However, there will be some scripted sequences that advance the story, and there is one main plot and one ending. If I had one request it would be for a few more tombs to raid but overall it was a fantastic game. Tomb raider definitive edition xbox one manual are available via our partner websites, information are available after you fill registration form. There are no plans to release the game on Nintendo Wii or Wii U. The cinematic action-adventure that forced Lara Croft to grow from an inexperienced young woman into a hardened survivor has been re-built for next-gen consoles, featuring an obsessively detailed Lara and a stunningly lifelike world. Ok so it came with a code to register product and a black on white paper with a web address to view or download the complete game manual. However, there are plenty of side areas to explore, collectibles to go after, and opportunities to revisit areas where you've already been.
The multiplayer is really fun with a few friends but there is rarely people playing this game. Installing that game right now. The Definitive Edition of the critically-acclaimed action-adventure includes bonus content and combines all of the downloadable content from the Xbox 360 version. My Assassins Creed and Need for Speed did not come with physical manuals either rather how to get to digital manual. Descriptions: Tomb raider definitive edition xbox one manual.
The list of bullet points below includes spoiler-free highlights and links to additional information. She has appeared at various press events, though not in costume as a promotional model. Check out this video, the for details. Armed only with raw instincts and the strength to push beyond the limits of human endurance, Lara must fight to unravel the island's dark history and escape its relentless hold. No part of this website may be reproduced without permission. Look forward to your games every year.
I bought mine last night from Gamestop and its a full on plastic case like a normal game. Ive only encountered one glitch in the game where you keep falling through the map but this happened only once you had to just jump over it. The quality of some of these docs are better than others. As soon as I completed it I went right out and bought the sequel Rise of the Tomb Raider. He is Lara's mentor, and she must help him survive when he becomes injured.
Lara—and the player—must discover the truth. Players can explore the island's diverse locations freely and can revisit areas as well as reach new areas as Lara's skills and equipment improve. Original content and images copyright © 1998-. As the game begins, Lara and her comrades are shipwrecked on a mysterious island in the Dragon's Triangle. Tomb raider definitive edition xbox one manual read and is readily available for downloading. I just wish they had made single-player dlc for this like they did with Rise.
Why is it seemingly impossible to escape? Select the game you want from the list below. There are definitely some scary and gory bits, but the game is much more 'survival-adventure' than 'survival-horror'. Is that what yours says too? The developers have said they're looking into Macintosh version sometime in the future, but nothing has been finalized. Well they've made a fan out of me. Following the conclusion of the Legend-Anniversary-Underworld trilogy, Tomb Raider developer Crystal Dynamics chose to completely reboot the franchise. Apologies for the iffy ones. Lara starts out with practically nothing and gradually acquires each weapon and bit of gear.
Top notch gameplay, visuals, creative and fun puzzles, compelling story and characters, and awesomely cool weapons with unique attatchments and upgrades. I actually never cared for the old tomb raider games, wasn't really my thing, but this and rise of the tomb raider are super fun. . Leave a comment on my or. Additional costumes are available as downloadable content. That's strange a shrink wrapped copy? That isn't to say Lara can't swim, just that the opportunity doesn't happen to arise. These days don't expect to much inside of a game.
Health packs will not be required, and Lara's injuries will heal gradually over time. So, look no further as we have a range of sites that are best to get eBooks for all those ebook. This independent fan site is not connected with or otherwise condoned by the creators and publishers of the Tomb Raider games. The expedition leader, an older man named Conrad Roth, can be seen in the game trailer and some of the screenshots. Sign me up for more of these games absolutely.
If you'd like to donate better quality scans, I'd be grateful. This was my first time playing a Tomb Raider game, I knew the character but had never picked up any of the previous titles. Follow this link for details about our. Ive beat the game three times already and I'm not yet done playing it. Lara Croft and Tomb Raider are trademarks or registered trademarks of All rights reserved. Can play the game over and over never bores me. Who are its strange inhabitants? Thats it besides art book case holder and sleeve.


ST. LOUIS (AP) � A federal agency overseeing transportation safety is warning pilots to take extra precautions after a pair of recent plane landings at the wrong Midwest airports.
The National Transportation Safety Board issued the alert yesterday, about three months after a Southwest Airlines Boeing 737 jet with 124 passengers mistakenly landed at a small airport in southwest Missouri intended for light jets and private planes, rather than at the commercial airport several miles away in Branson. The Southwest pilots, who remain on paid leave, landed at night by sight instead of using instruments to guide their approach. No was injured, but passengers smelled burning rubber as the pilots braked hard to stop near the end of the shorter runway, just before a steep drop into a ravine.
In November 2013, an Atlas Air cargo plane headed from New York for an Air Force base near Wichita, Kansas, instead landed 12 miles away at an airstrip with a runway half the size. That wrong landing also took place at night � a particular risk factor cited by the safety alert, as pilots react to the runway lights of the first airport they see during descent.
Government safety data and news reports reviewed by The Associated Press shows that at least 150 flights made such mistakes over the past two decades. Thirty-five of those cases involved wrong landings, with the other 115 cases consisting of aborted landing attempts or erroneous approaches. The actual number of wrong landings is likely higher.
"It's a reminder about how important it is to be vigilant about these procedures," said NTSB spokesman Peter Knudson. "They could have had far worse outcomes."
The safety board has issued 22 aviation safety alerts since 2006 on topics ranging from child passenger safety to handling icy wings before takeoff.
"It looks like a very diplomatic way for them to put pilots on notice to do the job they were trained for," said Michael Barr, a former Air Force pilot.
Pilots in such instances also risk collisions with construction vehicles or midair collisions with departing planes that don't expect the airspace intrusion, Barr said.


Oil and Natural Gas are vital minerals found in Assam. The state has a crude Oil reserve of over 1.3 billion tonnes and Natural Gas of over 156 billion cubic meters. The state is responsible for India's 15% crude oil output. The wells at Digboi, Dukiajan, Sivasagar, Moran etc produce Natural Gas that can be accredited to 50% of India's total onshore production. Assam is well endowed with mineral resources among which Limestone with about 700 million tones is one of the important mineral available in all grades. The China- Clay of Karbi Anglong districts is another significant input for the Ceramic industries. Assam is also famous for its coal output with a total production of 320 million tonnes. The coal found in Upper Assam and the Central Assam Highland has high sulfur content, high volatile matter content, high calorific value and low ash content. Assam also has a large deposit of Granite, estimated to be more than a billion Cubic Meters that have a huge domestic and export market.
Oil and natural gas, coal, limestone, base metal, beryl, granite, clay, gypsum, iron, mica, mineral water, sillimanite and salt.
Forest is a major component of Assam nearly a quarter of its land mass and half of it constituted of Reserve forest furnished with plentiful rainfall. The forests of Assam produce commercially useful resources like timber, bamboo, stone etc.
Medicinal and aromatic plants (MAPs) are an important part of Assam as many as 300 types of Medicinal herbs and pants are known to exist in the state. As per one estimate, 5-10% of the Plants and Herbs are commercially cultivated for extraction purposes and hence there is a lot of potential in this sector that can contribute to the local economy, subsistence health needs and improve natural resource management.
Major Fruits: Pineapple, Banana, Coconut, Jackfruits, etc.
Major Citrus Fruits: Orange, Assam Lemon etc.
Major spices: Ginger, Turmaric, Bhut Jolokia, Chilies, pepper etc.
Three types of silks are found in Assam, namely- Eri, Muga, and Pat (Mulberry). The Muga Silk is a unique silk found in Assam, it is popularly known as Golden Fibre and has already obtained Geographical Indication (GI) Certification. The sericulture industry in Assam can achieve required results if it gets continuous boost financially from the government and non-governmental organizations. If proper measures are adopted for the upliftment of farmers, rearers and weavers in this industry, surely this industry will see an enhancement of production in the future.
Assam has the unique advantage of 430 million acres feet of water resources which is used to generate hydro-electric power, widen the irrigation network and used as an inland water transport network. There is also considerable ground water resource in the Brahmaputra and Barak river basins which holds good prospects for utilisation.


Independent LIving Newquay Ltd is a local shop offering a full range of Mobility Products from Mobility Scooters, Bathing Aids, Rise and Recline Chairs and Beds, Bath Lifts, Stair Lifts, Walking Aids, and Walking Sticks.
The company previously had a web presence that was shared with another one of their shops in Minehead but as the new manager took over he was keen to establish the Newquay shop in its own right.
We created an easy to edit website that could be added to as the shop grew and the range of products and services expanded.


A beautiful Kabbalah charms bracelet that incorporates 4 names of the 72 names in Kabbalah. The cube, 24KT gold plated or Silver plated, has the letters for Healing, Prosperity, Protection from the Evil Eye and Happiness. The bracelet is decorated by other charms including the Hamsa Hand, Fish and Heart amulets.


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6 Ways Covid-19 has changed External Development
Written by Streamline Studios
Jul 14, 2020 1:29:00 AM
The last three months have been trying times for everyone. For the first time in almost a century, the fear of death by a disease came back to the forefront of our shared human consciousness. We are only now starting to feel the political and socio-economic impacts of COVID-19. We've seen many businesses and industries begin to collapse on themselves due to supply chain disruptions, and changes in consumer spending habits. Luckily for us in the games industry, we do not have supply chains in the traditional sense, and global lockdowns have seen an increase in consumer spending on video games.
However, looking past the short-term gains, we will see that our industry is forever changed. Developing and shipping games is still a labor-intensive process that requires a global effort. The success of recent releases was often thanks to the determination, grit, and sacrifice made by teams. Moving forward, it may be harder to pull off such feats. Particularly, when you consider how the nature of productions will need to change to account for the very real human cost.
This is evident when you consider the demise of companies and recently canceled projects. A survey conducted by the XDS at the end of March 2020, revealed that, despite the health concerns, only 47% of the surveyed game developers/publishers provided the option to work from home for their external partners. Instead, many developers and publishers mitigated the impact of global lockdowns by shifting work to less affected regions, decreasing games' scope, or delaying releases. Even big industry players like Technicolor are now facing solvency issues. We also saw a small portion who chose to ignore public health risks and continue to have their teams work at the office, putting their profits above their employees' safety and well-being. Actions like these only further add to the games industry's bad reputation.
Lastly, COVID-19 has led to the cancellation of physical tradeshows, with many moving to a fully digital model. This means that companies that previously relied heavily on tradeshows for business development now find it challenging to chase new leads and close deals. The hardest hit are probably indie developers who depended on tradeshows to secure funding from potential investors and publishers.
What does this mean for our industry as a whole? And how should we move forward?
1. Contracts and agreements matter (and always have)
For many, it took the global pandemic to realize the importance of agreements. Especially when projects canceled or deliveries fell through. While there are many things to pay attention to in contracts, I'll focus on the two that I feel are most relevant during this time. Firstly, the Force Majeure clause. The Force Majeure clause protects parties involved in a contract when extraordinary circumstances prevent contractual commitments from being met. Imagine being a service provider or developer who had to halt operations, even temporarily, due to lockdowns. The Force Majeure clause could mean the difference between your company going bankrupt due to failure to deliver milestones or the survival of your company.
The inability to fulfill contractual requirements is also where the Limitations of Liabilities clauses are also significant. You need to know how much damage you will have to pay or are eligible to receive for non-delivery (depending on which side of the agreement you are on). Both parties need to negotiate this clause thoughtfully at the start of the contract to ensure that they do not become financially bankrupt by a failure to deliver. Also, question whether the sum agreed upon can be paid. We've seen contracts that ask for sums that would not be possible to be covered by insurance.
Without shows to go to, sales teams have had to shift back to using emails and cold calls to reach out to potential partners. Gone are the networking events and parties where you could easily find like-minded individuals and potential partners. This also means that sales tools such as LinkedIn and social media have become essential to make these connections, and for securing revenue.
Apart from tools, the organization of sales teams will also need to change. In the past, companies could rely on single sales teams or even an individual sales-representative that traveled to different shows to meet partners in different regions. The cancellation of physical shows and the shift to digital events have made the events less effective for business development. The main problem with shifting to digital-only is the time-zone difference between attendees. From personal experience, arranging calls and meetings during these digital events is almost impossible, as time-zones rarely line up for all parties.
Companies can mitigate this and shrug off their reliance on tradeshows by having regionally distributed business development teams. This way, calls, and virtual meetings can happen at more productive hours and, in those regions where travel is opening up, face-to-face meetings will be easier to arrange. Otherwise, you will have a sales team that is going to be up at odd hours doing business development virtually.
3. More nuanced partner and team management
The global pandemic has caused many companies to shift to a work-from-home (WFH) model. While there are many benefits to working from home, it is undeniable that peoples' moods and mental states are different compared to when we were all in an office. Some people find it hard to stop working, while others have a harder time balancing work and family since now there is no physical separation.
It has never been more important to read the room and mood of the people you work with, especially, when you cannot meet in person. We must spend the extra time and effort building and maintaining relationships to ensure that issues are dealt with quickly and effectively. It is all too easy to hide behind chats and emails. For example, I volunteered to one of our partners to have a call at an odd hour for me. There was an issue because of time-zone differences. It was hard to set up a call and emails were proving ineffective. While I wouldn't make a habit of taking calls at odd hours, it was needed in this case for us to proceed and our relationship grew stronger because of it.
Small acts that add to the emotional bank accounts are even more critical now as minor issues tend to get blown out of proportion because of the added stress and uncertainty everyone faces.
4. Hiring needs
As a hiring manager, our teams' ability to work from home is both liberating and stressful. On the one hand, it opens up a broader pool to find candidates. On the other, it means that there are new considerations to look out for.
The first, and I think most important, is that candidates must be more self-directed, proactive, communicative, and disciplined than before. Without the physical proximity and supervision that you would have in an office, team members may not be able to perform as well as they used to. In our experience, we have seen both ends of the spectrum. Some of our employees have increased performance and productivity after shifting to work from home. For others, their performance took a nosedive. Ultimately, it comes down to the mental fortitude and grit of individuals.
Apart from soft skills, we should also consider candidates based on their living situation. They need to have a good working environment at home where they can focus and have access to a good internet connection. By having a dedicated space to work from also reduces the chances of family members or other outsiders seeing confidential material or interrupting calls.
5. Magnified security concerns
Related to the above point, the shift to WFH means that security becomes a much bigger focus. While there are many ways to ensure security and performance from an IT standpoint, the different project and individual needs make it difficult to have a blanket one size fits all work from home solution. Teams will just have to find what works best for them. Things like bandwidth and latency are heavily dependent on the internet connection at your employees' homes. It may be too unstable for some individuals to work reliably remotely.
Apart from just the technical aspects of security and performance. Employees must adapt their home workspaces and interactions with household members to ensure they don't breach confidentiality rules. We have all seen embarrassing moments on conference calls from home where someone walks into the frame or a cat or child calls the speaker's attention away—depending on the situation that could be understood or it could make or break a project. This is why that it is just as important to ensure that you have the proper process and policies in place to govern work from home and to give employees the necessary training and guidance on how to adhere to best practices.
6. Rethinking large scale productions
Distributed development means that coordination has become a more time consuming and complicated process. In essence, it has paradoxically opened access to a global talent pool but made it more challenging to coordinate said talent pool.
The health risks associated with COVID-19 has also made it less likely that studios or outsource houses with hundreds or thousands of people under one roof will continue to exist the way that they have in the past. The risk to human life is just too high. Productions that require massive amounts of manpower need to be reassessed. Developers and publishers alike have to consider the impact of another disruption of this scale; could they handle postponed or canceled releases? How long can they sustain resources and funds?
To mitigate this, developers will consider distributing larger chunks of creative and technical control to external partners, instead of the current model, where a single central developer handles all the integration and implementation in the end. This will bring us closer to the idea of true distributed development, where the development and partnerships can happen on a worldwide stage. The skillsets to create games exist globally. It is now time to leverage it.
Another means to mitigate the risk of large productions would be to have fewer of them. Developers will start shifting to producing games that will be achievable with 2-3 years of production. This way, the investment, and risk are reduced.
COVID-19 continues to cause global disruptions. As with any disaster of this magnitude. It forces us to adapt as individuals and businesses. By challenging us, it becomes the catalyst for us to improve and change ourselves in ways we did not previously consider. The pandemic has brought to the forefront issues that needed addressing. We should take this time to reflect, we can move forward and come out the other side better than when we came in.
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Diversity at its Core - Streamline Promotes Two New Directors
Oct 6, 2022 4:30:27 AM |
Ric Neil joins Streamline Studios USA as Managing Director
Aug 10, 2022 2:38:09 AM |
Streamline Announces New Managing Director, Richard Cheah
Jul 26, 2022 7:53:01 AM |

redpajama_set_name: RedPajamaCommonCrawl


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Review: Fast & Furious 9
Stars: John Cena, Michelle Rodriguez, Tyrese Gibson
There's a point in nearly any long-running TV series or soap opera when desperate writers will start to retcon character histories to bring in hitherto unknown relatives (usually younger siblings) in an effort to tell new stories and freshen up the cast list. It usually coincides with a tipping point. The fast downhill toward obsolescence and redundancy. It's a trope so well-worn that cannier shows have even approached it deliberately or with a sense of built-in irony.
Fast & Furious 9 (or F9 as its marketeers would have us call it), finds the improbable $6 billion franchise embracing this treacherous trope with muscly outstretched arms, introducing us to Dominic Toretto's (Vin Diesel) younger brother Jakob (John Cena)… a character never even nominally referred to previously in a series built on the principles of family.
Okay, fine. We've already done Dom-goes-bad and Letty-(Michelle Rodriguez)-has-amnesia. What's another hoary old cliché in a series this lovably dumb? But it might turn out to be the one that breaks the camel's back. Not in terms of box office. These movies are destined to run and run. They're a financial juggernaut. But in a deeper sense.
Much as we all want this to be a screaming Behemoth of excess and stupidity, it really feels as though F9 does away with a lot of the good graces the series has built up over the years. There's only so much insult you can add to injury.
Cena is all-the-way bad, and not in the sense of how much of a Bad Guy he is. His Jakob is forgettable, ineffectual, a smudge on the series. In a completely unnecessary and unwelcome series of flashbacks that add 20+ minutes to the running time, we're given something approaching emotional motivation for Jakob's villainy, but F9 crucially miscalculates in many other areas. What is he trying to achieve in the movie's present? Aside from eschewing some cringe-worthy daddy issues, what is it he wants? What is he doing? You'll never know.
The plot, such as it is, is that Dom and Letty are called out of retirement once again to stop Jakob from assembling the pieces of a Bondian doohickey called Ares; a football-like object that will grant him the power to control any piece of tech on the planet. But to what end? In his arbitrary aircraft hanger, Jakob has prior F&F villain Cipher (Charlize Theron) captive in a laser cage or some bullshit, and she takes him to task over his flimsy motivations, but we never get a straight answer. And this scene also folds in another doom-laden tipping-point that F9 seems to have reached… self-parody.
Up until now F&F has been gloriously guileless, and that sincerity has been it's bullet-proof vest. But F9 starts breaking down those defenses. Comedy foil Roman (MVP Tyrese Gibson) starts openly questioning the plausibility of his own luck. It's played as a 'bit' for him and Tej (Ludacris) to bounce back and forth, but it places the longevity of the series front and centre.
Sitting and watching this thunderously noisy chore of a picture, you realise that Roman is right. They are all invincible. Anyone who dies will almost certainly be resurrected and the creatives behind the scenes won't even have the common courtesy to come up with a proper explanation. And, in the world of F&F, all villains eventually become part of Dom's Corona-guzzling family anyway. There's no other alternative. It's coming for Cipher, you'll see.
So if nobody can die and if nobody's ever an antagonist for long… what are we watching? Where are the stakes? Roman's unease at what he's discovered is like the opening of some dreaded Pandora's Box. Once the idea is out, there's no stopping it. Is it a coincidence that the moment he has this revelation (not long into the picture, I might add) also marks the last time anything interesting happens?
Up until this point F9 is an absolute blast. Granted, you've still got those awful flashbacks to overcome, but an extended sequence in which Dom and the gang are chased through a jungle cluttered with mines is up there with the series' peak silliness. Reader, I was cheering. Everything after is a total waste of your time.
The mid-section of the film is painful as F9 reels out every old face it can muster for scant fan service, ranging from Helen Mirren (who actually gives a fuck about her character?) to blasts from the past who add precisely zero to the story going forward (Jordana Brewster, Sung Kang). Not even a bewildering 30 second cameo from Cardi B can liven up this dirge. Once Jakob has inevitably got all his McGuffin pieces in a row, we're on to the all-out assault of the third act. Returning director Justin Lin (who skipped 7, 8 and Hobbs & Shaw) throws a lot at us. Magnets. Space travel. Armoured mega-trucks. Zany fun + zany fun + zany fun… right…? Nuh-uh. But it all becomes so much noise. The action is unclear and uninteresting, and it goes on longer than that runway in Fast 6, pummeling you into submission.
At one point someone stresses the importance of physics and I nearly choked. The Fast series has played generously with the laws of physics before – wonderfully so – but F9 just abandons the idea of reason all together. That sounds exciting, and fun, but it doesn't equate to exciting and fun. It equates to tedium and annoyance. Along with the Dwayne Johnson-sized plot holes literally everywhere, it just adds to the overall sense that we are, collectively, having the piss taken out of us. That, like the MCU, F&F has gotten too big for its boots and now feels relaxed enough to shovel any old shit our way, assuming (quite rightly, probably) that we'll turn up regardless. Fool me once, shame on you. Fool me nine times (ten counting Hobbs & Shaw), shame on me.
I genuinely did expect better. Hit and miss as they are, the Fast series represents a wonderfully enticing kind of escapism. When the series is on fire (Fast Five and Furious 7 particularly), it's some of the most enjoyable nonsense around. F9 feels like a different kind of trash, however. The kind that treats its audience with disdain because its already robbed them of their money, so the quality of the product is absolutely immaterial.
Give Roman and Tej their own franchise and stop wasting our time.
June 26, 2021 June 26, 2021 Leave a commentAction, Charlize Theron, F9, Fast & Furious 9, Franchise, Helen Mirren, John Cena, Jordana Brewster, Justin Lin, Ludacris, Michelle Rodriguez, Sung Kang, Tyrese Gibson, Vin Diesel
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Published April 5, 2016
Can handwriting make you smarter?
By | The Wall Street Journal
Laptops and organizer apps make pen and paper seem antique, but handwriting appears to focus classroom attention and boost learning in a way that typing notes on a keyboard does not, new studies suggest.
Students who took handwritten notes generally outperformed students who typed their notes via computer, researchers at Princeton University and the University of California at Los Angeles found. Compared with those who type their notes, people who write them out in longhand appear to learn better, retain information longer, and more readily grasp new ideas, according to experiments by other researchers who also compared note-taking techniques.
"The written notes capture my thinking better than typing," said educational psychologist Kenneth Kiewra at the University of Nebraska in Lincoln, who studies differences in how we take notes and organize information.
Ever since ancient scribes first took reed pen to papyrus, taking notes has been a catalyst for the alchemy of learning, by turning what we hear and see into a reliable record for later study and recollection. Indeed, something about writing things down excites the brain, brain imaging studies show. "Note-taking is a pretty dynamic process," said cognitive psychologist Michael Friedman at Harvard University who studies note-taking systems. "You are transforming what you hear in your mind."
Children's ability to follow a beat may impact reading, language skills
How exercise can enhance memory and learning
Napping is key to learning in early life, study says
Researchers have been studying note-taking strategies for almost a century. Not until recently, though, did they focus on differences caused by the tools we use to capture information. Note-taking with a lead pencil, first mass-produced in the 17th Century, just isn't so different than using a fountain pen, patented in 1827; a ballpoint pen, patented in 1888; or a felt-tipped marker, patented in 1910.
Click for more from the Wall Street Journal.


This geomagnetic energy is preparing us for the next New Moon Monday. Pluto is adding drama and intensity to things. This is a time to eliminate any poison from your life. Neptune could be bringing out any relationship issues. We are being asked to move forward to new lessons. This requires lots of letting go of your old experiences. If you are seeing control dramas still, it is time to leave. Poisoning on a spiritual level has been affecting your relationships for far to long. This is a detoxification period for humanity. Let go of anything poisoning your soul or your body. This journey is meant to be a transformation, shifting your focus back to your inner power. Your desires should be coming to the surface, and they are becoming more apparent. There are too many people still content on giving away their power. Anyone doing so will ultimately have to face their fears. This Planet is shifting into Venus Retrograde. This six week cycle will bring up old issues pertaining to lovers and past lives. We can not move forward til we resolve these issues within ourselves. During this period any relationships not serving the collective will become more apparent. To shift into who you really are, you have to let go of the things your holding on to that are not representative of that person. Many of your timelines have suddenly become outdated. To many people are hanging on out of fear. Let go now, those timelines collapse into real love.
The collective had to complete a certain amount of karmic lessons to reach this place. There are certain lessons our souls must learn in separation. There are major changes occurring to bring humanity back to a place of Oneness. A rewiring is taking place, a rewiring to higher consciousness. Old blocks are being removed, in doing so you should be seeing yourself more clearly. Saturn is challenging Neptune. This is bringing light to the fact that your timelines are becoming outdated. They are not in alignment with your higher soul aspects. You have more work to do too bring things into alignment between the spiritual and the material. We have a very important energy to work with now. Sunday the Sun and Mercury move into Libra starting a new cycle. Your focus should be more energetic balance. These cosmic energies are leading your soul home, back to Divinity. We are feeling a push and pull effect between this separation and Oneness, this is duality.
We Have A New Moon Thursday..


Source: Biological Control. 50: 94-102.
Fiber bands impregnated with entomopathogenic fungi (=fungal bands) provide an effective method for controlling the invasive Asian longhorned beetle, Anoplophora glabripennis (Motschulsky) (Coleoptera: Cerambycidae). In this study we investigated the effective longevity of fungal bands for use against A. glabripennis, using several fungal strains. In the laboratory, adult beetles were immobilized on squares of fungal band impregnated with Metarhizium anisopliae (Metsch.) Sorokin isolate F 52 (ARSEF 7711) cultures to establish the median lethal concentration of 3.08 x 106 conidia/cm2. During the summers of 2001-2004, bands impregnated with strains of M. anisopliae (2002-2004), Beauveria bassiana (2002), and Beauveria brongniartii (2001) were attached to trunks of trees in Queens, New York City to evaluate changes in densities of viable conidia over intervals of up to 119 days.
Shanley, Ryan P.; Keena, Melody; Wheeler, Micheal M.; Leland, Jarrod; Hajek, Ann E. 2009. Evaluating the virulence and longevity of non-woven fiber bands impregnated with Metarhizium anisopliae against the Asian longhorned beetle, Anoplophora glabripennis (Coleoptera: Cerambycidae). Biological Control. 50: 94-102.
Microbial control of Asian longhorned beetles - what are fungal bands?


Mr Joe Field, newsagent, appears outside his shop in [~Christmas Shopping~]. Other shops include Feltham's, Burgess', Parfrements, and Pitchers. Members of the official party in ~The Path of Duty was the Path of Glory~ include the High Sheriff (Mr J St Loe Strachey), Mayor Bridger, aldermen, the memorial committee and garden designer, Gertrude Jekyll. Members of Phillips' family were also present.
The first film in the compilation shows Godalming High Street busy with Christmas shoppers. A group of men walk out of a pub and pose for the camera, smoking and laughing. There are several close-ups of individual shops such as the butcher's, the newsagents and a confectioners. Two army officers pose outside the newsagent's and the proprietor is also seen outside. The road is busy with traffic and bicycles; a double-decker bus stops at a bus stop and passengers board the exterior staircase at the rear.
This film shows an inter-farm competition which took place on 18 April 1917 where women from the newly established Women's Land Army in Surrey demonstrated their ploughing and farm work skills in a series of competitive matches. The women starting the ploughing match are dressed in large coats and hats, and wear numbered arm bands. The women pose with the shire horses in the farmyard. A group of milk maids from Cross Farm's dairy also pose for the camera. A large crowd has gathered to watch the event. Several scenes show the women taking part in a ploughing match in the fields, working the horse-drawn ploughs. In another field, a hoeing competition takes place where a long row of women use hoes to turn over the soil. Back in the farmyard, a crowd watches as some of the women lead horses and carts through. A woman reverses a cart into a pole barn. There is a final shot of a girl sitting on a horse bearing a Red Cross emblem.
"The Path of Duty was the Path of Glory" The final film is a newsreel item showing the opening of the memorial to John (Jack) Phillips, the 'Titanic' hero, in Godalming, on 15 April 1914. The crowds gather in the cloister gardens to watch the High Sheriff and Mayor unveil the memorial. Attendees include Phillips' family, members of the memorial committee and the designer of the gardens, Gertrude Jekyll. There is a close-up of the plaque dedicated to Phillips, RMS Titanic's Chief Radio Telegraphist, who lost his life when the ship sank in 1912.
The first two of these three films are thought to have been made by Mr W G Fudger who ran the Picture Palace on Station Road in Godalming.
Newspaper cuttings from December 1953 describe how the films were rediscovered and shown at the Odeon Theatre, Ockford Road, to an audience including the Mayor and Corporation.
It should be noted that although the title of the first film refers to Christmas shopping, there is no apparent evidence of it being Christmas in the street scenes shown.
The second film shows the members of the Women's Land Army which had been established in January 1917.
Of particular interest in the final film is the presence of Gertrude Jekyll.
Godalming 400 (1974) shows events celebrating the town's 400 year existence. Wartime farmworkers (Second World War) are also the subject of Start a Land Club (1942).
Another, longer version of the film segment showing the Women's Land Army is held at the BFI and can be viewed online.
Godalming Museum's collections focus on the history of the town. In addition, "Godalming Museum is rich in material on Jekyll and Lutyens, creating a permanent exhibition room, a Jekyll garden and carrying a superb collection of drawings by both the garden designer and architect." The Museum's website has a page about Jack Phillips, and also has a useful Links Page providing links to other sites relating to Godalming history.
In addition to its permanent exhibits, the collections of the Imperial War Museum include Film and Video, Photographs, Sound, Art, Documents and Printed Books. The collections' database is searchable online.
The Mass-Observation Archive holds material relating to the experiences of women workers in wartime, although from the Second World War, not the First as featured in this film. "Much of the material in this collection, an investigation of wartime employment for women, results from the ATS Survey of 1941. There are detailed, inside reports on all aspects of WAAF life. A collection of letters from women munitions workers is included however, together with material concerning employment in civil areas, and information on women's organisations. This material is related to women's attitudes to war work and omits references to other areas of their lives, for which relevant Topic Collections should be consulted." A search facility is available online.
The Museum of English Rural Life at the University of Reading houses collections which include items relating to the Women's Land Army from both world wars. The Museum's database is searchable online.
The Surrey History Service collects and preserves archives and printed material relating to all aspects of the history of Surrey - amongst these are the records of 'The Music and Dancing, and Racecourses, and Explosives Licensing Committee' (1889-1930) of Surrey County Council which detail the approval, transfer or rejection of Cinematograph Licences throughout the county. The Centre also has a special collection on Gertrude Jekyll, as well as a selection of films from the South East Film and Video Archive, and its collections catalogue is searchable online.
The Women's Library at the London School of Economics, houses the most extensive collection of women's history in the UK. Catalogues are searchable online.
Newspaper cuttings from Dec 1953 relating to [Christmas Shopping], report on the film being rediscovered, screened and donated to Godalming Museum. The cuttings also names the shops that appear and some of the people.
Sagar, Peter. "Godalming Cinema History." Mercia Bioscope. 55 (May 1995): 1-6.
A brief history of cinemas in Godalming. A copy of this article is available at the Surrey History Centre.
The Shackleford village website includes a short history of Cross Farm (featured in Surrey Women War Workers).


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News, Reviews and Features #ReadaPlayaWeek: Texts from Lisa Evans, Marie Laberge, Owen Sheers & Adam Barnard
#ReadaPlayaWeek: Texts from Lisa Evans, Marie Laberge, Owen Sheers & Adam Barnard
In Books, Features, London theatre, Opinion, Plays, Reviews by Not Exactly Billington 4th April 2019 Leave a Comment
Not Exactly Billington have set themselves a challenge to read a new (to them) playtext every week. In March, their #ReadaPlayaWeek titles included Lisa Evans' Stamping, Shouting and Singing Home, Marie Laberge's Night, Owen Sheers' Unicorns, Almost and Adam Barnard's buckets.
Stamping, Shouting and Singing Home (1986), by Lisa Evans
Evans' play tackles race tensions during the time of segregation in the American Deep South of the mid-twentieth century. Young Lizzie Walker is a headstrong but naïve girl raised by her mother in the shadow of her great-grandmother, Sojourner Truth, a rebellious slave and Christian Feminist. While Lizzie contemplates the teachings of the bible and the contradictory interpretations made by those in power her sister, Marguerite, begins to take a stand against the wealthy white family she works for and becomes increasingly active in the Civil Rights movement.
Evans intersperses scenes with snippets of traditional songs of freedom and has her characters dress up as ancestors, white women and preachers from a prop box on stage. This gives the text a theatricality that often doesn't come across through reading alone. I found the biblical debates fascinating, especially the skewering of the concept that man's downfall is fated by woman/women (aka Eve in the Garden of Eden). Evans contemplates these theological and philosophical inequalities with humour and poise.
Published by Methuen.
Night (L'Homme Gris) (1984), by Marie Laberge (translated by Rina Fraticelli)
Laberge's play is a taut two-hander that imposes a creeping sense of unease amidst the mundane setting of a homely motel room. Roland has made the long journey to collect his mute daughter, Christine, in order to bring her home to visit her sick mother. A storm has interrupted the drive home, and in the confined space of the twin motel room a psychological thriller unfolds.
Night explores the lifelong impact parents have upon their children and the ways that people use and abuse this most complex of relationships. We learn that Roland's mother was an alcoholic – an addiction he nursed and abetted while being so ashamed of his roots that kept it secret from his entire family until now. Christine married young and Roland believes she needs rescuing from her violent husband. Twisted ideals and nauseating dreams of lost innocence and perfection make for uncomfortable reading. Laberge has a skilful way of upending our perceptions – nothing is as it initially seems and she manages to shock until the final brutal seconds. Intense, prosaic, and a masterclass in the cruelties of passive aggression, Night shows just how gripping a small but deadly intimate play can be.
Unicorns, Almost (2018) by Owen Sheers.
"Time's wrong-way telescope will show
a minute man ten years hence
and by distance simplified"
Sheers' one man play is a tribute to the little known WWII poet Keith Douglas, who initially fought in the Egyptian desert before being killed in Normandy. He was only 24 years old. Douglas wasn't an established poet and his only collection of poems was published after his death. So what is so remarkable about the play is how it manages to distil so much of Douglas' voice and life from such a small body of work, while remaining so eloquently written. The text is economical in its turn of phrase (the sentences tend to be short, often limited to a thought per line), like Douglas' poetry. But, again as with Douglas, substance dominates style, and a full-bodied character emerges in this young man as we see him figure out his way through love, war and poetry.
Death hangs over Douglas' life, which (as Sheers notes in the introduction) lends the play a natural theatricality. Just as Douglas describes soldiers as 'Actors waiting in the wings of Europe' watching 'the lights on the stage', he is also aware of his own final curtain, leaving him with a pressure to struggle with his craft to write something which will outlive him. The play is mostly a diary to capture his inner contradictions about the horrors of war and the frustrations of poetry. He literally seeks war, stealing a van to drive to the frontline, but at the same time hates the violence and the romanticising of it – there are no patriotic inklings in him. And unlike his more established peers back in Soho who says his work lacks musicality, he wants to reflect a truer experience.
The Douglas poem which closes the play begins 'Remember me when I'm dead/ and simplify me when I'm dead'. Sheers brings Douglas' work and life to the fore in a way which commits to finding the depths of this poet.
Published by Faber and Faber.
buckets (2015) by Adam Barnard
"But you've kind of killed the spontaneity by explaining it so much, haven't you?"
33 interconnected scenes performed by a non-stipulated number of people make up Barnard's Churchillian play. And so part of the joy (and the play is a joy) is that you find yourself playing director. Are these characters new or have we seen them before? How many are there in this scene? How do these characters know each other? Could this go here? Do we have to end with The End? In these 33 scenes, some merely a line or two long, Barnard crashes together moments in a life. Some of them are small and inconsequential, everyday occurrences: a Facebook update or meeting someone new. But some are bigger, more memorable, moments that you would dread. He then observes the minutiae of these moments, exploring the phenomenological and thought processes, the little moments of life's big moments. A play with few (if any) rules which squeezes the most out of each scene.
Standout scenes include a hastily-decided bungee skydive, and a terminally ill teenager blackmailing a popstar to kiss them. And it includes a great pre-script note.
Published by Nick Hern Books.
Victory Condition (2017) by Chris Thorpe
"All these impulses, conscious and unconscious, faster than thought"
Like with buckets, the text for Victory Condition is a starting point, a suggestion of how it can be performed. Thorpe gives us two monologues (one by a man, one a woman) followed by a dialogue. It's suggested that the dialogue does close the play but other than that the monologues can be intercut with each other. Dotted lines split the monologues up into separate thoughts, again a suggestion for pauses or a new part of the monologue to begin. If the performance options for both plays are not endless, then there certainly are many possibilities for them.
Thorpe also gives us a naturalistic set (an apartment overlooking a city at sunset) and defines a situation (a couple returning home from their holiday: unpacking, making a drink, cooking, not cooking, ordering a takeaway, going to bed) as a backdrop for the monologues – or a series of actions to help inform performance decisions.
Other than that, I'm stuck as to what to say. It's a play which is fascinatingly elliptical and at times dense with ideas. The woman's monologue in particular is amazingly structured, jumping from idea to idea with nothing but a comma in the way and yet maintaining clarity. The ideas are expressed lucidly but we are awash with them. In her monologue, the focus of one moment is on herself, her immediate and recognisable surroundings, then jumping to wider global and societal ideas – ideas which can go from people drinking coffee in Johannesburg to the embryonic stage of a future genius in Mexico City to an eagle catching a fish. Again, like with buckets, it's a play which in both its performance options and its ideas is interested in immense possibilities.
It's a play to be seen, to be read, to be re-read and re-seen. The meta-theatrical dialogue which captures and skewers the often easy metaphors and endings in plays is entertaining and typical of the play's hunger to think bigger and ask more questions.
Published by Oberon Books.
Not Exactly Billington
Launched in 2012, Not Exactly Billington is a Leicester-based theatre blog run by Adam and Jasmine, who are keen to explore and promote the arts on a national scale while maintaining the importance of regional voices, perspectives and creative endeavours. The couple share blogging responsibilities and often collaborate on reviews, thus giving a broader response. For three years, they also successfully ran the #ReadaPlayaWeek initiative. Each week, they championed a different play, ensuring there was equal representation of male and female writers as part of their advocacy for gender equity and diversity in the arts. They tweet at @NoBillington.
Read the full article from Not Exactly Billington, published on 4 April 2019
Tags: Adam Barnard, Lisa Evans, Marie Laberge, Not Exactly Billington, Owen Sheers, ReadaPlayaWeek
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There aren't many people who ask their REALTOR® to find them a house that backs up to railroad tracks or sits under a flight path. Buyers tend not to be attracted to homes on busy streets or next to a large business developments. That's where the laws of supply and demand can work in your favor.
When lots of people don't want something, the price is cheaper. So if you want to get in a neighborhood that's a stretch for your budget, you might consider homes with a so-called undesirable quality. That could also help you afford a larger or nicer home than you would otherwise find in your price range.
You might even decide that some of these perceived drawbacks are actually benefits. For example, the noise and activity of a busy elementary school across the street will turn off many buyers, but consider how convenient the playground—and the school itself—would be for your young kids. Airplane noises go hand in hand with quick trips to the airport. A busy street may help you get where you want to go faster, too.
If you want to explore properties that are more affordable due to factors that turn off some buyers, talk with your REALTOR® about your options.


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Could I have any solution for this?
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redpajama_set_name: RedPajamaStackExchange


Ah, who doesn't love a good New Year's Resolutions post? Even though I've been a little quiet on the blogging front -- because production has increased 150%! woot! -- I still love dreaming, reaching, and outlining my goals for each year.
My favorite tactic is to reflect on the previous year: what worked stellar? What needs improved? What would be a wild accomplishment? What gives back to my family and betters our lifestyle (more together time)? How am I going to accomplish each one?
Most are business related goals, because I'm a work-a-holic by nature, but I'm also listing a few personal ones to remind me everything has a season: a season to create, a season to be a mom, etc. I'm also including how to accomplish each goal realistically.
Continuing along the New Mom series, I thought I'd share another post I'd written when EJ was still young and I was struggling with finding a few moments of "me" time.
Trying to find the new normal is a constant juggling act when you become a new parent. I've rounded up my thoughts from the first year (notes taken here and there) into a hopefully cohesive list of what I tried to do to stay sane and create a healthy lifestyle.
I originally rounded up my favorite new-mom essentials to celebrate my #MakersMondayFeature on 3and3handmadeshop's Instagram to highlight what got us through EJ's first year.
But now that we have Baby #2 on the way, I'll be revisiting plenty of these shops to restock on their amazing products and as well as a mental refresher on going back to the beginning.
In order to apply for the number of shows that I want to do this year, I've collected my favorite responses into a Response Template that I can refer back to when I apply to each Craft Show.
Read the full post to download my Blank Template for your own Application Responses.
With the hint of warm and sunny weather just around the corner, my thoughts are eagerly anticipating Art Walks and summer weather fun. Like everyone else, I'm ready to soak up some warm sun rays and refresh my whole life. Or maybe that last part is just the spring fever.
Either way it's time to start thinking about what spring and summer craft shows to apply for and begin building my list of deadlines so I don't miss any favorites.
I've collected some of my biggest tips for selling online and selling at craft fairs and how the two can be VERY different.
My last show of 2015 turned out to be my second-highest show in sales, ever! Even though some customers complained that they had already done most of their holiday shopping during Black Friday sales, plenty more customers were holiday shopping as well as shopping for baby and housewarming gifts! Foot traffic seemed a bit slow, but it was definitely steady all day.
It was so nice to have the Naturally Crafty group reunite for our first Christmas show at the beginning of November. We had a few new faces this time around - a cookie lady with mini cookie samples(!) & a Osbourne Books rep hosting a story hour after 1pm. We also had returning vendors Little Bare Furniture with reclaimed, handmade wooden toys, Knittedhome (me!) & Alex, our hostess, with her hand-painted signs.


If the stock market were a roller coaster, you can bet the line to ride would be as short as the prospective riders are thrill-seeking.
high relief the precarious state of the global economy. But a lesser known phenomenon is beginning to rise above the turmoil: The relative success of what is known as "socially responsible investing," or SRI.


Far-right groups have surged across Europe. Why hasn't Golden Dawn been able to grow?
Athens, Greece - While far-right, populist and often neo-fascist parties across Europe have successfully broadened their bases since the massive influx of refugee arrivals started in 2015, that has not been the case in Greece.
In January 2015, the neo-fascist Golden Dawn became the third-largest political party in the Hellenic Parliament, just three years after elections that first thrust the party into the parliament.
That same year saw the advent of a pattern across Europe. With hundreds of thousands of refugees and migrants arriving on the continent, far-right parties like Germany's Alternative for Germany (AfD) and Austria's Freedom Party (FPO) seized the opportunity to exploit anxiety over migration.
Since then, the FPO, which has Nazi roots, has become a junior coalition partner in Austria's new government, and the AfD has entered Germany's Bundestag for the first time.
In Italy, populist parties like the Northern League made large gains in the March elections, while Hungary's recently re-elected prime minister, Viktor Orban, has grown increasingly far-right and authoritarian.
In Greece, however, Golden Dawn has been largely unable to influence the discourse on refugees and migration, and it appears to be as politically isolated as it was when its leading cadre were first arrested and charged after the September 2013 murder of anti-fascist rapper Pavlos Fyssas.
Charged with operating a criminal organisation, the trial of 69 Golden Dawn members, including its entire 2013 parliamentary group, is slated to conclude this year. It has moved at a snail's pace, and the effect of the trial has been stifling for Golden Dawn.
Along with the anti-fascist movement entering a period of new-found strength and the internal nature of the party, the burdensome weight of the trial has largely prevented Golden Dawn from growing.
In Golden Dawn Girls, a new documentary by Havard Bustnes, both the internal contradictions of the party and the growing public consternation over its brazen use of racist violence were laid bare.
When Bustnes implores Ourania, the daughter of Golden Dawn chief Nikolaos Michaloliakos, to simply condemn Nazism, she flatly refuses.
The scene was emblematic of something larger than her personal inability to condemn Nazism: While far-right parties throughout Europe have rebranded and reformed as more moderate populists, Golden Dawn is incapable of shedding its national socialist roots, according to some experts and observers.
In a recent conversation, Thanasis Kampagiannis, a lawyer in the Golden Dawn trial, echoed that analysis. "The distinctive thing about Golden Dawn is that it was at the same time the parliamentary party and the militia," he told me.
"They want the public funds, the speeches, the offices - but they also want these offices to house clubs, sticks and knives."
These contradictions, along with the burdensome weight of the trial, have made it hard for Golden Dawn to mobilise and find new, receptive audiences.
Another pair of scenes in Golden Dawn Girls demonstrate the disgust and horror that many Greeks felt about the wave of violence that the party's assault mobs had unleashed in Athens and elsewhere in the years leading up to the arrests.
When Dafni, the mother of then-jailed parliamentarian Panagiotis Iliopoulos, is passing out fliers and introducing herself to shoppers in a street market, an older man dismisses her request for support.
"When the German Nazis were in Greece, I was eight years old," he tells her. "They would gather people in the square, and they would say: 'He is a leftist. Hang him.'"
Later, when she approaches a woman purchasing vegetables, Dafni met yet more pushback. "Just tell them not to kill us," the woman says plainly.
Yet, while these scenes and others like them may speak to the reasons Golden Dawn hasn't grown, there remains the grim fact that the neo-fascist party hasn't shrunk much, either.
A Kapa Research opinion poll published earlier this month found that Golden Dawn still commanded nearly eight percent public support, as reported by the Greek daily Ekathimerini at the time.
And with increasingly heated rhetoric between Greek politicians and Turkish officials and growing tensions over name dispute negotiations between Athens and Skopje, the soil could prove fertile for Golden Dawn and other ultranationalist groups.
This comes at a time when hate crimes are back on the rise, with such crimes motivated by race, national origin or skin colour nearly tripling last year when compared with 2016.
While Golden Dawn has never had a monopoly on far-right violence and racist vigilantism, there is no doubt that it tilled the soil for others who wanted to carry out attacks.
With the trial is expected to conclude this year, some are fearful that Golden Dawn may be let off with the hook.
Yonous Muhammadi, head of the Greek Forum of Refugees, came to Greece in 2001 after fleeing war-torn Afghanistan. Having been attacked by Golden Dawn members in the past, he told me recently: "If I'm honest, I'm not so hopeful Golden Dawn will be [found guilty]."
He added grimly: "I'm afraid of what will happen [in such a case]."
Note: Patrick Strickland will host a Facebook live discussion about the rise of the far right in Europe on Wednesday, April 18th, at 8:00pm CET (19:00 GMT). Send us your comments and questions on Facebook www.facebook.com/MovingDocs and Twitter @MovingDocs.


PiBoardRev( ) to verify the installation is not complete in that wiringpi2. Fetch tv iplayer not working. I was trying to connect using the ip address that showed up when I log in via ssh, which in fact shows you the ip address of the machine you last logged in from. A step- by- step guide from beginning to end with screenshots.
It' s probably not that but once I started using the ip address of the Pi it worked a anyone else with a white box. Gaming articles news , stories information. Lameira was baffled.
Fetch tv iplayer not working. I don' t use tightvnc much and I got confused the other day because I' ve got three Pis on the network now. A school dropout from a poor family in southern India has revolutionised menstrual health for rural women in developing countries by inventing a simple machine they can use to make cheap sanitary.
Hitcounter Contact E- mail does not support the hacking of PAY TV. 6 Krypton packed with a new user interface skins, back end features, live streaming , new navigation, kodi addons more.
You can download them either through github or the kodi vpn repository. The LEC' s new look was dreamed up by DesignStudio the company that rebranded the English Premier League UEFA Champions League.
The Hollywood Reporter is your source for breaking news about Hollywood industry this ExpressVPN review, TV, including movies, we re- assess what is arguably the top VPN service in the market in order to see if it still matches up to our expert' s , entertainment, reviews users' ratings. The ABC' s iView is a great concept. " The vehicle will have to cover large distances using a high degree of autonomy planning its own path ahead day after day " he told BBC News. Esa and Nasa signed a letter of intent in April.
Basically the nas is setup wirelessly which streams to the tv normally however as i wanted my movies organised nicely with metadata i chose to use the plex client which already came installed on the nas – Ive been trying to set it up via the computer but im still stuck at the connection part. WiringPiSetup( ) can still cause a RESTART if the permissions are not correct. " These were not only very different from whatever we have heard from wild orangutans so far but we could also see some similarities with human speech " he says. For new & old users alike it' s time to add your favorite TV channels streaming services, music & radio stations programs to the new Kodi family member.
This contains the fix for the NOW TV white boxes. Telstra turns to SDN for speedy intra- Asia subsea cable switcheroo. Australia telco claims its new rapid restoration service will reduce outages on subsea cables to under 30 minutes.
Looks like they don' t support images over HTTPS which caused the images to fail to load this then caused other issues like the clock ing wiringpi2. 0 is available to download as a zip. I' m amazed that Apple had not registered the iView name along with their other products such as the iPod iMac, iRan , iFrame, iRack something similar. How to make your own VPN using AWS EC2 OpenVPN, PuTTy WinSCP.
Kodi fans are swarming the internet after the final release of v. See the results we got on performance price , features support. It' s unbelievable that they have developed the concept and captured the name.
FAQ How do I use Chromecast with BBC iPlayer? If you have Chromecast installed, you can control which BBC programmes to cast to your Chromecast device by using the following:. Final Word: This is a list of best kodi addons for movies and tv programs to download.


Before George Lucas' Star Wars or George R.R. Martin's Game of Thrones, there was Frank Herbert's epic novel Dune. An inspiring science fiction story exploring a variety of themes including technology, ecology, politics and religion, Dune won the first Nebula Award for Best Novel in 1966 and has since inspired many artists to come.
Whether you've discovered Dune through Frank Herbert's series or by watching the 1984 film directed by David Lynch, you can't deny the impression this story has left in both the entertainment and creative industry. We've compiled a collection of concepts, illustrations and fan art inspired by the Dune universe and created by some of the artists previously showcased on CAW.


The Office of Research Compliance will be implementing a new electronic system, IRBManager, for submitting application materials to IRB, IACUC and IBC in May 2019. IRBManager will replace IRBNet, and while we do not anticipate issues with the conversion process, we strongly encourage investigators to download and save protocol materials for historical purposes. All access to IRBNet will be discontinued on May 26, 2019.
ORC staff are currently developing the various applications and review processes for the new system. We expect IRBManager will be available for investigator use by early May. Initial testing will occur through March, with pilot testing of the program and training for committee members targeted for April. User guides will be created and available for investigator use in early May.
How will implementation of IRBManager affect submission and review?
Data currently stored in the IRBNet system will be transferred to IRBManager. In order to ensure all data is captured during the conversion process, investigators should anticipate a short blackout period when submissions to the various compliance boards will not be accepted.
IRB submissions for more than minimal risk research and requiring review by the full board at the April 26, 2019 meeting must be received through IRBNet no later than April 12, 2019. Application materials for all other submission types will not be accepted through IRBNet after April 30. In extraordinary circumstances, the IRB will consider paper-based submissions on a case-by-case basis during the blackout period noted above.
IACUC submissions will be accepted until April 7 for consideration at the April 18 convened meeting; however no new submissions will be considered for the convened meeting on May 16, 2019. Response packages and administrative amendments will be accepted until April 30, 2019.
IBC operations will be unaffected until August-September 2019.
Contact the following coordinators if you have any questions about the transition from IRBNet to IRBManager.


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New York City's First Fermentation Fest Is This Saturday!
Calling all pickle lovers! New York City's first fermentation festival hits Brooklyn on Saturday. (Photo courtesy of New York Fermentation Festival.)
If you're an avid reader of Food Republic, you know we're huge fans of all things fermented. We even dedicated a whole week last year to the fine art of food preservation. Lucky for us, New York City (home of FR headquarters) is hosting its first fermentation festival. It's our version of a state fair, but with more fresh, sour snacks than fried things on sticks.
The event is on Saturday, February 25, at the Brooklyn Expo Center from 11 a.m. to 3:30 p.m. Expect over 30 vendors dishing out their best pickles, seminars and demonstrations, homebrew competitions, workshops tailored to the little ones, live music, food trucks and more. The Fuhmentaboudit! podcast will be recording its 200th episode live at the event, and the Zero Point Zero Production team will also be camping out, selling copies of our latest project, Cured, the first all-fermentation magazine.
Tickets, $20, are available here. All proceeds from the festival will go to benefit the NYC Brewers Guild and Just Food, a nonprofit organization that advocates access to locally grown food in underserved New York City neighborhoods.
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IWMW
Microsoft Adopts First International Cloud Privacy Standard
by Brian Kelly | Feb 18, 2015 | Legal, standards
Announcement On Monday 16 January 2015 Microsoft announced that they had adopted the first international Cloud privacy standard. The standard in question is ISO/IEC 27018, the code of practice for protection of personally identifiable information (PII) in public...
OpenSocial and the OpenSocial Foundation: Moves to W3C
by Brian Kelly | Dec 17, 2014 | Social Web, standards
Yesterday, 16th December 2014, the OpenSocial Foundation and the W3C announced that the "OpenSocial Foundation [is] Moving Standards Work to [the] W3C Social Web Activity". In the press release John Mertic, President of the OpenSocial...
Standards for Web Applications on Mobile: Update on W3C Developments
by Brian Kelly | Sep 15, 2014 | Mobile, standards
Standards for Web Applications on Mobile: Current State and Roadmap Back in July 2014 W3C published an overview report on Standards for Web Applications on Mobile which summarised the various technologies developed in W3C which increase the capabilities of Web...
UK Government Mandates Open Document Format! A Brave or Foolhardy Decision?
by Brian Kelly | Jul 28, 2014 | standards
UK Government Policy Announcement on Office Standards Back in October 2012 in a post entitled Good News From the UK Government: Launch of the Open Standards Principles which described how the UK government had published a series of document which outlined the...
The City and The City: Reflections on the Cetis 2014 Conference
by Brian Kelly | Jun 30, 2014 | Events, standards
The City and The City The City and the City is a novel by China Miéville. As described in Wikipedia the novel "takes place in the cities of Besźel and Ul Qoma. These two cities actually occupy much of the same geographical space, but via the volition of their...
Ensuring Discoverability of OA Articles in Hybrid Journals
by Brian Kelly | May 4, 2014 | openness, standards
Consultancy Work When I was offered the job as Innovation Advocate at Cetis with the agreement of the director I decided to work part-time so that I would have some flexibility for consultancy work. I have just completed the first significant consultancy work, which...
IWMW 2019
The IWMW 2019 event took place at the University of Greenwich on 25-27 June 2019.
IWMW 2018 took place at the University of York on 11-13 July 2018.
Revisiting Event Amplification
My Participation at ILI Events
The ILI Conference – Looking at the History
Top 10 must visit conferences in Europe for digital professionals
IWMW 2018 to be held at the University of York on 11-13 July 2018
IWMW 2017 Deadline Approaching!
Host Institutions for IWMW Participants (and a Survey for Non-Participants!)
Profiling Speakers and Facilitators at IWMW 2017
IWMW 2017: The Workshops and Master Classes
IWMW 2017 Open For Bookings
Providing Evidence of Use of Digital Services by UK Universities - IWMW: Institutional Web Management Workshop Series on Google Search Results for Russell Group Universities Highlight Importance of Freebase
Providing Evidence of Use of Digital Services by UK Universities - IWMW: Institutional Web Management Workshop Series on HTML and RDFa Analysis of Welsh University Home Pages
Providing Evidence of Use of Digital Services by UK Universities - IWMW: Institutional Web Management Workshop Series on Video is now a 'must have' in Higher Education – but what are the implications for accessibility?
Providing Evidence of Use of Digital Services by UK Universities - IWMW: Institutional Web Management Workshop Series on Nudge: Improving Decisions About RSS Usage
Providing Evidence of Use of Digital Services by UK Universities - IWMW: Institutional Web Management Workshop Series on Facebook Usage for Russell Group Universities, July 2014
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