text:
Businessbudget 2012Canadian Food Inspection Agencycfia
Canada Budget 2012: CFIA Cuts Mean Food Labelling Lies Will Have To Be Policed By Consumers
Tories' Decision To Stop Policing Food Labels Threatens Canadians: Union
Daniel Tencer
Business Editor, HuffPost Canada
Mar 30, 2012, 01:27 AM EDT | Updated Mar 30, 2012
The federal government's decision to stop policing nutrition claims on food labels threatens Canadians' health and leaves consumers with little recourse when food labels are wrong, the head of an agricultural union says.
In the budget released Thursday, the Conservative government announced it would no longer verify nutrition claims on food labels, and will instead set up a website where consumers can take their concerns directly to food producers.
"The Government will change how the Canadian Food Inspection Agency (CFIA) monitors and enforces non-health and non-safety food labelling regulations," the budget document states. "The CFIA will introduce a web-based label verification tool that encourages consumers to bring validated concerns directly to companies and associations for resolution."
Bob Kingston, president of the Agriculture Union, which represents food inspectors at the CFIA, said the new policy amounts to "a total farce."
Consumers don't have the capacity to determine whether nutrition information, such as the level of sodium or cholesterol in a food product, is accurate, he argued, adding that he disagreed with the government's assertion that nutrition labels are a "non-health and non-safety" issue.
He cited Crohn's disease sufferers and diabetics as two groups of people who rely on accurate food labelling to determine what they can and can't eat. The new policy is "hanging them out to dry," Kingston told The Huffington Post.
Consumers "are being asked to take on the corporations that hurt them," he said.
Asked if the new rules amounted to greater danger to Canada's food supply, Kingston said: "Absolutely."
The office of Agriculture Minister Gerry Ritz, which is responsible for the CFIA, did not immediately respond to a request for comment.
Prior to the budget being released, news reports suggested the CFIA was projecting a $21-million cut to its $719-million budget, which would have resulted in some 200 food inspectors -- 10 per cent of the total -- losing their jobs.
The actual budget cut came in considerably higher than that, at $56 million, but Kingston could not say how many job losses that would mean. He said the CFIA had received "assurances" the budget cuts would not mean a loss of front-line staff such as food inspectors, "but that's nonsense."
Kingston said the previous policy was bad enough. "We find [food labelling] violations all over the place" and the agency already "walks away from enforcing clear violations" in an effort not to impede commerce, he asserted.
An investigation by Postmedia news last year found that the existing system had significant flaws.
Even when government inspectors identify what they believe is a misleading or fraudulent claim on a food product, some complain they can't act swiftly to get it off the market because of Ottawa's slow, muddied approach to policing food labels.
In other cases, inspectors say they face hurdles from company lawyers while the products with disputed nutrition claims continue to be sold.
Other inspectors complain there just aren't enough resources to deal with misleading food labels.
Not all the cuts to the CFIA budget will come from staff reductions. The government announced in its budget Thursday that the CFIA would merge back-office functions with other agencies with similar mandates, such as Health Canada and Agriculture and Agri-Food Canada, saving on administrative costs.
Top Foods For Your Immune System
budget 2012businessCanadian Food Inspection AgencycfiaCFIA cuts


text:
2021 Bermuda Championship Odds: PGA Betting Preview
Written By: Bill Bowman
It's that time of the year again as the calendar starts to wind down to the end of 2021. It's the perfect spot for those looking to make their mark on the PGA Tour to step up and grab the brass ring.
The 2021 Butterfield Bermuda Championship will be held this week in, of course, Bermuda at the Port Royal Golf Course.
Now while the tournament is being held in this little slice of paradise, it's going to be anything but business as usual for the PGA Tour players on hand. This is one of a handful of events during the year where no-names or those fringe players get the chance to step up.
The reason? Lack of star power.
If you're looking for a star-studded field to back at the betting windows or on your mobile app, this isn't the week. Not by a longshot.
It's holiday time for a majority of those in the top 50 of the world rankings. In fact, just three in that category are taking part: Patrick Reed (24), Matthew Fitzpatrick (26) and Christiaan Bezuuindenhout (43). Many of the top Tour players won't make their next appearance until early in 2022.
So that opens the floodgates for those hoping to move into that category to make hay while the big boys relax in the sun without their golf clubs.
Brian Gay, the winner here last year, snapped an eight-year winless drought. Let's see who might be the next one to snap a winless drought…or win for the first time.
Odds To Win The 2021 Bermuda Championship by FanDuel
Matthew Fitzpatrick +1000
Christiaan Bezuidenhout +1400
Patrick Reed +1800
Mito Pereira +2000
Seamus Power +2200
Danny Willett +2700
Hayden Buckley +2700
Adam Hadwin +3100
This is one of those weeks where putting up names of the whole field on a dartboard and throwing a couple of darts to pick the winner might be the best plan of attack.
The tournament is that wide open.
We aren't sure who's coming in hot. And we have no reason to feel more than a dozen players have been in the hunt before and can handle the pressure of a PGA Tour event down the stretch on Sunday.
With that in mind, there are a couple of players who do stick out as possibilities…without having to throw those darts.
Keep An Eye On Last Year
We know…we talked about snapping a winless drought or winning for the first time. But what we are going to concentrate on this time is a repeat winner.
We're going to give Gay, at an impressive +8000, a chance to repeat. The PGA Tour hasn't had a titleholder defend his crown since 2019 when Brooks Koepka went back-to-back at the PGA Championship. Since 2011, 11 players have successfully defended a title including Koepka twice as he also went back-to-back at the 2017-2018 U.S. Opens.
With the limited star power in this week's event, there's certainly the chance Gay can join the group.
Gay finished strong last year as he carded a final round 64 to get into the playoff and then birdied the first hole for the win.
He's not coming in on a roll as he's started the 2021-2022 wraparound season with a missed cut and a WD.
But this field is so wide open that a few days in paradise and fond memories of hoisting the trophy last year can do wonders for anyone's game and mindset.
And that includes a player like Gay who comes in this week at No. 382 in the world rankings.
Longshots Galore…Picking One No Easy Task
If bettors look down the sports betting list, two things stick out: One, there are a lot of huge betting numbers to be had…if your pick happens to come in. And two, there are more than a couple of names on the list that even hard-core bettors haven't heard of and that's troubling for the fact that as the old quote goes, 'On any given day…"
With that in mind, we're going to check out Ryan Armour at +5000. Sure, it's another long shot but like in horseracing, if you're in the field, you've got a chance.
Armour was T-8 last year but dropped six spots in the final round despite the fact he carded a closing 69.
The reason we like Armour is because he seems to play solid every time he's gotten the chance to tee it up on the PGA Tour. Granted, that's not been as often as he'd like, but if they give you the chance to play, it's weeks like this that can turn a player's life upside down…and in a great way.
And Then There's The 'X' Factor
Sometimes you just can't overlook the obvious.
This week that obvious pick is one of the top-ranked players in the field, Patrick Reed at +1800.
But, here's the problem with this pick: Reed is in one of those states of mind right now that this week can either be great for him and he wins or he slams the trunk on Friday after a missed cut.
He wasn't picked for the Ryder Cup team and that had to hurt. He's also had two starts in this wraparound season, both of them in Vegas. He missed the cut at the Shriners event and was 68th in the CJ Cup outing (where there was no cut).
Which Reed will show up this week in Bermuda? That's the million-dollar question. Or, in this case, the $720,000 question which is the winner's share this week.
Like we said earlier, it's a wide-open field in a little slice of paradise so why not look at the guy who is looking down on the rest of the field…at least rankings-wise.
Bill Bowman
Bill Bowman is a Las Vegas-based writer who has more than 40 years in the sports-writing business. He's spent the past 18-plus years covering the golf scene in Vegas including 10 years as a writer/editor with VegasGolfer Magazine. He also contributes to the GolfNow Network of websites and Las Vegas Golf Insider.

redpajama_set_name: RedPajamaCommonCrawl


Welcome to my new blog! I will be sharing swatches of indie polishes and nail art. I thought I would start with my New Year's Eve mani featuring Vapid Winter Midnight '17and Gilver '17. These polishes were part of Vapid's Black Friday 2017 releases and are no longer available; however, you may be able to find them in a destash somewhere. I was actually planning to use Happy Freaking New Year '17 as my accent nail, but grabbed the wrong one and didn't notice until I had already done the first coat and decided to run with it. 🙂 For both colors, I used two coats plus topcoat. Both polishes went on smooth with barely any clean up as I have come to expect from Vapid.
Here is my New Year's Eve mani. I used Lina Nail Art Supplies Can't Wait for Xmas 01 for the glasses and Can't Wait for Xmas 02 for the fireworks. I used Vapid Lacquer Pessimist for the black stamping and the Bundle Monster Moonbeam stamping polishes for the fireworks. The fireworks were easier to see in the shade.
Hope everyone had a happy New Year and that 2018 brings even more great indie polish!


text:
using aikido::statespace::GeodesicInterpolator;

namespace aikido {
namespace trajectory {

using State = aikido::statespace::StateSpace::State;

//==============================================================================
Interpolated::Interpolated(
    statespace::ConstStateSpacePtr _stateSpace,
    statespace::ConstInterpolatorPtr _interpolator)
  : mStateSpace(std::move(_stateSpace)), mInterpolator(std::move(_interpolator))
{
  // Do nothing
}

//==============================================================================
Interpolated::~Interpolated()
{
  for (auto& waypoint : mWaypoints)
    waypoint.free(mStateSpace);
}

//==============================================================================
statespace::ConstStateSpacePtr Interpolated::getStateSpace() const
{
  return mStateSpace;
}

//==============================================================================
statespace::ConstInterpolatorPtr Interpolated::getInterpolator() const
{
  return mInterpolator;
}

//==============================================================================
std::size_t Interpolated::getNumDerivatives() const
{
  return mInterpolator->getNumDerivatives();
}

//==============================================================================
double Interpolated::getStartTime() const
{
  if (mWaypoints.empty())
    throw std::domain_error("Requested getEndTime on empty trajectory.");

  return mWaypoints.front().t;
}

//==============================================================================
double Interpolated::getEndTime() const
{
  if (mWaypoints.empty())
    throw std::domain_error("Requested getEndTime on empty trajectory.");

  return mWaypoints.back().t;
}

//==============================================================================
double Interpolated::getDuration() const
{
  if (!mWaypoints.empty())
    return getEndTime() - getStartTime();
  else
    return 0.;
}

//==============================================================================
void Interpolated::evaluate(double _t, State* _state) const
{
  if (mWaypoints.empty())
    throw std::invalid_argument(
        "Requested trajectory point from an empty trajectory");

  try
  {
    int idx = getWaypointIndexAfterTime(_t);
    if (idx == 0)
    {
      // Time before beginning of trajectory - return first waypoint
      mStateSpace->copyState(mWaypoints[0].state, _state);
    }
    else
    {
      Waypoint currentWpt = mWaypoints[idx];
      Waypoint prevWpt = mWaypoints[idx - 1];
      mInterpolator->interpolate(
          prevWpt.state,
          currentWpt.state,
          (_t - prevWpt.t) / (currentWpt.t - prevWpt.t),
          _state);
    }
  }
  catch (const std::domain_error& e)
  {
    // Time past end of trajectory - return last waypoint
    mStateSpace->copyState(mWaypoints.back().state, _state);
  }
}

//==============================================================================
void Interpolated::evaluateDerivative(
    double _t, int _derivative, Eigen::VectorXd& _tangentVector) const
{
  if (_derivative == 0)
    throw std::invalid_argument(
        "0th derivative not available. Use evaluate(t, state).");

  if (static_cast<std::size_t>(_derivative)
      > mInterpolator->getNumDerivatives())
  {
    _tangentVector.resize(mStateSpace->getDimension());
    _tangentVector.setZero();
  }

  // Compute the interpolated state at time t
  auto iPt = mStateSpace->createState();
  evaluate(_t, iPt);

  // Compute the endpoint of the segment
  try
  {
    int idx = getWaypointIndexAfterTime(_t);

    // Time before beginning of trajectory - return 0
    if (idx == 0)
      throw std::domain_error("Time is before the trajectory starts.");

    const auto segmentTime = mWaypoints[idx].t - mWaypoints[idx - 1].t;
    const auto alpha = (_t - mWaypoints[idx - 1].t) / segmentTime;

    mInterpolator->getDerivative(
        mWaypoints[idx - 1].state,
        mWaypoints[idx].state,
        _derivative,
        alpha,
        _tangentVector);

    _tangentVector /= segmentTime;
  }
  // Time past end of trajectory - return zero
  catch (const std::domain_error& e)
  {
    _tangentVector.resize(mStateSpace->getDimension());
    _tangentVector.setZero();
  }
}

//==============================================================================
void Interpolated::addWaypoint(double _t, const State* _state)
{
  State* state = mStateSpace->allocateState();
  mStateSpace->copyState(_state, state);

  // Maintain a sorted list of waypoints
  auto it = std::lower_bound(mWaypoints.begin(), mWaypoints.end(), _t);
  mWaypoints.insert(it, Waypoint(_t, state));
}

//==============================================================================
const statespace::StateSpace::State* Interpolated::getWaypoint(
    std::size_t _index) const
{
  if (_index < mWaypoints.size())
    return mWaypoints[_index].state;
  else
    throw std::domain_error("Waypoint index is out of bounds.");
}

//==============================================================================
double Interpolated::getWaypointTime(std::size_t _index) const
{
  if (_index < mWaypoints.size())
    return mWaypoints[_index].t;
  else
    throw std::domain_error("Waypoint index is out of bounds.");
}

//==============================================================================
std::size_t Interpolated::getNumWaypoints() const
{
  return mWaypoints.size();
}

//==============================================================================
int Interpolated::getWaypointIndexAfterTime(double _t) const
{
  auto it = std::lower_bound(mWaypoints.begin(), mWaypoints.end(), _t);
  if (it == mWaypoints.end())
  {
    throw std::domain_error(
        "_t is larger than the time value on the last waypoint.");
  }

  return std::distance(mWaypoints.begin(), it);
}

//==============================================================================
Interpolated::Waypoint::Waypoint(
    double _t, statespace::StateSpace::State* _state)
  : t(_t), state(_state)
{
}

//==============================================================================
bool Interpolated::Waypoint::operator<(const Waypoint& rhs) const
{
  return t < rhs.t;
}

//==============================================================================
bool Interpolated::Waypoint::operator<(double rhs) const
{
  return t < rhs;
}

//==============================================================================
void Interpolated::Waypoint::free(
    const statespace::ConstStateSpacePtr& stateSpace)
{
  if (state)
  {
    stateSpace->freeState(state);
    state = nullptr;
  }
}

} // namespace trajectory
} // namespace aikido

redpajama_set_name: RedPajamaGithub


text:
Senate Expands South Dakota Definition Of Tobacco To Include Vaping Products
by: Bob Mercer
Posted: Mar 7, 2019 / 03:06 PM CST / Updated: Mar 7, 2019 / 03:06 PM CST
Vaping products would be banned everywhere that smoking tobacco is already prohibited in South Dakota under legislation that received support Thursday from the state Senate.
The vote for HB 1209 was 21-13 in favor. The bill returns to the House of Representatives for agreement on a clarification the Senate Health and Human Services Committee made Wednesday.
Senator Rocky Blare, an Ideal Republican, explained the legislation Thursday. "Right now, within this body, people could be using e-cigarettes legally," Blare told senators.
Senator Stace Nelson, a Fulton Republican, asked what it would cost South Dakota. Blare said he didn't know of any.
Nelson said he had given a fiscal-note request to the Senate's front desk. Lieutenant Governor Larry Rhoden and Senator Brock Greenfield, the body's top member, huddled with their red rulebooks
Rhoden declared Nelson's motion was out of order. Rhoden cited a rule that requires a member to have one-fifth of the body's support before the bill was read a second time in the chamber.
Nelson later told Rhoden he had put his request on the front desk beforehand but decided he wouldn't press the matter.
Senator Craig Kennedy, a Yankton Democrat, asked Blare if vaping products would remain exempt from the tobacco tax. "I believe that would be correct," Blare said.
Senator Deb Soholt, a Sioux Falls Republican, praised it an expansion of the smoking ban. But Senator Lynne DiSanto, a Box Elder Republican, said she opposed it because there wasn't solid informaton about whether second-smoke from vaping is harmful.
Senator Wayne Steinhauer, a Hartford Republican, said there are different types of vaping systems. "So you don't know what's being vaped next to you and exhaled," Steinhauer said. He noted that a lobbyist for JUUL, a maker of vaping products, testified in support Wednesday.
More Capitol News Bureau Stories
The week ahead in state government starting Monday, July 15, 2019
by Bob Mercer / Jul 14, 2019
PIERRE, S.D. (KELO) — Here's a look at public meetings of South Dakota Legislature committees and state government boards and commissions for the week starting Monday.
State board faces decision on letting Keystone XL pipeline take South Dakota water
PIERRE, S.D. (KELO) -- The state government panel that decides who in South Dakota gets to use the public's water will decide next week when to hold a hearing on whether the Keystone XL project should be allowed to draw from multiple sites in five western counties.
State Historical Society gets two new trustees
PIERRE, S.D. (KELO) -- There are new faces on the South Dakota State Historical Society board of trustees.
The society's members chose Sean Flynn of Mitchell to take the place of Bob Kolbe of Sioux Falls, who didn't seek re-election.
Tweets by pierremercer


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We present the XDubai Slingshot – an adrenaline pumping experience like no other. Suspended 4m in the air, prepare to be pulled 40m back and launched at 4 Gs, with a speed up to 100 km/hr over Kite Beach. Designed for single riders, the Slingshot is the newest addition to XDubai's collection of extraordinary experiences.
Price – AED 280 for one rider.
Tickets are available onsite on a first-come, first serve basis with the option to keep your name on a waiting list for the same day. XDubai Slingshot gift certificates will also be available at the attraction's check-in booth as well as at the XDubai Shop's three locations, in Dubai Marina Mall, at the XDubai Skatepark at the Kite Beach and at XPark Jr.
10:00 am to 1:00 pm, 2:00 pm to 6:30 pm.
We invite Dubai residents and visitors to stretch their limits with the launch of the new XDubai Slingshot. Opening in Kite Beach, Dubai, the new ride will see you experience a force of up to 4 G's and reach speeds of up to 100 km/hr in just 0.5 seconds, as you are propelled up to 120m over sand and water. Priced at AED 280 per person, the ticket includes an XDubai cap and a AED 50 voucher that can be redeemed at the XDubai Shop for merchandise or go towards the price of an XLine Dubai Marina experience.
Ensure that you review the requirements for riding before visiting us.
Don't forget to use #XD4Force when you post your pictures and video.
© XDubai. All rights reserved.


text:
Feature ArticlesReviewsSwitch
Mario & Sonic at the Olympic Games Tokyo 2020 review
These are games worth playing.
By Miguel Moran November 5, 2019
Mario is no stranger to a sports game. He and his pals (and even his enemies) have been dishing out nasty three-pointers, stellar tennis serves, and miraculous goals for generations now. However, while the Mushroom Kingdom crew has a storied history of competitive athletics, there are only a handful of sports-adjacent video games starring the friends and foes of Sonic the Hedgehog. The only regular exposure Sonic gets to the world of sports is when he and Mario team up for their biennial Olympics outings. And after finally giving the series a chance with the release of Mario & Sonic at the Olympic Games Tokyo 2020, it's easy to see why this crossover has endured for so many years.
This is perhaps the most important entry in the Mario & Sonic at the Olympic Games franchise. After all, the Summer Olympic Games take place in Tokyo next year, no doubt pushing Sega to make sure that this is the biggest and brightest entry in the series. That plan begins with a beefy selection of over 21 Olympic sports for you to partake in. Some of these are truly microscopic in scope, like the 100M dash or the discus throw. If you're playing against friends or online foes, there's some charm to these smaller events, but in solo play, you'll likely participate once or twice and quickly move on. There's minor replayability in chasing high scores or retrying these events with motion controls instead of button controls, but they still won't grip you for any extended periods of time.
Thankfully, there are plenty of events in this game with the kind of depth and strategic potential that will easily keep you engaged for hours, especially if you're playing with others. Take the head-to-head events for example. Sports like karate, fencing, and boxing feature more complicated mechanics than simply mashing A or swinging your Joy-Con. You need to pick your attacks or evasive options carefully, and the mind games that ensue are almost on the same level as in fighting games. Even if you don't have a pal to duke it out with, the enemy AI on higher difficulties will provide ample challenge. Just the sight of Yoshi uppercutting Eggman is enough to keep me entertained, but the surprising depth in a lot of these events kept me more engrossed than I could have ever imagined.
Then there are the 2D events. While most of Mario & Sonic at the Olympic Games Tokyo 2020 is rendered in gorgeous 3D graphics, there's a section of 10 "Tokyo 1964" events that see you participating in sports rendered in old-school sprite graphics. The character selection here is disappointingly slimmer. While regular events let you play as over two dozen different characters from the worlds of Mario and Sonic, 2D events only let you select from about 8 different characters. These events end up being a bit more of a novelty and are similar in scope to the simpler 3D events. A handful of games like the marathon or judo have some intricacy to them, but they still end up serving as more of a cheeky trip down memory lane than anything else.
That nostalgia trip is continued in the surprisingly hefty story mode for Mario & Sonic at the Olympic Games Tokyo 2020. In this mode, Bowser and Eggman have teamed up to create a mysterious game console that traps anyone who plays it in the old-school world of the 1964 Tokyo games. Luigi foolishly turns the device on while the others aren't looking and proceeds to get Eggman, Bowser, Mario, and Sonic stuck inside of the game world. Your time in the story mode jumps back and forth between the present and past of the Tokyo Olympics, with Luigi and friends working together in the real world as Mario and Sonic compete with their respective rivals in the 1964 world to try and escape.
Admittedly, the writing of the story mode is pretty weak. If you come into it expecting the kind of charming dialogue and clever jokes you'd get out of something like Paper Mario or the Sonic Boom cartoon, you're in for some major disappointment. While there are a handful of entertaining exchanges, most of the interactions in the story more of Mario & Sonic at the Olympic Games Tokyo 2020 consist of characters plainly explaining what they're doing or what they need in order to progress the story.
No, for me, the major charm of this mode came from the fact that it acted as a gorgeous tour through the sights of Tokyo itself. You'll navigate an overworld map with over a dozen locations on it, and each one that you enter is beautifully rendered in accurate detail. Being able to soak in the atmosphere of the Nippon Budokan or Tokyo Station was a delight, and coupled with the insane amount of unlockable trivia about Japan and the Olympic Games, Sega does a great job of sharing the culture and appeal of Tokyo with anyone who plays this game.
Ultimately, that's where a lot of the fun in Mario & Sonic at the Olympic Games Tokyo 2020 lies. Yes, some of the sports are fun to play and even more fun to replay. I'll never get tired of seeing Donkey Kong and Metal Sonic skateboarding. The real magic of the game, though, is how it serves as a perfect casual entry point into the world of the Olympic Games. Have a child or little cousin who knows every Sonic game in existence but doesn't care about sports? Spend an afternoon playing this with them, and you might just end up helping them discover a fascination with the Olympics. Or Nintendo sports games. Hopefully both!
Release Date: Nov. 5, 2019
No. of Players: 1-8 players
Category: Action, Multiplayer, Party, Sports
A review code was provided by the publisher.
Our review policy.
Mario & Sonic at the Olympic Games Tokyo 2020
Miguel Moran
I'm a writer, voice actor, and 3D artist living la vida loca in New York City.I'm into a pretty wide variety of games, and shows, and films, and music, and comics and anime. Anime and video games are my biggest vice, though, so feel free to talk to me about those.Bury me with my money.
Ultra Instinct Goku is coming to Dragon Ball FighterZ to crush everyone
Pokémon Sword and Shield breaks more sales records in Japan
Black Book, a card-based RPG with adventure game elements, coming to Switch
Metro Redux is officially coming to the Nintendo Switch


text:
Q: How to embed a local pdf file in mkdocs generated website on github-pages? I have a private repository with some pdf files among others. The content is however, made publicly available using MkDocs (material) and github-pages. I want to embed these locally available pdf files on the website (created with MkDocs). So far I have tried this:
# Method-1
<object data="/path/to/file.pdf" type="application/pdf">
    <embed src="/path/to/file.pdf" type="application/pdf" />
</object>

# Method-2

The /path/to/file.pdf, when shared from Google Drive (made publicly available), works. But, it does not work when I try to show the files kept within the docs folder in my github repository.

How can I show them from the repository itself (without having to copy and share the files from GDrive)?

For github pages:

*

*only the contents of the docs folder are pushed to the gh-pages branch and then GitHub Pages publishes these contents as the website.

Related Material

*

*Stackoverflow:

*

*How to link a pdf?

*Opening PDF in a browser with Github Pages

*GitHub Community:

*

*How to link a pdf which opens a pdf-viewer in GitHub pages?

A: Solution
The main challenge in making the pdf file available on the published site is creating a link that is not broken and actually accesses the file from the repository.
Mkdocs comes with a lot of extensions, that enhance the functionality of the framework. You need to use pymdownx.pathconverter to address this issue.
Example
I have blurred out the contents from the screenshot. But you can see how the embedded pdf file looks like.

Here are the pieces you need to work with.
A. Install PyMdown Extension
Along with Other must haves...
pip install \
    mkdocs \
    mkdocs-material \
    mkdocs-material-extensions \
    pymdown-extensions

B. Update mkdocs.yml
Add the following to mkdocs.yml
# Strategy: Use an absolute path
markdown_extensions:
  - pymdownx.pathconverter:
      base_path: 'YOUR_REPO_NAME' # default: ''
      relative_path: '' # default ''
      absolute: true # default: false
      tags: 'a script img link object embed'

A note to the reader: You can also use a relative path with pymdownx.pathconverter. For details, please see the documentation. However, for brevity, in case you end up using relative path, this is what your need to do:

*

*Set absolute: false in the extension settings for pymdownx.pathconverter.

*Use relative path (this should take into account your URL path hierarchy). For instance, if you embed a pdf-file docs/artifacts/file.pdf in a markdown file docs/howto/embedding_pdf.md and the link to the markdown file looks like http://localhost:8000/demo_mkdocs_project/howto/embedding-a-pdf-file (please see the following sections for more context), then the relative path to the file while embedding it, would look like:
"../../artifacts/file.pdf"

C. Embed PDF file from the repository
Here we will assume the pdf file is located at: docs/artifacts/file.pdf and the docs folder is located at the root of the repository. In the following code block I embed a pdf in the file docs/howto/embedding_pdf.md.

{% with pdf_file = "artifacts/file.pdf" %}

{% set solid_filepdf = '' %}
{% set empty_filepdf = '' %}

## Example: Embedding a PDF file

<object data="{{ pdf_file }}" type="application/pdf">
    <embed src="{{ pdf_file }}" type="application/pdf" />
</object>

## Example: Creating a link to a PDF file

{{ solid_filepdf }}

{% endwith %}

D. Add a link to the page in mkdocs.yml
This will create a top-level link HowTo and then under that another link Embedding a PDF file.
# file: mkdocs.yml

nav:
  - Home: index.md
  - HowTo:
    - Embedding a PDF file: howto/embedding_pdf.md

These four steps essentially make the pdf file available both on your local server (localhost:8000) and on github pages (in case you are publishing there). The link to the file would then resemble this:

*

*Local server: http://localhost:8000/demo_mkdocs_project/artifacts/file.pdf

*GitHub Pages: http://githubid.github.io/demo_mkdocs_project/artifacts/file.pdf

Note:
I assumed the

*

*Git userid: githubid

*repository name: demo_mkdocs_project

References

*

*PyMdown Extensions Documentation - PathConverter

redpajama_set_name: RedPajamaStackExchange


text:
Are Taylor Swift and Scott Eastwood Friends? Here's What We Know About Their Relationship
In 2015, Scott Eastwood shocked everybody when he appeared in Taylor Swift's music video "Wildest Desires".
So what's the backstory of this look? Did he do it as a result of they're pals?
Let's examine.
Scott Eastwood is an American actor and mannequin who has appeared in loads of notable tasks. These embrace "Gran Torino", "The Forger", "Texas Chainsaw", "Mercury Plains", "Snowden", "Suicide Squad", "The Outpost", and lots of extra.
Nevertheless, he's in all probability greatest recognized for being the son of one in every of Hollywood's icons – Clint Eastwood. Whereas many would in all probability attempt to land roles due to the surname alone, Scott noticed issues in a different way.
He determined to alter his final identify to Reeves when auditioning, to keep away from any nepotism due to his father.
Scott additionally acknowledged that he auditioned for all of his father's films and that he was rejected for Clint's "American Sniper" in 2015.
Nonetheless, he has proven that he inherited lots of his father's abilities and that appearing was merely in his blood as properly. It didn't take lengthy for him to begin touchdown some large roles.
Taylor Swift is an American singer and songwriter, greatest recognized for her narrative songwriting that's impressed by her private love life.
Though she was initially born in Pennsylvania, Taylor moved to Tennessee when she was 14 to pursue a profession as a rustic music singer.
With greater than 200 million offered information world wide, she gained a spot on the listing of best-selling musicians of all time. She was featured on the Billboard Scorching 100 eight instances received 11 Grammy Awards, an Emmy Award, and 34 American Music Awards.
Taylor was additionally included in Rolling Stone's 100 Biggest Songwriters of All Time listing and on Billboard's Biggest of All Time Artists listing.
Except for having an influential music profession, she is also a powerful advocate for artists' rights and ladies's empowerment.
Are Taylor Swift and Scott Eastwood Buddies?
In a 2015 interview, Scott stated that he was a giant fan of Taylor Swift's music and that he often blasts it up in his automotive. He described it as his "responsible pleasure".
"Taylor Swift. My automotive. Singing out of the highest of my lungs," Scott instructed the reporter and defined that he can't select his favourite Swift tune since they're "all so good". Though, his first decide was "Shake It Off".
Apparently, Scott isn't the one Eastwood that enjoys Taylor's songs. Clint additionally instructed MTV Information in 2009 that he likes her music. "Taylor Swift? Yeah, I suppose I do like her. I've listened to her music simply the opposite day and she or he is basically good," stated the king of westerns.
Whereas there isn't any official proof that Taylor and Scott had been ever pals or frolicked earlier than the discharge of "Wildest Desires", there was in all probability mutual recognition between the 2 that led to the filming of the music video.
Even these days, we don't actually see them collectively attending sure occasions, however we suppose they remained in good relations after working collectively.
Best Cruella De Vil quotes about dogs
Who did Justin Timberlake date before Jessica Biel


text:
Back to Planned Parenthood South Texas
Planned Parenthood Planned Parenthood South Texas
Planned Parenthood South Texas
Fertility Assistance
intrauterine insemination
What is IUI and how does it work?
IUI stands for intrauterine insemination. It's also sometimes called donor insemination, alternative insemination, or artificial insemination. IUI works by putting sperm cells directly into the uterus around the time of ovulation, helping the sperm get closer to the egg. This cuts down on the time and distance sperm has to travel, making it easier to fertilize the egg. IUI is very successful and safe in cases of low-sperm counts or for women without male partners.
Before having the insemination procedure, an individual may take fertility medicines that stimulate ovulation. Semen is collected from a partner or sperm bank. It goes through a process called "sperm washing" that collects a concentrated amount of healthy sperm from the semen. Pregnancy happens if sperm fertilizes the egg, and the fertilized egg implants in the lining of the uterus.
IUI is a simple and low-tech procedure, and it can be less expensive than other types of fertility treatments. It increases one's chances of pregnancy, but everyone's body is different, so there is no guarantee that IUI will work.
What can I expect during IUI?
Before IUI, you may take fertility medicines that help your eggs mature and be ready to be fertilized. Your clinician will do the insemination procedure during ovulation (when your ovaries release an egg). Sometimes you will be given hormones that trigger ovulation. They'll figure out exactly when you're ovulating and prepare for the procedure to maximize your chances of getting pregnant.
During the IUI procedure, the clinician slides a thin, flexible tube through your cervix into your uterus. They use a small syringe to insert the sperm through the tube directly into your uterus. The insemination procedure is done at one of our health centers, and only takes about 5-10 minutes. It is a relatively quick procedure and patients don't need anesthesia. IUI is usually not painful, but some people have mild cramping.
© 2023 Planned Parenthood South Texas


text:
The New York Critic: Book Reviews
The Revelation
by Barbara Marx Hubbard
published by The Foundation for Conscious Evolution
Barbara Marx Hubbard has long been the darling of the New Age. She has apparently been seized by a sense of mission for some time. The new age events that she's developed have included "synergistic convergence", which seems to be a process that co-opts divergent attitudes. Her "Theater for the Future", was a well-traveled multi-media attraction heavy on special effects.
Ten years ago, she met with applause from the New Age community when she announced her nomination for the vice-presidential position on the Democratic ticket.
Now, Hubbard relates the insight she's gained from her "Christ Experience" in her book, The Revelation . It employs a powerful marketing technique: associating its product with ideas that the market has already accepted. Hubbard sets out to sell her new age notions by identifying them with nothing less than the Bible.
She purports to record the words of the Higher Voice (or Voices) (p 84), as it (or they) spoke to her. It takes the form of a verse-by-verse interpretation of The Book of Revelations of St. John the Divine, the last book of the Bible. The bulk of the book exhibits three types of print, representing scripture, the Inner Voice's interpretive revelation, and Hubbard's commentary.
While the Bible is generally taken to be divinely inspired, Hubbard goes further than this. She claims that The Revelation is written by God:
"I began to record in my journal the words that [the Christ voice] directed at me personally." (italics mine) (p70)
"In it the Christ voice takes over..." (p 81)
The "I" of the Inner Voice identifies itself as Christ (p.286). Sometimes it's the voice of Jesus (p 291), but sometimes it speaks of Jesus in the third person (p290). At one point, it is the voice of the Creator (p192), but the word "Me", referring to it in the objective case, is never capitalized. This isn't confused theology. It's merely confused writing.
The core of its message is that we live in a moment of "cosmic choice", just before the "Quantum Instant triggers the Quantum Transformation" through a "quantum jump", when "the world will be thrown into crisis" (p105). Those who will it, will "self-evolve" from "Homo sapiens" to "Homo universalis". It will be "the end of the world as we know it" (p21O), and it will take place during the next thirty years (p299).
The Revelation purports to be "the first statement for the generation that has inherited godlike powers" (note the tense) (p15).
If you find this vague and abstruse, albeit high-sounding, you've grasped the essence of the book. For ninety percent of the text, trying to identify a distinct, ongoing development is like trying to identify the melody in new age music: it's not there. It's all style, decorative embellishment.
Now and then, specific elements of this new reality after the Quantum Transformation, or "Planetary Birth", can be found; they seem to have sneaked in surreptitiously. We'll be omniscient (p153); we'll be androgynous (p154) We'll have suprasexual intercourse (p99); we'll enjoy all the powers in the sci-fi/fantasy catalogue: self-healing, telepathy, clairvoyance, clairaudience, levitation, materialization and dematerialization (p154).
Time will disappear (p151). Nonetheless, we'll live for millenia (p55), and there will be events: we'll be taken up in UFO's (p 263). We're encouraged to build an ark to colonize space (p233).
Apocalyptics generally give us a rationalization for their ethnocentric claims, such as prophesy. Hubbard offers little evidence for her case besides technology: it has given us "the capacity to transcend the creature/human condition" (p213). She lauds the mass media because it links us into "a single, vast body" (p30). Who would have thought that our spiritual identity springs from electronics?
The Revelation's prose has all the trappings of religious literature; it even uses the word "Behold" In the art world, this is called kitsch: it reminds us of material that we've already learned to value.
The book has no structure; it's homogenous. Virtually any point in the main section is like any other, whatever Biblical passage is being examined. Thus, there are no demands on us to follow the piece. It's not necessary to process intellectually any passage longer than a sound bite.
The tone is effusive, utterly hyperbolic - literally messianic. At times, Hubbard writes one-sentence paragraphs that have a sexual urgency. When these sentences are shorter than a printed line, the passage is indistinguishable from free verse, and the effect is ascetic.
Hubbard invents a new vocabulary for her tautological fantasy, specializing in reflexive hyphenates: "self-correcting", "self-liberating", "self-developing". My favorite is "self-repeating", which means "repeating".
One of her favorite terms is "co-creation" (in fact, The Revelation is a part of larger book, The Book of Co-creation). It means "conscious co-operation with the process, direction, and purpose of evolution - the implicate order of the cosmos: God" (p42). The book is largely embellishment on this idea.
Terms and ideas are repeated endlessly; the effect is overwhelming. It's impossible not to understand, exactly, prose like this, because there's so little content. But it's verbose, and we're flattered that we're reading something deep.
The book has apparently not been edited. (It's not surprising. Who would dare?) Terms are used inconsistently: the "Planetary Birth Experience" sometimes refers to an event specific to Hubbard as an individual (p47), sometimes to a global, cosmic event happening to the human race (p44). She apparently sees no difference between the two: she uses interchangeably the phrases " my Planetary Birth Experience" and " the Planetary Birth Experience" (italics mine) (p75, both).
Hubbard sometimes misuses tense. We even see the confusion of terms and the confusion of tenses pressed together:
"I have not been really sick enough to spend even one day in bed since the Planetary Birth Experience (I capitalize it because I believe it is real event that may take place in our lifetime.)" (p44)
Disregarding Hubbard's conceit that she is God's secretary, the critic is is charged with the duty to consider the book as the interpretive work it pretends to be. Now, interpretation implies a degree of subjectivity. But everyone agrees that a good interpretation should be, at the very least, a manifestation of the text it explicates.
As interpretation, however, The Revelation is beneath criticism. Hubbard is merely using The Book of Revelations as a tool for expressing her own ideas. Consider the following passage, one of the most well-known in the Bible:
"I am Alpha and Omega, the Beginning and the End, the First and the Last."
Now consider Hubbard's "interpretation" (remember, she purports that Christ is addressing her and us):
"You are the Alpha and Omega. You are the beginning and end. You are the first and the last. You are me." (p.293)
Apparently, St. John was wrong. Hubbard is correcting him.
This drastic revisionism follows from Hubbard's attitude toward the Bible. In an interview published in The Futurist, she called the Bible "coded evolution that could not have been fully understood until our generation." She goes on to say "The Bible and other sacred scriptures (along with the very best in science fiction) are vital maps to guide us."
Actually, the author is seeking not to co-operate with God, but to supplant Him. At the root of her writing is her all-consuming sense of herself. The first section of the book, in fact, roughly a quarter of its pages, is the story of her spiritual journey.
She finds her inspiration while living at - where else? Santa Barbara. And she keeps noting that people call her by her name, as if to stress that they're talking to her, not to someone else.
Even Christ addresses her, repeatedly, by her name. Moreover, He seems desperate to talk to her:
"Barbara, stop struggling. I must find one of my children who is not struggling" (boldface in the original). (p52)
In a bold Biblical reversal, it is He who has been waiting for her:
"You are... one of those women who are now emerging everywhere for whom I have been waiting..." (p70)
Not only is she special as an individual, she's special in her gender:
"Women now arise...to take leadership in a new partnership with men..." (p78)
And she's special in her nationality: the U.S.A is the only country specifically named in the book, by way of explicating the New Jerusalem (p249) and The New Order of the Future (p302).
This unspoken premise, that we - she, you and I - are God, underlies every line of the text. Sometimes it's surfaces explicitly:
"Yours is the power. Yours is the glory." (boldface in the original) (p226)
"You are apprentice godlings..." (p155)
Hallowed be our name,
Our Kingdom is come,
Our will is done,
On Earth as it is in Heaven. (boldface in the original) (p226)
It's significant that she writes throughout in the first person - there's no perceptible difference between the "I" of the inner voice and the "I" of Ms. Hubbard.
Although she equates us with God, and refers to us as "natural Christs", she sees us as a step beyond merely Jesus: we will do "as Jesus did, and even more." (p123)
And here, note the tense:
"...the universe is filled with Christlike beings who have gone much, much further than Jesus was able to demonstrate to you..." (p149)
Not only do we excel Jesus, we supplant the Creator: co-creative consciousness is "the ability to create by thought" (p251).
But she's not referring to everyone. The Quantum Transformation involves a selection process; only those will it - who select themselves - will be transformed:
"Intention is the key." (p68)
"Only those who are willing to work upon their own limits - self-correcting, self-liberating and self-developing - will evolve." (p108)
There is beneath all of this, disguised as religion, a threat:
"The last remnant of the characteristic of self-centeredness must be removed before the next stage of evolution can dawn.... We dare leave no self-centeredness on earth after the selection process." (p231)
"...the non-transcenders will descend, devolve, and die to this particular planetary experience." (p115)
No matter that she eschews hubris . Disclaimer doesn't expunge position, especially in this book, which is fraught with contradictions. Hubbard's egomania cannot be denied. Note how - and with what suspicious vehemence - she refers to the people she rejects:
"...once the vision is complete... there are no self-centered monsters..." (p24O)
And she claims that the speaker is Christ! Did Christ call people "monsters''?
Although Hubbard never tells us what we're supposed to do to select ourselves, we'd better do it quickly. And here, there's another ultimatum:
"If the transformation begins too late, the disorder will be so great as to engulf even the self-elect in the catastrophe." (p122)
We traditionally associate religion with a moral code: love, goodness, and all that old-fashioned stuff. Morality is beneath Hubbard:
"It is not enough to tell people to be good and to love each other... human love is the path toward suprahuman life..." (p95)
At one point, she seems to reject morality out of hand:
"We reject fear, anger, hostility, guilt " (italics mine) (p123)
When we reject guilt, we're rejecting virtue. Religion has never been more cold, more mean-spirited.
Indeed, Hubbard doesn't seem to think of her ideas as being religion at all. In The Futurist interview, she said "...we are moving beyond all religious dogmas to become godlike ourselves."
If this all sounds familiar, it should - there's nothing new about it. Nietsche wrote it all a hundred years ago. Hubbard echoes him again and again in The Revelation . The difference is largely a matter of terms. Nietsche wrote of the "Ubermensch", the "Superman" Politically correct, Hubbard calls her homo universalis "supra-human", and even "super-beings".
Her emphasis on the will and self-selection suggests Nietsche's "will to power"; her attitude toward morality even echoes his famous title, "Beyond Good and Evil". Both repudiate guilt, and tell us we are the link between lower and higher states (Hubbard, p174).
Nietsche saw us supplanting God because - as he wrote bluntly - God is dead. Hubbard is more subtle. She displaces God while purporting to cooperate with Him.
Hubbard never tells us who the self-elect might be. However, she does hint at who they are not. She offers a litany of scapegoats, presumably those self-centered who will die:
"The modern arts that depict depravity, the violent films, the killing for entertainment on television, the tawdry flaunting of the loving body .... The modern moralists... The modern pessimists... The modern brokers of power... are assassins of the witnesses to hope." (p168)
The Revelation's vision of government after the Quantum Transformation reads like a glorification of fascism:
"Democracy will not be perfected by more and more democracy. It will give way to a new system - synocracy, government of, by and for people who are attuning to the same design, the same pattern, the same universal law of transformation through synergistic union of freely cooperating parts." (p217)
And what about the people who are not attuning to the same design?
"The terrible burdens of creature/human government coercion, defense, conflict and lack of understanding among factions - will not exist, for only those who understand and love will be there." (p281)
Well, "Heil Hitler" to you too, Barbara.
Nietsche was the inspiration for Nazism, and Barbara Marx Hubbard can have no better effect. Note her Hitlerite attitude toward modern art.
Sometimes her choice of words is chilling: she writes of "the wave upon wave of violent selection... the holocaust earth" (p255).
Of course, intellectually and poetically, Hubbard is to Nietsche as Hyperion to a satyr. But her mediocrity makes her all the more dangerous. The Revelation is eminently accessible. Its hyperbolic drivel recalls the prose the Germans used to use for propaganda. Its detractors called it nazideutsche .
The danger in all of this is that it's so seductive. Its ethnocentricity, its insistence that we are special, appeals to personal loneliness and anxiety, to social alienation. It engages self-love without addressing it.
Fascism might be more recognizable from a German intellectual. But here, it's crept in insidiously, through bourgeois Jewish-American housewife.
The unchristian religious right has shown us that religiosity doesn't necessarily indicate virtue. But Hubbard makes fascism look utterly liturgical. There's even a Planetary Birth Communion. It comes a few pages before the form that reads:
I enclose my check, payable to the Foundation for Conscious Evolution, for $__________. (p321)
With her self-indulgent, deliberate stupidity, Hubbard is playing into the hands of Fascists, if unwittingly. All over Europe, neo-nazis are being elected to public office. They'll be jumping in their jackboots when they read The Revelation.
Steve Capra
Book Reviews page


Serkalem is a 27 year old patient who was born with a cleft lip. She lives with family and her two sons in the eastern Oromia region, a 750 km trip from our partner hospital in Addis Ababa, Ethiopia.
She was raised by her mother, so treatment was delayed due to economic reasons. While at school with an unrepaired cleft lip, she faced bullying, rejection and isolation. One day, she heard about available treatment on the radio. Serkalem underwent surgery at a nearby hospital when she was 17 years old and underwent further nasal surgery recently.
There is a previous history of cleft in her family and her son, Barnabas, was born with a unilateral cleft lip and palate. Serkalem was initially shocked when she saw her child and hid him inside the house for six months, for fear of being blamed for passing on his condition. He has since received surgery.
He is now two years old and was referred to Yekatit 12 Hospital from the Harar region for a palate correction. He also attends speech therapy sessions at Yekatit 12.
She attended a parent support group at Yekatit and feels very strongly that fathers should be more involved in these discussions so that they can better provide support.
The family will continue to receive follow up care in Addis Ababa as needed.


text:
All My Children Best Lines Thursday 3/6/08
Babe: J.R.'s an alcoholic. You know, that's what they do. They're going along just fine, and then something triggers a need for them to take that first drink.
Annie: What do you think it was?
Babe: Because it was Wednesday? I don't know.
Babe: I can handle myself just fine, Annie. You know, maybe I just know Richie in a different way than you do.
Annie: Just giving you a heads-up.
Babe: You know, not too long ago, you were pushing us together. What changed?
Annie: I saw how he was different when he was with you. But it doesn't mean he's changed. It's like you said with J.R. -- people don't really change who they are.
Colby: Ok, fine. You know, I'll just sit here and baby-sit you until I know he's going to show up, ok? So, who knows who could die if I don't do my job?
J.R.: All right.
Colby: It's not like I work in a hospital.


text:
The Dublin Theatre Festival is Europe's oldest specialised theatre festival. It was founded by theatre impresario Brendan Smith in 1957 and has, with the exception of two years, produced a season of international and Irish theatre each autumn. It is one of a number of key post-World War II events established to foster tolerance and cultural understanding between nations. Over the past five decades, the festival has become a crucial part of Ireland's cultural landscape.

It has played a dual role as a window to world theatre, having presented almost every great theatre artist of the late 20th century, and as a champion of Irish writing on the world stage

The Festival is unique in its ability to stage major international theatre of scale, and has hosted productions by the world's most highly regarded artists, while also premiering work by Ireland's leading playwrights.

History
The Dublin Theatre Festival was founded by Brendan Smith, who also ran the Olympia Theatre and the Brendan Smith Academy of Acting. In the 1950s, the Irish Tourist Board was interested in helping to finance events on what was termed "shoulder months" of the tourist season – May, June, September and October. Brendan successfully sought a grant and the Festival began operating in 1957.

The policy was – and remains – to bring the best available international theatre to Dublin and to balance the programme with Irish productions, especially new plays. There was controversy in the very first year when, after some complaints, the Director of Tennessee Williams' The Rose Tattoo at the tiny Pike Theatre was charged with presenting "a lewd entertainment". The run of the play was not interrupted and after a year of legal argument the judge threw out the case.

Seán O'Casey's play The Drums of Father Ned was supposed to go up at the 1958 Dublin Theatre Festival, but the Archbishop of Dublin John Charles McQuaid refused to give his blessing (it has been assumed because works of both James Joyce and O'Casey were in the Festival). After Joyce's play was quietly dropped, there was massive changes required for The Drums of Father Ned, a devious way to get O'Casey to drop. After this, Samuel Beckett withdrew his mime piece in protest.

Since then, the Festival has thrived and is regarded as the oldest established specialist theatre festival in Europe. Unlike Edinburgh, opera, music and dance do not form a major element of the programme. Brendan Smith continued as Director until 1983 when he was succeeded by Lewis Clohessy (1984–89), Tony Ó Dálaigh (1990–99), Fergus Linehan (2000–04) and Don Shipley (2005–06).
Loughlin Deegan (2007–2011) ran the festival for five years. Willie White took over as festival director in September 2011.

In 2020, the festival produced a re-imagined programme, after being forced to cancel most of the performances due to the Irish government's ban on theatre performances to protect against the spread of Covid-19. Theatre companies Dead Centre and Anu Productions created live-streamed work, and for audiences to watch at home, and the Abbey Theatre created an outdoor promenade performance.

Staff

 Willie White – Artistic Director and chief executive
 Stephen McManus – Director of Programme & Production

 Maria Fleming- General Manager
 Richie O'Sullivan- Festival Administrator
 Derval Mellett- Marketing and Development Manager

Sponsors
Ulster Bank became the title sponsor of the festival in 2007 initially as part of a three-year deal, extended to five years, concluding in 2011 with the end of the festival's 54th season.
The festival is grant aided by The Arts Council, the Department of Culture, Heritage and the Gaeltacht,  Dublin City Council, Fáilte Ireland and Tourism Ireland.

References

External links

Theatre festivals in Ireland
Theatre in the Republic of Ireland
Festivals established in 1957
1957 establishments in Ireland
Annual events in the Republic of Ireland
Autumn events in the Republic of Ireland

redpajama_set_name: RedPajamaWikipedia


Marzieh Farahani is Programme Leader, BSc (Hons) IT Applications and Systems. She has worked as research assistant for The University of Manchester, teaching assistant in Manchester Metropolitan University, lecturer in INTO University of East Anglia, lecturer in INTO City, University of London and IT and Computing lecturer in UCC since 2011.
Marzieh is a member of the UK Higher Education Academy, the Association for Learning Technology (ALT), and the National Association of Programmers (NAP).


text:
Tall Oaks, also known as the S. McLendon House, is a historic home located at Bishopville, Lee County, South Carolina.  It was built about 1847, and is a two-story, vernacular Greek Revival style house. It has a hipped roof and rests on a brick foundation. On the front façade is a two-story, gable-roofed pedimented portico with four large stuccoed brick columns and Doric order capitals. An original brick kitchen still stands behind the main house.

It was added to the National Register of Historic Places in 1986.

References

Houses on the National Register of Historic Places in South Carolina
Greek Revival houses in South Carolina
Houses completed in 1847
Houses in Lee County, South Carolina
National Register of Historic Places in Lee County, South Carolina
1847 establishments in South Carolina


text:
Q: INSERT INTO .... ON DUPLICATE KEY UPDATE with different keys I have 4 tables, one that holds all the values that need to be distributed across the other 3 depending on a value of one column.
So I would like to do INSERT ON DUPLICATE KEY UPDATE but the problem I am facing is that I can not make the same key on the main table as on the other 3 tables.
Example key on main table (a, b, c, d) while key on child table would be (a, b, c) if I do it like this, will the query still work?
I am using mysql 5.6
I did try this on local machine, but while I did not get any errors I also did not get desired result.
My query looks like this
INSERT INTO table2
(a, b, c, d)
SELECT
    a, b, c, d
FROM table1 AS t
WHERE t.id <> 0
ON DUPLICATE KEY UPDATE
                     a = t.a
                     b = t.b

A: Yes, a query of that pattern would work, but it highly unusual that we would update columns a or b which are part of the UNIQUE KEY.
When the INSERT attempt fails due to the violation of a unique constraint, the ON DUPLICATE KEY part causes an UPDATE operation on the existing row.
Given that the PRIMARY KEY (or a UNIQUE KEY) of table2 is tuple (a,b,c), we would typically only want to update columns other than a, b and c.
Something like this:
 INSERT INTO table2 (a, b, c, d)

 SELECT s.a
      , s.b
      , s.c
      , s.d
   FROM table1 s
  WHERE s.id <> 0

 ON DUPLICATE KEY
 UPDATE d = VALUES(d)

That is a pattern that performs the operations we expect, as documented in the MySQL Reference Manual.

With the UNIQUE KEY as a set of three columns (a,b,c),  then the ON DUPLICATE KEY would not be executed based on the value of "one column".  That only gets fired when the attempt to do the INSERT fails with a unique key violation.

(The question falls way short of giving a specification, an actual description of what the "desired result" is. As the question is presented, we can't give any suggestion about how to achieve the desired result; we would just be guessing.)


text:
Vivas, José Luis, Francisco Vilar Brasileiro, Abmar Barros, Giovanni Farias da Silva, Marcos Nóbrega Jr, Francisco Germano de Araújo Neto, Ignacio Blanquer, Erik Torres, Giovanni Aloisio, Sandro Fiore, Rosa M. Badia, Daniele Lezzi, Antonio Tadeu A. Gomes, Jacek Cała, Maria Julia de Lima and Cristina Ururahy. "EUBrazilCC Federated Cloud: A Transatlantic Multi-Cloud Infrastructure." Developing Interoperable and Federated Cloud Architecture. IGI Global, 2016. 220-251. Web. 22 Jan. 2020. doi:10.4018/978-1-5225-0153-4.ch008
Vivas, J. L., Brasileiro, F. V., Barros, A., Farias da Silva, G., Nóbrega Jr, M., Neto, F. G., Blanquer, I., Torres, E., Aloisio, G., Fiore, S., Badia, R. M., Lezzi, D., Gomes, A. T., Cała, J., Julia de Lima, M., & Ururahy, C. (2016). EUBrazilCC Federated Cloud: A Transatlantic Multi-Cloud Infrastructure. In G. Kecskemeti, A. Kertesz, & Z. Nemeth (Eds.), Developing Interoperable and Federated Cloud Architecture (pp. 220-251). Hershey, PA: IGI Global. doi:10.4018/978-1-5225-0153-4.ch008
Vivas, José Luis, Francisco Vilar Brasileiro, Abmar Barros, Giovanni Farias da Silva, Marcos Nóbrega Jr, Francisco Germano de Araújo Neto, Ignacio Blanquer, Erik Torres, Giovanni Aloisio, Sandro Fiore, Rosa M. Badia, Daniele Lezzi, Antonio Tadeu A. Gomes, Jacek Cała, Maria Julia de Lima and Cristina Ururahy. "EUBrazilCC Federated Cloud: A Transatlantic Multi-Cloud Infrastructure." In Developing Interoperable and Federated Cloud Architecture, ed. Gabor Kecskemeti, Attila Kertesz and Zsolt Nemeth, 220-251 (2016), accessed January 22, 2020. doi:10.4018/978-1-5225-0153-4.ch008
Advances in Systems Analysis, Software Engineering, and High Performance Computing
InfoSci-Computer Science and Information Technology
Science, Engineering, and Information Technology
EUBrazilCC Federated Cloud: A Transatlantic Multi-Cloud Infrastructure
José Luis Vivas (Federal University of Campina Grande, Brazil), Francisco Vilar Brasileiro (Federal University of Campina Grande, Brazil), Abmar Barros (Federal University of Campina Grande, Brazil), Giovanni Farias da Silva (Federal University of Campina Grande, Brazil), Marcos Nóbrega Jr (Federal University of Campina Grande, Brazil), Francisco Germano de Araújo Neto (Federal University of Campina Grande, Brazil), Ignacio Blanquer (Polytechnic University of Valencia, Spain), Erik Torres (Polytechnic University of Valencia, Spain), Giovanni Aloisio (Euro-Mediterranean Centre on Climate Change, Brazil), Sandro Fiore (Euro-Mediterranean Centre on Climate Change, Italy), Rosa M. Badia (Barcelona Supercomputing Center, Spain & Spanish National Research Council, Spain), Daniele Lezzi (Barcelona Supercomputing Center, Spain), Antonio Tadeu A. Gomes (National Laboratory for Scientific Computing, Brazil), Jacek Cała (Newcastle University, UK), Maria Julia de Lima (Pontifical Catholic University of Rio de Janeiro, Brazil) and Cristina Ururahy (Pontifical Catholic University of Rio de Janeiro, Brazil)
Source Title: Developing Interoperable and Federated Cloud Architecture
Many e-science initiatives are currently investigating the use of cloud computing to support all kinds of scientific activities. The objective of this chapter is to describe the architecture and the deployment of the EUBrazilCC federated e-infrastructure, a Research & Development project that aims at providing a user-centric test bench enabling European and Brazilian research communities to test the deployment and execution of scientific applications on a federated intercontinental e-infrastructure. This e-infrastructure exploits existing resources that consist of virtualized data centers, supercomputers, and even opportunistically exploited desktops spread over a transatlantic geographic area. These heterogeneous resources are federated with the aid of appropriate middleware that provide the necessary features to achieve the established challenging goals. In order to elicit the requirements and validate the resulting infrastructure, three complex scientific applications have been implemented, which are also presented here.
It is largely recognized today that many recent scientific advances have only been possible because of the increasing ability of researchers to draw upon information technologies (IT) in a comprehensive and efficient way. The use of these technologies allows them to process massive amounts of data and execute increasingly sophisticated simulation models, generating thereby new knowledge on an unprecedented scale. The intensive use of IT to generate new scientific knowledge is called e-Science (Hey, 2009).
Cloud computing technologies provide greater efficiency, agility and innovativeness in the delivery of IT services by facilitating economies of scale, sharing of irregularly used resources, and adoption of advanced approaches towards resource management (Armbrust et al., 2010). It is therefore not surprising that many e-science initiatives are currently considering the use of cloud computing to support many kinds of scientific activities (Yang et al., 2014).
The EU-Brazil Cloud infrastructure Connecting Federated Resources for Scientific Advancement (EUBrazilCC) is a R&D project that aims to provide a user-centric test bench enabling European and Brazilian research communities to test the deployment and execution of scientific applications on a federated intercontinental e-infrastructure. The resulting e-infrastructure exploits existing resources that include virtualized data centers, supercomputers, and even opportunistically exploited desktops spread out over a transatlantic geographic area. These heterogeneous resources are federated by means of a middleware that provides the necessary features to achieve the challenging established goals.
The objective of this chapter is to describe the architecture, implementation and deployment of the EUBrazilCC federated e-infrastructure, which has been developed according to the requirements of the following three complex applications involving three different scientific areas:
Leishmaniasis Virtual Laboratory: An application integrating and processing genomic and clinical data from Leishmania and its vectors.
Cardiovascular Simulation Service: An application integrating a cloud-based simulator of the human arterial vascular system with an HPC-based heart simulator.
Climate Change and Biodiversity Scientific Gateway: A platform for the integration and processing of big data in order to study the interaction between biodiversity and climate change.
Although the design decisions were driven by the particular needs of these three applications, the resulting solutions are intended to be general enough to be useful also for many other similar types of scientific applications, and the tools used to build the federated e-infrastructure – some of them developed within the project – should be useful also to other distinct e-Science initiatives.
With the end of meeting the requirements of these three applications, each one demanding the integration of expertise, data and computing resources distributed in some cases over the two continents, we decided to adopt a user-centric approach in the development of a federation of private clouds and other computing resources belonging to different partners involved in the project. In order to support the federation of private clouds, a new middleware called fogbow1 was developed within the EUBrazillCC project.
However, since not all applications can be executed efficiently in the cloud, the EUBrazilCC e-infrastructure also incorporates HPC clusters. These resources are different from those typically obtained from cloud providers, not only with regard to the processing and communication capabilities they provide but, most importantly, in the way that they may be accessed. When interacting with cloud providers, users and applications commonly have access to virtual machines over which they have full control. In contrast, HPC clusters are accessed via specific job submission services that may vary from one HPC provider to another. In the EUBrazilCC federated e-infrastructure, uniform access to HPC resources is enforced by a standard API provided by the CSGrid middleware (de Lima et al., 2006). Both this API and fogbow will be presented in detail below.


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The internet marketing has drastically changed of late and it has had a strong impact on marketing. In recent years, there has been a dramatic shift toward inbound marketing strategies, while outbound marketing tactics have become outdated. More companies are focusing on inbound marketing techniques to generate leads for their businesses. They are interacting with people and sharing unique information with others on a human level.
What are the latest "online marketing trends in Saudi Arabia for 2015"? In this post, you will get a complete answer of your important question.
One of the most important ways that companies are promoting their brand image and gaining trust with clients is by consistently publishing high quality, informative and SEO friendly content on various popular sites. According to the Content Marketing Institute, optimizing unique Arabic content is a great way to get more traffic on your website and it increases your website page rank.
That's what leading B2B companies are nowadays employing the best Arabic content marketing strategies in Saudi Arabia through a variety of ways such as articles, blog posts, press releases, product reviews, guest posts, case studies, newsletters and content video marketing. The purpose of employing these all content marketing strategies is to improve your online business presence.
It seems that new social media marketing sites are emerging rapidly and have gained a huge recognition recently. These powerful social media sites have delivered ample benefits to the small scale businesses, large scale industries and multinational companies. Therefore, it has become easy for businesses to employ powerful social media marketing strategies in Saudi Arabia for their brand identity development that include Facebook, Twitter, LinkedIn, Pinterest, Google Plus +, Tumblr, Instagram, Flickr, Tagged, Meetup and much more. With these strategies, you will be able to promote your brand in a powerful way.
According to many SEO experts, online audience optimization will replace the Old SEO. What exactly is online audience optimization? In essence, online audience optimization is a new SEO trend that will help you to target your audience and potential customers by optimizing high quality content. Therefore, you should focus on publishing highly unique, informative and precise content for your websites or personal blogs.
Online audience optimization employs effective social media marketing strategies to target your audience. Moreover it is a user-friendly SEO practice that will help you to encourage your audience participation with unique searches, social media networks, creative blog posts and informative online articles. It not only focuses on your brand advertisement but it also integrates your mobile strategy effectively.
This is a special kind of marketing strategy that has really captured the attention of corporate world recently. It can work tremendously for you by bidding on relevant keywords to the targeted market. You will have to pay the publisher once your ad is clicked. You can handle your Pay-Per-Click (PPC) advertising more effectively by selecting the established online marketing company.
With Prolines, you can start your PPC advertising today. The company is offering affordable PPC advertising services in Saudi Arabia for its esteemed clients. One of the biggest advantages of Pay-Per-Advertising is that it will focus on your business sales. As a result, your annual business sales will be increased with the help of PPC marketing service.
It is true to say that use of smartphones, iPods, notebooks and tablets has drastically increased worldwide. Therefore it is necessary for you to create top notch quality content that is accessible to mobile users. According to marketing analysts, 90% of connected devices sales by 2020 will be smartphones and tablets. That's what demand for responsive website design among leading companies in Kingdom of Saudi Arabia has increased of late.
It is necessary for you to provide a great experience to mobile users that are browsing various websites via their smartphones, tablets, IPods and other mobile devices. Thus, it can be said that mobile friendly content will be mainstream in 2015 in Kingdom of Saudi Arabia.
With social networking channels reducing the brand recognition of modern businesses, and with major search engine (Google) intimidating corporate owners and professional webmasters with constant SEO updates from Matt Cutts, businesses will return to the one solid marketing strategy that they can employ it for their brand advertising; their email and SMS marketing.
This improved focus on email and SMS marketing in Saudi Arabia will interlink with your content marketing to distort the lines between email marketing and content marketing. In 2015, brands will realize the effectiveness of both email marketing and SMS marketing in KSA and Middle East countries.
With the increasing popularity of social media optimization, all major brands will realize that their potential clients are available on social medial channels to work together with other people, not with famous brands and corporate groups. Brands that are able to interact with their targeted customers on ethical grounds will enjoy higher conversion rates, enhanced brand recognition, improved business growth and positive customer feedback.
Therefore I believe that a company's ability to popularize their brand will be the most critical phase in their business success using ethical SEO practices. If you engage and develop good relationships with your customers using social media, you will reap plenty of benefits from it.
In 2015, you will see that more marketers will focus on using knowledge graph and schemas for their website promotion. The purpose of creating a knowledge graph and schemas for any webmaster is to enable the users find new information effortlessly. If you want to grasp the attention of your audience, you should focus on creating unique knowledge graph and schemas for your sites or blogs.


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When coming from the city turn left off Epping rd onto Sam Johnson Way. Follow this street to the end and then turn left onto Mars rd, and then take your first left onto Chaplin Drive.
Please leave us a short message and we will get back to you as soon as possible.


Ruth Weaver is a Medical Herbalist living, teaching and practicing in the beautiful county of Cornwall, her place of birth and upbringing. Ruth studied at the Scottish School of Herbal Medicine, Glasgow and The University of Lincoln where she completed her Herbal Medicine BSc. (Hons).
The roots of Ruth's practice are in traditional western herbalism, she has sought diversity in her inspirations having worked with and learnt from herbalists from all around the UK. Ruth has also worked with a collective of Herbalist first aiders at festivals around the UK providing orthodox and herbal first aid.
Sharing the herbal wisdom is where Ruth's passion lies, she believes everyone should be empowered with the knowledge and skills to treat simple conditions at home with the powerful medicines growing so abundantly around us. She offers walks, talks, workshops and courses both in Cornwall and beyond.
Ruth's website hopes to give some introductory information on herbal medicine and on the principles and ethics of her practice. The website will also be kept up to date with Ruth's herb walks, workshops and events! If you would like Ruth to do a talk, walk or workshop for your group please use the contact form on this website to book.
Stay tuned as the website will be kept up to date with upcoming events.
Please explore my website to find out more about Herbal Medicine..
This year Ruth led an exciting project at Port Eliot Estate, in Cornwall. The project saw Ruth designing and creating a bespoke herbal infused massage oil, using 7 native plants from the estate and specially selected essential oils. The Port Eliot Summer Oil.
The project was conceived by Lady St Germans who called upon Ruth for her expertise to survey the site for the medicinal plants, design and create the product through a CPSR (Cosmetic Product Safety Report). A CPSR is a calculated method and a legal process to formulate a product that can be used on and sold to the public.
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To reach your CSEA Retiree Local officers, scroll down to the region in which you live, and call the appropriate CSEA Region office for contact information.
Unsure of your CSEA Retiree Local? Find out here!
To reach local officers, call the Long Island Region office at 631-462-0030.
To reach local officers, call the Metropolitan Region office at 212-406-2156.
To reach local officers, call the Southern Region office at 845-831-1000 or 800-757-2732 (CSEA).
To reach local officers, call the Capital Region office at 518-782-4400 or 800-874-7344.
To reach local officers, call the Central Region office at 315-433-0050 or 800-559-7975.
To reach local officers, call CSEA Headquarters at 800-342-4146, ext. 1220.


The Cossayuna Lake Improvement Association (CLIA) is a 501 (c) 3 not for profit volunteer organization. CLIA was formed in 1954 by a group of residents of the vicinity surrounding Cossayuna Lake.
The main purpose of the early organization was to encourage social life among its members, sponsor social activities among the younger members of the community, and to promote the health and general welfare, improvement and advancement of the community as a whole.
In our continuing effort to help raise awareness regarding the vital issues surrounding the ecology and lifestyle of our lake and its surrounding area, CLIA maintains this website.
Per our by-laws, membership in CLIA is open to folks who reside within one mile from the road that encircles Cossayuna Lake.
CLIA membership includes fun social events, access to our pavilion and many lake improvement options. CLIA contracts with licensed vendors that will help to improve water quality and recreational usage. We work with state and local experts to track water clarity, plant life, and provide detailed information on lake management efforts.
The social season kicks off wtih a Ice Cream Social that is free to all and continues with dinner events, educational events and more. Click here to see our event schedule!
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