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Not content with U-19 T20 World Cup triumph, Shafali Verma sets sights on senior T20 World Cup | Cricket News
Samsung is said to be offering four exclusive color options for the Galaxy S23 series on the Official Online Store
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Barrett Strong, the Motown artist known for 'Money,' dies at 81 : NPR
Home/Horse Racing/Zandon, White Abarrio Face Ther Elders in Cigar Mile
Zandon, White Abarrio Face Ther Elders in Cigar Mile
Although Cigar did not gain national attention until the age of 4, the race at Aqueduct race track named after twice The Horse of the Year has been quite kind to 3-year-olds.
Two of the last three winners of the $750,000 Cigar Handicap (G1) were 3-year-olds, and three of the last six first-place finishers are in the middle of the sophomore season.
In the upcoming one-mile run at Big A on December 3, the 3-year-olds are once again the center of attention with the 1st grade winners Zandon and White Abarrio among the six fields also include older 1st grade winners Mind control who will begin his final match, and Get her number .
O Besos was entered into an initial field of seven, but will not run due to restrictions on horses as he is at the stables Churchill Downsof which six horses tested positive for equine herpes virus as of Wednesday, November 30, the New York Racing Association announced on November 30 that it would not be accepting consignors. from Churchill Downs until further notice.
"The three-year-old has a good track record in the race and hopefully he can follow in his footsteps," said coach Saffie Joseph Jr. talking about White Abarrio.
Registration for BloodHorse Daily
Jeff Drown's Toyota Blue Grass Stakes (G1) winner, Zandon, entered the first test against older competitors like a steadfast gem. Taking four grade 1 stakes this year, he's delivered nothing but solid record after achievement this year for coach Chad Brown.
After finishing third in the Kentucky Derby presented by Woodford Reserve (G1), the son of start second epicenter favorite for the championship 3 years old, in Jim Dandy Stakes (G2) and then third behind him in Runhappy Travers Stakes (G1) while losing second place to electronic knife .
Run for the third time in two months, then he finished second in the Pennsylvania Derby (G1), behind Taiba but beat Cyberknife.
"He's been tough in every race. He's tried his best every single time while taking the lead a few times, but he's always right there. I think he'll pull through here." Drown said. "We gave him some time after the Pennsylvania Derby to freshen him up a bit and get him ready for the upcoming campaign after a very good three-year season. To knock the horses down. top of your class every time you go out, and you run over like he did, you have every reason to hold your head high."
Rested since then, the one who made $1,440,000, the second to second Mo Donegal last year in the Remsen Stakes (G2) at the Aqueduct, he worked hard to get back in the race.
Brown said: "He had a great job on Saturday and he was ready to go. "I like the way he trains."
Get out creative cause Mare Memories Prevail, Zandon's 2023 journey will be shaped by Saturday's race.
"There are some interesting races out there but it's hard to say what's coming next," Drown said of Mike Ryan's purchase of $170,000, dealer, from Brereton breeder C. Jones' consignment. and Airdrie Stud at Keeneland's Annual September Sale. "Some questions will be answered here and that will help us make some decisions. The Pegasus World Cup (Championship Invitational, G1) is being discussed. If this race fits the bill, we will. (Hill 'n ' Dale Metropolitan Handicap, G1) will also be a great race to target."
Given the large number of top 3 and older horses retired or nearing retirement, New York's 2022 final tier 1 stake could mark Zandon as one of the top horses worth watching for the year. 2023.
"What needs to happen now is that someone has to come forward and prove themselves. There are some very talented horses out there that have some question marks and questions that need to be answered in races like this in order to be able to do that. figure out who's going to be at the top of the group next year," Drown said.
Antonio Pagnano's C Two Racing Stable and White Abarrio enjoyed a great winter and early spring, taking part in the Florida Curlin Derby hosted by Hill 'n' Dale Farms at Xalapa (G1) and Holy Bull Stakes (G3) , but has been erratic since then, starting with 16th in the Kentucky Derby.
"You can't complain when a horse wins the Florida Derby and gets you to the Kentucky Derby," Joseph said of his son. Race day . "Obviously he didn't run the way we expected in the Kentucky Derby, but just getting there is great for us."
After Run for the Roses, the Spendthrift Farm-bred gray pony finished second in the Ohio Derby (G3) before finishing seventh in TVG.com Haskell Stakes (G1) and the most recent fifth in the game. Pennsylvania Derby.
"He was fifth in the Pennsylvania Derby and normally you're not happy with that but I think it's a stepping stone in the right direction," Joseph said of the $972,550 player who was bought by Carlos Perez for 40,000 USD from Nice and Easy. Thoroughbred shipment at OBS March 2 years old in sales training program. "Beyer-wise, it's one of his top characters. Taiba is third in the (Longines) Breeders' Cup Classic (G1), Zandon will be popular in Cigars and Cyberknife is second in the game. The Breeder (Big Butt Fan)' Cup (Dirt Mile, G1) It was a very productive race for White Abarrio and helped prepare him well for the Cigars."
The cigar will be the final race for the 6-year-old who won the 1st Grade Mind Control Prize, owned by breeder Red Oak Stable and Madaket Stables and coached by Todd Pletcher.
"This will be the ultimate race for Mind Control," said Rick Sacco, race manager for Red Oak Stable. "We will make an announcement (December 5 or 6) about a stud farm."
The cigars will be the 29th starter for the long-term and steady $1.7 million earner, who has the rare track record of winning 1st at 2 and 3 and whose stakes are graded at 4, 5 and 6. Winner of two of the five who started this year, he has been refreshed since winning the Parx Dirt Mile Share on September 24th for the second year in a row.
"He likes the Aqueduct and tends to run well, so we've been hooked on this race for a while," Pletcher said of the 122-pound weight class in the Cigars.
The field also includes trainer duo Norman Cash and Lola Cash. Double crowns one Bourbon Courage gelding who was claimed for $40,000 in June and won Kelso Handicap (G2) at the Aqueduct in his last start and Exception (Not this time ) and Gary Barber's 4-year-old son Get her number (Called in ), who was looking for her first bet win since joining American Pharoah Stakes (G1) at the age of 2.
Item: H. Cigar Miles (G1)
Aqueduct race trackSaturday, December 3, 2022, Race No. 9
Grade I
3 years old and up
Aqueduct Race Track brown chad Cigar Mile Northeast Purebred racing Todd Pletcher
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© Competence Team for Culture and Creative Industries Munich
"Make Munich Weird!" – An Interview with Jürgen Enninger
The creative scene in Munich gained an important institution five years ago with the Competence Team for Cultural and Creative Industries. Now is a good time to take stock of the past five years with Jürgen Enninger, Head of the Competence Team, and to take a look at what the future might hold.
Regina Bruckschlögl | 30. December 2019
Consulting, networking, looking for venues, financing, visibility – the Competence Team for Cultural and Creative Industries has been supporting Munich's creative scene for five years now. What did you think would be easier five years ago, and what was a pleasant surprise during that time?
I thought it would be easier to find employees – it took an extremely long time. I never could have imagined that with everyone working full-out (we had more than 1,000 applications), it would still take a year for the team to function properly. And nobody was dilly-dallying. At the same time, it's perfectly understandable that the selection process needed to be carried out with particular care due to such an abundance of applications. And our team's success justifies our approach.
Because I'm not from the real estate industry, I had the most respect for the tasks involving real estate. Establishing a matrix organization within the city administration, meaning linking the cultural and local departments with the Department of Labor and Economic Development was a genuine challenge. What I'm particularly pleased about is how friendly, cooperatively and enthusiastically the colleagues from all of the departments accepted me and the team and how actively they support our activities.
How have creative people reacted to you as a municipal initiative? In which areas do you think you can make the most happen?
Because I used to be the head of the German Government's Centre of Excellence for the Cultural and Creative Industries for Bavaria, I was quite surprised by the difference in scale to the State of Bavaria. As I traveled through Bavaria, the majority of the players were excited about the basic allowance and business consulting. The issue is much more pressing in Munich and the demands made on us as an institution are much greater. High quality consulting is expected as well as competent and sustainable internationalization services and genuine, tangible added value in terms of networking. We're constantly incorporating these aspects into our services.
Shedding light on gray zones and unlocking spaces of opportunity
We've been able to make a lot happen in all areas. The amount of consulting services provided is always quite high, our events enjoy strong demand and crowdfunding offers are particularly on trend. I'm most pleased by two things personally: First, that we've been able to raise awareness in the private real estate industry about the need for space for culture and creative industries. Second, that we've been able to shed light on gray zones and unlock spaces of opportunity. Munich just needs to be a bit more whacky. We brought the slogan "Keep Austin weird!" back with us to Munich from SXSW. Now here it's "Make Munich weird!"
Which projects have left a particular impression on you since establishing the competence team? And why?
Ruffinihaus, of course: In just three months, it demonstrated the amazing amount of energy the industry has to offer and became a focal point of the industry in the middle of the city. The transformative power of those involved was palpable, and an industry on equal footing with the automotive industry was able to create space for itself in the middle of the city. Ruffinihaus made a great contribution to the appreciation and visibility of the industry in the city.
A subject that has nothing to do with the competence team but also made the innovative power of the industry directly tangible in Munich was the immigration challenge in the fall of 2015. The first people who came to help at the main train station were from the culture and creative industries. Those involved demonstrated in Munich that a strong industry in the city creates agile systems that quickly establish solutions when faced with extraordinary challenges, which makes the city more resilient as a whole. In this situation, Munich served as an example for the spill-over effect that creative industries have on other areas of a city.
Protective mechanism for creatives
During those five years, you were able to utilize spaces for a limited time with the Munich culture and creative industries, such as Ruffinihaus on Rindermarkt street as mentioned earlier. What do you think about the criticism saying it doesn't solve the city's space problems, but rather is a superficial show? What opportunities to you see in the temporary use of space?
The industry is extremely proficient in working with tight resources. They would also do the same without us. Space is a scarce resource in the city. That is why we support the industry in getting better results with these skills by providing consultation and qualifications as well as access to space – even for a limited amount of time. When we don't offer support, we often experience self-exploitation and poor conditions for creative individuals when it comes to the temporary use of space. When we're involved, the conditions are much better because we create a situation on equal footing. That means we're a protective mechanism for creatives in the processes of change in the city, which makes a very real contribution to a more social market economy. Furthermore, we are also aware of the need for long-term use and are currently raising awareness about that necessity through temporary use. Temporary use makes the city want more and long-term use for culture and creative industries. Long-term use is what is currently emerging in the Kreativquartier (creative district) on Dachauer Straße.
The culture and creative industries in the Munich metropolitan area are strong and steadily growing – what does that mean for the competence team? What is your vision?
The next concrete step is further development of the competence team to provide more temporary use in peripheral city districts. We're specifically working on getting networks excited about it, raising awareness among local residents and researching spaces. This is where we need more employees in the field of consulting and events. I hope they'll be able to work actively on the next step. We've fortunately had an addition for the acquisition of space. That will continue to ensure the quality of space for temporary use. Moreover, consultations about nighttime culture have made it clear that the competence team should be an advocate for the space requirements and challenges faced by the culture and creative industries in the realm of nighttime culture. That is also a challenge we would like to take on.
Providing space to set energy free
The culture and creative industries in Munich also have a pronounced international orientation. We have to meet these high demands by releasing the competitive power of the industry in the form of market development strategies.
In concrete terms, we want to make it clear that Munich is among the top 10 in the EU and that players in the industry can benefit from our services every day. We basically want to show the city of Munich how much potential lies in the industry and that it's worth bending the rules a bit every once in a while. It's a matter of providing space for the industry to set its entire transformative energy free.
More about Jürgen Enninger and the Competence Team for Culture and Creative Industries
Competence Team for Culture and Creative Industries Munich Kreativwirtschaft Scene
Regina Bruckschlögl
Nach eigenen Startup-Erfahrungen blickt sie als Redakteurin von Munich Startup nun aus einer anderen Perspektive auf die Münchner Startup-Szene – und entdeckt dabei jeden Tag, wie vielfältig das Münchner Ökosystem ist. Startup Stories, die erzählt werden wollen!
"Sustainable Development of Munich as an Innovative City" – Interview with Muc Summit
Muc Summit has repositioned itself. We learned more about how exactly from the team that works with CEO Frizzi Engler-Hamm in our…
Regina Bruckschlögl | 4. March 2021
"It's Important to Have Conditions That Give Everyone Comparable Opportunities" – Interview with Mareike Wächter
Bathroom remodeling made easy — was the proposition with which Mareike Wächter and her co-founder Michael Dreimann entered the bathroom remodeling market…
Regina Bruckschlögl | 1. May 2020
"What Zebras Need in the Startup Scene Now Is Attention" — Interview with Heba Aguib
You hear a lot about unicorns in the startup scene — but not so much about zebras. In our interview, Heba Aguib,…
Regina Bruckschlögl | 7. April 2020
"We Want to Make Cancer Diagnosis More Reliable" – Video Interview With Inveox Co-Founder Dominik Sievert
Inveox develops digital solutions for pathology labs. The technology from the Munich-based company aims to avoid unnecessary mistakes made in diagnostics. Co-founder…
Seeing Change as an Opportunity – an Interview with Steffi Czerny
Yoko Ono, Mark Zuckerberg and Ursula von der Leyen — the international conference and innovation platform Digital Life Design (DLD) has big…
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Interview with Demodesk Founder Veronika Riederle
It was in late October that Demodesk proudly announced a successful seed round of financing amounting to 2.3 million US dollars. The…
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Interview with Felix Haas: The Smart Way to Collect Investor Capital – How to Get Funding
As co-host of the Bits & Pretzels Festival and a successful founder and investor, Felix Haas spoke with Munich Startup about angel…
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When Wheat Is Separated from the Chaff — an Interview with Lorenz Hartung from TechFounders
What does an accelerator program need to be successful? And why can it be a good idea for startups to get major…

redpajama_set_name: RedPajamaCommonCrawl


The Duchess of Sussex set her sights on an American sitter to look after the newest member of the royal family.
Meghan Markle and Prince Harry are determined to ignore the royal tradition of hiring a nanny from Norland and may even employ a male tool for their newborn child.
Pregnant Meghan's hunt for an American babysitter shows that her heart is still very much in her home country of the US.
The 37-year-old allegedly sought the help of the staff of a specialized recruitment agency, who was instructed to find a suitable candidate to start within the next three months.
Speaking to the mirror, one source said the modern royal couple has clear ideas about how to raise their child.
& # 39; Meghan was clear in telling recruiters that she favored an American over a Brit and wanted them to feel part of the family rather than a uniformed member of staff.
& # 39; That is important to her, she has never concealed that she is very proud of her American roots.
& # 39; They would like to explore the possibility of a male nanny. The employee earns up to £ 70,000 a year depending on the experience & # 39 ;.
The candidate will be interviewed by the royal couple and, if successful, will be based on their newly renovated Frogmore Cottage on the grounds of Windsor Castle, as well as the use of a car.
The recruitment agency, based in Kensington, West London, would specialize in offering bilingual childcare providers and would also prefer Norland nanny girls.
Kate and Williams are known to have hired a graduate of the Bath University of Norland Nannies, Spaniard Maria Teresa Borrallo.
Norland Nannies dress in a brown pinafore dress with a white shirt and a brown hat with a N.
This while only a handful of men are known at the notorious Norland school, the first two of which just graduated last year.
It was also recently revealed that Meghan would break another royal tradition by not giving birth in the Lindo wing and not bringing the baby out into the open.


This service allows you to look up the polling place (voting location) based on a voter's residence address in San Luis Obispo County. The polling place lookup provides the polling place name, address, sample ballot booklet, audio enabled sample ballot, accessibility details, and map location.
You may find your polling place online beginning twenty-nine (29) days prior to a Countywide election through Election, or by calling or visiting the Clerk-Recorder office in San Luis Obispo during regular business hours except during County-observed holidays.


WMWifiRouter instantly turns your Windows Mobile phone into a wireless Internet hotspot. Now you can use your laptop and any other device with wifi to get online and surf, email, instant message, and anything else you normally use the internet for. To use WMWifiRouter you need the following on your mobile device: Windows Mobile 5 AKU 3.3 or newer or Windows Mobile 6; both a wifi and a cellular data connection; an installed and working version of Internet Sharing; 15 MB of free device memory; additional requirements may apply; some providers remove Internet Sharing from their branded devices.


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Welcome to the website of our School of Business!
First, let me take you through its brief history: the School of Business was established in 1996-the year, when UAP came into being into the arena of tertiary education in Bangladesh-with its quest for excellence in education. During this past two decades, it has gone through monumental changes and challenges in its competitive environment. It started off offering education from one of many scattered campuses of ours in Dhanmondi area. It introduced its MBA and EMBA programs in year 2001 and 2008, respectively. While the number of student enrollment varies year to year in different programs, for the school of business, one thing has never varied: this unflinching commitment towards excellence, towards imparting top quality education that has helped it create a niche for itself in the business education in Bangladesh.
Now in its new location, adjacent to its permanent campus at Green Road, our school offers a landscape of unlimited opportunities. Here, we consider our students our lifeline, our ultimate ambassadors. While they remain committed to their foremost duty of rigorous academic pursuit, we also urge them to involve themselves in co-curricular activities as well for which there are ample opportunities in our school. We have a number of Clubs that organize round the year seminars and workshops that are designed to transform their lives, only for the better.
And, our involvement with students does not stop only in classroom interactions; off the class, we meet frequently. We have advisors designated for the students of every semester to listen to their queries, and to their grievances, if any. Beyond the purposes of academic and co-curricular activities, we have a special faculty committee that deals with students coping with any psychological or environmental distress.
As we have set our Vision 2020, as we celebrate 20 years of our chequered history, we are mindful of the daunting challenges that lie ahead. We, however, remain as steadfast as ever in our commitments to deliver the best of business education that our students will be immensely proud of.


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Chhagan Bhujbal attends House after two years, takes on govt over 'financial mismanagement'
"Reliance Infrastructure Integrated Power owes Rs 2,000 crore. Yet, the company was allowed to enter into the sale deal with Adani. How could the government allow such deal. Whose money?"said Chhagan Bhujbal.
By: Express News Service | Nagpur | Published: July 10, 2018 4:51:30 am
NCP leader Chhagan Bhujbal (Express Photo/File)
NCP leader Chhagan Bhujbal, currently out on bail in a money laundering case, on Monday took part in the proceedings of the Legislative Assembly for the first time in two years. He went on to accuse the government of financial mismanagement, leading to an exchange with Finance Minister Sudhir Mungantiwar.
Initiating the debate, Bhujbal alleged that supplementary demands have crossed Rs 1.25 lakh crore, which shows lack of planning and signs of growing fiscal deficit as there is a growing wedge between expenditure and revenue generation. He also alleged that tribal land rights for farming, which was promised by the state government, still remained on paper.
"Forest officials have categorically said they have to meet the target to given by the government to plant 13 crore trees. As a result, they cannot look into the demands of forest land title rights promised to the tribals," Bhujbal said.
To this, Mungantiwar said: "The tribal land rights don't come under forest department."
Dismissing the charge of financial mismanagement, Mungantiwar, during his reply on supplementary demands, said: "The state has earned a record 39 per cent more revenue in the first quarter of the GST, earning applause from across the country."
Attacking the state government over the Maharashtra Electricity Regulatory Commission's (MERC) approval to allow the Reliance Infrastructure to sell its integrated power business in Mumbai to Adani Transmission Ltd (ATL) for an estimated value of Rs 18,800 crore, Bhujbal said the Reliance Energy (read RInfra) owed the government Rs 2,000 crore in taxes since the last two years.
"Reliance Infrastructure Integrated Power owes Rs 2,000 crore. Yet, the company was allowed to enter into the sale deal with Adani. How could the government allow such deal. Whose money?"
Refuting the charge, Power Minister Chandrashekhar Bawankule said: "There is no questioning of allowing any company to walk away with dues. Before the deal is sealed, Reliance Infrastructure will have to repay the dues."
Sources in the Reliance Infrastructure refused to comment on Bhujbal's charges.
Chhagan Bhujbal
Nationalist Congress Party


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News Film News
Tom Hardy says he's 'kind of had enough' of acting
The star is set to appear in Marvel's 'Venom' and the upcoming Al Capone movie 'Fonzo'
By Rhian Daly
Tom Hardy has said he's "kind of had enough" of acting and wants to "go on with [his] life."
The actor is set to appear in Marvel's Venom, which is due for release on October 5, and the forthcoming Al Capone movie, Fonzo.
Speaking to Esquire, Hardy discussed how turning 40 last year had changed his perspective on his career. "You've summited Everest," he replied. "It's a miracle that you've made it anywhere near the fucking mountain, let alone climbed it. Do you want to go all the way back and do it again? Or do you want to get off the mountain and go fucking find a beach?"
He continued: "What is it that draws you to the craft? At this age, I don't know anymore. I've kind of had enough. If I'm being brutally honest, I want to go on with my life."
Despite that, Hardy doesn't see himself leaving the film and television industry entirely just yet. "What I'd like to do is produce," he said. "Write. Direct." As the piece points out, with his production company Hardy Son & Baker, he is currently working on the second series of BBC period drama Taboo and is considering directing an adaptation of Once A Pilgrim – a thriller created by a veteran of the Parachute Regiment.
Meanwhile, the star also revealed he used his own mental health issues when playing Eddie Brock, a freelance photographer who turns into a nightmarish beast, in Venom.
"The character has an ethical framework, the alien by virtue of coming from another planet doesn't have the same ethical framework, and they have to work out how to be together so they click," he said. "He now has a beast who lives rent-free in him. It could be like somebody who's contracted a tropical disease and gone mad.
"It's like acting out mental illness in some aspects, of which I have a fair understanding, having had a certain amount of mental health problems of my own, which are relevant, being an addict. So I might as well fucking use it."
The first image of Hardy as Al Capone was also released last week (August 2). The actor plays the American gangster in Fonzo, which focuses on the last year of Capone's life.


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The first product you should add to your routine, whether you have a 'baby-beard' or 'full lumberjack', is the stalwart Beard Oil. Essential oils absorb into the skin, hydrating your face and beard, and preventing itchiness and flaking.... Beard oil is a cosmetic product that is used to nourish the skin under the beard, as well as the beard itself in order to keep it "soft, shiny, and smooth". Beard oil mimics the natural oils produced by skin, such as sebum, and is composed mainly of carrier oils and essential oils.
Beard oil is a leave-in beard conditioner that should be used regularly to keep your facial hair soft, hydrated and looking attractive. The natural ingredients moisturise the skin at the hair root, which will keep the dreaded beard dandruff away while soothing itchiness and irritation.... Use Braw Beard Wash first to ensure your facial hair is clean and give the beard oil the best foundations to work with. Once your beard has been towel dried, now you are ready to apply Braw Beard oil .
Thus, using beard balm after using beard oil can help the oil to stay put on your face. Using beard oil like a pro can really do a lot to help your beard game out. Follow these guidelines, but always remember that the most important rule is to experiment and find the method that works best for you.... Treating beard itch is an easy process, however many men put up with it. Following these simple steps will ensure that you grow your best beard possible.
If you use Beard Oil and Beard Balm in the one day. Best to use Beard Oil in the morning then Balm in evening. Reason being Beard Oil will take can have a strong smell which will keep you and the Mrs awake . Balm on the other hand has no added scent with only a gentle beeswax aroma.
via GIPHY; Use a comb to complete the even distribution of the oil and set your beard in the style you want it. You're done! And you'll see results quickly as your beard shows more luster and a thicker look as the hairs are revitalized.
from what I read, yes. it's more like beard balm than oil. Beard oil is just that oil. different oils, but oil none the less. Brylcreem has oil but other than that, Wax.


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Site Event/Activity record ESF20639 - Excavation - North Trancept, Bury St Edmunds
Cathedral Precinct Yard
Centred TL 8560 6413 (16m by 10m)
TL86SE
BURY ST EDMUNDS, ST EDMUNDSBURY, SUFFOLK
Excavation was carried out in 1999 prior to the building of the North Transept, commisioned by Gothic Design Practice and undertaken by SCCAS. The building of the North Transept was part of a Millennium Project to complete the tower of St Edmundsbury Cathedral and included a proposal to extend the existing north cloister of the Cathedral Churhc to the Cathedral Centre (S1).
<S1> SSF52147 Unpublished document: Gill, D.. 2005. Archaeological Assessment Report,The Cathedral Precinct Yard Excavations, 1988 and 1999, Bury St Edmunds, BSE 052.
BSE 052 Cathedral Centre and North Transcept (Sax) (Monument)
BSE 052 North Transept, St James Cathedral (Preh) (Monument)


Does Conjugated linoleic acid (CLA) have any bad side effects? Does it work for weight loss? CLA has been sold for many years as a fat loss supplement based on the weight loss and body composition (i. e. losing weight and gaining muscle) changes seen in studies using mice and rats. Will is work in humans? More recently research in humans has shown it can be used to increase fat loss. In this post we'll look at some of the great things about CLA as well as some of the potential aspect effects. In addition to weight loss studies there have been (and are currently) many studies looking at the effects of this fatty acid on decreasing inflammation, fighting cancer, and in the treatment of other conditions.
Ever since 2007, there has recently been a rise in use of CLA as a fat burner. This is due to the release of a meta-analysis (basically overview of several scientific studies) published in the May 2007 issue of the American Diary of Clinical Nutrition which concluded that 3. 2g/d of CLA can stimulate moderate weight loss in humans. CLA is an attractive weight loss supplement and many people use conjugated linoleic acid as part of a fat loss supplement stack (i. e. a team of compounds and herbs that to increase effects) because unlike many other weight loss supplements it is not a stimulant and you don't suffer the nasty side associated with getting the jitters, increased heart rate, or worse - increased blood pressure. This is especially as there are not many effective options for non-stimulant fat burners on the market.
Let's now look at two more studies What is CLA that involve people taking supplemental CLA. The initial study was again published in the American Journal of Clinical Nutrition. The researchers found that when people supplemented with 3. 2 g/d of CLA (this is generally the recommended dose for weight loss purposes) they burned more excess fat and more specifically they burned more fat when they slept!
Not only did the subject matter that took CLA burned more fat when they slept, the fat they burned had not been fat they had recently eaten; it was actually stored excess fat that they were burning. This study gets even better since the researchers reported that the individuals that took CLA had lowered urinary protein losses. Within other words the CLA group had improved proteins retention when they rested. These are generally really interesting findings. If I owned a supplement company that sold large dosages of CLA - my new subject would be "CLA - Scientifically Proven to Burn up More Body Fat and Build Muscle even while you sleep. "
So CLA can work for weight loss but are there any side outcomes? Again in 2007, another study was published that looked at the effects of CLA on weight loss, this time in obese people. In this study, the participants were given CLA dosages of 0, 3. 2, or 6. 4 grams/day. At the end of the research the group that received the 6. 4 g/d of CLA experienced a substantial increase in a compound called C - reactive protein or CRP for short. C - reactive protein is a protein that is released from your liver. It is commonly used in the medical field as an over-all marker of the stage of inflammation in your body - higher CRP means more inflammation.
During your stay on island was an increase in CRP, it was truly not clinically significant as CRP levels remained below what is considered normal (Normal CRP levels are 3mg/dL). It is also important to see realize that the people in the study that had increased CRP because of this of taking a CLA supplement were taking 2x the 'recommended' dose for weight damage and also that folks that obese normally have higher CRP levels (this might have come into play here as well). The party that only took 3. 2 grams per day performed not have any increase in their CRP levels.
Based on the findings in the studies that I've mentioned above and the review of studies from article in the Us Journal of Clinical Nutrition is seems that 3. 2 g/d of CLA can be safely used to boost weight loss.
What do you do with these findings? At this time not a whole lot... CLA is a nice add-on to an ugly damage program but "add-on" is the key word. CLA is exquisite for nutrient stacking as combing these effects with a supplement like green tea extract (which has also been shown to boost weight loss), increased non-exercise physical activity, and multiple meals during the day will surely boost your weight loss. If you aren't spot on with your diet, training with weights 3x per week, and doing 3 interval sessions per week then don't waste materials your time with CLA and concentrate on the more important things.


Use the function cornerHarris to detect corners using the Harris-Stephens method.
In computer vision, usually we need to find matching points between different frames of an environment. Why? If we know how two images relate to each other, we can use both images to extract information of them.
When we say matching points we are referring, in a general sense, to characteristics in the scene that we can recognize easily. We call these characteristics features.
So, what characteristics should a feature have?
In this tutorial we will study the corner features, specifically.
Because, since it is the intersection of two edges, it represents a point in which the directions of these two edges change. Hence, the gradient of the image (in both directions) have a high variation, which can be used to detect it.
Let's look for corners. Since corners represents a variation in the gradient in the image, we will look for this "variation".
Consider a grayscale image . We are going to sweep a window (with displacements in the x direction and in the right direction) and will calculate the variation of intensity.
Why is a corner so special?


text:
Danny, King of the Basement
October 18 - November 18, 2012
By David S. Craig
Danny uses his imaginative secret agent life to help himself and his friends overcome the cold realities of a tough childhood. He remains optimistic for his mother's sake through plenty of uncertainties, hunger and a lack of things most children take for granted. When he's humiliated at school, Danny runs away in search of his long absent father. It's then that Danny realizes friendships and truth are the best foundation for a real home.
"This story explores what is often hidden in Seattle – the effect of homelessness on children. Danny is an inspirational character who shares his emotional story in an uplifting and humorous way." – SCT Artistic Director Linda Hartzell
Eve Alvord Theatre
"With tears in my own eyes, I could literally see the wheels turning in my daughter's head, the heaviness of Danny's reality clicking."
NATALIE SINGER-VELUSH (parentmap)
Culture Mob: Danny, King of the Basement at Seattle Children's Theatre
The Seattle Times: A homeless boy with a rich fantasy life is centerstage in SCT's 'Danny'
Parent Map: Danny, King of the Basement
Seattle's Child: A Parent's Review of Danny, King of the Basement
"Seattle U staff help Children's Theatre shine spotlight on family homelessness"
Age Recommendation:
Ages 8 and up - This is an uplifting story demonstrating the power of imagination, resilience and friendship. Financial difficulties and parental separation inspire great discussion, but may be challenging concepts for children under eight.
Curriculum Connections: Classroom Connections: Homelessness, Community, Employment, Materialism, Friendship, Parental Responsibility, Empathy, Resilience, Imagination, Literacy
Running Time: 75 minutes with no intermission
Making his SCT debut, Quinn Armstrong plays the title character in Danny, King of the
Basement, and is joined by Hana Lass (Robin Hood), and newcomers Deborah King and Ben
McFadden. The cast is joined by the production team led by Scenic Designer Carol Wolfe
Clay, Costume Designer Rose Pederson, Lighting Designer Andrew D. Smith, Sound Designer
Chris R. Walker, and Hockey Coach Evan Whitfield.
Danny and his mother, Louise, are moving into a new basement apartment. It's their eighth move in two years because there's never enough money to pay the rent. Yet despite meager resources, limited grocery money and thread-bare clothes, Danny possesses a surprisingly upbeat outlook on this move and his life.
He immediately befriends apartment neighbors Angelo and Penelope, who are grappling with their own family issues. Penelope is serving as the intermediary in her separated parent's financial arguments, and she just wants them to reconcile. Angelo is living in fear of his grumpy, unemployed father, yet still craving his approval. Danny introduces both children to the power of imagination, inviting them to escape tough realities by assuming roles in his secret agent game.
When Danny's illiteracy is brought to light in his new school, he flees in embarrassment. Although his mom admits that she doesn't know the whereabouts of his absentee father, Danny runs away in search of him, certain that his father is the answer to all his problems. Wandering the streets in the cold of winter without proper clothes, Danny is in serious danger. He lands in the hospital where he realizes what matters most is the love of his mother and the true home and good friends he's made.


Am I the only one who feels distant from God more often than near?
pretending I've heard his voice?
I would love to catch even a whisper.
I'm waiting for my birthday.
for a box of grape juice.
Beautiful psalm. You are definitely not alone. I go through moments of both despair and hope too. I have found hope most often in the body and blood of Christ through the Eucharist. For in the body and blood of Christ is Jesus himself, and in Jesus himself lies hope, and love, and mercy, and all that is Good. God bless.
You are NOT the only one, this just speaks to the truth that your heart is genuinely seeking. It's best to be honest, He already knows the truth. He's still working on your heart! I'm there with you though, a sister through Christ waiting on a revelation as well. Until that comes, still sharing His truth!
Totally feel you here Ethan. Nearly every day. And yet, somehow I still believe. So hold on.
Wow! Loved it brother, God bless.
No, sweetheart, you aren't the only one. I assume the questions in your poem are rhetorical, but just in case you're feeling lonely and in need of affirmation, you are not alone! I'll be praying for you today.
Lord Jesus, send your Holy Spirit more fully into Ethan's heart today; Father God, wrap him in your presence. May he know you are with him even in your apparent silence. Amen.
My feelings as well. I feel unforgivable, undeserving. Perhaps He's near but my guilt is holding him away?
You're not the only one. Thanks for sharing your heart, your struggles and triumphs, and the goodness of the Gospel with others.
He has never left us. He hasn't left you. Something I have been learning is to actually be talking with God all day and most importantly taking some time to listen. We can want to hear from God all we want but if we aren't listening it's not nub of a conversation it's us talking to God but it would almost like us ignoring him. I would encourage you to take some time if you are feeling distant from God to spend it listening to Him. Hope you are having an awesome week Ethan!


text:
View The 2023 Program
See what's in store for the Festival in 2023
View the wide variety of artists who will be performing
Come down and enjoy the Nation's Capital
Venues and Accessibility
We're committed to running a Festival accessible to all
About Canberra International Music Festival
Support Canberra International Music Festival
C22 The Last Mile
Fitters' Workshop
Printers Way, Kingston ACT 2604
Presented by the European Union Delegation to Australia
Always ready to lend a hand, Beethoven's friends sought to bring him new audiences by transcribing his pieces. In Hummel's case, he should not have bothered. But the result became a delightfully frolicking ride into the Austrian fields led by Skye McIntosh's happy band of the Australian Haydn Ensemble. A final Polish salute precedes the frivolity of Saint-Saëns' ever-popular animal fantasy, when a parade of Festival artists join Jonathan Biggins for a zany finish.
Ludwig van Beethoven: Symphony no. 6, Pastoral, arr. Hummel
Witold Lutoslawski: Paganini Variations
Camille Saint-Saëns: Carnival of the Animals
Australian Haydn Ensemble
Sally Walker, flute
Jason Noble, clarinet
Naoto Segawa, percussion
Ben Ward, double bass
New Zealand String Quartet
Edward and Stephanie Neeman, piano
With Jonathan Biggins, actor
This concert is supported by the Hume Conservatorium in Goulburn. The Yamaha CFX piano on loan was recently secured through the Create NSW Creative Capital Fund and is proudly home at the Hume Conservatorium and available for community use.
ARTIST Learn more about the artist
Artist Australian Haydn Ensemble
Under the direction of Artistic Director Skye McIntosh, the Australian Haydn Ensemble are one of Australia's leading historically informed orchestras and chamber music groups. The ensemble brings together world-class musicians who excel in both modern and period instrument performance and who are committed to both historical research and performance. The ensemble's name pays tribute to the great Joseph Haydn, known as 'Papa Haydn', who was a central figure of the late 18th century. The Australian Haydn Ensemble plays on period instruments, meaning instruments that are from the time the music was composed by Haydn, Beethoven and Mozart. Or it can also mean an instrument that is made by a master instrument maker of more modern times, based on older instruments (perhaps now unplayable) as well as scholarship and research. Formed in 2012, the group burst onto the Australian music scene with passion, ideas and energy and in 2022 they reached the significant milestone of their ten year anniversary. They bring that same unflagging spirit to everything they undertake as they step forward into their second decade in 2023.
Artist Sally Walker
Sally Walker is Lecturer in Classical Woodwind at the Australian National University, regular Guest Principal with the Australian Chamber Orchestra and Principal Flautist with the Omega Ensemble. She performs on modern flutes and piccolo as well as historical flutes and recorders and has appeared in the London Proms, Salzburg, Lucerne, Tanglewood and Edinburgh Festivals.
She was Grand-finalist in the Leonardo de Lorenzo International Flute Competition (Italy), won 2nd Prize in the Friedrich Kuhlau International Flute Competition (Germany) and was awarded scholarships from the DAAD (German Academic Exchange for postgraduate study in Germany), Ian Potter Cultural Fund and the Queen's Trust.
She has toured and recorded with the Berlin Philharmonic and Leipzig Gewandhaus Orchestras, is a former Principal Flute of the Deutsche Kammerakademie Neuss, was a member of Kölner Kammerorchester and has performed as Guest Principal Flute with the City of Birmingham Symphony Orchestra, BBC National Orchestra of Wales, NDR Radio Philharmonie Hannover, Kammerakademie Potsdam, Manchester Camerata, Queensland Symphony Orchestra, Adelaide Symphony Orchestra and the Australian Opera and Ballet Orchestra.
Sally devotes herself to both Early and Contemporary Music, having performed with Early Music ensembles such as Das Neue Orchester Köln, Neues Bachisches Collegium Musicum and the Leipziger Kammerorchester as well as Contemporary Music ensembles such as Halcyon. She is deeply committed to chamber music and has collaborated with colleagues across various art forms and styles, including Tamara Anna-Cislowska, Aiko Goto, David Greco, Steven Isserlis, Afro Moses, Ian Munro, Simon Tedeschi, Dénes Várjon, Shanghai and Acacia string quartets. She has recorded three CDs with Pianist Philip Mayers, was featured on Sally Whitwell's Aria-nominated CD, "I was Flying", Cyrus Meurant's CD "Monday to Friday" and on recordings with Halycon, Australian Chamber Orchestra and other orchestras.
Artist Jason Noble
Jason Noble is one of Australia's most versatile clarinettists – experimental to classical – a soloist and core member of Ensemble Offspring. Jason has performed at festivals locally and internationally, from Warsaw to London, Shanghai to Kabul, and all major cities across Australia. "His expertise and virtuosic playing give new insights into the versatility of the bass clarinet" (Sounds Like Sydney)
His album releases include THRUM (2020) – a collection of improvised ambient sounds created with Kim Cunio on piano – and Chi's Cakewalk (2017), an album of new Australian works for clarinets. He has also made guest appearances on albums for Gurrumul, Sally Seltmann, ABC Classics, Gondwana Voices, Paul Mac, Halcyon, SICKO improvising orchestra, and the Tiwi women's choir Ngarukuruwala. Recently he performed at the Adelaide Festival in Incredible Floridas, curated by Kim Williams, appearing as soloist with the Australian String Quartet.
Jason collaborates with living and emerging composers, and is an in-demand music educator and examiner. He has been invited to teach two winter academies at the Afghanistan National Institute of Music in Kabul, and maintains links with staff and students there.
Artist Stephanie Neeman
Dr. Stephanie Neeman is an active international performer and educator. She has taught masterclasses and performed in various venues throughout the world. Dr. Neeman has appeared as a soloist with the Jakarta Chamber Orchestra, Canberra Youth Orchestra, National Capital Orchestra (AUS) and has performed to critical acclaim across the United States, Asia, and Australia.
Artist New Zealand String Quartet
Celebrating its 35th season, the New Zealand String Quartet has established an international reputation for its insightful interpretations, compelling communication, and dynamic performing style. The Quartet is known for its imaginative programming and for its powerful connection with audiences of all kinds.
The group's extensive discography includes the complete quartets of Mendelssohn, Bartok, Berg, Brahms, Janacek and Lilburn on the Naxos label, works by Ravel, Debussy, Mozart, Beethoven, Schubert, Dvorak, Wolf, Tan Dun, Takemitsu, Gao Ping, and Zoltan Szekely as well as many NZ compositions.
The Quartet tours regularly in the UK, Europe and North America as well as to Mexico, Curaçao, Japan, Korea, and China, and made many visits to Australia, including the festivals in Townsville and Canberra.
As Quartet-in-Residence and teachers at the New Zealand School of Music Te Kōkī at Victoria University of Wellington since 1991, as well as running two intensive chamber music courses annually, the Quartet has had a profound effect on generations of New Zealand's string players and composers.
Artist Oliver Shermacher
Oliver started learning the clarinet when he was 10. He has played with the Sydney Symphony Orchestra, the Tasmanian Symphony Orchestra, AYO Momentum Ensemble and various Sydney Conservatorium Ensembles. Oliver started learning the recorder before moving on to clarinet. He studies at the Sydney Conservatorium of Music and is in the third year of an undergraduate degree. Oliver aspires to be a dynamic and varied musician - interacting with and expanding on musical mediums outside of the symphony orchestra.
Artist Ben Ward
Benjamin is a musician and composer based in Sydney, Australia. Since 2009, he has been a member of the Sydney Symphony double bass section. A career highlight was his collaboration with Jasmin Sheppard; a piece after the poems of celebrated Yankunytjatjara/Kokatha writer/poet Ali Cobby Eckermann. Recently, Benjamin has performed a solo recital, including his own compositions, at the Broken Hill Regional Art Gallery; played a solo set of double bass works at the Alice Springs Beanie Festival; and volunteered at the Garma Festival in north-east Arnhem Land for the Yothu Yindi Foundation.
Artist Jonathan Biggins
Jonathan Biggins is an actor, writer and director, perhaps best known as one of the creators of the long-running political satire The Wharf Revue. His other writing credits include seven years as a columnist for Fairfax's Good Weekend Magazine and the books As it Were, The 700 Habits of Highly Ineffective People, The 700 Habits of Highly Ineffective Parents and iKevin. His plays and musicals include Australia Day, Talk, The Republic of Myopia, Living in the '70s, The State of the Tasmanian Economy, Three Men and a Baby Grand and his one-man show The Gospel According to Paul. He also co-wrote an adaptation of the libretto Orpheus in the Underworld for Opera Australia. Directing credits include Talk, Australia Day, Noises Off, Josephine Wants to Dance, Orpheus in the Underworld and Avenue Q, for which he won a Helpmann Award. Acting credits include Travesties, Essington Lewis: I am Work, The White Guard, Summer Rain, The Importance of Being Ernest, Ying Tong, The Venetian Twins and the film A Few Best Men. Jonathan was awarded an OAM for his services to theatre in 2021.
Artist Naoto Segawa
Born in Japan, Naoto Segawa picked up marimba as his instrument and embarked on his undying pursuit of discovering new marimba repertoires. He is dedicated to bring the marimba into chamber music scene, and his passion led him to found Ensemble Go which aims to bridge sound worlds of the traditional and the contemporary.
Naoto actively seeks to perform the works of up-and-coming composers, premiering many new compositions, including pieces by Joshua Pangilinan, David Taylor, Tsu-Chin Hsu, Kongmeng Liew and Simon Eastwood.
He has won numerous awards in competitions including the 14th KOBE International Music Competition, 6th Romania International Music Competition and JILA Music Competition and has appeared in various chamber music programmes and festivals including Adam Chamber Music Festival, Hong Kong new music academy and Asian Composer's League Festival. Upcoming projects include a national tour throughout New Zealand presented by Chamber Music New Zealand, featuring a new work written by Linda Dallimore.
THE CANBERRA INTERNATIONAL MUSIC FESTIVAL IS ASSISTED BY THE ACT GOVERNMENT AND THE AUSTRALIAN GOVERNMENT THROUGH THE AUSTRALIA COUNCIL, ITS ARTS FUNDING AND ADVISORY BODY.
WEBSITE BY Agency9


Shade is still available from Sun Microsystems as of 2004/06/01. See the Bibliography for the link.
Transitive Technologies a commercial enterprise providing user-space simulators, same-machine accellerators, and bare-iron virtual CPUs.
Transmeta built x86 microprocessors based on a VLIW that simulates x86.
Virtutech SimICS, a commercial enterprise providing full-machine simulation and tracing tools.
VMWare, a commercial enterprise providing a platfor to run several OS's, each on a virtual machine multiplexed onto one physical machine.
Please contact <pardo@xsim.com> for more information on simulators and consulting.


text:
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redpajama_set_name: RedPajamaGithub


2012 mural at our boatyard displays results from each test in 2012.
As a participant in the New York City Water Trail Association's Citizen Water Quality Testing Project we sample water off our dock each week from May through September. Our samples are measured for Enterrococcus, an indicator of raw sewage that often results from rainstorms and combined sewer overflow. During the summer months samples are collected Thursday mornings and delivered to labs at either The River Project at Pier 40 in Manhattan or nearby LaGuardia Community College in Queens for testing. At the conclusion of the first two seasons we have depicted the seasons results as a mural on the boatyard wall.