text:
package com.vladsch.MissingInActions.manager;

import com.intellij.codeInsight.actions.ReformatCodeAction;
import com.intellij.codeInsight.editorActions.moveUpDown.MoveLineDownAction;
import com.intellij.codeInsight.editorActions.moveUpDown.MoveLineUpAction;
import com.intellij.codeInsight.generation.actions.AutoIndentLinesAction;
import com.intellij.ide.actions.RedoAction;
import com.intellij.ide.actions.UndoAction;
import com.intellij.openapi.application.ApplicationManager;
import com.intellij.openapi.components.ServiceManager;
import com.intellij.openapi.editor.actions.*;
import com.vladsch.MissingInActions.actions.PopSelectionAction;
import com.vladsch.MissingInActions.actions.RecallSelectionListAction;
import com.vladsch.MissingInActions.actions.ReplaceWithLastSelectionTextAction;
import com.vladsch.MissingInActions.actions.ReplaceWithSelectionTextListAction;
import com.vladsch.MissingInActions.actions.SwapSelectionAction;
import com.vladsch.MissingInActions.actions.character.MiaMultiplePasteAction;
import com.vladsch.MissingInActions.actions.line.DuplicateForClipboardCaretsAction;
import com.vladsch.MissingInActions.actions.line.DuplicateForMultipleClipboardCaretsAction;
import com.vladsch.MissingInActions.settings.ApplicationSettings;

public class NormalAdjustmentMap extends ActionAdjustmentMap {
    public static NormalAdjustmentMap getInstance() {
        NormalAdjustmentMap service = ApplicationManager.getApplication().getService(NormalAdjustmentMap.class);
        return service;
    }

    NormalAdjustmentMap() {
        addActionAdjustment(AdjustmentType.MOVE_CARET_LEFT_RIGHT___REMOVE_LINE__NOTHING
                , MoveCaretLeftAction.class
                , MoveCaretRightAction.class
        );

        addActionAdjustment(AdjustmentType.MOVE_CARET_UP_DOWN_W_SELECTION___TO_CHAR__TO_LINE
                , MoveCaretDownWithSelectionAction.class
                , MoveCaretUpWithSelectionAction.class
                , MoveDownWithSelectionAndScrollAction.class
                , MoveUpWithSelectionAndScrollAction.class
                , PageBottomWithSelectionAction.class
                , PageDownWithSelectionAction.class
                , PageTopWithSelectionAction.class
                , PageUpWithSelectionAction.class
        );

        addActionAdjustment(AdjustmentType.MOVE_CARET_LEFT_RIGHT_W_SELECTION___TO_CHAR__NOTHING
                , LineEndWithSelectionAction.class
                , LineStartWithSelectionAction.class
                , MoveCaretLeftWithSelectionAction.class
                , MoveCaretRightWithSelectionAction.class
                , NextWordInDifferentHumpsModeWithSelectionAction.class
                , NextWordWithSelectionAction.class
                , PreviousWordInDifferentHumpsModeWithSelectionAction.class
                , PreviousWordWithSelectionAction.class
        );

        addActionAdjustment(AdjustmentType.MOVE_CARET_START_END_W_SELECTION___TO_CHAR__TO_LINE_OR_NOTHING
                , TextStartWithSelectionAction.class
                , TextEndWithSelectionAction.class
        );

        addActionSet(ActionSetType.SELECTING_ACTION
                , "com.intellij.codeInsight.editorActions.CodeBlockEndWithSelectionAction"
                , "com.intellij.codeInsight.editorActions.CodeBlockStartWithSelectionAction"
                , LineEndWithSelectionAction.class
                , LineStartWithSelectionAction.class
                , MoveCaretDownWithSelectionAction.class
                , MoveCaretLeftWithSelectionAction.class
                , MoveCaretRightWithSelectionAction.class
                , MoveCaretUpWithSelectionAction.class
                , MoveDownWithSelectionAndScrollAction.class
                , MoveUpWithSelectionAndScrollAction.class
                , NextWordInDifferentHumpsModeWithSelectionAction.class
                , NextWordWithSelectionAction.class
                , PageBottomWithSelectionAction.class
                , PageDownWithSelectionAction.class
                , PageTopWithSelectionAction.class
                , PageUpWithSelectionAction.class
                , PreviousWordInDifferentHumpsModeWithSelectionAction.class
                , PreviousWordWithSelectionAction.class
                , TextEndWithSelectionAction.class
                , TextStartWithSelectionAction.class

                , com.vladsch.MissingInActions.actions.line.ToLineSelectionAction.class
                , com.vladsch.MissingInActions.actions.line.ToggleSelectionAnchorAction.class
                , com.vladsch.MissingInActions.actions.line.ClearIsolatedLinesAction.class
                , com.vladsch.MissingInActions.actions.line.ToCharacterSelectionAction.class
                , com.vladsch.MissingInActions.actions.line.ToggleLineCharacterSelectionAction.class

                , com.vladsch.MissingInActions.actions.character.word.NextWordEndInDifferentHumpsModeWithSelectionAction.class
                , com.vladsch.MissingInActions.actions.character.word.NextWordEndWithSelectionAction.class
                , com.vladsch.MissingInActions.actions.character.word.NextWordStartInDifferentHumpsModeWithSelectionAction.class
                , com.vladsch.MissingInActions.actions.character.word.NextWordStartWithSelectionAction.class
                , com.vladsch.MissingInActions.actions.character.word.PreviousWordEndInDifferentHumpsModeWithSelectionAction.class
                , com.vladsch.MissingInActions.actions.character.word.PreviousWordEndWithSelectionAction.class
                , com.vladsch.MissingInActions.actions.character.word.PreviousWordStartInDifferentHumpsModeWithSelectionAction.class
                , com.vladsch.MissingInActions.actions.character.word.PreviousWordStartWithSelectionAction.class
                , com.vladsch.MissingInActions.actions.character.word.NextWordInDifferentHumpsModeWithSelectionAction.class
                , com.vladsch.MissingInActions.actions.character.word.NextWordWithSelectionAction.class
                , com.vladsch.MissingInActions.actions.character.word.PreviousWordInDifferentHumpsModeWithSelectionAction.class
                , com.vladsch.MissingInActions.actions.character.word.PreviousWordWithSelectionAction.class

                , com.vladsch.MissingInActions.actions.character.identifier.NextWordEndInDifferentHumpsModeWithSelectionAction.class
                , com.vladsch.MissingInActions.actions.character.identifier.NextWordEndWithSelectionAction.class
                , com.vladsch.MissingInActions.actions.character.identifier.NextWordStartInDifferentHumpsModeWithSelectionAction.class
                , com.vladsch.MissingInActions.actions.character.identifier.NextWordStartWithSelectionAction.class
                , com.vladsch.MissingInActions.actions.character.identifier.PreviousWordEndInDifferentHumpsModeWithSelectionAction.class
                , com.vladsch.MissingInActions.actions.character.identifier.PreviousWordEndWithSelectionAction.class
                , com.vladsch.MissingInActions.actions.character.identifier.PreviousWordStartInDifferentHumpsModeWithSelectionAction.class
                , com.vladsch.MissingInActions.actions.character.identifier.PreviousWordStartWithSelectionAction.class
                , com.vladsch.MissingInActions.actions.character.identifier.NextWordInDifferentHumpsModeWithSelectionAction.class
                , com.vladsch.MissingInActions.actions.character.identifier.NextWordWithSelectionAction.class
                , com.vladsch.MissingInActions.actions.character.identifier.PreviousWordInDifferentHumpsModeWithSelectionAction.class
                , com.vladsch.MissingInActions.actions.character.identifier.PreviousWordWithSelectionAction.class

                , com.vladsch.MissingInActions.actions.character.custom.NextWordEndInDifferentHumpsModeWithSelectionAction.class
                , com.vladsch.MissingInActions.actions.character.custom.NextWordEndWithSelectionAction.class
                , com.vladsch.MissingInActions.actions.character.custom.NextWordStartInDifferentHumpsModeWithSelectionAction.class
                , com.vladsch.MissingInActions.actions.character.custom.NextWordStartWithSelectionAction.class
                , com.vladsch.MissingInActions.actions.character.custom.PreviousWordEndInDifferentHumpsModeWithSelectionAction.class
                , com.vladsch.MissingInActions.actions.character.custom.PreviousWordEndWithSelectionAction.class
                , com.vladsch.MissingInActions.actions.character.custom.PreviousWordStartInDifferentHumpsModeWithSelectionAction.class
                , com.vladsch.MissingInActions.actions.character.custom.PreviousWordStartWithSelectionAction.class
                , com.vladsch.MissingInActions.actions.character.custom.NextWordInDifferentHumpsModeWithSelectionAction.class
                , com.vladsch.MissingInActions.actions.character.custom.NextWordWithSelectionAction.class
                , com.vladsch.MissingInActions.actions.character.custom.PreviousWordInDifferentHumpsModeWithSelectionAction.class
                , com.vladsch.MissingInActions.actions.character.custom.PreviousWordWithSelectionAction.class
        );

        addActionAdjustment(AdjustmentType.INDENT_UNINDENT___TO_CHAR__IF_HAS_LINES_TO_LINE_RESTORE_COLUMN
                , LangIndentSelectionAction.class
                , IndentLineOrSelectionAction.class
                , UnindentSelectionAction.class
                , IndentSelectionAction.class
        );

        addActionAdjustment(AdjustmentType.DELETE_LINE_SELECTION___IF_LINE__RESTORE_COLUMN
                , BackspaceAction.class
                , DeleteAction.class
                , DeleteToLineEndAction.class
                , DeleteToWordEndAction.class
                , DeleteToWordEndInDifferentHumpsModeAction.class
                , DeleteToWordStartAction.class
                , DeleteToWordStartInDifferentHumpsModeAction.class
        );

        addActionAdjustment(AdjustmentType.MOVE_CARET_UP_DOWN___REMOVE_LINE__RESTORE_COLUMN
                , PageBottomAction.class
                , PageDownAction.class
                , PageTopAction.class
                , PageUpAction.class
                , MoveCaretDownAction.class
                , MoveCaretUpAction.class
        );

        addActionAdjustment(AdjustmentType.REFORMAT_CODE___NOTHING__RESTORE_COLUMN_LINE_END_RELATIVE
                , ReformatCodeAction.class
        );

        addActionAdjustment(AdjustmentType.UNDOE_REDO___NOTHING__NOTHING
                , UndoAction.class
                , RedoAction.class
        );

        addActionAdjustment(AdjustmentType.TOGGLE_CASE___IF_NO_SELECTION__REMOVE_SELECTION
                , ToggleCaseAction.class
        );

        addActionAdjustment(AdjustmentType.COPY___IF_NO_SELECTION__TO_LINE_RESTORE_COLUMN
                , com.intellij.ide.actions.CopyAction.class
                , com.intellij.openapi.editor.actions.CopyAction.class
        );

        addActionAdjustment(AdjustmentType.PASTE___MOVE_TO_START__RESTORE_IF0_OR_BLANK_BEFORE
                , com.intellij.ide.actions.PasteAction.class
                , com.intellij.openapi.editor.actions.PasteAction.class
                , MultiplePasteAction.class
                , PasteFromX11Action.class
                , SimplePasteAction.class
                , MiaMultiplePasteAction.class
                , DuplicateForMultipleClipboardCaretsAction.class
        );

        addActionSet(ActionSetType.PASTE_ACTION
                , com.intellij.ide.actions.PasteAction.class
                , com.intellij.openapi.editor.actions.PasteAction.class
                , MultiplePasteAction.class
                , PasteFromX11Action.class
                , SimplePasteAction.class
                , MiaMultiplePasteAction.class
                , DuplicateForMultipleClipboardCaretsAction.class
        );

        addActionAdjustment(AdjustmentType.AUTO_INDENT_LINES
                , AutoIndentLinesAction.class
        );

        addActionAdjustment(AdjustmentType.DUPLICATE__IF_NO_SELECTION__REMOVE_SELECTION___IF_LINE_RESTORE_COLUMN
                , DuplicateAction.class
                , DuplicateForClipboardCaretsAction.class
                , DuplicateLinesAction.class
        );

        addActionAdjustment(AdjustmentType.CUT___IF_NO_SELECTION__REMOVE_SELECTION___IF_LINE_RESTORE_COLUMN
                , CutAction.class
        );

        addActionSet(ActionSetType.DUPLICATE_ACTION
                , DuplicateAction.class
                , DuplicateLinesAction.class
        );

        addActionSet(ActionSetType.CUT_ACTION
                , CutAction.class
        );

        addActionAdjustment(AdjustmentType.JOIN__MOVE_LINES_UP_DOWN___NOTHING__NORMALIZE_CARET_POSITION
                , JoinLinesAction.class
                , MoveLineDownAction.class
                , MoveLineUpAction.class
        );

        addTriggeredAction(new TriggeredAction(new AutoIndentLinesAction(), () -> ApplicationSettings.getInstance().getAutoIndentDelay(), () -> ApplicationSettings.getInstance().isAutoIndent())
                , MoveLineDownAction.class
                , MoveLineUpAction.class
        );

        addActionSet(ActionSetType.MOVE_LINE_UP_AUTO_INDENT_TRIGGER
                , MoveLineUpAction.class
        );

        addActionSet(ActionSetType.MOVE_LINE_DOWN_AUTO_INDENT_TRIGGER
                , MoveLineDownAction.class
        );

        // here are all caret move actions that affect the search carets
        addActionSet(ActionSetType.SELECTION_ALWAYS_STASH
                , ReplaceAction.class
                , IncrementalFindAction.class
        );

        // these actions do not automatically store selection changes in the stash
        addActionSet(ActionSetType.SELECTION_STASH_ACTIONS
                , PopSelectionAction.class
                , SwapSelectionAction.class
                , LineEndWithSelectionAction.class
                , LineStartWithSelectionAction.class
                , MoveCaretDownWithSelectionAction.class
                , MoveCaretLeftWithSelectionAction.class
                , MoveCaretRightWithSelectionAction.class
                , MoveCaretUpWithSelectionAction.class
                , MoveDownWithSelectionAndScrollAction.class
                , MoveUpWithSelectionAndScrollAction.class
                , NextWordWithSelectionAction.class
                , NextWordInDifferentHumpsModeWithSelectionAction.class
                , PageBottomWithSelectionAction.class
                , PageDownWithSelectionAction.class
                , PageTopWithSelectionAction.class
                , PageUpWithSelectionAction.class
                , PreviousWordWithSelectionAction.class
                , PreviousWordInDifferentHumpsModeWithSelectionAction.class
                , TextEndWithSelectionAction.class
                , TextStartWithSelectionAction.class
                , ReplaceWithSelectionTextListAction.class
                , ReplaceWithLastSelectionTextAction.class
                , RecallSelectionListAction.class

                , com.vladsch.MissingInActions.actions.character.word.NextWordEndInDifferentHumpsModeWithSelectionAction.class
                , com.vladsch.MissingInActions.actions.character.word.NextWordEndWithSelectionAction.class
                , com.vladsch.MissingInActions.actions.character.word.NextWordStartInDifferentHumpsModeWithSelectionAction.class
                , com.vladsch.MissingInActions.actions.character.word.NextWordStartWithSelectionAction.class
                , com.vladsch.MissingInActions.actions.character.word.PreviousWordEndInDifferentHumpsModeWithSelectionAction.class
                , com.vladsch.MissingInActions.actions.character.word.PreviousWordEndWithSelectionAction.class
                , com.vladsch.MissingInActions.actions.character.word.PreviousWordStartInDifferentHumpsModeWithSelectionAction.class
                , com.vladsch.MissingInActions.actions.character.word.PreviousWordStartWithSelectionAction.class
                , com.vladsch.MissingInActions.actions.character.word.NextWordInDifferentHumpsModeWithSelectionAction.class
                , com.vladsch.MissingInActions.actions.character.word.NextWordWithSelectionAction.class
                , com.vladsch.MissingInActions.actions.character.word.PreviousWordInDifferentHumpsModeWithSelectionAction.class
                , com.vladsch.MissingInActions.actions.character.word.PreviousWordWithSelectionAction.class

                , com.vladsch.MissingInActions.actions.character.identifier.NextWordEndInDifferentHumpsModeWithSelectionAction.class
                , com.vladsch.MissingInActions.actions.character.identifier.NextWordEndWithSelectionAction.class
                , com.vladsch.MissingInActions.actions.character.identifier.NextWordStartInDifferentHumpsModeWithSelectionAction.class
                , com.vladsch.MissingInActions.actions.character.identifier.NextWordStartWithSelectionAction.class
                , com.vladsch.MissingInActions.actions.character.identifier.PreviousWordEndInDifferentHumpsModeWithSelectionAction.class
                , com.vladsch.MissingInActions.actions.character.identifier.PreviousWordEndWithSelectionAction.class
                , com.vladsch.MissingInActions.actions.character.identifier.PreviousWordStartInDifferentHumpsModeWithSelectionAction.class
                , com.vladsch.MissingInActions.actions.character.identifier.PreviousWordStartWithSelectionAction.class
                , com.vladsch.MissingInActions.actions.character.identifier.NextWordInDifferentHumpsModeWithSelectionAction.class
                , com.vladsch.MissingInActions.actions.character.identifier.NextWordWithSelectionAction.class
                , com.vladsch.MissingInActions.actions.character.identifier.PreviousWordInDifferentHumpsModeWithSelectionAction.class
                , com.vladsch.MissingInActions.actions.character.identifier.PreviousWordWithSelectionAction.class

                , com.vladsch.MissingInActions.actions.character.custom.NextWordEndInDifferentHumpsModeWithSelectionAction.class
                , com.vladsch.MissingInActions.actions.character.custom.NextWordEndWithSelectionAction.class
                , com.vladsch.MissingInActions.actions.character.custom.NextWordStartInDifferentHumpsModeWithSelectionAction.class
                , com.vladsch.MissingInActions.actions.character.custom.NextWordStartWithSelectionAction.class
                , com.vladsch.MissingInActions.actions.character.custom.PreviousWordEndInDifferentHumpsModeWithSelectionAction.class
                , com.vladsch.MissingInActions.actions.character.custom.PreviousWordEndWithSelectionAction.class
                , com.vladsch.MissingInActions.actions.character.custom.PreviousWordStartInDifferentHumpsModeWithSelectionAction.class
                , com.vladsch.MissingInActions.actions.character.custom.PreviousWordStartWithSelectionAction.class
                , com.vladsch.MissingInActions.actions.character.custom.NextWordInDifferentHumpsModeWithSelectionAction.class
                , com.vladsch.MissingInActions.actions.character.custom.NextWordWithSelectionAction.class
                , com.vladsch.MissingInActions.actions.character.custom.PreviousWordInDifferentHumpsModeWithSelectionAction.class
                , com.vladsch.MissingInActions.actions.character.custom.PreviousWordWithSelectionAction.class
        );

        // here are all caret move actions that affect the search carets
        addActionSet(ActionSetType.MOVE_SEARCH_CARET_ACTION
                , LineEndAction.class
                , LineStartAction.class
                , MoveCaretDownAction.class
                , MoveCaretLeftAction.class
                , MoveCaretRightAction.class
                , MoveCaretUpAction.class
                , MoveDownAndScrollAction.class
                , MoveLineDownAction.class
                , MoveUpAndScrollAction.class
                , NextWordAction.class
                , NextWordInDifferentHumpsModeAction.class
                , PageBottomAction.class
                , PageDownAction.class
                , PageTopAction.class
                , PageUpAction.class
                , PreviousWordAction.class
                , PreviousWordInDifferentHumpsModeAction.class
                , TextEndAction.class
                , TextStartAction.class
                , CloneCaretAbove.class
                , CloneCaretBelow.class

                , com.vladsch.MissingInActions.actions.character.word.NextWordEndInDifferentHumpsModeAction.class
                , com.vladsch.MissingInActions.actions.character.word.NextWordEndAction.class
                , com.vladsch.MissingInActions.actions.character.word.NextWordStartInDifferentHumpsModeAction.class
                , com.vladsch.MissingInActions.actions.character.word.NextWordStartAction.class
                , com.vladsch.MissingInActions.actions.character.word.PreviousWordEndInDifferentHumpsModeAction.class
                , com.vladsch.MissingInActions.actions.character.word.PreviousWordEndAction.class
                , com.vladsch.MissingInActions.actions.character.word.PreviousWordStartInDifferentHumpsModeAction.class
                , com.vladsch.MissingInActions.actions.character.word.PreviousWordStartAction.class
                , com.vladsch.MissingInActions.actions.character.word.NextWordInDifferentHumpsModeAction.class
                , com.vladsch.MissingInActions.actions.character.word.NextWordAction.class
                , com.vladsch.MissingInActions.actions.character.word.PreviousWordInDifferentHumpsModeAction.class
                , com.vladsch.MissingInActions.actions.character.word.PreviousWordAction.class

                , com.vladsch.MissingInActions.actions.character.identifier.NextWordEndInDifferentHumpsModeAction.class
                , com.vladsch.MissingInActions.actions.character.identifier.NextWordEndAction.class
                , com.vladsch.MissingInActions.actions.character.identifier.NextWordStartInDifferentHumpsModeAction.class
                , com.vladsch.MissingInActions.actions.character.identifier.NextWordStartAction.class
                , com.vladsch.MissingInActions.actions.character.identifier.PreviousWordEndInDifferentHumpsModeAction.class
                , com.vladsch.MissingInActions.actions.character.identifier.PreviousWordEndAction.class
                , com.vladsch.MissingInActions.actions.character.identifier.PreviousWordStartInDifferentHumpsModeAction.class
                , com.vladsch.MissingInActions.actions.character.identifier.PreviousWordStartAction.class
                , com.vladsch.MissingInActions.actions.character.identifier.NextWordInDifferentHumpsModeAction.class
                , com.vladsch.MissingInActions.actions.character.identifier.NextWordAction.class
                , com.vladsch.MissingInActions.actions.character.identifier.PreviousWordInDifferentHumpsModeAction.class
                , com.vladsch.MissingInActions.actions.character.identifier.PreviousWordAction.class

                , com.vladsch.MissingInActions.actions.character.custom.NextWordEndInDifferentHumpsModeAction.class
                , com.vladsch.MissingInActions.actions.character.custom.NextWordEndAction.class
                , com.vladsch.MissingInActions.actions.character.custom.NextWordStartInDifferentHumpsModeAction.class
                , com.vladsch.MissingInActions.actions.character.custom.NextWordStartAction.class
                , com.vladsch.MissingInActions.actions.character.custom.PreviousWordEndInDifferentHumpsModeAction.class
                , com.vladsch.MissingInActions.actions.character.custom.PreviousWordEndAction.class
                , com.vladsch.MissingInActions.actions.character.custom.PreviousWordStartInDifferentHumpsModeAction.class
                , com.vladsch.MissingInActions.actions.character.custom.PreviousWordStartAction.class
                , com.vladsch.MissingInActions.actions.character.custom.NextWordInDifferentHumpsModeAction.class
                , com.vladsch.MissingInActions.actions.character.custom.NextWordAction.class
                , com.vladsch.MissingInActions.actions.character.custom.PreviousWordInDifferentHumpsModeAction.class
                , com.vladsch.MissingInActions.actions.character.custom.PreviousWordAction.class

                // caret manipulation actions
                , com.vladsch.MissingInActions.actions.carets.RemoveCodeLineCaretsAction.class
                , com.vladsch.MissingInActions.actions.carets.PrimaryCaretToNextAction.class
                , com.vladsch.MissingInActions.actions.carets.KeepBlankLineCaretsAction.class
                , com.vladsch.MissingInActions.actions.carets.KeepSelectionCaretsAction.class
                , com.vladsch.MissingInActions.actions.carets.KeepLineCommentCaretsAction.class
                , com.vladsch.MissingInActions.actions.carets.PrimaryCaretToPrevAction.class
                , com.vladsch.MissingInActions.actions.carets.MovePrimaryCaretToNextPrevCaretBase.class
                , com.vladsch.MissingInActions.actions.carets.RemoveBlankLineCaretsAction.class
                , com.vladsch.MissingInActions.actions.carets.RemoveSelectionCaretsAction.class
                , com.vladsch.MissingInActions.actions.carets.KeepCodeLineCaretsAction.class
                , com.vladsch.MissingInActions.actions.carets.RemoveLineCommentCaretsAction.class
                , com.vladsch.MissingInActions.actions.carets.SmartKeepLineCaretsAction.class
                , com.vladsch.MissingInActions.actions.carets.SmartRemoveLineCaretsAction.class
                , com.vladsch.MissingInActions.actions.carets.StraightenCaretsAction.class
                , com.vladsch.MissingInActions.actions.pattern.SearchCaretsOptionsAction.class
                , com.vladsch.MissingInActions.actions.pattern.BatchSearchAction.class
                //, com.vladsch.MissingInActions.actions.pattern.CancelSearchCaretsAction.class
        );

        // here are all caret move actions that manipulate both search and found carets
        addActionSet(ActionSetType.SEARCH_AWARE_CARET_ACTION
                //, com.vladsch.MissingInActions.actions.pattern.AcceptNotFoundCaretsAction.class
        );
    }
}


text:
import * as React from 'react';
import { IconBaseProps } from 'react-icon-base';
export default class IoIosChatboxesOutline extends React.Component<IconBaseProps, any> { }

redpajama_set_name: RedPajamaGithub


Texas and Pacific Railway Company Engineer Homer Parrish standing with another engineer in front of locomotives 644 and 706 at Marshall, Texas in 1946.
Photo by Robert Yarnall Richie, DeGolyer Library, Southern Methodist University.
Engineer George Bertino in the cab of his diesel freight engine, ready to pull out of the Atchison, Topeka and Santa Fe Railroad yard at Winslow, Arizona in March 1943. Library of Congress.
A modern Bombardier ALP-45DP Engineer's Control Console. Public Domain.
An engineer (America and Canada) is a person who operates a train. The engineer is in charge of, and responsible for driving the engine, as well as the mechanical operation of the train, train speed, and all train handling. The use of the term engineer to describe this occupation in North America should not be confused with the usual meanings of engineer.
For many American railroads, the following career progression is typical: assistant conductor (brakeman), conductor and finally engineer. In the US, engineers are required to be certified and recertified every two to three years. In America, a hostler moves engines around train yards, but does not take them out on the normal tracks.
In the United States and Canada, train engineers are historically known as "locomotive engineers". In the United Kingdom, South Africa, New Zealand, and Australia they are known as "train drivers", "engine drivers", "locomotive drivers", or "locomotive operators".
Casey Jones, American engineer whose wreck on the Illinois Central Railroad on April 30, 1900 was immortalized in verse and music.
A steam locomotive engineer in his cab about to start the train along the Atchison, Topeka, and Santa Fe Railroad at Ricardo, New Mexico between Clovis and Vaughn, New Mexico in 1944. Library of Congress.


I have always intuitively assumed that the interface bandwidth on MLPPP bundles is the sum of interface bandwidths of individual interfaces that are part of the bundle. Recently I've tested my assumption and it works as expected.
You are very much right, I want to add one more thing that1200 bytes are used for single interface for buffers. One more problem which I have checked in our environment which is the problem of multilink when it goes to 9 E1.If i use 9 e1s for a multilink it goes hang and if i remove the e1 and get it back to 8 or less than 8 it works fine.
I think it depends on particular h/w heavily. I've got positive experience w/ 12xE1 bundle on 7206VXR/NPE-G1 (12.3 mainline).
Note: Big number of physical links may cause extensive reordering of fragments --> less efficiency/high CPU usage.
I am using 7206VXR/NPE-400 with 12.4. But still the problem persists. Not able to understand whats the reason.
As Uri told you, it's probably hardware dependent. You should open a case with Cisco TAC.
Did you even notice, 1/4 was configured with bandwitdth 2000 and 1/5 bandwith 4000. Hence the 4000 bandwidth with 1/4 shutdown makes perfect sense.
Of course I noticed :) The point of the post was that the interface bandwidth changes dynamically based on what's in the bundle.


text:
Empoasca riessae är en insektsart som beskrevs av González 1955. Empoasca riessae ingår i släktet Empoasca och familjen dvärgstritar. Inga underarter finns listade i Catalogue of Life.

Källor

Dvärgstritar
riessae

redpajama_set_name: RedPajamaWikipedia


text:
Sith gun robh so…
Suggestions for Posts?
What this blog is all about?
Tag: millenium
Picture for the next millenium
April 13, 2019 April 13, 2019 1 Comment
Because this corporate hydrocarbon cesspool ain't about to disappear overnight. Or for a thousand years.
Ian Willms
Large enough to be seen from space, tailings ponds in Alberta's oil sands region are some of the biggest human-made structures on Earth. They contain a toxic slurry of heavy metals and hydrocarbons from the bitumen separation process.
*The link is a gigantor NatGeo file. Might take forever to load. 🙂
Extreme poverty is up during the first decade of the millenium
November 3, 2011 November 3, 2011 Leave a comment
The number of people living in neighborhoods of extreme poverty grew substantially, by one third, over the past decade, according to a new report, erasing most of the gains from the 1990's when concentrated poverty declined.
More than 10 percent of America's poor now live in such neighborhoods, up from 9.1 percent in the beginning of the decade, an addition of more than 2 million people, according to the report by the Brookings Institution, an independent research group…
The report analyzed Census Bureau income data from 2000 to 2009, the most recent year for which there is comprehensive data.
The data captures the first part of the decade most clearly, when growth in concentrated poverty was highest in metropolitan areas in the Midwest. Of the neighborhoods where poverty became most acute, three were Midwestern: Toledo, Youngstown and Detroit.
The report estimated that in metropolitan areas, worsening economic conditions in 2010 may have bumped up the portion of those living in concentrated poverty metro areas to 15 percent, a notch below the 1990 level, 16.5 percent. The biggest rises were in Sun Belt areas like Cape Coral, Fla., and Fresno, Calif., where the housing bust was biggest…
"It's the toughest, most malignant poverty that we have in the United States," said Peter Edelman, the director of the Center on Poverty, Inequality and Public Policy at Georgetown University. "It's bad outcomes reinforcing each other."
Just one more thing the Bush/Cheney era can take credit for.
Super-Sizing Jeebus
March 23, 2010 March 23, 2010 4 Comments
We've been overeating our way through ever-larger portions over the past 1,000 years, a U.S. study revealed after studying more than 50 paintings of the Biblical Last Supper.
The study, by a Cornell University professor and his brother who is a Presbyterian minister and a religious studies professor, showed that the sizes of the portions and plates in the artworks, which were painted over the past millennium, have gradually grown by between 23 and 69 percent.
This finding suggests that the phenomenon of serving bigger portions on bigger plates, which pushes people to overeat, has also occurred gradually over the same time period, said Brian Wansink, director of the Cornell Food and Brand Lab.
"The last thousand years have witnessed dramatic increases in the production, availability, safety, abundance and affordability of food," Wansink, author of "Mindless Eating: Why We Eat More Than We Think," said in a statement.
"We think that as art imitates life, these changes have been reflected in paintings of history's most famous dinner…"
The study found that, over the past 1,000 years, the size of the main meal has progressively grown 69 percent; plate size has increased 66 percent and bread size by about 23 percent.
Har! I believe every calorie of it.
Still my favorite sign from the Women's March against our fake president
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redpajama_set_name: RedPajamaCommonCrawl


As I've probably mentioned earlier, I'm not a big fan of cooking, but I love making cakes and cupcakes and all kinds of desserts. Sometimes it takes me a while- or couple of weeks- to pick up myself and bake something, but when it finally occurs, I really enjoy doing it.
And that's it! I mixed all the dry ingredients together with a table spoon (the big advantage is that you don't need a food mixer because, well, I don't have one), added milk, oil and an egg and mixed once again. Remember to heat oven to 180C.
Then I filled each paper case with about half a table spoon of cake mixture, added a teaspoon of lemon curd and covered with remaining mixture. It's important to place lemon curd rather low and leave plenty of space to cover it, otherwise it will kinda boil over during baking (yeah, that happened) and believe me, it's a pain to clean the muffin form from the burned filling.
Next time I'd have to place the filling in the lower half of case, so it will be in the bottom of a muffin and not all over it!
Now the funny thing with baking is that my oven has like an open fire, so I can't set the temperature precisely. For this reason I may as well ignore recommended baking time of absolutely everything and just be careful to not burn it too much. Btw, when I have my own place I'm gonna have one of these really cool ovens like the purple one Max had in 2 Broke Girls. Anyway, I baked my muffins for about 25 minutes, until they are golden and smell delicious. I also always check them with a wooden toothpick or sushi stick. If the cake is not sticking to it, that means it's ready!
I'm so proud of this little activity of mine, they may actually be the best cupcakes I've ever made. I like how coconut and lemon zest taste together. And it literally took me like three minutes to mix the ingredients and about five to fill the muffin form, so they are also incredibly easy to make.
Previous Post Summer reading list.
Yum! I love how quick and easy this was to make!


text:
Beauty Generation
Racing Online - Posts tagged: Beauty Generation
Beauty Generation to be farewelled at Sha Tin in special ceremony
in Hong Kong Horse Racing News
Beauty Generation, one of the greatest champions in the history of Hong Kong racing, will be farewelled in a special ceremony on Sunday, 24 January. Twice Hong Kong's Horse of the Year, Beauty Generation will return to Sha Tin Racecourse – the scene of all of his extraordinary career highlights – for one final appearance[...]
Hong Kong's record-setting icon Beauty Generation retires
Beauty Generation, one of the greatest champions in the history of Hong Kong horse racing, has retired. Twice crowned Hong Kong's Horse of the Year, the New Zealand-bred gelding was also named Champion Miler a record three times. Beauty Generation ends his career with 18 Hong Kong wins from 34 starts and prize-money earnings of[...]
Golden Sixty takes the baton with sparkling Hong Kong Mile success
They came, they saw, they tried to blunt his dash, but they failed to conquer Golden Sixty: Hong Kong's burgeoning hometown hero dismantled his international rivals in the HK$25 million Group 1 LONGINES Hong Kong Mile at Sha Tin with an exquisite performance. "He's amazing, isn't he?" jockey Vincent Ho said, moments after the brilliant[...]
David Hayes eyes Hong Kong Mile resurrection with Beauty Generation
David Hayes will attempt to emulate the career-ending Cox Plate glories of retired Australian warhorse Fields Of Omagh when Beauty Generation attempts to annex a third HK$25 million Group 1 LONGINES Hong Kong Mile at Sha Tin on Sunday (13 December). Hayes famously sent Fields Of Omagh into retirement after the nine-year-old snared Australia's premier[...]
Golden Sixty makes it nine in a row with Group 2 Sha Tin Trophy victory
Golden Sixty took another important step toward December's LONGINES Hong Kong International Races riches with victory in yesterday's (Sunday, 18 October) Group 2 Oriental Watch Sha Tin Trophy Handicap (1600m) at Sha Tin, a result that all but confirmed a changing of the guard at the very top of Hong Kong's pecking order. The Francis[...]
Golden Sixty and Beauty Generation square off again in Sha Tin Trophy
Golden Sixty has improved from his first-up win according to trainer Francis Lui as the BMW Hong Kong Derby hero shoots for his ninth victory in a row in Sunday's (18 October) Group 2 Oriental Watch Sha Tin Trophy Handicap (1600m). "He's good, he's come on from last start when it was his first-up run[...]
Fownes sets Legend and Dragon against Golden Sixty in Sha Tin Trophy
Championship leading trainer Caspar Fownes will launch a two-pronged assault on Sunday's (18 October) Group 2 Oriental Watch Sha Tin Trophy Handicap (1600m) at Sha Tin when Southern Legend and Dances With Dragon take their places en route to December's LONGINES Hong Kong International Races. While Golden Sixty and Beauty Generation are set to renew[...]
December bound Golden Sixty takes the Group 3 Celebration Cup
Golden Sixty took the first step on his path toward the 2020 LONGINES Hong Kong International Races with an impressive win in the Group 3 Celebration Cup Handicap (1400m) at Sha Tin Sunday (27 September), thwarting Beauty Generation's tilt at a fourth straight triumph in the race. Hong Kong's first Pattern race this season was[...]
Golden Sixty ready for Beauty Generation in Sunday's Group 3 Celebration Cup
Golden Sixty returns to action at Sha Tin on Sunday (27 September) with jockey Vincent Ho buoyed by his star mount's preparations and intent on thwarting Beauty Generation's tilt at a fourth straight win in the Group 3 Celebration Cup Handicap (1400m). The BMW Hong Kong Derby winner has not raced since he completed a[...]
Ka Ying Star prepares to shine against Beauty Generation and Golden Sixty
Chad Schofield is undaunted as he prepares to partner Ka Ying Star against the might of Beauty Generation and Golden Sixty in the Group 3 Celebration Cup Handicap (1400m) at Sha Tin on Sunday (27 September). "It's a Group 3 race, it's a big race and he's a high-quality horse," Schofield said. "They are definitely[...]
Hayes camp pleased with Beauty Generation ahead of return
Beauty Generation's campaign ramped up a notch yesterday (Tuesday, 15 September) at Sha Tin with a 1000m turf barrier trial that connections hope will lead to a fourth consecutive win in the Group 3 Celebration Cup Handicap (1400m) in a fortnight's time, before pointing him to his main target, December's LONGINES Hong Kong International Races.[...]
'Improved' Golden Sixty trials at Sha Tin
Golden Sixty stepped out for a trial yesterday morning (Friday, 4 September) at Sha Tin as he prepares for his campaign debut in the Group 3 Celebration Cup Handicap (1400m) later this month, and his workout left regular rider Vincent Ho with the impression that the Medaglia d'Oro gelding has progressed through the summer break.[...]
Moore Says Goodbye After Stellar Hong Kong Career
John Moore drew a blank during the final day of the Hong Kong racing season as the legendary trainer prepares to continue his career in his native Australia. Moore had five runners for his Hong Kong swan song, but all finished unplaced. He is set to train in partnership with his brother Gary out of[...]
Hong Kong's clock ticks out for John Moore, the big-race king
John Moore sits at the open window. His elbows rest on the worktop, his hands cup binoculars in a steadying grip and his eyes study a horse galloping head-on towards his elevated position. He lowers the Zeiss glasses, tilting them away casually in his right hand; his left hand takes hold of a stopwatch and[...]
Highden Park extends impressive honour roll
in New Zealand Horse Racing News
Boutique Manawatu thoroughbred nursery Highden Park, operated by Libby and Sam Bleakley, has experienced a purple patch with their graduates this autumn, extending their impressive honour roll. Although the farm has been in business for less than 10 years their list of quality graduates is extensive, and includes the likes of Dual Hong Kong Horse[...]
First Group 1 for Ho as Southern Legend edges Beauty Generation
Southern Legend was supposed to be preparing for a third straight win in the Kranji Mile but Plan B worked out far better for the admirable stalwart at Sha Tin yesterday afternoon (Sunday, 26 April). With the Singapore target off the radar due to the global pandemic, the Caspar Fownes-trained galloper instead snatched the biggest[...]
Waikuku looks to bounce back against Beauty Generation
If any horse can stop Beauty Generation from winning a record third FWD Group 1 Champions Mile at Sha Tin on Sunday, 26 April, the form book suggests it's most likely to be Waikuku. "He's a very good horse and he has done well already this season so there's no doubt he's a winning chance,"[...]


text:
Touch of Evil (Special Edition) (Blu-ray)
Directed by Orson Welles
Genres: Film Noir, Crime, Drama
Avail 3/15/22 - order early
Janet Leigh
Akim Tamiroff
Joseph Calleia
Dennis Weaver
Joanna Moore
Ray Collins
Joi Lansing
Directed by Hollywood legend Orson Welles (Citizen Kane, The Stranger, The Lady from Shanghai), Touch of Evil is a film noir masterpiece whose Hollywood backstory is as unforgettable as the movie itself. Starring Charlton Heston (The Big Country, Ben-Hur), Janet Leigh (The Manchurian Candidate, Psycho) and Welles himself, this dark portrait of corruption and morally compromised obsessions tells the story of a crooked police chief who frames a Mexican youth as part of an intricate criminal plot. With its iconic ticking-bomb opening shot, shadowy cinematography by Russell Metty (Spartacus), evocative score by Henry Mancini (Arabesque) and memorable supporting turns by Akim Tamiroff (The General Died at Dawn) and Marlene Dietrich (Desire), Touch of Evil is a stylistic triumph that stands the test of time. This 3-disc special edition features 4K restorations of three versions of the film: the Theatrical version, the Preview version and the Reconstructed version based on Orson Welles' original vision.
Brand New 4K Restoration of the Theatrical Cut
NEW Audio Commentary by Film Historian Tim Lucas
Audio Commentary with Writer/Filmmaker F.X. Feeney
Theatrical Trailer (2:10)
Optional English Subtitles
Dual-Layer BD50 Disc
Brand New 4K Restoration of the Reconstructed Cut
NEW Audio Commentary by Film Historian Imogen Sara Smith
Audio Commentary by Charlton Heston, Janet Leigh and Reconstruction Producer Rick Schmidlin
EVIL LOST AND FOUND: Featurette (17:06)
Brand New 4K Restoration of the Preview Cut
Audio Commentary with Orson Welles Historians Jonathan Rosenbaum and James Naremore
BRINGING EVIL TO LIFE: Featurette (20:59)
In the Academy Award-nominated THE STRANGER, legendary director Orson Welles delved into the suspense film, crafting a baroque postwar thriller that drew upon the style of his previous work, while...	More
Directors	: Orson Welles, Orson Welles
The Hot Touch
Directors	: Orson Welles, Orson Welles, Roger Vadim
Wayne Rogers (TV's M*A*S*H) becomes embroiled in a blackmail plan to duplicate valuable paintings lost in World War II, which leads to a web of deceit and romantic intrigue that's much...	More
Blu-ray $29.95 $9.99
Directors	: Orson Welles, Orson Welles, Roger Vadim, Roger Vadim
Country: U.S., U.S., U.S., U.S.
Touch Me Not
Directors	: Orson Welles, Orson Welles, Roger Vadim, Roger Vadim, Adina Pintilie
Country: U.S., U.S., U.S., U.S., Bulgaria, France, Czech Republic, Germany, Romania
Filmmaker Adina Pintilie's Golden Bear winner is a brave and raw look at bodies, intimacy, and empathy, exploring the private lives and sexual desires of four people with an approach that blurs...	More
Directors	: Orson Welles, Orson Welles, Roger Vadim, Roger Vadim, Adina Pintilie, Adina Pintilie
Country: U.S., U.S., U.S., U.S., Bulgaria, France, Czech Republic, Germany, Romania, Bulgaria, France, Czech Republic, Germany, Romania
A Touch of Sin
Directors	: Orson Welles, Orson Welles, Roger Vadim, Roger Vadim, Adina Pintilie, Adina Pintilie, Jia Zhangke
Country: U.S., U.S., U.S., U.S., Bulgaria, France, Czech Republic, Germany, Romania, Bulgaria, France, Czech Republic, Germany, Romania, China
Written and directed by master Jia Zhangke (The World, Still Life), a man widely regarded as "one of the best and most important directors in the world" (The New Yorker), this reflection on capitalis...	More
Directors	: Orson Welles, Orson Welles, Roger Vadim, Roger Vadim, Adina Pintilie, Adina Pintilie, Jia Zhangke, Jia Zhangke
Country: U.S., U.S., U.S., U.S., Bulgaria, France, Czech Republic, Germany, Romania, Bulgaria, France, Czech Republic, Germany, Romania, China, China
Touch of Death
Directors	: Orson Welles, Orson Welles, Roger Vadim, Roger Vadim, Adina Pintilie, Adina Pintilie, Jia Zhangke, Jia Zhangke, Lucio Fulci
Country: U.S., U.S., U.S., U.S., Bulgaria, France, Czech Republic, Germany, Romania, Bulgaria, France, Czech Republic, Germany, Romania, China, China, Italy
A moody, middle-aged gigolo kills off women after he gets bored with dating them and uses their body parts for trophiesand for consumption.	More
The Amy Fisher Story (Special Unrated Edition) aka Long Island Lolita
Directors	: Orson Welles, Orson Welles, Roger Vadim, Roger Vadim, Adina Pintilie, Adina Pintilie, Jia Zhangke, Jia Zhangke, Lucio Fulci, Andy Tennant
Country: U.S., U.S., U.S., U.S., Bulgaria, France, Czech Republic, Germany, Romania, Bulgaria, France, Czech Republic, Germany, Romania, China, China, Italy, U.S.
On May 19th 1992, 17-year-old high school student Amy Fisher fired a bullet into the head of Mary Jo Buttafuoco, the wife of the bodyshop owner with whom she claimed to have been having a sexual...	More
The Tested
Directors	: Orson Welles, Orson Welles, Roger Vadim, Roger Vadim, Adina Pintilie, Adina Pintilie, Jia Zhangke, Jia Zhangke, Lucio Fulci, Andy Tennant, Russell Costanzo
Country: U.S., U.S., U.S., U.S., Bulgaria, France, Czech Republic, Germany, Romania, Bulgaria, France, Czech Republic, Germany, Romania, China, China, Italy, U.S., U.S.
One year after a plainclothes cop guns down a teenager, the cop, the boy's mother, and his brother are brought together to find closure.	More
DVD $9.99 $6.99
Quai des Orfèvres aka Jenny Lamour
Directors	: Orson Welles, Orson Welles, Roger Vadim, Roger Vadim, Adina Pintilie, Adina Pintilie, Jia Zhangke, Jia Zhangke, Lucio Fulci, Andy Tennant, Russell Costanzo, Henri-Georges Clouzot
Country: U.S., U.S., U.S., U.S., Bulgaria, France, Czech Republic, Germany, Romania, Bulgaria, France, Czech Republic, Germany, Romania, China, China, Italy, U.S., U.S., France
Living in postwar Paris, Marguerite works in a music hall as a singer, performing under the name Jenny Lamour; her husband, Maurice, is a jealous man and very insecure. When an aristocrat invites...	More
Quai Des Orfevres (aka Jenny Lamour)
Directors	: Orson Welles, Orson Welles, Roger Vadim, Roger Vadim, Adina Pintilie, Adina Pintilie, Jia Zhangke, Jia Zhangke, Lucio Fulci, Andy Tennant, Russell Costanzo, Henri-Georges Clouzot, Henri-Georges Clouzot
Country: U.S., U.S., U.S., U.S., Bulgaria, France, Czech Republic, Germany, Romania, Bulgaria, France, Czech Republic, Germany, Romania, China, China, Italy, U.S., U.S., France, France
Mississippi Burning (Special Edition)
Directors	: Orson Welles, Orson Welles, Roger Vadim, Roger Vadim, Adina Pintilie, Adina Pintilie, Jia Zhangke, Jia Zhangke, Lucio Fulci, Andy Tennant, Russell Costanzo, Henri-Georges Clouzot, Henri-Georges Clouzot, Alan Parker
Country: U.S., U.S., U.S., U.S., Bulgaria, France, Czech Republic, Germany, Romania, Bulgaria, France, Czech Republic, Germany, Romania, China, China, Italy, U.S., U.S., France, France, U.S.
Two philosophically opposed FBI agents attempt to overcome their differences and uncover the chilling mystery of a small Ku Klux Klan-ridden community before it tears itself apart.	More
Directors	: Orson Welles, Orson Welles, Roger Vadim, Roger Vadim, Adina Pintilie, Adina Pintilie, Jia Zhangke, Jia Zhangke, Lucio Fulci, Andy Tennant, Russell Costanzo, Henri-Georges Clouzot, Henri-Georges Clouzot, Alan Parker, Alan Parker
Country: U.S., U.S., U.S., U.S., Bulgaria, France, Czech Republic, Germany, Romania, Bulgaria, France, Czech Republic, Germany, Romania, China, China, Italy, U.S., U.S., France, France, U.S., U.S.
Drifting/White Tiger
Directors	: Orson Welles, Orson Welles, Roger Vadim, Roger Vadim, Adina Pintilie, Adina Pintilie, Jia Zhangke, Jia Zhangke, Lucio Fulci, Andy Tennant, Russell Costanzo, Henri-Georges Clouzot, Henri-Georges Clouzot, Alan Parker, Alan Parker, Tod Browning
Country: U.S., U.S., U.S., U.S., Bulgaria, France, Czech Republic, Germany, Romania, Bulgaria, France, Czech Republic, Germany, Romania, China, China, Italy, U.S., U.S., France, France, U.S., U.S., U.S.
Drifting - An opium trafficker is caught between an undercover government agent and a fellow smuggler in a remote Chinese village. White Tiger involves a band of jewel thieves who employ a...	More
Directors	: Orson Welles, Orson Welles, Roger Vadim, Roger Vadim, Adina Pintilie, Adina Pintilie, Jia Zhangke, Jia Zhangke, Lucio Fulci, Andy Tennant, Russell Costanzo, Henri-Georges Clouzot, Henri-Georges Clouzot, Alan Parker, Alan Parker, Tod Browning, Tod Browning
Country: U.S., U.S., U.S., U.S., Bulgaria, France, Czech Republic, Germany, Romania, Bulgaria, France, Czech Republic, Germany, Romania, China, China, Italy, U.S., U.S., France, France, U.S., U.S., U.S., U.S.
Head to' @IndieWire' to watch our new trailer for Dominik Graf's FABIAN: GOING TO THE DOGS, based on the classic Weim…' https://t.co/F5qOLg83za'
RT' @IndieWire': 'Fabian' Trailer: Tom Schilling Stars in a Sensuous, Hedonistic Weimar Epic' https://t.co/bkQtrK90yh'' https://t.co/dsGpDdV2uw'


text:
Q: .NET MAC algorithms and implementing ISO 9797 MAC algorithm 1 I need to implement ISO 9797 MAC algorithm 1 in .NET. Before writing the code I want to understand the concepts so that there's no misunderstandings (thus pardon me if some of the questions are just "is that correct").
Firsty, in Wikipedia page it is said that:

Algorithm 1 is commonly known as CBC-MAC

Question 1: My reference mentions MAC algorithms at two points - in one place it mentions it as ISO 9797 MAC algorithm 1 (DES) and in the other it mentions CBC-MAC (AES). From what I understand these should be the same CBC-MAC, one with DES and the other with AES, is that right? Are the terms just interchangeably used in my reference?
Question 2: Is it correct that CBC-MAC works the same as CBC mode of operation? From what I see the algorithms are identical - you take an input, you XOR it and then encrypt it with key and so on.
Question 3: If I use DES and my above reasoning is correct, is this the same as ANSI X9.9? My reference is not very clear on this one, but this is what I gathered after looking at it.

A: Q1: Yes, those should be the same. That also means that for DES only single DES is used to protect the MAC. This is insecure due to the key size used.
Q2: Yes, that's why it is called CBC-MAC, the difference is that the output consists of the only the last "ciphertext" block or part of the last block. This in turn means that combining this with a cipher mode that is using the same key is insecure, and that the MAC is vulnerable if dynamically sized messages are used. Beware that CBC-MAC generally uses bit padding or ISO padding (a byte valued 0x80 followed by 0-7 bytes valued 0x00 for DES), not PKCS#5 or PKCS#7 padding.
Q3: ANSI X9.9 seems to describe CBC-MAC where the output size is only 4 bytes. A description and picture can be found here.

For AES a better mode of MAC has been written to allow dynamically sized messages called AES-CMAC or OMAC. It consists of an initial and final calculation, while using standard CBC-MAC in the middle.

redpajama_set_name: RedPajamaStackExchange


text:
Chat-a-Whyle Family Restaurant
Grab-n-Go
Bath Traditions
World famous sticky buns!
View Weekly Specials
In a hurry? Check out our Grab-n-Go options!
View Grab-n-Go Menu
Fish Fry Friday!
10oz fresh haddock every Friday
"Before it became the Chat-a-Whyle, it was the Jenkins's Tea Room operated by Mr. and Mrs. Jenkins, and their two daughters, Martha and Viola. Located at 28 Liberty Street, it was a high-class restaurant with cloth table cloths and napkins and silver-plated dinnerware. Sometime during the 1930's, the name was changed to the Chat A Wyle Tea Room.
In June 1941, it was purchased by Floyd "Popeye" Margeson and his wife, Liz. Their two children, Phyliss and Robert Margeson, also worked at the restaurant. In the beginning, it was open 24 hours a day in order to take advantage of the movie theater evening trade, the railroad travelers between destinations, as well as, local patrons. The Chat A Wyle featured homemade baked goods, and soon became a popular place to eat. During the War, Popeye was drafted into service, and Liz ran the restaurant with the help of her two children. It was difficult because of rationing, but local farmers helped out. It was during that time that the daily hours were changed to conform to usual working hours.
When Floyd came back from the War, he had an idea about "sticky buns," and Liz promptly started working on a recipe. The recipe for the "sticky buns" was never written down. It did require the right "touch," however. Henry Dormann, well known Manhattan publisher and magazine editor, mentioned the Chat A Wyle in his 1976 book about the best food and lodging in the world. He said that the Chat A Wyle had the most delicious "sticky buns," made daily and served warm. This endorsement brought famous people to the restaurant, such as movie actor Claude Akins and movie actress Hedy Lamar.
The business was expanded in the 1970's by the purchase of the adjacent building at 30 Liberty Street, and the opening of a coffee shop, the Chat & Dunk. It was an instant success. Sometime in the 1980's, the "h" was added to the name of the Chat A Whyle. This was due to an error in a municipal calendar. The error continued and was eventually adopted.
Although Popeye died in 1982 and son Robert died in 1985, Liz and grandson, Robert Margeson, kept the business going for another 10 years. In November 1993 John and Joyce Loza bought the business.
On May 23, 1995, a devastating fire gutted the structures from 26 to 32 Liberty Street, including the Chat A Whyle Restaurant, Chat & Dunk Coffee Shop, and Downtowne Hair Salon. Also, an adjoining building, housing 24 Liberty Street Real Estate, suffered extensive damage.
The structure at 24 Liberty Street was remodeled and the Downtowne Hair Salon moved to a location across Liberty Street. The Chat A Whyle was rebuilt to become our current venue and reopened in March of 1996."*
In June of 2018, Michael and Anne Romano purchased the business and are continuing the traditions made famous by the Margesons.
Michael is a USN veteran and graduate of the USN Nuclear Propulsion program, a lifelong native of Bath and an outdoor enthusiast. After graduating from Haverling, Anne earned a B.A. in Music with a minor in business from SUNY Geneseo. In addition to her work in accounting, Anne also directs the Senior Choir at the First Presbyterian Church of Bath. They are committed to continuing the homestyle recipes and traditions our community has grown to love. They look forward to creating new traditions, and including their two boys in the business, although their boys have many years to go before they can flip a Big Chat on the char-grill!
"Welcome to the Chat-a-Whyle. Sit - Eat - Relax, and chat a whyle."
*Credited to Historical Foundation of Bath, N.Y., Inc
28 Liberty St
Mon - Sun: 5:30 am - 7:30 pm
Bath, NY28 Liberty St Bath, NY 14810(607) 776-8040


CROWN BUILDERS & DEVELOPMENT, INC.
GEORGIA SPORTING & HUNTING DOG ASSO. INC.
WHEELER HIGH SCHOOL ACADEMIC BOOSTER CLUB, INC.
ATLANTA ALLSTARS MANAGEMENT GROUP, INC.
BOYKIN TEAM REAL ESTATE, INC.
Spalding Park Place Homeowners Association, Inc.
JOHNSON FERRY CHIROPRACTIC CENTER, P.C.
NU MELLENIUM REALTY SERVICES, INC.
PRO-SCAPES LAWN & LANDSCAPE, LLC.
ANAEDO PROJECT CARE, USA/AFRICA INC.


text:
As sea levels continue to rise, many coastal U.S. cities will see an increasing number of days each year that streets flood during high tides, according to the U.S. National Oceanographic and Atmospheric Administration. For many parts of the country, particularly along the U.S. East Coast, that increase has already ramped up over the last two decades.
From 2000 to 2019, these "sunny-day...
07/15/2019 - 13:01 Climate
Divers monitoring coral reefs off St. Thomas in the U.S. Virgin Islands in January noticed something alarming: Big white lesions were eating into the colorful tissues of hundreds of stony corals. Some corals were dead by the next day — only their stark white skeletons remained. Others languished for up to two weeks. Within four months, more than half of the reef suffered the same demise.
07/09/2019 - 06:00 Oceans, Ecosystems, Climate
Climate change made it five times more likely that Europe would experience a powerful heat wave like the one that baked the region in June, an international team of scientists reports.
The findings, released July 2 by the World Weather Attribution Network, tackle the tricky question of how the heat wave might have been linked to global warming (SN Online: 6/2/19). The extreme weather...
A new study shows just how hard it may be to limit global warming to 1.5 degrees Celsius over preindustrial times.
The world's existing power plants, industrial equipment, vehicles and other CO₂-emitters are on track to pump out enough carbon dioxide to blow past that target by midcentury, researchers report July 1 in Nature. Add in future power plants that are already planned,...
Is climate change causing Europe's intense heat? A scientist weighs in
Mainland Europe has sweltered for days under record-breaking temperatures, prompting researchers to try to untangle how much of the heat wave can be linked to climate change. A report on that, by an international consortium of scientists called the World Weather Attribution Network, is expected to be released on July 2.
Previous heat records for many parts of Europe were set in the...
Cold War–era spy satellite images show Himalayan glaciers are melting fast
Declassified Cold War–era spy satellite film shows that the melting of hundreds of Himalayan glaciers has sped up in recent decades.
An analysis of 650 of the largest glaciers in the mountain range revealed that the total ice mass in 2000 was 87 percent of the 1975 mass. By 2016, the total ice mass had shrunk to only 72 percent of the 1975 total. The data show that the glaciers are...
The National Weather Service has launched its new U.S. forecasting model
The National Weather Service has launched a powerful new weather forecasting model, just in time for the U.S. Atlantic hurricane season. But some meteorologists worry that, even after years of testing, the model is still not ready for prime time.
Over the last year, the weather service has been testing the upgraded tool, using it to do retrospective forecasts of three hurricane seasons...
Limiting global warming to 1.5 degrees C could prevent thousands of deaths in the U.S.
Having the world meet a more stringent goal to limit global warming may prevent thousands of heat-related deaths in 15 major U.S. cities, a study shows. The projections illustrate the high risk from climate change faced by urban populations.
Under the Paris Agreement, participating countries have pledged to curb greenhouse gas emissions with the aim of limiting warming to no more than 2...
06/05/2019 - 14:00 Health, Climate
The Smithsonian's 'Deep Time' exhibit gives dinosaurs new life
After five years, the Smithsonian National Museum of Natural History in Washington, D.C., is finally reopening its dinosaur hall on June 8. Visitors may come for fan favorites like Tyrannosaurus rex and Stegosaurus — and these fossils are gorgeously presented. But the new, permanent exhibition, the "David H. Koch Hall of Fossils — Deep Time," has a much grander story to tell about the history...
06/04/2019 - 12:17 Science & Society, Paleontology, Climate


When recently asked by the Nelson Daily News to contribute a weekly column I was initially concerned that there would not be enough to write about. That notion lasted about three hours until I had considered a seemingly endless supply of topics. So now where to begin. A column about real estate should start with the obvious. " Owning a Home - the Investment of a Lifetime."
If you expect to become wealthy from bank savings, dream on. The effects of inflation and income tax sabotages any potential real growth in the common savings account. Real estate, on the other hand, provides a good opportunity to accumulate wealth for the future. Almost everything else you buy today - automobiles, appliances, furniture - starts to depreciate once you buy it. But real estate has historically outperformed the rate of inflation.
Sure, during bad economic times, house prices may fluctuate, but most well-located properties will appreciate in value over the long term. And even though the house you find today may seem to have an outlandish price tag, the cost will likely be much higher in the future. You've heard it before: "I could have bought this house 10 years ago for half what it costs now." Where investment in real estate is concerned, it is never too late.
For most people, owning their own home is the single biggest investment of their lifetime. For many retirees, a paid-off home can mean a comfortable retirement. In Canada 63 per cent of all households own their own home according to the 1991 Canada Census. And with today's low mortgage rates, more and more home buyers are seizing the opportunity to enter the housing market.
For starters, owning your own home is a sound investment. Your property will most likely increase in value and you will be able to sell it for a profit. Your equity (the cash difference between the market value of your home and the amount you still owe on your mortgage) will grow as the value of your home grows thus making owning a home a steady and secure investment for you.
The surge in prices in North American real estate has been phenomenal. Inflation is not the only factor that has accounted for these increases. Other factors include the growing population, which requires housing and the limited supply of land, which results in an increase in the cost of land.
I don't mean to dwell on the past but I would gladly repay the person that bought my Granny's house on Stanley Street the $14,000 they paid in 1973.
A great time to buy a home is prior to or in the early stages of a housing boom since new home construction costs go up at these times and drive the prices of existing houses upwards.
Furthermore, in real estate, not only do you profit from your own savings but also from the borrowed money of others. Without leverage (the use of financing to allow a small amount of cash to purchase a large property investment), it is difficult to earn a reasonable return on your investment (not that many people can afford to buy a home today without the assistance of borrowed money).
For example, suppose you purchased a $100,000 house (hard to find but great as an example) with a 10 per cent down payment using 90% leverage ($90,000), and one year later, the value of the house increased by 10% to $110,000. Because it appreciated $10,000 and the investment was $10,000 the return on investment is 100%. On the other hand, if you purchased the same house for $100,000 cash, the return on the investment would only be 10%. Therefore, getting as much leverage as you can when purchasing real estate offers you a much greater yield on invested dollars.
Finally, there is also the pride of owning your own home which can give you and your family a feeling of security. Owning your own home offers you more privacy, usually more living space, and more flexibility to make alterations to the house and grounds.


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HomeMargot Robbie's Net Worth Reflects Her Impressive Career
Margot Robbie's Net Worth Reflects Her Impressive Career
By Meenal Mehta
Margot Robbie is undoubtedly one of the finest actresses in Hollywood. Apart from this, she is also a producer. Over the years, she is most noted for her work in both blockbuster and independent films.
Throughout the course of her acting career, Robbie has starred in several movies such as The Wolf of Wall Street, The Legend of Tarzan, About Time, Suicide Squad, Birds of Prey, Once Upon a Time in Hollywood, I, Tonya, Mary Queen of Scots, Bombshell, Promising Young Woman, and The Suicide Squad.
In addition to this, Robbie has also been a part of a few TV shows. She has played the role of Imelda in the television series Dollface (2019–2022). Besides this, she served as the producer of the miniseries Maid (2021).
We know all of you are keen to know more about the life of Margot Robbie including her net worth. Continue reading further to catch deep insights into the personal and professional life of the Hollywood actress.
What is the net worth of Margot Robbie?
As per a report by Celebrity Net Worth, the estimated net worth of the Australian actress Margot Robbie is a staggering $26 million. According to Variety, Robbie received $12.5 million, the same amount that her co-star, Ryan Gosling, got for their forthcoming movie Barbie.
For those of you who are unaware, let us tell you, Barbie is an upcoming romantic fantasy comedy film directed by Greta Gerwig and written by Gerwig and Noah Baumbach. The movie is based on the Barbie fashion dolls by Mattel.
Who stars in the upcoming movie 'Barbie'?
Along with Margot and Ryan, the movie also stars Will Ferrell, Simu Liu, America Ferrera, Ariana Greenblatt, Ncuti Gatwa, Emma Mackey, Alexandra Shipp, Michael Cera, Issa Rae, Kingsley Ben-Adir, Rhea Perlman, and Kate McKinnon in pivotal roles.
The forthcoming movie Barbie is set to be released in the United States and United Kingdom on July 21, 2023, by Warner Bros. Pictures. The fans are already very excited about the movie.
A little bit about Margot Robbie's personal life
Margot Robbie is a happily married woman. She tied the knot with her filmmaker husband Tom Ackerley in the year 2016. The two of them walked down the aisle in December 2016 in Australia.
Margot's husband Tom hails from the United Kingdom and he is very well-versed with the entertainment industry as he is a filmmaker himself. In the past, he has worked as an assistant director and producer on films such as The Brothers Grimsby and 2015's Macbeth.
Prior to that, Ackerley was a crew member for movies including Tinker Tailor Soldier Spy, Rush, and War Horse. In the year 2014, he and Margot started their own production company called LuckyChap Entertainment and produced projects like I, Tonya, Hulu's show Dollface, and Promising Young Woman.
Did you get shocked after learning the net worth of the Hollywood actress Margot Robbie? Kindly let us know your thoughts in the comments section below. Don't forget to stay tuned with us for the latest updates from the world of showbiz.
Meenal Mehta
Hi, I am Meenal. I'm a travel enthusiast, a movie buff and a cricket fan all wrapped in one. I love to capture moments through my words. Writing is my happy space, it has been a great way of putting all my thoughts out and feel liberated.
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Q: how to setup email functionality in azure environment Hi can any1 tell me how to implement email functionality in azure without using sendgrid or any other 3rd party all. Can we have service bus to connect azure and exchange server to send emails.is it possible.or do we have exchange server web services to be accesses in azure and sends
 email

A: The problem is not about having to use a third party, it is about the security and firewall implications — particularly with corporate security overlords. An exchange server can have outgoing smtp (even with username and password) enabled, and it is easy for any application (including those running on Azure) to send outgoing SMTP. The problem that you will invariably run into is that the perimeter security around the exchange server will not allow smtp from a public ip address (hackers frequently scan for open port 25, so that they can relay spam through unsuspecting mail servers). Windows Azure (roles and websites) cannot use a fixed (outgoing) ip, so firewall rules cannot be created.
Your options are:

*

*Setup a VPN with your corporate network, so your Azure instance will send from a private IP address.

*Run a mail relay service on an Azure VM. The VM can have an infinite lease on an IP address, so won't change (much). There are simple and cheap mail transfer agent services that run on Linux.

*Use any 'ol smtp server. If you're not sending much out, you could use Google or even outlook.com. Outlook.com allows you to configure accounts that are hosted elsewhere, so you should be able to use smtp with your windows live id (Microsoft account).

I would avoid writing complicated code and services that use something like service bus. System.Net.Mail should be used to send to an smtp server.

A: One thing I've seen done in the past was to have the Windows Azure app put a message on a queue, along with optionally some larger data (attachments, large body text, etc.) in a blob.  That gets the data stored in Windows Azure storage.  From there, an on-premises app (e.g. Windows Service) could pull the queue and blob data, construct an email message, and send it to the on-premises Exchange server.
If you need everything to be cloud-hosted, then I would think you should be able to connect your Windows Azure apps to an Exchange web service endpoint (assuming you can properly secure that and make the web service connection).


Recently I began to notice my (cheap and cheerful Argos) wardrobe was becoming a little crowded, unorganised, and just dull looking, and I decided it was time to sort things out - making mental notes as I went along of things I could compile into a post on how to keep your wardrobe looking fresh. Hold your horses, it's a lengthy one.
For some, this might be the most boring and time-consuming step, but for me, I think it really is what gets you motivated for the whole organising process. Now, clear up some floor space, and empty your entire wardrobe, Everything. All the hangers, the clothes, the folded (read: screwed) clothing at the bottom, get them out.
For the hoarders among us, this might be a difficult step, but it basically consists of three piles: Keep, Unsure, and Get Rid. Go through all the clothing you just emptied, and place the things you definitely want to keep (so you can't imagine a life without these pieces, or you wear them all the time) into the 'keep' pile. For the unsure, put the ones you are sitting on the fence about, and we'll revisit them soon.
As for the 'get rid' pile, basically this is a stack of clothes that either don't fit, gather dust at the back of your wardrobe, or just don't fit your style anymore. This can be distributed among younger siblings, charity shops, or friends. You'll be surprised with how much space you'll free up during this step. Now, for the 'unsure', go through again and really think about how often you wear the items, then you will probably end up disposing a few more. A little tip I got from ViviannaDoesMakeup was to put the ones you are still unsure about out of reach, then if you forgot about them for months, they can go, and if you found yourself relocating the hidden pile for a certain item - keep it.
This step might require some DIY, but trust me when I say it's worth it. I actually recruited my dad and his toolbox and together we inserted another rail onto my wardrobe. It was placed near the bottom so I could hang skirts, shorts and jeans/trousers on it - leaving enough room for jackets, dresses and tops on the first original hanger. I also put my hats, scarves (in the patterned hat box), and most worn shoes on top of my wardrobe to free up some more space.
Here's the part that I enjoyed quite a bit. Basically, this is where you put everything you just got out the wardrobe and decided you should keep, back in your wardrobe. I went for a black to white organisation, with the coloured items being placed on the end (there wasn't as many of those being a monochrome lover). On the bottom rail, I went from skirts, to shorts, then to jeans and trousers.
I imagine that this'll be the most loved step of them all, as it involves looking through your newly organised stash of clothes and deciding which items you are lacking in your collection. Make a note of them, and then set some money aside and go and treat yourself to those items. I noticed that I am missing jumpers (which I'll definitely be getting as the weather changes), some flat boots, a coat, and some ripped jeans, as well as noticing I am lacking dramatically in the jewellery department.
So, although a lengthy post, I hope I've inspired you to get organised and as the seasons change, what better time to give your wardrobe some loving.


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The Lost History of Early Muslim Americans
Islam in America is clearly nothing new.
Portrait of Ayuba Suleiman Diallo, called Job ben Solomon (1701-1773) in African dress, with the Qu'ran around his neck
November 8, 2016 April 26, 2019
Islam can seem like a newcomer to the religious landscape of the country. Today uttering "Muslim American" conjures images of recent immigrants from the Middle East. But, as Michael A. Gomez explained in a 1994 paper, Muslims have been a part of the country since the colonial era, when the first Muslim Americans were brought from Western Africa as slaves.
Gomez writes that, since the sixteenth century, several of the areas targeted by slave traffickers had a significant Muslim population. He offers evidence from African history to suggest that a significant minority of those captured by the transatlantic slave trade were Muslim. The victimization of Muslims by slavers contributed to the start of Islamic revolution in Futa Toro, on the Senegal River, in the 1760s.
One way to trace Islam among slaves in North America is through advertisements for runaway slaves. In South Carolina, Georgia, and Louisiana, such ads regularly included versions of Muslim names, like Bullaly, Mustapha, Sambo, and Bocarrey. Gomez writes that this may have reflected the fact that these were rice-producing areas where slave owners sought out Africans with experience growing rice, who typically came from more heavily Muslim areas.
Some Muslims may also have gone undercover.
Little about the lives of most Muslim-American slaves—or most slaves in general—was recorded. But Gomez draws from stories of a few prominent individuals to investigate the influence of Islam in eighteenth- and nineteenth-century America. For example, one man, Salih Bilali, who arrived in North America in 1800 and eventually became the manager of a Georgia plantation, wore a fez and kaftan, prayed daily, and observed Muslim feast days. Some white observers also wrote of less prominent slaves speaking and writing Arabic, praying in the Islamic manner, and giving Muslim names to their children.
A number of former slaves and children of slaves from coastal Georgia interviewed by the Works Progress Administration (WPA) in the 1930s confirmed that their families had observed Islamic religious practices. They described their family members and friends observing Friday prayers, veiling, using prayer beads, and avoiding foods forbidden by their religion.
Gomez writes that the practice of Islam among slaves in America seems to have declined in the years before the Civil War. By the start of the nineteenth century, the slave trade was bringing fewer Africans from heavily Muslim areas. Meanwhile, the instability of life under slavery made it hard to maintain traditions or pass them down through the generations.
Some Muslims may also have gone undercover. Looking at the WPA interviews, Gomez notes that some of the subjects seemed reluctant to speak clearly about their own religions. "If they were practicing Muslims, they certainly would not have volunteered such information to whites in the rural South of the 1930s," he writes. Gomez suggests that the continuing legacy of Muslim slaves may even have influenced Nation of Islam founder Elijah Muhammad.
Whether or not that's true, Islam in America is clearly nothing new.
Islammuslimsslave tradeThe Journal of Southern History
Muslims in Early America
By: Michael A. Gomez
The Journal of Southern History, Vol. 60, No. 4 (Nov., 1994), pp. 671-710
Southern Historical Association
Drinking the Kool-Aid at Jonestown
Did you drink the Kool-Aid? The phrase has become such a part of the vocabulary that for many its origins have been obscured.
Social media has made constant exposure a common experience. To learn how to deal with the attention, maybe we should look to the first celebrities.
Men Suffer about 70 Percent of Fireworks Injuries
And other 4th of July facts.
Smells Like Divine Spirit
The 4th century was a turning point for the role of scent in the Christian church.
A Century After They First Appeared, Electric Boats Are Making a Comeback
In the late 1800s, electric boats were a promising new technology. They are now enjoying a revival.


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Home / Entertainment / A Young Sicilian's Start in Filmmaking at Boston University
A Young Sicilian's Start in Filmmaking at Boston University
Posted by: Nicola Orichuia in Entertainment, Entertainment Profiles March 1, 2011	Comments Off on A Young Sicilian's Start in Filmmaking at Boston University
Nigro Famulari (right) with fellow BU students walking in Siracusa.
When Pietro Nigro Famulari came to Boston in 2008, he had just begun developing a passion for filmmaking. Two years later, he was receiving an award at the Redstone Film Festival at Boston University and trying to make it in Hollywood.
"I owe so much to my experience in Boston," says Nigro Famulari, a native of Siracusa, Sicily. Before coming to study for a master of fine arts degree at Boston University's College of Communication, the young Italian director had never been to the United States, nor had he experimented in serious filmmaking.
Pietro Nigro Famulari (right) and crew filming in Siracusa, Sicily
"The experience gave me a lot of confidence and has transformed me into a director, a filmmaker." As proof of his talent, the young director can now boast the second-place prize at BU's annual Redstone Film Festival, which awards its students' best film and documentary projects. "It's a great opportunity," says Nigro Famulari, "because thanks to this award, my film will be shown in New York on March 16 and Los Angeles on March 31."
The 17-minute short film Nigro Famulari presented to the festival is Your way home, a thesis project he had been working on for over a year. The film is a day in the life of a young 11-year-old boy in Siracusa who is about to be transferred to yet another foster home. The film's goal, he says, is to spotlight the problem of adoption and foster homes once children get older. "One of my best friends in Siracusa is adopted, and I have always felt compelled to tell the story of adopted children."
The crew and young actor Mirko di Mauro (front) taking a break.
The project was entirely filmed in Siracusa, with the help of fellow students Trevor K. Taylor, Andrea Rosas Ferro, Dimitri Kouri, Stephen Ohl, Jeffrey Stallman and Kathy Lee. "I strongly wanted for Pietro to film in Sicily," says BU Professor Mary Jane Doherty, who followed and guided Nigro Famulari through the entire thesis project. "For me it's more than just showcasing a place. Location is one of the most important ingredients in filmmaking. The place produces the story."
Indeed, Your way home's central location is an extraordinary little beach corner nearby Siracusa that Nigro Famulari and his friends had discovered not too long ago. "The place is known as Plemmirio," he says. "It is a beautiful space, but when we got there to start filming, we had to clean up quite a bit of trash." Spurred by the sudden attention to the place, Legambiente (Italy's largest environmental group) moved in after the filming and took matters into its own hands. "I guess some good came out of it," he says.
In all, the filming in Siracusa took ten days, and Nigro Famulari's American colleagues stayed in Sicily for three weeks, helping him with the casting process. "I went to a local school to select the main protagonist," he recalls. In the end, the choice fell on Mirko Di Mauro, 11 at the time, who showed a natural inclination to acting.
Once the filming was done, Nigro Famulari and his colleagues headed back to Boston, where all the editing and producing took place. "I was on a very tight schedule," Nigro Famulari recalls. "I had to leave in August for my last semester of school, with a few internships in Los Angeles. So we got a first version done by the end of summer, although the definitive one was done in December, when I came back to Boston to put the finishing touches on it and submit it to the Redstone Film Festival."
"I was very proud of Pietro," says Professor Doherty. "He is one of the few students that has been able to stay on track with his timetable and is also one of the few that I've seen really understanding the poetry that goes into making short films." Doherty has been teaching at BU for 21 years.
Now Pietro has completed his degree and has moved out west to Los Angeles, where he hopes to start a career as a director. "I would have stayed in Boston because I liked it so much, but filming opportunities are not as many as out here," he says. "I like it in Los Angeles, but I'm starting to think I will one day want to go back to Sicily and make a difference there."
Boston University film Pietro Nigro Famulari Your way home	2011-03-01
+Nicola Orichuia
Tagged with: Boston University film Pietro Nigro Famulari Your way home
About Nicola Orichuia
Nicola is an Italian journalist and media enthusiast living in the United States. He keeps an eye on the Italian-American communities across the country and is always looking for positive stories to highlight.
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MOVIE REVIEW: FTN reviews Clerks III
Clerks III (15)
Starring: Brian O'Halloran, Jeff Anderson & Trevor Fehrman
Directed by: Kevin Smith
Running time: 1hr 55mins
Dante, Elias, and Jay and Silent Bob are enlisted by Randal after a heart attack to make a movie about the convenience store that started it all.
Oh, man, oh, man, oh, man.
So, before I start, I feel I should make my relationship with Kevin Smith, and Clerks in general, clear so what follows doesn't seem like I'm hating just for the sake of it.
When I was at university, myself, my now wife and a bunch of mates sat down and watched Mallrats and Clerks for the first time and, while at the time, I enjoyed Mallrats more, I soon became enamored with Clerks and, in general, the work of Kevin Smith.
Smith and his characters spoke to me in a way that so few others did. I was already a big movie fan at the time but I saw myself and the people I knew and loved in Smith's work and none more so than in Dante and Randal (O'Halloran and Anderson), two characters who felt familiar to me in a way that was above personal, they felt like they were my id and my ego both realised. I also looked a lot like Smith at that time – for better or worse – but we'll not get into that.
As Smith Developed as a film-maker, I was there for it all… Chasing Amy is still one of my favourite movies and while I felt it was overblown at the time, I enjoyed Dogma too and still revisit it from time-to-time.
On my honeymoon we visited New Jersey and made our way to Smith's comic shop, The Secret Stash, and I've seen the man several times live.
But it got bumpy after that; Jay and Silent Bob Stike Back was terrible, no matter how much I tried to like it but it felt like a blip because I liked Jersey Girl – I might be alone in that – and I really liked Clerks II and the reuniting of Dante and Randal, this time introducing Rosario Dawson's Becka, who I loved right away.
After that, with the exception of Red State – I respected Smith's attempt at something new and it was fairly serviceable and felt like he was developing as a film-maker (sadly, he wasn't) – everything he made after this was, well, terrible.
But despite all that, I was excited for Clerks III and when the trailer (below) hit a while back, I felt that he was back and that this could be his best movie yet… the trailer made me feel nostalgic and emotional, once again identifying with Dante and Randal in a way few characters allowed me to and seeing myself in their plight as middle-age took its toal.
Sadly, whoever cut the trailer made a better Clerks III movie than Smith did.
Clerks III is written to reflect Smith's own dance with death when he almost died of a heart attack in 2018 (didn't he already do that with Jay and Silent Bob Get Rebooted *shudder*?) and the movie sees Randal almost die from a heart attack and decide that he needs to do something with his life, something that leaves a legacy, so he sets about making a film that will – oh, meta! – be Clerks. See? Clever.
That's where the smart ends, sadly.
Clerks III is a cartoon of a movie; gone is any semblance of reality that Clerks had and Clerks II mostly had; the characters are now cheap imitations of those Smith created with Fehrman's Elias, in particular, taking the brunt of the awful with his character arc and wardrobe changes being so jarringly over-the-top that it distracts from anything else happening in the movie – Smith, perhaps going through a crisis of faith of his own here (he's a devout Catholic and he's death with his faith in his movies before) takes Elias' character and basically makes him, well, I don't have a word for what Elias is here but it's beyond awful.
Dante and Randal too, who were given a perfect happy ending in Clerks II, are brought back to where they were as if the first sequel never happened – the duo, now in their forties, are back lamenting their lives and existences just as they were in the first movie, only here it's jarringly bad.
The movie opens with Dante opening the store, as it should, and immediately after that a decision was made to throw in a baffling story point that immediately had me scratching my head, one I can't get into here but when you see it, you'll know; and it happened so fast that I actually asked my wife if I saw what I thought I saw… and I did.
After that, barely a scene or character lands.
It's crushingly devoid of humour, with Smith's usually funny dialog missing almost every mark – I was an hour in before I smiled for the first time. The performances here too – and I know that few of these performers are professional and the other movies have terrible performances too – are unbelievably bad with Rosario Dawson's precious few scenes with Dante, who she crackled with in Clerks II, doing nothing but showing up how poor O'Halloran's performance is; it's painful to watch in places.
The precious few fun moments in the movie are cheats because they're quite literally lifted from the previous two movies as Randal tries to make HIS movie; remember the cat on the counter in Clerks? Here it is again and we have the actor back! Remember the jock who made Dante look bad? He's back! And, to make things worse, it actually made me feel sad in parts because, well, they're all so old now… and many haven't aged gracefully. I know this is a personal thing but it irked me.
Then, unbelievably, in one scene Silent Bob, played by Smith, gives a monolog about the art of the director and, while I know (hope) this was tongue-in-cheek, in a movie so devoid of artist merit, it felt ironic to see Smith himself deliver it.
In one other scene, Randal has a go at Luke Skywalker's character in The Last Jedi and, without getting into spoilers, Smith does a 'Luke' on the audience in an attempt to subvert our expectations and it's a ballsy move that leads to some of the movie's most emotional moments, moments that should stay with us, especially for someone like myself who was there in 1996, watching Clerks for the first time, but it doesn't. And it's Smith's fault because it doesn't feel earned, not just here but over the trilogy (animated series, game and comics, I guess) and, unforgivably, immediately after this big emotional moment, Smith plays it for laughs.
Look, I know I'm coming off hard on this one and I know that Smith isn't the world's greatest film-maker and, in fairness to him, I've heard him say it himself many times but one of the things that made his movies special was that he wrote what he knew and who he knew but even that seems to have abandoned him now. I like Smith and I hope he continues to make movies but I fear that this movie is the final nail in the coffin of my particular journey with him.
I normally like to say that I'm not angry, I'm just disappointed well, this one actually left me angry. And very disappointed.
1 out of 5 Nerds.
Tags: clerks, CLERKS 3, clerks III, kevin smith


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Sacred Journey
How you can participate
Follow Bishop Logan
Wayne's Diary
Day 2 - Day of the Dance
One of the joys of being with Bishop on the SJ is the occurrences that pop up unexpectedly, bringing joy and pleasure with them.
So it was last evening when we received an invitation to a surprise birthday party for Deborah Murray. Her partner, Craig had invited several of her friends and asked us to keep Deborah busy until the guests had accumulated, and so we did as she walked with us all day.
As the evening unfolded, Craig and their son Clifton, a member of the Tenors, joined in singing "The Dance," made famous by Garth Brooks. The key message of the song lies in the line "I could have missed the pain, but I'd have had to miss the dance."
As I reflected on the message, I thought it a metaphor for the SJ; we could have avoided the agony of sore feet and aching muscles but in so doing we would have missed the joy of the experience of meeting so many wonderful folks?
And so we danced. All day long today, we danced.
Chief George of the Kwakiutl First Nation had told us yesterday that he had prayed for good weather. We woke this morning to a glorious day and the rain held off for the entire day--a perfect day for walking.
Rev Alastair Hunting of St Columba in Pt Hardy, joined us early in the day, Deborah and Clifton later and Rev Lincoln McKoewn at the turnoff to Fort Rupert, where we were also met by Chief Hunt's family for the walk into the home of the Kwakiutl.
At the medical centre in town, we were met by Chief Hunt and his wife, Mary, and a number of elders and band members for a very nice lunch.
As we ate, Chief Calvin Hunt drummed and sang a Kwakiutl song, written for the sacred canoe journey of his people, which seemed particularly appropriate to the SJ. Chief Hunt was joined in singing by John Jacobson, a master carver. Responding to a request from those gathered, Clifton Murray sang Hallelujah and we danced.
The joining of voices from the chief and a very talented descendant of the settler community, and the reaction to both, reinforced the objective of the SJ and illustrating what can be done when relationships are transformed and strengthened. What a joyful result, and we danced some more.
After lunch, conversation and emotional goodbyes, the walking team, now down to three, set off back to the highway and tomorrow's starting point. We asked Chief George to continue to pray for us and left knowing that he would do so.
The day of the dance, a day where we once again thanked God for the many blessings bestowed on the SJ. Blessings to all God's people.
Deborah murray
The sun shone we walked and danced and sang and prayed. Now moving forward with new hearts and minds. Open our hearts open our minds with reconciliation and new understanding.
Life is in the moments we take, hold and value with each other. These sound like great ones.
Wayne Stewart
lives in Calgary, Alberta where he is an active member of the Anglican Diocese of Calgary. Wayne is spending the winter in Victoria generously donating his full-time efforts to organizing all aspects of the Sacred Journey. He is also Bishop Logan McMenamie's walking companion on the two-and-a-half week journey from Alert Bay to Mill Bay and, as he likes to tease, the bishop's bait while they walk along the less populated stretches of the route.
Interact with us!