text:
About April & Dan
Hi, we're April and Dan, and together we're Making this Home:
That's right, this patch of grass is the site of our dream home (along with a few other homes, some of which we're also involved with building).
But don't worry, we've done this before!
Here's what we've done together over the past 19 years:
The apartment thing (ick);
Purchased and upgraded a new-build townhome from a large, commercial builder;
Bought, gutted, and renovated a 1986 fixer-upper bungalow;
Helped Dan's parents tear down a deteriorated cottage and rebuild it from the foundation up;
Bought land in our hometown (a portion of what's pictured above) to build our dream home during the 2022/2023 building season.
Of course, we couldn't have done all of that without some special expertise; and that's where Dan's career and knowledge come into play.
Dan is a Master Electrician in Ontario, Canada, who has 20 years of construction experience focused on new home builds and home renovations.
He's one of two owners behind 4 Wire Electrical, Ottawa's leading electrical contractor.
Dan and his business partner, Marc, also build and flip homes in the area.
In addition to building our dream home, we're also building Making this Home, just for you!
Sure, this website will document our journey building our dream home from the foundation up, but we are developing it to also become one of the best, and easiest to understand resources for you as you plan to build or renovate your own home too.
And don't worry, April's done this before!
April is a writer, author, and online marketer with 15 years of experience writing for newspapers and magazines, building online authority websites, and publishing books.
She has a diploma in journalism and a post-graduate diploma in book and magazine publishing.
You can find links to her many projects on thewriteduffy.com.
Follow & Connect with Us
We're here for you, so let's connect, and don't be afraid to reach out and tell us what you're building; we'd love to hear about it!


Just got access to a new UCS B200 M5 blade! My goal is to create a tensorflow lab on it. Let's get cracking!
Ok, now we need to get some drivers. We go to NVIDIA's page, fill out the form and get some drivers for RHEL7.
sudo yum -y groupinstall "GNOME Desktop" "Development Tools"
Now let's attach to it… hmm. we can't. Is selinux running?
edit /etc/default/grub to disable the nouvea driver.
GRUB_TIMEOUT=5 GRUB_DISTRIBUTOR="$(sed 's, release .*$,,g' /etc/system-release)" GRUB_DEFAULT=saved GRUB_DISABLE_SUBMENU=true GRUB_TERMINAL_OUTPUT="console" GRUB_CMDLINE_LINUX="crashkernel=auto rd.lvm.lv=centos/root rd.lvm.lv=centos/swap rhgb quiet rd.driver.blacklist=nouveau nouveau.modeset=0" GRUB_DISABLE_RECOVERY="true"
GRUB_CMDLINE_LINUX="crashkernel=auto rd.lvm.lv=centos/root rd.lvm.lv=centos/swap rhgb quiet rd.driver.blacklist=nouveau nouveau.modeset=0"
I installed the the 32 bit compatible libraries because diskspace is cheap and time is short.
We want tensorflow with the CUDA libraries. It makes tensorflow fast! We get it by navigating to their page. I downloaded the runtime one.
Please see CUDA_Installation_Guide_Linux.pdf in /usr/local/cuda-9.2/doc/pdf for detailed information on setting up CUDA.
***WARNING: Incomplete installation! This installation did not install the CUDA Driver. A driver of version at least 384.00 is required for CUDA 9.2 functionality to work.
Here we are cuDNN v 7.2.1 with CUDA 9.2 as that is the library we used.


text:
First Report of Fusarium acuminatum Causing Damping-Off Disease on Aleppo Pine in Algeria
Pages 557.2 - 557.2
F. Lazreg and L. Belabid, Dept. Agronomy, LRSBG, University of Mascara, PO Box 305, 29000 Mascara, Algeria; J. Sanchez and E. Gallego, Dept. Biology and Geology, University of Almeria, E-04120 Almeria, Spain; J. A. Garrido-Cardenas, Nucleic Acids Analysis Service, Research Central Service, University of Almeria, E-04120 Almeria, Spain; and A. Elhaitoum, Laboratory of Ecology of Natural Ecosystems Management, University of Tlemcen, 13000 Tlemcen, Algeria
http://dx.doi.org/10.1094/PDIS-06-12-0608-PDN
Accepted for publication 23 December 2012.
The Aleppo pine (Pinus halepensis Mill.) is a conifer native to the Mediterranean region. In autumn and spring of 2008 to 2009, a survey of Aleppo pine seedling diseases was carried out in three forest nurseries from the Relizane, Sidi Bel Abbes, and Tlemcen departments in northwestern Algeria. Aleppo pine seedlings were potted from the soil. In all three nurseries, 1- to 2-month old seedlings showed symptoms of damping-off disease in pre- and post-emergence (collar rot) with a disease incidence of 64, 77, and 72%, respectively. Disinfected collar segments, about 5 mm in length, were plated on PDA and petri dishes incubated at 25°C. A Fusarium sp. was consistently isolated from tissues and all isolates were morphologically identified as Fusarium acuminatum Ellis & Everh. (teleomorph: Gibberella acuminata Wollenw.) according to Fusarium keys (2). Colony growth was 43 mm after 3 days on PDA; the aerial mycelium was white, developing a brownish tinge in the center on PDA; macroconidia were formed in orange sporodochia, broadly falcate, strongly septate, 3 to 5 septa, the apical cell with an incurved elongation, distinct foot shape, 3 to 4 × 20 to 50 μm; microconidia were usually absent for isolates other than F12SS1, reniform, septate, 5 to 6 × 6 to 10 μm, in monophialides; chlamydospores were formed in chains, 6 to 13 μm. For the molecular identification, ITS regions of Fusarium isolates were amplified with the primers ITS1 and ITS4, and products were directly sequenced in both strands using the same primers ITS 1 and ITS4. Sequences were compared to known sequences deposited in the NCBI non redundant database to confirm morphological identification. An NCBI BLAST search identified isolates F12SS1, F14SS3, F30SS3, and F25SR as F. acuminatum based on 100% similarity with corresponding sequences. GenBank Accession Nos. were JX114788, JX114785, JX114782, and JX114790, respectively. Pathogenicity tests were performed to fulfill Koch's postulates. Inocula were produced by adding a 5-mm diameter plug from a 7-day-old CMA petri dish culture to a previously sterilized 500-ml flask (237.5 g sand, 12.5 g cornmeal, 80 ml SDW), shaken over 9 days, and mixed with sterile soil at 1:3 (v:v). The inocula were transferred to a 500-ml pot, and 10 Aleppo pine seeds were planted with three replicates. After 1 month, all tested isolates caused typical symptoms on seedlings and the proportion of infected seedlings per each isolate was 50, 53.33, 56.66, 60, and 63.33%, respectively. There are many reports of F. acuminatum associated to conifer seedlings in nurseries (1,3) and most of them are conflicting because in some reports this species is considered non-pathogenic or only a seed contaminant and others consider it as a pathogen. To our knowledge, F. acuminatum is a first report on the Aleppo pine in northwestern Algeria, northern Africa. It is also the first report of this fungal species affecting the Aleppo pine throughout the world, and on conifers in Africa and the Mediterranean region.
References: (1) D. F. Farr and A. Y. Rossman. Fungal Databases, Systematic Mycology and Microbiology Laboratory. ARS, USDA., Bestville, Maryland, USA. Retrieved from http://nt.ars-grin.gov/fungaldatabases/, June 18, 2012. (2) J. F. Leslie and B. A. Summerell. The Fusarium Laboratory Manual. Blackwell Publishing, Ames, Iowa, USA, 2006. (3) D. W. Minter. Cybertruffle's Robigalia, Observations of Fungi and their Associated Organisms. Retrieved from http://www.cybertruffle.org.uk/robigalia/eng/, June 18, 2012.

redpajama_set_name: RedPajamaCommonCrawl


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text:
Los Premios MTV (nombre oficial, también conocidos como Los Premios MTV Latinoamérica, y cuyo nombre anterior fue MTV Video Music Awards Latinoamérica o VMALA) era una entrega de premios realizada anualmente, siendo la versión hispanoamericana de los premios estadounidenses MTV Video Music Awards. La ceremonia se realizaba como parte de un programa especial producido por MTV Networks Latinoamérica y transmitido por MTV Latinoamérica, así como por otras televisoras de MTV alrededor del mundo. Durante dicho evento se premiaba a lo mejor de la música pop/rock en español y de la música internacional, según los votos de los televidentes.

El tipo de música que se desarrollaba para la premiación era el mismo involucrado en MTV Latinoamérica. Se destacaba lo mejor de la música pop y rock en español, aunque también existían categorías especiales donde se englobaba el mercado en inglés. Así mismo, las presentaciones musicales que se llevaban a cabo incluían ambos idiomas.

El trofeo otorgado a los ganadores tenía la forma de una lengua rosada y curvada ligeramente, en cuya parte superior central se encontraba el anterior logotipo de MTV en forma de pirsin. La base de la lengua era circular metalizada. De acuerdo a MTV, la peculiar estatuilla tenía su razón de ser en que "la lengua", en este caso refiriéndose al idioma español, es lo que une a Hispanoamérica.

Si bien algunos medios utilizan la frase "Los Premios MTV" para referirse a otras premiaciones de MTV alrededor del mundo, la ceremonia reconocida por MTV con dicho nombre, a partir de 2006, es la de Latinoamérica. Dicho nombre aparecía como tal en la publicidad oficial de la televisora para promocionar el evento.
Su última edición se realizó en el año 2009, consistiendo en un compilado de eventos musicales en cuatro sedes diferentes, cuyos países fueron: México, Colombia, Argentina y Estados Unidos. Desde 2010 no se ha vuelto a realizar esta ceremonia de premios.

Antecedentes
En un principio, en 1989 se premió por primera vez dentro de los MTV Video Music Awards al mejor video latino, resultando ganador Chayanne con el video "Este ritmo se baila así"; pero debido a los planes de crear MTV Latinoamérica, se dejaron de contemplar hasta 1993.
 1989: Chayanne - "Este ritmo se baila así".
 1990: Gloria Estefan - "Oye mi canto".
 1991: Franco De Vita - "No basta".
 1992: El General - "Muévelo".
 1993: Luis Miguel - "América, América".
Antes de estos premios de ámbito hispano la única manera en que la cadena (MTV Latinoamérica) conmemoraba a sus principales artistas regionales era a través del llamado Video De Las Masas que luego cambio a Video De La Gente, escogido por los televidentes, y premiado en un segmento especial dentro de los MTV Video Music Awards en Estados Unidos. El primero, en 1994, fue para el vídeo "Matador" de Los Fabulosos Cadillacs, continuando esta modalidad hasta 2002 inclusive. Dentro de los ganadores hubo vídeos de artistas como Soda Stereo, Café Tacuba, Molotov, Shakira y Ricky Martin.
 1994: Los Fabulosos Cadillacs - "Matador".
 1995: Café Tacuba - "La ingrata".
 1996: Soda Stereo - "Ella usó mi cabeza como un revólver".
 1997: Café Tacuba - "Chilanga banda".
 1998: Molotov - "Gimme tha power" (norte y sur).
 1999: Ricky Martin - "Livin' la vida loca" (norte y sur).
 2000: Shakira - "Ojos así" (norte). // Los Fabulosos Cadillacs - "La vida" (sur).
 2001: Alejandro Sanz - "El alma al aire" (norte). // Dracma - "Hijo de puta" (suroeste). // Catupecu Machu - "Y lo que quiero es que pises sin el suelo" (sureste).
 2002: Shakira - "Suerte" (norte). // Juanes - "A Dios Le Pido" (suroeste). // Diego Torres - "Color esperanza" (sureste).
Los MTV VMALAs, como tales, fueron creados en el 2002 y se realizaron por primera vez en el Teatro Jackie Gleason de la ciudad de Miami Beach (Estados Unidos) el jueves 24 de octubre de ese año. Dicha edición fue considerada un éxito y marcó el dominio de artistas hispanoamericanos como Shakira y Juanes. También se entregó por primera vez el premio MTV Legend (Leyenda MTV) a la banda de rock argentina Soda Stereo, por su influyente trayectoria musical.

Entre los artistas que se han presentado en el evento están Evanescence, Paramore, Tokio Hotel, Black Eyed Peas, Beastie Boys, Shakira, Kudai, Hilary Duff, Avril Lavigne, The Rasmus, Miranda!, Tiziano Ferro, Babasónicos, System of a Down, Gustavo Cerati, KoRn, The Mars Volta, Sum 41, Lenny Kravitz, Juanes, Diego Torres y Vicentico. La edición del 2005 hubiera incluido participaciones de Shakira, Gwen Stefani, My Chemical Romance, Belinda, Molotov, Simple Plan, Good Charlotte y Panda, pero fue cancelada debido a los embates del huracán Wilma sobre el Caribe mexicano.

Además, otros artistas y personalidades como Britney Spears, Madonna, Soda Stereo, Bono, Diego Armando Maradona y Gerard Way han hecho apariciones en el vídeo de presentación de los premios.

Ciudades anfitrionas de los Premios MTV

Ceremonias por año

2002

La primera edición de esta entrega de premios se llevó a cabo el jueves 23 de octubre de 2002, en el Teatro Jackie Gleason de Miami Beach, y estuvo bajo la conducción del argentino Mario Pergolini y del mexicano Diego Luna.

La jornada abrió con un vídeo de los Rolling Stones presentando a Carlos Santana quien, junto a Michelle Branch, interpretó el tema The Game Of Love.

Otra actuación sobresaliente es la de los mexicanos Molotov tocando su tema Here comes to mayo, después se les uniría el colombiano Juanes para interpretar el hit Mala gente.

La canadiense Avril Lavigne, revelación del año 2002, interpretó el super hit Complicated.

Ciertamente, uno de los momentos más emotivos de la ceremonia fue cuando Pergolini hizo entrega del premio "Leyenda MTV" al trío argentino que cambió el panorama del rock en Latinoamérica: Soda Stereo, reuniendo así a Gustavo Cerati, Zeta Bosio y Charly Alberti por primera vez desde 1997, año en que el trío ofreció su último concierto en Buenos Aires.

Otro momento destacado es el de los mexicanos Café Tacuba junto a los músicos chilenos Álvaro Henríquez y Javiera Parra, además de la mexicana Ely Guerra y la argentina Érica García. Estos ocho músicos interpretaron el clásico tema del grupo chileno Los Tres Olor a gas, en la reversión que hicieron para el EP Vale callampa, publicado muy poco antes.

Otro presente en esta edición fue el argentino Diego Torres, que interpretó su afamado tema Color esperanza

La banda estadounidense System of a Down -cuyo cantante es de origen armenio- interpretó su exitoso Chop Suey!.

El cierre estuvo a cargo de los mexicanos -y multinominados- Kinky con su canción Más. Luego aparece para acompañarlos su compatriota -y también multinominada- Paulina Rubio. Saliendo ella con un atuendo de "Mujer maravilla", hacen juntos un cover del clásico I was made for lovin you del grupo Kiss.

Shakira es la primera artista en recibir una lengua, y fue la máxima ganadora de la noche consiguiendo 5 premios de 5 nominaciones, Vídeo del año, mejor artista norte, mejor artista femenino, mejor artista pop, Artista del año. Interpretó la canción "Inevitable".

2003

En el 2003, la ceremonia de entrega de premios nuevamente tuvo lugar en Miami Beach, el 22 de octubre de aquel año, nuevamente en el teatro Jackie Gleason y nuevamente con Diego Luna como host del evento (esta vez sin Pergolini).

El show dio el vamos con un mensaje en español de la súper estrella Madonna. Además, la segunda versión de los premios coincidió con que el hecho de que MTV Latinoamérica cumplía 10 años y lo festejó con un gran ensamble llamado Los Black Stripes conformado principalmente por Charly Alberti en la batería (a quien no se le veía tocar en vivo en seis años, tras las disolución de Soda Stereo) y Juanes en la guitarra. El primero en acompañarlos fue el mexicano Álex Lora interpretando We are sudamerican rockers (original de Los Prisioneros), luego se integraron sus compatriotas Jonaz y Rosso de Plastilina Mosh, después le darían paso al chileno Jorge González quien luego de cantar Bolero falaz (tema de la banda Aterciopelados) gritó "¡Viva Cuba!". Acto seguido, la colombiana Andrea Echeverri entró a escena para interpretara Gimme the power de Molotov, le siguió el argentino Vicentico con el tema Livin' la vida loca de Ricky Martin, el cual finalmente se les uniría para interpretar la canción Matador, original de Los Fabulosos Cadillacs.

Café Tacvba hace su presencia nuevamente en el escenario de los premios; y siendo presentados nada menos que por Gustavo Cerati, tocaron en vivo un popurrí de Eres y Cero y uno, dos temas de su entonces flamante álbum Cuatro caminos. Un año después, la entonces rostro de Noticias MTV Ilana Sod, dijo que Café Tacvba poseía un "sexto sentido" musical, ya que en unos cuantos meses la canción Eres se convertiría en todo un éxito en varios lados.

Natalia Lafourcade, quien era una revelación de la música pop mexicana por aquel entonces, tocó en vivo junto a su banda su éxito En el 2000. Luego suben al escenario sus compatriotas de Control Machete, haciendo una colaboración del tema Bien, bien.

La inglesa Dido interpretó una versión acústica de su éxito White flag. Según cuentan, la artista se quedó encerrada en el camarín antes de su actuación y tuvo que pedir ayuda para poder salir. De no haberlo hecho a tiempo, quizás Dido jamás hubiese cantado en los premios.

Una muy peculiar y sorpresiva participación fue la del legendario exfutbolista Diego Armando Maradona quien, a través de las pantallas, apareció exornado como figura celestial y de forma virtual Diego Luna "dialogó" con él para la audiencia. En un momento el Diego argentino le dice al Diego mexicano "Si necesitás una mano, te le puedo dar yo, ¿eh?", en obvia referencia a la famosa Mano de Dios del mundial de 1986. En rigor susodichas imágenes de Maradona en las pantallas, fueron grabadas previamente en La Habana, Cuba, donde precisamente se encontraba el astro de Villa Fiorito.

La banda estadounidense The Mars Volta protagonizó quizás el momento más caótico de la edición 2003. Casi culminando su performance (interpretando el tema Drunkship Of Lanterns), el vocalista Cedric Bixler-Zavala se subió encima de los equipos de amplificación, para después arrimarse al público del teatro y subirse encima de las butacas de los espectadores que estaban sentados, tomando a todos por sorpresa. Llegó a arrebatarle a uno de los asistentes sus lentes oscuros y al final, con total desparpajo, los avienta hacia otro lado del público.

Otro momento de la noche fue cuando la argentina Luciana Salazar le mostró sus pechos a Diego Luna y a toda la audiencia, poseyendo cubrepezones con la forma del logotipo de MTV de aquella época.

El grupo chileno La Ley se presentó en los premios con la cruza entre un tema nuevo de aquel entonces, Ámate y sálvate, y un tema ya clásico de su repertorio: El duelo. Tal como en su MTV Unplugged de 2001, interpretaron este tema a dúo con la mexicana Ely Guerra.

Korn se presentó por primera vez en su carrera en una entrega de premios de la cadena MTV, interpretando su tema Right now, pese a sus negativas previas de tocar en este tipo de ceremonias. Según los músicos, la razón por la que aceptaron tocar en estos premios MTV fue para poder llegar a su audiencia latinoamericana.

Gustavo Cerati, quien venía de presentar a Café Tacvba, también tocó en estos premios; interpretando el tema Artefacto (perteneciente a entonces reciente álbum Siempre es hoy).

El cierre de los premios 2003 estuvo a cargo de dos generaciones del punk: su padrino icónico Iggy Pop junto a los canadienses Sum 41. Ambos tocaron el entonces flamante Little know it all (colaboración incluida en el disco Skull Ring de Iggy Pop, editado poco después) y el clásico de clásicos de "la iguana": Lust for life.

2004

La edición del 2004 efectuada el jueves 21 de octubre de ese año fue la última en realizarse en Miami Beach, conducida por la mexicana Paulina Rubio, quien durante la entrega se exhibió de espaldas vistiendo ropa interior diminuta, mostrando sus nalgas; este momento generaría luego gran controversia. La cantante expresó que hizo esto para criticar a los conservadores que se escandalizaban con su "mente abierta".

Durante el evento se esperaba otorgarle el premio MTV Legend al argentino Charly García (tal como en 2002 lo hicieron con Soda Stereo), pero debido a problemas nunca aclarados el argentino no pudo asistir, razón por la cual la cadena decidió cancelar su entrega.

Esta vez fue Bono quien grabó un mensaje que se transmitió al empezar el espectáculo, donde, contando "Uno, dos, tres... ¡catorce!" (como en su canción Vertigo). Como 2004 fue un gran año para el R&B y el hip hop, MTV decidió que la apertura de sus premios fuera un popurrí en español de algunos hits de aquella temporada. El DJ mexicano -y ex Control Machete- Toy Selecta acompañó la apertura desde su tornamesa. Primero entró en escena el cantante argentino Diego Torres haciendo una versión "tanguera" de Yeah! de Usher. Luego fue el turno del grupo La Ley que interpretó el hit Hey ya! de Outkast (la canción fue renombrada como "Ella"), para después seguirle Julieta Venegas cantando una versión "andina" de Hey mama de los Black Eyed Peas, cambiándole el título a "Hey papi". Finalmente, los Black Eyed Peas culminan la apertura interpretando el éxito Let's get it started.

The Rasmus, banda de pop rock finesa y una de las revelaciones de ese año, se presentó en los premios con su exitoso tema Guilty. Ésta fue su primera actuación en vivo desde los Estados Unidos.

La ceremonia 2004 de los premios MTV estuvo llena de actuaciones compartidas, entre las que destacan la del italiano Tiziano Ferro interpretando Tardes negras inmediatamente después del español Álex Ubago que cantó Aunque no te pueda ver. Antes de esto, hubo un error al ser presentados por las mexicanas Natalia Lafourcade y Belinda, ya que esta última dijo que venía primero el cantante italiano, y en realidad quien salió primero fue el cantautor hispano. Debido a esto, el programa de televisión tuvo que ser corregido y editado cuando se transmitió por MTV en diferido.

Julieta Venegas se presenta por segunda vez en esta entrega de premios, ahora para tocar una experimental versión de su hit Lento, acompañada por los raperos de Cartel de Santa.

Los mexicanos Molotov se presentan de nueva cuenta en los MTV, interpretando los temas "Amateur" (sencillo de su entonces reciente álbum Con todo respeto) y su clásico Gimme tha power. Precisamente para esta última canción, la banda exhortó a los latinoamericanos residentes en Estados Unidos a votar en contra de George W. Bush en las elecciones que se avecinaban.

En esta edición se estrenó la categoría de Mejor Artista Hip Hop o R&B Internacional, estatuilla que cayó en manos del cuarteto revelación de ese año: Black Eyed Peas. Cuando fueron a recibir su lengua, y tal como Molotov, aprovecharon la coyuntura electoral estadounidense y llamaron a participar a la gente de los comicios. Incluso  will.i.am exclamó "¡Voten por Kerry!", en referencia al demócrata John Kerry.

La gran vencedora de la noche fue Julieta Venegas, quien se quedó con cuatro de las cinco estatuillas a las que estaba nominada, incluida Artista del año. Seguida por Café Tacvba y los norteamericanos Maroon 5, con dos lenguas cada uno. Los mexicanos se quedaron con la estatuilla de Video del año, por el hit de Eres.

El cierre de la ceremonia corrió por cuenta de una leyenda del hip-hop: Beastie Boys, los cuales interpretaron el hit "Ch-check it out" y el clásico de los noventa "Sabotage".

2005

La entrega del 2005 estaba planeada para realizarse por primera vez en territorio hispanoamericano, en el Teatro Gran Tlachco de Xcaret, cerca de Playa del Carmen en Quintana Roo (México) el jueves 20 de octubre. Dicho evento estaba patrocinado en parte por la Secretaría de Turismo de México. Para la promoción del show, MTV creó una campaña publicitaria en donde se destacaba como tema la civilización maya, la cual habitó en la región de Yucatán, justo donde se entregarían los premios. Fue también el investigador mexicano Jaime Maussan quien participó en algunos segmentos anunciando una supuesta "profecía maya".

Se había anunciado la participación de bandas como Foo Fighters, Simple Plan, Good Charlotte, My Chemical Romance, Babasónicos, Reik y Miranda!. El 16 de octubre se recibió la primera noticia acerca del Huracán Wilma, el cual se encontraba cerca de territorio mexicano, sin embargo los planes del evento siguieron en marcha. Para el 19 de octubre, el estado de Quintana Roo fue declarado en alerta roja por el Centro Nacional de Huracanes de México. Ante tal situación, la producción planeó adelantar la ceremonia un día, quedando como fecha el día 19 de octubre, pero ante la devastadora situación se decidió, primeramente, posponerlos para llevarlos a cabo en noviembre o diciembre de ese año. Sin embargo, los ajustes de producción no pudieron llevarse a cabo por lo que se tuvo que cancelar la entrega definitivamente.

De cualquier manera, MTV creó posteriormente una programación especial que incluyó tres programas: "El show que Wilma voló", "Por fin, los Premios 2005" y "Lenguas en vivo, ganadores en concierto", que se transmitieron el jueves 22 de diciembre de 2005 como compensación por el show cancelado, quedándose como sede Playa del Carmen, Molotov como los anfitriones y manteniendo las presentaciones originales. En el especial "El show que Wilma voló" se explicó en forma de "diary" cómo se vivió el día a día de la producción y la llegada de la noticia de cancelación a los artistas. Durante el programa "Por fin, los Premios 2005" los ganadores recibieron el premio después de una broma (al estilo del programa "Punk'd") de la mano de Cecilia (vj argentina) o Gabo (vj mexicano); éstos tuvieron que viajar alrededor del continente para entregar los premios en donde estuvieran en ese momento los ganadores; al terminar se incluyeron presentaciones de Panda y Reik grabadas en los estudios de MTV México y también de Juanes y Miranda! grabadas en los estudios de MTV Argentina.

El 2005 fue un año histórico para Shakira, consigue 5 nominaciones y una doble, convirtiéndose en la más nominada, Artista del Año, Mejor Artista Centro, Mejor Artista Femenino, Mejor Artista Pop y Vídeo del Año en una batalla entre La Tortura y No, Ganó sus 5 nominaciones, lo que la hizo la artista con más premios de MTV (10 lenguas, 5 en el 2002 y 5 en el 2005)

2006

En 2006 la entrega se realizó el jueves 19 de octubre en el Palacio de los Deportes de la Ciudad de México, siendo oficialmente la primera vez que dicha ceremonia se lleva a cabo en Hispanoamérica. El evento fue auspiciado por el gobierno del Distrito Federal. La ceremonia fue conducida por los mexicanos Molotov y Ana de la Reguera. Dicha edición contó con cantantes y celebridades como Nelly Furtado, Calle 13, Julieta Venegas, Evanescence, Robbie Williams, entre otros. El canal MTV TR3S, entregó una lengua aparte para Don Omar, elegido exclusivamente por su público. Los derechos de transmisión de la ceremonia fueron vendidos también a Televisa quien transmitió los premios en televisión abierta a todo México por Canal 5 (de México), siendo la primera vez que una ceremonia de MTV se transmite por otro canal que no pertenezca a dicha cadena.

La campaña publicitaria del evento giró en torno a un negocio informal, en donde una señora ofrecía el logotipo de los premios y las estatuillas con forma de lengua de manera "pirateada". Dicha mujer se aprovechaba de un muchacho de aspecto despistado quien creía que dichos artículos eran originales y pagaba grandes cantidades de dinero imaginándose que con ellos sería más popular. La publicidad estuvo inspirada en el mercado de Tepito, ubicado en la ciudad de México, y en el cual abunda el comercio informal.

La transmisión inició cuando apareció en el escenario Shakira interpretando el tema No. Le siguió un mariachi, que con su trompeta tocó unos acordes de dicha canción y dio paso a Julieta Venegas acompañada por Kinky en una versión moviada de Me voy; en ese momento Kinky interpretaría un fragmento de su tema ¿A dónde van los muertos?, para seguir con una canción de Julieta: Eres para mí. Tras una tornamesa apareció el cantante Daddy Yankee quien, junto a Kinky y Julieta culminaron su presentación.

También se presentó Maná con su tema Labios compartidos, luego de recibir el premio "Leyenda de MTV".

Nuevamente, hubo variadas presentaciones compartidas, entre las que destacan la del grupo argentino Miranda! (con la canción Don) seguido por la banda mexicana Panda con el tema Narcisista por excelencia. Nelly Furtado con Calle 13 interpretando los temas de Maneater, Atrévete-te-te y No hay igual.

Robbie Williams estuvo casi 10 minutos interpretando 2 temas de su repertorio: "Rudebox" y "Rock Dj". Su participación estuvo cargada de polémica porque durante la transmisión se bajó los pantalones, dejando al desnudo su parte trasera, para luego besar apasionadamente a 2 fanáticas entre el público.

La actuación final estuvo a cargo del grupo Allison que interpretó la canción Frágil, para que luego se les uniera la mexicana Belinda con quien tocaron su sencillo "Ni Freud ni tu mamá" culminando con el éxito de Shakira Hips don't lie, tema que fue la Canción del Año 2006, logrando para Shakira 11 lenguas hasta la fecha, con el cual se cerró la ceremonia.

2007

El 26 de julio de 2007 se anunció oficialmente la sede de la ceremonia de ese año, la cual se realizó por segunda vez consecutiva en la Ciudad de México el 19 de octubre. Para ello, el gobierno de la Ciudad de México aportó 10 millones de pesos para la organización del evento, así mismo instaló 16 pantallas gigantes en cada una de las delegaciones de la ciudad.

La publicidad giró en torno a los supuestos trabajadores de MTV, los cuales parodiaban a los verdaderos. Estos se encontraban en la oficina de MTV organizando la ceremonia de forma muy a la ligera y haciendo cosas a modo de sketch. La canción utilizada en los comerciales del evento fue "Yofo" de la banda Molotov.

Las presentaciones en vivo durante la ceremonia fueron de The Cure, Hilary Duff, Plastilina Mosh, 30 Seconds to Mars, Babasónicos, Kudai, Jesse & Joy, Juanes, División Minúscula, Belinda, Molotov, Ely Guerra y Miranda!. Las presentaciones de premios estuvieron a cargo de Julieta Venegas, RBD, Dalma Maradonna, Luisana Lopilato, Valerie Domínguez, Panda y Paulina Rubio. Por su parte, la conducción fue retomada por el actor mexicano Diego Luna.

Se hizo una pequeña presentación de Gerard Way, vocalista y líder de la banda My Chemical Romance, porque según se dice que iban a presentarse, pero no se pudo debido a que hubo una emergencia en Estados Unidos.

Casi al final de la presentación de la banda norteamericana 30 Seconds To Mars se le unió la cantante mexicana Ely Guerra intrerpretando los últimos versos de la canción From Yesterday, para concluir con un final algo controversial, pues al terminar la canción el vocalista, Jared Leto, se besó apasionadamente con Ely a medida que las cámaras se alejaban para ir a comerciales; dejando a la audiencia un poco desconcertada.

Desde principios de septiembre se había confirmado la actuación de Café Tacvba, sin embargo, su invitación fue cancelada el 17 de octubre, un día antes de la premiación, debido a que la banda se presentaría en otra ceremonia de premios en fechas cercanas, violando con ello las políticas de MTV.

Beto Cuevas también estuvo como presentador, y fue el encargado de entregar el premio MTV Influencia a los británicos de The Cure

2008

El 23 de junio de 2008 se dio a conocer oficialmente que la sede para la ceremonia de ese año de los Premios MTV sería la ciudad mexicana de Guadalajara, Jalisco. La ceremonia se llevó a cabo en el Auditorio Telmex el 16 de octubre de 2008. Guadalajara había anunciado su candidatura desde 2007, con la cual compitió con otras ciudades mexicanas e hispanoamericanas que apostaban por este evento. El gobernador de Jalisco, Emilio González Márquez, entregó 2 millones de dólares para la realización del espectáculo a través del Departamento de Turismo.

La ceremonia de 2008 incluyó también festejos relativos al aniversario número 15 de MTV Latinoamérica. Pierluigi Gazzolo, presidente de MTV Networks Latinoamérica, indicó que México fue el primer país en transmitir la señal de MTV desde su inicio, por lo que le agradaba la idea de celebrar sus 15 años ahí.

Flavor Flav, Gene Simmons, 30 Seconds to Mars, Babasónicos, los ex VJs de MTV: Ruth, Alfredo, Alex y Gustavo, y Andrés López, además de Ana Claudia Talancón y los integrantes del show de MTV The Dudesons, estuvieron como presentadores. Los artistas que se presentaron durante el show fueron:
Tokio Hotel, Metallica, Katy Perry, Paramore, Belanova, Julieta Venegas, Moderatto, Juanes, Ximena Sariñana, Calle 13, Zoé, Kudai, Nortec Collective y Café Tacvba. En la alfombra roja se presentó en vivo Emmanuel Horvilleur. Los Fabulosos Cadillacs tocaron desde Buenos Aires y recibieron el Premio Leyenda.

Uno de los momentos más memorables de la transmisión en vivo de la ceremonia fue la caída inesperada de la cantante Katy Perry, al resbalarse sobre la crema que tenía el enorme pastel de utilería, el cual era parte de su interpretación.

Los más galardonados de la noche fueron los alemanes Tokio Hotel y el colombiano Juanes, con 4 estatuillas cada uno.

2009

El 23 de junio de 2009 se dio a conocer oficialmente que las ciudades de Bogotá y Los Ángeles, California, eran las primeras sedes elegidas para los Premios MTV 2009, que ese año estrenarían un formato de múltiples ciudades antes de la ceremonia principal, la cual se realizaría el 15 de octubre en el Gibson Amphitheatre de Los Ángeles.
 Luego se confirmó Ciudad de México y Buenos Aires, esta premiación fue conducida por los cantantes Rene Pérez de la agrupación Calle 13 y Nelly Furtado. Esta ceremonia de premiación fue la última en transmitirse en MTV de Latinoamérica.

2010 en adelante
Eduardo Lebrija, nuevo director general de la compañía MTV Network México, en una entrevista con el diario El Universal el miércoles 26 de mayo de 2010 mencionó:

En 2013, el canal de televisión realizó una nueva ceremonia de entregas de premios llamada MTV Millennial Awards, que inicialmente fue un evento por internet, pero a partir de 2016, la ceremonia terminó siendo la premiación base de MTV Latinoamérica por su alto presupuesto y alcance, desde entonces no se volvió a saber si alguna vez volverán Los Premios MTV en Latinoamérica, pues MTV MIAW ha igualado el número de ceremonias anuales, por ende, la cadena no planea volver a la antigua ceremonia de premiación.

Premios por países

Récords

 País con más premios:  México (51 lenguas)
 Artista con más premios: Shakira  (12 lenguas)
 País con más premios ganados en una noche:  México:  2007 y 2009 (10 lenguas).
 Artista con más premios ganados en una noche: Shakira    : 2002 y 2005  (5 lenguas).
 Artista más joven nominado/a en una noche: Belinda    : 2004  (15 años de edad).

Categorías
 Mejor Artista Masculino (2002, 2005).
 Mejor Artista Femenino (2002, 2005).
 Mejor Solista o Intérprete (2003-2004, 2006-2009).
 Mejor Grupo o Dúo (2002-2009).
 Mejor Artista Pop (2002-2009).
 Mejor Artista Rock (2002-2009).
 Mejor Artista Alternativo (2002-2009).
 Mejor Artista Urbano (2007-2009).
 Mejor Artista Independiente (2003-2007).
 Mejor Artista Pop - Internacional (2002-2009).
 Mejor Artista Rock - Internacional (2002-2009).
 Mejor Artista Hip-Hop/R&B - Internacional (2004-2005).
 Mejor Artista Nuevo - Internacional (2002-2009).
 Mejor Artista Norte (2002-2009).
 Mejor Artista Nuevo - Norte (2002-2009).
 Mejor Artista Centro (2003-2009).
 Mejor Artista Nuevo - Centro (2003-2009).
 Mejor Artista Suroeste (2002).
 Mejor Artista Nuevo - Suroeste (2002).
 Mejor Artista Sur (2002-2009).
 Mejor Artista Nuevo - Sur (2002-2009).
 Artista Revelación (2006-2009).
 Artista Promesa (2006-2008).
 Premio La Zona (2009).
 Canción del Año (2006-2009).
 Video del Año (2002-2009).
 Artista del Año (2002-2009).
 Agente de Cambio (2007-2009).
 Artista Influencia (2007).
 MTV Leyenda (2002,2006,2008-2009).
 Mejor Fan Club (2008-2009).
 Mejor Gira Reencuentro (2008).
 Mejor Música de un Videojuego (2008-2009).
 Mejor Ringtone (2008-2009).
 Mejor Película Musical (2008).
 Mejor Película (2009).
 Premio Fashionista Masculino (2007-2009).
 Premio Fashionista Femenino (2007-2009).

Regiones de MTV Latinoamérica
Como los MTV Europe Music Awards y los MTV Asia Awards, los Premios MTV Latinoamérica, también responden a categorías regionales. Estas regiones, de cualquier modo, han estado bajo constantes cambios. A continuación se presenta como ha sido percibida cada región en cada entrega:

2002:

 Norte: México, Colombia, Venezuela, Centroamérica y el Caribe.
 Suroeste: Chile, Bolivia, Ecuador y Perú.
 Sureste: Argentina, Paraguay y Uruguay.

2003-2009:

 Norte: México.
 Centro: Colombia, Bolivia, Chile, Ecuador, Perú, Venezuela, Centroamérica y el Caribe.
 Sur: Argentina, Paraguay y Uruguay.

Véase también
 MTV Video Music Awards
 MTV Europe Music Awards
 MTV Asia Awards
 MTV Australia Awards
 MTV Russian Music Awards

Referencias

Enlaces externos
 Videoclips de los nominados a los Premios MTV Latinoamérica 2009

Premios de MTV
Programas de televisión de MTV (Latinoamérica)
MTV Video Music Awards

redpajama_set_name: RedPajamaWikipedia


text:
Q: Use datatype directly with in XML I'm trying to validate below XML with the below XSD:
XML
<Device xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:xsd="http://www.w3.org/2001/XMLSchema">
    <Parameter Id="100" Flag="100" xsi:type="xsd:unsignedInt">-100</Parameter>
</Device>

XSD
<?xml version="1.0" encoding="UTF-8" ?>
<xsd:schema xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:xsd="http://www.w3.org/2001/XMLSchema">
        <xsd:element name="Device">
           <xsd:complexType>
                <xsd:sequence>
                   <xsd:element name='Parameter' type='paramType' minOccurs='0' maxOccurs='unbounded' />
                </xsd:sequence>
           </xsd:complexType>
        </xsd:element>

        <xsd:complexType name="paramType">
                        <xsd:attribute name="Id" use="required"/>
                        <xsd:attribute name="Flag" use="required"/>
                        <xsd:anyAttribute processContents="lax"/>
        </xsd:complexType>

</xsd:schema>

I'm facing 2 issues:
Unable to use xsd:unsignedInt directly in XML with below error
Type 'xsd:unsignedInt' is not validly derived from the type definition, 'paramType', of element 'Parameter'

Unable to use both xsd:type and other non-namespaced attributes at the same time
Element 'Parameter' is a simple type, so it cannot have attributes, excepting those whose namespace name is identical to 'http://www.w3.org/2001/XMLSchema-instance' and whose [local name] is one of 'type', 'nil', 'schemaLocation' or 'noNamespaceSchemaLocation'. However, the attribute, 'Flag' was found.

How do I edit my XSD to fix these issues. My final requirement is that all the Parameter nodes should contain Id and Flag attributes and its value should be validated against type provided (in the actual XML itself).
Using xsi:type inside xsd is not an option for me.

A: Since xsi:type has to be derivable from the type specified in the XSD, and since Parameter is defined in the XSD to be complex, you'll probably want to create a child of Parameter, say Value, of xsd:anySimpleType that you can then override successfully via xsi:type in the XML document.
XML
<?xml version="1.0" encoding="UTF-8"?>
<Device xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
        xmlns:xsd="http://www.w3.org/2001/XMLSchema">
    <Parameter Id="100" Flag="100">
        <Value xsi:type="xsd:unsignedInt">100</Value>
    </Parameter>
</Device>

XSD
<?xml version="1.0" encoding="UTF-8" ?>
<xsd:schema xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
            xmlns:xsd="http://www.w3.org/2001/XMLSchema">
  <xsd:element name="Device">
    <xsd:complexType>
      <xsd:sequence>
        <xsd:element name='Parameter' type='paramType'
                     minOccurs='0' maxOccurs='unbounded' />
      </xsd:sequence>
    </xsd:complexType>
  </xsd:element>

  <xsd:complexType name="paramType">
    <xsd:sequence>
      <xsd:element name="Value" type="xsd:anySimpleType"/>
    </xsd:sequence>
    <xsd:attribute name="Id" use="required"/>
    <xsd:attribute name="Flag" use="required"/>
    <xsd:anyAttribute processContents="lax"/>
  </xsd:complexType>

</xsd:schema>

A:
How do I edit my XSD to fix these issues.

Assuming it means without touching the XML, then there is no way to make it work with pure XSD, considering the meaning assigned to the xsi:type attribute. xsd:unsignedInt is a simple type, your element is complex type, simple content.
IF you're allowed to use only one of the built in XSD types, then the only way is to change your XML; one way is described in Kenneth's answer.
If you can use your own type, then something similar to this will work:
<?xml version="1.0" encoding="utf-8" ?>
<!-- XML Schema generated by QTAssistant/XSD Module (http://www.paschidev.com) -->
<xsd:schema elementFormDefault="qualified" xmlns:xsd="http://www.w3.org/2001/XMLSchema" xmlns:xtm="http://paschidev.com/schemas/metadata/xtm">
    <xsd:element name="Device">
        <xsd:complexType>
            <xsd:sequence>
                <xsd:element name="Parameter" minOccurs="0" maxOccurs="unbounded"/>
            </xsd:sequence>
        </xsd:complexType>
    </xsd:element>

    <xsd:complexType name="FlaggedParameter">
        <xsd:simpleContent>
            <xsd:extension base="xsd:unsignedInt">
                <xsd:attribute name="Id" type="xsd:int" use="required"/>
                <xsd:attribute name="Flag" type="xsd:int" use="required"/>

            </xsd:extension>
        </xsd:simpleContent>
    </xsd:complexType>
</xsd:schema>

This sample then would work as expected:
<Device xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
    <Parameter Id="100" Flag="100" xsi:type="FlaggedParameter">100</Parameter>
</Device>

redpajama_set_name: RedPajamaStackExchange


A complete copy of these rules can be obtained at the offices of radio station WKOR-FM, WNMQ-FM, WMXU-FM, WSMS-FM, WSSO-AM ("Station"), owned and operated by Cumulus Media Holdings Inc. or one of its subsidiary companies, 105 5th street north suite 400 Columbus, MS 39701, during normal business hours Monday through Friday or by sending a self-addressed, stamped envelope to the above address.
This Contest is open only to validly registered businesses with the state of Mississippi at the time of entry Void where prohibited by law. Employees of Cumulus Media Holdings Inc., its parent company, affiliates, related entities and subsidiaries, promotional sponsors, prize providers, advertising agencies, other radio stations serving the Station's listening area, and the immediate family members and household members of all such employees are not eligible to participate. The term "immediate family members" includes spouses, parents and step-parents, siblings and step-siblings, and children and stepchildren. The term "household members" refers to people who share the same residence at least three (3) months out of the year. The Contest is subject to all applicable federal, state and local laws and regulations. Participation constitutes entrant's full and unconditional agreement to these Official Rules and Sponsor's decisions, which are final and binding in all matters related to the Contest. Winning a prize is contingent upon fulfilling all requirements set forth herein.
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In order to win $2000 in value, as established by the Station's current rate card, in 30 second commercials to air on this station within the next 30 days and digital offerings including but not limited to SEO, Website Creation, Google Ad Words, Local Display Ads, Facebook/Instagram Ads, Social Posting following announcement and verification of the winner.
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text:
Q: Script for checking the Android version and then carry on installation? I have created a script which first checks the android version and then installs the corresponding files to the system (as files are not same for every android version)
Here is the script
#!/system/bin/sh

VER=$(echo $(getprop ro.build.version.release))
LIB=/system/lib/libncurses.so
XBINS=/system/xbin/sqlite3
XBINO=/system/xbin/openvpm
XBINZ=/system/xbin/zipalign
LIBD=/system/lib
XBIND=/system/xbin

mount -o rw,remount /system

case $VER in

"2.3"*)
cp tmp/binbox/2.3.*/lib/libncurses.so "$LIBD"
cp tmp/binbox/2.3.*/xbin/sqlite3 "$XBIND"
cp tmp/binbox/2.3.*/xbin/openvpm "$XBIND"
cp tmp/binbox/2.3.*/xbin/zipalign "$XBIND"
chmod 644 "$LIB"
chown 0.0 "$LIB"
chmod 6755 "$XBINS"
chown 0.0 "$XBINS"
chmod 6755 "$XBINO"
chown 0.0 "$XBINO"
chmod 6755 "$XBINZ"
chown 0.0 "$XBINZ"
;;
"4.0"*)
cp /tmp/binbox/4.0.*/lib/libncurses.so "$LIBD"
cp /tmp/binbox/4.0.*/xbin/sqlite3 "$XBIND"
cp tmp/binbox/4.0.*/xbin/openvpm "$XBIND"
cp tmp/binbox/4.0.*/xbin/zipalign "$XBIND"
chmod 644 "$LIB"
chown 0.0 "$LIB"
chmod 6755 "$XBINS"
chown 0.0 "$XBINS"
chmod 6755 "$XBINO"
chown 0.0 "$XBINO"
chmod 6755 "$XBINZ"
chown 0.0 "$XBINZ"
;;
"4.1"*)
cp /tmp/binbox/4.1.*/lib/libncurses.so "$LIBD"
cp /tmp/binbox/4.1.*/xbin/sqlite3 "$XBIND"
chmod 644 "$LIB"
chown 0.0 "$LIB"
chmod 6755 "$XBIN"
chown 0.0 "$XBIN"
;;
"4.2"*)
cp /tmp/binbox/4.2.*/lib/libncurses.so "$LIBD"
cp /tmp/binbox/4.2.*/xbin/sqlite3 "$XBIND"
chmod 644 "$LIB"
chown 0.0 "$LIB"
chmod 6755 "$XBIN"
chown 0.0 "$XBIN"
;;
"4.3"*)
cp /tmp/binbox/4.3.*/lib/libncurses.so "$LIBD"
cp /tmp/binbox/4.3.*/xbin/sqlite3 "$XBIND"
chmod 644 "$LIB"
chown 0.0 "$LIB"
chmod 6755 "$XBIN"
chown 0.0 "$XBIN"
;;
"4.4"*)
cp /tmp/binbox/4.4.*/lib/libncurses.so "$LIBD
cp /tmp/binbox/4.4.*/xbin/sqlite3 "$XBIND"
chmod 644 "$LIB"
chown 0.0 "$LIB"
chmod 6755 "$XBIN"
chown 0.0 "$XBIN"
;;
esac

Running the script I get a getprop:not found
This script is ran in cwm recovery
and files are placed in tmp
as the script is ran in recovery i dont get the exact result of the script
but log is as shown below
Installing: /external_sd/a.zip
Finding update package...
I:Update location: /external_sd/a.zip
Opening update package...
Installing update...
minzip: Extracted file "/tmp/2.3/Arjun2.3.txt"
minzip: Extracted file "/tmp/4.0/Arjun4.0.txt"
minzip: Extracted file "/tmp/4.1/Arjun4.1.txt"
minzip: Extracted file "/tmp/4.2/Arjun4.2.txt"
minzip: Extracted file "/tmp/4.3/Arjun4.3.txt"
minzip: Extracted file "/tmp/4.4/Arjun4.4.txt"
minzip: Extracted file "/tmp/binbox.sh"
about to run program [/sbin/busybox] with 5 args
about to run program [/sbin/busybox] with 5 args
about to run program [/sbin/mount] with 2 args

Mounting /system

about to run program [/tmp/binbox.sh] with 2 args

about to run program [/sbin/busybox] with 3 args
Unmounting partitions...

script result was [Installation is complete...]
Installation is complete...

Install from sdcard complete.

here binbox.sh is the script
hope that someone can find a solution

A: Given that your system is having trouble with adb shell, and based on our debugging in the comments, the best solution for you seems to be the std unix solution, like
VER=$(awk -F= '/ro\.build\.version\.release/{print $NF}' /system/build.prop)
echo "VER=$VER"
VER=4.1.2

original solution left for others facing the same issue.
It's clear that the line
VER=$(echo $(getprop ro.build.version.release))

is creating the error message.
Per several posting here on S.O.  and googling, it looks like you need to use
VER=$(echo $(adb shell getprop ro.build.version.release))

If that doesn't work, then the more general solution is to do some digging and find out where getprop is, AND then either add the full path to the name, like
/usr/local/special/bin/getprop

OR add that path to the PATH env variable
PATH="/usr/local/special/bin:$PATH"

at the top of this script, OR in one of the shell's .rc (.profile, .bashrc, etc, etc). files.
IHTH


Protecting and Restoring the Morro Bay Estuary.
From the Director's Desk is a twice-yearly blog series, written by Executive Director Lexie Bell. Lexie plans and directs the program's work, and collaborates with the Estuary Program's many partners to expand our collective success in the watershed. Lexie first began working in Morro Bay as a graduate student at the UC Santa Barbara Bren School of Environmental Science and Management. Her graduate work analyzed the economic impact of visitors' perceptions of environmental quality in Morro Bay. In addition to her Master's degree, Lexie graduated from the University of Miami with a Bachelor of Science in Marine Science and Biology. Previously, Lexie worked for the National Oceanic and Atmospheric Administration's Office of Education, the Nature Conservancy, and the Central Caribbean Marine Institute. A native of Florida, Lexie now lives with her family in Los Osos and enjoys our beautiful Central Coast beaches at every opportunity.
Every day, the staff at the Estuary Program advance the protection and restoration of our bay. We teach students how their lives mix with the waters of the estuary. We use scientific inquiry and creative thinking to learn how the bay flows and supports life. We move earth and plant new habitats to improve the condition of our bay. We join forces with partners, neighbors, and our community to get things done.
Our volunteer crew for Coastal Cleanup Day 2017 included community members, staff from partner organizations, and local college students. Photograph courtesy of Michael "Mike" L. Baird.
Even during our busiest days, our earliest field calls, and our most engaging events, we are connected to those that came before us on this path to protect and restore the bay. The Estuary Program would not exist without the love and dedication of our community. Local filmmaker Simo Nylander captured this story of neighbors coming together to protect this beautiful and important bay in his recent award-winning documentary Of Marshes and Morros.
Revisiting our past through this film allowed us to look toward the future with fresh perspective. How will we continue to honor the commitment of this dedicated community as we grapple with new challenges and changing science? I believe the key is to keep our connections strong and remember that the passionate people who care for Morro Bay are our biggest assets in the drive to protect and restore it.
Volunteers helped our Restoration staff out with rides to transplant sites, and even stayed on to help put eelgrass shoots in the ground. In the picture above, Nick of Terre Verde Environmental Consulting (left) and George, Owner of Grassy Bar Oyster Company, help stake down new shoots. Thank you, volunteers!
In 2017, Estuary Program volunteers contributed nearly 2,000 hours to monitor water quality, educate our community, and support bay friendly practices. Without our volunteers, we wouldn't know about bacteria levels in the back bay or water clarity in our creeks. Without our volunteers, we wouldn't be able to provide more than 300,000 pet waste bags to keep bacteria from entering the bay.
Kids learned about the bugs that live in our local creeks and then made their own at the Estuary Program's booth at this year's Science After Dark event for kids.
But the Estuary Program doesn't rely solely on volunteers and our dedicated staff. We also need our partners to achieve our goal of a clean and healthy bay. This year, our partners have helped us with a wide variety of important projects. The California State Parks docents, ECOSLO docents, State Parks staff, SWAP, Morro Coast Audubon Society, SLO Botanical Gardens, local educators, and others have helped us reach more than 11,000 children and community members at events, talks, and field trips throughout this year. The Morro Bay Harbor Department works tirelessly to support Morro Bay's designation as a California Clean Marina, through oil recycling, maintaining pump-out facilities, and supporting boaters in using proper maintenance practices.
Becka Kelly, Harbor Department Supervisor, dons protective gear before pouring some oil into the drum to be recycled.
The County of San Luis Obispo completed three different restoration projects in the Los Osos area that provide important native habitats to protected species. Coastal San Luis Resource Conservation District brought a group of local restoration partners together to begin planning a new wetland restoration project in Los Osos Valley. The Land Conservancy of San Luis Obispo County worked with private landowners to protect agricultural land and native habitats from future development. These are just a few examples of the hard work happening around our watershed to protect clean water and healthy habitats by committed partner organizations, individual landowners, and citizens.
I am so proud to be a part of this community and I hope you are, too. Whether you support these efforts through volunteering, or remembering to conserve water at home, informing yourself about the issues affecting Morro Bay, or donating to help with our work in the watershed, you are a part of the legacy and the future of the Morro Bay estuary.
Subscribe to our weekly blog to have stories like these delivered to your inbox each week. In January, we'll post a blog series about our accomplishments in 2017.
Donate to the Estuary Program to support our work in the field, the lab, and beyond.
You can also support us by purchasing estuary-themed gear from ESTERO or from our Estuary Program store!
© Morro Bay National Estuary Program, All Rights Reserved.


Mackay Road runners were ecstatic with the awesome attendance of the last running event on their formal 2018 program – the social Eungella Trail 6km & 12km run. Race Director, Matt Stevens briefed approximately seventy runners across both events on the course description and safety guidelines to assist their trail running experience. Under perfect Eungella skies, the 21km and 6km runners bolted from the gates at 8am and 8:10am respectively, heading towards the beautifully maintained trails and canopied rainforests.
The 21km Eungella Trail Run perpetual trophy went to first placed male and female, Rod LeCoz and Kaylene Gardner. Rod's excellently paced race saw him finish nearly five minutes clear of second, with third placed Andy List easily handling the tough pace. Talented athlete, Kaylene performed extremely well in her first ever trail run, scorching over the testing course which included many serious undulations and tight meandering turns. The second placed female was only two minutes in deficit, with Lauren Dunne powering across the finish line for the bronze medal.
Shane Potts displayed outstanding speed and agility, smashing the six kilometre field ahead of Darrin Pullen, Ross Connor, Andrew Short, Wayne McMurtrie, Craig McGahey, Lachlan Stevens, Matt Stevens and Mark Takagaki. Leon Ryan and his family put in an awesome performance, easily sprinting up the trails to the turnaround marker and downhill to the finish line. Janelle Tilse was rapt with her run, scoring first place for the girls, three minutes clear of silver and bronze.
All runners are to be congratulated on their amazing efforts, most coming away with a few minor scratches and bruises from negotiating rocks, tree roots, wildlife and 'wait a while foliage' that is part of trail running and what makes trail running so much fun. Those who challenged and conquered the event included Greame Harris, Tim Caddy, Mark McFadzen, Martin Lambert, Cilla Martland, Jeanette Farrugia, Kim Saron, Jo Hughes, Leanne Connor, Ange Furdek, Cath Meng, Karen Pullen, Peter Shuttlewood, Brianna Mouat, Peter Goodworth, Rebecca Blines, Gaven Porter, Jason McCord, Carol Brown, Brenda Windsor, Simon Henderson, Tim Magoffin and Jarred Spence.
Many thanks to the Eungella Chalet, Financial Linx, Zambrero's, Ace Panel & Paint and National Parks & Wildlife for their ongoing support of the event….so much appreciated. Many thanks also to Race Director Matt Stevens, Tim Magoffin and their families together with race set up expert, Andrew Short and Geoff Neale for their sensational assistance and organisational skills for making the event such a success.


text:
Q: .slideDown function does not work on document.ready I have a function and it works when you click close: it slides up. However, I want it to slide down by default when you first go to the page.  It is just appearing right now, not sliding down.
$(document).ready(function () {
    $("#related2").slideDown();

    $(".close2").click(function (event) {
        event.preventDefault();
        $("#related2").slideUp();
    });
});

A: I don't know if this helps much, but I use this to do something similar to what your talking about.
$(document).ready(function()
{
  //shows the all of the elements
  $(".viewSectionBody").show();

  //toggle the body on head click
  $(".viewSectionHead").live('click', function()
  {
    $(this).next(".viewSectionBody").slideToggle(600);
  });
});

A: Your code should work as long as you have the style of the #related element set to display:none. That way it can animate the showing of the element when it hits your ready() code.

A: If I understand correctly, the code you posted already does what you want, and you want to understand in detail what's going on, yes?
So:

$(document).ready(function() {
...
}

This means that the enclosed code (inside the brackets) should be executed when the page has finished loading.
$("#related2").slideDown();
This makes the selected element to show up using a slideDown effect. Since this is inside (document).ready, this happens as soon as the page finishes loading, and presumably the element is hidden before that (with CSS).

$(".close2").click(function(event) {
...
});

This attaches all elements with the class ".close2" a click event, so whenever these elements are clicked, the enclosed code is executed. Again, since this is inside the (document).ready block, this click event is attached as soon as the page finishes loading.

event.preventDefault();

This makes it so that if the element already has a default event attached it is not executed (e.g., a link -  - will already have a click event attached, so that when it is clicked the browser is taken to the url on the href). The behaviour of this method will depend if the element actually has a click event attached or not, in this case. It may well do nothing.

$("#related2").slideUp();

Slides up the selected element.
EDIT: Ok, just noticed your comment on your original post. It's not sliding down by default probably because the element is not hidden by default, which is required since the slideDown method really just "unhides" and element using a fancy effect. So you have to hide #related2 using CSS, or with inline style on the HTML. Which translates to either:
#related2 { display: none; }

on the CSS, or:

on the HTML (of course, I'm presuming the element is a div).


text:
Q: Change visibilty in child class It appears that it is possible to change property visibility in child class from protected to public:
class BaseFoo  {
    protected foo;
}

class Foo extends BaseFoo {
   foo = 1;
}

new Foo().foo;

But not in any other possible combination. I believe that accidental change to public by omitting visibility modifier is more harmful than changing from protected to private (which isn't allowed).
What is the explanation for that? Is it a known issue?

A: It looks like the question has been discussed, and then closed as "working as intended", in the repo here. OOP theory is a bit beyond my expertise, but my understanding of the maintainer's logic is that protected is the category of methods that should be private on the base class, but are allowed to be public on children. Then
class Foo extends BaseFoo {
   protected foo = 1;
}

is the way to keep foo "private" on Foo. As to the question of implicit property types (should foo = 1 default to public?), that seems to make sense as the expected behavior. Defaulting to public is the standard throughout TS, and if you want to make that not possible, you'd use:
class BaseFoo  {
    private foo;
}

class Foo extends BaseFoo {
   foo = 1; // compiler error
}


Enjoyed a terrific Christmas lunch at the very busy Chapel Steps in Bandon yesterday. Very good value too at €20.00 for four courses with good choices. Well worth checking out in the few days left in the run-in to Christmas. Took a stroll around the town too and did a little shopping in the marvelous URRU shop and also at Matson's Wine Store, another busy spot.


text:
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The literate classroom - workshop by Alan Gibbons
The literate classroom - interactive workshop by Alan Gibbons
Thursday, 6 October 2016 -
Alan's workshops are exciting and informative, providing participants with a firm structure and the freedom to experiment in a fun and supportive environment.
The session will cover
how to encourage a reading and writing school
examining current evidence on the impact of libraries
the scaffolding approach to writing
the relationship between phonics, grammar and syntax
About Alan Gibbons
Alan Gibbons has been writing children's books for twenty three years. He is the winner of the Blue Peter Book Award 2000 'The book I couldn't put down' for his best-selling book Shadow of the Minotaur. He has also been shortlisted for the Carnegie Medal in 2001 and 2003 and twice for the Booktrust Teenage Prize. His books have been published in Japanese, German, Italian, French, Thai, Spanish, Danish, Dutch, Swedish and other languages. Alan was a teacher for 16 years, working with KS1, KS2 and KS3. He has made numerous visits to schools and libraries, colleges and education conferences in the UK and overseas, speaking at the AISA and ECIS conferences in Nairobi and Istanbul. He is a popular speaker at the Edinburgh Festival, the London Book Fair, the Northern Children's Book Festival, the Hay-on-Wye Festival, the Cheltenham Festival and many others.
Who can attend
The workshop will be extremely helpful for teachers from the middle and secondary sections of schools.
For British Council Member : INR 2000/- per participant
For Non – Member : INR 2500/- per participant
Prior registration is required to attend this workshop. For registration please contact Kamal Bhardwaj at 0172-5203014 or email at kamal.bhardwaj@britishcouncil.org
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A registered charity: 209131 (England and Wales) SCO37733 (Scotland)


text:
Social mouvements
Jille Belisario : Transnational Migrant Platform 4 years ago
Debt as an instrument of the colonial conquest of Egypt 5 years ago
The role of the Media in citizen reporting 5 years ago
Emissions/Reports/Chronic
PRE – CALL FOR MOVEMENTS, NETWORKS AND ORGANIZATIONS OF THE INTERNATIONAL CIVIL SOCIETY TOWARD THE WSF2021 IN MEXICO
Launch of the youth and civil society live broadcast # TARI_7DAK
Interviews recorded on the sidelines of the national symposium on death penalty of Khemisset (Arabic)
Testimonials: Video testimonials from #Migrants in #Morocco (French)
Interview with Mrs. Fatiha Chtatou, president of the Injaz Center against gender based violence, related to the subject of the safe abortion, the consensual relations and the position of the feminist movement (Arabic)
Communiqué concerning the back-to-school campaign 2019-2020
MAJALAT Neighbourhood South Policy Seminar
WORLD REFUGEE DAY – DEADLOCK AT SEA, OBSTACLES TO THE RIGHT OF ASYLUM: THE TUNISIAN CASE
People's Permanent Tribunal Sessions
Call for support against the decision of the dissolution of Racines
Home Climate change Plans for mobilizations in Paris cancelled by authorities: French activists more determined than ever before to make their voices heard
Plans for mobilizations in Paris cancelled by authorities: French activists more determined than ever before to make their voices heard
on: November 19, 2015 In: Climate change, NewsTags:
PARIS — The Paris Prefecture of Police has announced that due to the tragic events that took place on November 13, the Global Climate March planned for November 29, and the December 12 mobilizations planned will not be allowed to proceed in Paris.
We regret that no alternative has been found to allow our mobilization plans to go ahead. However, we are more determined than ever to make our voices heard on climate justice and throughout both weeks.
"We realize the gravity of the situation, but now more than ever, we need to find creative ideas to call on people to unite around climate action," Juliette Rousseau, coordinator of the Coalition Climat 21, the network of NGOS coordinating the mobilisations.
In fact, on the weekend of November 28 and 29, on the eve of COP21, millions of people throughout the world will march for climate justice. More than 2,173 events are going ahead in more than 150 countries, including 57 major marches across all continents and dozens of marches across France.
Regarding both November 29 and December 12 in Paris, the French Coalition is already at work to find creative ways to take action and ensure that the future climate agreement will not be the work only of government negotiators but of the people around the world.
The Citizens Climate Summit to be held on December 5 and 6 in Montreuil (Seine Saint-Denis) and the Action Zone Climate (ZAC), to be held from December 7 to 11 at Paris-CENTQUATRE should go forward as planned. These mobilizations will be two great opportunities to demonstrate that civil society is fighting and implementing the solutions to climate change, and determined to fight against the climate crisis.
The Paris Climate Summit is not an end in itself. As citizens of the world, we will continue to build a movement that will be strengthened after this summit and beyond to call for a just energy transformation to tackle the common threat of climate change.
facebook.com/climat21
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www.coalitionclimat21.org
Civil society: still standing together, united and mobilised for climate
Civil society, united, in solidarity and continuing to mobilize for the climate
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Frank La Rue / UNESCO and Community radio
Two Bahrainis Face Execution Despite Torture Allegations
Lebanon: Residency Rules Put Syrians at Risk
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the caravan of radio and gender
ACCOMPANIMENT OF THE 2015 ELECTIONS PREPARATIONS
Aswatona
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Partner & CEO, Porter Novelli.
Helen Ostrowski, Partner & CEO, Porter Novelli has more than 35 years of experience in public relations. Helen has handled public relations programs for major companies, working closely with CEOs and senior management to position their companies to various constituencies.
Helen's previous roles at Porter Novelli include President of the Americas, Regional Director of the Eastern region, and General Manager of the agency's flagship office in New York.


Allen & Page Fast Fibre - 20kg.
Fast Fibre® is ideal for the good doer or for horses who tend to be excitable even on low energy feeds. This feed is particularly useful for horses with dental problems, as it can be used as a partial or complete hay replacer if necessary. It is also suitable for horses and ponies prone to laminitis.
Fast Fibre® features a unique recipe which enables it to soak in under a minute, so you can be sure that your horse's feed is always fresh. This feed contains premium quality ingredients and free from all animal products.


text:
Q: bootstrap table extension show all columns (hideAllColumns or showAllColumns) not working I am following the table document
http://bootstrap-table.wenzhixin.net.cn/documentation/
I just want to note that when I use this (showAllColumns or hideAllColumns) for the button with this code
$('#table').bootstrapTable('showAllColumns');

There is an error for this: "undefined is not an object (evaluating 'I')
My goal is to close all columns and open selected columns.
closing individual columns is working but not efficient
$('#table')bootstrapTable('hideColumn', 'column1');
$('#table')bootstrapTable('hideColumn', 'column2');
. . .

and show other columns
$('#table')bootstrapTable('showColumn', 'column11');
$('#table')bootstrapTable('showColumn', 'column12');

There is other post about
$('#show_all').on('click', function(){
  $('table th').show();
})

but that does not work for me .
anybody test this and see if it is working?
example, I added the code here to the Reset button but it does not work
$('#table').bootstrapTable('hideAllColumns');

http://jsfiddle.net/e3nk137y/12301/

A: The official website has an online editor, where you may to load ready-made examples.
Including your case:
https://live.bootstrap-table.com/example/methods/show-hide-all-columns.html
First, add buttons:

  <button id="show_all" class="btn btn-secondary">Show All Columns</button>
  <button id="hide_all" class="btn btn-secondary">Hide All Columns</button>
  <button id="hide_price" class="btn btn-secondary">Hide Price Column</button>

And init table:

      ID
      Item Name
      Item Price

Then you create button actions:
$(function() {
  $('#show_all').click(function() {
    $('#table').bootstrapTable('showAllColumns')
  })

  $('#hide_all').click(function() {
    $('#table').bootstrapTable('hideAllColumns')
  })

  $('#hide_price').click(function() {
    $('#table').bootstrapTable('hideColumn', 'price')
  })
})

https://jsfiddle.net/kaperusov/1b8oruf9/5/


text:
Top Agency Rankings
Advertising Agencies (to 2015)
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AR marketing myths and why they need to be busted
By Stephen Anderson, Snap's APAC senior creative strategist | 11 November 2019
Snap APAC senior creative strategist Stephen Anderson
Augmented Reality (AR) is changing the rules of brand engagement.
The number of mobile AR users is estimated to hit 900 million users globally by the end of the year, and 3.5 billion by 2022 . Similarly, AR advertising is expected to generate over $13 billion in global revenue by 2022, accounting for over 12% of all mobile ad revenue by that year.
In order to secure an advantage, brands will need to leverage this growth early. Yet, in Australia (and other markets), there are some misconceptions about the technology and its benefits to marketers.
MYTH #1: AR is the future of marketing
It's commonly touted that AR is the future of marketing, but this thinking ignores the fact that AR is already being created and consumed at scale in Australia.
Just this year, retail chain Big W partnered with Snap Inc. Australia to create an AR experience featuring the brand's toy catalogue. The campaign provided Big W's audience with an opportunity to creatively connect with a traditional sales tool, the toy catalogue, adding an element of fun and play within the overall advertising experience.
Brands such as Big W, McDonald's, and Activision are embracing AR to help engage and convert their target audience. This shows that we don't need to wait for AR marketing to become a reality – it's already here.
MYTH #2: AR audiences lack buying power
Gen Z - digital natives aged 13-22 - are the ones leading the adoption of AR at scale. AR is naturally part of their everyday media life, and a source of endless creative possibilities. The rise of AR technology adds an extra dimension to the creative toolkit and provides high engagement levels.
What is inaccurate is the thought that this audience isn't worth targeting.
While many see Gen Z as tech-obsessed teenagers, this audience's influence should not be overlooked. In the U.S. for example, the National Retail Federation places Gen Z's buying power at USD$44 billion. Australian figures are comparable on a per capita basis. As more brands begin to harness the buying power of Gen Z, we predict further growth in AR experiences to engage them.
Big W's AR experience
MYTH #3: AR users don't engage with advertising
The fleeting attention of Gen Z is another myth that needs dispelling.
Attention has simply diversified and people, including Gen Z, are choosing to spend time paying attention to content and brands in new and ever more interesting ways. It's about engagement vs passive consumption.
That in some respects is the power of AR. It gives brands the opportunity to create hyper-relevant, hyper-personalised content that features the audience itself and is distributed by them within their own networks, which in turn means it becomes incredibly authentic.
As an example, Activision and OMD recently ran an out of home (OOH) campaign which gave fans of Call of Duty: Modern Warfare an AR experience via over 450 OOH placements across the country. Snapchatters who scanned the Snapcode on each placement were able to activate an AR experience which featured a helicopter inspired by Call of Duty flying out of the poster, and the sky darkens above them, connecting their real-world environment with computer-generated digital content. They were then able to purchase the game through an in-app "Order Now" button.
This is just one example showing how AR technology adds an extra dimension to the creative toolkit and provides off-the-scale engagement levels.
Call of Duty: Modern Warfare an AR experience
The power of AR lies in its ability to allow the audience to engage with and personalise a brand narrative. Where previously brand advocacy has been driven by social metrics such as likes and retweets, AR gives us the opportunity to create hyper-relevant, hyper-personalised content.
As AR is adopted by more people, the camera, and the attention it's given, will become an increasingly important tool in the marketing mix of advertisers. Indeed in some respects the camera itself should be considered a new channel. While people have adopted AR at scale we are only at the beginning of what is possible.
The disconnect holding back video investment in Australia
Have we reached 'Peak Complexity' in out-of-home?
Mobile, audio and DOOH have survived without cookies - but can adtech follow suit?
AdNews Newsletter
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Why the Liberal Party bushfire commercial is such a bad ad
Advertising industry cliches 2019
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Yaffa Daemon


text:
Q: unpublishing enum in javadoc in java I have declared enum in my class like this
/**
 * Preference type to check the doc
 *
 * @unpublished
 */
public enum TCPreferenceType
{
    /** String preference. */
    STRING_TYPE,

    /** Logical preference. */
    LOGICAL_TYPE,

    /** Integer preference. */
    INTEGER_TYPE,

    /** Double preference. */
    DOUBLE_TYPE,

    /** Date preference. */
    DATE_TYPE,

    /**
     * Defines an invalid preference type.
     */
    INVALID_TYPE;

    /**
     * @param preferenceType preference type
     * @return type
     * @unpublished
     */
    public static TCPreferenceType convertType( int preferenceType )
    {
        if( preferenceType == 0 )
        {
            return STRING_TYPE;
        }
        if( preferenceType == 1 )
        {
            return LOGICAL_TYPE;
        }
        if( preferenceType == 2 )
        {
            return INTEGER_TYPE;
        }
        if( preferenceType == 3 )
        {
            return DOUBLE_TYPE;
        }
        if( preferenceType == 4 )
        {
            return DATE_TYPE;
        }

        Assert.isLegal( false, "Invalid preference type encounter - " + preferenceType );
        return INVALID_TYPE;
    }

I want this should not get published in javadoc.
I have return @unpublished then also it is showing in java doc.
Is there any way to unpublished it.??
Even if it is publish ,is there any way it is not shown with hyperlink?

A: The tool javadoc.exe generates javadoc depending on the comment /**
using /* instead of /**
it will be ok!


I'm writing this blog post to you guys from my sick bed, I posted yesterday about how ill I was feeling and today doesn't seem to be much better. I am definitely not well enough to do an outfit post (unless you guys wanna see my no make up/onesie look) so instead thought I would do my favourite regular post; blogger of the month!
This months blogger of the month is...Helena from Bell's Fashion!
I found Bell's Fashion through the Waiste lookbook, as Helena was the stylist for the shoot and instantly fell in love with her style. As someone who loves black and dark colours I always admire people who embrace colour and Helena sure as hell does this with her eccentric, bohemian style. Every outfit is a clash of colour and print, bringing 90's and 70's inspiration together in a Clueless/Woodstock sort of look! Helena has an enviable collection of fur coats and gilets and is rarely photographed without her staple platforms which definitely add a bit of Spice Girl to her look.
Another thing i've noticed about Helena is she always looks so happy in her blog posts, which I think is a really nice element to bring to a blog. So many bloggers do the moody pout, but her smile is quite refreshing and makes you think that she does really enjoy what she's doing. I also have to mention the AMAZING silver kimono she's wearing in the bottom picture, for this outfit alone Helena your on the top of my blog roll.


Robert Bailey, aka Dillgin, was born and raised in Jamaica. Throughout the years, he has pursued his career as a singer, DJ, songwriter, and producer on his own label, Wall Streetz Records. As a producer, he produced many artists including Capelton "Never Get Down" and "Dutty Life", Beenie Man "Power and Shower", Sizzla "Buzz Rock Warrior", Anthony B. & The Mighty Diamonds "Pass The Kutchie", and Luciano "Mystery Babylon", among many others. Dillgin's 2001 self-produced breakout single "Cuss Cuss" featuring Mark Ice- was featured on VP Records Strictly The Best 27, and has taken him on tours throughout Europe, the Caribbean, Canada and across the USA.


text:
interview | sharaya j
Corset, Jacket & Skirt / VIKTOR LUNA
Choker / Tuleste
Oversized Necklace / Harrison Morgan
Chain Necklace & Lock Necklace / LARUICCI
Sharaya Howell – better known by her alias Sharaya J – is a rapper and choreographer fast making a name for herself as a champion of originality. Her song BANJI is also termed a movement, its name an acronym of 'Be Authentic and Never Jeopardise Individuality'. Blue lipstick and hair, technicolour nails and oversized earrings are her defining features – a look as bold and unique as her sound. Ambitious choreography and sharp rap contribute to the energy of her performance and videos, and confirm her role as an artist consistently looking to push the boundaries. With an exciting future ahead of her, Howell talks to Schön! about the origins of her Hip-Hop career, and the importance of individuality.
Howell is frequently referred to as Missy Elliott's protégé, after having been signed to the latter's label The Goldmind Inc in 2010. The rapper paid homage to her Hip-Hop predecessor with the single Takin' It No More, which sampled Missy's track Take Away. She is grateful for having learnt a lot from Missy, not just in respect to her career, but "life in general". "She's always pushed me to work hard at being my best self and also taught me how very important loyalty in relationships is. She would say, 'Your name is everything… As long as you keep a good name you will always get a check!'"
Corset & Jacket / VIKTOR LUNA
Chocker / Tuleste
Coat / VIKTOR LUNA
Shirt / Koohnoor
Whilst comparisons to other female rappers are inevitable, Howell is set to forge a path which is entirely her own. Howell's background as a dancer – which boasts collaborations with artists Rihanna, Diddy and Beyoncé and cameos in the Step Up movie franchise – has very much shaped and distinguished her as a musician. She explains that this allegiance to dance enables her to feel the music differently in the process of songwriting: "I can visually see how I want to move to it, and what I want to express. I think it's just another level of creativity that I use to enhance what I do as an artist!"
The way Howell discusses her relationship with music and dance makes it seem innate. This is partly owed to her father, who was a member of the Hip-Hop group Double XX Posse. She claims that growing up, her "life was Hip-Hop". She lists Janet and Michael Jackson, Biggie and Aaliyah as some of the artists she admires most. " I would come home from school to cyphers in the living room, late studio nights, and my father always writing to instrumentals around the house. To see your dad on TV was a big deal… I watched him go for his dreams!"
Top / The Blonds
Choker & Rings / Tuleste
Skirt & Briefs / MILLY
Boot Spats / VIKTOR LUNA
Boots / L.A.M.B.
Top & Trousers / The Blonds
Choker & Bangles / Tuleste
It is certainly encouraging to see a female rapper achieving her dreams despite such a pronounced gender imbalance in the industry. Howell hopes to see "more female rappers breaking down those mainstream barriers" and describes herself as "a huge supporter of female rap comradely. I believe there's enough out there for us all to eat. I'm optimistic that there will be more of us hitting that mark very soon!"
BANJI is a principle that has infiltrated every aspect of Howell's career, including her approach to fashion. She describes her distinct style as "a form of creative expression" and "a perfect blend of street wear and high fashion. I take chances and even if I'm breaking some rules, I'm not afraid to! I think it's all about how you choose to freak your style that matters most. I'm heavily inspired by Hip-Hop culture…" Fusing polar ends of the fashion spectrum has made Howell a muse for designers like Alexander Wang: in 2014, her single Shut it Down was premiered via a T by Alexander Wang campaign, and she has since acted as an ambassador for the brand. It is clear that staying true to her self is the only rule that Howell abides by. In an industry seemingly bent on churning out artists who conform to certain prototypes, it is refreshing to see a musician so determined on existing outside of the box.
Sharaya J's single Big is available worldwide here.
This Schön online exclusive was produced by
Photography / Ryan Michael Kelly
Fashion / NEWHEART OHANIAN @ Celestine Agency
Talent / Sharaya J
Make Up / Robert Green @ Honey Artists
Management / Anna Gray @ Banji Entertainment
by Schön! Magazine / December 29th, 2016
Tags: Anna Gray, Banji Entertainment, Celestine Agency, Harrison Morgan, Honey Artists, Koohnoor, L.A.M.B, Laruicci, Milly, Newheart Ohanian, Robert Green, Ryan Michael Kelly, Sharaya J, The Blonds, Tuleste, Viktor Luna, womenswear
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Resource mapping is carried out by communities to map their territories and indicate which places and which resources are used for which purposes (customary use). These maps demonstrate the scope of indigenous territories and illustrate the significance and importance of the territories and associated resources for the lives of indigenous and local communities. FPP supports and facilitates participatory mapping processes. Community members are trained to use GPS and GIS technology and then employ these skills in the field in combinationwith the knowledge of resource users or elders who know the territory or specific parts of it very well. Data and locations are collected and all information is compiled into digital maps. All technology is set up at the local level and adapted to local needs and circumstances. In combination with village-level capacity building in land and resource rights issues, participatory mapping can provide the basis for an effective territorial defence strategy. An increasing number of forest peoples consider community maps as a useful tool that they can use at the local and national level to assert more secure land and resource rights in their traditional territories. This is especially important in cases where outside actors aim to access their forests, such as government authorities, conservation NGOs and companies (logging, mining, plantations). The maps can support communities in dialogue and negotiation processes.


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Where is the Balonne River?
Posted on October 8, 2022 by author
south-west Queensland
It flows south from near Morven in south-west Queensland and meets the Culgoa River in northern New South Wales. The landscape of the Condamine–Balonne catchment is diverse, ranging from tablelands and slopes in the east; gorges in the north-west; to semi-arid plains in the south-west.
Where does the Balonne River start and end?
Culgoa River
Narran RiverBokhara River
Balonne River/Mouths
Where is dirranbandi NSW?
Dirranbandi is a rural town and locality in the Shire of Balonne, Queensland, Australia. The locality is on the border of Queensland with New South Wales. In the 2016 census, Dirranbandi had a population of 640 people….Dirranbandi, Queensland.
Dirranbandi Queensland
LGA(s) Balonne Shire
State electorate(s) Warrego
Federal division(s) Maranoa
Where does the Balonne River End?
What river is St George on?
Balonne River
From the moment you arrive to the time you leave, St George relaxes the senses in all the right ways. Perched on the banks of the mighty Balonne River, its just the place from which to explore the beautiful Balonne Shire.
What is the area code for Queensland Australia?
Australian Area Code List
03 South East Victoria & Tasmania
04 Mobile Telephones Australia-wide
07 North East Queensland
08 Central & West Western Australia, South Australia & Northern Territory
What is dirranbandi famous for?
Dirranbandi marks the end of the South West rail line and was the destination of the very last mail train to operate in Australia. On a visit to Railway Park, you'll find the old waiting room, the original parcels office and the 1913 Station Master's residence, which is now the Dirranbandi Rural Transaction Centre.
What is the population of dirranbandi?
In the 2016 Census, there were 640 people in Dirranbandi. Of these 52.6% were male and 47.4% were female. Aboriginal and/or Torres Strait Islander people made up 11.9% of the population. The median age of people in Dirranbandi was 45 years.
Does Toowoomba have a river?
The Condamine River is part of the Balonne catchment that is part of the Murray-Darling Basin. The river drains the northern portion of Darling Downs and travels through Toowoomba. There are a number of camping, boating and fishing sites along the river with plenty to do!
What Aboriginal land is St George on?
The first inhabitants of the St George area were Australian Aboriginals. At the time of the arrival of the First Fleet, the Eora tribe inhabited land from Port Jackson to Botany Bay and the Georges River. There is evidence to suggest that these people belonged to the Gweagal, Bidjigal and Cadigal clans.
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Warm weather and school vacations make summer a great time to travel. I know many of you plan trips to Europe at this time of year, so finding a pair of travel shoes you love is important since you'll probably be walking miles in them. In fact, shoes might be the most important thing you'll pack!
I get asked what shoes are the best for travel A LOT! And while I love shoes, it's one of the hardest questions to answer because everyone's feet are so different. What is comfortable for one person isn't always going to work for the next.
Stick with neutral colors that will go with several outfits. As you can see in my roundup above, most of the shoes are black, brown, navy, beige, white, or metallic. The less shoes you have to bring, the less heavy your bag is–always a win in my book.
Another thing you won't find on my list are heels. If you're big into heels, I'm certainly not here to convince you otherwise, but if you're traveling to Europe you are going to find yourself doing a lot of walking and many cities have cobblestone streets that make it very hard to get around in heels. If you like the extra height, wedges are a good alternative to heels.
Below is a roundup of my favorite travel shoes for the summer. I did my best to take into account style, comfort, and whether they pack nicely in your suitcase.
Soludos (or other espadrille variations) are comfy, lightweight, and make your legs look fantastic in shorts and dresses. They don't have the best arch support, but as long as you have two or three different shoes to rotate throughout your trip, your feet should be just fine for days filled with walking.
If you are looking for a structured shoe, but don't want to walk around in a big clodhopper running shoe, there are a lot of nice sneakers on the market. The Superga brand is a personal favorite right now and I'm in love with the gingham version here. So cute for summer!
Sandals are a must for summer travel. They keep your feet cool and don't take up much room in your suitcase. It's nice to have a pair of sandals to walk on the beach so you don't have sand stuck in your shoes the entire trip. If you're staying in a hostel, sandals are important to wear when showering as you don't want to come home with any funky foot issues. Havaianas are a great option as they are easy to rinse off and they dry instantly. As far as Birkenstocks go, you are either a Birkenstock lover or you're not and you can usually find out pretty quickly. The foot bed is so formed that if it doesn't suit your foot you'll know immediately. I love these shoes (especially the metallic versions they have out) and can walk all day in them, but I know my mom doesn't wear them as they don't fit her foot.
Since I haven't included heels on the list, I recommend a nice pair of flats for your dinners out on the town. I've always loved the patent leather Ferragamo Varinas, but don't think they will ever be in the budget. Tory Burch flats are reliable and their new travel version is great because they fold up into your purse or into the pockets in your luggage. The price point is not overly friendly, but there are lots of inexpensive flats on the market these days (like these scalloped flats). Just be sure to test them out before you go as you want to make sure they are comfortable.
Happy feet & Happy Travels!


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Tag: dmc corporation board
Transportation: By land or by air
June 8, 2017 General
Transportation is at the forefront of urban planning and growth, and Rochester leaders are exploring how to best meet the needs of all as the Destination Medical Center initiative continues to take shape.
Transportation goals for Rochester include moving 23-30% of the workforce downtown via transit by 2035, connecting downtown districts with a circulator, and creating a world-class place for regional transit arrival and departure.
The first United Airlines flight into RST
Rochester International Airport recently welcomed its first-ever United Airlines flight bringing the city another step closer to creating the high quality of service necessary to support the growth expected as a result of DMC.
Live Blog | 2016: "Our Year of Building Momentum"
September 24, 2015 General
Heart of the City, seen above, represents the heart of downtown. This district creates a true center of Rochester, a crossroads where Mayo Clinic, commercial, retail, and residential meet.
DMC Corporation Board member and Mayo Clinic Trustee Bill George called 2016 "our year of building momentum."
As he has done at several previous DMC Corporation Board meetings, George continued to emphasize a strong focus on the Heart of the City sub-district.
"All the citizens, all the visitors to Rochster need to see improvements," George said. "It's incumbent upon us to get that moving quickly."
George also suggested the DMC Economic Development Agency begin detailing plans for development of Heart of the City.
"We need to back this and get it moving," George said. "We need to have specific milestones by which we can measure progress."
Live Blog | Public Comment at DMC Corporation Board Meeting
Historic preservation remains top of mind for some of those following DMC and the DMC Corporation Board of Governors. At this morning's public comment period, one person implored the board to watch closely the "power brokers" in Rochester and Minnesota, who are looking to profit from downtown development.
"Be aware of the motivations of the power brokers," she said. "We feel that we are being rolled over."
Citing the Connolly Building on Fourth Ave, the visitor admonished that public officials should take a more vigilant and proactive role in preserving Rochester's historical buildings and landmarks.
"I believe that this board is sincere about historical preservation," she said.
Board members, including Rochester Mayor Ardell Brede, affirmed the visitor's desire to preserve local history, but challenged her assertion that not enough is being done in this regard.
Brede called attention to efforts currently underway to preserve and enhance buildings throughout downtown Rochester, including:
Former Senior Center – "the castle building"
Chateau Theatre
Connolly Building
DMC Corporation Board Chair Tina Smith, also affirmed the desire to preserve local history. January's DMC Corporation Board meeting is slated to have a full discussion about historic preservation and how the DMC Corporation can help, she said.
"I'm very much looking forward to that discussion," Smith said.