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The Return of Live Music and the Top Tunes of 2021
I came into this year believing it would be a transition. I knew it wouldn't be the best year ever, but I truly believed we were going to transition back into some weird period of normalcy that wasn't quite exactly normal yet. Sure enough after 15 long months, we did and live music came back into our lives. I went back to work. I saw my friends again, made new ones, and got closer to others, which is something I'm so grateful as someone who works in live events. Usually at the end of the year, I recap some of my favorite music, but this year, after talking to a friend of mine, I've decided to include something extra. This was the first year in a while that I didn't have a stand out favorite song of the year. For me, this year was a comeback to music I know and love with a few new faves along the way. You'll see what I mean. So let's get to it, here are my 2021 favorites in music:
Torches X -Foster the People
I knew going into 2021 that Torches, one of my all time favorite albums by my favorite band Foster the People, would be turning 10. Last fall, I was hoping they would play a drive-in show in May in honor of the 10th anniversary. Needless to say I never expected I would get to see them play a 10th anniversary show in LA in November nor did I expect a deluxe edition of the album with some of my favorite early Foster the People songs. That's what I got though and I'm more stoked about it than you know. Plus after years of hoping and wishing, "Broken Jaw" is now on Spotify. It can't get any better than that.
30 -Adele
After 6 years, Adele finally put out new music in 2021. As I wrote recently, 30 hasn't been my favorite Adele album, but it was still something I anticipated for quite a while. It deserves recognition for that, especially after the endless amount of Twitter teases over the past 2 years. It's still one of my favorite albums of 2021 and has several great tracks that I love. I'm stoked Adele is finally back.
Decco
Decco was a huge discovery for me this past spring. I spent a good amount of time listening to their songs after finding them because of a Kygo song on my Release Radar Spotify playlist. I'm actually surprised their song "I Didn't Know" wasn't my most listened to song of 2021 because I surely spent a lot of time listening to that track this past spring and summer. I'm hoping there are more solid Decco songs released in the future and maybe even a festival set or two. They're great and I'm glad I found them.
"Chapstick" -COIN
I added this song to my work out playlist in mid-October after returning home from ACL and it's been a song that I haven't been able to get enough of since. I've been listening to COIN here and there for the last few years, but this song just hits different for me. It's got such a great edgy, rock feel. I've kept it on repeat for the past 2 months and I'll likely be keeping it that way into the new year.
"Dissolve" -Absofacto
My friend Hailey told me about this song during Lollapalooza because Absofacto played the festival. She said the song was a big hit, but I hadn't heard it. She played it for me and I was hooked. I added it to my summer work out playlist and much like "Chapstick" it was a song I kept playing on repeat. In fact, I even extended the listening period by putting it on my fall work out playlist too. It's been a song I've loved since the summer and one of my favorites of 2021.
"Low Rider" -War
This 1975 classic has been the official/unofficial song of the year for me. What started as a joke over the radio at Peach just carried on for the rest of the year. I kept hearing this song at random times after that and it's always a jam. I even bought the single on vinyl 2 weeks ago. Glad this song made a comeback this year for me and the festie pals because it's truly the best.
Loving in Stereo -Jungle
Jungle's Loving in Stereo was another one of my favorite albums of the year. It has such a complete track-listing with so many songs I enjoy. I had it playing in my car for months too. I've been listening to Jungle since their debut album was released in 2014 and caught them at Coachella in 2015 and Lollapalooza in 2018. This is definitely my favorite album of theirs so far and I'm disappointed I didn't see them on their tour this fall in support of it. I'm hoping for some festival appearances next year that I'll be able to catch because this album made me love Jungle even more.
"Sweet Talk" -Fitz Leland
In early 2021, I discovered this jam by independent artist Fitz Leland. It was one of my favorites to listen to last winter, especially during my weekly adventures on the slopes. It was always such a vibe hearing it while on the lift or while lifting (you know it was on the work out playlist too!). This one definitely helped carry me through a winter I tried to make the best of. It's such a mood.
So I know I usually do a top 10 followed by some runners up, but this year wasn't about music I listened to. It was about music I saw. Being sidelined for 15 months from shows and work made me want to see music as much as I could as soon as I was able to. I also appreciated seeing live music much more. After thinking about it and looking back on my calendar, I've seen 39 full and partial sets this year since June, when I saw my first concert since Dermot Kennedy back in February 2020. So instead of just songs, albums, or artists, here's something extra that I've never done yet. Here are my favorite sets from concerts and festivals (in the order in which I saw them) once live music came back this year:
The Suicide Machines & Less Than Jake
This was my first concert in 15 months. I saw both bands play AC Beer Fest on the first weekend of June at a time when everything was starting to transition into a normal-ish time again. AC Beer Fest was an outdoor festival that we tailgated on a beautiful Saturday. I can't even express what it felt like in that moment to be together with my friends at a ska punk show again. Tears were had. Songs were sung. We skanked and I got beer accidentally dumped on me on the way out to the parking lot. It was the best day with my pals.
Carrie Underwood at Country Jam
Country Jam was my first big gig/festival that I worked since Mexico in the winter of 2020. I also got to work a role that I wanted to try to get involved in on my next festival season, credentials. The last night of the festival Carrie Underwood headlined. I'm not a country fan but of course I know Carrie Underwood, even if it's only like 2-3 songs. So I anticipated her set all weekend. After a successful week on the Jam Ranch, I watched her Saturday night set with my co-worker friends. Again, it was an incredible feeling to be back to work and back at a music festival and that realization set in while taking in Carrie Underwood. The set culminated in "Before He Cheats." We went so hard that we probably could have taken a Louisville slugger to both head lights in that moment that truly felt like live music was back.
Miley Cyrus at Lollapalooza
Lollapalooza has always been one of my favorite festivals. Unlike other festivals, I didn't get to work Lolla in 2019 so it made the return to Lollapalooza this year even more special for me. I actually felt an excitement coming into work the first show day that I hadn't felt at all yet despite working 2 festivals at that point. It was a different feeling that comes with working my favorite festivals though so that's probably why. Miley Cyrus headlined the first day of Lollapalooza this year and I figured once I closed up my ticket help I would catch the end of her set. I met up with a girl on my team who I had met 2 days prior and that I clicked with instantly along with my VIP one-off turned festival worker homie Finnerty. Two of our other friends popped out of the VIP area that we were standing next to when Miley went into "7 Things." We all went so hard. I kind of forgot the song existed until that moment. After that, she just kept playing all the hits. I couldn't believe how many Miley songs I actually knew. She killed it too. I loved watching everyone get emotional during "The Climb." The production during "Can't Be Tamed" was fantastic. Then she closed with "Party in the USA" a half hour after her set was supposed to end which felt like a true party with people being together, dancing, and singing in the heart of downtown Chicago at the first major music festival since the panny d began. It was a special moment, granted some news about new variants and such changed everything the next day. That first night was a true celebration though and I was grateful to take it in from the crowd.
Green Day at Hella Mega
When the Hella Mega Tour was announced in 2019, I knew I wanted to work it. I even got to the point this year thinking I might attend if I didn't get the chance to work. Fortunately though, I was able to work two dates on the tour and it was the coolest VIP event I worked all year. It was a no stress, low energy type of work day that ended as soon as the headliner, Green Day, took the stage. Green Day is such an iconic band and anyone who has ever listened to alternative/punk music has listened to Green Day. The first date I worked was in Hershey in August. I was entranced when I walked in the venue and I saw Bille Joe Armstrong strumming hard to "Holiday." Green Day played all their hits on the tour from "Boulevard of Broken Dreams" to "Basket Case" to "21 Guns." It was all around awesome. They were so entertaining to see live and that was my first time ever seeing them. I, of course, popped in the venue for one or two Fall Out Boy songs earlier and heard their entire set along with Weezer and the Interrupters' from the VIP check-in spot too. We were set up right near the stage. It was a great day overall and I felt so lucky to have experienced it.
Lizzo at Firefly
Firefly was a rough week and half for me due to some personal feelings and such, but being able to actually be at the festival is always a rarity these days and one I cherished about my time in the Woodlands. After the Lizzo hype of 2019, I was so stoked to see her Sunday night set in one of her first performances back since early 2020. I got to see it from the VIP area with several of my friends who were working in VIP that weekend. It was a nonstop hour and a half dance party filled with endless joy that felt "good as hell!"
After Firefly ended, I had 2 days before flying out to Austin for ACL. I was home for a total of 26 hours because the night before flying out I saw Glass Animals with my friend Amanda. We bought the tickets when the tour was announced back in May cause I anticipated being able to make the Tuesday night date. I made it happen and it was another night of nonstop dancing. Before I got into Glass Animals, I saw bits and pieces of their July 2017 Panorama set. That following fall I started listening to Glass Animals and felt bummed when I missed the call on them earlier that year. Dreamland was one of my favorite albums of 2020. I spent so much time at home listening to them last year that finally getting to see them perform in late September after all that time felt so satisfying. We had such a good time that we're even thinking about seeing them again next year at Red Rocks because we don't wanna talk we just wanna dance to Glass Animals again and again.
Dermot Kennedy at ACL
I made my return to ACL this year after working my first one ever in 2019. It was always a festival that I wanted to work but couldn't figure out an in for. I was asked at Lolla if I wanted to do it again and I immediately said yes to spending two weeks in Austin. ACL brought a ton of great times and reunions with my ticketing fam and Austin friends, but none was more special than my reunion with my friend Danny, who I lovingly refer to as the Danimal. It had been just over 2 years since we last saw each other and after taking a full time role with a major event company he came to the 2nd weekend of ACL for fun. Thanks to my amazing team I was able to take some time to see all of Dermot Kennedy's set with Danny. Danny was with me at Coachella 2019 when I first discovered Dermot. I caught Dermot's set at Lolla, but seeing his ACL set with my favorite festival buddy was more special. We sang along to everything and danced harder than one would expect at a Dermot Kennedy set to the point that we created a mini mosh pit with two strangers during "Giants." It was one of the most fun live music moments I experienced all year.
Foster the People (Torches X Show)
I already dedicated a whole blog to this show, so please check it out for all the detail. Just to reiterate though, I can't believe I got to experience this show. It still feels surreal. Favorite band, favorite album, in one of my favorite places. Surreal.
When I wrote my end of 2020 music recap, I wrote about hoping to hear from LCD Soundsystem again in 2021. Well they came back. They announced a 20 show residency in NYC in November and December in early October and I spent one morning before heading to site at ACL struggling to get tickets. I managed to secure tickets to one of the early December shows with plans to see them again with my friends at their final date of the residency. The residency got cut short due to the unrelenting panny d, but I was still able to go to the show I purchased tickets for in the beginning of December. It became a whole weekend of shows with my friend Hailey who flew in to hang with me and to see James, Nancy, Pat and the rest of the crew. We spent some time hanging in NYC too. LCD Soundsystem always gets me hyped since I never thought I would get to see them after getting into them in 2012 post-break up. This time was no different as I planned to dance myself clean for the third time. We heard, in my opinion, one of the best set lists of the residency too. I danced myself clean with all my friends as daft punk played at my house and New York, which I love brought me down. It was so good that I could do it on repeat.
Streetlight Manifesto
The day after LCD Soundsystem Hailey and I made our way to Philly to attend mine and my friends' annual Christmas celebration at Streetlight Manifesto. Usually it happens in central Jersey with just me and my two friends Ashley and Noah, but this year with an announced Philly date, we decided to do it there with a bunch of other pals. I convinced Hailey to come even though she wasn't into Streetlight with the promise that she would get to experience this incredible tradition we started in 2018. Despite not playing "Point/Counterpoint" into "Keasbey Nights" back into "Point/Counterpoint," we had the best time singing along with our arms around each other to the uptempo ska songs we loved listening to in high school after a year not being able to see Streetlight. It was another one of my favorite concert moments of the year.
Runners-Up:
Thanks to my friend Emily and her homie at the Bottom Lounge in Chicago I was able to attend All Time Low's Lollapalooza aftershow during Lolla week (the show was Wednesday before the festival started). After Hailey hooked it up with providing a place to stay, we both started talking about attending a show the night before Day 1 of the festival. We both had an interest in All Time Low and it just happened to work out that Emily had connections at the venue when I told her we wanted to attend. The only problem was I worked onsite until 7 PM the day of the show which was when it started. There was an opener though so I figured ATL wouldn't hit the stage til 8:30 or show and we would be fine. We were not, in fact, fine. All Time Low came on at 8 and we got to the venue around 8:40 by the time I left work, moved my stuff to the place we were staying, quickly changed, and ubered there. We saw the last 4-5 songs though. They were all bangers and it was enjoyable for the brief time we were there. I got to hear "Dear Maria…" their most iconic song, which was really cool because I've known that song since high school and I had never seen All Time Low before that night. Overall, it was fun to take in a show with Hailey since we were getting to know each other and realized we had similar music tastes. It really kicked off my return to Lollapalooza too and I knew it would be a great week.
The Killers at Firefly
As I mentioned before, I was able to see a bunch of music at Firefly given my role and hours for the week. I was able to see everything I wanted to see on Friday and Sunday at the festival, which included Friday night's headliner, The Killers. Both times I saw the Killers previously were with my mom, so this was the first time seeing them without her. I was sure to record her favorite song though and send it to her as I took in the set with some of my festie friends. It was another set of the weekend that included tons of dancing as I sang along to mostly every song. The Killers always put on a good show and this was no different even if they didn't end with "Mr. Brightside."
Nelly at Firefly
My inner middle school self was so excited to see Nelly at Firefly. That's the great thing about festivals, being able to see music you wouldn't normally buy a concert ticket to. I took advantage of the opportunity and it was such a fun set. Nelly was so big during my middle school and high school years that I knew almost every song he performed. There was a huge crowd for his set and almost everyone was singing/rapping along to hits like "Ride Wit Me", "Hot in Herre", "Air Force Ones", and "Grillz." As a former fan, it was definitely a highlight to be able to see Nelly this year.
Now that I did a double review for the year that brought live music back into our lives, what's next? Well there's still plenty of concerts and events that didn't get to happen this year so next year the comeback is still on. I'm highly anticipating new Arctic Monkeys next year and a Foster the People tour that they mentioned at their Torches X show. I'm also still hoping for new music from LCD Soundsystem. At least they came back to play shows these past 2 months. I'm also excited for new alt-J and Bastille. Both have new albums dropping in February. I'm still hoping for more Florence and the Machine as I was last year, but it would also be great to add Tegan & Sara to that list too.
If all goes well, in a few days there should be a certain well-known festival that will be dropping a lineup. I have my fingers crossed that all goes accordingly with it this year since it's been 3 years since the last one. I know so many others are hopeful as well. In any event, once that lineup drops there will be several blog posts coming straight from the marathon month I'll be spending in Mexico, since those events are back as well. 2021 will definitely go down as a return to live music and I hope it all keeps going smoothly into the next year. Until then, don't stop listening and buying tickets!
Posted in Music, Uncategorized and tagged 2021, 2021 music recap, 30, Absofacto, AC Beer Fest, ACL 2021, Adele, Adele 30, all time low, alt-j, Arctic Monkeys, austin city limits, Austin City Limits 2021, Bastille, Carrie Underwood, Coachella, coachella lineup, COIN, country, Country Jam, Country Jam 2021, country music, Decco, dermot kennedy, fall out boy, Firefly, Firefly 2021, Fitz Leland, florence and the machine, foster the people, Glass Animals, Green Day, Hella Mega Tour, independent artist, indie, indie music, indie pop, indie pop music, indie rock, indie rock music, jungle, Kygo, lcd soundsystem, less than jake, live music is back, Lizzo, Lolla, Lolla 2021, Lollapalooza, Lollapalooza 2021, loving in stereo, Low Rider, miley cyrus, Music, music recap, Nelly, pop, pop music, punk, punk music, punk rock, punk rock music, rap, rap music, rock, ska, ska music, ska punk, ska punk music, Streetlight Manifesto, Tegan & Sara, tegan and sara, The interrupters, the killers, The Suicide Machines, Torches X, War, weezer on December 29, 2021 by prostreetcross. Leave a comment
30: Album Review
Since May of 2019 when Adele made a social media post about her 30th year, fans across the globe (me included) waited for a new album. After speculation it would come in 2020, getting delayed, and plenty of teasing moments of her name trending on social media, Adele finally released the first single, "Easy On Me", from her new album 30 back in October 2021. This also came with the announcement that her new record would drop on November 19th. I knew I would be in LA that day and while there I made sure I stayed up long enough to listen to the new record that dropped at midnight EST. From the brief run through that night, I realized this was Adele's most musically diverse album yet.
Adele's albums are usually pretty predictable – heart breaking ballads and occasionally a bop like "Rolling in the Deep". This album had a mix of all of it plus some tracks that sound straight out of the 40's or 50's. There's a track that adds an electronic flavor to her repertoire with "Oh My God," one of two bops from 30. You also get some classic 19 era Adele with "Cry Your Heart Out." The album is different, but it works.
I pre-ordered the album a few weeks earlier because I knew I wouldn't be in town to grab it right away. I got the Target version which included 3 exclusive tracks, "Wild Wild West," "Can't Be Together," and a version of "Easy on Me" with Chris Stapleton. Honestly I'm glad I got it because I really dig "Wild Wild West" and especially "Can't Be Together." Both songs could have easily been on the standard version of the record.
Overall, I don't think this is Adele's best album. I like that she diversified her music a bit and I like some of it, maybe even most of it, but I just wasn't into all of it. 21 and 25 are tough to beat too. 30 does have several songs that will be Adele faves for years to come though. "Easy on Me" is the perfect first single. "I Drink Wine" is so relatable and I still can't get over "Oh My God" and "Can I Get It." The point is even if this album isn't my fave it's still going to be massively successful, because even if it's not the best, it's still Adele and she's the best. She's a superstar. She can definitely get it and I'm not sure we'll ever be able to get enough.
Posted in Music, Uncategorized and tagged 30, Adele, Adele 19, Adele 21, Adele 25, Adele 30, Adele 30 album review, Adele Adkins, Adele album review, Adele new album, Adele new record, album review, british, british music, british musicians, British singer, British singers, Chris Stapleton, Easy On Me, Easy On Me Adele, I Drink Wine, Music, new music 2021, pop, pop music, pop soul, pop soul music, rolling in the deep, soul, soul music, soulful, Target, Target exclusive, UK music on December 15, 2021 by prostreetcross. Leave a comment
2020 Sucked But Here's Some Music That Didn't
In 2016, which everyone claimed was a terrible year, I started a personal music recap for the year as a way to find something good to talk about. I kept it up because 2017 was an absolutely amazing year for music and then just kept going with it. 2016 was nothing compared to this year though. To be honest I had a pretty good 2016, but like most people, I didn't have a great 2020. I'm usually a pretty positive person and try to look for good things when bad shit happens, but this time around there wasn't a lot of good. Barely any actually. The bad far outweighed it. Where I found my hopefulness though is that someday it will get better. If I made it through high school and my emo years, I knew I'd be able to get through this emo year. Thankfully, even in the absence of live music and the career path I started for myself in 2016, artists still released albums. Some albums were delayed, but eventually got released. Some albums were even unplanned such as Taylor Swift's folklore and evermore. Music discovery was one thing that wasn't cancelled this year and for that I am grateful. So here you go, my top music faves from 2020:
"Heat Waves", Dreamland -Glass Animals
I usually only pick a song, album, or artist to focus on for each of these, but this one was tough to distinguish. In 2020, there are no rules though. Glass animals released their latest album Dreamland back in August but a month earlier dropped the song "Heat Waves". I fell absolutely in love with song immediately. I knew a few days after I first listened to it that it was the song of the year for me. I couldn't stop listening to it for weeks even after the album was released. It was my most played on Spotify as well. The album was also my favorite of the year. It featured other great bangers like "Tangerine" and "Your Love (Déjà Vu)" and several other great ones as well. The album was an ode to childhood in the 90's, but still captured the smooth yet trippy, groove style of indie music that Glass Animals is so well known for. I feel like it's highly underrated and most definitely my favorite album of 2020.
Women in Music Part III -HAIM
Before Dreamland was released, if you asked me, I would have told you that Women in Music Part III or WIMPIII for short was going to be my favorite album of the year. I knew earlier on from the single releases in the spring that the Haim sisters were about to release a hit of an album. I'm not the only one that took notice either. The album was recently nominated for album of the year by the Grammys and their song "The Steps" was nominated for Best Rock Performance, a category dominated by women this year. I bought the album in July and was able to secure a signed album poster! I still have yet to hang it up, but I have plans to make it happen soon. Much like Dreamland, this album is top to bottom filled with great songs. My favorite is "Don't Wanna", but that's followed by "I've Been Down", "Gasoline", "I Know Alone", and "The Steps". I could honestly go on with the songs too. Like I said, top to bottom, it's fire. HAIM's third full-length is really something special and my other top fave from this past year.
Daft Punk has been around since the 90's. I've known about them since the Random Access Memories era, but I didn't quite realize that I knew them way longer than that until I watched the Coachella Documentary this past spring. There was such a focus on Daft Punk's iconic 2006 set that I began really going through their discography. I wrote a blog post about them and how even without a physical Coachella this year, Coachella still helped me discover some new artists. They were one of my top artists of the year. I even bought Discovery on vinyl back in April. The song "One More Time" was in my top 5 most played songs of the year and I'm now one of those people who want them to headline Coachella. I'm definitely late to the game on this robotic electronic duo, but it's better late than never.
Notes on a Conditional Form -The 1975
The 1975 dropped their latest album in the spring with plenty of track releases in the lead up to the full album that began in 2019. It was an album I highly anticipated during the spring lockdown. In fact during those weeks, I was living for new music Fridays. I claimed back in my blog post review of the album that it might be one of their best works yet. However, I'm not sure if anything will able to top their debut self-titled, but I definitely believe Notes On A Conditional Form is one of the best of the year. I spent weeks listening to the full album. I love "If You're Too Shy (Let Me Know)" and "Jesus Christ 2005 God Bless America" which features Phoebe Bridgers, who had a big year herself. "People", "Frail State of Mind", "Me & You Together Song", and "Tonight (I Wish I Was Your Boy)" are all great too. This album came at the perfect time and I'm incredibly grateful for it and all the new music that helped me through this crazy year.
"POWER" -Kanye West
"POWER" by Kanye West is not a new song. It actually came out 10 years ago. I never even knew it back then. It first came into my life with the Power Rangers reboot movie in 2017. Then last year during Sunday Service at Coachella it also popped back in. Then yet again this past spring in the Coachella Doc it also made an appearance. It was this time though that I finally got hooked. It was another staple song of my spring time work out playlist and even a go-to I would listen to at other random moments. The intro and subsequent background music for the song which was taken from the song "Afromerica" by Continent Number 6 is just so damn catchy too. It was another better late than never situation, but it worked out fine. There were plenty of songs that got me through the spring but this one is definitely a stand out.
"New Daze" -Bay Ledges
In the summer Bay Ledges released a 6 song EP titled New Daze. The EP included a song of the same name that I really connected with. It's my favorite new song of theirs since I heard "Safe" in 2018. The song exemplifies their chill indie vibe sound, but has that same uplifting feel that "Safe" also contains. The lyrics themselves do too. It gives such a hopeful perspective for this trash year and I really love the song for that reason as well.
"Giants" -Dermot Kennedy
Dermot Kennedy was huge for me in 2019. His show was actually the last concert I was able to attend before the music industry shut down on March 12th. After such a big year with his first album in October, I wouldn't have expected any new releases in 2020, but in June he dropped the new track "Giants". It's another powerful upbeat track similar to "Power Over Me" and "Outnumbered". He recently released a "Complete Edition" version of his debut album which contains "Giants" among other collabs, a cover, another new song, and alternate versions of old songs. "Giants" was just the new track I needed for my summer work out playlist to even further my love for Dermot Kennedy. I even enjoyed the Sam Feldt remix of the track and got a double dose of the track by including that version in my fall work out playlist. It's quite a banger and one of my favorites of the year.
"Bodies" -The Knocks ft. MUNA
Obviously the spring and summer were filled with plenty of new tunes and discoveries of old for me this year, but I found this gem by The Knocks featuring MUNA in the fall. The song was recommended to me by Spotify after my playlist finished one night and I thought it was great. After I added the song, I couldn't get enough of it when it played during my nightly work outs. "Bodies" was released in the summer, but it didn't come into my life until early November. For almost the last two months, I've been obsessed with this song. It's a late comer to this list of my favorites for 2020, but it deserves to be here. It's a keeper.
"Believer" -LUDVIC, Mathoma
Spring was such a time of music discovery for me thanks to the Coachella Documentary and my weekends of "Couchella". In that time I also discovered the song "Believer" by LUDVIC and Mathoma thanks to checking out my friends' Spotify playlists. I love being a creep on Spotify but it's truly a great way to discover new music and find out what your friends are listening to. Although this jam wasn't directly because of Coachella, it came to me around that time and joined my spring playlist in the midst of some great tunes. This was one song I couldn't get enough of though. I would frequently replay it or listen to it when I wasn't working out thus earning this trop house style track a spot on this list of my faves from 2020.
Golden Hour -Kygo
After seeing Kygo perform at Coachella in 2018, I became a huge fan. I've always been partial towards the trop house style of electronic music, but that 2018 performance really set in my affinity for the Norwegian DJ. Golden Hour was another album I was anticipating in the spring with new track releases every few weeks. Kygo's third album dropped at the end of May and I already had some favorites from the new record. "Freedom", "Lose Somebody", and "Higher Love" caught on quick for me. I also love "Like It Is", "I'll Wait", and "How Would I Know."
Kygo decided to do a virtual live stream festival from his home in Norway to promote the new album and support LiveNation's Crew Nation Fund among several other relief funds. As we know, streaming shows became a thing this year. I think they're trash. They will never compare with going to a concert or festival, but in the mean time, they're something to watch. I watched two streams in the spring and this was one of them. The thing that kept me around was the beauty of Norway. Kygo's set was shot partially with a drone that exhibited the entire landscape of his community. People were out on the lake watching his set from boats. It was so cool. Who would have thought this music which usually sets the vibe at in the desert of southern California so perfectly would create an insane vibe in a different setting like Bergen, Norway. It was great and it gave me another chance to hear this solid new record.
The New Abnormal -The Strokes (the first Strokes album since 2013, full of indie rock goodness)
girl in red (the indie version of Hayley "Lesbian Jesus" Kiyoko)
"Good" -TWIN XL (indie pop summer jam)
"Palm Springs" -Luna Shadows (pure Palm Springs vibe and I bet you can't get it out of your head)
"Anywhere" -Dillon Francis ft. Will Heard (Thanks to a re-watch of his 2019 Coachella set it became a spring fave of mine)
I typically end these posts filled with excitement knowing I'll be anticipating the Coachella lineup to drop within days, but this time around that excitement for my favorite festival is non-existant. Instead, I'll be looking for another postponement to the Indio festival that was only a month away before corona dragged it and the rest of live music down. The good thing is that there's finally a light on at the end of this tunnel. The vaccines are probably the hottest records to drop this year with a few more slated for early 2021. We're all hoping that these creations will help get us back to the things (concerts and festivals) and people we love the most at some point next year. So I'm definitely urging you to give them a chance, because the faster you do the faster we can move forward away from this crazy upside down world we've been living in since March.
Besides hopefully a fresh start for the live music and events industry, 2021 should be filled with some highly anticipated new music. In May 2019, Adele hinted at a new record that was to come out in 2020. I'm not sure if this year put a damper on production, but it has yet to be released. A brief stint on SNL in October gave us some hope for new music but Adele quickly squashed those hopes in her opening monologue and shifted gears towards 2021. So as the saying goes, "rumor has it" that we'll have some new Adele music next year after over 5 years since 25.
Lorde has also hinted at the release of new music. It will be 4 years ago in June that Lorde released her Grammy nominated sophomore album Melodrama. So this third full-length will be a highly anticipated record in 2021.
As I mentioned girl in red in my honorable mentions, her debut album should be dropping next year as well. The first single from it, "Rue", was released in late August and I'm sure there will be more songs coming in anticipation of the release. After the big year girl in red had, thanks in large part to Tik Tok, I'm sure this debut will help grow her fan base even more.
Lana Del Rey, who just never stops making music, has an album due out for 2021 as well with Chemtrails over the Country Club. We should be seeing new music from Bleachers, St. Vincent, Spoon, Weezer, and Greta Van Fleet in the new year too.
Although it has been over 3 years now that my favorite band, Foster the People, released an album, they released an EP called In the Darkest of Nights, Let the Birds Sing on December 11th. They've dropped plenty of new music since their last record Sacred Hearts Club (2017) too. Hopefully touring returns at some point next year and I'll have the chance to see Mark and the boys again soon. I miss them. I actually said the same thing at the end of last year too, but now I miss them even more.
It's also been awhile since LCD Soundsystem has put out music so I hope to hear from them next year as well as Florence & The Machine whose last album came out in 2018. As for the next few months though, instead of going to Mexico and anticipating Coachella, I'll be trying to ski as much as I can and keep my eyes and ears peeled for a return to the work I love so much. If all goes well, the new roaring 20's might be in full swing by the fall. Stay tuned for that.
Although music was partially shut out this year, at least we have the technology to release, find, and hear new songs, EPs, and albums. I'm not going to try to tell you that music saved this year like it did in 2016. This year could never be saved and that's okay. The good news is that we made it so here's to shutting the door on a wild, lameass year and opening the next door for a better one. Onward and upwards!
Posted in Music, Uncategorized and tagged 2020 Music Recap, 2020 recap, Adele, Alana Haim, Bay Ledges, Believer LUDVIC, Bergen, Bergen Norway, best of 2020 in music, best of music 2020, Bodies MUNA, Bodies The Knocks, Coachella, Coachella 20 years in the desert, Coachella 2020, Coachella Documentary, Cocahella doc, Continent Number 6, Couchella, Couchella 2020, Daft Punk, Daft Punk Discovery, Danielle Haim, dermot kennedy, Dermot Kennedy Giants, Dillon Francis, Dillon Francis Will Heard, Dreamland, Dreamland Glass Animals, EDM, electronic music, emo, end of 2020, Este Haim, evermore, Florence & The Machine, foster the people, Giants Sam Feldt remix, girl in red, Glass Animals, Glass Animals Dreamland, Golden Hour, Golden Hour festival, Golden Hour Kygo, Grammy nominated album, grammys, Haim, Haim Women in Music Pt. III, Heat Waves, Heat Waves Glass Animals, Heat Waves song, house, house music, indie, indie music, indie pop, indie pop music, indie rock, indie rock music, Kanye West, Kygo, Lana Del Rey, lcd soundsystem, Lorde, LUDVIC, LUDVIC Mathoma, Mathoma, MUNA, music 2020, music recap 2020, New Daze, new music 2021, new year, new year new music, notes on a conditional form, phoebe bridgers, Power Kanye West, power rangers 2017, Power Rangers movie, Power rangers reboot 2017, Random Access Memories, rap, rap music, Sam Feldt remix, sunday service, Tangerine Glass Animals, taylor swift, the 1975 notes on a conditional form, The Knocks Muna, The new abnormal, the strokes, trop house, trop house music, tropical house, tropical house music, TWIN XL, Women in Music Pt. III on December 29, 2020 by prostreetcross. Leave a comment
Top Albums of the Decade
For the last few years, I've been ending each year with a list of my faves in music from the past year. I plan on doing it again but since 2019 is the last year in this decade I thought I'd also include a list of my favorite albums of the last 10 years. I definitely have a clear cut favorite and second favorite, but after those two, there's really no particular order.
This list is defined by albums that I've listened to in full for days, weeks, months, or just repeatedly for no set amount of time. It's a list of albums that I couldn't get enough of. My two favorites on this list have been in my car since I bought them in 2011 and 2012. I still listen to them occasionally. You could probably chalk them up on the list of my favorite albums of all time, but the others are special to me as well.
So let's get down to it. Here are my top 15 (plus a few honorable mentions!) favorite albums of the 2010's:
Torches -Foster the People (2011)
My absolute, number one, favorite album and Foster the People's debut album. I wrote once about how Foster the People really shaped the music I got into this decade going from being into punk/emo/alternative music to indie pop/indie rock. This album did it for me in 2011. Foster the People was a new, hype band on the music scene. They played SXSW and Coachella the spring before their first album dropped. When I got into them I learned about Coachella for the first time. So this band and album really shaped a lot about this decade for me.
I've loved Torches from top to bottom since I purchased it in May 2011. "Helena Beat" was the first song that hooked me, but despite any criticism it's received over the years, "Pumped Up Kicks" kept me around. It's filled with other bangers like "Houdini" and "Don't Stop (Color on the Walls)", but it has plenty of underrated hits like "Call It What You Want", "I Would Do Anything For You", "Life on the Nickel" and "Warrant". Since I bought a record player in 2012, I've been adamant about not purchasing records that I already have on CD. This month I broke that rule for this album. It's one of my all-time favorite works of music and the best of this decade for me. It was about time that I own it on vinyl too.
Born to Die -Lana Del Rey (2012)
Born to Die is Lana Del Rey's debut album. It came out in 2012 and I've loved it ever since. I listened to it constantly once I bought it. Like Torches, it's the only other album that's stayed in my car since I purchased it. I remember thinking Lana Del Rey and her music were completely ridiculous when I bought the album, but I fell into it and the rest of her music. It was the song "National Anthem" that convinced me. It's still my favorite Lana Del Rey song to this day. "Diet Mountain Dew" was always another favorite of mine as well. Born to Die is filled with several other classics like "Born to Die" the title track, "Blue Jeans", "Off to the Races", "Video Games" the album's first single, and Lana's biggest hit "Summertime Sadness". I'll always love Pabst Blue Ribbon because of "This Is What Makes Us Girls" too. This album was always on in my car for a few months in the summer of 2012. It got me into Lana Del Rey and she became one of my favorite artists of the decade as well.
Days Are Gone -HAIM (2013)
In early 2014, I discovered the sister trio band Haim. I decided to buy their debut album Days Are Gone because I liked their songs "Falling" and "Don't Save Me". I might have taken a risk on two songs but it was a great risk to take. I loved the album and had it in my car for quite some time. I really got into "The Wire". I also loved "If I Could Change Your Mind", "Forever", "Honey & I", and "Days Are Gone" in addition to the others I already liked.
I had Haim's album in my car for a very long time as well. It ended up on repeat in my car once again in the summer of 2016 shortly before I saw them perform for the first time at my first Lollapalooza. It's definitely an album I've loved a lot this decade and the reason why I've loved Haim a lot too.
An Awesome Wave -alt-J (2012)
Compared to the rest of the albums on this list An Awesome Wave is a little bit different for me. I got it on vinyl years after I started listening to the music on it. I also listened to each song at different points. It all started with "Breezeblocks" though. Pretty Little Liars actress Troian Bellisario posted about the song on social media and after listening once, I downloaded the song. Then a day later it was "Something Good". Then "Fitzpleasure", "Taro", and "Tessellate", in that order, through the course of 5 years. In the meantime, their second album This is All Yours came out and "Left-Hand Free" became my jam too. When I saw them perform at Coachella in 2018, I was with several co-workers when we all danced freely to "Dissolve Me". By that point their third album Relaxer was already out as well. I got into "Dissolve Me" though and decided last year that it was time to own An Awesome Wave. I then completed listening to the album by getting into "Matilda", "Ms", "Bloodflood", and "Hand-Made".
An Awesome Wave really spanned the decade for me, but so did alt-J. I saw them play about 5 times over the last 5 years and it's always been an enjoyable set every time. Their unique sound has always been a catch for me and I'm sure they'll be releasing new music in this new decade before we know it.
21 -Adele (2011)
Up until I got into Adele's album, 21, I despised pop music. The song "Rolling in the Deep" was the one that really got me interested in Adele. It was on a sampler CD from my local record store. I bought the album around the same time I bought Torches and both albums became the soundtrack to one of my favorite vacations of all time. I listened to both albums repeatedly on that early June trip to Williamsburg, Virginia and my love for Adele began.
Of course I was into 25 when it came out in late 2015 and 19 somewhere around that time, but it was 21 that made me feel okay with liking a pop artist again. I also just really liked the album. "Rumour Has It", "Set Fire to Rain", "Someone Like You", "I'll Be Waiting", and "One and Only" are pretty great songs even though "Rolling in the Deep" always has my heart. 21 does too. It came out of the blue uninvited, but it came to stay.
Heartthrob -Tegan and Sara (2013)
I got into Tegan and Sara while I was still in college in 2009, but their album Heartthrob really made me a fan. It was the album that put them into the mainstream music world for a bit. I didn't get into the album until a year after its release in 2014. I fell hard for it though. It became the soundtrack of another trip to Williamsburg, Virginia. The hit song "Closer" was the one that suckered me in. I got into so many others though like "I Was A Fool", "I'm Not Your Hero", "Drove Me Wild", "Now I'm All Messed Up" and "Goodbye, Goodbye". Heartthrob revitalized my interest in Tegan and Sara and I've been a bigger fan ever since because of it.
Pure Heroine -Lorde (2013)
I was introduced to Lorde in the summer of 2013 from her breakout song "Royals". From there I also got into the song "Tennis Court" and "Bravado". I remember anticipating her debut album during my first trip to California especially because of the line in "Tennis Court" that goes "pretty soon I'll be getting on my first plane." That flight to California wasn't my first flight, but it was my first flight in 9 years. I purchased the album as soon as I got home from Cali. It was my go-to album for a few weeks as I got into several other tracks on the record like "400 Lux", "Team", "White Teeth Teens", "Glory and Gore", and "A World Alone".
Sacred Hearts Club -Foster the People (2017)
In the last 10 years Foster the People solidified their spot as my favorite band. I remember being so excited for their second album after Torches but Supermodel didn't quite live up to my expectations. After their sophomore release, it was then a few years of silence before the group released new tunes. 2017 was one of the best years in music of this decade for me. It was filled with great albums by plenty of my favorite bands and artists, which included Sacred Hearts Club by Foster the People.
Foster the People dropped three songs from the record in the spring "Pay the Man", "Doing it For the Money", and "SHC" and I listened to those three quite frequently until the album came out in July. When it did, I immediately fell in love with the song "Sit Next to Me". I listened to it non-stop along with the rest of the album and songs like "Lotus Eater", "Static Space Lover", "Loyal Like Sid & Nancy", and "I Love My Friends". It was only about 2 weeks after the album dropped that I was able to see Foster the People live again at Lollapalooza (the last time I saw them was in 2014). They were incredible. I then bought tickets to see them play in Philly in September as a treat to myself after my position was cut from a festival I was supposed to work. It was one of the best shows I've ever been to and was filled with 2 full hours of music from my favorite band including the best encore that I could have ever imagined. I caught the set list too! I owe that night to Foster the People and Sacred Hearts Club.
Wild World -Bastille (2016)
When Bastille's sophomore album dropped, I got into Bastille. Sure I knew about Bastille before that. There were a few songs I liked from Bad Blood. Some might even argue saying Bastille's Bad Blood really set the tone for the band, but for me it was the second album Wild World. "Good Grief" and "Send Them Off!" were always my go-to songs, but "The Currents", "Power", "Warmth", and "Blame" were great songs as well. I listened to the album for weeks. Bastille recently released their third album this year. Even though the album is great, it still doesn't do for me what Wild World did.
Ultraviolence -Lana Del Rey (2014)
Lana Del Rey's second album was highly anticipated for me after my love of Born to Die. In between the albums, she also released the EP Paradise which was another incredible compilation of music. When Ultraviolence came out, it successfully did for me what Foster the People's Supermodel couldn't and since both Foster the People and Lana Del Rey were my faves I expected the best from them. Ultraviolence gave me that. "Money Power Glory", "Brooklyn Baby", "Ultraviolence", "West Coast", and "Fucked My Way Up To The Top" were my favorites. The album picked up where Born to Die left off and that's all you can really ask from a band or artist.
Melodrama -Lorde (2017)
I always knew Foster the People and Lana Del Rey would be on this list more than once, but who knew I liked Lorde so much? Melodrama was also an incredible follow-up album to Pure Heroine. Like Sacred Hearts Club, it was part of that 2017 wave of new music. Lorde released the first single "Green Light" in early March. That song got me stoked for the new album because it was an absolute banger. Then she dropped "Liability". I hated the song at first. It took hearing the song live on the last night of Coachella Weekend 2 to make me fall in love with it. The album released 2 months later and I remember being so pleased with how good it was. "Homemade Dynamite", "Perfect Places", "Sober", and "Supercut" added to my love for "Green Light" and "Liability" made the album a hit. I wasn't the only one that thought so either since it was nominated for a Grammy for Album of the Year.
Woodstock -Portugal. The Man (2017)
Who would have thought Portugal. The Man would have made a statement with their 8th album? They did though and it was the hit "Feel It Still" that did it. The entirety of Woodstock is fantastic though. In fact, I feel like "Feel It Still" is the song that doesn't quite fit with the album. The first time I heard the song I thought it was Electric Guest but was shocked to find out it was in fact Portugal. The Man, whose song "People Say" was one of my favorites when I was a radio DJ in college. "Live in the Moment", "Tidal Wave", "Number One", and "Keep On" are a few other great jams from Woodstock. The album left an impression and I'm sure we'll be feeling it still even when Portugal. The Man releases more music.
El Camino -The Black Keys (2012)
The Black Keys had plenty of albums before El Camino and those albums, particularly its pre-cursor Brothers, were big in the indie rock music scene. El Camino is the album that got me into The Black Keys though. I got the album in 2012 and saw the band perform live two years later. "Lonely Boy" was the song that got me started on The Black Keys, but El Camino was full of hits like "Gold on the Ceiling", "Little Black Submarine", "Stop Stop" and "Dead and Gone". I learned how to play a few of those on guitar too. The Black Keys haven't stopped making music in the last decade and have released two albums since El Camino, the most recent being this year, but El Camino will always be special to me.
Heard It In A Past Life -Maggie Rogers (2019)
Last winter I debated buying this album on vinyl while I was listening to Maggie Rogers as part of my Coachella preparations. Ultimately I decided with the help of my instagram followers that I should buy the vinyl. I did and it was a great purchase. The debut album from Maggie Rogers is a thing of beauty. "Light On", "Fallingwater", "Give a Little", "Alaska", and "Burning" are incredible. Oh and there's also "Back in My Body", but I'll get more into that song when I recap this past year. The album was one of my favorites of the last year and I was pretty shocked when it didn't get a Grammy nomination. The album is still tops in my book and one of my favorites of the last decade.
This Is Happening -LCD Soundsystem (2010)
When I think about it, there's only three words that can describe This Is Happening: "Dance Yrself Clean". It was the song that got me into LCD Soundsystem a year after the "final" show at Madison Square Garden thanks to Suits actor Patrick J. Adams and Troian Bellisario (yes, again!). Over the years I got into LCD Soundsystem and their small-ish, but excellent discography. I never thought I'd be able to see the band until right before Christmas in 2015 when the band dropped a Christmas song, "Christmas Will Break Your Heart" (which I've actually listened to twice today) which sort of signified their return. A few weeks later they were on the Coachella lineup and officially back. They dropped a new album American Dream in 2017 and I was able to see them twice once they returned, at Lollapalooza in 2016 and at my favorite venue in Philly in 2017 with a friend who was actually at their "last" show.
Oddly enough, I don't own This Is Happening in any form. It kind of doesn't fit this list in that regard, except it's kind of like An Awesome Wave. I've listened to all the songs on this album at different points over the last decade. "Drunk Girls" is one of my favorite LCD Soundsystem songs. "You Wanted A Hit" was the song I got into after seeing them play for the first time. Then there's "I Can Change", "Home" and "All I Want", which I actually just got into recently. Over the last 10 years, LCD Soundsystem earned a special place in my heart, but I sort of owe that to This Is Happening.
The 1975 -The 1975 (2013)
How Big, How Blue, How Beautiful -Florence + the Machine (2015)
AM -Arctic Monkeys (2013)
Without Fear -Dermot Kennedy (2019)
So there you have it. All my favorite albums from the last 10 years. Actually, there's probably more, but these are the ones that stood out the most. Thanks to music for all that I love and thanks to these great bands and artists for putting amazing tunes into the world. I can't wait to see what the next 10 years brings or where music will take me both personally and professionally. I can only hope for the best, but so far it's been nothing short of incredible.
Posted in Music, Uncategorized and tagged 21 Adele, Adele, albums, albums of the decade, alt-j, AM Arctic Monkeys, An Awesome Wave alt-J, Arctic Monkeys, Bastille, best albums of the decade, best music of the decade, best of the decade, Born to Die Lana Del Rey, Coachella, dance music, Days Are Gone Haim, Decade, dermot kennedy, El Camino The Black Keys, florence + the machine, florence and the machine, foster the people, Foster the People Torches, Haim, Heard It In A Past Life Maggie Rogers, Heartthrob Tegan and Sara, How Big How Blue How Beautiful Florence and the Machine, indie, indie dance music, indie music, indie pop, indie pop music, indie rock, indie rock music, Lana Del Rey, lcd soundsystem, Lollapalooza, Lorde, Maggie Rogers, Melodrama Lorde, Music, Patrick J. Adams, pop, pop music, Portugal. The Man, Pure Heroine Lorde, records, records of the decade, rock, Rock music, Sacred Hearts Club Foster the People, tegan and sara, The 1975, The black keys, This Is Happening LCD Soundsystem, troian bellisario, Ultraviolence Lana Del Rey, Wild World, Wild World Bastille, Without Fear Dermot Kennedy, Woodstock Portugal. The Man on December 23, 2019 by prostreetcross. 2 Comments
Legendary Venues: Radio City Music Hall
It's been a while since I wrote about a legendary music venue, but there are still a few more I want to write about. One of them is another New York City venue. I already wrote about Madison Square Garden a when I first started this series, but now it's time to talk about Radio City Music Hall. I've worked a few shows at Radio City Music Hall over the last two years, including two in September, and it's always special when I get to be inside this legendary theatre.
Radio City Music Hall's claim to fame is its annual Christmas Spectacular featuring the world famous dance troupe, The Rockettes, but the fame goes way beyond this annual show. The venue has hosted movie premieres, award shows, television shows, and even the NFL Draft. It's also hosted plenty of concerts and continues to be a hot spot for bands and artists to this day. Some notable artists to play the venue are the Grateful Dead, Lady Gaga & Tony Bennett, Adele, Sting, Coldplay, Dave Matthews Band, Aretha Franklin, and Paul Simon.
Radio City Music Hall opened in 1932 thanks to the work of John D. Rockefeller Jr. and designers Edward Durell Stone and Donald Deskey. Through the 70's the venue's primary function was hosting stage shows. It faced financial decline in the 60's and 70's and ultimately was scheduled to close for good in April 1978. Fortunately a committee was formed to try to save Radio City and ended up being successful. On March 29, 1978 the interior of the building was named a city landmark and by May 12th Radio City Music Hall was listed on the National Register of Historic Places. The venue went through renovations over the next two years and reopened to the public in 1980, where it began primarily hosting concerts along with the annual holiday shows.
Radio City is also the largest indoor theatre in the world. It is 160 feet from the back of the theatre to the stage and the ceilings reach a height of 84 feet. There are also three mezzanines which are shallow in size and no pillars or columns that could obstruct views, which is usually a familiar setback in older theatres. Being inside Radio City Music Hall is definitely like stepping back in time. The lobby, foyers, and even bathrooms create a vintage atmosphere. The theatre itself is as grand as described, but also feels less aged than the rest of the venue. Maybe it's because it just feels so timeless.
One of my favorite things about working shows at Radio City Music Hall is that any band, artist, or tour that comes to the venue needs to receive special credentials for the day. All Access tour laminates don't fly at Radio City. Everyone that works on the show receives a unique credit card shaped credential with a picture of the artist, artist's name, date, and "Radio City Music Hall" on it. For someone who usually keeps their working credentials, it's definitely a solid collector's item.
Although I've worked about 5 shows at Radio City, I've never attended a concert there. I've also never stuck around after working to watch the show that I worked, mostly because I had to travel home or elsewhere or because the venue is fully seated and if I sat somewhere I might be taking someone's seat. I would love to catch a concert at Radio City Music Hall sometime and since the venue isn't far from where I live, there's a pretty good chance that I do. If you're ever in New York, or live nearby, you should check out this legendary venue. It would be special to see a concert or show there, but you're even able to tour the venue on a regular basis. One way or another this is a legendary venue that you need to check out.
Posted in Entertainment, Film, Music, Sports, Television, Uncategorized and tagged 1930's theatre, 1930's theatres, Adele, Aretha Franklin, Christmas Spectacular, Coldplay, Dave Matthews Band, Donald Deskey, Edward Durell Stone, Entertainment, Grateful Dead, John D. Rockefeller Jr., lady gaga, Lady Gaga & Tony Bennett, largest indoor theatre, largest indoor theatre in the world, legendary music venue, legendary music venues, legendary venue, legendary venues, midtown new york city, midtown nyc, Music, music venue, music venues, National Register of Historic Places, New York City, New York City landmark, New York City landmarks, New York City music venues, New York City venues, NYC, NYC landmark, NYC landmarks, NYC music venues, NYC venues, old theatres, Paul Simon, Radio City, Radio City Christmas Spectacular, Radio City Music Hall, Rockefeller Center, Sports, Sting, The Rockettes, theater, theatre, tour credentials on November 5, 2019 by prostreetcross. Leave a comment
Music Saved 2016
2016 can be defined as being a shit ass year for Americans (maybe for other countries too but I can only go by U.S. standards). There were a few good moments, like the Cubs winning the World Series for the first time in 108 years or the Pittsburgh Penguins winning their 4th Stanley Cup (It was good for me as a Pens fan), but for the most part many agree that 2016 sucked. We lost some truly great artists, story tellers, athletes, and human beings and it hasn't stopped even in the days before the new year. As I sat down to write this, I found out that Hollywood legend Carrie Fisher passed away and then as I sat down to finish it two days later Carrie's just as famous mother, Debbie Reynolds (her most substantial role, in my opinion, was Agatha Cromwell in the DCOM Halloweentown), had passed as well. Crazy. More importantly we lost progress, decency, and democracy from a shocking presidential election outcome. 2016 took so much from us and most of us are glad it's almost over.
Last week I watched a YouTube video about the good in 2016 (because like I said there were a few good moments) and a statement was made that I agreed with wholeheartedly: "Music saved 2016." It did, but for me especially. This year I embarked on an adventure into the music industry by working concerts, shows, and festivals all over the country. I learned new things, met amazing new people from all over the country, stepped outside my comfort zone, and had some incredible experiences especially over the summer. I'm entirely grateful for every single one and for the company that gave me a chance. This year I attended more live music events than ever. I saw some incredible bands and artists perform. I learned new music and fell in love all over again with bands I've listened to before. Music was everything to me this year. Because of that I wanted to share with you my favorite/most listened to music of 2016. Some of it might not have come out this year but I might have discovered it for the first time this year or rediscovered it, if you will. I'll be including songs, artists, or albums as part of the list but each has a relevant meaning to my year of music.
1. "Holdin' On" by Flume. This song was the song of the year for me. I discovered it shortly before I volunteered at the Sweetlife Festival in May, but the full impact of the song occurred the day of the festival. As you may already know from the post I did back in April, Flume is an electronic artist. This song is a hit from his first album which came out in 2012. He also released a new album this year, Skin, which had a few huge hits, like "Never Be Like You" ft. Kai and "Say It" ft. Tove Lo, earning Flume 2017 Grammy nominations. For me though, it was "Holdin' On" that stood out the most. I feel like the song has more energy than his other stuff. Part of the song has this slowed down warp type of sound that leads into the refrain with a POW! At Sweetlife, my friend and I went to Flume's set with no expectations. "Holdin' On" stole the show that was marred by technical difficulties causing us to leave early (we were planning on leaving early anyway to not miss another set). After we left though, it was the song that played in my head the rest of the day. That day turned out to be one of, if not, the best day(s) of my whole year. The faulty set aided in our decision to buy tickets to see Flume perform 3 months later, which was also pretty sick but didn't have the same impact as Sweetlife weekend and the first time I heard "Holdin' On".
2. LCD Soundsystem. 2016 saw the return of a band we thought was gone after 2011. Electronic dance-punk band LCD Soundsystem got back together in 2016 and played festivals all summer long. I was stoked by the news last year and jealous of everyone attending Coachella 2016 who would see them headline. After working at the Firefly Music Festival in mid-June, I rediscovered LCD Soundsystem because of the great people I worked with on the Dover Downs Speedway and Spotify Premium. We listened to LCD several times throughout the weekend and talked about the band, which earned my re-interest in the group who hails from NYC. Following Firefly, I started listening to LCD again. Then the universe came together and I was lucky enough to get a spot working at Lollapalooza in July, thus earning me the privilege of being able to see LCD Soundsystem perform on the final night of the Chicago festival. It was something else. I danced myself clean for the entirety of the set.
3. Sia. Sia's been around for years, but she soared to the top of music charts with her 2014 album 1000 Forms of Fear. In the beginning of 2016, I fell in love with the 1000 Forms of Fear song "Elastic Heart", only to hear the newly released single, "Cheap Thrills", off Sia's newest record This Is Acting a few weeks later. I loved "Cheap Thrills" even more than "Elastic Heart" and it became part of my nightly workout playlist. I even introduced the song to my then 4 year old cousin Hudson when he came to visit me in early March. He loved the song too. So much so that he corrected me for singing the wrong lyrics during a visit in May. "Cheap Thrills" progressively became a hit of 2016 and Sia's newest album was a hit too (not as much as 1000 Forms of Fear, but still a good album nonetheless). She also played several music festivals including Coachella and Panorama (Coachella East) and toured the U.S. for the first time since 2011. Singing Sia songs with Hudson, "Cheap Thrills" in particular and now "The Greatest", which was a newly released single in the fall and a track on the deluxe edition of This Is Acting, was a huge part of my year. Hudson and I live 3 hours apart but still managed to see each other at least once a month, so there was plenty of singing (we crush long distance relationship/friendship standards). I doubt we're the only ones who were singing Sia a lot this year though. She slayed 2016.
4. "The Sound" by the 1975. Before 2016, I liked the 1975. I knew a few of their songs. Three to be exact. I liked each one. Then I heard "The Sound" and I forgot all my previous thoughts on the band. That song was it for me. The 1975 released a new record this year called I Like It When You Sleep, for You Are So Beautiful yet So Unaware of It. "The Sound" was released as a single before the record. I thought at that time if "The Sound" is any indication, then the new record will be stellar. It turned out to be pretty good. "Somebody Else" is great. "She's American" and "Love Me" aren't too bad either. Some may argue I Like It When You Sleep… is not as good as the debut self-titled. I might argue that too, but "The Sound" is in a league of its own. That song made me want to see The 1975 live and I did. Twice (at Sweetlife and Lollapalooza). Both times The 1975 put on a great set, but I bet you can take a guess what my favorite song played was.
5. "Seeing Stars" by BØRNS. "Seeing Stars" became an instant favorite song of mine after listening to it a few times. It's a happy, good feeling type of song. It was exactly what I needed in the spring after going through some disappointing and shocking moments. It was my positive jam for a while. I even played it a few times driving to Sweetlife. Then two weeks later my friend and I purchased last minute tickets to see BØRNS perform at the Electric Factory. It was a great decision and a fun show even though there were a few off moments that night like a 30 minute wait at Taco Bell and a speeding ticket. I loved hearing my song of the spring live regardless.
6. "Gold Rays" by Vinyl Pinups. In early 2016, this song was MY. JAM. The only downfall was that I liked it in the dead of winter and it's the perfect spring/summer song. I did listen to it on my workout playlist for several months though well into the spring. However in the summer, I was listening to other things and I didn't play it as much as I would have liked. It's one of my favorite songs of the year by far. It's also a great feel-good song by a smaller-name band.
7. "T-Shirt Weather" by Circa Waves. Like "Gold Rays", this was another perfect summer song that I fell in love with during the winter. It made me long for warm days in late January, early February 2016. I constantly imagined listening to this song while driving in the summer on a road trip with friends. Then like "Gold Rays" it was rarely played during the summer months. It's another favorite of the year for sure.
8. Tegan and Sara. I've liked Tegan and Sara since college. I rediscovered them again in 2014 when I purchased Heartthrob. If it wasn't for bonds over women's soccer, I probably wouldn't have fell into their web of smooth, catchy rock tunes again this fall, but I'm so thankful it happened anyway. I went to see Tegan and Sara live in early November with a friend, her roommate, and her roommate's girlfriend. It was another last minute decision that ended up being even better than BØRNS. It was a night where everything felt right. I was exactly where I was supposed to be and I wished it would never end. It was so much fun. We even saw two shows at the same venue. How epic right?! Tegan and Sara were great live and almost everyone there could sing along to every song. It was because of that night that I gained a new appreciation for the song "The Con". I listened to it with a greater affinity afterwards. Because of how insanely amazing that night was, Tegan and Sara are high on my list for the year, but they deserve it regardless. They're incredible talent that has been around for over 17 years.
9. Adele. Adele ended my 2015 with a bang. Her new album 25 was released in November of last year. Right before the new year I scored tickets to her sold out World Tour for a show in early September. That show became a huge anticipation of 2016. I loved bringing it up any time Adele came up. Adele came up often too. She had a few singles that came out in 2016 and her album earned her several Grammy nominations for the 2017 awards show. As for the concert I saw in September, it was well worth the almost 9 month wait. It was incredible seeing her perform live. She's got a killer voice and sang for 2 hours straight with no openers. There was some stand-up comedy in between songs of course. She's hilarious if you didn't already know. It was an epic 2016 music event and one I won't soon forget.
10. Wild World, Bastille. In September 2016, Bastille released his sophomore album Wild World. After hearing 2-3 songs off the new album (one during the summer months and the others post album release), I knew I needed the band's newest compilation of music. I don't even regret buying it for $4-5 more than what I would have paid if I waited to get it on Black Friday. I couldn't wait. It's actually that good. So good that it's my favorite new album of 2016. Bad Blood put Bastille's name into the music world, but Wild World is just as good. I actually believe it's underrated considering it hasn't received as much hype as their debut album. "Send Them Off" is currently (still!) one of my favorite songs to listen to. "Good Grief" is amazing. "Warmth" is a solid jam too. I can't say enough good things about Wild World. It's my album of the year for sure.
11. Hayley Kiyoko. Remember when I said I saw two shows in one night in early November? Yes, one of them was Tegan and Sara. The other was Hayley Kiyoko. I mentioned it in my Tegan and Sara blog post but didn't talk about it further. I found out about Hayley Kiyoko while doing some reading online last winter. The referenced song in the reading fit the story so well. I obviously listened to it when I saw there was a song reference. I liked the song itself too. Throughout the year Hayley Kiyoko songs just kept wandering into my life here and there. I liked and downloaded every single one I listened to. The music is traditional pop but the themes are a little different. I'll have to do a full blog post on Hayley some day and explain it further, but you know what I mean if you've heard her stuff. The fact that she's not a mainstream artist despite the traditional pop sound makes her more appealing to me as well.
12. ARIZONA. I first heard ARIZONA last winter. It was a song called "Where I Want to Be". It popped up on a twitter account I follow. I loved the song and it was a perfect fit for my workout playlist (I workout a lot if you couldn't tell by how many times I've mentioned my workout playlist). Several times throughout the year I checked ARIZONA's Spotify page for new music because of how much I liked "Where I Want to Be". That lead to liking one or two more ARIZONA. Then the night I saw Tegan and Sara and Hayley Kiyoko in one night I was in for a surprise. My friend and I walked into the Hayley Kiyoko show shortly before it started. We got some drinks and the first band came on. While the band played their first song, I said to my friend that I liked the music but wasn't a fan of the song's melody. It reminded me of some electronic artists that I listened to. Then the second song started. I knew what song they were playing. I asked my friend who the opener was as I tried to remember what band played that song. Then it hit me. ARIZONA! I looked it up to double check. I was right and instantly stoked. I didn't pay attention to who Hayley's opener was, but it ended up being a band I liked. That moment was another reason for how epic that evening was.
13. Arctic Monkeys. It's a shame I never heard of the Arctic Monkeys until 2013. It's also I a shame that I didn't appreciate them enough until 2016. I totally fell in love with them this year and began listening to more of their music. Hence writing a blog post about them just for the sake of writing about them. I'm also dying to see them live. So hey guys if you see this, please put out another record and tour again soon! Thanks! Cheers!
14. "Collide" by EVVY. This was another song of last winter. I really got into it during my trip to Baltimore/DC at the end of January/beginning of February. I took that trip because I worked at a Muse concert at the Verizon Center in Washington, D.C. It was the first music event I ever worked. I didn't know what to expect for the show or for the rest of the year as far as my life choices were going. The song was calming and positive at the time. During my drive to my cousin's apartment the night before the concert, to work the show the next day, and back to my cousin's apartment after the concert, I listened to the song. A multitude of thoughts and feelings went through me during those drives. I was nervous, yet confident and then relieved, yet overjoyed. I reflected on my whole experience while listening to the song on the way home and knew that my choice to go after music was the right one.
15. "Capsize" by FRENSHIP. "Capsize" is another song I added to my workout playlist and my iPod in general after I heard it on my favorite soccer player's monthly playlists. A large handful of my workout songs are electronic and this one was no exception. It also became the song that reminds me of the first multi-day festival I worked because I played it a lot at the time (it was Firefly, in case you were wondering). In fact, I introduced the song to a friend I made during the festival who is a huge electronic fan. She didn't know the song at the time, but it apparently blew up afterwards. It ended up being a song I played throughout the summer months while driving, relaxing, and of course working out.
16. "Whole Heart" by Gryffin. The first time I heard this song was after a trip I took to see my favorite NWSL team in their first home playoff match. The team won the match and earned a spot in the Championship game. The week after the win, the club posted a "Thank You" video to the fans and this song played in the background along with highlights and video clips from the season. It made me amped for the final even though the song is a much slower electronic song than the norm. Then in another depressing 2016 moment for fans of the team I followed for 4 years (myself included), the opposing team scored a game tying goal in the final minute of stoppage time during the championship match. They opposing team went on to win in penalty kicks. I was heartbroken for the team. I hadn't been as heartbroken over a sporting event since 2011. I didn't even care as much when the USWNT got knocked out in the Olympic quarterfinal almost two months earlier (another bummer 2016 moment and I was working a festival at the time). It was a devastating blow. Listening to "Whole Heart" after the loss made me feel a tremendous amount of sadness because the song describes giving your whole heart to something, which the team did and came up short. I felt similar listening to this song after the 2016 Presidential Election especially with the hate that ensued post-results. With time, the song no longer feels as sad as it did in those moments and it still reminds me of the positive thoughts I had when I first heard it.
17. "home" by morgxn. Addicting. That's the word that first comes to mind to describe this song. I heard it on Spotify in November and it's been one of my favorites to listen to ever since. It'll probably be one of my faves going into 2017 as well.
18. Sigala. At the same time I added "Capsize" to my music rotation, I added the song "Sweet Lovin'" by Sigala as well. It's another song that I listened to on my way to Firefly. Sigala, in general, became part of a joke between me and a friend I met during the festival because she couldn't pronounce the artist's name correctly (it's pronounced Sig-AH-lah not Sig-ah-LAH (stress on the second syllable) in case you were wondering). Sigala was the only artist she wanted to see perform during the festival since our schedules didn't really allow for more than one performance each. She was able to attend Sigala's set and I happened to catch "Sweet Lovin'" live too during the only time we both spent in the festival (I chose to see Florence and the Machine who played before Sigala though. Well worth it.). I would have just put the song "Sweet Lovin'" by Sigala on here, but that wasn't the only Sigala song I got into this year. "Give Me Your Love" was another jam from the fall. It was the only Sigala song I heard since "Sweet Lovin'" that had the same kind of energy.
19. "Fever" by Roosevelt. I heard this song on the "Discover Weekly" Playlist on Spotify in mid-September. I liked it immediately upon hearing it. It reminded me of a nickname of a soccer player I like and got me pumped to attend that NWSL Playoff game that I mentioned before. It was my go-to song for several weeks in September and October.
20. "Starving" by Hailee Steinfeld ft. Zedd. I'm embarrassed this song is on my list, but it was a 2016 fave so I had to include it. It's definitely been my biggest guilty pleasure song of the year even though I've only known it for the past few months. I can also do a mean cover of it on guitar. The Zedd version is by far better than the original. It adds electronic flare and more energy to an otherwise soft yet peppy love song.
21. "This Girl (Kungs vs. Cookin' on 3 Burners) by Kungs & Cookin' on 3 Burners. Last but not least, "This Girl". My cousin played this song for me in late September on my trip to the soccer match. I stopped to visit Hudson for a day first. At dinner that day, my cousin played me this song. It was so familiar to me, but I couldn't figure out where I heard it. It took me 20-30 minutes before I realized I heard it on an instagram video and that it was the song stuck in my head a few weeks prior. It's such an interesting song, but yet so so good. When I returned home from the trip, I immediately added the song to my workout playlist and it has been a mainstay ever since.
Bonus Music: "Hand Clap" by Fitz and the Tantrums, Mac DeMarco, "I Am A Nightmare" by Brand New, "Better Off" by Haim, "Dancing on Glass" by St. Lucia, "Roses" by The Chainsmokers ft. ROZES, "Cake By the Ocean" by DNCE (Yep, guilty pleasure #2)
So you can see from this list, 2016 wasn't too bad if you just look at it from a music perspective. Yes I know we lost Bowie, Prince, and Leonard Cohen, but just check out all the other amazing music we did have, whether it's on this list or not. Music is the good thing from 2016. It's usually a good thing most years. It saved 2016, but let's be real music saves everything.
Posted in Music, Uncategorized and tagged 1000 Forms of Fear, 2016, 2016 music, 2016 Olympics, 2016 Presidential Election, 2016 Stanley Cup Champions, 2016 World Series, 2017 Grammy Nominations, 2017 Grammy Noms, Adele, Adele 25, Adele concert, Agatha Cromwell, alternative, alternative music, Arctic Monkeys, ARIZONA, Bad Blood Bastille, Bastille, Best Music 2016, Best Music of 2016, Better Off Haim, borns, Bowie, Cake by the Ocean DNCE, Capsize FRENSHIP, Carrie Fisher, Cheap Thrills, Cheap Thrills Sia, Chicago Cubs, Circa Waves, Coachella, Coachella 2016, Collide EVVY, Cookin' on 3 Burners, Cubs, Cubs Win World Series, Dancing on Glass St. Lucia, David Bowie, Debbie Reynolds, discover weekly playlist, Dover Downs Speedway, EDM, Elastic Heart, Elastic Heart Sia, Electric Factory, electronic, electronic dance music, electronic music, festival, festivals, Fever Roosevelt, Firefly, Firefly 2016, Firefly Music Festival, Firefly Music Festival 2016, flume, FRENSHIP, Give Me Your Love Sigala, Gold Rays Vinyl Pinups, Good Grief Bastille, Grammy nominations, Gryffin, guilty pleasure, guilty pleasures, Hailee Steinfeld, Halloweentown, Hand Clap Fitz and the Tantrums, Hayley Kiyoko, Holdin' On Flume, home morgxn, I Am A Nightmare Brand New, I Like It When You Sleep, I Like It When You Sleep for You Are So Beautiful yet So Unaware of It, indie, indie alt, indie alternative, indie alternative music, indie electronic, indie electronic music, indie music, indie pop, indie rock, indie rock music, iPod, Kungs, Leonard Cohen, Lollapalooza, Lollapalooza 2016, Love Me The 1975, Mac DeMarco, morgxn, Muse, Muse concert, Music, Music 2016, music festivals, Music of 2016, Music Saved 2016, National Women's Soccer League, Never Be Like You Flume, Never Be Like You ft. Kai, NWSL, NWSL Championship 2016, NWSL Playoffs 2016, Panorama, Panorama 2016, Penguins, Pittsburgh penguins, playoff soccer match, pop, pop music, Prince, Roosevelt, Rose The Chainsmokers, Roses The Chainsmokers ft. ROZES, Say It Flume, Say It ft. Tove Lo, Seeing Stars BØRNS, Send The Off! Bastille, She's American The 1975, sia, Sigala, soccer match, Somebody Else The 1975, spotify, Spotify Premium, Starving Hailee Steinfeld ft. Zedd, Sweet Lovin Sigala, sweetife, Sweetlife 2016, Sweetlife Festival 2016, T-Shirt Weather Circa Waves, tegan and sara, The 1975, The Con, The Con Tegan and Sara, The Greatest Sia, The Sound The 1975, This Girl (Kungs vs. Cookin' on 3 Burners), This Is Acting, USWNT, USWNT 2016 Olympics, USWNT Olympic exit, Verizon Center, Vinyl Pinups, Warmth Bastille, Where I Wanna Be ARIZONA, Whole Heart Gryffin, Wild World, Wild World Bastille, workout music, workout playlist, youtube on December 30, 2016 by prostreetcross. 1 Comment
No the title of this post does not refer to lottery numbers. Nor are they the "lucky numbers" I received on the back of a fortune cookie. If you're in tune to the music world, no pun intended, you'll know those numbers are more than just numbers. They're the album titles of three records made by one of the most popular musical artists in recent time.
Almost five years ago, right before I became a hipster in style and music taste, I bought an album from the local record store. I don't even remember what album it was. Along with the album though, I received a free compilation CD of newly released music. This wasn't an unusual occurrence. From time to time, the store gave out these compilation CD's when you made a music purchase. I would always listen to them to see if I was missing out on any new music. On this particular occasion, there were a few songs that caught my ears, but there was one that really stood out. It was a song called "Rolling in the Deep" by a singer named Adele.
Pop singer/songwriter, Adele Laurie Blue Adkins, from Tottenham, London, England grew up with a strong affinity for music. She attended the BRIT School for Performing Arts & Technology and graduated in 2006 (Jessie J. and Leona Lewis were among her classmates). The same year she was given her first recording contract from XL Recordings after a friend posted her demo on Myspace. By 2008, she released her debut album, 19. It went seven times platinum in the UK and double platinum in America. She received the Grammy Awards for Best New Artist and Best Female Pop Vocal Performance in 2009 for her work on it. Her second album, 21, was released on January 24, 2011. The following year she swept the Grammy's winning a record-tying six awards including Album of the Year. 21 reached number 1 on the charts in more than 26 countries, has been certified 16 times platinum and is the fourth best selling album of all time in the UK, certified Diamond in the U.S., and has sold over 30 million copies world wide. It's safe to say 21 surpassed the success of her debut record.
However, for the last four years, Adele has been on hiatus. The only music she released was the song "Skyfall" for the James Bond movie of the same name in 2012. She received a Grammy, an Academy Award, and a Golden Globe for the song. A few weeks ago, on October 23rd, Adele dropped the first single from her third studio album entitled "Hello". In its debut week, the single sold over one million digital copies. The music video for "Hello" surpassed Taylor Swift's video for "Bad Blood" by 7 million views on Vevo in the first 24 hours after its release. Finally, today, after almost 5 years, Adele released her new album, 25. If the success of "Hello" is any indication, this album is bound to go far in the music world.
To put it bluntly, Adele is a big fucking deal. The woman has the voice of an angel. Her music is incredibly full of soul and power. It's been known to make entire civilizations weep. Between her singing, the music, and the lyrics, the whole message she sends with her songs can deeply touch the toughest of souls. It's truly beautiful. She is one of the greatest singers of this generation.
When I first heard her single "Rolling in the Deep", I had no idea who Adele was. I just liked her song. I even purchased 21 a few months later because of that sole reason (and I guess because I thought she was a good singer). At the time I was a senior in college on the verge of graduation and since high school, I was a self-proclaimed pop music hater. I guess Adele sort of changed that, but if you ask me I don't think she creates and sings the same kind of pop music that singers like, Katy Perry, Taylor Swift, or Lady Gaga do. It's a different kind of pop music. It's not something you really rock out to on the radio or dance to in a club, but more so music you sing along to at the top of your lungs on a long drive (or listen to in your bed with a tub of ice cream, box of chocolate, and tissues after a bad day), which is kind of how my love grew for Adele in the first place.
I purchased 21 right around the time of my college graduation. Three weeks after I graduated I went on vacation with my mother and our very close family friends. It took six hours to reach our destination and the whole trip I alternated between listening to 21 and Foster the People's Torches. That's when I truly fell in love with Adele. When we were about 15-20 minutes from our hotel, I blasted "Rolling in the Deep" and "Rumor Has It" on repeat partly because I loved those songs and partly because they were upbeat, it was around midnight, and I was trying not to fall asleep. For those reasons, 21 (and Torches) will always remind me of that trip.
As for 25, I picked up my copy earlier today. Like the rest of the world, I've been anticipating it for weeks. I've actually been listening to it on my boombox (cause yes I still buy CD's) on repeat while I wrote this entire blog. I can't say I have any complaints either. Much like Adele's singing, the album is flawless. The message in 25 is much different than her previous works though. 19 and 21 were break-up albums, full of angsty, heart-breaking tunes. Just like a lot of us out there, Adele was once an emo kid and now she's in her 20's, she has child, and she's done some maturing since her last album. 25 is about growing up. Being in the same generation as Adele, this album is so relate-able. When you're in your 20's, you're caught between youth and adulthood, and that's really the whole theme of the album. The songs are filled with nostalgia. "Hello" is a heartbreak apology. "When We Were Young", "I Miss You", and "Remedy" reminisce an old love. "Water Under the Bridge", "Love in the Dark", "All I Ask", and "Sweetest Devotion" show maturity and understanding of what being in an adult relationship is about, and "Million Years Ago" is a reminder of youth. As much as I love all of Adele's music, my favorites are the more upbeat songs. One of my favorites on the new album, "Send My Love (To Your New Lover)", has this pop/folk feel to it, and I fell in love the first time I heard it. The same is true for "River Lea". It's an upbeat track full of memories. Target also released an exclusive version of the album containing three extra tracks, "Can't Let Go", "Lay Me Down", and "Why Do You Love Me?". Since I didn't buy the album from Target, I've yet to hear these songs. Don't worry though, I plan on hearing them and loving them soon enough.
In reference to the string of numbers for album titles, each title obviously reflects the singer's age when she wrote the music. It's a pretty clever way of categorizing your work, if you ask me. 19 launched Adele's career and who knows if she will ever release an album as successful as 21. I'm sure 25 is on its way to put up a good fight and earn Adele a few more accolades in the process. If you don't feel like missing out on this completely relate-able musical journey of Adele's life, I would recommend listening to her music and buying/downloading a copy of 25. To get you started though, here are some other songs to check out:
"Set Fire to Rain"
"Hiding My Heart"
"Hometown Glory"
"Make You Feel My Love"
Posted in Music, Uncategorized and tagged 19, 21, 25, Adele, Adele 19, Adele 21, Adele 25, Adele 25 album review, Adele Adkins, Adele album review, Adele Laurie Blue Adkins, Adele19, Adele21, Adele25, album of the year, Album of the Year 2012, Album of the Year 21, all i ask, best female pop vocal performance, best female pop vocal performance 2009, best new artist, best new artist 2009, BRIT School for Performing Arts & Technology, british music, British singers, can't let go, English singers, grammy award winner, grammy awards, Hello, Hello from the other side, hello it's me, i miss you, Jessie J., lay me down, London, love in the dark, million years ago, Music, pop, pop music, remedy, river lea, rolling in the deep, rumor has it, send my love (to your lover), Skyfall, soul, soulful, sweetest devotion, Target exclusive, taylor swift, Tottenham, UK, UK music, United Kingdom, water under the bridge, when we were young, why do you love me?, XL Recordings on November 21, 2015 by prostreetcross. Leave a comment


text:
Michael Hlinka
The DYME3Y Investment Club
"Investing" in the National Football League
WEEKLY PICKS
2020 WESTGATE LAS VEGAS SUPER CONTEST
The NFL Meets the CFA
Canadian Securities Course
Passing the CFA Program
Start Your Career Search
CHCH-TV
Purchasing B2B Magazine
The Ragged Edge Blog
2019-08-11 By Hlinka
Each Friday I will be e-mailing out my selections, then posting them and the rationale behind them on this website. (If there are ever Thursday night selections, they will go out Wednesday.) You will find that there is a heavier emphasis on over/under and Money Line wagers compared to the traditional against-the-spread selections.
Weekly Picks 2019 PDFDownload
Week Seventeen Selections
Starting balance: $1,615, +61.5%
Baltimore/Cincinnati OVER 44, $52.50 to win $50
Miami/Buffalo OVER 42.5, $55 to win $50
Green Bay -5 against Chicago, $31.50 to win $30
Week One Selections
Starting Balance: $1,000
Green Bay +120 over Minnesota, $30 to win $36
Miami +240 over New England, $20 to win $48
Tampa Bay +3.5 against New Orleans, $33 to win $30
Denver/Houston, OVER 41 points, $55 to win $50
Ending Balance: $928.00, –7.2%
Week Two Selections
Starting Balance: $928.00, –7.2%
Cincinnati Bengals +215 over Cleveland, $20 to win $43
Cincinnati Bengals +6 against Cleveland, $22 to win $20
Atlanta +180 over Dallas, $20 to win $36
Atlanta/Dallas, UNDER 54 points, $33 to win $30
Buffalo/Miami, OVER 41 points, $77 to win $70
Baltimore/Houston, UNDER 50 points, $33 to win $30
Week Three Selections
Tennessee/Minnesota, UNDER 50 points, $63 to win $60
New York Jets/Indianapolis, UNDER 44.0 points, $33 to win $30
Carolina/LA Chargers, OVER 43.5 points, $33 to win $30
Tampa Bay -5.5 against Denver, $33 to win $30
Dallas +180 against Seattle, $20 to win $36
Week Four Selections
Cleveland/Dallas UNDER 56 points, $33 to win $30
New York Giants/LA Rams UNDER 48 points, $33 to win $30
New Orleans/Detroit OVER 54 points, $33 to win $30
Minnesota/Houston UNDER 53.5 points, $33 to win $30
Philadelphia +7 against San Francisco, $31.5 to win $30
Philadelphia +260 against San Francisco, $20 to win $52
Ending Balance: $995.00, –.5%
Week Five Selections
Starting Balance: $995.00, –.5%
Miami +9 against San Francisco, $33 to win $30
Miami +320 against San Francisco, $20 to win $64
New York Giants +310 against Dallas, $10 to win $31
New York Giants/Dallas UNDER 53.5 points, $55 to win $50
LA Chargers +8 against New Orleans, $33 to win $30
Ending Balance: $1,054.00, +5.4%
Week Six Selections
Starting Balance: $1,054.00, +5.4%
Chicago/Carolina OVER 44.5, $33 to win $30 (Perfect weather)
Detroit/Jacksonville UNDER 54.5, $33 to win $30 (Windy Day)
Carolina -1.5 against Chicago, $31.50 to win $30
Detroit -3 against Jacksonville, $36 to win $30
LA Rams -3.5 against San Francisco, $30 to win $31.50
Arizona -1.5 against Dallas, $33 to win $30
Green Bay -110 against Tampa Bay, $220 to win $200
Ending Balance: $829.50, –17.05%
Week Seven Selections
Starting Balance: $829.50, –17.05%
New York Giants/Philadelphia UNDER 44 points, $33 to win $30
Dallas/Washington UNDER 46 points, $55 to win $50
New Orleans -7 against Carolina, $36 to win $30
LA Chargers -7 against Jacksonville, $36 to win $30
Ending Balance: $903.50, –9.65%
Week Eight Selections
Starting Balance: $903.50, –9.65%
Detroit +135 against Indianapolis, $50 to win $67.50 (5% to win 6.75%)
LA Rams/Miami OVER 46 points, $55 to win $50 (5.5% to win 5%)
Las Vegas/Cleveland UNDER 50.5 points, $33 to win $30 (3.3% to win 3%)
Jets/KC UNDER 49.0 points, $55 to win $50 (5.5% to win 5%)
Pittsburgh +4 against Baltimore, $22 to win $20 (2.2% to win 2%)
Pittsburgh +175 against Baltimore, $20 to win $35 (2% to win 3.5%)
New Orleans -4.5 against Chicago, $22 to win $20 (2.2% to win 2%)
New Orleans/Chicago UNDER 43.5 points, $33 to win $30 (3.3% to win 3%)
Seattle -3.0 against San Francisco, $100 to win $100 (10% to win 10%)
Dallas/Philadelphia UNDER 43 points, $33 to win $30 (3.3% to win 3%)
Ending Balance: $1,008.50, + .85%
Week Nine Selections
Starting Balance: $1,008.50, + .85%
Green Bay -5.5 against San Francisco, wagering $33 to win $30 (3.3% to win 3%)
Green Bay/San Francisco UNDER 50.5 points, wagering $55 to win $50 (5.5% to win 5%)
Houston/Jacksonville UNDER 51.5 points, wagering $55 to win $50 (5.5% to win 5%)
Houston -7.0 against Jacksonville, wagering $33 to win $30 (3.3% to win 3%)
Tennessee -6.5 against Chicago, wagering $33 to win $30 (3.3% to win 3%)
Pittsburgh/Dallas OVER 43 points, wagering $77 to win $70 (7.7% to win 7%)
Dallas +14.5 against Pittsburgh, wagering $33 to win $30 (3.3% to win 3%)
Baltimore -105 against Indianapolis, wagering $73.50 to win $70 (7.35% to win 7%)
Ending Balance: $1,025.50, +2.55%
Week Ten Selections
Starting Balance: $1,025.50, +2.55%
Tennessee -2 against Indianapolis, wagering $55 to win $50 (5.5% to win 5%)
LA Rams -2 against Seattle, wagering $55 to win $50 (5.5% to win 5%)
NYG +170 against Philadelphia, wagering $30 to win $51 (3% to win 5.1%)
Houston +160 against Cleveland, wagering $30 to win $48 (3% to win 4.8%)
Baltimore -7 against New England, wagering $77 to win $70 (7.7% to win 7%)
Minnesota -3 against Chicago, wagering $77 to win $70 (7.7% to win 7%)
Minnesota/Chicago OVER 43, wagering $77 to win $70 (7.7% to win 7%)
LA Chargers/Miami Dolphins OVER 48.5, wagering $220 to win $200 (22% to win 20%)
Jacksonville/Green Bay UNDER 48.5, wagering $220 to win $200 (22% to win 20%)
Week Eleven Selections
Tennessee +200 against Baltimore – wagering 2.0% to win 5.5%
New York Jets +350 against LA Chargers – wagering 2% to win 7.0%
Dallas +265 against Minnesota – wagering 2% to win 5.3%
Pair Trade: New York Jets / LA Chargers Over 46 – wagering 11% to win 10% and Philadelphia / Cleveland Under 47.5 – wagering 11% to win 10%
New England -2 against Houston – wagering 5.5% to win 5%
Miami -3.5 against Denver – wagering 5.5% to win 5.0%
LA Rams +4 against Tampa Bay – wagering 2.2% to win 2%
LA Rams +175 against Tampa Bay – wagering 2% to 3.5%
Ending Balance: $1,585.50, +58.55%
Week Twelve Selections
Starting Balance: $1,585.50, +58.55%
Houston/Detroit UNDER 51.5, wagering $55 to win $50 (5.5% to win 5%)
Cleveland/Jacksonville UNDER 49.5 points, wagering $55 to win $50 (5.5% to win 5%)
Tampa Bay +160 against Kansas City, wagering $50 to win $80 (5% to win 8%)
Carolina +160 against Minnesota, wagering $30 to win $48 (3% to win 4.8%)
Seattle -5.5 against Philadelphia, wagering $33 to win $30 (3.3% to win 3%)
New York Giants -6 against Cincinnati, wagering $33 to win $30 (3.3% to win 3%)
Week Thirteen Selections
Cleveland/Tennessee UNDER 53 points, wagering $33 to win $30 (3.3% to win 3%)
Detroit +145 against Chicago, wagering $30 to win $43.50 (3% to win 4.35%)
Philadelphia +320 against Green Bay, wagering $20 to win $64 (2% to win 6.4%)
Ending Balance: $1,388.00, +38.8%
Week Fourteen Selections
Starting Balance: $1,388.00, +38.8%
Dallas -3.5 against Cincinnati, wagering $55 to win $50 (5.5% to win 5%)
Houston -1 against Chicago, wagering $33 to win $30 (3.3% to win 3%)
Washington +150 against San Francisco, wagering $30 to win $45 (3% to win 4.5%)
Pittsburgh +105 against Buffalo, wagering $70 to win $73.50 (7% to win 7.35%)
Cleveland +115 against Baltimore, wagering $30 to win $34.50 (3% to win 3.45%)
Ending Balance: $1,350.00, +35%
Week Fifteen Selections
Starting Balance: $1,350.00, +35%
Chicago/Minnesota OVER 46.5 points, wagering $110 to win $100 (11% to win 10%)
Jacksonville/Baltimore OVER 48 points, wagering $77 to win $70 (7.7% to win 7%)
Miami -1.5 against New England, wagering $55 to win $50 (5.5% to win 5%)
Seattle -6.5 against Washington, wagering $55 to win $50 (5.5% to win 5%)
San Francisco/Dallas OVER 45 points, wagering $55 to win $50 (5.5% to win 5%)
Philadelphia +220 against Arizona, wagering $30 to win $66 (3% to win 6.6%)
Ending Balance: $1,535, +53.5%
Week Sixteen Selections
Tennessee +155 against Green Bay, $30 to win $46.50
Atlanta +10.5 against Kansas City, $55 to win $50
Carolina/Washington UNDER 44.5, $33 to win $30
Indianapolis/Pittsburgh OVER 44.5, $33 to win $30
Tampa Bay/Detroit UNDER 54.0, $55 to win $50
Filed Under: "Investing" in the National Football League
Copyright © 2021 · Michael Hlinka

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