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Earlier This year Lenovo revealed the 2016 Motorola Moto G Series including Moto G4 Plus, Moto G4 and Moto G4 Play. The Moto G4 and G4 Plus being 5.5" Smartphones with Almost Similar features while The Moto G4 Play is a 5" Smartphone with low end features.
The Motorola Moto G4 Play will go on sale starting Today from 10PM only on Amazon.
The Moto G4 Play Features almost same specification as 2015 Moto G (AKA Moto G3), In Addition to, Moto G4 Play has NFC and a removable battery.
Other Specifications of Moto G4 Play includes a 5-inch 720p Display with Snapdragon 410 processor and only 8GB and 16GB storage options, Both the variants has 2GB of RAM . Moto G Play has 8MP Rear camera and 5MP Front camera . The device is Powered with a 2,800mAh battery .


text:
OFFICIAL WEBSITE LISA FERBER ARTIST & WRITER
Journalism & Essays
Films, Bio, Contact
Lisa Ferber is a New York City painter and writer whose work celebrates glamorous eccentrics and objects of indulgence. Her film The Sisters Plotz, which she wrote and starred in (director: Lisa Hammer) was featured on Amazon Prime. The musical comedy screened in Hollywood at Grauman's Egyptian Theatre and in New York City at Anthology Film Archives. The film also starred Eve Plumb (The Brady Bunch), Allen Lewis Rickman and Yelena Shmulenson (both from Boardwalk Empire), and other notable performers.
Painting: "Miss Plembley Feels Quite Louche This Evening" 18"x24" oil on canvas

redpajama_set_name: RedPajamaCommonCrawl


The Governing Body of Donington on Bain Primary School meets on a regular basis and is responsible for setting the strategic framework of the school and monitoring its implementation. It acts as a 'critical friend' by holding the Head of School and the Strategic Development Partner, King Edwards, to account for the educational performance of the school and it's pupils. The Governing Body also overseas the finances of the school; making sure money is well spent.
The Governing Body also has sub-committees. These are Finance and Curriculum.


While there are many new and emerging trends we need to pay close attention to in 2018, here are the four most significant health care issues that will command our attention in the year ahead.
Health care reform this year has been a case study in confusion, inefficiency, and lack of focus. Every week seemed to bring a new twist in the direction of health care policy. There is almost no consistency in the legislative thought process.
The federal government's lack of direction on health care policy has created chaos among all industry players.
The confusion surrounding Medicaid and other joint federal-state partnerships will ultimately face the harshest consequences if states are forced to slash funding for health care.
We're going to continue to see an inconsistency in government policies and funding. It is dangerous for hospitals in underserved communities that rely almost exclusively on Medicaid and Medicare funding.
The CVS-Aetna deal did not come as a surprise to industry leaders who have been keeping their ears to the ground and have paid attention to recent trends.
Providers should not view this movement as a threat that must be stopped. Instead, we should spur innovation on our end.
It will be especially intriguing to see what market segments CVS and Aetna pursue after the finalization of the merger.
It's highly unlikely that any of the new players will be providing inpatient care. The bulk of health care funding is spent on long-term care for people at the end of life.
Market disruptions give all of us headaches, but they are ultimately beneficial because they force us to do better and be more efficient, productive and creative.
The more competitive the market becomes, the more work we as providers must do to continually improve the patient experience and develop customer loyalty.
This can partly be done through improving communication and curating a more retail-focused experience.
As patients now have more access and choice for their health care than ever before. This does not only pertain to the in-person experience but also how hospitals and health systems communicate with patients to help them get information and make appointments.
Over the past five or six years, we've seen major changes in the way innovative organizations in all industries treat their customers.
We are in the consumer service business, and our patients are knowledgeable. They value easy access, a pleasant experience, and quality care. So it's our job to adapt quickly to meet their needs and expectations.
It is the responsibility of providers to design their systems in a way that addresses the needs of these individuals.
This is especially important at a time when opioid abuse has become one of this nation's most challenging public health crises.
The problem goes beyond drug and alcohol abuse. Studies have shown that younger generations' increased use of technology, particularly mobile devices, can lead to increased rates of anxiety, depression or loneliness.
We as providers must consider these trends and tailor services accordingly.
Regardless of the issues we face in this ever-evolving industry, we as providers must not resist change. We must continually adapt.
Visit us for more info.


This is a very interesting and unusual abstract work by the well considered artist Jan Schreuder (1904-64). It is a mixed media piece using some kind of plaster or sand over a mesh, then scrafitto decorated while wet and then painted, it is dated 1962. It is signed to the front and to the reverse. It measures 92cm by 67cm in total including the frame.


How much walking will I do at ALABGS?
Delegates will walk approximately 6 miles a day (comfortable shoes are a must) with minimal time in between sessions to get where you need to go!
I registered, how do I find out what interest group I am in?
You will be contacted approximately the first week of June to confirm which interest group you are placed in.
Can I order food to be delivered at night?
You are provided three all-you-care-to-eat meals a day. Due to this and the tight schedule, we do not allow food deliveries during the week.
I'm training for a marathon/cross country/other athletic event, am I able to run at some time every day?
Unfortunately, due to our schedule and staff resources, we will not be able to accommodate this request.


Powerful learning techniques useful also for your time after having reached level B1.
How to organize your German learning efficiently and effectively so that you can spend your precious lifetime on things you enjoy the most.
This course is more than just a presentation of all necessary grammar and vocabulary. It will help you to learn efficiently and effectively with its wholistic and experience-based approach. Don't trust my words, experience it first hand by working through the intro and the 1st lesson yourself. Just scroll down until you see the curriculum.
don't waste time with outdated learning approaches like e.g. Duolingo or Rosetta Stone.
learn to avoid frustation and start enjoying every step on the way.
How to make sense of the German cases (above all Akkusativ and Dativ).
Master the irregular verbs in a couple of hours.
I developed this course due to getting bored to death in the over 20 language courses I took and even in my own German classes (with me teaching them) where we were only allowed to speak German to the students. Needless to say that those classes were far from efficient.
The course includes over 54 lectures which are segregated in 6-8 steps each, featuring over a hundred videos of more than 35 hours of video lessons and detailed supporting text modules. I have also added over 50 fantastic learning songs especially created for the purpose of learning German more intuitively.
Learning German can be quite a challenging experience. Therefore we offer you support in form of answering your questions in the comments and weekly 30mins meetups in English with Michael in which you can ask anything you have on your chest or just join for some really motivating and interesting pep-talk. Hell, we currently even correct your writing assignments within 48 hours (not on weekends though and this might change in the future but not without providing you with similarly effective tools).
Is there a discount for students or refugees?
At this point in time no. Compared to our competitors and considering the amount and quality of its content, this course is already extremely reasonably priced. You'll get more out of it than you invest. That's our promise.
While you'll reach level B1 with this course, passing a German B1 exam requires additional preparation which this course can't offer fully. You'd need extra training with a living being for the oral exam. All other skills should be fine when you have worked through this course. Check out my course called "Hack your B1 German exam" which will help you to get the best results possible from your B1 exam.
If you are an experienced language learner and study with this course 4.5 hours per day (that's the amount you are expected to work in most physical intensive courses) it is possible to reach level B1 CEFR within 90 days. As learning is a highly individual task it might take a bit (or a lot) more or a bit less time. If you invest less time daily, you will most likely need a bit longer. In the course you'll find a more detailed estimation also for other levels. Will I be fluent in German after this course? You can reach B1 fluency. B1 is still a pretty limited level compared to B2 e.g. You will also most likely still need conversation practice to practice what you have learned with a human being. I'll provide you with tips on how to find someone for speaking practice late in the course as in the beginning you shouldn't worry about speaking with others at all! First build a solid base of knowledge.
I'm already B1 / B2 level. Do I have to purchase the whole course and will I still benefit from this course?
Yes, you'll have to buy the whole course but will find that there are many many things that nobody has taught you yet. You'll learn a wonderfully efficient self-learning structure that you can apply outside of this course for the rest of your (learning) days. You'll also learn many smart but simple learning techniques that will benefit you even on B2 level. And you'll be able to fill your gaps without having to start from scratch. You can always skip things that are already clear to you and will also find a growing community of smart and interesting German learners here that you can exchange your thoughts and concerns with.
I have bought your old material already. What is the difference to this online course?
The old materials are all contained in this course but there are plenty of more lessons here than before. Another difference is that with this course you don't have to download or organize your materials anymore. It is already prepared to the max so that you can focus 100% on learning German. This course also contains all of Margareth's songs which were also not included in my former mateirals. If you want to upgrade your materials/account, just send me an e-mail and tell me what you have purchased and I'll subtract the sum that you have paid for my old materials from the price of this online course.
We would never want you to be unhappy! Which is why you can preview the first lesson which will give you a sound impression of the look and feel of the course so that you can try everything out in your own time before having to purchase anything. And even after your purchase you'll have a 30-day money back guarantee because we trust you and we trust our work. Make sure to thoroughly test everything and feel free to send us any question that you have in regard of this course before you purchase or before you request a refund. In most cases we can help you quickly and easily to get on board.
No, unless Teachable's (the host platform of this course) iOS app works for you. Try it 2-3 times to load my course in their app. If that doesn't work skip that. It's a hit or miss. This course delivers a wonderful mobile experience. Simply open it in your mobile's browser and enjoy the beauty of fully organized German learning. The reason why I don't offer downloads is that the structure of this course is golden. By downloading the materials you'd have to again struggle with sorting things out by yourself. While some learners prefer that approach, I still think that every learner benefits greatly from the structure being provided so that one can fully focus on learning and enjoying the language. If you have time offline, beautiful. You can read an actual book in German or listen to a lovely podcast that you are interested in. See it as an opportunity to dive into real life German. You will enjoy these trips off the beaten track as long as you know that there's a beautiful structure waiting for you once you get back home.
Yes, that's the great thing about this platform. BUT PLEASE make sure that your payments are on time as if you fail to pay on time, you'll lose access to your account and therefore your progress. >>>>>> There is no way to reactivate your account once you are unenrolled! You'd have to purchase it again! <<<<<< Once you have paid off the course you'll have constant access to this course.
Will I get a certificate after completion of this course?
No. Such a certificate would be worthless as no one would nor should recognize it as proof of anything. How do I as a future employer e.g. know what quality your German learning was? Was it really you who did the course? How long did it take you to finish the course? All these things would basically be based upon your trustworthiness. Such a certificate would not add anything to this. Officially acknowledged certificates are offered by the Goethe Institut (called Max Mueller in India), any school with a TELC certification or institutions that offer the ÖSD - Austrian language diploma. There is also Bulats but that's very limited as well. If I was an employer and needed to rely on your language skills I'd have a personal chat with you and check your skills in person or even in a trial day at work. So there will not be a fake certificate in our courses. By the way, the certificates Duolingo offers are also not worth the paper they are printed on for the very same reasons.
Can I take a Goethe or TELC exam with you/this course?
No as it wouldn't be worth the paper you'd probably print it on. Exams that matter are only offered by Goethe Institutes and TELC certified schools. If you are in the US you might have other institutions that are widely acknowledged in your country but internationally these are the go to institutions. These exams (still) require your presence. I can't and don't want to engage in such activities as it would distract me from my real passion which is making learning German an orgasmic experience. I'm not fully there yet, but give me a couple of years.
Are any lessons with a human tutor part of this course?
No. And you don't need a tutor at all as this course will teach you everything you need to reach level B1. If you wonder how you'll learn to speak German, I can tell you that for the first few months you won't have to speak to other human beings at all but will rather focus on establishing a base knowledge of the language and prepare your speaking skills with help of very powerful techniques (they are called Preaching, Oral Dictation and Secretary Technique in my course). At one point you need to take the risk and go out into the real world and use what you have learned. Paying a tutor for speaking practice has in my experience shown a rather negative effect by holding people back from using the language in real life. And if you don't live in a German speaking country yet, why bother with speaking to another human being yet? Prepare and once you have a real need and some urgency to speak you'll learn very quickly. The better your base by then, the faster you will become a fluent speaker.
How do I develop/improve my speaking skills with this course?
First of all, as a beginner you don't have to speak freely at all. Speaking freely is a very challenging task that requires solid (!) preparation. That preparation is achieved with help of three powerful techniques that allow you to speak to yourself and to get instant feedback with help of wonderful transcription and recording software. You do and should not pay anyone to practice general speaking. Preparing for an oral exam is a different matter but only matters about 6-8 weeks before your exam. That will be discussed in the B1-Exam Hacking course. The level os skill for B1 is rather limited. Imagine B1 as the Kindergarden plus elementary school level. You can achieve that for the most part on your own IF you follow my advice and the techniques in this course properly. IF you don't have anyone around to speak German to, the question is why bother at such an early stage. The better you are prepared, the more confident you'll be when finally you'll have the naturally occurring opportunity of speaking. If you have people around, speak. Don't hold back but learn to listen well ideally before start speaking as listening is the key to effective self-improvement. You can trust yourself on improving your speaking skill quite quickly once the urgency and relevancy for this to happen are high. Until then, prepare and practice on your own. This course will make sure you'll get the most out of your life-time.
We are so proud and happy about this online course. You will have a 30-day money-back guarantee. So there's no risk at all. Just you can fully enjoy efficient and effective German learning.
Distribute the costs over 3 months. Click here for important info!
360 USD (excl.VAT) are a lot of money for many among us but 3x120 USD (excl. VAT) are certainly more manageable. Please keep in mind that this is not a subscription but a payment plan. You can't stop your payments. If you miss a payment without notifying us beforehand you'll lose access to your course and your progress. Make sure to always have sufficient money on your credit card or extra handling-fees might apply.
Distribute the costs over 6 months. Click here for important info!
360 USD (excl.VAT) are a lot of money for many among us but 6x60 USD (excl. VAT) are certainly more manageable. Please keep in mind that this is not a subscription but a payment plan. You can't stop your payments. If you miss a payment without notifying us beforehand you'll lose access to your course and your progress. Make sure to always have sufficient money on your credit card or extra handling-fees might apply.


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Press Release: WWE Announces New NXT U.K. TV Series
WWE sent out the following press release today:
WWE® LAUNCHES NEW UK SERIES
– TICKETS AVAILABLE FRIDAY, JUNE 29 –
LONDON, England and STAMFORD, Conn., June 18, 2018 – WWE (NYSE: WWE) today announced that tickets will be available next Friday, June 29 for eight live events that will be taped for NXT UK, a new UK series featuring the greatest competitors from the UK and Ireland.
The UK Championship title, plus two new Championships – the UK Women's Championship title and UK Tag Team Championship titles – will be on the line at the following NXT UK events:
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· Saturday, July 28 and Sunday July 29 at the Corn Exchange, Cambridge.
· Saturday, August 25 and Sunday, August 26 as part of Insomnia, the UK's biggest gaming festival, at NEC Birmingham.
· Saturday, October 13 and Sunday, October 14 at Plymouth Pavilions.
· Saturday, November 24 and Sunday, November 25 at Liverpool Olympia.
Tickets for the events in Cambridge, Plymouth and Liverpool will be available via www.livenation.co.uk and tickets for the Birmingham events will be available via www.insomniagamingfestival.com. Further information will be available at www.wwe.com/events.
"The UK has an amazing talent base and incredibly passionate fans that are deserving of their own showcase," said Paul "Triple H®" Levesque, WWE Executive Vice President, Talent, Live Events & Creative. "This is the next step in our ongoing strategy to create localized content and further develop our brand globally."
About WWE
WWE, a publicly traded company (NYSE: WWE), is an integrated media organization and recognized leader in global entertainment. The company consists of a portfolio of businesses that create and deliver original content 52 weeks a year to a global audience. WWE is committed to family friendly entertainment on its television programming, pay-per-view, digital media and publishing platforms. WWE's TV-PG, family-friendly programming can be seen in more than 800 million homes worldwide in 24 languages. WWE Network, the first-ever 24/7 over-the-top premium network that includes all live pay-per-views, scheduled programming and a massive video-on-demand library, is currently available in more than 180 countries. The company is headquartered in Stamford, Conn., with offices in New York, Los Angeles, London, Mexico City, Mumbai, Shanghai, Singapore, Dubai, Munich and Tokyo.
Additional information on WWE (NYSE: WWE) can be found at wwe.com and corporate.wwe.com. For information on our global activities, go to http://www.wwe.com/worldwide/.
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Next PostNext Austin Talks To DDP, J.R. & Don Callis Review Dominion, Heavy Machinery In Paris (Video), More


Registration in advance to enter the Pete Hayes Handsworth 10k Fun Run this year has closed. You can still enter on the day for £12, the registration desk opens at 9am on the 14th September. Thank you to all of the entrants we have so far, there is a good crowd of runners already making sure the day will be fun and filled with atmosphere. Most importantly, we are sure of raising a good amount of money for The British Heart Foundation through the entry fees alone. Special mention and thanks must go to the many runners that have set up Justgiving pages, which combined look to have raised well over £1000 for the great cause we are supporting. This does not even account for the paper based sponsorship that people are doing as well, which will add to the total.
We are getting the final preparations in place for the Fun Run on the 14th September. We look forward to seeing you all there and having a fantastic day together.


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I Remember Scorgies
‹ The Press Tones – Not Your Average Brand of Shady Soda • The Cliches are Homegrown Band ›
The Mid-Period – Yuk-Yuks & Hiccups
November 18, 2008 in Your Stories by Del Rivers | 5 comments
I thought I'd make a quick mention for now about the period when Scorgies became Yuk-Yuks, then Hiccups. It was a time when stand-up comedy was red-hot on a national basis…and for then, Scorgies bands were on the wane. I had mixed feelings about the switch-over from a cool club (after The Ramones were the last major band to play there) to a painted-black and chilly downstairs place for a few years. I used to supply music cassette tapes for the d-j, and interviewed comedians from Saturday Night Live that used to swing by there (like Rich Hall, David Spade, and Colin Quinn). Many local comedians became nationally known like Brother Wease, Joel Lindley, Eric Nusbaum, Dan Liberto, Ralph Tetta, Mike D'Ambra, Spilt Milk (with Eric Haessler, Mark Cooper, and Duncan Kennedy). Some of us stand-up comics (local guys) were also given the chance to write ideas for the then-popular Joan Rivers Show (prior to becoming The Arsenio Hall Show). Some of the comedians performed later when the place was Token Joe's upstairs. I'm sure that I can write a lot more about those times…but that'll fill yet another web site. Of course, stand-up comedy also waned and a newer Scorgies (albeit temporary) did come back again! – Del Rivers
Tags: Comedy, Del Rivers, RAMONES, Scorgies, Token Joe's, Yuk-Yuks
Trackback link: http://www.rockinrochester.com/blog/wp-trackback.php?p=1606
richard gagnier on November 21, 2008 at 5:02 pm
You asked for my best memory of Scorgies, Del – Here it is:
I have been meaning for years to get my Natalie Merchant experiences down on paper.
The first time I saw the 10,000 Maniacs was when they opened for the Violent Femmes at the University of Rochester. Like most guys I guess I was smitten with Natalie. Her dancing and twirling were quite intense, Jerry's drums seemed to echo off the back wall of the room, it was magic. The act between the Maniacs and the Femmes was the Fleshtones.
During the Femmes' set they asked Natalie out to dance to one of their songs. When she hit the stage, they started playing a drum solo, and she did a pretty good job with it (This drum solo dance will come up again in a moment).
I ran around the next week and picked up an album and Ep that the band had released themselves. I want to say it was only the next weekend that I saw the band headline at Scorgie's. Strangely I remember the name of the band that opened for them. The guy I was with was trying to talk a couple of girls into coming downstairs with us and see the show. One girl was sort of dull-witted but she said one clever thing: "I'm not going to an invisible party with 10,000 maniacs", … and so I remember the name of the opening band was Invisible Party.
The upstairs of Scorgie's was a bar anyone could hang out in and the performance area was downstairs and you'd pay a cover at the downstairs door. Early in the night the door heading downstairs was locked, so everyone was just hanging around upstairs drinking. I was sitting at a table in the room with the still-locked door that opened to the stairway leading downstairs. No one but me seemed to recognize them but the band filed into the room I was in and stood nervously up against a wall as if waiting for something. I had the liner notes from their album with me, hoping I might get a signature (I was still young enough to do goofy things like collect signatures), and I worked up the courage to go up and ask Natalie. What I actually asked her was for her address because I wanted to send her a tape of me telling jokes to a crowd (I do comedy – and have a CD available of my stand-up on Amazon – that's a plug). I felt she'd get where I was coming from. She wrote her address in Jamestown down as well as her signature, then she asked me, "Where's the key?" I thought she was being funny, asking me some question with an open-ended metaphysical answer. I suppose I laughed a little and told her I wasn't sure or something. She asked me again in a more determined way. I told her I had no idea what she was talking about. Apparently the band was waiting for someone with the bar to open the door for them so they could get downstairs. She assumed I was with the bar when I asked for her address. If you are one of those people unaware of her kind of temperamental nature, I can tell you she looked like she wanted to rip my head off. I slunk back to my seat.
The show itself was incredible. The one thing I would like to get across to people who never saw the band pre-Wishing Chair is that they were above all else a dance band. Natalie spent a lot the night dancing onstage, the crowd danced almost throughout the set. The lyrical content was almost beside the point. I like to think that if they hadn't become famous I would still see them at local festivals, have a couple beers, and dance. The performance also had a kind of mystical quality. As she stood feet away from us with two lit candles, she would drop the dripping wax from one candle down onto the other. Remember that she had most probably been to Lillydale at this time (She would name a song on The Wishing Chair after the town). If you haven't been there it is a community of spiritualists near Jamestown where you can see people celebrate the sunrise, you can pay to have your fortune told, you can see sort of mystical healing ceremonies.
After the show my friend pulled me up to her and re-introduced me to her with "He has all your albums", which was a kind of stupid thing to say considering they had only one album. I probably talked to her for about a half hour. Unfortunately, being liquored up, I don't remember much of it. I remember that she said when the Femmes asked her to the stage to dance she had no idea it would be to a drum solo. She signed a flyer from another show for me with all the band members' names, she signed a band bumper sticker for me, I took the set list also which had been taped to the stage.
Some months later I saw the band at a reggae bar which I believe was called The Calabash. This was a wonderful experience because she was walking around the bar before the show, recognized me and came up to me to talk. Life doesn't get much better than Natalie Merchant walking across a roomful of people to talk to you. I remember I gave her the tape of my work. We also talked about R.E.M. who had just been through town on the Fables tour. She asked me if Micheal had sung a particular cover, I'm not sure the name now, I just remember that I wasn't sure. The R.E.M. show was kind of echoey and I was in the back of the venue and I wasn't absolutely sure how the song she meant went. She mentioned that some Asian acrobat had died and that she had met the troupe overseas. Can't remember much more than that. I again danced and left with the set list which was taped to the stage.
Richard Gagnier
Stan the Man on September 25, 2010 at 9:39 am
I think Rick Baker & the Commercials played that show… and wasn't there some explosive RB stage/audience melodrama that night?
Michelle C. on November 24, 2010 at 3:16 pm
Where is the comedy trio "spilt milk" now??????
I saw them years ago at a comedy club in Syracuse, NY.. I have to say they were the funniest group I had ever seen!!!! I have been searching for them for years.
SOMEONE please tell me if they are still together and where!!!!!
Steffan Pappas on December 7, 2020 at 9:15 pm
I was their first manager before they made it big. The toured a fair bit in Japan as part of a co-promition that would provide live subtitles to the act using a large dot-matrix display. The technology worked well, but the timing of the comedy changed and laughes would typically be 30 to 45 seconds behind the action. Tours in Brazil and Argentina had similar problems. Most of the members are alive but struggling with (mental) health issues.
Ed Fischman on May 12, 2016 at 7:02 pm
Thank you especially to Richard for his comment. Wish I'd gone to the Scorgie's show. I was at the earlier show at the U of R. I've been scouring the internet trying to confirm my suspicions as to when it was and who was on the bill. There's a site that lists their shows, and it seems exhaustive, but it missed the show at the UR gym (I believe it was the Palestra, but it seems to have a new name). I would never have remembered that the Fleshtones. I loved all 3 bands. One of the best shows I've ever been to. I was a huge Violent Femmes fan, and everyone loved the Fleshtones (their song "American Beat" was one of the great party songs). I had just won a copy of a promotional EP of the Wishing Chair (10,000 Maniacs), and was really looking forward to seeing them, too. Natalie was this awesome whirling dervish with hair that seemed to be below her waist and when it whipped around, it was an awesome sight. Great show. Do you remember what song(s) she joined the Femmes with during that encore? Or, any chance you know the date?


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Online Catalogue | Books and DVDs | Lodestar | Under The Cabin Lamp - A Yachtman's Gossip
Under The Cabin Lamp - A Yachtman's Gossip
H. Alker Tripp
Illustrated with pen drawings and oil sketches by the author
Synopsis: The ordinary yachtsman has many yarns to tell, but his gossip is mostly of a homely variety. He has cruised from port to port, and he may have sailed in big yachts as well as little. He has almost certainly been disreputable while cruising, with horny hands and two or three days' stubble on his chin; but he may also have been neat and respectable on shining decks at Cowes. He has 'taken it green' when thrashing to windward down-Channel; and he has dreamed and idled on halcyon seas and landlocked waters. Under sail he has dodged the big ships and the tugs and lighters in busy ports; and he has ghosted in moonlight on deserted seaways. Recollections of this kind are told under the cabin lamp, when sails are furled and the anchor is down. "We all have our own stories and topics," says the author, "and here are a few of mine." They carry with them the smell of salt water and the ocean wind, these tales of London's river and Thames mouth, of the Suffolk coast, of Cowes and the Solent, of Devon, and Cornish waters – tales, too, of the brave old Britannia, of adventure into Broadland, of cruising and racing, and of stormy passages and peaceful havens.
We could not put it better than this original description, other than to add that in this delightful book first published in 1950 and (we believe) out of print since, Tripp's pen, whether through word or line, masterfully evokes the English cruising scene during the first half of the twentieth century.
ISBN 978-1-907206-20-7; 216 x 156mm, 224pp, many line drawings, 15 monochrome oil sketches. Softcover with sewn binding, cover flaps and matt lamination.


Pheasant has been a favorite game bird of mine since first hunting the ring-neck, Asian beauty on the Minnesota prairies when free-range was an assumed, but unknown, word. My brother-in-law's farming family knew pheasant and they knew how to eat it! I recall brisk, fall nights around the large oval table feasting on the mounded platters of fried pheasant, the plates seemingly bottomless. Perhaps that is why I still prefer, for the most part, pheasant pan-fried—like chicken. (See the "Calvados Pheasant" and the "Pheasant with Olives and Plums" recipes.) and if the old adage means anything, yes, pheasant DOES taste like chicken. Only better.
A whole roasted pheasant (see: Leeky Pheasant recipe) is not only a surprising switch at Thanksgiving, replacing the traditional turkey—just for a change—but its unique presentation, actually a little weird-looking, adds to the festivities. First, slits are made in the legs and thighs and then the skin is separated from the breast. The leeks and parsnips are then stuffed into the slits all around the legs and then under the loosened skin over the breast. After roasting, it appears a bit like it might have died of leprosy but don't let your guests razz you, it'll taste great and they'll beg for more. Yes, you may stuff the cavity with leeks too, as you would any fowl and I don't even truss the legs together. Why bother?
Plan one baby pheasant (or similar-size game bird) for every two guests. A larger bird will divide comfortably among about three people. The smallest, quail for example, requires 2 whole birds per person. Of course take into consideration the eaters. Are they young teenagers with ambitious appetites or mostly elderly relatives? Think about your guest list before embarking on a shopping tour.
In the case of wild ducks, many hunters and cooks familiar with the outdoorsy flavor, prefer them cooked rare, usually blood-rare. But if you venture beyond one, bold attempt (assuming you haven't too much—like most people), experiment with various cooking times, temperatures and of course, herbs, spices and flavorings. There are few steadfast rules unless you come from some of the old school of "absolutes".
Generally, I recommend diversity and experimentation with foods and recipes; one master cook's idea does not have to be the last word. We all have our preferences for, say, an anise (licorice-based) recipe, a heavily spiced New Mexican dish, a fruit-filled tart rather than chocolate and so on.
I give cooking demonstrations once every week where I can, on any one Saturday hand out up to 1,000 samples from a new recipe of mine. and, wanna know something? of the 1,000 responses I can easily hear 1,000 differing opinions of: "too much oregano", "hmm, fennel", "blah! fennel?", "needs salt", or "you put too much salt in it, I can't eat salt","little heavy on the pepper, aren't you?", or "needs more pepper", etc., etc.. In other words, use your own tastes as a guideline after trying a new (or even old) recipe. Expand and add to the spices, hold back on the wine; replace the red wine with a sweet white, roast in the oven rather than sauté and finish on the burner, increase the temperature dramatically, roast it for two hours instead of the recommended five. You get the idea. Be brave, daring. Don't assume a recipe is chiseled in stone.
But MOST important...have fun with food. You have to eat but why not make it a pleasurable part of your day? Enjoy yourself...and your cooking.
Go Wild! A Wild Winter Feast has more recipes and tips.


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5 Jobs The Robots Have Already Taken
Main Cover Image Credit: What's The Big Deal? YouTube Channel
One commonly reoccurring staple of futuristic science fiction is the idea that one day humans will be replaced by intelligent machines in one way or another. This can happen in several different ways, depending on the type of universe the fiction is inhabiting, from the seemingly benign (such as the helper robots seen in The Jetsons) to full on dystopian enslavement or eradication of humanity as we know it (notable examples include The Matrix and Terminator franchises respectively).
While these visions of a robotic working class turned against their flesh-based creators might seem quite 'out there' to a lot of people, in many respects the future is already here and the robot uprising has begun in earnest. Several industries have already begun to feel the metallic pinch of the world's increasingly mechanised workforce, to the point where many world governments are seriously considering taxing robotics in order to stifle the fallout associated with massed human unemployment that robotic 'employees' will inevitably bring. Sure, you might love Rosie, the Jetson family's anthropomorphic robotic housemaid, but would you like 'her' as much if it was your job which she took?
Here are five job types which are finding themselves increasingly marginalised by robotic alternatives as the 21st Century rolls onward toward a metallic brave new world, so don't say you weren't warned the next time you decide to cry out, "They took our jobs!":
5. Car Manufacturers
There's a rather creepy sequence in Michael Moore's 1989 documentary film Roger & Me where we visit the city of Flint, Michigan and take a look at Autoworld, a theme park all about cars and other such automobiles. The big idea behind Autoworld was to revitalise Flint's struggling economy and help bring jobs to the area. Alas, the theme park proved to be an unmitigated financial disaster, having its opening days reduced from 7 per week to weekends only within 6 months, followed by a complete closure of the attraction only 12 months after first opening.
The sick irony behind it all was that this theme park, which was meant to bring in jobs for people, heavily championed the use of automation in production. One heavily publicised musical show in the park was called "Me and my buddy" and featured a human construction line worker singing merrily with his new friend, a robotic arm which assembled car parts. The people of Flint didn't take too kindly to what appeared to be a man celebrating his new "buddy" when in reality the robotic arm was simply there to take his job – something which happened to a lot of people living and working in Flint in the preceding decades.
So what are these car-building robots up to these days? Well, if you buy into the theory of The Singularity, the machines have already begun their runaway reaction of improvement cycles, building better robots with each successive generation. But not just any robots, robots in disguise. Hiding in plain sight, they could be anywhere; on the roads, in the sky… even in a movie theatre!!!
4. Security Guards
From the X-Men's Sentinels to Robocop's Ed-209, sci-fi just loves a robotic law enforcement unit. The logic is pretty good here; people who work in security detail are much more likely to end up in the line of fire and get killed or seriously injured whilst responding to the call of duty, so filling these high risk roles with robots which don't technically die makes perfect sense (outside of the humanistic point of view, robots don't have families that will sue you if they are maimed during work hours, which is good from a business perspective).
Getting killed? That's the other guy's problem!
California-based robotics company Knightscope already have a few dozen robotic mall guards in operation around America. They are programmed to patrol their protected area tirelessly and lookout for suspicious signals, both visual and audial, meaning they are constantly on the lookout for threats, completely immune to the fatigue-induced human trait of, "What was that noise? Ah, probably nothing". While the typical Knightscope sentry robot is not unlike R2-D2 in appearance and about as proficient in a footrace, more advanced models are designed to resemble police cars and capable of high speed pursuit.
"So disdainful are they of the human form, that they wouldn't even hire a man to portray a man in an image".
3. Receptionists
Remember that lovely, friendly receptionist who used to greet you as you walked into the office every morning? Whatever happened to her in the finish up? Robots, that's what happened! Who needs the caring embrace of a human receptionist to warmly and diligently answer calls, write down notes and pass on messages (even if they do make an absolute hash of it, costing you valuable business, some of the time) in exchange for a full time living wage?
Nowadays, a lot of companies 'hire' what are known as 'virtual receptionists'. This is essentially a programme which answers the phone, introduces itself and the company it works for and directs your query to the relevant person or department. At this point you're probably scoffing at such an idea, thinking that you can tell a human from a robot fairly easily. Well, chances are you've chatted to one or more of these charming and intelligent machines already. Wait, you didn't give it your address, did you?
"Oh good, now they're in the apartment complex. I hope you're happy now!"
2. Personal Trainers
But physical fitness, surely that's something the robots know nothing about? After all, "They literally have no muscle to tone, no fat to burn, no beating hearts to pump blood and oxygen around their bodies…" I hear you say.
Well that's where you'd be completely, utterly and hopelessly wrong! The machines have this market almost completely cornered at this point, to the point where personal trainers are really starting to get muscled out by tireless machinations. People will always be tempted to go down the cheap route when it comes to anything, and keeping their bodies in shape is no different in this regard.
"Teaching a robot to get better at punching you in the face - what could possibly go wrong?"
An entry level Fitbit costs about €100, with knock off brands costing even less. That's the equivalent of two, maybe three hours with a professional personal trainer. An ever-growing list of fitness apps brings the price down even lower. Heck, some of them are free! How on Earth can a person be expected to compete with that rate? Sure, the app/Fitbit won't teach you better technique, but if you get bored of it you can simply switch it off (well, technically you can do that with your gym instructor too, but we typically call that 'murder' -Ed), which appeals to that oxymoron wrapped within a conundrum that is the lazy exercise enthusiast.
1. Significant Others
If you're thinking, "But relationships aren't work" then you my friend have not been dating the same sort of people I have! I digress...
Can a machine ever learn to love a person in return? While the jury is out on that particular question for the time being, they are certainly capable of providing other things which make for an adequate replacement for love. That's right ladies and gentlebots, the age of robotic life companions is already upon us. Don't like certain aspects of your partner's personality? Simply give them a bit of the ol' reprogramming and you're good to go!
"Unless they turn out to be a Terminator or a Decepticon deep cover agent. In those cases, you're screwed, but not in the way you may have liked!"
If that all sounds a bit far-fetched to you, cast your mind to Zheng Jiajia. The then 31-year-old Chinese artificial intelligence engineer was finding it hard to find a long-term female companion due to the fact that there are significantly more men than women in China, so he came up with a novel solution to his dating problem; he built himself a robotic girlfriend and, after two months of dating, married her. Now that he's happily married, he's even started upgrading his wife to be capable of reading, and even doing household chores - nice!
Of course, if you're looking to sire offspring, then robotics probably aren't the best way forward...
Is a Resident Evil Board Game On the Way?
Review: War For The Planet Of The Apes
Sean is Geek Ireland's resident dinosaur enthusiast, having been fascinated by prehistory since a time before he could read, speak or stand in an upright position (he still struggles to do at least one of these things on a daily basis).
Known as one of the biggest dinosaur fans Ireland has ever produced, Sean has delivered talks on his favourite subject at many venues and events including the Irish Film Institute, the UCD Science Expression Festival, Tayto Park, Dublin Comic Con and even London's Comedy Store.
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Charif Lona Interview
Owning and running a brand has its challenges. Having to be creative on demand is one of them, as creativity can be an elusive thing at times. In order to fuel our creativity, we look within our network for individuals whose creative practice is different to ours. Exploring their story, thoughts, and experiences that shape their work is how we can find continuous inspiration to create and innovate as a brand. One of these individuals is our friend and interior architect Charif Lona. Charif runs a multidisciplinary design studio based in Bangkok, called Studio Act of Kindness. In our interview we dive into our shared history of time spent in Glasgow, his vision of interior architecture, and his experience of building his own design studio.
We actually met while studying at Glasgow School of Art and I know that both the school and the city of Glasgow have made a big impact on you as an architect. How did that experience influence you? What in particular draws you to Glasgow and Scotland?
Yes we did, so nostalgic! There are sentimental memories about life in Glasgow. I had to support myself financially for my study, accommodation and living cost. I admit that was a tough time in my life as a young person, as I flew across the world to study and accomplish my goal. But a full year of living there alone during the course helped me discover different things about myself, both professionally and personally. I mean it was not only about how the city influenced me aesthetically, but also how it shaped me to stay true to myself through tough times. When I think back, I often remember going running on gloomy days - when the silent melody of the urban loneliness emerged from the heavy blocks of city buildings - and discovering how Glasgow has emerged from the ruins of Victorian industrialisation. The city is very charming and radiant in terms of architecture, art and culture. It made me realise how the architecture is capable of more than just providing value through the beauty of design and the functionalities of stone, brick, metal and concrete. Its spirit, the wind, the sun, the rain, the storm, and the music all play their roles in shaping different city scenes that helped me discover the soul of the city as an architecture student.
How is the juxtaposition of you being Thai and living in Bangkok and the influence of Glasgow architecture reflected in your work?
This is a hard one because I have been influenced a lot by the Western history, art and philosophy. Glasgow got me into this sort of brutal melancholic, yet romantic mood and I found that the quality of design, architecture and art there has moved me into an alternative direction in which the architecture and space should focus on emotion too. I mean, how I want to feel when I sit and look out my window, or how the shadow of foliage is kinetically shaped over my wall and floor while I can smell the timber mixed with the grass after the rain, or even how the concrete and granite space can change the sounds of music. I'm not saying that in Thailand they are careless about these things, but I don't find that the architecture and interior space in Thailand can be geared towards the dedication and provocation of feelings; of being loved or vulnerable, debauchery, madness or even joy to those who live in and experience the space.
Cactus House. Vacation house in Pranburi, Thailand.
You call yourself an interior architect. How do you combine interior design and architecture in your practice? And what made you interested in architecture in the first place?
I studied Interior Architecture for my Bachelor Degree, and also hold a Master of Architecture. At the beginning, when I was a young designer, I found those two realms were completely disconnected; I thought of them almost like black and white. It required me learning different skills and a change in perspective to realise that they are very much connected; almost as if they were the same thing, just existing in different states, like rigid and fluid. I think they are two sides of the same coin. As far as I can recall, I always remember my childhood memories of living in the rural countryside. I didn't have many friends during that time. It was only me, my cats and how I perceived the form of a mountain, fog, tree, river and greenfield. I was very interested to juxtapose natural forms and colours with man-made ones. I drew and painted a lot to unfold what amused me. That is possibly the motivation and inspiration of a true seeker of beauty and structure.
You run your own multidisciplinary design studio in Bangkok called Studio Act of Kindness. What is the design philosophy behind the studio?
I always see myself as an eager person who wants to reinvent and improve himself. I'm a hard worker who has different interests such as architecture, design, art, fashion, music, politics, poetry, history, and even paranormal things (haha). I aim to create a team of people who value the same things and work well together. Being cohesive, adaptive, passionate and versatile is the key to accomplish the vision of the design studio. We do multidisciplinary design, meaning that while the majority of our work is specialised in architectural, interior and spatial design, it also extends to brand consultancy, industrial design, graphic design or even textile design. I choose partners and collaborators who can provide me with technical skills, craftsmanship, initiatives and creativity to challenge the design in my country, both from a business and artistic standpoint. That's the notion of design I want to create.
Besides architecture and interior design, what other creative mediums are you interested in and inspired by?
I think music offers me tools and methods to help me express my feelings, explain my thoughts, or even non-verbal concepts. I'm interested in sound making. It always amazes me when artists produce their music and tell stories through their songs. It is sort of like a non-verbal language, and although its sounds are invisible, they allow you to feel and visualize what they mean to you. The same sound of a song can make you feel differently depending on when you listen to it, who you are surrounded with, and at which stage in your life you find yourself.
Kindness collection 1. Textile print made in collaboration with Irina Gusakova.
Art objects are widely present in your interior design work. What's your connection to art? And who are your 3 favourite artists?
Art is a pure interest of mine. As an architect and a designer, I usually generate form, or imitate form and design by using design programs, tools and innovative devices. This way I am able to generate the end result digitally, without having to create it physically. What inspires me about art is how artists can create different fluid forms shaped by their experiences and personal backgrounds. Bit by bit, they mould and shape their sculpture. Every stroke, whether by purpose or mistake, creates the look and feel of their work, that in the end has the power to evoke an emotional response by those who see it. It has the power to raise questions about the creative intentions that resulted in the final piece of art. I admire the innovative yet artistic work of Isamu Noguchi and Xavier Corbero, the theatrical light and shadow quality of Rembrandt. The works and techniques of Anselm Kiefer always inspired me, and have impacted me personally.
The Sculptor Chunky Table from the Thai White Sara Buri Marble Collection.
With sustainability being at the forefront of the fashion agenda nowadays, I'm interested to know how sustainability is considered in your industry? Is it important for you as an architect? And do you consider it when designing the spaces?
Of course, sustainability in architecture is essential to extend the longevity of a building. This includes the way that design provides contextual value to its inhabitants, which in turn will help form a relationship with those who own and use the building. Sustainable architecture also entails technological innovation which helps make the construction process have less of a negative impact on the environment.
You work with different creatives who are part of your studio team. Are collaborations a big part of your work? What's your approach to collaborations?
I'm lucky to have the chance to work with talented people and be friends with them. I've always been a huge fan of collaboration. Working with people from different backgrounds is what I always look for, as it helps me reinvent my creative skills, and acquire more knowledge that I can put toward creating future design projects. Working with others helps me in critically evaluating the strong points that make me commercially successful, as well as my weaknesses, which are often linked to not always stepping out of my comfort zone. For me, being a good designer is not only about seeing the glory or success of my career, but allowing myself to try, to fail, and to be a beginner every time I want to learn a new lesson from those collaborators. This is very important to me.
We've collaborated on the first Act of Kindness furniture collection back in 2016. How was the experience for you to collaborate with a fashion designer?
Thank you very much for the opportunity and good experience on the first debut collection of my studio. We worked on printing and patch-working textile. During the process I learned how minor details can create a big impact within objects, as well as interior design. The texture and other physical properties of each fabric requires skills and intention to understand. It impacts how they interact with the various structures or silhouettes objects and human bodies. The manufacturing and production processes in the fashion industry also inspired me to apply some techniques to my architectural work, such as to inlay surfaces, or to patch two different solid materials together.
What has been the most challenging thing you have faced in your career so far? And how did you overcome it?
I think working with kids was the most challenging haha - I love kids though. I worked on a luxurious residence project where the parents allowed their kids of 7 and 10 to decide on the design for themselves. It was difficult for me to control the quality of design, aesthetic, and budgets when kids barely knew what they like - and they couldn't really distinguish between 'like' and 'want' and 'have to'. But it was really fun to decipher their minds and thought processes by discussing their specific interests. For instance, they wanted design elements that were shiny, glossy, vivid, chunky, disproportional, funky, yet at the same time it had to fit the luxurious look and feel of the entire house. I used psychology and tricks to convince them and create a balanced design that included the kid's wishes without sacrificing the overall design vision of the residence project.
Can you share with us what are you currently working on? And what are the future plans for Studio Act of Kindness?
I have been improving my design character and strategy of the studio. I think luxury design is not going to be practical at the time when we are going through this rough pandemic. Now I'm focusing on a furniture collection project where I want to offer the possibility of whimsical, artistic, practical design, yet made in a way that's approachable for everyone by reusing reclaimed materials from architectural construction and manufacturing.
Apart from that, I have been working on my own fashion brand with my fashion design friends in Bangkok. I started the idea with personal intention to find clothes that don't depend on seasons or trends, but instead depend on necessity of function and celebration of daily life, routine and duty for everyone. It's non-gender, timeless and doesn't classify between casual or formal. The brand is called 'One's Essentials' which reflects the idea of the brand.
Mediterra. Italian restaurant in Asok Bangkok, Thailand.


What time RMR AF EXP depart from रामनगर Railway Station?
रामनगर आगरा फोर्टसाप्ताहिक एक्सप्रेस (15056) departs from रामनगर Railway Station at 17:40.
How much time RMR AF EXP take to reach आगरा फोर्ट Railway Station?
रामनगर आगरा फोर्टसाप्ताहिक एक्सप्रेस reach on day 2 to आगरा फोर्ट Railway Station. The arrival time of रामनगर आगरा फोर्टसाप्ताहिक एक्सप्रेस at आगरा फोर्ट Railway Station is 05:00.
Distance covered by रामनगर आगरा फोर्टसाप्ताहिक एक्सप्रेस?
रामनगर आगरा फोर्टसाप्ताहिक एक्सप्रेस covers 438 km to reach आगरा फोर्ट Railway Station at average speed of 39 km/hr. रामनगर आगरा फोर्टसाप्ताहिक एक्सप्रेस passes through 21 stations.


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Bus from Aabenraa to Aalborg
Buses Aabenraa to Aalborg: Compare all companies
Facts about the bus from Aabenraa to Aalborg
Latest Bus 9:20 AM
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On this page, we also show you cheap bus tickets for the Aabenraa Aalborg bus route over the next few days. You'll also receive information about intercity bus stops in Aabenraa and Aalborg which will help you find your way around. In addition, we'll show you options for onward travel from Aalborg, alternative destinations from Aabenraa, and the most popular airport shuttles from Aalborg.
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Bus stops in Aabenraa and Aalborg
John F. Kennedys Plads 1U, 9000 Aalborg (Denmark)
Aalborg Central Station
Aalborg (Denmark)
Egevej V Løgumklostervej , 6200 Aabenraa (Denmark)
FAQs about the bus route Aabenraa to Aalborg
How much does a Aabenraa Aalborg bus trip cost?
This depends on, among other things, the day and time of travel. The cheapest trip is available from $50.10 and takes to reach Aalborg. Compare offers to save money!
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This route is offered by with a range of ticket prices between and . Thus, we recommend booking your ticket as early as possible to make sure you get the cheapest bus ticket to Aalborg.
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Every day, the Aabenraa Aalborg bus route is served by approximately . With our search engine, you can compare bus times to find the perfect trip.
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The fastest bus from Aabenraa to Aalborg is offered by and takes 11h 25m. Bus tickets for this connection cost . In this context, bear in mind that the journey can take longer due to traffic.
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The earliest bus arriving in Aalborg from Aabenraa starts at 9:20 AM. However, information regarding departure times may differ on weekends and holidays. Simply use our search engine to find exact times for your planned travel date.
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When traveling by bus from Aabenraa to Aalborg, passengers can travel with . With our search engine, you can compare all available bus tickets to book the one that works for you.
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What equipment is available for the Aabenraa Aalborg bus route?
The equipment on board differs depending on the provider. However, many long-distance buses have WiFi so you can tell your friends your exact location during the journey. To make traveling even more pleasant, air conditioning systems provide ventilation. It is best to use our search function to get precise information about the equipment of the bus from Aabenraa to Aalborg on your planned travel date.
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Bus routes from Aabenraa and Aalborg
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Purchased from Spring Creek Antiques for boyhood home architectural display.
Carpenter's hewing hatchet (small broad axe), iron head squared at back with pointed extensions up and down handle, wide curved blade, oblong eye, slightly curved wood handle canted to right side. Well use.


Have you ever had a #1 of anything?
I've never had a #1 of anything in my life – or at least nothing of consequence – but this weekend, I'm taking delivery of the very first production amp in the Aracom VRX 22 line! That's it to the left! OMG!!! I'm excited! This is a real special time for me. I've played all sorts of fantastic gear, but I've never played something so impactful on my music where I got the first unit! It'll probably never happen again, but who cares? It's happened once, and that's all that matters.
I decided to go with the separate head and cab for more versatility (plus I could use the cab with other amps – like my Fender Champ, and as an extra speaker for my Hot Rod). This amp is just perfect, driven by a couple of 6V6 power tubes. Read the review I gave it previously! In a nutshell, when I had the pre-production unit, I just couldn't stop playing it! I'd totally lose track of time! That's the mark of a special piece of gear!
The cool thing about the cab is that it has removable slats so I can go from fully closed to get extra bass response to wide open. Jeff made this suggestion when we were talking about what I was looking for in an extension cabinet. A musician himself, he's constantly thinking of how he'd use his amps in a live situation, and he made this suggestion to add tonal versatility to the cabinet because we were talking about closed back versus open back designs. So why not the best of both worlds?
Also, the speaker is a Jensen P12N Alnico. I tried this speaker out in a different amp that I was testing for Jeff, and just fell in love with it! It is a very dynamic speaker capable of handling a wide range of tones.
So how did I end up with the very first amp in the line? Easy. I tested the original prototype, and the final pre-production unit. When Jeff picked it up, he was going to bring over other amps for me to try out, but I told him that the VRX 22 was the one I wanted, and verbally placed my order.
The following clips were recorded with the head plugged into a 4 X 12 cabinet.
Fully cranked in Channel 2! Volume and Master on 10!
While the clips all sound great, this amp live is absolutely gorgeous-sounding!
Oh, and by the way, the amp head only costs $895. But don't be fooled by the price: The VRX (as well as all Aracom Amps) is completely handwired and uses a solid-state rectifier and voltage sag simulator, which accounts for the lower price. But who cares? It sounds freakin' awesome. I gigged with both the prototype and the pre-production units, and I can attest to how great it sounds. And great sound at a price like this is simply amazing!
For more information on this amp, go to the Aracom Amps web site.
Looks nice, how does it compare to the Reason amps you tried out recently? I really love the look of the Reason line up especially as they sound like they have a bit more gain.
Jon, it's got a tone all its own. Tonally, since they're both 6V6 amps, they're similar and lean towards the bright side. The VRX22 is not quite as bright as the SM25, and it doesn't have StackMode, which is the thing that I just dig about the Reason amps – and the "reason" I'm ultimately going to get that amp. But the sound that the VRX22 does produce is simply killer in its own right – it actually has more clean headroom in Channel 1 than the SM25. It's amazing how Jeff adjusted that circuit. You can still get grind, but you have to completely crank up the volume on that channel. I dig it!
Of course, the VRX22 doesn't have that gorgeous cabinet that the Reason amps have. And for all intents and purposes, other than the blue tolex I ordered, it's a pretty plain looking amp. But it's the tone that sold me – plus the fact that the head is only $895! And it's hand-wired! Granted, it uses a solid-state rectifier and sag simulator, but the way Jeff has it dialed-in, you just can't tell the difference. It has the same "spongy" feel that a tube rectifier brings to the table, so to me it's a non-issue, and if it brings the price down, all the better!
Also… as far as gain is concerned, the VRX22 can produce massive amounts of gain in Channel 2. But for that "over the top" gain, I just slam the front-end with a booster.