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The incredible story of Guruceta's whistle
A. MuxikaBRAND
LOn the afternoon of February 25, 1987, a crew of A-2 workers, assigned to the municipal district of Fraga, cleaned the shoulders and part of the lanes at kilometer 150 between Barcelona and Zaragoza. At half past one a terrible accident had occurred in which tourism and a highway maintenance road were involved. It rains the seas and the car, a BMW, was built against the other vehicle's box after several spins as a result of the accumulated water. The result was tragic.Jos Emilio Guruceta Muro – a celebrity of Spanish arbitration in the 80s – and one of his line judges, Eduardo Vidal Torres, died instantly. The third team member, Antonio Coves Antn, was seriously injured.
Although three decades have passed,A.G.D. He prefers to remain anonymous. "I am a calm man, already retired. It is better to leave him like that." Then he was one of those responsible for keeping the highway sign cleanin any circumstance and place within its municipal term. With only 19 years, had an eventual contract and go to the task when required.
The tragic death of Guruceta was known in Spain a few minutes after the accident. It was a shock. So A.G.D. and his companions knew that they worked in a scenario on which he had set many eyes. "When we arrived, the vehicles were gone. Only the remains of the accident"Between pieces of plastic, crystals, rubber and other objects scattered after a brutal impact, A.G.D. appreciated a metallic glow:"It was a whistle. I was in the arcn. I picked it up and put it away. I always thought it was from Guruceta. I don't know One always associates the whistle with the referee. I did not know if the linemen carried or did not carry their own. For me, it was the referee's whistle. "
Nor does it take many turns to why he has kept it during these 32 years. "I had it in a drawer, along with other objects of some sentimental value of the family. Objects of my grandmother and things like that. But I always had the concern of giving it back to its owners, to the family.I thought it would be your hope to have it. Then there was no facility we have today to contact someone. I tried with the Federation, but it didn't happen".
A.G.D. I never lost the concern of returning the whistle to the Guruceta family. Every so often I opened the drawer and saw it there, so it was almost part of the family relics. On social networks, on Facebook that, above all, his wife manages, he found the thread to throw until he found the best possible recipient. That was how I contacted Gabi, Gabriel Guruceta, the referee's son. "It was a joy to find him and, above all, to be able to return it to him. That is the really important thing. Not the time that I have kept it or how he picked it up. The important thing is that it is a memory that is with whom he has to be.hour I find myself as calmer, with the awareness of having done what I had to do".
Indeed, on the other side of the cyber skein is Gabi Guruceta. I was five years old when the accident happened: "I was very small.I didn't have the exact notion of the size of my father's figure. Although then I have always followed everything that has been said and published by him. What they tell me, how it was, its popularity, what it means in Spanish arbitration …He has always been very present in my life. To the point that we live in Elche and I have come to San Sebastin, where he was from. I felt I had to come here for him. "
Gabi has no more than 15 days with his whistle: "I have it hanging and I will not take it off. It doesn't bother me and I go with it to all the sites. It is such an emblematic object …"I received it by mail, sent by that young highway maintenance operator to whom he now holds eternal gratitude:" Of course, I would like to thank you while you live. It has been a gesture on his part. "
I go with the whistle everywhere; It has been a gesture on your part and of course I appreciate it while you live
Gabriel Guruceta (son of the referee)
Gabriel Guruceta does not know how to describe exactly what he felt when he opened the package and had his father's whistle in his hands, 32 years later: "Imagine.It was a huge emotion. It is a little chipped, worn, but shines. Without a doubt, it's my father's".
And here we discover another of the great enigmas of this story: how to know with absolute certainty that the whistle was that of Jos Emilio Guruceta Muro and not that of any of his auxiliaries who, as a precaution, always carried it in their luggage. Gabi has the answer: "I've been told thatOn a trip to Italy, my father heard the sound of an urban guard's whistle and he loved it. He liked the tone here. So he got out of the car, went to the police in question and asked for the mark. It was a Balilla, Italian. And since then, my father only used that kind of whistle. It couldn't be from anyone else. The one I have comes with its brand and its serial number. "
Balilla whistles are very popular in Italy.Made in Florence, they lived their little splendor in the 30s, as they were used by military personnel and country police. In fact, its main uses are inscribed on one of the faces of this story: "Polizia-Calcio-Sports". It is not surprising that Jos Emilio Guruceta Muro, punctilious to the smallest detail on the pitch, decided on such instruments.
When the accident happened,the arbitral troo traveled from Elche to Pamplona. At half past nine at night the Cup match was played between Osasuna and Real Madrid. The referees had no obligation to sleep in the city of the party and many displacements, however long they were, took place during the day.
Although Gipuzkoa, Jos Emilio Guruceta was attached to the Murcian school, sinceHe had moved his home to Alicante. In Elche I had a business, Guruceta Sports, dedicated to both footwear and sportswear.
The arbitral group had left at seven in the morning of the illicit capital, with the intention of arriving in Pamplona at lunchtime. A trip of 670 kilometers, almost seven hours long. As Antonio Coves has recalled in successive anniversaries, everything takes place with relative tranquility until that fateful 150 kilometer of the A-2.Only five minutes earlier, the tro had stopped to refuel, drink a coffee and, in the case of Guruceta, who drives, do some small races to stretch muscles. The braid was an accomplished athlete, a physical prodigy who had in his aerobic capacity one of the keys to evolve into modern arbitration. He was reputed to run more than soccer players.
I had it in a drawer, next to valuables, but I always had the concern to give it back to its owners, to the family
A. G. D. (highway operator who found the whistle)
When they resumed the trip, the rain was getting worse.The BMW license plate A-6530-AG, owned by the referee, did aquaplanning, turn several times on its axis and went to recess with its rear against the Ebro service road. A vehicle without a box, whose structure acts like a blade. Both Guruceta and Eduardo Vidal Torres, who was in the back seat, died instantly. Coves, in the passenger seat, maintains that he was saved because his partner, in a way, made him a shield.
In addition to the pain from the loss of an icon of Spanish football, the rest of the day's development was especially bitter.The Spanish Federation of Soccer, in an attitude of incomprehensible passivity, lacked sensitivity and reflexes to suspend the match. Despite everything that had happened, the match had to be played. The referee was missing. The National Referees Committee also failed to react. They say that Garca de Loza refused to whistle when they suggested it. The easiest solution was searched by nearby geography.Jos Donato Pes Prez, from the Aragonese school, resident in Zaragoza, was only a couple of hours from Pamplona … by car. I could referee the match. He could not or could not refuse. In the middle of an atmosphere of grief and tension, that damn Osasuna-Real Madrid Cup is played.
But, without a doubt, one of the episodes that marked the career of Jos Emilio Guruceta Muro was another Cup match, the one played by Barcelona and Real Madrid at Camp Nou in 1970, which ended up in the middle of a scandal that pursued the collegiate throughout his career. A mole in the midst of prodigious performances, which made him the most famous referee in Spain, with almost two decades as international or records that lasted 30 years, such as having been the youngest referee to debut in the First Division.
Butthat penalty play, that foul on Velzquez, two meters outside the area and that Guruceta turned into a maximum penalty, put him at the center of all the controversies. He was sanctioned for public altercation, Barcelona recused him practically for life and lit one of the most acute chapters in the rivalry between Real Madrid and Bara. There was not, after each controversial play between these two teams, who did not draw the penalty of Velzquez pointed out by Guruceta as the main argument. An today is remembered in gatherings and discussions. Go down in history as Iniesta's goal in South Africa has passed.
Butit will be unfair not to blame Guruceta for his contribution to modern arbitration. Starting with the physical preparation and continuing with an intuitive and flexible application of the regulation. With him, the image of the past collegiate of weight began to die out and the plant of the sports referee arrived, who could talk about soccer players, because he came to the plays with the same efficiency as them.
I also sought to grant the arbitration exercise a range of profession.I defended the rights of his companions and, taking advantage of his fame and good work, ran to improve conditionsof the members who, in the 70s and 80s, whistled practically for love of art.
Today will be unthinkable a trip like that disastrous displacement that cost him and one of his judges online. The memory remains … and a chipped whistle for eternity.
As can be seen on the cover of that day, just below the fatal news, MARCA's reaction was immediate, establishing the 'Guruceta' trophy for the best referee. Precisely Gabriel, son of the deceased collegiate, be in charge of delivering Del Cerro Grande, who repeats, the trophy corresponding to the 18-19 season.
Subscribe to the BRAND Weekend Newsletter and receive in your email, Saturdays and Sundays early in the morning, the reports, interviews and in-depth graphics of MARCA and those of its Sunday supplement 'Primera Plana'.
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Below are a few photos of two of my latest paintings. The first, called "Molten Sky" was done a few weekends ago when I went to take a watercolor class with a woman who I'll definitely be taking more classes with. The second, called "Falling Abstraction" is one I did about a week or so ago. Both pieces are done using watercolor.
The final photo in today's post will be of a pair of toddler shoes/slippers which I knitted a little while back.
This entry was posted in Art, Creativity, Knitting, Painting, Watercolor and tagged Art, Creativity, Knitting, Painting, Watercolor by Tracy Moore. Bookmark the permalink.
I love Molten Sky! It came out great!!! And the baby shoes are darling. I've just been getting back to crafting too. Feels good.


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Act Like Nothing is Wrong
Successful TV co-star? It's a mixed pleasure
Here are some moments in the life of a successful TV actor. Jim Hoffmaster (shown here) was:
1) Visiting his high school alma mater in Durand, Mich., when a young woman rushed in, grinning. She was meeting the guy who played Kermit on "Shameless" – "my favorite character on my favorite show." Later, he was cheered at a street fair in Lansing, Mich.; it was, he said, "the closest I've ever been to being mobbed."
2) Back home in Los Angeles, in his crowded studio apartment. No, he doesn't have elegant dinner parties there. In fact, he never has guests … and he sometimes eats soup straight from the can.
Those scenes are in "Acting Like Nothing is Wrong," a documentary now reaching film festivals (including the East Lansing Film Festival on Nov. 10). The contrasts — a vivid view of the life of a supporting actor — will surprise viewers … as they surprised the filmmaker. "He warned me what his apartment was like," Jane Rosemont said, "but it was still a bit of a shock." Read more…
By Mike Hughes / November 4, 2022


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It's 8:00 AM in the morning in Florence. No hope to see NBA odds till midday, so I move to Euroleague, the top European league.
Siena (5-1, streak L 1) last weekend won Coppa Italia, so the team is still strong enough to fight for some titles. This season the green & white players are performing better in Euroleague than in Italian Serie A. Read what Euroleague.com wrote in this match preview: "Montepaschi Siena leads the Euroleague in scoring (83.8 ppg.), three-pointers made (178), three-point percentage (40.6%), free throws made (255), free-throw percentage (80.7%) and assist-to-turnover ratio (1.42 assists per turnover) this season".
Vitoria (4-2, streak L 2) has some problems. Last week I saw them losing at home againts Khimki and I saw a very slow team. Very slow. Caja Laboral basket is too slow for the Euroleague. I think Siena defence can easily stop Vitoria tonight. I back Montepaschi Siena.


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'Better Call Saul' Creators Prepare Fans for 'Sadness' of Final Season
By Brandon Katz • 06/23/20 10:19am
Rhea Seehorn as Kim Wexler, Bob Odenkirk as Jimmy McGill in AMC's Better Call Saul. Greg Lewis/AMC/Sony Pictures Tel
Should we be worried about Kim Wexler? Let me rephrase—how worried about Kim Wexler should we be? Better Call Saul fans have been fretting over the character's well-being for years thanks in part to Rhea Seehorn's criminally underrated performance (now's the time, Emmys) and the vision of creators Vince Gilligan and Peter Gould. For four seasons, audiences have assumed that Jimmy McGill's (Bob Odenkirk) inevitable metamorphosis into Saul Goodman would spell the end of the morally upright Kim in tragic manner. But in Season 5, we finally realized our grave mistake: Better Call Saul isn't about Jimmy's turn to the Dark Side. It's about Kim's.
"Now, the mystery is who is Kim?" Odenkirk told Deadline after discussing his own character's focus for the past few years. We've always known that Jimmy was destined to devolve into the slimy criminal lawyer we meet in Breaking Bad. But Kim has always been an innocent in the eyes of viewers, presumed collateral damage en route to Jimmy's ultimate destination. But we have perpetually underrated the character who has, in many ways, become the center of Better Call Saul.
SEE ALSO: They Were About to Build Earth's Biggest Movie Studio When a Pandemic Hit
"I feel lucky that I did not think of this as one giant arc of this mask coming off," Seehorn told the outlet. "It was for me, filling in the jigsaw puzzle, taking the pieces that are there in these brilliant scripts that have as much loaded in not speaking as speaking. I don't know where we are going, but I feel very lucky that I was allowed to play it honestly, incrementally a step at a time."
There is an inevitability to this journey as we enter the final season that every viewer must reconcile as Saul snaps into place with Breaking Bad. But the show must also end on its own terms as a separate series, and in that regard, co-creator Peter Gould is emotionally preparing us for what's coming.
"We have a lot of ideas about where Jimmy and Kim are going," Gould said. "There's some ideas which I am so excited about, but there is also a lot of sadness to where this is going."
Last year, Breaking Bad creator and Better Call Saul co-creator Vince Gilligan claimed that the final run of the latter may even top the epic heights of the former.
"Let me make a prediction right now, I'm going to say this because Peter is too much of a gentleman and way too modest," he told The Hollywood Reporter. "I think this show is absolutely, under Peter's leadership, going to stick the landing. It's going to be awesome and the Hollywood Reporter and other wonderful journalistic outlets are going to be having articles about which one had the better ending, Breaking Bad and Better Call Saul, and I bet you folks are going to say Better Call Saul."
SEE ALSO: CNN Fires Chris Cuomo Following Sexual Misconduct Allegation


This photo reminds me of spring though it looks more like high, or even late, summer. Well something needs to remind me of spring. Here the sky is of an opaque whiteness, like a low powered fluorescent tube. This combines with a hidden sprinkler system which is switched to intermittent.
My back is a bit better and I shall try walking into town later for the paper. I have hardly moved the last few days and it has made me feel awful: a continuous mild headache that extends from one end of my spine to the other and extends to my forehead with occasional sharp stabs if I try to twist or lift. I have had to cancel any plans to attend Saturday's march, not that I see any point to it. Meanwhile I have to decide whether to go to my old friend's funeral in Le Havre on 1 April (always assuming that we don't unexpectedly 'crash out') in which case it is doubtful any ferries would take the risk of running. If I don't go I feel I shall be letting the family down and if I do then in my present state I shall probably do myself (or someone else some harm). I am not quite right at the moment even without the back problem, though the two may be connected. Oh what a depressing post this is! I did want to write about Spring.
But that's absurd! De wing is on the bird.
I am sorry you have a bad back and feel generally low Fennie - hopefully all that will improve. Maybe it would be more sensible not to go to the funeral considering everything?
As to de bird - how is Sparry and what have you done about him? You know us Cooers will nag you about it.
Hi Fennie, love that sweet littly ditty poem.
Glad your back has improved Fennie but you still need to take things gently just in case it goes again. Will you go to the funeral?
Hug and get well wishes for you Fennie.
I had the most horrid night, unable to sleep another panic attach and sinus bad and today I have had many intervals of going to the loo still at it now.! something I ate maybe? I did make a very strong cheesy pasta dish yesterday evening, and served with garlic bread, has not affected my HL though.
Another mid day here with the weather although not as warm as yesterday, and just a tiny glimmer of sunshine.
Mowed the lawn yesterday after the busy morning I had and also painted the window box, cooked meal but by around 7pm had stitchy pain in my left chest... think I may have overdone it all day. My HL said to me why do you do so much all in one day, and I said.... Because there is no one else to do it.!
Camilla and Faith - thank you, you are true friends. Very sorry to hear you had a terrible night Camilla and that you are feeling low. Purple calming vibes to you. Really don't know about the funeral. But I am not up to travelling for the moment. In fact I am not well at all. It will also cost about £250 plus flowers/meals etc., which could be far better used. Will write about Sparry later. All you have said is quite correct and thanks. Faith, I hope your problems are becoming easer too and if not then some purple comfort vibes.
. . . to you too.
Sorry bit got left off.
Thank you kindly Fennie. Sending continual healing vibes to you too.
Matron thinks that you would be wise to decide now not to go to the funeral. I know exactly why you feel that you should go but the family will understand if you tell them that you are not very well just now. They would hate to find out that you had got worse by going.
Lots of healing purple vibes and gentle hugs. Take care and whilst I know you are anti doctors, you really should go and see one if you are not feeling better in a day or two.
Thanks Withy. I know you are right. I am not really anti doctors, they have probably saved my life on a couple of occasions.
It's the old "don't want to bother them " syndrome!


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text:
A versatile selection of Finnish media art at International Film Festival Rotterdam
Bright Future, IFFR's programme dedicated to young and emerging film talent with their own style and vision, marks the festival premieres for The Stroker (2019) by Pilvi Takala and Fruits of the Loom (2019) by Jaakko Pallasvuo, Antti Jussila, and Jari Kallio.
The Stroker is based on Pilvi Takala's two week-long intervention at Second Home, a trendy East London coworking space for young entrepreneurs and startups. During the intervention Takala posed as a wellness consultant named Nina Nieminen, the founder of cutting-edge company Personnel Touch who were allegedly employed by Second Home to provide touching services in the workplace. Takala's film Players (2010) was nominated for the 2011 Tiger Award for Short Films in Rotterdam.
In Fruits of the Loom, a communist and a capitalist set for a quest to find the lost utopia by breaking into abandoned summer cottages. Instead of a possible cohabitation, a bewitched future is incubated in the icy waters. Pallasvuo's, Jussila's, and Kallio's previous collaboration, Bridge Over Troubled Water (2017) was also premiered in the Bright Future section of IFFR.
Included in the IFFR Perspectives strand, Say No More is IFFR's thematic programme about listening, about actively reaching out to make contact with the image, instead of 'obeying' or passively undergoing it. The short film selection marks the festival premiere for Patrik Söderlund's (IC-98) Realms (2018), produced by Testifilmi. A short film about geological epochs, kingdoms of life and mass extinctions, Realms voyages through deep time from the primeval ocean to the post-human future, where animate and inanimate nature are levelled to black dust.
Say No More includes also Mika Taanila's exhibition Works on Paper. The exhibition consists of prepared film books from the series Film Reader, seen in the Nordic Pavilion of the Venice Biennial 2017, and a paper installation My Silence (on paper), a composed celebration for ineffability. The exhibition is open from January 23 to February 10.
Again this year the distributors of DINAMO, the Distribution Network of Artists' Moving Image Organizations, are present at IFFR. The Finnish organization AV-arkki is a member, and the programme coordinator of AV-arkki, Tytti Rantanen, will attend the annual meeting of the network.
AV-arkki's title for DINAMO screening "Footprints" is Marja Helander's awarded short film Birds in the Earth (2018), which will be screened also in the international short film competition of the Sundance Film Festival. Birds in the Earth is a short film based on dance. The main characters are two young Sámi ballet students; Birit Haarla and Katja Haarla. The movie tells a bit melancholic story through their dance performances. At the same time it examines the deeper questions of the ownership of Sámi land.


text:
This folder contains a set of examples showing how to use the [Neo4j - Couchbase Connector](https://github.com/larusba/neo4j-couchbase-connector).

Examples:
* [Spotify](./spotify): it loads Couchbase with Spotify data via [Spotify API](https://developer.spotify.com/web-api/)

Please be aware that this project is still under development and at this very first stage it will work only for testing.

## Thank you

We'd also like to thank for their precious support:
* [Michael Hunger](https://twitter.com/mesirii), NEO TECHNOLOGY - Head of Developer Relations, Caretaker Neo4j Community
* [Michael Nitschinger](https://twitter.com/daschl), COUCHBASE - Lead Developer of the Couchbase Java SDK

## License

Copyright (c) 2016 [LARUS Business Automation](http://www.larus-ba.it)

This file is part of the "LARUS Integration Framework for Neo4j".

The "LARUS Integration Framework for Neo4j" is licensed under the Apache License, Version 2.0 (the "License"); you may not use this file except in compliance with the License.

You may obtain a copy of the License at
http://www.apache.org/licenses/LICENSE-2.0

Unless required by applicable law or agreed to in writing, software distributed under the License is distributed on an "AS IS" BASIS, WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied.

See the License for the specific language governing permissions and limitations under the License.

redpajama_set_name: RedPajamaGithub


text:
import { RunOnceScheduler } from 'vs/base/common/async';
import { onUnexpectedExternalError } from 'vs/base/common/errors';
import { hash } from 'vs/base/common/hash';
import { DisposableStore, toDisposable } from 'vs/base/common/lifecycle';
import { ICodeEditor } from 'vs/editor/browser/editorBrowser';
import { registerEditorContribution } from 'vs/editor/browser/editorExtensions';
import { ICodeEditorService } from 'vs/editor/browser/services/codeEditorService';
import { IContentDecorationRenderOptions, IEditorContribution } from 'vs/editor/common/editorCommon';
import { IModelDeltaDecoration, ITextModel } from 'vs/editor/common/model';
import { InlayHintsProvider, InlayHintsProviderRegistry, InlayHint } from 'vs/editor/common/modes';
import { EditorOption } from 'vs/editor/common/config/editorOptions';
import { flatten } from 'vs/base/common/arrays';
import { editorInlayHintForeground, editorInlayHintBackground } from 'vs/platform/theme/common/colorRegistry';
import { CancellationToken, CancellationTokenSource } from 'vs/base/common/cancellation';
import { IThemeService } from 'vs/platform/theme/common/themeService';
import { Range } from 'vs/editor/common/core/range';
import { LanguageFeatureRequestDelays } from 'vs/editor/common/modes/languageFeatureRegistry';
import { CommandsRegistry } from 'vs/platform/commands/common/commands';
import { URI } from 'vs/base/common/uri';
import { IRange } from 'vs/base/common/range';
import { assertType } from 'vs/base/common/types';
import { ITextModelService } from 'vs/editor/common/services/resolverService';
import { Position } from 'vs/editor/common/core/position';

const MAX_DECORATORS = 500;

export interface InlayHintsData {
	list: InlayHint[];
	provider: InlayHintsProvider;
}

export async function getInlayHints(model: ITextModel, ranges: Range[], token: CancellationToken): Promise<InlayHintsData[]> {
	const datas: InlayHintsData[] = [];
	const providers = InlayHintsProviderRegistry.ordered(model).reverse();
	const promises = flatten(providers.map(provider => ranges.map(range => Promise.resolve(provider.provideInlayHints(model, range, token)).then(result => {
		if (result) {
			datas.push({ list: result, provider });
		}
	}, err => {
		onUnexpectedExternalError(err);
	}))));

	await Promise.all(promises);

	return datas;
}

export class InlayHintsController implements IEditorContribution {

	static readonly ID: string = 'editor.contrib.InlayHints';

	private readonly _disposables = new DisposableStore();
	private readonly _sessionDisposables = new DisposableStore();
	private readonly _getInlayHintsDelays = new LanguageFeatureRequestDelays(InlayHintsProviderRegistry, 250, 2500);

	private _decorationsTypeIds: string[] = [];
	private _decorationIds: string[] = [];

	constructor(
		private readonly _editor: ICodeEditor,
		@ICodeEditorService private readonly _codeEditorService: ICodeEditorService,
		@IThemeService private readonly _themeService: IThemeService,
	) {
		this._disposables.add(InlayHintsProviderRegistry.onDidChange(() => this._update()));
		this._disposables.add(_themeService.onDidColorThemeChange(() => this._update()));
		this._disposables.add(_editor.onDidChangeModel(() => this._update()));
		this._disposables.add(_editor.onDidChangeModelLanguage(() => this._update()));
		this._disposables.add(_editor.onDidChangeConfiguration(e => {
			if (e.hasChanged(EditorOption.inlayHints)) {
				this._update();
			}
		}));

		this._update();
	}

	dispose(): void {
		this._sessionDisposables.dispose();
		this._removeAllDecorations();
		this._disposables.dispose();
	}

	private _update(): void {
		this._sessionDisposables.clear();

		if (!this._editor.getOption(EditorOption.inlayHints).enabled) {
			this._removeAllDecorations();
			return;
		}

		const model = this._editor.getModel();
		if (!model || !InlayHintsProviderRegistry.has(model)) {
			this._removeAllDecorations();
			return;
		}

		const scheduler = new RunOnceScheduler(async () => {
			const t1 = Date.now();

			const cts = new CancellationTokenSource();
			this._sessionDisposables.add(toDisposable(() => cts.dispose(true)));

			const visibleRanges = this._editor.getVisibleRangesPlusViewportAboveBelow();
			const result = await getInlayHints(model, visibleRanges, cts.token);

			// update moving average
			const newDelay = this._getInlayHintsDelays.update(model, Date.now() - t1);
			scheduler.delay = newDelay;

			// render hints
			this._updateHintsDecorators(result);

		}, this._getInlayHintsDelays.get(model));

		this._sessionDisposables.add(scheduler);

		// update inline hints when content or scroll position changes
		this._sessionDisposables.add(this._editor.onDidChangeModelContent(() => scheduler.schedule()));
		this._disposables.add(this._editor.onDidScrollChange(() => scheduler.schedule()));
		scheduler.schedule();

		// update inline hints when any any provider fires an event
		const providerListener = new DisposableStore();
		this._sessionDisposables.add(providerListener);
		for (const provider of InlayHintsProviderRegistry.all(model)) {
			if (typeof provider.onDidChangeInlayHints === 'function') {
				providerListener.add(provider.onDidChangeInlayHints(() => scheduler.schedule()));
			}
		}
	}

	private _updateHintsDecorators(hintsData: InlayHintsData[]): void {
		const { fontSize, fontFamily } = this._getLayoutInfo();
		const backgroundColor = this._themeService.getColorTheme().getColor(editorInlayHintBackground);
		const fontColor = this._themeService.getColorTheme().getColor(editorInlayHintForeground);

		const newDecorationsTypeIds: string[] = [];
		const newDecorationsData: IModelDeltaDecoration[] = [];

		const fontFamilyVar = '--inlayHintsFontFamily';
		this._editor.getContainerDomNode().style.setProperty(fontFamilyVar, fontFamily);

		for (const { list: hints } of hintsData) {

			for (let j = 0; j < hints.length && newDecorationsData.length < MAX_DECORATORS; j++) {
				const { text, position, whitespaceBefore, whitespaceAfter } = hints[j];
				const marginBefore = whitespaceBefore ? (fontSize / 3) | 0 : 0;
				const marginAfter = whitespaceAfter ? (fontSize / 3) | 0 : 0;

				const before: IContentDecorationRenderOptions = {
					contentText: text,
					backgroundColor: `${backgroundColor}`,
					color: `${fontColor}`,
					margin: `0px ${marginAfter}px 0px ${marginBefore}px`,
					fontSize: `${fontSize}px`,
					fontFamily: `var(${fontFamilyVar})`,
					padding: `0px ${(fontSize / 4) | 0}px`,
					borderRadius: `${(fontSize / 4) | 0}px`,
				};
				const key = 'inlayHints-' + hash(before).toString(16);
				this._codeEditorService.registerDecorationType(key, { before }, undefined, this._editor);

				// decoration types are ref-counted which means we only need to
				// call register und remove equally often
				newDecorationsTypeIds.push(key);

				const options = this._codeEditorService.resolveDecorationOptions(key, true);
				newDecorationsData.push({
					range: Range.fromPositions(position),
					options
				});
			}
		}

		this._decorationsTypeIds.forEach(this._codeEditorService.removeDecorationType, this._codeEditorService);
		this._decorationsTypeIds = newDecorationsTypeIds;

		this._decorationIds = this._editor.deltaDecorations(this._decorationIds, newDecorationsData);
	}

	private _getLayoutInfo() {
		const options = this._editor.getOption(EditorOption.inlayHints);
		const editorFontSize = this._editor.getOption(EditorOption.fontSize);
		let fontSize = options.fontSize;
		if (!fontSize || fontSize < 5 || fontSize > editorFontSize) {
			fontSize = (editorFontSize * .9) | 0;
		}
		const fontFamily = options.fontFamily;
		return { fontSize, fontFamily };
	}

	private _removeAllDecorations(): void {
		this._decorationIds = this._editor.deltaDecorations(this._decorationIds, []);
		this._decorationsTypeIds.forEach(this._codeEditorService.removeDecorationType, this._codeEditorService);
		this._decorationsTypeIds = [];
	}
}

registerEditorContribution(InlayHintsController.ID, InlayHintsController);

CommandsRegistry.registerCommand('_executeInlayHintProvider', async (accessor, ...args: [URI, IRange]): Promise<InlayHint[]> => {

	const [uri, range] = args;
	assertType(URI.isUri(uri));
	assertType(Range.isIRange(range));

	const ref = await accessor.get(ITextModelService).createModelReference(uri);
	try {
		const data = await getInlayHints(ref.object.textEditorModel, [Range.lift(range)], CancellationToken.None);
		return flatten(data.map(item => item.list)).sort((a, b) => Position.compare(a.position, b.position));

	} finally {
		ref.dispose();
	}
});


text:
Sakharov Prize 2022 goes to the brave people of Ukraine, to reaffirm our unwavering support to the country in the war with Russia, underline S&Ds
The brave people of Ukraine, our nominee, are the natural winner of the 2022 Sakharov Prize for freedom of thought*, underline the S&Ds. We warmly welcome the European Parliament's choice of this year's final laureate. This reaffirms our wholehearted support to Ukrainians in the war waged by Russia, the most brutal attack on peace in Europe since World War II.
The S&D Group, together with the EPP and Renew Europe, nominated the brave people of Ukraine, represented by their president, elected leaders, and civil society**. We nominated them because they are not only fighting for their country, but also for our freedom and democracy.
Pedro Marques MEP, S&D vice-president for foreign affairs, said:
"Since February, the people of Ukraine have been fighting an unequal battle against a brutal aggressor who is trampling on the human rights of countless civilians. Yet they stand steadfast in defence of their country but also for our European democracy and freedom.
"The brave people of Ukraine are the living embodiment of everything that the Sakharov Prize promotes - respect for international law, freedom of expression, democracy, and the rule of law. They deserve our unreserved support, including this highest EU's tribute to human rights defenders.
"As the prize carries the name of Russian dissident, Andrei Sakharov, it is a highly symbolic gesture to award it to Ukraine at this critical time in their fight against the invasion launched by Russia's Vladimir Putin."
* The Sakharov Prize for freedom of thought was for the first time awarded in 1988 to Nelson Mandela and Anatoli Marchenko. It gives recognition to individuals, groups, and organisations that have made an outstanding contribution to the protection of human rights. Several laureates, including Nelson Mandela, went on to win the Nobel Peace Prize.
The European Parliament awards the Sakharov Prize at a formal plenary sitting in Strasbourg towards the end of each year. Each of the Parliament's political groups may nominate candidates and they together decide on a shortlist of three candidates. The winner was chosen today by the Conference of Presidents, a European Parliament body composed of the president and the leaders of all the political groups in the Parliament. The award ceremony will take place on 14 December.
** The civil society representatives:
The State Emergency Services (SES) of Ukraine has been rescuing people from under the rubble and from fires caused by daily shelling, clearing debris and unexploded ordnance to ensure safe passage for residents and humanitarian aid workers, and evacuating people to safer locations. According to data received at the end of June 2022, SES responded to over 38,000 emergency responses, extinguished 10,078 fires caused by shelling, evacuated 1,861,000 people, rescued 1,487 people and cleared 620 square km of mined areas. Incurred losses: 39 killed, 122 injured, six captured, and one missing. More than 3,500 rescuers serve in the territories that Ukraine does not control. More than 5,500 volunteers joined SES, which consists of 70,000 personnel, since 24 February, 2022.
Yulia Pajevska ("Taira") - Ukrainian volunteer paramedic and founder of the evacuation medical unit "Angels of Taira". Since 2014, she has been saving the lives of the military and civilians in the Donbass. In March 2022, during the evacuation of civilians from Mariupol, she fell into Russian captivity. She spent three months in captivity.
Oleksandra Matviychuk - human rights lawyer and chairwoman of the Center for Civil Liberties NGO - an organisation among the winners of the 2022 Nobel Peace Prize. Since 24 February, Matviychuk, along with a team of volunteers, lawyers and paralegals, has been recording war crimes and crimes against humanity committed by the Russian army in Ukraine. Her team works as a part of a wider initiative called the "Tribunal for Putin", which has so far registered 17,000 criminal acts by the Russian army. Matviychuk is dedicated to ensuring justice for the victims of Russia's war against Ukraine. Her service in documenting human rights abuses and providing assistance to the victims traces back to the 2014 Maidan events. At that time, she coordinated the Euromaidan SOS civic initiative. Later she ran multiple international mobilization campaigns for the release of prisoners of conscience. She is the author of human rights publications and the co-author of an annual report on monitoring the political persecution of civil society in Ukraine.
The Yellow Ribbon Civil Resistance Movement originated in the temporarily occupied city of Kherson and soon inspired people to civil action resistance in other occupied areas, including Melitopol and the Crimean peninsula. It plays an important part in defending the freedom of speech and ruining Russian intentions for occupied areas. The movement encourages Ukrainians to resist and denounce Russian occupation by painting blue and yellow ribbons and other Ukrainian symbols in public spaces, and more importantly, to mobilize and prevent Russian troops from holding a pseudo-referendum in the temporarily occupied areas of Ukraine. They create and spread leaflets, inspire people in occupation, and provide information to Ukrainian authorities and outside audiences about what is happening in the occupied territories. Ukrainian journalists nominate the Yellow Ribbon Civil Resistance Movement as worthy of the Sakharov nomination for its contribution to the freedom of speech.
Ivan Fedorov was elected mayor of Melitopol until 11 March, 2022, when he was kidnapped by Russian forces and replaced by a pro-Russian interim mayor. Among Ukrainians, Fedorov had become a symbol of resistance, and an example of courage in the face of invasion. Before his kidnapping, Fedorov was taking care of 150,000 inhabitants of Melitopol, and after his release continues advocating for international support for the people of Melitopol who live under Russia's occupation.


Can Kuna Store Images or Videos Locally?
Right now, the only way to access Kuna is through our servers, and the video feed is proprietary to our app. We do not currently support viewing other IP cameras from the Kuna app or diverting the video feed to other IP software.
We believe that secure cloud recording is the best way to ensure that Kuna works anywhere, anytime. We are committed to making a product that everyone can use, with easy installation and integrated features, including recordings.


text:
We've updated our Privacy Policy. By continuing to use Small Joys, you are agreeing to these updates.
Children With Down Syndrome Dressed As Disney Characters For A Beautiful Awareness Campaign
Nicole Louise Perkins, a British photographer launched a 12-day 'Down With Disney' campaign to celebrate and help raise awareness for Down Syndrome.
Source: Nicole Louise
Nicole believes that every person is beautiful irrespective of their unique traits.
Perkins, who works full-time at a special needs secondary school in the UK set out to help others witness this reality through her lens.
She launched a 12-day 'Down With Disney' campaign to "celebrate and help raise awareness for Down syndrome." In this magical photoshoot, Perkins captured children dressed as various characters from Disney movies, including The Lion King and The Little Mermaid.
In an attempt to combine her love for children and photography, she first came up with 'Down with Beautiful' in 2018, where she featured 32 different toddlers, children, teens, and young adults with Down syndrome." The response has been incredible, and it was so much fun creating the images," she told.
"I have met some amazing families in the process and I'm so glad to see the joy the images of their children have brought to so many people."
Nicole is a kind-hearted photographer, and the purpose of this photoshoot is just to raise awareness regarding Down's Syndrome. Although, the "Down with Disney" campaign was not without challenges.
"The greatest challenge was knowing when to stop. I could have gone on forever with these photoshoots but the props and everything are just so expensive." Above all, the photographer is satisfied with what she is doing and intends to do in the future.
Nicole's love for photography raised with her from her childhood. But her journey towards becoming a professional photographer was not that easy and according to her, "I've always loved photography, but I wasn't sure I would be able to get a job straight away after college if I studied it, so I did childcare instead."
Her love for children jumped when she was placed in a special needs school during her last placement at college.
Her advice to other photographers who might be too shy to show their work publicly or to do projects that go outside the box was simple: "I would say go for it." Moreover, she also explains that it needs a lot of patience working with children, as getting perfect poses takes time.
Being a photographer, show off your work. People will either love it or they would not. Nothing matters more than being true to yourself.
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SmallJoys Copyright © 2017. All rights reserved.


text:
Scientists renew calls to fast track carbon capture and storage
Scientists from ELEGANCY are holding a conference following their first year of working to fast-track carbon capture and storage in Europe by 2020.
Taking place on 8 November in Brussels, the ELEGANCY conference will host speakers from the project who will present initial findings from their first year of operation and announce plans for the second year, in addition to a selection of invited speakers from external stakeholders. The conference is an opportunity to understand the mission of the project and the types of challenges its modelling tools can provide solutions to.
With partners from five countries, including Imperial College London, SINTEF, Total, the European Gas Research Group and Equinor, ELEGANCY is developing innovative, cutting edge solutions on both a systems and component level to address challenges in carbon dioxide (CO2) transport, injection and storage. The countries represented in the project are the UK, Norway, the Netherlands, Germany and Switzerland.
By linking carbon capture and storage (CCS) with the production of hydrogen for energy, ELEGANCY's goal is to make it more economical, overcoming one of the main obstacles to major investment by industry and government whilst supporting the rapid introduction of hydrogen as an energy carrier.
Professor Martin Trusler of Imperial College London and ELEGANCY Project Director for the UK said: "CCS is recognised as an essential component in reducing global emissions, yet immediate up-front costs have stalled implementation by industry. By coupling hydrogen production from fossil fuels with carbon capture and storage, and tapping into existing infrastructure, we are aiming to off-set initial investment costs and kickstart CCS in Europe. Eventually our aim is that our open-source modelling tools will enable countries to set-up CCS across the world, addressing the global issue of climate change."
National case studies in each of the project's represented countries will identify and provide solutions to implementation challenges for hydrogen-CCS systems, including identifying areas for production and storage. Additional strands of research will work to optimise these processes, and develop business cases and open-source modelling tools for industrial CCS that will enable it to be implemented on a commercial scale.
Groundbreaking research
Imperial College London is the UK lead partner for ELEGANCY, and will contribute ground-breaking new research in CO2 storage, developing an open-source modelling framework for the design and evaluation of integrated H2-CCS chains, and applying the research findings to a detailed national case study. The research will be carried out by a multi-disciplinary team led by Professor Martin Trusler, Professor Nilay Shah, Dr Ronny Pini (Department of Chemical Engineering), Dr Sam Krevor (Department of Earth Science and Engineering) and Dr Niall Mac Dowell (Centre for Environmental Policy).
Funded by Accelerating CCUS Technologies (ACT), the project has the support of governments in five countries, including the Department for Business, Energy and Industrial Strategy (BEIS) in the UK. Brian Allison, Assistant Head of CCUS R&D and Innovation for BEIS, said: "This is an exciting and ambitious project which aims to support the development of CCUS technologies in the UK. It demonstrates the power of international collaboration not only among scientists, but also governments and policy-makers."
Professor Nilay Shah, ELEGANCY WP4 Leader and Head of Chemical Engineering at Imperial added: "National governments are increasingly recognising the need for hydrogen as a large-scale, low-carbon energy vector that will complement electricity and other low carbon liquid/gaseous fuels in a decarbonised society. We are leading the development of modelling tools that allow the design and analysis of end-to-end systems for hydrogen production and CO2 transport and storage, which will support the national case studies and help to design effective, low carbon future energy and industrial systems."


Rovere Nero Round Edge Skirting is a full-bodied contemporary wood-textured porcelain tile, it is as hard as natural stone due to it's thickness and engineered ingredients. It is marked by beautiful natural grains and mixed shades of natural browns to create the illusion of natural wood. The Rovere Nero Round Edge Skirting is available in one size and one surface finish.


text:
Mariah Moore
Director of the 2018 and 2021 CrossFit Games Documentary
Moore started working for CrossFit LLC in 2014 as a production assistant for the Update Show, and worked her way up towards being the Co-Director of Fittest on Earth: A Decade of Fitness, before being asked to finish the CrossFit Games Documentary in 2018 that had been lost during the company's restructuring that year. Most recently, Moore became the Director of the 2021 CrossFit Games Documentary.
Though Moore already has an incredible resume as a filmmaker, she feels like she's just beginning.
"In a lot of ways, I feel like my journey in filmmaking is just starting. With CrossFit, I learned I could make films. This past year, I learned that I could solo direct. Moving forward, I believe I'm capable of so much more. What that looks like, I'm not sure. But I'm excited to find out."
Q&A with Moore:
How do you take your coffee?
Moore: "Black"
What's involved in being a Director of a CrossFit film?
Moore: "I see the film through from start to finish. From bringing in a team to capture the 21 Games, to working with editors, as well as editing the film myself, working closely with an art director and graphic designer, overseeing all production and post-production, and bringing my vision to life. But these films aren't possible without all the incredible people that help create it."
What does a day in your life look like?
Moore: "A day in my life is typically pretty crazy. While being a full-time film director, I'm also a full-time mother. My husband and I typically get up around 5:30 a.m. to get a couple of hours of work in before the kids get up. We juggle kids and work until their nap time, where we squeeze in a workout and more work, before spending the rest of the afternoon with the kids. Our afternoons are usually spent in our yard, where the kids run amuck and I spend time in my happy place—my vegetable garden. After the kids go to bed, you'll typically find me back in the office working for a few hours before bed. We keep this routine six days a week."
What's your advice for up-and-coming women looking to pursue a career in the fitness space?
Moore: "My advice would be to take any opportunity given to you, work hard and treat people right. Anyone can learn to use a camera, but the right ones who treat their co-workers, their clients, and their subjects right are the ones that continuously succeed."
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Home/News/"I'm not taking COVID-19 vaccine now"- Donald Trump reveals
"I'm not taking COVID-19 vaccine now"- Donald Trump reveals
US President Donald Trump has said that he will not be taking the COVID-19 vaccine any time soon.
A Trump administration spokesman on Thursday said top officials in the three branches of government would be among the first to receive a coronavirus vaccine, but later in the evening, the president himself said most White House staff members will have to wait.
This he says is as a result of a directive he gave which will delay the administration of the vaccine on those in the White House.
Taking to Twitter, Trump said he was "not scheduled to take the vaccine, but look forward to doing so at the appropriate time."
"People working in the White House should receive the vaccine somewhat later in the programme, unless specifically necessary.
"I have asked that this adjustment be made," he wrote.
Tags donald trump
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As a disability rights advocate and person who well remembers the palpable fear I felt for my family when we were uninsured and who has depended on Medicaid in the past, I've been following the development of the American Health Care Act (AHCA) closely.
I strongly oppose the AHCA. It is a Very Bad Thing. Even Trump has called it "mean." Rand Paul called it a "deplorable" subsidy for insurance companies. The Congressional Budget Office projects that the AHCA would raise the uninsured rate by 23 million by 2026, leaving 18.6% of the US population uninsured. The AHCA would gut Medicaid, the program that covers 1 in 5 USAmericans. The program that's expanded coverage to more than 15 million people since the Affordable Care Act (ACA, aka 'Obamacare') was first implemented in 2013. A program that currently covers 45% of US births (on average, up to almost 70% in some states) and more than 10 million people with disabilities. The AHCA would also institute waivers that would allow insurance companies to significantly increase charges to older people and eliminate essential benefits like maternity and mental health care and prescription drugs. It would usher in insurance caps that would limit the benefits a person could utilize in their lifetime. It would eliminate federal funding for Planned Parenthood, a lifeline for primary care and family planning for so many women, *especially* uninsured women.
Health care is a human right. Without access to health care, people die. They get sick, not just from the lack of medical attention but from the stress of living a precarious existence and managing expensive–often ruinous–medical bills. If the AHCA passes, people will lose access to health care and services that keep them alive, in their homes, and active in their communities, that enable them to go to school and to work. People will lose quality care and face institutionalization and homelessness. People will die.
Image description: A Tweet dated 9 May 2017 from @StacyLeMelle shows a line of people against a wall holding signs that look like tombstones. They read: "RIP LOST MEDICAID NO $ FOR CARE," "DEATH BY 1000 MEDICAID CUTS," RIP DEATH BY SUICIDE LOST MENTAL HEALTH CARE," "COULDN'T AFFORD ASTHMA CARE," "RIP CHOSE RENT OVER MEDS," and "RIP COULDN'T AFFORD THE COST OF BEING A WOMAN." More protesters with signs extend beyond the left edge of the image.
So, yeah. I've been consuming and producing a fair amount of discourse about the AHCA lately. I've been calling my representatives and tweeting a lot about #AHCA. I've been reading lots of newspaper and web coverage. I've been seeking out and amplifying the voices of people with disabilities who share how this bill will affect them. While I've done a fair amount to express my own views and spread important perspectives in the debate , I feel like it's not doing anything to slow the Existential Threat at hand. And while I've done a fair amount to educate myself about the AHCA, I've done so in a political echo chamber of my own curation. I haven't sought out voices I don't agree with.
I've been responding to a crisis, scrambling to learn as much as I can and struggling to process all that I'm learning along with the rage and heartbreak it brings on. And I've turned to stories and storytelling as a strategy both for education (mine and others) and for strength. Thing is, I don't feel like anyone's hearing the stories I'm sharing and telling but me and the folks who agree with me.
4) I don't think we can save Medicaid with the facts on Medicaid. We can only save it by making the intended thievery visible. Maybe.
Stories aren't working. Maybe "making the intended thievery visible" will. Anyway, I don't understand how anyone could justify this Very Bad Thing. Maybe I could at least make the intended thievery and the strategies used to facilitate said thievery visible to me.
As a critical discourse analyst, I've always appreciated how using CDA  gives me the analytical distance to face Very Bad Things that fill me with rage, that break my heart, that–were it not for my communication studies lens–I would not be able to look at. Doing CDA brackets my gut-wrenching emotional reaction for a time so I'm able to examine the Very Bad Thing closely and from multiple angles. I still sometimes break down and weep or jump out of my chair to pace and scream in the midst of working. But afterwards I can get back to it.
So, I'm starting a new and rather urgent research program: studying #AHCA discourse on the right, paying particular attention to arguments in favor of the AHCA. I've identified some common framing–e.g., "repeal and replace"–that I'm gathering data on. I've collected some key texts that I think warrant in-depth analyses of their own. And I've only started to follow the money, but I'll be working to better understand who benefits from the GOP's health care plan and what's being said about/by them.
I'll publish my findings on this blog. Here's to making thievery visible. Let's hope it makes a difference.
 The uninsured rate hasn't been over 17% since the 1990s. By comparison, if we stay with 'Obamacare,' it's estimated that 10% of US residents will be uninsured in 2026. The uninsured rate has dramatically and steadily dropped since the ACA Marketplace first opened in 2013.
 The original House version of the bill would have allowed insurance companies to charge more or deny coverage to people with pre-existing conditions. As I write, the Washington Post is reporting that a leaked draft of the Senate's version retains "ACA protections for patients with preexisting conditions." However, Andy Slavitt at USA Today reports that loopholes would maintain 'protections' but allow insurers to decline to pay for particular treatments.
 When I was uninsured, Planned Parenthood provided the only primary care I could access and afford. And it was quality, compassionate primary care.
 While I call contemporary discourse about the AHCA a 'debate,' I should also stress that it is an unusual one, given the unprecedented silence on the part of the people drafting the bill.
 I'll explain CDA more in my next post. In a nutshell, critical discourse analysis or CDA is a method for studying the ways in which communication-in-use supports or undermines social injustice.


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602 Gbps! This May Have Been the Largest DDoS Attack in History
January 09, 2016Swati Khandelwal
Cyber attacks are getting evil and worst nightmare for companies day-by-day, and the Distributed Denial of Service (DDoS) attack is one of the favorite weapon for hackers to temporarily suspend services of a host connected to the Internet.
Until now, nearly every big website had been a victim of this attack, and the most recent one was conducted against the BBC's websites and Republican presidential candidate Donald Trump's main campaign website over this past holiday weekend.
Out of two, the largest DDoS attack in the history was carried out against the BBC website: Over 600 Gbps.
Largest DDoS Attack in the History
The group calling itself New World Hacking claimed responsibility for taking down both the BBC's global website and Donald Trump's website last week.
The group targeted all BBC sites, including its iPlayer on-demand service, and took them down for at least three hours on New Year's Eve.
At the moment, the BBC news organization announced that the outage was caused due to some "technical" fault, but later it stated that "New World Hacking" group had claimed responsibility for launching a DDoS attack against BBC, as a "test of its capabilities."
BangStresser DDoS Attack Tool
One of the members of the New World Hacking group, identified himself as Ownz, claimed that the group allegedly used their own tool called BangStresser to launch a DDoS attack of up to 602 Gbps on the BBC's website.
As a proof, the group provided ZDNet a screenshot of a web interface that was allegedly used to attack the BBC website.
Although the authenticity of the screenshot has not been verified, if the attack size is proven true, it would vastly surpass the largest DDoS attack record of 334 Gbps, recorded by Arbor Networks last year.
The recent massive DDoS attack apparently utilizes two Amazon Web Services servers that employ a large number of automated detection and mitigation techniques in order to prevent the misuse of the services, Amazon previously claimed.
"We have our ways of bypassing Amazon," said Ownz. "The best way to describe it is we tap into a few administrative services that Amazon is use to using. The [sic] simply set our bandwidth limit as unlimited and program our own scripts to hide it."
More details about the attack have yet not disclosed, but Ownz claimed that their main purpose behind the development of the BangStresser DDoS tool is to unmask ISIS and possibly end its online propaganda.
"We have been taking down ISIS websites in the past," said Ownz, "this is just the start of a new year."
A similar group named Lizard Squad, conducted a marketing campaign for promoting their DDoS tool, known as the Lizard Stresser, using which the group took down Sony's PlayStation Network and Microsoft's Xbox Live last year on Christmas Eve.
Cyber Attack, ddos attack, denial-of-service attacks, hacking news, largest ddos attack


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In a score of 76-77, Duke almost took the 'L' in a high-energy game which saw the University of Central Florida giving the No. 1 seeded squad a true run for their money.
A missed layup ultimately sealed the fate of the Knights as the Blue Devils now advance to their 31st Sweet 16 appearance. In no small part, it was Zion Williamson and R.J. Barrett who led their team to such a close win. Williamson has Barrett to thank for a rebound on a missed shot that would lead to a game-tying free throw.
Elsewhere, the matchup between Zion and UCF's Tacko Fall came to an end when Williamson drew Fall's fifth foul of the game, sending him to the bench after a performance that pulled 15 points, six rebounds and three blocks just ahead of the game's finish.
Naturally, social media's reaction to the high-intensity game is one that finds many calling the win a cheated one, with critics declaring that the referees have, once again, favored Duke in an advancement that was inevitable for the team no matter who they faced.
What this ultimately signals is that fans will be able to watch Zion Williamson play at least one more college game before he officially declares for the draft. Next up, Duke will face off with the victor of the Virginia Tech and Liberty match taking place Sunday.
The post UCF Narrowly Misses Upset Win Over Duke in Sweet 16 Bid appeared first on HipHop Magz.


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Home Marketplace Real Estate Kalorama experiencing notable property deals
Kalorama experiencing notable property deals
Real estate: Government of France to sell half an acre
Brady Holt
Buyers of the former Textile Museum at 2320-2330 S St. NW in Sheridan-Kalorama will convert the historic property into a single-family private residence. Brian Kapur
A pair of recent real estate transactions in Sheridan-Kalorama have attracted national headlines: the Obamas renting a house at 2446 Belmont Road NW, and Ivanka Trump and Jared Kushner purchasing 2449 Tracy Place NW right around the corner. But two other deals may have a longer-term impact on the neighborhood. Representatives of the French government announced Monday that they will be selling half an acre of their five-acre ambassador's residence, potentially allowing the development of up to four homes on Kalorama Circle NW. And at the other end of the neighborhood, residents have applauded plans to convert the former Textile Museum into one large single-family home — putting an end to concerns it could become a disruptive diplomatic property or a multi-unit residential building. Both projects were discussed at Monday's meeting of Advisory Neighborhood Commission 2D (Sheridan-Kalorama).
Alex Venditti, a Realtor with Coldwell Banker Residential Brokerage representing the French government, told residents not to expect any immediate change at the Kalorama Circle site. The sale of the land hasn't yet been marketed, and any buyer would need to return to ANC 2D for regulatory review before constructing any project. But Venditti emphasized the rarity of open space becoming available in the desirable neighborhood — it's already heavily developed, and its status as a historic district restricts tear-downs.
"It's going to be a unique and significant way for someone to build," Venditti said. "Based on our analytics that we've been doing … it's certainly going to draw in some unique folks that might be interesting."
A French official at the ANC 2D meeting said the sale reflects a broader policy. "We're just thinking globally about our strategy in real estate, and we're starting to decrease a little bit our properties around the world," he said.
The ambassador's residence itself sits at 2221 Kalorama Road NW, about half a block from the circle, but French holdings also include three lots along a never-constructed segment of Belmont Road that would have run between Kalorama Circle and Connecticut Avenue NW. These lots, located near the circle's northeast section, comprise the half-acre that will be listed for sale. Venditti said a single buyer will be expected to purchase the three lots together, and then would likely consolidate or subdivide them in another arrangement.
Based on zoning guidelines for the site, Venditti presented a pair of possible options for the property: a single grand mansion occupying the entire half-acre site, or four large homes — two directly on Kalorama Circle and two more behind them. He said that a church or school use would also be legally permissible.
"I think we're going to receive a tremendous amount of attention, based on where it's located and the significance of having that much land available in this wonderful neighborhood," said Venditti.
Venditti and Elise Ramer, a spokesperson for Coldwell Banker, declined to comment further but said more information on the listing will be released later this month.
Meanwhile, ANC 2D voted 2-0 to support a Historic Preservation Review Board application for minor exterior additions and renovations at the former Textile Museum. Architect Ankie Barnes said the buyers of the sprawling property — a 0.8-acre lot with two connected historic homes — will use the 27,000-square-foot building as one single-family non-diplomatic house. The Textile Museum discontinued its longtime use of the 2320-2330 S St. NW site in 2013 to prepare for a move to the George Washington University campus, and the property first sold for $19 million in 2015.
The latest buyers, whom Barnes did not identify, had been looking around Sheridan-Kalorama and eastern Georgetown before selecting the property. "They're a really nice family and they absolutely love it," Barnes said.
City records show that the property was last sold in October for $23 million, and Barnes said interior renovations to convert the building from an institution back to a home will require an extensive investment. In the 1970s, large areas of the historic interior had been gutted, he said — "it's a tragedy, but it's also an opportunity because it allows us to put something back."
ANC 2D members praised the plans, with Ellen Goldstein calling them "ambitious and tasteful" and chair David Bender adding that he's relieved about the singlefamily use.
"This is far greater than what I had envisioned would happen to this property," Bender said. "I thought there would probably be a battle of changing the footprint totally, and fighting condos going up in the backyard and everything else."
Another resident chimed in: "Bravo, thank you, thank you!"
Barnes also sought to alleviate concerns that the buyers planned anything but owner-occupancy of the property.
"This is not going to be a bed-and-breakfast or anything like that?" Bender asked at one point.
"I imagine they'll have beds and serve breakfast," Barnes quipped, "but they won't take money for it."
Goldstein also asked whether the new owners would expect to hold large events.
"Probably two or three sizable parties per year and some smaller functions — but it won't be an institutional use, but residential," Barnes responded. "And maybe they'll ask you to come."
At Monday's ANC 2D meeting, residents and commissioners also aired concerns about impacts from neighborhood's highest-profile upcoming residents: the Obamas and the Trump/Kushner household, as both properties will require Secret Service protection.
Residents are concerned about a loss of parking around the two locations, and the possibility that Belmont Road could be closed altogether to non-residents between Tracy Place and Kalorama Circle.
Tom Lipinsky of Ward 2 D.C. Council member Jack Evans' office said his colleagues have been pushing for information from the Secret Service, and are also encouraging the D.C. Department of Transportation to limit parking on one side of each street to Ward 2 residents.
Neighbors are particularly worried about the spillover effects if Islamic Center of Washington worshipers park on previously unaffected blocks once new restrictions are in place along Belmont and Tracy.
ANC 2D
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Would you like to help special needs adults hear the Good News and participate in activities with them in a Sunday School class environment? No training needed, curriculum and craft materials provided, and the class size is currently 5. We are in need of a teacher for the third Sunday of each month. For information contact Rick Pate at 449-2500, ext.125 or rickp@svcc.net.