Rihanna is ready to talk about the violent night with Chris Brown that left her bloodied and bruised -- and left him in an orange jumpsuit.
"This happened to me... It can happen to anyone," Rihanna, 21, tells Diane Sawyer in an interview to air on "Good Morning America" and "20/20." Chris apologized after details of the attack surfaced -- and said he "couldn't believe" he'd abused his girlfriend.
In an excerpt from the sit-down, Rihanna reveals that the situation with Chris, 20, was difficult because the R&B star "was definitely my first big love."
Rihanna recently dropped her first single "Russian Roulette" from her album, Rated R, out November 23.
Rihanna's full interview with Sawyer airs Thursday on "Good Morning America" and Friday on "20/20."


text:
Rise of racism in France attacked
First black newsreader attacks 'profound racism', as justice minister expresses surprise at lack of support over insults
FRANCE'S first black newsreader has decried the "rise of racism" in the country in a column in Le Monde.
Harry Roselmack, who was employed by TF1 in 2006, said racism was not limited to supporters at the heart of the National Front, but was deep within French society.
Recent events, such as an attack on the justice minister Christiane Taubira by a National Front candidate comparing her to a monkey, had pushed him to increasingly see himself as black, he wrote.
"I am firstly a man, a son, a brother, a husband and father, a citizen, a journalist, I am passionate, and yes, yes, I'm black. The Republic, it's slogan [Liberté, Egalité, Fraternité] and its laws work, most of the time, to make me forget this," said Mr Roselmack.
He drew on the example of Banania, a chocolate drink sold in France under the image of a smiling black man.
Nutrimaine, the company producing it, was ordered by a court in 2006 to stop selling it under its traditional slogan "Y'a bon" as it upheld racist stereotypes of black people who could not speak French properly.
Posters of old Banania adverts are still popular.
"How many times have I explained to a restaurant owner, or even a friend, that the old posters 'Y'a bon Banania that they have on their walls, could not be viewed only as amusing or nostalgic," he said.
"It is a heritage of ancient times, a justification for a domination total and criminal: slavery and colonization.
"But this racism has left traces and, if one was capable to read the unconscious of the French, one would often discover a jolly blackman, talking in poor French, deprived of history and civic culture."
Meanwhile, Ms Taubira has also criticised the failure of public figures to speak out against the racist attack on her.
In an interview in Libération, the minister said that she had received a lot of personal messages of support but was surprised that no "strong and clear voice" had spoken up.
"For a long time I've attracted this 'monkey' and this 'Y'a bon Banania," said the justice minister, who added that she had informed her staff that they "had other things to do than sue".
Taubira herself is being sued for defamation by the Front National after her response to their candidate's monkey comments.
"It needs reminding that racism is not an opinion, it is a crime. But that is not enough, because we can't ask the justice system to tackle a deep-set disease that undermines our democracy," she said.
Photo: by Pascal Montagne

redpajama_set_name: RedPajamaCommonCrawl


text:
Sean Penn & Ex-Wife Robin Wright Meet Up In LA After Taking Trip Together Last Weekend
By Nickk Heyman On Jan 22, 2023
Image Credit: Michael Germana/Everett Collection
Robin Wright and Sean Penn have been spotted together once again. The exes, who divorced in 2010 after two kids and a 14 year marriage, were seen catching up in Los Angeles on Friday, January 20, in the photos published by Daily Mail. Robin, 56, stayed casual in a gray sweatshirt, sneakers and jeans as she smiled approaching her ex-husband, 62. The actor echoed her vibe in jeans and a white t-shirt along with a black vest. Robin kept a low profile with a pair of black sunglasses and hair in a ponytail.
More AboutSean Penn
The hangout comes just a week after the pair were curiously seen taking a trip together out of Los Angeles International Airport. They were seen going down an escalator as they rolled and carried their own bags on Martin Luther King Jr. Day long weekend, which marked the first time the two had been pictured together in years. They then were seen waiting for one car to pick them up as they headed to their destination in LA, where they both live.
Sean Penn and Robin Wright divorced in 2010, but have seemingly been spending more time together in recent weeks. (Michael Germana/Everett Collection)
The trip also comes a year or so after their respective divorces: she reportedly filed for divorce from Clement Giraudet, 38, in July 2022, while Sean filed for divorce from ex wife Leila George, 30, in Oct. 2021 after just a year of marriage. Of course, Robin and Sean share two kids together: daughter Dylan Penn, 32, son, Hopper Penn, 29. Hopper is set to star in a new film with mom Robin, Devil's Peak, which is based on the book Where All Light Tends to Go by David Joy. Dylan has also appeared on-screen with her father in 2021's Flag Day — so it's entirely possible the exes were also meeting to discuss their kids and work related projects.
Four years after the divorce from Sean, Robin opened up about the "devastating" experience. "Divorce in and of itself, and with children, is devastating. Worse than that. One of the reasons why we got back together and broke up so much was trying to keep the family together. If you've got kids, it's a family, and you try again, and you try again. We did that for a long time," she said to The Telegraph. at the time.
Sean Penn's Mom Eileen Ryan Dead At 94: 5 Things To Know About 'Little House On The Prairie' Star
For all the latest Hollywood News Click Here
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text:
Q: Hiding Divs On Click In Angular2 I am fairly new to Angular2.I have an app that has a search field, that allows a user to search for a painting of mine. When a match is found a preview div appears and upon clicking that div, a bigger div is displayed, with info about the painting.When the user is done looking at that and wants to search for another, I want them to be able to make it go away by clicking it.Right now, I have figured out how to get the div to do disappear when the user clicks on it.  But if the user searches for a new painting, when they click on the preview div, the bigger div doesn't display.I think it probably has something to do with the state of the application at that point, but I'm not 100% sure since I'm new to Angular2, and this is why I'm turning to you for assistance.  You can test the behavior I have described above at this link: https://mazzo-angular-app.herokuapp.com
Thanks hope you can help,
CMazz
painting-details.component.ts
import { Component } from '@angular/core';
import {Painting} from './painting';

@Component({
  selector: 'painting-details',
  templateUrl: 'partials/paintingdetails.html',
  inputs: ['painting'],
  styleUrls: ['css/search-details.css']
})

export class PaintingDetailsComponent{

isHidden: boolean;

constructor(){
    this.isHidden = true;
}

onClick(): void{
    console.log('button clicked yo');
    this.isHidden = !this.isHidden;
}

}

paintingdetails.html: This is the larger div, that gets embedded when the preview div is clicked. This div goes away when clicked.  But if a new search is executed,and the preview div is clicked, this div does not display.  Is
it because its state is still "hidden"?

{{painting.name}}

{{painting.reknown}}

{{painting.bio}}

search.component.html: The div below with class 'paintingslist' is the preview div that displays when a match is found.  As you can see when it is clicked, it shows the painting in the div with class list 'painting' in paintingsdetails.html.  Each time after the first search, and this div
'paintingslist' is clicked, the div with the class list 'painting' does
not show again.

Répertoire des Oeuvres

<input [(ngModel)]="query" placeholder='Type "Stegostarus" or "Color
         Explosion"...'>
search  for: {{query}}

        <painting-item class="content" [painting]=item></painting-item>

<painting-details *ngIf="currentPainting" [painting]="currentPainting">
     </painting-details>

search.component.ts
import { Component, OnInit } from '@angular/core';
import { Painting } from './painting';
import { PaintingItemComponent } from './painting-item.component';
import { PaintingDetailsComponent } from './painting-details.component';
import { SearchPipe } from './search-pipe';

@Component({
  selector: 'app-search',
  templateUrl: './partials/search.component.html',
  styleUrls: ['./css/search.component.css']
})
export class SearchComponent{
    paintings = PAINTINGS;
    currentPainting: Painting;

    showPainting(item) {
      this.currentPainting = item;
    }

var PAINTINGS: Painting[] = [
  {
      "name": "Color Explosion",
      "shortname": "colorExplosion",
      "reknown": "Acrylic on Cardboard",
      "bio": "I couldn't get enough color."
  }, {
      "name": "Back Street Boys",
      "shortname": "backStreetBoys",
      "reknown": "Acrylic on Cardboard",
      "bio": "I wouldn't want to wander down some alley and find this crew..."
  }, {
      "name": "Arroz Con Pollo",
      "shortname": "arrozConPollo",
      "reknown": "Acrylic on Canvas",
      "bio": "This is Jean Michel Basquiat. I can only admire."
  }, {
      "name": "Stego Starus",
      "shortname": "stegoStarus",
      "reknown": "Acrylic on Cardboard",
      "bio": "This was one of my favorite dinos when I was a kid."
  }, {
      "name": "Two Nobodys",
      "shortname": "twoNobodys",
      "reknown": "Acrylic on Canvas",
      "bio": "These two the best of friends. "
  }, {
      "name": "Number One",
      "shortname": "numberOne",
      "reknown": "Acrylic on Cardboard",
      "bio": "I will always have a special place reserved for this one."
  },
  {
      "name": "Couch Fun",
      "shortname": "couchFun",
      "reknown": "Acrylic on Cardboard",
      "bio": "I consider this my best I guess."
  }
]

A: The image is not showing again because currentPainting is not set to null and PaintingDetailsComponent doesn't rerender (contructor is not fired again to reset isHidden so that's still false). In your painting-details.component.ts emit an event to inform parent about hiding:
import { Component, Output, EventEmitter } from '@angular/core';
import {Painting} from './painting';

@Component({
  selector: 'painting-details',
  templateUrl: 'partials/paintingdetails.html',
  inputs: ['painting'],
  styleUrls: ['css/search-details.css']
})

export class PaintingDetailsComponent{
  @Output() onHide = new EventEmitter();

  isHidden: boolean;

  constructor(){
    this.isHidden = true;
  }

  onClick(): void{
    this.isHidden = !this.isHidden;
    this.onHide.emit();
  }
}

And in your search.component subscribe to that event and set currentPainting to null.

Répertoire des Oeuvres

    <input [(ngModel)]="query" placeholder='Type "Stegostarus" or "Color
         Explosion"...'>
    search  for: {{query}}

    <painting-item class="content" [painting]=item></painting-item>

<painting-details
    *ngIf="currentPainting"
    [painting]="currentPainting"
    (onHide)="resetCurrentPainting()"
></painting-details>

import { Component, OnInit } from '@angular/core';
import { Painting } from './painting';
import { PaintingItemComponent } from './painting-item.component';
import { PaintingDetailsComponent } from './painting-details.component';
import { SearchPipe } from './search-pipe';

@Component({
  selector: 'app-search',
  templateUrl: './partials/search.component.html',
  styleUrls: ['./css/search.component.css']
})
export class SearchComponent{
  paintings = PAINTINGS;
  currentPainting: Painting;

  showPainting(item) {
    this.currentPainting = item;
  }

  resetCurrentPainting() {
    this.currentPainting = null;
  }

  var PAINTINGS: Painting[] = [
  {
    "name": "Color Explosion",
    "shortname": "colorExplosion",
    "reknown": "Acrylic on Cardboard",
    "bio": "I couldn't get enough color."
  }, {
    "name": "Back Street Boys",
    "shortname": "backStreetBoys",
    "reknown": "Acrylic on Cardboard",
    "bio": "I wouldn't want to wander down some alley and find this crew..."
  }, {
    "name": "Arroz Con Pollo",
    "shortname": "arrozConPollo",
    "reknown": "Acrylic on Canvas",
    "bio": "This is Jean Michel Basquiat. I can only admire."
  }, {
    "name": "Stego Starus",
    "shortname": "stegoStarus",
    "reknown": "Acrylic on Cardboard",
    "bio": "This was one of my favorite dinos when I was a kid."
  }, {
    "name": "Two Nobodys",
    "shortname": "twoNobodys",
    "reknown": "Acrylic on Canvas",
    "bio": "These two the best of friends. "
  }, {
    "name": "Number One",
    "shortname": "numberOne",
    "reknown": "Acrylic on Cardboard",
    "bio": "I will always have a special place reserved for this one."
  },
  {
    "name": "Couch Fun",
    "shortname": "couchFun",
    "reknown": "Acrylic on Cardboard",
    "bio": "I consider this my best I guess."
  }
]

You can even remove isHidden from PaintingDetailsComponent.

A: You are setting isHidden to false on click in PaintingDetailsComponent and never resetting it. I am guessing that you are also setting currentPainting and not clearing that, which means your PaintingDetailsComponent never gets re-initialized. I would fire an event using EventEmitter in your onclick that resets the currentPainting in your search component.
onReset() {
  this.currentPainting = null;
}

That should fix your problem immediately. You can probably even get rid of isHidden altogether.

redpajama_set_name: RedPajamaStackExchange


text:
from __future__ import (absolute_import, division, generators, nested_scopes, print_function,
                        unicode_literals, with_statement)

from pants_test.backend.jvm.tasks.jvm_compile.base_compile_integration_test import BaseCompileIT
from pants_test.backend.jvm.tasks.jvm_compile.zinc.zinc_compile_integration_base import \
  BaseZincCompileIntegrationTest

class ZincCompileIntegrationWithZjars(BaseCompileIT, BaseZincCompileIntegrationTest):
  _EXTRA_TASK_ARGS = ['--compile-zinc-use-classpath-jars']

  def test_classpath_includes_jars_when_use_jars_enabled(self):
    target_spec = 'examples/src/java/org/pantsbuild/example/hello/main'
    classpath_filename = 'examples.src.java.org.pantsbuild.example.hello.main.main-bin.txt'

    with self.do_test_compile(target_spec,
      expected_files=[classpath_filename],
      extra_args=['--compile-zinc-capture-classpath']) as found:

      found_classpath_file = self.get_only(found, classpath_filename)
      with open(found_classpath_file, 'r') as f:
        contents = f.read()
        self.assertIn('z.jar', contents)

redpajama_set_name: RedPajamaGithub


text:
James Grubb was a delegate to the convention that wrote the first constitution for the U.S. state of Ohio in 1802. He was a Democratic-Republican, who opposed allowing slavery in the new state.

Biography
James Grubb was born in 1771 at Little Britain in Lancaster County, Pennsylvania. His great grandfather had emigrated from England about a century before, and his father was a veteran of the French and Indian War.

Grubb settled in Ross County in the Northwest Territory, and was named a Justice of the Peace in 1799 by Governor Arthur St. Clair. He was prominent among those Democratic-Republicans who pushed for statehood and for the removal of St. Clair.

In 1802, elections were held in each county of the territory that would become Ohio for delegates to a constitutional convention to write a constitution for the new state, which would be submitted to the US Congress. Grubb ran for a seat on this commission, and submitted a letter to the Chillicothe newspaper on September 6, 1802, which stated: "As to the introduction of slavery, I must confess that I am not so great a Federalist or Aristocrat as to wish its admission. Such a pernicious scheme ought to be guarded against in a particular manner, as I conceive it bad policy and the principle cannot be advocated by any person of humane or republican sentiments."

Grubb won election to the convention, which met from November 1 to 29, 1802. At the convention he voted against allowing slavery, but opposed equal civil rights for  black men.

Grubb ran for the Ohio House of Representatives in January and October 1803, but lost both times. At the time he died, he lived in the village of Westfall, which was then in Ross County, but is now in Wayne Township, Pickaway County, Ohio.

Grubb died at Chillicothe on January 30, 1806, after a short illness. He never married.

Notes

References

Ohio Constitutional Convention (1802)
Politicians from Chillicothe, Ohio
1771 births
1806 deaths
People from Lancaster County, Pennsylvania
Ohio Democratic-Republicans

redpajama_set_name: RedPajamaWikipedia


Beautiful Animals Starting With J – There are various type of animals in the world. Netdelusion will certainly enable you understand information concerning some famous pet dog that begin with the letter A You could discovered a full listing of superior pets names starting with J.
Whether ashore, water, or air, these J family pets show superior abilities. Searching for food or just avoiding dangers, these family pets apply different ways; sprint, slide, hop, or dive. Whatever the technique is, these J animals have impressive techniques to wind up the task.
The Jabiru (Ephippiorhynchus asiaticus) or the Black-necked Stork, is the greatest as well as the only stork discovered in Australia. This black and white– bodied stork pertains to 1.4 m high with a 30cm-long black costs.
The neck as well as head are dark environment-friendly in color, while its lengthy legs are coral-red in shade. Jabiru storks lie in marshes, shallow swamps, and also various other waterways.
Typically seen foraging alone, this marsh bird's feeds upon fish, mollusks, shellfishes and also amphibians. It utilizes its big bill to take target.
The Jackdaw (Corvus monedula), sometimes called Western Jackdaw, is practically a black-colored passerine bird. These birds prevail throughout Europe, western Asia and North Africa. They reside in towns as well as towns, cultivated lands, seaside cliffs and also woody steppes.
The jackdaw is among the tiniest ranges in the crow relative establishing at 34– 39 cm in length with a wingspan of concerning 67-74 cm and also weighs in between 220-270 g.
These friendly birds have grey neck, eyes, and shoulders. The expense and also legs are black. A popular omnivorous, jackdaws feed upon pests, little invertebrates, worms, snails, computer system mice, berries, seeds as well as fruits.
Jacamars are birds in the family members Galbulidae. They are discovered in the forests of South as well as Central America. Jacamars are insectivores (i.e. they consume insects), as well as have long, thin costs for catching their victim. Many jacamars have brightly-colored plumage.
Jacanas are wading birds in the family members Jacanidae. Jacanas have large feet and also long claws, which allow them to walk on lilies and other floating plants. Due to the fact that they show up to stroll on water, they are also referred to as 'Jesus birds'.
The Jaguar (Panthera onca) is the third-largest feline after the tiger as well as the lion. It dominates across Central America staying in forested and also open surface along with locations near water sources.
The jaguar has a brief as well as stocky arm or leg structure, whose weight ranges in between 56– 96 kilos. At shoulder's length, jaguar averages from 67– 76 centimeters high and also a tail relating to 75 cm.
An outstanding feature of this clever animal is its spotty layer. A particular pet dog, jaguar tries to find target, typically at around dawn as well as dusk. Its diet program includes animal dogs, foxes, capybara, deer, tapirs, anacondas and caiman.
Jaguar in addition pleased in tiny pet dogs like; birds, fish, apes, frogs, computer system mice as well as turtles.
Jackals are medium-sized canines widespread n Africa as well as southeastern Europe, besides the gold jackal which are located in Asia. There are 3 widely known types of Jackal, the Typical Jackal (Canis aureus), the Side-striped Jackal (Canis adustus) as well as the Black-backed Jackal (Canis mesomelas).
Relying upon species, jackals are uncovered in open savannas, green levels and desert. Though they differ in size range, jackal averages between 70– 86 centimeters in size as well as weighs in between 15– 35 extra pounds.
Jackals are highly-skilled seekers, many thanks to their huge feet, long legs and also sharp canine teeth. Jackals are omnivorous scavengers as well as most energetic at dawn and sunset.
They search pet dogs such as birds, reptiles, rats, hares, sheep, gazelles, antelope, gazelles or even livestock. Also, they prey on pests, fruits along with plants. Jackals are monogamous. Ladies normally bring to life 2-4 pet dogs.
There are 3 birds known as jaegers in The United States and Canada: the long-tailed jaeger, parasitical jaeger and also pomarine jaeger. All are large seabirds that breed in the Arctic. Jaegers are kleptoparasites; they steal the target of other seabirds.
Jaegers are referred to as skuas outside of North America. Jaegers have longer and also slimmer wings compared to various other skuas.
The jaguarundi is a tiny wild feline. It is found in southerly Texas, Mexico, and also throughout much of South The U.S.A., including the Amazon Rain forest. Jaguarundis are either golden-red or dark brown-black in shade. People could be birthed either color, even if their siblings are the other shade.
Jellyfish (jellies or sea jellies) typically describes individuals of the phylum Ctenophora, which are fish-eating animals discovered in every sea. Nevertheless, some hydrozoan jellyfish is also located in fresh water.
Many kinds of jellyfish are videotaped, some a couple of centimeters throughout, while the biggest popular jellyfish selections is the Lion's Mane Jellyfish evaluating worrying a meter across.
The grown-up jellyfish has a bell-shaped, soft bodies and also long, excruciating, damaging arms made use of in recording food. Jellyfish feed upon fish and also various other sea animals.
Jellyfish do not have a mind or central nervous system as well as is 98% water. Jellyfish might live for a number of hours to various months, counting on the varieties. A group of jellyfish is called a blossom or a bunch.
Jays are members of the crow family, Corvidae. They are located in numerous parts of the globe. The 'initial' jay, where all the others were named, is the Eurasian jay– a vivid timberland bird located in Europe, Africa as well as Asia.
Juncos are participants of a group of tiny North American birds referred to as American sparrows. Juncos have long tails with white outer plumes. Both best-known species are the dark-eyed junco as well as the yellow-eyed junco.
The Japanese Beetle (Popillia japonica) is native to Japan. These green-bodied beetle pertains to 15 millimeters in dimension as well as 10 millimeters large. It is oval-shaped with brownish or copper-colored elytra.
A remarkable feature of this beetle is the obvious tufts of white hairs along its body and also abdomen. Japanese beetles are mainly situated in yards, open fields as well as timberlands.
Though not mark as parasite in Japan, these beetles are starved eaters. They take a trip in packs, feeding on both the foliage along with blossoms of plants. Japanese beetles have a 2-year life expectancy.
A common misconception is that jackrabbits are bunnies, yet the fact is they are in fact hares. Hares are larger compared to bunnies, having longer ears as well as taller hind legs.
There are 5 popular kinds of jackrabbits spread across primary in addition to western The United States and Canada. These hares are discovered in grasslands, forests, prairies along with deserts.
They are shy nevertheless fast-moving pets with one species, the European Brown Hare, can running as high as 72 km/h. Developed s can get to 60 centimeters in elevation and also think about in between 1.4 to 4 kg.
Jackrabbits are herbivores along with consume turfs, leaves, twigs, all-natural herbs, and also bark. In their all-natural habitat, jackrabbits common life expectancy is from 1 to 5 years.
Junglefowl are big birds in the household Phasianidae, which additionally consists of birds such as hens as well as pheasants. The males have vibrant quill whereas the females are dull in contrast.
The red junglefowl is most likely to have been the forefather of the domestic chicken.
The jumping spider (Salticidae) is the greatest spider family members including about 5,000 recognized species. They live in a selection of environment containing; scrub lands, woodlands, deserts, and also hillsides.
An impressive function of the jumping spider is its 4 big frontal eyes along with 4 smaller ones along with the head. They are brightly-colored, with solid bodies and also brief legs. Grownups procedure in between 2 to 22 mm.
Bestowed fantastic vision, leaping spiders are active awesomes. Normally meat-eating, they track along with catch tiny pests. There are couple of types that go after pollen and nectar.
The Japanese Chin, additionally called the Japanese Spaniel, actions from 20 to 27 centimeters in altitude as well as examines from 2 to 7 kg. It has a huge head, large round eyes, short ears as well as a brief broad muzzle.
It has long white with patches of black, orange, lemon, or red. An exceptional buddy canine, the Japanese Chin is a wise, caring along with charming canine.
Jerboas (Jaculus jaculus) are jumping desert rodents coming from the Dipodidae. Resembling a miniature kangaroo, jerboas dominate throughout warm deserts of Africa and Asia.
There relate to 25 extant kinds of jerboas consisting of the Lesser Egyptian Jerboa and two threatened types specifically: the Five-toed Pygmy Jerboa as well as the Thick-tailed Pygmy Jerboa.
They have long, soft and also smooth hair. Jerboas steps between 5-15 centimeters long and with a 8-25 cm lengthy tail. These nighttime rodents have lengthy ears, tails as well as back legs.
Jerboas spend the day in burrows in addition to pursuit for food at sundown. The diet regimen plan consists of seed, plants and also little pests. This tiny mammal can jump when it comes to 3 m in a single leap.
15+ Beautiful Rooftop Garden Ideas and Designs That You Must Know!


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The coast is in walking distance. Also other hiking possibilities in the area. Þórbergssetur 150 m, Jökulsárlón 13 km, trips to Vatnajökull 20 km, Skaftafell 70 km and Ingólfshöfði 50 km.
Reynivellir 2, Hali, 781 Höfn, Iceland.
Check in is at Guest house Gerdi.
2,5 km east of Reynivellir.
Copyright©Reynivellir.is - Vefsíðugerð hýsing og umsjón: Bemar tækniþjónusta.


THIS is the horrific moment MMA star Tom Mearns dislocates his elbow at Bellator 200.
The Northampton fighter was flung to the floor by rival Mike Ekundayo in the second round of the bout and immediately tapped out in distress.
Replays showed Mearns' left arm horrifically bend out of place as he hit the deck.
Medics rushed into the cage and the crowd gasped as one after the referee ended the fight.
But hardman Mearns incredibly fought back the pain and was able to sit up on his own.
He even managed to stand unaided - supporting his injured elbow with his right right - while the ref announced Ekundayo as the winner.
Mearns, whose record is now 5-2, was given a hero's applause as he left the cage at Wembley.
The featherweight fighter entered the bout on the back of a unanimous points decision defeat to Aiden Lee at Cage Warriors 92 in March.
Ekundayo now boasts a record of 6-0.


Disappear into the hallucinatory dreamscapes of Vanishing Waves, looking great and packing some excellent extras on Artsploitation's two-disc DVD set.
Vanishing Waves is the perfect example of mindfuck cinema. But where most of the films that fall within that loosely defined subgenre remain content to progressively blur the boundaries between dream and reality, Vanishing Waves goes the extra mile, giving equal weight to the second half of the term with its emphasis on the carnal aspects of its particular mind/body dilemma. The bare details of the story are perhaps nothing new, comparable to a long line of sci-fi films stretching back through Inception and Paprika and at least as far back as Dreamscape: Lukas (Marius Jampolskis) volunteers for an experiment that utilizes cutting-edge technology to enter the damaged psyche of comatose patients, whereupon he develops an illicit and eventually dangerous relationship with test subject Aurora (Jurga Jutaite). With Vanishing Waves, the qualitative difference is in the execution.
Writer-director Kristina Buozyte crafts indelibly vivid and immersive textures, whether it's the hard-science realism with which she depicts the anechoic chamber laboratory, or the more fluidly surreal events transpiring inside Aurora's psyche. There's an almost tactile quality to certain sequences, especially an unhinged banquet that abruptly shifts gears from the sensual foodie indulgence of Chocolat to something deeper and darker straight out of La Grande Bouffe. It also doesn't hurt that Buozyte takes the story in some unexpected directions, confounding certain logical expectations, and ultimately arrives at a particularly disconsolate denouement. Vanishing Waves also manages to evoke a wide variety of other science-fiction films without succumbing to the bugbear of meaningless citation, what I like to call the Tarantino syndrome. The black slab of Lukas's sensory-deprivation tank, for example, suggests a toppled-over monolith from Kubrick's 2001: A Space Odyssey as much as it does the device in Ken Russell's ode to devolution Altered States.
Vanishing Waves's dreamy vibe owes everything to the hallucinatory density of its audiovisual textures: Feliksas Abrukauskas's widescreen Scope cinematography, Peter Von Poehl's pulsating ambient score, and Suzanne Fenn's razor-stropped editing. Artsploitation's DVD presentation shows their efforts to excellent advantage; as a result, the film looks and sounds as good as anything short of a Blu-ray transfer would provide. Colors are vividly presented, though the film's palette mostly eschews vibrant primary hues, instead playing up earth tones and the ubiquitous contrast between whites and blacks. Black levels are deep and well-balanced. The disc includes two audio tracks: 5.1 surround and two-channel stereo. You'll want to go with the surround mix for full immersion in Von Poehl's techno soundscapes.
Artsploitation has gone all-out with their two-disc presentation of Vanishing Waves. The major inclusion here is The Collectress, Kristina Buozyte's feature-film debut, which explores similar themes concerning the intersection of technology and human desire, though it's shot in a more rough-and-tumble style than Vanishing Waves. A short interview with Buozyte touches on the film's reception in Lithuania, where it went largely unscreened when it was deemed insufficiently commercial by the chain that monopolizes the country's theaters, as well as the cinematic influence of Michelangelo Antonioni. The moderately interesting making-of featurette combines requisite glimpses behind the scenes and talking-head interviews from cast and crew. Artsploitation has also included Peter Von Poehl's soundtrack in its entirety complete with on-screen liner notes. The illustrated booklet contains a lengthy and illuminating interview with Buozyte and co-creator Bruno Samper about their influences and working methods, as well as a more matter-of-fact exchange with actress Jurga Jutaite about her ambivalence toward acting as a profession.


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Tom Wopat , finest referred to as Luke Duke from the TELEVISION Sequence The Dukes of Hazzard, appears early on in Season 7 as Ian, to whom Jill feels romantically attracted after assembly him in a fitness center and who puts in granite counter tops (albeit halfway) within the Taylor's kitchen.
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Loreto Coleraine bridged a 10 year gap to collect their second Fr Davies' Cup in Ballymena before the Corn Uan Uladh Final. Eilís McNamee, Megan Kerr and Claire Tracey were superb at the back for Loreto while midfielders Roseanna McAleese and Cristin O'Kane worked hard while there was danger up front from Clodagh Connolly, with Nicole O'Neill accurate from frees. St Pius X didn't have the same number of players who constantly lifted their game. Many were there for short bursts with Sarah Cassidy and Caoimhe Glass the two that played consistently well.
St Malachy's Castlewellan captured Camogie's Junior Medallion Shield with a power-packed display in Casement Park. Midfielders Dearbhla Magee and Anna Rogan powered their team forward and scored 4-3 of the total. Kilrea goalkeeper Rosie McMullan and Mary Jo Brennan worked tirelessly throughout the hour to keep St Malachy's at bay.
Holders St Mary's Magherafelt, with 10 players from last season's winning side, proved much too strong for first time finalists St Killian's Garron Tower in the Corn Eimhear final in Ballymena. The twin threat of Ballinascreen pair Eimear McGuigan and Jackie Donnelly caused St Killian's battling troop's endless problems. By the end of the first quarter their more clinical forwards had accumulated 1-3, and this was stretched to 1-9 by half-time. St Mary's ran out comfortable winners despite best efforts from Annie Leech and Dervla Cosgrove.
After finishing 1-3 each last Sunday in this all-Cavan Senior Shield final, a low-scoring replay was anticipated with both defences in the ascendancy. That was how this game panned out the first half with St Claire's 0-2 to 0-1 ahead at the break. Loreto then put the foot down in the second half with Katie and then Laura McKiernan (2) finished the scoring for Loreto, who now go through to the All-Ireland series in February.
Photo: St Patrick's Maghera after winning their 4th successive Corn Uan Uladh title. Picture courtesy of Paddy McIlwaine.


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This 61 ES-345 looked pretty darn good but wasn't quite 100% when I got it. Fortunately, I have a lot of spare parts.
Scavengers. There. I said it twice. The guitar marketplace is full of them. It's the sellers who think you don't know the difference between a repro part and a real one. It's the Les Paul guys who want double white PAF's and no wire bridges for their R9's. It's the parts dealers who know that sometimes the parts are worth more than the guitar. I'm not making a moral judgement here, just putting some facts out there.
There are a lot of parts on a vintage guitar. There are a lot of vintage guitar brands and models and variations and nobody knows everything about all of them. I try to know everything about ES-335's but I learn new stuff all the time, so I don't know everything either. Take a guitar with around 50 different parts and cook over a low flame for 50 or so years. That's the recipe for errors and omissions right there. It's actually a surprise when I get a guitar (often sight unseen) that is 100% untouched. For the high end stuff, I always go in person (even to Europe) and check out the instrument myself. Crapshooting on a 58 or 59 is just too much risk. But I get other vintage pieces from individuals and dealers based on a couple of photos all the time. Want to know how many of these guitar have an undisclosed issue? About 90%. Yep. Nine out of ten. Seem high? Buy ten guitars on Ebay and compare what you get to what was advertised. It's usually because the seller doesn't know any better but not always.
Sometimes it's laziness on the part of the seller (or dealer). I've been guilty of that myself-you get a guitar that looks just right and you don't check the pot codes because nothing else has been changed and it's a huge pain to get in there with a mirror and most of the date codes are covered with solder anyway. Or the tailpiece looks exactly right so you don't pull it off and check that the studs are the right length. I'm not talking about a changed saddle (virtually all no wire bridge ES's have at least one) or a changed pickguard screw here or there. Those are cheap and easily replaced. But get a 345 with a repro tailpiece and studs and you're out $800 or more for the real deal if you want the guitar to be vintage correct. Or you disclose it and lower the price. Repro stuff has gotten awfully convincing and it just makes it harder to spot them. All the more reason to buy from someone who knows the difference.
Part of the reason I write so extensively about the real geeky stuff is so that you, as a buyer, know what to look for. Here's a story about a recent purchase. I was contacted by an individual seller with an early 60's ES-345. I got lots of photos and a very fair price. He said it came from a reputable dealer (a few years ago) and that it was 100% original except for a mono conversion. The photos showed little reason to doubt him. I questioned the tuner tips because it was an early 60's and the tips looked too good. He didn't know and so I assumed they were repros (and they were). No big deal-lots of late 50's and early 60's ES's have repro tips. When I got the guitar, it would have been easy to just take the photos and list it as all original except for the tuner tips and the harness. It played great and sounded great and everything looked right. But I'm not that lazy. I pulled the tuners to make sure there weren't enlarged shaft holes from Grovers (even though there were no marks on the headstock) and I pulled the bridge and tailpiece. Both looked correct at first glance but the telltale "hump" on the tailpiece felt like it was missing. The bridge was correct but the tailpiece was a long seam 70's probably off of a Les Paul Custom as were the studs-1 3/8″ rather than the correct 1 1/2″. Some people measure the thread length – 1″ for vintage and 7/8″ for later. The seller didn't know and I don't expect him to know. He wasn't a dealer but he had bought the guitar from a dealer. That begs the question…was the dealer lazy? or dishonest? or clueless? That's the hard part.
Correct "short seam" tailpiece on the right. Correct "long thread" stud on the left. These parts won't really affect how the guitar sounds but I'm sure you would rather have the right era parts on your expensive vintage guitar.
This late 2014 ES-345 looks pretty authentic and plays pretty well too. There's still little nitpicky stuff wrong but overall, it's a very nice guitar. It is over $4000 if you're buying from the usual discounters. Gibson stickers it over $6000. You would think they could get the pickup covers right.
Having gone through the well regarded Warren Haynes 61 reissue, I was anxious to get my mitts on a non artist Memphis reissue. The first one to walk in the door happened to be a 2014 ES-345. Not an inexpensive guitar either. These list for over $6000 and sell for over $4000. The blondes are $4299 at the usual discounters. I'll start with the nitpicky stuff.
The pickguard bracket is wrong as are the pickup covers. The Varitone ring has gold numbers and they should be silver, I think. I've actually never had a blonde 345 with a black ring but I've seen a couple and the numbers are silver. Easy fix Mr. Gibson. I do think they should know that 345's didn't come with plastic strap buttons. 335's did until 61 but not 345's or 355's. That's a pretty glaring oversight, not that it makes any tonal difference. None of this stuff is a big deal because this isn't a vintage guitar and even though it aspires to be a reissue, it's just a facsimile. They could get all of this stuff right but either they just don't pay attention or they actually don't do enough research (or they're too cheap). The switch tip isn't catalin nor do I expect it to be. It's amber plastic and it's inferior to most of the repros out there because it has a big ol' seam (mold mark). Too much work to smooth it off.
They have gotten some big stuff right, however. The body shape is pretty darn good and the 59 neck profile is closer than ever. Still too much shoulder compared to a real early 59 but closer than ever. I would have been surprised if they had done a vintage Varitone and they didn't. The technology of a 59 VT is clunky and probably too labor intensive to try to duplicate. It is approximately 20 separate components soldered to that 6 way switch. To Gibson's credit, the tone is right and it looks like they've saved some weight by making the chokes much smaller. It's also mono which will make most folks happy. That earlier version with the two jacks on the rim seemed to make nobody happy. The bindings are finally correct looking after years of getting them wrong. Kudos. And the guitar feels right. I still hate the VOS finish and the really bad aging on the gold hardware. Why is the neck pickup shiny and the bridge pickup dull? Because somebody sweat on the bridge and not the neck pickup? I've seen an awful lot of vintage 345's with all kinds of pickup cover wear but never one that looked like this one.
Vintage details aside, it plays extremely well and feels very much like a vintage 345. Tone-wise, the neck pickup really sings but the bridge is a little dull. This may be the guitar and not the pickup. This one is brand new and needs a bit of playing time before I can make a fair assessment. At $4000, it had better be a very good guitar. I've bought a few mid 60's 345's at around that price and once the reissues start creeping into vintage territory price-wise, it's time to seriously consider vintage. In fact, if you don't mind the narrow nut, I'd be buying a 66-68 345 before I shelled out $4K+ for a reissue. Of course, you're out of luck if you want a blonde one. One last complaint. Look at the photo below. That's some pretty shoddy workmanship. You would think they would take the time to clean up those edges on the guard.
This is simply a lack of attention to detail. Unforgivable on a guitar with a $6000 sticker price.
One of these is a real 61 and the other is a Warren Haynes 61 built in 2014. Getting close aren't they?
The doomsayers in the vintage market are saying that it's only a matter of time before there is no vintage market. The word on the street is that after all of us old guys (you know who you are) either get too old to play or simply die, the market will die along with us. The other word on the street is that the reissues are getting so good that nobody will spend the money for the vintage stuff anymore. As an old guy, my response is that I won't stop playing until you pry my vintage guitar from my cold, dead hands. I have no plans to die in the next 35 years either (my Dad lived to 95). But the other reason is worth looking into a bit more.
I recently took in two guitars that are recent reissues and they are worth commenting on. There have always been a fair number of folks saying how great the Gibson reissues are but I've always attributed some of that to commenters who have never played a great vintage one or who just want to feel better about the guitar they bought. I felt that way because I had played the guitars they were raving about and I just didn't see what they were seeing and I didn't hear what they were hearing. I had a 2006 Nashville ES-335 that was a wonderful guitar but it wasn't up there with the best of the vintage pieces. I don't know if the issue was the pickups, the wood or the construction but it just wasn't as complex, articulate or as "musical" as my old 58. Now, the Memphis built 335's (and 345's) are getting a ton of praise and much of it is deserved. I'm not only talking about whether they got all the details right (they didn't but they are closer than ever), I'm talking tone and playability.
Not even close. How tough is it to get the knobs right? That's a real 60's reflector on the right. A blind person could tell the difference.
Well, I certainly can't tell the difference here. Not. The vintage one is one the left.
My first example is a Warren Haynes '61 dot neck. It looks like a 61. Really. While they've finally gotten the body shape pretty close. Given the variation that the vintage ones have, I don't think I could tell this from a real 61 very easily until I look at the neck. The way it's shaped at the headstock is still too sharp and defined-probably because it's being done by CNC rather than by a human being. They still have some easy details totally wrong like the knobs and the pickguard bracket and, especially, the pickup covers. These are really easy things and it is kind of baffling why they are so far off. But really, who cares as long as the guitar sounds and plays like the guitar it is trying to emulate. One out of two ain't bad. The guitar feels like the real thing. If I close my eyes, I can be convinced that I'm playing a real 61. But my ears aren't convinced. Maybe once the wood dries out a bit and a bit more resonance emerges, it will be closer but the guitar sounds a bit one dimensional. It sounds good but it doesn't sound like the great dot necks I've played and loved. You could argue that it's because the smaller 61 neck doesn't sound the same as the big 58 and 59's that I usually play. Fair enough. But I've got a 61 here that sounds pretty good and the Haynes isn't quite up to the challenge. Close. It's an excellent sounding guitar for sure. I really should get a Rusty Anderson model and compare that. Those are getting some great buzz as well. My feeling is that given a few years and some playing time, these reissues will get better and better. I can't tell you if they are going to kill the vintage market but I have no intention of buying a load of them and putting them away for a few decades to find out.
Next, we'll look at a new 2015 ES-345 out of the Memphis shop and see how that stacks up.
This Haynes 61 is looking like the real thing, sort of. Those pickup covers are an easy giveaway though. The edges are way too round. And that VOS finish…don't get me started.
Star of the show once again is the 59 dot neck. These ran up a good 20% this year and show no sign of weakening in 2015 even with the crappy exchange rates for European buyers. Flame tops are nice too but not a requirement for big bucks.
The old guitars that is. Now that 2014 has faded into the rear view mirror, let's take a minute to see what the year was like for the vintage ES market and what it might look like going forward. First off, don't look at Ebay asking prices to figure out what your guitar is worth. I can't tell you how many emails I get that enlighten me about current ES prices. (…there's a 64 for $100,000 on Ebay…surely my 64 is worth $30K"). Anybody can ask any price they want. I can ask a million dollars for my über rare 59 ES 355 stop tail but I'm not going to get it. Look at the completed listings that actually sold if you want real world sale prices. But even that can be misleading. There are some unscrupulous dealers who will mark a guitar as sold at a high price and then relist it hoping someone sees that a "similar" guitar sold at that inflated price. It happens with relative frequency, so be alert. Or you can just ask me.
2014 was a quirky year. The dot neck market was extremely strong, especially among Europeans until the Euro tanked late in the year. The dot neck market is still strong and should continue to do well. 59's with no issues are bumping up against $40K with some frequency but the discount for issues has gotten steeper. Folks want no issue guitars when they are spending that kind of money and I don't blame them. But that makes single issue guitars a bit of a bargain. 59's with changed tuners can be had in the low to mid $30K range. That's a big discount for a few little holes that don't show much. A stop tail 59 with a removed Bigsby with top holes will knock the price down even farther. You should be able to find one under $25K. That's 15 large for two little holes in the top and four by the end pin. Great if you're a player. But the no issue guitars are the ones that will lead the market forward. They seem to be getting harder and harder to find. And it isn't just 59's that are strong. 58's (bound and unbound) are right behind the 59's with prices in the mid $30's for no issue, clean ones. Early 60 dots with the transitional medium neck are about equal to 58's. All of these are trending upward at the moment and seem to have done so all year. It's the thinner neck later 60 and the 61's that seem to be lagging. Still, it was a good year for dots all around but the thinner necks just seem to sell much more slowly and can't seem to find their way past $30K unless they are mint. As always, look out for neck issues on the ones with the thinnest necks.
Interestingly, I sold more dot necks than block necks in 2014. That's a first. It seems that the market for 62-63's with the thinner necks is slow. Folks want big necks, although I'm not entirely sure why. There is, of course, the school of thought that big neck guitars sound better. My experience doesn't prove that but it doesn't disprove it either. One of the best I ever had was a 62 (dot) with a pretty small neck. However, the rest of the top five are 58's and 59's. The continued strength of late 63's and 64's comes as no surprise then, what with their near perfect neck profiles and consistently excellent tone. Prices for 64's have definitely crept up-especially stop tails but also Bigsby/Custom Made models. Reds still outsell sunbursts by a wide margin. A really good no issue stop tail red 64 has pushed back to close to $20K at retail. Just a year ago, it was pretty easy to find one in the $16K range. Now the Bigsby/CM's are in that range. That's about a 20% increase in just the past year. Pretty impressive. The bargain still remains the big neck 65. You should be able to find one for $8K or less. Just make sure it's really a big neck. Most sellers don't know how to read a ruler. Ask for a photo with the ruler or calipers in the shot.
I'm going to skip ahead to 355's. Mono 355's have gone nuts. They are hard to come by and don't last a week when I get one. It doesn't matter what year either. The 65's I had this year (wide nut) went just as quickly as the 59's. Less money, for sure, but still extremely popular and desirable. Expect to spend up to $20K (or even more for double white PAFs) for a 59/60 long guard and in the mid teens for 61-64's with Bigsby's. Maestros are less. 65's are still well under $10K but still strong. We'll wait for the next post to talk about the stereo 355's and 345's. We'll also take a look at the rarities and at the big issue guitars with refinishes and repairs. That market is pretty interesting as well.
Mono 355's were a big item in 2014. I buy every one I see as long as the sellers leave a little room for me to pay the rent. I'll take a half dozen 59's, sir. I know, the neck pickup is upside down. I fixed it.


I. In June, 2004, Shaanxi Provincial People's Government printed and issued the Provisions on the Main Functions, Internal Bodies and Staffing of SX DOFCOM, established SX DOFCOM to be a constitutional department of the provincial government in charge of domestic and foreign trade and international economic cooperation in the province.
(ii) Responsibility of the former Shaanxi Provincial Economic & Trade Committee and its Provincial Trade Management Office in domestic trade management, foreign economic coordination, organization and implementation of the plan of import & export of important industrial goods and raw materials, mechanical and electrical product import & export and port management, etc.
(iii) Responsibility of the former Provincial Development Planning Committee to organize the implementation of agricultural products import & export plan.
Responsibility undertaken by the former Department of Foreign Trade and Economic Cooperation of Shaanxi Province to organize and implement specific work in foreign investment promotion is transferred to the Shaanxi Provincial Economic and Technical Cooperation Bureau.
II. In June, 2004, Shaanxi Provincial People's Government printed and issued the Provisions on the Main Functions, Internal Bodies and Staffing of Shaanxi Provincial Economic and Technical Cooperation Bureau (Provincial Open-up Leading Group Office), established Shaanxi Provincial Economic and Technical Cooperation Bureau (Provincial Open-up Leading Group Office) to be a management authority of SX DOFCOM in charge of organization and implementation of investment promotion and economic and technical cooperation for the whole province and included the specific organization and implementation responsibility undertaken by the former Department of Foreign Trade and Economic Cooperation of Shaanxi Province.
III. In June 2009, Shaanxi Provincial People's Government printed and issued the Provisions on the Main Functions, Internal Bodies and Staffing of SX DOFCOM,, and established the SX DOFCOM as a part of the provincial government.
(i) Implement national development strategies and policies on domestic and foreign trade and international economic cooperation, draft local laws and regulations as well as government regulation protocol on provincial domestic and foreign trade, foreign investment, foreign aid, overseas investment and foreign economic cooperation and draft related policies and measures.
(ii) Draft domestic trade development plans throughout the province, promote urban and rural market development, research and propose policies that guide provincial and non-provincial capitals to be invested into market system construction, guide wholesale market planning, urban commercial network planning and commercial system construction for staple products, promote rural market system construction and organize to implement rural modern circulated network projects.
(iii) Promote the restructuring of circulation industry throughout the province, guide circulation enterprise reformation and development of commercial service industry and community commerce, give proposals to policies that promote the development of medium and small commercial enterprises, push forward circulations standardization and modern circulation mode development of chain operation, franchised operation, logistic distribution and e-commerce, etc. Be responsible for energy saving, emission reduction and renewable resources recycling for circulation enterprises.
(iv) Undertake the responsibility for leading coordination adjustment and regulation of market economy order, implement national policies on regulating market operation and circulation order, promote commercial credit construction, guide provincial commercial credit sales, establish market integrity public service platform, supervise and manage special circulation industry as per related regulations, and lead organizations and coordination of struggling against infringement of intellectual property and fake or inferior commodity manufacturing and sales.
(v) Organize efforts to implement important consumer goods markets regulation and important production circulation management, undertake responsibility of establishing and improving provincial life necessity supply emergency management system, monitor and analyze market operation and commodity supply and demand situations, investigate and analyze commodity price information, conduct prediction alert and information guidance, be responsible for important consumer goods storage management and market regulations as per division of work and supervise and manage refined oil product circulation as per related regulations.
(vi) Implement national policies on imported and exported commodities and processing trade management, organize and implement national policies and measures to promote transformations for foreign trade growth modes, cooperate with related departments in organizing the implementation of work for important industrial goods, raw materials, important agricultural products and staple imported and exported commodities and guide trade promoting activities and construction of foreign trade system.
(vii) Implement national policies on foreign technology trade, import and export control and policies that encourage importation and exportation of technologies and complete equipment, promote standardization of import and export trades, supervise technology introduction, equipment importation and nationally limited technology for exportation in accordance with law and issue technology import and export license or permit for trading as per law.
(viii) Lead the formulation of provincial service trade development planning and carry out related work, cooperate with related departments to draft and organize efforts to implement plans and policies that promote service exportation and outsourcing development and promote service outsourcing platform construction.
(ix) Organize and coordinate anti-dumping, anti-subsidy, protective measures and other work related to fair trade of import and export for the whole province, establish early warning mechanism for import and export fair trade, implement foreign trade investigation and industrial impairment investigation by law, and guide and coordinate provincial industrial safety response and lawsuit response against anti-dumping, anti-subsidy and protective measures for exported commodities throughout the province to foreign countries.
(xi) Be responsible for provincial foreign economy cooperation, draft and implement provincial foreign economic cooperation policies, manage and supervise provincial foreign contract projects, foreign labor cooperation and foreign investments, etc. by law, draft policies on provincial personnel outbound employment management, be responsible for leading the protection of rights and interests of foreign labor cooperation personnel, file and register foreign investment and enterprise establishments by provincial enterprises by law (excluding financial enterprises) and lead foreign safety management of provincial foreign investment cooperation enterprises.
(xii) Be responsible for foreign aid, and manage multilateral and bilateral non-reimbursable assistance and donation to the province (excluding donations to China from foreign governments and international financial institutions under financial cooperation projects) and other development cooperation business.
(xiii) Conduct anti-trust investigation on collective behaviors of operators and guide enterprises doing business in foreign countries to respond to anti-trust charges.
(xiv) Monitor provincial investment environment, accept and mediate complaints of foreign-funded enterprise, guide investment promotion and interprovincial economic cooperation, standardize investment invitational activities, be responsible for tracking services of projects with foreign investment, and coordinate and guide related work in national and provincial development zones throughout the province.
(xv) Undertake other matters assigned by the provincial government.


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Source URL: https://www.dia.org/art/collection/object/flowers-glass-vase-66064
Flowers in a Glass Vase, 1704
Rachel Ruysch, Dutch, 1664-1750
Flowers in a Glass Vase
Unframed: 33 × 26 3/8 inches (83.8 × 67 cm)
Framed: 42 1/2 × 35 1/2 × 2 3/4 inches (108 × 90.2 × 7 cm)
Founders Society Purchase, Robert H. Tannahill Foundation Fund, Joseph M. de Grimme Memorial Fund, New Endowment Fund, Henry Ford II Fund, Ralph McElvenny Memorial Fund, Walter and Josephine Ford II Fund, Benson and Edith Ford Fund, Walter B. Ford Memorial Fund, Lenora and Alfred Glancy Foundation Fund, Josephine and Ernest Kanzler Fund, J. Lawrence Buell, Jr. Fund, European Painting General Fund, Mr. and Mrs. Samuel Sachs II, Mr. and Mrs. Joseph L. Hudson, Jr. Fund, William H. Murphy Fund, Octavia W. Bates Fund, Director's Discretionary Fund, Popular Subscription Fund and funds from Edgar Martimer, Warren J. Coville, George Strombos, Founders Junior Council, Helmut Stern Foundation, Mr. and Mrs. Alan E. Schwartz, Mr. and Mrs. Warren Shelden, Geraldine Schafer, Allan D. Gilmour, Faustyn Tate, Friends of Art and Flowers, Alice Kales Hartwick Foundation, Beverly Prentis Wagner, Women's Committee, Mr. and Mrs. Gaylord Gillis, Jr., Byron and Dorothy Gerson, Mort Harris, Mandel Berman, Marvin and Betty Danto, Lynn and Stanley Day, Margaret H. Demant, Mr. and Mrs. Todd Wyett, J. Michael Losh, Volunteer Committee, Mrs. Lester Morris, Mr. and Mrs. Joseph P. Bianco, Jr., Mr. and Mrs. George Keyes, Bonita and John Fike, Amanda Van Dusen, Museum Shops Volunteer Committee, Ruth Rattner, Dorothy Cartwright, Mr. and Mrs. William S. Fay, anonymous donors, Maryanne Gibson, Helen Gamburd, Wendy Evans, Jerry Earles Florist, Inc., Fifi A. and George J. Kushner, Jr., in memory of Mary Dowd Schmidt; gifts from Mr. and Mrs. James E. Scripps, Ralph Harman Booth, Edward Chandler Walker, Mrs. Laura B. Higbie, Edward F. Fisher, Anna Scripps Whitcomb, Alfred J. Fisher, Mr. and Mrs. George Munroe Endicott, Mr. and Mrs. Sol Eisenberg, Colonel Frank J. Hecker, Peter Monaghan, Mr. and Mrs. Lawrence P. Fisher, Mrs. William E. Scripps, William H. Thomson, Mortimer Brandt, Claire MacDonald Church, Lydia Kahn Winston Malbin, Mrs. Russell A. Alger, Gustave Volterra, Mr. and Mrs. A.D. Wilkinson, John S. Newberry, Mr. and Mrs. Edgar B. Whitcomb, Mr. and Mrs. James S. Whitcomb, Mr. and Mrs. Raymond Field, Estate of Mrs. Alice G. Otis, Mrs. Henry Patten and Marc T. Patten, and City of Detroit, by exchange
European Painting
Dutch Golden Age S380, Level 3 (see map)
Signed and dated at bottom right on ledge: Rachel Ruysch 1704
Presumably acquired by James West of Alscot House, United Kingdom;
By descent to James West (1775-1838);
Collection of J. R. West;
Captain W. R. West;
James William A. R. West (by 1956)
Hofstede de Groot, C., Beschreibendes und kritisches Verzeichnis der Werke der hervorragendsten hollandischen Maler des XVII. Jahrhunderts, vol. X. Stuttgart, 1928, p. 323, no. 73.
Grant, M. H. Rachel Ruysch 1664–1750. Leigh-on-Sea, 1956, p. 30, no. 56.
The Treasure Houses of Great Britain—Five hundred Years of Private Patronage and Art Collecting. Exh. cat., National Gallery of Art. Washington, D.C., 1985, pp. 368-369, cat. 298 (ill.).
Old Master Paintings. Sales cat., Sotheby's, London, July 6, 1994, pp. 52–54, no. 30 (ill.).
Inaugural Exhibition of Old Master Paintings. Exh. cat., Otto Naumann, Ltd., New York, 1995, pp. 137–140, no. 31 (ill.).
Buijsen, E. Haagse Schilders in de Gouden Eeuw (Het Hoogsteder Lexicon van all schilders werkzaam in Den Haag 1600-1700). The Hague, 1998, p.343, repr.
Berardi, M. "Florale distinctie en detaillering De receptuur van Rachel Ruysch." Kunstschrift 44, no. 1 (2000): 4-15.
Keyes, George S. et al. Masters of Dutch Painting: The Detroit Institute of Arts. London, 2004, pp. 212–215, no. 87 (ill.).
Keyes, G.S. "A Brief History of the European Paintings Collection at the Detroit Institute of Arts with a Focus on the Dutch School." Catalogue for TEFAF Maastricht (2005): 10-15, p. 15 (ill.).
The Temptations of Flora: Jan van Huysum/1682-1749. Exh. cat., Museum Het Prinsenhof. Delft, 2007, pp. 307–308, no. C1 (ill.).