March 26, 2010, marked the 180th anniversary of the publication of The Book of Mormon—a day which passed quietly by, unnoticed by most. In 2009 the world honored Charles Darwin's 200th birthday and the 150th anniversary of publication of Origin of the Species with television specials, conferences, exhibits, publications and special projects for school children.
But what of The Book of Mormon's landmark occasion? For many the realization that 180 years have passed is startling! The last few years have been fraught with challenges in many areas with people worldwide—health, family, personal, spiritual and economic. Sadly, life's difficulties for some can bring an overall trend toward less scripture reading and decreased spirituality in our lives.
My challenge to all of us, as caretakers and beneficiaries of this great gift, is to evaluate our commitment to The Book of Mormon. Let's consider ways in which we can all honor this miracle book that we have, written as directed by God, preserved by His hand, given to a young, unschooled farm boy, and translated by the gift and power of God. There is no other book like it! And throughout the coming year, we have the opportunity to raise the banner in whatever circles we are in—like Chief Captain Moroni's Title of Liberty, remembering our God, our religion and freedom, our peace and our families.
• First, make sure your Book of Mormon is close at hand—not on a bookshelf or gathering dust in a closet, but where you can read it daily and commit to reading some each day.
• Share your own personal testimony of The Book of Mormon, or pray according to Moroni 10:4-5 that you might receive such a testimony.
• Reflect and consider why this book is important to you and your family and in God's grand scheme of things.
• Remind children of the "birthday" of the first printing.
• I encourage you to be creative and think of ways to make this 180th year significant—not just for this coming year only, but with a renewed commitment!
Happy 180th Birthday Book of Mormon!
Shirley R Heater was born and raised in the Reorganized Church of Jesus Christ of Latter Day Saints (now known as Community of Christ, with headquarters in Independence, Missouri) and currently attends the Church of Jesus Christ, Oak Grove Restoration Branch. She received an archaeology degree in 1982 and worked fifteen years for Zarahemla Research Foundation, an organization much like FARMS. Projects included completing a comparison of Book of Mormon manuscripts and editions, the 1999 Restored Covenant Edition, as well as First Nephi Study Book Mormon, and numerous research projects and articles along the way. In 2004 she was instrumental in organizing and now serves as Director of the Quetzal Archaeology Center for Mesoamerican Research (www.quetzalarchaeology.org), a nonprofit scientific and educational research organization organized primarily to promote the Book of Mormon; interpret Mesoamerican archaeology, hieroglyphs and linguistics, radiocarbon dating, transoceanic contact, history of coming forth, manuscripts, internal language and structure, as well as Biblical research and correlation including the Dead Sea Scrolls, and the growing together of The Book of Mormon and the Bible.
Shirley, and other scholars associated with the Quetzal Archaeology Center for Mesoamerican Research, have had a long, mutually enriching relationship with Book of Mormon Archaeology Forum (BMAF), Ancient America Foundation (AAF) and other LDS groups and have attended some of their past conferences. BMAF plans to continue its dialogue with Quetzal Archaeology Center for Mesoamerican Research and occasionally feature some of its excellent research on its website (www.bmaf.org).


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Editorial Views| September 1998
Receptor-specific Reversible Sedation: Beginning of New Era of Anesthesia?
Pekka Talke, MD
Associate Professor of Anesthesia; Department of Anesthesia; University of California; San Francisco, California; pekka_talke@quickmail.ucsf.edu.
Accepted for publication May 12, 1998.
Anesthesiology September 1998, Vol. 89, 560–561..
Pekka Talke; Receptor-specific Reversible Sedation: Beginning of New Era of Anesthesia?. Anesthesiology 1998; 89:560–561. doi: https://doi.org/10.1097/00000542-199809000-00003
sedation procedure
Key words: [Greek small letter alpha]2-Agonist; reversible; sedation.
This Editorial View accompanies the following article: Scheinen H, Aantaa R, Antilla M, Hakola P, Helminen A, Karhuvaara S: Reversal of the sedative and sympatholytic effects of desmedetomidine with a specific [Greek small letter alpha]2-adrenoceptorantagonist atipamexole-A pharmacodynamic and kinetic study in healthy volunteers. Anesthesiology 1998; 89:574-84.
IMAGINE a reversible intravenous anesthetic that could be administered without having to be titrated to effect; anesthesia machines without vaporizers, fewer concerns for environmental pollution, no need to adjust anesthesia based on duration of surgery or concern for delayed recovery from prolonged exposure to anesthetics. Although this technique does not exist, a study reported in this issue of Anesthesiology by Scheinin et al. establishes the groundwork for such a technique, potentially revolutionizing the way anesthesia will be administered in the future.
These investigators have shown that [Greek small letter alpha]2-agonist(dexmedetomidine)-mediated sedative and sympatholytic effects can be reversed rapidly and completely by a highly selective [Greek small letter alpha]2-antagonist(atipamezole). This finding is significant for several reasons. First, it defines the [Greek small letter alpha]2-agonist/antagonistcombination as a novel method for achieving sedation. Providing reversible sedation with a drug that also produces analgesia without respiratory depression is very exciting, and could increase patient safety in certain situations. Second, by reversing the sedative effect of dexmedetomidine with a highly specific [Greek small letter alpha]2-antagonist, the investigators provided further proof that the sedative effect of dexmedetomidine is mediated by the [Greek small letter alpha]2-receptor. This makes the [Greek small letter alpha]2-agonistone of the few anesthetic compounds for which we understand the mechanism of action. Third, the combination of [Greek small letter alpha]2-agonist/antagonistoffers anesthesiologists another class of receptor-specific reversible anesthetic drugs for use in surgical practice. We are comfortable already with the use of receptor-specific drugs such as muscle relaxants and opioids, therefore, the learning curve for use of this new combination should be manageable. Fourth, these concepts and this new class of drugs have significant potential to influence the way general anesthesia is provided in the future.
[Greek small letter alpha]2-Adrenergicagonists have sedative, analgesic, and sympatholytic effects. At high dosages, [Greek small letter alpha]2-agonistscause unresponsiveness. Medetomidine, which is a racemic mixture of dexmedetomidine and levomedetomidine, is marketed as a reversible intravenous anesthetic for animals. However, administration of high concentrations of [Greek small letter alpha]2-agoniststo human is not feasible-the sedative and sympatholytic effects of these drugs may last for several hours because of a relatively long half-life. However, Scheinin et al. have shown that these effects are fully reversible. A remaining obstacle to the clinical use of high concentrations of [Greek small letter alpha]2-agonistsis peripheral [Greek small letter alpha]2-receptor-mediatedvasoconstriction. Fortunately, the sedative and vasoconstrictive effects of [Greek small letter alpha]2-agonistsappear to be mediated by different receptor subtypes, suggesting that it may be possible, in the future, to develop a subtype-specific [Greek small letter alpha]2-agonitswith sedative but not vasoconstrictive effects.
Have Scheinin et al. opened a door to a new, exciting era of receptor-specific anesthesia? The discovery of a new subtype-specific [Greek small letter alpha]2-agonistwith sedative but not vasoconstrictive effects could provide the basis for a reversible intravenous anesthetic technique that could permit rapid recovery from anesthesia, independent of duration of surgery. Whether this ideal is achievable, Scheinin et al. are to be applauded for a significant advance in exploring reversible methods of sedation.
Pekka Talke, M.D.
Copyright 1998 by the American Society of Anesthesiologists.
2023 American Society of Anesthesiologists Practice Guidelines for Monitoring and Antagonism of Neuromuscular Blockade: A Report by the American Society of Anesthesiologists Task Force on Neuromuscular Blockade
2023 American Society of Anesthesiologists Practice Guidelines for Preoperative Fasting: Carbohydrate-containing Clear Liquids with or without Protein, Chewing Gum, and Pediatric Fasting Duration—A Modular Update of the 2017 American Society of Anesthesiologists Practice Guidelines for Preoperative Fasting
2022 American Society of Anesthesiologists Practice Guidelines for Management of the Difficult Airway
ASA Physical Status Classifications: A Study of Consistency of Ratings
Uptake of Halothane by the Human Body
STOP Questionnaire: A Tool to Screen Patients for Obstructive Sleep Apnea
Receptor-specific Reversible Sedation : Dangers of Vascular Effects
Anesthesiology (May 1999)
An Anesthesiologist's Perspective on the History of Basic Airway Management: The "Modern" Era, 1960 to Present
An Anesthesiologist's Perspective on the History of Basic Airway Management: The "Progressive" Era, 1904 to 1960
Anesthesiology (February 2018)
An Anesthesiologist's Perspective on the History of Basic Airway Management: The "Preanesthetic" Era—1700 to 1846

redpajama_set_name: RedPajamaCommonCrawl


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9K White Gold AA Arizona Sleeping Beauty Turquoise (Ovl) Solitaire Pendant 2.500 Ct.
Sophistication and delightful charm have a residence now and that residence is this gorgeous white gold solitaire pendant. It features a pretty bezel setting of 9K white gold holding an enchanting cabochon oval cut 2.5 carat AA sleeping beauty turquoise solitaire resulting in sheer beauty that is absolutely heavenly to look at!


Rigged Mesh Shorts sizes for Adam, Slink, Signature Gianni, TMP, AESTHETIC, Belleza Jake with the use of alpha hud.
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Rigged Mesh Top with Jacket sizes for Adam, Slink, Signature Gianni, TMP, with the use of alpha hud.
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Rigged Mesh Top with Jacket sizes for Adam, Slink, Signature Gianni, TMP with the use of alpha hud.
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Our farm Bio Natura is compound of wineyards, field of olive, chestnuts, vegetable garden with some old type of tomatos and orchard, where we also have old type of apples. Stefano works in the fields and loves his work very much. If you are interesting he will bring you in the fields and explain everything about his work. Wine (VeganOk cert.) like Pinot Noire, Pinot Grey, Mueller Thurgau, Schiava Gentile (Rosè) and Merlot are from us produced. We have olive oil extravergine pressed cold, jam, cosmetics. All our products are cultivate with biological method, you can taste and buy them, too.


Assassin's Creed Origins gets a ridiculous collectors edition.
Just when you thought that video game collector's editions couldn't become any more absurd, Ubisoft today announced seven versions to choose from when purchasing Assassin's Creed Origins—all of which are available for pre-order now on the Ubisoft Store. Naturally, as per Ubisoft's now commonplace practice, you will have the Standard, Deluxe, and Gold editions; on top of those three, there is the God's Collector, Dawn's Collector, and for those with the deepest of pockets or dedication, the most expensive, Dawn of the Creed Legendary edition. You must be wondering what could surely justify an asking price of $800—which is $500 more than the collector's edition of Middle-earth: Shadow of War—and Ubisoft have provided a comprehensive overview of what is included in the ultimate collector's edition.
If you want to get your hands on the Dawn of the Creed Legendary Edition, you're going to have to act quickly; it's limited to 999 copies—with only 200 of them available in North America—and it is exclusive to the Ubisoft Store. Bad news for Amazon Prime or Best Buy Gamer Club members looking to save 20% on their purchase.
There is a bit of good news to share, though. For anyone who wants the statue and doesn't want to fork over close to $1000, both the God's and Dawn of the Creed Collector's editions, which are priced at $119.99 and $159.99 respectively, contain the Bayek and Senu statue. For more information on all seven editions of Assassin's Creed Origins, head over to the Ubisoft Store.
Assassin's Creed Origins launches for PC, PlayStation 4, and Xbox One on October 27, 2017.


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Orbital Quintet: Vol. 1
On its debut album, the Northern California-based Orbital Quintet offers eight intriguing tracks that avoid the clichés of standard blowing sessions, embracing instead the more subtle pleasures of mood and texture. With four compositions by guitarist David Wright, one each by bassist Benjamin Lee and trumpeter John Harrington, and a couple of freely improvised pieces, there's a range of stylistic approaches on display here.
Lee's "Home Away" and Wright's "Lower Orbit" are the most straightforwardly "jazzy" cuts on the record, with driving up-tempo swing on each. The former includes some feisty mutual improvisation from Harrington and altoist Andy Ehling, while the latter has Wright in John Scofield mode with a crunchy guitar sound for his comping and soloing. Then we have the moody, atmospheric "Arcophile" and "Scared of the Dark," both of which are considerably more oblique. Wright's heavily-processed guitar parts and Lee's arco bass lines help to create the mysterious sound environments on these cuts. They invite the listener into their explorations gradually, insinuating themselves rather than announcing their presence through overt melody or theme. Only at the tail end of "Arcophile" do Kyle Mueller's drums enter with a steady beat, allowing Wright to stretch out with a sinuous, effects-laden solo to finish the track. On "Scared of the Dark," Mueller is more content to keep things at a low simmer, using brushes for the last half of the track to sustain the subtle pulse underneath Ehling and Harrington's plaintive harmonies. Another Wright composition, "Blow by Blow," continues in this more abstract vein, this time with Wright's fuzzed-out guitar as a foundation for generating some low-key psychedelia channeling the more atmospheric aspects of Miles Davis's Live-Evil period.
For the other tracks, the group switches gears again, with stronger melodic components and post-bop rhythmic structures. "Aftermath" has a Wayne Shorter feel to it, especially those pieces he wrote during his late-60s tenure with Miles (a la Nefertiti). "Seven Bridges" is, fittingly enough, in 7/4, with a two-horn harmony in the melody and a loose bass ostinato from Lee making room for probing solos from Harrington and Ehling. Finally, the record ends with "Spontaneous Combustion," a lovely little tune with folkish elements that calls to mind some of the entries in the Bill Frisell songbook.
The Orbital Quintet brings commendable ambition and creativity to its work, and although it might have benefited by having a more cohesive overall concept, Vol. 1 is a promising effort from musicians who should have more to say in the future, especially once they develop their group sound a bit more—perhaps on Vol. 2.
Track Listing: Home Away; Arcophile; Scared of the Dark; Aftermath; Lower Orbit; Blow by Blow; Seven Bridges; Spontaneous Combustion.
Personnel: John Harrington: trumpet; Andy Ehling: alto saxophone; David Wright: guitar; Benjamin Lee: bass; Kyle Mueller: drums.
Title: Vol. 1 | Year Released: 2017 | Record Label: Self Produced
About Orbital Quintet
Orbital Quintet CD/LP/Track Review Troy Dostert Vol. 1 Self Produced David Wright Benjamin Lee John Harrington Andy Ehling John Scofield Kyle Mueller Miles Davis Wayne Shorter Bill Frisell
Mike Vaccaro


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A Story That Seeps To The Bone — Alma Katsu Interview
Careful what you wish for. That's what Alma Katsu's book THE TAKER whispers long after the cover has been closed. You'll hear it, a small voice on a breeze. A cool warning to check your motives and expect them to find you out. Think twice about obsessions that lead you down winding paths. Inspect the lessons in your life and see if they hold true. And most of all, take courage. True love can overcome our greatest fears. Perhaps even conquer death. If you're willing to pay the price…
Alma's dark and lascivious story may not be for everyone — and folks, it will turn some hairs white and make some skin crawl, and probably offend the gentler souls among us. But the writing will transport you. It will make you look over your shoulder. And like all genius storytellers, Alma's gift to the reader is a story that seeps into the bone and becomes your own. Like it or not.
I'm honored to have you here today, Alma. Welcome!
"Alma Katsu takes the reader by surprise in the first chapter of her mesmerizing debut and never stops delivering. What a wonderful book! A dark, gothic, epic worth savoring. A sweeping story that transcends time as it moves effortless from the tempestuous past to the frightening present. Enchanting and enthralling! No question—I was taken!"
—M.J. Rose, international bestselling author
"Alchemy and love prove a volatile mix in Katsu's vividly imagined first novel, which toggles between the present and the past… Katsu shows considerable skill in rendering a world where Adair's unspeakable evilness and Lanny's wild passion make the supernatural seem possible. The result is a novel full of surprises and a powerful evocation of the dark side of romantic love."
"Alma Katsu's THE TAKER is a frighteningly compelling story about those most human monsters—desire and obsession. It will curl your hair and keep you up late at night."
—Keith Donohue, NYT bestselling author of The Stolen Child
What is your favorite quality in a person?
I don't think I have a favorite quality. I don't mean for this to sound flip, but I try now to appreciate people for who they are. I've had to work at this. For many years, I was shaped by my career, where I had to manage teams working under very high pressure, and tended to view the people in terms of what I needed from them (which was the ability to work under high pressure!) Now I realize that just about everyone has something interesting and unique to share with the world if we slow down & pay attention. I don't mean to sounds Pollyannish. I realize there are some people who don't deserve your attention, but you have to at least give them a chance. I also try to learn something from everyone I meet.
What is your least?
Close-mindedness. The world is a big place, full of things you haven't even begun to imagine. I don't understand people who think they have the answer to everything.
As a child, did you dream of becoming a writer?
Oh yes, from elementary school. I had no idea how to do this, though, no role model. The only job I saw (at the time) that paid you to write was as a newspaper reporter, so that was how I started. It was helpful in that I got to be around writers. But making the jump to fiction seemed like an impossibility.
Who/what influenced you to pursue your dreams?
I grew up in a very practical family, so I wasn't encouraged to be a writer. I'm from the generation that was told not to take risks and to get a safe job. I'm not saying I got me bad advice: my father lived through the Depression, my mother was a child in Japan during WWII. They knew firsthand that life could be tough and uncertain. I ended up following their advice and as a result, had a long government career. Luckily, it turned out well.
But at a certain point in my life, I wanted to try again to write fiction. I didn't think I'd get published; I just wanted to see if I could master a craft that was so complex and unquantifiable.
What is your greatest love?
Wow, that's a tough one. I'd have to say my husband. We've been together over twenty years and I've learned a lot about life from this relationship. But if you asked what my purest love was, I'd say my dogs. Especially the one I raised from a pup. That's probably the closest thing I've felt to unconditional love, because it's impossible for them to hurt me.
What is your greatest fear?
I try really hard not to be afraid of things. What's the worst that could happen? You experience pain, maybe you die. You're going to die anyway. I've had to face some terrible fears in my life and luckily, I was young & strong enough to deal with them. I know I probably won't be so lucky when I'm older.
What is your favorite place?
Lying on the couch in my office where I write, preferably with my dogs. It's so comfortable.
If you could give a bit of sage advice to novice writers, what would it be?
It's about the journey, not the destination. Trite but true. You'll have the most fun figuring out how to write your story, so try to concentrate on that and not let yourself get anxious over finding an agent and selling your book.
Filed in contemporary gothic, perseverance, Uncategorized, women ·Tags: alchemy, contemporary gothic, magic, obsession, paranormal, philosophy, religion, storytelling, writing
The Band Played On
There's a song in my head since I woke up this morning. I haven't heard it since I was a little girl, a long while now, but it's still there. Just as clear as a bell. I know every lyric and I am taken back to a time when I twirled in sock feet across the slick top of my grandmother's living room coffee table. She had an old record, so thick and stiff it was like glass. I loved the sound of it, the hissing and scratching when she'd put it on the enormous record player, the needle touching down with a little gasp before the music would start. And then, I'd watch my grandmother's face. One breath, two. No matter how many times I made her play that song, or how she protested and begged me to settle for a different tune, no dice. Because none of her other records did what this one could do. With the first strains of that melody, the corner of her mouth would lift.
There was a story in the song. It was simple: a boy and a girl, dancing, thrilling to one another. That was enough to make me love it. And trust me, I didn't need an excuse to get up on that table and perform waltz after waltz, all dolled up in my grandmother's square-dancing slip, delighted with the way those skirts billowed out around my little legs. I knew my grandmother was smiling at me. I was a little queen, then. But she had another smile, a secret smile, one I'd never seen before. It puzzled me and bothered me and made me dance harder and wilder, trying to pull her attention back to the wonder of me.
For the first time, I must have realized the woman in the little farmhouse – the person I thought I knew everything about, whom I believed had set her days to revolve solely around our family – had lived a life before us. Each time she played the waltz, I caught a glimpse of that girl. A stranger. A mystery. A pure wonder.
She taught me to make biscuits. She taught me the Lord's Prayer. She taught me other things, too, like how to manipulate or regret decisions. She was quick to laugh, quick to judge, full of such pride in her family and weighed down with sorrows for brothers she couldn't redeem. She loved her work, but never felt she was a smart woman. She loved her husband, and they were a gruff pair. She could work like a man in the summer garden, always lamented that she couldn't grow a rose, and she never missed an epidsode of 'Dallas,' come Friday night. I knew all of this and I remember her that way to my children.
But today, I'll put on a waltz. Because I know the corner of my mouth will lift, so like hers. And my daughter will wonder. She'll watch me and weigh all the things she understands about my life against all the things she fears and hopes for her own, and she will tuck away the seed of what my grandmother's waltz taught me.
She had a secret…
Filed in heritage, muse, perseverance, Southern Gothic, tradition, women ·Tags: heritage, magic, memory, music, secrets, tradition, women
A Little Perseverance – Lisa Turner Interview
My guest interview today is with another woman who inspires me: author Lisa Turner, an indomitable personality and new talent whose soulful mystery, A LITTLE DEATH IN DIXIE, released June of 2010 by Bell Bridge Books, impressed me as powerfully as the author herself.
Here's a nice quote on this debut novel:
"Memphis, the Mississippi River, and the underbelly of human nature they're all exposed in the dark brew of this fast-paced Southern Gothic suspense. Page-turning and atmospheric, this tightly-plotted novel turns the screws and sends readers racing to its surprise conclusion." ~Michael Finger, Senior Editor, Memphis Magazine
Born in Memphis, Lisa Turner spent her childhood either on the back of a horse or reading fiction. At times she did them simultaneously. Flannery O'Connor and James Lee Burke were her literary heroes long before she knew the term "Southern Gothic."
From the experience of managing her family's interior design firm, she earned a PhD in the peculiarities of human nature . . . talk about Southern Gothic!
More recently, she and her husband bought a home in Nova Scotia, where the landscape changed from cotton fields to lobster boats. She currently shuttles between the Deep South of her childhood and the wildly beautiful coast of Nova Scotia.
I know you'll enjoy getting to know her through these thoughtful and provocative responses and I'm so thankful she took the time to share today.
Welcome, Lisa!
Q. What are your favorite characteristics in a person?
A. Dependability, humility, and a touch of fire. Melded, those qualities produce a person of honor without arrogance, and yet with a spark that drives them to accomplish great things.
I enjoy watching Charlie Rose interview the "brightest and best" in science, film, politics, architecture, literature—every field imaginable. Charlie regularly asks the question, "How did you achieve this breakthrough; how did you create this masterpiece?" The really great ones look a little puzzled. They answer, "I just worked hard."
Q. What are your least favorite characteristics?
A. That would be "envy," defined as the unhappy feeling of wanting someone else's success or possessions for oneself.
What motivates envy? What does one person's achievement have to do with another person's success or lack of it? Of course, I'm not referring to a hungry person watching someone else eat a quarter-pound cheeseburger. That kind of imbalance and lack of opportunity starts wars.
Pursue your passion to the best of your ability and pay no attention to what someone else has on their plate.
Q. As a child, did you dream of becoming a writer?
A. Reading was a big part of my childhood, and I enjoyed writing, but I never said to myself, "One day I'll be a writer."
However, I was always fascinated by words. Even as a child, combinations of words were like music for me. I still overwrite sentences because I'm hunting for the music. The next day I'll have to rewrite the whole thing, because I've missed the point. A scene has to be more about the story and the character's voice and emotion than the lyricism of the words.
Q. Who/what influenced your dreams?
A. I love, love, love old movies. They've influenced every area of my life. The best of them provide great storytelling, dialogue, wonderful sets, and costume design. When I write a scene, I like to use strong visual details along with a lot of texture. If I can infuse a bit of Southern culture into the mix, I'm happy.
I'm also influenced by writers who open with killer first paragraphs. After a couple of pages, you can tell if they have the talent and the authority to build on their beginning. Any writer who starts strong and is able to carry that momentum through to the end is impressive. No one knows what an accomplishment that is until they try it.
Q. What is your greatest fear about writing?
A. That's easy. I'm afraid I'll write something trite or obvious without realizing it. It helps to have astute critics and great editors looking over your shoulder. But it's important to choose those readers carefully. Be sure they don't have a hidden emotional agenda, like envy, that would lead to distorted advice. Fortunately, I've had supportive people helping me all the way.
Q. If you could give a bit of sage advice to novice writers, what would it be?
A. Read everything. Stay current with your genre. Talk to other writers. Study the craft by reading books about writing and attend professional conferences. Mastering the basic tenets of storytelling will save you the misery of wondering why your beloved manuscript, after hundreds of hours of hard work, just doesn't cut it.
Pay attention to the details of life and make notes. Be aware of the subtext that goes on in everyday conversation. Hunt for fresh story ideas until one grabs your imagination and you can't stop thinking about its possibilities.
I have a note card in the bookcase to the left of my desk. It says: "Never, never, never give up." Do that, do the work and you'll have a manuscript that will make you proud.
Filed in heritage, perseverance, Southern Gothic, women ·Tags: mystery, southern gothic, suspense, women, writers


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AmericanTrucks Ram 1500 Deals
CGS Motorsports Ram 1500 Parts
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Титово — название населённых пунктов:

Россия

Словения
 Веленье — город в регионе Савиньска, носивший имя Титово Веленье с 1981 по 1991 год.

Украина
 Титово — село в Бильмакском районе Запорожской области.

См. также
 Титово-Матыка

redpajama_set_name: RedPajamaWikipedia


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Q: How to use Javascript in Spyder IDE? I want to use write code in Javascript, in the Spyder IDE, that is meant for Python. I have read that Spyder supports multiple languages but I'm not sure how to use it. I have downloaded Nodejs and added it to the environment variables. I'd like to know how get Javascript syntax colouring, possibly auto-completion and Help options as well ,and I'd also like to know how to conveniently execute the .js file and see the results in a console.

A: (Spyder maintainer here) Sorry but for now we only support Python for all the functionality that you are looking for (code completion, help and code execution).
Our next major version (Spyder 4, to be released later in 2019) will have the ability to give code completion and linting for other programming languages, but it'll be more of a power-user feature than something anyone can use.

redpajama_set_name: RedPajamaStackExchange


text:
Q: Run k3s in Rootless-mode I'm trying to run k3s in rootless-mode. For now, i've done common steps from https://rootlesscontaine.rs/getting-started and used unit-file from https://github.com/k3s-io/k3s/blob/master/k3s-rootless.service
Systemd service k3s-rootless.service is active and run, but the pods are constantly in pending status.
I get these messages:
jun 21 20:43:58 k3s-tspd.local k3s[1065]: E0621 20:43:58.647601      33 controller.go:116] loading OpenAPI spec for "v1beta1.metrics.k8s.io" failed with: failed to retrieve openAPI spec, http error: ResponseCode: 503, Body: service unavailable
jun 21 20:43:58 k3s-tspd.local k3s[1065]: , Header: map[Content-Type:[text/plain; charset=utf-8] X-Content-Type-Options:[nosniff]]
jun 21 20:43:58 k3s-tspd.local k3s[1065]: I0621 20:43:58.647876      33 controller.go:129] OpenAPI AggregationController: action for item v1beta1.metrics.k8s.io: Rate Limited Requeue.
jun 21 20:43:59 k3s-tspd.local k3s[1065]: time="2022-06-21T20:43:59Z" level=info msg="Waiting for control-plane node k3s-tspd.local startup: nodes \"k3s-tspd.local\" not found"
jun 21 20:44:00 k3s-tspd.local k3s[1065]: time="2022-06-21T20:44:00Z" level=info msg="Waiting for control-plane node k3s-tspd.local startup: nodes \"k3s-tspd.local\" not found"
jun 21 20:44:00 k3s-tspd.local k3s[1065]: time="2022-06-21T20:44:00Z" level=info msg="certificate CN=k3s-tspd.local signed by CN=k3s-server-ca@1655821591: notBefore=2022-06-21 14:26:31 +0000 UTC notAfter=2023-06-21 20:44:00 +0000 UTC"
jun 21 20:44:00 k3s-tspd.local k3s[1065]: time="2022-06-21T20:44:00Z" level=info msg="certificate CN=system:node:k3s-tspd.local,O=system:nodes signed by CN=k3s-client-ca@1655821591: notBefore=2022-06-21 14:26:31 +0000 UTC notAfter=2023-06-21 20:44:00 +0000 UTC"
jun 21 20:44:00 k3s-tspd.local k3s[1065]: time="2022-06-21T20:44:00Z" level=info msg="Waiting to retrieve agent configuration; server is not ready: \"fuse-overlayfs\" snapshotter cannot be enabled for \"/home/scadauser/.rancher/k3s/agent/containerd\", try using \"native\": fuse-overlayfs not functional, make sure running with kernel >= 4.18: failed to mount fuse-overlayfs ({Type:fuse3.fuse-overlayfs Source:overlay Options:[lowerdir=/home/scadauser/.rancher/k3s/agent/containerd/fuseoverlayfs-check751772682/lower2:/home/scadauser/.rancher/k3s/agent/containerd/fuseoverlayfs-check751772682/lower1]}) on /home/scadauser/.rancher/k3s/agent/containerd/fuseoverlayfs-check751772682/merged: mount helper [mount.fuse3 [overlay /home/scadauser/.rancher/k3s/agent/containerd/fuseoverlayfs-check751772682/merged -o lowerdir=/home/scadauser/.rancher/k3s/agent/containerd/fuseoverlayfs-check751772682/lower2:/home/scadauser/.rancher/k3s/agent/containerd/fuseoverlayfs-check751772682/lower1 -t fuse-overlayfs]] failed: \"\": exec: \"mount.fuse3\": executable file not found in $PATH"
jun 21 20:44:01 k3s-tspd.local k3s[1065]: time="2022-06-21T20:44:01Z" level=info msg="Waiting for control-plane node k3s-tspd.local startup: nodes \"k3s-tspd.local\" not found"

NAMESPACE     NAME                                      READY   STATUS    RESTARTS   AGE
kube-system   helm-install-traefik-hn2nn                0/1     Pending   0          5h5m
kube-system   helm-install-traefik-crd-djr4j            0/1     Pending   0          5h5m
kube-system   local-path-provisioner-6c79684f77-w7fjb   0/1     Pending   0          5h5m
kube-system   metrics-server-7cd5fcb6b7-rlctn           0/1     Pending   0          5h5m
kube-system   coredns-d76bd69b-mjj4m                    0/1     Pending   0          15m

What should i do next?

A: The solution was quite obvious.
In unit file k3s-rootless.service I used the wrong snapshotter. For containerd in k3s rootless-mode it has to be '--snapshotter=fuse-overlayfs'.
fuse-overlayf also need to be installed before run k3s in rootless-mode.


Trump's clearest major accomplishment is also the purest example of this trend: The appointment of Neil Gorsuch to the Supreme Court was a masterpiece of insider politics, steered by the longtime master of Washington conservative judicial politics Leonard Leo and guided through the Senate by the most Washington of Washington strategists, Ron Bonjean.
The nomination process was as slick as virtually everything else Trump touched was messy: well-researched and coordinated, with an array of conservative groups feeding and sparring with the media and with Democrats. It was characterized by aggression and spin, but not overt lying or massive bumbles. And while it was hardly a rogue operation — Bonjean is close to White House press secretary Sean Spicer — it was like an alternate universe from the chaos reporters are accustomed to coming out of Pennsylvania Avenue. Crucially, Trump, after a few wild tweets, stayed out of it. And, in just 66 days, it worked for an administration that has not had any major legislative successes with its Republican Congress outside of reversing Obama-era regulations.


text:
Home » Bell Flavors & Fragrances Announces Promotions at its Northbrook Location
Breaking NewsFlavors, Seasonings & Spices
Bell Flavors & Fragrances Announces Promotions at its Northbrook Location
Ted Sawicz, Maggie Khembo-Gary and Sandy Cordova to take on new roles
KEYWORDS food executive / food supplier
Bell Flavors & Fragrances announced the promotions of Ted Sawicz to the position of CFO & executive vice president, shared services; Maggie Khembo-Gary to the position of senior manager, human resources and Sandy Cordova to the position of senior manager, benefits administration at their headquarters in Northbrook, Ill.
Sawicz joined Bell in 2012 as chief financial officer (CFO). During his tenure with Bell, Sawicz has been directly involved in many growth initiatives for Bell. Ted has over 25 years' experience in the food manufacturing, distribution and now ingredient industries, where he has held financial positions of increasing responsibility, along with senior roles in sales and general management, operations and business development. Sawicz earned his BS in Accounting at the University of Illinois, Champaign, and his MBA in Marketing and Finance at the Northwestern University Kellogg Graduate School of Management.
Khembo-Gary joined Bell in 2010 as HR assistant and quickly was promoted to the positions of senior HR generalist, talent acquisition & employee relations manager and most recently serving in the position of human resources manager. Khembo-Gary earned her Bachelor's Degree in Organizational Behavior from Northwestern University and in June 2018, she earned a Master's Degree (MBA with Organizational Behavior.
School of Management. Khembo-Gary has earned two HR certifications, strategic hr management from Cornell University and PHR (Professional in Human Resources).
Cordova started her career with Bell in 2006 and has served in the roles of HR assistant, HR generalist, HR manager and most recently serving in the position of benefit administration manager. Cordova earned her Bachelor's Degree in Business Administration at DeVry University. Recently, she earned her "GBA" (Group Benefits Associate) designation by passing the exam that qualifies towards sitting and passing the certification exam "CEBS" (Certified Employee Benefits Specialist) in the near future. This
designation demonstrates the importance of Sandy's role in implementing and continually improving benefits for Bell employees.
With more than 100 years of industry experience, Bell's deep passion is to create products that captivate the world's taste buds and stimulate the senses. This passion was instilled by Bell's founder William M. Bell, and continues today. Bell is proud to call over 800 employees its family and is opening more doors for new career opportunities.
Bell Flavors & Fragrances Announces Promotions
Bell Flavors & Fragrances Announces SQF Recertification with Top Ratings
Bell Flavors & Fragrances: Organic Flavors
Bell Flavors & Fragrance: Organic Flavors
ForeSights: Cannabidiol - A natural compound in cannabis renowned for its health properties
Milk (Dairy & Soy Food) Market in the United States of America - Outlook to 2022: Market Size, Growth and Forecast Analytics
Prepared Foods August 2018 Issue
Prepared Foods July 2018 Issue
Optimizing New Product Development for eCommerce
Building Your Fresh Protein Snacking Business with The Incredible Egg
Taking Your Plant-Based Foods & Beverages to the Next Level – Outstanding Consumer Experience
Hemp & Cannabis in Food


text:
is the seventh single by the Japanese singer Miho Komatsu, and the last single released under the Amemura-O-Town Record label. It's her first maxi-single. Originally it was supposed to be released as 8 cm single, but the plan has changed. The single reached #17 first week and sold 37,980 copies. It charted for four weeks and totally sold 58,540 copies.

Track listing
All songs are written and composed by Miho Komatsu and arranged by Hirohito Furui

the song was used as the ending theme for the TV Asahi show Paku2 Gurumenbo.
"BOY FRIEND"
 (instrumental)
"BOY FRIEND" (instrumental)

Usage in media
Sayonara no Kakera
for TV Asahi show Paku2 Gurumenbo as ending theme

References

1999 singles
Miho Komatsu songs
Songs written by Miho Komatsu
1999 songs
Being Inc. singles
Amemura-O-Town Record singles
Song recordings produced by Daiko Nagato


text:
CONSTI
Constitutional Court of Mongolia
Constitutional Court of Mongolia explained
Court Name: Constitutional Court of Mongolia
Country: Mongolia
Location: Ulan Bator
Type: Parliamentary, presidential and judicial selection with parliamentary confirmation
Authority: Constitution of Mongolia
Appeals: Supreme Court (on human rights issues and the rule of law)
Positions: 9
Website: www.conscourt.gov.mn
Chiefjudgetitle: Chairman
Chiefjudgename: Jugnee Khairtiinkhan Amarsanaa
Termstart: 2012
Chiefjudgetitle2: Deputy Chairman
Chiefjudgename2: Navaanperenlei Jantsan
Termstart2: 2005
The Constitutional Court of Mongolia is the highest court in Mongolia responsible for the interpretation of the constitution. Thus, the Constitutional Court has supreme power over the implementation of the Mongolian Constitution. The Court delivers decisions on violations of constitutional procedures and resolves constitutional disputes. All governmental action is subject to the Court.[1]
The Constitutional Tsets consists of nine members.[1] A member of the Tsets must be a citizen of Mongolia who has high legal and political professional standing, is without a criminal record against and has reached 40 years of age. In accordance with the law, the members of the Constitutional Court are appointed by the State Great Hural for a term of six years, with three of them to be nominated by the State Great Hural, three by the President of Mongolia and three by the Supreme Court of Mongolia.[1]
Questions regarding laws other than the Constitution are the province of the Supreme Court of Mongolia.[2]
The term of office of the newly appointed or filled in vacancy, member of the Tsets commences on the day of appointment and continues until the expiration of their term of office as provided for in the Constitution.The Chairman of the Constitutional Court co-ordinates its activities. Nine members of the Tsets propose from among themselves the name of a person who is to be elected Chairperson and elect the person who receives the majority of votes as the Chairperson. The Chairperson of the Tsets is elected for a term of three years and may be re-elected only once.The State Great Hural determines and adopts the funds for the budget of the Tsets, the salary fund for the Tsets, and the salaries of members of Tsets upon the proposal of the Chairperson.
The Constitutional Court has its own emblem and its members wear judicial robes in line with international standards and Mongolian statehood traditions.
Constitutional economics
Rule According to Higher Law
Montsame News Agency. Mongolia. 2006,, p. 42
This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Constitutional Court of Mongolia".


Halloween Party – BOO-NANZA! This past Saturday, we attended a Halloween costume party that was SPOOK-TACULAR! Full of GHOULISH COSTUMES, CHILLING BREWS, and BUBBLING dishes that had everyone HOWLING!
Hosted annually by our dear friends, Cesare and Christine Saponieri, as the RINGMASTER with his beautiful wife as his ASSISTANT, were at their best and the party was a MONSTER hit !!
The tables and mantles were dressed up and decorated so BOO-tifully!
And the . . . FOOD glorious FOOD!
IT was so delicious it was difficult to choose WITCH dish was the CAT's meow!
Even CHILLING BREWS and POTIONS were served!
So many GHOULISH COSTUMES had us HOWLING!
And DESSERT …. need I say more!
Dancing into the WITCHING hours!
So much fun! The party was FANG-TASTIC!!
Have a safe and wonderful Halloween today!
Oh my gosh! That looks like an amazing party and I love your costumes – you two are gorgeous 🙂 Food, food everywhere. What a wonderful friend/hostess!!!
Thanks Tricia, it was a blast!
But I wasn't invited. I don't usually like Halloween parties, but that looks like so much fun!
I loved this post, what a wonderful Halloween parties.


Eva Strautkalne can't remember a time when she wasn't an artist. Whether it was drawing, arts or crafts; she was always artistically inclined, a side of her that has only grown stronger with time.
Eventually, Eva found herself experimenting with mediums like watercolour, acrylic and oil paints. She has also painted glass and sculpted with plasticine, sowed, cross stitched and knitted! Constantly experimenting with styles while she was at it.
But, this 23-year-old Latvian artist found her calling in monochrome pieces, and started her online endeavour under the name: Monochrome Mind. An artistic initiative started in early march. Her mandalas combines geometric symmetry with a perfect blend of nature and life.
In this collection for Foreground, Eva has created 5 beautiful mandalas exclusively for Foreground that perfectly capture her love for symmetry, nature and black and white.
"Colour tends to overwhelm me. I find it difficult to choose colours and combine them in a pleasant way. Black and white is something I always seem to enjoy and the process of creating these illustrations brings me peace," says Eva, who sells her pieces as colouring sheets, open to every individual's artistic expression.
While this collection has the perfect amount of geometric symmetry and aesthetics, if you look closer, you will find that each piece has a life of its own. An identity that is unique. A balance that this artist strikes perfectly.
Eva's favourite piece from this collection.
While monochromatic pieces may be her point of interest, Eva comes from a background in animation. Primarily, character design. Artists she admire include, Robert Valley, Anna Cattish, Randy Bishop- all of whom tell stories through their work.
Whether it's her body of work, the artist she is or the techniques she uses, one thing is absolutely clear. Eva Strautkalne is an artist who is in the business of art for the sheer joy of creation.
With clean intricacy, organic elements and equal attention to balance and beauty, Eva allows viewers (or fellow artists and colourists) to add a touch of themselves to each of her pieces, a magnanimous offering indeed.
When asked, how she would describe the artists in her, Eva says, "I'm a perfectionist." A feature that doesn't go unnoticed in her work, which is perfectly in-sync, alive, breathing and without a doubt- beautiful.
A Latvian illustrator based in the UK. Eva loves nature and the simplicity that comes with black and white.


Blue Rose Girls: Creative or imaginative?
As some of you may remember, I write an article every week for my local PATCH.
This week, it's about an eight-year old artist. I included 11 photographs of things she's made, and her comments on them: the oil painting above was done when she was 6, the story-drawing below when she was 3. I wish I could draw and paint as well as she does, and create as effortlessly!
She is, literally, almost always making something. I wonder if being creative -- wanting to, or maybe even having to make something -- is different from being imaginative -- making things UP, but not feeling the need to give them physical form. This of course is not in the article, these pieces are about the kids themselves, not my thoughts!
I do wonder about it, though....maybe both start with an idea, but creative people need to form that idea into something physical? And those of us who are merely imaginative don't?
For me, physically forming something is easy and satisfying when it's something like cooking, super-hard when it's something like a novel. When it comes to writing, I guess I'm more imaginative than creative -- THINKING of the idea is fun, writing it over and over and over to get it right is just plain hard work!


text:
package com.amazonaws.services.budgets.model;

import java.io.Serializable;
import javax.annotation.Generated;

import com.amazonaws.AmazonWebServiceRequest;

/**
 *

 * Request of DescribeSubscribersForNotification
 *

 */
@Generated("com.amazonaws:aws-java-sdk-code-generator")
public class DescribeSubscribersForNotificationRequest extends com.amazonaws.AmazonWebServiceRequest implements Serializable, Cloneable {

    /**
     *

     * The accountId that is associated with the budget whose subscribers you want descriptions of.
     *

     */
    private String accountId;
    /**
     *

     * The name of the budget whose subscribers you want descriptions of.
     *

     */
    private String budgetName;
    /**
     *

     * The notification whose subscribers you want to list.
     *

     */
    private Notification notification;
    /**
     *

     * An optional integer that represents how many entries a paginated response contains. The maximum is 100.
     *

     */
    private Integer maxResults;
    /**
     *

     * The pagination token that you include in your request to indicate the next set of results that you want to
     * retrieve.
     *

     */
    private String nextToken;

    /**
     *

     * The accountId that is associated with the budget whose subscribers you want descriptions of.
     *

     *
     * @param accountId
     *        The accountId that is associated with the budget whose subscribers you want descriptions of.
     */

    public void setAccountId(String accountId) {
        this.accountId = accountId;
    }

    /**
     *

     * The accountId that is associated with the budget whose subscribers you want descriptions of.
     *

     *
     * @return The accountId that is associated with the budget whose subscribers you want descriptions of.
     */

    public String getAccountId() {
        return this.accountId;
    }

    /**
     *

     * The accountId that is associated with the budget whose subscribers you want descriptions of.
     *

     *
     * @param accountId
     *        The accountId that is associated with the budget whose subscribers you want descriptions of.
     * @return Returns a reference to this object so that method calls can be chained together.
     */

    public DescribeSubscribersForNotificationRequest withAccountId(String accountId) {
        setAccountId(accountId);
        return this;
    }

    /**
     *

     * The name of the budget whose subscribers you want descriptions of.
     *

     *
     * @param budgetName
     *        The name of the budget whose subscribers you want descriptions of.
     */

    public void setBudgetName(String budgetName) {
        this.budgetName = budgetName;
    }

    /**
     *

     * The name of the budget whose subscribers you want descriptions of.
     *

     *
     * @return The name of the budget whose subscribers you want descriptions of.
     */

    public String getBudgetName() {
        return this.budgetName;
    }

    /**
     *

     * The name of the budget whose subscribers you want descriptions of.
     *

     *
     * @param budgetName
     *        The name of the budget whose subscribers you want descriptions of.
     * @return Returns a reference to this object so that method calls can be chained together.
     */

    public DescribeSubscribersForNotificationRequest withBudgetName(String budgetName) {
        setBudgetName(budgetName);
        return this;
    }

    /**
     *

     * The notification whose subscribers you want to list.
     *

     *
     * @param notification
     *        The notification whose subscribers you want to list.
     */

    public void setNotification(Notification notification) {
        this.notification = notification;
    }

    /**
     *

     * The notification whose subscribers you want to list.
     *

     *
     * @return The notification whose subscribers you want to list.
     */

    public Notification getNotification() {
        return this.notification;
    }

    /**
     *

     * The notification whose subscribers you want to list.
     *

     *
     * @param notification
     *        The notification whose subscribers you want to list.
     * @return Returns a reference to this object so that method calls can be chained together.
     */

    public DescribeSubscribersForNotificationRequest withNotification(Notification notification) {
        setNotification(notification);
        return this;
    }

    /**
     *

     * An optional integer that represents how many entries a paginated response contains. The maximum is 100.
     *

     *
     * @param maxResults
     *        An optional integer that represents how many entries a paginated response contains. The maximum is 100.
     */

    public void setMaxResults(Integer maxResults) {
        this.maxResults = maxResults;
    }

    /**
     *

     * An optional integer that represents how many entries a paginated response contains. The maximum is 100.
     *

     *
     * @return An optional integer that represents how many entries a paginated response contains. The maximum is 100.
     */

    public Integer getMaxResults() {
        return this.maxResults;
    }

    /**
     *

     * An optional integer that represents how many entries a paginated response contains. The maximum is 100.
     *

     *
     * @param maxResults
     *        An optional integer that represents how many entries a paginated response contains. The maximum is 100.
     * @return Returns a reference to this object so that method calls can be chained together.
     */

    public DescribeSubscribersForNotificationRequest withMaxResults(Integer maxResults) {
        setMaxResults(maxResults);
        return this;
    }

    /**
     *

     * The pagination token that you include in your request to indicate the next set of results that you want to
     * retrieve.
     *

     *
     * @param nextToken
     *        The pagination token that you include in your request to indicate the next set of results that you want to
     *        retrieve.
     */

    public void setNextToken(String nextToken) {
        this.nextToken = nextToken;
    }

    /**
     *

     * The pagination token that you include in your request to indicate the next set of results that you want to
     * retrieve.
     *

     *
     * @return The pagination token that you include in your request to indicate the next set of results that you want
     *         to retrieve.
     */

    public String getNextToken() {
        return this.nextToken;
    }

    /**
     *

     * The pagination token that you include in your request to indicate the next set of results that you want to
     * retrieve.
     *

     *
     * @param nextToken
     *        The pagination token that you include in your request to indicate the next set of results that you want to
     *        retrieve.
     * @return Returns a reference to this object so that method calls can be chained together.
     */

    public DescribeSubscribersForNotificationRequest withNextToken(String nextToken) {
        setNextToken(nextToken);
        return this;
    }

    /**
     * Returns a string representation of this object. This is useful for testing and debugging. Sensitive data will be
     * redacted from this string using a placeholder value.
     *
     * @return A string representation of this object.
     *
     * @see java.lang.Object#toString()
     */
    @Override
    public String toString() {
        StringBuilder sb = new StringBuilder();
        sb.append("{");
        if (getAccountId() != null)
            sb.append("AccountId: ").append(getAccountId()).append(",");
        if (getBudgetName() != null)
            sb.append("BudgetName: ").append(getBudgetName()).append(",");
        if (getNotification() != null)
            sb.append("Notification: ").append(getNotification()).append(",");
        if (getMaxResults() != null)
            sb.append("MaxResults: ").append(getMaxResults()).append(",");
        if (getNextToken() != null)
            sb.append("NextToken: ").append(getNextToken());
        sb.append("}");
        return sb.toString();
    }

    @Override
    public boolean equals(Object obj) {
        if (this == obj)
            return true;
        if (obj == null)
            return false;

        if (obj instanceof DescribeSubscribersForNotificationRequest == false)
            return false;
        DescribeSubscribersForNotificationRequest other = (DescribeSubscribersForNotificationRequest) obj;
        if (other.getAccountId() == null ^ this.getAccountId() == null)
            return false;
        if (other.getAccountId() != null && other.getAccountId().equals(this.getAccountId()) == false)
            return false;
        if (other.getBudgetName() == null ^ this.getBudgetName() == null)
            return false;
        if (other.getBudgetName() != null && other.getBudgetName().equals(this.getBudgetName()) == false)
            return false;
        if (other.getNotification() == null ^ this.getNotification() == null)
            return false;
        if (other.getNotification() != null && other.getNotification().equals(this.getNotification()) == false)
            return false;
        if (other.getMaxResults() == null ^ this.getMaxResults() == null)
            return false;
        if (other.getMaxResults() != null && other.getMaxResults().equals(this.getMaxResults()) == false)
            return false;
        if (other.getNextToken() == null ^ this.getNextToken() == null)
            return false;
        if (other.getNextToken() != null && other.getNextToken().equals(this.getNextToken()) == false)
            return false;
        return true;
    }

    @Override
    public int hashCode() {
        final int prime = 31;
        int hashCode = 1;

        hashCode = prime * hashCode + ((getAccountId() == null) ? 0 : getAccountId().hashCode());
        hashCode = prime * hashCode + ((getBudgetName() == null) ? 0 : getBudgetName().hashCode());
        hashCode = prime * hashCode + ((getNotification() == null) ? 0 : getNotification().hashCode());
        hashCode = prime * hashCode + ((getMaxResults() == null) ? 0 : getMaxResults().hashCode());
        hashCode = prime * hashCode + ((getNextToken() == null) ? 0 : getNextToken().hashCode());
        return hashCode;
    }

    @Override
    public DescribeSubscribersForNotificationRequest clone() {
        return (DescribeSubscribersForNotificationRequest) super.clone();
    }

}

redpajama_set_name: RedPajamaGithub


text:
Rezerwat przyrody Mazury – rezerwat krajobrazowy położony w województwie warmińsko-mazurskim w powiecie oleckim w gminie Kowale Oleckie, w nadleśnictwie Czerwony Dwór. Leży na Pojezierzu Ełckim (część Pojezierza Mazurskiego) i obejmuje porośnięty lasem teren między jeziorami: Szwałk Wielki, Piłwąg i Łaźno, oraz wschodnią część jeziora Piłwąg wraz z trzema zalesionymi wysepkami.

Powołany został na podstawie zarządzenia Ministra Leśnictwa i Przemysłu Drzewnego z dnia 3 grudnia 1981 roku. Celem ochrony rezerwatu jest zachowanie walorów krajobrazowych obszaru wodno-leśnego, charakterystycznego dla Puszczy Boreckiej, wraz z naturalnymi zbiorowiskami leśnymi.

Rezerwat zajmuje powierzchnię 388,65 ha (akt powołujący podawał 372,69 ha).

W rezerwacie występują grądy odmiany mazurskiej z dorodnym drzewostanem. Tworzą je lipa drobnolistna, klon zwyczajny, dąb szypułkowy, wiąz górski, grab zwyczajny, świerk pospolity. W bogatym runie występuje zawilec gajowy, naparstnica zwyczajna, koniczyna dwukłosowa, kokoryczka wonna i inne.

Przypisy

Mazury, Rezerwat przyrody
Pojezierze Mazurskie
Kowale Oleckie (gmina)


text:
A bigger Evoque?
Aggressive but Gentle: N...
Skoda Fabia Sneak Peak
Brand new BMW or an old banger? Decisions decisions.
Car News and Reviews
Keep on Truckin: Mercedes Pick Up Announced
admin | March 27, 2015 | New Car | No Comments
Trucks have gained a fair bit of popularity in the UK and more manufacturers are looking to produce them. Mercedes is the latest to jump on board! They have announced that there is a Mercedes pickup on the way that should be with us by 2017. There are plenty of well established pickup cars which has been a pretty niche market in the UK so far. They include the likes of the Isuzu D-Max, the Ford Ranger, the Volkswagen Amarok, the Nissan Navara, the Toyota Hilux and the Mitsubishi L200. Hyundai have also announced interest in the market, releasing a Santa Cruz crossover truck concept in January at the Detroit in January.
So, what does the Mercedes Pickup have in store for us. From the pictures that have been released today you can see that we will have a pick up on our hands with typical Mercedes styling aspects with the front end of the car looking similar to the Mercedes SUVs that are already on the market such as the Mercedes Benz GL Class. The pick up features a double cab arrangement on a ladder chassis. You will get the choice of a four or six cylinder engine in both petrol or diesel. It is also expected that a Petrol Hybrid option will become available in the future.
According to a spokesperson at Mercedes, "A similar example was the successful introduction of the M-Class around 20 years ago. As the first sport utility vehicle (SUV) from a premium manufacturer, the M-Class completely redefined the segment".
Mercedes is looking to do the same again by placing emphasis on the cabin feeling like a normal passenger car, rather than a work horse that is strictly business. That means it should be refined comfortable and spacious enough to fit 5 people without it being a squeeze. Furthermore we expect it will feature the high levels of user friendly technology that Mercedes uses in its luxury SUVs or the brands latest MPV the V-Class.
Mercedes Pickup Market
There is a huge market in the United states for pick ups. Three of four of the US top selling cars in 2014 were full sized pick ups; the Ford F150, the Chevrolet Silverado and Ram 1500. However, Mercedes has decided to avoid the US market completely! They will only make it available to Latin America, South America, Australia and Europe initially.
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Let's begin with your strong hand. Fundamentally, when managing recoil we have a physics and geometry problems to solve. We want our hand to be as close to the point of force as possible, in the case of a pistol this for is coming straight back in line with the barrel and slide. The we want to be able to apply an equal force in our hand as close to the recoil force as possible. This translates to a high grip. To be specific, a very high grip, as high as you can squeeze your hand against the beaver tail as possible. Your bottom 3 fingers, then need to wrap around the pistol grip stacked as high as they can and your ring finger pressing firmly against the trigger guard. Your thumb on your strong hand needs to remain high on the frame and resting/riding the safety if you have one such as 1911/2011 and pointed inline with the bore of the pistol. The overall grip strength is firm, like a determined handshake. The Trigger finger when ready to fire is free to move and is placed comfortably on the face of the trigger ideally the pad of your trigger finger is perpendicular to the bore of the gun.
Next we will discuss support hand placement. This is the one area that is most often done incorrectly. Most shooters do not take advantage of this hand and do not place it correctly on the gun or apply the right pressures. The thumb of your support hand should be placed above the trigger on the frame pointed in line with the bore of the pistol. The remainder of the hand, then fits along the left side frame and grip like 2 puzzle pieces coming together where there is contact from the thumb all the way down the ridge of the palm on the frame and grip. The 4 fingers, then wrap around the grip and the 3 fingers on your strong hand and again a steady strong grip is applied.


Additional applications or software that developers and designers can use to increase productivity or functionality of websites.
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This first week we will dive into basic HTML, basic CSS (Cascading Style Sheets) , the terminal, version control learning, and HTML5. This will allow you to semantically markup information to design a page with the look and feel you want. With HTML5 you will learn the foundation of building web pages and how to structure text, data, and elements.
During this week, we will apply what you have learned with HTML + CSS to allow you to further define the style and look of fonts, colors, spacing, and other design elements on your website. You'll also learn how to use some of the more complex functional HTML5 elements such as navigation menus, buttons, and forms.
Responsive design and media queries make your site work across multiple devices. This week you'll learn how to make your website sing whether it is on an iPhone, iPad, or laptop!
During week 7 you will plan, create, and implement your final project with hands-on workshops and help from instructors and peers.
This week wraps up with final project reviews. We will discuss and refine the skills and tools learned during the previous weeks to allow you to walk away with a better understanding to further explore web development.
Q: How does this course differ from Web Development Intensive?
The primary difference between Web Development Intensive and Web Dev 100 is time (480 vs 48 hours spent in class). Web Development Intensive is a full-time, immersive course that teaches full stack web development, with more time devoted to back end programming. Web Development 100 is a part-time evening course that gives students a strong set of fundamentals to help empower them to continue a more advanced track of their choice.
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The choice to continue studies in Front End, Back End, or UI/UX is entirely up to the students. Instructors are available to provide guidance, and answer any questions about each track.
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While it is possible to find work as a developer after this course, students should expect to devote a significant amount of time and study outside of class to be competitive as a full stack developer. If your goal is a career change, our Web Development Intensive may be a better fit for you.


text:
Commander Of Coronavirus-Struck Navy Ship Pleads For Help : Coronavirus Updates With more than 100 sailors reportedly infected, the commander of the USS Theodore Roosevelt aircraft carrier says the shipboard outbreak will keep spreading unless his 4,000+ crew is quarantined.
Latest developments in the COVID-19 pandemic
Outbreak On U.S. Aircraft Carrier 'Accelerating,' Commander Warns Pentagon
March 31, 20205:08 PM ET
The aircraft carrier USS Theodore Roosevelt anchored off Manila Bay west of Manila, Philippines, in a photo from 2018. Bullit Marquez/AP hide caption
Bullit Marquez/AP
The aircraft carrier USS Theodore Roosevelt anchored off Manila Bay west of Manila, Philippines, in a photo from 2018.
The commander of an American nuclear-powered aircraft carrier docked in Guam that has been struck by a coronavirus outbreak has sent the Pentagon a strongly worded plea for urgent assistance.
"The spread of the disease is ongoing and accelerating," USS Theodore Roosevelt commander Capt. Brett Crozier writes in a letter dated March 30. "Decisive action is required now in order to comply with CDC and [U.S. Navy] guidance and prevent tragic outcomes."
Acting Secretary of the Navy Thomas Modly confirmed on March 26 that at least eight of the Roosevelt's more than 4,000 crew members had tested positive for COVID-19, and five had been removed from the ship. He added that while the vessel would be docked in Guam, those aboard would not be allowed to venture beyond the pier.
Officials tell NPR that the aircraft carrier, whose home port is San Diego, now has more than 50 known infected sailors.
The ship's commander writes that except for a "handful" of senior officers' staterooms, none of the ship's quarters meet the recommended guidelines for isolation and quarantine.
A limited number of the aircraft carrier's sailors have been moved ashore to locations in Guam. Those who are sick with COVID-19 have been moved to hospitals while the rest have been placed in sites with restricted movement, although Crozier notes that only one of these places complies with U.S. Navy guidance calling for isolation in rooms with their own bathrooms.
"Infected Sailors reside in these off-ship locations," he writes in the letter, which was first reported by the San Francisco Chronicle. "Two Sailors have already tested positive in an open bay gymnasium equipped with cots."
Noting that group quarantine won't work, Crozier is blunt in his assessment of current conditions: "The environment most conducive to the spread of the disease is the environment the crew of the TR is in right now, both aboard ship and ashore," he writes, going on to describe "large amounts of Sailors in a confined space," "open, shared berthing," shared restrooms, mess halls and workspaces, and meals cooked and served by "exposed personnel."
Every member of the ship's crew was to be tested, despite the shortage of test kits reported last week. But Crozier says such tests are no guarantee that sailors are free of the coronavirus, and that he believes the focus on testing is "inappropriate."
"The COVID-19 test cannot prove a Sailor does not have the virus; it can only prove that a sailor does," writes the commander. "Based on data since TR's first case, approximately 21% of the Sailors that tested negative and are currently moving into group restricted movement ashore are currently infected, will develop symptoms over the next several days, and will proceed to infect the remainder of their shore-based restricted group."
Noting that the current strategy of removing some crew from the aircraft carrier while trying to clean it will slow the spread of the virus but fail to eradicate it, Crozier recommends removing 90% of the crew and isolating them ashore for two weeks. The remaining crew would run the ship's nuclear reactor and do sanitizing, tasks which the commander calls "a necessary risk."
"Keeping over 4,000 young men and women on board the TR," he adds, "is an unnecessary risk and breaks faith with those Sailors entrusted to our care."
Crozier ends his four-page letter requesting "all available resources" to find quarantine-compliant rooms for his entire crew "as soon as possible."
"This will require a political solution but it is the right thing to do," he concludes. "We are not at war. Sailors do not need to die."
Asked about Crozier's letter during a CNN interview Tuesday, Modly said he appreciated the input from the ship's commander and promised that the Navy would "get to work immediately" on the issues he raised.
"We've been working actually the last several days to move those sailors off the ship and to get them into accommodations in Guam," Modly said. "The problem is that Guam doesn't have enough beds right now, and so we're having to talk to the government there to see if we can get some hotel space, create some tent-type facilities there."
Not all those on board the Roosevelt, he added, would be removed immediately.
"The key is to make sure that we can get a set of crew members that can man all those critical functions on the ship, make sure they're clean, get them back on, clean the ship and get the other crew members off," he told CNN. "And that's the process we're going through. It's very methodical. We're absolutely accelerating it as we go."
In a statement emailed to NPR, the Navy had this response to Crozier's letter: "Navy leadership is moving quickly to take all necessary measures to ensure the health and safety of the crew of USS Theodore Roosevelt, and is pursuing options to address the concerns raised by the commanding officer."
Capt. Brett Crozier
tested positive
uss theodore roosevelt


text:
Zwei übern Berg ist ein deutscher Fernsehfilm von Torsten C. Fischer aus dem Jahr 2012, der im Auftrag und für Das Erste produziert wurde.

Das Erste schrieb zum Start des Films: "Eine Komödie über den schmalen Grat zwischen Freundschaft, Liebe und Arbeit: Manchmal muss man im Leben alles auf den Prüfstein stellen, um das Bewährte neu zu entdecken. Dies müssen auch Gisela Schneeberger und Günther Maria Halmer in dieser geistreichen romantischen Komödie der anderen Art erkennen. Unter der Regie von Torsten C. Fischer liefert sich das hervorragende Ensemble, zu dem auch Rita Russek, Ulrich Noethen, Elena Uhlig und Erwin Steinhauer gehören, einen vor Dialogwitz und Situationskomik sprühenden Schlagabtausch, bei dem alle Beteiligten ihre Schrammen davontragen, aber auch eine neue Chance bekommen."

Handlung
Eigentlich ist Alfons Keilinger, Chef des Bettenhauses "Die Welt als Bett" glücklich mit seiner Frau Margot verheiratet. Als er die junge Designerin Jette Klee einstellt, bekommt er Schwierigkeiten mit seinem jahrzehntelangen Designer Paul Hufnagel, einem sehr exzentrischen Mann. Hufnagel glaubt, Keilinger wolle ihn langsam ausbooten und durch Klee ersetzen. Die beiden Männer kennen sich schon sehr lange und Keilinger ist davon überzeugt, auf Hufnagel aufpassen zu müssen, seit dieser von seiner Frau verlassen worden ist, was ihm das Herz gebrochen habe, wie er seiner Sekretärin Hannah Zorn erzählt. Hannah ist die gute Seele des Unternehmens und lebt in erster Linie für ihre Arbeit. Sie schafft es auch, dass Hufnagel sich bereit erklärt, mit Jette Klee erst einmal für die Dauer eines Jahres zusammenzuarbeiten.

Als Keilinger Hannah, die heimlich in ihn verliebt ist, zum Abendessen einlädt, macht er nicht ihr, wie sie kurz glaubt, eine Liebeserklärung, sondern bittet sie, seine Liaison zu decken, die er mit Jette Klee begonnen hat. Er möchte, dass Hannah sich mit seiner Frau anfreundet, um ihm den Rücken freizuhalten, damit er mehr Zeit mit Jette verbringen kann. Margot Keilinger führt eine Tanzschule und so folgt Hannah ihrer Einladung, diese einmal zu besuchen. Tatsächlich freunden sich die Frauen an. Hannah wird klar, wie einsam Margot eigentlich ist. Als Hannah mit Margot ihren Lieblingswirt Carl Valentin besucht, sprühen scheinbar die Funken zwischen ihm und Margot, die im Übrigen bereits ahnt, dass ihr Mann sie betrügt. Sie bittet nun ihrerseits Hannah, die Augen offenzuhalten.

Margot lädt Hannah auf ein Wellness-Wochenende an den Tegernsee ein. Dort ist allerdings an diesem Wochenende auch Alfons Keilinger mit Jette anlässlich einer Regatta. Margot hat zu Hause zwei Karten für die Veranstaltung gefunden und ist davon überzeugt, dass ihr Mann dort mit seiner Geliebten ist. Hannah ist nun in einer Zwickmühle, auf der einen Seite ihre Loyalität zu ihrem Arbeitgeber und auf der anderen Seite die Zuneigung zu ihrer neuen Freundin. Als Keilinger sie erneut um einen Gefallen bittet, trifft Hannah eine Entscheidung, die darin gipfelt, dass sie die Situation auffliegen lässt. Nun sitzt sie allerdings zwischen allen Stühlen, nicht nur ist sie ihre Stelle los, auch Margot kündigt ihr die Freundschaft. Alfons Keilinger geht es nicht viel besser, er steht ohne seine loyalste Kraft da und hat zudem nicht nur Jette verloren, auch Margot will nichts mehr von ihm wissen.

Am nächsten Morgen steht Keilinger ziemlich betrunken vor Hannahs Tür. Er folgt ihr hartnäckig auf ihrer Tour zu einer Alm, die sie in regelmäßigen Abständen unternimmt. Nachdem er in einem eiskalten Gebirgsbach gebadet hat, ist er wieder nahezu nüchtern. Beide werden von einem heftigen Gewitter überrascht und erreichen mit großer Mühe, die von Hannah oft besuchte Almhütte, die allerdings ausgerechnet heute wegen eines Todesfalls geschlossen ist. Nachdem Keilinger völlig ausflippt und Hannah ihn wieder halbwegs zur Besinnung gebracht hat, fällt ihr durch den Sturm ein dicker Ast auf den Kopf und lässt sie zusammenbrechen. Keilinger trägt sie erschrocken in die Hütte, deren Tür er eintritt. Dort gesteht er Hannah, dass er sich heute wieder daran erinnert habe, dass seine Frau seine große Liebe sei. Und Hannah bittet er, ihn nicht zu verlassen, denn er brauche sie.

Wieder zu Hause trifft er seine Frau in einer eindeutigen Situation mit Paul Hufnagel an, trotzdem erklärt er ihr, dass er sich wieder daran erinnert habe, dass sie seine einzig große Liebe sei. Margot erklärt ihm, dass sie schon seit 24 Jahren einmal mit Paul habe schlafen wollen, das habe sie noch schnell getan, bevor sie sich wieder mit ihm habe versöhnen wollen.

Und Hannah wiederum  versöhnt sich nicht nur mit Margot, sondern nimmt auch den Quasi-Antrag von Carl Valentin an, von dem sie sich vor zehn Jahren wegen seiner Alkoholsucht getrennt hatte, was auch die gemeinsame Tochter Maren freut. Und letztendlich schafft Hannah sich auch einen von ihr seit Jahren ersehnten Hund an, den sie tagsüber mit ins Bettenhaus nimmt.

Produktion

Produktionsnotizen
Zwei übern Berg wurde vom 20. Juli bis zum 19. August 2010 in München und der Umgebung von München gedreht. Produziert wurde der Film von der Constantin Television GmbH (München) in Co-Produktion mit der ARD Degeto Film (Frankfurt am Main) und dem Bayerischen Rundfunk. Die Redaktion für den BR lag bei Stephanie Heckner, für die ARD/Degeto bei Katja Kirchen. Die Produktionsleitung hatte Andrea Oechsner inne, die Aufnahmeleitung Anja Samy und Ines Fritsch (Set).

Hintergrund
Günther Maria Halmer schauderte es bei der Erinnerung an den Dreh am Karwendel, als er in einen eisigen Gebirgsbach steigen musste. Die Schreie habe er nicht spielen müssen, die seien echt aus ihm herausgekommen. "Aber", meinte Halmer, "was tun wir Komödianten nicht, wenn es um eine komische Wirkung geht?" Halmer, der gerade erst einen Film mit Senta abgedreht hatte, fand es "gut und logisch", dass dem Publikum auch Stoffe "um reifere Menschen für ein reiferes Publikum" angeboten würden. Die Privaten hätten ihr Zielpublikum bis 49, das sie bedienen müssten. Er habe daher von dort "noch nie ein Angebot bekommen". Aber die Öffentlich-Rechtlichen seien "für das gesamte Publikum da", das in seiner ganzen Breite versorgt sein wolle. Und es sei "nun einmal eine Tatsache, dass die Menschen immer älter werden" würden.

Gisela Schneeberger erzählte, dass sie Rollen möge, "deren Charakter nicht von Anfang an eins zu eins offen lieg[e], sondern erst eine Fassade einstürzen" müsse, damit deren "wahres Wesen deutlich" werde. Zum Ensemble äußerte die Schauspielerin, dass alle Schauspieler sich untereinander schon lange kennen und mögen würden. Das sei "bei einem solchen Stoff auch wichtig, wenn er lustig und locker rüberkommen" solle.

Rezeption

Erstausstrahlung, Einschaltquote
Die Erstausstrahlung des Films am 28. September 2012 im Programm der ARD Das Erste wurde von 3,57 Millionen Zuschauern eingeschaltet, was einem Marktanteil von 12,5 Prozent entsprach. Zuvor lief Zwei übern Berg am 8. Juni 2012 als Uraufführung beim Filmfest in Emden.

Kritik
Die Kritiker der Fernsehzeitschrift TV Spielfilm gaben für Anspruch, Action und Spannung je einen von drei möglichen Punkten, für Humor zwei, zeigten mit dem Daumen nach oben und schrieben: "Kein glatt gebügelter Heile-Welt-Schmarrn, sondern eine bittersüße, sehr pointiert geschriebene Posse." Fazit: "Flotter Liebesreigen im zweiten Frühling".

Rainer Tittelbach von tittelbach.tv gab dem Film auf seiner Seite 4½ von 6 möglichen Sternen und lobte: "'Zwei übern Berg' ist ein Komödien-Hochgenuss. Gut gebaut, glänzend gespielt, Gisela Schneeberger unnachahmlich und auch die Zwischentöne im Gezänk der Geschlechter samt köstlichem Finale sind gut getroffen. Dumme Kuh zwingt 'geilen alten Keiler' auf den Berg der Erkenntnis. Das ist Screwball-like. Autor Ramesh zieht alle Komödienregister, auch die Klasse von Torsten C. Fischer macht sich bemerkbar!" Weiter führte der Kritiker aus: "Gisela Schneeberger spielt die kleine Frau mit dem großen Mundwerk und den funkelnden, zunehmend feuchten Augen, zwischen den Stühlen und ihren Gefühlen sitzend, mit Sinn für Sarkasmus wie Sanftmut. Das ist unnachahmlich, ungewöhnlich für einen Degeto-Film und in höchstem Maße unterhaltsam. Diese Heldin, aber auch die anderen, ihr Chef (ein Komödiant von Welt: Halmer), ihr Ex (der Mafioso mit Schlagersänger-Zementfrisur: Steinhauer), ihre neue Freundin (sicher in allen Tonlagen: Russek) und die Kollegen aus Bettenbranche (köstlich egoman: Noethen, immer eine Wucht: Uhlig) sind nicht in erster Linie dazu da, das Komödien-Happy-End zu generieren. […] Dieser Film lässt sich wegschlürfen wie ein guter süffiger Weißwein, harmonisch, leicht und doch gehaltvoll, elegant im Abgang – ein echter Genuss."

Focus Online meinte, das Gefühlskarussell drehe sich "recht munter in dieser Komödie um Liebe am Arbeitsplatz". Die Hannah sei "eine Prachtrolle für Gisela Schneeberger, für die der Stoff eigens gefunden und entwickelt" worden sei. "Auch um sie herum spielen lauter Mimen der Spitzenklasse, die der manchmal etwas simpel gestrickten Geschichte den Feinschliff geben" würden. Neben Halmer, der "dankbar" gewesen sei, "einmal nicht der Griesgram vom Dienst sein zu müssen, sondern ein Charmeur und Frauenfreund", sehe man "Rita Russek als seine Ehefrau, Elena Uhlig als jugendliche Geliebte und Ulrich Noethen als ewig trunkenen Designer". […] "Ein Stoff um reifere Menschen für ein reiferes Publikum, wie er immer häufiger auf öffentlich-rechtlichen Bildschirmen zu sehen ist."

Die Kritik von Julian Miller auf der Seite Quotenmeter.de fiel wie gewohnt für Degeto Filme auch für diesen Film negativ aus. So seien die "Kernelemente die üblichen: Eine stark reduzierte und banale Handlung, eine vollkommene Abwesenheit von Subtilität, eine simple und variationslos erzählte Geschichte um das ungleiche Paar samt Ständeklausel und die sichtbare Bemühung, so etwas wie eine Fernsehversion der Trivialliteratur sein zu wollen". Drehbuchautor Sathyan Ramesh komme "in all dem Wust aus dem üblichen Melodramkitsch und angesichts der eng begrenzten Möglichkeiten durchaus auf ein paar nette Ideen" und könne "auch die Dialoge um einiges schlagfertiger gestalten, als das in diesen Schmonzetten üblich" sei. Doch das seien "kleine Lichtblicke" – letzten Endes sei, "gemäß dem Genre, alles viel zu überzeichnet und überdreht. Auch wenn man es schon deutlich schlechter gesehen" habe. Miller kam zu dem Schluss: "Wäre da nur nicht das auf Kitsch und Stumpfsinnigkeit ausgerichtete Drehbuch, das jedweder Art von Tiefengehalt keine Chance lässt, hätte das vielleicht sogar ein annehmbarer Film werden können."

Marie-Luise Braun bewertete den Film, dem sie 6 von 6 möglichen Sternen gab, für die Neue Osnabrücker Zeitung und schrieb, er sei "gespickt mit Klischees". Aber "in keiner einzigen Sekunde schlitter[e] die Geschichte ins Niveaulose oder gar Dümmliche. Vielmehr biete sie feine Wortspiele und famose Schauspielerei". Es sei "keine schlaffe Komödie mit vorhersehbarem Ende entstanden", sondern "ein Film mit Witz, Biss und leichtfüßigem Tiefgang". Das liege "nicht nur am hervorragenden Ensemble, das durch Ulrich Noethen, Erwin Steinhauer und Lena Baader ergänzt" werde, auch "der Schnitt" durch Benjamin Hembus erhöhe "die Vielzahl der Facetten".

Der Filmdienst befand: "Verwicklungsreiche (Fernseh-)Liebeskomödie, die dafür plädiert, das Vertraut-Bewährte unter veränderter Perspektive neu kennen zu lernen. – Ab 16."

Weblinks

 Zwei übern Berg siehe Seite programm.ard.de

Einzelnachweise

Filmtitel 2012
Deutscher Film
Liebesfilm
Filmdrama
Bergfilm
Fernsehfilm


text:
The Vince DeFelice Band
Current Single Releases
Vince DeFelice Bio
Born in Bridgeport, Connecticut,
Vince is proficient in electric and acoustic guitar, harmonica and an accomplished singer/songwriter.
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Throughout the years, Vince has made a number of recordings and has had the privilege of having Scott Spray (bass for Johnny Winter Band) and currently Mickey Curry (drummer for Bryan Adams) contribute their musical talent to the recording of his songs. Mickey Curry is currently on world tour with Bryan Adams and has played for other notables as Hall & Oates and David Bowie. Mickey has also committed to Vince's future album
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The value of commerce transactions conducted via mobile handsets/tablets will exceed US $120 Billion by 2017 with 150 Million users. Mobile commerce growth in US is driven by increasing convenience, value & security available to the consumers via smart devices. Retailers are bringing efficient mobile websites/apps and even delivering omni-channel experiences.
Mobile commerce is appropriate for every retailer, but there are certain products that have a better chance of getting sold through portable devices. The report provides detailed analysis of the Mcommerce market in US from both consumers and retailers perspective. It captures key trends and latest happenings in the market.


text:
Moore, Nan (11) + -
Caswell, Barbara (b. 1897) (9) + -
Wolfe, Gurdon C. (8/1890 - 1928) (9) + -
Hillman, Edith V. (1879? - 1923) (8) + -
Caswell, Herbert Marshall (b. 1860?) (6) + -
Caswell, Caroline (1825 - 1915) (4) + -
Obercliffe (Ulster County, N.Y.) (4) + -
Bragdon, George Chandler (4/29/1832 - 8/7/1910) (1) + -
Goulding, Gertrude (3/17/1867 - 6/12/1933) (1) + -
Hillman, John Constantine (1865 - 1932) (1) + -
Pan-American Exposition (Buffalo, N.Y., 5/1 - 11/2/1909) (1) + -
May Bragdon Diary, September 3, 1902, p. 77
Moore, Nan, Wolfe, Gurdon C. (8/1890 - 1928), Wolfe, Alice Louise (b. 1857?), Caswell, Anna Louisa (b. 1863?), Hillman, Edith V. (1879? - 1923), Pan-American Exposition (Buffalo, N.Y., 5/1 - 11/2/1909)
May Bragdon Diary, September 1, 1902 – September 2, 1902, p. 75
Caswell, Anna Louisa (b. 1863?), Moore, Nan, Wolfe, Gurdon C. (8/1890 - 1928), Hillman, Edith V. (1879? - 1923), Caswell, Barbara (b. 1897), Wolfe, Alice Louise (b. 1857?), Obercliffe (Ulster County, N.Y.)
Wolfe, Gurdon C. (8/1890 - 1928), Caswell, Anna Louisa (b. 1863?), Caswell, Barbara (b. 1897), Moore, Nan, Wolfe, Alice Louise (b. 1857?), Caswell, Herbert Marshall (b. 1860?), Hillman, Edith V. (1879? - 1923)
Caswell, Barbara (b. 1897), Caswell, Anna Louisa (b. 1863?), Wolfe, Alice Louise (b. 1857?), Moore, Nan, Hillman, Edith V. (1879? - 1923), Wolfe, Gurdon C. (8/1890 - 1928), Obercliffe (Ulster County, N.Y.)
May Bragdon Diary, October 19, 1905, p. 63
Caswell, Anna Louisa (b. 1863?), Caswell, Barbara (b. 1897), Hillman, Edith V. (1879? - 1923), Hillman, John Constantine (1865 - 1932), Moore, Nan, Caswell, Caroline (1825 - 1915), Wolfe, Alice Louise (b. 1857?)
Caswell, Barbara (b. 1897), Caswell, Herbert Marshall (b. 1860?), Wolfe, Alice Louise (b. 1857?), Moore, Nan, Caswell, Anna Louisa (b. 1863?)
Caswell, Barbara (b. 1897), Wolfe, Gurdon C. (8/1890 - 1928), Wolfe, Alice Louise (b. 1857?), Caswell, Caroline (1825 - 1915), Moore, Nan, Caswell, Anna Louisa (b. 1863?), Caswell, Herbert Marshall (b. 1860?), Hillman, Edith V. (1879? - 1923), Obercliffe (Ulster County, N.Y.)
Caswell, Herbert Marshall (b. 1860?), Caswell, Anna Louisa (b. 1863?), Caswell, Barbara (b. 1897), Wolfe, Gurdon C. (8/1890 - 1928), Wolfe, Alice Louise (b. 1857?), Moore, Nan
May Bragdon Diary, August 31, 1902, p. 73
Bragdon, Katherine Elmina (12/30/1837 - 9/6/1920), Bragdon, George Chandler (4/29/1832 - 8/7/1910), Goulding, Gertrude (3/17/1867 - 6/12/1933), Wolfe, Alice Louise (b. 1857?), Wolfe, Gurdon C. (8/1890 - 1928), Caswell, Caroline (1825 - 1915), Moore, Nan, Caswell, Anna Louisa (b. 1863?), Obercliffe (Ulster County, N.Y.), Zoroaster (d. 1909)
May Bragdon Diary, September 9, 1902 – September 10, 1902, p. 92
Wolfe, Gurdon C. (8/1890 - 1928), Caswell, Caroline (1825 - 1915), Moore, Nan, Wolfe, Alice Louise (b. 1857?), Caswell, Herbert Marshall (b. 1860?), Caswell, Anna Louisa (b. 1863?), Hillman, Edith V. (1879? - 1923), Caswell, Barbara (b. 1897)
Wolfe, Alice Louise (b. 1857?), Caswell, Barbara (b. 1897), Caswell, Herbert Marshall (b. 1860?), Moore, Nan, Wolfe, Gurdon C. (8/1890 - 1928), Caswell, Anna Louisa (b. 1863?), Hillman, Edith V. (1879? - 1923)