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    <entry file="file://$PROJECT_DIR$/src/com/trabajavago/Main.java">
      <provider selected="true" editor-type-id="text-editor">
        <state relative-caret-position="0">
          <caret line="0" column="0" lean-forward="false" selection-start-line="0" selection-start-column="0" selection-end-line="0" selection-end-column="0" />
          <folding>
            <element signature="imports" expanded="true" />
          </folding>
        </state>
      </provider>
    </entry>
    <entry file="file://$PROJECT_DIR$/src/com/trabajavago/Tarea.java">
      <provider selected="true" editor-type-id="text-editor">
        <state relative-caret-position="408">
          <caret line="17" column="4" lean-forward="false" selection-start-line="17" selection-start-column="4" selection-end-line="17" selection-end-column="4" />
          <folding>
            <element signature="e#417#418#0" expanded="true" />
            <element signature="e#459#460#0" expanded="true" />
          </folding>
        </state>
      </provider>
    </entry>
    <entry file="file://$PROJECT_DIR$/src/com/trabajavago/Main.java">
      <provider selected="true" editor-type-id="text-editor">
        <state relative-caret-position="0">
          <caret line="0" column="0" lean-forward="false" selection-start-line="0" selection-start-column="0" selection-end-line="0" selection-end-column="0" />
          <folding>
            <element signature="imports" expanded="true" />
          </folding>
        </state>
      </provider>
    </entry>
    <entry file="file://$PROJECT_DIR$/src/com/trabajavago/Tarea.java">
      <provider selected="true" editor-type-id="text-editor">
        <state relative-caret-position="408">
          <caret line="17" column="4" lean-forward="false" selection-start-line="17" selection-start-column="4" selection-end-line="17" selection-end-column="4" />
          <folding>
            <element signature="e#417#418#0" expanded="true" />
            <element signature="e#459#460#0" expanded="true" />
          </folding>
        </state>
      </provider>
    </entry>
    <entry file="file://$PROJECT_DIR$/src/com/trabajavago/Main.java">
      <provider selected="true" editor-type-id="text-editor">
        <state relative-caret-position="240">
          <caret line="10" column="0" lean-forward="true" selection-start-line="10" selection-start-column="0" selection-end-line="10" selection-end-column="0" />
          <folding>
            <element signature="imports" expanded="true" />
          </folding>
        </state>
      </provider>
    </entry>
    <entry file="file://$PROJECT_DIR$/src/com/trabajavago/Tarea.java">
      <provider selected="true" editor-type-id="text-editor">
        <state relative-caret-position="344">
          <caret line="15" column="19" lean-forward="false" selection-start-line="15" selection-start-column="19" selection-end-line="15" selection-end-column="19" />
          <folding>
            <element signature="e#417#418#0" expanded="true" />
            <element signature="e#459#460#0" expanded="true" />
          </folding>
        </state>
      </provider>
    </entry>
  </component>
  <component name="masterDetails">
    <states>
      <state key="ArtifactsStructureConfigurable.UI">
        <settings>
          <artifact-editor />
          <last-edited>TrabajaVago:jar</last-edited>
          <splitter-proportions>
            <option name="proportions">
              <list>
                <option value="0.2" />
                <option value="0.5" />
              </list>
            </option>
          </splitter-proportions>
        </settings>
      </state>
      <state key="FacetStructureConfigurable.UI">
        <settings>
          <last-edited>No facets are configured</last-edited>
          <splitter-proportions>
            <option name="proportions">
              <list>
                <option value="0.2" />
              </list>
            </option>
          </splitter-proportions>
        </settings>
      </state>
      <state key="GlobalLibrariesConfigurable.UI">
        <settings>
          <splitter-proportions>
            <option name="proportions">
              <list>
                <option value="0.2" />
              </list>
            </option>
          </splitter-proportions>
        </settings>
      </state>
      <state key="JdkListConfigurable.UI">
        <settings>
          <last-edited>1.8</last-edited>
          <splitter-proportions>
            <option name="proportions">
              <list>
                <option value="0.2" />
              </list>
            </option>
          </splitter-proportions>
        </settings>
      </state>
      <state key="ModuleStructureConfigurable.UI">
        <settings>
          <last-edited>TrabajaVago</last-edited>
          <splitter-proportions>
            <option name="proportions">
              <list>
                <option value="0.2" />
                <option value="0.6" />
              </list>
            </option>
          </splitter-proportions>
        </settings>
      </state>
      <state key="ProjectLibrariesConfigurable.UI">
        <settings>
          <splitter-proportions>
            <option name="proportions">
              <list>
                <option value="0.2" />
              </list>
            </option>
          </splitter-proportions>
        </settings>
      </state>
    </states>
  </component>
</project>


The high-fidelity version of the ALERT prototype is now active. Click on the "View Prototype" button below for access. Please note that the prototype is password-protected. Please get in touch with the ALERT focal person within your agency (if any) to obtain the username and password. You can also send us a message request through the Contact page.
The current version of the ALERT prototype is a high-fidelity build with interactive elements. This is a level above the previous low-fidelity, static build using InVision that was developed in 2015. Some components of the prototype allow users to input data. The information you enter in the interactive elements of the prototype are only kept for that viewing session. Once you close the browser, the information will be deleted from the system.
Although this prototype version has interactive elements, not all components of the prototype are interactive. Some components are still static. The prototype is meant to simulate how the software is going to look and function, but not all of ALERT's intended software functionality will be simulated in the prototype.
We have also developed a version of the prototype that is customised for a particular agency (in this instance, UNOCHA). We would like to test if this level of customisation should be built into the system. If you would like to request access to the customised version of the ALERT prototype, please send us a message through the Contact Page.


text:
Chelsea Handler Is Quitting Her Netflix Show (Or Was She Canceled?)
By Mark Graham Twitter @unclegrambo Oct 18, 2017 at 9:16pm
Photos: NETFLIX ; Illustration: Dillen Phelps
After a turbulent 17 months helming Netflix's first ever talk show, Chelsea Handler is calling it quits. The feisty blonde comedienne took to Twitter this evening to announce that she has "decided not to return for another season of Chelsea" and, instead, "devote as much time as I can to becoming a more knowledgable and engaged citizen." (For what it's worth, The Hollywood Reporter is reporting that "the streaming giant has canceled its first talk show after a two-season run.")
Here's her statement in full:
pic.twitter.com/X4zEJXeDQY
— Chelsea Handler (@chelseahandler) October 18, 2017
The final episode of Chelsea Handler's popular E! talk show, Chelsea Lately, aired in August of 2014, after the vodka-soaked funny lady announced that she'd be taking her talents to Netflix in a $10 million deal. It took nearly two years for the show — an eternity in pop culture time — to make it back to the air; Chelsea first aired on May 11, 2016. It was fairly clear from the outset that things were not going well in front of the camera or behind the scenes; the first week of the show featured a vaguely racist incident involving one of her guests, and Chelsea fired her showrunner after just three weeks.
By the time fall rolled around, things had not improved. Decider's Scott Porch wrote at the time, "What's the problem with Netflix's Chelsea? Pretty much everything." The show rebounded a bit, creatively speaking, in the weeks before the presidential election, but Handler emerged after Trump's victory a bit of a broken person. She wept openly on her show, and struggled in her attempts to transform her show into a more politically woke affair (a la Sam Bee).
When Chelsea returned for its second season, the show was cut back from a thrice weekly affair to a single hour, and the show was derailed by a plagiarism scandal.
Fans of Chelsea, all is not lost. As part of her massive tweet, she announced that new episodes of her show will continue to stream on Netflix throughout the end of the year.
Watch Chelsea on Netflix

redpajama_set_name: RedPajamaCommonCrawl


text:
package org.esmerilprogramming.overtown.server;

import org.junit.Before;

public class PathHandlerMounterTest {

  private PathHandlerMounter mounter;

  @Before
  public void setUp() {
    mounter = new PathHandlerMounter();
  }

  // @Test
  // public void givenAEmptyListOfParameterTypesShouldDoNothing(){
  // CloverRequest request = mock(CloverRequest.class);
  // Class<?>[] parameterTypes = { };
  // Object[] parameters = new Object[ parameterTypes.length ];
  // String[] parameterNames = new String[ parameterTypes.length ];
  //
  // parameters = mounter.translateParameters( parameterNames, parameterTypes, request );
  //
  // assertSame( 0 , parameters.length );
  // }
  //
  // @Test
  // public void
  // givenAListOfParameterTypesThatContainsHttpServerExchangeShouldAddAHttpServerExchangeInstance(){
  // CloverRequest request = mock(CloverRequest.class);
  // HttpServerExchange exchange = new HttpServerExchange(null);
  // Class<?>[] parameterTypes = { String.class , HttpServerExchange.class };
  // Object[] parameters = new Object[ parameterTypes.length ];
  // String[] parameterNames = new String[ parameterTypes.length ];
  // when( request.getExchange() ).thenReturn(exchange);
  //
  // parameters = mounter.translateParameters( parameterNames, parameterTypes, request );
  //
  // assertEquals( null , parameters[0] );
  // assertEquals( HttpServerExchange.class , parameters[1].getClass() );
  // }
  //
  // @Test
  // public void
  // givenAListOfParameterTypesThatDoesNotContainsHttpServerExchangeShouldNotChangeTheParameters(){
  // CloverRequest request = mock(CloverRequest.class);
  // Class<?>[] parameterTypes = { String.class , String.class };
  // Object[] parameters = new Object[ parameterTypes.length ];
  // String[] parameterNames = new String[ parameterTypes.length ];
  //
  // parameters = mounter.translateParameters( parameterNames, parameterTypes, request );
  //
  // assertEquals( null , parameters[0] );
  // assertEquals( null , parameters[1] );
  // }
  //
  // @Test
  // public void
  // givenAListOfParameterTypesThatContainsCloverRequestShouldAddACloverInstanceToTheParameterArray(){
  // CloverRequest request = new CloverRequest( new HttpServerExchange( mock(ServerConnection.class)
  // ));
  // Class<?>[] parameterTypes = { String.class , CloverRequest.class , Object.class };
  // String[] parameterNames = new String[ parameterTypes.length ];
  //
  // Object[] parameters = mounter.translateParameters( parameterNames, parameterTypes, request );
  //
  // assertEquals( null , parameters[0] );
  // assertEquals( CloverRequest.class , parameters[1].getClass() );
  // }
  //
  // @Test
  // public void givenAListOfParameterTypesThatDoesNotContainsCloverRequestShouldDoNothing(){
  // CloverRequest request = mock(CloverRequest.class);
  // Class<?>[] parameterTypes = { String.class , String.class , String.class };
  // String[] parameterNames = new String[ parameterTypes.length ];
  //
  // Object[] parameters = mounter.translateParameters( parameterNames, parameterTypes , request);
  //
  // assertEquals( null , parameters[0] );
  // assertEquals( null , parameters[1] );
  // }

}

redpajama_set_name: RedPajamaGithub


text:
Please log in, or sign up for a new account and purchase a subscription, or activate your access, to continue reading.
Please purchase a subscription, or activate your access, to continue reading.
Clear skies. Low 23F. Winds NNW at 5 to 10 mph..
Clear skies. Low 23F. Winds NNW at 5 to 10 mph.
Baltimore County Executive Johnny Olszewski, Jr. spoke about Baltimore County's 2020 legislative agenda in Annapolis on Jan. 7.
featured top story
Baltimore County focused on education and public safety in 2020
By Mike Ursery mursery@chespub.com
ANNAPOLIS — Baltimore County Executive Johnny Olszewski, Jr. delivered remarks about the county's 2020 legislative agenda in Annapolis on Jan. 7.
This year's legislative agenda is focused on education and public safety, Olszewski said while standing at a podium before state lawmakers and reporters. Other priorities in 2020 will include opioid treatment and overdose prevention, expanding community parks and playgrounds programs, and environmental protections.
"We're all here today because we understand that as government leaders we have a responsibility to make investments and to take action to improve our communities," Olszewski said. "It's what our residents want and it's what they deserve."
"Over the past year, my team has been laser-focused on that mission."
Olszewski began with education, saying that education will always be a top priority for his administration. Last year, he said, he led the fight for additional state construction dollars for educators and school facilities.
Adrienne Jones, Speaker of the House of Delegates, and Bill Ferguson, incoming Maryland Senate President, both have made school construction the top priority for the Maryland General Assembly this year, Olszewski said.
"In Baltimore County, we have already put forth $242 million in shovel-ready construction projects," Olszewski said. "We can only move forward on those projects if the state's share of capital dollars are also moved forward. I'm confident that with our partners here, we can get the job done this year."
Olszewski said Baltimore County will continue to push for progress and create a better future for students in county schools. That means taking advantage of an opportunity presented by the Kirwan Commission.
"We're not waiting though, in Baltimore County," he said. "We're already making historic investments."
This year's budget includes $35 million above the required maintenance of effort, meaning teachers were able to receive pay raises, and more than 100 teachers and 50 additional school support personnel were hired, he said.
The Kirwan Commission was created by the Maryland General Assembly in 2016 to make recommendations on how to prepare students for college and the workforce. The commission is named after its chairman, William E. "Brit" Kirwan.
The Kirwan Commission recently presented several recommendations, including increasing the standards to become a teacher and raising teachers' salaries, offering job training to students immediately after graduation and creating an accountability program to ensure money is spent the way it is intended.
"While we know this is an important first step, we know it's just the beginning," Olszewski said. "We're going to keep doing more. That's why I'm committed and it's part of our agenda this year to see the principles that Kirwan implemented. I look forward to working with our legislators to find ways to make that happen."
Olszewski said that keeping communities safe is one of the most important responsibilities of local governments. He said that Baltimore County is taking concrete steps to combat violent crime, but crime is a regional problem, he said.
Olszewski touched on the Warrant Apprehension Task Force and the Regional Auto Theft Task Force, citing both as examples that have brought positive results to both Baltimore City and Baltimore County. While they have been successful, they have been underfunded, he said.
"This year, we're proposing a state-funded matching program for inter-jurisdictional law enforcement programs just like these," he said. "By expanding our regional efforts, we can make the county and the entire region much safer."
Baltimore County will continue the fight against the opioid epidemic, Olszewski said. The county had the second highest number of overdose-related deaths in Maryland in 2018, he added.
Last year, with the help from the Johns Hopkins School of Public Health, Olszewski's administration created a work group to make recommendations to fight the opioid epidemic, he said, which included adopting the Hub and Spoke Program in Vermont.
The Hub and Spoke Program, according to Vermont's official state website, is system of Medication Assisted Treatment, supporting people in recovery from opioid use disorder. At over 75 local Spokes, doctors, nurses, and counselors offer ongoing opioid use disorder treatment fully integrated with general healthcare and wellness services.
"This year, I'm asking for state funding for a pilot program to implement this in Baltimore County," Olszewski said. "Integrating substance abuse treatment with general health care and wellness services, because we know we can treat addiction and save lives."
Olszewski said that while these are the main priorities in 2020, his administration and the Baltimore County Council will tackle other important agenda items. One of those items is working to expand Maryland's Community Parks and Playgrounds Program, so that counties without municipalities, such as Baltimore County, can participate.
Another agenda item is to increase protections under the state's Move Over Law, similar to that of Virginia. Another is banning the use of PFAS, toxic chemicals found in firefighting foam, during training exercises.
"These chemicals have been linked to the contamination of water sources and cancerous diseases," Olszewski said.
The last items Olszewski touched on were securing $5 million annually from the state for a recently established community program fund that will provide assistance to local jurisdictions for community development projects, and passing legislation to allow traffic cameras to monitor illegal truck traffic.
"This agenda is focused on making government work better for every resident in Baltimore County," Olszewski said. "These critical investments in our schools, our neighborhoods and our communities will make a difference for this generation and the next."
Henrietta Lacks' grandson to publish untold story about her life


text:
package com.shipdream.lib.android.mvc.samples.note.model.dto;

import org.parceler.Parcel;

@Parcel
public class Note {
    long id;
    String title;
    String content;
    long updateTime;

    public long getId() {
        return id;
    }

    public void setId(long id) {
        this.id = id;
    }

    public String getTitle() {
        return title;
    }

    public void setTitle(String title) {
        this.title = title;
    }

    public String getContent() {
        return content;
    }

    public void setContent(String content) {
        this.content = content;
    }

    public long getUpdateTime() {
        return updateTime;
    }

    public void setUpdateTime(long updateTime) {
        this.updateTime = updateTime;
    }
}


text:
Q: javascript - Reduce huge array list to make it more readable I have a huge array with  list of variables going from 1 to 90 and it's really dirty and makes the js file little redable.
How can I clean it/factorize ? I tried some ways but it did not work. It's important to understand that below, all the i18nrotatingKw11/2... are not strings, they're variables.
const rotatingKwsListArr = [i18nrotatingKw1,i18nrotatingKw2,i18nrotatingKw3,i18nrotatingKw4,i18nrotatingKw5,i18nrotatingKw6,i18nrotatingKw7,i18nrotatingKw8,i18nrotatingKw9,i18nrotatingKw10,i18nrotatingKw11,i18nrotatingKw12,i18nrotatingKw13,i18nrotatingKw14,i18nrotatingKw15,i18nrotatingKw16,i18nrotatingKw17,i18nrotatingKw18,i18nrotatingKw19,i18nrotatingKw20,i18nrotatingKw21,i18nrotatingKw22,i18nrotatingKw23,i18nrotatingKw24,i18nrotatingKw25,i18nrotatingKw26,i18nrotatingKw27,i18nrotatingKw28,i18nrotatingKw29,i18nrotatingKw30,i18nrotatingKw31,i18nrotatingKw32,i18nrotatingKw33,i18nrotatingKw34,i18nrotatingKw35,i18nrotatingKw36,i18nrotatingKw37,i18nrotatingKw38,i18nrotatingKw39,i18nrotatingKw40,i18nrotatingKw41,i18nrotatingKw42,i18nrotatingKw43,i18nrotatingKw44,i18nrotatingKw45,i18nrotatingKw46,i18nrotatingKw47,i18nrotatingKw48,i18nrotatingKw49,i18nrotatingKw50,i18nrotatingKw51,i18nrotatingKw52,i18nrotatingKw53,i18nrotatingKw54,i18nrotatingKw55,i18nrotatingKw56,i18nrotatingKw57,i18nrotatingKw58,i18nrotatingKw59,i18nrotatingKw60,i18nrotatingKw61,i18nrotatingKw62,i18nrotatingKw63,i18nrotatingKw64,i18nrotatingKw65,i18nrotatingKw66,i18nrotatingKw67,i18nrotatingKw68,i18nrotatingKw69,i18nrotatingKw70,i18nrotatingKw71,i18nrotatingKw72,i18nrotatingKw73,i18nrotatingKw74,i18nrotatingKw75,i18nrotatingKw76,i18nrotatingKw77,i18nrotatingKw78,i18nrotatingKw79,i18nrotatingKw80,i18nrotatingKw81,i18nrotatingKw82,i18nrotatingKw83,i18nrotatingKw84,i18nrotatingKw85,i18nrotatingKw86,i18nrotatingKw87,i18nrotatingKw88,i18nrotatingKw89,i18nrotatingKw90];

A: All the variables declared with var in global scope are present in window object. You can access them using Bracket Notation. Below is example with 3 variables

var i18nrotatingKw1 ="something 1";
var i18nrotatingKw2 = "something 2"
var i18nrotatingKw3 = "something 3"

let arr = Array(3).fill().map((x,i)=>window[`i18nrotatingKw${i+1}`])
console.log(arr);

A: Assuming you can't simply store the values of i18nrotatingKw1/... in an array to begin with, or declare them as properties of an object, remember that variables declared with var are hoisted to the variable object of the execution context. For example if you have in a JavaScript document:
var test1 = 'first'
var test2 = 'second'

then
console.log(this['test1'])

results in logging 'first'
You can use this to iterate over the number postfix in your variable names.

A: The workaround solution is using eval()
For instance:
var evalString = 'const rotatingKwsListArr = ['

for (var i = 1; i <= 91; i++) {
  evalString += 'i18nrotatingKw' + i + ','
}

evalString = evalString.slice(0, -1) + '];'

eval(evalString)

From MDN: The eval() function evaluates JavaScript code represented as a string.

redpajama_set_name: RedPajamaStackExchange


text:
INTERVIEW: Richard Dawson
As the Greatest Living Geordie© prepares to release perhaps his most ambitious record yet, Lee Fisher asked him about language, technology and clavigers
By Lee Fisher on Friday, November 11th, 2022
Image by Kuba Ryniewicz
This is an extended version of the interview that appeared in the November edition.
Interviews with Richard Dawson end up as wonderful, free-flowing conversations that are, to be frank, a fucker to squeeze into a NARC. interview. We were ostensibly discussing The Ruby Cord, his seventh album and the final part of a putative trilogy that also includes Peasant and 2020, with the new album taking us into a version of the future, but one that's seen through the prism of video games and fantasy. As with Peasant, one of the striking things about the album – and about the mammoth 40-minute opening track The Hermit – is that Richard clearly loves language and have a love for archaic or obscure words. Words like clavigers and mantuas and cobles.
So firstly, I wondered if loving a particular word encourages an image or whether the image requires you to use the best word you can find?
"Peasant afforded a good opportunity to use all kinds of old language, even though it wouldn't really have been spoken at all and it's really not recognizable. But with this one I was thinking about a place where people would have access to information at the blink of an eyelid. it makes sense that that's gonna really change our language, that we might be able to use a lot of words. And so it allowed me to open up this possibility of using a more technical language. I always have this thing of like, 'what would the person in the song use? What would they think?' Most of the time you wouldn't think something like 'interstix', for instance. You would just think 'the bit between my toes' or whatever. But because you'd have instant access, you can use a technical term, you can describe it. So there's a good reason for using this kind of language.
"I mean, we could talk about this all day, it's one of my favourite topics. A word has its first meaning, but then it has the meaning that comes from the sound or any similarities it bears to other words. Like, when you meet a person and they remind you of someone else, you can't really ever quite separate them from that person they remind you of. I think it's the same with words: there's the real meaning, the sound meaning and the visual meaning.
"Sometimes we have the idea that words are about pinning down something or that the word is the thing. But they never are. It can be very blurry, and we see it with what happened to the word 'woke'. Now 'woke' is quite crisp. Its meaning now has changed, but for a while it was incredibly blurry. And I love the combination of a word with melody and how that can also change the meaning of both the word and the melody. So there was this chance to really push the language, it's descriptive of the kind of information overload and this overlapping of different styles of language as well. It helps describe the overlapping of different environments. The writing on 2020 was very unflowery and there was no place for anything like this because It just wouldn't serve the people in the songs. But if it's a video game or alternate reality and you are interacting with this world and you don't know what that thing's called, a digital click or whatever is gonna give you the very precise term that you wouldn't have an everyday conversation perhaps. And it could even be wrong as well. There's some details in the album which could never actually happen or coexist. They could seem impressive, but actually they might be wrong in a certain situation."
So have you been a big reader? And do you read lot of fantasy?
I don't read as much as I would like to. After I'd finished writing this album, I read all the [Ursula LeGuin] Earthsea books. Really beautiful. And I read the Vorrh novels before I started writing the album, by Brian Catling who sadly died recently. I don't know a lot about fantasy. What, what else? Some Arthur C Clarke and Frederick Pohl."
Nev Clay had mentioned that you'd recommended Michel Faber's Book Of Strange New Things to him.
"There's nothing else like that book. Even if it were a bad book, which it's not by any means, but it was something new, then it would still be great, you know?"
So is writing a novel something you could see yourself doing in the future?
"I would love to, I think more and more how much I would love to do that. But I always, simultaneously think I might not be able to do that very well. It's like the opposite of songwriting and I'm trying to go further with my songwriting. I just think there's such good writers out there and I feel like I'm some distance along the road with making songs. I put a lot of work into that and if I've still got further to go, then I should do that. Thinking about Michel Faber, I've been reading Thomas Pynchon in the last year or two, and Iris Murdoch, and you just read these things and go 'This is so, so good.' And I think I would just be pouring mucky water around the edge of the well. To me, when you come across a great book, it just seems so unfathomable and it's like the most incredible thing that a human could make, even more than a film, which I know is technically a bigger endeavour, but I sort of could grasp the different parts of how you'd make a film."
Speaking of films, The Hermit is being released with a '40-minute pop video' which doesn't seem like an obvious move.
"I think it was just a kind of perverse thing really. I just thought 'well, that should be the single'. Everything seems to be moving faster and faster these days, with TikTok or YouTube. People digest music on Spotify with advert breaks actually in the middle of songs now. So I like the idea of this contradiction of making a pop video for a very long song."
The Hermit might be the most beautiful thing you've done yet, especially the gently choral section towards the end. Nev [Clay, who recorded it alongside Cath & Phil Tyler, Yakka Doon and Hen Ogledd bandmates among others] told me the whole session felt very emotionally charged, something very special. Did it feel that way for you?
"I think when I was making it felt good. I think I've had that sensation a few times before, particularly doing some things on Peasant. And when I did the vocal for Jogging, I had the same feeling of 'this feels a like a lot!'. It's so nice to have friends come in the studio. Because it's quite a gentle part of the song as well, it was like doing a group meditation or something."
Rhodri [Davies – harpist, composer, Hen Ogledd member] is all over The Hermit and it sounds like he's playing a kora, or is that just a playing style?
"It's a full-size pedal concert harp, but obviously he uses extended techniques to get different kinds of sounds from them. He's bringing in a lot of different music, from Ethiopian and Celtic influences and beyond. So there's a lot that's going into his playing and he's got a lot of choices that he can make in the moment as well."
When you're recording, do you ever consider how you're going to perform it live? Does it ever affect your intentions?
"I think I thought about it after it. But not so much, 'how are we going to do it?'. It's more like 'how will that be received?' Towards the end of the 2020 gigs when we were doing the trio, they felt almost like rock concerts and it was kind of exciting, but I don't really don't wanna go down that road. So this is sort of the opposite of that, and we need to just choose the venues carefully. I won't be able to do as great a range of different types of shows as I've been doing the last few years with this new material. But you can't let this stop you doing things. I mean, I hope people will enjoy it but I could imagine people might come to a concert and be disappointed because they might want to hear the uptempo 2020 stuff."
Another song I wanted to ask you about what Horse & Rider, which closes the album. For me it somehow calls to mind a particular kind of rousing school hymn, something religious but patriotic like When A Knight Won His Spurs. Is that just in my head?!
"This tune's been kicking about for a while and I've tried recording it in various guises, but it was never the right thing. I even tried to get it on Glass Trunk. I just haven't been able to shake off the melody of it. But then it just came together really easily for this one. I like that it has the appearance of being this uplifting, rousing, carefree, happy song. But I think with the album that's come before, it's sort of not, We already know that things aren't necessarily how they seem. So I like that, it's not just a carefree, happy ending or anything like that, it's not so clear."
I wanted to ask about Circle – that Boiler Shop gig was absolutely phenomenal and you were clearly living your best life up there. So will there be any more from that collaboration?
"Well I've been over there a few times this year for gigs, and we've had a few recording session. At the last one, I think we felt like we've got underway, but it'll be a long time. I've got a lot of stuff to do before, so we'll just approach it very slowly. And hopefully keep going after that."
The way they accepted you into their band – not just letting you be in the Big Circle Pyramid onstage but with the whole project – speaks to a generosity and flexibility, and obviously you bring something powerful to their music.
"Yeah, they're really very amazing people, and just so welcoming, and it's just really easy. Very natural, working together. But I think we probably just felt that from listening to each other's music so it wasn't really a surprise! I really love the guys and I really miss them. I don't wanna speak for them, but I feel like it's just so nice to make music together and as long as it makes sense, we'll do it."
Richard Dawson releases The Ruby Cord via Weird World/Domino on 18th November. The Hermit film tours selected cinemas throughout November, including a screening and Q&A at Newcastle's Star & Shadow on Thursday 17th November.
.@AliWelford navigates the mass of gigs taking place throughout the region celebrating the 10th anniversary of Inde… https://t.co/0RVxuksAtD
.@TracksDarlo's literary-themed musical evening, HARK!, returns to Darlington's @HashBarKitchen and features… https://t.co/LGmHF6LeOt
TRACK REVIEW: On @itsmccormick's new single, Niamh Poppleton discovers upbeat guitar melodies and lyrics which disc… https://t.co/LJccFj20Hd
Matt Young speaks to Aaron Duff about @HectorGannet's poetic new album https://t.co/RFJCsLO950
Matt Young speaks to Aaron Duff about @hectorganne
Feature: A Look Back On 2022 – Lee Fisher
ALBUM REVIEWS: Stick In The Wheel, Shovel Dance Collective & Black Ox Orkestar
ALBUM REVIEW: Caitlin Rose – Cazimi
ALBUM REVIEW: James Johnston & Steve Gullick – Everybody's Sunset
NEWS: Gnod @ The Lubber Fiend
NEWS: Divide & Dissolve @ Star & Shadow Cinema
INTERVIEW: Jumpin' Hot Club 37th Anniversary
LIVE REVIEW: BCUC, Kay Greyson @ Cobalt Studios, Newcastle (23.10.22)
LIVE REVIEW: PJ Harvey @ Fire Station, Sunderland (27.10.22)
INTERVIEW: Brave Exhibitions
NEWS: ME ME ME present: William Basinski & Bed Wetter @ Sage Gateshead


Shirley Yan's research is geared toward unraveling the cellular and molecular basis of neurodegeneration and devising therapeutic strategies to hamper the processes that cause neuronal death. Yan's Lab was the first to identify the specific cellular targets (RAGE, receptor for advanced glycation end product; ABAD, amyloid binding alcohol dehydrogenase, and cyclophilin D) of amyloid-beta peptide (Aβ) and to find evidence of Aβ-mediated neuronal stress. We have developed a novel transgenic mouse model relevant to the pathogenesis of neurodegenerative diseases including Alzheimer disease (AD), multiple sclerosis, and Parkinson disease. Through analyses of genetically manipulated AD-type mouse models, we have elucidated new insights into cellular and molecular mechanisms underlying the pathogenesis of AD. All of our findings indicate that cell surface RAGE and intracellular proteins such as ABAD or cyclophilin D service as cellular co-factors for promoting Aß-mediated neuronal toxicity relevant to Alzheimer's disease. In the future, we may blockade these targeted proteins as a novel therapeutic approach in the treatment of Alzheimer's disease.
Mitochondrial dysfunction is a hallmark of AD. Following up on their studies, Yan and her research team were the first to find that Aβ progressively accumulates in the mitochondria of brains from AD patients and transgenic AD-type mouse model. Accumulation of Aβ in mitochondria was associated with mitochondrial dysfunction. The interaction of mitochondrial Aβ with its binding protein exaggerates mitochondrial and synaptic dysfunction. These studies provide new insights into mechanisms of Aβ-mediated mitochondrial toxicity causing neuronal damage relevant to AD and open new avenues for the treatment of AD. Recently, Yan's group has provided substantial evidence of mitochondrial abnormalities directly linked to synaptic dysfunction. These studies have been highlighted in globally leading journals including Nature, Nature Medicine, Science, and PNAS. Yan's research has been supported by the grant from the National Institutes of Health and other foundations since 1995. Yan's research clearly advances our understanding of mechanisms through which Aβ induces cellular stress. Her work could lead to new therapeutic strategies for AD.
Yan also has expertise in cellular and molecular mechanisms of ischemia-induced cardiac and cerebral injury, autoimmune disease such as EAE (experimental autoimmune encephalomyelitis) animal model relevant to multiple sclerosis, and Parkinson disease. Recently, we are working on a project related to tumor pathogenesis. She has been a keynote speaker at multiple international professional scientific meetings. She is an active member of multiple scientific review committees for neurodegenerative disease of the National Institutes of Health (NIH), VA merit grant, Alzheimer Association, and other foundation grants. Yan's laboratory has been collaborating with research scientists from Japan, Germany, Italy, and England, in addition to the United States.
Shirley Yan's research focuses on investigating the cellular and molecular mechanisms of cellular stress and survival in neurodegenerative disorders relevant to Alzheimer's disease (AD) and Parkinson disease. She has first identified the specific cellular targets (RAGE, receptor for advanced glycation end product; and ABAD, amyloid binding alcohol dehydrogenase) of amyloid-beta peptide (Aβ) and found the evidence of Aβ-mediated neuronal stress. She developed a novel transgenic mouse model relevant to AD and tested the role of RAGE and ABAD in Aβ-mediated cellular perturbation in those AD type mouse models. She was the first to describe the RAGE and ABAD as the functional binding proteins for Aβ. Yan and her research team are the major group investigating these paradigms. Yan and her research team have provided evidence that cell surface molecule (RAGE) and mitochondrial enzyme (ABAD) serve as cofactors for promoting and exaggerating neuronal and mitochondrial toxicity in an Aβ-rich environment.
Mitochondrial dysfunction is a hallmark of AD. Yan and her research team have followed up their studies and first found that Aβ progressively accumulated in mitochondria of brains from AD patients and transgenic AD-type mouse model. Accumulation of Aβ in mitochondria was associated with mitochondrial dysfunction. ABAD directly linked to mitochondrial toxicity induced by Aβ. These studies provide new insights into mechanisms of Aβ-mediated mitochondrial toxicity causing neuronal damage relevant to AD and open new avenue for treatment of AD. Recently, Yan's group have provided substantial evidence of mitochondrial abnormalities directly link to the synaptic dysfunction which is an early feature in the AD pathogenesis. These studies open new avenue for therapeutic strategy of AD. As stated by the committee of my NIH grant review, Yan is a pioneer in the studies RAGE/ABAD and their roles in an Aβ-induced mitochondrial and neuronal perturbation of AD. She is a highly regarded and world-wide leader in the field of AD neuropathogenesis and has made very important contributions to the AD field. Her research projects are very innovative. Yan and her research team are the major group investigating these paradigms (RAGE/ABAD, mitochondria and pathogenesis of AD).
These studies have been highlighted in world-wide leading Journals including Nature (2 papers), Nature Medicine (10 papers), Science, PNAS, and other professional leading Journals. The paper on CypD (Du et al., Nature Medicine, 2008) was ranking top#3 of hot papers in Alzheimer's disease research in year 2008-2010 (http://www.timeshighereducation.co.uk/story.asp?sectioncode=26&storycode...). She is a keynote speaker at multiple international professional scientific meetings and member of scientific review committee. Her research projects are continuously supported by NIH. She has received grant award from NIA [Program Project Grant since 2000, a total of $14 million for 10 years period (07/01/2000-06/30/2012)] to continually support her research on aging and Alzheimer's disease. Her work clearly advances our understanding of mechanisms through which Aβ induces cellular stress and moves AD field forward. Her work could lead to new therapeutic strategies for AD. In addition, results generated from our studies have been patented or filed for the patent applications. RAGE antagonists are in the clinical trial (phase II). Based on her exceptional outstanding research and track record of publication, she has recently received extraordinary MERIT (Method to Extend Research in Time) award (R37) from NIA. MERIT award is one of the most prestigious awards presented by the NIH and provide long-term support to exceptional outstanding and experienced investigators who contributes significantly to the research field. MERIT awards enable scientists who have impressive track records of scholarship and productivity to have long-term sustained funding without the time and effort of seeking competitive grant renewal.
Research conducted in my laboratory is geared toward unraveling the cellular and molecular basis of neurodegeneration and devising therapeutic strategies to hamper the processes that cause neuronal death. To this end, we have focused our research efforts on the transgenic animal model of Alzheimer's disease. We have developed a novel transgenic mouse model relevant to the pathogenesis of AD, such as transgenic mice expressing both mutant form of human APP and RAGE or ABAD targeted to neurons, smooth muscle cells, endothelial cells, respectively, and deletion of ABAD gene. Those novel transgenic AD-type mouse models greatly benefit the scientific AD communities. Some of these transgenic mouse models have been listed in the Double-cross research models of Alzheimer Research Forum (http://www.alzforum.org/res/com/tra/double-cross/default.asp).Through analyses of genetically manipulated AD-type mouse models, we have elucidated new insight into cellular and molecular mechanisms underlying the pathogenesis of AD.
Yan also has an expertise on cellular and molecular mechanisms of ischemia-induced cardiac and cerebral injury, autoimmune disease such as EAE (experimental autoimmune encephalomyelitis) animal model relevant to multiple sclerosis, and Parkinson's disease. Those studies are supported by NIH and other foundation grants.
She received the Zenith Fellow Award from the Alzheimer's Association in 2005. The Zenith Fellow Award only gives an established independent investigator who has contributed significantly to the field of Alzheimer's disease research. She is an active member of multiple scientific review committees for neurodegenerative disease of National Institute of Health (NIH), VA merit grant, and other foundation grants.
Her Laboratory has been collaborating with research scientists from Japan, Germany, Italy, Saudi Arabia, and United Kingdom, in addition to United States.


text:
Poland aims to boost tourism at Hitler's WWII lair
Polish authorities said Monday they plan to boost tourism at Nazi German dictator Adolf Hitler's "Wolfsschanze" (Wolf's Lair), which ended up on their territory after post-war border changes. (AFP)
Published Tuesday, January 24, 2012
Polish authorities said Monday they plan to boost tourism at Nazi German dictator Adolf Hitler's "Wolfsschanze" (Wolf's Lair), which ended up on their territory after post-war border changes.
Artur Kurek, a senior official of the Polish forestry office, told AFP it would invite tenders to run the 250-hectare (618-acre) site of Hitler's former command headquarters near Ketzryn in northern Poland.
"The new contract will include clauses obliging the management to draw children, as much as history buffs," said Kurek, whose office is in charge of the tendering terms.
"We don't want tourists to be coming just for a couple of hours," he added.
Lying overgrown in a forest, the ruined concrete bunkers offer a chilling reminder of World War II, when Hitler turned his darkest dreams into reality.
The Wolfsschanze served as his command complex for much of the war, and is best known as the site of the failed July 1944 bomb plot against him by members of the German military.
It was located in East Prussia, a region awarded to Poland under the border changes that followed the Nazis' crushing 1945 defeat.
The Polish state opened it to the public as a testimony to the Nazis' crimes. In 1993, four years after the fall of Warsaw's communist regime, the authorities devolved the management to Polish investors.
The site currently draws between 180,000 and 200,000 visitors a year, but officials estimate that a seven-million-zloty (1.6-million-euro, $2.0-million) upgrade could raise the number by 20 percent.
The Wolfsschanze was the largest of 10 command bases used by Hitler across Germany and occupied Europe after World War II began with the Nazi and Soviet carve up of Poland in September 1939.
It was from here that he steered the brutal Nazi assault on the Soviet Union after turning on his erstwhile ally.
He arrived at the site on June 24, 1941, two days after the attack began. He left only on November 20, 1944, as the Soviets rolled back his forces.
In early 1945, as Soviet troops edged ever closer, German sappers used around 10 tonnes of explosives per bunker to try to destroy the site.


text:
Mark Moebius (* 8. September 1973 in Summit, New Jersey, USA) ist ein deutscher Komponist.

Leben
Mark Moebius wurde 1973 in New Jersey, USA geboren. Nach der schulischen Ausbildung nahm er 1994 bis 1997 sein Kompositionsstudium bei Hans Zender an der Hochschule für Musik und Darstellende Kunst in Frankfurt am Main auf. Anschließend schloss sich ein Aufbaustudium bei Hans-Jürgen von Bose an der Musikhochschule München an. Seit 2006 lebt er als freischaffender Komponist in der Uckermark.

Kompositionsaufträge erhielt er (u. a.) vom Land Rheinland-Pfalz, dem Münchener Kammerorchester, dem Herrenhaus Edenkoben, dem Theater und Philharmonischen Orchester Heidelberg, dem Theater Bielefeld, sowie der Akademie der Künste, Berlin.

Stipendien und Auszeichnungen
 Erster Preis beim Günter Bialas Kompositionswettbewerb (1999)
 Postgraduiertenstipendium des Freistaates Bayern (2000/01)
 Opernwerkstatt Rheinsberg (2002)
 Stipendiat des Herrenhaus Edenkoben (2003)
 Stipendiat der Konrad-Adenauer-Stiftung (2005)
 Stipendiat der Akademie-Musiktheater-Heute der Deutsche-Bank-Stiftung (2006–2008)
 Komponist für Heidelberg des Theaters & Orchesters Heidelberg (2007/2008)
 Arbeitsstipendium des Landes Brandenburg (Schloss Wiepersdorf)

Werke
Seit seiner Begegnung mit seinem Lehrer Hans Zender arbeitet Mark Moebius an einer "Neuen Harmonik". Anders als Hans Zender geht es ihm aber nicht um eine noch größere Unterteilung des zwölftönigen Oktavchromas in ein zweiundsiebziges Oktavplasma, hingegen versucht er das Hörbewusstsein für entferntere oberton- wie untertonreihige Klanggebilde zu verfeinern. Damit hebt er das Schönberg'sche Verdikt auf, dass höherzahlige Obertöne nur entferntere Dissonanzen seien, die man einfach zwölftönig zu emanzipieren habe. Es geht ihm vielmehr um ein harmonisches Verständnis dieser höherzahligen Obertöne: Gerade weil sie ihren definierten Platz haben, müssen sie nicht "befreit" werden, sondern sind konstituierend für ein allgemein neu belebtes Harmonieverständnis. Dass Obertöne nicht nur zu statischen Kompositionen taugen, sondern auch szenisch-dramatische Architekturen tragen können, bewies Mark Moebius durch seine Opern Polarlicht, Idilia Dubb und Pinienkerne wachsen nicht in Tüten. Seit jüngster Zeit entwickelt Moebius eine Art "fraktales" Komponieren, indem er meist einfache Elemente (oder "Motive") in ihre konstituierenden Bestandteile zerlegt (Bewegung, Rhythmus, Tonhöhen, Harmonik etc.) und sie einer kontinuierlichen Mutation unterzieht, die durch allmähliche Änderung der musikalischen Parameter hervorgerufen wird.

Die Werke von Mark Moebius erscheinen in der Edition Peters.

Bühnenwerke
 Polarlicht (Opernwerkstatt Rheinsberg, 2004)
 Idilia Dubb (Koblenz, 2005)
 Pinienkerne wachsen nicht in Tüten (Text: Paula Fünfeck), UA: 25. November 2007, Theater & Orchester Heidelberg
 Helges Leben. Oper (zusammen mit Karola Obermüller). Libretto: ? (nach Sibylle Berg). UA 31. Mai 2009 Bielefeld (Theater)
 Immer mit dem Strom Kinderoper. (Haus Quillo, Falkenhagen, Uckermark)

Orchesterwerke
 Sinfonie (2000)
 Achromatic Point für Streichorchester (2005)
 Portrait of a Business Woman für Klavier und Orchester

Kammermusik
 3. Streichquartett Akrostichon (2000)
 Zwei neue Fantasiestücke für Violoncello und Klavier (2002)
 Streichtrio (2003)

Weblinks

Würdigung des Komponisten auf der Homepage des Herrenhaus Edenkoben

Komponist (Deutschland)
Komponist klassischer Musik (21. Jahrhundert)
Komponist (Oper)
Absolvent der Hochschule für Musik und Theater München
Geboren 1973
Mann
Deutscher
Person (Konrad-Adenauer-Stiftung)

redpajama_set_name: RedPajamaWikipedia


text:
Q: return specific items in json object using bash I'm trying to take a json response (from a curl command and jq installed on my linux comp) with multiple objects, and edit each one with a for loop. The problem is I don't understand how to take each {} and convert them into separate objects. For example, my json response is:
{
  "Name": "testuser1",
  "Username": "testuser1",
  "Url": "www.test1.com"
}
{
  "Name": "testuser2",
  "Username": "testuser2",
  "Url": "www.test2.com"
}

Ideally, I want to refer to each by a number. For example "echo $item | jq '.Name[0]'" for the
{
  "Name": "testuser1",
  "Username": "testuser1",
  "Url": "www.test1.com"
}

When I run the command above i get the following error.
jq: error (at <stdin>:1): Cannot index string with number

I would like to run a forloop for each object.

A: You need to do two things: one, use the -s option so that each separate object becomes an element of a single array. Two, you are trying to index the Name, instead of accessing the Name attribute of an array element.
$ jq -sr '.[].Name' tmp.json
testuser1
testuser2

If you wanted to refer to a specific element of the stream, you could:
$ jq -sr '.[1].Name' tmp.json
testuser2

With that (and assuming none of your names will contain newlines), a proper loop would look like
while IFS= read -r name; do
    ...
done < <(jq -sr '.[].Name' tmp.json)

A: To select only the first name, you need to do the indexing before trying to go into the Name element:
jq -rs '.[0].Name'

By contrast, for a loop, the while read approach given by @chepner's answer is indeed appropriate.

A: jq is stream-oriented, so if you want to perform some operation on each object, then it might be sufficient to define that operation in jq, and let jq handle the stream without further ado.
If for some reason you need the index of each item in the stream, then you can avoid the -s option if your jq has inputs (as does jq 1.5).
(Avoiding the -s option saves memory.)
The following assumes that your jq does have inputs; that indexing is 0-based; and that jq is invoked with the -n option.
Generating an index
foreach inputs as $input (-1; .+1; [., $input])

This will produce a stream of [INDEX, ITEM] arrays. You can then tack on further jq filters using jq's pipe operator (|).
Selecting the i-th item from a stream of JSON entities.
For the sake of illustrating a suitable method for invoking jq, let's suppose the stream of JSON entities comes from curl COMMAND, and that we want the second item (that is, with index 1).
Invocation
curl COMMAND | jq --argjson i 1 -n -f program.jq

(Note the -n command-line option!)
program.jq
def get($i):
  label $done
  | foreach inputs as $input (-1; .+1;
      if $i == . then $input, break $done else empty end);

get($i)


text:
Our Properties ⇘
910-916 N. 19th Street
1500 & 1600 Ogden St
16th & Girard Avenue
Frankel Management Company is a full service real estate company that builds, manages, and general contracts apartments, condominiums, and townhouses in Philadelphia. The company's focus is on developing a combination of market rate rentals and for sale units. The properties are built with a significant green influence. With the support of many Philadelphia community groups and the Redevelopment Authority of Philadelphia, Frankel Management Company has developed over 100 units and contributed to the revitalization of many of the city's blighted areas..
Founded in 2001 by two brothers, Sean and Shane Frankel have developed over hundreds of units. The idea began while sitting in their pizza shop booth. They went from flipping pizza's to flipping properties. They started with rehabbing houses in the Northeast part of Philadelphia to their first new construction property in 2011 in the Francisville section of Philadelphia.
After the sad passing of Shane, Sean has kept their foresight alive and continued to develop properties in memory of his brother. Every property built, has a special brick signifying their initials and dates of their children's' birth.
Sean now operates under FMC, Frankel Management Company which has a deeper meaning between the two brothers.
Sean has worked hard to develop the support of many Philadelphia community groups and the Redevelopment Authority of Philadelphia and has contributed to the revitalization plans of many of the cities blighted areas.
To date, Sean of FMC has developed a variety of residential and commercial space from single family homes to multi-family condominiums and their newest development of a 43 unit luxury apartment building that will be completed in June of 2017.
The goal of FMC is to develop over 100 units a year and continue to support the great City of Philadelphia and the memory of Shane Frankel.
EQUAL HOUSING OPPORTUNITY COMMUNITY
CITY OF PHILA PARTNERS FOR GOOD HOUSING
Copyright © 2016 Frankel Management Company
209 Leedom Street 2nd Floor
Jenkintown PA 19046
¶ ✉
Worry Free Web Services


The remit may be wide, but if you're looking for restaurants that both define and capture Perth's culinary spirit, stop right here.
Looking for a special occasion restaurant? Indigenous Australian ingredients meet polished technique at the in-house fine diner of Como The Treasury.
In an unlikely location by the freeway, Scott Sullivan thrills guests with precise, tightly-composed plates drawing from his British background.
Joel Valvasori-Pereza is serving some of Australia's finest pasta in this Subiaco walkway.
Accessible kitchen garden dining in a glorious Perth Hills setting. A daytrip worth taking.
A mess hall dining room in Fremantle where exemplary bread, produce-driven cooking and great drinks rule.
A personable small bar run by wife-and-wife team Susan Whelan and Melissa Palinkas. Expect great drinks and punchy no-waste cooking.
David Thompson's grungy, high-energy love letter to Bangkok street food is hot, hot, hot.
An intimate, family-owned woodfire restaurant that champions West Australian farmers.
The Mary Street Bakery team presents its vision of an inner-city tavern, replete with spirited woodfired cooking and a specialist bottle shop.
A serious contender for the CBD's best-looking dining room, the Alex Hotel's in-house restaurant hangs its hat on sharp Mediterranean cooking and a far-reaching wine list.
Technical, Instagram-friendly plates that celebrate local produce and producers.
Neil Perry's West Australian outpost keeps on keeping on with luxe renditions of steakhouse classics plus one of the country's most formidable cellars.
A bijou diner in Nedlands serving value-packed omakase. Bookings aren't just essential: they're fiendishly difficult to score.
The setting might be North Fremantle, but Kurt Sampson – a former protégé of Greg Malouf – is all about big-hitting flavours and dishes from the Middle East.
Loud, buzzy and fun: this all-day dining room at the State Buildings is a worthy destination for everything from brunch to after-dinner drinks.
Sunny Italian cooking and drinking by Perth's postcard-perfect Cottesloe Beach.
An inner-city basement serving up great pizza and the freewheeling Italian cooking of chef Alex Haynes.
Guy Grossi's Roman-inspired trattoria at the Westin celebrates the food of the Eternal City with aplomb.
The best Mexican cantina in the city – and perhaps the entire country.
Japanese comfort dining by day, bargain-priced omakase by night.
Bold Middle Eastern cooking from one of Perth's journeyman chefs.
A lively BYO pizza spot bringing the good times to Maylands.
The gold standard for burgers in the CBD.
Love natural wines and comforting Mediterranean cooking? Welcome to your happy place.
From high-end winery restaurants to easy-going pubs, this West Australian hotspot is as much about the dining as it is the wining.


text:
Police arrest second suspect in Oxnard teen's murder
Jeremy Childs Megan Diskin
Ventura County Star
Oxnard police arrested a second suspect Tuesday in connection with the shooting death of a 17-year-old male in September.
Victor Aguiar, 25, of Oxnard, was arrested on suspicion of his involvement with the murder of Peter Morales, 17, of Oxnard. Aguiar was already in custody on suspicion of attempted murder for an unrelated crime, police said.
Morales was shot and killed the night of Sept. 14 in the 1700 block of Elsinore Circle. Morales suffered a gunshot wound to the chest and died at Ventura County Medical Center, authorities said.
More:Man arrested on suspicion of DUI, unlawful gun possession after fight in Oxnard
On Dec. 18, police in Oregon arrested the first suspect in the homicide, identified as Jose Manuel Dimas, 21, of Oxnard. He was charged with murder and an allegation that the killing was done for the benefit of a street gang, according to Ventura County Superior Court records.
Dimas has pleaded not guilty.
Aguiar has been in jail custody in connection with the unrelated crime since Jan. 8.
He is being held there on an attempted murder charge in a Sept. 3 incident reported in Oxnard. Authorities could not be reached for further details about that case.
On Wednesday, Aguiar appeared in Ventura County Superior Court in connection with Morales' death. Aguiar was charged with murder and allegations that the shooting was done for the benefit of a criminal street gang, court records show.
Aguiar did not enter a plea and is due back in court at 1:30 p.m. Thursday in Courtroom 12, court records show. Dimas is due in court at the same time for an early disposition conference, records show.
An investigation into Morales' killing is ongoing. Anyone who may have witnessed the homicide is asked to contact Detective Ken Tougas at 805-200-5669.
Anyone who may have video or photographic evidence of the incident can send media directly to investigators by using the link: https://oxnardpd.evidence.com/axon/citizen/public/1700elsinorecir.
The city of Oxnard pays rewards of up to $10,000 for information, which leads to the arrest and conviction of homicide suspects within the city.
The investigation is being conducted by Oxnard's Major Crimes Unit, other Oxnard investigators and in conjunction with the FBI and the U.S. Marshall's Office.
Jeremy Childs is a breaking news and public safety reporter covering the night shift for the Ventura County Star. He can be reached by calling 805-437-0208 or emailing jeremy.childs@vcstar.com.
Support local journalism:Follow high-profile court cases and track public safety risks so you can protect your family. Get unlimited access to coverage like this with a digital subscription to The Star.


Dentro de las marcas internacionales más destacadas en el ambito de la pintura se encuentra Montana Cans y siempre los hemos visto involucrados en proyectos artísticos pero, sin dejar de lado el graffiti, lo crudo y lo que se hace en la calle de noche. Esta vez lanza un nuevo video en conjunto con este famoso crew, los TUFF, quienes son conocidos por contar con escritores como Lugo y So-Cool entre claro, otros más igual de buenos, ahora comparten muro con muchos escritores en Hamburgo. Un largo muro y mucha pintura es lo que vamos a ver aquí, un video no tan usual pero con el toque que caracteriza a esta marca.
Among the leading international brands in the field of painting is Montana Cans and always have been involved in art projects but without forgetting about old school graffiti and what is done in the streets at night. This time they launch a new video in collaboration with this famous crew "The TUFF" who are known by having writers like "Lugo" and "So-Cool" among, of course, some others as good and them sharing the walls and meeting all together in Hamburg.
A long wall and a lot of paint is what we will see here, not just another video but with the touch that characterizes this brand.


TOP PRODUCTS TO WATCH FOR IN 2019 – Dream. Build. Blog.
We had the opportunity to speak with our Interior Design Manager, Kimberly Hopf, to get her insight into the top products and trends to keep an eye on for 2019. The classics, think white cabinets and subway tile, don't seem to be going anywhere anytime soon; however, there are some new contenders that we are absolutely loving! Let's see what to expect from this year's home designs.
Luxury vinyl tile and plank flooring.
2019 is the year for LVT and LVP flooring. It is durable, cost-effective and looks like the real thing. While you can never go wrong with real wood or tile, LVT and LVP flooring is a great choice for those hardworking rooms, like a mudroom for example. Shaw's "Set In Stone" series in "Glacier" is a team favorite.
While we still love the look of a faucet with separate hot and cold handles, it looks like 2019 will veer toward more minimalist designs, like the single handled faucet. We are loving the look of the Kohler Honesty. It is such a sleek piece that offers clean lines and a modern look.
Backsplashes add style and function. Yes, a subway tile is a classic choice, but this year, we're liking some of the more outside-the-box shapes. A designer favorite is the Trapezoid tile by Midpark Mosaics. The "Cloud" color offers a neutral look that will work with most anyone's kitchen.
It seemed like 2018 was the year of the farmhouse sink, which by the way are definitely still sticking around. But this year, we are seeing the rectangular shape extend into the bathroom as well. We are particularly fond of the Kohler Tresham drop-in sink.
You're seeing this too, right? Black is most definitely in. On window grilles, doors, hardware, faucets, you name it. If you love the look, but are afraid to really commit to it, we suggest trying it out in small ways, like your interior door handles. Kwikset has a super stylish option, called the Montreal lever. We adore it in Iron Black!
What's your favorite trend for 2019? Anything we missed? Make sure to let us know in the comments below.


text:
pub mod block;
pub mod do_;
pub mod embed;
pub mod extends;
pub mod filter;
pub mod flush;
pub mod for_;
pub mod from;
pub mod if_;
pub mod import;
pub mod include;
pub mod macro_;
pub mod set;
pub mod spaceless;
pub mod use_;
pub use self::block::Block;
pub use self::do_::Do;
pub use self::embed::Embed;
pub use self::extends::Extends;
pub use self::filter::Filter;
pub use self::flush::Flush;
pub use self::for_::For;
pub use self::from::From;
pub use self::if_::If;
pub use self::import::Import;
pub use self::include::Include;
pub use self::macro_::Macro;
pub use self::set::Set;
pub use self::spaceless::Spaceless;
pub use self::use_::Use;


"SFSU fired whistleblower who exposed Science Building scandal"
San Francisco State University is embroiled in a whistleblower lawsuit after it fired the employee who exposed potentially illegal activity and hazardous materials in the campus Science Building, leading to its $3.6 million closure and remediation in 2014.
The case is expected to head to trial after San Francisco Superior Court Judge Harold Kahn allowed the lawsuit to move forward Friday.
Brendan Brownfield, an attorney for SFSU, sought to have the case thrown out by arguing that SFSU's former Director of Environmental Health and Safety Aaron Nevatt was not protected under whistleblower laws when he repeatedly told university administrators about the contaminated state of the Science Building. Brownfield declined to comment for this story.
In November 2013, Nevatt discovered "unsafe levels" of airborne mercury, lead and asbestos while investigating a sealed room in the basement of the Science Building where pesticide-laden Native American artifacts were previously stored, according to the complaint. During testing, Nevatt found the health hazards were not isolated to the single room.
SFSU President Leslie Wong came under fire from faculty and students when he decided at the start of the 2014 spring semester to shut down the building for almost four months, citing the "potential environmental hazards" which Nevatt revealed.
The closure and remediation cost the university almost $3.6 million, according to Jonathan Morales, a spokesperson for SFSU.
In July 2014, Cal/OSHA cited the university $4,765 for various health and safety violations in the Science Building, which included SFSU failing to locate asbestos in the building and warn employees about the hazards of mercury.
About four months after the discovery, while the building was closed for further testing and remediation, SFSU fired Nevatt for his "poor job performance," according to court records.
In November 2013, Nevatt first told then-Interim Associate Vice President of Human Resources and Enterprise Risk Management Michael Martin about the contamination and SFSU allegedly violating state and federal law by not having an operations and maintenance program for lead or asbestos.
SFSU previously ran into trouble with its EH&S program when the director before Nevatt, Robert Shearer, was accused of taking bribes with from a waste disposal firm in exchange for at least $4 million in university funds.
In court records attributed to Martin, attorneys for the university wrote that Nevatt was fired because he proved himself to be incompetent.
While Nevatt's initial assessment of the Science Building — and the testing of an independent contractor called Air and Water Sciences, which he hired while EH&S director — found there were unsafe levels of the chemicals in the building, university officials later hired another contractor who found otherwise.
"Instead, the TSS consultants directly and aggressively challenged the credibility and testing and reports obtained during Mr. Nevatt's management, stated that Mr. Nevatt was wrong for testing the building, and criticized Mr. Nevatt's management of the remediation project," the complaint reads.
"The Cal-OSHA team report indicated that there were no exposure levels which would impact employee health in any meaningful way," the record continues.
Yet a declaration from Chip Prokop, who heads Air and Water Sciences and performed the December 2013 testing before the remediation, paints the state of the Science Building in a different light.
While SFSU appeared to downplay the level of contamination in the Science Building in court filings — an apparent attempt to discredit Nevatt's work —Wong has pointed to the age of the building when calling for the university to build a new structure for contemporary science.
Nevatt is also alleging that he became sick in the months following the testing and remediation, resulting in his administrative leave, and was forced to take a mental evaluation three days before he was fired.
Nevatt is seeking an undisclosed amount in damages, attorneys' fees and backpay, among other penalties.
The trial was moved from next month to Feb. 27, 2017, after Nevatt's attorney argued that he needed more time to gather evidence.
SFSU has declined to hand over thousands of emails about Nevatt and the Science Building citing attorney-client privilege, since school officials copied an attorney to their emails about the issue, according to Bryan Schwartz, Nevatt's attorney.


In the event that you haven't yet seen it, I'm super excited to introduce you to a fabulous Silver Lining book: If It Makes You Healthy: More than 100 Delicious Recipes Inspired by the Season.
This is a cookbook written by Sheryl Crow after her breast cancer diagnosis led her to gain interest in the nutrition of her food. The book is co-written by Chuck White with Mary Goodbody (how fabulous is THAT name?).
Sheryl's breast cancer diagnosis "screamed 'vulnerable'" and prompted her to change her ways, despite already being fit and healthy. I feel the EXACT same way.
The introduction of the book, written by Sheryl Crow, is fabulously motivating. This book is by no means limited to those with FBC. On the contrary, it seems (to me at least) to be written for an audience focused on familial health and well-being. Not much more of a SL in the world than that!
I was elated to see that the foreword to the book is written by Rachel Beller, Registered Dietician and Founder of the Beller Nutritional Institute, LLC. Rachel happens to be my nutritionist and has helped me IMMENSELY. I mean beyond belief. Rachel has tips throughout the book that are fantastic. I'll do a separate post on Rachel because she is so great!
In the meantime, please allow me to share one of my favorite SL recipes from my favorite new cookbook. It is a HIT in our home! I'm so grateful to Sheryl and Chuck for this book.
In a glas bowl, using a fork, mix together the tuna, apples, celery, Vegenaise or mayonnaise, parsley, and lemon juice.
Stir just to mix; this should not be mushy. Season to taste with salt and pepper.
Use the tuna salad right away or cover and refrigerate for up to 48 hours.
One serving of tuna contains a hefty dose of vitamin D, which promotes optimal breast health and helps regulate calcium. Just shop smart and get low-mercury canned tuna.
Wow!! Where can I find a copy? My book store does not have this book. My husband and I love to cook. (We own a gourmet chocolate shop). Hope you have a great day. Thank you for all your inspiration and silver linings, some days they keep me going.
Thanks for your note, Joan. If you google it, you will find ordering opportunities. Thank you also for your kind words. They mean so much to me!
I am looking forward to reading a book by YOU!!!!!
P.S. This 5 mo. old boy, in the womb, is called, "Little Dude." Pat D.
Pat Dunn again… (Rebecca's Girl Scout leader and practicing Jungian psychotherapist in L.A.- http://www.GoldenKeyResources.com). Haven't written for a while, but read your every, very well written words with enormous pleasure. Know you have a future book here – easy. (I'm trying to write memoir – aieee!.) Not about FBCa.
Eight years out now from a double mastectomy and your same drug and radiation plan,just completed thorough (but still scary) total body check up (nuclear heart stress test, lung/bone x-ray, endo/colonoscopy etc. Today – good news, all great!!! SL. Know you will be the same, because we have so much to do; you and your Finally five, and me with news of a NEW baby ON THE WAY with my younger daughter!!!
If you ever care to correspond, I'm Pedsierra@aol.com. I hike, and can't wait for the snow to melt so I can go on another backpacking trip on the east side of the Sierra (part of what I'm writing about).
Yummy! My kids LOVE tuna, and it's such a great protein source that is low fat, and I'm always looking for ways to "spice it up". I also love Sheryl Crow (her music, her smile, her attitude) and I love that she transformed her inspiration into such a wonderful healthy project.
Also wanted to tell you that Shawn got me "The Paris Wife" after reading about it on your blog and OMG it is soooooo delicious!!! I didn't get nearly enough sleep last night because I couldn't put it down! Oh, to be living in Paris amongst Pound, Gertrude Stein, James Joyce, Sylvia Beach. To stroll along the Seine at sunset…drink wine in the cafe's and watch the parade of fabulously dressed women…only a fabulous book can transport us to those wonderful worlds of yesteryear we get to live in vicariously. Thanks for sharing a great read.
Hope today you are feeling good and enjoying some yummy tuna salad!!


UK's clients visited PalletMach presswood pallet machine on 16th January, 2019. And they had a nice visit and a good day.
The company of UK's clients is the manufacturer of sanitary and bathroom equipment in UK. And they want to produce their own presswood pallets. But they need the different pressed wood pallets. So we still discuss the type of the moulds in the pressed wood pallet machine. And we are try our best to modify the moulds according to the customer's requirements.
First, we explained the whole process of presswood pallet production line. And we also discussed the production requirements of our UK's customers in the office. And then, we took a look of our presswood pallet plant in the afternoon. And we showed how to operate presswood pallet machine and the whole presswood pallet production line. The UK's customers are satisfied with the performance of presswood pallet machine. Besides, they also spoke highly of the working conditions, and the equipment construction. Meanwhile, we also introduced compressed wood pallet production line to our UK's clients in detail.
Currently we are still discussing with the customer on the mould type of presswood pallet machine. And the project of pressed wood pallet production is in progress.
PalletMach is the leading presswood pallet machine manufacturer in China. And our clients are from Italy, France, Finland, Poland, Russia, Ukraine, Romania, Tunisia, South Africa, Mexico, Brazil, and so on.
Welcome to your visits and cooperation.
If you have any question, please contact us via email sales@palletmach.com.


2 night stays accepted over weekend.
Midweek 2 night stays incur $50p/n surcharge.
Enter dates to view REDUCED RATES applicable to stays of 3 nights or more. The longer you stay, the less you pay per night Availability enquiries required prior to reservation.
Nightly rate viewable, applies to a 2 night stay for BOTH the STUDIO CABIN SLEEPING A COUPLE and young child - and the 2 BEDROOM COTTAGE sleeping 6 people.
No additional fee for 2 dogs Extra dogs allowed on application at a fee.
- Friendly dogs & dog-lovers welcome.
- This property is all about the location - semi-rural yet close to shops & beaches.
- 4 acres of manicured paddocks for off-leash walks with your friendly dog.
- Fishing; kayaking; jetski & tinny access.
- Both cottage & cabin have reverse cylce air-conditioning & fans.
- The Cottage & Cabin are located next to each other, separated by a walk-way.
- Each has its own fenced yard for your dog.
- River view from the covered veranda.
- Targeted for guests who value the picturesque outdoors, as much as the accommodation itself.
- Many restaurants and cafes within an easy drive.
- Blankets & pillows & Linen packs + 1x bath towel per reserved guest is provided.
- Closest beach is at Mudjimba, an easy 10min drive, as is Cotton Tree Beach at Maroochydore. Sunshine Plaza is even closer - about 8 minutes, and everything else you might need, including restaurants and takeaways, are available in Nambour which is only 4 minutes away.
- Convenient for family of Nambour Hospital Patients to stay within 6 minutes from the hospital.
- Maroochydore Multisports Complex on the corner of Fishermans Rd & Bradman Ave, and Sunshine Castle in BliBli are a 5 min drive away.
- Famous Emundi Markets, Underwater World and other tourist attractions - all close by.
- Noosa and Caloundra beaches are a mere 25 minutes north and south.
- World Famous Australia Zoo is only 30 minutes away while the beautiful hinterland & Montville are just 20 minutes away.