text:
function stack = guiCreateStack(selectedFile)
%GUICREATESTACK creates a stack over a GUI
%   STACK = GUICREATESTACK()
%       opens the GUI and after closing it returns the selected stack(s).
%   STACK = GUICRATESTACK(PRESELECT)
%       opens the file choose GUI at the specified position PRESELECT
%   STACK = GUICREATESTACK(FILE)
%       does not open a file select GUI but only the stack creation GUI

    if (nargin < 1)
        selectedFile = [];
    end
    if (~isa(selectedFile, 'File'))
        file = File.get({'*.tiff;*.tif'}, 'Select Tiff stack', 'on', selectedFile);
    else
        file = selectedFile;
    end

    stack = [];
    if isempty(file)
        return;
    end

    numFiles = numel(file);
    width = 500;
    padding = 10;
    innerPadding = 5;
    lineHeight = 20;
    innerWidth = width - 2*padding;
    height = 2*padding + (numFiles + 1) * lineHeight + (numFiles + 1 - 1) * innerPadding;
    textWidth = 50;
    selectWidth = 90;
    panelWidth = innerWidth - textWidth - selectWidth - 2*innerPadding;

    stackTypes = {'TiffStack', 'DistributedTiffStack'};
    numTypes = numel(stackTypes);

    f = handle(figure( ...
        'NumberTitle', 'off', ...
        'Name', 'Select stack type', ...
        'HandleVisibility', 'off', ...
        'Color', 'w', ...
        'Position', [50, 50, width, height], ...
        ...'CloseRequestFcn', @createStack, ...
        'Resize', 'off', ...
        'Menubar', 'none', ...
        'Toolbar', 'none' ...
    ));

    movegui(f, 'center');

    nameDisplay = cell(size(file));
    typeSelect = cell(size(file));
    parameterPanel = cell(numFiles, numTypes);
    getParameter = cell(size(parameterPanel));
    for itemIndex = 1:numFiles
        x = padding;
        y = padding + (numFiles + 1 - itemIndex) * (lineHeight + innerPadding);
        [~, name, ~] = fileparts(file(itemIndex).fullpath);
        nameDisplay{itemIndex} = handle(uicontrol( ...
            'Parent', f, ...
            'BackgroundColor', f.Color, ...
            'Style', 'text', ...
            'TooltipString', file(itemIndex).fullpath, ...
            'String', name, ...
            'HorizontalAlign', 'left', ...
            'Position', [x, y, textWidth, lineHeight], ...
            'HandleVisibility', 'off'...
        ));
        x = x + textWidth + innerPadding;
        typeSelect{itemIndex} = handle(uicontrol( ...
            'Parent', f, ...
            'BackgroundColor', f.Color, ...
            'Style', 'popupmenu', ...
            'String', stackTypes, ...
            'Position', [x, y, selectWidth, lineHeight], ...
            'HandleVisibility', 'off', ...
            'Callback', @(~,~)togglePanel(itemIndex) ...
        ));
        x = x + selectWidth + innerPadding;
        for j = 1:numTypes
            [parameterPanel{itemIndex, j}, getParameter{itemIndex, j}] = ...
                feval( ...
                    sprintf('%s.getGUIParameterPanel', stackTypes{j}), f, file(itemIndex) ...
                );
            parameterPanel{itemIndex, j}.Position = [x, y, panelWidth, lineHeight];
        end
        togglePanel(itemIndex);
    end

    y = padding;
    x = (width - 200) / 3;
    okButton = handle(uicontrol(...
        'Parent', f, ...
        'Style', 'pushbutton', ...
        'String', 'OK', ...
        'Position', [x, y, 100, lineHeight], ...
        'HandleVisibility', 'off', ...
        'Callback', @createStack...
    ));
    x = 100 + 2*(width - 200) / 3;
    cancelButton = handle(uicontrol(...
        'Parent', f, ...
        'Style', 'pushbutton', ...
        'String', 'cancel', ...
        'Position', [x, y, 100, lineHeight], ...
        'HandleVisibility', 'off', ...
        'Callback', @(~,~)delete(f)...
    ));

    uiwait(f);

    function togglePanel(itemIndex)
        for i = 1:numTypes
            parameterPanel{itemIndex, i}.Visible = 'off';
        end
        parameterPanel{itemIndex, typeSelect{itemIndex}.Value}.Visible = 'on';
    end

    function createStack(~,~)
        for i = 1:numFiles
            nameDisplay{i}.Visible = 'off';
            typeSelect{i}.Visible = 'off';
            for i_ = 1:numTypes
                parameterPanel{i, i_}.Visible = 'off';
            end
        end
        okButton.Visible = 'off';
        cancelButton.Visible = 'off';

        uicontrol( ...
            'Parent', f, ...
            'Style', 'text', ...
            'BackgroundColor', f.Color, ...
            'Position', [padding, (height - 40) / 2 + 20, innerWidth, 20], ...
            'String', 'Create stacks...' ...
        );
        w = Gui.Waitbar(0, ...
            'Parent', f, ...
            'Position', [padding, (height - 40) / 2, innerWidth, 15] ...
        );

        stack = cell(size(file));
        allSameType = true;
        firstType = typeSelect{1}.Value;
        for i = 1:numFiles
            typeI = typeSelect{i}.Value;
            param = getParameter{i, typeI};
            param = param();
            stack{i} = feval(stackTypes{typeI}, param{:});
            if (typeI ~= firstType)
                allSameType = false;
            end

            w.Value = i / numFiles;
        end
        if allSameType
            stackC = stack;
%             stack = feval(sprintf('%s.empty', stackTypes{firstType}));
            stack = [stackC{:}];
%             for i = numFiles:-1:1
%                 stack(i) = stackC{i};
%             end
        end

        delete(f);
    end
end

redpajama_set_name: RedPajamaGithub


Beautiful necklaces and earrings from Israeli company Rena. Let us help you find some summer flare that you will love to wear…Image by Amy Vining Photography.
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I joined to see if I could trade off an extra Luna dog tag, but no point in just doing that right?
So yeah...I have seen G1 of this when I was a kid (I watched anything that was a cartoon back then), but its something I probably couldn't really get into. FiM seems alot better IMO, and that's the one I happened to like.
I haven't done much else MLP related, except for an avatar and a bunch of wanted posters together with the main characters of Gokaiger lol.
So...that's good enough for an intro right? Need more?
It's an excellent intro, no worries! We'd love to see your wanted posters, that sounds fun.
Greetings and hello's! I am Michelle Lysyk from Calgary, Canada! Take good care and enjoy pony!
Welcome to the TP! Happy trading and pony hunting!


Posted by avartanPosted on March 31, 2017 May 23, 2017 Posted In : Post SliderLeave a comment on Avartan Slider coming with Post Slider Support !!!
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Avartan Slider supports Default (Choose post type one/multiple) and Specific Posts (post ids).
All types of categories, tags, taxonomy will be supported and add specific category/tag (or multiple categories/tags) of your choice.
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Sort your post by ID, title, slug, author, etc.
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A "slide" for a Post-Based slider is a template that will be used for how your post's content will be displayed. Only one template is required, meaning only one "slide" needs to be setup.
Post Filter Library which will be categories by 4 parameters.
Post Data: Shortcode for basic post like content, post link, author name, post title, post format, etc.
Categories: Shortcode for post categories, tags and custom taxonomy, etc.
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text:
Rolling Stones announce spring 2019 U.S. Tour; Rolling Stones Live DVDs out; Rolling Stones Beggars Banquet (50th anniversary edition) available on super audio CD; expanded edition of The Rolling Stones Rock and Roll Circus due in spring 2019.
BY HARVEY KUBERNIK
THE ROLLING STONES HAVE JUST ANNOUNCED THAT THEY WILL bring their hugely successful No Filter tour to stadiums in 13 cities across America in 2019.
The tour follows No Filter dates this past year that have taken Mick Jagger, Keith Richards, Charlie Watts and Ronnie Wood back out on the road amassing rave reviews as they played to sold out stadiums throughout the UK and Europe.
For the first time in over a decade, the U.S. tour will have The Stones returning to Houston, Phoenix, Seattle, Denver, and Miami where the tour will kick off at the Hard Rock Stadium on April 20, 2019. Also after nearly 30 years, the iconic band will be back in Jacksonville at TIAA Bank Field on April 24, 2019.
The No Filter tour will also make stops in Los Angeles, the Bay Area, Washington, D.C., Philadelphia, Boston, and New York before wrapping at Chicago's Soldier Field on June 21, 2019.
The Stones' L.A. area date will be May 11th at the Rose Bowl in Pasadena, California.
"It's a thrill when we play stadiums in the States — the energy is always amazing!" – Mick Jagger. "I've always loved playing the states. It's a great crowd." – Keith Richards.
For ticketing information please visit rollingstones.com.
AEG Presents' Concerts West is the promoter of The Rolling Stones No Filter US Tour.
The Rolling Stones No Filter set list has the legendary band treating generations of fans to classic Stones hits such as "Sympathy For The Devil," "Paint It, Black," "Brown Sugar," "Miss You," as well as special gems from their celebrated catalog.
Keith Richards in a 1997 interview we conducted suggested "In a way, maybe when you write songs without even knowing it you're kinda saying, 'Can I do this live?' And so, in a way you add that in. You don't know if it's gonna work, but I guess you keep in the back of your mind is 'We're making a record here. What happens if they all like it and we gotta play it live?' So, in a way, that maybe in the back of the mind it sets up the song to be playable on stage."
In 2018 The Rolling Stones via Eagle Vision released an archive concert film, Voodoo Lounge Uncut. Filmed in Miami on the world tour supporting the Voodoo Lounge album, this restored, remixed and remastered film contains ten previously unreleased performances. Featuring guest appearances from Sheryl Crow, Robert Cray and Bo Diddley, this new version also includes five bonus performances on all visual formats.
Eagle Rock Entertainment in 2018 also issued From The Vault: No Security-San Jose 1999undeniable on-stage camaraderie — a tight-as-hell band delivering the ultimate rock show to their adoring fans.
This past November 2018, the same company made available Havana Moon by The Rolling Stones on DVD+٢CD, Blu-ray+٢CD, DVD+٣LP plus a special Deluxe Edition. During September 2017, Eagle Rock Entertainment unveiled The Rolling Stones' From The Vault: Sticky Fingers: Live At The Fonda Theatre 2015 on DVD+CD, Blu-ray+CD, DVD+٣LP, and all digital formats.
In addition, during Sept-ember of 2017, Eagle Rock Entertainment unveiled The Rolling Stones' From The Vault: Sticky Fingers: Live At The Fonda Theatre 2015 on DVD+CD, Blu-ray+CD, DVD+٣LP, and digital formats. The show celebrated the reissue of the Sticky Fingers album and was the opening night of The Rolling Stones' North American Zip Code Tour that would run over the next two months.
ABKCO FILMS IN OCTOBER 2018 released a 4K restoration of Sympathy for the Devil on DVD, Blu-Ray and through digital services in celebration of its initial release fifty years ago. One of the landmark new wave films of the late '٦٠s, directed by the celebrated Jean-Luc Godard, Sympathy for the Devil alternates between reflections on contemporary politics and social issues of the late ١٩٦٠s as well as giving the audience an unprecedented view of the Rolling Stones creative process in the recording studio working on what would become one of the band's defining tracks.
The new edition of Godard's Sympathy for the Devil is a ٤K restoration of the film from the original ٣٥mm camera negative that was initially released in ١٩٦٩. The color grading has been supervised by the original cinematographer, Tony Richmond BSC, ASC. Richmond holds dozens of credits as cinematographer including Let it Be, and Nicolas Roeg's Don't Look Now for which he won BAFTA's Best Cinematography award in ١٩٧٣.
The expanded rerelease of the film includes numerous extras including the entirety of One Plus One (Godard's director's cut) as well as Voices, a 1968 documentary on the making of Sympathy For The Devil, along with a 2018 documentary featuring interviews with Tony Richmond and Mim Scala, one of the film's producers.
IN LATE DECEMBER 2018, ABKCO Records celebrated The Rolling Stones Beggars Banquet (50th Anniversary Edition) on limited edition hybrid Super Audio CD. In comes on the heels of the November 16 domestic release of Beggars Banquet (50th Anniversary Edition) on limited-edition vinyl, CD and digital formats.
Recorded between March and July of 1968 at Olympic Sound Studios in London, mixed at Sunset Sound in Hollywood, Beggars Banquet was the first Stones album produced by Jimmy Miller, and marks the start of what is considered their most prolific album era. Beggars Banquet has a special place in the history of the band, as it is the final album completed with the original lineup of Mick Jagger, Keith Richards, Brian Jones, Bill Wyman and Charlie Watts.
Engineer Gene Shiveley was based at Sunset Sound in Hollywood during 1968 and was very involved in the mixing, overdubbing and initial mastering of Beggar's Banquet.
He collaborated closely with producer Jimmy Miller and Mick Jagger on tracks recorded earlier in England at Olympic studio with chief engineers Glyn Johns and Eddie Kramer, assisted by tape operator, Phill Brown.
On the 1968 Beggar's Banquet package, Gene Shiveley and Sunset Sound were never listed, only Olympic in England, and the album credits engineers, "Glyn Johns, Eddie and Gene."
"Jimmy Miller and the Stones had done some rough mixes in England at Olympic when the Brian Jones thing was coming down," stressed Shiveley in a 2018 interview we did.
"He had gotten busted and could not come into the United States. Jimmy wanted to mix it here to get a fresh sound. Because Beggar's Banquet would be a turn for the Stones, it was really a rhythm & blues album.
"They sent everything to Sunset. Jimmy and I probably spent two weeks going over the batch of tapes that were on all kinds of formats. "Some of the things weren't finished. So we started to organize all the various pieces. There were some things recorded on cassette! Tape speed differences. Before we really got going we put everything on four-track. Then, Sunset Sound got an eight-track machine. 'Mick and Jimmy, would you like to try this 8-track machine out?' Mick was like 'wow!' His eyes lit up.
"I went up to the house Mick was renting up above Sunset Strip. One Saturday morning he called me and asked me to come up and wanted to listen to some things. Mixes and other things that he had. We had a lot of other pieces of material that didn't make Beggar's Banquet. So, we were sifting and making a production that was just all coming together.
"When we were transferring and bouncing from one track to another, we would take the highs and boost them wide open and going over so they were printed with an extreme amount of high end. And then when you played it back you rolled it off and there wasn't any tape noise.
'"Street Fighting Man' came off a cassette. Jimmy had already transferred it and built a lot of it. But we overdubbed a lot of percussion on the entire thing at Sunset and Jimmy did most of it.
"Jimmy Miller and I grew a lot off from each other in this process. As a producer, you know, he sort of worked with me in what he was thinking in terms of sounds and where he was thinking of going. This was nothing like the old Stones. Jimmy is thinking rhythm and blues. Charlie Watts on tape blew my mind. Absolutely. He came from jazz.
"Jimmy was the right producer for the Rolling Stones because he understood the ear for making a hit record. He understood feel. He understood what it takes to get the kick drum at the right place. He understood all of those things and how to build a record," explained Shiveley.
One of the most striking aspects of Beggar's Banquet was the sonic high-end sound Shiveley, Miller and Jagger achieved.
"There was a guy named Mike Durough," remembered Shiveley. "They now make Durough VU meters. Mike worked at KHJ on Melrose Ave. in Hollywood. It was the leading AM rock and pop radio station in Los Angeles. Mike built the transmitter for the tower to make the station louder than anything. He was totally in control.
"My little thing I did with mixing on Beggar's Banquet was that I had Mike build me a little transmitter that would transmit to my car and we'd set it up on top of the console, plug it in and I mixed like I would hear it on a car radio.
"I would then send and broadcast them into my car and we would listen. Mick and I would go to the Volkswagen. Our goal was to get more punch and more definition than anything out there.
"I would go to my little Volkswagen car and listen and make the adjustments. So that's why a lot of the things sound a little maybe out of proportion but they sounded right on AM radio at that time. And it was done at the time when albums were not being made in mono anymore. It was all about stereo mixes. No mono copy. And people like Tutti had the first true stereo that came out. Beggar's Banquet was one of the very first true stereo albums."
IN CONJUNCTION WITH ITS 50th anniversary, ABKCO in spring 2019 has planned an expanded edition of The Rolling Stones Rock and Roll Circus.
Performances by The Who, Taj Mahal, Marianne Faithfull, Jethro Tull and, of course, the original line-up of The Rolling Stones (Mick Jagger/Keith Richards/Charlie Watts/Brian Jones/Bill Wyman) were filmed before an audience comprised of The Rolling Stones fan club members, New Musical Express contest winners and a few American Hells Angels.
Michael Lindsay-Hogg, the acclaimed music video director who guided the landmark Ready, Steady, Go! music and dance television series during 1963-1966, filmed The Rolling Stones and their guests in Britain at a big top venue in Wembley. The shoot happened in 1968 on the 11th and 12th of December.
Envisioned as a BBC special, the project was shelved, but in the intervening 28 years it was regarded as "The Holy Grail" of rock films until the film finally saw the light of release in 1996 through ABKCO Films.
Critic/historian David Dalton reflected on the event in a 1996 article in The Independent: "The Rock and Roll Circus captures the delirious optimism of an era. Depending on your point of view, it was either the high point in the history of the cosmos, or a period of mass hallucination, or both. But call it what you will, for a brief moment it seemed that rock 'n' roll would inherit the earth."
It will be the first concert film to be presented in both Dolby Vision and Dolby Atmos sound. The film's 4K restoration was sourced from the 35mm internegative and, for the first time, presented in wide screen format (16:9 for home and 1:85 for theatrical showings supervised by original cinematographer Tony Richmond).
Richmond is the veteran cinematographer whose feature film credits include The Kids Are Alright featuring The Who, The Man Who Fell To Earth starring David Bowie, and Jean-Luc Godard's Sympathy For The Devil, a restored version ABKCO Films release.
The 50th Anniversary edition of Rock and Roll Circus was produced by ABKCO's Robin Klein and Mick Gochanour, the GRAMMY® award winning team behind Sam Cooke: Legend and (The Rolling Stones) Charlie Is My Darling — Ireland 1965.Gochanour noted, "Watching it in widescreen is like seeing a whole new film at times with amazing intimacy and detail."
Greg Penny, a celebrated immersive audio consultant reiterated "Dolby Atmos provides the listener with the most comprehensive experience that exists today. The objective was to give the listener the most realistic, immersive Rock and Roll Circus to date. It's as if you were in that tent with The Rolling Stones, The Who, Taj Mahal, John Lennon, Jethro Tull and Marianne Faithfull, and you were part of the audience there fifty years ago."
It can be said that what Dolby Atmos does for sound, Dolby Vision does for visuals. Dolby Vision is an advanced HDR technology that delivers enhanced contrast, detail and dimensionality to the screen by empowering every pixel with a much broader range of color and brightness. Both of these technologies have never before been applied to a concert film simultaneously, making The Rolling Stones Rock and Roll Circus a first of its kind.
Before capturing The Rock and Roll Circus on celluloid, director Michael Lindsay-Hogg had helmed many of The Rolling Stones' promotional video clips: "She's a Rainbow," "2000 Light Years From Home," "Child of the Moon," and "Jumpin' Jack Flash," as well as The Beatles' "Paperback Writer," "Rain," "Hey Jude" and "Revolution."
During the course of his career, Lindsay-Hogg has directed specials for Simon and Garfunkel, Neil Young, Paul Simon and The Who.
Michael Lindsay-Hogg is the author of the 2011 autobiography Luck and Circumstance: A Coming of Age in Hollywood, New York and Points Beyond.
"Michael Lindsay-Hogg . . . is a very creative guy," added Mick Jagger. "We came up with this idea and the whole idea, obviously, is to make it a mixture of different music acts and circus acts, taking it out of the normal and making it slightly surreal … mixing the two up. And also we wanted as many different kinds of music as possible. So that's why we thought about who would be the best kind of supporting acts."
Like visionary director/producer Jack Good before him, both studied at Oxford, Lindsay-Hogg viewed and lensed rock 'n' roll as a dramatic subject. Michael's first job, at age 16, was serving as an apprentice for John Houseman's repertory theatre company in Stratford, Connecticut.
"I started out as a child actor and fell in love with the theater," Michael told me in a 2019 interview. "The first jobs I had were in Shakespeare on stage. And that's how it started and I tried very much to bring some of those elements to Ready, Steady Go!"
This landmark British music program was broadcast every Friday night debuting August 9, 1963 and a final taping December 23, 1966.
RSG! was conceived by Elkan Allan, then head of Rediffusion TV. Vicki Wickham assembled the talent and dancers and served as one of the producers. After 1964 the live show was aired nationally on network. The program was recorded at the RSG! studio in Rediffusion's headquarters in Kingsway, London.
RSG! gave a platform to some of the most successful recording artists of the sixties: The Who, Otis Redding, The Animals, Gene Pitney, The Zombies, Sandie Shaw, The Beatles, Burt Bacharach, The Stones, The Temptations, Donovan, The Kinks, James Brown, The Fortunes and The Walker Brothers.
Initially, the musical guests on RSG! mimed to their pre-recorded tracks, by late 1964 some artists performed live and eventually all acts to all-live performances in April 1965. The hosts/presenters were Keith Fordyce and Cathy McGowan. Early shows were introduced by singer Dusty Springfield.
"It was a black and white program," reinforced Michael. "A lot of the great comedies and dramas from the forties and fifties were in black and white. In England we had no color.
"I had no worries from the people above me. Elkan Allen was the creator and always encouraged me to go further. Very helpful.
"And I think people were stunned by the comparative substance of the rock 'n' roll that was on television," underscored Lindsay-Hogg.
"1963 was a revolution. It was the kids who had been children in World War 2. The world was opening up for them. They could have long hair if they wanted too. And it was the discovery of the pill for pregnancy. And so a whole nation was open for young people and freedom. There was long hair, the pill and music. The paper was ready to be lit and the match came," ventured Michael.
"There were new managers in rock 'n' roll and around Ready, Steady Go! Andrew Loog Oldham, Don Arden, and Kit Lambert and Chris Stamp, had been assistant stage managers or in acting. Andrew had some ideas about lighting and shots. One evening at the Ad Lib club I met up with Andrew and we agreed to debut a couple of new songs he was hyped about, including 'Satisfaction.'"
"In 1963 I was working. RSG! represented the time when we were in the business we wanted to be in and RSG! on a Friday night the Green Room was the meeting place of all those similarly blessed," Andrew Oldham recalled to me in my 2004 book, Hollywood Shack Job: Rock Music In Film and on Your Screen.
"Vicki Wickham booked the show from late 1963 to December 1967. Michael Lindsay-Hogg directed it, and tried new techniques like stop action and freeze frame while the band was on camera.
"Save to say I still communicate with both of them so that tells you the lot. You were dealing with nice people. None of the people had an agenda. On the show, the visuals propelled the music."
"When The Stones did 'Paint, It Black,' we put camera effects on Mick's face and made it darker and darker," emphasized Lindsay-Hogg. "We were broadcasting live and it felt dangerous and primitive.
"The cameraman, Bruce Gowers, later did the great video of Queen's 'Bohemian Rhapsody,' which was a very calculated video.
"With RSG! it was about as much about the technique as the performer. In the early RSG! stages I was always thinking about the performer and somehow marrying the technique to them. If the performer was Mick Jagger and John Lennon you don't want to get in the way too much.
"Mick is a very bright person and he always has been," observed Jagger's longtime friend Lindsay-Hogg. "And Mick, when was a younger man was as keen to know what was going on in the world. He read a lot. Or at least he said he did. And was into movies, and Andrew was very much interested in movies and presentation.
"He had been trying to figure out how to make a movie with The Rolling Stones, which Mick and Keith were interested in. Because in those days, even though rock 'n' roll was coming to mean what it came to mean, movies were still sort of the art form going back to comedies. So Andrew was always trying to find a book or a script. And Mick went on to act in Performance and Ned Kelly.
"RSG! went off the air in 1966 when the video was music promotion for the record to be out. 1967 was a difficult year for the Rolling Stones. The set-up drug arrest in Redlands. Touring was becoming a headache.
"In 1966 I had done earlier videos of the Beatles' 'Rain,' and 'Paperback Writer.' And Mick knew that. And it always was between The Beatles and The Rolling Stones," admitted Lindsay-Hogg.
"The music video had been around. There were earlier attempts. Scopitone. [A jukebox 16 mm film]. The first Scopitone ones were made in French. Lip-sync to a pre-recorded track. Used to be seen in bars or in diners with French acts [Serge Gainsbourg, Johnny Hallyday] miming to rock 'n' roll videos.
"There was Dick Clark's American Bandstand. I used to watch it in the fifties, Jack Good, the wonderful producer and director of Shindig! and Hullabaloo.
"Mick was always thinking of the next step. 'Because we can.' That is to say 'we're strong enough and powerful enough like The Beatles are. And this is the way to get our song out to most of the plug shows who were gonna play it. Because they want the Rolling Stones.' What do we do? How can we do it?' And I asked what song they had. 'Jumpin' Jack Flash.' 'OK. Let's hear it.'
"And we went out on a Saturday and we did it and then another version of it. And Brian Jones went over to the makeup table and started messing around with makeup and I said to Keith 'Go over there.' And, after a while they got into it.
"Makeup made a difference. It had a different quality to the first one. In fact, we went with the second one. They liked it a lot, and that helped to my ongoing life with the Rolling Stones.
"I don't know what Mick was like as a student, and I know he got into LSE but he's smart and he never wanted to be not able to keep up with the conversation about the arts, politics
or anything.
"And so, did we know what was gonna happen to rock 'n' roll in the sense that we know that it was ultimately going to blast through the roof? We thought it would.
"And he thought 'let's see what can happen with visual presentation of rock and roll.' Which as you know ended up on MTV and generation 2. But when we were doing 'Child of the Moon,' Mick and I talked about it," acknowledged Michael.
"Mick was open to anything that would take it a step further for them. And then we got there. He was miming. And I said, 'Let's try this and not mime. Let's just create a little scenario.
"As for The Rock and Roll Circus, I had this idea that I really didn't want to do a regular performance clip, because we had done that thing before. And I thought it would be interesting if we could put The Rolling Stones in a location which was not a rock 'n' roll location. And maybe add a couple of ingredients. Like three others characters. It was to be done in an unconventional carnival circus-like setting. I drew up a circle on a piece of paper."
One of the highlights of The Rolling Stones Rock and Roll Circus is Marianne Faithfull singing "Something Better," a Barry Mann and Gerry Goffin tune, arranged by Jack Nitzsche and produced by Mick Jagger. Charlie Watts introduces Faithfull on screen.
I asked Lindsay-Hogg about Marianne's sequence in the film and his sweeping directorial pan displayed.
"It goes back to the song," he stated. "It goes back to Marianne and the years when she and Mick were going out together. She was a beautiful girl with a lovely figure. And she was the only girl except for Yoko Ono.
"Marianne appeared and I thought 'this has to be about her and the camera work.' A one of a kind beauty. And the way Tony Richmond lit her with her hair on her face. She was a beautiful young woman. It was partly celebrating her. And, then there is that long musical break where the camera circles around and 'what would we cut away too?' And so I thought 'let's do the unusual thing of just holding on her when she is not singing. Just move the camera around.
"I also wanted contrast with her because there were a lot of men on the show. Everyone on the show, except for Yoko, were guys. At the time there weren't a lot of women in the rock 'n' roll world yet. There was wonderful Dusty Springfield, but mainly guys."
In a July 28, 2014 interview with Robert Ayers in Rural Intelligence, Michael Lindsay-Hogg reflected about The Rock and Roll Circus.
"I still have a very soft spot
for it.
"It has a poignancy to it. When you're 28 you can't imagine you'll ever be 70, not can you imagine that some of the participants in the movie will soon be dead-in Brian Jones' case in only five months, in Keith Moon's in less than ten years, and in John Lennon's in twelve years-because everybody seemed so incredibly alive, and so in the moment. There wasn't any future, there was just now."
I asked Michael Lindsay-Hogg about the DVD format, the inclusion of bonus tracks and/or implementation of director commentary added to the initial retail configurations and products we coveted and collected the last half century.
Did he ever feel an audio dialogue track dilutes and lessens the mystique of his innovative work?
"That's a real good question. As for DVD, bonus tracks, and interview sessions as long the questions are intelligent. And if the person has one a little research. I do it mainly because it was at the beginning when certain ideas and techniques which completely taken hold of the culture where it was a formative kind of birth period. There really hadn't been done before except for Scopitone and some studios in America, but not very well done.
"When I worked with The Beatles and The Rolling Stones they were really the first videos which tried to take the form a little further. Like The Beatles playing out in the fields. Following me was a long line of very interesting visual attempts with music."
The BMG Company is preparing a comprehensive book on Ready, Steady Go! that is being written by Andy Neil, a respected music journalist. Michael has done an interview for it.
And in the last quarter of 2019, expect via Apple Corps, a 50th anniversary edition of The Beatles' Let It Be, a movie Michael Lindsay-Hogg directed in 1969.
Harvey Kubernik is the author of 15 books, including heralded titles on Leonard Cohen and Neil Young. Other titles include, 1967 A Complete Rock History of the Summer of Love,Inside Cave Hollywood: The Harvey Kubernik Music InnerViews and InterViews Collection, Vol. 1, The Doors Summer's Gone, The Story of The Band From Pig Pink to The Last Waltz, written with brother Kenneth Kubernik. The two are collaborating on a 1963-1973 music and recording study book on The Rolling Stones.
    
Needle Doctor
needledoctor.com
Oracle Audio
oracle-audio.com
Wy Wires
wywires.com
16501 Sherman Way, Suite 120
Van Nuys, CA 91406 (Los Angeles)
Juan Guillermo Samus
There is an enormous amount of misinformation in this article, regarding the recording of "Beggars Banquet". Are you guys sure that you interviewed the actual engineer, and not some random troll? Just about all of his claims/memories about the sessions are flat out not true, even based on common knowledge.

redpajama_set_name: RedPajamaCommonCrawl


The Scientific Computing team is offering an Introduction to Linux course to familiarize researchers with our working environment. Many of the services we provide for investigators to take advantage of the powerful capabilities of the Linux OS. This is an opportunity for new users to familiarize with the basic Linux environment and learn how to work on the ERISOne Linux Cluster. This class will provide a hands-on session.
Graphical Interface: Linux on ERISOne the Remote Linux Desktop and Graphical applications.
Command Line: Basic operations, view and modify text files, more complex commands and wildcards.
How to find documentation, the man pages.
Connect and transfer files: ssh, scp.
Groups and Permissions: The ROOT user, startup files, environment variables, file ownership.
This course is designed for individuals with no knowledge of Linux or those who want to improve their basic knowledge and familiarize with the ERISOne environment.
To connect to the WiFi in the Assembly Row training room, your laptop must have "SecureConnector" installed. Visit our SecureConnector information page for instructions on setting it up.


text:
Home Match Previews Galatasaray vs Schalke Prediction & Match Preview
Galatasaray vs Schalke Prediction & Match Preview
Galatasaray vs Schalke
Venue: Turk Telekom Stadyumu (Istanbul).
Schalke earned a highly important 0-1 victory over Lokomotiv Moscow away at RZD Arena in the previous round to move lock on points with Porto at the top of the Group D standings coming into this third round fixture against Galatasaray.
It was the American attacking midfielder Weston McKennie who made the difference just two minutes from time However, the Miners won't enter the mid-week Champions League tie in the highest of spirits after falling 0-2 at home to Werder Bremen on Saturday evening. The loss saw them return to the old habits after winning two on the bounce in Bundesliga as Domenico Tedesco's men fell down to the 15th in the league ladder.
Galatasaray vs Schalke: Head-to-head
This will be the third head to head encounter between Galatasaray and Schalke.
Cimbom advanced from their last 16 round tie in the same competition five years ago.
Galatasaray won 4-3 on aggregate thanks to a 2-3 victory in the first leg at VELTINSS-ARENA.
Galatasaray vs Schalke: Prediction
The team led by Fatih Terim started the Champions League adventure in a dream fashion, beating Russian champions Lokomotiv Moscow 3-0 at home in the first round. However, they could not hold on in the second round when they fell 1-0 to Porto away at Dragao.
Galata sit at the very top of the Super Lig standings with 19 points from 9 games in domestic affairs, but they offered a lame display in a 1-1 draw to Bursaspor on Friday evening at Turk Telekom Stadyumu.
Terim's men are struggling with the efficiency in the final third these days. They found the net only three times in last five outings in all competitions. Given they will be playing a defensive-minded (in this season) Schalke, the Under 2.5 goals FT has to be the number one betting option here.
As for the outcome, we'd pick the draw as the most likable of three, set at the odds of 3.30.
Galatasaray vs Schalke: Bet Tips
Under 2.5 goals FT @ 1.72 (8/11)
Draw @ 3.30 (23/10).


Gang subculture essay on juvenile delinquency best images about justice research paper delinquency. Gcse health and social care marked by essays crime minors tried as adults causes of paper. The prevention act. Policing place write a your position statement ps is core. Effects modern society questions academic writing preventing early intervention and. How to thesis ppt video online deuteronomy parental love living commentary book this attempts analyse bacceria s crimes prevention. Youth quiz worksheet theories facts com why year old criminals are rising threat effecf curfew main steps times help dissertation ielts task cause solution band.
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In this portion of Jay's stage act, he throws cards, decapitating a rubber duck and injuring a watermelon.
He appears to be using Criss Angel Brand™ cards on a Criss Angel Brand™ Card Table. Also keep an ear out for the Criss Angels Brand™ sound effects when he does The Move™!
Ricky Jay's "Sword of Vengeance"
I can't resist featuring another Ricky Jay video. He's just too smooth to pass up. In this trick, Ricky Jay uses a story from Japanese cinema as the basis for a palming card trick.
In this trick, red cards turn blue, due to...magic! Perhaps not the best trick in the world, but pretty good!
If you haven't seen enough, there are thousands more card tricks on YouTube.


text:
About Bowers Trucking Co.
Jerry D. Bowers Trucking and Bowers Construction are family-owned businesses. Jerry owns both companies with his wife, Karen. Son Mike Bowers serves as General Manager, and daughter Kelly (Bowers) Stovall is the Office Manager.
Jerry Bowers grew up in a log-hauling family and learned the business from his dad. He began hauling logs in 1968 at age 19, and started his own business in 1972.
Beginning with one log truck, Bowers Trucking slowly grew and diversified until its main focus changed to hauling forest by-products. The company survived the downturns and thrived during good times, hauling both forest by-products and logs until 2006 when the log trucks were sold.
Jerry's son, Mike Bowers, joined the family business as manager of this operation under Bowers Construction. After two years, ORC was put on hold and Bowers Construction transitioned into hauling forest by-products along with Bowers Trucking.
In 2010 Bowers Trucking was awarded the contract to haul mineral sands for a new local mining company, Oregon Resources Corporation.
Bowers Construction LLC was created to work for Oregon Resources Corporation's mineral sands project.
Our trucks hauled sand rich in chromite from mines between Coos Bay and Bandon and delivered the material to ORC's processing plant in Coos Bay.
This opportunity has allowed us to create family wage jobs and contribute to a stronger local economy.
Bowers Trucking has been able to operate continuously for the past 42 years. We credit the success of our business to the capable drivers, mechanics, office and operations professionals who provide outstanding service to our customers daily.
We believe that our employees are the most important asset we have in operating a successful business, and we are committed to helping them thrive.


We will be celebrating throughout the week with different activities for students and parents to enjoy.
Error: Error validating access token: Session has expired on Thursday, 28-Mar-19 14:09:17 PDT. The current time is Saturday, 20-Apr-19 09:33:21 PDT.


Super Sculpey, air dry clay, flocking, rocks, false eyelashes, wood, wire, resin, acrylic paint. About 7 in X 13 in X 10".
Plasticine. About 9 in X 12 in X 9 in.
Super Sculpey, wire, resin, found parts. About 3 in X 2 in X 4 in.
Polymer clay. About 1 in X 1 in X 1 in.
Polymer clay. About 1.5 in X 1 in X 1 in.
Polymer clay. About 9 in X 9 in X 7 in.
Air dry clay, polymer clay, glass beads, resin, modeling paste, false eyelashes, frames, and acrylic paints. About 11 in X 14 in.
I'm a Supernatural fan. This is polymer clay and acrylic paint.
Polymer clay, resin, acrylic paint, metal ring base.
Air dry clay. 1 in.
Polymer clay, resin, acrylic paint. About 5 in X 6 in X 2 in.


text:
Just Released: New WeChat Compliance & Cybersecurity Capability
We are excited to announce our new capability to secure WeChat as a sales, marketing, and customer service channel for our customers doing business in China.
To learn more about WeChat's importance in the Chinese market and how we secure the channel, register for our September 17th WeChat webinar!
CHARLOTTESVILLE, VA — SafeGuard Cyber, the leading end-to-end platform for social media and digital risk protection, today announced a new capability to secure conversations in WeChat, making it one of the only entities to provide security and real-time compliance protection for businesses that use the mobile messaging application.
WeChat now has more than one billion daily active users, approximately 80 percent of whom use it for business purposes. Western companies have found WeChat to be a de facto requirement to do business in China, using the app to communicate with local suppliers, employees and customers. However, the lack of scalable visibility into the app creates enterprise exposure to compliance risks and employee exposure to cyber threats, such as malicious links. A system of record is vital for U.S. and other Western companies to maintain compliance with SEC, FINRA, HIPAA and even Chinese regulations.
SafeGuard Cyber's new capability adds significant enhancements to its previous coverage of WeChat. By integrating WeChat into its NextGen Compliance platform, SafeGuard Cyber's customers will now be able to apply real-time policy monitoring and automated archiving and retention to enterprise WeChat conversations. Additionally, employees will be protected from malicious content.
"The use of mobile apps like WeChat is a business imperative in today's digital workplace," said SafeGuard Cyber CEO and co-founder Jim Zuffoletti. "We are committed to helping companies use the channels they need to reach their customers. We'll continue to add coverage of channels like WhatsApp and WeChat to give modern businesses the brand protection, compliance monitoring, and cyber defense they need."
"WeChat is too big to ignore if you want to do business in China. However, too many companies struggle with opting in to the app securely. Understanding how to empower employees to safely use WeChat is critical for protecting employees, securing sales communications, maintaining compliance and even driving business insights," added SafeGuard Cyber CTO and co-founder Otavio Freire.
Once authorized by the account owner, SafeGuard Cyber's platform can capture all data that is sent and received – including deleted content – via WeChat, including recipient names, direct message conversation threats and a variety of content types, including emojis, videos, audio messages, files and shared contacts. SafeGuard Cyber can also follow any posted links to external web pages, capturing both the content and screenshot of the page. All content is fully indexed for search/discovery purposes and available for export. Further, the content can optionally be subject to tailored retention rules based on a company's needs. As a privacy-first organization, SafeGuard Cyber does not have access to any login credentials, and users must opt-in for protection.
Tags: #Compliance #WeChat
SafeGuard Cyber
Biggest Cybersecurity Threats Revealed in Digital Risk Survey
#Social Media Security #Phishing #Compliance #Cybersecurity #Collaboration Security #Insider Threats #Data Privacy #CyberSecurityAwarenessMonth
5 Challenges and Opportunities of Digital Transformation in Banking
#Compliance #Banking


text:
Instagram or Vine: What's the Right Choice?
Almost immediately following Instagram's announcement that it added video recording capabilities to its already popular app, the debate over Instagram vs. Vine started heating up. But as we listen to the arguments over which platform we should embrace and choose to evangelize to our clients, I have to ask the question, why can't both win? After all, how many other social platforms have been declared dead when something new is offered only to continue finding success in spite of what the "experts" said?
Facebook, Google+ and Twitter have all at one point played each side of this victor becomes victim scenario, and now Vine joins the list. But each time we come to learn that each of these tools speaks to a specific audience that identifies and fills a need within a vast and very diverse space. We tend to think in absolutes, where there always has to be a single great option. The fact is that people are not absolute. They don't come from one mold and no one thinks, acts or makes decisions the same way. Instead, the challenge needs to turn to finding the best way to use each tool to create engagement within each of these audiences. Just as developing content for Facebook and Twitter is very different, I believe we're going to find the same to be true with Instagram and Vine. There may be some overlap, but I think there are huge advantages to be found within both channels, and I for one am very excited to see how these endeavors unfold. This doesn't have to become the Pepsi vs. Coke, Chevy vs. Ford, Mac vs. PC, cat vs. dog debates of the past. The brands that embrace the people that truly love both will be the winners.


Why Is Working In College Harder For Low-income Students?
It's common for students to work while in college. In fact, nearly 70 percent of students from diverse economic and cultural backgrounds work while they are enrolled.
The difference is, some students are working for extra spending money and others are making sure they can afford to eat.
New research from Georgetown University sheds light on the many challenges that students from low-income families face while working in college.
Students from high-income families tend to work part-time jobs, while low-income working students are more likely to work full-time.
This is because high-income students often don't have to work for rent, food or the other things necessary for survival, said Nicole Smith, chief economist at the Georgetown Center and co-author of the study.
The full-time jobs lower-income students take on often interfere with classes, which impacts academic performance.
Low-income students working more than 15 hours a week earn grades of a C or lower, on average. The average grades of their high-income peers, who work less than 15 hours a week, is a B or higher.
Then, there is the matter of the type of jobs that further distinguishes the two student groups.
Wealthier students also have a greater chance for internships and assistantships that relate to their career field and can boost their resume. While 14 percent of high-income student workers have jobs in high-paying science, technology, engineering and math (STEM), business, or healthcare fields, only 6 percent of low-income student workers can say the same.
"Their decision to work is more forward looking," said Smith about high-income learners. They can look for internships that prepare them for life after graduation, she said.
Low-income student workers, on the other hand, are more likely to work in food service, sales and administrative support jobs.
While jobs in these fields can put money in their pockets, they don't equip the students with valuable, real-life experience in their field of study or add to their resume.
The research also showed that working extra hours can inhibit a student's ability to graduate on time.
Only 22 percent of low-income working students graduate with their bachelor's degree within a six years compared to 37 percent of high-income student workers.
There are 14 million working students in the U.S., and 6 million of them are low-income. A disproportionate amount for the low-income workers are black, Latino, women and first-generation college goers, which are all underrepresented groups in higher education.
In order for low-income working students to achieve academic success similar to their high-income peers, they must figure out what the best options are within their field of study, said Smith.
But students shouldn't be expected to do this on their own.
Smith believes that high schools should teach classes on financial literacy and student loan management, so students can be financially savvy before they reach college.
Another key factor is making sure "low-income students are making good decisions on the types of jobs they take," said Smith.
Internships and jobs in a student's field of study can propel them into a successful life after college. If a student spends his or her college career working in a restaurant or an unrelated sales position, they might not develop the connections or networking skills to earn them their desired post-graduation job.


Shipping: L:37"x W:11"x H:11" 11 lbs.
Home Lighting is proud to present this textured matte black finished outdoor pendant, by Kalco Lighting. The 9417MB is made from premium materials, this Outdoor Pendant offers great function and value for your home. This fixture is part of Kalco Lighting's decorative Anastasia Outdoor Collection, so make sure to check out other rustic fixtures to accessorize your room.


Alaska Sen. Lisa Murkowski (R-Alaska) has officially prevailed in her uphill write-in re-election bid, with the AP calling her the victor against the official Republican nominee, Joe Miller.
Problem is two conflicting laws prevail. One says the name must be accurate and another says the intent of the voter should be considered. My last name is Milliron. If someone writer Milleron what would the intent of the vote be. The other law would eliminate that vote due to it not being written exactly as my last name. How is it possible to have two opposing laws on the books in Alaska? Could it be that no write in candidate has won since 1954?
So this is where we find ourselves, Murcowski… I meant Murkowski appears to have 89% of the write ins. Miller continues to hold on to the absentees which are mostly from Alaska Natives who are going significantly for Murkowski as she has supported many of the Natives initiatives and earmarks while in the Senate.


text:
Q: Inverse of Hermitian matrix with all negative eigenvalues? I am asked to prove that for a Hermitian matrix with all eigenvalues negative, the inverse is given by
$$A^{-1} = - \int_0^\infty e^{tA} {\text { d}}t.$$
(I have the corrected the missing minus sign above)
I have tried expanding out the integrand in series form, and can show that without taking into account the limits, I have $e^{tA}-I$ as the antiderivative, but I don't really know how to play around with the limits to get a non-divergent solution. I was thinking of transforming to the diagonal basis, but I can't seem to move on from there. Is there a trick I'm missing out on? Thanks!

A: The result seems to hold for any matrix with all negative eigenvalues.
We have $$- A \int_0^\infty e^{tA}\,dt = - \int_0^\infty Ae^{tA}\,dt = -e^{tA} \Bigg|^\infty_0 = e^0 - \lim_{t\to\infty} e^{tA} = I - \lim_{t\to\infty} e^{tA}$$
If $A$ has an $n\times n$ Jordan block
$$J =\pmatrix{
\lambda & 1 & 0 & \cdots & 0 & 0\\
0 & \lambda & 1 & \cdots & 0 & 0\\
0 & 0 & \lambda &\cdots & 0 & 0\\
\vdots & \vdots & \vdots & \ddots & \vdots & \vdots\\
0 & 0 & 0 &\cdots & \lambda & 1\\
0 & 0 & 0 &\cdots & 0 & \lambda\\
}$$
then $$e^{tJ} = \pmatrix{
e^{t\lambda} & te^{t\lambda} & \frac{t^2}2e^{t\lambda} & \cdots & \frac{t^{n-2}}{(n-2)!}e^{t\lambda} & \frac{t^{n-1}}{(n-1)!}e^{t\lambda}\\
0 & e^{t\lambda} & te^{t\lambda} & \cdots & \frac{t^{n-3}}{(n-3)!}e^{t\lambda} & \frac{t^{n-2}}{(n-2)!}e^{t\lambda}\\
0 & 0 & e^{t\lambda} &\cdots & \frac{t^{n-4}}{(n-4)!}e^{t\lambda} & \frac{t^{n-3}}{(n-3)!}e^{t\lambda}\\
\vdots & \vdots & \vdots & \ddots & \vdots & \vdots\\
0 & 0 & 0 &\cdots & e^{t\lambda} & te^{t\lambda}\\
0 & 0 & 0 &\cdots & 0 & e^{t\lambda}\\
}$$
so since $\lambda < 0$ clearly $$\lim_{t\to\infty} e^{tJ} = 0$$
because the exponential decays faster than any polynomial. Hence $\lim_{t\to\infty} e^{tA} = 0$.
Therefore $$- A \int_0^\infty e^{tA}\,dt = I \implies A^{-1} = -\int_0^\infty e^{tA}\,dt$$

A: There is more than one way to do this. I like to exploit $$Ae^{tA} = \frac{d}{dt} e^{tA}.$$ Hence
$$ A \int_0^T e^{tA}dt = \int_0^T \frac{d}{dt} e^{tA} dt = [ e^{tA}]_0^T =  e^{TA} - I \rightarrow - I, \quad T \rightarrow \infty, \quad T \in \mathbb{R},$$
provided the eigenvalues of $A$ are strictly negative. It follows that
$$ A^{-1} = - \int_0^\infty e^{tA}dt.$$
As pointed out by @JoséCarlosSantos there is a misprint in your problem. The intended statement may well have been
$$ A^{-1} = \int_0^M e^{-tA}dt.$$

A: For nonsingular matrices $A$, the antiderivative of $e^{At}$ is not $e^{At} - I$ but rather $A^{-1}e^{At}$:
$(A^{-1}e^{At})' = A^{-1}(e^{At})' = A^{-1}Ae^{At} = e^{At}; \tag 1$
then we have
$\displaystyle \int_0^\infty e^{At}\; dt = \lim_{\tau \to \infty} \int_0^\tau e^{At} \; dt = \lim_{\tau \to \infty} \int_0^\tau (A^{-1}e^{At})' \; dt$
$= \displaystyle \lim_{\tau \to \infty}(A^{-1}e^{At} \mid_0^\tau = \lim_{\tau \to \infty} (A^{-1}e^{A\tau} - A^{-1} e^0) = A^{-1} \lim_{\tau \to \infty} (e^{A\tau} - I). \tag{2}$
Now since $A$ is Hermitian, it may be diagonalized via a unitary matrix $U$, and the eigenvalues $\mu_i$ of $A$ will form the diagonal of the resulting diagonal matrix $D$, that is
$D = \text{diag}(\mu_1, \mu_2, \ldots, \mu_n) = UAU^\dagger, \tag 3$
whence
$A = U^\dagger D U = U^\dagger \text{diag}(\mu_1, \mu_2, \ldots, \mu_n) U,\tag 4$
where every $\mu_i < 0$, $1 \le i \le n$; then for any $t \in \Bbb R$ we have
$At = U^\dagger Dt U = U^\dagger \text{diag}(\mu_1 t, \mu_2 t, \ldots, \mu_n t) U,\tag 5$
$(At)^k = U^\dagger (Dt)^k U = U^\dagger \text{diag}((\mu_1 t)^k, (\mu_2 t)^k, \ldots, (\mu_n t)^k) U,\tag 6$
$\dfrac{(At)^k}{k!} = U^\dagger \dfrac{(Dt)^k}{k!} U = U^\dagger \text{diag}\left ( \dfrac{(\mu_1 t)^k}{k!}, \dfrac{(\mu_2 t)^k}{k!}, \ldots, \dfrac{(\mu_n t)^k}{k!} \right) U,\tag 7$
and finally,
$e^{At} = \displaystyle \sum_0^\infty \dfrac{(At)^k}{k!} = U^\dagger \left ( \sum_0^\infty \dfrac{(Dt)^k}{k!} \right )U$
$= U^\dagger \text{diag}\left ( \displaystyle \sum_0^\infty \dfrac{(\mu_1 t)^k}{k!}, \sum_0^\infty \dfrac{(\mu_2 t)^k}{k!}, \ldots, \sum_0^\infty \dfrac{(\mu_n t)^k}{k!} \right)U = U^\dagger (e^{\mu_1 t}, e^{\mu_2 t}, \ldots, e^{\mu_n t})U; \tag 8$
now since every $\mu_i < 0$, we find that
$\displaystyle \lim_{t \to \infty} e^{At} = \lim_{t \to \infty} U^\dagger (e^{\mu_1 t}, e^{\mu_2 t}, \ldots, e^{\mu_n t})U \to 0. \tag 9$
We may now deploy (9) in (2):
$\displaystyle \int_0^\infty e^{At}\; dt = A^{-1} \lim_{\tau \to \infty} (e^{A\tau} - I) = A^{-1}(-I) = -A^{-1}, \tag{10}$
as per request.

redpajama_set_name: RedPajamaStackExchange


text:
Max's All Stars Hosts Second Annual Hall of Fame Game
On Monday, August 19th, 2019 - Max's All Stars hosted our second annual Hall of Fame Game at Basketball City. Marvin Billups Jr and John Simmons were the team captains. A draft was held on August 18th to determine the rosters for each team. The roster for Team Marvin was Damion Staple, Herman Billups, Kevin Johnson*, Kevin Young, Marvin Billups Jr (Captain), Patrick James*, Ronnie Worthen Jr, Shereef Taylor, Spencer Smith, Shereef Taylor and William Davis. Team John's squad featured Angel Gonzalez, Corey Orgias, Doug Herring, Jason Lewis, John Simmons (Captain), Kaheem Davis, Nikola Djurdjevic, Rob Thomas, Shaun Diaz and TJ Curry.
* - Kevin Johnson and Patrick James were traded from Team John to Team Marvin for future considerations prior to tip-off.
It was a highly entertaining and competitive game! Both teams played great! Team John took a ten-point lead in the fourth quarter, but Team Marvin kept fighting and overcame a seven-point deficit in the final minute. Down by three in the final seconds, William Davis hit a three-pointer at the buzzer to tie the game! In overtime, both teams exchanged baskets and after some controversial officiating the game was tied late. After Team John turned the ball over, Team Marvin got the ball back and called timeout with 00:01 left in overtime tied at 135. Shereef Taylor inbounded the ball to Herman Billups who hit a three-pointer at the buzzer to win the game for Team Marvin! It was an incredible finish to an amazing game! Herman's clutch game-winning three not only clinched the win for his team, but also earned him the MVP award. He finished the evening with 21 points/4 rebounds/3 steals/1 block. Full game stats are included below.
After the game we inducted four members into the Max's All Stars Hall of Fame - Rob Thomas (Class of 2018, but was not able to attend last year) and our Class of 2019 - Shereef Taylor, John Simmons and David Seagers (who was not able to attend this year). These men have made a tremendous impact on Max's All Stars over the years and we are thrilled to recognize their achievements. They have all earned their place in the Max's All Stars Hall of Fame.
Thank you to everyone who participated - all the players, fans, family and friends who came through to show us love and support. Thank you to Dave Schoenholt and Basketball City for providing the gym rental, referees, scorekeepers, filming the game and providing a championship trophy; Lifestyles Sports for the jerseys and CustomInk for the t-shirts; Crown Awards for the MVP trophy and Athletic Awards Company for the Hall of Fame plaques. Special thanks to Sadia, Mandy, Janiris, Denice, Sandra, Camry, Casey, Sarah Straub, the Gonzalez family, Kobe Smith, Carl Gibson and all the wives/fiancees/girlfriends/children/family members/friends/supporters for coming through as well. You guys are the absolute best! Love y'all!
Click here to visit the Max's All Stars Hall of Fame.
Click here to view photos from the Second Annual Max's All Stars Hall of Fame Game courtesy of Shereef Taylor (Eye of Asaad).
Click here to watch full game highlights from the Second Annual Max's All Stars Hall of Fame Game.
Click here to watch the Second Annual Max's All Stars Hall of Fame Game Mixtape.
Back row (from left to right): Kevin Johnson, Jason Lewis, Corey Orgias, Spencer Smith, Herman Billups (MVP), Damion Staple, Patrick James, Marvin Billups Jr (captain), Max Margulis, Kevin Young, Nikola Djurdjevic, Angel Gonzalez, Doug Herring, Kevin Major, Rob Thomas, TJ Curry, Shaun Diaz, Shereef Taylor, William Davis. Front row (from left to right): John Simmons (captain), Kaheem Davis (with his son, KJ).
Box score from the Second Annual Max's All Stars Hall of Fame Game
Final Score (OT):
Team Marvin (white jerseys) - 138
Team John (blue jerseys) - 135
Basketball City


There are two funding programs. These are the Community Grants Program and Major Events Sponsorship Program.
Applications must be lodged with Council by 4:30pm on the closing date of each round. Late applications will not be accepted.
Submissions will be collated by the Director of Corporate and Financial Services, with decisions on funding success (and amounts) made at the meetings of the Mount Isa City Council.


text:
Наташа Нинковић се односи на:
Наташу Нинковић, српску глумицу (филмови: "Клопка", "Ивкова слава" и др.);
Наташу Нинковић, српску глумицу (ТВ серија "Сложна браћа").

redpajama_set_name: RedPajamaWikipedia


Gosh, I'm kinda tired. This makes sense, if I sit down and think about all of the things I've been up to lately. We had a lovely set of two vacation/work trips to the Twin Cities area, and saw lots of friends, ate all the food, went to a Rembrandt exhibit, petted kitties, drove, conventioned, grieved, laughed, danced, and so much more. It was a good set of visits. Very good indeed. Not long enough, but then, it never is, is it?
We're slowly easing our way back into reality, and I'm sitting down and trying to figure out what the New Normal looks like. This has been (and will continue to be) a year of transitions. We're transitioning Caitlin to a different model of care and therapies, which takes some adjusting on all of our parts. We're hoping that one of Michael's transitions will be the publication of one of his stories (he's continuing to actively send out stories to markets).
And I'm transitioning to a new model at work, too. Work for me is slowing down, some, in the sense that I'm now focusing on a couple of large projects, rather than a slew of small ones. The grant, specifically, which is designated to eat 35% of my time, along with finishing up the transition to our new archival management system. I need to work some more on the WorldCon exhibit that will be going live for the convention itself.
…And I submit my tenure portfolio by the end of August.
I've talked before earlier in my time here about not feeling like I knew what I was doing, or not feeling like a "real" curator. In fact, assembling my portfolio is kind of daunting, because it is a body of work that proves that I am indeed a "real" curator. One with faults and gaps as I am indeed human, but a real one, nonetheless.
I'm not nervous about the work that I've done, the articles and books I've written or edited, the talks I've given. That *is* in my control, and I'm proud of what I've achieved.
Mostly, I'm at the point where I just WANT TO BE DONE AND HAVE IT SUBMITTED and sit in a corner and just KNIT ALL THE THINGS while I wait for the verdict. So I'm having to balance getting it DONE DONE DONE and doing it RIGHT. Which is slower. But necessary.
Does tenure mean I'm officially a grownup?
I think I may be mostly ready for that. I'll have to wait a year to see if my colleagues agree.
In the meantime, if blogging is sporadic, it's because I'm busy staring at that file.


text:
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text:
Gasoline prices make first hike in four weeks
WASHINGTON - U.S. retail gasoline prices increased for the first time in four weeks, as higher crude oil costs were apparently passed on to consumers at the pump, the government said today.
There's good news locally, though: Houston had the lowest pump price in the survey.
The national average price for regular unleaded gasoline jumped 2 cents over the last week to $1.866 a gallon. That is up 22 cents from a year ago, according to the U.S. Energy Information Administration's weekly survey of service stations.
Gasoline prices normally decline in September after the end of the busy U.S. summer driving season.
However, the higher pump price reflects a rise in crude oil costs over the last two weeks due to disruptions in oil imports caused by back-to-back hurricanes and falling U.S. petroleum inventories.
The price of crude oil accounts for about half the cost of making gasoline.
The report also showed the retail price for cleaner-burning reformulated gasoline, sold in polluted metropolitan areas, rose 0.7 cent to $1.922 a gallon.
Gasoline prices cool off along with crude
The West Coast had the most expensive regular unleaded gasoline, with the price up almost a penny to $2.034 a gallon. San Francisco topped the agency's city survey of gasoline costs, with the price down 0.2 cent to $2.085 a gallon.
Why Houston Astros' hiring of GM Dana Brown is historic for baseball
The U.S. Gulf Coast had the cheapest fuel, with the price up 1.3 cents to $1.757 per gallon. Houston had the cheapest pump price at $1.713 a gallon, up 0.4 cent.
The weekly report also showed gasoline prices were up half a penny to $1.987 in Seattle, down 0.2 cent to $1.922 in Miami, up 3.4 cents to $1.92 in Chicago, down 1.7 cents to $1.895 in New York City and up 5.9 cents to $1.875 in Cleveland.
Separately, the EIA survey said the average pump price for diesel fuel increased 3.8 cents to $1.912 a gallon, up 47 cents from a year earlier.
Truckers on the West Coast paid the most for diesel fuel at $2.088 a gallon, up 4.8 cents from the prior week. Both the Gulf Coast states and the lower Atlantic states had the cheapest diesel at $1.826 a gallon, with the price up 4.2 cents and 3.9 cents, respectively, in each region.
A look back at Lankford's history as it gets ready to open in Bellaire.
By Brianna Griff
'Elon Musk' tax seeks to stop California billionaire exodus to TX
By Ariana Garcia
Beloved Houston restaurant catches fire, closes location
Is now the time to buy a house in Houston? Experts say yes.
By Alex Nguyen


Rustic and Contemporary — it is how the bride, Lynsey, described her wedding day. The couple didn't really have a single theme; they simply went for clean, but very timeless. Something you'd love to reminisce to and look at over and over again. With all of those criteria, one can never go wrong with blush and khakis – these complement each other effortlessly. Probably it is what inspired them to choose such a motif.
Ryan and Lynsey are also big baseball fans. Since the two wanted to have something more personal to share with their guests, they opted to go for MLB baseball parks as table names. It's a Home Run for these two. Congratulations on getting hitched!
Ryan and I met online via eharmony. It was December on 2012, and I finally gave into online dating. I told myself I would give eharmony a month since it was so expensive. Ryan, who was a sportswriter and worked weekends and nights, essentially said the same thing. Both of us were tired of the "dating scene" and were ready to have something with substance. I actually contacted Ryan the beginning of January, by around the second week we were texting all day long and in February we spoke for the first time. During the first month of communicating, Ryan lost his mother to cancer. At first I was a little weary if a new relationship was something he wanted to have anything to do with, but as time passed I realized it was exactly what he needed.
I think our honesty and loyalty. We are both almost loyal to a fault. We have extreme trust in each other and that is hard to find. I think we both can say without a doubt that we know our love is unconditional, and when you can feel that, there is nothing in the world like that. On top of that we both love sports especially baseball. We don't have any mutual teams,so it makes the sports talks interesting in our house. How did he (or you) propose? It was my 30th birthday party, and in front of all my friends (many who he was meeting for the first time) he got down on one knee and popped the question. The most special part was that he proposed with his mother's ring, which is now one of my most prized possessions. I feel absolutely honored that not only Ryan, but his family felt I was worthy of wearing.
Around 15 months. I think when you plan over a year it initially feels like it enough, but at the weeks got closer, and so much you can't do till right before…it never feels like enough time. If anything the major bonus of planning that far in advance, was we rarely ran into conflicts with our vendors. All that we wanted were available for our day.
Hire a day of coordinator. She was priceless. Even though I am an incredibly organized person, she was able to help me with timelines, and communication with my vendors. On top of work Ryan and I both volunteer coach, so that took up a lot of our summer heading into the wedding. The day of the wedding, to me everything went seamless, you ask her it might be a different story, but that just means she did her job.
Negotiate, everything in life is negotiable…most vendors will as well as places if you buy bulk.
Since all but two of my bridesmaids were from out of town, and all of Ryan's groomsmen were just coordinating with all of them. Again, I am very organized so that was a saving grace to keep everyone where they needed to be, when they needed to be there.
I am not a huge fan of matchy matchy type decor. I wanted to make the tables personable, so I decorated with family pictures, decorations from each of homes, and named all the tables after MLB baseball parks.
We invited around 220, and ended up with around 164.
We really didn't need it. We also tiered it, so we had the absolutely must invite, and then once we started to receive some regrets we sent out a second batch, primarily co-workers & distant relatives.
I actually had to leave for L.A. the following weekend for work, so Ryan met me out there after my conference and we spent a week in Los Angeles. Nothing fancy, but it was nice to get away. What are you most excited about for the future? I think starting a family. We are both ready.
Don't stress, and know each other's strength. If there are things you want (bride) that the groom doesn't care about, do be upset that he doesn't care. Most of the time that's a blessing. And don't be afraid to ask for help. I am one of those people who like to have control, and once I was able to ask for help…so much stress was gone.
I wanted something clean and timeless.
Walking down to Ryan's song, and our vows. We wrote our own, and they were personal and perfect.
I made several, the boys boutonnieres, the name holders, tripod picture candle holders, and the invitations. The invitations were by far the most time intensive.


Attention current fifth grade parents! Please take a moment to read a Welcome to MMS letter and Helpful Hints for Middle School Parents as your student prepares to transition to Madison next school year! You can also watch an informational video from orientation night!
The first of the 8th grade events is on Friday May 3rd. The Lock-in is an evening of fun activities, food and friends. Students have been sent home with TWO forms to be signed. There is more information about the event posted on the field trip form. BOTH the medical and field trip permission slips must be filled out, signed and returned to your 8th grade child's SCIENCE teacher with the $25.00 cost. In order to order/plan and run the event smoothly we need BOTH FORMS and the FEE by Friday, April 12th at 8:00 a.m. Students should not wait until the last couple of days to submit forms as there will be NO EXCEPTIONS to the 8:00 am deadline. This includes missed school for things like family vacations or illnesses. You need to make arrangements to hand in forms before 8:00 am on the 12th if issues arise.
Madison is proud to announce the Honor Roll students for Trimester 2 of the 2018-2019 school year!
The Madison Yearbook is now on sale! Click the banner above and place your order today! Click here for more information!
Copyright © 2018 Madison Middle School. All Rights Reserved.


Mubarak is in jail and so are some of his most evil partners; waiting for - what I hope will be - fair trials. Still, many are calling for more members of the old regime to be arrested and tried.
Some people want that every single wrongdoer during the Mubarak time be tried and punished. They are absolutely right in what they call for. Justice has to prevail, but within the implementation of justice could lie injustice itself.
Let's face it: the past 30 years in Egypt were corrupt beyond anyone's imagination. Corruption ran from the very top all the way down to each and every one of us. Whoever could find a way to bend the rules a little did it. Some more than others but almost everyone did it; even if under the benign mask of friendship or solidarity, we did it. I for one always pride that I never paid a bribe at work but I still gave an occasional tip to the traffic police. Sometimes I went to the banks where I knew the tellers so I can get things done faster. The bottom line, we were all part of that system and there was no way to survive otherwise. Obviously, some people benefited more than others and some exploited that culture to the fullest, crossing the lines of what you might call harmless corruption into full fledge abuse.
At this stage, we can go after each and every person who has contributed to or benefited from corruption, which is the just thing to do but will probably result in locking up the majority of this population. Even if we chose to bring to justice only those who have "contributed" to corruption we risk bringing down most of our institutions whether governmental, financial, political, religious or social. By doing so we would be putting our country to a halt. Not only so, but we could scare decision makers to the extent where they will avoid making decisions all together. We will be sending the message to the business community (both locally and internationally) that we as a country can sign legally binding contracts with you and then put you in jail.
Let's look at it from a different perspective, in such a corrupt system the majority suffered from extreme injustice, starting from bad education, to poor healthcare all the way to favoritism in the workplace and unfair competition. Unless, we start addressing the core issues, those very people will continue to suffer from the same injustices. The core issues are not the corruption of a group of people; it's the entire value system in our society and the practices that go with it.
So, while we continue to go after wrongdoers, we will extend the suffering because I assure you that none will take a decision in the government and none will decide to invest in Egypt unless the wave of prosecution subsides.
I am happy to draw the line at Mubarak and his top guys as well as the ones responsible for killing protesters. I am happy with the statement that it makes that none is above the law, even the big guy himself. I would stop right there, grant everybody else forgiveness and up the punishment for corruption to the extent where anyone would think a hundred times before doing it again. But, at this stage we have to start sending the message that we are ready to rebuild this country, we are not out for revenge but we want to establish a just system. The message that we are not out for revenge is just as important.
It is to our advantage that the prosecution is within the judiciary system and not through a popular court. The message that this sends out is excellent: we in Egypt are establishing the rule of law and the rule of justice. However, we need to look at justice from every angle and the people who have suffered the most injustice will gain little today by putting the largest number of people in jail or by bringing down our entire system. They will benefit the most by reform and by the rebuilding of Egypt.


Cornwall Ontario – In Ontario you don't have to be a lawyer or paralegal to be appointed as a Justice of the Peace. You don't need any legal training or background. Essentially you need a highschool diploma, which is why former Cornwall Mayor Bob Kilger couldn't become one, and really good political connections.
Former Cornwall Community Police Staff Sgt Brian Snyder was complaining locally about being pushed out of his job with the CCPS three years before he wanted to retire.
Next thing we know he's been appointed as a highly paid Justice of the Peace here in Cornwall and with zero experience in adjudication will be making decisions that will impact people's live.
What's also disturbing is that there is zero public consultation before appointing a JP.
"Justice of the Peace Brian Wilfrid Snyder has been working at the Cornwall Community Police Service for 39 years, most recently serving as staff sergeant. He has been a volunteer with Special Olympics Ontario since 1987, chairing the 1996 Provincial Spring Games in Cornwall. Justice of the Peace Snyder also volunteered at The Children's Treatment Centre for over 20 years, organizing events to raise funds and awareness for the centre. He served as the chair of the Cornwall Stormont Dundas Glengarry Situation Table Advisory Committee, board member of the Triple P (Positive Parenting Program) Steering Committee and a representative for multiple advisory committees. He received the Police Exemplary Service Award in 1999 and again in 2009 and the Order of Merit for police in 2013 from the Governor General of Canada.
Clearly the process to become a JP has a very very low threshold with lots of gooey areas that can be smoothed through. IE you can get a free pass if your life experience meets the whim of the day.
In fact, while on Duty, Mr. Snyder witnessed an assault on yours truly and literally laughed, telling me to take my case to a JP who when we were in session, watching a video of the assault which included the man admitting on camera while complaining to a police officer, still refused to issue a charge.
He also is alleged to have witnessed a lawyer threaten a CAS worker, in court no less, and given the lawyer, who now is a judge, a free pass. There is a thick file on Brian Snyder so how does the Attorney General's office of Ontario end up allowing such an appointment?
And Justices do have power. They can deny bail. They can keep you in jail pending your hearings. They can inflict financial damage which would then require expensive appeals.
Please note that petition data can take awhile to appear.
Surely anyone in such a position of power should have to have some sort of actual legal qualifications when one considers the punitive cost of gaining any justice in this province?
With a starting salary of $109K per year they are on the Sunshine List as well. And without any legal degrees or real training other than a brief session.
What do you think dear CFN viewers? Should Gilles Latour be appointed JP next? You can post your comments below.
Editor's note. Dear viewer like many media outlets we don't have paywalls. We don't want to have them either. In 2018 media has its challenges and it's up to viewer donations for us to have the resources to cover and expose stories like the one you're reading. Please click the paypal donation button below and show us some love so we can keep up our work delivering you the news that you clearly want to read. Thank you.
This city in terms on corruption and nepotism just makes my skin crawl. Cornwall will never be able to move forward with this type of mentality. It will only get bad before it gets better. New council, new mayor and please some new blood!
Bob this is far deeper than council who are there to give direction and set policy. This needs to be a Brampton 2.0 where the city of Brampton cleaned house of 25 city managers are one time. Enough with ex wives and numpties that hide behind their Sunshine Salaries.
Our City is in a real tough financial spot. As Conc. Mark MacDonald, so eloquently stated , to his chagrin, our emergency service budgets must be looked at, in a serious fashion. As an example, why replace Staff Snyder, that position should be abolished for a two year period. The same for the Deputy, these are tough times ! Wake up Council & Police Services Board ? We can't afford it !
Corruption and nepotism should be on their headstones.


Afghan President Hamid Karzai admitted Monday that his chief of staff had received "bags of money" from Iran but insisted the payment was transparent and a form of aid from a friendly country.
Cash payments "are done by various friendly countries to help the president's office ... this is transparent," Karzai told a press conference as the White House warned over Iranian influence in Afghanistan.
The New York Times reported Saturday that Karzai's chief of staff, Umar Daudzai, received regular cash payments from Iran, a US foe and reportedly trying to expand its influence in the presidential palace in Kabul.
Karzai angrily rejected the reports that the payments were secret.
"This is nothing hidden. We are grateful for Iranian help in this regard. The United States is doing the same thing. They're providing cash to some of our offices," he said.
Asked if the money came in bags, as reported, he said: "It does give bags of money yes, yes it does ... it's all the same let's not make this an issue."


text:
Clandons and Horsleys
Guildford man Lee Pomeroy sustained 'injury to his neck' as he died on train to Horsley
A post mortem examination took place at the weekend
William BradleyMultimedia reporter
Floral tributes at Horsley railway station (Image: Surrey Live / Darren Pepe)
A post mortem examination has revealed Lee Pomeroy, sustained an "injury to his neck" as he died from multiple stab wounds on a train to Horsley.
Lee, 51, died the day before his 52nd birthday soon after he boarded the train at London Road (Guildford) on Friday (January 4) at 1.02pm
A spokesman for BTP said: "A post mortem examination has also taken place since the weekend, this has revealed that Mr Lee Pomeroy died as a result of multiple stab wounds, which included an injury to his neck."
A number of additional searches have been conducted near to Clandon station and officers have also searched a property in the Bognor Regis area of West Sussex, according to BTP.
Lee Pomeroy, 51, died on Friday (January 4) (Image: British Transport Police)
Senior Investigating Officer Sam Blackburn, from BTP, said: "Our family liaison officers are providing Mr Pomeroy's family with support as they continue to come to terms with Friday's devastating news.
"The family have asked for privacy as they grieve the loss of Lee."
Any information can be passed to BTP by sending a text to 61016 or by calling 0800 40 50 40 quoting reference 210 of 04/01/2019. Or you can call Crimestoppers anonymously on 0800 555 111.
* Darren Pencille, 35, of no fixed abode, has been charged with murder and possession of an offensive weapon. He is due to appear in court via video link on February 7 for a pre-trial preparation hearing (PTPH).
* Chelsea Mitchell, 27, of Willbury Road in Farnham, has pleaded not guilty to a charge of assisting an offender. She too is due to appear in court via video link on February 7 for a PTPH.
Video below shows floral tributes at Horsley railway station


Found a more convenient socket for the freezer the other day.
Forgot to turn it on, didn't I?
Bummer... hope you discovered the situation before everything thawed.
Unfortunately not. Although it needed clearing out and defrosting anyway, and there wasn't much useful food left.


Hello Reader today we come with this post here we are sharing 30 Best Status Updates – Facebook & WhatsApp. We are not saying that below status updates are the best in the world, but it could be the right thing for you. Which you can post on your Facebook and WhatsApp. We are posted this and saying these are best because may be you are feeling or experiencing the same thing like below status said that matches with your mind and feeling right now, We think so. We know how important your facebook for you so we also share about how you can Increase Protection/Security of Your Facebook Account. The satisfactory isn't always handiest method too right, or the maximum true, however it's far some thing that we sense allright in the intervening time that we are respect it with grateful and satisfied emotions. you know there may be not the fine feeling like that, properly right here they're 30 the first-class repute updates for your Facebook and WhatsApp.
Below we are sharing 30 Best status updates for Facebook & Whatsapp. We also share earlier about Change your Friend profile picture on WhatsApp It's a fun thing which you can do to shock your friends. So now let check below status and don't for forget to say which one you like most in comment section.
Never expect, never assume and never believe in words alone! Because it's the action that counts after all.
God allows everything to happen for a reason. Circumstances will either direct you, correct you, or perfect you.
Be happy with what you have. While working for what you want. Remember, a happy and successful life begins with God and ends for God.
There's a story behind every person. There's a reason why they're the way they are. Stop judging. You're not in their shoes, you won't understand.
Sometimes we are like stars. We fall to make someone's wish come true.
Don't only be close with someone who makes you HaPpY ,be close with someone who CAN'T be happy without you. It makes a lot of difference in life.
Be yourself… because life is too short to be someone else…live the life u dream of…fight for what u desire & never give up.
When you have to make a hard decision, flip a coin. Why? Because When that coin is in the air, you suddenly know what you're hoping for.
walk in my shoes please and you'll see why i am the way i am. i am not mean, i have just learned the lessons in life quicker than you.
I was once afraid of people saying, "Who does he think he is?" Now I have the courage to stand and say, "This is who I am".
Value everything you have. someday you might realize the thing you threw away might be the very thing you would miss when it's already taken by somebody else.
I may not be the one who loved you from the start, but I'll always be the one who loves you most.
Laugh at your mistakes but learn from them. Joke at your troubles but gather strength from them. Have fun with your difficulties, but overcome them. That is life!
Love isn't when you can name a million things about the person. Love is when you can't even find words to describe how you feel about them.
always Successful people always have two things on their lips,"silence & smile" Smile to solve the problem.And silence to avoid the problem.
Hope you like all above status for your Facebook & WhatsApp. We also share many tricks about Facebook & whatsapp. You sholud checkout. You can also learn here how to make your facebook profile photo un-clickable or how to make single name on facebook profile. You will happy to check out other article on MyTricksTime because we share many hidden tricks and tips which will make you more knowledgeble and smart in your friends.


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    var type = $(wrapper).parent().attr('class');

    $(wrapper).find('.jp-playlist-current').removeClass('jp-playlist-current');
    $('#'+playerId+'_item_'+index).parent().addClass('jp-playlist-current');
    $('#'+playerId+'_item_'+index).addClass('jp-playlist-current');
    $(player).jPlayer("setMedia", playerSettings.files[index])

    for (key in playerSettings.files[index]) {
      if (key != 'poster') {
        type = key;
      }
    }

    if (type in {'m4v':'', 'mp4':'','ogv':'','webmv':''}) {
      var kind = 'video jp-video-360p';
    }
    else if (type in {'mp3':'', 'm4a':'','oga':'','webmv':'','wav':''}) {
      var kind = 'audio';
    }

    if (kind == 'audio') {
      $(wrapper).find('img').remove();
    }

    //$(wrapper).parent().attr('class', 'jp-'+kind);

    if (play == true) {
      $(player).jPlayer('play');
    }
  };

  Drupal.jPlayer.next = function(wrapper, player) {
    var playerId = $(player).attr('id');
    var playerSettings = Drupal.settings.jplayerInstances[playerId];

    var current = Number($(wrapper).find('a.jp-playlist-current').attr('id').split('_')[2]);
    var index = (current + 1 < playerSettings.files.length) ? current + 1 : 0;

    Drupal.jPlayer.setFiles(wrapper, player, index, true);
  }

  Drupal.jPlayer.previous = function(wrapper, player) {
    var playerId = $(player).attr('id');
    var playerSettings = Drupal.settings.jplayerInstances[playerId];

    var current = Number($(wrapper).find('a.jp-playlist-current').attr('id').split('_')[2]);
    var index = (current - 1 >= 0) ? current - 1 : playerSettings.files.length - 1;

    Drupal.jPlayer.setFiles(wrapper, player, index, true);
  }

})(jQuery);