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This article is about the Emma Lazarus sonnet. For the 2017 video game, see Wolfenstein II: The New Colossus.
Emma Lazarus's manuscript
Statue of Liberty, Liberty Island, New York City, New York, U.S.[1]
Emma Lazarus
To raise money for construction of the statue's pedestal
"The New Colossus" is a sonnet that American poet Emma Lazarus (1849–1887) wrote in 1883 to raise money for the construction of a pedestal for the Statue of Liberty (Liberty Enlightening the World).[2] In 1903, the poem was cast onto a bronze plaque and mounted inside the pedestal's lower level.
1 History of the poem
History of the poem[edit]
The Statue of Liberty in New York City
This poem was written as a donation to an auction of art and literary works[3] conducted by the "Art Loan Fund Exhibition in Aid of the Bartholdi Pedestal Fund for the Statue of Liberty" to raise money for the pedestal's construction.[4] Lazarus's contribution was solicited by fundraiser William Maxwell Evarts. Initially she refused but writer Constance Cary Harrison convinced her that the statue would be of great significance to immigrants sailing into the harbor.[5]
"The New Colossus" was the first entry read at the exhibit's opening on November 2, 1883. It remained associated with the exhibit through a published catalog until the exhibit closed after the pedestal was fully funded in August 1885,[6][7] but was forgotten and played no role at the opening of the statue in 1886. It was, however, published in Joseph Pulitzer's New York World as well as The New York Times during this time period.[8] In 1901, Lazarus's friend Georgina Schuyler began an effort to memorialize Lazarus and her poem, which succeeded in 1903 when a plaque bearing the text of the poem was put on the inner wall of the pedestal of the Statue of Liberty.[4]
On the plaque hanging inside the Statue of Liberty, the line "Keep ancient lands, your storied pomp!" is missing a comma, and reads in Lazarus's manuscript "Keep, ancient lands, your storied pomp!"[9] since its unveiling in 1903. The plaque also describes itself as an engraving; it is actually a casting.
The original manuscript is held by the American Jewish Historical Society.[10]
The Colossus of Rhodes, as depicted in an artist's impression of 1880
Not like the brazen giant of Greek fame,
With conquering limbs astride from land to land;
Here at our sea-washed, sunset gates shall stand
A mighty woman with a torch, whose flame
Is the imprisoned lightning, and her name
Mother of exiles. From her beacon-hand
Glows world-wide welcome; her mild eyes command
The air-bridged harbor that twin cities frame.
"Keep, ancient lands, your storied pomp!" cries she
With silent lips. "Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tost to me,
I lift my lamp beside the golden door!"
The poem is a Petrarchan sonnet.
The title of the poem and the first two lines refer to the Colossus of Rhodes, one of the Seven Wonders of the Ancient World, sometimes described as standing astride the harbor; contrasted with the "New" Colossus (the Statue of Liberty, described in the poem).
The "sea-washed, sunset gates" are the mouths of the Hudson and East Rivers, to the west of Brooklyn. The "imprisoned lightning" refers to the electric light in the torch, then a novelty.
The "air-bridged harbor that twin cities frame" refers to New York Harbor between New York City and Brooklyn, which were separate cities at the time the poem was written, before being consolidated as boroughs of the City of Greater New York in 1898.
The "huddled masses" are the many immigrants coming to the United States (many of them - in the early 1900s - through Ellis Island at the port of New York).
The "golden door" has a double meaning - of the literal entryway immigrants to America passed through (the Communipaw Terminal on Ellis Island), as well as metaphorical doors of opportunity and prosperity for those suffering oppression and poverty (the 'huddled masses').
Influence[edit]
Bronze plaque inside the Statue of Liberty
Paul Auster wrote that "Bartholdi's gigantic effigy was originally intended as a monument to the principles of international republicanism, but 'The New Colossus' reinvented the statue's purpose, turning Liberty into a welcoming mother, a symbol of hope to the outcasts and downtrodden of the world."[11]
John T. Cunningham wrote that "The Statue of Liberty was not conceived and sculpted as a symbol of immigration, but it quickly became so as immigrant ships passed under the torch and the shining face, heading toward Ellis Island. However, it was [Lazarus's poem] that permanently stamped on Miss Liberty the role of unofficial greeter of incoming immigrants."[12]
The poem has entered the political realm. It was quoted in John F. Kennedy's book A Nation of Immigrants (1958)[13] as well as a 2010 political speech by President Obama advocating immigration policy reform.[14] On August 2, 2017, the poem and its importance to the Statue of Liberty's symbolism, and thus the effect on American immigration policy, was debated in a White House briefing.[15]
Classical composer David Ludwig set the poem to music, which was performed at the worship service of President Obama's 2013 inauguration ceremony.[16]
Parts of the poem also appear in popular culture. The Broadway musical Miss Liberty, with music and lyrics by Irving Berlin, an immigrant himself, used the final stanza beginning "Give me your tired, your poor" as the basis for a song.[17][13] Joan Baez used the second half of the poem in her lyrics to The Ballad of Sacco and Vanzetti Part 1 which forms parts of Ennio Morricone's soundtrack to the 1971 Italian film Sacco & Vanzetti, based on the events surrounding the trial and judicial execution of the Italian-born American anarchists Nicola Sacco and Bartolomeo Vanzetti.[18]
It was also read in the 1941 film Hold Back the Dawn as well as being recited by the heroine in Alfred Hitchcock's wartime film Saboteur.[13]
^ "Statue of Liberty National Monument". US: National Park Service. 2007-12-31. Retrieved 2008-07-24.
^ Lazarus, Emma, The New Colossus, Liberty State Park
^ Sutherland, Cara A (2003), The Statue of Liberty: The Museum of the City of New York, Barnes & Noble, p. 77, ISBN 0-7607-3890-4, auction of art and literary work ; Mark Twain also contributed.
^ a b Young, Bette Roth (1997), Emma Lazarus in Her World: Life and Letters, The Jewish Publication Society, p. 3, ISBN 0-8276-0618-4, …fell into obscurity. At the unveiling of the statue […] both Emma and her sonnet were absent […] Georgina Schuyler set in motion a successful attempt to memorialize her friend by placing the poem, inscribed on a bronze tablet, inside the pedestal… .
^ Felder, Deborah G; Rosen, Diana L (2003), Fifty Jewish Women Who Changed the World, Citadel, p. 45, ISBN 0-8065-2443-X, …William Maxwell Evert [sic; presumably a misspelling of "William Maxwell Evarts] asked […] Lazarus[…] to compose original works […] who […] refused […] until […] Constance Cary Harrison[…] suggested that she consider what the statue would mean to the thousand of immigrants who would see it as they sailed into New York… .
^ "Image-Art Loan Fund Exhibition in Aid of the Bartholdi Pedestal Fund for the Statue of Liberty Catalogue".
^ "The Statue of Liberty - Engineering, Construction, and Crossing the Atlantic".
^ "National Park Service-Statue of Liberty-Emma Lazarus".
^ Shapiro, Gary (2006-12-08). "Misprint is spied in Lazarus poem at Liberty island". The New York Sun. Retrieved 2007-06-08.
^ Roberts, Sam (2011), "How a Sonnet Made a Statue the 'Mother of Exiles'", New York Times, retrieved 2013-11-21
^ Auster, Paul (2005), "NYC = USA", Collected Prose: Autobiographical Writings, True Stories, Critical Essays, Prefaces, and Collaborations with Artists, Picador, p. 508, ISBN 0-312-42468-X .
^ Cunningham, John T (2003), Ellis Island: Immigration's Shining Center, Arcadia Publishing, pp. 46–48, ISBN 0-7385-2428-X .
^ a b c McGill, Meredith L. (2008). The Traffic in Poems: Nineteenth-century Poetry and Transatlantic Exchange. Rutgers University Press. p. 118.
^ Jackson, David (July 1, 2010). "Obama edits Emma Lazarus poem on Statue of Liberty". The Oval. USA Today. Retrieved July 15, 2015.
^ "Trump aide dismisses Statue of Liberty "huddled masses" poem". CBS News. CBS News. August 3, 2017. Retrieved July 4, 2018.
^ "Curtis Part of Inauguration Day Ceremonies". Retrieved March 12, 2017.
^ Esther Schor, Emma Lazarus, Knopf Doubleday Publishing Group - 2008, page 255
^ Stipes., Watts, Emily (1977). The poetry of American women from 1632 to 1945. Austin: University of Texas Press. ISBN 0292764359. OCLC 2463497.
Wikisource has original text related to this article:
Lazarus, Emma, "The new Colossus", A Century of Immigration, 1820–1924 (handwritten) (sonnet), Library of Congress . The latter page says "Courtesy of the American Jewish Historical Society, New York and Newton Centre, Massachusetts". The poem itself, having been published in 1883 or at the very latest 1903 is in the public domain
———, Schor, Esther (ed.), The New Colossus (interactive ed.), Nextbook Press .
Manuscript notebook from the Emma Lazarus collection at the American Jewish Historical Society. Includes an undated manuscript version of "The New Colossus."
Cavitch, Max (2008). "Emma Lazarus and the Golem of Liberty." In The Traffic in Poems: Nineteenth-Century Poetry and Transatlantic Exchange. Ed. Meredith L. McGill. New Brunswick: Rutgers University Press. 97-122.
Marom, Daniel (2000). "Who is the 'Mother of Exiles'? An Inquiry into Jewish Aspects of Emma Lazarus's 'The New Colossus'". Prooftexts. 20 (3): 231–61. doi:10.1353/ptx.2000.0020.
Liberty Enlightening the World
Édouard René de Laboulaye, originator
Frédéric Auguste Bartholdi, sculptor
Gustave Eiffel, builder
Eiffel company
Richard Morris Hunt, pedestal
Eugène Secrétan, donated copper
Liberty Island
Original torch: Statue of Liberty Museum
Original statue: Musée des Arts et Métiers
Right arm and torch: Centennial Exposition, 1876
Madison Square Park, 1876-1882
Head: Paris World's Fair, 1878
Île aux Cygnes
Strengthen the Arm of Liberty
Pine Bluff, Arkansas
Overview Park, Kansas
"The New Colossus" (1883 sonnet)
Working on the Statue of Liberty (1946 painting)
Miss Liberty (1949 musical)
The Statue of Liberty (1985 documentary)
Statue of Liberty play (American football)
Liberty Weekend, 1986
Liberty Fanfare
Medal of Liberty
Statue of Liberty Forever stamp
American Platinum Eagle coin
Presidential $1 Coin Program
American Innovation $1 Coin Program
Conservation-restoration of the Statue of Liberty
Statue of Liberty Museum
Egypt Carrying the Light to Asia
Personification of Liberty
Retrieved from "https://en.wikipedia.org/w/index.php?title=The_New_Colossus&oldid=904804056"
American poems
Jewish American literature
Works about immigration to the United States


text:
Lepidothamnus intermedius — вид хвойних рослин родини подокарпових.

Епітет виду вказує на серединний характер у порівнянні з іншими видами Lepidothamnus.

Опис
Червонувато-жовте дерево вельми смолисте і дуже горюче, але дуже міцне і довговічне. Невелике, прямо дерево до 15 м заввишки і 60 см діаметром з розлогими гілками. Кора коричнево-сіра, лущиться на невеликі пластинки, під якими нова кора червоно-коричнева. Листя на неповнолітніх рослинах довжиною 9–15 мм, гострі. На повнолітніх стає все коротшим і більш лускоподібним. На дорослих рослинах листки 1,5–3 мм довжиною, ромбоподібні, тупі, шкірясті. Пилкові шишки рясні, поодинокі, верхівкові, 5–6 мм довжиною, ≈ 2 мм в ширину; тупі. Насіння 3–5 мм довжиною, від вузьких до широка-довгастих, чорне, тупе чи з крихітним кінчиком. Жіночі шишки з'являється в листопаді серед листя на кінчиках гілочок, дозрівають протягом наступних 16–18 місяців. Чоловічі шишки дозрівають до кінця листопада і запилюються на початку грудня.

Поширення, екологія
Країни поширення: Нова Зеландія (Пн., Пд. о-ви.) Порівняно поширене дерево рівнинних лісів. Локально панує в заболочених лісах. Також знайдене на заболочених ділянках в чагарників або пасовищах.

Використання
Історично використовувався для залізничних шпал, човнів і для телеграфних стовпів.

Загрози та охорона
Ніяких конкретних нинішніх загроз не було визначено, хоча вид вирубувався в минулому. Цей вид має великі субпопуляції в кількох ПОТ.

Посилання
 Thomas, P. 2013. Lepidothamnus intermedius. The IUCN
 The Gymnosperm Database

Дерева Нової Зеландії
Подокарпові
Ендемічна флора Нової Зеландії
Рослини, описані 1982

redpajama_set_name: RedPajamaWikipedia


Welcome to the HEAL family! We're so glad to have you. There are a few things to go over before we can publish your article.
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An unbelievable incident took place at Doyalson at Lake Macquarie yesterday when a horrifying road rage attack occurred after a man punched a woman directly in the face.
Dash cam footage from another car captured the attack that shocked onlookers.
In the footage, a man can be seen getting out of his car when stopped at traffic lights, and then approaching a female passenger who has gotten out of her vehicle.
The man then suddenly strikes the woman in the face, and she then steps into her car and begins to reverse towards the man as he walks back to his ute.
A woman claiming to be the victim has defended herself on Facebook after a number of men tried to justify the attack.
She uploaded several images showing her bruised and bloody lip.
Another woman, believed to be in the driver seat of the same car, also told her alleged side of the story.
She admitted to throwing nails out of the car window after the man began tailgating her, and making alleged death threats.
A spokewoman for NSW Police say that a woman claiming to be the person struck by the man had contacted them but has not yet been interviewed.


text:
3 Sikhs on trial for smuggling 69 turbaned Afghans into UK
Posted in News on July 13, 2017| Leave a Comment »
India Tribune
London: Three British Sikhs allegedly helped about 70 Afghan illegal immigrants sneak into the UK using real passports of Sikhs in a £600,000 (Rs. 5 crore) conspiracy.
Cousins Daljit Kapoor and Harmit Kapoor, and Davinder Chawla, all three in their 40s, pleaded guilty before their trial at Inner London Crown Court in March.
The three men appeared in the court for the start of a Newton hearing after disagreements between the prosecution and the defense over their level of involvement in the scam, The Sun reported.
A Newton hearing or inquiry is used where the two sides offer such conflicting evidence that a judge, without a jury, tries to ascertain which party is telling the truth.
Border officials were unable to distinguish between the illegal immigrants who masqueraded as the genuine passport holders because Sikh men are allowed to wear turbans in their ID documents, the court was told.
The gang would travel to France and hand over stolen or genuine passports to waiting immigrants who looked like them.
Once the immigrants got to the UK, the gang would recycle the passports passing them on to others trying to sneak into the country, the report said.
However, the court was told there would be no Newton hearing in relation to Daljit Kapoor, following an agreement between the prosecution and defense over his basis of plea.
For the conspiracy, the trio were paid up to £9,300 (Rs. 7.7 lakh) to get entry into the UK, the report said.
In total, 69 individuals who travelled to the UK on the passports were identified, and 59 did not make an asylum application, it said.

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Казончелли () — разновидность пасты с начинкой, типичная для кулинарной традиции Ломбардии, в северо-центральной части Италии.

Оболочка обычно состоит из двух листов макарон длиной около 4 см, сжатых по краям, как у равиоли. В качестве альтернативы это диск, сложенный пополам и имеющий форму обертки от конфет. Казончелли по-бергамски обычно фаршируют панировочными сухарями, яйцом, пармезаном или грана падано, говяжьим фаршем, салями или колбасой. Варианты начинки включают шпинат, изюм, печенье амаретто, грушу и чеснок. Начинка придает казончелли слегка сладковатый вкус, типичный для кулинарии средневековья и эпохи Возрождения, из которой они родом. Некоторые документы подтверждают существование блюда в 1386 году. При венецианском правлении начинка была обогащена специями, миндальным печеньем и ингредиентами не местного происхождения. Современный рецепт — это адаптация версии XIX века.

В Брешии казончелли фаршируются смесью панировочных сухарей, пармезана, чеснока, петрушки, мускатного ореха и бульона.

Казончелли — типичное блюдо Камоники, рецепты варьируются от провинции к провинции, и каждая семья модифицирует их в соответствии со своими собственными вкусами. Их фаршируют картофелем, сыром и мясом в Вилла Даленьо, зеленью и котехино в Пеццо и салями, капустой, картофелем в Зоанно.

Казончелли обычно подают со сливочным или топлёным маслом, приправленным листьями шалфея.

Примечания

Источники
  Казончелли по-бергамски
 Пастомания / Айвазян Ю.

Дамплинги
Блюда из макаронных изделий
Итальянская кухня
Культура Ломбардии


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Q: if statement foreach slide count to have an active indicator? im try to get for id slide-1  that has an attr of displays block then add a class to id pagecount-1 of active... im trying to get for each slide the indicator shown to be active    this is what i have :

A: This code checks for all slide elements if they are visible and applies the active class to the corresponding page_count element:
for (var i = 1; i <= 4; i++) {
    if ($('#slide-' + i).is(':visible')) {
        $('#page_count-' + i).addClass('active');
    }
}

A: $('#slider div').each(function() {
    var currentIndex = parseInt($(this).attr('id').replace('slide-',''));
    if($(this).css('display') == 'block') {
        $("#page_count-" + currentIndex).addClass("active");
    }
});

http://jsfiddle.net/jonigiuro/bZj2B/

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An unusual book on the sexual fantasies of the ancient Egyptians.
In their writings, the Egyptians were quite straightforward, whereas their official art was far more discreet and often disguised in symbolic language. Drawings and figurines, however, are pornographic and humoristic. Ilustrations in the book include figurines held in the British Museum which have not previously been published.


text:
IDollatry
THE DHG
MARTYN, Royal College of Surgeons
Book Bench
FREYJA DEAN DESIGN
Freyja Dean studied BA Scientific and Natural History Illustration at Lancaster University before her MA in Art and Science at Central St Martins, London. She has also studied Forensic Facial Reconstruction at Cambridge University and History of Medicine through the Open University.
These studies have influenced her work in various artistic fields such as designing opera costumes, character design for computer games, album covers, artworks for medical museums and public art pieces.
Freyja most recently has been working for the Royal College of Surgeons creating synthetic body parts for surgical trainees to practice procedures on, as well as freelance design projects and exhibitions in the UK and Tokyo where she is currently living and working.
With every project, I start by asking myself, 'what do I want to exist in the world where this bit of space is, in front of me'. This question applies whether I'm doing an album cover, designing costumes or characters for an opera or game or when I'm working on projects of my own.
© 2021 by Freyja Dean. All rights reserved.


1858 … Martha Espley (nee Silvester) died in Biddulph, Staffordshire. She is my wife's 3x great grandmother.
1877 … Arthur Edward Espley was born at Chell in Staffordshire. His parents were Henry Espley and Ellen Hannah Clewley. He is my wife's 2nd cousin 2x removed.
1912 … William Dawson was buried at Holy Trinity church in Cowling, West Yorkshire. He is my 2nd great grand uncle.