I used to sell meat. My favorite part of the day was sampling out bacon. Our bacon was real, thick-cut, how-it-should-be bacon, which many members of the public had never experienced. Their reaction always began at the eyes, then traveled up to the brow before sinking into the rest of the face and, sometimes, weakening the knees. It was something they were familiar with, but just didn't know what it was really like, or how good it could be.
After seeing Alison Krauss with Union Station, featuring Jerry Douglas, last night at the Green Music Center, I now know that feeling from the other side of the counter.
It was maybe halfway through the concert that everything came together in a rush of emotion, and Krauss' emotional songs might have played a factor, but I was holding back tears when the realization hit me. Nothing will ever sound better than inside this hall. This is quite possibly the best-sounding band, the most professional engineers, in the most gorgeous acoustic space I will ever experience. This is the French Laundry of concert spaces.
This was the first non-classical concert in Weill Hall, the five-carat diamond amongst the surrounding gems of the Green Music Center at Sonoma State University. In addition to Krauss and Union Station wrapping up the festivities, this opening weekend included a gala opening concert with pianist Lang Lang, a sunrise choral concert with original music composed for and dedicated to those involved with the creation of the center, and an afternoon performance by the Santa Rosa Symphony, which has the privilege of calling the hall its home.
In comparison to the previous evening, which was full of tuxedos, Versace gowns, politicians and formal stuffiness, this was a decidedly blue-jeans event. There were even people dancing on the lawn, the mood was so jovial. The weather was perfect, absolutely perfect, and I can't help but see exactly what drove SSU President Ruben Armiñana to create this indoor-outdoor concert space. In fact, though my seat was inside the hall, I strode outside in the second half to see what it was like, and honestly I preferred sitting on the lawn. Of course, weather permitting and musical style taken into account, it wasn't inconceivable that the best seats in the house were, in fact, not in the house at all.
The two large LED screens flanking the opening to the concert hall were a little too bright, but what they showed was beautiful. Close-ups of the band, their expressive faces, their lightning-fast picking all dissolved with slow fades. Combined with the excellent, natural sound coming from both the hall itself and reinforced with high-hanging speakers and downfiring subwoofers (18 of them), this was the best outdoor sound I have ever heard. I had a tough time hearing some of the stories and witty banter between songs, but I suspect that had more to do with the storytellers turning away from the microphone for a moment. Can't amplify sound that's not there!
The band played together for about an hour before Jerry Douglas gave a solo performance on Dobro guitar, which blew me away from my 10th-row seat. Even with a stack of speakers in front of me, the sound was natural, even, pleasing and rich. Not once did this sound engineer turn to look back in the direction of the mixing board to suggest something unpleasant was happening. In fact, I would like to give a written high-five to the engineer for the evening. You did the hall justice. You got on that balance between acoustic and amplified and walked the tightrope all night long. And when the band came back for an encore set, using only one microphone, they were right there, too, blending themselves using distance and dynamics between voices and instruments.
View from the seats of Alison Krauss and Union Station.
Sandy Weill, left, for whom the main hall is named, dressed down for the evening. SSU President Ruben Armiñana, right, stuck with the blazer and slacks.
The foyer of the Green Music Center's Weill Hall. So opulent.
We had the privilege of experiencing this concert on vacation from Cincinnati, Ohio. Wow. We & our friends are still wondering how many people were in attendance (? 5000). Does anyone know ??
Food people are basic. Which is good. Thought there would be a vid here. Nonetheless, she rocks. Big time. I like your outlook.
I lived in Decatur, IL. and moved away in 1972.
I wish I could have watched you growing up.
Illinois. You are worth the time and money.
Alison is white hot….the concert was wounderful….this is the first bluegrass CD I ever purchased….I listen to it everynight come BBQ time…..


text:
Home » Mapping a Business Plan in Uncertain Times
Mapping a Business Plan in Uncertain Times
SupplyChainBrain
In the wake of the Great Recession, companies have been confronted with the challenge of how to translate a strategic business plan into a tactical plan, for quick response to actual market conditions. But they still need to keep in mind the larger goals of a long-term business strategy, says Banich.
Companies have always attempted to benchmark their performance against the competition, but their efforts have been hampered by a push to limit capital investment and "do more with less," says Banich. "Now they're starting to look out at the future, taking strategic planning to a tactical level."
They're not going back to the old practices, though. Beyond just dealing with the situation of the moment, companies are looking to forecast over longer periods of up to seven years. They're looking for a way to become "proactive instead of reactive."
An important step toward that goal is development of a road map, which lays out supply-chain requirements and their implications for distribution, inventory and transportation. Then, extending that picture out seven years, companies can identify where the gaps in their capabilities are likely to be.
"Looking step by step, year by year, you ensure that every investment and initiative is really moving toward this future state, rather than just focusing on today," Banich says.
Seven years is a long time in the business world, and it can be difficult coming up with an accurate picture of what that kind of future is going to look like. Some companies even attempt 10- to 20-year plans, says Banich.
At the same time, they can't ignore what's happening now. It's vital to ensure that one's supplier base is adequate for meeting current needs. The trick, says Banich, is "making sure you're not hurting today what you're trying to do tomorrow."
To view the video in its entirety, click here
Keywords: supply chain, supply chain management, supply chain planning, supply chain risk management, inventory management
Forecasting & Demand Planning SC Planning & Optimization Supply Chain Visibility SC Security & Risk Mgmt Pharmaceutical/Biotech
KEYWORDS Business Development Manager-USA Forecasting & Demand Planning Inventory Management Miebach Consulting Inc. Nick Banich Pharmaceutical/Biotech SC Planning & Optimization SC Security & Risk Mgmt supply chain Supply Chain Management supply chain management: supply chain planning and optimization Supply Chain Planning Supply Chain Risk Management Supply Chain Visibility
Q&A | Mapping the New Supply-Chain Planning Landscape
Ending Slavery in Supply Chains, Part 2: An Action Plan for Business
Building a hyperconnected supply chain: The three levers of transformation
100 Great Supply Chain Partners Issue 2009

redpajama_set_name: RedPajamaCommonCrawl


Buying a car of your choice is one of the most rewarding decisions in life and it becomes easier when you have a reliable financial support. Union Bank of India Car Loans bring relief to those who are planning to buy a vehicle.
There are many banks offering car loans, the things to keep in mind when buying a brand new car or a used one are the interest rates between the two.
In this article we will look at all aspects of Union Bank of India Car Loan.
Union Bank car Loans are available for both salaried and self employed.
Let's assume a scenario. Salman has begun a construction business. He has to transport huge quantity of material to his clients everyday. Instead of hiring transport, Salman decides to buy a truck for transportation on his own. The price of a truck is 20 lakhs but Salman's funds are low and therefore Salman plans to approach Union Bank for a car loan.
He inquires about the car loan in detail. He is feed with so much information; he gets puzzled. In this case Salman thinks of beginning to save from today, so that he is able to pay the initial amount of the loan as well as the EMIs. .
This is where Car loan EMI calculator and ClearTax's Save is a simple solution to all of Salman's financial issues. ClearTax offers a brilliant way to save for your future financial goals through ClearTax Save!
Just like Salman You can now save for your initial down payment as well as other payments. But we also recommend you calculate and judge your investment options anyway. In general, people start saving their money in either of these, say RD (Recurring Deposit), Savings account, SIP (Systematic Investment Plan) etc.
Processing Fee – Union Bank charges nil processing fee.
You can apply for Union Bank car loan by contacting the bank directly or by applying online. Availing a loan through an online marketplace improves the chances of getting best loan rates, low processing fees and special offers in the form of cash backs. Once you approach the bank, they will collect your documents and initiate the loan process which includes checking your CIBIL score, the value of the property, technical and legal checks on the property, eligibility calculation. The bank will give a decision on your loan based on the evaluation results.


A telecommunications company in the US has acquired Yorkshire firm Simetric Telecom.
Leeds-based Simetric operates a telecoms system that gives businesses the same call handling, recording and switchboard services on employees' mobiles as they would have on their desktop phones.
Founded in 2009 by business partners Gavin Sweet and John Murray, the firm will now trade as a subsidiary of Texas-based Tango Networks.
The newly enlarged business will provide large companies, hosted communications providers and telecom resellers with a portfolio of communications services aimed at revolutionising enterprise mobility.
According to Simetric, the firms' combined offering will create be the first in the industry to seamlessly integrate mobile-native voice, text and data communications with enterprise telephony and applications.
Simetric MD Gavin Sweet said of the deal: "Joining forces with Tango Networks will raise our service offerings and market reach to an entirely new level.
Tango Networks chief exec Doug Bartek commented: "The Simetric and Tango Networks combination creates an unmatched portfolio of solutions for enterprise mobile communications.


Pack contains one 3ft (36") black balloon.
You can also add twelve powder blue party bags to your baby shower kit by clicking on the button above.
You can also add twelve pink polka dot party treat boxes to your kit by clicking on the button above.


Thomas and Camilla January 2019 Date Day on Friday.
Car picnic at Geiger Way Lookout and this gorgeous view. Vegan burger from Great Full Gardens for me and traditional burger and fries for Thomas. Love the way they decorate the take out boxes at Great Full Gardens!


text:
Q: trouble with deleting in masks in a JFormattedTextField I am having trouble with masks in a JFormattedTextField
I understand that it replaces invalid characters with a space,
or whatever you define via setPlaceholderCharacter,
but what I need it to do is allow deletion or backspace,
and NOT insert a space in place of the character I deleted
as long as the rest of the string is allowed in the mask.
For example, with the mask: *#*****, the string "12 abc" is valid.
If you put your cursor between the b and c characters, and press the backspace button, I need it to delete the b, resulting in "12 ac". Instead, it deletes it, and adds a space, becoming: "12 a c".
A simple code example is below to demonstrate.
I would appreciate any thoughts or examples to get around this issue.

public class testFrame extends javax.swing.JFrame {

    public testFrame() {

        setDefaultCloseOperation(javax.swing.WindowConstants.EXIT_ON_CLOSE);
        getContentPane().setLayout(new java.awt.FlowLayout());

        setMinimumSize(new Dimension(300,150));

        java.awt.Button closeButton = new java.awt.Button();
        JFormattedTextField maskTextField = new JFormattedTextField();
        maskTextField.setMinimumSize(new Dimension(100,30));

        getContentPane().add(maskTextField);

        closeButton.setLabel("close");
        closeButton.addActionListener(new java.awt.event.ActionListener() {
            public void actionPerformed(java.awt.event.ActionEvent evt) {
                System.exit(0);
            }
        });

        getContentPane().add(closeButton);

        try {
            MaskFormatter someMask = new MaskFormatter("*#****");
            DefaultFormatterFactory formatterFactory
                = new DefaultFormatterFactory(someMask);
            maskTextField.setFormatterFactory(formatterFactory);
        } catch (ParseException ex) {
            ex.printStackTrace();
        }
        maskTextField.setText("12 abc");

        pack();

    }

    public static void main(String args[]) {
        java.awt.EventQueue.invokeLater(new Runnable() {

            public void run() {
                new testFrame().setVisible(true);
            }
        });
    }
}

Updating code to reflect answer below.  I added a second field so you can see the behaviour with and without the fix.  Also a minor fix, I resized the windows and centred it in the screen to make it more friendly.
public class testFrame extends javax.swing.JFrame {
public testFrame() {
    setDefaultCloseOperation(javax.swing.WindowConstants.EXIT_ON_CLOSE);
    setMinimumSize(new java.awt.Dimension(300, 200));
    getContentPane().setLayout(new java.awt.FlowLayout());

    JFormattedTextField maskTextField = new JFormattedTextField();
    maskTextField.setMinimumSize(new Dimension(100,30));
    getContentPane().add(maskTextField);

    JFormattedTextField maskTextField2 = new JFormattedTextField();
    maskTextField2.setMinimumSize(new Dimension(100,30));
    getContentPane().add(maskTextField2);

    java.awt.Button closeButton = new java.awt.Button();
    closeButton.setLabel("close");
    closeButton.addActionListener(new java.awt.event.ActionListener() {

        public void actionPerformed(java.awt.event.ActionEvent evt) {
            System.exit(0);
        }
    });

    getContentPane().add(closeButton);

    try {

        MaskFormatter someMask = new MaskFormatter("*#****");
        DefaultFormatterFactory formatterFactory =
            new DefaultFormatterFactory(someMask);
        maskTextField.setFormatterFactory(formatterFactory);

        MaskFormatter someMask2 = new MaskFormatter("*#****");
        DefaultFormatterFactory formatterFactory2 =
            new DefaultFormatterFactory(someMask2);
        maskTextField2.setFormatterFactory(formatterFactory2);

    } catch (ParseException ex) {
        ex.printStackTrace();
    }

    maskTextField.setText("12 abc");
    maskTextField2.setText("12 abc");

    // added per suggestion below
    if (maskTextField.getFormatter() instanceof DefaultFormatter) {
         DefaultFormatter f = (DefaultFormatter) maskTextField.getFormatter();
         f.setAllowsInvalid(true);

         // options are:
         // JFormattedTextField.COMMIT
         // JFormattedTextField.COMMIT_OR_REVERT  --> default
         // JFormattedTextField.REVERT
         // JFormattedTextField.PERSIST
         maskTextField.setFocusLostBehavior(JFormattedTextField.PERSIST);
    }
    pack();
    this.setLocationRelativeTo(null);

}

public static void main(String args[]) {
    java.awt.EventQueue.invokeLater(new Runnable() {

        public void run() {
            new testFrame().setVisible(true);
        }
    });
}

}

A: Firstly, thank you for posting a decent working example.
It seems that the DefaultFormatter is the formatter used by your masked text field. I found that I could allow temporary invalid edits in the following manner:
if (maskTextField.getFormatter() instanceof DefaultFormatter) {
  DefaultFormatter f = (DefaultFormatter) maskTextField.getFormatter();
  f.setAllowsInvalid(true);
}

Hopefully this enough of a pointer to get you started. Although note that this quick fix has the interesting behaviour of completely wiping the contents of the text field if you change focus while an invalid value is in the field. This seems contrary to the JavaDoc for JFormattedTextField which suggests that the default behaviour is COMMIT_OR_REVERT.

A: Just a thought - definitely as-is not suited for production and most probably not possible in the general case: you could try to wrap the default documentFilter and invoke custom checks/manipulations before/after calling the delegate.
Here's a snippet that seems to work for the particular example in your question:
public static class MyMaskFormatter extends MaskFormatter {

    DocumentFilter filter;

    /**
     * @param string
     * @throws ParseException
     */
    public MyMaskFormatter(String string) throws ParseException {
        super(string);
    }

    @Override
    protected DocumentFilter getDocumentFilter() {
        if (filter == null) {
            filter = new MyDocumentFilter(super.getDocumentFilter());
        }
        return filter;
    }

    public class MyDocumentFilter extends DocumentFilter {

        DocumentFilter delegate;

        MyDocumentFilter(DocumentFilter delegate) {
            this.delegate = delegate;
        }

        @Override
        public void remove(FilterBypass fb, int offset, int length)
                throws BadLocationException {
            String toRemove = fb.getDocument().getText(offset, length);
            delegate.remove(fb, offset, length);
            String replaced = fb.getDocument().getText(offset, length);
            if (replaced.charAt(0) == getPlaceholderCharacter() &&
                toRemove.charAt(0) != getPlaceholderCharacter()    ) {
                int sublength = fb.getDocument().getLength() - offset;
                String text = fb.getDocument().getText(offset, sublength);
                text = text.substring(1) + text.charAt(0);
                replace(fb, offset, sublength, text, null);
                getFormattedTextField().setCaretPosition(offset);
                //getNavigationFilter().setDot(fb, offset, null);
            }
        }

        @Override
        public void insertString(FilterBypass fb, int offset,
                String string, AttributeSet attr)
                throws BadLocationException {
            delegate.insertString(fb, offset, string, attr);
        }

        @Override
        public void replace(FilterBypass fb, int offset, int length,
                String text, AttributeSet attrs)
                throws BadLocationException {
            delegate.replace(fb, offset, length, text, attrs);
        }

    }

}

redpajama_set_name: RedPajamaStackExchange


This detached property at 64 Hillside Crescent, Brock, L0E1E0 is currently for sale for $384,900. This property has been listed on Home.ca for 7 days and can be financed with an estimated mortgage of $1,304 per month*. Yearly property taxes for this home are approximately $2,729.
64 Hillside Crescent is a Vinyl Siding Detached Bungalow home with frontage to the South. The home's closest main intersection is Albert/Hillside. The lot dimensions of this property are 64.6 x 143 Feet. The property is located in the Cannington neighbourhood in the city of Brock, in the regional municipality of Durham. Nearby neighbourhoods are Sunderland, Beaverton, Rural Brock.
This home has 3 beds and 2 bathrooms . The main level contains the kitchen room, dining room, living room, master room, 2nd br room, 3rd br room. The lower level contains the 4th br room, laundry room, rec room.
64 Hillside Crescent has a total of 9 rooms. Date of possession for this property is June/July. This home was listed by AFFINITY GROUP PINNACLE REALTY LTD., BROKERAGE according to MLS® Reciprocity.
This home is located at 64 Hillside Crescent, Brock, L0E1E0 and is situated in the neighbourhood of Cannington.This property is a bungalow. Taxes are approximately $2728.83 on an yearly basis. This home does not have a fireplace. Air conditioning is provided via central air. It's located near Albert/Hillside has of land and was built aproximately years ago. This home has 0 Carport garage spaces. Property taxes in 2018 were $2728.83 per year. Lot depth is 143 and width is 64.6. Possession date is June/July.
64 Hillside is a residence the community of Cannington of Brock. While Hillside Crescent has 2 homes currently available, the district of Cannington has 13 postings available. That's just 9.6% of the 136 total properties for sale in the city of Brock.
Homes in Cannington are listed for an average asking price of $0, or an estimated monthly mortgage of $0. That is :community_times_avg the average list price of $725,348 in Brock. Cannington listed properties average 0 sq ft, 0 beds, and 0 baths. Apartments make up 0% of homes for sale in the neighbourhood around 64 Hillside Crescent. If this home is not to your liking check out other condos for sale in Cannington or in other areas of Brock. *Monthly mortgage payments are an estimate based on a 20% down payment on a home.


text:
require_dependency 'auth/oauth2_authenticator'

class DwollaAuthenticator < ::Auth::OAuth2Authenticator
  def register_middleware(omniauth)
    omniauth.provider :oauth2,
                      :name => 'dwolla',
                      :client_id => GlobalSetting.dwolla_client_id,
                      :client_secret => GlobalSetting.dwolla_client_secret,
                      :scope => 'AccountInfoFull|Email',
                      :provider_ignores_state => true,
                      :client_options => {
                        :site => 'https://www.dwolla.com',
                        :authorize_url => '/oauth/v2/authenticate',
                        :token_url => '/oauth/v2/token'
                      }
  end

  def after_authenticate(auth)
    result = Auth::Result.new
    token = URI.escape(auth['credentials']['token'])
    token.gsub!(/\+/, '%2B')

    json = JSON.parse(open("https://www.dwolla.com/oauth/rest/users/?oauth_token=#{token}").read)
    user = json['Response']
    result.name = user['Name']

    json = JSON.parse(open("https://www.dwolla.com/oauth/rest/users/email?oauth_token=#{token}").read)
    result.email = json['Response']['Email']

    current_info = ::PluginStore.get("dwolla", "dwolla_user_#{user['Id']}")
    if current_info
      result.user = User.where(id: current_info[:user_id]).first
    end
    result.extra_data = { dwolla_user_id: user['Id'] }
    result
  end

  def after_create_account(user, auth)
    ::PluginStore.set("dwolla", "dwolla_user_#{auth[:extra_data][:dwolla_user_id]}", {user_id: user.id })
  end

end

auth_provider :title => 'with Dwolla',
              :authenticator => DwollaAuthenticator.new('dwolla'),
              :message => 'Authorizing with Dwolla (make sure pop up blockers are not enabled)',
              :frame_width => 600,
              :frame_height => 300

register_css <<CSS

  button.btn-social.dwolla {
    background-color: #d94d00
  }

CSS

redpajama_set_name: RedPajamaGithub


I found a glass pear canister for a dollar at the thrift store and thought it would be a nice companion piece to the pear shape terrarium I have. I saw that it was really dirty, but I assumed that I could wash it up when I got home. I was wrong. After washing, soaking, CLR , Oops, and a number of different methods of cleaning, it would not come clean. That would explain the 1.00 price tag.
Oh well, or so I thought.
I was watching online episodes of House and Home and noticed a video in the DIY section pertaining to painting bottles. I clicked on it and watched as the gal demonstrated how to paint bottles, not in the traditional sense (spray painting the outside), but in a way I had not thought of. She demonstrated pouring paint into the bottles, sitting them upside down to pour out the excess, and after drying, had beautiful bottles that looked like milk glass! I loved it! I decided to try the method on the pear canister. If it didn't work, I was only out a dollar.
I poured in white paint, let it drain, and dry, and it worked! The only thing I did different than the demo...I used acrylic Craft paint, not latex paint as they showed. It worked just fine! I was so happy with the result! I also try it on a Dollar Tree votive holder, but used color paint (Jamaican Sea), loved this too! Because the paint is on the inside of the vessel, the outside is still shiny and no worries about scratching off!
P.S. In case you didn't notice, I FINALLY was successful at creating a button, thanks to my husband! If you would like to grab it, it's going to stay at the tippy top for a few days, I'm just so darn proud of myself him! Thanks so much for stopping by!
Very cool idea and even I can do it! Love the results!
The pieces turned out great. A wonderful way to rejuvenate a tired glass piece. The pear container is a complete transformation!
Hi Michelle! Wow! This is really beautiful. Hard to believe it's the same pear. It looks gorgeous! Now I can't wait to try this! Thanks for sharing!
I wouldn't have thought acrylic paint would work on glass--now I Have to try this out.
This is a great idea! Thanks so much for sharing it - I can't wait to hunt up some glass to paint. Thanks!
You, my dear, are Wonder Woman!!!
Your ideas are fabulous..I am in awe of you. Would love to try tis out!!
Looking for things to try this on now.....LOVE it!
Well I might just have to try this w/my numbered bottles! What a cool effect!!!
Very nice, love the shiny outside-limitless possibilities!
Beautiful! I saw where someone did that to a lamp, the transformations are amazing. I just love all the clever people in blog land, especially when they are nice enough to share these treasures. Thanks for the inspiration!
Oh I love it !! Thanks for the great idea !
I'm back Michelle. I just wanted to let you know that I copied your code and, when I put it in, your button didn't show up. Not sure why, but I thought you'd like to know.
Wow, I want to do that! Now, I just have to find a fancy glass bottle or something!
What an awesome idea Michelle...I cannot wait to try it out myself. I absolutely love how they both turned out. Ooooo and thanks for your cute button...Already grabbed it for my blog. Have a wonderful weekend. Until next time.
Wow! That is amazing...ok...looking around the house for something to pour paint into! LOL!
Amazing! Absolutely gorgeous! Thank you for the tip!
What an awesome idea! Your vase looks wonderful! And the votive, too! Does any of that deposit like stuff show through anywhere?
What a great way to save something from being thrown away!
This is sooo beautiful! I need to try it. Thanks for sharing.
Becky, it doesn't show through at all! I picked white for that reason though...I think any other color would have shown it.
This is amazing! I love the way your pieces turned out. I have to try this!!
I'm hosting a party right now and I'd love it if you stopped by!
I love the results of this and will have to give it a try. I wonder if it can be sealed so it wouldn't wash off if you put water in it for flowers.
Those are so cute!What a great idea.Thanks for sharing!
Wow, those look awesome! I have tried this method, and didn't have any luck, but you have inspired me to try it again. You did a great job.
Very beautiful collection of pots. I like them very much. I too want that of pots in my home.
Gorgeous! I love that look and aim to try it one day myself. Just love how glossy the surface appears.
Okay, that is fabulous, one of the best tips I've found lately!! There is always something interesting at Sweet Something Designs!! Thanks so much for sharing and inspiring!
How beautiful, I love that you can see through the glass to the color. Nice job.
I too am excited about this idea! As I'm a terribly messy painter. And I might even be able to manage this without much paint getting everywhere. Thanks for showing us!
OHHH I love that! I'm going to have to try that! ANd your photos...GORGEOUS!!!!
I'm going to have to try this. That blue vase thing is gorgeous.
I have painted glass using glass paint. I'll have to try it this way, sounds easy and looks great.
Really neat process. I have a brandy sifter that I would love to try with this process.
Nice to meet you. I am a new follower.
Love this! I'm already thinking of all the fun I could have with this idea. Thanks for sharing! Off to pick out a few glass vases & votives. . .
I never thought of spray painting glass....Thank you so much for the wonderful idea.
I so need to try this. I love the look - you're right - it looks like milk glass!
I added your project to my post today on Painting Glass.
I tried to access the video on H&H but guess it's off now. Oh well, your pics are lovely!
LOVE LOVE LOVE THIS!!!! This is really a beautiful piece!
The information in this blog is really a appreciable.you have done it very nicely. Great work and love to visit on your blog again and again. Keep posting nice information.
Nice post. I learn something tougher on completely different blogs everyday. It's going to at all times be stimulating to read content from different writers and apply somewhat something from their store. I'd favor to make use of some with the content on my weblog whether or not you don't mind. Natually I'll provide you with a hyperlink in your net blog. Thanks for sharing.
Did you water down the acrylic paint? I just poured mine in and it's so thick it's taking forever to drip and cover like the video showed. What did you do?


text:
Sun Signs(current)
Animal Totems
Garry Marshall Biography, Life, Interesting Facts
Birthday :
Died On :
Also Known For :
Director, Producer, Writer
Birth Place :
New York City, New York, United states of America
Zodiac Sign :
Garry Marshall was an American director, producer, actor, and screenwriter. He produced some of the most popular television shows in the 1970s, as well as numerous films.
Garry Kent Marshall was born in New York City on November 13, 1934. His entire family was involved with entertainment. His father Anthony directed industrial films. His mother Marjorie owned a tap dance school. Penny, one of his sisters, went on to become an actress. Ronny, the other sister, became a casting director. He graduated from the De Witt Clinton High School in The Bronx. He then started studying journalism at Northwestern University. He was a columnist for the high school newspaper. After graduation, he spent two years serving in the U. S. military during the Korean War.
Marshall's career began when he started writing jokes for comedians such as Phil Foster and Joey Bishop. He also worked for the Tonight Show With Jack Paar.
In 1961, Marshall moved to Hollywood and started writing episodes for television shows. He partnered up with fellow writer Jerry Belson. Together they wrote some episodes for sitcoms such as The Dick Van Dyke Show, The Joey Bishop Show, The Lucy Show, and many others. Together they also created the popular show The Odd Couple, based on a play by Neil Simon.
The most successful period in Marshall's television career came in the 1970s. His most iconic show was Happy Days. The main character in this sitcom is the teenager Richie Cunningham. The show depicts his life and his relationships with his parents, his siblings, and his friends.
Marshall's second most famous show was Laverne and Shirley. This sitcom was actually a spin-off of Happy Days. It revolves around the lives of roommates Laverne DeFazio and Shirley Feeney. In Happy Days, these two were shown as the friends of one of the characters. The character of Laverne was actually portrayed by Garry's sister Penny Marshall.
Marshall's film producing career began in 1968. He co-wrote the film How Sweet It Is together with Jerry Belson. In 1982, he made his debut as a director, with the Young Doctors in Love. Over the years he continued creating films and casting famous stars such as Tom Hanks, Goldie Hawn, Al Pacino, and many others.
The most well-known film Marshall ever directed was Pretty Woman. This romantic comedy, starring Richard Gere and Julia Roberts, was released in 1990. It tells the story of the relationship between a wealthy businessman and a prostitute. The film went on to become a box office hit.
Marshall's second most successful film was the comedy called The Princess Diaries. It was released in 2001 and it starred Anne Hathaway and Julie Andrews. The film talks about a teenage girl who finds out she is the heir to the throne of the fictional Kingdom of Genovia. Its sequel was released three years later.
Other Venture
Apart from film and television, Marshall also worked with other forms of entertainment. He wrote plays like The Roast and Wrong Turn at Lungfish. He also directed operas, including The Grand Duchess and The Elixir of Love.
Marshall also got a few small acting roles in television shows and films. He appeared in the films Lost in America, A League of Their Own, Soapdish, On the Lot, and others. He had guest appearances in shows such as Monk, Two and a Half Men, ER, and the Sarah Silverman Show. He also voiced some characters in a few episodes of the Simpsons. Much like with directing and producing, he preferred to act in comedies.
In 1995, Marshall wrote his biography Wake Me When It's Funny, together with his daughter Lori. In 2012, he published his memoir, My Happy Days in Hollywood.
Garry Marshall passed away on July 19, 2016, in a hospital in California. He suffered from a stroke and pneumonia.
November 13 Horoscope
Jack Dee
Moss Hart
More People From New York
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Robert Peary
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More Scorpio People
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Gummo Marx
Danny Greene
© 2017 SunSigns.Org


text:
Q: How can I override strict JSON parsing in jQuery's .ajax() method? As of jQuery 1.9, if you specify dataType: json in a call to .ajax but the response body cannot be successfully parsed as JSON, the request will silently fail:

The JSON data is parsed in a strict manner; any malformed JSON is rejected and a parse error is thrown. As of jQuery 1.9, an empty response is also rejected; the server should return a response of null or {} instead.

In other words, even if the server returns a success code, jQuery will still consider the request "failed" if the response does not contain valid JSON.  As such, it will resolve the .fail() callback rather than the .done() callback.
How can I override this behavior, so that jQuery will interpret the request as a success (and call .done()), even if it cannot parse the response body correctly?

A: The JSON parsers that .ajax uses (both the built-in browser parser, and jQuery's parser) will throw an exception if they cannot parse the response.  This exception is what is triggering .fail().
To override this behavior, you need to define a custom converter to catch this exception when processing the response that you're expecting as JSON:
$.ajax({
    // We're expecting a JSON response...
    dataType: 'json',

    // ...but we need to override jQuery's strict JSON parsing
    converters: {
        'text json': function(result) {
            try {
                // First try to use native browser parsing
                if (typeof JSON === 'object' && typeof JSON.parse === 'function') {
                    return JSON.parse(result);
                } else {
                    // Fallback to jQuery's parser
                    return $.parseJSON(result);
                }
            } catch (e) {
               // Whatever you want as your alternative behavior, goes here.
               // In this example, we send a warning to the console and return
               // an empty JS object.
               console.log("Warning: Could not parse expected JSON response.");
               return {};
            }
        }
    },

    ...

A: Don't use dataType: 'json'. Use dataType: 'text' and call JSON.parse() explicitly in your success: or .done() callback. You can wrap this in try/except to catch the error if the JSON is invalid.
If you need to send Accept: application/json without this option, try using:
headers: { Accept: 'application/json' }

or
beforeSend: function(jqXHR, options) {
    jqXHR.setRequestHeader('Accept', 'application/json');
}


The Nintendo 64 marked Nintendo's official entry in the fifth generation of consoles. The success of one of its launch titles, Super Mario 64, helped jumpstart the medium's 3D revolution. Though countless developers from id Software to PF Magic had dabbled in 3D for quite some time, Super Mario 64 ended up being ground zero for the leap. What made it such a remarkable effort was that there were no signs of growing pains. The camera could be controlled by the player, yet was incapable of phasing through walls due to being operated by a real character. Mario's shadow could always be seen underneath him because it helped players gauge where he was on a platform. Levels were made far less linear because players would be naturally inclined to explore the space in which they found themselves. Though these design choices sound prototypical when summed up on paper, future development teams attempting to create three-dimensional experiences would take cues from Super Mario 64 and many of Nintendo's other pioneering 3D efforts such as The Legend of Zelda: Ocarina of Time in the coming decades.
Despite the acclaim these games received, Nintendo's success did come at something of a price. Thanks to a combination of Nintendo sticking with ROM cartridges in lieu of adopting the increasingly popular optical disc format and third-party developers having to adhere to their strict policies, they soon found themselves face-to-face against Sony and their PlayStation console. The juggernaut electronics company had entered the console race as a result of the failed partnership between themselves and Nintendo to create a CD-based peripheral to compete with the Sega CD. Because many prominent developers such as Capcom, Konami, and Square began making games exclusively for the PlayStation, Nintendo began rapidly losing their dominance. Even the overwhelming critical success of games such as Super Mario 64 and Ocarina of Time did little to make up for their loss in market share. At that point, they needed to innovate quickly in order to remain in in the business.
The year 1997 marked the launch of a graphic hardware design company named ArtX. It was staffed by twenty engineers who previously worked at Silicon Graphics, Inc. (SGI) – the company that helped develop the Nintendo 64's hardware. They were led by Dr. Wei Yen, who had been SGI's head of Nintendo Operations and outlined the console's architectural design. ArtX partnered with Nintendo in 1998 in order to craft Nintendo's entry in the rapidly approaching sixth console generation. Initially codenamed "Flipper", the project was first announced to the public at a press conference in May of 1999 as "Project Dolphin". Shortly after this announcement, the company began providing development kits to second-party companies such as Rare and the newly formed Retro Studios.
ArtX was then acquired by ATI in 2000, though the Flipper graphics processor design had been mostly completed. A spokesperson claimed ATI was to become a major supplier to the game console market and that the Dolphin platform would be the "king of the hill in terms of graphics and video performance with 128-bit architecture". The console was formally announced as the Nintendo GameCube at a Japanese press conference in August of 2000. It was at the Electronic Entertainment Expo of 2001 that the GameCube's fifteen launch titles were unveiled. Curiously, there appeared not to be a single Mario game in the lineup. However, a closer examination revealed that a game set in the Mario universe would be among the launch titles, but with his brother Luigi in the lead role.
During the Nintendo Space World exposition of 2000, many technological demonstrations were designed to showcase the GameCube's capabilities. These took the form of full motion video clips – one of which depicted Luigi running from ghosts. After creating the footage, Nintendo decided to turn the demo into a fully realized game. It was shown again at the 2001 Electronic Entertainment Expo alongside the other launch titles and the console itself. This game, Luigi's Mansion, was to offer an experience the likes of which had never been seen in a Mario title. Though the idea for the game had been conceived as early as 2000, once it became a GameCube project, Luigi was chosen as the protagonist to keep the experience new and original.
The GameCube launched domestically on September 14, 2001 and in North America the following November before receiving European and Australian releases in May of 2002. From a commercial standpoint, Luigi's Mansion was the most successful GameCube launch title, being the single best-selling game in November of 2001. Nintendo attributed Luigi's Mansion as the driving force behind the GameCube's launch sales, for it sold more copies in its opening week than even Super Mario 64 in its own. Critically, Luigi's Mansion was mostly positive, with critics especially taken aback by its stellar presentation. Despite this, the reception wasn't quite as warm as that of Super Mario 64. Was Luigi's first true adventure precisely what the GameCube needed for a successful launch?


This is the main hub of the MathsNet suite of web sites. Here you will find access by subscription to online courses.
For students it will help you achieve better grades at both GCSE and A-Level (or the equivalent in your country).
For teachers it will help you within the classroom with interactive worked examples, help set homework tasks and monitor student achievements throughout the year.


text: Q: UIScrollView+setContentOffset+AutoLayout Some UITextFields and UIButtons are subviews of a UIScrollView. I set autolayout property. All working fine except I had the problem when I click on  a textfield to type. I gave setContentOffset-property to visible in my textfield. This also worked, but when I type something in textfield contentOffset is gone. Means my textfield is invisible and goes behind keyboard.


I liked the website when I was taken to it after searching for "overhead garage door" - or something like that. And there was the telephone number so I could call. Easy. I have wasted much time trying to find a telephone number on other websites. When I called it was easy to get an appointment without endless quests for more information about me. And the repair person who came was friendly, polite, and competent. I have accepted his advice.
The service was prompt and the technician was both highly competent and personable. Thanks for your help!
Here is my experience. On a Saturday early afternoon I cam home, hit the garage door opener and the door only opened 6 inches and stopped. I found that one of the springs had snapped. I called the number on my garage door to get service. The call center took my information. A scheduler called back and said that there is no-one available over the weekend but could send someone out Monday. One of my cars was trapped int he garage. With the spring broke and the other one about to go the door was too heavy to lift. I then found Precision Door (844-737-3667) Company through Google and called. They setup an appointment for the next day, Sunday, between 10am and 11am. @ 10am: Dale Young from Precision Door called letting me know that he is 15 minutes out. @ 10:18am: Dale showed up and walked through the issues and did an overall inspection. The door hardware was in bad shape with very rusted door rollers, cables and very worn shaft bearings. He was able to replace all the broken and warn parts. The door is quieter than when it was new. Dale was very personable, professional and competent. The cost was also less than the original door company quote. Precision also provided a lifetime warranty for the work. I am a home owner with an aging house so I have many experiences with service companies. This experience by far was the smoothest and most hassle free.
Nick did a great job repairing my garage door very well done!!
5 Stars Service response was quick and pricing was competitive. Service tech was great. Highly recommend.
We lov d the work your guy did! 5 stars!
The technicians are always very friendly and knowledgeable. Today was no different. Sedrick arrived on time and fixed our issue. We would definitely recommend Precision!
Appreciated courtesy call ahead of time as well as timely arrival and repair.
Garage door cable broke on a Sunday and was able to get it repaired the same day at no extra cost compared to a week-day! Nick provided skilled, efficient and professional service. We received new cables and brackets plus had our springs checked and rebalanced. Nick explained the problem, the repair and even gave us advice for maintenance. We chose Precision due to the great experience we had in the past. Thank you!
I wanted to praise Nick and the work that he had done. I'm a VERY satisfied customer!
Great service by efficient and competent technician. Great explanation of repair options and explanation of problem cause and effect. Excellent review of work and completed. Prompt on time arrival and accurate repair time estimate. Thanks, Nick!
I wish to praise a worker of yours by the name of Mr. Jezrel White, who works out of the Madison, WI area. He has been to my home twice in the last 6 months to (1) install a new LiftMaster opener and (2) to repair a broken spring on my garage door. This gentleman is a hard worker, so very polite, courteous and respectful! I cannot say enough good things about this young gentleman, except that this company is so very fortunate to have him on the payroll!
Mike was incredible. Had my entire door working within an hour. Great customer service. Would highly recommend him in the future.
I used online search and found Precision. The service was spot on. Quickly diagnosed the problem and solved.
Quick and professional service! Very satisfied customer.
I couldn't be happier. This is my second very positive experience with Precision. Mike was great and fixed all our problems with both our doors. He was right on time and very professional. I wasn't expecting to get same day service but he was out to our house within just a few hours of my call.
Picked you from the Home Pages, not knowing what to expect. Your representative, Mike, was a pleasant surprise, and very efficient. The repair required Mike to "work outside the box" to get me back to operational. We were very satisfied. Did I mention it was the coldest day of the year?
Our garage door broke and wouldn't open. Luckily, Precision was able to come and save the day. Jezrel White was our technician. He was by far the nicest repair person I have EVER dealt with. Jezrel was super friendly and very professional. He was able to identify the problem, clearly explain it to me, install the new springs and get my garage door fixed in a timely manner. I would definitely recommend Precision to anyone who has garage door issues.
5 Stars is my rating. I had a great experience with your company. This is the second time I have used your company. Krissy was great on the phone when I first called to set up the appointment, and Mike Zahn was on time, efficient, knowledgeable and very courteous. It ended up being a simple fix of replacing my two plastic light sockets that were "fried" from constant use and jiggling on my overhead unit for the door I use most. Mike was in and out quickly. I would highly recommend your company.
Prompt, professional and knew the parameters of the job. He had the tools, parts and knowledge to accomplish the repair efficiently. There is no doubt that I would call Precision with any requirements involving garage doors in the future.
The two technicians (Stu and Mike) arrived shortly after 10:00- perfect considering they were supposed to arrive between 10:00 and 12:00. They introduced themselves politely, quickly identified the problem, gave me an estimate of total cost and completed the work within an hour. Steve reviewed the itemized charges with me to insure I had no questions and carefully explained the 5 year warrantee period. I have used your service previously and was equally pleased with the service. Thanks you.
Mike was prompt and did a great job of explaining my problem and possible solutions. He did a great job of looking over our door and garage opener to make sure they were fine when he replaced the spring. He was fast, efficient and professional and I would call your company in the future if we needed work because of his fine representation of your company.
Our garage door spring broke and we called Precision at 10:00 am the same day. By 5:00 pm everything was repaired. Excellent service and a very professional service person. We are very pleased with the same day service!
I wanted to let you know that we really enjoyed the service we received during a recent door estimate with Bakari. He is a very nice man.
Excellent service guys and excellent work!! I would use these guys over and over again.


text:
<?php
// This file is part of Moodle - http://moodle.org/
//
// Moodle is free software: you can redistribute it and/or modify
// it under the terms of the GNU General Public License as published by
// the Free Software Foundation, either version 3 of the License, or
// (at your option) any later version.
//
// Moodle is distributed in the hope that it will be useful,
// but WITHOUT ANY WARRANTY; without even the implied warranty of
// MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE.  See the
// GNU General Public License for more details.
//
// You should have received a copy of the GNU General Public License
// along with Moodle.  If not, see <http://www.gnu.org/licenses/>.

/**
 * Define all the backup steps that will be used by the backup_feedback_activity_task
 */

/**
 * Define the complete feedback structure for backup, with file and id annotations
 */
class backup_feedback_activity_structure_step extends backup_activity_structure_step {

    protected function define_structure() {

        // To know if we are including userinfo
        $userinfo = $this->get_setting_value('userinfo');

        // Define each element separated
        $feedback = new backup_nested_element('feedback', array('id'), array(
                                                'name',
                                                'intro',
                                                'introformat',
                                                'anonymous',
                                                'email_notification',
                                                'multiple_submit',
                                                'autonumbering',
                                                'site_after_submit',
                                                'page_after_submit',
                                                'page_after_submitformat',
                                                'publish_stats',
                                                'timeopen',
                                                'timeclose',
                                                'timemodified',
                                                'completionsubmit'));

        $completeds = new backup_nested_element('completeds');

        $completed = new backup_nested_element('completed', array('id'), array(
                                                'userid',
                                                'timemodified',
                                                'random_response',
                                                'anonymous_response'));

        $items = new backup_nested_element('items');

        $item = new backup_nested_element('item', array('id'), array(
                                                'template',
                                                'name',
                                                'label',
                                                'presentation',
                                                'typ',
                                                'hasvalue',
                                                'position',
                                                'required',
                                                'dependitem',
                                                'dependvalue',
                                                'options'));

        $trackings = new backup_nested_element('trackings');

        $tracking = new backup_nested_element('tracking', array('id'), array(
                                                'userid',
                                                'completed'));

        $values = new backup_nested_element('values');

        $value = new backup_nested_element('value', array('id'), array(
                                                'item',
                                                'template',
                                                'completed',
                                                'value'));

        // Build the tree
        $feedback->add_child($items);
        $items->add_child($item);

        $feedback->add_child($completeds);
        $completeds->add_child($completed);

        $completed->add_child($values);
        $values->add_child($value);

        $feedback->add_child($trackings);
        $trackings->add_child($tracking);

        // Define sources
        $feedback->set_source_table('feedback', array('id' => backup::VAR_ACTIVITYID));

        $item->set_source_table('feedback_item', array('feedback' => backup::VAR_PARENTID));

        // All these source definitions only happen if we are including user info
        if ($userinfo) {
            $completed->set_source_sql('
                SELECT *
                  FROM {feedback_completed}
                 WHERE feedback = ?',
                array(backup::VAR_PARENTID));

            $value->set_source_table('feedback_value', array('completed' => backup::VAR_PARENTID));

            $tracking->set_source_table('feedback_tracking', array('feedback' => backup::VAR_PARENTID));
        }

        // Define id annotations

        $completed->annotate_ids('user', 'userid');

        $tracking->annotate_ids('user', 'userid');

        // Define file annotations

        $feedback->annotate_files('mod_feedback', 'intro', null); // This file area hasn't itemid
        $feedback->annotate_files('mod_feedback', 'page_after_submit', null); // This file area hasn't itemid

        $item->annotate_files('mod_feedback', 'item', 'id');

        // Return the root element (feedback), wrapped into standard activity structure
        return $this->prepare_activity_structure($feedback);
    }

}


text:
Youngston History, Family Crest & Coats of Arms
The name Youngston is of Anglo-Saxon origin. It was name for a person who was very young, from the Old English word yong and yung and was first bestowed on the younger of two bearers of the same personal name, usually a son who was named for his father.
Early Origins of the Youngston family
The surname Youngston was first found in Essex, where the first record of the name appears in the Anglo-Saxon Chronicle as Wilfer seo lunga in 744. Many years later Walter Yonge was listed in the Subsidy Rolls for Sussex in 1296. [1]
Another reference lists Hugh le Yunge in the Hundredorum Rolls of 1273 as residing in Oxfordshire. The same rolls list Ralph le Younge in Staffordshire and later William le Yunge in Northumberland during the reign of Edward I. [2]
Down in Devon, Honiton was "for a long period it was very much of a family borough. Members of the Yonge family sat almost continuously from 1640 to 1796." [3]
Early History of the Youngston family
This web page shows only a small excerpt of our Youngston research. Another 117 words (8 lines of text) covering the years 1271, 1400, 1500, 1423, 1407, 1437, 1423, 1425, 1405, 1476, 1405, 1426, 1411, 1413, 1414, 1455, 1466, 1467, 1516, 1467, 1463, 1526, 1579, 1649, 1603, 1663, 1642, 1660, 1646, 1721, 1860, 1868 and are included under the topic Early Youngston History in all our PDF Extended History products and printed products wherever possible.
Youngston Spelling Variations
Spelling variations in names were a common occurrence before English spelling was standardized a few hundred years ago. In the Middle Ages, even the literate spelled their names differently as the English language incorporated elements of French, Latin, and other European languages. Many variations of the name Youngston have been found, including Young, Younge, Yonge, Youngson and others.
Early Notables of the Youngston family (pre 1700)
Distinguished members of the family include James Yonge (fl. 1423), English translator who belonged to an English family settled in the Irish pale. William Yonge, Archdeacon of Meath from 1407 to 1437, was possibly his brother. "James Yonge was in prison in Trim Castle from January to October 1423, being removed in the latter month to Dublin Castle, and being pardoned on 10 May 1425. A John Yonge was serjeant of the county of Limerick in the reign of Richard II, held a lease of various lands, and was convicted of unspecified felonies. " [4] Thomas Yonge (1405?-1476), was an English judge...
Another 135 words (10 lines of text) are included under the topic Early Youngston Notables in all our PDF Extended History products and printed products wherever possible.
Migration of the Youngston family to Ireland
Some of the Youngston family moved to Ireland, but this topic is not covered in this excerpt.
Another 121 words (9 lines of text) about their life in Ireland is included in all our PDF Extended History products and printed products wherever possible.
Youngston migration to Canada +
Families began migrating abroad in enormous numbers because of the political and religious discontent in England. Often faced with persecution and starvation in England, the possibilities of the New World attracted many English people. Although the ocean trips took many lives, those who did get to North America were instrumental in building the necessary groundwork for what would become powerful new nations. Among early immigrants of the Youngston surname to cross the Atlantic and come to North America were:
Youngston Settlers in Canada in the 18th Century
Thomas Youngston, who landed in Nova Scotia in 1749-1752
Hundredorum Rolls
Subsidy Rolls
Edward I
The Youngston Motto +
The motto was originally a war cry or slogan. Mottoes first began to be shown with arms in the 14th and 15th centuries, but were not in general use until the 17th century. Thus the oldest coats of arms generally do not include a motto. Mottoes seldom form part of the grant of arms: Under most heraldic authorities, a motto is an optional component of the coat of arms, and can be added to or changed at will; many families have chosen not to display a motto.
Motto: Toujours jeune
Motto Translation: Always young.
^ Bardsley, C.W, A Dictionary of English and Welsh Surnames: With Special American Instances. Wiltshire: Heraldry Today, 1901. Print. (ISBN 0-900455-44-6)
^ Worth, R.N., A History of Devonshire London: Elliot Stock, 62, Paternoster Row, E.G., 1895. Digital
^ Smith, George (ed), Dictionary of National Biography. London: Smith, Elder & Co., 1885-1900. Print
Youngston (English)


text:
<?php

declare(strict_types = 1);

namespace unreal4u\TelegramBots\Bots;

use unreal4u\TelegramAPI\Abstracts\TelegramMethods;
use unreal4u\TelegramAPI\Telegram\Methods\GetMe;
use unreal4u\TelegramAPI\Telegram\Types\File;
use unreal4u\TelegramAPI\Telegram\Types\Update;
use unreal4u\TelegramAPI\Telegram\Types\Message;
use unreal4u\TelegramAPI\Telegram\Types\Inline\Query\Result\Article;
use unreal4u\TelegramAPI\Telegram\Types\InputMessageContent\Text;
use unreal4u\TelegramAPI\Telegram\Methods\AnswerInlineQuery;
use unreal4u\TelegramAPI\Telegram\Methods\GetFile;
use unreal4u\TelegramAPI\Telegram\Methods\SendMessage;
use unreal4u\TelegramAPI\TgLog;

class unreal4uBot extends Base
{
    public function createAnswer(array $postData = []): TelegramMethods
    {
        try {
            $update = new Update($postData, $this->logger);
            $this->logger->debug('Incoming post data', $_POST);
            $this->response = $this->performAction($update);
        } catch (\Exception $e) {
            $this->logger->error(sprintf('Captured exception: "%s"', $e->getMessage()));
        }

        return $this->response;
    }

    public function performAction(Update $update): TelegramMethods
    {
        $method = null;

        if (!empty($update->message->chat->id)) {
            $method = $this->handleIncomingMessage($update->message);
        }

        if (!empty($update->chosen_inline_result)) {
            $this->logger->debug('We have a chosen_inline_result back, result id: '.$update->chosen_inline_result->result_id);
            // Hack: if we get a chosen_inline_result back, don't crash and return some method we can actually use
            $method = new GetMe();
        }

        if (!empty($update->inline_query)) {
            $method = $this->inlineQuery($update);
        }

        if (!empty($update->callback_query)) {
            $method = new SendMessage();
            $method->text = 'Data on the callback query: '.$update->callback_query->data;
            $method->chat_id = $update->callback_query->message->chat->id;
        }

        return $method;
    }

    public function handleIncomingMessage(Message $message): TelegramMethods
    {
        $this->logger->info(sprintf(
            'Received message. Chat id: %d, user id: %d, user name: %s',
            $message->chat->id,
            $message->from->id,
            $message->from->username
        ));

        if (!empty($message->sticker->file_id)) {
            return $this->downloadSticker($message);
        }

        // Hack: if we get a chosen_inline_result back, don't crash and return some method we can actually use
        return new GetMe();
    }

    public function inlineQuery(Update $update): TelegramMethods
    {
        $this->logger->info(sprintf(
            'Received inline query. User id %d (username: %s). Query: "%s", inline query id: %s',
            $update->inline_query->from->id,
            $update->inline_query->from->username,
            $update->inline_query->query,
            $update->inline_query->id
        ));
        $query = $update->inline_query->query;
        if (empty($query)) {
            $query = 'Enter a search term';
        }

        $answerInlineQuery = new AnswerInlineQuery();
        $answerInlineQuery->inline_query_id = $update->inline_query->id;

        // Number of results
        $i = 1;

        $inlineQueryResultArticle = new Article();
        $inlineQueryResultArticle->url = 'http://lmgtfy.com/?q=' . urlencode($query);
        $inlineQueryResultArticle->title = $inlineQueryResultArticle->url; //'Forward this message to anyone you would like (Title)';
        $inlineQueryResultArticle->hide_url = true;
        $inputMessageContentText = new Text();
        $inputMessageContentText->message_text = $inlineQueryResultArticle->url;
        $inputMessageContentText->disable_web_page_preview = true;
        $inlineQueryResultArticle->input_message_content = $inputMessageContentText;
        // @TODO find a way to compress this all into an identifiable 64bit ascii string, maybe with pack()?
        $inlineQueryResultArticle->id = md5(json_encode(['uid' => $update->inline_query->from->id, 'iqid' => $update->inline_query->id, 'rid' => $i]));
        $answerInlineQuery->addResult($inlineQueryResultArticle);

        $i++;
        $inlineQueryResultArticle = new Article();
        $inlineQueryResultArticle->url = 'https://www.google.com/search?q=' . urlencode($query);
        $inlineQueryResultArticle->title = $inlineQueryResultArticle->url; //'Forward this message to anyone you would like (Title)';
        $inlineQueryResultArticle->hide_url = true;
        $inputMessageContentText = new Text();
        $inputMessageContentText->message_text = $inlineQueryResultArticle->url;
        $inputMessageContentText->disable_web_page_preview = true;
        $inlineQueryResultArticle->input_message_content = $inputMessageContentText;
        // @TODO find a way to compress this all into an identifiable 64bit ascii string, maybe with pack()?
        $inlineQueryResultArticle->id = md5(json_encode(['uid' => $update->inline_query->from->id, 'iqid' => $update->inline_query->id, 'rid' => $i]));
        $answerInlineQuery->addResult($inlineQueryResultArticle);

        return $answerInlineQuery;
    }

    /**
     * @FIXME this function name will probably change in the future!
     * This will download a file and offer it to the user
     * @param Message $message
     * @return TelegramMethods
     */
    private function downloadSticker(Message $message): TelegramMethods
    {
        $this->logger->debug(sprintf('Got a sticker request, downloading sticker'));

        $sendMessage = new SendMessage();
        $sendMessage->chat_id = $message->chat->id;

        try {
            $getFile = new GetFile();
            $getFile->file_id = $message->sticker->file_id;
            $tgLog = new TgLog($this->token, $this->logger);
            /** @var File $file */
            $file = $tgLog->performApiRequest($getFile);
            $tgDocument = $tgLog->downloadFile($file);
            $this->logger->debug('Downloaded sticker, sending it to temporary directory');
            file_put_contents(sprintf('media/%s', basename($file->file_path)), (string)$tgDocument);
            #$image = \imagecreatefromwebp(sprintf('media/%s', basename($file->file_path)));
            #\imagepng($image, 'media/'.basename($file->file_path).'.png');
            #\imagedestroy($image);

            $sendMessage->text = sprintf(
                'Download link for sticker: http://media.unreal4u.com/%s',
                basename($file->file_path)
            );
        } catch (\Exception $e) {
            $this->logger->error('Problem downloading sticker: '.$e->getMessage());
            $sendMessage->text = sprintf('There was a problem downloading your sticker, please retry later');
        }

        return $sendMessage;
    }

    public function validSubcommands(): array
    {
        return [];
    }
}


The CORSAIR Carbide Series 275R combines a sleek, minimalist design with all the features demanded by today's most powerful PCs.
From edge to edge, the stunning tempered glass side panel shows off every inch of your build.
Soft accent lighting frames the case's clean lines and curved edges.
Designed with room for up six cooling fans—or a 360mm radiator in front, a 240mm radiator in the roof, and a 120mm radiator to the rear.
Cool air is directed to the hottest components, without any interference from the device cages.
A dedicated cable routing compartment enables effortlessly clean builds.


Victoria Road is on a bus route and is the dividing Road between Hyde Park and Headingley. This top floor flat is one of two available on the top floor in this large imposing Victorian house and has just been refurbished to a high standard. Situated in Hyde Park but very close to Headingley so you have the advantage of being close to all the bars, pubs, shops and restaurants that Headingley has to offer and a short bus ride to the City Centre.It consists of an open plan kitchen/dining /lounging living space and a very large bedroom and bathroom and comes fully furnished. The kitchen is equipped with a dishwasher, washer/dryer and fridgefreezer. An off road car parking spot is available with this property.


Wow! Love the pink and purple against the brilliant blue sky.
Gorgeous! I love that middle one- did you process it to look like a painting? It would look fabulous printed and on the wall. We've been enjoying gorgeous spring blossoms too, but I haven't been taking pictures.


Employee Screening Programs: The key to a qualified, productive workforce is professional employee screening. Fraud, embezzlement, kickbacks, industrial espionage and theft usually involve someone working from the inside. Have you done everything in your power to protect your human resources and assets?
The Employee Screening Program (ESP) from International Counterintelligence Services (ICS) can help you implement pre-screening and pre-employment screening for due diligence. This program allows any hiring manager to access background information on applicants, candidates and current employees, for a variety of reasons, including annul audits. Informed hiring decisions result in a higher quality workforce, which is the foundation of any successful organization.
If you are responsible for hiring people to work for and represent your company, then you have a responsibility to avoid negligent hiring. From reducing high turnovers to limiting fraud, a pre-employment screening program will help reduce or eliminate many of the risks associated with not doing pre-employment screening.


For the past several months, the MGEU has met with senior leadership at the MBLL on a few occasions to raise the very real concerns of safety and overall mental and physical health of the members working for the Liquor Marts due to the increase and nature of thefts in the stores.
Many of the issues brought forward on behalf of the membership are now part of the safety initiatives moving forward. "It's refreshing that MBLL leadership listened to our members and worked hand-in-hand with us to improve safety at these stores – for our members and for the public," Gawronsky said.
Some staff-specific initiatives include trauma counseling, the ability to close stores and send counselors there after a serious incident, and resilience training to teach managers and assistant managers how to mentally support themselves and staff affected by thefts.
Many initiatives are also targeted specifically with reducing the amount of Liquor Mart thefts and catching thieves. Everything from checking bags/backpacks at the front of the store and keeping them secure; ID checks and video display monitors with facial recognition capabilities at Liquor Mart entrances; securing high-end alcohol in locked cases, using bottle locks and alarm pedestals, displaying dummy bottles or product image cards in place of actual product; to more costly measures like hiring a mobile team of Loss Prevention Officers, and expanding the use of uniformed Special Duty Constables in Winnipeg.
The MBLL has a communications plan that is being rolled out to advertise these new initiatives and will also be creating a website that will indicate the number of arrests and show the faces of people who have been convicted of Liquor Mart thefts.


Glen Margaret Area Code is 902 and Time Zone is Atlantic (GMT -04:00).
Glen Margaret Postal Code is a six-character string that forms part of a postal address in Canada. Like British and Dutch postcodes, Glen Margaret - NS postal codes are alphanumeric.
If you want to send a mail to Glen Margaret City, you should use the corresponding Postal Code.


text:
Lumière encore
https://catalogue-lumiere.com
Well, no sooner had I written that there was no website good or bad devoted to the films of the Lumière brothers, then someone quite coincidentally tells me of one – and it is superb.
Catalogue Lumière is exactly what it says, a catalogue of the films made by the Lumières between 1895 and 1905. There were 1,428 of them, 18 of which are considered lost. In 1996 a comprehensive book catalogue was published, La production cinématographique des Frères Lumière, edited by Michelle Aubert and Jean-Claude Seguin, and published by CNC and the Bibliothèque du Film. Thorough and trustworthy in its assigning of dates, credits, technical details and descriptions, and very well indexed, I turned to it again and again over the years.
Catalogue Lumière is a database derived from this book. The Lumières were punctiliously exact in how they maintained the catalogue of their films, and every film which made it into the catalogue (not every film shot by a Lumière operator did) was assigned a number and a title and was categorised by place and/or theme. The Aubert/Seguin catalogue adds to this original descriptions (from contemporary descriptions), name of the operator where known, date of filming (or date range), location, subject, series of which the film was a part, notes on programmes which record when the film was shown, and information on what film elements survived (a large number of original negatives survive for Lumière films, hence the high quality of the digital restorations on the recent DVD release).
Danseuses des rues (cat. no. 249) (1896), showing dancers in the street in London
The web version of the catalogue reproduces all of this, but adds extra features. Every film is illustrated with a still, is placed on a timeline, and each record comes a Google map, though most locations have not been identified on this as yet as there is an invitation for users to contribute information. All locations and other keywords are hyperlinked, greatly improving on the indexing of the book, and in particular you can browse the catalogue by place or operator. The catalogue proper is in French, but there are background texts in English and promises of more English to be added in time. Crucially there is an individual web page per film. This is essential for proper citation, and though I would have liked to have seen the Lumière catalogue number included in the URLs, it shows that this catalogue was put together by someone who knows their data as well as they know their film history.
Chanteuse japonaise (1899), cat. no. 1026, filmed by Gabriel Veyre
That person was Manuel Schmalstieg, who describes himself on the site as a "media artist, designer-developer, cinema lover, free software & open culture enthusiast". The site seems to have been undertaken as a free culture, open data exercise, and was developed by students at the Conception Multimédia de l'Ecole d'Arts Appliqués de la Chaux-de-Fonds, under Schmalstieg's direction, earlier this year.
Having chastised those who care for the Lumières' legacy for being over-protective, it is heartening to see the Lumières' work contributing to such an open data exercise – not least because the Lumières' precision of production has helped create a consistent digital resource. I don't know the degree to which Lumière's guardians have supported this initiative, but they ought to be delighted by it. Of course, the ideal next step would be to have the films themselves on their appropriate web pages, and I am sure that the right people will be thinking of this…
Lumière data
Being as this site was created by a data developer, there is a version of the data which can be downloaded via GitHub, namely a full catalogue listing in CSV format, meaning that anyone can go and build their own version, visualisation or analysis of the database (CSV means Comma Separated Values and you can open it as an Excel spreadsheet). To the best of my knowledge, this is the first archival film catalogue to have been made available in this way (the original book came with a CD-ROM containing all the catalogue data, but as Schmalstieg notes, it doesn't run on current operating systems). The Pathé catalogue is available online, as is the American Film Institute's silent film database, and some digitised and word-searchable original film catalogues can be found on the Media History Digital Library, but I think this is a first for an archive film catalogue as reusable data. There are some out there thinking to do likewise, I know, and I hope this initiative will encourage more to follow suit. Films were made for distributing.
This is a great catalogue, because it understands how catalogues work. They are not just lists; they employ consistency to show the reliable relationships between discreet identities. It is based on an excellent book whose only faults were a slightly confusing chronology and an absence of images. Catalogue Lumière bypasses the first and rectifies the second. Long may it last, and grow.
Go explore.
Luke McKernan November 18, 2015 January 7, 2017
About Luke McKernan
View all posts by Luke McKernan
Lumière forever
Wilson, Keppel and their Betties
2 thoughts on "Lumière encore"
Very cool. RE 'I think this is a first for an archive film catalogue as reusable data. There are some out there thinking to do likewise, I know, and I hope this initiative will encourage more to follow suit.' Yes.
Luke McKernan says:
I've heard those rumours…


This evening I saw the movie "Transformers" at Broadway Theaters, Ocean Terminal, Tsim Sa Tsui.
For some reason I was never into Transformers toys when I was a kid. Although, I did see the cartoons on TV while living in Hong Kong.
The special effects were amazing, with only a couple scenes that did not match the real picture, where the blue screen was obviously in use.
There were so many product placements, ranging from HP, Apple Inc. and GMC. Fortunately, Dreamworks did not infect the movie with too many of its typical in-your-face humor, as they normally do with their animations.
There were enough action and humor to keep the audience on the edge of their seats while just the right number of breaks in between to let them catch their breaths.


Born October 19th, 2007, Roman was born and named for greatness! The third child of four boys, Roman lives in the Atlanta area with his family and attends East Cobb Middle School. Roman has a natural gift for STEM and is as equally talented in Math as he is in art and entertainment. Having a father as an accomplished song writer and former music executive, it is no surprise that Roman has inherited a proclivity for music and the theater. His soulful dancing and penchant for comedic improve has steadily evolved over the years. Roman was first introduced to drama at the age of 4 years old at Destiny Academy where he had the privilege working with Ms. Lauren Hunt. This is where his interest in theater began and was further fostered by his grandmother who has exposed him to various theatrical forms and productions throughout his early life. Roman has received formal tap and hip hop dance training with Lotus Performing Arts, and served on the Sope Creek Elementary drama club as cast member in the Jungle Book. Roman is excited to once again be under the tutelage of Ms. Hunt and hopes to continue learning the craft of drama with HOTT Theatre for Children.


1.GonzalezSandoval, A., and Gasser, S.M. (2016). On TADs and LADs: spatial control over gene expression. Trends Genet. 32, 485–495.
2. Guelen, L., Pagie, L., Brasset, E., Meuleman, W., Faza, M.B., Talhout, W., Eussen, B.H., de Klein, A., Wessels, L., de Laat, W., and van Steensel, B. (2008). Domain organization of human chromosomes revealed by mapping of nuclear lamina interactions. Nature453, 948–951.
3. Finlan, L.E., Sproul, D., Thomson, I., Boyle, S., Kerr, E., Perry, P., Ylstra, B., Chubb, J.R., and Bickmore, W.A. (2008). Recruitment to the nuclear periphery can alter expression of genes in human cells. PLoS Genet. 4, e1000039.


text:
Михайло Якович Урицький ( 3 червня 1965) — український режисер театру ляльок, викладач Київського національного університету театру, кіно і телебачення імені І. К. Карпенка-Карого. Лауреат міжнародних фестивалів та театральних премій.

Життєпис
Середню школу закінчив у Сімферополі. Вищу освіту здобував з 1982 по 1988 року в Харківському інституті мистецтв ім. Івана Котляревського (актор театру ляльок). Режисерський диплом театру ляльок отримав у Київському національному університеті театру, кіно і телебачення імені Івана Карпенка-Карого. Автор наукової роботи «Особливості психологічного сприйняття різних форм театру ляльок дітьми дошкільного віку».

Сім років працював актором у Кримському театрі ляльок (Сімферополь) під керівництвом режисера Бориса Азарова. У 1994 році залішає державній театр й засновує та очолює один з перших приватних театрів ляльок в Україні — театр казки «Арлекіно» (Сімферополь).

На запрошення Сергія Єфремова, художнього керівника Київського муніципального академічного театру ляльок, переїхав до Київа, де на посаді режисера-постановника цього театру працює з 2006 по 2018 роки.

Реалізовує постановки в театрах України (Київ, Миколаїв, Одеса, Полтава, Сімферополь, Росії (Волгоград, Йошкар-Ола, Краснодар, Махачкала, Набережні Човни, Тула), Білорусі (Молодечно), Литві (Паневежис), Словаччині (Кошиці) та інших. За власним визнанням, улюбленим автором є Ганс Крістіан Андерсен, казки якого стали основою більш ніж 10 поставлених ним вистав.

Суттєву увагу у своїх постановках приділяє творчості сучасного французького письменника, драматурга, філософа Еріка-Емманюеля Шмітта. Починаючи з постановок вистави «Оскар» за романом «Оскар і рожева пані», звертається до роману «Діти Ноя» — постановка на сцені львського тетару «І люди, і ляльки» стала сценічним першопрочитанням твору. В рамках III Фестивалю сучасної драматургії творив власну інсценівку оповідання «Намалюй мені літак» .

Крім режисерської роботи є громадським діячем. Декілька років займав посаду віце-президента та голови комісії з захисту професійних, соціальних і матеріальних інтересів членів UNIMA-Україна, театральний куратор проекту «Було не було».

Педагогічна діяльність. З 2008 року — викладач Київського національного університету театру, кіно і телебачення імені В. К. Карпенка-Карого). Спершу — другим режисером у майстра курсу Сергія Єфремова, згодом — самостійний набір курсу. Викладає слухачам спеціальностей «Актор театру ляльок» та «Режисура театру ляльок». Серед випускників — режисери Людмила Земелько (Вінницький обласний академічний театр ляльок), Марічка Власова (Запорізький обласний театр ляльок); актори Тетяна Казанцева, Павло Борисьонок, Марія Сеньків (дебют-2017 на професійній сцені — Зейнаб в мюзиклі «Алі-Баба») та інші.

Акторські роботи в театрі
Кримський академічний театр ляльок (Сімферополь)
 «Всі миші полюбляють сир» за мотивами однойменної казки
 «Клаптики по закутках» Григорія Остера
 «Казка шкереберть» Юхима Чеповецького за
 «Сноггл» Джона Прістлі

Режисерські роботи в театрі

Україна
 Театр казки «Арлекіно» (м. Сімферополь)
  — «Непохитний олов'яний солдатик» Всеволода Данилевича за однойменною казкою Ганса Крістіана Андерсена (худ. Людмила Рестенко, комп. Лариса Хітряк, Євген Пшемецький)
  — «Коник-Горбоконик» за мотивами казки Петра Єршова (худ. Людмила Рестенко)
  — «Любов до трьох апельсинів» Вікторії Сердюченко за  Карло Ґоцці (худ. Людмила Рестенко)
  — «Принцеса на горошині» Наталії Бурої та Елеонори Смирнової за однойменною казкою Ганса Крістіана Андерсена (худ. Людмила Рестенко)
  — «Сонячний промінчик» Атанаса Попеску (худ. Світлана Софронова)

 Київський муніципальний академічний театр ляльок
 , 11 листопада — «Горбоконик» за мотивами казки Петра Єршова (худ. О. Виходцевська, комп. О. Ходаковський)
 , 28 вересня — «Непохитний олов'яний солдатик» Всеволода Данилевича за однойменною казкою Ганса Крістіана Андерсена (худ. Микола Данько, комп. Сергій Балакін)
 , 26 грудня — «Чарівна скрипка» Сергія Ковальова за мотивами білоруських казок (худ. Віра Задорожня, комп. В'ячеслав Полянський)
 , 5 січня — «Любов до трьох апельсинів» Вікторії Сердюченко за однойменною п'єсою Карло Ґоцці (худ. Людмила Рестенко)
 , 10 березня — «Дюймовочка» Михайла Урицького за однойменною казкою Ганса Крістіана Андерсена (худ. Віра Задорожня. Вистава — лауреат премії «Київська пектораль» за 2012 рік)
 , 1 червня — «Сонячний промінчик» Атанаса Попеску (худ. Микола Данько)
 2013, 7 вересня — «Красуня і сміливець» за п'єсою «Рахую до п'яти» Михайла Бартенєва (худ. Віра Задорожня, комп. Анатолій Шух)
 , 1 червня — «Коза-Дереза» Михайла Супоніна за мотивами однойменної народної казки (український переклад Богдани Бойко, худ. Віра Задорожня)
 2014, 27 грудня — «Снігова квітка» Сергія Козлова (Режисер вистави. Постановка Сергія Єфремова, худ. Віра Задорожня, компо. Тимур Полянський. Вистава — лауреат премії «Київська пектораль» за 2014 рік)
 , 5 вересня — «Чому довгий ніс у слона» Галини Владичіної за мотивами казки Редьярда Кіплінга (український переклад Ігоря Знаменського, худ. Микола Данько. Вистава — лауреат премії «Київська пектораль» за 2015 рік)
 2015, 21 листопада — «Оскар» Михайла Урицького за романом Оскар і рожева пані Еріка-Емманюеля Шмітта (український переклад Олени Борисюк, худ. Ольга Філончук, у виставі звучать пісні Земфіри. Вистава — лауреат премії «Київська пектораль» за 2015 рік)
 , 19 листопада — «Легенда про Північне сяйво» за мотивами «Північної казки» Інни Заграєвської (український переклад Григорія Усача, худ. В'ячеслав Поляков)
 , 16 вересня — «Алі-Баба» мюзикл Веніаміна Смєхова (український переклад Володимира Підцерковного, худ. Микола Данько, комп. Володимир Бистряков)
 , 17 грудня — «Принцеса на даху» Ольги Байбак за мотивами казки Елінор Фарьеон (худ. Наталія Ягупова)

 Миколаївський обласний театр ляльок
  — «Гидке каченя» Володимира Синакевича за однойменною казкою Ганса Крістіана Андерсена(худ. Валентина Жегунова)
  — «Гуси-лебеді» моновистава Е. Благініної за мотивами народної казки (худ. Валентина Жегунова)
 , 3 жовтня — «Попелюшка» за мотивами однойменної казки Шарля Перро (худ. Віра Задорожня, комп. Анатолій Шух)
 , 25 жовтня — «Мауглі» за «Книгою джунглів» Редьярда Кіплінга (український переклад Ігоря Знаменського, худ. Наталя Ягупова). Інклюзивна вистава
 , 9 жовтня — «Re:Vizor» за мотивами п'єси «Ревізор» Миколи Гоголя (худ. Станіслав Зайцев)
 , 2 жовтня — «Каліф-Лелека» Михайла Урицького за мотивами казки Вільгельма Гауффа (худ. А. Силицька)

 Учбовий театр університету ім. Карпенка-Карого
  — «Оскар» Михайла Урицького за романом Оскар і рожева пані Еріка-Емманюеля Шмітта (український переклад Олени Борисюк, худ. Ольга Філончук, у виставі звучать пісні Земфіри)
  — «Півтори жмені» Неллі Осипової (худ. Марія Погребняк)
 , 11 березня — «SON.NET» за мотивами сонетів Вільяма Шекспіра (худ. студенти курсу)
  — «Стомлений диявол» Сергія Ковальова (худ. студенти курсу)
 , 28 лютого — «Чумацький шлях» Сергій Брижань, Юрій Фрідман (худ. Микола Данько)

 Одеський обласний театр ляльок
 , грудень — «Оскар і рожева пані» Михайла Урицького за однойменним романом Еріка-Емманюеля Шмітта (худ. Ольга Філончук)
 , 1 лютого — «Слоненя» Галини Владичіної за мотивами казки Редьярда Кіплінга (український переклад Ігоря Знаменського, худ. Микола Данько)

 Київський державний академічний театр ляльок
 , 20 березня — «Гуси-лебеді» Галини Гусарової за мотивами народної казки (худ. Данько Микола)
 , 25 березня — «Гидке каченя» Володимира Синакевича за однойменною казкою Ганса Крістіана Андерсена (худ. Микола Данько)
 , 01 червня — «Чарівна лампа Аладдіна» Олександра Чупіна за мотивами арабскої казки (худ. Микола Данько, комп. Сергій Балакін)

 Різні театри
  — «Попелюшка» С. Куралеха за мотивами однойменної казки Шарля Перро (Полтавський академічний обласний театр ляльок ) (худ. Неллі Полякова, комп. Анатолій Шух)
 , 28 грудня — «Пригоди Буратіно» за казкою Олексія Толстого (Київський національний академічний театр оперети) (худ. Микола Данько, комп. Олексій Рибников)
 , 27 червня — «Про Івана і Кота» Руслана Нєупокоєва за мотивами української казки «Про Івана Багатого» (Івано-Франківський академічний обласний театр ляльок імені Марійки Підгірянки) (худ. Микола Данько, комп. В. Маник)
 , 04 вересня — «Діти Ноя» за однойменним романом Еріка-Емманюеля Шмітта (Львівський академічний театр «І люди, ляльки») (український переклад Зої Борисюк, худ. Уляна Кульчицька)
 , 22 жовтня — «Як нотки пісеньку складали» Ірини Гарець (Львівський обласний театр ляльок) (худ. Єлизавета Селицька, комп. Тимур Полянський). Інклюзивна бейбі-вистава

Росія
 Волгоградський обласний театр ляльок
 , 26 березня — «Гасан — шукач щастя» Євгена Сперанського (худ. Людмила Рестенко, комп. Сергій Балакін)
 , 13 травня — «Кіт у чоботях» Миколи Шувалова за мотивами однойменної казки Шарля Перро (худ. Людмила Рестенко)
 , 1 грудня — «Соловей» Ганса Крістіана Андерсена (худ. Людмила Рестенко)
  — «Чарівний лотос» за п'єсою «Канакапури» Людмили Улицької (худ. Людмила Рестенко)

 Набережночелнінський державний театр ляльок
 , 4 червня — «Півтори жмені» Неллі Осипової (худ. Олексій Мітрофанов)
 , червень — «Непохитний олов'яний солдатик» Всеволода Данилевича за однойменною казкою Ганса Крістіана Андерсена (худ. Олексій Мітрофанов)

 Дагестанський державний театр ляльок (м. Махачкала)
  — «Непохитний олов'яний солдатик» Всеволода Данилевича за однойменною казкою Ганса Крістіана Андерсена (худ. Микола Данько. Вистава — лауреат фестивалю «Каспійський берег» (м. Астрахань) у номінації «За кращу режисуру»)
  — «Сонячний промінчик» Атанаса Попеску (худ. Микола Данько)
  — «Сон літньої ночі» за однойменною п'єсою Вільяма Шекспіра (худ. Микола Данько)
  — «Гидке каченя» Володимира Синакевича за однойменною казкою Ганса Крістіана Андерсена(худ. Микола Данько)
  — «Гуси-лебеді» моновистава Е. Благініної за мотивами народної казки (худ. Микола Данько)
 2013 — «Дюймовочка» Михайла Урицького за однойменною казкою Ганса Крістіана Андерсена (худ. Віра Задорожня)
 2013 — «Півтори жмені» Неллі Осипової (худ. Баріят Умарова)

 Тульський державний театр ляльок
  — «Непохитний олов'яний солдатик» Всеволода Данилевича за однойменною казкою Ганса Крістіана Андерсена (худ. Неллі Полякова)
  — «Слоненя» Галини Владичіної за мотивами казки Редьярда Кіплінга (худ. Микола Данько)
  — «Чарівна лампа Аладдіна» Олександра Чупіна за мотивами арабських казок (худ. Микола Данько)
  — «Чарівна скрипка» Сергія Ковальова за мотивами білоруських казок (худ. Микола Данько)

 Різні театри
  — «Любов до трьох апельсинів» Вікторії Сердюченко за однойменною п'єсою Карло Ґоцці (Краснодарський крайовий театр ляльок) (худ. Людмила Рестенко)
  — «Царівна-жаба» А. Дєжурова за мотивами народної казки (Республіканський театр ляльок, м Йошкар-Ола) (худ. Микола Данько)

Білорусь
 Мінський обласний театр ляльок «Батлейка», м. Молодечно
  — «Коник-Горбоконик» за мотивами казки Петра Єршова (худ. Ольга Сідоренко)

Молдова
 Кишиеівський республіканський театр ляльок «Licuric»
 2017 — «Герой для Білочки» Михайла Бартенєва (худ. Віра Задорожня, композитор Анатолій Шух)

 Кишинівський муніципальний театр ляльок «Гугуце»
 , 20 вересня — «lebedele sălbatice» / «Дикі лебеді» Михайло Урицький за казкою Ганса Крістіана Андерсена (худ. Микола Данько, комп. В'ячеслав Полянський)

Словаччина
 Ляльковий театр у Кошицях (Bábkové divadlo Košice, м. Кошиці)
  — «Sloník» / «Слоненя» за мотивами казки Редьярда Кіплінга (худ. Микола Данько)

Литва
 «На колесах», м. Паневежис
 2014 — «Pusantros saujelės» / «Півтори жмені» Неллі Осипової (худ. Олексій Мітрофанов)

Нагороди та визнання

Література

Примітки

Посилання
 Михайло Урицький на сайті Київського муніципального академічного театру ляльок
 Михайло Урицький  на порталі «Театральна риболовля»
 Репортаж телеканалу «РенТВ» (Набережні Челни) про дві постановкі Михайла Урицького в міському театрі (рос.)
 «Перша пісня Оле-Лукоє» з вистави «Стійкий олов'яний солдатик» (м. Махачкала, 11 листопада 2012)
 Стаття Вікторії ІЛЬКІВ «Ой, летіли дикі гуси...» в журналі «Театрально-концертний Київ», червень-липень, 2015
 Спадщина режисера Бориса Азарова і шляхи розвитку Кримського театру ляльок — лекція Михайла Урицького з історії Кримського академічного театру ляльок

Випускники Харківського інституту мистецтв
Випускники Київського національного університету театру, кіно і телебачення імені Івана Карпенка-Карого
Персоналії за алфавітом
Викладачі вишів Києва
Народились 3 червня
Народились 1965
Українські театральні режисери
Лауреати премії «Київська пектораль»
Режисери лялькового театру

redpajama_set_name: RedPajamaWikipedia


Age Restrictions: Babies in arms are not permitted. All children attending must have their own ticket and be able to occupy their own seats.
First class venue (Royal Festival Hall) picked up tickets with no problems. The show was really entertaining, excellent mixture of acts, great atmosphere, ringmaster was fantastically funny, would definitely see again and book with Gigantic again.


Brittany A Lynn Repost! Prequel to Together Always and Forever. John Cena gave a smile. He and John were out with a few of their friends from the WWE.
While the video was expected When we started it, the chemistry between us was so strong, we decided to continue it. The water-cooler talk the next day was 'Trish and Chris. And this gives us an extra dimension. I'm really taken aback by the fan reaction. It's a humbling experience. She was completely blown away by the fan reaction to Trish -- from McDonald's to Shoppers Drug Mart, everywhere we went.


Bob, and Paula's new home in Maine!
Bob was my mechanic when I was racing. We had a lot of adventures when we were young, stupid and single. Yes, he is the Bob I was on the cycle with in my stories. It was DEVINE INTERVENTION that we lasted these 67 years. Bob stops up to shoot the breeze every year. We talk about how stupid and reckless we were. Yes we hug, Bob is closer to me than my brothers. When you defy death with someone, a bond is formed!! Bob, you guys are world famous now!!See you this summer!! I will have my new knee when we get together. I will be able to walk without a limp!!
Yes, this is Bob. We had a lot of dangerous adventures over the years! Glad we're both here!!
http://www.facebook.com/queenofheartsgroomer Check out this fantastic four footed family member page!!
Lisa visits your pet at your home and takes great care of your four footed family member!! Call or e-mail today to get the best service at home!!
See my interview on the channel 11 blue ridge cable news!!
Top Three Floors aAlready Gone!
This is the second outbuilding!
http://thestarbarn.com This is the same company restoring the belmont barn. They will have a whole complex of old restored buildings for weddings and banquets!
https://www.flickr.com/photos/tom-margie/sets/72157608255104451/m Yes, I am an old fart, I remember when a lot of these vehicles ran every week!!When one is not enough!!
https://www.flickr.com/photos/tom-margie/sets/ Insomnia Cured Here?? If you want to see it, we have it here!! Plus the greatest movie ever made. According to me! The Day The Earth Stood Still. Please explain to Mary, guys like to see the same movie over and over. We hope this time the ending is different. Why do you think guys are known for simple minds!!
https://www.flickr.com/groups/roys_photos/ One is enough, when you run nitroglycerine instead of pump gas!!!!
Yes, I am a BIKER and a CHRISTIAN! Yes I TRY very hard to life my life as THE LORD wants me to. It is tough sometimes! I fail every once in a while! But HE forgives me! Live your life as if HE is watching every move you make! HE IS!!!!
Allison P51 Mustang engine. 3000 Horse power stock!
NO, not me as a child!
Finally a DOC, who understands US!!
If you go to Maryland, see the wild horses. Just follow the rules, do not aggregate the horses and have an experience that is fantastic!!
Kyra our granddaughter with the horse that gave us a tour of the town.
These are the pictures I took of our mingling with the horses. The signs say, do not touch or feed the horses. Remember they are wild. They walked right beside us, and moved around the cars. You must drive slow, as the horses have the right of way!! If you are going, click on the wild horse safety link in the above.link. Be aware, they can hurt you!!
Hard to believe, hearing the crash, you would not look outside to see what it was?? Lucky she did not bleed to death.
This lady is my 15 year old granddaughters favorite teacher at Elizabeth town Schools. Elizabeth town, PA. Thank You LORD for watching over her!!
A 7th grade boy was killed by being struck by a car this week also. A very bad week for E-Town schools!!
From Red Rose commons looking south to barn. The swamp where we picked bull rushes. Only later we learned Alcoa dumped heavy metal water they used to chrome plate fittings. Very TOXIC!!
Looking back to quarry from hired hands house!
Above two shots from Red Rose Commons, once part of the farm!
From the hired hands farm house!
From our old house looking over Fruitville Pike.
House on the left was my mothers brother, center brick house was her parents, brick house on right was ours. Yes my grandparents were next door, easy to spoil us rotten! Now it is Mary's and my turn to do the spoiling.
The Caldwell House, 1577 Fruitville Pike for over 50 years!
Seems small to me now!
Farm property looking toward town from 283 bypass!
Between the Mansion and barn!
Property looking toward town from Red Rose Commons!
Smaller shed behind the barn!
I don't know why I am so apprehensive about getting knocked out and going under the knife again. Mary said I was never afraid of anything since she knew me. I just got a bad feeling about this. Half the times I was put under and cut, I was out of it before they started. I don't know why this time is different. I will go thru with the surgery, I cannot stand the pain in my knee anymore. The LORD is not ready for me, and the devil is afraid I will try to take over. I know the LORD will watch over me. It just does not feel right. When it is over, I will kick myself for worrying. The shrink was right, I have a weird sense of humor!!
I put off the whole knee replacement last fall because of my suicide driveway.
This is the reason I have suffered all winter with my knee. Mary retired December 31, but still works two nights a week. I must clean the driveway so she can get in and out of the garage. Neighbors on either side of us, Kevin, Sandy his wife and Jim helped me with the driveway. It is great to have such helpful neighbors.
I will go under the knife April 9 TH. I will write about it, I will be back. My big mouth will not be silenced. I have too much to RAVE about YET!!
I take Mary to work these cold and treacherous nights. I am concerned of the other drivers in bad weather! Also with Mary's bad arthritis I do not want her getting into a car when it is 2 degrees outside and having to clean it off. I have arthritis bad too, and the cold weather makes it worse. Mary's is about three times worse than mine, for now!! When it snows, I clean the other cars off so the ladies have it a little easier. I am a sucker for damsels in distress!!


Every year I try to look back at the events of the past year. For year 2015, it was filled with new beginnings, new hopes, changes, realization, surprises and great blessings. Through all these, 2015 was filled with roller coaster rides as all the years are but comparing it to 2014 the ride this year was not as bumpy. 2014, will be one of those that would forever be remembered since that was the year my MOM died and 2015 marked as her first death anniversary.
To share the events of the year, I personally chose pictures that will depict these events.