Daevid Allen (sometimes credited as "Divided Alien") is an Australian poet, guitarist, singer, composer and performance artist best known as co-founder of the psychedelic rock bands SOFT MACHINE (in the UK, 1966) and GONG (in France, 1970).
In 1960, inspired by the Beat Generation writers he had discovered whilst working in a Melbourne bookshop, Daevid Allen travelled to Paris where he stayed at the Beat Hotel, moving into a room that had recently been vacated by Allen Ginsberg and Peter Orlovsky. While selling the International Herald Tribune around Le Chat qui Peche and the Latin Quarter, he met Terry Riley and also gained free access to the jazz clubs in the area. After meeting up with Willaim S. Burroughs and inspired by philosophies of Sun Ra, he formed a free jazz outfit, the Daevid Allen Trio, and performed at Burroughs' theatre pieces based on Burroughs' novel "The Ticket That Exploded".
Allen travelled to England, renting a room in Canterbury where he met his landlord's son, 16 year old Robert Wyatt.. They formed the band Soft Machine in 1966 with Kevin Ayers and Mike Ratledge. Ayers and Wyatt had previously played in Wilde Flowers.
Following a tour of Europe, Allen was refused re-entry to the UK due to overstaying his visa on a prior visit. He settled in Paris where, in May 1968, he took part in the protests which swept the city. He handed out teddy bears to the police and recited poetry in pidgin French, and now admits that he was scorned by the other protesters for being a beatnik.
Fleeing the police, he made his way to Deya, Majorca, with his partner Gilli Smyth. It was here that he recorded the first album under the name Gong, titled Magick Brother (released on BYG Actuel in 1969). They were joined by flautist and saxophonist Didier Malherbe, who they claimed to have found living in a cave on Robert Graves' estate.
In 1971 Gong released Camembert Electrrique. They became somewhat of an anarchist commune in rural France between 1973 and 1974. They were joined by Steve Hillage to record the Radio Gnome Trilogy after signing with Virgin, consisting of Flying Teapot, Angel's Egg and You.
Allen left this incarnation of Gong and recorded two solo albums, Good Morning and Now Is the Happiest Time of Your Life. In 1977 he performed and recorded as Planet Gong and rejoined the early-70s version of the group for a one-off show at the Hippodrome in Paris. Portions of this concert (which was several hours long) was released on a double-LP entitled Gong Est Mort - Vive Gong!.
In 1980 Allen teamed up with Bill Laswelll for the punk-influenced New York Gong. This effort yielded an LP called About Time. More projects followed, including Invisible Opera Company Of Tibet, Brainville, Ex (not to be confused with the Dutch punk band The Ex), and Magic Brothers.
In 1981 Allen returned to Australia, taking up residence in Byron Bay where he worked on performance pieces and poetry. He performed with performance artist David Tolley using tape loops and drum machines. He is currently involved with a project entitled you'N'gong (a play on the phrase "Young Gong") with his son, Orlando, and members of Acid Mothers Temple(the collaborations are performed under the name Acid Mothers Gong), as well as an improvisation outfit entitled Guru And Zero.
For many years now, Daevid Allen has been a member of the University of Errors, who have released four albums.
In November 2006 a Gong Family Unconvention was held for Gong fans in Amsterdam which included a reunion of many former Gong members from the "classic" early 70s lineup.
Daevid Allen & Kramer: Who's Afraid?
This album was published in 1976, Daevid Allen and Gilli Smith have had left Gong two years earlier. In general, I think this album is very slow and soft, I mean, the music is not the kind that we can appretiate on the classic Gong Albums, this is more similar to the first Daevid Allen's solo album "Banana Moon".
It did not make me feel much interest, in some points I got really bored; clearly it has too much of the Canterbury Scene characteristics, but probably the best times for Canterbury Scene were in the first half of the 70's.
The album has some interesting moments, I liked the three last songs (including the bonus track "Euterpe gratitude piece") but I found than more of the half of the album was very slow and not too much interesting. I'll rate it with three stars.
When I started listening to this album I was expexting to listen a lot of the same type of sounds present in the classic Gong albums, but to be honest, what I found was more like a pop folk album.
The atmospheres created by Gong in the Radio Gnome Invisible are very hard to get (by a listener) and clearly this Daevid Allen's debut was not in that line. Then I realized that this album was published in 1971, the same year in which "Camembert electrique" was published but two years earlier than "Flying teapot" so I figured that probably Daevid hadn't started to explore those amazing sounds.
I feel just a couple of songs would be able to keep the attention of a whole Gong fan, but in general it's kind of boring. Anyway, I was expecting way too much from this album and I couldn't find what I was expecting. I'll rate it with three stars.
On this album, Daevid Allen's follows in a similar vein to the pattern he set on the previous 'Now is the Happiest Time of Your Life', although with a bit less emphasis on acoustic guitar songs, and with more glissando, improv poetry, and free-jazz tracks. This album will be enjoyable for true fans, but is too fragmented and esoteric a collection to act as a good introduction to his music, and to be honest, not everything here works as music. The first side is the better side. I can listen to all except 1 of the 8 tracks on this side, and the first three tracks are really quite good. The second side is much poorer, mainly dominated by a 12-minute improvisation (both lyrics/poetry and music) that is difficult to listen to (and I really like free jazz improvs!), and the opening tune on this side has quite trite lyrics. So, while there are some minor gems here, on the whole this is for fans only. I give it 4.1 out of 10 on my 10-point scale, which translates to 2 PA stars.
Many, many great moments to relish here. The quartet manages to invoke classic Gong elements, as on Imagicknation, classic Muffins, as on Under the Yumyum Tree Cafe, and yet break new ground throughout. Secretary of Lore could be subtitled Theme From An Imaginary Space Western. Alchemy would not sound out of place on Amon Duul's Vive La Trance, nor Grasshopping on Bowie's Outside (albeit replete with gliss guitar, vintage organ and what sounds like thumb piano). In no way derivitive, a perfect marriage of synthetic and acoustic. What a tribute to/from Daevid Allen, as it contains some of his best work. Hopefully the quartet will continue on, loose knit and unfettered.
This continues in a similar direction to the preceding album, Good Morning, using some of the same musicians (though not the full ensemble), with similar European folk influences, and still avoiding drumkit for the most part, although there is a greater role for percussion. The Planet Gong mythology returns here, though still mixed with the more direct moral language of Good Morning. There is also the incorporation of performance poetry, I rather enjoyed "Poet For Sale", and though I see it's divided reviewers here, I rather liked the inclusion of Daevid's children on "Tally & Orlando Meet The Cockpot Pixie". There is no standout highlight this time (like "Wise Man In Your Heart" on the last album), and a couple of slightly jarring moments (like "See You On The Moontower" which almost turns into conventional rock n roll), but generally I think anyone who enjoyed Good Morning should like this almost as much. A low four stars (probably more 3.5).
How does one describe this music? There are almost no drums. Other than Allen's own glissando guitar, most of the guitars (and mandolins etc) are acoustic. There are electric keyboards, which (along with the glissando guitar) are mostly used to create a spacey, trancelike effect. One or two of the songs have something approaching a standard song form, but others are completely through-composed, almost stream-of-consciousness affairs The opening track "Children of the New World" is one of the more conventionally structured songs - it almost sounds like one of Genesis' more pastoral moments (similar guitar picking, similar harmonic sense and melodic approach though obviously lower in the vocal register). "Good Morning" sounds like it is going the same way, but veers off in multiple directions, in several places completely unhinged vocally - particularly when Ana Camps takes over towards the end. "Spirit" largely eschews rhythmic drive in favour of floaty vocals. Partway through, fast strummed guitars and a somewhat menacing narration takes over, then stops abruptly, and the floaty vocals return, supported by keyboards and glissando guitar. "Song of Satisfaction" is a delicate song accompanied by piano only. "Have You Seen My Friend" is a whimsical song, folk-flavoured, the mandolin comes out here, but so does the Moog with some more typically proggy lines, and in the middle we even get a brief quote from Greensleeves. "French Secret Garden" has similar folky elements, but when the electric guitar comes in it sounds more like a throwback to the early psych-rock of the 60s (but still no drums). For the lengthy "Wise Man In Your Heart", Allen is joined by former Gong colleagues Pierre Moerlen and Mike Howlett, who provide a distinctively Gong-like trance groove, with plenty of tuned percussion, with washy keyboards and guitar in the background, and eventually Gilli Smyth's distinctive space whisper adding to the trancey feel. Take away the arrangement, and the melody sounds like a celtic folk song. It was a highlight for me on first listen, and seems to be for other reviewers, but I wonder if that's because it's Gong-like qualities give it a stylistic familiarity to hold on to, compared to the rest of the album? "She Doesn't She" is another whimsical folk-like piece, this time in a waltz rhythm, with prominent saxophone (? no one is credited with playing any such instrument), and what sounds like an accordion. Although musically the album often wanders off in obscure directions, lyrically it is a far more direct statement than Allen's previous work with Gong, eschewing talk of pothead pixies and flying teapots in favour of direct meditations on the way we treat each other. A strange album, but a beautiful one.
This album of singer-songwriter material from Daevid Allen isn't as wildly psychedelic as some of his solo albums, but it's both competently performed and well-produced and is a reasonable enough collection of New Age-tinged folky songs. This time around, Allen seems primarily concerned with putting across his thoughts on a range of interrelated topics - feminism, male privilege, all that kind of thing - which is the sort of thing he's regularly expressed an interest in over the years but has rarely approached with the seriousness evident this time around. Whilst it isn't entirely my cup of tea, I think Allen fans could do a lot worse than giving this one a try.
This is an intriguing collection of a number of ambient and New Age experiments made by Daevid Allen, Gilli Smyth and Harry Williamson over the years. In fact, of the three performers it's actually Harry who dominates this time around, with each track built to a large extent around his synthesisers and Daevid and Gilli contributing guitar and ethereal vocals respectively in a sparse, minimalistic manner. At its best, this combination is really quite excellent; the latter sections of Stroking the Tail of the Bird Part 1 remind me in some respects of the similar sonic territories explored by Dead Can Dance. Not an album that was ever going to set the ambient world on fire, but a very credible contribution to the genre nonetheless.
Daevid Allen's followup to Good Morning! is a much less ambitious affair. Dispensing with the services of the Gong guest stars and the unique sound of Euterpe from the previous album, the album is more acoustic focused, and suffers from being weighed down with muddled, substandard material. I suspect many listeners will switch off at Tally & Orlando Meet The Cockpot Pixie, an overlong and tedious track in which (to a repetitive and dull musical backing) Allen tries to explain the story of Radio Gnome Invisible to his son Orlando (who was but a small child at the time this came out). The overall impression given is of listening in to a touching family moment which didn't really need to be shared with the wider world.
The rest of the album sees Allen grinding on with his usual lyrical preoccupations with New Age spirituality and trying to convince people to be less cruel to each other, only the wit of the Gong days and the wisdom of the better lyrics on Good Morning! (such as Wise Man In Your Heart) appear absent. And with the musical backing as limp as it is, there's very little reason left to bother with this one.
Daevid Allen's first solo album after his resignation from Gong after You is a collaboration with Euterpe, a mainly acoustic group of Spanish musicians. The album is a bit more cohesive than his previous solo effort, Bananamoon, and finds Allen in a contemplative mood. His famed sense of humour and whimsy is still present, of course, but this time around there's heavy doses of reflection and ponderings on the way people hurt each other and the struggle not to repeat the mistakes of the past - topics which are of great interest to Allen, but which had only been communicated through whimsical comedy in his previous work.
Euterpe are a fine backing group for Allen's musings, Gilli Smyth is of course on hand to add Gong-esque space whispers, and the album comes to a peak with The Wise Man In Your Heart, on which fellow Gong veterans Mike Howlett and Pierre Moerlen guest, and which in its swirling futuristic-psychedelic rhythms seems to provide a precedent for the dance music of a couple of decades later. On the whole, Allen couldn't have judged this one better - the album not only reassures fans that he's still the mischievous wizard of times past, but also has a distinctly different sound from his work with Gong, proving that there's more to Allen than pothead pixies.


Last week we spoke to L'Autruche – this week it's about Yiyou From Mars!
A – My name is Aurélie, I'm a happy thirty-year-old feeling good in Méduse! 😀 "Yiyou" is an unpronounceable nickname my sister has called me since we were kids, and "from Mars" is there because I grew up in Marseille before moving to Paris for work, and finally, in 2011, to Bordeaux. I have a nostalgic personality and I like everything that reminds me of my childhood. That's why I'm passionate about vintage and retro fashion wear… like Méduse!
M – You've been blogging about fashion and lifestyle for a while! What drove you to start this blog?
A – I love fashion, but not catwalk fashion: street fashion, where all trends truly begin. I like originality and style that stands loud and clear, style from people that dare to be different. When the 'blogosphere' started in 2005/2006, I found so much inspiration on retro and vintage styles from US and UK blogs. I got so inspired that I decided to stop buying fashion magazines in which I wasn't identifying myself anymore and become a regular reader of a good ten of blogs or so. One day, I thought that if I loved discovering the looks of regular girls like me so much, maybe other girls would be interested in my style! I finally started my blog in 2012, but I've only been writing diligently recently.
M – We've noticed that just like Méduse, you care about the environment. Is that influencing your style?
A – Of course. It's been a while since I realized the impact of our way of consuming the environment and on working conditions of the people manufacturing our clothes. I don't like waste and I avoid promoting "fast-fashion", meaning buying a lot of things and changing them often, as much as possible. I try to use sustainable products by selecting quality fabrics or pieces I'll be wearing for a long time. Vintage and thrift stores are a great way to fight over-consumption by giving a new life to second-hand clothes. I love digging for the best pieces online and in second-hand shops. Méduse are sturdy: I'm planning on keeping them for a long time!
Thank you, Yiyou from Mars! It's so important to think about fashion and the Earth together, and you celebrate both – which Méduse LOVES! Don't forget to head over to Yiyou's blog to find out more about her super-cool street-inspired style!
She's a sassy entrepreneur with a keen eye for fashion! She loves mixing retro styles with the fashion of the now, and she can't help but bounce, skip and prance in her Méduse! We speak to Lauren, a blogger and proud owner of a vintage e-store. Et voila!
L – Lauren Samonac is a very long name meaning a lot of things… My name is actually Loraine but Lauren is much quicker to spell 😉 ! I am the daughter of a village shopkeeper and I always learned to deal with myself, as my ten fingers led me to be the independent person I am today. My mum was always busy, doing tons of things other than shopping; my mum wasn't a fashionista but a talented entrepreneur. As I'm a kinesthetic learner, my education took an artistic turn – I built up my professional experience in the world of show business as an actress, a light and sound technician and a stage decorator! Some wonderful experiences which led me to try my luck as an entrepreneur today.
M – We've noticed that not only do you run a personal blog, but you're also a part of a second-hand / vintage project! Could you tell us a bit more about Duffledud? How does this project have an effect on your own personal style?
L – Duffledud was born in 2012 and allowed me to share my love of bargain-hunting and wearing fashion pieces mixed with cool vintage bits! It's a way for me to feel like a kid: like being my own person, showing off my own style – that's what fashion should be about! But Duffledud is slowly coming to an end unfortunately… Because of the big retail industry competition and their low prices, my e-shop is going through a rough patch, despite holding on to budget prices and 'little-old-me' trying to keep it up, until the big CRACK! It's so much easier to buy a basic pink blouse that everyone has, than buy a pink blouse with a little character :-/. This has been a rich experience; from seeing my blog blossom, I decided to focus my energy on building a new project (still secret) to keep going!
M – You shared a lovely story with us where you mention how our Méduse were a part of your childhood! What place do our jellies have in your life today?
L – Méduses ?? Definitely my childhood !!! As my parents were working a lot, we didn't go on holiday much, but when we did, we went to the seaside! I'm very sensitive on the feet as my father used to tickle me to wake me up! I never really liked the burning heat of the sand and I really didn't like the idea of knowing that my feet could walk on something strange, like a hook! (true story!). Fed-up with my complaints, my mother bought me my first pair of Méduses when I was 6 and they were navy blue. Then, when I was about 8, I got a transparent pair, and I felt like I was wearing dolly shoes – so practical as there are no laces! Moreover, the idea of being able to set foot in the water without risking anything is just great! Even though I'm 28, my habits have not changed and I am pleased that I've been able to find a pair of Méduses because they are so useful, they have a nostalgic touch, and not many people dare to wear them yet, but they are missing out on this true fashion accessory! I like the origin and the history – it is a French product, with a unique style for both men, women, youngsters and oldies – it's even worn by fashionistas around the world! As they say: 'never two without three', my third pair of SUN Paille are well into my 'shoesing' and this time, I'm sure my feet won't grow anymore ;-).
L – I'm taking up your challenge! It is a great honour for me to highlight my pair of Méduse! It's if my story with Méduse was written in the stars… I actually have a 'Jelly Fish' tattoo on my ankles – it just shows that Méduse will live with me forever.
Lauren – we love you. You're officially the coolest cat around! Having Méduse tattooed shows you're a true jelly lover, and we won't forget that! Thanks for sharing your stories and style tips with us! It just goes to show that we too love mixing vintage styles with hip-happening fashion – YOU GOT IT! Keep up to date with Lauren's blog and her retro store DuffleDud!
Meet Wendy – the hip-happening Méduse hero of Taiwan! She displays our jelly-tastic shoes in her boutique for the world to see and she loves to fuse French original fashion with traditional Taiwanese styles. Take a look at our very special interview here!
M – So! You guys know how to show off your Méduses with a Taiwanese edge – something we LOVE! Tell us a bit more about the love story between Méduse and people in Taiwan? What is it about our unique shoes that people like? Is it the style? Texture? Or something else?
W – We love jelly shoes because of the weather in Taiwan – summer is extremely hot and winter is very wet. In particular, Taiwan is an island surrounded by the sea, therefore, people really love to enjoy sunshine on the beach in the summer. But we couldn't really find stylish jelly shoes in the market. But, in 2015, we found Méduse! Our first impression of Méduse is that it has an elegant design for both sandals and boots. As soon as we wear Méduse, we totally fall in love with them. They are soft, they are beautiful, and they are French original. Now, we can wear our Méduse shoes and walk by the seaside with our family, our friends, and our kids. How romantic it is!
M – Wearing Méduse… is something very French! As you are Méduse experts in Taiwan, can you tell us about French fashion styles in Taiwan? Is there a fashion fusion of French and Taiwanese styles? What does it look like?
W – For us, French fashion styles are elegant, chic, romantic, and simple. Taiwanese like to mix styles from different cultures, such as the Japanese and Korean ones. But compared to Japanese or Korean girls, Taiwanese girls prefer more casual yet elegant styles. So mixing the French style into the Taiwanese one, gives a very casual but stylish look.
M – Summer is here and all we've been doing is prancing around in our SUN sandals! We know you love these Méduses just as much as us, so can you give us some tips on how to style them up this summer?
Tip 3 – put on your SUN jellies and wear a straw hat.
M – And finally, we've set you and your sister a challenge! It's called the 'Méduse Surprise!' We would like each of you to pick a pair of Méduse and a matching traditional Taiwanese outfit for the other person! Surprise each other with your chosen outfit and Méduses, take some photos and share your Taiwanese / French style with us!
W – It really is a challenge for us! We found two traditional clothes from our grandmother and our mother, who are 84 years old and 58 years old respectively, to mix and match the Méduse shoes – and that was interesting!
The first style – which my sister chose for me, is from my grandmother. The coat, called Miao-ao, is traditional hand-made and the fabric is more than 30 years old. I think it matches very well with the Jumpy boots!
W – The second style is the one I chose for my sister. The dress, called Qi-pao, is my mum's favourite. We are surprised to see that it is a good match with the NIKITA jelly shoes!
My, oh my. Vintage Taiwanese fashion with our modern Méduse is a look that will be staying in our minds! Who thought this could be a thing! We'd like to say a huge thank you to Wendy who joined us for this very special interview! We love your spark and enthusiasm for our Méduse! It's stars like you who put a smile on our face! Keep it up! Find more about her store here!


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text:
Вита́лий Евге́ньевич Гогу́нский (род. 14 июля 1978, Кременчуг, Полтавская область, Украинская ССР, СССР) — российский актёр, телеведущий, певец, композитор и продюсер. Известен по роли Эдуарда Кузьмина (или просто Кузи) в телевизионных сериалах «Универ» и «Универ. Новая общага».

Биография
Виталий Гогунский родился 14 июля 1978 года в Кременчуге Полтавской области. О городе рождения сведения разнятся — указывается Кременчуг или Одесса. Детство провёл в Полтавской области. Его отец является депутатом городского совета города Кременчуга.

Учился в Кременчугском лицее № 4. С раннего возраста начал увлекаться музыкой. Он окончил музыкальную школу по классу фортепиано и стал . Также занимался карате и футболом.

С 12 лет начал работать, подрабатывая уборщиком в почтовом отделении, а также грузчиком и разнорабочим на стройке. Работал ведущим на областном телеканале. После этого был приглашён на телеканал «Россия» в информационную программу. Окончил Одесский национальный политехнический университет по специальности «инженер-технолог машиностроения».

В 2004 году дебютировал на киноэкране ролью Антона в комедии Марины Мигуновой «Прощайте, доктор Фрейд!». В 2006 году вышел фильм «Человек безвозвратный», где Гогунский исполнил роль Романа.

В 2008—2011 годах снимался в сериале «Универ» в роли Кузи, которая принесла ему большую популярность. Потом снялся в продолжении, в «Универ. Новая общага», в 2011—2013 гг.

Принимал участие в проекте «Танцы со звёздами» 2013 году в паре с Екатериной Осиповой. По результатам зрительского голосования в 7 выпуске покинул проект. В 2014 году стал победителем второго сезона шоу «Один в один!» на телеканале «Россия-1».

В 2014 году снимался в клипе Иракли и рэпера ST1M «Я это ты». В 2014 году приступил к съёмкам фильма «Бармен», который вышел в 2015 году.

В 2015 году принял участие в вокальном проекте «Главная сцена», где прошёл в полуфинал в команде Максима Фадеева. В 2016 году принял участие в шоу перевоплощений «Один в один! Битва сезонов» на телеканале «Россия-1».

В марте 2023 года стал участником шоу «Новые Звёзды в Африке» на телеканале ТНТ.

Личная жизнь

Незарегистрированный брак с моделью Ириной Маирко. Дочь Милана Витальевна Маирко (родилась 17 февраля 2010 года в Москве).

В 2013 году женился на Анне Жюсталь. В 2015 году супруги официально оформили развод.

25 апреля 2017 года Гогунский женился на Ирине Маирко. В апреле 2019 года развёлся с ней.

Фильмография

Телепередачи

 2013 — «Танцы со звёздами»
 2014, 2016, 2019 — «Один в один!»
 2015 — «Главная сцена»

Композитор

 2004 — «Думай обо мне» («Прощайте, доктор Фрейд!»)
 2009 — «Шняга шняжная» («Универ»)
 2009 — «Про парашютистов» («Универ»)

Синглы
 «Я тебя любишь» (2015) проект «Два Ивана» совместно с братом Евгением Гогунским. Музыка: Александр Лукьянов, текст: Сергей Каргашин, аранжировка: Валерий Евсиков.
 «Заново жить» (2016) музыка: Никита Вишнев, текст: Никита Вишнев, Виталий Гогунский, аранжировка: Валерий Евсиков.
 «Мир» (2016) снял клип дуэтом вместе с дочкой Миланой Гогунской.
 «Гимн болельщиков» совместно с Александрой Жемчуговой.

Примечания

Ссылки
 Официальный сайт

Актёры России
Актёры телевидения России
Телеведущие канала «Россия-1»
Телеведущие ТНТ
Выпускники Одесского национального политехнического университета
Выпускники ВГИКа
Ютуберы России

redpajama_set_name: RedPajamaWikipedia


Dressed totem poles, cat litter box filling and an industrial pyramid: the international group exhibition Now Age combines nature, mysticism and spirituality with the everyday here and now.
Now Age applies a contemporary filter to timeless fascinations in a subtle and, at times, humorous way. The visual artists taking part in this group exhibition – some of whom have never exhibited in the Netherlands before – share an idiosyncratic interest in natural and spiritual worlds in relation to the present. Each of these artists is playing with characteristic images and materials. Ranging from batik fabric, ropes and ceramics to scaffolding pipes, hammers and plastic sheeting. These absurdist combinations result in impressive explosions of color, mysterious primitive symbols and self-invented ritual ceremonies.
Nick van Woert (US) stacks steel, bronze and copper 'boulders' to create totem poles, occasionally dressed in items of his own clothing. In his so-called landscape paintings, he has replaced the soil with strange, artificial substances. Thomas van Linge (NL) also mixes nature and contemporary culture, namely by confronting industry and craftsmanship with one another. While Samuel Levack & Jennifer Lewandowski (UK) have given their installation the mysterious title of Black Volcanic Rock, though it actually comes across as fairly straightforward and minimalist.
The same cannot be said of the psychedelic work of Hadassah Emmerich (NL). Her very large, circular-shaped and expressive painting practically oozes energy. Ada van Hoorebeke (B) is experimenting with traditional batik fabric by involving practical objects such as bats and walking sticks in the creative process. In his hypnotic video, Sulaiman Majali (UK) explores the dark side of mystical, archetypal images. The series of primitive looking rituals actually remind us of the present.


Norman Finkelstein was one of many Jewish people to react in outrage to Labour MP Margaret Hodge's comparison of receiving a disciplinary letter from the Labour Party to the fear felt by Jewish families fleeing the nazis in the 1930s. The SKWAWKBOX yesterday covered his and other comments, but the 'EL4C' tweet in which his video featured was a truncated version of his full response.
Finkelstein accuses Hodge of 'cheapen[ing] and exploit[ing] the memory of Jewish suffering as you carry on a blackmail and extortion racket against Jeremy Corbyn' – and concludes that if Labour's rules on antisemitism have any force or meaning, Margaret Hodge will be the first to be expelled.
Here's Finkelstein on Talk Radio last night on MOATS.
Thanks for posting Maria,this is well worth listening to.
Thanks for sharing that Maria, Prof. Finkelstein's one of the heroes we badly need – and so, it seems, is George Galloway.
I regret having allowed the big brother incident to sour my view of him. Even after his eloquent machine gunning of Coleman in the Senate I've stuck rigidly to that false view and dismissed him as an irrelevance until now.
I'd apologise if I could and I hope to see him and Ken as Labour MPs again.
On that subject I hope the party's working hard to choose and hone the abilities of all the replacement candidates we need.
On here not so long ago. I called Galloway the best leader we never had and called for his return to the party to eventually replace Corbyn. The Toffee was not amused…but it's still true.
The voice of Finkelstein and others who think like him must be heard and heard often. The attempt by the British rightwing establishment and those in the British Jewish community who think like them to undermine Jeremy Corby has come against a fierce backlash against the moral blackmail being used by the right in this regard. The intervention of Netenyahu and the pathetic misappropriation of the suffering of the Jewish people in the Holocaust has shown clearly the real agenda of the British right – and – the Israeli rightwing nationalist party – Likud.
One thing is clear, the onslaught in the UK in the attack against Corbyn has failed and in fact has had quite the opposite effect intended.
Isn't what Margaret Hodge said anti-semitic in it self? I'm glad she said what she said because a lot of people have realized that the war against Corbyn is becoming obsurd and desperate.
An amazing video from Norman Finkelstein. God bless this man. I cannot begin to even imagine the true horror of what his parents went through. It is the most shameful and sickening example of human depravity. It is utterly vile that anyone should even compare an organisational disciplinary procedure with the right to representation / legal assistance and appeal (and lest we forget with no real punishment) with the treatment of Jewish people by the Nazis.
Thanks for sharing your views with us Norman. You are a courageous and honourable man.
The voice of critica thinking and experience crushes the voice of ignorance and opportunism.
So Hodge is telling more lies!
She said she felt the same fear her father would have felt when he was fleeing Nazi Germany.
So when did her father flee nazi Germany?
All British Parliamentarians are required to disclose their interest in foreign countries, including Israel. Does anyone know what Hodge's interests are in Israel, such as dual citizenship or property interests?
We have the economy to rebuild here, we have BREXIT to deal with, we have the health services to restore to provide good quality care and save lives, we have social services to provide, we have austerity to end and ensure dignified living standards for all, we have infrastructure to rebuild and maintain before we suffer a fatal bridge collapse, we have lack of housing and homelessness to tackle, we have foreign wars to end which have resulted in terrorism here at home, we have peace to help negotiate between the Palestinians and the Israelis, we have a global economy that is so unfair to our fellow human beings in the world to make right…in short, we have a duty to the British people to oppose and put and end to this most terrible government the UK has seen in modern times by selling the Labour Party Manifesto to the people and giving them real hope instead of being distracted by these self-serving individuals with a disgusting sense of entitlement. So we implore them, we beg them: Pack your bags and get the hell out of the Labour Party!
I wonder what the likes of Hodge have to say about this on 6/8/2018. The 'Jewish state' attacking orthodox Jews peacefully protesting military conscription.
Looks like the Israeli state also differentiates between 'good Jews' and 'bad Jews'. Surely the Jewish state should respect and protect it's deeply religious community of Jews who keep the foundations and teachings of Judaism alive from generation to generation?
Thanks for the link Maria.
If things continue the way they are, we in the Labour Party will be gagged and dependent upon the likes of Finkelstein and Chomsky speaking from across the Atlantic to express our views.
I just posted, on another topic, a link to this sobering article from Jonathan Cook on what Labour adopting full IHRA means to progressives and repost it here in support of your sound comment.
I might add that even if it's accepted I will not be gagged regarding Israel or Palestine.
Margaret Hodge compares the Labour Party to Nazis & therefore, by implication, all its members are also accused.


Dolly Snell Jukuja was born at the sacred site of Kurtal (Helena Springs) in the Great Sandy Desert. Her Aboriginal name is Jukuja. As a young girl she left the desert and spent time on Bohemia Downs and Christmas Creek Stations.
Dolly first exhibited work in Karrayili at Tandanya, Adelaide, 1991. She was also represented in Images of Power: Aboriginal Art of the Kimberley, National Gallery of Victoria, 1993; and This is my country, a Mangkaja Arts group exhibition held at Artspace, Claremont for the 1994 Festival of Perth. She lives in Fitzroy Crossing and is a leader of Wangkajunga women\'s ceremonial law.


text:
Alizée Patiès, née le  à Reims, est une triathlète française, championne de France de triathlon cross 2019.

Biographie
Alizée Patiès est née à Reims et vit à Dijon, elle est championne de France de triathlon cross en 2019 à Bouzigues. Elle est entraînée dans le Team Organicoach Xterra des Alpes-de-Haute-Provence. En 2021, elle est victime d'un burn-out mais elle obtiendra ses plus beaux résultats l'année d'après, avec entre autres une médaille de bronze aux championnats du monde Xterra à Molveno en italie.

Palmarès en triathlon
Le tableau présente les résultats les plus significatifs (podium) obtenus sur le circuit international de triathlon depuis 2018.

Notes et références

Voir aussi

Article connexe
 Cross triathlon
 Xterra Triathlon

Liens externes

Triathlète française
Naissance en décembre 1995
Naissance à Reims


Citation from "Into the Dark: The Body" (TV), 2018 censored in hope of resolving Google's penalty against this site.
Last edited on Oct 07 2018. Submitted by Walter Rader (Editor) from Sacramento, CA, USA on Sep 16 2012.
Definitions include: very good, excellent.
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Definitions include: of a situation or current life condition, good.
Definitions include: stylish, fashionable; "cool".
Definitions include: very neat; "cool"; "spiffy".
Definitions include: shortened form of "brilliant".


text:
Home/Practice Areas/Medical Malpractice/Medical Negligence FAQs
North Dakota Medical Negligence Attorneys Are Your Staunchest Advocates
Answers to the most frequently asked medical negligence questions
Doctors, nurses, and other healthcare providers are trusted to provide reliable and safe medical treatments for the sick and injured. Unfortunately, that trust is often broken when these professionals are negligent or reckless in their decision-making and practices. These medical negligence cases are inherently emotional and stressful for injured patients and their family members.
At the Larson Law Firm P.C., we understand just how difficult these situations can be and are ready to do whatever it takes to get you the restitution you deserve for your injuries. Our highly skilled and compassionate North Dakota medical negligence attorneys routinely accept a wide variety of medical negligence cases ranging from surgical errors, birth trauma, and failure to diagnose. Throughout our years of helping injured patients, we have received numerous questions about medical negligence and the process of obtaining compensation for these injuries. Below, we provide answers to some of the most commonly asked questions.
What you should know about hospitals in our state
Minot is home to Trinity Hospital and Unimed Medical Center. St. Alexius Health Williston Medical Center and McKenzie County Memorial Hospital in Watford City are close by, and Bismarck is home to two more. All told, we have more than 40 medical facilities located throughout the state, and Trinity even made the list of 10 best hospitals in North Dakota.
Just because a hospital is rated as "the best," however, does not mean that mistakes cannot happen, or that negligence will not occur. Trinity Hospital, for example, was given poor scores by the non-profit Leapfrog Group for its Intensive Care Unit services, and for the way it handles high-risk deliveries. It also scored poorly in regard to hospital-acquired infections, including surgical site infections following colon surgery and urinary catheter infections, and for hospital-acquired injuries like falls.
What is medical negligence?
Within the medical industry, healthcare professionals are expected to provide a reasonable standard of care when making decisions and treating patients. When professionals fail to meet that standard, their negligence could be an act of medical malpractice. Some of the cases our firm is equipped to handle include:
Failure to diagnose a medical condition or event
Birth trauma and injuries
Failure to properly obtain informed consent
Errors in prescribing or administering medication
Delayed treatment of imminent cardiac events
When does medical negligence occur?
Medical negligence may occur at any point during the evaluation and treatment process. Some cases arise from a failure to diagnose a patient's condition during a routine visit. For example, if a doctor fails to monitor the blood pressure of a patient with a known history of hypertension, and the patient suffers a heart attack that evening, the doctor may be liable for the harm because he or she was medically negligent in not monitoring the patient's blood pressure. Medical negligence also commonly occurs within the emergency department or inpatient hospital setting.
How do you prove medical malpractice?
Generally speaking, we must be able to prove:
A doctor/patient relationship existed, and therefore, you were owed a certain duty of care.
The doctor (or other healthcare professional) breached that duty of care.
You sustained injuries as a result of that breach.
You are entitled to damages because of those injuries.
These cases can be complex, and it is important to seek legal advice and support from an experienced attorney with a successful track record of tackling a variety of these claims.
How much is my medical negligence case worth?
It depends. Every case is different, so it is difficult for us to predict the outcome without a full analysis of what occurred and the impact of your injuries. When determining an appropriate compensation request, we look at numerous factors, including:
The amount of current medical treatment needed
The cost of future medical treatment and rehabilitation
Loss of future earning potential
Loss of consortium for your spouse
Will I have to go to court?
While our legal team diligently works to get you a fair and just settlement amount, negotiations are sometimes unsuccessful. When this occurs, we pursue your case within the courts. We know it can be intimidating to testify in court. That is why we work to make it as effortless as possible for you. We are seasoned litigators who have spent decades developing our courtroom skills, so even if your case goes to court, you can feel confident in the abilities of our legal team.
How long do I have to file a medical negligence claim?
The statute of limitations is generally two years for North Dakota medical negligence cases. This means that you must file your claim within two years from the date the injury occurred or the date you became aware of your injuries. While many injuries are apparent almost immediately following the negligent actions of a physician, some conditions may not present until weeks, months, or years later. To ensure that your rights are preserved, it is essential to consult a skilled North Dakota medical malpractice attorney as soon as you suspect that something may be amiss with your medical care or treatment.
Trust us with the complexities of your North Dakota medical negligence case
When a healthcare provider inflicts harm instead of healing, the consequences can be long-lasting and irreversible. At the Larson Law Firm P.C., our legal team has successfully negotiated and litigated some of the state's most prominent cases. We provide legal services to injured parties across North Dakota, including the residents of Ward, Williams, McKenzie, Pierce, and Mountrail Counties. Our Minot office is easily accessible with convenient parking available. If you or a loved one has suffered unnecessary injuries at the hands of a healthcare professional, call us at 701-484-4878 or complete our contact form to schedule a free initial consultation.
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Versatile delta shaped hole fits almost any plastic or metal, single or double peg hook. Self-centering. Simple break-away tabs on sheet form. Inexpensive way to hang and display unlimited types of products vertically - just peel and stick.


Kellyanne Conway gives Barnicle a lesson in how to be prepared for an interview…she runs circles around him when he says the Republicans weren't fair to Obama on his first round of cabinet picks. This is awesome!
CONWAY: — they were very fair. Excuse me, President Obama had seven of his cabinet members confirmed on January 20, 2009, his inauguration day. Are you going to guarantee me the same courtesy? It doesn't sound that way if you read The Hill and the Washington Post, yesterday. And then he had five more that week. President Bush had nine his first week. He had State and Defense and Ag and Commerce and Education and Energy and Treasury. Are we going to have that? It doesn't seem that way.


LLC or S-Corp…why not both?
Posted November 23rd, 2016 by Jennifer Boutin & filed under News & Events, Small Business Information.
Have you narrowed down your section of a business entity to two choices – LLC or S-Corp? This article will help those confused on the differences.
Posted November 14th, 2016 by Jennifer Boutin & filed under News & Events.
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Posted November 10th, 2016 by Jennifer Boutin & filed under News & Events, Small Business Information.
Below are three things to consider that will help make your next wholesale trade show a success!
Posted November 10th, 2016 by Jennifer Boutin & filed under Success Stories.
Kasey Smith, founder of EterNav, relied on her Maine SBDC advisors to help her navigate the process of business startup including access to grant funding.
Subscribe To Receive The Latest News From The Maine SBDC.


Today, the Commission sent an explanatory statement to Roche informing them about the closure of the infringement procedure taken against them for failure to meet certain obligations related to their marketing authorisations.
Evaluation of the EMA fee system – terms of reference for external contract.
DG SANTE has contracted out a study to support the evaluation of the fee system of the European Medicines Agency. The project will start in December 2016 and will last for 15 months.
Study on the regulation of advanced therapies in selected jurisdictions.
The document are available here.
Launch of targeted stakeholder consultation on the draft Guidelines on Good Manufacturing Practice for Advanced Therapy Medicinal Products.
All stakeholders involved in the development, manufacture and/or commercialisation of advanced therapy medicinal products ("ATMPs"). Comments from small and medium-sized enterprises (SMEs) and academia are particularly welcome.
From 28 June 2016 to 26 September 2016.
Article 5 of Regulation 1394/2007 of the European Parliament and of the Council on advanced therapy medicinal products and amending Directive 2001/83/EC requires the Commission to draw up guidelines on good manufacturing practice specific to advanced therapy medicinal products.
A consultation on this topic was launched in 2015. On the basis of the comments received during the consultation, as well as input from consultation with the European Medicines Agency and competent authorities in the Member States, the Commission services have developed draft Guidelines on Good Manufacturing Practice specific to Advanced Therapy Medicinal Products. With this consultation, the Directorate General for Health and Food Safety wants to give an additional opportunity for concerned stakeholders to express their views on the GMP requirements that should apply to ATMPs.
The comments received will be taken into account by the European Commission to finalise the Guidelines on Good Manufacturing Practice specific to Advanced Therapy Medicinal Products.
5th Meeting of the Commission Expert Group on Safe and Timely Access to Medicines for Patients (STAMP) - 28 June 2016 Brussels.
Updated Q&A (v.5) on safety feature now available.
Updated Q&A (v.7) on importation of active substances (APIs) now available.
Launch of four public consultations on recommendations related to clinical trials.
Four public consultations on recommendations related to clinical trials are open from 1 June 2016 to 31 August 2016.
NTA update of volume 6A.
Deletion of chapter 4. More details can be found here.
Responses to the public consultations on detailed arrangements for clinical trial inspection procedures including the qualification and training requirements for inspectors pursuant to Article 78(7) of Regulation (EU) No 536/2014.
Responses to these public consultations are available here.
4th Meeting of the Commission Expert Group on Safe and Timely Access to Medicines for Patients (STAMP) - 10 March 2016 Brussels.
Launch of "PRIME" scheme to pave the way for promising medicines.
The European Medicines Agency launches the PRIME (PRIority MEdicines) scheme, which builds on existing EU regulatory tools to strengthen support to accelerate medicines that target an unmet medical need.
Responses to the public consultations on Good Manufacturing Practice for Investigational Medicinal Products.
Responses to these public consultations are available here and here.
Responses to the public consultations on notice from the Commission on aspects of the application of Article 3, 5 and 7 of Regulation (EC) N° 141/2000 on orphan medicinal products.
The responses to the public consultations are available here.
New safety features to protect EU consumers from falsified medicines.
The delegated Regulation 2016/161 , published today in the Official Journal, sets out the details of obligatory "safety features" for medicines which will guarantee medicine authenticity and secure the medicine supply chain.
New COMMISSION STAFF WORKING DOCUMENT Inventory of Union and Member State incentives to support research into, and the development and availability of orphan medicinal products — State of play 2015.
As of 1 February 2016 marketing authorisation holders will no longer be required to submit type IA variations in relation to administrative changes to the Qualified Person Responsible for Pharmacovigilance and the Pharmacovigilance System Master File.
Roadmap on evaluation of EMA fee system.
The roadmap was published on the page of Your Voice in Europe .
Stakeholders may provide feedback by 29/01/2016.
Public consultations on Notice from the Commission on aspects of the application of Article 3, 5 and 7 of Regulation (EC) N° 141/2000 on orphan medicinal products.
From 16 November 2015 to 15 February 2016.
The 3rd STAMP meeting took place on 20 October 2015.
The agenda and documents of the meeting are now publicly available here.
One of the topics discussed was PRIME - a new scheme to optimise development of priority medicines and facilitate patients' access.
EMA started a public consultation on PRIME on 26 October with the deadline for comments 23 December 2015.
Eudralex - Volume 4, Annex 16 updated.
3rd Meeting of the Commission Expert Group on Safe and Timely Access to Medicines for Patients (STAMP) - 20 October 2015 Brussels.
EudraLex - Volume 2, New module 1.2 paper application form (revision 12 - September 2015).
Following the changes in Chapter 1 published in June 2015, the new version of the AF is now available. The electronic version will be available as from 03/11/2015. It will be mandatory to use the new versions of the AF and eAF as from 30/11/2015 (eAF must be used for centralised procedure applications). It is strongly recommended to use the eAFs for all procedure types considering that the use for all other procedure types will become mandatory from 1st January 2016.
European Commission, European Medicines Agency and World Health Organization step up cooperation to better protect global public health.
Consultation on EU GMP Guidelines, revised Annex 17 on the Real Time Release Testing.
Today, DG SANTE launches a consultation on the revision of "Annex 17: Real Time Release Testing".
Four new public consultations concerning good manufacturing practices and clinical trials for human medicinal products are opened August 28, 2015 with closing date November 24, 2015.
Commission Delegated Act on principles and guidelines on good manufacturing practices for investigational medicinal products for human use and inspection procedures.
Detailed Commission guidelines on good manufacturing practices for investigational medicinal products.
Commission Implementing Act on principles and guidelines on good manufacturing practice for medicinal products for human use.
Detailed arrangement for clinical trials inspection procedures including the qualifications and training requirements for inspectors.
Update of Guideline on the packaging information of medicinal products for human use authorised by the Union (July 2015) are now published.
Launch of Targeted stakeholder consultation on the development of Good Manufacturing Practice for Advanced Therapy Medicinal Products pursuant to Article 5 of Regulation 1394/2007.
This consultation targets all stakeholders involved in the development, manufacture and/or commercialisation of advanced therapy medicinal products. Comments from small and medium-sized enterprises (SMEs) are particularly welcome.
Period of consultation is from From 23 July 2015 to 12 November 2015.
Article 5 of Regulation 1394/2007 requires the Commission to draw up guidelines on good manufacturing practice ("GMPs") specific to advanced therapy medicinal products ("ATMPs").
EudraLex - Volume 2, NTA update of volume 2A.
addition in view of deletion of chapter 4.
The corresponding update of the application form will be available in September.
EudraLex - Volumes 2 and 6, update of notice to applicant.
The use of electronic application forms (eAFs) is now mandatory for all human and veterinary centralised procedure applications (initial MAAs, variations, renewals) since the 1st of July 2015.
Although the eAF is now mandatory for the centralised procedures, the published eAFs could also be used for the other procedures (DCP, MRP and NP).
It must be noted that they are not NTA documents.
On 6 July 2015 the Commission returned the case file concerning the infringement procedure against Roche Registration Ltd to the European Medicines Agency for a new period of inquiry pursuant to Article 15 of the Commission Regulation (EC) No 658/2007. The European Medicines Agency should then adopt a report within one year in accordance with Article 10(3) of the Commission Regulation (EC) No 658/2007.
The European Medicines Agency started the infringement procedure against Roche Registration Ltd in October 2012, following a request of the European Commission, to investigate allegations that the company has failed to comply with pharmacovigilance obligations in relation to its 19 centrally authorised medicines. The European Medicines Agency sent its initial report to the European Commission in April 2014.
More information regarding the infringement procedure is available at the website of the European Medicines Agency.
Brazil and Israel have been added to the "list of third countries" having standards of manufacture and supervision of active pharmaceutical ingredients equivalent to those of the EU.
The Commission Implementing Decision is available here .
The use of the electronic Application Forms (eAF) is mandatory for Centralised procedure from 1 July 2015.
The eAFs must be used for all Human and Veterinary applications : authorisations, variations and renewals. The eAFs are available here.
For more information, see "Medicines for children".
2nd Meeting of the Safe and Timely Access to Medicines for Patients (STAMP) Expert Group on 6 May 2015 (Brussels).
EudraBook V1 - May 2015 - Compendium of EU pharmaceutical law.
The main body of EU legislation on medicinal products for human use is now available in e-book format.
The responses to the public consultation on the revision of "Annex 15: Qualification and Validation" are available here.
Commission report on the use of delegated powers.
The Commission transmitted to the European Parliament and the Council a report on the use of delegated powers provided by the EU pharmaceutical legislation. This follows a legal obligation under Directive 2001/83/EC and Regulation (EC) No 726/2004, which requires the Commission to prepare such report every five years.
The report is available in all EU languages here .
74th meeting of the Pharmaceutical Committee, 17 March 2015.
The background documents and the presentations of the 74th Pharmaceutical Committee are now available here.
Eudralex - Volumes 2 and 4 updated.
A new version of Annex 15 has been published. This version will become operational on 1 October 2015.
The guidelines on the formalised risk assessment for ascertaining the appropriate good manufacturing practice for excipients of medicinal products for human use have been published. A risk assessment as set out in these guidelines should be carried out for excipients for authorised medicinal products for human use by 21 March 2016.
The guidelines on principles of Good Distribution Practice of active substances for medicinal products for human use have also been published and come into operation on 21 September 2015.
For more information, see EudraLex - Volume 4.
The revision 14.1 of the Guideline on the packaging information of medicinal products for human use authorised by the Union is published. The update only concerns the annex of the guideline.
For more information, see EudraLex - Volume 2.
Eudralex V30 is now available.
Now, you can consult the whole Pharmaceutical Legislation (Human and Veterinary) with an integrated search engine.
The EudraLex V30 is similar to the EudraLex section of this web site, but it can be used off-line with the search engine. All the documents are in PDF format and without protection.
For a non-commercial use, Eudralex V30 may be duplicated, shared and the documents may be printed.
Eudralex - Volume 1 updated.
For more information, see EudraLex - Volume 1.
EudraLex - Volume 4, Chapters 3 and 5 updated.
New versions of Chapter 3 and Chapter 5 have been published providing transitional arrangements for toxicological evaluation. The chapters are otherwise unchanged – apart from an editorial correction of footnote 2 in Chapter 5 – and become operational on 1 March 2015 for all other aspects.
Delegated Regulation on GMP - good manufacturing practice for API - Active pharmaceutical ingredient.
Commission delegated regulation (EU) No 1252/2014 of 28 May 2014 supplementing Directive 2001/83/EC of the European Parliament and of the Council with regard to principles and guidelines of good manufacturing practice for active substances for medicinal products for human use .
EudraLex - Volume 6, Notice to applicants and regulatory guidelines for medicinal products for veterinary use.
General information regarding veterinary medicinal products authorised centralised and nationally (Mutual Recognition and Decentralised procedures) contained in Volume 6A, Chapter 7 General information has been transferred to the EMA and to the Coordination Group for Mutual Recognition and Decentralised Procedures - Veterinary (CMDv) and the European Medicines Agency (EMA) websites, respectively.
The Guideline on Dossier requirements for Type IA and Type IB Notifications Revision 1 (EudraLex - Volume 6 - June 2006) has been removed from the website as out-of-date. There have been some general format changes to the Volume 6 Notice to applicants and regulatory guidelines for medicinal products for veterinary use, but no other substantial amendments.
For more information, see EudraLex - Volume 6.
73rd meeting of the Pharmaceutical Committee, 22 October 2014.
For more information, see "Human Pharmaceutical Committee - Meetings".
New version of Clinical trials.
A complete revision of the chapter on clinical trials has been published on the website.
For more information, see "Clinical Trials".
Commission Call for Expressions of Interest for the position of member of the Committee for Orphan Medicinal Products (COMP) as representing patient organisations.
This call for expressions of interest relates to the appointment by the Commission of members representing patient organisations at the Committee for Orphan Medicinal Products (COMP) of the European Medicines Agency.
More detailed information and application documents are available here.
For more information, see "Orphan Medicinal Products".
The text of the guideline in all EU languages is available here .
Adoption of proposal by European Commission.
On 10 September 2014 the European Commission adopted proposals on veterinary medicinal products and medicated feed. With its proposal on veterinary medicinal products, the Commission aims to tailor legislation on veterinary medicinal products to the needs of the veterinary sector, without jeopardising public and animal health, or a safe environment.
EudraLex V29 is now available.
The EudraLex V29 is similar to the EudraLex section of this web site, but it can be used off-line with the search engine. All the documents are in PDF format and without protection.
For a non-commercial use, Eudralex V29 may be duplicated, shared and the documents may be printed.
72nd meeting of the Pharmaceutical Committee, 26 March 2014.
New Application Forms for variations and renewals.
New application forms for variations and renewals were published on 10 June 2014. There is a transitional period of 3 months until the 1st October 2014, after which the new application forms is recommended to be used.
The European Commission adopted the new common EU logo for online sale of medicines through an Implementing Regulation.
Member States have one year from this date to ensure that the provisions on the common logo are applied. Therefore, by mid-2015, all online pharmacies or retailers legally operating in the EU should display the logo.
For more information, see "EU logo for online sale of medicines".
Study on the risks of environmental effects of medicinal products.
The study on the risks of environmental effects of medicinal products has been financed by the Commission and carried out by an external contractor (BIO Intelligence Service). Its objectives are to characterise the scale of the environmental effects of medicinal products and to identify non-legislative and legislative causes and possible solutions across the entire EU legislative framework. It constitutes a starting point from which the different aspects need to be further validated by the European Commission based on the contributions from the European Medicines Agency, the European Environment Agency, Member States and stakeholders.
For more information, see "Medicines and the environment".
Notice to applicants, update of variations and renewal application forms (human and veterinary) .
The electronic version of the new variation and renewal application forms are made available on the European Medicines Agency website.
The report covering the year 2013 is available here.
For more information, see "Medicines for children"
The New Regulation No 536/2014 of the European Parliament and of the Council on clinical trials on medicinal products for human use, and repealing Directive 2001/20/EC was published in the Official Journal on 27 May 2014.
Notice to applicants, medicinal products for human use, volume 2A, chapter 3 Union referral procedure.
The update of chapter 3 of volume 2A of the notice to applicants is published and available here.
The Commission has uploaded an online questionnaire regarding the application of Regulation (EC) No 470/2009 of the European Parliament and of the Council on Maximum Residue Limits (MRLs).
The aim of this questionnaire is to gather information from authorities and stakeholders on their experiences with the MRL-Regulation. This information is necessary to establish the report on the experiences gained from the application of the MRL Regulation as required by Article 28 of the Regulation. As of today the MRL questionnaire is published on the Europa website "Your Voice" (link provided below).
You can only submit/save the questionnaire once it is 100% completed. Therefore, we strongly recommend that you print the questionnaire (PDF format is available online) and prepare the answers in your own time. Once you are ready to submit it you can simply select and copy/paste your answers. You can only stay logged on for a maximum of 60 minutes.
For more information, see "Medicinal products for veterinary Use".
One-year report on human medicines pharmacovigilance tasks of the European Medicines Agency.
The report on the pharmacovigilance tasks of the European Medicines Agency that were completed the during the first year of application of the EU's new pharmacovigilance legislation is available here.
Overall, the Commission received 26 responses. A summary of the comments as well as the replies are available here.
The new Regulation No 536/2014 of the European Parliament and of the Council on clinical trials on medicinal products for human use, and repealing Directive 2001/20/EC was adopted on 16 April 2014.
Substances considered as not falling within the scope of Regulation (EC) No. 470/20091, with regard to residues of veterinary medicinal products in foodstuffs of animal origin.
Report on the application of the Regulation (EC) No 1394/2007 on Advanced Therapy Medicinal Products .
For more information, see "Advanced therapies".
A Question and Answer document (version 1.0 March 2014) responds to frequently asked questions in relation to the guidelines on Good Distribution Practice of medicinal products for human use.
For more information, see "Good Distribution Practice".
Revision of the Guideline on the format and content of applications for designation as orphan medicinal products.
On 28 March, the European Commission published the revised EU guideline on the format and content of applications for designation as orphan medicinal products and on the transfer of designations from one sponsor to another. The European Commission reviewed the guideline to clarify how sponsors should define the medical plausibly of their product in relation to a disease and its significant benefit. In addition, the electronic submission of an application using the common Food and Drug Administration-European Medicines Agency application form will be possible. During the development of the product, the classification of a disease may change and the designated condition may need to be modified to better reflect the indication that the sponsor intends to request at the time of marketing, therefore, an existing designation can now be amended.
71th meeting of the Pharmaceutical Committee, 23 October 2013.
Revision of European Commission Guidelines on Good Manufacturing Practice for Medicinal Products.
Today the European Commission has launched the public consultation on the revision of Annex 15: Qualification and Validation.
For more information, see "Quality of medicines and Good Manufacturing Practices (GMP)".
For more information, see "Maximum Residue Limits".


Mt. Tecumseh Trail. About 5 miles roundtrip with about 2300 feet of elevation gain.
We recently said we wouldn't hike this one for a while, but this day was our personal Thanksgiving, and both girls very much wanted to hike Tecumseh again. We feel it's a second home at this point, lol.
We got to the trail around 7:30 and started up the familiar path.
The viewpoint always provides a nice break before the steep bits.
Starting up the steeps. A light dusting covered the trail, but there was never a need to don the microspikes.
We walked right by the sign pointing to the summit...we were busy talking, and I didn't realize we missed our normal way up until the trail dipped down a bit. We continued anyway, since this bit of trail also loops up to the summit.
Views! That's Mt. Washington, snow-covered, way in the background on the left.
We celebrated the hike with some eggnog, then we descended and ate a huge Thanksgiving meal.
Have a wonderful holiday, everyone! See you on the trails (after Thanksgiving).
Lonesome Lake Trail, Hi-Cannon Trail, Kinsman Ridge Trail, Fishin' Jimmy Trail.
About 13 miles with 4700 feet of elevation gain.
We meant to do a Bonds Traverse this day, but the forecast called for constant rain, high winds, and low temperatures. We can hike in such weather, but we prefer not to be above treeline. Total exposure + weather like that = too much risk for hypothermia.
Instead, we decided on Cannon and the Kinsmans. We had never hiked from Cannon to the Kinsmans before. Most of the route is below treeline, and the route as described provides quite a workout since one has to go over a series of major bumps called the Cannonballs. Our friend John, who had planned on doing the Bonds with us, graciously agreed to the destination change. He's not a fan of hypothermia either.
At the parking lot, the girls horsed around a bit while John and I geared up.
We began on Lonesome Lake Trail, then we took Hi-Cannon to the ridge.
Hi-Cannon Trail wasn't as steep as I remembered. It also has this cool ladder.
Here's a spot you don't want to trip toward.
Soon at the top of Cannon.
Hmmm...methinks a sign needs to be replaced.
We went below the tower to eat our cupcakes (part of our food-themed rounds...Cakes on the 48 this time).
I began to get cold, so we quickly ate our cupcakes and moved on.
Getting over all those Cannonballs was tough. Up down up down up down up down. Finally, we came to the Kinsman Pond Campsite.
We hiked the short tenth of a mile down to the shelter to check it out.
After a short break, we continued onward and climbed up to North Kinsman.
The viewpoint by the summit provided some gorgeous scenery. That's Cannon and the Cannonballs, hugged by clouds. Hard to believe we had just hiked over all those bumps!
We ate Kit Kats on the Kinsmans (Desserts on the 48)!
I took many photos while on the summit of South Kinsman -- the views are extensive in all directions -- but after I uploaded all my images to my computer, many of them disappeared. Not sure what happened. That's a shame, because I lost some photos not only of the views, but of John sharing some yummy cheese and crackers. I also lost the photos I had taken of Fishin' Jimmy Trail (our descent route).
We descended via Fishin' Jimmy Trail, which has a bunch of ups and downs but was not as bad as I remembered (the last time I was on that trail was 2010). There are some steep bits, and parts with iron rungs attached to the rocks, but such is the average hike in the Whites.
We reached Lonesome Lake Hut, took a few swigs of water, and went down to the lake.
From here, it was about 1.5 fairly easy miles back to the car. We managed to make it all the way down without needing to pull out the headlamps...except for picture-taking purposes.
'Twas another great day in the woods. Thanks, John, for your excellent company. Sorry about the below photo. I'm not the best at nighttime photography.


Blessed John De Britto, Martyr | The Society of St. John Bosco, Inc.
him for a year in the dress worn in those days by the Jesuit Fathers. From that time John's heart burned to follow the example of the Apostle of the Indies. He gained his wish. On December 17, 1662, he entered the novitiate of the Society at Lisbon; and eleven years later, in spite of the most determined opposition of his family and of the court, he left all to go to convert the Hindus of Madura. When Blessed John's mother knew that her son was going to the Indies, she used all her influence to prevent him leaving his own country, and persuaded the Papal Nuncio to interfere. "God, Who called me from the world into religious life, now calls me from Portugal to India," was the reply of the future martyr. "Not to answer the vocation as I ought, would be to provoke the justice of God. As long as I live, I shall never cease striving to gain a passage to India." For fourteen years he toiled, preaching, converting, baptizing multitudes, at the cost of privations, hardships, and persecutions. At last, after being seized, tortured, and nearly massacred by the heathens, he was banished from the country. Forced to return to Portugal, John once more broke through every obstacle, and went back again to his labor of love. Like St. John the Baptist, he died a victim to the anger of a guilty woman, whom a convert king had put aside, and, like the Precursor, he was beheaded after a painful imprisonment.


American Family Insurance - David Weaver can be found at 581 S Range Line Rd . The following is offered: Insurance, Car Insurance, Life Insurance, Home Insurance . In Carmel there are 78 other Insurance. An overview can be found here.


text:
Everet Witzel
MS, MD, MHA, PhD
President of Radio 74 Internationale
JoAn Witzel
RADIO 74 INTERNATIONALE (R74I) is an independent nonprofit radio network broadcasting educational association that provides programming via satellite and internet to a network of dozens of local radio broadcasting stations across the United States of America.
RADIO 74 INTERNATIONALE is an independent Christian ministry and is not sponsored, regulated or controlled by any denomination or religious organization. This ministry is financed exclusively by God as He provides through the free-will gifts and donations of listeners. There are no paid employees. Everyone serves as a volunteer.
OUR MISSION is to proclaim our soon coming Lord and Saviour, Jesus Christ and provide Christian, health, family and character building programs to reach thinkers, movers and shakers, community leaders and decision makers, men and women in responsible positions, and the international and business communities.
The name RADIO 74 originally made reference to the Haute-Savoie of France, administrative department number 74. As time passed, the meaning evolved to also mean "God's perfect 7 to the 4 corners of the earth." And because God's Law, the Ten Commandments are eternal and never change, the truth about the7 th day Sabbath is still found in the 4 th commandment of the Decalogue.
RADIO 74 INTERNATIONALE (R74I) was founded in 2000 just as the Federal Communications Commission (FCC) began authorizing a then new category of local radio station called Low Power FM (LPFM). Responding to God's call to assist Christian schools and churches create local FM radio stations, R74I initially assisted some 30 local groups obtain FCC licenses and construct local LPFM radio stations.
Today, R74I continues to furnish much of their programming via satellite or internet. R74I has developed into a growing network of some 70 FM stations in 26 States from Florida to Alaska, extending over six time zones from the Bahamas to Hawaii. And thousands listen across the USA, Canada, the Caribbean Islands via satellite, or through the internet via R74I's American flagship station, KRSF, at Ridgecrest, CA.
Jesus Christ is the heart and inspiration of all our programming.
BIBLE INSTRUCTION is firmly anchored in the Word of God. Programming is conducive to building strong families, cornerstone for the stability of any society, and includes character building programs for children and adults. R74I is "ecumenical" in the sense that its spiritual programs of quality speak to the hearts of people from many religious traditions, and particularly those of the Catholic, Protestant, Evangelical, Jewish and Islamic faiths.
HEALTH PRINCIPLES offer solutions to common physical and psychological difficulties, encouraging a healthy lifestyle and the prevention of disease. The general public is attracted to our healthy, practical, commonsense approach to living.
MUSIC is selected for its pleasant qualities… relaxing, calming, sometimes stimulating, but usually gentle and reflective. It's an unusual blend of vocal and instrumental titles and styles. Themes are melodious, harmonious, rarely in minor keys, gently rhythmic, often rich in 7th, 9th and 13th chords. The overall effect is a sublime, warm ambiance… a sound that's discrete, reassuring, never boring, in good family taste, and always to the glory of God.
RADIO 74 INTERNATIONALE (R74I) takes inspiration and receives some of its programming from RADIO 74 (Europe), although the two organizations are philosophically different, and legally and financially distinct.
RADIO 74 (Europe) has grown from one tiny 15 watt FM transmitter in 1982 to a modest network of FM and DAB+ transmitters heard in East-central France and in seven of the largest cities of Switzerland, including Geneva and Zurich. Its web listeners span the globe.


text:
Newcastle Diaries: the eye of the beast
James Common March 2, 2018 July 7, 2019
I dislike our tendency to name storms and weather fronts almost as much as I dislike our habit of blowing such things entirely out of proportion in this country. Often panicking without justification when snowflakes fall and temperatures decline ever so slightly. That said, the Beast from the East, as it has been labelled by the story-hungry media, has been pretty unique and I cannot remember a time (in my lifetime, at least) when conditions have appeared so overwhelmingly bleak. Indeed, much of this week has been spent huddled in the house, book in hand, hiding from the worst of the weather. Ignorant, some may say, to the happenings in the wider ecosystem outside.
Breaking from the norm, however, yesterday saw me wandering the wilds of my local park – Heaton, in Newcastle – with the aim of discovering the impact of the beast on my local wildlife. It was not a pretty picture. All around yesterday the signs of hardship were apparent: snow blanketed the floor almost a foot deep in places and covering vital food sources, the temperatures sat at an energy-sapping minus two degrees and areas of open water, from puddles to streams, stood frozen and still. The result being that it took some time – half an hour no less – before the first signs of life became apparent amid the icy desolation.
Weather such as this, of the kind raging outside at present, poses a significant threat to many forms of wildlife; though none more so than small birds – the passerines who must feed near constantly in order to sustain themselves and generate enough body heat to see out our frigid Winter nights. When snow falls, food sources are concealed and untold numbers of birds perish. Indeed, it is frightening to think of just how many creatures must surely have died over the past few days. From tiny Goldcrests to thrushes and riparian wagtails, many must surely have met their demise during the beast. In the wider countryside, in our cities and even in our very own gardens.
On the subject of Goldcrests, I had not expected to see any yesterday; though the sight of two birds feeding at ground level atop the snow proved sobering. The tiny passerines, sporting their sunshine yellow crests, hopping deftly over the crystalline surface, appearing to snatch unseen morsels from the ground before scampering up into the lower branches of a Holly. Doubtless in search of the meagre few spiders and other insects not banished by the cold. It was heartening, truth be told, to see the crests persevering in spite of the weather, and amazing to think that such a small bird can survive such inclement weather at all.
Elsewhere in the park, life appeared equally hard for other species of birds. Usually, timid Blackbirds threw caution to the wind as they fed and dug in close proximity to dog walkers – hunger overriding better sense, in this case. Here too, Woodpigeons had gained confidence, joining their feral kin in enjoy scraps from a small child's sandwich; while an unruly mass of thrushes – Redwing, Blackbird and Song Thrush – squabbled and fought over the scant Cotoneaster berries still adorning a bush towards the Western periphery of the park. One particular Redwing, set apart from the scrum, providing perhaps the most poignant testament to the hardship of the season: unmoving as I approached and appearing sleepy, lethargic. The bird – shown below – seeming spent, sluggish and beaten – waiting on its branch for the inevitable to a happen. A sorry fate for a bird which arrived in this country back in September hoping to escape the rampant weather of Northern Europe.
Departing and leaving the Redwing to its fate – whatever that may be – I wondered what had become of the parks other avian residents. The tits, finches, robins and wrens usually abundant yet strangely absent during the mornings' foray: I soon found them. A chance wander into a quieter corner of the park revealing a scene of hope. Here, amid a particularly dense tangle of trees, some person, some saint, had placed out bird feeders. Filled to the brim with sunflower seeds, peanuts and other treasures, they had not gone unnoticed by the birds and myriad species fed en masse, vying for position at times yet oddly at ease with each other. Doubtless the result of the harsh conditions.
Here, the most noticeable deviation from the norm came from the Robins: with no less than ten birds feeding in close proximity. Usually territorial, these birds appeared to accept one another, lashing out half-heartedly at times, yet, by large, much more tolerant. Hunger can work wonders for neighbourhood spirit it seems.
Gazing through the throng surrounding the various seed dispensers, it was the diversity of the accumulation that struck me most of all. It appeared that half of the woodland had descended, keen to make the most of this vital food source. Blue and great tits too numerous to count cackled in the upper branches, occasionally dropping down to feed, Dunnock's snagged spilt seed from the snowy ground in the company of Blackbirds and a male Great Spotted Woodpecker lorded over its preferred feeder, it's presence deterring the other species who waited patiently on the outskirts. Add to these countless chaffinches, a pair of Stock Dove and singles of Redwing, Nuthatch and Jay, and there was more than enough to keep me enthralled throughout the morning. Though, as ever, my favourites (if I am allowed favourites) were the Bullfinches – three of which dropped in repeatedly during my stay and even posed for a few acceptable photos.
Nature, Nature Writing
Beast from the East, Birding, Birdwatching, Heaton, Newcastle, Urban Birding
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text:
Q: Find ages of two persons, with information about today and a certain moment in the past. The sum of the present ages of Erick and Henry is $55$. When Henry was same old as Erick's present age, Erick was $20$. What is Henry's present age?
I'm still thinking on it. Let me show what I thought
$$E + H = 55 \tag{1}$$
$$H -t = E \tag{2}$$
$$E -t = 20 \tag{3}$$
where $t = \text {passed time}$, $E = \text{Erick}$, $H = \text{Henry}$
I've gone too wrong, haven't I?

A: Seems good to me.
Three linear equations with three unknown variables.  Should be solvable if they aren't dependent which they clearly aren't.
So try to solve them.
.... go ahead.  Solve them... My solution is below but you should try solving them first.
One way: $H = E + t$ so substitute that back into the first to get $E + H = E+(E+t) = 2E + t = 55$.  Add that to the last equation to get $(2E+t) +(E-t) = 55 + 20$ or $3E = 75$.  So $E = 25$.
Plug that in and we get $25 + H = 55$ and $H - t = 25$ and $25 -t = 20$.  From there is clear $H = 30$ and $t= 5$ and.... sure enough.  Eric is $25$ and Henry is $30$ and $5$ years ago when Henry was $25$, Eric was $20$.

A: Solving for one variable then using the result to solve for the others will give you the correct results. Here I solve for t
$(1)$  $E+H=55$
$(2)$  $H-t=E$  $->$ $H=E+t$
$(3)$  $E-t=20$  $->$ $E=20+t$
Adding $(2)$ and $(3)$, will isolate H.
$H+E=E+2t+20$
$H=20+2t$
Substituting $(2)+(3)$ and $(3)$ in $(1)$, will give the value of t.
$20+t+20+2t=55$
$t=5$
Now the rest can be calculated fairly easily.

redpajama_set_name: RedPajamaStackExchange


Looking back through my blog I see that I started Part 5 in July, approximately 6 months ago. That makes sense though. There weren't really any massive delays – the usual school holiday pause, a delay for feedback while my tutor was working outside the UK – this was simply a part of the course with exceptionally rich pickings for me and I was able to take the time to make the most of them.
I thoroughly enjoyed learning more about the archive and found this part of the course very inspiring. There is something almost tangible in the archive, and it's certainly very accessible. I especially like the idea of a constructed archive, like the Fae Richards archive – an exercise in making a different truth.
I had two passes at A5. I eventually paused the Pink work when it became apparent that my re-work attempts for A1 were getting big enough to be an assignment in their own right. The photogram work had significant potential and I didn't have the mental bandwidth to do both. I was confident that if the photogram work wasn't successful I would be able to substitute the pink work instead. It was however very reassuring to read my tutor's feedback on the pink work and I shall be returning to it. The photogram work was immensely satisfying on a number of levels. It allowed me to tie up my various mental loose ends about lace and Fox Talbot. I have learned a raft of new darkroom skills and am very grateful for the generosity and kindness of the darkroom owner who is terrifically helpful and supportive of my work.
A5 has felt like a culmination, so much has come together. My learning has been truly iterative, a step at a time both conceptually and practically, and I think that's why it's rarely felt overwhelming. I actively sought as much feedback as possible, via the blog, the OCA board, OCA Hangout, two regional groups, the collective that I'm part of, my climbing group… The feedback wasn't always what I expected or wanted to hear, but the diversity of it once again made me realise that the work had merit and was worth persisting with.
Parallel with Part 5 has been preparation for three exhibitions, two of which have been held so far. I made a handmade book with test images from my photograms for the OCA Showcase exhibition at OXO London, and made some of my pink images into diptychs for the OCA South West exhibition in Bristol. I am also showing two framed 12×16 photograms at the Thames Valley Group exhibition in February 2019, the work is already framed and ready to go. It was a challenge balancing the exhibition prep with the coursework. I am happy that I did it though and satisfied with the results.
I think this part of the course was pivotal for me but even a couple of months on I still feel too close to it to pick out some of the highlights and the whys. A lot of the learning is still on my mental back burner.
I thoroughly engaged with the research and reading around various self portraiture practitioners. There's something about the independence of self-portraiture, about how you can just get on with it. I'm stunned by the diversity of interpretation possible, and by how some self portraits can tell you as much about yourself as about the person pictured. The way that some people can make such prolific self portraiture work makes me think of the breadth of self possible in all of us and the breadth of creativity in making all that work.
I'm still happy with the work that I made for that assignment, that I kept going for 26 days making an image each day. I didn't just learn about self-portraiture, I learned about me, my menstrual cycle, and a few weeks on I'm in the early stages of identifying the best ways of making sure that I don't have another month like that. It might take the form of a local procedure or it might be a keyhole hysterectomy, but I'm hopeful that things will be better quite soon. Documenting a cycle both laid it out for me in all its hormonal and messy highs and lows and also somehow recognised it, recorded it, and made it ok for me to seek a way to move on from it to something better.
The apple work for the diary was ground-breaking for me too. I have this nagging feeling that I have a drawing voice, but when I try to draw it is stymied by the certainty that I can't draw. Whatever "can't" means. I know now that I can pick up a pencil and draw an apple. That has to be a start.
This part of the course stayed with me though Part 4, which felt somewhat more academic and less emotional compared to Part 3.
It has been close on a month since I updated this blog. I didn't handle waiting for assessment results on EYV very well, ie the worry was always there for the last couple of weeks. Once the results came in; and I was very happy with them; we were into the Christmas and school holiday vortex. Nothing was picked up apart from a little bit of reading and a couple of experimental shoots.
When I started my studies nearly 3 years ago I earmarked two school days a week to them. Tuesdays and Thursdays, 8:30 ish to 2:30 ish. Plus a little bit extra for reading. Over time that allocation has grown, and now I need to trim it back just a little bit to allow effort for other parts of life that need attention. I'm returning to a thwarted dream to learn guitar, and have booked a couple of lessons in each month, taking a two or three hours out of my study time for a while. Music is a good companion to photography and study and I need to trust that the two activities will help each other. A1 here took far too long, though again I am happy with the results, so A2 will be more focused. For that reason I deliberately haven't dug far into A2 yet.
Looking forward into C&N, I have two or three shortlisted ideas for A2 that I'm happy to start work on in the next week, I have a fairly certain plan for A3, A4 is wide open and there's a loose plan for A5. I don't feel quite as stranded as I did in parts of EYV and nowhere near as lost as I did on C&N A1. I'd like to be finished here at some point in summer 2018, and that should be possible if I keep a focus.
Thank you to everyone who has read and supported me this far, all the best to you for 2018.


text:
Cement (novel)
Cement (disambiguation)
South Africa, officially the Republic of South Africa, is the southernmost sovereign state in Africa. It is bounded on the south by 2,798 kilometers of coastline of southern Africa stretching along the South Atlantic and Indian Oceans, on the north by the neighbouring countries of Namibia, Botswana and Zimbabwe, and on the east by Mozambique and Swaziland, and surrounding the kingdom of Lesotho. South Africa is the 25th-largest country in the world by land area, and with close to 53 million people, is the world's 24th-most populous nation. It is the southernmost country on the mainland of the Old World or the Eastern Hemisphere.
South Africa is a multiethnic society encompassing a wide variety of cultures, languages, and religions. Its pluralistic makeup is reflected in the constitution's recognition of 11 official languages, which is among the highest number of any country in the world. Two of these languages are of European origin: Afrikaans developed from Dutch and serves as the first language of most white and coloured South Africans; English reflects the legacy of British colonialism, and is commonly used in public and commercial life, though it is fourth-ranked as a spoken first language.
This page contains text from Wikipedia, the Free Encyclopedia -	https://wn.com/South_Africa
A cement is a binder, a substance that sets and hardens and can bind other materials together. The word "cement" can be traced back to the Roman term opus caementicium, used to describe masonry resembling modern concrete that was made from crushed rock with burnt lime as binder. The volcanic ash and pulverized brick supplements that were added to the burnt lime, to obtain a hydraulic binder, were later referred to as cementum, cimentum, cäment, and cement.
Cements used in construction can be characterized as being either hydraulic or non-hydraulic, depending upon the ability of the cement to set in the presence of water (see hydraulic and non-hydraulic lime plaster).
Non-hydraulic cement will not set in wet conditions or underwater; rather, it sets as it dries and reacts with carbon dioxide in the air. It can be attacked by some aggressive chemicals after setting.
Hydraulic cements (e.g., Portland cement) set and become adhesive due to a chemical reaction between the dry ingredients and water. The chemical reaction results in mineral hydrates that are not very water-soluble and so are quite durable in water and safe from chemical attack. This allows setting in wet condition or underwater and further protects the hardened material from chemical attack. The chemical process for hydraulic cement found by ancient Romans used volcanic ash (activated aluminium silicates) with lime (calcium oxide).
This page contains text from Wikipedia, the Free Encyclopedia -	https://wn.com/Cement
Cement (Russian: Цемент) is a Russian novel by Fyodor Gladkov (1883–1958). Published in 1925, the book is arguably the first in Soviet Socialist Realist literature to depict the struggles of post-Revolutionary reconstruction in the Soviet Union.
The protagonist, Gleb Chumalov, is a returning Red Army soldier hero who after the Russian Civil War comes back to a hometown in painful transition and to its cement factory being reorganized for the massive new Soviet effort. His wife, Dasha, plays the role of the Soviet "new woman," and Gleb finds he cannot easily pick up the threads of their old relationship. The novel is Gladkov's best known work because of its portrayal of the sociological effects of early Communism, especially after the sexes are suddenly decreed equal in the labor force of the local cement factory.
A Red Soldier returns home from the war victorious, eager to return to his wife, comrades, and factory, only to find out that the Revolution is in shambles, and that the country is in famine despite food rations. When he left three years earlier, Revolution was in the air. Now his wife's heart has hardened, his comrades no longer recognize him, and the factory is deserted, stripped bare by the starving citizens. Nearly everyone has abandoned the Revolution, and icons of the revolution collect dust, neglected. Only a few have remained loyal to the Revolutionary ideals. These few serve as examples of the ideal socialist citizen, but there are too few of them and a socialist state requires the masses to operate the machine of the socialist cause.
This page contains text from Wikipedia, the Free Encyclopedia -	https://wn.com/Cement_(novel)
Cement is a material for bonding stone or brick.
Cement may also refer to:
Portland cement, the most common cement in modern use
Adhesive materials may also be called cement
Cement (novel), a 1925 Soviet novel by Fyodor Gladkov
Cement, Chuck Mosley's post-Faith No More band, and Cement, their debut album
Cement (Die Kreuzen album), 1991
Cement (film), a 2000 neo-noir film directed by Adrian Pasdar
Cement (geology), in geology means the fine-grained minerals which bind the coarser-grained matrix in sedimentary rocks
"Cement" (song), a 1997 single by Feeder
Cementum, a specialized bony substance covering the root of a tooth
Cement, Oklahoma
This page contains text from Wikipedia, the Free Encyclopedia -	https://wn.com/Cement_(disambiguation)
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