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Cambridge Writers' Workshop
Cambridge, MA Creative Writing Workshops & Craft of Writing Seminars (Sept 23 – Dec 2, 2017)
CWW Presents: Fertile Ground for Celebration – Democracy Center, Cambridge, MA – May 5, 2017
CWW Presents: Writers in Resistance – AWP 2017 Reading (Washington D.C., Feb 10, 2017)
CWW Presents: Fawn (Boston, MA, February 3, 2017)
Cambridge, MA Creative Writing Workshops & Craft of Writing Seminars (Sept 10-Dec 10, 2016)
Transformations & Disobedience – A Brooklyn Book Festival Reading – September 17, 2016
Cambridge Writers' Workshop at AWP LA (March 30-April 2, 2016)
Brooklyn Book Festival Reading (September 20, 2015)
Podcast Live for Shakespeare & Co. Reading feat. David Shields and Charles Recoursé
Shakespeare and Company Reading (Paris, July 23, 2015)
An Evening with Peter Orner Reading (Munich, June 30, 2015)
Cambridge Writers' Workshop at AWP 2015 Recap!
AWP 2015 Conference
A Night at the Victrola – AWP 2014 Reading
CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press)
Meet our CREDO Authors!
Disobedient Futures Anthology – Submissions Under Review
Cambridge Writers' Workshop Spring in New Orleans Writing Retreat (March 19-22, 2020)
Cambridge Writers' Workshop Summer Writing Retreat in Paris (July 16-21, 2020)
2020 Writing Scholarships – Deadline: March 1, 2020
CWW Summer in Paris Writing Retreat (July 17-22, 2019) – Deadline: June 15, 2019
Summer 2019 Writing Retreat Scholarships – Deadline: June 15
CWW Spring in New Orleans Retreat (March 14-17, 2019)
Cambridge Writers' Workshop Summer in Granada, Spain Writing Retreat (August 1-6, 2018)
Cambridge Writers' Workshop Summer in Paris Writing Retreat (July 25-30, 2018)
Spring in New Orleans (April 13-16, 2018) Retreat Gallery
Spring in New Orleans Writing Retreat (April 13-16, 2018)
Harvest Creative Writing Retreat in Rockport, MA (Oct 12-15, 2017)
Summer & Fall 2017 Retreat Scholarship Applications
Summer in Granada, Spain Writing Retreat (Aug 2-6, 2017)
Spring in Portland, OR Writing Retreat (April 22-24, 2017)
Spring in New Orleans Writing Retreat (March 23-26, 2017)
Summer in Granada Writing Retreat (July 28-Aug 5, 2016)
2016 Summer in Granada, Andalucia, Spain Writing Retreat Gallery
Summer in Barcelona, Spain & South of France Writing Retreat (July 18-26, 2016)
2016 Summer in Barcelona & South of France Writing Retreat Gallery
Spring in Newport, RI Writing & Yoga Retreat (April 22-24, 2016)
NYC Pre-Thanksgiving Yoga & Writing Cleanse (Sacred Sounds, November 21-22, 2015)
Summer Writing Retreat in Granada, Andalucía, Spain (August 3-10, 2015)
Summer Writing Retreat in Paris, France (July 22-30, 2015)
2015 Summer Writing Retreat in Paris Gallery
Newport, Rhode Island Writing & Yoga Retreat (April 2-5, 2015)
Newport 2015 Retreat Gallery
Brooklyn Yoga, Aromatherapy, & Writing Workshop (Jan 31, 2015)
NYC Pre-Thanksgiving Yoga & Creative Writing Cleanse
Château de Verderonne Summer 2014 Yoga & Writing Retreat
Château de Verderonne Summer 2014 Retreat Gallery
Château de Sacy Summer 2012 Retreat Gallery
Interviews, Reviews, & Recommendations
CWW Interviews
CWW Interview – David Shields
CWW Interview – Bret Anthony Johnston
CWW Interview – Peter Orner
CWW Interview – Stephen Aubrey
CWW Reviews
Celebrating Diverse Books – A Review by Anna-Celestrya Carr
The Queen of the Night by Alexander Chee – Review
Kathleen Spivack's Unspeakable Things (2016) – Review
Alex Mahgoub's Fringe Festival Play – Baba (2015) Review
The End of the Tour (2015) Review
CWW Recommends
CWW Recommends: Books for the Dog Days of Summer
CWW Recommends: LGBT+ Literature
CWW Recommends – New Year 2016
CWW Recommends – Summer 2014
CWW Recommends – Winter 2015
Literary Internships
Tag Archives: Katy Miller
CWW Interview with Peter Orner, Novelist, Guggenheim Fellow, & Granada Instructor
Posted on April 16, 2015 by Katy M.
This year, the Cambridge Writers' Workshop's Summer Writing Retreat in Granada, Spain, will take place from August 3-10, 2015. At the event, we'll be hosting a wide variety of craft of writing seminars, creative writing workshops, and special readings from our Granada 2015 faculty, which includes Peter Orner, Rita Banerjee, Diana Norma Szokolyai, Jessica Reidy, and Elissa Lewis. One of our featured faculty members is Peter Orner, a novelist and short story writer and winner of a Guggenheim Fellowship. The Cambridge Writers' Workshop's Katy Miller sat down to speak with Peter for an interview. Read below to see the interview, and be sure to register for our Granada retreat by April 20!
KM: You've taught many writing courses from the Iowa Writers' Workshop to Charles University in Prague to your current position at San Francisco State. Does teaching affect your own viewpoint of the writing process?
PO: It's such an honor that people trust me with their stories, and this is something I've never taken for granted. While I'm pretty sure writing can't be taught, being a part of a group of artists who care about literature is in itself a great and often inspiring gift. This is lonely work—I spend so much time alone, either at my desk or wandering around the city.
Teaching has always been a kind of tether to the lives of other people, and like I say I'm very grateful for it. It doesn't make my own work go any easier but it does help to know that other people – students, colleagues, share the same challenges. We're all trying to say what maybe can't be said as best we can…
KM: "Compression" is a word that's often used when discussing your stories. Do these stories usually start off as clean and short as they end up, or is there a lot of cutting down and revision that goes into them?
PO: Really depends on the story, sometimes they do start off much longer and then I chip away and chip away. Other times, they come out in sort of one breath, if this makes any sense. I do think if a story or a novel for that matter can be any shorter, I will try and make it so. I don't like to waste words.
KM: How would you compare your approach to writing the short story versus writing a novel or writing nonfiction?
PO: With a novel I settle in with my characters for the long haul—and I hope a reader will too. With a story I'm trying, in a sense, to grab onto a moment and hold steady for a bit. I want the moment to last longer, and for it to exist far beyond the page. Non-fiction is a whole different deal, and exciting in its own way. I spend so much time making stuff off, lying basically as a profession. There is something almost liberating about trying to hone as best I can to the truth.
KM: In Esther Stories and Last Car over the Sagamore Bridge, grief and pain in family relationships are recurring themes. What draws you to writing this subject matter?
PO: I think these are the stories that make us us. Our families, our griefs, our pain. Mixed in there, of course, is a great deal of joy and comedy. Got to have comedy. Funerals are always funnier to me than weddings. Am I alone here? And its strange, the comedy, the laughter, only makes the pain, the grief, the loss, more acute and vice versa.
KM: Geography is very present in your stories, from Fall River, Massachusetts to Nova Scotia. Do you begin a story from a sense or place? How do you typically choose a setting?
PO: Yes, I do start very often from place, a real place, and then I do my best to make a myth around that place. So it might be Fall River, or Namibia, or Chicago. I try to know as much as possible about the real place. Only then do I feel free to try to make my own fictional version of these real places.
KM: What made you decide to weave characters from your older works, like the Kaplans, into your newer works like Sagamore?
PO: Sometimes characters just keep talking to me. It's weird, I think I'm done with a character, like when a character dies for instance. And then the next morning I wake up and that dead character is talking to me again as if I didn't kill him off. In fiction, you can bring people back to life, which is nice.
KM: Your stories often capture deep emotion but don't rely on melodrama. Do you have any tips for writing tragedy without drama?
PO: Don't push anything, don't try and sell it. Emotion doesn't need to be sold. I find readers will go with you if you don't tell them what to feel.
KM: What projects are you currently working on?
PO: Pretty busy with new work, a new fiction, longer stuff and shorter, and new non-fiction, this one set in Haiti.
KM: What kind of workshops do you plan to offer when you join us on our Granada, Spain retreat?
PO: I'm so looking forward to Granada. What an unusual place to write and read. I'm going to do a story writing workshop where participants will leave with a number of stories in progress, as well as a craft/ literature class that will focus on Spanish literature in English translation.
KM: What advice do you have for aspiring writers?
PO: You've got time. I've never met a writer who says I have enough time to write, but the fact is that you do. We all do. In spite of our lives, our jobs, our families, our responsibilities. Even just a few quiet minutes a day can take you deep into a story. Dawn is always a good time to do some work.
Peter Orner is the Chicago-born author of two novels, Love and Shame and Love (Little, Brown 2011) and The Second Coming of Mavala Shikongo (Little, Brown, 2006) and two story collections, Esther Stories (Houghton Mifflin 2001/ Little, Brown 2013 with a forward by Marilynne Robinson) and Last Car Over the Sagamore Bridge (Little, Brown, 2013). Orner's fiction and non-fiction has appeared in the New York Times, the Atlantic Monthly, Granta, The Paris Review, McSweeney's, Tin House, and has been anthologized in Best American Stories and twice won a Pushcart Prize. Orner was awarded a Guggenheim Fellowship (2006), as well as the two-year Lannan Foundation Literary Fellowship (2007-2008). He is also the editor of two books of non-fiction from McSweeney's/ Voice of Witness, one about immigration in the U.S., and the other about Zimbabwe, and is currently working on a new volume set in Haiti. A film version of one of Orner's stories, "The Raft" with a screenplay by Orner and the film's director, Rob Jones, is currently in production and stars Ed Asner. He has also been awarded the Rome Prize from the American Academy of Arts and Letters, the Goldberg Prize for Jewish Fiction, the California Book Award, and the Bard Fiction Prize. Orner has taught at the University of Iowa Writers' Workshop, the University of Montana, Bard College, and is currently a professor in the MFA program at San Francisco State University as well as a member of the fiction faculty at Warren Wilson College. He lives in Bolinas, California where he' also a member of the volunteer fire department.
Tagged Creative Writing Retreat, fiction, Granada Spain, interview, Katy Miller, narrative, novel, Peter Orner, short story, storytelling, Summer Writing Retreat
Cambridge Writers' Workshop Recommends: Winter 2015 – Books to Keep You Warm
Posted on February 14, 2015 by carriganak
Hello everyone! Happy Valentine's Day! We hope you're all enjoying 2015 and staying warm through all that snowy weather! To celebrate February and the snowy tidings of 2015, our CWW staff has written about their favorite reads to keep you warm through this winter season! Some of these works that have inspired our own writing and changed how we think and see the world, and other works have just stayed with us, entertained, or made us stop, stare, or smile for a little while. Special thanks to Stephen Aubrey, Rita Banerjee, Alex Carrigan, Gregory Crosby, Katy Miller, David Shields, Emily Smith, Christine Stoddard, Diana Norma Szokolyai, and Megan Tilley for sending in their favorite winter lit picks & recommendations! – Alex Carrigan (Curator)
CWW Winter 2015 Lit Picks:
The Pillowman by Martin McDonagh
(Recommended by Stephen Aubrey)
In an unnamed totalitarian nation, a Kafka-esque fiction writer called Katurian is detained and questioned by two policemen after a string of gruesome infanticides resembling dark fairytales Katurian has written. As Katurian seems unconcerned about the ramifications of his art, the police officers—playing a twisted game of "good cop/bad cop"—inform Katurian that his intellectually-disabled brother Michael, who is currently being tortured in an adjoining room, has been coerced into confessing to the crimes. What follows is a harrowing meditation on our responsibility to our art and our family, one without easy answers or reassurances. Small and contained (it's a four-person cast in two small rooms) yet with very high stakes, it's one of the most tightly-written and surprising of contemporary plays. It's also funnier than any play centered around murdered children has any right to be, that's Irish theatre for you.
A Field Guide to Getting Lost by Rebecca Solnit
Rebecca Solnit is one of the most interesting nonfiction writers around today. As both a writer and an activist, she's made a career exploring issues related to the environment and its impact on politics, our sense of place, art, and society. In A Field Guide to Getting Lost, perhaps her finest work and certainly the best introduction to her formidable intellect, Solnit explores her own past in a series of linked essays as she explores questions of identity and the importance of the unknown. In a wonderful instance where form imitates function, the essays don't necessarily build to a cohesive argument so much as they meander from Solnit's Russian Jewish ancestors to her own youthful dabbling in punk rock and experimental film to a love affair she once had with a desert recluse. Each is tinged with a painterly lyricism that makes the settings Solnit writes about as vivid as the people who occupy them. Come with no expectations; simply agree to follow Solnit wherever she leads you and you will find this a perfect book to get lost in.
Where Europe Begins by Yoko Tawada
(Recommended by Rita Banerjee)
Yoko Tawada is a force of nature. She has mastered the art of defamiliarizing the familiar whether it be language, gender, the facets of the body, or the interplay between imagination and reality. She is a master of writing fiction, memoir, and gorgeous lyrical essays in both Japanese and German (for which she's won the Akutagawa Prize and Goethe Medal, respectively), and she's given some impressive speeches in English quoting Japanese, German, and even Italian idioms and literary texts at free will. (I had a chance to see her recently at Munich's 2014 Shamrock festival and was floored by her performance and also later when she spoke to me in Japanese!) Where Europe Begins explores the strangeness and uncertainty one encounters when looking at things just a little too closely. In these short stories and musings, one's body, one's relationships and feelings towards others, one's language, and even one's existence become irrevocably uncanny and peculiar.
Akashic's Noir Series
A few years ago, I picked up my first Akashic Noir Series book in the famed City Lights Books in San Francisco while I was working on my dissertation at Berkeley. I selected San Francisco Noir 2: The Classics because for every flower in someone's hair, San Francisco was also pretty cold and gritty, and the ghosts of Dashiell Hammet, Jack London, and Mark Twain seemed to hang around downtown, just lurking in the air. And this volume did not disappoint. Frank Norris's chilling, uncomfortable view of Chinatown still haunted in "The Third Circle," and you could see why Hitchcock was so mesmerized by the city by the bay. Flitting back to Cambridge for work, Boston Noir also provided a delightful read. Don Lee's "The Oriental Hair Poets" seemed especially à propos in the atmosphere of Cambridge. The story centers around two female Asian poets who compete with one another for men and literary accolades, attempting to sabotage each other's poetic careers and prestige, until something goes horribly wrong…
Treadwinds by Walter K. Lew
During my MFA days, Walter K. Lew's Treadwinds was a poetry collection that I returned to again and again. Like Theresa Hak Kyung Cha's novel Dictée, Lew's Treadwinds was unique and powerful for its unusual collage-like form and ability to breakdown and rethink linguistic barriers. Lew presents poems written in English alongside phrases and texts written in Japanese, Korean, and Chinese in order to demonstrate the narratives of colonial occupation, immigration, and cultural assimilation felt by Koreans and Korean-Americans in the 20th century. He juxtaposes images from film, photography, news stories, and idioms from folk songs, jazz, and old family anecdotes and tales of trauma to convey the complexity and multifaceted voice of the Korean in the modern era. In the namesake poem, "Treadwinds" language and grammar itself breakdown as Lew explores what it means to return, hungry and dwindled, to home and "the sounds of spring."
Moon Mountain
by Bibhutibhushan Bandopadhyay
Moon Mountain or Cāndēr Pāhaṛ (চাঁদের পাহড়), is a famous Bengali novella by the much-loved Bengali novelist, Bibhutibhushan Bandopahdyay (author of the renowned novel Pather Pāncālī, which was later made famous on the silver screen by Satyajit Ray). Set between 1909-1910, Moon Mountain focuses on the story of Shankar Roy Chowdhury, a young Bengali man, who goes to Africa and winds up working for the Uganda Railway. Hungry for adventure, Shankar meets a strange cast of imperialists and prospectors from Britain, Portugal, Holland, and elsewhere as they try to exploit the riches of Africa and its people. One prospector, the Portuguese Diego Alvarez, a Kurtz-like figure, tells Shankar about his trials and misfortunes hunting for diamonds in the caves of the Moon Mountain, a legendary place deep in the jungles of Richtersveldt, which is haunted and guarded by a spirit called bunyip. Shankar then has to decide whether or not he will follow Alvarez and his thirst for adventure with open eyes or with eyes wide shut.
Family Happiness by Leo Tolstoy
There's really nothing like setting the mood for Valentine's Day in the middle of a snowy winter than reading some dark, deeply existential Russian Literature. Leo Tolstoy is a master of examining the minutae of social relationships and the unpredictably psychology of human behavior. In "Family Happiness," he takes a hard look at romance and bourgeois obsession of finding the perfect romantic partner and creating the façade of the perfect family. The story follows Masha, a young seventeen-year-old girl, and Sergey, her much older would-be paramour as they engage in a courtship which leads to "romance" and a very unexpected ending.
Poetic Scientifica by Leah Noble Davidson
Leah Noble Davidson's poetry collection, Poetic Scientifica, is a beautiful experiment. The collection follows the breakdown of a romantic relationship as it simultaneously explores memories of past sexual violence, individual agency, and female empowerment. In doing so, Poetic Scientifica explores the roles of double-identities, mirror images, Norma Jeane & Marilyn Monroe, beauty, and its lovelorn echo. Perhaps, the charm and play of Davidson's work can be best described by the hidden poem in her collection which introduces all others: "Oh careful readiness, oh cinders in the jaw / you: fountains of birdsong and / velvet ropes, aspiring Marilyns / maybe I covet you / the way you would have me, do so / Climbing into our story / we build your image together / a person to love, an echo / of the anecdotes strangers tell each other / I can not hate you for being the bathtub / I drain my culture into / for shining myself into / so many lights."
Voyages Extradonaires by Jules Verne
When I was studying at the Sorbonne, I would always carry a Poche paperback of a Jules Verne classic with me and would devour it as I made my way through the undergrounds of Paris each morning. Some of my favorite reads were Voyage au centre de la Terre, Vingt milles lieues sous le mer, De la Terre à la Lune, and Paris au XXe siècle. While the stories were familiar from childhood, there was just something about cracking a secret code or cipher with Axel and Lindenbrock in French. The scope and worldview of Verne's novels, which are set in Baltimore, Hamburg, Paris, China, and India, was also impressive as was his mastery of the scientific romance genre. Characters in his novels always seemed to be at the brink of discovery, whether in realizing the potential or limitations of science and technology or in understanding the potential and limitations of their own humanity. The future could materialize crystal clear in a Verne novel, full of possibilities and full of failures. And now as I am writing my own futuristic novel, it's wonderful to go back to the pillars of modern day science fiction with writers like Jules Verne and H.G. Wells, and try to find answers to those big and scary questions like, "what is science?" "what is fiction?" and "what might tomorrow bring?"
The Man Suit by Zachary Schomburg
The Man Suit is a memorable, must-read collection of poems by Zachary Schomburg. The poems in The Man Suit dance a fine line between melancholy, dark humor, and unnerving absurdity. Images of forests, monsters, stars, death, white and black telephones, music bands, and theatre pepper the collection. And stories of late barons, experiments gone awry, John Wilkes Booth and Abraham Lincoln, and a singular tale of a lost love and a girl named Marlene appear, disappear, and remix like constellations across the page. Read in another way, Schomburg's collection takes a hard look at the values of Americana and the changing shape of the American social and political landscape in the waning years of the Bush presidency. In "Last President of a Dark Country," the speaker of the poem, states "Trying being the last president of a dark country. It is lonely as hell here. You should come. / …if you are careful, you can find the railing. It will lead you to a dimly-lit hole that you can climb down into. You'll find me there, most likely. I'll be working on my last presidential address. It will be a list of everything that haunts me. No matter how much you ask me to read it, I probably won't."
Haunted by Chuck Palahniuk
(Recommended by Alex Carrigan)
This short fiction anthology by Chuck Palahniuk was every bit as morbid, disgusting, and shocking as I hoped it would be, with tons of awesome stories involved. The novel's frame story is a bunch of writers going on a writing retreat where they spend three months locked in an old theater with all the amenities provided by the benefactor and his assistant. They all individually get the idea to write a tale about how they were held captive and tortured, each going about destroying their new home and forcing themselves into acts of mutilation, cannibalism, and murder. The stories in the book are all written by a character in the story and cover a variety of subjects from angry feminists to reflexology to masturbation accidents. This book really gripped me because all the stories are so unique and weird. It's also very postmodern in design, something I'm always a fan of and want to attempt in the future.
Riotous Assembly by Tom Sharpe
This was a book I had to grow up to read. It's a book my father loved a lot and told me about when I was younger. The story, detailing the incompetence of the racist police force in an Apartheid South Africa town, is a screwball satire showing how a crime of passion was turned into a full-blown political scandal due to how just darn stupid everyone is. It's satirical, funny, and full of political commentary. It's also a book with a really creative writing style and humorous voice that Sharpe uses when describing events. It will have you looking at elephant guns differently, so you should check it out.
Werner Herzog: A Guide for the Perplexed
by Paul Cronin
(Recommended by Gregory Crosby)
It's a huge series of conversations with Herzog about his film and career, but it's also the only self-help book any artist will ever need, whether they make films, write, paint or engage in any creative endeavor that requires courage, persistence, and endurance. Herzog is also dryly funny in only the way a German can be.
The Dream Songs by John Berryman
If you're suffering from heartache and pain and want to know how to sing the blues, you should avail yourself of John Berryman's The Dream Songs. It sounds like hyperbole, but this was a book that more or less saved my life when I was at my lowest point.
Everything I Never Told You by Celeste Ng
(Recommended by Katy Miller)
Opening with the ominous sentence "Lydia is dead," Everything I Never Told You unspools the deep, psychological layers of the Lee family as they deal with loss and tragedy. For the first half of the novel, Ng tells the reader only sparse details about Lydia herself—the oldest child of Chinese-American James Lee and his white wife Marilyn—and focuses instead of the dreams and disappointments of her parents. Set mainly in the 1970s midwest only just after the Supreme Court overturned the interracial marriage ban in 1967, Everything I Never Told You beautifully captures the quiet desperation of crushing familial expectations coupled with heartbreaking loneliness. Ng deftly writes the inner life of the five family members and how difference affects each one, expertly weaving their voices into the suspenseful narrative.
The Thing Around Your Neck
The characters in this 13-story collection are just as vivid as those in Adichie's marvelous novels. The majority of these narratives are written from a female perspective, and Adichie fully explores their struggles to settle into American lives, their complex relationships, and their diverse motivations in beautiful detail. A thoughtful writer, she delights in revealing uncomfortable observations, such as in the inner monologue of a Nigerian waitress in Connecticut in the titular short story: "He told you he had been to Ghana and Uganda and Tanzania, loved the poetry of Okot p'Bitek and the novels of Amos Tutuola and had read a lot about sub-Saharan African countries, their histories, their complexities. You wanted to feel disdain, to show it as you brought his order, because white people who liked Africa too much and those who liked Africa too little were the same—condescending."
The Book of Embraces by Eduardo Galeano
(Recommended by David Shields)
Galeano marries himself to the larger warp-and-woof by allowing different voices and different degrees of magnitude of information to play against one another. A mix of memoir, anecdote, polemic, parable, fantasy, and Galeano's surreal drawings, the book might at first glance be dismissed as mere miscellany. But upon more careful inspection, it reveals itself to be virtually a geometric proof on the themes of love, terror, and imagination. This is perhaps best exemplified by this mini-chapter: "Tracey Hill was a child in a Connecticut town who amused herself as befitted a child of her age, like any other tender little angel of God in the state of Connecticut or anywhere else on this planet. One day, together with her little school companions, Tracey started throwing lighted matches into an anthill. They all enjoyed this healthy childish diversion. Tracey, however, saw something which the others didn't see or pretended not to, but which paralyzed her and remained forever engraved in her memory: faced with the dangerous fire, the ants split up into pairs and two by two, side by side, pressed close together, they waited for death."
Remembrance of Things Past by Marcel Proust
This is the book that I think of as mattering the most to me ever, but I read it more than thirty years ago and find that I have trouble re-reading it now. Seems sad—do I still love it, did I ever love it? I know I did. Has my aesthetic changed that much? If so, why? Does one resist that alteration? I think not. The book still completely changed me, still defines me in some strange way. Proust for me is the C.K. Scott-Moncrieff translation in paperback, its covers stained with suntan oil since I read all seven volumes in a single summer (supposedly traveling around the South of France but really pretty much just reading Proust). I came to realize that he will do anything and go anywhere to extend his research, to elaborate his argument about art and life. But his commitment is never to the narrative per se, it's to the narrative as a vector on the grid of his argument. That thrilled me and continues to thrill me—his understanding of his book as a series of interlaced architectural/thematic spaces.
For Love & Money by Jonathan Raban
For twenty-plus years I've been showing drafts of my books to Jonathan, who within days of receiving the manuscript will call and not only insist that it can be so much better but show me how. For Love & Money, which he calls "only half a good book," is one of my favorite books ever written—a brutal, ruthless coming-of-age-of-the-author disguised as a miscellany of essays and reviews. Jonathan comes out of what is to me a distinctly British tradition of showing respect for the conversation by questioning your assertion rather than blandly agreeing with it. He's exhaustive and disputatious, never settling for received wisdom or quasi-insight. More than anyone in my life, he encouraged me to think off-axis about "nonfiction."
Rent Girl by Michelle Tea
(Recommended by Emily Smith)
Rent Girl is a gritty and blunt graphic novel/memoir that focuses on Michelle Tea's history as a prostitute in the early 90s.Throughout the novel, Tea is unapologetically honest about her many shocking exploits: appeasing her clients — one a self-proclaimed warlock — to a terrible case of crabs, Tea never shies away from reality.
The Handmaid's Tale by Margaret Atwood follows the story of Offred, a handmaid living under a totalitarian Christian regime responsible for usurping the United States. The novel explores how women gain agency, especially under a government that enforces trope-like roles: wives, handmaids (surrogate mothers) and Jezebels (prostitutes).
Gather Together in My Name by Maya Angelou
(Recommended by Christine Stoddard)
This year we lost one of the greats. Her stunning life inspired not only poetry but prose. Gather Together in My Name is an autobiographical account of Angelou's early years as a single mother shortly after World War II in a deeply segregated America. A story of hope and redemption, it's the perfect read to inspire you to seriously reflect on your own flaws and make meaningful and sincere New Year's Resolutions.
Intimacy by Jean-Paul Sartre
This collection of four short stories and a novella is complex and unnerving. All of the stories deal with intimacy or, more aptly, the lack thereof. They deal with sex, perversion, sensuality, and ugly truths. My personal favorite is the first story "Intimacy," for which the collection is named, because of its stream of consciousness, changing narrators, and obsession with hypocrisy in love. Intimacy is a great winter read because it will chill you to the bone, not for its otherworldliness but for its raw portrayal of reality.
The Theory of Everything (dir. James Marsh)
(Recommended by Diana Norma Szokolyai)
Would I be wearing my heart on my sleeve if I admitted to crying upon just seeing the trailer to this film? After watching the film in its entirety, I saw that this was not just a historical tearjerker, but a deeply moving and realistic account of the life and love between Stephen and Jane Hawking. Of the movie, Stephen Hawking has said that it was "broadly true" (Variety.com) and that, at times, he felt as though Eddie Redmayne was himself. Indeed, the actor has done such a marvelous job that he is nominated for a 2015 Oscar for best actor in a leading role—we shall see at the end of February if he gets this well deserved award. After watching this film, you will feel closer to the emotional world of cosmologist Stephen Hawking, one of the greatest minds of our time. The hope, heartbreaking honesty, and intensity of Stephen and Jane's story will rekindle your faith in the true potential of the human spirit.
I Want to Make You Safe by Amy King
Amy King's poems examine the delicate boldly. The visual imagery is unforgettable and leaves the reader with impressions to ponder long afterwards. Consider these lines and you'll understand: "I can't imagine the heart anymore/now that it presses my ribs apart,/a balloon of such gravity I ache for stars in a jar,/wasps whose love reminds be of fireflies tonight." King is the 2015 recipient of the prestigious Women's National Book Association Award. John Ashbery described her poems in I Want to Make You Safe as bringing "abstractions to brilliant, jagged life, emerging rather than out of the busyness of living." The book was also one of the Boston Globe's Best Poetry Books of 2011. Read it!
Someone Else's Vows by Bianca Stone
I first heard Bianca Stone read at the Couplet reading series in Manhattan, organized by Leah Umansky. Her poems seemed so ripe, containing an urgency. In reading Someone Else's Wedding Vows, you'll enter a world of vulnerability and fireworks, where the past and present converge in a magnificent display of words. Here is an excerpt from her poem "The Future is Here": "Man burns at a certain degree/ but I always burned a little slower./ When I went into school/ I left a trail of blackened footprints/ to my classroom of spelling words,/ never starred. At the end of the earth/ we'll be locked in our own spelling mistakes,". Read this book. It will make you question the world around you in beautiful ways.
Prelude to a Bruise by Saeed Jones
I recently heard Saeed Jones read at The Difficult to Name Reading Series run by Ryan Sartor. I was immediately hooked. His voice was electrifying, his delivery so precise and rich. I bought the book from him immediately after the reading and devoured it. Jones started his reading saying that his poems were the cross section of where race, sexuality and America meet. Reading his work, you can certainly see him examining that triad so effectively. Take his title poem: "In Birmingham, said the burly man—/Boy, be/a bootblack./Your back, blue-back./Your body, burning./I like my black boys broke, or broken./I like to break my black boys in." He is a 2013 Puscart Prize Winner and is now up for a National Book Critics Circle Award. Reading this book will change you—it is that important.
The Orphan Master's Son by Adam Johnson
(Recommended by Megan Tilley)
This 2013 Pulitzer Prize winner by Adam Johnson follows a citizen of North Korea through his rise and fall in North Korean society. The author read first hand accounts of defectors from the Hermit Kingdom and also travelled to North Korea to better acquaint himself with the unique political and social situation in the country. This is not a light read, but is a great choice for those interested in North Korea and in first hand accounts from the country. Meticulously researched and beautifully crafted, this is a novel that will change the way you look at North Korea.
The Poisoner's Handbook by Deborah Bloom
Written by Pulitzer Prize-winning journalist Deborah Bloom, The Poisoner's Handbook: Murder and the Birth of Forensic Medicine in Jazz Age New York is a fascinating look into the beginnings of forensic medicine. Organized into sections by poison, the book details not only crime cases involving that poison, but also the politics surrounding forensic medicine and the advances in medical science made by the tireless advocates of this new branch of crime investigation. A great book for anyone interested in true-crime, medicinal history, or Prohibition, it's an easy and fascinating read.
Tagged A Field Guide to Getting Lost, Adam Johnson, Akashic Noir, Alex Carrigan, Bianca Stone, Bibhutibhusan Bandopadhyay, Boston Noir, Celeste Ng, Chimamanda Ngozi Adichie, Christine Stoddard, Chuck Palahniuk, David Shields, Deborah Bloom, Diana Norma Szokolyai, Eduardo Galeano, Emily Smith, Everything I Never Told You, Family Happiness, fiction, film, For Love and Money, Gather Together in My Name, Gregory Crosby, Haunted, Intimacy, James Marsh, Jean-Paul Sartre, John Berryman, Jonathan Raban, Jules Verne, Katy Miller, Leah Noble Davidson, Leo Tolstoy, Marcel Proust, Margaret Atwood, Martin McDonagh, Maya Angelou, Megan Tilley, Michelle Tea, Moon Mountain, nonfiction, novels, Paul Cronin, Poetic Scientifica, poetry, Prelude to a Bruise, Rebecca Solnit, recommendations, Remembrance of Things Past, Rent Girl, Riotous Assembly, Rita Banerjee, Saeed Jones, San Francisco Noir, Someone Else's Vows, Stephen Aubrey, The Book of Embraces, The Dream Songs, The Handmaid's Tale, The Man Suit, The Orphan Master's Son, The Pillowman, The Poisoner's Handbook, The Theory of Everything, The Thing Around Your Neck, Tom Sharpe, Tradewinds, Voyage Extraodinaires, Walter K. Lew, Werner Herzog, Werner Herzog: A Guide for the Perplexed, Where Europe Begins, Yoko Tawada, Zachary Schomburg
Happy New Year 2015 from the Cambridge Writers' Workshop!!
Posted on January 2, 2015 by carriganak
Happy New Year 2015 from the directors and staff of the Cambridge Writers' Workshop! We hope you're all as excited for 2015 as we are! We're planning a delightful, productive year for our writers and artists with plenty of opportunities to travel, write, practice yoga, and network, and we're looking forward to seeing you at our retreats, workshops, readings, and literary fest events in 2015!
The Cambridge Writers' Workshop had a wonderful year in 2014. Over the last twelve months, we've had a chance to hold retreats and readings across America and the world, meet exciting writers, yoga practicioneers, and artists, and have found new ways to inspire our own writing. Our year began with the 2014 Association of Writers and Writing Programs Conference in Seattle, WA in February. At AWP 2014, we got a chance to announce our CREDO Anthology of Manifestos & Sourcebook for Creative Writing, promote our new literary internships, and discuss our Summer 2014 Château de Verderonne Yoga & Writing Retreat, and our AWP 2014 A Night at the Victrola Reading. At AWP 2014, CWW Directors, Rita Banerjee and Diana Norma Szokolyai signed copies of their books, Cracklers at Night and Parallel Sparrows, respectively. And our A Night at the Victrola, featuring readings from authors such as Rita Banerjee, Diana Norma Szokollyai, Peter Mountford, Anca Szilágyi, Nancy Jooyoun Kim, Pattabi Seshadri, Susan Parr, Johnny Horton, Talia Shalev, Leah Umansky, Dena Rash Guzman, Kevin Skiena, Jessica Day, and Carrie Kahler. Our AWP 2014 literary reading was even featured in Vanguard Seattle as a top AWP reading event.
After AWP 2014, we were off to our annual writing and yoga retreat to the Château de Verderonne in Picardy, France. The event, which was featured in Poets and Writers and Quail Bell Magazine, was a chance for writers to spend two weeks in the French countryside, participating in writing workshops and craft of writing seminars, yoga classes, and culturally tours of Paris and Chantilly. We liveblogged the entire event as well, sharing dozens of photos from our trip while also allowing our writers to share their thoughts on the experience.
Our New Yorker members also hosted an event as part of LitCrawl Manhattan in September 2014. Our Literary Masquerade featured readings of poetry, noir, science fiction, and original songs from Diana Norma Szokolyai, Rita Banerjee, Gregory Crosby, Elizabeth Devlin, Jonah Kruvant, and Nicole Colbert.
We also hosted an annual Pre-Thanksgiving Yoga and Writing Cleanse in November 2014. The two day event kicked off with yoga lessons from Elissa Lewis, followed by fresh juice cleanses, and creative writing workshops and craft seminars from Diana Norma Szkolyai, Jessica Reidy, and Jonah Kruvant. Some of the creative writing classes included on the retreat included "The Art of Withholding," "The Art of Revision" and "Sense of Smell, Memory, and Narrative." Our Pre-Thanksgiving Yoga & Writing Cleanse was an opportunity for the participants to cleanse themselves mentally, spiritually, and creatively before the bustling holiday season, and was even featured in a piece in Quail Bell Magazine.
In 2014, we also began work on CREDO Anthology of Manifestos & Sourcebook for Creative Writing. The collection will feature personal writer manifestos, essays on writing advice, and writing exercises to help spur creativity. Our staff has greatly enjoyed critiquing and conversing with writers on this publication, and more information about our featured writers will be announced shortly.
In 2014, we also welcomed our first interns to the Cambridge Writers' Workshop, and these interns include the wonderful Alex Carrigan, Katy Miller, and Megan Tilley, all of whom have helped the CWW greatly this year. They've helped manage our social media and written up post about our events, critiqued and edited submissions for CREDO, shown their talent for graphic design and corresponding with writers and hosts in French, Spanish, and English, and have provided much valuable assistance on our retreats and literary events this year. We're excited to have Alex, Katy, and Megan on our team, and we can't wait to show you what they've helped us plan for 2015!
This was also a good year for our individual staff members getting published. Quail Bell Magazine featured plenty of creative writing from our staffers, including Jessica Reidy's essay on novel research in Paris, Norma and Rita's Mis/Translation poems, Megan Tilley's poem "Puddle," and Alex Carrigan's poem "When I First Saw Her." Reidy also had a series of trauma poems featured in Luna Luna Magazine and Tilley was featured in Fictionvale. Szokolyai was also named one of twenty Romani authors you should be reading by VIDA and published in the anthology Other Countries: Contemporary Poets Rewiring History.
While 2014 proved to be a very exciting year for all of us, our staff is quite ready to move on to our next round of exciting events. The CWW will once again table at AWP in Minneapolis from April 8-11, 2015 You can find us at the AWP 2015 Bookfair at Table 954. We will also be planning an offsite reading, and more information about that will come as we get closer to the event.
Join us April 2-5, 2015 for our first annual springtime Writing & Yoga Retreat in beautiful and gilded Newport, Rhode Island. Our Newport retreat offers the opportunity for writers of all genres and levels to work alongside award-winning authors & editors to hone their craft and expand their writing skills, while working on new or existing projects. Faculty includes internationally renowned author and writing coach Kathleen Spivack (fiction, poetry, nonfiction), Stephen Aubrey (playwriting, screenwriting), Diana Norma Szokolyai (poetry, nonfiction), Rita Banerjee (poetry, fiction), and Elissa Lewis (yoga, meditation). Registration closes on February 20, 2015 and spots are limited, so sign up on cww.submittable.com as soon as you can.
The Cambridge Writers' Workshop Summer in Paris Writing Retreat will take place July 22-30, 2015 in France. The retreat offers participating writers of all genres and levels to work alongside award-winning authors and editors. Participating writers will hone their craft and expand their writing skills, while working on new or existing projects. There will also be time to explore the city of Paris in all of its historical, literary, and romantic charm. Situated in heart of Paris' Montparnasse neighborhood, amongst the fresh and popular open air markets and charming boutiques, the hotel where we will stay is full of charm and our Moroccan themed classroom will offer a wonderful oasis to practice the writing life. Faculty includes internationally renowned author and writing coach Kathleen Spivack (poetry, fiction, nonfiction), David Shields (fiction, book-length essay), Diana Norma Szokolyai (poetry, nonfiction), Rita Banerjee (poetry, fiction), and Elissa Lewis (yoga, meditation). If you'd like to join us in Paris, please apply online at cww.submittable.com by May 5, 2015.
And from August 3-10. 2015, join the Cambridge Writers' Workshop on our summer writing retreat to the cultural oasis of Granada, Spain. Located at the foot of the Sierra Nevada mountains in Andalucía, Granada is one of the gems of Spain and has inspired writers from Washington Irving to Salman Rushdie to Ali Smith. Let the old city stimulate your writing with its winding streets, Moorish history, and evocative landscapes. Or, indulge in delicious Andalucían cuisine and traditional Arab baths. Work with world-renowned authors on your manuscript, or look to the beauty and warmth of Granada to inspire all-new projects. Faculty includes Rita Banerjee (poetry, fiction), Diana Norma Szokolyai (poetry, nonfiction), Jessica Reidy (fiction, poetry) and Elissa Lewis (yoga, meditation). If you'd like to join us in Granada, please apply online at cww.submittable.com by April 20, 2015.
We hope you are all as excited for our 2015 events as we are. If you have any questions about our upcoming retreats, please view the pages linked above. If you have any questions we may not have answered, you can email us at info@cambridgewritersworkshop.org, and for inquiries, please email the CWW Directors, Rita Banerjee and Diana Norma Szokolyai, at directors@cambridgewritersworkshop.org. You can also follow us on Facebook, Tumblr, and Twitter for more information and updates on any of these events. We look forward to making 2015 a year full of creativity, writing, and renewal, so join us as we make 2015 rock!
– Alex Carrigan & Rita Banerjee
Tagged Alex Carrigan, Anca Szilagyi, Andalusia, Cambridge Writers' Workshop, Creative Writing Workshop, David Shields, Dena Rash Guzman, Diana Norma Szokolyai, Elissa Lewis, Elizabeth Devlin, France, Granada, Gregory Crosby, Jessica Day, Johnny Horton, Jonah Kruvant, Kathleen Spivack, Katy Miller, Kevin Skiena, Leah Umansky, Megan Tilley, Nancy Jooyoun Kim, New Year, Newport, Nicole Colbert, Paris, Pattabi Seshadri, Peter Mountford, retreat, Rhode Island, Rita Banerjee, Spain, Stephen Aubrey, Summer, Susan Parr, Talia Shalev, writing, yoga
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text:
O ASF+SDF Meta-Environment é uma IDE de código aberto para geração de ferramentas a partir da definição formal de uma linguagem. Este ambiente é baseado na linguagem de reescrita de termos ASF+SDF, onde esta é uma extensão ao formalismo SDF para definição de gramáticas livres de contexto. A ferramenta é utilizada principalmente para geração de compiladores e análise e transformação de programas. O acrônimo ASF+SDF vem da abreviação dos termos Algebraic Specification Formalism e Syntax Definition Formalism dados na língua inglesa.

Visão Geral
O ASF+SDF Meta-Environment é uma ferramenta de código aberto para a geração de uma série de outras ferramentas voltadas para tratamento de programas fonte descritos em uma determinada linguagem. Estas linguagens devem ser definidas através dos formalismos adotados pelo Meta-Environment, que são o ASF e o SDF.

O Meta-Environment pode ser utilizado com diferentes propósitos, incluindo:
 Análise sintática de linguagens de programação. Estas podendo ser novas linguagens ou mesmo linguagens já definidas como por exemplo Java e C.
 Análise do código fonte.
 Transformação do código fonte.
 Geração de código.
 Definição e implementação de linguagens específicas de domínio.
 Geração e prototipação rápida de ambientes integrados de desenvolvimento (IDE) para linguagens de programação e linguagens específicas de domínio.
 Geração de documentação a partir do código fonte.
 Compilação de linguagens específicas de domínio.
 Descrição formal da sintaxe e semântica de linguagens de programação.

Arquitetura
A arquitetura do Meta-Environment é composta dos seguintes grupos de componentes:
 núcleo: Componentes que prove funcionalidades básicas como por exemplo a interface com usuário e edição.
 SDF: Todos os componentes relacionados com a definição e análise da sintaxe.
 ASF: Todos os componentes relacionados com a linguagem ASF e o sistema de reescrita de termos.

A comunicação entre os componentes de cada grupo é feita através de um componente chamado ToolBus. Onde este coordena a comunicação entre os componentes pela definição de um script toolbus, também conhecido como Tscript. A linguagem do Tscript é uma linguagem concorrente que permite a definição de processos paralelos, a comunicação entre estes processos e a interação entre os processos e ferramentas existentes no Meta-Environment.

Linguagens formais
Teoria da computação
Matemática

redpajama_set_name: RedPajamaWikipedia


1. Go to google-site version of the website to download/view the PDF. Scroll to the bottom of the new page, and you'll see the links to the files. The current and all previous revisions will be archived here on the Google site. The old Build #1 manual is also there, just in case. You'll also find the programmers manual for the DSFlex Controller board (aka MaxFlex). Please note that builds 1 and 2 do not have the new 6-position flash mode programming menu. Builds 3 and lower do not have the max power level limit override at LOW battery function.
2. Just click HERE to open the manual for builds 2 and 3 in the Google DOCs viewer.
Guess I should ask the question over here.
In the new flash setting, L3 to L5 lightning mode you say is good for the Headlight. I'm just wondering what you think of that mode for use on the taillight? Is the L5 lightning strike too bright at night?
Good question... I edited the user's manual to indicate that I wouldn't recommend using this mode at night with the taillight.
Even a short burst up to level 5 with the RED leds is pretty crazy, so for that reason alone I'd say it's better not to use it. BUT, the bigger reason not to use it is due to the way the taillight reports the battery status while in flash mode.
Once the battery is low enough to trip the medium warning level, the light will suspend what ever flash mode it's in with 3 seconds of steady burn at the highest level as programmed for the current flash mode, or in this case Level 5 (translate.. surface of the sun at night). At 1.5 seconds into the 3 second period, the light will blip once to indicate that you're at the medium (50% battery point). This process will repeat once every 10 seconds for a total of 5 times, before timing out. So if you use the lightening mode, you risk inadvertently blinding anyone behind you when the battery limits are detected. Same story when you reach the 20% level, except worse, since there is no "timeout" for this warning. Continues indefinitely every 10 seconds until the battery is depleted. Only other difference is that you get TWO blips now to distinguish that you're in the 20% range.
Just as a side note, I define 50% as the point where you've reached the middle of the useable time within a particular power level or mode. So, as an example, if you get 5 hours flashing on L5, then the 50% point would be approximately 2.5 hours remaining (give or take). There are definitely some tolerances at work in the circuit that make it hard to be too precise with the detection limits.
Build 4 user's manual now available! Still making a few tweaks here and there, but fairly complete.
For now you can get it by going to the DesignShine google-site HERE and selecting it from the list of downloads at the bottom of the page.
More "tech-y" info on battery status indication.


text:
Saturday, 16 January 2021 / 2 Jumada al-akhirah 1442
MASJID DIRECTORY
Qira'ah
Jumuah Khutbah
Qasida
Duah
Eid Khutbah
SALAAH TIMES
Obs mosque adapts to lockdown
An Observatory mosque is closed because of Covid-19, but the hearts of those who pray there are very much open.
Ramadaan started on Saturday, but this year the Muslim holy month is being experienced very differently by the faithful.
Regulations controlling the spread of the global pandemic prohibit Muslims from gathering at their local mosque for daily prayers or meeting with family and friends to break their fast at the end of the day.
The Ibaadur-raghmann Mosque in Eden Road, Observatory, has been closed since the start of lockdown.
"We consulted with our members, doctors and role players as to the way forward," said Imam Ismaeel Davids.
Staff from nearby Groote Schuur Hospital usually attend Friday prayers at the mosque, which also has several old and sickly members.
However, Imam Davids has gone online to keep in touch with his congregation and hold daily prayers.
"We have been keeping in contact with members and the congregation through social media, our website, our Instagram page, WhatsApp chat group," he said, "and our audio-class recordings have been valuable with good feedback from the community."
And the mosque has continued to find a way to offer charity to the needy. Imam Davids and his congregants have prepared pre-Ramadaan food parcels, distributed soup and given money to those in difficulty.
Imam Davids said the lockdown affected everyone and as a community leader he needed to adapt to any situation.
"The need for spiritual help and guidance is needed now more than ever," he said.
"We must use this month to reset and recharge ourselves physically and spiritually, we are healing, the earth is healing. There is good in every negative. During this time, Muslims develop self restraint, patience, tolerance, endurance, control of desires, faith and an affinity to the poor, and, with all this, gain closeness to our Creator."
Call 083 340 1433 for more information about the mosque and its activities.
Masjid Ibaadur Raghmaan
https://www.southernsuburbstatler.co.za/news/obs-mosque-adapts-to-lockdown-47381078
masjids.co.za
masjidscoza
Copyright © 2020 | Masjids.co.za
Masaajid

redpajama_set_name: RedPajamaCommonCrawl


text:
Leah Welch's next film will be a short horror film called "Good Girl"
After filming her first feature film before she turned 40, filmmaker, Leah Welch is now focused on her art-house horror project, Good Girl.
by Nicholas Yanes February 28, 2021
LOS ANGELES – After filming her first feature film before she turned 40, filmmaker, Leah Welch is now focused on her art-house horror project, Good Girl. The short follows the birthday break up of Sadie, whose despair leads her to invite a stray cat into her apartment. Things go south quickly when Sadie runs out of treat treats to feed it.
Good Girl's IMDB profile can be found here.
The unique aspect of this horror short is that it is an entirely female cast and crew production. A lot of the same filmmakers who were on board for Welch's feature film, In the Light of the Moon, have returned to play in the same horror sandbox. Learn more about In the Light of the Moon here.
Welch is a former investigative journalist turned screenwriter. After honing her writing skills at the Innocence Institute where she helped exonerate wrongfully convicted individuals and helped exonerate a man from a life sentence, Welch moved to Los Angeles to pursue screenwriting in 2013. She quickly found her way in the documentary world, writing an award-winning script, Price of Honor, that helped get a man on the FBI's Top Ten Most Wanted List.
The cast of Good Girl is lined with Sofia Toufa whom readers may recognize not only from other films and TV series but also from her time on stage with Deadmau5. The Pulitzer Prize winning composer, Caroline Shaw will also be on board, with extra music provided by Carol Anne Cat. Long-time collaborator and actress, Hailee Lipscomb has returned for another round of psychological fun with Welch. The female film crew is comprised of the talented director of photography, Adriana Serrato, and her stellar gaffer, Ali Pleasant; new to the field DIT Amy Korngiebel; seasoned film editor and USC alum Anjoum Agrama; set decorator Christiane Franklin; SPFX provided by the veteran filmmaker Roxanne Pike; impeccable script supervisor Alyssa Lana; Jane-of-all-trades filmmaker and AD April Campion; new to the playground of filmmaking and PA work Jillian Barton; and first time collaborator and producer Genah Redding.
Welch just finished applying her serial killer thesis material and interviews of retired, Oregon homicide detectives into a script, The Killing Floor, and is looking to get it off of the ground. She lives and works in Los Angeles and is seeking representation.
You can learn more about the team behind Good Girl, by checking them out on IMDB, Instagram, and Twitter.
Leah's Twitter: https://twitter.com/leahwelch19
Sofia Toufa's Insta: https://www.instagram.com/sofiatoufa/
Hailee Limpscomb Insta: https://www.instagram.com/lipsstick/
Adriana Serrato Insta: https://www.instagram.com/adrianalserrato/
Ali Pleasant Insta: https://www.instagram.com/aligoeswisco/
Alyssa Lana Insta: https://www.instagram.com/alyssa_lana/
Roxanne Pike Insta: https://www.instagram.com/roxannepike.mua/
April Campion Insta: https://www.instagram.com/april.campion/
Carol Ann Cat Twitter: https://twitter.com/nicecatcarol
Caroline Shaw: Twitter: https://twitter.com/caroshawmusic
Anjoum Agrama Insta: https://www.instagram.com/anjoumfa/
Amy Korngiebe Insta: https://www.instagram.com/akorngiebel/
Christiane Franklin Insta: https://www.instagram.com/christianefofficial/
Genah Redding Twitter: https://twitter.com/GenGenLove
Caroline ShawFeatureGood GirlLeah WelchLos AngelesSofia ToufaUniversity of Southern California
Exiles: 5 Reasons why this comic should be a TV show
by Dominic Walsh - Feb 27, 2021
In Review: Marvel's Voices: Legacy (2021) #1
by Ian Cullen - Mar 1, 2021
Nicholas Yanes


Some men set low standards for their gym gear. But if you're still working out in your Spring Break '98 tank top, your exercise wardrobe could benefit from an upgrade.
"The gym is more social now," says Matt Taylor, cofounder and CEO of the athletic line Track-smith. "Women have raised their style game, and it's time for guys to catch up."
New breathable materials can help you tame BO, reduce chafing, and mop up sweat. Did we mention that they look a lot sharper too?
Tip: Pull on a pair of no-show socks to absorb sweat and fight foot funk.
Workout gear used to be all about utility with little regard for fit. But that's all changed now.
"These days you have no excuse to not buy athletic clothes that fit well," says Nate Checketts, cofounder of the performance line Rhone.
It's more than just aesthetics: The better the fit, the more closely you can monitor your form.
"If your clothes don't fit, you can't see how your body is moving," he says. Aim for peak visibility with shorts that hit about 2 inches above the knee and shirts that have no more than 2 to 3 inches of slack around the waist.
Tip: Antimicrobial silver threads mean this shirt will never absorb odor.
Some workout clothes scream for attention with bright colors and loud, dizzying patterns. While these pieces might be fun to rock occasionally, They're tricky to coordinate.
Instead, Taylor suggests losing the superhero look and stocking up on versatile shirts and shorts that more closely resemble what you'd wear on the street—neutral hues, simple patterns, subtle logos, and no motivational quotes. Leave those for the corkboard.
Tip: A tapered fit will conform to your body without restricting your squat form.
If you're the sort of guy who shows up ready to work out, be careful not to combine everyday attire with stuff designed to absorb perspiration.
For instance, don't just throw that fancy peacoat over your running gear and head out the door. You'll not only funk it up with sweat, but also take months off its life span, says Checketts.
Instead, invest in a lightweight, long-sleeved jacket and some fast-drying, odor-resistant track pants in colors that match your tops to save prep time.
Tip: A lightweight jacket in a solid color is versatile enough for street wear.
Tip: Apparel made from a wicking fabric can nix postworkout moisture with ease.
Tip: Camo in a neutral color is easy to match and conceals pesky pit stains.


This Small Greenhouses Planter Stand is ideal for the urban gardener, beginner, or hobbyist. It's a convenient size for a deck or patio, yet still has ample space to keep medium to large sized plants. The thermal cover creates the optimal growing conditions for plants. The Small Greenhouses Planter Stand is waterproof, UV protected, clear, and has a removable cover. This keeps annuals, perennials, vegetables, and delicate plants protected year round.


text:
Q: Vigenere Cipher output I was looking at the Vigene Ciphere source code provided on http://rosettacode.org/wiki/Vigen%C3%A8re_cipher#Java. I tried testing out the program myself, and it wasn't outputting the values I expect based on vigene. For example 'dog' being the word and 'bob' being the key I would expect this to be encrypted to 'ech', but is 'qot' instead.
public static void main(String[] args) {
    String key = "bob";
    String ori = "dog";
    String enc = encrypt(ori, key);
    System.out.println(enc);

}

static String encrypt(String text, final String key) {
    String res = "";
    text = text.toLowerCase();
    for (int i = 0, j = 0; i < text.length(); i++) {
        char c = text.charAt(i);
        if (c < 'a' || c > 'z') continue;
        res += (char)((c + key.charAt(j) - 2 * 'A') % 26 + 'A');
        j = ++j % key.length();
    }
    return res;
}

However the output is different. Is this because my understanding of the cipher is incorrect or this has taken a different approach to the well known vigenere cipher.

A: Because you are setting your text to encrypt to lowercase, try changing these character literals to lowercase as well:
res += (char)((c + key.charAt(j) - 2 * 'a') % 26 + 'a');

When casting an int to a char, you have to take into account that the integer value of 'a' is not equal to 'A'. Because you are checking that your current character is between 'a' and 'z' (as you have set it to lowercase), you should also have an output in lowercase as well.

A: As what was already pointed out by the user, you should change the line to:
res += (char)((c + key.charAt(j) - 2 * 'a') % 26 + 'a');

Alternatively, you can change this:
if (c < 'a' || c > 'z') continue;

to this:
if (c < 'A' || c > 'Z') continue;

Just ensure when you convert the ASCII back to letters, you are using the correct ASCII value (i.e. 65 (A) for uppercase, 97 (a) for lowercase).

redpajama_set_name: RedPajamaStackExchange


text:
Avid Part of Fox's Super Bowl Team
Fox Sports production team utilizing Avid gear
Michael Balderston
BURLINGTON, MASS.—We all know that football is a team sport, well so is producing a broadcast of the year's biggest football game, the Super Bowl. Fox Sports will handle coverage of Super Bowl LI this year and is reportedly using Avid equipment as part of its team for the broadcast. Avid technology will be on hand to facilitate collaboration between production teams in different locations, provide easy access to footage, and create virtual reality experiences.
Fox has implemented Avid's MediaCentral platform to aid the various needs of its productions. In addition, the Avid iNEWS platform is managing rundowns and scripting for Fox Sports studio programing, most of which is being produced on site in Houston. The iNEWS system will also be used for on Super Bowl Sunday for the broadcasters seven-hours of pre-game coverage.
While the shows are being produced in Houston, finishing touches are being completed in Los Angeles and Charlotte, N.C. To handle this distribution, Fox is using Avid's flexible deployment options to network all of its iNEWS systems together, allowing all materials to be shared on a single rundown and updated in real time.
Avid has also provided Fox with 320 TB of storage that acts as a central repository for all Fox editing systems, including 27 TB of archival footage of the New England Patriots and Atlanta Falcons. The productions main compound at NRG Stadium and three remote locations throughout Houston are all connected to this storage system.
Additional Avid technology in use for the big game includes the Avid 3DPlay graphics and video processing system, which is powering LiveLike's virtual reality platform that will help create a virtually reality suite available through the Fox Sports app. Avid's HDVG rendering platform will also be on hand to add augmented graphics to the field during the game with Twizted Design's Flowgic real-time data integration application.
Super Bowl LI between the Patriots and the Falcons will take place in Houston at NRG Stadium Feb. 5 at 6:30 p.m. ET.
Super BowlAvidFox Sportssports
Super Bowl LI Gets POV Look from Fox Sports
Those of us watching Super Bowl LI this year will likely never have the chance to know what it feels like to be on the field in the year's biggest football game, but Fox Sports and Intel are making it so we can get an idea.
Super Bowl LI Scores UHD-VR from Ateme
A historic comeback and the first overtime in Super Bowl history weren't the only things drawing the attention of fans during Super Bowl LI, virtual reality played a larger part during this year's game as well.
Roku Preps Free Super Bowl Stream
Roku is getting in on the action for the Super Bowl, announcing that it will offer a free live of the game between the New England Patriots and the Atlanta Falcons.
Vizrt Takes the Field for Super Bowl LI
The Super Bowl is sure to be covered from all angles, and Vizrt is ready to do its part, providing production tools for analysis and graphics.
360 Video to Bring the Super Bowl to Soldiers
Some soldiers serving the U.S. abroad are going to get a taste of home thanks to Hyundai, who is bringing this weekend's Super Bowl to them through 360 video.
Game Creek Teamed With IHSE for Super Bowl Coverage
Football is a team sport and so is covering it.
Canon Lenses Show Up on Super Bowl Stage
In the days that have followed Super Bowl LI, the game is being called one of the best ever played, and Canon had a front row seat on the sideline.
Fox Sports to Broadcast Super Bowl LIV in UHD
Game will be shot in 1080p HDR and upscaled to UHD for viewing audiences.


text:
Jan 8, 2021 - Science
How indigenous fire management can prevent wildfire disasters
A member of the Warlpiri people burning spinifex to promote growth in northern Australia's Tanami Desert, where traditional prescribed burning takes place on a large scale. Photo: Auscape/Universal Images Group via Getty Images
Climate scientists and indigenous leaders are urging policymakers to embrace traditional burning to avoid catastrophic wildfires like those experienced in the American West in recent years.
Why it matters: Climate change is expected to cause extreme fire events this decade. Per traditional cultural practitioners like Don Hankins, who's worked alongside indigenous leaders in California and northern Australia, indigenous controlled burns are proven to help prevent fire disasters.
A Karuk Tribe member surveys damage from last September's Slater Fire in Happy Camp, Calif. Karuk member Bill Tripp said the last big traditional burn in California in 1910 led to the passage of a law that essentially made this practice illegal: "People were shot, hung and jailed." Photo: Carlos Avila Gonzalez/The San Francisco Chronicle via Getty Images
Northern Australia experienced no major bushfires where large, traditional prescribed burns took place during the 2019-2020 season that was so disastrous for the southeast, notes Hankins, who's also a professor of geography and planning at California State University.
"They already had burned a lot of those places, so by changing the season and timing of those burns the spatial extent of wildfire is kept in check," Hankins said.
Driving the news: California Gov. Gavin Newsom (D) announced plans for the 2021-22 budget on Friday that features an additional $143 million to support 30 new fire crews, and includes $48 million to continue phasing in Black Hawk helicopters and large air tankers.
Bill Tripp, a member of California's Karuk Tribe, told Axios that with different groups "scrambling for the same budget" a holistic approach is needed.
The director of natural resources and environmental policy for the Karuk Tribe Department of Natural Resource notes indigenous stewardship is a cost-effective measure that creates jobs while paying tax revenue into the system.
The big picture: Prescribed and cultural burns are intentionally set during favorable conditions to reduce the density of vegetation that can cause severe wildfires and clear undergrowth to promote forests that are more fire resistant.
Of note: Tripp said indigenous groups have "started to drive some change and actually been able to influence some national-level policy changes." But controlled burning is not being conducted at a scale that would make a significant difference.
Part of the problem is there's never been a treaty officially ratified in California, so permits that Tripp says tribes shouldn't have to apply for can prevent big burns.
Be smart: Tripp said agencies and indigenous leaders should work together "so the use of fire can once again become a cultural norm" and build sustainable systems like endowment investment models.
Things are slowly changing. The Karuk conducted a burn last June that "was the first kind of in-season-type burn where Cal Fire didn't require a whole bunch of stipulations for the permit," Tripp said.
Non-indigenous groups typically want to burn at inappropriate times, such as when the grass is too green, he notes.
"We have a lot to do on getting the traditional timing hammered out."
The state of play: Cal Fire spokesperson Christine McMorrow told Axios the Native American Advisory Council was "set up to direct recommendations on how to accommodate tribes in decision making, and insight on how best to work with tribes and cooperate statewide."
"There is an ongoing effort from tribes across the state to identify traditional ecological knowledge and bring that knowledge to the department, as well as the private burning community," she said. "Once that is complete, we will use that as we need to bring the knowledge to Cal Fire."
For the record: Hankins believes there's not widespread indigenous stewardship because of the uncertainty of roles and responsibilities, with a big reason being liability.
He points to Australia's Northern Territory, where the Bushfires Management Act 2016 protects Authorized Bushfire Volunteers from liability in fire response. A person who didn't conduct due diligence to protect their property on fire-prone land is responsible.
"The whole liability discussion in terms of agencies looking at it in fear of a fire burning down a house or a neighborhood ... it takes that away," Hankins said.
Newsom's office did not respond to Axios' requests for comment.


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text:
Allan Marques Loureiro (Rio de Janeiro, 8 de janeiro de 1991) é um futebolista brasileiro que atua como volante. Atualmente, joga pelo Al-Wahda, dos Emirados Árabes.

Carreira

Vasco da Gama
Allan foi promovido ao profissional do Vasco da Gama em 2009 pelo técnico Dorival Júnior, tendo sido titular em várias partidas do clube nesta temporada.

Depois de ajudar o clube da Colina a voltar para a elite do futebol brasileiro sendo campeão da Série B, Allan se contundiu e com isso não pode jogar o Campeonato Carioca nem a Copa do Brasil de 2010. Depois de se recuperar da contusão, Allan voltou aos treinamentos com os juniores para pegar ritmo de jogo novamente. Voltou aos profissionais na última rodada do Campeonato Brasileiro antes da parada para a Copa do Mundo. Durante a pausa, o Vasco disputou a Copa da Hora, torneio amistoso que o clube se sagrou campeão com grande participação de Allan, tendo marcado um golaço no jogo contra o Coritiba que foi vencido pelos cariocas por 3 a 2.

Em 2011, após contusão do lateral-direito titular do time, Fagner, Allan foi improvisado na lateral pelo técnico Ricardo Gomes e acabou dando certo, conquistando a vaga de titular mesmo após a recuperação de Fagner. Com isso, Allan foi titular do Vasco na conquista da Copa do Brasil de 2011. Após a boa campanha em que o clube cruzmaltino parou nas quartas-de-final da Libertadores de 2012, e chegou a duas finais de campeonato carioca, perdendo as duas, no dia 28 de junho, Allan foi vendido para a Udinese por €3 milhões.

Udinese
Em junho de 2012, Allan foi vendido e se transferiu para a Udinese, da Itália, por 3 milhões de euros (9 milhões de reais). Ele logo ganhou uma vaga de titular no centro da equipe de Udine, fazendo sua estreia contra a Juventus em 2 de setembro, com uma assistência para o companheiro de equipe Lazzari.Em suas três temporadas com a Udinese, Allan somou 116 jogos, 2 gols e 14 assistências.

Napoli
Na terça-feira do dia 21 julho 2015, o Napoli confirmou contratação Allan, 24 anos, junto a Udinese, por 12 milhões de euros(42 milhões de reais). Recebeu a camisa de Número 5. Em 30 de agosto, em uma partida contra a Sampdoria, Allan fez sua estreia por seu novo clube. Marcou o primeiro gol com a camisa da Napoli na partida contra a Empoli, partida essa que terminou em empate de 2-2.

Everton
Em 5 de setembro de 2020, o Everton anunciou a contratação de Allan, o clube inglês pagou cerca de € 25 milhões, contrato válido até 2023.Ele fez sua estreia na semana seguinte em uma vitória por 1-0 fora de casa para o Tottenham.

Al Wahda
No início da noite de 25 de setembro de 2022, o Al Wahda anunciou a contratação de Allan. De acordo com a imprensa da terra da rainha, os árabes pagaram 25 milhões de euros (R$ 127,6 milhões) ao Everton.

Seleção Brasileira
Suas atuações foram tão boas que o técnico Ney Franco o convocou para a Seleção Brasileira Sub-20 que se sagrou campeã mundial da categoria em 2011. Em 2018, após anos de grandes atuações no Napoli sendo um dos grandes destaques do time, foi chamado pela primeira vez para a seleção principal pelo técnico Tite. Na coletiva após a convocação, Tite brincou a respeito de Allan dizendo: "Ele tem rodinha nos pés" arrancando gargalhada dos repórteres presentes e fazendo lembrar Felipão e Bernard quando o técnico do penta disse da alegria nas pernas do ex-jogador do Atlético Mineiro.

Integrou o elenco para a disputa da Copa América de 2019, edição em que o Brasil conquistou o nono título.

Títulos
 Vasco da Gama
 Campeonato Brasileiro - Série B: 2009
 Copa do Brasil: 2011
 Copa da Hora: 2010

 Napoli
 Copa da Itália: 2019–20

 Seleção Brasileira
 Copa Sendai: 2010
 Copa do Mundo Sub-20: 2011
 Copa América: 2019

Naturais da cidade do Rio de Janeiro
Futebolistas do Rio de Janeiro (estado)
Futebolistas do Club de Regatas Vasco da Gama
Futebolistas da Udinese Calcio
Futebolistas da Società Sportiva Calcio Napoli
Futebolistas do Everton F.C.
Futebolistas do Al-Wahda Sports Cultural Club
Jogadores da Seleção Brasileira de Futebol Sub-20
Jogadores da Seleção Brasileira de Futebol
Jogadores da Copa América de 2019


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text:
Listen back to the Just Blaze takeover of Q-Tip's Beats...
News I By Laurent FintoniI 12.12.15
Listen back to the Just Blaze takeover of Q-Tip's Beats 1 radio show
The kid from Jersey shares unheard versions from the vaults.
Just Blaze took over Q-Tip's Abstract Radio on Beats 1 last night, taking listeners on a two-hour journey through his career.
As one of Roc-A-Fella's in-house producers, the man from Paterson, New Jersey, had a hand in fashioning the sound of New York hip-hop in the early 2000s, emerging as one the era's handful of 'super producers' alongside Timbaland and The Neptunes.
Just Blaze let the music speak for itself on this occasion with classics from his extensive back catalogue alongside special versions from his archive including Kanye West's 'Touch The Sky' with Robert Glasper on keys, a Dipset remix of 'I Really Mean It' by Camron', an alternate take of Usher's 'Throwback', and a different version of Rick Ross' 'Lork Knows' verse.
Also included was a Black Album version of Jay-Z's 'Early This Morning' which Just Blaze had teased earlier in the week on Instagram. [Via Complex]
You can listen back via iTunes or below via SoundCloud.
After the show ended Just Blaze hinted that this could be the first of three sessions.
#JustBlazeTakeover might just could be 3 episodes long. Maybe.
— Just Blaze (@JustBlaze) December 12, 2015
The Essential… Just Blaze
The Rise and Fall of Roc-A-Fella Records
Tags: Beats 1Just BlazeQ-Tip
Listen back to the Just Blaze takeover of Q-Tip's Beats 1 show


text:
Q: Will assigning at tag to a Github Release also assign it to the Commit Will assigning at tag (e.g. v1.1.0) to a Github release also assign it to the commit, assuming that the specified commit doesn't already have a tag?  If so, will it be a lightweight or annotated tag?

A:
Will assigning at tag (e.g. v1.1.0) to a Github release also assign it to the commit

Yes it will.

If so, will it be a lightweight or annotated tag?

A lightweight one.

You can take a look at this sample release that I've created through GitHub UI for the sake of answering this question. This repository wasn't previously bearing any tag.
Once locally fetched, one can see that a new tag has been added upstream.
$ ls .git/refs/tags/
v0.1

And that this tag directly points to a commit (ie. It's a lightweight tag, not an annotated one).
$ cat .git/refs/tags/v0.1
485750d2def0e01f5653534659d1785be0ff73db

$ git cat-file -t 48575
commit


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text:
The Lion King Disney Soundtrack (2019)
By Tim Teller
Circle of Life - From "The Lion King"/ SoundtrackCarmen Twillie, Lebo M. • The Lion King
I Just Can't Wait to Be King - From "The Lion King"/Soundtrack VersionJason Weaver, Rowan Atkinson, Laura Williams • The Lion King
Be Prepared - From "The Lion King" / Soundtrack VersionJeremy Irons, Whoopi Goldberg, Cheech Marin, Jim Cummings • The Lion King
Hakuna Matata - From "The Lion King"/SoundtrackNathan Lane, Ernie Sabella, Jason Weaver, Joseph Williams • The Lion King
Can You Feel the Love Tonight - From "The Lion King" / Soundtrack VersionJoseph Williams, Sally Dworsky, Nathan Lane, Ernie Sabella, Kristle Edwards • The Lion King
The Morning Report - From "The Lion King"/Soundtrack VersionJeff Bennett, James Earl Jones, Evan Saucedo • The Lion King: Special Edition
This Land - From "The Lion King"/ScoreHans Zimmer, Lebo M. • The Lion King
...To Die For - From "The Lion King"/ScoreHans Zimmer • The Lion King
Under the Stars - From "The Lion King"/ScoreHans Zimmer, Lebo M. • The Lion King
King of Pride Rock - From "The Lion King"/ScoreHans Zimmer, Lebo M. • The Lion King
Circle Of LifeElton John • Love Songs
I Just Can't Wait to Be King - From "The Lion King"Elton John • NOW That's What I Call Disney 3
Can You Feel The Love TonightElton John • Love Songs
More by Tim Teller
Booksmart Soundtrack 2019
Shazam Soundtrack 2019 ⚡
More Tim Teller
Listen to The Lion King Disney Soundtrack (2019) now.
Listen to The Lion King Disney Soundtrack (2019) in full in the Spotify app


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If you combine this plugin with serverless-domain-manager you can automate the complete process of creating a custom domain with a certificate. I found serverless-domain-manager very useful but i also wanted to be able to automatically create the certificate for the newly generated custom domain.


text:
Touching Students 1920-1950
Lucie Clayton instructs pupils in the art of correct posture by balancing a glass and book on their heads at her finishing school in Old Cavendish Street, London. (Photo by William Vanderson/Fox Photos/Getty Images). 25th November 1936
Fact Australia's 1920s Female Criminals
Alice Cooke at the Sydney Women's Reformatory in 1922. By the time she was 24 Alice Cooke had created an impressive number of aliases and at least two husbands, and was convicted of bigamy and theft. (Photo by My Colorful Past/Mediadrumworld)
Vintage Crime
Touching Actress Asia Argento attends the "Zulu" Premiere
Actress Asia Argento attends the "Zulu" Premiere and Closing Ceremony during the 66th Annual Cannes Film Festival at the Palais des Festivals on May 26, 2013 in Cannes, France. (Photo by Vittorio Zunino Celotto)
27 May 2013 11:39:00,post received 0 comments
Educative Large Set of Propagandistic Anti-Soviet Posters (1920 – 1980)
Subhuman (book cover) / Germany (1942)
Propaganda is a form of communication aimed towards influencing the attitude of the community toward some cause or position by presenting only one side of an argument. Propaganda statements may be partly false and partly true. Propaganda is usually repeated and dispersed over a wide variety of media in order to create the chosen result in audience attitudes. – Wiki
Communists
02 Aug 2013 10:28:00,post received 0 comments
Fact Josephine Baker
"Josephine Baker (June 3, 1906 – April 12, 1975) was an American-born French dancer, singer, and actress. Nicknamed the "Bronze Venus", the "Black Pearl", and even the "Créole Goddess" in anglophone nations.
Baker was the first African American female to star in a major motion picture and to integrate an American concert hall, and to become a world-famous entertainer. She is also noted for her contributions to the Civil Rights Movement in the United States (she was offered the unofficial leadership of the movement by Coretta Scott King in 1968 following Martin Luther King, Jr.'s assassination, but turned it down), for assisting the French Resistance during World War II and for being the first American-born woman to receive the French military honor, the Croix de guerre".
Photo: American entertainer Josephine Baker in costume for her famous "banana dance". Baker was an overnight sensation when she arrived in Paris in the mid-1920s. (Photo by Walery/Getty Images)
Personal portrait
Cabaret Dancers
Wax Model
Touching Boston Police
Mounted cop in action on Tremont Street in Boston, Massachusetts, 1920 – 1929 (approximate). (Photo by Leslie Jones)
Touching Midget Cars. Part I
"Custer" the smallest car in the US. (Photo by Topical Press Agency/Getty Images). 1920
Fact Berlin: the Party Goes On
Artist Le Pustra and organiser Else Edelstahl pose for a picture at Simon Dach Strasse, a street filled with many bars, in Berlin, Germany, August 28, 2016. Else Edelstahl organises the party series "Boheme Sauvage", in which people dress up in 1920s style, celebrating Berlin nightlife of a past era. (Photo by Hannibal Hanschke/Reuters)
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text:
Geektown Behind The Scenes Podcast 48: TheHunterWild Twitch Streamer & Streamer Square Co-Founder Interviewed By TristaBytes
In this Behind The Scenes Podcast, I'm handing over the reins to Bex, aka Twitch streamer and YouTuber TristaBytes, as she interviews Twitch Streamer, activist, and Streamer Square co-founder TheHunterWild.
To make the connection between streamer and audience stronger, Hunter co-founded Streamer Square, which is a streamer education program that provides guides, hands-on services and coaching, reviews, and captivating live shows to help creators bring their stream to the next level.
After starting his own game development studio at 19 and a career of being a fine artist, Hunter decided to go back to school and get a degree in environmental philosophy, both of which he brings to the table in his streaming career and connection with his audience of over 68,000.
Streamer Square is first and foremost a community that educates its members on business, gaming, and provides gaming news. Inclusivity is one of their primary orientations, ensuring a safe space for people from all walks of life. Respect, integrity, and empathy are core qualities that Hunter safeguards and emphasizes alongside his community providing guidance. The platform produces several talk shows that promote a forum for dialogue on issues such as accessibility, transparency, and best financial practices. They invite veteran streamers and industry professionals to share their experiences in thought-provoking discussions about the streaming community and the latest news.
Hunter is passionate about Twitch and his fans and plans on creating a Twitch-specific environmental charity. He wants to influence the industry and streaming culture with a network of sustainably focused content creators, to make the integration of climate change and gaming more accessible.
https://media.blubrry.com/geektown/p/media.acast.com/geektown/geektownbehindthescenespodcast48-thehunterwildtwitchstreamer-streamersquareco-founderinterviewedbytristabytes/media.mp3
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