text:
New 21-Year-Old Star Has Emerged in Jets Offense
Heavy on Jets
By Paul A. Esden Jr.
Updated Nov 29, 2022 at 1:35pm
Getty New York Jets running back Zonovan Knight breaking tackles during a game against the Chicago Bears.
When the New York Jets lost Breece Hall back in Week 7, their running game seemed destined to never be the same.
However, after the Week 12 matchup versus the Chicago Bears, there is newfound hope in the backfield after the emergence of a brand-new star.
Zonovan Knight Has Officially Arrived on 1 Jets Drive
On Sunday morning when the Jets announced their active/inactive list, there was a surprising name featured: running back James Robinson.
He was a healthy scratch according to the beat reporters which opened up the door for undrafted free agent Zonovan Knight to make his NFL debut.
The former NC State product had 17 touches and made the most of them versus the Bears:
69 rushing yards
Averaged 4.9 rushing yards per attempt
Three receptions for 34 yards
Knight originally made the 53-man roster before getting released a week later. Ultimately he was brought back on the practice squad and was biding his time.
After Hall tore his ACL, Knight was promoted to the 53-man roster on a full-time basis. This opportunity against the Bears was his first chance at the NFL level.
Knight affectionately known by his nickname Bam had the most rushing yards by a Jets player in a debut since the legendary Matt Snell, per Dennis Waszak Jr of the Associated Press.
Zonovan "Bam" Knight had 69 yards on 14 carries Sunday, the most yards rushing by a #Jets player in his debut since Matt Snell had 82 in 1964.
Knight also had 3 catches for 34 yards and added an 18-yard kickoff return. pic.twitter.com/gvAAYmxkoH
— Dennis Waszak Jr. (@DWAZ73) November 28, 2022
Beyond the Jets record books, Knight made history in the NFL this season. Bam's 103 total yards from scrimmage made him the only rookie this season to achieve that feat in his first career game.
Jets team reporter Caroline Hendershot said he is one of only three undrafted rookies to do that since 1990.
Have a day, @knight_zonovan 👏 pic.twitter.com/UmxWIDFQ2K
— New York Jets (@nyjets) November 28, 2022
James Robinson Won't Be Forgotten in Jets Backfield
One of the reasons Knight was able to emerge is because Michael Carter got hurt during the Bears game.
Head coach Robert Saleh said MC1 suffered an ankle sprain and said it was of the "low" variety but wouldn't provide much additional detail beyond that.
He will be questionable throughout this week and has an outside shot of playing on Sunday versus the Minnesota Vikings.
That means it should be full steam once again for Knight this week.
However, don't write off Robinson yet either. While the Jets decided to make him a healthy scratch on Sunday, Saleh said he still has a role on this team moving forward.
"James' story is not over. Obviously, I said that after the game. It's just a matter of getting north and south. Not every run is going to be perfect or go to the house. Just stick your foot in the ground and get vertical as quickly as possible and explode through the line of scrimmage."
#Jets HC Robert Saleh said RB Zonovan 'Bam' Knight (@knight_zonovan) 'had some fresh legs & he was juicy as a runner' 👀 + 'he gets north-and-south quick' a perfect fit for their scheme: 🎥 @nyjets #TakeFlight @PackFootball pic.twitter.com/8uqUl4oYQX
— Paul Andrew Esden Jr (@BoyGreen25) November 28, 2022
It sounds like Robinson is going through some of the same issues that Hall was going through earlier in the year. He has a tendency to go east and west (aka run horizontally) instead of just planting his foot and going up the field.
The Jets traded for Robinson immediately following the Hall injury. Credit to the scouting department and the coaching staff that despite how both players were originally acquired that they'd be willing to make the change for the good of the team.
Not every coaching staff is willing to do that and it shows that the best players will get on the field.
With how Knight performed versus the Bears, it is going to be hard to get him off the field moving forward.
The future is bright with Hall returning in 2023, but for now, the Jets have a new star in the backfield to rely upon for the rest of 2022.
Football, NFL
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A star has emerged for the New York Jets in the middle of the 2022 season.


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Have You Heard The Latest News About Beyonce?!
36 hours before her new album was released, it got hacked and someone uploaded to the internet. It could have been a very upsetting story, but it turned out to be a really nice one. Millions of fans decided to wait until the official release date to listen to it. Of course Beyonce was very moved by them and wrote a letter about her appreciation. She posted this letter on her Instagram page with a photo, where she is wearing a silver Gucci couture dress. She is covering her half naked upper body with her hand, which makes this picture ultra sexy.
Beyoncé (@beyonce) által megosztott bejegyzés
Bey is a real diva and she deserves all the love and respect that her fans give her. She has been an idol to me too since I was a little kiddo. In honor of the Renaissance album release, I thought I'd share a few things you probably didn't know about Beyonce. For example, that she has beehives, or that in 2011 she announced her pregnancy during the performance of her hit "Love On Top" at the VMA awards.
It is not by chance that she is called Qeen Bey. In 2020, she told British Vogue that they have nearly 80,000 bees and produce hundreds of jars of honey every year. Bey initiated this because both of her daughters have bad allergies and honey has countless healing properties.
At the very beginning of her VMA performance of the song "Love On Top", she said that "I want you to feel the love that's growing inside of me". Then, at the end of the song, she unbuttons her sequined blazer, throws away the microphone and shows the audience her baby bump. This joyous moment set a Guinness World Record for the most tweets per second. The award ceremony became the most watched in the history of MTV. Take a look at this historic performance:
She donated the salary she received for her role in the film Cadillac Records to an addiction center. She did this so she could help people who are being judged for their addiction, which is actually a disease. You can say that she is so rich that it doesn't matter to her, but the truth is that many other rich people would not donate such a large amount to charity. So it's really a big deal and it drew attention to one of the most serious social problems.
Who discovered the singer? Her childhood dance teacher once hummed a song beside Bey that she finished. The man couldn't believe his ears, and that very evening, when her parents went to pick her up, the teacher drew their attention to the fact that this girl had a very good voice. Then, at the age of 7, she won the first talent show she participated in. After that she won 35 other competitions in a row. That's what they call talent, right?!
Toward the end of this article, I thought I'd show you some silver dresses and accessories inspired by Beyonce's Gucci dress. Choose your favorite to shine silvery in the summer nights. Click here to find the collection of the silver treasures.
I hope you found some good festival sets in Spark Le Monde's selection. In case you are craving for a quiet evening watch the Cadillac Records movie. I watched it the other night and I recommend it, because it was so great!
https://www.vogue.fr/fashion-culture/article/beyonce-facts
https://www.vogue.fr/fashion/article/beyonce-renaissance-metallic-gucci-dress
https://www.instagram.com/beyonce/
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redpajama_set_name: RedPajamaCommonCrawl


Shockolate Vault asks if you want pain or chocolate. Chocolate, please!
It's not often I'll judge a game without actually taking the time to play it, but in the case of Shocking Roulette I'm willing to make an exception. If you buy this game, you deserve every minute of pain and torture you receive at its diabolical, unyielding plastic hands.
What is Shocking Roulette? Well, you and up to three of your friends (who, I hope the packages warns you, will no longer be your friends once you've made them play Shocking Roulette) put your fingers in the receptacles. Lights spin around, and then randomly, one of you gets electrically shocked.
That's it. That's the whole game . It runs for £14.99 and sounds about as much fun as playing Russian Roulette with a semi-automatic. Let me get this straight: I'm going to pay almost $30 (plus, apparently, international shipping) for the same thing I could get at home for free by sticking a fork in the electrical outlet? The product page asks: "When you hear the final beep .. will you be the first to weep?" I like that it implies that you'll only be the first to weep. Just remember: in Shocking Roulette, there are no winners.


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Christabel
Gary Chason
Gary Chason grew up in the theatre. He and his two sisters put on shows for family and friends virtually from the moment they could walk and talk. He studied classical ballet as a scholarship student at the Houston Ballet's academy under Madame Tatiana Semenova as well as vocal music, singing in the chorus of Tales of Hoffman for the Houston Grand Opera. He took up directing in college at the University of Texas and set his sights on being an avant garde, experimental Writer/Director. He created Houston Laboratory Theatre in 1970 and directed an innovative Romeo and Juliet that received excellent notices. He produced/directed a highly controversial production in 1975: The Beard , an erotic one-act staged at an art gallery in the Montrose District of Houston. He also directed two of his original plays at The Equinox Theater: Charlie's Ear , and Denizens . He has had a distinguished career in motion pictures as a Casting Director and Dialog/Dialect Coach. His casting credits include: The Last Picture Show , Paper Moon , The Getaway , Pretty Baby , and Paris, Texas . He has worked with many A-List Directors, including: Robert Altman, Peter Bogdanovich, Sam Peckinpah, Michael Ritchie, Louis Malle, and Wim Wenders. As a Dialect Coach he has tutored people like Jeff Bridges, Cybill Shepherd, Cloris Leachman, Brooke Shields, Tatum O'Neal, and Ann-Margret. His first feature film as a Writer/Director, Charlie's Ear , was especially well received in European festivals. At Madrid it won Best Film, Best Director, Best Actor, and Best Cinematography. And it won the Critic's Prize by unanimous vote at Mannheim. The film had a brief theatrical run in 1995. His screenplays have won a Gold (for Succubus Crystal ) and a Bronze (for Faces of Stone ) at WorldFest Houston. WorldFest also awarded him a Gold for the music video, Women Are Smarter , and a Silver for the 35mm short, Ink on Paper . A 35mm feature he produced for another Houston filmmaker, The Trust , won a Special Mention. He works regularly in the field of Corporate/Industrial video as a Writer/Producer/Director. His clients include: Shell, Service Corporation International, The Texas Young Lawyers Association, Total Video, and Hoefler Associates. His recent work includes several short subjects: More Than Two Dollars (HD24P), God Thinks You're a Loser (35mm), Little Beauties (35mm), A Few Letters Off (DV), and pilot episodes for two half-hour TV series: From Nowheresville (DV) and Mama Icy's House (Beta SP). He is comfortable with the new HD format, having helmed HD: Houston Downtown for Total Video. Venturing into new territory, Chason started 2002 as Director of Photography for a DV horror short entitled Drain U , which has already received internet distribution. He currently has several feature projects in development. Having always been involved in training actors for motion pictures and television, he has recently begun teaching Directing for Indie U, the training division of Indie Slate Magazine. Indie Slate will publish his first book, Acting for the Real World , later this year.
Gary has a long history as an acting instructor/coach. In fact, he is one of the first (if not THE first) to use video in the acting classroom. He taught classes at his studio in Houston using black and white video as early as 1973. He used scripts from movies he'd worked on as a Casting Director and other scripts he had on hand. He has written a book as well: ACTING FOR THE REAL WORLD, NOTES ON TELEVISION AND MOTION PICTURE ACTING, which has not been published yet. It is only available to students in his classes. He has been a Guest Lecturer for: The American Theater Association's Convention in Toronto; The Texas Educational Association's TheatreFest in San Antonio; and the American Film Institute's Regional Symposium at Rice University. Additionally, Gary has taught at: The Greenhill School and Richland College in Dallas; Third Coast Casting and Brite Lites Studio in Austin; Madjik Entertainment, Media Talent Center, and Academy One in Portland, Oregon; and the Dvorak Studio in Los Angeles. Gary also helped develop the first program in Acting for the Camera at The Neighborhood Playhouse in New York City, which is one of the most acclaimed acting schools in the English-speaking world. During his many professional assignments as a Motion Picture Casting Director he has often been called upon to be a Dialect/Dialog Coach. Among the more noteworthy performers he has tutored are: Jeff Bridges, Cybill Shepherd, Cloris Leachman, Ellen Burstyn, Brooke Shields, C. Thomas Howell, Ann-Margret, and Ryan and Tatum O'Neal.
Copyright © 2018 Gary Chason - All Rights Reserved.


Why do you need to know the difference of heart attack symptoms inwomen? No one denies the importance of maintaining the health of heart organ as one of the vital organs in human body. Women who suffer heart disease generally occurs due to the lack of oxygen supply to the heart so that her heart doesn't function properly.
Based on statistical data, women mentioned more risk of heart attack than men. Improper lifestyle like unhealthy diet, irregular sleep patterns, lack of exercise and prolonged stress can negatively affect heart health. Female smokers are much more risky because nicotine can cause instability of the hormone estrogen in the body, but this hormone is a hormone antidote to heart disease.
In contrast to men, it turns out that the characteristics of a heart attack in women are not typical and not specific like general symptoms. Usually the symptoms of heart attack include pain in the left chest that depress suddenly and then spread to the left arm, back or neck.
Such typical symptoms are more common in men. The characteristics of a heart attack in women may be similar, but in most cases, the symptoms are perceived as symptoms of heartburn or indigestion. Female patients who had a heart attack experience nausea, vomit, and stomach pain. According to the heart specialist, non-specific symptoms are difficult to interpret by ordinary people and so allows the patient to perform fault identification. That is why women should be more careful so that no one recognizes these symptoms just as gastrointestinal or common diseases.
In the case of a heart attack in women are similar to heartburn, most likely affected area is the lower (inferior) part of the heart. In addition to symptoms such as gastrointestinal disturbances (nausea, heartburn, stomach spasms) and pain in the lower back, other symptoms that often accompany the inferior cardiac arrest is congested or short of breath, weakness, and fatigue without knowing the cause.
For we all women, it doesn't mean that all digestive disorders lead to a heart attack. This knowledge can make you more alert. If after taking ulcer medication; symptoms are not reduced or even feels more intense, you should immediately go to the emergency unit at a nearby hospital.
Women who have to be more careful are those who have risk factors for heart disease such as have stopped menstruating, high cholesterol, diabetes, obesity, family history of heart disease before the age of 60, often experience stress and smoking. Women with these risk factors should be addressing indigestion with more vigilant and live a healthy lifestyle that includes the consumption of fruits and vegetables every day, regular exercise, reduce stress, stay away from cigarettes and alcohol.


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Man Accused of Throwing Woman, Attacking Children then Running From Police
Jon King Published: April 17, 2017
Missoula police have arrested a man accused of attacking his family Saturday evening, April 15 in the 2300 block of West Broadway. According to Police Public Information Officer Travis Welsh, police arrived after the man's sons called just before 9:00 P.M.
"The male involved was very intoxicated and had been arguing and yelling at his sons who are 19 and 22-years-old. The female attempted to intervene, and the male turned toward her and actually picked her up and threw her on a bed then squeezed her in what was called a bear hug before getting in a physical struggle with the two boys."
Apparently, the boys told their dad that the police had been called and were on their way, at which point the suspect ran out the back door.
"That male is identified as 47-year-old Eugene Lewandowski," Welsh said. "He was located a short distance away and was subsequently arrested for Partner/Family Member Assault. He had gotten farther than his backyard, but he was seen running in the immediate area by officers who were looking for him, and he was picked up rather quickly."
Welsh said Lewandowski is facing a felony charge in this case, because he has been convicted of Partner or Family Member Assault at least twice before.
Filed Under: Crime, Missoula
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The Green Production Guide helps Hollywood reduce its footprint
Hollywood may not come to mind first when considering climate impacts, but feature films require enormous amounts...
Renzo Piano-inspired Skyhouse nestles into Hollywood Hills
Inaara Thawer
Inspired by Renzo Piano's Fondation Beyeler museum in Switzerland, Skyhouse by XTEN Architecture is a multi-award-winning...
Selgascano designs plant-filled creative office campus for Second Home Hollywood
Lucy Wang
London-based creative business Second Home is opening its first U.S. location that'll deliver bold designs and...
LA City Council unanimously agrees to ban the sale of fur
Luciana Pricop
The Los Angeles City Council made a historic vote last week by unanimously agreeing to ban the sale of fur. The...
Leonardo DiCaprio could be headed to Mars with SpaceX
Orion Rodriguez
Leonardo DiCaprio has traveled the world throughout his acting career, but if he has his way, he might just end...
Someone built a tiny wall around Trump's Hollywood Walk of Fame star
Katie Medlock
Someone finally listened to the passionate "build a wall" chants of Donald Trump supporters, but it's not...
Ordinary Architecture Makes the Hollywood Sign Disappear
Colin Payne
In a monumental feat of visual trickery, London-based Ordinary Architecture made the letters that make up the iconic...
Morphosis' Spectacular Emerson College Campus Set to Open in Hollywood
Situated on Sunset Boulevard, the new satellite campus will play host to Emerson College's annual semester-long...
E.T., De Niro and Harry Potter Make an Appearance at the Weston Sand Sculpture Festival in England
Ana Lisa
The Weston Sand Sculpture Festival's fragile works are incredibly detailed and beautifully crafted. This year...
Richard Neutra's Mid-Century Hailey Residence is an Exercise in Compact Space Design
Richard Neutra was originally from Austria, but he practiced for much of his life in Southern California and even...
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Natural gas drilling has starred in several documentary films in recent years, including Josh Fox's Oscar-nominated...
Terraced Hollywood Hills House Eliminates the Need for Air Conditioning
Designed by Francois Perrin, the Hollywood Hills House is a four-story terraced home at the very edge of the Hollywood...
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The Cherokee Lofts is a triple diamond in the rough, an urban infill, mixed-use, market-rate housing project. ...
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Seven ISOcontainerswill make up the project, expanding the residence to a 3-story, 3-bedroom hybrid. The addition...
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Pre-built homemakers extraordinaire, Marmol Radziner Prefab were in the newsthis week once again introducing their...


text:
Design Dissolving in Behaviour
Born in 1956 in the Yamanashi Prefecture in Japan, Naoto Fukasawa graduated in 1980 in product design at the Tama Art University. He moved to America to work with Ideo in San Francisco for 8 years, and returned home as Director of Ideo Japan in 1996.
In 2003 Fukasawa established the Naoto Fukasawa Design studio in Tokyo and subsequently opened his own retail outlets for his own design brand Plus Minus Zero that produces what he describes as mundane objects - calculators, fans and umbrellas. As well as his own collection, Fukasawa collaborates with international brands including Italian furniture groups B&B Italia and Driade, and the Japanese 'anti-brand' label Muji. One of his most successful pieces for Muji is the wall-mounted CD player that won the British D&AD award in 2002. Naoto travels widely to talk and exhibit work, collaborating with Jasper Morrison on the Super Normal exhibition and book in 2006.
Narcissus Table
Bent Glass BenchGlas Italia
Bent Glass StoolGlas Italia
Half Dome Floor LampKettal
Half Dome Overhang Floor LampKettal
Narcissus TableGlas Italia
Recyclable Content


8 lossless, block-sorting data compression.
17 in the file LICENSE.
21 /* Place a 1 beside your platform, and 0 elsewhere.
23 Also works on 64-bit Unix boxes.
24 This is the default.
31 lcc compiler. Or with MS Visual C.
33 defines _WIN32, not including the Cygwin GCC.
47 Some stuff for all platforms.
173 IntNative is your platform's `native' int size.
174 Only here to avoid probs with 64-bit platforms.
292 so that we can supply the following function.
749 "\n%s: PANIC -- internal consistency error:\n"
751 "\tThis is a BUG. Please report it to me at:\n"
826 "\n%s: Caught a SIGSEGV or SIGBUS whilst compressing.\n"
828 " Possible causes are (most likely first):\n"
829 " (1) This computer has unreliable memory or cache hardware\n"
830 " (a surprisingly common problem; try a different machine.)\n"
831 " (2) A bug in the compiler used to create this executable\n"
832 " (unlikely, if you didn't compile bzip2 yourself.)\n"
833 " (3) A real bug in bzip2 -- I hope this should never be the case.\n"
834 " The user's manual, Section 4.3, has more info on (1) and (2).\n"
836 " If you suspect this is a bug in bzip2, or are unsure about (1)\n"
837 " or (2), feel free to report it to me at: jseward@bzip.org.\n"
838 " Section 4.3 of the user's manual describes the info a useful\n"
839 " bug report should have. If the manual is available on your\n"
840 " system, please try and read it before mailing me. If you don't\n"
841 " have the manual or can't be bothered to read it, mail me anyway.\n"
847 "\n%s: Caught a SIGSEGV or SIGBUS whilst decompressing.\n"
849 " Possible causes are (most likely first):\n"
850 " (1) The compressed data is corrupted, and bzip2's usual checks\n"
851 " failed to detect this. Try bzip2 -tvv my_file.bz2.\n"
852 " (2) This computer has unreliable memory or cache hardware\n"
853 " (a surprisingly common problem; try a different machine.)\n"
854 " (3) A bug in the compiler used to create this executable\n"
855 " (unlikely, if you didn't compile bzip2 yourself.)\n"
856 " (4) A real bug in bzip2 -- I hope this should never be the case.\n"
857 " The user's manual, Section 4.3, has more info on (2) and (3).\n"
859 " If you suspect this is a bug in bzip2, or are unsure about (2)\n"
860 " or (3), feel free to report it to me at: jseward@bzip.org.\n"
861 " Section 4.3 of the user's manual describes the info a useful\n"
862 " bug report should have. If the manual is available on your\n"
863 " system, please try and read it before mailing me. If you don't\n"
864 " have the manual or can't be bothered to read it, mail me anyway.\n"
895 "bzip2: I'm not configured correctly for this platform!\n"
896 "\tI require Int32, Int16 and Char to have sizes\n"
897 "\tof 4, 2 and 1 bytes to run properly, and they don't.\n"
898 "\tProbably you can fix this by defining them correctly,\n"
933 "is suspiciously (more than %d chars) long.\n"
958 /* Open an output file safely with O_EXCL and good permissions.
962 the interim permissions required. (--- --- rw-).
965 security issues, simple this simply behaves like fopen.
1021 because doing it afterwards means we get the wrong access time.
1028 does not cause the access time field to be updated.
1031 to imply that merely doing open() will not affect the access time.
1095 * is performed by the shell.
1613 "bzip2, a block-sorting file compressor. "
1616 " Copyright (C) 1996-2007 by Julian Seward.\n"
1618 " This program is free software; you can redistribute it and/or modify\n"
1619 " it under the terms set out in the LICENSE file, which is included\n"
1620 " in the bzip2-1.0.5 source distribution.\n"
1622 " This program is distributed in the hope that it will be useful,\n"
1623 " but WITHOUT ANY WARRANTY; without even the implied warranty of\n"
1624 " MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the\n"
1625 " LICENSE file for more details.\n"
1638 "bzip2, a block-sorting file compressor. "
1640 "\n usage: %s [flags and input files in any order]\n"
1642 " -h --help print this message\n"
1643 " -d --decompress force decompression\n"
1644 " -z --compress force compression\n"
1645 " -k --keep keep (don't delete) input files\n"
1646 " -f --force overwrite existing output files\n"
1647 " -t --test test compressed file integrity\n"
1648 " -c --stdout output to standard out\n"
1649 " -q --quiet suppress noncritical error messages\n"
1650 " -v --verbose be verbose (a 2nd -v gives more)\n"
1651 " -L --license display software version & license\n"
1652 " -V --version display software version & license\n"
1653 " -s --small use less memory (at most 2500k)\n"
1654 " -1 .. -9 set block size to 100k .. 900k\n"
1655 " --fast alias for -1\n"
1656 " --best alias for -9\n"
1658 " If invoked as `bzip2', default action is to compress.\n"
1659 " as `bunzip2', default action is to decompress.\n"
1660 " as `bzcat', default action is to decompress to stdout.\n"
1662 " If no file names are given, bzip2 compresses or decompresses\n"
1663 " from standard input to standard output. You can combine\n"
1664 " short flags, so `-v -4' means the same as -v4 or -4v, &c.\n"
1691 into which main() copies argv[1 .. argc-1].
1696 themselves, like MSDOS, Windows 95 and NT.
1833 expand filename wildcards in arg list.
2017 "You can use the `bzip2recover' program to attempt to recover\n"
2018 "data from undamaged sections of corrupted files.\n\n"
2026 (eg) Purify, Checker. Serves no other useful purpose.


text:
To & From Airport
Airlines Info
Rules Travel Eat
Shop FAQ Info
Prayer Special Needs
Bus Taxi Car Rentals
traveller / shop & eat / ATM
Select Location Check-in hallDomestic Departures
HDFC Bank Limited is an Indian banking and financial services company headquartered in Mumbai, Maharashtra. It has 84,325 employees and has a presence in Bahrain, Hong Kong and Dubai.
Location: Arrivals - Public Transport center,Check-in hall
IndusInd
One of the new generation private-sector banks in India, which caters to the needs of both Consumer & Corporate Clients, supporting multi - channel delivery capabilities and extending its services through 6 ATMs spread across the terminal both in departure and arrival areas.
Location: Check-in hall
Yes Bank is a "Full Service Commercial Bank", has steadily built a Corporate, Retail & SME Banking franchise, Financial Markets, Investment Banking, Corporate Finance, Branch Banking, Business and Transaction Banking, and Wealth Management business lines across the country
Location: Check-in hall - Departure Forecourt
Andhra Bank E Venue
Andhra Bank is a medium-sized public sector bank of India, with a network of 2803 branches, 4 extension counters, 38 satellite offices and 3636 automated teller machines
Location: Arrivals - Airport Village
Oriental Bank of Commerce is an India-based bank established in Lahore, is one of the public sector banks in India.
SBI E-Lounge
State Bank of India is an Indian multinational, public sector banking and financial services company. It is a government-owned corporation with its headquarters in Mumbai, Maharashtra.
Central Bank of India, a government-owned bank, is one of the oldest and largest commercial banks in India. It is based in Mumbai which is the financial capital of India and capital city of state of Maharashtra.
Location: Arrivals
KOTAK Mahindra
India's most reputed financial conglomerates; Kotak Mahindra Bank is redefining the reach and power of banking. And it extends its services through 3 ATMs spread across the terminal both in departure and arrival areas.
Location: Arrivals,Arrivals - Car Park Area,Check-in hall
Karur Vysya Bank
Karur Vysya Bank provides one-stop shop solution for all your banking needs including corporate, personal, nri and more.
Location: Check-in hall - Departure Forecourt,Domestic Departures
India's International Bank - Global bank with a network of branches in India, and an international presence in 25 countries.
Canara Bank is one of the largest public sector banks owned by the Government of India. Its headquarters is in Bengaluru. It was established at Mangalore in 1906, making it one of the oldest public sector banks in the country.
© GMR Hyderabad International Airport. All rights reserved | Site last updated on Jan 10, 2020 | Terms and conditions | Privacy Policy
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Q: SQLite file copied from Assets folder by Android SQLiteOpenHelper corrupted? I used sqlite3 on my Mac to create a small database file (surnamed ".db") containing one table, plus the android_metadata table containing "en_US".  I pasted the file into the assets folder of my Android Studio project.  At runtime, the onCreate method of my SQLiteOpenHelper copies the file into /data/data/projectname/databases/filename.db on my Genymotion emulator (a Samsung Galaxy S5).  But when I try to read the table in filename.db with the Cursor provided by the getReadableDatabase method of the SQLiteOpenHelper, I get the LogCat error "E/SQLiteLog﹕ (1) no such table: tablename".  The same thing happens on my el-cheapo Azpen A727 Android tablet.
The filename.db file copied into the /data/data/projectname/databases folder on the emulator contains the same number of bytes (5120) as the original filename.db I created on my Mac with sqlite3.  When I compare the two .db files with the Unix octal dump command "od -c", I found that they are identical for the first 16 bytes, and differ for the first time at the 17th byte.  (The original file has octal 004 as its seventeenth byte, and the copy has 020.)  Should the two files have had identical contents?  When I try to examine /data/data/projectname/databases/filename.db with sqlite3 .dump, I get "ERROR: (11) database disk image is malformed".
The getReadableDatabase method of my SQLiteOpenHelper triggers a call to the onCreate method of the helper.  In onCreate, I copy filename.db from the assets folder to the /data/data/projectname/databases directory.  At the end of onCreate, I verified that the 17th byte in both copies of filename.db is 004.
I added an onOpen method to my SQLiteOpenHelper.  It is called automatically by getReadableDatabase after onCreate, and does nothing except calling super.onOpen.  After calling super.onOpen, my onOpen prints the 17th byte of both copies of filename.db.  The byte in assets remains 004, but the byte in /data/data/projectname/databases has become 020.  (The damage also occurs if onOpen does not call super.onOpen.)
What sinister force might be damaging /data/data/projectname/databases/filename.db between the end of the call to onCreate and the start of the call to onOpen?  Or is the problem something else entirely?  Thank you very much.
package edu.nyu.scps.offer;

import android.content.Context;
import android.content.res.AssetManager;
import android.database.Cursor;
import android.database.sqlite.SQLiteDatabase;
import android.database.sqlite.SQLiteOpenHelper;
import android.util.Log;

import java.io.FileInputStream;
import java.io.FileOutputStream;
import java.io.IOException;
import java.io.InputStream;
import java.io.OutputStream;

public class Helper extends SQLiteOpenHelper {
    private static final String DB_NAME = "offers.db";
    private Context context;

    public Helper(Context context) {
        super(context, context.getDatabasePath(DB_NAME).getPath(), null, 1);
        this.context = context;
    }

    @Override
    public void onCreate(SQLiteDatabase db) {
        try {
            AssetManager assetManager = context.getAssets();
            InputStream inputStream = assetManager.open(DB_NAME); //in assets folder
            OutputStream outputStream = new FileOutputStream(getDatabaseName());

            byte[] buffer = new byte[1024];
            int length;

            while ((length = inputStream.read(buffer)) > 0) {
                outputStream.write(buffer, 0, length);
            }

            outputStream.flush();
            outputStream.close();
            inputStream.close();
        } catch (IOException exception) {
            Log.e("myTag", "exception " + exception);
        }
    }

    @Override
    public void onUpgrade(SQLiteDatabase db, int oldVersion, int newVersion) {
    }
};

Here is a .dump of the file I created by hand using sqlite3:
sqlite3 offers.db .dump
PRAGMA foreign_keys=OFF;
BEGIN TRANSACTION;
CREATE TABLE android_metadata (
        "locale" text default "en_US"
);
INSERT INTO "android_metadata" VALUES('en_US');
CREATE TABLE offers (
    _id integer primary key autoincrement,
    title text,
    description text
);
INSERT INTO "offers" VALUES(1,'Prewar Castle','It reminds me of the broken battlements of my own castle in Transylvania.');
INSERT INTO "offers" VALUES(2,'Shelter Island','heated saltwater pool, tennis, professional landscaping, finished lower level.');
INSERT INTO "offers" VALUES(3,'Amagansett','Heated pool, room for tennis, adjacent to nature conservancy, provate beach and pier rights.');
INSERT INTO "offers" VALUES(4,'Sagaponack Village','Insulate yourself from the barbarians at the hedgerow.');
INSERT INTO "offers" VALUES(5,'Amagansett Dunes','Close proximity to ocean beaches, oversized hot tub, 2 fireplaces.  4 bedrooms, 2.5 baths, .17 acres.');
INSERT INTO "offers" VALUES(6,'East Hampton Village','Outdoor shower, 2 car garage, fireplace, close to village and ocean beaches.');
INSERT INTO "offers" VALUES(7,'Yonkers','Batcave with stunning views of ice drifting down the Hudson.  Hiking on Old Croton Aqueduct.  Floods when Saw Mill River rises.');
INSERT INTO "offers" VALUES(8,'Tarrytown','Listen to the music of the New York State Thruway.');
INSERT INTO "offers" VALUES(9,'East Village','Pay extortion for a shoebox!');
INSERT INTO "offers" VALUES(10,'Poughkeepsie','Ranch-style living in chip plant recently vacated by a shrinking IBM.');
DELETE FROM sqlite_sequence;
INSERT INTO "sqlite_sequence" VALUES('offers',10);
COMMIT;

April 15, 2015: I discovered why my .db file was corrupted.  When the getReadableDatabase method of class SQLiteOpenHelper called onCreate, the .db file had already been created and was even in the middle of a database transaction.  The code in my onCreate overwrote this file completely.  At some later time the SQLiteOpenHelper attempted to complete the transaction, but the .db file with which it started the transaction has been destroyed.  Solution: the .db file must be copied from the project's assets before getReadableDatabase is called.  The most straightforward approach would be to copy it in the constructor for my subclass of SQLiteOpenHelper.  But Android's documentation says that SQLiteOpenHelper's constructor must "return very quickly" and defer the creation of the .db file to getReadableDatabase.  So I ended up overriding getReadableDatabase with a new method that copies the .db file and then calls the getReadableDatabase of the superclass SQLiteOpenHelper.  super.getReadableDatabase will not attempt to create a new .db file if it finds the file already in existence.  Details omitted.
I debugged my original code only because I was curious to know why it corrupted the .db file.  In real life I'm going to use SQLiteAssetHelper, and I am grateful for the suggestion.

redpajama_set_name: RedPajamaStackExchange


Again and again it turns out that our best intention for witnessing is trumped by a concern for money and its accumulation for my use.
How easy it is for us to allow our agonized indignancy rise to the surface when we are tired and frustrated. Of course, we seldom admit to such feelings and find a culturally acceptable way to sublimate them. In Roman times and in our own capitalistic times, money becomes the measure of ministry. Its corollary is the neoconservative emphasis upon personal responsibility.
Between the money and claiming people are individually responsible, the Twelve have argued their case. And successfully so.
The disciples try to solve the problem of hungry masses through 'market economics': sending the people to village stores or counting their change. Jesus, on the other hand, teaches self-sufficiency through a practice of sharing available resources.
From the point of view of the disciples, the crowd was an overwhelming problem, but from the point of view of Jesus, it was but a challenge and a wonderful opportunity.
In wilderness retreat hunger is a reality—our own and others. A significant question for us is how we frame what is facing us.


I recently spoke with a good friend of mine and energy maven, Chris Edmonds, founder of Enerecap Partners, a boutique energy research and investment firm. I often like to address the price of oil and how it impacts you and me as consumers at the pump. Even though school starts again on Monday, it's still summer driving season to me. So what does all the havoc and turmoil in the Middle East mean for oil prices and your gas tank?
This is a subject that has been at the top of our minds, especially as ISIL marches across Iraq and the fighting continues in Israel. We've all seen prices for oil jump before when there are issues in the Middle East. And it's even more prevalent in the summertime months since this can be a real pain point for many of us as we are traveling more.
As Chris and I started talking, he was quick to explain exactly why we see fluctuations in the markets and at the gas pumps when issues arise in the Middle East.
"Oil prices always react to fear more so than even real production numbers," Chris Edmonds says.
Instability in the Middle East puts a geopolitical premium on the price of oil.
This doesn't just apply to the issues inside the borders of Iraq (or Israel, despite not being an oil producer), either. We have to think of the fighting as a regional issue. With the entire region of the Middle East being wound up and ready to fall into political disrepair, we are flirting with that geopolitical fear premium.
ISIL would love nothing more than to march on the large oil fields in the southeast of Iraq, which could obviously cause issues with oil production. It is commonly thought that if ISIL were to take the oil fields they would not be looking for profit. They would likely just leave them in disrepair, preventing millions of barrels of oil from reaching world markets every day.
The fighting in Israel, a separate but not wholly unrelated issue, has not been directly impacting the geopolitical premiums on oil. However, when we're talking about issues in a single Middle Eastern country, we're really talking about issues that are inclusive of the entire region.
Through all this, Chris did reassure me that the prices for oil are currently set to stay where they are or to even go slightly lower. The question that keeps me up at night is what will be the trigger point that could send them meaningfully higher?
Iraq currently produces 3.5 million barrels of oil a day. While it's scary to think of that rich resource drying up for the U.S., we are actually not as reliant on Iraqi oil as you might think. We are producing more oil in the U.S. today than we have in decades. This could really help to minimize the impact of possibly losing Iraqi oil exports.
Also, the U.S. actually imports more oil from Canada than any other country in the world. I'm personally not worried about Canada having any geopolitical premiums put on the price of their oil anytime soon. In fact, the oil markets are actually significantly discounting the price of Canadian oil.
The Keystone Pipeline clearly cannot be ignored in this context. It is a project that has huge ramifications for both energy security and energy pricing here in the US. We seem to have grown accustomed to $3.50 gas prices, but I wouldn't be upset if I were paying $2.50 or less.
While no one measure would completely remove the US's reliance on Middle Eastern oil, it's foolish to pretend like we don't have an arsenal of great options to combat the fear premium on oil.
If you're looking to get a new car, check out the Nissan Leaf. It's practically free in Georgia, and should the geopolitical premium I mentioned strike again… you're not paying hand over fist for everyone else's fear.


text:
Home > Massachusetts > Worcester County
West Boylston Junior/senior High School
Overview School Rankings Frequently Asked Questions Nearby Public Schools School Reviews Edit School Profile
(School attendance zone shown in map)
www.wbschools.com
West Boylston Junior/senior High School serves 502 students in grades 6-12.
West Boylston Junior/senior High School placed in the top 30% of all schools in Massachusetts for overall test scores (math proficiency is top 30%, and reading proficiency is top 50%) for the 2018-19 school year.
The percentage of students achieving proficiency in math is 51% (which is higher than the Massachusetts state average of 37%) for the 2020-21 school year. The percentage of students achieving proficiency in reading/language arts is 58% (which is higher than the Massachusetts state average of 49%) for the 2020-21 school year.
Minority enrollment is 21% of the student body (majority Hispanic), which is lower than the Massachusetts state average of 43% (majority Hispanic).
: 80-89% (Top 50% in MA)
: 51% (Top 30%)
West Boylston Junior/senior High School's student population of 502 students has stayed relatively flat over five school years.
West Boylston Junior/senior High School is ranked within the top 30% of all 1,667 schools in Massachusetts (based off of combined math and reading proficiency testing data) for the 2018-19 school year.
The diversity score of West Boylston Junior/senior High School is 0.36, which is less than the diversity score at state average of 0.62. The school's diversity has stayed relatively flat over five school years.
West Boylston School District
51% of students have achieved math proficiency (compared to the 37% MA state average), while 58% of students have achieved reading proficiency (compared to the 49% MA state average).
What is the graduation rate of West Boylston Junior/senior High School?
The graduation rate of West Boylston Junior/senior High School is 80-89%, which is lower than the Massachusetts state average of 88%.
How many students attend West Boylston Junior/senior High School?
502 students attend West Boylston Junior/senior High School.
79% of West Boylston Junior/senior High School students are White, 12% of students are Hispanic, 4% of students are Two or more races, 3% of students are Black, and 2% of students are Asian.
What is the student:teacher ratio of West Boylston Junior/senior High School?
West Boylston Junior/senior High School has a student ration of 11:1, which is lower than the Massachusetts state average of 12:1.
What grades does West Boylston Junior/senior High School offer ?
West Boylston Junior/senior High School offers enrollment in grades 6-12 (offers virtual instruction).
What school district is West Boylston Junior/senior High School part of?
West Boylston Junior/senior High School is part of West Boylston School District.
The nearest high school to West Boylston Junior/senior High School is Tahanto Regional High School (3.6 miles away)
The nearest middle school is Chocksett Middle School (2.8 miles away)
The nearest elementary school is Major Edwards Elementary School (0.2 miles away)
Major Edwards Elementary School
Grades: PK-5 | 386 students 0.2 miles 70 Crescent Street
Leroy E.mayo
Grades: K-5 | 479 students 2.4 miles 351 Bullard Street
Holden, MA 01520
Chocksett Middle School
Grades: 5-8 | 300 students 2.8 miles 40 Boutelle Road
Sterling, MA 01564
Houghton Elementary School
Grades: K-4 | 306 students 2.8 miles 32 Boutelle Road
Norrback Avenue
Grades: PK-6 | 518 students 3.2 miles 44 Malden Street
See more public schools near to West Boylston Junior/senior High School
Review West Boylston Junior/senior High School. Reviews should be a few sentences in length. Please include any comments on:
How Diet and Nutrition Impact a Child's Learning Ability
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text:
AFO Audio Fundraiser Gig August 10th 2018
- In Aid of The Epilepsy Society
AFO Audio Held a Charity Live Music Fundraiser event on August 10th in Aid of the Epilepsy Society,
Three Acoustic acts Played Which played a mix of old and new cover as well as originals each having a different style unique to them and two bands from contrasting genres that were as equally energetic to one another but felt completely different.
A Special Thank you to The People that helped Make The Epilepsy Live Music Fundraiser At The White Hart Yesterday,Possible -You Helped raise over £300 in Donations We'll Done and Thank you
It's not easy to know how many attended The Amount we have would make it 60 people if everybody paid the suggested £5 Donation fee but more than likely it was between 40-50 people and there were a few generous people that paid much more, which we can be grateful for.There was a mix of people attending, who were invited via social media as well as people the pub locals There were also people attending from the Bristol Epilepsy Support Group,
The Pub had karaoke in the main part of the Pub which was a double edged sword because people could plan to go to that event and then stay for the fundraiser entertainment, or go between the two.but we had to agree to keep the door closed to the function room we hired
There was a businessman at the Pub who was a regular there who said that in London the Jazz Act Ellie Moonshine and the Prohibition Band could charge over almost £100 and it would be considered a fair price, so it was a blessing to have them play for free.
AFO Audio did the sound for a fundraiser back in July offering free PA Hire in return for some assistance with their event for the Good night out cause which is a charity that raises awareness in music venues with regards to sexual harassment in the form of unwanted advances of any kind.
In comparison to the performance of the PA equipment and quality of the sound for each gig The Epilepsy Society had less feedback and was more less had a vocal PA only, I was led to believe that they needed more than they actually did, However, at both events the performances were excellent in different ways only the Good night out fundraiser had more feedback, because the performers were pushing their Amps to the max.
The Mackie Subwoofer 1801 at the good night out event which has never been tried in a Live music environment and it really brought out the depth of the Bass in the mix which suited the punky music perfectly.
AFO Audio Hire provides audio equipment for small to medium sized events
In a Rush
Want a Quote in Minutes
Text - Quote Me Now!
Hannah Jane


text:
Q: Scroll function not working when overflow hidden I have a program that should do a certain thing when you scroll upwards however, it does not respond to my scroll. I have reason to believe it is because of the
overflow: hidden

attribute I have added to the body, however, I do not want the scroll bar to show. Any idea on how to make the animation show when user scrolls downwards, but at the same time, not move the page (not actually scroll down?)
JSFIDDLE:
http://jsfiddle.net/aritro33/KFxgL/
HTML:

SCROLL UP

CSS:
 @import url(http://fonts.googleapis.com/css?family=Roboto:100);
 body {
     overflow: hidden;
     text-align: center;
     background-color: #79CDCD;

 }
 p {
     font-family:'Roboto';
     font-size: 60px;
     color: white;
     z-index: -1;
 }
 #next {
     background-color: #79cda3;
     width: 1185px;
     position: relative;
     right: 10px;
     height: 750px;
     top: -200px;
     z-index: -1;
 }
 .animated {
     -webkit-animation-duration: 1s;
     -moz-animation-duration: 1s;
     -ms-animation-duration: 1s;
     -o-animation-duration: 1s;
     animation-duration: 1s;
     -webkit-animation-fill-mode: both;
     -moz-animation-fill-mode: both;
     -ms-animation-fill-mode: both;
     -o-animation-fill-mode: both;
     animation-fill-mode: both;
 }
 .animated.hinge {
     -webkit-animation-duration: 2s;
     -moz-animation-duration: 2s;
     -ms-animation-duration: 2s;
     -o-animation-duration: 2s;
     animation-duration: 2s;
 }
 @-webkit-keyframes bounceInDown {
     0% {
         -webkit-transform: translateY(-2000px);
     }
     60% {
         -webkit-transform: translateY(30px);
     }
     80% {
         -webkit-transform: translateY(-10px)
     }
     100% {
         -webkit-transform: translateY()
     }
 }
 @-moz-keyframes bounceInDown {
     0% {
         -moz-transform: translateY(-2000px);
     }
     60% {
         -moz-transform: translateY(30px);
     }
     80% {
         -moz-transform: translateY(-10px)
     }
     100% {
         -moz-transform: translateY()
     }
 }
 @-ms-keyframes bounceInDown {
     0% {
         -ms-transform: translateY(-2000px);
     }
     60% {
         -ms-transform: translateY(30px);
     }
     80% {
         -ms-transform: translateY(-10px)
     }
     100% {
         -ms-transform: translateY()
     }
 }
 @-o-keyframes bounceInDown {
     0% {
         -o-transform: translateY(-2000px);
     }
     60% {
         -o-transform: translateY(30px);
     }
     80% {
         -o-transform: translateY(-10px)
     }
     100% {
         -o-transform: translateY()
     }
 }
 @keyframes bounceInDown {
     0% {
         transform: translateY(-2000px);
     }
     60% {
         transform: translateY(30px);
     }
     80% {
         transform: translateY(-10px)
     }
     100% {
         transform: translateY()
     }
 }
 .bounceInDown {
     -webkit-animation-name: bounceInDown;
     -moz-animation-name: bounceInDown;
     -ms-animation-name: bounceInDown;
     -o-animation-name: bounceInDown;
     animation-name: bounceInDown;
 }
 @-webkit-keyframes bounceInUp {
     0% {
         -webkit-transform: translateY(2000px);
     }
     60% {
         -webkit-transform: translateY(-30px);
     }
     80% {
         -webkit-transform: translateY(10px)
     }
     100% {
         -webkit-transform: translateY()
     }
 }
 @-moz-keyframes bounceInUp {
     0% {
         -moz-transform: translateY(2000px);
     }
     60% {
         -moz-transform: translateY(-30px);
     }
     80% {
         -moz-transform: translateY(10px)
     }
     100% {
         -moz-transform: translateY()
     }
 }
 @-ms-keyframes bounceInUp {
     0% {
         -ms-transform: translateY(2000px);
     }
     60% {
         -ms-transform: translateY(-30px);
     }
     80% {
         -ms-transform: translateY(10px)
     }
     100% {
         -ms-transform: translateY()
     }
 }
 @-o-keyframes bounceInUp {
     0% {
         -o-transform: translateY(2000px);
     }
     60% {
         -o-transform: translateY(-30px);
     }
     80% {
         -o-transform: translateY(10px)
     }
     100% {
         -o-transform: translateY()
     }
 }
 @keyframes bounceInUp {
     0% {
         transform: translateY(2000px);
     }
     60% {
         transform: translateY(-30px);
     }
     80% {
         transform: translateY(10px)
     }
     100% {
         transform: translateY()
     }
 }
 .bounceInUp {
     -webkit-animation-name: bounceInUp;
     -moz-animation-name: bounceInUp;
     -ms-animation-name: bounceInUp;
     -o-animation-name: bounceInUp;
     animation-name: bounceInUp;
 }
 @-webkit-keyframes bounceInUp {
     0% {
         -webkit-transform: translateY(2000px);
     }
     60% {
         -webkit-transform: translateY(-30px);
     }
     80% {
         -webkit-transform: translateY(10px)
     }
     100% {
         -webkit-transform: translateY()
     }
 }
 @-moz-keyframes bounceInUp {
     0% {
         -moz-transform: translateY(2000px);
     }
     60% {
         -moz-transform: translateY(-30px);
     }
     80% {
         -moz-transform: translateY(10px)
     }
     100% {
         -moz-transform: translateY()
     }
 }
 @-ms-keyframes bounceInUp {
     0% {
         -ms-transform: translateY(2000px);
     }
     60% {
         -ms-transform: translateY(-30px);
     }
     80% {
         -ms-transform: translateY(10px)
     }
     100% {
         -ms-transform: translateY()
     }
 }
 @-o-keyframes bounceInUp {
     0% {
         -o-transform: translateY(2000px);
     }
     60% {
         -o-transform: translateY(-30px);
     }
     80% {
         -o-transform: translateY(10px)
     }
     100% {
         -o-transform: translateY()
     }
 }
 @keyframes bounceInUp {
     0% {
         transform: translateY(2000px);
     }
     60% {
         transform: translateY(-30px);
     }
     80% {
         transform: translateY(10px)
     }
     100% {
         transform: translateY()
     }
 }
 .bounceInUp {
     -webkit-animation-name: bounceInUp;
     -moz-animation-name: bounceInUp;
     -ms-animation-name: bounceInUp;
     -o-animation-name: bounceInUp;
     animation-name: bounceInUp;
 }

JS:
$('#next').fadeTo(0,0);
$(function () {
    var lastScroll = 0;
    $(window).scroll(function (event) {
        var st = $(this).scrollTop();
        if (st > lastScroll) {
$('p').fadeTo(350, 0);
$('p').fadeTo(370, 1);
$('#next').fadeTo(0,1);
$('#next').addClass('box animated bounceInUp');
        }
        lastScroll = st;
    });
});

A: For webkit browser you can try this:
Without overflow:hidden in body
::-webkit-scrollbar {
    display: none;
}

DEMO


The SCORCHER BLUE Power Module is the fastest way to safely gain significant horsepower, torque, and improve drivability without modifying or leaving any trace on the ECU. With Bluetooth connectivity, you can tap into your iOS or Android device to make power adjustments, choose different power modes, view gauges, measure acceleration times and more.
Designed with factory style connectors, it easily connects to engine sensors for a quick and simple install. The LED control switch can be routed through the firewall into the cabin for a hard wired solution, or you can connect wirelessly to the module via Bluetooth with the smartphone app.
This power module has four power settings loaded and identifiable with the LED control switch or smartphone app. Stock (green), Sport (yellow), Sport+ (orange) and Race (red).
The SCORCHER BLUE module is Bluetooth 4.0 capable and can connect to most iOS or Android devices, which allows control of the module without running any wires through the firewall.
The aFe POWER SCORCHER BLUE is a free app in the Apple and Google Play stores and allows the smartphone device to become a handheld remote for the module. It also displays fuel pressure and turbo boost gauges, allows you to customize each power mode, upgrade to the latest version, measure 0-60 and 1/4 mile times.
aFe POWER does not recommend using the SCORCHER BLUE module with any other tuners or modules. aFe POWER recommends that only Sport or Sport+ settings are used during towing.


Question: We refinanced the original loan on our Prescott home to get some extra cash. The documents we signed for the original loan required a 10% pre-payment penalty if we paid off the original loan early. The original loan was $180,000, so when we refinanced we paid the $18,000 pre-payment penalty. Did we have to pay this $18,000 pre-payment penalty under the Dodd-Frank Act? Our accountant said that the Dodd-Frank Act does not prohibit pre payment penalties, but that we are entitled to an income tax deduction for this $18,000 pre-payment penalty. Is our accountant right?
Answer: Yes. The amount of any pre-payment penalty is established in the loan documents between a borrower and a lender. Pre-payment penalties are not prohibited by the Dodd-Frank Act. Most lenders will enforce a pre-payment penalty if a borrower refinances the loan with a different lender. This $18,000 pre-payment penalty, however, should be tax-deductible under the mortgage interest deduction on your income tax return.


Handmade in Italy FARGO ankle boots in terra brown suede. The side elastic inserts at leg allow for easy fit. Leather back patch engraved with the 'Buttero' logo. Leather lining. Padded leather insole. Sole in leather with Blake stitching. Sole bottom in anti-slip rubber. Height of sole: 1 cm. Height of heel: 3.5 cm.


Learn about our power supplies and UPS through videos and E-learning sessions.
With our extensive knowledge, we are able to offer solutions with technologically advanced, high-quality products for all applications. Learn about our power supplies and UPS with the following videos. Discover the functions and find out how to use the UPS-CONF software correctly.
Find out why the QUINT POWER power supply is adaptable.
Find out why the QUINT POWER power supply is powerful.
Find out why the QUINT POWER power supply is preventive.
Find out why the QUINT POWER power supply is robust.


Our client is a leading provider of midstream services in North America. Entrance was engaged by this client to unify a disorganized structure that spread data across many sources, including SharePoint, Excel and the accounting system.
Since the client's data was spread across a number of systems, any given data point had anywhere from two to three different naming conventions, which led to confusion and duplication. A specific pain point was that employees had no default job title, so they were often billed at a higher or lower rate than they should have been.
In addition, there was no accountability between actual run-time of equipment and billing, and the client knew that money was being lost as a result.
Entrance built a custom software application that creates a record for each completed job, including specific work performed and a default billing rate by employee. There is now a single naming convention across the flow of data, thus eliminating the previous confusion and billing errors. A recent addition to the field data capture application integrates data from a third party system that monitors the actual run-time of equipment.
The application receives this data in real time and correlates it to the billing data. Now, if operations logs billing for six hours of use but the actual equipment run-time was eight hours it is readily apparent from a report and may be easily corrected. The main benefit of this data management and field data capture system is that the client can ensure that all work performed is billed correctly, which will result in direct improvements in cash flow. The benefits in terms of reliable transfer and storage of data have already proved themselves out as well. As a result of having several years' worth of data to analyze, our client was able to test pricing scenarios and make small adjustments to their pricing strategy, improving their bottom line by five million dollars.


text:
Q: spring-integration SimpleWebServiceInboundGateway I am working with the SimpleWebServiceInboundGateway, currently I have the gateway putting the requests onto a channel then a flow consuming from the channel.   Everything seems to work great.
My question is, if you have multiple distinct soap endpoint services that each operate slightly differently how do I map these endpoints to different flows, what is the right way to do this?   Is it expected that you have a new SimpleWebServiceInboundGateway per soap web service endpoint and use the EndpointMapper to map to each one?   Or is there a better practice for doing this?  I wasn't quite sure if it was expected to have multiple Soap Gateways.
Also, any simple way to get access to the URI/URL that was used to make the ws call in the flow?  I noticed it doesn't seem to be in the headers.
Here is my sample configuration:
/**
 * URL mappings used by WS endpoints
 */
public static final String[] WS_URL_MAPPINGS = {"/services/*", "*.wsdl", "*.xsd"};
public static final String GATEWAY_INBOUND_CHANNEL_NAME  = "wsGatewayInboundChannel";
public static final String GATEWAY_OUTBOUND_CHANNEL_NAME = "wsGatewayOutboundChannel";

/**
 * Register the servlet mapper, note that it uses MessageDispatcher
 */
@Bean
public ServletRegistrationBean messageDispatcherServlet(ApplicationContext applicationContext) {
    MessageDispatcherServlet servlet = new MessageDispatcherServlet();
    servlet.setApplicationContext(applicationContext);
    servlet.setTransformWsdlLocations(true);
    servlet.setTransformSchemaLocations(true);
    servlet.setPublishEvents(true);
    ServletRegistrationBean servletDef = new ServletRegistrationBean(servlet, WS_URL_MAPPINGS);
    servletDef.setLoadOnStartup(1);
    return servletDef;
}

/**
 * Create a new Direct channels to handle the messages
 */
@Bean
public MessageChannel wsGatewayInboundChannel() {
    return MessageChannels.direct(GATEWAY_INBOUND_CHANNEL_NAME).get();
}
@Bean
public MessageChannel wsGatewayOutboundChannel() {
    return MessageChannels.direct(GATEWAY_OUTBOUND_CHANNEL_NAME).get();
}

/**
 * Startup the WebServiceInboundGateway Endpoint, this will handle the incoming SOAP requests
 *  and place them onto the request channel
 */
@Bean
public SimpleWebServiceInboundGateway webServiceInboundGateway(
        @Value("${spring.ws.should.track:true}") boolean shouldTrack
) {
    SimpleWebServiceInboundGateway wsg = new SimpleWebServiceInboundGateway();
    wsg.setRequestChannel(wsGatewayInboundChannel());
    wsg.setReplyChannel(wsGatewayOutboundChannel());
    wsg.setExtractPayload(false);  // Send the full RAW SOAPMessage and not just payload
    wsg.setLoggingEnabled(true);
    wsg.setShouldTrack(shouldTrack);
    wsg.setCountsEnabled(true);
    return wsg;
}

/**
 * Map the allowable service Uri's.
 *
 * although this isn't needed (can map everything using the mapping.setDefaultEndpoint)
 *  using this approach ensures that people don't use unexpected uris, probably can
 *  find a better way to deal with this in the future
 */
@Bean
public EndpointMapping uriEndpointMapping(@Qualifier("serviceUris") List<String> serviceUris
        , PayloadValidatingInterceptor payloadValidatingInterceptor
        , SimpleWebServiceInboundGateway webServiceInboundGateway) {
    UriEndpointMapping mapping = new UriEndpointMapping();
    mapping.setUsePath(true);
    Map<String, Object> endpointMap = new HashMap<>();
    endpointMap.put("/services/myservice1", webServiceInboundGateway);

    mapping.setEndpointMap(endpointMap);
    //mapping.setDefaultEndpoint(webServiceInboundGateway());

    return mapping;
}

@Bean
public IntegrationFlow itemLookupFlow(ItemLookupRequestToItemDetailsRequestTransformer requestTransformer
        , ItemDetailsResponseToItemLookupResponseTransformer responseTransformer) {
    return IntegrationFlows.from("wsGatewayInboundChannel")
            .transform(new MyTransformer())
            .log(LoggingHandler.Level.INFO)
            .handle(myBean, "execute")
            .get();
}

A:
Or is there a better practice for doing this?

Why does everybody treat Spring Integration as bad practice? Imaging the situation you don't use Spring Integration in your application and only Spring WS.
So, now you need to write several endpoints. What you do? Right, develop several classes with the @Endpoint and/or appropriate url mapping. And somehow here you don't say that it is bad practice and just follow the Framework requirements.
So, why by your opinion the distinct SimpleWebServiceInboundGateways is bad way to go?
I think different endpoints really means fully non-related logic, different transformation, routing and , finally, SOAP unmarshalling.
Therefore, consider a new SimpleWebServiceInboundGateway together with its downstream flow as a separate Spring WS @Endpoint class.
To get an URL you should inject a custom SoapHeaderMapper. I think SoapMessage has some hook to extract that info.


text:
Johann Christian Messerschmid (* 12. Oktober 1720 in Weißenfels; † 21. Januar 1794 in Wittenberg) war ein deutscher Pädagoge.

Leben
Johann Christian Messerschmid, Sohn des Rektors Johann Heinrich Messerschmid, besuchte die Ratschule und das Gymnasium in Weißenfels und studierte seit dem Sommersemester 1739 an der Universität Leipzig. Hier bekam er am 23. Dezember 1741 den Grad eines Baccalaureus und avancierte am 8. Februar 1742 zum Magister der Philosophie. 1755 wurde er Rektor der Kloster- und Bergschule in Donndorf. Am 27. April 1757 wurde er zum Rektor der Stadtschule in Wittenberg gewählt und am 22. Mai feierlich eingeführt. In Wittenberg verfolgte er sein Ansinnen, sich am Hochschulbetrieb zu beteiligen.

Neben seiner Tätigkeit als Rektor immatrikulierte er sich dazu am 1. Mai 1759 an der Universität Wittenberg, erlangte am 17. November 1759 die Vorleseerlaubnis für Hochschulen als Magister legens und war am 3. Oktober 1765 Adjunkt an der philosophischen Fakultät geworden. Er trat vielfach auf dem Gebiet des Deutschen, der alten Sprachen und des Hebräischen als Schriftsteller in Erscheinung und erwarb dadurch auch den Titel eines Baccalareus der Theologie. Als Hochschullehrer hat er dabei allerdings seine Tätigkeit an der Wittenberger Stadtschule vernachlässigt, so dass es häufig über ihn Klagen gab.

Werkauswahl
 Abhandlung vom neuen Vortrag.  Leipzig 1742
 Omnipraesentiam Dei Ab Extensione. (Resp. Johannes Samuel Heidenreich) Langenhem, Leipzig 1744. (Digitalisat)
 Praedestinatiorum haeresis, Lutheranis falso afficta. Leipzig 1745
 Der alten Teutschen Braut 1ste Particul. Weifsenfels 1748, 2.te Particul. Wittenberg 1762
 Nachrichten von alten und neuen kleinen exegetischen Schriften. 4 Stücke. Leipzig 1750
 Nachrichten von kleinen Erklärungsschriften der göttlichen Offenbahrung. 8. Stücke. Leipzig 1751–1753
 Aesculapius..., Halle 1752
 Hercules..., Leipzig 1753
 Commentatio de Ambubaiis. Leipzig 1753
 Bernhard Lamy Kunst zu reden; aus dem Französischen übersetzt von M. J. C. Al. Mit einer Vorrede von den Vorlesungen der Alten. Altenburg 1753
 Der Polyhiftor; eine Wochenschrift, 36 Stücke. Weissenfels 1753
 Des Herrn Augustin Calmet's biblische Bibliothek, aus dem Franzosischen übersetzt, vielfältig verbessert und durchgängig mit reichlichen Zusätzen vermehrt. Liegnitz 1754
 Das Eigene der Völkerschaften; aus dem Franz. übersetzt. Altenburg 1754
 Vollständiges Register übet die fünften zehen Jahre der fortgesetzten Sammlungen von alten und neuen theologischen  Sachen und Büchern von  1741 bis 1750; nebst einer Vorrede, darinnen die Geschichte dieses Journals erzählet wird. Leipzig 1754
 Commentatio de gestatione. Jena 1755
 Commentatio de augurio salutis. Jena 1756
 Johann Gaichie's, Presbyters des Oratorii, Theologals zu Soissons und Mitgliedes der Akademie daselbst, Grundsätze zur geistlichen Beredsamkeit, aus dem Französischen übersetzt und mit einem Anhange einiger Abhandlungen versehen. Leipzig 1756
 Progr. de Vulcanalibus litteratorum Romanorum lucubrationibus. Leipzig 1756
 Cebetis Tabula, cum notis Theotiscis et Lexico. Leipzig 1757, Editio secunda, Leipzig 1773
 De magistro Romanorum puerorum doctore. Leipzig 1758
 Progr. IV de Romanorum erga linguam Graecam amore. Wittenberg 1759
 Erbauliche Betrachtungen im Beichtstuhle,  oder Absolutionsformeln aus den Schriften geistreicher Gottesgelehrten.  9 Teile, Leipz. 1760–1765
 Commentatio de mente sideque deabus. Wittenberg 1761
 Progr. Romanus litteratus rusticus. Wittenberg 1761
 Antiquitates balneares,  ex C. Plinii Caecilii Secundi epistolis collectae. Wittenberg 1765
 Progr. III de Romanorum grammatice e Graecis petita. Wittenberg 1765–1766
 Fried. Christian   Baumeister's   Denkungswissenschaft; übersetzt, mit Anmerkungen. Wittenberg 1765
 Progr. de genio ad illustranda aliquot Horatii loca. Wittenberg 1769
 Progr. de antiquitetibus natalitiis ex Plinii Secundi epistolis collecris. Wittenberg 1771
 Progr. Super doctoribus doctrinam divinam corrumpentibus ad 2 Corinth. 2, 17. Wittenberg 1771
 Progr. de sicta satiafactionis Christi cruentae origine. Wittenberg 1775
 Progr. Lectum genialem deseripsit. Wittenberg 1775

Literatur
 Johann Georg Meusel: Lexikon der vom Jahr 1750 bis 1800 verstorbenen teutschen Schriftsteller. Gerhard Fleischer der Jüngere, Leipzig, 1809, Bd. 9,
 Friedrich August Weiz: Das gelehrte Sachsen oder Verzeichniß derer in den churfürstlich-sächsischen und incorporirten Ländern jetztlebenden Schriftsteller und ihrer Schriften. Leipzig: Schneider, 1780, S. 166
 Karl Kehrbach: Mitteilungen der Gesellschaft für deutsche Erziehungs- und Schulgeschichte. A. Hofmann & Comp., Berlin, 1897, Jg. 7, S. 72
 Franz Ernst Heinrich Spitzner: Geschichte des Gymnasiums und der Schulanstalten zu Wittenberg. C.H.F. Hartmann, Leipzig, 1830
 Matrikel der Universitäten Wittenberg und Leipzig.

Autor
Pädagoge (18. Jahrhundert)
Hochschullehrer (Leucorea)
Deutscher
Geboren 1720
Gestorben 1794
Mann

redpajama_set_name: RedPajamaWikipedia


Muster my Monsters is a very simple game in terms of gameplay: it is basically a rock-paper-scissors game with a nice dress. Actually, a very nice one because it has forced me to solve the problem of exporting Flash animations to cocos2d.
Here you have a video preview of the game that shows the kind of animations that the game features. By the way, all the game art (including all character design and animation) is done by Javi Sanz, an incredibly talented Flash artist and developer.
As you can see, the characters are very big. Actually, they take about 70-80% of the screen size when the zoom effect is active. The characters are extremely detailed Flash vector images and the animations are very smooth (due to the Flash interpolating/tweening system). That's why the resulting spritesheets are huge.
The first thing that came to my mind was to use some already existing tool that will allow us to create procedural animations and import them into my iOS-cocos2d game engine. I found out two interesting tools: LevelHelper and the new version of CocosBuilder.
Both tools has some basic procedural animation support. But, currently, they are intended to animate things like menu buttons and UI elements in general. So, although, it would be possible to create the animations in Muster my Monsters using these tools, it would probably not be the best solution. I also considered Spriter, but the early stage of the project put me back from it.
Moreover, Javi is already a talented Flash artist so exporting Flash animations to cocos2d seemed to be the way to go.
I have never developed in Flash, so my first attempt was to avoid all kind of interaction with it :p Flash has a nice feature that allows you to export an entire Flash project in XML format. It seemed the easiest solution as it will allow me to focus on the iOS-cocos2d side.
However, the Flash XML file format is hell. It's extremely huge and the basic layout changes if you use some features or others. Every time I had a working version of the importer, I found a new feature that, when used in the Flash project, changed all the resulting XML file format. Even creating more XML files, fragmenting the project elements.
It was worth it. Actually, this is the solution I finally adopted. I have a simple action script that is able to write a plist (or XML) file with the transformation information of every object in the scene for every frame of the animation.
This implies a change of strategy. On the first try, when attempting to import the Flash XML file format, I was trying to map all the Flash features to cocos2d actions. So, I was trying to get high level information such as keyframes, interpolation frames and ease functions.
Allows for extremely high quality smooth animations.
Allows the animator to use all the Flash animation features including motion tweens, classic tweens or even bones-based animation.
Reduces the complexity of the animations engine in the iOS-cocos2d side and makes it easily scalable and maintainable.
In my particular case, allows Javi to keep working in Flash.
Actually, the hard work is done on the Flash side. So, once I have the plist file ready, it is only a matter of parsing it. I created a few classes for my engine that model movable objects, frames and animations.
Then I use this model classes to create a CCNode that is composed by a few sprites, one for each body part of the characters (head, arm, forearm, body, foot…). Finally, I create a bunch of cocos2d sequence actions (CCSequence) that interpolate the transform information (position, rotation and scale) for every modelled frame.
The main problem of this approach is that the Action Script that gets the transformation data and the cocos2d engine make some assumptions. The Flash animator must be aware of these assumptions or limitations and needs to create the animations according to them.
So he needs some kind of feedback while creating the animations. He needs to know that what he is doing on Flash, is actually working on the game engine. That's why I have also developed a Mac OS Player which you can feed dynamically with plist files describing the animation and the assets corresponding to the different characters you want to test.
Following, you have a video that shows the whole process: from creating some (simple) animations with Flash to viewing it with the Desktop player.
I would like to put together the main advantages and disadvantages of this method to solve the "exporting Flash animations to cocos2d actions" issue.
Allows me to avoid investing time on developing a custom animation tool.
In some sense, we are using the Flash Authoring tool as an animation editor for our game engine. Although this allows us to avoid investing efforts on developing a custom tool, it also implies that I have less control on the kind of animations that the artist produces. I mean, I have written a detailed document explaining the guidelines and limitations on using Flash as an animation editor for our engine, but it could be the case that Javi uses some not supported feature or layouts the character in a way that I have not anticipated.
I plan to also use this tool to create game screens such as menus. Similar to CocosBuilder but, again, using the Flash Authoring tool as an scenes editor. This will allow us to layout game screens in Flash using the advanced animation features that Flash provides.
This entry was posted in Programming and tagged AS3, cocos2d, Flash, flash animations, game development, idevblogaday, iphone development, Muster my Monsters by Toni Sala. Bookmark the permalink.
Interesting!. Any estimated time of releasing this tools?
It is hard to say. First, I would like to test the whole tools during the development of Muster my Monsters. So, probably near the release date of MmM.
Great work in solving the problem at hand and creating a dynamic and streamlined workflow. Look forward to the development of the project and when Muster my Monsters is available.
Great work and great tool Toni. Are you planning to release this code soon? I'm very interested in this source, and I think a lot of people will be too.
Once you release your code I will try to convert it to the cocos2d-x and add it to my cocos2d-x_extensions branch. https://github.com/jandujar/cocos2d-x-extensions for cross-platform development.
What differences does your system have over Flash2Cocos2D?
FlashToCocos2D is designed to export character animations.
Moreover, it is designed using the MVC pattern in mind to make it render-engine independent. So, actually, you are not forced to use cocos2d. You can integrate it with your own render engine. You will only need to implement the View part of the MVC (which in my case is cocos2d).
The idea behind the project is to improve the work-flow between artists and developers. That's why I'm focusing on separating neatly the View part.
And also I have a desktop player. Again, to improve work-flow between artists and devs. With the player, my artist doesn't need to install Xcode and run the simulator to see his work in action.
Hello and thanks for your interest on the tool. To be honest, at this moment the tool is far from being at beta state. It is still an alpha version, so beta testing would be infeasible, I guess. I'm working on the tool at the same time that I'm developing my new game. So, it is quite a slow process.
It's not exactly the same as mine, but maybe it fits your needs.
Hi there! Any news on this? 🙂 Would be great to use it in my project!
I tried to import XFL file all throught. as you said, the file format is too big and it has too much trees to access animation information.
So, could you recommand your second way is the way to clue this problem?
i worried about fixed frame rate.
although if XFL is too big, i wish import that file to my game.
i'll post my story on my blog, i hope you interest on my works.
In theory, importing the XFL file is the best solution. However, in practice, it is infeasible.
From my experience during the last months, I must admit that using AS3 to export the transformation information is not the best possible solution (but still better than the XFL one). I have encountered tons of little issues.
I will post my tribulations on this blog in the future.
What tool you use in this article ?!?
Can you share .jsfl code ?


text:
% Map the numerical elements in the vector "v" onto the variables "s" which can
% be of any type. The number of numerical elements must match; on exit "v"
% should be empty. Non-numerical entries are just copied. See also unwrap.m.

function [s v] = rewrap(s, v)

if isnumeric(s)
  if numel(v) < numel(s)
    error('The vector for conversion contains too few elements')
  end
  s = reshape(v(1:numel(s)), size(s));            % numeric values are reshaped
  v = v(numel(s)+1:end);                        % remaining arguments passed on
elseif isstruct(s)
  [s p] = orderfields(s); p(p) = 1:numel(p);      % alphabetize, store ordering
  [t v] = rewrap(struct2cell(s), v);                 % convert to cell, recurse
  s = orderfields(cell2struct(t,fieldnames(s),1),p);  % conv to struct, reorder
elseif iscell(s)
  for i = 1:numel(s)             % cell array elements are handled sequentially
    [s{i} v] = rewrap(s{i}, v);
  end
end                                             % other types are not processed

redpajama_set_name: RedPajamaGithub


text:
Q: Cannot resolve method error when try passing a overloaded method as argument I try to pass Integer::parseInt as an argument to another function.
But since Integer::parseInt can take either (String) or (String, int) as input, the method can't be resolved.
public static void main(String[] args) {
        Hello h = new Hello();
        h.withinRange(Integer::parseInt);
    }

    public void withinRange(Function<Integer, String> function) {
    }
}

I am not sure whether this is doable or not.

A: You need to declare it either as public void withinRange(Function< String,Integer> function) or as public void withinRange(ToIntFunction< String> function) (whatever seems more appropriate).


The LA650+ is undoubtedly at the pinnacle of serial impact printing, representing the peak of performance in its res- pective speed segments. It is not just 'sprinter', reliable, heavy workload output is guaranteed for the many years following their purchase. The print is crisp, sharp, dark and absolutely legible, thanks to the 24 pin print head.


The City of Mechanicville Water Department will begin the Semi-annual flushing of the water distribution system Monday, October 3, 2011 and conclude on Wednesday, October 12, 2011 (weather permitting). All flushing of hydrants will be performed between the hours of 7:30 A.M. and 3:00 P.M.
Residents may notice discoloration during this flushing program and be aware this is normal and not harmful. Residents are reminded to check your water before using your washing machine or food preparation. If a customer finds his or her water to cloudy, cold-water faucets should be turned on until water clears. If discoloration persists, please notify the Mechanicville Water Department at 664-3751 or 664-7171.


text:
https://www.newmilfordspectrum.com/news/article/Personalization-while-you-wait-at-FernEllie-in-12521223.php
Personalization while you wait at FernEllie in New Milford
By Chris Bosak
Published 12:00 am EST, Thursday, January 25, 2018
Fernando Martins, owner of FernEllie Creations, stands in his store in New Milford last Friday.
Photo: Chris Bosak / Hearst Connecticut Media
NEW MILFORD — Fernando Martins and his business are settling in nicely in Connecticut.
Martins opened FernEllie Creations, an embroidery and personalization shop on Church Street, in October and business picked up faster than he expected.
"Small Business Saturday was insane here," he said of the Saturday following Thanksgiving. "There were so many people who came in. It's such a different feeling. It's awesome here."
Martins makes the comparison to Orlando, Fla., where he previously had his shop. The mall in which he was located closed with little notice and he had two weeks to close the shop and figure out what to do next.
Around the same time, his wife lost her job in Florida, so they packed up a truck with their belongings, the inventory from the shop and headed north with their three children. The plan was to visit friends in Springfield, Mo., first and then head to Danbury, where Martins had lived in the early 2000s and still had connections.
En route, they decided to come to Connecticut first and they never looked back.
"The kids loved it so we stayed here. We found a house in New Milford within five days," he said. "We loved the town. It's totally different than what we were used to. Orlando is getting to be dangerous now. Crazy stuff happens there all the time. It's all you see on the news."
His wife, Ellie, has found a good job in the area and his children are in the local school system after being home-schooled in Orlando.
"We came here and it's, like, this is perfect," Martins said.
It was a good move for the business, as well, he said. He moved his business to an online model after the mall in Orlando closed. A post office employee in New Milford, after seeing Martins ship dozens of packages every day, suggested he open a brick-and-mortar store as well.
Martins was instantly attracted to the space on Church Street, even though it was vacant for about two years and the interior needed a lot of work.
"I didn't expect it to work out as well as it has," said Martins, who is originally from Brazil. "I thought it would take a long time to get a following and for people to find us."
Martins said he started the business selling clothes at a flea market. The initial investment into the business was $300.
Nelson Merchan, a business adviser with Connecticut Small Business Development Center, is working with Martins to grow the business. He said the uniqueness of FernEllie is the main reason it has been successful in the area.
"Fernando has created a store like no other, which has been a very nice addition to New Milford," Merchan said. "Their customers cannot believe that a personalized message/name can be embroidered to a high-quality product while they wait. No need to wait weeks to get the product.
"As Fernando wants to continue growing his business, we are working on the sales and marketing plan and the financial projections," he said. "We have worked on enhancing the online presence, too. As the holiday season created more demand than he anticipated, Fernando had to concentrate his efforts on meeting their customer orders."
FernEllie offers a variety of items that may be personalized. The children's section includes shirts, backpacks, hats, lunch bags, hand puppets and stuffed animals from Cubbies. He said gifts for brides, such as makeup bags and robes, are hot sellers in March and April ahead of wedding season.
Martins said FernEllie differentiates itself by offering personalized embroidery for orders as small as one item or as many as 100. The personalization is done in a matter of minutes, too, allowing customers to wait while the item is embroidered.
"Go grab a cup of coffee and it will be ready when you come back," Martins said. "Customers can also bring in their own items to be personalized. Most places won't do that."
Martins said he will work with Merchan on a growth plan that may include hiring employees and opening another store.
FernEllie Creations may be reached at 203-826-0252.
The writer may be reached at cbosak@hearstmediact.com; 203-731-3338


text:
DVD Review: Evil Dead
Brendan Campbell | July 16, 2013 | DVD Reviews, Reviews, Top Story | No Comments
Evil Dead is one of many horror classics that have been rebooted for a new generation of genre fans. Some of these remakes have hit the mark (2003's The Texas Chainsaw Massacre) whereas others have fallen flat (2005's The Fog). Still, there's no denying that they're more often than not a proven source of profit for studios – even if they fail to set box-office ablaze – and because of that, no horror classic is safe, and the best fans can hope for is that justice is done when the screaming begins.
Now I've only seen Sam Raimi's The Evil Dead once before, and it was at an age where I found it to be more laughable than scary. That seems to be the case with a lot of horror films from the 1970s and '80s. Today's audience is so desensitized to blood and gore that one has to remember that it's been 30-40 years since many of these movies were made, and back then they did their job and gave moviegoers nightmares. So I don't blame studios for taking these ideas from the vault and updating them in an attempt to once again scare audiences and make a quick buck while doing so.
Evil Dead takes the same rough outline of Raimi's film and adds its own spin on the characters and story itself. There's still a secluded cabin, a book of evil and an ancient curse. But instead of five friends looking to get away from it all and have some fun, this time there are four friends having an intervention to help their drug addicted friend, Mia (Jane Levy), quit cold turkey by locking themselves away in this cabin for a few days. We're also informed that this isn't the first time the group has tried to do this for Mia, and the last time she quit the process eight hours in and overdosed soon after. Because of this, the group vows to keep her out there no matter how much she wants to leave, or how often she complains.
This idea is one I really liked, as right away it gives the film a great dark atmosphere, and a reason for not up and running away right when things start to get a little weird. Okay, maybe there's one point when they should've upped and run away before things got "demonically" weird (finding a trail of dried blood that leads to a dark, locked up cellar can never be a good thing), but overall the idea fits in perfectly with the story.
Everything takes place in the cabin and surrounding area at night (or in the very foggy day), so it's a very eerie setting, and it's one of the films major highlights. In fact, the atmosphere and set design are both incredibly well done throughout, and give the film a very unsettling feeling from very early on.
The direction by Fede Alvarez is really well done, and it pays homage to quite a few of the shots from the original Evil Dead (such as the POV of "Evil" moving through the forest) while coming up with quite a few intense shots of his own. He's also come up with some great old-school horror tricks with the special effects crew, not relying on CGI, which helps give the film a raw, gritty feel that it needs.
On the violence front, this film is extremely graphic, with buckets of blood, loads of gore, constant stabbings and plenty of dismemberment. Some will enjoy this, while others will cringe at certain aspects of it. Lets just say that if you're squeamish when it comes to this type of thing, well, steer clear of Evil Dead.
One of the main places the film falters is in its characters. Now this is a horror movie, so it's easy to write them off as simple demon fodder; however, even films in this genre benefit greatly by creating characters audiences care about or don't want to see die. Here, nobody really matters. The closest person audiences have to care about is Mia, and that's really only because Levy does such a great job playing her.
The rest of the characters are there to simply go through the motions until their time is up. Because of this, the film relies heavily on scares in order to keep you interested, and unfortunately if you've seen even a handful of horror films, odds are you'll know when the scares are coming long before they happen. That's not to say the film isn't creepy at all, it's just not one that will have you jumping out of your chair, or leave you making sure the nightlight is turned on before going to sleep after watching it.
Evil Dead isn't a complete misfire; it simply proves that when you hype up your film with promotional posters that simply say, "The Most Frightening Film You Will Ever Experience," you better deliver on that promise or you're just setting yourself up for disappointment.
The film looks fantastic, with a great DVD transfer that keeps things looking gritty and atmospheric, while never feeling grainy, or poorly lit. The audio is also really well done, with both the music fitting in perfectly, as well as the dialogue coming through nice and clearly.
Making Life Difficult – This featurette comes in at just over eight minutes in length and sees Alvarez and Levy talking about some of the more difficult tasks they faced on set.
Directing the Dead – This featurette comes in at just over seven minutes in length and mainly sees Alvarez talking about taking on the franchise, and the hardships and joys of directing such a film.
Being Mia – This piece comes in at just over nine minutes in length and sees Levy take viewers on a tour via a camera she's holding. It's a bit like a day in the life on set, though it's pretty brief on just how daunting certain aspects must have been. Overall it's still an interesting watch, and definitely shows how tiring filming parts of this film would've been on cast and crew.
If you're looking for buckets of blood and a solid level of gore, Evil Dead is for you. While it lacks in character development, the film delivers in atmosphere, set design and make-up and effects that help make it a passable re-imagining of the 1980s classic.
Tristar Pictures FilmDistrict and Ghost House Pictures Present Evil Dead. Directed by: Fede Alvarez. Written by: Fede Alvarez and Rodo Sayagues. Starring: Jane Levy, Shiloh Fernandez, Lou Taylor Pucci, Jessica Lucas, Elizabeth Blackmore. Running time: 91 minutes. Rating: R. Released: July 16, 2013. Available at Amazon.com.
Tags: Evil Dead, Jane Levy, Sam Raimi
Brendan Campbell
Brendan Campbell was here when Inside Pulse Movies began, and he'll be here when it finishes - in 2012, when a cataclysmic event wipes out the servers, as well as everyone else on the planet other than John Cusack and those close to him. Brendan's the #1 supporter of Keanu Reeves, a huge fan of popcorn flicks and a firm believer that sheer entertainment can take a film a long way. He currently resides in Canada, where, for reasons stated above, he's attempting to get closer to John Cusack.


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Phillip N. Smith, Jr.
psmith@mckoolsmith.com
Dallas T: 214.978.4001
A principal and founder of McKool Smith, Phil Smith has managed and tried high-profile business cases nationwide for and against some of America's largest corporations. He has served as lead counsel in major trials and litigation for the largest computer services and telecommunications company in the world, as well as for a nationally well-known investment and private equity firm.
Electronic Data Systems (EDS). Representation of EDS in Virginia and Texas against H. Ross Perot and Perot Systems Corp. (breach of non-competition agreement); representation of EDS against Computer Associates Inc. (breach of contract and antitrust); representation of EDS against Life Insurance Company of Georgia (breach of contract) and CHUBB Life (breach of contract).
Hicks, Muse, Tate & Furst. Representation of Hicks, Muse, Tate & Furst against Diversified Developers Inc. and General Growth Properties Inc. (breach of contract), as well as other significant litigation in and outside of Texas.
Affiliated Computer Services (ACS). Representation of ACS, a Fortune 500 data services company, in various litigation matters.
Holly Corporation. Representation of Holly Corporation, a NYSE-listed oil refiner in major cases, including tort and antitrust litigation in El Paso, Texas, and New Mexico.
Southwest Sports Group. Representation of Southwest Sports Group, a Texas-based operator of professional sports teams and a commercial real estate developer, as well as the Texas Rangers (professional baseball) and the Dallas Stars (professional hockey) in various litigation matters since 1998.
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The reason I GO is best captured in my favorite quote by Malcolm X: "Education is our passport to the future, for tomorrow belongs to the people who prepare for it today."
Debbra's experiences as a public high school English and Social Studies teacher, school site principals in both urban and suburban settings, Area Executive Officer, Superintendent of Schools, Vice President of Educational Services for a start-up software company and CEO of a national non profit give her perspectives on what it takes for all students to achieve at high levels. After graduating from Oakland High School, Debbra earned a BA in US History from Mills College. She continued her studies earning a MA degree and teaching credential from Stanford University and later a Doctorate in Educational Leadership from St. Mary's College of California. During her time as high school principal in Oakland USD, she led a school transformation effort that doubled the number of the school's graduates. As training division head for a construction management software company, she developed curriculum and training modules for clients and adult end users. As CEO of College Track, she scaled the organization nationally to New Orleans and San Francisco's Bay View Hunter's Point. Subsequently, Debbra led all secondary schools in Palo Alto USD and facilitated its A-G graduation policy campaign. Debbra is Superintendent, Emeritus of Emery USD. Debbra enjoys and now understands her husband's obsession with Warrior basketball and relishes the time she spends with her sons and two grand daughters.