KB)
Antonio Susini (Italian, 1558 - 1624)Giovanni Francesco Susini (Italian, 1585 - 1653)Giambologna (Giovanni da Bologna or Jean de Boulogne) (Flemish, 1529 - 1608) 24 × 28 cm (9 7/16 × 11 in.) 94.SB.11.1
Currently on view at: Getty Center, Museum East Pavilion, Gallery E101
Horse's head
Lion biting
Horse's right side
Antonio Susini (Italian, 1558 - 1624)
or Giovanni Francesco Susini (Italian, 1585 - 1653)
after models by Giambologna (Giovanni da Bologna or Jean de Boulogne) (Flemish, 1529 - 1608)
Italy (Place Created)
first quarter of 17th century
94.SB.11.1
24 × 28 cm (9 7/16 × 11 in.)
Sculpture & Decorative Arts
The tabletop bronze of a lion attacking a horse exhibits a dramatic life-and-death struggle typical of the intense emotionalism of early Baroque sculpture. Both the bronze and its pendant, Lion Attacking a Bull, feature a wild beast, the ferocious lion, attacking a domesticated animal and forcing it to collapse. The artist delighted in the power of the animals, whose muscular contortions express their physical struggle and psychological anguish. In Lion Attacking a Horse, the artist emphasized the brutality of the kill, using a circular composition to focus attention on the lion's claws tearing through the horse's hide. Animal subjects were extremely popular in the early 1600s and a genre for which the sculptor, Giambologna, was well known.
Lion Attacking a Horse is based on a fragmentary antique statue now in the Palazzo dei Conservatori, Rome. Many casts of the Lion Attacking a Horse are extant; the Museum's bronze is among the highest in quality of those that survive.
- about 1738
Beauvais Collection (England) [sold, Collection of Mr. Beauvais, March 2, 1738 or 1739, to Sir Jacob Bouverie.]
Sir Jacob Bouverie, third Bart. (father of the first earl of Radnor), 1694 - 1761 (Longford Castle, near Salisbury, Wiltshire), by descent to Jacob Pleydell-Bouverie, 1761.
Jacob Pleydell-Bouverie, eighth earl of Radnor, British, 1927 - 2008 [sold, Christie's, London, December 7, 1993, lot 108, to Cyril Humphris.]
Cyril Humphris, S.A. (London), sold to the J. Paul Getty Museum, 1994.
Lion Attacking a Horse from the Capitoline Museums, Rome (August 10, 2012 to May 6, 2013)
The J. Paul Getty Museum at the Getty Villa (Malibu), August 10, 2012 to May 6, 2013
Alberge, D. "Bronzes to Secure Future of House." Independent (September 16, 1993), p. 4.
Checkland, S. J. "Repair Bills Force Sale of Statues." Times (September 17, 1993), p. 16.
G.T. "Handel und Auktionen." Kunst und Antiquitäten, no. 12 ([December] 1993), p. 61.
"Casting A Wider Net." Art and Auction 17 (December 1994), p. 74.
Melikian, Souren. "A Tale of Shrinking Supply." Art & Auction 16 (March 1994), pp. 70, 76.
"Works of Art Sales: Giambolognas Give Christie's a Small Edge." The Art Newspaper 34 (January 1994), p. 26.
Jodidio, Philip. "Le Monastére de Brentwood." Connaissance des arts 511 (November 1994), p. 137, ill.
"Acquisitions/1994." The J. Paul Getty Museum Journal 23 (1995), p. 122, no. 102, ill.
Melikian, Souren. "Acquisitions: Sculpture." J. Paul Getty Museum Calendar (winter 1994-95), unpaginated.
Fusco, Peter. Summary Catalogue of European Sculpture in the J. Paul Getty Museum (Los Angeles: J. Paul Getty Museum, 1997), pp. 48-49, 76, ill.
Bassett, Jane, and Peggy Fogelman. Looking at European Sculpture: A Guide to Technical Terms (Los Angeles: J. Paul Getty Museum, 1997), p. 19.
Christie's, London. Sale Catalogue. 1 July 1997, lot 73 (mentioned in passing).
Fusco, Peter, Peggy Anne Fogelman, and Marietta Cambareri. Masterpieces of the J. Paul Getty Museum: European Sculpture (Los Angeles: J. Paul Getty Museum, 1998), pp. 44-45, no. 13, ill., entry by Peggy Anne Fogelman.
Fogelman, Peggy, and Peter Fusco, with Marietta Cambareri. Italian and Spanish Sculpture: Catalogue of the J. Paul Getty Museum Collection (Los Angeles: J. Paul Getty Museum, 2002), pp. 177-89, ills. 23, 23D-23F.
Bryant, Julius. Kenwood: paintings in the Iveagh Bequest (New Haven: Yale University Press, 2003), pp. 96, 98, fig. 3.
The J. Paul Getty Museum Handbook of the Collections. 8th ed. (Los Angeles: J. Paul Getty Museum, 2015), pp. iv, 251, ill.
Wolohojian, Stephan. "A Grand Tableau. Charles Le Brun's Portrait of the Jabach Family." The Metropolitan Museum of Art Bulletin v. 75, no. 1 (Summer 2017), pp. 22-23, ill.


text:
Анимантаркс (, от  и  — живая крепость) — род травоядных динозавров семейства нодозавриды, живших в меловом периоде. Был тихоходным четвероногим, носившим тяжёлую броню, но не имел булавы на хвосте. Размер черепа был около 25 см в длину, что свидетельствует о размере животного не более 3 метров.

История открытия и разновидности
Родовое название состоит из латинских слов animatus — «живой» и arx — «крепость» или «цитадель», указывая на бронированный панцирь животного. Также название является отсылкой к замечанию палеонтолога  об анкилозаврах, что «как и крепости, эти животные должны были быть практически неприступными». Типовой вид является единственным известным и называется А. ramaljonesi в честь его первооткрывателя, Рамала Джонса. Его жена, Кэрол Джонс, также обнаружила поблизости жившего в одно время с анимантарксом динозавра эоламбию.

На данный момент раскопан только один экземпляр анимантаркса. Останки включают нижнюю челюсть и заднюю половину черепа, несколько шейных и спинных позвонков, а также различные элементы конечностей. Анимантаркс характеризуется уникальным сочетанием анатомических особенностей, в том числе высоким сводом затылочной части черепа, маленькими отростками на заглазничных и челюстных костях головы, а также челюстью, бронированной только на половину своей длины.

Ископаемые останки были обнаружены в Массентучитском стратоне формации  в восточной части США в штате Юта. Считается, что эта часть формации представляет собой слои верхнего альбского яруса и нижнего сеноманского яруса мелового периода (106—97 миллионов лет назад). В Массентучите найдены останки по крайней мере 80 других видов позвоночных: рыб, лягушек, ящериц, змей, крокодилов, динозавров, птиц, млекопитающих. Останки большинства из них не полны и не названы. Многие группы динозавров представлены окаменелостями из этой части формации, включая хищных теропод, а также несколько различных типов травоядных, например, игуанодонт эоламбия. Наличие водных животных, таких как рыбы и лягушки, а также аргиллита, в котором находятся их останки, указывает на то, что раньше эти участки были поймой реки.

Более ранние слои формации Сидар Маунтин содержат различные виды нодозавров. Старейший стратон, известный как Йеллоу Кэт, содержит останки гастонии, в то время как промежуточные Пойзон Стрип и Руби Ранч содержат останки, которые могут принадлежать зауропельте. Массентучит, который является самым молодым слоем Сидар Маунтин, содержит только анимантаркса.

Окаменелости в этом регионе часто слегка радиоактивны, и остатки анимантаркса фактически были найдены вследствие проведённой Рамалом Джонсом радиологической разведки, которая показала более высокий уровень радиоактивности в определённом месте. Во время раскопок в этом месте и был обнаружен ископаемый скелет анимантаркса.

Систематика
Анимантаркс рассматривается как нодозаврид из инфраотряда анкилозавров, хотя его точное место в этом семействе остаётся неясным. Самый последний кладистический анализ филогенеза анкилозаврид не включает в себя анимантаркса, хотя авторы относят данный род к нодозавридам incertae sedis из-за его закруглённых надглазничных выступов и шишковидных выпуклостей на лопатках. Два различных исследования показали таксономическую близость анимантаркса к нодозавриду эдмонтонии.

Примечания

Нодозавриды
Монотипические роды архозавров
Динозавры мелового периода
Динозавры Северной Америки
Фоссилии, описанные в 1999 году

redpajama_set_name: RedPajamaWikipedia


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text:
HomeBy Study LevelMasters Scholarships
ALPSS 180-Point Masters Scholarship to Study in New Zealand, 2020
ALPSS 180-Point Masters Scholarship to Study in New Zealand, 2020: Applications for the 2020 ALPSS 180-point Masters scholarship awards for international students to study at the University of Waikato, New Zealand is on. The scholarship award is open to students enrolling for a part-or-full-time study program in a 180-point Masters degree in the applicable Semester/trimester in the area of Arts, Law, Psychology and Social Sciences. The University of Waikato has a global reputation that reflects the exceptional research of talented academics that abound in the institution and the impact its having in the world now and in the future both locally and globally. The University stands proudly on the world stage as a provider of future-focused, international education and an active player in global research. The university's rankings reflect the strengths.
Scholarship Sponsor(s): The University of Waikato
Scholarships to be taken at: New Zealand
Scholarship Type: Part Scholarship
Scholarship level: Masters Level
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Subject Eligibility: Courses in Arts, Law, Psychology and Social Sciences.
Country/Candidate Eligibility: Scholarship is for both domestic and International students.
You may also like: Academic Scholarships for International Students at Luther College, USA
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Applicants must be enroll in part or full time in a 180-point Masters degree in either A or B Semester in the Division of Arts, Law, Psychology and Social Sciences
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text:
Q: Attempting to use BrowserMobProxy with Selenium, getting permission denied error Here is the stacktrace:
Traceback (most recent call last):
File "facebook_scraper.py", line 185, in <module>
fb_scraper()
File "facebook_scraper.py", line 36, in fb_scraper
server.start()
File "build/bdist.linux-x86_64/egg/browsermobproxy/server.py", line 56, in start
File "/usr/lib/python2.7/subprocess.py", line 711, in __init__
errread, errwrite)
File "/usr/lib/python2.7/subprocess.py", line 1308, in _execute_child
raise child_exception
OSError: [Errno 13] Permission denied

I am following instructions from this page

A: Check that the user running the Python script has the permission to run the browsermob proxy batch file, that should be a .bat file found in path/to/browsermob-proxy
server = Server("path/to/browsermob-proxy")


Horison, History and Hamsad Rangkuti: Translator's Introduction to "The General Smiles on 17th August"
Hill, D.T. (1994) Horison, History and Hamsad Rangkuti: Translator's Introduction to "The General Smiles on 17th August". RIMA: Review of Indonesian and Malaysian Affairs, 28 (2). pp. 72-84.
A flurry of claim and counter-claim, splashed across the pages of the capital's newspapers in July 1993, has thrown the spotlight again upon Indonesia's primary literary and cultural magazine Horison. Published since 1966 by the Indonesia Foundation, the monthly magazine had long been lingering in the doldrums, having declined from its peak circulation of 20,000 to barely 2,500. Yet it retained an unrivalled reputation as the barometer of literary production (Hill 1993).
Since its inception the course of the vanguard New Order literary journal had been largely charted by veteran author Mochtar Lubis, who headed the Horison advisory board which included literary luminaries Goenawan Mohamad, Umar Kayam, Ali Audah, radical political sociologist Arief Budiman, and press figures Aristides Katoppo, Jakob Oetama, and Sofjan Alisjahbana. Throughout much of its life Horison's key personnel had been relatively stable, with an editorial board including the man dubbed the "pope" of Indonesian literary criticism, HB Jassin, academic and poet Sapardi Djoko Damono and poet Sutardji Calzoum Bachri, all under editor-in-chief Hamsad Rangkuti.
Translation of Rangkuti, Hamsad (1980) Senyum Seorang Jendral Pada 17 Agustus, Horison, September, 303-305.


text:
El Centro de Estudios y Documentación de las Brigadas Internacionales (CEDOBI) es un centro de investigación y documentación especializado en las Brigadas Internacionales con sede en la ciudad española de Albacete.

El CEDOBI no se ubica en Albacete por casualidad. La ciudad de Albacete fue, durante la Guerra Civil, la sede del Cuartel General y centro de formación de las Brigadas Internacionales, miles de voluntarios (cerca de 60000) que llegaron a España procedentes de todo el mundo para luchar en la guerra. Albacete se convirtió, con  ello, en el centro de la memoria mundial de las Brigadas Internacionales.  El Centro de Estudios y Documentación de las Brigadas Internacionales es el único centro de estas características que existe en España.

Historia
El Centro de Documentación de las Brigadas Internacionales se creó el 22 de septiembre de 1989, bajo la dependencia del Instituto de Estudios Albacetenses, con el objetivo de potenciar la investigación y la recuperación de material referente a las Brigadas Internacionales. El 2 de octubre de 2003 la Universidad de Castilla-La Mancha fundó el Centro de Estudios y Documentación de las Brigadas Internacionales, que se sumaba al centro creado con anterioridad. A finales de 2012 se fusionaron ambos centros en el actual Centro de Estudios y Documentación de las Brigadas Internacionales, un centro mixto de investigación y documentación más grande y fuerte dependiente tanto de la Universidad de Castilla-La Mancha como del Instituto de Estudios Albacetenses.

Misión

El objetivo fundamental del Centro de Estudios y Documentación de las Brigadas Internacionales es la investigación y la documentación y recuperación de todo tipo de material sobre las Brigadas Internacionales. Además, en su seno se realizan cursos de doctorado y conferencias y congresos impartidas por los expertos en la materia a nivel mundial. El CEDOBI colabora con instituciones similares de otros países. La divulgación es otra de las funciones primordiales del centro.

Organización
El Centro de Estudios y Documentación de las Brigadas Internacionales cuenta con dos directores: Juan Sisinio Pérez Garzón, por parte de la Universidad de Castilla-La Mancha, y Antonio Selva Iniesta, del  Instituto de Estudios Albacetenses. La Comisión Rectora está formada por 6 miembros, 3 de la UCLM y 3 del IEA. La Comisión Asesora del centro está integrada por 22 miembros de todo el mundo: historiadores, brigadistas y profesores de Universidad de lugares tan diversos como Argentina, Alemania, Austria, México o Cuba, y de instituciones tan importantes como la Universidad Complutense de Madrid, la Universidad de Londres, el Consejo Superior de Investigaciones Científicas o la Universidad de Columbia.

Véase también
 Monumento a las Brigadas Internacionales (Albacete)
 Albacete
 España
 Brigadas Internacionales
 Guerra Civil Española

Referencias

Enlaces externos
 Página oficial del Centro de Estudios y Documentación de las Brigadas Internacionales

Instituciones y organismos con sede en Albacete

Participación extranjera en la guerra civil española
Universidad de Castilla-La Mancha
Ciudad Universitaria de Albacete


text:
Kahlotus School District Upgrades Network
Built in the 1950s, Kahlotus School District has been serving rural communities in southeast Washington for decades. With more than 50 students in kindergarten through 12th grade and 18 employees across four buildings, the district turned to D-Link to bring its schools into the 21st century and implement state-of-the-art managed switches to upgrade its network infrastructure, security and performance.
"Upgrading all of our networking technology to modern-day standards was our number one priority," said Glenn Whitcomb, technology director, who supports Kahlotus and two other districts. "We were at a critical point. It had been over 16 years since any wiring infrastructure was done and the district had never owned any managed switch gear, so it was time."
As 1:1 learning initiatives continue to sweep the nation, students and teachers everywhere are poised to reap the benefits. However, not all school districts are prepared for this transition. Many, like Kahlotus School District, learned they must first bring their networks into the 21st century. After reviewing bids from multiple providers, Kahlotus School District installed D-Link's enterprise-level solutions to support multimedia learning initiatives.
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Since the switch installations and the district's wiring infrastructure upgrade, Kahlotus School District is now able to support gigabit speeds at every desktop. Although Whitcomb is located 60 miles away from the campus, the network's remote management capabilities enable him to monitor and access the switches remotely to track performance and troubleshooting.
"We now have the ability to place PoE devices where we need to, can deliver content wirelessly and if we want to do density coverage, we can put drops in every room," said Whitcomb. "It really comes down to the ability to expand capabilities, which is going to be critical in the near future," said Whitcomb. "Honestly, I'm very thankful for the opportunity we were given with this affordable gear. We've had a very positive experience with D-Link."
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With more than 2 years of legal arguments and lawsuits, a federal court in Washington D.C. has dismissed a Butte County decision on April 14th, 2009 to block a Mechoopda Casino located on Highway 149, about a mile east of Highway 99. Representative of the tribe and the county both released announcements that US District Court Judge Henry H. Kennedy Jr. had dismissed the county's lawsuit against the casino.
Butte County Counsel Bruce Alpert said that the proposed casino location on Highway 149 will have serious effects on public, traffic and environmental conditions around the area. Kennedy Jr. added that for the past several years, the developer of the casino refused to cooperate with Butte County to find an alternative location. As a result, Butte County had no other option other than this case. Throughout the whole process, Butte County maintained in that the case was about environmental related issued concerning the proposed casino site of the tribe and not a personal attack on the Mechoopda tribe.
Even so, the lawsuit, which was filed against the NIGC (National Indian Gaming Commission) and the Department of the Interior, sought to convince the court that the agencies could not give the Chico Rancheria Mechoopda the right to utilize the land because the Mechoopda did not qualify as a tribe.
Based on a review conducted in 2006 by Professor Stephen Dow Beckham of Lewis and Clark and College in Portland, Oregon, the lawsuit charged that the Chico Rancheria of the Mechoopda Indians was not a tribe in any historic sense. But was a combination of eleven groups that had little to do with the Mechoopda Indian tribe.
Butte County claimed that if the Chico Rancheria organization was not a legitimate tribe, the federal agencies could not give them the power to construct a casino facility on the Highway 149 property. Judge Kennedy said that the court has considered all factors presented by both parties during the oral argument but Judge Kennedy feels that Butte County has done enough to justify their case. Tribal spokesperson Doug Elmets said that their casino project is doing well despite the hurdles presented by Butte County.
Elmets said that the tribe plans to get make a compact with the state that will allow for gaming on the 645 casino site. Butte County is planning to appeal the case. According to the records obtained by the Mechoopda tribe, the lawsuit had cost Butte County nearly 322,800. Elmets said that was money that was spend carelessly on a frivolous case.


If you are interested in Blake Shelton, you may go to the contact us page of www.savethatdog.com and find the application links. This is the start of our adoption process.
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text:
Q: Why the recursive list is so slow in haskell? I am fresh in haskell, and I defined a func in Haskell :
febs :: (Integral a)=> a -> a
febs n
    | n<=0 =0
    | n==1 =1
    | n==2 =1
    | otherwise =febs(n-1)+febs(n-2)

but, it runs so slow, and when I do "febs 30", it will take about 10s,
and I do the same func in C++, it runs very fast.
int febs(int n)
{
    if(n == 1 || n ==2)
    {
        return 1;
    }
    return febs(n-1)+febs(n-2);
}

Is there any way to promote my haskell func speed?

A: You could also write the function like this:
fibs = 0:1:zipWith (+) fibs (tail fibs)

It is very fast, even for big 'n' executes immediately:
Prelude> take 1000 fibs

A: This is an odd comparison, for the following reasons:

*

*You don't say whether you're compiling the Haskell code, or with what options. If you're just running it in ghci, then of course it will be slow - you're comparing interpreted code with compiled code.

*Your Haskell code is polymorphic whereas your C++ code is monomorphic (that is, you've used a type class Integral a => a -> a instead of the concrete type Int -> Int). Your Haskell code is therefore more general than your C++ code, because it can handle arbitrarily large integers instead of being restricted to the range of an Int. It's possible that the compiler will optimize this away, but I'm not certain.
If I put the following code in a file fib.hs
fibs :: Int -> Int
fibs n = if n < 3 then 1 else fibs (n-1) + fibs (n-2)

main = print (fibs 30)

and compile it with ghc -O2 fib.hs then it runs fast enough that it appears instantaneous to me. You should try that, and see how it compares with the C++ code.

A: Try compiling with optimization. With GHC 7.4.1 with -O2, your program runs quite quickly:
$ time ./test
832040

real    0m0.057s
user    0m0.056s
sys     0m0.000s

This is with main = print (febs 30).

Regarding the polymorphism considerations in Chris Taylor's answer, here's febs 40 with OP's polymorphic Fibonacci function:
$ time ./test
102334155

real    0m5.670s
user    0m5.652s
sys     0m0.004s

And here is a non-polymorphic one, i.e. with OP's signature replaced with Int -> Int:
$ time ./test
102334155

real    0m0.820s
user    0m0.816s
sys     0m0.000s

Per Tikhon Jelvis' comment, it'd be interesting to see if the speedup is due to replacing Integer with Int, or due to getting rid of polymorphism. Here's the same program again, except with febs moved to a new file per Daniel Fischer's comment, and with with febs :: Integer -> Integer:
$ time ./test
102334155

real    0m5.648s
user    0m5.624s
sys     0m0.008s

Again, with febs in a different file, and with the same polymorphic signature as originally:
$ time ./test
102334155

real    0m16.610s
user    0m16.469s
sys     0m0.104s


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Ethel and Tommy Barrick don't particularly enjoy boarding school and normally look forward to their holidays with excitement. This summer however, they face the long break with a real feeling of unease.
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