Samsung have officially revealed the new Galaxy C7 Pro smartphone for the Chinese market. We had seen a number of leaks of the device and had a very good idea of the specification, size and even availability, and there were relatively few surprises in the provided marketing material. The device is based around a 5.7-inch FHD, or 1080p, resolution Super AMOLED panel. Samsung is using the Qualcomm Snapdragon 626 System-on-Chip backed up by 4GB of RAM with 64GB of local storage, which is backed up by a microSD card slot that can handle at least 256GB memory cards. It is only 7mm thin despite utilizing a heat pipe to cool the chipset and is built of metal, featuring an ultra-fine sandblasting finish and what Samsung are calling a Micro-Slot Antenna arrangement. There are 16-megapixel front and rear cameras, a 3,300 mAh battery and the device will ship with Android 6.0 Marshmallow, rather than the latest version of Android, Nougat. As such, the device is very much a mid-range smartphone, which is expected to cost around 2,800 Yuan (approximately $400) when it goes on sale before the end of the month. The Galaxy C7 Pro will be available in Arctic Blue, Rose Gold and Maple Leaf Gold colors.
Samsung's marketing literature highlights a number of the Galaxy C7 Pro's features, including its photography skills with two 16-megapixel front and rear cameras. The device also comes with a self timer, floating shutter and integrated photo editing. The device's chipset is constructed on a 14nm process size, which should give it the advantage of high efficiency and low heat production but despite this, Samsung have given the Galaxy C7 Pro an internal heat pipe cooling system, described as being similar to "equipping a computer with a highly efficient, water-cooled radiator." Naturally, the Galaxy C7 Pro supports and includes Samsung's mobile payment service, Samsung Pay, out of the box. Finally, Samsung have bundled their Enhanced Calculator onto the Galaxy C7 Pro, which includes features such as unit conversion.
The Galaxy C7 Pro has the makings of being a solid mid-range device from Samsung, the world's largest Android device manufacturer. The high efficiency chipset and plentiful RAM should provide customers with a smooth experience. Although it ships with Android 6.0 Marshmallow which is likely to be a disappointment to some consumers, there's no indication that it won't be updated to Android 7.0 Nougat at some point in the future.


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Police: Woman fatally shoots boyfriend while posing for Snapchat photo
(FOX NEWS) - A Texas woman was arrested this week after police say she shot and killed her boyfriend last month while posing for a Snapchat.
Autumn King, 20, was arrested Monday. Police say she killed 26-year-old Eric Charles Allen on Dec. 23 while he took a picture of her posing with his loaded rifle.
According to the Austin Police Department, the couple were inside their Rampart home with two children when the shooting took place.
King told detectives she was posing with a rifle and aiming it directly at the victim, who was holding King's phone for a Snapchat photo. She said that's when she accidentally pulled the trigger, shooting Allen.
She said that they were "trying to be like Bonnie and Clyde" and that she thought he was "playing" at first when he hit the ground, the New York Post reported citing a police report.
An autopsy report from the Travis County Medical Examiner confirmed that Allen died from a gunshot wound; the manner of death was ruled a homicide.
Read the full story on FoxNews.com.
Man suffers broken back after jumping from 2nd floor to escape North Philly house fire

redpajama_set_name: RedPajamaCommonCrawl


In the spirit of Alyssa's last post on women preaching, here is a reflection given in church on the ordinary power of the common meal and resurrection appearances of Jesus in scripture.
In this Easter season we have been celebrating the resurrection—Jesus's resurrection and our own. We've been reading together the scriptures telling us the story of his death and stories dramatizing the discovery that death could not hold him, his tomb is empty, death has been emptied of its sting. Perhaps this is enough to get the point—we wonder at the power of God who has raised Jesus from death into a new kind of life. But, what does this have to do with the rest of us? It might mean that I can look forward to the resurrection of my body after death as well. This isn't a bad idea, but still it seems to be unsatisfactory somehow—as if grace is something that we are only looking forward to in the future and can't expect now in some form, however partial. What does the resurrection mean for us, now, during the course of our earthly lives? What does resurrection faith have to do with discipleship or transformation of the world? Or, we could even ask the question a different way—what did Jesus's resurrection have to do with his own life and mission while on earth? Is it only that the really important stuff started with Good Friday?
In many churches we've been praying with the memories of Jesus's resurrection appearances at meals, in eating practices, in the midst of table fellowship. Why a resurrection appearance at all? What do these stories mean? Why not end the gospels with the stories of the discovery of the empty tomb? I think that these stories of recognition of the ongoing reality of the resurrection in the midst of everyday life—in eating meals, in preparing food, in trying to secure food—feel more powerful, important, and relevant to me than the drama of finding an empty tomb.
Eating food together, table fellowship was really important to Jesus in his ministry. It was at the table that Jesus could communicate what the kingdom of God looks like, what God's desire for human communities is. Jesus used the image of a table, a feast in his own preaching and parable-telling, comparing the kingdom of God to an extravagant wedding feast (Mt 22:1-14, Lk 14:15-24) or comparing himself to bread shared amongst his followers (Jn 6:32-59). Jesus's miracles involved feeding more than 5,000 people with an initial offering of food that was only able to feed 5 (Mt 14:13-21, Mk 6:30-44, Lk 9:10-17, Jn 6:1-15, cf. Mk 8:1-21) and turning water into wine so that the wedding feast at Cana could continue with appropriate extravagance (Jn 2:1-12). Jesus's disciples indeed had a reputation for eating and drinking (Lk 5:33) and Jesus himself had a reputation for eating with those who others in his community would have shunned (Lk 5:27-32). And, as Christian tradition has it, Jesus spent his last night as a free man gathered with his friends for a meal and told them to keep his memory alive by continuing to gather together to eat. This last element from the Jesus story—the practice of the early Christians to remember Jesus in a meal together—is so simple and yet so powerful. Whether Jesus actually told his disciples to do this or not, and whether or not his last night of freedom was spent in this fashion may not matter as much as the reality that this is what early Christians told each other and wrote down: Jesus told us to do this. Jesus wanted us to keep coming together to share a meal. The death of our founder should not, cannot stop us. We remember him, we honor him by continuing to eat together. We make him present among us in and through our common meal. We say "no" to those who wished to take away his power and our own by trying to kill him. No. At our table, Jesus's mission continues, even after his death.
When early Christians gathered together for worship they spent their time together praying and eating. They called their table fellowship an "agape" meal (a love feast) since it functioned as an instantiation of the kingdom of God in their midst—this is what God's transformation of the world through love does look like and will look like. The early Christians considered those in their community their family members, even when they were not biologically related. They called each other mother, brother, and sister and strove to live together in equality with no living patriarch, no ruler apart from God. The common meal, at its best, was a dramatization of this heavenly vision. And, when it became distorted (as it sometimes did) to reflect the social hierarchies of its time, Christian leaders strove to realign the meal practices more closely with these intentions.
This practice of table fellowship that Jesus practiced and that Christians believe to be a critical component of discipleship even until today is what some might call "radical table fellowship". But I think this can make it sound a lot sexier, more dramatic, in-your-face compelling than it really is. Rather than "radical table fellowship" I think it might be helpful to think about it as "persistent table fellowship." The Christian practice of table fellowship in the memory of Jesus is not always that exciting or immediately rewarding. It is much like eating a home cooked dinner every night with small children.
I want to eat real food. Food that I know where it has come from, how it has been prepared, and I want to have real relationships with those in my family. This sounds wonderfully romantic. You might imagine me in the kitchen with the garden's bounty piled on my counters joyfully creating culinary masterpieces for my grateful children. But the reality of trying to make this happen (more often than not) results in scene like this: dishes are pilled too high in the sink, food has been thrown all over the floor, one child is screaming, the other is crying, and my husband and I have stopped trying to talk to each other because we know there's no way you'll be able to hear each other, and it's already about 20 minutes past bedtime. And in the middle of this chaos, I say to yourself, why am I doing this?? Is this worth it? Wouldn't it be easier to put them in front of the TV with a piece of pizza in one room watching cartoons while I sit in the other room, separately zoning out with a Diet Lime flavored Pepsi to the Real Housewives of New Jersey in the other? Wouldn't that be a lot more peaceful? But then when you think about it, how you spend your days is how you spend your life. Is that how I want to spend my life? No. I want to eat real food. I want to have real relationships with these people that I love. I just sometimes wish I didn't have to work so hard to make it happen. Or even more precisely to the point, I sometimes wish that this project could be the kind of a thing I could write on a list and check it off after a designated, predictable amount of work. But, no these are never-ending, unpredictable projects that involve a lot of surprise, boredom, work without apparent results and require from me long-term determination, creativity, and persistence. Isn't this also our experience with Christian community life? Isn't it often simultaneously messy, frustrating, and boring?
"Put on your socks because we are getting in the car.
Put on your shoes, we are leaving right now.
But my son can recognize the real words when he hears them. Around the potluck table, I watched him perk up his ears to listen to the group singing, his eyes were open wide, and I saw him silently taking it in—these are my people. "They are singing our song," I knew he was thinking. Or, maybe he realized we had been singing their song all along.
A few days later I ask him about it. I say do you remember when we were at the potluck and we sang "Praise God from Whom"? And he asks me, in his high-pitched voice, "that's their song too?" Yes, I say. It is our song, all of us together.
In that moment of singing before the potluck and every time I remember that moment, I recognize that God has been in my midst, in our midst from the beginning.
One thing that I like so much about these resurrection appearance stories in the gospels is that Jesus is with the disciples before they recognize who he is (sometimes long before they recognize it is him). And this doesn't just happen once to those who love him, but over and over again. The disciples realize it was Jesus on the shore all along. The disciples realize it was Jesus on the road to Emmaus all along. Mary Magdalene realizes it was Jesus who called out to her, not the gardener only after the fact. We know about this kind of recognition—the kind where we realize at the 11th hour that this moment, this thing that has been going on in our midst is God among us. Not some perfect thing in the future or in a perfect community somewhere else but this thing, right now, right here in my life is bursting with the beauty of God.
Maybe the predictable thing to do would be to try to encourage everyone right now not to miss out on these moments, to try harder to recognize them before they are gone, or at least before they are almost gone. It's tempting to say maybe we can do better than the disciples of Jesus as recorded in the Gospels, that these stories are written this way as cautionary tales to do better, try harder, to make it happen! In other words, to recognize Jesus before he has to call out to us from the shore or to recognize him while still on the road to Emmaus.
But I don't think that's the point here. You can't force recognition or even an openness to recognition of Jesus. If we could, that would belie the miraculous quality of recognition, the way that we know and feel deeply that experiences of insight are more than simply subjective, more than simply us doing something.
I think what we can do instead is be faithful—to practice faithfully these disciplines that we know can be holy, even (and especially) when we don't feel their magic, their spark. We can keep eating together and keep seeking opportunities to eat together with faithfulness and discipline.
This might be a funny kind of discipline of faithfulness. On the one hand, it might feel a little over the top. It is discipline of extravagance, a discipline of feasting, a discipline of immersing the senses with food, drink, and conversation. Yet on the other hand, we know this is one of the hardest things we can do. It requires great endurance: endurance in the work of food production, endurance in the work of relationship, endurance in the work of imagination.
What does Jesus's resurrection mean for us? What would it mean to practice resurrection with fidelity in our life together? I think the early Christian community can guide us here in our answer—eat together. Eat together with the conviction that we are family. Eat together whenever we can. Create more opportunities to eat together. Create traditions that prioritize the common meal, uphold traditions that make the common meal the central event of worship, the event in which and through which we honor Jesus and make him present among us. I don't mean to reify any old Eucharistic practices, particularly those in which participants are hardly participatory (e.g., no means to express dissent within the bounds of the ritual itself, no opportunity to voice concerns or to make visible power differentials). I mean to encourage real practices of eating together (whether Eucharistic or not): practices of eating together that we can be proud of, that we can stare in the face, that we can eat with the kind of fullness of pleasure that does not depend on ignorance, as Wendell Berry would say. Practice resurrection. Eat together.
I love this. I want "Practice resurrection. Eat together." to be in giant letters on a wall in my dining room and to confuse all my guests and maybe sometimes make us uncomfortable and to give us an opportunity to talk about what we're really doing at tables. Thank you for these words.


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The Pre is in the Palm of my Hand
Coming in a little late than the rest of the pack is my Palm Pre review. Hey I was too busy playing with it, er, analyzing it to the best of my abilities so I can give a fair handshake to this polished stone looking device. We are going to cover the hardware side of things. We are going to cover the software side of things. Up and downs, what's good and what's not, and what we have to look forward to are all topics that I will cover. Oh, yeah, the massive cell phone search ended. I have a Palm Pre.
The deciding factor for me came from WWDC and Apple's iPhone updates. They spit out iPhone OS 3.0 and the iPhone 3G S. Unfortunately for them, the updates were not a big enough jump for me to get on the bandwagon. Sure video is nice, but being an avid Brightkite user, the lure of MMS seduced me over to the Pre. The multitasking and the sweet, cost effective plan from Kansas City headquartered Sprint also entangled me.
So after making my decision, I phoned up Best Buy to get in on their $100 instant rebate deal. Little did I know that they were sold out and are still, to this day, waiting for a shipment. Best Buy seriously messed up here. Yes, they got very little in terms of actual devices, but please let us know when the next shipment gets stocked. Plus, the waiting list idea should've been shot down from the beginning. The service was terrible on that end, which was part of why I swallowed my anti-rebate pride and headed down to the Sprint Studio in the Power & Light District.
I walked right and was out with a Palm Pre within an hour. First impression wise wasn't too pleasant. The guy behind the counter must've been new because he kept asking other staff about the steps in the purchasing process. He also almost charged me an extra $100 bucks for a data entry error on his part. I swear I knew more about the phone than he did. But I digress. I got the phone and that's all I cared about.
Now let's talk about the Palm Pre. I've had about 2 weeks to play with the phone. I'm no expert on it yet. It took me some time to figure out some of the other cool features. Right away I was impressed with its crispness. The apps seem to snap and blow with quick motions. I was having fun flicking stuff away and hearing the whoosh. The Pre feels good in the hand as well. It really is the perfect size even for these lumbering, yeti like paws. But there's so much more about the hardware.
I absolutely get the statement in the design canvas painted by the Palm Pre. It is a polished stone and weighs about the same as the real thing. I too, however, noticed how sharp the plastic surrounding the keyboard was when flipped open. I get that they had to build that way for it to be completely smooth closed. So they gave into some sharp edges. The edges won't pierce any skin so that's okay.
The flip motion itself is strong. I can grab it with my thumb and lock it right into place. The track fights me up to halfway through and then it goes along for the ride up to the locked open position. I too suffer from the 'oreo' effect. When closed, the top part of the phone will shift a little bit to the right. Kind of like when you twist an oreo cookie off. Whether or not it will lead to future issues I'm not sure off, but I will not try to temp it that's for sure.
The keypad is an interesting tale. I talked about needing a large enough physical keyboard for my chubby fingers. The Palm Pre's keyboard is smaller than what I would like. Compared T-Mobile's G1, it is tiny. After getting used to it, however, I can say I can get into the little buggah. What I've learned to do is not aim directly for the key. What you say? Yes. I've learned to use the cross hair of the surrounding keys to guide me to the letter I want. With practice, one can reel out messages ultra quick. Combined with the flip, one finger thumb typing will be the next texting championship event.
I like the camera alot. It takes some snappy photos and the landscape part makes for great scenery and future desktop computer wallpaper. I especially like the inclusion of a LED flash for night time pics. Most my amateur photography will come at night so it's nice to know I'll get more than blurs. More on the camera later.
The accessories that come with the Palm Pre surprised me, on both sides of the spectrum. The headphones are absolutely adorable. The small touches like magnets in the earbuds to keep them together and the hidden microphone in the split support make this my headphone of choice wherever I go. The tight and round USB charger marries perfectly with the sufficiently long USB cable for a good charging combination. The micro USB port on the phone, however, deserves some anti-love. It's hard to pull out and it takes too much space dangling on the edge for me to plug in the port properly. This type of port cap broke off on my last phone and I'm expecting it to break off on this one.
The inside of the device sports some nice architecture. I'm not too up to snuff on the chip set inside, but I do know that it the same one used by the iPhone. The disk space is more than sufficient for what it advertises to do. I do long for a microSD slot, but that's mainly for backward compatibility. The GPS and all its goodness is there too, and it's accurate. To talk more about the inside parts, we really need to cover the software that drives it.
When I first got the Palm Pre it took forever to activate. Again, it could've been the greenhorn behind the counter, but my suspicions lead to the initial boot up of the device. After a couple of more boots, I can say that it takes forever to get the Pre started. Alot of this can be contributed to the linux kernel it uses as the base of its operating system. Once it was up, the handy dandy welcome video popped up and I got the first taste of the webOS.
The webOS is Palm's last dying breath to be relevant in the smartphone arena. Before the Palm Pre came out, everyone was saying the Pre was the chilly death breath. But, when getting used to this device and hearing the news that it will be on other phones, the real Blitzkrieg goes to the webOS. There are some things I absolutely love about the webOS. Then there some things that make me scream, "Achtung!" All in all for a 1.0 release comvined with the arduous challenge of multitasking, it does a pretty damn good job.
The whole interface revolves around two memes: tapping the screen and tapping the keyboard. Tapping the screen gives way to a ripple effect where you touch. Not only does this let the user know where they touch, but it also falls in line with the polished stone by water design aesthetic Palm was shooting for. It's not perfect by all means, especially around the edges of the screen. I'm still not sure if I need to tap the speaker or the black bar where the time is to get the detail status for battery consumption and communications.
The other part of the meme is tapping the keyboard. I didn't find out about universal search until about a week after I purchased the Palm Pre. They seriously do want you to use the keyboard for everything on the phone. When I flip open the the keyboard and start typing, any type of app or contact that starts with the letters will instantly come up. There also is an option to query multiple search protocols if it's not located. While great, I can't wait for them to seriously get universal and bring in email, calendar, memos, etc for the search. That would blow everything else out of the water.
The one design decision that deviates from the polished stone message, while bringing fun to the Pre, is the card task management. The Palm Pre touts multitasking as one of its major selling points. Great, but how do you get around? Think of the apps as multiple playing cards in a deck. You can shuffle them, flip them, toss them away. It takes switching apps from the Ctl+Tab doldrums into a fun happy flick filled place. Nothing is more satisfying than switching from a card that's loading a web page and going into the messaging app to text my buddy about something he tweeted. The round button and the swipe bar at the bottom gives multiple back button sweetness when you go to forward and get stuck.
Let's talk about the applications. The Palm Pre has a basic set of applications available On launch day, the App Catalog had 18 ready to go. Nowadays they have about 30. The selection could grow a little more but the initial set had some surprises that leave me satisfied. What they really need to do is release the SDK for developers (like me), even if it's in Beta form, so more and more applications can grow into the webOS. We have until the end of the summer to wait for the SDK so until then, we have these apps and the homebrew scene.
The default set of apps included on the Palm Pre include the standard communications set. You have the phone, email, messaging, and web. There is also a group of organizing applications including calendar, memos, tasks, and contacts. Utility apps exist in the form of calculator, clock, and document viewers. For media, your apps for music, video, Pandora streaming radio, Youtube, the Amazon MP3 Store, photos, and the camera. Plus there's a random set that includes GPS apps like Google Maps and the set of Sprint built apps like Nascar, Sprint TV, and the Sprint GPS Navigator. Some of these I use alot, some I haven't really taken advantage of.
What I use most of the time are the communication set of apps, but not the phone app so much. The phone app took some getting used to but after figuring out what is the voicemail and how to get the list of callers, I got more comfortable. The email app shines in handling multiple accounts but I wish they had search built in so I can flip through my email. Also, the syncing gets off time to time on the push notifications but it's still great to have. Contacts are tied together using Palm's Synergy. Essentially it's a catch all for all accounts tied to the phone.
The messaging app is fantastic. Integrating SMS, MMS, and chat protocols like GTalk and AIM make for seamless chatting integration. The web app works really well, although it is a little quirky in some places. The web app does make up for other sites that do not have a special mobile app or mobile web presence. All in all communication works great.
The utility apps are fairly standard. The calculator computes what I need and has a cool neon glow to it. The circle/hole combo on the clock takes some getting used and I liked the alarm settings better on my old phone. The Palm Pre comes with a document viewer and a PDF viewer. I haven't used the document viewer but I'm assuming it makes the suite of Microsoft Office document formats all pretty and viewable. The PDF viewer is very sharp but I wish there was a way to get the table of contents on there for easy page flipping. Still, it's small and lightweight which makes it 10 times better than anything Adobe does.
The GPS utilities and the Sprint set of apps doesn't get much use. I figure if I'm out and about then GPS will be way more handy. That said, Google Maps on here rocks and I love how it pinpoints where I'm at and then shows me where to go, especially when looking for new stores. The Sprint set of apps are blase. I tried out the Nascar app and set Carl Edwards as the my favorite racer, that's all. The Sprint app that links to their website makes sense. The Sprint Navigation is neat for the GPS real time feature but the time hasn't called for me to fully realize the app. The Sprint TV app works for for all streaming types like radio and television. Actually, the Sprint TV app is pretty cool.
That leads us into the media side of the Palm Pre apps. The whole media set includes some recording of images and playback on all types. First let's talk about the camera app. The camera is super crisp. The 3 megapixel camera mentioned above does great nighttime work with the LED flash. When you are finished with taking a picture, you have a chance to review them in the photo app. The photo app has different ways to view each photo and can share them via the different communications utility. Matched with the Sprint Everything Data plan, the opportunity for photo explosion is blowing up.
The video apps on the Palm Pre are interesting indeed. The Youtube apps side steps the need for Flash and lets you play clips straight on the Palm Pre. This has come in handy many times and will be used feverishly while we wait for the Flash Lite app to come to the phone. The video app is pretty rudimentary. It searches and plays clips on the phone. So far no complaints there.
The music apps give me two strong feelings, glee and hatred. The Pandora app should be on every smartphone period. You can log in with your account and play the artists playlists from the get go. Nothing feels as good as getting a continuous stream of radio tunes moving between wifi and 3g. I listened to Pandora a couple of years ago but soon got tired of it and yearned for my massive library. Now I'm back on the bandwagon, yee haw!
Then there's the hatred. The Music app locally sucks dirt big time. We get that its neat to hack in iTunes but to lock everything out is ludicrous. Since the Palm Pre masks itself as a really old iPod so you can use other media players to inject your music. But what's sorely needed is a way to drop in mp3s into a folder on the device to play off the phone. Most other smartphones do this. The other thing that chaps my hide is that you can not directly download mp3 from the communication apps and import them into your library. This drives me bonkers and no I won't use the Amazon MP3 app. Hopefully Palm will update the software with more functionality or the homebrew scene can come up with a better player.
Before I get into the homebrew scene, let's review some of the 3rd party apps. Now while I was disappointed that some of the apps I use on a day to day basis, like Remember the Milk and Brightkite, weren't present, I was excited to see some other apps used in creative ways. I'm not much for game apps, believe it or not, but I did install some other real handy apps.
I went ahead and installed the Craigslist, AccuWeather, Evernote, and the LinkedIn app. I use LinkedIn to keep my professional social side up so it's a must install. The Craigslist app is cute and will be used to hunt down a cheap Aeron Type C chair around the Kansas City area. The AccuWeather app was the only weather app available and I need it to see what the air up there will declare. The Evernote app rocks my world. I use Evernote on the web and as a desktop app so I'm familiar with how to capture and process notes. What's awesome about the Evernote App for the Palm Pre is that you can take notes, a camera picture, or a whole photo roll! Very cool indeed!
Now what the 3rd party apps don't deliver on, the burgeoning homebrew scene can make up for. Still in it's young age, we've seen some apps like a flashlight or a daily webcomic loader pop up in the right places. Palm hasn't yet released the SDK so leaks from the early access program were bound to happen. Take a beta SDK, a low number of launch apps, and a linux kernel and what you will get is a ravenous hunger to develop for this phone. I, for one, am getting my fingers dirty in to this and plan to utilize the knowledge already public to get ready for the official SDK release.
This is where the Palm Pre stands right now. The swell of interest is bellowing and it seems as if the perfect storm of technology, timing, and desire is at a peak. Now's a great time to get involved with the development side of the Palm Pre community. Especially if you want to make a name for yourself. Given that the webOS platform uses HTML 5, CSS, and JavaScript, just about anybody can truly make a name for himself.
To wrap up my over-review of the Palm Pre, I can say I'm happy I made the purchase. There are some rough edges, but like the rough edge of the opened keyboard it is minor compared to the whole device. Yes it sticks and drags in some areas, and yes some technology decisions that were made are dumb (I'm looking at you Music app), but as a whole piece it really does the job well. It's a 1.0 device, so most of the minor issues can be overlooked. Would I recommend it? If you're on Sprint OR if you are patient with new technology OR if you want to be included with a fresh new community, then buy the Palm Pre.
So where does the Palm Pre go from here? I've got this phone for two years on Sprint so I will be along for the whole ride. The talk coming from the legion of owners of the supposed number one smartphone in the iPhone mentions the Palm Pre when it comes to the best of market. That's saying an incredible amount coming from a set of people so dialed into one computing brand. So if Palm can keep updates chugging along (video anytime soon guys) and get that SDK out there, we can see some pretty innovate applications and uses for the Palm Pre. I got my Palm Pre and I'll be flipping up apps in no time flat.
AccuWeatherAdobeAeronAmazon MP3 StoreAppleBest BuybrightkiteCarl EdwardsCraigslistCSSEvernoteFlash LiteG1googleHTML 5iphoneIPhone 0S 3.0JavaScriptKansas CityLinkedInNascarPalmpalm prePandoraRemember The MilksprintT-MobileWWDCYoutube
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X is There's no shame in being afraid. Hell, we're all afraid. What you gotta do is figure out what you're afraid of because when you put a face on it, you can beat it. Better yet, you can use it.
# 157472 Don't be afraid to love again. Just kiddin. Be afraid, be very afraid.
# 113895 10-11-12... Sooo Exciting... Not!!. I think we all know, the BIG day we're all really waiting for is in seventy days and counting... Be afraid. Be very afraid! Brohahaha!!.
# 102890 I'm afraid I prematurely shot my wad on what was supposed to be a dry run if you will, so I'm afraid I have something of a mess on my hands.


Welcome to the South Carolina United States Air Force Academy Parents' Club website.
WE ALL WISH THE SC USAFA CLASS OF 2018 AND THEIR FAMILIES THE BEST OF LUCK!
WE WILL BE KEEPING YOU ALL IN OUR THOUGHTS AND PRAYERS!
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As you become part of the Bocaire family, you'll see how rapidly friendships are formed in our community. With just 240 members, Bocaire is a place where everyone knows your name. It's not uncommon for a new friendship to be forged over a few rounds on the golf course or over a game of tennis. Families lounging poolside quickly become fast friends, and seniors bond over social events and dinners.
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text:
Subject contains "Shoe industry"
Thomas Emerson's Sons Shoe Manufacturers, corner of Yale Avenue and Main Street, May, 1894
Date: 05-1894
Description: "Decorated for the Town's 250th anniversary celebration, the Thomas Emerson's Sons Shoe Manufacturers was located where the Wakefield and Reading YMCA building now stands. Manufacturers of gentleman's…[More]
Library: Lucius Beebe Memorial Library
Collection: Wakefield Municipal Gas and Light Department calendars
Thomas Emerson's Sons Shoe Manufactory Office, circa 1890
Description: "Pictured in the office of the shoe manufactory of Thomas Emerson's Sons at the corner of Main Street and Yale Avenue are (from left) Harry Foster, James Emerson, Miss Carrie Wallace, E. Eugene…
L.B. Evans, Water Street, 1919
Description: "Lucius Bolles Evans began making shoes in 1831 at the early age of 12. He started his own shoemaking business in 1841 in a building at the rear of a dwelling house at 9 Salem Street. At the time,…
Description: "Early Wakefield was known as an industrial community, linked to the city of Boston by the Boston and Maine Railroad. One of the industries that flourished in the late 1800s and into the mid 1900s was…[More]
[L.B. Evans Son Company shoe factory, Wakefield, Mass.]
Description: Postcard shows a view looking west on Water Street toward Main Street. The L.B. Evans' Son Co. Shoe factory is on the left. The rear of the Miller Piano factory is visible on the right. The Evans…[More]
Collection: Wakefield Postcards
L.B. Evans Son Company shoe factory, Wakefield, Mass.
Description: Postcard shows a view of L.B. Evans' Son Co. Shoe Manufacturers on Water Street. The factory building was sold in 1979 and the company phased out its operations. It has since been converted for…
L.B. Evans Son Company, Wakefield, Mass.
House at 113 Salem Street, Wakefield, Mass.
Creator: Klapes, Jeffrey M. , 1964-
Description: Photos show the house located at 113 Salem Street on the north side of the street near the intersection with Vernon Street. Built between 1840 and 1857, the small building was originally a shoe shop…[More]
Collection: Current Photographs of Wakefield
Building at 306 Main Street, Wakefield, Mass.
Description: Photos show views of the building located at 306 Main Street on the east side of the street at the corner of Crescent Street. The building also incorporates 1 Crescent Street. It was originally…
[L.B. Evans' Son Co. Shoe Manufacturers, Wakefield, Mass.]
Date: [1930-1939?]
Description: Photograph shows L.B. Evans' Son Co. Shoe Manufacturers on Water Street. Also visible is the Arthur H. Saunders Gulf service station. The factory building was sold in 1979 and the company phased out…[More]
Collection: Old Photographs of Wakefield
L.B. Evans' Son Co. Shoe Manufacturers
Creator: Payro, J. (Joseph C.), 1862-1953
Description: Photograph taken on December 3, 1936 shows L.B. Evans' Son Co. Shoe Manufacturers on Water Street. Also visible is the Arthur H. Saunders Gulf service station. The factory building was sold in 1979…[More]
[L.B. Evans' Son Co. Shoe Manufacturers]
Description: Photograph taken on December 5, 1943 shows L.B. Evans' Son Co. Shoe Manufacturers and adjacent railroad tracks on Water Street. The factory building was sold in 1979 and the company phased out its…
Ye olden-time shoe shop
Date: pre-1894
Description: "This 'ten-footer' is pictured in the 1894 Memorial Book [Proceedings of the 250th anniversary of the ancient town of Redding] on page 311. Location unknown." -- From the album containing the…
Library: Reading Public Library
Collection: Reading Historical Images
Everett Richardson Factory
Description: "Berkeley Street, 1886, shoe manufacturers." -- From the album containing the photograph
J. W. Richardson shoe factory
Description: "Highland Street. The building in the foreground is still standing and is a private home." -- From the album containing the photograph
Buffum's Shoe Factory
Library: Lynn Public Library
Collection: Lynn Buildings
A.E. Little and Company, shoe manufacturer; stitching room, 70 Blake Street: View 2
Shoemakers
Description: Luella Brown, Sadie Nicholson, Alice Henry, ? Knox, Mrs Carrie Young, Bertha Keene, Bessie Long, Alice Mackesy, Mrs Wilson


text:
Foreign Minister itemises utilisation of $3b China loan
Source: Ghana | Myjoyonline.com
Shirley Ayorkor Botchwey and Wang Yi.
Minister of Foreign Affairs and Regional Integration, Shirley Ayorkor Botchwey, has told the Government of China that Ghana is making good progress with the utilisation of the $3 billion China Development Bank (CDB) Loan.
The Ghanaian Foreign Minister briefed the Chinese Government about how the loan facility was being utilised, when she held bilateral talks with her Chinese counterpart, Wang Yi.
The talks were held on the sidelines of the FOCAC Coordinators' meeting which took place recently in China.
She told the Chinese Foreign Minister, Wang Yi, that out of the $3 billion, $1 billion has been used to successfully complete the Western Corridor Gas Infrastructure Project and the Integrated National Security Communications Enhancement Project (ICT).
Ayorkor Botchwey further indicated that Ghana intended to use $1 billion of the facility for two major railway projects.
She mentioned that Ghana's Finance Minister will be working out the details with his Chinese counterpart.
According to her, the Ghanaian Finance Minister shall also seek his Chinese counterpart's support for the two projects which are critical to the opening up of the untapped areas of Ghana's economy.
The Foreign Minister revealed that the Government of Ghana has established the Ghana Integrated Aluminum Development Corporation to develop our Aluminum Industry which is earnestly seeking partners to build the aluminum refinery, the proceeds of which will go towards servicing the facility.
She recounted that Ghana and China have signed two subsidiary agreements to construct about 11 fishing harbours and landing sites as well as the Accra Metropolitan Area Intelligence Traffic Management Projects.
Furthermore, she spoke about how debt sustainability was one of the key economic policy objectives being pursued under the Ghana Beyond Aid Agenda of the Government of Ghana, noting that the West African nation was continuously working to reduce its debts to GDP ratio.
Meanwhile, both Foreign Ministers stressed the importance of strengthening Ghana and China's bilateral relationship which dates back to 1960.
Ayorkor Botchwey highlighted the warm path Sino-Ghana relations have taken under the able leadership of Presidents Akufo-Addo and Xi Jinping.
Immigration foils trafficking of 7 girls


The peak width at the points of inflexion of the elution curve is twice the standard deviation of the Poisson or Gaussian curve and thus, from equation (47), the variance (the square of the standard deviation) will be equal to (n), the total number of plates in the column.
Thus, the variance of the peak is inversely proportional to the number of theoretical plates in the column. Thus, the greater (n), the narrower the peak, and the more efficiently has the column constrained peak dispersion.


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When we get your game cartridge, we'll load all the pokemon, items, beans etc into it and mail it back to you.


text:
Q: Translucent StatusBar on kitkat with FrameLayout above the Toolbar and using CoordinatorLayout I was trying to achieve Translucent StatusBar on kitkat with the following FrameLayout and it's working without CoordinatorLayout like this:
Layout.xml
<?xml version="1.0" encoding="utf-8"?>
<LinearLayout xmlns:android="http://schemas.android.com/apk/res/android"
    android:layout_width="match_parent"
    android:layout_height="wrap_content"
    android:orientation="vertical"
    android:weightSum="1">

    <FrameLayout
        android:id="@+id/statusbar"
        android:layout_width="match_parent"
        android:layout_height="25dp"
        android:background="@color/colorPrimaryDark" />

    <android.support.v7.widget.Toolbar
        android:id="@+id/toolbar"
        android:layout_width="match_parent"
        android:layout_height="0dp"
        android:layout_weight="2"
        android:background="@color/colorPrimary" />

</LinearLayout>

And this line in Styles.xml-v19 of course:
<item name="android:windowTranslucentStatus">true</item>

And of course in the onCreate:
if (Build.VERSION.SDK_INT < 19) {

            FrameLayout statusbar = (FrameLayout) findViewById(R.id.statusbar);
            statusbar.setVisibility(View.GONE);
        }

And that worked:

But, i'm wondering how we can achieve that with CoordinatorLayout and AppbarLayout?
Here is my try by the way:
<android.support.design.widget.AppBarLayout
            android:id="@+id/app_bar_layout"
            android:layout_width="match_parent"
            android:layout_height="wrap_content"
            android:theme="@style/ThemeOverlay.AppCompat.Dark.ActionBar">

            <android.support.design.widget.CollapsingToolbarLayout
                android:id="@+id/toolbarCollapse"
                android:layout_width="match_parent"
                android:layout_height="match_parent"
                android:fitsSystemWindows="true"
                app:contentScrim="?attr/colorPrimary"
                app:layout_scrollFlags="scroll|exitUntilCollapsed">

                <FrameLayout
                    android:id="@+id/statusbar"
                    android:layout_width="match_parent"
                    android:layout_height="25dp"
                    android:background="?attr/colorPrimaryDark" />

                    <android.support.v7.widget.Toolbar
                        android:id="@+id/toolbarmain"
                        android:layout_width="match_parent"
                        android:layout_height="?attr/actionBarSize"
                        android:background="@color/ColorPrimary"
                        app:layout_scrollFlags="scroll|enterAlways"
                        app:popupTheme="@style/ToolbarStylepopuptheme"
                        app:theme="@style/ThemeOverlay.AppCompat.Dark.ActionBar" />

            </android.support.design.widget.CollapsingToolbarLayout>

            <android.support.design.widget.TabLayout
                android:id="@+id/tab_layout"
                android:layout_width="match_parent"
                android:layout_height="wrap_content"
                android:background="?attr/colorPrimary"
                android:minHeight="?attr/actionBarSize"
                android:theme="@style/ThemeOverlay.AppCompat.Dark.ActionBar"
                app:tabIndicatorColor="@android:color/white"
                app:tabIndicatorHeight="2dp"
                app:tabMode="scrollable" />

        </android.support.design.widget.AppBarLayout>

And didn't work.
Update: Also this one is not working:
<?xml version="1.0" encoding="utf-8"?>
<android.support.v4.widget.DrawerLayout xmlns:android="http://schemas.android.com/apk/res/android"
    xmlns:app="http://schemas.android.com/apk/res-auto"
    xmlns:tools="http://schemas.android.com/tools"
    android:id="@+id/drawer_layout"
    android:layout_width="match_parent"
    android:layout_height="match_parent"
    android:fitsSystemWindows="true"
    tools:context=".ui.MainActivity">

    <LinearLayout
        android:layout_width="match_parent"
        android:layout_height="match_parent"
        android:orientation="vertical">

        <FrameLayout
            android:id="@+id/statusBar"
            android:layout_width="match_parent"
            android:layout_height="25dp"
            android:background="@color/colorPrimaryDark"
            android:translationZ="8dp" />

        <android.support.design.widget.CoordinatorLayout
            android:id="@+id/root_coordinator"
            android:layout_width="match_parent"
            android:layout_height="match_parent">

            <android.support.v4.widget.NestedScrollView
                android:id="@+id/nestedscrollview"
                android:layout_width="match_parent"
                android:layout_height="match_parent"
                app:layout_behavior="@string/appbar_scrolling_view_behavior">

...
...

Any solutions to achieve that?
Something like ADM app on GooglePlay design.
Also, let's mention that, i've had the same problem with SystemBarTint when i was using CoordinatorLayout(same condition).
I couldn't figured out how they could do that.
Also, there is a good tutorial here, https://youtu.be/YCThIedqbCQ but it doesn't work for me.

A: Can you not just do this? It seems like you're moving your faux status bar into the Coordinator layout when you don't need to?
<?xml version="1.0" encoding="utf-8"?>
<LinearLayout xmlns:android="http://schemas.android.com/apk/res/android"
android:layout_width="match_parent"
android:layout_height="wrap_content"
android:orientation="vertical"
android:weightSum="1">

<FrameLayout
    android:id="@+id/statusbar"
    android:layout_width="match_parent"
    android:layout_height="25dp"
    android:background="@color/colorPrimaryDark" />

<Coordinator>
    <AppBarLayout>
        <CollapsibleToolbarLayout>
            <Toolbar/>
        </CollapsibleToolbarLayout>
    </AppBarLayout>
    <NestedScrollView/>
</Coordinator>
</LinearLayout>

redpajama_set_name: RedPajamaStackExchange


text:
Home » Articles » Property Specific Deed Exceptions
Property Specific Deed Exceptions
August 14, 2018 February 23, 2018 by Jon Goodman
Property Specific Deed Exceptions. This webcast walks you through an example where this distinction between a general exception deed and a property specific exception deed makes a difference and explains why most Colorado title companies initially prepare a deed form that is inconsistent with the Colorado Real Estate Commission contract.
2/23/18: Property Specific Deed Exceptions. Some general warranty deeds initially prepared by title companies as a scrivener for the brokers have an exception to the grantor's warranty of title that reads something like: ". . . and except taxes for the year of closing; and except all reservations, rights of way, restrictions and covenants of record." Other deeds may have an except that reads something like: "those specific exception described by reference to recorded documents as reflect in the Title Documents accepted by Buyer in accordance with § 8a . . ." These "general exceptions" make the general warranty deed more like a special warranty deed. (See the following webcast that explains the difference between a general warranty deed and a special warranty deed: General Warranty Deed vs. Special Warranty Deed.) Section 13 of the Colorado Real Estate Commission approved contract calls for a narrower, "property specific exception," which merely excepts itemized known title blemishes from the grantor's general warranty. A property specific exception reads something like: ". . . and except taxes for the year of closing; and except for those encumbrances identified on Exhibit A attached hereto" where Exhibit A mirrors the property specific exceptions from the exception section of the title commitment. Colorado law obligates broker to attempt to have the closing documents prepared consistently with the contract. This webcast walks you through an example where this distinction between a general exception deed and a property specific exception deed makes a difference and explains why most Colorado title companies initially prepare a deed form that is inconsistent with the Colorado Real Estate Commission contract. While this webcast may be useful in wetting your appetite for this topic, the following article will decrease misunderstanding: Property Specific Deed Exceptions.
Categories Brokerage Law, Contracts, Real Estate, Real Estate Title Post navigation
Brokerage Law
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Managing Seller Risk in the Limbo Period
Must You Extend Listing when Purchase Contract Closes After its Expiration?
May I File for Divorce in Colorado?
New Law on Rental Application Fees
New Law on Landlord's Warranty of Habitability
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text:
Home Papers CritPlat	Contact
Peaks Krafft
p.krafft@oii.ox.ac.uk
I am currently running a survey on defining artificial intelligence (A.I.) and classifying A.I. technologies that I hope will inform some ongoing policy discussions. You can participate here!
Dr. Krafft is a Senior Research Fellow at the OII in the University of Oxford's Social Science Division. Dr. Krafft's research centers around AI and computer science as communities of practice. The fields of AI and data science continue to grow at an outstanding pace. Yet these communities, even with this growth, still have persistent deep issues with inclusion, diversity, and open-mindedness to further-afield disciplines such as the humanities and social sciences. Dr. Krafft's ongoing work revolves around a set of projects-as-interventions aimed at redressing these problems in AI and data science, especially in their application to social domains. Broadly, Dr. Krafft's projects fall along two lines: (1) working from inside data and computer science communities developing methods and technologies that bridge to disciplines in the humanities and social sciences, such as by translating concepts from those disciplines in terms familiar in computer science, and (2) working outside the AI and data science communities to make tools for broadening AI and data literacy, and to broaden access to AI and data science resources.
Before coming to OII, Dr. Krafft received a PhD in Electrical Engineering and Computer Science from the Massachusetts Institute of Technology (MIT) Computer Science and Artificial Intelligence Laboratory (CSAIL), where Dr. Krafft was funded in part by a National Science Foundation (NSF) Graduate Research Fellowship. After graduating, Dr. Krafft was a Moore/Sloan & WRF Innovation in Data Science Postdoctoral Fellow at the University of Washington Information School, a postdoctoral researcher at the University of California Berkeley's Social Science Matrix and Department of Psychology, a visiting postdoctoral scholar at the Data & Society Research Institute in New York City, and a participant in the Harvard Berkman-Klein Center/MIT Media Lab Assembly program.
Dr. Krafft also co-directs the Critical Platform Studies Group (CritPlat), which is an international research collective that aims to interrogate and intervene on structures of power that are produced or reproduced by software. CritPlat conducts policy-facing ethnographic research on topics such as AI regulation, government use of information technologies, conceptions of AI, and funding relationships between academia and the tech industry.
Dr. Krafft is excited to collaborate with other researchers, with students of all levels, and with anyone else on any of these topics, and related mission-driven topics not listed!
I am also Peter Krafft, and Peter M. Krafft and Peter Martin Krafft. I am not Peter Kraft. Nor am I Peter Croft or Peter Craft. Or Peter Martin Kraft or Peter Martin Craft or Peter Martin Croft.


Ever wonder what a fashion stylist really does? Think Rachel Zoe. As a celebrity fashion stylist, she's worked with Mischa Barton, Nicole Richie, Kate Hudson and Eva Mendes. As their stylist, Rachel Zoe pretty much picks out all their outfits and dresses them to a T.
Beauty Riot: So, you're a stylist's assistant. What does your job consist of?
Ashley Roberts: Despite what my title might sound like, the assistant actually gets to do some of the shopping. I pick out the clothes based on my tastes, and when we go to the shoot the main stylist chooses the outfits from my picks.
BR: What's the hardest part about shopping for a shoot?
AR: It's all about the client — what they emulate in life and want to be perceived as. It's not just throwing together clothes you like. You can't be taught style, it's instinctual and it's about understanding the person you are styling.
BR: What's the best education or experience to have for this job?
AR: School for merchandizing or fashion design would be good, but it's all relevant, even if you go to art or design school. It's pretty applicable, because you learn about lighting, photographers, photo shoots. But lots of stylists (like Zoe) are self-taught and make their way up there by networking.
BR: What other advice do you have for girls who want to become a fashion stylist?
AR: It's all about making contacts in the industry. Go to every single event possible. Also, a lot of department stores have a studio services department (like Bloomingdales, Nordstrom and Barneys). Work there and you'll meet a lot of stylists — it's where we go to shop for our shoots. Another way to break in is by starting a fashion blog. A lot of fashion stylists are looking online and if they love your style, they will commission you.
BR: What made YOU want to be a fashion stylist?
AR: I didn't know the job existed until after college, because I hadn't been exposed to it. Like I said, it's a rare job. Literally, I spent a year trying to find a stylist I could work for full-time. But I love working with people and I love styling. I always did it with my friends.
BR: What does it take to make it in this industry?
AR: Organization is absolutely key — if you miss a return date or lose a receipt, you could be $2000 out. It's a cutthroat industry, so you can't be too sensitive. Photographers can be harsh. They know what they want, and the stylist must line up with the photographer's vision.
BR: What's a typical day like for you?
AR: It all depends on the location. Last week we were in a pumpkin patch. Next month I'm going to Mexico for five days to shoot out on the water. But I love how fast-paced it is. You really have to think on your feet while you're there. Sometimes the photographer will be like, "Give me jean shorts." But we don't have them, so we have to make our own cutoffs in like, three seconds.
BR: What's the best part of your job?
AR: I love the sporadic nature and timing of it all. You could go for 10 days straight and then get 10 days off. And of course — getting free clothes is a perk. Mostly from PR companies and people who want you to use their stuff.
BR: What's the worst part of your job?
AR: The returns. After every shoot, I have to return the clothes we used. Imagine a huge truck full of stuff. It takes hours!
AR: I get treated (and paid) very well as a stylist's assistant. When you go to a shoot, everyone knows you have done a lot of the prep work for the shoot and a lot of the shopping. But I'm also trying to break into celebrity styling. I'd love to work solely for myself down the line, as a celebrity stylist.


text:
Placing Movies: The Practice of Film Criticism
by Jonathan RosenbaumJonathan Rosenbaum
Paperback(First Edition)
Buy Online, Pick up in Store and The Manchurian Candidate, and considered reevaluations of Orson Welles and Woody Allen.
University of California Press
Edition description:
Jonathan Rosenbaum, film critic at the Chicago Reader, is author of Greed (1993) and Film: The Front Line 1983. He is also coauthor, with J. Hoberman, of Midnight Movies (1983).
Dedication and Acknowledgments
Starting Out in Film Criticism
One. The Critical Apparatus
Theory and Practice: The Criticism of
Film Comment Journals, 1974-1977: Excerpts
Edinburgh Encounters: A Consumers/Producers
Guide-in-Progress to Four Recent Avant-Garde Films
Barthes & Film: 12 Suggestions
A Bluffer's Guide to Bela Tarr
They Drive by Night: The Criticism of Manny Farber
Two. Touchstones
Ozu's GOOD MORNING
Aspects of ANATAHAN
Gold Diggers of 1953: Howard Hawks's
GERTRUD as Nonnarrative: The Desire for the Image
OTHELLO Goes Hollywood
Three. Filinmakers
Work and Play in the House of Fiction:
On Jacques Rivette
The Tyranny of Sensitivity
Love Films: A Cassavetes Retrospective
The Death of Hulot
Orson Welles's Essay Films and Documentary Fictions:
A Two-Part Speculation
The Importance of Being Perverse: Godard's KING LEAR
Alain Resnais and MELO
Four. Provocations
Jerry Lewis's HARDLY WORKING
DOOMED LOVE: The Masterpiece You Missed
Mapping the Territory of Rlh11 Ruiz
Notes Toward the Devaluation of Woody Allen
Crass Consciousness: BARTON FINK
Five. Inside and Outside the Movie Theater
Jean Vigo's Secret: L' ATALANTE
Guilty by Omission
His Master's Vice: Fuller's WHITE DOG
Government Lies: THE PANAMA DECEPTION and
DEEP COYER
A Cinema of Uncertainty: Films by
book by maurizio viano
book by james naremore
film quarterly summer 2014
book by jonathan rosenbaum
book by natalia molina
american practice book
A Certain Realism: Making Use of Pasolini's Film
Pier Paolo Pasolini (1922-1975) was arguably the most complex director of postwar Italian cinema. His ...
Pier Paolo Pasolini (1922-1975) was arguably the most complex director of postwar Italian cinema. His films—Accattone, The Canterbury Tales, Medea, Saló—continue to challenge and entertain new generations of moviegoers. A leftist, a homosexual, and a distinguished writer of fiction, poetry, ...
A Checklist of Host-Parasite Interactions of the Order
Records of parasitism in crocodilians date back to the early 1800s, distributed among various types ...
Records of parasitism in crocodilians date back to the early 1800s, distributed among various types of published and unpublished materials. Analyzing parasite-host specificity, geographic distribution, and taxonomy can provide otherwise cryptic details about crocodilian ecology and evolution, as well as ...
Art Workers: Radical Practice in the Vietnam War
During the late 1960s and early 1970s, in response to the political turbulence generated by ...
During the late 1960s and early 1970s, in response to the political turbulence generated by the Vietnam War, an important group of American artists and critics sought to expand the definition of creative labor by identifying themselves as "art workers." ...
Charles Burnett: A Cinema of Symbolic Knowledge
In the first book devoted to Charles Burnett, a crucial figure in the history of ...
In the first book devoted to Charles Burnett, a crucial figure in the history of American cinema often regarded as the most influential member of the L.A. Rebellion group of African American filmmakers, James Naremore provides a close critical study ...
The Conscientious Gardener: Cultivating a Garden Ethic
In his influential A Sand County Almanac, published at the beginning of the environmental movement ...
In his influential A Sand County Almanac, published at the beginning of the environmental movement in 1949, Aldo Leopold proposed a new ecological ethic to guide our stewardship of the planet. In this inspiring book, Sarah Hayden Reichard tells how ...
Does Policy Analysis Matter?: Exploring Its Effectiveness in
How well can democratic decision making incorporate the knowledge and expertise generated by public policy ...
How well can democratic decision making incorporate the knowledge and expertise generated by public policy analysts? This book examines the historical development of policy analysis, as well as its use in legislative and regulatory bodies and in the federal executive ...
Encyclopedia of Pasta
Spaghetti, gnocchi, tagliatellea, ravioli, vincisgrassi, strascinati—pasta in its myriad forms has been a staple of ...
Spaghetti, gnocchi, tagliatellea, ravioli, vincisgrassi, strascinati—pasta in its myriad forms has been a staple of the Mediterranean diet longer than bread. This beautiful volume is the first book to provide a complete history of pasta in Italy, telling its long ...
Frame by Frame: A Materialist Aesthetics of Animated
At publication date, a free ebook version of this title will be available through Luminos, ...
At publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. In this beautifully written and deeply researched study, Hannah Frank provides an original way ...


text:
Iraqi Freedom
Brandon Traister
Operation Iraqi Freedom Oral History Interview
US Army, NJ Army National Guard
Summarizer: Amy Baltin
Brandon Traister was born in Mount Holly, New Jersey. As part of a high school video oral history project, Traister interviewed and recorded the stories of local war veterans. He began by working with World War II veterans; but, once the school project was completed, he continued interviewing on his own and expanded his scope to include veterans from the Korean and Vietnam wars. Since his return from his own service in Iraq, Traister has made presentations to schools, churches, and veteran groups on the Iraq War, because he feels the media did not do a good job of reporting on the conflict. In his talks he uses pictures from previous wars to show how, in many ways, little has changed.
Sergeant Brandon Traister (left) receiving an award from Sean Kean at the Manasquan Elks Lodge, November 2007.
Inspired by the events of September 11, Traister joined the National Guard in January, 2002. He was initially assigned to Fort Benning, Georgia, for basic and advanced infantry school training between January and April 2003; and, on his return to New Jersey, he was assigned to A Company of the 1st Battalion of the 114th Infantry, New Jersey National Guard. Traister's initial overseas deployment occurred the following year, when his unit was sent to Egypt in July, 2004 and attached to the Multinational Force and Observers South Camp in Sinai, Egypt. The Multinational Camp was used as a buffer between Egypt and Israel and assigned the task of monitoring all land, air, and sea traffic in the area, whether military, civilian, or government.
While in Egypt, Traister considered leaving the National Guard and joining an active duty unit. He thought it was a waste to be trained as an infantryman and then assigned to administrative duties. He told the interviewer that "infantry is trained to fight, not sit in a tower and do paperwork." Traister returned home in January 2005, but then volunteered to spend a year in Iraq with the Pennsylvania National Guard's B Company, 1st Battalion, 109th Infantry, from Williamsport, Pennsylvania. He was formally assigned to the 109th on April 29, 2005.
B Company was initially deployed at Camp Beuhring in Udairi, Kuwait, in order to acclimate the soldiers to the area before transitioning into Iraq. Traister recalled that Kuwait was so hot that the air-conditioning would overheat daily. After three weeks, the company was sent to Camp Habbaniyah in Al Anbar Province, Iraq, where it was stationed from July 14 through October 13, 2005. While at the camp, Traister worked in bomb disposal security, recalling that his job involved a lot of police work, and that most of his unit was made up of soldiers who were police officers in civilian life.
While working with bomb disposal security, Traister, who had been promoted to Sergeant E-5, thought that each time he went out to do his job might be the last time. He recalled that the technicians who actually handled the explosive devices were the bravest men he has ever met, because their life expectancy was said to be no longer than one tour of duty. The men of every explosive ordnance disposal team he spoke to had lost the head of their team, killed or wounded. Traister stated that there was no lack of insurgent recruits to plant bombs, as there were a lot of unemployed people in Iraq; and, terrorism and insurgency paid a lot better than the Iraqi police and military.
From October 14, 2005 through February 3, 2006 Sergeant Traister was stationed at Camp Ramadi in Al Anbar. While at Ramadi, he participated in foot patrols along the Euphrates River, and his unit was fired on regularly by insurgent snipers across the river. The Americans were not allowed to return fire because of the risk of hitting an American soldier with "friendly fire". Traister remembered that as the deployment went on, the patrols got longer as well as moved further away from the base camp. He recalled that on New Year's Eve, soldiers shot off flares in place of fireworks.
Sergeant Traister moved to Camp Blue Diamond, also in Al Anbar, on February 3, 2006, and served there through March 24. The camp had once been a palace for Saddam Hussein's sons. He recalled that when soldiers crossed the streets in the area, they had to toss a smoke grenade out or fire a warning shot into the ground to slow down speeding cars, since local drivers would not slow down for people trying to cross.
Prior to leaving the war zone in April, Traister spent a week in Kuwait. He recalled that coming home and returning to civilian life was a big adjustment for him, but he resumed his veteran interview project. He believes that it is important for people to spend a few years of their lives serving their country. Traister was still serving in a New Jersey National Guard unit in Mount Holly at the time of his interview.
Sergeant Brandon Traister was awarded the Combat Infantryman's Badge, the Iraq Campaign Medal and the Multinational Force & Observers Overseas Service Ribbon. He has also completed the army's Combat Lifesaver Course and Warrior Leaders Course.


text:
2022 Washington State Book Award Winners Announced
Three local book authors honors in youth categories
By Seattle Child Staff
Published September 2022
The Washington Center for the Book and The Seattle Public Library have selected the 2022 Washington State Book Awards(WSBA) winners for outstanding books published by Washington authors in 2021.
The finalists were announced in August and the winners of the 56th annual awards program announced Tuesday, September 13.
"This year's awards highlight Washington authors who write about worlds both near and far," said Sara Peté, director of the Washington Center for the Book.
Here are winners in the award program's three books for youth categories:
"Rock by Rock: The Fantastical Garden of Nek Chand" by Burlington writer Jennifer Bradbury and illustrated by Sam Boughton won the award for best picture book.
It's the story artist Nek Chand (1924—2015), who built a secret sculpture garden out found objects and trash outside Chandigarh in India which became one of India's most treasured wonders, second only to the Taj Mahal. Ages 4-8.
Books for young readers
Set in 1955 Washington State at the beginning of the Civil Rights movement, Sundee Frazier's "Mighty Inside" is a historical fiction and the coming of age story of Melvin Robinson, one of two Black boys in his high school class. A Renton-based writer, Frazier deftly tells Melvin's story as he navigates racism, love and a stutter. Says Publisher's Weekly, Might Inside is "a well-constructed and movingly told story of a thoughtful Black boy making his place in his family and in 1950s America. Ages 8–12.
Books for Young Adult Readers
Margaret Owen's "Little Thieves" took the prize in the young adult readers category. Owen is based in Seattle. Of this colorful tale of the mythical adopted goddaughter of Death and Fortune, Kirkus reviews writes: "Part heist, part heart-wrenching coming-of-age novel, this is a new take on 'The Goose Girl.' Owen delivers a cynical, sarcastic, devious, damaged, and self-aware antihero, a climactic crime caper, and a twisty legal-political thriller. A lush and lively adventure replete with romance, revenge, and robbery. Ages 14-18.
According to the Seattle Public Library, each of these awards was given based on the strength of the book's literary merit, lasting importance and overall quality.
A complete list of book award finalists can be found at this Shelf Talk blog post.
For more information about the Awards, visit Washington Center for the Book, call the Library at 206-386-4636 or Ask Us.
More at Seattle's Child:
"Check out other great books in the Seattle's Child Book Corner"
Seattle Child Staff
Send story ideas to editor@seattleschild.com
New Somali-English children's books are a community effort
A call to Supreme Court to uphold Capital Gains Tax
Permanent free school meals for all WA kids? Maybe!
Free webinar: Stop child restraint, isolation in schools


text:
Walking Dead creator Robert Kirkman signs deal to develop TV for Amazon
Amazon has a new overall deal with The Walking Dead comic book series creator Robert Kirkman. Kirkman's comic provided the inspiration for the hit AMC show of the same name, and now he'll work with Amazon and his own Skybound Entertainment company to create TV projects designed to air exclusively on Amazon's Prime Video streaming service.
The deal is the latest for Skybound, which also has a two-year first look arrangement with Universal, as Variety reports. In addition to The Walking Dead and Fear the Walking Dead, Kirkman's comic Outcast has resulted in a horror series that airs on Cinemax and just concluded its second season. Kirkman's comics success include ongoing Image series' Invincible, as well as Thief of Thieves, both of which have had successful runs and built a strong following.
I would love to see an Invincible TV series, personally, but that's already been optioned for a Universal Pictures film helmed by Seth Rogen and Evan Goldberg. Still, Kirkman's creative power is a force to be reckoned with and a proven recipe for success in original TV content production, so it seems like a good pick-up for Amazon's own original streaming content push.
This news comes in the same week that Netflix announced its own acquisition of comic book creator Mark Millar's Millarworld publishing company. Netflix announced the news just ahead of Disney's announcement that it would be pulling its movies from the service in 2019 and creating its own subscription streaming offering. The Defenders and the companion Netflix series derived from Marvel content are part of a separate deal, and that remains intact for now, but it's clear that all streaming providers are looking to comics as a wellspring of creative inspiration for programming.
Kirkman's Amazon Prime deal should have both comics and streaming fans alike excited, but we'll have to wait and see to find out what exactly comes out of the new partnership.


text:
Q: oracle plsql error while compiling package spec create or replace
PACKAGE test_pkg
IS
PROCEDURE abc_requests (p_xys IN NUMBER);
end test_pkg;

Hello my procedure name is abc_requests with just one parameter.
Below is my error message, please help.
Error message:

Error(4,11): PLS-00103: Encountered the symbol " "
when expecting one of the following:
 <an identifier>
 <a double-quoted delimited-identifier>
 current delete exists prior

A: You have used non-breaking spaces in your statement, instead of plain spaces. If you copy and paste the code from the page as it is displayed above it will work. If you edit the question and copy the original code it will not.
You can use the dump() function (or a decent text editor) to see what the code actually contains:
select dump('PROCEDURE abc_requests (p_xys IN NUMBER);',16) from dual;

DUMP('PROCEDURE ABC_REQUESTS(P_XYS IN NUMBER);',16)
--------------------------------------------------------------------------------------------------------------------------------------------------
Typ=96 Len=44: 50,52,4f,43,45,44,55,52,45,c2,a0,61,62,63,5f,72,65,71,75,65,73,74,73,20,28,70,5f,78,79,73,c2,a0,49,4e,c2,a0,4e,55,4d,42,45,52,29,3b
                                          ^^^^^                                                          ^^^^^       ^^^^^

I've highlighted the two problem characters, which are the multibye non-break space (in UTF-8).
Retype your code, or copy and paste from the question, or just change the non-breaking spaces to normal ones.


text:
Banking and Financial News
UPDATE 2-Falling zinc price hammers Trafigura-backed Nyrstar in Q3
* Lead and zinc producer says Q3 core profit drops 74 pct
* Shares tumble 11 pct after the results
* No decision yet on how to tackle company's debt
* Nyrstar says a bond buyback may be one option (Adds comment by CFO)
Oct 30 (Reuters) - Metals producer Nyrstar NV said on Tuesday that third-quarter core profit dropped 74 percent, hit by a combination of falling zinc prices, rising energy prices and higher mine operating expenses.
The Belgian company, whose biggest shareholder is Swiss-based global commodities trader Trafigura, had already issued a profit warning last month and its shares slid 11.1 percent following Tuesday's results.
A weak dollar also hurt third-quarter earnings, it said.
"Over the course of the third quarter, Nyrstar was exposed to adverse market conditions (which led to) poor financial results for the group," Chief Executive Hilmar Rode said in a statement.
Second-quarter underlying earnings before interest, tax, amortisation and depreciation (EBITDA) totalled 13 million euros ($14.8 million) on revenues of 1 billion euros, the zinc and lead producer said.
Nyrstar increased zinc metal production by 9 percent in July-September from a year earlier, but said the average zinc price fell 22 percent in the quarter compared to the average for the first half of the year.
The company, whose relatively high debt levels are also a source of investor concern, warned last month that its second-half underlying EBITDA would be materially lower than the first half, although it left forecasts for production, capex and positive free cash flow unchanged.
It confirmed the free cash flow outlook on Tuesday.
For January-September, underlying EBITDA dropped 17 percent from a year earlier to 134 million euros.
Moody's cut Nyrstar's credit rating last month, citing concerns about its liquidity and ability to refinance 350 million euros' worth of bonds maturing next year.
Nyrstar's CFO Michel Abaza said that no decision had yet been taken on how to tackle the company's debt levels but that the board would come back with a decision in the coming months.
"A bond buyback will be contemplated as an option among others... it will be part of the review of the capital structure of the group," Abaza said.
The company said its net debt at the end of September, excluding zinc metal prepay and perpetual securities, had fallen 61 million euros from the end of June.
Abaza added that discussions were ongoing to extend a $250 million working capital facility from Trafigura. The facility is due to expire at the end of 2019.
$1 = 0.8789 euros Reporting by Piotr Lipinski in Gdynia; Julia Payne in London; Editing by Darren Schuettler and Susan Fenton


text:
HiFi Productions Launches Storyteller Production Music Label
Hifi Productions has launched Storyteller, a new production music label from Emmy Award-winning composer/producer Joel Goodman. Available exclusively through Universal Production Music, the label's initial release comprises seven albums of production-ready music drawing on Goodman's singular ability to weave human emotion into contemporary musical narratives.
Uniquely, each album includes tracks on a dozen themes, with most available in multiple arrangements, each with different emotional inflections. The result is distinctive, memorable music of unparalleled breadth, depth, and versatility. The label plans additional releases on a monthly basis.
"Joel has filled a huge void in creating a collection of music with a modern narrative sound," says Hifi Productions marketing director Micah Welch. "Storyteller breaks new ground by including alternate versions of themes, with a full range of emotions, from dark to upbeat. Producers have been searching for a collection like this and we are excited to deliver."
Goodman, whose many credits include the recent Netflix documentary mini-series Murder Among the Mormons and the theme for PBS's long-running American Experience, says the inspiration for the label came through conversations with picture editors. "Editors have been asking me for a collection of music that they can use to tell stories," he says. "This music is thematic and takes you on a journey."
Storyteller embodies the same stylistic innovation and high production value that Goodman applies to original scores for film, documentaries, and advertising. "This is an artist-driven label," Goodman explains. "The music is interesting, unexpected, even quirky. It stands out from other catalogs by underscoring emotions in a myriad of unique ways."
Hifi Productions www.hifiproductions.com


In clear and cobalt blue optical crystal mounted on a chunky black base, this round 'Atlas' award is designed by internationally acclaimed traveller, artist and sculptor Nik Meller. The cobalt blue rim encircles the pure crystal centre and the light and colour reflect beautifully. With a generous space allowed, the face can be engraved with an inscription, name, logo, crest or date. It is available in an attractive presentation box.


WICHITA FALLS CHAPTER OF CREDIT UNIONS BLOOD DRIVE: 9 a.m. to 2 p.m. Aug 1. Union Square Credit Union, 1401 Holliday St. And, 6 p.m. to 9 p.m. Aug. 2 at Downtown Farmers Market, 713 Ohio.
WICHITA FALLS TOWN HALL WITH BETO O'ROURKE: 5 p.m. Aug 1. The Stone Palace, 1211 Indiana. (915) 730-3876.
LIVE TRIVIA: 7 p.m. Aug 1. Wichita Falls Brewing Co. 701 Indiana St. Free trivia game. 21 and up. 264-4677.
AFTER HOURS ART WALK: 6 to 9 p.m. Aug 2. Downtown Wichita Falls Farmers Market, 713 Ohio, and over most of downtown Wichita Falls. Free. 322-4525.
MEMORIES IN THE MAKING: 10 to 11 a.m. Aug 2. The Forum, 2120 Speedway. Free. Art program for people with dementia and their caregivers. 766-3347.
"A TALE OF TWO CITIES": 7:30 p.m. Aug 3 & 4 to Aug 25. Wichita Theatre, 10th and Indiana. 723-9037 or www.wichitatheatre.com.
"BLITHE SPIRIT": 6:30 p.m. Aug 3-4 and 10-11. Wichita Theatre's Stage 2, 914 Indiana. $39 to $47 plus tax. Call 723-9037 or www.wichitatheatre.com for information and tickets.
MIKE RYAN LIVE: 8 p.m. Aug 3. Boulevard Nightclub, 3915 Kell East. 696-6410.
DANCE ETC. OPEN HOUSE: 10 a.m. to 4 p.m. Aug 4. Dance Etc., 3411 McNeil #301. Meet the dance instructors. 696-8000.
PROJECT BACK TO SCHOOL ROUNDUP: 9 a.m. to noon, Aug 4. MPEC, 1000 5th St. (877) 541-7905.
YOUNG SPEAKERS MEETING: 10 a.m. Aug 5. Crestview Church of Christ, 2111 Highway 79 S. Speaker is Benjamin Burns. 322-2211.
LIVE TRIVIA AT DELI PLANET: 6:30 to 9:30 p.m. Aug 6. Deli Planet, 4014 Sheppard Access Road. 855-1921.
WICHITA FALLS CHAPTER ANNUAL SCHOLARSHIP DINNER: 6 p.m. August 6. Sikes Lake Center at MSU. Special speaker Dr. Bill Dean. $30. RSVP to TTAAwichitafalls@gmail.com by Aug 1.
HIPPY FIT FITNESS FUN WALKING GROUP – WICHITA FALLS: 10 to 11 a.m. Aug 7. Sikes Senter Mall, 3111 Taft Blvd. 434-0026.


These short films will help you select a seat that matches your child weight and height. You do not need to watch them all. Just click the title of the one(s) that match your personal circumstances.
What do I need to know about child car seats?
Is the child car seat I'm buying safe and legal?
What methods are there for fitting child car seats into my vehicle?
Which type of R44 car seat does my child need?
Which type of iSize car seat does my child need?
What do I need to know about rear facing child car seats?
How do I fit rear facing ISOFIX child car seats?
How do I fit rear facing child car seats with a seat belt?
What do I need to know about travelling with a low birth weight baby?
How do I fit low birth weight seats?
What do I need to know about forward facing child car seats?
How do I fit forward facing child car seats with ISOFIX?
How do I fit forward facing child car seats with a seat belt?
What do I need to know about high backed booster seats?
How do I fit an ISOFIX high backed booster seat?
How do I fit a high backed booster seat using a seat belt?
What do I need to know about booster cushions?
How do I fit a booster cushion?


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I attended my first admin meeting at the Sumac Centre on Monday 7th June. They are held every first Monday of the month from 7:30 in the main bar room. This was only my second visit to the Sumac whatsoever. I arrived slightly late, and evidently there had already been a discussion for 45 minutes about what to do about 'the kids', the local children who had been coming into the centre at various times and sometimes causing trouble. Altho it was not still happening once I'd got there it was obvious there had been some heated exchanges, and a few people looked upset.
The meeting was very productive, making various issues known and resolving quite a few. I chipped in at various points. I was there primarily to volunteer my services in conjunction with Meirion in helping people with computing issues, in my case as a DAIN volunteer. That was dealt with; I also found myself volunteering to help with the library (as I'd always wanted to), and took the opportunity in AOB at the end to suggest that Transition Forest Fields and the Sumac should have closer links. When the matter of necessary plumbing work was raised I suggested finding someone on the Skills Exchange, which seemed to be received well.
After the meeting I was put on the Sumac admin mailing list, and have been receiving admin messages and contributing to discussions ever since.
This entry was posted in community, DAIN, events, local, meetings, Sumac, Transition Forest Fields, voluntary work and tagged admin meetings, computing work, DAIN, library work, Skills Exchange, Sumac, Transition Forest Fields. Bookmark the permalink.


PRODUCT: SPOTNAILS CB1832 3/16 to 1-1/4" 18 GA STRAIGHT COLLATED BRAD AIR NAILER KIT. Includes tool, hard case, oil, allen wrenches, safety glasses, product documentation.
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A view defines the presentation style of data on a page in the application. Views are composed of data fields and optional categories. Form views use categories to organize fields, while other types of views are incompatible. The view type determines the style of presentation. For example, form views display fields of a single record while chart view offers a graphical representation of multiple data rows.
Views are found under the Views node of a controller in the Project Explorer.
Multiple views may be defined for each data controller. The standard configuration of a data controller includes grid1 to present a list of records, editForm1 to edit existing records, and createForm1 to allow entering new records.
Views are also displayed under data view nodes on the Pages tab. Data views are instances of data controllers on pages.
Views can be created using the context menu option New View on the Views node.
Views can be rearranged by using drag and drop operations. Dropping a view onto another view will place it after the target view.
Dropping a view on the right side of another view will also place it after the target.
Dropping a view on the left side of another view will place it before the target.
Dropping a view onto the Views node or Controller node will place it at the bottom of the list.
Dropping a view into another controller will copy the view to the target controller and remove all incompatible data fields.
Form views require all data fields to be placed in a category. All other types of views do not use categories. Therefore, grid views cannot be directly converted to form views and vice versa by changing the Type property. The context menu option Convert To Form and Convert To Grid must be used.
The view Id can be changed using the Rename context menu option.
Views can be deleted using the context menu option Delete.


text:
Q: javascript minesweeper expand messing up counter I made a minesweeper game in javascript, which was finally running pretty smoothly, until i added the "expand()" function (see below). I have 3 issues:

*

*When it expands it adds too many to "flippedCount" ( see code below ) - in the image below the div to the right displays "flippedCount", and its 39 instead of 35.

*As a result, if a player exceeds 90 squares ( amount to win ) during a "expand()", the winning screen doesnt show.

*It also doesnt expand properly ( see images below ).

The relevant code and a link is below these 2 images

var flippedCount = 0;
var alreadySetAsZero = [];
var columnAmount = 10;

function processClick(clicked) { //i use a "(this)" to pass as "(clicked)"
  nextToBombCheck( parseInt(clicked.id) );
  checkWin();
}

nextToBombCheck( boxNum ) {
  flippedCount++;
  document.getElementById("flipped").innerHTML = flippedCount;
  //long function setting "bombCount" to # bombs around clicked square goes here
  if ( bombCount !== 0 ) {
    //blah blah blah
  } else {
    alreadySetAsZero[ boxNum ] = "yes";
    expand(boxNum);
  }
}

function expand( emptyBoxId ) {
  checkRightOfEmpty( emptyBoxId + 1 );
  checkLeftOfEmpty( emptyBoxId - 1 );
  checkAboveEmpty( emptyBoxId - columnAmount );
  checkBelowEmpty( emptyBoxId + columnAmount );
}

function checkRightOfEmpty( boxToTheRightId ) {
  //check if already marked as zero
  if ( alreadySetAsZero[ boxToTheRightId ] === "yes" )
    return;
  //if box is at the edge
  if ( boxToTheRightId % columnAmount === ( 0 ) ) {
    //do nothing
  } else {
    nextToBombCheck( boxToTheRightId );
  }
}

//and the rest are 3 similar functions

I was not able to find a pattern with the lack of expansion or numbers added to flipped count.
link here
p.s. sorry about the title i dont know what else to call it

A: You are getting an incorrect count because your algorithm doesn't take into account squares that have already been flipped - resulting is squares getting counted twice.
The simplest way to keep an accurate count of the is to make use of that fact that 'getElementsByClassName' returns a live node list.
Note: getElementsByClassName has pretty good browser support, but if your browser requirements are different, you will need to adjust this a bit.
On entry, initialize the list (variable name just to differentiate from previous name):
var newFlippedCount = document.getElementsByClassName('flipped');

Each time you update a square with a bomb count class use this instead (adds the flipped class as well):
document.getElementById(boxNum).className = classList[bombCount] + ' flipped';

When you update the UI with the new flipped count use:
document.getElementById("flipped").innerHTML = newFlippedCount.length;

Your count is now magically correct :)
Note: you could also solve this by checking to see if the box has already been flipped before incrementing flippedCount.
You were also periodically getting an error in the console:
Uncaught TypeError: Cannot set property 'className' of null

at this line (around line: 298):
document.getElementById(boxNum).className = classList[bombCount];
You should protect that either by checking the bounds or just by checking the return value before using it:
var ele = document.getElementById(boxNum);
if(!ele) return;

ele.className = classList[bombCount] + ' flipped';

Demo
Edit: If you are interested, here is a high level overview of the Minesweeper Cascade Algorithm
Update - cascade bug found
One of the reasons the cascade wasn't working correctly on successive replays is that the variable used to track cells that had already been set to zero wasn't getting reset in a new game.  For a fix:
function start() {
   …
   // Reset to empty array
   alreadySetAsZero = [];
   ...
}

Updated fiddle with additional debug statements to help find the problem:
Demo

A: Although you use "alreadySetAsZero" to stop squares being counted multiple times, this doesn't take into account squares with a bomb count. These will be counted multiple times in your expand method.

A: i found the problem that was bothering me (the counter) it counted the squares "-1" and "100"
i then added || boxToTheRightId > ( cellAmount - 1 ) to checkRightOfEmpty and || boxToTheRightId < 0 to checkLeftOfEmpty (in their if statements) and it works just fine, thanks anyway guys.


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