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A Handful of Objects
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Red Stone Dancer
Henri Gaudier-Brzeska (1891–1915)
Five Ships – Mount's Bay
Alfred Wallis (1855-1942)
March 1962 (Argos) (detail)
Ben Nicholson (1894-1982)
Conical Bowl
Lucie Rie (1902-1995)
Spiral of Stones
Jim Ede (the creator of Kettle's Yard)
Explore Kettle's Yard
kettlesyard.co.uk
Oil and graphite on card
Five Ships – Mount's Bay (c.1928) depicts five Cornish luggers (small sailing ships) sailing into Mount's Bay. Ships at sea were principal subjects for the English painter, fisherman and scrap merchant Alfred Wallis who painted from memory, regarding his paintings as an expression of his experiences.
Why did he paint ships?
Ships and seascapes were what Alfred Wallis knew best. He spent much of his working life at sea and then as a scrapyard merchant living on the coast. He never went outside to paint from life, but instead painted from his memory, recalling the boats and ships he had seen and sailed on. The artist Ben Nicholson remembers him declaring 'Houses – houses – I don't like houses – give me a ship and you take all the houses in the world!'
Sailing ships and two steamers – Newlyn harbour, n.d.
Alfred Wallis
Seascape – ships sailing past the Longships, 1928 (circa)
Two sailing ships, n.d.
Brigantine sailing past green fields, n.d.
Houses at the water's edge (Portleven?), 1925-28
Brigantine with figurehead, n.d.
Schooner in full sail near a lighthouse, 1925-28
His paintings have a strong nostalgic quality. Wallis often painted the ships he knew from his youth, the types of sailing ships that were being replaced by large steamboats. He wrote regular letters to Jim Ede, the founder of Kettle's Yard, repeating often that he painted 'what used to be'.
Island Port mear Beach
The Old House in Porth mear Square
and a Bit of Back Road
The next is the flat boat
And The old Sayne Boats
And Two Saynes shoot with pilchers
What used To Be
And The old Beakwater
You will be able to shaw
Whin saynes was shoot
Their have Been as much as 7 sayns shoot at one Time
Most i do is what used To Be
Port mear = Porthmeor
Beakwater = breakwater
Sayne [seine] – a type of fishing net that hangs vertically in the water
Despite being painted from memory, the ships in this painting show a large degree of technical accuracy. In the painting Five Ships – Mount's Bay five Cornish luggers (small sailing ships) are shown sailing into Mount's Bay. Mount's Bay is a place for shelter in stormy weather. The ships here are shown with only a small amount of sail unfolded, suggesting strong winds and a possible storm. Wallis's knowledge of the ships is also demonstrated in the attention to detail of the rigging.
Left: St Ives Harbour, c.1880-1885. Photographer unknown. Right: Pilchard luggers sailing to fish in St Ives Bay, between October - December c.1900. Photographer unknown
The painting does, however, play with perspective, showing us a more personalised view than accurate one. Wallis includes two lighthouses, which would not in reality be visible together in this way. He often included lighthouses in his artwork, which emphasise the fraught and fragile relationship between humans, boats and the sea.
In this film clip, family members and neighbours share their memories of Alfred Wallis.
Alfred Wallis: Artist and Mariner. 1973. Mason Bruce Associates. Copyright BFI National Archive
He only done it to pass away the time because, I mean to say he didn't want no worldly goods because he had his pension. He lived in his little house on his own out there.
And we used to wonder at the artists going in there so much you know, they would go in, and they were carrying wood, you know, for him to paint on, pictures. We used to say, well what do they see in that picture? Well of course we've known since that he was the cleverest artist around.
And we used to go in there and my mother used to cook for the old man. And when we used to leave the plates out there and the little basins with his dinner, he used to you know, draw and them and paint, on the little basins, you see, with the gravy and things in them.
He used to live in Back Row just by where Harry's Court is now.
A little tiny man with blue eyes, I don't suppose he is more than five foot tall.
Very often when you went in there he was painting on something. Sometimes he would let you watch him a bit.
He used to say "here you are my dear, carry this home" we used to get the marmalade in those days with stone jars, well I used to carry them home, mother used to say to me: "Well don't for heaven's sake, Emily, bring any more of them in".
He never took up painting until the latter years of his life, after his wife deceased. Then he started doing little bits of sketches of boats and vessels and steamboats and landscapes, and some were drawn on bits of cardboard. Then he would put them outside, and if you went there, he would explain to you, in his way, the detail of every part of the sail and what it was used for.
Alfred always had his door open. And Ben Nicholson and this friend was going by and they sort of stood and looked and had a chat about them, and then they decided they would like to go inside and have look if Alfred didn't mind, and of course nothing pleased Alfred better than that for anybody to come and see his paintings, you know. So he was really thrilled to bits when these people came in and had a look around, and from then, well, Alfred started to be noticed.
He said to father one day, "Jacob", he said, "I wonder what they artist fellows can thing of us here and my bits of cardboard." He said "They must think something about them Alfred" he said, "to buy them!"
He used to paint all day, ships, the last one that I remember that he painted, my husband come in here he said "come here and see Mr Wallis's latest". On the screen he had painted a boat and a lighthouse, but the waves were putting the boat above the lighthouse. It was amusing!
So I said to Mr Burleigh "why is it you took so much interest in these pictures being of an unqualified man?" he said "Mrs Ward" he said "I'll tell you. Although we are" he said "supposed professional artists, we seemly can't get the sea so real as he did."
How did he paint it?
Alfred Wallis painting at 3 Back Road West, St Ives 1928, © Tate.
As far as we know Alfred Wallis never painted from life, but instead painted scenes from his memory. The artist Ben Nicholson wrote that when Wallis discussed his works, he would do so 'speaking of them not as paintings but as events or experiences.'
Most of his pictures are painted on old boards, cardboard or packaging cases. Ben Nicholson described Wallis's method of painting:
'He would cut out the top and bottom of an old cardboard box, and sometimes the four sides, into irregular shapes, using each shape as the key to the movement in a painting, and using the colour and texture of the board as the key to its colour and texture. When the painting was completed, what remained of the original board, a brown, a grey, a white or a green board, sometimes in the sky, sometimes in the sea, or perhaps in a field or a lighthouse, would be as deeply experienced as the remainder of the painting.'
His house was filled with his paintings, as one neighbour remembered:
'He used to have a passion for painting mackerel luggers, used to make a freeze of them all the way round his wainscoting [… ] Used to paint on the cups as well – nothing was safe from where paint could go.'
Wallis often used ships paints in his paintings. He had strong views on what colours should be used in painting and worked with a limited palette. In one letter he wrote to Jim Ede:
'I do not put collers [sic. colours] what Do not Belong I Think I spoils the pictures Their have Been a lot of paintins spoiled By putin collers where they do not Blong.'
Wallis often gave the most prominence to what he thought was most important in his paintings, rather than what was closest or largest in reality. Sailing ships are often shown as larger than steam boats, and fish would sometimes dwarf everything else in the painting. In Five Ships the ships dominate the image and are as tall as the lighthouses and St Michael's Mount.
How much did he charge for his paintings?
Despite being championed by many key artists and critics of the time, Alfred Wallis didn't make a great deal of money from his paintings. Jim Ede describes receiving paintings in the post:
'I think it was in 1926 I first began to get paintings by Alfred Wallis. They would come by post, perhaps 60 at a time, and the price fixed at 1/-. 2/-, 3/-, according to size.'
1/- equals one shilling, which is equivalent to a few pounds today. Jim would choose how many he wanted and send back the rest.
Wallis produced a large number of artworks and painted everyday. He often gave work away, resulting in many works now being lost. Emily Woolcock, one of his step grandchildren, remembers visiting him as a child:
'And every time, practically, I went in he used to say: 'Here you are, carry this home.' I used to carry them home and mother used to say to me: 'Well, don't for heaven's sake, Emily, bring any more of them in. Throw them in the dustbin.' I've had scores of them. I've only got one today.'
Some of his artist friends worried about whether he had enough money. In one letter to Jim Ede, Wallis seems to be responding to Jim's concern that he gives too much of his money away:
'Sir I received your letter I do not think I have mad a merstek I saw a little boy on the paper looking well fed and he has a large family to keep I thought if he had the worth given it would be all help I ham poor myself a pechener of old age the paintins do com in to by clothin or anything else in that way needful. Its not the first time I have helpt such causes and I think it augut to be put that way mor than it is.' (sic)
Sir I Received your letter I Do not Think I have mad a merstak I saw a little boy an the paper looking well fed and he has a large family to keep I though if he had the worth given it would Be all help I ham poor my self a penchener of old age the paintins do com in to by clothin or any thing in that way needfull. Its not the first tim I have helpt such causes I think I think it augut to be put that way mor than it is. Not in simenas and theaters Sunday and stell and satness Sunday There is Two much moner Thron away when There is Better it Can Be put in
So I must Cose. From your friend alfred wallis
3 Back Road W
St Ives C
Penchener = pensioner
Simenas = cinemas?
Stell and satness = steal and sadness?
Moner = money
Cose = close
Despite the success of his artwork with his contemporaries, when Wallis was taken ill he spent the last few months of his life in Madron Poor House. Ben Nicholson ensured that he was well looked after and his friends worked together to ensure that he would have a suitable burial and grave.
'We explored the possibilities of having him removed from there and looked after, but under wartime conditions the difficulties proved too great. He was well cared for by the master and matron of the Institute, who were intelligent and extremely kind, and it was not long before he was telling the nurses to mind what company they kept, or before the inmates, nurses, matron, master and even the cooks were admirers of the ships he drew and painted, and he was working up to within a fortnight of his death.'
Alfred Wallis was born on 8 August 1855 in Devonport, near Plymouth. His parents were both Cornish, but lived in Devon where his father worked. His mother died when he was 10 and at some point after this his family returned to Cornwall. Wallis spent much of his life at sea, travelling as far as Newfoundland, a Canadian island off the east coast of North America. Wallis then become a scrap-yard merchant in St Ives. He never had any training as an artist and only took up painting in his 70s, to keep himself company after the death of his wife.
Ben Nicholson and Christopher Wood, two friends and artists involved in the modern art scene in London, met Wallis on a trip to St Ives in 1928. They were inspired by his artwork and shared it with many of their friends in London, including Jim Ede, the creator of Kettle's Yard. Alfred Wallis died in 1942.
Why is it special?
Alfred Wallis's paintings are often perceived as childlike, yet they had a great influence on other artists at the time, including many artists who were friends of Jim Ede. Below are some comments from Alfred Wallis's contemporaries about the impact his artwork had on their own work.
Christopher Wood: 'I am more and more influenced by Alfred Wallis – not a bad master though; he and Picasso both mix their colour on box lids.'
Barbara Hepworth: 'He certainly didn't know how much we all learned and took off him.'
Ben Nicholson wrote to Jim Ede on the day that Wallis died:
'I don't think a good Wallis is representational, it is simply REAL?'
Ben Nicholson may in fact have regretted introducing Jim Ede to Alfred Wallis's work, after Jim commented: 'you can't expect me to pay much attention to pictures by Ben Nicholson or Winifred Nicholson when you send me this by Wallis.'
In these paintings below from the Kettle's Yard collection Wallis's influence on Ben Nicholson and Christopher Wood is clear.
Ben Nicholson, c.1930 (Cornish port), oil on card
© Angela Verren Taunt 2015. All rights reserved, DACS.
Christopher Wood, Le Phare, 1930.
Do you see how Wood paints on a piece of board and Nicholson on card, with scuffed and uneven edges? In both the underlying colour of the material shows through. The boats are painted with accuracy and attention to detail, while in Nicholson's the houses are jumbled together, distorting the perspective.
Both artists have also adopted Alfred Wallis's limited range of colours. Wood particularly picked up on Wallis's interest in lighthouses. Le Phare, the title of his painting, and written across the newspaper in the foreground, is French for lighthouse. This draws attention to the lack of lighthouse in the painting, highlighting the fragile relationship between people, boats and the sea that is explored in many of Wallis's paintings.
Alfred Wallis is not just popular with artists: when the Art Fund asked the public to vote for their favourite British masterpieces in 2013, Five Ships – Mount's Bay made it into the top ten. Alfred Wallis's artworks continue to evoke a feeling of being by the sea, combined with a nostalgic sense of a seafaring life of a former era.
Why do you find Five Ships special?
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n the current political climate, it is difficult to find objective information concerning the history of Native Americans. Most authors find it impossible to allow the reader to form an independent interpretation of Indian history based on actual facts, and instead go on the warpath against the European-descended settlers, shooting rhetorical flaming arrows and forcing the reader to circle the wagons in self-defense. The first part of this book, while it makes no attempt to conceal its sympathy for the Indians' perspective, nonetheless contains a summary of the Indian Wars in North America that is somewhat objective and factual, if somewhat superficial. However, it concentrates on conflicts between settlers and Indians and ignores, for the most part, the wars that also raged among the Indians themselves, which were probably even more significant to the Indians than their problems with intruders from Europe (whom the Iroquois and Aztecs sometimes referred to as "food items").
The other chapters, on the Indians' traditional prehistory, culture, migrations, and contemporary concerns, are very poorly written, with short, dull sentences. In the last chapter, "Contemporary Indians", the author gives vent to his pent-up rabidly anti-American sentiment. The book contains considerable coverage of Canadian Indians as well as those in the USA.


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o	An overflow storage facility, in a street nearby called Moore Street.
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iii.	Production of bulk tooling such as stitch-marking patterns, dies etc.
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•	Engineer archived styles to ensure that they are stored digitally to protect them for future use.
This is a technical role, requiring the willingness and ability to learn fast and work using your own initiative. The ability to work both as part of a team and individually is essential. You will be responsible for taking an initial paper standard and engineering that using computer software to generate plastic patterns using a laser cutter which are then used by the factory. As part of this process you must learn how to grade the patterns (grading is controlling the increase or decrease in the pattern per shoe size). You will also be responsible for assisting with any other tooling up necessary, set up of the bill of materials and work ticket data for each style and made to order styles, management of wear trials and their feedback and organizing any necessary physical and chemical testing.
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ABINGTON TWP., Pa. (WPVI) -- A 58-year-old Somerton woman is accused of robbing a bank in Abington Township by using a starter pistol to hold up the teller.
Nijole Snezhko is facing robbery charges, after police say she walked into the Key Bank in Huntington Valley and pulled out a gun.
They say she demanded money and then told the teller to come with her.
But the teller refused to go, and investigators say Snezhko fled.
Police caught up with her a short time later,and say they found the money and the gun - which was a starter pistol in her vehicle.


You may or may not have heard of us but you probably just may have seen our work - we often have the opportunity to work on some amazing events throughout Australia and New Zealand with our clients ranging from A-List Artists and their production companies, Festival Organisers, Touring Bands, Record Labels, TV Channels, Theatres, Corporate Clients, DJ's and some of the Industry's biggest promoters, as well as Schools and Colleges, Wedding Planners and individuals.
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Who is developing antibody-inducing vaccines for unconventional indications like different chronic diseases, addictions, autoimmune and genetic diseases? Are there vaccines which cure or prevent cancer, Alzheimer´s disease, Parkinson´s disease or Huntington´s disease? Can we decrease high cholesterol and prevent cardiovascular diseases by a vaccine? Can be a cocaine addiction treated by a vaccine? Or can somebody quit smoking by a simple vaccination?
Results from which clinical trials are expected to be available this year? Which indications are the most attractive for vaccine developers? What are the strategies companies adopt for vaccines development? How to define an ideal vaccine composition which enables to induce a strong, effective and long lasting antibody response? What target is the mostly employed when we talk about antibody-inducing vaccines for unconventional indications? What are highs and falls of vaccines development? Do you want to compare target product profiles for more than 100 active vaccine candidates? Which companies and academic institutions are the most active in vaccines development for unconventional indications? What are the technologies behind? Many answers can be found in the report "Active immunization for unconventional indications".
Vaccines are one of the most important treatments ever developed. Since 1796 when the first vaccine was tested (against smallpox), vaccines have saved millions of lives and many infectious diseases have been eradicated. This is a continuous process.
A traditional vaccine is a prophylactic vaccine which usually induces long-life immunity against exogenous or foreign antigens expressed on microorganisms. Usually, but not in all cases, these exogenous antigens induce a robust immune response where innate and specific immunity is involved. Immunization with weakened or dead microorganisms or their parts which have been made synthetically, protects against diseases caused by them.
Lessons have been learnt from infectious diseases and years ago people started to study vaccines for chronic diseases too, where a new challenge was introduced- inducing immune reaction against the own molecules which were thought to be involved in pathological processes. These own molecules could either be modified or overexpressed in the body or they could simply attain a structure which changed their function from a protective or normal one to a pathological one. What is important is that the body itself is not able to produce an adequate immune reaction to eradicate such overexpressed or modified molecules. There are successful efforts to help the immune system in chronic diseases by passive vaccination- by infusion of monoclonal antibodies. Therefore the way for using vaccines in indications such as cancer, metabolic diseases, cardiovascular diseases and other chronic diseases is laid open.
Furthermore, there are aims to use vaccines to tackle the "over" reaction of the immune system as is seen in allergic reactions. Here, instead of whole allergen hyposensitization being used, which is a long-lasting, expensive and sometimes not a very effective way to prepare an allergic person to be exposed to their allergen(s), new allergy vaccines are developed in a sophisticated way by creating synthetic vaccines with defined allergen antigens inducing an immune response shifting from IgE to IgGs production or vaccines simply targeting IgE itself.
We should not forget efforts made to use vaccines in the fields of human addictions, biological weapons and recently also in genetic diseases.
All these attempts try to use the best from a vaccine approach- a specific and long-lasting effect and the feasibility to treat a large number of the population without exhausting health insurance systems.
It needs to be said that in contrast to infectious disease vaccines, vaccines inducing antibodies and used for unconventional indications within the scope of the report are, with the exception of two of them, intended to be therapeutic vaccines. There is still a long way to go until there will be working prophylactic vaccines which could be used to protect people from diseases such as various cancers, Alzheimer's disease, seasonal allergy, smoking addition or obesity. Results from therapeutic vaccinations along with intensive biomarker research and an in depth understanding of the etiology of diseases are paving the way for prophylactic vaccines.
The majority of vaccines for unconventional indications are in development in biotech companies and at universities.
There are however also some big pharma companies involved at the moment in active development which indicates that this approach to bring vaccines to unconventional indications has attracted attention also from big pharma players, sometimes with their own experience with vaccines against infectious diseases.
The year 2016 will be quite unique in regards to development of active vaccinations for non-traditional indications within the scope of the report– there should be results available from about 20 Phase III to Phase I trials.
https://martinalutter.com/wp-content/uploads/2016/09/syringe-957260_1280.jpg 960 1280 admin https://martinalutter.com/wp-content/uploads/2016/04/web_logo1.png admin2016-05-30 11:43:502016-09-21 10:28:15Vaccines for non-infectious diseases?
The IMPRESS Phase III trial NCT01072981 has been to assess an overall survival after treatment with a regimen of adjuvant therapy (Gemcitabine alone or with 5-FU chemoradiation) with or without HyperAcute®-Pancreas (Algenpantucel-L) immunotherapy in patients with surgically resected pancreatic cancer. The study started in 2010.
An opposite of what was expected has happened as announced in May 2016 by NewLink Genetics. The median survival was 30.4 months and 27.3 months for the control and study groups, respectively.
When the report "Active immunization for unconventional indications" was in preparation, it were included among antibody-inducing vaccines also cell vaccines from the company named NewLink Genetics. The cell vaccines have been developed via their HyperAcute® platform. They are included in the mentioned report under the "Selected special antibody-inducing vaccines". These cell vaccines are inducing polyclonal antibodies and a T-cell response as well.
The way how cancer cell antigens are introduced within the HyperAcute® platform to an immune system looks very elegant. Algenpantucel-L consists of 2 pancreatic cancer cell lines (HAPa-1 and HAPa-2) that have been modified to express α-gal. After destroying of infused cells by hyperacute reaction the antigens present on these cells are processed by patient´s immune cells. Because cancer-specific antigens within Algenpantucel-L are shared by cancer cells in the patient, patient cancer cells are believed to be targeted by the immune system. The Phase II showed an improved survival in patients who raised antibodies against mesothelin, carcinoembryonic antigen and α-gal.
As mentioned in the report, it was expressed an opinion that by using allogeneic cancer cell lines one cannot introduce patient-specific antigens if such antigens exist and are of importance. However, Phase II clinical trial data had been very encouraging, particularly for patients who demonstrated humoral immunologic responses. So, it seemed that this approach had worked despite the cell lines possess "generic" and not patient-specific antigens and despite other cell line antigens, not so much defined and identified, have been also introduced to the immune system of a patient without knowing their exact effect.
Algenpantucel-L has had an ambition to become the first product with an FDA approval for the adjuvant treatment of patients with surgically resected pancreatic cancer.
Another Phase III trial, PILLAR (NCT01836432) starting in 2013 should assess an effect of Algenpantucel-L in combination with chemotherapy. The Phase II (NCT02405585) trial which started in 2015 and which should continue until 2020, combines a neoadjuvant chemotherapy followed by stereotactic body radiation therapy (SBRT) with Algenpantucel-L in borderline resectable pancreatic cancer patients.
In light of the negative IMPRESS Phase III results, the company will focus on other promising opportunities in their pipeline, which by other words can mean considerations of future of the HyperAcute® platform. It will be very interesting to see results and analysis from the study, especially an immune response and correlations with an overall survival, if the company is willing to share them. Knowledge from this failed trial can add a puzzle piece to a general understanding of immunotherapy and its applicability for patients.
NewLinks Genetics has had several other candidates among the most advanced vaccines in development in the scope of the "Acute immunization for unconventional indications" report. The company also develops check-point inhibitors (indoleamine 2,3-dioxygenase pathway inhibitors) for cancer indications and vaccines for infectious diseases (influenza and Ebola). The company has adopted an interesting strategy to combine their proprietary check-point inhibitors with other "activators" of immune system (e.g. PD-1 inhibitors) and with chemotherapy.
After the OBI-822/821 vaccine in February 2016 did not meet the primary endpoint in the Phase II in breast cancer (however patients who demonstrated an immune response (IgG or IgM) showed highly significant improvement in progression-free survival; OBI Pharma is continuing towards a Phase III based on results of this subset population) and the Celldex´ Rintega vaccine in March 2016 failed to improve overall survival of glioblastoma patients in comparison to the control arm in the Phase III, Algenpantucel-L is another vaccine therapy this year which did not meet primary endpoints despite very promising results in previous clinical phases.
If you are interested to see target product profiles of other more than 100 antibody-inducing vaccines in active development for unconventional indications, if you want to get information about dozens of stopped vaccine projects and if you want to know which results can be awaited in 2016, have a look in the report "Active immunization for unconventional indications". The report can also be obtained via the Research and Markets.
Scientists found out that usual medical androgen deprivation therapies (ADTs) like chemotherapy or radiotherapy deprive also patient´s adaptive immune system and any subsequent immunotherapy will be then compromised. The surgical ADT- castration- works in combination with immunotherapy.
The ADTs are used for 50 years. Progress in immunotherapy led to some promising candidates and as a logical step, combination of ADTs and immunotherapy for prostate cancer started to be used. However, using medical ADT in this combination order leads to the relapses in prostate cancer commonly seen in clinical trials.
Reduction of T-cell response against the prostate cancer induced by some androgen receptor antagonists was found by researchers as a main mechanism of this effect.
As a take-home message from this scientific work is that physicians will have to carefully think about possible combination strategies in advance before starting radiotherapy or chemotherapy for prostate cancer. And if immunotherapy is an option, one should consider timing and method of the ADT to be used.
News source: Common prostate cancer treatments suppress immune response and may promote relapse, Eurekalert.


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GFMS (formally  Gold Fields Mineral Services)  are research and consultancy company for the precious metal markets. Since 2011 they have been part of Thomson Reuters. As well as other commodities, they research gold, silver, platinum, palladium, and copper trading.

History
The consultancy's core publication is the annual Gold Survey, which began in 1967. Consolidated Gold Fields, a mining conglomerate that was later taken over by Hanson plc in 1989, originally launched the Gold Survey. After the take over, a company was formed the same year to continue the survey.

Between 1994 and 1998, the company was owned by Gold Fields of South Africa.

Between 1998 and 2003, the company was known as Gold Fields Mineral Services Limited. In 1998, members of the research team completed a management buy out of GFMS from GFSA, and the consultancy gained full independence. In 2002, GFMS became an associate member of the London Bullion Market Association.

In August 2011, GFMS was purchased by Thomson Reuters. The execute chairperson Philip Klapwijk left the company.

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GFMS analysts present at conferences and seminars on precious metals and commodities. They provide information to the news media.

Their reports include:
 GFMS Gold Mine Economics
 GFMS Copper Mine Economics
 GFMS Société Générale Global Hedge Book Analysis
 GFMS Société Générale Central Bank Reports
 GFMS Gold Survey (annual)
 World Silver Survey (annual)
 Platinum & Palladium Survey (annual)
 Gold and silver supply/demand benchmark
 GFMS Surveys and Forecasts, and the Mine Economics database (provided via the Thomson Reuters Eikon platform)

Reports
In 2011, GFMS estimated 240 tonnes net sale of gold.

The company estimated that electronic waste recycling increase 14% between 2000 and 2014. In 2016, they report a silver supply deficit.

In March 2017, GFMS reported that India's gold imports had increased to 50 tonnes; 82% higher than 2016.

See also

 Gold as an investment
 Gold exchange-traded fund
 World Gold Council
 Société Générale
 Thomson Reuters

References

External links
Precious Metals IRA Companies Information
Thomson Reuters Eikon for Metal Professionals

Precious metals
Research and analysis firms
Companies established in 1989

redpajama_set_name: RedPajamaWikipedia


text:
Q: How to render linebreaks as  tags with Aurelia I am retrieving some textual data using JSON, this data includes text formatted with linebreaks. I would very much like to render those linebreaks to the user.
Question: What is the "correct" / "recommended" approach to achieve this?
Options I've tried:

*

*Binding normally:
${myText}
 : Renders no linebreaks

*Using
:

${myText}>

 : Renders linebreaks, but have all the known and loved issues with long
 text, like horizontal scrolling in some browsers and suboptimal word breaking.

*Binding normally using a valueConverter that replaces linebreaks with
 tags:
${myText | textFormat}

export class TextFormatValueConverter {
  toView(value) {
    return value.replace(new RegExp('\r?\n','g'), '
');
  }
}

This does render
 tags, but the Aurelia binder escapes the tags and shows them as literal text to the user.
 * Binding using the above converter and innerHTML:

: Renders ok but I'm worried that it might be vulnerable to exploits, as the texts comes from a legacy system that does not do any input sanitazion with regards to usage for the web.

A: What you're doing is correct.  Binding to innerHTML is sometimes necessary.  The docs at aurelia.io include instructions for using a sanitization converter and a note about using a more complete implementation using the sanitize-html project.
That said, you can create a really light-weight custom attribute that does only what you need:
http://plnkr.co/edit/qykvo9PKAD0TawTlQ5sp?p=preview
preserve-breaks.js
import {inject} from 'aurelia-framework';

function htmlEncode(html) {
  return document.createElement('a').appendChild(
    document.createTextNode(html)).parentNode.innerHTML;
}

@inject(Element)
export class PreserveBreaksCustomAttribute {
  constructor(element) {
    this.element = element;
  }

  valueChanged() {
    let html = htmlEncode(this.value);
    html = html.replace(/\r/g, '').replace(/\n/g, '
');
    this.element.innerHTML = html;
  }
}

app.js
export class App {
  message = `this is my text
it has some line breaks
and some
the line breaks were replaced with
 tags`;
}

app.html
<template>
  <require from="./preserve-breaks"></require>

</template>

A: The problem is that Aurelia renders your converted HTML as escaped tags. To get around this just use your RegExp function to convert to
, then use innerHTML binding like so:

${myText}

This will stop Aurelia from escaping the HTML. I see you're worried about using this approach, as you're afraid there could be bad HTML somewhere, but there's no other way to get around this as you can't tell Aurelia to only render specific tags.
If you're that concerned about the potential for bad HTML, why don't you write a piece of custom JS to unescape all the
 tags after page load? (Ugly as hell, but I can't see another way.)

A: I have found solution on Github :
usage of style="white-space: pre-wrap;" on parent element fixes issue.


No topics related to "Helicopters"
No IEEE.tv Videos are currently tagged "Helicopters"
We present the development of a nonlinear dynamic model of a 3 degrees-of- freedom (3 DOF) flight control experiment apparatus, the "Quanser UFO", which is a helicopter with three propellers driven by DC motors. The modeling includes determination of the geometric and physical properties of the airframe, control derivatives, static stability, as well as closed-loop attitude control performance specifications. The location of the center of gravity (CG) and the mass moments of inertia are determined by both experimental approaches and by means of a three-dimensional computer aided design (CAD) software package Solid Edge. The control effectiveness derivative matrix is determined from the nominal DC motor and propeller parameters. Closed-loop flying quality specifications are also derived, assuming the UFO is a 1:9 scale model of a real aircraft. The nonlinear dynamic model was then implemented and validated in SIMULINK.
How to design the flight control system (FCS) of small-scale unmanned helicopter is still a difficult challenge today. In this paper, one novel control approach based on Multivariable PID Neural Network (MPIDNN) was firstly used to design the FCS of small-scale unmanned helicopter. MPIDNN is suitable for controlling the multi-input multi-output (MIMO), nonlinear, highly coupled, uncertain and dynamic system such as helicopter. The training algorithm based on target function and MPIDNN forwards algorithm was designed in this control system. The sensor module, embedded control board and communication module was designed to provide an operational hardware platform for the control system. The result of simulation indicates that the training algorithm can solve the offline training and study problem of small-scale unmanned helicopter. The forwards algorithm can control the flight of helicopter well and its maximum magnitude of error is about 1%. Simulation shows that the performance of our control approach is perfect.
Reports on the progress made on a GOALI project sponsored by NSF and General Electric Aircraft Engine Business. Modern aircraft engines are complex multivariable systems whose inputs and outputs need to be fully coordinated to achieve tight performance and robustness specifications. The purpose of this project is to investigate the use of linear matrix inequality (LMI) techniques to designed fixed-order controllers for aircraft engine models and to compare the results to those obtained by other design methods.
No standards are currently tagged "Helicopters"


Our studio apartments offer a double bed and a kitchenette in the main room and a private shower room. As every apartment, they offer a big private balcony with great views of our gardens and the sea. They are ideal for couples. All our studio apartments are air conditioned.


It was a beautiful, sunny day to watch the Pens play the New York Rangers in the fifth game of the first round of the NHL Playoffs on the big screen outside of the Consol. The audience was a diverse group of people who had assembled to enjoy the game and have some fun. Free Penguin clappers were given out to all that wanted them. Food options included vendors: TGI Friday's, Dunkin' Donuts, Dairy Queen and food trucks from Nakama and Legends of the North Shore. A good time was had by all, especially with the Penguins beating the Rangers handily and heading to the second round of the playoffs.
Penguins fans gather outside the Consol Energy Center to watch the Pens play the New York Rangers in game five of the first round of the NHL Playoffs.
The big video screen showing the action inside the Consol.
Pens fans were sporting sweaters (jerseys) of their favorite players. Many in the crowd were wearing Sidney Crosby's.
Some people just know how to do it up right. Like Monoreville's Dan and Kelly in their field chairs with extended foot rests.
It's never too young to expose children to Pen's culture.
Several food choices to ponder.
The very colorful and flavorful Nakama food truck. Penguins (fans) love fish.
The Cool Beans food truck from Legends of the North Shore restaurant features beans and greens with your choice of protein, and other tasty items.
A,J. from Monroeville wearing Penguins black and gold on his his clothes and on his face. He is one dedicated fan!
The Pens put another one in the Ranger's net and the fans rejoice.
Young fans, including Zac (l.) from Baldwin, enjoy an impromptu play area next to the Consol. Clapper sword fights and throwing the football around were the favorite activities. It's hard to play hockey on a grassy hill.
It feels so good to be winning!
Rick Handler is the executive producer of Entertainment Central and a Pens fan.


text:
#Gwangju FINA
Gwangju FINA championships to draw record number of participating countries, athletes
All Headlines 15:45 June 13, 2019
GWANGJU, June 13 (Yonhap) -- The 2019 FINA World Championships scheduled to take place in Gwangju and Yeosu in July will attract the largest number of participating countries and athletes ever, its organizer said Thursday.
The biennial FINA World Championships will be held in Gwangju, 330 kilometers south of Seoul, and Yeosu, South Jeolla Province, from July 12-28. FINA is the French abbreviation of the International Swimming Federation.
A record 2,995 athletes from a record 193 of the 209 FINA member countries completed registration by the deadline of 9 a.m. Thursday (Korean standard time), according to the organizing committee.
In all, 7,266 participants, including the near 3,000 athletes, 1,621 officials, 1,365 media workers and 583 FINA officials, have completed registration for the 18th edition of the world swimming body's signature event, the committee said.
The 16th FINA championships held in Kazan, Russia, drew 2,413 athletes from 184 countries, while the 17th edition hosted by Hungary's Budapest attracted 2,303 athletes from 177 countries.
The Gwangju organizing committee said it will be ready to receive more applications from North Korea and other member countries prior to the opening of the championships, estimating that up to 16 more countries may apply for participation.
By country, the United States will send 242 athletes, followed by 232 from China, 229 from Australia, 204 from Italy and 174 from Russia. From South Korea, 118 athletes and officials will take part.
Gwangju Mayor Lee Yong-seop, who chairs the organizing committee, said he will push for the participation of North Korea to the last moment to help promote peace on the Korean Peninsula.
ycm@yna.co.kr

redpajama_set_name: RedPajamaCommonCrawl


text:
Q: Resource interpreted as Document but transferred with MIME type image/jpeg I'm using Filepicker.io to handle my image uploads on my website.
I'm also using FancyBox to display a nice slider. Everything works fine if I use a regular image like: http://i.imgur.com/asdf.jpeg as the <img src="">. Meaning I click the images and the slider pops up correctly.
However when I switch out those static image url's and use my Filepicker addresses, when I click on the images to open the fancybox, the image is downloaded.
Here's the message I get in the console, on Google Chrome:

Resource interpreted as Document but transferred with MIME type image/jpeg: "https://www.filepicker.io/api/file/yknn4hWSOOm2NLZYGR3O?dl=false".

Any suggestions?

A: Another option is to append the name of the file onto the url, for example:
https://www.filepicker.io/api/file/yknn4hWSOOm2NLZYGR3O+photo.png?dl=false
Filepicker.io ignores anything on the file link after the + sign to allow you to make the urls more "adapter friendly"

A: Since your link:
https://www.filepicker.io/api/file/yknn4hWSOOm2NLZYGR3O?dl=false

doesn't have an image extension (jpg, png, gif), fancybox doesn't know what type of content needs to be handled. You need to tell it by adding the API option "type": "image" like:
$(".fancybox").fancybox({
   "type": "image"
});

That is documented here http://fancybox.net/faq, No. 6 (if using v1.3.4), or here http://fancyapps.com/fancybox/#support, FAQ tab, No. 5 (if using v2.x).
For more options how to handle the issue see here:
https://stackoverflow.com/a/17554660/1055987


Lately you may have realized that the traditional resume is becoming obsolete. With the new integration into the digital age it is more important than ever to show you are capable of handling and using all the available resources handed to you through the worldwide web and through the use of an online portfolio you will be displaying your skill with these digital technologies. The way you create your portfolio also allows the people hiring an insight into the type of your person you are by the way you portray yourself online. people will have more access to your online portfolio as people have a greater access to the internet and will have less work to do to find your portfolio versus having to track you down and request a copy of your resume. A portfolio also allows you to freely update and change information as necessary allowing employers to be up to date with your most current work and skills. A portfolio is also more organized for employers to search for exactly what they need instead of searching through a single page for the information they need.