While the documents pertaining to the proposed tariffs indicate that students are to be considered as "authorized users," the aim of collective licensing is largely to address instances where teachers choose to distribute portions of copyright-protected works, often described as excerpts, to students.
Unauthorized copying of copyright-protected materials occurs uniformly across institutions.
Such unauthorized copying must always be paid for.
Appropriate payment has not already been made.
In the political arena, Access Copyright's portrayal of unauthorized copying, as copying running amok at campuses, was met with neither question nor criticism. Ideally, the Board would engage in some investigation of this claim. At the very least, the Board should recognize that when a textbook is assigned to students as their principle source of reference, the question of excerpts (or course-packs) becomes moot.
The calculation of the tariff must reflect only those students who actually consume works by excerpt, but only when such excerpts are entitled to payment.
The use of open-educational resources (OER) is becoming more common in Canada. These works, often funded by taxpayers, and developed by credible authorities in various disciplines, are released under open licenses whereby users (be they teacher or student) may adapt, copy, or post content without additional fees. While adoption of such resources is not uniform across the country, the trend is sloping upward. The Board should take particular note of the efforts at Kwantlen Polytechnic University (KPU), the first institution in Canada where entire programs have been designed on the basis of open resources and are now showing escalating enrollment.
An ideal tariff would ensure that institutions may opt-out on behalf of, and thus remove from FTE count, those students participating in programs for which the institution has actively sought to ensure a zero cost for materials, by developing and/or adopting OER content.
Within the Copyright Act are various measures that permit unauthorized copying of copyright-protected materials; chief among these is Section 29 Fair Dealing. As use of Fair Dealing has been contentious, the Copyright Board might wish to limit its consideration of fair dealing to only that which has been supported by the Supreme Court of Canada. To that end, the famed CCH case of 2004 is instructive—the final decision was one of unanimity and the measures of content reproduced and accepted as fair dealing ranged from a few pages to 21% of an entire textbook.
Naturally, quantity alone is never solely determinative of fair dealing; however, this must raise at least some question as to why Access Copyright is asking that educational institutions pay a fee for distributing content which may well be fair dealing. Particularly as prior to the amendments of 2012, the Supreme Court sanctioned classroom distribution of short excerpts which were supplemental to principal learning resources, under the auspices of the category of "private study," within fair dealing.
In CCH, the Supreme Court of Canada stated that fair dealing can be made out either by demonstrating that there exists a general practice that is based upon an enumerated fair-dealing purpose, and, is in fact, fair, or by demonstrating that a particular copying event … was fair dealing (para. 223, citing para. 63 of CCH Canadian).
… educational institutions typically purchase both access to the work and a licence for multiple uses and/or inclusion in a CMS. This means that the e-book licence replaces the Access Copyright licence, compensating publishers and authors while providing students and teachers with greater flexibility and value. Moreover, many of the licences are perpetual, meaning that rights holders are paid a higher upfront fee in return for no subsequent royalties or payments.
An ideal tariff issued by the Copyright Board would ensure that institutions do not pay a second time for content already paid for through voluntary market-agreements between parties.
From the profusion of briefs submitted to the Federal Government during last year's Copyright Review, it is evident that, over the last seven years, consumption of content has evolved in the post-secondary community. Educational institutions have come to rely increasingly on licensed content, where licenses are of both the proprietary and open variety. Unauthorized copying reliant on exceptions to copyright is decreasing. And yet, if Access Copyright has its way, Canadian students will be charged fees to cover the costs assessed against their institution, regardless of whether that fee represents actual compensable transactions of content and use by each student.
 In October 2018, the Scholarly Publishing and Academic Resources Coalition (SPARC) issued promising news with respect to OER: $1 billion of savings had been realized through global adoption of open educational resources. While the lion's share of this savings was generated in the United States, Canada is onboard with OER development and adoption. Notably, the province of British Columbia alone achieved over $10 million in savings between 2012-2019.
 Section 29, Fair Dealing is principle among them. But also applicable to students' learning are S29.21 NonCommercial User Generated Content and S30.4 Work available through Internet. Plus, there are a host of exceptions addressing Educational Institutions. The proposals offered by Access Copyright presume to discard the very existence of exceptions; said another way, the very existence of the Copyright Act.
 Alberta (Education) v. Canadian Copyright Licensing Agency (Access Copyright), 2012 SCC 37.
As of this writing, in the ongoing review of the Copyright Act, 87 briefs have been posted by the Standing Committee on Industry, Science and Technology. Discussion spans a variety of topics; on the volatile issue of the use of fair dealing in post-secondary institutions, there are many submissions from academic institutions, as well as Canadian writers, publishers, and representatives thereof.
Perhaps lost in that crush are students' voices. Writing on behalf of students across the country, are two organizations: the Canadian Alliance of Student Associations (CASA) and the Undergraduates of Canadian Research-Intensive Universities. Each submission calls on the Government to leave fair dealing unchanged from its present incarnation and practice. The students are clear in their understanding of the exception—that fair dealing is not a veil for free dealing. They also appreciate that fair dealing has the capacity to reduce some of the costs of post-secondary education.
Post-secondary students are directly impacted by decisions of the Copyright Board … as it is responsible for setting tariffs on copyrighted educational material. While these tariffs are billed to post-secondary institutions, they are sometimes directly passed on to students through ancillary fees … Other times, the tariff fee is paid through [the institution's] operating budget, which constrains the institution's ability to provide other critical resources, including updated infrastructure and quality teaching staff, to post-secondary students.
This aspect has not received as much attention as it deserves. That said, the issue of cost was raised to the Standing Committee, but only to quantify the collective license fee as equivalent to "a case of beer per student." While this may have been an attempt to reassure the Committee that students can bear this cost, the unspoken assumption was that all students rely on excerpts (thus necessitating a fee).
"Assume every student is going through financial hardship." As assumptions go, this one is more plausible.
Consider the time frame: 2013-2018. Astute Canadians will notice the overlap with the period of time from the last amendments to the Copyright Act, to the start of the present review. To be more explicit—this is part of the backdrop to the figures proffered to the Committee that illustrated declines in copyright-related income by educational publishers.
Without further details of the Higher Ed savings, we do not know how much of the nearly $922 million dollars is specific to Canadian students. Yet, a reasonable assumption would be that millions of dollars are being saved. This is relevant to any discussion concerning declines in textbook income, or declines in licensing income from excerpts of textbooks.
Committee members could also reasonably assume that post-secondary institutions are slowly, but steadily, addressing the question posed by Mr. Armutlu: "If there are other quality options that exist that help alleviate those costs, why wouldn't you use it?" The trend to OER is likely to increase.
Granted, at this time, OER substitution is not prevalent at all levels of study across all disciplines. But, SPARC's data should provoke at least a modicum of curiosity against the claims that fair dealing alone is responsible for the drop in income of copyright owners, and, whether reliance on excerpts applies to the entirety of the Canadian post-secondary student population.
The Day is done; candles have been blown out in some quarters, tears continue to be shed in others. 150 years of something–whether it is the lifetime of Canada or a chapter in millennia of a First Nation–has been duly marked/celebrated/decried. Now what?
In terms of copyright, we can expect continued calls for stronger copyright to better support Canadian writers. Ignored will be the detail of copyright deficit–that more control invariably means more Canadian dollars going to non-Canadian entities. Also omitted will be any hint that such calls have been in existence for the entirety of Canadian autonomy with respect to copyright, with no appreciable denting of that deficit to show for it. That copyright alone cannot be the salvation of Canadian culture (assuming that our culture is under threat) will also be absent from discussion.
Perhaps we could set aside copyright for a moment and think about that word: culture. Described by Raymond Williams as one of the most complicated words in the English language, it spans the entirety of our collective lived experiences.
Through the past 150 years, Canada has only too often demonstrated narrow-minded thought. Beginning with an unapologetic objective to rid the country of indigenous people,* followed by the Chinese Head Tax, the Komagata Maru, the internment of Japanese Canadians, the rejection of Jewish refugees, … . The situation for visible minorities improved somewhat in the later 20th century, with racism taking on a slightly more polite tone. (Although, children of colour attending school in the '70s will likely have evidence to the contrary.) And it is difficult to forget the national indifference to the tragedy of Air India Flight 182 in 1985.
Yet Canada has developed a credible capacity, not merely to mouth the importance of protecting minority rights, but to actively encourage the virtue of diversity. The underlying theme for the last 30 years or so is that we are all in this together and we all do better together. Some pride is warranted; it has been possible to find unity without imposing uniformity. But can this be sustained, or is the best of Canada behind us?
With an eye to building on the effort of our prior angels, to what extent are we aware of our collective history? Is that history within reach of all Canadians? In this regard, copyright cannot be ignored. Two proposals come to mind; one is already underway, the other I offer as an idea.
The petition will remain open until 23 September 2017.
2) Volumes of scholarship about Canada are, for the most part, confined to the university community. Painstaking explorations that uncover the past, both its pain and glory, are not easily available to the Canadian reader who wishes to learn more.
For instance, I recently sought two books published by University of Toronto Press: (i) The Man from Halifax: Sir John Thompson, Prime Minister (1985) by P.B. Waite; and (ii) Essays on the Constitution: Aspects of Canadian law and politics (1977) by Frank R. Scott. Both are rich in their contribution to understanding the past, both could be staple reading for anyone interested in the idea and existence of Canada. But neither can be easily purchased (the odd copy may exist in a few select used-bookstores) and both have limited visibility in university libraries.
We cannot fault any publisher for letting production lapse when there is no market. And yet these are quintessentially Canadian books; written by Canadians, issued by a Canadian press, and intended without embarrassment as expressly for Canadian readers. Which raises the question: when such books are no longer actively produced or peddled for sale, can they not be made widely and freely available via an open license?
A requirement of an academic appointment is to engage in scholarly effort; to that end, scholars enjoy publicly funded salaries and research grants. With respect to publication, university presses are eligible for support from the Canada Book Fund. University libraries then pour more money into the purchase of information resources; data collected for 29 university libraries show aggregate spending in 2014-2015 as $305,046,488 (see page 4 here). Between government provision of public money, and university spending thereof, could some funds be set aside to convert old printed books into ebooks?
This does not require a change to the system of copyright–it requires consent from copyright owners of existing content, and, cooperation from institutions If consent is given, and if institutions would share the necessary costs of labour and money, more Canadian content could reach more Canadian readers.
Copyright maximalists constantly tell us that Canadian culture is near death–that Canadian themed content will cease to be written unless copyright is strengthened. They neglect to point out how much existing Canadian content cannot be read at all.
* Roberta Jamieson, featured on CBC Ideas for 30 June 2017, pulled no punches in her telling of the past 150 years. And yet, offers much optimism for the road ahead.


text:
homes for scotland
scottish property federation
rtpi scotland
planning (scotland) bill
Holyrood committee votes against planning appeal amendments
Proposals to introduce new rights for communities to appeal planning decisions have failed to pass a key stage of the parliamentary legislative process.
MSPs on the Scottish Parliament's local government and communities committee voted against a series of amendments to the Scottish Government's Planning (Scotland) Bill at yesterday's Stage 2 debate.
The Planning Bill amendments below did not pass include:
Amendment 51 Third party right of appeal
Amendment 59, Right to appeal against planning decisions
Amendment 60 Community right to appeal against certain planning decisions also
Amendment 143 Community right of appeal against certain planning decisions not in accordance with local development plan
Amendment 319 Determination of appeals
During yesterday's debate, minister for local government, housing and planning Kevin Stewart MSP said the added third party right of appeal "adds confusion", could "damage" the planning system, cause more conflict and block development.
Scottish Labour, which put forward the amendments, said it attempted to "level the playing field" and make the planning system fairer.
A new community right of appeal along with restrictions on developer appeals would improve public confidence in the planning system and address concerns that "lip service" is paid to communities, the party argued.
However the proposals were challenged in an open letter signed by a number of high profile organisations which argued that a third party or 'equal' right of appeal will not these support these ambitions.
The signatories, which included representatives from the Royal Town Planning Institute Scotland, Homes for Scotland, the Royal Incorporation of Architects in Scotland, RICS Scotland and the Scottish Property Federation, said the amendments would lead to more local decisions being made by government and further widen inequality in communities by disproportionally favouring those with the capacity, time and resources to pursue an appeal.
Tammy Swift-Adams
Director of planning at Home for Scotland, Tammy Swift-Adams, gave a cautious welcome to yesterday's outcome.
She said: "Scotland's planning and development communities have been on tenterhooks, waiting to see whether populism or pragmatism would win out in the debate on planning appeal rights.
"Whilst the amendments which concerned us most have been voted down for now, uncertainty remains as to what will happen at Stage 3 when the Bill is debated by the full parliament. Much work remains to be done as the Bill's progress continues.
"Homes for Scotland will continue to work with MSPs and other stakeholders to help shape a planning system that delivers what the country needs, including what the review set out to facilitate: significantly more homes. Politicians of all parties have agreed this is a top priority. Changing appeal rights would have the opposite effect, cutting off a small but vital source of housing supply.
"Substantial evidence has already been submitted on why this is the case and why it would not only exacerbate the housing crisis but also damage the Scottish economy and risk jobs.
"Fairness in planning doesn't hinge on who has access to appeal rights, but on what the planning system succeeds in delivering. It is clear, however, that more constructive and trust-building ways of positively engaging people in planning must be found."
Mandy Catterall
Mandy Catterall, government relations manager at the Scottish Property Federation, said: "The Scottish Property Federation welcomes the Local Government and Communities Committee's decision to not amend the Planning Bill with provisions for a Third Party Right of Appeal.
"Instead of encouraging investment and ushering in a more collaborative way of working and constructive early engagement, TPRA throws up the prospect of polarising opinion with decisions made by Scottish Ministers, not local communities.
"We will continue to campaign for a planning system that can deliver crucial development and infrastructure in Scotland, which in turn creates jobs, economic growth and great places to live and work."
RTPI Scotland convenor Fraser Carlin added: "The Planning Bill is a great opportunity to put communities at the heart of deciding how places will change. We believe the way to do this is through supporting people to engage early and meaningfully in plans and decision making. The proposals considered by the Committee would have entrenched confrontation when we need collaboration between everyone with an interest in our built and natural environment. They would have led to more local decisions being made by central government at a time when we want to give communities more say over the places where they live. And they would have allowed competing commercial interests to frustrate development and potentially pit one part of a community against another.
"The proposals would also have put immense strain on planning departments who are already under severe resourcing pressures. When the Bill moves to Stage 3, we want to see further amendments to make sure that the tools and resources are in place to support proactive and positive public involvement in planning."
Scottish Labour MSP Monica Lennon accused the SNP MSPs voting against the proposals of backing big developers over local communities.
She said: "It's deeply unfair that communities have zero rights to challenge planning decisions about the future of their areas, yet developers have a direct line to the Scottish Government, as I've seen with the Whitehill incinerator in my own area.
"Scottish Labour wants to level the playing field and our plan would have given communities more rights, in line with the government's own community empowerment agenda, so it is deeply disappointing that the SNP has voted down measures to make the planning system fairer."
Clare Symonds, founder and chair of Planning Democracy, added: "Clearly we are deeply disappointed that the amendments calling for equal rights of appeal put forward by Scottish Labour and the Green Party haven't been supported.
"It is a sad day for democracy, not to mention the many communities all over Scotland who been campaigning for so long to bring about a fairer planning system. As it stands there is little for communities to celebrate in this Bill.
"We hope that as it progresses to the final stages of the legislative process, politicians will show more support for Equal Rights of Appeal and help deliver a more progressive and inclusive planning system than is currently proposed."
Homes for Scotland boss heads builders' housing rallying cry
Homes for Scotland's anti-social housebuilding agenda 'out of touch with reality'
Homes for Scotland appoints Ken Gillespie as chair
Homes for Scotland boss named CEO of the Year at Scottish Women's Awards

redpajama_set_name: RedPajamaCommonCrawl


text:
import * as React from 'react'

export function PermissionStatus() {
  const status = (Notification as any).permission
  return
Notification permission status: {status}

}

redpajama_set_name: RedPajamaGithub


text:
Covid and mental health in America
Blanchflower, David G. ;
Bryson, Alex
https://dx.doi.org/10.1371/journal.pone.0269855
Using 44 sweeps of the US Census Household Pulse Survey data for the period April 2020 to April 22 we track the evolution of the mental health of just over three million Americans during the COVID-19 pandemic. We find anxiety, depression and worry had two major peaks in 2020 but improved in 2021 and 2022. We show that a variable we construct based on daily inflows of COVID cases by county, aggregated up to state, is positively associated with worse mental health, having conditioned on state fixed effects and seasonality in mental health. However, the size of the effect declines in 2021 and 2022 as vaccination rates rise. For women and college educated men having a vaccine improved mental health. However, being vaccinated worsens mental health among less educated men.
This is an open access article distributed under the terms of the Creative Commons Attribution License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited.
Blanchflower, D. & Bryson, A. 2022, 'Covid and mental health in America', PLoS ONE, 17(7), article no: e0269855. https://dx.doi.org/10.1371/journal.pone.0269855
http://eprints.gla.ac.uk/275792/
Coronavirus (COVID-19) Mental health and wellbeing
COVID-19 Mental health Vaccination
Public Library of Science


The web server with the IP-address 46.30.212.162 used by Calescowaterbedheaters.se is run by One.com A/S and is located in Denmark. 21 other websites are located on this web server. Most of them are provided in the english language.
The websites of Calescowaterbedheaters.se are served by a Apache server. The HTML pages were created with the latest standard HTML 5. Both the inclusion of the website in search engines and follwoing of its hyperlinks is explicitly allowed.


Dominic Jerome ("Dominique") Green had the kind of childhood you wouldn't wish on anyone and an adulthood that, while truncated, anyone would admire. Green was born and raised in Houston by drug-addicted parents. His mother, a diagnosed schizophrenic, abused Dominique and his two brothers horribly and often. A Catholic priest raped 7-year-old Dominique at school, and he fell prey to more sexual abusers as an inmate in the state juvenile detention system. Green turned to drug dealing at age 15, and by 18 he had joined a criminal gang that robbed people at gunpoint.
According to Harris County prosecutors, Green and three other members of the gang robbed, shot and killed Andrew Lastrapes Jr., a Houston truck driver, in October 1994. Police apprehended Green and another of the men in a stolen car four days after the murder and found a gun in its backseat. Questionable ballistics tests would later indicate the weapon had killed Lastrapes. It was Green's fourth arrest. Investigators found fingerprints on the murder weapon, but they belonged to none of the four men. Regardless, prosecutors fingered Green as the triggerman. In exchange for their testimony in Green's trial, prosecutors also dropped murder charges against two other African-American men they identified as having participated in the crime. Incredibly, the fourth member of the group, a white man named Patrick Haddix, was never indicted, though he admitted in a written statement and subsequent testimony that he had participated in the robbery and shared its proceeds. Prosecutors produced no other witnesses.
Bernatte Luckett Lastrapes was among those who could not believe her eyes as the case against Green unfolded. According to author Thomas Cahill, the murder victim's widow "began to wonder if this was really a trial at all or rather some kind of bizarrely predictable ritual with a predetermined outcome." Green admitted his part in the robbery but vehemently denied having shot Lastrapes. Nonetheless, a Harris County jury—all-white save an Asian-American—found Green guilty. Against all conceivable judgment, his defense team called Green's mentally ill mother as a character witness in the trial's sentencing phase. She recommended that the court impose the death penalty, and the court complied.
Cahill is a classics scholar and popular historian, best known for his "Hinges of History" series, including the books How the Irish Saved Civilization and The Gifts of the Jews. He splits his time between Manhattan and Europe, and his social circle is such that he is able to call in favors from Green's spiritual and intellectual hero, Archbishop Desmond Tutu, and dedicate this book to the memory of his friend Jacqueline Kennedy Onassis. He seems an unlikely biographer, much less champion, of a black former drug dealer on Texas' Death Row, but that's what he became after meeting Green in 2003.
Green had reached out from behind bars to members of the Community of Sant'Egidio, a group of lay Catholics whose home basilica is near Cahill's second home, an apartment in Rome. The community introduced Cahill to Sheila Murphy, a retired Chicago judge who served as a volunteer attorney for Green during the appeals process. Murphy introduced Cahill to Green.
Cahill catalogs every disgraceful aspect of Green's experience with the justice system. His larger mission, though, is to examine the changes Green underwent after receiving his death sentence—his transformation from a troubled teenager into what Cahill calls "a fully achieved human being." He does so by exploring the influence Green had on others, including Cahill. For whatever reason, Green treated his death sentence as an opportunity to grow, to become better educated, to form deeper human bonds, to act as a resource for others.
Fellow prisoners remembered Green as a mentor and builder of community against tremendous odds, as a source of hope and peace, as the man who introduced Tutu's writings on forgiveness and reconciliation to Death Row. Lastrapes' sons came to admire Green as an elder-brother figure. With their mother, they petitioned to have Green's sentence reduced to life in prison and protested the inequities of which Green was a victim and symbol. Literally hundreds of members of the Community of Sant'Egidio and activists throughout the world came to consider Green a trusted friend and worked to save his life.
I'd initially thought that Cahill's labeling of Green as a saint was metaphorical, a way of comparing him to the early Christian ascetics who separated themselves from civilization to seek deeper meaning in solitude. Not so. He means literally to canonize the man. In Cahill's telling, confinement didn't merely transform Green; Death Row transfigured him. Although Cahill was not present for Green's execution, he describes the scene in detail using the symbolism of crucifixion.
This is a risky proposition. What effect will it have to portray a Texas Death Row prisoner as a Christ figure? Will the book encourage followers of history's most notable death penalty victim to work for its abolition, or will they reject the comparison of a black criminal to their heavenly savior with the jerk of a knee? Cahill hopes for the former; in the book's appendix he directs readers to resources aimed at protecting children, reforming the American criminal justice system, and ending the death penalty.
But as Cahill well knows, capital punishment will remain on the books in Texas until a critical mass of voters, including politically conservative Christians, organize to end it. Cahill doesn't offer much reason to be optimistic that this will occur. He points out that the regionally dominant Southern Baptist Church is the one major American Christian denomination that has not condemned the death penalty. Cahill also identifies a retributive, violence-obsessed strain of "extreme Calvinism" among Texas' other Protestants that makes the abolition movement even less likely to take hold.
A Saint on Death Row is not without flaws. This thin book succeeds in presenting only two or three facets of what was a multidimensional personality and intellect. We see glimpses—but no more—of Green's wickedly funny and earthy sense of humor. Cahill leaves many questions about Green's biography and involvement in Andrew Lastrapes' murder unanswered.
But Cahill has achieved something grander than straight biography here: an intervention in public memory. The state tried to reduce Green's life to a single event by steamrolling substantial reasonable doubt. Cahill has made it impossible to regard crime as the sum total of Green's existence, and replaced the state's hole-riddled narrative with an inspiring story of growth and redemption. Cahill makes it clear that Texans lose something meaningful when the state takes a life like Dominique Green's.
Perhaps this achievement is a small victory in the context of Green's state-sanctioned murder, but it's important to acknowledge and celebrate even the small victories as we work slowly toward justice in the death penalty capital of the Western hemisphere.
Todd Moye teaches U.S. history at the University of North Texas in Denton.
Todd Moye is a professor of history and the director of the Oral History Program at the University of North Texas.


text:
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UK told to increase digitisation efforts
UK urged to develop national strategy for digital preservation
Rebecca Atkinson @rebeccaa_ma
The European Commission has called on the UK and other member states to step up efforts to digitise cultural objects through public-private partnerships and the adoption of national strategies.
Its recommendation on digitisation and digital preservation states that the 27 member states should "pool their resources" in digitising cultural material.
This includes adopting national legislation and strategies to ensure the long-term preservation of digital materials and increasing the number of objects available online through the Europeana website from 19 million to 30 million by 2015.
Targets for each member state have also been set, with the UK called on to digitise 3.9 million objects over the next four years. Germany and France have the highest targets, of 5.4 million and 4.3 million respectively.
Earlier this year, the Comité des Sages (the committee of the wise, a high-level European reflection group) estimated that the cost of digitising Europe's cultural heritage was €100bn. Click here to read more
The European Commission will contribute €3.7m a year towards this between 2011 and 2013, and suggests public-private partnerships should share the cost to individual countries.
Neelie Kroes, the commission's vice-president for the digital agenda, said: "Europe has probably the world's greatest cultural heritage. It cannot afford to miss the opportunities offered by digitisation and hence face cultural decline."
Unlike other member states, the UK does not contribute towards Europeana's running costs and it does not have a national strategy in place to ensure the coordinated digitisation of objects.
Nick Poole, chief executive of the Collections Trust, said the commission's recommendations were an opportunity to change this.
"Without UK buy-in, we are risking political and professional damage, marginalising our role in the digital agenda," he said. "It also limits the opportunities for cultural institutions to benefit from financial support for digitisation at a time when funding is hard to come by."
A spokesman for the Department for Culture, Media and Sport said: "We are aware of the importance of the digitisation work being carried out by Europeana to make Europe's cultural heritage more widely available.
"Last year, the Museums, Libraries and Archives Council (MLA) worked with the Collections Trust to make over a million objects accessible online on the Culture Grid. We will be working with Arts Council England to consider how this work may be carried forward now that the MLA's responsibilities have transferred."
Click here to read the European Commission's recommendation of digitisation and digital preservation
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News Smithsonian
Smithsonian Institution to build two new museums in Washington DC
Congress gives go ahead for museums dedicated to women's history and the Latino community
News Statues
Minister outlines controversial rules to protect statues from 'baying mob'
Concern over legislation as government is criticised for stoking culture war
News London
Trump Baby blimp lands at the Museum of London
The 2018 anti-Trump protest balloon arrives ahead of Joe Biden's inauguration as US president on 20 January
©2020 Museums Association


text:
2018 WAN (World Architecture News) Awards, Performing Spaces Award, Regional Winner, Americas
AIA Utah 2017 Design Awards
Client: Salt Lake City
Architect: Pelli Clarke Pelli Architects | HKS Architects
Duration: Completed in 2016
Services provided by BuroHappold: MEP engineering, fire protection, energy modeling
Download Utah Pac Letter
The George S. and Dolores Doré Eccles Theater
Utah, USA
Home » Projects » Projects » The George S. and Dolores Doré Eccles Theater
New performance center covers 148,000 ft2
LEED Gold certification
Delta performance hall features 2,500 seats
Situated in the heart of downtown Salt Lake City, the George S. and Dolores Doré Eccles Theater is set to become a leading entertainment venue.
Featuring a 2,500 seat main concert hall, smaller performance stages, rehearsal areas and public gathering facilities, the theater incorporates a stunning glazed facade that gives the public glimpses of the spaces within.
The dramatic building offers a new approach to theater design. Image: Jeff Goldberg /Esto
BuroHappold Engineering provided MEP engineering services for the new theater, supporting the team in developing the key design criteria and detailed energy and comfort analysis.
Key challenges for the team during the project included the theater's constricted location in a tight urban site surrounded by high-rise buildings. We also had to make allowances for the different locations of the design team.
This exciting new performing arts center features a 2,500-seat performance hall, an intimate black box theater, a six story grand lobby, an outdoor plaza and numerous event and rehearsal spaces. Image: Jeff Goldberg /Esto
During the early stages of the design, the BuroHappold team carried out extensive energy analysis and conservation measure analytics to meet strict energy guidelines and provide a comfortable environment.
The theater's central location meant that the equipment on the roof of the four-story building had to be minimized. The restricted footprint also meant that our engineers needed to work within the confines of the building, with limited space for services installation.
Because both the architect and BuroHappold do not have a local presence in Salt Lake City, the team arranged a series of bi-weekly workshops in New York to keep the project on schedule. Those meetings were interspersed with gatherings that concentrated on specific areas of the design.
The theater's constrained urban site provided a challenge for our team. Image: Jeff Goldberg /Esto
Recently opened fall 2016, the dramatic new building offers a new approach to theater design. The layout of the spaces within the performing arts center opens up the backstage operations so they are visible to people using the park and retail spaces nearby, further uniting the theater with the community and its surroundings.


text:
Q: Git: list all files in another branch that are not in the current branch? git diff <other branch> <this branch>

will show me all differences, but files that don't exist in the current branch have no special indicator in that list.

A: There is the exact same question on SO.

You can use git diff-tree to achieve what you want
use -r to recursively descend through subtree and --diff-filter to restrict output to only certain types of diffs (for instance, deletions=D)
git diff-tree -r --diff-filter=D branchA branchB

A: I'd like to used "--diff-filter" flag to as like you want:
git diff --diff-filter=[D|M|A] branch1 branch2

As:

*

*D: sort files existing in branch1 only.

*M: sort files have been modified

*A: sort files existing in branch2 only.

You can use all of them at the same time, also with "--stat" flag for a quick view of the changes.

A: Use this:
git diff --name-only branch1 master

redpajama_set_name: RedPajamaStackExchange


text:
Pt. V Lipstick Traces: Greil Marcus
Greil Marcus: Lipstick Traces
The Crash Of Yesterday's Art
by R.E. Prindle
At this stage of the review it will turn into a secret history of the secret history. Since last writing I have read Mr. Marcus' opus on Dylan's Like A Rolling Stone, The Dustbin Of History and Mystery Train plus a few articles available on line. The qualities not as apparent from a volume or two become more apparent when enough material is read. No writer can write several hundred pages without revealing himself and his intentions.
Thus it becomes clear that Mr. Marcus was reared as both a Communist and a Jew. Of course he uses the palliative, socialist. He seems to have come from a privileged background while having received a Jewish conditioning. He was born in the summer of 1945. His father, Greil Gerstner, died during WWII so he must have been adopted by his stepfather, obtaining the name of Marcus.
As part of the Critical Theory of The Frankfurt School he has been trained to view life as one tragedy after another. Whereas in the Western tradition we are trained to see life as a series of adventures in which if we triumph, good; if not, then efforts must be taken to rectify the situation. There is no mystery in situationism; it is just the way it is. Thus the Westerner even more that the Jewish Guy Debord is trained as a situationist.
In his criticism Mr. Marcus unremittingly condemns the United States as fatally flawed and ripe for destruction. As this is his vision he is compelled to work toward its realization. This might be considered strange because when his grandparents or great-grandparents landed on these shores c. 1900 they thought they had found the Promised Land. So what happened in the years between then and now to turn the Promised Land into the shitheap Mr. Marcus sees? Nothing. The conditioned Jewish character merely asserted itself and Paradise turned into fecal matter. One might look to Freud for a solution but I think the answer can be found even earlier in that ridiculous Holy Book of the Jews that Westerners call the Bible.
Now, they are always looking for a paradisical 'situation.' According to their Holy Book 5700 and some odd years ago which is when they believe that the world was created they lived in the literal Paradise. All they had to do was keep their nose clean and mind their manners. So as to leave room for no mistakes their mentor God, or as Jews spell it G-d, told them all of Paradise was theirs to enjoy but they must never eat of the fruit of a forbidden tree. Pretty clear wasn't it?
So then the Jews defied their mentor by eating the forbidden fruit. This act enraged their mentor so greatly he picked them up and bodily threw them from Paradise thus beginning a very long list of expulsions. Also their God did not fool around. He was unforgiving telling them to never come back at the same time setting up a guard who couldn't be fooled to make sure they never did come back. Thus the first act of the conditioning of the Jewish people took place.
So, the scenario is that the Jews are welcomed, then the Jews repel mentor or hosts, the host eventually becomes sufficiently angry with the Jews to expel them from their midst. This scenario has been repeated for, by Jewish calculations, 5700+ years.
C. 1900 Mr. Marcus' ancestors arrived in what they jubilantly described as the Promised Land, in another word, Paradise. They prospered mightily. Mr. Marcus himself is the product of that prosperity but, like the Jews in the Garden of Paradise, Mr. Marcus is busily trashing the Land of Promise. As he sees it the United States is fecal matter that has to be flushed down the toilet. Further he wants you to view the United States the way he does and trash the only home you have ever known or will ever know. Mr. Marcus is a dual citizen; when the country is trashed he and his successosrs will just move on as they have always done.
That's the short form.
Now, Mr. Marcus and his fellow culturalists have declared war on the Aryan species as well as on the United States and, actually Europe. They will settle for nothing less, according to their spokesperson Mr. Noel Ignatiev, than the abolition or genocide of the entire species, one billion strong.
While this goal can be achieved by psychological means, indeed is well advanced, the fun comes from openly fuddling people. To do that one needs a power base. A power base was first achieved in Russia in 1917 but that one slipped through their hands.
But then this summer Sarkozy got himself elected President of France thus placing the power of that State in Jewish hands. One of the first things Sarkozy did was to begin to distribute French atomic weapons to France's enemies. Unless the Jews and Moslems are secretly allied this act seems suicidal for the Jews. Who knows maybe it has reached that point in Jewish minds. It should be clear to all that as there is no God the story of Paradise is merely a reflection of the Jewish ego. In the search for anti-Semitism it is quite clear that it is a product of the Jewish outlook. In the conflict within the Jewish mind God became the first anti-Semite. The whole Jewish scenario develops from this inner psychological conflict.
A second thing that began happening after the Sarkozy election was that key Jews were beckoned to France for instructions in somewhat the same manner as Judaeo-Communist revolutionaries returned to Russia just after the October Revolution when as Mr. Marcus quotes Trotsky as saying, the Mensheviks were tossed into the dustbin of history.
Mr. Marcus was called to France in July of this year under the auspices of The Cartier Foundation For The Contemporary Arts [ http//www.time.com/time/printout/0,8816,1649503,00.html ]
ostensibly to give his views on Buddy Holly. Whether Mr. Marcus actually met with Jewish conspirators in private to receive instructions I can't say but it would have to be proved to me he didn't, especially as this 'cultural' forum turned into a podium for America bashing in which Mr. Marcus gleefully participated.
Speaking of Elvis Presley and Jackson Pollack the director Alain Perrin described them as "Two young people living in a society that they want to provoke to rebel against, and to mock sometimes." I think perhaps Mr. Perrin is projecting his and France des Juifs' opinion on Elvis, I don't know about Pollack. I never had the notion that Presley was mocking America and I wouldn't have liked him if he did. The early Rock n' Rollers were not mocking anything they were just trying to break in a different musical form against great opposition and make it big. That opposition merely had to do with people who were shocked at the musical departure.
I graduated HS in '56 and was one of a minority who accepted the music in my class. The new era began really with the class of '57 when the form had penetrated to the youth consciousness.
The skewed Mr. Perrin goes on to say "This was the America that had liberated the world of Nazism…' Surely Mr. Perrin meant France although in his skewed imagination it may have seemed like the world. "…but this was also a racist America, a puritan America, (no capital. It might be possible to say America was still Puritan but it was not puritan.) a hyper conservative, McCartyite America." Well, one out of five ain't bad especially for France as America did what the French couldn't do themselves. I hope Mr. Perrin wasn't offended that America wasted its own men, some of whom were my relatives, money and resources to save an ungrateful France from itself. As I understand it there was no scarcity of French collaborators in that glorious lovely Liberal Communistic 'pure' France of Mr. Perrin's imagination. One would expect a Communist of Mr. Perrin's stripe to be opposed to weird old 'conservative' America. But, then I'm sure he doesn't want to talk about that in an open forum. No one expects gratitude from the French but a little realistic appraisal of the past wouldn't hurt. Liberals are Liberals, but, geez.
Mr. Marcus slips and slides in with his two cents worth:
In the 1950s (ten long years note) the official story was that America was back to normal (the Depression?) women were out of the factories, (happened in the forties) everything was working like clockwork, (not so, but Mr. Marcus was a nine year old and it may have seemed so) but underneath this was an entirely different story (secret history again) of confusion, conflict, desperation, (how did I survive?) desire for grandeur. Life could have been an epic story, life was dangerous ( aw, come on, Mr. Marcus, don't put me on with all these cliches) you could step outside the role that had been preordained for you. (by whom?)
Unquote.
Now, let's see. How many cliches are in that novelistic approach to history. Mr. Marcus says he was born in the summer of '45. McCarthy was shot down in '54 so Mr. Marcus would have been eight or nine. His memories of the fifties then are pretty thin so he must be reading the Time-Life Decade series for the 50s. Even then they wouldn't have made such puerile remarks. Well, I've read the series and they do, so… My memory of the time was that there was no normal. The discord was right on the surface and that was no fooling around. Our town was virtually in the hands of the Chicago Outfit. Jimmy Hoffa and the Teamster bomb wielders were serious, the Korean War, the Commie Threat (that Mr. Marcus and the French refer to as 'McCarthyite America') produced great tensions. The Atom Bomb, my god Mr. Marcus don't you 'remember' the Rosenbergs in 1953?
If you're going to try to write history give up your sophomoric Jewish presentation. Hunker down. Get objective.
Mr. Marcus has his own secret history and mocking America is central to it.
In concentrating on the nonentities clowning it up in Zurich Mr. Marcus fails to relate Da Da to the course of the evolutionary development of Western society thus exaggerating the importance of these clowns grossly. Their effect on the development of society was minimal. The Da Da art movement did have some effect. Bear in mind that Da Da is merely a state of mind shared by a percentage of any age cadre from say 17 to 25 or so when they are struggling to find their way. Finding one's way isn't easy and does have its stresses. The situation of this particular group occurred as the Scientific Revolution, the real revolution, begun in 1859 with the publication of Darwin's Origin Of Species was disrupting Western society to the maximum extent. Science challenged religious concepts including those of the Jews.
The ethos of art had run its course having achieved all that representational art could achieve. The search for novelty or an avant garde, if you will, produced Cubism, Da Da and Surrealism. Thus these clowns in Zurich who produced nothing but had a narcissitic crush on themselves were presumably able to make a noise. In reading Mr. Marcus one isn't sure exactly what that noise was. In any event the Cabaret Voltaire changed nothing that had not already been changed or was changing.
Other than rescuing this crew from the dustbin of history and amusing us aside it is difficult to understand what significance Mr. Marcus finds in this clown act performing hackneyed stunts.
He somehow segues this act into his following act, even more insignificant than the opening act. The Crash Of Yesterday's Art concerns the career of another complete and insane non-entity, one Isador Isou.
In order to give some significance to Isou he manages to compare him with both Elvis Presley and Tony Curtis. Not bad footwork for a fancy dancer.
As is usual with Mr. Marcus all the people he considers important are Jewish and those he denigrates are goys. Thus in the comparison between the earth shaker Presley and the non-entity Isou the latter comes out as the more signficant of the two. How Tony Curtis comes in isn't clear unless it is his famous pompadour that is said to have influenced Presley's hair style. At any rate the two Jews to one goi with Presley basing his hair style on one Jew while the other's portrait often mistook him for a 'pop star' which it would appear raises him to a level slightly above Presley seems relevant in Mr. Marcus eyes. I don't know, hard to dicipher.
As Mr. Marcus describes the megamaniacal Isou it would appear that he could have been at the famous dinner at the Maison de Sante described by Edgar Allan Poe in his famous The System Of Dr. Tarr And Professor Fether. In fact much of Mr. Marcus writing reminds me of nothing so much as Poe's lady who tried to get outside her clothes rather than in them. I have great difficulty taking Mr. Marcus discussion of Isou as seriously as he seems to, although I find the story a fascinating bit of trivia.
Leaving Isou's manias aside it seems that his contribution to the deconstruction of Western Civilization was to insist that paragraphs, sentences and words were meaningless while the only thing of importance was the bare letter itself. A building block. You see what I mean by trying to get outside one's clothes than inside. Mr. Isou grandiloquently called his 'organization' The Lettrist International with he and his other member. He wished to establish the Lettrist Dictatorship.
Actually as a Jew Isou was merely following the letter mysticism of the Jewish alphabet in which not only does each letter have incredible symbolic meaning but each curve and segment of a letter is also endowed with incredible symbolism. A whole several hundred page volume could easily be written concerning the letter aleph and each additional letter thus adding up to a magnificent Harvard five foot shelf of the Jewish alphabet.
Somehow Charlie Starkweather and Caril figure in here but I'll have to go back and study to get it which would scarcely be worth it. I'll see if I can find the time.
Mr. Marcus also recasts a version of his musings on what appear so be his favorite song: It's Too Soon To Know of the mid-forties. Favorite songs are often inscrutable to anyone who doesn't 'get it.' I know the song and while I like it, I don't get it like Mr. Marcus does. On the other hand I don't expect Mr. Marcus to get a couple of secret favorites of mine, one by a singer whose name I forget, Clint something or other, although I should still have the 45. I got the disc in a close out mystery package of 10 for 99 cents. The song goes something like 'Bertha Lou, Bertha Lou, I wanna conjugate with you.' I like it however I have never met another person who has ever heard the song.
Another favorite of mine is by the Crows (Orioles-Crows- the bird, the bird, the bird's the word) of Gee fame that reads something like this:
I've got a girl named Rosie Lee,
I wanna tell ya what she did for me.
She took me in when I had nowhere to go
And that is the reason I love her so.
Face like a tadpole, shape like a bear,
But when it comes to lovin' Rosie is there.
The lyricist is certainly no Allen Ginsberg but as you can see both these songs and Ginsberg's Howl are concerned with a certain word begining with the letter F. And the usage is indeed international. God bless Isidore Isou and the Lettrist International.
Well, enough of this funnin', let's get on with the serious stuff. So Isou and his Lettrist Interntional is going to segue into Guy Debord and his Situationist International but first we have to go to church. It seems to me that I have a vague memory of Part VI so the invasion of Notre Dame must have been a true international scandal.
Part VI Follows.
Posted in America, Frankfurt School, Garden Of Eden, Greil Marcus, Institute For Social Research, Jews, Liberals, Lipstick Traces, R.E. Prindle, Religion, Reviews, The Revolution, Uncategorized, Writing | Leave a Comment »


text:
Q: The argument type 'Object? Function()' can't be assigned to the parameter type 'Map' I created a class called 'tasks' and implement it. I edit gradle files for connecting with firebase. I gain some errors in my code. So please help me to solve this error.
class _MyHomePageState extends State<MyHomePage> {

  late List<Task> items;
  FirestoreService fireServ = new FirestoreService();
  late StreamSubscription<QuerySnapshot> todoTasks;

  @override
  void initState() {
    super.initState();

    items= [];
    todoTasks.cancel();
    todoTasks=fireServ.getTaskList().listen((QuerySnapshot snapshot){
      final List<Task> tasks=snapshot.docs
        .map((documentSnapshot) => Task. fromMap(documentSnapshot.data))
            .toList();

      setState(() {
        this.items = tasks;
      });

    });

}

This is my firestore class service
class FirestoreService {
  Future<Task> createTODOTask(String taskname, String taskdetails,String taskdate,String tasktime,String tasktype) async {
      final TransactionHandler createTransaction = (Transaction tx) async {
      final DocumentSnapshot ds = await tx.get(myCollection.doc());
      final Task task = new Task(taskname, taskdetails,taskdate,tasktime,tasktype);
      final Map<String, dynamic> data = task.toMap();
      await tx.set(ds.reference, data);
      return data;
    };

    return FirebaseFirestore.instance.runTransaction(createTransaction).then((mapData) {
      return Task.fromMap(mapData);
    }).catchError((error) {
      print('error: $error');
      return null;
    });
  }

  Stream<QuerySnapshot> getTaskList({int offset=0, int limit=0}) {
    Stream<QuerySnapshot> snapshots = myCollection.snapshots();

    if (offset != null) {
      snapshots = snapshots.skip(offset);
    }
    if (limit != null) {
      snapshots = snapshots.take(limit);
    }
    return snapshots;
  }
}

A: You need to change:
documentSnapshot.data

to this:
documentSnapshot.data()

.data() is a method and not a property of the DocumentSnapshot object.


The Young Chef competition offers aspiring chefs between the ages of 18-25 years, the chance to showcase their culinary talent, develop their skills and win a once in a lifetime trip to Hong Kong.
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If you've been inspired, unfortunately entry for this year's competition is now closed, for a nationwide search to find and crown our Wing Yip Young Chef of the Year 2019, however check back later this year for when entries will open for next year!


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The Zebra Child Protection Centre will be hosting a one-day conference on Child Advocacy and Resilience. The CARA conference is intended for those who respond to and support children, youth, and families who have experienced abuse.
Training will include sessions to discuss the unique and vital work of Child Advocacy Centres in Alberta with a focus on supporting our Indigenous children and youth with Cheryl Whiskeyjack, executive director of Bent Arrow Traditional Healing Society as well as a half-day training on compassion fatigue and vicarious trauma led by the highly sought-after Francoise Mathieu, Co-Executive Director of TEND.
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text:
» IDP Education to organize Study Abroad Education Fair in Delhi
IDP Education to organize Study Abroad Education Fair in Delhi
oi-Deepak
By Deepak Malapur
Updated: Thursday, September 15, 2016, 18:19 [IST]
46 leading universities and institutions from UK, USA, Canada & New Zealand to assemble under one roof to help Indian students seeking admission & provide counseling
New Delhi, 15 September, 2016: IDP Education India, the leading student placement service provider will organize UK, USA, Canada & New Zealand Education Fair in Delhi on Saturday, 17th September 2016 at Le- Meridien from 11:00 am to 05:00 pm for students aspiring to pursue their higher education abroad. IDP Education Fair in New Delhi will have university & institution representatives & faculties come together to meet Indian students looking forward to study in these countries.
IDP Education will be hosting the Study Abroad Education Fair in India across 15 cities starting 11th September 2016. Spread over a period of two weeks, the fair will kick-start from Jalandhar and will conclude in the southern city of Coimbatore on 27th September 2016. The fair will see over 70 universities and colleges from the UK, USA, Canada & New Zealand interact with Indian students & parents.
IDP's Education Fair will offer students the opportunity to explore various study options available across these four countries. The fair will be held in the cities of Mumbai, Ahmedabad, Pune, Bangalore, Vijayawada, Hyderabad, Chennai, Kochi & Coimbatore in addition to New Delhi.
Mr. Harmeet Pental, Regional Director (South Asia, North America & UK), IDP Education, said, "IDP Education is world's leading student placement service provider and organizes education fairs across the IDP global network. With over 200 university partners across the 5 major English speaking destinations, IDP is best placed to offer students the choice to find the course best suited to them. With an experience of over 45 years, IDP places one student every 20 minutes across the globe and has placed over 400,000 students worldwide.
Applications are open to over 150 leading IDP partner universities & institutions in the UK, U.S., Canada & New Zealand for 2017 intakes for courses such as Business Management & Finance, Hospitality, IT, Engineering & Computer Science, Pharmacy, Biological Sciences, Public & Health Administration, Law, Medicine & Nursing, Art & Design, Mass Communication and many more. Students can apply to the universities of their choice and get detailed information on scholarships, ranking, visa, etc.
Mr. Piyush Kumar, Country Director, India & Nepal - IDP Education said, "IDP India seeks to provide a platform for students to come and have a face-to-face interaction with the university representatives and get answers to all their queries related to studying abroad.
One can also visit the IDP office to pre-register for the education fair and experience priority processing and detailed counseling with IDP's well trained and experience destination counselors.
Our goal is to assist and guide the students & parents with the right advice through all the steps from initial exploratory stage of course and university selection to application submission to arrival on campus", added Mr. Kumar.
IDP fair endeavors to help students make their dream of an international education come true. Students are advised to bring along their educational certificates in original along with photocopies.
IDP's UK, USA, Canada & New Zealand education fair in Delhi provides an opportunity to have one-on-one interactions with 46 institutions mentioned below:
Destination Institutions from UK, USA, Canada and New Zealand
Ediburgh Napier University
California State University Fresno
Navitas (USA)
Rivier University
ShoreLight
University of Cincinnatti
University of Missouri - St Louis
About IDP India:
IDP Education is a world leader in international student placement services. With a network of over 100 international student placement centers, IDP has a global presence in more than 32 countries. IDP Education Limited is an ASX listed company that is 50% owned by 38 Australian universities. For more than 45 years, IDP has played a major role in international education by offering comprehensive counseling services to students & having placed more than 400,000 students into quality institutions in Australia, the United Kingdom, the United States of America, Canada and New Zealand.
Currently, IDP in India has counseling centers in 21 cities guiding students and their families through the entire process from university/course selection through application/visa process and pre-departure planning. For more than 45 years, IDP has been helping students and their families find the right fit for their dream of higher education.
IDP is a proud co-owner of IELTS (International English Language Testing System). IELTS is jointly owned by British Council, IDP: IELTS Australia and Cambridge English Language Assessment. Since its launch in 1989, IELTS has become the world's most popular high-stakes English language proficiency test.
IELTS is accepted as evidence of English language proficiency by over 9,000 organizations worldwide. Last year, more than 2.7 million tests were taken globally.
Also read: IDP Education to organize Study Abroad Education Fair in Mumbai
For more information or a live chat with an IDP counselor, visit www.idp.com/india
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Anthony Hatcher Johnson (Ant Hatcher for short).
In 1993, Ant Hatcher was as down and out as he had ever been. A four year stint in the US Marines had served to remove him from the violence and poverty of his Harlem neighborhood - his goal at the time - and taken him around the world. But its austerity had also dampened his spirit. After all, Hatcher was practically Harlem nobility - the grandson of the legendary gangster and culture hero Bumpy Johnson, Hatcher's extended Harlem family included Cab Calloway and a plethora of African/Native American Cherokee warriors. It was a proud family, one that definitely did not do things by the book - anathema to the US Marines.
'At that point I got somewhat overweight playing and recording with my group 'I' in Brooklyn and working at a call center in downtown NYC. I was actively trying to be everything the Marines trained me not to be and yet i had no clue where I was. That's when I took a life-saving dose of mescaline!"
As a US Marine , Hatcher had become increasingly more interested in the psychotropic native ceremonies that he encountered since childhood.
"I would take my paid leave and hit the jungles, beaches & villages of wherever we were currently stationed and hang with the native islanders. I felt closer to the people than i did to fellow Americans.
"I kept the mescaline in my lap for about two hours trying to decided what to do before setting out to start answering calls like a good boy. Then I decided!"
In the grips of one of the most profound hallucinogenic experiences of his life, Hatcher exited the call center and left New York City that evening. Still in the throws of the mescaline realm, he contacted a Marine friend, rounded up an 18 wheeler rig and later two motorcycles and headed across the country to later wind up in San Francisco, staying at Indian reservations and National parks on the way. He partook in sweat lodges and rekindled his Native American identity, which is not to say he was ready for what awaited him on the "left coast."
"San Francisco just blew my mind. I felt immediately at home - i was weary of the extreme liberalism because mostly i was still a Harlem street kid and US military veteran and didn't know how to process the hippie parties and intense beauty. But i'd brought Amber Forest Green my shakuhachi, the flute I crafted, and began to make my way through the myriad of public drum circles that were seemingly in every public park in that city, especially Golden Gate Park."
No stranger to instruments, Hatcher had been playing drums, flutes, guitar and piano since he was a toddler. He had always, unlike his Harlem neighbors, loved Heavy Metal and tight, well-crafted songs. But drifting around San Francisco, he began to focus intently on the silver classical flute, soon mastering rapid fire 32nd and 64th notes.
"I noticed in these public jam sessions that when i'd stepped out to take a flute solo or sing - well, it really connected with everything and everyone. That built my confidence. the public jam sessions in San Francisco - well that whole city is about Open Source isn't it? I liked the feel of those sessions - they were from the heart, and as that was where it was for me, i wondered if i couldn't put that feeling into some tight songs. And so i started assembling a band"
Within a year, Hatcher had assembled the first incarnation of the OAI - the Original African Indianz in Holland- a nomadic [extended] family of musicians that began to bring the roof down at raves that were starting to be held in in Germany and the Netherlands.
Now, In [TITLE], the first official issue of OAI, Hatcher and the loose knit African Indianz achieve their goal - an elegant assortment of crafted songs and blistering hallucinogenic jams that thread elements of Metal and Hip Hop and Blues together with the intimacy of a San Francisco drum circle.
it captures our playing and our beliefs and, above all, this music gives you a clear message - that it's all possible! "
The O.A.I. 'is out [date] on [label].
Ant Hatcher was born on April 28th 1970 with Black , Native American and Italian heritage the Great Grandson of notorious Harlem Gangster and the Robin Hood of Harlem Ellsworth Bumpy Johnson. Bumpy was well known for his support and respect (personally and financially) for African American Artists, musicians, and actors from the 1930's until late 1968 when he died in Wells restaurant in Harlem from a Heart attack. Bumpy was well known to be a poet, a chess player, a philanthropist, a tough cookie but most of all luckiest man in the world to be married to a lady who in Harlem needed no introduction due to her kindness and beauty Mayme Hatcher Johnson. Harlem godfather tells the story .Written by Mayme Hatcher Johnson and Karen Miller at the age of 93... A hard Act to follow but I'm treading my own way still..
The OAI is a 4-6 piece band that focuses on the big show..
Vocals/ electric & bass Guitar, Synthesizers, flutes, Kit/ Percussion and occasionally Trumpet.
We hire professional lighting and explosive technicians to utilize for hire when the budget is sufficient. We also use torches and video backdrops as well as stage props (The better the budget the better the show).We are always meeting and looking for visual enthusiastic artists with energy and a creative mind.
My target audience is wide spread it's appealing to every and anyone who feels to be apart of the OAI family..


text:
GitHub Government Evangelist visits NGA...
GitHub Government Evangelist visits NGA
NGA Office of Corporate Communications
articles, github, open source
The National Geospatial-Intelligence Agency welcomed GitHub Government Evangelist Ben Balter to its Springfield, Virginia headquarters, May 20, to discuss the benefits of government agencies utilizing open source in software development.
"Open source is already here," Balter said, during his presentation to NGA employees. "It's not the next big thing."
Balter, who was instrumental in drafting the President's Digital Strategy and Open Data Policy, used the beginning of his presentation to debunk many old and outdated criticisms of open source software: namely that it is hard to use, full of bugs and insecure.
"Open source used to be really bad and that still permeates in everybody's mind," he said. But according to Balter, the open source community has greatly improved, so much so that technology giants like Microsoft, Twitter and Netflix are utilizing open source to improve their products.
Even the White House has jumped onto the open source bandwagon.
"We believe in using and contributing back to open source software as a way of making it easier for the government to share data, improve tools and services, and return value to taxpayers," reads the White House developers site.
NGA, in particular, has been a pioneer in using open source to share its products. In April 2014, the agency created its own GitHub site, which now hosts more than 15 projects enabling access to the agency's cutting-edge geospatial tools. NGA is the first intelligence agency to utilize GitHub, the world's largest software development network. According to Balter, NGA has dramatically increased the number of skilled developers who can contribute to its mission by putting its projects on GitHub.
"There are really intelligent people working at this agency, I'm sure some of the best developers in the world," said Balter. "But just by logical definition, there is going to be at least one person out there who can't work here for whatever reason, who has the ability to contribute to a product.
"You can expand the scope of potential contributors, not just people on your payroll, but to the best developers in the world."
For more from Ben Balter, listen to him on Geointeresting, the official podcast of the National Geospatial-Intelligence Agency.
articles, next-nga-west, saint-louis, n2w, mccarthy-hitt, covid-19
New NGA St. Louis campus construction continues, on schedule despite COVID-19 pandemic
Construction on NGA's new campus in north St. Louis is progressing without significant delays despite the COVID-19 pandemic, said Sue...


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text:
Trailer: The Big Sick
Pakistan-born comedian Kumail Nanjiani and grad student Emily Gardner fall in love but struggle as their cultures clash. When Emily contracts a mysterious illness, Kumail finds himself forced to face her feisty parents, his family's expectations, and his true feelings.
Actor: Kumail Nanjiani, Zoe Kazan, Holly Hunter, Ray Romano, Anupam Kher, Zenobia Shroff, Adeel Akhtar, Bo Burnham, Aidy Bryant, Kurt Braunohler
Director: Michael Showalter
Tagged: #Chicago #Coma #Immigrant #Arranged Marriage #Comedian #Pakistani #Based On True Story #Family Relationships #Cultural Difference #Cheating Husband
In Her Shoes
In Her Shoes HD
Strait-laced Rose breaks off relations with her party girl sister, Maggie, over an indiscretion involving Rose's boyfriend. The chilly atmosphere is broken wi..
Director: Curtis Hanson
Actor: Cameron Diaz, Toni Collette, Shirley MacLaine, Richard Burgi, Candice Azzara, Anson Mount, Brooke Smith, Mark Feuerstein, Terrance Christopher Jones, Nicole Randall Johnson
Love & Friendship HD
Lady Susan Vernon takes up temporary residence at her in-laws' estate and, while there, is determined to be a matchmaker for her daughter Frederica -- and her..
Director: Whit Stillman
Actor: Kate Beckinsale, Xavier Samuel, Emma Greenwell, Morfydd Clark, Jemma Redgrave, Tom Bennett, James Fleet, Justin Edwards, Jenn Murray, Stephen Fry
Rock of Ages HD
A small town girl and a city boy meet on the Sunset Strip, while pursuing their Hollywood dreams.
Genre: Comedy, Drama, Romance, Music, Hindi Dubbed
Actor: Julianne Hough, Diego Boneta, Tom Cruise, Alec Baldwin, Russell Brand, Malin Åkerman, Paul Giamatti, Bryan Cranston, Catherine Zeta-Jones, Erica Frene
Meri Zindagi Agneepath
Meri Zindagi Agneepath HD
Bavagaru Bagunnara (Telugu: బావగారూ బాగున్నారా, English: Brother-in-law, Are You Fine?) is a Telugu film which released on A..
Genre: Comedy, Drama, Romance, Hindi Dubbed
Director: Jayant Paranji
Actor: Chiranjeevi, Rambha, Rachana Banerjee, Paresh Rawal, Brahmanandam, Srinivasa Rao Kota
Annie Hall HD
In the city of New York, comedian Alvy Singer falls in love with the ditsy Annie Hall.
Actor: Woody Allen, Diane Keaton, Tony Roberts, Carol Kane, Paul Simon, Shelley Duvall, Janet Margolin, Colleen Dewhurst, Christopher Walken, Donald Symington
Ashby HD
When new kid in town Ed Wallis is given an assignment to interview an older person, he turns to his mysterious neighbor, Ashby Holt for help. That new connec..
Director: Tony McNamara
Actor: Mickey Rourke, Nat Wolff, Emma Roberts, Sarah Silverman, Adam Aalderks, Seth Dousman, Kevin Dunn, Zachary Knighton, Michael Lerner, John Enos III
La La Land BluRay
While navigating their careers in Los Angeles, a pianist and an actress fall in love while attempting to reconcile their aspirations for the future.
Genre: Comedy, Drama, Music, Romance
Director: Damien Chazelle
Actor: Ryan Gosling, Emma Stone, Amiée Conn, Terry Walters, Thom Shelton, Cinda Adams, Callie Hernandez, Jessica Rothe, Sonoya Mizuno, Rosemarie DeWitt
Irreplaceable You
Irreplaceable You HD
A couple who have known each other since 8 are destined to be together until death do them apart.
Director: Stephanie Laing
Actor: Gugu Mbatha-Raw, Michiel Huisman, Christopher Walken, Steve Coogan, Jacki Weaver, Claire Holt, Timothy Simons, Gayle Rankin, Kate McKinnon, Tamara Tunie
Crazy, Stupid, Love. HD
A middle-aged husband's life changes dramatically when his wife asks him for a divorce. He seeks to rediscover his manhood with the help of a newfound friend,..
Director: Glenn Ficarra
Actor: Steve Carell, Julianne Moore, Ryan Gosling, Emma Stone, Marisa Tomei, Kevin Bacon, Analeigh Tipton, Jonah Bobo, Joey King, Beth Littleford
The Terminal HD
An eastern immigrant finds himself stranded in JFK airport, and must take up temporary residence there.
Director: Steven Spielberg
Actor: Tom Hanks, Catherine Zeta-Jones, Stanley Tucci, Chi McBride, Diego Luna, Barry Shabaka Henley, Kumar Pallana, Zoe Saldana, Eddie Jones, Jude Ciccolella
Abbie and Sam, soulmates since the age of 8, were destined to be together forever until complications get in the way.
Genre: Romance, Drama, Comedy
Bridal Boot Camp HD
When pretty dress-maker Andy joins a motley crew of brides-to-be for a grueling bridal boot camp, where young ladies learn how to become "better" brides, she ..
Director: Jake Helgren
Actor: Spencer Locke, Jake Sandvig, Aeriél Miranda, Cameron Richardson


The Department of Social Service at Al-Leith University College (female section) held a voluntary initiative to raise awareness of renal failure under the title, "For You ... For a Healthy Society", on Monday, 11 Rabi` Al-Awwal, 1440 A.H.
The activity was carried out by the female students of the Social Service Department (Field Training 3) with the aim of raising the university community's awareness of renal failure, how to prevent it, and how to treat patients with renal failure, both socially and health wise.
The initiative started with distributing water bottles in the halls during the lectures. The water bottles contained phrases explaining the usefulness of water. Next, everyone was invited to visit the initiative's corner at 9:30 a.m. This was followed by a presentation about renal failure, its symptoms and causes, advice on how to protect the kidneys, a description of the appropriate diet for patients with renal failure to prevent the illness from worsening, and health tips to avoid certain foods that may contribute to impaired kidney function. After that, there was a talk about the rights of renal failure patients, the services provided by government institutions to patients with renal failure, and the facilitation offered to them.
The initiative was concluded by introducing the "Kellana" charity association for the care of renal failure patients that provides a donation service via text messages. A banner had been made to explain the method of donation. Before the conclusion, one of the students attending the event shared her personal experience with accumulated salt on the kidneys, how she suffered from it, and how the pain disappeared when she continued to drink water regularly. She urged the participants to drink water regularly, and to avoid soft drinks and all that harms and stops the kidneys from functioning properly. Following this, everyone shared possible ways of donations. The initiative also showed some optimistic phrases and distributed pamphlets that identify the disease and the rights of patients with renal failure.
The activity was held under the supervision of the deputy head of the department, Dr. Rasha Majlad, and the course lecturer, Nawal Al-Qarhi.


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We Were Promised Jetpacks Are Back in a Big Way
David Garrick
We Were Promised Jetpacks are back stronger than ever.
Photo by Eleanor Petry
David Garrick | September 14, 2018 | 4:00am
Typically when bands are having success, time off isn't really an option. However for Scotland's We Were Promised Jetpacks, it was the only choice they had to continue as a band. "We started to write the new album and it just didn't feel right," admits guitarist and lead singer Adam Thompson.
After recording and touring since 2009, when the tour for 2014's Unravelling was done, it was time to re-evaluate how the band went about being a unit. "We had toured for two years in support of the last album, and we took the time for some of the guys to get married, and wanted to get songs to where we were pleased before booking another tour. We re-evaluated and wrote the whole time, we'd rehearse and write every Wednesday and Friday."
The band, had been going hard since 2003, making where they came from seeming so much more poignant. "We started in our drummer's attic, and yeah it's been 15 years, but we've really only been touring for nine of those years. Before the label signing, we did lots of small stuff as well."
While their last release was well received, it showed a definite deeper side to the band's sound, distancing themselves from what a lot of indie rock bands sound like. "Scotland's a small place, so perhaps there's a sound to bands from there. You hear everything from there, it's the same as everywhere. A lot of Scots are coming from the same place. We are between the happy and the dark. Scotland is Scotland."
The band's new album, The More I Sleep The Less I Dream is full of crazed energy, sounding like the work of men younger than those who made it. "We had a three-record deal. We split with management and the label and we realized that we were never gonna' be a big stadium band. It became about being proud and happy with the music while committing to the band. Once we hit that space, the energy all came back with us playing in our rehearsal room, playing the new songs live from start to finish.
"The energy came back once we were committed. When we started, I didn't know we'd tour for seven or eight months at a time. This business side of music van be exhausting, and I think it's important to separate the two. There's never a reason to stop."
Produced by Jonathan Low (Mumford & Sons, The National), The More I Sleep The Less I Dream is a return to the energized sound that the band exhibited on their debut, with more earnest emotions sprinkled in. "We really just met Jonathan through Skype, and is was excited to see where we'd record at in Philadelphia and at The National's spot in upstate New York. He's younger than us and we wanted a younger guy. When you just have a 30-minute conversation with someone, and you're paying what it costs to make a record, it can be a big risk. But we're happy we took it. I'm not a gear guy, I just have a Mexican Telecaster from 2007 and a 2011 American one my parents bought me, but Jonathan is a gear guy so that worked well."
The band's live shows have always had a pace that feels like they're playing for their lives. "Well, I think we never wanna' play songs to get people bored," Thompson says. "The set will be 14 or 15 tunes, some of the new songs we've been playing for about three and a half years. So eight of those and the hitters. It's just the four of us up there, no bells and whistles. Two guitars, a bass and a drummer."
The entire catalog from We Were Promised Jetpacks is available to stream wherever you stream music, and can be purchased on all digital store fronts. The More I Sleep The Less I Dream is available September 14, and can be pre-ordered directly from the band through their web store. You can catch We Were Promised Jetpacks live and in person, when they return to Houston on Wednesday October 17 at White Oak Music Hall. The all ages show has no word of openers yet. Doors at 7 p.m.; tickets $20.
David Garrick is a former contributor to the Houston Press. His articles focus primarily on Houston music and Houston music events.


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Q: What happens when a browser closes that can't be programatically replicated? Many authentication services (PHP_AUTH, Apache Basic Auth, SSO services) require that a user's browser be closed to properly/safely terminate their authentication session.
I'm aware some of these services are "stateless" meaning they don't operate on the concept of a "session". Why isn't there a way to simply tell the browser to empty the authentication cache or clear cookies as it would do when it's closed? I've seen a number of hacks for different services to force a "logout", but why are these necessary in the first place?
What happens when a browser closes that can't be replicated through PHP (forcing the server to terminate the session) or JavaScript (forcing the browser to client to terminate, as it would seemingly do when it's closed)? What is the reason these capabilities don't exist (I can only assume they would create some kind of security hole), especially on the client side?
EDIT: As to why I'm asking in this: many times these are the easiest services to set up (If a given organization has single sign-on service with an existing authentication UI, there's no reason to write your own). However, forcing the user to close their entire browser just to arbitrarily log out of a single service seems like something that's clumsy and archaic, and I'm trying to understand what factors determine it has to be this way.

A: Public service announcement: Forcing a user to close their browser to logout is a bad user model that will discourage users from logging out, thereby decreasing effective security.
That out of the way...
I suspect that what's happening behind the scenes is that the session ID is maintained in an HTTP session cookie. These cookies have a lifetime of the current browser session. So when the browser closes, the user loses the association between their browser and their session on the server. The server session hasn't actually terminated, it's just dangling. Presumably it will end when it times out.
So logout is implemented entirely through browser behavior. The app needs to do nothing special.
Besides the aforementioned horrible user model, this solution leaves the session live after the user is done with it. The live session will consume resources and has the chance of being hijacked until it times out. Given these drawbacks, I suspect that this strategy is only used when sessions are implemented on the cheap.


LOUISVILLE, Ky. (April 1, 2018) — The Tampa Bay Rowdies fell to their first defeat of 2018 on Saturday afternoon, falling 1-0 to the defending USL Cup champions Louisville City FC at Slugger Field.
Louisville midfielder Oscar Jimenez scored the only goal of the match in the 69th minute. Neither team looked particularly dangerous on the day, with both sides being limited by field conditions that were not conducive to playing the ball along the ground as both teams prefer to do.
Two noteworthy streak ended Saturday afternoon in Louisville. Coming into the match, the Rowdies had scored at least one goal in every match they played since July 1 of 2017, a streak of 19 consecutive matches with at least one goal. That was the longest streak in modern Rowdies history.
Georgi Hristov also had a personal streak snapped in the way. Through last weekend's win over Bethlehem, Hristov had scored a goal in six consecutive matches. He had only one shot on Saturday afternoon and it missed the target.
New streaks can begin this weekend when the Rowdies try to get back to winning ways against Ottawa Fury FC at home.
Though the match wasn't even in the one place it truly mattered — the scoreboard — the Rowdies and Louisville City stood toe-to-toe Saturday night in a very even contest.
Neither team established a real edge in possession or passing accuracy. Louisville claimed a slight edge in shots (11 to 10) and shots on target (3 to 2.) The decisive moment of the match, Jimenez's goal, came in the seconds immediately following Rowdies defender Neill Collins' cleat falling off, sending Tampa Bay's backline into panic mode as Lance Rozeboom dropped back to fill in at center back.
The match was so even that had Collins not suffered an unfortunate wardrobe malfunction, we probably would have been looking at a scoreless draw.
Tampa Bay Head Coach Stuart Campbell made two changes to his starting XI, handing starts to midfielder Lance Rozeboom and forward Sebastian Guenzatti in place of Joe Cole and Junior Flemmings, respectively.
For Rozeboom, it was his first start since joining the Rowdies this winter.
Playing as the natural holding midfielder to keep things controlled on the road, Rozeboom put in a good shift. He completed 88 percent of his passes and intercepted four Louisville passes. He also tallied two tackles and one clearance.


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All Audio Fox Across America w/ Jimmy Failla
Fox Across America w/ Jimmy Failla
Jimmy Failla - former head writer and on-air contributor for "Kennedy" on the Fox Business Network - says Fox Across America is best described as "a celebration of our unique American privilege, and will function as an audio safe space where people of all political persuasions can disagree and still get along!" Today's political climate is sorely in need of talent with the unifying ability to allow both sides to debate the issues straight up. Be sure to join Jimmy and his special guests: Emily … Continue Reading >>
Jimmy Failla - former head writer and on-air contributor for "Kennedy" on the Fox Business Network - says Fox Across America is best described as "a celebration of our unique American privilege, and will function as an audio safe space where people of all political persuasions can disagree and still get along!" Today's political climate is sorely in need of talent with the unifying ability to allow both sides to debate the issues straight up. Be sure to join Jimmy and his special guests: Emily Compagno, Kennedy, Lara Trump, Lou Dobbs, Judge Andrew Napalitano, Harris Faulkner, John Rich, Jim Gaffigan, and many more. << Show Less


Description Both times I have used it in multiplayer scenario now the ASV gunner and commander position has stopped being enterable. It vanishes from the vehicle and cannot be accessed internally or externally from any direction or other vehicle position.
Steps To Reproduce Cannot reproduce in armory unclear why. 2 for 2 however in this occuring in multiplayer scenario play.
It is possible it is related to AI or other human player squadmates entering or exiting the vehicle.
That would explain why it cannot be recreated in the solo armory.
Additional Information It IS possible this is the result of a mod conflict.
Most likely culprit is CUP Vehicles ACE patch, since CUP Vehicles mod is not loaded that could cause problems. Was subscribed to in error.
May need to wait for other reports of this same issue from other users before moving forwards.


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