In Hinduism four proper goals or aims of a human life.i.e. Dharma ,Artha, Kāma,Mokṣha.
How can everybody attain Moksha if the new descendents are always born & certain Karma-s are always lingering?
Are Nishkama karma and Purusharthas opposed to each other?
Nishkama karma means desireless action, whereas, purushartha is all about desires and goals. Aren't these two opposed to each other? Which one should we follow?


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HD DVD: Recommended
Payback: Straight Up - The Director's Cut
Review Date April 6th, 2007 by High-Def Digest staff
Overview - Val Resnick and Porter, two small time bandits, hit a Chinese gang together and manage to get $140,000. But Val Resnick needs 130 grand alone to buy himself back into his syndication. So, Val turns on Porter together with Porter's wife Lynn, who kills him with two shots in the back. But Porter survives and half a year later, he is back, seeking his share of $70,000. When he finally finds Val, Porter quickly learns that he has to go much further up the ladder in order to get his money from the guys who have it: The syndication. Working alone can't be realized any more, so Porter teams up with his flame and previous boss Rosie, a very exclusive prostitute. Together, they now start playing the teams against each other.
Non format-specific portions of this review also appear in our Blu-ray review of 'Payback - Straight Up: The Director's Cut.'
Length:90
Movie Studio: Paramount Home Entertainment
The behind-the-scenes story of the 1999 Mel Gibson film 'Payback' is by now a familiar one to industry watchers. After the studio deemed first-time director Brian Helgeland's uncompromising vision of this gritty crime noir too intimidating for audiences, he was booted from the project and replaced by the film's production designer, John Myhre. While Helgeland was still credited on-screen as director, Myhre ended up re-shooting more than 30% of the film (including an entirely different third act), drastically altering the story, look and tone of Helgeland's original cut.
Enter the high definition release of 'Payback - Straight Up: The Director's Cut,' where Helgeland has finally been allowed to present his version of the story without studio interference. While a similar string of events led to two below-average versions of the most recent 'Exorcist' film, the difference here is that both versions of 'Payback' are of equally high quality, appealing to different kinds of audiences with the same pulpy examination of hardened principle.
'Payback' is the story of a man named Porter (Mel Gibson) and his partner Val (Gregg Henry), two criminals who rob a Chinese gang and walk away with $140,000. Following the heist, Porter is betrayed by both Val and his own wife (Deborah Unger), who shoots him before taking off with his cash and his former partner. Defying all odds, Porter lives and returns to get the $70,000 Val owes him. Working his way up through thugs, dirty cops, cocky captains, and the heads of The Syndicate (the city's local crime organization), Porter's stubborn determination pushes him to exact revenge and reclaim what's his.
I was already a huge fan of the theatrical version of 'Payback,' and came to this cut prepared to denounce it, but after watching it, my only real conclusion is that a heated debate is likely to rage among fans for years over which version is superior. It'll be the American equivalent of Brits arguing over whether 'Snatch' or 'Layer Cake' is the better film. The theatrical version of 'Payback' is a witty, tongue-in-cheek noir that showcases its paperback roots with a grin -- a dark comedy through and through, it's not meant to strike its audience as a story of real people. On the other hand, this director's cut of 'Payback' is dry, masochistic, and much grittier. Quirky characters remain, but the thrust of the film is focused on the blank slate that is Porter, leaving the audience to mull over whether his intentions justify his actions. Where the theatrical cut was a fun and bloody romp through a wild criminal underworld, Helgeland's version is a rough sucker punch into a city's seedy underbelly.
Almost everything about this new cut is dramatically different. The tone, soundtrack, and even the characters have been completely changed. The opening has been stripped of its playfulness, the narration is gone, the violence is more physical, and Kris Kristofferson is nowhere to be seen. The boss of The Syndicate is now a faceless woman, the music is heavy and depressing, and the pacing is more deliberate. The director's cut feels longer (even though it's almost fifteen minutes shorter) because it patiently follows Porter through his carefully orchestrated series of double crosses. By comparison, the theatrical version was a quicker, more rapid-fire climb up a ladder that brought laughs and claps in the theater when I first saw it.
Helgeland's version made me wince at times -- just try to make it through the scene in the where Porter first returns to his apartment to confront his wife. Regardless of her actions, the domestic abuse that Porter doles out gave me pause and made me sit back in my seat. Mel Gibson's Porter is certainly not as likeable a character as he was in the theatrical cut and I definitely found myself rooting for him less than I had before. However, it was a more effective examination of criminal motivations and the extremes people are willing to go to get what they want. Thematically, the director's cut is a dangerous beast, lurking in the corners and striking when it's most effective. The cinematography is changed as well -- the blues and grays of the bleached theatrical cut have been restored to a more natural palette.
Either way, the script is smart and the performances are top notch. Gibson, Gregg, and Unger are all convincingly immoral and Gregg adds a particular flavor of nastiness to his portrayal of Val. Gibson reigns in the smiles and the personality, choosing instead to emote through silence and shrugs. The supporting cast is a treat as well -- Lucy Liu plays a Chinese S&M gangster named Pearl, David Paymer plays a squirrelly underling named Stegman, and Bill Duke and Jack Conley play slimy cops out to keep everyone in their back pockets.
Personally, I still prefer the theatrical version of 'Payback' over this director's cut, but I also place 'Snatch' slightly above 'Layer Cake.' I missed the narration, the silver blue palette, and the playful darkness of the theatrical version. However, I liked the heavier attitude, the restrained kinetics, and the disjointedness between Porter's intelligence and his thuggish brutality in the director's cut. No matter which way you lean, do yourself a favor and check out both cuts of the film. Aside from being a fascinating study of how simple changes can dramatically alter a story, both versions of 'Payback' are great films that make a nice addition to the modern crime noir genre.
Presented in 1080p and encoded using the AVC MPEG-4 codec on this HD DVD, 'Payback - Straight Up: The Director's Cut' looks very good despite its grittiness and grime. While the Blu-ray edition is encoded using the MPEG-2 codec, both the HD DVD and Blu-ray editions are nearly identical and impress regardless of your favorite format. From afar, I felt like the HD DVD picture was slightly warmer, while the Blu-ray seemed a bit sharper, but in a series of side by side comparisons, I couldn't detect a definitive difference -- it's just an overall impression, so take that as it is.
Colors are a much bigger deal in this version of the film, and primary tones really pop in daytime shots. At night, blues rule the shadows without a hitch: there's no crush, artifacting, or source noise to be seen. Right up front, check out the flashback where Val betrays Porter -- take in the sheen of the cherry red car, the pattern on Val's shirt, the blue of Porter's eyes, and the sharp contrast present in the picture. When Porter ends up laying in his own blood, take a look at the convincing wetness of the pooled blood under his body. It seems surprisingly three dimensional for a film so steeped in a washed out, gritty lighting scheme.
Black levels are rich, fleshtones are naturalistic, and the moderate grain adds depth without being distracting. Cityscapes are impressive, teeming with building details stretching into the distance, cars scattered about the streets, and pedestrians whose faces are as clear as those of the main characters. For an older film, this transfer holds up rather well, and its fine object details are its most impressive asset. For a sample, take a look at Porter's first visit to Stegman's, any scene in Maria Bello's apartment, or Pearl's first visit to Val's room. This last scene in particular is a showcase of Liu's crisply detailed boa, Gregg's insanely patterned robe, and a corset with tiny specks of diamond. Skip to Porter's endgame at the train station -- the texture detail on the concrete is sharp, bullets send small debris flying from the kiosk, and even the print on the newspaper is easily distinguishable. Finally, head to moment when Porter retrieves his gun from the dirty cops outside of The Syndicate building and just pause the film a few times. The detail on each actor's face is phenomenal -- cracks in the skin, wrinkled brows, stubble, and every imperfection grounds each performer in the gritty world they inhabit. This high definition presentation really enhances the starkness of the cinematography, working hand in hand to make the city feel dirtier.
As usual, there are a few things that keep the transfer from boasting a perfect score. While it's likely due to the film's noir roots, shadow delineation is only average, with details instantly disappearing into every dark corner. Infrequent instances of murky contrast levels hinder some shots from popping as much as the rest of the film (for example, the close-ups near the end of the kitchen talk between Porter and his wife after their fight). There are also a smattering of shots that drift into softness -- watch for examples of this at the end of the Porter's first interrogation of Stegman and when Porter points the gun at Pearl after killing her gang. To top off my nitpicks, a few print flecks are scattered throughout the picture and are occasionally heavier in some shots.
Gritty flicks like this seem to be a point of picture quality contention, and I'll admit that it is harder to spot the marvels of a transfer in a film like this. But if you fall into this group of people, just take a look at the standard DVD edition of this film on a large screen and compare it to this high-def transfer -- I think you'll agree that the detail, the black levels, and the color vibrance alone earn this transfer a high score.
The Dolby Digital-Plus 5.1 track included in this HD DVD edition gets the slight edge over the Dolby Digital 5.1 on its Blu-ray counterpart, although to be honest, I could barely distinguish a difference, and only the most hardened audiophiles will find something to complain about in the standard 5.1 track on the Blu-ray edition.
With that being said, I was disappointed by the vacuum left in the wake of the theatrical edition. That cut was full of bassy music that added a welcome sense of momentum. In this director's cut, the soundfield is much emptier and the rear channels are silent a lot of the time. This isn't an issue to be attributed to the compostion of the music, but rather a stylistic directorial decision that didn't sit right with me. There are still moments that fill the speakers -- the scene I mentioned where Porter interrogates Stegman for the first time being a nice example. The street has a genuine ambiance, school children play in the distance, a light breeze moves through the air, and Stegman's whiny voice trembles naturally. But for every moment like this one, there are a dozen set in a silent apartment as Gibson talks with another character. Even scenes in the bustling city seem largely absent of traffic and pedestrian noise. The theatrical version felt much more alive in its sound design.
Dynamic range is impressive and Gibson's gruff voice makes full use of the subwoofer, filling the room with presence every time he speaks. Dialogue is crisp and clean, the sound design is well prioritized, and sound effects, for the most part, are punchy and direct. However, I was disappointed in newer scenes with gunfire. Similar scenes in the theatrical cut explode with a cacophony of booms from each gun. Gunshots in these resurrected scenes sounded flatter and didn't startle me nearly as much (especially in the third act at the train station).
Finally, I have to mention the soundtrack. As much as I enjoyed this new cut of the film, I absolutely loathed the sparseness of the new score. There is so much dead air that I found myself bored in identically edited scenes that I had loved in the theatrical version. The director's cut is so silent that it feels unfinished and incomplete -- again, an issue I attribute to the director's guidance rather than the composition of the music itself. Worst of all, the prioritization of the music in the sound design is technically below average -- bass hits are soft, treble tones are muffled, and the entire soundtrack feels lazy from beginning to end because the music is always hidden too far behind other layers in the sound design. My only minor complaint with the composition itself was the absence of more jazzy riffs similar to what populated the theatrical score. While similar pieces appear in the director's cut, they disappear far too quickly.
Normally the number of extras present on this disc would warrant a three star rating. However, the supplements on 'Payback - Straight Up: The Director's Cut' are so thorough and candid that they're in a completely different class compared to the same sorts of extras on other releases. Every participant -- including Helgeland and Gibson -- is so seemingly honest in their explanation of the history of the film's disputes, that I was truly fascinated throughout.
First off, skip right to the goods and head for the feature titled "Same Story - Different Movie, Creating Payback: The Director's Cut." Presented in high-def and clocking in just shy of a half an hour, this documentary explores the fallouts, drama, and in-fighting that divorced Helgeland from 'Payback.' This was hands down one of the most intriguing behind-the-scenes explorations I've ever watched. Each participant is strikingly candid as they describe a situation that no one wanted, but which no one could avoid. Combined, the interviews describe the nature of the dispute and how each party handled Helgeland, the movie, and its eventual completion. While a dominant representative of the studio is oddly missing, Gibson, Helgeland, and the other participants are very thorough in their examination of what went wrong. Best of all, films clips and side by side comparisons tirelessly detail the differences between the two versions. Fans looking for angry screams from a belligerent director will be sorely disappointed. However, those looking for a thoughtful look at the down and dirty business considerations behind the making of a film will be entranced.
Next up is a documentary titled "Paybacks Are a Bitch" which has been divided into two segments -- the 28 minute "On Location in Chicago" and the 19 minute "On Set in LA". Both could have easily been edited into one piece, but I enjoyed seeing the separate differences between location and set shooting. These featurettes are also worth watching simply because they're more than an interesting look at the work that brought 'Payback' to the screen -- they continue to explore the two tones of the two versions of the film. Every compliment I threw at the "Same Story - Different Movie" documentary applies here as well and this is an excellent companion piece to that supplement.
Next hop over to "The Hunter - A Conversation with the Author Donald E. Westlake," a ten minute interview that seems out of place at first. Exploring the roots of crime novels and his own motivations for his original version of "Payback," Westlake bridges the gap between the behind-the-scenes documentaries and the story-centric commentary with Helgeland. He talks about tone and character, two things central to the disagreement between the director and the studio. While Westlake never takes much time discussing the drama behind the film's editing, he does provide a glimpse into what noir audiences respond to. While this is much drier than the other features, it was still interesting and unexpectedly relevant none the less.
Finally, check out the excellent director's commentary with Brian Helgeland. It appears first but I'd really recommend listening to this supplement last -- Helgeland doesn't spend too much time talking about the drama behind the scenes because that information is explored so deeply in the other features. Instead, he examines every detail of the story and tone of his cut of 'Payback,' his original intentions, and the reasoning behind every decision he made with this version of the film. He never veers into technical drudgery because he has too much to say about why he loves the film as he originally wanted to present it. Somewhat surprisingly, throughout he's very gracious to the theatrical cut of the film. While he disowns it in so many words, he never insults it or trashes the people who guided that version into being. He speaks highly of Gibson and describes him as being "caught between [the director] and the studio" on more than one occasion. Helgeland is a real class act, an engaging speaker, and an impressive professional who has come to a nice understanding of the events surrounding the shakeup on 'Payback.'
Unfortunately, I can't stop shaking my head when it comes to the one, gigantic hole in this release. While I'm sure it'll appear on high-def in the future, the absence of the theatrical cut of 'Payback' on a second disc is an enormous missed opportunity. Even a concurrent release of both versions would've been fine by me and I would've dropped the extra cash in a second just to compare the two in high-def.
In the end, whether you prefer this cut or the theatrical version, 'Payback - Straight Up: The Director's Cut' is a fascinating study of two visions of the same film. The video quality on this HD DVD disc is exactly what I hoped it would be, and the supplemental package is so thorough that I was as engaged watching the features as I was watching the film. The only disappointing aspect is underwhelming (although still technically solid) audio. But unless you're an audiophile, pay that no mind -- this HD DVD release should be an easy sell for 'Payback' fans, and even if you didn't like the film before, you should give it another chance in its new incarnation, as it's almost an entirely different movie.

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Scotland squad announced next week
Gregor Townsend names his Scotland squad for the upcoming fixtures on Monday 12 October.
Scotland first face Georgia in the return of international rugby on 23 October at BT Murrayfield before travelling to Llanelli for the rescheduled 2020 Guinness Six Nations match against Wales. The Scots then take part in the newly-formed Autumn Nations Cup in November with games against Italy, France and Fiji.
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RETTSyndrome.ru
Rett Syndrome Association
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06.05.2016. VIII World Rett Syndrome Congress Agenda Kazan, Russia, 13-17 May 2016
28.03.2016. VIII World Rett Syndrome Congress Kazan, Russia, 13-17 May 2016, «Riviera» Hotel
Rett Syndrome Association invites you to participate! The
16.02.2016. Ivan Iourov is a winner of "Blue Bird 2015"
PhD, Doctor of Science, Professor of Medical Genetics, Head of Laboratory of Molecular Genetics of the Brain at Mental Health Research Center, Managing/Section Editor of Molecular Cytogenetics (BioMedCentral-Springer) Editor-in-Chief of Journal of Neurology and Epidemiology won national public award in the field of rare diseases
01.12.2015. The regular meeting of the organizing committee of the World Congress on Rett syndrome was held on November 30, 2015
15.07.2015. The new meeting of the Organizing Committee of the World Congress on Rett syndrome took place on July 10th, 2015.
14.05.2015. Kazan Marathon in support of children with Rett syndrome.
May 11, 2015 on the area of the Kazan Arena stadium in Kazan the athletics marathon started. All those who run the 42.195 km and 21.097 km marathon ran through the most beautiful streets of the capital of Tatarstan.
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Setting up the "Rett syndrome association" in Russia became possible after the famous Russian tennis player Vera Zvonareva started talking about it.
On February 1, 2011 the Association was registered!
The association was created for the purpose of assistance to carrying out research on problems of diagnostics and rehabilitation of RS; rendering of information and advisory services and help to families with RS people, and also to institutions which promote medical and pedagogical scientific research of the syndrome and assist people with RS and their families.
Marathon in Kazan
May 11, 2015 on the area of the Kazan Arena stadium in Kazan the athletics marathon started. All those who run the 42.195 km and 21.097 km marathon ran through the most beautiful streets of the capital of Tatarstan. This marathon was held in a modern format of the show and the pleasure of running for all. Another distance for those who wanted to take part in the marathon was 5 km.
Within the 5-kilometer distance athletes ran in support of children with Rett syndrome. It is Important that the support group included students, alumni and teachers of KSMU, headed by the rector A. S. Sozinov; students of Architecture and Construction University, leaders and members of social organizations as Union of patients and patient organizations on rare diseases (Moscow), CF "Window to Hope", ICPO «Society of disabled people suffering from Hunter syndrome", members of the Civic Chamber of the Republic of Tatarstan.
At the awards ceremony on the results of the 5-km run the Rector of KSMU, Chairman of the Organizing Committee of the Congress on Rett syndrome A.S. Sozinov said:"I want to draw your attention to the action inside the action. Kazan Medical University ran today in support of children with rare diseases. Exactly one year later Kazan will host the World Congress on Rett syndrome. Such children are few, but they are waiting for our help. Please note - these children are now also the winners! Please support our action, and you will support children with Rett syndrome!"
Bright yellow and purple balloons flew in the sky at the finish, as a symbol of organizations supporting people with rare diseases, and the winners were greeted with medals of the Marathon and flags of the Association of Rett syndrome.
Founder of the Rett syndrome Association Vera Zvonareva starts a campaign "SunAngelDonate" to raise funds.
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Annual report (substantive) for 2013
Resolution of the European Conference on Rett Syndrome, held 16-17 September 2011 in Kazan
How old is your association? Organization is registered 1 February 2011.
How many families are in your association? - due to the work we became aware of 104 children with Rett syndrome,living in Russia; - parents, 45 children have agreed to provide information about their children.
How does the association keep in touch with families?
Through a common website. Every year Association organizes school for parents or conference.
How are families who need help given support?
13 children were funded diagnosis of Rett syndrome in 2012.
What is the financial situation of your association?
Budget association formed of charitable donations of individuals and entities
How are funds raised?
Funds formed of charitable donations of individuals and entities.
What activities are provided by the association for members?
School for parents children who haves Rett syndrome 15 th. September 2012. Conference by Rett Syndrome with international participation 16-17 September 2011. <> (Parent). Round table on <> 21 February 2012.
How is the association involved in research?
Association initiated study of 12 cases (girls) by molecular studies of chromosome abnormalities (array CGH), preparing reports and publications.
What are the highlights of the year for your association?
2011 - creation of associations and Conference by Rett Syndrome with international participation 16-17 September 2011.
Our association member, Rett Syndrome EuropeRSE: http://www.rettsyndrome.eu/
More resources about a Rett syndrome in English:
http://worldcongress.rettsyndrome.org
http://www.rettsyndrome.org
http://www.rsrt.org
Контакты: rettsyndrome@mail.ru
© АНО "Ассоциация содействия больным синдромом Ретта", 2011
Design by FotA


2018 Learn to Row and Erg Class Registration Now Open!
Station L's popular Learn to Row classes begin April 2 and registration is now open. Register online on the Station L website.
If you can't wait until April, we are offering indoor rowing or "erg" classes on T and TH evenings this winter. Participants receive a $10 credit toward on-water Learn to Row classes. Register today or tell a friend.
For members or would be members, the spring season is right around the corner. 2018 is the perfect time to come back to the club. We've got a new schedule and some great coaches waiting for you. Explore our website to discover the options or email our Membership Coordinator with any questions.


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text:
Home / + Books / 50 Main Street
How have Americans changed, ten years after 9/11?
In telling the stories of people with something undeniably in common, 50 Main Street inspires readers to focus on the fundamental similarities they experience in their lives, rather than dwell on differences. Ribelli flew 31,000 miles, drove another 16,000 miles, spent a few hours on trains, and even enjoyed some ferryboat rides to reach all of his destinations. In a time when society seems more divided than ever, whether it be by political party lines, religious beliefs, social issues, or immigration policies, Ribelli chooses to focus on Americans with something in common their address to rediscover the people that embraced him when he first moved to the United States. The book moves seamlessly from state to state and introduces readers to Main Street, from the twin firefighters in Pennsylvania to 100-year-old Ralph in Nebraska. Recent immigration is described in the stories of a Christian Iraqi girl in Michigan and a Puerto Rican pediatrician in Massachusetts. A non-judgmental, modern-day Alexis De Tocqueville and more positive than Sinclair Lewis, Ribelli shares laughs, tears and even the occasional fried pie recipe.
50 Main Street quantity
SKU: 9781937359157 Category: + Books
At age 27, Piero Ribelli left Italy, moved to the United States, taught himself English, and started a new life as a professional photographer. Ranging from travel, portraiture and photojournalism, his photographs have appeared in magazines around the world. He lives in New York City.
Douglas Brinkley lives in Austin, TX. Mike Rowe lives in San Francisco.
The Face of America
Piero Ribelli
Photographs By
Douglas Brinkley
Hardcover, 300
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Stay Up! – Limited Edition
Above Portland
Above San Francisco


text:
1. Please refer to [Apply_BOS_Account](../../Apollo_Fuel/apply_bos_account_cn.md) for account setup before you can use the service.

2. New service entrance point available at [Apollo Dreamland](http://bce.apollo.auto)

3. Chinese version tailing for D-kit is available at [Vehicle_Calibration_Online_cn.md](../../D-kit/Waypoint_Following/vehicle_calibration_online_cn.md)

vehicle calibration system automatically generates calibration table for different vehicle models. It includes three parts: a frontend data collection monitor system, a data pipeline upload/download tool for uploading collected data and downloading generated calibration tables, and a visualization tool for performance evaluation.

<!-- # Table of Contents 1\. [Frontend](#frontend) 2\. [Data](#data) - [Upload Tool](#upload) - [Download Tool](#download) 3\. [Visulization](#visulization) -->

 ## Frontend

In DreamView, a data collection monitor is presented for monitoring the data calibration process. In vehicle calibration mode, collected data frames are visualized in the data calibration monitor. Data frames are categorized into different driving conditions according to their chassis information. The amount of collected data frames are indicated as progress bars.

### Setup

In the on-vehicle DreamView environment,

1. Choose `vehicle calibration` in `--setup mode--`,
2. Choose `Data Collection Monitor` at `Others` panel.

![](images/calibration_table.png)

The data collection monitor is displayed in DreamView.

### Data collection

When driving, data frames are automatically processed by reading their chassis messages. When a data frame satisfy the speed criterion (speed equal or larger than 0.2 mps), the data frame is categorized by its steering, speed and throttle/brake information. The data collection process is presented by bars in data collection monitor.

There are 21 bars in total in data collection monitor. The overall process is indicated by the top bar. The rest 20 bars indicate 20 driving conditions, including

- Six brake conditions at different speed level

  - low speed (<10 mps) brake pulse
  - middle speed (10 mps ~ 20 mps ) brake pulse
  - high speed (>=20 mps) brake pulsing
  - low speed ( <10 mps) brake tap
  - middle speed (10 mps ~ 20 mps ) brake tap
  - high speed (>=20 mps) brake tap

- Six throttle conditions at different speed level

  - low speed (<10 mps) under throttle
  - middle speed (10 mps ~ 20 mps ) under throttle
  - high speed (>=20 mps) under throttle
  - low speed ( <10 mps) harsh throttle
  - middle speed (10 mps ~ 20 mps ) harsh throttle
  - high speed (>=20 mps) harsh throttle

- Eight steering angle conditions

  - left 0% ~ 20%
  - left 20% ~ 40%
  - left 40% ~ 60%
  - left 60% ~ 100%
  - right 0% ~ 20%
  - right 20% ~ 40%
  - right 40% ~ 60%
  - right 60% ~ 100%

For each bar, there is a blue ribbon indicating collected data frames. When the blue ribbon fills the whole bar, the number of collected frames reaches the target number. There is also a number at right end of each bar indicating the completion percentage.

For calibration table data collection, when the first 13 bars (total progress bar and 12 brake/throttle condition bars) reaches 100% the data collection process is considered as completed. For dynamic model data collection, the data collection process is completed when all bars reaches 100%.

All data are saved in `nvme drive` or `data/record/`

### Vehicle Configuration

The brake and throttle specs are different between vehicle models. Therefore, the criteria for brake pulsing/tap and hash/under throttle depend on vehicle models. The default setting is based on Lincoln MKZ model. For different vehicle model, these parameters is configurable at

```
/apollo/modules/dreamview/conf/mkz7_data_collection_table.pb.txt
```

(description)

## Data Upload/Download

### Prerequisites

Firstly, please make sure you have already finished setting up the **Apollo Fuel Proxy** following documents available at:

https://github.com/ApolloAuto/apollo/blob/master/modules/tools/fuel_proxy/README.md

This is **essential** before you can get enjoy vehicle calibration or other Apollo Fuel-based cloud service.

## Folder Structure Requirement

Before uploading your data, take a note of:
1. The folder structure to be maintained is:
   ![](images/file_system.png)

1. As seen above, the file structure to be maintained is
   ```
   Origin Folder -> Task Folder ->Vehicle Folder -> Records + Configuration files
   ```
1. A **task** folder needs to be created for your calibration job, such as task001, task002...
1. A vehicle folder needs to be created for your vehicle. The name of the folder should be the same as seen in Dreamview
1. Inside your folder, create a **Records** folder to hold the data
1. Store all the **Configuration files** along with the Records folder, within the **Vehicle** folder
1. The vehicle configuration file (vehicle_param.pb.txt) is updated since Apollo 5.0 and later, you should check it
1. One task folder can contain more than one vehicle folder, you can  train more vehicles in one training job

### Upload

Use [bosfs](https://cloud.baidu.com/doc/BOS/BOSCLI/8.5CBOS.20FS.html) to mount
your bucket to local, for example,

```
BUCKET=<bucket>
AK=<access key>
SK=<secret key>
MOUNT=/mnt/bos
# It's required to provide correct BOS region. Please read the document
# https://cloud.baidu.com/doc/BOS/S3.html#.E6.9C.8D.E5.8A.A1.E5.9F.9F.E5.90.8D
REGION=bj

mkdir -p "${MOUNT}"
bosfs "${BUCKET}" "${MOUNT}" -o allow_other,logfile=/tmp/bos-${BUCKET}.log,endpoint=http://${REGION}.bcebos.com,ak=${AK},sk=${SK}
```

Then you can copy the prepared data folder to somewhere under /mnt/bos.

### Download

No download needed, the results will be sent to your email associated with your BOS bucket.

## Result Visualization

The docker environment does not support Matplotlib. Thus, result are visualized outside of the docker environment. The following two figures show the visualization result of PC training results.

![](images/throttle.png)

![](images/brake.png)


text:
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Whoa…! The wait is over for the new movie directed by Mahesh Bhatt. Poster for the movie Sadak 2 is already out, additionally, the release date of...
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Movies Divyanshu Yadav - August 9, 2020 0
I am Vengeance: Retaliation (2020) is basically a low budget British action film that has a lot of thriller elements. It contains a lot of violence along...
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text:
The Weird In-Between State and How Quantum Logic Addresses That
Zacharias 🐝 Voulgaris in Philosophy, IT - Information Technology, beBee in English Chief Science Officer • Data Science Partnership 7 d ago · 2 min read · +700
According to Aristotle (Plato's most well-known pupil and the father of Western thought, on the philosophical level), a statement can either be true or false, valid or invalid. Logicians (yes, there is such a thing, and I've had intriguing discourses with one, back in the day) adhere to this premise. This is very much like any Geometry professional would adhere to the axioms of the Geometry he/she practices, be it Euclidean or Riemannian. What about all these logical paradoxes, though? That's something that has intrigued many puzzle aficionados over the years, including some content creators like Kevin from Vsauce2. Not all paradoxes are logic-related, but some of them are so important that have incited serious debate and the development of an alternative logic framework, parallel to the Boolean Logic one that dominates the realm of Mathematics.
When I was a Master's student, I looked into one such Logic framework, namely Trinary/Ternary Logic (TL), and examined how it could be applied to the problem of Map Overlays, a standard application in the Geographical Information Systems (GIS), which were quite a popular field of IT at the time. Although many people are aware of this framework, few people have studied it enough since it's not tied to a particular field of science (even if applicable in some niche ways). Naturally, since there is no upper bound on how many states a Logic framework can have, there are people who have explored higher-order such frameworks (e.g., Quaternary Logic). Yet, none of them gained enough traction, even if they have a place in academic research. Nevertheless, there is an alternative Logic framework that seems to transcend all of these, namely Quantum Logic (QL), which aims to describe and facilitate the complex operations taking place in the Quantum world. The latter is the cornerstone of Quantum Physics and the Engineering framework that stems from it, namely, Quantum Mechanics. All of that has brought about the latest computing advent, namely Quantum Computing (QC), which has a significant role to play in the years to come. QL also has philosophical ties, as explained in this article from the Internet Encyclopedia of Philosophy.
What we have failed to grasp ever since we've started exploring Logic was a subtle but key element: the in-between state of True and False and its relationship to the other states. By coding it as -1 or 2 (in TL), we miss the whole point that it's not yet another state but rather a state beyond the other states. It's akin to the state of a quantum particle until it's observed/measured. That state, which is referred to as superposition is a state of being both and neither at the same time. Until someone looks at the damn thing, the superposition state will hold, confusing everyone around it, used to the binary view of things. However, once someone looks at that quantum particle, the superposition collapses and therefore the particle is either in state A or state B.
Going back to the real world, we don't have to worry about superposition that much since things are more clear-cut. If we look at a product, it's either on sale, or it isn't. A person is either dead or alive (except perhaps in some Hollywood movies!). So, where does the superposition come into play? (hint: it does involve us all, even if we aren't aware of it). This discussion is a long one and probably better suited for a different article. Meanwhile, I'd love to hear your thoughts on the topic. Cheers!
beBee in English
Zacharias 🐝 Voulgaris Chief Science Officer • Data Science Partnership 7 d ago Follow
beBee
Related buzzes
Phil Friedman
Affinity Networking Is On the Line
Kevin Pashuk
YOU don't get to define 'Normal'. It's killing your success.
Charlie Accetta
Zacharias 🐝 Voulgaris 7 d ago · #1
Thank you for the share, @Pascal Derrien!


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text:
Get to know who we are.
See why we're different right from the start.
The vision behind everything we do.
Marathon Gives Back
We are committed to our community.
The latest news and announcements.
IT & digital marketing articles from the Marathon team.
Custom websites, online strategy, and more.
For web, mobile, and desktop.
Data Integration and Custom Reporting
Turn your data into usable information.
IT Advisory Services
Helping you make informed IT decisions.
The right people for your project.
Find out who we serve.
Let us be your trusted partner.
For every online project and opportunity.
IT Managers
The right people for any challenge.
Come join our team.
Integrity, trust, balance, and teamwork.
Respect, recognition, and exceptional benefits.
About Get to know who we are.
About Main Page
Our Work See what we've done so far.
What We Do Learn more about our services.
What We Do Main Page
Who We Serve Find out who we serve.
Who We Serve Main Page
Careers Come join our team.
Careers Main Page
Marathon Consulting Receives Awards as Hunger Heroes Foodbank Campaign Concludes
Marathon Consulting, LLC, a Virginia-based provider of Information Technology (IT) and digital marketing solutions, has wrapped up its second Hunger Heroes campaign for the Foodbank of Southeastern Virginia and the Eastern Shore. The summer months are typically a time of great need at the Foodbank, and each year Marathon and other local organizations join together in the Hunger Heroes Food Frenzy to raise much needed funds and donations. This year's campaign raised an amazing total of $69,974 and the Marathon team is proud to have helped raise $14,534 toward that total!
During the course of the Hunger Heroes campaign, our team participated in multiple fundraising events including a virtual game night, a virtual happy hour, a silent auction, various contests, and even a virtual super hero 5k race! At the conclusion of the Hunger Heroes campaign this year, the FoodBank announced awards for participating teams, and Marathon was recognized as the 2nd place team in the medium business category for fundraising. Marathon was also awarded the Food Fighter Award! This award recognizes an outstanding company or organization that has demonstrated exceptional leadership in coordinating and motivating others to accomplish a philanthropic project and has devoted a substantial amount of personal time, energy, and creativity to the Foodbank, exemplifying the spirit of philanthropy at its best. We are humbled and honored to be recognized by the Foodbank for our efforts to end hunger in the community.
Marathon would like to extend our most heartfelt thanks to all employees, friends, families, and clients that helped out during our fundraiser for the Foodbank of South Eastern Virginia and the Eastern Shore during this time. We are all Hunger Heroes!
"We are grateful for Marathon Consulting's continued support through our Hunger Heroes competition as a Justice League organization," said Dr. Ruth Jones Nichols, President and CEO, Foodbank of Southeastern Virginia and the Eastern Shore. "Marathon Consulting has devoted a substantial amount of time, energy and creativity to this year's all-virtual competition, participating in every social media challenge and raising awareness about the increased need for food assistance during the COVID-19 pandemic. Their fundraising efforts raised over $14,500 for the Foodbank, which will enable our organization to provide healthy meals for vulnerable neighbors including seniors, children and low-income families facing food insecurity in our community."
About the Foodbank of Southeastern Virginia and the Eastern Shore
For over 35 years, the Foodbank of Southeastern Virginia and the Eastern Shore has provided over 290 million meals to those in our community who face hunger. Through our programs, facilities, and large network of community partners, we "eliminate hunger" on a daily basis for many. However, we understand that our current work addresses hunger for individuals in the short term. It does not address the root causes which force individuals to return to a food pantry again and again. This understanding has led to the creation of a new 3-year strategic plan aimed to move Hampton Roads closer to achieving the mission of eliminating hunger for those we serve – not only for the day or for the week, but for a lifetime. For up-to-date information on the Foodbank, visit www.foodbankonline.org, Facebook, or Twitter.
Tony Cortinas
info@marathonus.com
Virginia Beach Office (HQ)
4525 Columbus St, Suite 200
Marathon Consulting Earns Gold Certification in the Application Integration Competency in Microsoft's Partner Program January 12, 2021
Marathon's Thomas Marsden Named to the 2020 Top 40 Under 40 in Hampton Roads October 14, 2020
VASAP and Marathon Win RVATECH's 2020 Innovation in Public Sector Award October 8, 2020
Let's Talk About Your Project.
We are a full-service IT and digital marketing firm. We believe that successful projects are the result of working collaboratively and transparently with our clients. Are you looking for a better user experience for your website or application? Need an experienced database architect or business analyst? Let's talk!
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Here is a selection of cross phone photos for you, just click on the wallpaper you choose, download it and set it as background of your desktop screen.
Total 506 views. Posted by Ceres Ambroz from 6-04-2016, 15:35.


text:
Move your WhatsApp group to signal
How to make Pendrive bootable for Windows 10 using CMD?
WhatsApp says Users privacy won't be affected if you don't use these two features
Home/Smartphones/Oppo Ace 2 EVA Limited Edition Launched
SmartphonesTech News
Oppo Ace 2 EVA Limited Edition Launched
Krishan GuptaMay 29, 2020
Oppo has launched a new smartphone called Oppo Ace 2 EVA Limited Edition as the pre-booking for the phone is active now and it will go on sale from June 1. It comes with the retail box with unique white capsule-like design, We've got complete renders, specifications, and prices through their website, let's see what we have got for this one.
Photo Credit: Oppo
The Oppo Ace 2 EVA Limited Edition will be having the following specifications and price:
Speaking of its design, it measures 160×75.4×8.6mm and weighs 185g. Also, on the back, there is a quad-camera module and in the front, there is a punch-hole design. Here, the volume buttons are placed on the left edge and the power button is placed on the right edge of the phone.
A 6.5-inch Full HD+ (1080×2400 pixels) AMOLED Display with a punch-hole design. It is having a 402ppi pixel density and a 90Hz refresh rate. It also comes with Gorilla Glass 5 protection. In the front, you can see the slim bezels on all sides.
It will be having an in-screen fingerprint scanner.
Speaking of the camera, it will be having a quad-rear camera setup placed in a circular-shaped camera module with a 48-megapixel (f/1.7) primary lens, an 8-megapixel (f/2.2) ultra-wide-angle lens, a 2-megapixel (f/2.4) monochrome lens, and a 2-megapixel depth sensor lens along with a LED flash module.
In the front, there is a 16-megapixel (f/2.4) selfie camera housed in the punch-hole which is placed on the top left side of the phone.
It is available in the storage option of 256GB (UFS 3.0) with 8GB of RAM.
For the processor, it will be powered by the octa-core Qualcomm Snapdragon 865 SoC.
It will pack a 4,000mAh battery along with 65W SuperVOOC 2.0 Flash Charge and 40W Air VOOC wireless fast charging support.
Connectivity options include dual-sim 5G connectivity, Bluetooth (v5.1), Wi-Fi, and a 3.5mm headphone jack.
It will operate on Android 10 out of the box with the touch of ColorOS 7.1.
The phone is having a blue finish with 'Evangelion' written at the back, and wallpapers inspired by the anime series. Also, the aesthetic is inspired by an anime series "Neon Genesis Evangelion."
The phone is available for pre-booking and priced at CNY 4,399 (roughly Rs. 46,500).
The Oppo Ace 2 EVA Limited Edition will be available for delivery from June 1, for now, it is available for pre-booking through the company's official website. Also, only 10,000 units of this limited edition smartphone have been made in total. Well, that is it for this one. Let us know what you think of this one in the comment section down
Krishan Gupta
Amazfit T-Rex Smartwatch Launching in India in middle of June
Exim mail transfer agent Exploited by Russian Hackers
Huawei Y8s Render Surfaces Online; Featuring 48-Megapixel Dual Rear Camera
Friendly Social Browser-Targeted By Facebook
Facebook News Planned to Launch in India, UK, Germany
First look at Xbox Series-X games
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SwiftKey lets you send 3D animated animal emojis that mimic your facial expression


A thorough selection and recruitment procedure is carried out. In accordance with the relevant legislation, an administrative competition is not necessary for employment in the SOA. All interested candidates may fill out and submit their applications using the web forms at www.soa.hr/hr/posao-u-soa-i/prijavi-se/.
All candidates must meet general requirements for employment in public administration and specific requirements of security and intelligence work such as particular level of medical and psychological abilities, particular level of expert knowledge and skills and are required to meet security standards established in the security vetting procedure.
All submitted applications are considered. In line with the current needs, candidates that meet the qualification requirements are invited to participate in the selection process, on equal terms.
The selection process includes security vetting, various knowledge and skills test, psychological assessment and medical assessment. The selection procedure also includes polygraph testing. Those candidates whose test results correspond most with the employee profile will be selected.
A career at SOA is not just an ordinary job. SOA issues an open call to all perspective candidates to apply for the admission procedure. While previous working experience is not necessary, it is not a disadvantage for employment at the Agency. All candidates whose qualifications and competences correspond to the Agency's current needs will be considered in the recruitment process. The Agency mostly employs operatives in the regional centers. Analyst and IT specialist are usually based at the headquarters.


text:
Słoneczne ciasto (ros. Сонячний коровай) – radziecki animowany film krótkometrażowy z 1981 roku w reżyserii Ałły Graczowej.

Wersja polska
 Wersja polska: Studio Opracowań Filmów w Warszawie
 Reżyseria: Henryka Biedrzycka
 Dialogi: Wanda Kępczyk
 Dźwięk: Stanisław Uszyński
 Montaż: Halina Ryszowiecka
 Kierownictwo produkcji: Jan Szatkowski
Źródło:

Przypisy

Bibliografia
 Słoneczne ciasto w bazie Animator.ru

Filmy animowane Ukraińskiej SRR
Radzieckie animowane filmy krótkometrażowe
Radzieckie filmy animowane z 1981 roku

redpajama_set_name: RedPajamaWikipedia


text:
UN Aid Chief Says 1.8 Million People Displaced in Iraq, Plan Needed
© Flickr / John Gillespie
Up to 1.8 million people have been displaced in Iraq since January as the Islamic State (IS) has advanced, UN Under-Secretary-General for Humanitarian Affairs and Emergency Relief Coordinator Valerie Amos said Sunday.
UNITED NATIONS, September 14 (RIA Novosti) - Up to 1.8 million people have been displaced in Iraq since January as the Islamic State (IS) has advanced, UN Under-Secretary-General for Humanitarian Affairs and Emergency Relief Coordinator Valerie Amos said Sunday.
Speaking in Baghdad after a three day visit to Iraq, Amos estimated that "twenty million people across Iraq have been affected since the first wave of displacement took place in January this year."
She added the "Kurdistan region of Iraq has now received more than 850,000 internally displaced people since the beginning of the year. One in every four Iraqis displaced since January 2014 has sought refuge in Dohuk Governorate."
Amos also spoke of the impacts on people already living in Dohuk, noted that "with more than 650 schools in Dohuk Governorate now hosting IDPs, thousands of Kurdish school children did not start school on September 10 as scheduled."
"We now urgently need a clear strategy from the Iraqi Government setting out the scale of the challenge and the resources available from them to tackle it," Amos said.
For this plan, Amos said, "a key factor in covering a significant part of the needs in this humanitarian crisis will be the restoration of payment of salaries, the dispatching of medical supplies through the central system and the resumption of the Public Distribution System for food."
Concluding with a request for financial support, Amos urged for "sustained funding and support" that she said would be needed in the months ahead.
The IS, also known as the Islamic State of Iraq and Greater Syria (ISIS) or Islamic State of Iraq and the Levant (ISIL), has been fighting the Syrian government since 2012. In June 2014, it launched an offensive in Iraq and seized vast areas in both countries, proclaiming an Islamic caliphate on the territories under its control.
Daesh, Iraq, humanitarian aid, Valerie Amos, Kurdistan


text:
HP unleashes 'powerful' new Z workstations
The new Z range lineup is powered by Intel's six-core Xeon processor
by: Clare Hopping
HP has unveiled what it's described as its "most powerful entry workstations" in the form of the Z2 Mini G4, Z2 Small Form Factor (SFF) G4 Workstation and Z2 Tower G4 Workstation.
The Z2 Mini G4 Workstation, as its name suggests, is the smallest of the collection, measuring 58x216x216mm. It has twice the graphics oomph of its predecessor, powered by Nvidia Quadro P600 or Nvidia Quadro P1000 GPU. It also packs in Intel's six-core Xeon processor, offering up plenty of speed for even pretty intensive applications.
Thanks to its size, businesses can stack up to 56 HP Z2 Mini workstations in a standard rack, hooking up to six displays to each via three display ports, two USB 3.0 ports and a USB C.
HP's latest SFF Workstation also stars Intel's Xeon six-core processor, but this larger desktop is all about flexibility, with the company integrating four PCIe slots, and two M.2 storage slots to up the ante and free up physical space for customised networking and I/O add-ons.
HP claims its HP Z2 Tower G4 Workstation is the world's most powerful entry workstation. Designed for intensive tasks with Ultra 3D graphics and Intel's Xeon processor, it offers 60% more processing power compared to its predecessor. HP has also taken mobility into account, finessing the computer's design so it can be easily moved between locations.
"The number one thing we hear from creative professionals and other power users is the need for higher performance PCs built to meet their needs. Our new HP Z workstation portfolio addresses this by delivering the world's most powerful entry workstations," said Gwen Coble, director of workstations, thin clients, retail solutions and immersive computing, at HP EMEA.
"By combining superior graphics performance, flexible configuration options, and integrated software experiences in the world's most secure desktop workstations, the new HP Z lineup has been thoughtfully designed to unleash creativity, maximise productivity and reinvent future workflows."
Visit/security/cyber-security/354468/if-not-passwords-then-what
If not passwords then what?
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GDPR and Brexit: How will one affect the other?


After 39 years and over 13,000 shows, I have had the occasional awkward moment or situation occur; and I am sure you have as well.
Like the time I showed up to do a show for 300 Ericsson employees at their company picnic, and there were only three people at the picnic. It seems that Ericsson had done a massive layoff the day before, so 300 people were suddenly un-invited to the company picnic. In solidarity with those who lost their jobs, the rest of the employees decided it would be inappropriate to celebrate the next day at this picnic. So, when I arrived, only the three employees who were in charge of organizing the picnic were present. I sat them down in one of the pavilions and did my show - just for them.
On another occasion, as MC of the event, it was my duty to announce to a crowd of 7000 people at the Taste of Addison's headliner show, that "Hootie and the Blowfish" would not be performing. The organizers informed me that a dangerous storm cell was approaching and that I was to encourage the audience to leave as quickly and safely as possible, before the storm arrived. The booing was truly deafening!
And once I arrived at a venue to perform for Christian Louboutin Shoes. It was to be a fashion show for the buyers from Niemen Marcus. I was going to be part of a runway show, performing magic with some of the shoes. When I arrived, I was informed by the producer/decorator that I would not be wearing the outfit I had brought. (one we had previously agreed upon). but instead would be wearing a suit that they had purchased online. It was an electric-lime-colored suit, and they had GUESSED at my suit size. The suit was huge on me!!! I had to use a stapler to hem the pants, and tape and safety pins to make the pant waist and vest even come close to fitting me. I looked ridiculous! I have worked with this producer again, but always stipulate in my contract that I will be providing my own costuming, and that this cannot be changed without prior approval by me.
And finally, there's the time I cut the tip of my finger while performing the "knife through coat" trick. I foolishly believed that I could continue without the audience ever getting wind that I was bleeding profusely. I honestly thought that I could pull off doing the rest of the show using just my right hand, while applying pressure with my thumb and a tissue to the cut on my left hand. And it was working too, ...until the blood started getting past the tissue and dripping on the floor and some of my props. Luckily, the person that hired me saw my dilemma and stepped up to whisper "Would you like to stop the show?" I reluctantly said "yes". He gracefully got the audience to give a me round of applause and I walked off stage, still smiling and waving, and pretending that nothing was wrong.
I bet everyone in the business has a "bloody" story of their own they could tell.


text:
Alan Percival Cherry, 1917–1958 (aged 41 years)
Name Alan Percival Cherry
Alan Percival /Cherry/
Alan Percival
Family with Private
Birth: May 17, 1917
Death: September 11, 1958
Ancestors Compact tree Descendants Family book Fan chart Hourglass chart Interactive tree Pedigree Pedigree map Relationships Family with spouse
Alan Percival Cherry
Private + Private
partner's partner
2 _SUBM SM2 2 SUBM SM2 2 SUBM SM2 2 _SUBM SM2 1 SUBM SM2
Service Numbers:	SX22320, S50908 Enlisted:	8 December 1941, Wayville, SA Last Rank:	Captain Last Unit:	2nd/16th Infantry Battalion Born:	Adelaide, South Australia, 17 May 1917 Home Town:	Alberton, Port Adelaide, South Australia Schooling:	St Peter's College, Adelaide, South Australia Occupation:	Medical Practitioner Died:	Motor Vehicle Accident, South Australia, 18 September 1958, aged 41 years Cemetery:	Not yet discovered Memorials:
Source: Virtual War Memorial https://vwma.org.au/explore/people/587454
Virtual War Memorial Citation for Alan Cherry
https://vwma.org.au/explore/people/587454
Service Numbers:
SX22320, S50908
Enlisted:
8 December 1941, Wayville, SA
Last Rank:
Last Unit:
2nd/16th Infantry Battalion
Adelaide, South Australia, 17 May 1917
Alberton, Port Adelaide, South Australia
Schooling:
St Peter's College, Adelaide, South Australia
Medical Practitioner
Motor Vehicle Accident, South Australia, 18 September 1958, aged 41 years
Not yet discovered
Memorials:
CHERRY Alan Percival MB BS
Alan Percival Cherry was born on 17th May 1917 in North Adelaide, SA. He was the son of Percival Thomas Spower Cherry, a medical practitioner, and Aileen Standish Cherry, nee Moyers. Cherry had two brothers Edward, who served in WW2, John and a sister Aileen, all three of whom were medical practitioners. He was educated at St Peter's College and studied medicine at the University of Adelaide, graduating MB BS in 1941. He undertook his residency at the RAH.
Cherry had served for years with 10 Bn, in the CMF, before WW2 and was a lieutenant when he enlisted in the AAMC, at Wayville, on 8th December 1941. He gave his next of kin as Dr PTS Cherry but later changed it to Jocelyn Cherry after his marriage on 18th April 1942. Cherry commenced full-time duty, on 1st May 1942, and posted as RMO to 3rd Motor Regiment. After his appointment to 18th Garrison Bn, on 8th June 1942, he was transferred to the 2/AIF on 13th July 1942. Deployed to PNG on 8th December 1942, he served there until 6th February 1944. He was posted to 6 Light FdAmb on 19th September 1942, and then to 2/9th AGH on 3rd December 1942. Still in PNG, Cherry was posted as RMO to 2/5th FdRegt on 18th April 1943, eventually embarking on the Stephen C. Porter from Port Moresby on 29th January 1944, for Australia. He disembarked in Brisbane on 6th February 1944 and was evacuated to 105 AGH, in Adelaide, with upper respiratory problems on 3rd March 1944, and was subsequently discharged to the SA L of C. He re-joined 2/5th Fd Regt, on 9th April 1945, and re-allotted to 2/16th Bn on 5th May 1945. Cherry was severely reprimanded, on 5th Feb1946, for a "breach of prejudice and good order and military discipline" by Brigadier Dougherty who was administering command of the 7 Div. According to his records, he appears then to be serving in Balikpapan, Borneo, from where he embarked for Sydney on 4th January 1946. He was granted ninety days leave for refresher training before discharge. He was discharged on 1st May 1946 and placed on the Reserve of Officers.
Cherry and his brother Edward both joined their father's practice in Alberton after the war. Cherry was living in Largs Bay. Alan Percival Cherry was killed when he stopped to provide care at a motor vehicle accident on 18th September 1958. His death became well known in the legal field attributing liability to the individual who had caused the accident for the consequences of that accident including the accidental death of one who stopped to render aid. His widow Jocelyn later married John Pedler who had been RMO with 2/6Cav Regt during World War 2. His son, David, a champion golfer, followed his father and grandfather with a distinguished career in medicine; his particular interest was in pain management.
Blood, Sweat and Fears III: Medical Practitioners South Australia, who Served in World War 2.
Swain, Jelly, Verco, Summers. Open Books Howden, Adelaide 2019.
Uploaded by Annette Summers AO RFD
World War 2 Service
8 Dec 1941:
Involvement Captain, SN SX22320
Involvement Captain, SN S50908
Enlisted Wayville, SA
1 May 1946:
Discharged 2nd AIF WW 2, Captain, 2nd/16th Infantry Battalion
5e2411da3693b1ea85c848f17f29d749
Last change November 28, 2020 – 10:35:35
Parents Edmund Britten Jones Hilda Madeline Fisher
Family Private
Alan Percival Cherry(1917–1958)


A martian arrives on earth as the vanguard of an invasion. Meanwhile, a con man has set his sights on finding the hidden fortune of the dotty old woman next door, and he enlists an American Indian and his Swedish bombshell sidekick to help him. Meanwhile, teens party on the beach, and a motorcycle gang vows revenge on a muscular teen in a crazy broad-billed red baseball cap lovingly called Big Lunk. Hilarity ensues.
This movie is dumb, but it's a beach party movie; what do you expect? I've always liked the way that these movies found places for older actors and actresses to take part in them, and this one features Elsa Lanchester, Dorothy Lamour, Don Rickles, and Buster Keaton. I'm always a bit embarrassed to see the kind of shtick that was handed to the latter near the end of his life; he was capable of being funny without the help of silly costumes or goofy characters, but that's pretty much what they gave him. His best moment is a perfume feud he has with a saleslady because it relies on comic timing rather than goofy dialogue. I've heard that MARS NEEDS WOMEN (which also features Tommy Kirk as a Martian) was partially based off of this; this one, which is fairly energetic, is certainly much better than that one. The movie also features a young Teri Garr, Frankia Avalon in a cameo (you'll know who he is), and the usual cast of beach partiers.


The above example demonstrate use of Hot Maps module in Hair template.
Recently, Google started requesting API key for showing their maps on the user's websites. Free API key is available and it's free until exceeding 25,000 map loads per 24 hours. If your site exceeds this limit, through your Google account, you will need to pay $0.50 USD per 1000 additional requests, up to 100,000 per 24 hours. Our Joomla Google Maps module has been affected by this change, so we immediately released a new version which allows you to enter your API key. Also, this article will explain how to get an API key from Google.
The older versions of the Hot Maps module are displaying maps using iframes. Therefore, you didn't have any control over the map's display and style. When Google introduced Google Maps API, we redeveloped this module to use the new API and enjoy new features.
In the pop-up window select Maps and click Continue.
Now select your existing project or create a new project.
Your API key for Google Maps will be displayed in a pop-up window. Make sure you copied it in a safe place.
It's recommended to secure your Google Maps API key and allow access only from your websites. To do this, go to your Google Maps APIs list and select your project on top. Then, click Geocoding API link.
Click the name of your unsecured key.
Add your websites and also your localhost if needed. In our example, our API key is allowed to be used only on domains hotjoomlatemplates.com, hot-themes.com and sparkyframework.com as well as our localhost. When you are adding your domain(s), make sure you add it in proper format, in example for site hotjoomlatemplates.com you should add *.hotjoomlatemplates.com/* to allow usage of the key on all subdomains of that domain (the first *) and also on all pages of this domain (the second *).
If you downloaded the Hot Maps module or template that includes this module on June 29, 2016 or later, you should see the API key field in module options. Enter your API key there and you're done. If you still can't see the map, please wait 5-10 minutes and reload the page.
However, if you downloaded the Hot Maps module or template that includes it before this date, you will need to re-download module or entire template package from our site. There are 2 methods of updating the Hot Maps module.
In Joomla Administrator's panel, go to Extensions > Manage > Manage and uninstall Hot Maps module. Then, go to Extensions > Manage > Install and install new module downloaded from our site. Using this method, you will lose all module data. So, it's recommended to use the second method.
Unzip the Hot Maps module on your local computer. You will need to find folder mod_hot_maps with several files and folders inside. Using FTP client, upload this folder in /modules folder of your site (overwrite all existing files and folders). Also, upload file en-GB.mod_hot_maps.ini once again, but this time in folder /language/en-GB (overwrite original file). By using this method, all your module settings will be kept.
Finally, when you go to Hot Maps module settings page now, you will see a new API Key field. You should enter your API key that you received from Google in previous step in this field.


At a public hearing, she said her fifth-grade daughter and her first-grade son get far less physical activity than was offered at schools in Michigan. The family moved from there to Lexington this academic year.
Though her concerns were expressed just before to a major cold arrived, she wasn't suggesting that children have outside recess in extremely low temperatures.
She hopes that Fayette County Public Schools will have more physical activity goals, she said.
After the hearing, Debbie Boian, the Fayette County health and wellness coordinator, shared the mother's concerns with school board members at their regular monthly meeting.
Boian plans to contact the Millcreek wellness committee that includes the physical education teacher, and set up mentoring programs between teachers, she said.
"While we recognize that the use of the school day is totally the school's decision, we are going to share some resources with the P.E. teacher at Millcreek so they can pass those on to classroom teachers," Boian said. That means physical education teachers will help teachers add more physical activities in the classroom.
"Getting up and moving around helps kids focus" in the classroom, she said.
Schmedding-Bartley said she went to school district officials first before talking to school administrators about making changes.
A parent questions how much physical activity her children are getting during the school day.


To all, I just wanted to drop you a message and tell you how much I love your product. I have used Farrier's Formula for over 5 years and absolutely swear by it. I have my 16 year old Thoroughbred on it because of his horrible feet and for the first time in his life he is able to go barefoot. I bought a new Thoroughbred in August and placed him on the Farrier's Formula and can tell a big difference in him maintaining his weight better and his feet are showing the great signs that my other guy did when I started.
Thank you for making a product that never changes and is consistent from year to year and that I am comfortable telling everyone about.


Welcome to the Bio3D developer wiki!
If you are looking for general package information (including download, tutorials etc.), please see the main Bio3D website < http://thegrantlab.org/bio3d/index.html >.
For the majority of users we recommend the use of the last stable release available from the main Bio3D website. The development version typically contains new functions and bug fixes that have not yet been incorporated into the latest stable release.


text:
Home Sports Basketball Adams, Narbonne prove too much for GHS in Marine League battle
Adams, Narbonne prove too much for GHS in Marine League battle
Gardena High's Chase Williams takes a short jump shot in last week's Marine League boys' basketball game against Carson. The Panthers routed the Colts 72-37. (Photo by Joe Snyder)
Hoping to get into contention for the Marine League championship, Gardena High's boys' basketball team hosted Marine League co-leading Narbonne High from Harbor City (with Rancho Dominguez Prep) last Friday.
The Panthers led much of the game, including 37-34 after three quarters, but the Gauchos, led by premiere shooting guard Marcus Adams, took over the fourth period and Narbonne went on to defeat Gardena 53-45.
Adams proved dominant by scoring a game-high 33 points, 13 of those in the fourth quarter that saw the Gauchos outscore the Panthers 19-8. The other six points in that period was scored by his sophomore brother Maximo. Among those fourth quarter points were 12 successful free throws.
Things started to get going for Narbonne in the third period that included a 13-0 run, but Gardena bounced back for a three-point lead. In the fourth quarter, though, the Panthers just could not contain the Adams brothers, who scored all of theGauchos' final period points.
Gardena was also plagued by several critical fouls.
The Panthers stayed in the game and got within four points at 49-45 when Willie Denham made a three-point basket but Narbonne finished off Gardena by scoring the game's final four points.
The Panthers, who fell to 2-2 in the Marine League and 10-12 overall, were led by Chase Williams with 21 points, including 14 in the first half.
Two days earlier at Gardena, the Panthers rolled over Carson 72-37.
Gardena had complete command of the undermanned Colts throughout the game. The Panthers surged to a 40-24 halftime lead then increased the intensity in the second half by outscoring Carson 32-13 in the second half.
Alijah Perkins led Gardena with a game-high 15 points, followed closely by Williams with 14 and Jarren Ponds with 13.
Jacob Ortega led the Colts with 11 points.
In a Martin Luther King, Jr. Extravaganza game at Washington Prep High in South Los Angeles on Saturday, the Panthers were edged by St. Anthony High from Long Beach 50-49.
Gardena hopes to come back as it visited a very good San Pedro team, ranked ninth in the CIF-L.A. City Section by Max- preps, on Wednesday. The Panthers start the second half of the Marine League at Banning High in Wilmington Friday at 4:30 p.m. before coming home to seek a revenge on an earlier loss to Long Beach Rancho Dominguez Prep next Wednesday at the same time. In the first round, Gardena fell to the Lobos, who are currently ranked sixth in the CIF-L.A. City Section by Max-preps, 56-46 in the first round on Dec. 16 at Rancho Dominguez.
Serra plays St. Bernard tough but falls short
Serra High's boys' basketball team is going through rebuilding pains but managed to give a very good St. Bernard team a tough battle but the Vikings proved too much for the Cavaliers as they defeated them 71-56 in a Del Rey League game on Jan. 11 at St. Bernard in Playa del Rey.
The Vikings led throughout the entire game but the Cavaliers managed to play a lot more respectful then their 81-30 loss to host Bishop Montgomery a week earlier in Torrance. St. Bernard is ranked No. 2, behind the Knights, in the South Bay by the Daily Breeze. Bishop Montgomery is currently ranked No. 6 in California and fourth in the overall CIF-Southern Section by Maxpreps. The Knights are ranked the same in the Southern Section Division I/Open Division. St. Bernard is ninth in Division I.
St. Bernard had a commanding lead most of the game but Serra managed to get within 12 points at 57-45 midway in the fourth quarter behind a basket by Devin Shell.
The Vikings, though, pulled away.
Freshman Kaylel Kearns led Serra with 20 points, followed by A'mod Green with 10.
St. Bernard was led by Kendyl Sanders with 18 points. Tyler Rolison, who, as a junior, was the Daily Breeze South Bay Player of the Year in 2022, added 14 points.
Last Friday, the Vikings were narrowly defeated by host Bishop Montgomery 56-54 in the Del Rey showdown.
At Serra last Friday, the Cavaliers failed to get its first league win in an 82-73 loss to St. Paul High from Santa Fe Springs.
The Swordsmen led 35-26 at halftime before each team scored 47 second half points that included 56 total fourth quarter points that saw Serra outscore St. Paul 29-27 but it was not enough to catch up.
Serra had a non-league home game against Oakwood Academy from North Hollywood last Monday and begin the second round of Del Rey action at home against Bishop Montgomery on Friday at a time to be announced. The Cavaliers visit St. Anthony in Long Beach next Wednesday at 7 p.m.
North Torrance High's boys' basketball team picked up a key 65-58 home win over West Torrance last Friday to improve its Pioneer League record to 4-1 and overall mark to 16-4.
The Saxons played Servite of Anaheim last Monday and visited El Segundo on Wednesday. North will host cross town rivals Torrance on Friday and South Torrance next Monday. Both league games start at 7 p.m
GHS boys, girls enjoy impressive soccer sweeps
Gardena High's boys' and girls' soccer teams each won both of their Marine League matches over Rancho Dominguez Prep and Carson last week.
At Rancho Dominguez in Long Beach on Jan. 11, the Panther boys recorded a 3-0 shutout of the Lobos and the girls rolled to a 9-0 victory.
At Gardena last Friday, the Panther boys defeated the Colts 4-2 and the girls eked out a 2-1 victory.
Against Carson, Gardena's boys showed a balanced effort with four different players each scoring one goal that included seniors Daniel Tapia, Kevin Martinez and Anthony Vital, along with freshman Angel Davila.
Seniors Gabriel Amaya and Sebastian Tibocha each scored for the Colts.
Freshman goalkeeper Gabriel Gutierrez had eight saves for the Panthers, who improved to 6-5-2 overall and 2-2 in league.
The Panthers had one goal each from Tapia, Martinez and junior Joseph Tajeda in their shutout win over Rancho Dominguez. Gutierrez recorded the shutout needing just three saves.
"It was a good week to turn the season around," Gardena coach Elmer Membrano said.
Gardena had a tough match against San Pedro on Wednesday. The Panther boys visited the Pirates while the girls were at home. Gardena's boys host Narbonne in in hopes of avenging their 1-0 loss to the Gauchos in their league opener on Friday at 4:30 p.m. The Lady Panthers, who are 4-0 in Marine play, visit Narbonne at the same time. Gardena's boys, then, visit league power Banning High in Wilmington next Wednesday at 4:30 p.m., while the girls are at home against the Pilots.
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Saxon hoopsters open with win over South Gate


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text:
Unification minister to host dinner with N.K. high-level delegation
by admin · February 10, 2018
SEOUL, Unification Minister Cho Myoung-gyon is set to host a dinner for North Korea's high-level delegation on Saturday in the sub-host city of the PyeongChang Winter Olympics, Seoul officials said.
Cho plans to greet the delegation, led by ceremonial head of state Kim Yong-nam, at a hotel in Gangneung, some 237 kilometers east of Seoul, at 6:30 p.m. they added.
The delegation, including North Korean leader Kim Jong-un's sister Kim Yo-jong, arrived in South Korea Friday for a three-day visit to attend the opening ceremony of the Winter Games.
Earlier in the day, Kim Yo-jong delivered her brother's letter to President Moon Jae-in, which includes an invitation of the South's leader to Pyongyang at an early date.
The two Koreas have engaged in a flurry of sports diplomacy after North Korean leader Kim Jong-un extended a rare olive branch to Seoul in his New Year's message.
Next story Moon, N. Korean leader's sister to jointly attend N.K. art troupe's performance
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Young Kim certain to become 1st Korean-American woman elected to U.S. Congress
Pharmacovigilance Capacity Built Among Public Health Officials
Xi to close ranks with N.K. through trip to Pyongyang amid tensions with U.S.


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Q: Turn off Eclipse formatter everywhere I'm looking to disable the eclipse formatter everywhere not in a small section.  Is there perhaps a plugin file that can be removed?

A: I am not sure you can actually disable that one command ("Format", part of the "Java" command groups).
But you can at least:

*

*remove the key binding (ctrl+shift+f)to that command, through the "Keys" preferences.

*make sure the properties of the project don't define a "format on save" action.

A: For those who are looking for the command, you can disable the auto-formatting during a save through the preferences.
Preferences->Java->Editor->Save Actions, and then unselect "Format source code".

A: See the description for the formatter on/off tags (assuming this was asked about Java) here: http://help.eclipse.org/helios/topic/org.eclipse.jdt.doc.user/whatsNew/jdt_whatsnew.html#JavaFormatter

redpajama_set_name: RedPajamaStackExchange


text:
The Lady Chapel
The eastern bay of the aisle forms the Lady Chapel, and this is emphasised by the low screen and the three-light window depicting the Annunciation and the figure of Our Lady and Child in the centre.
The floor tiles here have Marian symbols: the fleur-de-lys and the rose. The alabaster altar is the work of Thomas Roddis, and above is the triptych altarpiece depicting the Passion of Christ. It is Flemish and of the late fifteenth or early sixteenth century.
The Lady Chapel was a common feature of the medieval parish churches and cathedrals. Because of widespread popular devotion to the Blessed Virgin Mary, England was known as "Our Lady's Dowry"
Return to the St Giles' Tour


text:
(Credit: Tin Angel Records)
Nicholas Krgovich shares new cover of 'Bedlam'
Tyler Golsen
@TylerGolsen
Wed 12th May 2021 19.30 BST
Nicholas Krgovich - 'Bedlam'
The seasoned Canadian songwriter Nicholas Krgovich has shared his cover of fellow Canadian Veda Hille's 'Bedlam', the first taste from his upcoming tribute LP This Spring: Songs by Veda Hille.
The slow-burning, saxophone blowing tune is about as intimate a portrait of inaction and sedentary movements as they come. When it comes to embracing the things, or people, that you love, "If you do nothing/it means nothing", as the song's refrain contends.
Krgovich's relationship with the song is nearly two decades in the making. "I first heard Veda Hille's song Bedlam in 2002," the musician says. "I would have been 19 or 20. I was a young person with 'wild feelings' but I didn't know what to do with them back then so I mostly did nothing. I was pretty guarded and unsure and intimidated by a lot of life at the time. I think that's why this song always rattled me a bit – the whole lyrical refrain of 'if you do nothing, it means nothing' felt like I was getting this sage advice plopped on my lap and I willfully ignored it, mainly out of fear. Veda's basically saying 'feelings are great but action plus feelings is better'. I have to agree, but everything in its own time I guess."
To celebrate the album's release, Krgovich and Hille will be performing a livestream of each other's music from The Clutch in Vancouver, British Columbia on May 21st. Tickets to that show can be found here.
Speaking of the song's video, Krgovich adds: "Most of my crippling inaction back then was rooted in not taking a chance on love stuff. Now flash forward a million years later and I'm this old man crooning into a microphone that's not plugged in, against a cityscape highly inspired by Melanie Griffith's Staten Island Ferry rides in 'Working Girl'. The melancholy and the longing is still there from time to time but I'm no longer upside down. I just wanna sway and lip-sync and listen to Joseph Shabason work the saxophone."
Check out the video for 'Bedlam' down below. This Spring: Songs by Veda Hille is set for a May 21st release date.