text:
CTT Portugal Post
CTT Portugal delivering hope to Mozambique
Following the devastating impacts of Cyclone Idai in Mozambique, CTT Portugal Post quickly launched its "Made of Hope" ('Feito de Esperança') donation project to provide assistance to those most in need. The initiative reflects the longstanding and deep relationship between Portugal and Mozambique.
CTT Portugal Post has an existing "Add to Divide" programme, an employee-orientated scheme that has operated since 2017. The scheme collects donations from employees which are subsequently distributed among various charitable bodies. After Cyclone Idai hit Mozambique in March 2019, CTT Portugal Post's subsidiary in Mozambique, CORRE, requested aid from its parent company. CTT Portugal Post volunteers sorted donations collected from the workforce and selected those that specifically met the immediate needs of the Mozambique population such as clothing, household linen and shoes. These items were immediately air-freighted to Mozambique.
As part of the "Made of Hope" initiative, over 200,000 cardboard boxes were distributed to every post office in Portugal to collect donations from the public. Within 24 hours these boxes were filled, and over 70 tonnes of donations were collected and shipped to Mozambique at CTT Portugal Post's expense. The Mozambique Ambassador publicly expressed his gratitude and praised CTT Portugal Post for its rapid response.
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Gypsum mill plant equipment suppliers - mineral crusher. XSM is a professional Grinding Mill ( Gypsum mill plant equipment suppliers) manufacturer, Gypsum mill plant equipment suppliers Manufacturing from XSM,and in . Chat Online. Gypsum Mill manufacturers & suppliers - made-in .
Systems for Gypsum Production . Globe manufactures a full range of material handling and finishing line equipment for the gypsum industry, having supplied equipment to major North American Gypsum products producers.
GYPSUM PROCESSING EQUIPMENT Plaster ingredient (surgical splints, cast-ing moulds, modeling) ... into small pieces in a grinding mill. At some Gypsum is a soft sulfate mineral composed of calcium sulfate dihydrate, with the chemical ... manufacturing requires less maintenance.
Gypsum manufacturers also rely increasingly on "synthetic" gypsum as an effective alternative to natural gypsum ore. Synthetic gypsum is a byproduct primarily from the desulfurization of the flue gases in fossil-fueled power plants.
Shanghai Clirik Machinery is a professional Gypsum Powder Processing Plant manufacturer has three factories, the gross area is about 2.3 million square meters. Various world-class CNC are in these factories, such as CNC VTL OPERATOR..
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Our roots are in heavy clay, working with brick, block and tile manufacturers. That experience, along with our ability to add value to bulk raw materials, has driven our expansion into by-product management and resource recovery for iron & steel mills, ferro alloy mines and gypsum/wallboard producers.
Gyptech Proven Technology Worldwide. Gyptech has established a strong reputation of providing high quality, reliable equipment for wallboard production. Designed, built, installed and backed by extensive industry experience.
gypsum mill manufacturing process 11.16 Gypsum Manufacturing - US EPA. 11.16 Gypsum Manufacturing 11.16.1 Process Description 2 . As used here, an impact mill is a process unit used to dry, grind, and calcine gypsum simultaneously.
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Gypsum Mill XSM is professional manufacturer of Gypsum Mill. It is a major production and export base of Gypsum Mill machinery in China. small scale gypsum powder plant – Grinding Mill China.
Longkou Shunda Machinery Equipment Co.,Ltd is located in Longkou Shandong China with about 30 years of history. We are professional manufacturer of EPS machine, 3D mesh wire panel machine, Mgo board machine, Gypsum board and brick machine, calcium silicate panel machine etc.
A wide variety of gypsum milling machine options are available to you, such as raymond mill, ball mill, and universal. There are 421 gypsum milling machine suppliers, mainly located in Asia. The top supplying country is China (Mainland), which supply of gypsum milling machine respectively.
JIEPU Gypsum Technology Company is a gypsum board production line manufacturer in China. Our gypsum board production line, which can be used to produce fireproof gypsum boards and water-resistant gypsum boards, is widely used in gypsum board plants. Due to the adoption of waste heat recovery technology, our production line is eco-friendly.
gypsum manufacturing equipment XSM is a leading global manufacturer of crushing and milling equipment (gypsum manufacturing equipment),XSM also supply individual (gypsum manufacturing equipment...) crushers and mills as well as spare parts of them.
Gypsum Mills Community Center Victor Ny Directions Prompt : Caesar is a famous mining equipment manufacturer well-known both at home and abroad, major in producing stone crushing equipment, mineral separation equipment, limestone grinding equipment, etc.
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Gypsum Manufacturing Waste (12%): Gypsum manufacturing waste is a result of rejected material created during the manufacture of gypsum products. Most gypsum manufacturing plants recycle this waste stream as part of their waste avoidance protocol.
gypsum mill machine manufacturer/supplier, China gypsum mill machine manufacturer & factory list, find qualified Chinese gypsum mill machine manufacturers, suppliers, factories, exporters & wholesalers quickly on Made-in-China.com.
11.16 Gypsum Manufacturing 11.16.1 Process Description 2 Gypsum is calcium sulfate dihydrate ... The ground gypsum exits the mill in a gas stream and is collected in a product cyclone. ... thought of by the industry as process equipment and not as added control devices.


If you're looking for a fun-filled skill-toy that can help improve your cognition, coordination, and provide you with tons of fun, you've come to the right place.
The Pindaloo is genius and simple – once you teach yourself the first step, it will be impossible to put it down. It's the perfect toy for you, and the complete set will come packaged with everything you need to get your game going.
The Pindaloo is the perfect toy for you! Don't get left behind! Join the movement and get in the loop now!


text:
Vejen is een parochie van de Deense Volkskerk in de Deense gemeente Vejen. De parochie maakt deel uit van het bisdom Ribe en telt 7839 kerkleden op een bevolking van 8928 (2007).

Historisch maakt de parochie deel uit van de herred Malt. In 1970 werd de parochie opgenomen in de nieuwe gemeente Vejen.

Parochie in Denemarken
Vejen

redpajama_set_name: RedPajamaWikipedia


text:
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<plugin>
    <name>SPOD Tutorial</name>
    <key>spodtutorial</key>
    <description>Game mechanics and dynamics for introduce users into SPOD platform</description>
    <author>Dario Castellano</author>
    <authorEmail>dariocastellano18@gmail.com</authorEmail>
    <authorUrl>www.linkedin.com/in/dariocast94</authorUrl>
    <developerKey>a56a0e36bf00931c71952636df649b0e</developerKey>
    <build>1</build>
    <copyright>Dario Castellano</copyright>
    <license>The BSD License</license>
    <licenseUrl>http://www.opensource.org/licenses/bsd-license.php</licenseUrl>
</plugin>

redpajama_set_name: RedPajamaGithub


Alpha hydroxy acids (AHAs) should be your skin care staple. From clogged pores to recurring acne – they can handle all skin issues with ease. And that's the reason they are now found in most skin care products. If you are doubtful about using AHA products, this article will put your doubts to rest. Scroll down to find out all about AHAs and what makes them an indispensable part of your skin care regimen.
What Are Alpha Hydroxy Acids (AHAs)?
What Is The Difference Between AHAs And BHAs?
Alpha Hydroxy Acids or AHAs are a group of naturally occurring chemical compounds. AHAs are derived from animal or plant products (such as fruits and milk). They are commonly used in anti-aging skin care products as these acids help in reducing signs of aging (such as wrinkles, dark spots, and fine lines) and improve the skin texture and elasticity (1).
Out of all these AHAs, only a few, such as glycolic and lactic acids, are widely used in skin care products. And that's why these two AHAs are extensively studied by researchers for their various effects and benefits. Usually, AHAs (glycolic and lactic acids) are gentle on the skin and do not cause any irritation. These acids act as chemical exfoliants. They dissolve the intercellular bonds (the bonds between your skin cells) and facilitate the natural shedding process of your skin, helping you get rid of the dead skin cells easily, revealing softer, smoother, and brighter skin. Let's take a look at the benefits of AHAs for your skin.
The shedding and regeneration of cells is a continuous cycle. However, when you age, this process slows down. As a result, dead skin cells accumulate on your skin. This makes your skin dark and dull and also cause age spots. AHAs help your skin in its natural process of shedding dead skin cells (2).
When your skin sheds the dead cells, it reveals a fresh layer of cells beneath. This new layer is brighter and radiant. Your skin automatically appears fresh, plump, and more elastic.
Collagen is the fiber that keeps your skin looking young and smooth. As you age, the collagen production in your skin decreases. Also, photodamage caused by excessive sun exposure and environmental damage further affects collagen synthesis. AHAs help in collagen regeneration by eliminating the old collagen fibers (1).
AHAs work on wrinkles and fine lines and reduce their appearance. A study involving 52 volunteers between the ages of 30 and 55 years were given topical products containing AHAs. They were studied for 21 days, and significant improvement in their skin texture was noted at the end of the study (1).
AHAs such as glycolic acid and lactic acid help in reducing hyperpigmentation, dark spots, and melasma. Both these acids are commonly used in chemical peels and other dermatological procedures for treating dark spots. Glycolic acid is usually used to treat freckles and hyperpigmentation because it can penetrate the skin easily (3). Lactic acid is used to treat melasma and has shown good results (4).
AHAs also help treat mild to moderate levels of acne. Clogged skin pores cause acne, and AHAs can help remove the clogs. They also prevent any further clogging. A study on 248 patients with mild to moderate acne showed the high efficacy of AHAs in providing relief from acne (5).
AHAs can penetrate your skin and break the layer of dead skin cells. This layer of dead cells prevents topical skin creams from being absorbed within the deep layers of your skin. Once the layer is cleared, your skin's absorption levels increase.
Exposure to the sun can cause substantial damage to your skin – like dark spots, tanning, wrinkles, and hyperpigmentation. Using AHAs can minimize the effects of sun exposure on your skin.
The US Food and Drug Administration (FDA) had conducted thorough research on the usage of AHAs for skin care. AHAs are safe to be used on the skin as long as you follow the directions and use them appropriately. If you are wondering how much of AHAs is right for your skin, FDA has guidelines for that as well. It recommends using products in which the concentration of AHAs is less than 10% (6). This is to avoid any side effects. If not used properly, AHA can have severe side effects.
Avoid applying AHAs on irritated skin or if you have wounds and cuts. Also, pregnant and lactating women should consult a doctor before using products containing AHAs.
Apart from AHA, there is another type of hydroxy acid that is commonly found in skin care products – beta hydroxy acid or BHA. Both are quite similar, but there's a subtle difference. Keep scrolling to find out.
Both AHAs and BHAs do the same thing. They make your skin smooth, reduce signs of aging, and give you an even skin tone. However, unlike AHAs, BHAs are not derived from natural ingredients. They are mainly derived from salicylic acid. Unlike AHAs, which are water-soluble, BHAs are oil-soluble, and that's why they are apt for people with normal to dry skin.
Compared to AHAs, BHAs are less irritating to the skin and are best suited for those with sensitive skin and acne-prone skin. However, if you have multiple skin issues and also have age-related concerns, AHA products are best for you.
Here are a few AHA products that you may try at home.
This product contains both AHAs and PHAs in 25% concentration. It contains mandelic acid, glycolic acid, and other ingredients that help remove dead skin cells and make your skin smoother.
This face mask evens out your skin tone. It contains vitamin C that brightens your complexion and reduces the levels of sun damage to your skin. This product contains organic, vegan ingredients and is gluten-free.
This product contains 15% glycolic acid and is meant for those who have been using AHA products for a while. It is for people who want stronger and extra exfoliation. It claims to hydrate the skin and make it smooth. It is suitable for normal to dry skin.
This cleanser claims to polish your skin, remove all the impurities, and reduce skin dullness. It improves the skin texture and softens it.
This product is a blend of AHA and BHA, and it deeply cleanses your skin. It penetrates the skin layers to prevent blackheads and acne. Regular usage of this product prevents further breakouts.
Who doesn't love blemish-free and flawless skin? From creams and serums to face masks and face washes, AHAs are available in almost all forms. However, they are pretty strong (and effective) ingredients and should be used thoughtfully and carefully. Give your skin the best it deserves. Pick any of the products and start using them today.
AHA And BHA Exfoliants: What Is The Difference?
What Is Glycolic Acid And What Does It Do To Your Skin?


Michelle Williams stars in a heart-wrenching tale of forbidden love during WWII.
Lucille Angellier (Michelle Williams) lives in a small village in occupied France. Her husband has been captured by the Nazis and she finds herself firmly under the thumb of her fearsome mother-in-law (Kristin Scott Thomas).
Before long, the town is overrun by refugees fleeing from Paris and a regiment of German soldiers is also thrown in with the villagers. Despite her better judgement, Lucille finds herself drawn to the cultured and handsome officer Bruno (Matthias Schoenaerts).who moves into her home. But will she pay a heavy price for their romance.
Suite Francaise is an adaptation of the acclaimed novel by Irene Nemirovsky, which was discovered more than fifty years after her death in a concentration camp. It's a harrowing tale that's as shocking as it is romantic and the chemistry between Mechelle and Matthias is worth watching it for alone.


Stepping in the shoes of your global neighbors! Hanging like and with locals. Authentic cuisine Let the stories behind the traditions of foreign people and places invigorate and add meaning to your own. Develop rituals of cooking that cultivate physical and spirtual nourishment...from the array of ingredients to how they're prepared, every meal is an opportunity to express your unique view and what matters most to you and your family.
Off the beaten path...! Unique travel experiences, things to visit, interesting stays. Inspiration is all around, you just have to look through a fresh pair of eyes to see it..meaning to your own. Develop rituals of cooking that cultivate physical and spirtual nourishment...from the array of ingredients to how they're prepared, every meal is an opportunity to express your.
3 - Riviera Maya Honeymoon Take 2 : Oh Sweet Casita!


This Saturday sees the third annual Summer Fete at Mapledurham Playing Fields. It should be a fantastic day, kicking off at Noon - 5.30 pm, followed at 6.30 - 10.30 pm by a Live Music Festival.
I will be running my usual wooden skittles stall for young and old to play, to help raise further funds for the regeneration of Mapledurham Pavilion - the charity all proceeds are going towards. I thoroughly support this worthy cause as our community needs and deserves a decent hall and ancillary facilities.
There will be a vast array of things to do, watch and enjoy from foods to eat, Pimms & beer to drink, games to play, dogs & cars to watch and plants to buy.
Do come along and join in the fun as there is something for everyone!


text:
The Z Morning Show With Kid + SarahThe Z Morning Show With Kid + Sarah
Bob Marley Live At Farmington Maine Drive In May 22-24
Carl Maxwell Youtube
Some wicked funny Maine humor is coming your way bub!
A weekend of big laughs will take place at Narrow Gauge Cinemas in Farmington. Maine Comedian Bobo Marley will perform a weekend of shows that you can safely enjoy from the comfort of your car.
Bob has appeared on an impressive number of shows including, Late Show with David Letterman, Late Night with Conan O'Brien, The Late Late Show with Craig Kilborn, The Martin Short Show, Comedy Central Presents, Late Night with Jimmy Fallon and he was in the now iconic 1999 film "The Boondock Saints."
On September 23, 2010, at 11:02 p.m., Marley entered the Guinness Book of World Records with the longest continuous stand-up routine, beating the record held by Lindsay Webb from Australia. He completed 40 hours of stand-up comedy, the first 17 hours and 14 minutes without any repetition of material.That record stood until 2013.
Bob has been posting some hysterical Facebook videos during this quarantine, and let's face it, we could all use a laugh or two!
This event takes place at the following times
Friday-May 22nd at 4pm
Friday-May 22nd at 6:30pm
Saturday- May 23rd at 6:30pm
Sunday-May 24th at 4pm
Sunday-May 24th at 6:30pm
Tickets are $25 per person. You must remain in your cars at The Narrow Gauge Cinema! All State of Maine guidelines will be followed. tickets must be purchased online, and shown at the gate. You simply roll your window and the sound will come right through your car stereo! There is a 2 person minimum per car, and a 4 person maximum.
You can get tickets at https://www.bmarley.com/
Filed Under: Bob Marley, Funny, Maine Humor, Narrow Gauge Cinema, Videos

redpajama_set_name: RedPajamaCommonCrawl


text:
package tmux

import (
	"bytes"
	"encoding/json"
	"fmt"
)

var NotFound = fmt.Errorf("object not found")

type Session struct {
	Name     string
	NWindows int
	Created  string
	Width    int
	Height   int
}

type Window struct {
	Index       int
	Name        string
	SessionName string
	NPanes      int
	Width       int
	Height      int
	Active      bool
}

type Client struct {
	TTY         string
	SessionName string
	Width       int
	Height      int
	TermName    string
	UTF8        bool
	ReadOnly    bool
}

// StartServer requires you have sessions specified in your tmux
// config, otherwise it is effectively a noop.
func StartServer() error {
	_, err := execCommand("start-server")
	return err
}

func ListSessions() ([]Session, error) {
	out, err := Command("list-sessions", "-F",
		`{"Name":"#{session_name}","NWindow":#{session_windows},`+
			`"Created":"#{session_created_string}",`+
			`"Width":#{session_width},"Height":#{session_height}}`)
	if err != nil {
		return nil, fmt.Errorf("Command: %s", err)
	}
	bufs := bytes.Split(out, []byte{'\n'})
	sessions := make([]Session, len(bufs))
	for i, buf := range bufs {
		err := json.Unmarshal(buf, &sessions[i])
		if err != nil {
			return nil, fmt.Errorf("Unmarshal(%s): %s", string(buf), err)
		}
	}
	return sessions, nil
}

func GetSession(name string) (Session, error) {
	sessions, err := ListSessions()
	if err != nil {
		return Session{}, err
	}
	for _, s := range sessions {
		if s.Name == name {
			return s, nil
		}
	}
	return Session{}, NotFound
}

func ListWindows() ([]Window, error) {
	out, err := Command("list-windows", "-a", "-F",
		`{"Index":#{window_index},"Name":"#{window_name}",`+
			`"SessionName":"#{session_name}",`+
			`"Active":#{?window_active,true,false},`+
			`"NPanes":#{window_panes},"Width":#{window_width},`+
			`"Height":#{window_height}}`)
	if err != nil {
		return nil, fmt.Errorf("Command: %s", err)
	}
	windowBufs := bytes.Split(out, []byte{'\n'})
	windows := make([]Window, len(windowBufs))
	for i, buf := range windowBufs {
		err := json.Unmarshal(buf, &windows[i])
		if err != nil {
			return nil, fmt.Errorf("Unmarshal: %s", err)
		}
	}
	return windows, nil
}

func GetWindow(name string) (Window, error) {
	windows, err := ListWindows()
	if err != nil {
		return Window{}, err
	}
	for _, s := range windows {
		if s.Name == name {
			return s, nil
		}
	}
	return Window{}, NotFound
}

func ListClients() ([]Client, error) {
	out, err := Command("list-clients", "-F",
		`{"TTY":"#{client_tty}",`+
			`"SessionName":"#{session_name}",`+
			`"Width":#{client_width},`+
			`"Height":#{client_height},`+
			`"TermName":"#{client_termname}",`+
			`"UTF8":#{?client_utf8,true,false},`+
			`"ReadOnly":#{?client_readonly,true,false}}`)
	if err != nil {
		return nil, fmt.Errorf("Command: %s", err)
	}
	bufs := bytes.Split(out, []byte{'\n'})
	clients := make([]Client, len(bufs))
	for i, buf := range bufs {
		err := json.Unmarshal(buf, &clients[i])
		if err != nil {
			return nil, fmt.Errorf("Unmarshal(%s): %s", string(buf), err)
		}
	}
	return clients, nil
}

func GetClient(tty string) (Client, error) {
	clients, err := ListClients()
	if err != nil {
		return Client{}, err
	}
	for _, c := range clients {
		if c.TTY == tty {
			return c, nil
		}
	}
	return Client{}, NotFound
}

func SwitchClient(tty, target string) error {
	_, err := Command("switch-client", "-c", tty, "-t", target)
	return err
}

func NewSession(sessionName, windowName string, args ...string) (Session, error) {
	cmdArgs := make([]string, 0, 16)
	cmdArgs = append(cmdArgs, "new-session", "-c", "/", "-d", "-s", sessionName)
	if windowName != "" {
		cmdArgs = append(cmdArgs, "-n", windowName)
	}
	cmdArgs = append(cmdArgs, args...)
	_, err := Command(cmdArgs...)
	if err != nil {
		return Session{}, fmt.Errorf("Command(new-session): %s", err)
	}
	return GetSession(sessionName)
}

func NewWindow(target, windowName string, args ...string) (Window, error) {
	cmdArgs := make([]string, 0, 16)
	cmdArgs = append(cmdArgs, "new-window", "-t", target)
	if windowName != "" {
		cmdArgs = append(cmdArgs, "-n", windowName)
	}
	cmdArgs = append(cmdArgs, args...)
	_, err := Command(cmdArgs...)
	if err != nil {
		return Window{}, fmt.Errorf("Command(new-window): %s", err)
	}
	return GetWindow(windowName)
}

func SplitWindow(target string, args ...string) error {
	cmdArgs := make([]string, 0, 3+len(args))
	cmdArgs = append(cmdArgs, "split-window", "-t", target)
	cmdArgs = append(cmdArgs, args...)
	_, err := Command(cmdArgs...)
	return err
}

func ResizePane(target string, args ...string) error {
	cmdArgs := make([]string, 0, 3+len(args))
	cmdArgs = append(cmdArgs, "resize-pane", "-t", target)
	cmdArgs = append(cmdArgs, args...)
	_, err := Command(cmdArgs...)
	return err
}

func SelectPane(target string) error {
	_, err := Command("select-pane", "-t", target)
	return err
}


1. Tomball Concordia Lutheran, 24-1; 2. Dallas Bishop Lynch, 22-3; 3. SA Antonian Prep, 26-5; 4. Dallas St. Mark's, 16-5; 5. Midland Christian, 27-4; 6. FW Nolan Catholic, 19-7; 7. Houston Bellaire Episcopal, 16-6; 8. Houston Christian, 19-7; 9. Houston St. Pius X, 19-7; 10. Plano John Paul II, 19-7.
1. Houston Second Baptist, 16-9; 2. Houston Westbury Christian, 12-6; 3. Cedar Hill Trinity Christian, 12-9; 4. Austin Regents, 12-3; 5. Victoria St. Joseph's, 18-0; 6. Sugar Land Fort Bend Christian, 18-5; 7. CC Incarnate Word, 19-6; 8. Frisco Legacy Christian, 16-8; 9. Grapevine Faith Christian, 13-6; 10. CC John Paul II, 21-3.
1. Arlington Grace Prep, 19-2; 2. Tyler All Saints Episcopal, 14-4; 3. The Woodlands Christian, 17-9; 4. Midland Trinity, 11-1; 5. Lubbock Christian, 14-6; 6. Waco Vanguard, 8-4; 7. Kennedale Fellowship, 16-3; 8. Flower Mound Coram Deo, 16-3; 9. Waco Reicher Catholic, 17-6; 10. Lubbock Trinity Christian, 14-13.
1. Midland Classical, 16-3; 2. Dallas Yavneh, 13-5; 3. New Braunfels Christian, 16-6; 4. Kerrville Our Lady of the Hills, 12-7; 5. Tomball Rosehill, 13-9; 6. Waco Live Oak, 9-6; 7. Bryan Brazos Christian, 7-5; 8. Dallas Lakehill Prep, 10-6; 9. Watauga Harvest Christian, 8-3; 10. Beaumont Legacy, 10-11.
1. Huntsville Alpha Omega, 15-5; 2. Bryan Allen, 20-6; 3. Red Oak Ovilla Christian, 19-4; 4. Lubbock Southcrest, 11-1; 5. Austin Waldorf, 11-7; 6. Temple Holy Trinity Catholic, 10-6; 7. Conroe Covenant, 11-7; 8. SA St. Gerard, 9-6; 9. Lubbock All-Saints, 7-4; 10. Abilene Christian, 7-8.
1. Lubbock Kingdom Prep, 14-5; 2. Baytown Christian, 12-3; 3. WF Wichita Christian, 9-5; 4. Spring Founders Christian, 16-10; 5. Houston Family Christian, 12-2; 6. Longview Trinity, 11-7; 7. WF Christ, 14-6; 8. Amarillo Holy Cross, 7-2; 9. San Angelo Cornerstone, 10-5; 10. Longview Christian, 8-2.
1. Cedar Hill, 24-4; 2. DeSoto, 15-4; 3. Pflugerville Hendrickson, 28-1; 4. Dallas Skyline, 15-7; 5. Jersey Village, 22-2; 6. Garland Sachse, 21-4; 7. Duncanville, 22-5; 8. Converse Judson, 23-4; 9. South Grand Prairie, 18-7; 10. Allen, 21-5; 11. SA Northside Clark, 22-1; 12. Cypress Creek, 24-4; 13. Katy, 18-3; 14. SA Northside Brandeis, 18-2; 15. Prosper, 20-6; 16. Wolfforth Frenship, 21-3; 17. Cypress Ranch, 21-7; 18. Beaumont United, 25-0; 19. Humble Summer Creek, 21-6; 20. SA Northside O'Connor, 18-6; 21. Humble Atascocita, 20-7; 22. Houston Westside, 22-4; 23. Austin Westlake, 19-7; 24. Arlington Bowie, 15-8; 25. Langham Creek, 21-6.
1. Mansfield Timberview, 25-1; 2. Amarillo, 22-4; 3. Fort Bend Hightower, 27-1; 4. Kerrville Tivy, 24-1; 5. Royse City, 23-2; 6. Austin Crockett, 24-3; 7. CC Veterans Memorial, 23-3; 8. SA Veterans Memorial, 21-4; 9. Cedar Park, 21-3; 10. Manvel, 25-3; 11. FW Boswell, 22-4; 12. Mansfield Legacy, 19-5; 13. NRH Birdville, 17-6; 14. Frisco Lone Star, 15-7; 15. College Station, 24-2; 16. Lubbock Cooper, 20-3; 17. Richmond Foster, 24-4; 18. Crowley, 18-7; 19. Georgetown, 15-9; 20. Pflugerville, 17-8; 21. CC Flour Bluff, 14-4; 22. Red Oak, 21-6; 23. Denison, 14-9; 24. Frisco Liberty, 17-10.
1. Dallas Bishop Lynch, 19-7; 2. Plano Prestonwood, 20-2; 3. Houston The Village, 26-4; 4. Argyle Liberty Christian, 17-7; 5. Houston Kinkaid, 12-3; 6. Houston St. Agnes, 20-8; 7. Plano John Paul II, 19-6; 8. FW Nolan Catholic, 16-13; 9. SA Antonian, 15-16; 10. Addison Greenhill, 8-4.
1. Cedar Hill Trinity Christian, 12-3; 3. SA Christian, 15-6; 2. Houston Second Baptist, 9-5; 4. Tyler Grace Community Christian, 13-5; 5. Mesquite Dallas Christian, 12-11; 6. CC John Paul II, 14-8; 7. CC IWA, 14-7; 8. Austin Brentwood Christian, 13-8; 9. Frisco Legacy Christian, 12-5; 10. Austin Hyde Park, 14-3.
1. Lubbock Trinity Christian, 16-8; 2. Austin Texas For Deaf, 20-0; 3. Colleyville Covenant Christian, 15-4; 4. Lubbock Christian, 20-8; 5. Houston Lutheran North, 8-8; 6. Boerne Geneva Boerne, 15-7; 7. Dallas Shelton, 8-2; 8. League City Bay Area Christian, 12-8; 9. SA Lutheran, 10-8; 10. Austin Hill Country Christian, 8-5.
1. Midland Classical, 13-4; 2. FW Lake Country, 15-13; 3. Tomball Rosehill, 13-5; 4. Beaumont Legacy Christian, 12-8; 5. Round Rock Christian, 12-3; 6. The Woodlands Legacy Prep, 14-6; 7. Denton Calvary, 12-5; 8. Houston Grace Christian, 13-6; 9. Temple Central Texas Christian, 14-9; 10. Waco Live Oak, 9-9.
1. Lubbock Southcrest, 15-0; 2. Shiner St. Paul Catholic, 15-5; 3. Austin Waldorf, 10-4; 4. Granbury North Central Texas, 9-4; 5. Red Oak Ovilla Christian, 7-4; 6. Bryan Allen, 10-8; 7. Longview Christian Heritage, 8-7; 8. Plano Coram Deo, 12-8; 9. Dallas First Baptist, 5-6; 10. Abilene Christian, 5-6.
TAPPS 1A 1. WF Notre Dame, 9-3; 2. Lubbock Kingdom Prep, 14-7; 3. Edinburg Harvest, 4-0; 4. Waxahachie Prep, 3-2; 5. Dallas Tyler Street Christian, 8-3; 6. Universal City First Baptist, 8-2; 7. Alamo Macedonian, 5-5; 8. SA Legacy, 7-9; 9. Conroe Lifestyle, 5-4; 10. Kingwood Covenant Prep, 6-8.


A question to which many motorcycle riders have to answer is: what is the equipment useful for a motorcycle trip?
On the net you can already find adequately detailed lists to help you solve many problems in complete self-sufficiency. However, trip after trip, we refined our equipment list (which is still largely upgradable), built by gathering the advice of many motorcycle riders who have described and shared information about their travel equipment.
As a rule, we split our technical equipment on two small and cheap Backpacks Quechua Arpenaz 10 (the cost is around 2.99 €). Since, especially in the case of tours with dirt roads, we face the routes in at least two, we normally divide the load equally in two bikes.
Additionally, we always carry with us at least one pair of 35mm and 25 mm strapswith tie rods, like the Heavy Duties in Fig. 6.
For questions, tips or suggestions, contact us here.


Rivers Casino & Resort in Schenectady, New York.
MGM Springfield opens its resort casino in just over a week. One nearby casino -- about 100 miles away in Schenectady, New York -- has been open for about a year and a half.
For a check-in on how the Rivers Casino and Resort at Mohawk Harbor is doing, we turn to Daily Gazette business editor John Cropley, and asked him how the casino is performing.
John Cropley, Daily Gazette: Well, they're performing very well compared to last year. Their revenue is up. Their traffic is up in terms of the number of events they're holding there. And they seem to be hitting their stride in terms of running as a business.
However, they started off slowly. Not terribly -- but they missed their revenue projections. I suspect, and a lot of people have said, that the revenue projections were -- I don't know if unrealistic is the word -- but they were high. All of the casinos in New York have missed their revenue projections -- and therefore their tax projections -- but they're all doing better than they were last year.
Carrie Healy, NEPR: Other than revenue projections, were there any other bumps along the road for the casino when it opened?
I couldn't point to anything. They do have a significant turnover of their employees. But if you look at the workforce in general, people move from job to job with some frequency. So they appear to be able to attract the workforce they need and we do have a fairly tight labor market here with less than 4 percent unemployment. So some employers are having some difficulty finding the right people for their jobs right now.
One thing that MGM promised here in Springfield was to chip away at the greater Springfield higher-than-average unemployment rate and to provide full time jobs with benefits. That's a tough and big promise to make in an industry with higher than average turnover rates. So have the turnover rates at the Rivers Casino been on-par with the other hospitality turnover rates?
I couldn't tell you that right off hand, and I'm trying to trying to think back to a story I wrote...where it appeared that the entire hospitality industry has a high rate of turnover. I think I remember reporting was that these were good jobs -- solid middle class jobs, not something you'd be able to retire at age 50 on, but something you could earn a good living. And they are paying benefits.
The casino hasn't been terribly communicative with me. You know they're pleasant enough about it, but they haven't said, "You know, these are our policies," or, "These are our strategies." They talk in round numbers and generalities, because they don't want to reveal their strategies to competitors. And it is a competitive industry. I will certainly vouch for that.
Another community promise that MGM made was to take over booking entertainment at some existing venues for a period of time, even if it comes at a financial loss. I don't know if the Rivers Casino made promises like that, but how are they doing with the different performing venues out in the Schenectady area? Has there been real competition or has nightlife scene changed in any way?
I think it was actually the opposite here. The local performing arts center, which is Proctor's, is in downtown Schenectady. That's really a huge benefit to the city, because it brings a lot of people downtown. They already have the infrastructure in place to book and manage performers. And the last I knew, they were actually doing that for the casino. They were booking acts for the casino, and the casino also provides a -- not huge -- but a smallish fee to the performing arts community to help them bring in and develop their own venues.
Have you seen any of the stereotypical problems that come along with casinos evolve in the Schenectady area since the casino's been open?
That's a matter of hot debate. Every time there is a fistfight at the casino and the police have to roll out, the casino critics pounce on it. And you can't deny that there was a fistfight there. You know, there'll be underage gambling arrests at the casino, and then the critics will say, "Hey, look -- we've got underage gambling at the casino." It happens.
There's not visible street prostitution. There's not an upswing in pawn shops. There are parts of the city where it has street crime, drug dealing and prostitution that far predates the casino. And I imagine it's still going on now. But in terms of there being a "strip" that's been degraded by the casino? No, that has not happened.
With just about a month until MGM Springfield opens, some neighboring businesses are thinking about making changes to compete. At least one is already switching things up.


Description: Letter from Charles B. Moore to A. S. Priest discussing Charles Moore's declining health and his last wishes should he die in the near future. He mentions a house that he is having built and some things which he wants Mr. Priest to have in the even of his death, and he asks that Mr. Priest not discuss the contents of this letter with Mary or Linnet. Moore also shares something he wrote in his diary the previous night.
Description: Letter from Claude White to Linnet Moore in which he he says that the hotel gave out his room when he was late returning. He said he acquired an alarm clock so that he could get to the train on time. He updates her on the health of his family. He asks for an update on her buggy.
Description: Letter to Linnet White from Cora Robertson discussing news of friends and family. She writes of her brother dying, family events, and how her husband is taking a course in auto repair.
Description: Letter from David Fentress to his wife, Clara recounting the news of the war; his movements; his assessment of the territory he has crossed and whether it would be good farm land; his and his friends health; what is being eaten; and finally declaring his devoted love for his wife and family.
Description: Letter from David Fentress to his wife Clara in which tells her how often he has been receiving mail from her; troop movements and his speculation on what the Northern Army will do; how the populace is treated when the U. S. Army moves into their territory; illness among the men; his health; and seeds for his garden.
Description: Letter from David Fentress to his wife Clara describing the toll that sickness has taken on the Confederate troops; troop movements; demoralized troops deserting and going home; his personal health; and comments on family news.
Description: Letter from David Fentress to his wife Clara regarding the difficulties he faces applying for a transfer and/or a leave of absence. He states that he has 110 men in hospitals. Dr. Fentress's brigade is to march to Arkansas and only waits for Hardeman's Brigade to arrive. He also states that his men look forward to leaving Louisiana and moving to Arkansas.
Description: Letter from David Fentress to his wife Clara regarding his sickness, how he is out of medicine but improvising to heal sick; going to move to new location to help with sickness. Tells her about the news of the war and politics. Believes end of war is close and England and France will recognize south as separate. Tells his opinion on Lincoln and the exemption fees. He received a commission. Also that men will go back to Texas to get more clothing, how to send clothing to him, telling her to help Aunt Mary with dying pants, he also offers advice on the agriculture at home- cattle, horses, and her father's crops.


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High Arts in Cinemas: A Win-Win Situation
Movie Fan September 27, 2019 0 0
While it may seem like a new thing, it isn't! We're talking about the live streaming of opera and ballet shows in cinemas, a partnership that the general public can enjoy in theater chains like the AMC Theaters. We love it, nonetheless, because it allows us to enjoy the so-called high arts in the comfort of a familiar place and at a more affordable price!
Goes Back a Hundred Years
In January 1910, the Metropolitan Opera in New York City started transmitting notable extracts of its opera shows, particularly I Pagliacci and Tosca, on radio. Enrico Caruso, the legendary tenor, can be heard nearly clearly from the Hudson River to New Jersey, and it was a historic moment because everybody who owned a radio can listen in on! Even then, the tickets to the opera were beyond the means of the masses but the radio transmissions made it possible for the masses to enjoy the elites' entertainment, albeit in a limited form.
Since then, many more media partnerships were made to bring the highest of the high arts to the general masses! Every advance in technology also made it possible to introduce better broadcasts so much so that today, we can enjoy opera and ballet in theaters as if we're in the venue itself.
The tie-ups are also evident in the United Kingdom where the likes of the Royal Opera and the Royal Ballet's performances can be streamed live. There's also the wide availability of DVD and Blu-Ray offerings that allow people to watch these performances over and over again.
Clear and Crisp Broadcasts
Well, of course, there are concerns that the live streaming in cinemas will be sub-par in the sense that the majestic beauty of opera performances cannot be translated well on the big screen. But even the critics were silenced after watching their first opera show on the big screen – the audio and visual quality are excellent! Again, you will feel like you're actually in the Metropolitan Opera Theater and enjoying every nuance and note of the actors' riveting performances.
Plus, you can enjoy the show regardless of where you are seated, no binoculars necessary. You can seat in the back row and yet still have an excellent view of the show, a benefit that isn't always possible in a theater where the actors and sets remain the same size. You may even have to use a visual aid just to get a better view in an opera theater.
There's also the fact that a movie theater is a far more casual venue than an opera theater. You don't have to dress up, put on your makeup, and perhaps put on your airs before watching an opera show in a movie theater. You can just come as you are – jeans, shirt and sneakers – and nobody will raise their eyebrows at your attire.
This isn't to say that you can't dress up when going to the movies because you can! You and your partner, for example, can dress up in your Sunday's best and treat yourself to a night at the opera in your neighborhood cinema. You may even find more than a few people with the same mindset although we also have to say that it's advisable to respect other people's sartorial choices.
As we previously mentioned, the ticket prices for watching an opera show at a cinema are a fraction of the ticket prices at an opera house. Such affordability means that millions of the masses who ordinarily don't have the financial resources or don't live near opera houses have the opportunity to enjoy world-class productions.
Just how expensive is it to go to the opera? A single ticket can cost between $18 and $25, sometimes higher for premium shows and artists! The ticket cost doesn't include expenses for gas, clothes and meals that add to the overall cost.
Yes, the general masses benefit from the live streaming of opera and ballet shows. But we must also say that the opera and cinema companies and their stars also benefit from it.
For one thing, both companies have an extra source of revenue that ultimately increase their ticket sales. Opera companies are open to live streaming in cinemas because it means tapping into a lucrative market. Cinema companies attract audiences during the mid-week when their venues would be otherwise empty.
For another thing, the stars of opera and ballet gain a bigger audience and it can translate to lucrative deals, such as endorsements. There's always something good to be said about being known outside of the industry and the tie-ups make it possible.
Of course, there are critics of the live streaming and it cannot be helped. But we believe that the partnerships between the arts will only benefit the general public, especially in terms of democratizing culture and entertainment.
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Forum Response
The questions at stake aren't just technical; they are moral and political.
With Responses From
The dead weight of decades of bad economics remains.
Marshall Steinbaum
We need stronger trade unions and corporate accountability.
Alice Evans
The questions at stake aren't just technical.
We should welcome low-skill migration instead of trade restrictions.
Margaret E. Peters
There is a reason why economists tend to believe in markets.
William Easterly
Markets raise philosophical questions, not just economic ones.
Debra Satz
Quantification shapes how we think about public policy—often for the worse.
Ethan Bueno de Mesquita
Neoliberalism has not been all bad for developing countries. Any program for economic change must confront their unique challenges.
Economics needs to embrace a transdisciplinary approach.
Complexity Economists*
Final Response: Rather than oracles channeling a supply-and-demand deity, economists should be enablers of democratic priorities.
8 Min read time
Contemporary economics is finally breaking free from its market fetishism, offering plenty of tools we can use to make society more inclusive.
This forum—along with new responses—is featured in Boston Review's forthcoming Summer 2019 issue Economics After Neoliberalism.
Preorder your copy today.
For non-economists on the left, "Economics After Neoliberalism" is a welcome arrival. Having long been scolded or silenced by neoliberals with a dismissive "You just don't understand how markets work," econ-outsiders like me can only celebrate the assistance that Naidu, Rodrik, and Zucman provide—from deep within the inner sanctum no less. It almost feels like our Marshall McLuhan moment.
What strikes me about their text is its boldness at the level of policy, but its modesty at the level of public philosophy.
I wonder if Naidu and his co-authors are selling themselves short, however. To hear them tell it, what has made neoliberalism so attractive and commanding as a politics is the borrowed authority of economics. Neoliberals sold their policies as the simple implementation of economic knowledge, so much so that neoliberalism "now appears to be just another name for economics." Given that conflation, Naidu and his co-authors see their task as, first, debunking the notion that neoliberalism rests on "sound economics," and, second, offering progressive policy alternatives that incorporate values—such as "fairness," "equality," and "inclusive prosperity"—that neoliberals and some economists consider external to the discipline. The point is to marshal the technical knowledge of the profession on behalf of new values, policies, and institutions.
Since Friedrich Hayek is one of the avatars of the neoliberal turn, it is worth revisiting how he envisioned the task of the neoliberal economist, especially because he was operating in a comparable moment for the right—that is, when social democracy rather than neoliberalism seemed coterminous with economics. Because Hayek's conception of the economist's task is different from how Naidu and his co-authors conceive of that task, it may offer a useful perspective on the best way forward.
By the mid-1930s, Hayek believed his beleaguered band of brothers—Ludwig von Mises, Lionel Robbins, and others—had won the economic debate of socialism versus capitalism. They had demonstrated—not just once (in Red Vienna after the First World War), but twice (in 1930s Britain)—that it was not possible for socialist planners to gather and process the necessary information to anticipate and provide for the needs of a modern society without private property, the price mechanism, and other market institutions.
But that victory, Hayek came to realize, was pyrrhic. For the questions at stake weren't just technical; they were moral and political. As he put it in a pioneering article from 1939:
[The] belief in the greater efficiency of a planned economy cannot any longer be defended on economic grounds. . . . But it can rightly be said that this is not the decisive question. Many planners would be willing to put up with a considerable decrease of efficiency if at that price greater distributive justice could be achieved. And this, indeed, brings us to the crucial question. The ultimate decision for and against socialism cannot rest on purely economic grounds, and cannot be based merely on the determination of whether a greater or smaller output of society is likely to be obtained under the alternative systems in question. The aims of socialism as well as the costs of its achievement are mainly in the moral sphere. The conflict of ideals is one of ideals other than merely material welfare. . . . it is on considerations like those discussed here that we shall have to base our final choice.
Far from resting neoliberalism on the authority of the natural sciences or mathematics (forms of inquiry Hayek and Mises sought to distance their work from) or on the technical knowledge of economists (as Naidu and his co-authors claim), Hayek recognized that the argument for capitalism had to be won on moral and political grounds through the political arts of persuasion.
Here's where things get interesting. Though Hayek famously abandoned formal economics for social theory after the 1930s, his social theory remained dedicated to elaborating what he saw as the essential problem of economics: how to allocate finite resources between different purposes when society cannot agree on its most basic ends. With its emphasis on the irreconcilability of our moral ends—the fact that members of a modern society do not and cannot agree on a scale of values— Hayek's point was fundamentally political, the sort of insight that has agitated everyone from Thomas Hobbes to John Rawls and Jürgen Habermas. Hayek was unique, however, in arguing that the political point was best addressed, indeed could only be addressed, in the realm of the economic. No other discourse—not moral philosophy, political theory, psychology, or theology—understood so well that our ultimate moral values and political purposes get expressed to others and revealed to ourselves only under conditions of radical economic constraint—when one is forced to assign a limited set of resources to different ends, ends that favor different sectors of society.
Hayek translated moral and political problems into an economic idiom. What we need now, I would argue, is a way to uninstall or reverse that translation.
Morals are not really morals if they are not material, Hayek believed. Outside the constraining circumstance of the economy, our moral claims are so much wind. Inside the economy, they assume force and depth, achieving a revelatory clarity and profundity. "The sphere where material circumstances force a choice upon us," Hayek wrote in The Road to Serfdom (1944), "is the air in which alone moral sense grows and in which moral values are daily re-created [emphasis added]." It is for that reason, Hayek concluded in that 1939 article, that "economic life is not a sector of human life which can be separated from" other spheres of life, including our moral life. Economic life "is the administration of the means for all our different ends. Whoever takes charge of these means must determine which ends shall be served, which values are to be rated higher and which lower—in short, what men should believe and strive for."
The intrinsic links between moral and economic life as well as the intractability of moral conflict, the incommensurability of our moral views, were the kernels of insight that animated Hayek's most far-reaching writing against socialism. The socialist presumes an agreement on ultimate ends: the putatively shared understanding of principles such as justice or equality is supposed to make it possible for state planners to conceive of their task as technical, as the neutral application of an agreed upon rule. But no such agreement exists, Hayek insisted, and if it is presumed to exist, nothing will reveal its non-existence more quickly than the attempt to implement it in practice, in the distribution of finite resources toward whatever end has been agreed upon.
Now we come back to Naidu, Rodrik, and Zucman. What strikes me about their text is its boldness at the level of policy, but its modesty at the level of public philosophy. That may be deliberate. But if it is, it may reinforce the very neoliberalism that it is meant to contest, insofar as it presumes that what the economist has to offer is neutral or technical authority on behalf of assumed moral ends such as justice or equality or inclusiveness—values for which we don't have shared definitions. That was precisely the claim that Hayek sought to refute, and I'm not sure if Naidu and his co-authors have a response. Conversely, I fear that if they continue the course they have set on, showing that alternative policies are technically feasible, they may find themselves foundering on the same shoals as Hayek did before his turn to social theory: invoking economic knowledge when the field of play is in fact moral and political.
Karl Marx attempted just such a project, but his answers were notoriously elusive. In a fascinating, but little-known 1927 essay, "On Freedom," Karl Polanyi also attempted such a project, giving us a stylized rendition of what it would mean for a political collective, rather than a firm or a consumer, to make an economic decision—not in the marketplace, where price helps determine our decisions, but in a deliberative assembly, where other considerations are at play. One part of the assembly, representing the interests of the collective, will want to make an investment in a long-term good; healthcare was the example Polanyi chose. Another part of the assembly, representing the workers who would have to make the specific sacrifices for that good, resists that decision. What to do? Argue it out, says Polanyi. Whatever is the final decision, it will be:
a direct, internal choice, for here ideals within people are confronted with their costs; here everyone has to decide what his ideals are worth to him. No state and no market intervene between the two sides of our consciousness; here there can be no shifting of responsibility, and nothing outside of ourselves can be made responsible for our fate. The individual only confronts himself because his fate is in his own hands [emphasis added].
Notice that Polanyi doesn't presume any agreement about moral and political ends, as Hayek claimed socialists must. Notice how insistent he is that decisions about production must confront the question of costs. Like Hayek, Polanyi is attuned to the materiality of moral choice, only he believes the question of costs and constraints is best mediated through moral and political arguments in the public square.
Hayek persuaded generations of elites that it is only the individual in the market who can engage in such a process. In a modern society, with a plurality of ends and purposes, the combination of informational challenges, on the one hand, and the intractability of moral conflict, on the other, was seen as too great to make decisions about economic life through public deliberation. Like an earlier generation of leftists from the early twentieth century, Naidu and his co-authors have an opportunity to reopen this question not just for elites (Hayek's preferred audience) but for society as a whole: to ask whether it should be a political collective rather than the market that makes decisions about social value.
Polanyi thought that nothing less than human freedom was at stake in how we answer that question. Hayek, coming from the opposite end of the spectrum, did as well. Maybe it's time for us to ask why and start talking about it again.
Editors' Note: This forum is part of Boston Review's special project Democracy's Promise.
How we went from "racist" to "...
A truly radical counterhegemony can only be...


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The Plains
Director - David Easteal - 2022
A series of car journeys from work to home begin to reveal a life lived of apparent routine but interesting depth - from the International Film Festival Rotterdam
QUICK SNAP : LIVE FROM ROTTERDAM
This is a really boring film. For the most part, it consists of a single camera set up in the back of a car which records a series of commutes from Andrew's place of work to the suburbs of Melbourne. The first ten minutes he's just driving on his own, phoning his wife and his mum who is in a care home and listening to the radio. A younger colleague David joins him on a few of the journeys and they talk. Awkwardly at first. They both work for a legal firm and neither of them are particularly happy about it. Especially a superior called Marie who comes in for some stick. Andrew has a bit of a 'know it all' air to him, his voice not that different from the talk radio. Some of the conversation is so banal you might want to try and bite your own ears off. How common are red cars? It's like Peter Kay's Car Share but without the jokes, or Peter Kay. So it's just basically a car share.
And yet… and yet. There is something genuinely fascinating about this film too. You gradually get to know all about Andrew and David. Andrew has a long marriage to Cheri and his mother is dying from dementia in a nursing home in Adelaide. David has just broken up with his girlfriend and is living with friends. He might apply to the bar and set up his own practice. Andrew has a whole thing with his sisters. And again his mother seems to be deteriorating. The infrequent cuts always come as something of a shock. How comfortable we seem to have become as backseat passengers, listening in. Then suddenly Andrew's on his own again with only the company of the radio. When he's alone his conversation with his wife are a little longer and a little more tender. He's brusque when David's in the car and jokes about Cheri in a plaintive way. Some of the cuts take us out of the car altogether albeit briefly. Once released from the confines of the backseat we soar into the sky on one of Andrew's drones which he delights in using to take shots of the countryside. Very late in the film he'll show some of these films to David and there's the strangely dizzy feeling of the film setting up a state of infinite regress.
We also get to know Andrew's commute. The two speed bumps before he gets to the first intersection. The tricky run on to the motorway. The part where there always seems to be a traffic jam. The weather changes and with it the city and you get a feel for the rhythms of life, the hum of a humdrum routine. The near three hour running time makes me wonder: would anybody's conversation become interesting once you learn to listen and watch intently? David Easteal, the director and I'm assuming Andrew's passenger, leaves Andrew in the driving seat. We don't really get to see much of either of them: just the backs of necks and what the rear view mirror occasionally reveals. At one point a drone's point of view zooms down to Andrew's house where he's sitting controlling it on the porch. It looms into Cherie's face with a jokey/aggressive insistence. Ironically it makes Cherie into the most seen face of the whole film.
At the risk of being repetitive, this is a boring film. And yet boring and interesting are not necessarily mutually exclusive – ask Steve Davis. Towards the end David scratches at Andrew's story of decades long monogamy and finds there might have been another love long ago. But when David asks him to tell that story, Andrew for once clams up: 'Let's just enjoy the drive, David.' The weird thing is I kind of did.
The International Film Festival of Rotterdam (IFFR) is an online edition running from 26 January to 6 February.
By John Bleasdale - 28-01-2022
John Bleasdale is a film critic and writer based in Italy. He has published a novel entitled Blood is on the Grass and a book of short stories as well as a number of articles and features. His work ha...
She is Love
Chris Simpson - 29-01-2023
A divorced couple are reunited entirely by chance in a country hotel in Cornwall, in this improvisational six-day shot film - in cinemas and also Digital on Friday, February 3rd [Read More...]
Fashion Reimagined
Becky Hutner
British designer sets out to create a collection that's sustainable from beginning to end, challenging an industry with little to no regard to environmental and social issues - in cinemas on Friday, March 3rd [Read More...]
William Oldroyd
Mariano Garcia - 27-01-2023
Anne Hathaway and Thomasin McKenzie star in queer psychological drama with a touch of Todd Haynes's Carol - from Sundance [Read More...]


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Home > About Us > News > Annapolis launches another attempt to chart the future. This time could be different.
Date: Capital Gazette, March 20, 2019, Capital Gazette Editorial Board
Wednesday night, the Annapolis City Dock Action Committee will kick off a months-long effort to answer the ancient riddle of Annapolis.
What should the future of City Dock and downtown look like?
A first reaction could easily be: Eh, another study. This is at least the sixth time a study of downtown has been inaugurated under the banner of progress since the 1980s. All previous results are widely forgotten.
We believe this time will be different.
Reason for optimism can be found in the most pressing problems identified by the Urban Land Institute through its fall summit: Flooding and parking.
If Annapolis doesn't address increased flooding at City Dock, downtown will cease to be economically viable. The solution coming from Mayor Gavin Buckley involves shifting parking from City Dock into a Hillman Garage expanded through a public-private partnership, and then addressing the flooding through pumps and a floodwall.
That opens the potential for redesigning a downtown waterfront that is simultaneously resilient, aesthetically pleasing, respects the cultural landscape and powers small businesses and tourism.
A second reason for optimism is Buckley himself.
He was elected as a change agent, saying that he won't deserve a second term if there is no progress at City Dock. By October, this action committee is tasked with leveraging the work of technical committees and presenting five things that can be done immediately and five more that can be done in five years.
That gives Buckley the progress he wants, and a plan to pitch to voters for a second term. He is highly motivated, then, to support this plan rather than let it slip into obscurity.
The mayor, in essence, created this moment. By proposing changes to zoning that would have allowed bigger buildings at City Dock, he precipitated a confrontation with Historic Annapolis that derailed his original proposal for a city-supported hotel.
But he found an unexpected ally in Robert Clark, the courtly head of Historic Annapolis. They now share a common goal — a vibrant, successful downtown — and asked the Urban Land Institute to help create a roadmap.
That effort brings us to the process that starts at 6:30 p.m. at the Moyer center, and the third reason for hope — Eileen Fogarty.
Fogarty is a legendary figure in Annapolis, the planning and zoning director back in the 80s and early 1990s who went on to help reinvent Santa Cruz, Santa Monica and Alexandria. She'll lead the action committee, and given her record can be expected to deliver a plan on time and as advertised.
There will be naysayers and obstacles ahead, ego and disagreements. This is a journey worth taking, though, and all involved should be congratulated for taking this first step.
Add to Calendar 19-03-2019 35 Annapolis launches another attempt to chart the future. This time could be different. DD/MM/YYYY


Chamaerops Humulis has silvery grey green leaves and a spined midrib. They are a slow growing, multi trunking palm tree and cope well with severe frosts.
To show their trunks off best, a twice yearly manicure of their leaf fronds is advisable.
An excellent contender for container or tub planting.


Jo Baer, Dusk (Bands and End-Points), 2012, oil on canvas, 86 1/2 × 118".
In 1983, Jo Baer announced she was no longer an abstract painter. Instead, she said, she was committed to working in a mode she dubbed "radical figuration." However, as "In the Land of the Giants," the series of paintings she has been making since 2009, demonstrates, you can't ever really think abstraction without figuration or vice versa. Even as she dedicated the 1960s to patiently exploring and exploiting the parameters of the abstract canvas, her vision from the outset expanded beyond its limits.


What's going on this world right now? You've surely heard about the tragic fire at the Notre Dame cathedral in Paris. You might be aware of Tiger Woods winning the Masters. There's no question that you've heard countless squabbling from the left about President Trump's tax returns. Since Mueller failed them, maybe they'll find their magic arrow in tax receipts. It's just sad at this point.
Here's what you probably haven't heard. The mainstream media has done such an overwhelmingly powerful job of lying about President Trump that only 17 percent of Americans believe that they received a tax cut in 2018. That's a real statistic from a poll by NBC and the Wall Street Journal.
In reality, at least 80 percent of Americans received a tax break under the new laws. That is a huge disconnect, and even Vox admitted that it's likely due to spin efforts by the mainstream media. We have an entire country that flat out doesn't know what's going on in their own finances because they're willing to believe the lies from the left.
Here's the worst news of the day. This is the smallest story you didn't hear from the last week. The rest are bigger and scarier. The good news is that you can find the most important hidden stories in this video. Make sure you stay informed.


We conduct academic courses for future teachers in teacher colleges. We also offer training to in-service teachers. In this course they study up-to-date theories about violence in schools and its causes. They also acquire tools for non-violent resistance and for community building in class. We encourage teachers to collaborate with their peers and to interact with parents, thus becoming a model of a living community for their students in class.
The training provided not only equips teachers with methods and techniques for dealing with violence and aggression in the classrooms, but also provides the possibility for participants to try out and discuss these methods. In addition, the participants can improve and develop their skills in leading groups. The program of the training is based on the "Empowering Children Model".
Matzmichim provides a prep course for the teachers, to provide them with the tools and material they will need for the class activity. The main teachers training is "on the job" training, where they get to watch our trainers work with the class and experience the Matzmichim approach in action. As a follow up to the workshop, our staff makes sure to continue supporting teachers, by supplying them with further materials and advice.
In order to reach a holistic change in the lives of the students, it is important to also include their parents in the process of change. It is important that parents support the values of non-violence, respect and caring for each other, so that the pro-social behavior of the kids and youths is not only promoted at school, but also in their everyday lives.
During the project, we therefore offer parents interesting and important lectures about violence, boycott, cursing, humiliation in schools and virtual violence. We present ways to deal with these phenomena by encouraging children to behave in a more pro-social way. We also explain to them how schools can be transformed into a nurturing environment.
In addition to the lectures for parents, we offer a parents´ day where children and parents come together. Through parent-child activities both get to know more about empowerment. For example, parents are guided to talk to their children about their own strengths, and how they can support others who are weaker at these areas in life. In turn, the children also reflect on His/her own strengths, and how he/she can support others.
We want to support and strengthen as many kids and youth in Israel, with our non-violent conflict resolution methods. That is the reason why we started to offer courses not only for teachers and parents, but also for external professionals like staff members of the national program "City Without Violence". Through sharing our knowledge with other professionals, our scope of influence is not only limited to our fifteen trainers but also contributes to a rethinking about violence and its acceptance within the society.


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Pseudonchus gerlachi är en rundmaskart som beskrevs av Suzanne I. Warwick 1969. Pseudonchus gerlachi ingår i släktet Pseudonchus och familjen Choniolaimidae. Inga underarter finns listade i Catalogue of Life.

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Greetings loved ones. I love this time of year for one simple reason... Pastels! I absolutely love pastel colors but never use them nearly enough all year-round. Also Easter is right around the corner so everyone is releasing their beautiful creations for the occasion. Did that kind of rhythm? I don't know it kind of did in my head.
Anyways though today I'm sharing my first indie Easter collection of the year and it's from the lovely Cheyenne at CDB Lacquer! This is her first collection stepping away from straight glitter toppers and diving into crellys and textures. I've been super excited to share this with you guys since I first got them last week. Without further ado, let me show you the lovely Easter Morning collection by CDB Lacquer.
First in the collection is Easter Bonnet, a purple crelly with darker purple micro glitters.
Easter Bonnet is a fantastic way to start off this collection. This is the perfect shade of pastel lilac. The dark micro glitters add a really nice touch to make it sassy without being 'too much'.
Swatched over a clear base coat, used two thin coats, and sealed with fast drying topcoat. It doesn't need an undie but will need at least two thin coats for total opacity. The application is very good but I do suggest letting each layer dry a little bit before the next. I only advise this to avoid some glitter build-up at the tips.
Next we have Peeps, a pastel yellow texture polish filled with yellow micro glitters.
You cannot rock this beauty without wanting to pop some marshmallow peeps in your mouth! This is the first of two textured polishes in this collection and as a fan of texture, I love Peeps. Textures aren't for everyone as you'll always see mixed reviews, however, I think most people will enjoy this one because the texture is so subtle.
Swatched over a clear base, used two thin coats, and no topcoat was used. Being that this is a texture polish, I opted for not using a topcoat since it lessens the effect. You'll want to use two thin coats to achieve full opacity and a nice finish. Being as this is the maker's first time dipping into textures, I was really impressed with the application. It applies very smoothly and even wins against some corporate brand textures I've tried.
Next is Speckled Eggs, a light pink crelly filled with various colored glitters. Mixed to a beautiful combination are bright pink hexes, small yellow and green circulars, and purple micro glitters.
It's exactly like a speckled egg on my nails! It's such an eye-catching color and glitter combination. It was actually the first one I kept eye-balling when I opened up my swatcher package. Reminds me of those yummy chocolate eggs that I cannot think of the name of right now haha.
Swatched over a clear basecoat, used two thin coats, and sealed with a glossy fast drying topcoat. No undie is needed but you will need at least two coats for full opacity. Even though this one has some larger glitters than the rest in this collection, you will not find yourself having to fish for them. There was no glitter placement used in the swatch either. Only thing I do advise is letting one layer dry a bit before applying the next so that you don't end up with glitter build-up in certain spots.
Next is Cotton Tail, a beautiful baby blue crelly filled with sky blue and white micro glitters.
This is the one folks... the single polish in this collecction that I fall head over heals in love with. I was seriously saying, "OMG!", as I swatched it. From the color to the application, this is the must-have in the collection. Cotton Tail has a perfect shade not only for spring and Easter but it's actually great for all-year round.
Swatched over a clear base, used two thin coats, and sealed with a glossy topcoat. Cotton Tail will need at least two coats so that it doesn't appear sheer. Amazing formula in this one. It applies as wonderfully as it looks! Definitely recommend a nice glossy topcoat to make it pop even more.
Next is Bunny Ears, the ever-so cute baby pink shimmer polish filled with rainbow micro glitters.
What Easter collection would be complete without a pink polish, right? Bunny Ears is such cute soft shade. Very delicate looking. Unfortunately I don't think it looks amazing with my skin complexion but the polish itself is very stunning.
Swatched over a clear base. used three coats, and sealed with a fast drying topcoat. Very nice application. I had to use about three layers to achieve full opacity but you can probably get away with two if you wanted. The shimmer creates a very nice shine so I opted for a less glossy topcoat.
To complete the collection we have Easter Egg Hunt, grassy green texture polish with a bit of green micro glitters.
Doesn't this just remind you of grass? I love it! I don't think I have this shade of green in my collection and it's just perfection. The texture in this one, just like in Peeps, is very subtle and likable. I want to paint little easter eggs over this so badly now, haha.
Swatched over a clear base, used two thin coats, and no topcoat was used. I didn't want to lessen the beautiful texture effect by using a topcoat. I really do think non-texture lovers are going to like this just as much as any polish lover. The application is very smooth and excellent. Even if you do decide to apply a topcoat, this polish is still very striking. I cannot get over the shade of green!
The Easter Morning collection is absolutely lovable! This is the first time Cheyenne of CDB Lacquer has stepped outside her comfort zone and created something other than glitter toppers and the results are terrific. Each polish in this collection was totally appropriate for the occasion, perfect color and glitter combinations, and cute names. Overall all the applications are smooth and didn't give me any trouble. No fishing for glitter for those that had larger glitters mixed in. The two textures had such a fine application and subtle look, they really impressed me. I cannot rave any more about Cotton Tail than I already have and like I mentioned before, it's a must-have for any collection.
The Easter Morning collection releases on March 28th! Be sure to use the code CDB10 at checkout to receive 10% off (cannot be combined with any other code).
Thanks guys I hoped you've enjoyed this post, until next time xoxo.
I love these colors! So perfect for Spring!!
I love these colors and textures (or what looks like texture)! So great for the season!


2BHK Flat with Air Condition available 800sft, with 600sft extra garden terrace, near chandni Chowk metro for rent. Semi furnished. Also, store room and room for servant available. Rent:Rs.29,000.
110sqft Godown Space near Indian Airlines Office.
Godown 110sft near 3 minutes walking from Chandni Chowk metro. Rs. 12000 rent + 2months security deposit. Ground floor, well ventilated, 24hr water, lights and fans fitting provided.
110sqft Office Space / back Office near Indian Airlines Office.
390sqft Godown Space near Indian Airlines Office.
Godown 390sft near 3 minutes walking from Chandni Chowk metro. Rs. 19000 rent + 2months security deposit. Ground floor, well ventilated, 24hr water, lights and fans fitting provided.
600sqft Office Space near Indian Airlines Office.
Office/back office 600sft. Fully furnished, air condition, attached bathroom. Pantry space, Ground floor near Chandni Chowk metro. Rs. 24,000 rent + 2months security deposit.
100sqft Office Space near Indian Airlines Office.
110sqft Office Space near Indian Airlines Office.


text:
https://www.nationalgeographic.com/science/2019/10/greenland-ice-oceans-melting-fast.html
Greenland's melting ice may affect everyone's future
NASA scientists are trying to understand how this region is responding to climate change—and how that will influence sea levels around the world.
Photograph by Michael Melford, Nat Geo Image Collection
Icebergs in Disko Bay, Greenland.
By Alejandra Borunda
A thousand feet above the glistening, iceberg-dotted water of the ocean off of East Greenland, oceanographer Josh Willis braces for balance, his feet spread wide on the metal floor of a specially-outfitted airplane. He grips a wide grey cylinder, hovering it over a 6-inch-wide bottomless tube.
The pilot's voice crackles over the intercom: "3, 2, 1, zero, DROP."
Willis lets the cylinder go. With a whoosh, it slips down the tube and into the wide-open air.
The plane banks hard to the right and everyone on board rushes to a window. "I see it!" yells Ian Fenty, another oceanographer on the project, as the probe—designed to sink to the seafloor and record the properties there—splashes down.
Willis, Fenty, and a crew of other scientists and pilots are flying the edge of Greenland's vast ice sheet to figure out how the ocean eats away at the ice, speeding or slowing its slide into the water, where it melts, raising sea levels worldwide.
In an airplane flying low over the eastern coast of Greenalnd, Josh Willis, the lead scientist for the Oceans Melting Greenland (OMG) research project, prepares to drop a probe through a chute in the floor of a retrofitted DC-3 plane. The probe will fly through through the air and land in the coastal ocean, where it will measure the temperature and salinity of the water.
Photograph by Jonathan Nackstrand, AFP/Getty Images
But exactly how much ice it will deposit, and how fast, is still an open question. Greenland is currently the biggest contributor to global sea level rise. By 2100, will its ice sheet's melt add inches to the world's oceans—or will it add much more?
That's a trillion-dollar question. Nearly 70 percent of Earth's population lives within 100 miles of a coast, and vast amounts of infrastructure—from airports to ports to cities to roads to Internet cables—sits in zones that could flood within decades. Small, low-lying island nations, city planners, insurance adjustors, homeowners—everyone is clamoring for the most accurate estimates of how much extra water they'll need to prepare for.
And for that, says Willis, they need to know what happens here, where ocean meets ice.
"This is where it all happens," he says. The flooding of the future is being defined here and now, in the glittering sea below.
A sudden lurch into melting
Greenland's ice is shrinking, this we've known for a while, since the science of global warming, a famous climate scientist likes to say, is older than the technology that makes our iPhones fast and the Internet run smoothly.
But until the 1990s, the ice in Greenland was remarkably stable, even as air temperatures rose because of human-caused climate change. Each year, the ice sheet lost some weight as ice flowed like taffy from the center of the ice sheet, through funnel-like outlet glaciers at its edge, spilling into the ocean. But enough snow fell on top of the mile-high interior of the ice sheet to balance out the losses.
(See what the world would look like if all the ice melted).
In the 1990s, scientists thought that the big ice sheets in Greenland and Antarctica responded slowly to changes in climate, shuddering into motion like bears waking up from hibernation. Yes, they'd respond to the human-caused climate change that was gripping the planet, the thinking went, but it would take decades or even centuries to really see the impacts.
"Early on, we weren't thinking about Greenland as being really critical on these kind of decadal scales, and we didn't have tools to look at them on those time scales," explains Twila Moon, a glacier expert at the National Snow and Ice Data Center.
But around 1997, something changed. Scientists studying Jakobshavn glacier, on Greenland's western coast, watched in alarm as a tongue of ice that had for years poked out into a fjord started to shrink. The tongue was about 15 kilometers long in 1997. By the early 2000s—a scant half decade later—that tongue was gone.
"We suspected that this could happen from time to time, but this was the first time we'd seen anything like it," says David Holland, who led the team studying the rapid disintegration of the ice tongue.
Huge chunks of ice break off the Jakobshavn glacier in Western Greenland.
Photograph by James Balog, Nat Geo Image Collection
Today, the Greenland ice sheet is losing mass about six times faster than it was just a few decades ago, whatever tenuous balance that existed before long since upended. Between 2005 and 2016, melt from the ice sheet was the single largest contributor to sea level rise worldwide, though Antarctica may overtake it soon.
Within the past 50 years, the ice sheet has already shed enough to add about half an inch of water to the world's oceans, and that number is increasing precipitously as the planet heats. During this summer's extreme heat wave that parked over Greenland for a week and turned over half its surface ice to slush, meltwater equivalent to over 4 million swimming pools sloughed into the ocean in a single day. Over the month of July, enough melt poured into the ocean to bump sea levels up by an easily measurable half a millimeter.
(Read about how unexpected changes are occuring in the ice sheet itself).
Overall, there's enough water locked up in the Greenland ice sheet to add about 25 feet to the world's oceans. It's not likely that such catastrophic loss will happen soon, as in within the next few hundred years. But the whole of the ice sheet doesn't have to collapse to cause massive, planet-wide reverberations.
"When I started this research, I never would have guessed that warm subsurface waters could unravel an ice sheet," says David Holland, an oceanographer at NYU. "But it's becoming clear that they can, and that they are."
The first clue came from cod, Watson
NASA Scientists Create First 3-D Model of Greenland Ice Sheet
Using decades of observations, NASA scientists have created the first 3-D model of the Greenland ice sheet.
The ice tongue's retreat started scientists on a Sherlock Holmes-esque quest for the culprit.
At the time, most models of ice sheet dissolution more or less assumed that the ice melted from the top, when warm pockets of air parked themselves over the sheet. But it hadn't been exceptionally warm when Jakobshavn suddenly retreated. That meant there must be another factor at play.
One team of oceanographers, led by David and Denise Holland, had a collective hunch. Maybe, they thought, something changed in the water upon which the ice tongue had been floating. If the ice didn't melt because of something warm above it, maybe it melted from below, like an ice cube in a glass of water.
The problem was that Greenland's winding, remote, ice-choked coastline is over 27,000 miles long—and there were only a few spots measured consistently. By comparison, California's coast, about an eighth as long, has hundreds of buoys beaming out information constantly.
But luckily, the Danish fisheries service had been steaming through the fjord system around Jakobshavn for years, testing water temperatures and other data that helped them understand what kind of conditions were good for fish.
(Read about how the oldest fish in the sea are the most at risk).
The Holland's team pieced together bits of that data and discovered that the water in the fjords started to get warmer just when the Jakobshavn ice tongue started to retreat.
So the culprit wasn't just hot sun beating down on the surface of the ice, though that was certainly part of the problem. It was also a long, steady stream of warm ocean water that suddenly managed to reach Jakobshavn.
But where did that water come from? And what would it do into the future? The questions piled up, and teams of scientists flocked to Greenland to figure it out.
Back to the mystery
After the Jakobshavn discovery, it became clear that slight changes in the ocean waters here—their temperature, saltiness, or currents—could affect the ice anywhere they made contact.
The OMG project flies a retrofitted DC-3 plane above the coast of Greenland. In the spring, scientists flew at 40,000 feet above the ice sheet, mapping out the shape of the glaciers below. Over the summer, they fly lower, right over the coast, dropping probes into the water near the edges of the glaciers.
Photograph courtesy NASA
In the long term, that's bad news. The ocean has done the lion's share of soaking up the excess heat already trapped in the atmosphere by human-caused climate change, absorbing over 90 percent of all the extra warmth since the Industrial Revolution began. Over time, there will likely be more and more warm water available to melt ice.
And there is plenty of ice to be melted. The snouts of some 200 Greenland glaciers poke out over the water, making them vulnerable to the same kind of oceanic edge-nibbling. Recent modeling done exclusively for National Geographic shows that if climate change continues unabated, the big glaciers—like Jakobshavn, or Helheim Glacier on the southeastern Greenland coast—would shed enough ice to add about one centimeter to the seas. Recent research also suggests that by 2100, the enough of the island's ice could slip into the sea (either as bergs or as meltwater) to send sea levels up 2 to 12 inches. By 1,000 years out, if greenhouse gas emissions continue unabated, the ice could be gone.
The coastal glaciers are like rootlets tendriling off the taproot of Greenland's interior, the channels through which much of the ice is lost. Ice from the interior flows out through these glaciers, eventually reaching the ocean, where it melts and contributes to sea level rise.
Over the first decades of this century, scientists developed ever more sophisticated ways to measure how fast the ice was flowing. They looked at the bright white outlet glaciers with radar and visible-spectrum satellite images; they used a powerful pair of satelliites to "weigh" the ice loss as it was happening; and they built models that captured the great groaning and strain of the ice. When they got a better view of how much of ice was getting lost, they could see that many of those 200 outlet glaciers were shrinking—just like Jakobshavn.
Maybe, Willis and his colleagues hypothesized, the answer was, once again, the ocean.
So they schemed up a project. They'd need to know a few things: what was happening with the ice on land (fine, they'd fly a plane over the ice margin and track its activity with radar). They needed to know what the bathymetry underneath the ice looked like, both on land and in the water. Was the ice reaching deep down, like a fat wine cork stopping up the fjord? Or was it a thin layer? (OK, they'd send ships up into the fjords to measure the bottom depth).
And finally, they needed to know what was going on with the water itself. Was it warm? Where? And why? For that, they'd have to get some sensors in the water—by dropping them, they decided, from a fixed-up, tricked-out DC-3 plane originally built in 1942.
In 2015, they powered up their planes and boats and got to science-ing. A picture quickly came together. "When we started looking, we saw these fjords that were 200, 400, 800 meters deep!" exclaims Fenty.
The retrofitted DC-3 plane the OMG team flies on was built in 1942, for the Canadian Air Force. Here, it takes off from the Kulusuk airport in East Greenland for a day flight over the nearby coast.
Photograph by Jonathan Nackstrabd, AFP/Getty Images
And the water around the coast? Parts of it were often shockingly warm—sometimes up to 10 degrees Celsius or more, well above the just-above-freezing temperatures they expected, he says.
That setup creates a perfect environment for melting ice. In this part of the ocean, water at the surface tends to be chilly and fresh. But if you dived down a few hundred feet, you'd hit a warm, salty layer—a current, part of the Gulf Stream, that comes straight from the tropics with the warmth of the equatorial sun in its watery bonds.
Much of the time, the Greenland coast is insulated from that warm water. A wide shelf around the edge of the island acts like a seawall blocking the water from coming in contact with the ice. But sometimes, when long-term weather patterns slip into a particular mode, it can spill over the wall. And once it's there, it can spill into the deep fjords. And once it's in the fjords, it can get all the way to the ice front.
At the ice front, the glaciers fill the deep fjords like huge ice corks in a bottle. But the corks are delicate. Each hit of warm water eats away at them a little more. Just a few days later on that research junket, the scientists watched a particularly dramatic example. As they flew low over the leading edge of the massive Helheim glacier, aiming to drop a probe through a hole in the in the mélange of giant bergs floating at the glacier's snout, they saw water roiling up through the hole "like a bubbling cauldron," says Willis.
When the probe pinged back data, it showed a warm wall of water extending straight down 2,000 meters to the bottom of the fjord: A solid wall of water ready to melt the glacier.
Each year since 2015, the team has dropped about 250 probes into the ocean around the edge of Greenland. They've found the toasty water nosed up to the end of glaciers around the island most of the time in most of the places.
Many of the glaciers on the Greenland coast stretch all the way to the sea, but some are already isolated. The ones that reach the ocean can melt quickly if they come into contact with warm water.
Photograph courtesy NASA Goddard
And the exceptions, they think, prove the rule. At Jakobshavn, for example, they saw the water cool down for a few years—and the glacier responded in kind, slowing its retreat. But that just strengthened their hypothesis, says Willis, making it even clearer that the ocean acts as the "main control on that glacier." The system is at the whim of water.
The future of the ocean
On the plane, the data starts beaming back to Fenty's screen a few minutes after the drop. Near the surface, the ocean is just barely above freezing. But as the probe sinks—100 meters, 200, 400, 500—the familiar signal appears, indicating warm water.
"There it is," says Fenty. "It's there again, that Atlantic water."
The warm layer has intruded upon most of this part of the coast for most of the years the team has been dropping probes. But that's partly a product of a weather cycle that influences the wind and ocean currents around the island. Currently, the cycle is in a phase that lets warm Atlantic water slosh toward Greenland instead of being pushed cleanly toward Europe. When the phase flipped briefly, the currents around the island cooled down—and hence Jakobshavn slowed its melting.
Changes to the cycle, like many other atmospheric and oceanic patterns, hasn't been directly linked to climate change yet. But there are some hints that the phase that causes warm water to get up to the edge of the ice is getting more prevalent.
"I think the bottom line is, in a warming planet, we expect the glaciers to retreat and the ice sheet to change, a lot," says Fiamma Straneo, an oceanographer at Scripps Institute of Oceanography. "Greenland tends to be an integrator of the climate signal. What we're seeing is the effects of a warmer atmosphere over the Arctic—as well as probably a warmer ocean."