text:
Liz Allen - Board Chair
Lauren Greenwald - Vice Chair
Rebecca Nolan - Secretary
Ariel Shanberg - Treasurer
Anne Massoni - Executive Committee Member
Micah Cash
Elizabeth Claffey
Kelli Connell
Andrew Hershberger
Scott Hilton
Deborah Hollis
Tomiko Jones
Joe Lavine
Mark Malloy
Libby Rowe
Millee Tibbs
All board members are elected for four-year terms. Nominations for board members are due by the end of April or early May to the SPE office. Elections take place in the fall. The election of board members is staggered, so each year some board members roll off the board while new members are elected.
Liz Allen
Liz Allen was hired as curator of Northlight Gallery at Arizona State University in 1999 after earning an MFA from Rochester Institute of Technology. The exhibitions she curates demonstrate her profound interest in understanding, interpreting, and teaching the richness of photography as an evolving medium to an expanding community. The mission of the gallery under her direction has developed a dialog between established, emerging, and underrepresented artists working in a broad spectrum of photo-based media in collaboration with scholars also interested in challenging our perceptions of the human experience. Liz has been an SPE member since 2001 and served as	... read more
Liz Allen was hired as curator of Northlight Gallery at Arizona State University in 1999 after earning an MFA from Rochester Institute of Technology. The exhibitions she curates demonstrate her profound interest in understanding, interpreting, and teaching the richness of photography as an evolving medium to an expanding community. The mission of the gallery under her direction has developed a dialog between established, emerging, and underrepresented artists working in a broad spectrum of photo-based media in collaboration with scholars also interested in challenging our perceptions of the human experience. Liz has been an SPE member since 2001 and served as the chair of the Women's Caucus for over a decade. In 2012, Liz co-founded PhotoTapas, an annual festival in Arizona.
Lauren Greenwald
Lauren Greenwald is a visual artist working in photography and video, using a range of traditional and contemporary methods to explore landscape, perception, and the experiential. She received her M.F.A. in Studio Art with a minor in Museum Studies from the University of New Mexico, and her B.A. in Art History and French from the College of Charleston. She has recently joined the faculty of MiraCosta College in Oceanside, CA; previously, she was an Assistant Professor of Photography at the University of South Carolina from 2014–2018 and taught at New Mexico State University from 2012–2014. She is a regular contributor	... read more
Lauren Greenwald is a visual artist working in photography and video, using a range of traditional and contemporary methods to explore landscape, perception, and the experiential. She received her M.F.A. in Studio Art with a minor in Museum Studies from the University of New Mexico, and her B.A. in Art History and French from the College of Charleston. She has recently joined the faculty of MiraCosta College in Oceanside, CA; previously, she was an Assistant Professor of Photography at the University of South Carolina from 2014–2018 and taught at New Mexico State University from 2012–2014. She is a regular contributor to Fraction Magazine.
Rebecca Nolan
Rebecca Nolan grew up in a small rural community in southeastern Wisconsin. She received an undergraduate degree from the University of Wisconsin, Green Bay and an MFA from the University of Oregon, Eugene. She is the current photography department chair at Savannah College of Art and Design, where she has been teaching for the past 12 years. Nolan has also taught at the University of Kentucky, Lexington and Washington University in St. Louis. Influenced by her travels throughout America, Nolan's work deals with the ideas of place, culture, and the environment and how these constructs influence the people who create	... read more
Rebecca Nolan grew up in a small rural community in southeastern Wisconsin. She received an undergraduate degree from the University of Wisconsin, Green Bay and an MFA from the University of Oregon, Eugene. She is the current photography department chair at Savannah College of Art and Design, where she has been teaching for the past 12 years. Nolan has also taught at the University of Kentucky, Lexington and Washington University in St. Louis. Influenced by her travels throughout America, Nolan's work deals with the ideas of place, culture, and the environment and how these constructs influence the people who create them. The photographs often address the relationship a community or an individual has with the environment. She is interested in how the individuals that make up a community shape an environment and how that community and the environment shape the individual.
Ariel Shanberg
Ariel Shanberg is a curator, writer, and advocate for emerging voices in photography and related media. Since 2003 he has served as the Executive Director of the Center for Photography at Woodstock, an artist-centered not-profit where he oversees its ever-evolving programs and services including exhibitions, artist-workspace residencies, professional traditional and digital workspace, and more. In addition Ariel has guest-curated exhibitions at numerous institutions including the Dorsky Museum and the Light Factory. A visiting critic/guest speaker at various colleges and universities, his writings on artists have been featured in such publications as Aspect - The Chronicle for Media Art, Contact Sheet,	... read more
Ariel Shanberg is a curator, writer, and advocate for emerging voices in photography and related media. Since 2003 he has served as the Executive Director of the Center for Photography at Woodstock, an artist-centered not-profit where he oversees its ever-evolving programs and services including exhibitions, artist-workspace residencies, professional traditional and digital workspace, and more. In addition Ariel has guest-curated exhibitions at numerous institutions including the Dorsky Museum and the Light Factory. A visiting critic/guest speaker at various colleges and universities, his writings on artists have been featured in such publications as Aspect - The Chronicle for Media Art, Contact Sheet, European Photography, Exposure, Nueva Luz, and Photograph.
Anne Massoni
Anne Massoni is program director of photography at The University of the Arts in Philadelphia. Before joining UArts in 2013, she taught at Marshall University, Cornell University, Tyler School of Art, Washington College, Memphis College of Art, and Monmouth University, designing new photo programs at MCA and Monmouth. She received an MFA in photography from Ohio University and BAs in photography and anthropology from Connecticut College. Her interests lie equally with appropriation of images already in the world and utilizing new technologies in her work. Her imagery addresses familial narratives and memories. She has exhibited nationally and internationally including at	... read more
Anne Massoni is program director of photography at The University of the Arts in Philadelphia. Before joining UArts in 2013, she taught at Marshall University, Cornell University, Tyler School of Art, Washington College, Memphis College of Art, and Monmouth University, designing new photo programs at MCA and Monmouth. She received an MFA in photography from Ohio University and BAs in photography and anthropology from Connecticut College. Her interests lie equally with appropriation of images already in the world and utilizing new technologies in her work. Her imagery addresses familial narratives and memories. She has exhibited nationally and internationally including at The Print Center, Philadelphia; Newspace, Portland; East End Film Festival, London, England; and IlCantinonearte Teatri, Montepulciano, Italy. Publications include ASPECT: The Chronicle of New Media Art and The Photograph & The Album, published by MuseumsEtc. www.annemassoni.com
Micah Cash is a photographer, educator, and arts nonprofit manager. Micah speaks widely on photography, exhibits his work internationally, and has published two photography books: Dangerous Waters: A Photo Essay on the Tennessee Valley Authority with University of Tennessee Press and the forthcoming Waffle House Vistas by The Bitter Southerner. He has taught at Wingate University, the University of North Carolina at Charlotte, and the University of Connecticut. He has worked in the arts nonprofit sector for fifteen years including positions at The Light Factory, The Baltimore Museum of Art, and the Columbia Museum of Art. He currently serves as	... read more
Micah Cash is a photographer, educator, and arts nonprofit manager. Micah speaks widely on photography, exhibits his work internationally, and has published two photography books: Dangerous Waters: A Photo Essay on the Tennessee Valley Authority with University of Tennessee Press and the forthcoming Waffle House Vistas by The Bitter Southerner. He has taught at Wingate University, the University of North Carolina at Charlotte, and the University of Connecticut. He has worked in the arts nonprofit sector for fifteen years including positions at The Light Factory, The Baltimore Museum of Art, and the Columbia Museum of Art. He currently serves as the Development Coordinator at the Charlotte Symphony Orchestra. Micah is also the co-director of Queen City Zine Fest in Charlotte, North Carolina, and serves as the chair of the Arts, Culture, and Heritage committee for the town of Harrisburg, North Carolina.
Elizabeth M. Claffey is an Assistant Professor of Photography at Indiana University in Bloomington. She is an honors graduate of Earlham College and has an MFA in photography from Texas Woman's University, where she also earned a Graduate Certificate in Women's Studies. She received a 2012-13 William J. Fulbright Fellowship, which she used to support her documentary and creative research in Eastern Europe. Elizabeth's work focuses on the way personal and familial narratives are shaped by interactions with both domestic and institutional structures and spaces. Her work has been exhibited nationally and internationally and been recognized	... read more
Elizabeth M. Claffey is an Assistant Professor of Photography at Indiana University in Bloomington. She is an honors graduate of Earlham College and has an MFA in photography from Texas Woman's University, where she also earned a Graduate Certificate in Women's Studies. She received a 2012-13 William J. Fulbright Fellowship, which she used to support her documentary and creative research in Eastern Europe. Elizabeth's work focuses on the way personal and familial narratives are shaped by interactions with both domestic and institutional structures and spaces. Her work has been exhibited nationally and internationally and been recognized by galleries and publications such as PDN Magazine, Project Basho Gallery, Abecedarian Gallery, and The Eddie Adams Workshop.
Kelli Connell's work has been widely received and included in numerous solo and group exhibitions. Her work is in the collections of The Metropolitan Museum of Art, Los Angeles County Museum of Art, Columbus Museum of Art, Museum of Fine Arts Houston, Museum of Contemporary Photography, Microsoft, Haggerty Museum of Art, Philadelphia Museum of Art and The Dallas Museum of Art. Connell's first full length monograph entitled Kelli Connell: Double Life was released by DECODE Books in August, 2011. Other publications include MP3: Midwest Photographers' Publication Project (Aperture: New York and Museum of Contemporary Photography: Chicago, 2006),	... read more
Kelli Connell's work has been widely received and included in numerous solo and group exhibitions. Her work is in the collections of The Metropolitan Museum of Art, Los Angeles County Museum of Art, Columbus Museum of Art, Museum of Fine Arts Houston, Museum of Contemporary Photography, Microsoft, Haggerty Museum of Art, Philadelphia Museum of Art and The Dallas Museum of Art. Connell's first full length monograph entitled Kelli Connell: Double Life was released by DECODE Books in August, 2011. Other publications include MP3: Midwest Photographers' Publication Project (Aperture: New York and Museum of Contemporary Photography: Chicago, 2006), Vitamin Ph: New Perspectives in Photography (Phaidon Press: London, 2006), Photo Art: The New World of Photography (Aperture: New York, 2008), and Auto Focus: The Self-Portrait in Contemporary Photography (The Monacelli Press: New York, 2010). She is also one of the founders of SKYLARK EDITIONS, a non-profit publishing project based in Chicago. Connell teaches at Columbia College Chicago.
Photographic historian Andrew E. Hershberger received a 2001 Ph.D. from Princeton. A former Ansel Adams Fellow at the Center for Creative Photography, he has recently published a large compendium of 86 edited articles entitled Photographic Theory: An Historical Anthology (Wiley-Blackwell, 2014). The anthology has been reviewed very positively in peer-reviewed journals like Leonardo and History of Photography, and on websites like iPhotoCentral. In 2015, Hershberger received an Insight Award at the SPE annual conference in New Orleans.	... read more
Photographic historian Andrew E. Hershberger received a 2001 Ph.D. from Princeton. A former Ansel Adams Fellow at the Center for Creative Photography, he has recently published a large compendium of 86 edited articles entitled Photographic Theory: An Historical Anthology (Wiley-Blackwell, 2014). The anthology has been reviewed very positively in peer-reviewed journals like Leonardo and History of Photography, and on websites like iPhotoCentral. In 2015, Hershberger received an Insight Award at the SPE annual conference in New Orleans.
Scott Hilton earned his MFA at the California State University in Fullerton in 2005, and his BA at the University of Nevada, Reno in 1992. Hilton has taught as a Senior Lecturer at the University of Texas at Arlington since 2009, and as Associate Faculty at Collin College in Frisco, TX since 2006. Hilton has been an SPE member since 2003, has served as the Treasurer and Chair of the South Central SPE Chapter, and was on the Planning Committee for the 2016 South Central Chapter "retreat" conference at Camp Stewart, TX	... read more
Scott Hilton earned his MFA at the California State University in Fullerton in 2005, and his BA at the University of Nevada, Reno in 1992. Hilton has taught as a Senior Lecturer at the University of Texas at Arlington since 2009, and as Associate Faculty at Collin College in Frisco, TX since 2006. Hilton has been an SPE member since 2003, has served as the Treasurer and Chair of the South Central SPE Chapter, and was on the Planning Committee for the 2016 South Central Chapter "retreat" conference at Camp Stewart, TX
I joined the University of Colorado Boulder Libraries faculty in 1993 and achieved tenure in 2000. As head of Special Collections, I curate several photobook collections of all imaginable genres which are heavily used in teaching across disciplines. Image-makers may ask, "what can a librarian bring to SPE's national discussions?" The answer is knowledge about the use of visual works in multi-disciplinary teaching based on twenty-plus years of working with faculty, in addition to my observation that definitions of diversity differ in photography from other disciplines.	... read more
I joined the University of Colorado Boulder Libraries faculty in 1993 and achieved tenure in 2000. As head of Special Collections, I curate several photobook collections of all imaginable genres which are heavily used in teaching across disciplines. Image-makers may ask, "what can a librarian bring to SPE's national discussions?" The answer is knowledge about the use of visual works in multi-disciplinary teaching based on twenty-plus years of working with faculty, in addition to my observation that definitions of diversity differ in photography from other disciplines.
Tomiko Jones' work is linked to place, exploring transitions in the landscape in social, cultural and geographical terms. Loose narratives unfold in sculptural video installations and questionably fictional photographs. Jones received her Master of Fine Arts in Photography with a Certificate in Museum Studies from the University of Arizona in Tucson. She is the recipient of awards including the 2013 En Foco New Works Fellowship (New York), 4Culture and CityArtists (Seattle), and Pépinières Européennes pour Jeunes Artistes (France). Recent projects include Hatsubon, a two-volume project in photography and video installation; the long-term project Rattlesnake Lake; and the immersive theatre performance The Gretel Project, a four-person	... read more
Tomiko Jones' work is linked to place, exploring transitions in the landscape in social, cultural and geographical terms. Loose narratives unfold in sculptural video installations and questionably fictional photographs. Jones received her Master of Fine Arts in Photography with a Certificate in Museum Studies from the University of Arizona in Tucson.
She is the recipient of awards including the 2013 En Foco New Works Fellowship (New York), 4Culture and CityArtists (Seattle), and Pépinières Européennes pour Jeunes Artistes (France). Recent projects include Hatsubon, a two-volume project in photography and video installation; the long-term project Rattlesnake Lake; and the immersive theatre performance The Gretel Project, a four-person collaboration. Tomiko spent three months in residence at Museé Niépce in Chalon-Sur-Saône, France, and in Cassis, France for a project-specific Fellowship at The Camargo Foundation.
Currently Jones is an Assistant Professor of Art at University of Wisconsin-Madison. As an educator she was a Visiting Artist and Curator-in-Residence at California Institute of Integral Studies in San Francisco, Assistant Professor and Photography Program Coordinator at Metropolitan State University of Denver, Mendocino College, New Mexico State University and Drury University Summer Institute for Visual Arts.
Joe Lavine is an author, educator, and photographer based in Colorado. Education has always been important to Joe; he holds an undergraduate degree from Cal Poly in San Luis Obispo, California, and a master's degree from Savannah College of Art and Design. With twenty-plus years working in higher education, Joe has held positions as faculty, curriculum coordinator, and assistant director. As an award winning commercial photographer, Joe has been fortunate to be able to blend his passion for food with his love of lighting and photography. Some of his clients include, Coors, General Mills, Betty Crocker, Pillsbury, Nature Valley, and Kellogg's. In 2013,	... read more
Joe Lavine is an author, educator, and photographer based in Colorado. Education has always been important to Joe; he holds an undergraduate degree from Cal Poly in San Luis Obispo, California, and a master's degree from Savannah College of Art and Design. With twenty-plus years working in higher education, Joe has held positions as faculty, curriculum coordinator, and assistant director.
As an award winning commercial photographer, Joe has been fortunate to be able to blend his passion for food with his love of lighting and photography. Some of his clients include, Coors, General Mills, Betty Crocker, Pillsbury, Nature Valley, and Kellogg's. In 2013, Joe co-authored the book Light Right: Learn How to Create Images, Set Up a Studio, and Launch Your Career, and since has co-authored two e-books, and a video series on lighting fundamentals. A new book on photography and lighting is soon to hit the press. Joe can also be heard lecturing at ASMP events, SPE conferences, PhotoPlus and universities across the country.
Mark Malloy is a Los Angeles-based photographer, filmmaker, and adjunct educator. A 2002 MFA Photography graduate from the SCAD and a 2009 MA Media Studies graduate from Parsons/New School, Mark has been an adjunct MFA Instructor at Academy of Art University since 2011, and was Assistant Professor of Technical Photography at Appalachian State University in North Carolina from 2002-2010. He has served on the SPE Board since 2015, and served as Chair of SPE's Southeast Chapter from 2006-2009. Mark is currently producing the documentary film project Hearts Road (to be released in 2019) and has been involved as Director of Photography	... read more
Mark Malloy is a Los Angeles-based photographer, filmmaker, and adjunct educator. A 2002 MFA Photography graduate from the SCAD and a 2009 MA Media Studies graduate from Parsons/New School, Mark has been an adjunct MFA Instructor at Academy of Art University since 2011, and was Assistant Professor of Technical Photography at Appalachian State University in North Carolina from 2002-2010. He has served on the SPE Board since 2015, and served as Chair of SPE's Southeast Chapter from 2006-2009.
Mark is currently producing the documentary film project Hearts Road (to be released in 2019) and has been involved as Director of Photography on the live-action short Writer's Block, as well as the documentaries Hollywood Don't Surf! (2010/2015), Scatter My Ashes At Bergdorf's (2013), and Beyond Boobs - The Weight Of Breasts (2018). Mark's work has been exhibited internationally, including at the Academia Nacional de Bellas Artes San Alejandro (Havana, Cuba), the Museum of Modern Art (New York), and the International Terminal at Hartsfield–Jackson Atlanta International Airport.
As a member of SPE, Libby Rowe has served as treasurer for single terms in SPENW and SPESC and two terms as chair for SPESC. Her tenure with SPE has provided her the opportunity to serve as a co-chair for two SPESC conferences and as a consultant for the 2017 conference. Additionally, Rowe's experience serving on university committees and councils, allows her to offer significant experience with governance, administration, and leadership. Planning conferences gave Libby additional experience with identifying and securing funding to support the goals of the conference programs through direct donations and grant sources. Libby is currently an	... read more
As a member of SPE, Libby Rowe has served as treasurer for single terms in SPENW and SPESC and two terms as chair for SPESC. Her tenure with SPE has provided her the opportunity to serve as a co-chair for two SPESC conferences and as a consultant for the 2017 conference. Additionally, Rowe's experience serving on university committees and councils, allows her to offer significant experience with governance, administration, and leadership. Planning conferences gave Libby additional experience with identifying and securing funding to support the goals of the conference programs through direct donations and grant sources. Libby is currently an Associate Professor at the University of Texas at San Antonio.
Millee Tibbs is an Associate Professor and Photography Area Coordinator at Wayne State University, Detroit, MI. She holds an MFA in Photography from the Rhode Island School of Design. She is the recipient of two MacDowell Colony fellowships, as well as multiple national and international artist residency awards. Her work has been published by the Humble Arts Foundation, NYC and the Aperture Foundation, and is held in the permanent collections of the George Eastman Museum, the Chrysler Museum, the Portland Art Museum, and the RISD Museum. Millee Tibbs' work derives from her interest in photography's ubiquity and the tension between	... read more
Millee Tibbs is an Associate Professor and Photography Area Coordinator at Wayne State University, Detroit, MI. She holds an MFA in Photography from the Rhode Island School of Design. She is the recipient of two MacDowell Colony fellowships, as well as multiple national and international artist residency awards. Her work has been published by the Humble Arts Foundation, NYC and the Aperture Foundation, and is held in the permanent collections of the George Eastman Museum, the Chrysler Museum, the Portland Art Museum, and the RISD Museum. Millee Tibbs' work derives from her interest in photography's ubiquity and the tension between its truth-value and inherent manipulation of reality.
Photography is a medium which is in constant flux, so too should be SPE. I am grateful for the organization; the support and connectivity that SPE provides has been an invaluable asset to my artistic practice and role as an educator. As an SPE board member, I want to foster and expand that sense of community and invite diverse voices to participate in the continual expansion of photographic dialogue. By developing outreach and programing that highlight the ever-shifting landscape of contemporary photographic practices and photography in the expanded field, I want to ensure that SPE is an organization that is relevant to young photographers, fosters critical dialogue about the uses (and misuses) of the medium, and challenges those who use it to think critically about their practice. I want it to be the resource students turn to when seeking the future of the medium and a guide for their possible futures. The SPE community is comprised of my peers, colleagues, mentors and mentees. As a board member, I want to give back through my time and expertise to those who have guided, challenged, and encouraged me in my photographic practice.


RIALTO – The city has some items of its own on a wish list of projects in the The Conference of Mayors' $150 billion MainStreet Economic Recovery Plan, which was released Jan. 17 to the public.
Among the requested funds: more than $1 million to improve the Kristina Dana Hendrickson Cultural Center and Rialto Historical Society Museum housed in the allegedly haunted 101-year-old First Christian Church on Riverside Avenue in downtown.
Thornburg said the money would go to "first phase" efforts to fix drainage problems, improve parking, and revamp landscaping.
The report listed 18,750 projects in 779 cities across the country considered "ready to go." The projects represent a $150 billion investment that would produce an estimated 1.6 million jobs in 2009-10, according to the report.
A 36-hole disc golf course for $886,000 in Austin, Texas, that would create four jobs.
An "eco park" with butterfly garden for $4.5 million in Boynton Beach, Fla., that would create 50 jobs.
A dog park for $500,000 in Chula Vista that would create seven jobs.
Ellis said some of the projects could be funded under particular categories of the proposed economic stimulus package, but those such as the museum cause skeptics to ask what exactly is being stimulated.
He added that many of the jobs created in the plan are temporary or seasonal. Some are mere shuffling of positions within city staffs, he said.
Manual A. Diaz, president of the conference and mayor of Miami, Fla., did not return phone calls Friday.
The report is the fourth in a series dating back to November.
In December, Diaz and a delegation of mayors presented copies of the first report to House Speaker Nancy Pelosi and several committee chairs.
Thornburg said the museum project so far has used about $300,000 in Community Development Block Grant money.
The First Christian Church entered the National Register of Historic Places on Feb. 20, 2003. In 1981, it was was re-named the Kristina Dana Hendrickson Cultural Center after a Rialto physician's daughter who died of leukemia at age 11.
Mayor Grace Vargas could not be reached for comment Friday.


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Civil War Roundtable of the Delta: Civil War Medicine
Event Hosted By
See all DCC Events
Apr 07, 06:00PM
Miller Annex 223 Cherry Street Helena, AR 72342
Richard Spilman
Email Richard
When we think of the Civil War, many of us think of battles. However, the surgeons form both sides played an important role in saving lives during and after those battles. Meet Daniel Cockrell, adult education/living history coordinator from the Old State House Museum at the Miller Annex, located at 223 Cherry Street in Helena, Arkansas, as he discusses the common practices of a Civil War era surgeon. He will also have examples of equipment that a surgeon from then would have used. For more information on this event, contact education coordinator Richard Spilman at 870-338-4350 or [email protected]
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redpajama_set_name: RedPajamaCommonCrawl


I-assassin. | The Daily Cheese.
20 July 2012 saw the horrific shooting of cinema goers in Aurora, Colorado. James Holmes has been identified as a lone wolf killer, a story which increasingly is looking more and more like a false flag.
The mainstream media (MSM) are priming the propaganda surrounding Holmes by lending credence to the insanity defense and claiming he may have some arbitrary psychotic episode associated with mass murder.
While he was at college, as has been stated on his resume, Holmes was fascinated with mind control. As an intern at the Salk Institute of Biological Studies, Holmes was the author of computer programs where the utilization of flicker fusion, a form of mind control was being implanted in movies and video games.
Holmes was involved with research projects that were partnered with the Defense Advanced Research Projects Agency (DARPA) while at Salk Institute. One coercive project involved the creation of chocolate bars laced with epicarechina, a blood-flow increasing and blood vessel-dilating anti-oxidant flavanol found in cocoa; especially dark chocolate. This has given rise to the idea that he was Manchurian agent, a creation of the CIA and a project named MK ultra.
The questions we have to ask, is this truth is there a program that can achieve these results, what proof is there?
To answer the first question, MK ultra is a project started in the 1950s, a time of doo-wop, sock hops and Bobby Rydell, when Americans dusted off the remnants of WWII and looked toward a more optimistic society. Or so it's often thought. But the '50s were often less Happy Days and more The Day the Earth Stood Still, as fears of a Cold War and mistrust of the government were just beginning to bloom. Since those fears couldn't always be talked about, they came through in films like Invasion of the Body Snatchers, with themes of technology run riot and the loss of free will.
These "delusional fears" were actually rooted in reality, as the government was taking steps toward turning American soldiers into unthinking, unfeeling machines with help from brainwashing and LSD. The CIA, while learning how to bring down Communists, was also learning from them — specifically how they used mind control on Korean War prisoners. Could this mind control also create a zombie-like US soldier, one who would follow orders no matter how grisly, or withstand any amount of torture if captured?
The combination of hypnosis, shock therapy and drugs like LSD and Ketamine made this seem a possibility, and were investigated in a mind control research program called MK-ULTRA. MK-ULTRA was funded by millions of U.S. dollars and led by a scientist named Sidney Gottlieb. In his book The Very Best Men, Evan Thomas describes Gottlieb as "born with a club foot and a stutter, he compensated by becoming an expert folk dancer and obtaining a Ph.D. from Cal Tech … he drank only goat's milk and grew Christmas trees, which he sold at a roadside stand." That is, when he wasn't drugging research subjects.
Substances which will enhance the ability of individuals to withstand privation, torture and coercion during interrogation and so-called "brain-washing".
A knockout pill which could surreptitiously be administered in drinks, food, cigarettes, as an aerosol, etc., which will be safe to use, provide a maximum of amnesia, and be suitable for use by agent types on an ad hoc basis. The CIA was fascinated by LSD, and thought it a wonder drug that could be used not only to create zombie-like armies, but to drive enemy leaders like Fidel Castro insane. There were few willing subjects in the research — often, LSD was secretly given to a range of people, from CIA employees to prostitutes and the mentally ill. Sometimes, agents even posed as prostitutes and secretly drugged their clients, while fellow agents watched in two-way mirrors.
But once LSD was ruled out as being too unpredictable, other drugs were tested; participants had barbiturates injected on one arm and amphetamines in the other — the net result being incoherent babble. Other drugs, including heroin, alcohol and sodium pentothal were tried, but ultimately none were the "dream drug" the government hungered for. The project was eventually scrapped and the "Manchurian Candidate" never came to be. In 1973 most of the MK-ULTRA files were destroyed, and Sidney Gottlieb died in 1999.
So we see a very secretive most would say immoral program designed for the purpose of controlling people.
Who are the people said to be involved, what other operations have they carried out?
With the advances that have been made in science from the 1950's until now one can only imagine the methods and the equipment they have at their fingertips today.
So who have been suspected operatives and what have been their crimes?
Lee Harvey Oswald Killing John Kennedy and the conspiracy.
Sirhan Bishara Sirhan, convicted RFK assassin, maintains a seductive girl manipulated him, using mind control, to shoot the presidential candidate in 1968.
Charles Manson, who programmed an entire "family" of assassins in a California desert with hypnosis and LSD– used the same formula pioneered by the CIA in their MK-ULTRA mind control experiments.
In more modern times we have seen suspected links to MK Ultra with the Columbine shootings and now James Holmes.
The mainstream would have us all believe this is fantasy and belongs in the realms of the conspiracy nut, the kind of person that suspects everything and everyone, the archetype of a mind that would be used by this covert agency.
The truth is that it exists, an overwhelming amount of information out there points to puppet masters pulling the strings to achieve political goals.
James Earl Ray – Assassinated Martin Luther King Jr.
…Holmes, who was described by his supervisor as stubborn, uncommunicative and socially inept… It was reported that Holmes was a big fan of superheroes, including Batman, and that his apartment was decorated with Batman paraphernalia.
I am not being sympathetic to these convicted and accused killers. I am pointing out the similarities between them and making a connection to their MK-Ultra/Monarch programming. I believe these massacres and rampages happen because they are planned by powerful people who are hiding in the wings – behind the curtains. They always say, "lone wolf" and some of these people seem to be incapable of committing the atrocities. Often there are accounts of multiple shooters.
There is nothing new under the sun. People have not changed, progressed. Civilization is just as brutal and savage as the days of Roman and Aztec ritual sacrifices. The difference is that today it is unacceptable to carry out these ceremonies openly and freely, so certain people are chosen, groomed, trained and programmed to kill when triggered, and then forget what happened.
Nothing has changed. The Illuminati/New World Order still must sacrifice to appease their Pagan gods. They must still kill to maintain control and order over their subjects. The difference is, today we have guns, and if we were awake and knew what was happening and who was doing it; we would be able to defend ourselves.
Why do most of them have these strange-looking portraits? It's like the chicken and the egg quandary. If you take a picture with your head pointed slightly down and your eyes looking up with a weird little smirk on your face; will you murder people, or do you already have to be a psycho killer to take pictures like that?
Why are so many of these people obsessed with certain books and films, viz, Alice in Wonderland, The Wizard of Oz, Catcher in the Rye, Batman… Do they cause people to go crazy, or are they being used as triggers to activate Monarch Slaves?
The importance of these events and their psychological impact cannot be emphasized enough. Tim McVeigh did NOT blow up the OK city building, but everyone thinks this lone militia nut as he is portrayed by the msm is to blame. That's how we got the ill fated Patriot Act passed. Until the OK bombing, it was dead in the water, then shazam! It's passed because we need security. We are being shoved into a totalitarian controlled zoo set up. They want us to think we live on the savannah, but it's still a zoo. They have to get us to want our lives controlled, and sadly most do. Most people believe we need government to rescue us, provide for us and yet they dont get the fact that the government gets all of its resources and power from US! We don't need the government; the government needs US!
Wake up folks, it's all a scam, a set up, and you, your children, your grand children are being sold down the river, put in chains and being brainwashed to believe it's a good thing, welcome to the Golden Dawning of the New Day. It's what I Pet Goat II, Aurora shooting, Olympic opening ceremony ritual is all about, they are about to birth the Golden Dawn.
Said like a truly awakened individual.
I myself gave up on government a long time ago now, i would like to see others follow.
We are rushing head first into a world that can only be imagined in ones worst nightmares.
The patriot act came after 9/11 not after OKC.
Reblogged this on THE WORD IS NOW.
US president Barack Obama and his wife Michelle paid tribute to Jenny and her colleagues who are credited with saving the lives of some of those injured in the massacre.
PHD student James Holmes has been charged in relation to the shootings which left 12 people dead.
However, her family has now been plunged into a sense of grief of their own. Jenny was out swimming in a lake close to her home when she is believed to have drowned.
Her husband Greg Pinson and five-year-old son Jack are struggling to come to terms with the loss of a "wonderful mother".
This ppost has some very useful information. I wish more people were aware of the "events" they see in the mainstream media. Too many are still fast asleep.
sadly you are right, so many still slumber.
We have to do everything we can to educate people. It's an uphill battle but we have to keep pushing forward.
yes with mutual support and sharing of blogs like ours its a start but there is a long way still to go.


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OBJECTIVE: To evaluate the possible significant association between different pathologic processes of the thyroid gland. STUDY DESIGN: From a series of 10,039 fine needle aspiration biopsies of the thyroid gland, a total of 1,330 cases were aspirated involving two or more palpable nodules. In 103 (1%) cases, two different pathologic processes were cytologically diagnosed. Statistical analysis was performed through four two-tailed chi 2 tests to evaluate the following events: (1) mononodularity and multinodularity vs. neoplasms, (2) colloid goiter and neoplasms, and (3) all neoplasms vs. colloid goiter and lymphocytic thyroiditis. All tests were performed using < .05 as the probability level. RESULTS: Simultaneous pathologic processes observed were: goiter and chronic lymphocytic thyroiditis (32), goiter and Hashimoto's thyroiditis (21), goiter and subacute granulomatous thyroiditis (8), goiter and follicular neoplasm (9), and goiter and papillary carcinoma (14). In 12 cases we found goiter and Hürthle cell tumor, goiter and medullary thyroid carcinoma (2), papillary thyroid carcinoma and Hashimoto's thyroiditis (2), Graves' disease and lymphocytic thyroiditis (2), and follicular neoplasm and lymphocytic thyroiditis (1). Statistical analysis showed significant association between multinodularity and neoplasms (P < .001), while the association between goiter and any type of neoplasia was not statistically significant. All the neoplasms taken together were associated with lymphocytic thyroiditis and goiter (P < .005). CONCLUSION: While there may be no statistically significant associations between the individual pathologies, it seems that having one pathology increases the risk of developing another. All the palpable nodules in the same gland should be investigated by fine needle aspiration in order to improve diagnostic sensitivity and to identify occult neoplasms.
Association of different pathologic processes of the thyroid gland in fine needle aspiration samples.
ZEPPA, Pio;Benincasa G;Lucariello A;Palombini L.


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J. Brian Gilchrist
Brian Gilchrist is one of Canada's most knowledgable, informative and entertaining speakers on the subjects of genealogy, family history and heritage.
He is a fourth generation Torontonian and ninth generation Canadian being descended from families of English, Irish, Scottish, Germanic and American backgrounds.
With over forty years of genealogical research experience, he has been a member of the Ontario Genealogical Society since 1971 and he founded several of our Branches. He is also a member of the Ontario Historical Society; the Association of Canadian Archivists; a founding and charter member of the International Society for British Genealogy and Family History; a founder, charter member and director of the Board of The Friends of The Archives of Ontario; and is the Reference Archivist at the Region of Peel Archives in Brampton, Ontario.
Brian is the author of many publications including the nationally significant Genealogy and Local History to 1900 and Index to Canadian Parliamentary Divorces, 1867-1930. Brian is a popular guest on radio and TV shows, and he has spoken in several Canadian provinces, many states and has papers presented at various international symposiums.


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Kier wins £15m Braintree enterprise centre
Aaron Morby 2 years ago
Braintree District Council in Essex has picked Kier for a £15m job to build at enterprise centre at the Horizon 120 business park.
The three-storey centre will be built at a site off the A131 in Great Notley with work expected to start later this month.
Once finished, it will offer shared meeting rooms, flexible work spaces, conference and training facilities and offices for smaller businesses to grow into.
The project is being paid for in part by the South East Local Enterprise Partnership, which has allocated £7m towards the scheme from the Government's Getting Building Fund.
Architect Stride Treglown and consultant Hydrock's civils and M&E teams designed the buildings
Mark Dady, Managing Director at Kier Regional Building Eastern, said: "The sustainable design of the building highlights how we can help our clients achieve their sustainability aims.
"Our appointment follows the ongoing success of our Victoria Square Regeneration project which is due to complete later this year. Both projects will greatly benefit Braintree by providing new facilities and employment opportunities for the community."
Written by Aaron Morby
aaron.morby@constructionenquirer.com


The article introduces the concept of E-Science and its importance in the generation of knowledge. This article also stresses the need to transfer that knowledge, before this, the School of Library and Information Science at the University of Costa Rica could gothrough such means as the online magazine E-Ciencias de la Información. It explains why we chose the form of electronic publication and describes the development strategy, architecture design and technological requirements. The article concludes that electronic publications have penetrated hard in the academic world and are increasingly cited, so that their contribution as vehicles for dissemination of knowledge is undeniable.
by: Cecilia Sandí, Magda, et al.
by: Chinchilla Arley, Ricardo, et al.
by: Polanco Cortés, Jorge, et al.
by: Cartolari, Manuela, et al.


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Love and Guts: Our Booksellers' Valentine's Picks
'A year ago I fell in love with the functional ward / Of a chest hospital,' writes Patrick Kavanagh; 'nothing whatever is by love debarred'. As an antidote to conventional Valentine's Day narratives, the booksellers have picked a selection of personal favourites exploring the ugly, unruly and unorthodox aspects of love.
Gayle suggests Important Artifacts and Personal Property from the Collection of Lenore Doolan and Harold Morris, Including Books, Street Fashion, and Jewelry, the story of a failed love affair told in the form of an auction catalogue. It might sound like a gimmicky premise – and maybe it is – but in all its brilliant, funny, devastating detail, it works. Who knew inanimate objects could be so heartbreaking?
Claire chooses Julie Maroh's bittersweet graphic novel, Blue is the Warmest Color. It's a girl-meets-boy-dumps-boy-prefers-girl-loses-girl tale, told with a skilful combination of image and text which perfectly evokes those stomach-churning moments of first love.
Rachael recommends This Is Life. Everyone knows that Paris is the Official City of Love, and Dan Rhodes' typically slantwise take on that emotion makes good use of the city as a setting. Unexpected babysitting, polite Japanese tourists, naked performance art and a fair dollop of bodily fluids of one sort or another are all mashed up together in a quirky eventually-love story, sturdily scaffolded with coincidence. Best read with a large carafe of cheap red wine.
John's pick is The Courtesan's Reply, a sequence of poems which ventriloquise a harem of courtesans in ancient India. The play of individual voices, shifting imagery and what Richard O'Brien has called 'the easy sense of intimacy and domesticity' combine to form one of the most engrossing debut chapbooks of 2014.
Natalia's choice is The Gift of Rain by Tan Twan Eng. Centred around the relationship between a young disciple and his sensei in colonial Malaya, it's a wrenching exploration of how love can be transformed by betrayal.
And David goes for The Goshawk by T.H. White. Training a hawk is nothing like training a dog – in all its fundamentals it is an act of seduction, and in her introduction to this stunning account of the process, Marie Winn refers to the book as 'an unmistakable love song'. White himself writes 'I had loved Gos. I always loved the unteachable, the untouchable, the underdog . . . He had hated and distrusted me, the intransigent small robber baron. He had had guts to stand up against love so long.'


A wacky, weekly, wild, whimsical adventure show where Jen queefs around NYC spreading light & love!
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I just wanted to let this forum know about a new online community for digital designers.
We wanted to create a community where you can showcase your work and give other people feedback. We also have areas of the forum where you can get help with software problems you might be having.
I know you must get approached all the time to try out new forums and communities, but if you do find the time to have a quick glance, any interest is great. We would love our community to become popular for the benefit of everyone, so please take a look.
The forum isn't going public until the 1st of March, but feel free to sign up and start posting as soon as you like, and please keep checking back.


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Home News Iran MOIS agents attack protest by families of political prisoners-NCRI
MOIS agents attack protest by families of political prisoners-NCRI
Agents of the Iranian regime's Ministry of Intelligence and Security (MOIS) brutally attacked families of political prisoners and martyrs in Tehran's Vanak Square arresting a number of them and transferring them undisclosed location On Monday, November 23.
This measure taken to prevent their protest gathering was the second such attack by suppressive forces this week against these families. Just two days ago, the suppressive forces had attacked an assembly of families of martyrs and political prisoner in front of Evin Prison arresting dozens and transferring them to Evin or Qerchak Prison in Varamin.
Ms. Seamin Ayvaz-zadeh, 56, mother of political prisoner Omid Ali Shenas, who was arrested on November 21 and transferred with a number of other women to Qerchak Prison in Varamin is currently on hunger strike. She suffers of high blood pressure and arrhythmia.
Her son Mr. Omid Ali Shenas, a political prisoner in Ward 8 of Evin that has staged a hunger strike in protest to the MOIS agents attack on the families of prisoners and the arrest of his mother, was battered by head henchman Khazaii, a guard officer in Evin. This prisoner that has been detained for 14 months has been kept in limbo and his trial date has still not been announced.
The Iranian regime has resorted to brutal suppression as the only means to confront the wave of popular protests and public abhorrence.
The Iranian Resistance calls on the Iranian people to support and show solidarity with the families of political prisoners, especially those arrested in the recent days, and urges all international human rights organizations to take immediate measures to secure the release of all arrestees of the recent days.


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480 F. 2d 801 - Beech-Nut Inc v. Warner-Lambert Company
480 F2d 801 Beech-Nut Inc v. Warner-Lambert Company
178 U.S.P.Q. 385
BEECH-NUT, INC., Plaintiff-Appellant,
WARNER-LAMBERT COMPANY, Defendant-Appellee.
Decided June 19, 1973.
Leslie D. Taggart, New York City (Albert Robin, Frank J. Colucci, Watson, Leavenworth, Kelton & Taggart, Alfred J. Hedal, Harry O. Ansorge, New York City), for plaintiff-appellant.
Stanton T. Lawrence, Jr., New York City (James G. Foley, Philip T. Shannon, George F. Long, III, Pennie, Edmonds, Morton, Taylor & Adams, New York City), for defendant-appellee.
Before MOORE, HAYS and OAKES, Circuit Judges.
MOORE, Circuit Judge:
This case involves a "struggle between corporate titans,"1 in their efforts to create and market cylindrically packaged confections having as their purpose the purification of breath. Breath, quite an essential element to human existence, has with the advent of the advertising profession, received notoriety (as might be expected) by having the unfortunate consequences of "bad" breath presented to the public in an in terrorem way. These titans, from motives possibly altruistic, but more probably financial, have sought to alleviate this unfortunate bodily affliction by manufacturing a product which will change breath from "bad" to "good". The evils of bad breath have been dramatized to us as causing potential young lovers to find each other quite unacceptable until, by the use and alchemy of breath fresheners, the evil is cured and a happy court-ship is commenced or renewed. All this is accomplished by dentifrices which "cleanse the breath while cleaning the teeth", mouth sprays which achieve the same result, and candy confections.
The defendant-appellee, Warner-Lambert Company (defendant), for some time has sold cylindrically packaged breath mints known as "Clorets" and "Certs". Beech-Nut, Inc., plaintiff-appellant (plaintiff), sells the well-known cylindrically packaged confection "Life Savers". If "Life Savers" is excluded as a possible breath mint, defendant with its "Clorets" and "Certs" is said to account for over 98% of the breath mint market.
Believing that such a seeming monopoly should be corrected, plaintiff decided to enter the breath mint market and, also, to capitalize on its "Life Savers" popularity by adding some breath freshening ingredients to a confection labeled "BREATH SAVERS". This product was in the high-impulse-low-price category and was to be sold from display racks usually found on counters of the vendors. Three geographically different market areas, covering nine states, were selected for test marketing, and large sums of money (estimated at over $1,000,000) were expended by plaintiff on development, packaging, and promotion of its "BREATH SAVERS". The results were good and plaintiff plans to proceed to market this product on a national basis.
Seeing its field about to be invaded, defendant was not slow in its counterattack. It brought forth, in a very short time, its own breath mint product which it labeled "BREATH PLEASERS". Naturally, the invaded plaintiff took umbrage at the counter-sally, and commenced legal action. The suit, for trademark infringement and unfair competition, originated in Supreme Court, New York County, and a preliminary injunction was sought against defendant's potential marketing of its "BREATH PLEASERS". Before there was any hearing in Supreme Court, New York County, the suit was removed by defendant to Federal district court. There the suit came before the trial court upon plaintiff's motions to remand to the State court and for a preliminary injunction. The court denied both motions. Plaintiff appeals to this Court from the order denying these motions, reported at 346 F.Supp. 547 (S.D.N.Y.1972).
Although the trial court optimistically believed that the remand motion "If not quite abandoned, is no longer pressed with vigor",2 this phase of the action has gathered renewed strength on appeal: well over one-half of plaintiff's brief on appeal is devoted to the district court's failure to remand.
Despite considerable doubt created by the language of the statute as to whether Section 43(a) of the Lanham Act (15 U.S.C. Sec. 1125(a)) covers mere trademark infringement and unfair competition, the many cases decided since its enactment leave no doubt that, as construed by the courts, the claims advanced here may properly be brought under this section.3 Therefore, the claims set forth in the complaint could have been brought under Section 43(a)-hence, "removal was not improper."4
As to the denial of a preliminary injunction, we have previously stated that
[t]he award of a preliminary injunction is an extraordinary remedy, and will not be granted except upon a clear showing of probable success and possible irreparable injury. Clairol, Inc. v. The Gillette Co., 389 F.2d 264, 265 (2d Cir. 1968).
The district court found that there was
a substantial prospect that plaintiff will eventually fail rather than succeed in its claim of trademark infringement. 346 F.Supp. at 549.
In addition the court noted:
[T]aking everything together, the court concludes that paintiff will probably lose the case at the end and should not have at this stage the extraordinary remedy it seeks. Id.
To determine whether Judge Frankel erred in this determination, we turn briefly to the merits of plaintiff's case. The essential and primary element in any action based upon common law infringement, unfair competition, or violation of the Lanham Act is deception. Plaintiff bases its claim of deception primarily upon imitation of packaging. The names themselves "BREATH SAVERS" and "BREATH PLEASERS" are quite dissimilar except for "Breath", as to which plaintiff possesses no exclusive rights. In the field of "breath fresheners", there are already many candies or mints which claim to obtain this praiseworthy objective under such titles as "Breath Sweet", "Breath Allure", "Chlorophyll Breath Mints", "Breath Buds", "Breathlets", "Breath Takers", "Breath Beads" and "Breathgards". Nor is the fact that the competing "Breath Savers" and "Breath Pleasers" are both wrapped in cylindrical packages, determinative-so are many candies. The colors of the three flavors are quite similar, but there can be no monopoly on color.
In testing for likelihood of confusion in the impulse-purchaser market, a court must disregard minutia of differences and look to the overall appearance of the package as seen by a potential purchaser. Joseph Schlitz Brewing Co. v. Houston Ice & Brewing Co., 250 U.S. 28, 39 S.Ct. 401, 63 L.Ed. 822 (1919). Such a purchaser in all probability will not discuss before purchase the merits of the product with the sales clerk and inquire whether the mint with "MH2" will be more efficacious in solving his temporary problem than the mint produced under "Formula KG40". He wants to eliminate bad breath as quickly as possible. On the counter he sees packages in display racks bearing the name "BREATH SAVERS" in large white letters against a blue or green background. Only upon close inspection will he see in small type the legend, "The Breath Mint From Life Savers". However, once he knows the source, he will naturally associate this breath mint with the well-known "Life Savers". And if he finds the product pleasant and effective, he may become a regular customer. "BREATH PLEASERS" on the other hand will catch the potential purchaser's eye with its large yellow lettering, also against a blue or green background. Even were defendant's name known to the purchaser through the purchaser's knowledge of defendant's various pharmaceutical products, he would not know that the Warner-Lambert Company was the manufacturer of "BREATH PLEASERS" because its name does not appear on the package as displayed; nor is the buyer reminded that "BREATH PLEASERS" come from the same manufacturer as "Certs" or "Clorets".
In short, we agree with Judge Frankel that the two products' names and packages are sufficiently different so that a purchaser desirous of obtaining a product manufactured by "Life Savers" would not be deceived into believing that the "Life Savers" company was the source of "BREATH PLEASERS". The product "BREATH PLEASERS" is in competition with "BREATH SAVERS", but not in that type of unfair competition which would warrant the granting of a preliminary injunction; if there is unfair competition here, plaintiff will have a full opportunity to develop this at trial.
The order of the District Court is affirmed.
346 F.Supp. 547, 548 (S.D.N.Y.1972)
See Federal-Mogul-Bower Bearings, Inc. v. Azoff, 313 F.2d 405 (6th Cir. 1963); Sutton Cosmetics (P.R.) Inc. v. Lander Co., 455 F.2d 285 (2d Cir. 1972); 28 U.S.C. Sec. 1338
346 F.Supp. at 548


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Home » Keywords » digitalization
Items Tagged with 'digitalization'
Henkel Invests in MRO Startup Feelit
Adhesives and sealants improve the maintenance of production machinery and equipment around the globe.
Henkel Adhesive Technologies recently announced that it has strengthened its capabilities for maintenance, repair, and overhaul (MRO) solutions by investing in Feelit, a startup based in Haifa, Israel.
Brenntag and CheMondis Announce Cooperation in Digital Sales and Marketing for Chemicals
The collaboration will start with making Brenntag's portfolio for paints, coatings, adhesives, and sealants gradually available for online purchase on CheMondis in the German market.
Brenntag and CheMondis, a B2B online marketplace for chemicals in Europe, recently announced an agreement to jointly accelerate digital sales and marketing for the chemical industry.
European Commission Establishes Raw Materials Alliance
The European Raw Materials Alliance has been established in recognition of the critical importance of raw materials to the European Union's security, sustainability, and industrial leadership.
The European Commission recently launched the European Raw Materials Alliance (ERMA), with the presence of other European Union (EU) institutions, national ministers, industry, unions, and civil society organizations, as well as key industry stakeholders.
Sika Shares Details Regarding COVID-19 Impact and Strategic Targets
Members of group management and Sika experts explained how trends such as innovation, digitalization, renovation, and sustainability are opening up opportunities for the company to gain market share during the COVID-19 crisis.
At the recent Sika Capital Markets Day 2020 held in Zurich, CEO Paul Schuler confirmed the group's strategic targets.
Five Key Trends Shaping the Future of Tech Innovation Across All Industries
The five trends that are shaping the post-COVID-19 future include infection prevention, remote commerce, improving resiliency, greater agility, and macroeconomic impacts.
The pandemic has drastically changed the landscape for businesses across all industries, forcing immediate changes that will often have long-term consequences.
NSF Advances Artificial Intelligence Research with New Nationwide Institutes
With an investment of more than $100 million over the next five years, NSF's Artificial Intelligence Institutes represent the nation's most significant federal investment in AI research and workforce development to date.
The U.S. National Science Foundation recently announced it is establishing new artificial intelligence (AI) institutes to accelerate research, expand America's workforce, and transform society in the decades to come.
Dow Polyurethanes Collaboration with Microsoft Leads the News
Readers last week were most drawn to Dow Polyurethanes' news regarding its digitalization collaboration with Microsoft.
What steps is your company taking to explore digitalization options? Please contact me at suttons@bnpmedia.com to share your story.
Dow Polyurethanes Fast-Tracks Digital Transformation
Dow is collaborating with Microsoft to accelerate the integration of machine learning and AI solutions into a novel predictive intelligence capability.
Dow Polyurethanes, a business division of Dow, recently announced that it is accelerating its digital transformation through increased integration into artificial intelligence (AI) and predictive capabilities geared to increasing its digital IQ across all business operations.
Digital Transformation Projected to Affect $500 Billion of the Global Chemicals and Materials Industry
Digital technologies like sensors, computer vision, analytics, and robotics will be key enablers of the chemicals market's transition to outcome-based business models over the next 20 years.
The chemicals and materials industry has mostly seen only incremental innovation in recent decades, with growth coming primarily from expansion into new geographic markets.
BASF: E-Commerce Portal
The digital distribution channel reportedly enables customers located in the U.S. to place orders, track status, and make payments through an intuitive, easy-to-use, secure online interface.
BASF recently announced that it has introduced a digital sales platform for its OPPANOL polyisobutene product family.
More Articles Tagged with 'digitalization'


Learning and practicing primitive skills is a great way to get outside, away from technology and connect with nature.
Arrive with nothing and leave with a beautiful primitive basket of your own design.
Beyond your basket take home the knowledge and wisdom of these ancient weaving patterns and techniques stored permanently in your mind and in your muscles.
This primitive basketry workshop is for everyone, no previous experience is needed.
In the future we will be running more advanced basketry workshops, it will be necessary to have completed this one in order to attend the next one as we will be working with more advanced materials.
Make yourself comfortable among the trees and spend the afternoon making your very own primitive basket.
Once you have the basic technique down relax the mind, let the muscles take over and enjoy the conversation and company of other like minded individuals.
All materials for your basket will be provided for you on the day.
Bookings are required as we will need to know numbers to gather and prepare enough materials for everybody.


Safarka Escape's The Research is a curious, surprising game that we booked into on last-minute impulse and that turned out to be something of a find. The backstory involves a request from a friend to break into his rival's flat to recover a set of stolen precious stones, and it got off to a good start when we received pre-game instructions that were in-character and which told us how to get into the target flat starting with the street entrance.
As that suggests, this game aims for immersion. There's a lot I'll avoid discussing here for spoiler reasons, with some fundamentals about how the game works that took us by surprise, and the game was the better for it. But it takes place in a fairly ordinary flat, and while the flat may be that of a possibly crazed scientist, its appearance is fairly mundane in other respects.
Although as a result the decor may not be the most exciting, the puzzle components and clues are carefully designed to be naturalistic, presented as the workings of the flat's owner. While that meant there was sometimes an excess of information, and therefore a risk of accidental red herrings, it also helped make the game feel much more convincing. The game operator also tended to provide some subtle nudges (or occasionally less subtle nudges) to keep us pointed in the right direction.
It had some rough edges. Although there wasn't much searching required, one critical clue was hidden in a place I'm sure I'd never have thought to look without a hint. More generally, the volume of available information means teams may be prone to go off on wild goose chases near the end of the game in particular, at least until the gamemaster nudges them back on track. One solution mechanism was reused as part of more than one puzzle, which is a little inelegant but worked fine. And players with a science background may want to nitpick a couple of chemistry-related design decisions.
For me, those were comfortably outweighed by some moments of genius. I particularly liked one idea that was used as a way to map between particular numbers and particular words. The game actually provides two separate ways to do that; apparently the original mechanism was too hard for most teams. But both approaches remain in the game, with the original harder system becoming something of an Easter egg, which is not required but which adds to the aesthetics of the game design.
Another sequence was an on-theme highlight. Even though it was time-consuming and we could have easily hacked our way past, we completed it in the intended fashion because it'd have been a terrible waste not to.
More than any specific puzzle though, the game managed to be fun, original and involving right from the start – for the points above but even more for the bits I'm deliberately avoiding talking about. I've played many much slicker or more visually impressive games, but it felt fresh and interesting in a way that's worth more than expensive props.


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Q: Saving document the first time with MongoTemplate I'm facing a problem saving a document at the first time with MongoTemplate.
I have many records come to the server concurrently , these records have the same identity , so I save first arrived record in mongo and all the other records will update the saved document.
Example :
record1(id=x) , record2(id=x),record3(id=x),record4(id=x),record5(id=x),record6(id=x),.....

I need to save only record1(id=x) , and all the others to update the document.
Because of the concurrency , many records saved at the first time .
Is there a built in solution to this problem before going to other logic work around.

A: The basic solution is called an "upsert". It is a built in function on a MongoDB .update() method and carried through all drivers.
Just like any invocation of the .update() method, this requires two basic parameters consisting of a "query" object and and "update" object. The "update" object uses operators to define the behavior of an update. There is a third option in the general command form that allow the option to "upsert" to be set.
Consider the following statements in the shell:
db.collection.update({ "_id": 1 },{ "$inc": { "counter": 1 } },{ "upsert" true })
db.collection.update({ "_id": 1 },{ "$inc": { "counter": 2 } },{ "upsert" true })
db.collection.update({ "_id": 1 },{ "$inc": { "counter": 3 } },{ "upsert" true })

Which will on the first statement create a new document with a "counter" value of 1. The subsequent statements will increment in 2 and 3 respectively. No matter what the order of the statement execution, there is only one document at the end with a "counter" value of 6.
In Spring data MongoDB, the mongoOperations class instance has a method called .upsert() which does the same basic thing.
mongoOperations.upsert(query,update,Class.class)

A: For the specific question you asked (just saving an object) you should use MongoTemplate's save() method. See here for the documentation.
You also asked about concurrency in your example, MongoDB guarantees atomicity per document. But you should be aware that cross document atomicity is not provided in MongoDB

redpajama_set_name: RedPajamaStackExchange


text:
Home News Northern Cape provincial PFMA Audit outcomes 2021-2022
Northern Cape provincial PFMA Audit outcomes 2021-2022
South Africa: The Premier of the Northern Cape, Dr Zamani Saul, and Members of the Executive Council today joined the Auditor General of South Africa (AGSA), Ms Tsakani Maluleke, for the annual Public Finance Management Act (PFMA) roadshow announcing the Provincial 2021/22 audit outcomes.
Premier Saul welcomed and is greatly pleased with the improved audit outcomes as it bears testimony to the success of the intervention programmes by the Provincial Government to improve the general administration of government resources.
The Premier, together with the Members of the Executive Council, are satisfied and optimistic about the audit outcomes, and this can be attributed to the revival of the Operation Clean Audit (OPCA) committee with their specific emphasis on improved audit outcomes.
The committee is chaired by the Director General, supported by the Heads of Departments (HODs) of the Department of Cooperative Governance Human Settlements and Traditional Affairs (COGHSTA) and Provincial Treasury (PT).
Key officials at the Provincial Treasury in the Financial Governance Division, led by the Provincial Accountant General, provide technical support to OPCA. Senior managers and managers at the Auditor General of South Africa (AGSA) form part of this structure to provide certain insights.
In order to give further support to the Provincial Departments, the Provincial Treasury has appointed Champions in the form of senior managers to assist and support all the targeted departments for clean audit outcomes.
Stemming from these measures; three (3) departments, namely the Office of the Premier, Provincial Treasury and the Department of Social Development, maintained clean audits; two Departments reported improvements, with the Department of Sport, Arts and Culture entering the clean Audit space for the first time bringing the Provincial total of Clean Audits to four (4).
The Department of Transport, Safety and Liaison improved from the Qualification space to Unqualified after years in the Qualified space.
We pride ourselves in the fact that the Office of the Premier, Provincial Treasury and Social Development managed to maintain the clean audit status for the fourth year in a row and that another Clean Audit was registered.
Six (6) Departments, namely COGHSTA, Economic, Development and Tourism, Education, Transport, Safety and Liaison, Roads and Public Works and the Provincial Legislature, obtained Unqualified Audit outcomes with findings. Though being unqualified with findings, we firmly believe that the technicalities that resulted in the opinion will be adequately addressed in the 2022/23 cycle.
Only two (2) Departments, namely Agriculture, Environmental Affairs, Land Reform and Rural Development, as well as the Department of Health, received Qualified Audits.
Worth noting is that remarkable progress is being made with the intervention programme in these departments. To this end, at the Department of Health, in the management report issued to the Department in this audit cycle, the AGSA reported an improvement in the creditor payment period from 94 days in the 20/21 financial year to 64 days in the 2021/22 financial year.
This is an improvement worth mentioning. We are aware that this is still way above thirty days, but it's a move in the positive direction. There was no unauthorized expenditure (Over expenditure of DOH budget), which is the first in years.
The Department spent 99% of its budget. There was a significant decrease in accruals in the 2021/22 financial year when compared to the prior fiscal year.
This is the fourth year in a row where the Auditor General has not expressed any disclaimer of opinion on the financial statements submitted by provincial departments.
Premier Saul welcomed the fact that the Auditor General found major improvements in our Performance reports. We can get only, from here on, build on these achievements. Premier Saul recommitted the Executive and the Provincial Administration to exercise accountability, compliance and transparency in the execution of their duties.
Dr Saul further expresses his appreciation to the Auditor General for the professional relationship that exists between the Office of the AGSA and the Provincial Administration.
PFMA Audit
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Max Price Max £0 £1,000 £2,000 £3,000 £4,000 £5,000 £6,000 £7,000 £8,000 £9,000 £10,000 £11,000 £12,000 £13,000 £14,000 £15,000 £16,000 £17,000 £18,000 £19,000 £20,000 £25,000 £30,000 £35,000 £40,000 £45,000 £50,000 £55,000 £60,000 £65,000 £70,000 £75,000 £80,000 £85,000 £90,000 £95,000 £100,000 £150,000 £200,000 £250,000 £300,000 £350,000 £400,000 £450,000 £500,000 £550,000 £600,000 £650,000 £700,000 £750,000 £800,000 £850,000 £900,000 £950,000 £1,000,000 POA
Min £0 £50 £100 £150 £200 £250 £300 £350 £400 £450 £500 £550 £600 £650 £700 £750 £800 £850 £900 £950 £1,000 £1,050 £1,100 £1,150 £1,200 £1,250 £1,300 £1,350 £1,400 £1,450 £1,500 £1,550 £1,600 £1,650 £1,700 £1,750 £1,800 £1,850 £1,900 £1,950 £2,000 £2,050 £2,100 £2,150 £2,200 £2,250 £2,300 £2,350 £2,400 £2,450 £2,500 £2,550 £2,600 £2,650 £2,700 £2,750 £2,800 £2,850 £2,900 £2,950 £3,000 £3,050 £3,100 £3,150 £3,200 £3,250 £3,300 £3,350 £3,400 £3,450 £3,500 £3,550 £3,600 £3,650 £3,700 £3,750 £3,800 £3,850 £3,900 £3,950 £4,000 £4,050 £4,100 £4,150 £4,200 £4,250 £4,300 £4,350 £4,400 £4,450 £4,500 £4,550 £4,600 £4,650 £4,700 £4,750 £4,800 £4,850 £4,900 £4,950 £5,000 £5,050 £5,100 £5,150 £5,200 £5,250 £5,300 £5,350 £5,400 £5,450 £5,500 £5,550 £5,600 £5,650 £5,700 £5,750 £5,800 £5,850 £5,900 £5,950 £6,000 £6,050 £6,100 £6,150 £6,200 £6,250 £6,300 £6,350 £6,400 £6,450 £6,500 £6,550 £6,600 £6,650 £6,700 £6,750 £6,800 £6,850 £6,900 £6,950 £7,000 £7,050 £7,100 £7,150 £7,200 £7,250 £7,300 £7,350 £7,400 £7,450 £7,500 £7,550 £7,600 £7,650 £7,700 £7,750 £7,800 £7,850 £7,900 £7,950 £8,000 £8,050 £8,100 £8,150 £8,200 £8,250 £8,300 £8,350 £8,400 £8,450 £8,500 £8,550 £8,600 £8,650 £8,700 £8,750 £8,800 £8,850 £8,900 £8,950 £9,000 £9,050 £9,100 £9,150 £9,200 £9,250 £9,300 £9,350 £9,400 £9,450 £9,500 £9,550 £9,600 £9,650 £9,700 £9,750 £9,800 £9,850 £9,900 £9,950 £10,000 £10,050 £10,100 £10,150 £10,200 £10,250 £10,300 £10,350 £10,400 £10,450 £10,500 £10,550 £10,600 £10,650 £10,700 £10,750 £10,800 £10,850 £10,900 £10,950 £11,000 £11,050 £11,100 £11,150 £11,200 £11,250 £11,300 £11,350 £11,400 £11,450 £11,500 £11,550 £11,600 £11,650 £11,700 £11,750 £11,800 £11,850 £11,900 £11,950 £12,000 £12,050 £12,100 £12,150 £12,200 £12,250 £12,300 £12,350 £12,400 £12,450 £12,500 £12,550 £12,600 £12,650 £12,700 £12,750 £12,800 £12,850 £12,900 £12,950 £13,000 £13,050 £13,100 £13,150 £13,200 £13,250 £13,300 £13,350 £13,400 £13,450 £13,500 £13,550 £13,600 £13,650 £13,700 £13,750 £13,800 £13,850 £13,900 £13,950 £14,000 £14,050 £14,100 £14,150 £14,200 £14,250 £14,300 £14,350 £14,400 £14,450 £14,500 £14,550 £14,600 £14,650 £14,700 £14,750 £14,800 £14,850 £14,900 £14,950 £15,000 £15,050 £15,100 £15,150 £15,200 £15,250 £15,300 £15,350 £15,400 £15,450 £15,500 £15,550 £15,600 £15,650 £15,700 £15,750 £15,800 £15,850 £15,900 £15,950 £16,000 £16,050 £16,100 £16,150 £16,200 £16,250 £16,300 £16,350 £16,400 £16,450 £16,500 £16,550 £16,600 £16,650 £16,700 £16,750 £16,800 £16,850 £16,900 £16,950 £17,000 £17,050 £17,100 £17,150 £17,200 £17,250 £17,300 £17,350 £17,400 £17,450 £17,500 £17,550 £17,600 £17,650 £17,700 £17,750 £17,800 £17,850 £17,900 £17,950 £18,000 £18,050 £18,100 £18,150 £18,200 £18,250 £18,300 £18,350 £18,400 £18,450 £18,500 £18,550 £18,600 £18,650 £18,700 £18,750 £18,800 £18,850 £18,900 £18,950 £19,000 £19,050 £19,100 £19,150 £19,200 £19,250 £19,300 £19,350 £19,400 £19,450 £19,500 £19,550 £19,600 £19,650 £19,700 £19,750 £19,800 £19,850 £19,900 £19,950 £20,000 £20,050 £20,100 £20,150 £20,200 £20,250 £20,300 £20,350 £20,400 £20,450 £20,500 £20,550 £20,600 £20,650 £20,700 £20,750 £20,800 £20,850 £20,900 £20,950 £21,000 £21,050 £21,100 £21,150 £21,200 £21,250 £21,300 £21,350 £21,400 £21,450 £21,500 £21,550 £21,600 £21,650 £21,700 £21,750 £21,800 £21,850 £21,900 £21,950 £22,000 £22,050 £22,100 £22,150 £22,200 £22,250 £22,300 £22,350 £22,400 £22,450 £22,500 £22,550 £22,600 £22,650 £22,700 £22,750 £22,800 £22,850 £22,900 £22,950 £23,000 £23,050 £23,100 £23,150 £23,200 £23,250 £23,300 £23,350 £23,400 £23,450 £23,500 £23,550 £23,600 £23,650 £23,700 £23,750 £23,800 £23,850 £23,900 £23,950 £24,000 £24,050 £24,100 £24,150 £24,200 £24,250 £24,300 £24,350 £24,400 £24,450 £24,500 £24,550 £24,600 £24,650 £24,700 £24,750 £24,800 £24,850 £24,900 £24,950 £25,000 £25,050 £25,100 £25,150 £25,200 £25,250 £25,300 £25,350 £25,400 £25,450 £25,500 £25,550 £25,600 £25,650 £25,700 £25,750 £25,800 £25,850 £25,900 £25,950 £26,000 £26,050 £26,100 £26,150 £26,200 £26,250 £26,300 £26,350 £26,400 £26,450 £26,500 £26,550 £26,600 £26,650 £26,700 £26,750 £26,800 £26,850 £26,900 £26,950 £27,000 £27,050 £27,100 £27,150 £27,200 £27,250 £27,300 £27,350 £27,400 £27,450 £27,500 £27,550 £27,600 £27,650 £27,700 £27,750 £27,800 £27,850 £27,900 £27,950 £28,000 £28,050 £28,100 £28,150 £28,200 £28,250 £28,300 £28,350 £28,400 £28,450 £28,500 £28,550 £28,600 £28,650 £28,700 £28,750 £28,800 £28,850 £28,900 £28,950 £29,000 £29,050 £29,100 £29,150 £29,200 £29,250 £29,300 £29,350 £29,400 £29,450 £29,500 £29,550 £29,600 £29,650 £29,700 £29,750 £29,800 £29,850 £29,900 £29,950 £30,000
Max £0 £50 £100 £150 £200 £250 £300 £350 £400 £450 £500 £550 £600 £650 £700 £750 £800 £850 £900 £950 £1,000 £1,050 £1,100 £1,150 £1,200 £1,250 £1,300 £1,350 £1,400 £1,450 £1,500 £1,550 £1,600 £1,650 £1,700 £1,750 £1,800 £1,850 £1,900 £1,950 £2,000 £2,050 £2,100 £2,150 £2,200 £2,250 £2,300 £2,350 £2,400 £2,450 £2,500 £2,550 £2,600 £2,650 £2,700 £2,750 £2,800 £2,850 £2,900 £2,950 £3,000 £3,050 £3,100 £3,150 £3,200 £3,250 £3,300 £3,350 £3,400 £3,450 £3,500 £3,550 £3,600 £3,650 £3,700 £3,750 £3,800 £3,850 £3,900 £3,950 £4,000 £4,050 £4,100 £4,150 £4,200 £4,250 £4,300 £4,350 £4,400 £4,450 £4,500 £4,550 £4,600 £4,650 £4,700 £4,750 £4,800 £4,850 £4,900 £4,950 £5,000 £5,050 £5,100 £5,150 £5,200 £5,250 £5,300 £5,350 £5,400 £5,450 £5,500 £5,550 £5,600 £5,650 £5,700 £5,750 £5,800 £5,850 £5,900 £5,950 £6,000 £6,050 £6,100 £6,150 £6,200 £6,250 £6,300 £6,350 £6,400 £6,450 £6,500 £6,550 £6,600 £6,650 £6,700 £6,750 £6,800 £6,850 £6,900 £6,950 £7,000 £7,050 £7,100 £7,150 £7,200 £7,250 £7,300 £7,350 £7,400 £7,450 £7,500 £7,550 £7,600 £7,650 £7,700 £7,750 £7,800 £7,850 £7,900 £7,950 £8,000 £8,050 £8,100 £8,150 £8,200 £8,250 £8,300 £8,350 £8,400 £8,450 £8,500 £8,550 £8,600 £8,650 £8,700 £8,750 £8,800 £8,850 £8,900 £8,950 £9,000 £9,050 £9,100 £9,150 £9,200 £9,250 £9,300 £9,350 £9,400 £9,450 £9,500 £9,550 £9,600 £9,650 £9,700 £9,750 £9,800 £9,850 £9,900 £9,950 £10,000 £10,050 £10,100 £10,150 £10,200 £10,250 £10,300 £10,350 £10,400 £10,450 £10,500 £10,550 £10,600 £10,650 £10,700 £10,750 £10,800 £10,850 £10,900 £10,950 £11,000 £11,050 £11,100 £11,150 £11,200 £11,250 £11,300 £11,350 £11,400 £11,450 £11,500 £11,550 £11,600 £11,650 £11,700 £11,750 £11,800 £11,850 £11,900 £11,950 £12,000 £12,050 £12,100 £12,150 £12,200 £12,250 £12,300 £12,350 £12,400 £12,450 £12,500 £12,550 £12,600 £12,650 £12,700 £12,750 £12,800 £12,850 £12,900 £12,950 £13,000 £13,050 £13,100 £13,150 £13,200 £13,250 £13,300 £13,350 £13,400 £13,450 £13,500 £13,550 £13,600 £13,650 £13,700 £13,750 £13,800 £13,850 £13,900 £13,950 £14,000 £14,050 £14,100 £14,150 £14,200 £14,250 £14,300 £14,350 £14,400 £14,450 £14,500 £14,550 £14,600 £14,650 £14,700 £14,750 £14,800 £14,850 £14,900 £14,950 £15,000 £15,050 £15,100 £15,150 £15,200 £15,250 £15,300 £15,350 £15,400 £15,450 £15,500 £15,550 £15,600 £15,650 £15,700 £15,750 £15,800 £15,850 £15,900 £15,950 £16,000 £16,050 £16,100 £16,150 £16,200 £16,250 £16,300 £16,350 £16,400 £16,450 £16,500 £16,550 £16,600 £16,650 £16,700 £16,750 £16,800 £16,850 £16,900 £16,950 £17,000 £17,050 £17,100 £17,150 £17,200 £17,250 £17,300 £17,350 £17,400 £17,450 £17,500 £17,550 £17,600 £17,650 £17,700 £17,750 £17,800 £17,850 £17,900 £17,950 £18,000 £18,050 £18,100 £18,150 £18,200 £18,250 £18,300 £18,350 £18,400 £18,450 £18,500 £18,550 £18,600 £18,650 £18,700 £18,750 £18,800 £18,850 £18,900 £18,950 £19,000 £19,050 £19,100 £19,150 £19,200 £19,250 £19,300 £19,350 £19,400 £19,450 £19,500 £19,550 £19,600 £19,650 £19,700 £19,750 £19,800 £19,850 £19,900 £19,950 £20,000 £20,050 £20,100 £20,150 £20,200 £20,250 £20,300 £20,350 £20,400 £20,450 £20,500 £20,550 £20,600 £20,650 £20,700 £20,750 £20,800 £20,850 £20,900 £20,950 £21,000 £21,050 £21,100 £21,150 £21,200 £21,250 £21,300 £21,350 £21,400 £21,450 £21,500 £21,550 £21,600 £21,650 £21,700 £21,750 £21,800 £21,850 £21,900 £21,950 £22,000 £22,050 £22,100 £22,150 £22,200 £22,250 £22,300 £22,350 £22,400 £22,450 £22,500 £22,550 £22,600 £22,650 £22,700 £22,750 £22,800 £22,850 £22,900 £22,950 £23,000 £23,050 £23,100 £23,150 £23,200 £23,250 £23,300 £23,350 £23,400 £23,450 £23,500 £23,550 £23,600 £23,650 £23,700 £23,750 £23,800 £23,850 £23,900 £23,950 £24,000 £24,050 £24,100 £24,150 £24,200 £24,250 £24,300 £24,350 £24,400 £24,450 £24,500 £24,550 £24,600 £24,650 £24,700 £24,750 £24,800 £24,850 £24,900 £24,950 £25,000 £25,050 £25,100 £25,150 £25,200 £25,250 £25,300 £25,350 £25,400 £25,450 £25,500 £25,550 £25,600 £25,650 £25,700 £25,750 £25,800 £25,850 £25,900 £25,950 £26,000 £26,050 £26,100 £26,150 £26,200 £26,250 £26,300 £26,350 £26,400 £26,450 £26,500 £26,550 £26,600 £26,650 £26,700 £26,750 £26,800 £26,850 £26,900 £26,950 £27,000 £27,050 £27,100 £27,150 £27,200 £27,250 £27,300 £27,350 £27,400 £27,450 £27,500 £27,550 £27,600 £27,650 £27,700 £27,750 £27,800 £27,850 £27,900 £27,950 £28,000 £28,050 £28,100 £28,150 £28,200 £28,250 £28,300 £28,350 £28,400 £28,450 £28,500 £28,550 £28,600 £28,650 £28,700 £28,750 £28,800 £28,850 £28,900 £28,950 £29,000 £29,050 £29,100 £29,150 £29,200 £29,250 £29,300 £29,350 £29,400 £29,450 £29,500 £29,550 £29,600 £29,650 £29,700 £29,750 £29,800 £29,850 £29,900 £29,950 £30,000
Mileage Mileage Up to 0 miles (3) Up to 10,000 miles (292) Up to 20,000 miles (409) Up to 30,000 miles (515) Up to 40,000 miles (627) Up to 50,000 miles (698) Up to 60,000 miles (769) Up to 70,000 miles (846) Up to 80,000 miles (914) Up to 90,000 miles (975) Up to 100,000 miles (1,024) Up to 500,000 miles (1,129)
Age Age Up to -18 year (0) Up to -17 year (0) Up to -16 year (0) Up to -15 year (0) Up to -14 year (0) Up to -13 year (0) Up to -12 year (0) Up to -11 year (0) Up to -10 year (0) Up to -9 year (0) Up to -8 year (0) Up to -7 year (0) Up to -6 year (0) Up to -5 year (0) Up to -4 year (0) Up to -3 year (0) Up to -2 year (0) Up to -1 year (0) Up to 0 year (0) Up to 1 year (26) Up to 2 years (62) Up to 3 years (119) Up to 4 years (230) Up to 5 years (321) Up to 6 years (374) Up to 7 years (406) Up to 8 years (435) Up to 9 years (461) Up to 10 years (493) Up to 20 years (603) Up to 30 years (607) Up to 70 years (607)
Black (239) White (251) Blue (100) Silver (150) Grey (164) Red (139) Green (16) Orange (1) Brown (40) Yellow (0) Beige (0) Bronze (6) Gold (0) Purple (11) Cream (0) Turquoise (0) Pink (0) Maroon (0) Mauve (3) Aluminium (0) Ivory (0) Buff (0) Violet (0)
B - Small car (169) C - Compact car (114) A - Mini car (125) J - SUV (129) M - Multi Purpose (585) D - Medium car (0) E - Large car (0) S - Sport car (0) F - Luxury car (0)
Bus 10 seats (0) Cabriolet (1) Chassis Cab (0) Convertible (10) Coupe (1) Cradle (0) Crew Van (12) Crewcab Pickup (77) Curtainsider (0) Double Cab Box Van (0) Double Cab Dropside Truck (0) Double Cab Pickup (11) Double Cab Van (0) Dropside Truck (1) Estate (285) Hard Top (0) Hatchback (259) Limousine (0) Luton (0) Mini Bus (0) Motorhome (0) MPV (7) Panel Van (3) Pick-Up (0) Saloon (29) Single Car Transporter (0) Sports (0) SUV (106) Targa (0) Tipper (0) Window Van (0)
Diesel (527) Petrol (382) Electric (0) LPG (0)
Manual (532) Automatic (526) CVT (5) Semi-Automatic (0)
5 (845) 3 (31) 4 (124) 2 (29) 0 (24) 6 (0) 1 (0) 50 (0)
Min 0.0L (1,066) 0.2L (1,066) 0.4L (1,066) 0.6L (1,066) 0.8L (1,066) 1.0L (1,061) 1.2L (987) 1.4L (965) 1.6L (773) 1.8L (747) 2.0L (497) 2.2L (487) 2.4L (300) 2.6L (110) 2.8L (108) 3.0L (95) 3.2L (6) 3.4L (6) 3.6L (1) 3.8L (1) 4.0L (1) 4.2L (1) 4.4L (1) 4.6L (1) 4.8L (1) 5.0L (0) 5.2L (0) 5.4L (0) 5.6L (0) 5.8L (0) 6.0L (0) 6.2L (0) 6.4L (0) 6.6L (0) 6.8L (0) 7.0L (0) 7.2L (0) 7.4L (0) 7.6L (0) 7.8L (0) 8.0L (0) 8.2L (0) 8.4L (0) 8.6L (0) 8.8L (0) 9.0L (0) 9.2L (0) 9.4L (0) 9.6L (0) 9.8L (0) 10.0L (0) 10.2L (0) 10.4L (0) 10.6L (0) 10.8L (0) 11.0L (0) 11.2L (0) 11.4L (0) 11.6L (0) 11.8L (0) 12.0L (0) 12.2L (0) 12.4L (0) 12.6L (0) 12.8L (0) 13.0L (0)
Max 0.2L (7) 0.4L (7) 0.6L (7) 0.8L (7) 1.0L (12) 1.2L (86) 1.4L (108) 1.6L (300) 1.8L (326) 2.0L (576) 2.2L (586) 2.4L (773) 2.6L (963) 2.8L (965) 3.0L (978) 3.2L (1,067) 3.4L (1,067) 3.6L (1,072) 3.8L (1,072) 4.0L (1,072) 4.2L (1,072) 4.4L (1,072) 4.6L (1,072) 4.8L (1,072) 5.0L (1,073) 5.2L (1,073) 5.4L (1,073) 5.6L (1,073) 5.8L (1,073) 6.0L (1,073) 6.2L (1,073) 6.4L (1,073) 6.6L (1,073) 6.8L (1,073) 7.0L (1,073) 7.2L (1,073) 7.4L (1,073) 7.6L (1,073) 7.8L (1,073) 8.0L (1,073) 8.2L (1,073) 8.4L (1,073) 8.6L (1,073) 8.8L (1,073) 9.0L (1,073) 9.2L (1,073) 9.4L (1,073) 9.6L (1,073) 9.8L (1,073) 10.0L (1,073) 10.2L (1,073) 10.4L (1,073) 10.6L (1,073) 10.8L (1,073) 11.0L (1,073) 11.2L (1,073) 11.4L (1,073) 11.6L (1,073) 11.8L (1,073) 12.0L (1,073) 12.2L (1,073) 12.4L (1,073) 12.6L (1,073) 12.8L (1,073) 13.0L (1,073)
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text:
#include "network/event.h"
#include "network/event_base.h"

#include "3rd_party/catch2/catch.hpp"

using namespace lightstep;

TEST_CASE("Event") {
  auto callback = [](int /*file_descriptor*/, short /*what*/,
                     void* /*context*/) {};

  EventBase event_base;
  Event event{event_base, -1, 0, callback, nullptr};
  REQUIRE(event.libevent_handle() != nullptr);

  SECTION("Event can be default constructed.") {
    Event event;
    REQUIRE(event.libevent_handle() == nullptr);
  }

  SECTION("Event can be move constructed.") {
    auto handle = event.libevent_handle();
    Event event2{std::move(event)};
    REQUIRE(event2.libevent_handle() == handle);
    REQUIRE(event.libevent_handle() == nullptr);
  }

  SECTION("Event can be move assigned.") {
    Event event2{event_base, -1, 0, callback, nullptr};
    auto handle = event.libevent_handle();
    event2 = std::move(event);
    REQUIRE(event2.libevent_handle() == handle);
    REQUIRE(event.libevent_handle() == nullptr);
  }
}