text:
The Independent Spotlight
An archive of Brett David Stewart's long-running Independent Spotlight blog | 2014-2017
Billy Dechand – 'Innocent Sin'
Independent Spotlight is a continuing series on Stewart's blog. The series revolves around independent artists and bands sending their music to Brett to review. No band is promised a positive review, and all music is reviewed honestly in an effort to better independent music.
In this evening's edition of the Independent Spotlight, we shine our gaze onto Billy Dechand, a long-time independent scene veteran who has released a whole slew of recordings over the last seven or eight years. His latest endeavor is 'Innocent Sin,' an incredibly ambitious jaunt through a dozen different influences across sixteen tracks. It's a self-described "irreverent road to funky, humorous, sexy, and occasionally serious places." That's quite a designation. Let's delve right into the first six tracks to get a taste of the record.
'Innocent Sin' opens up with its title track, a very funky tune employing some funk guitar, bass, and a full brass section. It's a bold statement out the gate, especially because the record isn't necessarily a funk record. The production value of the music is quite good, though I did find Dechand's vocals a bit peculiarly mixed. The brass section sounds synthesized, which is fine, considering the entire sound is an eclectic soundscape chock-full of sonic intricacy. Dechand's lead vocals embody a bit of a David Bryne type style, and I'd argue 'Innocent Sin' is in a similar vein to a Talking Heads tune or the like.
'Hungry for More' is a very short track, almost feeling like an interlude between 'Innocent Sin' and 'When the Satellites Drop.' It's a wonderfully intimate little piece. Dechand compares himself to Beck, and while I'm not sure if the comparison is apt, there are tinges of Beck-isms throughout little ditties like 'Hungry for More.' 'When the Satellites Drop' is a much more coherent recording, one that may be the strongest of the ones we're delving into here. It has a great pop sensibility to it and feels like the spiritual child to something like Lou Reed's 'Satellite of Love.' I particularly enjoy the atmosphere of the tune; the aural landscape is compellingly well performed.
Dechand continues his genre-hopping with 'Reproduce,' a pop track that even has small hints of reggae scattered throughout. It may be one of the more accessible tracks, at least, in comparison to the other tunes we're delving into here on the Spotlight. The instrumentation is incredibly good on this tune, especially in the latter half of the track when the guitars dance off of one another and impeccable back-up vocals harmonize and bounce around Dechand.
The final two tracks we're taking a look at in this article make a strong argument for sticking with 'Innocent Sin' throughout its entirety. 'Keepin' It Real' is witty and intuitive, hopping through Dechand's cynical musings with incredible tact. Again, the David Bryne comparison feels apt. This innocent little number is one of the more rewarding songs in the early stages of 'Innocent Sin,' jam packing itself with so much personality. "I got my own cat food commercial," Dechand brags over one of the more poppy pieces he's written in this segment of the record. 'Kick Ass' is equally as witty, perhaps even a bit parody-like. Dechand is especially powerful when he embraces the side of himself exhibited on the latter two tunes of this review.
I really adore some of the pieces of 'Innocent Sin,' especially the final two tracks I touched on here. 'When the Satellites Drop' and 'Hungry for More' are certainly highlights as well. Of the six, I'd argue 'Innocent Sin' is the least intriguing, especially when standing next to infectious pieces like 'Kick Ass.' I love that Dechand explores so many styles here, though, and I'd most certainly recommend delving deeper into 'Innocent Sin.' It's a wonderfully personable experience with some excellent songwriting.
http://www.cdbaby.com/cd/dechand7
Voice in the Attic – 'After Songdown'
In this edition of the Independent Spotlight, we're going to be delving into a rather unique and fascinating artist. His name is BC Bogey, but his stage moniker is Voice in the Attic. He's been an incredibly active independent artists for the better part of the last four years, releasing a whole slew of EPs and singles. 'After Songdown,' however, is officially his sophomore full-length studio endeavor, one that digs into the realm of coherent album creation and long-form creative direction. Let's dig right into it.
There are two things I'd like to mention right off the bat – When Bogey approached me with his record, he prefaced that while it is not a concept record, it is an album that he attempted to create as a whole, rather that segmenting parts off that would be good for radio play or as singles. This is an admirable effort, perhaps one that's slowly becoming archaic, at least, in the mainstream. I massively respect this approach, and in honesty, prefer an artist that takes the cohesiveness of a full album seriously. Second, he's doing much better than perhaps he even anticipated – the single won an award in the UK and he's on track for an Australian award and inclusion in a feature film.
When digging into 'Songdown,' I listened to the record all the way through thrice without interruption. This allowed me to hone into its quality as a full experience, because again, that's the point of it. Bogey's sound as Voice in the Attic is immediately likable and sharply produced. The opening track, 'Day,' exhibits him as a masterful crooner with a distinct voice. More so, I love the intricacy of the production right out of the gate. The sporadic piano noodling, the tight percussion, and the sly string sections all manifest into a remarkable experience. There's an edge to it, and thus, if I was to classify it, I'd say Bogey is meandering somewhere between the singer-songwriter, folk, and alternative rock genres.
'Glass,' the instrumental included on the aforementioned feature film, is one of the defiant highlights of 'Songdown.' This elegant track truly exhibits Bogey's prowess not just as a songwriter, but as a composer. I'd argue the piece is tinged endlessly with classical influence, and it is a rather contemporary classical piece in an introspective minor key. The song boils down to two main pieces – the piano which leads the dance and the string sections that are in pursuit.
Bogey has been providing the media with WAV files, which was both immensely appreciated and deeply important to these pieces. In laymen terms, WAV files are much, much higher quality than MP3 is, by a huge margin. These uncompressed goliaths clock the album in at over 400 megs. Thus, your listening experience on MP3's may be of slightly less grandier than mine. Mine is, though, grand. As readers of the Spotlight know, I don't just queue up my reviews on Apple earbuds in a coffee shop. No, I go into the studio and listen on industry monitors. Man, Voice in the Attic's music is a treat in that setting. The folksy 'On' is a superb example of that, especially the harmonies toward the end. Breathtaking.
'Reminisce' draws ties to 'Glass' as a piano/string instrumental. Aurally, it's similar, too, though it feels more forceful in its delivery. This is very good, because as you'll notice early on in 'Songdown,' Bogey establishes a sound that he doesn't deviate from too often. He manages to litter that sound with intricacies like 'Reminisce,' however, to keep it consistently compelling. 'Ablaze,' the following song, is one of the better exhibitions of acoustic songwriting. "They say life takes its toll," Bogey croons over an intriguing landscape. Vocally, I'm not sure where I'd align him. If Eddie Vedder and Tom Waits were oddly combined, you may have something akin to Bogey.
The best song off the first half of 'Songdown' is most surely 'Tear.' The sparing female vocals are absolutely haunting, as are the vocals, delivery, and increasingly folksy instrumentation. In particular, Voice in the Attic seems to really understand the balance between a lone, emotional vocalist, and tactful harmonies. 'Tear' may be the best excursion of that on the album, and goodness, it's chillingly well done.
'Iridescent' indicates a tonal change on the album. Though the piece still holds tightly to the acoustic guitar musings of the previous songs, it does tediously enter some sort of realm of alternative, or even acoustic progressive rock. It's a short instrumental, shorter than the others, and acts as a segway between 'Tear' and 'Over.' Let's talk about 'Over.'
'Over' scored some significant recognition across the pond Bogey's songwriting. It was damn well deserved – 'Over' is a remarkable songwriting endeavor, definitely one of the more notable pursuits on the album. I've actually heard the song before – I had to hastily Google the lyrics to prove myself wrong that it wasn't a cover. I have no idea where, but the song is definitely recognizable. Anyway, I digress.
Remember my Tom Waits comparison? Well, Voice in the Attic fully embraces the Wait-isms on 'Rhinoceri.' Seriously, you'll think you're listening to 'Rain Dogs.' It's one of the more experimental songs for sure, but one of the best. I love the spoken word poetry accentuating a very 'Rain Dogs' atmosphere. 'Tribute,' the tune following it, walks carefully beside a potentially copyright infringement, essentially tributing Foo Fighters and Nirvana. It's an effective tune, one that technically falls into the 'parody' domain. (AKA – Legal.)
Well, this is one of the longer pieces on the Spotlight. Let's wrap up the three final pieces. 'Toil' is a surprisingly infectious song, residing in familiar territory, but welcoming territory at that. 'Fall' offers an instrumental composition with a stark contrast to its predecessors, mainly due to its acoustic-guitar driven nature rather than pianos, and finally, 'Songdown' closes out the album with one of the more fulfilling acoustic songwriting endeavors of this year in the indie scene.
This is truly a terrific record – From beginning to end, Voice in the Attic proves itself a versatile act with a variety of absolutely breathtaking sounds. In particular, 'Glass,' 'Tear,' 'and Rhinoceri' are the highlight reel. That's a highlight reel of a masterful piece, even one of the very best in the scene this year… so don't just listen to those three. Go into it all. It's worth every second.
http://voiceintheattic.com/home
Jake Ward – 'Love Don't Live Here'
In this evening's edition of the Independent Spotlight, we shine our gaze onto a rising country rocker in the independent scene hailing from Corpus Christi, Texas. Jake Ward, accompanied by his band, have released 'Love Don't Live Here,' a remarkably ambitious ten track effort that explores Ward's potential as a relevant Americana country rock artist. Let's dig right into the man's debut studio effort.
Independent debut efforts have a history with being questionably produced and rather shoddy. Also, indie country is currently riddled with stereotypical performances and cliches. The incredibly refreshing reality of Ward's debut is his defiant stand against both those tropes. 'Love Don't Live Here Anymore' is a sharply produced, well-executed, romp through rootsy country that melds beautifully with contemporary rock influences.
Technically, if you want to trace Ward's recent releases, you'd follow that line back to 'Hit The Road,' his first radio single and first regional hit. It's an impressive number, one that hasn't been included on 'Love Don't Live Here.' Instead, the album opens with the fiery title track, a tune that makes a bold statement right out of the gate. Like a bull in a china shop, Ward bombards his way through those aforementioned cliches with brute force, which is absolutely fantastic. The Jake Ward Band has blended the perfect harmony of traditional Americana strings/instrumental pieces and bluesy, bar-chord rock and roll. 'Love Don't Live Here' is a resounding success on all counts, starting the album out on a particularly high note.
'Out The Door' is a song that's an absolute treat on a quality sound system. This tightly performed rocker is accentuated wonderfully on a truly solid audio set-up. The production is nothing short of elegant, which took me aback at first – the mix is well-organized and nothing in it is compromised by something else. More so, the sparse usage of panning separates the instrumentation with tact. Translated into laymen terms: don't listen to 'Out The Door' with one earbud in.
Now, on the opening efforts. Ward exhibits himself as a fine frontman – one that can rock two genres simultaneously. Nothing in those songs is exceptionally notable lyrically, however, and one could argue 'Love Don't Live Here' doesn't have near the depth lyrically it does instrumentally. 'Sleepless Nights' is the first quality excursion of Ward's lyrical prowess. Yes, he does have prowess. This heartache-ballad brings down the walls around Ward's humanity, which is always a welcome addition to any artist's work. You can't just write songs that are catchy; you need to write songs that you've lived… otherwise your sound is artificial. 'Sleepless Nights' feels honest and authentic.
The bluegrass-tinged 'Drive' offers an even deeper look into a fleshed out Americana sound on 'Love Don't Live Here.' It's a catchy tune, perhaps even making it a nice little highlight of the first half of the album. That half is concluded with the scorching 'Slow Down.' Now, the song is actually a slow brewing piece, never quite climaxing into anything climactic. It feels easy-riding and effortless, exhibited powerfully by carefree lyrics and guitar rumblings. Give the Eagles a Texan country twang, you may have something akin to 'Slow Down.'
'Ignorant Bliss' is fulfilling compositionally, offering one of the starkly different productions on the record. I love the country string pieces and steel guitar sprinkled throughout. The song is more of an anthemic piece than anything, honestly. That means it'll always be best served loud on a car stereo with the windows down in the summer or at the actual concert. 'Mr. Tonight' is very similar in that sense, really taking the rodeo to you with a party-influenced number.
'Take My Hand' is being promoted as one of the singles on the record, which is interesting since it's buried so deep in the set list. That said, it does immediately stand out from the rest of the album. The album actually seems somewhat conceptual when you hit this song, because you feel a full-circle rebirth from the Ward you were introduced to on 'Sleepless Nights.' 'Take My Hand' is far more hopeful, building with Phil Spector-esque walls of sound. The song subsides and ignites several times, really creating a rollercoaster of a tune. Lyrically, it's a love ballad about an opportunistic beginning to a relationship – nothing new, but endearing nonetheless.
The underdog highlight of the latter half of 'Love Don't Live Here' is 'See It All.' The song embraces a beautiful level of traditionalism, as if it's a contemporary piece ready for the Grand Ole Opry. The plodding, meandering nature of the piece is absolutely stunning. Again, the song continues Ward's emotional rebirth as a lover – He's come full circle from the drunken, heartbroken soul to a persona akin to Aladdin flying Princess Jasmine around to 'I Will Show You The World.'
'I can't take one more night being alone,' Ward declares, which is definitely a drastic departure from his sleepless nights half a dozen songs ago. I love the sense of finality 'One More Night' provides on this album. While upbeat and rocking, the former half of the collection is a lyrical downer. (Which is fine. In fact, 'Sleepless Nights' remains the lyrical high point of the whole album.) The latter half, which eclipses on 'Take My Hand' returns Ward to a place we're all more than happy to welcome him back to.
'Love Don't Live Here' is one of the best independent country rock records I've reviewed this year. I'll be honest – I get a whole bunch of these artists, and my praise is hard-earned. (Very hard.) With the Jake Ward Band, however, I have nothing but admiration and excitement about their sound. The band is everything I want modern country rock to be, something that definitely isn't personified by many popular artists in the genre right now. This album is a breath of fresh air; check it out below.
http://jakewardmusic.com/home
Exit to Eden – 'II'
In this evening's Independent Spotlight, we shine our gaze on Exit to Eden, a compelling four piece rock outfit that released their second studio endeavor earlier this autumn. Released on September 25, the aptly titled 'II' is a romp through nine eclectic and rocking tracks, all compiled together beautifully with some elegant press content and materials. Let's dig right into it.
Now, I'm a sucker for a well-packaged effort. All too often, I'm sent reviews with an ambiguous SoundCloud link and a four line bio. That's not only a detriment to the artist, but to any critic attempting to dig into their material. Exit to Eden is a breath of fresh air in that sense; their materials are wonderfully organized and intelligently designed. I dramatically enjoyed reading through the album's liners as I immersed myself in the experience. I think that is something incredibly relevant to an all-encompassing review. Very few artists offer this nowadays and its a luxury well-suited to 'II.'
Now, though, we can dig into the actual material of 'II.' The production of the album is a bit of a double edged sword. For such a complex and layered sound, the group does a masterful job capturing themselves in the studio. The production accentuates the instrumentation incredibly well and I found myself consistently intrigued by its intricacy. Listening to the album on actual studio monitors was a treat. With that said, there are very noticeable areas that said production falters. The angsty opener, 'Vampire Vice,' is something inhibited by a production that drowns out the vocals during certain segments, especially choruses. Without those aforementioned liners, I'd have no idea what's going on.
I particularly like how the band accents the banter between the bassist and guitarist. That's exemplified on 'Vampire Vice,' but definitely noticeable on 'Fade Away (Sarah Pt. 2.).' The sound of Exit to Eden isn't really anything new – There are a lot of bands like this in the indie scene that strive for the dark, gothic-esque sound hinging on metal. The tinges of screamo are apparent through tunes like 'Fade Away,' but their sparse, and often backed by more accessible, traditional vocals. I found Exit to Eden's blend of this 'goth and roll' especially likable even though it's nothing brand new, perhaps mostly due to the musical prowess of the compositions.
Throughout 'II,' I found myself enamored with the soundscapes the group was creating. The atmospheric 'The Calling' is arguably one of the very finest. This brooding, sinister sound is hauntingly provocative. The backing vocals are absolutely stunningly dark. When Bernie, the lead vocalist, (I hate using first names but the group doesn't market their last names.) dips in and out of the sound, a cacophony of terror ensues. There's something apocalyptic about 'The Calling' and I love that.
'Neon Sun' feels accessible, which is a word I'll use a few times in this review because I think it is pertinent. Many people hear this type of music and turn tail and run. That's not to say it isn't good, in fact, it's great, but it is an esoteric style. Bernie's Marilyn Manson-esque musings are creepily delightful, embracing classic rock roots and contemporary horror stylings. 'Lady In Red,' for example, sounds more like an Alice Cooper song than anything.
It may be worth noting that there couldn't be a better time to feature this kind of music on the Spotlight. The Halloween season deserves some exceptionally ghoulish music like this. The best song on the entire album, however, isn't at all like that. 'Is Suicide A Way?' is the best song on this whole record. The lyricism of the piece is somewhat sparing, but immensely impactful. Goodness, this song is poignant. The subject toys with suicide as he falls deeper into emotional turmoil and depression. Eventually, though, he climbs out of the hole he's fallen into with the resolute notion that his lost-love will one day fade, and he's got a whole bunch to do without her.
'Face to Face' is a good romping rocker; I especially like this song for jamming loudly. My studio was really rocking with this tune. Again, I think the likability of Exit to Eden is rooted pretty deeply in their exceptional musical skill. Man, David (Urgh, first names) is one hell of a guitarist. Hernan and Werner, bass and drums respectively, are top notch, too.
Let's wind this record down to get to a conclusion. 'Shake Your Hips' is the best rock song of the bunch. It feels like a rockabilly-infused goth horror piece flying like a bat out of hell. 'Dreaming Weird' continues Bernie's jaunt through emotional crooning, proving his strongest moments are those when he's whispering softly into the microphone in a dark, scratchy voice.
I'm not a huge fan of this type of music, and often, independent acts embracing it are kitschy and ridiculous self-parodies. Exit to Eden, however, is the real deal. These guys are writing terrific songs that are engaging, fairly accessible for someone like me outside of the clique, and amazingly produced and performed. My only quip the whole record was when Bernie was masked a few times here and there by the instrumentation. So with that said, make sure you don't depart on this journey without the booklet. It's a killer little addition to an excellent studio effort.
Malichi – 'Real Life'
In this review, I'm going to be delving into 'Real Life,' an eclectic, incredibly ambitious hip hop project from Malichi Male, an accomplished indie artist known in the community for being the only Christian urban artist to simultaneously have a top five single on both Christian and secular radio. 'Real Life' is an elegant collection of tunes that defies any sort of religious affiliation; it's hip hop anyone can dig. (There is a religious backing to Malichi's passion, but it transcends just being a 'Christian' record.) Let's get right into it.
As aforementioned, the record is ambitious – twenty songs of ambition. Now, I'm typically a very harsh critic of independent artists that put out really long studio efforts. They tend to fall into a realm of obscurity and pretension, quickly declining in quality throughout their run. Fortunately, Malichi doesn't fall victim to that stereotype. From the soulful 'Rush' to the faith-driven, reggae-tinged 'Cry,' the collection remains consistently compelling throughout. For the purposes of this review, we're going to delve into the highlights of the album since focusing on each of the twenty tracks would take just as many pages.
'Rush' is a terrific opener, concreting Malichi immediately as a superb performer, wordsmith, and producer. The tune is heavily soul-influenced, and as listeners will notice early on into the collection, those influences hop from song to song with surprising tact. Take 'B-Boy Stance,' for example. It's one of the best straight-up hip hop endeavors on the record, defining Malichi's rap sound on the album. One of my favorite things about that? How clean it is. Malichi's excellent lyricism doesn't use vulgarity as a crutch. He's real and authentic, and that's an increasing rarity in hip hop.
'Child Soldier' is a haunting song, lyrically. It exhibits Malichi as a songwriter who can delve into meaningful issues, which is again, just another rarity in the scene. His choice of guest vocalists is perfect as well; the female backing on several of the tracks accentuates Malichi excellently. The mid-album highlight, 'Times Changes Remix,' has some of the best beats of the collection as well. In order to have a solid hip hop record, especially one as long as this, you need to have continually exciting beats. Most artists can't achieve that; Malichi does in spades.
As you continue your journey through 'Real Life,' make stops at these mile markers. 'Stressing' is a soul tune worth writing home about. 'Dreams' is an exhibition of astonishing sampling and production, and the gospel-tinged 'Heaven' takes you to church in a fantastic way. I'd like to briefly touch on that, too. Even though there are hints of religious connotation throughout this record, nothing feels preachy or self-fulfilling. It's modest and even a guy like me, who isn't religious, can absolutely love his time with this music. That says something. It reminds me a bit of Kanye West's 'Jesus Walks.' That tune transcended religion as well.
Malichi is one of the most exciting independent hip hop artists in the community. His songs are enthrallingly good, consistently compelling, and a breath of fresh air amidst a community that's lost its way in recent years. We need more artists like Malichi, because that is truly what he is. He is an artist.
Pqlyr's 'Exothermic' and 'Tight Wake'
In this review, I'm going to be delving into Pqlyr, (pronounced 'peculiar') an incredibly intriguing outfit with a fresh take on pop sensibility and tropes. Their music is "pop music for the apocalypse," embracing familiar stylings blended together with a tragic element. Their latest record is 'Exothermic,' a six-track release that dropped earlier this year in July. This month, they've released 'Tight Wake,' a new single. Let's check both of them out.
When digging into the music of Pqlyr, I really wasn't sure what to expect as a critic. Tragedy and apocalyptic musings don't typically blend with pop music. I'd argue that self-description is only partially apt, though. I found moments in 'Exothermic' to be dramatically uplifting, even anthemic in nature. As is the case with the eclectic opener, 'Way Forward.' This tune embraces indie rock, pop, electronic, alternative, and several other influences to the fullest. The reverb-heavy, atmosphere-laden jaunt through synthesizers is a compelling piece of dramatic proportions.
'It's Not Real,' the following song, concretes Pqlyr's, well, peculiar sound even further. The female-lead piece is fascinatingly complex, toying with sonic intricacies I haven't heard from an outfit in the indie scene in quite a long time. There's a retro feel the band's sound, as if they're a female fronted Joy Division or New Order with a heavier blend of accessibility. Even though the outfit's music is bizarre on paper, it actually feels very organic and clicks aurally. Thus, I don't think the group will have trouble with new fans accessing their catalog or sound.
'Chalks' continues Pqlyr's endeavor through interesting instrumentation as well. The guitar riffs bouncing off of one another as the lead vocalist hauntingly croons are a defiant highlight of the collection. 'Sinking In' is one of the more complex tracks of the album. It gives me an opportunity to talk about the production quality of Pqlyr's music; it's nothing short of exceptional. The atmospheres and soundscapes the band creates are majestic. The quality, love, and tact that went into these compositions and mixes is boggling.
'Endless Mondays' was a favorite of mine, though it didn't grow on me until my third or fourth excursion into 'Exothermic.' This song truly felt apocalyptic to me, especially lyrically. The distress conveyed in the instrumentalism and vocal portrayal of this piece is breathtaking: for a band that describes themselves as a tragic group, their music has a tendency to be some of the most gorgeous indie rock I've heard this year.
'Way To Go,' the finale of Exothermic, is the best song of the bunch. Goodness, this creepy, but enthralling number is dynamic as all hell. The rock and roll influence melding with the electronica stylings is perfect. The marriage of the styles couldn't be better. To close out this review, though, let's touch on Pqlyr's new single, 'Tight Wake.'
'Tight Wake' is a sonic contrast to the album that preceded it. The same lovable elements of the sound are still there, but this dreamy, surreal song feels uplifting and filled with love. It's a compelling argument for the band's ability to continue to build their creativity off of the masterful 'Exothermic.' Thus, how do I rate Pqlyr's recent tunes? They're among the best indie songs I've reviewed in my two year tenure as an independent critic. Go listen to them. Now.
Duece Aviata – Press Release – October 18, 2015
PRESS RELEASE – OCTOBER 18, 2015
Duece Aviata To Drop New Mixtape Next Week On October 27
Duece Aviata, a rising hip hop artist in the independent community, will be releasing his latest studio endeavor on Tuesday, Oct. 27. 'Elevation,' the new mixtape, is being released in collaboration with the Aviator Club, the backing entertainment company. Fans can check out an early excerpt of the record through the single available now, 'Dabbin Thru Da City.'
Hailing from Atlanta, Georgia, Deuce Aviata is a driven, passionate, and charismatic artist with a unique approach to his blend of hip hop. He endeavors to connect with his listeners through high-energy beats, uplifting melodies, and meaningful, thought-provoking lyrics. Aviata established this sound on 2014's 'Only The Fly Survive.' This hip hop lineage has direct ties to some of his most enduring inspirations: Tupac, Outkast, and the like.
'Dabbin Thru Da City,' the Asap Beats-produced single, is available now on SoundCloud and Audiomack, both of which can be found below. For listeners interested in delving into Aviata's repertoire, that same SoundCloud page houses music from the artist's last two years of studio work. 'Only The Fly Survive,' Aviata's previous effort, is available for listen and download on DatPiff as well.
Stream the new single:
https://soundcloud.com/therealdueceaviata/dabbin-thru-da-city-prod-by-asap-beats
http://www.audiomack.com/embed4-large/duece-aviata/dabbin-thru-da-city-prod-by-asap-beats
Previous Album On DatPiff: http://www.datpiff.com/Duece-Aviata-Only-The-Fly-Survive-mixtape.587913.html
Facebook: https://www.facebook.com/duece.aviata
YouTube: https://www.youtube.com/user/Dueceaviata
Dave Goddess Group – 'Blown Away'
Last year, the Dave Goddess Group released an EP entitled 'Blown Away.' The endeavor was one designed to "recall the great days of classic rock." The group's lineup is a remarkably exciting step in that direction, pairing a traditional rock lineup with additions the likes of a saxist and flutist. Fronted by Dave Goddess, the band creates a Phil Spector-esque wall of sound throughout 'Blown Away.' Let's check it out.
The opening of the album, which is the title track, sets an interesting precedent for the rest of the record. There is a lot going on in the mix. Brass sections, a female backup vocal section, and a myriad of other sonic intricacies are at play on 'Blown Away.' All too often, I'm critiquing independent acts that attempt to create this kind of production and end up botching the production or overloading the sound. The more factors in a piece, the more opportunities there are for it to go terribly wrong. Fortunately for all of us, Dave Goddess and company avoid nearly all those stereotypical pitfalls and arrive at a phenomenal sound.
'One Man's Passion' has a very different feel to it than 'Blown Away,' embracing a John Mellencamp-type soundscape. One could argue that Goddess' persona is a multi-faceted one, pulling inspiration from a few different directions. 'Blown Away' has the gruffness and passion of a Tom Waits delivery, but with the bombastic style of a Springsteen track. 'One Man's Passion' feels inherently more classic, again, embodying a style akin to John Mellencamp. As Goddess navigates the sonic pastures of his latest release, he seems to find himself four different times on four different songs. That's admirable: he's fresh and consistently exciting.
The most well-written song in the collection is 'Fall From Grace.' Goodness, this is the kind of track I could spin all day. It's tinged with every bit of that wonderful classic sound that Goddess lays claim to in his self-description. His vocals are absolutely compelling: gritty, yet smooth. Emotional, yet resolute. 'Common Ground' continues his evolution even further, expanding into some unique productional territory that I really dig. I love the Dave Goddess Group's ability to hop from style to style and maintain a fun and engaging sound throughout.
Go buy the EP now; it's very much worth your time and money. More so, keep tabs on the Dave Goddess Group. They're not a young group of guys, but man, they rock like they are. They're the ultimate bar or club band: I'd love to catch these guys in a New York dive or the like. There is something special in this sound, even if it's just a fueling of nostalgia.
http://www.davegoddessgroup.com/index.html
Daylight Down – Accessible Hard Rock
In this edition of the Independent Spotlight, we shine our gaze on Daylight Down, a rock outfit that released their debut EP last year. They've received some modest recognition in the independent community and they've built up an impressive little fanbase as a result. As a Houston-based band, the group can often be found live around the area with other local groups. In any case, let's dig into a handful of their tunes to figure out what they're all about.
Daylight Down doesn't do a particularly good job of introducing themselves to anyone outside their fandom. If there is a bio in any capacity, I haven't found it. Aside from the lineup, I'm fairly in the dark in regard to the band's aspirations, inspirations, or past accomplishments. That's somewhat positive, however, since I can attack their music head on without any preconceived notions or ideas. 'Demon You Love' is one of their more successful tunes, so let's talk about that first…
'Demon You Love' pulls inspiration from modern alternative rock groups and soft-metal. The group is certainly heavy, but they also embrace some pop musings and they're quite accessible. I'd argue metal is one of the least accessible genres. Even as a professional critic, I struggle to find entryway into it. Even though Daylight Down classifies themselves as a metal outfit, that's a very small piece of the puzzle. 'Demon You Love' exhibits some excellent hard rock stylings that are well executed with fine vocals and instrumentation.
As you dive deeper into Daylight Down's repertoire, you'll find they have a few compelling layers, which I immensely appreciated. Sometimes, these groups find their groove and stick within it. Just like any other genre, it's all too easy to sit still once you've found what clicks. 'Shadows in the Sun' expands sonically on 'Demon You Love' in an incredibly positive direction. It may even very well be the best song the group has put out. This classic-tinged endeavor is so beautifully accented by sparse string sections and stunning composition. Man, Daylight Down brings it on 'Shadows in the Sun.'
On the opposite end of the spectrum, the group does hit it harder on tunes like 'Weakness Bleeding.' It's an enjoyable track, though it doesn't embrace very much lyrical depth. Sometimes hard rock and metal endeavor into meaningful lyrical territory, and it is nearly universally benefited as a result. I think Daylight Down could use some growth in that arena. That said, they're a terrific little rock group with a huge sound. Houston is such a great musical town and I imagine they tear it up there. If you're local, these guys need to be on your to-do list.
http://www.daylightdown.com/index.html
Back to the Ocean – Redefining 'Indie' Music
Back to the Ocean is one of the more peculiar groups I've touched on in the Independent Spotlight as of late. The Warsaw-based group is fronted by Agnieszka Olszewska, a compellingly talented vocalist and performer. The three instrumentalists backing her accentuate her wonderfully, providing a consistently intriguing offering of independent music that's quite unlike anything else I've heard in the scene in awhile.
Back to the Ocean debuted five years ago as the musical child of Olszewska. Since then, her work has been acclaimed internationally, winding up in massive songwriting competitions and festivals. More so, Back to the Ocean has enjoyed some very extensive radio play, especially in Poland, and the group has toured all around the country. They've even made some notable appearances on this side of the pond in Nashville. Defining themselves as singer songwriter and smooth rock, Back to the Ocean has created a space in which they've very accessible to audiences worldwide.
'Rain' is the defining highlight of Olszewska's repertoire. This acoustic piece feels so authentic and heartfelt, embracing a level of uniqueness often lost in acoustic indie productions. Olszewska's presence is masterful, harnessing that emotion with a beautifully tactful voice. She reminds me a bit of Laurie Anderson, at least, in her delivery. She isn't ostentatious or self-indulgent. Her vocals elegantly blend with the composition in perfect harmony. Some performers can't find that kind of harmony.
'Rain' isn't fully representative of Back to the Ocean's sound, however, which is made clear when you delve into a tune like 'OMG.' That song loses the soft, meandering atmospheres of 'Rain' for a gritty rock sound. I'd actually argue Olszewska emerges as a very punky figure in tracks like 'OMG.' I aligned her with Laurie Anderson on 'Rain.' On 'OMG,' I'd probably align her with Patti Smith. She's a defiant frontwoman with passion and gusto.
The soulful 'Green Eyes' continues Back to the Ocean's genre hopping. 'Green Eyes' pulls influence from pop, soft rock, and even R&B. It really surprised me, honestly, since 'Rain' and 'OMG' were already dramatic departures from one another. 'Green Eyes' extends that trend to a shocking degree. I think that's why Back to the Ocean is so likable on an international level: these are great songs that transcend any niche. Good music is good music and everyone can get behind that.
I love Back to the Ocean and adore Olszewska's presence and delivery. The group deserves all the praise that's been sent their way the past five years, and I suspect a good deal more is on the way. It'll be intriguing to see how they evolve since they're already covering so much sonic ground. That's a strong indication of a group with immense longevity.
https://www.reverbnation.com/backtotheocean
Jan on LAKOTAH – 'Heaven's Own'
Manuela Quiala Mahler on Julian Kelly – 'Fish of Plenty'
Mark Stone on Mark Stone and the Dirty Country Band – Press Release – Feb. 8
Steve Kabel on Calvin Rainwater – His Newest Songs
Frank Ferris on Calvin Rainwater – His Newest Songs


text:
Teen Trent Gutstein Spends Winters — and Summers — on the Slopes
By Mark Aiken
Published December 8, 2015 at 10:00 a.m.
Courtesy of the Gutstein family
Trent Gutstein
Courtesy of the Gutstein
NAME: TRENT GUTSTEIN
TOWN: STOWE
Trent Gutstein isn't sure how many days he spent skiing last year. Let's just say it was a lot.
From November to March, the Stowe High School senior is on snow six days a week as a day student at Mount Mansfield Winter Academy. Aspiring teen ski racers train there every morning with the Mount Mansfield Ski Club, then spend afternoons and evenings working with teachers on course work from their home middle and high schools.
Last winter, Trent ended his first U18 ski season (a category for 16- and 17-year-olds) at the United States National Ski Championships in Sugarloaf, Maine, competing in Slalom, Super G and Giant Slalom alongside America's top skiers. Then, in July and August, he "double-wintered" in Bariloche, Argentina, training and competing with a youth and teen ski club there.
It's fairly common for elite ski racers to spend several weeks training in the Southern hemisphere, but the Gutstein family's approach is uncommon. Trent's mom, Denise, has relocated to Bariloche with Trent and his older brother and fellow ski racer, Grant, for the past five summers. Denise enrolled her sons in Argentinian school, and says that, in addition to providing the opportunity for cross-cultural learning, ski racing has taught her sons how to set goals and be resilient. "They learned to pick themselves up when they didn't succeed," she says.
Competitive ski racers must contend with bad weather, equipment malfunctions and ever-changing course conditions, so it's important to stay focused and positive. "All I can do is take one race at a time and prepare myself mentally and physically for that race," Trent says. "Then when race day comes, try to have an optimistic outlook."
Lorant Gudasz, Trent's coach at the Mount Mansfield Ski Club, appreciates balance. "I like athletes to be motivated, but I want it to be fun," says Gudasz, who describes Trent as a passionate and talented athlete.
Trent recognizes that some of the most valuable skills he has picked up each winter at MMWA have nothing to do with skiing. In order to stay on top of a rigorous high school course load, he's had to learn how to manage his time, be organized and focused, and effectively communicate with teachers.
Fortunately, it's not all work. Trent recalls a memorable experience that happened off the slopes at last year's national championships. During a break in the racing action, he and several rival skiers found themselves on a volleyball court.
"We were all at Nationals trying to beat out the next guy," Trent explains. "But that day we were playing a game none of us really play. We were supporting each other, making friends and just having fun."
Carrie Pill Aims to Ski and Paint 20 Vermont Resorts
In Vermont, Fifth Graders Ski and Snowboard for Free
Burlington-Based Online Ski Brand J Skis Takes a Run at Downtown Retail
Mike Nick Recalls How Early Skiboards Expanded Skiing and Shaped His Professional Path
How to Ski This Season Without Going Bankrupt
Kids VT KidsVT - One to Watch Trent Gutstein skiing Mount Mansfield Winter Academy Kids VT Kids VT

redpajama_set_name: RedPajamaCommonCrawl


Nothing should be able to stop you from spinning the jackpot on Mongoose Casino therefore we offer 3 reel and 5 reel jackpot slot games on mobile as well. Progressive jackpots are a player's ultimate reward and our mobile casino allows players to take a chance and spin their luck on the ever increasing progressive jackpot.
With popular, recording breaking jackpot games such as Major Millions, Cash Splash, Mega Moolah and more, progressive slot games on Mongoose Casino mobile easily cross the jackpot amount of $1,000,000, while minor jackpot games can well reward $10,000 on your lucky day.
Mongoose Casino proudly offers these big jackpot pools on your mobile, all accessible through your mobile browser in real money mode. Go ahead and spin the reels, maybe it's your lucky day!


Word coming in is that police has mounted its search for Omar Ssali husband to NTV's Faridah Nakazibwe after learning he is in in town.
The two are planning a new wedding in Uganda after the first introduction was intercepted by her ex lover.
Police want him to answer charges related to computer misuse. It is alleged he is responsible for creating fake accounts under which he sent his wife messages framing Justine Nameere.
Nakazibwe was asked to present her hubby to Kiira police but she said she could not locate him.
Sources say he has now gone into hiding and could sneak out of the country anytime.


text:
Encyclopedia > Emperor Meiji of Japan
Meiji Emperor
Redirected from Emperor Meiji of Japan
Mutsuhito, the Meiji Emperor (明治天皇) (1852-1912) was born the Crown Prince Mutsuhito of Japan. From his birth in 1852, he was destined to be the 122nd emperor of Japan. Mutsuhito would have been seen as a divine figure in the eyes of the Japanese peasantry, but the emperor had been powerless in Japan for centuries. The Tokugawa Shogunate ruled the nation, which was still a feudal state controlled by Daimyo, the nobility.
Mutsuhito ascended to the throne on February 3, 1867 at the age of fifteen, taking the title of Meiji, or "enlightened ruler". He was the symbolic leader of the Meiji Restoration, in which the Tokugawas were deposed by Imperial forces. The Charter Oath, a five-point statement of the nature of the new government abolished feudalism and proclaimed a modern democratic government for Japan. Although a parliament was formed, it had no real power, and neither did Meiji. Power had passed from the Tokugawa into the hands of the Daimyo who had led the Restoration. Japan was thus controlled by an oligarchy, which comprised the most powerful men of the military, political, and economic spheres.
The Meiji Restoration is a source of pride for the Japanese, as it and the accompanying industrialization allowed Japan to become the preeminent power in the Pacific and a major player in the world within a generation. On the other hand, it is a source of shame, as it was the beginning of Japan's imperialism in the Pacific and prepared the nation to join the Berlin-Rome Axis in the thirties.
Meiji's role in the Restoration is debatable. He certainly did not control Japan, but how much influence he wielded is unknown. It is unlikely it will ever be clear whether he supported the wars against China (1894-1895) and Russia (1904-1905). One of the few windows we have into Meiji's own feelings is his poetry, which seem to indicate a pacifist streak, or at least a man that wished war could be avoided.
Komei List of Japanese Emperors Succeeded by:
Yoshihito, the Taisho Emperor
Quadratic formula
... is now a perfect square; it is the square of (x + b/(2a)). The right side can be written as a single fraction; the common denominator is 4a2. W ...
This page was created in 52 ms


text:
FDA Seeks To Expand Treatment For Coronavirus As Part Of White House Response
By Philip Ewing & Franco Ordoñez • Mar 19, 2020
President Trump provides the latest developments of the coronavirus outbreak at the White House on Thursday. He is joined by White House coronavirus response coordinator Deborah Birx and U.S. Surgeon General Jerome Adams.
Originally published on March 19, 2020 4:02 pm
Updated at 3:37 p.m. ET
The Food and Drug Administration is trying to clear the way to expand the types of medicines or treatments available during the coronavirus pandemic, President Trump said Thursday.
Early trials have begun for a prospective coronavirus vaccine, and the FDA also is working to permit patients to have access to medicines approved for use in other countries or for other uses.
FDA Commissioner Stephen Hahn stressed that the agency is moving as quickly as it can while still following protocol to ensure safety standards are met.
The White House briefing comes as the administration continues to ramp up its response to the virus, including providing economic relief and mobilizing the Federal Emergency Management Agency. Trump met with governors about their needs.
Trump also said Thursday that he would support the prospect of the government taking an equity stake in companies as part of a big stimulus for the economy.
The particulars are being negotiated in Congress as part of another bill that could lead to hundreds of billions or $1 trillion in cash or other support for individual Americans, small business and big companies.
Trump's answer on Thursday suggested that he would be open to a situation in which the government might buy a percentage of the stock of a big company in order to provide it with equity to continue operating through the economic shock associated with the pandemic.
Trump said the amount of spending would depend on the virus.
If social distancing and the clinical response could stop the coronavirus "in its tracks," about $1 trillion would be "plenty," the president said. If that won't do, more negotiations might be required.
FDA fast track
FDA officials want to expand the treatments available during the pandemic in a way that's both fast and responsible, Trump said, so that authorities can monitor what works as soon as practical.
"Immediately — like, as fast as we can get it," the president said.
Trump said the measures he announced on Thursday could be a "game-changer," but "maybe not."
Hahn, of the FDA, said he wanted to assure Americans that the agency would work as fast as it could to broaden access to new medicines and treatment but that it remained bound by its mission to ensure that those products would be safe.
"We are looking at everything that's coming across our desks as treatment options for coronavirus," Hahn said. "We need to make sure this sea of treatments will get the right drug to the right patient at the right dosage at the right time."
One first step in the short term, Hahn said, is to examine medications already in use for other purposes.
Doctors will look at an anti-malaria drug, for example, to see how it might be applied to coronavirus sufferers, he said. Another option might be to take blood from patients who've recovered from a coronavirus infection and inject it into sick patients to help their immune response.
Hahn said the FDA's work would be a "continuous process" and might take three to six months. A vaccine might not be complete for about a year.
Overall, it was not clear on Thursday that beyond officials' emphasis on doing lots of assessments quickly, when the work that has begun would start to pay off at significant scale.
"This is an unprecedented situation," Hahn said. "This is a really significant time."
More testing
Dr. Deborah Birx, the White House's coronavirus coordinator, told reporters in the same briefing that she recognized that the number of coronavirus cases in the United States would likely continue to rise as more tests become available and it takes less time to process them.
The number of infections has topped 10,000, as of Thursday afternoon, according to the latest reports.
Birx said the rate of positive results is between 10 and 11%, meaning that about 90% of people receiving tests don't have the coronavirus.
Even so, a more robust testing regime likely will reveal more cases, officials said.
Conference with governors
Trump traveled from the White House to the Federal Emergency Management Agency on Thursday. He spoke with a group of governors about the need to be able to care for what is expected to be a wave of people needing treatment for the respiratory disease caused by the coronavirus.
FEMA is accustomed to responding when natural disasters like hurricanes and tornadoes overwhelm local resources, but the scope and scale of the coronavirus pandemic presents huge logistical challenges.
Georgia's Republican Gov. Brian Kemp told Trump to "leave the directives for the National Guard with the governors."
Responded Trump: "That's done. I like it."
Kemp also asked Trump to consider maintaining staff at a military base used for quarantining cruise ship passengers in order to handle people from the metro Atlanta area.
Louisiana's Democratic Gov. John Bel Edwards said he was worried that his state's medical facilities would be overwhelmed in a week. Edwards said the state would like to be able to send some patients to a hospital run by the Department of Veterans Affairs.
Trump said he would work to approve that quickly.
Vice President Pence urged governors to place orders for N95 masks after a new change to liability laws made it possible for hospitals to use industrial masks, normally targeted for construction sites.
Pence also told governors that a survey was being done to determine the supply of ventilators. Birx, the response coordinator, urged them to ensure that coronavirus test results are reported centrally so that supplies can be surged to the right areas.
Nebraska's Republican Gov. Pete Ricketts said he was concerned about the supply of reagents for processing tests.
Ricketts also said there was an urgent need for "pop-up alternative day care," especially for first responders and health care workers. He asked Trump for assistance with streamlining the process of clearing day care workers.
"We need a waiver from the fingerprint requirement to be able to do that quickly," he said.
Ricketts also asked that the Education Department relax "free appropriate education" requirements because recent guidelines created concerns. He said some school attorneys have told teachers they cannot teach because they could be sued under those "appropriate education" requirements.
Massachusetts Democratic Gov. Charlie Baker said his state has put in orders for personal protective equipment supplies, as Trump had previously directed. But he suggested the federal government was crowding out other buyers.
"On three big orders, we lost to the feds," Baker said, asking Trump to look into the issue.
Maryland's Republican Gov. Larry Hogan said the federal government should give at least half of stimulus aid funding to the states, saying that state government could get money out faster to where it's needed.
Pressure for results
Trump is under pressure to show that his administration has the situation in hand as Americans see their day-to-day lives dramatically change.
Schools are closed, people are heeding warnings to stay away from others, and many have lost their income as the economy has been shocked to a near-halt.
Meanwhile, Trump's administration is negotiating with Congress on a new package of aid to help people and businesses through the huge economic losses from the crisis. It will be the third round of aid in two months. Trump signed the second package into law Wednesday night.
But the virus is making it hard for lawmakers to do their work.
On Wednesday evening, two congressmen said they had tested positive for the virus, and others who had met with them — including Rep. Steve Scalise, the No. 2 Republican in the House — said they would self-quarantine, to be safe.
No decision on Olympics, Trump says
Trump acknowledged at the White House that Japanese Prime Minister Shinzo Abe discussed the upcoming Summer Olympics, set to occur in Tokyo, in a call with world leaders earlier this week.
Abe hasn't decide whether to cancel the games, Trump said, but "we'd live with his decision if he does."
Trump was asked on Thursday when he thought life would get back to normal.
"I hope very soon," he said. "We'll see. This is uncharted territory."
: 3/19/20
A previous version of this story incorrectly said President Trump signed the latest coronavirus aid package into law on Tuesday. It was signed Wednesday.
COVID-19 Complicates Census Outreach In Hard To Count Neighborhoods
By Ambriehl Crutchfield • Mar 18, 2020
Gregory Bull / AP
The COVID-19 pandemic is causing some Cincinnati area organizations to reevaluate plans to reach out to undercounted communities for the 2020 census.
Hamilton County Confirms Two Cases Of COVID-19
By Jay Hanselman • Mar 19, 2020
CDC / AP
Hamilton County officials have confirmed the county has two positive cases of the COVID-19 virus.
State Running Low On Coronavirus Tests, Preserving For High-Risk Cases
By Andy Chow • Mar 19, 2020
Hospitals and labs around the state are running low on coronavirus test kits. State public health officials say that's why they're trying to preserve the swabs for people at high-risk to the virus and health care workers.


Hexagonal Boron Nitride which commonly referred to other name "white graphite", it is multi-layers pure white powder which none wet to Aluminum, Zinc, copper melt. Hexagonal Boron Nitride is a none toxic, excellent lubricate at high temperature than graphite which widely used in commonly industry. Sinyo's LND40 boron nitride coating is used for Aluminum metallurgy, easy brush to launder, billet rings, casting tables, blender, it will be none stick. Easy to brush and easy to clean.
We exhaust our ability to offer our customers the best quality and services all over the world. Please feel free to contact us, let's begin a pleasant cooperation.


Kool Stop is an international manufacturer and developer of disc pads, brake pads and brake shoes. The history of the bike accessories company goes back to 1977. This is when the company was founded in Oregon, USA. Today, the bike components expert is internationally known for their especially effective braking technology. The high-quality brake pads are used in all areas of the cycling industry. Kool Stop Europe is located in the Netherlands. The pads for all types of bicycle brakes are directly processed in the branches to ensure a perfectly adapted combination of the single brake elements on site. For Kool Stop, a production in accordance with the most recent standards in cycle racing and high quality standards are a matter of course.
All bicycle brake pads are developed and produced in accordance with high quality standards. Of course, the rims are also taken into consideration during the production of the components so that a rim-friendly use belongs to the standard. Kool Stop is specialised in the production of two different bicycle brake pads: pads for aluminium rims and pads for special rims. In case of aluminium rims, the manufacturer makes a difference between universal pads and special pads. The special pads are designed for use in extreme weather conditions for freestyle, trick or trial riding. Additional brake pads are offered for special rims like ceramic rims, carbon rims and Rigida CSS rims. For bicycle disc brakes, Kool Stop stocks disc pads.
Kool Stop promises highest safety. Therefore, the brake pads only require a short breaking-in period to deliver full braking power. Such a fast reaction time is especially important for extreme rides and extreme cyclists. Whether downhill, trial, slalom or other cycling disciplines: the braking power, stability and durability convince every rider who opted for Kool Stop accessories. The disc pads are rotor-friendly and guarantee high braking power on all road surfaces and in all situations where you need to stop quickly. As the bike brake pads contain only a few metal parts, the braking distance is additionally improved. Thus, safe braking and short braking distances are guaranteed when using Kool Stop brake pads.


Acrylic nails - Sculptured Nails - Overlay. Air Brush - Nail design by hand. beauty Group Party :BirthDay - Anniversary - Wedding. manicure Manicure Package massage Massage Therapists Licensed Nail Salons Nails Mag overlay pedicure Professional nail care for Ladies Professional nail care for Ladies and Gentlemens. sculpture silkwrap Solar nails - Pink & White - Gel - SilkWrap. spa Spa Pedicure & Manicure Package Special Thai Foot Massage.


"Dozen. One at a time."
Ovistine chuckled and started handing them over; Geoffar smacked each of them into place with his arclight spanner and pushed himself out from under the steam tank. Ovistine rolled out, too, and pushed her goggles up. "That do it?"
"We'll see, eh?" Geoffar said. "Hop up, we'll take a look."
She followed him into the steam tank, where he sat at the driver's controls and she landed in the gunner's seat. "All clear here, Da."
"Here too. Shall we take 'er fer a spin?"
"Pfft. No reason not to. We're needing less an' less of 'em these days."
He rolled them out through the gates and started angling toward Amber Ledge. Ovistine lined her targeting sights up with a bird… a rabbit… a wind rider, and she quickly lowered her gun. "Looking fine, Da."
"Well, I thought so." Halfway to Amber Ledge, he brought the tank to a stop, and hopped out of the compartment. "Grab that bag, there, aye? Under yer feet?"
"You keep chocolate in the steam tanks?"
"Only when me girl's out helpin' me wi' th' repairs," Geoffar said, beaming. "C'mon out. We'll have a few stout brownies an' a little chat."
"Stout brownies," Ovistine said dreamily, and then, realizing, "oh–chat." She frowned. "If this is about Mum–"
Geoffar shook his head violently. "I got me beard bit off frae both directions trying t' keep th' peace when ye were wee," he said. "Ye're grown now, ye both are, an' it's yer own to decide how ye'll get along now." He sighed a little and scratched his beard and muttered, "An' anyway, I see little enough o' 'er t' pick fights when I do."
Ovistine patted his back and nodded. "Hasn't been back much lately?"
"Ye'd think she'd be ready t' stand down, but nae–Varian feckin' Wrynn has whatnot fer a veteran an' paladin like 'erself t' do," Geoffar grumbled. "Likes 'im so much, mebbe she married th' wrong lad."
"Oh, but he's a human. She wouldn't want anything to do with him," Ovistine said, and the stout in the chocolate wasn't half as bitter as her tone.
"Aye," Geoffar said, sighing. "About tha'…" He leaned back on the grass and shook his head. "Ye've a good elf, an' I know ye dinnae need me to say so, but there it is. I know he means a lot t' ye."
Ovistine nodded, still chewing her brownie–it was easier than trying to say something, after that.
"Pity yer dimensional ripper didnae make 'im a dwarf," Geoffar said gently, tugging one of Ovistine's braids.
"A wee pity," Ovistine admitted. "Would've made some things nicer, while he was changed. But I like his ears the way they are."
"Aye. Well, it's a complication, surely, but 'e's been around fer ye through thick an' thin. I dinnae 'ave a problem wi' it, an' th' Ironhammers are pleased as punch, tell th' truth."
"They do seem charmed. Talk of dwelfs or no."
"So there's tha'," Geoffar said decisively. "An' wha' else be new fer ye?"
"I don't know," Ovistine admitted. "I'm not sure where to look next. I've read everything I can get my hands on, when it comes to the Light and its sources, and the Dimensional Ripper was the best idea I'd had in months and months."
Geoffar nodded slowly–and then he tilted his head, and said, "What's so bloody important about th' Light, anyhow?"
Ovistine gaped at him, crumbs falling out of her mouth. "Da!"
"Really. This huff-an'-puff yer Mum put int' yer head all those years ago, jes' 'cause she were made a paladin–" Geoffar's expression went dark for a moment, and Ovistine shivered; she'd never asked, never been told, never wanted to know the answers to some questions about Nancie's past. "Better she hadnae been, I think, sometimes," he murmured.
"Ye cannae weigh it so. She'd 'ave done other things, 'ad she no' been wha' she is." Geoffar poked a finger into Ovistine's cloak-collar. "An' so would ye, ye know."
"I–what are you talking about?" Ovistine asked, frowning. "I can't imagine not being a priest–"
"Oh, aye, bet ye cannae. But did ye know it wasnae always yer calling?"
Ovistine blinked; she could only ever remember wanting to go to the Cathedral and learning the things her mum knew, taking Nancie's battlesmasher of healing and helping people with it. "I wanted… sommat else?"
"You lit fires when ye were small," Geoffar said, and there was a strange little burst of pride in his voice. "An' ye liked water. Swam like a fish, sorta glided a bit some days, when it were cold. Ye picked up th' gifts o' th' Earthen before ye could say yer letters–when tha' scorpid stung ye, by th' time yer mum got home, ye'd shaken off the poison all by yerself."
"I lit fires?" Ovistine could only boggle. "Did I set a lot of them?"
"Until I got yer attention on th' buckets o' water, aye. You liked th' buckets better."
Something about that rang true for her… there was something about… a little wooden pail, water that jumped from one bucket to another… had she poured them, or…? "You built springs," Ovistine said slowly. "Little springs so the buckets would pour into each other?"
"Aye. But some of it was you." Geoffar reached out and took Ovistine's hand in his. "Lass, I might've been a lousy gryphon rider, but I'm still a Wildhammer. Ye never thought t' look int' tha' half o' th' family? To wonder how th' Wildhammers do their healing?" He squeezed her hand. "Did ye feel a call, when it was nature-magic ye were using?"
"I–" Ovistine looked down at her hands, blinking hard. "I thought–I thought all the time with Alishe and Harken… I thought it was because of the Light…"
"Ask yerself," Geoffar said fiercely. "Is it a call t' th' Light ye've had all yer life? Or a call t' heal?"
She was quiet a while, but then she nodded, and she threw her arms around Geoffar, who let out a soft "oof".
"Thank you, Da," she whispered. "I'll think on it."


text:
The Joker Admitting He Plays An RPG Might Be The Greatest Video Game Ad Of 2021
Jeremy Winslow
A screenshot of director Todd Phillips' The Joker depicting Joaquin Phoenix (as The Joker) stretching his mouth to force a smile.
My face when I'm tryna have fun in a video game I'm getting whooped in.
We all know The Joker has lost it. He goes around performing heinous acts of violence, all in an effort to prove life has perennial comedic potential. But how many of us knew he was a *gulp* gamer? I didn't. That is until a twin set of advertisements for the idle figurine RPG Figure Fantasy started popping up around December 8, and that I discovered more recently. And now, The Joker's true identity as a dreaded gamer has been revealed.
It's fine if you haven't heard of Figure Fantasy. I haven't either. But according to the game's official website, it's a 3D idle figurine RPG in which you collect anime statuettes. These figures—think Amiibo but in-game—can be sent out on missions and displayed in virtual display rooms. You can also level them up and participate in PvP battles on Android and iOS devices. It seems cool.
Finnish Man Passes on Paying $22,600 to Replace His Tesla's Battery, Blows Up Car Instead
Land Rover Discovery Sport Rolls Over After Hitting A Toyota GR Yaris
Shaq has a Christmas gift for you, Candace Parker, and anyone else who thinks he can't shoot
The First 15 Things You Should Cook In Your New Air Fryer
Best Of 2021: Jeep Wrangler Engine Explodes After Owner Tows Vehicle In Gear And Revs It To 50,000 RPM
But that's not why we're here. No, dear reader, we're here because of a tweet from Niko Partners senior analyst Daniel Ahmad. Ahmad posted a video of a recent Figure Fantasy advertisement of The Joker talking about the game. And let's just say it's absurd. So absurd, in fact, that I couldn't stop laughing.
My new thing is finding the best mobile game ads for Chinese games and I think I've found it pic.twitter.com/ZAsgyvoj8g
— Daniel Ahmad (@ZhugeEX) December 20, 2021
I mean, the opening line alone kills me. "As a gamer, " The Joker says, "what makes you different from other gamers?" Maybe it's because this actor just can't capture the character's erratic nature in a minute-and-a-half long video game ad. (Though they certainly look more like The Joker than Jared Leto did in Zack Snider's Justice LeagueSuicide Squad.) Or perhaps it's just the writing. Either way, the entire advertisement, which is purely just fawning over how you can get strong in Figure Fantasy without allegedly spending money, made me laugh. While he kinda has a point that everyone plays games nowadays, the way everything is expressed and the situation is so over-the-top that it's hard to take any of it seriously.
AutisticStoner (YouTube)
The best part? There are two of these ads, with Ahmad's tweet being the second. The first one, above, sees The Joker chastising someone for the characters they have just before the Figure Fantasy operation team swoops in to confront him. It's terrible. Terrible acting, terrible writing, terrible everything. And yet, it's probably the funniest mobile game advertisement I've seen in a minute.


text:
College appoints Dr. Edward Lawson to new position as Assistant Director for Intercultural Relations in the Center for Student Engagement
Posted on November 4, 2021 by Andrew Bruso
SUNY New Paltz is pleased to announce the appointment of Edward Lawson, J.D., MBA, as Assistant Director for Intercultural Relations in the Center for Student Engagement, a new position that will support diversity, equity and inclusion programming and outreach in the Division of Student Affairs.
Lawson brings more than 25 years of experience in public affairs and advocacy to his new role, working with local and national non-profit, faith-based, and government sector organizations. Much of his career has been spent in the area of child and family services, including most recently with Family and Community Engagement Services, Inc., in Newburgh, New York.
"Every young person has the capacity to achieve greatness when their essence is allowed to flourish using an equitable education as the foundation and freedom of expression as the vehicle," Lawson said. "I am humbled and honored to be joining SUNY New Paltz in this exciting new position that aligns perfectly with my vision for lifting the young person's essence. During my tenure here at SUNY New Paltz, I have found it to be an institution committed to being on the forefront of providing opportunities for underserved and underrepresented communities, with a sound understanding that diversity, equity and inclusion has an important place in our society and provides the seeds that one day will save it. With these seeds, the community within and outside of SUNY New Paltz can prosper, grow, heal, and thrive."
While this appointment represents Lawson's first full-time engagement with SUNY New Paltz, he is an established member of our campus community who has served as an adjunct lecturer in the Department of Black Studies since 2015.
Since February 2021, he has also served as a member of the College's University Police Department (UPD) Advisory Committee, which advises the Vice President of Student Affairs and the Chief of Police concerning campus police services, especially as they relate to UPD's inclusivity and antiracist commitments.
As Assistant Director of Intercultural Relations, Lawson will work to provide holistic and culturally responsive support to New Paltz students of color and to cultural and ethnic-interest student organizations. He will help lead diversity, equity and inclusion training for students at Orientation and throughout the academic year; oversee and execute the award-winning Stepping Into Diversity program; and collaborate with a network of programs across campus that are designed to support students from diverse backgrounds, including the Scholars' Mentorship Program, AMP & CSTEP Community (AC2), New Paltz Athletes of Color and Educational Opportunity Program (EOP), among others.
"We are very excited for Ed to join the Student Affairs team," said Emily Bazinet, director of the Center for Student Engagement. "He is a visionary leader with extensive experience building community and cultural competency around issues of diversity, equity and inclusion. He also has great energy and ideas, and is committed to serving as a resource for New Paltz students."
Lawson holds a J.D. from the University of Virginia and earned his bachelor's and MBA degrees from Manhattan College.
_Chronological News Feed / Community Engagement / Diversity, Equity and Inclusion / Faculty/Staff News / Human Resources / Institutional / Student News
« Student-led discussion on Asian hate sparks productive conversation
COVID-19 Dashboard Report: Nov. 5, 2021 »


text:
Lafayette woman's car torched early Thursday; police investigating
LAFAYETTE, Ind. — Jacqueline Schmidt joked about a 6 a.m. alarm Thursday morning that she never expected.
The alarm was her car going up in flames through the work of an arsonist.
She heard a thud and thought it was her dog falling off the bed.
"We looked over to the left to the window, and that's bright orange," Schmidt said of the pulsing orange glow seeping into the bedroom from the sides of her blinds.
"That's not normal," she said recalling the morning's events. "That's not cop lights; that's not sunshine. That's fire.
"It's my car."
She parked her Honda outside her home in the area of 15th and Perdue streets, just as she normally does.
"We live in what we presume to be a fairly safe neighborhood," she said.
Schmidt is the operations manager at the Fowler House Mansion, so she can't imagine anyone would have a grudge against her.
"I'm in the wedding industry," she said, describing her job as making people happy.
"It feels so personal," Schmidt said of the fire to her car, which also damaged her neighbor's car that was parked behind her Honda.
Should she be fearful? Concerned? Anxious? Was this a message? A warning? These are all the thoughts Schmidt said she's considered since the arsonist torched her car.
Lafayette Fire Inspector Dave Thomas said he was called to the scene to investigate, and quickly determined it was a set fire. Then he handed the scene over to Lafayette police, who said they're investigating.
Schmidt said the evidence around her car clearly showed it was intentional, and the thud she thought was her dog falling off the bed likely was the whooshing sound some accelerants make when set ablaze, she said.
As for her car?
"It's done," she said, wondering if full-coverage insurance includes arson.
Anyone with information about this crime should call Lafayette police at 765-807-1200 or the WeTip Hotline at 800-782-7463.
COVID-19: Lafayette are bars, restaurants ordered closed by midnight Downtown Lafayette to create an extended outdoor dining experience YouTubers target West Lafayette, Clinton Co. police Castaway Bay turned over to the dogs for annual pooch plunge


text:
2003 | DOCUMENTARY| 52 minutes |
Located on the coast, Petite-Vallée is rich in one raw material whose ratings are always on the rise in Quebec: songs. Everyone in this village sings, and this has been true for ages. So it's only natural that they would establish the Festival en chansons de Petite-Vallée (Petite-Vallée song festival), which celebrated its 20th birthday in 2002.
Singing to Drown Out the Sea takes us on a journey back to the origins of Québec music. We discover the LeBreux family, and it is in their history that the musical growth of Petite-Vallée and its festival is rooted.
Ever since fiddler Didier LeBreux settled there at the end of the 19th century, music has been handed down from generation to generation. The LeBreux have kept on singing, despite their isolation and the crises of life. This passion has helped them surmount personal tragedy, and it has spread throughout the whole village.
Today, the festival provides a unique launch pad for young singer-songwriters like Daniel Boucher and Isabelle Boulay. But it also provides training and an exchange of ideas. In the magnificent setting of the Gaspé region, Michel Rivard, Louise Forestier, and Richard and Marie-Claire Séguin guide tomorrow's artists. A genuine family has formed around the LeBreux, with ties created by music.
Singing to Drown Out the Sea puts the spotlight on these men and women of the Gaspé who have managed to build an event that creates hope. By sharing their love of music and song, they make us want to start singing again as part of our daily lives.
Nominee for Best Cultural Documentary
Nominee for Best Sound
Scriptwriter and narrator
Jean-Paul Vialard


Since 1985 ENVIRA Ingenieros Asesoreshas been a pioneer and key reference in services of environmental consulting with a wide range of solutions related to the environment, including an environmental laboratory equipped with the latest technological advances for analysing any kind of environmental matrices and we are also a national inspection body.
During these more than 30 years we have added new fields of action such as occupational safety and health and industrial maintenance, developing well-known software solutions for the coordination of business activities and control of operations and inspections in industrial installations.
Thanks to our experience and innovation, ENVIRA Ingenieros Asesores can offer an integral service taylored to the needs of each client in the fields of the environment, occupational safety and health, quality and management of industrial maintenance.
Providing solutions to create shared value to build a sustainable environment.
Integrity, excellence, innovation and customer orientation.


Comments: Hardcover with slipcase. Fine copy. Signed by Moriyama in kanji.
A wonderful publication, quite different as his usual style. Moriyama give an hommage to one of his master Nakaji Yasui who was a great picturialist from the beginning of the 20th century. The panel of the grey is very rich and the subject is more about landscape and still-life. We can said between Nakaji and Atget, Moriyama refind his wood with this publication.


text:
Sloanea hatschbachii är en tvåhjärtbladig växtart som beskrevs av D.Samp. & V.C.Souza. Sloanea hatschbachii ingår i släktet Sloanea och familjen Elaeocarpaceae. Inga underarter finns listade i Catalogue of Life.

Källor

Harsyreordningen
hatschbachii

redpajama_set_name: RedPajamaWikipedia


Two French Bulldogs: Computerless Friday?
Yes..it's true.....mom is going crazy. She was saying words like you wouldn't believe. We covered our big ears with our paws. She threatened the computer. "You are going out the window."
The computer was doing crazy things. It was very sick with a temperature and a virus. It's at the doctor.
We got out our tools, but no, she would rather pay the man $8589438372 to fix it.
Happee Birthday to our friend Annie's momma. Today she is older than us.
Oh, I hope it's better real soon. I'm sure you'd have done it faster and cheaper, though.
OH no, I hate it when that happens!! Hope it get fixed ASAP!!!. sorry your mom was so upset!!
Oh, I hope your computer gets better soon!!! The momma's seem to be lost without their computers!!
Oh, no! I hope your computer will be OK! My mom would be using a LOT of HBO words right about now -- cover your ears!
I hope your computer gets well really, really fast!
I hear from the humans that computer problems are the worst. Mom's laptop caught a virus two days ago, too.
Hope the 'puter is fixed soon - tough being without one. Our Mom is without her iPhone right now and she isn't too happy.
Uh oh...We hate when that happens!! We hope your puter feels better soon!!
I think she'll appreciate a nice adult beverage or two or three!
I hope your computer gets fixed soon!
Too bad. Get well soon, computer. Yup, that's about what it costs to get it taken care of... same figure for my car!
Hope your little 'puter gets wells soon!! Make it some chicken soups!!
Hope the khomputer gets well soon!


Testosterone Enanthate Injection is a very popular injectable anabolic androgenic steroid, which is often used for filler purposes. The active substance, testosterone enanthate, guarantees the growth of large muscles within a short period of time. Anemia and male hypogonadism are also treated by Testosterone Enanthate. In our online pharmacy, you can also buy Testosterone Cypionate uk, which ias also well-known among the athelets.
Testosterone Enanthate retains too much water in the body and positively affects the appetite. For these two reasons, it gives such rapid and rapid increase in muscle mass. Profit at strength and height of body weight is present, as well. What's more, chronic joint pain can be controlled by Testosterone Enanthate. Along with Testosterone Enanthate, antiestrogen like mesterolone or tamoxifen citrate must be taken. Testosterone enanthate easily aromatizes and causes gynecomastia, which is prevented by the use of antiestrogenic agents. Testosterone enanthate also reduces the natural production of testosterone. To get it back to its normal level, it is necessary to use HCG at the end of the steroid cure.
A normal weekly dose of HCG for men is in the range of 250-750 mg. A single dose should never exceed 500 mg. For women, Testosterone Enanthate is extremely dangerous because of the risk of virilization. Acne, increased agresivity or hair loss are among the most common side effects of Testosterone Enanthate. Hypertension can be seen in addition to the previously mentioned gynecomastia and reduced natural production of testosterone. Very soon after the end of the use of the product, it disappears the mass.
The properties of Testosterone Enanthate uk is what any individual would expect from any other type of Testosterone preparation, with the exception of the differing release rates and half-life. Testosterone is what could be considered quite literally the original anabolic steroid, which is manufactured endogenously naturally in all humans and in the vast majority of animal species. Because of this, Testosterone is considered the safest anabolic steroid for use, as every individual's body is already accustomed to the effects of Testosterone only to a lesser degree. Essentially, the use of Testosterone for the purpose of physique and performance enhancement is simply the supplementation of additional hormones – the act of inserting more of a hormone into the body that it already manufactures and uses.
Beginners: in modern times, 50mg every day / 100mg every other day.
Dosage: 50-200mg daily / every other day.
Normal course length: 6-8 weeks.
·injection site reactions (pain, redness, or swelling).