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Irrigation Repair in Utah
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Enjoy specialized services when it comes to Irrigation Repair in Utah with Perfect Irrigation Repair
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Irrigation Repair are available in Utah.
Cities in Utah
Alpine, UT
Altamont, UT
Alton, UT
Altonah, UT
Annabella, UT
Antimony, UT
Aurora, UT
Axtell, UT
Bear River City, UT
Beaver, UT
Beryl, UT
Bicknell, UT
Bingham Canyon, UT
Bluebell, UT
Bonanza, UT
Boulder, UT
Brian Head, UT
Brigham City, UT
Bryce, UT
Bryce Canyon, UT
Cache Junction, UT
Cannonville, UT
Castle Dale, UT
Cedar City, UT
Cedar Valley, UT
Centerfield, UT
Centerville, UT
Central, UT
Chester, UT
Circleville, UT
Cisco, UT
Clarkston, UT
Clawson, UT
Clearfield, UT
Cleveland, UT
Coalville, UT
Collinston, UT
Corinne, UT
Cornish, UT
Croydon, UT
Dammeron Valley, UT
Delta, UT
Deweyville, UT
Duchesne, UT
Duck Creek Village, UT
Dugway, UT
Dutch John, UT
East Carbon, UT
Echo, UT
Eden, UT
Elberta, UT
Elmo, UT
Elsinore, UT
Emery, UT
Enterprise, UT
Ephraim, UT
Escalante, UT
Eureka, UT
Fairview, UT
Fayette, UT
Ferron, UT
Fielding, UT
Fillmore, UT
Fort Duchesne, UT
Fountain Green, UT
Fruitland, UT
Garland, UT
Garrison, UT
Glendale, UT
Glenwood, UT
Goshen, UT
Grantsville, UT
Green River, UT
Greenville, UT
Greenwich, UT
Grouse Creek, UT
Gunlock, UT
Gunnison, UT
Gusher, UT
Hanksville, UT
Hanna, UT
Hatch, UT
Heber City, UT
Helper, UT
Henefer, UT
Henrieville, UT
Hiawatha, UT
Hildale, UT
Hill Afb, UT
Hinckley, UT
Holden, UT
Honeyville, UT
Hooper, UT
Howell, UT
Huntington, UT
Huntsville, UT
Hurricane, UT
Hyde Park, UT
Ibapah, UT
Ivins, UT
Jensen, UT
Joseph, UT
Junction, UT
Kamas, UT
Kanab, UT
Kanarraville, UT
Kanosh, UT
Kaysville, UT
Kenilworth, UT
Kingston, UT
Koosharem, UT
La Verkin, UT
Lapoint, UT
Leamington, UT
Leeds, UT
Levan, UT
Lewiston, UT
Loa, UT
Lyman, UT
Lynndyl, UT
Magna, UT
Manila, UT
Manti, UT
Mantua, UT
Mapleton, UT
Marysvale, UT
Mayfield, UT
Meadow, UT
Mendon, UT
Mexican Hat, UT
Midway, UT
Milford, UT
Millville, UT
Minersville, UT
Modena, UT
Mona, UT
Monroe, UT
Monument Valley, UT
Morgan, UT
Moroni, UT
Mount Carmel, UT
Mount Pleasant, UT
Mountain Home, UT
Myton, UT
Neola, UT
Nephi, UT
New Harmony, UT
Newcastle, UT
Newton, UT
North Salt Lake, UT
Oak City, UT
Oasis, UT
Orangeville, UT
Orderville, UT
Panguitch, UT
Paradise, UT
Paragonah, UT
Park Valley, UT
Parowan, UT
Payson, UT
Peoa, UT
Pine Valley, UT
Plymouth, UT
Portage, UT
Price, UT
Providence, UT
Randlett, UT
Redmond, UT
Richfield, UT
Richmond, UT
Riverside, UT
Rockville, UT
Roosevelt, UT
Roy, UT
Rush Valley, UT
Salem, UT
Salina, UT
Santa Clara, UT
Santaquin, UT
Scipio, UT
Sevier, UT
Sigurd, UT
Smithfield, UT
Snowville, UT
Spanish Fork, UT
Spring City, UT
Springville, UT
Sterling, UT
Stockton, UT
Summit, UT
Sunnyside, UT
Syracuse, UT
Tabiona, UT
Talmage, UT
Teasdale, UT
Thompson, UT
Tooele, UT
Toquerville, UT
Torrey, UT
Tremonton, UT
Trenton, UT
Tridell, UT
Tropic, UT
Vernal, UT
Vernon, UT
Veyo, UT
Virgin, UT
Wales, UT
Wallsburg, UT
Washington, UT
Wellington, UT
Wellsville, UT
Wendover, UT
Whiterocks, UT
Willard, UT
Counties in Utah
Beaver County, UT
Box Elder County, UT
Cache County, UT
Carbon County, UT
Daggett County, UT
Davis County, UT
Duchesne County, UT
Emery County, UT
Garfield County, UT
Grand County, UT
Iron County, UT
Juab County, UT
Kane County, UT
Millard County, UT
Morgan County, UT
Piute County, UT
Salt Lake County, UT
San Juan County, UT
Sanpete County, UT
Sevier County, UT
Summit County, UT
Tooele County, UT
Uintah County, UT
Utah County, UT
Wasatch County, UT
Washington County, UT
Wayne County, UT
Weber County, UT
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We'd like you to get the greatest Irrigation Repair in Utah. All our customer care reps are properly trained to provide you with friendly and professional help and advice and services. We're able to address your concerns and questions. All of our Irrigation Repair experts are competent and dedicated to guaranteeing your approval. Whenever you need experienced and prompt solutions, you'll be able to trust our staff to be there to help you. We keep away from unanticipated surprise expenses and provide a precise estimate prior to getting started off. You will save yourself costs by trusting us to finish any project the proper way to start with. As soon as you call, we'll answer the questions you have and provide a totally free quote.
Zip Codes Near Utah
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text:
Q: Remove the bottom margin of a handsontable I am using Chrome Version 61.0.3163.100 (Official Build) (64-bit) or Safari Version 11.0 (12604.1.38.1.7) under Mac OS Sierra 10.12.6.
I want to create a handsontable, whose height may exceeds the height of the screen:
https://jsbin.com/bobevafana/edit?html,output
I realize that there is always a bottom margin below the table, does anyone know how to remove it?

var app = angular.module('app', ['ngHandsontable']);
app.controller('Ctrl', ['$scope', '$filter', '$timeout', 'hotRegisterer', function($scope, $filter, $timeout, hotRegisterer) {
  $scope.dataJson = [
    [5], [7], [5], [7], [5], [7], [5], [7], [5],
    [7], [5], [7], [5], [7], [5], [7], [5], [7],
    [5], [7], [5], [7], [5], [7], [5], [7], [5],
    [7], [5], [7], [5], [7], [5], [7], [5], [7],
    [5], [7], [5], [7], [5], [7], [5], [7], [5],
    [7], [5], [7], [5], [7], [5], [7]
  ];

  $scope.settings = {
    contextMenu: true,
    onAfterCreateRow: function(index, amount) {
      console.log("onAfterCreateRow");

      $timeout(function() {
        $scope.$digest();
      });

    }
  };
}]);
<!DOCTYPE html>

  <link type="text/css" rel="stylesheet" href="https://docs.handsontable.com/pro/1.8.2/bower_components/handsontable-pro/dist/handsontable.full.min.css">

    <hot-table settings="settings" datarows="dataJson"></hot-table>

A: What I saw in that demo of yours is; the default browser style (margin) added to the body, and not the table.
Setting the margin CSS property for the body can be helpful. Check it out yourself below in the snippet, or here: https://jsbin.com/qejekiqigo/1/edit?html,output

var app = angular.module('app', ['ngHandsontable']);
app.controller('Ctrl', ['$scope', '$filter', '$timeout', 'hotRegisterer', function($scope, $filter, $timeout, hotRegisterer) {
  $scope.dataJson = [
    [5],
    [7],
    [5],
    [7],
    [5],
    [7],
    [5],
    [7],
    [5],
    [7],
    [5],
    [7],
    [5],
    [7],
    [5],
    [7],
    [5],
    [7],
    [5],
    [7],
    [5],
    [7],
    [5],
    [7],
    [5],
    [7],
    [5],
    [7],
    [5],
    [7],
    [5],
    [7],
    [5],
    [7],
    [5],
    [7],
    [5],
    [7],
    [5],
    [7],
    [5],
    [7],
    [5],
    [7],
    [5],
    [7],
    [5],
    [7],
    [5],
    [7],
    [5],
    [7]
  ];

  $scope.settings = {
    contextMenu: true,
    onAfterCreateRow: function(index, amount) {
      console.log("onAfterCreateRow");

      $timeout(function() {
        $scope.$digest();
      });

    }
  };
}]);
<!DOCTYPE html>

  <link type="text/css" rel="stylesheet" href="https://docs.handsontable.com/pro/1.8.2/bower_components/handsontable-pro/dist/handsontable.full.min.css">

    <hot-table settings="settings" datarows="dataJson"></hot-table>

redpajama_set_name: RedPajamaStackExchange


Last month I mentioned Color of the Cross a new Jesus film, due out at the end of this year, which is portraying Jesus as black. Anyone interested in that might be keen to see know that the official (?) website is now up.
Color of the Cross, an independent, biblically charged religious biopic, based on the last 48 hours of Christ's life, stands to be the most controversial depiction of Jesus to date. The film is unique in two distinct ways: The first dramatic film in Hollywood history ever to depict Christ as a black man. Secondly, it is the first Christian based film to inject race as a possible factor in the Crucifixion of Christ. This racial perspective to the conventional biblical story is sure to challenge Conservative Christian beliefs. The film places racial issues front and center in this growing religious discourse that is sure to become an additional topic for debate. According to Producer, Kenneth Halsband, "When you see the black man on the cross, you are immediately reminiscent of the 1960's… Our film hopes to heal those wounds". The film, independently financed is currently in production and scheduled for theatrical release in fall 2006.
Color of the Cross, written and directed by lead actor Jean Claude LaMarre, and starring Debbi Morgan (Coach Carter, Woman Thou Art Loosed) as Mary, the mother of Jesus.
It sounds a little bit like the publicity team for this film have learnt from how Gibson's film stoked the controversy and raked in the profit. I certainly hope this film is as popular and discussed as Gibson's, but I fear that it will be largely ignored. Although one pro-white group has already denounced the film, I don't imagine there will be many others. Hopefully most people will watch it with an open mind and come away challenged as a result.
The trailer certainly whets my appetite for this film. It looks like the film-makers will emphasise Jesus's Jewishness strongly, and apply it to the situation facing the black community partly by the use of black actors in the central roles, but also by drawing on the common ground between the Jewish/Black people of colour being oppressed by white Europeans. This stands out in two places particularly. Firstly, the trailer's opening scene shows the boy Jesus asking his father "What's so special about tonight?" - the words from the Passover Seder. Later on we hear a voice say "die you black Jew". Whilst most Jews today, in Europe, America or Israel, wouldn't call themselves "black", the Jews of Jesus's day would, in general, have noticeably darker skin than their European conquerors. The film-makers are trying to draw this parallel out and, to an extent, fuse the two identities. That said another line from the trailer has Mary asking Joseph, "Do you think they are doing this because he's black?" Joseph replies, "They're doing this because he's the Messiah". It will be interesting to see whether that is the film's overall position, or simply it's primary question.
1. That the Bible describes Jesus' hair as "wooly" in texture and feet brown as brass.
This is true but the passage (Rev 1) is strongly bathed in imagery and metaphor. Whilst this is a rare description of Jesus's appearance it appears to be more concerned with demonstrating who Jesus is rather than what he looks like.
2. Prior to the Roman Catholic church's commisioning Davinci, Jesus was always portrayed as a dark-skinned Semite.
I'm not an art historian, and would certainly agree that post-enlightenment images of a white Jesus proliferated. That said I find it hard to believe that no-one ever portrayed Jesus as white before then. Is there not pre-Da Vinci stained glass windows or Celtic art that do this?
3. That Jesus' hair, as with most Jews of that period, would have been worn short.
4. After a price was placed on his head when he was an infant, Jesus was forced into exile, escaping into Egypt and hiding there for several years before returning to Jeruselem. Not to have been detected in Egypt assumes he was of the same color hue as the Egyptians.
Not sure what to make of this. Certainly, I agree that he would probably be the "same color hue as the Egyptians", but there are many reasons why he escaped detection including the limits of Herod's jurisdiction and the obscurity of a peasant child.
5. Jesus was a descendent of Basheeba, an African woman. They shared the same lineage. I've never heard the claim that Basheeba was African, so can't comment on that directly, but his ancestory was overwhelmingly Jewish, and so whilst it's not impossible that he had a standard African appearance it seems extremely likely that his appearance was typically Middle Eastern.
6. Hollywood has never made a black jesus movie, before "Color Of The Cross" was independently made.
This final point, I think sums up why I find this section so frustrating. The film has many undoubted merits, and will bring a whole new perspective to the way people look at Jesus, and possibly the racial issues of today. It doesn't need to claim credibility for its artistic perspective by assembling a few tenuous "facts" to imply the historical Jesus actually was black. Jesus was a person of colour, and that can be admirably highlighted by a film that portrays him using a black actor. But using such "facts" risks leaves an easy attack route for those who object to the film's worthiness, or even it's existence.
Color of the cross tells a story that is familiar to most. However, since Jesus is portrayed as a black man. This version os the story of Jesus can examine the role that race may have played in the persecution capture, and crucifixion of Jesus. The movie addresses four areas: Jesus and his disciples, the state of mind of the romans occupying Judea, the issues facing the rabbis in the Sanhedrin and the family life of Joseph, Mary and their remaining children.
The movie opens as Jesus and the disciples are approaching Jerusalem fir the last supper, and follows the events up to Jesus' capture and crucifixion.
In his post on the film Peter T Chattaway wondered whether "this film will be set in the past or present". He guessed it would be set in the past, and it looks like he was right. It's also interesting that whilst this film includes the last supper, and more extended flashbacks from his childhood, essentially it covers most of the same ground episodically as The Passion of the Christ. That said the themes it explores couldn't be more different, assuming that is that the finished film successfully realises its intentions. It wants to examine the motivations, minds and perspective of each of the major players in the story, Jesus, his family, the disciples, the Jewish Leaders and the Romans.
So for many different reasons I'm looking forward to this film immensely. In particular, I'm looking forward to its fresh perspective of the racial angle implicit in Jesus's death, as well as its challenge to me as to his colour, and its implications.
I also hope that this film will bring black Christians closer to Jesus such that they will be able to identify with him to a greater degree. There's something about the incarnation that means we tend to picture Jesus as being of our own race, and I think there's a role for that. I hope the film does for the black community and black Christians what Jesus of Nazareth (1977) did for the white Christians.
only in the sixth century."
The website and trailer is not on anymore.
When I typed it in, there IS NOT ANYTHING OF THE FILM OF THAT SITE!! JUST ADVERTISEMENTS!!!
Was the REAL MOVIE SITE DELETED??!! THERE ARE JUST SHOPPING JOBS ON THERE!!! 'CAUSE I DON'T SEE ANYTHING OF THE MOVIE ON THERE!! JUST TYPE IN WWW.COLOROFTHECROSS.COM AND YOU'LL SEE WHY!! 'CAUSE THERE IS NOT ONE THING OF THE MOVIE ON THERE!!!JUST SHOPPING STUFF!!
'CAUSE SOMETHIN' WENT WRONG WITH THE LINK!!!
Yes I suspect that three years after the film was released paying for a website is no longer a priority for the filmmakers.
Unfortunately I don't have time to constantly check and update all the links in over 800 posts.
Thanks for drawing it to my attention.
Does Anyone know Anything About This Jesus Film?


This statistic depicts the distribution of LG Household & Health Care's household item sales in 2017, by channel. During the measured period, LG Household & Health Care's internal sales channels generated 44.1 percent of the total household item revenue.
*LG Households & Health Care's internal sales channels for household items may include branch retailers, special sales stores, and online malls, etc.
**LG Households & Health Care's external sales channels may include discounters, supermarket chains, and convenience stores, etc.


text:
JWM: Water holes could be pathogen hotspots for Cape buffalo
Some Cape buffalo were collared, allowing researchers to track when herds might coalesce in southern Africa. Credit: Daniel Cornelis
Cape buffalo could be contracting pathogens when they gather at water holes during the dry season in South Africa's Kruger National Park, and biologists worry the problem will worsen with climate change.
Researchers wanted to track how Cape buffalo (Syncerus caffer caffer) might be transmitting diseases like brucellosis, Rift Valley fever and tuberculosis. These diseases, and past outbreaks of rinderpest, have combined with other factors like poaching and habitat loss and degradation to create problems for the buffalo.
"The Cape buffalo is considered an important reservoir host for many pathogens," said Elodie Wielgus, a postdoctoral researcher at the Bavarian Forest National Park in Germany and the lead author of a study published recently in the Journal of Wildlife Management. Aside from causing problems for the buffalo themselves, these pathogens can be transmitted to domestic livestock and even humans.
Cape buffalo crowd around water in Kruger National Park in South Africa. Credit: Elodie Wielgus
Cape buffalo are found widely across southern and eastern Africa. They move in herds sometimes numbering as much as 1,500 individuals, grazing on grasses and other plants.
Wielgus was a PhD student at Manchester Metropolitan University in the U.K. and the French Agricultural Research Center for International Development (CIRAD) at the time of the research. He used data that had been collected by other researchers using tracking collars on Cape buffalo in Kruger National Park near communal cattle ranching lands across the border in Zimbabwe and in the Okavango Delta in Botswana. In each population, the researchers analyzed when collared animals from one herd most often came into contact with those of other herds, using it as a proxy for estimating disease transmission.
Cape buffalo typically have a lot more water sources in the Okavango Delta in Botswana. Credit: Emily Bennitt
They found that most buffalo herds never crossed paths. Buffalo wouldn't even approach areas that other herds had used two days earlier. When they did cross paths, their meetings tended to be brief. But buffalo may not have to meet to spread the disease, Wielgus said. They might pick up pathogens through affected soil or water.
A Cape buffalo herd crossing water. Credit: Emily Bennitt
The risk grows during the dry season, when buffalo groups coalesce around a few water holes. These presented the most likely seasonal disease transmission hotspots, Wielgus and her colleagues found. It's not an issue in the Okavango Delta, where water is abundant, Wielgus said, but Kruger is much drier, and climate change will likely make it even more so.
"With climate change we can expect a reduction of water availability, so we can also expect the transmission of pathogens will increase," Wielgus said.
This study can help inform researchers about diseases spread in Cape buffalo populations, Wielgus said. To reduce the spread of transmission where buffalo are likely to come across cattle, managers could consider adding artificial water holes during dry seasons, she said.
Female Cape buffalo in Kruger National Park in South Africa. Credit: Elodie Wielgus
bovine tuberculosis
Cape buffalo

redpajama_set_name: RedPajamaCommonCrawl


Oh ho! I'm close to 30K on my hit counter! If you're the 30,000 person, I'm curious, e-mail (jwfisher@iastate.edu) me with a picture of my website with it, in the upper right corner of your keyboard there's a "print screen". It copys an image of the screen into the clipboard. You then can paste it into paint or some other app. Thanks in advance!
Todays update is kind of a featured update. All the new midis you see are sequenced by Adam Goode. I was very impressed with his work, check it out!
Updated My thanks. About time, it's been over a year since I've updated that thing.
Updated Weird Al. Just changed a few different tidbits.
Hey, good news! I'm still alive! I don't have too much here, but the main thing I'm sayin' is that I'm still here.
Adjusting to college and Marching Band has taken a lot of time. I will try to update when I can. Maybe I can do little updates, so I can do it more often?
If you go to Iowa State, I am sharing files that aren't here on the website. Just go to "Network Neighborhood", and go to "Bahamut X".
Updated Weird Al!...About time eh?! Take a look!
Ack, I can't believe it's been two months since I've updated. Every time I think I'm going to work on it a lot, I end up not. I won't make any more promises that I'm going update frequently. All I can say is that I'll update as much as I can. College is creepin' up, so I'm not sure how much time that will take out of me. But thank you all for visiting and supporting my website.
The two stories, "Barriers" (formerly "The Bridge"), and "Arek's Revenge", are updated! There were just minor changes to "Arek's Revenge". But to "Barriers", I have changed a lot in the first two chapters. And also, I've have an almost completed Chapter 3. RPG Fiction, hope you like it!
Final Fantasy V has been moved to the "SquareSoft" section. It will be released with Final Fantasy VI in the Final Fantasy Anthology this fall!
Ahh...my high school career is over. I graduate this Sunday. This summer will be filled with work, fun, and working on my website! Look forward to some great changes this summer!
I did some rearrangement on the Other RPGs digital music page.
It looks like Web Counter is back to its old self. I like the different font for the counters. I have it back now and adjusted the counter number.
I've decided to either update the midi archives or the digital archives in an update. In other words, I won't update the digital archives when I'm updating the midi archives and vise versa.
Secret of Mana is now ready for downloading individual midis and the zip file. All files are in lower case. That is the 3rd thing I've started to do. Start to take midi archives that have just a zip file and expand them to be able to down their midis seperately. Enjoy!
In the japanese midi archives, I replaced "Front Mission - Gun Hazard" with a new one "Front Mission". It seems like the one I had before wasn't an RPG.
Here it is! Another update! My website now includes, Digital Music! Well made digital music can sound really great. The only drawback is that they can get a little large, but not as large as mp3s. Yamp and ModPlug are two great freeware programs. ModPlug also has a great browser plug-in, the only digital music plug-in I've seen.
Here's an update. I've been unusually busy the past month. It's not a large update, but I hope to get back in the grouve of updating.
Finally updated my Links page. Updated some old links. Someday here I plan to redesign it.
Two things. About the FF8 and SagaFrontier update. There's one midi that's been replaced by a newer version in FF8, which is pointed out.
The other about SagaFrontier. I know it says "NEW" archive for Saga Frontier. I decided to start over on that one because I only had a few to start with. The ones I had before should be in there too except one that was a battle theme of an earlier version of a midi.
On the Earthbound midi that I sequenced, if you put it on your website (you're still very welcome to), please let me know at bahamutx@juno.com It would be greatly appreciated.
I've redesigned my webring pages. You can see I have made room for more in the future.
Last week, I seqenced a midi for Earthbound. It's short, but I believe it sounds good. It is now part part of the Earthbound Archive. Feel free to use it on your website. Click here to listen to it now if you would like. The tune comes from a guy playing his trumpet on the west side of Onett. He says, "I must be the happiest man in the world. I can play my trumpet in this scenic spot. I'll send my haunting melody throughout the town!" Then he plays it.
Found out that the midis of the "Credit Theme" in Earthbound are from the first game "Mother 1" which wasn't released in the US for the NES. I created a new midi archive for Mother 1 and added two.
Had to resubmit the SquareSoft WebRing and have been accepted. I have also submitted to 4 more webrings. Soon, I'll create multiple pages for webrings.
Two times in one week! I'm on a roll!
Happy Halloween! I've been more busy than I thought I'd be (sounding familiar?). It was a long break, I hope to not have one that long again. Here are some midis. I am backed up on so many midis like you wouldn't believe!
School starts for ne on Aug. 20. I will finally be a Senior! Alright! This time I will really try to update as much as I can. I really enjoy this website. I will be busy this fall, but I really do promise that I will update as much as I can. You'll see.
As soon as I can I will be trying to promote my site more. Here is a bunch of Lufia midis!
Welcome to my new home! rpgmusic.simplenet.com! Please update your bookmarks and links! I will have more freedom here than in Geocities. I'm looking towards a good future! I thought it was silly to say I would announce that when I was going to move, because I'm going to keep geocities for a little while for everyone to notice that I've moved. I think it's about time I moved on.
Made a few minor changes to a few pages. Mainly changed places that had my old address, including everything involving the RPG Music WebRing's Homepage. Fixed a typo here and there. All links to midis should work. If you notice one, please notify me, thanks.
Changed the look of the table of contents, what do you think?
Slowly I dig out of the pile of midis I have. Here are some Wild Arms midis.
Here is some midis from Final Fantasy Tactics. I have practicaly 100s more to put up. I will put up some at a time.
One of the new midis is a different version of the save theme, but I don't see much difference.
As you can see, I'm trying to update more frequently. I will try my best to keep this up!
Updated the RPG Music Ring Homepage.
Updated the Library main page.
Updated my Weird Al page. About time eh?
Updated my Comming soon page.
Java Chat room is back online! It's now called RPG Music Chat.
Now! Summer's here and I am sure that I can have more frequent updates. I've got tons of midis to add, and many other ideas, check back!
Ditched noframes and made the index more organized.
Updated my Thank You page.
Nothing new, sorry. I do say that I promise to have an update soon. I have a four day weekend next weekend. The update will contain new midis, a major update to the RPG Music Jukebox, and more! Untill then you can look at the start of my 3rd Chapter in "The Bridge". It's in 7.0 MS Word format.
Updated my RPG fiction page.
Upload a finished story: Lufia 3: Arek's Revenge. Warning, contains script from the end of Lufia 1.
Updated my Links page. Added a couple.
Happy Holidays! I meant to get this update in sooner, but I had my hands tied.
Created my Linking page. This page tells about linking my page and yours (if you have one).
Created my Disclaimer page. I shoulda made one of these earlier.
Created a new banner and a banner button.
Sorry it has been so long for an update. I think you'll like this big update!
I made my RPG Music Jukebox more 800x600 friendly. In the end, my main screen got bigger but the BoomBox still has a good amount of space.
Changed the way I list midis under a zip file. If there's different midis of the same song, I condense it and separate them with a | Saves a lot of space!
Updated my RPG Fiction Page. The prelude and first chapter was revised and a second chapter is added. Hope you like it.
Updated my Coming Soon page.
The other big news is that I returned to Geocities. Talons had trouble off and on, and after a shutdown for over a week, I decided to leave. I'm content here. I don't need 20MB right now anyway. And Geocities is more reliable. Possibly in a few months if I get a job, I'll get a Simplenet account!
I have opened a new page. Right now it is called RPG Fiction Library. Now it only contains the first chapter of a story I wrote. I'll probably change the title of this page as soon as I can think of a better name.
BIG update for my RPG Music Jukebox! I inserted 19 midis!! Time permitting, I will put more in.
The page with most changes I would say is my Links page. Updated a few links, and added a couple.
I also updated my profile page.
I should also mention something else. Happy Birthday Avolyn! My sister's 7 birthday is the 28.
I newer banner code put up.
I changed my RPG Music Jukebox around. Also it shorter for people with 800x600 resoultion. And also I put the boombox as an option in the noframes page. When you click on it, it opens a new window so it doesn't disturb your surfin'. It the same as the one on the frames page. Hope you like it!
Put the Guestbook options in the table both in the NoFrames and Frames Pages. The table on the NoFrames page is a little different. A good change I think.
Corrected a few minor errors in the RPG Music Ring page.
I got the code for the banner. So you see a banner on the top of each page now.
I widened the right side on my frames page. That's so people with a 800x600 res can see them better.
Corrected a couple minor errors through out the site.
Moved to a new server!! Welcome to www.talons.com/rpgmusic! 20 MB for free! The only catch is I have to have a banner on the top of each of my pages, but right now, it's in the process of being revised.
Well generally I tuned up virtually every page. Changed some backgrounds, moved stuff around, etc. I moved my frames around.
Ok first. I dramaticly changed my SquareSoft Midi Page I did that by puting them into tables, with my very own rating system for incoming midis!
I had to rename a couple midis in order to get them all in the zip. So just this time, it might be a good idea to download CT's zip.
Found out the 3 Suikoden midis that had question marks on them.
Changed my RPG Music Ring Page a bit. Also I created new grapics and code for the ring!
Updated my links page. Changed a few address, and added one.
Updated my Web rings page.
Updated My profile page by changing some info, putin' some in. Including a new picture of myself.
Updated my BoomBox! I changed it a bit (if you can view the frames version). I also added 3 midis to it. Maybe in the future, I'll have the RPG Music Jukebox on my No Frames page.
I finally finished uploading those Japanese RPG midis. Sorry for the long wait, I'm a little busier in school than I thought.
Final Fantasy VII midi archive updated: 38 midis added!
Updated my Links page. 1 link added.
Put the RPG Music Ring table on my main page.
Added 3 midis to my RPG Music Jukebox!
I turned off the autostart on the midis on ALL my pages (except for my BoomBox of course). No more annoying interruptions!
Added 5 midis to my RPG Music Jukebox!
I now control the RPG Music Ring. My friend Beau graciously let me take over it. If you have a webpage with 20 RPG sound files, JOIN!
A somewhat new look on my index page. I have my frames page as the index. But for people who don't like frames, there is still a noframes page and there is a link to it on the left side. And for those people who don't have frames capable browsers, when you view my index page, it'll look like the noframes page!
Also something new on my index page is a my very own BoomBox! It's there for when your sick of the songs I have on my pages. Right now it's only at 4 songs, but it'll grow. It's really easy to maneuver through. The only bad thing is that if you change the song and goto a different page, the song on the page you go to starts. If you would like me just have the boombox, and/or songs on pages, or if there's a song you would like in the boombox, feel free to send your opinion!
The Other Square Music page created! The first game to be in it is Final Fantasy Mystic Quest. There are now 5 midis in the collection. You can get to this page through my Midi page.
Updated my Weird Al page.
Pheeew! Now that is what I call a BIG update! And I still have so much to do! One of them is to search for more RPG midis. I'm really in the search for midis from any SquareSoft game, Wild Arms, Suikoden, Beyond the Beyond, Breath of Fire 1,2, and soon 3, Earthbound, Lufia, Lufia2, DragonWarrior Series, or any other RPG game midi music (from released games). If you have any or know where I could find some, I would very greatfull, e-mail me about it, thanks.
Added two webrings to my webrings page.
Added a new archive to my Midi archive! Final Fantasy I midi archive created!
Updated my main page, put my Other Midis page on the main page.
Created a Weird AL page!
Created a new file with the old updates. Click here to view it.
Corrected the links to the new FF7 midis. I forgot to capitilize them!
Updated my links page, including adding a link to one of my friend Laurel's page.
Fixed some minor problems. For example, I had a link to Lufia2.mid, when it was supposed to be lufia2.mid. If you see anything wrong on my page, please e-mail me. It would be greatly appreciated.
I put all of my webrings on a separate page.
Updated a few minor stuff. Like a different undercontruction gif, updated the main page, noframe, and other minor errors.
Updated my other RPG midi page. I now have a few midis from Lufia, Lufia2, and Earthbound.
Final Fantasy III (VI) midi archive updated: 24+ midis added/changed I got so behind so I couldn't list the new ones this time, sorry.
Final Fantasy VII midi archive updated: 5 midis added I listed these!
A little better look on my whats new page!
Added a link. I'm starting to edit my page off line! I'm using notepad.exe!
Now if you click a link outside my page, it won't start a new browser! I have updated all links that go outside my page, so every time you click on one, it'll just refresh the window you're on!
Changed the links for grapics and midis.
Final Fantasy III midi archive reborn.
Updated the frames and main page.
Created a page with frames.
Secret of Mana midi archive reborn.
Coming soon page created. This page will have what I plan to have on my home page in the future.
Japanese Final Fantasy V midi archive reborn.
Super Mario RPG midi archive reborn and updated: 1 midi added.
Final Fantasy II midi archive reborn.
I brought back the SquareSoft Java Chat on the main page.
My SquareSoft Midi Page is reborn!
Chrono Trigger midi archive reborn.


"The People! Students, parents, teachers and staff are what make Marquez great!"
"My family loves the true community feel of Marquez and the extraordinary parent involvement. My son adores having a specialized science class that he goes to each week..."
"Student groups, such as Student Council, Lunch Counselors, and Green Team, exhibit great citizenship and dedication to our school and each other!"
"Marquez has a lot of heart. The teachers, staff and families are totally invested in the school and in promoting a quality education in a safe and caring environment. Smart, balanced, respectful and socially aware children graduate from Marquez."


text:
Q: Convergence on infite summation given equation is convergent if k>1.
$$ \sum_{n=1}^\infty \frac{1}{n^k} $$.
can somebody tell me that how can i prove?
My intuition:
For k=1
$$\log(1+x) = x - \frac{x^2}2 + \frac{x^3}3 - \frac{x^4}4 ....$$
if we substitute x = -1.then,
$$1+\frac{1}2+\frac{1}3 ... = -\log(0) = \infty$$
it is very hard to digest that equation converges even if k = 1.000000001

A: Cauchy condensation test is a very popular tool for this problem.
The theorem states:
$$\text{For a non negative, non increasing series   } a_n \text{ :the sum } \sum\limits_{n=1}^\infty a_n \text{ converges iff the sum } \sum\limits_{n=1}^\infty 2^na_{2^n} \text{ converges.}$$
Using this THM, assuming the knowledge of the conditions for convergence of a geometric series - the result follows.


text:
SANYU, Reclining Nude
SANYU (1901-1966)
Reclining Nude
Fusain et mine de plomb sur papier/ charcoal and lead pencil on paper
27 x 43 cm / 11 x 17 inches
Provenance: Artcurial, Paris, 7 Dec. 2004, lot 192
Literature: This work is recorded in Rita WONG "SANYU Catalogue Raisonne: Drawings and Watercolors" The Lee Ching Cultural and Educational Foundation, 2015, Taipei, Taiwan, p.56 of the index, number D1023:
Sanyu, Nu allongé, 27,8 cm x 44 cm, $ 177 237 (1 375 000 HKD), Sotheby's Hong Kong, Oct. 3, 2016, lot 5017
SANYU's painting "Fives Nudes" sold at Ravenel for USD 16,493,573
– CHINESE ARTIST SANYU TOPS PARIS AUCTION AT €6.9M: The artist Sanyu (also known as San Yu or Chang Yu) was born in Sichuan in 1901 and studied in Japan before moving to Paris in 1920. He exhibited regularly at the Salons d'Automne during his lifetime but interest has also been raised more recently after an extensive retrospective of his work was held at the Musée Guimet in 2004.
Contact Gallery for price and further information.
We partner with , the new way to buy art.
Take your art home and pay for it later. 10 payments. Interest free.


Are You A Curious Neighbor?
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Pros / This dual-zone cooler allows you to chill both red and white wines at the same time.
Cons / It can't be built into a cabinet.
Verdict / The Koldfront TWR181ES has an impressive temperature range that can effectively hold and chill 18 bottles of wine in two different temperature zones at one time.
The Koldfront TWR181ES wine cooler holds 18 standard-size bottles in two separate zones that can keep both red and white wines at ideal temperatures. It also gets cold enough to chill sparkling wines. The overall temperature range is between 40 and 60 degrees Fahrenheit, which is an impressive range for a thermoelectric cooling system.
The upper zone of this wine fridge has a single removable rack that holds six bottles of wine, and the lower zone holds 12 bottles on three racks. It can also hold taller or opened bottles of wine upright by removing the racks.
The two chill zones are separated by digital controls that let you set and adjust the temperature in each zone. You can also keep both zones the same temperature if you want to have a single type of wine throughout the fridge.
This cooler is black with platinum trim and a tempered glass door to prevent UV rays from reaching your wines and spoiling them. It doesn't come with a lock, so it's important to place it somewhere children won't get into it, It's also just over 1 1/2 feet tall, so it can sit on the kitchen counter, out of the reach of children. Because this is a freestanding fridge, it can't be built into a cabinet or slid under a counter. If you'd like to have a built-in unit, check out our writeup on the Kalamera KRC30SZB – a freestanding unit that can also be built into a cabinet.


text:
Philip F. Falcone
Sound Department | Editorial Department | Director
Known for Ten Little Indians (1959), Paramedics (1998-2000), The Doctors (1971-1977), Mister Peepers (1953)
Become a member to see Philip F. Falcone's STARmeter.
Become a member to see Philip F. Falcone's contact information.
Sound Department (11)
Camera and Electrical Department (1)
A Cook's Tour (2002)
(TV Series) - Series On-line Editor (11 episodes, 2002) Series On-line Editor (11 episodes, 2002) See fewer
A Pleasing Palate (Apr 20, 2002) Season 1, Episode 22 - Series On-line Editor (as Phil Falcone) Series On-line Editor (as Phil Falcone) See fewer
Paramedics (1998–2000)
(TV Series) - On-line Editor (8 episodes, 1998) On-line Editor (8 episodes, 1998) See fewer
Badlands and Broken Hearts (Mar 6, 2000) On-line Editor (as Phil Falcone) On-line Editor (as Phil Falcone) See fewer
Trauma: Life in the E.R. (1997–1999)
The Long Haul (1999) Season 4, Episode 11 - On-line Editor On-line Editor See fewer
(TV Series) - Post Production Editor (1 episode, 1995) Post Production Editor (1 episode, 1995) See fewer
Charles Manson: Journey Into Evil (Sep 11, 1995) Post Production Editor Post Production Editor See fewer
3-2-1 Contact (1980–1992)
(TV Series) - Sound Sound See fewer
(TV Series) - Additional Editing (1 episode, 1976), Sound (1 episode, 1979), Video Tape Operator (1 episode, 1974) Additional Editing (1 episode, 1976), Sound (1 episode, 1979), Video Tape Operator (1 episode, 1974) See fewer
Uncommon Women... and Others (Jun 20, 1979) Season 6, Episode 10 - Sound Sound See fewer
The Doctors (1971–1977)
(TV Series) - Audio (31 episodes, 1971) Audio (31 episodes, 1971) See fewer
Episode #1.3787 (Sep 13, 1977) Season 1, Episode 3,787 - Audio (as Phil Falcone) Audio (as Phil Falcone) See fewer
Pinwheel (1976– )
(TV Series) - Audio, Videotape Editor Audio, Videotape Editor See fewer
The Highlights of the Ice Capades 1968 (1968)
(TV Movie) - Sound Sound See fewer
A Funny Thing Happened on the Way to Hollywood (1967)
A Funny Thing Happened on the Way to the White House (1966)
The Tempest (1960)
(TV Movie) - Audio (as Phil Falcone) Audio (as Phil Falcone) See fewer
Music with Mary Martin (1959)
(TV Special) - Audio Engineer Audio Engineer See fewer
Ten Little Indians (1959)
(TV Movie) - Director Director See fewer
The Polly Bergen Show (1958)
(TV Series) - Audio (1 episode, 1958) Audio (1 episode, 1958) See fewer
Episode #1.14 (Mar 22, 1958) Season 1, Episode 14 - Audio (as Phil Falcone) Audio (as Phil Falcone) See fewer
Mister Peepers (1953)
(TV Series) - Sound (1 episode, 1953) Sound (1 episode, 1953) See fewer
The Leather Chair (Nov 8, 1953) Season 3, Episode 9 - Sound (as Phil Falcone) Sound (as Phil Falcone) See fewer


text:
Robert Huckshorn, FAU's Jupiter vice president and 'fix it' man, dies
Sonja Isger @sonjaisger
Dec 7, 2018 at 6:33 PM Dec 7, 2018 at 6:33 PM
As a founding faculty member in 1964, Robert Huckshorn knew Florida Atlantic University from the ground up — lots of ground, burrowing owls, rattlesnakes and little else where an abandoned Army air base base once sat.
With a resume that already detoured through the Republican National Committee and the Army intelligence corps, Huckshorn nonetheless turned down two other jobs at established universities to take his family south.
"No one understood why," Huckshorn conceded to The Palm Beach Post in 1995. "I just thought it sounded exciting."
No one benefited more from Huckshorn's sense of adventure than FAU. In the decades that followed, he became the institution's go-to troubleshooter, a political science professor who rose to become university vice president in Jupiter on his deft diplomacy.
Huckshorn died this week, daughter Kristin Huckshorn confirmed. He was 90 years old.
While his accomplishments filled four pages in fine print at his retirement in 2002, few filled him with more pride than FAU's continued growth and success, his daughter said.
More than a dozen years removed from his academic exit, Huckshorn still insisted that outings from his Boca Raton home be routed through the university's campus.
"He loved the football stadium and the new academic buildings," Kristin Huckshorn said. "He was so proud. Just helping it grow was such a fine legacy."
Huckshorn came to town to teach political science.
But first he lived it.
Huckshorn was born in the Ozarks of Missouri and into the arms of the Grand Old Party. When he was a child, two uncles made unsuccessful bids for governor — of Missouri and Oklahoma.
After a brief stint teaching high school, where he met and married fellow teacher Carolyn Stefanides, Huckshorn was drafted into the Army and wound up serving as a domestic intelligence investigator during the Korean War — stationed in Hollywood, Calif.
(It was during this tour of duty that Huckshorn's life picked up a bit of glitter, once passing salt and pepper to Marilyn Monroe over breakfast and playing poker with Bud Abbott and Lou Costello.)
Huckshorn left the Army in 1952 and headed back to academia, earning a master's and doctorate from the University of Iowa before landing college teaching jobs in Iowa and California.
But again, the professor was redirected. This time becoming the Republican National Committee's liaison to the John F. Kennedy White House. Huckshorn's trajectory in the party turned, however, when he found himself on the moderate side of a party backing Barry Goldwater for president.
Given job opportunities in Kentucky and Louisiana, Huckshorn chose a patch of scrub east of Interstate 95 with two classroom buildings, 60 faculty and 800 students - Florida's first four-year state university south of Tampa.
Huckshorn once told a reporter he figured he wouldn't stay long. But, in time, it wasn't certain he'd ever leave.
In a Palm Beach Post 1995 profile dubbing Huskshorn the "fix-it man" at FAU, colleagues described his reputation as a successful negotiator that began with convincing the university president to replace an unpopular dean of academic affairs.
In the years that followed, he rose to the head of his own department and then was installed in others when rifts threatened and reputations sputtered. His many titles included dean of the College of Social Science; associate vice president for Academic Affairs; assistant provost for the Davie and downtown Fort Lauderdale campuses and vice president for the Jupiter and Treasure Coast campuses.
As a known problem-solver, Huckshorn was called in to assume temporary leadership of the College of Education and the communications department when each was having difficulties.
"He's thick-skinned when it comes to working with people who are hard to work with," a fellow FAU professor John DeGrove said in that 1995 article. "He's worked in some very volatile faculty situations, when people had knives out for each other, yet he's managed to bridge gaps between these warring factions. He manages to get things done yet not make enemies. Indeed, he makes a lot of friends."
But always seeking adventure, Huckshorn reveled in starting from scratch. And in that vein, he led the efforts to establish FAU's nursing program, its Davie campus, and the John D. MacArthur Campus at Jupiter and championing the four-year honors program there. The campus is now home to an arboretum in his name.
Along the way, Huckshorn's politics changed as well. Married to a life-long Democrat and the father of three like-minded daughters, he once figured he was the odd-one out at home. "I think the dog is a Democrat, too."
Before he died, before the presidential elections, Huckshorn switched parties, daughter Kristin Huckshorn said. But his roots in this patch of scrub grew deep.
"They developed so many close friendships within the FAU community," Kristin Huckshorn said. "After awhile they were never going to leave. This was home."
Huckshorn is survived by his wife, Carolyn, their three daughters, Kevin Ann Huckshorn (who earned her nursing degree as a member of FAU's second nursing class), Kristin Huckshorn and Dana Wingate, and two grandsons.
The family is not planning a visitation. But a celebration of Huckshorn's life will be held on FAU's Boca Raton campus in January. Details are in the works, but friends, former colleagues and students will be invited to attend.
In lieu of flowers, the family requests that donations be made in support of either the Robert J. Huckshorn Arboretum at FAU or the Trustbridge Hospice Foundation.


text:
Submitted: 18th March 2020
Paris, Books, a library? Literary heaven
The Paris Library by Janet Skeslien Charles – The title grabbed me long before the story did. A library. Paris? Well, that was me sold from the very start. The best thing is that it's not just a story about books in the city of love, it's a story about the power of books and how books can really save someone.
The most amazing thing is that the novel also puts a spotlight on a little known period of history. During WWII, an American librarian who worked in the US library in Paris, created the Soldiers Service which was a way of getting books to servicemen and women. This was a time when the Nazis were banning books and curtailing freedoms across the city. They banned the Jews who weren't allowed to enter libraries at all.
BookTrail Travel to the locations in The Paris Library
Setting: A library!!!!
@thebooktrailer
It's fair to say that this book was a joy to read as well as being a fascinating history lesson. The librarian, Miss Reeder, defied the Nazis and the so-called Bibliotheksschutz by delivering books to Jewish readers after they were forbidden from entering the library. Imagine living through such dangerous times and still having the clarity of mind and the humanity to go against the Nazis and defy them? I was in awe reading this and still am. How do we not know of people like this when studying WWII in schools?
The book was also a little history lesson in many ways as the book looks at the way the Dewey Decimal number system came to be. 813 (American) + 840 (French) + 302.34 (friendship). A booknerd like me loves this kind of detail. I could feel my fingers aching to get hold of some filing cards.
We find out about this library many miles away in Montana where teenager Lily interviews her French neighbour, Odile, for a School project. She starts to wonder what else Odile has to tell. There seems to be so much that Odile isn't saying and Lily (as did I) becomes fascinated with the woman's story. This was a lovely part of the book and to see these two women become such good friends was heartwarming. I want to find an old French woman to talk to now! There were lovely scenes here when Odile learned French words as the history and the books really came to life more because of it.
With flashbacks from the present to the past, Odile's story comes to the fore. She realised quite quickly that libraries and reading would suffer, and that Jews would be the hardest hit. As well as dealing with requests from soldiers, she takes it upon herself to not forget their core readers and those who will soon be barred. What a special lady she was. Wait until you learn of what she did to get the books past the various checkpoints and suspicious looks.
Odile was an anomaly of sorts as she wasn't the most talkative or outgoing.She's quite a lonely character but I enjoyed watching her develop and change for the better. They say it's the quiet ones you have to look out for and Odile is the one you need beside you in a crisis.
Oh and the people who came into the library or who borrowed the books from outside! They too kept the secret library service alive and well. I couldn't help cheering their efforts and it was poignant to realise that they were putting up their bookthumbed finger up at the Nazis. A small fight but an important one.
A fascinating book. An ode to librarians and booksellers everywhere. A nod to the power of books and readers. Highly recommended
Postcard details: Access The BookTrail's Map of Locations and travel guide here
More books set in Paris
More books set in libraries and bookshops
BookTrail Boarding Pass: The Paris Library
Twitter: @skesliencharles Web: www.jskesliencharles.com/


32 pip winner on GBPCAD.
Price had a straight 120 pip drop, then consolidated putting in a double bottom.
After the double bottom an impulsive bar up broke both structure and the 21 ema. Seeing all of this, this was my signal to take a long entry.
I did have some concern that I was taking a long postion below the 1-hour 21 ema but I liked that double bottom, impulse bar breaking both structure and the 15-minute chart 21 ema, and my target was modest. Though the stop:limit ratio was not favourable, just under 1:1.
Had price moved below the impulse bar any move back up close the entry, I would have adjusted the stop and look to exit with as small a loss as possible. Price did not move below the impulse.
Update post trade: Price looks strong to the upside with a possible move higher to at least the double top. However, unlike yesterday AUDUSD trade I am happy to have closed the full position at target. That was the plan and sticking to the plan is preferable. No need to get greedy.
After a shake out bar, which worried me, price took off to target.
Post closed trade update, see third image, below. Making arbitrary decisions, not following my plan, and not reading price action is NOT a good way to trade. If I am going to trade and behave this way, I should stop trading and find something else to do. I became short sighted and greedy closing the trade without a signal. Acting arbitrarily, abandoning my plan, I missed out on hitting my original target, 48 pips lost. I acted like this because I was afraid to lose the pips I had gained and stopped reading price behaviour. I turned a good analysis and recognizing a nice set up into partial winner.
Yes, price was falling against the trade, but where did it fall to? I should have known better and not let my mind believe price will fall further without a true signal. That is, until it broke the 21 ema or a structure level. Had I been patient and read the charts, I would have seen that on the 15-minute chart price did not touch the 21 ema nor did it violate any recent structures-this would have been the first obstacle for a move further down.
I closed the trade to preserve and keep what I had made. The only certainty about forex trading is uncertainty. If I cannot accept uncertainty then again trading might not be for me. I need to let my winners run. My winning trades are not only to make money, but to cover losing ones as well. If I cannot realize the full advantage of my winners then my overall account will suffer.
Another option which would have been more ideal would have to close part of the position leaving the rest to play out. This achieves both capital preservation and managed risk.
Taking a trend continuation trade.
Trade is looking good but ran into some Resistance. Closed trade on 5-min chart trail stop for 20 pip gain.
Yesterday evening price action was inconsistent within a 80 pip range, see circle labelled N.
Prior to the N labelled 15-minute bar priced dropped 40 pips then rallied back up 80 pips on the next bar.
Price then dropped back down about 90 pips leaving a long wick to the top, bearish pin bar.
However, within all of this rapid price fluctuation a new LL was not set.
No newer low not being set is clue 1 that price may move higher.
The second clue is after not setting a new LL price moves and closes above the 21 ema on the 15 minute chart while, at the same time doing the same on the 1-hour chart.
The third clue is price breaking the resistance level at N closing above the blue rectangle.
Drawing a fib from f2 up to the high shows price holding support at .382 level. The .382 level would have been an ideal level but I did not see it at first.
Looking back now, choosing f2 as point A for the fib retrace is valid as that is the beginning of the up leg after breaking the 21 ema.
As priced was approaching the top again I thought this will not be a double top and that price would break through it. It did but I had to patiently wait a couple of bars before it made its move. Though noting that the following two bars after entry did not make new LL.
Now I have to decide do I leave stops as they are or bring it to break even. I will watch if price breaks the 21 ema down or if the former HH now turns to support? At present stop is below the .382 level.
Price came back all the way down but did not hit stop. After rallying back up I drew in a fib and took off some profit at the .618 retrace with next target at double top with stops at break even, again.
After yesterday's evening HH level was set price came and closed below the 21 ema on the 1-hour chart. But after stalling there for about 2 hours of trading price quickly moved back up over the 21 ema in two impulsive 1-hour bars breaking the HH level.
Noticing that the 21 EMA and the previous HH were aligned along with the .382 fib level. I took a long trade which at the time of writing is up about 24 pips and stops moved to break even. Plus breaking the LH from Monday price action.
This is now a risk free trade. I moved the stop to break even because the set up looks good and price should not come back down after moving up +24 pips positive money. Also, the close of the 10am EST bar left a long bullish pin bar wick above the 21 ema. This all suggest price has more upside but if it comes back down then it has more down side to go. No need to lose money now.
First target is a double top with second target at a possible AB=CD pattern completion at fib extension levels (the parallel dash lines).
15 minute chart. Wednesday trades on AUDUSD. Note: The fib lines are adjusted to the present time.
Yesterday evening, after the big impulsive bar up setting a new HH, price retraced back to the 21 ema. I took a long but did not like the slow side ways movement of price. So, I closed it for a small gain. Turns out there were more room for it to go down.
The the better long entry would have been after price came back above the 21 ema. The earlier setting of a new HH should have suggest that the previous support at .94170 would hold and when price gets back over the 21 ema it becomes confirmed.
This morning, after adjusting the fib retrace from a previous LH to the recent LL I saw price stalling at the .618 level. My first entry was above the blue line but closed it a for a quick small gain. I closed it because I was not sure if the blue line would hold as support or price break through it. Once price did choose a side, it broke through it I took short trades for about 24 pips in gain.
The target on this morning trades was last nights HH level. This was quickly hit for a full position close.
Monday evening (Tuesday trading day) I took a short trade in the circle labelled 1. I took the short trade as price had broken immediate area structure down and below the 21 ema line. On the pullback toward the 21 ema I went short.
However, I was not patient and exited just before price dropped down to where I had limit level. I was impatient as there were no upside pressure with price breaking structure and below the 21ema without coming back to it. In fact,aftere break below the 21ema price dropped over 70 + pips.
2 AUDUSD Trades. First was I was impatient without cause closing for small gain just before price took off to target. Second, I adjusted accordingly and minimized loss.
The short trade was targetting 50 pips which would have been easily attained before pulling back and touching the ema line.
My second trade on AUDUSD was this morning on a retrace up to the .618 level but I closed part of it for a positive 2.5 pips and the rest got stopped out.
I entered the short trade thinking .618 level would hold but was not liking the rhythm of price so closed part of the trade and lowered stops to reduce risk.
Unlike my EURUSD trade, I did not take another trade (long) as the daily and 4-hour charts are still in bear mode.
AUDUSD, At Oct 2011 support.
Priced gap down on the weekly open but finished the day up. The daily low was the within a couple of pips of the October 2011 low, .9386.
Both Friday and Mondays daily bar closed below the .618 retrace level of June 2012 up to April 2013.


text:
Tip of the week: The best ways to share using Dropbox
By Juli Fischer
Sharing your work with colleagues can be tricky. Sometimes you need to collaborate on a project and make lots of file revisions, but don't want to clog everyone's inboxes with email attachments. Other times, you want to share your files, but don't want anyone to make changes. Luckily, Dropbox offers different ways to share designed for different purposes. So no matter what you're trying to accomplish, or which device you're on, there's a perfect way to share.
When you want to collaborate
When you're collaborating on several files that get updated frequently, shared folders are the way to go. A shared folder allows a group of people working on the same files to add, delete, or edit the files stored in that folder. It's perfect for collaborating on things like a client presentation, or a library of design assets that multiple people are adding items to. When someone accepts an invitation to join a shared folder, it appears in their Dropbox on the web, and on all their devices. And when you send the invite, you can choose whether your invitees should be able to edit the contents of the folder — which is the default setting — or if they should get view-only permissions (more on that below). There are several ways to invite people to shared folders, including our new sharing button on the web, or from your desktop.
When you want to give view-only permissions
If you want someone to be able to view a file or folder, but not edit the original, you can easily create a shareable link — a great alternative to email attachments. The person you're sharing with will get a preview of the file or folder in their browser, and then have the option to download a copy. (If they make edits to the copy they download, those changes won't be reflected in your Dropbox.) This works even if your recipient isn't a Dropbox user; there's no need for them to sign up or download anything to view what you shared. For an extra layer of security, you can set passwords and expirations for links to files and folders. Plus, any time you share a link to a file or folder that someone already has in their Dropbox — for example, if you're sending them an updated version — it takes them straight to that item in their Dropbox instead of showing a standalone preview. And remember the shared folders discussed above? You can also grant someone view-only permissions to those. That way, the folder is in their Dropbox and they have ongoing access to the latest versions of your files. But like with shared links, they won't be able to make any changes. Our Help Center has everything you need to know about sharing links to files and folders. You can also learn more about setting passwords and expirations for links, and setting read-only permissions in shared folders.
Juli Fischer
Tip of the week: Keep tabs on your team activity in the Admin Console
Tech's best-kept secret: How agile development can be a game-changer for SMBs


text:
Q: Wilcoxon Rank-Sum Test $H_1$ notation This notation is from Nonparametric Statistical Inference, 5th ed., by Gibbons and Chakraborti. On p. 290, it states:

Wilcoxon (1945) proposed a test where we accept the one-sided location alternative $H_L: \theta < 0$ ($X \overset{\text{ST}}{>}Y)$ if the sum of the ranks of the $X$'s is too large, or $H_L: \theta > 0$ ($X \overset{\text{ST}}{<}Y$) if the sum of the ranks of the $X$'s is too small.

What in the world does $\text{ST}$ mean? I'm also not quite sure what $\theta$ is supposed to mean either - on p. 289, it state:

The location alternative is that the populations have the same form but a different measure of central tendency. This can be expressed in symbols as follows:
$H_0: F_{Y}(x) = F_{X}(x)$ for all $x$
$H_L: F_{Y}(x) = F_{X}(x - \theta)$ for all $x$ and some $\theta \neq 0$

I think (from Pre-Calculus) that the shift $F_{X}(x) \to F_{X}(x - \theta)$ would be a right translation as long as $\theta > 0$ and a left translation as long as $\theta < 0$. So wouldn't $H_L$ be equivalent to saying $F_{X}(x) > F_{Y}(x)$ when $\theta > 0$ and $F_{X}(x) < F_{Y}(x)$ when $\theta < 0$ (in both cases, for at least one $x$?)?

A: The ST above the inequality refers to stochastic ordering.  That is, we say that $X$ is stochastically larger than $Y$ if $P(X > t) > P(Y > t)$ for all $t$.  $\theta$ is the location parameter of the family, so the alternative says that one distribution function is "shifted" with respect to the other.  Your last observation is correct as this is the meaning of stochastic ordering.


text:
Oceanview Medical
Endocrinology and Diabetology
Elizabeth Eldakar, P.A.C.
Elizabeth Eldakar is a board-certified physician assistant practicing in Gastroenterology. She was born and raised in Erie, Pennsylvania and received her B.S. in Biology & Medical Technology from Clarion University of Pennsylvania. She changed her career course and graduated from Keck School of Medicine of USC Physician Assistant Program, then earned her Master's degree in Physician Assistant Studies from University of Nebraska Medical Center. She taught at several PA programs in Southern California, Ohio and Oklahoma and served as a Department of Defense medical support contractor in Egypt. She is a Distinguished Fellow of the American Academy of Physician Assistants. Her clinical interests are to practice compassionate and quality medical care for the underserved communities. In her free time, Liz enjoys Ocean-friendly gardening, bicycling and hiking.
Board Certifications: National Commission on Certification of Physician Assistants (NCCPA), State of California, Physician Assistant Board Licensure, Drug Enforcement Administration (DEA) Registration
Medical Education: Keck School of Medicine of USC Physician Assistant Program(Bachelor of Science), University of Nebraska Medical Center(Master in Physician Assistant Studies), A.T. Stills University -Arizona School of Health Sciences(Forensic Medicine Post-PA Graduate Certificate)
Oceanview Medical Specialists
© 2023 Oceanview Medical Specialists. All Rights Reserved
Website Design & Development by Guido Media


text:
Rust, Poems by Kika Dorsey
The rich poems of Rust are a sensory and sensual pleasure, ranging from grief to ecstasy in their passage up and down the scales.
Sample Poems by Kika Dorsey
"Rife with mythology, whether it be Egyptian stories about Mother Nut and her night sky of 'piglets stars,' or tales taken from the Christian paradigm (and reshaped), Kika Dorsey's narrative poetry is a surreal dreamscape that is just as grounding as it is visionary. Rust is a psychological journey that carries the reader back and forth from the sea to the desert, and all the while through a complicated maze of time comprised of season, memory, and fevered dreaming; via the lens of the ever-lasting, Dorsey reminds us that life is temporary, and dares us to go swimming with our own demons."-Sarah Elizabeth Schantz
"The lushly lyrical narratives of Rust are, essentially, poems of grief infused with Kika Dorsey's dreamscapes, elegies that lament on the surface of things the early loss of the poet's father to schizophrenia-rust the color of her father's hair in the coffin-and the more gradual loss of her mother later to the ravages of a different disease, Alzheimer's: 'Her thoughts are the wrinkles of water over a river's stone' ('A Photograph of My Mother'). With	Rust, we are in the hands of a poet who writes beautifully about grievous themes, one who has grappled with the shadow side of human consciousness on her own behalf and on ours, and one who offers hope to those who struggle with their own demons: 'I've given birth despite it all to joy' ('Tap Me on the Shoulder').'--Clare MacQueen
"Controlled, yet unpredictable. Dorsey mines the unconscious to dispense images that are as vivid as they are inevitable."-Junior Burke
ISBN-13: 978-1625491947, 108 pages, $19


text:
Year 1204 (MCCIV) was a leap year starting on Thursday (link will display the full calendar) of the Julian calendar.

Events
 January 27-28 – Byzantine emperor Alexios IV Angelos is overthrown in a revolution.
 February 5 – Alexios V Doukas is crowned Byzantine emperor.
 April 12 – Sack of Constantinople: Crusaders enter Constantinople by storm and start pillaging the city as part of the Fourth Crusade. Forces of the Republic of Venice seize the antique statues that will become the horses of Saint Mark.
 May 16 – Baldwin, Count of Flanders, is crowned emperor of the Latin Empire a week after his election by the members of the Fourth Crusade.
 Theodore I Laskaris flees to Nicaea after the capture of Constantinople, and establishes the Empire of Nicaea; Byzantine successor states are also established in Epirus and Trebizond.
 Boniface I, Marquis of Montferrat, a leader of the Fourth Crusade, founds the Kingdom of Thessalonica.
 The writings of French theologian Amalric of Bena are condemned by the University of Paris, and Pope Innocent III.
 Tsar Kaloyan is recognized as king of Bulgaria by Pope Innocent III, after the creation of the Bulgarian Uniate church.
 Valdemar II of Denmark is recognized as king in Norway.
 Angers and Normandy are captured by Philip II of France.
 The Cistercian convent of Port-Royal-des-Champs is established.
 The district of Cham becomes subject to Bavaria.
 Hermann I, Landgrave of Thuringia submits to Philip of Swabia.
 Beaulieu Abbey is founded.
 The Channel Islands of Guernsey and Jersey decide, after a plebiscite of wealthy land owners, to remain with the English crown, after Normandy is recaptured by Philip II of France.

Births
 April 14 – Henry I, king of Castile (d. 1217)
 Haakon IV of Norway (d. 1263)
 Henry Raspe, Landgrave of Thuringia (d. 1247)
 Maria of Courtenay, Empress regent of Nicaea (d. 1228)
 Alice of Schaerbeek (d. 1250)

Deaths
 January 1 – King Haakon III of Norway
 January – Isaac II Angelos, Byzantine emperor
 February 8 – Alexios IV Angelos, Byzantine emperor
 April 1 – Eleanor of Aquitaine, Sovereign Duchess Regnant of Aquitaine, queen of France and England
 August 11 – King Guttorm of Norway
 August 14 – Minamoto no Yoriie, Japanese shōgun (b. 1182)
 September 30 or November 30 – Emeric, King of Hungary (b. 1174)
 c. October 21 – Robert de Beaumont, 4th Earl of Leicester, English nobleman
 November – Ban Kulin, ruler of Bosnia (b. 1163)
 December 12 (or December 13) – Maimonides, Spanish rabbi and philosopher (b. 1135)
 December 22 – Fujiwara no Shunzei, Japanese waka poet (b. 1114)
 date unknown – Suleiman II, Sultan of Rûm
 probable – Amalric of Bena, French theologian

References

redpajama_set_name: RedPajamaWikipedia


Size: 08"Material: Surgical Grade Stainless SteelOption: StraightOption: Teeth In JawOption: With Lo..
Size: 16"Material: Surgical Grade Stainless SteelOption: StraightOption: Teeth In JawOption: With Lo..
Size: 16"Material: Surgical Grade Stainless SteelOption: CurvedOption: Teeth In JawOption: With Lock..
Size: 18"Material: Surgical Grade Stainless SteelOption: StraightOption: Teeth In JawOption: With Lo..
Size: 18"Material: Surgical Grade Stainless SteelOption: StraightOption: Teeth In JawOption: Without..
Size: 24"Material: Surgical Grade Stainless SteelOption: StraightOption: Teeth In JawOption: Without..
Size: 10"Material: Surgical Grade Stainless SteelOption: StraightOption: Teeth In JawOption: With Lo..
Size: 10"Material: Surgical Grade Stainless SteelOption: CurvedOption: Teeth In JawOption: With Lock..
Size: 12"Material: Surgical Grade Stainless SteelOption: StraightOption: Teeth In JawOption: With Lo..
Size: 12"Material: Surgical Grade Stainless SteelOption: CurvedOption: Teeth In JawOption: With Lock..


text:
Q: XQuery - sum of values of element value in unbounded structure I am trying to get a sum of values of specific field from the below structure but look like its not working as I am getting error as expected zero or one value but got two or more.
 <v4:CalculateResponse xmlns:v4="http://services.xx.net/mm/va">
       <v4:CalculateResponseSizeType>
          <v4:CalculateCCs>
             <v4:Container>
                <v4:GrossBookedWeight>31.6</v4:GrossBookedWeight>
                <v4:NetPredictedWeight>50</v4:NetPredictedWeight>
                <v4:GrossPredictedWeight>53.6</v4:GrossPredictedWeight>
                <v4:TypeOfWeightUsed>P</v4:TypeOfWeightUsed>
             </v4:Container>
             <v4:Container>
                <v4:GrossBookedWeight>31.6</v4:GrossBookedWeight>
                <v4:NetPredictedWeight>50</v4:NetPredictedWeight>
                <v4:GrossPredictedWeight>53.6</v4:GrossPredictedWeight>
                <v4:TypeOfWeightUsed>B</v4:TypeOfWeightUsed>
             </v4:Container>
             <v4:Container>
                <v4:GrossBookedWeight>31.6</v4:GrossBookedWeight>
                <v4:NetPredictedWeight>50</v4:NetPredictedWeight>
                <v4:GrossPredictedWeight>53.6</v4:GrossPredictedWeight>
                <v4:TypeOfWeightUsed>B</v4:TypeOfWeightUsed>
             </v4:Container>
             <v4:Container>
                <v4:GrossBookedWeight>31.6</v4:GrossBookedWeight>
                <v4:NetPredictedWeight>50</v4:NetPredictedWeight>
                <v4:GrossPredictedWeight>53.6</v4:GrossPredictedWeight>
                <v4:TypeOfWeightUsed>P</v4:TypeOfWeightUsed>
             </v4:Container>
      </v4:CalculateCCs>
   </v4:CalculateResponseSizeType>
   <v4:Status>P</v4:Status>
   <v4:StatusCode>1000</v4:StatusCode>
</v4:CalculateResponse>

I have tried summing these values using below function but look like its only onpecting one value.
<Weight>
        {
        sum(
            data($calculateResponse1/*:CalculateResponseSizeType/*:CalculateCCs/*:Container[data(*:TypeOfWeightUsed) = "B"]/*:GrossBookedWeight),
            data($calculateResponse1/*:CalculateResponseSizeType/*:CalculateCCs/*:Container[data(*:TypeOfWeightUsed) = "P"]/*:GrossPredictedWeight)
        )

    }
</Weight>

here calculation is simple, say if TypeOfWeightUsed = 0 then I want to use GrossPredictedWeight element value or if TypeOfWeightUsed = B then I want to use GrossBookedWeight.
we can have multiple container in a structure.
Pls suggest what is wrong with above syntex.

A:
here calculation is simple, say if TypeOfWeightUsed = 0 then I want to use GrossPredictedWeight element value or if TypeOfWeightUsed = B then I want to use GrossBookedWeight.

You can use FLOWR expression with the help of if else construct to get all numbers needed for doing the sum() :
<Weight>
{
    sum(
        for $c in $calculateResponse1/*:CalculateResponseSizeType/*:CalculateCCs/*:Container
        return
            if($c/*:TypeOfWeightUsed = "B") then $c/*:GrossBookedWeight
            else $c/*:GrossPredictedWeight
    )
}
</Weight>

demo
output :
<Weight>170.4</Weight>

A: When the sum() function has two arguments, the second argument provides a value to be used as the result when the first argument is an empty sequence. (This is a clumsy way of dealing with the fact that without static type checking, the sum() function cannot distinguish an empty sequence of doubles from an empty sequence of durations, and you don't really want an integer-zero result when you are summing durations).
You have called the function with two arguments, but I think you want both sequences to be regarded as inputs to be summed. Just add another pair of parentheses to make it a single argument: replace sum(x, y) by sum((x, y)).
The reason you got an error is that the second argument, if supplied, must be a singleton value, not a sequence.


The Wales Wedge Shawlette is an easy way to wrap yourself in style. This free knitting pattern features beautiful brown and purple tones that mix and mingle to create an eye-catching striped design. Whether you make this knit shawl for yourself or a loved one, you are guaranteed to enjoy working up this easy knitting pattern. Prepare for a lot of compliments when you wear this piece out and about. The best part is the knitted shawlette is incredibly versatile. You can wrap it around yourself in a variety of ways to create an entirely different look each time you wear it.
NotesNote: Main body is knit first then the lower picot edge hem is picked up and knit and lastly the top border is knit. Carry unused color up the edge of the striped section.
Brown Sheep Serendipity Tweed (60%Cotton, 40% wool [210 yards/skin]) 1 skein of two colors. Shown in ST96 Oregano Leaves and ST36 Lavender Phlox.
Using A, cast on 80 sts. Knit 6 rows.
Row 1: Using B, k2tog, k to end.
Row 2: Using B, purl.
Row 3: Using A, k2tog, k to end.
Row 4: Using A, purl.
Row 5: Using A, knit.
Row 6: Using A, purl.
Repeat these 6 rows until 3 sts remain. K3tog, pulling yarn through remaining st.
Using B, pick up 1 st in every row on decrease edge of shawl. There will be approximately 240 sts. Knit 6 rows.
Bind off: *Bind off 3 sts using the regular method, remove st from needle, insert crochet hook, ch3, insert hook into base of chain, yarn over hook, pull loop through. Return needle to stitch. Repeat from * across.
Using B, pick up 3 sts for every 4 rows. There will be approximately 180 sts. Knit 6 rows. Bind off loosely.
I just made this and it does not work out at all. You are casting on an even number of stitches and decreasing an even number of stitches, before you do the last decrease you are at 5 stitches, so you can't complete the last decrease evenly, there is 1 stitch left over that is not reduced. I did wind up with 3 stitches after last decrease, but it looks odd because it's a no decrease in with the decrease row. If anyone can see what I'm missing, please let me know, thanks.


text:
from unittest.mock import MagicMock, patch

from rauth import OAuth2Service

import frappe
from frappe.auth import CookieManager, LoginManager
from frappe.integrations.doctype.social_login_key.social_login_key import BaseUrlNotSetError
from frappe.tests.utils import FrappeTestCase
from frappe.utils import set_request
from frappe.utils.oauth import login_via_oauth2

class TestSocialLoginKey(FrappeTestCase):
	def test_adding_frappe_social_login_provider(self):
		provider_name = "Frappe"
		social_login_key = make_social_login_key(social_login_provider=provider_name)
		social_login_key.get_social_login_provider(provider_name, initialize=True)
		self.assertRaises(BaseUrlNotSetError, social_login_key.insert)

	def test_github_login_with_private_email(self):
		github_social_login_setup()

		mock_session = MagicMock()
		mock_session.get.side_effect = github_response_for_private_email

		with patch.object(OAuth2Service, "get_auth_session", return_value=mock_session):
			login_via_oauth2("github", "iwriu", {"token": "ewrwerwer"})  # Dummy code and state token

	def test_github_login_with_public_email(self):
		github_social_login_setup()

		mock_session = MagicMock()
		mock_session.get.side_effect = github_response_for_public_email

		with patch.object(OAuth2Service, "get_auth_session", return_value=mock_session):
			login_via_oauth2("github", "iwriu", {"token": "ewrwerwer"})  # Dummy code and state token

	def test_normal_signup_and_github_login(self):
		github_social_login_setup()

		if not frappe.db.exists("User", "githublogin@example.com"):
			user = frappe.get_doc(
				{"doctype": "User", "email": "githublogin@example.com", "first_name": "GitHub Login"}
			)
			user.save(ignore_permissions=True)

		mock_session = MagicMock()
		mock_session.get.side_effect = github_response_for_login

		with patch.object(OAuth2Service, "get_auth_session", return_value=mock_session):
			login_via_oauth2("github", "iwriu", {"token": "ewrwerwer"})

def make_social_login_key(**kwargs):
	kwargs["doctype"] = "Social Login Key"
	if not "provider_name" in kwargs:
		kwargs["provider_name"] = "Test OAuth2 Provider"
	doc = frappe.get_doc(kwargs)
	return doc

def create_or_update_social_login_key():
	# used in other tests (connected app, oauth20)
	try:
		social_login_key = frappe.get_doc("Social Login Key", "frappe")
	except frappe.DoesNotExistError:
		social_login_key = frappe.new_doc("Social Login Key")
	social_login_key.get_social_login_provider("Frappe", initialize=True)
	social_login_key.base_url = frappe.utils.get_url()
	social_login_key.enable_social_login = 0
	social_login_key.save()
	frappe.db.commit()

	return social_login_key

def create_github_social_login_key():
	if frappe.db.exists("Social Login Key", "github"):
		return frappe.get_doc("Social Login Key", "github")
	else:
		provider_name = "GitHub"
		social_login_key = make_social_login_key(social_login_provider=provider_name)
		social_login_key.get_social_login_provider(provider_name, initialize=True)

		# Dummy client_id and client_secret
		social_login_key.client_id = "h6htd6q"
		social_login_key.client_secret = "keoererk988ekkhf8w9e8ewrjhhkjer9889"
		social_login_key.insert(ignore_permissions=True)
		return social_login_key

def github_response_for_private_email(url, *args, **kwargs):
	if url == "user":
		return_value = {
			"login": "dummy_username",
			"id": "223342",
			"email": None,
			"first_name": "Github Private",
		}
	else:
		return_value = [{"email": "github@example.com", "primary": True, "verified": True}]

	return MagicMock(status_code=200, json=MagicMock(return_value=return_value))

def github_response_for_public_email(url, *args, **kwargs):
	if url == "user":
		return_value = {
			"login": "dummy_username",
			"id": "223343",
			"email": "github_public@example.com",
			"first_name": "Github Public",
		}

	return MagicMock(status_code=200, json=MagicMock(return_value=return_value))

def github_response_for_login(url, *args, **kwargs):
	if url == "user":
		return_value = {
			"login": "dummy_username",
			"id": "223346",
			"email": None,
			"first_name": "Github Login",
		}
	else:
		return_value = [{"email": "githublogin@example.com", "primary": True, "verified": True}]

	return MagicMock(status_code=200, json=MagicMock(return_value=return_value))

def github_social_login_setup():
	set_request(path="/random")
	frappe.local.cookie_manager = CookieManager()
	frappe.local.login_manager = LoginManager()

	create_github_social_login_key()

redpajama_set_name: RedPajamaGithub


text:
Q: Capture and split TAP Output/Result i want to catch the TAP output of my scripts, to write it with some additional information into an openoffice document for my collegues, and as normal TAP-Output for me into the console. This has to be done inside(!) my script.
I'll guess TAP::Parser is the way i should go, right? I don't know how, and i cant find an simple example. If i got a script like:
#!/usr/bin/perl

use strict;
use warnings;
use Test::More tests => 2;

is( 1 + 1, 2, "one plus one is two" );
#missing code to capture the result of the test above

is( 1 + 1, 11, "one plus one is more than two" );
#missing code to capture the result of the test above

How can i get the results of each test? To create a openoffice document is not the problem.
Is TAP::Parser the right way to do what i want?
Thx
roli

A: One simple way to capture the output is with the --archive flag to prove.  This will save the test suite output in a tarball along with a summary of the results.  You should also use the --merge flag so STDERR is captured.
$ prove --archive test_out.tgz --merge my_test.pl
my_test.pl .. ok
All tests successful.
Files=1, Tests=3,  0 wallclock secs ( 0.01 usr  0.00 sys +  0.01 cusr  0.00 csys =  0.02 CPU)
Result: PASS

TAP Archive created at /home/you/test_out.tgz

Once you have that you can read it back in at your leisure, reparse it with TAP::Parser and do what you like with it.
use TAP::Parser;

my $tap_file = shift;
open my $tap_fh, $tap_file or die $!;

# Can't just pass in the .t file, it will try to execute it.
my $parser = TAP::Parser->new({
    source => $tap_fh
});

while ( my $result = $parser->next ) {
    # do whatever you like with the $result, like print it back out
    print $result->as_string, "\n";
}

If for some reason you can't/won't use prove, you can insert capture code into your script.  I would HIGHLY RECOMMEND AGAINST THIS as you have to do it for every test script, it must be hard coded into the test which makes them less useful for normal testing (ie. running the test via prove or Test::Harness (which prove is just a wrapper around)).  You also have to do some fancy footwork to make sure you capture the complete output of the test, any warnings going to STDERR or STDOUT, not just the test output.
So before I explain that, since you're running the test program by hand (which you shouldn't be) here's how you do it using the bash shell.
perl my_test.pl > test.out 2>&1

If that works for you, use that.  It's not worth getting into hard coding it into the script.
You still have to process test.out using something like the TAP::Harness script above to get meaning out of it, but that will capture the complete output of the program.  You can do this in one step, again with shell redirection.
perl my_test.pl 2>&1 | tap2oo

Where tap2oo is your program which translates TAP to an Open Office document.

A: You could write a plugin for App::Prove. A good reference/starting point is the Test::Pretty.


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DR. POUSTI: Tummy Tuck Final Results?
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Patience is key because, it takes many months for swelling to resolve after tummy tuck surgery and it may take up to one year (or greater) a complete skin redraping to occur.


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Switch over to the "Home" tab on Word's Ribbon and then click the "Replace" button.
This opens Word's Find and Replace window. In the "Find What" box, type the word or phrase you want to locate. If you only want to find text in your document, you can go ahead and click the "Find Next" button to have Word jump to the next occurrence of that word. Keep clicking it to browse through all the results.
If you want to replace the text you find with something else, type the replacement text into the "Replace With" box. You can enter up to 255 characters in the both the "Find What" and "Replace With" boxes, by the way.
In this example, let's say we want to replace the name "Williams" with the name "Billingsly", so we've typed that text into the respective boxes. Next, we'd click the "Find Next" button to have Word locate the first instance of the text in the "Find What" box.
Word jumps the document to that point and highlights the result in gray, still keeping the Find and Replace window on top for you. Click the "Replace" button to replace the currently selected result with whatever text is in the "Replace With" box.
To replace all instances at once without stopping and reviewing each one, you can click the "Replace All" button.
Be careful when using "Replace All" because it will automatically replace all instances, including those you might not want to replace. In the example below, there are three more instances of "Williams," but we only want to replace the next two. In this case, we would only click "Replace" for the second and third instance.
If there is a particular instance where you don't want to replace the text, click "Find Next" as many times as needed until you come to an example where you need to replace text.
To exit from Find and Replace, click the "Cancel" button.
Use wildcards in your searches to narrow them down to more specific results.
Search directly within Word's Navigation pane to have Word show you which headings have your search terms included under them.
Replace double spaces between sentences with single spaces.
Search for specific formatting or special characters.
The basic of searching and replacing text in Word are pretty straightforward, but there's a lot you can do with it once you start digging.
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text:
NGC 1399 (другие обозначения — ESO 358-45, MCG -6-9-12, AM 0336-353, FCC 213, PGC 13418) — эллиптическая галактика (E1) в созвездии Печь.

Этот объект входит в число перечисленных в оригинальной редакции «Нового общего каталога».

Галактика NGC 1399 входит в состав группы галактик . Помимо NGC 1399 в группу также входят ещё 41 галактика.

Характеристики
Галактика находится на расстоянии около 65 миллионов световых лет от нас. Она является центральной галактикой Скопления Печи — второго по величине скопления галактик, находящегося в пределах 100 миллионов световых лет от нас. Исследования NGC 1399, а также соседней эллиптической галактики NGC 1404 показали, что они имеют необычно высокий уровень рентгеновского излучения. Наиболее мощные источники расположены в ядрах этих галактик. Также оказалось, что между NGC 1399 и NGC 1404 находится горячее газо-пылевое облако, которое тоже излучает в рентгеновском диапазоне.

Примечания

Литература

Эллиптические галактики
1399
Печь (созвездие)
Скопление Печи


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