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The following information explains some of the changes to the Tenant Protection Act (TPA) that have come into effect as a result of the Red Tape Reduction Act, 2000. For information about all the changes and to know eactly what the law says, you should read the amended TPA.
A number of amendemnts have been made to the Tenant Protection Act in the Red Tape Reduction Act, 2000. Many of the amedments clarify existin rules in the TPA; other amendments have added new rights for landlords or tenants and change how the law applies.
A ten day termination notice and a faster eviction process where a tenant is involved in certain types of illegal drug activity.
A tenant who has been illegally locked out of their rental unit by the landlord can apply to Tribunal for an oder requiring the landlord to let them regain possession of the unit.
A landlord who owns condominium units that are rented out can give a notice of termination to a tenant because a purchaser, or a member of the purchaser's immediate family, wants to move into the unit, regardless of the number of units the landlord owns.
Eviction orders will expire six months after they take effect if the oder is not filed with the Sheriff within those six months.
The Tribunal can refuse to accept an application or stop processing an application that has been filed if the application owes month to the Tribunal as a result of an unpaid fee, a fine or costs which they were previously ordered to pay.
A new process allowing the Tribunal to issue an order confirming that a tenant has paid to the landlord, or in part to the landord and in part to the Tribunal, the amount required to void a termination order for arrears of rent.
Clarification that a person who is not recognized by the landlord as a tenant but shares a rental unit with a tenant and pays rent to the tenant is not a "subtenant" as defined by the TPA.


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Browse: Home / Pew survey shows majority of Catholics don't believe in 'Real Presence'
Pew survey shows majority of Catholics don't believe in 'Real Presence'
Posted by CNS on August 13, 2019 in National News, World & nation | 97 Views | Leave a response
An extraordinary minister of holy Communion in Brooklyn, N.Y., distributes the Eucharist during Mass in this 2008 file photo. A new Pew study about the level of Catholic belief in the real presence of Jesus in the Eucharist showed that a majority of Catholics do not believe that the bread and wine used at Mass become the body and blood of Christ. (CNS photo/Gregory A. Shemitz)
by Mark Pattison
WASHINGTON (CNS) — A new study about the level of Catholic belief in the real presence of Jesus in the Eucharist showed that a majority of Catholics do not believe that the bread and wine used at Mass become the body and blood of Christ.
The report drew a strong rebuke from Auxiliary Bishop Robert E. Barron of Los Angeles, who posted Aug. 6 on Twitter: "It's hard to describe how angry I feel after reading what the latest @pewresearch study reveals about understanding of the Eucharist among Catholics. This should be a wake-up call to all of us in the Church."
In a video that accompanied the post, Bishop Barron's anger is not directed at Pew, but inward. "I'm blaming myself, bishops, priests and anybody" responsible for transmitting the faith, he said. "We're all guilty."
He added, "It's been a massive failure of the church carrying on its own tradition."
The Pew study, issued Aug. 5, showed that 69% of all self-identified Catholics said they believed the bread and wine used at Mass are not Jesus, but instead "symbols of the body and blood of Jesus Christ." The other 31% believed in the real presence of Jesus in the Eucharist, known as transubstantiation.
"Most Catholics who believe that the bread and wine are symbolic do not know that the church holds that transubstantiation occurs," said Gregory A. Smith, associate director of research at Pew Research Center in Washington. "Overall, 43% of Catholics believe that the bread and wine are symbolic and also that this reflects the position of the church.
"Still, one in five Catholics — 22% — reject the idea of transubstantiation, even though they know about the church's teaching," Smith said.
The numbers who believe in transubstantiation are higher among Catholics who go to Mass at least once a week, but are hardly overwhelming. About five of every eight churchgoing Catholics believe in the church's teaching of transubstantiation.
Split among the 37% who don't believe that the Communion bread and wine actually become the body and blood of Christ are 23% who don't know what the church's teaching is, and 14% who know the church's teaching but don't believe it, Smith said.
According to Pew's figures, a majority in all age groups believe the bread and wine used at Mass to be symbolic, and the majority grows larger as the age group grows younger. Catholics with a high school education or less are less likely to believe in transubstantiation, Hispanic Catholics believe in it less than whites, and women believe in it less than men.
Bishop Barron sounded astounded by the findings. "Any Catholic worth his or her salt knows this is a central teaching," he said in the video. "It's a basic tenet of Catholicism."
He said some are bound to react, "Oh, well, who cares? As long as they're committed to the poor, or committed to social justice. Isn't that important?" But Bishop Barron called that "a reduction of religion to morality, which is repugnant to Catholicism."
He cited a list of saints and holy people — among them Dorothy Day, St. Katharine Drexel, Jacques Maritain and St. Vincent de Paul — whom he said had "a profound understanding and love for the Eucharist, and said if someone asked them, "Isn't the Eucharist a nice symbol of Jesus?", "you'd have open rebellion."
"You take away the central teachings of our church at the doctrinal level, and trust me, you will take away our commitment to the poor," Bishop Barron said. "It belongs together as a whole."
Editor's Note: The full Pew study can be found online at https://pewrsr.ch/31sP7em.
Copyright ©2019 Catholic News Service / U.S. Conference of Catholic Bishops.
Posted in National News, World & nation

redpajama_set_name: RedPajamaCommonCrawl


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Home Leander Games Universal Cup Slot RTP, Review and Bonuses
Universal Cup Slot Machine
Modern slot provider Fantastic graphic 5-digits jackpot
Universal Cup Options
Release May 2018
RTP 94.17%
Betting Range 0.20 - 100
Max Jackpot 50,000
Leander Games decided to one up the guys organizing the 2018 World Cup in Russia, and they went straight to a Universal Cup, one where aliens are competing in a game of futuristic football. As it befits all science fiction themed slots, it's got the design to match the futuristic inspiration and that's visible in many of its symbols.
The layout they came up with has 20 lines over 5 reels. The game is going to involve regular wilds, Universal Cup Wilds with wild reels, a Manager Pick Me Bonus and a Free Kick Spins feature. Individual winning combinations will pay up to $2,500.
Though it's not very well advertised, the wager can be changed from the option available at the bottom, right from the Total Bet display. You click on it, to reveal a menu with bet values ranging from $0.20 to $100. That's your wager range, with the line bets going from $0.01 to $5.
The jackpot in Universal Cup will come via regular combinations, the best ones paying $2,500. With the 20 lines that you pay to activate, you could get a top jackpot of $50,000 out of a truly special spin. The RTP is not nearly as interesting as the theme of the game, being set to 94.17%, clearly one of the cons in this case.
Universal Cup Slot Features
If winning the top jackpot sounds like a good idea to you, then you should first know how you can achieve that. The Gold Trophy symbol is the one forming combinations that pay up to 500x, along with Blue Alien icon. The Gold Trophy has the added ability of behaving as a substitute, so you will be able to use it as the wild if you get it to appear in a good position.
There is a second wild feature present, called Universal Cup Wilds. Your top player symbol can bring you additional wild reels to the game area, but it's going to be something random.
One of the Alien symbols that you get will not be a player, but a manager. It's the symbol marked as the Bonus, that can be used when it is on the three reels from the middle. The Manager Bonus is a picking feature that lets you click on images of the Manager and this will reveal different icons. Collect enough of a single type and you will get its prize.
In a lot of slot machines that you will get to play right now, the free spins are going to be favorites for most players. The Free Kick Spins feature is going to be that component in this slot, and to activate it the requirement will be to land three Football Free Spins icons on the reels they can land on (1, 3 and 5). You get guaranteed wins each round, thanks to the Universal Cup Wilds, which will always be active.
The truly unusual thing about this new game is its theme. It's the first space-based football themed slot I've seen, and it went straight for a Universal Cup, not even a Galactic One. Launched just weeks before the Russian 2018 World Cup got its start, it's got an obvious connection and inspiration in it, but it's not visible on the reels. You get trophies, aliens colored in blue, green, orange or yellow, some players, while others are managers or referees. They get playing cards as well, so it's not all related to the theme.
Universal Cup should appeal to fans of football and science fiction alike, and I'm sure that there are plenty that love both.
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TINFO - Specifies useful information about the status of the test that does not affect the result and does not indicate a problem.


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July 23, 2019 / 1:09 PM
Unique glowing click beetle found in southwest China
Brooks Hays
The photograph features a male, top, and female, bottom, specimens of the newly described species and genus Sinopyrophorus schimmeli. Photo by Wen-Xuan Bi/CAS
July 23 (UPI) -- Scientists have discovered a new species of bioluminescent click beetle in the subtropical forests of southwest China. Researchers described the new species this week in the journal ZooKeys.
There are some 10,000 species in the click beetle family, Elateridae, but only 200 or so are known to emit light -- around 2 percent. Thanks to researchers in China, the list of bioluminescent click beetle species is now a bit longer.
The positioning of the light source varies among glowing click beetles, all of which boast three thoracic segments. Many species emit light from the front segment. Some emit light from the both of the back two segments. Only a few emit light solely from the hind segment.
"In 2017, during an expedition to the western Yunnan in China, we discovered a dusk-active bioluminescent click beetle with a single luminous organ on the abdomen," lead researcher Wen-Xuan Bi, a beetle expert with the Chinese Academy of Sciences, said in a news release.
RELATED Extremely rare species of flying squirrel discovered in Southwest China
The new species, Sinopyrophorus schimmeli, is the first bioluminescent click beetle discovered in Asia. Researchers conducted a morphological and molecular analyses of the new species to determine its relationship to other species in the Elateridae family.
"The morphological investigation in combination with the molecular analysis based on 16 genes showed that our taxon is not only a new species in a new genus, but that it also represents a completely new subfamily of click beetles," study co-author Xue-Yan Li said. "We chose the name Sinopyrophorus for the new genus, and the new subfamily is called Sinopyrophorinae."
The new research suggests the new species is part of a unique lineage of bioluminescent click beetles, only distantly related to other light-emitting click beetles. In other words, there are likely more Asian bioluminescent click beetle species waiting to be discovered.
RELATED Scientists name Zanzibar reef fish after Black Panther's homeland
RELATED Common Costa Rican frog species consists of several 'cryptic' species
Science News // 1 day ago
KENNEDY SPACE CENTER, Fla., Jan. 19 (UPI) -- SpaceX blew up a rocket in Florida on Sunday in a final test launch of its Crew Dragon space capsule, proving it can carry astronauts to safety in a launch emergency.
Science News // 3 days ago
Scientists film chemical bond making, breaking
Jan. 17 (UPI) -- Everything depends on chemical bonds. Without chemical bonds, everything would fall apart. And yet, scientists don't entirely understand how chemical bonding works.
Scientists pinpoint release of energy that powered series of solar flares
Jan. 17 (UPI) -- Scientists have precisely pinpointed the explosive release of energy that powered a series of solar flares -- a first.
Acoustic communication first emerged nearly 200 million years ago
Jan. 17 (UPI) -- For the first time, scientists took acoustic communication back to its evolutionary roots. Researchers followed acoustic communication's phylogenic path back some 200 million years through evolutionary history.
Neanderthals had the teeth to eat hard plants
Jan. 17 (UPI) -- Neanderthals were capable of chomping on hard plants, according to a new study.
SpaceX test Sunday could be final one before firm carries people
KENNEDY SPACE CENTER, Fla., Jan. 18 (UPI) -- SpaceX plans a final test launch of its Crew Dragon capsule in Florida on Sunday to prove it can carry astronauts to safety in an emergency -- a fiery demonstration that will destroy a Falcon 9 rocket.
Volcanism didn't play a role in demise of dinosaurs
Jan. 16 (UPI) -- New research suggests the volcanic activity in question occurred well before, and was unrelated to, the mass extinction event that killed the dinosaurs.
Wolf puppies unexpectedly play fetch with researchers
Jan. 16 (UPI) -- To the surprise of scientists, wolf puppies learned to play fetch in response to verbal cues from a human researcher. Dogs are thought to be unique in their propensity to interpret and respond to human cues.
Giant squid's genome sequenced for the first time
Jan. 16 (UPI) -- For the first time, scientists have successfully sequenced and annotated the genome of the giant squid -- the real-life inspiration for the Kraken, the sea monster mythologized for dragging shipping vessels to the bottom
Tool-making Neanderthals dove for the perfect clam shell
Jan. 16 (UPI) -- New research suggests Neanderthals held their breath and dove underwater to retrieve the perfect clam shells for tool-making.


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Helping me out was my favorite girl, sporting a leather apron one of her clients made for her. Great work accessory!
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Look out Chicago, you are our next stop!
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L'Arvi Marijampolė est un club lituanien féminin de basket-ball appartenant à la Ligue lituanienne féminine (Lietuvos Moterų Krepšinio Lyga), soit le plus haut niveau du championnat lituanien. Le club est basé dans la ville de Marijampolė.

Historique

Palmarès
néant

Entraîneurs successifs
 Depuis ? : Algirdas Budėnas

Effectif actuel

Joueuses célèbres ou marquantes
Ela Briedytė
Diana Razmaitė

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redpajama_set_name: RedPajamaWikipedia


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f papa tells us some stories? oh i don't think so... oh come on dad you have great stories, come on. well okay.


Why Visit Murchison Falls National Park?
Murchison Falls National Park in the northwest is known for its 43m-tall waterfall and wildlife such as hippos. The game drive is carried out on the northern bank of the River Nile where there are large concentrations of game, such as elephants, giraffes, antelopes, lions, leopards, hyenas, and many bird species. You can also go for a boat cruise on the famous River Nile to the bottom of the Murchison Falls. During the tour up to the bottom of the falls, you will see marine animals like the crocodiles, schools of hippos and many species of birds.
"Nile wildlife watching at its finest!"
Murchison Falls is guaranteed to offer everything you could ask for from a safari destination. It is mostly free of crowds and wildlife spotting is fantastic. We were working at mapping the national park for MAPA project so were also able to explore the remote north-eastern bank of the Nile. I will never forget uploading data at night to the satellite server on our Defender while photographer Eric Nathan sat on the roof watching for signs of trouble from the very feisty and nervous buffalo herd we could hear snorting all around us.


Where Are the Home Prices Heading?
Contact us and we'll do our best to get you the most money for your Orange County real estate.
If you would like the full Orange County real estate market report(only a brief summary are shown above), we'll be glad to email to you the pdf version. The most recent version is March 25, 2019. Just put "OC market report" in the comment section.
Please, do not request if you're a licensed real estate agent.
& best of all, you can have a dog(s) or cat(s) without any problems.
Home buyer's should consider all of the financial implications of a purchase and understand and be comfortable with what you are getting into (ie. - monthly payment, down payment, reserves, etc...) but to worry about whether the market will go up or down in the short term is not what is important. Contact us now to purchase your beautiful Newport Coast home or to sell and have the next owner enjoy our beautiful area.


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The American Society of Safety Engineers (ASSE) and its members offer tips to help communities and businesses safely resume operations following major storms.
ASSE President Warren K. Brown pointed out that while there is no one-size-fits-all solution for business resumption following a disaster, businesses should conduct a hazard evaluation and assessment performed by a safety and health professional.
Emergency Planning and Procedures. First, ensure that there is a clear path for the evacuation of employees. Verify that fire extinguishers are operable and check for damage and serviceability to determine if any fire extinguishers were used during the disaster. If damage is found, these items should be replaced immediately. A company also should review and update its emergency plan and distribute it to employees as they return to work. In addition, designate a place for employees to gather once they are out of the building as well as a phone number they should call following an emergency so everyone can be accounted for. Frequently update the emergency contact list.
Employee Communications. Find out if your employees are safe. If any employees were injured, follow your company emergency action plan and assist them as necessary. Once you have learned the facts involving any damage your staff or business may have sustained, evaluate the next steps and communicate your plan with your employees, emergency personnel (city, state and federal), and the community you do business in, your customers, vendors and other organizations you work with.
Structural Security. Have a qualified professional evaluate the structural integrity of the building or facility.
Safe Entry. Contact the proper government agencies to get approval to resume occupancy of the building. Do not enter a facility or building unless the proper clearances have been attained for everyone's safety.
Clean-Up Safety. Implement your clean-up and business resumption processes in a safe and healthful manner. Provide training in proper selection and use of personal protective equipment (PPE) such as eyewear, gloves and dust mask/respirators for cleaning.
After a Flood. After a flood, FEMA suggests listening for news reports to learn whether the community's water supply is safe to drink; avoiding floodwaters which may be contaminated by oil, gasoline, or raw sewage and may also be electrically charged from underground or downed power lines; avoiding moving water; being aware of areas where floodwaters have receded as roads may have weakened and could collapse under the weight of a car; staying away from downed power lines and reporting them to the power company; returning home or to your business only when authorities indicate it is safe to do so; staying out of any building surrounded by floodwaters; using extreme caution when entering buildings as there may be hidden damage, particularly in foundations; servicing damaged septic tanks, cesspools, pits and leaching systems as soon as possible; and cleaning and disinfecting everything that got wet as mud left from floodwater can contain sewage and chemicals.
Air Quality Assessment. Make sure the atmosphere in the workplace environment is tested for asbestos and other chemical/toxic agents. Air quality is a key concern when restarting business operations.
Ventilation. Have vents checked to assure water heaters and gas furnaces are clear and operable. Dust and debris can stop or impede airflow, decreasing its quality and healthfulness. Safely start up heating, ventilation and air conditioning (HVAC) systems, which includes prior inspection of power lines, before energizing and pressurizing the systems. Test your systems now after inspection or have a qualified specialist do so. Blowing cold air through HVAC systems first, as opposed to warm air, can help prevent the growth of mold in duct systems.
Interior, Exterior Exposures. For interior spaces, ensure no wall or ceiling materials are in danger of falling. If such exposures do exist, the work environment is not ready for occupancy. Check for cracked windows and outside building materials, which could fall onto pedestrians at any time – now and in the future.
Protection Equipment. Ensure that the fire and smoke alarms have been cleaned and tested before reoccupying the building. If such systems are wired into other systems, ensure that they are still compatible and work in an efficient and effective manner. Thorough inspection of fire-fighting systems such as sprinkler and chemical equipment functions is a must.
Electrical Safety. Check the electrical systems, computer cables and telecommunications equipment to ensure they are still safe and that there is no danger of exposure to electricity. Wiring inspections should be conducted from the outside in to ensure all wiring and connections are not in danger of shorting out due to water damage from rain or firefighting efforts.
Use Existing Federal Guidelines. Utilize existing start-up guidance materials provided by government agencies such as FEMA, http://www.fema.gov, and the National Institute for Occupational Safety and Health, http://www.cdc.gov/niosh.
Health/Sanitation Issues. The general facility sanitation systems should be inspected and tested to guard against potential employee exposure to toxic agents. Food sanitation also is important, and any unused food should be discarded. If the workspace has a kitchen, inspect oven hoods and other ventilation devices to ensure they are not clogged and are working efficiently.
Office Furniture. Inspect the furniture to ensure it can withstand expected loads and usages. Ensure that binder bins (storage devices screwed or bolted to railing systems on walls and panels) have not become unstable due to water damage. Inspect office equipment to ensure it is level, stable and cannot tip over.
Lighting. Make sure the facility has maintained adequate illumination levels. Emergency lighting should be checked to ensure it operates and functions in correctly.
Solid/Hazardous Waste Material. Broken glass, debris or other materials with sharp edges should be safely gathered and disposed immediately. Ensure that such materials can be disposed before collection to avoid creating even bigger hazards for both employees and the public. Solid waste disposal will be an issue, especially if hazardous waste is involved. Evaluate waste disposal issues prior to beginning clean-up operations to ensure it can be properly disposed.
Power Checks. If there is no access to electricity on the site, do not use fueled generators or heaters indoors. Ensure that there are no gas and sewer leaks in the facility. You will need to check with your local utilities for information regarding power, gas, water, and sewer usage.
Check Mainframes. If your facility has mainframe computer applications, check the lines and cabling for chiller systems to avoid chemical leaks.
Machine Inspections. Inspect the condition of the drain, fill, plumbing and hydraulic lines on processes and machines. In addition, evaluating and testing plumbing lines evaluated can detect the presence of hazardous gases.
Surfaces. Make sure flooring surfaces are acceptable and free from hazards that could lead to slips, trips and falls – the second-leading cause of on-the-job deaths in the United States. ANSI standard A1264 is a good starting point.
Transportation. For employees who will be driving, check the condition of the roads (such as the presence of downed power lines) to make sure they will be safe. Although the roadway is not a closed environment and roadway conditions cannot be controlled, employers can take steps to protect their employees by assigning a management team member, such as the occupational safety and health professional, to set and enforce a comprehensive company driver safety policy; enforce mandatory seat belt use; not require workers to drive irregular hours or far beyond their normal work hours; not require them to conduct business on a cell phone while driving; and developing work schedules that allow employees to follow hours-of-service regulations. In addition, adopt a structured vehicle maintenance program and provide vehicles with the highest levels of occupant protection.


text:
fringenyc 2015
The Report: A Novel
PLAYWRIGHT - MARTIN CASELLA
THEATER: (Plays) The Irish Curse (Off-Broadway, regionals. London, Edinburgh, Dublin; Bratislava, Prague, Vancouver; FringeNYC; published by Samuel French), Directions for Restoring the Apparently Dead (World Premiere in October, 2013 at Chicago's Theatre 773), Scituate, Mates, Paydirt, Desert Fire, Beautiful Dreamer, Grand Junction and George Bush Goes to Hell. (Musicals – bookwriter) Co-wrote Play It Cool (Off-Broadway), Paper Moon, Happy Holidays, Taking Care of Mrs. Carroll, Saint Heaven, Doo-Dah! His plays and musicals have been performed all over the world, from the US and Canada, to Japan, to the UK, Brazil and many countries in Europe. Among the theaters in the US where his work has been done are Goodspeed Opera House, Fords Theater, Walnut Street Theater, the Pasadena Playhouse, Musical Theater of Wichita, the LA Free Public Theater, the Bailwick and the Mosiac Theater. FILM /TV: One Night Stand, directed by Talia Shire; Daddy's Girl, HBO; and ABC's One Life to Live. Wrote and developed scripts for Steven Spielberg, Lasse Hallstrom, Kerry Washington, Whoopi Goldberg, John Milius, Disney, Fox, Universal and Warner Brothers.
Casella has won or been nominated for the following theater awards: New York Outer Critics Circle Award nomination, Best New Off-Broadway Musical for Play It Cool; GLAAD nominations for Outstanding New LA Play for The Irish Curse and Outstanding New Off-Broadway Musical for Play It Cool; Pride Play and Films's Great Gay Play Award for Directions For Restoring the Apparently Dead; FRINGENYC Playwriting Award for The Irish Curse; Village Theater Best New Musical for Saint Heaven; Dublin International Gay Theater Festival, Best Play for The Irish Curse; Stamford Center for the Arts New Play Festival, Best New Play for Scituate; LA Dramalogue and LA WEEKLY Outstanding Play Awards for Mates;
Currently, Casella is writing the books for the stage musicals Pop Star and Mary Modern; the teleplay of the British animated feature The Land of Sometimes and co-wrote the hour-long TV drama pilot Mister. As an educator, he taught playwriting at his alma mater Cal Arts, and for the last eight years at The Harvey Milk High School in NYC. Member of The Dramatists Guild; Writers Guild of America, West; SAG/AFTRA; AEA. www.MartinCasella.weebly.com
DIRECTOR - ALAN MURAOKA
New York credits include: Kung Fu (Assistant Director for Leigh Silverman-Signature Theatre), American Songbook: Ann Harada (Lincoln Center Theatre), Falsettoland (NAATCO-Vineyard Theatre), Awesomer & Awesomer!!! (Triad Theatre), Telly Leung: Playlist (54 Below), John Tartaglia AD-LIBerty (Joe's Pub) Who Loves Ya' Baby (Laurie Beechman Theatre), Grand Hotel (NYU/Cap 21), Karaoke Stories (IMUA Theater Company), Christmas Eve With Christmas Eve 1-4 (BC/EFA Benefits at the Midtown Theatre & XL Nightclub) Empty Handed (Musicals Tonight) and cabarets for Tony-nominated actress Stephanie D'Abruzzo and Ann Harada. Regionally: Once On This Island (Olney Theatre), The King and I (Lyric Theatre of Oklahoma & Harbor Lights Theatre), Xanadu (Lyric Theatre of Oklahoma), Disney's High School Musical (Lyric Theatre of Oklahoma, MUNY, Casa Manana), Disney's High School Musical 2 (Lyric Theatre of Oklahoma), Urinetown (Trinity University), and Associate Director for Up In The Air (Kennedy Center). He has also directed for the Public Theater, the Village Theater in Seattle, and a three city Taiwanese tour of a rock musical called Making Tracks for Second Generation. Television, Alan has directed for Sesame Street and for the Macy's Thanksgiving Day Parade on NBC (Sesame Street float w/Jimmy Fallon & The Roots). Mr. Muraoka is a member of the SDC and the Lincoln Center Director's Lab. In August of this year he will be directing the World Premiere of Martin Casella's play The Report, at The New York International Fringe Festival, and developing new musical projects with composers Gary Adler, Phoebe Kreutz, Keith Dale Gordon, Jason Ma, and Christine Toy Johnson. www.alanmuraoka.net
PRODUCER - BARRY GORALNICK
An avid theatre enthusiast, Goralnick founded the New York-based Fresh Produce, Inc. theatre production company in 2001. The company's mission is to produce new musicals and plays by American writers. Goralnick was on the producing team of the Tony-nominated, Pulitzer-prize winning Broadway play Disgraced, and the development team of Chasing Rainbows, a new musical about the early life of Judy Garland, with music from the MGM Feist/Robbins catalog. He also produced Eve-olution (by Hilary Illick and Jennifer Krier, starring Law & Order's Mary McCormack and The Cosby Show's Sabrina La Beauf) at the Cherry Lane Theater; The Irish Curse (by Martin Casella) at the Soho Playhouse; Saint Heaven (starring Tony-winner Chuck Cooper and Tony nominee Montego Glover, book by Martin Casella, music and lyrics by Keith Gordon) at the Stamford Center of the Arts, CT; Scituate (by Martin Casella) at the Barrow Group Theater; and How to Marry a Millionaire (music and lyrics by Keith Gordon). He is on the Board of the Edge Theater Company and studied at the Commercial Theater Institute. Originally trained as an architect at the Harvard Graduate School of Design, Barry Goralnick also attended Brandeis University and the University of Reading in England.
PRODUCER - SARAHBETH GROSSMAN
Is a theatrical producer and a consultant in entertainment marketing, producing and non-profit management under her Sobelle Productions banner. Her Broadway credits include An American in Paris (2015 Tony Nomination for Best Musical), Ann written by and starring Holland Taylor, and Stick Fly written by Lydia Diamond and directed by Kenny Leon. Sarahbeth was also on Nelle Nugent's producing team on Time Stands Still written by Donald Margulies and directed by Dan Sullivan, as well as John Leguizamo's Ghetto Klown on Broadway. She worked with producer Jane Dubin on The Umbrellas of Cherbourg in London. Ms. Grossman was a producer on From Broadway With Love: A Benefit Concert for Sandy Hook which was the Broadway community's response to the tragic shootings in Newtown, CT. Off-Broadway Ms. Grossman produced the highly acclaimed comedy, The Irish Curse by Martin Casella directed by Matt Lenz, which is now being licensed across the globe. She served as Executive Producer on the New York premiere of Ten Chimneys by Jeffrey Hatcher and the 60th anniversary revival of A Tree Grows in Brooklyn, both at the Peccadillo Theater Company. In July 2013 she co-produced the sold-out and acclaimed run of Bend in the Road, the "Anne of Green Gables" musical, in the New York Musical Theatre Festival and is now putting together a national tour of the musical. Ms. Grossman served as Associate Managing Director of Yale Repertory Theatre and as Producing Director of the LA Stage & Film Company, where she produced the LA Premiere of Time on Fire: A Comedy of Terrors by Evan Handler. Film/television work includes stints at Showtime Networks, Viacom Pictures, production work on Me and Veronica directed by Don Scardino, BOPHA! directed by Morgan Freeman, Strapped directed by Forest Whitaker, and Three Wishes and Out to Sea (Associate Producer) directed by Martha Coolidge. She served as Vice President of Development & Production for Ms. Coolidge's Ozma Productions under a television deal with Pearson Entertainment. Ms. Grossman was Executive Director of Global Brand Strategy & Business Development at Walt Disney Studios Home Entertainment and Vice President of Marketing Communications at Variety prior to forming Sobelle Productions. Ms. Grossman holds a B.A. in Theater Arts from UCLA and an M.F.A. in Theater Management from the Yale School of Drama. She is a proud member of the Producers Guild of America and the National Association of Musical Theater.
PRODUCER - CRAIG ZEHMS
Zehms produced Martin Casella's The Irish Curse at the NYC Fringe Festival, off-Broadway at the Soho Playhouse, and at the Odyssey Theatre Ensemble in LA. He was a consultant on the productions of the play at the Edinburgh Fringe Festival and the Dublin International Gay Theater Festival. As an actor he has performed in regional theatres such as the Ahmanson, San Diego Old Globe, Mark Taper Forum, Odyssey, Walnut Street, Goodspeed and Ford's Theatre. He is thrilled that upon his recommendation Martin Casella read the novel The Report and was inspired to write this beautiful, haunting play.
CLEMMIE EVANS - PRODUCER
Clemmie is so thrilled to be part of The Report's journey. A Welsh native, she has been working in New York since graduating from The American Academy of Dramatic Arts. Some role highlights include Masha (The Seagull), Natasha (Three Sisters), Fluellen (Henry V) and Mrs Cheveley (An Ideal Husband).She has performed with many companies including Punchdrunk, Manhattan Shakespeare Project, Red Monkey Theatre Group, Sink or Swim Rep and Origin Theatre Company and can be seen in the upcoming movie Freedom, the current season of Louie on FX and this season at The Mint Theater. With love and thanks to friends and family both sides of the pond,especially M&D and DD. clemmieevans.com
CUTTING HEDGE PRODUCTIONS
Cutting Hedge - the forefront of BritMerican Theatre. Featuring the 'Best of Both' Cutting Hedge is an British American Ensemble with a desire to tell previously untold tales! Combining a British class, style and silliness with American dreams, glory and truth Cutting Hedge brings creativity from both sides of the pond in the making of their work.
ASSISTANT DIRECTOR - ADI ESHMAN
Adi Eshman is an aspiring playwright and screenwriter living in New York City. He hails from Venice Beach, where he was afraid of the ocean for a long time. Before joining The Report, he worked at Rattlestick Playwrights Theater, Warner Bros, Winkler FIlms, and Killer Films. His first play, Ostropol, just received its first reading at the Alchemical Lab in association with Rattlestick Playwrights Theater. He is a graduate of the Gallatin School at NYU, with a concentration in The Role of Narrative in American History, Society, and Literature. He sincerely thanks The Report team for this incredible opportunity.
SCENIC DESIGN - LAUREN HELPERN
Lauren Helpern has designed scenery for numerous critically acclaimed productions including: 4000 Miles at LCT3 and Lincoln Center Theater, for which she won the Lortel Award; the Pulitzer Prize winner Disgraced, also at LCT3; The Model Apartment for Primary Stages, which was on Time Magazine's and Ben Brantley's New York Times' Best of 2013 theater lists; Bad Jews at the Roundabout Theater Company, which was on AM New York's 2013 top 10 list; and BUG at Barrow Street, for which she won the Obie. Other New York credits include: Voices in the Dark on Broadway at the Longacre; Bethany at the Women's Project (also The Old Globe in San Diego); David Mamet's Ghost Stories, The Loneliness of the Long Distance Runner and Chimichangas and Zoloft at the Atlantic Theater Company; Core Values and Now Circa Then at Ars Nova; Hit the Wall at Barrow Street; Escape at La Mama; Desperate Writers at the Union Square Theatre; The Irish Curse (also by playwright Marty Casella) and Underneath the Lintel at the Soho Playhouse; The Amish Project at Rattlestick (also the Pittsburgh Public Theater), The Diary of a Teenage Girl at 3LD; productions for Manhattan Theater Club, Second Stage, Playwrights Horizons, Cherry Lane Theatre, stageFARM, New Georges, TheatreworksUSA, The Little Orchestra Society, and National Dance Institute. Her regional credits include Blue Man Group/Live at Luxor in Las Vegas, for which she won the Eddy award (also productions in Boston and Chicago); Always…Patsy Cline in Las Vegas and Los Angeles; and shows at Prince Music Theater, Act II Playhouse, Portland Center Stage, Syracuse Stage, Theater J (DC), Adirondack Theatre Festival, Denver Civic Theater, Stamford Center for the Arts, and Anchorage Opera. She has designed events and benefits for a diverse group of clients, is currently co-designing a new web series called Janice Gunter: Ghost Hunter, and is an Adjunct Professor at Pace University.
PROPS - YUDELKA HEYER
Yudelka is an Actor/ Director and a Red Soil Productions founder an African and the Caribbean inspiredTheatre Company and works as a props mistress at the American Academy of Dramatics Arts. She enjoys every aspect of the Theatre and is thrilled to be part of this amazing production of The Report.
COSTUME DESIGN - BRIAN HEMESATH
Bway: Honeymoon in Vegas. Television; Sesame Street (Two Emmy Awards), Saturday Night Live, The Sopranos.
SPECIALTY MOVEMENT - DARREN LEE
Broadway: associate choreographer Pacific Overtures. Other New York productions include: History of War (NYMF), Heading East (Asia Society), Bronx Express (Fringe Festival), Hidden Sky (Prospect Theatre), Andy Warhol Was Right (NYMF), and Stephen Sondheim's 75th Birthday Celebration (New Amsterdam). Regionally he's created works for: Olney Theatre Center, Ogunquit Playhouse, Oregon Shakespeare Festival, St. Louis MUNY, Paper Mill Playhouse, Music Theatre of Wichita, Glimmerglass Opera Festival, La Jolla Playhouse, McCarter Theatre, Williamstown Shakespeare Festival, Diamond Head Theatre Hawaii, Riverside Theatre (Vero Beach), UNLV Westchester Broadway, North Shore, Cincinnati Playhouse, Atlanta Alliance
, Trinity University, Texas, Lyric Theatre, La Comedia,Casa Manana, Lyric Theatre, Omaha Symphony. Disney Cruise, Holland America Cruise Line. www.darrenlee.com.
LIGHTING DESIGN - MICHAEL O'CONNER
Recent work includes: This Is Mary Brown (La Mama), Young Frankenstein (Forestburgh Playhouse), Douglas Carter Bean's Robin Hood (Lester Martin), No One Loves Us Here (Urban Stages), Oxbow (BAM), Collin Dunne's The Turn (City Center), Jean Butler's Hurry (Danspace and PAC Dublin), Fairycakes (Lester Martin), While Chasing the Fantastic (AADA), Last Days of Cleopatra (Urban Stages), Mary Poppins (Forestburgh Playhouse), Morgan James CD Release (Le Poisson Rouge), Beauty of the Father (AADA), The Morons (Cell Theater), Fruits Unheard Of (Chashama), Who's Your Daddy? (Irish Rep), Red Valley (New 45th Street), Noctu (Irish Rep), American Clock (AADA), Jimmy Titanic (Drilling Company), Lend Me A Tenor (Gallery Players), New Works Studio (LAByrinth Theatre), Moonfleece (45th Street Theater), Oliver (David F.Clune Center), Snapshot Plays (Theatre 54), Spring Awakening (AADA). Michael is the resident lighting designer for New Light Theatre Project, the American Academy of Dramatic Arts NYC and Tere O'Connor Dance.
PRODUCTION ASSISTANT - AMY O'NEIL
Amy is a recent graduate of The American Academy of Dramatic Arts and is thrilled to be involved with The Report and FringeNY
PRESS REPRESENTATIVE - JIM RANDOLPH
Broadway: Crazy For You; City of Angels; Lost in Yonkers; Master Class; Saturday Night Fever; The Dinner Party; Laughter on the 23rd Floor; Tru; The Odd Couple; Jake's Women; Dame Edna: Back With a Vengeance; The Goodbye Girl; Death and the Maiden starring Glenn Close, Richard Dreyfuss & Gene Hackman; John Leguizamo's Freak; A Streetcar Named Desire with Jessica Lange & Alec Baldwin, Our Town starring Paul Newman. Off-Broadway: RUTHLESS!, I Love You, You're Perfect, Now Change; Freud's Last Session; SILENCE! The Musical; Oleanna; Over the River and Through the Woods; iLuminate; The Syringa Tree, Churchill.
COMPOSER - PAUL RUDOLPH
Composer, percussionist, instrument builder, and vocal music director for Sesame Street, was nominated in 2009 and 2013 for an Emmy in Music Direction. Composition clients: "Elmo's Monster Maker," Leslie Carrara-Rudolph, Jerry Nelson, Heather Henson, Martin Robinson, the Jim Henson Company, and "Sesame Street". He has directed vocals for "Sesame Street" TV, home video, web content, Emmy-award winning songs and live performances. Paul's percussion group GLANK performs on custom found-object instruments, and began in 2002 in Los Angeles, performing customized audience-interactive shows. New York performances include La Mama, Roulette Kids, the Queens Maker Faire (Editor's Choice award in 2012, 2013, 2014) and the Secret Theatre via an arts grant from the Queens Council on the Arts and MuSE. GLANK has over 200 altered/tuned instruments plus 100's of audience interaction materials. Paul met his bride, Leslie Carrara-Rudolph, when he was assistant music director and composer for ABC's "Muppets Tonight."
SOUND DESIGN - CHRIS SASSANO
Chris Sassano is a 4 time EMMY award winner for Live Action Sound Editing on Sesame Street. He has worked on other educational shows such as Peg + Cat, Wonder Pets, 3rd & Bird, Electric Company, and It's A Big Big World. He has mixed for shows such as the Onion News Network. Chris works with Broadway Jr. productions sound designing the background ambiences and sound effect cues. In his free time he writes and directs for a NY sketch comedy troupe called, The Dog Committee.


text:
Add parallel Share Print Page Options Listen to Matthew 5:10, Matthew 19:14, Matthew 25:34, Mark 10:14, Luke 6:20, Luke 22:29-71
10 "Blessed are those who have been (A)persecuted for the sake of righteousness, for (B)theirs is the kingdom of heaven.
Matthew 5:10 : 1 Pet 3:14
Matthew 5:10 : Matt 5:3; 19:14; 25:34; Mark 10:14; Luke 6:20; 22:29f
Matthew 5:10 in all English translations
14 But Jesus said, "[a](A)Leave the children alone, and do not [b]forbid them to come to Me; for (B)the kingdom of heaven belongs to such as these."
Matthew 19:14 Or Permit the children
Matthew 19:14 Or prevent them from coming
Matthew 19:14 : Matt 18:3; Mark 10:15; Luke 18:17; 1 Cor 14:20; 1 Pet 2:2
Matthew 19:14 : Matt 5:3
34 "Then the King will say to those on His right, 'Come, you who are blessed of My Father, (A)inherit the kingdom prepared for you (B)from the foundation of the world.
Matthew 25:34 : Matt 5:3; 19:29; Luke 12:32; 1 Cor 6:9; 15:50; Gal 5:21; James 2:5
Matthew 25:34 : Matt 13:35; Luke 11:50; John 17:24; Eph 1:4; Heb 4:3; 9:26; 1 Pet 1:20; Rev 13:8; 17:8
14 But when Jesus saw this, He was indignant and said to them, "Allow the children to come to Me; do not [a]forbid them, (A)for the kingdom of God belongs to such as these.
Mark 10:14 Or prevent
Mark 10:14 : Matt 5:3
Mark 10:14 in all English translations
The Beatitudes
20 And He raised His eyes toward His disciples and began saying, "(A)Blessed are [a]you who are poor, for (B)yours is the kingdom of God.
Luke 6:20 Lit the poor
Luke 6:20 : Luke 6:20-23: Matt 5:3-12
Luke 6:20 : Matt 5:3
Luke 6:20 in all English translations
29 and just as My Father has granted Me a (A)kingdom, I grant you 30 that you may (B)eat and drink at My table in My (C)kingdom, and (D)you will sit on thrones judging the twelve tribes of Israel.
31 "Simon, Simon, behold, (E)Satan has [a]demanded to (F)sift you men like wheat; 32 but I (G)have prayed for [b]you, that [c]your faith will not fail; and [d]you, when you have [e]turned back, (H)strengthen your brothers." 33 (I)But he said to Him, "Lord, I am ready to go with You both to prison and to death!" 34 But He said, "I tell you, Peter, the rooster will not crow today until you have denied three times that you know Me."
35 And He said to them, "(J)When I sent you out without money belt and bag and sandals, you did not lack anything, did you?" They said, "No, nothing." 36 And He said to them, "But now, [f]whoever has a money belt is to take it along, likewise also a bag, and [g]whoever has no sword is to sell his [h]cloak and buy one. 37 For I tell you that this which is written must be fulfilled in Me: '(K)And He was counted with wrongdoers'; for (L)that which refers to Me has its [i]fulfillment." 38 They said, "Lord, look, here are two (M)swords." And He said to them, "It is enough."
The Garden of Gethsemane
39 (N)And He came out and went, (O)as was His habit, to (P)the Mount of Olives; and the disciples also followed Him. 40 (Q)Now when He arrived at the place, He said to them, "(R)Pray that you do not come into temptation." 41 And He withdrew from them about a stone's throw, and He (S)knelt down and began to pray, 42 saying, "Father, if You are willing, remove this (T)cup from Me; (U)yet not My will, but Yours be done." 43 [[j]Now an (V)angel from heaven appeared to Him, strengthening Him. 44 And (W)being in agony, He was praying very fervently; and His sweat became like drops of blood, falling down upon the ground]. 45 When He rose from prayer, He came to the disciples and found them sleeping from sorrow, 46 and He said to them, "Why are you sleeping? Get up and (X)pray that you do not come into temptation."
Jesus Betrayed by Judas
47 (Y)While He was still speaking, behold, a crowd came, and the one called Judas, one of the twelve, was leading the way for them; and he approached Jesus to kiss Him. 48 But Jesus said to him, "Judas, are you betraying the Son of Man with a kiss?" 49 When those who were around Him saw what was going to happen, they said, "Lord, shall we strike with the (Z)sword?" 50 And one of them struck the slave of the high priest and cut off his right ear. 51 But Jesus responded and said, "[k]Stop! No more of this." And He touched his ear and healed him. 52 And Jesus said to the chief priests and (AA)officers of the temple and elders who had come against Him, "Have you come out with swords and clubs (AB)as you would against a man inciting a revolt? 53 While I was with you daily in the temple, you did not lay hands on Me; but [l]this hour and the power of darkness are yours."
Jesus' Arrest
54 (AC)Now they arrested Him and led Him away, and brought Him to the house of the high priest; but (AD)Peter was following at a distance. 55 (AE)After they kindled a fire in the middle of (AF)the courtyard and sat down together, Peter was sitting among them. 56 And a slave woman, seeing him as he sat in the firelight, and staring at him, said, "This man was with Him as well." 57 But he denied it, saying, "I do not know Him, woman!" 58 And a little later, (AG)another person saw him and said, "You are one of them too!" But Peter said, "Man, I am not!" 59 And after about an hour had passed, some other man began to insist, saying, "Certainly this man also was with Him, (AH)for he, too, is a Galilean." 60 But Peter said, "Man, I do not know what you are talking about!" And immediately, while he was still speaking, a rooster crowed. 61 And then (AI)the Lord turned and looked at Peter. And Peter remembered the word of the Lord, how He had told him, "(AJ)Before a rooster crows today, you will deny Me three times." 62 And he went out and wept bitterly.
63 (AK)The men who were holding [m]Jesus in custody began mocking Him and beating Him, 64 and they blindfolded Him and repeatedly asked Him, saying, "(AL)Prophesy, who is the one who hit You?" 65 And they were saying many other things against Him, (AM)blaspheming.
Jesus before the Sanhedrin
66 (AN)When it was day, (AO)the [n]Council of elders of the people assembled, both chief priests and scribes, and they led Him away to their (AP)council chamber, saying, 67 "(AQ)If You are the [o]Christ, tell us." But He said to them, "If I tell you, you will not believe; 68 and if I ask a question, you will not answer. 69 (AR)But from now on (AS)the Son of Man will be seated at the right hand of the power of God." 70 And they all said, "So You are (AT)the Son of God?" And He said to them, "(AU)You say correctly that I am." 71 And then they said, "What further need do we have of testimony? For we have heard it ourselves from His own mouth!"
Luke 22:31 Or asked for you men, to sift you
Luke 22:32 Gr singular, referring only to Peter
Luke 22:32 I.e., repented
Luke 22:36 Lit he who
Luke 22:36 Or outer garment
Luke 22:37 Lit end
Luke 22:43 Most early mss do not contain vv 43 and 44
Luke 22:51 Or "Leave him alone! No more"
Luke 22:53 Lit this is your hour and the power of darkness
Luke 22:63 Lit Him
Luke 22:66 Or Sanhedrin
Luke 22:67 I.e., Messiah
Luke 22:29 : Matt 5:3; 2 Tim 2:12
Luke 22:30 : Luke 22:16
Luke 22:30 : Matt 19:28
Luke 22:31 : Job 1:6-12; 2:1-6; Matt 4:10
Luke 22:31 : Amos 9:9
Luke 22:32 : John 17:9, 15
Luke 22:32 : John 21:15-17
Luke 22:33 : Luke 22:33, 34: Matt 26:33-35; Mark 14:29-31; John 13:37, 38
Luke 22:35 : Matt 10:9f; Mark 6:8; Luke 9:3ff; 10:4
Luke 22:37 : Is 53:12
Luke 22:37 : John 17:4; 19:30
Luke 22:38 : Luke 22:36, 49
Luke 22:39 : Matt 26:30; Mark 14:26; John 18:1
Luke 22:39 : Matt 21:1
Luke 22:40 : Luke 22:40-46: Matt 26:36-46; Mark 14:32-42
Luke 22:40 : Matt 6:13; Luke 22:46
Luke 22:41 : Matt 26:39; Mark 14:35; Luke 18:11
Luke 22:43 : Matt 4:11
Luke 22:44 : Heb 5:7
Luke 22:47 : Luke 22:47-53: Matt 26:47-56; Mark 14:43-50; John 18:3-11
Luke 22:52 : Luke 22:4
Luke 22:54 : Matt 26:57; Mark 14:53
Luke 22:54 : Matt 26:58; Mark 14:54; John 18:15
Luke 22:55 : Luke 22:55-62: Matt 26:69-75; Mark 14:66-72; John 18:16-18, 25-27
Luke 22:58 : John 18:26
Luke 22:61 : Luke 7:13
Luke 22:63 : Matt 26:67f; Mark 14:65; John 18:22f
Luke 22:66 : Matt 27:1f; Mark 15:1; John 18:28
Luke 22:66 : Acts 22:5
Luke 22:67 : Luke 22:67-71: Matt 26:63-66; Mark 14:61-63; John 18:19-21
Luke 22:69 : Matt 26:64; Mark 14:62; 16:19
Luke 22:69 : Ps 110:1
Luke 22:70 : Matt 4:3
Luke 22:70 : Matt 26:64; 27:11; Luke 23:3
NASB, Thinline Bible, Red Letter Edition, 1995 Text, Comfort Print
NASB, The Charles F. Stanley Life Principles Daily Bible, Paperback: Holy Bible, New American Standard Bible


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Science illustrations as tattoos
Over the years I've been contacted by a few different people interested in licensing one of my illustrations for a tattoo. Most recently, John Conn, an Air Traffic Controller for the United States Air Force, wanted to incorporate my illustration of a timber rattlesnake into his "Don't Tread on Me" tattoo (on his calf).
John Conn's "Don't Tread on Me" tattoo
yellow phase, Crotalus horridus horridus © Emily S. Damstra
Several years ago, a woman licensed my pen-and-ink blastoid illustration for an arm tattoo. Kat Marie Moya inked the tattoo.
fossil blastoid illustration as tattoo
Mississippian-age blastoid Pentremites godoni © Emily S. Damstra
It makes me happy when folks like my illustrations enough to wear one on their skin!
You are a very talented artist Emily. I've actually told a few of my friends about your website after they remarked how much they like the tattoo. Thanks again!
emilydamstra September 17, 2011 at 11:01 pm
You're welcome, John, and thank you.
Glendon Mellow September 18, 2011 at 6:06 pm
Submit them to Carl Zimmer's Science Tattoo Emporium!
emilydamstra September 19, 2011 at 7:57 pm
Great suggestion, Glendon; thanks. I've been to that website before and had fun browsing.


May your path be sprinkled with four-leaf clovers.
And may luck be your constant companion.
This dashing green trilby wouldn't hurt, either, designed by London-based, Irish milliner, Philip Treacy.
Luck of the Irish: a green trilby by Mr. Treacy.
Next Post Déjà Vu: Double G or Double M?


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Set Custom Scripts

Prepare

Setup test/deployment environment, install dependencies etc.

An exit code other than 0 will fail the tests.

      <textarea ng-model="scripts.prepare" spellcheck="false" name ='prepare' placeholder ="unix commands"></textarea>

Test

Run a custom test command. An exit code other than 0 counts as a test failure.

      <textarea ng-model="scripts.test" spellcheck="false" name='test' placeholder ="unix commands"></textarea>

Deploy

Run a custom deploy script.

      <textarea ng-model="scripts.deploy" spellcheck="false" name = 'deploy' placeholder ="unix commands"></textarea>

Cleanup

Clean up after a build. Regardless of previous test results etc, cleanup will
      still be run.

      <textarea ng-model="scripts.cleanup" spellcheck="false" name = 'cleanup' placeholder ="unix commands"></textarea>

    <button ng-click="save()" ng-disabled="saving" class="btn btn-primary btn-large">Save</button>

redpajama_set_name: RedPajamaGithub


Now, we have a few options available to us when it comes to SCCM, we could use witchcraft enchantment spells called hard-link and create a state-store (USMT) that holds the data inside a folder on the C Drive. Or we could summon the powers of the State Migration Points and keep data in users profiles for a certain period of time in hardware replacement scenarios. But what if all you need is to capture everything in one go?
Easy, here's how and it will take you about 10 minutes to set it up.
This account needs permissions on the content folders we use for OSD, so ensure it has permissions over your deployment shares.
Step 2. Create a blank Task Sequence. Click on Software Library – Expand Operating Systems – Right Click on Task Sequences – Click on Create a Task Sequence.
Choose to Create a new Custom Task Sequence.
Right click and Edit your newly made TS, you will notice its completely empty. So, lets fill it out.
On TS – Click Add – General – Click on Restart Computer. We needs to bounce the client into WinPE to capture the users disk and and turn it into a .WIM file. Please make sure that you Specify what to run after the restart = The boot image assigned to this task sequence. This will ensure that we boot into WinPE. Under Options add a task Sequence Variable of _SMSTSInWinPE equals FALSE. As shown below.
Next we needs to use our MDT Toolkit package! Now if you're wondering if you have a MDT toolkit package or not, you would have created one when you integrated SCCM with MDT and subsequently created a MDT Task Sequence via SCCM.
If you haven't integrated SCCM with MDT have a dig online – but the TheDesktopTeam will be covering that topic with SCCM 2012 R2 in a later post.
Anyways … Click Add – MDT – And Click "Use Toolkit Package" and select your MDT Toolkit Package. As shown below.
Next we have to specify the backup location and for this we will use a standard Task Variable – Click Add – General – Click on Set Task Sequence Variable – Change the Name to Backup Location (so you know which step in the TS it is) and set the Task Sequence Variable = ComputerBackupLocation the Value = \\ServerName\BackupLocation (where ServerName and BackupLocation are where you want to store the .WIM after the TS has run) as shown below.
NOTE: Copy this command into notepad and re-do the speech marks " " if these are wrong it will fail) as shown below.
Lastly, once everything is done, we need to add in one last Reboot to complete the process as with the first step, add in a reboot step and under "Specify what to run after the restart", choose "The currently installed default operating system" as shown below.
Deploy this task sequence as you would with any other Task Sequence, it will run from the Desktop and via PXE.
You can restore the .WIM file a simple SCCM or MDT task sequence.


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NYC Indie Big Bands Showcase
Experience a special showcase of exciting indie big bands, featuring the Jazzrausch Big Band, a collective of 40 professional musicians from Munich, Germany, quietly revolutionizing the German club scene; the NYChillharmonic, a big band based out of Brooklyn, led by vocalist and songwriter Sara McDonald; and John the Martyr, a 12 piece soul band where New Orleans and Harlem collide.
Tickets: $15 online ($20 at the door)
Broadway Bares Soul: Vanessa Williams
An Intimate Evening of Song & Spirit
Broadway stars bare their souls, literally, in these 90 minute interviews featuring revealing talk about their formative influences, their life trajectories, and how their careers have been shaped by their spiritual and social/political worldview. Guests will also be invited to perform two or three songs of their choice as part of the evening. The interviews will be conducted by Edward L. Beck, priest, author, playwright and CNN Faith and Religion commentator.
Vanessa Williams is one of the most respected and multi-faceted performers in entertainment today. She has conquered Broadway, music videos, television, motion pictures, and the musical charts, selling millions of albums worldwide. She has achieved critical acclaim as an actress on stage, in film, and on television.
Erin Ortman (Director) currently serves as The Curator of Theatrical Works at The Sheen Center. On the stage at The Sheen she has directed concerts including the Kate Baldwin and Friends, Convergences – An Indie Artists Series, conversations facilitated by Anne Cattaneo of Lincoln Center, evenings of classical music and theatre curated by Tone DeMare, and all concerts created for Broadway Bares Soul. She is also a freelance director working with many theatre companies throughout New York City.
One More Time With Feeling: A Night of Poetry with Sarah Kay, Anis Mojgani, Clint Smith and Hanif Abdurraqib
The Sheen Center is proud to present One More Time With Feeling – A night of poetry with Sarah Kay, Anis Mojgani, Clint Smith, and Hanif Abdurraqib—four incredible poets whose work covers the sadness, fears, anxieties, and joys of living in this wild world. Sarah, Anis, Clint and Hanif return to the Sheen Center after their sold out performance in September 2016.
Sarah Kay is a poet and educator from New York City. She is the founder and co-director of Project VOICE, which brings spoken word poetry to schools and communities around the world. Sarah is the author of three books of poetry: No Matter the Wreckage (Write Bloody, 2014), B(Hachette Books, 2015), and The Type (Hachette Books, 2016). She is perhaps best known for her 2011 TEDtalk which garnered two standing ovations and has been viewed over ten million times online.
Anis Mojgani is the author of four books, most recently, The Pocketknife Bible, a fully illustrated poetry memoir. A national and international Poetry Slam Champion, and TEDx Speaker, he has been awarded residencies from the Vermont Studio Center, AIRSrenbe, and the Oregon WITS Program. Anis' work has appeared on HBO, NPR, and in journals Rattle, Forklift Ohio, and Bat City Review, amongst others, and has performed for varied audiences all over, ranging from the United Nations to the Getty Museum. Originally from New Orleans, he currently lives in Portland OR.
Clint Smith is a doctoral candidate at Harvard University and has received fellowships from Cave Canem, the Callaloo Creative Writing Workshop, and the National Science Foundation. He is a 2014 National Poetry Slam champion and his writing has been published in The New Yorker, The Atlantic, The Guardian, the New Republic, the American Poetry Review and elsewhere. He is the author of Counting Descent (2016),which won the 2017 Literary Award for Best Poetry Book from the Black Caucus of the American Library Association and was a finalist for an NAACP Image Award. He was born and raised in New Orleans.
Hanif Abdurraqib is a poet, writer, and cultural critic from Columbus, Ohio. His first collection of poems, The Crown Ain't Worth Much, was released by Button Poetry in 2016. His first essay collection, They Can't Kill Us Until They Kill Us, is forthcoming from Two Dollar Radio in November.
Tickets: $45/$30/$20
$20 Students use code STUDENT20*
$20 Veterans use code VETERANS20
* Valid ID required at Box Office
Andréa Burns: Live in Concert!
Done It and Dreaming It
After her smash concert at The Sheen in the spring, Broadway favorite Andréa Burns returns with her latest solo show, "Done It and Dreaming It."
Recounting and revisiting the variety of roles she has played, Andréa takes the audience with her as she considers legendary roles yet to come. This will be a funny, thrilling, and moving evening featuring the multi-talented Andréa and the genuinely warm connection to an audience that has become her signature.
Hamilton's Kurt Crowley music directs the evening.
Andréa Burns is a Drama Desk Award winner who was most recently on Broadway playing Gloria Fajardo in On Your Feet. She created the role of Daniela in Lin-Manuel Miranda's Tony Award-winning musical In The Heights. Andréa has also appeared in The Nance, Beauty and the Beast, The Full Monty, and The Ritz on Broadway. Off-Broadway, she has been in the original casts of Jason Robert Brown's Songs for a New World and Stephen Sondheim's Saturday, Night. Andréa has appeared in numerous TV shows including "Blue Bloods," "Jessica Jones," "Rescue Me," "The Electric Company," and "Law & Order: SVU." Her film credits include Akron and The Prince and her solo album, A Deeper Shade of Red, is available on psclassics.com
(Student Tickets: $15 Day of with ID)
Broadway Bares Soul: Kelli O'Hara
Broadway stars bare their souls, literally, in these 90 minute interviews featuring revealing talk about their formative influences, their life trajectories, and how their careers have been shaped by their spiritual and social/political worldview. Guests will also be invited to perform two or three songs of their choice as part of the evening. The interviews will be conducted by Edward L. Beck, C.P., priest, author, playwright and CNN Faith and Religion commentator.
With five Tony nominations, Kelli O'Hara has unequivocally established herself as one of Broadway's great leading ladies (South Pacific, The Light in the Piazza, The Pajama Game). Her portrayal of Anna Leonowens in the critically acclaimed revival of The King and I recently garnered her a Tony Award for Best Leading Actress in a Musical, along with Drama League and Outer Critics nominations.
Exclusive Sneak Preview of "The Star"
In Sony Pictures Animation's The Star, a small but brave donkey named Bo yearns for a life beyond his daily grind at the village mill. One day he finds the courage to break free, and finally goes on the adventure of his dreams. On his journey, he teams up with Ruth, a lovable sheep who has lost her flock and Dave, a dove with lofty aspirations. Along with three wisecracking camels and some eccentric stable animals, Bo and his new friends follow the Star and become accidental heroes in the greatest story ever told – the first Christmas.
Voice talent for the film includes Oprah Winfrey, Tyler Perry, Patricia Heaton, Kelly Clarkson, Kristin Chenoweth, and Christopher Plummer. Before the screening, there will be a red carpet with the director Timothy Reckart, and special guest Timothy Cardinal Dolan.
Tickets are by invitation only
The Life of a Swiss Guard: A Private View
An intimate view into the life of the Guards of the Holy Father, the oldest army in the world, composed of young soldiers who promise an eternal commitment to the Pope to preserve peace and security.
The Justice Film Festival
The Justice Film Festival provides inspirational films, featuring stories of unexpected courage and redemption that are diverse in both issues and geography. This year's event will include feature films, documentaries, and shorts from both well-known and emerging filmmakers that shine a light on justice in our changing world.
Opening Night of the Festival on October 6 with special appearance by Morgan Freeman and executive producer Lori McCreary
beginning at 7:00pm
THE STORY OF US WITH MORGAN FREEMAN (48 minutes)
At a time when events seem to be driving cultures apart and splintering our own, Morgan Freeman goes on a global journey to understand how human culture has taken so many remarkable forms. At the root of his quest is a drive to uncover the fundamental forces that keep our societies together, while revealing the common humanity that lies inside each one of us. 🎥 around the world
Post Screening with Special Guests: Morgan Freeman and Lori McCreary
SUMMER IN THE FOREST (108 minutes)
Like countless others, Philippe, Michel, Andre and Patrick were labeled "idiots," locked away and forgotten in violent asylums, until the 1960s when the young philosopher Jean Vanier took a stand and secured their release — the first time in history that anyone had beaten the system. Together they created L'Arche, a commune at the edge of a beautiful forest near Paris. Director: Randall Wright 🎥 in France
CYCLE OF CHANGE (9 minutes)
Moved by the lack of opportunity for women and youth in her community in El Salvador, Reina Molino ventures to Guatemala to study bici-maquinas—bicycle pedal-power technology. Leaving everything she knows behind, Reina embarks on an inspiring journey of self-empowerment and problem solving. Director: Sarah Frei 🎥 in El Salvador
BEHOLD THE EARTH (64 minutes)
America's divorce from the outdoors – and possibilities for reconnection through a dialogue between science and religion – are explored in this music-rich documentary. Grammy-award winning musician Dirk Powell leads arrangements of traditional American tunes, with Rhiannon Giddens, Tim Eriksen, and more. Director: David Conover 🎥 in the U.S.
IRAQ: A FORGOTTEN HOPE (37 minutes) The Middle East is an ancient land with a complicated narrative. Today in Northern Iraq, the story seems muddier than ever. A modern evil has brought devastation and genocide, pushing some of Iraq's oldest people groups to the verge of extinction. In an effort to make sense of the story, host Mark Foreman meets with ethnic minorities, ISIS survivors, and political and religious leaders. Director: Joel Parker 🎥 in Iraq
A SIMPLER WAY (26 minutes)
Four university students journey to a remote village in Uganda to discover a radically simple solution to an urgent global problem. A Simpler Way explores the need for simple, affordable solutions to global development issues and the role of personal experience in meaningful, transformative education. Director: Michael O. Snyder 🎥 in Uganda
SWIM TEAM (90 minutes)
Swim Team chronicles the extraordinary rise of the Jersey Hammerheads, a competitive swim team with multiethnic autistic teen recruits, capturing a moving quest for inclusion, independence and a life that feels winning. Director: Lara Stolman 🎥 in New Jersey
PERIPHERAL (13 minutes)
A moving glimpse into the mind of painter Jimmy Abegg and his ever-expanding vision, even in the face of going blind. This documentary explores the struggles of Abegg, forced to adapt his craft in light of a disease that will rob him of his sight. Director: Derek Pearson 🎥 in Nashville
CONEY ISLAND DREAMING (9 minutes)
A young girl is attracted to the magic and beauty of Coney Island as she dreams of escaping the harsh reality of her circumstances. She gets lucky when she finds some lost money at the entrance to an alleyway, but when the money runs out she tries to delay the inevitable reality that awaits her. 🎥 in Brooklyn
OUTCASTS (65 minutes)
Travel to the prisons of Central America, walk the dark city streets of London, New York and Ireland's most treacherous neighborhoods. Step beyond your comfort zone and into the lives of our modern-day outcasts. Directors: Joseph Campo, Clifford Azize, Michael Campo 🎥 in the U.S., UK, Ireland, and Central America
DESIGN THAT HEALS (24 minutes)
In the thick of epidemic catastrophe, can architecture help to heal? Dr. Jean William Pape, a Haitian infectious disease specialist, believes it can. He has dedicated the last 35 years to combating diarrheal diseases that harm and kill his nation's poor. Design that Heals is an uplifting story about leadership, innovation, and human resilience. Director: Thatcher Bean 🎥 in Haiti
REMAND (40 minutes)
Henry, a Ugandan boy, is losing hope, languishing in prison, awaiting trial for two murders he didn't commit. Jim's comfortable life as a Los Angeles lawyer and law professor nearly ensured he and Henry would never meet. Remand tells the true story of how Henry and Jim, separated by an ocean, worked together to inspire justice reform for an entire country. Director: Craig Detweiler 🎥 in Uganda
NO PLACE FOR A REBEL (76 minutes)
Sixteen years after rebels abducted him as a child, Opono Opondo returns home to Uganda as an adult war commander in the infamous Lord's Resistance Army led by Joseph Kony. No Place for a Rebel shows Opono's fight for his future, while struggling to come to terms with his past and reconcile with his family. Directors: Maartje Wegdam & Ariadne Asimakopoulos 🎥 in Uganda
UNSEEN (26 minutes)
After nearly taking his own life, a young man's future depends on his grandfather's ability to face the past. Director: MD Neely 🎥 in Ireland
NEWTOWN (85 minutes)
In the aftermath of the worst school shooting in history, the traumatized community of Newtown, Connecticut finds a new sense of purpose in this intimate story of resilience as told by those whose lives were changed forever. Director: Kim A. Snyder 🎥 in Newtown, Connecticut
NO WAY BACK (16 minutes)
Zeinah and her 11-year-old daughter Norah have fled the devastating war in Syria and find themselves on the Turkish coast, desperately trying to board a dinghy to Europe. With every passing day and failed attempt, Zeinah is faced with the most difficult decision of her life. Director: Michael Kongshaug 🎥 in Turkey
SACRED (86 minutes)
From Academy Award-winning director Thomas Lennon, Sacredimmerses the viewer in the daily use of faith and spiritual practice. At a time when religious hatreds dominate the world's headlines, this film explores faith as a primary human experience, and how people turn to ritual and prayer to navigate the milestones and crises of private life. Director: Thomas Lennon 🎥around the world
*Screenings subject to change
Tickets for each day's screening: $15
Weekend Festival Pass (includes reserved seating for all screenings) $40
The 2017 Albacete Lecture on Faith and Culture
Disarming Beauty
A lecture by Fr. Julián Carrón, on faith, truth, and freedom on the threshold of a new epoch.
Fr. Julián Carrón is Professor of Theology at the Catholic University of the Sacred Heart in Milan, Italy and President of the Fraternity of Communion and Liberation
Monsignor Lorenzo Albacete, soul, mind and mentor of Crossroads, chaired its advisory board from its establishment in 2007 until he passed away on October 24, 2014. In order to honor his memory, to deepen his profound intuitions about the interaction of culture with religiosity and reason, and to follow his shining example of dialogue with people in various walks of life by meeting them at the level of human experience, Crossroads has established the Albacete Lecture on Faith and Culture. Its goal is to become an annual occasion and a meeting place, a crossroads, where we can develop an understanding of why culture matters and where it finds its origin.
The 2017 Albacete Lecture on Faith and Culture will be given by Fr. Julián Carrón. Fr. Carrón became the leader of the global ecclesial movement Communion and Liberation, following the death of the movement's founder, Msgr. Luigi Giussani. Disarming Beauty is the English translation of an engaging and thought-provoking collection of essays by one of the principal Catholic leaders and intellectuals in the world today. Adapted from talks given by Fr. Carrón, these essays have been thoroughly reworked by the author to offer an organic presentation of a decade-long journey. They present the content of his elaboration of the gospel message in light of the tradition of Fr. Giussani, the teachings of the popes, and the urgent needs of contemporary people.
Carrón offers a broad diagnosis of challenges in society and then introduces their implications in contexts such as families, schools, workplaces, and political communities. In a dialogue with his listeners, he inspires and encourages them to lay out a new path for the Catholic Church and the world. Throughout his essays, Carrón addresses the most pressing questions facing theologians today and provides insights that will interest everyone, from the most devout to the firm nonbeliever. Grappling with the interaction of Christian faith and modern culture, Carrón treats in very real and concrete ways what is essential to maintaining and developing Christian faith, and he invites an ongoing conversation about the meaning of faith, truth, and freedom.
The Mecca Tales
Written by Rohina Malik
Directed by Kareem Fahmy
THE MECCA TALES tells the story of five Muslim women on the pilgrimage known as the Hajj. When their bus is stopped miles short of their destination, tempers flare and the women are tested in unexpected ways. They share their personal stories in an attempt to move forward in their lives and find meaning in a spiritual journey seemingly gone awry.
Running Time: Approx. 90 minutes (no intermission)
Talkbacks will follow the Sun Oct 22, Sun Oct 29, Wed Nov 1, and Thurs Nov 2 performances.
Sun Oct 22 — Spiritual Journeys
Sun Oct 29 — Women and Islam
Wed Nov 1 — Bridges to Understanding
Thu Nov 2 — Meet the Artists
With Cynthia Bastidas,* Kimberly S. Fairbanks,* Mariam Habib,* Gulshan Mia,* Jade Radford,* Louis Sallan* (*Appears Courtesy of Actors' Equity Association, Equity-Approved Showcase)
Set Design: David Esler, Costume Design: Teresa Snider-Stein, Lighting Design: Devorah Kengmana, Sound Design: Fan Zhang, Assistant Costume Design: Karim Rivera-Rosado, Assistant Lighting Design: Ashley Kok, Production Stage Management: Keri Landeiro, Assistant Stage Managers: Kelli McGurk and Tiffany McWilliams, Choreographer: Theara J. Ward, Dramaturg: Salma Zohdi, Publicity: Emily Owens PR, Casting by Stephanie Klapper
Voyage Theater Company presents new and unheralded plays and playwrights from around the world, creating opportunities for collaboration between theater-makers of diverse cultures and disciplines. We serve our local community in New York City through professional productions, educational programming, internships, and discounted tickets for students and seniors. We present plays in multiple languages, and work in partnership with other non-profit organizations to broaden perspectives and build greater cultural equity across communities.
$18 general admission, $15 seniors and students


The water is essential for life on Earth both indirectly and directly. It is a universal solvent and is one of the most studied liquids ever. And yet it appears to be hiding a secret. Water might not be just one liquid; it could be two.
This might sound weird but it has been witnessed with other substances, such as germanium and silicon. These can be found in two density states depending on pressure and temperature. One is a low-density state and other is a high-density state. The point at which this occurs is called the second critical point, to differentiate from the critical point, which separates liquid states from gaseous states. The latter one for water is at a pressure of 218 atmospheres and a temperature of 374°C (705°F).
The existence of a second critical point for water is not a newly developed hypothesis. As reported in new scientist n greater detail, scientists have been looking for this phenomenon for a few decades. In 1992, researchers at Boston University studied how the density of water changed as temperatures were lowered. They discovered fluctuations in the value. This was the opposite of what was expected. At lower temperatures, there should be fewer fluctuations, not more.
Computer simulations showed that the effects would continue as the temperature of liquid water dropped below its freezing point. It was a hint that something very peculiar was going on, but this was clearly going to be difficult to prove. It is possible to have pure liquid water below the freezing point. It's called supercooled water and it has interesting properties. But it does freeze eventually. And the suggested region for water's second critical point, at around -45°C (-49°F), seemed unreachable. It did until recently.
When two different techniques showing similar results are encouraging, there might be many reasons to explain the density fluctuations and they might not be related to a second critical point. More work will be necessary to prove it controversially, one way or the other. Two potential types of liquid water don't only matter at unusual temperatures and pressures. They might help explain curious properties of water at room temperature and, according to some researchers, even matter when it comes to essential-to-life molecules such as proteins.


Lois Bernard, LCSW is a social worker in Asheville, NC. She specializes in social work and clinical social work.
As a clinical social worker I strive to assess the whole person including physical health, family history and environment. I take my responsibility seriously and as much as possible, empower my clients to work with me to create a treatment plan which empowers and heals them, their family and ultimately the community of which they are a part.
How was your experience with Lois Bernard?