Falsely accused of theft, Onesimus flees from his Christian master. What will be his lot?
Sold into slavery to pay for his father's foolishly wasteful spending, Onesimus finds life as a slave especially hard. His memories of his own treatment of slaves compare badly to the treatment he receives at the hands of his Christian master, Philemon. But when he is falsely accused of theft and cannot prove his innocence,he can't believe his punishment will be any less than what he would have meted out in his own household. Filled with fear, he steals a purse of money and runs away, planning to leave Greece and lose himself in the crowded streets of Rome. On the way, he hears stories of Paul, who survived the bite of an adder but insists he is only a man, not a god.


The Kansas City Missouri Police Department is trying to get a fairly uncommon English shotgun back to its owner. The gun, a C.G. Bonehill side-by-side, dates from the late 19th to very early 20th Century and was recovered by authorities after they served a search warrant at a suspected burglar's residence.
Local media reported the engraved double-barrel is marked to a Will H. Cruttenden out of Cazenovia, New York, but police say they have not been able to make contact with an owner. Cruttenden, a jeweler, is believed to have died in the 1920s.
The shotgun maker, Christopher George Bonehill, was a Birmingham gunmaker who established his firm in the 1850s and filed numerous firearms patents under his name. His firm, located in Birmingham's Belmont Row, went out of business in the 1960s. While many Bonehills in circulation fetch low prices, an Old West-era coach-length double inscribed to Wells, Fargo fetched nearly $10,000 at a 2016 auction.
Kansas City police say they will need proof of ownership to return it. Those who feel they have a link to the gun should call the Metro Property Crimes Section at 816-581-0679.


"I've never really looked back," Anna Sui says, sitting in the first room of "The World of Anna Sui," a retrospective exhibition on the designer that opened at London's Fashion and Textile Museum this week. The show, the first-ever retrospective of an American fashion designer held in the U.K., brings together over 125 complete outfits, all of which include the accessories worn during their runway debuts. They range from the ensembles worn by Linda Evangelista and Naomi Campbell in Sui's first runway show in 1991 to those modeled by Gigi and Bella Hadid during her latest spring/summer 2017 Americana-themed collection.
"You're always trying to meet deadlines and think about what the next thing is and try to come up with the inspiration, so it's mind-blowing for me to walk into the room and see everything together," says the designer. "We haven't put those outfits together since they were shown. It's incredible and it's very rewarding to have the opportunity to have this reflection. It helps me realize how much work has been done, because I've never realized it. It's one after another after another, always on to the next show. It's very rewarding. I never realized I did so much work!"
Nearly every piece comes directly from Sui's own archives. Curator Dennis Nothdruft arranged her work thematically rather than chronologically, revealing archetypes that reappear through Sui's work. You see her ongoing obsessions with punk, Americana, Victorian and school girl throughout the rooms.
"Dennis thought of it that way, which was really brilliant," Sui says. "I realized, 'Oh yeah, I do always go back to similar themes.' I always try to figure out a different way to express it, but there's a lot of similarities."
Two things stand out immediately: First, Sui's clarity of vision, which extends even to rock music played throughout the museum; second, her prolificness. Sui has been in the business for decades now and she's collaborated with dozens of brands, always maintaining her signature sensibility. She owns the rights to her own name, which is rare for fashion designers, and her colorful cosmetics line is popular worldwide. You may think of her in reference to '90s fashion, but the Anna Sui brand remains vibrant today. How has she managed this kind of longevity?
"Besides luck?" she laughs. "I think there are several factors. I own my own company, so what else am I going to do? I have to keep going. And I think the fact that I have such an identifiable brand has given us so many things to draw from. Part of the success of the license products, like the cosmetics and the fragrance and the accessories, is that they're so recognizable. We use the fashion lines to inspire those, so you have the black packages, you have the butterflies, you have the carved roses. You have the aspiration things, like 'love' and 'sweet dreams.' The latest one is called 'Fantasia.' I talk about that all the time – fantasy. There's that much focus on identifiable things and it has helped a lot. That's always my advice to new designers: You have to come up with an identity. It has to be a recognizable product."
I own my own company, so what else am I going to do? I have to keep going.
Fantasy is an important aspect of Sui's work. While some designers are scattering political and social messages through their pieces and shows, Sui remains devoted to the idea that fashion is a positive escape. It's empowering, in the most heart-felt way possible.
"I'm not really political," she says. "I like adornment. I like dressing up. I like creating a fantasy with how I'm put together. It's very emotional. You can be rebellious about it, but you don't have to write 'Woman' on your shirt. It's a secret vocabulary you can use rather than being so blatant about it by printing it on your chest."
That sort of feeling may explain why Sui's models are constantly smiling during her shows. She doesn't believe fashion has to be super serious or elusive. Instead, Sui is all about having a good time and expressing yourself.
"I think they love the clothes," she explains. "When I first started I remember it was supermodel time. They all loved the clothes. They felt like it was clothes for them – it wasn't Mommy's clothes. They were so used to being put together in this head-to-toe lady look and they were kids. All of a sudden they related. I think that spirit has always come through – they can relate to the clothes. They feel like they can wear them. It's not like they're putting on another identity. I think also there's always a sense of humor in what I do. There's a vibrancy to the color and the prints. I just like that energy. I want to entertain people. I want them to be transported and dream and have a fantasy about it all. I think the models feel it."
I want to entertain people. I want them to be transported and dream and have a fantasy about it all.
"The World of Anna Sui" is open May 26 through October 1, 2017. Tickets are £9.90 for adults and £6 for students. Tim Blanks' book The World of Anna Sui, which features a foreword by Naomi Campbell, is available in accompaniment to the exhibition for $50 and will be available beginning May 30.


text:
Q: Creating a Wordpess Plugin that writes data to a csv file. The data doesn't show in the csv file? I am writing my first Wordpress Plugin that should simply write data to a csv file. This is the code, I can't figure out why the data won't write to the csv file?

add_action('admin_menu', 'myfirstplugin_admin_actions');
function myfirstplugin_admin_actions() {
add_options_page('MyFirstPlugin', 'MyFirstPlugin', 'manage_options', __FILE__, 'myfirstplugin_admin');
}

function myfirstplugin_admin()
{

$label = "Entries";

$entries = RGFormsModel::get_form_counts(1);
echo "The Form count for Form #1 is: ".$entries['total'].".";

$cvslabel = array ($label);
$cvsnumber = array ($entries);

$plugin_dir = plugin_dir_path( __FILE__ );
$logfile = $plugin_dir . 'data.csv';

$fp = fopen($logfile, 'w');

fwrite($fp, $cvslabel);
fwrite($fp, $cvsnumber);

fclose($fp);
}

Can someone explain to me why it won't work? And what i need to do so it will simply write the data to the csv file. I want the data to be dynamic so it will refresh the data in the csv file automatically.

A: Your Wordpress code is correct, the problem is the incorrect 2nd param to PHP's frwite(), which needs to be a string, and you're passing arrays.
I think you want something like:
fwrite ($fp, "$label\n") ;
fwrite ($fp, implode (',', array_keys ($entries)) . "\n") ;
fwrite ($fp, implode (',', array_values ($entries)) . "\n") ;

redpajama_set_name: RedPajamaStackExchange


At one point (according to the radio report I heard this morning) the companies wanted the employees to pay up to $95 a week in premium sharing, which would effectively have priced their employees out of health insurance a la Walmart. However, hidden behind this victory is that even for the workers there now (rather than the cheaper ones coming on board in the future) the premium contribution from the company is a defined one, and if costs go over a certain number in 2 years time as they inevitably will, the workers will have to make a contribution to premiums. As it is they have already lost first-dollar coverage.
If I was John Kerry I'd be down at the last of the picket lines right now. Workers all over America are scared of foreign and domestic cheap labor and they are terrified of losing their health care coverage. These two facts are connected. An employee can probably get another job, but maybe not one with health benefits–and of course a bad health experience with no insurance can wipe out the middle American dream in a heartbeat. That's why, as the StonyBrook survey showed last year, workers would rather keep their health benefits than get a pay rise. The Democrats have got a winning issue here if they can figure out how to make it presentable to the public. They don't need a solution for now, they just need to reassert that they protect workers and seniors. Watch for the rhetoric here to heat up over the summer.


text:
Aktualno, Izdvojeno, PC, Xbox - 13. August 2019.
Halo Infinite is "Visually impressive and more expansive"
Not much is known about Halo Infinite. At Microsoft's E3 2019 press conference earlier this year, the company revealed that Master Chief's latest adventure would be an Xbox Scarlett launch title–in addition to releasing on Xbox One and PC–sometime during holiday 2020.
Now, corporate vice president of Xbox Games Studios, Matt Booty, has revealed some more details on the upcoming title during a recent interview with Game Informer.
"The first thing that is really cool and where that game is headed, is how they're [343 Industries] thinking about expanding the world," Booty explained. "I won't go so far to say 'sandbox' because we bring up sandbox and people seem to overload that term with a lot of other things. But what the team is doing to build a bigger universe and a bigger set of gameplay scenarios, and sort of more things to explore is awesome."
Halo Infinite runs on 343 Industries' brand-new Slipspace game engine, which studio director Chris Lee said is aimed at supporting Halo titles for 10 years to come. "The things they're working on are really cool. As they bring the Slipspace Engine up to date with where we're at in terms of graphics these days, there's just some cool stuff," Booty went on the say. "Design-wise, it's been really cool to see them get back to some of the shape-language and design-language of some of the earlier Halos. It could be said that, Halo, when you get into Halo 5, maybe it was getting a little 'busy' design-wise. [For Halo Infinite] it feels more modern and more clean, but also there are stronger echoes back to the roots of Halo. I would say visually impressive and more expansive."
Getting back to the roots of Halo has been a common thread amongst the drip-feed of information regarding Halo Infinite. Earlier this year, Brian Jarrard, community director at 343, shared a blog post revealing the long-awaited return of split-screen support to the series in Infinite. The studio also announced that it would support LAN multiplayer, and confirmed that characters in Infinite will have black undersuits–a small detail, but one that harkens back to Halo's beginnings.
During the interview, Booty also revealed that Microsoft sees The Outer Worlds as an exclusive franchise.
Aktualno, General News, PC, Playstation, Xbox - 12. August 2019.
Quantic Dream is 'not exclusive to any platform anymore'
After a long stint on PlayStation, Quantic Dreams' weird thrillers have recently made their way over to PC. Heavy Rain and Beyond: Two Souls are available on the Epic Games Store now, and in an interview with DualShockers, Quantic Dream's David Cage confirmed that this is how the studio means to continue, no longer tied to a single platform.
Cage had been eyeing the door two years before the launch of Detroit, after more than a decade working with Sony. The PC ports allowed Quantic Dream to branch out, not just putting its games on the Epic Games Store, but also becoming a publisher, starting with its own games.
"Quantic Dream is not exclusive to any platform anymore," Cage said. "So yes, unless there are some specific exclusivity deals on a title-by-title basis, all our games will be released on all platforms at launch."
The caveat is a pretty big one. Each of the new PC ports launched exclusively on the Epic Games Store, so while it's not a platform exclusive, it's still tied to a single store, at least for now. It's considerably less restrictive then PlayStation exclusivity, however, and doesn't preclude them from appearing in other stores later.
General News, Izdvojeno, Playstation, Tech, Xbox - 12. August 2019.
Microsoft revealed the new Xbox Scarlett during its E3 2019 Xbox press conference earlier this year. Seemingly a codename, Xbox Scarlett releases in Holiday 2020 alongside Halo Infinite. The Xbox One has been around since 2013, which, scarily, is six years ago. Console cycles typically last between five and seven years, meaning we should be due a new Xbox pretty soon. However, there's the complicating factor that this generation included mid-cycle upgrades, the PS4 Pro and the Xbox One X.
There's still a lot to find out Xbox Scarlett, but Microsoft boasted about the specs being far beyond that of the Xbox One X. Regardless, we know Microsoft is working on the next Xbox console, and there've been a fair few details revealed about what to expect. Without further ado, let's dig into everything we know about the next Xbox.
While Microsoft discussed its new Xbox during E3 last year, it reiterated at E3 2019 that it's definitely working on the new console. In fact, it could even be multiple consoles on the way. Xbox boss Phil Spencer said in June 2018 that Microsoft is "deep into architecting the next Xbox consoles where we will once again deliver on our commitment to set the benchmark for console gaming."
Of course, the pluralizing of 'console' could mean Spencer was referring in part to the Xbox One S All-Digital Edition, which was announced just recently. However, the latter half of his quote–about setting the benchmark for console gaming–surely refers to a new generation, where it sounds as if Microsoft wants to come out swinging with the most powerful console available, just as it did with the Xbox One X.
Early reports from Thurrott suggest the new Xbox consoles are being developed under the umbrella codename Scarlett. Two consoles are in the works, say the reports: one is a high-power machine codenamed Anaconda that will be approximately the same price as the PS5, while the other is a budget-orientated machine known as Lockhart. The latter is potentially a streaming-centric device that does not boast much processing power itself; rather, it will ostensibly utilize Microsoft's nascent xCloud technology to play games via the cloud. Microsoft has so far only detailed one new device, but it could be that a second console is revealed at a later date.
In an interview following E3 2019, Phil Spencer told us that the Xbox Scarlett will focus on high frame rates and fast loading times. He also spoke on the future of cloud gaming, and reaffirmed that Microsoft isn't working on a stream-only console right now.
Microsoft hasn't spoken about its specific timeline for the new Xbox consoles' release date(s). However, the consoles are not expected to launch until Fall 2020. For comparison's sake, we don't precisely know when the PS5 will launch either, but in May 2018 the then-head of PlayStation, John Kodera, said that the PS5 was "three years" away. However, plans change, and it's also possible Kodera was merely trying to keep a lid on the rumors that were flying around at the time which were saying the PS5 would be released as soon as 2019.
Unlike Sony, Microsoft has so far kept quiet about the internal specifications of its new consoles. However, all the reports point to both Anaconda and Lockhart ditching hard drives in favor of the quicker solid state storage option–a move the PS5 is also making. Of course, if those reports are proven accurate and Lockhart is essentially a streaming box, it's likely the console will eschew a disc drive and state-of-the-art specs, relying instead on Microsoft's xCloud streaming service for its playing power. Jeux Video has reported the following specs for the two Scarlett consoles:
Xbox Lockhart
Xbox Anaconda
CPU Custom eight core Custom eight core
GPU Custom NAVI 4+ teraflops Custom NAVI 12+ teraflops
RAM 12 GB, GDDR6 16 GB, GDDR6
Storage 1 TB SSD, 1 + GB / s 1 TB SSD, 1 + GB / s
The site also reports the Anaconda price will be around $500, which is the same price the Xbox One X launched with in 2017. Unverified rumors from Reddit place Lockhart, meanwhile, at around $250, which would put it at the same price point as the newly-launched Xbox One S All-Digital Edition, which also forgoes a disc drive. These are yet to be substantiated by any reputable source, however.
General News, Izdvojeno, PC, Playstation, Tech, Xbox - 10. August 2019.
Phil Spencer: Cloud gaming is inevitable, but it's not replacing traditional consoles just yet
Phil Spencer, head of Xbox, has plenty to think about, from the next generation of Xbox consoles to helping build new development teams. He and the team are also managing an ecosystem that's trying to serve the needs of as many players as possible. Cloud-based gaming touches all of those areas, which is why he's been championing Project xCloud, Microsoft's game streaming technology that will let you access the power of an Xbox console through your phone via an internet connection. We recently got the opportunity to talk to the head of Xbox about a number of topics, including how he sees xCloud fitting into Xbox's repertoire, and within an industry that's traditionally orbited around consoles in the home.
"It's one of the directions the industry is headed. To me, it's about what you as a gamer want to do, and I'm not trying to tell you that owning a box that plays video games is a bad thing or that somehow that's not needed." Spencer continued, "I think that the cloud inevitability as part of gaming is absolutely true. But we have more compute devices around us than we've ever had, whether it's your phone, a Surface Hub, or an Xbox. The world where compute devices are gone and it's all coming from the cloud just isn't the world that we live in today."
Physical devices are still very much part of the equation when it comes to cloud gaming, but Xbox itself isn't making a new device specifically for it. "Last year we talked about xCloud and then we said we were working on new game consoles, but that's all I said." Spencer clarified, "We didn't say that [a streaming console was in the works]. I think maybe some people thought that that was the disc-less one that we just shipped. We are not working on a streaming-only console right now. We are looking at the phone in your pocket as the destination for you to stream, and the console that we have allows you to play the games locally."
"If you bought a big gaming PC and you like playing games there, I want to respect that and meet you where you are and bring the content and services that you want to that device. If you want to buy an Xbox, if you want to play Minecraft on a PlayStation, I want to make sure that comes to you there."
One of the chief concerns that has always surrounded cloud gaming is lag. Specifically, how fast your controller inputs will translate to action on a screen. It was an issue in some cases for Google Stadia demos, especially for fast-paced shooters such as Doom. Spencer recognizes this and makes no bones about those concerns, saying "I don't think anybody should tell you that there's no lag."
"Going back to our transparency, there's a truth that I think is always important for us to talk about with our customers. In xCloud, we are building a convenience capability to allow you to take your Xbox experience with you. Meaning, that's why we focus on the phone, and the experience is not the same as running the games on an Xbox One X. I'm not going to say that it's an 8k 120 hertz thing. That's not what we're doing. We're going to bring convenience and choice to you on your phone."
"You can jump in a party, we can voice chat. Everything works the same as it does when I'm sitting with my console from a community and content perspective but you're running it from a cloud, which is going to feel different."
Given that he's been traveling with an early version of xCloud on his own phone playing games on it out in public, it would seem that xCloud is in a feature-complete state. Public trials start in October this year (a month before Google Stadia), but we asked if it'll launch as a fully-formed service. "We will start in 2019, this year, in certain markets and then we will just continue to roll it out. We're doing our internal trials with xCloud now, which means people on the team can now install the application on their phone and stream games."
"One of the benefits we have working at Microsoft is the Azure data centers globally, which allow us to put hardware as close to people as we possibly can. And we can leverage the fact that Microsoft has spent a lot of money establishing data centers to help us accelerate this build. So we're going to start in 2019 and have people playing Xbox games on their phones, and we'll get a ton of feedback."
Project xCloud's launch this year only marks the beginning for the Xbox game streaming service; Microsoft will continue to iterate on it while its in players' hands, and Spencer emphasizes that technological shifts take time. "I think this is years away from being a mainstream way people play. And I mean years, like years and years."
"Let's take Netflix, which is 20 years old. I think we forget that sometimes because tech moves so fast. It's 20 years old at this point, so it took two decades for us to get to the point where shows like Game of Thrones and House of Cards are some of the biggest shows in the planet and mainly watched via streaming. I think game streaming will get there faster than 20 years, but it's not going to be two years. This is a technological change. While it seems like it happens overnight, it doesn't."
"It takes time for these services to evolve. We are building for the long-term, but that's why choice is so critical. I'm not trying to say go sell your consoles today and switch over to streaming because the experience just isn't the same as playing on your console, but I do think in terms of reaching everybody, the democratization of play and content, it's important that we don't lock all of these experiences behind purchasing a certain device."
"And way over time, we'll have a global service that can reach everybody and the infrastructure to reach any customer with a consistent and high quality internet service, but that's going to take time. We talk about Project xCloud and we use words like "trials" not because we don't believe in our tech–our tech is as good as anybody's tech out there, and the team is doing really amazing work–but this is about the reality of time and choice for customers."
Down the road, the evolution of xCloud could lead to some creative uses; we've seen hints of it in Crackdown 3's multiplayer and how it handles physics. But Spencer and the team are thinking outside of games themselves as they have plans to make it an integral part of the industry's biggest convention, saying "At E3 [in the future], our plan is to allow people coming to the show to actually play games, play Xbox games on phones at the show."
Part of cloud gaming's success, and xCloud in particular, rests in how developers account for the new technology. It's also an aspect that Xbox is already getting ahead of, and Spencer detailed how the team is doing it. "We've already started putting xCloud servers near locations where our largest third party developers are. So now we're starting to get developers at third parties on it so they can see their game on a phone, which is critical because there are things like font sizes that if you wanted to take advantage and understand how the game runs on the phone, you want to make it available. You want them to see it and experience it themselves."
"We've also already put into the Xbox SDK, because if you're streaming, a developer might want to do something different if the game was running locally. All the developers that are building Xbox games today have access to that capability of determining whether the game is being streamed or running locally, which I think is a great addition."
"You'll have certain developers that will take advantage of it early. We already have some of the early adopters asking for [it], because there are certain things that the cloud makes more possible than happened in the home. A good example of that is our blades right now that have all the Xboxes in the data centers have multiple Xboxes on one blade…basically like a bunch of Xboxes in your house that are hardwired together. So the latency between all of those consoles is negligible. It's almost a zero because they're literally hard-wired together. If we were to play games online, there is latency from where you live and I live, right? Our two Xboxes just take time to sync."

redpajama_set_name: RedPajamaCommonCrawl


text:
Equipping /
Before you finish reading this, one individual will have ended their life by suicide—because they think they have no other choice. This compelling movie shines a powerful light in the darkness and offers true hope to those who think they have none.
Buy 1000 for $1.00 each and save 80%
(40 minutes, DVD, Closed-Captioned)
Before you finish reading this, one individual will have ended their life by suicide—because they think they have no other choice. According to the World Health Organization, a massive 800,000 people take their lives every year — one death every 40 seconds. That's 3,000 a day. For millions who suffer from depression and despair, "EXIT" points to a better way. This compelling movie shines a powerful light in the darkness and offers true hope to those who think they have none. Someone you know may secretly be considering their final exit. Watch "EXIT," and share it with those you love.
"I screened "EXIT" to our elders and wives last night. Very encouraging and powerful. We pre-ordered 2,000 copies of the DVD to give out for free. We plan on ordering many more."
—Pastor Mike Reed, Calvary Chapel, Oceanside, CA
"An absolute triumph"
—Joseph Farah, CEO, WND
"As a board certified clinical neuropsychologist who has been in the mental health field for 25 years, I am thrilled to see you address the issue of suicide head on. I loved EXIT. It's both powerful, and very sound."
—Dr. Michelle Bengtson, PhD, ABPP, Clinical Psychologist, Author
"Ray Comfort's movies are always filled with truth and loving instructions on how to interact with people desperately in need of the love and grace of Jesus Christ. 'Exit' opened my eyes to the anguish of so many who mistakenly believe suicide is the only answer to depression. We all need Jesus. Without Him, there is no life. With Him, there is life abundant."
—Francine Rivers, New York Times Bestselling Author, Redeeming Love, Her Mother's Hope
"I just watched Exit. It was powerful and effective...I hope this reaches a wide audience and turns many to the hope of the gospel."
—Alex Kendrick, Filmmaker, War Room, Fireproof, Facing the Giants
"The film is powerful and made with superb creativity...I am so glad that you tackled this subject, which has been a taboo topic for far too long in the Church..."
—Janet Parshall, Radio Host, In the Market with Janet Parshall
"I cannot tell you how moved I was by EXIT...absolutely amazing."
—David Grantham, Federal Law Enforcement Agent


Since the War on Drugs started, the lives of countless Americans have been turned upside down over drug charges. Many were low-level, nonviolent offenders who suffered from addiction or had simply made a poor choice, yet they experienced heavy and long-term consequences. At the Fotopoulos Law Office, we do not believe that a single, nonviolent offense should result in life-altering penalties. We dedicate our time, energy, and resources to preventing our clients from facing such a fate.
While, in some cases, nonviolent drug offenders could face limited penalties, many are at risk for serious consequences. In fact, having even just a small amount of the wrong drug at the wrong place could result in a felony charge. In such instances, conviction carries a possible prison term. It could also significantly alter the course of your life, long after you have served your time. Your employment and housing opportunities could be severely limited. You could lose your right to own, purchase, or use a firearm. You could even suffer a loss of certain benefits, such as food stamps or Temporary Assistance to Needy Families (TANF).
Do not be fooled into thinking you have to simply accept this future. It is possible to fight back against a drug charge, and our attorney will serve as your dedicated advocate. Fully committed to helping you reach the most favorable outcome possible, we will take immediate and aggressive action in your case.
If you or someone you love is facing drug charges, the Fotopoulos Law Office is the name to remember. Known for our strong commitment to the best interests of our clients, we will fight to protect your rights and your future against the consequences of a drug charge. Contact us at 708-942-8400 and schedule a consultation today to learn more. We proudly serve clients in Orland Park, Tinley Park, Burbank, Oak Lawn, Homer Glen, Mokena, Bedford Park, Palos Heights, and the surrounding suburbs.


6.1	Call to Order: Meeting was called to order by Charmaine at 5:30 pm. Charmaine welcomed everyone to the meeting. A special welcome to Jennifer Chieh Ho who is the BC Regional Council – Racially Visible Coordinator. All sisters introduced themselves and identified which component they represented.
6.2	Approval of Previous Minutes: Previous minutes will be available at our next meeting.
6.3	Tools for School: The school list was agreed to by all. The school list will cost the committee $1,913.21 ($2,159.08 - 15% = $1913.21). Patty will approach the school and inquire if they require more supplies. Once the signing authority has been completed, the order will be placed on Monday. It was decided that the delivery of supplies should go directly to the school. If the supplies are delivered by Grand 'n Toy, Patty will approach the teacher that we would like a group picture and not to unpack the shipment.
6.4	Signing Authority: To be arranged for Friday. Kim has the required documents to present to the bank.
6.5	Community Garden: The school is working with United Way. The school stated that lumber is being donated which will be used in the construction of raised beds from September 12-15, 2016. Construction of these raised beds will be done on October 07, 2016 which will be ready for our Committee to be involved in planting of garden in Spring 2017.
6.6	Northern Alberta Seminar: Discussions on the planning of the Conference are as follows.
Kim Haynes will be attending the Prairie Regional Financial Committee meeting held on November 03 & 04, 2016 where she will inquire with the PRF Committee as to why Marianne Hladun did not forward our budget to the PRF Committee.
Patty informed the committee that Jan Reimer will be available. Patty will do a follow up with Maria Fitzpatrick. Darlene will contact Perri for recommendations of speakers as well as an Elder for the opening prayer.
Kim Cardinal will try to contact Buffy St Marie for her availability or we could play her songs at the seminar.
The Kids in the Hall Bistro is large enough to accommodate 30 women. Snacks will be made available during morning and afternoon coffee breaks. Lunch would be a hot buffet. The Bistro has sectional sofas in a corner. The topics discussed at this conference would involve domestic violence in the workplace and child care. The panelists would move to each table. A three-hour workshop to be held in the afternoon. Initially, we should be sending out an Expression of Interest and directing the Sisters to go the website where they could vote "yes" or "no". This would provide us with numbers of how many Sisters would be attending. Then a call-out letter will be sent out at the end of October, 2016 or by November 03, 2016. Genevieve will open a website "Northern Alberta Seminar".
At the seminar, each Sister will be given a candle where they can decorate is with henna and then they would take their decorated candle to the vigil.
6.7	Treasurer's Report: No Financial Report was presented to the Committee.
Remembrance Day – Will be discussed at our next meeting.
Patty – She may not be available in November.
Gulnar – Questioned why the Financial Report was not available at our meetings and wants to see it.
Gulnar attended the Racially Visible Conference in Winnipeg. She found this conference very informative, created strong allies and how to develop strong relationships with the community.
Karoline – A group picture of our committee was taken after the meeting. This picture will be forwarded to our Bargaining Team to show our support.


text:
Evansville Convention & Visitors Bureau
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For all information on what to do and where to go, visit us at The Pagoda in Downtown Evansville. Our Visitors Center is the ideal place to get a beautiful view of the scenic Ohio River. Local and regional brochures, as well as friendly hospitality attendants, are available to give you information on hotels, attractions, events, and unique places to visit while in Evansville.
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Deanna "Tamzine" Metz, a pharmacy tech, swirls through her veiling performance on the second day of the 25th Annual Mediterranean Fantasy Festival Sunday, July 22, 2012, at the Hiawatha Playfield and Community Center in West Seattle, Washington. "This is where I get to see all of my friends and just chill," Metz said. Metz has been a dancer for 10 years. The two-day event is the largest belly dancing festival in the Pacific Northwest.
Suzanna Davis, second from top left, cheers on another dancer from her spot in the crowd during the 25th Annual Mediterranean Fantasy Festival Sunday, July 22, 2012, at the Hiawatha Playfield and Community Center in West Seattle, Washington.
Debbie Cram, left, and Barb Smith, right, warm up for their performance during the 25th Annual Mediterranean Fantasy Festival Sunday, July 22, 2012, at the Hiawatha Playfield and Community Center in West Seattle, Washington.
Dancer Hasani Abbott shows off a dress to a customer from her merchandise tent during the 25th Annual Mediterranean Fantasy Festival Sunday, July 22, 2012, at the Hiawatha Playfield and Community Center in West Seattle, Washington. The two-day event is the largest belly dancing festival in the Pacific Northwest.
Dancer Meaghan McKracken watches closely as she carefully applies makeup to a friend during the 25th Annual Mediterranean Fantasy Festival Sunday, July 22, 2012, at the Hiawatha Playfield and Community Center in West Seattle, Washington.
Beth Ann Hinkle, a fifth year performer with Hands of Kali, practices balancing a scimitar sword on her head during the 25th Annual Mediterranean Fantasy Festival Sunday, July 22, 2012, at the Hiawatha Playfield and Community Center in West Seattle, Washington.


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Everything You Need to Know About the Sniper Elite Franchise
August 17, 2022 Marie Zaé
If there's one thing that everyone can agree on, it's that the Nazis are the bad guys. World War 2 was won because of the efforts of millions of people, most of whom have never gotten recognition. The Sniper Elite video game franchise is about one such character. Karl Fairburn is a German-American officer with the Office of Strategic Services, which was a precursor to the CIA. The player's task in Sniper Elite games is to complete missions as Karl by taking out strategic Nazi targets and assist in the war effort.
This premise has been incredibly popular, and since the first game, Sniper Elite, was released in 2005, the franchise has sold 20 million copies of their series of games. From the beginning, players have loved the third-person shooter concept with some elements of first-person action. The character has to stealthily navigate through missions and eliminate enemies without getting caught or killed.
The first game in the series takes place in 1945 in Berlin. Because he is familiar with the city and speaks the language, Karl is inserted into the city to steal technology, gather information, and kill a Nazi official. Along the way, Karl interacts with various factions in the city, including the Russians and the Germans. In some cases the player has to make convenient alliances, and in others is working against them.
The gameplay was very exciting for the time. When getting ready to fire, players had to deal with realistic elements such as wind and gravity. As well, you have to get your character to calm down and breathe slowly so that they can take the best shot possible. There are other tactics to use, such as wounding an enemy with a sniper shot so that his crew come out of hiding to help him. This allows the player to kill them as well.
Sniper Elite 2 is considered a reboot of the series. It takes place at the same time and location. However, Karl is tasked with capturing German scientists to bring them over to the side of the Americans. Along the way he has to evade enemies and kill strategic targets. This version focused more on the stealth aspects of the game. For each mission, players have several options to get to their target locations. This game also introduced the ability to take a shot from one location to distract targets and guards, and then stealthily move to another location. The enemies would then search where the original shot rang out.
The other big development was the ability to have multiplayer functionality. There are several multiplayer modes where players can work together or compete against each other for kills. Multiplayer would remain a feature of the Sniper Elite franchise going forward.
The next installment is a prequel to the previous two. The action shifts to 3 years earlier and to the North African battlefield of World War 2. This time, Karl's is part of the effort, along with British Troops, to stop Rommel from taking over a strategic seaport. The big difference with this game from the previous two is that it is a "sandbox" style of game. There are maps of the missions, and you navigate your player through each map.
There are some additional features and upgrades. For one, in this game you can get indications when the enemy has spotted you. In past games you could destroy vehicles, but in this video you can also disable vehicles if you wish instead of blowing them up.
Sniper Elite 4 takes place after the third installment but before the first two. It is in Italy, and Karl must travel to an island where the Germans have used a new weapon to sink a British ship. The gameplay is much like the previous game, although the maps are more detailed and expansive. Karl is also now able to climb onto ledges for more possible vantage points. The big difference in this one compared to the others is that the enemies are smarter, and react more realistically than before, making it more challenging to complete missions without being killed.
Sniper Elite 5 is the most recent entry of the franchise, and it takes everything from the previous versions and ratchets it up even more. The maps are bigger, and there are more options than ever for engaging enemies. For one, this version puts a big focus on moral dilemmas that soldiers might face in the field. The enemy is often made up of people who don't' want to be there. Should Karl kill them, or take another approach?
It's also more immersive in that the trigger and haptic feedback are improved. The trigger on your controller will offer resistance like a real rifle might. The controller will vibrate and shake as well based on what actions you are taking with your character in a more realistic way than the first 4 games. Sniper Elite 5 has also ratcheted up the action components of the game. While you should always try to be as stealthy as possible, the melee fighting is much improved. There is more action, and it is more possible to succeed if you are seen than in the earlier games.
There are many types of games out there. Sniper Elite is a franchise that has had amazing success for many years by combining aspects of action, stealth, strategy, and graphic violence as well. Video games are not just for kids, nor have they been for many years. Players are looking to have more variety in their gaming experiences, and the Sniper Elite Franchise offers just that.
10 hours ago Mateusz Niewierowski


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Goat House Brewing Co. In Lincoln Wins National Honor
By on April 11, 2018
(Photo illustration by Chris Furlong/Getty Images)
Got to give a shout out to Goat House this morning! One of our favorite places to spend a warm, Northern California afternoon! Goat House Brewing Co., has only been open since 2013, but is already being recognized nationally, and that's mostly why. Goat House was named the second-fastest-growing small and independent craft brewing company in the country for 2017 by the Brewers Association (BA) for Small and Independent Craft Brewers.
Catherine and Michael Johnson own and run the place and told the Sacramento Bee, "We got the call and we just started laughing." She says when they first opened people thought they were crazy opening up shop on nearly 11 acres in the middle of nowhere! But, they've quickly become a hit with locals who can barely find a place to sit on any given weekend. Goat House is considered a nanobrewery, putting out around 400 barrels a year, whereas microbreweries usually do two to three times that amount.
Johnson says Goat House is looking to expand it brewing capacity as well as space to meet demand.
Along with Goat House, Device Brewing Co. of Sacramento ranked 37th on the Brewers Association's list of fastest-growing.


This article is about the puzzle. For the popular phrase, see Back to square one.
The Square-1, also known as Back to Square One and Cube 21, is a puzzle similar to the Rubik's Cube. Its distinguishing feature among the numerous Rubik's Cube variants is that it can change shape as it is twisted, due to the way it is cut, thus adding an extra level of challenge and difficulty. The Super Square One and Square Two puzzles have been recently introduced[when?]. The Super Square One has two additional layers that can be scrambled and solved independently of the rest of the puzzle, and the Square Two has extra cuts made to the top and bottom layer, making the edge and corner wedges the same size.
The same puzzle in its original (solved) state.
The Square-1, with the full name "Back to Square One", and alternative name "Cube 21", was invented by Karel Hršel and Vojtěch Kopský around 1990. Application for Czechoslovak patent was filed on 8 November 1990, the patent was approved on 26 October 1992 with patent number CS 277266 B6. On March 16, 1993, it was patented in the USA with patent number US5,193,809. Its design was also patented on October 5, 1993, with patent number D340,093.
The Square-1 consists of three layers. The upper and lower layers contain kite and triangular pieces. They are also called corner and edge pieces, respectively. There are all together 8 kite and 8 triangular pieces. The kite pieces are 60 degrees wide, while the triangular pieces are 30 degrees wide, relative to the center of the layer.
The middle layer contains two trapezoid pieces, which together may form an irregular hexagon or a square.
Each layer can be rotated freely, and if the boundaries of pieces in all layers line up, the puzzle can be twisted vertically, interchanging half of the top layer with half of the bottom. In this way, the pieces of the puzzle can be scrambled. Note that because the kite pieces are precisely twice the angular width of the triangular pieces, the two can be freely intermixed, with two triangular pieces taking the place of a single kite piece and vice versa. This leads to bizarre shape changes within the puzzle at any point.
For the puzzle to be in cube shape, the upper and lower layers must have alternating kite and triangular pieces, with 4 kite and 4 triangular pieces on each layer, and the middle layer must have a square shape. However, since only two shapes are possible for the middle layer, there is a quick sequence of twists which changes the shape of the middle layer from one to the other without touching the rest of the puzzle.
Once the puzzle has a cube shape, the upper and lower layers are cut in an Iron Cross-like fashion, or equivalently cut by two concentric (standard) crosses, that make an angle with each other.
Like Rubik's Cube, the pieces are colored. For the puzzle to be solved, not only does it need to be in cube shape, but each face of the cube must also have a uniform color. In its solved (or original) state, viewing the cube from the face with the word "Square-1" printed on it, the colors are: white on top, green on the bottom, yellow in front, red on the left, orange on the right, and blue behind. Alternative versions of the Square-1 may have different color schemes.
The Square-1 puzzle was sold in this shape with instructions for turning it back to a cube. This is halfway through a vertical turn.
A good number of solutions for this puzzle exist on the Internet. Some solutions employ the classical layer-by-layer method, while other approaches include putting the corner pieces in place first, then the edge pieces, or vice versa. Some solutions are a combination of these approaches. Although these solutions use different approaches, most of them try to restore the cube shape of the puzzle first, regardless of the placement of the pieces and the parity of the middle layer, and then proceed to put the pieces in their correct places while preserving the cube shape. The shape is often restored first because it allows for the greatest range of possible moves at any one time – other shapes have fewer moves available.
The majority of solutions provide a large set of algorithms. These are sequences of turns and twists that will rearrange a small number of pieces while leaving the rest of the puzzle untouched. Examples include swapping two pieces, cycling through three pieces, etc. Larger scale algorithms are also possible, such as interchanging the top and bottom layers. Through the systematic use of these algorithms, the puzzle is gradually solved.
Like solutions of the Rubik's Cube, the solutions of Square-1 depend on the use of algorithms discovered either by trial and error, or by using computer searches. However, while solutions of Rubik's Cube rely on these algorithms more towards the end, they are heavily used throughout the course of solving the Square-1. This is because the uniform shape of the pieces in the Rubik's Cube allows one to focus on positioning a small subset of pieces while disregarding the rest, at least at the beginning of a solution. However, with the Square-1, the free intermixing of corner and edge pieces can sometimes cause a certain desired operation to be physically blocked; so one must take all pieces into account right from the beginning. Some solutions of the Square-1 rely solely on the use of algorithms.
If different rotations of a given permutation are counted only once while reflections are counted individually, there are 170 × 2 × 8! × 8! = 552,738,816,000 positions.
If both rotations and reflections are counted once only, the number of positions reduces to 15! ÷ 3 = 435,891,456,000. Also, it always can be solved in a maximum of 14 moves.
The world record time recognized by the WCA is 5.00 seconds, set by Vicenzo Guerino Cecchini of Brazil on 20 October 2018 at the Schoolmark Open 2018 in São Paulo.
The world record average of 5 solves (excluding fastest and slowest) is 6.73 seconds, also set by Cecchini at the same competition, with the times (8.45), 6.53, 6.79, (5.00) and 6.87 seconds.
The Super Square One is a 4-layer version of the Square-1. Just like the Square-1, it can adopt non-cubic shapes as it is twisted. As of 2009, it is sold by Uwe Mèffert in his puzzle shop, Meffert's.
It consists of 4 layers of 8 pieces, each surrounding a circular column which can be rotated along a perpendicular axis. This allows the pieces from the top and bottom layers and the middle two layers to be interchanged. Each layer consists of 8 movable pieces: 4 wider wedges and 4 narrower wedges. In the top and bottom layers, the wider pieces are the "corner" pieces, and the narrower pieces are the "edge pieces". In the middle two layers, the wider pieces are the "edge" pieces, and the narrower pieces are the "face centers". The wider pieces are exactly twice the angular width of the narrower pieces, so that two narrower pieces can fit in the place of one wider piece. Thus, they can be freely intermixed. This leads to the puzzle adopting a large variety of non-cubic shapes.
Despite its appearance, the Super Square One is not significantly more difficult to solve than the original Square-1. The middle layers are nearly identical to the top and bottom layers of the Square-1, and may be solved independently using the same methods as the Square-1. The corners of the middle layers are distinguishable because the corners with the same two colors are mirror images of each other, but the middle edges of each face are interchangeable since they show only one color each.
The "Square Two" is yet another variation of the popular Square-1 puzzle, with extra cuts on the top and bottom layers. It is also currently marketed by Meffert's online store.
The Square Two is mechanically the same as a Square-1, but the large corner wedges of the top and bottom layers are cut in half, effectively making the corner wedges as versatile as the edge wedges. This removes the locking issue present on the Square-1, which in many ways makes the Square Two easier to solve (and scramble) than its predecessor.
The Square Two, like the Super Square One, isn't much more difficult than the Square-1. In many ways, it's actually easier considering one can always make a slice turn regardless of the positions of the top and bottom layers. Mostly, it's solved just like the Original, merely requiring the extra step of combining the corner wedges. After that, it is solved exactly like the Square-1.
There are a total of 24 wedge pieces on the puzzle.
Any permutation of the wedge pieces is possible, including even and odd permutations. This implies there are 24!=620,448,401,733,239,439,360,000 possible permutations of these pieces.
However, the middle layer has two possible orientations for each position, increasing the number of positions by a factor of 2.
This would theoretically yield a grand total of (24!)*2=1,240,896,803,466,478,878,720,000 possible positions for the puzzle, but since the layers have 12 different orientations for each position, some positions have been counted too many times this way. This reduces the number of positions by 12^2.
The final count is (24!)/72=8,617,338,912,961,658,880,000 total possible positions.
^ World Cube Association Official Results – Square-1.
http://www.ganpuzzle.com/square1.htm Learn to Solve Square-1 with step by step animation accompanied by detailed descriptions.
http://www.ganpuzzle.com/superSquare1.htm Learn to Solve Super Square-1 with step by step animation accompanied by detailed descriptions.


Welcome to my little home on this thing called the Internet. The picture you see here shows the inside of my photography shop, Trevimage, in the heart of Rome, Italy.
I'm a professional photographer and graphic designer with a background of industrial design. The purpose of this site is to show you a small portion of the work I have done... and hopefully to be contacted by you to work on a creative project.


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Home»Your Council » News » Discover the little houses of the fairies this St Patrick's Day
Discover the little houses of the fairies this St Patrick's Day
If you do down to the woods in St Columb's Park or Kilfennan Park this St Patrick's Day the eagle eyed among you might find more than you bargained for among the trees.
For hidden in the Waterside parks is a network of Fairy Dwellings developed by local artist Denzil Browne.
The project is part of the line-up for Derry City and Strabane District Council's Spring Carnival celebrations which includes artist led initiatives, online content and neighbourhood focused activity.
"The North West Carnival Initiative were looking for alternatives to the parade this year that would still generate excitement and I was delighted that this was chosen as one of them," explained Denzil who is a Photography and Moving Image lecturer at the North West Regional College.
"I hope it will provide some excitement and give people a lift during the difficult times we are going through.
"We're installing the houses on trees in St Columb's Park and Kilfennan Park and there is some great detail in them like chimneys and doors that should captivate people.
"The challenge is for families to go to the venues and find the little villages we have made."
Denzil and wife Martha had developed quite a reputation around the city for their elaborate and imaginative Halloween costumes, so much so that they were recruited by In Your Space to get involved in their Halloween presentations.
"My wife and I absolutely go to town at Halloween," he said. "The North West Carnival Initiative noticed us and asked us to get involved in making props and costumes for the parade and I went on to be part of some of the In Your Space performances at the Festival.
"I first did the Fairy Houses two years ago for St Patrick's Day at the Peace Garden at the Guildhall, they were made from two feet tall tree trunks with miniature furniture and food.
"The kids were fascinated and it was very rewarding to see them flocking in and marvelling at them – I'm really looking forward to seeing their reactions this time around!"
This year's Spring Carnival programme includes a vast range of online content, including many events for Irish Language Week which is currently taking place and will finish on St Patrick's Day.
On March 16th, Council is working with partners on the virtual Destination Derry – Connecting with Home event which will see our diaspora living in all corners of the world come together to enjoy our shared history and love of this time of year, with conversation, music, culture and lots of entertainment.
These are just a few of the highlights, for more information on all the highlights of this year's programme go to www.derrystrabane.com/insideout.


What can be the reason for my dongle is not working and what can I do?
One reason could be that the settings on the SIM-card are wrong and should be changed to another. If that is the case you can solve it by following these steps.
OBS: The dongle only support Windows computers.
Make sure there is no internet connection, by turning off the WiFi and remove the LAN cable if connected.
Plug in the dongle and wait for the web management page of the dongle to open.
If the message "Updates available. Please download" appears on the web management page of the dongle, push the button "Go to home".
Select the tab "Settings" and change "Data roaming" to the opposite. E.g. if the radio button "disable" is active, change it to "enable" and press "Apply".
Pull out the dongle from the PC and Plug it into your Gateway again.
What are the requirements for the SIM-card to be inserted into the dongle?


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VS Azakiah.ChurchLogo.425
Published January 2, 2010 at 405 × 422 in Evening Prayer 1.2.10, Bishop Samuel Azariah Day
Bishop Azakiah was born to Christian parents in Tamil Nadu; his father was an Anglican priest but their ancestors were Hindu. His father died when he was only 10, and he was sent to Christian boarding schools; at one, he founded an anti-caste society. He went to college and studied mathematics but didn't graduate, instead becoming an evangelist for the YMCA, where he met John Mott. He married a Christian woman, Ambu Mariammal Samuel, "the most spiritually minded girl in Tirunelveli," breaking customary wedding practices along the way; they wrote to each other beforehand instead of the Big Reveal as it's usually done, dispensed with a dowry, got married on a Wednesday and spent almost nothing doing it. The man was a trailblazer, the spiritual father among Anglicans of the ecumenical Church of South India, founded two years after his death.


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I think we should find common ground
Home » I think we should find common ground
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More Women Taking on Agricultural Land Ownership
The Women in Wildlife Conservation conference recently held in Fredericksburg and attended by more than 70 women was an effort to help those who are inheriting land, purchasing land or who have become owners of land for various reasons, said Dr. Larry Redmon, Texas A&M AgriLife Extension Service program leader in College Station.
"We think this is an underserved audience," Redmon said. "We think by getting these ladies together and discussing things with them about land stewardship, especially here in the Edwards Plateau, we can impact not only those who currently own the property, but those who will come after them, their daughters and the granddaughters."
Clayton said the "next generation" is diverse, because it might be mothers similar to her own who in their 60s are just becoming the landowner. Or, it might be the daughters who barely have a connection with that land, who are being handed the responsibilities.
The current workforce is currently comprised of five working generations, something that has never happened before, she said.
She described them as the "Traditionalists," born in 1945 and before, who worked longer than most, as long as they were physically able.
"Many times the grandparents work as long as they possibly can and are in charge," Clayton said.
She said one or more of their children may work with them, but their wisdom doesn't always get handed down to all of the children and grandchildren equally, even though all may have an equal share in the land management one day.
Then came the "Baby Boomers," 1946-1964, who are not completely in the position to retire yet, she said. They have had to get work off-ranch sometimes because the older generation was still working the ranch.
"Generation Xers, 1965-1976, are just now peaking in their outside careers. A lot of them saw there wasn't a place at the ranch for them at the time, so they sought a career outside, but have an interest in coming back and are thinking about returning," Clayton said.
The Millennials, 1977-1995, are in the middle of their careers and starting their families and question how they fit into the multi-generational land heritage. And finally, Generation Z or iGen, born 1996 and after, might only see land recreationally, she said.
"They don't see the land as a moneymaker for them. They like it, they enjoy it, but they don't see a profit in it for them. They may even see it as a burden," Clayton said.
She encouraged those in attendance to learn and support each other, "because you are each other's resources, and in the future there will be more and more women who are landowners, and they are going to be looking to you for mentorship."
The group identified some challenges women might face that men do not, including physical limitations; time, especially when they are still the caregivers of the household; overall knowledge, as it might not have been passed down to them over the years; and management authority.
Clayton said it is important that landowners let their children in on the decision making and responsibilities as early as possible so they have some working knowledge of what to do with the land when they become the manager.
"Maybe it's just a pasture or two or the hunting lease management or some completely different enterprise, but do something that gives them a tie to that land and lets them be involved in it today so they will have an interest later when it is time for them to take over, so they won't see it as a burden."
Norma Favaro, who attended with her daughter, Constance Favaro, knows that feeling. She attended the women's conference because she is inheriting a ranch from her aging mother.
"I came here to see what women do with their land – it felt like a burden to me, kind of scary, all the weight on my shoulders as someone who had never taken care of it," Norma Favaro said. "My mom and dad had always taken care of it. Learning about stewardship is something new to me."
Constance Favaro said she hopes what she learns can be used later when it is her time to take over, but also now to help her mother on things like leases, deer population management and help her not be so scared.
"Some of the topics we heard have got me excited now," Norma Favaro said. "It's given me that joy again, and it's no longer something I have to do, but something I 'get' to do."
They said it's been a great experience to meet others who have the same struggles and being able to bond with them and bounce ideas off them, and to recognize there are differences between men and women and the challenges they face.
Additionally, attendees heard about rainwater harvesting for wildlife purposes, developing hunting lease agreements, deer and wildlife habitat management, the Master Naturalist program, financing hunting enterprises, beekeeping, and took a tour of native rangeland, identifying beneficial plants for wildlife.
Joan Luedke of Centerville and her daughter, Stacy Luedke Hill of Mesquite, have a ranch with more than 200 acres. They attended to "try to learn how to maximize the property we have and how to minimize the problems we have," Joan Luedke said.
"We're also here to get new ideas on what we can do with our land, learn from the other ladies here in an environment where we feel comfortable raising our hands and asking questions and not having to be embarrassed that we don't know the answers," Stacy Luedke said.
She said they've learned about rainwater harvesting, improving habitat for all animals and bringing their land back to a native state instead of just a cow pasture with deer on it.
"A lot of what we have is an invasive habitat," Joan Luedke said. "We need to find better ways to take care of that. It's nice to know we are not out here alone."
Redmon said last year's theme was overall land stewardship, an introductory program to the Edwards Plateau country and its history, as well as invaders such as juniper and wild hogs.
"This year we had more of a slant to wildlife, as that is very important to landowners in the Hill Country," he said. "One landowner told me the revenue they derive from the wildlife many times is the profit, sometimes the only profit, they have on the ranch."
Redmon said each October they will hold the conference in Fredericksburg and while the theme of the conference may change, the overall the purpose will be land stewardship and how to take care of "your piece of Texas."
Source: Texas AgriLife Extension


First published: 'Resilient religion: understanding popular piety today', in The Furrow (March, 2005), pp. 131-141.The web version is an abridged and slightly adjusted version of the article.
There is a story told about a boy who wanted a bicycle for Christmas and who prayed earnestly to God, promising, in return, that he would be good for a whole month. He soon thought better of pledging such a long period of virtue and revised it to a week and, finally, to a single day. Realising that he might not have the necessary resources even for that length of time, he chose an alternative approach. Seeing a statue of the Virgin on top of the mantelpiece he took it down and wrapped it in a towel, addressing God once more in the words 'If you ever want to see your mother again …' We may remember hearing such a tale recounted at parish missions or novenas, conducted by members of religious orders in our youth, or on other occasions as part of an homiletic ice-breaker. Yet, many may not realise that the story itself has a long history. In a poem entitled Bláth an Mhachaire Muire (Mary's Field-flower) by sixteenth-century Irish bardic poet, Aonghus Fionn Ó Dálaigh, a version of this story appears in which a woman praying to the Virgin for the release of her son from captivity seizes the Child Jesus from a statue of the Virgin and Child as a pledge of his safety, enjoining upon the Blessed Mother to act quickly if she is ever to see her son again. The Virgin complies and the issue is resolved. Morality tales (exempla) such as these were common across Europe in the Middle Ages. In the late medieval popular mindset, the heavenly society was seen to work in much the same manner as the earthly one and being astute as children of this world guaranteed one's efficiency at dealing with the community of light. What should be particularly noted, however, is the direct link between the present-day recounting of this story and the medieval period that spawned it. If the past is, indeed, a different country, there is no doubt that we have retained quite a lot of its vocabulary.
Fig. 1. Italian 18th century Agnus Dei of wax in a brass mounting.
How many and how great miracles are worked by Agnus Deis can hardly be fully told. In the beginning of this Lent an elderly lady was, for three days, at death's door, deprived of voice and memory. An Agnus Dei was hung round her neck and that instant she recovered her voice and memory, and the following day she was perfectly cured. It was refreshing to see the confusion of her heirs who, having prematurely taken away her goods, were forced to bring them back.
Attempts at implementing the reforms of the Council of Trent in seventeenth-century Ireland were fraught with difficulty. Very often what was considered to be the ideal was sacrificed on the altar of practicality. For example, the official attitude of Trent to household religion, outside of the parish context, was one of suspicion, even going as far as to claim that such situations were seedbeds of subversion. Yet, ironically, in both Ireland and England, it was in the households of pious and learned recusants that the opportunities for the implementation of Tridentine norms such as frequent reception of the sacraments and satisfactory catechesis was most possible.
In fact, these households became, in the seventeenth century, almost quasi-parochial in themselves. A renewed emphasis on the necessity of intellectually-competent clergy was one thing. But, in reality, such candidates were difficult enough to find 'on the ground'. That is why, in his tract on Penance, Sgáthán Shacramuinte na hAithridhe, written in 1618 in Louvain, the Irish Franciscan friar, Hugh McCaghwell, advised his audience that it was better for them to seek out a learned and wise lay person to be a spiritual director than an ignorant clergyman. The Irish catechisms produced on the Continent for 'Trenting' the native populace, more often than not, smacked as much of pre-Tridentine religion as that which it was supposed to replace. The attitude seems to have been one of 'why try to feed with meat babies that are only capable of ingesting milk?' Yet, equally, it must be remembered that the compilers of these catechisms had, themselves, been raised in a particular devotional environment before their period of study abroad and that the most Tridentine of clergy, if examined closely, possessed a traditional underbelly. Of course the implementation of reform was cut short in the mid seventeenth century and remained, in effect, interrupted, for the next two hundred years. Emmet Larkin's thesis regarding the 'devotional revolution' in later nineteenth-century Ireland had its roots not only in systematic efforts at reform in the early seventeenth century but even earlier still. Indeed, the history of the Observant Franciscans from the fifteenth century onwards in Ireland is one of promotion of regular participation in the sacraments, the interiorization of religion and popularcatechesis. Interestingly, the very charges brought against both the Church and, in general, early and mid nineteenth-century Irish society, as described in Larkin's thesis – the inept performance of clergy, the lack of attendance at the sacraments, poor catechesis, immoral living etc are almost carbon copies of the sort of reports that were made concerning late sixteenth and seventeenth-century Ireland. Coincidentally (or perhaps not), the remedies suggested also form a perfect match – sacramental practice, catechesis, good and well-trained clergy, the promotion of devotions such as the Rosary, novenas, sodalities and confraternities, the dissemination of catechisms, medals, agnus deis and the organisation of local missions.
Fig. 3. A very inexpensive European aluminium medal from the 20th century. The adverse shows our Lady of the good councel, and on the reverse the guardian angel teaching a child to pray.
All of these remedies can be found suggested and attempted in the work of the various religious orders working in seventeenth-century Ireland, in particular the Jesuits. What made the efforts at reform in the later nineteenth century different from those in the seventeenth century was that they worked. Or, certainly, up to a point.
One might imagine that twentieth-century popular devotion might have left behind its medieval legacy. Not so, however. Devotion to the Sacred Heart of Jesus, for which twentieth-century Irish Catholicism was ubiquitously famous, is a direct descendant of late medieval devotion to the side wound of Christ, which emphasised his love and mercy. Although devoid of the same explicit imagery of torture common to many medieval depictions, the Sacred Heart image appealed directly to the devotee to take refuge in the wounded heart of Christ. The Anima Christi prayer in the late sixteenth century, by including the petition "Within thy wounds hide me", retained this image and linked it to the Eucharist just as countless medieval images had before it. Indeed, the proof of an effective image is the manner in which it continues to recur in the most unlikely places. Count Ludwig Zinzendorf, a Lutheran who set up a community for the Moravian Church at Herrnhut, Saxony in the eighteenth century, increasingly focussed his attention in the period 1750–60 on affective devotion to the Passion and an extreme form of blood piety, (Fig. 4), in the mould of the most elaborate of pre-Reformation devotees. He was known to commission small drawings of the sinner huddled within the refuge of Christ's heart wound that were designed to be carried on the person as relics. Perhaps the natural successor to the Sacred Heart image today is that of the Divine Mercy revealed to Blessed Faustina Kowalska. Once again, the rays of blood and water coming from Christ's side figure strongly in this image and the emphasis is also on the receipt of Christ's mercy and the salvation of souls.
Fig. 4. 18th century German engraving of the five wounds, with a quote from Isaiah 53,5b.
Twentieth-century Catholic devotion may have liked to think that it was free of its medieval roots but in fact it wasn't. Indeed, a quick perusal of the sorts of devotional reading material popular during this century very quickly indicates the opposite. The works of Alphonsus de Ligouri (1696–1787) although written in the eighteenth century, heavily rely on medieval exempla such as that recounted at the beginning of this article, both when speaking of the mercy of Christ and the intercession of his Blessed Mother. These works were reprinted again and again and proved to be hugely popular in the twentieth century. Similarly, the devotional works of the author known as E.D.M. (alias Fr Paul O'Sullivan OP, a well-known writer of devotional pamphlets) discussed the doctrine of Purgatory in Read me or Rue it by means of countless medieval stories of souls returning to loved ones looking for prayers of delivery. In his work on the angels, he states that an angel accompanies each person on the way to Mass, enumerating their steps in anticipation of a grand tot-up in Heaven. This idea figures prominently in the medieval list of benefits attached to attendance at Mass known as the merita missae which was hugely popular in late medieval Europe (Fig. 5) and is found in at least three Irish manuscripts from the fifteenth and early sixteenth centuries. Indeed, the reasons for attending Mass promoted by O'Sullivan almost match this list perfectly as do similar lists of promises attributed to devotions such as the recitation of the Rosary. These works can still be found advertised on a host of websites, proving their enduring popularity with twenty-first century devotees. Continued fascination with the extra-biblical aspects of the Passion of Christ lived on in the twentieth century in the promotion of certain Passion mystics such as Therese Neumann, Padre Pio and Gemma Galgani. Meanwhile, many prayer books of the twentieth century contained copies of the medieval Fifteen Prayers of St Bridget of Sweden (or Fifteen Oes) with their attendant promises to those who managed to recite them for a year and thus honour each wound that Christ suffered. Up to a point, these devotions were tolerated and even encouraged. However, the vivid and colourful nature of medieval devotion surviving in twentieth-century Ireland would not always be looked upon with such favour.
Fig. 5. Holy mass, prayers and alms help the souls in purgatory, depicted on the wings of a German triptych c. 1520.
In many ways the period immediately following the Second Vatican Council could be termed Catholicism's version of the sixteenth-century 'Stripping of the Altars'. (Fig. 6a-b) Interpretation of the decrees of the Council at local level were not always as successful as they might have been. What was perceived by many as church vandalism, to others as iconoclasm and to some as necessary reform, paved the way for a new mode of understanding liturgical space. In some quarters, the desire to rid churches of all manner of 'clutter' was accompanied by an equally fervent desire to rid devotional lives of its equivalent. Large and ornate Stations of the Cross were routinely replaced by neater and, almost invariably, aesthetically-inferior substitutes while popular devotions such as the Rosary were often frowned upon as the relics of a peasant spirituality that belonged to a different age. While most now agree that much of this knee-jerk reaction to the past bore no resemblance to the true spirit of the Council, the damage due to erroneous interpretations of change was considerable, particularly in Western society.
Fig. 6a. St. Georg in Sünzhausen in Bavaria, interior 1906-10.
Although some initial efforts at the re-ordering of churches were a success, many others failed dismally. The decrease of emphasis on visual stimulation that was ubiquitous in the medieval period led, in certain cases, to the replacement of biblical scenes on stained-glass windows by amorphous multi-coloured designs that only individuals with PhDs in post-modernism might begin to interpret. The dispensing with 'clutter' of all sorts, including various statues and images, may have been intended to focus the worshipper's mind more fully on the various movements within the liturgy itself, but it also succeeded in creating an atmosphere of sterility in what, for many, was as familiar a building as their own home. Indeed, the image of a home is useful in this regard. At the risk of an over-generalisation, one can compare older styles of worship space that were, indeed, cluttered and liturgically untidy, filled with congregations of individuals with equally untidy habits and ideas, with a family home, brimming with life: Messy? Yes. Dull? Never. Cramped? Yes. Higgledy-piggledy? Yes. Lived-in? Yes. Well-ordered? Rarely, perhaps. What happens when this space is re-ordered in such a way that it becomes too tidy and pristine to be familiar with and thus fails to retain that lived-in feeling? The house might remain tidy, but the children will not stay there. One might contrast the experience of attending liturgies in well-ordered churches in Ireland and the experience of an alternative variety of the Easter Vigil in Skopje, Republic of Macedonia. After the final blessing crowds of people throng the altar space, effectively hindering the bishop from processing down the aisle until he has blessed the many baskets of bread that are brought before the altar. Likewise, traditional painted hard-boiled Easter Eggs also need to be blessed. It will be a long night. There is a scramble; lots of hustle and bustle; but there is life. And there is fervour. These eggs will be given to friends, relatives and strangers, indeed to all whom the bearer meets and all will be greeted with the ancient proclamation 'Christ is risen' to which the receiver replies 'He is risen indeed'. While the down-side of popular religion is often identified as a lack of order coupled with poor catechesis, one can never complain about its lack of fervour. In many parishes today there is often order in abundance; indeed a clinical sort of order; yet, many of these churches are virtually empty. Understood in the correct way, John Henry Newman's observation that 'a little superstition may be the price of making sure of faith' is as challenging as it is alarming.
One of the problems with the denigration of popular religion lies in its misunderstanding of the term itself. In the past, 'popular' religion was equated with 'folk' religion, a quasi-heterodoxical form of piety associated with the unlearned and the lower social orders in general. However, this view has repeatedly been shown to be erroneous in recent studies. A more accurate understanding of popular piety can be found in the etymology of the word 'popular' itself – 'of the people'. The term does not specify certain social groups and is better understood as the personal engagement of individuals of all social groupings with the mysteries proclaimed from within official doctrine. This understanding will always be incomplete and, indeed, faltering. History has proved that remarkable theological insights were not always the preserve of the learned no more than heterodoxy was of the peasant. Doctrine and devotion walk hand in hand across the social spectrum and should not be considered rivals. A modern case in point is the late Karol Wojtyla (Pope John Paul II) whose philosophical and theological acumen could not be divorced from his traditional devotion to the prayers of his youth, such as the Rosary, and indeed his promotion of the image and prayers associated with Blessed Faustina Kowalska's Divine Mercy devotion.
Fig. 7. Divine Mercy: The version by Adolf Hyla, painted in 1943, particularly favoured by Pope John paul II.
Devotion without doctrine may be mere sentiment but, equally, doctrine without devotion remains lifeless.
On the subject of liturgy and the ordering of churches, it is important that the Council's exhortation to 'noble simplicity' does not collapse into the pursuit of something that merely engages the spirit and not the bodily senses. In the past, elaborate imagery engaged the eyes of worshippers; the use of incense also spoke to the senses. The burning of candles and the strains of plainchant all added to the sense of the sacred in the liturgy. This sort of 'tangible religion' spoke at many different levels, not relying solely on one's spiritual disposition. While the answer to the problem of the loss of the sense of the sacred in our churches is not simply to re-fill them with the clutter of yesteryear and expect the crowds to stream back, yet the lesson must be learnt again that the liturgical assembly of the broken body of Christ will not always make for neat liturgy. Indeed, as the Directory on Popular Piety and the Liturgy issued by the Congregation for Divine Worship points out: 'lack of consideration for popular piety … often reflect(s) a quest for an illusory 'pure' liturgy which while not considering the subjective criteria used to determine purity belongs more to the realm of ideal aspiration than to historical reality'.
In the area of liturgy, increasing desensitisation to the meaning and value of symbolic ritual and gesture in the decades since the Council has contrasted, ironically, with the secular world's rediscovery of it. It is interesting to note that today we live in an age where increasingly the visual message is becoming more important than the written one. If you study the phenomenon of modern advertising you will understand what I mean. Indeed, such is the power of the visual and symbolic nowadays that we are becoming increasingly adept at interpreting the messages we receive in this way. In many ways, our culture has never been more like that of the visually-rich fifteenth century than at present. Yet, ironically, the reduction of the importance of the symbolic and the visual in our churches has come at a time when we are perhaps most ready to interpret it. Could it be possible that the Church is one step behind secular culture in this regard? Furthermore, the engagement of secular culture with various discarded or virtually discarded aspects of traditional Christianity has reached new heights.
While the churches were jettisoning candelabras and replacing them with push-button electric imitations (undoubtedly, partly for fire insurance purposes) the secular world was rediscovering the beauty of real candles and continues to do so, as a visit to your local town will undoubtedly demonstrate. While you may not have heard a sermon treating of the role of the angels in a while, the secular world has rediscovered these spiritual beings and has rehabilitated them in movements such as New Age. Gregorian chant, long since sidelined in parish churches has suddenly become popular again among many non-church going connoisseurs. Fasting, too, considered an optional extra by many within the Church today, has been rediscovered 'outside' the Church as a way to healthy living and balance in life. What is considered valuable at a popular level (and often regarded as peripheral at the level of Church hierarchy) always seems to find a way of seeping out and re-inventing itself in one way or another.
So, should the Church take its cue from the secular world and rehabilitate all that it has lost? One might suggest that the answer to this question should be both "yes" and "no". The Church should certainly read the signs of the times and ask itself why practices that it has sidelined have simply not gone away. Perhaps it should realise that there is a certain sensus fidelium that can sniff out what is of value and that clings to it with tenacity. If it reviews its disregard for some of the elements of worship that it has formerly downplayed merely because the secular world is now enjoying them extra ecclesiam, then perhaps this is not the best reason. If, however, it digs deep into the richness of its tradition in search of practices of enduring value, then perhaps the tactic of recouler pour mieux sauter is the way forward. It seems philistine to continue to ignore what is a profoundly rich tradition. Late medieval spirituality, for all its shortcomings, depicted the things of Heaven in a manner that could be easily understood by contemporary secular society. That challenge remains today.
The future of popular religion in Ireland, as elsewhere, is assured. Whether it is practiced inside or outside ecclesial communities, it will remain and will develop in all sorts of shapes and forms. In order to better serve its people, however, the churches must not neglect the external elements and, in particular, the tangible elements of religion. By neglecting these 'small things', these 'externals' of religion, the larger things inevitably begin to crumble too. These elements give witness to something beyond ourselves. Popular piety gives life to our tradition for if there are no carriers of tradition, tradition ceases to exist.
 See especially Salvador Ryan, 'Popular religion in Gaelic Ireland, 1445-1645' (PhD thesis, National University of Ireland Maynooth, 2002), 2 vols.
 Idem, 'The most contentious of terms: towards a new understanding of late medieval popular religion', Irish Theological Quarterly 68 (2003), 281–90.
 Idem, 'From late medieval piety to Tridentine pietism? The case of 17th century Ireland' in Fred Van Lieburg (ed.), Confessionalism and Pietism: religious reform in the Early Modern period. Veröfentlichungen des Instituts für Europäische Geschichte (Mainz, 2006).
 Edmund Hogan (ed.), Distinguished Irishmen of the sixteenth century (London, 1894) 262.
 Emmet Larkin, 'Devotional Revolution in Ireland 1850-1875', The American Historical Review, 77 (1972), pp 644-5.
 For blood piety in late medieval Ireland see Salvador Ryan, 'Reign of blood: aspects of devotion to the wounds of Christ in late medieval Ireland', in Joost Augusteijn and Mary Ann Lyons (eds.), Irish History: a research yearbook (Dublin, 2002), 137–49.
 See, for instance, Carl Watkins, '"Folklore" and "Popular Religion" in Britain during the Middle Ages', Folklore 115 (2004); also Salvador Ryan, 'The most traversed bridge: a reconsideration of elite and popular religion in late medieval Ireland', in Kate Cooper and Jeremy Gregory (eds), Elite and Popular Religion: Studies in Church History 42 (Woodbridge, 2006), pp 120-30.
 General Instruction of the Roman Missal Chapter 5, XII (279).
 See especially Salvador Ryan, 'The quest for tangible religion: a view from the pews', The Furrow (July / August, 2004).


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