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text:
Scrutiny Of The Edgelands — Introducing: The Expanded City
Writer and artist Lauren Velvick has recently been commissioned to work on The Expanded City project within her hometown of Preston. But what has it taught her about the forgotten edgelands at the borders of rural and urban spaces?
The conversation around how we, as artists and cultural workers, can respond pragmatically and fruitfully to the continuing austerity visited on our towns and cities — and the increasing privatisation of vital services and industries — is becoming more urgent by the day. In introducing The Expanded City project, based in my hometown of Preston, Lancashire, it is impossible not to consider the latest spate of regional museum closures and threats of closure.
Within this climate, it seems even more surprising that Preston City Council would be scrupulous in seeking to ensure cultural provision with the City Deal scheme, which aims to construct and implement improved infrastructure, as well as new housing and "employment areas". Yet, this is exactly what has happened, with the Preston-based arts organisation In Certain Places having been invited to respond to the scheme, in turn commissioning five artists, along with myself in the role of writer.
"Preston as an urban centre is hedged by the rural"
In Certain Places have previously focussed on "the city" in terms of the central, urban experience, and have had to reorient towards the hinterlands for The Expanded City. Preston as an urban centre is hedged by the rural, and envelops estates and suburbs that have cultivated individual identities through a combination of class, cultural and environmental delineations. As a one-time industrial hub and administrative centre, the architecture of central Preston combines the grand civic styles favoured by 19th century philanthropists, alongside the swooping concrete of 1960s utopian brutalism, and 1990s utilitarian breeze-block shop units; each in their own way designed for the use and/or edification of the people.
From this central point, it is not particularly easy to reach the edgelands without a car, and this basic infrastructural need is a significant concern for three of the commissioned artists, Gavin Renshaw, and artist duo Ian Nesbitt and Ruth Levene. Renshaw has photographed Preston from various points around the periphery of the city, sometimes following the route of the Guild Wheel, a 21 mile cycle path that serves as a legacy for the 2012 Guild celebrations – Preston being the only place that continues to celebrate this civic occasion dating from the rule of Henry VIII – producing images that constitute a decontextualised portrait of the city, often appearing to be ahistorical and timeless. In one image, primeval forests encroach upon the Deepdale Stadium, in an illusion created by Moor Park, which was once a moor on the edge of the growing town.
"Artist Ian Nesbitt has explored the pilgrimage as a vernacular route or 'rogue network'"
To Renshaw, the mode by which he conducts this research is incidental, but by recording his routes and discovering first-hand the need for better pathways out of the city centre, this project lends itself to advocacy for improved cycling infrastructure.
Nesbitt and Levene have also traversed the circumference of Preston, but by other means than cycling. Prior to their involvement with The Expanded City, the two artists had completed a walk around the official boundary of their home-city of Sheffield, and had proposed to recreate this work in Preston. In previous artwork, Nesbitt has explored the pilgrimage as a vernacular route or "rogue network", and the boundary walks can also be considered in these terms, with both artists sharing an interest in the differences and relationships between systems built in the service of human industry, and those that are formed by social interaction or the natural world.
"The continual redevelopment of city centres is familiar to anybody that lives in or near to one"
The continual redevelopment of city centres is familiar to anybody that lives in or near to one, but redevelopment on the edges of cities is less examined and rarely questioned. An important part of The Expanded City project is to develop an understanding of the experience of city-dwellers at the limits of what can be considered as city. Towards this end, commissioned artist Olivia Keith (pictured) has been conducting active research in the areas earmarked for development, focussing on the cultural importance of naming.
For Keith, the motif of the bridge is an important point of reference, appropriated due to their proximity to the waterways and thoroughfares of a place, and as such often pointing to earlier configurations of inhabitance and movement. In order to facilitate her conversations with passers-by, Keith has developed a framework, whereby each of her days spent on site results in a large-scale multimedia landscape drawing, which in turn acts as a point of conversation, making Keith conspicuous within her chosen environment. She has described how it is important to communicate openness, but not to actually initiate conversation, and this self-imposed constraint is one of the ways in which Keith's ongoing project differs from familiar forms of socially engaged memory collecting. Any knowledge that is gained during these days spent drawing outdoors is offered consciously and deliberately, constituting a gathering of the information that people choose to go out of their way to share with strangers, or that is too precious to keep to oneself.
"The City Deal is a long-term project, and there are, as yet, few visible signs of it"
The City Deal is a long-term project, and there are, as yet, few visible signs of it, meaning that our responses have necessarily taken the form of conjecture. In a symposium organised by In Certain Places earlier in 2016, this sense of flux and in-between-ness was centred, with presentations from urban designer Carolina Caicedo and economist Paul Swinney, both of whom make work about the constantly changing nature of cities, and how this can be directed or understood.
Caicedo's work within her organisation The Decorators relies on an understanding of the constitution of individual communities, whereas Swinney's work as an economist uses quantitative measurement of demographics, representing two modes of knowledge that are often placed in opposition with one another, but that are equally necessary.
"It is our current situation that makes the kind of scrutiny afforded by The Expanded City project so important"
And yet, even with careful research, design that collaborates with the community, and comprehensive data any structure can be misused and any plan subverted, and it is this potential for the unexpected that interests the final commissioned artist, Emily Speed. The criteria insisted upon by Preston City Council, that alongside housing and employment, spaces for leisure, culture and play should be provided within the City Deal, is perhaps the most difficult to design and implement.
This disparity between intention and function has also emerged as a central concern in my own research, having observed the half-developed wastelands to the North East of Preston being utilised by adolescents, presumably in search of the kind of privacy that a small city centre can't provide, but the edgelands can. It is difficult at the moment to imagine how places like Preston will look in a decade or so into the future, when our political and social landscape is so precarious and volatile in the present. However, it is our current situation that makes the kind of scrutiny afforded by The Expanded City project so important.
Lauren Velvick
Learn more at The Expanded City Publication Launch at Ham and Jam cafe, between 12 and 3pm (drop-in) on Friday 18 November 2016 (FREE entry) — an informal afternoon of tea, cake, artwork and conversations about The Expanded City, as well as a chance to collect a free publication which documents the first 12 months of the project.
The Expanded City is a three-year programme of artworks and events designed to generate debate about the City Deal – a national scheme, which aims to address strategic transport, environmental, community and cultural infrastructure challenges. In Certain Places have been working with artists Olivia Keith, Gavin Renshaw, Ian Nesbitt and Ruth Levene, Emily Speed and writer Lauren Velvick to examine the existing characteristics and future plans for places within the City Deal areas. There will be an exhibition of artwork and the artists will available throughout the day to talk about their research and discuss aspects of the City Deal scheme.
Image: drawing by Olivia Keith (detail), courtesy the artist
A Waking Dream – Rebecca Allen's The Observer
What's a video-game without its heroes and villains, guns or explosions? Mike...
Cui Jie: From Pavilion to Space Station – Reviewed
An exhibition addressing how shifts in architectural style reflect national identity, Cui Jie's...
Who is the city for? – Sara Jaspan Meets The Neighbours
With asylum seekers moved out of increasingly exclusive city centres and affordable...

redpajama_set_name: RedPajamaCommonCrawl


The tax rate for companies with an aggregated annual turnover of less than $2m will be reduced by 1.5% (ie from 30% to 28.5%) from the 2015/16 income year. However, the maximum franking credit rate for a distribution will remain at 30%, subject to the company having available franking credits.
A 5% tax discount will be introduced for individual taxpayers with business income from an unincorporated small business. This measure will also apply from the 2015/16 income year.
The discount, given in the form of a tax offset, will apply to the income tax payable on the business income received and will be capped at $1,000 per individual for each income year.


text:
'Criminal Minds' Theory: Could Lindsey Vaughn Have Framed Reid? – BuddyTV (blog)
With only three episodes of Criminal Minds season 12 left to go, Reid's still in prison and still putting together what happened in that motel room in Mexico. He did make progress during his last conversation with Tara, remembering that Mr. Scratch drugged him, but then he said that she told him it was "time to go" and she walked out of there and wanted him to chase her. "It wasn't Scratch who framed me," he explained. "It was a woman."
Assuming we can trust that memory, who is that woman? It seems more likely than not it's going to be someone recognizable from a previous episode, and Gia Mantegna is reprising her role as Lindsey Vaughn in the final three episodes. When TVLine asked showrunner Erica Messer about her return, all she said was "that's a bit of a spoiler." Could Lindsey be the one who framed Reid?
Criminal Minds Season Finale Spoilers: Reid Battles a Former Enemy, We Know Why Derek Returns>>>
Who Is Lindsey Vaughn?
Lindsey was introduced back in season 3's "3rd Life," when she and her friend, Katie, were kidnapped. (Katie was killed.) She warned her kidnapper, "What you do to me will be nothing compared to what my dad will do to you," and when her father, Jack, found them, Lindsey urged him to kill him. Jack ended up doing just that, and the two were still in witness protection at episode's end, with Lindsey using her best friend's name.
Why Lindsey Might Have Framed Reid
It does seem like Peter Lewis has to be involved in some way because Messer also told TVLine, "I would not rule Scratch out" just because of what Reid remembered and that he will be involved until "the last frames of the finale."
It could be as simple as Mr. Scratch using and drugging her. She could just be the one who was in that motel room because Mr. Scratch was looking for someone to use from one of the team's old cases and she's the one he picked/found.
But could it be that Scratch didn't even need to drug Lindsey for her to work with him? After all, she was the one who was urging her father to kill her kidnapper — and glaring back at Reid when he tried to talk Jack out of it. "You swore to your wife you'd protect Lindsey," Spencer reminded her father. "Listen to what she wants. She's begging you to kill somebody right in front of her. What do you think your wife wanted you to protect her from? … Your life has been about violence, and if you do this, Lindsey's will be too."
Jack did take the shot, saying that the "violence" would end "tomorrow," but we don't know what happened to those two after the end of the episode. Did Jack turn over a new leaf? Does it matter if he did? After all, Lindsey wanted her father to kill her friend's killer right in front of her.
Maybe she didn't like that Reid was trying to change her father and she remembers him trying to talk him down in the school bathroom that day. Maybe something happened after the case that we'll find out about during the course of this investigation.
Criminal Minds Recap: Does Reid Remember What Happened in Mexico?>>>
What Could Lindsey Be Doing in Her Return?
Here's what we know: Gia Mantegna is in the three episodes remaining in the season, "Unforgettable," "Green Light" and "Red Light." The logline of the penultimate episode reveals that "Reid fears his mother has been abducted," while the synopsis of the season finale teases that Reid is "caught in an impossible scenario" and "must square off with an old nemesis." Could that "old nemesis" be Lindsey?
While Reid's mother is not listed in the guest cast for "Green Light," Lindsey's father (Fredric Lehne returning as Jack) and a US Marshal are. Could Jack still be in witness protection? Could Reid remember Lindsey in Mexico in "Unforgettable" and the team tracks him down in "Green Light" when they look into Diana Reid possibly being abducted?
Could Lindsey be aiming to take away Reid's parent like she may think Reid took hers — or at least the parent she knew him to be, if he did in fact decide to "protect" Lindsey in the way Reid said his wife wanted him to?
What's also interesting is that Beth Riesgraf's Maeve Donovan is listed in the guest cast for the finale, and since she's dead, the only possible way for her return has to involve Reid being drugged, like he was in Mexico. Could that happen when Reid faces off with his nemesis?
Who Else Could Have Framed Reid?
But maybe Lindsey isn't the one who framed Reid. Maybe she wasn't in the motel room. Maybe someone else was, and that person's identity (and likely return) has been kept secret and out of the guest cast lists for upcoming episodes. So who else could it be?
There's Cat Adams from "Entropy." After all, she did promise Reid that when she got out of prison, she'd remember his name. It's probably a good idea for them to just check every so often that she's still behind bars, especially after those convicts escaped last year.
Mr. Scratch could have also found a random woman and drugged her. (Maybe even someone who looks a bit like Lindsey to keep them distracted looking in the wrong direction?) After all, what better way to make it harder on the team than to have it be someone Reid's never seen before?
Maybe it was Scratch and Reid's memory is just still foggy.
And why not end with a (really) crazy theory: Elle Greenaway. Who knows what happened to her? Scratch could have gotten to her.
How do you think the season's going to end for Reid? What do you think brings Lindsey Vaughn back into the picture?
Criminal Minds season 12 airs Wednesdays at 9/8c on CBS. Want more news? Like our Criminal Minds Facebook page.
(Images courtesy of CBS)
Cleared of drug charges, pharmacist switches career — to the law – Palm Beach Post
Why the release of new Prince music has been blocked


text:
Q: How do I know if a vehicle has stopped moving using sensors inside my android phone? Suppose i am traveling in a vehicle and i want to know if it is moving or not using the sensors in my android phone. is it possible to do this?

A: insted of sensors by using location manager & gps you can get it. Check it here
if you really want to get the changes by using sensors you can go for  Accelerometer

redpajama_set_name: RedPajamaStackExchange


text:
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Truck Injuries Railroad/FELA Wrongful Death Brain Injuries Mesothelioma/Asbestos Electric Shock/Electrocution Defective Drugs & Faulty Products
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Driver Faces Multiple Charges in Wilmington, NC Pedestrian Accident
A Wilmington man has been charged with aggravated felony speeding to elude arrest, felony hit and run, felony serious injury by vehicle-DWI, DWI, and failure to maintain lane after hitting a pedestrian with his pickup truck Monday morning.
The driver was speeding down Market Street at approximately 2:30 a.m. when he was spotted by police. He pulled into a parking lot and made a left-hand turn in an attempt to escape from the police when his truck jumped the median. He continued to drive and then tried to take a right-hand turn when his vehicle hit a curb and then struck a pedestrian. The pickup truck landed in a retention pond in front of a local hotel.
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Die Pfarrkirche St. Hedwig () ist eine römisch-katholische Kirche im oberschlesischen Dorf Salesche (Zalesie Śląskie) in der Woiwodschaft Opole. Die Kirche ist die Hauptkirche der Pfarrei St. Hedwig (Parafia św. Jadwigi Śląskiej) in Salesche. Das Gotteshaus liegt an der ul. Kościelna im Dorfkern.

Geschichte

Eine Kirche wurde erstmals 1223 in Salesche erwähnt. Der steinerne Kirchenbau entstand in der zweiten Hälfte des 14. Jahrhunderts als gotische Saalkirche. Der ursprünglich gotische Kirchenbau wurde zwischen 1812 und 1825 im neogotischen Stil unter dem Architekten Karl Heintze aus Ujest erweitert und umgestaltet. Um 1930 wurde die Kirche saniert und erhielt eine Attika am Turm.

Der Kirchenbau steht seit 1964 unter Denkmalschutz.

Architektur und Ausstattung
Die Saalkirche entstand ursprünglich im gotischen Stil. Zu Beginn des 19. Jahrhunderts wurde der Kirchenbau im neogotischen Stil erweitert und umgebaut. Das Langhaus besitzt einen niedrigen, eingezogenen, quadratischen Chor, welcher aus dem 14. Jahrhundert stammt. Im Chor befindet sich ein Kreuzrippengewölbe mit Kragsteinen in Maskenform. An der Westseite besitzt der Kirchenbau einen eingezogenen Glockenturm mit Attika und Spitzhelm.

Der südlich angrenzende Kirchhof ist von einer steinernen Mauer umgeben. Im Kirchgarten befindet sich das Denkmal für die Gefallenen beider Weltkriege.

Literatur
 Dehio-Handbuch der Kunstdenkmäler in Polen. Schlesien. Deutscher Kunstverlag, München u. a. 2005, ISBN 3-422-03109-X, S. 1169.

Weblinks

 Geschichte und historische Bilder der Hedwigskirche (poln.)
 Geschichte der Pfarrei (poln.)

Einzelnachweise

Kirchengebäude in der Woiwodschaft Opole
Kulturdenkmal in der Woiwodschaft Opole
Hedwigskirche
Hedwigskirche
Kirchengebäude im Bistum Opole
Saalkirche
Gotisches Bauwerk in Polen
Gotische Kirche
Neugotisches Bauwerk in Polen
Neugotisches Kirchengebäude
Erbaut im 14. Jahrhundert
Erbaut im 19. Jahrhundert
Kirchengebäude in Europa

redpajama_set_name: RedPajamaWikipedia


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Biografia
Studiò alle università di Berlino e di Bonn e si laureò in fisica all'università di Würzburg. Trovò impiego presso la Telefunken   e dopo poco tempo diventò direttore dei laboratori di ricerca della Telefunken a Würzburg sui radioricevitori. Essendo di famiglia ebraica, nel 1935 lasciò la Germania e si trasferì in Inghilterra. Cambiò nome da "Erich Ernst" a "Eric Ernest" e fu assunto dalla società inglese Marconi Company. Molti apparecchi radio usati durante la seconda guerra mondiale sia dai tedeschi che dagli inglesi, in particolare quelli installati sugli aerei della Luftwaffe e della Royal Air Force, furono di sua progettazione.

Dal 1941 al 1943 Eric Zepler insegnò al University College di Southampton (oggi Università di Southampton), poi lavorò per tre anni al Cavendish Laboratory dell'Università di Cambridge. Nel 1947 tornò a Southampton, dove fondò il Department of Electronics, uno dei primi al mondo esclusivamente dedicati all'elettronica. Nel 1949 il college istituì  appositamente per lui la cattedra di elettronica. Nel 1959 e 1960 fu presidente della British Institution of Radio Engineers (IRE).

Dopo la sua morte l'università di Southampton gli intitolò il dipartimento di elettronica, che ancora oggi si chiama Zepler Building. Zepler scrisse diversi libri e articoli scientifici sulla progettazione e produzione di apparecchi radio, il più noto dei quali è The Technique of Radio Design (John Wiley and Sons, New York, 1943), che ebbe numerose edizioni e rimase per vent'anni il testo di riferimento per la costruzione di apparecchi radioriceventi e radiotrasmittenti.

Compositore di scacchi
Erich Zepler è stato anche un grande problemista, uno dei maggiori esponenti della Scuola logica di composizione.
Compose molti problemi in collaborazione con Ado Kraemer, con il quale scrisse anche due libri: Im Banne des Schachproblems (Berlino, 1951) e Problemkunst im 20. Jahrehundert  (Berlino, 1957).

Ottenne i titoli di Giudice internazionale per la composizione (1956) e di Maestro internazionale della composizione (1973).

Note

Bibliografia
 A. Chicco, G. Porreca, Dizionario enciclopedico degli scacchi, Mursia, Milano 1971

Altri progetti

Collegamenti esterni
  Serie di articoli su Eric Zepler  sul sito dell'Università di Southampton
 ∼ 300 problemi di Erich Zepler  sul PDB Server

Emigranti dalla Germania nazista


Bring your outfit to life with polka dots - the prettiest print on the block. You'll love how this dress is studded with spots in contrasting size which really makes it pop. The v-neck is a flatterer too, while the pleated skirt brings a floaty feminine feel. Perfect for heading to the races or a wedding - just add pastel accessories and a killer hat.


I finally finished it! It has taken me a good few months since I started.
I met Laura a few years ago in the local gym. We are both keen swimmers and while getting dressed after the swim we used to talk about dresses we are making and our future dreams. She is English, in her 20's, slim built and tall with fair smooth skin and dark hair. She is very particular about what she likes and wears. She likes colours black and gold. Well, are there any kimonos in these colours? At first I thought No. Then remembered I DID buy a Michiyuki (light kimono jacket/coat) in black silk with woven patterns in gold and other colours. I bought it from Japan (Ichiroya.com) online, hoping I could make some accessories for special occasions.
Bingo! She liked the fabric which made me decide to make my first dress for her. I have been making a few for my own use but sewing for a friend is more challenging. It was really for me to MAKE not for her to WEAR. Sorry Laura! Or, she may be relieved knowing she doesn't have to wear it. No matter, here are some photos which she happily posed for me in THE dress. I have changed the design in the course of making due to the amount of fabric available from the original Michiyuki jacket.


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Home » About » Board & Leadership » Directors
Barrie Graham, National Board Member
Barrie Graham was an early and fervent admirer of Canine Companions and became involved with the organization in the 1990's while working at Exchange Bank. Although active with other non-profits providing services to people with disabilities, Canine Companions' unique focus in teaming dogs with people with disabilities appealed to Barrie. Barrie is the personnel committee chair, a member of the finance committee and a member of the executive committee.
Barrie has worked in the banking and financial services industry for more than 25 years, including tenure as president and chief operating officer of Exchange Bank, and senior vice president of Wells Fargo Bank. Currently, he is chief operating officer of WR Hambrecht & Company, a San Francisco based investment bank.
In addition to his volunteer work with Canine Companions, former Marine Infantry soldier Barrie is the chairman of the Marines Memorial Association, a member of the Investment Advisory Committee of the Community Foundation of Sonoma County, and board member of Empire College and Empire Law School. Barrie holds degrees in Industrial Engineering from Clarkson University and an M.B.A. from Golden Gate University.
He sees Canine Companions for Independence as "the most respected and recognized provider of highly trained assistance dogs."


Each of us is an innkeeper who decides if there is room for Jesus!
How can it be wrong? Love picks the right path, not the one of least resistance.
May you always see the world through the eyes of a child.
I think, that you can meet someone one day, who possesses the eyes you never had but always needed; the vision to see backwards and forwards and all around, the other wing that you need to complete your flight. And I think it can just happen, suddenly, without explanation! And then I think, it would be good to keep that person, you'll always have those eyes, and always have two wings.
Each suburban wife struggles with it alone. As she made the beds, shopped for groceries, matched slipcover material, ate peanut butter sandwiches with her children, chauffeured Cub Scouts and Brownies, lay beside her husband at night- she was afraid to ask even of herself the silent question-- 'Is this all?


Are you intimidated by Veganism? Is Veganism even a word? Do you think it's going to taste completely and totally different from what you're used to? If so, you and I were in the same boat. So, imagine my surprise when I made up these vegan cookies and licked the raw cookie dough off of my finger and it was pure deliciousness! The best part about it is I could have eaten the cookie dough raw without worries that I might become sick from the raw egg that is used in "normal" cookies! I didn't mind you but I could have! They smelled fantastic in the oven and I was anxiously looking forward to them coming out of the oven so I could taste the baked version. I don't know why I was so intimidated by vegan. Silly me!
You don't scare me, cookie!
In a large bowl, combine pretzel pieces and peanuts. Using either kitchen scissors or sharp knife cut apple rings into bite-sided pieces. Combine with the pretzels and peanuts.
In a large mixing bowl, sift together the flour, baking powder, baking soda, cinnamon, and salt. In a separate large bowl, whisk together the almond milk and flax seeds. Add the oil, brown sugar, sugar, and vanilla. Beat with the electric mixer for 2 minutes until the lumps of brown sugar are dissolved and the mixture is very thick. Stir in the flour mixture, mixing just until dry ingredients are moistened and a thick, soft dough forms (you might want to use a rubber spatula for this step.). Fold in the pretzel mixture and stir to completely coat everything with batter. The resulting dough will be very chunky and sticky.
Drop heaping tablespoons of dough about 2 inches apart onto the baking sheet. Bake 14 to 16 minutes until cookies are firm and edges are lightly browned. Move from the cookie sheet to wire racks to cool. Store in a loosely covered container.
Are you a vegan? Have you ever tried baking or cooking vegan style? Is it hot where you live? It sure is hot where I live!
this sounds FABULOUS! i love vegan baked goods without earth balance butter!!!
Thanks Junia! I obviously have yet to even find Earth Balance butter so I wouldn't know. These were down right nom nom though!
Those cookies look fantastic! Love the pretzels in them.
It's one of those cookie where I'd eat in a vegetarian cafe on a random lunch time, and smiled with a herbal tea by the rainy wintry days. It's interesting. It's something I would eat everyday. It's zen.
Oh my gosh that's so creative! And those look absolutely amazing. Peanut, apple and pretzel is such a great flavor combo!
these look and sound sooo delicious!


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Tullos è un comune degli Stati Uniti d'America, situato nello Stato della Louisiana, diviso tra la parrocchia di La Salle e la parrocchia di Winn.

Altri progetti

Collegamenti esterni

Comuni della Louisiana


Equiture crystal browband in celsian- gold in a relfective coating making it super sparkly-, opal to give a pearlescent effect and gold outer.
Handmade using Preciosa diamantes: 6mm celsian, 3mm opal and 3mm light colorado in brass cup chain. 18mm in width in a subtle, flattering curve shape.


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Horus – God Ruler of Egypt
Horus – God Ruler of Egypt quantity
The god Horus is one of the most famous gods of ancient Egypt. Egypt Air has taken Horus as its Logo because of it ancient symbolism, as a winged god of the Sky, Horus, was this and more. The name "HORUS" stems from the ancient Egyptian word hr (her) which in its simple form was the preposition "above", "upon" so Horus the falcon soars above all the land and its inhabitants, and was, the natural symbol of the King who reigns over all Egypt.
Horus, represented by the hawk, was the god of the Sky, a symbol of divine Kingship, and protector of the ruling King. The name Horus also means the forsighted, where one eye represents the Sun and other represents the Moon. The Sun was Known as "Horakhty", or Horus in the Horizon., Horus was considered as the god of the east and the rising Sun. Horus has the Shape of a falcon or a hawk or can take a human Shape with a falcon.
Horus was the god of the Nile Delta (Lower Egypt) and Seth was the god of Upper Egypt, but Horus became the Symbol of Kingship and the King of Upper and Lower Egypt because it was he who united the two Kingdoms. The Kings of the predynastic Egypt were known as the followers of Horus. In this period, Horus was known as the son of Isis and Osiris and inherited the throne of his father.
Horus also was connected with the goddess Hathor. She was the eye of the Sun god Re, the wife of the living King, and the mother of coming King. Her name was written with the hieroglyph of the Horus falcon inside a rectangle-mean "house" or "mansion" of Horus.
Horus took a new form in the late Period (747 B.C.), when he became a popular god and was represented as a naked child standing above a crocodile holding in his hands snakes, scorpions and lions.
Therefore Horus became known as a healer for the people with snake bites and scorpion stings.
One of the most famous scenes of Horus is the representation of the falcon (Horus) perched on a throne behind the head of King Khafre, the builder of the second pyramid at Giza.
The falcon embraces the King with its wings in order to fly with him to the Sky. Another scene shows Isis nursing Horus. She and Hathor nursed and raised him to take revenge on his uncle Seth, the evil King of Upper Egypt, who killed Osiris, Horus's father.
Ancient Egyptian literature relates great battles between Horus and Seth and how Horus conquered Seth and united the two lands of Egypt. Therefore he was also known as Horus the fighter.
Founder: Elizabeth "Midnightowl" Hibel
Unified Chakra Empowerment
Waves of Bliss
Wound Healer Reiki (level 3)
Spirit Wolf


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Sevco Is A Club Caught In A Trap Of Its Own Making. They Really Do Believe Their Own Nonsense.
Date: 25th June 2020 at 11:02am
Nobody lies half as well to others as they do to themselves; it's one of the great truths that still remains unacknowledged by a lot of folk. Over at Sevco they are past masters at this. Nothing blinds people – or in this case Peepul – more than their self-perception. They view the rest of the world as inferior because they view themselves as something special.
It forever causes them to overestimate their own abilities, and underestimate everyone else. Self-deception is a very powerful, and dangerous, thing.
Great myths cling to every defeat they've suffered in the past half dozen or so years. At no time have they sat down and did some honest to God analysis of where they've come up short. Always it's the result of conspiracies or bad luck, or some mad combination of both.
As the global health emergency grew in scope, Sevco was dropping points left, right and centre. The worst Hearts team in an age had knocked them out of the Scottish Cup. Hamilton beat them at Ibrox. They were 13 points behind us when the curtain came down on the campaign. Yet check out their forums and listen to those at Ibrox talking.
They don't just say they could have caught us; they actually believe it.
You listen to it, and read it, and ask yourself; can they really be so stupid as to genuinely think this way? And the answer, of course, is yes. Of course they do. They have to, because it's all tied in with how they see themselves. This is the Great Delusion.
Without it, they might actually be forced to sit down and take stock of where they are, and most importantly where they are relative to where we are. Instead, they cling to the fantasy that they are not only almost there but that they'd have overcome us if not for referees, or the campaign against Morelos or the global health emergency … it's all garbage.
Our form was outstanding. Theirs was all over the place. They were never quite as good as they thought and as the media liked to make out. Their manager is a joke. The longer he stays in the job the more other clubs figure out how to counter him; if Stendel at Hearts could do it twice in the space of a few weeks, what will teams do to them this time around?
Their entire club labours under the weight of what their fans believe them to be; Rangers, at one time the biggest in the country. Yet wasn't that, too, built on a myth? Or, if you prefer it, an outright fraud? How long since any Ibrox operation was living within its means? This is why I have to laugh when I read people in the press say Sevco is almost back to where Rangers was … if they mean winning things that's nowhere in sight. If they mean spending more than they make and hoping that the roof doesn't fall in on them then I wholeheartedly agree.
Sevco, to me, is like one of those cartoon characters who is walking across a gully protected only by the magic of not looking down. But everybody looks down. Is it magic or just an illusion? What does it matter when the result is the same long fall?
I wrote, yesterday, about the Close Season Cup and how we'll never win it; I also wrote about how Gerrard still thinks the season could have been completed and that he had a chance in it, instead of being glad it ended when it did because it saved his job.
But you can't tell these Peepul the truth about their plight; they retreat always into the lie, into the supremacist delusion, into the fantasy. Later on I'm going to talk about their latest delusion; the one of forward momentum during the window so far. I'm also going to talk about their financial situation, and the greatest act of denial I've ever seen in my life watching the game here.
No club in Britain exists in the half-light of unreality in quite the way Sevco does. Today their fans are celebrating a court case involving Celtic; what this tells me is that there is a part of them that knows they have no chance of taking anything from us on the park and have, instead, set all their hopes on some external disaster sweeping us away.
Like everything else they pitifully cling to, that's a ridiculous notion but another they've been holding onto so long that they can't let go. When it unravels that, too, will be proof of some dark conspiracy, and so another lesson – about believing their own nonsense – will go unheeded and they will charge headlong into the next brick wall.
The oft quoted wisdom is that you can fool some of the people some of the time but that you can't fool all of the people all of the time. Apparently, though, you can certainly fool these Peepul all the time; they do it to themselves with a hilarious regularity.
In the 1951/52 season, SFA chairman George Graham tried to stop Celtic from flying the Irish tricolour flag over Celtic Park, leading to a bitter stand off between him and the club. Which Scottish club backed Graham over his stance?
Airdrieonians?
Rangers?
Hibernian?
As Scottish football goes through the current crisis it is important to keep up with developments and the key issues. We are determined to do so, and to keep you informed as well. Please subscribe to the blog.


Born in 1965, Sylvain Lang lives and works in Nancy. His work is mainly pictorial but he uses the codes of conceptual art, particularly in his video installations.
Like the Impressionists, he paints real scenes of everyday life. His realistic work captures instants and scenes from reality. The various subjects of his paintings speak of our time, based primarily on the representation of living (young people swimming at the sea, a crowd in the streets) but also everyday objects (an Italian coffeepot, a Vespa) which are, for him, contemporary icons.
Sylvain Lang appropriates iconic objects embedded in our collective unconscious and moments of universal life. He offers us another interpretation of reality.


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What's A Model Worth? Why We Hope It Involves Personality
L'Oreal's famous slogan is "because you're worth it," and they regularly break out the big checks for stars like Beyonce, Freida Pinto, Eva Longoria, and, as of today, Glamour September cover girl Jennifer Lopez to help convince women that their products are worth it.
When it comes to models though, how exactly do clients calculate what a model is worth?
Elena Greenwell, a model for online retailer Shopbop
Earlier this week, Jezebel published documents from an ongoing lawsuit involving models who claim their former agency was withholding payments. the most interesting part are earning statements where it's discovered that for all of the prestige that comes with a Vogue editorial, the H&M ad running next to it was probably worth much more for the model. Specifically, it's revealed that Vogue's day rate for models (at least in this case) is a paltry $250, and French Vogue's is $125. Don't feel too bad – campaigns for H&M pay $60,000, J.Crew pays $15,000 for catalog appearances and booking campaigns for luxury brand ad campaigns can range from $35,000 to $172,500 – we're asusming for more than one campaign.
While the money is obviously in ads, the editorial appearances are seen as a catalyst for launching commercial careers. The assumption being that the models in the commercial campaigns bring in at least as much as they're paid in sales.
Today, the New York Times claims that online retailers see more value in more "relatable" looking models. While you may be able to relate to Karlie Kloss or Freja Beha Erichsen just fine, online retailers think they'll influence a wider audience with slightly larger models (size 4, rather than size 0) who is good looking, but not in the "gorgeous, but I'd never be able to look like that" way that runway models can be.
There are enough photoshop disasters from fashion ad campaigns to remind us that the definition of relatable is still incredibly subjective, but Shopbop and Gilt both voice opinions that shoppers don't want to see impossibly flawless models when shopping.
"We don't want a model to appear intimidating in a way they do in a fashion show," Gilt's Alexandra Wilkis Wilson tells the Times.
Steven Reider, a manager at Elite Model Management says online  appearances haven't "ever made anyone a star on the global playing field of models," but if the money is made on the more commercial campaigns, does that matter? Bluefly, the only retailer mentioned in the Times' piece to test the difference between using models and using headless mannequins noticed only a very small increase in sales when using people to promote the items. Customers, they found, placed far more value on being able to zoom in on details and view more detailed photos.
Does this, in fact, support the position of using models as clothes hangers rather than personalities? After all, if an actual clothes hanger brings in the same amount in sales, why bother with the more costly model? We actually think it points more to the need for the return of the 90's style supermodel who was as much of a draw as the clothes. Beauty companies – perfume makers especially- have found celebrity endorsed products can equal big sales, so there's obviously some real value in name or face recognition. Magazines – Vogue included, have seen increases in circulation by pushing models off the cover in favor of actresses, musicians and other celebrities. They may not have the recognition of  J.Lo or Beyonce, but wouldn't models become more relatable if they were allowed to become celebrities in their own right again? Victoria's Secret has done pretty well business-wise with that line of thought, in spite of the fact that most women buying underwear will probably never be able to relate to walking around wearing a million dollar bra (or contract, for that matter).
More: advertising • Bluefly • Gilt • Gilt Groupe • Jennifer Lopez • modeling • Models • Shopbop


A recent article on the Women in Technology website said that although more women are put in positions of leadership at technology companies in the UK, than in the US, less than 50% of software companies have women in senior management positions. This was according to the annual Innovation Economy Outlook survey by the Silicon Valley Bank.
Thankfully, we are happy to buck the trend and are fortunate enough to have Lisa Legg as our accredited "Product Owner" at Red River – one of the most critical roles in software development projects. As the customer's representative, Lisa manages key accounts and projects and is also a very accomplished software developer and a key member of the management team.
That said, at present, she is still the only woman working full-time at the company. We asked her what its like to be the only female in a sea of rippling masculinity and technical geniuses (ahem).
What led you to work for a technology company?
It was an accident. I was mid-career change and looking for something to do while I pondered my longer term career and took a job as a "Support Coordinator" at a software company. My role there was part Account Management, part coordinating the fixing and release of bugs and minor enhancements; allocating work to developers, monitoring progress, arranging releases and generally keeping the customer informed and happy.
After about a year, I was looking at what the developers were doing and thought to myself "that looks much more interesting than the work I'm doing" and so I taught myself how to program in my evenings and weekends and after a while I asked the Client Services Director for a Junior Developer job. I think she was a little sceptical at first, but gave me some development work as a trial and things progressed from there… 15 years later and I still love it.
What is your role within Red River?
I initially joined RR 4 years ago as a software developer, but have become increasingly interested in the Scrum process and particularly the role of the Product Owner. Simon and Kieren were both very supportive of my interests and agreed for me to go on a course to become a certified Scrum Product Owner. Whilst I still do a little development work, my role is now mainly as Product Owner.
What needs to happen for more females to be drawn to working in tech companies (rather than 'digital')?
I am hoping that over time the "geeky software developer" image will be replaced with the idea that a good software developer needs to possess not only intelligence and logic, but also common sense, soft-skills and empathy – after all, how can you develop a good product if you have no empathy for the end user? Marketing this image to women and particularly young girls can only be a good thing.
What are the best 3 things about being the only full time female employee in a technology driven business?
All my fellow employees are great to work with and there is a genuine sense of "team" here.
I am a mum as well as part of the management team, but that balance has always been respected – which I know is not always the case in many organisations.
I'd like to think that being a woman does add something to the communications dynamic within the company – while not saying outright that women are better at communicating than technology savvy men, or making it about gender, being female does bring something very positive to the company culture.
What is your favourite/most useful/interesting website for tech type stuff?
I use Stack Overflow on an almost daily basis to take advantage of other people having already asked and answered my many questions.


Crypto liquidity provider B2C2 has announced the appointment of Rob Catalanello to lead the company's expansion into the U.S.
Catalanello, an industry veteran, will lead B2C2's U.S. operations as CEO of B2C2 USA. He will bring his extensive experience spanning more than 25 years in building and managing global businesses and covering institutional clients at leading investment banks including Credit Agricole and Merrill Lynch to B2C2. He led Credit Agricole's Dodd-Frank and MiFID regulatory programmes in the Americas.
He has also worked at Goldman Sachs and J.P. Morgan and has served on the New York Federal Reserve FX Markets Committee for 9 years.
"Bringing Rob onto the team represents a major milestone for B2C2. His financial market expertise gained at major investment banks will be instrumental in expanding our client franchise to the U.S. market," Max Boonen, Founder and CEO of B2C2, said.
Founded in 2015, B2C2 is one of the most experienced cryptocurrency market makers. Last month, its UK subsidiary, B2C2 OTC, received authorization from the UK's Financial Conduct Authority to arrange and deal in Contracts for Difference (CFDs) with eligible counterparties and professional clients.
"I look forward to bringing B2C2's world-class cryptocurrency offering to the U.S. market. B2C2 displayed exceptional foresight in offering the industry's first single dealer platform three years ago and will continue to bring FX market know-how and best practices to the digital asset class," Catalanello said.
Speaking to CoinDesk, Catalanello said that the firm is taking a conservative approach and securing relevant regulatory approvals before commencing its operations in the U.S.


text:
Q: Laravel Nova - Reorder left navigation menu items In default the ordering of left menu items is in alphabetical order.
My client wants to order those menus manually. Any idea how to make it possible?

Go to answer

A: You can do it in
App\Providers\NovaServiceProvider.php

add a method resources() and register the resources manually like
 protected function resources()
    {
        Nova::resources([
            User::class,
            Post::class,
        ]);
    }

Alternate
There is another way mentioned in this gist, this seems good too, but official documentation has no mention of it yet.
Resource
<?php

namespace App\Nova;

class User extends Resource
{
    /**
     * The model the resource corresponds to.
     *
     * @var string
     */
    public static $model = 'App\\User';

    /**
     * Custom priority level of the resource.
     *
     * @var int
     */
    public static $priority = 1;

    // ...
}

and in NovaServiceProvider
<?php

namespace App\Providers;

use Laravel\Nova\Nova;
use Laravel\Nova\Cards\Help;
use Illuminate\Support\Facades\Gate;
use Laravel\Nova\NovaApplicationServiceProvider;

class NovaServiceProvider extends NovaApplicationServiceProvider
{
   /**
     * Register any application services.
     *
     * @return void
     */
    public function register()
    {
        Nova::sortResourcesBy(function ($resource) {
            return $resource::$priority ?? 99999;
        });
    }
}

This way you set priority of resource and based on priority you render the resource.

A: you can use grouping if that helps. I know it's not a 100% fix but maybe it will help a bit.
public static $group = 'Admin';

A: Change /nova/resources/navigation.blade.php  {{ $group }} to following:
{!! $group !!}

Now you can easily sort the groups as follows:
public static $group = '20Music';

or
public static $group = '30User';

Attention: You must convert special characters in the title!

With the links, it's a bit other....
First Method:  dirty and ugly
You can change
{{ $resource::label() }}

to
{{ substr($resource::label(), 1) }}

Then you can sort the links by the first letter of the resource name.

*

*AUser

*BAlbum

*CContact

Or a better Method for Links
crate app/Nova/CustomResource.php:
<?php

namespace App\Nova;

use Illuminate\Support\Str;

abstract class CustomResource extends Resource
{
    public static $label = '';

    /**
     * @return string
     */
    public static function label()
    {
        if(static::$label) {
            return static::$label;
        }
        return Str::plural(Str::title(Str::snake(class_basename(get_called_class()), ' ')));
    }
}

Change /nova/resources/navigation.blade.php
{!!  $resource::label()  !!}

And in the Nova resource, extends this custom resource and You can use public static $label:
class Lyric extends CustomResource
{
    public static $label = '10Lyrics';

     public static function singularLabel()
    {
        return __('Lyric');
    }

Attention: You must convert special characters in the title!

A: A cleaner way and tested on latest Nova 3.x. Also, this has been added to Nova since version 2.10+ All you need to do is add a static property on your nova classes. For example Clients will be:
/**
 * The side nav menu order.
 *
 * @var int
 */
public static $priority = 2;

Then after that you can use the NovaServiceProvider to tell nova to use your custom ordering. You can place the code in the boot method
public function boot()
{
    Nova::sortResourcesBy(function ($resource) {
        return $resource::$priority ?? 9999;
    });
}

**Reference Nova Private Repo

A: There are two ways to achieve this:

*

*By setting priority to Resource

*Ordering Resource models in NovaServiceProvider

1. Priority Method

*

*Add priority as in the following code in Resource model:
  public static $priority = 2;

*Then update NovaServiceProvider like this:
public function boot()
{
    Nova::sortResourcesBy(function ($resource) {
        return $resource::$priority ?? 9999;
    });
}

2. Ordering Resource models in NovaServiceProvider
In NovaServiceProvider, order Resource models like this:
protected function resources()
{
    Nova::resources([
        User::class,
        Post::class,
    ]);
 }

A: to sort the groups:
add this to your resources:
    public static function groupOrder() {
            return 9999999;
        }

you can overwrite it by adding it to any member resource to downgrade it's order in the navigation tree:
    public static function groupOrder() {
            return 5;
        }

add this before returning at the end of resourcemanager (i hope i shouldn't have to overwrite this at this place):
    $arrSort = [];
    foreach ($navigation as $group => $resources) {
          $resourcesGruoupOrders = [];
          foreach ($resources as $aResource) {
                $resourcesGruoupOrders[] = $aResource::groupOrder();
          }
          $arrSort[] = min($resourcesGruoupOrders);
    }
          $navigation = json_decode(json_encode($navigation), true);
          array_multisort($navigation, SORT_ASC, SORT_NUMERIC, $arrSort);

A: If You wondering how to sort groups using a custom sort algorithm here is the clean solution.
In NovaServiceProvider in boot() method just add a custom callback.
$order = array_flip(['Modules', 'Localization', 'Other', 'Settings']);

Nova::mainMenu(static function (Request $request, Menu $menu) use ($order): Menu {

    $resources = $menu->items->firstWhere('name', 'Resources');

    $resources->items = $resources->items->sort(
        fn (MenuGroup $a, MenuGroup $b): int => ($order[$a->name] ?? INF) <=> ($order[$b->name] ?? INF)
    );

    return $menu;
});

Using $order array you can easily control the position of every specific group. Groups that are not included in this array will be moved to the end of the menu. This behavior can be changed to a moving to the beginning by replacing INF with -INF.

A: Before add to resource static property
 public static $priority = 1;

Then in NovaServiceProvider replace resource method
protected function resources()
{
    $namespace = app()->getNamespace();
    $resources = [];

    foreach ((new Finder)->in(app_path('Nova'))->files() as $resource) {
        $resource = $namespace.str_replace(
                ['/', '.php'],
                ['\\', ''],
                Str::after($resource->getPathname(), app_path().DIRECTORY_SEPARATOR)
            );

        if (is_subclass_of($resource, Resource::class) &&
            ! (new \ReflectionClass($resource))->isAbstract()) {
            $resources[] = $resource;
        }
    }

    Nova::resources(
        collect($resources)->sort(function ($a, $b) {
            return $a::$priority > $b::$priority;
        })->all()
    );
}


text:
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Currently operating from its temporary premises at Menara Kotaraya, Jalan Trus, Johor Bahru, Raffles University Iskandar will develop a state-of-the-art campus on a 65-acre plot of land in Iskandar Malaysia's EduCity. Raffles University Iskandar's strategic location in Iskandar sets the university in a secure and growing state economy with high potential in both economic and cultural developments. Students can expect a vibrant and dynamic nurturing learning experience that will see their transformation into world-class professionals.
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We are committed to providing quality education. This will be achieved by using the latest teaching and learning methodologies, action-based research, collaborating with industry, and engaging the community.
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text:
Immigration Enthusiasts: Forget Integration, We Need Disintegration
Jill Biden's "Solution" for Struggling Small Towns? Bring in More Migrants
An Avoidable Death Highlights NYC's Willful Blindness to Sanctuary Threat
Cuban Refugee Lobby Protesting Asylum Restrictions
With Homelessness a Crisis, California Wants to Insure Illegal Senior Citizens
The Downside to Declining Apprehensions on the Southern Border
Caravan Season Warming Up in Honduras
Texas Governor Says 'No Mas' on Refugees
Site Guidelines & Policies
Welcome to America Where Temporary Means Permanent
Making DACA Beneficiaries Measure Up
By Matt O'Brien November 13, 2017
Not a U.S. Citizen? Census Bureau is Looking to Hire You
Will the next DHS secretary be a 'swamp creature' or a hawk?
Requiring Immigrants to Buy Health Insurance Is Sound Policy
Hot Immigration Issues
Asylum & Refugees
Legal Opinion & Analysis
Site Guidelines and Policies
You are at:Home»State & Local»California's Illegal Student Aid Program is Stuck on Stupid
California's Illegal Student Aid Program is Stuck on Stupid
By Bob Dane	 February 22, 2018 6 Comments
Each year, California invites people illegally in the country to apply for the same college aid packages available to citizens.
The deadline to apply for aid through the California Dream Act is March 2. As of last week, 19,141 students had applied – a bit more than half of last year's total.
Applications were down last year as well, until the state staged a "cash for college" campaign to gin up business. Rapper DJ Khaled was enlisted to instruct illegal aliens to "secure the bag" to pay for college on the taxpayers' dime. No word on how much the state paid Khaled for his public service announcement.
On cue, U.S. Sen. Kamala Harris, D-Calif., blamed President Donald Trump for spreading "fear" and scaring off applicants.
"This is a direct product of Trump's anti-immigrant agenda. No one in America should ever have to live in fear of our government," tweeted Harris, California's former attorney general and all-but-announced presidential aspirant for 2020.
Trump should wear Harris' scorn as a badge of honor. If the president's positions on immigration enforcement deter illegal aliens from tapping more government funds, taxpayers benefit.
Erasing the distinction between legal and illegal status, Harris disingenuously proclaimed, "We must protect California's students and safeguard their access to education."
But she cannot nullify economic laws, even in the Golden State. Less money spent on illegal aliens would mean more college assistance available for the sons and daughters of legal, taxpaying citizens.
If Harris' mimicry of Hillary Clinton is any barometer, Democrats will continue to pander to illegal aliens at any cost. That strategy didn't work for the party in 2016. It's not working in Congress now. It certainly isn't aiding the finances of migrant-laden California, which, not coincidentally, imposes the highest top-tier tax rate and the fourth-biggest per-capita income tax bills in the nation.
California college Taxes
Previous ArticleNew Report Warns the Sky Will Fall and Social Security Will Collapse if We Reduce Immigration
Next Article USCIS Cleans Up Mission Statement; Is It enough?
Bob Dane
Bob Dane, the Federation for American Immigration Reform (FAIR)'s Executive Director, has been with FAIR since 2006. His deep belief is that immigration is the most transformational determinant of where we are heading as a nation and that our policies must be reformed in the public interest. Over many years on thousands of radio, TV and print interviews, Bob has made the case that unless immigration is regulated and sensibly reduced, it will be difficult for America to reduce unemployment, increase wages, improve health care and education and heighten national security. Prior to joining FAIR, Bob spent twenty years in network radio, marketing and communications after an earlier career in policy and budgeting within the Reagan Administration. Bob has a degree from George Mason University in Public Administration and Management.
Two More States Giving License to the Normalization of Illegal Aliens
Move Over Chicken Little. Maine's Business Leaders Have Got You Beat
Sick and Tired on February 26, 2018 12:34 pm
Amazed and Confused at what a "Supposed Representative" of the United States of America like Harris is doing in office besides disrupting LAW and ORDER. Illegals are not supported by anything having to do with the Constitution of the United States of America so why is it that Americans who live from paycheck to paycheck to provide food and support for their Families must also provide support for Illegal Aliens as well ? Bleeding Hearts ? I don't think so, more like votes and cheap labor on the American Taxpayers Backs ! I call BS and Help Make America Great Again, Lead , Get Behind or Get The Hell Out Of The Way !
larry on February 24, 2018 10:38 am
How can a convicted criminal( ILLEGAL MIGRANTS) receive information from a state of the union to further enhance their status in our country without charges of aiding and abetting being brought against them in a federal court. California uses illegals in order to receive more money from the government to prop up their failing economic policies.
dale a peterson on February 24, 2018 8:46 am
Secure south border east of San Diego. Open land where illegal human traffic cross daily. End the flow families bringing their children, future DACA. They cross over, trespassing over our properties. Hiding, sneaking around border check stop. We need to be safe. Border agents pick up large groups, few do make into San Diego. Wall/no wall, stop now!
Leland on February 23, 2018 4:30 pm
Dreamers always say that it's not our fault because our parents brought us here. OK, but why do they then insist that they will not accept any amnesty that does not include all their relatives, or any restrictions on future immigration. It's not their issue to decide. When a dad holds up a bank, the kids suffer when he goes to jail. He doesn't get let go because of them.
You also hear the argument that certain countries have "waiting lists" of 20 years or more, so we have to have more legal entry. The Philippines is one of those countries. What they need to do is stop listening to the Catholic church tell them not to use birth control. A hundred years ago they had a population of only about 10 million. Now it's more than 100 million packed on those relatively small islands. Stop telling us that it's our problem to solve.
Yahn Ulma on February 22, 2018 6:17 pm
"This is a direct product of Trump's anti-immigrant agenda. No one in America should ever have to live in fear of our government," tweeted Harris. What a dumb thing to say! She is opening her arms to all drug smugglers, terrorists, all sorts of criminals and other scum ready to storm our boarders. What a fine US president she would make!
If slick Kamala ever makes it that far, it definitely would be time to move back to Europe where illegal immigration is expeditiously dealt with swift deportations. The Europeans are smart enough to kick them out. Please note that in any European country these illegal immigrants can't rely on their anchor babies. Why? Unless at least one parent is a citizen, the children retain the nationality of their immigrant parents. Smart, very smart!
Kelly on February 22, 2018 1:51 pm
Can the credit beaureaus chase illegal aliens on long overdue student financial aids? They chase the legal US Citizens immediately; thus ruined their credit records for being unable to pay.
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text:
Tobias Schramm (* 9. Oktober 1701 in Schandau; † 14. Oktober 1771 in Dresden) war ein deutscher Instrumenten- und Orgelbauer.

Leben und Werk
Wo Tobias Schramm den Orgelbau gelernt hat und wer seine Lehrmeister waren, ist unbekannt. Gesichert ist nur, dass er kein Schüler von Gottfried Silbermann war. Schramm wuchs in Schandau auf, wo er 1701 als Sohn eines Elbeschiffers geboren worden war, und erhielt am 10. Mai 1742 das Bürgerrecht von Dresden, wo er zeitlebens wohnen blieb. In Dresden ist er ab 1749 als Stadtorgel- und ab 1766 als Hoforgelbauer nachweisbar.

Schramm baute die 1749 geweihte Orgel der Schlosskirche Hubertusburg ursprünglich für die Kaiserkapelle in Dresden-Neustadt. Das Instrument wurde von der Kurfürstin Maria Josepha gestiftet und zu einem unbekannten Zeitpunkt umgesetzt. Die vergoldeten Verzierungen im Stil des Rokoko schuf wahrscheinlich der Hofbildhauer Johann Benjamin Thomae. Die Orgel verfügt über 10 Register, die auf einem Manual und Pedal verteilt sind. Für eine katholische Kirche vollkommen ungewöhnlich steht diese Orgel hoch über dem Altar.

Unter Verwendung von Orgelteilen der wegen Baufälligkeit abgebrochenen alten Dresdener Frauenkirche baute Schramm eine neue Orgel mit wenigen Stimmen in der Auferstehungskirche im Dresdener Stadtteil Plauen. Diese wurde im Mai 1746 geweiht. 1813 wurde das Instrument bei der Schlacht um Dresden in Mitleidenschaft gezogen und geplündert.

Tobias Schramm war der Vater des preußischen Hofcembalisten Johann Christian Schramm († 9. April 1796), dem Nachfolger von Carl Philipp Emanuel Bach. Ein weiterer Sohn mit Namen Johann August Schramm wurde im Jahr 1772 Hoforgelstimmer in Dresden und ist in dieser Tätigkeit bis 1780 nachweisbar. Sein Bruder Johann Gottlieb Schramm war Berliner Instrumentenbauer, dessen Werkstatt von seinem Sohn Carl Ludwig Schramm übernommen wurde.

Werkliste

Literatur
 Schramm, Tobias (Orgelbauer). In:
 Schramm, Tobias. In:

Einzelnachweise

Orgelbauer (18. Jahrhundert)
Orgelbauer (Deutschland)
Person (Dresden)
Deutscher
Geboren 1701
Gestorben 1771
Mann


Llama, 1957, by Robert L. Dean, Jr.
A Llama in Times Square, by Inge Morath (USA). 1957.
I love the conversational tone with the llama.
Thank you, Ann. It just felt like the llama was looking right at me. Great photo!


text:
Q: Finding all tags and attributes in a HTML I am a newbie and looking at HTML code for first time. For my research I need to know the number of tags and attributes in a webpage.
I looked at various parser and found Beautiful Soup to be one of the most preferred one. The following code (taken from Parsing HTML using Python) shows the way to parse a file:
import urllib2
from BeautifulSoup import BeautifulSoup

page = urllib2.urlopen('http://www.google.com/')
soup = BeautifulSoup(page)

x = soup.body.find('div', attrs={'class' : 'container'}).text

I found find_all quite useful, but needs an argument to find something.
Can someone guide me on how to know the count of all tags and attributes in a html page?
Can google developer tool help in that regard?

A: If you want the count of all tags and attrs:
sum(len(ele.attrs) + 1 for ele in BeautifulSoup(page).find_all())

A: If you would call find_all() without any arguments, it would find all elements on a page recursively. Demo:
>>> from bs4 import BeautifulSoup
>>>
>>> data = """
... <title>The Dormouse's story</title>
...
...
The Dormouse's story

...
...
Once upon a time there were three little sisters; and their names were
... Elsie,
... Lacie and
... Tillie;
... and they lived at the bottom of a well.

...
...
...

... """
>>>
>>> soup = BeautifulSoup(data)
>>> for tag in soup.find_all():
...     print tag.name
...
html
head
title
body
p
b
p
a
a
a
p

Padraic showed you how to count elements and attributes via BeautifulSoup. In addition to it, here is how to do the same with lxml.html:
from lxml.html import fromstring

root = fromstring(data)
print int(root.xpath("count(//*)")) + int(root.xpath("count(//@*)"))

As a bonus, I've made a simple benchmark demonstrating that the latter approach is much faster (on my machine, with my setup and without specifying a parser which would make BeautifulSoup use lxml under-the-hood etc..a lot of things can affect the results, but anyway):
$ python -mtimeit -s'import test' 'test.count_bs()'
1000 loops, best of 3: 618 usec per loop
$ python -mtimeit -s'import test' 'test.count_lxml_html()'
10000 loops, best of 3: 114 usec per loop

where test.py contains:
from bs4 import BeautifulSoup
from lxml.html import fromstring

data = """
<title>The Dormouse's story</title>

The Dormouse's story

Once upon a time there were three little sisters; and their names were
Elsie,
Lacie and
Tillie;
and they lived at the bottom of a well.

...

"""

def count_bs():
    return sum(len(ele.attrs) + 1 for ele in BeautifulSoup(data).find_all())

def count_lxml_html():
    root = fromstring(data)
    return int(root.xpath("count(//*)")) + int(root.xpath("count(//@*)"))


text:
Q: focus shift in gsp pages In a gsp page, the default way of shifting focus in fields is vertical. like i have 10 textboxes, 5 in a column, in my create.gsp page and my focus is on first textbox, then by pressing tab, focus shifts vertically down to the next textbox. My requirement is to shift focus horizontally from left to right, row by row. can anyone help me how to do this. thnks

A: You can control this with the tabindex attribute. In the example below the focus moves from f1 to f3 to f2 according to the ascending order of the tabindex.
<input type="text" name="f1" tabindex="1" />
<input type="text" name="f2" tabindex="3" />
<input type="text" name="f3" tabindex="2" />


text:
All photography by Kacie Loura.
The Black Box – A Year in Review as Denver's Underground Electronic Venue
With Red Rocks in our backyard and countless venues within the city, Denver residents have no shortage of options when it comes to live music events. There's a venue for whatever mood you find yourself in on a Friday night — swanky clubs, hole-in-the-wall bars and larger than life outdoor stages are a part of what makes Denver so unique. Most people would see the sheer number of venues and assume every music genre has their place, but for one Denver event promoter, something was missing.
READ — 400+ Denver Concerts to See in November
Starting a business is no easy feat and opening up a live music venue in the already saturated Denver market is almost impossible. For Nicole Cacciavillano, it was a risk she was willing to take. With over 12 years of event promotion experience under her belt, Cacciavillano took a leap of faith in opening up The Black Box, a premier spot for underground electronic music, which she opened on November 19, 2016. We sat down with the owner of The Black Box to talk about her first year as a venue owner in Denver.
303 Magazine: Congratulations on your first year in Denver — what brought you here initially?
Nicole Cacciavillano (NC): I moved to Denver in 2004 from Philadelphia. I was a teacher at the time and during Christmas break a bunch of us teachers decided to take a trip to Denver for a vacation. I had always been into electronic music so I searched "Colorado drum & bass," ended up meeting some people, going out and having an amazing time. The vibe is so different here than in Philly. The music scene was a lot smaller in 2004 than it is now and I just knew that I wanted to be here.
303: Opening up a venue is a huge project to take on. How did you decide to take that step?
NC: I've been throwing shows since around 2005 in Denver under a company called Sub.mission. I started dubstep in Colorado. When it got to the point of 2011-2012 — when people started actually finding out about dubstep — is also when the corporations got involved. Money got involved. It changed what the music made me feel. I'm not saying it was bad or good, but for me, where it really hits home is the underground scene. I like when you get an artist in an intimate setting with a good sound system and you take away all the other senses and it's just about that connection between the performer and the crowd. That's where I want to be. It's the feeling of connectedness that brings people together.
303: What are some unforeseen challenges you've faced during your first year in Denver?
NC: This has been the hardest year of my life. My mom passed away a month after we opened. It's been tough. The whole beginning process of opening this place has been so stressful, going between Philadelphia to see my mom and here. If it wasn't for my family at The Black Box — my tribe — I don't know where I would be. They stepped up in ways that allowed me to continue. I have these people here to thank. We've been able to build this scene with Sub.mission through the years and now it really is a family. It's a place that we all support each other. The community and scene helped me get through it.
303: What are some highlights of your year?
NC: The fact that we even opened was a huge accomplishment. With everything going on, going back and forth between canceling the opening and rescheduling it back on. Ultimately, we got in here November 9 and our first show was scheduled for November 19 [2016]. In that time, the team of people that we had accomplished building everything. We've got a team full of people who are in this for the right reasons.
303: The Chris Dyer patio mural and Aaron Brooks mural on the outside wall are impressive collaborations. Do you have any plans for more in the future?
NC: Definitely. Ultimately these pillars here, [points to pillars in the lounge] I'd like to have a different artist paint each one. My focus of the lounge was the community. It's for people who are forward-thinking — the creators. I want that creativity involved as much as possible.
303: What would you say to someone who has never been to The Black Box?
NC: Ultimately this is just a place for people looking for an escape from the hustle and bustle of everyday life. While we're music-focused, it's really just a place for likeminded people. We're very friendly and very open, there's no judgment here. We're open to all sorts of people. It's a community vibe. The patio is a great place to hang out if you're just looking for a social environment. Our drinks are cheap, my bartenders are amazing and the music you hear is going to be the music that's playing a Red Rocks in however many years. We're ahead of the game.
Grab your tickets for The Black Box One Year Anniversary Event here.
303 Magazine303 MusicAaron BrooksBlack BoxChris Dyerdenver musicDenver nightlifeDenver Venuesdowntown Denveredmelectronic musicEllie Herringkacie louranicole cacciavillanothe black boxunderground electronic musicunderground music
Denver Film Festival is Celebrating Its Most Sold-Out Showings in 40 Years
Ellie Herring is a Texas native who contributes to the traffic and rent increase in Denver. Ellie enjoys silently judging her friends based on their concert RSVPs on Facebook. Watch her hula hoop around Colorado via Instagram: @electrikbunny


Jason Njoku, CEO Iroko TV is going to be in Owerri for the 4th edition of Startup South. If you're still wondering, Startup South is the gathering of the best and the brightest Startup Founders, Innovators, Policy Wonks, Investors and Startup Enthusiasts in SouthSouth and SouthEast Nigeria.
The ultimate goal is to awaken the consciousness of younger generations of Nigerian entrepreneurs (emphasis on those operating within the South-south/South-East corridors) to opportunities and trends within the global entrepreneurial community.
This year's conference is about intersecting culture, art and technology for afrofuturism consciousness. Finally, number four will be on off-Grid energy.
Since the event is set to hold in his hometown, having Jason Njokwu for a fireside chat just makes perfect sense. The 37 year old would be taking us through his journey and lessons he has learnt so far as an African entrepreneur.
On why owerri was chosen, Aniche one of the founders of Startup South disclosed that its the passion showed so far by individual of the local tech community to put owerri and the region on Nigerians tech map.
We want this event to be a success, therefore we are setting a goal to get at least you and 1,999 others to register and actually attend. So take a minute and visit bit.ly/reg-SS4.


The hollyhock is well known in the English cottage garden standing above all else well except maybe the delphiniums, but unlike the beautiful but tender delphs, the hollyhock can stand alone without support.
The hollyhock is often referred to as a biennial which means the plant flowers in the second year but it is considered by some to be a short-lived perennial.
The hollyhock enjoys being in the sun but is happy with some shade. Make sure the soil is rich and somewhat moist if you want the plant to thrive. Just before you plant be sure to add well-aged manure or compost as this will help the plant grow.
You can sow the seeds outdoors just slightly beneath the surface of the soil one week before the last frost. It may take 10-14 days for the seed to germinate. Be sure to space the seeds 18-36 inches apart.
Drop by your favourite plant nursery and see the varieties waiting for you to take them home.