text:
Q: Core Animation:Failed to allocate bytes. using core-plot on iPad im new to iphone developing so please teach me on stuff that i may miss out.
so basically i have graphview.m which creates a coreplotviewcontroller.view in this way
    CorePlotViewController *aCorePlotViewController = [[CorePlotViewController alloc] initWithNibName:@"CorePlotViewController" bundle:nil];
aCorePlotViewController.view.bounds = CGRectMake(0,0,896,605);
aCorePlotViewController.view.center = CGPointMake(576, 374.5);
[aCorePlotViewController.view setTag:99];

[self.view addSubview:aCorePlotViewController.view];

i have a button in graphview.m which will sort of refresh the Coreplotview in this way
[[self.view viewWithTag:99]removeFromSuperview];

CorePlotViewController *aCPView = [[CorePlotViewController alloc] initWithNibName:@"CorePlotViewController" bundle:nil];
aCPView.view.bounds = CGRectMake(0,0,896,605);
aCPView.view.center = CGPointMake(576, 374.5);
[aCPView.view setTag:99];
[self.view addSubview:aCPView.view];

in the simulator it works fine, the coreplot view which has a graph is being refreshed. but on the iPad , after refreshing for awhile, i get an error which is logged like this
CoreAnimation:failed to allocate 2168448 bytes.
So  im thinking maybe the memory that was allocated to it was not released?(i don't know).
Here are my CorePlotViewController.h and .m files.
CorePlotViewController.h
#import <UIKit/UIKit.h>
#import "CorePlot-CocoaTouch.h"
#import "GraphView.h"

@interface CorePlotViewController : UIViewController <CPPlotDataSource>

{
CPXYGraph *graph;

NSMutableArray *dataForPlot;
NSMutableArray *dataForPlot2;

NSMutableArray *finalDatas;

NSMutableArray *numofdata;
NSMutableArray *numofdata2;
}

@property(readwrite, retain, nonatomic) NSMutableArray *dataForPlot;
@property(readwrite, retain, nonatomic) NSMutableArray *dataForPlot2;
@property(readwrite, retain, nonatomic) NSMutableArray *finalDatas;

@property(readwrite, retain, nonatomic) NSMutableArray *numofdata;
@property(readwrite, retain, nonatomic) NSMutableArray *numofdata2;

@end

CorePlotViewController.m
  #import "MedicalBedAppDelegate.h"
#import "CorePlotViewController.h"

#import "UsageData.h"
#import "GraphView.h"

@implementation CorePlotViewController

@synthesize dataForPlot;
@synthesize dataForPlot2;
@synthesize finalDatas;
@synthesize numofdata,numofdata2;

-(NSUInteger)numberOfRecordsForPlot:(CPPlot *)plot{

    MedicalBedAppDelegate *appDelegate = (MedicalBedAppDelegate *)[[UIApplication sharedApplication] delegate];

    if ([appDelegate.timetodisplay objectAtIndex:0] == @"4 Hours") {
        return appDelegate.usagedatas.count;
    }
    else if ([appDelegate.timetodisplay objectAtIndex:0] == @"1 Hour") {
        return appDelegate.usagedatas.count;
    }

    else if ([appDelegate.timetodisplay objectAtIndex:0] == @"8 Minutes")
    {
        return appDelegate.usagedatas.count;
    }
    else if ([appDelegate.timetodisplay objectAtIndex:0] == @"1 Minute") {
        return appDelegate.usagedatas.count;
    }

}

- (void)viewDidLoad {

   [super viewDidLoad];

 MedicalBedAppDelegate *appDelegate = (MedicalBedAppDelegate *)[[UIApplication sharedApplication] delegate];
    graph = [[CPXYGraph alloc] initWithFrame: self.view.bounds];
    self.view = [[CPLayerHostingView alloc]initWithFrame:[UIScreen mainScreen].bounds];
    CPLayerHostingView *hostingView = (CPLayerHostingView *)self.view;
    hostingView.hostedLayer = graph;
    graph.paddingLeft = 0.0;
    graph.paddingTop = 0.0;
    graph.paddingRight = 0.0;
    graph.paddingBottom = 0.0;

    //This applies the 'background color to the graph available themes are
    //kCPDarkGradientTheme,kCPPlainWhiteTheme,KCPPlainBlackTheme,kCPStocksTheme,kCPSlateTheme
    CPTheme *Theme =[CPTheme themeNamed:kCPSlateTheme];
    [graph applyTheme:Theme];

    CPXYPlotSpace *plotSpace = (CPXYPlotSpace *)graph.defaultPlotSpace;
    plotSpace.xRange = [CPPlotRange plotRangeWithLocation:CPDecimalFromFloat(-0.015) length:CPDecimalFromFloat(14.2)];
    //plotSpace.xRange = [CPPlotRange plotRangeWithLocation:CPDecimalFromFloat(-0.5) length:CPDecimalFromFloat(14.4)];
    plotSpace.yRange = [CPPlotRange plotRangeWithLocation:CPDecimalFromFloat(-0.015) length:CPDecimalFromFloat(19.85)];
    //plotSpace.yRange = [CPPlotRange plotRangeWithLocation:CPDecimalFromFloat(-1) length:CPDecimalFromFloat(19.85)];

    CPLineStyle *lineStyle = [CPLineStyle lineStyle];
    lineStyle.lineColor = [CPColor blackColor];
    lineStyle.lineWidth = 0.0f;

    CPXYAxisSet *axisSet = (CPXYAxisSet *)graph.axisSet;
    axisSet.xAxis.majorIntervalLength = [[NSDecimalNumber decimalNumberWithString:@"1"] decimalValue];
    //axisSet.xAxis.majorIntervalLength = CPDecimalFromFloat(1.0);
    axisSet.xAxis.minorTicksPerInterval = 9;
    axisSet.xAxis.majorTickLineStyle = lineStyle;
    axisSet.xAxis.minorTickLineStyle = lineStyle;
    axisSet.xAxis.axisLineStyle = lineStyle;
    axisSet.xAxis.minorTickLength = 5.0f;
    axisSet.xAxis.majorTickLength = 10.0f;
    axisSet.xAxis.labelOffset = 5.0f;
    //axisSet.xAxis.majorTickLocations = 2;

    axisSet.yAxis.majorIntervalLength = [[NSDecimalNumber decimalNumberWithString:@"1"] decimalValue];
    axisSet.yAxis.minorTicksPerInterval = 9;
    axisSet.yAxis.majorTickLineStyle = lineStyle;
    axisSet.yAxis.minorTickLineStyle = lineStyle;
    axisSet.yAxis.axisLineStyle = lineStyle;
    axisSet.yAxis.minorTickLength = 0.0f;
    axisSet.yAxis.majorTickLength = 0.0f;
    axisSet.yAxis.labelOffset = 5.0f;

    //Alloc and init a Scatter plot
    CPScatterPlot *breathRatePlot = [[CPScatterPlot alloc]initWithFrame:CGRectMake(90, 12, 200, 25)] ;
    breathRatePlot.identifier = @"Breath Rate Plot";
    breathRatePlot.dataLineStyle.lineWidth = 3.3f;
    breathRatePlot.dataLineStyle.lineColor = [CPColor yellowColor];
    breathRatePlot.dataSource = self;
    [graph addPlot:breathRatePlot];
    //Add Plot symbols to the points
    CPPlotSymbol *greenCirclePlotSymbol = [CPPlotSymbol ellipsePlotSymbol];
    greenCirclePlotSymbol.fill = [CPFill fillWithColor:[CPColor greenColor]];
    greenCirclePlotSymbol.size = CGSizeMake(1.0 , 1.0);
    breathRatePlot.plotSymbol = greenCirclePlotSymbol;

    //Alloc and init a Scatter plot
    CPScatterPlot *noOfMovementRegisteredPlot = [[CPScatterPlot alloc]initWithFrame:CGRectMake(90, 12, 200, 25)];
    noOfMovementRegisteredPlot.identifier = @"Move Registered Plot";
    noOfMovementRegisteredPlot.dataLineStyle.lineWidth = 2.3f;
    noOfMovementRegisteredPlot.dataLineStyle.lineColor = [CPColor redColor];
    noOfMovementRegisteredPlot.dataSource = self;
    [graph addPlot:noOfMovementRegisteredPlot];
    //Add Plot symbols to the points
    CPPlotSymbol *greenCirclePlotSymbol2 = [CPPlotSymbol ellipsePlotSymbol];
    greenCirclePlotSymbol2.fill = [CPFill fillWithColor:[CPColor greenColor]];
    greenCirclePlotSymbol2.size = CGSizeMake(1.0, 1.0);
    noOfMovementRegisteredPlot.plotSymbol = greenCirclePlotSymbol2;

    //Get an instance of the appDelegate and set some vars to be used
    NSInteger indexPRowArrayInteger;
    NSString *indexPRowArrayString;
    indexPRowArrayString = [appDelegate.indexPathRowArray objectAtIndex:0 ] ;
    indexPRowArrayInteger = [indexPRowArrayString integerValue ];

    // Add some initial data
    NSMutableArray *contentArray =[[NSMutableArray alloc]init];
    NSMutableArray *contentArray2 =[[NSMutableArray alloc]init];

    NSNumber *BRNumber;
    NSString *BRString;
    NSNumber *NOMRNumber;
    NSString *NOMRString;
    NSString *DString;

    NSNumberFormatter *f = [[NSNumberFormatter alloc]init];
    [f setNumberStyle:NSNumberFormatterDecimalStyle];

    //Datetime section
    NSDateFormatter *dateFormat = [[NSDateFormatter alloc] init];
    [dateFormat setDateFormat:@"dd/MM/yyyy"];

    NSDateFormatter *timeFormat = [[NSDateFormatter alloc] init];
    [timeFormat setDateFormat:@"HH:mm:ss"];
    NSDate *now = [[NSDate alloc] initWithTimeIntervalSinceNow:-4*60*60];//time from 4 hrs ago
    NSString *theTime = [timeFormat stringFromDate:now];
    NSDate *cDate1 = [timeFormat dateFromString:theTime];

    NSDate *now1Hr = [[NSDate alloc] initWithTimeIntervalSinceNow:-1*60*60];//time from 1hr  ago
    NSString *theTime1Hr = [timeFormat stringFromDate:now1Hr];
    NSDate *cDate1Hr = [timeFormat dateFromString:theTime1Hr];

    NSDate *now8Mins = [[NSDate alloc] initWithTimeIntervalSinceNow:-8*60];//time from 8Mins ago
    NSString *theTime8Mins = [timeFormat stringFromDate:now8Mins];
    NSDate *cDate8Mins = [timeFormat dateFromString:theTime8Mins];

    NSDate *now1Min = [[NSDate alloc] initWithTimeIntervalSinceNow:-1*60];//time from 1Min ago
    NSString *theTime1Min = [timeFormat stringFromDate:now1Min];
    NSDate *cDate1Min = [timeFormat dateFromString:theTime1Min];

    NSUInteger i;
    NSUInteger i2;
    numofdata = [[NSMutableArray alloc]init];
numofdata2 = [[NSMutableArray alloc]init];

for ( i = 0; i < appDelegate.usagedatas.count; i++ ) {
    //NSLog(@"appdelcount= %d",appDelegate.usagedatas.count);

    UsageData *aUsageDataInstance = (UsageData *)[appDelegate.usagedatas objectAtIndex:i];

    BRString = aUsageDataInstance.breathrate;
    BRNumber = [f numberFromString:BRString];

    DString = aUsageDataInstance.time;
    NSDate *cDate2 = [timeFormat dateFromString:DString];

    NSTimeInterval time = [cDate2 timeIntervalSinceDate:cDate1];
    NSTimeInterval time1Hr = [cDate2 timeIntervalSinceDate:cDate1Hr];
    NSTimeInterval time8Mins = [cDate2 timeIntervalSinceDate:cDate8Mins];
    NSTimeInterval time1Min = [cDate2 timeIntervalSinceDate:cDate1Min];

    if ([appDelegate.timetodisplay objectAtIndex:0] == @"4 Hours") {
        id x = [NSNumber numberWithFloat: ((time/132)/9)];
        id y = [NSNumber numberWithFloat:([BRNumber intValue]/1.975) ];
        [contentArray addObject:[NSMutableDictionary dictionaryWithObjectsAndKeys:x, @"x", y, @"y", nil]];
    }

        //calculation = (time(interval from how many hrs/mins ago) / seconds of 1 minor-interval of x-axis(NOT MAJOR,1major has 10 minor intervals)/9
            //time = the number of seconds from the time in the database to the current time

        else if ([appDelegate.timetodisplay objectAtIndex:0] == @"1 Hour") {
            id x = [NSNumber numberWithFloat:((time1Hr/33.3)/9)];
            id y = [NSNumber numberWithFloat:([BRNumber intValue]/1.975) ];
            [contentArray addObject:[NSMutableDictionary dictionaryWithObjectsAndKeys:x, @"x", y, @"y", nil]];
        }
        else if ([appDelegate.timetodisplay objectAtIndex:0] == @"8 Minutes") {
            id x = [NSNumber numberWithFloat: ((time8Mins/4.4)/9)];
            id y = [NSNumber numberWithFloat:([BRNumber intValue]/1.975) ];
            [contentArray addObject:[NSMutableDictionary dictionaryWithObjectsAndKeys:x, @"x", y, @"y", nil]];
        }
        else if ([appDelegate.timetodisplay objectAtIndex:0] == @"1 Minute") {
            id x = [NSNumber numberWithFloat: ((time1Min/0.53)/9)];
            id y = [NSNumber numberWithFloat:([BRNumber intValue]/1.975) ];
            [contentArray addObject:[NSMutableDictionary dictionaryWithObjectsAndKeys:x, @"x", y, @"y", nil]];
        }
    }
    self.dataForPlot = contentArray;

    for ( i2 = 0; i2 < appDelegate.usagedatas.count; i2++ ) {
        UsageData *aUsageDataInstance = (UsageData *)[appDelegate.usagedatas objectAtIndex:i2];

        NOMRString = aUsageDataInstance.noofmovereg;
        NOMRNumber = [f numberFromString:NOMRString];

        DString = aUsageDataInstance.time;
        NSDate *cDate2 = [timeFormat dateFromString:DString];

        NSTimeInterval time = [cDate2 timeIntervalSinceDate:cDate1];
        NSTimeInterval time1Hr = [cDate2 timeIntervalSinceDate:cDate1Hr];
        NSTimeInterval time8Mins = [cDate2 timeIntervalSinceDate:cDate8Mins];
        NSTimeInterval time1Min = [cDate2 timeIntervalSinceDate:cDate1Min];

        if ([appDelegate.timetodisplay objectAtIndex:0] == @"4 Hours") {
        id x2 = [NSNumber numberWithFloat: ((time/132)/9)];
        id y2 = NOMRNumber;
        [contentArray2 addObject:[NSMutableDictionary dictionaryWithObjectsAndKeys:x2, @"x", y2, @"y", nil]];

        }
    else if ([appDelegate.timetodisplay objectAtIndex:0] == @"1 Hour") {
            id x2 = [NSNumber numberWithFloat:((time1Hr/33.3)/9)];
            id y2 = NOMRNumber;
            [contentArray2 addObject:[NSMutableDictionary dictionaryWithObjectsAndKeys:x2, @"x", y2, @"y", nil]];

        }
        else if ([appDelegate.timetodisplay objectAtIndex:0] == @"8 Minutes") {
            id x2 = [NSNumber numberWithFloat: ((time8Mins/4.4)/9)];
            id y2 = NOMRNumber;
            [contentArray2 addObject:[NSMutableDictionary dictionaryWithObjectsAndKeys:x2, @"x", y2, @"y", nil]];

        }
        else if ([appDelegate.timetodisplay objectAtIndex:0] == @"1 Minute") {
            id x2 = [NSNumber numberWithFloat: ((time1Min/0.53)/9)];
            id y2 = NOMRNumber;
            [contentArray2 addObject:[NSMutableDictionary dictionaryWithObjectsAndKeys:x2, @"x", y2, @"y", nil]];
        }
    }
    self.dataForPlot2 = contentArray2;

    //release for memory management.
    [dateFormat release];
    [timeFormat release];
    [now release];
    [now1Hr release];
    [now8Mins release];
    [now1Min release];
    [f release];
    [noOfMovementRegisteredPlot release];
    [breathRatePlot release];

    [contentArray release];
    [contentArray2 release];

    }

-(NSNumber *)numberForPlot:(CPPlot *)plot
                     field:(NSUInteger)fieldEnum
               recordIndex:(NSUInteger)index
{
    NSNumber *num = [[dataForPlot objectAtIndex:index] valueForKey:(fieldEnum == CPScatterPlotFieldX ? @"x" : @"y")];
    NSNumber *num2 = [[dataForPlot2 objectAtIndex:index] valueForKey:(fieldEnum == CPScatterPlotFieldX ? @"x" : @"y")];

    if ([(NSString *)plot.identifier isEqualToString:@"Breath Rate Plot"])
    {
        if ( fieldEnum == CPScatterPlotFieldY )
            num = [NSNumber numberWithDouble:[num doubleValue] ];
        return num;
    }
        else {
            num2 = [NSNumber numberWithDouble:[num2 doubleValue] ];
        return num2;
    }

}
- (BOOL) shouldAutorotateToInterfaceOrientation: (UIInterfaceOrientation) interfaceOrientation {
    // Return YES for supported orientations
    return (interfaceOrientation == UIInterfaceOrientationLandscapeRight || interfaceOrientation == UIInterfaceOrientationLandscapeLeft );
}

- (void)didReceiveMemoryWarning {
    // Releases the view if it doesn't have a superview.
    [super didReceiveMemoryWarning];

    // Release any cached data, images, etc that aren't in use.
}

- (void)dealloc {

    [graph release];
    [dataForPlot release];
    [dataForPlot2 release];
    [finalDatas release];
    [numofdata release];
    [numofdata2 release];
    [super dealloc];

}

@end

A: You're not releasing either of your CorePlotViewController instances, which over time will cause a problem.  After adding the VC's view as a subview you can release the controller, i.e. [aCorePlotViewController release];.  Then do the same for the refresh.
If that doesn't fix it, try doing a Build & Analyze to see if you're having memory issues elsewhere.


text:
Q: PHP code for parsing JSON Hi everyone can somebody tell me how we can get this with php
  {
    "image": "http:....jpg",
    "caption": "Super Commando Dhruva",
    "username": "bill",
    "comments": [
        "abc",
        "efg",
        "hij",
        "klm"
    ]
},

this is giving me 4 objects in the JSON code
while($row = mysqli_fetch_array($res))
{
    array_push($result, array('image'=>$row[0],'caption'=>$row[1],'username'=>$row[2],
    'comments'=>array($row[3])));

}
echo json_encode($result);

ok guys here is also the select statement:
"SELECT Post.image, Post.caption, Post.username, comments.comments FROM Post JOIN comments ON (Post.id=comments.post_id)";

thanks a lot

A:  $a = '{
               "image": "http:....jpg",
               "caption": "Super Commando Dhruva",
               "username": "bill",
               "comments": [
                   "abc",
                   "efg",
                   "hij",
                   "klm"
               ]
           }';

           $b = json_decode($a);

           print_r($b);

use json_decode function for it.

A: You need to look at the structure of what you presented and understand it:
Array
(
   key: value,
   key: value,
   key: Array
   (
      Value, Value, Value
   )
)

In PHP that would be:
$items = array("key" => "value",
               "key" => "value",
               "key" => array("Value1", "Value2", "Value3"));

print_r(json_encode($items));

Now, if you would like to put that into multiple arrays while looping, you just need to declare the variable before the loop and tell the array it will receive multiple arrays.
$items = array();

for(myLoop)
{
   $items[] = array("key" => "value",
                    "key" => "value",
                    "key" => array("Value1", "Value2", "Value3"));
}

A: Okay, a few things here...
Your result set
You are not performing a GROUP BY on your query. Based on your JOIN, you will get a row back for each comments record with a relationship to a Post record
Two points about this:

*

*Your query will not return any Post record that does not have any comments. If you require this, use LEFT JOIN.

*A row will be returned for every comments record with a relationship to a Post record. If a Post record has three comments, you will get three rows, which implies some duplication in your result set.
See this SQLFiddle to see what I mean.
In any case, you'll end up with a result set that will look something like this.

This is fine - probably not optimal - it implies that you would have to do some filtering to your result set on the PHP level.
Creating an iterable result set
Let's explore how to handle this. If your Post table has a primary/unique column, add that to your SELECT query. Let's assume Post has a primary key column called id:
SELECT p.id,
       p.image,
       p.caption,
       p.username,
       c.comments
  FROM Post AS p
  JOIN comments c
    ON p.id = c.post_id;

Your result set now looks like this:

If you are using PHP >= 5.3, you can save yourself some boilerplate... Forget the while loop and use mysqli_fetch_all() to return the entire result set in a single call.
$rows = mysqli_fetch_all($res, MYSQLI_ASSOC);

Also note, the flag MYSQLI_ASSOC. The variable $rows is an array of the result set as associative arrays. For example, if you print_r($rows) my example you get:
Array
(
    [0] => Array
        (
            [id] => 1
            [image] => bob.jpg
            [caption] => I am Bob!
            [username] => Bob
            [comment] => First!
        )

    [1] => Array
        (
            [id] => 1
            [image] => bob.jpg
            [caption] => I am Bob!
            [username] => Bob
            [comment] => I concur
        )

    [2] => Array
        (
            [id] => 1
            [image] => bob.jpg
            [caption] => I am Bob!
            [username] => Bob
            [comment] => I <3 SO
        )

)

Iterating over and modifying the result set
We would now need to iterate over this result set, grouping it and nesting the comments. There are a million ways to do this - one standard, mechanical way would be:
<?php

// ...

$results = [];

// iterate over each row
foreach ($rows as $row) {

    // create a key from the unique/primary key
    $key = $row['id'];

    // add to results, initialise nested comments
    if (!array_key_exists($key, $results)) {
        $results[$key] = [
            'image'    => $row['image'],
            'caption'  => $row['caption'],
            'username' => $row['username'],
            'comments' => [],
        ];
    }

    // add the nested comment, if it's not null
    if (null !== $row['comment']) {
        $results[$key]['comments'][] = $row['comment'];
    }
}

// echo... array_values removes the keys from `$results`
// and re-establishes a standard 0-indexed array
echo json_encode(array_values($results), JSON_PRETTY_PRINT);

For my example, this yields:
[
    {
        "image": "bob.jpg",
        "caption": "I am Bob!",
        "username": "Bob",
        "comments": [
            "First!",
            "I concur",
            "I <3 SO"
        ]
    }
]

If you perform your query with a LEFT JOIN then the json comments field will be an empty array for any record that does not have related comments.
Alternative suggestion
Another approach would be to modify your query, GROUP BY the Post.id and perform a MySQL GROUP_CONCAT on the comments field, defining a separator character. Then you could iterate over the result set and explode() on that separator character and do the nesting that way. For example:
SELECT p.image,
       p.caption,
       p.username,
       GROUP_CONCAT(c.comments SEPARATOR '%%%') AS comments
  FROM Post AS p
  JOIN comments c
    ON p.id = c.post_id
 GROUP BY p.id;

Note that you no longer need p.id. This would yield one row per Post record; e.g:

As you can see your comments are now concatenated into a single string, with each comment delimited by %%%:

First!%%%I concur%%%I <3 SO

In PHP, iterate over that result set; e.g:
// note that we are handling row data by reference
foreach ($rows as &$row) {
    // explode the comments string
    // on '%%%' and reassign value
    // to comments field
    $row['comments'] = explode('%%%', $row['comments']);
}

$result = json_encode($rows);

This entails less PHP code, and may (or may not) be faster, but it is also potentially brittle; if you defined a separator that appeared in your comments, you would end up exploding your data into unintended chunks... YMMV. But it's always good to know that there's more than one way to skin a cat!
Reference

*

*mysqli_fetch_all()

*array_key_exists()

*array_values()

*Passing by reference
Hope this helps :)

redpajama_set_name: RedPajamaStackExchange


text:
The history of the Battle of Hue City
Pentagon approves new tanker for production
Military.com
The U.S. Defense Department has approved the Air Force's new KC-46A Pegasus refueling tanker for initial production despite recent technical challenges that resulted in program delays.
The service late last week announced that Frank Kendall, the Pentagon's chief weapons buyer, approved the Boeing Co.-made aircraft based on the 767 airliner for low-rate initial production, known in acquisition parlance as Milestone C.
Secretary of Defense Ash Carter receives a tour of a Boeing KC-46 at at the Boeing facilities in Seattle, March 3, 2016. | US Navy photo by Tim D. Godbee
"I commend the team for diligently working through some difficult technical challenges," Air Force Secretary Deborah Lee James, said in a statement.
Earlier in the week, she suggested Kendall's decision might not come until later in the month and that failure by Congress to approve a budget for the fiscal year beginning Oct. 1 would hurt the acquisition effort.
Under a continuing resolution, "KC-46 production would be capped at 12 aircraft," not the 15 as proposed in the fiscal 2017 budget, and the result would be to "delay operational fielding of this platform," James said.
Parts of the plane that required reworking included the boom used to refuel Air Force planes (hoses extend from the body and wings to refuel Navy and Marine Corps aircraft, as well as those from allies); the fuel system (which was overhauled after workers loaded a mislabeled chemical into it); and wiring and software.
Boeing has reportedly spent more than $1.2 billion on the repairs, including installing hydraulic pressure relief valves to alleviate "higher than expected axial loads in the boom" discovered in tests to refuel the C-17 Globemaster III, according to the Air Force statement.
Concept image | Boeing
Air Force Chief of Staff Gen. David L. Goldfein said he was confident "the KC-46 is ready to take the next step."
Meanwhile, Darlene Costello, an acquisition executive with the service, said, "I appreciate Boeing's continued focus as they work to finish development prior to first aircraft delivery."
Boeing plans to deliver the first 18 KC-46As to the service by January 2018, a date that was previously scheduled for August 2017.
The Air Force within the next month will award the Chicago-based aerospace giant two contracts with a combined value of $2.8 billion for 19 aircraft.
The service plans to spend $48 billion to develop and build 179 of the planes to replace its aging fleet of KC-135s, according to Pentagon budget documents. Boeing forecasts an $80 billion global market for the new tankers, the website Trading Alpha has reported.
The Air Force has selected as preferred bases for the aircraft Altus Air Force Base in Oklahoma, McConnell Air Force Base in Kansas, and Pease Air National Guard Base in New Hampshire.

redpajama_set_name: RedPajamaCommonCrawl


text:
Umberto Eco (he's a f**king semiologist), Peaky Blinders, grief and a bit of Gladiator...
It's great to see that someone has made a long-form TV series of The Name of the Rose. It's equally great to see that they have, so far at least, stayed true to the tortuous, wandering style and storytelling of the actual book. The risk of making TV like this is that, as it does not move at the frenetic pace that some TV goes for nowadays, it has no car chases, the only fight scenes are very much incidental to the storytelling, the risk, as I say, is that it becomes eight hours of boredom. There hasn't been much that has kept my undivided attention recently, but this, it seems, is it. I suppose Peaky Blinders might satisfy that same criterion - it's not something to watch whilst also trying to read, write, listen, play - that comes at the expense of an incredibly stressful experience. So, interestingly, Peaky Blinders was scheduled at the end of the weekend, Sunday night, when what you really need is something comforting and relaxing. The Name of the Rose is on Friday nights, which seems at odds with its leisurely pace, its frown-inducing plot and frankly opaque storytelling. I've read it twice, watched the film (Connery and Christian Slater - it's not bad, but it's not great). And I still can't remember what happened and, crucially, who did it. Still, it's a diversion. A real one, that is thoroughly absorbing and actually manages to quieten all those other things in my mind (the desire to do at least one, and possibly half-a-dozen, other things at the same time). And, because of the way it moves, it's not something where your heartbeat is elevated for the whole hour, so you don't feel like you've been running around afterwards.
People who read this blog regularly will perhaps be aware that around this time last year, I experienced a sudden and unexpected kind of bereavement: a work colleague (she was my immediate boss, but 'colleague' probably gets our work relationship across better) died. She had been treated for breast cancer, but appeared to be recovering. It was instead a pulmonary embolism that killed her. I am surprise that I find myself able to write these things, because thinking about them over the last week or so, particularly yesterday, has been very difficult and I would have found it almost impossible to speak those same words. The loss of a close colleague, friend, mentor, sparring partner, debating ally and opponent, someone whose life I had come to know, and who had come to know some details of mine that almost no one else had fully appreciated, well, it will be apparent from the list that it would have been hard. But that is nothing compared to the impact on those whose lives she was a central part of, and I feel pity for them still. Has time lessened my grief? I suppose, as there is a way in which it has: time and change and distance have brought me away from the same places, the same faces and routines which I associate with her. The immediacy is less. The best way I can think of it is that the sledgehammer moments of welling up are less frequent, and that is because of the lack of cues. I cannot imagine how difficult it is for those that are left behind, forced to walk the same corridors and be in those same rooms. For me, it is as the poem in the sidebar describes: it is exactly when I feel that weight of memory lifted that I notice, and in so noticing, the weight descends again. The difficult thing is to contemplate the long, desolate future of withoutness, the stark fact that a memory can sustain, but it is not the same thing as the person. The person is gone, distant, unreachable, but the memory is still there.
I cannot help but think that the ability to form these sorts of powerful memories, where these life-altering experiences are kind of burned into the fabric of who you are, is a bit of double-edged sword. It clearly has a value, in that it makes people capable of remembering useful stuff over vast quantities of 'noise', but it also has the terrible power to diminish a life. I have written on here about how I - and my characters, Edward Strelley in particular - try to deal with memories that make me sad by recasting them as happy memories. But I recognise that, taking Strelley himself as the model, an experience like his of a thwarted, doomed love, an intense passion never realised, a desire for another person that is wholly impossible, whilst also, cruelly, the person that he loves feels the same way about him, could shape the whole of the rest of his life. History prevents me from giving him the happy ending I might, as a sentimental old bastard, have given him. But we shall see. There is a kind of vagueness to my long-range planning that means even I do not know what the outcome will be.
So, to end: not Pirates this time, but the even greater work that is Gladiator:
Juba: It's somewhere out there; my country, my home. My wife is preparing food. My daughter is carrying water from the river. Will I ever see them again? I think no.
Maximus: Do you believe you will see them again when you die?
Juba: Yes I think I will. I will die soon. They will not die for many years. I have to wait.
Maximus: But you would…wait?
Juba: Of course.
Maximus: You see, my wife and my son are already waiting for me.
Juba: You will meet them again. But not yet. Not yet.
PS: That title probably only means something to about three people, none of whom, to my knowledge, read this blog. Make of that what you will.


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Is It O.K. to Tinker With the Environment to Fight Climate Change?
By Jon Gertner
Scientists are investigating whether releasing tons of particulates into the atmosphere might be good for the planet. Not everyone thinks this is a good idea.
For the past few years, the Harvard professor David Keith has been sketching this vision: Ten Gulfstream jets, outfitted with special engines that allow them to fly safely around the stratosphere at an altitude of 70,000 feet, take off from a runway near the Equator. Their cargo includes thousands of pounds of a chemical compound — liquid sulfur, let's suppose — that can be sprayed as a gas from the aircraft. It is not a one-time event; the flights take place throughout the year, dispersing a load that amounts to 25,000 tons. If things go right, the gas converts to an aerosol of particles that remain aloft and scatter sunlight for two years. The payoff? A slowing of the earth's warming — for as long as the Gulfstream flights continue.
Keith argues that such a project, usually known as solar geoengineering, is technologically feasible and — with a back-of-the-envelope cost of under $1 billion annually — ought to be fairly cheap from a cost-benefit perspective, considering the economic damages potentially forestalled: It might do good for a world unable to cut carbon-dioxide emissions enough to prevent further temperature increases later this century.
What surprised me, then, as Keith paced around his Harvard office one morning in early March, was his listing all the reasons humans might not want to hack the environment. "Actually, I'm writing a paper on this right now," he said. Most of his thoughts were related to the possible dangers of trying to engineer our way out of a climate problem of nearly unimaginable scientific, political and moral complexity. Solar geoengineering might lead to what some economists call "lock-in," referring to the momentum that a new technology, even one with serious flaws, can assume after it gains a foothold in the market. The qwerty keyboard is one commonly cited example; the internal combustion engine is another. Once we start putting sulfate particles in the atmosphere, he mused, would we really be able to stop?
Another concern, he said, is "just the ethics about messing with nature." Tall, wiry and kinetic, with thinning hair and a thick beard that gives him the look of the backcountry skier he is, Keith proudly showed me the framed badge that his father, a biologist, wore when he attended the landmark United Nations Conference on the Human Environment in Stockholm in 1972. Now 53, Keith has taken more wilderness trips — hiking, rock climbing, canoeing — than he can properly recall, and for their recent honeymoon, he and his wife were dropped off by helicopter 60 miles from the nearest road in northern British Columbia. "It was quite rainy," he told me, "and that ended up making it even better." So the prospect of intentionally changing the climate, he confessed, is not just unpleasant — "it initially struck me as nuts."
Read more at The New York Times Magazine.
The oil sands fundamentals are dire and stark – and Canada shouldn't spend to revive a dying dream
The world needs to explore solar geoengineering as a tool to fight climate change
Let's Talk About Geoengineering
Solar geoengineering: Science fiction – or saviour?
A Big-Sky Plan to Cool the Planet
bcc3baf84cb03c8ee79bb2992ace3a33


Boaz Redeems Ruth 4 1Now Boaz went up to the gate and sat down there; and behold, the close relative of whom Boaz had spoken came by. So Boaz said, "Come aside, [U]Heb. peloni almoni, lit. so and sofriend, sit down here." So he came aside and sat down. 2And he took ten men of the elders of the city, and said, "Sit down here." So they sat down. 3Then he said to the close relative, "Naomi, who has come back from the country of Moab, sold the piece of land which belonged to our brother Elimelech. 4And I thought to [V]Lit. uncover your earinform you, saying, 'Buy it back in the presence of the inhabitants and the elders of my people. If you will redeem it, redeem it; but if [W]So with many Heb. mss., LXX, Syr., Tg., Vg.; MT heyou will not redeem it, then tell me, that I may know; for there is no one but you to redeem it, and I am next after you.' " And he said, "I will redeem it." 5Then Boaz said, "On the day you buy the field from the hand of Naomi, you must also buy it from Ruth the Moabitess, the wife of the dead, to [X]Lit. raise upperpetuate the name of the dead through his inheritance." 6And the close relative said, "I cannot redeem it for myself, lest I ruin my own inheritance. You redeem my right of redemption for yourself, for I cannot redeem it." 7Now this was the custom in former times in Israel concerning redeeming and exchanging, to confirm anything: one man took off his sandal and gave it to the other, and this was a confirmation in Israel. 8Therefore the close relative said to Boaz, "Buy it for yourself." So he took off his sandal. 9And Boaz said to the elders and all the people, "You are witnesses this day that I have bought all that was Elimelech's, and all that was Chilion's and Mahlon's, from the hand of Naomi. 10Moreover, Ruth the Moabitess, the widow of Mahlon, I have acquired as my wife, to perpetuate the name of the dead through his inheritance, that the name of the dead may not be cut off from among his brethren and from [Y]Probably his civic officehis position at the gate. You are witnesses this day." 11And all the people who were at the gate, and the elders, said, "We are witnesses. The Lord make the woman who is coming to your house like Rachel and Leah, the two who built the house of Israel; and may you prosper in Ephrathah and be famous in Bethlehem. 12May your house be like the house of Perez, whom Tamar bore to Judah, because of the offspring which the Lord will give you from this young woman." Descendants of Boaz and Ruth 13So Boaz took Ruth and she became his wife; and when he went in to her, the Lord gave her conception, and she bore a son. 14Then the women said to Naomi, "Blessed be the Lord, who has not left you this day without a [Z]redeemer, Heb. goelclose relative; and may his name be famous in Israel! 15And may he be to you a restorer of life and a [A]sustainernourisher of your old age; for your daughter-in-law, who loves you, who is better to you than seven sons, has borne him." 16Then Naomi took the child and laid him on her bosom, and became a nurse to him. 17Also the neighbor women gave him a name, saying, "There is a son born to Naomi." And they called his name Obed. He is the father of Jesse, the father of David. 18Now this is the genealogy of Perez: Perez begot Hezron; 19Hezron begot Ram, and Ram begot Amminadab; 20Amminadab begot Nahshon, and Nahshon begot Salmon; [B]Heb. Salmah21Salmon begot Boaz, and Boaz begot Obed; 22Obed begot Jesse, and Jesse begot David.


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text:
Adult Vaccines
WebMD News Brief
FDA: Track Vaccine Recipients for Facial Paralysis
By Carolyn Crist
December 17, 2020 -- The FDA issued a staff report on Tuesday that recommends monitoring people who take the Pfizer and Moderna COVID-19 vaccines for potential cases of Bell's palsy, or facial paralysis.
The condition isn't considered a side effect of the vaccines, the staff wrote, but they plan to track the data on vaccine recipients to spot any potential cases.
The report said 4 of 30,000 participants in the Moderna clinical trial had Bell's palsy, including 3 participants who received the vaccine instead of the placebo. Similarly, 4 out of 43,000 participants in the Pfizer clinical trial had Bell's palsy, and all 4 received the vaccine.
The paralysis occurred between 22 days and 32 days after the shot, the FDA staff said. Two of the Bell's palsy cases in the Moderna trial have resolved. The staff has endorsed both of the COVID-19 vaccines and said there's not enough data to show whether the cases were tied directly to the vaccines, according to CNBC.
"There were no other notable patterns or numerical imbalances between treatment groups for specific categories of adverse events, including other neurologic, neuro-inflammatory, and thrombotic events, that would suggest a causal relationship to the Moderna COVID-19 vaccine," the staff wrote.
Importantly, the rate of Bell's palsy in the clinical trials is lower than the overall rate in the general population, they wrote. About 35 per 100,000 people get Bell's palsy in the U.S. each year, according to the National Organization for Rare Disorders, and about 40,000 Americans are diagnosed annually.
The exact cause of the condition isn't known, but it's typically associated with a viral infection, immune disorder or inflammation in the nerve that controls facial muscles, NORD said.
"It's a relatively benign condition," Anthony Geraci, MD, the director of neuromuscular medicine at Northwell Health in New York, told USA Today.
Geraci sees at least two patients per month with Bell's palsy, and they tend to recover in several weeks, he said. Severe or permanent conditions are extremely rare, he added, and encouraged people to not let the report prevent them from getting a COVID-19 vaccine.
"It's a cautionary tale that should not mitigate the larger good that both individuals and society are going to derive from all of these vaccines," he said.
The CDC said last week that it would monitor vaccine recipients for Bell's palsy but said the COVID-19 vaccines don't appear to cause the condition, according to CNBC. The FDA will also track data on facial paralysis cases as vaccines are administered to patients.
"Our working hypothesis is this just was an imbalance in background rates like we've seen in other trials, but we'll make sure that we're going to actually query for that just to bring that question to close," Peter Marks, MD, director of the FDA's Center for Biologics Evaluation and Research, said in an interview with JAMA on Monday.
Some anti-vaccination groups have used the Bell's palsy cases to question the safety of the vaccines, Reuters reported. But the FDA and CDC, as well as independent experts, have all said there is no reason to be alarmed by the handful of cases.
FDA, "FDA Briefing Document, Vaccines and Related Biological Products Advisory Committee Meeting, December 17, 2020."
CNBC, "FDA staff recommends watching for Bell's palsy in Moderna and Pfizer vaccine recipients."
National Organization for Rare Disorders, "Bell's palsy."
USA Today, "COVID-19 vaccine trials report cases of brief facial paralysis. That's not as scary as it sounds."
CNBC, "CDC will monitor for Bell's palsy among Pfizer vaccine recipients, but sees no causal relationship."
JAMA, "Coronavirus Vaccine FDA Update, posted December 14, 2020."
Reuters: "Fact check: Photo does not show three recipients of Pfizer's COVID-19 vaccine that developed Bell's palsy"
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Clean place with a tricky access!
"We generally don't give rooms to Indians: Blue bells resort Manager"
Good food, Very good Staff!!
Blue Bells Valley Resort is a 3 star accommodation which features a tree top restaurant. This property is situated at a distance of 1 km from 2nd Mile Bus Stand and 5 km from Pothamedu Viewpoint. This hotel in Munnar offers 8 spacious rooms which are well-equipped with basic amenities like work desk, telephone, wardrobe, sitting area, bottled drinking water and an attached bathroom with toiletries.


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14 September 2016 / SF News / Caleb Pershan
City Must Increase Airbnb Registration Fees By 400%, And It Doesn't Even Want To
The city's hands are tied: The fee charged to short-term rental hosts, currently $50 for two years, is set to quintuple to $250. That's based on San Francisco's short-term rental legislation, crafted with no shortage of input from industry leader Airbnb. According to the law, the city controller must annually review enforcement costs, then automatically adjust hosting fees to cover them.
That's what SF controller Ben Rosenfield tells the Chronicle, who learned of the news from a memo about the new fees sent out last week. "The way the ordinance is written, there is no discretion for our office" says Rosenfield.
The math goes like this: The six-person Office of Short-Term Rentals has an annual budget of $850,000, and it's levied fines that collect only a quarter of that. To close the gap, the city charges fees to hosts: So far that fee has been $50 for two years, but now that a year of data is available, the controller's office will annually revise the fee, and this time, it's going to have to be $250.
One chief reason for the much higher fee? Lack of registration: Just 1,700 hosts are registered of roughly 10,000 hosts in the city, by the Chronicle's count, meaning that scofflaw hosts are driving up costs for law-abiding ones. That phenomenon feels even more likely to continue with heightened registration fees, as officials themselves admit. "We have a concern about the chilling effect on registrations that such a dramatic increase could have," Office of Short Term Rentals director Kevin Guy tells the Chronicle. "It's our preference to keep the fee level to the current $50... Our strong preference is to reward the good actors who want to be registered hosts."
That could be possible if the Board of Supervisors were to butt in, revising the fee structure. But with that body feuding with San Francisco-based Airbnb, an intervention appears unlikely: Recently, the company sued the city over the Board's decision to directly fine short-term rental platforms like Airbnb and VRBO for listing unregistered units, rather than simply fining hosts.
Meanwhile, Airbnb is set to release a series of new ads in San Francisco, New York, Los Angeles, and Vancouver — battleground areas for short-term rentals —t hat appear to have a similar message to some previous Airbnb ads. No, not those short-lived, passive-aggressive billboards in which Airbnb congratulated itself for finally paying taxes and mocked library hours. Instead, as the company will argue, its very existence makes expensive city living affordable to hosts by offering them extra income.
Related: Airbnb Again At The Center Of Political Play This Election Year As Supervisors Fast-Track Amendments
Wednesday Lunchtime Links: Brief Gmail Outage
Judges on a federal appeals court panel in San Francisco questioned two prominent lawyers about whether a Berkeley cellphone warning law is unfairly alarming. [Bay City News] Google will pay you $200,000
We've Got Everything You Need To Build The Startup Of Your Dreams
Check out this curated list of courses for you to take your idea to an IPO in no time. It's easy to say you have a brilliant startup idea, but much harder
Caleb Pershan


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UFC 273 debutant Daniel Santos inspired by teammate Charles Oliveira's success: 'I'll be champion too'
Daniel Santos and Charles Oliveira | Photo via Chute Boxe Diego Lima
Chute Boxe's Diego Lima has a busy schedule in the coming months in the UFC with the return of lightweight champion Charles Oliveira and his teammates Allan Nascimento, Polyana Viana and Daniel Santos. The latter, a sparring partner of "Do Bronx" on a daily basis, gets extra motivation seeing the UFC belt hanging on the gym's wall.
Santos makes his first walk to the octagon in the preliminary portion of Saturday's UFC 273 in Jacksonville, Fla., battling Julio Arce in a bantamweight bout. Being around Oliveira and feeling that "champion vibe" during the camp has gotten him pumped for the biggest opportunity of his MMA career.
"[The UFC belt] is the item we all dream about – every fighter, every athlete," Santos said in an interview with MMA Fighting. "To have the belt [in the gym] and be able to touch it, put it on your shoulders and know that your friend and teammate made it, it motivates you even more. Like, you know it's possible. With determination, focus and discipline, you can get there, too. It gives me strength to continue believing.
"I'll show my work in the UFC now. With time and believing in God, I'll be champion too. I have faith that it will happen."
Santos prepared for UFC 273 by trading hands and rolling with "do Bronx" in Sao Paulo, Brazil, and he predicts a devastating finish for Oliveira on May 7, when the lightweight belt is on the line against former interim titleholder Justin Gaethje at UFC 274.
"Charles will knock Gaethje out, man," Santos said. "Charles is on a roll, very confident, training hard and fixing the holes in his game. Rest assured that Charles is coming to do what he doest best, march forward the entire time for the victory. I have faith that the knockout will come. He's at his best."
First, "Willycat" has to do his part and secure his first octagon victory in Jacksonville. Fully recovered from a hand break that cancelled his UFC debut this past October, Santos said styles have changed "100 percent" from Timur Valiev and Marcelo Rojo, his original opponents, to Arce.
"Julio is a southpaw and has good boxing, keeps good distance, but I have great training and sparring here," Santos said. "It was going to be a tough fight with Valiev and it will be a tough fight with Arce, too. He's very experienced inside the UFC, but I'm ready. I'm 100 percent. He doesn't surprise me much."
Arce is 4-3 under the UFC banner with wins over the likes of Dan Ige, Daniel Teymur and Andre Ewell, but dropped his most recent one to Yadong Song in November 2021. Santos said Arce has shown "big heart" in his split decision loss to Sheymon Moraes in 2018, but doubts Arce would have gotten back to his feet after eating shots from him.
"I'll be honest with you, that would be hard," Santos said. "He's a tough guy, I've watched that fight and he was knocked down twice and came back, but I'm also very tough. It's going to be a war, but I'll knock him out. I hit hard, too. My hand is really hard. If it lands, I think it would be hard for him to get back to his feet."
← Zhang Weili vs. Joanna Jedrzejczyk 2 in the works for UFC 275
UFC 273 Embedded, episode 6: 'You're doomed' →


The most interesting thing for many a youth is finding that coveted summer album they can play for the months ahead and be the cool kid, who knows what's up.
Thankfully I can count myself among that crowd this summer. I may be giving away the results of this week's album review a tad early, but dammit if I care. I am so happy to have this album review under my belt, so I can just get ahead with enjoying this record.
Weezer is an American alternative rock band with emo, power pop, pop punk, and alt rock influences. They are originally from Los Angeles and consist of Rivers Cuomo (lead vocals, lead guitar), Patrick Wilson (drums), Brian Bell (rhythm guitar, backing vocals, keyboards), and Scott Shriner (bass, backing vocals, keyboards).
This is their fourth self-titled album, affectionately known as the white album, and is preceded by the red album (2008), then the green album (2001), and the blue album (1994). But in fact, this is their tenth studio album, so don't be confused by the naming, IF you are a new fan to the band.
Weezer have an interesting history, as is often the case with well-established musical acts. I myself was introduced to them from a fairly very young age, around the time that I was early in my high school year and when the green album was making the rounds. This was also in an age before the internet and self-promotion was the norm. Artists still used the radio and MTV to get attention for airplay. Then kids would hit the record store for vinyl and/or CDs and fall in love proper with the band of the day.
However, in Canada we had something called Much Music instead and so I was listening to the Much Music Big Shiny Tunes compilation albums to learn about cool new music. My friends helped too, but to be honest, I liked to explore when it came to music AND I was also happy to follow the advice of mentors along the way, so I deviated from the rap game a bit and explored the rock genre too. At this time, Big Shiny Tunes 6 was THE hot new thing, and Hash Pipe was featured on the track list.
And boy was that ever a good song… Seriously though.
Which leads me back to this album. You see, a lot of people will agree that the blue album, and the green album were brilliant albums, definitely the career moments for Weezer, and they are finally starting to accept Pinkerton as genius too. Pinkerton came between those two albums.
Then they released a couple more albums, and finally the red album, which wasn't as good, but had me convinced it would be because of the self-titled nature of it. Then they released four more albums between 2008-2014 and people started to pay attention again. Everything Will Be Alright In The End was a return to form and got people excited about the band again.
But is the white album any good?
Well in short, yes. And the reason is that Weezer made an album where every single song is just as good as the previous one. In exactly the same way that the blue album and the green album were constructed. You see, as I mentioned already, we are now in the era of self-promotion and a level playing field (for the most part), when it comes to airplay and exposure. When Weezer was phoning it in and releasing albums with 2 or 3 good singles and a lot of fill, other bands were playing local venues, sharing their music online, and interacting with their fan base through emerging social media.
The white album is a redemption album. And like the blue album, which was an opportunity for a Californian act to make a name for themselves, or like the green album, a place for a band to reform and reinvigorate after a break from the scene (and a supposed failure in Pinkerton), the white album is about Weezer caring through the entire effort to produce something of merit.
I can't tell you which song is my favourite, because like any good album, I cannot single out one track on this record for you to listen to. You need to hear it all. It's inspired by California and definitely has a surfer vibe, which is what Weezer is good at.
So check out these music videos (1 2 3 4 5) and pick up this album. As a long time Weezer fan, and a music fan in general, I'm telling you that it's worth it!
I will say this about one track of the album in particular. Endless Bummer is a fitting ending song for the white album. Because you'll know the album is closing out, and that's kinda sad. But no so sad that you can't just put the album on repeat and start it all over again.
As I said above, I was so happy when I put this album on, because it meet my expectations of an album, and it was a personal triumph because I've been hoping for this Weezer album for years now. It probably deserves that 9, and in my heart I want to give it a 10 because I'm just that happy with it, but I'll keep it at a 9 for you fine folks. That's how serious timotheories is about it's theories on the arts.
Until tomorrow, when we review another return to form, via the movie route, I'm out of theories for now friends.


Moo Goo Gai Pan is an Americanized version of a Chinese chicken and vegetable stir-fry. This recipe is a low carb take on the Chinese takeout staple.
Chinese food … er American-Chinese food is my kryptonite. I love it all and unfortunately, most of it is full of sugar and carbs. I am always trying to make keto versions of my favorite Chinese dishes, and I think I've got a winner with this Keto Moo Goo Gai Pan.
Chicken – I used boneless, skinless chicken breasts but chicken thighs would work as well. If you want to make it vegetarian you could also use tofu.
Vegetables – You can really use any vegetables that you want. I chose the ones that are my personal favorite, but other common veggies include carrots, and Napa cabbage.
Soy Sauce – You can substitute liquid aminos or coconut aminos to make it paleo or whole 30 compliant.
Liquid Stevia – I highly recommend sticking with the liquid stevia. I think it works the best in this recipe. If you don't have any you can substitute any low carb sweetener to taste.
Heat 1 tbsp of oil in a large skillet or Wok over medium-high heat. Season the Chicken with salt and pepper, then add to the hot oil.
Cook the chicken until it is no longer pink, about 2-3 minutes on each side. Remove from the pan and set aside.
To the pan add the remaining 1 tbsp of oil and the chicken broth, keeping it over medium-high heat.
Once the chicken broth begins to simmer, add the broccoli, cook until they turn a vibrant green. This should only take a minute or two. Then add the snow peas, water chestnuts, mushrooms, baby corn, and bamboo shoots.
Reduce heat to low and cook for 3-5 more minutes stirring occasionally.
While the vegetables are cooking, Combine the soy sauce, stevia, garlic, sesame oil, and ginger in a small bowl.
Return the chicken to the pan, stir then add the soy sauce mixture and stir again. Cook just until everything is hot then remove from heat and stir in the green onions.


Approximate field locations have been given for these rc flying clubs of the UK (Wales, Scotland & NI only), just to help you identify a club in your area.
If you know of an rc flying club or field in the UK (Wales, Scotland & NI) that isn't listed here, please take a couple of minutes to submit the details using the simple submission form, and help us build a bigger and better rc club directory.
The NI governing body for model flying is the Northern Ireland Association of Aeromodellers.
Location: Derrylough, Banbridge, Co. Down.
Location: New Buildings, Co. Londonderry.
Location: approximately 6 miles from Omagh.
Location: Aghadowey, Coleraine, Co. Londonderry.
Location: 3 miles from Enniskillen Town, Co. Enniskillin.
Location: nr. Amman Valley Trotting Track, Gwauncaegurwen, Neath Port Talbot.
Location: Welsh Motor Sports Centre, Pembrey,Llanelli. SA16 0HZ.
The main governing body for model flying in Scotland is the Scottish Aeromodellers Association.
Location: Calder Park, Redmoss Road, Aberdeen (behind Makro).
Location: Balbedie Farm, nr Kinglassie, Fife.
Location: Baads Farm Livery Yard, Harthill, Shotts, Lanarkshire.
Location: Palacerigg, on the outskirts of Cumbernauld.
Location: Ministry Of Defence Army Rifle Ranges & Camp at Barry-Buddon (Monifieth), Dundee.
Location: Meikle Wartle, near Inverurie, Aberdeenshire.
Contact: E-mail Bryan Passey at b[dot]passey[at]sky[dot]com.
Location: Kirknewton Airfield, Edinburgh area.
Contact: Arthur Scott - arthurscottperth @ uk . com (no spaces).
Location: 7 miles north of Bearsden on the A809 on the way to Drymen, near the Queens View car park, Glasgow.
Location: West Calder, W. Lothian.
Submit your rc flying club of the UK (Wales, Scotland & NI) here.


Описание: Compact and handy German-English and English-German dictionary with up to date vocabulary, over 40,000 words and phrases, and 60,000 translations. Includes sections on English irregular verbs, German verbs and pronunciation help. Contemporary vocabulary covers all aspects of everyday life, from computing and technology to lifestyle and business.
Описание: This dictionary contains over 100,000 words, phrases, and translations. Frequently-used words are provided with a special layout and warning symbols are given to slang and infomal expressions so they are easily identifiable. It also includes a pronunciation guide and a table of irregular verbs.


Jack Daniel's, one of the finest whiskeys in the world is a representative of free spirit and independence. Receiving gold medal in the world fair, Jack Daniel's crafts something that endures for over 150 years. Created by Slaves, Jack Daniel's was started in Lynchburg, Tennessee in 1860's. A perfect example of rich history and substantial people, it made people travel overseas every year.
Did you know that every drop of Jack Daniel's Whiskey comes out of dry town? It's hard to believe but Jack Daniel's has made it to a town where it's illegal to sell it. Indeed, we've got to know what makes this drink so special! We will be mainly focussing on Jack Daniels Manufacturing Process.
Sugar maple charcoal mellows this piece of art. Matured in self handcrafted barrels, it tastes just like how it did over a century ago. It does not follow a calender but they judge it by the way it looks and by it's aroma. Serve it on the rocks and enjoy it with great music and good company.
Known for it's exceptionally smooth finish, Gentleman jack undergoes a second charcoal mellowing. It's balanced oak flavour with notes of caramel and vanilla are perfect for celebrating life's extraordinary occasions.
Real honey blends with Jack Daniel's old No. 7 to form Tennessee Honey. It has a smooth texture with a sweet flavour. Have it like shots with friends, because sometimes its necessary to mix things up.
Sometimes, mixing fire and whiskey is a good thing. This Tennessee Fire blends red-hot cinnamon liqueur with the smooth character of Jack Daniel's Old No. 7 for a classic spirit with a fiery finish.
What forms Jack Daniel's is spring water, corn, malted barley, rye and most important yeast.
150 trucks through the week comes to the distillery carrying grain for the whiskey.
Grains land with the ground corn and cave spring water and cooked. firstly heat is supplied to the grains and then it is cooled down, setting them into the fermenter.
As the temperature lowers in addition to malted Barley, Rye is mixed along with Jack Daniel's own strain 0f yeast.
Yeast is set up in the fermenting tank for 4-6 days. After several hours of mixing the yeast really gets rolling not from heat but the yeast acting on water and grains. After the yeast has done it's work a liquid of about 12% of alcohol content is transferred to a copper still for distillation. At right temperature alcohol would turn into vapour but the excess water will remain liquid.
Vapourised alcohol is transferred and cooled into liquid. This time the alcohol content is full 140 proof furthermore getting condensed and collected. The condensed whiskey passes through charcoal for mellowing. What charcoal does is filter the whiskey. Through the charcoal the whiskey goes down in the vent. It takes about 4-5 days for whiskey to go from top to bottom.
The barrels are made of white oak too. The whiskey's colour and a lot of the flavour comes from the barrel itself. It is one of the key ingredient of making the whiskey. Whiskey is filled in the barrels within a week before the woods dry out and shrink. These barrels stores about 56 gallons in 1 min. Amazing!
Barrels sit for 4-7 years to age before being bottled.
Jack Daniel's Whiskey is not about science but aging. For them aging is not a matter of time, but taste.
What's so great about Jack Daniel's?
Jack Daniels is best because ..
Jack Daniel's lifeblood, water of Cave Spring Hollow is crisp, cool and a constant 56 degrees.
But what's so special about this spring water. Absolutely nothing, as in no sediment, no impurities. Just clean, pure, spring water. The cave's layers of limestone naturally impart a variety of minerals to the water which contribute to the character of Jack Daniel's. More importantly, the limestone also removes iron from the water. Iron definitely has its uses, but it's absolutely horrible if you're making whiskey. All this makes the whiskey one of the finest of all.
'Lincoln County Process', 'Charcoal Mellowing', 'The extra Blessing' what now. This special process is honoured with many names. It's an old-time process Jack insisted on and one that is in continuous use by the Jack Daniel Distillery.
Sugar maple wood is used to make handcrafted charcoal. It has no smell or taste when burned. Even to burn wood into charcoal they use whiskey from the still as the fuel. So yeah, it's great.
Drop by drop it blesses the whiskey with refined smoothness. Because of this unique process Jack Daniel's is termed as Tennessee Whiskey and not bourbon.
Jack Daniel's uses American White Oak for their barrels. Sheer pressure of wood's precise arrangement fixes the barrels. So, no glue or nails, interesting!
The barrel gets toasted and charred from inside to coax the wood's natural sugars out and caramelize them. These sugars are such an important part of where the whiskey flavour develops. Drawing all of its rich amber color and much of its distinctive flavor from the barrels, they are such a big part of their whiskey's character. The everlasting effect of barrels is what so special about Jack Daniel's.
Age is an unreliable way to determine when a whiskey is ready, age isn't always the best measure of maturity.
Jack Daniel's is all about patience. The classic vintage flavour of Jack Daniel's is because of the ageing.Their bottles are ready when it's ready. Because a date on a calendar can't tell you all the things a sip can. A team of whiskey tasters tell all the qualities and tastes whether it's ready for the showtime.
Jack Daniel's is full of secret. From mystery of Jack's date of birth to their unique process of crafting, Jack Daniel's has blown minds.
Straight on the rocks, with a bit of water, with club soda, with ginger ale, Jack Daniel's blends with everything.


The Stray is a new kind of literary magazine, run by the University of York's Department of English and Related Literature.
Named after York's historic areas of common land – which have been in use as public pasture for over 800 years – The Stray offers short essays, thoughts, new work, and provocations for curious grazing.
Please see our submissions page for more detail about the sort of work we're looking for.


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Mary Berry's Country House Secrets episode 4
Post category:Cooking Show
Mary Berry's Country House Secrets episode 4
Mary Berry's Country House Secrets episode 4: Mary visits Goodwood House, home to the March family and a long line of innovators in the fields of sport and farming. Famous for iconic horse racing and motoring events, Mary Berry is taken on a thrilling lap of the Goodwood motor circuit by Lord March, in a car designed by his grandfather, and invited to one of his infamous dinner parties where 300 dine in style in the splendid state rooms. …
Continue ReadingMary Berry's Country House Secrets episode 4
Mary Berry's Country House Secrets episode 3: In this edition, Mary Berry visits Powderham Castle in Devon, to spend time with the Earl and Countess of Devon and their two young children. Known as Charlie and AJ, the newest generation of one of Britain's oldest families are taking up the challenge of running a great stately home, reinventing the castle and the Earldom for the 21st century. Mary's time with the family reveals stories of romance and…
Mary Berry's Country House Secrets episode 2: Mary visits Scone Palace, the crowning place of Scottish kings and the epicentre of Scottish history, where she is invited to help Lady Mansfield prepare for a special dinner with traditional Scottish reeling in the palace where Prince Albert and Queen Victoria were once amused. Mary enjoys salmon fishing on the family's private stretch of the Tay, and the regal pastime of Highland deer stalking with William, the future Earl of Mansfield, as…
Mary Berry's Country House Secrets episode 1: Mary visits Highclere Castle, the real-life Downton Abbey, home to the eighth Earl and Countess of Carnarvon and renowned as the setting for some of the most lavish and influential weekend house parties in history. Mary discovers what it takes to keep a home like this going in today's world, meeting everyone from the family to the house staff and the estate's loyal posse of gamekeepers. Inspired by what she discovers, Mary takes…
Rachel Allen's Easy Meals episode 9
Rachel Allen's Easy Meals episode 9
Rachel Allen's Easy Meals episode 9: The chef is inspired by the Orient in this episode, sharing easy but delicious recipes for Chicken Noodle Soup and Fast Prawn Red Curry. The much-loved chef returns to her roots and lets us into her life as never before, sharing her secrets to relaxed cooking. Whether in her role as a working Mum, testing out recipes on friends, family and the local community, or collecting ingredients from favorite suppliers, Rachel reveals her passion…
Continue ReadingRachel Allen's Easy Meals episode 9


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'Constantine 2', with Keanu Reeves, shares news and details
development and ad of Constantin 2 It has cost a lot. Tape, which has always been defended by Keanu Reeveshas been gaining the favor of the public over the years, and although it did not end up being a good adaptation of hellblazer, yes managed to transfer the universe of DC comics to the screen. the interpreter has fought for the role for yearsand now it's Francis Lawrence, director of the first installment and of I'm legendwhich confirms comic book that Warner Bros. Discovery and he, along with the lead writer and Reeves himself, have begun active work on the project.
Constantin 2 does not have a definitive script but they are working on shaping the story after the problems with the rights
"We don't have a script, but Keanu, Akiva Goldsman and I, who worked together on the first film, have been trying over the years to get this sequel off the ground", confirmed the filmmaker. It's been complicated because of the DC/Vertigo world, especially showing who owns the character and who has control over the characters. Rightstrying to get the right people to move on. We've been given the green light, we've got that now, and now we need the story. We would all love to do it," concluded the filmmaker.
Coming from the world of DC comics, JJohn Constantine is an exorcist and paranormal investigator trying to tip the balance in the battle between good and evil., helping all those innocents who need their strength and intellect not to fall into the shadows. Able to see the demons and angels, who try to influence normal people, he doesn't hesitate to position himself as he thinks is right.
Problems with DC and Vertigo have led to the project being delayed time and time again.
"I would love to be John Constantine again"Reeves has commented on several occasions, who has spent years looking for this sequel to happen. The film, which will be released in 2005, did not have a good box office despite the efforts of the director and the actor.who fought to be faithful to the original material on a tape that should be for all audiences according to Warner. As Reeves has explained, in each scene with Rachel Weisz, Shia LaBeouf, Djimon Hounsou or Peter Stormare and Tilda Swinton in the aforementioned film, there was emotion and truth in the shooting, and it shows in each frame. The sequel does not have a release date but Warner considers it a priority project for the next few years.
We would like to thank the writer of this write-up for this outstanding content
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Jeff Bezos announced that he will donate most of his fortune for the rest of his life


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Wivenhoe's History
Discover Wivenhoe's rich past from the Domesday Book to yesterday
You are here: Home>Topics>Activities of the WHG>Projects>Wivenhoe's Pubs & Beerhouses>About The Flag Inn (formerly The Union Flag) - From the mid-1700s
About The Flag Inn (formerly The Union Flag) - From the mid-1700s
Opened between 1734 and 1769
Keith Bunting
The Flag Inn circa 1905
The Flag Inn in the early 1900s
From a postcard
The Flag in 2005
The sign from The Flag which was there in 2006
Picture by John Foster, courtesy of Wivenhoe Chapel Museum.
The sign for The Flag PH in Colchester Road, Wivenhoe in 2020
The Pub Trail Index – click here
The pub named after the 1707 Union of Scotland and England was open by 1769 and closed in 2018. For 104 of these years it was called the Union Flag. It brewed its own beer until 1911 when new owners, Daniells supplied from its own brewery. In 1958 new owners, Truman supplied beer from their Romford brewery. Since 2018 a number of plans have been proposed, including one in 2020 to provide accommodation, food and alcohol.
The pub was called The Union Flag from 1769 to 1822 and 1852 to 1903. At all other times until 2018 the name was The Flag. If it opened before 1769 we have no record of its original name. The 1769 register of Alehouse Recognizes lists the 8 pubs in Wivenhoe as The Union Flag, The Sun, The Anchor, The Rose and Crown, The Falcon, The Swan, The Woolpack and The Black Boy, During the period 1769 to 1826, The Flag brewed its own ale and from 1826 to 1911, its own beer. The pub address is given as Wivenhoe Cross or Lower Heath.
Often when a male landlord had another job, their wife ran the pub. Census records show them living at the pub, but with a non-publican occupation. For example the landlord from 1878 to 1895 was William Goldsmith, recorded as living at The Flag his occupation a gardener. Significantly many wives became officially landlord after their husband's death. Elizabeth Plume took over in 1776 when her husband died and her successor, James Wyatt was succeeded on his death in 1816, by his widow Mary Wyatt.
The Wivenhoe earthquake occurred on 25 April 1884. It was reported in the Essex Telegraph the following day that 'At Wivenhoe Cross The Flag Inn suffered from demolished chimneys'.
Jackie Lawrence writes that her uncle, Francis Edward Lawrence and his wife ran The Flag at Wivenhoe and that 'He was born in Harwich, 1870 and died 1959 at Dovercourt'. In numerous census and trade directories a Francis Lawrence, with similar dates and personal details is living as a chicken farmer at Old Heath.
The landlord of the Union Flag is recorded in the 1901 census as Harwich born William Lawrence, living at the Union Flag with wife Julia Lawrence and their children, Richard and Laura and boarder, Priscilla Young, (domestic servant) also from Harwich. Many sources confirm that William was born in Harwich in 1865, was Flag landlord from 1897 to 1902, landlord at the Royal Oak Inn, Dovercourt, Harwich in 1911 and that he died in 1938.
London connections include, two of the daughters of Abraham Abbott, landlord from 1839 to 1845, who moved to London whilst in their 20s, Emma to Wimbledon and youngest daughter Henrietta to Walthamstow. Sarah Anne Wenden, daughter of Sarah Wenden, licensee 1855-74) moved to South London and died in 1917 in Lewisham. Kate Miriam, daughter of William Cole, landlord from 1906 to 1911, moved to Hackney. Arthur Cottee, landlord from 1933 to 1939 was born in Bermondsey.
Changes to the building
In 1911 when Daniells & Co bought the pub, a two storey extension at the south end was added and a new sign advertised 'good accommodation for cyclists'. Daniells & Co supplied beer from its West Bergholt brewery until 1958, when Truman Brewery bought the pub and supplied beer from its Romford brewery.
Personal memories of The Flag after WW2
Many accounts of the pub post WW2 are told in Paul Thompson's book, Sea Change.
Eunice Baker describes how 'in the forties when Alf Gooch kept The Flag, Ken Hodges played the piano and univox organ…to buy 'his first television'. Records show that Alf ran the pub in 1955.
The following comments from Wivenhoe Memories Facebook page reveal other activities at The Flag in the later years.
Roy Leader, landlord from 1959 to 1987, was described by Pomlamon Morton as 'very welcoming' and Iris Earl says that in 1970 her German pen-friend stayed at the pub which was a Bed and Breakfast 'as we didn't have room to put her up and I was pregnant with my second baby'. Pomlamon remembered that The Flag was where the ACBOA met in the 1980s. Caroline Matheson remembers going to the pub when Roy Leader was landlord and that 'My dad used to drink there'. Bev Bond, who was born and brought up in Wivenhoe, 'loved The Flag, my dad did too! The people were great'. Cherril Leese remembers her 'dad, Derrick Baker was the drummer there on Saturday and Sunday night's, along with an organist called Ken Hodges'. Wendy Martin says that it was the base for the Wivenhoe Car Club and 'treasure hunt drives started from here'.
Recent times and closure
1989 legislation prevented large brewers owning pubs and The Flag came into the ownership of various pub companies including, the Wellington Pub Company, but struggled to remain viable. After several changes of landlord and temporary closures, it closed permanently in 2018, since when a number of plans have been proposed, including demolition and rebuilding as flats and a favourably received plan in 2020 to provide accommodation, food and alcohol.
The Supply of Beer (Tied Estate) Order 1989
The Supply of Beer (Loan Ties, Licensed Premises and Wholesale Prices) Order 1989
Links to other pages in this website:
Families of landlords living at The Flag Inn/Union Flag
General Sources:
Barton D, "Wivenhoe: its attractions, pleasures and eccentric natives", Dick Barton Enterprises 1975.
Butler N, "The Story of Wivenhoe", Quentin Press Wivenhoe, 1989
Church of England Parish Registers of Births & Baptisms, 1813-1918; Marriages, 1754-1935; Deaths & Burials, 1813-2003
Civil Registrations; Births England & Wales, 1837-1915; Marriages/Deaths 1837- 2007
Garland T, Personal website: http://www.terrygarland.co.uk/wivenhoe_pubs.html
Kay P, "Wivenhoe Pubs", published by Peter Kay 2003.
Kay P, "Wivenhoe and The Earthquake" published by Peter Kay 2005
National Probate Calendar (Index of Wills and Administrations) England & Wales, 1858-1966, 1973-1995.Kew, Public Record Office
Thompson P, "Sea- Change, Wivenhoe Remembered" Tempus Publishing Ltd, 2006
Trade Directories: London ; Kelly's, Piggotts and UKPH 1828-1937
United Grand Lodge Freemason Membership Registers 1751-1921 (Pay site)
This page was added on 14/09/2020.
Wivenhoe's Pubs & Beerhouses
A family story about Hannah Harlow and The Greyhound - around 1875
About Arthur William Southgate (b.1863 - d.1929)
About The Anchor Inn c.1684 to c.1911
About The Anglesea Arms (1860s - 1922)
About The Beehive c.1848-1910
About The Black Buoy (formerly The Black Boy) - late 16th century to the present day
About The Brewery Tavern from 1868 to 1986
About The Bull (formerly The Trowel and Hammer) - From 1860s to around 1906
About The Falcon Inn (1500s -1975)
About The Grapes (18c to pre -1841)
About The Greyhound (from 1817 - to now)
About The Grosvenor Hotel c.1865 to c.1969
About The Horse and Groom (initially The Kings Arms) 18th Century to the present day
About The Lion (or Red Lion) – Unknown to 1906
About The Live & Let Live (1862-1908)
About The Park Hotel (from about 1862 to 2008)
About The Rose and Crown - pre 1760 to the present
About The Sailors Return (circa 1860 -1906)
About The Ship at Launch (formerly The Woolpack) 18th Century -1910
About The Shipwrights (1848 -1953)
About The Station (formerly The Station Hotel and The Railway Hotel)
About The Sun (18th Century – 1805)
About The Swan (late 1600s - 1805)
About The Yachters Arms (formerly The Brewers Arms) 1860s - c.1908
About The Yachtsmans Arms (from the 1860s to 1922)
About Wivenhoe's Pub History
About Wm Cole, a former Landlord in Wivenhoe (1865 - 1953)
Auctions at The Anchor Inn
Auctions at The Black Boy Inn in the 1800s
Auctions at The Falcon Inn
Auctions at The Greyhound Inn
Auctions at The Grosvenor Hotel
Auctions at The Rose and Crown Inn
Auctions held at The Rose and Crown 1809 - 1874
Doctors / Benefits Clubs in Wivenhoe in the 1800s onwards
George Joseph Hillyard - Landlord of The Shipwrights Arms for 44 years
How many pubs were open in Wivenhoe during the last 300 years?
Joseph Harlow and Wm Dines, former Landlords of The Park Hotel
Landlords and Families at The Flag Inn from 1769
Landlords and Families at The Rose and Crown PH
Landlords at the Park Hotel
Landlords of The Falcon
Living and Working at The Park Hotel 1912 – 1945
Memories of living at The Falcon Hotel 1945 – 1956
Origins of Wivenhoe Pub Signs
Pat & Tom Smith, who ran The Greyhound from 1979 to 1987
People who have lived at The Anchor Inn
Pubs and Beerhouses – What's the difference?
Railway Hotel and Tom Powell, its Landlord 1897 - 1935
Sea-change: Wivenhoe Remembered - Wivenhoe Pubs
The Landlords and Breweries of Wivenhoe's beerhouses, public houses and hotels
The Tyrells in Wivenhoe
The Wivenhoe Maltings 1734-1879
Wivenhoe Artists and The Black Buoy
Wivenhoe Pub Trail Index
Works of Art on Display in The Black Buoy - March 2020
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Two goals in five second-half minutes from Ryan Tafazolli and Jack Thomas helped Mansfield beat Stevenage and claim a third away win of the season.
Stevenage had slightly the better of a scrappy first half, but Tom Conlon headed straight at keeper Brian Jensen.
Mansfield went in front when Tafazolli headed home powerfully from Adam Chapman's corner before Thomas slid in Craig Westcarr's measured, low centre.
Boro almost pulled a goal back, but substitute Dipo Akinyemi drilled wide.
Mansfield's win moves them up into seventh place in the League Two table, while a third defeat in a row for Teddy Sheringham's side means they sit in 20th.
Match ends, Stevenage 0, Mansfield Town 2.
Second Half ends, Stevenage 0, Mansfield Town 2.
Ronnie Henry (Stevenage) wins a free kick on the right wing.
Corner, Mansfield Town. Conceded by Ben Kennedy.
Jack Thomas (Mansfield Town) wins a free kick on the left wing.
Substitution, Mansfield Town. Chris Beardsley replaces Matt Green.
Attempt missed. Steven Schumacher (Stevenage) right footed shot from outside the box is close, but misses to the right.
Connor Smith (Stevenage) wins a free kick in the attacking half.
Jamie McCombe (Stevenage) is shown the yellow card.
Substitution, Mansfield Town. Lee Collins replaces Craig Westcarr.
Matt Green (Mansfield Town) is shown the yellow card.
Attempt missed. Dipo Akinyemi (Stevenage) right footed shot from the right side of the box is close, but misses to the left.
Hand ball by Reggie Lambe (Mansfield Town).
Ben Kennedy (Stevenage) wins a free kick in the defensive half.
Attempt saved. Ryan Tafazolli (Mansfield Town) header from the centre of the box is saved in the centre of the goal.
Attempt saved. Matt Green (Mansfield Town) left footed shot from the centre of the box is saved in the bottom left corner.
Jack Thomas (Mansfield Town) wins a free kick in the attacking half.
Foul by Connor Smith (Stevenage).
Substitution, Stevenage. Dipo Akinyemi replaces Tom Conlon.
Adam Chapman (Mansfield Town) wins a free kick in the attacking half.
Attempt missed. Connor Smith (Stevenage) header from the centre of the box is close, but misses to the left following a set piece situation.
Reggie Lambe (Mansfield Town) wins a free kick in the attacking half.


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Colored and Stylish Bootstrap QR Generator for an Elegant QR System with lots of features, based on Bootstrap / HTML5 & CSS3 framework. Possible types: Text, URL, Telephone, SMS, Email, Email Message, vCard, meCard, WiFi access, Geo location, Calendar events. Colored QR images, jQuery UI CSS Framework, jQuery Validation, Google Url shortener, Set Image Margin, 3 generated images format, Multiple Sizes, Multiple Encoding Formats.
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A&E Picks Up Boston-Set Docu-Reality Series Produced By Mark Wahlberg
By Nellie Andreeva
Nellie Andreeva
Co-Editor-in-Chief, TV
@DeadlineNellie
More Stories By Nellie
May 6, 2013 11:10am
EXCLUSIVE: A&E has given a six-episode order to an untitled docu-reality series executive produced by Mark Wahlberg, which is set in his native Boston. This marks the first unscripted series for Wahlberg, who is executive producing through his Closest to the Hole Prods along with frequent collaborator Stephen Levinson of Leverage, Bill Thompson of Bill Thompson Prods. and veteran reality producer Stephanie Drachkovitch of 44 Blue Prods as well as Jennifer Colbert who serves as showrunner.
The initial impetus for the project, which was first ordered as a pilot by A&E in November, came from the tough, hard-as-nails female characters in Wahlberg's Oscar-nominated feature The Fighter. Wahlberg and Thompson were inspired by the women's spirit and set out to find a group of those types of Boston girls going through challenging times and tell their story. The series, whose main themes are exceeding expectations and getting second chances, follows the intertwining lives of an unlikely quartet of friends, all from different working-class Boston families. The four friends struggle to break through their blue-collar surroundings, in hopes of achieving their dreams. Surrounded by a close-knit circle of well-intentioned parents, their own young children, and several boyfriends, they hustle daily to make ends meet — and roll with the punches, aspiring for greatness, but finding themselves shackled by reality.
The order comes on the heels of A&E greenlighting a docu-reality series about stay-at-home dads on Friday.
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This page provides details on classes happening in the arts in Central Otago for young people. This will be updated regularly – keep checking in to see new opportunities as they arise.
Drawing and Painting classes for young people aged 8-12 years.
Every Tuesday and Thursday, 4pm - 5.40pm at Alexandra Community house, 14 - 20 Centennial Ave, Alexandra.
Register your interest by contacting Marion; 0226525036 or marionvialade@gmail.com.
Register your interest now for a series of online drawing classes with Central Otago artist Joanne Deaker. All abilities and ages 10 years and above catered for. More advanced online drawing classes and other exciting drawing events will be available shortly.
For further information email artist@joannedeaker.co.nz or visit www.joannedeaker.co.nz.
Every year the Central Otago District Arts Trust brings to Alexandra the NZQA Top Art Folio Exhibition. This exhibition is a selection of 50 visual arts portfolios that gained excellence in NCEA level 3. Schools throughout Central Otago and the Central Lakes Districts are notified of the dates and times of this exhibition and they, along with the general public are invited to view these works at their leisure free of charge. CODAT sees this exhibition as being a wonderful resource for young people as well as an inspiration to others who choose to come along and view it. Keep an eye out on the arts website and Facebook - Central Otago Arts for dates and times for the next Top Art Exhibition or email info@centralotagoarts.com for further information.
Saturday Morning Music Classes (DN) Soc Inc.
Saturday Morning Music Classes is a locally operated not-for-profit organisation, established in 1968. Contributions and fees are priced to make the following aims easily affordable to all families.
*To provide tuition on orchestral instruments, voice and guitar.
*To encourage participation in orchestras and ensembles.
*To give opportunities to enjoy and share music making.
These classes are based in Dunedin, Cromwell and Alexandra and include tuition in some of the following instruments...Recorder, Flute, Violin, Clarinet, Cello.
A private music teacher based in Alexandra Liz teaches piano, singing, beginner guitar, music theory, song writing and recording. Along with a number of tertiary qualifications Liz has 10 years experience teaching music in schools and universities here and overseas.
For further information and to enrol visit Liz Conway Music at www.lizconwaymusic.co.nz.


text:
The Magician's Nephew (The Chronicles of Narnia)
Narnia . . . a land frozen in eternal winter . . . a country waiting to be set free
Witness the creation of a magical land in The Magician's Nephew, the first title in C. S. Lewis's classic fantasy series, which has captivated readers of all ages for over sixty years. This rack-size paperback features cover art by Cliff Nielsen and black-and-white interior artwork by the original illustrator of Narnia, Pauline Baynes.
On a daring quest to save a life, two friends are hurled into another world, where an evil sorceress seeks to enslave them. But then the lion Aslan's song weaves itself into the fabric of a new land, a land that will be known as Narnia. And in Narnia, all things are possible.
This is a stand-alone novel, but if you want to journey back to Narnia, read The Lion, the Witch and the Wardrobe, the second book in The Chronicles of Narnia.
Publisher: HarperCollins (March 5, 2002)


Adrian has played for several teams in the big leagues, but is currently with the Dodgers. In his career he has been a 5 time All-Star, 2 time Silver Slugger, and 4 time Golden Glove award winner. Betsy has been by his side for it all.