text:
Features	Access granted:	archives open for researcher
On June 24, 2010 Regeringsrätten, Sweden's Supreme Administrative Court, reached a verdict, marking a victory for Professor Birgitta Almgren's research. Both the Swedish Security Service (Säpo) and the Stockholm Administrative Court of Appeal had rejected Professor Almgren's request to obtain the classified documents from the GDR's foreign espionage that the CIA sent to Säpo.
Published on balticworlds.com on augusti 26, 2010
Inga kommentarer till archives open for researcher	Share
On June 24, 2010 Regeringsrätten, Sweden's Supreme Administrative Court, reached a verdict, marking a victory for Professor Birgitta Almgren's research. After analyzing German Nazi infiltration of Sweden in Drömmen om Norden [The Dream of the Nordic Region, 2005], her current project, Inte bara Stasi [Not just Stasi…, 2009], which is funded by the Foundation for Baltic and East European Studies, deals with Sweden and the GDR. Both the Swedish Security Service (Säpo) and the Stockholm Administrative Court of Appeal had rejected Professor Almgren's request to obtain the classified documents from the GDR's foreign espionage that the CIA sent to Säpo.
The dossier, known as the Rosenholz file, contains information about Swedish agents, unofficial collaborators who signed contracts with the East German security service (Stasi). But the Supreme Administrative Court decision went against Säpo and the Administrative Court of Appeal, reprimanding them while granting her access on condition that she maintain strict confidentiality (chapter 18, § 2 of the Swedish Official Secrets Act 2009:400).
In her petition, Almgren stressed that knowledge of Sweden's relations with the GDR is of paramount importance and of great public interest, especially with respect to Swedish actions in relation to dictatorships today. It would be regrettable if serious scientific research that can shed light on these relationships were blocked. The European Parliament has adopted a resolution (2./4 2009) in which it criticizes member states for persisting in maintaining classified status for documents after the collapse of the communist countries, and therefore calls on these states to open their archives to researchers.
Professor Almgren's research analyzes how dictatorships work, the role of language in infiltrating an open democratic society – still a highly topical issue today. She has already accessed the documents in Berlin about the German agents who operated in Sweden. She intends to study this material in relation to the Swedish source material. The Rosenholz file will allow researchers to move on to the Stasi dossiers that contain information about payments, rewards, background checks, and personally signed contracts where the agents provide motivation for cooperating with the Stasi. According to the Supreme Administrative Court ruling, Professor Almgren may therefore have access to the documents with certain restrictions: no documents may be copied, the identity of agents must not be disclosed, and all memos must be destroyed by June 30, 2011 at the latest.
The Court emphasized the desirability of greater transparency in Security Service operations, but the information must be handled with maximum confidentiality. If she discloses information that she "is duty-bound by …order or provision… to keep secret, " she may be liable for breach of confidentiality. Despite these restrictions, the Supreme Administrative Court ruling nevertheless is a major step toward greater transparency by opening the archives to researchers.
Read more: an interview with professor Birgitta Almgren and comments on her request to obtain the documents.
Anders Björnsson
by Anders Björnsson
Editor-in-chief of BW 2008-2012.


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Q: php error and lumen error both showing on error output How can I fix this issue in lumen framework?
I am getting the PHP default errors and lumen framework exception both at the same time.
Here I have attached the screenshot of both files. The output and the exception handler PHP file.

A: Oh... You need to try any of the following:
Method 1
Assuming you are running apache web server and php 7.2 on an Ubuntu PC.
Go to your php.ini file (/etc/php/7.2/apache2/php.ini), search for display_errors and set it to Off.
If Method 1 doesn't fix it for you, try Methods 2:
Method 2
Go to the index.php inside the public folder of your app and turn off display_errors like so:
ini_set('display_errors', 0);   //Set this before $app->run();

A: To display the comprehensive error, I added the following configurations.
config/app.php
return [
    'debug' => (bool) env('APP_DEBUG', true),
    'env' => env('APP_ENV', 'production'),
];

.env
APP_ENV=local
APP_DEBUG=true

redpajama_set_name: RedPajamaStackExchange


AIAC and the Hon. Jean Charest will host an engagement day in Toronto as part of the Vision 2025 initiative, including a luncheon, reception, and a number of roundtables and meetings. OAC is pleased to work with AIAC on this important initiative for our industry and looks forward to your participation.
On December 10, 2018, AIAC and the Hon. Jean Charest will host an engagement day in Toronto as part of the Vision 2025 initiative, including a luncheon, reception, and a number of roundtables and meetings.
OAC is pleased to work with AIAC on this important initiative for our industry and looks forward to your participation on December 10.
Join the Hon. Jean Charest, industry, and members of Toronto's business and education community at a luncheon event hosted by AIAC, in partnership with OAC.
AIAC and OAC members are invited to attend an industry reception with Hon. Jean Charest at the Toronto Airport Marriott Hotel.


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Arts & Culture Stories
Take a tour of Santa Barbara's new science museum
Written by Jonathan Bastian Feb. 27, 2017 Central Coast
Santa Barbara's new science and technology museum, MOXI, The Wolf Museum of Exploration + Innovation opened its doors to the public this past weekend. It sits on lower State Street, between the train tracks and the beach on the edge of what's known as the "Funk Zone." The space is being leased to MOXI by the city of Santa Barbara for a dollar a year. In turn, the museum must provide experiences for as many people as possible.
"There's a huge role for us to play in training the next generation of problem solvers," said MOXI president and CEO Steve Hinkley.
He showed KCRW some of his favorite spots in the museum.
Handprint Globe
Hinkley: "It's hard to look at this hand-print globe and not want to run up to it. It compels them to understand how this system works, and what's going on with this massive projection of thermal images that's suspended from the ceiling. Then, they get to be part of it. So, right off the bat, they're drawn into something visually beautiful but also understanding this museum is about science and technology experiences and getting hands on. It sets the theme for what this museum is all about."
Innovator Workshop
"This is more commonly known as a "maker space." We'll always give people an opportunity to build or create something. On certain days, we'll pick the theme and run with it. One day, it might be robots. One day, it may be laser cutters or 3-D printers. Other days, it may be no-tech kinds of things with crayons, glues and scissors.
For example, right now we're talking a lot about the rain and how there are bridges and dams susceptible to collapse. Well, we can take that idea and bring it into the space, and talk about bridge and dam building. We can have people build and experiment with their ideas to see which things do better than others. In a way, we're giving them real life engineering challenges inside this space. Potentially, they might start thinking that, one day, they'd like to be an engineer that works on these types of issues."
Reactable
"It's essentially a huge digital DJ beat box. You can make your own sounds and music just by playing the shapes on the screen. Every time you shift the shape, you get a slightly different tone. Again, it's an open ended experimentation model. When visitors first come up, it doesn't sound all that great. But, within five or ten minutes you can wind up getting some really cool stuff. People who love music enjoy this, but then they start diving into what's driving it."
Build it, test it, race it
"For folks who want to hearken back to the days of pinewood derby, this is a blast from the past, but with expanded capability. You build and design your own car, place it on the conveyor belt, hit the button and the conveyor belt takes the car up to about nine feet. It does a countdown and then releases the car. Three cars can race at a time, and this becomes one of the most competitive areas of the museum. It's hilarious to watch people get so emotionally invested in what they've created.
Not only does it show who finished the race first, but it also gives a huge amount of data. All that data is logged in a database, and you can email it back to yourself. Our work with the school districts helped us understand that sometimes they want to have that fun here, and then do the number crunching back at the classroom. So, this is the way for them to do that. They can send 50 races back to their classroom, and really start to understand the math behind what's being observed as the cars race down the track."
"It's exciting to be a part of the town that has a rapid growth mindset, especially since we have been one of those things that's growing and helping to change what this part of Santa Barbara looks like.
And then, the fact that we have the train station next door is a huge boon. Maybe there's a school group coming from North County that's struggling to find funding to get a school bus here. But, they can afford to get on an Amtrak train through grant programs. We're right next door to them. It's a perfect opportunity."
To check out our other museum tours, click here.
More from Arts & Culture Stories
Art Insider Jan 21: Color theory, Melancholia, political candle paintings Arts & Culture Stories Jan 21 Art Insider Jan. 14: Irreverent crafts, colorful furniture, and MOCA goes free Arts & Culture Stories Jan 14 'Parasite' makes Oscars history, but lack of representation still persists Arts & Culture Stories Jan 13 Art Insider Jan. 7: Psychedelic aquariums, art that examines disability, and floating books Arts & Culture Stories Jan 7

redpajama_set_name: RedPajamaCommonCrawl


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text:
Le Tour de France pour motocyclettes, organisé par l'Autocycle-club de France et le journal Les Sports et sous le patronage de l'Automobile Club de France et du Touring Club de France, s'est déroulé du samedi  au dimanche  et a rencontré un énorme succès populaire, le public s'enthousiasmant pour les exploits des concurrents.

Selon la presse de l'époque, 54 concurrents sont au départ de la course, répartis en trois catégories. Selon les classements publiés dans les journaux de l'époque, les deux premières étapes ont éliminé plus de la moitié des concurrents.

Contexte sportif et météo

Il faut s'imaginer la résistance et la volonté de ces concurrents parcourant des centaines de kilomètres, parfois à des moyennes de 30-35 km/h, sur des machines légères, avec des suspensions sommaires et un confort inexistant, vêtus d'habits nettement moins adaptés aux désastreuses conditions météo rencontrées en ce mois de  que nos habits techniques du . Bien que les concurrents de la première catégorie aient été privilégiés au niveau du confort, c'est cette catégorie qui a proportionnellement subi le plus d'abandons.

Le Tour de France pour motocyclettes  s'est en effet en partie déroulé dans des conditions très difficiles, les coureurs ayant dû affronter des heures durant la pluie, le froid et des routes glissantes, voire défoncées. Les journalistes de l'époque parlaient de , de  que le mistral , de  qui ont affronté une  et . La course elle-même était qualifiée de  ou encore de .

Types de véhicules

Les véhicules étaient répartis en trois groupes :
 Motocyclettes avant-train ou remorques d'une cylindrée de 500 centimètres cubes. 9 concurrents de cette catégorie sont au départ, un seul sera à l'arrivée.
 Motocyclettes d'une cylindrée maximum de 225 centimètres cubes. 7 concurrents de cette catégorie sont au départ, 2 seront à l'arrivée.
 Motocyclettes d'une cylindrée maximum de 333 centimètres cubes, dites tiers de litre. 38 concurrents de cette catégorie sont au départ, 14 seront à l'arrivée.

Étapes

: Paris – Auxerre – Dijon (319 km)

: Dijon – Mâcon – Saint-Étienne (250 km)

: Saint-Étienne – Montélimar – Avignon (225 km)

: Avignon – Marseille (110 km)

: Marseille – Nîmes – Narbonne (279 km)

: Narbonne – Toulouse – Agen (273 km)

: Agen – Bergerac – Limoges (271 km)

: Limoges – Châteauroux – Orléans (263 km)

: Orléans – Ville-d'Avray (128 km)

Au départ

Liste des véhicules (concurrents entre parenthèses) au départ de la Porte-Dorée, tels que cités dans La Presse du

Motocyclettes avant-train ou remorques d'une cylindrée de 500 centimètres cubes

  61 : Lamaudière-Mauger, Audax I
  62 : Contal Mototri (Gaston Rivierre)
  63 : La Française I
  64 : Mauxion II
  65 :  (Joseph van Hooydonk)
  66 : A. Dutemple
  67 : Cottereau (Faton)
  68 : La Française II
  69 : La Française III

Motocyclettes d'une cylindrée maximum de 225 centimètres cubes

  51 : La Française I
  52 : Clément I (Pierre Dacier)
  53 : Terrot (Faivre)
  54 : La Française II
  55 : Clément II
  56 : La Française III
  57 : Gëorgia Knapp IV (Chaufour)

Motocyclettes d'une cylindrée maximum de 333 centimètres cubes

  1 : Lamaudière-Mauger, Audax I (Mauger)
  2 : Saving I
  3 : La Française I
  4 :  I (Coutant)
  5 ; Breuil I
  6 : Peugeot I (Giosuè Giuppone)
  7 : Mauxion I
  8 : Stimula Vandelet I (Platel)
  9 :  I (Thomas Schweitzer)
  10 : Gautier et
  11 : Aiglon (Eysseric)
  12 : Gladiator I
  13 : Georgia Knapp I (P. Mignard)
  14 : N.S.U. I (Le Metais)
  15 : Bruneau (Foulon)
  16 : Alcyon (Tiercelin)
  17 : Griffon (Auguste Bucquet)
  18 : Magali (René Thomas)
  19 : Athena (Derozier)
  20 : Lamaudière-Mauger, Audax II (Canesse)
  21 : Saving II
  22 : La Française II
  23 : Werner II (Bonnard)
  24 : Peugeot II (Henri Cissac)
  25 : Stimula-Vandelet II (Lepetit)
  26 : Minerva II (Blatgé)
  27 : Gautier et Cie II
  28 : Gladiator II
  29 : Georgia Knapp II (Georges Mallet)
  30 : N.S.U. II
  31 : Saving III
  32 : La Française III
  33 : Werner III
  34 : Peugeot III (René Champoiseau)
  35 : Gautier et Cie III
  36 : Georgia Knapp III (Mériel)
  37 : Peugeot IV (Nicolaï Yourassoff)
  38 : Peugeot V (Moreau)

Classement

, , arrivé à Dijon
La Presse   4725. Après le passage à Avallon :

 Tiercelin (Alcyon), à
 Faivre (Terot), à
 Schweitzer (Minerva), à
 Cissac (Peugeot), à
 Buquet (Griffon), à
 Lepetit (Stimula), à
 Foulon (Bruneau), à
 Blatgé (Minerva), à
 P. Migniard (Georgia), à
 Champoiseau (Peugeot), à
 Menel (Georgia), à
 Thomas (Magali), à
 Bonnard (Werner), à

, , arrivée à Saint-Étienne

Deux chutes sans gravité à Chagny et à Chalon.
 Giuppone (Peugeot), à
 Bucquet (Sriaron), à
 Cissac (Peugeot), à
 Btatgé (Minerva), à
 Bonnard (Werner), à
 Schweitzer (Minarva), à
 Dacîer (Clément), à
 Eysseric (Aiglon), à
 Lepetit (Stimula), à
 Migniard (Georgia Knap), à
 Faivre (Terrot), à
 Champoiseau (Peugeot), à ;
 Plate! (Stimula), à
 Constant (Werner), à
 Thomas (Magali), à
 Georges Mallet (Georgia Knap), à
 Canesse (Lamaudière-Mauger), à
 Le Métais (N.S.U.), à
 Foulon (Bruneau) à
 Chauffour(Georgia-Knap), à
 van Hooydonk (Phénix-Trimo), à
 Yourassof (Peugeot), à
 Mériel (Georgia-Knap), à

, , arrivée à Avignon
Le Journal   4604 :

Lors de la deuxième partie de l'étape, de Valence à Avignon

 (motocyclettes du tiers de litre)

 Giuppone (Peugeot I), 442 points
 Cissac (Peugeot II), 441
 Blatgé (Minerva II), 440
 Bucquet (Griffon), 434
 Bonnard (Weiner II), 427
 Champoiseau (Peugeot III), 422
 Lepetit (Stimula II), 403
 Mignard (Georgia Knap I), 393
 Le Métais (N.S.U. I), 379
 Foulon (Bruneau), 370
 Thomas (Magali), 356
 Platel (Stimula), 330
 Eysseric (Aiglon), 297
 Georges Mallet (Georgia Knap II), 274
 Canesse (Lamaudière-Mauger Audax), 265
 Mériel (Georgia Knap III), 241
 Yourassof (peugeot IV), 222
 motocyclettes quart de litre
 Faivre (Terrot), 310 points
 Dacier (Clément), 220
 Chauffour (Georgia Knap IV), 191
 (moto. avec avant-train).
 van Hooydonk (Phœnix Trimo), 331 points.

, , arrivée à Marseille
Le Journal   4605 :

Première catégorie (motocyclettes du tiers de litre)

 Cissac (Peugeot), 530 points ;
 Blatgé (Minerva), 527;
 Bucquet (Griffon), 520;
 Giuppone (Peugeot), 515;
 Champoiseau (Peugeot), 511;
 Bonnard (Werner), 502 ;
 Schweitzer (Minerva), 488 ;
 Lepetit (Stimula), 485 ;
 Foulon (Bruneau), 450:
 Lemétais (N.S.U.), 448;
 Thomas (Magali), 446;
 Platel (Stimula), 409;
 Mignard (Georgia Knap), 401;
 Eysseric (Aiglon), 377;
 G. Mallet (Georgia Knap), 347;
 Contant (Werner), 345:
 Canesse (Lamaudière-Mauger Audax), 342;
 Yourassof (Peugeot), 300;
 Mériel (Georgia Knap), 285.
 (motocyclettes du quart de litre.
 Faivre (Terrot), 333 points
 Dacier (Clément), 297
 Chauffour (Georgia Knap), 261
 (motocyclette avec avant-train).
 van Hooydonk (Phœnix Trio), 400 points.

, , arrivée à Narbonne
Le Journal   4606 :

 Cissac (Peugeot). 680 points
 Biatgé (Minerva), 672
 Bucquet (Griffon), 683
 Giuppone (Peugeot), 663
 Champoiseau (Peugeot), 653
 Bonnard (Werner), 642
 Schwoitzer (Minerva), 641
 Lepetit (Stimula), 622
 Thomas (Magali), 598
 Foulon (Bruneau), 589
 Le Métais (N.S.U.), 573
 Piatel (Stimula), 549
 Canesse (Lamaudière Mauger), 485
 Mallet (Kaap). 483
 Eysseric (Aiglon), 459
 Contant (Werner), 459
 Yourassof (Peugeot IV), 433
 Mignard (Knap), 411

 Dacier (CIément), 430 points
 Faivre (Terrot), 370
 Chaufour (Knap), 261

 van Hooydonk (Phœnix Trimo), 531 points

, , arrivée à Agen
Le Journal   4607 :

Arrivée à Agen
Le Journal   4607 :

 Cissac (Peugeot), 829
 Blatgé (Minerva), 818
 Bucquet (Griffon), 814
 Ginppbne (Peugeot), 8i3
 Champoiseau (Peugeot), 803
 Bonnard (Werner), 78i
 Schweitzer (Minerva), 775
 Lepetit [Stimula), 756
 Thomas (Magali), 739
 Foulon (Bruneau), 732
 Piatet (Stimula), 690
 Le Métais (N.S.U.) 633
 Canesse (Lamaudière Mauger), 622
 Mallet (Knap), 618
 Contant (Werner), 596
 Yourassof (Peugeot IV), 580

 Dacier (Clément), 570 points
 Faivre (Terrot), 508

 van Hooydonkk (Phœnix Trimo), 664 points

, , arrivée à Limoges
Le Journal   4608 :

 Ciasac (Peugeot), 829
 Blatgé (Minerva), 818
 Bucquët(Griffon), 814
 Giuppone (Peugeot), 813
 Champoiseau (Peugeot), 803
 Bonnard (Werner), 781
 Schweitzer (Minerva), 775
 Lepetit [Stimula), 756
 Thomas (Magali), 739
 Foulon (Bruneau), 732
 PIatel (Stimula), 690
 Le Métais (N. S. U.), 633
 Canesse (Lamaudière Mauger), 622
 Mallet (Georgia Knap), 618
 Contant (Werner), 596
 Yourassof (Peugeot IV), 580

 Dacier (CIément), 570 points
 Faivre (Terrot), 508

 van Hooydonk (Phœnix Trimo), 664 points

, , arrivée à Orléans
Le Journal   4609 :

 Cissac (Peugeot), 976 points
 Giuppone (Peugeot), 962
 Blatgé (Minerva), 960
 Bucquet (Griffon), 960
 Champoiseaù (Peugeot), 941
 Bonnard (Werner), 924
 Schweitzer (Minerva), 920
 Thomas (Magali), 889
 Lepetît (StimuIa), 888
 Foulon (Bruneau), 880
 Platel (Stimula), 831
 Canèsse (Lamaudière Mauger), 742
 Contant (Werner), 740
 Yourassof (Peugeot IV), 719
 Mallet (Knap), 687
 .Le Metais (N.S.U.), 633

 Dacier (Clément), 644 points
 Faivre (Terrot), 584
 Chauffour (Knap), 276

 van Hooydonk (Phœnix Trimo), 694 points

, , arrivée à Ville-d'Avray
La Presse   4732 :

Le Journal   4609 :

La Presse   4733 :

Le Journal   4610 :

 Cissac (Peugeot), 1212 points
 Guippone (Peugeot), 1200
 Bucquet (Griffon), 1192
 Blatgé (Minerva), 1183
 Champoiseau (Peugeot), 1168
 Bonnard (Werner), 1151
 Schweitzer (Minerva), 1146
 Thomas (Magali), 1129
 Foulon (Brùneau), 1107
 Lepetit (Stimula), 1098
 Canèsse (Lamandière-Mauger), 973
 Contant (Werner), 953
 Platel (Stimula), 925
 Yourassoff (Peugeot), 883

 Dacier (Clément), 803
 Faivre (Terrot), 632

 van Hooydonk (Phœnix Trimo), 783

La Presse   4734 :

, , Le kilomètre en côte - Côte de Dourdan
Le Journal   4610 :

« Les temps du kilomètre en côte ont été pris dans la côte de Dourdan, par MM. Audistère et Richard, chronométreurs officiels de l'A. C. F. Voici les résultats :

La longueur de la côte sur laquelle on chronométrait était de 1 kilom. 350, dont 200 mètres de pavé après un virage difficile. Il faisait un violent vent debout. »

Notes et références

Sport motocycliste en France

redpajama_set_name: RedPajamaWikipedia


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Visit this pretty 20 foot roadside waterfall in the Loyalsock State Forest.
One of the most accessible waterfalls in all of Pennsylvania, Dry Run Falls is right along Dry Run Road in the Loyalsock State Forest. You can see the falls from the road and a short walk from the parking area will bring you down to a great vantage point for photos.
You can also walk to the top of the falls and explore the little cascades just upstream. There are a few picnic tables if you want to enjoy your lunch next to the falls.
Dry Run Road is a dirt road, though well maintained and accessible by any type of vehicle. The road is often closed for some of the winter when it becomes snow covered.
The falls is easy to access and I often stop here for a quick photo or two when I'm in the Loyalsock hiking.


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Going Strong
by	/ Monday, 29 July 2019	/ Published in Uncategorized
Growing strong?
Beloved mary tyler moore
30 day period.call federal
State football coach lou
But a golden rose, growing strong? Oh, yes, that strikes fear in the heart!" Olenna Tyrell. Comment by ryan92084 I highly recommend not turning this quest in until your artifact research is at max. The reward scales and there is no reason to turn this and the follow up in besides the AP.
OWASSO – Bill Strong first took up bowling after he got back from the war. "It was 1945, and I had enrolled at Spartan," he said. "Me and two of my buddies there were dating these three girls and we'd.
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Tyler Stephenson doesn't get caught up in the hype of being one of the top talents in the Reds organization. Ranked as Cincinnati's No. 5 prospect entering 2019, the Chattanooga Lookouts catcher takes.
Today, more than a year later, the beloved mary tyler moore Show and Rhoda star celebrates her 75th birthday!And she's still going strong.
MIT's Linear Algebra class has surpassed 10 million views on OpenCourseWare (OCW). That's the kind of math that makes Professor Gilbert.
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I wouldn't go so far as to say it was the objective, however you have to wonder at the extent to which American foreign policy in the Middle East, and its propensity towards military intervention, was influenced by creating an exodus of refugees who were always going to be a problem for European countries to cope with.
Former N.C. state football coach lou Holtz is retired now but he's not stopping what he loves to do. He was in Raleigh Wednesday, speaking at.
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The group then asked everyone to take one more step: Discover the God that is full of compassion, generous with mercy, unfailing in His love and powerful in healing.
I would compare it to "Purpose Driven Life". The Bible used in context. Thank you devotiins your feedback. There was a problem filtering reviews right now.
It gives the spiritual fruit Reading devotions for dating couples app devotions provides strength and encouragement in your daily walk with Jesus Christ. It gives the spiritual fruit Reading daily devotions provides strength and encouragement in your daily walk with Jesus Christ.
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And to make it even more fun, the passengers' faces are shown on a giant video screen.
Where is God when one of us gets a bad report from the doctor? The Bible was well interpreted and used in it's proper context!
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Warhammer 40k: Darktide | Can You Play Solo?
Developer Fatshark reached into the futuristic lore of the Warhammer universe with Warhammer 40k: Darktide. The game continues the Left 4 Dead-esque experience of four players going up against hordes of enemies. The Vermintide installments helped propel the Warhammer 40k titles to the forefront with a spotlight, with players taking note of its addictive gameplay. However, since Darktide was developed with co-op gameplay in mind, is it possible to complete missions on a solo run? Is single-player an option here for Darktide fans? Let's find out with our brief guide below.
Can You Play Solo in Warhammer 40k: Darktide?
Warhammer 40k: Darktide is made for cooperative action, so it has no dedicated solo mode. A total of four players will always be present during a game, with on-deck bots waiting to fill a vacant slot. Hordes of Chaos will viciously charge at you and your fellow Inquisitorial Agents. Teamwork is essential in Darktide; going in alone will only result in death. Much like Vermintide, straying away from the main path and your squad can lead to a cornered mess with bloodthirsty enemies.
Even if you attempt to launch a supposed solo game in Darktide, AI bots will tag alongside you. Any player who enters the lobby mid-game will ultimately replace a bot, which defeats the purpose of a solo run. Evidently, a bot will replace a player if they choose to leave a game. In any case, you won't be alone during your time in Darktide.
There's always a good chance that this might change in the future. However, considering how popular Darktide is, especially on Game Pass, the chances of fighting the Chaos alone are extraordinarily slim. In that case, you might just have to adapt to the situation, with the hopes of a single-player update to possibly come one day.
In fact, Darktide is set up as a live service experience, with weekly story updates for players to dive into. This could possibly mean the inclusion of other content that players could be asking for. Patch notes and hotfixes are always expected, but can we anticipate the freedom to play as a lone wolf sometime in Darktide's future? Only time can tell.
For now, be sure to check out these other Warhammer 40k: Darktide guides:
Crossplay | Is There Cross-Platform Support?
Long Bomb Achievement | How to Complete
Plasma Gun | How to Get
C. Anthony Rivera
C. Anthony Rivera is a freelance writer from Chicago, IL. He graduated from Columbia College with a degree in Writing and has been published on several gaming websites with reviews, news articles, and guides. He is currently working on a novel.


Looking for the top 5 new cannabis strains of 2018? Then keep reading!
What many people considered good marijuana or strong marijuana 10, 20, or 30 years ago would most likely not stack up against the cannabis strains we can all enjoy today. As the drive towards legalization of cannabis and medical marijuana around the world continues to gain momentum, growers are using this increased demand to produce new and stronger strains of marijuana. Market demand is fueling the push for innovation across the cannabis industry, and here are the top 5 new strains of 2018 to look out for!
Deciding which are the 'best strains' is always open to debate, with no two people ever agreeing on which cannabis strain is best for them. Just as people's tastes vary, so to do the tastes of different areas and demographics. Dispensary owners and growers do their best to develop strains which will appeal to the broadest section of the cannabis consumer market.
Wonder Woman – This strain comes in at a massive 25 – 29% THC that will leave you buzzing for hours. If you suffer from anxiety, this may be a strain that you want to avoid. The Wonder Woman plant has luscious green leaves, with red hairs and vibrant white buds.
White Tahoe Cookies – White Tahoe Cookies is already available throughout the West Coast and is produced by respected growers Kush4Breakfast. White Tahoe Cookies is a hybrid strain that combines the best genetics of The White, GSC, and Tahoe OG.
Aurora Indica – Aurora Indica is a cross between Northern Lights and Afghan. It's packed with a potent combination of both CBD and THC. Aurora Indica is a beautiful deep purple color with light purple crystals and has a sweet smell and taste.
Blueberry Widow – If you're searching for a strain that delivers a knockout couch-lock, then the Blueberry Widow is for you. This sweet strain has a strong woodsy smell that's natural and fresh.
Sensi Star – Last on our top 5 list of strains is Sensi Star. Sensi Star is 90% Indica and pumps out a very respectable 20% THC.


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← Serious Funk and Sweet Soul Music Ruled the Night
Newport Folk Festival Starts Rolling Lineup Announcements →
Resurrect People is the Message of "Witness Uganda"
I, for one, did not imagine that the story of a young actor traveling to Uganda to do humanitarian work would make good musical theatre (I had a similar thought when "Pippin" – the story about Charlemagne's son – was first produced on Broadway in 1972 and look what happened there). I was thrilled to be proven wrong last night when I attended a preview of "Witness Uganda" at the American Repertory Theatre.
Griffin Matthews was a young actor living in New York in 2005 when he decided to join a group that was building schools in Uganda. This musical chronicles his journey, both literally and figuratively.
The audience was hooked from the moment the cast took the stage. Although none of the actors is African, they are 100% convincing in their roles. I do not know a lot of Africa-born people but I have seen many concerts of African performers, and I had to read the playbill to know that they were not from Africa.
Griffin plays himself in this production; some people might think that would be easy but I have a feeling it is not.
Griffin wrote the play with Matt Gould who led and performed in the band. The music is spirited and the choreography perfect. The costumes appeared authentic. I hope the music becomes available as an original cast recording.
The play does not glamorize aid work. It does, in fact, let the audience feel that it is complex at best to provide help in developing nations. Life in Uganda was a daily struggle for Griffin. We feel how much it changed his life.
The play is expertly directed by Diane Paulus, the Artistic Director of A.R.T. who has won several Tony awards. Even though I saw the play in previews, the production was tight with no visible missteps.
The audience gave a standing ovation (not a typical occurrence in Boston-area theatres) that lasted about five minutes. During that time, the cast reprised a couple of songs from the show to our delight. Griffin as well as other cast members were visibly overwhelmed by the outpouring of affection for Griffin's and Matt's stellar creation.
After the show. Griffin and Matt led a 20-minute Q&A session which prompted some interesting questions. If – and when – you attend this show, I would recommend staying for this "Act III".
For more information on how you can help, go to the Uganda Project website.
"Witness Uganda" opens on February 12 and runs through March 16. I highly recommend seeing this award-winning play which might be destined for Broadway.
Posted on February 13, 2014, in theatre reviews, Uncategorized and tagged A.R.T., American Repertory Theatre, Diane Paulus, Griffin Matthews, Matt Gould, Uganda Project, Witness Uganda. Bookmark the permalink. Leave a comment.


Offer ends October 31st, 2018. Value includes frieght, PDI, levies, & fees, and does not include applicable taxes, license, and registration.
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Simson L. Garfinkel is the Senior Computer Scientist for Confidentiality and Data Access at the US Census Bureau. His current research interests include privacy in big data, cybersecurity and usability. He holds seven US patents and has published dozens of research articles in computer security and digital forensics. He is an ACM Fellow, an IEEE Senior Member, as a member of the National Association of Science Writers.
Garfinkel is the author or co-author of fourteen books on computing. His book Database Nation: The Death of Privacy in the 21st Century (O'Reilly, 2000) discussed the impact of technology on privacy in the 20th and 21st centuries. His book Practical UNIX and Internet Security (co-authored with Gene Spafford and Alan Schwartz), has sold more than 250,000 copies and been translated into more than a dozen languages since the first edition was published in 1991.
Simson L. Garfinkel is the Senior Computer Scientist for Confidentiality and Data Access at the US Census Bureau and the Chair of the Bureau's Disclosure Review Board. He has published research articles in the areas of computer security, digital forensics and privacy. He is a fellow of the Association for Computing Machinery and holds a PhD in Computer Science from MIT.
Simson Garfinkel received undergraduate degrees in Chemistry, Political Science, and the Science, Technology and Society program from the Massachusetts Institute of Technology in 1987; a MS in Journalism from Columbia University in 1988; and a PhD in Computer Science from MIT in 2005. He has over 30 years of research and development experience with over 50 publications in peer-reviewed journals and conferences. His research interests include digital forensics, usable security, and technology transfer. In 2017 Garfinkel was appointed the the Senior Computer Scientist for Confidentiality and Data Access at the US Census Bureau; he was previously a Senior Advisor at the US National Institute of Standards and Technology, and an Associate Professor in the Computer Science Department at the Naval Postgraduate School. He is a fellow of the Association for Computing Machinery, holds a PhD in Computer Science from MIT, and teaches as an adjunct faculty member at the George Mason University in Vienna, Virginia.


At Paul-Randolph we are true jewellers first and retailers second. With our training and knowledge we are able to create the finest quality products, to the highest standards, as well educate our customers with current up to date information.
With a gemologist, goldsmith, platinumsmith, setter and designer on the premises, our special custom design service is one we pride ourselves on, whether it's re-designing an old heirloom or a modern creation.
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Land and Ranch Realty is a Texas based full service brokerage company with core strength in live water, investment, and recreational ranches. We serve all of Texas with our area of expertise being Central Texas and the Texas Hill Country.
We excel at facilitating difficult and complicated transactions for buyers and sellers. Our goal is to develop life-long relationships with our clients built on trust and integrity.
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Bonneville International Partners With Quu for Visual Ad Help
"We are pleased to be able to enhance the listening experience of our loyal audiences and to provide better branding for both Bonneville's brands and those of its advertisers," said Darrell Brown, President Bonneville International.
Ryan Hedrick
Bonneville International, which owns and operates news/talk stations in Seattle, Phoenix, and Salt Lake City, is reportedly partnering with Quu Inc. to publish programming and advertising messages on vehicle dashboards.
The story was first reported by Radio Facts. According to the company's website, its software targets prospective consumers by delivering an array of messages to vehicle dashboards.
"We are pleased to be able to enhance the listening experience of our loyal audiences and to provide better branding for both Bonneville's brands and those of its advertisers," said Darrell Brown, President Bonneville International. "This partnership with Quu across Bonneville's markets positions us well to take advantage of new opportunities in the automobile and beyond."
Quu CEO Steve Newberry reacted to the news lauding Bonneville for its community service.
We're pleased to empower all of their stations with Quu as a market differentiator and new tool to stay even more connected with advertisers and listeners," he said.
Ryan Hedrick serves as the Assistant Program Director and Co-Host of the Morning News Express at WFMD. Prior to WFMD, he hosted an afternoon program at News Talk 103.7 FM in Chambersburg, PA. He has worked at Sirius XM in Washington D.C., WBEN in Buffalo, NY, and for stations in Baltimore, MD. He has also worked at WIBW-AM in Topeka KS, earning the Kansas Association of Broadcasters (KAB) award for Major Market enterprise reporting in 2016. To connect with Ryan, find him on Twitter @SureToCover.
Related Topics:Barrett News MediaBNMBonneville InternationalJason BarrettQuuRyan Hedrick
Dana Loesch Adds Several New Affiliate Stations
WBAL NewsRadio Wins Four First-Place Awards at CAPBA


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Bubbling Under the Countdown
#1193: Train by Shooter
Peak Month: September 1975
7 weeks on Vancouver's CKLG chart
Peak Position #17
Peak Position on Billboard Hot 100 ~ did not chart
YouTube.com: "Train"
In 1971 a 50s cover band based in Toronto was formed named the Greaseball Boogie Band. Eat your heart out American Graffiti. The band released an album in 1973 of covers of early rock era classics. It included "Don't Be Cruel" by Elvis Presley, "High-School Confidential" by Jerry Lee Lewis, "Slipin' And A-Slidin'" by Little Richard, "Rockin' Pnneumonia" by Huey "Piano" Smith, "Blueberry Hill" by Fats Domino, "Searchin'" by the Coasters, "Honky Tonk" by Bill Doggett, "Sea Cruise" by Frankie Ford, and others. The band members included bass guitar player Gene Trach, vocalist Duncan White, keyboard player Ray Harrison, drummer Tommy "Short Ass" Frew, saxophonist Wayne "Pig Boy" Mills, and John "Animal" Bride.
#472: You're My One And Only Love by Ricky Nelson
Peak Month: August 1957
5 weeks on Vancouver's CKWX chart
Peak Position #2
Peak Position on Billboard Hot 100 ~ #16
YouTube.com: "You're My One And Only Love"
"You're My One And Only Love" lyrics
In 1940 Eric Hilliard Nelson was born. On February 20, 1949, while still eight years old, he took the stage name of Ricky Nelson when appearing on the radio program, The Adventures of Ozzie and Harriet. A child actor, Ricky was also a musician and singer-songwriter. who starred alongside his family in the long-running television series, The Adventures of Ozzie and Harriet (1952–66), as well as co-starring alongside John Wayne and Dean Martin in the western Rio Bravo (1959). He placed 53 songs on the Billboard singles charts between 1957 and 1973.
#473: But It's Alright by J.J. Jackson
Peak Month: December 1966
8 weeks on Vancouver's CFUN chart
YouTube.com: "But It's Alright"
"But It's Alright" lyrics
In 1941, Jerome Louis Jackson was born in the Bronx, New York. In 1957 he had his first song recorded by Billy Williams called "The Lord Will Understand (And Say Well Done)" as one of three tracks on an Extended Play supporting Williams hit single "I'm Gonna Sit Right Down and Write Myself A Letter". Jackson wrote songs recorded by the Flamingos, the Shangri-las – the B-side to "Remember (Walking In The Sand)", Barbara Lewis and Eddie Floyd. In 1966, Jackson wrote a hit single in the UK for the British group in the Pretty Things called "Come See Me".
#474: Good Timin' by The Beach Boys
Peak Month: July 1979
12 weeks on Vancouver's CFUN chart
YouTube.com: "Good Timin'"
"Good Timin'" lyrics
Brian Wilson was born in Inglewood, California, in 1942. In biographer Peter Ames Carlin's book, Catch a Wave: The Rise, Fall, and Redemption of the Beach Boys' Brian Wilson, he relates that when Brian Wilson first heard George Gershwin's "Rhapsody in Blue" it had a huge emotional impact on him. As a youngster, Wilson learned to play a toy accordion and sang in children's choirs. In his teens he started a group with his cousin, Mike Love and his brother, Carl. His named the group Carl and the Passions in order to convince his brother to join. They had a performance at Hawthorne High School, where they attended. Among the people in the audience was Al Jardine, another classmate. Jardine was so impressed with the performance that he let the group know. Jardine would later be enlisted, along with Dennis Wilson to form the Pendletones in 1961. The first song Brian Wilson wrote would become "Surfer Girl." A demo of the tune was made in February 1962 and would go on to be a Top Ten hit when it was released a year later in 1963. However, their first recording was a doo-wop-surf tune called "Surfin'" in October 1961. It was released in November '61 on the Candix Enterprises Inc. label. The surprise for the group was that the record label had changed the group's name from the Pendletones to the Beach Boys. Consequently, as each time the record was played by a DJ in America, radio listeners were being introduced to the Beach Boys. The name Pendletones was now history.
#1177: Brontosaurus Stomp by Piltdown Men
Peak Month: October 1960
6 weeks on Vancouver's CKWX's chart
YouTube.com link: "Brontosaurus Stomp"
Ed Cobb of the Four Preps co-founded the Piltdown Men with Lincoln Mayorga, who was an arranger with the Four Preps. Mayorga played on piano, Tommy Tedesco on six-string bass guitar, Bob Bain on guitar, Scott Gordon on saxophone, Alan Brenmanen on drums, and several other session musicians. Edward "Ed" Cobb was born in 1938. In the Fall of 1954 Hollywood High School held an audition for their annual talent show. Thirty-five girls auditioned, but no boys. The next day the school bulletin pleaded for "any guys out there who can do anything." Four boys in the school choir formed a quartet overnight and stepped into the crinoline void as The Four Preps. They included bass singer Ed Cobb. The Four Preps won the talent show hands down, after singing covers of songs by The Crew Cuts and The Four Lads. Signed with Capitol Records in 1956, the Four Preps connected with the record buying public in 1958 with two Top Ten hits: "26 Miles (Santa Catalina)" and "Big Man".
#475: If I Was by Midge Ure
Peak Month: March 1986
YouTube.com: "If I Was"
"If I Was" lyrics
James Ure was born in the suburbs of Glasgow, Scotland, in 1953. He told the Guardian "I was born in a one-bedroom tenement flat on the outskirts of Glasgow. It was pretty slummy and I was there for the first 10 years of my life. My brother and I slept in the bedroom. There was a cooker in a tiny little hole that connected the sitting room to the bedroom, and the sitting room had a sink in it that we used to bathe in. Opposite the sink was a thing called a cavity bed, which was like a hole in the wall with a mattress for my parents, and there was an outside toilet. I thought it was a fabulous place."
#476: Shakin' All Over by The Guess Who?
Peak Month: February 1965
YouTube.com: "Shakin' All Over"
"Shakin' All Over" lyrics
Randolph Charles Bachman was born in 1943 in Winnipeg, Manitoba. When he was just three years old he entered the King of the Saddle singing contest on CKY radio, Manitoba's first radio station that began in 1923. Bachman won the contest. When he turned five years he began to study the violin through the Royal Toronto Conservatory. Though he couldn't read music, he was able to play anything once he heard it. He dropped out of high school and subsequently a business administration program in college. He co-founded a Winnipeg band called Al & The Silvertones with Chad Allan in 1960.
#477: I.G.Y. (What A Beautiful World) by Donald Fagen
Peak Month: November 1982
YouTube.com: "I.G.Y. (What A Beautiful World)"
"I.G.Y. (What A Beautiful World)" lyrics
Donald Jay Fagen was born into a Jewish household in Passaic, New Jersey, in 1948. The first record he bought was "Reelin' and Rockin'" by Chuck Berry in 1958. In 1959, when he was eleven years old, a cousin of Donald Fagen suggested he explore jazz music. So he attended the Newport Jazz Festival. Fagen recalled later "I lost interest in rock 'n' roll and started developing an anti-social personality." By 1960, after he'd turned twelve, Fagen began frequenting the Village Vanguard jazz club. He was able to see Charles Mingus, Thelonius Monk, and Miles Davis. He learned to play the piano, and he played baritone horn in the high school marching band. Fagen also drew inspiration from the Boswell Sisters, Henry Mancini, Ray Charles, Sly and the Family Stone and a variety of Motown recording acts.
#507: Joanne by Michael Nesmith
YouTube.com: "Joanne"
"Joanne" lyrics
Robert Michael Nesmith was born in 1942 in Houston, Texas. His mother, Bette invented liquid paper and would later leave the $20 million estate to him. Affectionately nicknamed "Nez," he learned to play saxophone as a young child and joined the United States Air Force years later. After two years in the Air Force, he left to pursue a career in folk music. In the mid-60s, he left home to move to Los Angeles, with the intent of getting into the movie business. During this time he formed the trio named Mike and John and Bill. They recorded a single in 1965 called "How Can You Kiss Me", which was a Top 40 hit in San Antonio, Texas, in May of '65. Later that year Nesmith released a solo disc titled "A Journey With Michael Blessing" that made the Top 50 in a few radio markets in Pennsylvania and Ohio, credited to Michael Blessing. With hopes of getting a job as a songwriter, Mike auditioned for The Monkees in late-1965.
#478: The Sock by The Valentines
YouTube.com: "The Sock"
The Valentines were a vocal group from Vancouver, British Columbia. The original members of the group were Irene Butler, Joy Findlay and Miki Shannon. The Valentines appeared on a local Vancouver record in 1960 called "The Blamers". On that single, they provided a backing chorus for Les Vogt. "The Blamers" entered the CFUN Hi-Five Forty chart in Vancouver (BC) on July 9, 1960, and climbed to #1 on August 6th, where it briefly knocked Elvis Presley's "It's Now Or Never" out of the number one spot.


text:
Trace was een Nederlandse progressieve-rockgroep uit de jaren zeventig rond Rick van der Linden.

Van der Linden speelde in Ekseption. Nadat in 1973 het album Trinity was uitgebracht verzochten de overige bandleden in september Van der Linden te vertrekken. Platenlabel Philips wist het voor elkaar te krijgen dat officieel werd meegedeeld dat Van der Linden was opgestapt. Kort daarop kwam de mededeling dat Van der Linden een nieuwe band was gestart: Ace. Van der Linden koos daarbij de bandvariant toetsen, basgitaar en drums. In januari 1974 begon Ace te repeteren met op het drumstel Peter de Leeuwe die eerder in Ekseption en The Bintangs had gespeeld. Van der Linden vond De Leeuwe echter technisch niet goed genoeg en verving hem in februari door zijn achterneef Pierre van der Linden die in 1973 uit Focus was gestapt na onmin met Thijs van Leer en Jan Akkerman. Rick van der Linden trok, overigens op instigatie van De Leeuwe, Jaap van Eik aan als basgitarist; hij had ook een reeks bands op zijn naam staan . Onderhandelingen voor een platencontract leken in de richting te gaan van CBS. De rol die Philips had gespeeld in de breuk bij Ekseption was daar mede aanleiding voor. Philips kwam echter met meer geld over de brug. Het in mei 1974 ondertekende contract zou leiden tot de release van het debuutalbum in september. Ondertussen dienden zich problemen aan met de bandnaam. Engeland zou moeilijk kunnen gaan doen want daar was de naam al vastgelegd door de band Ace die in november 1974 een grote hit zouden scoren met How Long.  De Nederlandse band kreeg een nieuwe naam: Trace

Op 9 september 1974 verscheen het eerste album, onder de titel Trace. Het tweede album, Birds kwam op 1 januari 1976 uit. Pierre van der Linden speelde inmiddels weer bij Focus, en was vervangen door de Britse drummer Ian Mosley, die later bij Marillion zou gaan drummen. Het derde album, The white ladies, verscheen in 1976. Dit was een conceptalbum over de sage van de Witte wieven. Inmiddels was de bezetting weer geheel gewijzigd. Naast Van der Linden speelde Hans Jacobse toetsinstrumenten; drummer was nu toch weer Peter de Leeuwe; basgitarist was Cor Dekker van Ekseption. Verder werkten mee: ex-Ekseptionlid Dick Remelink (saxofoon, fluit), Hetty Smit (zang) en Harry Schäfer (verteller). Na dit derde album werd Trace ontbonden.

Discografie
 Trace (1974)
 Birds (1976) (remastered expanded 2014 Pseudonym)
 The white ladies (1976) (remastered expanded 2014 Pseudonym)

Nederlandse rockband
Progressieve-rockband


text:
North Korea's "Army of Beauties"
The cheerleaders have become heartthrobs in South Korea, but, like their Communist homeland, the women are fenced off from the rest of the world.
[Narrator] North Korea is known for these large scale
coordinated performances.
But let's take a closer look at one group.
This is North Korea's mysterious cheerleading squad,
often called the army of beauties.
The group of 230 women will be cheering on North Korean
athletes at the 2018 Winter Olympics in Pyeongchang,
South Korea.
It's their first visit to the south in 10 years,
and people are looking forward to getting a glimpse
The cheerleaders are chosen based on their attractiveness,
their family background, and most importantly,
their loyalty to the North Korean regime.
This is Ri Sol-ju.
She was a cheerleader on the squad
before marrying Kim Jong Un,
the supreme leader of North Korea.
The cheerleaders have to pass a strict background check
that rules out any possible defectors
or Japanese sympathizers.
In 2005, 21 squad members were reportedly sent
to a prison camp after they were accused of speaking
about what they'd seen in South Korea.
In the past, the women waved blue and white
unification flags, showing a united Korean peninsula.
The Pyeongchang organizing committee
hopes the group's attendance will help with ticket sales
and promote peaceful North Korean involvement.
Their visit is seen as a sign of warming relations
between the North and South.
The Anxiety of the Olympics in Korea
North Korea's Threats and Overtures
The Risk of Nuclear War with North Korea
A Historic Handshake Between North and South Korea
The Traces of Nuclear Bombs
Seymour M. Hersh with David Remnick
The Pageantry of a U.S.-North Korea Handshake
Why U.S. Audiences Are Crazy for K-Pop
A Search for Justice for a Brother's Murder
The Comedian Karen Chee Tries to Keep Up with a New Yorker Cartoonist


As Maribeth McCauley Lynch walked the property of one of her latest listings in Westborough, the Realtor looked up to see a hawk floating above the rolling four-acre site, envying the bird's view.
That perspective, she concluded, could help sell the property. So, during a chance meeting with a local drone operator, she jumped on the opportunity to meld an aerial video with still photos to help market the site.
Real estate is just one of many industries to explore the use of drones. Robust military use and a growing civilian following are helping to cement them into the culture and now into commerce. The sky's the limit (pun intended) when it comes to drone applications, with early adopters in Central Massachusetts already capitalizing on them.
For instance, it takes photographer Adam Metterville a few minutes to set up his drone for aerial photography and video and take to the sky. But that setup time can make all the difference in his final product. Metterville has been using a drone for nearly two years, and shooting promotional videos and weddings for much longer. Nothing gets a viewer invested in a film like an aerial shot, he said, which is an angle that had previously been limited to Hollywood films or high-budget videos. But, using a drone, a professional aerial shot can now be done for less than $2,000.
"Those five seconds worth of clips make a film so much more impactful," he said. "You would never be able to get a shot like that if you didn't have a drone."
For Lynch, a broker with Thrive Real Estate Specialists Shrewsbury, the Westborough property she was selling deserved a unique perspective, which Lynch found via the drone she used to shoot video of the property.
"For particular properties, this is just a great way to convey the lay of the land," Lynch said. "I had an idea of what it looked like flat, but being able to see it from above just changed everything."
As the types of unmanned aerial vehicles expand, so do the commercial applications, said Helen Greiner, CEO and founder of drone producer CyPhyWorks, based in Danvers.
Drones are making their way into different industries, she said, with aerial views having applications in farming, oil and gas, mining, construction, real estate and security, she said.
"There's (a) tremendous number of uses for drones in industry," she said. "All physical industries are looking because drones are powerful. You can get a look from a higher vantage point and go into dangerous situations."
According to a report by the Teal Group, the military made up 89 percent of the unmanned aerial vehicle market in 2014. With the technology making its way down to police forces or being adopted for commercial purposes, the transformation is following a path much military technology takes, including that of ground robots.
iRobot, based in Devens, has sold 5,500 ground robots to date. They range in size from a five-pound unit that rolls along the ground like a radio-controlled car on tank treads to a larger one that can lift more than 330 pounds with its mechanical arm. The applications of the company's robots now range from vacuuming households to monitoring radiation levels and examining equipment in nuclear power plants from a safe distance. The company still serves a wide array of military applications as well as law enforcement.
"A brand new technology is initially met with some skepticism, but that skepticism evaporates once you find a role that robot can play," Frost said, using the example of checking caves for enemy troops.
The military applications of the technology have paid off with interest from police departments and first responders. Drones could follow that same path, he said.
Military use of drones and the possibility of law enforcement applications have triggered privacy concerns that land-based robots have not encountered. The American Civil Liberties Union (ACLU) pushed a bill now before the Massachusetts House and Senate that would limit law enforcement use to emergency situations, require them to not carry weaponry and require a warrant for use in all other situations. These restrictions aim to combat the potential of drones to monitor private citizens, especially as the price point for a drone continues to drop, said Kade Crockford, who heads the Technology for Liberty project for the ACLU of Massachusetts.
"Folding technology like drones into the fourth amendment (of the U.S. Constitution) is a common-sense step we need to be taking in the 21st century if we want to ensure that the surveillance technology police are using … protects public safety as well as civil rights and civil liberties," she said.
Even as the ACLU tries to create strict guidelines for law enforcement, Crockford said the organization would fight for individuals' rights to use drones, based on applying the first amendment right of free speech to photography.
Greiner, of CyPhyWorks, argues that the privacy conversations around drones are part of a larger issue about cameras.
"The conversation we should be having is talking about pointing a camera where you shouldn't be. The talk about drones is a little bit of a red herring," she said.
Chris Markman, who used a drone to film scenes over Worcester's Kelley Square for a video project, has been doing aerial photography for a year and a half. He pointed out that corporations have had access to aerial images for years without being challenged.
"We are giving Google all these rights to have satellite images of our backyards," he said. "This has already happened but we haven't stopped to think about it until your neighbor can do it."
Privacy concerns and news of user mishaps will not be enough to knock the market for drones off their upward trajectory, according to those interviewed for this story. The Teal Group report also predicts nearly double growth for the worldwide for "unmanned aircraft vehicles" — or UAVs — from $6.4 billion to $11.5 billion a year by 2024.
Quickly advancing technology is making drones more ubiquitous. They have advanced from using the same controls that hobbyist-scale helicopter pilots have used for years to integrating more technology in both the drone itself — with better stabilization software and hardware, improving ease of flight while the controls are being integrated within smartphones, Markman said. The integration is only getting easier, with less expensive models coming along frequently.
What could affect whether drones continue to fly high is the delay in guidelines from the Federal Aviation Administration (FAA). Currently, the only way a business can use a drone is through FAA authorization. The agency has granted about 450 so far.
Having companies apply for exemptions rather than outline requirements for commercial fliers has led many drone operators such as Markman to avoid officially offering their services commercially. Operators will either donate their services or only charge for editing to avoid having to apply for an exemption, said Markman.
"I would love for the FAA to come out and just say 'Here is what you have to do to get licensed,'" he said. "It's really confusing right now."


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Explore what's on at SFAI this summer—and on the horizon.
This multimedia issue of Art + Effect highlights the SFAI community through interviews, GIFs, and photo essays.
Featuring current students, recent alumni, new Trustees, and faculty farewells, there's much to explore—click on below.
Have a comment, question, or content idea?
We'd love to hear from you—contact us as at development@sfai.edu.