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One Symphony with Devin Patrick Hughes
Devin Patrick Hughes
A podcast that explores classical music's relevance in our modern lives. Conductor Devin Patrick Hughes will share with you stories and conversations with musicians, composers, and artistic entrepreneurs that aim to unite us into one symphonic world.
Classical Holiday Film Scores with Devin Patrick Hughes
The holidays are a great time to catch up on all our favorite movies, and many of these films wouldn't enjoy the popularity they do without their amazing soundtracks! Today on One Symphony, I wanted to share with you some of my Holiday Film Score favorites! I'd like to thank our new sponsors including Kevin, Kim, Dana, Dennis, and Sound Espressivo Online Global Music Competition for their support to make One Symphony possible. Join conductor Devin Patrick Hughes as he explores some classical films scores including Have Yourself a Merry Little Christmas from Meet Me in St. Louis, Gremlins by Jerry Goldsmith, Home Alone by John Williams, and Danny Elfman's Nightmare Before Christmas. Along the way we explore how these mammoth scores were influences by composers and works like Aaron Copland, Hector Berlioz, Tchaikovsky, Kurt Weill, Erich Wolfgang Korngold, Franz Schubert, and many more! Thank you for listening, I hope your holidays are filled with love, joy, and a bit of entertainment from some of these great films and soundtracks. Thank you to all the amazing performers and record labels who made this episode possible including Danny Elfman, Disney, Judy Garland, UMG Recordings, the Mormon Tabernacle Choir, Geffen Records, the City of Prague Philharmonic Orchestra, Silva Screen Records, Warner Brothers, Orchestra of the Marinsky Theatre and Valery Gergiev, Universal Music, Atlanta Symphony and Louis Lane, Alessio Randon and Naxos, the Boston Symphony and Charles Munch, Valentina Lisitsa, Michael Francis and the London Symphony, Ute Lemper, Jeff Cohen and the RIAS Sinfonietta Berlin, with John Mauceri on Decca, Everest Records, Katherine O'Hara, Dietrich Fischer-Dieskau, Daniel Barenboim, and Mel Torme. You can always find more info at OneSymphony.org including a virtual tip jar if you'd like to lend your support to the podcast. Please feel free to rate, review, or share the show! Until next time, thank you for being part of the music!
Tchaikovsky's Nutcracker - A Guided Tour
Back by popular demand! Devin breaks down Tchaikovsky's beloved Nutcracker. It wouldn't be the Christmas Holiday in the western world without the magical sounds of the Nutcracker, composed by the great Pyotr Ilyich Tchaikovsky, and centering around Clara, a young girl who falls in love with a Nutcracker Prince and conjures an epic battle against a Mouse King with Seven Heads. We'll travel into the fantastical worlds of Tchaikovsky, writer and musician E.T.A. Hoffmann, and choreographer Marius Petipa as we bring this marvelous ballet to life. Don't worry, there will be plenty of holiday sweets to keep you focused! Thank you to all the incredible record labels and performers who made this episode possible. Ensembles: Orchestra of the Kirov Opera, Apotheosis Orchestra, Ensemble Musica Nigella, Bavarian Radio Symphony Orchestra, Simón Bolívar Symphony Orchestra of Venezuela, Oslo Philharmonic, Vienna Philharmonic Conductors: Valery Gergiev, Korneel Bernolet, Takénori Némoto, Jan Koetsier, Gustavo Dudamel, Mariss Jansons Soloists: Éléonore Pancrazi, Rita Streich, Melitta Muszely, Raimund Grumbach, (singers); Philippe Bianconi, pianist Labels: Philips, Apotheosis, Klarthe, La Dolce Volta, Classical Moments, Deutsche Grammophon, Chandos, Decca Thank you for joining us. you can always find more info at OneSymphony.org. Please feel free to rate review or share the show! Until next time, thank you for being part of the music!
Matthew Detrick & Apollo's Muse
Conductor Devin Patrick Hughes interviews Matthew Detrick, who is a violinist and entrepreneurial leader in the professional arts world, and founded and serves as executive and artistic director of the Apollo Chamber Players, which is an internationally-acclaimed chamber music ensemble serving millions around the world in the realm of creative, programmatic performance, and through commissions of multicultural new music. Apollo Chamber Players includes Matthew J. Detrick, violin, Founder, Artistic & Executive Director, Anabel Ramirez Detrick, violin and Content and Outreach Manager, Whitney Bullock, viola and Education Coordinator, and Matthew Dudzik, cello and Chief Financial Officer. In addition to Apollo, Matthew also is a frequent guest speaker on leadership in the arts, awards funding through the Texas Commission for the Arts, and runs Detrick Arts, which contracts ensembles for charity and corporate events. He serves as concertmaster of the Symphony of Southeast Texas and has served as soloist and musician for ensembles including Houston Grand Opera and Ballet, and the period ensemble Mercury, and was awarded the Chamber Music America Residency Award. Matt and Apollo can be heard on Navona Records, Azica Records, and Parma Recordings. Thank you for joining us on One Symphony and thanks to Matt Detrick for sharing Apollo's music and story. All works were performed by the Apollo Chamber Players. You heard Seremoj es Romanca from the album European Folkscapes. We Will Sing One Song by Eve Beglarian includes Arsen Petrosyan, Pejman Hadadi, and Joan DerHovsepian. With Malice Towards None by Kimo Williams features electric violinist Tracy Silverman. String Quartet no. 6, Nostalgia de las montañas is by Leo Brouwer. Imágenes de Cuba is by Arthur Gottschalk. Themes of Armeninan Folksongs by Komitas Vardapet was arranged by S. Aslamazyan and Matthew Detrick, and Apollo was joined by Joan DerHovsepian. Mây for Đàn bầu & String Quartet was composed by Van-Anh Vo. You can check out Apollo's performances, and donate to the cause at apollochamberplayers.org. You can always find more info at OneSymphony.org including a virtual tip jar if you'd like to lend your support to the podcast. Please feel free to rate, review, or share the show! Until next time, thank you for being part of the music!
Tracy Silverman, electric violinist and classical music Rock-Star
Tracy Silverman, electric violin virtuoso and pioneer, and conductor Devin Patrick Hughes speak about "The Agony of Modern Music," the history of how many strings came to be on the violin, Tracy's debut with the Chicago Symphony, his stint as a musical Olympian, how to not achieve perfection, playing like Ray Charles, Jascha Heifetz, and Jimi Hendrix. He also discusses his collaborations with Terry Riley, John Adams and his Electric Violin Concerti, and his album Between the Kiss and the Chaos. Described as "the greatest living exponent of the electric violin" by the BBC, pioneering violinist and composer Tracy Silverman believes "strings must evolve or they will perish" and his mission is to reconnect strings with our popular culture and to teach string players to groove. His groundbreaking work incorporating rock, jazz, Americana, hip-hop, and other popular genres with the 6-string electric violin has upended the contemporary classical genre, and his strum bowing method has been adopted by performers all around the world. Terry Riley described Tracy's violin playing as being like an orchestra itself. John Adams said: "When I heard Tracy play I was reminded that in almost all cultures other than the European classical one, the real meaning of the music is in between the notes. No one makes that instrument sing and soar like Tracy, floating on the cusp between Heifetz and Jimi Hendrix." Tracy was first violinist in the Turtle Island String Quartet, and was named one of the 100 distinguished alumni by the Juilliard School, and as a composer has 3 Electric Violin concerts among other works, and has performed concertos written for him by John Adams, Terry Riley, Nico Muhly, and Kenji Bunch. The violin virtuoso and humanitarian was recently featured on NPR's Tiny Desk Concerts, Performance Today, CBS Sunday Morning, and A Prairie Home Companion, and is an internationally in-demand clinician and currently teaches at Belmont University in Nashville. Thank you for joining us on One Symphony and thanks to Tracy Silverman for sharing his performances and works. You heard Between the Kiss and the Chaos, Hundred Percent Forever, the Beatles Here Comes the Sun, Axis and Orbits, Crazy Times, John Adams's the Dharma at Big Sur, all performed by Tracy Silverman. Additional performances were by the Beatles, Fanny Clamagirand, Sinfonia Finlandia, Nikolaus Harnoncourt, the Berlin Philharmonic, the BBC Symphony, and John Adams. Thanks to the record labels Delos, Naxos, Acewonder, and Nonesuch for making this episode possible! You can check out Tracy's music and books at tracysilverman.com and strumbowing.com. You can always find more info at OneSymphony.org including a virtual tip jar if you'd like to lend your support. Please feel free to rate, review, or share the show! Until next time, thank you for being part of the music!
Holly Mulcahy, Violinist and Classical Music Catalyst
Holly Mulcahy, violinist and thought leader in classical music speaks with conductor Devin Patrick Hughes. They discuss what classical music can learn from the wine industry, programming for modern audiences, playing for prisoners, pandemic revelations, and tools to create classical music accessibility, including when to clap, and bringing kids to the symphony. Also featured on the show is Holly's performance of George Clinton's Rose of Sonora! Holly Mulcahy is an in-demand American violin soloist, concertmaster of the Wichita Symphony and Chattanooga Symphony and Opera, a thought leader in the symphonic music field and non-profit world, and a true classical music entrepreneur. She has collaborated with many exciting living composers like Jennifer Higdon, Philip glass, and Hollywood composer George Stanley Clinton on the Rose of Sonora, a violin concerto and epic western adventure story inspired by love and revenge. Holly founded Arts Capacity, which brings live interactive performances and art to prisons, is the author of Neo Classical, and is constantly brainstorming, advocating, and acting to make the orchestra more assessable to all. Thank you for joining us on One Symphony and thanks to Holly Mulcahy for sharing her passions, performances, and insights. George S. Clinton's Rose of Sonora was performed by Holly Mulcahy. You can learn more about Holly's advocacy, leadership, and performances at https://www.hollymulcahy.com and at https://insidethearts.com/neoclassical/ and her nonprofit https://artscapacity.org. You can always find more info at OneSymphony.org including a virtual tip jar if you'd like to lend your support. Please feel free to rate, review, or share the show! Until next time, thank you for being part of the music!
Siwoo Kim Violin Virtuoso & Entrepreneur
Siwoo Kim, violinist and Devin Patrick Hughes, conductor speak about the violin virtuoso's early life, his mindset instilled from his mother, Siwoo's approach to phrasing, singing, and repertoire, as well as VIVO Music Festival, composers that excite us, and the music that make's us cry. Other topics include teachers and collaborating with composers and musicians. Violinist SIWOO KIM has been described as "incisive" and "compelling" by The New York Times and playing with "stylistic sensitivity and generous tonal nuance" by the Chicago Tribune. Siwoo performs as soloist and chamber musician, and as a multifaceted entrepreneur, co-founded the VIVO Music Festival in his hometown of Columbus, Ohio. Siwoo made his Carnegie Hall debut with the Juilliard Orchestra, and has performed with orchestras around the world including the Staatsorchester Brandenburgisches Frankfurt, Houston Symphony, Kwazulu-Natal Philharmonic, in venues like Walt Disney Concert Hall, and many more! And I should say that very soon he'll be returning to the Salina Symphony! He has collaborated with world-renown artists such as Itzhak Perlman, Jeremy Denk, Joyce DiDonato, Mitsuko Uchida, and string quartets such as Guarneri, Julliard, and Takács. He has been featured as a guest artist at international festivals including those at Tivoli, Bergen, and Ensemble Ditto in South Korea and has taken top prizes in many competitions including Crescendo, Juilliard, and youngArts. Siwoo welcome to One Symphony, I'm so excited to be speaking with you today! Thank you for joining us on One Symphony and thanks to Siwoo Kim for sharing his performances and insights. Thank you to all the incredible performers and record labels that made this episode possible including Sony and Linn records. Bach's Second Violin concerto was performed by Siwoo Kim and the New York Classical Players conducted by Dongmin Kim. Mozart's 5th Violin Concerto was performed by Siwoo Kim and the Orchestra Royal de Chambre de Wallonie, with Jean-Jacques Kantorow conducting. Bruch's Scottish Fantasy was performed by Jascha Heifetz and the Boston Symphony conducted by Charles Munch Samuel Adler's Violin Concerto was performed by Siwoo Kim and Brandenburgisches Staatsorchester Frankfurt, conducted by Emily Freeman Brown. You can check out Siwoo's website and schedule online at http://www.siwookim.com and his upcoming music festival at https://www.vivofestival.org. You can always find more info at OneSymphony.org including a virtual tip jar if you'd like to lend your support. Please feel free to rate, review, or share the show! Until next time, thank you for being part of the music!
Fire and Light with composer Jerod Impichchaachaaha' Tate
Composer Jerod Tate and conductor Devin Patrick Hughes discuss Chickasaw musical culture, Jerod's influences and how composers are plugged into ethnicity and national identity, along with growing up with Stravinsky, Bartok, Barber, and Liszt. They also chat about Jerod's compositional process for some of his most performed works, American Indian hymns and much more. Jerod Impichchaachaaha' Tate is a classical composer, citizen of the Chickasaw Nation in Oklahoma and is dedicated to the development of American Indian classical composition. He has recently worked as Guest Artist for the San Francisco Symphony Currents program Thunder Song: American Indian Musical Cultures and was recently Guest Composer for the Metropolitan Museum of Art's Balcony Bar program Home with ETHEL and Friends, featuring his commissioned work Pisashi (Reveal) for String Quartet. His commissioned works has been performed all over North American, including the National Symphony, Dallas and Detroit Symphonies, the Minnesota Orchestra, Buffalo Philharmonic, Winnipeg Symphony, South Dakota Symphony and many more! Jerod Tate has held the Composer-in-Residency for Music Alive, a national residency program of the League of American Orchestras and New Music USA, and brings music instruction and inspiration to the next generation through his work with the Chickasaw Summer Arts Academy, and has taught composition to American Indian high school students in Minneapolis, the Hopi, Navajo, and Lummi reservations, and to Native students in Toronto. Jerod has some amazing recordings available on the Grammy Award winning label, Azica Records, including Iholba' (The Vision) for solo Flute, Orchestra and Chorus, and Tracing Mississippi, a Concerto for Fute and Orchestra. He earned his music and composition degrees from Northwestern University and the Cleveland Institute of Music, and also performed on keyboard for the Broadway tours of Les Misérables and Miss Saigon. Thank you for joining us on One Symphony and thanks to Jerod Impichchaachaaha' Tate for sharing his music and insights. Thank you to all the incredible performers and record labels that made this episode possible! Lowak Shoppala' (Fire and Light) was played by the Nashville String Machine and conducted by the composer, with the Chickasaw Nation Children's Chorus and Dance Troupe. Vocal Soloists are Stephen Clark, Chelsea Owen, Meghan Vera Starling, and Narrators are Lynne Moroney, Wes Studi, and Richard Ray Whitman. It's available on Azica Records. Tchaikovsky's Second Symphony was played by the Oslo Philharmonic and conducted by Mariss Jansons on the Chandos label. Pisachi was performed on Documerica, by ETHEL String Quartet with Ralph Farris (viola), Dorothy Lawson (cello), Kip Jones (violin) and Corin Lee (violin) on the Innova label. Heloha Okchamali was played by Elizabeth Hill, Piano and Anastasia Christofakis, Clarinet. Tracing Mississippi was recorded by the San Francisco Symphony and San Francisco Symphony Chorus conducted by Edwin Outwater and is available on Azica Records. You can check out Jerod's music online at https://jerodtate.com. You can always find more info at OneSymphony.org including a virtual tip jar if you'd like to lend your support. Please feel free to rate, review, or share the show! Until next time, thank you for being part of the music!
Anna Clyne Composer, The Sound of Beauty
Composer Anna Clyne joins conductor Devin Patrick Hughes on One Symphony. They discuss Anna's influences like Stravinsky, Steve Reich, and Arvo Part, composing based on poetry from Rumi to Shakespeare, along with silence in music, symphonic programming, repurposing material from others or yourself, and a way for a composer to be in the room with an orchestra from anywhere in the world! Anna Clyne is a GRAMMY-nominated composer of acoustic and electro-acoustic music. Described as a "composer of uncommon gifts and unusual methods" by the New York Times and as "fearless" by NPR, Clyne is one of the most acclaimed and in-demand composers of her generation, connecting her music across art forms with innovative collaborations with choreographers, visual artists, filmmakers, and musicians. Also the winner of the 2016 Hindemith Prize, Anna Clyne is currently the Associate composer for the Sottish Chamber Orchestra, and has held composer residencies with the Chicago Symphony, Baltimore Symphony, and the National Orchestra of France. Some of Anna Clyne's most amazing works that have been performed by the top orchestras, soloists and conductors around the world, include Dance for cello and orchestra, Night Ferry, Rewind, This midnight Hour, Prince of Clouds, The Seamstress, Sound and Fury and Within Her Arms. Marin Alsop said it best by describing Anna's music as "always emotional and driven by her heart, and skillfully composed". Thank you for joining us on One Symphony and thanks to Anna Clyne for sharing her music and insights. Thank you to all the incredible performers and record labels that made this episode possible! Cornelius Dufallo and Amy Kauffman played Tea Leaves from The Violin. Dance was performed by Inbal Segev, and the London Philharmonic conducted by Marin Alsop. Masquerade was performed by the BBC Symphony conducted by Marion Alsop. A Wonderful Day was performed by Anna Clyne and Willie Barbee from Bang on a Can All-Stars on the Cantaloupe Music label. Rewind was performed by the BBC Symphony and Andre de Ridder. Stravinsky's Rite of Spring was performed by the London Symphony and Rafael Frübeck de Burgos. Beethoven's Grosse Fuge was performed by the Takács Quartet. Bartok's Concerto for Orchestra was played by the Hungarian State Symphony and Adám Fischer. You can check out Anna Clyne's music online at annaclyne.com. You can always find more info at OneSymphony.org including a virtual tip jar if you'd like to support the show. Please feel free to rate, review, or share the show! Until next time, thank you for being part of the music!
Composer Jack Frerer's Musical Wit
Composer Jack Frerer joins conductor Devin Patrick Hughes on One Symphony today. They speak about the secret sauce to writing great music, conducting and composing teachers, comedy in music, how rock guitar and music theory make a great classical composer, and much more! The music of Australian composer Jack Frerer has been performed around the world, including the Arapahoe Philharmonic, Nashville Symphony, and Albany Symphony. Although still a young composer at the age of 26, Jack has received numerous awards, including a Charles Ives Scholarship from the American Academy of Arts and Letters, a Morton Gould Composers Award from ASCAP, the Suzanne and Lee Ettelson Composers Award, the Brian Israel Prize from the Society for New Music, and was winner of both the Juilliard Orchestra and Gena Raps Chamber Music competitions. He was a Tanglewood fellow for 2019, a composer for New York City Ballet's, and is currently Composer-in-Residence with the Arapahoe Philharmonic. Jack studied with John Corigliano and Robert Beaser at Juilliard, and is currently a graduate student at the Yale. Thank you for joining us on One Symphony and thanks to Jack Frerer for sharing his music and insights. Thank you to all the incredible performers that made this episode possible. Downloads was played by KJ Mcdonald, Philip Sheegog, Ning Zhang, Viola Chan and Joey Chang. On-Again, Off-Again was performed by The Juilliard Orchestra. Spiral Sequences by the Azure Quartet: Kj McDonald, Brenden Zak, Hannah Geisinger and Yifei Li. Stutter Step was played by Kevin Zhu, Philip Sheegog and Tengku Irfan. The Present Hour was performed by The Albany Symphony's 'Dogs of Desire' ensemble, featuring vocalists Lucy Dhegrae and Lucy Fitzgibbon, and texts by Ayla Sullivan, Dominic Huey, Emily Brontë and Amy Ludwig VanDerwater. Brahms's Symphony no. 1 was performed by Paavo Berglund and the Chamber Orchestra of Europe on the Ondine label. You can check out Jack's music online at jackfrerer.com. You can always find more info at OneSymphony.org including a virtual tip jar if you'd like to support the show. Please feel free to rate, review, or share the show! Until next time, thank you for being part of the music!
It's Legendary: Rapper Lightskin Legend in conversation with Conductor Devin Patrick Hughes
Conductor Devin Patrick Hughes interviews rapper Lightskin Legend on One Symphony today. Change is a mission statement for the charismatic 21 year-old Lightskin Legend, whose high aspirations to change the genre of hip hop and create social movement around the world drive his creative inspiration. A graduate of Rhodes College and master's student at the University of San Diego but originally from Colorado, Grayson Walker is the grandson of Pulitzer Prize-winning composer George Walker and son of renowned concert violinist Gregory T.S. Walker, who is also with us today. Lightskin Legend has become a cult favorite with hits like "My Shot", "Pretty Faces", and "Main Thang", and continues to expand in popularity as his unique lyricism and signature sound makes its way around the world. "My Shot" reached the top 25 in the U.K. iTunes Hip Hop Charts, and his latest album Commitment Issues seeks to build off that success. Lightskin Legend recently made his Symphonic debut on Gregory T.S. Walker's dream n the hood, and I'm excited to bridge the symphony and r&b worlds together. There is a Parental Advisory warning on the music featured in this episode. If you have kids in the room please make appropriate adjustments. Thank you for joining us on One Symphony with Devin Patrick Hughes and thanks to Lightskin Legend for sharing his amazing gifts and insights, and to his father Gregory T.S. Walker for joining in the conversation. Musical selections were performed and produced by Lightskin Legend and included Pretty Faces, Id, Commitment Issues, & Costa Rica. Ponce De-Leioun also performed on Pretty Faces. You can experience Lightskin Legend's music on all platforms. You can always find more info at OneSymphony.org including a virtual tip jar if you'd like to support the show. Please feel free to rate, review, or share the show! Until next time, thank you for being part of the music!
Michelle DeYoung, Mezzo & Musical Enchantress
I am so excited today to be speaking with the globetrotting mezzo-soprano Michelle DeYoung. One of the most exciting artists of her generation, Michelle appears frequently with the world's top orchestras, including the New York Philharmonic, Boston Symphony Orchestra, Chicago Symphony Orchestra, Cleveland Orchestra, San Francisco Symphony, Los Angeles Philharmonic, Vienna Philharmonic, BBC Symphony Orchestra, Royal Philharmonic Orchestra, Sao Paulo Symphony, and the Concertgebouw orchestra. She has also appeared in the top music festivals around the world including Ravinia, Tanglewood, Aspen, Salzburg, and Lucerne. She's worked with the most legendary conductors in classical music including Daniel Barenboim, Pierre Boulez, Sir Colin Davis, Gustavo Dudamel, Bernard Haitink, Seiji Ozawa, Esa-Pekka Salonen, Mariss Jansons, and many more. Michelle has performed in the worlds great houses in works across the operatic spectrum from Wagner and Strauss to Bartok and Berlioz, and also regul…
Edgar Girtain, Composer in Isolation
I'm excited to share with you my interview with the fantastic composer and educator Edgar Girtain. I had a blast recording this interview, and I'm sure you'll get a kick out Edgar's passions and insights. I wanted to give all my listeners a heads up on this episode that there is some more colorful language and a depiction of a historical murder during the show. So if you have kids in the room or may find this content at all offensive, you may want make necessary adjustments. That being said, I hope you enjoy the interview! Edgar Girtain is a traditional american composer with dozens of orchestral, chamber, and vocal works to his name. His music is regularly performed by a quantity of name-droppables in more places than even the composer can be sure of, and he holds beyond a reasonable number of degrees in music from several august institutions of higher education. His teachers include some composers you've probably heard of, but he learned the most from the teach…
Barbara Harbach, an American Melodist
The distinguished American composer Barbara Harbach spent her career as a performer, professor, creator of symphonies, operas, string orchestra works, musicals, chamber music, silent film scores, ballets and much more. For decades she has been a trailblazing advocate for women in the arts. Her music can be found on many major labels such as MSR Classics, Naxos & Albany Records, and many more, with two upcoming album releases of chamber and orchestral music! Barbara holds degrees from Yale and Eastman. Along with her Curators Distinguished Professorship at the University of Missouri in St. Louis, she's received the Hellenic Spirit Foundation Award, YWCA Leader of Distinction award and many more. Thank you for joining us on One Symphony and thanks to Barbara Harbach for sharing her music and performances. Thank you to all the incredible performers and record labels that made this episode possible. • Twilight Dream from Frontier Fancies was performed by the Slovak Radio Symphony, vio…
The Emergence of Electronics in Symphonic Music - with John Clay Allen
Devin speaks with John Clay Allen about musicians and composers who were pioneers in bridging electronic and acoustic sounds, especially around the symphony orchestra. John Clay Allen is a composer, pianist, educator & explorer on the fringes where classical music meets electronic music. Originally from Ruidoso, New Mexico, his music is a synthesis of post-minimalist and spectralist styles, with an underlying predilection for the romantic. His music values the timbral and textural over the traditional note unit, and uses electronics to extend the realm of acoustic possibility. His body of work ranges from pieces for soloist and chamber ensembles to full orchestra, wind symphony, and opera, and his debut album Asnières (silent "s") was released in 2020. Clay's compositions have been performed across the United States and internationally at festivals including SEAMUS, CICTeM in Buenos Aires, the Cortona Sessions in Italy, and the New York City Electroacoustic Music Festival. Recen…
Radical Love, a Conversation with Dominique Christina
Dominique Christina is a writer, performer, educator, activist, Mother, troublemaker, agitator, social commentator, star volleyball player, and was a high school and college teacher for ten years. She was the National Poetry Champion in 2011 and Women of the World Slam Champion in 2012 and 2014. Dominique can be found speaking online on TEDX and also on HBO's High Maintenance. Her books, available everywhere include: -The Bones, the Breaking, the Balm, a Colored Girls Hymnal -Anarcha Speaks -This is Woman's Work: Calling Forth Your Inner Council of Wise, Brave, Crazy, Rebellious, Loving, Luminous Selves We're very excited for you to hear our discussion which covers craft and performance, the etymologies of words, the importance of learning from past poets like Edgar Allen Poe and Beethoven, the relationship between artists and politicians, childhood, motherhood, and more. In additional to some amazing musical selections Dominique shares two of her more recent poems, It's Morning…
Tchaikovsky's Nutcracker - A Guided Tour
Devin breaks down Tchaikovsky's beloved Nutcracker. It wouldn't be the Christmas Holiday in the western world without the magical sounds of the Nutcracker, composed by the great Pyotr Ilyich Tchaikovsky, and centering around Clara, a young girl who falls in love with a Nutcracker Prince and conjures an epic battle against a Mouse King with Seven Heads. We'll travel into the fantastical worlds of Tchaikovsky, writer and musician E.T.A. Hoffmann, and choreographer Marius Petipa as we bring this marvelous ballet to life. Don't worry, there will be plenty of holiday sweets to keep you focused! Thank you to all the incredible record labels and performers who made this episode possible. Ensembles: Orchestra of the Kirov Opera, Apotheosis Orchestra, Ensemble Musica Nigella, Bavarian Radio Symphony Orchestra, Simón Bolívar Symphony Orchestra of Venezuela, Oslo Philharmonic, Vienna Philharmonic Conductors: Valery Gergiev, Korneel Bernolet, Takénori Némoto, Jan Koetsier, Gustavo Dud…
The Silent Musician, a conversation with conductor Mark Wigglesworth
Devin speaks with award winning, internationally renowned, and in-demand conductor of symphonic and operatic repertoire, and writer Mark Wigglesworth. Mark's conducting skills and passions take him equally formidably from the music of Mozart all the way to the present day. Maestro Wigglesworth has some incredible recordings featuring all fifteen Shostakovich Symphonies, Mahler's Sixth Symphonies, Britten's opera Peter Grimes, and many more. Mark has recently released an incredible book titled the Silent Musician: Why Conducting Matters. This is of interest to conductors, beginning or seasoned, musicians, music lovers, and leaders in any field who want to be more connected to their ensembles and more influential. During the show, Mark speaks about the influence and art of gesture, and the road to discovering you own. He discusses the history of how to decide on tempo, or speed at which music is played, and how it's all about the character of the music. Mark covers wh…
The Artist & the Composer, a conversation with Will Day and Jonathan Bingham
Devin speaks about contemporary and historical interactions between music and the art world, featuring two creative entrepreneurs that are paving the way in their respective fields, Contemporary visual artist Will Day, and composer Jonathan Bingham. Jonathan discusses his formative inspirations, including the music of John Williams. Will Day's wife, Aimee, barely survived the 9/11 attacks in tower two and this profoundly affected him as he became an architect and then visual artist. Their stories will inspire you to find the artist within, discard your fears, follow your passion, and find your life purpose. The podcast episode's conception revolved around the "Quaternity" project that was created by Devin Patrick Hughes, Boulder Symphony, Jonathan Bingham, and Will Day. The artwork can be viewed on Will's website: WillDayArt.com Thank you to all the incredible performers who made this episode possible including JACK Quartet, New York University Contemporary Ensemble, conductor…
Jenni Brandon, a Musician's Composer
In Devin's interview with composer Jenni Brandon, they discuss composing for soloists and small ensembles, including health and wellness for musicians, and the music of Jenni Brandon, highlighting her Fives Frogs which will have it's Colorado premiere with the Arapahoe Philharmonic. Jenni Brandon is a consummate composer, conductor, singer & collaborator. She has received commissions to write for soloists, small ensembles, opera companies and orchestras. Jenni has had her works performed at the Kennedy Center and has more than 20 albums. Her works are published and distributed by all the major publishing companies including her own, Jenni Brandon Music. Thank you to all the incredible performers who performed the works of Jenni Brandon and record labels who made this show possible, including the Blue Griffin Label, MSR Classics Label, New Focus Recordings, and courtesy of Jenni Brandon. Wood Song was performed by oboist Lindabeth Binkley on her new CD "From Earth & Sky: Music of…
Edward Dusinberre, first violin in the Takács String Quartet
Devin interviews Edward Dusinberre, first violin in the legendary Takács String Quartet, author of Beethoven for a Later Age: Living with the String Quartets, and Christoffersen Faculty Fellow and Artist-in-Residence at the University of Colorado College of Music. The interview was excerpted from a preconcert interview from a performance. Devin and Edward speak about playing it safe for ensembles, the lab that is the string quartet, Beethoven and his metronome markings, and how playing in a quartet is like acting. Be sure to pick up a copy of Living with the String Quartets, available wherever books are sold.
Father & Son - George Walker & Gregory T.S. Walker
Father & Son: George Walker was a trailblazing and multitalented composer and pianist of the 20th Century. Among his many accomplishments he was the first African American composer to win the Pulitzer Prize for music. He passed away in 2018, but his legacy continues in his son composer and performer Gregory T.S. Walker. As a performer Gregory regularly tackles his father's momentous works for violin, and the interview highlights interplay and the complex relationship between composer and performer, father and son. Special thanks to Summit Records and Newport Classic record labels for making this episode possible. George Walker's "Lilacs" performed by soprano Fay Robinson and the Arizona State University Symphony Orchestra George Walker's "String Quartet no. 2" performed by the El Paso Festival Quartet The Gregory T.S. Walker selections from "Global Solstice" and "Bad Rap" performed by the composer and the Boulder Philharmonic. "Dream N. The Hood" performed by Dennis Spears and…
Judith Anne Still, daughter of William Grant Still
Devin interviews Judith Anne Still, daughter of African-American composer William Grant Still, discussing the impact of America's racial dynamics on Still's music and career. Special thanks to Bridge Records for the use of its recording (Bridge 9086) of the Royal Philharmonic Orchestra's performance of "Afro-American Symphony" (available at BridgeRecords.com).

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text:
Author: Hagen, George
Hagen, George (remove)
Gabriel Finley (2)
Magic -- Fiction (2)
Ravens -- Fiction (2)
Dorothy Canfield Fisher Award nominee 2015-2016 (1)
1) Gabriel Finley & the raven's riddle
Hagen, George
Gabriel Finley volume 1
Eleven-year-old Gabriel, with the help of the young raven Paladin, which whom he has a magical bond, travels to the foreboding land of Aviopolis, where he must face challenges and unanswerable riddles to rescue his long-missing father.
2) Gabriel Finley and the Lord of Air and Darkness
Gabriel Finley is longing to find his mother, who vanished without a trace when he was just a baby. Along with Gabriel's raven, Paladin—with whom he has a magical bond that enables them to become one creature and FLY!—and his three friends, he ventures back to the ruined underground city of Aviopolis to free her from the rune in which she has been imprisoned. But Aviopolis is home to Corax, the Lord of Air and Darkness, who is also Gabriel's uncle....


text:
The debt Buhari owes Nigerians
Published February 28, 2019 February 28, 2019
President Muhammadu Buhari
Joel Nwokeoma
Not unexpectedly, after many days of waiting with bated breath, the chairman of the Independent National Electoral Commission, Mahmood Yakubu, in the early hours of Wednesday, announced President Muhammadu Buhari of the All Progressives Congress, the winner of the presidential election held on Saturday, February 23.
In the result announced by Yakubu, Buhari got 15.2 million votes while Atiku received 11.3 million, out of the total 27,324, 583 valid votes cast. That represents a mere 35.6% turnout, the lowest since the return to civil rule in 1999.
When the number of the total valid votes cast is added to the 1,289,607 rejected votes, the total number of votes cast stands at 28,614,190. Strikingly, when viewed against the backdrop of the fact that 72 million voters were said to have collected their Permanent Voter Cards, to be eligible to vote at the elections, out of over 84 million registered voters, representing 86 per cent of the voters, the reality of the voter apathy at the polls becomes more evident and depressing too.
The opposition PDP has, however, rejected the outcome of the polls citing "irregularities" and claiming that, "The results are incorrect and unacceptable" because "officials of the APC working with INEC have decided to alter results to affect our people." Its candidate called the election result, "a statistical impossibility".
As noted in my intervention previewing the election (which was eventually rescheduled by a week) in the article, "Nigerians march to vote in a choiceless poll," (See The PUNCH, Friday, February 15, 2019), the electoral contest lived up to its billing as a two-horse race between the two dominant parties, the PDP and the APC, which incidentally prised the electorate out of the democratic process of determining who eventually emerged as their torchbearers in the primaries. And, given that it was unanimous that the two candidates, Buhari and Atiku, represented no distinct difference of note in terms of political persuasion and disposition, coupled with the perception of poor performance of the incumbent administration, it was inevitable that the response of the electorate would be to vote with their feet from the polling units instead of going to cast their ballot.
However, having been announced the winner of the election, Buhari stands elected unless the Supreme Court determines otherwise, should Atiku's PDP make good its threat to head to the court to protest the result.
Until then, the challenge before the President is how to pay the humongous debt he owes the Nigerian electorate from whom he has, obviously, cashed an overdraft of democratic credit by the victory. This stems from the fact that either because Nigerians are forgetful or forgiving, the re-election of Buhari marks a complete turnaround of fortunes for someone who in 1983 truncated a constitutional democracy leading to another military interregnum that did not help the country's democratic aspirations.
Therefore, the first debt for Buhari is to ensure, in the next four years, the restoration of faith of a large mass of disenchanted Nigerians in the democratic process. The President should be worried that such a huge number of the electorate, 64.4 per cent, shunned the polls last Saturday, displaying an uncanny disinterestedness, read disgust, in an electoral process that led to his re-election as shown in the statistics quoted above. A nation is not democratic, it must be stressed, simply because it holds regular elections as scheduled. It is because it is anchored on popular participation and citizen engagement in the whole process.
Besides, the President owes the nation a debt, the most significant one if you ask me, of forging a united front from its diversity. Many believe that at no time was the country's unity threatened since after the civil war than under Buhari's first term in office. Gone should be the era of dividing the country, unwittingly, into "97% and 5%" based on political and electoral inclinations. The election period is over, now is the time to unite the disparate and separate tendencies and backgrounds under one united national cause through effective leadership. Buhari is not just the President of those who voted for him, it bears emphasising, but also for those who never voted for, and may never vote for him, even if he were to run till eternity. It is the beauty of democracy for people to make a choice, however queer and bizarre it may seem. Such a democratic choice should be respected and not criminalised or demonised.
The President has another date with destiny, for another four years, to right the perceived wrongs meted out to some sections of the country either by his disposition or indisposition. Nigeria cannot move forward, or better still move to the promised next level, when the various parts look towards different and opposing directions. It is a national leadership challenge thrust upon Buhari at a time like this. And it is a debt he must pay.
There is a need to remind the President that his re-election means he has lost, for good measure, any pretense to experimentation with governance. The error of the first term when it took a whole six months before the cabinet was constituted should not be repeated. And would not be tolerated. There is no reason the list of the ministerial nominees to constitute the President's second term cabinet should not be ready by April awaiting submission to the 9th National Assembly for screening on its inauguration in June. Nobody will buy into the narrative of combing endlessly for the "best brains" in Nigeria only to have a list of mainly worn-out names and spent political forces as the discoveries. The time to redeem the time is now. It is one debt he must pay to Nigerians before another round of hisses and sighs begins.
Another huge way Buhari would also help Nigeria is to remedy the despicable misery index in the Northern part of the country. Sadly, it is one debt I don't know how well he will pay. It is ironic that the part of the country that has held longest the mantle of national leadership is the poorest and most miserable, according to countless expert studies and reports. This is no longer acceptable. He owes the country a debt of reducing the pervasive poverty, illiteracy, and misery evident in most of the North. As a recent report claims, "According to a Nigeria Poverty statistics, the poverty rate in Nigeria's South-West is 19.3%. That of the South-South is 25.2% … the South-East is about 27.4 per cent." However, the report further revealed that "in the North-Central, the level of poverty is 42.6%, while the North-East and the North-West are with the highest levels of poverty: 76.8% and 81.1% respectively".
The President should be disturbed that the same area he comes from is the reason the country he governs was, in 2018, ranked the "poverty capital of the world", displacing India in the process, by the Brookings Institution. He should be similarly distressed that UNICEF claimed that 69 per cent of Nigeria's 13.2 million out-of-school children are located in the northern part of the country. He should be aghast that the North drags the rest of the country down in all human development indicator. There is no way Nigeria can make any headway, Next Level or not, with this heavy burden on its neck.
By far the greatest debt is to make Nigeria working, no pun intended, for the greatest number of Nigerians by restructuring it. We can't continue "wobbling and fumbling" like this all the time and achieve greatness.
This is why I believe President Buhari owes Nigeria and Nigerians a debt of development. A debt of genuine reconciliation. A debt of effective and humane leadership. A debt of broad-minded, inclusive and all-embracing governance. A debt of being true to his promises to take the country to the next level, whatever that means. Unfortunately, he doesn't have room for excuses any more. As they say, the time to begin the debt repayment is NOW!
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Little Big Bee
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Searchin' (remixed by At Jazz)
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Satin Souls
Mark Gorbulew
Central Living


Even though the majority of producers permit an acceptable degree of deterioration, the little blemishes, nicks, as well as scrapes which make their own method through baseballs, bikes, buying buggies, as well as additional vehicles towards the fresh paint in your automobile can easily turn out to be your personal monetary load. Through having to pay just a little cash right now to get rid of your own nicks and obtain any kind of required bumper restore, you are able to wind up preserving 1000s of dollars within possible costs as well as rent restore expenses.
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text:
Q: Интересный тест с сайта quizful Наткнулся на странный вопрос из теста. Что выведется при сравнении i1,i3 .Ответ: тру.
Меня одного это смущает?
import java.util.Arrays;
class ArraysComparing {
public static void main(String...args) {
    int[] i1[] = {{1,2,3}, {0,0,0}};
    int[][] i2 = {{1,2,3}, {0,0,0,}};
    int[][] i3 = new int[2][3];
    System.arraycopy(i1, 0, i3, 0, i3.length);
    System.out.println(Arrays.equals(i1, i2));
    System.out.println(Arrays.equals(i1, i3));
    System.out.println(Arrays.deepEquals(i1, i2));
}
}

И еще вопрос :
package question;

 import java.io.BufferedOutputStream;
 import java.io.FileOutputStream;
 import java.io.IOException;
 import java.io.PrintStream;

  public class TestOutput {
  public static void main(String[] args) throws IOException {
    PrintStream out = new PrintStream(
               new BufferedOutputStream(new FileOutputStream("test.out")));
    PrintStream console = System.out;
    System.setOut(console);

    System.out.println("FIRST OUTPUT");

    System.setOut(out);

    System.out.println("SECOND OUTPUT");

    out.close();

    System.out.println("THIRD OUTPUT");
}
}

Почему в этом коде после закрытия потока вывод не произойдет в стандартный поток в консоль? Ведь после закрытия мы должны получить замещение имени out на стандартный поток вывода.
A:
но копируются значения, а сами ссылки
все равно отличаются.

Что? Вы копируете массив ссылок.
Ссылки на массивы первого уровня i1 и i3 разные.
Но они содержат одно и тоже, т.е. ссылки на вложенные массивы.
Не верите мне, проверьте в отладчике.

По второй части. Компы вообще тупые(пока) и делают то, что им скажут.
Вот он и закрыл поток вывода, а не переключился на SDTOUT.
Думаю это особенность java-машины.

redpajama_set_name: RedPajamaStackExchange


text:
Trumpism>
This week, by pardoning those U.S. soldiers of committing serious war crimes abroad, President Donald Trump has undercut the military justice system and endorsed American brutality.(Photo: DoD photo by EJ Hersom)
Trump's War Crime Pardons Will Forever Be a Stain on the United States
So the U.S. has held thousands of "terror" suspects in various prisons across the Mideast, some for decades in Guantanamo Bay, often without trial, they'll ask, but accused American war criminals get a free pass without even facing charges?
Danny Sjursen
Donald Trump loves him some bluster, worships machismo, and always has. Spectacle over substance has long been the name of his game. Decades before his successful presidential run, back when he was still a cartoon billionaire playboy, Trump took out a full-page newspaper advertisement that argued that New York state should bring back the death penalty for five adolescents arrested in 1989 for allegedly beating and raping a jogger--even though the boys hadn't yet been convicted. Turns out that the infamous Central Park Five were later exonerated by DNA evidence. To this day, Trump refuses to apologize, even though his suggestion would have resulted in the execution of five innocent kids. But regret isn't part of The Donald's playbook.
Neither is adherence to facts, or recognition of history. Trump illustrated this point on the 2016 campaign trail, when he repeated a demonstrably false story about how then-Capt. John J. Pershing (future commanding general for all U.S. forces in World War I)--"a rough, rough guy"--had, during the brutal American counterinsurgency in the Philippines (1899-1913), once captured 50 Muslim "terrorists," dipped 50 bullets in pig's blood, shot 49, and set the sole survivor loose to spread the tale to his rebel comrades. The outcome, or moral of the story, according to Trump, was that "for 25 years, there wasn't a problem, OK?" Well, no, actually, the Philippine insurgency dragged on for another decade, and a Muslim-separatist rebellion continues in the islands to this day.
No matter. For Trump, as the saying goes, "When the legend becomes fact, print the legend." In these strange times, the current occupant of the Oval Office, "the leader of the free world," revels in tough-guy military bravado. With an apparently crippling case of bone spurs keeping him out of combat in Vietnam, Trump has had the luxury of reveling in the romance of war, having never seen its atrocities up close. Paradoxically, the candidate-turned-president who regularly rails against endless war (but rarely puts his money where his mouth is) isn't exactly averse to combat in general. Rather, while he rightfully critiques expensive, aimless wars, Trump thinks conflicts should be short and "savage."
Which may be why The Donald seems to have such a soft spot for American soldiers accused of war crimes. This week, the self-styled anti-war president pardoned two notorious alleged war criminals and reversed the demotion of a third. The decision got passing attention from the mainstream press, but quickly faded behind the raucous distraction of the impeachment show unfolding on Capitol Hill. Nonetheless, this was a profound matter, with serious implications. Trump's pardons may play well with his flag-waving, nationalistic base, but they also encourage indiscipline in the military ranks and--like the Abu Ghraib and Guantanamo fiascos--stain America's reputation in the world, motivate extremists and thereby make the nation less safe
I was a combat soldier for my entire adult life. I know the vexing intricacies of counterinsurgency, of sorting friend from foe in foreign lands where no one wears uniforms. I know the immense power young sergeants and officers wield over life and death in distant wars, and the temptation to abuse it. I too have stepped up to the abyss in the wake of infuriating attacks in which brothers die and no enemy pays--or even appears. Still, all three of these presidential pardon recipients were accused--in the face of substantial evidence--of murdering prisoners or civilians on the battlefield. Two hadn't even faced trial yet. Furthermore, a couple of these guys were turned in or testified against by their fellow troopers, many in the same unit as the accused. That's extraordinarily rare. Think the police "blue wall of silence" is sturdy? The military invented the concept.
Now, one dirty secret must be aired: Trump's "mercy" (the foreign victims received none from the accused) pardons provide genuine red meat for some of the military's frustrated rank and file, who undoubtedly feel abandoned by the American people and used and abused by their government in unwinnable wars. Many, but not all, inherently sympathize with fellow soldiers caught up in the complexities and chaos of guerrilla wars waged among the local populace. But that's why the military has officers, laws, a chain of command.
War crimes cases aren't supposed to be popularity contests; they are careful legal processes with specific purposes: to enforce discipline and humanity, as well as to avoid alienating the indigenous population. That's the cardinal rule in counterinsurgency (COIN): Don't do anything to reinforce the enemy narrative and thereby fill their ranks with new fighters. Some guerrilla war aficionados within the military have even taken to calling the concept COIN math.
Seen in this light, as a result of these pardons (and other actions), Trump acts as an unpaid "terrorist" recruiting sergeant. Many on the Arab street will see right through the transparent hypocrisy. So the U.S. has held thousands of "terror" suspects in various prisons across the Mideast, some for decades in Guantanamo Bay, often without trial, they'll ask, but accused American war criminals get a free pass without even facing charges?
Trust me, it won't play well abroad, even if it pleases some emotive, uninformed folks here at home. Study after study has provided empirical evidence that America's torture program and abuses at Abu Ghraib and Gitmo were wildly counterproductive and helped infuse the ranks of Islamist groups across the Greater Middle East. Ever wonder why Islamic State always had its Western beheading victims decked out in those orange jumpsuits? Yeah, that's what U.S.-held detainees at Guantanamo wore. It was an illustrative symbol.
Certainly, Trump, the quintessential anti-intellectual, who hardly worries about these second- and third-order effects, is uniquely, even flagrantly, obtuse. Yet, in another sense, this president is in good company, following an inherently American leadership pattern of excusing our war crimes and meting out shockingly soft punishments for the brutal transgressions of U.S. military men.
Which brings us back to the Philippines, an all but forgotten war, that was once (before Afghanistan) America's longest. It was there that the U.S. military first experimented with waterboarding captives, there that it imported Native American containment policies and shuffled the populace into concentration camps, there where roughly one-sixth (some 500,000) of the civilian population died of war-related causes.
It was in the Philippines, in 1902, after a group of villagers attacked an occupying U.S. Army garrison at Balangiga, on the island of Samar, killing 45, that Gen. Jacob "Howling Wilderness" Smith earned his moniker. Smith, who had taken part in the massacre of Lakota Sioux at Wounded Knee, was appointed to end the resistance and "pacify" Samar. "Hell-roaring" Jake took up the task with glee. He instructed a subordinate that every native should be "treated as an enemy until he has conclusively shown that he is a friend." Furthermore, he bellowed, "I want no prisoners. I wish you to kill and burn, the more you kill and burn the better you will please me. I want all persons killed that are capable of bearing arms." When the officer asked for an age limit, Smith quickly replied, "Persons of 10 years and older." When the flabbergasted subordinate pressed for clarification, the general reiterated his order.
Smith's men burned and killed their way across the island. None one knows exactly how many died. Problem was, the press caught on and wrote critical stories about Smith "the butcher." Mark Twain published an essay in response, flippantly suggesting that the American flag be redesigned, "the white stripes painted black and the stars replaced by the skull and crossbones." Gen. Adna Chaffee, the senior general in the Philippines, war Secretary Elihu Root, and even President Teddy Roosevelt sensed trouble. Someone had to be held accountable for the atrocities on Samar and across the archipelago, and it sure wasn't going to be them. First, Root published the cases of 39 soldiers who had supposedly been convicted of torturing or shooting captives, but that too turned out to be a fiasco. A bit of research showed that most had simply been fined or verbally reprimanded for their horrendous crimes.
The Army, and the press, needed a scapegoat, and thus Smith was put on trial. There he played the perfect villain. He brushed off his boss, Chaffee, who had urged him to assert that he hadn't meant his orders to be taken literally. Old "Howling Jake" refused. Chaffee, fearful for the implication of his own command in general war crimes, decided Smith's conviction was a foregone conclusion--and found guilty he was. But as for punishment? It was remarkably mild. Root urged a lenient sentence, because Smith had, after all, been fighting "cruel and barbarous savages." Roosevelt--himself a blustering warmonger--concurred, and Smith was merely admonished and retired with full benefits. A media pariah, he remained a hero in the eyes of many of the troops in the Philippines.
And that's where it gets dangerous. The president, secretary of war and the top general in the Philippines had sent a message to everyone, from the lowliest private to the most senior officers, that--in distant provinces, at least--atrocities could be committed with near impunity. The press could cry foul and cause enough of a stir to force investigations now and again, but it couldn't ensure that soldiers were really punished. The message was received loud and clear.
Thus, four years later, when Gen. Leonard Wood (namesake of an active base in Missouri) and my old 4th Cavalry Regiment bombarded and then stormed the crest of the Bud Dajo volcano to root out Muslim separatists (most armed only with knives) and their families, and massacred more than a thousand men, women and children, no one was even tried for war crimes. Pershing, that favorite of Trump, was actually horrified. Having surveyed the scene, he declared, "I would not want to have that on my conscience for the fame of Napoleon." So much for the rough, tough pig's blood yarn from the 2016 campaign trail.
Which all begs the question of what exactly will come of the current president's disavowal of established military regulations and internationally codified rules of war. It's unlikely that American infantrymen will replay the scale of a Samar or Bud Dajo-style massacre. Still, 18 years of military leadership have taught me that indiscipline--and inhumanity--starts small: a slap of a prisoner, posing for Facebook with war trophies, executing just one captive until, well, entire units go rogue.
In Vietnam not so long ago, unpunished rapes and murders by the ones and twos led, logically, to the My Lai massacre, another instance when the culprits faced little punishment despite the murder of hundreds of civilians (including babies). These days, though ground combat may not produce another Bud Dajo or My Lai, the power of unmanned (but human-piloted) drones to kill with impunity again raises the stark consequence of excusing wanton cruelty.
This week, Trump has done just that: undercut the military justice system and endorsed American brutality. The blood-soaked consequences are his, and, also, ours.
Danny Sjursen is a retired US Army officer, senior fellow at the Center for International Policy (CIP), and director of the Eisenhower Media Network (EMN). His work has appeared in the NY Times, LA Times, Common Dreams, Mother Jones, and TomDispatch. He served combat tours in Iraq and Afghanistan and later taught history at West Point. He is the author of a memoir and critical analysis of the Iraq War, "Ghostriders of Baghdad: Soldiers, Civilians, and the Myth of the Surge" (2015) and "Patriotic Dissent: America in the Age of Endless War" (2020). Along with fellow vet Chris "Henri" Henriksen, he co-hosts the podcast "Fortress on a Hill." Follow him on Twitter @SkepticalVet and on his website.
TrumpismWar CrimesWar on Terror


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Home / National News / Peel School Board To Hold Consultation On Report On The Challenges Facing Black Male Students
Suzanne Nurse is Vice-Chair of the Peel District School Board and a Trustee in Brampton Wards 2 and 6.
Peel School Board To Hold Consultation On Report On The Challenges Facing Black Male Students
in National News November 2, 2016	0
By Neil Armstrong
PRIDE Contributing Writer
MISSISSAUGA, Peel November 2, 2016 — The Peel District School Board (PDSB) is acting on a recently released report on the challenges facing black male students in its schools. It is planning to hold a stakeholder consultation before the winter break.
The report, "We Rise Together: Perspectives of Black Male Students in Secondary School – Understanding the Successes and Challenges," was completed in September and released by the board in October.
The purpose of the project was to dig deeper into the educational experiences and perceptions of black youth in the PDSB.
In an effort to better understand the experiences of black male students, a series of focus groups were conducted to capture their perceptions of school, identify the successes and challenges they encounter while in school, and explore factors that impact their engagement and success.
In an attempt to obtain a wide range of experiences, the focus groups involved both successful and struggling black male students n Grades 10-12 attending nine schools across the Region of Peel – 87 students in total.
The findings indicate that black students desire change to occur within their classrooms and their schools.
They suggested implementing culturally responsive and relevant curriculum, respectful and supportive school staff who hold higher expectations of them, programs that support academic and social success, and equal opportunities to participate in activities that align with their interests.
"In order to fully address these areas, it may be helpful to consult with various stakeholder groups in schools and throughout their communities. Such groups can include school staff; parents/guardians of black students; and local networks, agencies, and advocacy groups that represent and support black communities throughout the Region of Peel," says the report.
It said by sharing and discussing the focus group findings, and honouring the ideas of various stakeholder groups, "we can co-create a strong plan of action involving strategies and solutions designed to effectively address the academic, emotional, and social needs of black students in the Peel District School Board."
Suzanne Nurse, Vice-Chair of the Board and PDSB Trustee Brampton Wards 2 & 6, says
in order to create a more inclusive school system, the Board will be looking at four focus areas: "engage with the community, deliver bias-free and anti-racism professional development, integrate the experiences of Black Canadians into the curriculum, and inspire black student leadership and engagement."
Heeding the recommendation to co-create a strong plan of action to address the academic, emotional, and social needs of black students in the Peel District School Board, Nurse identified some possible participants.
"Some of the stakeholder groups the PDSB will partner with include the Black Community Action Network – Peel, United Achievers Club, United Achievers Community Services, Peel Association of African Canadian Educators, and United Way. This list is by no means exhaustive," she said.
The Board would like to hold the stakeholder consultation before the winter break. Timelines for activities under the other focus areas are currently being determined.
One of the things the students disliked about school is the "minimal acknowledgement of Black History Month."
The report said in some schools, the focus placed on Black History month is limited. "Examples include: (I) activities reflecting Black history are restricted to the end of the month, (2) Canadian Black history is not discussed, (3) only black students and black teachers help organize events and/or participate in the activities, and/or (4) teachers only focus on the contributions of Martin Luther King. Students also noted that Asian Heritage month receives far more attention by teachers and students than Black History month."
Asked how the PDSB acknowledges Black History Month, Nurse said every year the Board hosts a student-focused event at the central office to celebrate Black History Month.
"It is the expectation that individual schools will also celebrate Black History Month. I have seen schools create displays of student artwork, organize student lead assemblies, and welcome guest speakers as a way to celebrate the month," she said.
With regard to addressing this particular issue identified by the black male students, Nurse said: "Our focus area to integrate the experiences of Black Canadians into the curriculum, I believe, will help address this issue, not just regarding Black History Month, but throughout a student's public school experience."
Peel School Board Chair Janet McDougald.
One year ago, responding to matters arising from "VOICES of Ontario Black Educators: An Experiential Report" conducted by the Ontario Alliance of Black School Educators (ONABSE), Board Chair Janet McDougald said a gap analysis and report would be completed before the end of December 2015.
The VOICES report found that systemic anti-black racism was still entrenched in the education system "to the point where it not only hampers the hiring of black teachers, it also retains significant barriers in the promotion and advancement of black teachers, and has very serious repercussions within the classrooms."
At that time, the PDSB was also mulling over the United Way report, F.A.C.E.S. of Peel Collaborative – "Fighting an Uphill Battle: Report on the Consultation into the Well-Being of Black Youth in Peel Region."
Black youth in Peel reported feelings of isolation and marginalization in the public education system.
"It is our intention to review the reports and the recommendations in order to better understand what programs and interventions are already underway here in the Peel District School Board. Such a review is a standard part of what our equity-focused staff would do when such a report is issued," said McDougald in a letter last year.
On November 5, Professor Carl James, Jean Augustine Chair in Education at York University, will hold a community consultation on black student success at the head office of the PDSB in Mississauga.
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A law barring New York City food-service businesses and stores from using most Styrofoam products has gone into effect.
The Styrofoam ban is among more than a dozen new laws that went into effect on New Year's Day.
"The 60 million pounds of styrofoam New Yorkers throw away each year clog our landfills and fuel the petroleum economy destroying our planet," de Blasio said in a statement.
"We're ending this dirty practice so we can ensure a cleaner, fairer future for our children," he added.
The city is giving businesses a six-month grace period to adjust to the ban before it starts imposing fines for violations.
Small businesses that may be adversely affected by the ban can apply for "hardship exemptions" from the Department of Small Business Services, the mayor's office noted.


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2 comments on"Getting Started: Bluemix Native API Management on Cloud Foundry"
This looks great! I would like to use native API management on my cloud foundry application, but I'm using blue-green deployments using devops services. Every time a new green deployment of my app is created I need to reconfigure the API management. It will be impractical to manually do this each time I deploy as this could be many times per day. How can I configure native cf API management from a devops deploy script?
Thanks for the feedback! I agree with you that it is impractical to do it manually! We are in the process of shipping the CLI and soon after integrating with Toolchain to automate the process. Our goal is for GitHub to hold the swagger "source of record" and then when you update the swagger and push the change to the cloud, we automatically pick up the changes to the gateway. This is our first iteration and I will let you know when the updates are ready!


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Create and print labels from your mobile device when connected to a wireless network.
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Includes eight Deco Mode Patterns.
Prints one or two lines of text.
Uses Brother "M" tapes in a variety of colors and two widths - 9mm (~ 3/8") and 12mm (~ ½").
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Siren Furniture Limited was established in the year 2000 as a design house, importer and wholesaler of Upholstered Furniture to the UK market. Since then we have supplied furniture to a wide range of customers, from department stores, major home furnishing groups through to independently owned speciality furniture stores.
We design and manufacture a wide range of upholstered furniture, in a multitude of styles. To see a selection of the kinds of pieces we can produce, take a look at some of the ranges we have to offer.


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Q: Strange certificate message at the same(=identical) youtube url I get three different messages (see attached picture). Video is available for IE and Chrome. Most puzzling to me is that I have a private key of certificate for the server (IE version). I probably do not understand something.

A: Internet Explorer: Microsoft Family Safety is known to intercept SSL connecitons. That's why you see the certificate for google signed by Microsoft Family Safety and because the private key for the certificate is needed for SSL interception you see that the private key is available on the computer.
Firefox: Firefox uses the system proxy settings and thus is also subject to SSL interception. But Firefox does not use the systems CA store and thus the CA for Microsoft Family Safety is not trusted by Firefox. That's why you get the error.
Chrome: Chrome uses the systems CA store and should also use the systems proxy setting by default. But the picture shows that Chrome gets the original certificate. The only explanation I have for this is that this snapshot was either done on a different computer with different setup or that the settings of Chrome were changed so that it does not use the system settings any more.


text:
David Duguid MP welcomes rollover deal between UK and Canada
Banff and Buchan MP David Duguid has welcomed news that the UK has secured a vital rollover deal on a trading relationship with Canada worth £20billion.
Canadian President Justin Trudeau and Prime Minister Boris Johnson have agreed to continue on the basis of the existing EU-Canada arrangements.
Talks will begin next year on a new, bespoke trade deal between the two Commonwealth nations.
Last year, 814 businesses in Scotland exported goods to Canada worth £411million, including beef, whisky, salmon and other seafood.
This deal will ensure tariff-free trade in 98% of goods between the two countries.
The announcement means that in under two years, the UK Government has agreed trade deals with 53 countries, accounting for £164billion of UK bilateral trade.
Scottish Conservative MP for Banff and Buchan David Duguid said
David Duguid MP
This agreement is another positive step forward for the UK.
It avoids the imposition of tariffs on our goods exported to Canada and means that the price of Canadian products and materials that we import will not increase.
That will be very good news to the hundreds of Scottish companies that regularly export goods to Canada – particularly in the food and drink sector.
This agreement will also benefit those manufacturing businesses around the UK who import much of their raw material from Canada.
Overall, this agreement underpins £20billion worth of trade between the UK and Canada and provides certainty for thousands of jobs across the country.
The deal also paves the way for an improved trade agreement to be negotiated that will benefit both sides.
And it once again underlines the huge opportunities as we take our place as an independent trading nation outside of the EU.
Bad Brexit deal for Scotland
Filed Under: David Duguid MP, National News, Politics Published 24th November 2020 at 6:17 pm and Last Modified: November 24, 2020 at 6:17 pm


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Is Céline Dion Dating After René Angélil's Death?
It's been over a year since Céline Dion's husband René Angélil died after losing his battle to throat cancer, but has she been able to move on?
Dion shared with UK magazine The Sun, "I think I will probably grieve for the rest of my life."
When asked if she's ready to date, she said, "Now it is definitely too soon for me… I am definitely in love with him, married to him."
"He's the love of my life. It's very difficult for me to see myself with another person," Dion emphasized. "The love that I have for him, I live it every day. And as a woman, we do have emotions and feelings that come and go. And it's always with him."
René and Céline share three children together — René-Charles, Eddy, and Nelson. "I organize myself to not feel lonely. So I got myself a huge, huge, huge bed and I sleep with my twins. They are comforting me a lot. I need them. I need them close."
"We kiss him every night," Dion continued. "We have a little ritual where we say good night to him with a little picture. Then the kids talk to him. And they write words, put them in balloons and we send the balloons to the sky."
Dion also opened up about consulting with her late husband on recording a new song for Disney's live adaptation of "Beauty and the Beast." She said, "I went and found one of the paintings that one of the fans gave me of my husband and I said, 'Should I do this?' And the answer I got back — I don't want that to sound, like, ghostly or anything like that — but emotionally, what I got back from that was, 'You have nothing to lose.'"
#TrendingStories#CelebrityNews#CelineDion
How Céline Dion & Sons Are Coping One Year After René Angélil's Death
Why Céline Dion Was Scared to Perform When She Was Pregnant with Twins
Céline Dion Signs on as Gwen Stefani's Advisor for 'The Voice' Season 12


As a constitutionally/statutorily elected sheriff, I recognize and accept that I am given a special trust and confidence by the citizens and employees whom I have been elected to serve, represent, and manage. This trust and confidence is my bond to ensure that I shall behave and act according to the highest personal and professional standards. In furtherance of this pledge, I will abide by the following Code of Ethics.
I shall ensure that I and my employees, in the performance of our duties, will enforce and administer the law according to the standards of the U.S. Constitution and applicable state constitutions and statutes so that equal protection of the law is guaranteed to everyone. To that end I shall not permit personal opinion, party affiliations, or consideration of the status of others to alter or lessen this standard of treatment of others.
I shall establish, promulgate, and enforce a set of standards of behavior of my employees which will govern the overall management and operation of the law enforcement functions, court related activities, and corrections operations of my agency.
I shall not tolerate nor condone brutal or inhumane treatment of others by my employees nor shall I permit or condone inhumane or brutal treatment of inmates in my care and custody.
I strictly adhere to standards of fairness and integrity in the conduct of campaigns for election and I shall conform to all applicable statutory standards of election financing and reporting so that the Office of Sheriff is not harmed by the actions of myself or others.
I shall routinely conduct or have conducted an internal and external audit of the public funds entrusted to my care and publish this information so that citizens can be informed about my stewardship of these funds.
I shall follow the accepted principles of efficient and effective administration and management as the principle criteria for my judgments and decisions in the allocation of resources and services in law enforcement, court related, and corrections functions of my office.
I shall hire and promote only those employees or others who are the very best candidates for a position according to accepted standards of objectivity and merit. I shall not permit other factors to influence hiring or promotion practice.
I shall ensure that all employees are granted and receive relevant training supervision in the performance of their duties so that competent and excellent service is provided by the Office of Sheriff.
I shall ensure that during my tenure as sheriff, I shall not use the Office of Sheriff for private gain.
I accept and adhere to this code of ethics. In so doing, I also accept responsibility for encouraging others in my profession to abide by this Code.
Information included in this site is believed to be accurate, but is not guaranteed.
The McCracken County Sheriff's Department is not liable for errors or omissions.


text:
Q: Opening a .doc file, which is actually an HTML file, as a .doc file My software generates .doc files which are actually HTML files but with the ".doc" extension.
When I open them in Microsoft Office they open as a .doc file and the user does not know that it is actually an .html file.
However, when I open them in LibreOffice or OpenOffice they are opened as a text file showing the HTML markup.
How can I create a HTML file with a ".doc" extension that opens as a .doc file in LibreOffice?
Here is a sample of one of the files:
<!doctype html><meta charset="utf-8" /><title>" </title>
"
: 01.07.2018 - 31.07.2018

 :

(Please note that I use Hebrew UTF8 inside the files.)

A: Got it, thanks. Anyhow the problem was in the encoding. I started using Windows-1255 and all problems gone.
  $data = mb_convert_encoding($data, 'ISO-8859-8', 'UTF-8');

ISO-8859-8 and Windows-1255 are basically the same.


Git is fast, flexible, and a distributed version control system. In this session we will take a closer look at why you may want to consider Git, how to have a state-of-the-art setup on Windows, some useful commands, and some advanced workflows. In short, you will become a Git Ninja!


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Villamanín is een gemeente in de Spaanse provincie León in de regio Castilië en León met een oppervlakte van 176,25 km². Villamanín telt  inwoners ().

Gemeente in León

redpajama_set_name: RedPajamaWikipedia