Every month, we introduce you to an interesting woman living in Languedoc. Curious as we are, we like to find out why they are living in this beautiful region, what they do for a living and some of their Languedoc favourites. This month we would like you to meet Neasa Miquel as Ramoneta of the Month.
I am Irish, living in Béziers (1) with my French husband and we have two kids of 3 and 7 years old. Originally from Dublin, which is where I grew up, I have made a move from urban to country living in the Languedoc.
Initially, I came here for one Summer to work as an au pair in 1995. I would never have guessed then that it would end up becoming my home. After that Summer, I did six years of travelling back and forth between Dublin and Languedoc before moving here for good in 2001.
I met my future husband here on a night out, and as he is a winemaker, it would be very difficult for him to work in Ireland! So, I made the move here and set about getting to grips with the lifestyle and the wine business. It was at once a huge challenge and an eye opener but also lots of fun.
The quality of life here is great. To have access to seasonal and locally grown food, as well as being so near to nature is fantastic – I love the big colourful skies here. My daily commute brings me from beautiful Béziers to the mountains above Cessenon- it's like an ever-changing landscape painting.
The Languedoc is a great region for raising a young family. When I compare it with friends who live in big cities, we are so lucky to be laid back about plans and quite spontaneous, particularly at weekends. There is also a lack of pretension, which is very refreshing.
Laurent, my husband, is the 8th generation of winemaker in his family. We own two châteaux- Cazal Viel in Saint Chinian and Les Auzines, near the beautiful village of Lagrasse in the Aude. Unusually for Languedoc, a majority of our wines are white with Viognier and Albarino, our specialities.
We export to 40 countries, so we are kept busy with travel abroad and visits from our customers. We organise horse trekking through the vines, canoeing on the Orb or other fun activities for them, as well as copious wine tastings and meals.
I think big personalities make for interesting wines, and there are plenty of them in Languedoc!
The surroundings are so influential for a wine. Microclimate, altitude and poor soils all contribute to a wine's quality. The tramontane (across the mountains) wind ensures that vines stay healthy, even on occasional damp days, and also ensure a big difference between daytime and nighttime temperatures. This difference ensures perfumed aromatic wines – fresh and crisp yet with ripe fruit.
I have to say I am a fan of a lot of Languedoc rosés including our Clos du Vent Saint Chinian rosé. Laurent was the first one to replant Albarino in the region, and he has created a totally new white wine (3). This would only be possible in the Languedoc, where a rebellious character is supported and celebrated. I do also love a glass of bubbly and the Limoux sparkling wines are really great.
Ooh, that's a tough one! An old favourite is "Ma ferme" in Sérignan, family run and their courtyard is beautiful in summer. "Château de Serjac" brings a touch of class to Languedoc and the surroundings are so beautiful. I love a good seafood lunch at "Barba"- it's such a buzzy atmosphere and they have a great wine list. And the classic "Chameau Ivre" (4) in Béziers, where we have spent many an hour nursing a great glass.
A crisp sunny winter's day. I would go for a ramble (on foot or horseback) in the hills of our estate above Lagrasse, then down to Gruissan for a seafood lunch near the salt lakes. In the afternoon, I would visit the beach of Sérignan and drop into Chameau Ivre in Béziers for some great wine and an anchoiade plate.
Christine Mouton Bertoli will be our next Ramoneta of the Month.


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Home Hybrids & Electrics
5 Best-Selling Electric Vehicles in 2019
by J.L. Seto on October 29, 2019
According to estimates from InsideEVs, with almost 150,000 electric cars sold so far in the U.S. and over 800,000 sold around the world, 2019 has been a great year so far for electric cars.
Indeed, the sales of electric cars have been pacing well ahead of the sales of electric cars in 2018. Although Tesla still dominates the majority of the U.S. market for electric vehicles, the electric cars of other automakers have been selling well too. Here's a breakdown of the 5 best selling electric cars in the U.S. so far.
1. Tesla Model 3
Although not cheap, the latest and more affordable Tesla Model 3 is by far the best selling electric car so far in 2019, currently accounting for over 67,000 electric car sales.
This means that 45% of all electric cars sold so far in 2019 has been the Model 3. The main selling point of the Model 3 is its more affordable price tag of about $39,000 to $55,000 depending on the variant desired. It also sports a 240-mile battery and a very high safety rating among other features.
2. Tesla Model X
Tesla Model X | Justin Sullivan/Getty Images
Tesla's electric SUV, the Model X has been in high demand for years now and that trend continues in 2019 as the Model X has sold over 9,000 cars so far.
Although the Model X costs more than the Model 3, Tesla has made some recent changes to its price and offerings. Car and Driver reported that Tesla has made the Long Range variant the standard variant. This means that going forward, the Model X will feature a 325-mile battery and have a starting price tag of about $86,000.
For comparison, that same variant would've cost over $100,000 not that long ago. The Model X is also a very safe car and it offers drivers a larger and roomier vehicle, with options for up to seven seats available.
3. Chevrolet Bolt EV
The Chevrolet Bolt is the best selling non-Tesla electric car so far in 2019, with over 8,000 sold. As the first serious electric car from the big three American automakers, the Chevrolet Bolt continues to successfully compete against Tesla.
In fact, so far in 2019, the Chevrolet Bolt has outsold the next entry on this list, the Tesla Model S. The main features of the Chevrolet Bolt is its 238-mile battery and its affordable price tag of about $37,000. Other features of the Chevrolet Bolt include its 5-star safety rating and its 10-inch touchscreen display.
4. Tesla Model S
Tesla Model S | Artur Widak/NurPhoto via Getty Images
With over 7,000 cars sold, the Model S is the worst-selling Tesla model so far in 2019. Similar to the Model X, Tesla has turned the Long Range variant of the Model S into the standard variant.
Going forward, the Model S will sport a 370-mile battery and have a base price tag of about $81,000. The Model S will still have the high-performance features that are the main selling point of the car, with its 155 miles per hour top speed and its ability to go 0 to 60 mph in 2.4 seconds or 4.1 seconds depending on the variant purchased.
5. Nissan Leaf
A @nissanbrasil começou hoje as vendas do Leaf, o modelo 100% elétrico da marca japonesa. O modelo usa um motor elétrico de 149 cavalos de potência e autonomia de 260 km. A novidade chega ao país por R$ 195 mil e já inclui um carregador intermediário de até 8h horas. E aí, você teria um carro elétrico? #nissan #leaf #nissanleaf #carroeletrico #car #cars #carporn #cargram #carswithoutlimits #simplyamazing
A post shared by Falando de Carro (@falandodecarro) on Jul 18, 2019 at 12:13pm PDT
The Nissan Leaf rounds out this list of the best selling electric cars in 2019 with over 6,000 cars sold so far. The Nissan Leaf is the cheapest of the five models on this list, with a base price of about $30,000.
Currently, because of how the federal tax credits for electric vehicles are distributed, the Nissan Leaf is the only car on this list to still have the full $7,500 tax credit available. The Nissan Leaf also has two variants, one with a 150-mile battery and another with a 226-mile battery. The Nissan Leaf also features an advanced safety suite that includes features like automatic emergency braking and a blind-spot warning system.
Tags:electric car electric vehicle

redpajama_set_name: RedPajamaCommonCrawl


Burt Reynolds was an acting icon. He was in some of the most popular and respected movies ever made, including Deliverance, Smokey and the Bandit and Boogie Nights.
But his career could have been completely different if he'd had taken any one of the massively major roles he so casually turned down.
Here's a selection of the most significant parts he could have played, in tribute to one of our favourite Hollywood stars.
The name's Reynolds, Burt Reynolds, licence to turn down arguably the most iconic film role of all time. Asked to replace Sean Connery following the actor's final turn in the role, You Only Live Twice, (well, until he came back for Diamonds Are Forever) Reynolds said that audiences wouldn't accept an American in the role.
But, seeing as the film that followed Connery's final Bond was On Her Majesty's Secret Service, starring the one-and-done Bond George Lazenby, maybe Reynolds had been onto something.
While promoting his memoirs in 2015, Burt admitted he turned down Travis Bickle, in Taxi Driver, the Martin Scorsese classic which made a star of Robert De Niro. He said it was stupid of him in hindsight, and he regretted the decision.
The film was released in 1976, a year in which Burt appeared in Gator (which he directed), Silent Movie and Nickelodeon. And with Smokey and the Bandit out in '77, who knows, we might not have had one of his best films if he had done Bickle.
Another '70s movie that would probably have led to an Oscar nomination for Reynolds, Burt decided against playing Michael Corleone when it became clear that his rival, Marlon Brando, was going to quit the film if Reynolds was cast.
Deciding the conflict wasn't worth the hassle, Reynolds declined the role and did Deliverance instead. "I was flattered that he was upset," Reynolds said later.
In the '70s, there was no-one cooler than Burt Reynolds, so it makes sense that he was offered the role of the coolest space pirate of them all.
Still, Smokey and The Bandit opened on the same weekend as Star Wars, and ended up taking more money in its first week.
"Welcome to the party, pal." Well, it would have been, if Reynolds hadn't declined the invitation to the party that was Die Hard, turning down the role that went to Bruce Willis, and launched his cinema career.
But Reynolds wasn't the only one to pass – Richard Gere. Al Pacino, Arnold Schwarzenegger, Sylvester Stallone, and James Caan all turned down the role.
Though there's a chance they all regretted it when they found out Willis had been paid an astonishing $5 million to front the film.
Still, despite it all, Anderson was prepared to work with the icon again (possibly because he's so incredible in Boogie Nights), offering him the part of Frank T.J. Mackey in Magnolia – a role that eventually went to Tom Cruise.


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Tali Sharot is an Israeli/British/American neuroscientist and professor of cognitive neuroscience at University College London and MIT. Sharot began studying at Tel Aviv University, receiving a B.A. in economics in 1999, and an M.A. in psychology from New York University in 2002. She received her Ph.D in psychology and neuroscience from New York University. Sharot is known for her research on the neural basis of emotion, decision making and optimism. Sharot hopes to better understand these processes to enhance overall well-being.

Early life and career
Tali Sharot grew up in Israel with an English father and an Israeli mother. In school, she was taught in Hebrew, but spoke both English and Hebrew at home. After attending Tel Aviv University, she attended New York University to pursue her master's degree and PhD in psychology. While in New York, Sharot witnessed the 9/11 attacks on the Twin Towers. Sharot decided to focus her research on how emotion affects memory. A few years after the attacks, she and fellow researchers interviewed 22 New Yorkers who had been present on the island of Manhattan during the event.

Scientific contributions
Sharot is especially known for her discovery of the neural underpinnings of human optimism, work that has been published in numerous eminent journals. In her books The Optimism Bias and The Science of Optimism, she describes the evolutionary benefits of unrealistic optimism along with its dangers. Richard Stengel has written in a Time editorial that Sharot's work gives us a better grip on how we function in reality. The implications of Sharot's discoveries for health, finance, cyber security, policy and more have been extensively covered by the media and she is often featured on radio, TV and in the written press. In 2017 her book The Influential Mind: What the Brain Reveals About Our Power to Change Others was published highlighting the critical role of emotion in influence and the weakness of data. It was selected as a Best Book of 2017 by Forbes, The Times UK, The Huffington Post, Bloomberg, Greater Good Magazine, Inc., Stanford Business School among others. Sharot was one of the presenters on the Dara Ó Briain's Science Club, who also introduced her on stage at The Royal Albert Hall's Imagining the future of Medicine in 2014. She was a speaker at TED2012.

Affective Brain Lab
Directed by Tali Sharot, the Affective Brain Lab is a neuroscience and psychology based lab that studies the experience of emotion on normal cognitive function and its causative effects in regards to common mental disorders. The lab combines neural imaging techniques, pharmacological manipulation, and genetic principles to perform experiments on human behavior and neurological mechanisms.  Real world application of this lab's research aims to combat the detrimental effects of brain dysfunction.

Awards and recognition
Sharot received prestigious fellowships from the Wellcome Trust, the Forum of European Philosophy and the British Academy. She won the British Psychological Society Book award for 2014 (for The Optimism Bias) and 2018 (for The Influential Mind). She has been described as "one of the top female scientists in her country" listed as one of the 15 exemplary female Israeli-born scientists alive. Her two TED talks have been viewed a total of 15 million times.

References

External links
Affective Brain Lab
Tali Sharot UCL faculty page

Living people
20th-century women scientists
21st-century women scientists
Academics of University College London
Israeli cognitive neuroscientists
Israeli expatriates in the United Kingdom
Israeli expatriates in the United States
Israeli women neuroscientists
Jewish women scientists
Neuroimaging researchers
Year of birth missing (living people)

redpajama_set_name: RedPajamaWikipedia


Protect your family from disease-carrying pests by acting now. With more than a century of experience, the Green Pest Solutions team is the King of Prussia area's favorite extermination experts. We won't rest until your pest problem is under control and your home and family are safe from harm.
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I completed a quarterly service today. I applied a liquid residual treatment around your home for spiders and general pests. Please allow 2 weeks for best results. Any concerns please contact us. Thank you.
I refilled the empty exterior rodent bait stations . Around the exterior of your home, I applied a liquid residual treatment for general pest control. 2 weeks for best results. Any problems please contact us. Thank you.
Today I rendered your quarterly pest control service. The customer did not note any issues inside and said she has not seen any live insects since last treatment. To continue this , the kitchen,basement, and garage treated with a liquid application.


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Q: My email template's variable content block order keeps resetting while creating a campaign in Mailchimp I'm having a super annoying problem, and I'm hoping someone else has encountered this and can help me.
I'm creating mc:repeatable and mc:variable blocks in a mailchimp template. When creating a campaign, the order of the variable blocks I call up sticks in that way, even after I make changes via drag and drop.
e.g. Say this is the order of the blocks in a campaign:
<title block>
<30 px spacer>
<60 px spacer>
<feature block>
<double feature block>

And I drag the <60 px spacer> block below the <feature block> block.
When previewing and testing, it reverts to the original order of variable blocks.
I cleared my cache, I used an incognito window, I tried everything - but not for hell will this layout maintain the reordered structure.
If I change text within one of the blocks, the changes remain just fine. It's just that the order of these blocks refuses to be changed, and when I hit 'edit' after previewing, it looks like I never reordered the blocks in the first place.
It's driving me completely batty.
Can someone please help?

redpajama_set_name: RedPajamaStackExchange


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World's largest advertising firm WPP reports record profits but warns danger looms for UK business ahead of election
Posts 12 per cent rise in 2014 profits to £1.45billion
Fears British business could be hurt by whoever wins the May election
By Mark Shapland For This Is Money
Published: 08:01 EST, 9 March 2015 | Updated: 08:01 EST, 9 March 2015
Advertising giant WPP has posted record annual profits but warned that the upcoming UK election could severely damage business regardless of who wins.
The company - which owns iconic agencies like JWT and Ogilvy & Mather - reported a 12 per cent rise in 2014 profits to £1.45billion on revenues that rose 4.6 per cent to £11.5billion.
The results were driven by strong growth in its traditional UK and North American markets but the company remains on edge regarding the uncertainty in Europe and the 'litany of woes' in the Middle East.
Concerned: Martin Sorrell, WPP chief executive, said the uncertainty caused by a referendum on the EU and the possibility of leaving altogether could undo the work the Tories have done to turn the economy around
Richard Hunter, at Hargreaves Lansdown, said: 'In terms of the metrics themselves, the group has again surpassed expectations with improvements almost across the board, including earnings per share, return on capital, margins and ultimately profit.'
But of major concern for chief executive Martin Sorrell is the upcoming UK general election and uncertainty that the plans of both main parties could cause issues for the business community.
Bellwether of global economy WPP to report a rise in profit Cameron tells big business to pay its fair share of tax - or...
The Conservative's have pledged a referendum on the country's membership of the European Union in 2016 or 2017, while Labour under leader Ed Miliband has been happy to bash big business and seems determined to introduce tax rises.
WPP said in its outlook statement: 'If the Conservatives win outright (unlikely?) or lead a coalition or even form a minority government, there will be a referendum on the EU in 2016 or 2017, which will cause significant uncertainty.
Trouble ahead: PM Cameron has scheduled a in-out referendum on British membership of the European Union for 2017 if he wins the next election
'If Labour wins outright (also unlikely?), or leads a coalition (more likely with the SNP?) or forms a minority government, it will win partly on a 'bashing business' manifesto, which may resonate at the ballot box.
The company added: 'Either way, the UK economy may slip into the political cycle again, with austerity in the early part of the five-year cycle to deal with the continuing budget deficit and better times around the next election in five years' time (or earlier?) – just like the current chancellor has done so brilliantly for the coalition, in their first term.'
Sorrell told This is Money at the end of February that the Tories risked undoing all their hard work over the past five years on the economy by calling a referendum on the EU.
He said: 'Totally agree that the economy is in much better shape and the Coalition and Chancellor have done a good job. Just look at the growth of our business in the UK over the last five years - revenues up a third and people up a quarter.
He added: 'Post-election, however, the uncertainty caused by an EU referendum, if the Conservatives form the Government, may reverse or slow that economic momentum, quite apart from the need to further balance the Governments Budget.'
Sorrell also said in an interview with CNBC today that cost cutting among WPP's consumer-focused clients was what 'kept him awake' at night.
He said: 'Packed goods companies and consumer goods companies have pressure on the top line, with little or no inflation [to raise prices] therefore they are focused on costs and have to be more efficient. You can't win by carrying on cutting costs.'
He added in the CNBC interview that growing WPP's digital division remains a top priority for the group. Digital operations currently account for 36 per cent of revenues, but the company wants this to be 40-45 per cent over time.
Meanwhile, the new year has started well for the advertising firm, with January's like-for-like revenues up 6.7 per cent and net sales up 3.9 per cent.
The group said like-for-like net sales are on track to increase by more than 3 per cent in 2015, following a healthy rise of 3.3 per cent last year.
WPP shares on the FTSE 100 index were up 14p in late morning trade at 1,555p as investors welcomed the strong results and put aside Sorrell's election fears for now.
World's largest advertising firm WPP reports record profits but warns of election danger


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Armand Guillaumin (1841 - 1927)
Madame Guillaumin et sa fille à Pontcharra, la Courrerie
81 x 65 cm (31 ⁷/₈ x 25 ⁵/₈ inches)
Signed lower left, Guillaumin.
Executed circa 1901
Private collection, France
The work is accompanied by a certificate from Mr Dominique Fabiani and a certificate from the Comite Guillaumin.
This original artwork by Armand Guillaumin is available for sale.
Armand Guillamin (né Jean-Baptiste Armand Guillaumin) was born in Paris, where he worked at his uncle's lingerie shop while attending evening drawing lessons.
Guillamin worked for a French government railway before studying at the Académie Suisse in 1861. There he met Paul Cézanne and Camille Pissarro, with whom he maintained lifelong friendships. While he never achieved the stature of these two, his influence on their work was significant. Cézanne attempted his first etching based on Guillaumin paintings of barges on the River Seine.
Guillaumin exhibited at the Salon des Refusés in 1863. He participated in six of the eight Impressionist exhibitions: 1874, 1877, 1880, 1881, 1882 and 1886. In 1886 he became a friend of Vincent van Gogh whose brother, Theo sold some of his works. He was finally able to quit his government job and concentrate on painting full-time in 1891, when he won 100,000 francs in the state lottery.
Noted for their intense colours, Guillamin's paintings are represented in major museums around the world. He is best remembered for his landscapes of Paris, the Creuse département, and the area around Les Adrets-de-l'Estérel near the Mediterranean coast in the Provence-Alpes-Côte d'Azur region of France. Guillamin was called the leader of the École de Crozant, a diverse group of painters who came to depict the landscape in the region of the Creuse around the village of Crozant. One of these depictions, titled Landscape in Crozant, is housed in the Chicago Institute of Arts. His bust is in the square near the village church.
Armand Guillaumin died in 1927 in Orly, Val-de-Marne just south of Paris.
Bords de la Creuse, Crozant Armand Guillaumin (1841 - 1927)
Fête au Village Marc Chagall (1887 - 1985)
Birds Jankel Adler (1895 - 1949)
Bords du Loing Alfred Sisley (1839 - 1899)
The Rider Béla Kádár (1877 - 1956)
Les Essències de la Terra Joan Miró (1893 - 1983)


Does the Federal government have a duty to protect you? Do the police or State you live in? The DC Court of Appeals says No .
This ground-breaking yet modestly priced Special Report explores the right - the most effective - response to violent crime. Kennesaw passed the first ever Universal Gun Ownership ordinance in 1982. Property crime is now half the national average and violent crime decreased by a massive 79%.
Can you afford not to dramatically improve you and your family's safety by overcoming the unseen effects of invalid beliefs and thoughts? How much do sincerely held but nevertheless mistaken beliefs cost other people? Explore this report and see if you have any yourself.
There are always invisible as well as obvious consequences to every one of your decisions. The unforeseen effects are explained by legendary economist Frederic Bastiat in his original essay: That Which is Seen, and That Which is Not Seen (opens in a new window). Using the example of a broken window, he explains how they waste money rather than have any net benefit.
The invisible effects? The lovely restaurant you don't visit, the holiday you can't afford, the new clothes you don't purchase because you wasted the money repairing the broken windows instead.
How much energy do you waste fighting fires arising from self sabotage instead of investigating rewarding opportunities?
Every improvement you make, every decrease in your self-sabotage increase your productivity and pays for itself a thousand times over. Since the benefits are intangible, there's no better return available anywhere. Once you know how, you have the know-how forever.


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Current (https://current.org/2019/02/owner-of-miamis-wlrn-narrows-options-for-future-governance/)
Owner of Miami's WLRN narrows options for future governance
By Andrew Lapin, Freelance Contributor | February 28, 2019
The school district that owns Miami dual licensee WLRN closed in on options for the station's future ownership during a meeting Wednesday but stopped short of a formal decision, with a final proposal expected later this year.
Attendees at the meeting included the board of Miami-Dade County Public Schools, which holds the station's license, and district Superintendent Alberto Carvalho. Also present were WLRN President John LaBonia; representatives of Friends of WLRN, an independent organization that raises funds for the station; and members of a task force convened by the superintendent to research options for the station's governance. The task force includes local journalists and community representatives.
The participants, who convened at the school board's administration building, discussed four previously proposed options for the station's future. Superintendent Carvalho and board members expressed unfavorable views of two of the options: maintaining the status quo or selling WLRN's licenses to a wholly different entity.
The status quo "is not recommended," Carvalho said, pointing to what he said were at least two decades of feedback about "perceived interference" at the station. And a sale of the licenses, he said, "has never appeared, to me, to be a position that the board outright supported."
Much of the discussion Wednesday focused on more plausible options: continuing school board ownership while restructuring WLRN's Community Advisory Board to grant it more control over the station's programming and budget; or transferring ownership to an independent, newly created entity, possibly with assistance from Friends of WLRN.
Superintendent Carvalho said the CAB option "would envision enhancement of the CAB to a point where it would become the independent entity that would provide oversight to the content, decision-making process, [and] day-to-day responsibility of talent at the station."
Carvalho acknowledged that strengthening the station's CAB could prove challenging, as CPB regulates the responsibilities of CABs. Its guidelines prevent CABs from exercising control over daily management and operations of stations. WLRN's CAB includes school board members appointed by the chair of the school board; members of the Friends of WLRN board; and a member of the South Florida chapter of the Society of Professional Journalists.
Creating a new, independent entity would be "sort of a game-changer," Carvalho said. He added that it "would dispel in every single way, from every single angle, any appearance or perception of interference" from the school district.
"When stations go independent from an educational or some government agency, community support increases."
Dwight Hill, Friends of WLRN Board Chair
Appearance of interference has been an issue for WLRN. Local journalists harshly criticized a 2017 school district proposal that would have granted the district more control over the station's editorial employees. The quickly abandoned proposal responded in part to the friends group's creation of a subsidiary nonprofit, the South Florida Public Media Co. Founded in 2009 without the school board's approval, the subsidiary hired WLRN editorial staff independently of the school district.
Some school board members expressed frustration Wednesday that South Florida Public Media Co. continues to employ around two dozen WLRN staffers. At the meeting, Carvalho described the situation as a "gray zone."
"I would like the board to be what the board is: the owner," school board chair Perla Tabares Hantman told South Florida Public Media reporters after the meeting.
One board member, longtime district teacher and principal Lawrence Feldman, said he wanted the station's editorial policy to be strengthened. Both the school board and the friends group agreed on that need, he said.
"Whenever we have a policy, we should make sure it says that we are not involved in editorial anything and that the integrity is solely that of the reporters," Feldman said. He added that emphasizing the newsroom's independence would follow the goals of the school board in earning "public confidence that we, in fact, should have oversight and we should have a number of firewalls."
Friends of WLRN Board Chair Dwight Hill spoke in favor of creating a new, independent entity for WLRN, arguing that it would yield benefits beyond editorial independence. "When stations go independent from an educational or some government agency, community support increases," he said.
School district spokesperson Daisy Gonzalez-Diego told Current that "ideally," Carvalho will present a final proposal for board approval by the end of June, when three contracts between the district and WLRN, including a facilities use agreement, are set to expire. But she cautioned that June is "overly ambitious considering all the elements that will need to be factored in."
Freelance journalist Sam Turken recorded audio of the school board meeting for Current.
Correction: An earlier version of this article incorrectly said that the Miami-Dade County Public Schools superintendent appoints two members of WLRN's Community Advisory Board. The chair of the school board appoints the members.
WLRN
In Miami, stakeholders weigh future of WLRN's relationship with school-board licensee
Station leaders, fundraisers and school district officials are considering whether a separate nonprofit should take over WLRN's licenses.


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Currents Feature
Uneasy Street
What's To Become Of The Fifth/Sixth Corridor?
By Dave Devine
"ULTIMATELY, THE city hopes to widen all of East Sixth Street... About 20 persons were in the audience (at a City Council meeting), with some favoring the widening of the entire street and some protesting any widening in residential areas."
That newspaper snippet from 1953 could have been written yesterday, as Tucson begins a high-priced Fifth/Sixth Street Livability and Circulation Study. The goal of the study, which will cost up to $688,000, "is to develop an action plan to improve the circulation and quality of life along Fifth/Sixth Street for residents, businesses and institutions."
But skeptics abound on both sides of the road. Some believe neighborhoods bordering the corridor will force the city to limit traffic along the streets, while others think the study is designed to justify the eventual widening of Fifth/Sixth all the way from Wilmot Road to Interstate 10. As one conspiracy theorist says, "The secret intent of the study is to make Fifth/Sixth more accessible to commuters and thus reduce the pressure to widen Broadway."
Recent decisions by both the City of Tucson and the University of Arizona also point in that direction. The City Council's El Con big-box vote would result in several thousand more cars a day using Fifth Street. And the University of Arizona's construction of a 1,700-parking-space garage at Sixth Street and Highland Avenue will just add to the congestion.
Project consultant Jim Witkowski disputes the foregone-conclusion theory that a predetermined outcome of the study to either widen or narrow the street has been made.
However, since the jog at Country Club Road linking Fifth Street with Sixth Street was made nearly a half-century ago, the city has taken many steps to increase the amount of traffic on the street. The section near the UA has been widened to five lanes and curbside parking along the street has vanished. As a result, two mostly residential streets have been transformed into a cross-town thoroughfare which had more than 25,000 cars cruising along daily during the 1980s.
The last decade has seen some changes. The completion of the Speedway widening project in 1994, coupled with decreased business at El Con Mall, actually helped substantially reduce traffic volumes along some sections of Fifth/Sixth. The removal of the once-dreaded rush-hour suicide lane, marked by orange cones twice daily, has made it less attractive to eastside commuters.
At the same time, some residents along the street began to push for even more reduction in existing traffic volumes -- not surprising, given that 72 percent of the property fronting the street is residentially zoned. There are also 10 public and two private schools on the street, along with the University of Arizona.
Eventually, several neighborhoods adopted area plans recommending less traffic. One even went so far as to encourage the redesign of Fifth Street near Alvernon Way "to a three-lane cross-section with bike lanes and bus pullout areas."
That same possibility was raised by a planning consultant for the city and University of Arizona. He recommended that near the campus they "explore alternative treatments to Sixth Street including...convert the street to three lanes, landscaped at the edges."
Movie Roundup: MLK Documentary a Highlight of The Loft Cinema's Open Air Cinema Series
The City Council, while not known for its bold decision-making on this type of transportation issue in car-crazy Tucson, has also taken steps to do something about reducing traffic volumes along Fifth/Sixth Street. In 1995, the council voted to reclassify the street from an arterial to a collector. While only a step on paper, that vote signified that council's desire to see the street carry less, not more, traffic.
The current study, which doesn't seem to be directed at implementing adopted mayor and council policy regarding Fifth/Sixth, kicked off with a series of public meetings in January, with comments centered around safety, particularly for school children. Participants had a range of contradictory opinions about traffic volumes, street width, speed limits and other issues.
While the far-western end of the street is already slated to become the final portion of the little-used Barraza-Aviation Parkway, the future of the four-lane section east of Campbell is still open for heated debate. At the recent public meeting at Rincon Market on Tucson Boulevard and Sixth Street, more than 75 people turned out to share their opinions among the fruits and vegetables. These comments ranged from people who felt the street is under attack by outside forces to those who argued that they should "get into a war with those who use the street to commute." One impassioned speaker had no sooner suggested reducing traffic along the corridor before another yelled out, "Speak for yourself."
On another night, a standing-room-only crowd of more than 100 citizens, including one uniformed police officer, attended the meeting at Peter Howell School. Many of those attending the meeting, just two nights after three City Council members walked out of a tension-filled meeting regarding El Con Mall, were nervous about the timing of the study.
The neighbors wanted to know why the city didn't push to widen Broadway instead of "studying" the Fifth/Sixth corridor. City officials explained that the 1997 Pima County transportation bond package included funds to pay for the long-planned Broadway widening project east from Euclid Avenue. Left unmentioned was the fact that this work won't be completed until at least 2008, if ever, because of funding shortages.
After the $106,000 public meeting phase of the study is completed, including a survey of people who drive along the Fifth/Sixth corridor, the second portion of the project will begin in late April. That phase, involving a citizen committee, will develop alternatives for the future of the street. These options will then be evaluated in a third phase. Finally, city staff will make a recommendation to the City Council, likely in the second half of 2001.
During his campaign, Mayor Bob Walkup told The Arizona Daily Star that he favored improving traffic flow along the Fifth/Sixth corridor, leaving it as an arterial. He didn't support altering the nature of the street.
Whatever the outcome of the study, the chances of implementing any real changes along Fifth/Sixth Street appear minimal. There just isn't any money to do any major projects without a transportation tax hike.
"These meetings are like Christmas wish lists," notes one participant. "You know most of these things won't get done."
Dave Devine
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Bufandy is a young brand that gives local South American artisans a chance to bring their product to a bigger market, earning a fair salary and create a more sustainable and better life for their own family and the families around them. The talented artists make these beautiful products from sustainable Alpaca wool, creating an even better, softer and warmer product to be proud of.
We are Bufandy. We are the makers of these scarves made from Alpaca.
And thís is an alpaca. Isn't he fluffy and cute?
Alpaca's live high up in the South-American Andes. Up in these mountains the climate can be cold and harsh. And that is why they produce durable, hollow fibers, that retain tiny bags of air. This makes the fibers extremely light, warm and soft.
Our scarves are not only made of materials that last, they are also proudly made by our partners, small South American family businesses using age old crafts.
Making our scarves timeless and authentic.
We want you to know who has made your scarf and we want you to be part of its journey.
So, pick your Bufandy today, and wear it with pride.


text:
Catastrophic Injuries in Racehorses: Impact of Lameness, Medication, and Surgery
Researchers found no apparent link between previous surgery and catastrophic injury, but they did identify associations with medication use and lameness.
Posted by Jill Griffiths | Jan 25, 2019 | Basic Care, Breed-Specific Health Issues, Diagnosing Lameness, Horse Care, Injuries & Lameness, Injuries & Wounds, Lameness, Ligament & Tendon Injuries, Ligament & Tendon Injuries, Medications, Muscle and Joint Problems, Musculoskeletal System, Recovering from Injury & Surgery, Sports Medicine, Thoroughbred Racing, Thoroughbreds
Catastrophic musculoskeletal injuries are major causes of death for racehorses, yet their risk factors remain poorly understood and, thus, difficult to manage. Researchers have investigated many potential risk factors in past studies, but it remained unclear whether factors related to the horses' previous histories of lameness, medication administration, and surgery had any impact on catastrophic injuries. So a team of scientists from the University of Melbourne, in Australia, and the University of California, Davis, conducted a study to find out.
Previously identified risk factors associated with catastrophic musculoskeletal injury or fatality in racehorses include horse age, age at first start, horse sex, race distance, type and condition of track surface, class of race, and number of race starters.
In the current study, Peta Hitchens, PhD, of the University of Melbourne, said the team's aim was to find modifiable factors associated with horses at risk of catastrophic injury so they can be managed appropriately.
"We surveyed the primary veterinarians of racehorses that had died as a result of injuries sustained during flat racing or training (cases) and of horses that did not die (controls) to determine their history of lameness, medication, and surgery," Hitchens said.
They studied 146 Thoroughbreds (45 cases and 101 controls) and 17 Quarter Horses (11 cases and 6 controls). All study horses raced or trained in California.
"Thoroughbreds were more likely to have shown signs of lameness before death, especially within the prior three months," Hitchens said. "But unraced Thoroughbreds were the most likely to have been administered systemic medications. This likely reflects the drug control measures in place in the racing industry, rather than any other causal factor.
"Thoroughbred cases were also more likely to have raced with greater intensity during their whole career, including the three to four months prior to their death, but in the month preceding these cases had eased off," she added. "We did not find these sorts of significant difference in the Quarter Horses studied, but the sample size for Quarter Horses was small."
The team found no apparent link between previous surgery and catastrophic injury in either breed, Hitchens said.
The researchers noted inherent difficulties in tracking racehorses' case histories, which could be improved by detailed veterinary records accompanying horses as they move between stables or training facilities.
"Ideally, complete veterinary records of each horse would be the gold standard for use in analysis; however, until complete veterinary records of all horses are required for regulatory purposes, this approach is not feasible," Hitchens said.
If horses have been observed to be lame, she said they should be differentially diagnosed when possible to prevent them from resuming high-intensity exercise prematurely.
The study, "Relationship Between Historical Lameness, Medication Usage, Surgery, and Exercise With Catastrophic Musculoskeletal Injury in Racehorses," was published in Frontiers in Veterinary Science.
Jill Griffiths
Jill Griffiths is a freelance writer specializing in agriculture and environment and resides in Western Australia. She has a Bachelor of Science in Biology and a Graduate Diploma in Journalism. Through her work, she interacts with leading researchers across Australia, providing her with access to current research in many fields. A life-long horse lover, Griffiths came to horse ownership in mid-life and currently shares three horses with her young daughter. She enjoys groundwork, trail riding, flatwork, and just hanging out with the horses in the paddock.
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We have an "AMAZING Lineup" of exciting and available Thoroughbreds for you to meet. They have been rehabilitated, retrained and…
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The interactive narrative "Targeting History and Memory," produced by Sense – Centre for Transitional Justice, was presented in several cities of the former Yugoslavia throughout 2016.
This was followed by the exhibition "Targeting Monuments – Targeting History and Memory," which was held in Zagreb (Glyptotheque of the Croatian Academy of Sciences and Arts), Belgrade (Centre for Cultural Decontamination), Sarajevo (Historical Museum of Bosnia and Herzegovina), Pula (SENSE – Centre for Transitional Justice), and The Hague (Atrium of the City Hall). The exhibitions in Sarajevo and The Hague were opened by Judge Carmel Agius, the President of the ICTY, and the one in Pula by Serge Brammertz, the Chief Prosecutor of the ICTY and the UN Mechanism for International Criminal Tribunals, with participation of war crime prosecutors from Croatia, Serbia, and Bosnia and Herzegovina.
The aforementioned EU programme enabled us to connect the exhibition with a study trip (Sarajevo – Mostar – Dubrovnik), as well as a regional seminar for high-school history teachers from Croatia, Bosnia and Herzegovina, and Serbia.
The highlight of the project was the international conference Destroying Cultural Heritage, Post-War Reconstruction and Trust Building that took place in Pula in October 2017.
Following is a list of activities carried out in the framework of the project Targeting History and Memory starting with the last one – the exhibition opened in The Hague City Hall in April last year.
On Saturday, October 14, 2017 at the SENSE Centre in Pula (3 Dante Square) at 9 AM the INTERNATIONAL CONFERENCE DESTROYING CULTURAL HERITAGE, POST-WAR RECONSTRUCTION, AND TRUST BUILDING began. Its goal was to analise what has been done in the last two decades and what has been learnt about the importance of cultural and religious heritage in war conflicts, and which challenges still remain regarding the reconstruction of cultural heritage, post-war peace-building, and the problems of divided societies in the region of South-East Europe.
SENSE documentation center will be a unique place where the events that took place in the former Yugoslavia in the 1990s will be shown through the history of the trials before the ICTY, and SENSE's audio-visual archive about the work of the Tribunal will "tell a story" about the events that shaped the history of the former Yugoslavia, said the Chief Prosecutor of the International Criminal Tribunal for the Former Yugoslavia Serge Brammertz at the opening of the SENSE – Center for Transitional Justice in Pula. On the same occasion, the exhibition called Targeting Monuments was opened at the Centre's premises. The exhibition is based on the interactive narrative Targeting history and memory, produced by SENSE Centre. The narrative elaborates how crimes against cultural, historical, and religious heritage, committed during the wars in Croatia, Bosnia and Herzegovina, and Kosovo in the 1990s, were investigated, reconstructed, and prosecuted at the ICTY.
June 23 – 27, 2017 / Regional seminar for educators / Study trip Sarajevo – Mostar – Dubrovnik /The educational cycle on the topic of targeting cultural heritage and destroying religious and cultural objects during war conflicts represents a significant part of the "Targeting History and Memory" project. The programme was carried out in cooperation with EUROCLIO, the European Association of History Educators, and it was made of three units: professional and expert guidance at the exhibition "Targeting Monuments – Targeting History and Memory" in Sarajevo, the regional seminar that was held at the Historical Museum of Bosnia and Herzegovina on the 24th and 25th of June 2017, and the study trip that started on June 25th in Sarajevo and which also included Mostar and Dubrovnik.
May 27, 2017 / "TARGETING MONUMENTS" IN BELGRADE / After Zagreb, Targeting Monuments, the exhibition chronicling the destruction of historical, cultural and religious heritage, has arrived in Belgrade. There was not an empty seat in the Center for Cultural Decontamination pavilion in Belgrade, the venue now hosting the exhibition entitled Targeting Monuments. The exhibition, previously staged in the Gliptoteka gallery in Zagreb, was presented to the audience by the authors. It is based on Targeting History and Memory, an interactive narrative available online on the SENSE agency website.
April 20, 2017 / TARGETING MONUMENTS IN ZAGREB / Zagreb is the first city to host the exhibition on the destruction of historical, cultural, and religious monuments in the wars in the former Yugoslavia. The exhibition, based on the interactive narrative, Targeting History and Memory, will later be shown in other cities.
December 19, 2016 / NARRATIVE TARGETING HISTORY AND MEMORY PRESENTED IN KOSOVO / After Sarajevo, Zagreb, Belgrade and Podgorica, the interactive narrative Targeting History and Memory was presented last week in Kosovo in two events, in Priština and in the Visoki Dečani monastery.
December 4, 2016 / TARGETING HISTORY AND MEMORY IN BELGRADE AND PODGORICA / The latest interactive narrative produced by the SENSE Center for Transitional Justice premiered last week in Belgrade, in association with the Humanitarian Law Center, and in Podgorica, in association with the Civic Education Center. The narrative deals with the destruction of cultural heritage in the wars in Croatia, Bosnia Herzegovina and Kosovo.
November 18, 2016 / NARRATIVE ON DESTRUCTION OF CULTURAL HERITAGE PRESENTED, Zagreb, Sarajevo / The interactive narrative Targeting History and Memory was presented last week in the Historical Museum of Bosnia and Herzegovina in Sarajevo and the Mimara Museum in Zagreb. The narrative was produced by SENSE-Centre for Transitional Justice.


Maribor (pronounced [ˈmaːɾibɔɾ] German: Marburg an der Drau) is the second-largest city in Slovenia with about 114,487 inhabitants in 2013. Maribor is also the largest city of the traditional region of Lower Styria and the seat of the City Municipality of Maribor. In 2000, Maribor was given the Alpine Town of the Year award. Association football club NK Maribor is based in the city.
Many medieval structures still stand in Maribor. Of the remains of city walls, the most prominent are the Judgement Tower, the Water Tower, and the Jewish Tower. The Maribor Cathedral was built in the Gothic style in the 13th century. The Town Hall was constructed in the Renaissance style.
Piramida Hill dominates the northern border of the city. Ruins of the first Maribor castle from the 11th century and a chapel from the 19th century are also located here. The hill offers an easily accessible scenic overlook of Maribor and the countryside to the south with the Drava River.
At the start of the 21st century, plans were made for a new modern business, residential and entertainment district, called the Drava Gate (Dravska vrata) and nicknamed Maribor Manhattan. The project includes many new exclusive residential apartments, offices and conference halls, a green and recreational space, and other structures. It also includes a 111 m (364 ft) tall skyscraper that would be the tallest building in Slovenia. Due to lack of finances, the project is currently postponed.
In 2008 the Studenci Footbridge (Studenška brv) was renovated according to the design of the Ponting company.
There are plans to renovate the Maribor Public Library and the Town Hall Square (Rotovški trg). In addition, the renovation of Maribor Island (Mariborski otok) in the Drava River is being planned.
Lent Festival - major festival event held during approximately two weeks at the end of June. Every year the festival attracts theater, opera, ballet performers, classical, modern, and jazz musicians and dancers from all over the world, and of course many visitors. There is also mime, magic shows are being held and acrobats perform during the festival.
House of the oldest grapevine in the world (Hiša stare trte) - in Maribor is also the world's oldest living grapevine, which in 2004 was recorded in Guinness World Records. The grapevine of Žametovka is about 440 years old.
Maribor Island (Mariborski otok) - the oldest public bath, still important and much visited place in Maribor. At the same time Maribor offers several new indoor swimming pools (Pristan, Fontana).
Maribor Castle, Maribor Town Hall Rotovž, Betnava Castle, Plague Memorial, Maribor, ruins of the old castle Upper Maribor on Piramida Hill.
Medieval defence walls with defence towers delineating the old city limits.
Wine and culinary specialities - international and Slovene cousine (mushroom soup with buckwheat mush, tripe, sour soup, sausages with Sauerkraut, cheese dumplings, apple strudel, special cheese cake called gibanica). Also many popular restaurants with Serbian cuisine.
The Vinag Wine Cellar (Vinagova vinska klet) - with 20.000 m2 surface area and 2 km (1 mi) length has 5,5 millions litres of excellent wine.
Maribor City Park (with City Aquarium and Terrarium, wide promenade, which leads to the Three Ponds (Trije ribniki) in the park containing over 100 local and foreign species of deciduous and coniferous trees).
Pohorje Adrenaline Park(Adrenalinski park Pohorje) with High Ropes Course, one track line PohorJET, summer sledding and Bike park Pohorje.
Maribor Synagogue (Sinagoga Maribor) - built in the 14th century, is in fact the second oldest synagogue of Europe. Today it serves as a centre for cultural activities and features various events such as exhibitions, concerts, literary evenings and round table discussions. The Synagogue is located in the Jewish Square (Židovski trg) of the former Jewish quarter.
Pekarna alternative cultural (former squat) area next to Magdalena Park.


NORTHAMPTONSHIRE'S Hollowell Reservoir is lifting its ban on the use of boilies for the first time, prompting predictions that an Aladdin's Cave of big fish opportunities is about to open up.
<?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" /> The venue has already produced carp to 34lb 8oz and only last year Daventry's Mick Stevens banked a new venue record tench of 10lb 10oz 8dr, a fish which won Mick through to the final of Midland Angler's Maver Midland Specialist of the Year competition.
"There were rumours that a 40lb carp was caught during last summer but we could not substantiate this," commented a spokesman for the venue. "However, it's entirely possible and we know for a fact the venue holds lots of 20lb plus carp.
"The new record tench taken last year was a thick-set fish with none of the pot-bellied appearance of many double figure tench and it would be no surprise if this record were beaten again in 2003.
Hollowell, which has also produced bream to 12lb 5oz, pike to 30lb, chub to 6lb 4oz and hybrids to 5lb 6oz, is open all year and can be fished on a £6 day ticket. The venue is featured in this month's Midland Angler magazine.


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Q: NSString variable: should it be released? When we create NSString object, do I need to release it?
When I run the static analyser for my application, i get the following

NSString *dataStr=[[NSString alloc] initWithData:receivedData encoding:NSASCIIStringEncoding];
Method returns an Objective-C object with a +1 retain count (owning reference)

A: The magic words are alloc, copy, and retain: if any of them are used  when the object is created or the property declared, you will need to release it.

A: The reason the static analyser says that is because your method's name does not imply that the caller of the method has ownership of the object you're returning. There are a few solutions:

*

*Modify your method's name so that it implies ownership of the returned object, i.e. these names imply ownership because they start with the word "new" or contain the word "copy":

*

*- (NSString *) newDataString

*- (NSString *) copyDataString
If you use method names like the above, that means that the caller of the method is responsible for sending the object a release message when it is done with it.

*Modify your method so that it relinquishes ownership of the object before returning it using the autorelease method:
- (NSString *) dataString
{
    NSString *tmp = [[NSString alloc] initWithFormat:@"%f", 2.444];
    return [tmp autorelease];
}

Remember, every alloc, copy or retain must be balanced with a release or autorelease (but not both!).

*Read the Cocoa Memory Management Rules. These rules are not optional, you must follow them. The rules are also very simple. After a bit of practice they will become second nature.

A: Yes, you need to release it.  Generally, any time you create an object pointer calling alloc you will need to call release.

A: Yes you need to release it. Every variable which having retain count must be release.


Lou Williams won't play on Wednesday against the Lakers due to an ankle injury.
Williams finishes his 2017-2018 campaign as a top-30 player in total stats thanks to outstanding durability with 79 games played. The Clippers acquired Williams before the season in the Chris Paul trade to the Rockets. Thanks to some midseason injuries to the Clippers backcourt the veteran dropped three 40-point games and a 50-point game. Not long after the Clippers signed him to a 3-year contract extension at $7 million a year. The 31-year-old actually dropped off quite a bit towards the end of the season as the Clippers got healthy and was actually outside the top-100 per-game over his last 27 games even when playing 33.4 minutes per game during that stretch. So Sweet Lou's top-50 per game numbers are a bit skewed due to the amount of injuries the Clippers incurred. Don't take him too early next season or you may be disappointed.


text:
What Happened to Wyatt on American Idol? Why He Leave American Idol?
By Vaibhavi On Dec 1, 2022
What Happened to Wyatt on American Idol? Last year, when Wyatt Pike abruptly quit season 19 of American Idol in the Top 16, he never explained why. Now, though, after releasing "Deep Blue," a collaboration with longtime collaborator Peter Hanaman and Season 18 alum Francisco Martin, the singer-songwriter is ready to speak.
Who is Wyatt Pike From American Idol?
What Happened to Wyatt on American idol?
Wyatt's American Idol Experience
Who Does Wyatt Eventually End Up With?
Why did Wyatt Pike leave American Idol?
Wyatt Pike, a 19-year-old Utah native, wowed American Idol judges Luke Bryan, Katy Perry, and Lionel Richie with his audition and original song.
Wyatt tells Park City, Utah's KPCW radio that his time on American Idol was life-changing, that it expanded his fan base, and that it ultimately led to his relocation to Hollywood.
For Wyatt, "the simple line is that reality, competitive music on TV is not my thing," he explained to KPCW when asked about his decision. The pressure from working behind the scenes, along with the general sense of the situation, finally became too much to bear.
His goal, he has said, is to "create a permanent picture of himself through his art instead of the world's snapshot view seen during the Idol tenure."
Wyatt intends to share more of his American Idol experience through his songs in the future. He is currently concentrating on releasing additional tracks with Hanaman.
"Therefore, we're already working on a few more tracks, specifically a new single for release in a few weeks," Wyatt stated. "Hopefully, we'll be able to crank that out. I'm attempting to complete an EP before the summer, which is undoubtedly a production crunch time. There should be five, four, or five more songs with Peter this time around, after which I see no reason why we shouldn't continue working together."
Wyatt met Hanaman in the Park City, Utah, High School Jazz Band and while sailing for the Park City Sailing team.
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As he left the stage, the singer proclaimed Hanaman to be the ideal collaborator. "There's certainly an awareness of who I am on the programme, but that doesn't necessarily reflect who I aspire to be and who I hope to become. Peter has made a great deal of poppier, extremely well-produced music, which was also a bit outside my comfort zone.
The title of the song "Deep Blue" suggests a mournful ballad. In contrast, the new tune is melancholy, yet peppy and jangly.
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Later, after discovering the truth about his father's death, Wyatt loses his mind and is arrested. Darlene Snell bails him out, takes him in, and the two become romantically involved. They marry in order for Darlene to retain custody of her adopted son, Zeke.
Regarding his departure, Wyatt stated that reality, competitive music on television was not his thing. "The tension, behind-the-scenes pressure, and things that had to occur became too much.
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text:
Charles-François-Joseph Pisani de La Gaude, né à Aix-en-Provence (France) le  et décédé à Namur (Belgique) le  est le dix-septième évêque du diocèse de Namur de 1804 à sa mort.

Biographie

Début de carrière
Issu d'une famille toscane dont les ancêtres s'étaient installés en Provence au , Pisani de La Gaude est d'abord avocat à la Cour des Comptes du Parlement d'Aix – y suivant les traces de son père – avant d'embrasser la carrière ecclésiastique, sous l'influence de son oncle, , évêque de Saint-Paul-Trois-Châteaux (un diocèse de la Drôme fusionné avec celui de Valence en 1801). Il est ordonné prêtre en 1773 et, pendant quelque temps, bien que prêtre, poursuit son travail à la Cour des Comptes. Quelques années plus tard, son oncle le choisit comme vicaire général de son diocèse.

Évêque pré-revolutionnaire
En 1783, Pisani est nommé évêque de Vence (en Provence) et reçoit l'ordination épiscopale le .  Il est chassé de son siège en 1791 par les révolutionnaires. Il passe alors une dizaine d'années en exil à Nice et en Italie : Nice (1791-1792), Rome (1792-1794), Venise (1794-1797), Pesaro (1797-1798), à nouveau Venise (1798-1801) et Rome (1801-1802). Dans la réorganisation des diocèses qui suit le Concordat de 1801, le diocèse de Vence est supprimé et Pisani doit donner sa démission. Il rentre en France en 1802, et, en 1803, il se trouve à Paris à la recherche d'un nouveau siège épiscopal.

Évêque à Namur
À la suite de la démission de l'évêque de Namur Claude de Bexon en septembre 1803, le siège de la ville mosane est vacant. Le diocèse passe par une crise, un schisme local a éloigné de l'Église les « Stévenistes » (disciples de l'ancien vicaire général Corneille Stevens). Le pape Pie VII cherche un ancien évêque, homme d'expérience pour reprendre en mains le diocèse de Namur. Pisani de la Gaude est son choix. Nommé le  par le Premier Consul Bonaparte, confirmé par le Pape le , Pisani prend possession de son diocèse le 15 août de la même année.

Comme évêque, il est très actif dans la reconstruction et réorganisation de la vie pastorale du diocèse. De nouvelles paroisses sont créées. Pour parer au grave manque de prêtres il ouvre en 1807, avec sept élèves, un petit séminaire à Namur, transféré en 1819 à Floreffe avec l'accord du groupe de chanoines prémontrés qui est revenu habiter les locaux de leur abbaye.
Pour l'éducation, il fait appel à des congrégations religieuses. Il invite entre autres Julie Billiart à s'installer à Namur et donne en 1809 son approbation canonique à la nouvelle congrégation des Sœurs de Notre-Dame. Avec ses soutiens et encouragements, la congrégation se développe rapidement à partir de son « quartier général » namurois.

Durant sa période namuroise il soutient financièrement la rénovation de la Cathédrale Notre-Dame de Saint-Paul-Trois-Châteaux.

Après la bataille de Waterloo et la chute de Napoléon, Pisani obtient la réconciliation de Corneille Stevens, même si le mouvement d'opposition des Stévénistes continue en se transformant en Petite Église apostolique. Il est fait également baron de l'Empire.

Charles-François-Joseph de Pisani de La Gaude meurt à Namur le .

Armoiries

Bibliographie
Il n'existe à ce jour aucune monographie sur . Néanmoins plusieurs livres et articles de revue en ont parlé. Citons : Nicolas-Joseph Aigret, Histoire de l'église et du chapitre de Saint-Aubain, Namur, 1881,  ; Dictionnaire biographique namurois, notice Pisani de la Gaude, Namur, 1999, .
.
.

Notes et références

Naissance en mars 1743
Naissance à Aix-en-Provence
Décès en février 1826
Évêque catholique français du XVIIIe siècle
Évêque de Vence
Évêque dans les Pays-Bas méridionaux
Baron de l'Empire
Personnalité religieuse du Premier Empire
Décès à Namur
Décès à 82 ans


text:
Home News LSL property group to slash branch network
LSL property group to slash branch network
Lettings:
LSL Property Services group, which owns many of the leading brands in the UK's estate and letting agency business, has launched a major cost cutting exercise, and the result is over 100 branches are to close their doors.
Your Move and Reeds Rains are among the top brands and the only ones affected by the root and branch review of their lettings business, with 124 branches to close under the company's restructuring plan.
Staff will see "owned branch" numbers slashed in what LSL has termed their response to "the changing landscape and customer demands."
The closure plan involves merging approximately 81 neighbouring branches into a new "keystone branch network", to be branded as either Your Move or Reeds Rains.
Other branches will join a franchising network of approximately 40 existing branches. These will be in locations which don't necessarily align geographically with the so called "keystone branches" but which may still offer opportunities to already successful LSL franchisees.
The changes will result in a reduction of Your Move and Reeds Rains branches from 404 to 280, 144 of which will be deemed "keystone branches", with around a further 136 being franchised.
The company says it still sees traditional bricks and mortar branded agencies as representing the bulk of the sales and lettings market, certainly for the foreseeable future, and is exercising caution over the Brexit outcome.
The RLA has already approached LSL for more details on which branches are set to close and the impact this is likely to have landlords whose lettings the company manages.
Information is still sparse as to the exact branches to be closed and the eventual number of job losses, but a spokesperson for LSL told Property Industry EYE:
"We confirm that, following a review of our lettings operations across Your Move and Reeds Rains at the end of last year, and following a period of consultation, the decision was taken to centralise our regional lettings support centres into our existing Lettings Hub in Southampton.
"This was part of the LSL Property Services plc ways of working programme which began in the second half of 2017 and progressed through 2018 in support of its objective to deliver improvements to Your Move and Reeds Rains operational performance and enhance their market competitiveness.
"The relocation of our lettings central support activities began last year and is now coming to an end.
"Our priority continues to be in supporting our staff, 47 of which have been made redundant, and customers who have already been informed about the change."
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Shirt by Saint Laurent by Anthony Vaccarello.
Model: Adut Akech at The Society Management. Hair and makeup by Irena Ruben at House of Orange. Photographer's assistant: Ben Beagent. Stylist's assistant: Mary-Lou Berkulin. Digital technician: Alex Foreman. Production by Jan Ruinard Productions. Shot on location at the Schoorlse Duinen, scouted by Jelle Montsma at Locdep. Special thanks to Staatsbosbeheer.
For one of our four Fall 2018 covers, photographer Annemarieke van Drimmelen took model-of-the-moment Adut Akech to the sandy dunes of Schoorlse Duinen in her native Netherlands for this richly cinematic fashion feature. Dressed in crisp whites and other glowing neutral tones by our fashion editor Katelyn Gray, Akech finds solitude amongst the wind-shaped hills, lounging in flowing creations by The Row, Peter Do, and Jacquemus. A sharp men's shirt from Saint Laurent by Anthony Vaccarello is offset by the shine of a single Alighieri earring beneath the glow of a Northern European summer.
Pick up your copy of TLM21 to see this story and many more in print here.
All clothing by Peter Do.
Left: All clothing by The Row.Right: Shirt by Saint Laurent by Anthony Vaccarello. Earring by Alighieri.
Left: All clothing by The Row.
Right: Shirt by Saint Laurent by Anthony Vaccarello. Vintage trousers, stylist's own.
Coat by Acne Studios. Shirt by Peter Do.
Left: Shirt by Saint Laurent by Anthony Vaccarello. Bra by Mara Hoffman. Earring by Alighieri. Vintage trousers, stylist's own.
Left: Shirt by Saint Laurent by Anthony Vaccarello. Earring by Alighieri. Vintage trousers, stylist's own.
Right: Dress by Jacquemus. Sandals by Goya. Socks, stylist's own.


Our sterling silver April birthstone stud earrings display sparkling white topaz gems set in simple polished surrounds. Each month of the year is associated with a different gemstone which is said to bring good luck and positive attributes to the wearer. The transparent yet iridescent white topaz is a symbol of true friendship and hope.


text:
// +build windows

package dns

import (
	"fmt"
	"strings"
	"syscall"
	"unsafe"

	"golang.org/x/sys/windows"
	"golang.org/x/sys/windows/registry"
)

const (
	etcHostsFile      = "C:/Windows/System32/drivers/etc/hosts"
	netRegistry       = `System\CurrentControlSet\Services\TCPIP\Parameters`
	netIfacesRegistry = `System\CurrentControlSet\Services\TCPIP\Parameters\Interfaces`
	maxHostnameLen    = 128
	maxDomainNameLen  = 128
	maxScopeIDLen     = 256
)

// FixedInfo information: https://docs.microsoft.com/en-us/windows/win32/api/iptypes/ns-iptypes-fixed_info_w2ksp1
type FixedInfo struct {
	HostName         [maxHostnameLen + 4]byte
	DomainName       [maxDomainNameLen + 4]byte
	CurrentDNSServer *syscall.IpAddrString
	DNSServerList    syscall.IpAddrString
	NodeType         uint32
	ScopeID          [maxScopeIDLen + 4]byte
	EnableRouting    uint32
	EnableProxy      uint32
	EnableDNS        uint32
}

var (
	// GetNetworkParams can be found in iphlpapi.dll
	// see: https://docs.microsoft.com/en-us/windows/win32/api/iphlpapi/nf-iphlpapi-getnetworkparams?redirectedfrom=MSDN
	iphlpapidll          = windows.MustLoadDLL("iphlpapi.dll")
	procGetNetworkParams = iphlpapidll.MustFindProc("GetNetworkParams")
)

func elemInList(elem string, list []string) bool {
	for _, e := range list {
		if e == elem {
			return true
		}
	}
	return false
}

func getRegistryValue(reg, key string) string {
	regKey, err := registry.OpenKey(registry.LOCAL_MACHINE, reg, registry.QUERY_VALUE)
	if err != nil {
		return ""
	}
	defer regKey.Close()

	regValue, _, err := regKey.GetStringValue(key)
	if err != nil {
		return ""
	}
	return regValue
}

// GetDNSSuffixList reads DNS config file and returns the list of configured DNS suffixes
func GetDNSSuffixList() []string {
	// We start with the general suffix list that apply to all network connections.
	allSuffixes := []string{}
	suffixes := getRegistryValue(netRegistry, "SearchList")
	if suffixes != "" {
		allSuffixes = strings.Split(suffixes, ",")
	}

	// Then we append the network-specific DNS suffix lists.
	regKey, err := registry.OpenKey(registry.LOCAL_MACHINE, netIfacesRegistry, registry.ENUMERATE_SUB_KEYS)
	if err != nil {
		panic(err)
	}
	defer regKey.Close()

	ifaces, err := regKey.ReadSubKeyNames(0)
	if err != nil {
		panic(err)
	}
	for _, iface := range ifaces {
		suffixes := getRegistryValue(fmt.Sprintf("%s\\%s", netIfacesRegistry, iface), "SearchList")
		if suffixes == "" {
			continue
		}
		for _, suffix := range strings.Split(suffixes, ",") {
			if !elemInList(suffix, allSuffixes) {
				allSuffixes = append(allSuffixes, suffix)
			}
		}
	}

	return allSuffixes
}

func getNetworkParams() *FixedInfo {
	// We don't know how big we should make the byte buffer, but the call will tell us by
	// setting the size afterwards.
	var size int
	buffer := make([]byte, 1)
	procGetNetworkParams.Call(
		uintptr(unsafe.Pointer(&buffer[0])),
		uintptr(unsafe.Pointer(&size)),
	)

	buffer = make([]byte, size)
	procGetNetworkParams.Call(
		uintptr(unsafe.Pointer(&buffer[0])),
		uintptr(unsafe.Pointer(&size)),
	)

	info := (*FixedInfo)(unsafe.Pointer(&buffer[0]))
	return info
}

func getDNSServerList() []string {
	dnsServerList := []string{}
	fixedInfo := getNetworkParams()
	list := &(fixedInfo.DNSServerList)

	for list != nil {
		dnsServer := strings.TrimRight(string(list.IpAddress.String[:]), "\x00")
		dnsServerList = append(dnsServerList, dnsServer)
		list = list.Next
	}
	return dnsServerList
}

redpajama_set_name: RedPajamaGithub


text:
Q: Could not load file or assembly using .NET Core 2.0 I just start to write a new application with Net Core 2.0 and I have this structure:
ConsoleApp
Library

the ConsoleApp import the Library reference that is a dll, and Library import HtmlAgilityPack 1.8.0 that's the last version available.
When I run the ConsoleApp, I get this error:

Unhandled exception of type 'System.IO.FileNotFoundException' in Library.dll
  Could not load file or assembly 'HtmlAgilityPack, Version=1.8.0.0, Culture=neutral, PublicKeyToken=bd319b19eaf3b43a'. The specified file could not be found.

The file is available, as you can see in the image:

A: Seems that I was able to fix the "bug". To summarize, I have two applications, the first one is a .NET Core Console Application, and the second one is a .NET Core Library. So I've removed the second assembly (.NET Core Library), and I've created the same project as .NET Standard Library.
I got the same problem: when I run the Console Application, the compiler shows the error message:

Unhandled exception of type 'System.IO.FileNotFoundException' in Library.dll Could not load file or assembly 'HtmlAgilityPack, Version=1.8.0.0, Culture=neutral, PublicKeyToken=bd319b19eaf3b43a'. The specified file could not be found.

So I've tried to install the HtmlAgilityPack also on the Console Application, and, like dark magic, this worked perfectly.
So I guess that I should add the dependency used on the Library imported also to the Console Application, because .NET Core must be sure that all the dependencies of the imported Library are compatible with .NET Core.
IMHO, this should be specified by Microsoft, and again, this problem should be handled by Visual Studio itself. Why do I need to add the dependencies twice?
Of course, I'm not going to accept my own answer; I prefer to wait for someone who explains this situation.


text:
Stockholm és una pel·lícula espanyola dirigida per Rodrigo Sorogoyen, i protagonitzada per Javier Pereira i Aura Garrido. Es va estrenar a Espanya el 8 de novembre de 2013. És la segona pel·lícula del seu director després de 8 citas i la primera que dirigeix en solitari. Té la particularitat de ser una de les primeres cintes espanyoles a ser finançada mitjançant micromecenatge.

Argument
Dos joves, coneguts en la pel·lícula com "ell" i "ella" es troben en una discoteca. Ell s'enamora gairebé a primera vista d'ella encara que ella no es mostra tan receptiva. Així i tot tots dos passen la nit junts.

Festivals
La pel·lícula va concórrer al Festival Internacional de Cinema de Miami en la categoria de millor adreça novella de pel·lícula iberoamericana, al Festival Internacional de Cinema de Chicago on va ser nominada pel públic a pel·lícula preferida i al Festival de Màlaga on es va emportar tres premis: millor director, millor actriu i millor guió.

Premis i nominacions
XXVIII Premis Goya

Medalles del Cercle d'Escriptors Cinematogràfics

Premis Feroz

Fotogramas de Plata

Premis Cinematogràfics José María Forqué

Referències

Enllaços externs
 'Stockholm': la sorprendente ópera prima de Rodrigo Sorogoyen que adelantaba al cineasta ganador del Goya, espinof.com

Pel·lícules d'Espanya del 2013
Pel·lícules en castellà
Pel·lícules de drama romàntic de la dècada del 2010
Guanyadors del Premi Goya al millor actor revelació
Guanyadores de la medalla del Cercle d'Escriptors Cinematogràfics a la millor actriu
Pel·lícules dramàtiques del 2013


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text:
Claudio Batista dos Santos (nacido el 19 de abril de 1967) es un exfutbolista brasileño que se desempeñaba como delantero.

Jugó para clubes como el XV de Piracicaba, Ponte Preta, Paraná, Bragantino, Cerezo Osaka, Coritiba, Botafogo y Fortaleza.

Trayectoria

Clubes

Referencias

Futbolistas de Brasil
Futbolistas del Esporte Clube XV de Novembro
Futbolistas de la Associação Atlética Ponte Preta
Futbolistas del Paraná Clube
Futbolistas del Clube Atlético Bragantino
Futbolistas del Cerezo Osaka
Futbolistas del Coritiba Foot Ball Club
Futbolistas del Botafogo de Futebol e Regatas
Futbolistas del Fortaleza Esporte Clube


text:
Lionel Messi Wins Record Seventh Ballon d'Or
Lionel Messi Wins Document Seventh Ballon d'Or
A number of the most illustrious names in soccer's lengthy historical past solely managed to win the Ballon d'Or, the game's most prestigious particular person prize, as soon as. George Greatest, Zinedine Zidane and Eúsebio all have only a single award to their names. Ronaldo, the nice Brazilian striker, gained two. Johan Cruyff, arguably the best European participant in historical past, has three.
After Monday night time, Lionel Messi now has seven.
The 34-year-old Messi successfully retained the trophy he final gained in 2019 — controversially, the award was not handed out by France Soccer final 12 months due to the coronavirus pandemic — after a 12 months during which he ended his lengthy watch for a global honor, successful the Copa América with Argentina, and left Barcelona, the membership the place he had spent all of his profession, for Paris St.-Germain.
"It's unimaginable to be right here once more," Messi mentioned. "Two years in the past I believed it was the final time. Profitable the Copa América was the important thing."
"I don't know what number of years I've left," he added, "however I hope many extra."
Barcelona could have misplaced Messi this 12 months nevertheless it nonetheless took residence some {hardware} on Monday: Alexia Putellas, a star midfielder on its treble-winning ladies's staff, was a straightforward winner in voting for the ladies's Ballon d'Or, and {the teenager} Pedri, a rising expertise who's already a fixture for Barcelona and Spain's nationwide staff, was honored because the world's greatest participant underneath age 21.
Messi, who had arrived on the gala at Paris's Théâtre du Châtelet, in a shimmering tuxedo — a glance matched by his three younger sons — was usually soft-spoken in accepting his award. He praised his former teammates at Barcelona, his countrymen with Argentina, and vowed to battle for brand new trophies together with his new membership, P.S.G.
Messi defeated his closest contender, Bayern Munich's Polish striker Robert Lewandowski, in voting by 176 journalists and performed by France Soccer, which awards the prize (nearly) yearly. Many consultants argued Lewandowski deserved the dignity in 2020, when it was not handed out as a result of, organizers mentioned, disruptions to the soccer calendar had made it not possible to guage. Messi mentioned he agreed with that place.
"I believe you deserved to win the award final 12 months," Messi instructed Lewandowski from the stage, calling it "an honor" to battle him for high honors in 2021.
Jorginho, the Brazil-born Italy midfielder, was third, reward for a season during which his membership staff, Chelsea, gained the Champions League and Italy lifted the European Championship. Actual Madrid and France striker Karim Benzema was fourth, and Jorginho's Chelsea midfield accomplice, N'Golo Kanté, was fifth.
Although it has hardly been a classic 12 months by Messi's requirements — Barcelona was crushed to the Spanish title by Atlético Madrid and eradicated from final season's Champions League within the spherical of 16 by P.S.G. — his achievement with Argentina, in addition to the eye drawn by his transfer to France after successful six Ballons d'Or at Barcelona, was sufficient to persuade the award's jurors.
That Messi had by no means gained a global trophy together with his nationwide staff had all the time been held in opposition to him within the debate over whether or not he warrants the standing as soccer's biggest ever participant. His rivals, in any case, had triumphed with their international locations in addition to their golf equipment: Pelé led Brazil to 3 World Cups, Diego Maradona impressed Argentina to 1, and Cristiano Ronaldo helped Portugal declare the European Championship in 2016.
Messi lastly put that concept to relaxation on this summer season's Copa América, breaking down in tears on the sphere after Angel Di María's objective had given Argentina its first worldwide trophy since 1993, beating Brazil, the host, within the closing.
His tally of seven Ballons d'Or now places him two away from Ronaldo, his nice rival: The Portuguese ahead stays on 5, however he has not gained the prize since 2017, and at age 36 he's greater than two years older than Messi.
Ronaldo, who completed sixth within the voting, was absent from Monday's ceremony however his rivalry with Messi was not. On his Instagram account, Ronaldo angrily took concern with a remark made just lately by France Soccer's editor in chief, Pascal Ferré, in an interview with UpAeroSpace concerning the award's status.
"Ronaldo has just one ambition, and that's to retire with extra Ballons d'Or than Messi," Ferré mentioned, "and I do know that as a result of he has instructed me."
Ronaldo — regardless of suggesting as a lot in different interviews — denied he had made the remark, saying, "Ferré lied, used my identify to advertise himself and to advertise the publication he works for."
Putellas, the 27-year-old midfielder who captains Barcelona's all-conquering ladies's staff, gained the ladies's Ballon d'Or. Her victory accomplished a clear sweep of final season's prizes, after she led her Barcelona aspect to the Champions League title and a league and cup double in Spain, after which was honored as Europe's participant of the 12 months.
Her fundamental rivals for the Ballon d'Or have been largely familiar faces: Barcelona had turn into the primary ladies's staff to register 5 nominees in a single 12 months, and two of Putellas's teammates — Jennifer Hermoso, who was second, and Lieke Martens, who was fifth — completed in the top five within the voting.
"Actually it's a bit emotional, and really particular," Putellas mentioned. "It's nice to be right here with all of my teammates, since now we have lived and skilled a lot collectively, particularly previously 12 months."
"That is a person prize," she added, "however soccer is a staff sport."
#Lionel #Messi #Wins #Document #Seventh #Ballon #dOr
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text:
Home > Museum > History of the museum
The history if the new exhibition space for the Musei Capitolini in the former Giovanni Montemartini Thermoelectric Centre, an extraordinary example of industrial archaeology converted into a museum, began in 1997 with the transfer of hundreds of sculptures to the new location during the restructuring works carried out across much of the Capitoline complex.
To create space in the Museum of the Palazzo dei Conservatori, the Museo Nuovo and the Braccio Nuovo, while keeping the works of art accessible to the public, an exhibition was created in 1997 in the restructured rooms of the first public electricity plant in Rome. The exhibition was entitled "The machines and the gods": it put side by side two diametrically opposed worlds, those of classical art and industrial archaeology.
In an atmospheric game of contrasts, the old machinery of electricity production became the backdrop for masterpieces of ancient sculpture and precious goods found in the excavations of the late nineteenth century and the 1930s. The display reconstructs some of the great monumental complexes and illustrates the development of the ancient city from the Republican era to the late imperial age.
The adaption of the building into a museum, the restoration of the machines and the educational sections about industrial archaeology have all been created by ACEA.
The outstanding museum space was originally thought of as a temporary solution. However when part of the sculptural collection was returned to the Campidoglio in 2005, on the conclusion of the restructuring works, it was decided to turn the building into a permanent location for a collection of the Museio Capitolini's most recent acquisitions.
The space is used for continual experiments in possible display methods, particularly those connected to scientific research on the remains; bringing together works from the same area of provenance also allows the links between the museum and the fabric of the ancient city to be continually renewed.
The museum itself is part of a wider project to redefine the Ostiense Marconi area, converting it into a cultural centre for the oldest industrial area of Rome (including, as well as the electricity plant, the Slaughter House, the Gasometer, structures from the docks, the old Mira Lanza site and the old General Markets), witht he defining structure of the university campus of Roma Tre and the creation of the City of Science.
Video 1 - Centrale Montemarini
Video 2 - Centrale Montemartini


text:
HomeBlogNameta PublicationMy Story Never Ends
February 11, 2018By nameta0 comment
Yes,my story never ends and i will tell you why. Until we stamp out Corruption in our communities,the world remains at a risk of economic breakdown,Poverty,Inequality and Conflict.
Corruption is one the many social injustices that has paralyzed the function of the oneness of a people. It all depends on how you define it,Corruption to me is any deceitful and dishonest act that leads to acquisition of service or favor unjustly and denial of the same to an individual who has lawfully earned the point of interest. Corruption is taking place in different ways and forms globally. Ranging from individuals to institutions and companies whether government or private, this social evil has taken roots to a level that renders it unbeatable in the eyes of many people. Corruption is practiced in the work places like offices and in the diverse fields of life. In offices it is mainly propagated by the greed of the service render that in most cases is purported to be the senior and the need of the service seeker who finds himself or herself compelled to give a bribe in order to be given access to something they want. Guys in the office admit this please,,,
It's because of corruption that many can't secure jobs easily hence doubling the unemployment rate in informal communities, especially in developing countries.We Deny available opportunities to individuals since we need a favor first from them. Youths continue to learn and adopt this practice at their own level, not avoiding baseless arguments around provision and delivery of services.
Corruption therefore is a dishonest, illegal and improper use of public power and authority contrary to the rights of the citizens. For instance in Kenya, Chapter 6 of the constitution deals with integrity of office bearers and there are other laws that are in place to tackle corruption. E.g.The ethics and anti corruption Commission Act, 2011, which establishes the ethics and Anti-Corruption Commission in Kenya.Anti-Corruption and Economic Crimes Act, The Kenya Bribery Act 2016,not forgetting international laws that help in stamping out corruption globally.
There is need to make a world a corruption free area where all of us embrace values that matter. Nameta Trust is committed to make this Change! ART is our Weapon! Join Nameta Trust Today as our Ambassador to help us drive Social Change in the Informal Communities. We believe Art is a tool that can be used to address some of the vices that affect in our society Today!
Youths form the better part in driving this,they form the current and future current generation.Through our Support, we shine them by giving them available Opportunities and therefore end up shining the World by creating Social Change!
Let's do this!!!!
Catch Poetry toxic and Ogedaranking do their thing at KUTV tomorrow Monday in the Morning Show! Its Arts and Culture! Rise Today to Make a Social Change!