The first Volleyball Ireland Junior National League begins this weekend.
This league is the culmination of years of hard work developing schools and supporting clubs to establish youth sections. This development work, led by Conor Flood, included a number of blitzes, friendly competitions and coach education workshops to build a strong foundation of volleyball in strategic areas across the country.
This weekend will see 13 teams compete in the inaugural competition at u18 age level. The girls league will kick start a competitive framework that will see additional age groups added over the coming years ensuring a strong pathway from schools participation to Adult National League Volleyball and ultimately the Irish National Team.
Volleyball Ireland will be replicating this model at different age groups and with a boys version. If any clubs are interested in taking part please contact cdo@volleyballireland.com to register your interest. There will be opportunities to participate in blitzes and fun tournaments over the season to get a taste of competitive Volleyball.
The Development team are here to support clubs establish youth sections. Often there can be a mine field of policies and compliance involved when working with children – the team are here to support you through that and concentrate on the good stuff – Volleyball!
A special Thank You to those clubs and tireless volunteers for supporting junior volleyball without your hard work and dedication this simply doesn't happen.
Volleyball Ireland has submitted two nationwide applications to the Dept. Transport, Tourism and Sport Sports Capital Grant Programme to support its member clubs.
The Net and Post Replacement Scheme has been initiated based on the Club Equipment Needs Audit carried out earlier this month. Within the audit it was clear that the most sought after equipment were posts and nets which often come into disrepair. The application would see a nationwide upgrade on these vital pieces of equipment.
When in decline these can become a barrier to participation and cause potential health and safety issues. As part of the club development programme, members have highlighted these equipment issues as a priority.
The second project will see new clubs, or existing clubs who wish to setup a youth section receive a starter pack of balls and equipment to support their development and grow participation.
The combined grant application is valued at over €45,000 – Volleyball Ireland is seeking a grant of €36,000 to deliver these projects. Volleyball Ireland also supported a number of equipment only applications from member clubs.
Global Volleyball legend and Olympic champion Vladimir Grbic, joined Volleyball Ireland to celebrate it's 50th Anniversary.
Grbic visited Ireland for 5 days delivering a series of coaching masterclasses for young players, as well as a QandA with a range of top Irish coaches. The trip is part of a strategy by Volleyball Ireland to up-skill players and coaches to improve the overall standards of Volleyball in the country. The Serbian delivered Volleyball workshops to the Irish Junior teams including the u16s Girls team who are preparing for the CEV Championships qualifying round in early 2019, as well as training with the Boys u12 training squad.
Grbic also helped launched the CEV Schools Project in Ireland with a once-in-a-lifetime coaching experience for Sutton Park School. Prior to that he was working with a local Dublin school who are prioritising the development of Beach Volleyball.
President of Volleyball Ireland, Grainne Culliton said, "Vladimir's coaching philosophy is inspirational. He emphasises the importance for children to be involved in sport for mental and physical reasons, and to keep them playing, the focus must be on them having fun so they want to come back again and again. We certainly hope he will come back to Ireland again soon".
Vladimir took time in his trip to visit the HQ of Special Olympics Europe/Asia for whom he is a global ambassador and his passion for working with children with special needs was evident.
This was Ireland's first time to host an international volleyball super star, and it is hoped to do this again, to help in achieving the goals of the new Volleyball Ireland strategy to be launched later this month.
Volleyball Ireland have received a grant of €2,600 to support the development of coaching courses. The funding will be used to host a series of workshops in late 2018 and 2019. The topics of these courses will focus on Speed and Agility, Coaching Children as well as technical skill specific workshops.
The support has already helped subsidise the cost of 25 new Foundation level coaches and 17 new Level 1 coaches who were trained over the last 6 weeks.
It is hoped our newly up-skilled coaches will support the implementation of a brand new u18 Junior National League.
In order for minors to complete the Sport Ireland Anti-Doping online course parents/guardians need to contact Rachel Maguire of Sport Ireland (rmaguire@sportireland.ie) and CC Jessie Carmody (jessie@volleyballireland.com) to create a profile with the parents/guardians email address so the minor can do the course.
Login details will then be sent to the parents/guardians email address.


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Say cheese: Aaron Rodgers, Danica Patrick hang out with Jim Gaffigan at Resch
ASHWAUBENON - Jim Gaffigan came across something better than even cheese curds this time in Green Bay: Aaron Rodgers and Danica Patrick.
The Green Bay Packers quarterback and his girlfriend were at Gaffigan's show Friday night at the Resch Center. The comedian posed backstage with the couple, Packers kicker Mason Crosby and his wife Molly, punter Justin Vogel and others for a photo he shared on his social media accounts after his 75-minute set.
At first glance, it looks like a standard meet-and-greet snapshot with random fans. Gaffigan played it cool in the caption, too, writing simply: "Thanks to everyone in Green Bay who came to the show tonight. So fun."
Opener Ted Alexandro, far left, took a slightly different approach when he shared the same photo, which was taken before the show: "Some Packers and a Patrick (Danica) walk into a comedy show ..."
During previous visits to Green Bay, Gaffigan has posted photos of cheese curds or butter burgers from Kroll's West. His love of eating figures heavily into his stand-up, and with his wife, comedy writer and producer Jeannie Gaffigan, originally from Milwaukee, he has more than just a passing knowledge of Wisconsin cuisine.
"I've been here for three hours. I've had two orders of cheese curds," he said at the start of his Resch performance, a stop on his The Fixer Upper Tour.
RELATED: Danica on Rodgers: He's kind, funny and 'super smart'
RELATED:Highlights from Gaffigan's 2106 show at the Resch
Even booyah got a shout-out from the stage.
"I wish I could get some booyah," he said. "Why is it called booyah? Did some Cajun get lost?"
(During a 2013 visit to the Weidner Center, Gaffigan was curious enough about the hearty chicken soup popular in the region that he asked the staff where he could get some for take-out.)
On Friday night, he humorously recounted being puzzled by the fancy cheeses with names he couldn't remember that were served during a French cheese course when he was in Paris. He wondered where the cheddar was.
"Most of you are looking at me like, 'You eat cheese. We think you only eat cheese.'"
He also had some fun with how Wisconsinites are always telling visitors they should come back to the state in the summer. Wisconsin is all about selling summer, he said.
"One-sixth of the year, it's heaven! It's amazing for like nine weeks!"
He segued into his signature Hot Pockets bit for the encore by telling how he and his family rented a house in Wisconsin last summer. The owner had filled the freezer with the microwavable turnovers that are one of Gaffigan's favorite punchlines.
"How about we fill a Pop-Tart with nasty meat?" he said, imagining what the sales pitch must have sounded like when they were created.
Good thing the gift basket he posted from his Resch Center visit included just the good stuff — cheese curds and Sprecher root beer.

redpajama_set_name: RedPajamaCommonCrawl


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Susan Deans-Smith
Teaching Awards: Raymond Dickson Centennial Endowed Teaching Fellowship (2009); Teaching Excellence Award, Department of History, University of Texas at Austin (2007)
Undergraduate Courses:
HIS 363/LAS 366 Religion, Conquest, and Conversion in Colonial Latin America
HIS 346K/LAS 366 Colonial Latin America
HIS 350L/LAS 366 Visual and Material Culture of Colonial Latin America
HIS 350L/LAS 366 Rebellion, Resistance, and Revolution in Latin America
HIS 350L/LAS 366 Rethinking The Conquest of Mexico
TC 357 Aztecs and Incas: Alternative Histories of the Spanish Conquest and Colonialism (Plan II)
UGS 302 When Worlds Collide: Indigenous Peoples Under Spanish Colonial Rule
Graduate Seminars:
HIS 386K Historiography of Colonial Latin America
HIS 386K Imperial Formations
HIS 386L Research Seminar on Colonial Mexico
HIS 386K Independence and Revolution in Latin America
Recent Doctoral Dissertation Research Topics Supervised:
I am happy to supervise dissertation research on topics related to the histories (political, social, cultural, religious, and economic) of colonial Latin America and the Spanish empire, and especially on colonial Mexico. Also of interest to me are projects that deal with visual and material culture, the history of indigenous peoples in colonial Latin America, transatlantic history, and the history of race and ethnicity in colonial Latin America. I have listed below some of the doctoral dissertation topics that I have supervised or co-supervised (please see CV for a complete listing):
"Built Upon the Tower of Babel: Language Policy and the Clergy in Bourbon Mexico"
"Baroque and Reformed Catholicism: Religious and Cultural Change in Eighteenth-Century Mexico"
"Noble" Tlaxcalans: Race and Ethnicity in Northeastern New Spain, 1770-1810"
"Africans and Their Descendants in Colonial Costa Rica, 1600-1750"
"The Politics of Ritual in Puebla de los Ángeles, Mexico, 1695-1775"
"The Science of Empire: Bishop Martinez Compañón and the Enlightenment in Peru"
"Contested Legalities In Colonial Mexico: Francisco Xavier Gamboa And The Defense Of Derecho Indiano
"Heavenly Influences: The Cosmic and Social Order of New Spain at the Turn of the Seventeenth Century"


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قراءة كتاب
Brunton Mary
Watson Virginia
Maurois André
Miller Mary Christina
Barbellion W N P
Browne G F (George Forrest)
Worsfold J N (John Napper)
Sealsfield Charles
Taylor John M (John Metcalf)
Anderson Ada Woodruff
قراءة كتاب The Time Machine
تنويه: تعرض هنا نبذة من اول ١٠ صفحات فقط من الكتاب الالكتروني، لقراءة الكتاب كاملا اضغط على الزر "اشتر الآن"
اللغة: English
تقييمك:
Wells H G (Herbert George)
الصفحة رقم: 2
can move about in all directions of Space, but you cannot move about in Time.'
'That is the germ of my great discovery. But you are wrong to say that we cannot move about in Time. For instance, if I am recalling an incident very vividly I go back to the instant of its occurrence: I become absent-minded, as you say. I jump back for a moment. Of course we have no means of staying back for any length of Time, any more than a savage or an animal has of staying six feet above the ground. But a civilized man is better off than the savage in this respect. He can go up against gravitation in a balloon, and why should he not hope that ultimately he may be able to stop or accelerate his drift along the Time-Dimension, or even turn about and travel the other way?'
'Oh, this,' began Filby, 'is all—'
'Why not?' said the Time Traveller.
'It's against reason,' said Filby.
'What reason?' said the Time Traveller.
'You can show black is white by argument,' said Filby, 'but you will never convince me.'
'Possibly not,' said the Time Traveller. 'But now you begin to see the object of my investigations into the geometry of Four Dimensions. Long ago I had a vague inkling of a machine—'
'To travel through Time!' exclaimed the Very Young Man.
'That shall travel indifferently in any direction of Space and Time, as the driver determines.'
Filby contented himself with laughter.
'But I have experimental verification,' said the Time Traveller.
'It would be remarkably convenient for the historian,' the Psychologist suggested. 'One might travel back and verify the accepted account of the Battle of Hastings, for instance!'
'Don't you think you would attract attention?' said the Medical Man.
'Our ancestors had no great tolerance for anachronisms.'
'One might get one's Greek from the very lips of Homer and Plato,' the Very Young Man thought.
'In which case they would certainly plough you for the Little-go.
The German scholars have improved Greek so much.'
'Then there is the future,' said the Very Young Man. 'Just think! One might invest all one's money, leave it to accumulate at interest, and hurry on ahead!'
'To discover a society,' said I, 'erected on a strictly communistic basis.'
'Of all the wild extravagant theories!' began the Psychologist.
'Yes, so it seemed to me, and so I never talked of it until—'
'Experimental verification!' cried I. 'You are going to verify that?'
'The experiment!' cried Filby, who was getting brain-weary.
'Let's see your experiment anyhow,' said the Psychologist, 'though it's all humbug, you know.'
The Time Traveller smiled round at us. Then, still smiling faintly, and with his hands deep in his trousers pockets, he walked slowly out of the room, and we heard his slippers shuffling down the long passage to his laboratory.
The Psychologist looked at us. 'I wonder what he's got?'
'Some sleight-of-hand trick or other,' said the Medical Man, and
Filby tried to tell us about a conjurer he had seen at Burslem; but
before he had finished his preface the Time Traveller came back, and
Filby's anecdote collapsed.
The thing the Time Traveller held in his hand was a glittering metallic framework, scarcely larger than a small clock, and very delicately made. There was ivory in it, and some transparent crystalline substance. And now I must be explicit, for this that follows—unless his explanation is to be accepted—is an absolutely unaccountable thing. He took one of the small octagonal tables that were scattered about the room, and set it in front of the fire, with two legs on the hearthrug. On this table he placed the mechanism. Then he drew up a chair, and sat down. The only other object on the table was a small shaded lamp, the bright light of which fell upon the model. There were also perhaps a dozen candles about, two in brass candlesticks upon the mantel and several in sconces, so that the room was brilliantly illuminated. I sat in a low arm-chair nearest the fire, and I drew this forward so as to be almost between the Time Traveller and the fireplace. Filby sat behind him, looking over his shoulder. The Medical Man and the Provincial Mayor watched him in profile from the right, the Psychologist from the left. The Very Young Man stood behind the Psychologist. We were all on the alert. It appears incredible to me that any kind of trick, however subtly conceived and however adroitly done, could have been played upon us under these conditions.
The Time Traveller looked at us, and then at the mechanism. 'Well?' said the Psychologist.
'This little affair,' said the Time Traveller, resting his elbows upon the table and pressing his hands together above the apparatus, 'is only a model. It is my plan for a machine to travel through time. You will notice that it looks singularly askew, and that there is an odd twinkling appearance about this bar, as though it was in some way unreal.' He pointed to the part with his finger. 'Also, here is one little white lever, and here is another.'
The Medical Man got up out of his chair and peered into the thing.
'It's beautifully made,' he said.
'It took two years to make,' retorted the Time Traveller. Then, when we had all imitated the action of the Medical Man, he said: 'Now I want you clearly to understand that this lever, being pressed over, sends the machine gliding into the future, and this other reverses the motion. This saddle represents the seat of a time traveller. Presently I am going to press the lever, and off the machine will go. It will vanish, pass into future Time, and disappear. Have a good look at the thing. Look at the table too, and satisfy yourselves there is no trickery. I don't want to waste this model, and then be told I'm a quack.'
There was a minute's pause perhaps. The Psychologist seemed about to speak to me, but changed his mind. Then the Time Traveller put forth his finger towards the lever. 'No,' he said suddenly. 'Lend me your hand.' And turning to the Psychologist, he took that individual's hand in his own and told him to put out his forefinger. So that it was the Psychologist himself who sent forth the model Time Machine on its interminable voyage. We all saw the lever turn. I am absolutely certain there was no trickery. There was a breath of wind, and the lamp flame jumped. One of the candles on the mantel was blown out, and the little machine suddenly swung round, became indistinct, was seen as a ghost for a second perhaps, as an eddy of faintly glittering brass and ivory; and it was gone—vanished! Save for the lamp the table was bare.
Everyone was silent for a minute. Then Filby said he was damned.
The Psychologist recovered from his stupor, and suddenly looked under the table. At that the Time Traveller laughed cheerfully. 'Well?' he said, with a reminiscence of the Psychologist. Then, getting up, he went to the tobacco jar on the mantel, and with his back to us began to fill his pipe.
We stared at each other. 'Look here,' said the Medical Man, 'are you in earnest about this? Do you seriously believe that that machine has travelled into time?'
'Certainly,' said the Time Traveller, stooping to light a spill at the fire. Then he turned, lighting his pipe, to look at the Psychologist's face. (The Psychologist, to show that he was not unhinged, helped himself to a cigar and tried to light it uncut.) 'What is more, I have a big machine nearly finished in there'—he indicated


text:
Savannah fugitive wanted for weapons and drug offenses
Updated: 4:38 PM EST Nov 30, 2016
SAVANNAH, Ga. (WJCL) -- Savannah-Chatham police are searching for a man wanted for multiple drugs and weapons charges after an incident on Oct. 20. Investigators recently encounteredv, 27, during a warrant service of another individual at a residence in the Frazier Homes neighborhood. Several stolen weapons and narcotics were recovered. Hills is charged with one count of possession of a firearm with an altered serial number, two counts of possession of marijuana, one count of possession of narcotics with intent to distribute, one count of possession of tools during the commission of a crime, three counts of possession of a firearm by a convicted felon and theft by receiving a stolen firearm. Hills is described as a black male with short hair standing about 5 feet 9 inches and weighing about 165 pounds. He is known to frequent the Frazier Homes neighborhood. Anyone with any information on Hills' whereabouts is asked to contact the SCMPD tip line by dialing (912) 525-3124.
SAVANNAH, Ga. (WJCL) -- Savannah-Chatham police are searching for a man wanted for multiple drugs and weapons charges after an incident on Oct. 20.
Investigators recently encounteredv, 27, during a warrant service of another individual at a residence in the Frazier Homes neighborhood. Several stolen weapons and narcotics were recovered.
Hills is charged with one count of possession of a firearm with an altered serial number, two counts of possession of marijuana, one count of possession of narcotics with intent to distribute, one count of possession of tools during the commission of a crime, three counts of possession of a firearm by a convicted felon and theft by receiving a stolen firearm.
Hills is described as a black male with short hair standing about 5 feet 9 inches and weighing about 165 pounds. He is known to frequent the Frazier Homes neighborhood.
Anyone with any information on Hills' whereabouts is asked to contact the SCMPD tip line by dialing (912) 525-3124.


text:
Categories: New HorizonsPlanet NewsPluto
There Are Winds Blowing On Pluto, Driven by Frozen Nitrogen
NASA's New Horizons spacecraft captured this image of Sputnik Planitia — a glacial expanse rich in nitrogen, carbon monoxide and methane ices — that forms the left lobe of a heart-shaped feature on Pluto's surface. SwRI scientists studied the dwarf planet's nitrogen and carbon monoxide composition to develop a new theory for its formation. Credit: NASA/Johns Hopkins University Applied Physics Laboratory/Southwest Research Institute
Earth and Pluto don't have much in common. Earth is a vibrant, living world, whereas Pluto is cold, distant and lifeless. But one thing they do have in common is nitrogen. Earth's atmosphere is about 78% nitrogen, and Pluto's primary atmospheric constituent is also nitrogen, although the exact percentage is unclear.
On Pluto, where the surface temperature is about 42 Kelvin (-231 Celsius) most of that nitrogen is frozen. A new study says that Pluto's frozen nitrogen drives the planet's winds, and shapes its feature surfaces.
Prior to NASA's New Horizons spacecraft arriving at Pluto, we didn't know much about the planet or its surface features. When the spacecraft arrived in July 2015, we were all surprised to find that Pluto was a much more active place than we thought. It's also when we first saw Tombaugh Regio, a large, lightly colored region on the surface of the planet.
The New Horizons team informally named Pluto's heart-shaped feature "Tombaugh Regio" in honor of astronomer Clyde Tombaugh, who discovered the dwarf planet. The bright expanse of the western lobe of Pluto's "heart" is informally called Sputnik Planum. Above left: Pluto's surface sports a remarkable range of land-forms that have their own distinct colors, telling a complex geological and climatological story. Credit: Courtesy NASA / JHUAPL / SwRI
Tombaugh Regio is a very strange place, to human eyes anyway. It has two large lobes that make it look like a heart, and astronomers sometimes call it the "Heart of Pluto." The western lobe is called Sputnik Planitia, and it features 6200 meter (20,000 ft) high mountains (Tenzing Montes, formerly Norgay Montes) made of water ice, and a vast plain covered in nitrogen ice.
This annotated image of the southern region of Sputnik Planitia illustrates its complexity, including the polygonal shapes of Pluto's icy plains, its two mountain ranges, and a region where it appears that ancient, heavily-cratered terrain has been invaded by much newer icy deposits. The large crater highlighted in the image is about 30 miles (50 kilometers) wide, approximately the size of the greater Washington, DC area. Credits: NASA/JHUAPL/SwRI
A new paper says that the vast nitrogen deposit in Sputnik Planitia drives Pluto's winds, and shapes the surface of the planet. The paper is titled "Pluto's beating heart regulates the atmospheric circulation: results from high resolution and multi-year numerical climate simulations." It's published in the Journal of Geophysical Research. The lead author is Tanguy Bertrand, an astrophysicist and planetary scientist at NASA's Ames Research Center.
"Pluto has some mystery for everybody."
Tanguy Bertrand, Lead Author, Ames Research Center
Most of Pluto's thin atmosphere is nitrogen, and there are also small amounts of carbon dioxide and methane. A vast amount of frozen nitrogen sits in Sputnik Planitia, and during the day, the temperature rises enough to sublimate it, turning it into vapor. At night, the process reverses, and the nitrogen freezes again, falling to the surface. Each time the cycle repeats, it acts like a pump, or a "heart-beat", pumping winds of nitrogen around the planet.
That wind flows in the opposite direction of the planet's rotation, and it may be responsible for unusual surface features on the planet. As the thin, nitrogen-rich wind blows along the surface, it transports heat, grains of ice and haze particles to create dark wind streaks and plains across the north and northwestern regions.
"This highlights the fact that Pluto's atmosphere and winds – even if the density of the atmosphere is very low – can impact the surface," said Tanguy Bertrand, an astrophysicist and planetary scientist at NASA's Ames Research Center in California and the study's lead author.
Hi Res mosaic of 'Tombaugh Regio' shows the heart-shaped region on Pluto and focuses on icy mountain ranges of 'Norgay Montes' and ice plains of 'Sputnik Planum.' The new mosaic combines highest resolution imagery captured by NASA's New Horizons LORRI imager during history making closest approach flyby on July 14, 2015, draped over a wider, lower resolution view of Tombaugh Regio. Inset at left shows possible wind streaks. Inset at right shows global view of Pluto with location of huge heart-shaped region in context. Annotated with place names. Credit: NASA/JHUAPL/SWRI/ Marco Di Lorenzo/Ken Kremer/kenkremer.com
The Sputnik Planitia region, or the left lobe of Pluto's heart, is lower elevation than the rest of the planet, and it harbors most of the nitrogen. Sputnik Planitia is a 1,000-kilometer (620-mile) ice sheet located in a 3-kilometer (1.9-mile) deep basin. The right lobe is mostly highlands and nitrogen glaciers.
The vast nitrogen ice plains of Pluto's informally named Sputnik Planum – the western half of Pluto's "heart". Image Credit: NASA/JHUAPL/SwRI
"Before New Horizons, everyone thought Pluto was going to be a netball – completely flat, almost no diversity," Bertrand said in a press release. "But it's completely different. It has a lot of different landscapes and we are trying to understand what's going on there."
To describe Pluto's atmosphere as thin is an understatement. It's about 100,000 times thinner than Earth's. So how does wind in an atmosphere that thin shape the landscape?
Bertrand's team took data from the New Horizons flyby of Pluto, and then built a weather forecast model to simulate the nitrogen winds.
The team found that winds above 4 km (2.5 miles) blow to the west, which is in the opposite direction of Pluto's spin. When frozen nitrogen in Tombaugh Regio sublimates into vapor in the north, then becomes ice again in the south, that movement triggers the westward winds. This situation is likely unique in our Solar System, with the possible exception of Triton, Neptune's moon.
The researchers found another wind current, too. This one is a strong, fast moving wind close to the surface. It blows along the western edge of the Sputnik Planitia basin. There are similar wind patterns on Earth, that follow the contours of the landscape.
Just 15 minutes after its closest approach to Pluto on July 14, 2015, NASA's New Horizons spacecraft looked back toward the sun and captured a near-sunset view of the rugged, icy mountains and flat ice plains extending to Pluto's horizon. The smooth expanse of the informally named Sputnik Planum (right) is flanked to the west (left) by rugged mountains up to 11,000 feet (3,500 meters) high, including the informally named Norgay Montes in the foreground and Hillary Montes on the skyline. Image Credit: By NASA/Johns Hopkins University Applied Physics Laboratory/Southwest Research Institute. Public Domain
The wind is driven by the nitrogen vapor condensing back into ice, according to the study. The high-elevation cliffs of Sputnik Planitia traps cold air inside the basin. As it circulates there, it becomes stronger.
If Pluto's nitrogen heart-beat is driving these winds, they might explain the wind streaks and dark plains west of Sputnik Planitia. If the winds bring enough heat to warm the surface, that could cause the streaks and plains. Or it could deposit particles of haze, which can darken and erode the ice. And if the wind blew in the opposite direction—meaning in the same direction as Pluto's spin—the landscapes could be very different.
A digital elevation model (DEM) of Sputnik Planitia. Image Credit: Bertrand et al 2020
A simple geological map showing bright N2 ice plains (red), dark N2 ice plains (blue), mountains and hills lining the western rim of Sputnik Planitia (green), and bright pitted uplands of east Tombaugh Regio (cyan). Yellow line maps the continuous boundary between the bright and dark plains, as well as the northern boundary of the bright pitted uplands. Black box indicates the location of features in Sputnik Planitia interpreted as wind streaks, as mapped in purple in the inset. Blue box and white arrows indicates the location of dark troughs, possibly filled with dark materials. Image Credit: Bertrand et al 2020
A map of diurnal mean horizontal winds in Sputnik Planitia obtained with the researchers' Global Climate Model for July 2015 at 1000 m above the surface. Yellow line replicates the bright/dark boundary in the above geological map. Image Credit: Bertrand et al 2020.
"Sputnik Planitia may be as important for Pluto's climate as the ocean is for Earth's climate," Bertrand said. "If you remove Sputnik Planitia – if you remove the heart of Pluto – you won't have the same circulation," he added.
The most "famous feature" on Pluto is probably the bladed terrain. The bladed terrain are fields of skyscraper-sized, jagged land-forms made of primarily methane ice. They're found at high altitudes near the equator. Could they be an artifact of Pluto's beating nitrogen heart?
Pluto's bladed terrain as seen from New Horizons during its July 2015 flyby. Credits: NASA/JHUAPL/SwRI
In their paper, the researchers say "… during periods of equatorial accumulation of CH4 (methane) ice, the retro-rotation and the injection of cold N2-rich air from Sputnik Planitia could transport and push gaseous CH4 westward, so that it favors the accumulation of CH4 ice at the westernmost longitudes (that is, east of Sputnik Planitia) leading to the formation of the Bladed Terrain there."
They also say "… the ridges ("blades") of the Bladed Terrain deposits display a dominant N-S orientation, which could also originate in part from this peculiar atmospheric circulation regime."
For now, it seems uncertain if these nitrogen winds could cause the bladed terrain. But the team intends to try and find out. "In the future, we plan to further explore these ideas and investigate the processes leading to these longitudinal asymmetries and peculiar geological formations, by using high resolution long-term GCM simulations."
In their conclusion, the authors say "Our work confirms that despite a frozen surface and a tenuous atmosphere, Pluto's climate is remarkably active." Much more active than anyone probably thought.
New Horizons was unable to enter orbit around Pluto. That's difficult to do, and that was never its mission. NASA is considering a Pluto orbiter in the future, but in the meantime, everything we learned about the icy dwarf planet, we learned from a single fly-by. Even so, we learned enough to be intrigued, and to want to know more about this fascinating, mysterious world.
"Pluto has some mystery for everybody," Bertrand said.
Press Release: PLUTO'S ICY HEART MAKES WINDS BLOW
Research Paper: Pluto's beating heart regulates the atmospheric 2 circulation: results from high resolution and 3 multi-year numerical climate simulations
Universe Today: NASA is Now Considering a Pluto Orbiter Mission
Evan Gough
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Clean rapini. Cut and Boil the leaves and buds 4 minutes, then raise and conserve the water. Pour 3 tbsp of olive oil in a pan and place over medium heat. Stir fry the garlic, peeled and crushed, the chili flakes, and anchovies fillets. When the garlic is golden, baste with the white wine and cook until obtain a consistent cream. Finally, add the boiled leaves and buds. Stir fry over high heat 5 minutes more.
Cook the orecchiette into the water used to boil rapini following the instruction on the box. Raise the pasta "al dente" and pour it into the pan with the sauce and vegetables. Toss the pasta and sauté 3-4 mins over medium/high heat. Serve immediately very hot completing the dish with grated Pecorino.


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text:
Episode 1 - The Quatermass Experiment - Part One
BERGCAST finally crashlands somewhere near Croydon with its inaugural episode, first of a two-part exploration with performer, writer, broadcaster and author of an upcoming Quatermass book, Toby Hadoke.
For gallivanting reasons, I couldn't make the recording session, so Jon and Toby go ahead without me, and in this episode they explore what the deal is with Inspector Lomax and the Loch Ness Monster, whether a cast member's beef with a cat got the poor thing sacked from the production, and whether everyone really came out and took a bow at the end of "State of Emergency".
I find The Quatermass Experiment pretty haunting. It's not the show that was broadcast – it's a fragmentary copy of it. To see the original drama, you would have had to have been there in 1953, watching the actors play live. This is only the result of a camera pointing at the TV. In a sense, it's not a recording of the programme, it's a recording of the experience of watching the programme. It's largely lost to memory. It'd take a miracle to be able to see the rest of it, and it's gradually on its way to leaving the preserve of living memory. More or less everyone significant involved in its making is gone. We're watching a blurry facsimile of the work of the dead. It's a ghost of television.
But it's also really great. I suppose an expectation that something from 1953 is going to be a bit rubbish by modern standards, but really, no. Kneale's writing is poetic. It is alive, it is alive.
You can listen to BERGCAST here, at the BERGCAST site, and, when all the pings happen and contact has been established, via iTunes.
Posted by howard david ingham at 12:00
Labels: bbc, BERGCAST, the quatermass experiment, toby hadoke
Episode 3 - The Quatermass Xperiment (1955)
Episode 2 - The Quatermass Experiment - Part Two
© 2019 Jon Dear, Howard David Ingham. Simple theme. Powered by Blogger.


The main crops grown for export are cotton and rice.
The lazy dog always sleeps on the couch when everybody is trying to watch TV.
He had a bad cough today.
Those expensive jewelry in the shop was stolen last night.
He likes to frighten his sister behind her.


Spring time is almost upon us. It's a time when we can all feel a little extra bounce in our step, the weather is starting to improve and there's of course that positive vibe that we are coming out of those long winter months. However, with every positive there must be a negative, and so with the turn of the season comes the increase in tick population. In the state of Colorado, if you're a fan of turkey hunting, then you might want to read this article.
The arrival of spring also means the Colorado turkey season is not far off. In fact it opens on April 9 this year.And turkey season marks the peak of tick season. And ticks and turkey hunting go together like Guinness in a green mug. If you're going turkey hunting this spring you will definitely find ticks. Or rather, they will find you.
It is of course, not just this western U.S state that needs to be on 'tick alert'. Throughout the United States, ticks are a common problem.
As the video explains, it's very concerning how the expanse of the tick population is growing. With higher populations, come the increase in tick borne virus such as Lyme Disease or Rocky Mountain Spotted Fever.
Tick borne disease is also much farther afield and can effect animals as well as humans. A recent warning has been issued to dog owners in the United Kingdom to be aware of a fatal tick borne illness, that could have devastating consequences.
Dog owners are being alerted to a deadly tick-borne disease that has been found in the UK for the first time. According to reports, one dog has died and several have been taken seriously ill after contracting babesiosis, caused by a parasite carried in the ticks.
No matter where you are on this huge planet, protect yourself from the tiniest of creatures. Take control of ticks that may be lurking near your home, not only for your sake but for the sake of your four legged friends too.


«We need AT LEAST an list of phones that will get ARCore in the future.». Exactly.
I really hope that this time they go the route of «feel free to try, we just tel you every time, that it isn't officially supported». It will be at least 1.5 years before I'm buying another phone, likely more. So if the apps release and I can't use them, my interest will have died before I even get to try it. If on the other hand I get to try it, but it falls short due to hardware limitations, it keeps the interest active and might result in an earlier hardware upgrade*. Win-Win for Google and manufacturer.
It depends what you're trying to do. Vuforia is more focussed on tracking images and objects and is cross-platform. They've also announced that they will support ARCore and ARKit — and currently support Hololens, Tango and other HMDs.
Have been hunting round for the codebase to do this — ideally to use vuforia to identify the tracking object, then spawn an object using arcore at that position. Then I don't have to worry about keeping some of the detail from the object in view.


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A Sourcebook for Helping People with Spiritual Problems
Brand: Lightening Up Press
Emma Bragdon
People in spiritual crisis-e.g. disoriented by psychic experiences, or direct communication with disembodied spirits, or re-evaluating their religious beliefs-have been perceived as mentally ill by healthcare professionals who are not knowledgeable about spiritual evolution. This Sourcebook gives comfort and direction to both people struggling to understand powerful inner experiences, and those who care for them. Since 1990, the text has also been used in graduate schools of Transpersonal Psychology, to increase the spiritual competency of psychologists. It is one of the first books to articulate the difference between symptoms of mental illness and signposts of spiritual or religious problems. The first edition of this book was published in 1988 under the title A Sourcebook for Helping People in Spiritual Emergency. Emma Bragdon, Ph.D., is an internationally-acclaimed author, teacher, film producer, and psychotherapist. She is the Director of Spiritual Alliances, LLC, an educational corporation. . www.emmabragdon.com Dr. Bragdon also wrote: The Call of Spiritual Emergency: From Personal Crisis to Personal Transformation, Spiritual Alliances: Discovering the Roots of Health at the Casa de Dom Inacio, and Kardec's Spiritism: A Home for Healing and Spiritual Evolution.
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SOURCEBOOK OF PROBLEMS FOR GEOMETRY COPYRIGHT 1993
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The Genealogist's Companion and Sourcebook (Genealogist's Companion & Sourcebook)
Pompeii: A Sourcebook (Routledge Sourcebooks for the Ancient World)


Fables For The Holy Alliance. Fable Viii. Louis Fourteenth's Wig.
What's to be done, to help the farce on?
And, with a cry of Magnifique!"
After some plans proposed by each.
In which the Duke (who, bless his Highness!
To bear that name--at least in France.
Of the true Faith, extremely tender.
Which, if at Paris got up well.
In full costume, was sure to tell.
"The worst Quadrille-set now alive.
"A queue-de chat with JUSTICE BAILLY!
"To please the little Duc de Bordeaux!"
As truly worthy the Grande Nation.
And formed alike to awe or witch.
"And tells in every hair their story.
"A relic, so beloved, sublime!
"Of Kingly Right can France demand?
"To guard it, while a curl shall stand?
"In Wigs--if not in weightier matters.
"We have conceded the New Friz!
"Can men, can Frenchmen, fear the fray?
"Cry Vive la Guerre--et la Perrugue!"


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text:
alive. Besides being a first-rate writer, musician, theatre thespian, educationist, philosopher, humanist and
Download "alive. Besides being a first-rate writer, musician, theatre thespian, educationist, philosopher, humanist and"
William Williamson
1 Abstract: Rabindranath Tagore was a versatile personality who dominated the literary world till he was alive. Besides being a first-rate writer, musician, theatre thespian, educationist, philosopher, humanist and an administrator, he was above all a patriot. To this date he remains the maiden Indian recipient of Nobel Award for Literature. His Gitanjali won him this international recognition in As a man of letters, he was par excellence. He tried and succeeded in all forms of writing, both fictional and non-fictional. He was a poet, dramatist, novelist, short story writer, scriptwriter and an essayist too. Though his fame rests on his poetical works, he was a prolific playwright too. Chapter I: Introduction to Indian Drama. The first chapter of the research topic deals with survey of the Indian English Drama. In this chapter the brief history of Indian English Drama is surveyed. It shows the rich and colourful tradition of drama in India since the Vedic period to Sanskrit drama. The beginning of drama in Vedic periods from the ancient times to Sanskrit drama and from preindependence drama to post-independence and till contemporary drama. It contains brief chronology of regional drama too. In this chapter, the research scholar has given the chronological growth of drama from Bharatmuni's "Natyashastra" to the contemporary dramatist. The chapter contains information about the characteristics of the hero or Neta of the drama. It also informs about the Rasas and emotions known as Navrasas given by Bharatmuni. The chronological study of Sanskrit drama of Kalidasa, Bhasa, Bhavbhuti is shown in the present chapter. It also gives information about the structure of Sanskrit drama and the Sutradhara. The chapter also has information about the growth of Indian folk drama. It also includes the development of Indian regional drama, the emergence and growth of drama in every state of India. It's structure and their recognition in every state. It has shown the disappearance of the drama during Mughal period and again it's rise in the British rule. After the rise of regional drama and the British rule there started the tradition of Indian English drama. The chapter has shown chronological and conceptual growth of English drama in India. The plays of the beginning period were of mythological themes. The pre-independence drama deals with
2 the social issues related to independence movement later on it's concepts changed to social issues like feminism, industrialisation etc. The chapter shows in brief the chronology of English drama from the first English drama in India of Madhusudan Michael Dutt's "Is This Called Civilization" in 1871 to Aurobindo's Savitri, Tegore's mythical and legendry plays. T.P. Kailasam to A.S.P. Ayyer and Harindranath Chattopadhyaya. Chapter II: Rabindranath Tagore and His Contribution to Indian Writing in English This chapter is an honest attempt to highlight Tagore's dramatic output. In this chapter there is a biographical sketch of Rabindranth Tagore, his family background. It has depicted his versatile personality as a writer, painter, musician, theatre thespian, educationist, philosopher, humanist and an administrator. It gives the graph of growth of Rabindranath Tagore as a writer. Rabindranath Tagore the well-educated and well cultured personality of India. He is the first Asian to win the Nobel Prize for literature. The chapter gives the historical, social background of the era in which Rabindranath Tagore born & brought up. It's effect on his thinking and writing. It's impression on the mind of Rabindranath Tagore. As a writer Rabindranath Tagore has practiced every genre of literature. He had perfectly and artistically tried in poetry, novels, short stories, essay, drama and miscellany. The chapter shows detailed study of Tagore as a literary person. There is a description of Tagore as a novelist and short story writer, as an essayist, as a dramatist. The chapter includes the categorical divisions of Tagore's plays as well as his contribution in the dramatic devices like music, stage, actor etc. Tagore was not only the playwright but he also had shown his talent as a stage director, music director, painter. The chapter has thematic summarization of his plays. His plays shows humanity and spirituality in it. Rabindranath Tagore has depicted woman as a human being in almost his all plays. His many plays deal with mythical and legendry themes. His plays shows every person as a human being whether it is a King or a Queen or Chandal girl. He has presented the mythical figures too as a person having human emotion and fear of society.
3 The chapter has shown Rabindranath Tagore's literary career in chronological order and his contribution to Indian English writing specially to Indian English Drama. Chapter III: Assertion of female self in his Mythical Plays The study has divided Rabindranath Tagore's plays in mythical and legendry plays. The present chapter deals with mythical plays. The plays selected in this chapter are Chitra, Gandhari's Prayer and Karna and Kunti. The chapter gives various definitions of myth by the various authors and thinkers. It has given the survey of mythical plays written by various writers like Aurobindo and others. The chapter has included the study of characters from the above said plays. Rabindranath Tagore is the most important playwright who used myth in his plays successfully. Here is a description of many of his mythical plays. He has used myths from Ramayana, Mahabharata, Vishnupurana and other myths. The chapter studies the assertions of female self in Chitra, Gandhari's Prayer and Karna and Kunti. In this plays he has depicted woman as a human being. Chitra is an exposition of feminism. He has depicted Chitra as a woman who proves herself as a companion of Arjuna. She stands a modern new woman who strives for her own image as a self-reliant personality. The chapter studies another mythical play by Rabindranath Tagore is Gandhari's prayer. In this play too Tagore has used the myth from Mahabharata. IN this play too Tagore has depicted the strong and firm character of Gandhari, who can't do injustice towards Pandwa's for the sake of her own son's love. She tries to stop her son Duryodhana from his misdeed and misbehaviour. Though she had forced herself to be blind, but she had not closed her inner eyes, her inner soul was not blind. She is the mother as well as the queen mother for whom her subject is like her own son. Here she strongly opposed to her own son & husband for justice. The third mythical play understudy is Karna and a Kunti. It too is myth from Mahabharata related to Karna's birth. In this play Tagore has depicted mother and son relationship. In this play Tagore has depicted Kunti as a woman and a mother who for the fear of society has abandoned her own son. After recognizing Karna as her own son she can't stop herself from meeting him.
4 The chapter shows the equal thread of womanhood in all these three plays. In all these three plays the protagonists are woman who for the justice rises themselves as a human being. Chapter IV: Assertion of Female Self in his Legendary Plays This chapter deals with the study of female self in legendry plays. Tagore was deeply influenced by Buddhism. He was born in a period of revival of non-violence told and taught by Lord Buddha. Tagore's family was too impressed by Buddhism. The chapter has included the historical background of the era in which Rabindranath Tagore lived. The chapter has shown influence of Buddhism and it's message of love and forgiveness on Rabindranath Tagore. He was impressed by the human side of Buddha's personality. Buddhist literature has a permanent trace on him. The chapter gives thematically summarization of his legendary plays. Tagore has studied many Buddhist legends and found one common thing that is Buddhism has given identity and awakened the self of downtrodden persons of the society. As per Buddhism every person is equal and same to the nature so he should be treated equally by human being too. Tagore has adopted many Buddhist legends for his plays like Malini, Chandalika,Natirpuja, Mukta Dhara, Sacrifice, Red oleanders etc. Presented study has selected his Chandalika and Natir Puja as a legendry plays. The plays understudy has it's protagonists Prakriti and Srimati, the downtrodden girls who are neglected and ignored by the society. The plays Chandalika gives the journey of a Chandal a girl as an awakened woman who for her self-desire follows the wrong ways but again she awakens her soul and intellect and reaches to the boundary of noble spirited human being. Another play understudy is the story of a Nati a dancing girl, Srimati who at the cost of her life lights the lamps at the stupa. Here too Tagore has depicted the crisis between the mother and queen mother. Srimati is a slave girl who is a dancer at the court of the King. She gets the chance to lit the lamps at the Stupa because of her own qualities. She performs her duty by accepting the death. It makes her immortal in the history.
5 This chapter shows how these common and downtrodden, untouchable girls became immortal and legendry figures by their dedication and self less service. Here Tagore has not shown them as a woman only but he depicted them as a woman who can raise questions for their own identity. Chapter V: Conclusion This is concluding the chapter. Here the scholar has concluded his study on the topic. It includes the study of Tagore as the dramatist. It also has thrown light on Tagore's Nobel wining Gitanjali The present chapter has reviewed all the four previous chapters. It deals with the relevance of the study of Tagore's plays on the perspective of female characters. He is the first Indian writer who had depicted Indian woman as a human being. He had shown them not as a meek, dumb and humble but has presented them with a new and intellectual personality. His heroines are as equal as his hero's are. The chapter comparatively shows how these plays have shown his heroines as strong and much bold woman who may deny the social bindings to get their goals. The chapter has a comparison between all his heroines understudy. It also has shown how Rabindranath Tagore has portrayed the image of a new woman before hundred years from today when the woman was considered as a slave of the man. After independence there came a drastic change in the status of a woman. She is supposed equal to man. She started to perform all her duties as his companion she got her own identity. She is ready to do any sacrifice to get her aim as the heroines of Rabindranath Tagoer's plays. He had depicted these figures before hundred years but they seems like today's woman, eager to get her identity, her respect, ready to work hard for her aim and goal. The picture of a woman depicted by him before hundred years is coming in reality today.
CHAPTER-I INTRODUCTION. Education is the basis of human life. Development and progress
CHAPTER-I INTRODUCTION Education is the basis of human life. Development and progress of man depends on education. Education also constructs personality and beautifies it. A child conducts himself like
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