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Large Pet Bandanna
Small Pet Bandanna
Sublimated Pet Bandanna - Full Color - Large
Domestic Pet Bandanna
Apparel, Caps, and Hats (24)
Fitness, Health, and Safety (2)
Home and Housewares (24)
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Ounce Capacity
**Note: Out of stock in Turquoise & Lime until mid-May*** Price includes a 1-color screen printed imprint. Size: 22" x 22" x 30" Imprint Area: 15" x 15" x 21"--(Due to variance in bandana shapes, we are unable to use artwork with borders or imprints aligned to the edges). Product Colors: Athletic Gold, Black, Bright Yellow, Cocoa Brown, Columbia Blue, Dark Purple, Forest, Hot Pink, Kelly Green, Lime, Maroon, Navy, Orange, Red, Royal, Turquoise, White(100% Polyester). Imprint Colors: White, Black, Gray (PMS Cool Gray 7), Lt Yellow (PMS 102), Yellow (PMS 109), Ath Gold (PMS 123), Vegas Gold (PMS 4515), Orange (PMS 021), Red (PMS 186), Cardinal (PMS 201), Maroon (PMS 202), Pink (PMS 224), Purple (PMS 268), Lt Green (PMS 368), Green (PMS 356), Dark Green (PMS 343), Lt Blue (PMS 278), Blue (PMS 300), Royal (PMS 287), Navy Blue (PMS 289). Set-up: $65(G). Exact repeat set-up $35(G). Imprint Color Change Charge: $15(G) per color. Additional Color: $65(G) Set-up plus $.20(C) per piece. Exact repeat set-up is $35(G) plus $.20(C) per piece. PMS® Color Match: $45(G) per color, mixing charge. Virtual Proof: Free upon request with order. Please allow 2 business days. Production time begins after final proof approval. Pre-Production Proof: $30(G). Please allow 5 business days. Production time begins after proof approval. Spec Sample: $30(G), plus all set-up charges. Random Sample: No charge for random color. Please provide shipper number. Overruns/Underruns: +/- 5% is normal and will be billed accordingly. Packaging: Bulk. Shipping: 1000 pcs = 43 lbs. Box size: 20 x 16 x 16 F.O.B.: Wisconsin (53037) Product Decora
Sublimated Pet Bandanna - Full Color - Large - Short Run
# 705-6806-SR 7 day production time$3.20 - $3.55 | Min Qty 50
Price includes a full color sublimated imprint. Size: 21" x 21" x 32" Imprint Area: 21" x 21" x 32" -- (Due to variance in bandanna shapes, we are unable to use artwork with borders or imprints aligned to the edges). Product Color: White. Imprint Colors: Full color Set-up: $65(G). Exact repeat set-up $35(G). Imprint Color Change/Run Charge: N/A Additional Color Location Charge/Run Charge: N/A PMS® Color Match: $45(G) per color. Virtual Proof: Free upon request with order. Please allow 2 business days. Production time begins after final proof approval. Pre-Production Proof: $65(G). Please allow 5 business days. Production time begins after proof approval. Spec Sample: $65(G), plus all set-up charges Packaging: Bulk. Random Sample: No charge for random color. Please provide shipper number. Overruns/Underruns: Up to 5% over or under will be billed accordingly. Orders specifying exact quantities must be stated on the purchase order. Packaging: Bulk Shipping: 250 pcs = 7 lbs. Box size: 12 x 9 x 9 F.O.B.: Wisconsin (53037). Product Decoration: USA
Large Pet Bandanna - Short Run
Sublimated Pet Bandanna - Full Color - Small - Short Run
Price includes a full color sublimated imprint on a polyester triangle. Please note that PMS colors will be converted to four color process. Size: 14" x 14" x 20" Imprint Area: 14" x 14" x 20" --(Due to variance in bandanna shapes, we are unable to use artwork with borders or imprints aligned to the edges). Product Color: White. Imprint Colors: Full color Set-up: $65(G). Exact repeat set-up $35(G). Imprint Color Change/Run Charge: N/A Additional Color Location Charge/Run Charge: N/A PMS® Color Match: $45(G) per color. Please note that PMS colors will be converted to four color process. Virtual Proof: Free upon request with order. Please allow 2 business days. Production time begins after final proof approval. Pre-Production Proof: $65(G). Please allow 5 business days. Production time begins after proof approval. Spec Sample: $65(G), plus all set-up charges. Random Sample: No charge for random color. Please provide shipper number. Overruns/Underruns: Up to 5% over or under will be billed accordingly. Orders specifying exact quantities must be stated on the purchase order. Packaging: Bulk. Shipping: 500 pcs = 12 lbs. Box Size: 12 x 9 x 12 F.O.B.: Wisconsin (53037). Product Decoration: USA
Small Pet Bandanna - Short Run
Note: Turquoise currently low in stock, Forest out of stock, & Purple out of stock until May. Price includes a 1-color screen printed imprint on a 100% cotton triangle. Size: 14" x 14" x 19" Imprint Area: 10" x 10" x 14"(Due to variance in bandanna shapes, we are unable to use artwork with borders or imprints aligned to the edges). Product Colors: Athletic Gold, Black, Bright Yellow, Cocoa Brown, Columbia Blue, Dark Purple, Forest, Hot Pink, Kelly Green, Lime, Maroon, Navy, Orange, Red, Royal, Turquoise, White(100% Polyester). Imprint Colors: White, Black, Gray (PMS Cool Gray 7), Lt Yellow (PMS 102), Yellow (PMS 109), Ath Gold (PMS 123), Vegas Gold (PMS 4515), Orange (PMS 021), Red (PMS 186), Cardinal (PMS 201), Maroon (PMS 202), Pink (PMS 224), Purple (PMS 268), Lt Green (PMS 368), Green (PMS 356), Dark Green (PMS 343), Lt Blue (PMS 278), Blue (PMS 300), Royal (PMS 287), Navy Blue (PMS 289). Set-up: $65(G). Exact repeat set-up: $35(G). Imprint Color Change Charge: $15(G) per color. PMS® Color Match: $45(G) per color, mixing charge. Additional Color: $65(G) Set-up plus $.20(C) per piece. Exact repeat set-up is $35(G) plus $.20(C) per piece. Virtual Proof: Required on all orders. Please allow 2 business days for this process. Pre-Production Proof: $30(G), plus all set-up charges. Will affect production time. Spec Sample: $30(G), plus all set-up charges Production Time: 5-7 working days after proof approval. For 1000 pieces + and 2-color imprints, please allow for 10 days. Packaging: 1,000 pcs = 24 lbs, box size 18X12X12. F.O.B.: Wisconsin (53037). Overruns/Underruns: +/- 5% is normal and will be billed accordin
Full Color Sublimated Bandanna
**Note: Item currently out of stock until the first week of December.** Price includes a full color sublimated printed imprint on one side only. Please note that PMS colors will be converted to four color process. Size: 22" x 22" Imprint Area: 22" x 22" Product Color: White. Imprint Colors: Full color sublimation. Set-up: $65(G). Exact repeat set-up $35(G). Imprint Color Change/Run Charge: N/A Additional Color Location Charge/Run Charge: N/A PMS® Color Match: $45(G) per color. Please note that PMS colors will be converted to four color process. Virtual Proof: Free upon request with order. Please allow 2 business days. Production time begins after final proof approval. Pre-Production Proof: $65(G). Please allow 5 business days. Production time begins after proof approval. Spec Sample: $65(G), plus all set-up charges. Random Sample: No charge for random color. Please provide shipper number. Overruns/Underruns: Up to 5% over or under will be billed accordingly. Orders specifying exact quantities must be stated on the purchase order. Packaging: Bulk. 500 pc = 42lbs billable weight - box 18"X12"X12" F.O.B.: Wisconsin (53037). Product Decoration: USA
Sublimated Collar Bandanna - Full Color
Collar Bandanna has a sewn channel to easily thread through pet collar. Price includes a full color sublimated printed imprint on a 100% polyester triangle. Size: 10.25" x 8.5" x 8.5" Imprint Area: 10.25" x 8.5" x 8.5" Product/Imprint Colors: Full color. Set-up: $65(G). Exact repeat set-up $35(G). Virtual Proof: Required on all orders. Please allow 2 business days for this process. Pre-Production Proof: $65(G). Will affect production time. Spec Sample: $65(G), plus all set-up charges. Packaging: Bulk. F.O.B.: Wisconsin (53037). Overruns/Underruns: +/- 5% is normal and will be billed accordingly. Product Origin/Decoration: China/USA
Small Reflective Pet Bandanna
Price includes a 1-color screen printed imprint on a 100% cotton triangle w/ reflective tape. Size: 14" x 14" x 19" Imprint Area: See Template. Product Colors: Fluorescent Yellow w/ reflective tape. Imprint Colors: White, Black, Gray (PMS Cool Gray 7), Light Yellow (PMS 102), Yellow (PMS 109), Athletic Gold (PMS 123 --close to 135), Vegas Gold (PMS 4515), Orange (PMS 021--close to 1655 & 172), Red (PMS 186 --close to 200), Cardinal (PMS 201--close to 187), Maroon (PMS 202--close to 188), Pink (PMS 224), Purple (PMS 268), Light Green (PMS 368--close to 376), Green (PMS 356), Dark Green (PMS 343), Light Blue (PMS 278), Blue (PMS 300--close to 2935), Royal Blue (PMS 287), Navy Blue (PMS 289). Set-up: $65(G). Exact repeat set-up: $35(G). Imprint Color Change Charge: $15(G) per color. PMS® Color Match: $45(G) per color, mixing charge for PMS color matching. Additional Color: $65(G) Set-up plus $.20(C) per piece. Exact repeat set-up is $35(G) plus $.20(C) per piece. Virtual Proof: Required on all orders. Please allow 2 business days for this process. Pre-Production Proof: $30(G), plus all set-up charges. Will affect production time. Spec Sample: $30(G), plus all set-up charges Packaging: Bulk. F.O.B.: Wisconsin (53037). Overruns/Underruns: +/- 5% is normal and will be billed accordingly. Product Origin/Decoration: China/USA
Large Reflective Pet Bandanna
Price includes a 1-color screen printed imprint on a 100% cotton triangle w/ reflective tape. Size: 22" x 22" x 30" Imprint Area: See Template. Product Colors: Fluorescent Yellow w/ reflective tape. Imprint Colors: White, Black, Gray (PMS Cool Gray 7), Light Yellow (PMS 102), Yellow (PMS 109), Athletic Gold (PMS 123 --close to 135), Vegas Gold (PMS 4515), Orange (PMS 021--close to 1655 & 172), Red (PMS 186 --close to 200), Cardinal (PMS 201--close to 187), Maroon (PMS 202--close to 188), Pink (PMS 224), Purple (PMS 268), Light Green (PMS 368--close to 376), Green (PMS 356), Dark Green (PMS 343), Light Blue (PMS 278), Blue (PMS 300--close to 2935), Royal Blue (PMS 287), Navy Blue (PMS 289). Set-up: $65(G). Exact repeat set-up $35(G). Imprint Color Change Charge: $15(G) per color. PMS® Color Match: $45(G) per color, mixing charge for PMS color matching. Additional Color: $65(G) Set-up plus $.20(C) per piece. Exact repeat set-up is $35(G) plus $.20(C) per piece. Virtual Proof: Required on all orders. Please allow 2 business days for this process. Pre-Production Proof: $30(G), plus all set-up charges. Will affect production time. Spec Sample: $30(G), plus all set-up charges Packaging: Bulk. F.O.B.: Wisconsin (53037) Overruns/Underruns: +/- 5% is normal and will be billed accordingly. Product Origin/Decoration: China/USA
Large Canvas Pet Bandanna - Full Color Imprint
Canvas material allows for a full range of logo colors to be printed. Easy on/off hook and loop closure. Price includes a full color digital transfer imprint on canvas bandanna. Size: 25" W x 9". Imprint Area: 4" W x 4" W. Product Colors: Natural/Off-White. Imprint Colors: Standard colors. Set-up: $55(G). Exact repeat set-up $30(G). PMS Color Match: Not available. Virtual Proof: Required on all orders. Please allow 2 business days for this process. Pre-Production Proof: $55(G). Will affect production time. Spec Sample: $55(G), plus all set-up charges. Rush Service: Call for availability. Overruns/Underruns: +/- 5% is normal and will be invoiced. Production Time: 8-10 working days after proof approval. Packaging: Bulk. 500 units = 19.8 lbs. per carton. F.O.B.: Wisconsin (53037) Decoration: USA
Small Canvas Pet Bandanna - Full Color Imprint
Sublimated Pet Bandanna - Full Color - Small
Large Canvas Pet Bandanna - 1 Color Imprint
Canvas material allows for a full range of logo colors to be printed. Easy on/off hook and loop closure. Price includes a 1-color imprint on canvas bandanna. Size: 25" W x 9". Imprint Area: 4" W x 4" W. Product Color: Natural/Off-White. Imprint Colors: White, Black, Gray (PMS Cool Gray 7), Light Yellow (PMS 102), Yellow (PMS 109), Athletic Gold (PMS 123 --close to 135), Vegas Gold (PMS 4515), Orange (PMS 021--close to 1655 & 172), Red (PMS 186 --close to 200), Cardinal (PMS 201--close to 187), Maroon (PMS 202--close to 188), Pink (PMS 224), Purple (PMS 268), Light Green (PMS 368--close to 376), Green (PMS 356), Dark Green (PMS 343), Light Blue (PMS 278), Blue (PMS 300--close to 2935), Royal Blue (PMS 287), Navy Blue (PMS 289). Set-up: $55(G). Exact repeat set-up $30(G). Imprint Color Change Charge: $15(G) per color. PMS® Color Match: $45(G) per color. Will affect production time. Virtual Proof: Free upon request with order. Please allow 2 business days. Production time begins after final proof approval. Pre-Production Proof: $45(G). Please allow 5 business days. Production time begins after proof approval. Spec Sample: $45(G), plus all set-up charges. Random Sample: No charge for random color. Please provide shipper number. Overruns/Underruns: Up to 5% over or under will be billed accordingly. Orders specifying exact quantities must be stated on the purchase order. Packaging: Bulk Shipping: 500 pieces = 19.8 lbs. per carton. Box> 24 x 19 x 11 F.O.B.: Wisconsin (53037) Decoration: USA
Small Canvas Pet Bandanna - 1 Color Imprint
Canvas material allows for a full range of logo colors to be printed. Easy on/off hook and loop closure. Price includes a 1-color imprint on canvas bandanna. Size: 19" W x 7". Imprint Area: 3" W x 3" W. Product Colors: Natural/Off-White. Imprint Colors: White, Black, Gray (PMS Cool Gray 7), Light Yellow (PMS 102), Yellow (PMS 109), Athletic Gold (PMS 123 --close to 135), Vegas Gold (PMS 4515), Orange (PMS 021--close to 1655 & 172), Red (PMS 186 --close to 200), Cardinal (PMS 201--close to 187), Maroon (PMS 202--close to 188), Pink (PMS 224), Purple (PMS 268), Light Green (PMS 368--close to 376), Green (PMS 356), Dark Green (PMS 343), Light Blue (PMS 278), Blue (PMS 300--close to 2935), Royal Blue (PMS 287), Navy Blue (PMS 289). Set-up: $55(G). Exact repeat set-up $30(G). Imprint Color Change Charge: $15(G) per color. PMS Color Match: $45(G) per color. Will affect production time. Virtual Proof: Required on all orders. Please allow 2 business days for this process. Pre-Production Proof: $55(G). Will affect production time. Spec Sample: $55(G), plus all set-up charges. Rush Service: Call for availability. Overruns/Underruns: +/- 5% is normal and will be invoiced. Production Time: 8-10 working days after proof approval. Packaging: Bulk. 500 units = 12.1 lbs. per carton. F.O.B.: Wisconsin (53037) Decoration: USA
Classic Square Bandanna
Price includes a 1-color screen printed imprint. Size: 22" x 22" Imprint Area: 18" x 18" Product Colors: Athletic Gold, Black, Bright Yellow, Columbia Blue, Dark Purple, Forest, Hot Pink, Kelly Green, Lime, Maroon, Navy, Orange, Red, Royal, Turquoise, White Imprint Colors: White, Black, Gray (PMS Cool Gray 7), Lt Yellow (PMS 102), Yellow (PMS 109), Ath Gold (PMS 123), Vegas Gold (PMS 4515), Orange (PMS 021), Red (PMS 186), Cardinal (PMS 201), Maroon (PMS 202), Pink (PMS 224), Purple (PMS 268), Lt Green (PMS 368), Green (PMS 356), Dark Green (PMS 343), Lt Blue (PMS 278), Blue (PMS 300), Royal (PMS 287), Navy Blue (PMS 289). Set-up Screen Charge: $65(G) per color. Exact repeat set-up $35(G) per color. Additional Colors: $65(G) set-up, plus run charge-- $.20(C) per piece, per color. Exact repeat set-up is $30(G) plus $.20(C) per piece, per color. Imprint Color Change Charge: $15(G) per color. PMS® Color Match: There is a $30(G) mixing charge for PMS matching the imprint color. Exact matches should be done on white bandannas only. Exact PMS matches are not guaranteed on colored bandannas. Virtual Proof: Free upon request with order. Will affect production time. Pre-Production Proof: $35(G) per color, plus screen charges. Will affect production time. Spec Sample: $35(G) per color plus screen charges. Packaging: Bulk. F.O.B.: Wisconsin, (53037) Overruns/Underruns: +/- 5% is normal and will be billed accordingly. Product Decoration: USA
Camouflage Pet Bandanna - Large
# 602-2160 15 day production time$2.95 - $3.55 | Min Qty 150
Price includes a 1-color screen printed imprint on a 50/50 poly-cotton triangle. Size: 22" x 22" x 29" Imprint Area: 15" x 15" x 21" Product Colors: Camo. Imprint Colors: White, Black, Red (PMS 199), Hot Pink (PMS 212), Bright Yellow (PMS 108), Athletic Gold (PMS 135), Orange (PMS 165), Dark Purple (PMS 268), Kelly Green (PMS 355), Forest Green (PMS 342), Royal (PMS 286), Navy (PMS 289). Set-up Screen Charge: $65(G) per color. Exact repeat set-up $35(G) per color. Additional Colors: $65(G) set-up, plus run charge-- $.35(C) per piece, per color. Exact repeat set-up is $30(G) plus $.35(C) per piece, per color. PMS Color Match: $30(G) per color. Virtual Proof: Free upon request with order. Will affect production time. Pre-Production Proof: $35(G) per color, plus screen charges. Will affect production time. Spec Sample: $35(G) per color plus screen charges. Production Time: 12-15 working days after required proof approval. Packaging: Bulk. Approx. 9 lbs/100 pieces F.O.B.: South Carolina (29605) Overruns/Underruns: +/- 5% is normal and will be billed accordingly.
Cotton Collar Pet Bandanna - Large
Pet Collar Bandanna has a sewn channel to easily thread through pet collar, easily fits 1" collar. Price includes a 1-color screen printed imprint on a 100% cotton triangle. Size: 18" x 18" x 29" Imprint Area: 11" x 11" x 15-1/2" Product Colors: Athletic Gold, Black, White, Kelly Green, Red, Bright Yellow, Royal, Orange, Forest, Wine, Dark Purple, Natural, Light Pink, Navy, Light Blue, Columbia Blue, Turquoise, Brown, Lime, Hot Pink Imprint Colors: White, Black, Red (PMS 199), Hot Pink (PMS 212), Bright Yellow (PMS 108), Athletic Gold (PMS 135), Orange (PMS 165), Dark Purple (PMS 268), Kelly Green (PMS 355), Forest Green (PMS 342), Royal (PMS 286), Navy (PMS 289). Set-up Screen Charge: $65(G) per color. Exact repeat set-up $35(G) per color. Additional Colors: $65(G) set-up, plus run charge-- $.35(C) per piece, per color. Exact repeat set-up is $30(G) plus $.35(C) per piece, per color. PMS® Color Match: There is a $30(G) mixing charge for PMS matching the imprint color. Exact matches should be done on white or natural bandannas only. Exact PMS matches are not guaranteed on colored bandannas. Virtual Proof: Free upon request with order. Will affect production time. Pre-Production Proof: $35(G) per color, plus screen charges. Will affect production time. Spec Sample: $35(G) per color plus screen charges. Production Time: 12-15 working days after required proof approval. Packaging: Bulk. F.O.B.: South Carolina (29605) Overruns/Underruns: +/- 5% is normal and will be billed accordingly. Product Origin/Decoration: China/USA
Cotton Collar Pet Bandanna - Small
Pet Collar Bandanna has a sewn channel to easily thread through pet collar, easily fits 1" collar. Price includes a 1-color screen printed imprint on a 100% cotton triangle. Size: 11" x 11" x 19" Imprint Area: 5" x 5" x 7" Product Colors: Athletic Gold, Black, White, Kelly Green, Red, Bright Yellow, Royal, Orange, Forest, Wine, Dark Purple. Imprint Colors: White, Black, Red (PMS 199), Hot Pink (PMS 212), Bright Yellow (PMS 108), Athletic Gold (PMS 135), Orange (PMS 165), Dark Purple (PMS 268), Kelly Green (PMS 355), Forest Green (PMS 342), Royal (PMS 286), Navy (PMS 289). Set-up Screen Charge: $65(G) per color. Exact repeat set-up $35(G) per color. Additional Colors: $65(G) set-up, plus run charge-- $.35(C) per piece, per color. Exact repeat set-up is $30(G) plus $.35(C) per piece, per color. PMS® Color Match: There is a $30(G) mixing charge for PMS matching the imprint color. Exact matches should be done on white or natural bandannas only. Exact PMS matches are not guaranteed on colored bandannas. Virtual Proof: Free upon request with order. Will affect production time. Pre-Production Proof: $35(G) per color, plus screen charges. Will affect production time. Spec Sample: $35(G) per color plus screen charges. Production Time: 12-15 working days after required proof approval. Packaging: Bulk. F.O.B.: South Carolina (29605) Overruns/Underruns: +/- 5% is normal and will be billed accordingly. Product Origin/Decoration: China/USA
Pet First Aid Bandanna
Bandanna provides a variety of helpful first aid information for pets. Price includes a 1-color screen printed imprint on 100% cotton square bandanna. Size: 22" x 22" Imprint Area: 5" x 2-1/4" Product Colors: Black, White, Bright Yellow (108), Red (199), Hot Pink (212), Buff Beige (466), Olive (574), Orange (165), Dark Purple (268), Royal (286), Light Pink (510), Navy, Kelly (355), Forest (342), Chambray, Turquoise (311), Lime (361). Imprint Colors: White, Black, Red (PMS 199), Hot Pink (PMS 212), Bright Yellow (PMS 108), Athletic Gold (PMS 135), Orange (PMS 165), Dark Purple (PMS 268), Kelly Green (PMS 355), Forest Green (PMS 342), Royal (PMS 286), Navy (PMS 289). Set-up Screen Charge: $65(G) per color. Exact repeat set-up $35(G) per color. Additional Colors: $65(G) set-up, plus run charge-- $.35(C) per piece, per color. Exact repeat set-up is $30(G) plus $.35(C) per piece, per color. PMS® Color Match: There is a $30(G) mixing charge for PMS matching the imprint color. Exact matches should be done on white or natural bandannas only. Exact PMS matches are not guaranteed on colored bandannas. Virtual Proof: Free upon request with order. Will affect production time. Pre-Production Proof: $35(G) per color, plus screen charges. Will affect production time. Spec Sample: $35(G) per color plus screen charges. Production Time: 12-15 working days after required proof approval. Packaging: Bulk. Approx. 9 lbs/100 pieces F.O.B.: South Carolina (29605) Overruns/Underruns: +/- 5% is normal and will be billed accordingly. Product Origin/Decoration: China/USA
Price includes a 1-color screen printed imprint on a 50/50 poly-cotton triangle. Size: 22" x 22" x 29" Imprint Area: 15" x 15" x 21" Product Colors: Black, White, Bright Yellow (108), Red (199), Hot Pink (212), Buff Beige (466), Orange (165), Dark Purple (268), Royal (286), Light Pink (510), Navy, Kelly (355), Forest (342), Chambray, Turquoise (311), Lime (361). Imprint Colors: White, Black, Red (PMS 199), Hot Pink (PMS 212), Bright Yellow (PMS 108), Athletic Gold (PMS 135), Orange (PMS 165), Dark Purple (PMS 268), Kelly Green (PMS 355), Forest Green (PMS 342), Royal (PMS 286), Navy (PMS 289). Set-up Screen Charge: $65(G) per color. Exact repeat set-up $35(G) per color. Imprint Color Change/Run Charge: $65(G). Additional Colors: $65(G) set-up, plus run charge-- $.35(C) per piece, per color. Exact repeat set-up is $30(G) plus $.35(C) per piece, per color. PMS® Color Match: There is a $30(G) mixing charge for PMS matching the imprint color. Exact matches should be done on white or natural bandannas only. Exact PMS matches are not guaranteed on colored bandannas. Virtual Proof: Free upon request with order. Will affect production time. Pre-Production Proof: $35(G) per color, plus screen charges. Will affect production time. Spec Sample: $35(G) per color plus screen charges. Packaging: Bulk. F.O.B.: South Carolina (29605) Overruns/Underruns: +/- 5% is normal and will be billed accordingly.
Pet Collar Bandanna
Elite woven fabric includes up to 8 colors. (Collar not included.) Size: 6.5" H x 7.5" W Imprint Area: 3-3/4" x 3/4" 1.25" x 7" (Top Portion) 4" x 6.5" (Bottom Portion) Product/Imprint Colors: See Color Chart images. Set-up: $45(G) PMS Color Match: Not available. Virtual Proof: Free upon request with order. Will affect production time. Pre-Production Proof: $50(G). Will affect production time. Spec Sample: $50(G), plus all set-up charges. Rush Service: Call for availability. Overruns/Underruns: +/- 5% is normal and will be invoiced. Production Time: 8-10 working days after proof approval. F.O.B.: Wisconsin (53037)
Pet Collar Bandanna w/ Adj. Collar
# 705-619 8 day production time$6.85 - $8.85 | Min Qty 50
Elite woven fabric includes up to 8 colors. Classic collars come with side release buckle, slide adjuster & D-ring hardware. Imprint Area: 1.25" x 7" (Top Portion) 4" x 6.5" (Bottom Portion) Collar Lengths: Small / 9-14" (Item # 705-6192) Medium / 12-20" (Item # 705-6193) Large / 18-32" (Item # 705-6194) Product/Imprint Colors: See Color Chart images. Set-up: $45(G) PMS Color Match: Not available. Virtual Proof: Free upon request with order. Will affect production time. Pre-Production Proof: $45(G). Will affect production time. Spec Sample: $45(G), plus all set-up charges. Packaging: Bulk. F.O.B.: Wisconsin (53037) Overruns/Underruns: +/- 5% is normal and will be billed accordingly.


For the past twenty five years, Dr. Janet Klosko and Dr. William Sanderson have been co-directors of the center. The therapy we do is positive and compassionate. We focus on helping you to learn new skills and to build on your strengths. For example, you might come to see us because you are too anxious or depressed to find a healthy love relationship or to reach your potential at work. We might ask you to observe your physical sensations, thoughts, and behavior whenever you become anxious or depressed. We help you learn skills to control your physical symptoms, challenge your negative thoughts and think more realistically, and behave in more constructive ways.
Cognitive Behavior Therapy (CBT) is a method of psychotherapy that involves helping people to see how their thoughts and behaviors relate to the way they feel and how this might contribute to the problems they are experiencing. Because each individual is unique, treatment is individualized to each individual's presenting problem. However, in all cases we make use of various CBT treatment strategies (see below) to attempt to help the person resolve their problem and improve their functioning. CBT is goal-oriented, where the therapist and the client work together to develop goals and then develop a step-by-step plan to achieve those goals. While the therapist is responsible for developing and implementing the treatment plan, clients actively participate in treatment both within and between sessions (for example, clients are given task assignments to complete outside of the therapy sessions).
(Note. If you are in need of immediate treatment - call 911 - or go to your local hospital emergency room).


Painting of a weasel I did as a birthdaypresent. 80x70 cm in pastels.
"Jordanian cub" is a pastel painting of "Eddie", a syrian brown bear. Size 420x297 mm.
"The lord" is a commission painting in pastels. Size 400x250 mm.
Commissioned work. Golden retriever "Amigo" in pastels, Size A3.


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Veye Wirngo Tatah (* 14. Juli 1971) ist eine kamerunische Informatikerin, Journalistin und ehrenamtliche Chefredakteurin des Magazins Africa Positive. Sie ist besonders durch ihr Engagement für eine positive Sicht der afrikanischen Länder und ihre Ablehnung der Opferrolle für Afrikaner in der öffentlichen Diskussion hervorgetreten.

Leben
Tatah wurde in Kamerun geboren. Seit 1991 lebt sie in Deutschland. Nach einem Informatikstudium arbeitete sie  sechseinhalb Jahre als wissenschaftliche Mitarbeiterin an der Fakultät für Informatik der TU Dortmund. Sie ist selbstständig in den Bereichen IT-Beratung und Entwicklung, Projektmanagement und interkulturelle Kommunikation. Außerdem ist sie Inhaberin des Catering-Unternehmens Kilimanjaro Food.

Mit zahlreichen Projekten, wie etwa dem Afro-Lern- und Integrationsmobil Afro-LIM, dem Afrikanischen Frauennetzwerk oder der Jugendorganisation Africa Positive Youths setzt sie sich für Integration und Völkerverständigung ein.

Am 25. Februar 2010 erhielt Tatah das Bundesverdienstkreuz am Bande des Verdienstordens der Bundesrepublik Deutschland. Die Auszeichnung erhielt sie für ihr besonderes soziales Engagement.

Weblinks
 Homepage von Veye Tatah

Einzelnachweise

Informatiker
Chefredakteur
Träger des Bundesverdienstkreuzes am Bande
Kameruner
Geboren 1971
Frau

redpajama_set_name: RedPajamaWikipedia


text:
coronavirus illinois
Evanston-Skokie school district cancels classes this week, citing inadequate staffing and support
ByRavi Baichwal and ABC7 Chicago Digital Team
Evanston-Skokie School District 65 canceled classes for Monday and Tuesday, leaving some parents scrambling to make last-minute childcare arrangements.
EVANSTON, Ill. (WLS) -- Evanston-Skokie School District 65 canceled classes for Monday and Tuesday, leaving some parents scrambling to make last-minute childcare arrangements.
The district sent out a note to parents of students pre-K through eighth grade Friday, citing inadequate staffing and support. Classes will resume on Monday, Nov. 29.
"I will be honest, my husband is a teacher and they frown down upon people taking days off before and after vacations or holidays," mother Sara Race said. "And so I am really surprised that it is acceptable at District 65."
"I think we could have known earlier if they were thinking about it, for sure, yeah," said Larissa Tripp, who headed to Old Orchard Mall with her boys to fill a few of the hours. "But I do feel for all of the families who have children who are younger or have to go into work who are struggling over these couple of days."
"I was pretty excited that we were going to have more days off, but I also feel bad for the people who are working," said Matt Tripp, a 6th grader at Haven Middle School.
Over the weekend, the district acknowledged the short notice of the extended holiday would put caregivers in a bind.
"This decision was made both in the interest of safety and the mental health of our team," district Superintendent Devon Horton said.
School district officials believed they would not have adequate staffing or substitute coverage for students. But several days of meals will be available for pick-up for all D65 students at Chute, Haven, and Nichols on Monday from 8:30 to 10:30 a.m., district officials said.
RELATED: How to keep holiday gatherings safe as experts predict surge of cases after Thanksgiving
The district will need to extend its school year two days as a result of the decision. The last day of school for K-8 students will now be Wednesday, June 8, pending the use of any additional Emergency Days. The last day for JEH students will be June 6.
District officials asked members of the community to respect and understand the decision, saying "Stress is causing burnout and people are juggling personal and professional responsibilities, and a myriad of challenges catalyzed by the pandemic. As an organization we must acknowledge this and support those directly responsible for the learning and care of our students and afford them this time and opportunity."
There are several reports the teachers may have been responding to messages from their union, the District Educators Council of District 65, to take Monday and Tuesday off as mental health days because of the challenges of COVID-19 and the other issues around teaching.
ABC7 emailed and called the union, and even went to the union offices to try to get a response, but has received nothing.
"Obviously, everybody is tired. Everybody works a lot but... what about the students, what are they going to do? How are they going to learn?" said Monte Monaco, who wants students back in schools. "It seems like a little bit of a strong arm, a mob boss in a way right... You know, you tell your people, 'Hey, if you were going to show up, let everybody know and figure it out. It seems kind of suspect doesn't it?"
ABC7's calls to Evanston and Skokie District 65 for further comment also were not returned.
EDUCATION EVANSTON SKOKIE CORONAVIRUS CORONAVIRUS ILLINOIS CORONAVIRUS PANDEMIC MENTAL HEALTH TEACHERS COVID 19 PANDEMIC COVID 19
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Illinois reports 3,348 new COVID-19 cases, 22 new deaths
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redpajama_set_name: RedPajamaCommonCrawl


Product information "EasyVerge U Dry Verge Universal Angle Apex"
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One morning last week, I arrived at my desk — one of the hundreds arranged in long rows throughout the Huffington Post newsroom — and instinctively took out my earbuds.
"What kind of music do you listen to?" my coworker Alex asked me.
I hadn't had enough coffee that morning and I was confused (also I'm perpetually afraid of not liking the "right" music because I'm 26 but still in high school).
Alex explained that he always saw me with my earbuds in, so he assumed I was really into music. Oh. In reality, I often have earbuds in with nothing playing, or some random Spotify radio station I don't really care about. I listen to the kind of music that functions as white noise to cut out the voices of the dozens of people around me.
In a big open newsroom, cutting out the sound around me is my favorite way to construct imagined private space where none exists.
Here's the thing: The open plan, itself, is not really the problem. Office design experts now think that you need elements of an open plan as well as closed private offices to encourage people to produce their best work. The key is recognizing that employees have different working styles that require different types of spaces. Often, what the same person needs in the workplace varies from one task to the next.
The office of the future has both open and private spaces. It has spaces where two people can have a quiet conversation, spaces for people to do highly focused work and lots of open areas where creativity and innovation can thrive. The office of the future is about giving workers both flexibility and agency.
"What has happened [to the workplace] is it has gone from a real estate discussion… to becoming more of a people-centric discussion," said Tracy Wymer, the director of workplace strategy at Knoll, the office design firm. And people, it turns out, need privacy sometimes.


text:
Q: How can I fix the error which occurs while building app via py2app? When I tried to build for deployment I get an error.
I typed the following command:

python3 setup.py py2app

Which results in the following error (this is the last two lines of output):

copying file
/Applications/Xcode.app/Contents/Developer/Library/Frameworks/Python3.framework/Versions/3.7/Resources/Python.app/Contents/MacOS/Python3
-> /Users/evrim/Desktop/code/WantedOutfits/dist/check_products.app/Contents/MacOS/python
error: [Errno 2]
/Applications/Xcode.app/Contents/Developer/Library/Frameworks/Python3.framework/Versions/3.7/Resources/Python.app/Contents/MacOS/Python3:
'No such file or directory'

How can I fix this error?
Thank you in advance.

A: py2app is at this time not entirely compatible with the copy of Python 3.7 shipped as part of Xcode.
A quick workaround is to create the missing file by copying the file named "Python" in the same directory, that is:
cp /Applications/Xcode.app/Contents/Developer/Library/Frameworks/Python3.framework/Versions/3.7/Resources/Python.app/Contents/MacOS/Python /Applications/Xcode.app/Contents/Developer/Library/Frameworks/Python3.framework/Versions/3.7/Resources/Python.app/Contents/MacOS/Python3

There is an issue for this in the GitHub tracker for py2app, and I will fix this in a future release.

redpajama_set_name: RedPajamaStackExchange


Sorry for the lack of posts last week, I've been busy lately and trying to take photos and edit these blog posts has been hard to fit in but I will find a way. :) So here I am sitting in bed (almost midnight) trying to put this post together. Oh yeah! And some exciting news in our family recently that I wanted to share. My husband and I are going to be an Uncle and Auntie!! Yep, my little sister is preggers and her and my bro-in-law are expecting their first child together. We still have months left to go but still can't wait until the baby is here!
Today's outfit features a white blazer that I recently received from Sheinside. I like how crisp it looks with this floral dress (which totally is similar to the Brandy Melville Jada dress). It is the perfect Spring outfit which doesn't need much added. Keeping it simple and polished is what I like.
Also, we are still picking a random winner from the Just Simply Divine Shop Giveaway so please hang tight and we will announce the winner later this week!
hey congrats to the new uncle and auntie. it will be exciting for everyone. You look pretty good in that dress and white blazer. Lovely dress from Target and petite friendly.
Congrats! You look so cute girl!
congrats on the news + love the dress/blazer combo! i'm excited the weather has finally been consistently more spring-like!


HBO has released the first teaser art for Game of Thrones Season 6.
The teaser art features Kit Harrington as Jon Snow, which seems to confirm that Jon's story will continue in the new series, despite his untimely demise in the Season 5 finale.
The poster also confirms that the new season of Game of Thrones will kick off in April, despite HBO's cramped original series schedule.
See the full art below. What do you think? Is Jon Alive or Dead?


GCI Financial offers 24 hour online g with instant execution, low fixed spreads, trading from charts, and a range of CFD products.
This g Guide will help you get the advantages of Forex Market and its profit opportunities. g Tutorial for Beginners. Make g Simple. Author Sona Matasyan . Language English . Genre Finance, Education . Educational use Online trading for beginners .


text:
package de.upb.s2cx.console;

import de.upb.s2cx.event.IEventHandler;
import de.upb.s2cx.query.QueryTree;

public class XMLEventHandler implements IEventHandler {

	@Override
	public void init() {

	}

	@Override
	public void onElement(String name, boolean start) {
		if(start)
			System.out.println("<" + name + ">");
		else
			System.out.println("</" + name + ">");
	}

	@Override
	public void onText(String string, String context) {
		System.out.println(string);
	}

	@Override
	public void onOptionalOmit() {
	}

	@Override
	public void onOptionalStart() {
	}

	@Override
	public void onOptionalEnd() {
	}

	@Override
	public void onKleeneStart(QueryTree query) {
	}

	@Override
	public void onKleeneNext(QueryTree query) {
	}

	@Override
	public void onKleeneEnd(QueryTree query) {

	}

}

redpajama_set_name: RedPajamaGithub


text:
Brad's Career Achievements
Five Time Paralympian
Carried the flag for the Australian Paralympic team at 2016 Rio Paralympics
Captain of the Australian Men's Wheelchair Basketball Team (2006 – 2017)
Gold medal at the Beijing Paralympic Games.
Silver medals at Athens and London Paralympic Games.
Gold medal World Championships 2010 and 2014.
Bronze medal 2016 World Championship.
Inducted into the WA Sporting Hall of Fame (2021)
8 x National Wheelchair Basketball League Champion.
Bronze medal 2018 World Championships as Men's Assistant Coach (Rollers)
Winning the Sandy Blythe Medal – Most Valuable Australian Player 2005-2006.
Awarded Order of Australia Medal for his Services to Sport 2008.
Representing the Australian government at the European Training Sport Centre in Varese, Northern Italy.
Invitation to attend the United Nations Laos Anti Mines Convention as mentor to land mine victims.
Meeting the Dalai Lama.
Playing basketball in America, Italy, United Kingdom, Japan, Greece, China, Korea, Cyprus, Spain, the Netherlands, Germany, France, Morocco, Thailand and Australia.
Recognition by the WA Museum Boola Bardip as an inspirational WA sporting identity


text:
Category Archives: Uganda
Kisoro, Uganda
Set at the base of some seven giant volcanoes (most of them dormant… but not all) that more than tower over everything else, Kisoro's a beautiful sight. Climb up the hill to the north and you get an expansive view of Lake Mutanda, another crater lake, and even some volcanoes situated in Rwanda and DR Congo, both of whose borders are a mere 12 km away. The town itself — small and relatively benign — is a stepping stone for both those countries. So why did I stay for three days?
Well, mountain gorilla tracking. Of course.
Fort Portal and Lake Bunyonyi, Uganda
Uganda feels like a mix of both East and West Africa. Unlike in Kenya (let alone Somaliland or Ethiopia, which are entirely different from the rest of East Africa), many people wear colourful, loud prints and traditional clothing. And while Kenyans do it sometimes, Ugandans pepper their speech with the West African-signature high-pitched "ahhh!", exclaimed approximately whenever we would normally use "wow" or "really?" to express incredulity. It's addictive. And far more than in Kenya, boda-boda (motorcycle taxi) journeys seem to be the only means to get to some places in a timely manner, and also vastly outnumber cars — not unlike the zemidjans of Togo and Benin. Add on some dusty roads, plus my dusttrap hair, and long boda-boda rides are guaranteed to turn me reddish-brown from head to toe. No use washing my clothes if I have to repeat the journey again the next day…
Inter-town transport is a beast in and of itself, topping West Africa in both the over-the-top and hazardous departments. I was on a bus where a sex scandal (to use the term fellow passengers were calling it) emerged: a man and woman met for the first time, started flirting, and then she asked about his sexual history in front of all the passengers. The bus erupted into raucous laughter and made fun of the duo for hours after. The bus, speeding like all the other ones, also sideswiped a semi speeding on a twisty mountain curve, breaking a window near the back. And to top it all off, I had the most uncomfortable ride of my life, topping the one I had in Togo: in a sedan meant for five, we stuffed in *nine*: five in the back, two in the passenger's seat, and two in the driver's seat. (At least the driver-side passenger didn't have to share driving duties like the one in Togo had to; the original driver just reached over the passenger's legs to shift gears.) I sat on a seatbelt buckle for two hours. At least the view was nice, but I couldn't even free my camera from my bag. No leg room, and no arm room either. Hooray for being alive, but I've grown so used to these standards that I've stopped being surprised or scared for my life. Just another day.
It's with these methods of transport that I've been visiting the volcanic lakes of Uganda, and it's totally worth the trouble.
Mityana-Mubende, Uganda
Two hours from Kampala, and two hours from the western city of Fort Portal, and in between the towns of Mityana (30 km away) and Mubende (over 40 km away), there's an unmarked, narrow and bumpy dirt road off the main road. You'd never know it was there if you weren't looking for it. If you followed it, chances are you would have lost interest before reaching the first house over 2 km down the road.
And I would have never found myself there if it wasn't for Belinda, who was introduced to me remotely by my friend Carla (who I met in Antarctica four years ago!). She owns a farm here, and it happens to be next to a village. While she spends most of her life in Kampala, farming is a shared passion of her and her husband (who was out of the country while I was there), and they had to look far from Kampala for land.
Sipi Falls and Kampala, Uganda
Strangers are getting into heated discussions in the matatus (confusingly called taxis) here. All around, there are banners, flags, blaring horns from rallies, and of course, hundreds and hundreds of posters from competing parties pasted over each other and over "No Posters Here" signs: it's election season, with the big day two weeks away. Given the way things go in Ethiopia and Kenya whenever there's an election, I'm a little bit nervous to be here, and also a little ashamed that I only found out the moment I got to Uganda.
The tiny village of Sipi is magnificently situated across from its namesake falls, two of them clearly visible and the third somewhat hidden behind a hill. I spent practically an entire day sitting outside at my hillside accommodation, chatting with the family that owns the place, and staring at the first (and largest) waterfall, watching it as the light changed from afternoon to evening before heading up to a viewpoint for sunset. But even away from the city, it's impossible to get away from it all, as we could see and hear rallies in the distance.


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Batheo


- Jim Marrs, Author, Psi Spies © 2007.
September 14, 2007 Wise County, Texas - Jim Marrs was born and raised in Fort Worth, Texas. Jim has been tracking down facts and trying to make sense of political stories in America since his college days as a journalism major at the University of North Texas in Denton. He graduated in 1966 and began a newspaper reporting and editing career first at the Denton Record Chronicle and then Lubbock Avalanche Journal. Later at the Fortworth-Star Telegram, he was an investigative reporter and cartoonist, and earned photography awards.


This came up in another thread. I'm not sure there are enough of them to make a whole thread, and yet I wanted to introduce what seems to me an interesting concept.
Here are three I can think of: the actor Joseph Gordon-Levitt, the song "Wish You Were Here" by Pink Floyd, and fish tacos.
Feel free to discuss, and/or question why those things are relevant to BBM, and/or add your own.
Well, for me there are a lot. One that came up in yet another thread is the word "Aero." Also tattoos, all of Australia, Amtrak, red velvet cake, striped clothing, and warshrags. Lots more.
I'm sure I'll think of more, as soon as I press the Post button.


A we some place! Honest and very reliable..
Customer service was excellent, very prompt pulling my car in also. Glad to see this location under new management.
From Business: S & J Auto Repair Provides Auto Repair, Auto Inspection, Diagnostics, Brakes, Heating & Air Conditioning to the Springfield, OH Area.
I am going to say that this is the best garage in the city. They do quality service. I took my car in for an oil change and they did a great job. I will be going back.
Worst car buying experience ever.The owner wasn't very personable;all I was was a number in his account;he didn't want to fix anything wrong with the vehicle;there's a no return policy which means you're stuck with the vehicle if you don't like it;he didn't ask what kind of payment I could afford;there's no contract negotiations;some down payments advertised on the windshields weren't the actual down payments;and he lied to the finance co.about how much down I put and wanted me to lie as well if they called.Very shady.The only good thing was I did get approved with bad credit and got a needed vehicle.Take your business elsewhere.I should've done my research before I went there despite the somewhat good reviews.There's other cos.out there that will work with you better.
I had a man come to tow my car, he was polite and very nice, tried to get my car to start even though he didn't have to. Very impressed with how professional and personable he was.
Very poor customer service, RUDE!!! When I got the call of his arrival they knew I had somebody meeting him to bring the keys, he arrived 15 minutes early and I immediately had someone bringing him the keys that was 5 to 8 minutes away, he calls me back as they were pulling in and rudely said he couldn't wait I have other runs " oh wait there here" if you don't have good customer then get out of the business, and I will request to not use your service AGAIN!!!


text:
Canadian Publishing 2016: Big Books for a Big Country
Canadian publishing is dominated by some familiar names: Penguin Random House, Simon & Schuster, and HarperCollins. Each company is competing with the others to produce titles that can succeed in Canada and, because they are parts of larger conglomerates, also have an impact on the world stage.
Large conglomerate Canadian publishers are focused on the domestic English-language market, which Penguin Random House Canada CEO Brad Martin says is rather small. "Canada has about 35 million people in it," Martin says. "Take out Quebec and all the people in Toronto who were born overseas and don't read books in English, and what have you got?" Well, according to the latest government statistics, it's about 20 million people who read in English.
This means that PRH Canada needs to produce titles with broad appeal. Its list for 2016 shows a lot of diversity, including the last book edited by celebrated McClelland & Stewart editor Ellen Seligman before her death: By Gaslight by Steven Price. It's a doorstop of a novel that is drawing comparisons to Caleb Carr and Susanna Clarke. It is also a good example of how PRH Canada works independently of its larger sibling company in New York, which is not publishing the U.S. edition. Though Seligman worked most closely with the author, who lives in Victoria, B.C., the rights were sold to Farrar, Straus and Giroux in the U.S. and to Oneworld in the U.K. "It's not his first book, but we are treating it like a debut," says Kristin Cochrane, PRH's president and publisher. She says another of the publisher's potential bestsellers, the mystery thriller The Hatching by Ezekiel Boone, is being published by Atria in the U.S. and Gollancz in the U.K.
Cochrane also cites several other titles that are expected to be bestsellers, including 99: Stories of the Game by Wayne Gretzky, which is timed to coincide with the NHL's 99th anniversary, and Mike Myers's Canada. Both stars have agreed to extensive promotional tours, says Cochrane. "These are the type of anchor publications that will bring readers into stores and will have a cascading effect across the trade," she says. "The names alone draw attention from media and booksellers." Bobby Orr's autobiography, Orr: My Story, sold 300,000 copies in 2013, and the press is expecting similar sales for 99.
Chris Hadfield, the astronaut who famously sang David Bowie's "Space Oddity" on the International Space Station, is another author with name recognition. His first book, An Astronaut's Guide to Life on Earth, sold 350,000 copies. Hadfield's new picture book for children, The Darkest Dark, recounts the moment that inspired him to become an astronaut. The book is illustrated by Toronto's the Fan Brothers, who had a hit earlier this year with The Night Gardener, published by Simon & Schuster.
And, next year, PRH will also celebrate the 150th anniversary of the establishment of the Canadian Confederation in its own way, says Martin. "Back in 1967 for the centennial celebration, M&S put out 19 books of Canadian history," he says. "Until this year, all but one were out of print, but we're republishing them—as e-books, which we think is a perfect way to mark the 150th."
Simon & Schuster Canada
President and publisher Kevin Hanson is most proud of the success of Simon & Schuster Canada's domestic list. "Nearly all our native nonfiction from last year and much of our fiction for this year hit the bestseller list," he says. "Our foray into domestic publishing has been strong and will continue to be. We started just two years ago, and it already represents 10% of our business."
Hanson is looking forward to several nonfiction books in the fall. First is The Promise of Canada by Charlotte Gray, which delivers the country's history through nine individuals, including Margaret Atwood. "It's tied to the sesquicentennial and is already being called a masterpiece," says Hanson. Second is The Science of Why by the television star Jay Ingram, which should tap into the same market that turned What If? into a bestseller. Hockey, naturally, has its place on the list. "This year is the first year the Toronto Maple Leafs had the first pick in the draft in a very long time," Hanson says. "The last time that happened, their pick was Wendel Clark, so we are publishing Wendel's memoir Bleeding Blue in November—and he'll be doing an extensive tour around Ontario."
Finally, S&S will be publishing Secret Path, a graphic novel by Jeff Lemire based on poetry written by Gord Downie, the lead singer of Canadian super group the Tragically Hip. Downie, who revealed that he is suffering from terminal brain cancer earlier this year, also produced a downloadable musical album that will be bundled with the book, which tells the story of Chanie Wenjack, a 12-year-old boy who died after he fled a residential school for indigenous children some 50 years ago and tried to walk 400 miles back to his home.
"We worked closely with Gord's management team and are really happy to be involved and help him realize his vision for the project," Hanson says. "It is set up as a charitable project, with all proceeds from the book donated to the National Centre for Truth and Reconciliation."
HarperCollins Canada had some good fortune earlier this year when Lawrence Hill's The Illegal won the CBC's annual Canada Reads competition, making Hill the only author to win the prize twice. The book has since sold in excess of 150,000 copies, but it is the The Nest by Cynthia D'Aprix Sweeney that has moved the most copies for the company this year, with some 200,000 sold. "I think we're coming off of a banner year here in Canada," said Iris Tupholme, senior v-p and executive publisher of HC Canada. For the fall's sesquicentennial, Tupholme says the company is proud to publish Jane Urquhart's A Number of Things; Stories About Canada Told Through 50 Objects and new books by Barbara Gowdy and Alexander Trudeau.
On the marketing side, HarperCollins began promoting Women's Voices, a website to help bring more attention to women writers on its lists. "We're very happy with the result and are already planning to do more like this in the future," she says.
Return to the main feature.
A version of this article appeared in the 09/26/2016 issue of Publishers Weekly under the headline: Big Books for a Big Country


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text:
Grafton- Phillip J. "Pop" Weeden, 84, passed away peacefully into the arms of the Lord on Thursday, March 24, 2016, surrounded by his loving and devoted family.
Born June 27, 1931 in Pittstown, Phillip was the son of the late Zora and Martha (Sheffer) Weeden and for 55 years, the husband of the late Ann M. Weeden. Phil and Ann were married at St. Monica's Church in Johnsonville on February 13, 1958.
As the youngest of a family of 12 siblings, Phil attended the Groveside School House in Pittstown. After schooling, Phil continued to work and support his Quaker Street family farm up until pursuing other employment in local construction trades. Phil supported Ann and his three children while employed for 32 years as a mason for Matzen Construction in Raymertown, NY. He was widely held in high regard by his co-workers as a working man's man, rigid in demeanor (at work), priding himself through his craft, particularly his soundly constructed stonework.
A resident of Pittstown and Grafton, NY, Phil was enlivened by social interaction, most often donning a gracious smile and bearing a loud and unmistakable laugh. All that knew Phil were either a recipient of a sturdy handshake or at the mercy of his clutching hug.
Known for his gentleness and humility, Phil's heart was proportional to his hands, great in size and warmth. There was little to nothing he wouldn't do for those he loved especially his family. Phil adored his family; they were his world and he lived for them. Although he will be missed, he is and undoubtedly remains a true blessing to all their lives. For that they are forever grateful.
Phil is survived by a son and daughter-in-law, Jeffery E. and Lois Weeden of Pittstown, daughter, Debra A. Weeden of Manchester and daughter and son-in-law, Donna L. and David Wagar of Grafton, and also three grandchildren, Nicholas and (Heather) Yetto, Marissa Wagar and Ryan Yetto. Phil is also survived by his twin sister, Phyllis Smith and several nieces, nephews and cousins.
In addition to his parents, Phil is predeceased by his siblings: Ruth, Warren, Wesley, Lorin, Helen, Charlotte, Katie, Celia, John and Janet.
A memorial service will be held on Monday, March 28, 2016 at 7:15 P.M. at the Hope United Methodist Church, 566 Brunswick Road, located in Eagle Mills, with the Rev. Gaylord Campbell officiating. Burial will be private at the convenience of the family. Relatives and friends are invited to call at the Church on Monday from 4:00-7:00 P.M. prior to the service.
At the request of the family, in lieu of flowers memorial contributions if desired may be made to: By His Wounds Ministry, Inc. (Welcome Home Initiative Program for combat veterans), 1340 North Great Neck Road # 1272-137, Virginia Beach, VA 23454-2268 or The Rensselaer County Community Hospice, 295 Valley View Blvd., Rensselaer, NY 12144 in memory of Phillip J. Weeden.
Memorial service arrangements are under the direction of the Howard B. Tate & Son Funeral Home Inc., 2237 New York Route 7, Raymertown, NY.
Wink.


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By Louie Flores
[dropcap1]I[/dropcap1]n the summer of 1973, I was one of the kids who painted the mural in the Estrada Courts housing project in honor of the gang I belonged to, Varrio Nueva Estrada.
That was my last summer in the varrio before my enlistment.
Varrio Nueva Estrada had formed thirty years before by guys who lived in the project in the 1940s. By the 1970s, VNE was very large, one of the largest gangs in East L.A. It included several cliques. Mine was the Dukes. I was 18 years old and the first gang member in my family. I never knew my father. My oldest brother was my father figure. He painted furniture at a factory and was fifteen years older than I was. He was an alcoholic and a very prideful man. His pridefulness must have rubbed off on me. Anyway, my mother used to worry a lot about me. There was a lot to worry about. The gang was like my family. I felt I needed to protect my family at all costs. At the time, the varrio was something I would die for.
The mural that summer was funded by the county, which wanted to beautify the East L.A. area. The fire department donated the paint and the Kiwanis Club lent us the scaffolds. A mural was better than graffiti, they figured, and the neighborhood artist proposed a mural that no one would deface with graffiti. It turned out to be a mural showing how long VNE had been there and how long we were planning on staying. It was pride in the neighborhood, meaning the varrio, the gang.
People who didn't belong to the neighborhood didn't have any business in the projects – that's how we felt. We viewed the mural as a statement to other gangs to stay out; that this is VNE headquarters – all of it funded by the county.
About a hundred homeboys worked on that summer youth program, and the VNE wall mural was the first one approved. After it was finished, other murals were painted. Murals went up in the Maravilla projects, the Hazard projects, in Primera Flats – all on county property with county funding. They all did the same thing we did, which was to glorify our neighborhood, our gang.
The mural takes me back to that summer of 1973. I was drinking a lot and I used to get high on reds and whites. I smoked marijuana a lot, too. I was a follower and I needed to fit in. I got picked at random to help out on a crew of five painters. None of us were artists, but it made a lot of us feel good for a change. The artist, Danny Martinez, directed us, telling us which colors to paint where. He had the whole mural outlined in chalk.
The mural is of two hands growing from a tree stump and holding up the letters V-N-E, atop which stands an eagle with a ribbon proclaiming "In memory of a Home Boy. 1973" – all against a royal blue background.
Back then, gang killings were much less common than they became a couple decades later, and we rarely used guns. One night in 1973, though, we got invited to a party in the Florencia area. One of our homeboys was a kid named Noely who lived a few blocks from Estrada Courts. His parents were Russian immigrants, but he spoke Spanish, grew up with us – a white guy and a member of our gang. He was shot and killed at the party. That set off big problems between us and Florencia for many years.
The mural was painted in Noely's honor. There's a banner below that reads, in Spanish: "Que Rifan Todo Las Cliqas del Varrio Nueva Estrada, Que Vivan." (May the Cliques of Varrio Nueva Estrada Rule. Long May They Live.)
For a month I worked on the mural, painting its blue background and the ribbon across the top. I painted with great care, thinking that it had to be perfect so that the rest of the mural could look nice.
Many years later, I talked to Danny Martinez. He explained that the tree stump represented the years that the varrio had been in the projects. Like a tree, the varrio had grown. The hand represented how we were holding up the varrio to glorify it. The eagle was showing the Chicano struggles in the late 60's and early 70's. And the ribbon was dedicated to Noely.
Many younger homeboys were on crews that painted those murals. One who became infamous was Ernie "Chuco" Castro. He was about 13 years old at that time, getting high on reds and whites.
The year before the mural, I was arrested for possession and suspicion of sales, so I was on probation when I turned 18. That year, I was beating up a kid in a park and cops arrested me. I was facing my first felony and my probation officer recommended me to the military. So a few months after helping paint the VNE mural, I enlisted in the Army, which turned me around. When I came back in 1977 I was military minded. I moved out of the varrio with my wife.
Later, after I moved away, I remember meeting Chuco's ex-wife, Jackie. She told me that Chuco was doing some time and they had kids already. He'd been doing heroin by then. Heroin was an epidemic in East L.A. at the time. A lot of guys into heroin were doing a lot of robberies. I think Chuco got caught up in that.
But I missed it. I was working, driving trucks in the 48 states. So I lost contact with many homeboys. I was no angel. I'd drink heavily for a while. I smoked PCP for a couple years, and gambled.
Then 27 years ago, I just stopped it all. The blackouts got to be too much. I'd come home from the racetrack with nothing. I lost a wife over it. Since then, I've been clean, driving trucks, and working on older cars. My second son is getting a PhD in English in New Mexico, so I'm happy about that.
I don't get over to see the mural too much any more. But when I do, I feel lucky to have gone to serve in the 82nd Airborne Division. I could have ended in prison, or been killed at the rate that I was going. I was sly, sick and wicked and got away with a lot of crimes. I got shot at a couple times, but they missed.
I still run into a few of the homeboys from time to time. One guy, name of Ciclón, was a pretty bad dude then. Now he's got a bad back. He told me about Chuco. Chuco, he said, had been doing some work for the carnales – the Mexican Mafia. He became a made member. Then, a few years later, he was arrested and, facing life, Chuco became an informant. He testified in a famous case that sent many of the carnales to prison for life.
I hear he's now in witness protection.
Louie Flores was born in 1955 and grew up in East L.A. He went to Belvedere, Our Lady of Lourdes, Dolores Mission and Dacotah Street elementary schools. Then he attended Stevenson Junior High, followed by one day at Roosevelt High, one week at Garfield, about a year at Burroughs High in Burbank and a year at Glendale. His last high school was Lincoln. He started working when he was 17 and bought his first car. It was a 1960 Ford Comet.
Tagged with: Army, Art, barrio, East L.A., gangs, homeboys, Louie Flores, military, mural, Nueva Estrada, painting, Sam Quinones, service, Tell Your True Tale, VNE
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A flexible and ventilated upper combined with an intelligently padded lower make this the benchmark in full moto socks. Pull it up, and roll it down over your braces for maximum security. Built for friction absorption and moisture management.


" A master of pseudonyms and of schizophrenia, his influence is clearly felt everywhere. His works are chilling shockers meant to be read in in the dentist's waiting room or on the toilet, and he churns them out regularly under varying titles. They can be ranked among the SMILE literature but had existed years before SMILE. Ackerman is one of the oldest and most significant Spanish Art personalities... right now, he's sitting in the kitchen, drinking and writing a letter."


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http://w3.windfair.net/wind-energy/pr/31489-enercon-france-market-wind-turbine-gigawatts-turbine-manufacturer-milestone
News Release from ENERCON GmbH
ENERCON GmbH
ENERCON surpasses 4 GW mark in France
Installation milestone reached in 'La Montagne II' project in overseas territory of Guadeloupe.
Image: ENERCON
ENERCON has passed the 4 gigawatt mark of installed power in France. This wind energy converter installation milestone was reached during the 'La Montagne II' project in Guadeloupe. ENERCON has installed 8 E-44/900 kW WECs for the project in the French overseas territory in the Caribbean. Peter Schuster, Director of ENERCON France, is delighted with the number of installations: 'We are thrilled with this accomplishment and are proud of our team, who have all been involved in this success starting right back in 2003'.
France is currently the most important export market for ENERCON. The company has been active in the country since 2003, and has installed around 2,000 wind energy converters there since then. With more than 850 employees in the Sales, Project Management and Service divisions, ENERCON is now one of the biggest renewable energy companies in France. It has a market share of 25 percent (based on the installed power in 2018).
In the future, ENERCON will continue its involvement in France and will make a significant contribution to expanding renewable energies, confirms Peter Schuster: 'For us, reaching 4 gigawatts is an important interim step on the way to implementing the energy transition in France. The country still offers considerable potential for onshore wind energy and has ambitious renewable energy targets, so we will not waver in our commitment there.'
ENERCON is installing the E-44 WECs which led to the achievement of the 4 gigawatt milestone in the course of a repowering project for the customer Quadran Groupe Direct Energie, subsidiary of Total. They replace 35 legacy WECs in the wind farm. Despite the reduction in the number of WECs by factor 4, the new wind turbines will enable a triplication of the wind farm capacity and the energy yield to be multiplied.
www.enercon.de/...
ENERCON, France, market, wind turbine, gigawatts, turbine manufacturer, milestone
Alle Meldungen Von ENERCON GmbH
ENERCON Continues Success Story in Turkey
Since its realignment, ENERCON has been increasingly focusing on foreign markets. The turbine manufacturer has been particularly successful in Turkey.
GE Renewable Energy Wins Orders For New Mexico Wind Farms
The orders include the repowering the 90 MW Aragonne Wind project and the supply of the 145 MW Aragonne Mesa wind farm.
GE Renewable Energy Wins Order in Vietnam
GE Renewable Energy announced that it has secured a 27.2 MW contract to supply 8 units of GE's 3 MW-137 wind turbines to support construction of the Phuoc Minh Wind Farm, located in Ninh Thuan, in the South Central Region of Vietnam.
Russia Commissions Largest Wind Farm to Date
In December 2020, Rosatom commissioned the largest wind farm in Russia to date. Since January, the Kochubeyevskaya wind farm has been supplying electricity to the Wholesale Electricity and Capacity Market (WECM).
ENGIE Commissioned 3 Gigawatts despite Pandemic
ENGIE commissioned 3 GW of new renewable energy capacity in 2020 despite the difficult global pandemic context


"to grow up as competent and confident learners and communicators, healthy in mind, body and spirit, secure in their sense of belonging and in the knowledge that they make a valued contribution to society" (Ministry of Education, 1996, p. 9).
In the twenty years since its introduction, there has been increasing evidence that whilst some New Zealand early childhood education (ECE) services were implementing the curriculum well, there were many that were struggling to offer the depth and breadth of curriculum experiences expressed in the aspiration statement above (Education Review Office, 2016). Calls for the curriculum to be reviewed came from several quarters, including the Advisory Group on Early Learning established by the New Zealand government in 2014 who recommended "the Ministry of Education commission an update of Te Whāriki" (Advisory Group on Early Learning, 2015, p. 15). This recommendation was adopted with the review of Te Whāriki beginning in August 2016.
A writers' group was established, comprising seven academics and highly experienced early childhood practitioners. The writing group undertook an initial re-drafting of the curriculum which was then released in late 2016 for wide-spread consultation. Following submissions on the draft revised Te Whāriki, the final document was launched in April 2017.
Whilst Te Whāriki 2017 has retained the four overarching principles - Empowerment, Family and Community, Holistic Development, and Relationships - and the five strands and associated goals, one of the major changes has been the reduction in the number of learning outcomes from 118 to 20. Collectively, these learning outcomes articulate valued learning within the curriculum which all children should achieve, with support, as a result of their participation in ECE programmes. Table 1 below outlines the relationship between the strands, goals and learning outcomes.
Alongside the reduction in the number of learning outcomes, the revised Te Whāriki 2017 has a stronger focus on kaiako *3 recognising and responding to children's language, culture and identity as an integral part of the curriculum experiences offered to children. Thus, for example, kaiako are expected to incorporate te reo Māori (Māori language) within their interactions with children and to incorporate Māori cultural values and knowledge within the programme. To illustrate, many ECE services have a strong focus on sustainability and incorporate Māori cultural practices in activities such as developing gardens and sharing the fruit and vegetables with families alongside using this produce to prepare food with the children in the programme. Such practices reflect manaakitanga (caring for others) and kaitiakitanga or "guardianship, responsibility and care for the environment" (Ritchie, Duhn, Rau and Craw, 2010, p. 2).
thoughtful and reflective about what they do, using evidence, critical inquiry and problem solving to shape their practice (p.59).
In addition to outlining these capabilities, throughout the document there are statements highlighting the expectations held of kaiako. As an example, the section entitled A curriculum for all children articulates children's rights to "protection and promotion of their health and wellbeing, to equitable access to learning opportunities, to recognition of their language, culture and identity and, increasingly, to agency in their own lives" (Ministry of Education, 2017, p. 12).
The familiar components of the original Te Whāriki have the potential to mask, to some degree, the deep challenges that are embedded within Te Whāriki 2017. As noted above, national evaluations of the extent to which ECE services were implementing the original curriculum undertaken by the Education Review Office indicated widespread variability in the depth and breadth of curriculum experiences offered to children. Addressing this variability requires kaiako to be much more intentional in how they plan for and offer curriculum experiences that enable all children to achieve the learning outcomes, with support and guidance, across the five curriculum strands. A key challenge for kaiako lies in making "intentional decisions about when to be engaged in or guide children's play, as well as when not to be involved as children self-explore or explore with peers, in order to support learning" (McLaughlin & Cherrington, in press, p.7).
The expectation that kaiako engage in bicultural teaching practices and that they are able to effectively support children's developing identities, languages and cultures is a further challenge offered by Te Whāriki 2017. A survey of diversity in New Zealand ECE found that practitioners were predominately Pākeha (New Zealand European) and whilst many teams may include ethnically diverse staff, kaiako from "minority ethnic backgrounds are often the only person of that ethnicity within the team" (Cherrington & Shuker, 2012, p. 82). When asked about the languages that kaiako spoke with children, 97% of respondents identified that they spoke English, 56.1% that they spoke te reo Māori and 10.1% that they spoke Samoan. The remaining seven languages used by kaiako with children identified by respondents were used with less than 10% of centres (Cherrington & Shuker, 2012). Clearly, the 80 languages used by children in ECE services (Education Counts, 2017) are unlikely to also be used by adults in the service to support children's learning.
A final challenge lies in the provision of continuing professional development to support kaiako in strengthening their practices and knowledge required to fully implement Te Whāriki 2017. The initial professional development offered when the revised curriculum was launched has focused primarily on helping kaiako to "unpack" and identify the changes in the curriculum. However, in-depth professional learning is necessary to address the recommendations of the Advisory Group on Early Learning for sustained professional development to support the implementation of Te Whāriki. At the time of writing it remains to be seen whether such professional development is provided to the ECE sector.
*1 In this document, 'oral language' encompasses any method of communication the child uses as a first language; this includes New Zealand Sign Language and, for children who are non-verbal, alternative and augmentative communication (AAC).
*2 For children who are deaf or hard of hearing, 'hearing' includes watching.
*3 Kaiako is the Māori word for teacher and combines a focus on both learning and teaching. It is used throughout Te Whāriki 2017 as an inclusive term to encompass both qualified teachers and those practitioners who do not hold teaching qualifications.
Advisory Group on Early Learning. (2015). Report of the Advisory Group on Early Learning. Wellington: Ministry of Education.
McLaughlin, T. & Cherrington, S. (in press). Creating a rich curriculum through intentional teaching. Early Childhood Folio.
Ministry of Education. (2017). Te Whāriki. He whāriki mātauranga mō ngā mokopuna o Aotearoa Early childhood curriculum. Wellington: Ministry of Education.
Ministry of Education. (1996). Te Whāriki. He whāriki mātauranga mō ngā mokopuna o Aotearoa Early childhood curriculum. Wellington: Learning Media.
Ritchie, J., Duhn, I., Rau, C., & Craw, J. (2010). Titiro Whakamuri, Hoki Whakamua. We are the future, the present and the past: Caring for self, others and the environment in early years' teaching and learning. Wellington, NZ: Teaching and Learning Research Initiative.
Dr Sue Cherrington is the Associate Dean (Academic) in the Faculty of Education at Victoria University of Wellington. Sue has an extensive background in early childhood education, initially as a kindergarten teacher and, since 1992, in early childhood teacher education. Sue's research and teaching interests are focused on professional development and learning within educational contexts and ECE teachers' professional practices.


Dragon Boat Barrie is now recruiting for the 2016 season!
We have a number of different teams with varying levels of difficulty. New for 2016 is our men's team, the Barrie Northmen!
Information on each team can be seen via the menu above.
Previous PostDBB November UpdateNext Post2016 Registrations Now Open!


In its final week, Ring of Honor provided us with the second longest match in the fifty-nine weeks that I have been doing this column, a 26 minute six man tag match featuring six of the top wrestlers in Ring of Honor. This match brought up the average match length during the course of the show's run for this column up more than a tenth of a minute. This is pretty impressive when you consider that there have been 174 matches from Ring of Honor during the fifty-two episodes that aired.


Perhaps your sore neck and shooting back pain from the car accident has not stopped. Maybe you have yet to be compensated for trips to the doctor or other damages you may have sustained.
Regardless of when you file a claim with an insurance company, you are still bound by what is called the statute of limitations – the limitation on how much time you are given to bring about a legal action. To ensure your rights are preserved, it is best to contact an attorney immediately after being involved in a car accident.
Under California law, the statute of limitations (e.g. the time you have to bring a lawsuit) differs depending on several factors. Generally speaking, injuries arising from car accidents carry a two (2) year statute of limitations. However, if the accident is caused by a public entity (like a city bus), a formal claim should be made within six (6) months of the accident.
So When Does the Clock Start?
Under California law, the clock starts ticking the day the car accident occurs, even if you do not begin experiencing pain until days later.
Keep in mind that early action is essential not only to protect the statute of limitations, but also to procure prompt medical attention and preserve crucial evidence. If you are worried about whether you have missed any deadlines or about the appropriate timeline for your case, be sure to consult a personal injury attorney as soon as possible.


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205. Pinkshell Azalea
Pinkshell Azalea
Accession 1355 - 85*A
Wild populations of pinkshell azalea grow only in bogs and high elevation forests in North Carolina. In spring, the branches grow soft pink flowers with curling stamens. By summer, the shrub has grown green leaves. In fall, the leaves turn red.
This pinkshell azalea is part of an important conservation collection at the Arboretum. Hear more about conservation at the Arboretum.
Curatorial Assistant Kathryn Richardson maintains the records for the Arboretum's conservation collections. Listen below to learn about her job.
The Arboretum has a long history with the rare pinkshell azalea. The first specimen came to the Arboretum in 1880, though the most significant collections—resulting in the seed for the plant before you—occurred a century later, during the 1985 Southeastern States Expedition through Florida, Georgia, Tennessee, and North Carolina.
The expedition was organized in partnership with the Center for Plant Conservation—also called the CPC—which was founded at the Arboretum in 1984.
Today, the CPC operates out of California. A network of over 50 participating institutions, the CPC systematically conserves plants that are endangered or rare in the wild. Participating institutions are assigned certain species to maintain within their landscape. They monitor wild populations and collect genetically diverse specimens.
The Arboretum is an active participant in the CPC, stewarding several plant types, including the pinkshell azalea. The plant's native range in North Carolina is limited, and the plant is vulnerable to habitat destruction. The Arboretum maintains over 25 genetically distinct lineages of the plant, and has over 40 specimens planted throughout the landscape.
More than 20 percent of the Earth's plants are threatened with extinction. Through coordinated, collaborative partnerships with initiatives like the CPC, the Arboretum works, year-round, to save threatened plants.
My name is Kathryn Richardson, I'm a curatorial assistant, and I've been working at the Arboretum since 2004.
My role at the Arboretum involves documenting the living collections. And I am in charge of primary documentation, which is the information that comes in with the plant, so the history of the plant before it arrives at the Arboretum, whether that's getting the details of the plant if it's collected in the wild, or if it comes in from another institution or a nursery. And I do a little detective work as well, so digging as deep as possible, so if we do receive it from another sister garden, I want to know where they got it from, and where they got from, and so on, and so forth.
I also work on plant nomenclature, verifying the name of the plant and doing a lot of research to search for sources that will accept the name or reject the name. And then, with that comes my work investigating whether or not the plant is of conservation concern, and so, again, doing research and working with different societies and groups that do the analysis to determine whether a plant is threatened.
And then, another part of my job is coordinating the research of the living collections, so welcoming in researchers and scholars from all over the world, whether they come to the Arboretum or we collect material or data and send that out. And again, it's folks from all over the world and it's from many disciplines, so the entire landscape is opened up to research. So whether they're looking at the plants, or the soil, or insects, or fungi, we welcome that.
The Arnold Arboretum has a very long history of working in plant conservation—we've always known it was important. We work with the Center for Plant Conservation, which was started here at the Arnold Arboretum. So we have certain collections, taxa, that we hold. We also work with PCN, the Plant Collections Network, and that is broadly preserving germplasm, but also plants of conservation concern are held within each one of those genera as well.
And then we work with Botanic Gardens Conservation International (BCGI), which is an organization that we submit all of our living plant lists to—names—and receive a report back. They also have a program called ThreatSearch, which allows us to examine the threat level of each one of our taxa growing in our living collection. So beyond the specific organizations that we work with, such as the CPC, we are also able to analyze the entire collection and isolate plants that are of conservation concern at a global level, which is about eight percent of our collection right now, so it's a large amount.
It's very important that the Arboretum documents our plants of conservation concern. One, for the broader community, we're securing germplasm ex situ, so outside of the natural environment and in living collections. We're allowing, number one, visitors to learn about these plants, and number two, we're providing access and accessions to sister institutions where we're sharing germplasm and this helps preserve the line as well as opening up to researchers.
I love the work I do at the Arnold Arboretum. I feel we are benefiting the scientific community in so many ways and we're a very special organization in that we share our data, we share all our information with as many folks that will listen. We also work with sister institutions on expeditions, we collaborate with BGCI, CPC, to work for plant conservation. Internally, all the departments work hand-in-hand, whether it's through education, horticulture, or archives, it's an amazing, dream place to work.


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Homeless, Disheveled Prince Harry Spotted Eating Out Of Garbage Can Just 24 Hours After Stepping Away From Monarchy
SEE MORE: Prince Harry
NORTHAMPTON, ENGLAND—According to eyewitnesses at the scene, a homeless and thoroughly disheveled Prince Harry was spotted Monday eating out of residential garbage cans only 24 hours after stepping away from the Royal Family. "I heard a clatter in the alleyway, so I circled around and found him rooting around in my trash and kind of quietly muttering to himself," said Northamptonshire resident Sarah Christie, describing the unshaven, filth-covered Duke of Sussex as "clearly not in a good place" in the wake of announcing plans to distance himself from the British monarchy, while expressing concern about the senior royal's bloodshot eyes and foul stench. "I asked if he needed help, but he just hissed at me and went back to sucking on this half-eaten chicken bone he'd rooted up. Frankly, I was trying to keep my distance because I wasn't 100% sure he wasn't going to lunge." At press time, Christie had called the police after witnessing the Duchess of Sussex Meghan Markle repeatedly attempt to sell off her baby to people waiting at a nearby bus stop.
More from The Onion
British Royal Family Condemns Media's Ugly Attacks On Their Traditional Practice Of Sexual Abuse
Queen Elizabeth Disappointed In New Royal Baby Boy's Lack Of Proper Inbreeding
Unemployed Prince Harry, Meghan Markle Announce Plans To Give Baby Up For Adoption
Queen Elizabeth Hides Out In Bushes To Catch Whoever Keeps Stealing Packages From Buckingham Palace Porch


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Q: JS: Defining laravel route inside JS Function with parameter I am going to send an AJAX request inside a Laravel Blade. This is my code:
function submitForm(userId) {
var ajaxUrl = '{!! route("user-role-update", '+userId+') !!}'
        $.ajax({
            type: 'PUT',
            url: ajaxUrl,
            data: {
                _token: "{!! csrf_token() !!}",
                'newRoles': userRoleTableData
            },

In the controller, I returned the userId to check if the userId is passed to the URL or not, but the result was not returning the userId:
{
  "msg": "Something wrong while deleting the old roles--",
  "id":"+userId+",
  "isUserRoleSaved":false
}

Instead of returning the userId, it returns the variable "userId" with the "+" from JS script. How can I solve this?

A: function submitForm(userId) {
var url = '{{ route('user-role-update', ':userId') }}';
url = url.replace(':userId', userId);
    $.ajax({
        type: 'PUT',
        url: url,
        data: {
            _token: "{!! csrf_token() !!}",
            'newRoles': userRoleTableData
        },


Skandal is a Melbourne based four-piece cover band that play all the favourite party and classic pub rock hits from the '70s, '80s and '90s.
Skandal has played regular residencies at numerous pubs and clubs around metro and regional Victoria, as well as a huge list of parties, private and corporate functions. Skandal is the perfect act for any venue and any event. With Skandal you get fun, professionalism and highly competent musicianship from four accomplished performers who are committed to the success of your event or function.
Skandal know hundred's of songs, from pop rock ballads to high energy party tunes and even a small dose of modern rock. They provide a versatile and eclectic range of tunes from AC/DC to U2 and just about everything else in between!
Come see them play and we guarantee you will be able to dance, sing along and rock out to each and every song! Take a look at the songlist – all killer and no filler!


text:
HomeReMixesSuper Mario Bros. "Aquatic Interlude"
ReMix: Super Mario Bros. "Aquatic Interlude" 1:18
By Brad Smith
"Swimming BGM"
Primary Game: Super Mario Bros. (Nintendo, 1985, NES), music by Koji Kondo
Our first submission from Brad Smith, this quaint SMB Underwater mix was actually composed back in 2000, but thankfully upon stumbling on OCR Mr. Smith decided to submit it. It's a refreshingly simple arrangement for classical guitar with some minimal backup from synth pads, but it's just . . . perfect in a strange way. Very simple, but touching and musical in a way that some of Kanno's solo stuff from the Cowboy Bebop OST is. The articulations on the guitar are immaculate and, while short, the piece definitely captures a nostalgic, reminiscent quality that's really something. The source material was practically born for this sort of coverage, but it's not a mix I would have expected due to classical guitar arrangements being fairly thin on the ground. Deceptively good and definitely recommended.
TillyFun
Would be perfect for the ending cutscene of a water stage, with Mario floating on his back.
Marmiduke
It's a shame it is so slim, but I still think the theme was represented quite well. It's a great sounding cover, and there's some real feeling to the notes. It's a treat to hear something so bare and subdued.
But at this length, and with those tools, the mix was always destined to be lost amongst the sea of greatness.
It's definately nice while it lasts, though.
Very pretty but so short.
I'd love to hear a solo section or a bridge section added. I'm glad this got in when it did, because there's no way it'd pass now, but it's very soothing.
DS's comments about adding mandolin (and maybe accordion) are spot on, and would really take this mix to the next level.
Still, as is, it's very nice.
Liontamer
Great stuff, this mix. Short, but definitely very personalized in the performance.
Someone on DeviantArt did a simple but cute flash animation of Bloopers with a loop of this mix running. Check it out: http://www.deviantart.com/deviation/47678621/
emongev
great song i love the whole acoustic feeling, id be really grateful if you could post the tabs for it (id love to try and play it)
Pip is uh.....
This is one of my favorites. Short yes but its oh so perfect! I can find anything wrong with it. Here's why.
A. It's guitar
B. Its in the classical style
C. The underwater theme *which is basically the title screen theme* is a really underated Mario theme which just rocks.
D. It's guitar.
Wow, I liked! Beautiful guitar! And excellent Swimming Theme! =^.^=
Jean Of mArc
I love mixes like this. Very peaceful arrangements of a song we all know and love. It's just a guitar playing a very well-played randition of the water theme, and it's very easy and nice to listen to.
Beautiful, honestly.
The strings the second time through could have been better, but the way Brad Smith plays the guitar here is all I need to make me listen again and again.
I wish it had been longer than 1:20 though.
Then again there's only so far you can go with one melody and one instrument.
bradsmith
Actually the intro was surprisingly easy to do:
e--------------
B-------0-1-2-3
G-7-6-5-0-2-3-4
D-----4--------
A-5-7----------
I think it was a good choice to use multiple guitar tracks instead of cramming it onto a single guitar...it ensures most of the notes are well-timed and ring out. Plus the intro (which is repeated when the theme starts over) seems like it would be awkward on 1 guitar what with both parts moving in opposite directions . As far as composition, it's pretty true to the original with the guitar tone itself bringing the unique-factor.
This and ryan8bit's crystalis remixes are the first acoustic guitar pieces I've downloaded from overclocked: both are good examples of the 'feel' that non-keyboard-midi-instruments can add to songs. This mario one is less creative composition-wise but stronger presentation-wise than ryan8bit's. Time to search for more guitar-centric stuff!!!
Ryan8bit
Ryan8bit- reminds me of your Crystalis remix. Really like that one too.
Thanks. Sometimes it's nice to have music that is just calm and not so in-your-face. Although I do like variety. So long as music conveys emotion, I like it. And to me, this song did it.
Captain Red
Excellent piece. Very excellent. I love the classical guitar anyway, though.
This is how the aquatic theme was meant to be played. It flows along, all the while with a sense of... remoteness. Like being removed from the world on land, and looking at it while leisurely padddling through water.
Darkesword- That's weird. I had the same kind of thought about it... with the gondolas, I mean. Well, similar at least. This piece/arrangement really reminds me of the Third Man theme.(Set in Vienna, but it's the same continent. :¬) If you haven't heard that song yet, give a look for it. It's by Anton Karas.
Lakilelet- pun blatant=yesyou're all wet/pun. Besides, if you want to lose the "crack" redownload. At least give it a try uninterrupted.
After this one, I'm looking forward to the next brad smith submission.
DarkeSword
Anyway, this little mix is very nice. The guitar works very well, and the pads are a nice bonus. I dunno why, but this song makes me think about sitting at a café or something in Venice, Italy with a lovely girl, just watching the gondolas float by.
I'd love hear a longer version of this, perhaps with some mandolins in the background; a little more italian flavor, if you will.
But as it is, it's a very pretty mix that stands up on it's own. Good job!
Finally, a mix of the aquatic theme. But what do we get? A simple arrangement that has a crack in it (in my player, it just stops so I have to click past that point). There is nothing I find worthwhile in this piece. It's a Tosser.
Reminded me of playing back on the NES when I was little. It also reminds me Super Mario Sunshine a little. This one is pretty good for a listen or two but that's about it, and it won't cater to everyone's interests. Keep up the good work though.
Super Mario Bros. (Nintendo, 1985, NES)
Super_Mario_Bros_Aquatic_Interlude_OC_ReMix.mp3
d9eb3c7411d60f0d4ae8a414a876e661
MD5 Checksum: d9eb3c7411d60f0d4ae8a414a876e661


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