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CALL THE BANK : CALL CONNECTION SERVICE. PLEASE NOTE : A DIRECT NUMBER CAN BE OBTAINED FROM EACH OFFICIAL WEBSITE
Southall HSBC Call Connection Contact Number
March 2, 2019 location 0 Comments
PLEASE NOTE : A DIRECT NUMBER CAN BE OBTAINED FROM EACH OFFICIAL WEBSITE Contact Each Company Direct, CLICK HERE Calls to 084 numbers cost 7p per minute plus your phone companies access charge. Calls to 0870 phone numbers cost 13p per minute plus your phone companies access charge. Calls to our 0905 numbers cost £1.50 connection fee plus £1.50 per minute plus your phone provider's access charge. This website and telephone connection service number is operated by 118 Telecoms and is not affiliated with, or operated by any of the companies listed. A direct number may be obtained from each official website.
Need to call HSBC In Southall? Give their customer service team a ring on 0905 481 0180. This call connection service costs £1.50 per minute & your phone company's access charge plus a £1.50 connection fee. This website and telephone call connection service number is operated by 118Telecoms and it is not affiliated with, or operated by, Barclays..
This number will reroute you through our call forwarding service to the HSBC call center staff who will be more than happy to help with all enquiries.
The Southall HSBC Call Connection Number can help with:
Finding the location of the HSBC Southall branch.
Enquiring about working for Southall HSBC or the recruitment process.
Acquiring HR contact details if you are a Southall HSBC employee.
Finding out how you could get compensation if you have been miss-sold PPI in Southall.
Registering a complaint about the Southall HSBC service or an employee.
Just call 0905 481 0180. This call connection service costs £1.50 per minute & your phone company's access charge plus a £1.50 connection fee. This website and telephone call connection service number is operated by 118Telecoms and it is not affiliated with, or operated by, Barclays. to resolve your issue regarding the Southall HSBC branch
About HSBC Southall
HSBC is a British bank headquartered in London and is the fourth largest bank in the world, considering all assets. Although originally it's start was in Hong Kong, HSBC in it's current state was established in 1991 and currently operates over 6000 offices in 71 countries employing over 85,000 people worldwide.
HSBC have a range of current accounts that are tailored to the needs of different people. For example, a student or graduate bank account as well as a pay monthly bank account and a basic bank account. HSBC also offer incentives for those that are thinking of switching over and banking with them such as £150 in your account and an interest and fee free overdraft when you switch with at least two standing orders to HSBC. If you sign up for mobile banking and adhere to the account qualifying criteria you will then be awarded a further £50 in the next year. Please call the HSBC Southall contact number to find out more. 0905 481 0180. This call connection service costs £1.50 per minute & your phone company's access charge plus a £1.50 connection fee. This website and telephone call connection service number is operated by 118Telecoms and it is not affiliated with, or operated by, Barclays.
HSBC Contact Numbers
HSBC Southall Customer Services 0905 481 0180. This call connection service costs £1.50 per minute & your phone company's access charge plus a £1.50 connection fee. This website and telephone call connection service number is operated by 118Telecoms and it is not affiliated with, or operated by, Barclays.
Southall HSBC General Enquiries 0905 481 0180. This call connection service costs £1.50 per minute & your phone company's access charge plus a £1.50 connection fee. This website and telephone call connection service number is operated by 118Telecoms and it is not affiliated with, or operated by, Barclays.
HSBC Savings Accounts 0905 481 0180. This call connection service costs £1.50 per minute & your phone company's access charge plus a £1.50 connection fee. This website and telephone call connection service number is operated by 118Telecoms and it is not affiliated with, or operated by, Barclays.
Calling From Abroad 0905 481 0180. This call connection service costs £1.50 per minute & your phone company's access charge plus a £1.50 connection fee. This website and telephone call connection service number is operated by 118Telecoms and it is not affiliated with, or operated by, Barclays.
HSBC in Southall Number 0905 481 0180. This call connection service costs £1.50 per minute & your phone company's access charge plus a £1.50 connection fee. This website and telephone call connection service number is operated by 118Telecoms and it is not affiliated with, or operated by, Barclays.
HSBC Southall Complaints 0905 481 0180. This call connection service costs £1.50 per minute & your phone company's access charge plus a £1.50 connection fee. This website and telephone call connection service number is operated by 118Telecoms and it is not affiliated with, or operated by, Barclays.:
If you want to file a complaint against poor services of Southall HSBC you can also send a letter to the HSBC customer complaint address:
8 Canada Square,
E14 5HQ.
HSBC Southall Contact Number: 0905 481 0180. This call connection service costs £1.50 per minute & your phone company's access charge plus a £1.50 connection fee. This website and telephone call connection service number is operated by 118Telecoms and it is not affiliated with, or operated by, Barclays.
Southall HSBC Telephone Number: 0905 481 0180. This call connection service costs £1.50 per minute & your phone company's access charge plus a £1.50 connection fee. This website and telephone call connection service number is operated by 118Telecoms and it is not affiliated with, or operated by, Barclays.
Thanks for checking out the HSBC In Southall Call Connection Number page.
CallTheBank is a Telephone Directory of phone numbers for commonly used UK companies. We are dedicated to providing a low cost alternative to the many of the well known sites that charge a huge premium for connecting your call. If you're ever in doubt where to turn to find a phone number to contact a particular company rest assured we've done all the hard work and research to bring those insurance helpline numbers to you. Check out the various numbers listed ready for you to phone for efficient communication and customer service as you like it, when you want it. We've done the hard work and found the helpline numbers.
Calls to our 0870 numbers cost 13p per minute plus your phone company's access charge
CallTheBank is a call connection and call routing service and is in no way connected to the companies listed. We not affiliated with any of the businesses listed inside, we forward all calls to the hard to find official phone numbers for the companies listed. The official phone number for the companies listed may be found on the official websites or in the public domain.
Natwest in Hailsham – Call Connection Number
Paisley NATWEST CONNECTION Call Connection Number (£1.50ppm + £1.50 Connection)
Cleethorpes HSBC Call Connection Contact Number
Leicester Barclays Bank Connection Call Connection Number (£1.50ppm + £1.50 Connection)
Crowborough NATWEST CONNECTION Call Connection Number (£1.50ppm + £1.50 Connection)
Barclays King's Lynn Call Connection Service. This call connection service costs £1.50 per minute & your phone company's access charge plus a £1.50 connection fee.
Arbroath Lloyds Bank Contact Number
Motherwell NATWEST CONNECTION Call Connection Number (£1.50ppm + £1.50 Connection)
Barclays Whitby Call Connection Service. This call connection service costs £1.50 per minute & your phone company's access charge plus a £1.50 connection fee.
Trowbridge Lloyds Bank Contact Number
HSBC Southall Address, HSBC Southall Complaints, HSBC Southall Contact Number, HSBC Southall Telephone Number, Southall HSBC Address, Southall HSBC Complaints, Southall HSBC Contact Number, Southall HSBC Telephone Number
Contact Each Company Direct, CLICK HERE
Calls to our 0905 numbers cost £1.50 per minute & your phone company's access charge plus a £1.50 connection fee.
This website and telephone call connection service number is operated by 118Telecoms and it is not affiliated with, or operated by any of the companys listed.
The official phone number for the companies listed may be found on the official websites or in the public domain.
Calls to 01/02/03 numbers are charged at geographical rate however these telephone numbers are typically included in call packages so may also be free of charge to phone. Calls to 0800 phone numbers are free of charge to call from landlines and mobile phones Calls to 084/083 numbers cost 7p per minute plus your phone companies access charge Calls to 0870 phone numbers cost 13p per minute plus your phone companies access charge.
PLEASE NOTE: CallTheBank is a telephone directory & call connection service and is in no way connected to the companies listed. We not affiliated with any of the businesses listed inside, we forward all calls to the official phone numbers for the companies listed. The official phone number for the companies listed may be found on the official websites or in the public domain. All 3rd party Trade marks and logos are property of their respective owners
Call Connection Numbers
Halifax Bank In Newcastle Haymarket Phone Number.
Fakenham Nationwide Contact Number.
Halifax Bank In Dudley Phone Number.
Halifax Bank In Selby Phone Number.
Wallsend Nationwide Contact Number.
Farnborough Nationwide Contact Number.
Ashton-under-Lyne Nationwide Contact Number.
Penarth Nationwide Contact Number.
Peterborough Nationwide Contact Number.
Halifax Bank In Winton Phone Number.
Hythe Nationwide Contact Number.
Halifax Bank In Derby Phone Number.
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Andover Nationwide Contact Number.
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Holywell Nationwide Contact Number.
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Chelmsford Nationwide Contact Number.
Halifax Bank In Bangor Gwynedd Phone Number.
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Brentwood Lloyds Bank Contact Number
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Holyhead Lloyds Bank Contact Number
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4K projectors, pricey yet worthwhile. What are they, and why should you want one?
There are two kinds of 4K projectors: ones with true 4K UHD and ones with 4K enhancement technology. True 4K UHD brings a little more than 8 megapixels to your screen, which is 4x the amount that 1080p has, while 4K enhancement shifts 1080p pixels to create 4K images that can barely be told apart from true 4K. Through this, 4K projectors give you very detailed images with amazing contrast and more saturated colors.
4K projectors allow you to sit closer to the screen than regular projectors and see all of the image's details and be immersed in its pictures. If you have a small room, you could even use a short throw 4K projector. They won't be discussed here, but if you're interested, check out our list of best short throw projectors.
If you want to see images in the best immersive and cinematic resolution yet, then you're going to want to get a 4k projector.
Equipped with outstanding true 4K UHD resolution and picture quality, the Optoma UHD60 is an amazing projector to satisfy your 4K home theater needs. Giving a bigger picture than other projectors, you can be 10 feet away from the UHD60 and still experience its 4K pixels.
The UHD60 packs 3,000 lumens which displays very bright, razor-sharp images. With HDR-10 support producing the blackest blacks and whitest whites, and a Dynamic Black mode that gives a massive 1,000,000:1 contrast ratio, the UHD60 brings astounding pictures to your screen. Not only is the picture's contrast great, but the UHD60's color gamut also allows you to enjoy a large array of colors.
The unit itself has many cords and connections for devices to connect to it. It even has the great feature of a flexible zoom, throw, and shift.
Yet, the unit is massive, heavy, plastic and, I apologize but, crappy. It also lacks a keystone and it's reported to have common HDMI port malfunctions.
Yet the astounding picture quality, contrast, and brightness that it brings to your screen make those negatives not matter in this superior build.
An easy projector to set up and use with features that put many other projectors to shame, the Epson Home Cinema 4010 is our choice for best quality.
With 4K pixel-shifting resolution enhancement technology, and HDR, the Epson 4010 uses advanced 3LCD projection to make your 4K and UHD movies stand out beautifully. This is only aided more by the Epson 4010's extreme color gamut which can display Full 3D DCI-P3 color space; leading to an explosion of colors.
When discussing the unit itself, the 4010's quietness is much enjoyed, as well as its frame interpolation and motion control. You can shift its motorized lens up to 96% on the horizontal axis and 47% on the vertical. If need be, you can even set its zoom and focus to suit your needs and store these settings and the lens' shift in one of the 4010's ten presets.
Though, like the UHD60, the 4010 is large and heavy. This makes it difficult to mount because you need to find something that can hold its weight and keep it stable.
Along with this, the 4K the 4010 produces is enhanced and not real. Though many people can't tell the difference, you may be able to.
Regardless, the images the 4010 displays still look amazing and it is hard to tell them apart from true 4K. This projector is one of the best home theater projectors, and is not one you'd want to miss out on.
8.3 million pixels, a 4K color wheel, and sharp 4K and HDR images are only part of what the BenQ TK800 brings to the field. Our choice for best value, the TK800 has five picture modes: Vivid TV, Sport, Bright, Football, and Cinema Mode - of which Football seems to be the favorite.
The TK800 is known for its brightness. It will give you very sharp and bright pictures from all 3,000 of its lumens. This brightness and its HDR-10 support combine to produce beautiful pictures.
With an Eco Mode giving up to 10,000 hours of lamp life, the TK800 can live long before needing a bulb replacement. The TK800 is even equipped with a vertical keystone that automatically corrects itself. And with 50-52ms of lag, the TK800 is great for gaming.
The TK800's picture has also been said to have poor blacks and shadows from its low contrast ratio. Many people have even gotten the halo effect - where there is a border of light around your screen - using this model.
Despite this, the TK800 is still an amazing projector, especially for gamers and TV watchers alike. Even with its problems, its images are still very bright, sharp, and beautiful.
A smart projector that is different from the rest on this list, the Optoma UHD51A is our first choice for honorable mention.
Just like the Optoma UHD60, the UHD51A is equipped with Dynamic Black mode. While the contrast ratio here is half that of UHD60, it still brings an astoundingly beautiful picture to your screen. This will make your 4K movies and games stand out brilliantly with the UHD51A's 4K UHD resolution. Combining this with the UHD51A's 3D and Blu-Ray 3D-Ready features makes for amazing pictures to display upon your screen.
But that is not all there is to just the image alone. The UHD51A projects a very sharp image that you won't want to miss out on. Even the colors are amazing. And if you have problems with the image, you can adjust the image's focus and size with its vertical lens shift and 1.3x zoom features.
The feature that makes the UHD51A smart is its compatibility with Amazon Alexa and Google Assistant. You can control the UHD51A through voice control using these devices, telling it to play your movie, turn on and off, adjust the volume, and so on.
The problems with UHD51A are small compared to the power that it brings to your screen. It lacks a digital keystone, but this is because the vertical lens shift won't degrade the 4K image quality like the keystone would.
There have also been problems with setting up Alexa, but, these problems don't seem to be overly common, and most people enjoy using Alexa with the UHD51A. If the Amazon Alexa is the selling point for you, just be wary that there have been complaints about using her and setting her up.
This all being said, the UHD51A is a great projector that packs immersive 4K picture quality along with 3D and Amazon Alexa compatibility.
The brightest projector on this list with 3,500 lumens, the easy to use Viewsonic PX747-4K is a great 4K projector and our second choice for honorable mention.
With its amazing brightness, the PX747-4K is great whether it is day or night, inside or outside. If you're really interested in projecting outside, we also list the best outdoor projectors.
The PX747-4K produces bright images in broad daylight and still looks beautiful in rooms with ambient lighting. The PX747-4K having 4K UHD resolution only adds to the beautiful pictures that it displays. And while its contrast is low, its HDR compatibility brings out blacker blacks and whiter whites.
With a SuperEco mode that gives it a long lamp life of up to 15,000 hours while maintaining a significant brightness, if you are looking for something to last, then you may like the PX747-4K.
But the PX747-4K comes with an array of downsides. The PX747-4K is loud and suffers from not having 3D compatibility.
The PX747-4K also has a bad black level, which is the darkness of the black colors that a projector can reflect. This makes it is harder for you to see details in dark areas of the PX747-4K's projected images.
The color quality of the PX747-4K is not that good either. While very bright, just like the TK800, the color takes a downfall. If you admire great color quality, then you may not like the PX747-4K.
But if you're looking for a very bright projector that you can use anywhere and any time, then you're going to want to consider the PX747-4K.
There are many things to consider when buying a projector from brightness to resolution to contrast ratio and so on. Here are a few pointers to help you out to buy the right projector for you.
A projector's display technology is determined whether it uses Digital Light Processing (DLP), Liquid Crystal Display (LCD), or other technologies such as Light-Emitting Diodes (LEDs), Direct-Drive Image Light Amplification (D-ILA), etc., to project its images. We will discuss DLP and LCD, the most common, here.
Yet, unlike LCD, DLP has moving pieces which can result in the common DLP rainbow effect.
A better alternative to both of these are LED projectors. Though not as bright as LCDs, they live longer, have better color, and require little to no maintenance. Check out this article here to see how LED projectors compare to LCDs.
As we just mentioned, maintenance can be a deal breaker with projectors. Maintenance includes buying new bulbs, changing your projector's filter, and making sure your projector is in tip-top shape.
LCD projectors need persistent maintenance due to their dust problem, but that doesn't mean that you should only worry if you get an LCD projector. You should make sure that your projector is always performing its best.
Your projector's lifespan speaks a lot about it. Most projectors have a lamp life of 2,000-4,000 hours, disregarding Eco Modes. You will notice that a lamp has reached this point when it is half as bright as it should be. This should alert you that you need to change it.
If you don't use the projector often, or only use it for movies, meetings, or certain events, then you shouldn't have to worry. But, if you use it daily for hours, then this should be something to consider. Most lamps are around $200-$400, so be cognizant of your projector's lamp life.
If you want a projector that's going to last a long time, consider an LED or Laser projector. They last up to 20,000 hours or more and do not need bulb replacements.
Connectivity refers to the inputs that a projector offers. You should know a projector's inputs so that you know what you can use with it.
While there are some projectors now which actually have bluetooth, it is not that common. The most common inputs are VGA, DVI, and HDMI ports. If you plan to use your projector for gaming or movies, then you're going to want an HDMI port. HDMI transfers the best image and sound of all of these.
Another connection that is enjoyed, especially for meetings and presentations, is the USB port. This is very handy, so look out for it when searching for a projector just in case you think you need it.
There are many other connection inputs. Knowing which ones your projector has for you to work with is a must.
There are several common questions that continue to come up with 4K projectors. We answer them here.
This truly depends on what you're looking to use it for. If you want to just watch TV on it, then no, it's not worth it, but if you want to watch movies, stream video games, Blu-Ray, etc., then this is for you.
The problem for most people is the price. 4K projectors bring sharper, more detailed, more realistic, and more beautiful images to your screen. The picture quality is outstanding, and the 4K images will immerse you into them.
If you don't think that the realistic and astounding picture quality is necessary for the cost of the projector, then don't get it. Otherwise, if you can afford it, why not?
What projector screen is good for 4k projectors?
There isn't one singular answer to this question because the screen depends on many things: ambient light, your projector's throw, seating distance, screen size, etc. Your main concern should be getting a large screen that fits your room and the projector. A larger screen will let you see the details better, and the right screen surface can display better images.
Before buying any screen, make sure to get a warranty just in case you need a replacement. If you plan to have an outdoor theater, then it might be even better to build your own screen. You can see more about that here.
Tone mapping refers to reducing the tonal values of an image. HDR tone mapping works to fix HDR's dynamic range and make the details in high contrast images stand out and not be hidden in dark shadows.
What is the difference between HD and HDR?
HD stands for High Definition and just means a higher pixel count with a higher resolution and better colors and images than older resolutions, which is anything less than 720p.
HDR stands for High-Dynamic Range. HDR brings out the brightest whites and darkest blacks, basically enhancing contrast, by blending the overexposed, underexposed, and normally exposed parts of an image.
Which is better: UHD or HDR?
This is another question that cannot be answered because UHD stands for Ultra-High Definition resolution, being 4K with 3840x2160 pixels.
HDR is High-Dynamic Range, bringing out the darkest blacks and brightest whites. While HDR adds a lot to your viewing experience and is supported in 4K UHD projectors, it is not a resolution.
This question doesn't have a singular answer. It depends on your screen size and environment. If you're outside in daylight, then you're going to need a lot of lumens, possibly up to 12,000, though the picture quality won't be good.
If you're inside, it depends on how much light is in the room and the size of the room. With high ambient light, you need at least 4,000 lumens. It is recommended that you block out as much daylight and ambient light as you can to observe a picture at its finest.
There are many great options to choose above whether you want a 4K projector that is very bright, good for gaming, or just great for your home theater. All of them will give you great images in 4K that you will love.
Go over all of your options carefully before going out and buying everything you need. Each object, whether the projector, screen, or seating distance, depends on the other.
And if you use our FAQ and Buyer's Guide, you're sure to be able to find that perfect projector for your 4K home theater.


All hotel rooms are newly refurbished to provide cozy and comfortable accommodation for our guests. The solid wood furniture and panelling come exclusively from local woods and craftsmen. It is our hope that they will adequately complement your rest and relaxation after you return from your daily explorations of the magical Bohemian Forest. We offer comfortable double rooms, family suites and very spacious suites in the historical part of the hotel building. With the total capacity of around 100 beds in 40 rooms, we are able to accommodate and cater for larger groups as well. Contact us for further enquiries or to book your stay. The whole team of Hotel and Restaurant Kristian is looking forward to your visit!
Real Boubin-gneiss from the golden path.
Key with little elf Kristian.
Room in historical part of hotel.
Bathroom in the historical part of the hotel.
Room in the historical part.
Bedroom in the historical part.


We are Mississauga's First Original massage parlour serving the GTA area for over 30 years. We pride ourselves in providing a luxurious environment and the most beautiful girls in the industry. We are conveniently located near the QEW and Pearson International Airport.
Our beautiful ladies strive on making sure you have an unforgettable experience to ensure the highest standard of service in a sensual, luxurious and elegant atmosphere. We have a variety of beautiful and attentive massage attendants to cater to your every need. Experience ultimate relaxation by one of our skilled gorgeous Attendants today with a soothing body to body massage. Our lovely ladies will treat you like the King that you are and keep you coming back for more. We have up to 5 gorgeous massage attendants on daily.
Appointments may be made in advance by calling the spa or filling in our online booking form (we will send you a reply confirming your booking time), or you can simply stop by if you wish to meet the ladies in advance so you can make your selection of who you would like to see.


Non-Business Planning and Consolidation (BPC) Excel files take a while to open when comparing the behavior to a non-BPC Excel session.
When Excel files contain many calculations (formulas, pivot tables, conditional formatting, VB macros etc) the file takes longer to open.
When launching Excel from BEM, Excel takes longer to launch.


Hard to believe that just last weekend we were heading into WordCamp US! Luke had tons of work to do while he was there, so we didn't see him much, but I also had a ticket and really enjoyed going to a few of the sessions (as many as possible while looking after 3 kids!). Luke's been working on a really awesome project called Tide and it was great to see it launch at WordCamp, and be announced during State of the Word, and to be there with him through it all (even if it did mean late nights and stressful times, it also meant celebrations and congratulations. I also got pretty good at tension releasing shoulder massages!).
I thought I might highlight a few of my favourite sessions I attended, including what I learnt from them and how this will impact me going forward.
Beginner's Guide to Contributions by Josepha Haden.
I really enjoyed this talk by Josepha and particularly enjoyed how she highlighted ways we could contribute to WordPress without having to code (because that is not currently my strong suit!). I was inspired by the idea of writing documentation, and also being involved in WordCamps.
This talk wasn't so amazingly relevant to me, because of course I don't code. But I thought it was really helpful to me to understand some of the direction the web is taking. I also feel like Luke might talk to me about something along these lines at some point in the future and now I will have some fundamentals understandings when he does!
Again, I'm not a developer, but I felt like the things Katherine talked about were relevant across many fields and aspects of life, not just dev work.
I REALLY enjoyed this talk by Sandy. I felt really inspired as a mother in general, but especially as a homeschooling mum. I remember when I started this blog I only had a tiny Lior baby growing in my tummy, but my plans were to homeschool him, and to use my blog as a place to teach him about the internet, and writing, and all those good things. This talk really brought me back to all of that, and has inspired me to include more of this in my homeschool plan for 2018.
This was another great talk – and another inspirational one that I'm sure will affect the way I teach and parent my children in the future. Lior will by 6 in January, and I feel like he is almost at a point where he can benefit more from direct learning about code. Making logic based activities and using coding language will be a priority for me after listening to Jonathan's talk.
Many of you reading this will know that last year (2016) Luke & I helped organise WordCamp Sunshine Coast. That was a great experience, but I also quite enjoyed just attending the WordCamp and getting to enjoy the sessions. If you can get yourself to a WordCamp you should! Even if you're not a developer there is always helps on offer for WordPress users, including networking opportunities (and fun after parties!).


Taking a suicidal person seriously is the first step to help prevent suicide.
If someone threatens or makes statements referring to suicide, take them seriously. Many people have taken their lives when people thought their statements about suicide were "manipulative" or the person was being "melodramatic".
Many people have died "accidentally". They may take some medication, for example, just to get others to hear them and feel they will be discovered and saved. Instead of calling attention to their needs, they in fact, died.
If the person is telling you either in person or over the phone that they are going to kill themselves, you call 911 right now. Law enforcement will come to the person's home and take them to be evaluated by a mental health person. Even if you feel in your heart, that they will not take their life, you go by what they are telling you. Don't wait to get over to their home to call 911. You call 911 right now from where ever you are.
If the suicidal person forbids you to call, is angry about it or upset, you call anyway. If you need to go to a neighbor's home to call, do it. If it's in the middle of the night, wake up the neighbor and make that call.
If the person is calling from an unknown location and discusses suicide, try to find out where they are. You cannot send someone to them if you do not know where to find them.
What if that person has you in confidence and makes you swear that you will not tell anyone how they are feeling? Do you keep that confidence? No. Would you be a lousy friend, mother, etc., if you broke that confidence? No. Suicidal discussion automatically ends confidentiality.
A person in crisis may not be aware that they are in need of help or be able to seek it on their own. They may also need to be reminded that effective treatment for depression is available, and that many people can very quickly begin to experience relief from depressive symptoms.
What if the person does not "qualify" for the above statements? Do you not take them seriously? Yes, always take people seriously when suicide is discussed. If they truly want to die, they may not tell you the truth about their plan.
All it takes is for someone to say, "I am going to kill myself" to call 911. When law enforcement comes, they will assess the person. They will talk to the person. There are times where the person is not "taken" by law enforcement, but I do believe it is helpful to have law enforcement there to talk with them.
After you have taken emergency measures as described above, or the person is not in immediate risk, what do you say to them?
Tell them to "snap out of it"
Acknowledge and accept their feelings even if they appear distorted - "You sound like you are feeling abandoned...", "That must have hurt you terribly...", "How does that make you feel...?", "Are you feeling like there is no hope?"
Be an active listener - repeat some of their statements back to them to let them know you are listening. For example, "So what you are saying is....", "I'm hearing you saying you hate yourself...", "I hear you saying you want to die...", etc.
Try to give them hope and remind them what they are feeling is temporary, without provoking guilt. "I know you feel you cannot go on, but things will get better", "What you are feeling is temporary", "I believe in you and that you will get better", "There is a light at the end of the tunnel - it's okay if you don't see it now".
Be there for them. If they are not there with you, go to them or have them come to you. It is better if you go to them, in case they don't show up where you are.
Show love and encouragement. Hold them, hug them, touch them. Allow them to show their feelings. Allow them to cry, to show anger, etc. Let them know you hear them and are there for them. Let them know it is okay to feel what they feel, even if it is distorted. Let them know you accept them right where they are now. If you love them, tell them.
Pamper them. Feed them if they are hungry. Let them shower if you feel that will help them. Rent a movie if they feel like it. Turn on their favorite music if it makes them feel better.
Help them get some help. If phone calls are needed for counseling, drug recovery, doctor appointments, etc., encourage them to make these calls. It is better if they call, but it's okay if you need to make these calls if their level of functioning is low. If they have a counselor, psychologist, psychiatrist, etc., this is a good time to call them if the person is still at risk. If it's evening and the person is not at risk, calls should be made the next day to these people, informing them of the person's suicidal ideation. The mental health professional may make an adjustment to the person's medications, admit them to the hospital, etc.
If you are the person's home, remove any item/items the person may use to hurt themselves with. Grab their medication or weapon. Make these items inaccessible to the suicidal person until they are safe.
Is there a child or children of the suicidal person witnessing their parent's crisis? Try to get the child out of there (after the person is safe) and into a friend or relative's home. This situation is extremely traumatic for children. Many times we think they are asleep but they are fully aware of the situation at hand.


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Rocky Sansom
Assistant Professor of Voice
Associate Head of MFA Acting
EMAIL Rocky Sansom
Rockford Sansom is an Assistant Professor of Voice at Louisiana State University, Associate Head of the MFA Acting program, and the voice coach of LSU's resident theatre, Swine Palace. As a voice and dialect coach, his Off-Broadway credits include York Theatre Company and Theater for the New City. Regional credits include the Shakespeare Theatre of New Jersey, Premiere Stages, and the Savannah Repertory Theatre. He has also coached Fortune 500 executives, UN delegates, and members of the US Congress. His acting credits include leading roles in Wonderful Town (First National tour), 42nd Street (Asian tour), Bye Bye Birdie (North American tour), and The Lion, The Witch, and the Wardrobe (Off-Broadway, St. Luke's Theatre). Regional credits include Seaside Music Theater, the Orlando Repertory Theatre, and the Oklahoma Shakespeare Festival.
He holds a PhD in education (Capella University), an MFA in theatre (University of Central Florida), and voice certifications from Fitzmaurice, Knight-Thompson, and Estill (Master Trainer). He is the Editor-in-Chief of the academic journal Voice and Speech Review, which is published by Routledge Press. Additionally, he edited the book The History of Voice Pedagogy (Routledge). He has served on the faculty of HB Studios, Marymount Manhattan College, and Savannah State University. Member, AEA, SAG-AFTRA.

redpajama_set_name: RedPajamaCommonCrawl


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Five facts about winning at FC Augsburg
Memories of 2013:
The five most important facts about the Fortuna victory in Augsburg
Fortuna's scorer Marvin Ducksch (M) cheers with Alfredo Morales and Benito Raman.
Photo: dpa / Stefan Puchner
augsburg The team has processed the unspeakable coach discussion well, Marvin Ducksch's Torflaute is over. But there are other sustainable insights from the 2: 1 in the direct competitor.
Bernd Jolitz
Expand author details
Bernd Jolitz (jol) is editor in charge of the Düsseldorf Sport department of the Rheinische Post.
Fortuna Dusseldorf has achieved a very important victory in the relegation battle with the 2-1 victory at FC Augsburg. The five most important points on an icy Saturday afternoon in the Bavarian Swabian:
1. Fortuna's Last Minute Qualities
It speaks for the mental strength of the team of coach Friedhelm Funkel, that they repeatedly scored an important goal at a very late stage. Examples are Dodi Lukebakios 3: 3 at Bayern, Oliver Finks 1: 0 in Hannover and now Benito Ramans 2: 1 in Augsburg. The team is highly concentrated, never giving up and looking for their chance until the end - an immensely important quality in the relegation battle.
Comment on Fortuna's last-minute win in Augsburg
2. The end of the Ducksch lull
For a full first round, Marvin Ducksch, who was a second-division top scorer, did not get hit - an agonizingly long time. In Augsburg, the former Kiel scored his first goal, and a very important one: His 1-0 just before the break gave Fortuna a lot of self-confidence. "I'm really happy about my goal, but even more about the victory," said Ducksch brightly. Sporting director Lutz Pfannenstiel had predicted the goal: "I have Marvin on the way that he meets today, as well as I have predicted his two goals in the telecom cup against Hertha." Ducksch confirmed the story: "And she may like So continue. "Funkel added:" Then Lutz is now Marvin the best times to say that he scored three goals. "
3. Trainer Posse welds the team even closer together
"We have shown that we have and can do all this," said the outstanding director Kevin Stöger. The theater for the contract extension for coach Funkel did not leave without trace at the Dusseldorf, but they processed it in the right way, put it into even more cohesion. The victory in Augsburg was also for the coach, as Kaan Ayhan noted, "but he was also very important tabular".
4. 21 points after 18 games - as in 2013
Also in the hitherto last Bundesliga year 2012/13 Fortuna had after 18 matchdays 21 points, even then the opponent was on this 18th matchday of the FC Augsburg. Now it is important to prove that the story otherwise does not repeat itself - because after this great phase, the team rose at the time due to various quarrels and problems still from. The cadre of today is of course quite another, the situation is not comparable - as long as the club leadership now preserves calm and continuity and avoids unnecessary disruptive maneuvers as in the training camp of Marbella. But also sparkle warns: "21 points are great, but they are not enough for relegation. Fortuna has had that once before after 18 matchdays. "
5. There is no goalkeeper discussion
Michael Rensing did not look very good in the equalizer of Augsburg - because he said he saw the ball too late. However, his coach took the keeper in protection: "Since you have to praise the shooter once, that's what Jonathan Schmid has done very well." Doubts about the hierarchy under the gatekeepers would not come at least, assured Funkel: "Micha is our number one, And that will remain so. With Jaro Drobny and Rapha Wolf we have two good people in the back, but there is no goalkeeping talk at all. "


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Dana White: "It makes a lot of sense for Conor McGregor to come back at the right time"
Dana White admits there could be a time in which we see Conor McGregor return from retirement.
By Oscar Willis - 31 Jul 2020
Dana White believes Conor McGregor is retired. He also believes we could see a return from the Irishman in the future.
The UFC president hasn't been drawn on McGregor's future since the coronavirus pandemic started, but with the final part of 2020 finally coming into view, is starting to open up to the idea of a McGregor fight in the near future.
"We've talked, in just little spurts, but just about life and family and stuff like that. Not about fighting," White said, speaking to CNN. "Conor McGregor is retired. … You never know. You never know. Listen, it makes a lot of sense for him to come back at the right time. I don't know when the right time is yet.
"Like I said.. listen, man, I'm trying to get to January 1st. That's my goal this year, is to get to Jan one without anything blowing up anymore this year, in 2020. I can't wait for 2020 to be gone. This will go down as the worst year in history ever."
McGregor last fought in January of this year, defeating Donald Cerrone in under a minute. In June, he announced his intention to walk away from the sport, citing a lack of excitement in the current lay of the land.


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Established in 1996, Scuba Spots is the oldest, largest, and most complete online scuba diving directory in the world!


Shelton, CT – May 4, 2017 - SyferLock Technology Corporation (www.SyferLock.com) today announced that it has joined Pulse Secure's Technology Partner Program and has proven interoperability of SyferLock's GridGuard™ two-factor and multi-factor authentication solutions with Pulse Connect Secure and Pulse Workspace. SyferLock's software-based authentication solutions now provide stronger access controls for Pulse Secure's secure access and mobile security solutions, without the need for hardware tokens and without mobile device dependency like SMS-based or push-based solutions.
"We continue to expand the platforms that SyferLock can integrate with. We are pleased that SyferLock's software-based authentication solutions are now interoperable with Pulse Secure's solutions," stated Chris Cardell, CEO of SyferLock. "SyferLock provides users of Pulse Connect Secure and Pulse Workspace with a device-less, cost-effective alternative for two-factor and multi-factor authentication. SyferLock's user friendly authentication solutions are easy to deploy with Pulse Secure's secure access and mobile security solutions," added Cardell.
SyferLock's GridGuard™ delivers two-factor and multi-factor authentication utilizing patented software-based grids to convert static passwords/PINs into secure one-time passwords or PINs ("OTPs"). SyferLock's flexible, adaptable solutions enable enterprises to cost-effectively address strong authentication across a range of use cases and with a range of platforms.
For more information about SyferLock's software-based two-factor and multi-factor authentication solutions or for information about becoming a SyferLock Sales Partner, contact us at sales@syferlock.com or +1 855.793.3756.
SyferLock is a provider of next-generation software-based authentication solutions. SyferLock offers an innovative software-based alternative to hard tokens, smart cards and other authentication solutions. SyferLock delivers two-factor and multi-factor authentication utilizing patented software-based grids to convert static passwords/PINs into device-less one-time passwords/PINs (OTPs). Increasingly, enterprises are turning to SyferLock and its superior software-based authentication solutions to strengthen security, eliminate hardware tokens and to reduce Total Cost of Ownership (TCO). SyferLock is market validated with a growing customer list, serving organizations worldwide in a number of markets including Utilities/Energy, Healthcare, Pharmaceuticals, Financial Services, Government and Media/Entertainment. For more information, visit http://www.syferlock.com.


Metastatic castration resistant prostate cancer (mCRPC) keeps growing even when the amount of testosterone in the body is reduced to very low levels. mCRPC is incurable. Researchers want to develop vaccines to teach the immune system to target and kill cancer cells. They want to test three of these vaccines (ETBX-071, ETBX-061, and ETBX-051) against mCRPC.
To test the safety of combination ETBX-071, ETBX-061, and ETBX-051 and to study their effects on the immune system.
Participants will get the vaccines as shots under the skin every 3 weeks for 3 doses. They may then have the shots every 8 weeks for up to 1 year.
Participants will keep a diary to record any symptoms from the vaccines.
Participants will have blood tests each time they get the vaccines. They will also have scans and other tests to measure the effect the vaccines have on their tumors.
Participants will have a visit within 28 days after their last treatment. This includes a physical exam and blood and urine tests.
Participants will then be contacted by phone every 3 months for the first year, every 6 months for the next 2 years, and every 12 months for another 2 years.
Participants will be asked to join a long-term follow up study.
5 x 10 to the eleventh power VP (standard dose), 1 x 10 to the eleventh power VP (DL-1), or 5 x 10 to the tenth power VP (DL-2) subcutaneous injection every 3 weeks for 3 immunizations.
Percentage of subjects that achieve an objective confirmed complete or partial overall tumor response using RECIST Version 1.1 will be evaluated by dose cohort and overall.
percentage of subjects who experience partial or complete response at any time point during treatment period.
Age more than or equal to 18 years (male).
Ability to understand and provide signed informed consent that fulfills Institutional Review Board (IRB) s guidelines.
Cytologically or histologically confirmed prostate cancer for which no curative standard approved therapy is available by either the Laboratory of Pathology at the NIH Clinical Center or Walter Reed National Military Medical Center at Bethesda prior to starting this study. If no pathologic specimen is available, patients may enroll with a pathologist s report showing a histological diagnosis of prostate cancer and a clinical course consistent with the disease.
Subjects who have received prior PSA, MUC1, and/or brachyury-targeted immunotherapy (e.g. vaccine) are eligible for this trial if this treatment was discontinued at least 3 months prior to enrollment.
Resolution of all toxic side effects of prior chemotherapy, radiotherapy, or surgical procedures to NCI CTCAE Grade less than or equal to1.
Platelets more than or equal to 75,000/microliter.
Prothrombin (PT)-international normalized ratio (INR) < 1.5.
Partial thromboplastin time (PTT) < 1.5 x upper limit of normal (ULN).
The effects of ETBX-051, ETBX-061 and ETBX-071 vaccines on the developing human fetus are unknown. For this reason subjects must agree to use a condom and acceptable contraceptive method with their partner during the study and for one month after the last dose of vaccines.
Ability to attend required study visits and return for adequate follow up, as required by this protocol.
PSA progression defined by sequence of rising values separated by >1 week (2 separate increasing values over a minimum of 2ng/ml (PCWG2 PSA eligibility criteria). If patients had been on flutamide, PSA progression is documented 4 weeks or more after withdrawal. For patients on bicalutamide or nilutamide disease progression is documented 6 or more weeks after withdrawal. The requirement for a 4-6 week withdrawal period following discontinuation of flutamide, nilutamide or bicalutamide only applies to patients who have been on these drugs for at least the prior 6 months. For all other patients, they must stop bicalutamide, nilutamide or flutamide the day prior to enrollment.
Prior treatment with immunotherapy, hormonal therapy, radium 223, chemotherapy and/or other experimental therapy is allowed.
Treatment with an investigational drug study within 28 days of before starting on study treatment.
Subjects with concurrent cytotoxic chemotherapy or radiation therapy. There must be at least 28 days between any other prior chemotherapy (or radiotherapy) and study treatment. Prior antibody therapy must be discontinued 8 weeks prior to start of study treatment. Prior hormonal therapy can be discontinued 24 hours prior to start of study treatment.
Any prior PSA, MUC1, and/or brachyury-targeted immunotherapy (e.g., vaccine) must have been discontinued at least 12 weeks before initiation of study treatment. Subjects must have recovered from all acute toxicities from prior treatment prior to screening for this study.
Known active brain or central nervous system metastasis, or seizures requiring anticonvulsant treatment, cerebrovascular accident, or transient ischemic attack (< 6 months prior to enrollment).
Subjects with a history of autoimmune disease (active or past), such as but not restricted to inflammatory bowel disease, systemic lupus erythematosus, ankylosing spondylitis, scleroderma, or multiple sclerosis. Autoimmune-related thyroid disease, type I diabetes and vitiligo are permitted if the condition is well controlled.
Subjects with serious intercurrent chronic or acute illness, such as cardiac or pulmonary disease, hepatic disease, or other illness considered by the Investigator as high risk for investigational drug treatment.
Subjects with a history of heart disease, such as congestive heart failure (class II, III, or IV defined by the New York Heart Association functional classification), history of unstable or poorly controlled angina, or history (< 1 year prior to enrollment) of ventricular arrhythmia.
Subjects with a medical or psychological impediment that would impair the ability of the subject to receive therapy per protocol or impact ability to comply with the protocol or protocol-required visits and procedures.
Presence of a known active acute or chronic infection, including human immunodeficiency virus (HIV, as determined by enzyme-linked immunosorbent assay [ELISA] and confirmed by western blot) and hepatitis B and hepatitis C virus (HBV/HCV, as determined by HBsAg and hepatitis C serology).
Subjects on systemic intravenous or oral steroid therapy (or other immunosuppressive, such as azathioprine or cyclosporin A) are excluded on the basis of potential immune suppression. Subjects must have had at least 6 weeks of discontinuation of any steroid therapy (except that used as premedication for chemotherapy or contrast-enhanced studies) prior to enrollment. Physiologic (replacement) doses of steroids as well as nasal, topical or inhaled steroids are allowed.
Subjects with known allergy or hypersensitivity to any component of the investigational product will be excluded.
Subjects with acute or chronic skin disorders that will interfere with injection into the skin of the extremities or subsequent assessment of potential skin reactions will be excluded.
Subjects vaccinated with a live (attenuated) vaccine (e.g., FluMist ) or a killed (inactivated)/subunit vaccine (e.g., PNEUMOVAX , Fluzone ) within 28 days or 14 days, respectively, of the first planned dose of ETBX vaccine.
Patients with second malignancy within 3 years of enrollment; Patients curatively treated non-melanoma skin cancers or carcinoma in situ of the bladder, are not excluded.


New York – Cara Gallery is pleased to present Relevant Notes, a collective exhibition that presents a dialogue between the work of 11 artists to explore the boundaries of disciplines among installation art, land art and architecture. Exhibiting in a wide variety of medias including installation, drawing, photography, painting and sculpture – each created over the past five decades – act as relevant notes to the testimony of the artists' interpretation of the concept of human intervention. Studying their sustainability in the natural environment, these artists take the location and materials of their work into careful consideration using cultural, political and environmental histories to create art as a catalyst for change.


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Local man set Guinness World Record
Posted: Apr 12, 2019 / 10:02 PM UTC / Updated: Apr 12, 2019 / 10:02 PM UTC
A former champion powerlifter is now has a Guinness World Record.
Bill Clark broke the world record by tearing in half 23 license plates in one minute.
The previous record was 20.
Clark, who is an adjunct lecturer in Binghamton University's Health and Wellness Department, already had a successful career in weight lifting.
The former world champion powerlifter once benched over 500 pounds and deadlifted 700 and he's held over 150 state and national lifting records.
After he retired from lifting, his coaches encouraged him to take on some Guinness records.
Much like his former sport, Clark says it all comes down to achieving optimal technical execution.
"If I would hold it straight with this hand and angle this hand, and that allowed, however, it worked, I'm not quite sure of the physics, but it allowed the plate to tear more than bend. But, if I grabbed it the wrong way, and you can see it on that Guinness Book of World Records video, it bends."
Clark says he practiced with his son who handed him the plates.
The record-breaking tear took place last August in the office of Broome County Clerk Joe Mihalko who provided the decommissioned license plates.
Clark, who also holds a record for tearing playing cards, says he's next planning to try to break the one for bending railroad spikes.
He'd also like to see if he can beat his license plate record.
Clark says he wouldn't have been successful without the help of his coaches and team.
BINGHAMTON, NY - Ruby Tuesday is joining the growing movement of offering meat-free alternatives to customers.
Ruby Tuesday is now serving the Awesome Burger, a plant-based burger made primarily of yellow pea protein that mimics many of the properties of a beef burger.


text:
Q: Is it possible to save a GameObject with its components in Unity? I'm trying to Save/Serialize a GameObject and its components (with their current values), but I don't think it's possible, any ideas ???
Keep in mind that I don't wanna use an asset from the assets store, I wanna code it myself.
Thanks in advance :)

A: Sorry I dont have the rep to make a comment. I use two methods to acheive this save state.
First is what programmer seems to suggest, make a class that hosts the property's needed to recreate the object. Component names can be saved as strings, then fetched using
gameObject.AddComponent(Type.GetType(componentName));
If you are doing this alot it may be worth checking out this forum first.Here
You can serialize these classes using the unity serializer(the string names of types will serialise. You may have to make a sub class to handle the values in each object of different type.
This can be a fairly complicated approach so I prefer a file path serialized for a prefab in the resources folder. Any values that need saving can be saved in a serializable class like first approach which is referenced in a script on the saved prefab. This script has a method to apply all details saved in the deserialized class to the prefab when it is created. The details are captured by the script,added to the class and serialized whenever the object state should be recorded.
The exact way this is managed may vary but I have done this myself with he ability to store any values I could need. Even if you use a third party serializer from the asset store you will still have trouble saving entire objects, but you will be able to get enough info to recreate.

A: I've managed to save the components I want (custom scripts) by saving them in a json file, then serializing them with binary so they can be more secure.
Thanks to everyone who tried to help tho...

redpajama_set_name: RedPajamaStackExchange


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The Cimarron Range is a mountain range located mainly in Colfax County of northeastern New Mexico, United States. The range forms the eastern margin of the Southern Rocky Mountains in north-central New to the west of Cimarron, New Mexico. The range is about  long and  wide and is bounded by the Moreno Valley to the west, the Great Plains to the east, the Raton Basin to the north, and Ocate Mesa to the south. The highest point is Baldy Mountain,

Large portions of the range are included in Philmont Scout Ranch.

Geology
The range is a Laramide uplift defined by a normal fault on the west side and a thrust fault on the east side. The northern part of the uplift is covered by sedimentary beds of the easternmost Raton Basin, and the southern part of the uplift is covered with basalt flows of Ocate Mesa, so that the structure of the uplift is obscured to the north and south. The northern part of the range is intruded by large bodies of granitic rock of Tertiary age.

See also

 List of mountain ranges of New Mexico

References

Mountain ranges of New Mexico

redpajama_set_name: RedPajamaWikipedia


text:
'Hunter Biden' a topic CNN, NBC, MSNBC don't seem to like, law professor says
by NH Politician October 13, 2019 October 23, 2019
By Dom Calicchio | Fox News
Want to watch a left-leaning TV journalist quickly change the subject? Just mention Hunter Biden, son of former Vice President Joe Biden.
"For news shows on MSNBC, CNN and other cable networks, nothing is more disgusting than the mention of what Hunter Biden actually was doing in Ukraine," law professor Jonathan Turley of George Washington University writes in The Hill.
"What is most remarkable about the paucity of coverage of Hunter Biden's dealings," he adds, "is the conclusory mantra that, 'This has all been investigated.'"
PETER SCHWEIZER: HUNTER BIDEN'S 'RADIO SILENCE' ON UKRAINE DEALINGS ONLY RAISES SUSPICIONS
Turley, 58, a native of Chicago, cites examples of MSNBC's Nicolle Wallace cutting away from a speech by President Trump when he started to discuss the Bidens; NBC's Chuck Todd accusing Sen. John Kennedy, R-La., of trying to "gaslight" viewers by referencing the Bidens while answering a question about Ukraine; and CNN's Erin Burnett switching to a discussion of President Trump when Rep. Lee Zeldin, R-N.Y., tries to discuss the Bidens.
Pressure directly from the Biden campaign may be at least partly to blame, Turley writes.
"Indeed, the Biden campaign has been remarkably open in demanding that news organizations stop airing interviews or publishing articles about the allegations," according to Turley. "Instead of calling it 'fake news' (which is virtually copyrighted by Trump), the Biden campaign calls such coverage 'conspiracy theories.'"
Jonathan Turley, law professor, George Washington University.
One recent example Turley cites was when CNN reported that Biden campaign official Kate Bedingfield wrote to executive editor Dean Baquet of The New York Times, chastising the newspaper for running an article by "Clinton Cash" author Peter Schweizer titled, "What Hunter Biden Did Was Legal – That's the Problem."
Turley also points to a Reuters report that said the Biden campaign tried to convince Facebook, Twitter and Google not to run a campaign ad for President Trump.
The professor does not disparage the media for looking into the overseas business deals of the Trump family. But he says "there is no reason why the media cannot pursue allegations against both the Trumps and the Bidens."
His conclusion: Investigating the Bidens "would counter the narrative that there's 'nothing wrong' with Hunter Biden's dealings and that it's all a 'lie' that's best to ignore."


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CIVIC NEWS
COMMUNITY EDITORIALS
NORBERTO SANTANA, JR. COLUMNS
IMPACT & HONORS
STAFF & CONTACT US
Evidence Booking Scandal
2020 Voting Process
2020 City Recalls
OC Animal Care
Board of Supervisors to Consider $1.4 Million Agreement for Behavioral Health Training Services
JEFF ANTENORE, Voice of OC
The Orange County Board of Supervisors has public comment at its May 2018 meeting.
By SARAH STALEY | November 4, 2019
Editors' Note: This dispatch is part of the Voice of OC Youth Media program, working with student journalists to cover public policy issues across Orange County. If you would like to submit your own student media project related to Orange County civics or if you have any response to this work, contact Digital Editor Sonya Quick at squick@voiceofoc.org.
The Orange County Board of Supervisors is set to vote Nov. 5 on a $1.4 million, nearly three-year agreement for behavioral health training services for community members working in various fields throughout the county.
The Health Care Agency began developing a new program after receiving feedback at community engagement meetings held from August through September 2018. This feedback indicated a need for increased understanding of behavioral health issues in the general population.
The agreement is between the Health Care Agency and Western Youth Services, a Laguna Hills-based nonprofit organization providing mental health services to youth.
The goal of the program is to provide behavioral health training services, such as mental health first aid, across Orange County through online and in-person instruction.
The trainings seek to benefit both youth and adults with symptoms of mental health disorders and will be open to the general public. Trainings also will target non-clinical providers, as well as clinical ones.
The instruction will cover mental health first aid for youth and adults, recognizing symptoms of mental health disorders, working with diverse populations, and behavioral health. The nonprofit's website will promote these trainings.
"Increased knowledge of overall behavioral health and access to treatment are crucial factors in reducing the stigma surrounding mental health and substance use disorder treatment," said Annette Mugrditchian, chief of operations with the county's Behavioral Health Services team.
The Board of Supervisors meets at 9 a.m. Nov. 5 in the Hall of Administration, 333 W. Santa Ana Blvd., Santa Ana.
Since you've made it this far,
You are obviously connected to your community and value good journalism.
As an independent local nonprofit, our news is accessible to all, regardless of what they can afford. Our newsroom centers on Orange County's civic and cultural life, not ad-driven clickbait. Our reporters hold powerful interests accountable to protect your quality of life.
But it's not free to produce. It depends on donors like you.
Garden Grove Puts Stricter Controls on Interactions with Feral Animals
The Garden Grove City Council has unanimously approved a new law prohibiting citizens from feeding feral animals and implementing a "trap-neuter-return" program.
Huntington Beach Working on an Art Plan
Huntington Beach is creating a public art master plan, which if approved, aims to bring artwork throughout the city, including mosaics, sculptures and murals.
Support & Partnerships
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Installatron Plugin is now ready to use in DirectAdmin.
The administrative user will see an Installatron Admin button at the 'admin' and 'reseller' levels.
Resellers will see an Installatron Admin button at their 'reseller' level and an Installatron Applications Installer button at the 'user' level.
Website owners will see an Installatron Applications Installer button at the 'user' level.


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text:
core organizing members
May Chew is an Assistant Professor at the Mel Hoppenheim School of Cinema and Department of Art History at Concordia University. Chew collaborates on Houses on Pengarth, a research and curation project centred on developing a socially-engaged, experimental art lab in Toronto's Lawrence Heights community. Her recent work includes a chapter in the anthology Material Cultures in Canada (WLU Press, 2015); articles in Imaginations, the International Journal of Heritage Studies, the Journal of Canadian Art History; and Public 57: Archives/Counter-Archives, which she co-edited with Susan Lord and Janine Marchessault.
Alice MING WAI Jim
Art historian and curator, Alice Ming Wai Jim is Professor, Contemporary Art, in the Department of Art History, and Concordia University Research Chair in Ethnocultural Art Histories. She is also interim director of the Queer Media Database Canada-Quebec Project and co-editor-in-chief of the Journal of Asian Diasporic Visual Culture and the Americas. Her current research is on born-digital ethnic avatars created by Indigenous artists and artists of colour.
Surabhi Ghosh
Exhibition view, 2017, Photo by Guy L'Heureux
Artist and educator, Surabhi Ghosh is Assistant Professor & Program Coordinator, Fibres & Material Practices in the Department of Studio Arts. She is interested in how textiles as a form of media transmit, contain, and shape stories of place and identity. For immigrants—people for whom "place" is no longer stable—how do textiles contribute to their newly complex identities? And how do the descendants of immigrants negotiate their hyphenated cultural identities in relation to these materials?
Angélique Willkie
Lisa Graves
Performer, singer, dramaturge and pedagogue, Angélique Willkie is Assistant Professor in the Department of Contemporary Dance, and co-director of the Performing Arts Research Cluster (LePARC / Milieux Institute for Arts, Culture & Technology). Her current research focuses on the notion of an indiviual corporeal dramaturgy, inspired by the trajectories of performer Josephine Baker and French transgender circus artist Phia Ménard.
Faculty members-at-large
Monika Kin Gagnon Professor of Communication Studies and a Concordia University Research Fellow. She has published widely on cultural politics, memory, and visual/media arts since the 1980s. Her books include Other Conundrums: Race, Culture and Canadian Art (2000), 13 Conversations about Art and Cultural Race Politics (2002, with Richard Fung), and Reimagining Cinema: Film at Expo 67 (2014, with Janine Marchessault).
Designer and educator, Rilla Khaled is Associate Professor in the Department of Design and Computation Artsand director of the Technoculture, Art and Games (TAG) Research Centre, under the Milieux Institute for Arts, Culture and Technology. Her research & creation centres on the design of persuasive and critical/speculative playful media, interactions between games and culture, and practices involved in emerging forms of game design.
Director, writer and animator, Cilia Sawadogo is Associate Professor of Animation in the Mel Hoppenheim School of Cinema. She has received numerous awards for films she directed at the NFB or independently including L'Arbre aux esprits (2005), La ruse du lievre (2001) Christopher changes his name (1999), Le Joueur de Cora (1996), L'arrèt d'Autobus (1994), Naissance (1993) and La femme mariée à trois hommes (1993).
Media artist and educator, Leila Sujir is Associate Professor of Intermedia (Video, Performance, and Electronic Arts) in the Department of Studio Arts and Principal Investigator and Director of Elastic Spaces, an international Concordia-based research project that explores stereoscopy, 3D video and encompassing virtual and augmented reality.
Luis Carlos Sotelo Castro is the Canada Research Chair in Oral History Performance and Associate Professor in the Department of Theatre.
Rajni Shah is a Horizon Postdoctoral Fellow at the Acts of Listening Lab (Centre for Oral History and Digital Storytelling & Dept of Theatre).
Graduate student members
Raissa Simone Killoran's PhD research examines how biracial descendants of the Transatlantic Slave Trade engage in performance, theatre, and expressive arts as informed by inter-generational trauma. She investigates biraciality as an aspect of the ongoing inter-generational trauma, studying the psychic effects of offspring and generations conceived through the rape of African slaves by slave masters. Raissa is in her third year of the PhD HUMA, under the co-supervision of Dr. Warren Linds and Professor Willkie.
Mikhel Proulx's PhD research considers the artistic products from marginalized communities on the early Web. This research attends to histories of queer collectives, women's communities, and Indigenous cultural networks, and asks what lessons can be learned from a generation of artists concerned with communication networks and social action. Mikhel is in the fifth year of the Interuniversity Doctoral Program in Art History at Concordia, under the supervision of Dr. Jim.
Artist, educator, and indefinitely mortal, Sanaz Sohrabi's PhD research creation project examines historical film archives of oil production in Iran, specifically the ways in which the social engineering project led by the Anglo Iranian Oil Company in Abadan, turned into an iconic portrayal of modernity in the Middle-East. Sanaz is in in her first year of the PhD HUMA, working with Professors Jean-Claude Bustros, Krista Lynes, and Alice Jim.
Estelle/Gatien Wathieu's MA research examines curatorial strategies developed by self-identified artists of colour on corporate social media platforms. Focusing on the work of the Art Hoe Collective, her thesis addresses the history of their movement since 2015 in relation to emergent forms of social justice media activism that focus on community building and empowerment. Estelle is in her third year of the MA in Art History program at Concordia University, under the supervision of Dr. Jim.
Artist and curator Swapnaa Tamhane is producing work that explores the notion of drawing as a record of looking as a way to document the presence of the postcolonial body and where the gendered body can be situated in the history of drawing or mark-making, strategies of display, and experiences of looking. Swapnaa has been a Research Fellow with support from the Shastri Indo-Canadian Institute, and an International Fellow with Kulturstiftung des Bundes. Swapnaa is in her first year of the MFA Fibres & Material Practices (Studio Arts) program, under the supervision of Professor Ghosh.
Additional student interest and participation at both the undergraduate and graduate levels will be enhanced by the already existing inter-university, interdisciplinary Ethnocultural Art Histories Research Group (EAHR) student-led research group, founded by Dr. Jim in 2011, to explore and promote ethnocultural art histories in the Canadian context and to increase the visibility and support of students and faculty from diverse cultural communities. EAHR has organized extra-curricular annual exhibitions, conferences, and a lecture series, as well as collaborations with Montreal galleries and two Artexte Research Residency projects in 2015 and 2017, in which they learnt how to digitally map their own archive of activities (5 Years of EAHR).
EAHR | Media distinguishes itself from the EAHR student group by (1) its focus on the implications of digital tools for the study and making of research creation by members of ethnocultural communities; and (2) the regular combined involvement of faculty and graduate students in its annual programming.


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