text:
Women's rights in Islam: Fighting for equality before the law
03 June 2020 | 9:00 am
In countries that practice Islamic law, legal reforms to advance the status of women tend to fail due to hard-liners who see it undermining religion. But a new wave of efforts views it as a fundamental part of Islam.
Fighting for equality
Being LGBTI+ in France: The fight for equality continues
In France, coming out of the closet and living openly as a member of the LGBTI+ community can be a significant psychological, emotional and social challenge. Until just 40 years ago, it was also a legal one. In 1982, the age of consent was lowered from 21 to 18 for homosexuals in France, making it the same for everyone. This landmark law paved the way for important civil liberties, including the legalisation of same-sex marriage in 2013. But there are still obstacles to be overcome. To find out more about the ongoing fight for equality, we speak to Sébastien Tüller, LGBTI+ legal advisor for Amnesty International France.
A woman paints flowers over bullet holes in Bucha, and mass arrests cause alarm in El Salvador
A weekly news show produced with photos, videos and personal accounts from FRANCE 24 Observers around the world – all checked by our staff here in Paris.
10 Grenades found in 98-year-old woman's Brooklyn basement
Police discovered ten hand grenades in the basement of a recently deceased 98-year-old woman's home. The discovery was made by someone cleaning out the elderly woman's basement after she died in March.
Germany: More than 110 snakes found on farm after woman bitten
A snakebite to the farm owner led German police to finding more than 110 snakes. The woman who was poisoned is in a critical condition in hospital.
Ketanji Brown Jackson sworn in as first Black woman on US Supreme Court
With a track record for challenging abuses of presidental power, Ketanji Brown Jackson joins a diverse and divided US Supreme Court.
Nigerian woman recycles prostheses to help amputee children walk again
Nigerian mother of two Crystal Chigbu wept for days after her daughter was born with a rare limb condition that doctors said needed an amputation. After hearing other parents talk about their experiences, Chigbu started Irede Foundation, an organisation that recycles prostheses and donates them to children in need in Nigeria.
Blinken draws parallels between U.S., South Africa struggles for 'freedom and equality'
U.S. Secretary of State Antony Blinken laid a wreath at the Hector Pieterson memorial and met young African leaders in Johannesburg Sunday.
India: Outrage as rapists of Muslim woman freed
11 Hindu men given life sentences for raping a Muslim woman in 2002 and killing seven of her family have been released from prison. The rape took place during riots in Gujarat state, led at the time by Narendra Modi.
Rwanda: Woman faces two years in jail for 'shameful' dress
Liliane Mugabekazi, arrested in Rwanda for "shameful dressing," has been granted bail. The 24-year-old woman was arrested on August 7 after she attended a concert wearing a sheer dress. The arrest sparked outrage among Rwandans.
Liliane Mugabekazi, arrested in Rwanda for "shameful dressing", has been granted bail. The 24-year-old woman was arrested on August 7 after she attended a concert wearing a sheer dress. The arrest sparked outrage among Rwandans.
Captain Zuhuur: The woman guarding Somaliland
Captain Zuhuur Fathi Muktar is the first woman to join the Somaliland Coast Guard. In just a few years, she's risen through the ranks, safeguarding waters while also taking on gender based stereotypes. Thus forging a path for other young women.


We've all struggled with getting started – whether it's a new workout program, new programming language or home improvement project. Sometimes we make up obstacles to our goals. Sometimes we build existing obstacles to up to mythic proportions! Whyyyy do we do this? And how do we prevent this bad habit from getting in the way of attempting to accomplish goals we set for ourselves?
One great way is to share our experiences with each other. It's always encouraging to hear stories of success or unexpected ways people reached an end goal. This week, let's take a look at the experiences and knowledge of some inspiring folks who are going after their goals with gusto and reaping the rewards.
Prev: Women at Comic Con & controversy surrounds the first female writer of a Marvel film Next: One Tiny Little Trick That Can Make You Richer? Yes Please!


text:
Pride parade disruptions: Keeping queerness ethical
By: Jess Ison
Having been brought up on a steady diet of the gay and lesbian section of Blockbuster Newtown, I can say that my movie taste is pretty low grade. In light of this, I can be forgiven for loving the new film Riot, which was released in time for this year's Mardi Gras and dramatizes the lead up to the first ever pride parade held in Australia. The film captured so much of the feel of Sydney and had some hilarious queer moments that made me want to click my fingers in solidarity.
The ending was complete crap, though. Lance Gowland would be rolling in his grave if he saw a version of himself chatting with the cops after they'd just beaten his comrades.
The politics of Mardi Gras were never just around gay and lesbian struggles. In the film, we see the characters shout a popular chant of the time, "Stop police attacks against gays, women and blacks". Early gay liberation was founded on efforts to challenge not just heteronormativity, but also patriarchy and racism. Whether people in the movement actually lived by this mantra is not always so clear-cut.
Many are hostile to the corporatising of Mardi Gras. Photo: Andy Tyler. Licensed under Creative Commons 2.0.
Today's Mardi Gras spouts a progress narrative that puts oppression in the past, because now we can get married and everything is hunky-dory. We see Pride parades, particularly in the west, overrun with corporations, agents of state violence, such as police, and right wing groups. The recent Mardi Gras in Sydney was, of course, no different.
This is the inevitable outcome of a politics that takes the easy route of assimilation, over the harder road of changing the terms of the debate. Mainstream gay politics has willingly joined the privileged and, in doing so, is complicit in oppressing others. We can see this clearly with the damn Liberals in the Mardi Gras parade this year (and Labor, for that matter).
However, this year, the Department of Homo Affairs disrupted the Mardi Gras parade by marching in front of the Liberal party with a sign stating "Turn back the float! Justice for refugees". They were dressed as Border Force officers and handed out flyers in the tradition of queer protest: hilarious, camp and political. One particularly exciting moment was when an elder queer yelled out "Make the Mardi Gras political again". Also, a Pink Anarchist group leafletted and disrupted when they could and an article I wrote about the parade in Star Observer resulted in a personal email from someone in the Liberal Party. Life goal, check.
There have been other responses to Pride parades overrun with bad politics and problematic corporations. In Naarm, the Midsumma parade has been disrupted for the last few years. People have stopped the parade to protest the inclusion of corporations and the police. This has been met with a variety of responses, though generally the crowd have been negative, even spitting on protesters and trying to physically remove them. This year, the police physically assaulted at least one trans person.
Disruptions of corporate Prides have been happening internationally as well, though we mostly hear about those happening in the US. For example, a recent article on Feministing reported that four young black LGBTQ activists who held a demonstration at the Pride parade in Stonewall Columbus were arrested. Three of the young people have so far been found guilty on six misdemeanour charges, and the fourth still faces a felony charge. The chair of the Stonewall Columbus board helped testify and convict each of them.
Having people from our communities arrested at Pride for disrupting the parade is so bleak.
Historically, we can turn to look at ACT UP (AIDS Coalition to Unleash Power) for their disruptions of Pride parades, and for using their bodies in queer resistance on the streets. Despite their own issues, it is still exciting to learn about the many ways ACT UP orchestrated protests that were about a more radical queer agenda than some corporations with a rainbow slapped over their logo and a banal claim for equal love. ACT UP literally used the dead bodies of their loved ones, taking them to the streets and demanding change.
In light of the postal vote in this country, more radical queers are now facing a huge challenge: the State is claiming that we are equal. Those of us who are precarious workers, face inequality due to gender, race, ability and more, do not have the luxury of even pretending this is true. We always knew that the comfortable middle class gays would retreat from their 20, 000 strong protests after they won marriage. The sheer fact of the Liberals marching in the parade this year proved us right.
In going forward, we will have to look back at our history for lessons, and learn from those protesting now. We need to avoid succumbing to crumbs that homonormativity offers and demand nothing less than liberation. We know that the only way we have ever been heard is by disrupting. The chant at the first Mardi Gras was "Out of the bars, in to the streets"; perhaps this will need to be revived. Though, I guess because of misogyny and the privileges of some in our community, there are only gay male bars now. So it may just have to be "in to the streets".
Jess Ison is doing a PhD and tutoring at La Trobe University. She is a representative for the Institute for Critical Animal Studies, a rescuer for the Coalition against duck shooting and an editor for Writing from Below. Jess can be found most nights ranting about prison abolition, fermentation and high heels.
Read more stories about: activism, identity, media, queer
Michelle 1 year ago Reply
yep, no sex-on-site places for us anymore. just that lesbian bed-death
five + = 7
Sugar babies: The delicate power balance
Archer Asks: Fashion Designer Clarence Chai

redpajama_set_name: RedPajamaCommonCrawl


text:
Q: how to make a stage run only once in Jenkins pipeline I have Jenkins pipeline and I want to run a stage only once and it will skip the next stages. how do I achieve this with this pipeline?
let me explain with tis example...
i want B to run only once if it succeded C will not run.
pipeline{
  agent none

stages{

 stage("A"){

  steps{
           "some code"

    }

   }
 stage("B"){

  steps{
           "some code"
    }

   }
 stage("c"){

  steps{
         "some code"
    }

   }
 }

}

redpajama_set_name: RedPajamaStackExchange


Fennec Fox is the national national animal of Algeria. They go for the hunting at night and eats small mammals, birds and insects catching them by their body heat. It is also able to bark like an dog for warn the others.
Fennec Fox have huge ears that can be grow till 15 cm and it can live up to 14 years. They can grow till 40 cm in their life spam with having extra 30 cm long tail.
naveen : Fennec fox also known as Vulpes zerda.
Warning: Content on this wiki page completly user generated. If any information found incorrect about Fennec Fox, you can suggest edit through comment/opinion to improve this page.


Comics Impulse v2: Batman: The Dark Knight Trailer Is Online!
Batman: The Dark Knight Trailer Is Online!
What are your thoughts?? I can't wait! Click here to view the trailer.
That's gonna be a damned good movie !


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The idea is to tailor our content directly to our reader's needs so we're going to need your responses and feedback to make that happen.
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← Are More Nigerian Women Embracing IVF? This Vlogger Shares Her Experience.


Give your pet room to stretch! One of our most popular large reptile cages, our 72"H x 96"L x 48"D H3 has plenty of room for even the largest lizard or snake to feel at home. A great Lizard cage, Iguana cage, Snake cage or Boa cage, this enormous reptile enclosure can even be divided with our optional Pull out divider system, allowing you to house multiple animals within one reptile cage. Like any of our custom reptile cages, a hood for lighting or stand for storage can be added and easily interlocked, and optional casters make moving these huge ball python cages easy! Great reptile enclosure not only for your home or office, but for pet stores, museums, nature centers, or zoos. An awesome attraction! Our Hybrid H3 large reptile cages system comes standard with acrylic front and sides and a laminate top, back and floor, but any reptile cage can have any panel made of any material that we offer. You can even turn our reptile cages into glass terrariums!


Terence Higgins and Swampgrease never seen before behind the scenes rehearsal.
Terence gives a demonstration of the Pearl's NEW Djem-Bass Attachment. This will convert your 14" djembe to a bass drum so you can get those 808-style lows with an acoustic drum.
Terence Higgins gives a Heavenly Smooth demonstration of the NEW Eliminator Demon Drive Pedal....The Fastest, Smoothest, most versatile pedal in the world.
Terence Higgins gives a demonstration of the Gospel Pocket Pack. The pack consists of the Marc Quinones Signature Q-Popper timbale-snare, Elite cowbell, and low clave block.
Terence Higgins - New Orleans drummer and drummer for the Dirty Dozen Brass Band, demonstrates 2 hybrid drum rudiments, book report and cheese.


Devastating injuries resulting from truck wrecks and car accidents make up a substantial portion of Mr. Hartsoe's practice. Knoxville truck accident lawyer Mr. Hartsoe is a member of the Interstate Trucking Litigation Group, as well as the Inadequate Security Litigation Group of the American Association for Justice. Hartsoe is frequently asked by other attorneys to handle tractor-trailer and car wreck cases on a referral, co-counsel basis. Mr. Hartsoe has lectured other attorneys on handling trucking cases from a plaintiff's perspective and is familiar with the Federal Motor Carrier Safety Regulations that regulate commercial trucking operation. Mr. Hartsoe has also lectured to attorneys in Tennessee on handling car wreck cases from a plaintiff's (injured party) perspective. Hartsoe works with engineers and other accident reconstruction expert witnesses to help prove liability. It is critical to have an experienced lawyer represent you when you have been injured by a tractor-trailer or have been in a car wreck.
For the past 10 years, Mr. Hartsoe has focused a significant portion of his law practice to Tennessee tractor-trailer accident litigation. Accidents involving tractor-trailers frequently result in severe injuries or death. Actions taken immediately after the accident usually have a dramatic impact on the outcome of the litigation. Taking appropriate steps to preserve physical evidence, investigate the accident scene, and interview witnesses are vital to maximizing your outcome in a Tennessee tractor-trailer accident. The trucking company insurance representatives will likely visit the accident scene immediately after the accident and begin collecting evidence to avoid paying your claim or to attempt to minimize their liability. Physical evidence in the form of debris fields, skid marks (if available) must be evaluated by a well-qualified accident reconstruction expert as soon as possible. Mr. Hartsoe is prepared to visit the scene as soon as possible after notification in order to promptly take steps in order to preserve evidence. He stands ready to represent you and promptly take all the actions necessary to gather and preserve important evidence in order to take the necessary steps to ensure a successful outcome.
A victim who is injured in a truck accident often can file a personal injury claim against a truck driver and potentially other parties, such as a trucking company that employed the driver. These claims usually would be based on the concept of negligence, which is a legal term for careless or reckless behavior. A negligence claim consists of four main parts: duty, breach, causation, and damages. The duty of care involves driving safely under the circumstances, as a prudent truck driver would drive. A breach consists of any action that falls short of the applicable duty of care. Often, a violation of federal trucking regulations will serve as proof of a breach, since 49 C.F.R. Section 390.3(e) requires truckers and trucking companies in interstate commerce to comply with applicable regulations. Causation means that the breach led directly to the accident in which the victim was injured, and proving damages involves showing that the victim sustained losses that can be reasonably quantified.
Damages in truck accident cases can take several forms. The two main types of damages are economic damages and non-economic damages, which together are known as compensatory damages. Economic damages refer to relatively objective, easily quantified forms of losses, such as medical bills, lost income, and damage to the victim's property. Non-economic damages refer to more subjective forms of losses, such as pain and suffering. The quality of the attorney whom you retain can make a huge difference in proving non-economic damages. These awards vary greatly depending on the specific facts of the case and the persuasiveness of the victim's evidence. This evidence may consist of testimony by the victim and other witnesses, medical records and other documentation of the victim's injuries, and sometimes expert testimony about the effect of the victim's injuries on their quality of life.
Under Section 28-3-104 of the Tennessee Code, an accident victim has only a limited time period in which to sue a defendant for injuries resulting from a truck accident. As with other personal injury claims, a truck accident case must be filed within one year, or a victim will lose their right to compensation. This period is shorter than the statute of limitations in most states. If you are bringing a wrongful death claim after a fatal truck accident, a one-year statute of limitations also applies.
As mentioned above, you may be able to sue an entity in addition to the individual truck driver. This may be based on the concept of vicarious liability, which holds an employer liable for the negligent actions of an employee while they were performing their job duties. In some situations, a trucking company also may be directly liable if its own negligence contributed to the accident. For example, a trucking company can be held liable if it violates 49 C.F.R. Section 382.601, which requires companies to create a policy for dealing with alcohol and drug abuse by drivers. A victim would need to show that the absence of such a policy caused or contributed to the accident.
Some truck accidents result from a defect in the truck or one of its components. If the brakes malfunction or a tire blows out, a victim may have a product liability claim against the manufacturer. This type of claim may not rely on a negligence theory. Product liability cases tend to be based on a theory of strict liability. This involves showing that the truck or a component contained a defect and that the accident resulted from the defect. The victim does not need to show that the manufacturer failed to meet a certain standard of care.
Truck accidents are typically complex, and it can be challenging to identify every party that may have played a role in causing the crash. This is one reason why it is important to hire an experienced attorney who can investigate the case thoroughly and bring all of the at-fault parties into the lawsuit. Since individual truck drivers may not be able to fully compensate a victim who suffers catastrophic injuries, suing other defendants can be critical in obtaining all of the damages sustained.
Tractor-trailer drivers drive long hours and unfortunately experience dangerous truck driver fatigue which causes many tractor-trailer accidents. Mr. Hartsoe has handled cases where truck drivers have fallen asleep at the wheel and injured innocent families traveling down the roadway. Approximately 500,000 trucking accidents occur every year in the United States. Because of the tremendous size and weight difference between cars and tractor-trailers (10,000 + pounds), collisions between the trucks and cars are usually catastrophic. Frequently the driver of the tractor-trailer escapes injury while the car driver is either severely injured or killed. Mr. Hartsoe has made presentations to attorneys and insurance and trucking representatives regarding handling automobile accidents and truck accidents from the plaintiff (injured party) perspective. Mr. Hartsoe is familiar with the Federal Motor Carrier Safety Regulations of the U. S. Department of Transportation which regulate tractor-trailer operation. In addition to driver fatigue, many Tennessee tractor-trailer accidents are caused by speeding, unqualified drivers, failing to properly maintain and repair the tractors and trailers, failing to yield the right-of-way, mechanical or brake failure, overloaded trucks or trailers, loads that shift weights. Let Tennessee tractor trailer accident lawyer Mark C. Hartsoe help you pursue your claim to ensure maximum recovery of your damages.
We are prepared to travel when notified to any location in Tennessee or Virginia to respond and investigate tractor-trailer accidents. Trucking companies and their insurance carriers will usually send out their lawyers, insurance adjusters and other representatives to photograph accident scenes, interview witnesses, and take other steps to preserve evidence at an accident scene. It is critical that injured persons and their families also take prompt action. The Hartsoe Law Firm is prepared on short notice to go to the scene of an accident to take photographs, interview witnesses and investigate. In many cases, the question of fault (liability for the accident) is the critical issue in the case because most people are severely injured or killed when they are struck by a tractor-trailer. The insurance company will spare no expense to try to gather evidence to prove that it was the injured party's or someone else's fault. Taking prompt action with an experienced attorney helps level the playing field. If an injured party delays in taking action, it often costs them in the damages they might be able to recover.
Mark Hartsoe works closely with medical doctors to assist with preparation of medical proof in your Tennessee tractor-trailer accident litigation. Please see our Results section to see Mr. Hartsoe's extensive experience in representing persons and families who have been injured or killed in Tennessee tractor-trailer accidents.


text:
Adam Lambert Is A Twilight Fan, Arguing With Boyfriend?
Adam Lambert, who is one of the presenter for American Music Awards, revealed that he is a fan of the "Twilight" film, which received a Best Soundtrack nomination.
The "American Idol" alum even plans to go as a vampire, who likes to glam it up, for Halloween. He will join Snoop Dogg and Paula Abdul as the presenters in the event.
Meanwhile, Adam was seen partying with his boyfriend Friday night at hotspot Teddys. When the singer started chatting up another guy, his boyfriend left the lounge and walked away. Adam was running after him and he appeared to try making peace with his boyfriend.
Categories American Idol Tags Adam Lambert Post navigation
Boyzone's Stephen Gately Died of Natural Cause, No Foul Play Involved
Jennifer Aniston Was Riled Over Angelina Jolie's Baby Snaps
Categories Select Category Adam Lambert American Idol Angelina Jolie Ashlee Simpson Ashley Greene Ashley Tisdale Ben Affleck Beyonce Knowles Brad Pitt Britney Spears Brittany Murphy Bruno Mars Cameron Diaz Carmen Electra Charlie Sheen Charlie Sloth Charlize Theron Chelsy Davy Corbin Bleu Cristiano Ronaldo Daniel Radcliffe David Archuleta David Beckham David Cook David Letterman Demi Lovato Demi Moore Drew Barrymore Eminem Emma Watson Eva Longoria Eva Mendes Frances Bean Cobain George Clooney Gisele Bundchen Gosselins Hailey Baldwin Halle Berry Harry Potter Hayden Panettiere Heather Morris High School Musical Hugh Jackman Jamie Lynn Spears Jennifer Aniston Jennifer Garner Jennifer Lopez Jessica Alba Jessica Biel Jessica Simpson Joe Jonas Johnny Depp Jonas Brothers Josh Holloway Joss Stone Julia Roberts Justin Bieber Justin Timberlake Kanye West Kardashians Kate Middleton Kate Moss Katherine Heigl Katie Holmes Katy Perry Keeley Hazell Keira Knightley Kellan Lutz Kelly Preston Kendra Wilkinson Kenny Chesney Kevin Costner Kiefer Suterland Kim Kardashian Kimberly Stewart Kristen Stewart Lady Gaga Larry Birkhead Laurence Fox Lea Michele Leonardo DiCaprio Liev Schreiber Lily Cole Lindsay Lohan Madonna Maggie Gyllenhaal Mandy Moore Marc Anthony Megan Fox Meghan Markle Michael Jackson Miley Cryus Miranda Kerr Mischa Barton Music Celebrities Naomi Campbell Naomi Watts Natalie Pinkham Nicky Hilton Nicole Kidman Nicole Richie Nikki Reed Obama Oprah Winfrey Orlando Bloom Osbourne Other Celebrities Pamela Anderson Paris Hilton Paula Abdul Penélope Cruz Pete Wentz Pippa Middleton Prince Prince George Prince Harry Prince Louis Prince of Wales Prince William Princess Beatrice Princess Charlotte Princess Diana Princess Eugenie Reese Witherspoon Rihanna Robert Downey Jr. Robert Pattinson Ryan Seacrest Sabrina Sloan Salma Hayek Sarah Ferguson Sarah Jessica Parker Scarlett Johansson Selena Gomez Shiloh Nouvel Pitt Sienna Miller Simon Cowell Sir Paul McCartney Sophie Anderton Suri Cruise Taylor Hicks Taylor Lautner Taylor Swift Terry Longden Tiger Woods Tila Tequila Timbaland Tom Cruise Tyrese Gibson Uncategorized Usher Val Kilmer Vanessa Hudgens Vanessa Minnillo Victoria Beckham Vince Vaughn Wesley Snipes Zac Efron
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A manuscript review is a big-picture review of your story for logic, story arc, consistency, and voice. Logical and plot gaps are identified, and I provide suggestions for improving your story's overall rhythm, flow, and accessibility for readers.
Editing can be developmental (such as the manuscript review described to the left) or more detailed work such as line editing. The editing required for your manuscript depends on its current form. I'd be happy to review your story and provide feedback about editing alternatives and costs.
I'm always looking for illustrators and other writers with whom I can collaborate. If you have a project you'd like to discuss, send me a message with the details. Let's talk!


text:
Q: List, strings and vs Template I'm having a list of strings whit some values and I want to make some kind of variable for keeping code that I will be using in template file.
For example lets say I have list with this 3 string values: configService, scaleCoefConfigService, sessionService. Name of the list is chItemName.
And I need to generate this kind of code that I will parse later into template:
[Dependency("configService")]

[Dependency("scaleCoefConfigService")]

[Dependency("sessionService")]

So my question is can make some variable and mechanism for iterating thou list of strings that adds every single item from list to variable?
I've tried this:
foreach (var tp in controllerChecked)
{
   var genCode = "[Dependency](" '"'  + chItemName + '"'")] \n"
}

controllerChecked is collection of objects and one of the objects value is Name that I'm getting like this:
var chItemName = controllerChecked.Select(c => c.Name).ToList();

This is how the list chItemName is getting those strings.
But of course it is impossible to use + with lists and this kind of stuff will never work. Someone has better idea?

A: In your example, you are not using the tp variable, which contains will contain each of the values within controllerChecked, one at a time.
You could just iterate through the chItemName list and add the result to a StringBuilder:
StringBuilder codeBuilder = new StringBuilder();
foreach (string tp in chItemName)
{
    codeBuilder.AppendLine("[Dependency(\"" + tp + "\")]");
}

string code = codeBuilder.ToString();

If controllerChecked contains more information, you could also directly access it:
StringBuilder codeBuilder = new StringBuilder();
foreach (var item in controllerChecked)
{
    string propertyName = item.Name.SubString(1);

    codeBuilder.AppendLine("[Dependency(\"" + item.Name + "\")]");
    codeBuilder.AppendLine("public " + item.Type + " " + propertyName + " { get; set; }");
    codeBuilder.AppendLine();
}

string code = codeBuilder.ToString();

PS. I would definitely change the name of chItemName to chItemNames as it is a list, but that is up to you of course.

A: This worked perfectly good. I have little bit harder version of this, if you can figure out how to do this:
Lets say that instead of one chItemName list I have 2 more: fName and chItemType, both are string lists.
And I have to generate this kind of code:
[Dependency("alarmsService")]
public IAlarmsService AlarmsService { get; set; }

[Dependency("jsonFactory")]
public IJSONFactoryService JsonFactory { get; set; }

[Dependency("dataBean")]
public IDataBean DataBean { get; set; }

alarmsServise, jsonFactory and dataBean are items of chItemName.
IAlarmsService, IJSONFactoryService and IDataBean are items of chItemType.
AlarmsService, Json Factory and DataBean are items of fName list.
fName is list that I got from chItemType by trimming the first letter from each string in list:
List<string> fName = new List<string>();
foreach(var i in chItemType)
{
    var newName = i.Remove(0,1);
    fName.Add(newName);
}

So only that list is not a part of controllerChecked list. The othere two are defined like this:
var chItemType = controllerChecked.Select(c => c.Type).ToList();
var chItemName = controllerChecked.Select(c => c.Name).ToList();

Can I edit foreach somehow or maybe I can make parts of code with StringBulider and after that merged them together?


Toronto markets itself as a world-class, diverse and tolerant city. But if you scratch beneath the surface, the 428 shootings that took place in 2018 will tell a different story. Captured in CBC Docs POV's Year of the Gun, produced and directed by Toronto filmmaker Marc de Guerre, it's a story of disparities between neighbourhoods, some that are well-served and others that are forced to live with a constant fear of violence.
Although politicians attempt to stake out annual anomalies with the label "The Year of the Gun," the city of Toronto has had to contend with gun violence for the last 30 years. What made 2018 different was not the number of shootings, but rather the city's, and the country's, awareness of gun violence.
Year of the Gun, filmed during 2018 — the year with the highest recorded number of gun deaths and injuries combined — looks at how this violence impacts Toronto's residents and what they're doing to fight back.
Toronto is a divided city of immense wealth and profound poverty, where many residents lack access to the affordable housing, dependable transportation and employment opportunities that would provide a decent quality of life. Known as the child poverty capital of Canada, it's also a place where racialized families have a much higher risk of living in poverty. And it's in low-income, marginalized communities where much of the city's gun violence takes place.
In some neighbourhoods, there are residents who have lost multiple people in their lives to gun death. Adam Vaughan, MP for Spadina–Fort York, says he's been to more funerals in his riding related to shootings than to funerals for his own family. And the toll on these communities is immense.
Zya Brown is the founder of Think 2wice, an organization that provides "trauma-informed and culturally sensitive" programming and support to young people in at-risk neighbourhoods and people who have been incarcerated. She understands how essential support systems are in steering people away from violence.
Experts say that gun violence is not a problem without solutions. There's been no shortage of community advocacy, or op-eds and government papers detailing the many potential ways to address the issue.
As former gang member Adam Ellis says: "It's easier to blame a young Black male for the ills of society than to turn the lens and say what's really happening here." Year of the Gun attempts to do just that: to turn the focus on Toronto and look at what decades of underinvestment in marginalized and impoverished communities has done.
And yet the goal of seriously addressing the problems that plague low-income communities remains ever out of reach. Residents watch as successive governments offer little more than token investments in programs to help disadvantaged youth while allocating tens of millions of dollars in new funding to law enforcement agencies.
© 2019 PARABELLUM PICTURES INC.


text:
// ------------------------------------------------------------------------------
//  <auto-generated>
//      This code was generated by SpecFlow (https://www.specflow.org/).
//      SpecFlow Version:3.9.0.0
//      SpecFlow Generator Version:3.9.0.0
//
//      Changes to this file may cause incorrect behavior and will be lost if
//      the code is regenerated.
//  </auto-generated>
// ------------------------------------------------------------------------------
#region Designer generated code
#pragma warning disable
namespace Demo.OpenFileDialog.Features
{
    using TechTalk.SpecFlow;
    using System;
    using System.Linq;

    [System.CodeDom.Compiler.GeneratedCodeAttribute("TechTalk.SpecFlow", "3.9.0.0")]
    [System.Runtime.CompilerServices.CompilerGeneratedAttribute()]
    [NUnit.Framework.TestFixtureAttribute()]
    [NUnit.Framework.DescriptionAttribute("Open file")]
    [NUnit.Framework.CategoryAttribute("Manual")]
    public partial class OpenFileFeature
    {

        private TechTalk.SpecFlow.ITestRunner testRunner;

        private string[] _featureTags = new string[] {
                "Manual"};

#line 1 "OpenFile.feature"
#line hidden

        [NUnit.Framework.OneTimeSetUpAttribute()]
        public virtual void FeatureSetup()
        {
            testRunner = TechTalk.SpecFlow.TestRunnerManager.GetTestRunner();
            TechTalk.SpecFlow.FeatureInfo featureInfo = new TechTalk.SpecFlow.FeatureInfo(new System.Globalization.CultureInfo("en-US"), "Features", "Open file", null, ProgrammingLanguage.CSharp, new string[] {
                        "Manual"});
            testRunner.OnFeatureStart(featureInfo);
        }

        [NUnit.Framework.OneTimeTearDownAttribute()]
        public virtual void FeatureTearDown()
        {
            testRunner.OnFeatureEnd();
            testRunner = null;
        }

        [NUnit.Framework.SetUpAttribute()]
        public virtual void TestInitialize()
        {
        }

        [NUnit.Framework.TearDownAttribute()]
        public virtual void TestTearDown()
        {
            testRunner.OnScenarioEnd();
        }

        public virtual void ScenarioInitialize(TechTalk.SpecFlow.ScenarioInfo scenarioInfo)
        {
            testRunner.OnScenarioInitialize(scenarioInfo);
            testRunner.ScenarioContext.ScenarioContainer.RegisterInstanceAs<NUnit.Framework.TestContext>(NUnit.Framework.TestContext.CurrentContext);
        }

        public virtual void ScenarioStart()
        {
            testRunner.OnScenarioStart();
        }

        public virtual void ScenarioCleanup()
        {
            testRunner.CollectScenarioErrors();
        }

        [NUnit.Framework.TestAttribute()]
        [NUnit.Framework.DescriptionAttribute("Successfully opening file")]
        public virtual void SuccessfullyOpeningFile()
        {
            string[] tagsOfScenario = ((string[])(null));
            System.Collections.Specialized.OrderedDictionary argumentsOfScenario = new System.Collections.Specialized.OrderedDictionary();
            TechTalk.SpecFlow.ScenarioInfo scenarioInfo = new TechTalk.SpecFlow.ScenarioInfo("Successfully opening file", null, tagsOfScenario, argumentsOfScenario, this._featureTags);
#line 4
this.ScenarioInitialize(scenarioInfo);
#line hidden
            bool isScenarioIgnored = default(bool);
            bool isFeatureIgnored = default(bool);
            if ((tagsOfScenario != null))
            {
                isScenarioIgnored = tagsOfScenario.Where(__entry => __entry != null).Where(__entry => String.Equals(__entry, "ignore", StringComparison.CurrentCultureIgnoreCase)).Any();
            }
            if ((this._featureTags != null))
            {
                isFeatureIgnored = this._featureTags.Where(__entry => __entry != null).Where(__entry => String.Equals(__entry, "ignore", StringComparison.CurrentCultureIgnoreCase)).Any();
            }
            if ((isScenarioIgnored || isFeatureIgnored))
            {
                testRunner.SkipScenario();
            }
            else
            {
                this.ScenarioStart();
#line 5
 testRunner.Given("I have selected to open a file", ((string)(null)), ((TechTalk.SpecFlow.Table)(null)), "Given ");
#line hidden
#line 6
 testRunner.When("I press confirm", ((string)(null)), ((TechTalk.SpecFlow.Table)(null)), "When ");
#line hidden
#line 7
 testRunner.Then("the file should be opened", ((string)(null)), ((TechTalk.SpecFlow.Table)(null)), "Then ");
#line hidden
            }
            this.ScenarioCleanup();
        }

        [NUnit.Framework.TestAttribute()]
        [NUnit.Framework.DescriptionAttribute("Canceling when opening file")]
        public virtual void CancelingWhenOpeningFile()
        {
            string[] tagsOfScenario = ((string[])(null));
            System.Collections.Specialized.OrderedDictionary argumentsOfScenario = new System.Collections.Specialized.OrderedDictionary();
            TechTalk.SpecFlow.ScenarioInfo scenarioInfo = new TechTalk.SpecFlow.ScenarioInfo("Canceling when opening file", null, tagsOfScenario, argumentsOfScenario, this._featureTags);
#line 9
this.ScenarioInitialize(scenarioInfo);
#line hidden
            bool isScenarioIgnored = default(bool);
            bool isFeatureIgnored = default(bool);
            if ((tagsOfScenario != null))
            {
                isScenarioIgnored = tagsOfScenario.Where(__entry => __entry != null).Where(__entry => String.Equals(__entry, "ignore", StringComparison.CurrentCultureIgnoreCase)).Any();
            }
            if ((this._featureTags != null))
            {
                isFeatureIgnored = this._featureTags.Where(__entry => __entry != null).Where(__entry => String.Equals(__entry, "ignore", StringComparison.CurrentCultureIgnoreCase)).Any();
            }
            if ((isScenarioIgnored || isFeatureIgnored))
            {
                testRunner.SkipScenario();
            }
            else
            {
                this.ScenarioStart();
#line 10
 testRunner.Given("I have selected to open a file", ((string)(null)), ((TechTalk.SpecFlow.Table)(null)), "Given ");
#line hidden
#line 11
 testRunner.When("I cancel", ((string)(null)), ((TechTalk.SpecFlow.Table)(null)), "When ");
#line hidden
#line 12
 testRunner.Then("the file should not be opened", ((string)(null)), ((TechTalk.SpecFlow.Table)(null)), "Then ");
#line hidden
            }
            this.ScenarioCleanup();
        }
    }
}
#pragma warning restore
#endregion

redpajama_set_name: RedPajamaGithub


text:
Season 20 Films
JUST TO BE SURE [OTEZ-MOI D'UN DOUTE – FRANCE], THU 31 JANUARY 8PM
By Jamiearchive, Season 20 Films
The breakout French hit of the 2017 Cannes International Film Festival, where it premiered to multiple, raucous standing ovations, writer/director Carine Tardieu's charming romantic comedy is a winning tale of parenthood, love and family, both lost and found.
When lonely 45-year-old widower Erwan discovers by accident that that man who raised him isn't his real father, he begins a search for his biological one. Thanks to a local private detective he soon locates the mischievous, 70-something Joseph, whom it seems his mother may have known briefly. Erwan soon falls not only for his charm, but that of the impetuous Anna, who has ties to them both. But the conflicting loyalties become compounded by the pregnancy of his own daughter who defiantly refuses to name the father. Soon Erwan's families begin to collide, to unexpected, hilarious and moving effect.
Offering a terrific showcase for her brilliant cast, director Carine Tardieu skillfully weaves a wholly-entertaining exploration of love, coincidence and human connection. Few films manage to pluck both the heartstrings and the funny bone. It's a delight.
Light-hearted, sharp and funny, the kind of French comedy that doesn't come around so often nowadays. – The Hollywood Reporter
The comedy favourite of Cannes. Invigorating and intelligent. -Le Parisien ★★★★★
Beautiful, touching and hilarious. This film will move you. – Elle Magazine ★★★★
France, 2017 | Language: France | 100 minutes | Cert: CLUB
Director: Carine Tardieu
Cast: Francois Damiens, Cecile De France, Guy Marchand, Andre Wilms, Alice de Lencquesaing
Presented with the support of the French Embassy and the Institut Français.
THREE IDENTICAL STRANGERS [USA – Documentary] – THU 7 FEBRUARY, 8PM
This sold out two screenings at the Cork Film Festival. Our Cine Club committee gave it 5 stars, and want to give members who missed it a chance to see this incredible documentary.
Three strangers – Bobby Shafran, Eddy Galland and David Kellman – were reunited at age 19 in 1980s New York by an astonishing coincidence after being born identical triplets, separated at birth, and adopted by three different families.
Their jaw-dropping, feel-good story instantly became a global sensation complete with fame and celebrity. However, it set in motion a series of events that revealed a sinister secret behind their miraculous reunion. Tim Wardle's gripping documentary emerges as one of the year's best thrillers, an exceptional work of investigative non-fiction that leaves audiences rubbing their eyes in disbelief.
Winner of Sundance Film Festival's Special Jury Award, it is an exuberant celebration of family that transforms into a thriller with colossal implications and proof that life is truly stranger than fiction.
Effortlessly segues from feelgood to tragedy to full-blown conspiracy…a sure-fire Oscar contender. – The Irish Times ★★★★
As gripping as a first-contact sci-fi. – The Guardian ★★★★
This fine documentary is the stuff of fraught, memorable drama. – The New York Times
USA, 2018 |Language: English | 96 minutes | Cert: 12A
Director: Tim Wardle
C'EST LA VIE! [FRANCE], THU 14 FEBRUARY, 8PM
A relentlessly hilarious comedy about a wedding planner, it hits the ground running and barely takes a breath as wedding disaster after disaster unfold. Larger-than-life characters and laugh-out-loud set pieces make it a delight.
Max is a veteran wedding planner who is thinking about selling on his business. For now, however, there's something more pressing to worry about: organising a lavish wedding in a 17th century chateau. It's no small task, with dozens of people to manage, unreliable electricity, a last-minute musician change, and an increasingly demanding groom. Soon, things start going very wrong indeed. Can Max and his team sort everything out without the guests noticing?
Few films this year will provide as much sheer joy as this bubbly, charming and relentlessly hilarious jog around an arena we're all familiar with. The ensemble cast has great fun with a dotty assortment of characters, every one of which is put to delightful use. – Irish Independent ★★★★★
A cluttered comedy that works like a charm. – The Irish Times★★★★
France, 2017 |Language: French | 117 minutes | Cert: CLUB
Directors: Olivier Nakache, Éric Toledano
Cast: Jean-Pierre Bacri, Gilles Lellouche, Jean-Paul Rouve, Eye Haidara
COLD WAR [ZIMNA WOJNA – POLAND] – THU 28 FEBRUARY, 8PM
We've had massive audiences this season and have had to turn people away.
Anticipating huge interest in the two upcoming films that have been nominated for
the Academy Award for Best Foreign Language Film [among other awards]
and to avoid further disappointment, we have added screenings for these films:
Cold War [Zimna Wojna – Poland], Thursday 28 February at 6pm and 8pm.
Box office opens for first screening at 5:30pm.
A chilling Soviet-era drama of wounded love and state sponsored fear in 1950s Poland from the director of Ida, which won the 2015 Academy Award Winner for Best Foreign Language Film. Best Director prize winner at Cannes.
Without any hyperbole, it is one of the films of the year, and possibly of the last decade. – Irish Independent ★★★★★
Paweł Pawlikowski follows his Oscar-winning Ida with the stunning Cold War, an epic romance set against the backdrop of Europe after World War II. Sumptuously shot in luminous black and white, it spans decades and nations to tell a love story that is as tragic as it is moving, and as transportive as it is honest.
In the ruins of post-war Poland, Wiktor and Zula fall deeply, obsessively and destructively in love. As performing musicians forced to play into the Soviet propaganda machine, they dream of escaping to the creative freedom of the West. But one day, as they spot their chance to make a break for Paris, both make a split decision that will mark their lives forever. As the years march on in the wake of that moment, Wiktor and Zula watch the world changing around them, always struggling to find their moment in time.
Pawlikowski melds the personal with the political to exquisite effect. Set to a soundtrack that takes you from the rustic folk songs of rural Poland to the sultry jazz of a Paris basement bar, it's a wistful and dreamlike journey through a divided continent – and a heartbreaking portrait of ill-fated love.
Irish Times – One of the Best Films of 2018. ★★★★★
Ida director Pawel Pawlikowski's exquisitely chilling Soviet-era drama maps the dark heart of Poland itself. – The Guardian ★★★★★
Poland, 2018 |Language: Polish | 88 minutes | Cert: CLUB
Director: Pawel Pawlikowski
Cast: Joanna Kulig, Tomasz Kot, Borys Szyc, Cedric Kahn
SHOPLIFTERS [JAPAN], THU 7 MARCH, 8PM
Shoplifters [Japan], Thursday 7 March at 5:45pm and 8pm.
Box office for first screening opens at 5:15pm.
Winner of the Palme d'Or at Cannes 2018. A drama of rare complexity and quality about the forces holding a struggling family together, it reveals a Japan rarely seen.
A masterpiece – The Irish Times ★★★★★
On the margins of Tokyo, a dysfunctional band of outsiders are united by fierce loyalty, a penchant for petty theft and playful grifting. When the young son is arrested, secrets are exposed that upend their tenuous, below-the-radar existence and test their quietly radical belief that it is love—not blood—that defines a family.
A film by Kore-Eda Hirokazu, the director of Still Walking, Like Father, Like Son and Nobody Knows.
A film of rare depth and quality that explores the meaning of family, and suggests that real parenthood is not given, but earned. – The Guardian ★★★★★
Kore-eda's great subject is the contemporary family, a topic that gives him an immensity of themes, including loss, love, class, alienation in the modern world…a perfect story about being human. – The New York Times
Japan, 2017 | Language: Japanese | 121 minutes | Cert: 15A
Director: Hirokazu Koreeda
Cast: Kirin Kiki, Lily Franky, Moemi Katayama
WAJIB [PALESTINE], THU 14 MARCH, 8PM
An estranged father-son relationship set in the vibrant city of Nazareth makes for an immensely entertaining comedy-drama that interweaves simmering tension with moments of terrific humour.
Shadi returns from Italy to his native Nazareth for his sister's upcoming marriage. He has reluctantly agreed to honour his "wajib" or duty, to accompany his father in hand-delivering invitations for the wedding. Forced to spend time together after many years apart, past tensions and differences between father and son come to the surface. But as their journey continues, both men also begin to understand each other better.
Acting together for the first time, real-life father and son Mohammad and Saleh Bakri infuse their characters with warmth and humour. The result is a poignant yet entertaining drama.
A sprightly, accessible comedy-drama by established Palestinian writer-director Annemarie Jaci – The Guardian ★★★★★
Sensitive and imaginative…a fine testimony to the director's powers. – The New York Times
Palestine, 2017 | Language: Arabic | 96 minutes | Cert: CLUB
Director: Annemarie Jacir
Cast: Mohammad Bakri, Saleh Bakri, Maria Zreik, Rana Alamuddin
PILI [TANZANIA], THU 21 MARCH, 8PM
The result of a ground-breaking collaboration with the women of Tanzania: 65% of the cast of non-actors are HIV positive. Both heart-warming and heart-wrenching, it's an authentic view of their hard lives.
Pili is a young woman who provides for her two small children by tilling the local fields. Her husband has deserted her because she has a HIV condition that she keeps secret from the rest of her small community. Pili dreams of a better life for her family, so when she is offered the chance to take over a village market stall, she desperately tries to raise the cash for the required deposit.
Set and filmed in Tanzania, Leanne Welham's debut feature is the result of a ground-breaking collaboration with the women of Miono, Tanzania, with 65% of the cast of non-actors being themselves HIV positive. Heartwarming and heartwrenching, Pili provides an honest, authentic view of Tanzanian life.
A young mother faces difficult decisions when offered the chance of a better life in Leanne Welham's thoughtful drama. – The Guardian ★★★
HIV positive cast star in a film shining a light on the struggles of Tanzanian women living with HIV. – The Telegraph
With a compassionate and imaginative boldness, first-time British feature director Leanne Welham has shot a film about HIV in Tanzania. A drama that arose from what was originally a documentary project, Pili uses mostly non-professionals, many in just the same situation as their characters. – The Guardian ★★★
Tanzania, 2017 | Language: Swahili | 83 minutes | Cert: CLUB
Director: Leanne Welham
Cast: Bello Rashid, Sekujua Rashid, Mwanaidi Omari Sefi, Sesilia Florian Kilimila, Siwazurio Mchuka, N'kwabi Elias Ng'andgasamala
THE GUILTY [DEN SKYLDIGE – DENMARK], THU 28 MARCH, 8PM
Taking place in just two rooms, this nerve-jangling thriller about an emergency police dispatcher and one fateful call uses minimal ingredients to devastating effect. World Cinema Audience Award, Sundance.
Alarm dispatcher and former police officer, Asger Holm, answers an emergency call from a kidnapped woman. When the call is suddenly disconnected, the search for the woman and her kidnapper begins. With the phone as his only tool, Asger enters a race against time to save the endangered woman. But soon he realizes that he is dealing with a crime that is far bigger than he first thought.
So taut, you almost forget to breathe. – The Guardian ★★★★★
Smartly constructed and tautened with regular twists, but if it were merely clever, it wouldn't test your nerves as it does. – The New Yorker
A cinematic study in tension, sound design, and how to make a thrilling movie with a limited tool box. – RogerEbert.com
Gustav Möller's taut debut never leaves the confines of the call center, but builds a vivid aural suspense narrative. – Variety
A pulse-pounding, twisty crime thriller that masterfully ratchets up tension with chillingly effective results. – Hollywood Reporter
Denmark, 2018 | Language: Danish | 85 minutes | Cert: CLUB
Director: Gustav Möller
Cast: Jakob Cedergren, Jessica Dinnage, Johan Olsen
MOUNTAIN [AUSTRALIA – Documentary], THU 4 APRIL 8PM
A spectacular documentary that asks what mountains mean to us and why we are compelled to conquer them. It features adrenaline-rushing footage and music by the Australian Chamber Orchestra.
Only three centuries ago, setting out to climb a mountain would have been considered close to lunacy. Mountains were places of peril, not beauty, an upper world to be shunned, not sought out. Why do mountains now hold us spellbound, drawing us into their dominion, often at the cost of our lives?
From Tibet to Australia, Alaska to Norway armed with drones, Go-Pros and helicopters, director Jennifer Peedom has fashioned an astonishing symphony of mountaineers, ice climbers, free soloists, heliskiers, snowboarders, wingsuiters and parachuting mountain bikers.
Willem Dafoe provides a narration sampled from British mountaineer Robert Macfarlane's acclaimed memoir Mountains of the Mind, and a classical score from the Australian Chamber Orchestra accompanies this majestic cinematic experience.
A truly amazing view from the top. – The Guardian ★★★★
For those terrified of heights, Mountain will be a nonstop nightmare. Yet big scares are a small price for the awe-inspiring footage you'll see. – The New York Times
How the hell did they film that? – The Irish Times ★★★★
A ravishing feat of vertiginous filmmaking. – The Hollywood Reporter
A sublime rush of adrenaline and orchestral beauty…not for the faint-hearted. – The Guardian ★★★★
Australia, 2017 | Language: English | 76 minutes | Cert: CLUB
Director: Jennifer Peedom
Narrator: Willem DeFoe
Music: Australian Chamber Orchestra


Duration of Expression from CpG-Free Plasmids Following Hydrodynamic Delivery to the Mouse.
Clinical studies are underway for the aerosol delivery of Genzyme Lipid 67A (GL67A) complexed with plasmid DNA (pDNA) to the lungs of patients with cystic fibrosis (CF). In designing the clinical plasmid we wished to minimize CpG-related inflammatory responses associated with delivery of lipid/pDNA complexes, thus we generated a CpG-free plasmid based on the R6K origin of replication (Invivogen, France). We also required a promoter capable of long-lived expression in the lung.
Previously we have shown that the human polyubiquitin C (UbC) promoter could generate persistent transgene expression in the mouse lung (Gill et al 2001 Gene Therapy 8 1539-46) but unfortunately, we were unable to remove all CpGs from the UbC promoter without losing efficacy. We therefore developed the novel hCEFI (human Cytomegalovirus enhancer/elongation factor 1alpha) promoter, which has demonstrated persistent high levels of transgene expression (at least 8 weeks) following aerosol delivery GL67A/pDNA to the lungs of mice (Hyde et al 2008 Nature Biotech 26 549-51). In comparative studies the hCEFI and UbC promoters exhibit similar duration of transgene expression in the mouse lung, but the levels of expression from hCEFI are consistently higher. Here, we directly compare the duration of expression from these two promoters following hydrodynamic delivery of naked pDNA to the mouse.
Both promoters were inserted into our standard CpG-free pDNA backbone upstream of a CpG-free luciferase reporter gene. Naked pDNA (10?g/ml) was prepared in D-PBS and injected in a volume equivalent to 10% bodyweight over 5 seconds into the mouse tail vein (female BALB/c 5-6 weeks). At various time points the liver, lung, kidney, heart and spleen were harvested for luciferase activity. In the liver at d1 post injection, expression from hCEFI was 85-fold higher than UbC (P=0.004 Mann-Whitney U). However UbC-directed expression persisted at the same level for 5 weeks post injection while hCEFI-directed expression did not persist and was 4 logs lower than UbC by 5 weeks (P=0.004). Similar patterns of expression were observed in the lung, heart, kidneys and spleen with hCEFI exhibiting higher peak expression at early time points but poor persistence, while UbC exhibited steady expression from d1 to 5 weeks post injection.
Our results show that persistence of expression from the UbC promoter is consistent whether the plasmid is delivered via aerosol or via hydrodynamic delivery, but expression from the hCEFI promoter is dependent upon the route of gene delivery and the target organ. In the context of aerosol delivery to the lung hCEFI is superior to any other we have tested but when using hydrodynamic delivery of naked pDNA the profile of gene expression is less advantageous.
We are similarly testing a series of novel CpG-free promoter elements for their expression profiles. Together these results demonstrate that promoter selection should be based on the most relevant model available using a relevant delivery method and that generalised theories identifying factors affecting promoter performance need to be studied in a wide range of model systems.
The American Society of Gene and Cell Therapy Annual Conference (2014) Generation of a CpG-Free Clinical Trial Plasmid for Cystic Fibrosis Lung Gene Therapy.
The American Society of Gene Therapy Annual Conference (2007) CpGs Influence the Duration of Gene Expression from Plasmid Vectors after In Vivo Lung Delivery.
The American Society of Gene Therapy Annual Conference (2007) Influence of the Human and Murine CMV Enhancer on the Duration of Expression from CpG-Free pDNA Vectors in the Mouse Lung.
The American Society of Gene Therapy Annual Conference (2007) Near-Single Copy mRNA Quantification from a TaqMan RT-PCR Assay for an Aerosol Gene Therapy Clinical Trial.


text:
Q: Sorting a list of coordinates based on x-axis Well, I am new to R.  what I want is plot a graph, I have the data for my x-axis and y-axis. Now I have a list of coordinates, I want to plot them in the graph, but before that I want to sort the the list of coordinates according to the data for x-axis only, and how can I do that? Thanks

A: Okay, since you have your points as vectors, you can just plot them like this:
plot(x, y)
You don't need to sort them before plotting, but if you're sorting for another reason, first put them into a data.frame because you don't want to sort one vector without the other:
data <- data.frame(x = x, y = y)
Then use the order function to sort. For ascending:
data <- data[order(data$x), ]
For descending:
data <- data[rev(order(data$x)), ]


text:
A 2011-es kazak labdarúgókupa vagy röviden 2011-es kazak kupa (kazak nyelven Қазақстан Кубогы) Kazahsztán második legrangosabb labdarúgótornája, melyet 20. alkalommal rendeztek meg. A trófeáért folyó küzdelem főtábláján 2011. április 13-án játszották az első mérkőzést, míg a döntőt októberben rendezik. A versenysorozat győztese a 2012–2013-as Európa-liga 2. selejtezőkörében indulhat. A címvédő a Lokomotiv Asztana volt, azonban már a második fordulóban búcsúzott.

1. forduló
Az első forduló sorsolását 2011. március 25-én végezte a Kazak labdarúgó-szövetség. Ebben a körben a másodosztály 18 csapata, és a 2010-es kupadöntősök (a Lokomotiv Asztana és a Sahtyor Karagandi) kivétel az élvonal 10 csapata vett részt. A mérkőzéseket 2011. április 13-án rendezték. A továbbjutásról egy mérkőzés döntött. Amennyiben a rendes játékidő döntetlennel ért véget, úgy büntetőpárbajokat rendeztek.

|}

2. forduló
Az előző forduló 14 továbbjutójához ebben a körben csatlakozott a 2010-es kupa döntőjének két résztvevője, a Lokomotiv Asztana és a Sahter Karagandi. A mérkőzéseket 2011. április 20-án rendezték. A továbbjutásról egy mérkőzés döntött. Amennyiben a rendes játékidő döntetlennel ért véget, úgy 2 x 15 perces hosszabbítást, majd büntetőpárbajokat rendeztek.

|}

Negyeddöntők
Ebben a körben a 2. forduló nyolc továbbjutója vett részt. A mérkőzéseket 2011. május 11-én rendezték. A továbbjutásról egy mérkőzés döntött. Amennyiben a rendes játékidő döntetlennel ért véget, úgy 2 x 15 perces hosszabbítást, majd büntetőpárbajokat rendeztek.

|}

Elődöntők
Az elődöntőbe a negyeddöntők négy győztese kerül.

Jegyzetek

Lásd még
 2011-es kazak labdarúgó-bajnokság (első osztály)

Külső hivatkozások
 Hivatalos oldal
 Eredmények a Soccerwayen

Kazakkupa
Kazak labdarúgás

redpajama_set_name: RedPajamaWikipedia


text:
Winnie the Pooh Crew Members, Living people, Animators,
Anna Saunders
Anna attended West Surrey college of art and soon after graduating worked on a film called Second Class Mail in 1985 and then moved to Los Angeles as an animator for Hyperion Studios in 1991; doing clean up animation (for the movie: Rover Dangerfield), and then did various commercials and productions for Hibbert Ralph, Speedy Cartoons (Abductees in 1995) and Pizazz Pictures until 1996; inbetween working for Walt Disney Animation U.K. Those production cover: The Wind In The Willow for HIT Entertainment in 1995 and The World Of Peter Rabbit & Friends for TVC London 1993-1995. Then Anna worked for Warner Brothers on Space Jam and Quest For Camelot and the Dilbert animated series in 1999. She was a layout artist for Futurama and an animator for The Life & Adventures Of Santa Claus in 2000-2003. She had a stint with July Films on animation for the Curious George movie in 2006. After that; she did animation for Z Animation, Animax Interactive (setting style for an on-line BET show using Flash animation), Acme Filmworks/Duck Studios on various commercials, did photo retouching film titles for Robin Hood (I believe it's the 2010 one from Universal Pictures; but it was not made clear on the Linkedin profile), and Mirage animation pitch for Klasky-Csupo in 2010. Then became an animator for Blue Bird/ATI doing animation for Casino slot machines, then a Spanish water commercial for Drena, then a Polly Pocket commercial, along with Hilton Hotels, BUFU for BET, animation for a Health care commercial, animating the first Smurfs movie, and even working on animation for PETA in 2013. Recently created Flash and traditional animation for Acme filmworks, Fox TV, Logan TV and Duck Studios. Creating endearing animation for commercials such as McDonald's, Old Navy, Fruit of The Loom, The Betty White show and Burt's Bees. Created Character Animation for the classic 'Peter Rabbit' short films that include 'Jemima Puddle Duck', 'Mr Todd' and 'The Tailor of Gloucester' for TV Cartoons London. Finally; she worked as an animator for the short "Solemates" in 2013 and Game Of Scones as a set dresser in 2014.
She is Animator of April Pooh on The New Adventures of Winnie the Pooh.
Retrieved from "https://pooh.fandom.com/wiki/Anna_Saunders?oldid=39026"
Winnie the Pooh Crew Members


Since the Harmonic Conversion in 2012, the Veils of Amnesia are steadily being removed to the degree that each individual soul is ready to have it removed.
The readiness has to be shown to the degree that the soul has become consciously aware and is thus ready to assume life in all its forms in the 5th – 7th dimensional state, as the planet has already risen into the 5th vibrational frequency band.
The Veils of Amnesia was placed over humankind when they fell into the 3rd dimension state, after the Fall of Atlantis. It has 7 layers and was put into position for every single soul incarnating, so that they would be able to explore the 3rd dimensional world, forgetting the truth of who and what they really are, at soul level.
Before 2012, this veil was only removed when the soul transitioned from planet earth (at death) and only then, if they were ready. It is not being steadily dissolved, as we are ready and able to handle each phase of its opening up.
Indeed, the soul itself, as incarnated on this planet, will have to go through tests, or initiations, to see if they are ready for the next layer to be removed, in through their own soul lessons in mastery.
The Veils of Amnesia are also called the Veils of Illusion – for we buy into illusions when we incarnate here and believe that the Illusion that we are buying into, is Reality, when in truth it is not.
The 7th Veil: This veil is the furthest away from our third eye and shields the rest. Its colour is red. As the soul awakens and we realize that we are responsible for everything in our life: – thus the Divine Law of Responsibility. It means taking responsibility for every single action we take, or non-action. As we finally take responsibility, we grow in self-mastery of our life and actions, and stand in our power. As this happens the veil will be automatically removed. Our spiritual journey on earth and our true awakening has now started. We start seeing and living life from a much higher perspective. We choose how to live our lives, and take responsibility for our choices, and know that in truth in can transform anything we wish.
The 6th Veil: When we step past the illusion that the physical body is the be-all and end-all of our existence here on planet earth and tune into the spiritual body, we start realizing that are other forms of existences, parallel existences, so much which is invisible to the human eye, but just as real. There are other worlds and vibratory beings interwoven with our existence. The yellow veil dissolves fully when we believe in and trust the spiritual beings, from elementals to angels and beyond, to assist us. We start interacting with them and pass our initiations as we totally hand ourselves over to the higher realms, so assist each other.
The 5th Veil: This is the pink veil of Love. It is the emotional ascension veil and it the most challenging to undertake. It requires complete detachment from ego. All ego.
We start losing everything we ever held dear, and as all literally dissolves in and around us, we totally surrender our heart, our life, our Being.
This is where the Divine Law of Forgiveness and Grace becomes operational. We are given the opportunity to totally forgive ourselves and others so that we hold unconditional love in our heart centre for ourselves and everyone – especially those who challenged us the most. We realize that we are all one. We thank the soul(s) involved in hurting us and forgive them totally and move into the highest state of loving Grace, where we have tears of gratitude running down our cheeks. We are grateful of the outcome and can bless the soul wholeheartedly. In this way we, and the outcome is all ascending into a much higher vibratory level. There is no judgement, no fear, no finger pointing left, no separation – there is only total and pure unconditional love as the heart and soul opens to ever greater levels of love and being loved, unconditionally.
The 4th Veil: When we start to understand who animals are and that they have a soul, just like we have, this blue veil starts lifting. Each animal is on its own soul journey and have their own individual soul mission and purpose to fulfil on this planet. When we are open to and have a great love for nature and the elemental kingdom, start to work with animals, nature and the elementals on a psychic and physical level, we transcend duality and separation. We honour the soul within them and realize that we are all One within Creation.
This is when we start communicating with them telepathically and when we start communicating their messages to other people so that they may start to understand and grow spiritually and at soul level as and how they are ready for this. We make other aware of the roles that animals, nature and the elementals play in the greater Universal scheme of Life, and all of Divine Creation. Animals, such as elephants, dolphins, whales, lions, horses, dogs, cats, etc. can truly teach us unconditional love and wisdom when we are open to this, in ways which opens the heart and soul to ever greater understanding and experiencing of pure unconditional love, and a deep wisdom, which surpasses all understanding. For they have unique role to fulfil, and the Divine created them for a specific task.
In my own communication with elephants and lions recently, I have open had tears running down my cheeks, at the profound wisdom and pure unconditional love I felt communicated to me why these great Beings, just like that of the dolphins and whales. Truly one starts respecting the very sacred ground that one stands one and one starts respecting all sentient Beings.
The 3rd Veil: The deep blue Veil dissolves when we work with and co-operate with the angels, archangels and Ascended Masters for the highest good of the planet. We now have surrendered and thus allow ourselves to be used in the highest possible service to the Divine and are now operating from the point of mastery and have become a master. We are using our power to create a higher state of Being in all and everyone and everything we encounter, all that we touch and see, and interact with. We live in true Unity. Oneness.
The 2nd Veil: This is when be truly claim our cosmic citizenship, indeed reclaim it, when this violet veil is removed. We experience and see the cosmos from the point of total Unity and Oneness. We know for sure that everything is connected – all the galaxies, stars, star systems, planets, trees, animals, plants, earth, and the very fabric of the planet and all of Creation. We now expand into cosmic consciousness and awareness and are fully enlightened. We traverse dimensions and we truly span heaven and earth. For in truth there are no limitations. The soul is limitless and Atone and can traverse the cosmos at will.
The 1rst Veil: Before 2012 this crystal-clear Veil was only removed once we had passed over and left the physical body behind, and then only as and how the souls were ready for this. It is now dissolving steadily over the course of our own enlightenment and ascension process. The strips are removed by Archangel Butyalil, the mighty angel who operates thoughout the Universes and closely works with Archangel Metatron to co-ordinate the ascension process in all of the 12 Master Galaxies. He gently opens us up to the full glory of our cosmic Master Self, as and how we are ready to step into this.
Remember that these veils will only be removed as you are ready to have them removed, by passing the initiations and the greatest of all, is the highest states of finally stepping past all ego, and into the highest state of pure unconditional love and loving Grace – Unity consciousness to the very core of the heart and soul.
My Soul Reading help souls enormously to awaken to their own highest soul self, their own mission and purpose on this planet and so do my online "Soul Empowerment Level I and II " courses.


text:
World Bank approves massive USD 13 billion increase in capital
Washington | Published: April 22, 2018 4:07:14 AM
In a major development, the World Bank Group has endorsed an ambitious package of measures that include a USD 13 billion increase in paid-in capital.
The decision to approves massive USD 13 billion increase in capital came late yesterday along with a series of internal reforms.. (Photo: Reuters)
In a major development, the World Bank Group has endorsed an ambitious package of measures that include a USD 13 billion increase in paid-in capital. The decision came late yesterday along with a series of internal reforms, and a set of policy measures that greatly strengthen the global poverty fighting institution's ability to scale up resources and deliver on its mission in areas of the world that need the most assistance. World Bank President Jim Yong Kim hailed the decision as "historic" as International Monetary Fund Managing Director Christine Lagarde welcomed the move.
The package approved by the Development Committee of the Board of Governors consists of USD 7.5 billion paid-in capital for International Bank for Reconstruction and Development (IBRD) and USD 5.5 billion paid-in capital for International Finance Commission (IFC), through both general and selective capital increases, a media statement said. It also includes a USD 52.6 billion callable capital increase for the IBRD. The boost in capital will be augmented by a broad range of internal measures, including operational changes and effectiveness reforms, loan pricing measures, and other policy steps to create an even stronger World Bank Group.
"The capital package for the IBRD and the IFC agreed to today builds on the strong commitment of contributors to the IDA, as demonstrated in the IDA18 replenishment, the successful launch of IDA in the capital market, and strengthened MIGA financial capacity," the statement said. Following the decision, the combined financing arms of the World Bank Group are expected to reach an average annual capacity of nearly USD 100 billion between fiscal 2019 and fiscal 2030, benefiting all Bank Group members across the income spectrum. "Through the historic agreement endorsed today, our shareholders have clearly demonstrated a renewed confidence in global cooperation, and we greatly appreciate this strong support from our member countries," Kim said.
"This boost in capital was essential for us to advance our efforts to mobilise additional finance for development to meet the aspirations of the people we serve," he added. The package endorsed by the Development Committee follows through on shareholders' commitment to the World Bank Group to better assist all client countries in addressing global challenges while deploying scaled-up assistance to areas that most need financing.
Across client groups, the World Bank Group will be able to support drivers of long-term sustainable growth, including investments in human capital and resilience, the statement said. The package also puts forward a robust commitment by the World Bank Group to further strengthen its operational model and effectiveness, it said.
World Bank approves massive USD 13 billion increase in&nbspcapital
1China says ready to work with global community to champion vision for global governance
2UN chief Antonio Guterres hails North Korea's decision to suspend nuclear tests
3World War II 'white angel' French nun dies aged 103


"Texas Tuscan" is a style of architecture—often in the Texas Hill Country such as west Austin—the attempts to resemble the Tuscan villas. "Texas Tuscan" may also apply to cuisine, such as at the Siena Ristorante Toscana in Austin.
The term "Texas Tuscan" has often been derided to mean the same as "McMansion" or "big hair house" or "Dallas palace," but the term reflects the style of home as well as its large size and great cost. J. Long Builder has claimed to have trademarked "Texas Tuscan," but this has not been listed yet on the U.S. Patent & Trademark Office's website.
Villa Toscana is the perfect name for this "Texas Tuscan" home designed by Gustavo Arredondo, one of the leading residential architects in the Hill Country and South Central Texas. "Texas Tuscan" is the trademarked name of J. Long Builder, which perfectly describes the combination of "simplicity" from the Texas Hill Country and the "Old World" flare of Tuscany. Simple pleasures  luxurious feel; the perfect description of "Villa Toscana".
The Texas Mission style is a romantic blend of Texas Ranch, Mexican Hacienda, and Spanish Mission. This style is often a rambling plan with an enclosed courtyard that features an attractive fountain. The walls of the courtyard serve to protect a small area from the local wildlife such as deer and armadillos. The materials used in this style are usually a combination of stone and stucco (plaster) walls with shake roofing. Many of these designs sport barrel tile roofs in earth tones other than the California reds or oranges. The roof pitch is generally at a slight 5/12 or 6/12 pitch, since the prospect of snow is not a problem. Wood or stone lintels enhance many of these designs. Casement windows are often used with or without dividers. Unique touches involve the use of architectural antiques such as oxcart wheel gates or chandeliers. Rustic finishes in both the interior and exterior are typical in this motif. Porches also play a vital role in the Texas Mission design as the hot, West Texas sun begs for shade.
...he appraises the final assemblage as Texas Tuscan.
Originally Printed in "2002 SPEC BUILD" Magazine Published by Design Basics, Inc.
Although J. Long Builder, Inc. builds 35-40 custom homes a year, owner Johnnie Long had never entered a parade of homes until October 2000. It wasn't that he didn't see the value in participating, but because he typically builds in areas outside the larger cities where the parades are traditionally held. Long, who's been building since 1980, works in six counties north and west of San Antonio in an area known as Texas Hill Country. When Long learned a parade would be held in the New Braunfels area near San Antonio, he decided to enter the Tealwood Estate, #9162-.
Working with his decorator, Long a gave the home a vintage Tuscany look with mottled stucco and an innovative product called Chateau Cool Stone™. "The latter is actually a concrete product that was applied on the job by an artisan trained in Europe, where the technique was developed to refurbish old chateaus and castles," Long explains.
Epitomizing the Texas motto of doing things bigger and better, Long has developed a marketing brochure using pictures of his "vintage" Tealwood Estate and is launching a development with his look of "Texas Tuscan™" homes.
Now two years later, the Shines are delighted with their move to Austin and their casual, 4,300-square foot "Texas Tuscan" home, which is filled with unique elements drawn from Italian architecture: grand sandstone and brick archways, travertine flooring, hand paintings on walls and ceilings, a landscaped front courtyard and a large hand-carved stone fireplace. With all the customized and unique features it has to offer, it's no wonder it was awarded several top honors in 2004 by the Texas Association of Builders (including Best Custom Home, Best Kitchen, and Best Overall Interior Design).
A Tuscan villa atmosphere begins as soon as guests approach the home. A pebbled stone courtyard with a three-tiered fountain leads to a cut glass and wrought iron front door. Once inside, four oversized columns delineate the foyer from the receiving area. Above the foyer, a vaulted ceiling is stenciled and faux finished in shapes reminiscent of the wrought iron on the front door. In an arched alcove, an original hand-painted mural depicts the rolling hills of a Tuscan vineyard at dusk. "I love this painting because it reminds me of two wonderful vacations we took in the Tuscan countryside," says Bethany.
"Three out of four were only interested in a 'Texas Tuscan,'" he recalls, referring to a local breed of trophy house.
I am designing a few homes in California and have seen some of the Tuscan product first hand. In Texas they have the same craze: 'Texas Tuscan'. Why I have even named some of my concept houses such, and the California versions likewise!
If Peggy Levinson says India is the new Tuscany, does that mean Texas Tuscan is dead? Is it possible that everyone in Dallas might stop building theme park Tuscans? Including me??? Yes, the D Home Showhouse was Mediterranean-inspired and no it would not have been better as a cobbled together Taj Mahal, but the next time we do a showhouse (hey Peggy, where do you think you're going?) I think we will have an examination of conscience about the architecture. That's Catholic for no more Texas Tuscan.
Best-selling author of "The Not So Big House" Sarah Susanka teams up with architectural design writer Marc Vassallo to present Inside The Not So Big House, an interior decorating guide that explores both the tangible and intangible that add life, character, and aesthetic appeal to the inside of a home. From evoking the "Classic Cottage Simplicity" atmosphere to "Texas Tuscan", and more, chapters cover a wide assortment of moods as well as more general tips such as how to define space with light and how to evoke a serene atmosphere on a budget.
I've hoped for some time that our generation will evolve away from the typical Baby Boomer dream of owning a giant pretentious house. If you ask me, there are too many suburban and exurban zones littered with McMansion "subdivisions." These developments (a far cry from real neighborhoods) consist of rows upon rows of new, identical, treeless "Texas Tuscan"-style homes that manage to pull off the rather impressive feat of being simultaneously joyless and unsustainable.
Besides, without CA transplants, who would buy up all those 'Texas Tuscan" homes on the westside?
Nice post and I like to read it. Thank you very much for sharing this here with us.


OMR is a method of entering data into a computer system. Optical Mark Readers reads pencil or pen marks made in pre-defined positions on paper forms as responses to questions or tick list prompts. again the down fall is it way not always accurate sometimes it may not recognise your writing ect.
OCR, is a technology that enables you to convert different types of documents, such as scanned paper documents, PDF files or images captured by a digital camera into editable and searchable data. The down side is there is a chance that this divice may make a mistake and not read things correctly Eg your passport .
Graphics tablet Alternatively referred to as a drawing tablet and pen tablet, a graphics tablet is a hardware input device that enables an artist to draw or sketch digitally using a pen or stylus. They are helpful because they provide a more natural and precise feel than a standard computer mouse. again the down fall is it way not always accurate sometimes it may not recognise your writing ect.
Scanner a device that scans documents and converts them into digital data. This is ideal if you only have a hard copy of a document as it means you can simply scan it and upload it onto your computer .
A motion sensor is the heart of your security system, because it's the main device that detects when someone is in your home when they shouldn't be. A motion sensor uses one or multiple technologies to detect movement in an area. the only down side is it may catch your cat rather than a burglar.


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text:
Q: Calculating numbers with operators Can anyone explain to me how this code is being calculated using operators.
  #include <stdio.h>

  int main(void)
  {

   int x = 2, y , z;

   x *= 3;
   printf("%d\n", x);
   x = x * (3 + 2);
   printf("%d\n", x);
   x *= y = z = 4;
   printf("%d\n", x);
   x *= y += z;
   printf("%d %d %d\n", x, y, z);

   return 0;
  }

As a result, I got the following output:

6,
  30,
  120,
  960, 8, 4,

A: The operator followed by an equal sign means that the operator is applied to the variable on the left and the variable on the right, followed by an assignment to the variable on the left. You also follow the precedence operations. I have expanded the meaning below.
x *= 3;

is the same as
x = x * 3;  // 6 = 2*3

The parentheses shows order of precedence
x = x * (3+2) // x was 6 from the previous line

this is
x = x * 5 // which gives 30

next
x *= y = z = 4;

means
z = 4;
y = z; //which is 4
x = x *y; // which is 120 = 30 *4

next
x *= y += z;

means
y = y + z ; // y = 4 + 4 (8)
x = x * y; // x = 120 * 8 (960)

A: *= multiplies left operand by right operand and assigns result to left.
x *= y = z = 4;

Works right to left, assigning 4 to z and y then multiplying x by 4.
x *= y += z;

z is added to y and result is assigned to y, then x is multiplied by y and result is assigned to x.

A: x*=3 means x=x*3 => x=2*3=6
x*=(3+2) means x=x*(3+2) => x=6*5=30
x*=y=z=4 means z=4, then y=4, then x=x*y => x=30*4=120
x*=y+=z means y=y+z then x=x*y => y=4+4=8 then x=120*8=960.

A: *

*The first two assignments are straightforward: multiplying x by 3 gives you 6, and then by (3+2) gives you 30.

*The third assignment features a chain of assignments, with 4 assigned to y and z. Since the value of an assignment is always the value of its left side after the assignment, the final multiplication x *= y multiplies x by 4, giving you 120.

*The last line is the trickiest, because it features two side effects. First, y += z is evaluated, producing 8. After that x is multiplied by 8, producing its final value of 960.

Note that in the last line x is multiplied by 8, which may or may not be the value of y at the time the multiplication is performed.


Bunk bed traduzione del vocabolo e dei suoi composti e discussioni del forum. The main advantage of this bed is its portability and compactness. A bunk bed is a type of bed in which one bed frame is stacked on top of another allowing two or more beds to occupy the floor space usually required by just one.
To make this loft bed easy to disassemble i did not use glue here.
Camp bunk bed. With 60 campers and 25 staff hawkeye is perfect for first time campers of any age. The inside width for the mattress area should be 39 insetting the side rails 1 14 from outsides. Bunk beds are great to save bedroom space with 2 or more person. 52 bunk bed plans 1.
Bunk traduzione del vocabolo e dei suoi composti e discussioni del forum. A camp bed or cot in north america is a small portable lightweight bed used in situations where larger permanent beds cannot be used. An american classic our camp collection combines the charm and strength of classic plank furniture with fun colorful style. Please enter a first name.
First name should only contain letters numbers and spaces. Now heres where we skip the glue. Camp hawkeye is a small overnight camp for all humans ages 7 17 with a commitment to creating a diverse community. If you want to build it bookmark this collection of free diy bunk bed plans.
The triple bunk bed frame design. Recessed paneling square block posts and brushed nickel drawer pulls add the details that make this collection special.


I really have to edit myself - I need someone with a censor button around me all the time. I'm just a little unaware of what's deemed appropriate.
I went to college parties when I was at an appropriate age to go to college parties.
I couldn't describe how little interest I have in men. Or I could - but I don't think that it would be appropriate.
At times, parents foist their own choices on kids and try to get them to read the classics. But kids have very high filters and don't take to it. At other times, parents simply don't know what books to select for their children and end up giving books that aren't appropriate.
Sure, it's nice to get appreciation from the outside. But generally, I don't think personal accolades are appropriate in football.
Local Arab partners and the Iraqi government must lead the fight against ISIL. U.S. military advisers are important to this effort, but we cannot be engaged in combat operations. That is why Congress must revoke the previous war authorization and define our appropriate role in defeating ISIL.
Understanding how your business affects human rights and using that knowledge to shape appropriate policies and practices is crucial to achieving what should be the goal of all corporations - sustainable growth.
I think it's appropriate in America for anyone to speak out and say what their reaction is to the president's State of the Union speech.
I think, as written, 'Assassins' simply acknowledges the very human need to be acknowledged. As director, I've got to put aside any particular biases or prejudices that, as a moral human being, this is not an appropriate or acceptable way to get what you want.
I hate politics and what are considered their appropriate measures. I hate notoriety, public meetings, public speeches, caucuses and everything that I know of which is apparently the necessary incident of politics - except doing public work to the best of my ability.
With big, emotional roles it's very easy, especially if you've grown up in the American school of acting, to exploit your own pain. You have to be careful about that, because 9 times out of 10, your pain is not appropriate to the character.
To ensure that America remains the leader in medical innovation, we must reduce the costs of developing life-saving drugs and ensure that there are appropriate economic incentives in place to produce them.
I have been accused of making people laugh, maybe when it's not appropriate, during scenes.
Optimism is not inherently a superior way of viewing the world. Certainly doctors will say it might be better for one's physical health to be an optimist. But, morally speaking it may not be appropriate in certain circumstances.


text:
Morris v CW Martin & Sons Ltd [1966] 1 QB 716 is an English tort law case, establishing that sub-bailees are liable for the theft or negligence of their staff. Both Lord Denning and Lord Diplock rejected the idea that a contract need exist for a relationship of bailor and bailee to be found. Accordingly, it established an authority in vicarious liability, that employers are fully liable for the thefts - by employees - of goods that they have a duty to take care of.

Facts

Mrs Morris, the owner of a mink stole, sent her coat to a furrier in London, named Solomon Mark Beder. In a telephone exchange, Mr Beder stated that he did not do any cleaning himself, and that it was sub contracted to the defendant firm, CW Martins & Sons Ltd. They themselves were 'well-known', 'reputable' cleaners, and it was agreed that the fur coat would be sent to them. Upon collecting the fur coat, the defendant company did so under the terms of "The Fur Dressers and Dyers Conditions of Trading, 1955"; while it was in their possession, it was lost. Mrs Morris sued CW Martins & Sons Ltd, claiming that they had not exercised reasonable care in maintaining the coat; this argument was turned down by the first trial judge, who believed that the defendants took reasonable care to safeguard the coat. Additionally, he stated that the acts of the defendant's employee, in stealing the coat, were not committed in the course of his employment, and thus the employer could not be liable for them.

Judgment
Lord Denning established that the key question to creating liability was whether Mrs Morris could sue the cleaning firm for the theft of their employee:

"Mr. Beder could clearly himself sue the cleaners. But can the plaintiff sue the cleaners direct for the misappropriation by their servant?"

Denning argued that she could, stating that a duty of care was owed by the sub-bailees to take reasonable care of the fur coat. This duty was non-delegable, in that they themselves were personally liable for the conversion of their employee, in stealing the coat:

This judgment had several effects. Denning was explicit in overruling the previous authority of Cheshire v Bailey, and creating a general duty of sub-bailees to  take due care in the possession of goods. In doing so, both Denning and Diplock LJ rejected the trial judge's emphasis on contract theory; it is clear there was no contract between Mrs Morris and the eventual cleaners. However, the relationship of bailor and bailee of a chattel can exist outside of a contract, it was the existence of this relationship that gave rise to a duty in Diplock's view.

See also
 Vicarious liability in English law
 English tort law

References

Bibliography

English tort case law
English vicarious liability case law
Lord Denning cases
1965 in British law
Court of Appeal (England and Wales) cases
1965 in case law


text:
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		<WebView id="wv" url="/highcharts/chart.html"/>
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This silky lotion uses a new generation of patented technology plant allo-melanin that mimics the colour of your own melanin to create the most gorgeous natural tan that's clinically proven to outperform traditional tanning agents. Infused with creamy organic coconut oil and a hint of zesty lime, this refreshingly fragranced self-tan will uplift your senses and send your sun-kissed skin to paradise.
Excellent for everyday use. Delicately Fragranced. Perfect to maintain and natural or self–tan. The Ultimate Secret Tan!
A must-have for blemish-free, sun-kissed legs, combining the repairing benefits of coffee butter and arnica extract, and the skin nutrition and protection of vitamins e and c, this leg perfecting serum helps heal damaged skin while reducing the appearance of bruises and scars. With the colour enhancing effects of natural caramel and gold mica particles to boost skin luminosity, get ready for utterly flawless legs!


Every December it's the same, as we settle down with classics like White Christmas, It's A Wonderful Life, and Miracle On 34th Street. Frankly, after so many years, these standards have been rerun so often as to absolutely lose all meaning. So this year, we suggest an off-brand breed of holiday film. These cinematic efforts' pivotal moments take place during the holiday season, but they're not the ones that necessarily come to mind when you think "holiday movie." Sure, you may not automatically think of legendary car chases or surrealist parables when you're celebrating Christmas or Hanukkah, but hey, Wonderful Life had its dark moments as well. And these films may offer a scene or two just as emblematic as "Merry Christmas, Bedford Falls!" So this December, curl up with a double feature from the below list for a much-needed new take on the holiday spirit.


text:
using PlayMe.Common.Model;

namespace PlayMe.Server.Helpers.SearchHelperRules.Interfaces
{
    public interface ISearchArtistRule
    {
        bool IsArtistRestricted(Artist artist);
    }
}