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Most likely, it was a rocket test. According to several Internet sources, rocket simulations have shown similar spiral patterns when the force exerted by the rocket is not directed straight behind it. Then who launched it? The Russian government denies such action.
Other theories are given. A number of UFO enthusiasts claim this phenomenon was caused by aliens. Maybe, a wormhole spontaneously opened up in the sky, possibly (and ridiculously) caused by the Large Hadron Collider. Still, others hypothesize that it was an interference pattern in the sky caused by high-intensity lasers.
Could there possibly be any connection between this phenomenon and President Obama's Nobel Prize reception and speech, tomorrow, at Norway?
Apparently it was indeed a Russian missile, launched from a nuclear submarine.
Lol, the force behind this rocket is clearly directed straight behind it! Have you ever seen a rocket malfunction like this? Has anyone? I don't know what it was, but a rocket seems too simple to be the whole truth… I think I'd go w/ my gut on this one.


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28 Classic Halloween TV Episodes
With 11 films already in the franchise (and more on the way) the Halloween series remains one of the most successful brands in horror.
Though Michael Myers continues to rank among the scariest characters ever put on film, not every entry in the Halloween franchise was successful. Some failed at the box office despite their artistic merit, others were critical failures despite turning a profit and there were even a few which were total flops no matter which way you look at them.
With that in mind, we here at Ultimate Classic Rock have decided to revisit every movie in the franchise and find at least one reason that you should watch it. Some of these films are wonderful, and some are terrible, but this exercise isn&#x;t only about quality; It's also about celebrating the terrifying films horror fans love. So put on your costume, settle back, and get ready for a trick-or-treat-filled journey through one of the greatest of all horror movie franchises.
'Halloween' ()
Critics' consensus: All-time great horror film
Why you should watch: It's an amazing scary movie.
If you like being frightened by things on the screen, there's no reason not to have seen Halloween. It tells the story of Michael Myers, an incarnation of evil who escapes from a mental institution and returns to his hometown of Haddonfield, Ill., to terrorize teenager Laurie Strode (Jamie Lee Curtis). It's a success from top to bottom, featuring sterling filmmaking from director John Carpenter, a slow and steady ramping-up of tension, and any number of memorable moments. And in addition to introducing Michael Myers to the world, it helped give shape to the modern horror movie and the slasher genre in particular.
'Halloween II' ()
Critics' consensus: Solid, gritty slasher flick.
Why you should watch: It's an effective continuation of the first movie &#x; although a definite step down in pure quality &#x; and reveals the franchise's first big twist.
Beginning in the moments after the first Halloween ended, the first sequel follows Michael as he continues his hunt for Laurie. The action starts in Haddonfield, and then carries on to the hospital where Laurie has been taken to recover. The twist comes when it's revealed that Laurie is actually Michael's sister, who was given up for adoption long ago. Director Rick Rosenthal does fine if uninspired work, managing to mimic the look and feel of the original if not its effectiveness. There's also enough plot and movement to keep things interesting, and some scares that still hold up. In the end, it's an entertaining piece of '80s horror filmmaking.
'Halloween III: Season of the Witch' ()
Critics' consensus: Oddball cult classic.
Why you should watch: Because it's fun as hell, even if it has nothing to do with the rest of the Halloween franchise.
While the second film was in production, John Carpenter and his longtime partner Debra Hill, who were still heavily involved with the production of the Halloween films at that point, decided that they would try to make the franchise into an anthology series, with each film featuring a new story. As a result, Halloween III has nothing to do with Michael Myers, but instead tells a tale centered around a Halloween mask factory that's producing masks designed to kill anyone who puts them on. Campy, weird, and carrying more than a dash of social satire, the film was widely panned on release by critics and audiences who were expecting another dose of Myers mayhem. In the intervening years, however, its reception has grown steadily more positive. These days it's frequently listed as being one of the best in the franchise.
'Halloween 4: The Return of Michael Myers' ()
Critics' Consensus: A comfort-food slasher, and the best of the so-called "Thorn Trilogy"
Why you should watch: This is the movie that starts to invent a Michael Myers mythos.
After the anthology concept of Halloween III bombed at the box office, executive producer Moustapha Akkad made the decision to bring back the masked killer that fans were clamoring for. So he resurrected both Myers and his doctor/nemesis Sam Loomis (Donald Pleasence) -- both of whom had been killed in an explosion at the end of Halloween II -- and instructed his creative team to start building a larger framework around them. The story they came up with is that Michael has been in a comma for ten years, from which he awakens in order to try to kill seven-year-old Jamie Lloyd (Danielle Harris), who is Laurie Strode's daughter, and thus Michael's own niece. As news of this breaks, Dr. Loomis appears on the scene &#x; with some added scar tissue &#x; to pursue the killer. What results is a run-of-the-mill late '80s slasher with a little extra pop that comes from the fact that Michael and the young Jamie have a kind of psychic connection. This leads to a provocative ending in which he seems to inhabit her body, causing her to kill her stepmother. What the heck's going on? You'll have to see the sequels to find out&#x;
'Halloween 5: The Revenge of Michael Myers' ()
Critics' Consensus: Not good. Not good at all.
Why you should watch: Because it's fascinating to watch filmmakers screw up their own mythology&#x;or to see Michael get rescued by a hermit who has a parrot.
To be honest, this is the toughest one to justify watching. It's flat, makes bad choices all around, and is a prime example of the downside of '80s slasher films: full of silly plot contrivances, dumb characters and cliched moments. And yes, Michael really does get rescued by the parrot-owning hermit: the film opens with the ending of the previous film in which Michael got blasted by a vigilante mob and fell down a mineshaft, and we now learn he crawled out of the mine and fell into a river where he got washed downstream to the hermit's shack. Other than being poorly made, the film's main sin is that it wastes the intriguing premise of the ending of the previous film, which was that young Jamie was going to turn into a Michael-possessed killer. Instead, she just uses her psychic connection to watch him terrorize various teenagers, until he's caught and put in jail, only to be freed in the end by a stranger in black. Who is this man? Once again, you'll have to watch the sequel to find out&#x;
'Halloween 6: The Curse of Michael Myers' ()
Critics' Consensus: Slightly better than its predecessor, and&#x;Paul Rudd!
Why you should watch: Because you're curious about what the heck has been going on in the past two movies, and&#x;Paul Rudd!
Perhaps the second most ridiculous film in the franchise (after 's Resurrection), The Curse of Michael Myers goes all-in on trying to come up with a coherent explanation for the mystical elements of the previous two films, and also for why Michael is so bent on killing the members of his own family. The solution it comes up with is an ancient Druidic hex called the "Curse of Thorn." (This is why films 4, 5, and 6 are sometimes called "The Thorn Trilogy" by fans.) Long story short, this curse means that its bearer &#x; Michael Myers &#x; must kill all the members of his family on Halloween. Rudd plays Tommy Doyle (the little kid Laurie Strode was babysitting in the first Halloween, now all grown up) who's obsessed with figuring out what this curse is all about, and thereby defeating Michael. The film is convoluted and borders on the ridiculous. At the same time, though, there are definitely some fun moments, Rudd is entertaining, and the whole thing has a distinct '90s vibe that's entertaining to revisit (it was released only a couple months after Rudd's first big-screen appearance in Clueless).
'Halloween H2O: 20 Years Later' ()
Critics' Consensus: A solid reboot.
Why you should watch: Jamie Lee Curtis is back, and the whole story gets reset.
In what would become a recurring motif in the series, H20 decided to completely start over. It essentially pretends that the films of the "Thorn Trilogy" never really happened, and announces itself as a sequel to Halloween II, almost twenty years after the fact. It reintroduces us to Curtis's character of Laurie Strode, who apparently faked her own death after the events of the second movie in order to disappear from sight, and now teaches at a private high school which her son John (Josh Hartnett) attends. Unfortunately, Michael has figured out where she's hiding, and arrives to try to kill her, offing the usual assortment of randoms along the way (Joseph Gordon-Levitt, Michelle Williams, and LL Cool J all pop up as victims). As usual, Laurie triumphs in the end&#x;but by now we know that even though she chops off his head, Michael won't ever really die. The involvement of Scream screenwriter Kevin Williamson &#x; who penned the original story for the film &#x; gives it a cheeky air that departs from the usually somber tone of the franchise, and it's an entertaining watch.
'Halloween Resurrection' ()
Critics' Consensus: Utter disaster
Why you should watch: Because gonzo three alarm fires can be fun, particularly when they feature Busta Rhymes.
Resurrection is a direct sequel to H It opens with the audience finding out that Laurie is in a mental institution because the man whose head she chopped off at the end of the last film was actually a paramedic that Michael switched places with. Then Michael breaks in and kills her by throwing her off the roof. As if at a loss about what to do next, the film shifts to a group of college kids who are on a reality TV show called "Dangertainment," which is run by Rhymes' character Freddie Harris, and will require them to spend the night in Michael's old house in Haddonfield on Halloween night. What you think is going to happen is exactly what does happen, there's lots of found footage sequences, and Rhymes basically steals every scene he's in. Is it any good? Nope. Can it be a lot of fun, if you're in the right, giddy mood? Yes it can be.
Critics' Consensus: Hard-edged, better when it invents than when it mimics.
Why you should watch: If you're not squeamish about edgy horror, or want to see Michael Myers as a kid.
In the early years of the reboot-mania that has consumed Hollywood for almost two decades now, rocker-turned-filmmaker Rob Zombie was brought in to redo the original Halloween. His fans love his over-the-top, gory approach, and his detractors wish there was more to him than that; but here Zombie offers something for both. The early sequences when he shows us Michael's disturbed childhood are the strongest parts of the film. Later on, when he tells the same story Carpenter did almost thirty years earlier &#x; including some shot-for-shot homages &#x; Zombie's limitations show, and it's like he's trying to do with a hand grenade what Carpenter achieved with a scalpel. Disturbing and aggressive, but also with moments of real, discomfiting terror, the film tries hard to drag the franchise into the contemporary world of shock-based horror.
Critics' Consensus: The goriest film in the franchise, and a definite step up for Rob Zombie.
Why you should watch: Raw and violent, the film both packs a punch and creates a surprisingly surreal world.
In his sequel to his own film, Zombie frees himself from the restraints of having to make a reboot, with fascinating results. The movie is mostly set two years after the events of the first, and of course involves Michael trying to track down his sister Laurie. The new twist here is that he's not trying to kill her so much as he's trying to reconnect with her in some way. A further complication comes from the fact that, in a contrivance borrowed from the Thorn Trilogy, Michael and Laurie share a kind of psychic connection, this time funneled through the ghost of their mother, Deborah. What results is a low-fi, assaultive tale of macabre strangeness, filled with odd images and flights into sinister fantasy. Maybe the most realized film Zombie has made to date &#x; which may serve as a recommendation or a condemnation, depending on your view of his filmmaking &#x; this Halloween II has if nothing else the virtue of being completely unrestrained.
Critics' Consensus: A successful, if not quite as clever as it thinks it is, reboot of the franchise.
Why you should watch: It's a solid, entertaining horror flick, with a sequel out soon and a third film out next year.
In the now-hallowed Halloween tradition, director David Gordon Green, along with his co-writers Jeff Fradley and Danny McBride, decided to start over from scratch&#x;kind of. This Halloween purports to be a sequel to the original film, consigning every other film in the franchise to the dustbin. It's now forty years after the events of the original, Michael has been in a looney bin the entire time, and Laurie (Jamie Lee Curtis, once again) &#x; who is now not his sister &#x; has turned into a kind of doomsday prepper, waiting for the inevitable day when he escapes and comes to try to murder her. He does escape, he does try to kill her, and she has a couple tricks up her sleeve, defeating him in the end&#x;or maybe not quite. Green is a good director and the film is an entertaining watch, but it doesn&#x;t really free itself from the other movies in the franchise so much as calling them back so continually that it becomes almost a pastiche rather than its own entity. From its winking demand that Laurie isn't really related to Michael to its direct lift of Laurie's character from H20, Green's movie is a compendium of references and anti-references that proves that the tropes of the franchise are as unkillable as its main character. Which, for horror fans, is good news.
Sours: https://ultimateclassicrock.com/halloween-film-franchise/
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Sours: https://www.marieclaire.com/culture/g/halloween-tv-movie-costume-ideas/
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7 underrated fashion icons of y2k horror
The aesthetic trends that emerged in the early 00s — stemming from the introduction of technologies and the rise of the internet — illustrated both utopian concepts and the fears of the incoming era. From utilitarian leather pieces to gauzy, iridescent fabrics that emulated the reflectivity of the newly created CD, the shapes and textures of a then-projected future had arrived. As these ideas made their way into the horror movies of the time, they manifested in asymmetrical silhouettes and cool, dark colours.
The genre allows for lavish and distinctive pieces like the long, dark dresses in The Crow: City of Angels and the female vampires in Dracula: Pages from a Virgin's Diary, and the intricately designed sexy mesh bodysuits seen on The Cell. With the widespread resurgence of y2k style — as well as a hungry new embrace of the horror genre — these costumes are now more accessible (and acceptably wearable) than ever, so whether you're looking for a chic Halloween costume, some more sombre style inspo this autumn, or simply some unexpectedly fashionable film recs, we've got you covered.
Halloween II ()
Whether as the villain or hero, notorious wife guy Rob Zombie casts his partner, the inimitable Sheri Moon Zombie, front and centre in a large tranche of his filmography. His Halloween sequel was as divisive as Sheri Moon's talents as an actress (personally, we are fans!) but if there's something we can all agree on, it's the impact of her flowing, white costume. A curious blend that sees a Lord of the Rings elf meet a 70s revival, Sheri is a sight to behold as Deborah Myers, Michael Myers' radiant mom. Her glowing white steed is, fortunately or unfortunately — depending on the strength of the horse girl within you — part of the look. But don't worry if you can't get one. A long, platinum wig and a commitment to the character is all you need.
Motion International
Ginger Snaps ()
Before Megan Fox starred as the titular Jennifer in Jennifer's Body, Katherine Isabelle sauntered down the hallways of a non-descript high school in Ginger Snaps, newly-bitten by a werewolf and rapidly developing an appetite for sex and violence. This one-of-a-kind feminist tale treads the familiar ground of monstrous transformation as a metaphor for adolescence. And it's certainly not without its iconic fashion moments. Whether it's the chokers, animal skull necklaces, or bleached highlights, every outfit comes ready with a hefty dose of teen angst.
Resident Evil ()
Milla Jovovich's iconic asymmetrical red dress is a winning mix of Lara Croft meets moody 90s goth. The result? Minimalist y2k perfection. In Resident Evil, Jovovich plays Alice, a zombie slayer who wakes up in an abandoned mansion with a case of temporary amnesia. Milla describes the dress as "an evening gown that was also kind of a battle suit," what someone would have picked to wear for dinner if they'd forgotten they fight zombies on the daily. The dress was inspired by John Galliano's work in the 90s and the flowy kimonos seen in Japanese action films (think Mulan!), while its asymmetry assured that Alice would be able to fight and move around. Sure, a silk dress might be less than ideal when facing up a crowd of zombies (or creeps), but pairing with a strong set of leather combat boots will surely offset the impracticality. It's science.
The Cell ()
J-Lo's jungle green Versace dress, now simply known as "The Dress", has received significant media attention ever since the singer, actress and dancer donned it for the first time at the Grammys in the year But where has the commotion been for her otherworldly apparel in Tarsem Singh's The Cell? Designed by Eiko Ishioka, J-Lo's costumes range from lavish eroticism to saintly glamour; they are visual representations of the way her psychological patient (Vince Vaughn), a serial killer, sees her: saviour, sacrifice, warrior, and sex toy. Choosing between costumes is almost impossible, but the most iconic of the lot is her mesh and velvet bodysuit adorned with a red metal neck plate. Combine that with some heavy black liner, a bold red lip, and spiky ponytail, and you've got yourself a look that could definitely kill.
May ()
Lucky McKee's moving cult debut May, about a loner in search of connection, may not be the first place you'd think to find Halloween fashion inspiration. But effortlessness is the allure here. The eponymous May's outfits lean more mids than y2k, full of meshy necklines and simple floral dresses, striking an easy balance between dressy and casual. From this list, her outfits are arguably the easiest to style yourself, especially if you're in search of a last-minute costume. But remember, the look wouldn't be complete without a lookalike of May's only companion: a glass-encased, bug-eyed doll.
Queen of the Damned ()
Vampire films are notoriously populated by beautiful people, the majority of them with opulent tastes. Michael Rymer's strange, convoluted movie Queen of the Damned is no exception. Starring R&B princess Aaliyah as Queen Akasha, the mother of all vampires, the film follows her desire to make Interview with a Vampire's Lestat her new king after he's become a renowned rock musician. Though a critical flop, Angus Strathie's costumes, involving elaborate headdresses, ornate breastplates, and extravagant silver jewellery, make this a necessary watch for all of us who revel in horror's propensity towards high fashion.
Book of Shadows: Blair Witch 2 ()
A few years ago, the NME called nu-metal — an odd mix of rap and metal that emerged in the late 90s — "the worst genre of all time". Regardless of the statement's accuracy (we choose to remain neutral on the subject), there are a number of notable horror entries inspired by the music, including Ghosts of Mars, House of Wax, and of course, Book of Shadows: Blair Witch 2. Marked by its ugly, grimy visual approach and thinly-written ensemble cast, BW2 was never going to be as successful as its haunting predecessor. But if there's one thing it has going for it, it's the deceptively effortless chic of one Kim Diamond (Kim Director). Wearing an all-black look, studded chokers, and two streaks of blue in her hair, Kim made the dreary film into her personal runway, and it's hard to fault her for it. After all, there's nothing quite as cool as a goth girl.
Follow i-D on Instagram and TikTok for more on film and fashion.
Sours: https://i-d.vice.com/en_uk/article/akgxyb/00s-horror-movie-characters-fashion
Suddenly, we're craving McDonalds. Katy Perry embodied the camp theme in when she wore a Moschino-designed hamburger outfit to the Met Gala. There's tons of burger costumes on the Internet, but to make it feel superstar-worthy, you simply cannot forget the matching hamburger sneakers and a glitzy headdress. The more glitter, the better.
Dolls Kill burger sneakers
MaryJane Claverol turban
Kim Kardashian's Spooky Balenciaga
When Kim Kardashian showed up to this year's Met Gala covered head-to-toe in black fabric, the memes wrote themselves. Her avant-garde Balenciaga look is the perfect thing to re-create this Halloween: Simply swaddle yourself in black fabric and then put on a sharp-toe heel. Boom, you're done! You don't even have to think about makeup, but don't forget the high ponytail.
Yandy mystery gala guest costume
Balenciaga Knife boots
Rihanna's High-fashion Pope
It's safe to say Rihanna won the Met Gala. Dressed in a custom design by John Galliano, Rihanna embodied the "Heavenly Bodies" theme with a high-fashion pope look—mitre included. For Halloween, channel the Bad Gal herself with a cross-printed dress and hat, then add a dramatic cape and a glitzy heel to make it feel more red carpet-worthy.
Dolls Kill Heavenly Body costume
Schutz crystal suede pumps
Zendaya's Pretty Princess Dress
Everyone's dreamed of being a princess at one point in their life (or is that just me?) and now you can be too by channelling Zendaya at the Met Gala. You can channel that magical energy of her Tommy Hilfiger gown by opting for a classic blue Cinderella dress. Then, add a pumpkin carriage clutch and a satin headband. Bibbidi-Bobbidi-Boo!
Classic Cinderella costume
Matashi pumpkin carriage ornament
Oliver Bonas headband
Sours: https://www.vogue.com/article/best-met-gala-halloween-costumes
Witch costume kill dolls
Nibbled her clitoris, slapping her elastic thighs. my tongue became numb, but I continued to ram her with them flesh. inserting 2 fingers into her pussy, I took up her excited and slightly open anus. Alla finished like a machine gun. and every time I didnt deny myself the pleasure of drinking her hot juice.
Dollskill Halloween Costume Haul 👻
The bear smiled, he only dreamed of hearing such words from his mother. A couple more times he swung his slippery penis in Ksyusha's ass and pulled it out. He looked at his aunt's ass and he was curious that her pink little wrinkled hole was now gaping with a huge dark red hole. Katya saw that her son pulled the dick out of Ksyushin's ass, and immediately became in a pose, took a fighting stance.
Becoming cancer on the bed, she put her ass up.
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Surprisingly, these thoughts did not make me ashamed and disgusting - I turned on stronger. He bent over me and his penis began to slowly sink. Into me. I groaned, burying myself in his shoulder.
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redpajama_set_name: RedPajamaCommonCrawl


Friends of ours. They score big points on the food front. Their canapés are top-notch.
But their house is becoming increasingly disturbing. Their underpant logs are breeding.
These people are rearing children.
We shan't be going there any more. We'll politely say no. Until they've sorted out their 'issues'.


text:
The 2013–14 season was the 125th season of competitive football by Celtic. Celtic had a new shirt sponsor for the season with Irish Cider brand Magners taking over from Tennent's Lager for the next three years.

Celtic began the season with further Champions League success in their sights. They were faced with the burden of replacing three main pieces of their squad in; Gary Hooper and Kelvin Wilson were sold to Norwich City and Nottingham Forest respectively, whilst the highly rated Victor Wanyama was sold to Southampton for a Scottish record fee of £12.5 million. Neil Lennon rebuilt his squad by signing Virgil van Dijk and Amido Balde in the summer, and Teemu Pukki from Schalke 04 on transfer deadline day. Celtic were drawn with Cliftonville in their first qualifying round and easily disposed of the Northern Irish champions 5–0 on aggregate. They were next drawn with IF Elfsborg and squeezed by with a 1–0 aggregate win, with Kris Commons scoring the only goal in the first leg at Celtic Park. Although favoured to qualify for the group stages with minimal challenge after being drawn with Kazakh champions Shakhter Karagandy, Celtic found themselves losing the first leg in Karagandy 2–0. Celtic returned to Scotland to an electric atmosphere at Celtic Park in the home leg, in proved to be the high point of their 2013-14 Champions League campaign. They overcame the 2–0 deficit to level the aggregate thanks to goals by Kris Commons and Georgios Samaras. James Forrest completed the comeback for Celtic with a 90th-minute strike, sending Celtic Park into a frenzy.

Thereafter, Celtic found themselves drawn with AC Milan, Ajax and Barcelona (again) in the group stages. The campaign was dismal; winning only once with a 2–1 home win over Ajax, and slumping to a 6–1 rout away against Barcelona in the final group match. That game saw Celtic concede the most goals they had ever done in a single European tie, and equalled their previous heaviest defeat in Europe (5-0 against FC Artmedia Bratislava).

Celtic's 2014 domestic campaign was filled with ups and downs. Towards the end of February, Celtic had not lost a single game in the league, and drew just twice against Dundee United and Hibernian. Their league success did not translate to cup competition however; they bowed out of both the Scottish League Cup (0–1 to Morton), and the Scottish Cup(1–2 to Aberdeen), both at Celtic Park. Celtic also struggled to find a suitable strike partner for Anthony Stokes, forcing Kris Commons into a striking role. Neil Lennon signed former Hibs striker Leigh Griffiths on transfer deadline day in January 2014, as well as Stefan Johansen earlier in the month. After being unable to reach an agreement on a new contract, Joe Ledley left Celtic for Crystal Palace.

On 2 February 2014 goalkeeper Fraser Forster set a new a club-record of 11 league clean sheets in a row, surpassing a record of 10 clean sheets set by Charlie Shaw in the 1921-22 season. On 22 February, he broke Bobby Clark's Scottish League record of 1155 minutes without conceding a goal in a league match. Celtic won 2–0 away at Hearts, and Forster racked up his 13th consecutive clean sheet in the league.
Forster's clean sheet run finally ended on 1,256 minutes against Aberdeen on 25 February 2014, as Aberdeen defeated Celtic 2–1 to end their unbeaten run in the league.

Celtic finished the season as league champions again, their third consecutive Scottish League title, scoring 102 goals in the process. Celtic clinched the title after a 5–1 away win against Partick Thistle on 26 March 2014.
It is the earliest that the title has been won since the 1928-29 season, when Old Firm Rivals Rangers won it on 16 March.

Kris Commons was the top scorer in Scotland, netting 32 goals, and won both the PFA Scotland and Scottish Football Writers' Player of the Year awards.

Competitions

Pre-season and friendlies

*Celtic lose the match 5-4 on penalties

Scottish Premiership

UEFA Champions League

Scottish League Cup

Scottish Cup

Team record

Player statistics

Squad
Last updated 11 May 2014

Key:
 = Appearances,
 = Goals,
 = Yellow card,
 = Red card

Goalscorers
Last updated 11 May 2014

Team statistics

League table

Technical staff

Transfers

Players in

Total spend: £13.6 million

Players out

Total received: £21 million

See also
 List of Celtic F.C. seasons
Nine in a row

References

Celtic F.C. seasons
Celtic
Celtic
Scottish football championship-winning seasons

redpajama_set_name: RedPajamaWikipedia


text:
13 June 2015 - 23 August 2015, Heleneum, Lugano
Jamini Roy. From tradition to modernity. The Kumar collection
On the 13th of June 2015, The Museum of Cultures in Lugano (MCL) inaugurates the exhibition, "Jamini Roy. From Tradition to Modernity. The Kumar Collection". Scheduled to run until the 23rd of August, the exhibition is dedicated to the Bengali artist Jamini Roy, a recipient of the Padma Bhushan State Award from the Government of India in 1955, and regarded by international critics as the Indian "Matisse" for his works inspired by both traditional Indian art and the western avant-garde. The source of the exhibited works is the Kumar Collection which encompasses the artist's entire body of work, from his earliest sketches in the nineteen twenties to the final canvasses at the end of the nineteen sixties. The collection, considered to be the largest outside India, is for the first time the object of a curated art catalogue.
The project and the exhibition
The collection is owned by Indian entrepreneur, marketing professor and collector, Nirmalya Kumar, who has been studying Jamini Roy for over a decade. He has bought these works and exhibited them to the public with the intent of safeguarding the distinctive features of an ancient tradition while contributing to the promotion of Indian contemporary art to both the experts and the international public. Curated by Caterina Corni with the support of Alessia Borellini, as part of "OrientArt" which sets out to show the relationship between contemporary Asian art and the ideological and cultural context in which it moves, the exhibition was conceived, planned and developed by the Museum of Cultures with the collaboration of various other scientific institutions and co-produced by Silvana Editoriale. The exhibition comprises seventy masterpieces (oil on canvas, tempera on paper, gouache on paper and linen) produced by the artist during the course of his career and accompanied by around 30 sculptures in wood from the XVII-XIX century depicting the protagonists of Hindu mythology and folklore, which have been sourced from the museum's own estate and other institutions. The exhibition itinerary is enriched by a selection of photographs from "India Minor", the renowned photographic report in 1939 by Walter Bosshard (1892-1975), the photographer to whom we owe the invention and propagation of the "icon", Mahatma Ghandi.
The biography of the artist
Jamini Roy was born on the 15th of April 1887, in Beliatore, a village in Bengal, 180 km from Calcutta. His destiny as an artist was sealed by his enrollment, at only 16 years of age, at the Government College of Art and Craft of Calcutta, under the guidance of the enlightened English art historian Binfield Havell (1861-1934) and Abanindranath Tagore (1871-1951). The latter was a distinguished figure in the birth and development of the movement known as the Bengal School; a current uniting a profound awareness of the value of Indian culture with the artistic language of western art. In a climate of great creative ferment, Jamini Roy thus set out on a training path that would evolve into his own artistic form and distinctive style, leading him to become world famous and one of the most renowned and acclaimed artists in India. His early works, imbued as they are with the European avant-garde, interact in an ideological sense with the differences in artistic languages of ancient Indian art. They show a continuous evolution in terms of technique, distinguished by simplicity, essential lines and the use of materials and supporting structures that are more and more in harmony with nature. Jamini Roy died in Calcutta on 14th April 1972 at the age of 85.
Nirmalya Kumar (b. 1960) received his Bachelor of Commerce from Calcutta University, his MBA from the University of Illinois at Chicago and his PhD in marketing from the Kellogg School of Management, Northwestern University. He is Member Group Executive Council of Tata Sons and is responsible for strategy at the group level and a visiting professor of marketing at the London Business School. He has previously taught at Harvard Business School, IMD (Switzerland) and Northwestern University (Kellogg School of Management). As an author he has written six books and published several articles in leading academic journals. He is a passionate supporter of the arts and charitable causes. He is the custodian of amongst the largest known private collection of paintings by Jamini Roy (1887-1972) and Rabindranath Tagore (1861-1941). He has served on the South Asian Acquisition Committee of Tate Modern. In recognition of his patronage and promotion of South Asian Art, the School of Oriental and African Studies (SOAS), University of London, awarded him an Honorary Fellowship in 2012.
a cura di Alessia Borellini, Francesco Paolo Campione, Caterina Corni.
Silvana Editoriale, Cinisello Balsamo 2015
Orient Art 3
Versione bilingue (I/E)
Euro 30.-


text:
A Clash of Kings (A Song of Ice and Fire)
In this eagerly awaited sequel to?A Game of Thrones,?George R. R. Martin has created a work of unsurpassed vision, power, and imagination.?A Clash of Kings?transports us to a world of revelry and revenge, wizardry and warfare unlike any you have ever experienced.
A comet the color of blood and flame cuts across the sky. And from the ancient citadel of Dragonstone to the forbidding shores of Winterfell, chaos reigns. Six factions struggle for control of a divided land and the Iron Throne of the Seven Kingdoms, preparing to stake their claims through tempest, turmoil, and war. It is a tale in which brother plots against brother and the dead rise to walk in the night. Here a princess masquerades as an orphan boy; a knight of the mind prepares a poison for a treacherous sorceress; and wild men descend from the Mountains of the Moon to ravage the countryside. Against a backdrop of incest and fratricide, alchemy and murder, victory may go to the men and women possessed of the coldest steel…and the coldest hearts. For when kings clash, the whole land trembles.
From the Inside Flap
In this eagerly awaited sequel to A Game of Thrones, George R. R. Martin has created a work of unsurpassed vision, power, and imagination. A Clash of Kings transports us to a world of revelry and revenge, wizardry and warfare unlike any you have
ever experienced.
Publisher:?Bantam; Reissue edition (5 September 2000)
Title : A Clash of Kings (A Song of Ice and Fire)
Publisher : Voyager; TV tie-in edition edition (29 March 2012)
ISBN-13 : ASIN: 0007465823
A Feast for Crows (A Song of Ice and Fire)
HBO?s hit series A GAME OF THRONES is based on George R. R. Martin?s internationally bestselling series A SONG OF ICE AND FIRE, the greatest fantasy epic of the modern age. A FEAST FOR CROWS is the fourth volume in the series.
The Lannisters are in power on the Iron Throne.
The war in the Seven Kingdoms has burned itself out, but in its bitter aftermath new conflicts spark to life. The Martells of Dorne and the Starks of Winterfell seek vengeance for their dead. Euron Crow?s Eye, as black a pirate as ever raised a sail, returns from the smoking ruins of Valyria to claim the Iron Isles.
From the icy north, where Others threaten the Wall, apprentice Maester Samwell Tarly brings a mysterious babe in arms to the Citadel. As plots, intrigue and battle threaten to engulf Westeros, victory will go to the men and women possessed of the coldest steel and the coldest hearts.
George R.R. Martin sold his first story in 1971 and has been writing professionally since then. He spent ten years in Hollywood as a writer-producer, working on The Twilight Zone, Beauty and the Beast and various feature films and television pilots that were never made. In the mid 90's he returned to prose, his first love and began work on his epic fantasy series, A Song of Ice and Fire. He has been in the Seven Kingdoms ever since. Whenever he's allowed to leave, he returns to Santa Fe, New Mexico, where he lives with the lovely Parris, a big white dog called Mischa and two cats named Augustus and Caligula, who think they run the place.
Publisher:?Voyager; new edition (6 November 2006)
ISBN-10:?9780006486121
ASIN:?0006486126
Product Dimensions:?17.5 x 10.9 x 5.1 cm
Title : A Feast for Crows (A Song of Ice and Fire)
Publisher : Voyager; new edition (6 November 2006)
Accidental Heroes
#1?NEW YORK TIMES?BESTSELLER ??A decorated former Air Force pilot. A pregnant flight attendant. A dedicated TSA agent.?The fates of these three, and many others, converge in Danielle Steel?s gripping new novel?a heart-stopping thriller that engages?ordinary men and women in the fight of their lives during a flight from New York to San Francisco.
On a beautiful May morning at New York?s John F. Kennedy airport, two planes have just departed for San Francisco?one a 757, another a smaller Airbus A321. At a security checkpoint, TSA agent Bernice Adams finds a postcard of the Golden Gate Bridge bearing an ambiguous?perhaps ominous?message. Her supervisor dismisses her concerns, but Bernice calls security and soon Ben Waterman arrives. A senior Homeland Security agent, still grappling with guilt after a disastrous operation in which hostages were killed, Ben too becomes suspicious. Who left the postcard behind, which flight is that person on, and what exactly does the message mean?
As Ben scans the passenger manifests, his focus turns to the A321, with Helen Smith as its senior pilot. Helen?s military service and her tenure with the airline have been exemplary. But her husband?s savage death in Iraq was more than anyone should bear, leaving her widowed with three children. A major film star is on board. So is an off-duty pilot who has just lost his forty-year career. So is a distraught father, traveling with the baby son he has abducted from his estranged wife. Sifting through data and relying on instinct, Ben becomes convinced that someone on Helen?s plane is planning something terrible. And he?s right. Passengers, crew, and experts on the ground become heroes out of necessity to try to avert tragedy at the eleventh hour.
In her stunning novel, Danielle Steel combines intense action with stories of emotionally rich, intertwined lives. As the jet bears down on its destination of San Francisco, strangers are united, desperate choices are made, and futures will be changed forever by a handful of accidental heroes.
Danielle Steel?has been hailed as one of the world?s most popular Authorss, with over 650 million copies of her novels in sold. Her many international bestsellers include?Fall from Grace, Past Perfect, Fairytale,?The Right Time, The Duchess, Against All Odds, Dangerous Games,?and other highly acclaimed novels. She is also the Authors of?His Bright Light, the story of her son Nick Traina?s life and death;?A Gift of Hope, a memoir of her work with the homeless;?Pure Joy, about the dogs she and her family have loved; and the children?s books?Pretty Minnie in Paris?and?Pretty Minnie in Hollywood.
Publisher:?Pan (22 March 2018)
Product Dimensions:?13 x 1.6 x 19.7 cm
Title : Accidental Heroes
Publisher : Pan (22 March 2018)
Danielle Steel?has been hailed as one of the world?s most popular authors, with over 650 million copies of her novels in sold. Her many international bestsellers include?Fall from Grace, Past Perfect, Fairytale,?The Right Time, The Duchess, Against All Odds, Dangerous Games,?and other highly acclaimed novels. She is also the author of?His Bright Light, the story of her son Nick Traina?s life and death;?A Gift of Hope, a memoir of her work with the homeless;?Pure Joy, about the dogs she and her family have loved; and the children?s books?Pretty Minnie in Paris?and?Pretty Minnie in Hollywood.
An Artist of the Floating World
It is 1948, Japan is rebuilding her cities after the calamity of World War II, her people putting defeat behind them and looking to the future. The celebrated painter Masuji Ono fills his days attending to his garden, his house repairs, his two grown daughters and his grandson and his evenings drinking with old associates in quiet lantern lit bars. His should be a tranquil retirement. But as his memories continually return to the past to a life and a career deeply touched by the rise of Japanese militarism – a dark shadow begins to grow over his serenity.
Publisher:?Faber; Main edition (7 February 2013)
ISBN-10:?057128387X
Title : An Artist of the Floating World
Publisher : Faber; Main edition (7 February 2013)
ISBN-10 : 057128387X
Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent.
Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down. But pulling off the impossible is just the start of Jazz's problems, as she learns that she's stepped square into a conspiracy for control of Artemis itself – and that now, her only chance at survival lies in a gambit even more unlikely than the first.
Publisher:?Random House (29 November 2017)
Title : Artemis
Publisher : Random House (29 November 2017)
ISBN-10 : 91956951
Beneath a Scarlet Sky: A Novel
Soon to be a major motion picture from Pascal Pictures, starring Tom Holland.
Title : Beneath a Scarlet Sky: A Novel
Publisher : Lake Union Publishing (1 May 2017)
Best Sellers (286)
Crime and Thriller (244)
Fantacy (306)
Literature and Fiction (70)


text:
Q: Angular 7 build: How to remove output hash and default~~ file? I've build angular app using:
ng build --prod --named-chunks --output-hashing=none
It output module-A.js, module-B.js as expected but there are some files like default~<view1>~<module-1>~123xzy.js. (In runtime.js these default files are required)
I want to separate module-A.js to another domain but I must move also default~<view1>~<module-1>~123xzy.js, so it also affect view1.
How can I remove such default~<view1>~<module-1>~123xzy.js? I.e. Config to combine default~<view1>~<module-1>~123xzy.js into module-A.js? (And I don't want refactor all structure code to eliminate such files, is there any other lighter way?)

A: You can use
ng build --prod --output-hashing none

or only
ng build --prod

Ref link

*

*https://github.com/angular/angular-cli/issues/8344

*https://github.com/angular/angular-cli/issues/1833

redpajama_set_name: RedPajamaStackExchange


I was interviewed for a documentary on homeschooling called "Class Dismissed." The film will be the first full-length documentary devoted to exploring homeschooling as a viable alternative to traditional schooling.
I am sick and tired of defending homeschooling from the question, "What about socialization?" Members of the modern homeschool movement have insisted for thirty years that homeschooled children are well-socialized. We laughingly refer to socialization as the "S word." We deflect the socialization question by insisting it's a myth. And yet, it persists.


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Are you in need of a technology update, yet stalling because the mere thought of change is overwhelming?
Perhaps you're ready to make a critical decision; however your team's varied perspectives has you second guessing.
Suffering due to "paralysis from analysis" in trying to select the right partner with confidence?
As relational experts in implementing a smooth technology transition…we can help!
A software provider searching for a CORE (Communication, Organization, Relationship, Engagement) Coach to decrease the sales cycle; improve end user engagement; lessen consultants frustration; and improve overall profitability.
We've worked with Carla for many years. Most recently, we invited her to guide and support our executive team in a massive project: transitioning from several disconnected technologies into a unified E.R.P. system. She executed the knowledge transfer of existing processes from our controller, who retired, to a new CIO; participated in countless demos with Oracle and Microsoft to support the selection process; and passionately shared her servant leadership techniques with every member of our team along the way.
Carla's expertise in business, process, and technology; combined with her passion for people to succeed, provides an exceptional experience for the team. Her organizational and facilitation skill accompanied by a hands-on approach with leadership training, provides a refreshing and extremely valuable experience for me as a business owner. Carla already understands – you can trust her to facilitate the organization of your company with ease!


Mandates on reading and math achievement in elementary education in rural Georgia have led to a decline in writing proficiency as the subject becomes increasingly neglected. At the same time, schools strive to increase parental involvement programs. Consequently, there is a need for more research on the impact of parental involvement on student writing proficiency. Accordingly, this qualitative case study examined the impact of Family Message Journals (FMJ) and parent participation on teaching writing across the curriculum. Participants included 6 third-graders and their parents. Students wrote in journals 4 days per week across the 4 months of the study, and parents provided parallel responses each night. Student entries were examined and coded by academic subject and the 4 domains of the Georgia Writing Assessment Rubric to document students' growth in specific writing skills; parental responses were coded according to the type of response. Inductive analysis was used to analyze and interpret structured interview data to document emergent themes and search for patterns of meaning. All FMJ data were triangulated in a data source matrix with interviews of parents and students to explore linkages across sources. Findings revealed that (a) using FMJ increased students' writing ability, (b) teaching writing across the curriculum provided time for writing instruction, (c) comprehension was enhanced in subject content areas, and (d) parents felt more informed and appreciated. This study will prove beneficial for educators desiring to include writing without compromising time in currently mandated content areas, and also for parents who want to be informed, involved, and empowered. Teachers using FMJ can initiate social change by preparing more proficient students with a positive attitude for writing. Ideally, these attributes will build and follow these students into the workforce.


text:
#pragma once

#include <vector>
#include <unordered_map>

#include "tiny_cnn/util/util.h"
#include "tiny_cnn/layers/layer.h"
#include "tiny_cnn/optimizers/optimizer.h"

namespace tiny_cnn {

/** basic class of various network types (sequential, multi-in/multi-out).
 *
 * this class holds list of pointer of Node, and provides entry point of
 * forward / backward operations.
 * Node is a computational unit of tiny-cnn (for example, convolution).
 * Currently 2 kinds of implementation are available: sequential and graph.
 *
 * Nodes can accept lvalue, rvalue and shared_ptr forms of node.
 * If given type is rvalue or shared_ptr, nodes create shared_ptr<node> to keep
 * given node alive. If given type is lvalue, tiny-cnn holds raw-pointer only
 * (to avoid double-free).
 *
 *     sequential s;
 *     s.add(fc<tan_h>(100, 200));                   // rvalue, moved into nodes
 *
 *     s.add(std::make_shared<fc<tan_h>>(200, 100)); // shared_ptr, shared by nodes
 *
 *     fc<softmax> out(100, 10);
 *     s.add(out);                                   // lvalue, hold raw-pointer only
 *
 **/
class nodes {
 public:
     typedef typename std::vector<layerptr_t>::iterator iterator;
     typedef typename std::vector<layerptr_t>::const_iterator const_iterator;

    /**
     * propagate gradient
     * @param first        : gradient of cost function(dE/dy)
     * @param worker_index : id of worker-task
     **/
    virtual
    void backward(const std::vector<vec_t>& first, int worker_index) = 0;

    /**
     * @param first input  : data vectors
     * @param worker_index : id of worker-task
     **/
    virtual
    std::vector<vec_t> forward(const std::vector<vec_t>& first, int worker_index) = 0; // NOLINT

    /**
     * update weights and clear all gradients
     **/
    virtual
    void update_weights(optimizer *opt, int num_workers, int batch_size) {
        for (auto l : nodes_) {
            l->update_weight(opt, num_workers, batch_size);
        }
    }

    /**
     * change max number of task
     **/
    virtual void set_worker_count(cnn_size_t worker) {
        for (auto l : nodes_) {
            l->set_worker_count(worker);
        }
    }

    /**
     * setup all weights, must be called before forward/backward
     **/
    virtual void setup(bool reset_weight, int max_task_size) {
        for (auto l : nodes_) {
            l->setup(reset_weight, max_task_size);
        }
    }

    void clear_grads(int max_task_size) {
        for (auto l : nodes_) {
            l->clear_grads(max_task_size);
        }
    }

    size_t size() const { return nodes_.size(); }
    iterator begin() { return nodes_.begin(); }
    iterator end() { return nodes_.end(); }
    const_iterator begin() const { return nodes_.begin(); }
    const_iterator end() const { return nodes_.end(); }
    layer* operator[] (size_t index) { return nodes_[index]; }
    const layer* operator[] (size_t index) const { return nodes_[index]; }
    cnn_size_t in_data_size() const { return nodes_.front()->in_data_size(); }
    cnn_size_t out_data_size() const { return nodes_.back()->out_data_size(); }

    template <typename T>
    const T& at(size_t index) const {
        const T* v = dynamic_cast<const T*>(nodes_[index]);
        if (v) return *v;
        throw nn_error("failed to cast");
    }

    // @todo: multiple output
    virtual float_t target_value_min(int out_channel = 0) const {
        CNN_UNREFERENCED_PARAMETER(out_channel);
        return nodes_.back()->out_value_range().first;
    }

    virtual float_t target_value_max(int out_channel = 0) const {
        CNN_UNREFERENCED_PARAMETER(out_channel);
        return nodes_.back()->out_value_range().second;
    }

    virtual void save(std::ostream& os) const { // NOLINT
        for (auto& l : nodes_) {
            l->save(os);
        }
    }

    virtual void load(std::istream& is) { // NOLINT
        setup(false, 1);
        for (auto& l : nodes_) {
            l->load(is);
        }
    }

    virtual void load(const std::vector<float_t>& vec) {
        int idx = 0;
        setup(false, 1);
        for (auto& l : nodes_) {
            l->load(vec, idx);
        }
    }

    void label2vec(const label_t* t, int num, std::vector<vec_t> *vec) const {
        cnn_size_t outdim = out_data_size();

        vec->reserve(num);
        for (int i = 0; i < num; i++) {
            assert(t[i] < outdim);
            vec->emplace_back(outdim, target_value_min());
            vec->back()[t[i]] = target_value_max();
        }
    }

 protected:
    template <typename T>
    void push_back(T&& node) {
        push_back_impl(std::forward<T>(node),
                       typename std::is_rvalue_reference<decltype(node)>::type()); // NOLINT
    }

    template <typename T>
    void push_back(std::shared_ptr<T> node) {
        own_nodes_.push_back(node);
        nodes_.push_back(own_nodes_.back().get());
    }

 protected:
    template <typename T>
    void push_back_impl(T&& node, std::true_type) {  // is_rvalue_reference
        own_nodes_.push_back(std::make_shared<
            typename std::remove_reference<T>::type>(std::forward<T>(node)));
        nodes_.push_back(own_nodes_.back().get());
    }

    template <typename T>
    void push_back_impl(T&& node, std::false_type) {
        nodes_.push_back(&node);
    }

    /* Nodes which this class has ownership */
    std::vector<std::shared_ptr<layer>> own_nodes_;
    /* List of all nodes which includes own_nodes */
    std::vector<layerptr_t> nodes_;
};

/**
 * single-input, single-output feedforward network
 **/
class sequential : public nodes {
 public:
    void backward(const std::vector<vec_t>& first, int worker_index) override {
        nodes_.back()->set_out_grads(&first[0], first.size(), worker_index);

        for (auto l = nodes_.rbegin(); l != nodes_.rend(); l++) {
            (*l)->backward(worker_index);
        }
    }

    std::vector<vec_t> forward(const std::vector<vec_t>& first,
                               int worker_index) override {
        nodes_.front()->set_in_data(&first[0], first.size(), worker_index);

        for (auto l : nodes_) {
            l->forward(worker_index);
        }

        return nodes_.back()->output(worker_index);
    }

    template <typename T>
    void add(T&& layer) {
        push_back(std::forward<T>(layer));

        if (nodes_.size() != 1) {
            auto head = nodes_[nodes_.size()-2];
            auto tail = nodes_[nodes_.size()-1];
            connect(head, tail, 0, 0);
            auto out = head->get_outputs();
            auto in = tail->get_inputs();
        }
        check_connectivity();
    }

    void check_connectivity() {
        for (cnn_size_t i = 0; i < nodes_.size() - 1; i++) {
            auto out = nodes_[i]->get_outputs();
            auto in = nodes_[i+1]->get_inputs();

            if (out[0] != in[0]) {
                throw nn_error("");
            }
        }
    }

 private:
};

/**
 * generic graph network
 * @todo not implemented
 **/
class graph : public nodes {
 public:
    void backward(const std::vector<vec_t>& out_grad,
                  int worker_index) override {
        if (out_grad.size() != output_layers_.size()) {
            throw nn_error("input size mismatch");
        }

        for (cnn_size_t i = 0; i < out_grad.size(); i++) {
            output_layers_[i]->set_out_grads(&out_grad[i], 1, worker_index);
        }

        for (auto l = nodes_.rbegin(); l != nodes_.rend(); l++) {
            (*l)->backward(worker_index);
        }
    }

    std::vector<vec_t> forward(const std::vector<vec_t>& in_data,
                               int worker_index) {
        if (in_data.size() != input_layers_.size()) {
            throw nn_error("input size mismatch");
        }

        for (cnn_size_t i = 0; i < in_data.size(); i++) {
            input_layers_[i]->set_in_data(&in_data[i], 1, worker_index);
        }

        for (auto l : nodes_) {
            l->forward(worker_index);
        }
        return merge_outs(worker_index);
    }

    void construct(const std::vector<layerptr_t>& input,
                   const std::vector<layerptr_t>& output) {
        std::vector<layerptr_t> sorted;
        std::vector<nodeptr_t> input_nodes(input.begin(), input.end());
        std::unordered_map<node*, std::vector<uint8_t>> removed_edge;

        // topological-sorting
        while (!input_nodes.empty()) {
            sorted.push_back(dynamic_cast<layerptr_t>(input_nodes.back()));
            input_nodes.pop_back();

            layerptr_t curr = sorted.back();
            std::vector<node*> next = curr->next_nodes();

            for (size_t i = 0; i < next.size(); i++) {
                if (!next[i]) continue;
                // remove edge between next[i] and current
                if (removed_edge.find(next[i]) == removed_edge.end()) {
                    removed_edge[next[i]] =
                        std::vector<uint8_t>(next[i]->prev_nodes().size(), 0);
                }

                std::vector<uint8_t>& removed = removed_edge[next[i]];
                removed[find_index(next[i]->prev_nodes(), curr)] = 1;

                if (std::all_of(removed.begin(), removed.end(), [](uint8_t x) {
                        return x == 1; })) {
                    input_nodes.push_back(next[i]);
                }
            }
        }

        for (auto& n : sorted) {
            nodes_.push_back(n);
        }

        input_layers_ = input;
        output_layers_ = output;

        setup(false, 1);
    }

 private:

     std::vector<vec_t> merge_outs(int worker_index) {
         std::vector<vec_t> merged;
         for (auto& l : output_layers_) {
             std::vector<vec_t> out = l->output(worker_index);
             merged.insert(merged.end(), out.begin(), out.end());
         }
         return merged;
     }

    cnn_size_t find_index(const std::vector<node*>& nodes,
                          layerptr_t target) {
        for (cnn_size_t i = 0; i < nodes.size(); i++) {
            if (nodes[i] == static_cast<node*>(&*target)) return i;
        }
        throw nn_error("invalid connection");
    }
    std::vector<layerptr_t> input_layers_;
    std::vector<layerptr_t> output_layers_;
};

}  // namespace tiny_cnn

redpajama_set_name: RedPajamaGithub


Research has made great strides in understanding how and why organizational actors use the past. So far, scholars have largely focused the level of analysis on the organization, without exploring the intertwined nature of historical claim-making with the organizational field or society at large. This article extends the status quo by conceptualizing the role of context for organizational uses-of-the-past. It identifies three key aspects of context that shape how history contributes to the social construction of reality: the existence of multiple audiences, the landscape of pre-existing historical narratives and the experience of social practices giving credibility to historical claims.
By analysing the historical case of German business in colonial India, the paper makes three broader claims that could move research toward a more contextualized conception of the uses-of-the-past: (i) historical claims are validated in a continuous dialogue with multiple audiences; (ii) they revise previously existing narratives by critiquing or 'outpasting', i.e. invoking earlier origins; (iii) they often result in 'rhetorical frictions' that require continuous and skilful history revisions to mitigate emerging conflicts in their reception. By contextualizing the uses-of-the-past in this way, the paper moves beyond 'hypermuscular' organizational actors bending history to their will and foregrounds the situated nature of historical rhetoric.
From 'History as Told' to 'History as Experienced' : Contextualizing the Uses of the Past. / Lubinski, Christina.
In: Organization Studies, Vol. 39, No. 12, 2018, p. 1785-1809.
N2 - Research has made great strides in understanding how and why organizational actors use the past. So far, scholars have largely focused the level of analysis on the organization, without exploring the intertwined nature of historical claim-making with the organizational field or society at large. This article extends the status quo by conceptualizing the role of context for organizational uses-of-the-past. It identifies three key aspects of context that shape how history contributes to the social construction of reality: the existence of multiple audiences, the landscape of pre-existing historical narratives and the experience of social practices giving credibility to historical claims.By analysing the historical case of German business in colonial India, the paper makes three broader claims that could move research toward a more contextualized conception of the uses-of-the-past: (i) historical claims are validated in a continuous dialogue with multiple audiences; (ii) they revise previously existing narratives by critiquing or 'outpasting', i.e. invoking earlier origins; (iii) they often result in 'rhetorical frictions' that require continuous and skilful history revisions to mitigate emerging conflicts in their reception. By contextualizing the uses-of-the-past in this way, the paper moves beyond 'hypermuscular' organizational actors bending history to their will and foregrounds the situated nature of historical rhetoric.
AB - Research has made great strides in understanding how and why organizational actors use the past. So far, scholars have largely focused the level of analysis on the organization, without exploring the intertwined nature of historical claim-making with the organizational field or society at large. This article extends the status quo by conceptualizing the role of context for organizational uses-of-the-past. It identifies three key aspects of context that shape how history contributes to the social construction of reality: the existence of multiple audiences, the landscape of pre-existing historical narratives and the experience of social practices giving credibility to historical claims.By analysing the historical case of German business in colonial India, the paper makes three broader claims that could move research toward a more contextualized conception of the uses-of-the-past: (i) historical claims are validated in a continuous dialogue with multiple audiences; (ii) they revise previously existing narratives by critiquing or 'outpasting', i.e. invoking earlier origins; (iii) they often result in 'rhetorical frictions' that require continuous and skilful history revisions to mitigate emerging conflicts in their reception. By contextualizing the uses-of-the-past in this way, the paper moves beyond 'hypermuscular' organizational actors bending history to their will and foregrounds the situated nature of historical rhetoric.


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I won't reply as fast either, I got my computer privleges taken away for a while. I killed house on every play through but one, I beat with Mr. What is the backstory here? Why don't you consider viewing their profiles and making a decision on whether or not you can roleplay them accurately? Welcome to Arizona: Where the New Vegas wastes have to sit back and watch the horrors of these lands. White circle: Their fresh water. Orange: Secret yes I know vaults aren't included Bull Head City: capital of Legion Red areas: Legion-only land! This post was originally posted via chat: Deleting content will cause content on this and all subsequent pages to move closer to the front of the universe, creating a bizarre instance in the space-time continuum where previously-saved hyperlinks that others have used may no longer point at their correct destinations. He's from another Post Apocalyptic piece of fiction: Fist Of the North Star.
. Enclave: Nogales in the south. Green: Literally glowing green with rads! He does look street fighter, but what do you mean by Toku? Stolen and purchased items acceptable, but, as said, limited. Website ping to the server is timed at 2139 ms. Although I am interested in having him learn real life feats like Iron Crotch, Iron Skin, Iron Palm, and such. Character sheet: Name, first and last Gender Age Description Gear limits. Available Characters These poor, unfortunate souls were once a part of this great world, but have been abandoned.
Small area by the Enclave. Weapons: From sticks to Super Sledges and Sling shots to Heavy Plasma returts, you needn't worry about this. Why don't you consider viewing their profiles and making a decision on whether or not you can roleplay them accurately? Red: Legion Embassy although mostly used as a means of spying on the Enclave and a foreign training ground Black: Obviously the Enclave. We don't need no stinkin' tinhorns yellowbellies out here. Max of a firearm, sidearm, and melee weapon + ammo, and armor Personality should include: Favored Factions, hated Factions, interests, goals, motivations.
Giant machines of war, yet no simple labor-saving devices? Winterhaven estates are a large collection of Multi-storied buildings most of them untouched by war , and the capital of the city. The Burning Men are a group of run-away slaves, trapped traders, and Legion deserters. Available Characters These characters are currently marked as available. The seeming Anti-Brotherhood of Steel, they bring lasers and explosives such as no man has seen since the bombs fell, which was long enough ago that said man would not have lived to today. Burning Men: The Black Mesa. Grey: City walls, especially fortified near the brown area.
Apothecary: While Legion shuns chems and supplies its soldiers with traditional medicine, the Enclave sells stimpacks and anti-rad medication for a decent some of Legion coin Caps, though popular among traders heading in and out of Arizona, are far less valuable among the Enclave and Legion Armor: If you're wearing power armor Who trained you?! Brown: No man's land, full of muties. Blocking the city from the Colorado River. With very detailed analytics reports you can check your sites condition from many angles and develop new strategies. Does that not make sense to you? Capitals: Legion: Bullhead city, northwest, just south of North Vegas Henderson, the big irradiated spot. What is the backstory here? Alliances: The Enclave and Legion are on the same side, though friction is rising between them. This domain creation date on 0001-01-01.
Muties: Phoenix duh and Alpine. I know I created a crazy, gary-stu esque character, but I noticed you needed people. What happened in the meantime? What happened in the meantime? Okay, yes, you understand that there are many human elements, but what about animals? Are you sure you want permanently delete both the original chat message and the referenced post? Break away slaves form bands of raiders, but only one has ever lasted longer then a week. We look at the data, arizona-rp. You can review more detailed statistical information of this domain name below and express your thoughts.


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