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'The Real Housewives of New York City': Where is my mind?
July 26, 2020 by Therese Odell, posted in real housewives of new york city, real housewives of new york city: season 11
"Reunion, Part 2"
We begin the second part of the reunion (you can read the first part here) with a Ramontage, detailing all her flirting, preening, and lying. "It's never a dull moment!" she chirps, completely oblivious to her own spectacular assholery. (But aren't they all.)
Andy Cohen starts off gently with Ramona, noting that people have been tweeting about how cute she and Mario are together, and wondering if there is any chance of a reconciliation. Ramona insists there isn't, they're just good friends, but as I'm sure you all know by now, she quarantined with him in Florida after the world came to an abrupt halt (before then returning to the Hamptons to party it up with Dummy Trump Jr. and his plague-riddled girlfriend). So who even knows what happened.
As for Harry the Ex, she explains that they're just friends, "kissing cousins" as it were.
You get bonus points if you get this reference.
The other women start yelling at Ramona for lying about Harry the Ex, which she denies doing, WHICH IS IN ITSELF ANOTHER LIE.
Dorinda is particularly irritated with Ramona's lying, comparing this to the whole Angel Ball to which Ramona invited her and then ditched her. So what's her excuse for the whole Table 61/Table 62 fiasco?
And Ramona, GOD BLESS HER, she pulls a Reverse Trump, claiming that her "mind isn't so ageless anymore."
SOMEONE GRAB A MONTREAL COGNITIVE ASSESSMENT AND BRING IT TO ANDY.
Bethenny can't believe Ramona is playing the dementia card, but she here she is, insisting that she needs to up her Prevagen, and protesting that she just doesn't even know where her mind was during that entire incident. Her head! It was fucked up! Needs more jellyfish!
Dorinda isn't buying the "pity me I'm old" routine and is like, "YOU INVITED ME AND THEN YOU DITCHED ME." Ramona lies that she had an empty seat next to her at the new table, but Dorinda is like, "No ma'am. No you most certainly did not. And I went and fetched the table list to show you, and you hissed at me to stop making a scene." Dorinda demands an apology — it was rude and inconsiderate and not nice — and Ramona shrugs that she'll never swear on her daughter's life again, how's that?
Andy tries to move on to the second lie she was busted on, and Ramona huffs that she didn't realize Tablegate was a lie.
The Other Women:
Anyway, the second lie she was caught in was that she couldn't invite any of the cast members to the birthday party that her other friends threw for her. THERE IS FOOTAGE OF ONE OF THE WOMEN ASKING RAMONA IF SHE SHOULD INVITE SONJA AND RAMONA SAYS NO. THERE IS TAPE.
Ramona shrugs that she wanted her birthday party to be personal and not filmed and if the other women were there it would have been filmed.
Sonja is not amused.
Ramona, in response, struggles to find the term, "fourth wall."
POINT TO THE ELEPHANT ON THE PAGE, RAMONA. NOW REPEAT THESE FIVE WORDS IN ORDER: "PERSON, WOMAN, MAN, CAMERA, TV."
Sonja, whose feelings were hurt by this, reveals that Ramona told her she wants to "break into society" as she goes into her 70s, and adds that she hangs out with that crowd more than Ramona does. Also, ALSO, if she's so concerned about her birthday party being "personal," why did she post it ALL OVER INSTAGRAM? But Honey Badger Don't Give a Shit, and shrugs that she had a good time.
Andy then moves on to a much more delicate topic: Ramona's comment about Dennis being on drugs. Ramona, to her credit, knew it was horrid pretty much as soon as it came out of her mouth and apologized to Bethenny before the episode aired.
And Bethenny, she's not upset with Ramona necessarily for that one comment, it happened. She's upset with what she perceived as a season filled with digs aimed at her by Ramona. WHAT IS RAMONA'S PROBLEM WITH HER? Why was she more worried about stealing lobsters than expressing her condolences at Barbara's clam bake?
Ramona protests that Bethenny is scary. That's it. That's her excuse. And Bethenny is like, "Jesus Christ, just don't talk shit behind my back."
Andy asks the women if they think Ramona will ever learn anything from being on this show before playing a montage of Ramona at 10 other reunions acknowledging her bad behavior during that particular season … only to return and repeat her bad behavior in the next season.
It all comes back around.
Ramona tries to pull an old reality star trick by complaining about Bravo's editing making her look bad, but everyone is like, "OH NO MA'AM."
Andy points out that it wasn't all terrible between Ramona and Bethenny, pointing to two moments in particular:
When they bonded over their abusive childhoods.
When Ramona expressed her genuine concern for Bethenny after her near-death experience.
But despite this brief respite, Andy is not done with attacking Ramona and he brings up the New York Loves Kids charity event which Ramona, Sonja, and Dorinda managed to ruin with their shenanigans. And listen, Ramona is a selfish monster, but she did not ruin this event all by her lonesome, a point that The Countess makes, singling Dorinda out in particular.
Dorinda is NOT INTERESTED in The Countess' etiquette tips following her behavior in the Berkshires, but we have to cut to a commercial break so Andy cuts that fight off at the knees, asking Ramona where she is with everyone. "I am where I am," Ramona replies, prompting Sonja to call her a "piece of work."
Tinsley is the next victim of the montage treatment, and the first question out the gate is how she feels about being questioned about where her money comes from. Tinsley reminds everyone of what I said a couple of entries ago: that she is from money, she's from one of the richest families in Richmond, she's a famous debutant, and she's been in the branding game for 20+ years, far longer than any of their old asses. Also, where she comes from, they don't talk about money. It's considered gross and rude.
The other women point out that the money just doesn't add up, and where is she living now anyway? When Dorinda tried to send her flowers to her hotel-apartment in January, they informed her that Tinsley had moved out. SO WHAT'S GOING ON THERE?
Tinsley explains (as it was explained in the final episode) that she did move out for a few months and went to Palm Beach to be with her family. But she moved back in May and signed a year lease, so what's the issue? And what's it to Dorinda?
Dorinda insists that she just doesn't know a lot about Tinsley … leaving some sort of implication hanging in the air. Andy asks her what kind of arrangement does Dorinda think Tinsley has with Scott? "A DAMNED GOOD ONE," Dorinda laughs. But Tinsley demands to know what Scott would be getting out of it … and to be honest, I'm not sure what Dorinda is implying either, that Scott is paying Tinsley for sex? But they were in a relationship for like two years? The whole idea just doesn't make any sense.
Still, the women are tearing at it like wild dogs with a piece of raw chicken. Sonja points out that Tinsley's shopping habits changed: when Tinsley lived in the townhouse, she shopped in small stores, now she's coming home with Birkins …
Tinsley, who clearly doesn't want to get into her personal financial details — AND REALLY, WHO DOES? — explains that after her arrest, her family cut back on what she could receive from the family trust until she could prove she had her shit together. And then she did, and so her allowance returned to where it had been before.
Andy tries to explain to Tinsley that the other women don't think she's particularly forthcoming, and she's flabbergasted: HOW MUCH MORE FORTHCOMING COULD SHE BE? SHE HAS HAD MULTIPLE EMOTIONAL BREAKDOWNS THIS SEASON?
So Andy is like, just settle this once and for all: do you have an arrangement with Scott?
Q. Since you announced you broke up with Scott, have you gotten back together?
Q. Have you seen Scott since you broke up?
A. Yes. We went on a trip together.
Tinsley explains that they did go on a trip, and they did share a room, but it didn't work out and IT'S SAD AND IT'S OVER.*
*It's definitely not over.
A viewer asks Bethenny what she meant when she said Tinsley set women back 100 years, and Bethenny is like, "Well, I mean, she's not exactly a model of female empowerment, right?"
Andy tries to argue that she was raised in the South in a wealthy family and very different values, but Bethenny calls bullshit on that.
Andy then moves on to the loss of Bambi and the whole freezing the dog and then defrosting the dog and Tinsley tries to explain, but Bethenny can not believe what she is hearing and very nearly dies right there on stage when Andy gets to the part where Tinsley called 911 to resuscitate the chihuahua.
Dorinda closes Tinsley's section by apologizing if she hurt Tinsley's feelings, she just wanted to dig deeper with her. And with that Ramona runs off-stage to go pee.
The next montage is about the women's individual ticks:
Dorinda says "Oh!" a lot!
Ramona is impressed with her own body!
Sonja is gassy!
Tinsley drinks pinot grigio!
Bethenny orders food for everyone!
The Countess says "CABARET" all the fucking time!
And the best part of the discussion of this montage is when Ramona explains that she has moved on from pinot grigio to vodka sodas. In fact, she likes something that the Millenials are drinking, something called a "Hard Rock," which is infused seltzer with vodka. "OOH, sounds very sophisticated and complicated," sneers Bethenny, stealing the sentiment straight out of my heart.
Also, Ramona, who is 30 years older than her, tells Tinsley that she wears too much makeup and that she, Ramona, looks younger than her.
Finally, Andy points out that there was once a time on this reunion that Ramona ran away from the couch when someone else's nude photos were discussed, and now here she is wagging her bare ass on camera. LOOK AT WHAT HE'S DONE TO HER.
The final montage deals with The Countess' sobriety and struggles therein. The montage ends with The Countess telling the women that she has to take a breathalyzer three times a day, and if she doesn't pass, BACK TO JAIL WITH HER. When we return to the reunion, The Countess sighs that this is the hard reality that she doesn't think the other women appreciate, it's a struggle every day. But Ramona is like, "Yeah, but you didn't pass your test recently, what happened then?"
The Countess admits she "slipped" by having two mimosas on Easter, she thought she could get away with it, but … Anyway. It's been a very stressful way to live and she's done everything she could to not burden the other women with her problems.
What she doesn't say at the reunion is that after she got caught, her ass was dragged back to court where she 1. refused to return to rehab because it would interfere with her cabaret schedule and 2. refuse to wear an ankle monitor because it would interfere with her ankle, and instead opted to extend her probation period until August.
At the reunion, The Countess complains that she didn't feel supported in her sobriety by the other women, pointing to their drunken antics in Miami. Bethenny reminds her that she claimed she's not bothered by other people drinking around her, so which is it?
Bethenny adds that she doesn't think The Countess is taking her sobriety seriously and that everyone on these couches has heard different stories about The Countess and drinking. Bethenny notes that they're not cops so it doesn't matter, but The Countess huffs that it DOES matter because it can get back to the courts and get her in trouble again. Andy notes that the official report itself suggests that she's not taking her sobriety seriously, and The Countess explains and THAT'S why she's going to court because THE REPORTS. ARE. NOT. CORRECT.
Andy explains that the big concern at last year's reunion was that working in the cabaret business is maybe not the best place for someone who is trying to be sober, and that she slipped in that environment. The Countess insists that she was NOT working in cabaret when she slipped, she was traveling for cabaret when she slipped. So, you know, huge difference. She claims that she has learned that she is a self-sabotager, but that cabaret is actually good for her, because when she's on stage, she doesn't have time for drinking.
Andy asks if she thinks she's an alcoholic, and The Countess suggests that she isn't, she's just a self-medicator. Six of one, half a dozen the other, lady.
A viewer asks if maybe The Countess thinks had a manic episode when she was asking strangers for millions of dollars, and she's like, "Yep!" Bethenny confirms that it was some sort of psychological issue and asks if The Countess remembers the thing with the hat and the cigarettes and she was going to drive a boat … which just sounds like a good time to me, but Ramona pipes in, "YOU WERE HAVING A BREAKDOWN!"
The Countess agrees: She was having a breakdown.
A viewer asks Dorinda and Ramona if considering she only stayed in rehab for two weeks, do they think she took it seriously or was treating it like a spa vacation?
The Countess takes exception to this, she stayed for three weeks, and she HAD to leave early because CABARET. And anyway, the folks at the rehab supported her leaving, so it was fine.
Bethenny disputes this, and adds that The Countess was texting her 24 hours a day from the rehab where she was not supposed have a cell phone, and that she knows for certain she didn't stay for 21 days. Bethenny adds that it was disrespectful to her that The Countess didn't take her rehab stint seriously considering that Bethenny spent days, weeks living on Team The Countess trying to get her help while she was having a mental breakdown.
The Countess protests that she was NOT having a mental breakdown (even though not one minute ago she conceded that she was) and that Bethenny is NOT her psychologist. Ramona begins yelling at The Countess that she needed to stay in rehab for SIX MONTHS (which … no … I don't think that's how it works …) and adds that she thinks The Countess is STILL drinking on the side.
The final part forthcoming, dahlinks.
The Real Housewives of New York airs on Bravo.
Tagged bethenny frankel, dorinda medley, luann de lesseps, ramona singer, real housewives of new york, real housewives of new york city, reunion, reunion part 2, rhony, rhonyc, sonja morgan, the countess, the real housewives of new york, the real housewives of new york city, tinsley mortimer
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Q: How can I send an email with a salesforce report attached? I'm try to scheduler email send with a repor attached, but when i received the email, appear the next error in the file:

I'm use the nex Apex code:
global class Exporter implements System.Schedulable {
    global void execute(SchedulableContext sc) {
        DoExport();
    }

    @future(callout=true)
    public static void DoExport() {
        ApexPages.PageReference report = new ApexPages.PageReference('/00O6g000004Z0nNEAS?csv=1');
        Messaging.EmailFileAttachment attachment = new Messaging.EmailFileAttachment();
        attachment.setFileName('report.csv');
        attachment.setBody(Blob.valueof(report.getContent().toString()));
        attachment.setContentType('text/csv');
        Messaging.SingleEmailMessage message = new Messaging.SingleEmailMessage();
        message.setFileAttachments(new Messaging.EmailFileAttachment[] { attachment } );
        message.setPlainTextBody('The report is attached.');
        message.setToAddresses( new String[] { 'user@example.com' } );
        Messaging.sendEmail( new Messaging.SingleEmailMessage[] { message } );
    }
}

Could you help me with this error please?

A: You can directly get the nicely formatted report in your email by scheduling it. See the steps here Schedule a report

redpajama_set_name: RedPajamaStackExchange


text:
ViewSonic ViewPad 10 Review
By Meghan McDonough 2011-04-01T04:00:00Z
This 10-inch dual-boot tablet wants to be everything to everyone, but the ViewPad 10 isn't a compelling Windows 7 or Android slate.
Decent Windows 7 performance
Screen doesn't turn off in Android mode
No dedicated volume controls
Confusing button layout
Windows 7 slow to rotate
Short battery life
Small Android app store
ViewSonic envisioned the ViewPad 10 as a tablet for those who want to work in Windows 7 and play in Android. This 10-inch Wi-Fi tablet has the heart of a netbook, with an Intel Atom N455 Pine Trail processor powering Windows 7 Professional and the now-ancient Android 1.6. Unfortunately, this $679 tablet (as reviewed) costs $80 more than the Android 3.0-equipped Motorola Xoom (on contract) and $179 more than the Apple iPad 2. Can this dual-personality slate satisfy anyone? In a word, no.
One of the ViewPad 10's bright points is its classy yet understated design. The rectangular tablet measures 10.8 x 6.7 inches and is only 0.57 inches thick. The tablet feels stable, but our hands quickly tired from supporting the device's 1.8 pounds.
The front of the tablet features a thick black bezel with a webcam and three status lights underneath glass. The glass is almost edge-to-edge, save for a black plastic panel on the right that houses the power and two function buttons, which behave differently based on whether you're using Android or Windows 7 (more on them later).
The back of the ViewPad 10 sports a brushed aluminum finish with two speakers on the top and bottom of the left side, a vent on the lower-right side, and "ViewSonic" etched in white in the center. We really like the premium feel of the brushed metal, but it's marred by too many product stickers. There are five in all: one with the ViewSonic model name, serial number, and voltage information; two for Windows 7; one for Intel; and our personal favorite, "Warranty Void If Seal Damage."
The left side of the device houses the power jack, microSD card slot, a mini VGA port, two full-size USB ports, a headphone jack, and a microphone. On the top you'll find a paperclip-required reset button (not a good sign) and a vent which roughly lines up with the vent on the bottom.
After streaming a Hulu video for 15 minutes in Windows 7, the front of the ViewPad 10 warmed up to 92 degrees on the left and 85 degrees on the right. The back of the device showed a similar heat distribution, as it was 99 degrees on the back left side and 89 degrees on right. We consider any temperature above 95 degrees to be uncomfortable, and the left side of the ViewPad 10 was noticeably toasty in our left hand, though our right hand stayed cool.
Display and Camera
The ViewPad 10's 10-inch LCD LED backlit display features a netbook-esque 1024 x 600 resolution. The picture looked clear but kicked back a lot of reflections. When we watched a parody video of an Angry Birds movie trailer, the ViewPad 10 was so reflective that we found it hard to make out the darker images. Likewise, while typing and working with the tablet while it was lying flat on a desk, we had to put our face almost directly over the display in order to see what we were doing. This made typing on the virtual keyboard in both Android and Windows 7 next to impossible with the device laying flat. Turning the brightness all the way up improved visibility.
The ViewPad 10 features a 1.3-megapixel front-facing camera. A call via Skype looked clear, though it was bit washed out.
The ViewPad 10's two speakers produced clear, but not terribly loud or remarkable, audio. We found the lack of physical volume control buttons to be very frustrating. In Windows 7, we had to access the volume from the task bar, which is no easy feat using your finger. In Android, our only option for adjusting the volume was to go into Settings > Sound & Display > Media Volume.
Android 1.6 Experience
Click to enlargeThe ViewPad 10 is currently only available with Android 1.6, though ViewSonic promises that an upgrade to Android 2.2 is coming "soon." There aren't any Google apps and no Android Market. ViewSonic doesn't believe these will be included in future updates, either. However, the ViewPad 10 does include Aldiko (and eReader app), AndAppStore, Documents To Go, Email, Frozen Bubble, GoldMiner, iReader (another eReader), MSN Droid, and SPB TV. While Android wasn't originally meant for x86 chipsets such as Atom, the software runs fine.
Overall, it just seems like very little thought was put into the Android implementation on this device. The biggest issue? There isn't a way to turn the screen off or put the device to sleep under Android. The screen timeout option is missing from the settings menu, and pressing the power button for any duration only gives you the options of powering off or rebooting. Think about that: Every time you want to use Android, you have to wait 27 seconds for the device to boot. When you're done--and presumably don't want to walk around with a glowing tablet in your bag--you have to wait 11 seconds for it to shut down completely. Thankfully, on the Windows side, pressing the power button puts the device to sleep.
We also found the nonstandard Android physical buttons to be less than intuitive. Confusingly, the button with the home icon is used to go back within Android, and the button with the Back icon brings up menus. Only a long press on the home button will actually take you to the home screen.
The Android keyboard on the ViewPad 10 was another exercise in frustration. In landscape mode, the keys were stretched much too wide to type with any sort of ease. Plus, bringing up the keyboard, such as when entering text into the Amazon search box, dimmed the non-keyboard part of the screen so significantly that we couldn't see what we were typing. Portrait mode was just as bad: The top line of text of every e-mail, text message, or Google search entry was obscured by the notification bar. You can see the very bottom of the letters you've typed, but that's it. This made writing the first line of e-mails and Google searches very difficult.
Apps (or Lack Thereof)
Like almost every other non-Honeycomb Android tablet, the Android Market isn't available. Likewise, the Google suite of apps including Gmail, Google Talk, Maps, Voice Search, and YouTube isn't pre-loaded, nor is there an easy way to download them. The ViewPad 10 does include the AndAppStore, which seemed intent on downloading an update every time we launched it. Unfortunately, the AndAppStore's offerings pale in comparison to the Android Market. Despite numerous searches, we didn't find any familiar apps. We had much better luck finding apps by downloading the Amazon App Store. From here, we downloaded Angry Birds (which gave us an error saying it couldn't be installed), the Kindle app (worked), Photoshop Express (worked), and Diner Dash 2 (installed, but couldn't play). The reason some apps won't work is because this is such an early version of Android.
Windows 7 Professional Experience
Compared to the Android folly on the ViewPad 10, the Windows 7 Professional implementation on the ViewPad 10 was relatively pleasant. While there's almost no added software-- ViewSonic told us that they kept the install clean to leave space on the 32GB SSD--there aren't any touch-friendly overlays either, which are often needed to make Windows 7 tablets more usable. After attempting to hit the red "X" box in the exact right place three or four times to close a window, we gave up and attached a mouse via one of the USB ports.
In Windows, the physical home button functions as the Esc key and the back button toggles the Wi-Fi and Bluetooth radios on and off. Pressing the power button puts Windows 7 to sleep.
The ViewPad 10's capacitive screen supports multitouch gestures, and we found them to work relatively smoothly as we zoomed in and out of web pages. However, there was still an extra second of lag when rotating the tablet, which caused the screen to briefly turn black and awkwardly resize the desktop wallpaper by displaying both the portrait and landscape versions of the wallpaper on top of each other.
The keyboard in Windows 7 can either be docked at the top or bottom of the screen or float just off-screen and slide out when needed. You can also scribble letters with your finger or a stylus. We liked that the keyboard could be easily resized in landscape mode to make typing easier, but the same wasn't true in portrait mode. Instead, we could only make the keys taller, not wider.
In Windows mode, the ViewPad 10's Intel Atom N455 1.66-GHz Pine Trail processor produced a score of 1,485 on PCMark Vantage, about 150 points higher than the netbook average, and about 50 points higher than the bModo 12G Windows 7 tablet. The ViewPad 10 notched 890 in Geekbench, about 200 points above the average of 683.
On Android benchmark tests, the ViewPad 10 was all over the place. The tablet scored 4 points below average with a 15.7 on Linpack and just 1,178 on the Benchmark CPU; several hundred points below the 1,986 average. Graphics performance was much better. The ViewPad 10 scored a whooping 194 on FPS2D, more than three times the average score of 57.2, and 535.4 in Benchmark Graphics, 300 points above average.
The ViewPad 10 booted Windows in 45 seconds in Windows, a full 6 seconds faster than the Windows-powered bModo 12G tablet. In Android, it booted in 27 seconds, the same amount of time it took the T-Mobile Samsung Galaxy Tab.
Click to enlargeViewSonic rates the ViewPad 10's Lithium-Ion 3200 mAh battery at 4 hours. On our LAPTOP Battery Test (web surfing via Wi-Fi), the ViewPad 10 lasted 3 hours and 58 minutes in Windows 7 mode, and 5 minutes less than that in Android. While close to ViewSonic's estimations, it's nearly 3 hours less than the tablet average and about 2:30 less than the netbook average. The ViewPad 10 lasted 14 minutes longer than the ExoPC Slate, another Windows 7 tablet with an Intel Atom processor, but it didn't even come close to matching its sibling, the Android-powered G Tablet, which lasted 11:17 on the same test.
Configurations and Warranty
In addition to our $679 configuration with Windows 7 Professional and a 32GB SSD, the ViewPad 10 is available with Windows 7 Home Premium and a 16GB SSD for $599. Both configurations are dual-boot and currently run Android 1.6 (Donut). ViewSonic offers a one-year limited warranty on parts and labor for the ViewPad 10.
The $679 ViewPad 10 feels like ViewSonic took a Windows 7 tablet and decided to throw Android on at the last minute to give it greater consumer appeal. While the Windows 7 experience is passable, the Android implementation is pretty awful. You can't turn the screen off without turning off the device itself in Android mode, the app selection is poor, and you don't get enough battery life. If you're looking for a Windows 7 tablet, you could do a lot worse than the ViewPad 10. But if you looking for an Android tablet with a little Windows on the side, this is definitely not the answer.
Brand Viewsonic
CPU Intel Atom N455 1.66-GHz
Card Readers microSD
Company Website http://www.viewsonic.com
Display Size 10.1
Front-Facing Camera Resolution 1.3MP
Has Bluetooth Yes
OS Windows 7 Professional & Android 1.6 Dual Boot
Ports Headphone, Mini VGA
RAM Included 2GB
RAM Upgradeable 2GB
Size 10.8 x 6.7 x 0.57 inches
Storage Drive Size 32GB
Storage Drive Type SSD
Warranty / Support 1-year limited warranty on parts and labor
Weight 1.8 pounds

redpajama_set_name: RedPajamaCommonCrawl


text:
Big Air ist die Bezeichnung eines Stahlachterbahnmodells des Herstellers Vekoma, welches erstmals im Dezember 2010 ausgeliefert wurde. Die bisher einzige Auslieferung ist die gleichnamige Achterbahn im E-DA Theme Park in Taiwan. Die zur Kategorie der Shuttle Coaster und Spinning Coaster zählende Achterbahn ist zurzeit (Stand November 2019) der höchste und schnellste Spinning Coaster weltweit.

Die Fahrt
Die 152 m lange Strecke ist wie ein großes U geformt. Der Zug mit einem Catch-Car vorwärts einen der beiden senkrechten 63,8 m höhen Türme hochgezogen. Oben angekommen werden je nach Fahrmodus die Wagen entweder um 180° gedreht, sodass die Fahrgäste nach unten schauen, oder die Wagen bleiben in ihrer Position. Der Zug wird dann ausgeklinkt und fährt den Turm wieder hinab, durch die Station durch und auf den zweiten Turm hinauf. Hierbei wird eine Höchstgeschwindigkeit von 108 km/h erreicht. Diesen zweiten Turm fährt der Zug wieder hinab, durch die Station durch und wieder auf den ersten Turm hinauf. Dort klingt er sich wieder in das Catch-Car ein und wird entweder wieder nach oben gezogen für eine weitere Runde oder der Zug wird langsam wieder zur Station hinab gelassen.

Züge
Big Air besitzt einen Zug mit zwei Wagen. In jedem Wagen können zwölf Personen in vier Reihen Platz nehmen, wobei in der ersten und der letzten Reihe jeweils nur zwei Personen und in den mittleren beiden Reihen jeweils vier Personen Platz nehmen können.

Weblinks
 Daten und Bilder von Big Air im E-DA Theme Park auf RCDB

Achterbahnmodell
Stahlachterbahn
Shuttle Coaster
Spinning Coaster
Achterbahn hergestellt von Vekoma

redpajama_set_name: RedPajamaWikipedia


These gorgeous, baby hooded towels are made from 100% GOTS certified organic cotton. Each towel is made from beautiful soft terry towelling and the hood is detailed with a layer of coloured muslin and the Burrow & Be logo subtly embroidered.
Burrow & Be is all about stylish, sleek, contemporary kids bed linen, soft furnishing, baby blankets and interior products. Burrow & Be was established in 2013 by Catherine Melo. She has a Bachelor of Design and over the years her passion for interiors and fabric design have grown. She worked as a screen printer many years ago and for the past 10 years as a graphic designer. She designs her patterns and prints in her studio in Auckland and hand screen prints a selection of the products there as well. She works closely with her offshore factories to make sure the quality is high and the environmental standards are high. They only print with non-toxic water-based inks and ensure the factories have good waste management facilities when dying and printing.


text:
Masters set to honor MLK with day of celebration and reflection
Director of Equity of Inclusion Karen Brown addresses the Upper School at the beginning of the 2019 MLK assembly. Brown has led the planning efforts for this year's celebration.
Vincent Alban
Logan Schiciano, Editor-in-Chief
The Masters community will take the greater part of the school day to commemorate the work of civil rights leader Dr. Martin Luther King (MLK) Jr. through a series of presentations, speeches, and activities on Thursday, Jan. 16. The day, which will begin with an all-school assembly in the Fonseca Center gymnasium, is an opportunity for members of the Masters community to share personal stories and shed light on various topics of social justice which include, but are not limited to, race, gender, sexual orientation and culture.
The MLK celebration at Masters is a long-standing tradition; this year, Director of Equity and Inclusion Karen Brown has headed the operation, with the help of Upper School Diversity Coordinator and Dean of the Class of 2021 Eric Shear, student Diversity Ambassadors and club leaders. According to Tower archives, former English Department Chair Robert Cornigans, played a crucial role in planning the event for many years and had been a participant since 2006. Following Cornigans resignation just days before last year's celebration, Brown–who formerly played a lesser role in the organizing–stepped up and helped facilitate the final rehearsals and the day.
Brown herself has connections to the civil rights movement–her parents were both activists and her family was the first family of color to purchase a home in the neighborhood of Miller Beach, Indiana. Though she noted that some in the Masters community might not have a direct connection to the movement which Dr. King was so heavily involved, she explained that there is still a lot students and faculty can take away from the celebration.
"Martin Luther King benefited everyone. We wouldn't be a diverse school, without people like King. He represents unity." She continued, "I hope people can understand that this is a day for everybody."
Senior Jaelyn Felton, who is co-president of ONYX (a student-run club which engages in discussions relating to black culture and black issues at Masters and beyond), expressed a similar sentiment.
"It's important to treat this day with kindness and respect. If you don't know much, listen. Be open to what others have to say," Felton said.
The day will hold a similar format to last year's celebration. The all-school assembly will take place in the morning and shortly after, students will go to lunch where they will be encouraged to "mix-it-up" and sit with other students and faculty who they might not know. Although this aspect of the day yielded a mixed reaction after its inaugural running a year ago, Brown explained why it remains an important aspect of the experience.
"A lot of people don't realize that one of the most segregated parts of a school is the dining hall. It is a place where people can feel very isolated," she said.
In the afternoon, students will attend two breakout sessions where they will have the chance to further explore the subject matter presented in the morning assembly, which range from environmental justice, to women's rights, to white privilege.
Kishan Mangru, who is a junior, previewed the session that is being led by the school's diversity ambassadors: "All Words do not Belong to Everyone."
"It is going to show the effects of using derogatory words or phrases that may be condescending. Personal stories will also demonstrate how they can impact an individual or group as a whole," he said.
The theme for this year's MLK Day celebration is "Speaking, Hearing, and Opening Up Together: 'How and why do we stand up in the face of resistance and adversity?'"
11 Life-Changing Seconds: Travis Roy's Story
Former Governor Bill Weld Challenges Trump in the 2020 Republican Campaign
Masters scraps annual ski trip
For Mondaire Jones, politics is personal
Two sides of college counseling: the shadow world of private consultants
Education on donations to Masters receives mixed reviews
An advanced assessment: weighing the place of APs at Masters and beyond
Masters employs 'revolutionary' sexual misconduct policy
Shakespeare returns to Masters with "Twelfth Night"


In case you hadn't noticed, I love escape rooms, but I don't look forward to them half as much as I do to A Door in a Wall's events. When you like something that much, you can't help but share the love, so I'd emailed out to friends asking if they wanted to join me. The result was that, on an overcast Wednesday evening in May, I dragged 39 of us down to Holborn to take part in the latest instalment, Played to Death. As well as puns (it's a story of sax and violins…), they seem to have a love affair with pubs with fun-sounding names. Last time it was the Red Herring, this time the Square Pig.
The story revolves around the Performing Artists Riverside Philharmonic (or PARP for short) who were about to put on a concert showcasing the new symphony from Aaron Eastring. Unfortunately, Eastring was killed by a falling piano and the police need your help to determine which of the three suspects is guilty.
Once the initial acting was done, we were off out to the local area to follow our clue trails and try to track down the killer. One of the problems with playing against teams you know is that it becomes painfully obvious when you're both doing the same trail. On previous occasions, we've not really known whether the people wandering along behind us were competitors or random tourists, but this time it was clear. In particular, it turns out we all had roughly the same idea for where to start, with five teams all heading to the same location. We took our backup plan of moving on to the next puzzle only to find we were still right next to one of the teams, as they'd done the same.
Fortunately, this trail allowed you to pair up teams, so we could play in parallel, albeit with a bit of frustration. Truth be told, I was quite disappointed with that first trail. It involved some interactive theatre but the tasks they got you to do didn't make much sense. Now, obviously, they often get you to do silly things, but they're designed to make you look silly. This felt like it was trying to do that but failing. That was a minor quibble, though, and very soon normal service was resumed with some real highlights on the immersive theatre front.
In general, the puzzles on the way round the trails were very straightforward. I have mixed feelings about that: obviously this is a fun game, so you should get most of the information you need in order to have a shot at solving the murder. However, obtaining the information so easily left me feeling that how well we did on the trails didn't really matter. I'd much prefer to see a couple of harder puzzles on the way round that give you extra clues to reward those who do particularly well.
After completing the six trails at a leisurely pace, we were just in time to head back to the starting point for the 9pm cut-off. Once again, A Door in a Wall managed the process seamlessly.
Back in the pub again, we had forty-five minutes to work through the answer. Some parts of the puzzles were easy, but the hardest part required you to pull together several pieces of information. In fact, that's one of the things I love about a Door in a Wall. You can't just read through the whole thing and see the answer. Typically, you'll read through each clue in turn and, by the end, you'll have progressed one item. If you repeat that approach, then the next time round you'll crack something else. As you continue, you slowly get more and more information about the victim/murderer until you're pretty sure you know what happened. With about five minutes remaining, we cracked our final puzzle and handed in our answers.
We made a clean sweep of the prizes – both joint first places, second place and the best team name ("Baching up the wrong tree"). To be honest, though, if you're worried about winning or losing at A Door in a Wall's events, I think you've missed the point. This is all about the experience and, in that sense, all the teams came away winners. (Oh, you want to know how my personal team got on? We didn't win a prize…).
Looking at it objectively, this was a fun evening and great value for money considering the central London location. It was a good combination of technology, puzzles, interactive theatre and story. The final murder mystery puzzle was fun to put together, but I felt a little let down by one of the pieces of interactive theatre, and the puzzles along the route were all very simple. Was it good value for money? Definitely. Three hours for thirty quid was a bargain. Was it as good value as their other shows? Probably not, but that's a very high bar to reach. Put it this way – I'll be signing up for their next game as soon as it's announced.
I find myself wishing this was in NYC.
I had the same feeling about waiting around for the trails, I have to say it left quite a bad feeling in me…don't think I will go again for their murder mysteries, it's just not that new anymore! I also didn't think the puzzles were hard enough and they really should have a way of solving some stuff without waiting around :S All in all I liked my first game with them (An appetite for murder) a lot but won't be doing more games unless it's a theme I'm very attracted to…still have tickets to their A Veiled Threat, not sure if I should go or pass on the tickets tbh.


Slot cars come in several different sizes. Hopefully this will shed some light on the sizes. We plan to take some pictures of the different scales together at some point for side by side comparison.
More commonly called HO. This size of car replaced the original 1/87 size HO cars, but the plastic track lane spacing remained the original size so the cars fit very tightly together. Most routered tracks use slightly wider spacing. The cars were designed for racing and became their own sport separate from model railroading. High magnetic downforce has become the norm since steel rails are used, and as a result cornering speeds are amazing. Lately many clubs have gone back to low magnetics or even no magnetics to keep costs down and make the cars handling more realistic. There are big supporters on both sides....I personally like both. 1/64 is also the scale used on many Matchbox and Hot Wheel cars.
Originally pronounced zero because when they first started making trains smaller then size No. 1, zero was the only number lower. It's now commonly referred to as "O" (pronounced oh) for trains, and just "1/43rd" when referring to cars. The O gauge trains range in size 1/48 to 1/43. The cars in this size are generally inexpensive and fun to race.
1/32 scale cars are some of the most realistic production slot cars available. The detailing and availability of production cars and track is amazing in this size. Some are 4 wheel drive, some have working lights, and the new digital cars can change lanes and multiple cars driven in one lane.
The largest size (other then 1/18 scale motorcycle & karts driven on 1/32 track) is 1/24. The tracks are generally quite large and often commercial 8 lane tracks such as the King Track are used. Speeds on top road racing cars are around 70mph actual speed! There are several different classes, but the two biggest differences are the commercial lexan body cars on flexi or light weight lazer cut chassis, and hard body (actual plastic model car kits) cars on hand built brass chassis. The hard body classes can rival 1/32nd cars in detail and great pride is taken in building these works of art. The lexan bodies can have some impressive paint jobs, but their main focus is on speed.


NOTE: This command is temporarily disabled if your libcurl is older than 7.16, as the combination has been reported not to work and sometimes corrupts repository.
Do not assume that the remote repository is complete in its current state, and verify all objects in the entire local ref's history exist in the remote repository.
Report the list of objects being walked locally and the list of objects successfully sent to the remote repository.
A <ref> specification can be either a single pattern, or a pair of such patterns separated by a colon ":" (this means that a ref name cannot have a colon in it). A single pattern <name> is just a shorthand for <name>:<name>.
Each pattern pair consists of the source side (before the colon) and the destination side (after the colon). The ref to be pushed is determined by finding a match that matches the source side, and where it is pushed is determined by using the destination side.


text:
Injured NXT Superstar Not Expected Back Until Spring 2023
Fans of Arianna Grace will have to keep on waiting for the second-generation Superstar, who isn't expected to return until the spring of next year.
Grace, real name Bianca Carelli, signed with WWE in February 2022, and received the Grace name in April of this year.
Last month, Grace suffered an injury, which was later reported to be a torn ACL.
Grace isn't just a WWE Superstar, but is a second-generation Superstar, as she is the daughter of Santino Marella.
Speaking to Fightful, the ex-Intercontinental Champion said that Grace will be sidelined for the remainder of this year, and they are hopeful for a spring return.
Marella added that he is also fine with his daughter not using the Marella name, as he wants her to carve her own path in WWE, without being compared to him.
The Marella surname is actually a tribute to Gorilla Monsoon (Robert James Marella) who worked for decades in wrestling before his passing in 1999.
Santino Marella is excited for his daughter to get back in the ring, but don't expect to see the pair in mixed-tag team action.
In the same interview, Santino said that while he remains active in the ring, his days as a wrestler are behind him as far as a career goes.
Marella is open to working as a producer or color commentator but said he wants to raise his children and is worried about the risk of injury.
Santino made his main roster debut in 2007, being pulled from the crowd as a 'fan' and defeating then-Intercontinental Champion Umaga, albeit thanks to Bobby Lashley.


text:
Підго́рне Але́ксово (, ) — село у складі Ковилкінського району Мордовії, Росія. Входить до складу Токмовського сільського поселення.

Населення — 5 осіб2010; 20 у 2002).

Національний склад станом на 2002 рік:
 мокшани — 100 %

Джерела

Примітки

Посилання
 На Вікімапії

Населені пункти Ковилкінського району
Села Мордовії


text:
Q: Autoconf/Automake conditionals and dist rules I recently started using autoconf and automake for a project I'm working on. The project's documentation is written in LaTeX. Since I don't want to have LaTeX as a dependency I want to check the presence of the pdflatex binary with autoconf and then use that information in the Makefile.am to decide whether to simply copy the .tex file to the documentation directory, or to generate the PDF and copy both.
This is the relevant section in configure.ac:
# Check for presence of pdfLaTeX
AC_CHECK_PROG(PDFLATEX, pdflatex, pdflatex)
if test -z "$PDFLATEX"; then
  AC_MSG_WARN([Unable to create PDF version of the user manual.])
fi

AM_CONDITIONAL([HAVE_PDFLATEX], test -n "$PDFLATEX")

In the doc/ directory I have the following Makefile.am:
docfiles = manual.tex QuickStart.txt

if HAVE_PDFLATEX
docfiles += manual.pdf
MANNAME = manual
MANTEXSRC = $(MANNAME).tex
MANAUX = $(MANNAME).aux
MANPDF = $(MANNAME).pdf

CLEANFILES = $(MANPDF) $(MANNAME).log $(MANNAME).idx $(MANNAME).out \
 $(MANNAME).toc $(MANAUX)

$(MANPDF): $(srcdir)/$(MANTEXSRC)
    $(PDFLATEX) $<
endif

dist_doc_DATA = $(docfiles)

This setup works when pdflatex is present, but when it is absent running make works, but make distcheck asks for a way to build the PDF file:
make[1]: *** No rule to make target `manual.pdf', needed by `distdir'.  Stop.

Looking in the Makefile that automake generated I see:
#am__append_1 = manual.pdf
am__dist_doc_DATA_DIST = manual.tex QuickStart.txt manual.pdf

and further down I find:
docfiles = manual.tex QuickStart.txt $(am__append_1)
#MANNAME = manual
#MANTEXSRC = $(MANNAME).tex
#MANAUX = $(MANNAME).aux
#MANPDF = $(MANNAME).pdf
#CLEANFILES = $(MANPDF) $(MANNAME).log $(MANNAME).idx $(MANNAME).out \
# $(MANNAME).toc $(MANAUX) .btmp

dist_doc_DATA = $(docfiles)

What am I missing here?

A: I think your problem is that you're conditionally "distributing" manual.pdf, and automake's rather conservative about dist rules. Try this:
if HAVE_PDFLATEX
doc_DATA = manual.pdf
# Rest of your stuff...
endif


text:
package template

import (
	"bytes"
	"code.google.com/p/sadbox/zap"
	"fmt"
	"github.com/sagittaros/gonews/lib/log"
	"github.com/gorilla/mux"
	htmlTemplate "html/template"
	"net/http"
	"os"
	"path/filepath"
)

var (
	templatePath string
	templates    *htmlTemplate.Template

	router *mux.Router
)

func Init(path string) {
	templatePath = path

	// Get all files in the views directory
	filenames := []string{}
	err := filepath.Walk(templatePath, func(path string, info os.FileInfo, err error) error {
		if !info.IsDir() && filepath.Ext(path) == ".gohtml" {
			filenames = append(filenames, path)
		}

		return nil
	})
	if err != nil {
		log.ERROR.Fatalln(err)
	}

	if len(filenames) == 0 {
		return
	}

	// Parse the view files
	zapper := new(zap.Zapper)
	zapper.Funcs(map[string]interface{}{
		"route": routeHelper,
	})
	zapper, err = zapper.ParseFiles(filenames...)
	if err != nil {
		log.ERROR.Fatalln(err)
	}

	buf := new(bytes.Buffer)
	err = zapper.Zap(buf)
	if err != nil {
		log.ERROR.Fatalln(err)
	}

	// Load the html/template templates
	template := buf.String()
	templates = htmlTemplate.New("_")
	templates.Funcs(map[string]interface{}{
		"route": routeHelper,
	})
	templates = htmlTemplate.Must(templates.Parse(template))
}

func Render(w http.ResponseWriter, name string, data interface{}) error {
	return templates.ExecuteTemplate(w, name, data)
}

func SetRouter(r *mux.Router) {
	router = r
}

// Helper functions
func routeHelper(name string, args ...string) (string, error) {
	route := router.Get(name)
	if route == nil {
		return "", fmt.Errorf("No route exists with the name '%s'", name)
	}

	url, err := route.URL(args...)
	if err != nil {
		return "", err
	}

	return url.String(), nil
}

redpajama_set_name: RedPajamaGithub


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Did you hear the song, saith the Lord? Did you hear what my name is? My name is the great I AM. I AM is my name, not "I will be," and not "I was;" my name is I AM. Today is the day of salvation, not tomorrow. Today is the day that I was raised from the dead, not tomorrow, not yesterday, today is the day; I AM today, your salvation is today, you look to me today, not for tomorrow, saith the Lord.


Resale four bedroom detached house in the most nicest area in Limassol in Agios Tychonas.The ground floor consists of a large dinning/sitting area, a second sitting area, a guest w.c. and open plan kitchen. On the second floor there are four large bedrooms with three bathrooms and three w.c. Outside there is a big courtyard and nice garden with beautiful flowers. Also there is a big garage to park three cars. The house is located in a quiet residential area close to all main amenities with an easy access to down town and the motor way.
The house is located in a silent neighborhood.


Ingersoll offers a line of horizontal machines with attachment heads. The dynamic of the structure is advanced so to assure federates in machining and non machining time that are outstanding the concurrence. A vaste selection of heads is available for all possible needs , including programming, fixturing and cutting tool selection to fit the customer's specific requirements.


text:
Laéroport international de l'île de Kish  () est un aéroport international sur l'Île de Kish, l'Iran.

Il sert de point d'entrée pour les centaines de milliers de touristes qui viennent sur l'île de Kish. L'aéroport permet aux étrangers de séjourner 14 jours sans visa, en vertu d'un régime différent de celui de la partie continentale de l'Iran.

Air France a envisagé Kish en tant que destination pour être desservi à partir de Paris sans concrétiser l'idée.

Situation

Compagnies aériennes et destinations

Édité le 24/06/2017

Notes et références

Voir aussi
 Transport en Iran
 Liste des aéroports en Iran
 Liste des compagnies aériennes de l'Iran
 Île de Kish
 Iran

Kish


Iran's parliament voted on Wednesday to take Mahmoud Ahmadinejad to court over his takeover of the country's vital oil ministry, escalating the power struggle between the president and the hard-line establishment that has turned against him.
The 165-1 vote was the latest salvo in the political manoeuvring that began when Ahmadinejad publicly challenged Iran's supreme leader in April, only to back down. The confrontations appear to be part of a power struggle ahead of parliamentary elections next year and the vote for Ahmadinejad's successor in mid-2013.
Lawmakers were infuriated when Ahmadinejad consolidated a series of ministries without parliamentary approval, fired the oil minister and named himself as the replacement. The takeover also technically puts Ahmadinejad at the helm of the Organization of the Petroleum Exporting Countries, since Iran this year holds the rotating presidency.
It is unclear whether Wednesday's vote in the 290-member parliament will actually be followed by charges or a lawsuit against Ahmadinejad, but it clearly pits the president against a majority of lawmakers, including parliamentary speaker Ali Larijani, a leader of a rival camp within the conservative political bloc. If charges proceed against the president, he could well face an investigation by the judiciary, which is led by Larijani's brother.
Ahmadinejad was re-elected president in 2009 in a disputed vote that sent Iran into its worst internal chaos since the 1979 Islamic Revolution. He has tried unsuccessfully to position a protégé to succeed him, but many of his allies, including the Larijani brothers and apparently Supreme Leader Ayatollah Ali Khomenei, are turning against him in their own efforts to retain power.


text:
Debt Consolidation Loan to Pay Off Debts And Save Money
Glasgow Summit Ends Amidst Climate of Disappointment — Global Issues
November 14, 2021 admin 0 Comments glasgow summit, glasgow summit calendar, glasgow summit corvette, glasgow summit crossover, glasgow summit movies, glasgow summit nfl, glasgow summit popular, glasgow summit presidential election, glasgow summit suvs, glasgow summit tax
One of the family photos taken after the laborious end of the 26th climate summit in Glasgow, which closed a day later than scheduled with a Climate Pact described as falling short by already the most optimistic, lacking important decisions to combat the crisis and without directly confronting fossil fuels, the cause of the emergency. CREDIT: UNFCCC
by Emilio Godoy (glasgow)
GLASGOW, Nov 14 (IPS) – Developing countries will surely remember the Glasgow climate summit, the most important since 2015, as a fiasco that left them as an afterthought.
That was the prevailing sentiment among delegates from the developing South during the closing ceremony on the night of Saturday Nov. 13, one day after the scheduled end of the conference.
Bolivia's chief negotiator, Diego Pacheco, questioned the outcome of the summit. "It is not fair to pass the responsibility to developing countries. Developed countries do not want to concede their responsibility for the crisis. They have systematically broken their funding pledges and emission reduction commitments," he told IPS minutes after the end of the 26th Conference of the Parties (COP26) on climate change in Glasgow.
The 196 Parties to the United Nations Framework Convention on Climate Change (UNFCCC) ignored the public clamor, which took shape in the demands of native peoples, young people, women, scientists and social movements around the world for substantive measures to combat the climate crisis, already though the goal of containing global warming to 1.5 degrees Celsius is barely surviving on life sustain.
The Glasgow Climate Pact that came out of the summit finally mentions the need to move away from the use of coal. But it had to water down the stronger recommendation to "phase out" in order to conquer the last stumbling block.
In addition, COP26 broke a taboo, albeit very tepidly, after arduous marches and counter-marches in the negotiating room and in the three drafts of the Glasgow Pact: there was a mention of fossil fuels as part of the climate emergency. And it also stated the need to reduce "inefficient" subsidies for fossil fuels.
But the summit, where decisions are made by consensus, avoided a strong stance in this regard. It also avoided moving from recommendations to obligations for the next edition, to be held in Egypt, and those that follow, while the climate crisis continues causing harsh droughts, devastating storms, melting of the polar ice caps and warming of the oceans.
In a plenary session that was delayed by several minutes, the final declaration underwent a last-minute change when India, one of the villains of the meeting – along with Saudi Arabia, Australia and Russia – asked for the phrase "phasing out" of coal to be replaced by "phasing down", a change questioned by countries such as Mexico, Liechtenstein and Switzerland.
A paradoxical fact at the close of COP26, where civil society organizations complained that they were left out, was the decision of several countries to endorse the final text already though they differed on several points, including the fossil energy confront-lifts.
"Today, we can say with credibility that we have kept 1.5 degrees within reach. But its pulse is ineffective. And it will only survive if we keep our promises. If we translate commitments into rapid action," said conference chairman Alok Sharma, choking back tears after a pact – albeit a minimal one – was reached by negotiating three drafts and holding arduous discussions on the fossil fuel question, right up to the final plenary.
COP26 chair Alok Sharma blinked back tears during his closing speech at the climate summit, expressing the tension of negotiating the Glasgow Climate Pact, due to the hurdles thrown in the way of a consensus by the big coal and oil producers. CREDIT: UNFCCC-Twitter
The South is nevertheless waiting
Lost amidst the impacts of the climate emergency and forgotten by the industrialized countries, the global South failed to acquire something vital for many of its nations: a clear plan and funding for loss and damage, an issue that was deferred to COP27 in Egypt.
Mohamed Adow, director of the non-governmental strength Shift Africa, said the pact is "not good enough…There is no mention of solidarity and justice. We need a clear course of action to confront loss and damage. There should be a link between emission reduction, financing and adaptation."
The final decision by China, the United States, India and the European Union to turn their backs on a global fossil fuel exit and deny climate sustain to the most unprotected nations left the developing world high and dry.
"There are things that cannot wait to COP27 or 2025. To confront loss and damage, the most unprotected countries need financing to battle the impacts on their territories," Manuel Pulgar-Vidal, global climate and energy leader for the non-governmental World Wildlife Fund, told IPS.
Climate policies were, at the minimum on the agenda, the focus of COP26.
The summit focused on carbon market rules, climate finance of at the minimum 100 billion dollars per year, gaps between emission reduction targets and needed reductions, strategies for carbon neutrality by 2050, adaptation plans, and the working platform for local communities and native peoples.
But the goal of hundreds of billions of dollars per year has been postponed, a reflection of the fact that financing for climate mitigation and adaptation is a touchy issue, especially for developed countries.
The corridors of the Blue Zone of the Scottish Events Campus, where the official part of the 26th Climate Conference was held in the city of Glasgow, were emptying on Saturday Nov. 13, at the end of the summit, which lasted a day longer than scheduled and ended with a negative balance according to civil society organizations. CREDIT: Emilio Godoy/IPS
Offers and promises – on paper
One breakthrough at COP26 was the approval of the rules of the Paris Agreement, signed in the French capital in December 2015, at COP21, to form the basis on which later summits have revolved. By 2024, all countries will have to report detailed data on emissions, which will form a baseline to estimate future greenhouse gas reductions.
The agreement on the functioning of carbon markets creates a trading system between countries, but does not remove the possibility of countries and companies skirting the rules.
Industrialized countries committed to doubling adaptation finance by 2025 based on 2019 amounts. In addition, COP26 approved a new work program to increase greenhouse gas cuts, with reports due in 2022.
It also asked the UNFCCC to estimate climate plans that year and its final declaration calls on countries to switch from coal and hydrocarbons to replaceable energy.
except the Climate Pact, the summit produced voluntary commitments against deforestation, emissions of methane, a gas more polluting than carbon dioxide, and the phasing out of gasoline and diesel vehicles.
In addition, at the minimum 10 countries agreed to put an end to the issuing of new hydrocarbon exploration and exploitation licenses in their territories.
Furthermore, some thirty nations agreed to suspend public funding for coal, gas and oil by 2022.
displays demanding ambitious, substantive and equitable measures to address the climate crisis continued throughout the 14-day climate summit in Glasgow, which ended on the night of Saturday Nov. 13 with disappointing results for the global South. CREDIT: Emilio Godoy/IPS
Finally, more than 100 stakeholders, including countries and companies, signed up to the elimination of cars with internal combustion engines by 2030, without the major automobile manufacturers such as Germany, Spain and France joining in, and a hundred nations signed a pact to promote sustainable agriculture.
All of the 2030 pledges, which nevertheless need concrete plans for implementation, imply a temperature rise of 2.8 degrees C by the end of this century, according to the independent Climate Action Tracker.
The climate plans of the 48 least developed countries (LDCs) would cost more than 93 billion dollars yearly, the non-governmental International Institute for ecosystem and Development said in Glasgow.
In addition, annual adaptation costs in developing countries would be about 70 billion dollars, reaching a total of 140 to 300 billion dollars by 2030, according to the United Nations ecosystem Program (UNEP).
But the largest disbursements are related to loss and damage, which would range between 290 billion and 580 billion dollars by 2030, and hence the enormous concern of these nations to acquire basic financing, according to a 2019 study. And their disappointment with the results of the Oct. 31-Nov.13 conference.
During his presentation at the closing plenary, Seve Paeniu, a climate envoy from Tuvalu, an island nation whose very existence is threatened by the rising sea level, showed a photo of his three grandchildren and said he had been thinking about what to say to them when he got home.
"Glasgow has made a potential to guarantee their future. It will be the best Christmas gift that I can bring home," he said. But judging by the Climate Pact, Paeniu may have to look for another present.
IPS produced this article with the sustain of Iniciativa Climática of Mexico and the European Climate Foundation.
© Inter Press Service (2021) — All Rights Reserved Original source: Inter Press Service
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text:
Mobile Rideshare Program
Pickup Pal connects thousands of drivers and passengers around the world, forming a new transportation marketplace. The eco-friendly service integrates with the most popular social networking tools, making it easier for people to share rides with others who have similar interests or with whom they are already connected via colleagues or friends.
Pickup Pal has thousands of members worldwide who are on the go. The company has been highly successful in connecting drivers and those looking for rides through their website. Because their members are not always in front of their PC, Pickup Pal saw a need for a mobile app that could further extend the convenience and reach of their ride-share program, making it even more valuable to members.
Intelliware was chosen to build a custom iPhone® app for Pickup Pal. The app was developed in a way that it takes full advantage of the device's capabilities such as GPS, mapping, texting and intuitive user interface to connect drivers with passengers who are looking to find rides.
It was important not to just duplicate the Pickup Pal website on the iPhone. Certain considerations such as how information is accessed and presented had to be taken into account. Intelliware provided design and flow recommendations to optimize the Pickup Pal experience for the iPhone to create a slick user interface leveraging Pickup Pal's branding.
The design also had to consider the underlying architecture required to deliver functionality with maximum utility for Pickup Pal members. Since the rideshare program relies on real-time data to match drivers with riders, streamlined APIs were used to enable the app to retrieve data in the most efficient way – minimizing wait time for the information to be available and presenting the information in a way that best suits the device's form factor.
The Pickup Pal app enables members to filter and view their matches, send and receive messages, exchange information among members, and view a record of all trips logged. It is customizable for personal preferences, allowing users to choose the default screen to what they use the most. To streamline the user experience, the app pre-populates the date, user's location and provides interactive maps.
Another convenient feature lets members use Facebook® to login to the app, thereby avoiding having to remember yet another username and password.
Available for free on the App Store, Pickup Pal members now have a simple, yet highly useful tool to help them get where they need to go.


Big Sky Brewing's Buckin' Monk Tripel is brewed using traditional ingredients and techniques. The complex flavor and mouthfeel are a result of three types of grains used; wheat, barley and oats. Eight different belgian yeast strains and choice hallertau tradition hops further enhance the distinct character and aroma profiles. Temperature controlled bottle conditioning provides a wonderful sparkling finish. So climb on and let'er buck!


With all the excitement over the wine festival coming up this weekend, I started thinking about what I wanted to wear. Since I recently picked up a new hat at J.Crew, I wanted to build an outfit around that. Here's what I put together. I hope you like it!
PS - Oh, and don't forget to check out the GIVEAWAY below!
What a effortlessly stylish outfit you put together! Beautiful neutrals! I love that the hat is the central focus!
Thank you, Robyn! "Effortlessly stylish" is key for me. It has to be easy and comfortable or I've noticed that I won't wear it.
Love it! You are going to look fabulous at the wine festival!
Thanks, Brooke! I've loved checking out Pumps and Push Ups today. It's fun to see another blogging team!


text:
Q: Monitoring a keyboard in a non-active window How would one listen to key presses on a specific keyboard in a background c# process?
Context: We have a barcode scanner which currently requires a window to be active to read what's scanned.  At the moment the window has to be active which isn't ideal.


We rolled back to version 5.8.1.3 and everything came back normal again. We will wait to see how you guys can fix this ongoing bug that started with 5.9 and 5.9.1. Thank you.
Are you using the timezones feature?
Yes, that's the only one available from the drop down menu and we chose Los Angeles (which is where we are located).
Hi I have the same exact problem. I rolled back to 5.8.1.3, its displays everything correctly, but I can no longer access the events on the back end.
This reply was modified 1 year ago by cmatt.
Installed up to 5.9.1 and able to access them now, so just going to re-edit it for client.
@wafwaf Do you still need help with this?
@wafwaf have you tried resetting your timezones with 5.9.1 installed?
Also, can you let me know your timezone?
Update: I've been working with a Pro custom on this, and in his case the problem was just due to caching.
There were old cached event objects that were missing the new date properties we added in the last update. Due to that, when displaying cached events there was no date to be used, and that's why it showed 1970 dates.
In their case, they were using Varnish and clearing the cache did the trick.
The topic '5.9.1: Same problem – Thursday, January 1, 1970' is closed to new replies.


text:
Grace Byers (de soltera Gealey; Islas Caimán, 26 de julio de 1984) es una actriz estadounidense, conocida por su papel como Anika Calhoun en el drama de la industria de música de Fox, Empire , y es conocida por su papel como Reeva Payge en la serie de X-men de Fox, The Gifted

Primeros años
Gealey nació en Butler, Pensilvania, y fue criada en las Islas Caimán desde su infancia. Después de moverse a los Estados Unidos, estudió bachillerato en Artes de Teatro en la Universidad de Florida Del Sur en Tampa. Gealey después asistió a la Universidad de California, Irvine, donde recibió su Maestría de Bellas Artes en actuación.

Carrera
Gealey entonces se movió a la Ciudad de Nueva York donde actuó en Off-Broadway, incluyendo Venus Flytrap: A Femme Noir Mystery, y Rent. En 2013, actuó en las producciones de Chicago de The Misanthrope y Tartuffe. En 2014, Gealey estuvo en el elenco como Anika Calhoun en el musical de Fox con horario de máxima audiencia , Empire con Terrence Howard y Taraji P. Henson. La serie debutó el 7 de enero de 2015.

Vida personal
Gealey Devino se comprometió con la co-estrella de Empire Trai Byers en 2015. Ella y Byers se casaron en La isla Gran Caimán el 14 de abril de 2016. En octubre de 2022 se hizo público que estaba embarazada por primera vez.

Filmografía

Televisión

Cine

Referencias

Alumnado de la Universidad de California en Irvine


The Canadian Monetary Policy Market is a real-money futures market that attempts to predict the monetary policy decisions of the Bank of Canada. Contract payoffs are determined by major monetary policy decisions, in particular with respect to raising and lowering the overnight rate, through which the Bank of Canada influences short-term interest rates.
The overnight rate is the interest rate at which major financial institutions borrow and lend one-day (or "overnight") funds among themselves; the Bank sets a target level for that rate. This target for the overnight rate is often referred to as the Bank's key interest rate or key policy rate. Changes in the target for the overnight rate influence other interest rates, such as those for consumer loans and mortgages. They can also affect the exchange rate of the Canadian dollar. In November 2000, the Bank introduced a system of eight fixed dates each year on which it announces whether or not it will change the key policy rate (see table below).
There are three contracts offered in each Canadian Monetary Policy Market. This is a "winner-takes-all" type of market in which only one contract pays $1, and all other contracts pay $0. Contract "HGH" pays $1 if the Bank of Canada increases the overnight rate, contract "LOW" pays $1 if the Bank of Canada decreases the overnight rate, and contract "UNC" pays $1 if the Bank of Canada leaves the overnight rate unchanged.
There are up to eight Canadian Monetary Policy Markets each year. The market symbols are the letters "CMP" for Canadian Monetary Policy, followed by two digits for the year, followed by a letter (A-H) for the sequence of decision dates in a given year. For example, CMP13B is the market for the second announcement date in 2013, which is 6 March 2013.


After over a year of planning, three months of building, countless lunch breaks spent organising finances, permits and other final details and just as many countless nights spent lying awaking deciding on details – we finally moved back into our house. To say we're excited is an understatement. I'm planning on putting together a post with the before and after shots sometime in the new year, once we've finished decorating.
While we were staying up at B's parent's house, I've was a bit limited in my cooking – we didn't have much space to keep food, and I'm conscious of not taking over someone else's kitchen to cook in (I'm definitely not one of those people that cleans as they cook – my kitchen often looks like a hurricane's passed through after I've spent a few hours in there cooking! My hope is that I'll develop better habits in our new kitchen fully equipped with more storage, a dishwasher and plenty of bench space, but we'll see!) This forced me to be a little creative and come up with different ways of serving what was essentially the same dish. Most of our meals over the past three months were variations of a cold greens-based salad or a one-pot veggie stiry-fry type dish. To keep things interesting, I've been alternating the dressings – chimichurri, pesto's and zesty blended avocado creations.
This dressing ended up being one of my favorites – a creamy avocado base kept interesting with a generous amount of ginger, some zesty lime, and fresh herbs. I've served it here with some soba noodles and spiralised zucchini – you could obviously choose just the one type of noodle here but I like to mix mine up to get a sneaky dose of veggies that's still filling and satiating.
I served this dish cold, but I like to add the tofu freshly roasted – the contrast in texture and temperature adds a wonderful element to the dish. Leftovers are fine to serve completely cold though if you wish, or alternatively heat up the entire dish for something a little more warming.
Combine the tamari, rice wine vinegar and sweetener and coast the tofu. Leave to marinate at least 20 minutes while the oven preheats.
Line a baking tray and brush or spray with some oil. Add the tofu, and bake around 20 minute, then turn and bake another 10 - 15 minutes or until golden.
While to tofu is roasting, spiralise the zucchini and set aside.
Cook the soba noodles according to packet directions, and rinse under cold water to cool once done.
To make the dressing, add all ingredients to a blender and blend until smooth, adding a little water (around a tablespoon at a time) until you get your desired consistency - I usually add around 3 - 4 tablespoons.
To serve, combine the noodles together and then stir through the dressing. Place in bowls, and top with the roasted tofu, sesame seeds and coriander leaves.
So glad you're back to blogging Dearna, and I cannot wait to see the before and after shots of the kitchen! No exaggeration – I love everything about this noodle bowl and it's definitely going on my list to make soon.
We did like it! We actually loved it. Looking forward to leftovers today and I'll definitely make this again. I love the arugula avocado sauce.
This is a meal staple for my family who love it so much that my daughter asked for it as her birthday dinner!


text:
Morton Brown  (* 12. August 1931 in New York City) ist ein US-amerikanischer Mathematiker, der sich mit Topologie beschäftigt.

Brown promovierte 1958 an der University of Wisconsin bei R. H. Bing. 1960 bis 1962 war er am Institute for Advanced Study. Danach war er Professor an der University of Michigan in Ann Arbor. 1963 wurde er Sloan Research Fellow.

Mit Barry Mazur erhielt er 1965 den Oswald-Veblen-Preis für ihren gleichzeitigen Beweis der verallgemeinerten Schoenflies-Vermutung in der geometrischen Topologie, die besagt, dass  zweidimensionale Sphären im dreidimensionalen Raum (im Gegensatz zu den eindimensionalen Knoten) immer "entknotet" werden können (siehe auch Satz von Schoenflies). Er ist Fellow der American Mathematical Society.

Weblinks

Topologe (20. Jahrhundert)
Hochschullehrer (University of Michigan)
Fellow der American Mathematical Society
US-Amerikaner
Geboren 1931
Mann


Bibliography expanded to reflect updated research, integration into current literature and challenges to practice.
Updated on 1 October 2013. The previous version of this content can be found here.
The concept of empowerment has deep roots in social work practice. Building upon the work of empowerment theorists of the 1980s and 1990s and applied broadly in the 2000s [Itzhaky and York (2000), Social Work Research, 24, 225–234; Travis and Deepak (2011), Journal of Ethnic and Cultural Diversity in Social Work, 20, 203–222], the concept of empowerment has evolved from a philosophical level to practice frameworks and methods. Substantial research confirms empowerment outcomes as personal, interpersonal, and sociopolitical. Practice interventions contain both personal and structural dimensions and are accomplished through multilevel interventions. Based on transformation ideology, empowerment is a counter to perceived and objective powerlessness. Social work relationships provide an opportunity for experiencing power and collaboration. Empowerment interventions are often useful with vulnerable populations, such as women and members of stigmatized groups.


"Shared Parenting is impossible to pull off." This is simply not true. As the implementation of Shared Parenting Legislation continues to spread, more and more parents are learning how to co-parent well. It can be done, and in situations where the child previously enjoyed relationships with two fit, involved parents, shared parenting is an option that should not be overlooked.
"It's unfair to expect a child to live in two different homes." Making the adjustment to living in two homes is certainly a challenge that requires a lot of patience, encouragement, and collaboration. When it is done well, it can actually be ideal for the children. What would truly be unfair, however, would be expecting the child to forfeit part of his or her relationship with one parent in order to accommodate both parents' determination to avoid learning how to parent well as collaborative partners.
"Divorced parents are way too contentious to equally share the responsibility of raising their kids together." Again, this is not true. Parents who were once married and have decided to terminate their marital relationship must transition to a different way of relating. With the help of mediators and parent educators, divorced parents can learn how to reshape their working relationship into one that is beneficial for the children.
"Regular visits are sufficient." While regular visits are critical for families whose current custody agreement does not include shared parenting, they are a poor substitute for the relationship that the parent and child would have enjoyed if they were still living together.
"When parents share custody, the child suffers because he or she receives less child support." It is true that in situations where a family is transitioning from one parent being the primary custodial parent to both parents sharing approximately equal parenting time, the amount of child support paid by the previously non-custodial parent may decrease. However, this is because that parent now spends more time directly with the child, and as a result, is paying for the child's needs in a more direct manner while the child is under his/her care.
"Shared parenting is too inconvenient." Getting used to shared parenting can feel like an inconvenience in the beginning. However, there are also a lot of benefits to both parents having an established routine of alternating responsibility for caring for the children. For example, parents with a regular shared parenting routine can schedule their working hours while the child is with the other parent and, as a result, reduce or eliminate the need for child care. It also allows each parent to build in some regular "me time" while the child is in the care of the other parent.
In closing, shared parenting is an option that should not be overlooked. It does require both parents to put the needs of the child ahead of their own unresolved anger and personal preferences. However, with help from mediators and parent educators, shared parenting is an option that can be extremely beneficial for each member of the family - and especially for the children.
Do Mothers and Fathers Have Equal Parental Rights?


There is an issue which may occur when you install or upgrade your VMware Tools after having installed your View Agent. The set of VGA drivers shipped with VMware Tools might sometimes be incompatible with VMware View and PCoIP, whereas the VMware View Agent software contains a supported VGA driver.
To resolve this issue, you must update the drivers to the version supplied with VMware View Agent. The KB also includes a nice table of video drivers supplied with different VMware View Agent versions and operating systems.


There are over 300 buses in this list. The year that is displayed refers to the first year of the model.
Irisbus (1999 to 2006) 1996 to 2006 12-metre "S" version, and articulated 18-metre "L" version.
Panaire Single deck Open-top bodywork. As of June 2008 no orders have been placed, and none have been built.
Navistar International (1986-1989) 1978 to 1989 Also marketed as the "Schoolmaster".
Transit Minibus Ford 1965 Numerous Ford transit minivans and minibuses were produced. This image shows the London Transport bus FS19 (image taken 1978).
Wikimedia Commons has media related to List of bus models.
↑ Dl, Esteban (10 October 2012). "Camión Argentino: Mercedes-Benz O 373 RSD". Retrieved 28 February 2018.
↑ Dl, Esteban (12 October 2012). "Camión Argentino: Mercedes-Benz O 374 RSD". Retrieved 28 February 2018.
↑ Camionero, El (22 December 2013). "Camión Argentino: El Detalle OA 101". Retrieved 28 February 2018.
↑ Dl, Esteban (8 October 2012). "Camión Argentino: El Detalle OA 104 "Góndola"". Retrieved 28 February 2018.
↑ Dl, Esteban (30 May 2014). "Camión Argentino: El Detalle OA 105". Retrieved 28 February 2018.
This page was last changed on 11 March 2019, at 07:49.


text:
Judith Hoag (; born June 29, 1963) is an American actress. She is best known for playing April O'Neil in Teenage Mutant Ninja Turtles (1990) and Gwen Cromwell Piper in the Disney Channel television film series Halloweentown, from 1998 to 2006.

Hoag is also known for her recurring roles as Cindy Dutton Price in the HBO drama series Big Love (2006–2011), Tandy Hampton in the ABC musical drama series Nashville (2012–2018), and Stephanie Quinn in the Syfy fantasy drama series The Magicians (2016–2020).

Early life
Hoag was born in Newburyport, Massachusetts. As a teen, Hoag attended Walnut Hill School in Natick, Massachusetts where she concentrated on acting. She graduated in 1981.

Career
Hoag has acted professionally since 1986. That year, she got one of her first roles as a series regular in the ABC daytime soap opera Loving in the role of Charlotte 'Lotty' Bates Alden. After leaving Loving in 1988, Hoag began her career in primetime television, and in next year won female lead role on CBS comedy series Wolf.  The series was canceled after a single season. In 1990 she starred in films A Matter of Degrees and Cadillac Man.

Hoag is most well known for her role as April O'Neil in the first Teenage Mutant Ninja Turtles film. The film turned out to be a huge success at the box office, eventually making over $135 million in North America, and over $66 million outside North America, for a worldwide total of over $200 million, making it the ninth highest-grossing film of 1990 worldwide. After Teenage Mutant Ninja Turtles fame, Hoag starred in a number of pilots not picked up as a series, and appeared in several television films, including Fine Things by Danielle Steel, and Switched at Birth opposite Bonnie Bedelia.

Hoag received further recognition as Gwen Cromwell Piper in the Disney Channel Halloweentown franchise, appearing in Halloweentown (1998),  Halloweentown II: Kalabar's Revenge (2001), Halloweentown High (2004) and Return to Halloweentown (2006). In a 2020 Galaxy Con question-and-answer panel, Hoag revealed she had a meeting with the head of Walt Disney Television where she read for the part and got cast in the role after it was revealed that the head's son was a die-hard Ninja Turtle fan as Hoag had previously played April O'Neil in 1990's Teenage Mutant Ninja Turtles.

She also appeared in the films Armageddon (1998), Flying By (2009), I Am Number Four (2011) and Hitchcock (2012), and has made over 60 guest appearances on television shows, including Quantum Leap, Melrose Place, Roseanne, The Nanny, Murder, She Wrote, The X-Files,  Six Feet Under, Ghost Whisperer, NYPD Blue, Grey's Anatomy, Private Practice, CSI: NY, Criminal Minds, Sons of Anarchy, Castle, The Middle, Grimm and among other notable television series.

From 2006 to 2011, Hoag also appeared as Cindy Price on the HBO drama series Big Love.

In 2012, Hoag was cast in a recurring role in the ABC drama series Nashville created by Academy Award winner Callie Khouri. She plays the poised and driven Tandy Hampton, daughter and protégé of Lamar Wyatt. She referees sister Rayna (Connie Britton) and Lamar's (Powers Boothe) contentious relationship, trying to calm the waters. She appeared total in 40 episodes, include almost every episode during the first two seasons.

In 2015, Hoag filmed a cameo for the 2016 film Teenage Mutant Ninja Turtles: Out of the Shadows, but the scene with her was cut from the final film. Her scene later appeared in the film's home media release.

From 2016 to 2020, Hoag appeared in a recurring role as Olivia Taylor Dudley's character mother in the Syfy fantasy series The Magicians, and played supporting role in the 2018 romantic drama film Forever My Girl.

Personal life
In 1988, she married actor Vince Grant. They have two children, a son and a daughter. The couple divorced in 2016. On February 13, 2021, she married Phillip Stone.

Filmography

Film

Television

References

External links

1963 births
20th-century American actresses
21st-century American actresses
American acting coaches
Actresses from Massachusetts
American film actresses
American soap opera actresses
American television actresses
Living people
People from Newburyport, Massachusetts


text:
Rolf Fritzsche (* 29. März 1927 in Leipzig; † in Aschersleben) war ein deutscher Phytomediziner und Entomologe. Er forschte viele Jahre am Institut für Phytopathologie in Aschersleben als Abteilungsleiter und stellvertretender Institutsleiter.

Leben und Karriere
Rolf Fritzsche wurde am 29. März 1927 in Leipzig geboren. Hier besuchte er auch die Schule. Nach dem Kriegsende begann er eine Landwirtschaftslehre und lernte an der Höheren Landbauschule in Neugattersleben. Der Abschluss ermöglichte ein Studium and der Landwirtschaftlichen Fakultät der Martin – Luther – Universität Halle-Wittenberg. Während seiner Studienzeit von 1949 bis 1952 arbeitete er zeitweise als Pflanzenschutztechniker im damaligen Land Sachsen-Anhalt. Nach seinem Studium begann er 1952 seine Tätigkeit im von Maximilian Klinkowski geleiteten  Institut für Phytopathologie (IfP) in Aschersleben. Seine wissenschaftliche Arbeit konzentrierte sich In der Abteilung Entomologie unter der Leitung von Hans-Werner Nolte auf die Biologie und Epidemiologie von Schadinsekten und Milben, vorrangig an Kreuzblütlern (Brassicaceae). R. Fritzsche promovierte 1954 zum Thema "Beiträge zur Morphologie und Ökologie der Rapsschädlinge aus der Gattung Meligethes." und habilitierte sich1959 mit seinen Untersuchungen über  "Morphologische, biologische und physiologische Variabilität und ihre Bedeutung für die Epidemiologie und Bekämpfung von Tetranychus urticae Koch."
Von 1963 bis 1965 unterbrach eine zweijährige Delegierung  als Vorsitzender einer Landwirtschaftlichen Produktionsgenossenschaft seine wissenschaftliche Tätigkeit am IfP. In dieser Zeit übernahm er außerdem einen Lehrauftrag an der Hochschule für Landwirtschaft in Bernburg im Fach Phytopathologie.
Bald nach seiner Rückkehr 1965 an das Institut in Aschersleben wurde er zum wissenschaftlichen Abteilungsleiter ernannt und zum Professor der Akademie der Landwirtschaftswissenschaften der DDR (AdL) berufen. Weiterhin wurde er Stellvertretender Institutsleiter, dessen Funktion er bis zum Ende des IfP ausübte. Mit seiner Forschungstätigkeit konzentrierte er sich vorrangig auf die Epidemiologie und Populationsdynamik von Nematoden und Aphiden als Vektoren pflanzenpathogener Viren. In der von ihm geleiteten Abteilung Vektorenforschung wurden auch praktische Möglichkeiten der Bekämpfung von diesen Virusvektoren erforscht und die Resistenz der Kulturpflanzen gegen diese Virusvektoren untersucht. Mitte der 80iger Jahr erweiterte sich das Forschungsgebiet seiner Abteilung auf die Nutzung insektenpathogener Viren (Baculoviren) zur biologischen Schädlingsbekämpfung von Schadlepidopteren.
Während seiner wissenschaftlichen Tätigkeit betreute R. Fritzsche 29 Doktoranden und war für die Publikation von über 320 Beiträgen in Fachzeitschriften verantwortlich oder an ihnen beteiligt. Seit 1974 gehörte er bis 1990 dem Redaktionskollegium des "Nachrichtenblattes für Pflanzenschutz in der DDR" an. Er war weiterhin Herausgeber, Autor und Mitautor verschiedener Fachbücher wie "Angewandte Entomologie"; "Tierische Vektoren pflanzenpathogener Viren"; "Resistenz von Kulturpflanzen gegen tierische Schaderreger" sowie der Neuauflage des von Keilbach 1966 herausgebrachten Bandes "Tierische Schädlinge Mitteleuropas". Er initiierte die, leider unvollendete, Reihe "Tierische Pflanzenschädling" und war Mitherausgeber der Reihe "Diagnose von Krankheiten und Beschädigungen an Kulturpflanzen".
Seine wissenschaftliche Tätigkeit endete praktisch mit der Schließung des IfP Aschersleben. Bis zum Beginn seines Ruhestandes übernahm er noch zeitweise administrative Tätigkeiten für das neugegründete Land Sachsen-Anhalt zur Abwicklung der Mitarbeiter des Ascherslebener Forschungsinstitutes.

Hauptwerke
 Fritzsche, R., 1954. Beiträge zur Morphologie und Ökologie der Rapsschädlinge aus der Gattung Meligethes. Halle.
 Fritzsche, R., 1959. Morphologische, biologische und physiologische Variabilität und ihre Bedeutung für die Epidemiologie und Bekämpfung von Tetranychus urticae Koch. Halle.
 Frizsche, R., Geiler, H., Sedlag, U., 1968. Angewandte Entomologie. G. Fischer, Stuttgart.
 Fritzsche, R., Karl, E., Lehmann, W., Proeseler, G., 1972. Tierische Vektoren pflanzenpathogener Viren. Gustav Fischer Verlag, Jena.
 Fritzsche, R., Decker, H., Lehmann, W., Karl, E., Geißler, K., 1988. Resistenz von Kulturpflanzen gegen tierische Schaderreger. Springer, Berlin Heidelberg.
 Fritzsche, R., Keilbach, R., 1994. Die Pflanzen-, Vorrats- und Materialschädlinge Mitteleuropas: mit Hinweisen auf Gegenmaßnahmen, Neubearb. ed. G. Fischer, Jena.

Phytomediziner
Entomologe
Deutscher
Geboren 1927
Mann


Assist stakeholders in developing specifications for data capture and reporting software.
Analyze user requirements and envision system features and functionality.
Plan, design, implement, troubleshoot and maintain software applications.
Set expectations on features and priorities throughout the development life cycle.
Work with agile development methodology, by coordinating requirements, schedules and other activities, and to communicate them to a team of clinical administrative staff.
Troubleshoot development and production problems across multiple environments.
Design and conduct tests for the software.
Three years of experience in systems programming, or an equivalent combination of education and work experience.
Experience should include specifically C#, ASP.NET, and SQL.
Experience with Microsoft SQL Server Reporting Services, Git, Classic ASP, and VBScript preferred.
Must be able to manage evolving needs for growing database.
Must have experience and ability to create and maintain complex software clearly.
To learn more about this and other positions, contact Eric Galanis at 978-561-2018 or Eric.Galanis@healthcareitleaders.com .