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Ticehurst Care Home With Nursing
Ticehurst Care Home With Nursing Good
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Inspection carried out on 22 August 2019
During a routine inspection
Ticehurst is a residential care home providing nursing and personal care for 81 people at the time of inspection who may be living with dementia.
Ticehurst accommodates up to 86 people in one purpose built building that is divided into two wings, one for nursing care and one for residential care.
People's experience of using this service and what we found
The provider had systems and processes in place to manage medicines safely and protect people from the risk of abuse. Infection control measures were in place to minimise the risk of infection. The provider acted on or learnt from incidents, such as an incident highlighting the need for pre- admission assessments to be more detailed.
People were supported to have maximum choice and control of their lives and staff supported them in the least restrictive way possible and in their best interests; the policies and systems in the service supported this practice.
Care workers had developed caring relationships with people they supported. Staff respected people's dignity and privacy and promoted their independence.
People's care and support met their needs and reflected their preferences.
Management processes were in place to monitor and improve the quality of the service. There was a positive and open culture. The management team sought feedback from people, relatives and staff. Feedback was positive across all areas.
Rating at last inspection
The last rating for this service was good (published 17 February 2017).
Why we inspected
This was a planned inspection based on the previous rating.
We will continue to monitor information we receive about the service until we return to visit as per our re-inspection programme. If we receive any concerning information we may inspect sooner.
Inspection report published 25 September 2019 PDF | 72.61 KB (opens in a new tab)
Inspection carried out on 11 January 2017
'Ticehurst Care Home With Nursing' is a nursing home operated by Hampshire County Council. It is registered to provide accommodation for up to 86 people, including people living with a cognitive impairment. The home is split into two interconnected parts; a nursing unit and a residential unit each spread over two floors. At the time of the inspection 36 people were being accommodated in the residential unit and 41 people in the nursing unit. Six of the people in the nursing unit were using 'discharge to assess' beds funded by the Clinical Commissioning Group (CCG) to support their rehabilitation following discharge from hospital.
The inspection was conducted on 11 and 12 January 2016 and was unannounced. There was a registered manager in place. A registered manager is a person who has registered with the Care Quality Commission to manage the service. Like registered providers, they are 'registered persons'. Registered persons have legal responsibility for meeting the requirements in the Health and Social Care Act 2008 and associated Regulations about how the service is run.
People felt safe and felt able to raise concerns. Staff understood their safeguarding responsibilities and knew how to prevent, identify and report abuse. People were protected from individual risks in a way that supported their independence and environmental risks were managed effectively.
People were supported to take their medicines safely. Suitable arrangements were in place for ordering, storing, administering and disposing of medicines, including topical creams.
There were enough nursing and care staff to support people on a timely way. Staff recruitment practices were appropriate and helped ensure only suitable staff were employed.
Plans were in place to deal with foreseeable emergencies. Fire safety equipment and procedures were tested regularly; staff were trained to administer first aid and a defibrillator was available in the event of a cardiac arrest.
Staff underwent a comprehensive induction and training programme. They were knowledgeable and skilled at meeting people's needs. They were suitably supported in their role by managers through the use of supervision and appraisal processes.
Staff acted in the best interests of people and followed legislation designed to protect people's rights. They also involved people or their relatives, where appropriate, in discussing and planning the care and support they received.
People were offered a choice of meals and their dietary needs were met. They received appropriate support to eat, when needed, and were encouraged to drink often.
People were supported to access other healthcare services and staff worked well with external professionals. At the end of their lives, people received appropriate care and support to have a comfortable, dignified and pain free death.
Staff had created a positive, relaxed environment that suited the people living at the home. They maintained a calm atmosphere by supporting people in a patient, unhurried way. They cared for people with kindness and compassion, respected people's privacy and treated them in a dignified way.
Staff put people at the heart of the service and were committed to meeting people's needs in a personalised way according to their individual needs. Care plans contained comprehensive information to enable staff to support people in a consistent way and were reviewed regularly.
People were encouraged to make choices about every aspect of their lives and to remain as independent as possible. They had access to a range of suitable activities either in a group setting or on a one-to-one basis.
The provider sought and acted on feedback from people. There was a suitable complaints procedure in place and people were confident any concerns would be addressed.
People and their families felt the service was run well. They had confidence in the management, as did the staff. There was a clear management structure in place. Staff understood their ro
Inspection report published 17 February 2017 PDF | 98.7 KB (opens in a new tab)
Inspection carried out on 17 and 19 February 2015
This inspection visit took place on 17 and 19 February 2015 and was unannounced.
Ticehurst provides accommodation, nursing and personal care for up to 86 older people, some of who are living with dementia. The home is comprised of a residential unit and a nursing unit. There were 64 people using the service at the time of this inspection.
The service has a registered manager. A registered manager is a person who has registered with the Care Quality Commission to manage the service. Like registered providers, they are 'registered persons'. Registered persons have legal responsibility for meeting the requirements in the Health and Social Care Act 2008 and associated Regulations about how the service is run.
At the last inspection on 7 and 8 August 2014, we asked the provider to take action to make improvements. This was because people were not being protected from the risks of unsafe or inappropriate care and treatment because accurate and appropriate records were not maintained. At this inspection we found that improvements had been made.
Some areas required improvement. Good practice was not always followed for the recording of medicines or the assessment and administration of 'variable dose' or 'as required medicines', particularly around pain relief. The system for monitoring people's food and fluid intake was not always implemented effectively.
People told us they felt safe and there were systems and processes in place to protect them from harm. Staff were trained in how to recognise and respond to abuse and understood their responsibility to report any concerns to the management team.
Safe recruitment practices were followed and appropriate checks had been undertaken, which made sure only suitable staff were employed to care for people in the home. There were sufficient numbers of experienced staff deployed to meet people's needs.
Staff were supported to provide appropriate care to people because they were trained, supervised and appraised. There was a comprehensive induction, training and development programme, which supported staff to gain relevant knowledge and skills.
The Care Quality Commission (CQC) monitors the operation of the Deprivation of Liberty Safeguards (DoLS) which apply to care homes. Where people's liberty or freedoms were at risk of being restricted, the proper authorisations were in place or had been applied for.
People were supported to have enough to eat and drink and their care plans included information about their dietary needs and risks in relation to nutrition and hydration.
People told us they were happy with the care they received and said they had good relationships with staff. One person told us "The staff understand me, they are very kind". Another person said "The staff really look after me. It is amazing here nothing is too much trouble".
People told us the service was responsive to their needs and staff listened to what they said. People were confident they could raise concerns or complaints and that these would be dealt with.
People spoke positively about the service and the registered manager and said they would recommend the home to their friends. There was an open and transparent culture within the service, which encouraged people's involvement and their feedback was used to drive improvements. There were a range of systems in place to assess and monitor the quality and safety of the service and to ensure people were receiving appropriate support.
Inspection report published 3 June 2015 PDF | 255.37 KB (opens in a new tab)
Inspection carried out on 7, 8 August 2014
During this inspection we spoke with nine people who use the service, two visiting relatives, 14 members of staff, the manager and a senior manager. We observed support being given and looked at care and treatment records for 14 people who use the service.
We considered our inspection findings to answer questions we always ask;
•	Is the service safe?
•	Is the service effective?
•	Is the service caring?
•	Is the service responsive?
•	Is the service well led?
This is a summary of what we found –
Is the service safe?
We found that care and support records were not all up to date, accurate and fit for purpose. There were some inconsistencies in the way that care and treatment was recorded, which meant that people were at risk of receiving unsafe or inappropriate care and treatment. Senior staff had started to audit the care plans on both the residential and nursing units and had identified areas which required improvement.
People were cared for by staff who were supported to deliver care and treatment safely and to an appropriate standard. Risks associated with the provision of care and support had been assessed, such as in relation to mobility and falls, nutrition and weight. Any concerns were followed up and appropriate action was taken. This meant that care was planned and delivered in a way that was intended to ensure people's safety and welfare.
The Care Quality Commission (CQC) monitors the operation of the Deprivation of Liberty Safeguards which applies to care homes. We saw records demonstrating that proper policies and procedures were in place and these were adhered to. The manager understood when an application should be made and how to submit one; and was aware of recent changes to the legislation.
Is the service effective?
The service was effective in supporting people to be able to eat and drink sufficient amounts to meet their needs. We saw kitchen and care staff had a list of people who required special diets, such as vegetarian, diabetic, soft, pureed or fortified meals. There was no choice of food on the menu. However, when the food arrived if the person did not want it then alternatives were offered, such as toast, sandwiches or fruit.
A training programme was in place, which showed staff were provided with training and relevant qualifications to support them in meeting people's needs. The staff we spoke with said they felt the training was relevant to their work and helped them to meet the current needs of people using the service. Staff confirmed that they had supervision meetings in which they could discuss any matters relating to their work.
Is the service caring?
We observed that staff interacted with people who use the service and knew their likes and dislikes. This helped to create a friendly, caring and supportive atmosphere in the home. A relative told us "My Mum is so happy here, she has been happy from the moment she walked through the door. The staff are marvellous and look after her really well".
All of the people we spoke with in the residential unit told us they felt safe and happy living in the home. One person said "This is a lovely to place to live, I am happy here". Another person commented "The staff are really, really wonderful, they look after us well and I feel safe living here". Another person told us "I sleep like a log here, I feel so safe". People we spoke with in the nursing unit also commented positively about the care they received. One person said "It's a wonderful home. They are so kind. They can't do enough for you".
Staff demonstrated positive attitudes to their work. For example, one care worker said "This is a lovely home, we work as a team and all help each other. The resident is the most important". An agency member of staff we spoke with told us "This is a very happy home. I love it here. I feel part of the team".
Is the service responsive?
People's health needs were monitored and referred to health professionals appropriately. We observed that staff assisted people in a way that was sensitive and responsive to their changing needs. One person told us "They are so good here. I had a hospital appointment today. The staff got me up early and got my breakfast for 7 am. We don't usually get it until 9 am but they did that just for me".
Another person who uses the service told us staff "See the need before you ask". A relative told us "There has never been any problem. They would phone me if need be".
A system was in place to monitor and respond to any concerns or complaints about the service. We saw a copy of a letter written in response to a person's complaint, which showed the management had taken the complaint seriously and taken appropriate action.
Is the service well led?
The service was well led. We saw that regular audits of the quality and safety of the service took place and were recorded. In addition to these, a services manager for the organisation carried out regular checks that were also recorded. There was an on-going improvement log completed by the manager, which was a record of actions taken in relation to audits, incidents, and feedback from people using the service or others acting on their behalf.
A person who uses the service said "We have no complaints. If I did I would talk to the boss. You could talk to her about anything; she is so calm and lovely". Another person also told us "You can talk to the manager about anything". We observed that the manager knew the names of people who use the service and had a good rapport with them.
View finding of report online
Inspection Report published 02 September 2014 PDF | 94.2 KB (opens in a new tab)
Inspection carried out on 19 April 2013
During an inspection to make sure that the improvements required had been made
We found that people expressed their views and were involved in making decisions about their care and treatment.
We reviewed two care plans and noted that both were in a new format introduced by the provider. From the level of detail on views and preferences that had been recorded it was apparent that people and relatives had engaged in the process. In addition we saw that both plans had been reviewed in the last two months and had been signed by relatives.
This meant that opportunities were provided for people, relatives and representatives to discuss people's care and support preferences.
In the Ticehurst service user guide, we noted that that the section relating to complaints and comments had been updated. The manager told us that people using the service and relatives were spoken with about the complaints procedure during reviews of their care plan and that a large print version of the document was now available.
We reviewed the service complaints folder and noted that three formal complaints had been made recently. We saw that each had been investigated thoroughly and that the outcome had been notified to each complainant. This meant that people's complaints had been listened to and acted on.
Inspection Report published 10 May 2013 PDF | 72.49 KB (opens in a new tab)
Inspection carried out on 11 December 2012
We were unable to speak with people using the service during this inspection because all were suffering from dementia. We observed the interactions between staff and residents to gain an understanding of people's experiences at this service. A relative told us that Ticehurst has a friendly family atmosphere and that the staff were very caring and always treated their relative with affection and respect.
We saw that people using the service had their individual needs assessed before admission. However, we saw no evidence that people or their relatives had been involved in planning their care and support.
A relative told us, "I'm happy with the care they provide. They are busy but there is always someone on hand to help them or talk to them".
We observed that people looked well cared for and that those who wished to be were engaged in activities.
We noted that current guidance regarding safeguarding people from abuse was available to staff and that they had received training in how to deal with reports or suspicions of abuse.
All of the managers and staff that we spoke with said they were able to meet people's care needs safely. We found that there were enough qualified, skilled and experienced staff to meet people's needs.
We reviewed the procedure for handling, storage and administration of medicines and found this to be compliant.
We noted that there was a complaints system in place but it was not readily accessible to people using the service.
Inspection Report published 4 January 2013 PDF | 94.08 KB (opens in a new tab)
Inspection carried out on 27 September 2011
People using the service that we spoke with said they felt well treated by staff. People gave examples of staff having the right skills and of offering choices about the way care was provided.
People said they received the care they needed. One person said they had been consulted about their needs when their care plan was being developed.
People reported that although staff were busy, they were able to meet their needs.
Inspection Report published 31 October 2011 PDF | 57.25 KB (opens in a new tab)
Reports under our old system of regulation (including those from before CQC was created)
Report from 16 October 2009 PDF | 183.91 KB (opens in a new tab)
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For 60 years now, Cross Lanes Baptist Church been faithful to do the work of God in the community and state, in North America, and to the ends of the earth. "Growing God's Forever Family" is more than a passion statement, it reflects who the church is in action. The church is a multiplying body for the glory of God and for the building up of His kingdom.
Over the years CLBC has reached, ministered to, served, and sent out countless families. Nine pastors have served the church with the current Lead Pastor, Seth Polk, having served sixteen years to date, since 2003. Since 2003 the church has added 1025 members, with over half coming by baptism, and has contributed approximately $3.25 million to missions in North America and around the globe. CLBC has partnered to plant 15 new churches in North America, and has served extensively on mission around the world with hundreds participating in hands on missions.
Cross Lanes Baptist Church began as a mission on December 20, 1958. A small group met in the home of William and Myrtle Frazier to discuss organizing a Southern Baptist Church in Cross Lanes, West Virginia. John Snedden, newly appointed area missionary for West Virginia was present. The group met in the early days in the homes of interested people, in the basement of another church, in a three room upstairs apartment in Cross Lanes, at a church campground, and eventually at its current location on Knollwood Drive.
The first worship service was held on January 25, 1959 and the church officially constituted on March 8, 1959. They affiliated with the Pioneer Baptist Association, the Baptist State Convention of Ohio, and the Southern Baptist Convention. Property was purchased on Knollwood Drive and the first worship service and communion were held in a partially completed building on July 5, 1959. The cornerstone was presented to the church by Hinton McHouston, a stonemason from Norfolk, Virginia.
In 1963 additional classroom space was built, the sanctuary remodeled and enlarged, a new baptistry installed, and new furnishings purchased. In 1965 the church purchased additional adjoining property. In 1970 the church affiliated with the newly formed West Virginia Convention of Southern Baptists.
A new Worship Center was dedicated in June, 1983; a new Family Life Center was dedicated in October, 2005; the Worship Center and original building have been renovated and multiple adjacent properties have been purchased in subsequent years along with an office building.
CLBC at the present has 568 members along with a significant number of children who are in our church family, but are not yet believing, baptized members. The primary continued focus of the church is to love God and love people, to proclaim the Word of God, and to help people come to know and follow Jesus as His disciples!
This entry was posted in Cross Lanes Baptist on March 7, 2019 by Seth Polk.


The drama began even before the first note was sounded at the Allentown Symphony Orchestra's performance of Verdi's mighty Requiem last weekend.
In one of the grandest spectacles I've ever seen at Symphony Hall, over 170 performers packed the stage – nearly 60 musicians, the 114 massed voices of both the Allentown Symphony Chorus and the Muhlenberg College Choir, and four vocal soloists.
ASO conductor Diane Wittry eschewed her customary opening remarks before stepping up to the podium, adding to the sense of theatrical tension. The sound of subdued violins and a gentle "requiem" nearly whispered by the choir broke the silence, followed by soloists Toni Marie Palmertree, soprano; Patricia Risley, mezzo-soprano; Kirk Dougherty, tenor, and Jeremy Galyon, bass.
The passion, tenderness and the drama conveyed by the singers immediately made it clear this was no ordinary requiem mass — it was a grand opera in disguise.
Galyon's rich, booming bass was deliciously foreboding in "Mors stupebit," and Risley astounded with her vocal range and conviction, especially in "Liber scriptus," which had enough emotional delivery and drama to match any of opera's most imposing heroines. Especially lovely was an extended bassoon accompaniment by Susan Shaw.
So heartfelt was Dougherty in "Qui Mariam absolvisti" that, notwithstanding such powerful operatic delivery, there lurked an Irish tenor's sweetness in his voice's top end. Galyon then returned to bring us down to the terrifying underworld with a wonderfully threatening "Confutatis maledictis." The brief "Sanctus" gave some calming relief, with soft violins, woodwinds, and joyous chorus.
The "Agnus Dei" opened with a lovely, tender duet between Risley and Palmertree, with some especially beautiful a cappella sections. Palmertree sang with stunning clarity, her voice practically shimmering in its upper range, yet with formidable power even below middle C. Her range of emotional delivery was equally broad, capable of playing both the lion and the lamb.
In fact, Palmertree had the lion's share of the solo vocals in the "Libera me," and roar she certainly could, as those terrifying thunderclaps and full chorus of the "Dies Irae" returned. It takes one mighty voice to compete with all that glorious sound, and she was certainly up to the task. The chorus excelled in this section's two-part choruses with lots of tricky counterpoint.
The Requiem was the sole work on the program, performed without intermission. One could not imagine a more striking closer to the ASO's 2018-2019 classical season.


But let us not put our sights too high. We do not have to be saviours of the world! We are simply human beings enfolded in weakness and in hope, called together to change the world one heart at a time.
Curated by Katie Cassady. You can find out more about her here.


2017 was a tumultuous year for my work. I started the year off continuing to develop my layering and glazing techniques but by years' end the fires in Sonoma County, CA dominated my attention. If you are interested in seeing what I created during the course of the year click on the pdf link below.


If you have a recently sawn tree stump which is exhibiting unwanted indications of growth, we can give you stump poison to prevent any further growth of the tree without harming any surrounding shrubbery. Ask if you would like for us to use the poison and we'll happily oblige.
Having carried out work with many clients you can of the professional strategy, reliability and meticulous attention to detail which has fuelled our progress and spread our reputation.
If you would like find out more about the assistance we can offer, or have an urgent subject for our attention, please do not think twice get in touch wih us.


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Patrick von Sychowski, Adlabs Digital Cinema: 'And action'
At a special two-day conference entitled "Innovation in India and China", Navi Radjou, Executive Director of the Centre for India & Global Business, and Jaideep Prabhu, Nehru Professor of Indian Business, brought leading minds from the worlds of business, marketing, film, fashion and culture together to enable East and West to meet and find out how to create value from these emerging markets.
The economic down turn is good for the cinema business, people want escapism at an affordable price and that fits in with Bollywood's plan to increase its global market share of the film industry. It might just be that "East" can teach new tricks to the "West" says Patrick von Sychowski, Chief Operating Officer of Adlabs Digital Cinema.
Bollywood Centre for India & Global Business (CIGB) cinema film film industry India Jaideep Prabhu

redpajama_set_name: RedPajamaCommonCrawl


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Falling In Reverse guitarist Jacky Vincent leaves the band
Guitarist Jacky Vincent has announced his departure from Falling In Reverse. Falling in Reverse singer Ronnie Radke and Jacky Vincent released a statement exclusively to Alternative Press. You can read an excerpt below.
Ronnie Radke said: "I remember the first time I met Jacky, I walked out of prison and he was waiting there so stoked. Hands down one of the greatest guitar players to ever live. And one of the most genuine people I've ever met. I wish him nothing but the best. Love you Jacky."
Jacky Vincent said: "I can't thank Ronnie, Derek and Ryan enough for the last 5 years. I will most likely never laugh as hard again in my life. I feel proud to have played with such brilliant musicians and I will miss touring with them enormously. I am forever grateful to have experienced what I did in Falling in Reverse and I feel very fortunate to have lived what I dreamt of doing for so many years. To the fans, I loved meeting you all. I kept as many as your gifts and letters as I could and they all mean so much. Thank you for everything."
Etichette: Falling In Reverse, News


Dr. Goldstick is a Research Assistant Professor in the U-M Department of Emergency Medicine and the Director of the Statistics and Methods Core of the U-M Injury Prevention Center. He has extensive experience with design and implementation of statistical analysis plans for public health and injury-related research in a variety of settings.
Dr. Goldstick specializes in spatial and longitudinal data analysis and predictive analytics. His primary substantive interests are public health applications involving substance use and violence, and clinical risk prediction for outcomes like violent injury, stroke, and drug overdose.


Jan 17, 2018 at 8:30 a.m. to Mar 5, 2018 at 1:30 p.m.
TimeJan 17, 2018 at 8:30 a.m. to Mar 5, 2018 at 1:30 p.m.
This course will show advisors and instructors at Gustavus how to use Starfish. Starfish is our new Student Retention Tool. Advisors and instructors will give crowns and flags, set up office hours for meetings with students and document those meetings, give referrals to students that are struggling, and give students to-do's to make their education here at Gustavus a success. Instructed by Marni Dunning.
Jan 17, 2018 at 8:30–10 a.m.
Mar 5, 2018 at 1:30–3 p.m.


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Jah Wobble (* 11. August 1958 in London, bürgerlicher Name John Joseph Wardle) ist ein britischer Musiker, Musikproduzent und Inhaber der Schallplattenfirma 30 Hertz Records.

Leben und Werk
Jah Wobble wuchs in Whitechapel in Londons East End auf, wo er während seiner Zeit an Londons Kingsway College unter anderem auf Sid Vicious und seinen späteren Bandkollegen John Lydon stieß. Nachdem Lydon die Sex Pistols 1978 verlassen hatte, rekrutierte er Wobble für seine neugegründete Post-Punk-Band Public Image Ltd. (PiL), in der Wobble von Mai 1978 bis Juli 1980 Mitglied war. Als Bassist prägte er mit seinen einprägsamen tiefen Bassläufen, die von Reggae und Dub inspiriert waren, den damaligen Sound der Band. Die Herkunft seines Künstlernamens ist etwas ungewiss; nach einer häufig genannten Geschichte bekam er diesen Namen von seinem damaligen engen Freund Sid Vicious, dessen betrunkenes Genuschel von Wobbles bürgerlichem Namen, John Wardle, diesen wie Jah Wobble klingen ließ. Andere Deutungen stellen einen Bezug zwischen seinem Namen und seiner Faszination mit den wobbly Basslinien des Reggae her.

Nach seinem Abschied von PiL begann er eine mehrjährige Kollaboration mit den Musikern Holger Czukay und Jaki Liebezeit der deutschen Band Can, die zu einer Reihe von einflussreichen Veröffentlichungen führte: Wobble war als Gastmusiker auf Czukays On the way to the peak of normal (1981) als auch auf Rome remains Rome (1987) tätig und veröffentlichte mit Czukay und Liebezeit das Album Full Circle (1984). 1983 erschien er zusammen mit Czukay, Liebezeit und U2s The Edge auf dem kommerziell relativ erfolgreichen Minialbum Snake Charmer, aber aufgrund von Alkoholabhängigkeit und desillusioniert von der zunehmenden Kommerzialisierung der Musikindustrie geriet Wobble künstlerisch zunehmend ins Abseits. Dies führte zu einer zeitweiligen Abwesenheit von der Musikszene, während der er sich unter anderem als Fahrer in der Londoner U-Bahn und als Minicabfahrer verdingte.

Nach erfolgreichem Alkoholentzug und einem wiedergewonnenen Standbein in der Musikindustrie kehrte Jah Wobble 1989 mit seiner Band The Invaders Of The Heart ins Musikgeschäft zurück. Er verband nun Weltmusik und Dub mit Popelementen und hatte damit von 1990 bis 1994 in Großbritannien auch kommerziellen Erfolg. In dieser Periode arbeitete er mit zahllosen Künstlern und Bands zusammen, dabei waren Sinéad O'Connor, Bill Laswell, Peter Gabriel, The Orb, Evan Parker, Molam Lao und viele andere.

Am 3. Dezember 1996 gründete er offiziell sein eigenes Plattenlabel 30 Hertz Records, auf dem er seither seine vielfältigen Projekte veröffentlicht. 2002 schrieb er den Soundtrack zu dem französischen Film Fureur.

Seit 2015 ist 30 Hertz Records  Teil der Cherry Red Records Limited.

Jah Wobble ist in zweiter Ehe mit der chinesischen Harfenspielerin Zi Lan Liao verheiratet, hat zwei Söhne (und zwei Töchter aus erster Ehe, eine davon die Schauspielerin Hayley Angel Wardle) und schloss im Jahre 2000 erfolgreich ein Studium der Geisteswissenschaften ab. Neben seiner Karriere als Musiker ist Wobble auch als Buchkritiker für die britische Zeitung The Independent tätig.

Seine Autobiografie Memoirs of a Geezer: The Autobiography of Jah Wobble—Music, Mayhem, Life erschien im September 2009.

Zum Ausstieg Großbritanniens aus der EU veröffentlichte Wobble mit A Very British Coup gemeinsam mit ehemaligen PiL-Bandkollegen und Mark Stewart von The Pop Group eine Protest-Single, die der Online-Radiosender ByteFM eine "tieffrequente Anklage der Zustände" nannte.

Diskografie
Die folgenden Alben sind Jah Wobbles Solowerke und als Mitglied von Public Image Ltd. (PiL).
 First Issue (mit PiL) (1978)
 Steel Leg V. the Electric Dread
 Metal Box/Second Edition (mit PiL) (1979)
 Paris au Printemps/Paris in the Spring (mit PiL) (1980)
 The Legend Lives on…Jah Wobble in Betrayal (1980)
 V.I.E.P. (1980)
 Bedroom Album (1983)
 Snake Charmer (mit Holger Czukay, Jaki Liebezeit und The Edge) (1983)
 Neon Moon (1985)
 Tradewinds (1986)
 Psalms (1987)
 Without Judgement (1989)
 Rising Above Bedlam (1991)
 Take Me to God (1993)
 Spinner (mit Brian Eno) (1995)
 Heaven and Earth (1995)
 The Inspiration of William Blake (1996)
 The Celtic Poets (mit Ronnie Drew) (1997)
 Requiem (1997)
 The Light Programme (1998)
 Umbra Sumus (1998)
 The Five Tone Dragon — Jah Wobble presents Zi Lan Liao (1998)
 Deep Space (1999)
 Full Moon Over the Shopping Mall (2000)
 Beach Fervour Spare (2000)
 30 Hertz - A Collection of Diverse Works From A Creative Genius (2000)
 Molam Dub (mit Molam Lao) (2001)
 Passage to Hades (mit Evan Parker) (2001)
 Radioaxiom (mit Bill Laswell) (2001)
 Deep Space: Largely Live in Hartlepool & Manchester (2002)
 Shout at the Devil (mit Temple of Sound) (2002)
 Solaris: Live in Concert (2002)
 Fly (2003)
 Five Beat (2004)
 I Could Have Been a Contender (Anthologie) (2004)
 Elevator Music V.1A (2004)
 Car Ad Music (2004)
 Mu (2005)
 Alpha-One-Three (2006)
 Jah Wobble & The English Roots Band (2006)
 Heart and Soul (2007)
 Chinese Dub (2008)
 Japanese Dub (2010)
 Welcome to my World (2010)
 7 (2011)
 Psychic Life (mit Julie Campbell) (2011)
 Yin & Yang (mit Keith Levene) (2012)
 Anomic (mit Marconi Union) (2013)

Hitsingles (britische Musikcharts)
 Public Image Ltd. - "Public image" (1978) no.9
 Public Image Ltd. - "Death disco" (1979) no.20
 The Orb (feat. Jah Wobble) - "Blue room" (1992) no.8
 Jah Wobble + The Invaders Of The Heart - "Visions of you" (1992) no.35
 Björk (feat. Jah Wobble) - "Play dead" (1993) no.12
 Jah Wobble + The Invaders Of The Heart - "Becoming more like God" (1994) no. 36

Weblinks

 Offizielle Website 30 Hertz Records
 Offizielle Webseite Jah Wobble
 ausführliche Diskographie

Einzelnachweise

Bassist
Musikproduzent
Fusion-Musiker
Dub-Musiker
Brite
Geboren 1958
Mann

redpajama_set_name: RedPajamaWikipedia


Isleworth Town Primary School is a co-educational community school for children aged between 3 and 11 years. The school has been educating the children of Isleworth since 1910 and has grown alongside the community it serves.
The school works closely with parents, the Governing Body, the local community and many outside agencies to ensure the very best provision for all children.


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Directions / FAQ
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The Town Hall Presents
Rent the Hall
Educational Outreach Program
DONATE / SUPPORT
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Fanfare Ciocārlia with Eugene Hütz
Roma Gypsy Brass Band Legends and Gogol Bordello Frontman
Friday, April 22, 2016 • 8:00pm
"Their impossibly fast and frenetic style is infectious"
Fanfare Ciocārlia, one of the world's greatest Roma (Gypsy) brass bands, brings their relentless energy and ingenuity to Town Hall for an exclusive and first-time collaboration with Eugene Hütz, front man for the wild and popular band Gogol Bordello.
Fanfare Ciocārlia is a large brass ensemble from Northeastern Romania whose eastern funk groove has electrified halls and festivals across the planet. Their energy and ingenuity have won them fans from Melbourne to Memphis, Tokyo to Toulouse. Having learned their craft at the feet of their fathers and grandfathers Fanfare's members proudly approach every concert as a challenge to both entertain audiences and keep the spirit of Roma music alive. The artists span several generations and continue to play weddings and other celebrations in their region. In Romanian, Fanfare means brass bandand Ciocarlia means lark, the name of a signature Romanian tune imitating the bird. In Eastern Europe, Roma are the professional backbone of village music, but still face huge prejudice and discrimination in everyday life.
Eugene Hütz was just a scrawny 13-year-old punk rocker when his family fled Kiev in 1986 to escape fallout from the Chernobyl meltdown. Thus began a five-year odyssey that took him to live with his grandmother's Roma clan; to American-run camps for asylum seekers in Poland, Austria, and Italy; and finally, to Burlington, Vermont, where the family resettled and Hütz promptly formed a punk band. But his new destiny really took shape after he relocated to New York City and merged punk and Gypsy sounds into a raucous act he named Gogol Bordello. Six albums later, Hütz packs venues worldwide and thrills fans with his boundless energy.
This program is an exclusive collaboration on a weekend celebrating Roma music, which continues on Sunday April 24 with Esma Redzepova and Folk Masters at Le Poisson Rouge. Esma is internationally acclaimed as the "Queen of Roma Songs" and is one of NPR's "50 Great Voices." Born in Skopje, Republic of Macedonia, she began her professional career at the age of thirteen. She was the first Balkan performer to make Roma music popular with non-Roma audiences on elite concert stages in the early 1960's. In addition to her stage work, Esma is a world-renowned humanitarian and has been a major contributor to countless advocacy and assistance programs for women and underserved populations, including the disabled and Roma refugees. In the past thirty years she has fostered forty-nine children and educated them in music and career development. In 2013 she was proclaimed a National Artist of Macedonia.
Esma's performance is co-sponsored by Voice of Roma (an NGO that promotes the rich cultural heritage of Roma and works to heighten awareness of the dire human rights issues faced by Roma), the Center for Traditional Music and Dance, and the Initiative for Romani Music at New York Univeristy.
Produced in collaboration with NY Gypsy Fest and Live Sounds. This tour is supported in part by the globalFEST Touring Fund.
VIP Tickets Include access to the show's afterparty at Drom featuring Bad Buka, plus VIP seating and a special gift.
The Town Hall, NY Gypsy Festival and Live Sounds
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text:
FIGHTIN' WORDS
EU Condemns Lebanon's Hezbollah
Hussein Malla/AP
Nobody likes to be caught off-guard—probably Iran least of all. The Iranian foreign minister on Tuesday hit back against the European Union's blacklist of Lebanon's military wing of Hezbollah on Monday. Calling it "surprising and unacceptable," Ali Akbar Salehi blamed "some influential members" of the EU and said that Israel—who cheered the decision—would be the main beneficiary. While the EU in the past has resisted U.S. calls to blacklist Lebanon's Hezbollah, the coalition's action on Monday came after pressure from Britain and the Netherlands, which were seeking retribution after accusing Hezbollah of being involved in last year's bus bombing in Bulgaria that killed five Israelis and their driver.


"A Place to Begin: Bead Embroidery"
In Day 1 of this two-day workshop students learn the foundation stitches of bead embroidery as well as variations on them. From sparsely stitched individual beads to densely beaded focal areas, students explore many of the limitless ways to add texture and dimension to fiber art with beads. Each student will create a sampler of the many bead embroidery stitches learned. They will also receive a detailed booklet with information about stitches, bead and thread selection, and other information for continued exploration of bead embroidery beyond the classroom.
During Day 2 each student works on a bead embroidered ornament/medallion designed by Lisa and especially created for learning and refining bead embroidery techniques. Each time this workshop is offered, the sponsoring group will be able to select one or two colorways of one of Lisa's ornament designs to be used.
Class time on both days is a mixture of hand stitching the many techniques introduced, sharing with one another what we have learned and created, and viewing many examples of bead embroidery that will be provided in physical form and in print for inspiration and technique illustration.
"The Art of Hand Stitching Beads on Cloth"
This two- to three-day workshop begins by introducing all the stitches that make up the backbone of bead embroidery—those stitches most commonly used in contemporary bead work on fabric. After initially exploring the basic stitches of bead embroidery, students advance to learn ways to beautifully and securely incorporate larger beads, buttons, and cabochons into their fiber work. They also explore a variety of edge stitches and fringe techniques while continuing to work on a sampler for future reference and inspiration. The class culminates with students beginning to develop their own bead embroidery style while exploring designs that range from sparsely-stitched individual beads to densely beaded focal areas. Students have opportunities to explore known variations on introduced stitches as well as develop their own visual vocabulary of bead embroidery.
Class time is a mixture of sampling bead embroidery techniques and exploring variations on those stitches based on each individual student's interests and aesthetic. Each day contains a mixture of hand stitching, viewing images and examples of bead embroidery for inspiration and technique illustration, and time sharing discoveries with one another. Each student goes home with a detailed sampler containing all the many bead embroidery stitches learned and developed in class as well as a color booklet with information about stitches, bead and thread selection, and other important information for continued exploration of bead embroidery beyond the classroom.
Circles can be found throughout the natural world and in human designs from diverse cultures across millennia. Circles appeal to us on so many levels—they are simple and elegant; they're curved, organic, and smooth, with no sharp corners; they evoke a comforting sense of completeness and totality; they're in the hugs that embrace us and the nests that protect baby birds. Circles are as familiar as the dot of an "i" or the period at the end of a sentence. They come to us in images of the Earth from space. Circles are as tiny as a subatomic particle and as large as a black hole. In this two- to three-day workshop we explore and create a sampler or small art quilt of circular motifs in bead embroidery. Working with a wide variety of beads we will learn, design, and stitch a diverse range of circular forms that could also be used in future stitching on art quilts, garments, and other fiber art.
Dyeing with plant pigments and other natural materials (insects, lichen, etc.) has been practiced and refined for thousands of years—for as long as humans have made cloth and wished to beautify it. Printing with plants has been practiced for generations through such traditions as Easter egg decoration and, in the past few decades, as a way to create pattern and imagery on fabric.
During this two- to five-day workshop students learn about the history of dyeing and printing with plants; how to prepare fabric/fiber for dyeing and printing; ways to secure and alter dye color on cloth; and many ways to get patterns and images on fabric with a variety of plant materials. We begin by gathering as many of our printing and dyeing plants as possible from the area surrounding the workshop (depending on location and time of year). Then we explore dyeing solid and mottled colors with botanical pigments both individually and in combination; printing plant material onto fabrics; eco-printing and dyeing together; and using some simple shibori techniques in conjunction with eco-printing and dyeing.
As a four- or five-day workshop we can structure the workshop in two different ways: We can either continue printing and dyeing fabric for the full duration of the workshop OR, during Days 4 and/or 5 each student can learn and practice piecing, applique, and hand-stitching/quilting techniques well suited to the fabrics dyed and printed in class and then use her/his recently dyed/printed fabrics to create an art quilt, art fabric panel, or garment. The latter variation on the workshop is titled: "Botanical (Eco-)Dyeing, Printing, and Stitching".
"Dots & Dashes: The Language of the Hand-Made Stitch"
Dots, dashes, lines, and other simple shapes have been used throughout history from ancient symbolic languages like Cuneiform through Morse code and beyond to communicate ideas and information. Hand stitching with beads and embroidery thread is a wonderful, meditative, expressive way to create textured and colored dots, dashes, lines, and shapes that can express their maker's feelings and ideas.
Just as each person has a distinct, recognizable style of hand writing, each artist can develop her/his own recognizable style of visual communication through hand stitching with embroidery thread and beads. The development of this textured "hand writing" or visual communication is the focus of this two- to five-day workshop. Issues explored include line, mass, visual movement, overlay, shading, and positive and negative space.
In class students learn, experiment with, and expand on a broad range of hand-embroidery stitches, using embroidery thread and beads both together and independently. In the two-day version of the workshop students work entirely on a sampler. In the three-, four-, and five-day versions of the workshop students come to class with a small, unembellished art quilts or fiber art panel that they would like to take to a new level through the addition of hand embroidery with beads and thread.
Each day contains a combination of bead embroidery and thread embroidery demonstrations, viewing examples of technique applications, group discussion, and individual sketch and stitch explorations of ways to develop one's own visual vocabulary using the techniques introduced in class. Time will also be dedicated to group discussion of works in progress and individual feedback by the teacher that is both supportive and idea-stimulating.
Have you ever wanted to embellish fabric but weren't sure where to start? Here's your chance to give it a try in this two- to three-day workshop. Begin with a small printed fabric panel that is just begging to be embellished. Explore a variety of bead embroidery stitches, thread embroidery stitches, and approaches to design while developing unique embellishment plans for a mini quilt or embellished panel. The finished panel can be completed as a small wall quilt, made into a decorative pillow, or incorporated into an embellished handbag or jacket. Students receive group instruction as well as one-on-one assistance learning new stitches and developing their own original embellishment design. Suitable for experienced beginners through advanced stitchers. Fabric options can be available in advance of the workshop, and kits can be provided.
"Leaves of Fiber, Leaves of Glass: Botanically-Inspired Hand Stitching with Beautiful Beads & Threads"
Humans have looked to the world's flora for millennia when seeking inspiration for art and design. From the leaves carved into the capitals of Corinthian columns in ancient Greece, to the swirling botanical designs of Arts & Crafts era England, to the irises, grasses, and other flowers found in traditional Japanese block prints, to the bold colors and motifs of Marimekko fabrics so popular in the 1970s and beyond, plants continue to be an endless source of inspiration for artists and designers.
In this three- to five-day workshop we begin by looking to our surroundings and collecting wind-fall leaves and other plants for our inspiration. We closely examine, sketch, and contemplate our found treasures and what it is about them that most engages us. Then we delve into designing and stitching, exploring a broad range of fiber art, bead embroidery, and contemporary hand stitching techniques while reinterpreting a chosen leaf, leaves, or plant into a work of fiber art.
"Making Your Mark: The Hand Embellished Art Quilt"
Explore the broad, rich, amazing world of hand mark-making through stitching texture, pattern, and meaning into your art quilts and fiber art in this three- to five-day workshop. Bring a small art quilt, work of fiber art, or piece of art fabric to this workshop and spend three to five days learning techniques, exploring design, and then delving into embellishing it by hand. We'll work with beads of all sorts, beautiful threads of varying weights and materials, and other objects of special meaning or interest. We'll cover approaches to embellishment design, techniques for making your embellishments look terrific and stay securely in place, material selection, and a wide range of bead embroidery and contemporary hand stitching techniques.
"Theme & Variations in Hand Embellishment"
Artistic themes can be technical and conceptual. They can be found in the consistent use of particular techniques, shapes, images, color schemes, or concepts. Hand embroidery lends itself beautifully to both technical and conceptual theme development. Bead and thread embroidery can be used to boldly define solid shapes, subtly suggest translucent shapes, and everything in between. Hand stitching with beads and thread can be used to create powerful line work, visual movement, and expressive, engaging textures. It can also be used to highlight both positive and negative space in works of art.
In this three-day to five-day workshop students explore ways to develop personal themes and variations on those themes in order to create a small series of related mini works in fiber art (art quilts, embroideries, etc.) each of which features hand embroidery with beads and threads. Each day will be a combination of bead embroidery and thread embroidery technique demonstrations, viewing examples of technique applications, group discussion, and individual sketch and stitch explorations of ways to use and build on the techniques introduced. Time will also be dedicated to group discussion of works in progress and individual feedback by the teacher that is both supportive and idea-stimulating.


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Today, I would like to review an example how we can improve our daily security operations or, for our users, how to help in detecting suspicious content. Last week, I received the following email in my corporate mailbox. The mail is written in French but easy to understand: It is a notification regarding a failed delivery (they pretended that nobody was present at the delivery address to pick up the goods).
The email address used was a "corporate" address that I'm protecting and not using outside contacting my customers.
The domain has been registered the 17th of March! Have a look at the email address (mail2tor.com). The reseller field contains Cyrillic characters.
But the mail claimed that they visited my place the 21st of March at 11:32. Unfortunately for them, I've a CCTV and this is the picture was taken at this time. Nobody was present (of course, I checked in the interval of -1h / +1h).
The rest of story is classic. As you can imagine, the document was malicious (MD5: 9a9f84d7ade2e2802c1b2b584b668046). The macro downloaded a PE file from hxxp://185.145.129.70/ini.xyz.
Cross check activities with CCTV, badge readers, etc.


Around 6:50pm local time (1650 GMT) firefighters confirmed that Fire started in roof of Notre-Dame Cathedral.
Around 7:53 pm Cathedral's spire collapses and little later at 8:07 pm, the entire roof of collapses. In fifteen minutes at 8:25 pm, Paris' Ile de la Cité, the island on which Notre-Dame sits, is evacuated by police.
It was Meṣa (Vaisakha) saṅkrānti day although the Sun has crossed the 1° danger mark, it is still very fiery. It is in gaṇḍānta and vargottama showing that it would not be easy to overcome. Its transit in the 12th bhāva from the natal āruḍha of France (Taurus) shows losses and dangers.
Moon is trine to the Sun transiting Magha gaṇḍānta nakṣatra, 3rd pada indicating that pets, wealth, food and in danger.
Transit Saturn is in the 10th bhāva from natal Pisces Lagna generating kaṇṭaka (thorn, impediments) and with Ketu joining it, this has only become worse bringing in all sorts of accidents and mistakes into the picture.
Jupiter the great protector is right at Mūla gaṇḍānta at 0°12' completing the picture of all three sattva protections Sun, Moon, Jupiter – emasculated and incapable of protecting. The danger is in Sagittarius that indicates temples, churches, mosques and cathedrals besides teaching institutions.
It is a Mars return to Taurus and is graha-dṛṣṭi (aspect) on Leo damages the Moon and on Sagittarius ignites Jupiter with Saturn and Ketu adding to the misery.
A look at the chart of France indicates the danger in Virgo which has the Sun-Rāhu conjunction in bādhaka rāśi threatening many problems and fires specifically. It is a kind of "suffering from black-magic" combination as the 6th lord Sun conjoins the bādhakeśa Rāhu in the bādhaka rāśi with a debilitated Venus and exalted Mercury.
France has been reeling under the negative influence of a debilitated Venus since 2009. They need to learn that love can never be one-way. Pisces is very loving and caring and so are the Parisians, but the foreigners coming in are not always friendly, especially when they have no interest in assimilating the beautiful French lifestyle with its high culture and excellent food.
However the fire at Nostre Dame occurred in Venus daśā Rāhu antara Mars pratyantara. Jupiter antara starts on 18th April, 2019 and even as we pen these words, we smile that the energy of France is going to change as French people will rebuild the Nostre Dame to prove that time has not eroded their skills and taste.


text:
Five ways to be calm – and why it matters
As Daisetz T Suzuki writes in Zen in the Japanese Culture: "A haiku does not express ideas but… puts forward images reflecting intuitions. These images are not figurative representations made use of by the poetic mind, but they directly point to original intuitions, indeed they are intuitions themselves." The suggestion is that the composition of haiku is so intuitive, it is almost unconscious.
Haiku and their close attention to the details of nature are part of the wider Japanese concepts of nagomi and ikigai, which roughly translated equate to a sense of meaning and harmony. "[Haiku] gives us an insight into why the word ikigai exists in Japanese," writes Yukari Mitsuhashi in Ikigai: Giving Every Day Meaning and Joy. "In our everyday lives, whether we are immersing ourselves in nature or devouring traditional Japanese food, paying attention to detail grabs our focus on to what is right in front of us, instead of wondering about our to-do lists in our head… permitting us to find joy and ikigai in simple, everyday things."
And the principles of haiku can be calming when applied to other areas of life, too. In his book Goodbye Things, Funio Sasaki writes: "Traditional paintings have few figures in them and value negative space. Japanese calligraphy and brush paintings are in black and white. Haiku is the shortest poem form in the world. These are a few examples of a minimalistic aesthetic in Japanese art and culture." In the book, Sasaki, like Bashō all those centuries before, decides to give away most of his possessions, and explores the feeling of calm and tranquillity that results: "There are more things to gain from eliminating excess than you might imagine: time, space, freedom, and energy, for example."
Find your flow
Calmness is regarded by some with suspicion – is a state of calmness really just a state of passivity? A surrender of engagement, giving up, or, worse, a sociopathic disconnection?
But being calm need not equate with being passive or numb. When we're absorbed in something we love – music, gardening, drawing, knitting, writing, whatever it is – we can enter an almost trance-like state of calm, mesmerised by what we are doing. As Mitsuhashi argues in her book about ikigai, immersing ourselves in nature or a particular activity makes us focus on what is in front of us, freeing up our minds from other things, and enabling us to find peace.
In her classic work The Artist's Way, Julia Cameron encourages the reader to "make a commitment to quiet time". She writes: "Creativity occurs in the moment, and in the moment we are timeless".
And author Mihaly Csiksezentmihalyi argues that what really makes us feel not only calm and peaceful, but also glad to be alive, is unlocking a more fulfilling state of being. He calls this state of mind "flow". In his book Flow: The Psychology of Happiness, he throws light on the idea that many philosophers before him have posited – that the way to peace doesn't lie in mindless detachment, but in mindful challenge. Each of us finds our flow in different ways, and our sense of calm.
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Categories Arts&Culture Tags ARTICLE, Culture, story, the-art-of-living-tag/philosophy
The 44th Jaisalmer Desert Festival 2023 to enthrall tourists with an eccentric blend of culture, arts, and festivities
National Cycling League (NCL) Announces 2023 Season Calendar


text:
Simon Reeve
Today, I'm joined by one of travel's most familiar faces. Known for his TV series tracing the Equator, the Tropics of Cancer & Capricorn, following the world's sacred rivers and pilgrimages, travelling the length of the Americas, and deep diving into destinations like Burma, Russia and Colombia, visiting over 130 countries along the way. It is of course the adventurer, author and broadcaster, Simon Reeve.
Now, if you've watched Simon's shows, you'll know they're not your typical travel programmes. He's known for digging beneath the surface of a place, and telling the stories – both good and bad – that need to be told. What you may not know is that Simon is really very experienced when it comes to digging a little deeper as he began his career as an investigative journalist, and went on to become a NY Times best-selling author, all before he even appeared on our TV screens.
Simon has undertaken numerous extraordinary journeys, but none of them are quite as extraordinary as the journey his own life has taken. I think you'll be both amazed and inspired by it.
Destination Recap:
Studland Bay, Dorset, England
Hagia Sophia Grand Turkey, Istanbul, Turkey
West Country, England
The Antarctic
Thank you so much for listening. If you haven't yet left a rating or a review, why not do so now? Your support is so greatly appreciated and most importantly, helps others to discover the podcast.
Don't forget to hit subscribe so that every week a new episode will appear in your library.
I'm @hollyrubenstein and I'd love to hear from you. And visit TheTravelDiariesPodcast.com for everything else podcast-related.
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And for a splash out escape in the New Forest, there's nowhere better than Chewton Glen.
This episode was produced by Holly Rubenstein
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South Sudan oil income 'not an issue' Jump to media player The vice president of South Sudan, Riek Machar, has told the BBC that his country will survive, despite halting its vital oil production in a dispute with Sudan over oil transit rights.
Sudan and South Sudan sign treaty Jump to media player Sudan and South Sudan have signed a treaty of non-aggression.
Sudan leaders fail to agree oil deal Jump to media player The presidents of South Sudan and Sudan failed to come to an agreement over an oil dispute that has led to the shutdown of the South's crude output.
The vice president of South Sudan, Riek Machar, has told the BBC that his country will survive, despite halting its vital oil production in a dispute with Sudan over oil transit rights.
Oil revenues account for 98 per cent of the government's income.
James Copnall spoke exclusively to Riek Machar.


Expect your new muffler to sustain a lot of damage soon if you don't install a high-quality mounting component such as an OES Genuine Muffler Bracket. You must definitely get rid of your old muffler bracket if it's beginning to rot in places. As you know, the bracket is an essential part of your exhaust system since it secures the muffler in place. Unfortunately, like all other parts of your vehicle, the bracket deteriorates over time until it isn't suitable for further use. You wouldn't want your new muffler to suddenly fall off your vehicle while you're driving, so you should install a new replacement bracket as soon as possible.
The muffler is located underneath an automobile, so a lot of drivers tend to neglect it. Over time, rust develops over the muffler and its surrounding components, including the bracket, which is really dangerous since the bracket could snap anytime. If the bracket breaks, the muffler could dangle out of place and hit nearby hardware as you're driving, resulting in dings, cracks, even holes along the pipe. Since the muffler is in charge of reducing noise and emissions, your vehicle will likely sound terrible and produce a lot of smoke when the muffler gets seriously damaged. Worse, your ride may not pass state-required smog tests because of excessive damage due to your broken bracket. Inspect your muffler and its bracket immediately if you hear any abnormal sounds or feel irregular vibrations coming from your exhaust system. Install an OES Genuine Muffler Bracket as soon as you can once you confirm that the old bracket is indeed about to give way. It's also best not to drive your car until you've replaced the bad bracket.
You'll find a lot of run-of-the-mill muffler brackets out there but they're not as good as an OES Genuine Muffler Bracket. Unlike ordinary brackets, this bracket is molded and cut from high-strength materials that can last a very long time. They're meticulously fabricated to conform to all industry standards and exceed drivers' expectations. Installing the bracket yourself is very easy since it's designed to match your vehicle perfectly. Once firmly in place, your muffler won't get dislodged no matter how rough the road or terrain gets. This part is especially useful to drivers who love to take their vehicles on very long journeys or off-road adventures.
Parts Train is the best place to shop for your very own OES Genuine Muffler Bracket because we've got the industry's most trusted brands all in one place. To view a complete list of muffler brackets that would work wonderfully in your vehicle, simply use our powerful search engine. Exploring our site is easy because it's expertly designed to facilitate online shopping. Our prices are extremely low, so you can reap huge savings while getting all the automotive products you need. Shipping is also fast because we've got numerous warehouses in the whole region. Go ahead and order a new OES Genuine Muffler Bracket right now before anything bad happens to your muffler and other vital components of your exhaust system.


The Possibilities Are Endless! Located in the heart of Sunset Park this outstanding 4 Family home located at 4016 9th Avenue has been beautifully renovated from top to bottom. All granite counters, washer/dryer in EACH unit. Features 1 CAR GARAGE! Seven (7) Mitsubishi ductless units. The building will be rendered vacant at closing.
Additional bonus as per the Certificate of Occupancy, a Doctor's office approved for Street level unit.
This home is located in close proximity to Prospect Park. The park is situated between the neighborhoods of Park Slope, Prospect Heights, Prospect Lefferts Gardens, Flatbush, and Windsor Terrace, and is adjacent to the Brooklyn Museum, Grand Army Plaza, and the Brooklyn Botanic Gardens. It is part of the Brooklyn-Queens Greenway, and is the second largest public park in Brooklyn, behind Marine Park.
For more details, Contact Laura Lagano Licensed NYS Real Estate Salesperson at (718) 987-7900 or (917) 945-8261.
Robert DeFalco continues to be the No. 1 real estate company on Staten Island, selling more homes than any other company as per the Staten Island MLS Service. DeFalco Realty uses the latest technology to provide homebuyers and sellers with all the techniques available. They can be visited by their corporate office located at 1678 Hylan Blvd., in Dongan Hills and our Woodrow Office which is located at 655 Rossville Ave. Robert DeFalco Realty has also opened an office in Colts Neck, New Jersey, at 340 Route 34 South, Suite 112. The New Jersey office is servicing Monmouth, Ocean, and Middlesex Counties, and can be reached at 732-845-3200. The Brooklyn office is located at 8709 3rd Avenue, phone number 718-748-7000. The NYC office is located at 379 W. Broadway, 2nd Fl, the phone number is 212-601-8800.
Remember to follow us on Facebook, Twitter, or Instagram by searching @RobertDeFalcoRealty.
Dyker Heights Home For Sale!


OVERVIEW: Whether looking for a cool morning top that won't let you overheat in the midday sun, or protection from baking UV rays, the new lighter weight, more breathable Ascent Aero long sleeve jersey is an ideal choice. Developed on the heritage of our core Ascent Collection, and following upon the success of our Ascent Air 2.0 and Summit Jerseys, the Ascent Aero includes our new SwiftDry fabric, noted for its soft touch, extreme breathability and resilience during those long days in the saddle. The supportive structure of the BreatheLITE mesh on the back will allow you to stuff the pockets full for an all-day trek, while the wicking properties keep you dry and comfortable through each climb and descent. The result is a jersey that weighs significantly less than the previous Ascent iterations, and through our Silhouette Engineering, offers a slimmer, form fit.
PAIR WITH: Pair with the best-selling Ascent Vector bibs, featuring Flash moisture management technology and the multi-density and perforated Liege Carbonium chamois, for the same all-day comfort in a variety of conditions. Pack the Flagstaff RT Jacket into one of the full-size pockets and you're ready for intermittent storms, strong winds or a chilly mountain descents. For cool early morning departures, pair with arm warmers and the easily packable Divide Vest, the perfect combination for keeping you warm on a chilly roll out.
FABRIC & CONSTRUCTION: Designed with versatility in mind, the Ascent is constructed with a combination of the light-weight, breathable wicking SwiftDry and BreatheLITE mesh fabric. The performance minded form fit design shapes your body while in the riding position for optimal comfort. Combined with a full-length zipper for venting, silicone-impregnated, compression arm bands, silicone waist gripper and neck tape, you'll get maximum comfort throughout the duration of your ride. Finally, three full-sized rear pockets provide ample room for storage for those all-day adventures. It's the performance-minded workhorse for a new generation!


This whole notion of parents and grown ups trying to be friends (BFFs if you will) with their kids and other kids is just whacked. Parents need to be parents. There needs to be some distance. I'm not advocating a complete return to the days when kids were considered better seen than heard but, please, does a kid really want to hear their parent or favorite brand speaking the OMG jive?
Publicis Chief Creative Officer Bill Rosen understands and brings it back to earth, saying, "You never want to come off as the Dad that is making Nelly references to his 12-year-old as a way to look cool."
You are so,so,so,so,so,so awsome! I LOVE YOU.


05.30.2011 Story by Sgt. 1st Class Jon Soucy BAGHDAD – There were 22 who showed up for the competition, but only 10 who would go on to the next level. For some, this was the difficult part, for others, it was something they could do in their sleep. But for all, it was something they had trained long and hard for.
The 22 soldiers taking part—all from the 1st "Vanguard" Battalion, 18th Infantry Regiment, 2nd Advise and Assist Brigade, 1st Infantry Division, United States Division – Center—were competing to earn one of the battalion's 10 slots for Ranger School.
a five-mile run and pull-ups in addition to push-ups and sit-ups—a 12-mile ruck march, the Combat Water Skills Test and testing on numerous basic soldier and infantry skills, such as map reading and weapons tasks.
The competition was designed to emphasize some of the physical and mental demands those going through Ranger School face.
And for those taking part, preparing for the competition started months ago.
The selection process only begins with the battalion competition. Those 10 that make the cut will then first go to the Pre-Ranger Course held at the Warrior Training Center at Fort Benning, Ga., and after completing that course, they will then move on to Ranger School.
Many who competed said they know that both the Pre-Ranger and Ranger Courses are rigorous and challenging, but they had prepared themselves to meet those physical and mental challenges.
But for now, the first challenge was to get through the battalion selection process, which many discovered wasn't going to be easy.
For those to be successful, it comes down to having the mental fortitude to push through, said competitors.
And for many in the competition, earning the tab was a long-standing goal.
And for others it comes down to simply wanting to be among the best.


From padlock keys to keys to those that fit trunks long gone, old keys seem to collect in drawers, buckets and coffee cans overnight. When cleaning out your home or business, don't throw out your old and unwanted keys with today's trash. Since the keys are metal, you can sell the old keys for scrap. You can make some money and do something good for the environment at the same time. Before selling your old keys for scrap, check to make sure the keys are not to a lock or door you currently have or use.
Remove any key rings, plastic or paper tags from the old keys. Place the waste in a trash bag or can.
Place the old keys in one or more boxes.
Take the old keys to a scrap metal merchant in your area.
Inform the scrap metal merchant you would like to sell the box(es) of old keys. The old keys will be weighed and a value will be determined.
If there no scrap metal merchants in your area, click on the "Scrap Metals Directory" link in the Resources section of this article to locate a merchant in another area of your state. For plastic keys, consider taking those keys to a recycling facility in your area. Scrap metal merchants only accept metal objects.


No matter your insect issue-- be termites, cockroaches, or rodents-- nobody takes pleasure in the sight of a bug scooting throughout their walls and corridors. After all, numerous insects are known to provide a variety of health dangers, with some even known for carrying diseases into your house. Unfortunately, when you identify one insect that frequently suggests there are hundreds of them hiding somewhere and prepared to additional infest your house. When this occurs, you'll wish to work with the best pest control expert around to protect your property.
When the bed bugs remain in your house, they'll be going from 1 location to another. Bed bugs are intrusive bugs New Brunswick, NJ that might be hard to detect. They are best dealt with by an skilled specialist.
Bed bugs are somewhat more durable and resistant than each bug, consisting of rats and cockroaches in New Brunswick, NJ . Unless a bed bug was identified, the very first symptom of an infestation is usually the existence of skin irritation. Once bed bugs have actually invaded your home, they can be rather difficult to get rid of. They can be harder to treat than other household bug bugs for a few factors. Considering that they are hard to see, use a magnifying glass. They don't remain on the human that they are feeding on therefore they will normally hide in clothes and aim to get to a new area. They are unable to endure high temperatures, making heat a extremely reliable treatment method .
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Ways To Start with Bed Bugs Exterminator or Pest Control Specialist New Brunswick, NJ ?
Generally, skilled bug control organisation will use a couple of choices of treatment techniques like vacuuming, cleansing, steaming and other mechanical approaches to completely eliminate the bed bug infestation. There are several pest control business that may assist you for the specific very same. Generally speaking, many good pest control organisations will at first send down a professional to run a visual evaluation of your home before quoting you a price New Brunswick, NJ .
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Anton Ferdinand Schaller (6 March 1773 – 26 September 1844) was an Austrian painter in the Classical style.

Biography
Schaller was born and died in Vienna. His father was a lathe operator at the Imperial State Porcelain Manufactory. His younger brother, Johann Nepomuk, became a sculptor. Anton was originally apprenticed to a potter, but displayed more aptitude for art and, from 1789, attended a course on handicrafts and decorative sculpture, sponsored by the Academy of Fine Arts, that was taught by .

He also served as an apprentice at the Manufactory, where his drawing skills were recognized by its Director, Matthäus von Niedermayer, about whom little is known, other than his corporate practices. After Anton was awarded a prize for an oil painting of a scene from Iphigenia in Tauris, by Goethe, Niedermayer commissioned him to create porcelain designs based on historical paintings. From 1801 to 1807, he worked as the first figure painter at the Manufactory.

At that time, he developed an unspecified nervous disorder that prevented him from working until 1818. The following year, he became a "" at the Academy's painting and sculpture school.

In addition to his professional work, he did numerous drawing studies of nature and anatomy. In 1831, this led to an appointment as Professor of anatomical drawing at the Academy. From that point on, most of his energies were devoted to teaching, with an occasional oil painting, mostly on historical themes. Later, he became a member of the Academy. He also wrote essays on art, to accompany his classes; some of which have been published in several editions.

He had two sons who also became artists; , a church and history painter, and , a sculptor.

Sources
 Schaller, Anton. In: Georg Kaspar Nagler: Neues allgemeines Künstler-Lexicon, Band 15, Verlag von E. A. Fleischmann, München 1845, S. 138–139 ()

External links

1773 births
1844 deaths
Austrian painters
History painters
Ceramics decorators
Academic staff of the Academy of Fine Arts Vienna
Artists from Vienna


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I Did Not Watch…
August 12th, 2011 at 12:18 am
…the Republican debate tonight, but I did just click over to the NYTs blow-by-blow where I saw this:
"Asked whether he would have vetoed the debt ceiling deal, Mitt Romney, the former governor of Massachusetts, answered, "I'm not going to eat Barack Obama's dog food."
It's not clear exactly what he was talking about."
No…it's not clear at all.
Share the post "I Did Not Watch…"
Categories: New Posts | 7 Comments »
7 comments in reply to "I Did Not Watch…"
Joel W says:
I'm going to assume that Romney meant he wasn't going to answer a question that made him deal with crappy things that Obama has to deal with. He, as not President, gets to attack and pander and then not have to answer to the hard decisions.
What is clear is, that he is desperately trying to outdo the crazy. Needs more practice, my friend.
Lawrence Berg says:
A startling fact was revealed during the GOP debate last night. Not one of the candidates have ever even so much as read the front cover of an economics text book. In spite of this, each candidate declared him or her self fully capable of leading the nation's economy to greatness pretty much with a flick of the wrist. A tax cut here, a deregulation there, and prosperity shall abound.
Dick C says:
And yet, these are the kind of guys Obama seems to want to please.
Ron E. says:
What he meant is he would like to tie Obama to the roof his car and go for a drive.
Jared Bernstein says:
Ahh…now I get it.
Scott Supak says:
Interesting quote from a man who tied his family dog to the roof of the car for a trip.
Update re: On the Economy
November jobs report shows clear, virus-related slowing
October jobs: better than expected but a long way to go
September 2020 jobs report: Slowing jobs gains and a huge spike in long-term unemployment
Unemployment down but so is pace of job gains
Copyright © 2023 On The Economy - a Jared Bernstein blog


text:
Суляевский — хутор в Кумылженском районе Волгоградской области России. Административный центр Суляевского сельского поселения. Население  чел. ().

История
В соответствии с Законом Волгоградской области от 14 февраля 2005 года № 1006-ОД «Об установлении границ и наделении статусом Кумылженского района и муниципальных образований в его составе» хутор стал центром образованного Суляевского сельского поселения.

География
Расположен в западной части региона, в лесостепи, в пределах Хопёрско-Бузулукской равнины, являющейся южным окончанием Окско-Донской низменности, на р. Кумылга. С центром Суляевского поселения фактически слились хутора Аверинский, Жуковский, Тюринский.

Абсолютная высота 75 метров над уровнем моря.

Уличная сеть
состоит из 18 географических объектов:
 Переулки: Дорожный пер.,  Кумылженский пер.,  Новый пер.,  Песчаный пер.,  Речной пер.,  Сосновый пер.,  Школьный пер.
 Улицы:  ул. 50 лет Победы,  ул. 70 лет Октября,  ул. Кленовый,  ул. Колхозная,  ул. Майская,  ул. Маршала Жукова,  ул. Мира,  ул. Набережная,  ул. Песчаная,  ул. Садовая,  ул. Советская.

Население

 Гендерный состав
По данным Всероссийской переписи населения 2010 года в гендерной структуре населения из 682 человек мужчин — 324, женщин — 358 (47,5 и 52,5 % соответственно).

 Национальный состав
Согласно результатам переписи 2002 года, в национальной структуре населения
русские составляли 92 % из общей численности населения в 709 чел..

Инфраструктура
Развитое сельское хозяйство. Личное подсобное хозяйство.

Транспорт
Срединный пункт автодороги межмуниципального значения «Кумылженская — Суляевский — Покручинский» (идентификационный номер 18 ОП МЗ 18Н-65).

Остановка «Суляевский», автобусы маршрута 654.

Ссылки

Примечания

Населённые пункты Кумылженского района


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172 – Bass Drum of Death
Filed under: B, Oxford Miss. — assman41 @ 3:34 pm
Last week, while at work, I was completing some tasks after deadline. Since there was only one other person in the office, I decided to turn on some music.
The volume was loud enough that she could hear it, and, after a while, she said it sounded familiar and asked what I was listening to.
I semi-pretentiously told her she hadn't heard of Bass Drum of Death, but I did agree that it sounded familiar. That's because the garage rock outfit from Oxford, Miss., isn't exactly charting new territory. John Barrett and his crew are following the sure-fire formula of guitar and drums, simple lyrics and short songs.
But despite its heavily trafficked status, rock music at its most bare bones will always appeal to the masses.
The above tune is the first single off the group's second full-length release, the self-titled album that came out this past June. Clocking in at just under 35 minutes, the 11 tracks here are reminiscent of Cloud Nothings — and pretty much every other garage band that likes distortion.
It's a slight progression for the debut full-length, 2011's Gb City. That album was not only bare bones, but it was only about half as skeletal as its successor.
You can hear the simplicity on the title track.
The act has been around since 2008, when, as a solo project, it was known as John Barrett's Bass Drum of Death. But it wasn't until Barrett enlisted the help of others that the group really started to take off.
It has had songs featured in movies (Ghost Rider: Spirit of Vengeance), video games (MLB 2K12 and Grand Theft Auto V) and commercials (for H&M clothing and NASCAR). I suppose that's where my co-worker could have heard of them, since she's a big NASCAR fan.
Anyway, if you're just looking to kill some time or tired of listening to your iPod on shuffle, feel free to check out this band. It's not re-inventing the wheel, but it's a good palate cleanser.


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5G Network Slicing and Enterprise Networking
by Patrick MeLampy
One of the most compelling aspects of the 5G Network architecture is called "Network Slicing". This will allow edge connections to join a specific network for a specific purpose. The networks will be mobile and ad-hoc, allowing connections to come and go. This may change the entire concept of wide area networking with fixed 5G wireless branches and wireless 5G endpoints for corporate use. 5G network slicing could replace the need for VPNs for remote or home office workers. Probably most important is that each network slice can specify what the network capabilities should be. These capabilities can be defined to support low-latency low-loss applications like real time voice, and 2nd class bulk transport for copy data backup. Plus endpoints could connect to more than one slice at a time.
This type of network slicing is driven by virtual and real interface attachments and detachments. Once attached, the network of who is reachable is limited to just those permitted. This type of segmentation is logical, and has evolved from our concepts of virtual local area networks (VLANs) and MPLS-VPNs (VRFs). By logical, I mean that the networking is based on how you attach to the network, not where you attach. The 5G network operators will likely charge for each network slice, and network slicing could become a best current practice in securing wide area networks.
If each device and each user only used a network for one application, then a single slice would be sufficient. But most network connections are used for multiple applications. These applications have different requirements, and different network needs. It would be possible to have an endpoint connect to multiple networks, once for voice, one for regular traffic, and one for backup. But the cost of these slices, and the risks of intentional or accidental bridges between networks may pose problems.
The 5G network slice has no formally defined interoperation with any existing networking models. Instead, administrators map existing segmentation techniques such as VLAN's and VRF's to 5G interface slices to create segmentation schemes. This technique would require extensive provisioning, and result in large numbers of routing table entries and ACL's. This would represent yet another type of segmentation which has manual mapping to other types of segmentation. We can add this to the pile of complexity that we currently have that includes MPLS-VPNs, VRF's VxLANs, VLANs, Nested VLANs, and IPSEC Tunnels. This tower of Babel will limit the benefits of 5G slices to the lowest common denominator of segmentation technologies.
One of the really big differences though is the 5G Slices are mobile. Endpoints can attach to slices as they move around from one location to another. Internet of Thing devices that are in vehicles could stay connected to a slice while in transit. Internetworking with 5G Slices opens up a new possibility for advancing networking routing beyond the slew of 1990's technologies in use today. The requirements for internetworking a 5G Slice should include:
Support for semantic "named" slices and network attachment
Mapping of Applications & Services to slices with semantic "names"
Mapping of all existing network resources to named slices
Simultaneous use of multiple slices and Internet access with no possibility of bridging except by policy controlled/distributed by slice owner and NOT 5G operator
Support for semantic based segmentation models that are a superset of all others (i.e. tenancy models)
With the innovative wave of Software Defined Network functions, it is likely new ways of internetworking will emerge as 5G is deployed providing a network slicing technology that spans existing networks and 5G. This will allow networkers to take a giant step forward in WAN technology. At the center of the new technique will be semantic objects, named for human understanding. Absent will be limited numeric indexes, proliferation of routing tables, complex combinations of restrictive ACL's and enabling reachable routes.
With new approaches, new levels of security and segmentation should emerge. The notion of segmentation that is nested and possibly overlapping may simplify our security definitions. For a hierarchical example consider an employee who is an engineer and on a cyber security team may need to be simultaneously in three segments:
Cybersecurity team
For an overlapping example, consider a large number of centralized IoT collectors that must simultaneously interact with the IoT devices on one slice, and supply collected and aggregated results to another slice.
But probably the single greatest reason new internetworking will be required is to secure the routing infrastructure. Only authenticated sessions, and signed and secured policies must be interpreted. Stolen credentials to access a slice must be prevented.
Software networking will provide us with the capabilities we need. Embrace software and open your mind to new possibilities of integrating slices into our future networks.
Patrick MeLampy
Chief Operating Officer at 128 Technology
Patrick Melampy, one of the co-founders of 128 Technology, has served as the company's Chief Operating Officer and director since inception. With Andrew, Patrick co-founded Acme Packet Inc. and served as its Chief Technology Officer since August 2000. Patrick has nearly 15 years of communications engineering experience. He served as Vice President of Engineering of Priority Call Management since 1989. At PCM, Patrick developed and supported PCM's network telecommunications products and grew the engineering team from two to 75 members. He has developed intellectual property portfolios at PCM, LHS PCM, and Acme Packet. Patrick holds a BS degree in Mechanical Engineering from the University of Pittsburgh and an MBA from Boston University.