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You are here: Home / Orchestra / Festivals / Schools / Performings Arts / Frederica von Stade and Marnie Breckenridge Join Faculty of San Francisco Conservatory of Music
Frederica von Stade and Marnie Breckenridge Join Faculty of San Francisco Conservatory of Music
December 2, 2018 Comment Off 13 Views
Frederica von Stade and Marnie Breckenridge
Join Faculty of San Francisco Conservatory of Music
SAN FRANCISCO, CA – The San Francisco Conservatory of Music (SFCM) today announces the appointments of mezzo-soprano Frederica von Stade and soprano Marnie Breckenridge to its faculty. Von Stade, a longtime friend of the Conservatory and honorary doctorate recipient, will take on coaching responsibilities within SFCM's voice department, and Breckenridge, an alumna (class of '96), will lead a private studio.
"I am honored to welcome Frederica von Stade and Marnie Breckenridge to our faculty," says SFCM President David H. Stull. "Flicka and Marnie are valued colleagues and friends who have been associated with the Conservatory for many years. We are ecstatic to welcome them officially to our faculty and I know they will both serve as outstanding models, teachers, mentors, and advocates for our students."
"It has been a great joy to be a part of the Conservatory family for many years as an admirer and cheerleader," says Frederica von Stade. "So, I am thrilled to join the faculty and have the joy of coming to work in one of my favorite places. I am most thrilled at the prospect of helping any young artist enjoy a career as much as I have enjoyed my own. I am grateful and excited."
"Moving back to the Bay Area recently from New York, I reached out to SFCM about getting more involved in giving back to my alma mater when home from operatic singing engagements," says Marnie Breckenridge. "I'm deeply honored to be able to help guide singers who are just beginning this amazing journey of voice, spirit, and discovery. I endeavor to shepherd them to efficiently gain a solid understanding of their technique and what they have to say as artists in this ever-changing, fast-paced world of opera and classical singing. It's astonishing how polyphonic SFCM has grown in its scope and vision and I'm so thrilled to be part of the mix."
Recognized as one of the most beloved musical figures of our time, Frederica von Stade is well known to audiences around the world through her numerous featured appearances on television, including several PBS specials and Live from Lincoln Center telecasts. She has made over sixty recordings with every major label, including complete operas, aria albums, symphonic works, solo recital programs, and popular crossover albums. Her recordings have garnered six Grammy nominations, two Grand Prix du Disc awards, the Deutscher Schallplattenpreis, Italy's Premio della Critica Discografica, and Best of the Year citations by Stereo Review and Opera News. Von Stade was awarded France's highest honor in the arts when she was appointed as an officer of L'Ordre des Arts et des Lettres, and in 1983, she was honored with an award given at the White House by President Reagan in recognition of her significant contribution to the arts. She received an honorary doctorate from the San Francisco Conservatory of Music in 1993.
American soprano Marnie Breckenridge is recognized internationally for her passionate interpretations of roles in standard repertoire and contemporary works. She has been praised by the New York Times for her "lovely soprano," and the Chicago Tribune has noted her "achieving both lyrical poignancy and dramatic power." Breckenridge has performed with leading opera companies and at major festivals including English National Opera, LA Opera, Prototype Festival, Fort Worth Opera, Glyndebourne Festival, Bard Music Festival, Ravinia Festival, and San Francisco Opera, among others. She has also performed with orchestras across the United States including the San Francisco Symphony and Pacific Symphony, and at Carnegie Hall. Breckenridge is a featured soloist on the 2012 New World Records album of Victor Herbert songs and recently made her European and Asian debuts as Cunegonde in Candide. She received SFCM's "Alumni of the Year" award in 1993.
About the San Francisco Conservatory of Music
Founded in 1917, the San Francisco Conservatory of Music (SFCM) is a global destination for musical excellence, earning an international reputation for producing musicians of the highest caliber. Located in the heart of San Francisco's Civic Center, SFCM's faculty includes nearly 30 members of the San Francisco Symphony as well as Grammy Award-winning artists in fields ranging from orchestral and chamber performance to classical guitar. The Conservatory offers its 400-plus collegiate students fully accredited bachelor's and master's degrees and professional diplomas in composition and instrumental and vocal performance, as well as in newly established, groundbreaking tracks such as Technology and Applied Composition and Roots, Jazz, and American Music. SFCM's collaborations with major Bay Area arts presenters, including the San Francisco Symphony, Opera, Ballet, and SFJAZZ Center, present an unprecedented learning environment for Conservatory students to engage with the world's leading artists. The Conservatory's relationships with Sony Playstation, Skywalker Sound, and other Silicon Valley companies also offer unique opportunities that reinforce the institution's innovative curricular approach in artistic, intellectual, professional, and individual development, a connected learning sequence that gives students an education for life. SFCM's collegiate and Pre-College students have appeared at such storied venues as Carnegie Hall and Davies Symphony Hall and have performed on national radio programs including NPR's Live from Here and Performance Today. Notable alumni include violinists Yehudi Menuhin and Isaac Stern, conductor and pianist Jeffrey Kahane, soprano Elza van den Heever, the Naumburg Award-winning Telegraph Quartet (on faculty as SFCM's Quartet-in-Residence), Blue Bottle Coffee founder James Freeman, and Ronald Losby (President of Steinway & Sons – Americas), among others. For more information, visit sfcm.edu.
SAN FRANCISCO CONSERVATORY OF MUSIC
50 Oak Street, San Francisco, CA 94102
Contact Us | Map | 415-864-7326
and one hour prior to performances
In : Orchestra / Festivals / Schools, Performings Arts
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Laredo Theater Guild International presents Disney's Beauty and The Beast, the Broadway Musical live on stage at the Laredo Community College, at the Guadalupe and Lilia Martinez Fine Arts Center Theatre.
Disney's Beauty and the Beast is directed by Vernon Carroll & Daniel Castillo and produced by Karen Mejia & Linda Lopez Howland. The performances will be held at the Guadalupe and Lilia Martinez Fine Arts Center Theatre, West End Washington St. Laredo, Texas. Tickets are available at Blue Top Reprographics, Primped, The Style Bar, and online.
$15 Senior Citizens, Children, Students With ID.
All tickets are for open seating. In the event of a sold out show, available seats will be released by 10 minutes before curtain.
For more information email LTGI at laredotheaterguild@gmail.com or call LTGI at (956) 319-8610
DISNEY'S BEAUTY AND THE BEAST Is presented through special arrangement with Musical Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.MTIShows.com
Co Director
Vernon Carroll - Co Director
A native Texan, Vernon Carroll has an undergraduate and master's degree in theatre from Southwest Texas State University (Texas State University). After teaching at Oliver Wendell Holmes High School in San Antonio, he went to Louisiana State University, Baton Rouge. While working at LSU as a scene designer and technical director, he received a design award from the American College Theatre Festival at the Kennedy Center in Washington, DC. Mr. Carroll then went to Appalachian State University as Director of Technical Theatre and Producing Director of the Appalachian Young People's Theatre, spent five seasons as a scenic and lighting designer in Charlotte, North Carolina, then returned to teaching at the Northwestern State University of Louisiana, at Natchitoches. In 1994, Mr. Carroll came home to Texas, where he is Dean of Theatre at the Vidal M. Treviño School of Communications and Fine Arts. Mr. Carroll was the Director for You're a Good Man, Charlie Brown, at the VMT. Mr. Carroll also directs shows for Laredo Theater Guild International such as Fame, West Side Story, Beauty and the Beast, Oliver, The Wiz, The Sound of Music, Annie, Doubt, Agnes of God, The Tragedy of Macbeth, The Crucible, Hairspray, and Shrek The Musical. When not directing, he also serves as Advisory Director for LTGI and can sometimes be found onstage, playing such roles as President Hochstader in The Best Man, President Roosevelt in Annie, or Colonel Pickering in My Fair Lady. Mr. Carroll is a co-founder and President Emeritus of Laredo Theater Guild International. He is married to Dr. Mary Grace Carroll, Director of Piano Studies at VMT. They have two children, Patrick, a musician and theatre artist, and Kathryn, a dancer, musician, actress and student of theatre at Texas State University.
Daniel Castillo - Co Director
This Year Daniel Begins His Tenure As Martin High School's Theatre Arts Director. He Previously Taught Theatre Arts At Memorial Middle School Where For The Past Ten Years, He And His Students Built A Highly Successful And Award-Winning Theatre Program. Daniel Is Proud Of All His Students Both Past And Present Who Are A Part Of This Year's Class On Stage Production! A Midsummer Night's Dream was Daniel's Third Class On Stage Project. He Has Served On The LTGI Board Since 2014; However, His Backstage Roots With LTGI Go Back To 2007 When He Stage-Managed His First Show, Oliver! His Other Stage Managing Credits Include The Wiz (LMTI), The Best Man (LTG), Man Of La Mancha, The Sound Of Music, Annie, Steel Magnolias, Hairspray, Bless Me Ultima, Shrek (LTGI), And Teatro Chicano De Laredo's Original Production Of Isaura And The Virgin, For Which He Also Was The Assistant Director. Additional Backstage Credits Include The Diary Of Anne Frank (LTGI), Sound Work ForThe 39 Steps (LTGI), And Light Design For VMT's Inaugural Musical Production, You're A Good Man, Charlie Brown. Daniel Would Like To Thank His Mentor, Mr. Vernon Carroll For His Guidance And Inspiration Throughout The Years. He Gives His Most Special Thanks To His Parents, Roberto And Gloria Castillo, For Their Invaluable Love And Support.
Linda Howland
Linda Howland - Producer
Linda López Howland is happy to return the creative team as a producer for Disney's Beauty and the Beast. She was thrilled to have co-produced the 6th play in the Class on Stage Series, LTGI's production of Shakespeare's Midsummer Night's Dream last fall. Always interested in the performing arts, her involvement in Laredo's theater community began years ago as a volunteer at her daughter's various theatrical performances. Linda's theatrical relationship started with her debut as Alice Russell in LTGI's season opener of Gore Vidal's The Best Man in 2008. Since then, she has remained active with LTGI in such supportive roles as Assist Producer of Man of La Mancha (2009) and Bodas de Sangre (2012). Linda was the Producer of Doubt (2010), Agnes of God (2011) and The Foreigner (2011); Shrek, The Musical (2015); The Diary of Anne Frank (2015) and as Costumer on Shakespeare's The Taming of the Shrew (2010). Additionally, she played the roles of M'Lynn in LTGI's Steel Magnolias (2013) and Lady Macduff in Shakespeare's Macbeth (2011) and Sis in Last Lists of My Mad Mother (2010). – You could say she followed in her daughter's footsteps! A native Laredoan, Linda loves her community, its people, and its unique culture. She currently serves on the board of LTGI as President; she is a past president of the Children's Advocacy Center, past president of The Luncheon Club, and is a member of the Society of Martha Washington. In fact, in 2017, Ms. Howland and her husband, Doug, will portray Martha Washington and General George Washington for the 120th Washington's Birthday Celebration. She is a graduate of the Leadership Texas Program; is a charter member of the Leadership Laredo Program as well as a member of the first ever class of Leadership Laredo. A graduate of the University of Texas at Austin, she has been an active real estate broker for the past 29 years. Linda and her husband, Doug have two children of whom they are immensely proud. To the young actors in the cast, she would like to say "Believe in the process that is theatre; it is a journey, and the life skills you develop as a result, will stay with you the rest of your life."
Karen Mejía is the Financial Director of The Blue Top Companies, providing land surveying and printing services in South Texas. Beauty and the Beast will mark the fourth time she serves as producer. Previously, Karen served as producer for A Midsummer Night's Dream for the LTGI Class on Stage Series. She has also produced The Crucible and The Diary of Anne Frank. She served as Assistant Producer for Steel Magnolias and Hairspray and as Costumer for Shrek The Musical. A lifelong Texan, she was graduated from The University of Texas at Austin with a major in History. Karen moved to Laredo 23 years ago and married the wonderfully incredible Deacon Henry Mejía. Together they have three talented children: Sarah, a Junior in the Mighty Longhorn Band at United High School; Miguel, a Freshman Business major here at Texas A&M International University; and Alejandro, a Junior Physics and Electrical Engineering major at The University of Texas at Austin.
Marco González
Marco González - Artistic Director
Robert López
Robert López - Musical Director
Cristina Greco
Cristina Greco - Choreographer
Dr.Gilberto Martinez
Dr.Gilberto Martinez - Stage Manager
William Hauserman
William Hauserman - Technical Director
Teena Arciniega
Teena Arciniega - Costumer
Carolina Lozano
Belle - Carolina Lozano
Carolina Lozano (Belle) is excited to return to the stage in a leading role with LTGI after her last performances in A Midsummer Night's Dream as Hermia and The Who's Tommy. Carolina is no stranger to the arts, as she is an accomplished pianist and singer who has dedicated her heart and soul to music through study and dedicated practice for over eighteen years. She wishes to thank her family for their unconditional support and the LTGI team for giving her the amazing opportunity to bring Belle's spirit and compassion to life on stage.
David Smestuen
Beast - David Smestuen
David G. Smestuen is new to musical theater and Beauty and the Beast is his first LTGI production. David's past theater experience includes the United States Naval Academy's productions of A Streetcar Named Desire (Stanley Kowalski), Our Country's Good (Arthur Phillip/Robert Sideway), and 27 Wagons Full of Cotton (Silva Vacarro). David returned to Laredo earlier this year after completing 9 years of service in the United States Marine Corps. His BBQ restaurant, Old Timers Cowboy Kitchen, will be opening in Laredo this summer.
Roel Rivera
Maurice - Roel Rivera
Roel Rivera is a singer/songwriter/performer from Laredo, Texas. Roel's past theatre experience includes: LLT's Jesus Christ Superstar (Caiaphas), LTG's Tommy (Uncle Ernie) and LLT's A Charlie Brown Christmas (Schroeder). Roel is honored to take on the role of Maurice in this year's LTG's Beauty and the beast. He dedicates his performance to his wife, daughter and mother whom he loves and who support him in all his endeavors on and off of the stage.
Geoffrey Blomquist
Gaston - Geoffrey Blomquist
Geoffrey Blomquist (Gaston) is currently a junior at United South High School and is very honored and humbled to be making his debut with the Laredo Theatre Guild International. He has previously starred in other shows inside school including Anne Frank and Me (Jack/Jacques), Arsenic and Old Lace (Officer O'hara), The Boys Next Door (Jack), and Over the River and Through the Woods (Nick). He had his first taste of community musical theatre in 2015, and since then has starred in The Lion King Jr. (Ensemble Prideland cast), Into the Woods Jr. (The Baker), and Aladdin Jr. (The Magic Carpet.). He sincerely cannot thank everyone enough for being a big part of his life and shaping him into the fine young man he is becoming. He is so delighted to now be working with LTGI alongside many many talented individuals to bring to life this production of Beauty and the Beast.
Adrian Tristan
Lefou - Adrian Tristan
Adrian A. Tristan (Lefou) is an incoming 9th grader at United High School. He is excited to be performing in his 2nd production with LTGI. Previous theatre experiences includes The Who's Tommy (Young Tommy), Lion King Jr. (Zazu), The Marvelous Playbill (Chanfalla), Cyrano de Bergerac (Cavalier), and The Taming of the Shrew (Luciento) . This past school year, Adrian received recognition as "Best Actor" through his UIL One Act Play. Adrian would like to thank his parents, sister and entire family for their unconditional support. He is extremely grateful to be given the opportunity to work with Mr. Vernon Caroll and the wonderful production team from LTGI.
Monsiur D' Arque
Luis Antonio Diaz
Monsiur D' Arque - Luis Antonio Diaz
Luis Antonio Diaz will begin his final year at Texas A&M International University studying to become a High School English teacher. This is his first LGTI production. Luis' past theater experience consists of plays from his childhood to early adolescence with Peggy's Kids theater group including Wizard of Oz (lollipop guild munchkin), Cinderella (ensemble), Once Upon a Mattress (ensemble), Willy Wonka and the Chocolate Factory (Mr. Salt), Fiddler on the Roof (Fiedka) along with many other productions. Luis has extensive experience in music playing the saxophone and singing for the majority of his life.
Cogsworth
Cogsworth - John Maxstadt
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Erin Perez
Lumiere - Erin Perez
Erin Perez is currently a teacher at Nixon High School where he teaches Sophomore English and coaches UIL Spelling and serves as Assitant-Director for UIL One Act Play. With talents ranging from percussion, singing and dancing, Erin lets loose through theater, and he craves the spotlight. After his inaugural role as Cousin Kevin in LTGI's production of Tommy, and being named Assistant-Producer for Real Women Have Curves, he is ready to return to the stage as Lumiere for Beauty and the Beast. Erin is always waiting for the next big role, and he is more than humbled by this amazing opportunity.
Allie Howland
Babette - Allie Howland
Allie Howland (Babette) is a graduate of Trinity University, where she earned a B.S. in Business Administration with a concentration in Marketing. She is excited to return to the LTGI stage, having performed in past LTGI musicals such as The Wiz (Yellow Brick Road), The Sound of Music (Louisa), Annie (Ronnie Boylan), and Hairspray (Dynamite). No stranger to the stage, Allie has been involved in theater since the age of 11, and has recently gained production experience serving as Assistant Producer for The Who's Tommy and A Midsummer Night's Dream. Allie serves on the LTGI Board of Directors, and is excited to participate in this production, onstage and off, as Babette and Assistant Producer.
Mrs. Potts
Kelly Hinojosa
Mrs. Potts - Kelly Hinojosa
This is Kelly Hinojosa second LTGI production and she is very excited to be a part of this cast! Her past theater experience includes The Merry Wives of Windsor (Mrs. Paige), Into The Woods (Little Red Ridinghood), and The Who's: Tommy (Hawker/Minister's Wife). Kelly has been a choir director at Memorial High School in McAllen, TX for 9 years and can't wait for year 10!
Nicolas Quiroga
Chip - Nicolas Quiroga
Nicolas Quiroga is a 4th grader at Col. Santos Benavides. He is a GT student and a member of the National Elementary Honor Society. Nico is in the school choir and was recently cast as Johnny James in the 1950's Rock and Roll musical, At the Bandstand. He plays flag football and is a Safety Patrol officer. Nico danced and made it to the top 5 in last year's City Women's Club Dancing with the Stars fundraiser. Nico is super excited to be portraying Chip in his first LTGI production.
Madame de la Grande Bouche
Madame de la Grande Bouche - Dana Crabtree
Operatic soprano Dana Crabtree's performances have been well received, both in America and in Europe. She has performed in numerous genres, from Broadway favorites such as Laurey in Oklahoma!, and the title role in Kiss Me, Kate, to operatic repertoire including Despina in Mozart's Così fan tutte and the title role in Donizetti's The Daughter of the Regiment. She has appeared locally in LTGI's Cinderella (Queen), Hairspray (Female Authority Figure), and God of Carnage (Veronica), as well as LLT's Noises Off (Belinda/Flavia), and LCC Opera Workshop's Once Upon a Mattress (Lady Larkin) and Into the Woods (Baker's Wife). Dana serves on the music faculty at TAMIU in the areas of voice, choir, and opera, and is mom to Nicholas and Lena Belle.
Silly Girls
Nichole Banchs
Silly Girls - Nichole Banchs
Nicole Banchs (Silly Girl, Wolf, and Spoon) is a recent graduate from United South HS. She will be attending Pace University in the fall, where she will continue to study and thrive in the Musical Theatre field. This is her second LTGI show, her first being Shrek the Musical. In high school, she was most recognized for her involvement in One Act Play where she starred in plays such as Leading Ladies, Arsenic and Old Lace, and Over the River and Through the Woods. Nicole is extremely grateful and would like to thank Michael, her parents, and friends for all their love and support.
Kathryn Carroll
Silly Girls - Kathryn Carroll
Kathryn Carroll (Silly Girl) is a senior at Texas State University majoring in Performance and Production. LTGI credits include: Shrek the Musical (Fiona), The Crucible (Mary Warren), Hairspray (Penny), Steel Magnolias (Annelle). She is a graduate of Nixon High School and the Vidal M. Treviño School of Communications and Fine Arts. Her senior year, the Nixon Thespian Society took Twelfth Night to the State UIL One-Act Play Competition where she received the Samuel French Award. For the past three summers, she studied with Tony Award winner Betty Buckley in Denver, Colorado. She also met Darren Criss at a Cuban restaurant.
Amy Gutierrez
Silly Girls - Amy Gutierrez
Amy M. Gutierrez (Silly Girl) is new to musical theater but is no stranger when it comes to performing. She has had experience in dance performance and acting since the age of 15, and is currently enrolled in Texas State University pursuing a B.F.A in Dance Studies. Amy is also a teacher assistant at Ballet Ecole dance studio, where she is a choreographer and teacher for children. Beauty and the Beast will be her first time involved in an LTGI production.
Stephanie S. Schnyder
Ensemble - Stephanie S. Schnyder
Stephanie Solis Schnyder, a veteran in Laredo's theatre community having worked, both as an actor and in production, with LCC's opera workshop, LLT, and LTGI under the direction of Dr. Joseph Crabtree, Vernon Carroll, Jose Flores, Marco Gonzalez among others. Stephanie's most recent roles are Claire Ganz (Rumors) and Mrs. Simpson (The Who's Tommy) led by her roles such as Edith Frank (The Diary of Anne Frank), Wicked Witch and multiple chorus roles (Shrek The Musical), Maria (Bless Me Ultima) and Marty (Grease), Ann Putnam (The Crucible) as part of Class on Stage, La Mujer de Leonardo (Bodas de Sangre), Antonia (Man of la Mancha), Sarah Brown (Guys and Dolls), Bobbi (Some Girls), Elaine (Arsenic and Old Lace), Lucy (Sweeny Todd: The Demon Barber of Fleet Street), Lily St. Regis (Annie), and among many others. She is the Choir Director at Lamar Middle School and the One Act Play UIL. Stephanie has also done backstage work as Stage Manager for A Midsummer Night's Dream and previously costumer for Little Shop of Horrors for LCC's Opera Workshop. Stephanie is excited to be part of Disney's Beauty and the Beast one more time, as just 10 years ago she was on this same stage with this same show under the direction of Vernon Carroll. What a great way to celebrate 10 years of working side by side with an amazing group of colleagues and friends of LTGI. Welcome and Be Our Guest!!!
Kiara Chinchilla
Ensemble - Kiara Chinchilla
Kiara Chinchilla is thrilled to be a part of this year's Beauty and The Beast! She is 10 years old and this will be her first ever on stage performance with LTGI. She aspires to continue to be involved in community theatre and the preforming arts community. She is also thankful for receiving the opportunity to work alongside such great talent in this production. She enjoys film making and singing in her spare time.
Ana Rubio
Ensemble - Ana Rubio
Ana Rubio-Lozoya is new to musical theater and also new to LTGI. She is 25 years old and was born and raised in Nuevo Laredo, Mexico. She is an 8th grade Math teacher at Lamar Middle School. She has experience in dance recitals since the age of 9 in her former dance academy Estudio de Danza Ambar back in Nuevo Laredo. Actually she is part of the choir Voces de San Agustin in Saint Augustine Cathedral here in Laredo.
Carolina Garcia
Ensemble - Carolina Garcia
Carolina Garcia is a psychology major/studio art minor at Texas A&M International University. She is also a 1st Holy Communion teacher at her parish San Luis Rey Church. This is Carolina's first LTGI production. Carolina's past theater experience include United High School OAP One Flew Over the Cuckoo's Nest (Sandy) and Lion King Jr. (Sextet). Carolina has also assisted with hair and make up for Into the Woods Jr. and Aladdin Jr.
Laysha Gonzalez
Ensemble - Laysha Gonzalez
Laysha Gonzalez will be an incoming freshmen student this upcoming school year at J.W Nixon High School and Vidal M. Treviño school of Fine Arts and Communications. This is Laysha's first time in an LTGI production. Laysha's past theater experience includes Lamar OAP Shut And Bar The Door (princess), and Hush Little Celia Don't Say A Word (Celia). Laysha mentions that having the opportunity to have worked with such great talent was a true honor, and she can't wait to bring magic to the stage!
Giselle Ruiz
Ensemble - Giselle Ruiz
Giselle Ruiz is a rising senior at Martin high.She attends the Health science magnet at Martin in hopes to become a paramedic. Her intrest in the medical field does not interfere with her love of the arts .She has been in various shows such as "Aladdin Jr. ", "Greek Myths ", "Everyman" ,"Life's A Dream", "and her latest show "Hush little Celia ". This will be her first time acting with LTGI productions.She is also part of the Glee Club at Martin High. She wants to thank Mr.Castillo for always believing in her and introducing her to a beautiful aspect of life and also her drama members for giving her a second family.
Sophia Alonzo
Ensemble - Sophia Alonzo
Sophia Alonzo is honored to be a member of the ensemble. She began her theatrical journey when she was in the 5th grade, and over the years, she has been cast in some amazing theatrical productions, including Cinderella, Hairspray, Grease, Bye Bye Birdie, Romeo and Juliet, Shrek, Hamlet, Aladdin Jr., and most recently, Real Women Have Curves. This fall, Sophia will attend Columbia College Chicago where she will study musical theatre. Sophia would like to thank LTGI for giving her the opportunity to be a part of this production. Sophia would also like to thank all those who have been instrumental in helping her to fulfill her dream.
Mariela Molano
Ensemble - Mariela Molano
Having previously assisted LTGI behind the scenes, Mariela Tiu Molano is thrilled to be on stage participating in the ensemble. She is a fifth grader at Colonial Santos Benavides Elementary who is not only creative but also extremely athletic. She runs cross country as well as being a member of the Jischke Gymnastics team and placed first all-around in her division at State this year.
Frida Trevino
Ensemble - Frida Trevino
Frida Trevino will start her first year of high school at J.W. Nixon High School and Vidal M. Trevino School of Fine Arts and Communications. This is Frida's first time in an LTGI production. Frida's past experience is nonexistent dealing with musicals. Frida will be dealing with Theatre Arts at VMT.
Harper Zimmermann
Ensemble - Harper Zimmermann
Isabella Lopez
Ensemble - Isabella Lopez
Isabella A. Lopez is a sixth grader at Lamar Middle School and has a knack for the arts. In her 12 short years of life she has found a love for singing, drawing, painting, reading and generally just creating! She has been selected to be a part of the cast in four community productions over the years, most recently, including UIL One Act at Lamar and LITE Production's Lion King Jr. Academically, she was recently recognized for achieving the second highest GPA in her sixth grade class and last summer was selected to participate in LISD's Rising Star Scholars Academy. Isabella looks forward to being on stage in her first LTGI production as a member of the ensemble.
Leila Graham
Ensemble - Leila Graham
Leila will start 7th grade at TMS this year where she is a proud member of the Lasso Dance Team. This is Leila's second time performing in an LTGI production. She has become enamored with musical theater and is very excited to be a part of this cast. She would like to thank God, her family, and LTGI for this amazing opportunity.
Gigi Caballero
Ensemble - Gigi Caballero
Gilda "Gigi" Caballero is a voice instructor at Flat 5 music studios and has sung ever since she could talk. Her passion for theater started when she was cast in LCC's production of High School Musical when she was 18. Since then, she has also participated in shows such as Little Shop of Horrors, Hairspray, Young Frankenstein, Grease as "Jan", Bye Bye Birdie, Pirates of Penzance as Mabel, in Seussical as Mayzie La Bird, A Grand Night for Singing and in TAMIU's production of I Hate Hamlet. Las semester Gigi also had the pleasure of directing the production of After Juliet at TAMIU. She is also the Voice Director with "Break a Leg" Productions. She thanks God, her family, close friends and kiddos for always inspiring and believing in her.
Ensemble - Elizabeth Perez
Elizabeth Perez (Ensemble) is an avid supporter of the arts and education. This is her fourth production with LTGI, having previously performed in A Midsummer Night's Dream, The Who's Tommy, and The Diary of Anne Frank. Offstage, she is a high school science teacher and serves on the LTGI Board of Directors.
Hanna Perez
Ensemble - Hanna Perez
Logan LaFreniere
Ensemble - Logan LaFreniere
Loghan Elizabeth M. LaFreniere is finishing up her third grade year at J.B J. Muller Elementary School. This is Loghan Elizabeth's first production with LTGI. She is part of her school's choir and a dancer at Turning Pointe Dance Studio.
Carolina Aceves
Ensemble - Carolina Aceves
Lena Crabtree
Ensemble - Lena Crabtree
Lena Crabtree is 8 years old and is entering 3rd grade at Borchers Elementary. She takes classical guitar and voice at Soto Music Academy and sang the leading role in her school Christmas musical this past year. She is an excellent swimmer and loves playing with her friends, her dog Bola, and her cat Sheldon. She is very excited to be making her LTGI debut in Beauty and the Beast.
Kimberly Manning
Ensemble - Kimberly Manning
Kimberly Manning will start her first year at Trautmann Middle School. This is Kimberly's theatrical debut with LTGT. Her talent also extends to participation in honors choir during the Fall, Winter, and Spring Musical Concerts at her campus, as well as being a backup singer for UISD's ITV (Instructional TV) STAAR Motivational Videos. She is an accomplished black belt at Bears Karate International where she has earned three world championships in forms and sparring.
Azahy Lee
Ensemble - Azahy Lee
Azahy A. Lee has been an astonishing Laredo performer and choreographer. She has obtained a part of the ensemble for Beauty and the Beast for LTGI. Previously, Azahy has been part of the dance and theatre community, making appearances in Bodas De Sangre, By the Bog of Cats and choreographing for La Mancha de Don Quixote. Azahy has obtained a Bachelor of Arts in Biology with a minor in Dance, as well an Associate in Applied Science Degree in Physical Therapist Assistant. Azahy will continue to further her education in Physical Therapy as well as in the Performing Arts.
Elizabeth Sosa
Ensemble - Elizabeth Sosa
Bella Dancause
Ensemble - Bella Dancause
Leann Bernal
Ensemble - Leann Bernal
Alejandro Meza
Ensemble - Alejandro Meza
Mark Rodriguez
Ensemble - Mark Rodriguez
Mark Rodriguez (Ensemble) is an incoming Junior at Martin High School and takes Theater at VMT. He has been in several productions both on and off-stage, such as "A Midsummer Night's Dream", "You're a Good Man Charlie Brown" and as a crew member for "Who's Tommy". He recently won a Best Actor award for his role as Todd in "Hush Little Celia, Don't Say a Word." He is thrilled to be working with a group filled with such amazing people and would like to thank his family and friends for their support.
Ensemble - Chris Morgan
Chris Morgan (Ensemble) is excited to be part of the talented group that makes up the cast and production team of LTGI's production of Disney's Beauty and the Beast. In the time he's been involved with LTGI, he has served in backstage capacities for shows such as Steel Magnolias (2013), Hairspray (2013), Daddy's Dyin' Who's Got the Will (2014), My Fair Lady (2014), Bless Me Ultima (2015), Shrek the Musical (2015), and God of Carnage (2016). This past January he directed LTGI's Real Women Have Curves. This show marks his first onstage experience and he appreciates the opportunity given to him.
Gregorio Lopez
Ensemble - Gregorio Lopez
Goyo Lopez is a junior at TAMIU and is an experienced thespian, having been on stage and behind the scenes in a number of community productions since he was four. It all started with Music Man Jr. at the Laredo Civic Center and spanned most of his adolescent summers, with a total of 10 plays over his 19 years of life. Most notably he reprised the role of Mufasa in LITE Production's Lion King Jr. and lent his friend Tony a hand behind the scenes during Break a Leg Production's live-at-the-Lake Casa Blanca amphi-theater performance of Into the Woods. He has maintained a A-average in his studies and takes great joy being involved with the Teen ACTS movement in his parish of San Martin de Porres Catholic Church. Goyo looks forward to being on stage in his first LTGI production as a member of the ensemble.
Armando Quiroga
Ensemble - Armando Quiroga
Jesus Navarro
Ensemble - Jesus Navarro
Jesus Navarro is extremely proud and excited to be a part of LTGIs production of Beauty and the Beast. This marks his second show with LTGI, with Shrek the Musical being his ensemble debut.
Martin Rivera
Ensemble - Martin Rivera
Martin Jasso
Ensemble - Martin Jasso
Jose Aguirre-Arciniega
Ensemble - Jose Aguirre-Arciniega
Ignacio Gutierrez
Ensemble - Ignacio Gutierrez
Pedro Guzman
Ensemble - Pedro Guzman
John Pena
Ensemble - John Pena
John Peña is a college senior currently attending Tamiu and this is his first time in an LTGI production.
Miguel Guerra
Ensemble - Miguel Guerra
Ensemble - Luis Diaz
Martin Vela
Ensemble - Martin Vela
Melissa Leal
Ensemble - Melissa Leal
Melissa Leal is excited be apart of the Beauty and the Beast cast. She loves to dance, act, and sing, and is excited to finally combine all of those talents and perform in her first musical performance. Although, she was last seen in last seen in the role of Pancha in LTGI's "Real Women Have Curves". She is a proud alumni from TAMIU and holds a Bachelor of Arts in Communications. She is working on becoming a certified teacher and going to grad school to obtain her Master's in Communication.
Roland Vela
Ensemble - Roland Vela
Roland Vela is a Multidisciplinary Studies Major at Texas A&M International University, with concentrations in theater, dance, and communication (film). He is the president of the House of Collective Performers organization at TAMIU and has worked on the following shows: United South OAP Of Mice & Men (Carlson), Spinning into Butter (Patrick Chibas), and After Juliet (Valentine/Choreographer). This is his first LTGI production and musical ever!
Martin Ramirez
Ensemble - Martin Ramirez
Martin Ramirez (18) is excited to perform for LTGI for the 3rd time. He is a graduate from J.W. Nixon High School. Martin thanks Mr. Carroll for his guidance in the theatrical performing studies which has paid off as he received his medallion from V.M.T. Previous roles include Schroeder, King Bolo, Tom Snout, Enoch, Monostatos, Benli, and several more. He thanks his parents and God for providing him with all the love and support for the arts.


June 23rd is International Women in Engineering Day which focuses attention on the amazing careers in engineering and technology for women, and allows us to celebrate the achievements of outstanding women engineers. International Women in Engineering Day was set up on 23 June 2014 by the Women's Engineering Society (WES) to celebrate its 95th anniversary. Since 2014 the day has focused attention on the great opportunities for women in engineering, at a time when it has never been more important to address the engineering skills shortage.
We are in a time when the STEM talent pool is running dry and the skills shortages in engineering and technology grow more pressing. Although numbers are steadily rising, WES statistics show that women are only around a fifth of the UK's STEM workforce. The WES analysis of 2016 data showed only 7% of girls leave the UK education system with a degree or equivalent level vocational qualification relevant to engineering or technology. The common response is to get more positive female role models into schools and ultimately into engineering jobs.
Why do engineering companies need more female engineers and how can it benefit your engineering / technology business?
Francesca Stone, Diversity & Inclusion Lead and Sr Talent Acquisition Specialist (UK&I) at Schneider Electric comments: ''With diversity and inclusion high on Schneider Electric's agenda, the company has long recognised that embracing diversity unlocks innovation and creativity and fosters collaboration. Schneider Electric want their employees to reflect the diversity of their communities and the customers they serve and as a result, believe that its teams will be stronger to drive the company's future."
"Experts tell us that there are a variety of things that will help to expand the number of female engineers. For example, we need to encourage young girls to develop their spatial skills, laying the foundation for further scientific exploration as they grow.
We also need to find ways to help women feel less alone. This includes hosting female-focused engineering interest groups on college and university campuses and in high-technology workplaces and highlighting engineering role models who reflect the true diversity of our population."
Laura continues: "All of these things are important, but one of the simplest and most effective things we can do differently is something as simple as richer storytelling. Most people have a very limited understanding of what engineers do – and we engineers and people associated with the industry don't do a good job of expanding that view.
We need to support and encourage students to build maths, science and engineering skills, but we also need to help them develop a broader understanding of those skills as tools for building a better-engineered world. When we begin to tell multifaceted stories like these, then we find that a much larger and more diverse set of students identify themselves as engineers."
So today why not start telling more positive stories about engineering.
For more information on jobs at Schneider Electric, please click here or alternatively contact Laura Deal on 01582 8788832 or email LDeal@RedlineGroup.com.


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Modernization of an older public housing project / Completion 2003
The program consists of modernization of entrance lobbies for a 28 building public housing project designed in 1958 by the firm of Harrison & Abramovitz. The entrances are distinguished by cantilevered canopies typical of the firm's better known designs. The project is also noted for scenes in the film The French Connection, were its original entrance details are visible. The needs assessment revealed advance states of deterioration due to water damage, site settlement, and loss of original details, which resulted in the following interventions:
Rebuilding concrete entrance platforms and addition of accessible ramps
Rebuilding lobby canopies with new stainless fascias, roofs and drainage system
Replacing storefronts with stainless and security glass system
Removal of water damaged masonry piers and enclosure at each side of the lobbies with the
new glazing system
Renovation of lobby interiors with new mailboxes, tile finishes, and lighting


text:
TRUMP CHAMPIONS PRO-LIFE CAUSE
Home/Latest News Releases/TRUMP CHAMPIONS PRO-LIFE CAUSE
Catholic League president Bill Donohue comments on President Trump's decision to address the March for Life crowd:
Other presidents have offered their support to the pro-life cause, but only President Donald Trump has decided to participate in the March for Life. His pro-life record, coupled with his record in defense of religious liberty, makes him the most important Christian voice in the United States. No president, including President Ronald Reagan, can match his stellar achievements on these twin issues.
By contrast, we have the likes of New York Governor Andrew Cuomo and Virginia Governor Ralph Northam, both of whom have endorsed infanticide: there are no penalties for doctors who intentionally allow an innocent baby to die if he or she survives a botched abortion. However, First Prize goes to California Governor Gavin Newsom: he out-Hitlerized both men.
Earlier this month, Newsom said he wants to stop euthanizing animals. "We want to be a no-kill state." Yet last year he issued a California Proclamation on Reproductive Freedom, one part of which was designed to welcome "women to California to fully exercise their reproductive rights." In other words, his enthusiasm for killing the least among us is so passionate that he extended an open invitation to pregnant women across the United States to have their babies killed in his home state.
It will surprise no one to learn that Newsom is also a proponent of assisted suicide. Indeed, he likes it so much that he boasts of his role in assisting a person to commit suicide in 2002. That person was his mother. [At that time assisted suicide was a felony in California—he put her down in San Francisco.]
It's too bad Mr. "No-Kill State" Newsom didn't think of his mother the way he thinks of hamsters.
These are sick times. Kudos to President Trump for standing up for the most defenseless human beings. He looks positively angelic next to these monsters.
By Bill|2020-01-24T19:49:05-05:00January 24th, 2020|Categories: Latest News Releases|Tags: 2020 - January Releases|Comments Off on TRUMP CHAMPIONS PRO-LIFE CAUSE


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Q: another word for "tight schedule" and the quality to hand the tight schedule? 1.For the sentence" the schedule is tight", and is there any other words to express the same meaning with the adjective" tight" ?
2. i would like to say some one have the quality that are able to handle the tight schedule, how to express that kind of quality?
Thanks!

A: When a project schedule is tight, there is usually less time to complete the project than person or team assigned to it really needs for it. That means that they will have to stay focused on the task at all times, or sometimes work faster than they normally would, or work extra hours during the week, depending on how "tight" the schedule is (and on the country where the job is located, since there are a few countries which do not permit exploitation of workers).
Typical phrases used to describe a candidate for such a job involving tight schedules:
... must be task-oriented
... must stay focused
... must be able to handle pressure
... must respect deadlines
... must be willing to stay late
... must be willing to work weekends*
* where permissible
If you had to sum those things up in a single quality, the most commonly used word in job descriptions (in AmE) is dedicated.

A: You could use juggle:

*

*verb
  If you juggle lots of different things, for example your work and your family, you try to give enough time or attention to all of them.
The management team meets several times a week to juggle budgets and resources.
  Mike juggled the demands of a family of 11 with a career as a TV reporter.

You wouldn't call that person a juggler though (the usual meaning is different). Maybe a person who can juggle various activities to follow a tight schedule.
Other words to describe such a person might be multitasking or versatile.

A:
She is someone with good time-management skills
She is good at working under pressure.
She is able to meet (her) deadlines.

more informal

She is a go-to player.
She is a performer.
She is a crunch-time player.

redpajama_set_name: RedPajamaStackExchange


This is a crowd pleaser, to be sure.
After making Simone's Tiramisu a few weeks back, there was still a fair bit of Baileys left in the bottle. And whilst I could quite happily drink it all (although maybe not in one sitting) it's always nice to find other recipes to give it an outing.
Enter the Baileys Chocolate Cheesecake.
We got this recipe from Mark's brother years ago, and to be honest it had slipped to the back of the memory banks until now. If I didn't already count myself lucky to have a hubby who is fantastic in the kitchen, well I count myself doubly lucky to have a brother-in-law who is as good if not better!
Anywho...back to the cheesecake recipe thanks to James.
1. Mix together the biscuits, nuts and butter and press into base of a cake tin (with a removable bottom if possible). Chill in fridge.
2. Melt chocolate in a bowl over simmering water.
3. In another bowl beat sugar and cream cheese until smooth, then fold in cream.
4. Fold in the Baileys and melted chocolate.
5. Add mixture to cake tin, level the surface and chill for 4-5 hours.
6. Remove from tin and decorate with grated chocolate.
7. And thank your lucky stars you have a great brother-in-law willing to share such yummy recipes!
Oh YUM!! Cheesecake is my most favourite food so I just HAVE to try this one!!!!!!!!!!!!!!!!!
Oh my word Meghan! This really is another dangerous post. VERY dangerous.


Distinguished Scholars in Linguistics Lecture Series "Formal Linguistics and Functional Explanation: Briding the Gap"
Research Seminar "The Virtual Museum of the Western Han Dynasty"
Research Seminar "Change of Location, Abstraction, and Telicity"
Research Seminar "A Global Typological Divide: Prosodic Focus with or without Post-Focus Compression"
Research Seminar "Scalar Implicatures: Contrastive Topic, its Semi-duality with 'even' and the Problems of 'only"
Research Seminar "Event-based Spatial Annotation for Language Resources"
Research Degree Forum: "An Intrinsic Perspective on Metaphor"
Research Degree Forum: "What is Left Unsaid and Untranslated? --translational treatment of implicitness in political/diplomatic discourse with "bu zheteng" as a case example"
Research Degree Forum: "How Differently Do Learners Err? An Analysis of the Perceptions of Learners on their Semi-Natural Interpretation"
Research Seminar "Interoperability and Sustainability of ISO Standards for Language Resource Management"
Research Degree Forum: "Binding Principle A and Morphosyntax of Reflexives in L2 Interlanguage: Evidence from a Cross Study of L2 Acquisition of Chinese and English"
Research Seminar "Context in Systemic Functional Linguistics: Some Theoretical Issues"


Executive chef of Enoteca Sociale on labour, beef and eating in Toronto.
After spending his early twenties in Calgary, Alberta, cooking his way around town, Kris Schlotzhauer returned to Toronto four years ago to fully immerse himself in the ever-changing food scene that can either eat you up and spit you out, or give you a little room to make a name for yourself. Luckily, with heading up the kitchen at the popular restaurant Enoteca Sociale, he's been the latter.
Here, Schlotzhauer talks about what it was like to be part of the opening team of what is now one of the most well-known restaurants in Canada, what Toronto's food scene offers that most others don't, his beef with beef and a lot more.
Was cooking always in your blood?
I grew up in Stratford, Ontario, which is a big tourist destination. In that town, you would either work in a festival during the summertime or you'd work in one of the restaurants. To a 13 year old boy, a kitchen could seem pretty attractive; it's certainly not your average workplace. I got my first job dishwashing and just fell in love with kitchens. I went to bussing from there, then became a cook and briefly tried my hand at serving, but I lasted about two weeks. Then I went to college, but I always had part-time jobs working in kitchens, even though I was pursuing other careers.
Initially, I worked as a sale rep in the healthcare field, selling medical equipment. I always had that itch to work in a kitchen. To be honest, before that, I had never really thought of it as a career. I mean, when I was growing up, no guidance counsellor would ever say to a high school student, "Hey, you know what? You should become a chef!"
So, you got back into it, working at a few restaurants before you joined the opening team at Charcut?
Yeah, I had just finished up my apprenticeship at Petite and actually right before that I was at Jaro Blue. Every restaurant I had ever worked at in Calgary, with the exception of Charcut, is now closed!
Charcut was just opening back then. It opened in February of 2010 and I stayed working there for two years before going back home to Ontario.
What was it like working there during the restaurant's rise to the limelight, nationally?
I think those first two years were really special times. We started off really strong: there was Top Chef Canada [for Connie], then the enRoute Best New Restaurant placing and everything just kind of snowballed. It was definitely a crazy couple of years. That was also the first time I saw the true power of social media coming from a restaurant. Before that, I don't think many people knew that yet, what it could do, and John Jackson knew. There was something about social media that could be special, especially for restaurants. Food television, too, was picking up speed and the whole celebrity chef thing. People started becoming really interested in what was happening behind the scenes in restaurants, and Twitter, Instagram and all of that gave people a peek into the restaurant world without having to physically work there.
Why do you think experiencing food scenes west of Ontario isn't of much interest to people?
First off, I love Calgary. It's a great city and I'm constantly defending it here in Toronto. [Some] people have never been, but they have their preconceived notions about it. I think Montreal has always been a very attractive city to visit. You can easily go there for the weekend and come back. Toronto itself has such a huge scene that a lot of people don't venture very far from it. There are so many things happening here that it can be hard to keep up with what's happenings in our own city, let alone in other major cities across the country. That said, I think you can learn a lot from independent restaurants anywhere, whether that's Saskatoon, Vancouver, or Calgary.
Vancouver is probably top tier in terms of vegetable-forward menus and seafood, and Calgary has gastropubs down pat. What does Toronto do best right now?
Toronto is such a culturally dynamic city, so you're starting to see--Ok, "fusion" was a dirty word five years ago and it's kind of been rebranded now. Here, you see it everywhere. Odd Seoul does this Korean-meets-American food thing, Patois is Jamaican/Chinese/Canadian cuisine. That's really unique and something you don't see a lot in other places. One of my favourite new restaurants is called Borealia. They are doing these old heritage Canadian recipes from original settlers or ones that have Aboriginal roots and fusing some Asian flavours with them. It's just really cool. No one else is doing anything like that.
What is something you used to use a lot in your cooking in Calgary, but don't have the opportunity to in Toronto? And vice versa?
One that I would use all of the time is Highwood Crossing's cold-pressed canola oil. There is a company that has started doing cold-pressed here now, but Highwood just makes such a great product. That and the Brassica mustard from Alberta, too!
For me, it was always tough to get really fresh, good quality seafood in Calgary. Here, there are a few different places that bring in such fantastic stuff. In Toronto, transportation can be so easy. Something can be caught on the East or West Coast in the morning and arrive at your restaurant by the afternoon.
What do you think about all the talk that's going on with labour conditions and staffing issues in restaurants across North America?
It's pretty tough. I think a bit of it is our fault for not being able to attract people to the industry. Whether it's the wage issue, tough working conditions or long hours, these things are not attractive to young people looking to join the workforce. You're not going to get benefits, you're going to only get paid $13, work 60 hours a week and do that for five years before you even have a chance to move up. That is not an attractive job description, and we're seeing now that it's not sustainable either. I see a big change coming. There is a solution out there, I'm not 100 per cent sure what it is. People might just have to be willing to pay a little bit more, so restaurants can pay their employees a little bit more. A lot of people think that most restaurants make a lot of money, but the reality is that most of them don't. Most are operating on pretty small margins, not making millions of dollars a year.
In addition to labour, what else can really impact the price of a menu item in your restaurant?
We try to keep our prices down, but every now and again you have to raise them because food costs go up. One of the most difficult things that's happened in the last little while has been trying to keep beef dishes on the menu because its cost has just sky-rocketed. Beef [price] has risen almost 70 per cent in the past six or so months. People still really, really want to eat it, but it's hard to make it affordable. I don't think you should have to spend a month's salary on dinner, but there are a lot of working parts that go into making a restaurant meal. It's hard to charge what you have to and make people OK with that.
Is that what you think drives chefs to discover or utilize less popular ingredients?
Yeah, maybe, but beef is beef. Most people are not going to stop eating beef. It's such a part of our culture and of our lives. I'd say some of the busiest restaurants in Toronto would be steakhouses and that [craving for beef] is never going to go away.


text:
Posted on October 8, 2021 by Lee Jay
Buddhist nun: Art, poetry, Japanese anti-Buddhism, and sadness of Rengetsu (1791-1875)
Lee Jay Walker
Ōtagaki Rengetsu is widely acclaimed as being one of the greatest poets of nineteenth-century Japan. Indeed, her legacy is great concerning art, calligraphy, poetry, and being a graceful potter.
The life of Rengetsu was shaped greatly by Buddhism. This especially concerns the period of so many deaths concerning her immediate family. Therefore, one can only imagine her sadness at the destruction of Buddhist holy places in the early Meiji period (1868-1912) – during anti-Buddhist agitation.
From a young age, her mother and brother passed away. Sorrow would continue to haunt Rengetsu. Therefore, by her early 30's, her two husbands and all five children had died.
One can only imagine her anguish during this period of her life. Indeed, even her stepfather passed away by 1832. Hence, the call of being a Buddhist nun after so much tragedy – and residing near Chion'in temple with her stepfather before he parted from this world – seems natural.
The Buddhist nun combined her poetry by inscribing it into her pottery. Therefore, Rengetsu's sense of purpose in the field of art, calligraphy, poetry, and pottery was great, given the early tragedy of her life where death was all too common.
In one lovely poem Rengetsu pointedly writes:
I await my beloved
Who is not yet here.
The moon in the pines
and voice of the wind
provoke my longing.
While contemplating death she wrote:
My wish is to see
a cloudless moon
above the lotus flower
in my next life.
The final years of her life must have been troubled by events in Japan. This concerns the early Meiji era when Buddhism was attacked throughout the country. Therefore, in the final years of her life, thousands of Buddhist temples were destroyed.
It is believed that approximately 40,000 Buddhist temples – and other areas related to Buddhism, including architecture – were destroyed in this period of Japanese history. Indeed, in the domain of Satsuma, the Buddhist faith was obliterated – while in other parts of Japan, approximately 80 percent of Buddhist temples were destroyed.
Henceforth, Rengetsu, in her final years on this earth, must have been shocked by events – just like she was shocked by so much death in her early life.
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text:
Share this Story: Young woman dies two years after fall from seventh-floor balcony
Young woman dies two years after fall from seventh-floor balcony
Dale Carruthers • Postmedia Network
LONDON, Ont. -- A woman who fell from a seventh-floor balcony after being badly beaten by a convicted killer died Thursday when she was taken off life support.
The attack two years ago left Desiree Gallagher confined to a wheelchair, unable to see and with a lasting brain injury.
But the 23-year-old was making great progress: She could swim, put on clothes, go to the bathroom without assistance and even stand with help.
"I was so proud of her to see the fight she had in her," said Gallagher's mother, Susan Gerth. "She came so far in two years."
Gallagher had been in a coma since Monday, when staff at her 24-hour care home in Brantford, Ont., found her without vital signs.
"There's no words to describe how it feels losing a child," Gerth said. "I miss her terribly already and I will not stop missing her."
Gallagher was an attractive brunette who attended college, had a wide social circle and loved music and dancing.
But her life as a typical twenty-something changed forever on May 25, 2013, while visiting London with friends.
It was there she met Justin Primmer, a convicted killer who served five years in jail for stabbing a Stratford, Ont., man to death 10 years ago.
The two were at Primmer's apartment when Gallagher was badly beaten before falling from the seventh-floor balcony.
Primmer was charged with assault causing bodily harm -- the cause of the fall was never determined -- because police seized a cellphone containing photographs of Gallagher's badly beaten face. He pleaded guilty and was given a six-month sentence.
It wasn't long before Primmer was back in trouble with the law. Within months of being released, he was charged in two separate assaults.
While being held in jail, Primmer was also charged with assault causing bodily harm for an attack on a fellow inmate last October, said Const. Ken Steeves.
Gallagher's tragic story has united supporters across southern Ontario.
More than 100 people came out for a motorcycle fundraiser last summer, raising around $10,000 to help Gallagher's family pay for her care.
A second ride is planned for Aug. 22, with a portion of proceeds going to victims of violent crime and the disabled.
"It will be a memorial ride now," Gerth said.
But Gallagher's family takes solace knowing her death gave life to others.
The young woman with the infectious smile had quietly signed up to be an organ donor.
Young woman dies two years after fall from seventh-floor balcony Back to video


text:
package com.pfalabs.soak

import scala.collection.JavaConverters.iterableAsScalaIterableConverter
import scala.util.Properties.lineSeparator

import org.apache.jackrabbit.JcrConstants.JCR_PRIMARYTYPE
import org.apache.jackrabbit.oak.api.{ PropertyState, Root, Tree, Type }
import org.apache.jackrabbit.oak.api.Type.NAME
import org.apache.jackrabbit.oak.plugins.nodetype.NodeTypeConstants.NT_OAK_UNSTRUCTURED

import com.pfalabs.soak.PropertyStates.TypeOps.STypeIterable

object Trees {

  // ----------------------------------------------------
  // ToString Helpers
  // ----------------------------------------------------

  def mkString(r: Root): String = mkString(r.getTree("/"))

  def mkString(t: Tree): String =
    if (t == null || !t.exists()) {
      "[]"
    } else {
      mkString(t, 1, "  ", "/")
    }

  private def mkString(t: Tree, level: Int, prepend: String,
                       name: String): String = {
    val node = new StringBuilder()
    node.append(prepend).append(name)
    if (t.getPropertyCount > 0) {
      node.append(t.getProperties().asScala.mkString("{", ", ", "}"))
    }
    t.getChildren.asScala.foreach { tc =>
      {
        node.append(lineSeparator)
        node.append(mkString(tc, level + 1, prepend + prepend,
          tc.getName()));
      }
    }
    node.toString()
  }

  // ----------------------------------------------------
  // Trees
  // ----------------------------------------------------

  class TreeOps(val t: Tree) extends AnyVal {

    def get: Tree = t

    def name = t.getName()
    def ?? = t.exists()

    def /(n: String): Tree = t.getChild(n)
    def /!(n: String): Tree = getOrCreate(t, n)
    def /!(n: String, init: Tree => Unit): Tree = getOrCreate(t, n, init)

    def /?(n: String): Boolean = t.hasChild(n)
    def +(n: String): Tree = t.addChild(n)

    def /:/ : Iterable[Tree] = t.getChildren.asScala
    def /:/[U](m: Tree => U): Iterable[U] = getChildren(t, m)
    def /:/[U](f: Tree => Boolean, m: Tree => U): Iterable[U] = getChildren(t, f, m)

    def |(p: String): PropertyState = t.getProperty(p)
    def |?(p: String): Boolean = t.hasProperty(p)
    def |-(p: String) = t.removeProperty(p)

    def |:| : Iterable[PropertyState] = t.getProperties.asScala

    def |+[U](p: String, v: U): TreeOps = {
      t.setProperty(p, v)
      this
    }

    def |+[U](p: String, v: U, ty: Type[U]): TreeOps = {
      t.setProperty(p, v, ty)
      this
    }

    def |+[U, V](p: String, l: Iterable[U])(implicit ty: STypeIterable[U, V]): TreeOps =
      {
        t.setProperty(p, ty.convertValue(l), ty.convertType())
        this
      }
  }

  object TreeOps {

    def apply(t: Tree) = new TreeOps(t)

    implicit def toTreeOps(t: Tree) = TreeOps(t)

  }

  def getChildren[U](t: Tree, m: Tree => U): Iterable[U] =
    t.getChildren()
      .asScala
      .map(m)

  def getChildren[U](t: Tree, f: Tree => Boolean, m: Tree => U): Iterable[U] =
    t.getChildren()
      .asScala
      .filter(f)
      .map(m)

  def getOrCreate(t: Tree, name: String) =
    if (t.hasChild(name)) {
      t.getChild(name)
    } else {
      t.addChild(name)
    }

  def getOrCreate(t: Tree, name: String, init: Tree => Unit) =
    if (t.hasChild(name)) {
      t.getChild(name)
    } else {
      val c = t.addChild(name)
      init(c)
      c
    }

  // ----------------------------------------------------
  // Node Types
  // ----------------------------------------------------

  def setPrimaryType(t: Tree, pt: String): Tree = {
    t.setProperty(JCR_PRIMARYTYPE, pt, NAME)
    t
  }

  def typeOakUnstructured(t: Tree): Tree = setPrimaryType(t, NT_OAK_UNSTRUCTURED)

  // ----------------------------------------------------
  // Roots
  // ----------------------------------------------------

  class RootOps(val r: Root) extends AnyVal {
    def >(p: String): Tree = r.getTree(p)
    def / = >("/")

    def ?* = r.hasPendingChanges()
    def |+> = r.commit()
  }

  object RootOps {
    def apply(r: Root) = new RootOps(r)
    implicit def toRootOps(r: Root) = RootOps(r)
  }

}

redpajama_set_name: RedPajamaGithub


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text:
Home/Economy/Buhari Signs Nigeria's Longest Delayed Budget, Says Implementation Difficult
Buhari Signs Nigeria's Longest Delayed Budget, Says Implementation Difficult
Kingsley IghomwenghianJune 21, 2018
Nigeria's President Muhammadu Buhari, on Wednesday finally assented to what has been described as one Appropriation Bill that took the longest time in the back-office, even as he reeled out a litany of reasons why implementing the budget could be an arduous task for his administration.
The N9.12tr 2018 spending plan signed into law, is 22.6% higher than that of 2017.
Before now, the budget that took the longest time coming, according to an infographic by civic society group- BudgIT was that of 2014, which was signed by then President Goodluck Jonathan on May 24 that year; followed by that of his predecessor- late President Umar Yar'Adua on April 22, 201.
In the infographic titled: "How long is too long to pass the Nigerian budget, BudgIT noted that so far, the earlier time a budget has been signed in Nigeria since the May 29, 1999 return of civilian democracy was that of 2006 that was signed by then President Olusegun Obasanjo on February 22.
Speaking at the signing ceremony at the Presidential Villa, Abuja, recalled that he submitted the budget proposal on November 7, 2017, with the hope "that the legislative review process would be quick, so as to move Nigeria towards a predictable January-December financial year. The importance of this predictability cannot be overemphasized.
He described as unfortunate, for example, that the Federal legislators made total cuts of "N347bn in the allocations to 4,700 projects submitted to them for consideration and introduced 6,403 projects of their own amounting to N578bn.
"Many of the projects cut are critical and may be difficult, if not impossible, to implement with the reduced allocation."
Meanwhile, the President warned that some of the new projects inserted by the National Assembly, will also be difficult to implement, because they have not been properly conceptualized, designed and costed. Also, many of these projects have been added "with no consideration for institutional capacity to execute them or the incremental recurrent expenditure that may be required.
"As it is, some of these projects relate to matters that are the responsibility of the States and Local Governments, and for which the Federal Government should therefore not be unduly burdened."
He gave examples of such projects from which cuts were made, while 70 new road projects were "inserted into the budget of the Federal Ministry of Power, Works and Housing. In doing so, the National Assembly applied some of the additional funds expected from the upward review of the oil price benchmark to the Ministry's vote. Regrettably, however, in order to make provision for some of the new roads, the amounts allocated to some strategic major roads have been cut by the National Assembly."
The President expressed concern at the way the National Assembly jerked provisions for Statutory Transfers by an aggregate of N73.96bn, mostly "for recurrent expenditure at a time we are trying to keep down the cost of governance."
He also drew attention to how the legislators increased their budget by N14.5bn or 11.6%, from N125bn to N139.5bn without any discussion with the Executive.
Despite these observations, he said he "decided to sign the 2018 Budget in order not to further slowdown the pace of recovery of our economy, which has doubtlessly been affected by the delay in passing the budget.
"However, it is my intention to seek to remedy some of the most critical of these issues through a supplementary and/or amendment budget which I hope the National Assembly will be able to expeditiously consider."
The President expressed satisfaction with the success recorded in the implementation of the 2017 Budget, with a total of N1.5tr released for the implementation of capital projects during the fiscal year. This, he believes, has resulted in significant improvement in the performance of the nation's economy.
He promised hard work to ensure the administration achieves "the laudable objectives of the 2018 Budget, we will work very hard to generate the revenues required to finance our projects and programmes. The positive global oil market outlook, as well as continuing improvement in non-oil revenues, make us optimistic about our ability to finance the budget."
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FG Projects 3% In 2019, Says Q4 GDP Growth Proof Buhari's Policies Working


text:
PS5 and Xbox Series X Chip Shortages to Continue till Mid-2021 says AMD CEO
January 29, 2021 February 1, 2021 Moses Heald
The shortage of PS5 and Xbox Series X stocks has turned console-gaming enthusiasts frustrated as they are unable to upgrade to the next-generation consoles. The latest reports from the tech world don't offer much solace, either. According to the CEO of AMD, the constrained supply of the PS5 and Xbox Series X chips will continue until at least the middle of 2021. This statement translates to even further waiting times before users can get their hands on the brand-new PlayStation 5 or the Xbox Series X.
If the info from AMD indicates anything, it's that the situation would continue in the upcoming months as well. During its report of the Q4 2020 and Full Year 2020, AMD had mentioned that PS5 and Xbox Series X were a significant contributor to the company's increased revenue. However, due to the pandemic's impacts and the increasing demand, the chipmaker could not produce as many custom-made chips as required by the said demand. However, in the same announcement, AMD CEO Lisa Su added that the company could make up for the delay in the second half of 2021.
She said that the company has ensured good figures on the demand and supply side, meaning that we can see a better production rate of the custom-made chips later this year. Su had also mentioned that the chipmaker is working hand in hand with the Xbox team to leverage the high demand and optimize production rates accordingly. In a related report, Amy Hood, the CFO of Microsoft, had said that the significant demand for the console would cause the supply restraints for not just the Series X but also the Series S.
Despite being rivals, the latest-generation consoles from Microsoft and Sony are using chips made by AMD. While the chips may have minute differences, Zen 2-based CPUs and RDNA 2-based GPUs are two common factors in the package. These chips, combined with custom-designed SSD and optimization, can offer unprecedented performance on both platforms. As showcased by the brands and early reviewers, this increased performance is why customers are going crazy about the consoles.
In addition to the limitations in production, another problem faced by both PS5 and Xbox Series X orders is that people had almost entirely relied on online options to get their consoles due to the aftermath of the COVID-19 pandemic. It caused a never-seen-before rise in the demand for both consoles, derailing the projections Microsoft and Sony had in mind. Due to the scenarios, the PS5 and Xbox Series X featured on Amazon, and popular eCommerce sites had run out of stocks in mere minutes. Although stores like GameStop had stocked PS5, they have run out of stock, and people are now exploring alternative options on Amazon, Target, and Newegg. Reading the market in light of these announcements, the demand-supply spectrum for both the consoles should only stabilize by the end of 2021. And it needs to be seen how all these plans go in sync with the ongoing pandemic streak.
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Moses has been part of our editorial team. She has a keen interest in the latest technologies. She prefers scripting articles based on Technology, including new arrivals, ongoing trends in the industry, and much more. Her articles are precise and authentic, along with a comprehensive approach. If not writing, you can find her tasting some of the unique cuisines in the locality. Moses being a destination gazer loves to explore new places.
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