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Percival Everett: An Abecedary
Sylvie Bauer
https://doi.org/10.4000/transatlantica.6369
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1Percival Everett is the author of eighteen novels, three collections of poems, three collections of short stories, a book for children and an introduction to Jefferson's Bible. Originally a musician, he is also a painter, a woodworker and a fly fisherman fond of "traveling alone [and] camping out under the stars." As a young man, he traveled through the US and South America, worked as a ranch hand and later owned a ranch himself, training horses and mules on the edge of the Moreno Valley desert. A man of many trades, he is also a compulsive reader of Western philosophy and literature. Percival Everett sat for this interview in December 2012, while he was guest professor at the Sorbonne University.
Sylvie Bauer: A is for Alice, not just Alice Achitophel, the character in Zulus. I have a feeling that Lewis Carroll's Alice is present throughout your work, especially in The Water Cure maybe, but not only.
Percival Everett: I think that's right. I'm enormously influenced by nonsense. Carroll's Alice and Through the Looking-Glass but also his games and all the symbolic logic and Victorian nonsense in general. The logic, the play with logic and contradictions, are attractive to me. What I love about nonsense is that it has to adhere more rigidly to form than sense. Because that's how the trick works. You're tricked into believing that it means something because you recognize the structure. So I only figured out recently that I'm not so much interested in writing sense that sounds like nonsense, what I really want to do is write nonsense that actually does make sense. All this goes back to Sterne, with the infinite digressions of Shandy and the cataloging of narrative discourse in the novel. There is no story so, where is the story? We think we know the story. I think there's something theological in there too. There's a rudimentary mistake that writers who want to be so called experimental make. Every time somebody starts writing a novel that is not a genre which is not formulaic, it's an experiment necessarily. You're re-creating it, you're don't know what you're doing. If they're all experimental then none of them are experimental.
S.B.: There is a sense of not knowing in your books, for most of your characters. "I don't know" is a recurring sentence for the narrator in The Water Cure and it's interesting to have this landscape of possibilities, not knowing.
P.E.: Well, that's kind of what life is. If I'm going to practice some form of verisimilitude, then that's the one thing that has to be there. Life is not only a collection of choices but a collection of accidents. And nobody gets into their car thinking that they will have an accident. Well, some people do but most of us do not get in our cars thinking we're going to have a crash. We get into our cars talking about raking the leaves when we get home. When I start writing, I start conceiving a novel, I don't know what I'm doing. Because I'm a bad typist, I don't start writing anything until I have a picture of the whole. I see the shape of it, even though I may wander from my chosen path. I have a picture of what I'm doing. If I don't, I'm lost. Some writers can make it up as they go, but I can't make it up as I go.
2B is for Boredom.
P. E.: Yawns. Laughs.
S.B.: You often say that you're easily bored and most of your characters are bored as well.
P.E.: Boredom is a good thing. If you don't get bored you don't do anything. How boring would that be?
S.B.: Is this what accounts for your being a man of so many trades? Your adventurous life in South America, raising mules on a ranch, playing the guitar, writing, woodworking...
P.E.: I guess. I haven't psychoanalyzed myself. I just do what's in front of me. I lived on a ranch, I bought a ranch. I had horses. I worked on a ranch, there were horses. I needed furniture, I made it. I like to fish. I had an instrument because I studied an instrument and I had to pay for college so I played an instrument.
S.B.: Your work is anything but boring. It's varied.
P.E.: You mean my fiction?
S.B.: And your poetry. Yes, your writing.
P.E.: You know my poetry is meant to prove that I can't write poetry, and it's pretty effective. Most people will agree with me. Art is art, whether I'm painting a picture or writing a story. They come differently and that's interesting. I have different relationships with them. But finally, they help me find some way to make meaning for myself in the world in which I live.
S.B.: And do you think only art can do that?
P.E.: Yes.
3C is for the Contemporary
P.E.: Laughs. You mean the past?
S.B.: That's the way Agamben reads the contemporary.
P.E.: Yes, because it's gone. Well, do you know that expression: "be here now, it's be here then." I don't even know what it means to be acknowledged as one thing or another. To be acknowledged as contemporary? If I had a choice, I suppose I would rather be acknowledged as a painter of the forties. That would be interesting. What would really be interesting is that half the paintings exist without me at all. That would be fascinating to have them have an audience. I mean, I don't matter. It's not about promoting myself, it's about putting work into the world.
S.B.: Most of your work (Zulus, The Water Cure, For Her Dark Skin, Frenzy) shows that what was written before is the only heritage of mankind and the only thing that will remain. I'm thinking about the writings on the wall in Zulus for example, but also all the intertextual references.
P.E.: That's how we understand ourselves. If one had such contempt for things that have already been written, one wouldn't read. And to think that you're not influenced by it is, well, it's psychotic, it's not even arrogant. It's a dead end. It's a form of self-erasure as well. If it's cold out, you shiver. Which is why so much of that work is so bad.
S.B.: There's a beautiful homage to this in For Her Dark Skin, the very faithful rewriting of the myth of Medea you make in this story. What you said about disappearing behind your work reminds me of what you say every time you finish a book. When you finish a work of fiction or poetry, you just leave it aside and let it go.
P.E.: Yes. Do you know what a claymore mine is? It's used in war. It's a mine that has a directional blast. And the saying is, "if you can't remember which way you pointed it, it's pointed at you." And that's the thing about if you don't acknowledge the tradition in which you work, if you don't acknowledge the stories that have been told before, the stories that make up your understanding of the world, then you're destroying yourself. And even that is an act of acknowledgment. That's the past and you can't not do with it.
S.B.: D is for Distance. I was thinking about what you say about "fictive distance" and also alienation, estrangement, the need for distance. Most of your characters need this distance. And there seems to be failure when the distance is erased.
P.E.: The thing about distance is no picture makes sense until you achieve some kind of distance. If you're flat up against the mirror, you don't see your reflection. If you get right down to it, and the same thing as the size of the reflection being halved every time. I'm always fascinated with the mirror-stage. There's no acknowledgment, when Lacan is talking about the mirror-stage, that if you think about mirrors you never see your own self or your own face, you see your mirror-image which is a construction. So when you, this is kind of crazy, but as soon as you assume that construction, again you're constructing different selves, as a way of survival. Because if that's actually you... Laughs.
S.B.: The other D I had in mind is of course detective novels.
P.E.: I don't know anything about them.
S.B.: But you wrote Assumption.
P.E.: They tell me it's a detective novel.
S.B.: Is it a novel, by the way?
P.E.: Yes, I view it as a novel. But again, I'm not smart enough to say.
S.B.: But it's made of three different parts which connect and don't.
P.E.: A novel that, not erasing everything I ever read, I remember, Jean Toomer's Cane, is supposedly a novel. But it really isn't, it's a collage, an abstract collage at that.
S.B.: Some of your books work like collages as well.
P.E.: Yes, I do this fragmentation thing.
S.B.: E is for Erasure. More the concept than the book. I'm not asking you to talk about the novel.
P.E.: You know, the first title of the novel was Modern Art. That was my working title for the novel. That's the imagined scene with De Kooning and Rauschenberg. Though that wasn't written first, I can easily imagine that as the scene of the novel.
S.B.: There is a sense of erasure in several of your novels.
P.E.: There is a sense of fear of erasure. Or there is a sense of outrage about an attempt at erasure. In the same way that you were talking about writers trying to erase the past. That's not possible, and this is where art becomes important. You may well kill everyone in the village, no one will ever speak of this atrocity again. But if anyone paints a picture or writes it down, on either side, it still exists and it's still an atrocity.
S.B.: That's what remains in Zulus. Human beings disappear, they're erased in the end. What remains is the scarred land and the works of art. Here again, it's a collage in the abecedary, a collage of references, sometimes cryptic. It reminds me of Abish's 99: The New Meaning, it's the same kind of puzzling text that forces the reader to try to remember where the references come from. Sometimes it's easy, sometimes it's not. Sometimes it's even impossible. Of course, you can google everything, but it's not fun.
P.E.: And it's often wrong. And if it's sometimes wrong, it's always wrong.
S.B.: F is for Fragments. "This work is not fragmented, it is fragments." This is from The Water Cure. This notion that it's not fragmented, that it's not part of a whole taken to pieces, but fragments and they seem to interact or not, is interesting.
P.E.: Well that's what life is too, isn't it? If you start thinking back on your world, you don't remember continuously. You don't even remember chronologically.
S.B.: But some of your novels are more made of fragments than others. Sometimes you do create a sort of linear chronology. Or at least you can, as a reader, have the feeling that you get this linear structure.
P.E.: I'll believe you. I suppose Wounded is ostensibly linear. But I always read that as my most experimental, if I must use that word, novel.
S.B.: Why do you say it's your most experimental novel?
P.E.: Because I think it's in that hyperrealistic way, that's more distant from reality than a novel that is more fragmented, shaped out of less controlled circumstances.
S.B.: So, fragments are closer to reality. Your most mimetic novel is distant from reality.
P.E.: Yes, and that way, I don't see it as mimetic at all. Laughs.
S.B.: G is for God. "There's only one God and we don't believe in him." This year, the annual conference of the French Association of American Studies will be about religion and spirituality. I was thinking about this question of transcendence that, as Brigitte Félix and Arnaud Regnauld put it, "seems to have shifted on other grounds and that bears on the possibility of the advent of the common world in its a-signifying materiality while religious discourse took charge of in the production of meaning as the promise of revelation."
P.E.: I think that's right. As soon as some controlling leader evoked the idea of a deity to enhance his power or to manipulate the people, thinking people were resisting it. Religion is about fear. Nobody wants to be a Christian because they want to help people. They want to be a Christian so they don't go to hell. And in order to do that, they help people. You might as well like it while you do it sometimes.
S.B.: Revelation is always flaunted in your work. There is never any revelation. There is no disclosure of truth. Alice Achitophel wanders and never gets anywhere. There is no revelation of truth, even in Assumption, even though, as readers, we construct meaning. On the contrary, what seems to happen is more a movement from the transcendence of the word to a form of world of bodies, even if those bodies are dis-enacted.
P.E.: That might be what I want to say. Revelation exists in the reveler. There is not any advent. It exists in the person who sees it. And experiences a revelation. There is nothing objective about it. It's all subjective. I have a character in God's Country named Epiphany Jones. It's easy to have revelations in his case. You just forget everything. About religion, I'm an apath. That's my word for it. My grandfather was an atheist, my father was an agnostic and I simply don't care.
S.B.: And still, in God's Country or American Desert for example, you don't care but you integrate religion.
P.E.: It's part of my culture. It's like trees. I don't particularly like palm trees but if it's set in Miami, there will be palm trees. I have Mitt Romneys in my life. As sad as that sounds.
S.B.: H is for Humor. I was thinking again about Deleuze and the distinction he makes between humor and irony. Basically he writes that the person using irony is looking for first principles. Here too there is a form of transcendence. Looking for primary causes, as opposed to humor in which consequences matter. I have the feeling that your work is more on the side of humor than on the side of irony. Deleuze adds at some point that humor is treacherous because it is imperceptible whereas irony is obvious.
P.E.: But they're tied up together. That's the ironic part of it. Or I could say that's what makes it funny. If I can have a part in a novel and almost in everything become really earnest, that's ironic; that isn't earnest at all. And then it becomes funny. Because I recognize the irony and then you can get my joke. Likewise, when you read irony that underscores a sadness in life, something about which we should be outraged, which you recognize the terror of, well it's no longer ironic, it becomes earnest. And even though it began as funny, it's not funny. It's like the limericks in The Water Cure. And ironically, they're bad limericks.
S.B.: All this leads to satire.
P.E.: I suppose. I never think I'm writing satire. I really think that I'm making an abstract painting and it's a painting of paint.
S.B.: A painting of paint? So you leave it up to people to see what's in the painting.
P.E.: I have no choice. I can't tell anybody what anything means. That's all I care about. Everything else comes from meaning. That's why I write.
S.B.: I is for Influences, literary influences. Also Philosophy, music, painting. You've just described your work as an abstract painting about paint. And this is somewhat what I felt with another one of your novels that seems more mimetic that others, Cutting Lisa. It looks like a painting; it reads like a painting.
P.E.: I am influenced by everything I read, even things I don't like influence me. They teach me what not to do but they also might do something that I like. Some things stay with me and I do quote. I love Joyce. And that shows, probably less so than Carroll. Maybe not less so, but maybe less obviously.
S.B.: There is a great pleasure in acknowledging these influences.
P.E.: That's why I don't hide them. They might show but I'm not aware that they're showing up.
S.B.: Music seems to inform your work as much as painting, in the rhythms, in the sounds.
P.E.: I'm always happy to hear that but I don't really think about it that much. It pleases me but I don't give it a lot of thought when I'm working.
S.B.: Do you listen to music when you're working?
P.E.: No. I could listen to baroque music because it's predictable. I might like some of it but it's predictable. It's not going to surprise me with anything, except for Bach. But I can listen to Haendel and work, because it kind of disappears, even though it might be pretty. When I listen to jazz, I'm always listening to the music so I can't work. Lately, what I like doing is watching Korean movies. I have a big computer screen, so I always hit it in when I type up for my notebooks. The acting is fantastic and the actors are just so beautiful.
S.B.: Your influences are pretty much European, apart from Moby-Dick and Ellison.
P.E.: There's a lot of Twain.
S.B.: Yes, God's Country is pretty much a re-writing of Adventures of Huckleberry Finn.
P.E.: And Roughing It also. And in a weird way, Twain's overview of Cooper is so hilarious that the source of my madness of satirizing the western starts with reading Cooper.
S.B.: There is more an influence of those southern and western writers than the New England writers, apart from the cameo appearance of Whitman in God's Country.
P.E: I love Whitman, but you can paraphrase him and it does not hurt the poem any.
S.B.: No Emerson, no Thoreau, hardly ever.
P.E.: Well, I've read them and so I'm sure. I find Thoreau somewhat disingenuous. If I think of Civil Disobedience the second person I think of is Martin Luther King, the third person is Ghandi and the first person is Bertrand Russell. And of course a huge influence is Chester Himes and his dealings with people. And he's as crazy.
S.B.: J is for The Jefferson Bible.
P.E.: I don't have much connection with The Jefferson Bible.
S.B.: But you wrote an introduction to this text.
P.E.: Somebody asked me to do it. And I said: "yeah! I've read it!" Obviously, I did not have to read the Bible, but I had a collection of Bibles, different versions of the Bible. Among them was Jefferson's Bible. You have to love Jefferson's Bible because he's agnostic and he's dismissing the divinity of Christ, accepting what teachings he wants. So, there's really no reason for him for being a Christian at all. Did I have to do it or did I have a burning desire to do it? No, but given the opportunity, it made sense to me in the same way that I never had a burning desire to address the state legislature in South Carolina. But given the opportunity... It's like asking somebody: "There's Hitler, do you want to shoot him?", Well, I don't want to shoot him, but it's Hitler, so, there's my opportunity.
S.B.: What about the political statement Jefferson made?
P.E.: Well, it's hard to make a positive political statement when you're endorsing slavery. And finally, he's an outstanding intellect, finally cowardly in some way because he cannot just say: "I don't believe."
S.B.: And you're saying that you're making a political statement too, writing this introduction. But you say at one point that you can't figure out what political statement.
P.E.: No, I wouldn't say that. For me, to say what my political statement is would be first of all to lose faith in language. And more importantly to lose faith in the reader's capacity to create what meaning is necessary for that text.
S.B.: K is for Kant (and Metaphysics). So, you being a philosopher at the beginning, I wanted to know a little bit about your relation to Metaphysics.
P.E.: I don't know my relation to metaphysics. I have a pretty firm footing in the world of the material. Talking about a priori and a posteriori statements, I have to acknowledge that my beginning to understanding that kind of thing comes out of Kant. Though I finally don't agree with him. But that was my introduction to that. And, around the same time, I have very little use for people like him. But someone like Spinoza, or the ever-grim Schopenhauer. Yeah, I like those guys. Laughs.
S.B.: L is for Language. Language is central to your work: you play with it, you distort it, you manipulate it; it manipulates and puzzles the reader. But mainly, the question of language is almost always a philosophical one. Wittgenstein's work on language in particular informs your novels.
P.E.: Well, I appreciate Wittgenstein but there's a failure to practice what he preached. That's the latter Wittgenstein. The early Wittgenstein in the Tractatus is beautiful. But the part of Wittgenstein that is attractive to me is the part that comes back and refutes what he thought was the answer to raw philosophical questions, that being the Tractatus. But when you start reading the Philosophical Investigations, though it's a wonderful book to give you headaches, you think about both the limits and the limitlessness of language. He attempts to indict philosophers for failing to speak their own languages. And in so doing, commits the same failure.
S.B.: So, it's also about the limitations of theory.
P.E.: Yes, insofar as any metalanguage is a theory. And that's where I agree with him. Language doesn't need any help. Language works pretty well. Actually, there's a part near the end of the new novel that addresses language, essentially saying language is the only god we have.
S.B.: Another man-made god?
P.E.: Language was certainly not invented, certainly not discovered. It was waiting to be discovered. And we manipulate it, we change it, we do all sorts of things to it, we add words to it, we take words from it but it's still language. Language creates religion, it refutes religion. It refutes itself. But in so doing, reaffirms itself. We cannot exist without it. It's responsible for our existence.
S.B.: M is for Memory. Memory is an essential part of your work, with its counterpart, oblivion.
P.E.: Well, I was thinking about binaries. You can't forget without memory. Again, memory doesn't mean real either. Memory means what you remember. You can be all wrong, but it informs one's behavior, or it makes someone a different person if they believe their memory is infallible. And no memory is infallible. That's what writing is: constructing memory.
S.B.: Hence the writings on the wall in Zulus. Hence again the re-writing of Medea and Dionysus (Frenzy). Much of your work is about this, including part of American Desert. Memory that goes through sensations as being part of the world, the character's acuteness to the world. There's something like being in the world.
P.E.: We're not new to the world and every time something feels good, it's measured against other things that felt good.
S.B.: But it's one of the problems with history. There's this double movement of forgetting things, erasing them so to speak and creating a sort of collective memory based on myth.
P.E.: It's nothing new. We do it with ourselves all the time. It's when it's done agonistically that there's obviously a danger. Memory does not change organically; it changes by manipulation. That's really diabolical and frightening. There is always a form of manipulation. Every time you remember something, you are re-constructing it and that's why our memories change. Well, it's the way we belong in the world. I wish I had a euro for every time I have said to myself: "I'm looking for a book and the name of the author starts with L," and it's Zora Neale Hurston. But I know that its starts with L. And then I see it but I recognize the book that I want. So my memory is completely fallible. But, I still recognize the thing that I need; that's amazing to me.
S.B.: N is for Nature. I am thinking about landscapes more than anything else. There is a relation to Nature in your work and to particular landscapes, the landscapes of the West.
P.E.: Well, I have spent most of my adult life in the West. It's the landscape I know. Once I saw it, I knew I had to live in it, from Oregon, Wyoming, to New Mexico. The sky is larger, the land is harsher, there are fewer people. And I love the desert because it requires a certain amount of attention. It always drives me crazy when people from the East come to California and say they miss the seasons. I say "ok, well I can't help it if you're inattentive. There are seasons. They're not the ones you are used to, but to say that you miss seasons is to betray your ability to live in a place."
S.B. But you live in Los Angeles, and right now in Paris.
P.E.: I like places.
S.B.: Even when they are cluttered with people?
P.E.: It's not my first choice, but I'm always fascinated. Part of the landscape is Paris is an urban landscape too. I can go to a museum anytime I want to. It's always a few steps away. And the other thing that I love to look at after the rivers and mountains are paintings.
S.B.: O is for Ornithology. Suder seems like a fusion between Charlie Parker's music and the way the character turns into a bird.
P.E.: You know what no one ever asked me? Why the elephant is named Renoir. Isn't that curious? Why is the elephant there? It's kind of the elephant in the room, isn't it?
S.B.: But once you accept the elephant in the room …
P.E.: ...You have an elephant in the room.
S.B.: … you have a structure again. You get something that is logical. Accept the nonsense of something, and it builds up into a structure that works.
P.E.: Yes, and I have nothing to do with it.
Ornithology is first a great piece of music. And I love a version of Bud Powell playing it that I had when I was a kid. That's why this song is special to me. Bud Powell had trouble, he was disturbed and in his solos, you can just hear that. And just try to imagine what is going on in his mind. He is part of the novel; he is the one who releases the dog.
S.B.: And he is the one who nicknames the character "Birdie." P is for politics, the link between writing and politics, the link between literature and politics.
P.E: Every work of art is necessarily political. Even if you try not to put politics in the work that's a political statement. Because it addresses one's relationship to the world. And that's a sense of what politics is. I don't know if it matters that it be performative. Again, the act itself is necessarily political and in the Austinian sense. It's even a political act if I write something that's overtly highly political and hide it in my closet.
S.B.: You link the political with something very personal.
P.E: Well, if it influences you, it influences the world around you. But it's true if I choose not to write something, if someone said to me "I want you to write a piece about Obama," and I said "no," my saying no is a political statement. Every action in the world is necessarily political. It says something about your relationship to the world. Now if you mean by "politics" a more narrow thing, then the discussion changes. One cannot hide from one's own beliefs. I challenge my students all the time. I say: "Write your five most profound fears. If you can write me a story in which I cannot find these five fears, you can have an A, you don't have to do anything else." They can't do it. But also, they are going to work so hard trying to do it, they'll do what I want them to do. The same is true with politics: absence speaks as well as presence in the work. When your characters speak to each other, they'll speak to each other in a certain way. "Why did you choose blue for the boy baby? What are you trying to say?"
S.B.: Yet, you do include political figures, in The Water Cure, for example.
P.E.: The Water Cure was meant as a protest novel.
S.B. Some of your works read like political statements. Erasure for example. There seems to have been an urge to write the book.
P.E.: Well, it shows up but it wasn't really the source of the book. Every work of art is political. That novel was about the culture interfering with making a work of art, the impediments placed in the way of the artist. That's right, there's a sense about the nonsense of Nazis and abstract art. But I can't believe I remember the book.
S.B.: I had the feeling you had written the novel at a time when you were very angry.
P.E: I was more amused. Anger is for suckers.
S.B.: Why's that?
P.E.: Well, it's not the same as outrage. You can experience outrage and see injustice, but as soon as you are swallowed by your anger, you stop thinking.
S.B.: And when people stop thinking,
P.E.: … they don't make art. Laughs. They make diatribe. There are always levels to our displeasure about things.
S.B.: Does outrage lead to action more than anger?
P.E.: It should. Though in recent history, outrage leads to complacency. Once someone feels outraged, they think, "oh! I have felt the outrage, now I've done my part!" The absence of anger should not mean the absence of passion about change.
S.B.: It seems to echo a little bit "The Appropriation of Cultures." Is there the same gesture in those two stories?
P.E.: I'm sure. Again I'm the last person that can speak with any kind of authority about the work but I'm the same person and so the same concerns are floating around me. You can't hide from what's inside you.
S.B.: Except that between the two there seems to be an optimistic one and a pessimistic one, a bitter happy one in the end, I'm thinking about "The Appropriation of Cultures," which is a sort of reversal, with the confederate flag taken away from the Capitol Building, whereas Erasure ends up in a loss of identity, a total loss of identity for the character.
P. E.: Maybe. The wonderful thing about reading is I could read "appropriation" as an appropriation of cultures and think: What a sad world that it has to be taken away. What kind of a loss of identity is inheriting and assuming a symbol that has been so toxic for so long? What does assuming it do to the person? It might be finally detrimental to the person who is controlling that. But you know, I'm just an old cowboy.
S.B.: Q is for Quest.
P.E.: One of my fascinations is with the western figure. But it doesn't start there but with Cervantes, all those novels of chivalry. The Bible: nothing but quest stories. In fact, we have nothing but quest stories. Some fail, some don't: George slays the dragon. In my novels, it depends on what you mean by failure.
S.B.: In Suder, there is in the end a sense of emancipation, of freedom.
P.E.: Even in The Water Cure, there is an answer to his final questions. In Zulus, Alice wanders but she finds her way to the event that will end it all. A happy ending, maybe: you get rid of the pestilence. I'm an environmentalist! (laughs). I remember working the end of the novel. It is an environmental statement.
S.B.: R is for the Real and Reality. Is writing a way to create reality?
P.E.: It's as real as anything else. Who is to say what is real? I can say what is real right now for me. A lie is real. It may not be the truth, but a lie could be real.
S.B.: It's a matter of language again.
P.E.: Even more than that. It's a question of language's inextricable tie to us. And that goes back to Wittgenstein. That language is as much a part of human history as walking. We rely on language for reality. If we didn't speak, we would just find some way to have language.
S.B.: There would be no history without language.
P.E.: There would be no us. Because you can't continue to exist without it. We would all kill each other. There would be no love, because you cannot love something with which you're not familiar. The other question, and that too goes back to Wittgenstein again is: "is a private language possible?" If you're the only person, is there language? How long will the memory of the language you might have had with others last?
S.B.: S is for Silence.
Your characters are often silent and solitary. And this is opposed to sound in your work, the sound of music in particular.
P.E.: Again, we like what we know. I'm usually fairly quiet. You don't get to see anything if you're not silent. If you don't become quiet, and disappear, the animals don't show up.
S.B.: T is for Truth.
P.E.: Truth is interesting to me because truth is more faithfulness to something and not to facts, but to context and understanding. It's also amorphous. We need things to be true in different ways at different times. Maybe, for me, speaking about truth and fiction is closer to speaking about truth and life. It's not about being factual. It's about fairness. Fairness and also a rejection of one's own agenda.
S.B.: Hence the problem with truth and politics.
P.E: I don't really know if you can put those two together. But that would be the problem. It's interesting, though I think much to his credit, Barack Obama has been truthful as a politician. That's what doesn't make sense and is kind of wonderful. Now, does that mean he tells all of the story? Well, no, but he doesn't lie. And neither did Jimmy Carter and you saw what happened. George Bush lied all the time and he was elected, well, he was in office twice. Bill Clinton, who lied famously, was probably pretty honest. Lies are part of truth. Because you can't know all of the facts. You can't know everything everyone is thinking. It takes some fabrication and if the fabrication is a lie, it takes some lie to understand the truth. Good history contains in it an element of fiction. Language doesn't lie.
S.B.: Yet, the narrator in The Water Cure says that "language is an immoral universe."
P.E.: That was part of his world. Language is necessary for the justification of his behavior. An assumed language. The language that one uses isn't necessarily language. The notion of language is not my usage of language. It's not the language I think. And I wouldn't even say it's an ideal. It might be the only thing that has a simple and pure existence. Even more so than numbers. Because numbers are constructions. We don't really construct language. We use it. It was waiting for us. In fact, I was on the train one day and I noticed the fact people had noses and that's one of the things that remind me that we are animals and the thing that makes us different is our arrogance. We think that other animals don't feel the way we do. We think we're special. Other animals, as far as we know, simply don't assume these things. It's like the fifty monkeys with fifty typewriters: if you let the fifty monkeys type forever, they will finally write Macbeth.
S.B.: U is for the U.S.A.
P.E.: I just don't think that there should be flags anymore. Flags are a bad thing. We're only sticking them in things and tying up the people who don't have a flag. And this idea of patriotism! And the myth of our soldiers! Everybody thinks our soldiers are great. They might be young and they might be brave. But there are a lot of brave criminals too. History becomes mythology. Flags limit territories. I don't know how an artist can abide by boundaries. If you're a painter, what you hate the most is the edge of the canvas. What you want to do is create a work that speaks to the world around it, so that there is no edge to the canvas. Even though I live in my house with my family, even though I choose, if I can, to be away from everyone, I want to seriously blend in with the world around me, to participate and the edges or the flags that categorize and separate tend to prevent me from doing that. The world around me doesn't necessarily mean people. It's the seasons, it's the birds. Because to tell the truth, people have just begun to bore me. They're so repetitive. And not in good ways.
S.B.: V is for Violence. There is a lot of violence in your work. It's extremely violent.
P.E.: That's pretty true. The world is a violent place. In the fiction of a large world of human beings sadly, necessarily there is violence, whether it's psychic or physical. The physical is sometimes easiest to abide. Because it can be more easily controlled. It's easier to stop it. Look at those boys playing video games. The violence is not in the games. The violence is what it's doing to their ability to think. And that's what's pernicious about it. I don't think they're going to be necessarily more violent people, but what it does is make violence acceptable to them. It makes them less compassionate, and it just hurts the imagination. Music videos. When I was growing up, music conjured images in my head. No one supplied them. And music would do whatever it was going to do. Music videos: people didn't have to come up with what the songs suggested; it was given to them. So there's a level of imagination taken away. Not to mention the level of addiction to games and videos that closes down the frame. What's amazing to me is that American television and movies, they'd rather cut up sixteen people in front of you than show you a penis. And that's more pornographic. You would think a gun should feel like it weighs a hundred pounds in a hand. It should feel unnatural.
S.B.: W is for Wounded. It seems to be a word that sums up pretty much most of your work. People are wounded, nature is wounded.
P.E.: That's what makes us human. It's what makes us individuals, dealing with our pleasure and wounds. We mostly survive. If you've been wounded, you've been wounded. And if you haven't been, then you've been wounded in a different way. It's not a good thing; it's not a bad thing. It is.
S.B.: X is for Xenophanes. And the Presocratics, especially in The Water Cure.
P.E.: The character is trying to get back to the roots of thought in his culture. How do we get from there to here? His enterprise of reconstructing ancient philosophy is all bad thinking. As much as I hate Hume, he's right that the philosophy employed with some kind of scientific method is near pronouncements and there is no reason to believe in them. But, if someone thinks it, it has been thought. So it's worthy of consideration. Awfully silly things turn out to be pretty close to the truth. Science fiction turns out to be pretty close to the world we have now.
S.B.: Y is for You Choose.
P.E.: Yelp. I just like that word. Because if you yelp, you get help.
S.B.: Z is for Zulus. Where does the title of the novel come from?
P.E.: Can't tell anybody. It's because of the reference to Blood River. It's really also a private inside joke.
S.B.: Now, why is the elephant in Suder called Renoir?
Sylvie Bauer, « Percival Everett: An Abecedary », Transatlantica [En ligne], 1 | 2013, mis en ligne le 09 juillet 2014, consulté le 21 janvier 2022. URL : http://journals.openedition.org/transatlantica/6369 ; DOI : https://doi.org/10.4000/transatlantica.6369
"Literally Everything I Utter Is a Metaphor": Thought Unhinged in The Water Cure and Percival Everett by Virgil Russell, by Percival Everett [Texte intégral]
Paru dans Transatlantica, 1 | 2020
Stéphane Vanderhaeghe, Robert Coover & the Generosity of the Page [Texte intégral]
« A good place to throw ashes to the wind » : « Revenir du pays des morts » ou les soubresauts de la pensée dans Percival Everett by Virgil Russell, de Percival Everett. [Texte intégral]
Nathalie Cochoy, Passante à New York [Texte intégral]
Pessac, Presses Universitaires de Bordeaux, 2010, 241 pages


Harrison Newlands is a cannabis industry executive currently working for Fire & Flower as the head of business development. Harrison is an active investor within the cannabis space, who has co-founded, and advised numerous cannabis-related businesses and ventures. Harrison's expertise is in business development, strategy, and financing, he also carries extensive professional knowledge within the North American cannabis market. Harrison has a distinctive ability to evaluate business opportunities both within Canada and globally. Lastly, he is a Director and Board Member of the Newlands Family Foundation.


Spend two days sewing, eating, drinking and chatting at Old Walls Vineyard in Bishopsteignton and create a stunning floral wreath to treasure.
Spend a relaxing day learning how to make and sew a variety of fabric flowers and create a stunning fabric floral wreath for your home.
Come along and spend a morning trying the vintage craft of macrame. During the workshop you will learn some basic macrame knots and create a fab pot holder. You will leave with the skills you need to create your own designs and carry on the craft at home.
Spend a morning learning the relaxing craft of punch needle and create a gorgeous wall hanging. You will get to take your punch needle tool home with you so you can continue this fab craft after the workshop.
Spend a relaxing day making and sewing a variety of felt flowers and create a stunning floral wreath.


text:
La missione speciale di Dug (Dug's Special Mission) è un cortometraggio animato del 2009 in CGI, diretto dall'animatore Ronnie del Carmen e prodotto da Pixar Animation Studios in co-produzione con Walt Disney Pictures.

Trama
Il simpatico cane Dug è impegnato nella caccia al misterioso uccello. Tuttavia le sue azioni sono spesso d'intralcio ai suoi capi, Alfa, Beta e Gamma, che lo rimproverano spesso per avergli impedito di catturare l'uccello.

Dug è però intenzionato ad aiutarli: Alfa e i suoi compagni non sembrano particolarmente d'accordo e per tenerselo fuori dai piedi escogitano tanti stratagemmi per distrarlo. Inizialmente, gli chiedono di sorvegliare un grosso masso, che loro spacciano essere il preferito del pennuto. Dug esegue i loro ordini, ma un suo movimento brusco lo fa muovere rischiando di travolgere Alfa e i suoi luogotenenti.

I tre gli ordinano allora di restare in una buca, anche questa spacciata per essere quella prediletta del pennuto. Poco dopo, però, la terra all'interno della buca scivola giù facendo precipitare Dug lungo un tunnel al termine del quale finisce sopra i suoi capi.

Seguono una serie di altri incidenti al termine dei quali, frustrati dai continui impedimenti, Alfa e gli altri rimproverano duramente Dug di essere un cane cattivo. Intristito, il cane vaga per la valle finché non sente delle voci umane in lontananza: sono Carl Fredricksen e il piccolo Russell, in viaggio verso le Cascate Paradiso insieme a Kevin, il misterioso uccello gigante a cui Dug stava dando la caccia.

Produzione
Il corto è pubblicato nell'edizione DVD e Blu-ray Disc del film Up.

Collegamenti esterni

Cortometraggi Pixar

redpajama_set_name: RedPajamaWikipedia


text:
GoldenPalace.com: 'Super Bowel' Streaker Makes Irregular Appearance at Super Bowl XXXVIII
Golden_Palace
HOUSTON, February 2 /PRNewswire/ -- In an unconventional display of high-visibility marketing, notorious British streaker Mark Roberts pulled off his first successful North American streak at Super Bowl XXXVIII while displaying the Internet address "GoldenPalace.com" as a Henna tattoo on his bare chest and back.
View 159.3K
word 385 read time 1 minute, 55 Seconds
Disguised in a tear-away referee uniform, Roberts jumped out of the crowd at the beginning of the second half, ripped his clothes off, and ran to midfield wearing nothing but a plastic football covering his genitals. The naked Roberts danced around and showed off his tattoos for nearly half a minute to the delight and hilarity of the crowd before security finally hauled
him off. The words "Super Bowel" were written on his back along with the Internet casino's website address.
Recognised by the Guinness Book Of World Records as the world's most prolific streaker, Mark Roberts has made a name for himself by streaking various sporting events mainly in Europe and abroad. Given the unprecedented security measures in place at Houston's Reliant Stadium for the Super Bowl, Roberts' first successful North American streak is without a doubt his
greatest yet.
GoldenPalace.com has become notorious for high-profile marketing. Their tendency for innovative and outlandish advertising has become a staple in the sports world. Since the first appearance of their ad tattoo on boxer Bernard Hopkins three years ago, they have "backed" dozens of athletes and
celebrities.
More on GoldenPalace.com
Founded in 1997, GoldenPalace.com provides high-quality online gaming, incorporating advanced technology, software, and infrastructure with the highest standards of service in the gaming world today. Due to an extensive online and offline marketing strategy, GoldenPalace.com has been featured on a number of prominent media outlets including CNN, BBC, CBS, NBC, ABC, FOX, ESPN, TBS, The Tonight Show with Jay Leno, Late Night with Conan O'Brien, The Howard Stern Radio Show, Live with
Regis and Kelly, The MSG Network, The New York Post, The Wall Street Journal, Sports Illustrated, Yahoo!, AOL, MSN, and many more.
Contact: Fred Sebag: +1-888-338-9884
CONTACT: Fred Sebag of GoldenPalace.com, +1-888-338-9884 ,
Photo: NewsCom: http://www.newscom...rnh/20040202/NYM131 ,
AP Archive: http://photoarchive.ap.org ,
PRN Photo Desk, photodesk@prnewswire.com ,
Web site: http://GoldenPalace.com
Source by Golden_Palace
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Sabato, Super Elastic B...c live al Rolling Stone!
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What do I feed the little black ragwort?
What kind of toys will they like?
What sort of maintenance supplies should I keep on hand?
What about leashes, halters, collars and coats?
Those are all valid concerns and I will try to point you down the right path to provide answers or at least direction so that you can make informed decisions about the needs of your new puppy.
Lets first talk about food.
In addition to what I wrote here, be sure to take a look at the article called What is the best food for a Black Lab Puppy. It goes into the type of food I feed my black rascal Guinness and the reasons why. The choices you make early on will determine a lot of attributes and attitudes about eating that your dog will have.
That is why it is so important to start your puppy off on the right track. Generally, your puppy should be around 8 weeks when you get them. They are use to being with the rest of the litter and still nursing, (to a small extent), from mom. They still have baby teeth and are not real good at eating dry kibbles 100% yet. So you need to change two thing about your feeding habits for your new pup. First, unlike a full grown dog where you feed 2 times a day, you are going to want to feed your baby 4 times a day. This is a good transition from nursing mom approximately every 2 -3 hours. When your pup gets permanent teeth you can change it to the normal 2 times a day. It will also be a good idea to moisten (not soak) the kibbles a bit if it appears that they are having a tough time chewing the dry food. Follow the amount to feed as advised by the manufacturer and you should be good.
You are going to find out that your new little puppy does not like being alone at night.
Cry, cry, cry like they are being tortured in Guantanamo! They are used to being snuggled with mom and sibling with warmth and companionship. So this new life outside the litter will be a little hard at first. They will live and so will you.. but it is generally not much fun that first week or so. Having a bed that snuggles them in is a good choice. Take a look at this bed on Amazon. It has high sides to snuggle the puppy in, it also comes in a Jumbo size for a little bigger dogs. (lots of colors too) and even though it is durable, it is soft to the touch. When you put you dog to bed at night in this bed, put in a sweater, or sweatshirt of yours. Your puppy will smell you and that will help reduce the anxiety of being alone.
A lot of the time they play with things they should not play with. When this occurs you need to do two things: first remove the little troublemaker from what ever he was playing with that was not allowed (Mom's Alpaca Scarf) and redirect them to a toy that is ok to play with. I wrote a pretty extensive article on the 5 best toys for a Black Lab, but toys for a puppy are a little different. You need to get toys that resemble the toys that they will play with when they get older. Puppy's learn by repetition and if you give him a toy that looks like Mom's Alpaca Scarf, it wont be long before they start playing with Mom's Alpaca Scarf. See the connection?
toy on hand to chew on rather than the chair legs to the dining room table or your Dooney and Burke Purse. Amazon has a ton of puppy chew packs that contain a variety of different toys.. both chew and soft. These multi packs will afford you the ability to figure out what your pup really likes without having to either force something on them they don't like too much or make you take several trips to the store to find something else that fits the bill. Here is a link -> to the Multi Packs on Amazon.
No reason to fret or worry, the bottom line is that your puppy is going to make messes.
Notice I didn't say make a mess. It will be messes.. plural. From plants being torn out of the pots, to poo on the kitchen floor, urine in the hallway and holes dug in the flower garden. A puppy simply does not know out of the box what is right and what is wrong. You have to be patient and understanding and teach them. So load up on cleaning supplies, paper towels, shop rags, pine sol and brooms because you will need them. Having a ton of extra patience might be a good thing to have as well. When your pup does things that you see as unacceptable, they need to be scolded and moved to a new activity that is acceptable. Rinse, Wring-out and repeat. Your pup learns by repetition.
"Accidents" are common in the early days of puppy-dom.
One of the things that we did that helped in potty training Guinness was to take him outside, at night, on a regular schedule to go potty. My wife and I would take turns and on alternate nights (this method insures at least one person gets to sleep all night) go down and get him and take him out side to wander around a bit and he would pretty much every time, go pee.. if not #2. We did this every two hours all night for about the first month. He slept at night in a large dog crate, the biggest one we could find. I am not a firm believer in dog crates, but there use was probably unavoidable in his first month. It enabled us to know he was safe, our house was safe and he got used to sleeping in his bed. Our office is located below our loft bedroom and that is where Guinness slept. We installed a dog door in the office door that leads to the back yard. After about a month of taking him out side every two hours, we built a plywood tunnel about 2 feet long and placed it between the dog door and the crate. He quickly figured out how to use the dog door on his own and from then on went outside on his own to potty. Even during the day, "the accidents" stopped.
For those who are interested here are links on Amazon to the type of doggie door we use (it is durable) and the crate we had (even a caveman could open it). these come in different sizes and also in different colors. Get the biggest one your wallet will allow with cringing.
Last on my list is leashes, collars, halters and coats.
I will start with coats. I have never gotten a coat for Guinness. I seriously don't think he ever gets cold. Let me rephrase that.. I don't think he seriously ever gives a second thought to being cold, because there is so much cool stuff in the world that is more engaging. Black Labs, and/or Labrador Retrievers in general is what this site is about and so it follows that a coat for a lab really serves no purpose (maybe for a fashion statement?) Labs are double coated, that being they have a sleek water repellent layer on the outside and a fuzzy dense furry layer next to their skin to keep them warm. To illustrate this my daughter took Guinness down to the Bitterroot River in Western Montana one February morning to go for a walk. The first thing he did was go jump in the river.. He thought he was having the time of his life and cold did not even come to his mind. On a different note, my wife has a chihuahua / miniature pinscher (min pin) that is almost always in a coat from October to April.. So, indeed some dogs need coats.
Guinness always has a collar on. We use a nylon collar with a stainless steel clasp. It has his name and our phone number on the collar. If he decides that following the Fed Ex driver is more exciting than staying home and he ends up at the neighbors, they will have a way to let us know. We use nylon because it is durable and washable and we insist on the stainless steel buckle because a plastic on will break. Always.. Eventually. Here is the one we have for Guinness on Amazon, affordable and simply said a dang good dog collar. 5-star.
If we take Guinness out in public we always have a halter on him.
If there are issues with people or other dogs you NEED to be able to control your dog. I have seen more times than I can count, dogs pull out of their collar when the handler was hanging on to it either directly or with a leash. A dog fight ensues, a dog runs off or other unmentionables that might involve traffic, police or people who don't like dogs. We have used a lot of different halters over the years. As Guinness grew, we would get a different halter for him. Almost all that go around the chest as well as his neck worked well. The most important factor when choosing a halter is to make sure it fits. Take your dog to the merchant and have him try it on! If they frown on having your dog in there business, go somewhere else. Here is a link to the Amazon Search for dog halters, take a look, read the reviews, note the rating and get an idea of all the different kinds. this will give you a guide to go by when you are actually shopping.
As far as a leash goes, this is my recommendation. Buy a 6′ Nylon (at least 1″ wide) with a steel clasp on the dog end and solid wrist loop on the handler end. Don't waste your money on one of those retractable long corded leashes for your black lab. They will get tangled on trees, benches, people, other dogs and if your 100 lb lab takes off on a dead run with 20 feet of slack, the cord, the leash or your arm is gonna break. You want your dog to be relatively close to you if you need to control them. Save the long corded retractable leash for your unruly grandson. there is a ton of good, affordable leashes on Amazon. Here is a link to those Leashes.
Remember: Buy a 6′ Nylon (at least 1″ wide) with a steel clasp on the dog end and solid wrist loop on the handler end.
So now you have seen my list of must-haves and some tips and tricks that I have learned over the years in raising Black Labs. Hopefully they were some help! Please comment if you have any questions or more to add!


text:
The Best Screen Recorder for Mac
ByJeniffer O September 29, 2022 October 1, 2022
Do you want to record something on Mac? Do you want to capture an online meeting, an exciting video clip, a video call, or live streaming videos? Whatever you want to capture, free recording software for Mac is needed. Here, the best screen recorder for mac are listed. Keep on reading to learn more information.
Best Screen Recording Mac
1. EaseUS RecExperts
EaseUS experts is the greatest choice when it comes to the best recording software for Mac. This program provides for flexible recording of both the entire screen and a chosen region. Additionally, you can concurrently record the screen on a Mac while using the microphone, external audio devices, or system sound.
In addition to screenshotting the screen, you can easily click to record the screen or video as a GIF. Most significantly, you have access to more choices, including the ability to customize hotkeys and other features.
2. QuickTime Player
You need to be acquainted with QuickTime Player, a free video recording program for Mac. On a Mac, videos can be played, recorded, edited, and shared. It is possible to record the screen while using external voice.
With a few clicks, you may quickly capture the entire screen or a specific area. You can quickly record online meetings, streaming films, and other screen-based activities with this Mac screencasting program. Most importantly, because of its user-friendly interface, it is simple for newcomers.
The only limitation is that it cannot record internal audio on Mac.
Simple and intuitive user interface
Free screen recorder for Mac
Offer recording and editing options
Allow sharing the recorded videos with your friends
3. macOS Catalina
MacOS Catalina, often known as macOS 10.15, is one suggested Mac operating system with a built-in screen recorder. It is a versatile tool with lots of functions. With the help of this program, you may quickly handle a complete Mac screen or a specific area. Here are some other characteristics of this tool.
Practical screen recording software Mac free
Record full screen or a specific region
Allow a obvious toolbar to choose the suitable option
4. OBS Studio
For Mac users, there is an open source screen recorder called OBS Studio. Its configuration options are strong and simple to use, making it simple to add additional sources or change the parameters.
Additionally, this free screen recorder for Mac allows you to switch between an infinite number of scenes with custom transitions. Additionally, as it supports live streaming, you can record streaming audio with it.
Completely free for all users
Allow capturing real-time activities and great live streaming videos
Offer intuitive audio mixer with per-source filters
Compatible with Windows, macOS, and Linux
5. ScreenFlow
Another free Mac screen recorder with audio is called ScreenFlow. After recording is complete, this screen capture program gives you a variety of editing options.
You can record microphone or computer sounds using ScreenFlow as well. Additionally, the keystrokes and mouse movements can be programmed into this Mac screen recording software, making the recording much more engaging.
A lightweight screen recorder and video editor
Export almost all the major formats and directly upload recorded videos to YouTube
Enable you to record video and audio simultaneously
Mac screen recorder with audio free
6. Screencast-O-Matic
Easily customizable Mac screen recorder and editor, Screencast-O-Matic. With this screen recording tool, screencast videos can be made without cost. When the recording is finished, use the built-in editor to customize the save. Additionally, you may instantly add overlays, text, animations, visual effects, and many other things to your recorded video.
Available for Windows, macOS, iOS, Android, and Chromebook users
Offer basic yet useful video editing tools
Add and size the webcam for a picture in picture effect
Share the recorded videos to social media platforms like YouTube
7. Snagit
You may record video and take screenshots with the screen recording software Snagit. This screen recorder may record a window, a region, the entire Mac screen, or a scrolling screen. It enables you to easily save your video clip as an MP4 file or animated GIF. You can also fast extract individual frames from the recorded films.
As a screen recorder Mac free, you can use it to remove any unwanted sections from your screen recordings by a trimmer after recording.
Allow recording the iOS screen with Snagit
Record screen, webcam, audio, and other things on your screen
Turn video into an animated GIF and add it to the website
Free Screen Recording Software Mac No Watermark
1. Media.io
You can edit, convert, and compress multimedia files, including photos, movies, and audio files, with Media.io, an all-in-one online video toolbox. Additionally, a free screen recorder and webcam recorder are available, allowing you to record both with audio. Try the Media.io screen recorder if you want a free screen recorder without a watermark.
This watermark-free, excellent internet screen recorder from Media.io has exceptional recording capabilities. The system audio sound can be included or excluded when recording the whole screen, a single window, or the Chrome tab window. The screen recording you just made can be edited right away in the timeline or uploaded to your workspace. Anyone who desires the recorded video may attempt it in order to obtain the proof of the end outcomes without a watermark. Additionally, it has the option of trimming, flipping, rotating, etc. to provide consumers even better results.
Great functionality with an easily understandable interface.
It records the screen with high-quality system audio.
Multiple modes for recording are available, including the Chrome window, the entire screen, or a specific application window.
Records and also edit the video in one place.
io supports many video formats.
Customizing the specific area to record is not available.
The finest free recording program without a watermark is OBS Studio. It virtually has every function you would find in a high-end screen recorder. Additionally, it is open-source software that works with all operating systems. Professional video producers use the software to live stream and record screen and webcam movies due to its extensive range of capabilities and functionalities. Here are OBS Studio's benefits and drawbacks.
Advanced recording options are available.
Recording at high resolution and frame rate.
Customization of recording parameters as required.
The video editing platform is quite robust.
The user interface is slightly complicated.
3. Free Cam
For Windows users, Free Cam is a free screen recorder that may be downloaded without a watermark and without a time limit. The software includes a pro version, however the recording time is still unrestricted. However, the pro edition includes more functions, including picture-in-picture mode and webcam recording, and greater quality. However, you must save the recorded file in WMV format and can only record at 760p quality when using the free version. Here are Free Cam Screen Recorder's benefits and drawbacks.
Customize the recording area.
Record system sound and mic sound.
Highlight mouse point and trim video.
Remove background noise easily.
Upload directly to YouTube.
The recording resolution is not full HD.
Limited editing options in the free version.
4. ShareX
Another watermark-free open-source screen recorder for Windows users is ShareX. It is a strong recorder with a wide range of features and functionalities. For instance, you can flawlessly and instantly record your screen and upload the captured video to a number of internet channels. Additionally, the software offers a web connection so that you can instantly share the recorded video with your friends and coworkers. Here are ShareX's benefits and drawbacks.
Record screen at high resolution.
Take screenshots and get a web link to share.
Capture page scrolling effectively.
Option to upload recorded video instantly.
Video editing option available.
The user interface is not modern.
I need some time to get used to all options.
5. Windows 10 Game Bar
Windows 10 Game Bar is another exclusive free screen recorder without a watermark for Windows users. On versions of Windows 10 and higher, the tool is pre-installed. Consequently, there is no requirement to install any third-party screen recorder. The program has shortcuts that make recording your screen easy, and it looks like a widget. Even screenshots and microphone recordings are available. The Windows 10 Game Bar's benefits and drawbacks are listed below.
Record screen at full HD resolution.
The audio mixer is available for customization.
Super easy to operate and capture screen.
Take screenshots and make memes.
Different widgets to monitor system parameters.
The system performance can get affected.
6. QuickTime
Only available to Mac users, QuickTime Player is a free recording program without a watermark. Since QuickTime is already installed on Macs, an external screen recorder is not required. It's simple to record, and if your iPhone or iPad is linked to your Mac, you can even record the displays of those devices. There is no problem with file format compatibility, and you can play the recording immediately. You can modify the recorded video in QuickTime so that it is prepared for publication on different online sites. Here are QuickTime's benefits and drawbacks.
Recording at high-quality resolution.
Record connected iPhone and iPad.
Basic editing options are available.
Super easy steps to start recording.
No external installation is required.
Not available for Windows users.
Recording audio from the mic is troublesome.
7. VLC Media Player
The inclusion of VLC Media Player on this list might surprise you. This is because playing audio and video files is VLC's primary use. VLC Media Player, however, also has a recording function. Without a watermark, you can record your screen for free. The recording time is not restricted because there is no pro version available. Simple actions are required to record the screen, and the player itself promptly plays the video that was captured. Here are VLC Media Player's benefits and drawbacks.
Versatile software for recording and playing video files.
Use hotkeys and shortcuts to control operation.
Save and even convert in different file formats.
Compatible with all operating systems.
Fewer settings are available for adjustment.
Cannot record customized areas.
8. Debut Video Capture
A versatile recording tool without a watermark is Debut Video Capture. There is no registration required to download and use the software in its free edition, which is available for non-commercial use. Both the recording area and webcam recording are customizable. Actually, the software makes it simple to capture from any external device. The recording can be saved in a variety of file types. You can choose to take screenshots and record time-lapse videos. Here are Debut Video Capture's benefits and drawbacks.
Record any desired screen area.
Adjust recording parameters.
Highlight mouse clicks and keystrokes.
Capture system and mic audio.
Standard editing options are available.
Add own watermark, logo, and text.
It takes time to get used to the interface.
A watermark-free screen recorder that works with all devices, Screencast-O-Matic is free. You may record your screen while on the fly using this online screen recorder. Install its launcher on your device first, then immediately begin recording. A pro version is offered with additional features and functionalities. For instance, while recording the screen, you can add text and create shapes immediately. Here are Screencast-O-advantages Matic's and disadvantages.
The Best Screen Recorder No Time Limits[Free and No Watermark]
The Best Screen Recorder No Time Limits[Free and No Wtermark]
Listed below are five screen recording software suitable for different computer operating systems, let's preview the basic introduction and features of this five software.
# 1. RecForth(Windows-Free)
A full-featured HD screen recording program with limitless recording time is RecForth. You can record without being concerned that the program will cut you off in the middle. Additionally, you can choose a period when the screen recording should end, at which point it will do so automatically and allow you to save the recorded file. RecForth can therefore accommodate your demands whether you wish to capture a little video or a lengthy one. Although RecForth is free software, it comes with a lot of extra advanced capabilities. A built-in webcam, for instance, can record your movement and display it on the computer screen, while a microphone can clearly record system sounds for you and enable voiceovers. RecForth improves its performance by utilizing cutting-edge recording technology, which makes it ideal for full-screen and partial screen recordings.
Unlimited time recording
Free and no watermark
Support stopping recordings automatically
Support webcam overlay and add voice-over
Allow take screenshots
2. ScreenRec(Windows, Mac, and Linux – Free)
For Linux and Windows, ScreenRec is a simple video recording software. You may record your computer's screen in high resolution with this free screen recording program, and there is no time limit on how long you can record for.
The program also has the ability to record camera, speech, and voice from your computer. When using ScreenRec, you can take screenshots while recording and make films without them afterward.
Record system sound and your voice
No watermark or time limits
Allow taking a screenshot
Support open webcam
3. ShowMore(Online – Free)
One of the best online screen recorders, ShowMore can export recorded video without adding a watermark and offers limitless recording time. This online recording tool is excellent for work and school as well as learning and fun because it lets you record your screen and camera simultaneously.
You can modify live while recording using ShowMore, adding text, arrows, notes, etc. You can safely host the recorded video on a cloud disk after you've finished recording.
Free and no time limit
Allow editing in real-time
Record video and audio simultaneously
5. Camstudio(Desktop-Free)
You may easily and rapidly record your screen with the free and open-source screen recorder Camstudio. Before recording, you can also make certain advanced settings, such as permitting voice-overs and inserting annotations.
CamStudio is fully functional and simple for beginners. The video files will be exported to AVI format, but the final file recorded with this tool will be big.
Record with no time limit
Easy-to-navigate interface
Edit to the program code
Best Screen Recorder for Mac with Internal Audio
One of the most popular screen recorders for the Mac platform is QuickTime Player. It also includes the additional capability of a media player. As a result, it can be used as a player to play media and record what is happening on the screen.
It's important to remember that the QuickTime Player can only record the screen. It differs significantly from screencasting software in that it does not record webcam or screen activity. Both cannot be recorded at the same time.
The free screen and audio recorder for Mac, QuickTime, has two distinct recording modes. The ability to record the entire screen is available in one mode, while the ability to record a specific portion of the screen using the mouse is available in the other. Additionally, the QuickTime Player has features for audio recording.
With the use of a microphone, you can add audio recording to the video recording. You can select the audio input device you want to utilize with QuickTime Player thanks to its advanced intelligence. If you prefer not to record any audio along with the video, you may also set the audio capture device to none.
2. Screen Recorder Robot Lite
The Screen Recorder Robot Lite is among the first names that come to mind when people discuss Mac screen recorders with audio. Since it is included in the list of free software, you do not need to pay a monthly or yearly subscription fee to keep the services running on your computer.
This is a very capable program designed to screen record, capture a screenshot, and edit it. The application detects taskbars, menus, and windows on the screen automatically. The magnifying tool can be used to choose a specific area of the screen if there is any difficulty doing so.
The same magnifying tool can also be used to show the screen's length, height, and width. The user interface of Screen Recorder Robot Lite is incredibly fluid and offers excellent functionality. With this software, you can record your screen at a paid-for level for free. The absence of a watermark in the recorded videos is one of the Screen Recorder Robot Lite's outstanding advantages. Your screen recordings can be trimmed, cropped, or edited as needed.
3. Recordit
A wide range of really helpful apps is available for Mac. One of the top Mac applications is demonstrated to be Recordit. Because of its high-level coding structure, this software performs better than others if you want to free record the screen on a Mac. On the App Store, it has received a four-star rating.
Additionally, it adds entertaining aspects like animated gifs and photos to the screen recording. It is impossible to ignore some flaws in this software, such as the inability to record audio in addition to the screen footage. Allowing for audio synchronization is difficult.
This Mac screen recorder with free audio and limits video screen recording after five minutes. Recordit is a great program with a basic approach to screen recording if you're willing to work through these problems. All of the buttons on Recordit's superb user interface are located on the screen where you will be recording. As long as the software is recording, you can switch between the controls. In addition, the modified program has a charming appearance and is versatile.
One of the best watermark-free free screen recorders available for Mac and iOS is OBS Studio. Users will be able to flawlessly record the screen with this program. The software's ability to create and broadcast live stream videos is one of its distinctive characteristics. You can confidently add or insert particular video clips from other videos on the captured screen using OBS Studio.
Although the software's user interface may be a little boring, do not undervalue its capability as it comes with several extra capabilities, most notably a Studio Mode. Other screen recorders don't use the extra functions, notably those that fall within the free usage category. OBS Studio can be used for both personal and professional use, but because of its simple user interface, it is particularly well suited for official uses.
5. Jing
Jing is a screen recording program created by a company known as Techsmith. It is a video recording program that doesn't cost anything to use on a Mac. Additionally, this software allows you to capture short segments of video. The software screen appears as a sun icon when it first loads. This icon can be moved about the screen and positioned wherever you choose. This icon directs you to the Jing software's features. The features allow you to easily record films, snapshots, and your current screen while it is being used.
Jing offers a user-friendly interface with choices you can make either before or after pressing the record button. High functionality is provided by this screen recorder without paying anything for the software. You can record screens of any length, width, and height using Jing on a Mac laptop or an iOS mobile device.
Every computer user will eventually need a screen recorder for a variety of reasons. To demonstrate the steps of carrying out a process, for instance, you might need to record your screen and share it with others. For instance, you can create a tutorial video by recording your screen. Additionally, you can record your gaming and upload it to several social media and video-sharing websites. However, you must choose a free screen recorder if you wish to capture your screen without a watermark.
Post Tags: #best screen recorder for mac with internal audio#Free Screen Recording Software Mac No Watermark#The Best Screen Recorder No Time Limits[Free and No Watermark]
The Best Free Screen Recorder for Windows 7
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Best Screen and Video Recording Software
Trying to find the best screen recording software sometimes turns into a confusing task, as there are way too many different programs around that do very similar things. In an attempt to alleviate this problem, I've decided to gather together information on different screen and video recording software tools into this single article. Screen recording…
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Best Screen Recorder on Ubuntu
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Open Broadcaster Software Studio (OBSS) OBSS is a feature-rich, advanced screencasting and recording tool. OBSS has an online streaming option and can post videos to Youtube, DailyMotion, and Twitch platforms. This is the best application for advanced users who wish to record tech videos or live-stream gaming videos. OBSS also has a flexible configuration for…
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Best Screen Capture Recording Tools
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Best Tool to Record Screen
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There are a ton of ways to record your computer screen nowadays, most of which will cost you. But not all business-grade screen recording software is free. This short guide shows you some of the best options for open-source screen capture software that won't cost a penny. Screen recording utility to capture the desktop, create…
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Best Screen Recorder for Linux Ubuntu
Tools like screen recorders are not used by normal computer users but there is a particular set of users whose work heavily relies on screen recorders such as professional YouTube Creators who make many video tutorials, gaming and software reviews, How-to guides and for professional gamers who like to go online while playing their favorite…
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text:
The Dominican Republic men's national softball team is the men's national softball team of Dominican Republic. It is governed by Dominican Republic Softball Federation and takes part in international softball competitions.  The team competed at the 2000 ISF Men's World Championship in East London, South Africa where they finished seventh.

References

External links
 National Federation Website

Softball
Men's national softball teams
Men's sport in the Dominican Republic
Softball in the Dominican Republic


Having now read the full Corban decision, I am impressed with the clarity of the analysis set forth in the opinion. See Corban v. United Services Automobile Assoc., 2009 Miss LEXIS 481 (Miss. Sup. Ct. Oct. 8, 2009). The Mississippi Supreme Court carefully considered the facts, offered a common sense analysis to the anti-concurrent causation clause, and determined the provision had no application to the facts at hand. The case has implications for Hawai`i because homeowners' policies issued here typically include an anti-concurrent causation clause.
The Corban's home suffered significant damage from Hurricane Katrina. They held both homeowner's and flood policies with USAA, and submitted a claim for $1,607,926. USAA hired an engineer who determined all of the first floor damage was caused by flood. Therefore, coverage was limited to replacing the roof and repairing some of the damage around the house. The Corbans eventually received $433,903.77 from USAA (the maximum payment of $350,000 under the flood policy and $83,903.77 under the homeowner's policy), leaving $1,174,022 in claimed losses unsatisfied.
When the Corbans sued, USAA's motion for partial summary judgment was granted. The trial court judge found "storm surge" was within the definition of "water damage" and therefore an excluded peril. The anti-concurrent causation clause was unambiguous, but barred coverage for any damage caused by water or caused concurrently or sequentially by wind and water in combination.
The Corbans filed an interlocutory appeal. The Mississippi Supreme Court considered three issues: (1) did the trial court err in finding that "storm surge" was included in the "water damage" exclusion; (2) did the trial court err in finding that the anti-concurrent causation clause was applicable; (3) which party bore the burden of proof?
The Supreme Court rejected the Corban's argument that "storm surge" was a covered peril because it was not included in the definition of "water damage." "Storm surge" was plainly encompassed within the "flood" or "overflow of a body of water" portions of the policy's "water damage" exclusion.
The Court next focused on the anti-concurrent causation clause, which excludes listed categories of loss "regardless of any other cause or event contributing concurrently or in any sequence to the loss." The terms analyzed by the Court were "loss," "concurrently," and "in any sequence."
Regarding "loss," the Court criticized other courts, including the Fifth Circuit Court of Appeals, for conflating the terms "loss" and "damage." "Loss" typically follows "damage" to property. Policies do not cover or exclude "damage," but focus on coverage or exclusion of "loss." The insured's right to be indemnified for a covered loss vests at the time of loss. Here, the Corbans were entitled to recover for all covered "direct, physical losses" to the property, unless excluded.
The Mississippi Supreme Court shined in its analysis of the term "concurrently." The Court reasoned the anti-concurrent causation clause only applied when perils acted in conjunction, as an indivisible force, occurring at the same time, to cause direct physical damage resulting in loss. Under such circumstances, the Court accepted the Fifth Circuit's interpretation of the clause to exclude coverage. The facts presented in the Corban case, however, did not include an "indivisible" force (wind and flood), occurring at the same time, causing direct physical damage resulting in simultaneous loss to the property. Here the perils (wind and flood) acted in sequence, not concurrently, i.e., at different times, causing different damage, resulting in separate losses.
Next, the Court found the phrase "in any sequence" in the policy troubling. Because loss occurred when the insured suffered deprivation of physical damage to property, the phrase "in any sequence" could not divest an insured's right to indemnity for a covered loss. This interpretation was consistent with other provisions in the policy which clearly stated indemnity to the insured was established at the time of the loss.
Considering all of these key terms in the anti-concurrent causation clause together, the provision did not apply here. The same loss with multiple causes, some covered (wind) and some not (flood), was simply not at issue.
Finally, the court considered the burden of proof. Under "Coverage-A - Dwelling" and "Coverage B - Other Structures," the Corbans were required to prove a "direct, physical loss to property." Thereafter, USAA had the burden to prove, by a preponderance of the evidence, that the causes of the losses were excluded by the policy, i.e., flood damage. USAA had to indemnify the Corbans for all losses which USAA could not establish, by a preponderance of the evidence, to have been caused or concurrently contributed to by flood damage.
With these straight-forward interpretations of the policy provisions, the case was remanded for trial. It is not surprising that the Mississippi Supreme Court repeatedly referred to and complimented another well-reasoned decision interpreting the anti-concurrent causation clause, Judge Senter's decision in Dickinson v. Nationwide Mut. First Ins. Co., 2008 WL 1913957 (S.D. Miss. 2009) [reviewed here]. Together, the Corban and Dickinson decisions suggest it will be a rare case in which the anti-concurrent causation clause actually applies to deny coverage. It is difficult to imagine circumstances under which multiple perils (wind and flood) act concurrently to cause the same property damage.


A recent issue I was discussing with a client was this: "My company is stopping selling a particular product or technology, but still wants to rank in Google for related searches. How do I make that happen?" For example, you might have sold yellow widgets for years, but now the main thrust is the up-and-coming area of blue widgets, which are making yellow ones obsolete; so much so that you're taking your yellow widgets off the market.
The main thing to realise here is that no matter how well you're doing in Google for a specific search, if you remove the page which is doing well, it'll drop out of the Google results. Redirecting the removed page to the one which supersedes it is of course essential, and will transfer the 'link equity' from external links to the old page. However, the content of the new page will be standing on its own two feet, and if it doesn't mention the products which have been lost, then the pages won't rank for the related searches. You may have stopped selling yellow widgets, but if you want to continue ranking for searches about them, you'll need to retain a page about them.
For that reason, if you're punching above your weight in the search results with a particular search-and-page combination, be very wary about removing that page. If it's just deprecated technology, why not leave the page on the site, with a message at the top saying that the reader might be more interested in the newer product?


Very reliable and timely. Family-owned and operated business. Competitive pricing. I will call them again.
McManamon Painting & Remodeling is a local small business helping homeowners achieve their home improvement goals. Our business was started in 2001 and we have been going strong ever since.
Core Values: We deeply respect our client's homes and their personal possessions. We recognize the faith and trust that our clients place in us when allowing us to work in their homes.
Purpose: Our purpose is to be the tool that people use to make their home or place of business a comfortable and welcoming environment. When we finish a project our client and the surrounding properties will be glad we were there.
As owner I assume the duties of a CEO and COO. I am responsible for establishing our brand and installing the framework for how our company operates. My most important responsibility right now is making sure we are hiring the right people (whether an employee or subcontractor) who will reflect our core values to our clients.


The bathtubs in the Luxxus collection create eye-catching centre pieces in any bathroom. Besides looking stylish, the strict lines and raised rim up to the wall also provide maximum comfort to stretch out and relax.
Villeroy & Boch's classic corner bathtubs are a clever combination of ergonomic design and modern style. The tub panels are sealed with sanitary acrylic or Quaryl®, making your corner bath easy to clean. And the comfortable feeling against the skin speaks for itself. Corner bathtubs are also real space-saving sensations.


There are millions of Americans with disabilities lacking adequate health care because of a lack of primary care providers who are properly trained to treat them. In 2000, Healthy People 2020 cautioned that "as a potentially underserved group, people with disabilities would be expected to experience disadvantages in health and well-being compared with the general population." Unfortunately, that statement continues to be correct. In particular, people with intellectual and developmental disabilities (I/DD) remain subject to significant health care disparities.
Right now, people with ID/DD are not included in the federal government's definition of Medically Underserved Populations (MUP). That is why it is very important that awareness of this issue be spread so that the Health Resources Services Administration can take action to include people with ID/DD in the MUP definition. Failing that, Congress should act to ensure this community's inclusion in the official definition. By including people with I/DD in the federal definition of a Medically Underserved Population, people with intellectual and developmental disabilities will have access to better quality health care and better quality of life.
For more information, you can download ASAN's policy brief as a PDF here.
This entry was posted in Policy, Publications, Therapies and Health Care and tagged MUP, policy. Bookmark the permalink.


Jun 9, 2018 ... The complaint says the towboat owners, Gate City River Transportation LLC and Western River Assets LLC, violated the 1990 Oil Pollution Act.
Gate City River Transportation LLC. Catlettsburg, KY ... Ohio River Terminals Company. Huntington, WV ... Campbell Transportation CO. Henderson, WV.
Campbell Transportation CO is a privately held company in Henderson, WV . Categorized under Marine ... Gate City River Transportation LLC. Catlettsburg, KY.
Apr 24, 2017 ... WEBER CITY — Residents along the North Fork of the Holston River were ... James Parsons, Virginia Department of Transportation area ... side were going door to door in affected neighborhoods in Hawkins and Sullivan counties. ... FULL TIME LPN/RMA: SIMPSON CLINIC LLC: 04.13.19Gate City, VA.


text:
Q: Can I make a shortcut to open a new note in Outlook 2007? I'm looking for a command-line style way of opening a new note in Outlook 2007.
It'll be executed from a .bat script.
Basically, is there some switch on outlook.exe or similar that I can use to get a new note?

A: From the Office command line switch reference:

/c messageclass
Creates a new item of the specified
  message class (Outlook forms or any
  other valid MAPI form).
Examples:

*

*/c ipm.activity creates a Journal entry

*/c ipm.appointment creates an appointment

*/c ipm.contact creates a contact

*/c ipm.note creates an e-mail message

*/c ipm.stickynote creates a note

*/c ipm.task creates a task

So this should do the trick
\Path\to\outlook.exe /c ipm.stickynote

redpajama_set_name: RedPajamaStackExchange


This post answers the question of "how to transition into a new career".
If you are making a career change and you don't know how to effectively transition into another field, follow these simple steps to transition your career.
Discover what sort of career you will be passionate about before making a transition.
Yo may transition because of a bigger salary, market demand, job security or interest level.
Transitioning because of interest level or passion is the best reason.
Have you ever heard of "The Starving Artist"? It's an often used cliché that describes talented, skilled or creative folks like writers, painters, musicians or others who starve while doing what they love.
The idea behind the Starving Artist is "an individual who works for pennies and then dies broke doing what he or she loves".
Some of history's renowned or talented artists like Wolfgang Amadeus Mozart, Antonio Vivaldi and Van Gogh lived in poverty, misery or debt because their society didn't care for or reward them.
Your resume drives your compensation, your marketability and the effectiveness of your job search. Without much ado, here are the rules of engagement for writing highly effective killer resumes for Information Technology jobs that gets you on the fast track to career nirvana.
One page resumes are out!
The rule of cramming your skills, experience and accomplishment on one page is dead. Include as much detail as necessary to secure an interview or a job offer. Your personal information is irrelevant!
Skip the section on your hobbies including the references to martial arts, chess, marathon, etc. Nobody really cares. Just answer the question, can you do the job?


What are you grateful for? Where have you found your gratefulness challenged?
Given that, what am I grateful for?
I am incredibly grateful for the support and camaraderie of my friends, family, and colleagues. I specifically want to mention Anne, Heidi, Jamie, Robert, and my cats.
I am also grateful for the blue skies of the Puget Sound area. There is no more beautiful summer than a Puget Sound summer in full bloom. Seriously.


Tässä on hämmästyttävä foe hack that is enabled to give the participant an advantage while gaming. Esimerkiksi, voit käyttää foe generator on your favorite app to supply your absolute best personality with unique skills that might lend a hand the player get gold to perform a level and move to the next degree faster and more uncomplicated.
Ei tarvetta sanoa, että foe hack has a pair of hacks and cheats players can make the most of to accomplish even the toughest missions. These characteristics not only offer you the secrets of the way to get a variety of hidden abilities, mutta ne tarjoavat myös tärkeitä suuntaviivoja, that can assist the player to get around some missions that are tough.
What about games which don't arrive with hacks initially from the programmer that lets you to get gold? Does your favorite video game include codes or a game hack? Jos kyllä, hyvä sinulle. kuitenkin, jos ei, you can find those everywhere.
For most video games that do not include their very own cheat codes and hacks, there are more than a few web pages that publish third-party foe hack and codes to obtain gems. Some web sites be offering them at no cost, while others do so for a small value. Tämän takia, if you cannot seem to find some game hack and cheat codes on your favorite game within the choices, yksinkertaisesti etsiä niitä verkossa. You will undoubtedly in finding plenty of websites that offer them.
How sport hacks and cheat codes have been created. Developers will always change a game for testing purposes. When a modification was completed, the codes utilized may be abandoned in the game either intentionally or unintentionally. jos liipaisu, nämä koodit toimii foe hack ja huijareita minkään tietyn pelin. That's how hacks and sport cheat codes are designed.
Why some developers intentionally provide hacks and cheat codes to their various games. Syy siihen, miksi jotkut ohjelmoijat tarkoituksellisesti Saatavuus foe generator for their respective games is business. They understand that some gamers might not have the abilities necessary accomplish and to perform of the missions in their game, varsinkin jos se on peliä.
tästä huolimatta, a few players would be turned away with a game that's too tough to complete however lacks any foe hack they could fall back . Siksi, if the participant was playing with a friend's sport, esimerkiksi, they'd definitely not search for money after the tricky experience they've had with this. That would indicate no subsequent sale for the programmer.


text:
Q: C++ Asynchronous Agents Strange Behavior I started with the basic-agents.cpp here Asynchronous Agents but I wanted to test out a loop so I did
class agent1 : public agent
{
public:
    explicit agent1(ISource<int>& source, ITarget<string>& target)
        : _source(source)
        , _target(target)
    {
    }

protected:
void run()
{
    std::cout << "type: ";
    std::string a;
    std::getline(std::cin, a);

    // send the request
    std::cout << "agent1: sending request... " << endl;

    send(_target, a);

    // Read the response
    int response = receive(_source);

    std::cout << "agent1: received '" << response << "'." << endl;

    // move the agent to the finished state.
    done();
    }

private:
    ISource<int>& _source;
    ITarget<string >& _target;
};

and for agent2
class agent2 : public agent
{
public:
    explicit agent2(ISource<string>& source, ITarget<int>& target)
        : _source(source)
        , _target(target)
    {
    }

protected:
void run()
{
    // read the request
    string request = receive(_source);

    std::cout << "agent2: received '" << request << "'." << std::endl;

    // send the response
    std::cout << "agent2: sending response..." << std::endl;

    code += 1;
    send(_target, code);

    // move the agent to the finished state
    done();

public:
    int code;
private:
    ISource<string>& _source;
    ITarget<int>& _target;
};

and the main running the agents as
    int oldcode = 0;
    while (oldcode < 10)
    {
        agent1 first_agent(buffer2, buffer1);
        agent2 second_agent(buffer1, buffer2);
        second_agent.code = oldcode;

        // Step 3: start the agents.  The runtime calls the run method on each agent.
        first_agent.start();
        second_agent.start();

        // Step 4: wait for both agents to finish
        agent::wait(&first_agent);
        agent::wait(&second_agent);
        oldcode = second_agent.code;
        std::cout << "In Step 2 loop, oldcode: " << oldcode << std::endl;
    }

The funny thing I get is this output
type: a
agent1: sending request...
agent2: received 'a'.
agent2: sending response...
agent1: received '1'.
In Step 2 loop, oldcode: 1
type: b
agent1: sending request...
agent1: received '1'.
agent2: received 'b'.
agent2: sending response...
In Step 2 loop, oldcode: 2
type: c
agent1: sending request...
agent1: received '2'.
agent2: receivede 'c'.
agent2: sending response...
In Step 2 loop, oldcode: 3

Note that agent 1 reported receiving '1' twice at the start with an out of sequence receive in the response to 'b'.  This does not happen anywhere else and is consistent.
Is there anything wrong with my looping asynchronous agents in this way?

A: I think I got it.
https://msdn.microsoft.com/en-us/library/dd728068(v=vs.120).aspx
"Unlike with an unbounded_buffer object, the receive function does not remove the message from the overwrite_buffer object. If the consumer reads from the message buffer more than one time before the producer overwrites that message, the receiver obtains the same message every time."


The Zipcode for University Of Nebraska is . University Of Nebraska is in Lancaster, Nebraska in the Upper Plains region of the USA. It is located about 3 miles east of NE's capital city of Lincoln.
University Of Nebraska Medic (NE) is 48 miles northeast.