The term 'Contract' means these terms and conditions of sale themselves together with any and every invoice or other document evidencing or describing, whether by item or kind or otherwise, and Goods.
Which are or comprise inventory of the purchaser.
The term 'PPSA' means the Personal Property Securities Act 1999.
The term 'Purchaser' means the person with whom Atkore has contracted for the supply of any goods and or services.
The terms 'after-acquired property', 'at risk', 'default', 'inventory', 'lease', 'perfected', 'proceeds', 'purchase money security interest', 'rights', 'security interest' and 'sell' have the respective meanings given to them under, or in the context of, the PPSA.
All quotations and orders are subject to the following conditions of sale, and clerical errors are subject to correction. All price lists are subject to change without notice. Orders become contracts only upon written acceptance of Atkore.
The Contract forms the basis on which Atkore supplies and sells Goods to the Purchaser. Each such supply and sale shall be effected pursuant to the terms of this Contract (unless in any specific case agreed otherwise in writing). Any invoice or other document evidencing or describing any Goods is incorporated into and forms part of the Contract.
Atkore's liability to the Purchaser arising in connection with the supply or use of the Goods, including defective products whether under common law, equity or statute and whether direct or indirect is limited (to the extent permitted by law and not otherwise expressly provided for herein) to the cost of replacement of the Goods or supply of equivalent products and without limitation excludes any liability for any incidental, consequential or indirect damages.
Any remedy shall only be available to the Purchaser if the Goods have been stored, maintained, installed, and or operated by the Purchaser without damage or misuse and strictly in the manner prescribed by Atkore and in accordance with all applicable laws and regulations and have not been repaired or altered without the express approval of Atkore.
Where the Goods include other manufacturer's products, any warranty which may be given by Atkore only applies to the extent Atkore receives the benefit of that other manufacturer's warranty.
To the extent permitted by law and except as provided herein, all implied conditions, warranties, and representations are hereby expressly negated and excluded.
Atkore shall not be liable for failure to perform or complete any of its obligations hereunder due to causes beyond the reasonable control of Atkore.
In no event shall Atkore be liable under this Agreement for any loss of profit, loss of revenue, loss of contracts, loss of production or any special, indirect or consequential loss, damage or injury of any kind whatsoever suffered by the Purchaser arising directly or indirectly from any breach of any of Atkore's obligations arising under or in connection with these conditions of sale or from any cancellation of any order or from any negligence, misrepresentation or other act or omission on the part of Atkore, its servants, agents or contractors nor shall Atkore be liable for any loss, damage or injury caused to the Purchaser's servants, agents, contractors, customers, visitors, tenants, trespassers or other persons whomsoever (whether similar to the foregoing or not) arising as aforesaid. The Purchaser shall indemnify Atkore against any claim by any of the foregoing persons in respect of any loss, damage or injury arising as aforesaid.
Orders once placed and accepted can be cancelled only with Atkore's prior written consent and upon terms that will save Atkore from loss. Cancellation of items of special size, manufacture or material will not be accepted without full compensation being given to Atkore for all expenses incurred after such orders are in production. Atkore may, at its discretion, accept returns of standard (non-specialised) product, which will be subject to a 20% restocking fee.
No Goods may be returned without first obtaining written permission from Atkore. Such permission is to be requested from the Sales Office where the Goods were obtained.
Additional charges may be made to cover the cost of any unusual packing, delivery, engineering, servicing, overtime work, taxes, financing or any cost element not included in our prices. A charge of 5% will be added to the price of each item when for export. In case of refusal or inability of purchaser to accept any shipment in accordance with the terms of a contract, the purchaser shall be held liable for freight, express, storage, extra cost of handling and other expenses that Atkore may incur as a result. If Atkore at any time considers the credit of the purchaser to be unsatisfactory, it may require security for payment and may suspend performance of its obligations under this contract until the purchaser provides such security. All costs and expenses of or incurred by Atkore as a result of such suspension and any recommencement shall be payable by the purchaser upon written demand.
Interest at a rate equal to 8% above Atkore's bank's indicator lending rate from time to time calculated on a daily basis shall be payable on any outstanding moneys due until the date payment is received by Atkore. This is without prejudice to Atkore's other rights or remedies in respect of the purchaser's default in failing to make payment on the due date.
Charges made for tools, fixtures, etc, are a partial charge and do not convey ownership or the rights to remove them from Atkore's plant.
Atkore's responsibility ceases with the delivery of the Goods in good order to the transportation carrier. Delivery is not guaranteed at or to the Purchaser's premises. Claims for shortage or damage in transit must be made by the Purchaser against the transportation carrier. In the absence of definite shipping instructions, we reserve the right to ship all Goods, to the premises of any public carrier which we deem satisfactory.
The Purchaser shall keep the Goods insured against damage, loss and deterioration and shall, if Atkore requires it, confirm the existence of such insurance until ownership passes to the Purchaser.
Claims of incorrect or defective Goods must be made in writing to the Sales Office where the Goods were obtained within ten days from receipt of the Goods. Atkore has the option of re-inspection at either the Purchaser's plant or Atkore's plant before allowing or rejecting the Purchaser's claim. No Goods may be returned without first obtaining written permission from Atkore. Defects in the Goods that do not impair satisfactory service shall not be a cause for rejection by the Purchaser.
All Atkore Goods are guaranteed against defects in material and workmanship for the period of 12 months after delivery. No guarantee is made against corrosion, erosion, chemical attack, incorrect installation or improper use. All metals and resilient synthetics are guaranteed to be of the material specified.
Atkore shall not be required to fulfil its obligations under this warranty for so long as the purchaser is in default of any payment owed to it.
Atkore makes no representation, warranty, guarantee conditions or collateral agreement expressed or implied, statutory or otherwise, in relation to or in any way affecting the Goods sold or the rights of the parties or supported by these conditions of sale other than as herein contained. This warranty does not apply to Goods manufactured by others.
The amount of any Goods and Services Tax and any other taxes and duties applicable to the Goods sold or services provided under a contract shall be payable by the Purchaser and added to the price quoted.
Payments must be received by Atkore not later than 30 days from date of invoice, unless otherwise indicated on our quotation.
All quotations shall remain open for 30 days from the date of quotation and are deemed to be withdrawn after that date.
To the extent that the Contract involves the supply of Goods within New Zealand, the provisions of paragraphs 30 to 36 (inclusive) apply.
other than any excepted property which is or comprises proceeds of any of that present and after-acquired property which has been supplied by Atkore to the Purchaser.
Atkore authorises the Purchaser to sell or lease, in the ordinary course of business of the Purchaser, any Goods that are comprised in the Purchaser's inventory.
The Purchaser agrees to do anything that Atkore reasonably requires to ensure that Atkore has a perfected security interest in all the Goods and a purchase money security interest in each part of the Goods to the extent of the purchase price for that part.
Atkore may allocate amounts received from the Purchaser in any manner it determines, including in any manner required to preserve any purchase money security interest it has in any Goods.
The Purchaser agrees to reimburse the seller for all costs and/or expenses incurred or payable by Atkore in relation to registering, maintaining or releasing any financing statement in respect of any security interest under the Contract.
The Purchaser waives the right to receive a copy of the verification statement confirming registration of a financing statement or financing change statement relating to the security interest under the Contract.
agrees that nothing in sections 114(1)(a), 133 and 134 of the PPSA shall apply to this Contract, or the security under this Contract, and waives the Purchaser's rights under sections 121, 125, 129, 131 and 132 of the PPSA.
Property in the Goods shall be retained by Atkore until and shall only pass to the Purchaser when Atkore has received payment in full for all Goods supplied to the Purchaser on any account whatsoever. Should payment for the Goods be made by the Purchaser by cheque, bill of exchange or note, ownership of the Goods shall not pass to the Purchaser, and the Purchaser shall remain liable for payment, until the cheque, bill of exchange or note has been honoured.
Until such time as the Goods have been paid for in full, the Purchaser shall store the Goods supplied by Atkore separately, and in such a manner as to show clearly that they are the property of Atkore. Atkore shall be entitled to enter upon the premises upon which Goods are stored at any time without notice and without prejudice to any of its other rights and remedies, to repossess any Goods not paid for in full.
Until such time as the Goods have been paid for in full, the purchaser shall be at liberty to sell the Goods in the ordinary course of business for the benefit of Atkore, and shall hold in trust and account to Atkore for the proceeds of sale of the Goods.
The Purchaser will be in default in relation to all Goods if any Goods are at risk.
At any time after a default occurs, Atkore may (whether or not Atkore has exercised any other right) appoint any person to be a receiver of all or any of the Goods. In addition to, and without limiting or affecting any other powers and authorities conferred on a receiver (whether under the Receiverships Act 1993 or at law or otherwise), a receiver has the power to do all things in relation to the Goods as if the receiver has absolute ownership of the Goods.
The Purchaser acknowledges that Atkore is a member of a group of companies, which have as their ultimate parent, Atkore International Ltd ('Atkore Group'). The Purchaser agrees that Atkore and/or any other Atkore Group company is entitled to exercise a right of set off to the extent the Purchaser is indebted to Atkore or to any Atkore Group company against any monies due by Atkore to the Purchaser or any Atkore Group company on this or any other account.
The Purchaser shall not assign all or any of its rights or obligations under these conditions of sale or any order without the prior written consent of Atkore.
Any description of the Goods is given by way of identification only and the use of such a description does not constitute a sale by description.
This Contract shall be governed by the laws of New Zealand and the New Zealand courts shall have the exclusive jurisdiction in respect of all claims and actions arising out of this contract, provided that Atkore shall be entitled to commence an action arising out of or in respect of the contract in any other jurisdiction.
Nothing in these terms is intended to have the effect of contracting out of the provisions of the Consumer Guarantees Act 1993 ('Act') except to the extent permitted by the Act, and all provisions of this Agreement shall be read as modified to the extent necessary to give effect to that intention. The Purchaser agrees that if it is purchasing the Goods for the purposes of a business, the Act shall not apply.
The Purchaser shall not, in relation to the supply by the Purchaser of the Goods, give or make any undertaking, assertion or representation in relation to the Goods without the prior approval in writing of Atkore, and the Purchaser shall indemnify Atkore against any liability or cost incurred by Atkore as a result of any breach by the Purchaser of this provision.
The Purchaser shall, in relation to any supply of any of the Goods by Atkore, contract out of the provisions of the Act to the extent that the Purchaser is entitled to do so under the Act and shall indemnify Atkore against any liability or cost incurred by Atkore under the Act as a result of any breach by the Purchaser of this provision.
give information it has about the Purchaser relating to the Purchaser's credit worthiness to any person (including any credit or debt collection agency) for credit assessment and debt collection purposes.
Any personal information held by Atkore about the Purchaser as a result of these enquiries will be held by Atkore at its offices. The Purchaser will be entitled to request access to, and correction of, that information in accordance with the Privacy Act 1993.
These terms and conditions of sale are paramount, and, to the extent that there is any conflict between any provision of them and any invoice or other document evidencing or describing any Goods, the terms and conditions of sale will prevail. Further, if there is any other document or arrangement which conflicts with the Contract, the Contract shall prevail.


 The Glem multifunction oven has electric elements in the roof of the oven, under the floor and at the rear of the oven.
the heat evenly through the oven cavity.
The 5 burner cooktop with the offset wok burner makes so much sense. Cook the rice while stir frying with a full sized wok. Try that on any other cooker.
Triple glass door, flame failure protection, storage compartment, long life door seal, digital timer and cast iron trivets.


We left our hometown at 5am and got to Sungai Golok at about 6-ish where we then parked the car at my Aunt's home in Golok before heading to the van terminal in Golok to purchase tickets to Hatyai! Tickets from Golok to Hatyai cost 180 Baht per person. Personally, I would not recommend this mode of transport as it is a long 4 hour bumpy ride into the city and there were so many road blocks manned by soldiers along the way it did scare me quite a bit.
I slept most of the way, which explains why I do not have photos of the van (am kicking myself for this now) but!! I have a ton of photos of yet another popular (if not only) mode of public transportation in Hatyai…. TUK TUKS!!
That's a very enthusiastic Aunt vs. a grumpy Uncle on board our very first Tuk Tuk! Aunt's cousin's sister-in-law came to pick us up at the Hatyai Van Terminal (makes me wonder if there's a coach terminal around) and we pretty much sat in this Tuk Tuk for the rest of the day as Pi brought us out of town to…..
The weather was really, really hot so bro and I walked round in search of a thirst quencher and we found this!!
Coconut ice-cream!! Cost us 30 Baht / RM3!! I wish I went back for more as coconut ice-cream's my favourite Thai dessert, so much that I always bug my Aunt to get me some should she head home across the border!
As the heat was getting to all of us, our lovely Tuk Tuk driver (who happens to be Pi's friend) brought us to the Songkhla Aquarium!
A little tip here: if you want to visit the Aquarium, get a local to purchase tickets for you as locals are charged 100 Baht for a regular ticket which gains you admission into the Aquarium only whereas tourists are charged double!
Thai stuffed sausages that can take on any German Bratwurst, anytime! They even sell Pork Satay (see those thinly sliced pieces of meat on skewers at the bottom of this photo?) which wasn't too bad! I'm not a huge fan of the meat as I sometimes find the smell unbearable. The sausages had glutinous rice and glass noodles stuffed in them and every single sausage I tried was perfectly seasoned and well-cooked!
Colourful and tantalizing snacks / kuihs on display! I bought some as I just couldn't resist sinking my teeth into these diabetes-inducing sweets.
I have no idea why I'm using these random and incredibly lame hash tags. Hehe.
Can you guess what this it?
Clue: it's cold, and refreshing!!
It's an ice-cream stick!! The ice-cream is made only with ice cubes and salt! No electricity / freezer is used in the process of making this cheap (5 Baht) yet delicious treat! Fizzy drinks are poured into the metal tubes before they are chucked into their allocated slot in the drum and before you know it, it's frozen and ready to consume! Such genius!
That's pretty much if for our Day One in Hatyai… All of us crashed upon arriving at the hotel!


text:
Q: Correos se envían a la dirección incorrecta Se me presentó un problema con el envío de correos con PHPMailer. Tengo un script que envía un correo electrónico a cada uno de los clientes seleccionados mediante checkbox, el problema es que si por ejemplo selecciono 3 clientes, a cada cliente le llegan 3 correos de los 3 seleccionados, en vez de que le llegue un solo correo al cliente correspondiente. Es como si la variable $array[0] almacenara los 3 correos electrónicos.
Les dejo mi código para ver si me pueden ayudar a encontrar mi error.
config.php
$mail = new PHPMailer();

//Server settings
$mail->isSMTP();                            //Send using SMTP
$mail->SMTPSecure = 'tls';                  //Enable implicit TLS encryption
$mail->SMTPDebug = 0;                       //Enable verbose debug output
$mail->Host       = 'smtp.office365.com';   //Set the SMTP server to send through
$mail->SMTPAuth   = true;                   //Enable SMTP authentication
$mail->Port       = 587;
$mail->Username   = '*********'             //SMTP username
$mail->Password   = '*********';            //SMTP password

modal-suspend-service.php (donde tengo un checkbox por cada cliente y el botón que activa el servicio y manda correo)
    <form method="post">
        <?php
        foreach ($execute_suspended_services as $row) {
        ?>

            <input class="mr-2" type="checkbox" name="select[]" id="select" onChange="disableSending();" value="<?php echo $row['idCustomerPackage']; ?>">
            <a href="services-by-user.php?idCustomer=<?php echo $row['idCustomer'] ?>&idCustomerType=1" class="mb-0 text-gns" style="font-size: 14px;"><?php echo $row['name'] . ' ' . $row['lastname']; ?>

                Loading...

        <?php
        }
        ?>
        <div class="text-center mb-2 mt-4 <?php echo $btn_active; ?>">
            <button type="sumbit" class="btn btn-success col-12 col-sm-4 active_service" name="btnActiveService" id="btnActiveService" disabled> Activar</button>

   </form>

suspend-service-backend.php
if (isset($_POST['btnActiveService'])) {
    foreach ($_POST['select'] as $idService) {

        //Por cada checkbox seleccionado, hago un select para obtener el correo del cliente
        $get_customer = "SELECT customers.email FROM customers INNER JOIN customers_packages ON customers.idCustomer = customers_packages.idCustomer WHERE id_customerPackage = '$idService'";
        $execute_get_customer = mysqli_query($connection, $get_customer);

        //Array para obtener el correo del cliente por índice $array[0]
        $array = mysqli_fetch_row($execute_get_customer);

        //Hago update para activar el servicio al cliente seleccionado
        $active_service = "UPDATE customers_packages SET is_active = 1 WHERE id_customerPackage = '$idService'";
        $execute_active_service = mysqli_query($connection, $active_service);

        $message = "servicio activado";

        if (!$execute_active_service) {
            echo "";
        } else {
            try {
                $mail->setFrom('*************', 'CS (NO RESPONDER)');
                //array[0] contiene el correo del cliente
                $mail->addAddress($array[0]);
                $mail->isHTML(true);
                $mail->Subject = "Servicio activado";
                $mail->CharSet = 'UTF-8';
                $mail->Body = $message;
                $mail->send();

                echo "";
            } catch (Exception $e) {
                echo "";
            }
        }
    }
}

Gracias de antemano amigos!!

A: El problema se debe a que en cada iteración agregas más destinatarios a la instancia creada (eg: $mail = new PHPMailer()).
Solución:
Luego de realizar el envío tenes que llamar a clearAddresses()
Ejemplo:

// ... código
$mail->Body = $message;
$mail->send();
$mail->clearAddresses() ; // Acá

//... más código

A: ¿Dónde defines la variable $mail? Antes del ciclo, ¿cierto? PhpMailer conserva la información y, en teoría, al seleccionar 3 clientes, el primero recibe 3 correos, el segundo dos y el tercero solo uno, porque se van agregando las direcciones en cada iteración del ciclo.
La variable $array[0] siempre tiene solo una dirección, pero el método $mail->addAddress() hace que PhpMailer guarde internamente las direcciones a donde se enviará el correo:
Primera iteración:

*

*Correo de cliente 1, solo lo recibe cliente 1

Segunda iteración:

*

*Correo de cliente 1 y cliente 2, lo reciben ambos

Tercera iteración:

*

*Correo de cliente 1 + cliente 2 + cliente 3, lo reciben los 3

Inicializa la variable antes del bloque try ... catch para evitar que se acumulen las direcciones:
// Inicializar dentro del ciclo
$mail = new PHPMailer(true);
try {
    $mail->setFrom('*************', 'CS (NO RESPONDER)');
    // array[0] contiene el correo del cliente
    // Solo se va a agregar el correo actual
    $mail->addAddress($array[0]);
    $mail->isHTML(true);
    $mail->Subject = "Servicio activado";
    $mail->CharSet = 'UTF-8';
    $mail->Body = $message;
    $mail->send();

    echo "";
} catch (Exception $e) {
    echo "";
}

redpajama_set_name: RedPajamaStackExchange


We're a big family here, we spend as much time here as we do at home practically, sometimes more. So we all pitch in and treat each other as family, we care about each other, and try to make this a good place to work for everybody.
Coumadin (otherwise known as "Warfarin" as a generic drug) is an oral medicine taken daily and used to help prevent abnormal blood clotting in people with certain heart conditions or clotting disorders. The use of this medicine requires vigilant monitoring (thru finger-stick blood tests) and management by your medical team.
At New Milford Medical Group, we have more than 30 years of experience managing coumadin for our patients who need this medicine. To help our patients, we have instituted our "Coumadin Clinic"which is staffed daily by several Medical Assistants and your Provider.
Once starting Coumadin, our clinic provides patients with a schedule for monitoring but is also equipped to accommodate "walk-in" for coumdain monitoring anytime the office is open.
Once the finger-stick blood test is completed, your Provider will review the results and make recommendations for continued effective and safe coumadin dosing adjustments.


text:
Q: Does sync command remove the dirty cache in the memory? I am aware that sync command flushes the dirty cache into disk. I have run free command first, then sync, and then free again. The result of latter free command shows more free memory available than the former one.
Does this mean that the dirty caches are removed from memory when performing sync? Can anybody give me a more solid proof?

A: No, It don't. I checked it myself many times, but don't worry, Linux kernel takes care of your precious memory very smartly.
read Content cached in RAM while writing to disk - Linux
 and http://linuxatemyram.com

A: This will cause the kernel to drop clean caches, dentries and inodes from memory, causing that memory to become free.
To free pagecache:
echo 1 > /proc/sys/vm/drop_caches

To free dentries and inodes:
echo 2 > /proc/sys/vm/drop_caches

To free pagecache, dentries and inodes:
echo 3 > /proc/sys/vm/drop_caches

As this is a non-destructive operation, and dirty objects are not freeable, the user should run "sync" first in order to make sure all cached objects are freed.

A: They are not :-).  Here is solid proof:
$ dd if=/dev/zero of=test bs=1M count=100
100+0 records in
100+0 records out
104857600 bytes (105 MB, 100 MiB) copied, 0.409106 s, 256 MB/s
$ sync
$ time cat test > /dev/null

real    0m0.027s
user    0m0.000s
sys 0m0.026s

The data was still cached after sync.  You can tell it was cached by looking at the time to read the file.  (I have a spinning hard drive, max read speed is around 100MB/s).  Compare this to the combination of sync and drop_caches:
$ sync
$ echo 1 | sudo tee /proc/sys/vm/drop_caches
1
$ time cat test > /dev/null

real    0m1.030s
user    0m0.001s
sys 0m0.073s


text:
You are here: Home / Genomics in practice / NHS to launch Innovative Medicines Fund
NHS to launch Innovative Medicines Fund
23rd July 2021 /in Genomics in practice, Research /Tags: Pharmacogenomics, Policy, Rare inherited disease/by Ben Armstrong
The initiative could change the lives of people with rare diseases by giving them access to cutting-edge treatments
The NHS has announced a new 'Innovative Medicines Fund' to fast-track potentially lifesaving new drugs to patients who need them.
Following the model of the existing Cancer Drugs Fund, the Innovative Medicines Fund will allow patients access to drugs that have yet to be approved as cost-effective by the National Institutes of Health and Care excellence (NICE). The new initiative will include treatments for rare and genetic diseases.
"We want NHS patients to continue to be the first in the world to benefit from cutting-edge treatments," said Health and Social Care secretary, Sajid Javid. "This vital new initiative extends the successful Cancer Drugs Fund model to other patients, bringing equal access to the best treatments for all, regardless of the condition."
The Cancer Drugs Fund
The current Cancer Drugs Fund (CDF) was established in 2016 and offers patients the opportunity to access treatments not approved for routine NHS use that could help save or extend their lives. Over the last five years, over 64,000 people have accessed treatments through the fund that would otherwise not have been available for months or years.
The fund works by offering NICE a third option when it evaluates a treatment: as well as recommending a drug for routine commissioning or not, it can also recommend a drug for use within the CDF.
For a drug to qualify for the CDF, it must have "plausible potential […] to satisfy the criteria for routine commissioning."
Rare diseases are – as the name suggests – individually rare, but when looked at collectively they are common. Around 1-in-17 people in the UK will be affected by a rare disease at some point in their life. The majority of rare diseases have a genomic basis, and they can affect people of all ages including young children.
Approving treatments for these conditions can be challenging, however. As the number of patients affected by a single rare disease is small, it is often difficult to gather enough evidence for NICE to recommend it for routine NHS use.
The new Innovative Medicines Fund offers a potential solution to this problem, giving patients the opportunity to have promising treatments fast-tracked, and, in turn, increasing the amount of data available to NICE for future decisions.
This is especially relevant in light of new gene therapy treatments, such as Zolgensma for spinal muscular atrophy, that offer enormous potential for treatment but come with a high cost.
"In the last year, NHS England has successfully negotiated deals for a range of new treatments, including drugs which may allow toddlers with spinal muscular atrophy the chance to walk thanks to the 'world's most expensive drug', as well as giving cystic fibrosis patients the latest medicines against their debilitating disease," said NHS chief executive, Sir Simon Stevens.
"This new fund will build on these successes, offering hope to even more patients."
For more on the Innovative Medicines Fund, visit the NHS website
https://www.genomicseducation.hee.nhs.uk/wp-content/uploads/2021/07/Pharmacy_1350x450.png 450 1350 Ben Armstrong /wp-content/uploads/2018/06/gep-white-logo-sm-v2.png Ben Armstrong2021-07-23 12:27:512021-07-23 12:31:12NHS to launch Innovative Medicines Fund
GEP fellow publishes new study
Direct-to-consumer genetic tests at an all-time high…
Ethical editing: therapeutics and 'enhancement'
Congenital heart disease study reveals inheritance factor
Gene editing meets gene therapy
Saving lives with genetics: newborn screening

redpajama_set_name: RedPajamaCommonCrawl


MPress Records presents concert with K's Choice, Rachael Sage, Matt Nakoa & A Fragile Tomorrow.
MPress Records presents the 7th installment of its wildly popular CMJ Music Marathon showcase MPressFest CMJ at The Cutting Room (44 E. 32nd Street, NYC) on Friday, October 16th at 7pm. MPressFest CMJ 2015 will showcase an exceptional line-up of talent including the NYC-based independent label's two newest signings K's Choice and A Fragile Tomorrow (for their joint NYC CD release shows), along with New York favorites Matt Nakoa and Rachael Sage. Tickets are $10 in advance at 212-505-1700 or www.SpinCycleNYC.com or $12 at the door (based on availability). This event is 21+ with valid government-issued photo ID to attend.
Charleston, NC four-piece A Fragile Tomorrow, celebrate the release day of their MPress debut "Make Me Over" (out on October 16th). "Make Me Over" is saturated with the transformative air of rock n' roll androgyny inhabiting songs that are complex yet immediately infectious. Their performances are thick and swirling with dense layers of multiple guitars and heady vocal harmonizing. Belgium brother/sister duo K's Choice, also celebrate their new album "The Phantom Cowboy" out on September 18th. Sarah and Gert Bettens deliver the most honest, gritty, straight-ahead rock album of their career and have prepared a captivating acoustic show for their only NYC-area show this year. Multiple Independent Music Award winner and MPress flagship artist Rachael Sage will bring her unique, piano driven chamber pop and road-tested musical chops to the show with her band The Sequins; and award-winning singer-songwriter and engaging performer Matt Nakoa's blend of eclectic acoustic pop/rock rounds out the show.
worked alongside a who's who of soon-to-be industry darlings, including St. Vincent, Esperanza Spaulding, and members of the bands Karmin and Lucius. Matt's first solo release, 2012's Light In The Dark, was received by fans as an eclectic pop/rock masterpiece while his follow up album, A Dozen Other Loves (2014), explores a more acoustic palette. This folksy foray has led to festival appearances nationally and regular performances with folk icon Tom Rush. Visit www.MattNakoa.com for upcoming tour dates.
Platinum-selling band K's Choice have fulfilled their musical destiny by crafting an aggressive, in your face, must-hear rock record, The Phantom Cowboy due out Sept. 18, 2015. The album was produced by Alain Johannes – longtime buddy of Dave Grohl – whose musicial and production collaborations have included Queens of the Stone Age, Mark Lanegan, Live, PJ Harvey and many more. Still considered one of the biggest bands from Belgium, since their founding in the mid-nineties K's Choice have scored numerous Top 10 Album positions. Their biggest break came in 1995, when they released "Not An Addict", a single that was very successful and brought them international fame. The Belgian brother/sister duo of Sarah and Gert Bettens deliver the most honest, gritty, straight-ahead rock album of their career.


These shorts are crafted from ultra soft and durable French terry produced in Spain. Along with a drawcord for a custom fit, side zipper for secure pocket protection and a raw unfinished hem for that worn in feel. Shown here with Signature White T-Shirt.


Remarketing is a crucial part of every paid media strategy, whether it be a display remarketing, search remarketing, or paid social remarketing – audiences are a powerful weapon in a PPC manager's arsenal. This session is designed to arm you with the analyses that you need in order to create powerful remarketing strategies with audiences that have a high propensity to convert.
How to determine which audiences to build based upon your funnel and your unique data.
How to identify which audiences are most worthy of promotion by understanding which have the highest propensity to convert and drive the most value.
How to create cohesive cross-channel strategies & measure success.
Common pitfalls of remarketing and how to avoid them.


The leanest part of the brisket, smoked 14 hours until very tender, chopped and cooked slowly in a sweet tomato-based BBQ sauce until the meat is tender and falling apart.
A locally made, very spicy pork sausage, smoked at Blue Ribbon and topped with gold sauce.
Two full sie pork spareribs, rubbed with Blue Ribbon's own 15 spice blend, smoked for five hours until tender. Served on two slices of white bread.
Kansas City Burnt Ends and Red Hot Smoked Sausage topped with gold sauce.
The leanest part of the brisket, smoked 14 hours until very tender, chopped and cooked slowly in a sweet tomato-based BBQ sauce until the mat is tender and falling apart.
Full sized pork spareribs, rubbed with our own 15 spice blend, smoked for five hours until tender and the meat pulls from the bone. 3-4 ribs.
Choose Key Lime, Sweet Potato or Pecan Pie. Served with whipped cream.
Deliciously fresh cobbler baked with a biscuit topping. Assorted flavors daily.


A New Envisionment for Healthcare in Canada: The Emergence of Health Information Technology.
Join the McGill Journal of Law and Health (MJLH) and Tech Law McGill for their new speaker series event: A New Envisionment for Healthcare in Canada: The Emergence of Health Information Technology, with Ma'n Zawati, Executive Director, Centre of Genomics and Policy, McGill University, and David Buckeridge, Professor of Epidemiology and Biostatistics, McGill University.
This student-based initiative aims to offer interdisciplinary perspectives on the current uses of health information technology in Canada, as well as the ethical ramifications of the laws governing such technology.


text:
Supply Chain Management - The Next Tech
News/Supply Chain Management
Thu January 7, 2021
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By: Alan Jackson, Mon March 2, 2020
How customers get the products they want when they want it is an issue that all companies face. Reducing supply..
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By: Alan Jackson, Sat February 29, 2020
Freight price changes continue around the world. According to Darren Dodson of Material Handling and Logistics, the state of e-commerce..
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By: Alan Jackson, Fri February 28, 2020
The food supply chain is unlike any other. While electronics, automotive, and consumer goods supply chains promote their products, the..
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By: Alan Jackson, Thu February 27, 2020
The writing stood in red on the wall for shear in late 2019. According to DC Velocity, all signs indicated..
What is the role of Logistics in an economy?
By: Alan Jackson, Wed February 26, 2020
The Logistic Manager Index, now in the middle of its fourth year, provides a key indicator on the state of..
Coronavirus outbreak puts focus on Supply Chain Ri...
By: Alan Jackson, Tue February 25, 2020
The outbreak of Coronavirus (COVID-19), which was mainly concentrated in China's highly industrialized city of Wuhan, has opened up the..
Top Freight and Transportation Management Trends f...
By: Alan Jackson, Mon February 24, 2020
Strategic freight and transportation management trends for 2020 envelope technology, process improvements, application of data, connected systems, and a robust..
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By: Paul Rehmet, Tue February 18, 2020
Moving goods across international borders can be complex, and regulations, difficult to navigate. Those intending to move goods into or..
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How many staff members does it take to send one package on your warehouse? Does each order undergo precisely the..
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Panola Playhouse in Sardis, MS! Wes Lee and I will be cutting up some Blues and doing a little storytelling!!
Wes Lee and I are looking forward to this venue. It's a new one for us and we've heard good things about the Panola Playhouse in Sardis, MS!


The Puerta de Alcala is one of the five ancient royal gates that gave access to the city of Madrid. This monument is one of the most representative of Madrid.
The name of the Puerta de Alcala, like the street of the same name, comes from the street that went to Alcala from Henares (city located northwest of Madrid).
This monument is singular because it was the first triumphal arch built in Europe (1778) after the fall of the Roman Empire. It preceeds the Arc de Triomphe in Paris and the Brandenburg Gate in Berlin.


The only way I've seen this work is to take the TTF fonts created for Microsoft Word and adapt them. LibreOffice appears to require not only the TTF files, but also the associated AFM and PFB files. These cannot be created perfectly, but with font-forge, it's possible to produce versions of AFM and PFB which are reasonably close.
Full implementation of these fonts requires multi-byte encoding -- there are more than 256 glyphs available. This means of course dealing with locales. I don't like to use UTF-8 because, when encoding, it's inefficient. The best possible solution for a locale with these fonts appears to be "C". I checked my locale with the following (reports according to information in /etc/profile.d/locale.sh ). PAM (which I hate), apparently however stats /etc/environment. Plenty more can be read here.
The LC_ALL variable is one I've wanted to investigate more fully. For example, I was reading on Stack Exchange that LC_ALL can override the settings of the other variable settings.


text:
import os
import os.path

import numpy as np
import tensorflow as tf

import input_data
import VGG
import tools

# CIFAR 10 Dataset
# 图像宽度
IMG_W = 32
# 图像高度
IMG_H = 32
N_CLASSES = 10
BATCH_SIZE = 32
learning_rate = 0.01
MAX_STEP = 15000  # it took me about one hour to complete the training.
IS_PRETRAIN = True

# Training
def train():
    pre_trained_weights = 'vgg16.npy'
    data_dir = 'cifar-10-batches-bin'
    train_log_dir = 'logs/train'
    val_log_dir = 'logs/val'

    with tf.name_scope('input'):
        # x_train, y_train
        tra_image_batch, tra_label_batch = input_data.read_cifar10(data_dir=data_dir,
                                                                   is_train=True,
                                                                   batch_size=BATCH_SIZE,
                                                                   shuffle=True)
        # x_val, y_val
        val_image_batch, val_label_batch = input_data.read_cifar10(data_dir=data_dir,
                                                                   is_train=False,
                                                                   batch_size=BATCH_SIZE,
                                                                   shuffle=False)

    logits = VGG.VGG16N(tra_image_batch, N_CLASSES, IS_PRETRAIN)
    loss = tools.loss(logits, tra_label_batch)
    accuracy = tools.accuracy(logits, tra_label_batch)
    my_global_step = tf.Variable(0, name='global_step', trainable=False)
    train_op = tools.optimize(loss, learning_rate, my_global_step)

    x = tf.placeholder(tf.float32, shape=[BATCH_SIZE, IMG_W, IMG_H, 3])
    y_ = tf.placeholder(tf.int16, shape=[BATCH_SIZE, N_CLASSES])

    saver = tf.train.Saver(tf.global_variables())
    summary_op = tf.summary.merge_all()

    init = tf.global_variables_initializer()
    sess = tf.Session()
    sess.run(init)

    # load the parameter file, assign the parameters, skip the specific layers
    tools.load_with_skip(pre_trained_weights, sess, ['fc6', 'fc7', 'fc8'])

    coord = tf.train.Coordinator()
    threads = tf.train.start_queue_runners(sess=sess, coord=coord)
    tra_summary_writer = tf.summary.FileWriter(train_log_dir, sess.graph)
    val_summary_writer = tf.summary.FileWriter(val_log_dir, sess.graph)

    try:
        for step in np.arange(MAX_STEP):
            if coord.should_stop():
                break

            tra_images, tra_labels = sess.run([tra_image_batch, tra_label_batch])
            _, tra_loss, tra_acc = sess.run([train_op, loss, accuracy],
                                            feed_dict={x: tra_images, y_: tra_labels})
            if step % 50 == 0 or (step + 1) == MAX_STEP:
                print ('Step: %d, loss: %.4f, accuracy: %.4f%%' % (step, tra_loss, tra_acc))
                summary_str = sess.run(summary_op)
                tra_summary_writer.add_summary(summary_str, step)

            if step % 200 == 0 or (step + 1) == MAX_STEP:
                val_images, val_labels = sess.run([val_image_batch, val_label_batch])
                val_loss, val_acc = sess.run([loss, accuracy],
                                             feed_dict={x: val_images, y_: val_labels})
                print('**  Step %d, val loss = %.2f, val accuracy = %.2f%%  **' % (step, val_loss, val_acc))

                summary_str = sess.run(summary_op)
                val_summary_writer.add_summary(summary_str, step)

            if step % 2000 == 0 or (step + 1) == MAX_STEP:
                checkpoint_path = os.path.join(train_log_dir, 'model.ckpt')
                saver.save(sess, checkpoint_path, global_step=step)

    except tf.errors.OutOfRangeError:
        print('Done training -- epoch limit reached')
    finally:
        coord.request_stop()

    coord.join(threads)
    sess.close()

# Test the accuracy on test dataset. got about 85.69% accuracy.
import math

def evaluate():
    with tf.Graph().as_default():

        log_dir = 'logs/train/'
        test_dir = 'cifar-10-batches-bin'
        n_test = 10000

        images, labels = input_data.read_cifar10(data_dir=test_dir,
                                                 is_train=False,
                                                 batch_size=BATCH_SIZE,
                                                 shuffle=False)

        logits = VGG.VGG16N(images, N_CLASSES, IS_PRETRAIN)
        correct = tools.num_correct_prediction(logits, labels)
        saver = tf.train.Saver(tf.global_variables())

        with tf.Session() as sess:

            print("Reading checkpoints...")
            ckpt = tf.train.get_checkpoint_state(log_dir)
            if ckpt and ckpt.model_checkpoint_path:
                global_step = ckpt.model_checkpoint_path.split('/')[-1].split('-')[-1]
                saver.restore(sess, ckpt.model_checkpoint_path)
                print('Loading success, global_step is %s' % global_step)
            else:
                print('No checkpoint file found')
                return

            coord = tf.train.Coordinator()
            threads = tf.train.start_queue_runners(sess=sess, coord=coord)

            try:
                print('\nEvaluating......')
                num_step = int(math.floor(n_test / BATCH_SIZE))
                num_sample = num_step * BATCH_SIZE
                step = 0
                total_correct = 0
                while step < num_step and not coord.should_stop():
                    batch_correct = sess.run(correct)
                    total_correct += np.sum(batch_correct)
                    step += 1
                print('Total testing samples: %d' % num_sample)
                print('Total correct predictions: %d' % total_correct)
                print('Average accuracy: %.2f%%' % (100 * total_correct / num_sample))
            except Exception as e:
                coord.request_stop(e)
            finally:
                coord.request_stop()
                coord.join(threads)

def main():
    train()
    evaluate()

if __name__ == '__main__':
    main()

redpajama_set_name: RedPajamaGithub


Rusalka is Czech composer Antonín Dvořák's most beloved opera and one of the most achingly beautiful of all operatic works. Janáček Opera of the National Theatre Brno, Czech Republic, presents this national treasure of Czech operatic repertoire.
The tale, a mix of Czech mythology and the classic tale of the Little Mermaid, paints the tragedy of Rusalka, a water nymph who strikes a sorry deal with a witch in order to follow her love for a human, a prince. Under the musical direction of Jaroslav Kyzlink and the dramatic leadership of innovative theatre director Vladimír Morávek, the new staging is a vital fairy tale, "a mystery about love, defeat and salvation." The work has been increasingly recognized as a major part of Dvořák's oeuvre; a celebration of love stronger than death, and forgiveness stronger than hate.
Opera in three acts. Libretto by Jaroslav Kvapil.
The moon rises over a lake in a forest clearing and its rays light up the sparkling water. The wood nymphs run mischievously into the glade and play around the water sprite. One water nymph (Rusalka) is sad, for she has fallen in love with a prince who often comes to the lake. She wants to become human and yearns for a human soul so that she may be close to him. The water sprite warns her against worldly things, for he knows well that human love is not forever. Rusalka has made up her mind, however, and the water sprite sends her to the witch, for she is the only one who can help. The witch agrees to turn Rusalka into a girl, but the price is a high one – in her human form she'll be unable to speak and, should she prove to be unable to hold on to the prince's love, she'll become a will-o'-the-wisp for eternity. At dawn the prince arrives at the lake. He finds Rusalka and is so taken by her beauty that he brings her back to his castle.
At the castle, preparations for the prince's marriage to Rusalka are in full sway. An unknown princess arrives, and the prince succumbs to her provocative nature and sensuality, which are so different from Rusalka's cold beauty, that he begins to court her. Rusalka fears for her love and runs to the water sprite for advice. He advises her to fight for it, but it is too late. The prince has completely fallen for the charms of the exotic princess and spurns Rusalka. The water sprite promises revenge.
Rusalka returns to her home lake. She is now a will-o'-the-wisp alluring wayfarers into the swamp. The witch offers her a way out – if she is able to kill the person who had hurt her so much, she would become a fairy once more. Rusalka refuses, for she is still in love with the prince. The prince is not content either. The charm of the princess has quickly worn off, and the prince now wanders aimlessly around the castle in search of his lost love. He returns to the lake and calls for Rusalka. She appears before him, but warns that her kiss would mean his death. The prince cannot bear to live without her and throws himself into her deathly embrace.
This entry was posted in Music, OPera and tagged Antonín Dvořák, Jaroslav Kvapil, Jaroslav Kyzlink, Ježibaba, Oman, Royal Opera House, Royal Opera House Muscat, Rusalka. Bookmark the permalink.


With five albums below their belt, Swedish melodic rockers Dynazty finally came to play for the band's Japanese fans. And what a Japanese live debut it was.
When Swedish melodic metal band Dynazty brings its live show to Japan for the first time, we get an hour and a half of pure energy. The band has the talent, the songs and the stage presence to claim a place in the Japanese fans' crowded metal hearts.
The band formed in Sweden nine years ago and the lads have released five studio albums to date. All the albums have been released in Japan which has helped in creating a loyal following for the band.
The band opens their first-ever gig in Japan with "Run Amok" and follows it with "The Northern End". The "Titanic Mass Tour: Tokyo Showdown", as the evening is billed, is built around songs from the band's latest album, the eminent melodic metal album "Titanic Mass" from 2016 and its predecessor, 2014's "Renatus". This is no coincidence as the band's sound has somewhat changed to become a bit heavier than the music on the first three albums. Dynazty is also a bit heavier live than on record. This evening we do, however, also get two favourite songs from the band's 2009 debut album, "Bring the Thunder", as well as a couple of other earlier songs. Dynazty's music has echoes of other bands here and there, including Europe, H.E.A.T. and even, at times, HammerFall. But they have used these and other influences to make their own signature sound.
The evening's show reminds me quite a lot of the gig that H.E.A.T. performed at the same venue in 2015. Dynazty not only shares the same Japanese record label with H.E.A.T., they also share much of the same audience here in Japan. The Japanese fans have always liked the combination of melodic and heavy music that so many Swedish acts offer.
They finish a great evening of melodic metal – call it power metal, melodic hard rock or something else – by playing the fabulous "Starlight" as an encore.
The band members are all skilled and tight, with bassist Jonathan Olsson sticking out as the most talented of the bunch. Vocalist Nils Molin, an obvious centre of attention, personifies a fabulous mix of a young Joey Tempest of Europe and Sebastian Bach of Skid Row at his best.


text:
Alejandro de la Iglesia Mendoza, conocido como Álex de la Iglesia (Bilbao, 4 de diciembre de 1965), es un director, productor y guionista de cine español. Con anterioridad fue historietista.

En junio de 2009 fue elegido presidente de la Academia de las Artes y las Ciencias Cinematográficas de España, cargo que mantuvo hasta después de la Gala de los Goya de 2011, celebrada el 13 de febrero de 2011, tras la que dimitió, por su desacuerdo con la Ley Sinde.

Biografía

Estudios e inicios
Licenciado en Filosofía por la Universidad de Deusto, empezó a dibujar historietas en los fanzines No, el fanzine maldito y Metacrilato, y en revistas como Trokola, Burdinjaun y La Ría del Ocio. Fue también en esta época, entre 1986 y 1989, cuando fundó en Bilbao uno de los primeros clubs de rol de España, Los Pelotas.

Su debut en el medio cinematográfico fue como director artístico en el cortometraje Mamá (1988), de Pablo Berger y desempeñó igual tarea en la película Todo por la pasta (1991), de Enrique Urbizu. Ya había colaborado con Enrique Urbizu y Joaquín Trincado diseñando el cartel del primer largometraje de ambos, Tu novia está loca (1988).

Su primer cortometraje, Mirindas asesinas (1991), consiguió llamar la atención de Pedro Almodóvar, cuya productora El Deseo colaboró en el primer largometraje de De la Iglesia, Acción mutante (1993).

El día de la Bestia
A continuación estrenó la película que le consagraría como uno de los directores más relevantes del cine español: El día de la Bestia (1995) escrita junto a Jorge Guerricaechevarría, guionista habitual en la mayoría de sus películas. La película obtuvo seis premios Goya entre los que destaca el premio al mejor director. Este trabajo convirtió a Santiago Segura en uno de los actores más conocidos de España y recuperó a la actriz Terele Pávez, desde entonces rostro habitual de sus películas.

Trabajos posteriores
Posteriormente el director ha ido alternando producciones ambiciosas destinadas a un público internacional, y otras más apegadas a la tradición española, con toques de esperpento y humor negro. Han trabajado a sus órdenes muchos actores veteranos del cine español, desde Carmen Maura hasta María Asquerino, así como varias estrellas de Hollywood: Rosie Pérez, Elijah Wood, John Hurt o Salma Hayek.

Dirigió a Javier Bardem, Rosie Pérez y James Gandolfini en Perdita Durango (1997), a Santiago Segura y El Gran Wyoming en Muertos de risa (1999), a Carmen Maura, Manuel Tejada y Paca Gabaldón en La comunidad (2000), a Sancho Gracia, Ángel de Andrés López y Eusebio Poncela en 800 balas (2002), a Guillermo Toledo, Mónica Cervera y Kira Miró en Crimen ferpecto (2004), y a Elijah Wood, Leonor Watling y John Hurt en Los crímenes de Oxford (2007).

Balada triste de trompeta
Su película Balada triste de trompeta (2010) fue galardonada con dos premios en la 67.ª Mostra de Venecia, al mejor guion y el León de plata a la dirección. Además, fue nominada a quince premios Goya en 2011, incluidos los de mejor director, mejor película y mejor guion original. De todos ellos recibió los galardones al mejor maquillaje y a los mejores efectos especiales.

Éxitos en taquilla

En 2011 estrenó La chispa de la vida, con José Mota y Salma Hayek como protagonistas y rodada en Cartagena.

En 2013 estrenó Las brujas de Zugarramurdi. Comenzó el rodaje en otoño de 2012 con un extenso reparto que incluye a Carmen Maura, Macarena Gómez, Hugo Silva, Mario Casas, Carolina Bang, Terele Pávez o Pepón Nieto, y los cameos de Santiago Segura o Carlos Areces. La película se estrenó en España el 27 de septiembre de 2013, y alcanzó relevante éxito comercial: recaudó 14,6 millones de euros, habiendo costado 6. Obtuvo ocho premios Goya, incluyendo el de mejor actriz secundaria para la veterana Terele Pávez.

De la Iglesia sorprendió después con Mi gran noche (2015), película coral en la que participa Raphael en su reaparición en el cine 40 años después. Encabeza un largo reparto con Mario Casas, Pepón Nieto, Blanca Suárez, Carlos Areces, Luis Callejo, Carmen Machi, Jaime Ordóñez, Santiago Segura, Enrique Villén, Hugo Silva, Carolina Bang, Terele Pávez, Carmen Ruiz, Marta Guerras, Ana Polvorosa, Toni Acosta y Luis Fernández, entre otros. Mi gran noche supuso otro éxito de taquilla para su director: logró recaudar casi el triple de los cuatro millones de euros que costó.

En 2017 Álex de la Iglesia ha estrenado dos películas: la comedia El Bar, con varios de sus actores ya habituales (Blanca Suárez, Mario Casas, Carmen Machi, Pepón Nieto, Terele Pávez) y el remake de la italiana Perfetti sconosciuti, titulada en español Perfectos desconocidos, que cuenta entre su reparto a actores como Belén Rueda o Eduardo Noriega. Este último filme ha sido el mayor éxito de taquilla del director hasta ahora, con casi 20 millones de euros recaudados.

Fear Collection y auge de Pokeepsie Films
En 2020 anunció que se había aliado con Sony Pictures y Amazon Prime para realizar The Fear Collection, una antología de películas de terror producidas por Pokeepsie Films. Las películas también serán dirigidas por otros cineastas españoles notables como Jorge Guerricaechevarría, Jaume Balagueró, Paula Ortiz, Fernando Navarro o Carlos Therón, entre otros. La primera película de esta serie de largometrajes tiene el nombre de Veneciafrenia.

En febrero de 2021 anunció el rodaje de una nueva película bajo su dirección y con la producción de Mediaset España, junto a su productora. La película tiene el título de El cuarto pasajero y está protagonizada por Blanca Suárez, Ernesto Alterio, Alberto San Juan y Rubén Cortada.

Televisión
Álex de la Iglesia ha dirigido sketches para espacios de televisión, como El peor programa de la semana de El Gran Wyoming (TVE) e Inocente, inocente (televisiones autonómicas), así como la serie Plutón B.R.B. Nero (2008) para La 2. Esta serie es una parodia de las series de ciencia ficción protagonizada de manera coral por Antonio Gil, Carolina Bang y Carlos Areces entre otros.

En el Festival de Venecia 2020, presenta su serie 30 monedas, que estrena HBO España el 29 de noviembre de 2020. La serie cuenta la tragedia del padre Vergara, un exorcista, boxeador y exconvicto exiliado en una parroquia de un pueblo remoto de España.

Presidencia de la Academia de Cine
Álex de la Iglesia fue elegido presidente de la Academia de Cine el 21 de junio de 2009 tras presentarse como único candidato —junto a Icíar Bollaín y Emilio A. Pina— para sustituir a Ángeles González-Sinde tras su nombramiento como ministra de Cultura. Sus intenciones como cabeza visible de la industria nacional aspiraban a «reunir en la Academia a todos los artistas que se fueron de España o están lejos de la institución». Con esta referencia señalaba a Pedro Almodóvar y su hermano, Agustín Almodóvar que abandonaron en 2005 la asociación por estar en desacuerdo con el sistema de votos. Y, también, José Luis Garci que la dejó en 1999 por la polémica sobre la compra de votos para su película El abuelo. El cineasta bilbaíno también se mostró comprometido con la lucha contra la piratería y los derechos de autor. Según sus palabras, quería «defender a la gente que vive del cine».

El 14 de febrero de 2010, De la Iglesia pronunció en la gala de los Goya el discurso como presidente de la Academia de Cine. Recordó que se necesitan crear leyes "que protejan la coexistencia de todos los sectores industriales, y eso incluye también al cine". Por ello, el presidente de la Academia participó en el debate de la disposición final segunda de la Ley de Economía Sostenible (conocida como Ley Sinde-Wert) tras ser rechazada en el Congreso de los Diputados el 21 de diciembre de 2010. Este texto plantea la posibilidad de cerrar páginas de internet que violen los derechos de autor tras la intervención de una Comisión de Propiedad Intelectual, y no de un juez ni magistrado. Álex de la Iglesia buscó un acuerdo de todos los agentes para alcanzar una solución a ese estancamiento.

Así, se reunió el 30 de diciembre de 2010 con internautas (abogados como David Bravo y David Maeztu, representantes del Partido Pirata, y usuarios que De la Iglesia había conocido en Twitter) y Pedro Pérez, el presidente de FAPAE (productores). Tras esto, el cineasta bilbaíno le propone a Bravo que le ayude a reescribir la norma, pero él se niega porque siempre se ha posicionado en contra.

Entonces, recurre a Maeztu, quien la considera «aberrante», pero como está convencido de que la Ley seguirá adelante decide colaborar para minimizar los daños a los usuarios. De la Iglesia acepta el nuevo texto, igual que Pedro Pérez, por eso le envían la propuesta a los políticos. El lunes 24 de enero de 2011 se aprobó una enmienda del Partido Socialista Obrero Español (PSOE), del Partido Popular (PP) y de Convergencia i Unió (CiU) para aprobar el texto. Este retoque en el texto no recoge ninguna de las ideas aportadas por el presidente de la Academia, por eso acusa a los dos partidos de no dialogar. Como argumentó en su cuenta de Twitter: «Lo hemos intentando, y no habido respuesta. Cero. Han pactado una ley que no conviene a NADIE». Por esta razón, Álex de la Iglesia anunció el 25 de enero de 2011 que abandona la presidencia de la Academia de Cine tras la gala de entrega de los Premios Goya del día 13 de febrero.

El 10 de abril de 2011, dejó su puesto como presidente de la academia de cine tras unas elecciones entre el cineasta Bigas Luna y el productor Enrique González Macho, siendo este último el vencedor.

Colaboradores recurrentes
Las películas de Álex de la Iglesia suelen contar con actores y actrices con los que ha trabajado antes. El más destacado es Santiago Segura, al que le ofreció su primer papel en un largometraje, pero también son frecuentes las apariciones de Terele Pávez, Álex Angulo, Mario Casas o Carlos Areces. Antonio de la Torre, Enrique Villén o Manuel Tallafé son igualmente habituales de su cine, aunque en muchas ocasiones con papeles secundarios. Jorge Guerricaechevarría ha sido su coguionista en casi todos sus trabajos. Algunos de estos actores también han sido actores de películas que ha producido pero no dirigido, o casos como Macarena Gómez, que ha sido más habitual en sus obra como productor que como director.

Filmografía

Recaudaciones

Libros
En 1997 publicó la novela Payasos en la lavadora. En 2014 publicó su segunda novela Recuérdame que te odie.

Premios
Premio Nacional de Cinematografía

Premios Goya

Medallas del Círculo de Escritores Cinematográficos

Premios Platino

Festival de Cine de Sitges

Festival Internacional de Cine de Venecia

Nocturna Madrid International Fantastic Film Festival

Premios Pávez - Festival Nacional de Cortometrajes Talavera de la Reina

Referencias

Enlaces externos

 Cortometrajes de Álex de la Iglesia.

Nacidos en Bilbao
Cineastas de España
Españoles del siglo XX
Españoles del siglo XXI
Escritores del País Vasco
Escritores en español
Paseo de la Fama de Almería
Historietistas de España
Directores de cine de España
Directores de cine del País Vasco
Directores y realizadores de televisión de España
Alumnado de la Universidad de Deusto
Ganadores del Premio Goya a la mejor dirección
Medalla de Oro al Mérito en las Bellas Artes
Ganadores de la Medalla del CEC al mejor director

redpajama_set_name: RedPajamaWikipedia


The Clear command is a CommandPrompt command. It removes an additional configuration entry from the Config Block. If an additional Configuration entry has been set and saved to the Config Block, it can be removed by calling the clear command. After removing the additional Configuration entry, the Bootloader will use the predefined default configuration.
Example: Removing an additional configuration entry for the dbg item.


text:
Divisionen 2016-17 var turneringen om mesterskabet på niveau 2 i dansk ishockey i sæsonen 2016-17. Holdene spillede udelukkende om mesterskabet på andet niveau i ligasystemet. Der var ingen automatisk oprykning til Metal Ligaen.

Ligaen havde deltagelse af 15 hold – reserveholdene for de ti hold i Metal Ligaen samt førsteholdet fra fem andre klubber. I forhold til den foregående sæson var ligaen blevet udvidet med ét hold, Copenhagen Lions, som ikke tidligere havde spillet i 1. division i ishockey. Derudover var IK Aarhus' plads i ligaen blevet overtaget af Jutland Vikings, der var en nyetableret fælles eliteoverbygning på IK Aarhus og Silkeborg Skøjteløberforening, mens Amager IC's 1. divisionshold var blevet relanceret under navnet Amager Islanders.

Turneringen indledtes med et grundspil, hvor de 15 hold spillede en dobbeltturnering alle-mod-alle, hvilket gav 28 kampe til hvert hold. Herefter gik nr. 1-8 videre til slutspillet med kvartfinaler, semifinaler og finale, som alle bliver spillet bedst af fem kampe, samt en bronzekamp bedst af tre kampe.

Mesterskabet blev vundet af Hvidovre Fighters, der blev nr. 2 i grundspillet, og som i finaleserien besejrede lokalrivalerne Rødovre SIK med 3-2 i kampe. Serien blev afgjort den 7. april 2017, da Hvidovre på hjemmebane sejrede med 4-0 i den altafgørende femte kamp, hvor Rødovre SIK imidlertid også var svækket på grund af spillere udtaget til U18-landsholdet. Det var første Hvidovre IK-titel i 1. division i ishockey, siden holdet med navnet Hvidovre Wolves vandt titlen i sæsonen 2006-07.

Bronzemedaljerne blev vundet af Gladsaxe Bears, som i bronzekampen besejrede grundspilsvinderne Amager Islanders med en samlet score på 8-3 over to kampe, og som dermed opnåede klubbens første placering i top 3, siden holdet blev nr. 2 i 1. division i sæsonen 2001-02.

Stillinger og resultater

Grundspil

Grundspillet blev spillet i perioden 14. september 2016 – 24. februar 2017. De 15 hold spillede en dobbeltturnering alle-mod-alle, hvilket gav 28 kampe til hvert hold.

Der blev uddelt point efter IIHF's trepointsystem:
 Sejr i ordinær spilletid gav 3 point.
 Sejr i forlænget spilletid eller straffeslagskonkurrence gav 2 point.
 Nederlag i forlænget spilletid eller straffeslagskonkurrence gav 1 point.
 Nederlag i ordinær spilletid gav 0 point.

De otte bedste hold i grundspillet gik videre til slutspillet.

Kampen mellem Gladsaxe Bears og Hvidovre Fighters den 28. oktober 2016 blev afbrudt i begyndelsen af tredje periode ved stillingen 3-2 til Gladsaxe på grund af et hul i isen. De sidste 18 minutter af kampen blev spillet den 17. januar 2017, og Hvidovre Fighters vandt kampen med 5-4 efter straffeslagskonkurrence.

Rungsted IK's udekampe i Vojens og Esbjerg den 4. og 5. februar blev vundet af hjemmeholdene uden kamp, og disse kampe er ikke talt med i statistikkerne i infoboksen.

Kampprogram

Slutspil

De slutspilskampe, der endte uafgjort, blev afgjort i sudden death med tre markspillere og en målmand på hvert hold. Hvis dette ikke frembragte en afgørelse inden for fem minutter, blev kampene afgjort i straffeslagskonkurrence.

Kvartfinaler

De otte hold i slutspillet spillede først kvartfinaler, hvor holdene mødtes i serier, der bestod af bedst af fem kampe. Placeringerne i grundspillet afgjorde hvilke hold, der mødtes i kvartfinalerne, idet holdene blev parret 1-8, 2-7, 3-6 og 4-5. Vinderne af kvartfinaleserierne gik videre til semifinalerne.

Semifinaler

De fire vindere af kvartfinalerne spillede om to pladser i finalen i to serier bedst af fem kampe. Holdene blev parret, således at det bedst placerede tilbageværende hold i grundspillet, Amager Islanders, mødte det dårligst placerede hold i grundspillet, Rødovre SIK, i den ene semifinale, mens de sidste to hold mødtes i den anden.

Bronzekamp

De to tabende semifinalister spillede om bronzemedaljerne i en serie på to kampe, hvor summen af de to resultater afgjorde opgøret.

Finale

De to vindere af semifinalerne, lokalrivalerne Hvidovre Fighters og Rødovre SIK, spillede om mesterskabet i en serie bedst af fem kampe.

Kilder / eksterne henvisninger
DIU - Division 1 2016-17
DIU - Division 1 Play off

Noter

Se også
 Superisligaen 2016-17
 Metal Cup 2016-17

2016-17
Ishockey i 2016
Ishockey i 2017


text:
Wharton Stories » What Leaders Should Understand about Diversity in the Workplace
What Leaders Should Understand about Diversity in the Workplace
"We have a rich set of experiences that help our teams learn from one another."
Making the workplace more diverse has many measurable benefits, but it's essential for leadership to understand how to build more diverse teams. Lloyd Howell, Jr. is Chief Financial Officer and Treasurer at Booz Allen Hamilton, a leading management and information technology consulting firm. The University of Pennsylvania alum joined host Dan Loney on Wharton Business Daily to share some thoughts.
1. It's important to have diverse voices in upper management teams.
"At our firm, diversity is critically important. We try to walk the walk. At our board level, we have five female directors out of a total of 11. In our executive management team, we have six women out of a total of 10. And people of color are also a part of that. We have two African Americans on the board. Certainly, we're looking to improve upon that, not just for the African American community, but also for other underrepresented classes."
2. Diversity goes beyond race and gender.
"(We seek out) diversity of thought and diversity of experiences. We comprise our engagement teams to be as diverse as we can make them, both in terms of years of experience and other, more traditional categories. And the market is rewarding us for it."
3. More diverse teams help company culture.
"We have a rich set of experiences that help teams learn from one another. We believe that it keeps people close, and (encourages them) to continue to work at our institution."
4. Clients are pushing for more diversity in the companies they work with.
"When we are in a competitive bid process, it's been more than once that the evaluators have said, 'Hey, you guys look like us. We like the fact that not everyone is fitting one mold.' We have (been working with federal agencies) for over 80 years. We have grown up with them. We've also seen the demographics of those clients change over time. When we think about diversity, it's really about 'Where is the client today? What do they need to be doing? And what's the best team we can put in the field to help them execute that?"
Operations, Informations, and Decisions
Business Radio
Lloyd Howell, Jr.
Lloyd Howell, Jr. is Chief Financial Officer and Treasurer at Booz Allen Hamilton. He is responsible for the firm's financial statements, capital structure, and related financial operations. He previously led the firm's Civil and Commercial business. He joined Booz Allen in 1988 as a consultant and provided systems engineering support to multiple Department of Defense satellite programs. He earned an MBA from Harvard University and a BS in electrical engineering from the University of Pennsylvania. He won Black Engineer of the Year Awards in 2010 and 2011.
The Co-Founder of Allbirds Launches Podcast to Explore Mission-Driven Businesses
WCAI Analytics Accelerator Challenge Bridges the Gap Between Academia and Industry
Why This Professor Believes Neuroscience Is the Future of Business
Advice on Studying Abroad From an Undergrad Who Never Thought He Would
How This Wealth Advisor Used Wharton's EMBA Program to Take His Investment Group to the Next Level
Graduating San Francisco Student Reflects on International Exposure
Why These CMOs Choose to Invest in Pricey Super Bowl Advertisements
Why a Failure Is One of This Lauder Student's Proudest Accomplishments — and How It Brought Him to Wharton
P3: Purpose, Passion, and Principles at Wharton
Five Tips from Career Director Dawn Graham for Making a Career Change
How Wharton Brought These Entrepreneurs Together to Launch a Hotel Business
Why These Wharton Faculty Love Teaching in San Francisco
How I Prepared for a CEO Meeting in Less Than 14 Hours
Leading Conversations on Diversity & Inclusion with Wharton Staff


Whoa, you guys, what happened? I'm not sure what transpired during the last few weeks that suddenly made me care about the new kids, but suddenly I care a whole lot about these new kids.
Tonight, Glee made its return and we didn't spend a moment in New York City with Rachel and Kurt. (And it was dedicated to Grease, which, I have to admit, I kind of hate.) And yet? I didn't hate the episode.
I am still really not into the Marley and her mom story, but the addition of Ryder into the Kitty/Marley/Jake love triangle has created a really interesting dynamic that really breaks the traditional mold. I love how the characters aren't all sure how they feel about one another, but there's still jealousy there. At this point, it doesn't just feel like a way to waste time until the two that we know are destined to be together finally get together.
Pairing Marley with Unique for an uptempo number also allowed the character to shine more than in previous episodes. I just don't think Ryan Murphy and company do "salt of the Earth" types right, so the less time we spend on Marley's super earnest poor mom story, the more tolerable she becomes. Finn worked because, to an extent, he was a caricature of the middle American family — remember the guy his mom was seeing after his dad died? — but Marley has thus far been so, so humorless and just joyless.
Speaking of Finn … yikes, you guys. There's a lot of Twitter buzz (which is a sentence that has surely past the last exit on the way to relevance) about Finn's use of the "r"-word. The whole point is to draw attention to the severity of a word that is sadly very overused, a similar point to one which Ryan Murphy made with the "f"-word (the gay slur, not the other one) in a previous season (also using Finn). The whole point of using a lovable character to say something so egregious is to illustrate how any of us could be capable of saying something really hurtful without thinking. However, I do wish they addressed it in a more explicit way instead of, you know, handing him control of the glee club.
Enough reflection. Let's dive in!
In a nutshell: Grease, y'all! It's school play time, and, in an effort to help him get his groove back, Artie has invited Finn to co-direct the fall musical. And it's not just him, Mike Chang and Mercedes are back as choreographer and vocal coach. Yay! All our old friends!
Now they just need a cast. Brittany is a natural for Cha Cha. Sugar makes a great Frenchie. Sam has been waiting to play Kenickie his whole life. Tina could totally be Jan, but she's none too happy about working with her ex. Blaine's too heartbroken to play Danny, but he's happy to tackle Teen Angel. That just leaves the money roles: Danny, Sandy and, of course, Rizzo.
Everyone's favorite Pink Lady is the role of a lifetime, and there's one McKinley student who's ready to get that hickey from Kenickie: Unique. Ungrasp those pearls and step away from that fainting couch, because genderblind casting is happening, whether you're ready or not.
And I'm preeeeety sure you can guess who's not ready: Sue Sylvester. For some reason — despite the fact she proudly had LGB men and women on the cheerios and quit her job as principal because the school wasn't doing enough for gay student being bullied — Unique playing a woman in the school play — even though Wade dresses as Unique during the school day and in New Directions' performances — will somehow be too much. TOO MUCH. She runs to Figgins, who himself was shocked to discover that Unique was in fact a man.
Finn leaps to Unique's defense, promises to cast Unique in the role, stands up to Sue, and calls her baby the "r"- word. HOLD UP. I'm sorry. Not cool, Finn. Not ever. It seems like it was a mistake, and he instantly apologizes, but still. Just to reiterate. Not cool.
Unique gets the part, and Sue is FURIOUS.
But who will play Danny? Finn hits the football field and finds Ryder (Glee Project winner Blake). He's a nice new kid, with not such good grades and a floppy haircut. Finn tells him that joining the glee club helped him raise his grades, and then Ryder is convinced. However, when Dumb Floppy Hat Girl (OK, FINE, MARLEY) looks like a lock for Sandy, Baby Puck (FINE! JAKE!) suddenly takes an interest in theater. He's not the only one trying to keep an eye on an ex, and his involvement prompts Kitty to go for Sandy.
Meanwhile, Shue and Emma turn to Beiste for advice on the whole D.C. situation. Emma relents, but later recants her relenting. So, long, boring story short, Will's going to D.C., Emma is staying in Lima and they'll alternate weekend visits.
Now that Will's shipping off to Washington, who will lead the New Directions? He extends the invitation to Finn … but what will his answer be?! Tune in next week to find out!
Best Musical Number: Despite my aversion to all things Grease, I've got to give "Hand Jive" some props. It was high-energy, had some nice references to the film and also showcased some nice character moments between Kitty, Marley, Ryder and Jake. On its own without the staging, the song wasn't my favorite. (I didn't find myself running to iTunes to download it.) That distinction goes to "Blow Me (One Last Kiss)," by Unique and Marley. Boy, that was fun. Plus, bonus points for Marley losing the Dumb Hat.
The Gold Star: Ryder! After the disaster that was Rory and and boring, boring Joe, I had very low expectations for this years Glee Project winner. Instead, I was shocked by how naturally he fit in the cast. Now, he was an actor before the show, which some said gave him an unfair advantage. On the plus side, it's made his transition to the show a lot smoother, and now I actually believe this kid's got what it takes to be Glee's new leading man.
Blingee of the Week: I didn't realize just how many new characters they were adding this season.
Glee airs on FOX Thursdays at 8 p.m.


text:
Q: Clicking on the htmlunit button is not responding. Help me The configuration of the environment is as follows.
java 1.8
htmlunit 2.43
        _webClient = new WebClient(BrowserVersion.FIREFOX);

        // ajax, javaScript controller
        _webClient.setAjaxController(new NicelyResynchronizingAjaxController());

        // set options
        _webClient.getOptions().setJavaScriptEnabled(true);
        _webClient.getOptions().setCssEnabled(false);

        _webClient.getOptions().setUseInsecureSSL(true);
        _webClient.getOptions().setSSLClientProtocols( _webClient.getOptions().getSSLClientProtocols() );
        //_webClient.getOptions().setSSLClientProtocols(new String[] {"TLSv1.2", "TLSv1.1", "TLSv1" });

        _webClient.getOptions().setRedirectEnabled(true);
        _webClient.getOptions().setPopupBlockerEnabled(false);

        _webClient.getOptions().setThrowExceptionOnScriptError(false);
        _webClient.getOptions().setThrowExceptionOnFailingStatusCode(false);
        _webClient.getOptions().setPrintContentOnFailingStatusCode(false);

        _webClient.waitForBackgroundJavaScript(10000);
        // set timeouts
        _webClient.getOptions().setTimeout( timeout *1000 );
        _webClient.setJavaScriptTimeout( timeout *1000 );
        _webClient.waitForBackgroundJavaScript( timeout *500 );
        //_webClient.getJavaScriptEngine().setJavaScriptTimeout( timeout *1000 );
        _webClient.waitForBackgroundJavaScriptStartingBefore(timeout *1000);

        _webClient.getCookieManager().setCookiesEnabled(true);

The above is my environment.
Below is the HTML Element I want to click on.

  <button data-v-ffa8b1e8=""
    class="hasBgColor bgColorRed roundType sizeMedium alignLeft">
       Login

  </button>

This is the code for clicking on the html element mentioned above.
The content of the XPath is the fullXpath of the web page obtained by accessing Chrome.
I checked the XPath path myself. XPath wasn't wrong.
hElement = getByXPathFirstElement( _htmlPage,"/html/body/div[1]/main/div/div[1]/div/div[4]/button");
Page page = hElement.click();
_htmlPage = (HtmlPage) page;
System.out.println(_htmlPage.asText());

I checked that _htmlPage.asText() had ID and PW values before clicking the login button.
However, if you click the button, the login button function is not executed and the ID and PW values are lost. ID and password are correct values.
Can't log in, help me
It works very well if you directly access the site and log in. But htmlunit doesn't work. What's wrong with my code?

A: Without a way to reproduce i can only provide some hints:
As always check the logs, mabey there is a hint....
These two functions are not options
_webClient.waitForBackgroundJavaScript( timeout *500 );
_webClient.waitForBackgroundJavaScriptStartingBefore(timeout *1000);

You have to call them after you have started an action (e.g. after the click)
Page page = hElement.click();
_htmlPage = (HtmlPage) page;

Your code gets thy sync resulting page form the click. But maybe you click forces some js actions and maybe the action is async and maybe the action forces a page replace. You can  try to do something like this:

*

*force the click

*wait for background js

*get the current window content by asking the page for the current window and then asking the window for the enclosed page

Maybe this helps.
If not try to build a reproducible sample and open a issue at github.


text:
Q: How to clone local repository I have two folders sitting next to each other on my machine.

*

*/Documents/Learning/Project1

*/Documents/Learning/Test for git
Project1 has a local repository inside with one commit on it, and I'd like to copy it to the other folder. I'm running the commands:
/Documents/Learning/Test for git$ git clone /Documents/Learning/Project1 .
fatal: repository '/Documents/Learning/Project1' does not exist

/Documents/Learning/Test for git$ git clone /Documents/Learning/Project1.git .
fatal: repository '/Documents/Learning/Project1' does not exist

/Documents/Learning/Test for git$ git clone /Documents/Learning/Project1.git .
fatal: repository '/Documents/Learning/Project1' does not exist

/Documents/Learning/Test for git$ git clone /Documents/Learning/Project1/.git .
fatal: repository '/Documents/Learning/Project1' does not exist

/Documents/Learning/Test for git$ git clone /Documents/Learning/Project1 .
fatal: repository '/Documents/Learning/Project1' does not exist

/Documents/Learning/Test for git$ git clone /Documents/Learning/Project1 .
fatal: repository '/Documents/Learning/Project1' does not exist

/Documents/Learning/Test for git$ git clone /Documents/Learning/Project1.git .
fatal: repository '/Documents/Learning/Project1' does not exist

/Documents/Learning/Test for git$ git clone /Documents/Learning/Project1/git .
fatal: repository '/Documents/Learning/Project1' does not exist

/Documents/Learning/Test for git$ git clone /Documents/Learning/Project1/.git .
fatal: repository '/Documents/Learning/Project1' does not exist

But I keep getting an error saying repository doesn't exist, what am I missing?

A: Your repository is not in /Documents/Learning/Project1. It's in /home/<your username>/Documents/Learning/Project1. You could also use the shortcut ~/Documents/Learning/Project1.
Note that you can't git clone into an existing (non-empty) directory, so you should delete ~/Documents/Learning/Test for git and your command should be (assuming your current working directory is ~/Documents/Learning/):
$ git clone ~/Documents/Learning/Project1/ ./Test\ for\ git/


text:
Gionata Brusa
Legature antiche con frammenti liturgici in incunaboli della Newberry Lbrary di Chicago: il caso Italia digital
di Timoty Leonardi, Gionata Brusa
formato: Articolo | AEVUM - 2013 - 2
A full inspection of the incunabula preserved at the Newberry Library, Chicago, made it possible to select volumes with ancient bindings. Their contents were taken into consideration together with all the information useful to reconstruct their history such as ownerships, ex libris and other annotations. Special attention was paid to the pastedowns and flyfleaves, as a topical and constant marker, strictly connected to the original binding. All the bindings with pastedowns and flyleaves taken from liturgical MSS written in Italy were selected, and they turned out to be bound in 15th- or early 16th-century Italian bindings. These bindings and liturgical fragments, eight in number, are here described. There are three Antiphonars, two Legendaries, a Bible, a Missal and a Homiliary from different regions of Italy and from the 12th and 13th century.
Un frammento di Libellus praefationum ambrosiano digital
di Gionata Brusa
A bifolium from an 11th-century liturgical book of Ambrosian rite is used as fly-leaf in MS Vercelli, Biblioteca Capitolare, CXV (a 10th-century Lectionary). Unlike Sacramentaries, where Praefationes and Orationes are arranged together, the fragment offers a set of Prefaces from the first week after Easter to the first sunday after Pentecost, followed by fragments of saint's feasts. It appears to have originally belonged to a Libellus praefationum, a sort of book the existence of which has been supposed by Judith Frei. A critical edition of the fragment is provided.
Maculature liturgiche nel Fondo Notarile Antico dell'Archivio Storico Civico di Vercelli digital
Since the 16th Century the historical archive of the Comune of Vercelli has kept the notarial documents of the city. Registers, notularii, and other types of notarial books are often bound with recycled parchment, taken from discarded medieval manuscripts. All the liturgical texts reused in these bindings are here listed and described: there are fragments from 84 different codices, spanning from the 11th to the 15th Century and including several kinds of liturgical books, such as lectionaries, Missals, Antiphonaries, Breviaries, Homiliaries, Bibles, etc.


text:
Utjeha (, auch Utjeha-Bušat) ist ein kleiner Ferienort in der Gemeinde Bar, ca. 10 km südlich des Stadtzentrum von Bar in Montenegro.

Geografie
Utjeha liegt an der Bucht Uvala Maslina im südlichen Teil der montenegrinischen Adriaküste, exakt in der Mitte zwischen den beiden Städten Bar und Ulcinj und ist über die Adriatische Küstenstraße (Jadranska Magistrala) gut erreichbar. Markant für den Ort ist auch die Nähe des über 1500 m hohen Rumija-Gebirges, dessen Ausläufer sich gut sichtbar östlich des Ortes erstrecken. Den Namen Uvala Maslina verdankt die Bucht den zahlreichen Olivenhainen, welche sich vom Strand bis weit ins Hinterland erstrecken.

Tourismus
Der Tourismus hat in der Gemeinde Bar und den dazugehörigen Orten eine lange Tradition. Bereits im frühen 18. Jahrhundert entdeckten venezianische Gräfinnen den besonderen Reiz der Region. Erste organisierte Tourismusgruppen kamen im Jahre 1890 aus den Gebieten der heutigen Tschechischen Republik und der Slowakei.

Der Strand von Utjeha in der Bucht Uvala Maslina ist 800 m lang und besteht aus weißem Kieselstein. Aus der Tiefe des Meeres quillt Süßwasser hervor und vermischt sich mit dem salzigen Meerwasser zu ungewöhnlichen, helltürkisen Farbtönen.

Der Strandbereich ist touristisch erschlossen und verfügt über Restaurants, Cafés und Imbiss-Stände. Wie in Montenegro üblich, ist der Strand öffentlich und die Benutzung kostenlos.

Der Strand von Utjeha ist einer von 19 Stränden Montenegros, welche mit der Blauen Flagge ausgezeichnet wurden.

Um die Bucht herum gruppieren sich vorwiegend Ferienwohnungen und -häuser, welche vielfach von den Eigentümern in den Sommermonaten selbst genutzt werden. Große Hotelkomplexe sind nicht vorhanden. Im Gegensatz zu anderen Küstenorten wie z. B. Budva oder Petrovac geht es in der Umgebung eher ruhig zu.

Private Unterkünfte (Apartments, Ferienwohnungen etc.) sind zahlreich vorhanden, allerdings entspricht der Standard der Unterkünfte nicht immer den heutigen Bedürfnissen. Durch die Jugoslawien-Krise in den 90er Jahren kam der Tourismus vollkommen zum Erliegen und viele Unterkünfte wurden mangels fehlender Einnahmequelle nicht mehr modernisiert. Erst seit der Unabhängigkeit Montenegros im Jahre 2006 entwickeln sich die Besucherzahlen wieder zu den vorherigen Werten. 2011 wurde das erste Ferienhaus in Utjeha mit der höchsten Klassifizierung für private Unterkünfte in Montenegro (4 Sterne) ausgezeichnet. Die Klassifizierungen in Montenegro entsprechen hierbei internationalem Standard.

Auch das landesweit erste Feriendomizil mit der höchsten Auszeichnung der Europäischen Kommission, dem Europäischen Umweltzeichen EU-Ecolabel, befindet sich in Utjeha. Bemerkenswert ist hierbei, dass Montenegro, obwohl es (noch) kein EU-Mitglied ist, im Gegensatz zu anderen Ländern des ehemaligen Jugoslawiens, einen Beherbergungsbetrieb mit einem europaweit anerkannten Umweltzeichen vorweisen kann. Die Zertifizierung wurde durch den österreichischen Bundesumweltminister Niki Berlakovich im Februar 2012 durchgeführt.

Einzelnachweise

Ort in Montenegro
Gemeinde Bar


Every time I get a bulk order of dragons, they send different colors and a different number of colors! It used to always be 6 colors, making for an even dozen, and then it was 7 colors, and my latest batch has 7 colors, making for a nice 14 pack! Colors are now clear, peach, lite pink, dark pink, purple, yellow, green, and turqouise!
Adorable little dragonfly plant clips are great for holding up medium flower spikes while adding a little fun and sparkle at the same time! Just clip and go.. orchid spikes stay in place!
Package of 14 dragonfly plant clips comes in a mix of beautiful colors! UV resistant to last longer!


I don't get comfort from many of the sayings that are out there to ease the pain of bereaved parents. In fact they irritate me. "God needed another angel" "Too beautiful for Earth". Sorry, in my opinion that's a bunch of crap.
However, I do get comfort knowing that Emma never knew any pain or suffering in her brief little life. Her mom and dad lovingly talked to her all the time, she heard songs and stories, she felt loving gentle hands touching her little body as it stretched out from my stomach, she felt warmth and love all the time. Even in her death she didn't appear to suffer. It was as if she went to sleep and never woke up.
As a parent the only thing you want is for your child to be happy and free of any suffering, and I know that is what Emma experienced. It is only us shattered people left behind on Earth that feel the pain, and as a mommy I'm okay with that. As long as my baby is okay then I can handle the pain. I'll gladly be the one to suffer as long as she's not. It's just one of the ways I keep myself sane. At the end of the day Emma is okay and I'm the one that's not, and as long as she's okay then I can deal. Does that makes sense? I don't even know if the words in my mind are coming out the way I want them to.
Yes, this makes complete sense and shows what a strong and loving mother you are. You are the epitome of a giving mother, willing to suffer the hurt knowing your child is not feeling that pain. May you sleep heavily tonight, knowing that your darling Emma is pain-free and full of love. Love you, friend!
This makes total sense; I see where you were going with this and it clearly demonstrates that you are a mom who is so selfless and loving. Cliches related to infertility make my skin crawl. The one that hurts me the most is, "Oh don't worry about it; you're young, you can have another baby" Uhhhhhh WHAT?! Who cares how old I am?! It doesn't matter how old you are when you experience such a tragedy; it doesn't change the pain. And just having another baby will never replace the life that was lost. I guess people say these things because they want to encourage but they don't know what to say and being silence is to awkward. But for me sometimes silence is just better. Just knowing that someone is sitting there with me is enough. I don't know if that makes sense or if I need more coffee this morning. I hope you slept deep last night and have the best day at school possible!
You just said it all....if our kids are ok, we can deal with the rest.
But we don't want to forget her ever. We want to know her as you know her. We would like to hear stories and thoughts. Know that we always want to hear her name and her story. We will never tire of them.
Elly, thank you so much for your kind words. I so appreciate you taking the time to read my blog and share your thoughts. It means a lot!
It makes perfect sense. You were meant to be a mother and are the only mother that sweet Emma has. I am sorry that you and Britt are feeling such pain, but am happy that Emma is safe and sound in heaven. She was loved by so many through her short life. Praying for you friend!!


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Movies starring Dwayne Johnson
When it comes to resurrecting defunct TV shows as big-screen events, Hollywood has a less than stellar track record. With only a few exceptions, the results are forgettable and, consequently, forgotten. Despite having a legitimate A-list actor...
MPAA Rating: "R" (Profanity, Sexual Content, Nudity, Violence, Drugs)
Genre: Action/Comedy
Director: Seth Gordon
Cast: Dwayne Johnson, Zac Efron, Priyanka Chopra, ...
Spoiler Note: The review reveals the name of a couple of high profile actors who make cameo appearances. I think these are supposed to be surprises, although they're inconsequential. Nevertheless, if you don't want to know, don't re...
MPAA Rating: "PG-13" (Violence, Profanity, Nudity)
Director: Rawson Marshall Thurber
Cast: Dwayne Johnson, Kevin Hart, Amy Ryan, ...
"Mindless entertainment": that's a phrase that will be repeated often enough in association with Fast & Furious 6, which exists purely to showcase how idiotically over-the-top action sequences can become when annoyances like gravity are tossed to t...
MPAA Rating: "PG-13" (Violence, Profanity, Sexual Content)
Director: Justin Lin
Cast: Vin Diesel, Tyrese Gibson, Sung Kang, ...
Fast Five
Ever since Justin Lin took control of The Fast and the Furious franchise with installment #3, he has pushed things in new and sometimes daring directions. With Fast Five, he not only melds balls-to-the-wall comic book action with heist movie dynam...
MPAA Rating: "PG-13" (Violence, Profanity,Sexual Content)
Genre: ACTION/THRILLER
Cast: Vin Diesel, Don Omar, Tego Calderon, ...
With a title like Faster, it has to be a balls-to-the-walls action flick, right? Although that's how George Tillman Jr.'s feature is being marketed, that's not what it is. Faster is a revenge thriller that's more interested in delving into the da...
MPAA Rating: "R" (Violence, Profanity, Drugs)
Genre: THRILLER/DRAMA
Director: George Tillman Jr.
Cast: Dwayne Johnson, Billy Bob Thornton, Oliver Jackson-Cohen, ...
Fate of the Furious, The
What has been true for the past few Fast and Furious outings is even more true for this one: the films have devolved from street racing-centered action/crime thrillers into live action cartoons. Plot and character development are irrelevant. Ac...
Director: F. Gary Gray
Cast: Vin Diesel, Kristofer Hivju, Nathalie Emmanuel, ...
Fighting with My Family
Fighting with My Family is a fictionalized biographical look at how WWE performer Paige rose through the ranks of wrestling's minor leagues to achieve her dream of winning a title bout on international TV. Although the bones of the film's ...
Genre: Drama/Comedy
Director: Stephen Merchant
Cast: Florence Pugh, Lena Heady, Nick Frost, ...
Furious Seven
Furious Seven provides what viewers have come to expect from the long-running The Fast and the Furious series: a string of high-octane, physics-defying action scenes loosely connected by a narrative that occasionally makes rudimentary sense. This tim...
Director: James Wan
Cast: Ludacris, Dwayne Johnson, Jordana Brewster, ...
G.I. Joe: Retaliation
I confess a degree of bafflement about why Hollywood apparently considers it necessary to employ the dumbest possible screenplays for movies like this. On one level, the only significant differences between G.I. Joe: Retaliation and Transformers ar...
Director: Jon M. Chu
Cast: Dwayne Johnson, Ray Park, Channing Tatum, ...
Get Smart becomes the latest in a long line of TV series to get a big-screen treatment. While we have come to expect recycled refuse from most of these (Bewitched perhaps occupying the nadir), Get Smart manages to rise above the continuum of regur...
MPAA Rating: "PG-13" (Sexual Situations, Profanity)
Director: Peter Segal
Cast: Steve Carell, Anne Hathaway, Dwayne Johnson, ...


Where is N in Black/White 2?
In Pokémon Black 2 and White 2, N returns to save Kyurem from Ghetsis riding Zekrom/Reshiram. When his legendary dragon is absorbed by Kyurem to transform to Black Kyurem/White Kyurem, he pleads the player to stop Ghetsis and get it back.
On Route 23 on the way to Victory Road, he will give the player HM05 (Waterfall).
After the player has entered the Hall of Fame, N's Zoroark will appear on Victory Road and lead the player to the ruins of N's Castle, which N and the player walk around. In the throne room, N asks the player to battle him and his Zekrom/Reshiram. When the player defeats him, N reverts his dragon to its dormant state—the Dark Stone/Light Stone—and gives it to the player to summon it at Dragonspiral Tower to catch.
After catching or knocking out Zekrom/Reshiram, N arrives to congratulate the player and informs that Kyurem has returned to the Giant Chasm. From then on, N will appear in Nimbasa City near the Rondez-View Ferris Wheel on Fridays. After riding with him and having caught or knocked out Kyurem, he returns to the ruins of his castle, which now form part of Victory Road, for a rematch with different Pokémon depending on the season.
Where has N gone in B/W 2?
Where can I rebattle N in Black & White?
Where is N after you get zekrom?
Where is N in Black2/White2?
Where was N before B2/W2?
Is N. going to the the Cyrus of Black/White?
Why do N and Ghetsis disappear in Pokemon Black/White?