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Review: Vampires Suck by Jamie
Filed under: Review | Tags: 2010, aaron, Anneliese van der Pol, Chris Riggi, cinema, culture, film, Films, friedberg, jason, Jenn Proske, Ken Jeong, Matt Lanter, movie, movies, parody, Peter Safran, pop, Review, reviews, seltzer, shit, stupid, terrible, the
Who in their right mind would choose to review films? It's a question I found myself asking whilst once again deciding that I should torture myself by sitting through another film from those comedic black holes Jason Friedberg and Aaron Seltzer. Yes, they're back with a brand new "parody" film! I know, just like me your nipples are tingling with anticipation. No wait, that's not anticipation. That's revulsion. Thanks movie, you've annoyed my nipples.
So what the hell is there to say about this parody of the Twilight Saga? Well perhaps the most important thing to note is the title 'Vampires Suck'. Why isn't this film called Vampire Movie? I can only assume that the ____ Movie brand has been so damaged that they had no choice but to name it something different. Does that mean that the word movie itself is so tainted that we have to stop using it? Fair play I suppose because according to my Google Chrome spell checker the word movie doesn't exist anyway.
So what of the plot? Well, if you've seen the first two Twilight films then you've seen this movie. Just imagine those films greatly condensed into about an hour and fifteen minutes but with the actual plot points replaced with bad jokes about Twilight or bad pop culture references. It's pretty much the standard Friedberg/Seltzer fare. And it is, of course, pretty much all deeply, deeply unfunny. It did get a few chuckles out of me, generally when Diedrich Bader was on screen playing the role of the main characters father. He was kinda funny and made it at least… Well, not watchable but you could potentially aim your eyes at the screen and they wouldn't leak blood for the entirety.
I don't know what more I can really write about this without just repeating things from my 'Meet The Spartans' review or my 'Disaster Movie' review. It's all pretty much the same awful, awful shit. There is a quick reference to Psycho which, due to it being one of my favourite films of all time, I can never ever forgive Friedberg and Seltzer for because now whenever I watch Psycho as small part of my brain is going to remember this film and for that they must both be punished. Besides that there's also references to Facebook, the Kardashians, Lady Gaga and much more empty pointless references to things that are popular at the moment which will only cause it to age badly and make it even worse as time passes if that's even possible.
I'm done with this film and these two cock squirts. The only reason I really watch these films is to write reviews like this were I get to use words like cock squirts. So let's just sum up and hope once again that their career is over just like we did after Meet The Spartans and Disaster Movie. So what's the final verdict? Well, it's about as funny as genocide but still manages to be a little bit better than Disaster Movie which was as funny as an AIDS-ridden puppy being gang-raped… during a genocide. A half a pint out of five. Don't watch it, don't look at the posters or trailers for it. If you do happen to come into contact with it in any form just drink until you forget it. If you were watching Vampires Suck and someone stabbed you in the eyes, they'd be doing you a massive favour and you should at least by them a drink or something. Laterz.
What was supposed to be a review of What The Bleep Do We Know: Rabbit Hole Edition… by Jamie
Filed under: Review | Tags: Amit Goswami, Andrew B. Newberg, bleep, bullshit, Candace Pert, cinema, crap, Daniel Monti, David Albert, do, film, Films, Fred Alan Wolf, Jeffrey Satinover, John Hagelin, Joseph Dispenza, know, Masaru Emoto, Miceal Ledwith, movie, movies, psuedoscience, Ramtha, Review, reviews, science, Stuart Hameroff, stupid, the, we, what, William Tiller
WTBDWK is a film that claims that the old ways of doing science are dead. It claims that the old religions and mythologies are dead. It proposes a new paradigm for understanding who we are, by shedding of the rigid, law ridden scientific way and imbuing our scientific endeavours with a healthy dose of spiritualism. Which is great… if you're a moron with absolutely no interest in progressing in any way or if you have no basic understanding of science. I'm writing this as I watch it in an effort to try and catch all the crazy without missing anything important and I'll try and clean it up a bit when I finish but I warn you now, this may seem a little disjointed. Which is fine. Why should I waste my time writing a coherent review about a film that endorses divorcing yourself from reality. Flunurgle.
The film opens with a ridiculous Monty Pythonesque news reel animation. The difference between this and Monty Python is that Monty Python is funny. All this does is annoy. So after that there's a few introductory things which make no sense and then we get to the first real thing that pisses me off. A lady begins talking about how science is bad because it makes us feel separate from all things on a lonely planet in a lonely universe and it's responsible for everything that's wrong with the world. Really? Is that what it says? Well, I don't know what science books you've been reading, lady, but it seems to me as though the theory of evolution makes it very clear that we are connected to all living things and in a way that's far more meaningful then anything spiritual. We and every living thing on this planet are the descendants of survivors, those who passed on their genes successfully to the next generation. That's a pretty empowering thing, if you ask me.
And what's this about scientists claiming that we are alone in a lonely universe? Scientists would love it if we found life in the stars, even if it where nothing more than single cell organisms. It'd just be something more for them to study and explore. Just because someone doesn't believe aliens are coming to earth and raiding your ovaries doesn't mean they don't believe in extra-terrestrial life. Silly, silly woman. Now get off of the camera which science invented for you to use in order to spread your inanity. Silly, silly lady.
It's not long after this that someone mentions the pseudo-science lovers favourite friends, Quantam Physics. Then the silly woman comes back and talks about how we know nothing about reality because it's filtered through our sense organs… Gah! If I have to tell you why this is stupid then I'd like you to stop reading this now and go away. Go far away and jump off of something like a cliff. After all, you'll only be perceiving through your senses that you're falling to your death and that's just a silly way to look at the world.
Damnit, I'm ten minutes into this film and it's just annoying me too much. I'm stopping here. I might come back to it at another time but I seriously doubt it. Oh, and movie, if you're going to act like you're swearing in your title just have the balls to fucking swear, would you? After all, offence is just something we perceive with our minds, filtered through our sight or hearing depending on the media so what the fuck do you care?
Laterz.
Last Year In Film/Great Scenes From Shit Films Part 9: The Happening by Jamie
Filed under: Great Scenes From Shit Films, Last Year In Film | Tags: bad, cinema, deschanel, film, Films, funny, happening, john, leguizamo, m, mark, movie, movies, night, nomination, picture, plant, plants, razzie, science, shyamalan, stupid, the, wahlberg, worst, zooey
The Happening is a stupid, stupid movie. I don't think anyone can deny that. In fact, it may just be the stupidest movie I've ever seen and I've seen Snakes on a Plane and Mega Shark vs. Giant Octopus. It plumbs the depths of dumb in ways that few films have ever done before and for that, M. Night Shyamalan deserves some credit. A few days before reviews for the film were posted online, M. Night said that The Happening was intended to be a B-Movie and I can't help but call bullshit. If it was, why did he wait so long before revealing this fact? Why wasn't it mentioned in any of the films advertising? Can you imagine if Grindhouse had been released under a different name without any attention being drawn to the fact that they were Grindhouse films? People would be annoyed and rightfully so… Though with the two films released under the Groundhouse title it is painfully clear what is going on even without any reference to it so maybe that's a bad example. Sorry. Anyway, it's pretty clear that Shyamalan intended for this film to be something more than a B-Movie and, when he got wind of the reaction to it, he decided to try and bluff everyone. Well, it didn't work.
Once more, spoilers ahead. The Happening tells the stupid, stupid story of people all along the East Coast of the US mysteriously killing themselves for no apparent reason. It begins in New York in Central Park. People suddenly stop what ever they are doing, walk backwards and start killing themselves. What ever is causing this soon spreads throughout New York ending in a hilarious scene where builders begin leaping off of the building they are working on.
It's in the next scene, in Philidelphia, that we meet Mark Wahlberg as Elliot Moore, the worst science teacher in the world. He believes in auras and mood rings and at one point, with regard to the disappearance of bees, he actually says:
"Science will come up with some reason to put in the books, but in the end it'll be just a theory. I mean, we will fail to acknowledge that there are forces at work beyond our understanding. To be a scientist, you must have a respectful awe for the laws of nature."
Wow, that is truly, truly awful. I can agree with the last sentence but everything before it is terrible. Just a theory? There is no way that a scientist would consider the meaning of the word 'theory' to be a guess. That's the colloquial definition of theory. In science a theory must be based on observed facts and make testable predictions. It must have no equally acceptable or more acceptable alternative theory and it must have survived attempts at falsification. And what's this crap about acknowledging that there are forces beyond our understanding? A scientists job is to explore those forces and try to understand them. In short, Elliot Moore should not be teaching anyone science. Still, despite all this, Mark Wahlberg is the best thing in this film. More on that later.
Anyway, the school principal, played by Cameron from Ferris Bueller's Day Off, closes the school early and Elliot and his best friend, Julian (John Leguizamo), decide to get the fuck outta dodge and get a train to Julian's mother's house in Harrisburg. They are accompanied by Julian's recurring plot device… I mean daughter, Jess (Ashlyn Sanchez) and Elliot's wife Alma (Zooey Deschanel, yes, she actually spells her name that way.) It's hinted that Alma may have cheated on Elliot in some way and that she's still lying to her husband about it. I hope that pays off well.
The train is stopped in the middle on nowhere because, as the train drivers say, "We lost contact… With everyone." Wow, powerful stuff. Anyway everyone holds up in a tiny diner for a while, getting constant updates on the situation from the TV. This is also where the greatest scene in the entire film occurs. It is literally awesome. In fact, let's make it a Great Scene From Shit Films entry as well. Ok, here it is:
(I'm sorry, I thought there was a better quality version of this scene on YouTube but I couldn't find it.)
Fuck me. That dude got his arms all ripped off by lions. Thankyou movie, honestly, for letting me see that. At least you have a reason for existing. That's more than most of the Razzie films I've watched for this segment. Let's back to the story. Julian can't get in touch with his wife on the phone and decides to go to Princeton to find her, leaving his daughter with Elliot and his missus. He get's a ride in a jeep being driven by Dante from Clerks, though you never clearly see his face, his beard in the side view mirror is enough to give him away. Sadly, Julian never meets his wife because, after another hilarious scene which features a bunch of bodies hanging down the road in Princeton, air leaks into the Jeep and everyone becomes infected. Dante intentionally crashes the jeep, somehow managing to propel the person behind Julian over him and through the windshield. Julian survives only to get out of the jeep, pick up a piece of shattered glass and slice open his wrist.
Meanwhile Elliot and co. manage to hitch a ride with a hot dog obsessed botanist and his wife. The botanist doesn't believe the official story behind what's going on, that terrorists are behind the mysterious events. Instead he believes it's plants, because all plants can communicate with each other and they've all evolved to want to take us all down a peg. This is, of course, blatantly stupid. Even if plant's can communicate with members of their own species (and such communication is pretty much limited to releasing chemicals to warn others when they are being eaten so that the others can increase toxin production) they certainly can't communicate with other species. It's also impossible to assume that they all evolved this strange neurotoxin at once. Plant evolution works in exactly the same way as animal evolution. The smaller, quicker-breeding plants can mutate quicker whilst the large, slower-breeding plants mutate at a much slower rate, therefore there's no way the trees and grass could all do this at the same time. Unless it was all part of some nefarious plot, the grass evolving this ability centuries ago and have since been waiting for trees to catch up. Now that they have, the time to strike has come! No… That's too stupid, even for The Happening.
The group soon meets up with a few more survivors and they begin walking to a lightly populated town in hope of escaping the terrorist attack. They split into two groups, with Elliot, Alma and Jess' group being in the front whilst the second, larger group follows behind. Suddenly, the first group hears gunshots and realises that the second group are killing themselves. Not only that but the botanist was right! It is the plants! Oh my god! This scene leads up to one of the moments that makes Mark Wahlberg the best thing about this film. He is hilarious.
Wow. Just wow. Throughout the film Wahlberg acts like this and it actually makes the film watchable. If not for him, The Happening would be a boring piece of shit with an incredibly stupid plot. I salute you Mark Wahlberg and your heroic mastery of the craft of non-acting or whatever it is that you're doing.
This scene then leads into one of the stupidest things ever put to film. Did I mention this film was stupid? Well, what happens next is a scene wherein Wahlberg's group runs away from the wind. Yes, there's certainly nothing more exciting in all the world than seeing a bunch of people run away from the wind. And that's pretty much the point where the film completely falls apart. Each scene is more ridiculous that the last. There's sights you'd never thought you'd see like Mark Wahlberg pointing to a big house in plain view of everyone and shouting "Hey, there's a big house." Mark Wahlberg talking to a plastic potted plant, asking it's permission to use the bathroom. We also found out what it was that Alma was feeling so guilty about. She confesses to Elliot that she and a co-worker went out for GASP! dessert and she never told him about it! Really? That's it movie? That's your big infidelity storyline? Fuck you movie. Fuck you. There's an awesome scene of a man getting himself run over by a ride on lawn mower and there's a crazy old lady who lives alone and doesn't like it when people eye her lemon drink.
It's while staying at this old lady's house that Mark Wahlberg's performance reaches it's pinnacle, where Wahlberg truly reaches for the stars:
There's something about this scene that makes it seem as though Elliot was planning to kill the old women, even though I'm pretty sure that never crossed the character's mind. Maybe he suffers from a similar condition to me. I find it really hard to sound sincere when I say thankyou, even when I genuinely mean it. Maybe Elliot really has a problem trying to sound as though he's not going to kill someone, even when he has no intention of doing so.
Anyway, the film culminates with The Happening not happening any more just as Elliot, Alma and Jess have to go outside. I mean literally just before. It's so fucking stupid it makes me damn, damn mad. Anyway, Jess is adopted by Elliot and Alma, Alma get's knocked up and a man on the TV posits that this was just a warning. We then cut to Paris where The Happening begins to happen again. This time, however, it only lasts a few hours as the French immediately surrender and France is soon ruled by trees. Sorry to any French readers but, well, who can resist?
So there you have it. The Happening was easily the most entertaining film I've seen out of the Razzie nominations, largely due to the hilarious performance of Mark Wahlberg. Seriously, without him this would have been an awful, awful film but because of him it's just a stupidly fun bad film that gets two pints out of five.
Last Year In Film: Disaster Movie by Jamie
Filed under: Last Year In Film | Tags: 2008, aaron, actress, carmen, cinema, culture, director, disaster, electra, film, Films, friedberg, jason, kardashian, kim, movie, movies, nominee, parody, picture, pop, screenplay, seltzer, shit, stupid, supporting, terrible, the, worst
Oh fucking Jesus fucking Christ. What the fuck is wrong with the world? Why are things like this allowed to exist? Yes, Jason Friedberg and Aaron Seltzer unleashed two pieces of cinematic garbage upon the world in 2008 and whilst Meet The Spartans was a bad film it's actually kinda watchable when compared with this entry in the _____ Movie franchise, Disaster Movie.
This film has absolutely no redeeming qualities. The jokes are shit, the performances laughable (though not in the way intended) and my world is a far, far more painful place having sat through it. And I have to live with that. I have to spend every waking hour of the rest of my life knowing that I spent an hour and a half watching this. No wait. It's more than that because it took me three tries before I actually managed to sit through the entire thing. Each time I got about fifteen minutes through before I had to stop. So in essence I've spent two hours and fifteen minutes watching this piece of shit. I am a broken man.
And now I'm reliving it all again just so I can write this. Fine. Let's get this the fuck over with. Remember all those trailers that came out in 2007/2008 for films like Hancock, The Dark Knight, The Incredible Hulk, Iron Man and Indiana Jones And The Kingdom Of The Crystal Skull? Friedberg and Seltzer clearly did because they inserted parodies of all of those films in this fucking film. They actually parodied films that they hadn't seen yet. It's ridiculous. As a result all the parodies of these films are just the character showing up and doing nothing or, in Hancock's case, parodying one specific piece from the trailer itself. Well done movie. Well done. I applaud your creativity. Sorry, did I say creativity? I meant go fuck yourself movie. Go fuck yourself right to hell.
The rest of the parodies are pretty much the same fare that we saw in Meet The Spartans except somehow they've managed to take this time-tested method of spoofing pop culture and make it shitter. This film has even less respect for it's audience. Where Meet The Spartans held your hand so that you could get each and every joke, this film grabs you by the fucking neck and rubs your face in the joke, whilst shouting at you "LOOK! LOOK WHAT WE'RE MAKING FUN OF! ISN'T IT FUNNY?!?! HAHAHA!" The whole thing is really rather tedious. "LOOK! LOOK! IT'S HANNAH MONTANA! SHE'S SHILLING THINGS EVEN AS SHE DIES UNDER A METEOR! ARE WE NOT EXCELLENT SATIRISTS?" I think you get the picture.
This film, for technically that's what it is, almost makes me want to somehow stop all things from happening. Because as long as events occur, there will be things for these movies creators to 'parody.' Billions of years of evolution and thousands of years of civilisation led to the creation of these movies and for that reason alone I'm starting to think that this whole 'Human Race' thing was really a bad idea from the get go and we'd be doing the universe as a whole a favour by simply going extinct right now. And even if we don't, something else may do it for us. After all, there's the chance that these films are being beamed into space right now and that, some time in the future they will be intercepted by an otherwise peaceful alien civilisation who, as a result of watching them, come to the conclusion that existence would be a far better thing without these meddlesome hairless apes running around making shitty parody films. Well done Friedberg and Seltzer. You've doomed our species.
And what's the worse thing about this damn movie? (If indeed anything can be considered worse than the impending annihilation of your species by pissed off extra-terrestrials?) The fact that they took something genuinely funny, in this case Sarah Silverman's song 'I'm Fucking Matt Damon' and totally ruin it. Why movie? Why must you ruin good things with your dogged determination to suck so bad? I believe I've said it before but it bears repeating. Fuck you movie.
So that's that then. Disaster movie is done and dusted and I'll never have to watch it again but there will always be a part of me that is gone thanks to this movie, destroyed by it's utter awfulness. I'm fairly sure that if you look into my eyes you'll notice something is off, like a part of me has died in some way. So what kind of a rating can I give this film? I don't think it really fits into our pint of beer scheme so there is only one way I can rate this. With the grand score of Unicum. If you've never experienced Unicum, one of Hungary's national drinks, then you are exceedingly lucky. It is foul and so is this movie.
Last Year In Film: Meet The Spartans by Jamie
Filed under: Last Year In Film | Tags: 2008, 300, aaron, actress, carmen, cinema, culture, director, electra, film, Films, friedberg, jason, kevin, maguire, meet, movie, movies, nominee, parody, picture, pop, screenplay, sean, seltzer, shit, sorbo, spartans, stupid, supporting, terrible, the, worst
Remember when parody film was a phrase that didn't send people with half a brain cell recoiling in horror? A time when films like Airplane!, Spaceballs and Monty Python and the Holy Grail strode the comedy plains and delighted audiences far and wide. Do you know why those films were so awesome? Because the filmmakers had a modicum of respect for their audiences. Yes, the humour was sometimes wacky and out of left field but they didn't have to take you by the hand and explain the jokes to you. The joke played out and you either got it or you didn't. Meet The Spartans, on the other hand, treats it's audience as if they had their brain removed and won't be able to understand a joke unless it's made very clear exactly what is being made fun of.
Now, I decided to keep a list during this film of the times that I laughed. That list numbers five which I have to admit is more than I thought I would. Of these five times, fthree were light chuckles and two were what I would consider proper laughs. So well done movie for managing to get two full laughs out of me. I commend your efforts. These two times were when Leonadis holds the hand of the Persian Emissary and starts swinging it like a little girl as they walk and when the Spartans joined hands and skipped into battle singing 'I Will Survive.' Who knew I was such a sucker for men hand holding humour. That's the problem with this film though. The only bits that I found funny were when they were in the context of parodying 300 without any real riffing on 'popular' culture and that's really few and far between in this film.
For the most part this film is all about taking the piss out of pop-culture and this could probably be quite funny if one, they cut the fuck back on it a bit, and two, if they took shots at things that weren't already self-parody in there own rights. Oh, what's that Meet The Spartans? You've got a joke where Britney Spears is shaving her head, being a bad mother and flashing her vagina? Oh, what a witty commentary on modern society. What's this now? A joke about Lindsay Lohan coming out of rehab and flashing her vagina? Truly movie, you are a jester worthy of the highest of praises.
Perhaps the oddest thing about this film is the credits sequence. The film came to an end whilst there were still twenty minutes left. I was confused. The film itself had only lasted about an hour, which was a small mercy but how could it have had so many people working on it that it would warrant a twenty minute credit sequence? Then, about halfway through the credits some more scenes started. Oh good, I thought, perhaps there are some outtakes. Even a shit film can have some pretty decent outtakes. But no. These weren't outtakes at all. They were actually just extra scenes that looked like they'd been plucked from the film itself and just placed randomly in the credits. Why? What the fuck were the filmmakers thinking? Oh, wait. I guess they weren't. They made Meet The Spartans after all.
So what of the acting? Well, it's kinda hard to judge as I don't think you can call what the people in this film were required to do acting. I will say this though, Sean Maguire as Leonidas and Kevin Sorbo as Captain do look as though they're just trying to have fun with the stupid roles they seem to have found themselves in and as such I find it really hard to hate them both. As for Travis Van Winkle, who plays Sonio, well I can't help but despise him since he was in that piece of shit Friday the 13th remake which so offended me.
Well, what more is there that I can say about this cinematic abortion? I suppose I have to give it a half a pint out of five just for making me laugh a couple of times. That's a couple more than I predict for Disaster Movie. Still, I have to say stay away from this piece of shit. It's pretty much repugnant and offensive to anyone descended from anyone who lived during the time of the Ancient Greeks.


The "skinny house" will be the subject of one of Mamaroneck's new artist murals.
In light of the forecast of rain for Monday, they have rescheduled the two outdoor events (meet the artist and spray painting workshop) from Monday to Wednesday, as shown here.
From April 10 to 20, the Mamaroneck Historical Murals will be created throughout the Village of Mamaroneck.
Street Art for Mankind, the Larchmont-based nonprofit organization producing the project.
Residents and visitors are invited to meet the artists, watch the murals take shape, and participate in special activities during Spring Break week beginning April 15. Residents and visitors are invited to meet the artists and watch them at work.
Films starring Mamaroneck actors, the subject of a mural, will be screened at the Library. The iconic Skinny House, another mural inspiration, will be showcased in presentations by Julie Seely, the builder's granddaughter. A spray paint workshop will teach street art techniques.
For information on the Skinny House Presentation, click here. For information on Mural Film Series, here.
as art is in the eye of the beholder it is subjective. I for one am glad at the diverse murals and encourage more.
This art work in towns looks more like graffiti like in the city. We object as it does not belong in this affluent community.
Because blank walls are so much nicer than art.
Can't wait to see them up! Thrilled that Mamaroneck is showcasing its history imagined through art.
Hopefully those is Mamoroneck Village will be less unattractive than some of those in Larchmont Village are.


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The Show That Shaped Me
Nations & Regions
First steps on a long journey
By Ann-Marie Corvin2019-05-29T12:42:00+01:00
While broadcasters have made some progress towards being more inclusive on and off screen, diversity experts say many challenges still lie ahead
Broadcast brought together several leading proponents of broadcasting diversity to take the temperature of industry progress.
Chaired by Broadcast insight editor Jesse Whittock, conversation topics included collective action, best practice, indie collaboration and regionality as our experts provided a vital snapshot of the industry.
Are you happy with the broadcast industry's progress in terms of the work it has done around diversity?
MIRANDA WAYLAND (Diversity and inclusion lead, BBC Radio and Education; interim BBC head of diversity and inclusion) We are proud of the progress we've made, but we need to build on it. I don't think any of us feel we have been complacent.
Ade Rawcliffe
ADE RAWCLIFFE (Head of diversity for commissioning) It's useful to think of this in terms of a journey. When I started working in this space, we had to convince people why diversity matters.
That argument has been won and the challenge is more about what we need to do – sometimes collectively, sometimes as specific broad casters, to achieve measurable change.
YASIR MIRZA (Head of inclusion and diversity) The challenge is constantly evolving. What's nice is that we've all moved away from seeing diversity as the right thing to do – the CSR [corporate social responsibility] version of diversity – and are now looking at the wealth of talent, stories and content that we're not tapping into.
CAMERON ROACH (Director of drama, Sky) What feels like a relief is that we can all openly admit we have a problem and be much more honest about it. Even five years ago, there was a defensive atmosphere around diversity discussions, but now people are more collaborative, and that excites me. I can see change within reach.
MW Diversity is the one area where we're not in competition with each other; it's paramount that we get this right collectively.
Does this mean that broadcasters should engage in more collective action?
AR Some areas we can address ourselves, while others need us to work together to make a difference. Directors, for instance, work for all broadcasters, and not just ITV. But I do think the [joint industry body for diversity] Creative Diversity Network works well in bringing broadcasters together.
CR Sometimes we should shout louder about good practice, where productions have been working well. Look at Doctor Who: there are so many things to celebrate with the show's reinvention, yet it still attracted criticism, despite the fact that huge progress had been made. Other drama commissioners could learn from the experiences that Chris Chibnall and the team had.
In terms of your own organisation, where is the best work being done on screen and where do the challenges lie?
Cameron Roach
CR For Sky, the best work has to be Bulletproof – it's got Ashley Walters and Noel Clarke in the lead roles but I'd never describe it as 'only diverse', as it's a best-buddy cop show. We shouldn't be approaching diverse work as niche but as something that has the potential to be commercially successful.
Through an initiative we launched three years ago, Sky Table Read, we've been able to evolve the show's writing team in the second series, expanding the room to include newer talents such as writer/story producer Jerome Bucchan-Nelson and Florence Turkson, who's an exceptional script editor and is now working on a Netflix series.
MW Rather than ghettoise diverse programmes, all the BBC's output aims to reflect the diversity of the UK in some way. Continuing drama is one of the best portals for this, not only in terms of on-screen representation but with some of the story lines that we've been tackling.
We're also proud of Doctor Who and are working with our commissioners to understand the talents there, to shape and redesign it and to create a wider conversation around it.
AR ITV is unashamedly mainstream and has to represent everybody. Lost Voice Guy winning Britain's Got Talent last year was the perfect example of ITV at its best: viewers were entertained and also learned about cerebral palsy, yet what always shone through was Lee Ridley's talent.
Then there are some of our quieter shows, such as Daniel Lawrence Taylor's Timewasters, which followed a south London jazz quartet transported back in time. I thought that was a really bold commission for ITV2 and spoke to where we want to be, and how we want to be perceived.
Yasir Mirza
YM Flirty Dancing is a good example of a Channel 4 show showing lots of different types of people but making those differences secondary to the programme. We're moving away from diverse representation to finding nuances within diversity and exploring authentic portrayal, because it's a moveable feast.
I'm also excited about the plans we have in development around the Tokyo 2020 Paralympics. We want to sustain the work from previous campaigns but build on that by looking at off-screen talent – not just at entry level but all the way through.
How should broadcasters work with production companies to achieve diversity?
CR Targets can be useful because they open up a conversation, whether that's portrayal on screen, the make-up of your crew, female directors or the shape of a writer's room. Even if producers are failing these targets, it's a useful exercise to explore why, and what we can do to support them. It's not a win or fail conversation.
AR Those conversations right at the beginning of the process are important.
Some commissioning editors will ensure this happens anyway, but it needs to be a systematic process that becomes ingrained in how we do things. And you need to evolve them: ITV's commissioning commitments launched a year ago, so now we need to include more change – because what was last year's challenge won't be next year's.
MW It's also about ensuring we can have conversations during production to make sure things are working and fl ag up any challenges. Things can change overnight – intentions are honourable until you actually have to make the show and then people are not available. If those conversations aren't taking place, then all you are doing is retrospectively fixing something.
CR What this is all circling is the requirement for producers to move away from the black-book philosophy of just hiring people they know to displaying that they have done due diligence and have much more rigorous recruitment processes, even in the freelance pool. It's something we all need to be more stringent about.
Is enough being done at a grassroots level to encourage people from different backgrounds to join the broadcasters?
CR Raising the visibility of the variety of production roles within the industry is important – there's a much broader industry that people can be part of that is more accessible. There are so many roles within scripted – yet the only things visible for many school leavers and graduates are director, writer and on-screen talent.
AR It's not just about what we do but who we partner. We are not specialists at this, we are broadcasters. ITV works with Creative Access, for example, which has expertise at recruiting BAME people into the industry and has recently broadened its focus to include people from a socially disadvantaged background.
Are the monitoring initiatives looking at the right things? Metrics, such as how much money is invested in diverse programming, for instance, do not exist, so what is being done to achieve noticeable change?
Miranda Wayland
MW We've all made a financial commitment to invest in [industrywide diversity-monitoring project] Diamond. It's been our biggest investment to date, and we recognise the magnitude of what it can do.
On a personal level, however, I'm frustrated by the fact that the data is not yet robust, given that the programme launched in August 2016.
Less than a quarter of all productions have filled out the monitoring forms. It takes minutes to complete this survey, and it only needs to be done once every two years.
AR Every single person who works on a production should have filled out the Diamond data. The collective ambition for the initiative is that it can be something the whole industry believes in – it should be as good as Barb.
CR Having access to good data is really important. Directors UK is an example of a body that is generating exceptional data – its intelligence on the use of women directors across the scripted arena is so clear, solid and reliable that it becomes a really useful tool for us in our conversations with producers.
AR The Writers' Guild had a similar dataset where it talked about female writers, and created something that has become powerful for driving change. Data is incredibly useful, as we rely on anecdotes too much in this industry. If you're talking to a commissioning editor, and you can give them data about their show, you've got the best way you can try to change it.
What impact will C4 relocating and other broadcasters and indies expanding their presence outside of London have on broadcasting diversity?
YM It's a great opportunity in terms of hiring new people from the nations and regions and finding new talent. In Leeds, just having that '4' on the building changes things – it represents an aspiration for social mobility and opportunities.
The Broadcast Indie Survey this year found indies believe more progress has been made on screen than off screen, and that more in-roads have been made in areas like minority representation than ageism or disability. What areas of society need to be reflected better – both on and off screen?
MW BAME representation has accelerated faster than other areas. As an industry and a broadcaster, we made a conscious decision to focus on that area, so the diversity agenda often spoke to ethnicity more than it spoke to other groups.
The work that C4 did around the Paralympics led to a change in the way the whole industry views disability, but it's still an area that is woefully under-represented.
CR The letter that came from the Writers' Guild about female writers was really important – it made every single broadcaster sit up and take notice because we're not doing good enough work here.
There have been successes like Bafta Elevate, which has been really useful, but that has to be kept constantly in people's minds. If we received an all-male directors list from a production now, for example, we'd send it back.
AR ITV runs the Comedy 50/50 initiative because we don't want all-male writing teams in 2019. We have a database and we've created shadowing opportunities. In terms of off-screen talent, we have to look harder at the make-up of the people making television – it's one of the next big pushes we really have to make in the industry.
Netflix and Amazon have very varied slates and are signing diverse talent. What challenge does this pose traditional broadcasters in terms of diversity?
AR Competition is good for us all. If Netflix is investing in diversity, that's only going to make it more competitive and more important for broadcasters. It's a great thing that young creatives have a choice of places to go – and people move around. They might make their next show for us, so investment in diverse talent benefits us all.
WarnerMedia appoints inclusion chief
Christy Haubegger charged with building a diverse workforce
First look images from the second series of the Shondaland drama
Sajid Varda reveals how charity UK Muslim Film helped C4's comedy drama Screw avoid misinformed stereotypes
More Diversity
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Tackling diversity head-on
Lenny Henry quizzes Tom Watson MP over Labour's plans to improve representation
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BBC3's Galdem Sugar explores youth culture through a female lens, says Ayesha Carrick
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Indie Survey Reveal

redpajama_set_name: RedPajamaCommonCrawl


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Alien Neighbors: 92,000 word Science Fiction novel. Complete and submission ready. Seeking agent representation.
All scientist Tom Whitaker wants to do is hide in his lab and work on creating a nuclear fusion reactor to process helium 3 from the Moon into limitless clean energy. When a First Contact occurs, and aliens from a planet in the Cygnus constellation reveal they possess the technology Earth needs for working nuclear fusion, he very reluctantly agrees to become the liaison between the two races. Tom finds himself risking his career, custody of his daughter, and possibly his life, to save Lanjo, his new alien friend, while also attempting to prevent the annihilation of Earth.
My Favorite Martian collides with Star Trek and Armageddon in this human/alien bromance where an introverted human nerd and an alien college professor with an irrepressible sense of humor form an unlikely friendship in an effort to save both their worlds and, ultimately, each other.
ALIEN NEIGHBORS is a 92,000 word science fiction novel set in the near future. It has enough science for geeks like me, yet not so much that the average person feels lost. Strong female characters include a kick-ass NASA mission commander and Tom's brave, spunky twelve-year old daughter. An exciting adventure with high stakes injected with humorous moments and a hint of romance, ALIEN NEIGHBORS appeals to a broad audience.
I had a lot of fun envisioning Lanjo, the alien that befriends my main character, Tom Whitaker. A graphic artist did this rendition after I described to him what Lanjo looks like. If you look closely, you'll see the extra digit on each hand and the friendship bracelet he receives as part of the story 🙂
Sword of Fate: Completed first draft young adult fantasy novel, currently in next round of revision…
Rugal has a bad habit of running from his problems. It doesn't help matters when he unexpectedly turns into a bear (literally), learns he is heir to the throne of Elayas, and is expected to battle the usurper and restore the kingdom to its former glory. Sword of Fate chronicles Rugal's quest to believe in himself. He wrestles with overcoming the self-doubt that plagues him and struggles to gain the confidence of the people of Elayas, both necessary if he is to have any hope of defeating Oldag, the evil king.
Sword of Fate is a YA fantasy. It can stand alone, but is also the first book in a planned trilogy. The book will appeal to readers of fantasy in the style of Katherine Kurtz and Anne McCaffrey.
[image courtesy of Tuomas_Lehtinen at FreeDigitalPhotos.net]


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Louisiana State Flags Nylon
Remarkably, ten very different flags flew over Louisiana before the legislature officially adopted an official Louisiana state flag in 1912. Prior to the territory being purchased in 1803 by the United States from France, Louisiana proudly flew the banner of Spain, France, and Great Britain among others. Louisiana even flew a flag as an independent nation for two months after seceding from the Union in 1861. On an azure background a pelican, the state bird, feeds her three young with drops of blood gouged from her own breast, affectionately referred to as a "pelican in her piety." Below the pelicans is Louisiana's state motto, "Union, Justice & Confidence."
All Star Flags has high-quality nylon Louisiana flags for sale that's great for flying some Creole pride! Check out our American-made Louisiana flags for sale below.
2x3' Louisiana State Flag - Nylon


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Banks' excess reserve deployment with RBI crosses Rs 8.5 trillion
Banks continue to deploy surplus funds with the Reserve Bank of India despite cuts in the reverse repo rate. The increase became prominent on May 4, when the amount reserved was around Rs 8.42 trillion from Rs 7.36 trillion, up by nearly 14.4%, on April 30.
Updated: May 09, 2020, 00:10 IST
On May 5, Indian banks parked a whopping Rs 8.53 trillion of excess liquidity with the central bank under reverse repo facility. This, despite the reverse repo rate being as low as 3.75%, shows that lenders are comfortable with lesser returns but not confident enough to lend to corporates, NBFCs, and MFIs.
The increase became prominent on May 4, when the amount reserved was around Rs 8.42 trillion from Rs 7.36 trillion, up by nearly 14.4%, on April 30.
Last 15 days have seen an increased participation from the lenders in the reverse repo window. They parked Rs 7.21 trillion on 23 April in the fixed rate reverse repo at an interest of 3.75%, from Rs 7.09 trillion on 17 April (3.75%) and Rs 4.43 trillion on 27 March (4%).
Reverse repo cuts
In order to encourage banks to deploy surplus funds in investments and loans in productive sectors of the economy, RBI reduced the fixed reverse repo rate under the liquidity adjustment facility (LAF) by 25 basis points from 4% to 3.75% on April 17. Reverse repo rate is the rate at which the RBI borrows money from banks by lending securities.
It was previously slashed on March 27 from 4.90% to 4%.
The surplus liquidity in the banking system has risen significantly in the wake of government spending and the various liquidity enhancing measures undertaken by the RBI. However, increase in deployment of funds with RBI also points towards increasing risk aversion that will continue to remain for a while.
Risk aversion continues?
India's banking sector is at a breaking point. High levels of NPAs and low credit growth began to haunt the banking system in 2015. And the coronavirus attack has made things further complicated as banks have become much more reluctant in deploying credit to various sectors, especially small NBFCs and MFIs, whose businesses have been badly hurt due to the nationwide-lockdown.
And if the lockdown gets further extended, which it is more likely to, a lot of small firms might find it difficult to cope with the ongoing economic turbulence and the level of NPAs would also increase steeply. This could be a major reason for banks to be risk averse.
"With commercial banks still in (the) midst of cleaning their own books, and the additional burden of provisioning against potential increase in stressed assets, has not surprisingly magnified their already weak credit and duration appetite," said Radhika Rao, India economist for DBS Group.
Last month, the Union Finance Ministry had held a meeting with representatives of state-run banks to discuss the issue of Non-Performing Assets (NPA), and a future roadmap for the lenders.
Experts believe that bad loans are going to increase and that the government might need to intervene. A recent analyst report from Bank of America said, "The increase in non-performing assets by 2-4% of the assets will need a government recapitalisation requirement by $7-15 billion. For this, the government can issue recapitalisation bonds, or RBI's huge reserves of over $127 can also be dipped into to help the state-run banks' recapitalisation needs."
RBI's willingness to help
Amid intensifying credit pressures, policymakers and RBI are doing all they can to minimise collateral damage that could arise from the crisis. RBI's balance sheets are expanding at a breakneck pace as it has been flooding the financial system with liquidity to overcome the risks associated with the coronavirus outbreak and the subsequent lockdown.
Recounting its various measures, the TLTRO 2.0 worth Rs 50,000 crore that was specifically designed for smaller NBFCs and MFIs, didn't reap the expected results.
Under TLTRO 2.0 scheme, the deployment of funds in the primary market cannot exceed 50% of the amount availed. Mid and smaller NBFCs have limited presence in the capital markets and thus investments through secondary market transactions would not be feasible. The stipulation on the deployment of funds made public sector banks unwilling to take any incremental exposure on these entities while participation from private peers was limited.
"The pricing on these loans therefore could be elevated and NBFCs that are sanctioned funds through this window may have to make a difficult choice between the quantum of liquidity and the cost of liquidity. NBFCs with near-term liquidity pressure may borrow at a higher price, knowing well that it would hit their spreads. NBFCs with adequate liquidity buffers may choose to wait and allow the dust to settle down," said Pankaj Naik of India Ratings.
RBI has stepped up efforts by holding regular meetings with all lending institutions and is taking stock of the situation.
Suggestions from the financial institutions might pave the way for them to reach a common ground on deploying credit that will help businesses to survive the ongoing economic crisis.
Rs 8.5 trillion
excess reserve


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Brian Griffiths: Lessons from 2018 for Republicans, Democrats and all of us
By Brian Griffiths
Brian Griffiths is editor-in-chief of RedMaryland.com. (Capital Gazette)
As we head toward 2019, it's important that we do not leave the lessons of 2018 behind. There is plenty we all can learn from this year.
For Republicans
Learn from Governor Hogan: Larry Hogan and his campaign learned early on that this year's gubernatorial election was going to be about taxes, spending, and education. They were able to define what the issues were going to be early, and how best to present those issues to voters.Hogan and his team ran the most focused, disciplined campaign that I have ever seen. They didn't get sucked into the issues of the day, focusing more on issues that were important to them and to the voters. They never forgot who they were and where they were going.
Get Outside the Bubble: Too many Republicans are living isolated from the political realities of the day. They think President Donald Trump is more popular then he is, they think that every story on Facebook is true, and they think failed politicians who become pundits focused on "owning the libs" are credible sources of information. Friends, those things are not as accurate nor as popular as you may think. It's time to live outside the conservative bubble and look at the world around you.
Local Issues Matter: A lot of candidates used the phrase "Hogan Endorsed" on their literature and thought that would carry the day for them. That was certainly not the case. Local issues matter and Republicans need to focus more on growth, traffic, infrastructure, and school crowding. Certainly, Republicans should not take Democratic positions but conservatives need to adopt coherent, logical positions on these issues and defend them to voters.
For Democrats:
Local Matters: Democratic primary voters failed to understand that Maryland wants leaders connected to Maryland. The nomination of Ben Jealous was doomed from the start. Jealous had no real connections in the state of Maryland, no relationships with voters, no relationships with Democrats, and no understanding of or experience with Maryland state government. While Maryland has scores of transplants from other states, those voters still want leaders to have roots, connections, awareness, and appreciation of what makes Maryland unique. Nominating another Californian who told Marylanders what's wrong with their state for a year won't be a winning strategy for Democrats going forward.
Remember Your Focus: A lot of Democrats focused on opposition to Trump as the reason why they were running for office. Some of them, particularly Attorney General Brian Frosh, have made it the sole focus of their job even when it is outside their realm of responsibilities. These elected officials need to remember that their job is in Annapolis and in their communities, not in Washington.
For All Of Us:
Pay Attention: This has been a rallying cry of mine for years, but voters and citizens need to be mindful of what their state and local government are doing. People are still more hyperfocused on what is going on in Washington more than they are with what is going on in their own backyard. So far we have already County Executive Steuart Pittman take Anne Arundel County in a direction that will raise taxes and make us less safe. Sharing a meme with an eagle on it won't stop that, nor will it draw attention to the issues that affect us more directly than federal policy.
Remember What Matters: At the end of the day, a lot of political stuff winds up being little more than noise. We all go through trials and tribulations, and we never know what challenges await. We never know when tragedy may strike, as my colleagues at The Capital know too well. So let's treasure our time on Earth, treasure our time with our family and friends, and be as good to each other that we can possibly be.
Our Say: 28 unsolved homicides in Annapolis are 28 too many. A cold case investigator is a good first step to changing that.
Brian Griffiths: Anti-gun forces push emotions over facts in latest Annapolis push
Letters: Transportation study shakes confidence in Anne Arundel school leadership; Facts on income inequality
Our Say: City Dock committee delivers a plan that might be the future of Annapolis
Nathan Volke: Suicide is an Anne Arundel County public health crisis
God bless you all during this Christmas and in the New Year.
Capital Gazette provides the most important forum of ideas in Anne Arundel County. Subscribe today! »


What with The Cow, Lucky 7 and Crazy Homies next door as well as this deli down the road, Tom Conran - middle son of Sir Terence - has well and truly established himself in this fashionable corner of Notting Hill. He's clearly doing something right - the locals can't get enough and each place gets pretty packed, especially at weekends. Tom's Deli is particularly popular for brunch so be prepared to join the queue if you want to sample the Eggs Benedict served with real hollandaise sauce and Parma ham. Highly recommended. There are some delicious looking things like sausage rolls on display by the front door for you to drool over while you wait. The deli downstairs is crammed with every fashionable culinary ingredient you can think of from organic olives to delicious - predominantly British - cheeses, fresh artisan-made bread, jams, fine meats and charcuterie.
What are the best dining options near Tom's London?
Tom's gyms, sporting activities, health & beauty and fitness.
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From cheap budget hotels to luxury 5 star hotels see our special offers for Tom's hotels, including The Abbey Court Notting Hill from 68% off.


Opened in 1898, provides the town's central green belt area. Children's playground and bowls. A walkway takes you through the family wood and on to Ward Jackson Park.
Guided brewery trips are available - booking is essential . All trips are rounded off nicely with a visit to the hospitality lounge.
One of Hartlepool's best-kept secrets is the lovely wildlife corridor that runs along the western edge of the Fens Estate. Rich in plant life and fringed with deciduous woodland, it provides a rich and varied habitat.
Hart Parish Church stands on rising ground on the north side of the village, immediately to the east of the site of the medieval brus manor house.
This beautiful disused railway line goes from Hart Station towards Haswell. Managed by the Countryside Team and Volunteers, it contains a mosaic of habitats including woodland, butterfly glades, and ponds.
Situated south of Crimdon, this beautiful area of calcareous grassland and dune system supports many rare plants and animals. The dunes are prized for their wildlife value and also for their extensive sea views.


Modern conservatives have created a political culture virtually devoid of accountability, writes Steve Almond.
The videos of Latinos harassed or threatened for talking in Spanish unmask an ugly truth about everyday life for minorities, writes Roberto Rey Agudo.
If this pattern feels familiar to anyone, writes Steve Almond, it's because the exact same thing happened to Hillary Clinton in 2016.
White House press secretary Sarah Sanders says she believes God "wanted" Trump to win the 2016 election. This changes everything, writes Peter Guthrie.
Donald Trump isn't the first president to get roasted by comedians, he's just the first to not play along, writes Kaila Kuban.
The latest privacy breach -- Facebook gave companies access to users' data, including private messages -- speaks to the social media giant's unchecked power, writes Miles Howard.
The relationship between the White House and the reporters covering it has grown more tense than ever, writes Andrew Grainger.
A demagogue with a broken megaphone can only sow so much discord, writes Steve Almond.
At the end of the movie I remember my grim-faced grandmother saying, "Well, that isn't what I expected." Nor did anyone else in America, writes Ed Siegel.
I have earned my literary bona fides, writes Megan Rubiner Zinn, but they don't make me love romances any less.
Here's the lesson from the last 20 months: there will be no checks or balances on the presidency that don't come directly from the voters, writes Joanna Weiss.
To be sure, the movie is imperfect with its frivolities and clichés. But for once, writes Ying-Ju Lai, let's just have some fun.
How are we to discern which are the waves merely lapping against the shore and which are the ones foretelling the tsunami?


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Did Lindsey Graham Just Announce His 2016 Candidacy?
By Christina Hartman
South Carolina Sen. Lindsey Graham may or may not have made his 2016 candidacy official Monday morning.
"I'm running because of what you see on television. I'm running because I think the world is falling apart. I've been more right than wrong on foreign policy," said Lindsey Graham on "CBS This Morning" Monday.
And with that, South Carolina Sen. Lindsey Graham is in the race for the GOP presidential nomination. Or is he? He'd told supporters that Monday morning's appearance on CBS would be a "very important" 2016 announcement.
" ... central South Carolina, where I will make an announcement on June 1," Graham said on CBS.
Except that despite using language like "I'm running because ... " Monday, he still maintains he won't make an official announcement until June 1.
Probably safe to assume that announcement will be that he's running.
"It's not like I've run out of things to disagree with the president over. ... This whole effort to degrade and destroy ISIL is a sham," he said in a recent appearance in front of the Council on Foreign Relations.
When he is officially official, look for Lindsey Graham to distinguish himself from the rest of the field on the back of his foreign policy credentials.
"His primary job is to defend this country. And he's failed," he told ABC's "This Week."
He's been a frequent critic of the current administration's actions in Syria in particular. But he's not running against Obama.
"Generally speaking, he has been wrong more than he is right. He has an isolationist view of the world that I don't share."
But he is running against fellow Republican Rand Paul, which is who Graham was just talking about there.
Paul, by the way, wouldn't call himself an isolationist, but his — let's call it more noninterventionist — approach is frequently at odds with Graham's more hawkish one.
Graham is kind of a "boots on the ground" guy. He's called for 10,000 troops on the ground in Iraq and Syria to combat ISIS, an area in which he also differs from fellow candidate Sen. Ted Cruz.
"What we ought to have is a direct concerted air campaign to take them out," Cruz told ABC.
So there's no question that as the field fleshes out, Graham will be one of the most outspoken advocates for a more muscular American foreign policy. But on domestic issues like climate change and immigration — where he's maintained support for a path to citizenship — he may actually end up being one of the moderates among GOP candidates.


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17 properties found. Viewing mode :
Pound Lane, Reading - Price £999,995
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Curzon Street, Reading - Price £450,000
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Kensington Road, Reading - Price £399,950
End terrace Victorian home with 4 bedrooms and double garage - FOR SALE
Wantage Road - Price £395,000
5 Bedroom Investment Property For Sale - Current HMO
Wilson Road, Reading - Price £375,000
A well presented 3 bedrooms semi detached home.
Repton Crescent, Reading - Price £330,000
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Chester Street, Reading - Guide Price £325,000
Three Bedroom House in West Reading with Driveway Parking
34 Wokingham Road, Reading, Berkshire, RG6 1JH
Email Wokingham Road
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Dorothy Street, Reading+
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Sixteen è un singolo della cantante britannica Ellie Goulding, pubblicato il 12 aprile 2019 ed incluso come traccia bonus nel quarto album in studio Brightest Blue.

Descrizione
Sixteen è una canzone pop con un beat elettronico che parla dei "giorni spericolati dell'adolescenza". Il brano è stato scritto dalla stessa interprete in collaborazione con Joe Kearns, Rachel Keen e Frederik Gibson, e prodotto da Mike Wise, Fred ed Ian Kirkpatrick.

Pubblicazione
Ellie Goulding ha annunciato la canzone sui social media l'11 aprile 2019, annunciando anche che la copertina che raffigura dei suoi amici quando avevano sedici anni.

Tracce
 Download digitale

Successo commerciale
Nella Official Singles Chart britannica Sixteen ha debuttato alla 50ª posizione con  unità distribuite. È diventato il ventisettesimo ingresso nella top 75 della classifica di Ellie Goulding e il primo nel 2019, facendola ottenere una nuova canzone nella regione per l'undicesimo anno consecutivo. Ha in seguito raggiunto la 21ª posizione nella settimana datata 30 maggio 2019, grazie ad ulteriori  unità di vendita.

Classifiche

Note

Collegamenti esterni

redpajama_set_name: RedPajamaWikipedia