If the argument is NaN, positive infinity or negative infinity, this method returns false, otherwise it returns true.
When the object is a Date object, Number returns a value in milliseconds measured from 01 January, 1970 UTC (GMT), positive after this date, negative before. If obj is a string that does not contain a well-formed numeric literal, Number returns NaN.
Parses a string argument and returns a floating point number.
Parses a string argument and returns an integer of the specified radix or base.
Converts the specified object to a string. When the object is a Date object, String returns a more readable string representation of the date. Its format is: Thu Aug 18 04:37:43 Pacific Daylight Time 1983.
Returns a series of characters in the ISO-Latin-1 character set for the specified hexadecimal encoding value.
constructor Specifies the function that creates an object's prototype.
prototype Allows the addition of properties to all objects.
unwatch(prop) Removes a watchpoint from a property of the object.
watch(prop, handler) Adds a watchpoint to a property of the object.
index For an array created by a regular expression match, the zero-based index of the match in the string.
input For an array created by a regular expression match, reflects the original string against which the regular expression was matched.
concat(arrayName2, arrayName3, ..., arrayNameN) Joins two or more arrays and returns a new array.
join(separator) Joins all elements of an array into a string.
push(element1, ..., elementN) Adds one or more elements to the end of an array and returns the new length of the array.
reverse() Transposes the elements of an array: the first array element becomes the last and the last becomes the first.
slice(begin[,end]) Extracts a section of an array and returns a new array.
splice(index, howMany, [element1][, ..., elementN]) Adds and/or removes elements from an array.
sort(compareFunction) Sorts the elements of an array.
toSource() Returns an array literal representing the specified array; you can use this value to create a new array. Overrides the Object.toSource method.
toString() Returns a string representing the array and its elements. Overrides the Object.toString method.
arrayName.unshift(element1,..., elementN) Adds one or more elements to the front of an array and returns the new length of the array.
valueOf() Returns the primitive value of the array. Overrides the Object.valueOf method.
prototype Defines a property that is shared by all Boolean objects.
toSource() Returns an object literal representing the specified Boolean object; you can use this value to create a new object. Overrides the Object.toSource method.
toString() Returns a string representing the specified object. Overrides the Object.toString method.
valueOf() Returns the primitive value of a Boolean object. Overrides the Object.valueOf method.
prototype Allows the addition of properties to a Date object.
getTime() Returns the numeric value corresponding to the time for the specified date according to local time.
getUTCMonth() Returns the month according in the specified date according to universal time.
getYear() Returns the year in the specified date according to local time.
Date.parse(dateString) Returns the number of milliseconds in a date string since January 1, 1970, 00:00:00, local time.
setDate(dayValue) Sets the day of the month for a specified date according to local time.
setFullYear(yearValue[, monthValue, dayValue]) Sets the full year for a specified date according to local time.
setHours(hoursValue[, minutesValue, secondsValue, msValue]) Sets the hours for a specified date according to local time.
setMilliseconds(millisecondsValue) Sets the milliseconds for a specified date according to local time.
setMinutes(minutesValue[, secondsValue, msValue]) Sets the minutes for a specified date according to local time.
setMonth(monthValue[, dayValue]) Sets the month for a specified date according to local time.
setSeconds(secondsValue[, msValue]) Sets the seconds for a specified date according to local time.
setTime(timevalue) Sets the value of a Date object according to local time.
setUTCDate(dayValue) Sets the day of the month for a specified date according to universal time.
setUTCFullYear(yearValue[, monthValue, dayValue]) Sets the full year for a specified date according to universal time.
setUTCHour(hoursValue[, minutesValue, secondsValue, msValue]) Sets the hour for a specified date according to universal time.
setUTCMilliseconds(millisecondsValue) Sets the milliseconds for a specified date according to universal time.
setUTCMinutes(minutesValue[, secondsValue, msValue]) Sets the minutes for a specified date according to universal time.
setUTCMonth(monthValue[, dayValue]) Sets the month for a specified date according to universal time.
setUTCSeconds(secondsValue[, msValue]) Sets the seconds for a specified date according to universal time.
setYear(yearValue) Sets the year for a specified date according to local time.
toGMTString() Converts a date to a string, using the Internet GMT conventions.
toSource() Returns an object literal representing the specified Date object; you can use this value to create a new object. Overrides the Object.toSource method.
toString() Returns a string representing the specified Date object. Overrides the Object.toString method.
Date.UTC(year, month, day[, hrs, min, sec, ms]) Returns the number of milliseconds in a Date object since January 1, 1970, 00:00:00, universal time.
arguments An array corresponding to the arguments passed to a function.
arguments.callee Specifies the function body of the currently executing function.
arguments.caller Specifies the name of the function that invoked the currently executing function.
arguments.length Specifies the number of arguments passed to the function.
arity Specifies the number of arguments expected by the function.
length Specifies the number of arguments expected by the function.
prototype Allows the addition of properties to a Function object.
apply(thisArg[, argArray]) Allows you to apply a method of another object in the context of a different object (the calling object).
call(thisArg[, arg1[, arg2[, ...]]]) Allows you to call (execute) a method of another object in the context of a different object (the calling object).
toSource() Returns a string representing the source code of the function. Overrides the Object.toSource method.
toString() Returns a string representing the source code of the function. Overrides the Object.toString method.
valueOf() Returns a string representing the source code of the function. Overrides the Object.valueOf method.
A top-level, predefined object which can be accessed without using a constructor or calling a method.
E Euler's constant and the base of natural logarithms, approximately 2.718.
LOG10E Base 10 logarithm of E (approximately 0.434).
LOG2E Base 2 logarithm of E (approximately 1.442).
abs(x) Returns the absolute value of a number.
acos(x) Returns the arccosine (in radians) of a number.
asin(x) Returns the arcsine (in radians) of a number.
atan(x) Returns the arctangent (in radians) of a number.
ceil(x) Returns the smallest integer greater than or equal to a number.
cos(x) Returns the cosine of a number.
exp(x) Returns Enumber, where number is the argument, and E is Euler's constant, the base of the natural logarithms.
floor(x) Returns the largest integer less than or equal to a number.
log(x) Returns the natural logarithm (base E) of a number.
max(x,y) Returns the greater of two numbers.
min(x,y) Returns the lesser of two numbers.
pow(x,y) Returns base to the exponent power, that is, baseexponent.
round(x) Returns the value of a number rounded to the nearest integer.
sin(x) Returns the sine of a number.
sqrt(x) Returns the square root of a number.
tan(x) Returns the tangent of a number.
MAX_VALUE The largest representable number.
MIN_VALUE The smallest representable number.
NaN Special "not a number" value.
NEGATIVE_INFINITY Special value representing negative infinity; returned on overflow.
POSITIVE_INFINITY Special value representing infinity; returned on overflow.
prototype Allows the addition of properties to a Number object.
toSource() Returns an object literal representing the specified Number object; you can use this value to create a new object. Overrides the Object.toSource method.
valueOf() Returns the primitive value of the specified object. Overrides the Object.valueOf method.
$1, ..., $9 Parenthesized substring matches, if any.
regex.compile(pattern[, flags]) Compiles a regular expression object.
regex.exec([str]) regex([str]) Executes a search for a match in its string parameter.
regex.test([str]) Tests for a match in its string parameter.
toSource() Returns an object literal representing the specified object; you can use this value to create a new object. Overrides the Object.toSource method.
length Reflects the length of the string.
prototype Allows the addition of properties to a String object.
anchor(nameAttribute) Creates an HTML anchor that is used as a hypertext target.
big() Causes a string to be displayed in a big font as if it were in a BIG tag.
blink() Causes a string to blink as if it were in a BLINK tag.
bold() Causes a string to be displayed as if it were in a B tag.
charAt(index) Returns the character at the specified index.
charCodeAt([index]) Returns a number indicating the Unicode value of the character at the given index.
concat(string2, string3[, ..., stringN]) Combines the text of two or more strings and returns a new string.
fixed() Causes a string to be displayed in fixed-pitch font as if it were in a TT tag.
fontcolor(color) Causes a string to be displayed in the specified color as if it were in a  tag.
fontsize(size) Causes a string to be displayed in the specified font size as if it were in a  tag.
fromCharCode(num1, ..., numN) Returns a string created by using the specified sequence of Unicode values.
indexOf(searchValue[, fromIndex]) Returns the index within the calling String object of the first occurrence of the specified value, or -1 if not found.
italics() Causes a string to be italic, as if it were in an I tag.
lastIndexOf(searchValue[, fromIndex]) Returns the index within the calling String object of the last occurrence of the specified value, or -1 if not found.
link(hrefAttribute) Creates an HTML hypertext link that requests another URL.
match(regexp) Used to match a regular expression against a string.
replace(regex, newSubStr) replace(regex, function) Used to find a match between a regular expression and a string, and to replace the matched substring with a new substring.
search(regexp) Executes the search for a match between a regular expression and a specified string.
slice(beginslice[, endSlice]) Extracts a section of a string and returns a new string.
small() Causes a string to be displayed in a small font, as if it were in a SMALL tag.
split([separator][, limit]) Splits a String object into an array of strings by separating the string into substrings.
strike() Causes a string to be displayed as struck-out text, as if it were in a STRIKE tag.
sub() Causes a string to be displayed as a subscript, as if it were in a SUB tag.
substr(start[, length]) Returns the characters in a string beginning at the specified location through the specified number of characters.
substring(indexA, indexB) Returns the characters in a string between two indexes into the string.
sup() Causes a string to be displayed as a superscript, as if it were in a SUP tag.
toLowerCase() Returns the calling string value converted to lowercase.
name A string specifying the anchor's name.
text A string specifying the text of an anchor.
x The horizontal position of the anchor's left edge, in pixels, relative to the left edge of the document.
y The vertical position of the anchor's top edge, in pixels, relative to the top edge of the document.
Area objects are a type of Link object.
form Specifies the form containing the Button object.
name Reflects the NAME attribute.
type Reflects the TYPE attribute.
value Reflects the VALUE attribute.
blur() Removes focus from the button.
click() Simulates a mouse-click on the button.
focus() Gives focus to the button.
handleEvent(event) Invokes the handler for the specified event.
checked Boolean property that reflects the current state of the checkbox.
defaultChecked Boolean property that reflects the CHECKED attribute.
form Specifies the form containing the Checkbox object.
value Reflects the TYPE attribute.
blur() Removes focus from the checkbox.
click() Simulates a mouse-click on the checkbox.
focus() Gives focus to the checkbox.
alinkColor A string that specifies the ALINK attribute.
anchors An array containing an entry for each anchor in the document.
applets An array containing an entry for each applet in the document.
bgColor A string that specifies the BGCOLOR attribute.
classes Creates a Style object that can specify the styles of HTML tags with a specific CLASS attribute.
domain Specifies the domain name of the server that served a document.
embeds An array containing an entry for each plug-in in the document.
fgColor A string that specifies the TEXT attribute.
formName A separate property for each named form in the document.
forms An array a containing an entry for each form in the document.
height The height of the document, in pixels.
ids Creates a Style object that can specify the style of individual HTML tags.
images An array containing an entry for each image in the document.
lastModified A string that specifies the date the document was last modified.
layers Array containing an entry for each layer within the document.
linkColor A string that specifies the LINK attribute.
links An array containing an entry for each link in the document.
plugins An array containing an entry for each plug-in in the document.
referrer A string that specifies the URL of the calling document.
tags Creates a Style object that can specify the styles of HTML tags.
title A string that specifies the contents of the TITLE tag.
URL A string that specifies the complete URL of a document.
vlinkColor A string that specifies the VLINK attribute.
width The width of the document, in pixels.
captureEvents(eventType) Sets the document to capture all events of the specified type.
close() Closes an output stream and forces data to display.
contextual(context1, ...[contextN,] affectedStyle) Uses contextual selection criteria to specify a Style object that can set the style of individual HTML tags.
getSelection() Returns a string containing the text of the current selection.
open([mimeType, [replace]]) Opens a stream to collect the output of write or writeln methods.
releaseEvents(eventType) Sets the window or document to release captured events of the specified type, sending the event to objects further along the event hierarchy.
routeEvent(event) Passes a captured event along the normal event hierarchy.
document.write(expr1[, ...,exprN]) Writes one or more HTML expressions to a document in the specified window.
writeln(expr1[, ... exprN]) Writes one or more HTML expressions to a document in the specified window and follows them with a newline character.
form Specifies the form containing the FileUpload object.
value Reflects the current value of the file upload element's field; this corresponds to the name of the file to upload.
blur() Removes focus from the object.
focus() Gives focus to the object.
select() Selects the input area of the file upload field.
action Reflects the ACTION attribute.
elements An array reflecting all the elements in a form.
encoding Reflects the ENCTYPE attribute.
length Reflects the number of elements on a form.
method Reflects the METHOD attribute.
target Reflects the TARGET attribute.
reset() Simulates a mouse click on a reset button for the calling form.
Every Frame object is a window object, and has all the methods and properties of a window object.
form Specifies the form containing the Hidden object.
value Reflects the current value of the Hidden object.
current Specifies the URL of the current history entry.
length Reflects the number of entries in the history list.
next Specifies the URL of the next history entry.
previous Specifies the URL of the previous history entry.
back() Loads the previous URL in the history list.
forward() Loads the next URL in the history list.
go(delta) go(location) Loads a URL from the history list.
border Reflects the BORDER attribute.
complete Boolean value indicating whether the web browser has completed its attempt to load the image.
height Reflects the HEIGHT attribute.
hspace Reflects the HSPACE attribute.
lowsrc Reflects the LOWSRC attribute.
src Reflects the SRC attribute.
vspace Reflects the VSPACE attribute.
width Reflects the WIDTH attribute.
above The layer object above this one in z-order, among all layers in the document or the enclosing window object if this layer is topmost.
background The image to use as the background for the layer's canvas.
bgColor The color to use as a solid background color for the layer's canvas.
below The layer object below this one in z-order, among all layers in the document or null if this layer is at the bottom.
document The layer's associated document.
left The horizontal position of the layer's left edge, in pixels, relative to the origin of its parent layer.
name A string specifying the name assigned to the layer through the ID attribute in the LAYER tag.
pageX The horizontal position of the layer, in pixels, relative to the page.
pageY The vertical position of the layer, in pixels, relative to the page.
parentLayer The layer object that contains this layer, or the enclosing window object if this layer is not nested in another layer.
siblingAbove The layer object above this one in z-order, among all layers that share the same parent layer, or null if the layer has no sibling above.
siblingBelow The layer object below this one in z-order, among all layers that share the same parent layer, or null if layer is at the bottom.
src A string specifying the URL of the layer's content.
top The vertical position of the layer's top edge, in pixels, relative to the origin of its parent layer.
visibility Whether or not the layer is visible.
window The window or Frame object that contains the layer, regardless of whether the layer is nested within another layer.
x A convenience synonym for Layer.left.
y A convenience synonym for Layer.top.
zIndex The relative z-order of this layer with respect to its siblings.
captureEvents(eventType) Sets the window or document to capture all events of the specified type.
load(sourcestring, width) Changes the source of a layer to the contents of the specified file, and simultaneously changes the width at which the layer's HTML contents will be wrapped.
moveAbove(aLayer) Stacks this layer above the layer specified in the argument, without changing either layer's horizontal or vertical position.
moveBelow(aLayer) Stacks this layer below the specified layer, without changing either layer's horizontal or vertical position.
moveBy(horizontal, vertical) Changes the layer position by applying the specified deltas, measured in pixels.
moveTo(x-coordinate, y-coordinate) Moves the top-left corner of the window to the specified screen coordinates.
releaseEvents(eventType) Sets the layer to release captured events of the specified type, sending the event to objects further along the event hierarchy.
resizeBy(width, height) Resizes the layer by the specified height and width values (in pixels).
resizeTo(width, height) Resizes the layer to have the specified height and width values (in pixels).
hash Specifies an anchor name in the URL.
host Specifies the host and domain name, or IP address, of a network host.
hostname Specifies the host:port portion of the URL.
href Specifies the entire URL.
pathname Specifies the URL-path portion of the URL.
port Specifies the communications port that the server uses.
protocol Specifies the beginning of the URL, including the colon.
search Specifies a query string.
text A string containing the content of the corresponding A tag.
x The horizontal position of the link's left edge, in pixels, relative to the left edge of the document.
y The vertical position of the link's top edge, in pixels, relative to the top edge of the document.
reload([forceGet]) Forces a reload of the window's current document.
replace(URL) Loads the specified URL over the current history entry.
description A description of the MIME type.
enabledPlugin Reference to the Plugin object configured for the MIME type.
suffixes A string listing possible filename extensions for the MIME type, for example "mpeg, mpg, mpe, mpv, vbs, mpegv".
type The name of the MIME type, for example "video/mpeg" or "audio/x-wav".
appCodeName Specifies the code name of the browser.
appName Specifies the name of the browser.
appVersion Specifies version information for the Navigator.
language Indicates the translation of the Navigator being used.
mimeTypes An array of all MIME types supported by the client.
platform Indicates the machine type for which the Navigator was compiled.
plugins An array of all plug-ins currently installed on the client.
userAgent Specifies the user-agent header.
javaEnabled() Tests whether Java is enabled.
plugins.refresh() Makes newly installed plug-ins available and optionally reloads open documents that contain plug-ins.
preference(prefName[, setValue]) Allows a signed script to get and set certain Navigator preferences.
savePreferences() Saves the Navigator preferences to the local file prefs.js.
navigator.taintEnabled() Specifies whether data tainting is enabled.
Created by the Option constructor or the HTML OPTION tag.
index The zero-based index of an element in the Select.options array.
length The number of elements in the Select.options array.
defaultValue Reflects the VALUE attribute.
form Specifies the form containing the Password object.
value Reflects the current value of the Password object's field.
select() Selects the input area of the object.
description A description of the plug-in.
filename Name of the plug-in file on disk.
length Number of elements in the plug-in's array of MimeType objects.
name Name of the plug-in.
Created by the HTML INPUT tag, with "radio" as the value of the TYPE attribute.
checked Lets you programmatically select a radio button (property of the individual button).
defaultChecked Reflects the CHECKED attribute (property of the individual button).
form Specifies the form containing the Radio object (property of the array of buttons).
name Reflects the NAME attribute (property of the array of buttons).
type Reflects the TYPE attribute (property of the array of buttons).
value Reflects the VALUE attribute (property of the array of buttons).
blur() Removes focus from the radio button.
click() Simulates a mouse-click on the radio button.
focus() Gives focus to the radio button.
form Specifies the form containing the Reset object.
blur() Removes focus from the reset button.
click() Simulates a mouse-click on the reset button.
focus() Gives focus to the reset button.
form Specifies the form containing the selection list.
length Reflects the number of options in the selection list.
options Reflects the OPTION tags.
selectedIndex Reflects the index of the selected option (or the first selected option, if multiple options are selected).
type Specifies that the object is represents a selection list and whether it can have one or more selected options.
blur() Removes focus from the selection list.
focus() Gives focus to the selection list.
form Specifies the form containing the Submit object.
lur() Removes focus from the submit button.
click() Simulates a mouse-click on the submit button.
focus() Gives focus to the submit button.
form Specifies the form containing the Text object.
value Reflects the current value of the Text object's field.
form Specifies the form containing the Textarea object.
type Specifies that the object is a Textarea object.
value Reflects the current value of the Textarea object.
closed Specifies whether a window has been closed.
crypto An object which allows access Navigator's encryption features.
defaultStatus Reflects the default message displayed in the window's status bar.
document Contains information on the current document, and provides methods for displaying HTML output to the user.
frames An array reflecting all the frames in a window.
history Contains information on the URLs that the client has visited within a window.
innerHeight Specifies the vertical dimension, in pixels, of the window's content area.
innerWidth Specifies the horizontal dimension, in pixels, of the window's content area.
length The number of frames in the window.
location Contains information on the current URL.
locationbar Represents the browser window's location bar.
menubar Represents the browser window's menu bar.
name A unique name used to refer to this window.
offscreenBuffering Specifies whether updates to a window are performed in an offscreen buffer.
outerHeight Specifies the vertical dimension, in pixels, of the window's outside boundary.
outerWidth Specifies the horizontal dimension, in pixels, of the window's outside boundary.
pageXOffset Provides the current x-position, in pixels, of a window's viewed page.
pageYOffset Provides the current y-position, in pixels, of a window's viewed page.
parent A synonym for a window or frame whose frameset contains the current frame.
personalbar Represents the browser window's personal bar (also called the directories bar).
screenX Specifies the x-coordinate of the left edge of a window.
screenY Specifies the y-coordinate of the top edge of a window.
scrollbars Represents the browser window's scroll bars.
self A synonym for the current window.
status Specifies a priority or transient message in the window's status bar.
statusbar Represents the browser window's status bar.
toolbar Represents the browser window's toolbar.
top A synonym for the topmost browser window.
window A synonym for the current window.
alert(message) Displays an Alert dialog box with a message and an OK button.
atob(encodedData) Decodes a string of data which has been encoded using base-64 encoding.
back() Undoes the last history step in any frame within the top-level window.
blur() Removes focus from the specified object.
btoa(stringToEncode) Creates a base-64 encoded string.
captureEvents(eventType1 [|eventTypeN...]) Sets the window or document to capture all events of the specified type.
clearInterval(intervalID) Cancels a timeout that was set with the setInterval method.
clearTimeout(timeoutID) Cancels a timeout that was set with the setTimeout method.
close() Closes the specified window.
confirm(message) Displays a Confirm dialog box with the specified message and OK and Cancel buttons.
crypto.random(numberOfBytes) Returns a pseudo-random string whose length is the specified number of bytes.
crypto.signText(text, selectionStyle [, authority1 [, ... authorityN]]) Returns a string of encoded data which represents a signed object.
disableExternalCapture() Disables external event capturing set by the enableExternalCapture method.
enableExternalCapture() Allows a window with frames to capture events in pages loaded from different locations (servers).
find([string[, caseSensitive, backward]]) Finds the specified text string in the contents of the specified window.
focus() Gives focus to the specified object.
history.forward() forward() Loads the next URL in the history list.
home() Points the browser to the URL specified in preferences as the user's home page.
moveBy(horizontal, vertical) Moves the window by the specified amounts.
open(URL, windowName[, windowFeatures]) Opens a new web browser window.
print() Prints the contents of the window or frame.
prompt(message[, inputDefault]) Displays a Prompt dialog box with a message and an input field.
releaseEvents(eventType1 [|eventTypeN...]) Sets the window to release captured events of the specified type, sending the event to objects further along the event hierarchy.
resizeBy(horizontal, vertical) Resizes an entire window by moving the window's bottom-right corner by the specified amount.
resizeTo(outerWidth, outerHeight) Resizes an entire window to the specified outer height and width.
scrollBy(horizontal, vertical) Scrolls the viewing area of a window by the specified amount.
scrollTo(x-coordinate, y-coordinate) Scrolls the viewing area of the window to the specified coordinates, such that the specified point becomes the top-left corner.
setHotKeys(trueOrFalse) Enables or disables hot keys in a window which does not have menus.
setInterval(expression, msec) setInterval(function, msec[, arg1[, ..., argN]]) Evaluates an expression or calls a function every time a specified number of milliseconds elapses.
setResizable(trueOrFalse) Specifies whether a user is permitted to resize a window.
setTimeout(expression, msec) setTimeout(function, msec[, arg1[, ..., argN]]) Evaluates an expression or calls a function once after a specified number of milliseconds has elapsed.
setZOptions(windowPosition) Specifies the z-order stacking behavior of a window.
stop() Stops the current download.
Created by Communicator when an event occurs.
data Returns an array of strings containing the URLs of the dropped objects. Passed with the DragDrop event.
height Represents the height of the window or frame.
layerX Number specifying either the object width when passed with the resize event, or the cursor's horizontal position in pixels relative to the layer in which the event occurred. Note that layerX is synonymous with x.
layerY Number specifying either the object height when passed with the resize event, or the cursor's vertical position in pixels relative to the layer in which the event occurred. Note that layerY is synonymous with y.
modifiers String specifying the modifier keys associated with a mouse or key event. Modifier key values are: ALT_MASK, CONTROL_MASK, SHIFT_MASK, and META_MASK.
pageX Number specifying the cursor's horizontal position in pixels, relative to the page.
pageY Number specifying the cursor's vertical position in pixels relative to the page.
screenX Number specifying the cursor's horizontal position in pixels, relative to the screen.
screenY Number specifying the cursor's vertical position in pixels, relative to the screen.
which Number specifying either the mouse button that was pressed or the ASCII value of a pressed key. For a mouse, 1 is the left button, 2 is the middle button, and 3 is the right button.
width Represents the width of the window or frame.
availHeight Specifies the height of the screen, in pixels, minus permanent or semipermanent user interface features displayed by the operating system, such as the Taskbar on Windows.
availLeft Specifies the x-coordinate of the first pixel that is not allocated to permanent or semipermanent user interface features.
availTop Specifies the y-coordinate of the first pixel that is not allocated to permanent or semipermanent user interface features.
availWidth Specifies the width of the screen, in pixels, minus permanent or semipermanent user interface features displayed by the operating system, such as the Taskbar on Windows.
colorDepth The bit depth of the color palette, if one is in use; otherwise, the value is derived from screen.pixelDepth.
pixelDepth Display screen color resolution (bits per pixel).
align Specifies the alignment of an HTML element within its parent.
backgroundColor Specifies a solid background color for an element.
backgroundImage Specifies a background image for an HTML element.
borderBottomWidth Specifies the width of the bottom border of an HTML element.
borderColor Specifies the color of the border of an HTML element.
borderLeftWidth Specifies the width of the left border of an HTML element.
borderRightWidth Specifies the width of the right border of an HTML element.
borderStyle Specifies the style of border, such as solid or double, around a block-level HTML element.
borderTopWidth Specifies the width of the top border of an HTML element.
clear Specifies the sides of an HTML element that allow floating elements.
color Specifies the color of the text in an HTML element.
display Overrides the usual display of an element and specifies whether the element appears in line, as a block-level element, or as a block-level list item.
fontFamily Specifies the font family, such as Helvetica or Arial, for an HTML text element.
fontSize Specifies the font size for an HTML text element.
fontStyle Specifies the style of the font of an HTML element.
fontWeight Specifies the weight of the font of an HTML element.
lineHeight Specifies the distance between the baselines of two adjacent lines of block-level type.
listStyleType Specifies the style of bullet displayed for list items.
marginBottom Specifies the minimal distance between the bottom of an HTML element and the top of an adjacent element.
marginLeft Specifies the minimal distance between the left side of an HTML element and the right side of an adjacent element.
marginRight Specifies the minimal distance between the right side of an HTML element and the left side of an adjacent element.
marginTop Specifies the minimal distance between the top of an HTML element and the bottom of an adjacent element.
paddingBottom Specifies how much space to insert between the bottom of an element and its content, such as text or an image.
paddingLeft Specifies how much space to insert between the left side of an element and its content, such as text or an image.
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paddingTop Specifies how much space to insert between the top of an element and its content, such as text or an image.
textAlign Specifies the alignment of an HTML block-level text element.
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While UK cystic fibrosis patients continue their long wait for access to Vertex's Orkambi, the drug has received a label extension from the European Commission allowing it to be used in younger children.
The Commission has approved the drug for the treatment of children with cystic fibrosis (CF) aged 2 to 5 years old who have two copies of the F508del mutation, the most common form of the disease. Previously, this indication was only approved for patients aged 6 and above.
The label update is based on data from a phase 3 open-label safety study in 60 patients that showed treatment with Orkambi was generally well tolerated for 24 weeks, with a safety profile in these pediatric patients generally consistent with that in patients aged 6 years and older.
The new approval will not yet have any effect on UK patients, though, many of whom are still waiting for access to the drug as a pricing row between Vertex and the government drags on.
The row began in mid-2016 when NICE said the drug was too expensive for regular NHS funding.
Vertex has been trying to strike a long-term deal that would involve the NHS funding all of its CF drugs, including those that are yet to be approved.
The company rejected a counter-offer worth about £500 million over five years, and more than £1 billion over 10 years for Orkambi, and refused to engage with NICE until the cost-effectiveness body changed its assessment methods – although at the tail end of last year talks opened up again.
British MPs have launched an investigation into why Orkambi is not yet available, asking Vertex to publicly reveal how much the drug costs.
However, the drug may still be made available on the NHS in Scotland via the Scottish Medicines Consortium (SMC).
The UK has the second largest population of patients with CF in the world, with around 10,000 people affected by the debilitating condition.
While this has been going on, Vertex scored EU approval for another of its CF combination drugs, Symkevi (tezacaftor/ivacaftor).


for the same great price!
Age-group awards, Overall male/female and Masters male/female.
Our awards are hand painted ceramic medallions that you won't find at ANY OTHER RACE!
The road course winds through the Edgewood community with entertainment provided by HHS marching band in ensembles. Expect to see neighbors in Edgewood cheering along as you complete our friendly 5K.
2. Packet Pick-up: Homewood Parks & Recreation Community Center.
Friday, May 4th - 3:00-6:00 p.m.
Saturday, May 5th - 6:30-7:00 a.m.
3. Race day Registration: $40 - 6:30-7:00 a.m.
4. No dogs allowed on the course. Strollers are welcome.
5. Fruit will be provided for runners only at the finish line.
6. In the event of inclement weather, the race is canceled. No Refunds.
Enjoy Chip Timing for the same great price!


Lots of things have happened since then.
Here we are now – a band of crazy ones, misfits, rebels, round pegs in the square holes. A team that sees things differently, not fond of rules, and no respect for the status-quo.
A team that is meant to make a dent in the universe.
And why do we want to go there?
I've been blogging about this awesome book I'm reading: "Good to Great" by Jim Collins.
He talks about having the right people at the right seats and getting the wrong people off the bus.
This is something I am very focused about right now. It is critical for us to have the right people this year. For no other reason than because it is the year we are going to tip.
We are about to start an epidemic like the SEO industry has never seen before.
We're going to be in blogs, in the news, and in the mouths of people who are hyped up about who we are and what we do.
We have built a brand that is strong enough to make a grand entrance in the online marketing scene.
That means we all need to be A players.
We all have to have an initiative for bringing the company forward.
We all need to put a high price on Spiritual Discipline. To Put God first. That's the highest point of leadership. When you know your ultimate purpose in life, are secure in a love that is beyond anything this world can fill – then you can move, achieve and ultimately fly towards anything you set your heart and mind to do.
A players are people who Test. Test. And Test. Move fast and Break things. Have your own blog. Do whatever inspires your curiosity enough that you'll take unwarranted action.
A players are people who Read. Don't you know the reason why the Bible is not in video? It's because reading leaves room for imagination. Grow that vision and dream big.
A players are people who Innovate. Imagining is thinking it. Innovating is doing it.
A players are people who Write. Document everything. Why we are here now is because of the things that were blogged in SEO Hacker when we were starting out. People will read your stuff. But even if they don't. You will remember it because you wrote it.
There's another truth to having an A team.
And that is taking the B players off the bus.
When you have a B player with an A player, what usually happens is that the A player is discouraged to perform in peak capacity. Because hey, the B players are getting their pay grade and the same benefits anyway.
We don't want that to happen.
Because, you are going to be A players, I know you'll be offered a job elsewhere – in fact, I'm predicting it.
And when that happens, I want you to know that I'll be proud of you wherever you decide to go.
You guys have helped build SEO Hacker into what it is now and I know wherever you'll be sent, you'll make a positive change.
And for the people who will stay, I want you to know that I'll take you with me all the way to the top. And the world will know who you are and what you've done to contribute to the society.
You'll be a super star team.
2) Be the thought leader – always innovating on how to do awesome marketing for our own branding first – then for our clients. We'll keep on pushing and pushing until other companies are forced to keep up or die off. We'll invent and invent because we have it in us to do so.
3) Grow the Talents – We are planning to hire more technical people to help us achieve our plans of perpetual revenue stream. In order to achieve this, we will need people who have an uncanny knack for awesome User Experience, Design, and Front and Back-end Development.
4) Build a million dollar company – Why stop where we're at? When we get to a point where we can self supplant, it will be a colossal cataclysmic growth for greatness.
5) Have tons and tons of fun while we're at it – And that's what we're about to do now.
So as we approach this year with our hopes held high and our jeering strong, let's offer a clap of praise to what God has done for us.
Here's to another year of growth, friendship, innovation and success!


The music of Ireland featuring Laura Byrne, Donna Long, Eamon O'Leary & Rose Flanagan will be at Cellar Stage on Feb. 15, 2013. Tickets.
Posted on February 1, 2013, in Cellar Stage Baltimore and tagged Celtic music, Donna Long, Eamon O'Leary, Irish music, Laura Byrne, Rose Flanagan. Bookmark the permalink.	Comments Off on Irish music at Cellar Stage, Feb. 15th.


The charge voltage of the battery pack must be maintained at a constant value. At this voltage, the charge amount should be sufficient to cover the loss of self-discharge and the requirement of oxygen circulation, to ensure the battery is in a fully charged. And the selection of the voltage of recharge should consider battery overcharge to minimize the impact of battery damage, this voltage is called floating voltage, under normal circumstances (20 ~ 30 °C), the battery float voltage is 2.25V / monomer.


Maldon's Eaglehawk Motel is located in the heart of Central Victoria's Goldfields and is in easy reach of other significant centres. Our motel is a short walk to the Maldon's historic Railway Station, from which Victorian Goldfields Railway run their steam trains twice a week to and from Castlemaine; and the centre of Maldon, Australia's First (and only) Notable Town. Maldon has the most intact heritage streetscape of any goldfield town in Victoria. Maldon is therefore the perfect destination to visit or stay a few days.
Guests enjoy a quiet and relaxed stay with 11 rooms to choose from - each with a front door opening onto a verandah and pathway that leads into our peaceful gardens with pool and undercover BBQ facilities. All motel rooms are on the ground floor for easy access and parking is at the rear door of most rooms.
Moreover, when you stay at Maldon's Eaglehawk Motel you will have a wonderful base from which to create the experience of your choice. Our gardens are a great place to relax and the early morning birdsong is a delight to wake too. Don't be surprised if you find yourself coming back again and again; many do.
A family run independent boutique motel, with a decor that references a bygone era, Maldon's Eaglehawk Motel puts you in the centre of everything – and is your best choice for affordable accommodation within the Central Victorian Goldfields.


Many of your company's departments rely on interconnected computers in order to keep up with daily work tasks. Tracking your hardware with tech barcodes is one of the best ways to make the most of your current business technology.
There are hundreds of business supporting software programs on the market today. If you're going to run a siloed business model, all of your software must be interconnected. Better yet, adopt a holistic enterprise solution that includes everything you need in one place.
Whatever solution you use, it must take into account the needs of all of your departments. Your accounting team can't accurately balance the company budget without looking at what is going on with all of your employees. Likewise, you can't adequately plan for business growth if you don't take everything into account.
The state of your technology determines what your marketing department is able to accomplish. If you don't have devices with high-speed internet capabilities, your marketing team can't check in with your audience right when needed.
Being able to survey your audience every day is crucial to being able to meet their demands. Depending on the size of your online following, your marketing team may need more technology at their disposal. They need to have access to a number of advertising tools, graphics, company messages and more. If you don't set up your hardware the right way, they won't be able to do the work that helps build your business' reputation and client base.
One of the best ways to make sure your company departments stay interconnected is to hook everything into a cloud database. This database should have information on your current clients, as well as company assets. Storing this information in the cloud is one of the best ways to make sure all of your departments say interconnected. All any employee needs to do is have an internet connection and login credentials, and they can access data from other departments that are relevant to the work they need to accomplish.
Sticking tech barcodes on the hardware your employees use to further your message is an easy way to make your physical asset tracking process more efficient. When scanned, these barcodes can pull up asset information stored in the database. It can tell you when the machine was last maintained, who has been using it, and what sorts of operating requirements it needs to keep in order to continue running your business software.
Having a cloud database populated by information that comes from your tech barcodes is an excellent way to see exactly what is happening with your company in real time. When you're able to see what's happening as it's happening, you can then make changes to streamline the processes you already have in place. The more efficient your team can work, the easier it will be to deliver what your audience wants to see. You'll be elevated above your competition, leading to better performance and a greater profit during the next business quarter.


text:
Where does skirt steak come from
What is skirt steak called in grocery store?
Why do they call it skirt steak?
Skirt steak comes from either of two separate muscles inside the chest and abdominal cavity, below the ribs, in the section of the cow known as the beef plate primal cut. The two muscles are the diaphragm muscle, called the outside skirt, and the transversus abdominis muscle, or inside skirt.
Why is skirt steak so expensive?
"The price is through the roof because demand for skirt steak is now exceeding the supply. There are actually two parts to the skirt steak: the outside, preferable because it is thicker and has more fat, and the inside.
Is skirt steak the same as hanger steak?
The diaphragm is one muscle, commonly cut into two separate cuts of meat: the hanger steak, traditionally considered more flavorful, and the outer skirt steak, composed of tougher muscle from the dome of the diaphragm. The hanger is attached to the last rib and to the front of several of the lumbar vertebrae.
What is similar to skirt steak?
If you can't find skirt steak you can substitute flap steak (flap meat), or thinly sliced beef tenderloin or short loin steaks. You can alternately use flank steak as well.
What cut of meat is carne asada?
What is the tenderest steak?
Tenderloin Steaks
How do you tenderize skirt steak?
Try a little tenderness. There are two additional ways to tenderize skirt steak: chemical and mechanical. The chemical method involves marinating the skirt steak in some sort of acid, like lime juice or vinegar, for several hours or overnight. This helps break down some of the meat fibers.
How do you make skirt steak tender?
Hot and fast is the best way to cook skirt steak to end up with a tender piece of meat. The brief flash time, just a few minutes on each side, ensures a juicy finish.
You might be interested: How to tenderize flank steak
How long does it take to grill skirt steak?
Use a paper towel to pat steak dry. (You can leave some of the paste, but for the best sear, the meat should be dry when it hits the grill.) Grill meat over direct heat until char lines appear, and meat is done to taste, 3 to 5 minutes per side, or broil until charred, 2 to 5 minutes per side.
How long can skirt steak be marinated?
Can you substitute skirt steak for hanger steak?
Hanger steaks are very similar. It's a smaller piece of the animal that is attached to or "hangs from" the diaphragm. This inexpensive cut (usually cheaper than an already inexpensive skirt steak) has been called a butcher's steak because butchers and chefs have long knowingly saved this juicy piece for themselves.
What is the best cut of steak?
The Best of Beef: Top 10 Steak CutsPorterhouse. This particular steak is considered the "king" of steaks mainly because it's actually two steaks in one. T-bone. This steak is named after its T-shaped bone. Top Sirloin. This is a relatively lean cut of steak. Tri-Tip. Flank. New York Strip. Filet Mignon. Rib-Eye.
How to make cube steak tender
How long to bake steak at 400
How do you cook a flat iron steak
How should a flat iron steak be cooked? How to Grill a Flat Iron SteakSimply preheat your grill for medium-high heat cooking (approximately 400 degrees).Rub the steaks with a little olive oil, then season liberally with Kosher salt and ground black pepper.Grill the steaks over direct heat for 5-7 minutes per side until they reach […]
How to cook thin cut steak
How long should I cook a thin steak? If it's a tight fit, use two pans or cook the steaks in batches. Thin steaks (anything less than 1 1/2 inches thick) will cook very quickly; cook until meat is deeply browned, about 3 minutes per side for medium-rare. How do you cook thin sliced meat? […]

redpajama_set_name: RedPajamaCommonCrawl


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Getting it right in mixed-use buildings: Automation and controls
Mixed-use buildings—often a combination of retail and residential—are unique structures with varying needs. Automation, controls, and system integration are big components of these mixed-use buildings.
By Consulting-Specifying Engineer September 29, 2015
Michael Albanese, PE, LEED GA, Senior Associate, Kohrs Lonnemann Heil Engineers, Fort Thomas, Ky.
David Callan, PE, CEM, HBDP, LEED AP, QCxP, Vice President, McGuire Engineers, Chicago
Donna Miller, PE, PEng, LEED AP, Vice President, Engineering, WD Partners, Dublin, Ohio
Gary Poole, PE, Principal, Bury Inc., Houston
Andrew H. Smith, PE, CEM, LEED AP, Principal, Jordan & Skala Engineers, Dallas
CSE: When working on monitoring and control systems in mixed-use buildings, what factors do you consider?
David Callan: Mixed-use buildings often have multiple systems types, operators, and financial stakeholders. This can lead to multiple automation systems controlling various equipment and systems associated with their specific ownership or lease. This can run the gamut from fully integrated networks to completely separate parallel systems. The age of the building and available funding for upgrades will dictate many of those decisions.
Smith: The type of controls will vary depending on which mixed-use building types are married together. If multifamily or hospitality is one of the components, it is key to pressurize the corridors and minimize humidity levels. In addition, ducted fresh air (ventilation) needs to be controlled to deliver the amounts required by code.
Poole: Beyond the basic climate issues for the location of the project, the key is to understand how the facilities will be used. The monitoring and control systems should be designed to address differences between facilities in terms of size, people who use it, design, etc.
Miller: We consider the end users' requirements and their needs for active control of comfort conditions, zoning demands, and interoperability issues that may be present between terminal equipment and central plant equipment. We also work closely with the end user to define the requirements for open systems or for proprietary control systems.
CSE: What types of cutting-edge sensors, biometrics, or other controls are you specifying in mixed-use buildings?
Poole: Control components seem to reach obsolescence within 2 yr of common application, so the new systems will usually have components that are of greater accuracy and reliability. Concealed-type devices are gaining in popularity, but there is always a budget concern with these devices.
Callan: In truth, we aren't seeing much interest in the James Bond 007-style of gadgets that we see heavily marketed. There appears to be more interest in those technologies internationally. Domestically, emphasis seems to be placed on security, access, and elevators. On the BAS side, we see a trend toward improving the reliability, "openness" of the system, and better "nuts and bolts."
CSE: What types of metering, submetering, or other systems have you specified for a mixed-use building?
Poole: The metering or submetering is normally used to identify usage of a service by entity or function. We have frequently used metering and submetering for power, water, cooling, and heating services if permitted by the local code and utility provider.
Miller: We have specified electrical panels for submetering-system power consumption to gather data for overall demand from HVAC plant, lighting, and process/nonregulated electric power loads. We have also specified similar submetering for gas systems used in food service applications within larger mixed-use buildings.
Callan: When multiple HVAC systems share the same central plant(s), there is a need for submetering. Traditionally, thermal energy (Btu) meters have been notoriously inaccurate. The technology is continually evolving, and becoming more reliable. But the management of submetering remains an issue. Regardless of the sophistication of the automation system, the billing is still done by accountants and verified by business professionals and attorneys. They tend to be less impressed with our magic black box algorithms. So, building managers often take our sophisticated calculations and simplify them to something you can write on a napkin. Engineers must remember that we are ultimately solving people problems and not machine problems. Precision, accuracy, and practicality don't always align.
Albanese: The diverse functionality of a mixed-use building provides many situations that require specific metering needs. Often, the engineered systems will dictate the metering types that are used. It is necessary to consider the lifecycle of the building when considering the metering requirements of a mixed-use building. Designs that accommodate apartments initially have to consider the potential that they could be converted to condominiums in the future. This consideration may require the engineering team to design independent metering systems in lieu of specifying tab meters and submeters. The application of variable refrigerant designs continues to grow. As such, algorithmic power-consumption programs are being specified to allow for tenant submetering on interconnected systems. Consistently, the application of Btu flowmeters, airflow meters, and utility tab meters are used in mixed-use buildings depending on the requirements of the owner.
CSE: What are some common problems you encounter with building automation systems (BAS) in mixed-use buildings?
Miller: Some of the challenges we encounter with BAS is the interoperability of controls between BAS and packaged unitary controllers. Additional challenges occur with accurate/repeatable outside airflow monitoring and control when using equipment manufacturers' tracking dampers.
Poole: Mixed-use facilities add an extra dimension of complexity for most automation systems due to the varied nature of the space usages. It is very important to spend time with the control vendor to ensure that there is a high level of understanding of the project goals. After the installation and commissioning of the system, the most common problem with BAS in mixed-use facilities is the unintended consequence that can be associated with making a schedule change to any of the systems. The nature of a mixed-use facility is such that there will frequently be a need to modify set schedules for parts of the facility. Many times, the effect of the change is not completely understood prior to the change.
Albanese: Specifying a BAS can have consequences in the future with servicing and maintaining the system. Consequently, we specify open protocol systems that do not establish a permanent brand or manufacturer for the life of the building. These systems may come at an increase in first cost, but provide flexibility moving forward. Additional problems are created if the complexity of the system is above the capabilities of the owner or facilities personnel. Providing an automated system may not be needed if the needs of the owner and a stand-alone system will suffice.
Callan: The problems we encounter are often not the products of technological limitations. They are problems resulting from the constraints imposed by people. Lines of ownership, multiple operators' approaches, preferred vendor relationships, and the like can dictate inefficiencies.
CSE: What types of system integration and/or interoperability issues have you overcome, and how did you do so?
Miller: Most of our challenges have been solved by the addition of translators. Other issues have been overcome by adding outputs to the controls to directly monitor the performance of the system within the ducts or the piping.
Callan: In an ideal world, we will be working with the same open protocol across a mixed-use building, regardless of the operator. In this case, most integration problems can be rectified with programming. Otherwise, multiple gateways and programs must be coordinated for every data-exchange conduit.
CSE: In your mixed-use projects, have you worked to incorporate the Internet of Things (IoT), the Industrial Internet of Things (IIoT), or Industry 4.0? Are other countries more, less, or equally advanced when compared to U.S. projects?
Callan: Domestically, IIoT is in its infancy. There are many applications and use cases for large energy-consuming systems and equipment that make IIoT attractive. Most of these require third-party, cloud-based services because owners don't have the expertise and resources to benefit from most of the IIoT technology independently. Most of the people responsible for implementing this sophisticated technology, at a building level, are just like you and me—and are flummoxed when they can't get their iPad to sync with iTunes. Personally, I struggle with the idea that someone sitting in a data center 2,000 miles away can diagnose a system and understand the holistic complexities (human and machine) that might lead to a component failure without ever touching it or talking to anyone. There simply isn't enough consumer money in fault detection and diagnostics yet to support its perfection. The same cannot be said for cell phones, which allow the user to simulate slicing various fruit and melons with samurai swords.
Getting it right in mixed-use buildings: Sustainability
Getting it right in mixed-use buildings: HVAC
Getting it right in mixed-use buildings: Fire and life safety
Getting it right in mixed-use buildings: Electrical, power, and lighting
Getting it right in mixed-use buildings: Codes and standards
Getting it right in mixed-use buildings
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Can children take your supplements?
Yes, all of our nutritional formulas can be taken by children. The typical dosage is based upon a person weighing 150 lbs, so adjust accordingly. We recommend opening the capsule and mixing the contents with a small amount of applesauce, or even better, in a smoothie.
What about my pets? Can they take the supplements too?
Absolutely! Just like us, pets are missing vital trace minerals and other nutrients in their diet. Adjust accordingly for weight as outlined above. Open the capsules, or add a few drops of trace minerals and mix with their food. In a few days, you may notice a significant improvement. Send us a photo of you and your pet - we'd love to share your story!
Where are thin skin areas to apply Testosterone Boost, Progresterone Boost and Supta Gluta creams?
Thin skin is any area on the body where veins are close to the surface of the skin to aid absorption and transport of the active ingredients into the bloodstream. Areas like the back of hands, inside of wrists, elbows or knees, front or back of neck, top of feet, arch and shins. Rotate the area for each application to avoid accumulation.
Do You Accept Medicaid, Insurance or Flex-Spending Cards?
Unfortunately our current medical system does not recognize preventative medicine or nutritional supplements as medically necessary, so vitamins and nutritional supplements are not eligible for Medicaid, Insurance or Flex-Spending reimbursement.
We realize International Shipping can be expensive and do our best to find you the lowest rates. We insure all packages for delivery and do not add extra handling fees to the shipping rate.
Am I Responsible for Import Tariffs or Duties?
Yes. Import duties and fees are determined by your country. Please check with your local customs office to determine the if import charges may apply.
Your purchase is covered by our 30-day unconditional money-back guarantee. If you don't like a product for any reason, you may return it within 30 days of receipt for exchange or store credit. Cash refunds are not provided on opened products. To return an item, please follow the steps outlined on the Refunds & Cancellations page.


Kid Cudi Show's He's "Complex" On The Cover - The 3 ladies of Gossip, HipHop, Fashion, and Sexiness...we're something like The View, but for the hood!
"Kid Cudi" drops onto the cover of the latest edition of "Complex" magazine. He talks about his personal life such as the loss of his dad at 11 years old, and groupie love and success. He expresses his initial worries about try'n to top the success of "Day And Night", and step'n out "Kanye's" shadow and work'n on his own material.


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Criminology professor issues call for reform of access to information act
It's time to overhaul the federal Access to Information Act, says a University of Windsor criminology professor.
Randy Lippert recently co-wrote an opinion piece that appeared in the Montreal Gazette calling on the Canadian government to address three main issues with the 35-year-old act: provisions that protect rather than challenge ministerial secrecy in government, the limited powers of information commissioners to make orders, and the narrow scope of organizations subject to the act.
The piece corresponds with Dr. Lippert's ongoing four-year Social Sciences and Humanities Research Council Insight grant into the private sponsorship of public police. In it, Lippert says police foundations have started to pop up across the country and are treated as private, independent charities.
"Many accept private money and channel these funds into the public police for purchasing equipment and technological upgrades," the article states. "The transactions of police foundations are not currently subject to access to information or freedom of information laws."
Lippert says the research project is still in progress and expects to have findings ready for release by next year.
Randy Lippert
Strategic Priority:
Engage in community partnerships
Academic Area:
Sociology, Anthropology & Criminology
Campus mourns death of retired technician Antun Knitl
University community mourns death of retiree George McMahon
Dec 2, 2020 - Secretary to the Alumni and Fund Development Office '6' in the Faculty of Law
Internal/External Job Postings
Jan 19, 2021 - Mental Health Wellness Coordinator "IV" in the Student Counselling Centre
Jan 18, 2021 - Clinical Coordinator Classification "VII" in the Faculty of Nursing
Jan 7, 2021 - Board Governance Officer in the Department of the University Secretariat
uView Video Sharing service incident
RESOLVED: uView outage Jan 20 12:20-1:20pm
Changes to student email bring additional capacity and performance
Resolved: DDoS attack caused connections to drop (2:09-2:20pm)
eGAS Maintenance
Project Notifications
Alan Wildeman Centre of Creative Arts, Fire Alarm Systems Operations and Verification, January 26, 2021, 8:00am-4:00pm
SoCA Armouries, Fire Alarm Systems Operations and Verification, January 26, 2021, 8:00am-4:00pm
Windsor Hall, Fire Alarm Systems Operations and Verification, January 29, 2021, 8:00am-4:00pm
CAW Student Centre/Vanier Hall/Freed Orman Kitchen-Semi-Annual Kitchen Fire Suppression System Inspections, January 25-26, 2021, 8:00am-5:00pm
University Computer Centre-UCC Basement HVAC & Ceiling Renovations/Basement HVAC Shutdown, January 13-14, 2021, 8:00am - 2:00pm


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declare string constant mbx_name_cmd = "CSMIS$ADVOCATE_CMD"             !
declare string constant mbx_name_rsp = "CSMIS$ADVOCATE_RSP"             !
declare string constant mbx_name_lck = "CSMIS$ADVOCATE_LCK"             !
rc% = sys$alloc( mbx_name_lck,,,,)                                      !
print "-i- MAILBOX not found, start the ADVOCATE server and try again"
print "-i- the tool is locked by someone else, please try again later"
rc% = sys$assign(       mbx_name_rsp, chan_recv%,,)                     !
print "-i- sys$assign-rc: ";rc%                                         !
print "-i- sys$CreMbx-rc: ";rc%                                         !
print "-i- chan-recv: ";str$(chan_recv%)                                        !
rc% = sys$assign(       mbx_name_cmd, chan_xmit%,,)                     !
print "Discarded-xmit- Mailbox not emptied in 100 trys, the server may be down"
print " ICSIS tcp print-queue tool"
iterate if my_dns$ = ""
iterate if my_port$ = ""
my_cmd$ = my_cmd$ + "/PROCESSOR=TCPWARE_TSSYM/ON="+ dq + my_device$ +",KEEP"+ dq +"/LIBRARY=SYSDEVCTL"
my_cmd$ = "PRINT/QUEUE="+ my_que$ +" csmis$com:TEST_59X80.TXT"
print "1. this print queue is not available from any ICSIS application. Use command"
print "   8 to send a test page"
print "2. this print queue is not permanent (parameters may be changed by the next"
print "   person running this tool"
print "3. this program can't change line parameters of far end devices (like flow"
print "   control settings of Synoptics-3395 or DS200 terminal servers since they"
print "   have usually been password protected by other groups)"
print "4. some printers have been known not to work properly on the very first"
print "   document sent just after a queue is defined. This means that you may need"
print "   to print twice before you see your first document."
print " ===== transaction start ====="
print " ===== transaction finish ====="
print "enter MENU to re-run the ICSIS menu"
%include "[.inc]vms_structures.inc"                                     ! IosbRec etc.
temp$ = "-e-SYSERR_" + str$(sys_status)                         !
print   temp$ + bel + " In 'WCSM_TrnLnm'"                       !
map (WcsmDTStamp1)      string  Wcsm_buf_14     = 14    !
Wcsm_day_tens   = "0"   if Wcsm_day_tens        = my_space      !


text:
trello-attachments.s3.amazonaws.com
streaming wars
Why Netflix, Hulu, Disney and Amazon Don't Want You Watching TV Alone
JP Mangalindan
JP Mangalindan is a senior contributing writer to dot.LA. His work has appeared in numerous publications over the last 18 years, including Bloomberg Businessweek, Fortune Magazine, GQ Magazine, Protocol, Entertainment Weekly, Mashable and Yahoo Finance. JP earned a bachelor's degree in journalism from Fordham University.
07:13 AM | January 27, 2021
One brisk Friday evening in January at around 9:30 p.m., 15-year-old Ella rushed down the stairs of her home in Stevenson Ranch, California with an announcement for her parents, who were watching "Lupin," a new Netflix series, in the living room.
"Can you get off of Netflix in 15 minutes?" she asked. "I'm having a watch party at 10. Thanks."
Every few weeks, Ella and her four best friends assembled at their laptops, snacks and drinks in hand, to watch something on the popular streaming service with Teleparty, a browser extension that lets users view the same Netflix movie or show at the same time. On tap for tonight? Two episodes of "Gilmore Girls," a show Ella and her "best friend crew" had never seen. Although Ella, whose parents asked us to withhold her full name because she is a minor, couldn't be in the same room with her girlfriends, this solution proved the next best thing — and for the girls that night, it was.
Ella and her friends are just a handful of the millions of people who have adapted to these unprecedented times. With people now spending more time than ever at home because of the pandemic, streaming services are meeting demand by doling out fresh content and serving up new features that expand the viewing experience.
Over the last 12 months, Hulu, Disney Plus, Amazon Prime Video and Sling all rolled out virtual watch parties, enabling groups of people to watch shows and films at the same time. These features were in the works well before COVID-19 struck, but the pandemic spurred them to step up development.
Hulu's Watch Party feature launched in May 2020.
Rolling out features like virtual parties is crucial in the battle for attracting and retaining users. According to a Deloitte survey published this month, 62% of people who signed up for a streaming service, did so to watch a specific show or film and canceled their subscription once they were done watching it. Features like virtual watch parties bring a social element into the equation that keep users engaged longer.
For Hulu, the Watch Party feature it launched its beta version in May 2020 started as an employee and intern hackathon project nine months before. But when the pandemic forced local governments to issue stay-at-home orders, Hulu accelerated plans for Watch Party and developed the feature in less than eight weeks. They rolled it out after initial tests indicated that over 75% of subscribers who hosted a Watch Party said they would do it again.
"We know that watching your favorite shows and movies has always been a social experience, and with TV becoming more synonymous with streaming, streaming has inherently become even more social," said Jason Wong, director of product management at Hulu, who added that the speedy development of Watch Party also stemmed from the fact that 60% of Hulu subscribers already streamed shows and films with others in their home, yielding a social experience unto itself.
"It was an ambitious timeline, but once we identified this need from our viewers, our team was very motivated to quickly deliver something."
In the 24 hours after launching Watch Party last December, Hulu saw over 10,000 unique Watch Party sessions with 60% of viewers in a Watch Party coming from its ad-supported plan. Moreover, Hulu tells dot.LA exclusively that users have held about 1.5 million Watch Party sessions to date, in which nearly 30 million messages were sent through the feature — and it continues to grow in popularity. According to Wong, the number of Watch Parties grew 5x from November to December last year.
Hulu experienced a 97% increase in Watch Parties when Christmas comedy "Happiest Season" debuted in November.
New show premieres like the LGBTQ+ coming out series "Love, Victor" and Season 2 premiere of the teen comedy "Pen15," as well as films such as "Deadpool," "Parasite," and the Hulu original film "Palm Springs," proved particularly popular for Hulu Watch Parties. Also big? Episodic premieres, like "The Bachelor" and "A Teacher," a Hulu original limited series starring Kate Mara. When "Happiest Season," a Christmas comedy starring Kristen Stewart, Daniel Levy and Alison Brie debuted on Thanksgiving, Hulu experienced a whopping 97% increase in Watch Parties.
Five months later, Disney Plus released its own GroupWatch feature. The rapidly growing streaming service, which reported 86.8 million subscribers in December, took a different tack with GroupWatch, however: users can click any one of six "reactions," or emoji, that pop up onscreen during a viewing, but they can't send text-based messages.
That was a purposeful decision, contends Michael Cerdà, vice president of product at Disney Plus.
During GroupWatch's development, the Disney Plus product team conducted extensive research to identify what worked and what didn't. For instance, GroupWatch currently allows up to seven people in a GroupWatch session — a number the group settled on after agreeing that any more people in a session made it "too noisy."
"In our research, one of the big takeaways was that people wanted to feel like they were a part of something, but we didn't want to get in the way of the content," said Cerdà.
While Disney did not disclose engagement numbers around GroupWatch, Cerda acknowledged that Disney Plus users are more likely to hold GroupWatch sessions when highly-awaited new films and shows premiere, when Disney Plus launches in a new region, and around the holidays. Last Halloween, Tim Burton's "The Nightmare Before Christmas" was the focus of many GroupWatch sessions. Other programming like the recently-released series "WandaVision," "The Mandalorian," "Frozen 2," "Lion King," "Clouds" and "Avengers: Endgame" also proved popular for GroupWatch sessions.
Sling's Watch Party, which launched last September, takes things one step further than its rivals, allowing up to four people to participate through video chat. For the Sling product development team, video chat was a "must have" part of Watch Party.
"When you're watching something in real-time, so much of our responses can't be verbalized," explains Jon Lin, vice president of product at Sling TV. "If something is really impactful, you'll see it on the faces of your friends and family. That's the kind of connection we wanted to capture with Watch Party, which is why we focused so much on creating a video chat feature — so it felt like the people you are watching with are actually right there next to you."
Disney Plus is currently exploring expanding the ways users can communicate and share during GroupWatch sessions
Sling also would not disclose specific engagement numbers around their new feature, but said live events like sports have proven very popular for Watch Party users. The streaming service also saw an uptick on the evening of the 2020 U.S. presidential election in November, as well as around Christmas movies during the holidays, says Lin.
Netflix doesn't offer a comparable group watching feature yet — the third-party extension from Teleparty fills the gap for now — but it's likely coming. For services like Hulu, Disney Plus, Sling, Prime Video and others, the feature is yet another way to incrementally boost engagement on their platforms, particularly during a time when it's difficult — or in many cases, strongly discouraged — for people to mingle in groups.
"Streaming services have quickly adapted, and I think it makes absolute sense — it brings a social element, sort of like going to a movie theater," says Eunice Shin, a digital strategy partner who leads media entertainment and direct-to-consumer efforts at Prophet, a growth strategy consulting company. "It's smart for them to pull the feature onto their platform, as opposed to using a separate app like Airtime."
Virtual watch parties aren't just here to stay, it seems. Services are also finding ways to shore up the experience to make them more compelling.
Based on user feedback, Disney Plus is currently exploring expanding the ways users can communicate and share during GroupWatch sessions, including possibly text-based chat or offering more emoji reactions. Hulu said users are clamoring for the ability to throw a Watch Party with their friends on different devices. (The feature only works on desktop browsers at the moment.) Meanwhile, Sling recently updated the design of Watch Party's chat messaging and upped the number of non-Sling TV subscribers who can join Watch Parties, from one to three.
"It's only going to get better — it's going to get more refined." says Cerdà of virtual watch party experiences. "I think we're at the front end of something even bigger."
***This story has been updated to correct the timeline provided by Hulu regarding its Watch Party data.
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The research on the impact of climate change on crop diseases and insect pests will be the focus of an exclusive collaborative institution launched at the International Crop Research Institute for Semi–Arid Tropics (Icrisat).
How does climate change impact the onset and severity of diseases and insect pests? What is the potential damage it can do to the crops?
These issues will be addressed by the Centre of Excellence on Climate Change Research for Plant Protection, a joint research venture by the Department of Science and Technology (DST) and Icrisat.
Funded by the DST, the Climate Change Programme is for a three–year period. The overall goal is to establish facilities and provide opportunities for Icrisat and partner institutes to conduct research–for–development initiatives on climate change and its impact on diseases and insect–pests of legumes in the semi–arid tropics.
Diseases and insect pests cause huge crop losses, estimated to be over $8.48 billion annually, and these losses are likely to increase at least four–fold under the climate change scenario, according to a media release from Icrisat.
Icrisat Director-General William Dar said the partnership will have a major bearing on environment–friendly pest mitigation strategies for the sustainable production of grain legumes and in increasing food security in the dry land areas.
Dr Akhilesh Gupta, Adviser, DST Climate Change Programme, said it was the only project among the 147 qualified under the programme that received full support after a long and stringent process of approval.
"The project is a long–term commitment of DST and we are confident that the knowledge and basic data to be generated from this initiative will be very useful for policy formulation on climate change at both the country and regional levels," he said.
Climate change will lead to the emergence of more aggressive pest and pathogen populations, resulting in heavy losses by pest and disease epidemics particularly in grain legumes such as chickpea and pigeonpea. The efforts at the new centre could serve as a platform to conduct targeted research to understand and mitigate the effects of climate change on plant and pest diseases.


Kigelia is an African Beautiful tree. We have two of those in the front of our Guest House. The tropical garden and the lawn guarantees your relaxation and space for your leisure. The house is fully equipped and became the place to display a huge collection of art objects that the owners gathered from years of traveling all over the world. Painting, statues, rugs, glasses and ornaments. All waiting for you with supreme comfort and cosy atmosphere.
The most beautiful, and comfortable garden, with many fruit trees, flower and grass.


text:
Which are the silk elements in corn silk?
When it comes to the silk components of corn, the main one is the silk fiber, which is made up of about 85 percent cotton and 10 percent silk proteins.
The rest of the proteins are mostly corn, corn oil, and corn starch.
But not all of those proteins are used in the production of the corn starch, so that makes it a source of protein for other plants.
The other main component of the silk is the cellulose that's added to the fiber to make it stronger.
There are many different types of silk, and there are some that are very strong, and some that aren't as strong, depending on how the plant grows.
Corn plants use a variety of different types, but the main ones are: 1.
Cotton: Cotton is one of the most important components of the fabric of corn.
Cotton has two main parts: the fibrous fiber that the plant makes up of the cotton fiber and the outer covering of the fiber called the husk.
The husk is the outermost layer that holds the celluloses together.
The cotton fibers are usually in two layers, with the inner layer, called the cellulosic layer, being about 10 times the diameter of the plant's roots.
Corn oil: Corn oil is an essential component of corn fiber.
It contains a number of proteins, including cellulose, that are essential for plant growth.
Corn is a relatively high protein food.
It also contains a lot of other components that make it a good source of carbohydrates.
Corn starch is a non-essential component, so it has to be made up entirely of carbohydrates to be useful for plant life.
The cellulose in corn has to make up more than 70 percent of its weight, and about 10 percent of the protein in the fiber.
Corn gluten: Corn gluten is another protein that has to come from cellulose.
It's also a very high protein.
The starch comes in two forms, called glucose and fructose.
When the corn is pressed and then cooked, it forms a gas that is much heavier than its mass.
That gas is what makes the corn grain so tasty.
Corn protein also makes up a good portion of the starch in some cereals.
But the starch itself has to form an oily layer that makes up more of the overall protein in corn.
The corn oil and cellulose are also essential, but not the same as the corn gluten.
Corn silks: Corn silken is a very important component of any corn plant.
It makes up about 10 to 15 percent of all the cellulosed material in the plant, and the rest of it is just made up mostly of starch and other carbohydrates.
It is the most common protein in any corn crop.
When corn is processed to make corn flour, the silks that make up the flour are replaced by corn silks.
They're usually made of cellulose and some proteins, like the cellulotis protein.
Corn starchy: The starch and protein that makes corn starchy and corn meal is a complex mixture that contains the sugars and proteins that make corn meal taste good.
The most important of these are the fructose and glucose molecules.
The sugar molecules are also important for starch digestion, so if you feed your plant corn starch instead of sugar, the corn starch will not digest it properly.
This is why corn stalks are often sold in liquid form, rather than in pellets.
Cane sugar: Cane is a staple crop in the United States.
It accounts for about 80 percent of food calories in the country.
Canes have to be very high in protein to be a good food for a plant, because the protein that they contain is very important to the growth and survival of the plants.
This protein also has to play a role in the digestion of celluloses.
Grain syrup: Grain syrup is made of the same protein and sugar that corn is, but it's made up largely of fructose and starch.
The fructose and the starch are important components that go into making the syrup.
But because the sugar molecules in corn stinking syrup are more than 20 times as dense as the cellulides, the stinking corn syrup has to have more starch in it to digest.
Sugar: Sugar is one more protein that must be made from celluloses to be an effective food source for plantlife.
This part is made by the cellulobacteria, the bacteria that live in the cells of the cellulosa of the grain.
When they produce sugars, the cellulases break them down into sugar.
The sugars are then digested and released into the digestive tract.
Sugar is also an important component in many grains, such as barley, rice, and millet.
The best way to tell whether a grain is sugar is to look at the color of the kernels.
They have a dark brown color when they're freshly pressed, but they're white or black when they've been stored in the refrigerator for a long time.
The color of corn stinks because
When it comes to the silk components of corn, the main one is the silk fiber, which is made up…
Tags: corn silk, silk elements
How to Buy a Silk Suit


A New Jersey couple was injured when a box truck they were driving rolled over on I-95 south in Cranston, Rhode Island, overnight Wednesday.
According to necn affiliate WJAR, the U-Haul truck was carrying cement bricks when the right tire blew out.
The crash scene has since been cleared.
The couple is currently recovering in a hospital with minor injuries.


Our beautifully laid out fresh water pool is built around a historic sugar mill.
It features a shaded area and "in the water" seating and tables.
There is a community room and gas grills there for your use.


text:
Home » Plays » Off-Broadway » The Waiting Game
Welcome to "The Waiting Game," a play by Charles Gershman, which has the makings for a meaningful drama but …
Posted on February 18, 2019 by David Kaufman in Off-Broadway, Plays
Julian Joseph and Marc Sinoway in a scene from Charles Gershman's The Waiting Game" (Photo credit: Carol Rosegg)
David Kaufman, Critic
Sam is in a coma in the hospital. His husband Paolo is at their apartment in Washington, D.C., where he's visited by his black lover, Tyler. Before long, Sam's lover Geoff stops by Paolo's home, and it's not too long before the two of them are kissing each other as well.
Welcome to The Waiting Game, a play by Charles Gershman, which has the makings for a meaningful drama, but never really amounts to much. A large part of the problem is the nondescript and dull staging, as directed by Nathan Wright, which doesn't really bring any of the characters alive. And then there's the writing, also nondescript and dull, does nothing to make the characters real–nor does it contain anything resembling exposition.
It's a pat formula for a script, which defies description. Given the story, if it can be called that, and the writing, basically nothing believable or credible happens. It just consumes time and space, while one drifts off into a coma-like place of his own for practically 70 minutes.
Joshua Bouchard, Julian Joseph, Ibsen Santos and Marc Sinoway in a scene from Charles Gershman's The Waiting Game" (Photo credit: Carol Rosegg)
The one conflict is that Geoff wants Paolo to name him as Sam's conservator, because he also wants to have the plug pulled on the brain-dead Sam and have him put out of his misery. But Paolo, who can't let go of the past, wants Sam kept alive under any circumstances. And one has to wonder if their ten-year marriage was all that good, considering that each had another lover.
According to Gershman's script, Sam, "doesn't need to be cast. Open to creative interpretation." Unfortunately, Wright has decided to include an actor (Ibsen Santos) who doesn't have a word to say, and who walks around the perimeter of the stage like a zombie, at a snail's pace, every so often striking an awkward pose. It certainly can't be considered "creative," to reiterate Gershman's word for it.
Wright also bears at least some of the responsibility for the uniformly stiff and artificial performances, which, in addition to Santos, include Marc Sinoway as Paolo, Joshua Bouchard as Geoff, and Julian Joseph as Tyler. Aside from the nonexistent set by Riw Rakkulchon, the one creative element worthy of praise is the projection design by Kat Sullivan, who takes words from the script and projects them on a screen, even if the letters become as jumbled as the script.
The Waiting Game (through February 23, 2019)
Snowy Owl Production
59E59 Theater C, 59 East 59th Street, in Manhattan
For tickets, call 646-892-7999 or visit http://www.59e59.org
Running time: 70 minutes without an intermission
59E59 Theaters
Carol Rosegg
Charles Gershman
Ibsen Santos
Joshua Bouchard
Kat Sullivan
Marc Sinoway
Nathan Wright
Riw Rakkulchon
About David Kaufman (123 Articles)
David Kaufman has been covering the theater in New York since 1981. A former theater critic for the New York Daily News, he was also a long-time contributor to the Nation, Vanity Fair, the Village Voice and the New York Times. He is also the author of the award-winning Ridiculous! The Theatrical Life and Times of Charles Ludlam, the best-selling Doris Day: The Untold Story of the Girl Next Door, and his most recent biography, Some Enchanted Evenings: The Glittering Life and Times of Mary Martin.
The Edge of Our Bodies
Adam Rapp's latest is a monologue spoken by a 16-year-old prep school girl on her way to New York City: a reading of a short story, not a play.
Secret Life of Humans
Science, philosophy and social anthropology meet in this new British play that puts Dr. Jacob Bronowski at the center of a mystery about the human race.
Don't You F**king Say a Word
An exploration into the minds of two tennis buddies, this promising premise falls short of the engaging examination of the psyche it proposes.
Once Upon a Mattress
Two star turns transform a silly musical into a charming entertainment.
Pete Rex
Two guys and a girl battle a dinosaur invasion. One creature is portrayed by an actor in a costume during this romantic drama that's laced with sci-fi.


Children are welcome at all presentations, but this matinee is especially for our younger guests. Special gifts and an opportunity to hear Santa share the Gospel are in store for all children at this presentation.
Enjoy premium seating, reserved parking, a pre-show reception at 6p and more with this ticket package. The Ultimate Celebration Experience can be purchased for $90 per ticket online, at a kiosk, or by phone.
Presentations will run approximately 2 hours with no intermission.
Celebration is best-suited for children ages 4 and above.
However, all children ages 2 and above must have their own ticket to attend a presentation.
Ticket prices: $12, $18, $24 and $28 based on location plus a $3 service charge per ticket.
Offered only during the 7:30p presentations on Thu, Dec 6, and Sun, Dec 9.
Registration made at time of ticket purchase or in separate transaction.
For handicap seating, purchase tickets by calling 1.866.200.9569.
The Ultimate Celebration Experience packages are available during our Friday evening and Saturday evening presentations. This ticket package provides guests with reserved parking, premium seating, and a pre-show reception at 6p in the Oasis Room with live music, heavy hors d'oeuvres, and appearances by assorted Celebration characters. Each guest will receive a special gift from the Celebration team and be escorted from the reception to their seats in the Worship Center.
The first few rows of Sections LL7 and LL9 are a part of the Ultimate Celebration Experience package at the Friday evening and Saturday evening presentations. They are available for purchase at the blue price level ($28) at all other presentations.


Spanning 1982-1985, the Counterinsurgency War was the violent period of the county's thirty-six year civil war. The army under General Efrian Rios Montt targeted the Maya villages and communities throughout the Guatemalan Highlands with more than 400 recorded massacres in just a three year span. At the center of this study is the population of Guatemalans that left their country as refugees and later came back as retornados. The term retornado, reflected an emerging identity that stemmed from the new and transformative experiences of exile in Mexico. Their direct negotiations with the government reflected the new skills, organizational ability, and political capital that challenged the distribution of power in the family, community, and nation upon their return. The emergence of women's organizations demonstrated not only a shift in the politics of citizenship rights and inclusion, but also Latin American women's unique contributions to the development of feminist discourse.


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Indie Gaze
Is "Kong: Skull Island" In Trouble?
Oscar Winner Philip Seymour Hoffman found dead
Jesse Eisenberg is Lex Luthor and Jeremy Irons is Alfred in Batman vs Superman film
Review: 'Jungle Cruise' is an entertaining forgettable flick
Review: 'The Last Jedi' is a Flawed Entertaining Disappointment
Review: '99 Homes' is a brutally honest tension filled experience
Sean Penn's 'Into the Wild' is a journey of discovery and escape
Mira Nair's 'The Namesake' is a moving look on the immigration experience
Eternal Spotlessness of the Sunshine Mind by Karlie Chauffman
Lady Gaga and Adam Driver in Ridley Scott's 'House of Gucci' Trailer
Something's Coming in Jason Reitman's 'Ghostbuster: Afterlife' Trailer
Oscar Isaac in Paul Schrader's 'The Card Counter' Trailer
Paolo Sorrentino's This Must Be the Place: Finding Grace on the Road
Director vs. Script: The LIMEY
The Joys of a Mid-Career Mel Gibson
Official 'Star Wars: The Force Awakens' Poster Revealed
So Bad it's Horrible
New Avenger's Poster reveals new Super Hero
First Look of In Time
One of the most keenly anticipated films In Time has finally brought out its first look. The film is directed by another Talking Films favorite Andrew Niccol. It has been a while since we have gotten to see a movie by the man. He is known for his work on films like Gattaca and Lord of War. He has gone back to his science fiction roots with this new film.
The film stars Justin Timberlake, Amanda Seyfried, Olivia Wilde, Cillian Murphy, Vincent Kartheiser and Collins Pennie. The film is set in a world where time has become a currency with the rich achieving immortality and never aging past 25.
Now on the run is Will Salas who is accused of murder and takes a hostage in the beautiful Amanda Seyfried. He needs her to find out how to clear his name. He will also use her as the ransom for his life.
Olivia Wilde will play Will's mother despite being four year younger than Timberlake with Kartheiser playing Seyfried's Dad. Murphy will play the no nonsense law enforcer known as a timekeeper with Pennie, as his right hand man.
The future world also resembles our world in these first couple of images. This is a great idea to incorporate only some subjective changes to the whole concept. Tell us what you think of these images. The film hits on October 28 th and will release a trailer in the upcoming Comic Con.
Amanda SeyfriedAndrew NiccolIn TimeJustin Timberlake
John has a keen sense of what ticks in the world of film. He can also be seen in three distinct short film titled Woken Shell, The Tea Shop in the Moon and The Waiting. Cinema has been the basic diet he has been on for the last 10 years. His personality can be judged by the choices of his films.
Garrett Hedlund in Inside Llewyn Davis
John January 10, 2012
Amanda Seyfried gets on board the Girl who Conned the Ivy League
John November 10, 2011
Tweets by talkingfilms
Freeze Frame: Wong Kar Wai's My Blueberry Nights (2007)
Foreign Shores: Fatih Akin's The Edge of Heaven (2007)
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