WHAT: Newport Vineyards will host its 23rd annual WINEterfest Weekend on February 16 and 17, 2019. The event will offer guests two full days of wine tasting at the venue's Ice Wine Bar and beer tasting at Newport Vineyards' new onsite brewery, Taproot Brewing Co. Entertainment will include live music and the chance to take part in a Grape Stomp Competition. Food will be available from Newport Vineyards' culinary team. Kids 15 and under are free (no ticket required). For 16+ and non-tasting tickets, please email general@newportvineyards.com.
WHEN: Saturday, February 16, 12:00 p.m. – 5:00 p.m. and Sunday February 17, 12:00 p.m. – 5:00 p.m. Grape stomping at 1:00 & 3:00 both days.
WHERE: Newport Vineyards, 909 East Main Rd., Middletown, RI 02842.
Wine tastingMiddletownNewport VineyardsWINEterfestTaproot Brewing Co.


I am looking for marriage, a wife to spend the rest of My life with. Someone to share the good and the bad someone to talk to ,to take long walks on the beach any time of the year holding hands cuddling,hugging kissing and enjoying one others company. I really would like someone who has family values because value is very impotent. I am looking for someone who wants to start a family. The kind of quality's I am looking for in a woman are : A good sense of humor and is romantic, loving, caring, dependable, forgiving, passionate, understanding, worm hearted, sincere and most of all trustworthy and a one man woman , because I am a one woman man. MARRIAGE IS FOR LIFE OR FOREVER I BE LEAVE.
The lord of the ring's, and the hobbit are my all time favorite movies.
I listen to all kinds of music mainly contemporary Christian music but some times listen to the blues rock n roll jazz rap and country western music. Sometimes I like Thai music too.
I can talk to any one. I am also loving, dependable, understanding, out going, forgiving and most of all trustworthy in any relationship I have. I am a good listener you can confide in me. I also can be sensitive at times.
Some one who knows beauty is in the inside the heart.


David Quinlan is mod artist from Leigh on sea. His paintings inspire a generation of Mod's to flock to his gallery in Essex to view his works of art. Please have a look around the gallery and see what prints are available to buy. If you require a special commission by the artist please contact us and we will come back to you as soon as possible.
Many an old style 'face' appears in the work of the artist David John Quinlan, they could even be you. Plentiful in memory, these paintings evoke the greatest mod street fashion more devoutly than any other. Quinlan is certainly a man alone in his consistent portrayal of urbanite scooterphiles and their ink.
In paintings such as 'Southend Tomorrow?' you as a viewer get a real feeling of presence from the image. It takes little imagination to see yourself within asking the question 'Are yer coming then?' The scene is very well portrayed.
One of the things i recon stirs the empathy in the viewer is the fact that Quinlan does not readily feature his 'faces' with little more than a haircut. The paintings are indeed like peripheral vision, and you are forced to look around the study for points of reference, as there are no recognizable visage on which to focus, so you must survey the scene.
This is surely how memory traces when revising a passed time. You place yourself in the moment, the location, wearing the clothes / style etc. Where you waited with others with the same high for the event remembered. The anonymity of each character breathes an unspoken familiarity, you know they're with you. Each one on the anonymous visitor to a place in which many of us may have been.
Who are the faces of Quinlan? I'd almost prefer not to find out, so I can share watery visions and steal these memories as my own. Myths are made of this.
Real iconography is to be found in the scooter imagery. Quinlan's images possess a more drawn like quality in technique rather than painted. 'Leigh Scooter action' would look mint as massive and proud as the Easter Island heads. Some real scale, you feel, would suit his work later. as it is dynamic of his compositions reflect the week cut sharpness and style of the drags and their machines. A strong defining edge to the lines he used suggests a cleanliness of the be-suited fellows lying beneath his workings.
This is a real visual memory of time, ethos and style not faces. The time pictured has passed, but the style in the transcended and remains integral, modernistic. These works are perfectly suited for 'modern' remembrance, recording history in details to place it within our contemporary lives. good they are, have a look and remember.


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From browsing this site, I have learned that US national parks and wilderness areas have restrictions and that campsites need reservations, sometimes months in advance. I've never seen anything like it in Europe; in popular areas, there are simply many campsites and one meets hundreds of people per day (in extreme cases hundreds per hour) on the hiking trails, whereas in remote regions, there are no campsites and one meets nobody (in fact, one usually meets less than 10 people/day once more than two hours from the parking place). It's supply and demand. I haven't seen a full camp-site since 1994, and I've been camping every year.
North America has a lot of sparsely populated areas, probably more than Europe. This makes me wonder — how crowded do those hiking trails get? For example, suppose that one has obtained a permit for hiking + camping in the wild in Yosemite National Park. Since this is subject to a quota (correct me if I'm wrong), the total number of people hiking at a given moment should be pretty easy to know. How many people should one expect to meet under such circumstances, order of magnitude? 1 per day? 10? 100? Are quota set so that every hiker can have the opportunity to feel alone in the world, or so that hikers won't completely overrun the national park and destroy it?
Where does the difference between Europe and North America come from? Is nature in North America more sensitive than in Europe, is the demand for hiking much higher, or do hikers in North America concentrate even more in a few small areas than in Europe?
I'm not sure you can generalize US Hiking trails, since there will be vast variability in popularity, usage, land area, population density etc. (Just as you mentioned is the case in popular vs. remote areas of Europe).
Yes, there are some areas that require reservations, but most don't. In fact, I feel comfortable saying MOST federal public land in the western US have no quotas, no reservation system, no anything. In many of those, you won't see another soul for days. Other areas might be equally unregulated and have wall-to-wall people.
In the answers here: "When do I need a permit to go into nature?" I list some of the agencies that have different approaches to land management, and point out it varies so widely that any generalization is impossible.
To answer this: "Are quota set so that every hiker can have the opportunity to feel alone in the world, or so that hikers won't completely overrun the national park and destroy it?" Yes: Wilderness areas (congressionally designated Wilderness with a capital "W" -- see below) have a legal mandate to limit users so your encounter rates are small. How that is interpreted varies by the agency administering the area (some shoot for less than 2 groups encountered per day). By contrast, some popular areas of National Forests or Parks might limit usage based on the maximum visitation possible before total annihilation of the resource.
This is an awesome legacy for the US. Not all public land is Wilderness, but significant chunks are, and these are some of the most amazing natural areas in the US.
As far as the US are concerned, you are talking about the most popular national parks here: places like Yosemite, Yellowstone and Zion get few millions of visitors each year, from all over the world. At the same time, there are huge stretches of beautiful wilderness, often right next to these parks, where you can hike for days without meeting anybody.
In the US, there are still large stretches of land that are very well preserved, where the nature is pretty much undisturbed. These areas indeed are pretty sensitive, a large influx of visitors in these places can cause a lot of damage.
In Europe, lot of the area had been very densely populated for quite a while, and most of the land has been in some sort of use for a long time. At places like that, large crowds will not really cause that much damage. Western Europe has only few very small areas that still have fairly undisturbed original wilderness, and many of those cannot be entered without a special permit that is only available to those that have some sort of business there (researchers, forest service etc.), and the public is not allowed in at all. Because these areas are so small and there is so few of them, lot of people are not even aware that these exist.
Probably because it is so densely populated, lot of Europe has numerous hiking opportunities on what's basically agricultural land: fields, pastures, agricultural forests. There are lot of hiking trails that go through agricultural land, simply because there are so few other options. In US, most agricultural land is private, and closed to public. You can only hike on state or federal lands, and in many regions these are sparse, so they get a lot of exposure, and therefore need to be protected.
In Eastern Europe, there are number of areas that are still pristine, and relatively unregulated, but I believe that is going to change. Some 30 years ago, Romanian Fagarash was a place you could backpack for several weeks without meeting a single person. I have not been there lately, but what I hear from friends is that the place is becoming rather crowded, and, correspondingly, quite damaged. I expect that at some point of time Romanian government will start to regulate the visitors, perhaps by restricting camping opportunities.
Camping restrictions and permits to enter particular areas are actually very rare when you look at the total land area. I believe in every case these are done only to prevent degradation caused by excessive use. By definition, these systems are therefore in place in popular areas, which is why you hear about them way out of proportion to their actual size and numbers.
I have gotten a permit and gone backpacking in the north part of Yosemite National Park. That is a very popular area, and I can see how it would be damaged if everyone could just go there without the numbers being limited. However, there is no limit on adjacent land in the national forest, mostly because the demand isn't there and limiting the numbers not necessary.
There are partial restrictions in the White Mountain National Forest of New Hampshire. These are different due to the different circumstances, patterns of demand, and level of damage overuse can cause. There are no permits and restriction of individuals, and some of the popular trails can get quite crowded. There are restrictions on the size of groups and where you are allowed to camp in the back country. Some of these restrictions move around as damage from overuse shifts. The general rule is to stay 1/4 mile from fixed installations like huts and purpose-built campsites, but also around what would otherwise be popular and overrun areas. For example, you are not allowed to camp near the top of Thoreau Falls. That was done because too may people did and the area became heavily damaged. All that was left was bare ground and large trees. Everything else got trampled. The place looked unreal.
On the other hand, there is no restriction on total numbers of people on the trails. Some of the trails are heavily used and heavily worn, but since that stays local to the trail there is no widespread damage and no attempt to limit numbers. Last summer I did a 10 mile or so day hike that looped over a part of Franconia Ridge that is also the Appalachian Trail. We probably encountered at least 100 people on that hike, and that's not counting the people around Greenleaf Hut, which was on our loop.
There are also many parts of the US that are open to the public where you can hike all day and are unlikely to run into a single person. I have done exactly that in various places in Arizona, for example, in both the desert and the mountains. What makes that possible is the huge amount of public land there. Europeans seem to have a hard time grasping just how vast some of these open spaces are, probably because there is nothing like them in Europe. There are no restictions there because there is no need for them. All the people that want to go there do, and the damage is minimal, so no need to regulate. Take a look at a map of Arizona and New Mexico. Add up the land area of the abutting Coconino, Tonto, Apache, Sitgreaves, and Gila National forests alone, and compare that to the size of a few smaller European countries. Now consider that except for a few towns that are "holes" in the forest, nobody actually lives there premanently.
So in summary, restrictions on camping locations and numbers of people are only done grudgingly as a necessity to protect the resource so that others can enjoy it in perpetuity. Such restrictions are actually quite rare, limited to particularly popular areas. There are vast less popular places where anyone is welcome to hike around and camp with little restriction.
To put the vastness of these areas in perspective, the total land area of the contiguous patch of national forest formed by the Coconino, Apache-Sitgreaves, Gila, and Tonto National Forests is 15.7k square miles. That just about the size of Switzerland, which is 15.9k square miles. That doesn't include other nearby public lands, such as the Prescott, Cibola, and Coronado National Forests, for another 7.3k sqm. There are more smaller national forests and wilderness areas on BLM land scattered about Arizona, and the Grand Canyon National park and lots more north into Utah.
Ryan mentioned Utah. Putting that into a European perspective, it's about the size of Great Britain (Utah 84.9 ksqm, GB 88.7 ksqm) but Utah only has a population of 2.8 Mpeople. In contrast, England alone has 53 Mpeople. And most of Utah's people are concetrated in a metropolitan strip along the eastern edges of the Great Salt Lake and Utah Lake. That leaves very few people living in the large remaining wild areas.
Yellowstone National Park may get 3M visitors per year, but consider it's 1/3 the size of Belgium. The entire national forest system is larger than France, Belgium, and The Netherlands combined. And that doesn't include the national parks, like Yellostone, Yosemite, the Grand Canyon, and many others. 2.7M more people live in London than Utah and Nevada combined, which have a total land area over twice that of Great Britain.
The point is that it's very easy to get a totally wrong impression of wild places in the US because the few well known popular spots are not representative, and by necessity of their popularity must be managed differently.
Europeans also don't seem to get the vastness of the place until they've been here. Spend a day driving accross Nevada on Route 50 and realize it takes more than one tank of gas to get between two places anyone would call a city. Or spend some time in a wilderness area in the Arizona desert and realize you haven't seen a single person in the two days since you left the last paved road. There are many wild, beautiful, and vast places that are open to anyone who wants to come. In fact, that is the case for most of the public lands in the United States. In general, wild areas here are more wild, less crowded, and less restricted than those in Europe. There are also a great many more of them. Come and visit some time.
Living in Utah in the US I have a somewhat unique perspective (Utah has more national parks then any other state) I have visited all of the national parks here and most throughout the west. As others have mentioned if you compare the amount of reservations and restrictions to the amount of space the ratio is actually quite small.
I thought I would answer though to give more specific examples. You mentioned Yosemite (beautiful by the way highly recommend), there is a 'Rim' trail there that leads to one of the biggest waterfalls (and biggest attractions) in the park. However the trail was set up in such a way that most (if not all) visitors hike for a mile or so to hit the falls, which means there are hundreds (sometimes thousands) of people there at any one time. For those that really enjoy hiking, you can hike in along the rim, a very strenuousness 10 mile hike with lots of steep grades. Your destination is the same, and at the end you will run into the hundreds of people. But along the way you will see a dozen waterfall's everyone else won't see and for hours you won't run into a single other person.
That's one specific example but from my experience many very popular hiking destinations in US National parks are set up in this same manner. They allow the masses to see the really spectacular, while limiting the exposure of the land to those masses. And at the same time allow those who really want to, to experience both the spectacular, and the beauty/isolation of real wilderness area.
Finally an example of something mentioned above, many restrictions have to do with managing emergency situations. My favorite hike in Zion's national park is very hard to get into. It requires a back-country pass and they are often reserved a year in advance. But I would never think of going into the hike without a pass. Not only would I be fined a huge penalty if caught, but I have been on the hike when a storm hits (the hike involves 8 miles of hiking in a slot canyon) and barely made it out. The last group of the day wasn't so lucky and they got trapped on the hike overnight (actually they were very lucky they didn't all die, the flash floods were horrible). If people had been in there illegally, most likely they would have died, as is, because of the limits, the rangers knew who to look for and where, and were able to manage the situation and get everyone out alive.
Not the answer you're looking for? Browse other questions tagged hiking united-states europe or ask your own question.
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World / Politics
For G7, 'too early' to re-integrate Russia: diplomatic sources
AFP-JIJI
Online: Aug 25, 2019
Last Modified: Aug 25, 2019
BIARRITZ, FRANCE – G7 leaders back strengthening cooperation with Russia after its expulsion from the group in 2014 but believe it is too early to re-integrate Moscow and return to a Group of Eight, diplomatic sources said Sunday.
"The leaders of the G7 are in favor of reinforcing coordination with Russia on current crises (but) … it is too early for re-integration," said a diplomatic source, who asked not to be named.
Russia was thrown out of what was the G8 in 2014 after it seized Ukraine's Black Sea peninsula of Crimea, an annexation never recognized by the international community.
The G7 now brings together Britain, Canada, France, Germany, Italy, Japan and the United States. The source added the seven leaders agreed to the position on Russia during the summit's opening dinner late Saturday.
U.S. President Donald Trump, who will host next year's 2020 summit, has floated the possibility of Russia being allowed back in.
Asked Sunday about inviting Russia to next year's G7, Trump responded: "That I don't know. It's certainly possible."
G7 leaders had also mandated French President Emmanuel Macron to send a message to Iran as tensions rise over its nuclear program, the source said.
"Emmanuel Macron was mandated to talk with Iran and address a message" to the country to avoid an escalation in the region, said the source.
Macron on Friday met in Paris with Iranian Foreign Minister Mohammad Javad Zarif and has also held telephone talks with President Hassan Rouhani.
Russia, G7, Donald Trump

redpajama_set_name: RedPajamaCommonCrawl


text:
Till Janz
Oklou Welcomes You To 'Galore,' A Fantastical Pop Escape
The French pop experimentalist explains the intricate world-building behind her new mixtape.
by Steffanee Wang
If paradise is real, then Marylou Mayniel, who makes music as Oklou, is surely there in the riverbed of the Loire in France. "My foot's in the river right now," she states when we connect over the phone one Tuesday afternoon, the meditative sound of swishing water bubbling up through the connection.
The French singer and producer — who ran in the now-defunct Parisian all-female DJ crew TGAF, and is a close friend of the London experimental pop collective NUXXE — is gearing up to share her first mixtape, Galore, out September 24. Since the release of her 2018 EP Rite of May, a tight 6-track project defined by glowing synths and errant field recordings, Oklou underwent a metamorphic creative period; alongside her friend the hardcore artist Krampf she dabbled in scoring video games. More personally, in 2019, she worked her way through a difficult period of what she describes as feeling emotionally "anesthetized." "I was in London with my boyfriend and I guess I was just starting to feel very lonely," she explains. "I would just feel nothing at all."
Emerging from that absence are the songs that now populate Galore, an album that Oklou says takes place in a "wonderful world" outside of reality. With the few singles already released, a materializing window into the new universe reveals its mythic inhabitants: lost sheep, warriors on white horses, a "goddess of a lonely night," as the fantastic imagery from her latest single "god's chariots" details. "I was existing [as a] part of something," Oklou says, water rushing in the background. "Using my pain and my sorrows to have something beautiful out of it."
Awash with clouds of synth and curling, delicate melodies, Galore is a quietly stirring feat that posits Oklou as one of left-field pop's most entrancing auteurs. Below, the experimentalist recounts her difficult journey to the album, the joy of crafting full narratives through her music, and her close friendship with the emerging London collective NUXXE.
Do you remember the moment when the concept for Galore solidified in your mind?
I guess there's been several moments. But, if I can isolate one of them, it would be last August. I was in North America with [Galore writer and co-producer] Casey MQ and two other friends. I was playing him my demos for him to hear what I was working on, and wonderful things happened between him and I. I saw him listening to my stuff and getting very emotional; he knew what I was going through and I felt like he immediately connected with that moment of my life and the music that was obviously related. He connected to that as a friend and as an artist — he said things to me that I didn't even understand at the time. Listening to my stuff he was like, "What you're actually talking about, the main topic, is escaping from reality." He used that kind of phrase at some point and I was like oh, well that's so f*cking true, and, you know I didn't even see that before. I was just making music not really thinking about the words I was using or the energy I was spreading the songs with and he really helped me do that work of understanding what was happening in my heart. And since then, I knew that he was the perfect partner for me to write a beautiful, full thing.
You've said that this album was borne through a period of feeling "anesthetized." What did you mean by that?
I guess it's just... it's not really deep. I mean, it is, but in 2019 I was in London with my boyfriend and I was just starting to feel very lonely. I was confronting my choices which maybe, were not good ones at the time. And the songs, I talk about feeling lonely, isolation, wanting to exist more like... I think I was a bit — I'm careful with that word because I think it's a real disease, you should know — I think I was not depressed but close to that mental state. And the anesthetized term comes from that feeling where I was neither happy nor sad. I would just feel nothing at all. I think it's really bad. I was not really OK. The music I was creating and the things I used to be fascinated with, and I still am, I think I was most attracted to the very fantastic and surreal universes. It makes sense because I think I wanted to change my life completely. The place I was living in, and the emotions I was not experiencing [Laughs.] So, there's a huge fantastic kind of very tale-ish side of Galore. It comes from that need to escape and to be in a wonderful world.
The project uses a lot of airy synths and it feels very spacious. What draws you to that sound?
Well, you actually said an important word. It's the emotional space. I noticed that in almost all my leads, I always put reverb on it and I could name a lot of songs...where there is that same feeling of big spaces and use of reverb and delay. I'm talking about technical stuff but, I think I'm trying to find a balance between a softness and something that you know is a perfect voice for lullabies. And something a bit more, I don't know if it's a word, but stellar.
I like that you said lullabies because there is something very soothing about the music. Making this record, did it feel healing or did you find some sort of conclusion to what you were feeling?
I wouldn't say conclusion. Life has shown me that the elements that inspired me during the writing of the piece, it's still going on [laughs.] I talk a lot about love and the relationship I had with my boyfriend at the time. I could write maybe two other albums since.
I don't recall actually working [this] much for a project of music ever; maybe when I was in musical school, when I was 14. But as an artist trying to develop my career, I don't think I've ever been that focused, and I felt really alive. I think that's what I was looking for, you know? I felt like I was existing, part of something, making something beautiful and using my pain and my sorrows to have something beautiful out of it.
Do you feel you've grown artistically and creatively through making this new record?
Yes. You know, [I had] been working on a video game with my friend in 2018. I think that project, I understood something I guess maybe crucial in the way I'm working and what I actually like to do, is that I love stories. Having a story to write about from the beginning to the end. You know, not just one song saying one thing, and then you finish the song and it's another subject. I really wanted to have that whole universe as if you were writing a soundtrack of a movie or something. I really like that process, the mindset it requires.
I think with Galore, I really achieved writing songs and thinking about, like, a long play with that energy, with that desire of wanting to talk about one story where so many things happen but it's one moment. I mean it's like a lot of, I'm not inventing anything, I just think that, I guess until I worked on that video game, I didn't realize what I wanted to do, really. I knew that I loved writing pop songs and I love catchy hooks and stuff and I love playing keyboards and singing songs, but I needed more than that to get me through, staying in a studio for hours. I just needed a proper frame. A beautiful context, beautiful purpose, I guess.
I also wanted to ask you a little bit about NUXXE. Did you get opinions from the members when you were working on Galore?
Yes, Shygirl, she's been helping me for "god's chariots," actually, she's been writing one of the verse with me. Sega [Bodega] has been working on the mixtape as well for some drums and stuff so yeah. Definitely we're...maybe I work more closely with Salvador [Sega Bodega], but yeah that's it. That's it.
It seems like NUXXE is making a big impact on experimental, left-field pop. As a close friend, do you have any thoughts on where NUXXE fits in the larger music sphere, what role they're playing.
It's hard to say. What I know I appreciate in Salvador's and [Shygirl's] and Chloe's energy is that I love the way they connect with both, and you said it, experimental and more pop side of music. I feel like Salvador's work is all about that. We have a lot of things in common when we work together. I feel like we have the same love for catchy hooks, for example, vocal lines and harmonies and stuff. And at the same time, he's like such a genius when it comes to creating beats with anything. And that's what make his sounds so special.


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text:
Olof Rydbeck, född 14 mars 1690 i Östra Skrukeby socken, död 17 augusti 1762 i Östra Hargs socken, han var en svensk kyrkoherde i Östra Hargs församling.

Biografi
Olof Rydbeck föddes 14 mars 1690 på Rysslinge i Östra Skrukeby socken. Han var son till bonden Erik. Rydbeck blev 1716 student vid Uppsala universitet och prästvigdes 6 april 1721. Han blev 1723 komminister i Ringarums församling och 1740 kyrkoherde i Östra Hargs församling. Rydbeck avled 17 augusti 1762 i Östra Hargs socken.

Ett porträtt av Rydbeck som målades 1755 finns i Östra Hargs kyrkas sakristia.

Familj
Rydbeck gifte sig första gången 26 april 1724 med Christina Engius (1700–1747). Hon var dotter till kyrkoherden Sveno Engius och Margareta Klase i Ringarums socken. De fick tillsammans barnen Sven (1725–1725), Margareta, Erik (1728–1729), Sven (1730–1731), Erik Olof (1732–1795), Jacob (1734–1810), Sven (1736–1736), Elsa Maria (1737–1737), Catharina Maria (född 1738) och Elsa Regina (1740–1778).

Rydbeck gifte sig andra gången 11 mars 1748 med Maria Arosius (född 1708). Hon var dotter till kyrkoherden i Regna socken.

Referenser

Noter

Svenska teologer under 1700-talet
Födda 1690
Avlidna 1762
Män
Personer från Östra Skrukeby socken
Svenska präster under 1700-talet

redpajama_set_name: RedPajamaWikipedia


Vincent that was beautiful. You guys really are an inspiration to us all…even though I am sure no one wants to chose the path of injury and struggle. You go brave and noble Shade! Continue to slay the dragon…we are all cheering you on. God bless you guys! Our hearts and prayers are with you.
Another great post. I know it is born of passion, frustration, and experience but your talents for analysis, wisdom, and expression come through.
Praying for Shade, and you, and your family.
You certainly have a way with words Vincent! I couldn't read past the second paragraph before the tears started coming down. But Shade is the strongest boy I know as well. You are all closer and stronger. We were also thinking about how strong Mayan and how much he has matured through this process as well. We love you guys, call for us anytime!
Vince, that was an amazing post. Shade is such an amazing person. You an Aitza are such an inspiration! Thanks for keeping us informed. Love you guys!
It brought tears to my eyes. Your family is in ours prayers. Please let us know if we can doing anything to help. Take Care.


Tony Wake – The Mindwalker has taken South Africa by storm and has brought an exciting new element to the fraternity of hypnosis.
Famous for his uncanny abilities of suggestion, influence, persuasion, and hypnotic performances that has brought him much public acclaim and allowed him to transform and broaden the beliefs many have in the capabilities of the mind.
Tony always seems to amaze his audiences with his special brand of hypnosis and performances that take the spectators and volunteers through a rollercoaster of emotions that varies from hilariously funny, to mysterious, and at times even downright scary.
Tony has been featured on the "Fresh Drive Show" on 5 FM radio and he has also appeared on the popular SABC talk show "Three Talk with Noeleen" where he was seen instantly hypnotizing celebrities, live onair, with impressive accuracy and fantastic results.
He is also wellknown as an extraordinary trainer of allmatters related to the human mind and human behaviour, development and empowerment, not to mention being a favourite entertainer and speaker within the corporate business world.


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Brazil: M. Dias Branco pulls plug on new factory
Food, Latin America, Manufacture & Distribution
M. Dias Branco, the leading Brazilian biscuit and pasta firm, has announced it has abandoned plans to construct a new factory in Juiz de Fora in Minas Gerais state, according to a report in New Trade.
The company had originally announced the R$305.6 million ($72 million) scheme in 2014, with the intention of using the plant to produce both pasta and biscuit products. However, as a result of its acquisition of biscuit, snack and pasta firm Piraque in 2018, it reportedly concluded the extra capacity was no longer needed, especially since Piraque had manufacturing facilities in Rio de Janeiro, not far from the site for the proposed new factory.
At the time, M. Dias Branco said the rationale for acquiring Piraque was to expand in Brazil's southern and south-eastern states.
Source: New Trade
M Dias Branco
Brazil: Pif Paf Alimentos acquires Fricasa
Australia: Lion Australia to sell dairy division to Mengniu
Brazil: M. Dias Branco pulls plug on new factory - Gama


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HomeAll PostsWasteFast Fashion
By Sara De Giorgio Fast Fashion, Zero-Waste January 24, 2023
What's going on here? The UK based department store John Lewis reports that sales of its craft and repair items are up by 61% compared to last year. An increase in environmentally conscious behaviour, as well as the cost of living crisis, are thought to be behind it. What does this mean? The John Lewis haberdashery section is a favourite among avid…
Festive Fashion Fun
By Victoria Johnsen Christmas, Fast Fashion December 7, 2022
We've written before about ways to celebrate an eco-friendly Christmas – from green gift guides to how to choose a tree-mendous tree – and this year we're sharing info and tips on how to stay stylish and sustainable during the holiday season.
Fashion sustainability schemes – A licence to greenwash
By Nathan Morgan Fast Fashion, Greenwashing March 30, 2022
What's Going On Here? Changing Markets Foundation, a sustainability campaign group, just released their latest report into the fashion industry. The report, titled 'Licence to Greenwash', found that the industry's biggest and most well known sustainability schemes "facilitate greenwashing". What Does This Mean? Ten schemes were analysed including well known ones such as WRAP (Waste & Resources Action Programme), bluesign, EU Ecolabel…
Record-breaking number of Black Friday boycotts by independent retailers
By Sara De Giorgio Climate Change, Fast Fashion December 1, 2021
What's Going On Here? The hyper-consumerist behaviour encouraged by events such as Black Friday is detrimental for the environment. However, increasing awareness around climate change is one of the reasons 2021 saw the biggest independent Black Friday boycott in history. What Does This Mean? According to the British Independent Retailers Association, 85% of independent businesses boycotted Black Friday: the highest number that…
Five eco-friendly habits Gen Z think they invented…
By Siân Barnett Wike E-Commerce, Fast Fashion, Zero-Waste November 17, 2021
I'm starting to feel my age. Hipster businesses are emerging with 'innovative' solutions to steer us towards more environmentally friendly everyday products. But, like a 90s boy-band revival, it would seem that there's nothing new here! Now, don't get me wrong – I don't doubt that it's the vigour of today's vicennials that can lynchpin our ecological hopes with action. Indeed, their…
"SHOP 'TIL YOU DROP" Or until we destroy the planet, whichever comes first
By Victoria Johnsen Fast Fashion July 28, 2021
There are currently enough clothes on Earth to clothe 6 generations, yet we are consuming at least 400% more than we did just two decades ago. The fashion industry tells us to "shop til we drop", bombarding us with constant new products and surrounding us with images that tell us if we just buy this new top or that new dress then…
Fast fashion's failure to stay on trend: half of all pieces found to contain plastic
By Josie Lumley Fast Fashion June 16, 2021
What's going on here? Clothing made by UK's largest online fashion brands contain staggering amounts of virgin plastics despite their marketing campaigns flaunting environmentally-friendly clothing, according to new analysis. On average, 49% of the items listed on these popular websites were found to contain materials made from synthetic fibres. What does this mean? This research, carried out by The Royal Society for…
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This National Climate Change Policy is our country's response to the challenges and opportunities that climate change presents to us. It's development through consultations and use of our own government officers with the help of experts and resource people demonstrates to the world that the government and people of Solomon Islands intends to be pro-active, strategic and take ownership of planning and implementing adaptation, risk reduction and mitigation response measures.
This policy will enable better coordination of climate change work in the country and provides opportunities for cooperation and collaboration between the government and people of Solomon Islands as well as with our valued development partners, international and regional institutions, intergovernmental organizations and experts.


CNG: Printed Auction CNG 75. Caracalla. AD 198-217. Æ Sestertius (27.36 g, 6h). British victory issue. Rome mint. Struck AD 211.
Sale: CNG 75, Lot: 1095. Estimate $500.
Caracalla. AD 198-217. Æ Sestertius (27.36 g, 6h). British victory issue. Rome mint. Struck AD 211. Laureate bust right, slight drapery on far shoulder / VICT BRIT P M TR P XIIII COS III P P, S C in exergue, Victory erecting trophy, foot set on helmet; on right, Britannia with hands behind back; at her feet, a captive seated left. Cf. RIC IV 464/483 (for obv./rev. type); Banti 133. VF, brown surfaces, hairline flan crack.


Don't leave preparation for the last moment and plan your transportation to the Positivus festival well in advance! As usually, the already well known Positivus Express will be running.
One of the most convenient and economic ways to travel to the festival every year is the Positivus Express – it is a shuttle bus that runs from Riga center to the festival territory in Salacgrīva. In order to ensure the quickest and most convenient journey, Positivus Express won't make any stops on its way to the festival. We kindly ask to purchase tickets timely at the festival's homepage since the number of tickets is limited. Price – euro 9 one way.


Coconut Almond Cherry Chocolate Smoothie - Your process has a purpose.
Cherries are a good source of melatonin, which helps you sleep better at night. If you are feeling drained during the day because of insomnia at night, you may benefit from an increase of melatonin intake. Cherries also have a very low glycemic index, which means your body gradually absorbs the fructose found in the fruit. This further prevents your blood sugar from spiking, providing you with lasting energy throughout the day.
Cacao contains antioxidants and a chemical which is responsible for boosting endorphins, which in turn boost your mood. Because regular cocoa powder is processed and no longer contains as many antioxidants, look for raw cacao powder for maximum nutrition. Add a little maple syrup if you don't find this smoothie sweet enough.
Jammie, ziet er erg lekker uit!
Thanks! Op http://daniellejoy.nl kan je het recept in het Nederlands vinden.


After watching "The Harvest," "Man in the Maze," "Forked," and "Food Ministries in Tucson, AZ," during the "Food Justice Mini Film Festival" at The Loft, I was all geared up to attend the "Food Justice, Faith, and Climate Change Forum." But I have to admit, I was given a moment of pause when the word, "Faith" registered. I had become increasingly disillusioned with Christianity since "family values" were shanghaied by politicians creating fear to divide us as a nation. Once in office, they sold out Christianity by denying fundamental Christian values such as taking care of the less fortunate. Using the media as a platform, they depicted the poor as lazy and stupid, not deserving of our sympathy. They coined the phrase "welfare queens" and dehumanized the homeless. They ignited racism by demonizing undocumented workers, calling them "illegals." "Welfare" became a dirty word. Our representatives made a mockery of Christianity by denying science and climate change so their rich campaign contributors could continue to profit by savaging the earth. Being called an "environmentalist" became the supreme insult. It is a shame that you can't even use the word "Green" anymore because it is such a turn off to so many people. This was NOT the same Christianity I had grown up with.
Arriving a few minutes late, I came in the middle of the opening prayer. For a few uncomfortable moments I wondered if I belonged there, if I was a fraud for even attending. But my fears were soon relieved as Franciscan Sister Joan Brown of Partnership for Earth Spirituality and New Mexico Interfaith Power and Light spoke on climate justice. Fred Bahnson, director of the Food, Faith, and Religious Leadership Initiative at Wake Forest University School of Divinity, spoke on using the Tree of Life as a symbol for faith-based activism on climate change. The Tree of Life is our chosen symbol, too! My spirit soared as one lecture was preceded by a Native American blessing. This interfaith event wasn't about fear or exclusion, it was about love.
I was inspired by the faith-based responses to climate change and food justice. We heard how individual congregations were implementing environmentally sustainable practices like starting their own community gardens, and installing solar panels and rain gathering cisterns. There were practical lectures like: "Seed Libraries and other Strategies for Providing Better Access to Fresh Food in Food Deserts." Barbara Eiswerth, founder of Iskashitaa Refugee Network, told us how they make arrangements with local residents to pick fruit that would otherwise be wasted.
We heard some practical responses to food justice. Don Bustos, New Mexico Organic Farmer of the Year, spoke on "Farmworkers to Farmers: Empowering Those Who Bring Us Our Daily Bread." On his farm he implemented training programs for farm workers to become independent organic farmers by using solar energy. Jose Oliver, co-director of the Food Chain Workers Alliance, shared how they reach out to schools to implement the Real Food Challenge. Through the program, schools work with food service providers, distributors, processors and growers to ensure: (1) local economies, (2) environmental sustainability, (3) fair labor, (4) animal welfare and (5) nutrition.
Veronica Kyle, Chicago Outreach Director of Faith in Place, spoke about reaching out to her community. She demonstrated how important it is not to shame people for their food choices, but to speak to them from where they are. Her organization published a Southern Cooking cookbook with healthy, organic recipes. Once Veronica was lecturing on organic gardening and spouting off sustainability jargon. The audience didn't know what the heck she was talking about – even though a few had been gardening their whole lives. When she started a community garden, she made sure to ask those gardeners to share their expertise. She is reaching people where they live.
I came away from this forum feeling inspired and hopeful that people of all faiths were coming together to make a difference in climate change and food justice. Just imagine the environmental impact if every church, temple, synagogue, and mosque encouraged their communities to do the same.


PUNE: City-based Automotive Research Association of India (ARAI) played a crucial role in establishing key facts in the Volkswagen (VW) emissions rigging case.
What do you make out of VW's denial that its cars are not equipped with the defeat device?
Regarding the defeat devices, the matter is now being handled by the ministry of road transport and highways. It is, therefore, my opinion that the reaction should be sought from the ministry.
We have never made any statement that VW cars do not meet the current BS-IV emission limits. All those diesel vehicle models in question have been tested and certified as per the current norms.
The clarity is required on the definition of a 'defeat device' and that only the legal experts can advise, which the ministry will seek opinion from.
VW has announced the recall in line with the global disclosure. They have informed us that they will replace the engine control software on all the affected vehicles.
In my opinion, the media must also play a responsible role and assure the people that corrective actions are now been declared by the auto major.
With the ARAI study, we (India) were able to get a priority at a global level also. As I understand, the EA 189 engine with Euro IV equivalent is not being manufactured anywhere in the world, except in India. To make a solution suitable for this, it requires priority at a global level.
Now that it is agreed, it is in the interest of Indian consumers. Rather than arguing whether they have agreed or not agreed to our findings, the fact remains that they have announced the recall.
ARAI's on-road testing of VW Jetta, Audi A4 and A6, Skoda Octavia showed 5-9 times more emissions. It looks like the company has recalled more than just these vehicles. So, what are they going to do with that?
The software that goes into all these vehicles and the control strategies is more or less the same. They are using the same strategy of two selectable maps which are used for exhaust gas re-circulation control.
So, they will do the same kind of electronic control unit specific modification on all vehicles.
Will the recall and subsequent changes bring down the higher emissions?
What effect the software modification will have on actual road emissions will have to be determined as and when the modified vehicles are available to us for evaluation.
In the meantime, we have asked for the data on what would be the impact of modified control software on vehicle emissions, other than mandatory test cycle emissions.
Previous test data showing 5-9 times NOx emissions when measured on road is only an indication which has triggered recall action from the manufacturer.
It is a representative data showing how the vehicle behaves on a synthesised road test cycle.
In fact, the VW also did their own experiments on ARAI facilities and based on which only they have announced a recall.
Is there a possibility of on road testing of all vehicles of all brands in the future?
The ministry has already put a draft for the next stage emission norms. They have announced the BS-V norms for 2019/20 and BS-VI for 2021/22. Now, both these regulations have a requirement for intended control of the in-use vehicles.
VW has announced the recall in line with the global disclosure. They informed ARAI that they will replace the engine control software on all the affected vehicles.
So, there is a requirement in BS-V that in-use performance should also be demonstrated. Thus, we will start working on the measurements and start collecting the data before the in-use vehicle limits could be defined.
And BS-VI onwards, there will be requirements for on-road emission performance. The on-road performance of a vehicle will also depend on which cycle to follow (highway cycle/ urban cycle/rural cycle).
In Europe also on road tests will only begin from 2017. We have started to sensitise the manufacturers about these requirements in Euro V and VI vehicles. They must start working on it.
Will you also be testing petrol vehicles since there are some violations found with VW petrol cars in the US?
We are not currently doing it. The government has indicated to us that in future measurements should also be done on petrol vehicles. But we also have limited resources.
The priority is to find out if there is any impact on diesel. Our resources are currently blocked with diesel studies. If it were to start, after six months we will start.


Founded in 2003, the Archimedes Club unites the ASME planned giving community in the common goal of supporting programs that will help advance the engineering profession. By choosing to make a planned gift, you can feel confident that you are helping to ensure the future of the engineering profession. Membership in the Archimedes Club is open exclusively to individuals who have made provisions for the ASME Foundation through a variety of estate planning tools or by leaving the ASME Foundation in their will. To discuss planned giving options, contact the foundation staff. We thank our members for their contribution.
P. J. Jim Adam, Jr.


Welcome to Moya, Frank MBB - HOME CAPITAL LENDING, Incorporated (Banks - Real Estate Agents) on 880 SW 22nd Rd in Miami, Florida. This bank is listed on Bank Map under Credit & Debt Services - Banks - Real Estate Agents. You can reach us on phone number (305) 305-7144, fax number or email address . Our office is located on 880 SW 22nd Rd, Miami, FL.
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Moya, Frank MBB - HOME CAPITAL LENDING, Incorporated Miami routing numbers are listed on this site along with more information about how to find your routing number. Call Moya, Frank MBB - HOME CAPITAL LENDING, Incorporated for more information about routing numbers.
Routing numbers to Moya, Frank MBB - HOME CAPITAL LENDING, Incorporated in Miami are collected manually from the banks official website or provided by the Federal Reserve Financial Services Database.
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These are the bank hours for Moya, Frank MBB - HOME CAPITAL LENDING, Incorporated. Call (305) 305-7144 to learn more about office hours. Please note that these bank hours are general and other hours of operation may apply on certain holidays.
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Moya, Frank MBB - HOME CAPITAL LENDING, Incorporated is listed under Banks - Real Estate Agents in Miami, Florida .


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Molossus pretiosus é uma espécie de morcego da família Molossidae. Pode ser encontrada na América do Sul e na América Central.

Distribuição
É uma espécie com uma distribuição limitada e tende a habitar regiões isoladas. É nativa do Brasil, Colômbia, Costa Rica, México, Nicarágua e Venezuela. Seu habitat principal são as terras com menores altitudes.

Morfologia
Possui estrutura corporal larga e asas estreitas. Possui mandíbula espessa em comparação com outros morcegos mastins. Conta um padrão distinto em forma de cúspide em seus molares e não têm o terceiro pré-molar. Os machos tendem a ser maiores do que as fêmeas. Já adulto, varia de 20 a 28 gramas. Ao nascer, tem apenas cerca de um quarto de seu peso adulto. Possui uma cor de pele que varia de preto a uma cor avermelhada. Seu peito é salpicado de pelos brancos e tem orelhas pretas.

Comportamento
Vive em áreas abertas, principalmente em habitats de pastagem. Também constroem seus poleiros em cavernas, bosques secos, telhados e arbustos espinhosos. Tendem a viver em áreas próximas a um rio, lago ou poço de água. São noturnos e começam a se tornar ativos ao anoitecer, que coincide com o momento em que sua fonte de alimento se torna ativa. Tendem a voar em uma única fila até o destino. Sua principal fonte de alimento são insetos, como besouros e mariposas.

Conservação
Está listada como uma espécie de menor preocupação, com baixo risco de extinção, de acordo com classificação da União Internacional para a Conservação da Natureza (IUCN). Tal indicação se deve à sua capacidade de se adaptar às mudanças de hábitats e à distribuição dos hábitats que ocupa. Também está localizado em várias áreas protegidas. Além disso, não há ameaças conhecidas.

Referências

Bibliografia
 SIMMONS, N. B. Order Chiroptera. In: WILSON, D. E.; REEDER, D. M. (Eds.). Mammal Species of the World: A Taxonomic and Geographic Reference. 3. ed. Baltimore: Johns Hopkins University Press, 2005. v. 1, p. 312-529.
 PINEDA, W.; MEDINA, A. 2008. Molossus pretiosus. In: IUCN 2008. 2008 IUCN Red List of Threatened Species. <www.iucnredlist.org>. Acessado em 10 de fevereiro de 2009.

Molossus
Mamíferos descritos em 1902


Many soft tissue injuries (sprains, strains and tears) get better in a few weeks, if you follow some simple steps. Use the RICE method (rest, ice, compression, elevation) as soon as you are injured. And avoid doing anything that could make the injury worse.
you have a lot of pain, swelling, or disability.
If you need to take time off work, or if you need financial help with day-to-day activities, ACC will be able to guide you and let you know what you are eligible for. To register a claim with ACC you don't need to see a GP or physiotherapist.
If you are usually active, being injured can be demoralising and frustrating. Set realistic goals for getting better. Write these down and tick them off as you go along so that you can see your progress. Talk to your physiotherapist to see if they are achievable and safe.
Are you worried about pain? Or anxious about what is going to happen to you? Are you worried you won't be able to do your job?
Negative thoughts can really get in the way of recovering from an injury. If you are struggling with mental barriers to getting better, talk to your GP or physiotherapist about them.
Your aim is to get back to full active health. This can take time, and you need to be organised to achieve it.
Make time for your exercises. Make sure you keep appointments with health professionals, to make the most of their treatment and advice.
We quickly lose muscle if we become inactive. This can really slow recovery. Gaining weight can also put more strain on your injury.
You may not be able to do your previous activities, but there are always exercises you can do to stay fit and strong while you recover. Talk to your physiotherapist or GP about what you can safely do.
Smoking slows down how quickly you will heal. Stop smoking to help your body recover more quickly from injury.
If you are not sleeping well, or are feeling stressed, that is likely to affect how quickly you get better. Talk to your GP or physiotherapist about what you can do to ease your stress and sleep more soundly.
Who can help me get better?
The two health professionals you are likely to see most of as you recover from an injury are your GP and your physiotherapist.
If you need help to find a GP, you can use this link. Your GP can refer you to a physiotherapist, or you can search for one on Physiotherapy.org.nz or Healthpages.
Written by HealthInfo clinical advisers. Endorsed by physiotherapy liaison, Canterbury Initiative. Page created December 2015.


Richelieu boasts a lovely, unique, quiet setting of shaded courtyards and pool. We are a gated community with a friendly, on-site manager. Extremely well maintained, the large size of our units make for an excellent rent value.
Find a floor plan just right for you. Check Availability Now!
Our amenities include: pool, covered/assigned parking, dishwasher, ceiling fans, garbage disposals, air conditioning, laundry facilities, and many units with fireplaces. Our three bedroom apartment is exceptionally large with a fireplace and three bathrooms! View Our Amenities.


Jason R. Thompson was named director of diversity and inclusion for the United States Olympic Committee in April 2012. In his current role, Thompson is responsible for creating and managing the USOC's diversity and inclusion (D&I) initiatives. A 25-year veteran in the area of divsersity and inclusion programs, Thompson previously served as vice president of diversity and community health improvement at INTEGRIS Health in Oklahoma City.
The diversity and inclusion programs develop by Jason have won several awards at the local and international level. Most recently the D&I Scorecard developed by Jason received the top honor in the 2016 International Innovations in Diversity Awards program from the Profiles in Diversity Journal. Jason was also recognized as a 2017 Diversity Leader by the Profiles in Diversity Journal. In 2015, the USOC D&I department received the Diversity Champion Award for Excellence from the Colorado SHRM.
Jason was also director for the Office of Diversity at the University of Colorado at Denver and Health Sciences Center. In 2006, he established the Undergraduate Pre-Health Program (UPP) at the University of Colorado Anschutz Medical Campus, which earned honorable mention for the 2013 Examples of Excelencia for its work to accelerate Latino student success in higher education. The UPP program was recognized for the impact, innovative and the promising approach that it has had on Latino students.
He has served on local, regional and national committees for a multiple organizations, including the Diversity and Inclusion Sports Consortium, Oklahoma Institute for Child Advocacy, Oklahoma Diversity Officers and Practitioners Consortium, United States Commission on Civil Rights, Advisory Board and the Center for African-American Health.
Thompson earned a master's and bachelor's degree in sociology from the University of Wyoming and is a graduate of Harvard's John F. Kennedy School executive training program.


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MightyHive
Changing-Places Latin America 05/05/2019
CHANGING PLACES LATAM: Juan Fernando Niño, Pato Kodalle, Daniel Pérez Pallares…
People change positions, get promoted or move to other companies. Portada is here to tell you about it.
(Looking for your next Career move? Check out Portada's Career Board!)
Juan Fernando Niño is Mediacom Colombia new CEO.
Pato Kodalle has been named Circus Mexico new Creative Director.
Daniel Pérez Pallares has been appointed President and Creative Chairman at Grey Chile.
Leo Burnett announced that Mark Tutssel, Executive Chairman of Leo Burnett Worldwide, is retiring after 34 years with the company. Tutssel will be staying with Leo Burnett through to the end of June to ensure a smooth transition and will work with Nick Law, Chief Creative Officer of Publicis Groupe, and the Leo Burnett Global Creative Council as it continues to evolve it for the future.
MightyHive, a media consultancy, has acquired ProgMedia, a Brazilian-based programmatic solutions consulting firm. Under the terms of the agreement, ProgMedia becomes a wholly-owned subsidiary of MightyHive. MightyHive is one of the largest and fastest-growing programmatic buyers in the world and now operates throughout North America, Europe, Asia-Pacific and Latin America.
Bruno Rebouças, CEO and Founder, and Natália Fernandes, COO and Partner, will remain as the leaders of the ProgMedia team and will report to Emily Del Greco, President of the Americas for MightyHive.
By Editorial Staff @portada_online
- 6 things to know 04/30/2019
MightyHive Expands Footprint into Latin America With ProgMedia Acquisition
What: MightyHive has announced the acquisition of Brazil-based ProgMedia, a programmatic solutions consulting firm.
Why it matters: This acquisition expands MightyHive's operations into Latin America, and is expected to increase ProgMedia's customer base by more than 200 percent over the next 12 months.
MightyHive has announced the acquisition of Brazil-based ProgMedia, a programmatic solutions consulting firm. According to the terms of the agreement, ProgMedia will become a wholly-owned subsidiary of MightyHive, which already operates throughout North America, Europe, and Asia-Pacific. This acquisition expands MightyHive's operations into Latin America, and is expected to increase ProgMedia's customer base by more than 200 percent over the next 12 months.
"MightyHive's growth by acquisition this week is consistent with S4 Capital's strategy of broadening our capabilities in first-party data, content, and media around the world," said Pete Kim, MightyHive CEO, in a statement. "ProgMedia is the strongest programmatic company in the region and will propel our Latin American business forward so we can capitalize on the clear market opportunity here. We expect our success will lay the groundwork for further acquisitions in 2019 and 2020."
The acquisition will allow current customers of ProgMedia to draw on MightyHive's international strength and partnerships, as well as allow global enterprises to extend their in-housing or programmatic initiatives with MightyHive to Latin America. ProgMedia plans to rebrand itself as MightyHive in the coming year as it broadens its service offering and technology partners. Bruno Rebouças, CEO and Founder, and Natália Fernandes, COO and Partner, will remain as the leaders of the ProgMedia team and will report to Emily Del Greco, President of the Americas for MightyHive.
"We feel strongly that this move is the right one for ProgMedia's clients and team," said Bruno Rebouças, CEO and founder of ProgMedia. "MightyHive's culture and values reflect ProgMedia's high standards for client service and employee happiness. Moreover, we share a vision to help companies master the technologies required to digitally transform themselves for success. We look forward to working with MightyHive to help marketers and agencies in Latin America fully realize the potential of advanced marketing and advertising technologies."
CHANGING PLACES: Rashaad Jamal, Esteban Abascal, Kate Canel, Allison Johnson…
Media consultancy MightyHive has announced the appointment of Rashaad Jamal as VP of Learning and Development. In this role, Jamal will fortify two internal programs (MightySchool and MightyResume) and create additional programs for the continued development of its on-boarding and up-skilling capabilities.
Esteban Abascal was appointed CEO of Interamerican Foods and La Moderna USA, and is now in charge of all the company's operations in the United States. His company will take a big step in its mission of expansion in the U.S. market this year.
The Shipyard had appointed Kate Canel as its Director of Performance Media, a newly-created role in which she will lead all strategic programmatic planning initiatives and oversee the agency's integration of digital advertising technologies that drive innovation and measurable client growth. In addition, Canel recently joined Portada's Agency Star Committee.
PayPal has named Allison Johnson Chief Marketing Officer. This is PayPal's first CMO since 2013. Johnson will be charged with leading strategic marketing for PayPal and its family of brands, which includes Venmo and iZettle.
Collage Group has announced the hiring of David Burgos as Sr. Director, Consumer Insights to lead the company's custom insights business. Burgos most recently led Consumer Insights and Strategy at The Kraft Heinz Company.
Dan Pearce, ex-marketing head at Ticketmaster, has been named CMO by Virgin Experience Days. Pearce will be responsible for the development and delivery of marketing strategies designed to propel experiences rather than objects.
As reported by Media Moves, former Telemundo and Endemol Shine Latino executives Mauricio Piccone and Sergio Lazarov have teamed up to create and launch a new production company called Studio Pacifico, targeting U.S. Hispanic and Mexico markets.
MillerCoors has hired Kraft Heinz executive Michelle St. Jacques as its new CMO, replacing David Kroll, who left the position six months ago. She is the first-ever female CMO at MillerCoors, which was formed in 2008.
By Janet Grynberg @grynberg_janet


text:
package com.remondis.remap.maps.reassign;

import static org.junit.Assert.assertEquals;

import java.util.Map;

import org.junit.Test;

import com.remondis.remap.Mapper;
import com.remondis.remap.Mapping;

public class ReassignTest {

  @Test
  public void shouldReassignMaps() {
    Mapper<A, AMapped> mapper = Mapping.from(A.class)
        .to(AMapped.class)
        .reassign(A::getBmap)
        .to(AMapped::getAnotherName)
        .mapper();

    A a = new A();
    B b1 = new B("1");
    B b2 = new B("2");
    a.addB(1, b1);
    a.addB(2, b2);
    AMapped aMapped = mapper.map(a);
    Map<Integer, B> map = aMapped.getAnotherName();
    assertEquals(map.get(1), b1);
    assertEquals(map.get(2), b2);

  }

}

redpajama_set_name: RedPajamaGithub


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text:
Q: How to get DIV sub-elements using javascript HTML Code

I have checked : https://www.w3schools.com/js/js_htmldom_elements.asp and tried but it not help.
I want to take this element data-ad-status="unfilled" from HTML using javascript. So, i can use it in if else statement.
Like
if (data-ad-status="unfilled") {
some fuctions;
}

A:

/*SELECTING BY CLASSANEMES*/
const withClassName = document.querySelectorAll(".adsbygoogle");
withClassName.forEach(ad => {
  if ((ad.getAttribute("data-ad-status")) === "unfilled") {
    console.log("unfilled ad element")
  } else {
    console.log("other ad element")
  };
})

-document.querySelector("[data-ad-status='unfilled'] this one is electing particular one with data-ad-status="unfillded"

*

*document.querySelectorAll("[data-ad-status]"); this one is selecting all with the data-ad-status attribute.

const myDiv = document.querySelector("[data-ad-status='unfilled']");

const selectAllWithAttributeAdStatus = document.querySelectorAll("[data-ad-status]");
/*This(selectAllWithAttributeAdStatus) one is just for showing how to select elements with data-ad-status attribute */
//let adStatus = myDiv.getAttribute("data-ad-status");
selectAllWithAttributeAdStatus.forEach(ad => {
  if ((ad.getAttribute("data-ad-status")) === "unfilled") {
    console.log("unfilled ad element")
  } else {
    console.log("other ad element")
  };
})

A: we can use document.querySelector to select our element (if there is only one)
but in this case we need to use querySelectorAll for selecting all the ads elements in html ()
also now we can loop your logic on every element with that status, using forEach

with forEach you can get 3 other information,
 - the element itself (which you can do your logic with, or console.log it)
 - the index of the element
 - the array of all the elements
with this order (element, indexOfElement, ArrayOfAllElements)

this is a example:

let unfilledAds = document.querySelectorAll(`.adsbygoogle[data-ad-status="unfilled"]`);
let successAds = document.querySelectorAll(`.adsbygoogle[data-ad-status="success"]`);;

/* not success */
unfilledAds.forEach((adElement) => {
    /* your logic */
    console.log(`❌ this Ad is not filled`, adElement);
});

/* success */
successAds.forEach((adElement) => {
    console.log(`✅ this ad is visible to the user`, adElement);
});

you can also generalize [data-ad-status] by selecting all the elements and then do a simple if, else (checking the result)

you can also use this custom google event for the ads https://developers.google.com/publisher-tag/samples/ad-event-listeners without reinventing the wheels  so it will work if the ads will be successful after some time.   just see the docs.
 here a example: https://googleads.github.io/google-publisher-tag-samples/advanced/ad-event-listeners/demo.html

A: *

*As you told me that data is coming from async way I have added setTimeOut() function to wait for around 2 seconds here.

*I do not have access to how data is coming so this time for 2s is hard coded. change it's value and try to run it. and I am sure it will solve your problem.

*But use asyn-await function and make selectAd() wait till you data get loaded.

const selecteAd = () => {
  const myDiv = document.querySelector("[data-ad-status='unfilled']");
  const selectAllWithAttributeAdStatus = document.querySelectorAll("[data-ad-status]");
  /*This(selectAllWithAttributeAdStatus) one is just for showing how to select elements with data-ad-status attribute */
  //let adStatus = myDiv.getAttribute("data-ad-status");
  selectAllWithAttributeAdStatus.forEach(ad => {
    if ((ad.getAttribute("data-ad-status")) === "unfilled") {
      ad.style.background = "red";
      ad.style.height = "100px";
      ad.style.width = "100px";
      ad.style.display = "inline-block";
    } else {
      ad.style.background = "green";
      ad.style.height = "100px";
      ad.style.width = "100px";
      ad.style.display = "inline-block";
    };
  })
}
const myTimeout = setTimeout(selecteAd, 2000);

redpajama_set_name: RedPajamaStackExchange


text:
Q: Angular 6 component reacts to setTimeout from other component I am writing a site in angular 6. I have two components, slideshow and product-list.
In my slideshow component I have a setTimeout.
public carousel() {
  var i;
  var y = document.getElementsByClassName("mySlides");
  for (i = 0; i < y.length; i++) {
     y[i].setAttribute("style", "none");
  }
  this.curIndex++;
  if (this.curIndex > y.length) {this.curIndex = 1}
  y[this.curIndex-1].setAttribute("style", "display:block;");
  this.timer = setTimeout(() => {
    this.carousel();
  }, 4000);
}

It changes the images from my slideshow. As you can see, it happens every 4 seconds.
Now so far, this is intended behavior.
In  my product-list component, I have a random color generator.
getBackground (bg) {
    const color = this.color(0.5);
    return this._sanitizer.bypassSecurityTrustStyle(`
    background: -moz-linear-gradient(top, ${color} 0%, ${color} 100%), url(${bg}) repeat 0 0;

background: -moz-linear-gradient(top, ${color} 0%, ${color} 100%), url(${bg}) repeat 0 0;

background: -webkit-gradient(linear, left top, left bottom, color-stop(0%,${color}), color-stop(100%,${color})), url(${bg}) repeat 0 0;

background: -webkit-linear-gradient(top, ${color} 0%,${color} 100%), url(${bg}) repeat 0 0;

background: -o-linear-gradient(top, ${color} 0%,${color} 100%), url(${bg}) repeat 0 0;

background: -ms-linear-gradient(top, ${color} 0%,${color} 100%), url(${bg}) repeat 0 0;

background: linear-gradient(to bottom, ${color} 0%,${color} 100%), url(${bg}) repeat 0 0;
    `);

  }

This returns the style with a random color gradient.
Here it gets called, in my product-list component

{{product.product_name}}

{{product.product_description}}

But the problem is, that every time the slideshow changes, my colors change as well.
How can I make it so it doesn't change anything? The colors change exactly when the slideshow changes to a new picture, so I assume it is because of the settimeout.

A: As it is written, getBackground() should be called each time there is a change on the element. But if you put style to a property value and initiate it in ngOnInit() it would not change. Create an array that would hold products colors:

...

    ...

Typescript:
bg = [];
ngOnInit(){
    this.products.map(item => this.bg.push(this.getBackground('https://financialtribune.com/sites/default/files/field/image/17january/04-zs-ice-cream_66-ab.jpg'))
    }
}


text:
Q: Is the Flash always fast? I was wondering, when we see the Flash do everyday things, like ordering coffee or having a conversation, he seems to do it at "regular" speed. Is this because he can turn his speed "on and off" or is he essentially doing it super, super slow?

A: The Flash can turn his speed on and off.
As shown in The Flash Vol 2 #30, the Wally West Flash could sit down in a movie theatre with his girlfriend, and perceive a movie running at the same speed as normal people. But when he subconsciously turned his speed on, in response to the sensation of a speeding bullet beginning to press against the back of his neck (a gunman at the back of the theatre had just begun to unleash a hail of bullets into the audience), everything and everyone around him suddenly froze in place from his perspective.
At first, he was confused as to why everything and everyone had suddenly stopped moving, but soon realised what had happened when he noticed the bullet seemingly frozen in midair, just behind his neck (technically, it wasn't strictly frozen, just moving very slowly).
In explaining what had occurred, he specifically noted that his speed had turned "on":

WALLY WEST: I must've turned my speed on sub-consciously when I first felt the bullet touch my neck.

After intercepting all but one of the bullets fired into the audience, and disarming the gunman, he then turned his speed back off again momentarily, so he could taunt the gunman before knocking him out. His exact words in this case were:

WALLY WEST: All I have to do to start time again is will myself to stop.

(That's when he realised he'd overlooked one of the bullets, because the one he missed immediately took out the exit sign over one of the doors.)
When you think about it, it really has to work this way, otherwise the Flash being able to converse with normal people -- in such a way that both sides can understand what is being said -- would be either impossible, or at best, impractical. I mean, even if it were somehow possible for the Flash to understand words being spoken at an excruciatingly slow pace from his perspective, imagine the inordinate amount of patience it would take to stand there and listen for that long, and to speak in turn at the same, excruciatingly slow pace.
From a writer's perspective, it's an absolute no-brainer that you'd want a character like this to be able to turn their speed on and off as necessary.


text:
5 design things to do this week
Written by Karen Bruckner May. 07, 2018 Design
The LCDQ gets legendary; Otis College of Art and Design shows off its graduate work; A + D Celebrates: Identity with a Metro-inspired party; Benny Chan gets WUHO's Julius Shulman Photography award; and Foodshop serves dinners at the Schindler House.
Three upscale estates in legendary neighborhoods, will be on view this year, including this Trousdale Estates mid-century modern overlooking the entire city with ocean views.
1) Legends X
La Cienega Design Quarter (LCDQ) is celebrating 10 years of its annual three-day mix of keynotes, panel discussions, open houses, trunk shows, cocktail parties, exhibitions, author events, special appearances and window displays — inspired by this years' theme of Today's Vision, Tomorrow's Home. New this year is the rare opportunity to view three estates in iconic L.A. neighborhoods: a gated mid-century modern estate in Trousdale Estates, a French Normandy-style estate on Santa Monica Beach's Millionaire Row built in 1929 by architect Paul R. Crawley, and a regal Bel Air compound worthy of a prince — or Prince himself, who lived there.
When: Tuesday-Friday, May 8-11
Where: La Cienega Design Quarter (LCDQ), La Cienega Blvd. and Melrose Ave.
Tickets: VIP $575, includes pre and post parties, luncheons and other invitation only events. $75 for general programming. Parking and shuttle included. Registration for specific events is required. Click here for the complete schedule and VIP events. Tickets and registration here.
Work by graduating students will be on display, including 3D Environmental Art by Cat Diaz as shown here.
2) Otis College of Art and Design: 2018 Annual Exhibition
Otis College of Art and Design has been training artists and designers in Southern California for cultural and entrepreneurial life since 1918. The Annual Exhibition showcases work by graduating students across departments, including environmental and graphic design, animation, game, toy and fashion (photo top of page shows Otis fashion at their annual runway show). The Exhibition is worth visiting not only for the student work but also to see its campus buildings completed 2016 by Ehrlich Architects and Frederick Fisher and Partners. A snappy new residential hall, 300-seat forum and other amenities wrap around a landscaped court and give Otis at 100 new definition.
When: Saturday, May 12, noon – 9 pm
Where: Otis College of Art and Design, 9045 Lincoln Boulevard, Los Angeles, CA 90045
Tickets: Free. Click here for more information.
Where's your Metro stop? A + D Museum turns into a Metro Station to Celebrate: Identity at this year's annual fundraiser Gala.
3) A + D Museum Gala / Celebrate: Identity
Since 2001 A + D Museum has been celebrating progressive architecture and design in everyday life. This year's Gala theme 'Celebrate: Identity' is a bow "to the individuality and grit that drives this expression." On Saturday night A+D will take on the guise of a Metro station, its walls "illuminated by train station scenery, flower shops, and paper stands," with "mysterious figures" dressed by fashion designer Marco Marco, known for his fashion shows celebrating a wide range of body types and identities "This year's theme demonstrates the vital importance of community and individuality to the Museum," explains A+D Executive Director and Chief Curator, Anthony Morey, and the gala supports the growth of the museum.
When: Saturday, May 12, 7 – 11 pm
Where: A + D Museum, 900 E 4th St, Los Angeles, CA 90013
Tickets: $125 / students $50 – you can get tickets here.
A Benny Chan photograph of the Morphosis designed Emerson College site in Hollywood, work-in-progress in 2013. © Benny Chan/Fotoworks.
4) Julius Shulman Institute at Woodbury University Presents: Above and Behind: The Architecture Photography of Benny Chan
Art and commercial photographer Benny Chan isn't satisfied photographing a beautiful, finished building; he wants to show how it is put together, guts and all. This curiosity for the interior life of architecture has helped earn Chan the prestigious 2018 Julius Shulman Photography Excellence Award. After graduating from SCI-Arc in 1992, Chan founded Fotoworks, and the pursuit of his vision knows no boundaries. He hangs from helicopters to get the right angle. He builds his own cameras to surpass focal length limitations of off-the-shelf models, and he finds his way behind the scenes and into highly restricted sites. In his latest series, Chan captures L.A. architecture under construction, as if it were an assembly manual for the city. The photographs will be displayed in his upcoming exhibition, "Above and Behind: The Architecture Photography of Benny Chan", which opens on the same day Chan will be presented with the JSI Award.
When: Saturday, May 12, 6 – 9 pm
Where: Woodbury University Hollywood Gallery, 6518 Hollywood Blvd, Los Angeles, CA 90028
Tickets: Free; click here for more information.
Reserve your seat at the table for the Foodshop Dinner Series at MAK Center's iconic Schindler House.
5) Food Shop Dinner at the Iconic Schindler House
Enjoy this foodie-architecture mashup with dinner by Venice's Foodshop at the iconic Schindler House in Hollywood, along with live music sets by local artists. Schindler himself along with his wife, Pauline, regularly hosted artists, musicians, poets, writers, and actors, and turned their home into a center for avant-garde art and inquiry. Today, the Schindler House remains a site for progressive art and thought, and this series of dinners is aimed at helping support this beloved architectural and cultural landmark.
When: Weekends through May 27
Where: Schindler House, 833 N Kings Rd, West Hollywood, CA 90069
Tickets: $95 / $125, includes donation to MAK Center. Click here for menu and reservation information and email office@makcenter.org with preferred dates, guest number, and phone number.


Piada Italian Street Food turned to Chepri to create a new custom online ordering system capable of handling their evolving business.
The project included an upgrade of their web presence, portraying their story, promoting branding via design, while providing a responsive, visual voice through food imagery.
The second stage of the project focused on creating a new online ordering system, integrated with their website. Customers no longer have to transfer to another platform for the ordering process. All orders on their website are processed through our custom-developed API.


Remodeling your bathroom shower can fully adjust the face of your bathroom. Bathroom remodeling, or updating our tips in bathroom decor is a great way to add worth to your house considering that it is the second most common remodeling project for homes. Then all you have to do is add curtains, rods and any other modest finishing touches to have your perfect bathroom. Enjoy the whimsical touch of adding the twine to the shelf…it really is my favored project in the bathroom with the vases in frames being in a incredibly close second. Tile enhances the style of a walk-in shower and is the great way to add color and texture.
Quite a few household improvement centers have model bathrooms and kitchens set up, and can present a supply for some new concepts. The two places that we have rented have only had a shower which at initial I didn't feel would bother me but far more lately I have been craving a hot bath with Laura Mercier Creme Brulee Honey Bath and my favourite candle burning. This tub-size shower delivers lots of bathing space, plus a bench seat and little niches for bath necessities.
The truth is that a bathroom remodel tile shower project can go a lengthy way toward livening up your shower if you use it creatively. These are some of my favourite styles from my bathroom Pinterest board and below are some products on my current want list. A bigger shower also supplies space for dual showerheads, such as the wall-mount and handheld showerheads in this space. Learn the leading gift tips, like Christmas presents, Mother's Day gifts, and Valentine's gift concepts. A step amongst the shower and the rest of the bathroom serves as a barrier, maintaining water away from the bathroom's wood floors.
A long mirror over the vanity and glass shower walls do just that by reflecting light off of every other. That basket looks incredible and I am impressed with your notion on that basket in the bathroom wall. Recessed lights reflect off of glass doors and the shower floor is lined with tiny ceramic tile. Whilst this could appear like harmless fantasizing, it can truly have a quite detrimental effect on how you view your shower once it really is completed.
This smaller shower is kept from feeling cramped, thanks to its frameless shower door and glass enclosure. Some tips might contact for the replacement of dull or broken fixtures like a shower manage, knobs, shower heads or exhaust fans which are somewhat cheap to replace. Foregoing the common shower door is only the initially standout element in this gorgeous shower. Also, obtaining a restricted budget can occasionally lead to inventive solutions and concepts that you might not have believed of just before.


Medication reconciliation is a formal process of obtaining and verifying a patient's current medications following a transfer of care to your office. After you have confirmed with a patient that medications on the Active Medications list are accurate and up to date, a medication reconciliation can be documented in a clinical note. The person who performs the reconciliation, as well as the date and time, will be recorded. Conducting a medication reconciliation also helps meet Meaningful Use criteria. For Meaningful Use, once the clinical note has been signed, medical reconciliation data is pulled into Meaningful Use reporting.
Enter the first 2–3 letters of the patient's name in the top search box.
Click on a note to open it. The Note page opens.
Check the "Receiving" box on the bottom task bar. A message appears that says "To complete this as a transition of care document, you must perform medication reconciliation within 24 hours of the visit."
Click OK in the Message window.
Go to the Medications link in the note. The Medications window opens.
Click the "Medication reconciliation performed" box and click Close.
Click the refresh icon next to the Medications link. The medication reconciliation information appears under the Medications section of the note.
Medication reconciliation data will be pulled into your Meaningful Use reporting once the clinical note has been signed.
Medication reconciliation details can also be viewed on the patient's Medications List.
Click the Medications link in the note. The Medications window opens.
Check the "Medication reconciliation performed" box.
Hover your mouse over "Medication reconciliation performed" to view the details.
Medication reconciliation details appear on the patient's Medications List but are not included in Meaningful Use reporting.


labs: AERender (AE render droplet for OS X). . . | andrewANDORU. . .
Just like the MayaRender app, but for After Effects. A quick and easy way to launch AE renders without using the resources necessary to load up the After Effects UI and load each preview frame into memory. Plus this gives you the ability to launch multiple renders at once if you so choose.
Essentially just another way to render in the background (inspired by Lloyd Alvarez's great BG Render script on aescripts.com), but without ever having to open AE. Render speeds should also be slightly quicker this way as well since no resources are used by the app and only the render engine.
Here is a quick demo of the AERender & AEae apps (both available in the "labs" section of this site.
This is not a queueing app. This is a stand alone droplet that will startup seperate renders for any files dropped onto it. For queueing you can use my RenderQ app.
–Set Double-Click behavior. . .
–Set drag and drop behavior. . .
–Set Check for prefs behavior. . .
I have a same error message.
Do you found a soluce to fixe this problem?
wow, very usefull thanks a lot !
When I start AErender it says the script is uncompiled? EDIT or OK?
This is awesome! Any chance of a PC version in the future?
This is a godsend! Thanks so much Andrew and thank you community for explaining how to make this work with ae cs6.
Hi! i've downloaded the cs5 version. When i want to use it, it says file "AERender" is damaged and con't be opened. You should move it to Trash. I need help, whats wrong with it?
I'm having the same problem. Were you able to solve this? Any info would help. Thanks!
Thank you for your script!
I've been using it extensively, but it stopped working for me today. It keeps looking for an older file that I rendered in the past, and not the file that I need to currently render. How would I fix that?
Anyone knows if there is a version that works with Adobe CC?
I installed AErender_v1.1.app , the universal version.
and I don't know where I should find it.
What should I pointing at?
You need to select the "aerender" executable that is nested in the same folder as the After Effects application.
What do I do? I also check in the main.script but I do not know which lines to change. Help please!!
I did the same mistake, when prompted i pointed to the AE app dander than the aerender.
Is there a plist I can delete so the droplet can work as if launched for the first time?
7. Repeat steps 1-4 to go back into the script you just changed.
This was all I needed to do on my comp to get CC2018 renders going correctly through this app.
I downloaded this but I don't have a mac I use a windows 7. It doesn't seem to be working. Is there a way to fix this?
Have just one problem: If I select two projects using the aerender app, it will open two terminals and render th ae projects simultaneous.
the two projects will render in sequence. It would be really fantastic if the app could do this.
post. Thank you one million and please carry on the enjoyable work.
Is there a windows version of this?
Thank you so much for this plugin, I have been using it ever since I'm using AE CS5.
After Effects error: The file you are attempting to open was created with After Effects version 13.2 (Macintosh 64) and cannot be opened with this version.
is there are new version or a way which I can fix this issue?
I've been using aerender for two years, it's soooo useful.
there are a work around for me, I try to save the .aep file down to CC2013 v12, then it would worked for me.
Now it works like a charm!!!
Pretty website by the way!
I tried getting this to work for CC 2015 but haven't had any luck. I opened up the coding in apple scripts editor and didn't see anywhere where I could update the language. Anyone get this to work with cc 2015?
Does anyone have trouble rendering Ray Traced 3D scene with AE Render?
Does is support this feature?
Has someone got this to work with CC 2015? Thanks.
This will force the app to create a new preference file, and on the next run it will ask you to navigate to the aerender in the Adobe After Effects folder.
I heard a lot of good feedback about AErender. So would be nice to get it working!
My question is :could you write detailed step-by-step instructions from the moment of download: how to install it, activate and make it work, please? All the directories, scripts, etc.
Anyone got this working on adobe2017 cc?