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'He was right, I was wrong': Former FBI director James Comey admits he was wrong to defend FBI's use of the FISA surveillance process
One year ago | By Business Insider
Former FBI director James Comey acknowledged Sunday that he was wrong to defend the bureau's use of the Foreign Intelligence Surveillance Act process when applying for a warrant to surveil Carter Page, a former foreign policy aide on President Donald Trump's 2016 campaign.
His statements marked a reversal from last week, when he said a Justice Department inspector general's report on the origins of the Russia investigation exonerated the FBI of wrongdoing.
In fact, the report revealed that there were 17 "significant errors and omissions" in the FISA applications involving Page.
"He was...
Comey: 'I was wrong' to rely on FISA process to monitor Carter Page
One year ago | By New York Post
Former FBI Director James Comey admitted that he was "wrong" for being overconfident in his agency's use of a surveillance process to obtain warrants to monitor a former member of President Trump's 2016 campaign. The internal watchdog for the Justice Department, Michael Horowitz, testified last week about 17 "significant errors and omissions" in the FBI...
Reversing Course: Joe Biden Signs Executive Actions Dissolving Trump's...
As Joe Biden begins Day 1 of his presidency, the first order of business is to tug the final string attached to the thread of Trump 's divisive policies, unraveling a slew of... Read more ...
George W. Bush privately says that Rep. Jim Clyburn is the country's...
Summary List Placement Former President George W. Bush told House Majority Whip Jim Clyburn, a South Carolina Democrat, that he was a "savior" for endorsing President Joe Biden... Read more ...
World leaders congratulate Biden after he's sworn in as the 46th president...
Summary List Placement Leaders from across the globe congratulated President Joe Biden and Vice President Kamala Harris after they were sworn into office at Wednesday's... Read more ...
Senate confirms Biden's pick for spy chief hours after he's sworn into office
Summary List Placement The Senate on Wednesday confirmed President Biden's pick for US spy chief, Avril Haines, by a vote of 84 to 10. Biden nominated Haines to serve as the... Read more ...
WASHINGTON - China imposed sanctions on nearly 30 former Trump administration officials moments after they left office on Wednesday. In a statement released just minutes after... Read more ...
19 financial perks of being the president of the United States
Summary List Placement President Joe Biden, who was sworn into office on Wednesday as the 46th US president, will get to enjoy the perks that come with having the most... Read more ...
One of Amazon's top execs wrote a letter to Biden offering to help with his...
Summary List Placement One of Amazon's top executives is offering to help President Joe Biden with his pledge to vaccinate 100 million Americans during his first 100 days in... Read more ...
Biden was sworn in as president with a massive family heirloom Bible dating...
Summary List Placement When President Joe Biden took the oath of office on January 20, he was sworn in using a huge Bible that's been in his family since the Gilded Age. During... Read more ...


As the residential areas all over the world are becoming increasingly densely populated, people are becoming focused on getting more out of their backyards. Architects, designers and other experts are trying their best to maximise the space available in order to provide all the amenities that homeowners expect from their backyards.
Needless to say, this task is also becoming more complex and challenging, but it is far from impossible. There are many things to consider, but if you play your cards well, you might be treated with an extremely functional and attractive backyard, despite its relatively small size. So, what is it that you need to consider next time you embark on the remodelling project?
These classic features allow you to use your backyard even in less pleasant parts of the year. If your home is small, this might be a good way to get more functional space that you can use almost the whole year. What is important to consider is the communication between your house or balcony with the deck and regular maintenance.
On the other hand, patios require less maintenance and allow you to be more creative when it comes to design. Also, if you can afford an under-deck patio, you'll be given an opportunity to use it even during rainy days. Just make sure you have appropriate lights installed, so that you don't have to go inside as soon as the sun sets.
Though they may not be the first thing you think of when you mention a small backyard, swimming pools, both above- and in-ground ones, can be used effectively to provide fun and entertainment in the summer. You can't expect to have a regular-sized pool where you can swim like a pro, but there are many solutions that can still do the job. For instance, these Brisbane-based swimming pool builders offer a range of plunge pools and outdoor spas that can perfectly fit smaller spaces.
In terms of design, rectangular or square pools are the most popular choices, but you might also consider some less regular shape if the layout of your background allows it. When it comes to maintenance, modern fibreglass pools require no more attention than other types of pools, but are quite easy and inexpensive to install.
If you have green fingers, you should definitely consider having a small garden in the background. Whether we talk about growing vegetables or flowers, garden beds provide an excellent solution. If you pay attention to the colours and seasons when plants blossom and plant accordingly, you'll be treated to a magnificent sight for most of the year.
Also, some plants are excellent insect repellents, which means you won't have to worry about annoying mosquitoes while enjoying your time outside. Finally, if you decide to grow your own vegetables, you'll be able to use freshly picked ingredients for your meals.
If you have some trees or taller bushes in the garden, they might be perfect for creating an oasis where you could either entertain guests or find you own peace. It's important to remember that no larger furniture items should be present, but rather smaller one, such as a coffee table and two small chairs.
Having an elevated deck is a very useful thing because it creates more usable space. The area under the deck can be used for patios or as an original play area for your kids, who can enjoy it even in rain. Depending on the age of your kids, you might introduce swings, seesaws or toboggans, with or without protective railings. If you have enough space, you might add a bench or a table with chairs for adults to sit on while their kids are enjoying their time outside.
Whatever option you go for, you need to be aware of the investment you're going to make. Just make sure you don't go over the budget because the fun you would otherwise have would be spoilt by the self-imposed stress.


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Quiquibey, oficialmente Asunción de Quiquibey, es una localidad de Bolivia ubicada en el municipio de San Borja en la provincia del General José Ballivián Segurola del departamento del Beni. El pueblo se encuentra dentro de la Reserva de la Biosfera y Tierra Comunitaria de Origen Pilón Lajas, una reserva natural de 4.000 km² a orillas del río homónimo.

Transporte
Quiquibey se encuentra a 200 kilómetros por carretera al suroeste de Trinidad, la capital departamental.

La carretera troncal Ruta 3 de La Paz a Trinidad, de 600 kilómetros, atraviesa Quiquibey. Excepto por un tramo de cincuenta kilómetros al este de La Paz, el camino es en gran parte de tierra y, por lo tanto, no siempre es fácil de conducir, dependiendo de las condiciones climáticas. Conduce desde La Paz por Cotapata, Sapecho e Inicua hasta Quiquibey y por Yucumo, San Borja y San Ignacio de Moxos hasta Trinidad.

Véase también
 Río Quiquibey

Referencias

Localidades del departamento del Beni

redpajama_set_name: RedPajamaWikipedia


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Sonja Perisic is a Master of Public Policy candidate at the University of Toronto's Munk School of Global Affairs & Public Policy. Sonja's interests include journalism, cultural policy, innovation policy and multimedia storytelling. Sonja holds a Bachelor of Arts (Honours) in English and Ethics, Society & Law from the University of Toronto.
Noah Clarke is currently in his first year of the Master of Public Policy program at the Munk School of Global Affairs and Public Policy. He graduated from the University of Western Ontario with a degree of Bachelor of Arts with Honours Specialization in Political Science. Some of his interests include politics, sustainable development, economic development, environmental policy, energy policy, technology innovation and housing affordability.
Rachel May is a Master of Public Policy candidate at the University of Toronto's Munk School of Global Affairs & Public Policy. Rachel has policy and political experience at each level of government having most recently worked as an intern for MP Karen Vecchio and the Conservative Party of Canada. She is interested in social policy particularly gender equity and examining structural and societal biases. Rachel holds a Bachelor of Arts in Psychology from the University of Western Ontario.
Nemorino Wenhai Xu is a Master of Public Policy student at Munk school. He did his Bachelor of Arts in the interdisciplinary fields of economics, commerce and Asian philosophy at the University of British Columbia. He also has a legal studies background and works as an assistant lawyer in Hong Kong and Shanghai. His research interests are public international law, transnational policy, environmental policy and comparative law.
You are eligible to be listed as a contributor to the Public Policy and Governance Review if you are:
A student in the Munk School of Global Affairs and Public Policy; and
You have had three or more of your articles published by the editorial team.
Submissions are welcome at any time, regardless of whether or not you are a contributor, staff writer, or student at the Munk School or elsewhere. Submissions by recent graduates are also welcomed. Contact the Editors-in-Chief at editors@ppgreview.ca for more information!

redpajama_set_name: RedPajamaCommonCrawl


MANILA, Philippines - There's a 6-foot-2 dude in a white shirt and a baseball cap up in the stands of the San Juan Arena taking in the FilOil Premier Cup basketball game between the Adamson Falcons and the Mapua Cardinals.
On the court, a skinny 6-foot kid plucks an errant pass and hightails it down the opposite end. The defense closes him down and he passes off. The skinny kid moves into another spot. He gets the return pass but his shot from beyond the 3-point arc bricks.
The dude in the stands doesn't flinch.
Two plays later, the skinny kid drills one from way out. All net.
The dude up in the stands still doesn't flinch even if the folks around him slap his back and offer congratulatory words.
Truth is, Maverick Ahanmisi, the dude up in the stands, is anxious. Anxious for his younger brother Jerrick who is now playing for the Falcons after coming over from Village Christian High School in Sun Valley, Los Angeles, California. "I'm nervous for my brother," said the 24-year old, who just 3 days earlier (Wednesday, May 18) had won his first Philippine Basketball Association championship with the Rain or Shine Elasto Painters.
"I'm just trying to be cool and not show it," he grins.
Big brother played in all 23 matches of the just-concluded PBA Commissioner's Cup where in 22 minutes of action per outing, he tallied 10.3 points, 4.0 rebounds, and 3.2 assists versus 2.2 turnovers. "Just a rookie but he's hitting big shots," marveled his pro coach, Yeng Guiao. "And he will get better."
The Ahanmisi brothers were born in the United States to a Nigerian father and a Filipina mother. Hoops ruled their household, their talk, and dreams. "Throw in the California sunshine, girls, NBA basketball, and hanging out," laughed Maverick some more.
"We used to play one-on-one," recounted Jerrick. "He would always beat me. But that's because he is older. In a few years, man, I'm gonna beat him. But seriously, I love my big brother. He really helps me get through the difficult times. Like now, adjusting to life and basketball here in Manila."
Maverick is just happy that Jerrick is over here as well. "I wasn't able to watch him play when he was in high school (Village Christian HS in Sun Valley, CA) because I was in college. Now that we're both here in Manila, I have a chance to watch him."
It seems that is the norm for the Ahanmisi brothers who have this habit of flying under the radar. "And proving people wrong," clarifies the eldest of the 3 sibling brood (they have a sister named Mylene). "It has been like that since high school and college up to coming over here. Everywhere I went no one really knew who I was. I always flew under the radar. But it's good to show that I belong."
Following Jerrick's breakout match of the summer, Adamson Falcons head coach Franz Pumaren promised, "A lot of teams will regret passing up on him."
"I think that Jerrick plays a little too cool," observed his older brother. "He's so young that he doesn't realize how good he can be. He's got better range than I had at his age. When he first arrived, he was being pushed around. He wasn't sure what he could get away with. It was a matter of getting used to the physicality.
During Adamson's tournament opener against La Salle, the Falcons got crushed 98-88, with a late flurry cutting down what was a huge lead.
"It really is a learning experience for me," underscored Jerrick who looked flustered at being blitzed by faster and stronger guards. Maverick's younger bro finished with 5 points in 15 minutes of playing time as he picked up 4 quick fouls curtailing his debut. "Sometimes, you think you're ready for it but you will never know until you go through it. I'll come back better.


When you are planning the wedding you worry much about creating everything perfect. That is understandable. You are putting a great deal effort to your plans and you will just die if it happens sub-standard. You want you bridesmaids to utilize pink but you just aren't sure if that color does work well on the attendant. You really want a certain form of flower but it is not necessarily their season, can the florist get beautiful ones? Are the floating candle bowls too snobby looking? Will my guest such as the menu I chosen? You had eight months to plan, what went wrong?! Did I even pick the right type of favors? Luckily, some less difficult easier than these. Coffee & tea wedding mementos opt for some types of weddings and chocolate wedding mementos go along with another.
The catering should be by the due date and serve hot food or cold food. The bridesmaid and groomsmen have to be at their designated locations in the correct time and most importantly, who is able to forget about the photographer. The photographer is regarded as the underrated person on the wedding, however they have fun playing the most critical role, next to the actual marriage itself. To capture all the moments on film is just not something merely a amateur can perform. It takes meticulous care and pride to this type of daunting task. If you are going to decide on the wedding dress, you need some experience with the different styles and parts of a gown. The basic knowledge of the sleeves, bodice, neckline, silhouette along with the train will help you find the dress. The different types of silhouette would be the ball gown, with tight bodice, the empire rich in waistline, a-line dresses which have a hefty bottom, dropped waists and Basques having a trimming outer effect, the sheath that suits closely as well as the mermaid that flows round the knees.
Furthermore, the families, bride and groom should picture the wedding day and visualize every detail. They should stay focused and focus on everything they should do today to result in the occasion an extremely happy one. With a mental image, they ought to be in a position to select how they plan the special occasion being. Moreover, the family must not start panicking regarding the event. If they are can not plan everything on their own, it's best to talk to buddies and families, particularly those who may have already done this kind of planning before.
We hope you can find what you need here. We always effort to show a picture with HD resolution or at least with perfect images. Wedding Diets and Workout Plans Lovely Abs Fire Printable Calorie Burnin D Pinterest can be beneficial inspiration for those who seek an image according specific categories; you can find it in this site. Finally all pictures we have been displayed in this site will inspire you all..


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Tag Archives: EMC Corporation
VFX Storage: The Molecule
Evolving to a virtual private local cloud?
By Beth Marchant
VFX artists, supervisors and technologists have long been on the cutting-edge of evolving post workflows. The networks built to move, manage, iterate, render and put every pixel into one breathtaking final place are the real super heroes here, and as New York's The Molecule expands to meet the rising demand for prime-time visual effects, it pulls even more power from its evolving storage pipeline in and out of the cloud.
The Molecule CEO/CTO Chris Healer has a fondness for unusual workarounds. While studying film in college, he built a 16mm projector out of Legos and wrote a 3D graphics library for DOS. In his professional life, he swiftly transitioned from Web design to motion capture and 3D animation. He still wears many hats at his now bicoastal VFX and VR facility, The Molecule —which he founded in New York in 2005 — including CEO, CTO, VFX supervisor, designer, software developer and scientist. In those intersecting capacities, Healer has created the company's renderfarm, developed and automated its workflow, linking and preview tools and designed and built out its cloud-based compositing pipeline.
When the original New York office went into growth mode, Healer (pictured at his new, under-construction facility) turned to GPL Technologies, a VFX and post-focused digital media pipeline and data infrastructure developer, to help him build an entirely new network foundation for the new location the company will move to later this summer. "Up to this point, we've had the same system and we've asked GPL to come in and help us create a new one from scratch," he says. "But any time you hire anyone to help with this kind of thing, you've really got to do your own research and figure out what makes sense for your artists, your workflows and, ultimately, your bottom line."
The new facility will start with 65 seats and expand to more than 100 within the next year to 18 months. Current clients include the major networks, Showtime, HBO, AMC, Netflix and director/producer Doug Limon.
Netflix's Unbreakable Kimmy Schmidt is just one of the shows The Molecule works on.
Healer's experience as an artist, developer, supervisor and business owner has given him a seasoned perspective on how to develop VFX pipeline work. "There's a huge disparity between what the conventional user wants to do, i.e. share data, and the much longer dialog you need to have to build a network. Connecting and sharing data is really just the beginning of a very long story that involves so many other factors: how many things are you connecting to? What type of connection do you have? How far away are you from what you're connecting to? How much data are you moving, and it is all at once or a continuous stream? Users are so different, too."
Complicating these questions, he says, are a facility's willingness to embrace new technology before it's been vetted in the market. "I generally resist the newest technologies," he says. "My instinct is that I would prefer an older system that's been tested for years upon years. You go to NAB and see all kinds of cool stuff that appears to be working the way it should. But it hasn't been tried in different kinds of circumstances or its being pitched to the broadcast industry and may not work well for VFX."
Making a Choice
He was convinced by EMC's Isilon system, based on customer feedback and the hardware has already been delivered to the new office. "We won't install it until construction is complete, but all the documentation is pointing in the right direction," he says. "Still, it's a bit of a risk until we get it up and running."
Last October, Dell announced it would acquire EMC in a deal that is set to close in mid-July. That should suit The Molecule just fine —most of its artists computers are either Dell or HP running Nvidia graphics.
A traditional mass configuration on a single GigE line can only do up to 100MB per second. "A 10GigE connection running in NFS can, theoretically, do 10 times that," says Healer. "But 10GigE works slightly differently, like an LA freeway, where you don't change the speed limit but you change the number of lanes and the on and off ramp lights to keep the traffic flowing. It's not just a bigger gun for a bigger job, but more complexity in the whole system. Isilon seems to do that very well and it's why we chose them."
His company's fast growth, Healer says, has "presented a lot of philosophical questions about disk and RAID redundancy, for example. If you lose a disk in RAID-5 you're OK, but if two fail, you're screwed. Clustered file systems like GlusterFS and OneFS, which Isilon uses, have a lot more redundancy built in so you could lose quite a lot of disks and still be fine. If your number is up and on that unlucky day you lost six disks, then you would have backup. But that still doesn't answer what happens if you have a fire in your office or, more likely, there's a fire elsewhere in the building and it causes the sprinklers to go off. Suddenly, the need for off-site storage is very important for us, so that's where we are pushing into next."
Healer honed in on several metrics to help him determine the right path. "The solutions we looked at had to have the following: DR, or disaster recovery, replication, scalability, off-site storage, undelete and versioning snapshots. And they don't exactly overlap. I talked to a guy just the other day at Rsync.net, which does cloud storage of off-site backups (not to be confused with the Unix command, though they are related). That's the direction we're headed. But VFX is just such a hard fit for any of these new data centers because they don't want to accept and sync 10TB of data per day."
His current goal is simply to sync material between the two offices. "The holy grail of that scenario is that neither office has the definitive master copy of the material and there is a floating cloud copy somewhere out there that both offices are drawing from," he says. "There's a process out there called 'sharding,' as in a shard of glass, that MongoDB and Scality and other systems use that says that the data is out there everywhere but is physically diverse. It's local but local against synchronization of its partners. This makes sense, but not if you're moving terabytes."
The model Healer is hoping to implement is to "basically offshore the whole company," he says. "We've been working for the past few months with a New York metro startup called Packet which has a really unique concept of a virtual private local cloud. It's a mouthful but it's where we need to be." If The Molecule is doing work in New York City, Healer points out, Packet is close enough that network transmissions are fast enough and "it's as if the machines were on our local network, which is amazing. It's huge. It the Amazon cloud data center is 500 miles away from your office, that drastically changes how well you can treat those machines as if they are local. I really like this movement of virtual private local that says, 'We're close by, we're very secure and we have more capacity than individual facilities could ever want.' But they are off-site and the multiple other companies that use them are in their own discrete containers that never crosses. Plus, you pay per use — basically per hour and per resource. In my ideal future world, we would have some rendering capacity in our office, some other rendering capacity at Packet and off-site storage at Rsync.net. If that works out, we could potentially virtualize the whole workflow and join our New York and LA office and any other satellite office we want to set up in the future."
The VFX market, especially in New York, has certainly come into its own in recent years. "It's great to be in an era when nearly every single frame of every single shot of both television and film is touched in some way by visual effects, and budgets are climbing back and the tax credits have brought a lot more VFX artists, companies and projects to town," Healer says. "But we're also heading toward a time when the actual brick-and-mortar space of an office may not be as critical as it is now, and that would be a huge boon for the visual effects industry and the resources we provide."
This entry was posted in Storage, Storage Edition, Uncategorized, VFX and tagged Chris Healer, Dell, EMC, EMC Corporation, GPL Technologies, storage, The Molecule, VFX on July 12, 2016 by Randi Altman.
Former Technicolor tech guru Tom Burns joins EMC
EMC, which just introduced the new software-defined storage product IsilonSD Edge and a new next-generation EMC Isilon OneFS operating system targeting post pros, has hired media and technology veteran Tom Burns as its media and entertainment CTO. Burns was most recently at Technicolor as director of post-production infrastructure. While there he re-engineered film- and tape-based workflows using shared storage. Other experiences includes building a boutique post-production facility in Shanghai.
"Tom is an expert in media technology and is ideally suited to lead our team as his experience spans broadcast, feature and episodic post, VFX and 3D animation software development," says David Chapa, CTO for EMC's Emerging Technology Division. "Currently we're seeing a rapid growth of file-based data that has increased the need for highly scalable and efficient storage solutions that meet high-demand post-production, transcoding and distribution requirements. Tom's background gives him unique insight into the needs of our media and entertainment customers. He understands first-hand that every company's storage needs are different."
Burns was also the architect of the converged IP and SDI infrastructure for Oprah Winfrey's first network, Oxygen (now NBCUniversal). He is a founding member of the StudioSysAdmins social networking site, and has previously spoken on the topic of technology and business transformation at conferences including the Hollywood Post Alliance (HPA) and SIGGRAPH.
"Every organization's storage footprint is different, and our customers in the media and entertainment space are no exception," says Burns. "The needs of an OTT operator differ vastly from those of a VFX facility and EMC provides a full spectrum of high-performing storage solutions that are simple, scalable and resilient."
This entry was posted in New Hire, News, Uncategorized and tagged EMC Corporation, Isilon, storage, Technicolor, Tom Burns on November 14, 2015 by Randi Altman.


2200HP TURBO Cobra DOMINATES The Competition And Wins $12,500!
If you love drag racing, this ride will blow you away. Under the hood of this beast we find a small block V8 engine, helped by a 98mm turbocharger, and that setup is enough to produce mind-blowing 2200hp! This sort of power on those small tires in a no prep race? If that doesn't sound like fun to you, you are in a wrong place. Click on the video below to watch this amazing thing in action.


Create a new Excel worksheet from scratch to be used in the adjusting and tax entry process.
This course is most beneficial to tax preparers and public accountants who enter adjusting entries but is also useful to anybody in accounting. Similar Excel worksheets to the ones we will construct can be useful for analyzing many areas of accounting, and the Excel skills learned in creating them are also very applicable both inside accounting and outside of it.
We will discuss the reasons for creating an adjusting and tax entries Excel worksheet. Some benefits of the Excel worksheet include the ability to enter adjusting entries in an efficient way and build an adjusted trial balance, the ability to enter tax entries efficiently and build a trial balance on a tax basis, and the ability to reconcile book net income and tax net income.
An Excel worksheet can be used to show the difference between net income on the unadjusted trial balance, the adjusted trial balance, and tax trial balance in an easy visual way. A worksheet can be used as a reference to communicate to supervisors, clients, and as a reference for us to look back at in the future.
The course will build an Excel worksheet from scratch providing tools to help with the construction for each step along the way. We will provide an updated Excel worksheet for most steps, allowing us to jump forward or to rework any part of the course without starting over. The Excel worksheets will generally have at least two tabs, one with the completed step, showing the end product, and one that has been completed up to the current step in the process, allowing us to fill it in with the help of the instructional video and the Excel tab showing the completed work.
We will then practice entering some adjusting entries and tax entries into the worksheet. As we add adjusting and tax entries to the Excel worksheet, we will better understand how the worksheet is formatted and how best to use it. We will see how net income is calculated on a book basis, on a tax basis, and how the worksheet will show the reconciliation of the two.
This course is not designed to give tax advice but to show how to construct an Excel worksheet to track adjustments.
The course will also discuss some alternative formats for building an adjusting entry and tax entry worksheet that can be found in practice. We will discuss the pros and cons of the different formats.
We will also discuss how to format an adjusting and tax entry worksheet made in the prior year so that we can enter the current year trial balance and data into it.


I like to capture the essence of a moment in time whether it is the beauty of a flower, the sun lighting a face, or the sound of water flowing through paint. This fills my heart and mind with the beauty of God's creation finding peace amidst chaos.
Creating something new and special excites me; be it a painting emerging from a white canvas, a sweater from a ball of yarn, or a cake from bags of flour and eggs. Sharing my creations with others completes the circle – me giving something back.
Although oil painting is my preferred medium I am developing a love of the fast nature of watercolor and enjoying both mediums en plein air. My subject matter is influenced by my love of nature, gardening, cooking, food and wine. But color is my constant companion.
Jill is an award winning member of the San Diego Art Guild and exhibits her work at the Off Track Gallery in Encinitas, California. She resides in North Coastal San Diego County with her husband, two sons and faithful dog, Merle. She is diligent in improving her artistic skills by taking classes, workshops and participating in art collectives.


This Bandcamp album release by Dan Friedman is a deep and introspective collection of songs that bring you into the artist's mind and his world in essence. Written by Friedman, and co- produced by Cody Weinberger, it is a clean production, warm, embracing and well done in all technical aspects, as well as driving in measure.
Released January 27, 2018, it could be considered a breakout piece, compared to his prior release, Jersey Day, there is a vast difference in the style, a more experienced and mature view of his music and it is a positive move.
This 3 track release is big and bouncy, but not flamboyant and gives for a treat, the 3rd track I Know What I've Found, is on the album in both an electric and acoustic versions, identical songs but the acoustic is an amazing version, for it has a stronger emotional punch, but the feel is "humble" as an appreciation for another day.
Visit his Bandcamp page, as well as his online locations listed below.


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Car Accident Lawyer Representing Victims in Los Angeles
Head-on collisions occur if two cars are traveling in opposite directions and hit each other. These collisions are relatively rare, but when they happen, the consequences may be tragic for the people in both cars. If you were injured or a loved one was killed in a head-on collision, you may be able to recover damages. At the Law Offices of Devin Sawdayi, our Los Angeles car accident attorney can help you protect your rights.
Head-on collisions may happen due to a driver error, such as turning the wrong way on a one-way street or distracted driving. Generally, drivers who see a vehicle directly approaching them head-on should get out of the way because the force of impact from the front may be deadly or result in catastrophic injuries. In most cases, head-on collisions result from one or both drivers' negligence.
As a plaintiff, you will need to prove that it is more likely than not that the other driver owed you a duty to use reasonable care but failed to meet that duty, and the failure caused your injuries. In most head-on collision cases, either one or both drivers failed to use reasonable care, and injuries to both drivers are likely. For example, a driver who drives drunk and moves over the centerline into the opposite oncoming lane has likely breached the duty to use reasonable care.
Sometimes, it is challenging to know whom to blame for a head-on collision, due to the force of the impact. It may be necessary to retain an accident reconstruction expert to examine the scene and the evidence, such as skid marks, debris, the position of the cars, and the types of injuries sustained. The expert can testify as to whether it was the other party's fault.
When injuries are severe, as they often are after a head-on collision, your attorney may also need to retain experts on issues like the extent of the injuries or disabilities and life expectancy. Injuries that may result from a head-on collision include disfigurement, brain trauma, partial or complete paralysis, and multiple fractures. In some cases, the injuries are so serious that an accident victim can no longer work in their former job or must obtain training to change jobs. For example, if you are a construction worker involved in a head-on collision, you may no longer be able to do manual labor after your accident. You may need to do an office job, or you may not be able to work at all.
Damages that are available after a head-on collision include both economic damages, such as medical bills, and noneconomic damages, such as pain and suffering. There is no set standard for noneconomic damages. Instead, these are intangible losses that the jury believes would naturally flow from injuries of the type that you suffered. There may be some social stereotypes at play in how a jury evaluates these damages.
When a loved one dies in a head-on collision, you may be able to recover damages through a wrongful death lawsuit. These damages may include medical bills, funeral bills, burial expenses, and loss of love and companionship. In awarding these noneconomic damages in a wrongful death case, the jury is not supposed to consider the plaintiff's grief or mental anguish, the decedent's pain and suffering, or the financial condition of the plaintiff.
Seek Guidance from a Los Angeles Lawyer Following a Crash
After suffering serious injuries or losing a family member in a head-on collision, you will likely have practical and financial concerns, in addition to the pain that you may be experiencing. We can use our skills and experience to investigate your case, negotiate with insurers, document relevant evidence, and if needed, take your case to trial so that you are able to focus on getting well. Contact Los Angeles attorney Devin Sawdayi at 310-475-9399 or via our online form for a free initial appointment with a motor vehicle collision lawyer.


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By George PhillipsApril 20, 2022No Comments
iPhone has a reputation for having the best apps and games in the mobile market. Many people think that to get these amazing games and apps, they have to pay a lot of money. However, this is not the case! There are plenty of great games and apps available for free on the iPhone. In this article, we will show you the best free iPhone games that you can enjoy without spending a dime. One of the best things about the iPhone is that there are so many great free games available. Some of our favorites include:
1. Alto's Adventure
One of the most popular paid iOS games ever released went completely free in early 2016 with the release of Alto's Odyssey. In it, you ski down beautiful mountains, making jumps and performing tricks while avoiding obstacles like rocks and tree branches. It's an absolutely gorgeous game with a Chillout-music soundtrack to relax you as you play.
When you're done with Alto's Adventure, definitely check out Alto's Odyssey which is just as good, if not better.
One of the best arcade racing games on mobile got even better in its most recent update, which added clubs, challenges, and new multiplayer modes. In Asphalt 8, you race high-end cars around beautiful real-world locations like Lake Louise, French Guiana, and the Nevada Desert. To win this game, you'll need to master drift racing, which is easier said than done. It features amazing graphics and over 200 different cars to race with.
The career mode is lengthy and will keep you busy for hours upon hours, while the multiplayer component keeps things fresh long after you've mastered the solo play.
3. Rocket League Sideswipe
The cars-playing-soccer smash hit Rocket League and goes mobile with Rocket League Sideswipe. In it, you'll play two-minute matches in which you score goals (or points, rather) by ramming into a giant soccer ball and propelling it into your opponent's net. It's a simple concept that's easy to pick up but difficult to master, and the controls have been perfectly adapted for mobile play.
It is fun when you are playing with friends, but the game also includes a robust online multiplayer mode in which you can compete against players from all over the world.
4. Clash Royale
One of the biggest mobile games in the world is also one of the best free iPhone games. In Clash Royale, you take on other players in one-on-one battles with your collection of cards that represent characters from the Clash of Clans universe. You'll need to strategically deploy your troops and use your cards' special abilities in order to defeat your opponent.
Clash Royale is an addictive and challenging game that will keep you entertained for hours. Plus, it's constantly updated with new cards and features, so you'll never get bored.
Check also our post about Best Clash Royale decks for arena – Games Unlocks
5. Super Mombo Quest
Super Mombo Quest is an adorable puzzle game that's perfect for young kids. In it, you help a mother monkey rescue her baby from the clutches of evil snakes. To do so, you must match three or more identical items on a grid to make them disappear and clear a path for the mother monkey to reach her baby.
Super Mombo Quest is a great game for young kids because it's easy to learn but difficult to master. Plus, it's absolutely adorable and features cute animals.
6. Super Fowlst 2
It is available to download for free on the App Store and Google Play Store. The flappy bird genre has been overdone, but Super Fowlst 2 manages to put a fresh spin on it. In the game, you play as a chicken who must flap its wings to fly and avoid obstacles. But instead of going straight, you move in a circular motion, making the game more challenging than your average flappy bird clone.
The trick is to time your flaps so that you move through the gaps in the obstacles. Super Fowlst 2 is a challenging and addictive game that will keep you coming back for more.
7. Badland.
Thoughtful and atmospheric, Badland is one of the most beautiful games on iOS. In it, you control a small creature as it makes its way through a dark and dangerous forest. Along the way, you must avoid obstacles and solve puzzles to progress. To win, you must find all of the exits on each level.
When you factor in the gorgeous graphics and atmospheric soundtrack, Badland is a truly immersive experience. It's also one of the few iOS games that support Apple's MFi controllers, so you can play it with a gamepad if you want.
8. Fruit Ninja
One of the most popular mobile games of all time is Fruit Ninja. In it, you slice and dice fruit as it flies across the screen. It sounds like a simple concept, but it's incredibly addictive and challenging.
The trick here is to slice the fruit with precision and timing. If you sliced a bomb, it's game over. Fruit Ninja is a great game for the iPhone that everyone can enjoy. It's a simple concept where you slice fruit as it's thrown up in the air, and it's incredibly addictive.
9. Knight Brawl
You start the game by choosing one of six knights, each with its own strengths and weaknesses. Then, you enter an arena and face off against another player in a one-on-one battle to the death.
To win, you must use your knight's special abilities and combos to defeat your opponent. You will have to strategize and think on your feet to come out victorious.
10. Jetpack Joyride
In Jetpack Joyride, you play Barry Steakfries, a renegade secret agent who must escape from a heavily guarded facility. To do so, you use a jetpack to navigate through a gauntlet of traps and enemies.
Jetpack Joyride is an incredibly fun and addicting game that will keep you coming back for more. It features simple one-touch controls and gorgeous graphics and it's regularly updated with new content to keep you entertained.
These are the best free iPhone games that you can play offline. While most games require an internet connection, these 10 titles can be enjoyed without one. If you're looking for some fun games to play on your iPhone, be sure to check out these great options.
Thanks to mockuphone.com for the iPhone mockups.
alto adventureasphaltbadlandclash royalfruit ninjaiphone gamesjetpackjoyrideknight brawlrocket league sideswipesuper flowlst 2super mombo questtop 10
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Clariar i430
In red dressed like a fine wine is Clariar's i430. Because the idea that a company descended in part from Acoustune DNA could do properly by balanced armatures is clearly aging well.
Tuned to sit alongside Clariar's eldest i640 and be a reliable reference at a three-figure tag, i430 excels at accuracy, staying true to the way music is played back. One could swear there's more than a bit of Symphonium Audio's Helios in i430's tuning. [See Product Desc. For More]
Then there's everything from its Singapore counterpart in terms of all-aluminium construction and four balanced armatures, with a few proprietary tricks for implementation the Clariar way.
A self-developed physical low-pass filter installed in the acoustic path, and a rear cavity in a 3D-printed enclosure, ensure bass is prominent, fast, deep and controlled regardless of your preferred genre.
Despite costing half of i640, i430's crossover doesn't skimp and is built with high-quality parts, with everything made proudly in Japan. So we raise a little glass to the traits that make up good Head-Fi, Clariar achieving while adopting a BA topology: cohesivess, tonal balance and a natural, even-handed approach to music making.
Already a company that proves it's not a one-trick pony after i640, but with a lot of ideas and tunings to work with balanced armatures, Clariar now have two children to pride in. View the rest of their collection here, or our other IEMs here.


Fibromyalgia is a common and complex chronic pain disorder which affects people on physical, mental and social aspects. It is not a disease, yet a syndrome. Contrary to diseases, which are a medical condition with a specific cause and recognizable signs and symptoms, a syndrome is a collection of signs, symptoms and medical issues which tend to manifest together in a bunch and are not always linked with specific and recognizable cause.
Chronic pain all over the body is a primary symptom of fibromyalgia. Most people suffering from this syndrome experience mild up to heavy exhaustion, troubles sleeping and are extremely sensitive to touch light, sound and have cognitive disturbances as well. Many individuals suffer from overlapping co-morbid conditions such as syndrome of the irritable bowel, lupus and arthritis.
Pain experienced in fibromyalgia is deep, chronic and wide spread. It can migrate in all parts of the body and vary in its intensity. Pain can be described as stabbing, burning or deep muscle pain, being at its peak in early morning hours. Aggravating factors which can intensify the pain and fibromyalgia symptoms in women are cold and damp weather, lack of sleep, physical and psychological exhaustion, excessive physical activity, lack of the same along with anxiety and stress.
In today's world a lot of people are complaining about exhaustion, which is excessive in a case of fibromyalgia, especially after lack of sleep. It can be so intense that it interferes with your normal behavior for the day, which can cause a lot of problems in terms of your job or social life. The problem with this is that most people also suffer from lack of sleep, preventing them to relax and rest. Medical studies have shown specific and characteristic abnormalities in stage 4 of deep sleep. During this phase, patients with fibromyalgia have constant intervals of brain activity which is equal to the one found while they are awake.
The accent in treating of this syndrome is put into easing the symptoms and improving the general health condition. One of the important factors in reducing the symptoms of fibromyalgia is to recognize the necessity to change your lifestyle. First official medication (approved by the FDA) used to treat fibromyalgia was pregabalin. Analgesics are often prescribed as well and anti-depressants in small doses, which have a positive effect on restoration of regular sleeping routine and to ease the pain. In a case of a co-morbid depressive disorder, higher dosages are used. An important part in reducing the pain is played by quality workout and stretching exercises which help to maintain muscular tone and to reduce pain.
Learning to live with this chronic syndrome is an emotional challenge for anyone affected by it. A special program is required which will make sure that the patients are receiving subtle emotional support, along with quality communication with family and friends. Complementary therapies can also be fairly efficient like physiotherapy, medicinal massage, hydrotherapy, yoga, aromatherapy and many more.


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Q: Do I need to compile definition files alongside Typescript? I'm not sure about this one, but do I need to compile my typings alongside typescript and have them compiled to same path as the were in originally.
if yes why, and similarly if no than why not?
I'm new to Typescript and so far been using typings with an approach where I thought they were just used for IDE to not throw errors, but now I am not so sure, as I have seen some posts talking about compiling these.

A: As long as you reference the types and variables defined in a .d.ts file, you have to keep it there in order to have a clean build. If you move around the file, do update the reference to reflect that. Think of a .d.ts file as a extension to the compiler.
You could just define "pretend" interfaces on your .ts file defining the names you're using, but that will clutter your main files with code that is not translated into anything.

redpajama_set_name: RedPajamaStackExchange


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You are here: Home / City Hall / Slowing it down
Slowing it down
Nova Scotia may consider lower speed limits as part of larger street design plans.
June 15, 2016 By Erica Butler 7 Comments
In 2010, Montreal lowered speed limits in neighbourhood zones to 40 km/h. Photo: Montreal Gazette
I read a post recently in the charmingly-titled Facebook group "I HATE Halifax Metro Transit" complaining about, among other things, bus drivers going 30 km/h in 50 km/h zones.
The poster clearly seemed to believe that 50 km/h was actually more of a recommended speed than a maximum not to be exceeded. Sadly, this is how many of us think about speed limits. If the sign says 50 km/h, then we have a right to go 50 km/h. And everyone in our way, or driving the bus we're on, has a duty to go 50 km/h, too.
But the truth is, it's rarely safe in urban Halifax to go 50 km/h, even though that is our provincially legislated speed limit. Our residential streets are filled with parked cars, pedestrians, people on bikes, people in wheelchairs and scooters, and even kids playing ball. On these streets, 50 km/h is dangerous.
Speeds as high as our residential limit could actually prove deadly for vulnerable road users like pedestrians. According to a 2008 report by the World Health Organization, if hit by a vehicle going 50 km/h, over 80 per cent of pedestrians would likely die. If that vehicle were going 40 km/h, the probability of death is cut in half, and half again at 30 km/h.
From page 5 of Speed Management, A Road Safety Manual, published by the World Health Organization in 2008. Their source: OECD/ECMT Transport Research Centre: Speed Management report, Paris 2006.
In some parts of the world, these numbers are causing governments to rethink how they manage speed on city streets, where pedestrians, cars, and bikes mix. And part of the approach that many jurisdictions are taking, is reducing speed limits.
In 2010, as part of their new city-wide transportation plan, Montreal reduced speed limits on residential streets to 40 km/h, leaving main arterials and collectors at 50 km/h. The move was part of a "global speed management approach where the combination of different actions and measures lead to significant traffic calming all over the roadway network. Lowering the speed limit is one of the first steps of this approach," according to a consultant's report on speed limits commissioned by the province of Nova Scotia.
In 2014, New York City reduced its speed limit from 30 to 25 miles-per-hour (the equivalent of going from 50 km/h to 40 km/h) as part of a wider Vision Zero street safety plan.
Three out of six Edmonton communities that underwent a six-month 40 km/h pilot project in 2010 opted to keep the lower limit. The city has since created a neighbourhood speed reduction policy, in which communities can request to be considered for a reduced 40 km/h limit.
Last year, the province of Ontario started considering a plan to lower default speed limits to 40 km/h across the province, in part to save municipalities the costs of posting signage in neighbourhoods that chose lower limits.
So what about here?
Speed limits in Nova Scotia can be lowered with the approval of the Provincial Traffic Authority, who traditionally says no to such requests, though that may change in the future.
The provincial Road Safety Advisory Committee (RSAC) is currently mulling over the results of a posted speed limit study wherein nine streets in Nova Scotia saw 40 km/h speed limit signs posted for a year. Though residents were notified of the project, there were no complementary actions in education, enforcement, or engineering of the nine selected streets. The study was designed to test posted speed limits in isolation.
Streets included in 2015 Posted Speed Limit Study
Check out the map here.
Grennan Dr (Lower Sackville)
Inverary Dr (Dartmouth)
Lancaster Dr (Clayton Park)
Westmount St (Halifax)
Conrads Rd (Hubbards)
Viewmount Dr (Tantallon)
Maple Blvd / Scenic Dr (Bible Hill)
Ryland Ave (Bible Hill)
Springwaters Place (Bible Hill)
As much as I'd love to share the results of this government funded study with you here, I've been told the findings are not for public consumption, yet. First, RSAC will deliberate on them (in fact they have already asked the consultant to make a few changes to the report). Then RSAC will make its recommendations on setting speed limits to government. After that, they will release the results of the study to you and me.
Back in March, however, the provincial traffic authority, Mike Croft, made a presentation to Halifax's Active Transportation Advisory Committee (ATAC), apparently sometime before the decision to keep the findings under wraps. The minutes of that meeting on March 24, 2016 describe one key finding that Croft presented to ATAC:
The study found that there was an average reduction of 2.4 percent [in speed] directly after the lower speed limit was posted while the reduction became less over time.
2.4 per cent is not much of a speed reduction, especially when you've just reduced the posted speed limit by 20 per cent. (But of course, one number from a study full of numbers is not much to go on, either.)
Sustainable transportation advocate Tristan Cleveland was at that ATAC meeting. The results, he says, were "kind of obvious… You can't just change the number on the sign. People don't slow down that much. You can't reduce the speed of the road without designing the road differently."
"The discussion at ATAC was actually very positive," says Cleveland. Members of the committee discussed the possibility of setting up a classification system for Halifax streets, with appropriate engineering guidelines, and lowered speed limits to match. According to Cleveland, the response from Mike Croft was positive. "So there is a way forward on that issue," says Cleveland. "It's very exciting."
So is the provincial traffic authority changing his mind about speed limits? Not really. More like he's being asked a different question.
"Our pilot project did only look at changing the posted speed limit," says Mike Croft. "It didn't look at any other factors. But a lot of the requests that we receive, that's exactly what the municipality wants to do. All they want to do is go and change a speed limit sign. They're not talking about an awareness campaign. They're not talking about education or enforcement. They are not talking about physical changes to the street or traffic calming. They're simply coming and asking for a speed limit change on that street."
And hence the answer, to date, has been no.
Now that Halifax is engaged in creating an Integrated Mobility Plan, we have the opportunity to present a consistent and rational system for not just speed limits, but for a comprehensive plan to control speed and improve safety in our urban residential areas. We might muster the planning and resources to present the province with a Montreal model system. As long as we pay attention to street design, enforcement and education, we have a chance of approval with the provincial traffic authority.
Tristan Cleveland certainly isn't put off by the idea of physical changes to Halifax streets: "It's actually encouraging to be told to design the streets for the speed you want."
"It's the driving environment," says Croft. "I think if you were to combine a speed limit change with making changes to your street environment to make it look like it's a street that people want to drive at a lower speed, that would probably work or be effective."
Filed Under: City Hall, Featured, Province House
Jeff Warnica says
See MVA 107 (1).
Going slower then the limit is impeding traffic.
Transit drivers going 30 should be charged, but the MVA also makes buses immune to all traffic laws (which the drivers have interpreted to mean immune to all laws of physics, but that is another story.)
Tim Roberts says
That's not what s 107 of the MVA says:
107(1) Except when necessary for safe operation or to comply with this Act, no person shall drive a motor vehicle at such a slow speed as to impede or block the normal and reasonable flow of traffic.
(2) Where a person is driving a motor vehicle at such a slow speed as to impede or block the normal and reasonable flow of traffic, he shall stop where it is reasonably safe to do so and permit traffic so impeded or blocked to pass
his motor vehicle.
Context has to be considered. If visibility is affected by fog or rain or if one's ability to slow/stop is affected by snow or slush, then it's negligent to insist on going 50 in a 50km/h zone. Rear-end a stopped vehicle ahead of you or his someone in a crosswalk while driving the speed limit in shitty driving conditions and a court will place some (if not all) liability for the accident on you, should a civil suit arise.
Section 101 of the MVA is a general provision regarding speed and describes several factors to be considered to which s 107(1) would be subject (ie "or to comply with this Act"):
101 A person operating or driving a vehicle on a highway shall operate or drive the same at a careful and prudent rate of speed not greater than is reasonable and proper, having due regard to the traffic, surface and width of the highway and of all other conditions at the time existing, and a person shall not operate or drive a vehicle upon a highway at such a speed or in such a manner as to endanger the life, limb or property of any person.
All of which is to say a bus driver may be acting reasonably by driving 30km/h in a 50 zone, depending on weather, road and traffic conditions.
Norm Collins aka Crosswalk Safety says
That is not what MVA 107(1) states
Slow driving
107 (1) Except when necessary for safe operation or to comply with this Act, no person shall drive a motor vehicle at such a slow speed as to impede or block the normal and reasonable flow of traffic.
I don't know how slow "such a slow speed" is but I doubt driving 5 km below the speed limit would be considered 'such a slow speed'. And as commented elsewhere perhaps the bus was in a school zone, respecting the lower speed limit.
I observe posted speeds are 'limits', or in other words maximums and not speed 'targets'.
Slowing down will save lives and reduce the seriousness of injuries.
Norm Collins
Plaza937 says
Maybe the bus was in a school zone, where the limit goes from 50 to 30, and in my experience at least 90% of drivers are completely oblivious to the bright yellow signs even in the presence of actual children. This is a good example of how a change in the speed limit, in the absence of other changes and enforcement, does not result in a change in driver behaviour.
I know there is some justified confusion about the school zones and when the lower speed applies, but I am specifically referring to times when children are going to or from school and there are crossing guards out.
benwedge says
Someone should go up the Hydrostone, drive the speed limit on Hennessey Place (50 km/h) and report back.
Matt Dowling says
It's not like you can actually do 50 in most parts of the city anyhow. My car is three years old and has that feature that can track the average speed. I drive on average 35,000 km/year with (8,000 – 10,000 km of which is highway driving) and the average speed is 38 km/hr.
Dartmouth Oldie says
From my observations, there is no real issue with busses driving too slow. What I do see is a lot of very impatient drivers who seem to think 50KM is a suggested started point and want to do 60 or 70.
If a bus seems to be going to slow, it probably is because the driver is driving for the conditions as presented to him. It might be visibility, other traffic etc.
From excessive speed to distracted driving, there are wider problems in our traffic flows than somebody who thinks they are important getting delayed by 17 seconds getting somewhere.


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Q: react-redux's @connect produces the error 'connect.js:129Uncaught TypeError: Cannot read property 'store' of undefined' When running my app (successfully bundled with webpack+babel with decorators support), the console shows:
'connect.js:129 Uncaught TypeError: Cannot read property 'store' of undefined'

Nothing else is showing on the screen
All packages are up to date.
Any ideas? thanks.
app.js:
import React from 'react'
import ReactDOM from 'react-dom'
import Main from './components/main.jsx'

import { combineReducers } from 'redux'
import { Provider, connect } from 'react-redux'
import { createStore } from 'redux'

import * as mainActions from './actions/main_a'
import * as reducers from './reducers/main_r'

const reducer = combineReducers(reducers)
const store = createStore(reducer)

let mapDispatchToProps = (dispatch) => ({
    fireTestAction: () => dispatch(mainActions.testAction( true ))
});

let mapStateToProps = () => ({})

@connect(mapStateToProps, mapDispatchToProps)
export default class App extends React.Component{
    render() {
        return (
            <Provider store={store}>
                <Main txt='Fire test action' action={ fireTestAction} />
            </Provider>,
                document.getElementById('app')
        )
    }
}

var app = new App;
app.render();

package.json:
"devDependencies": {
    "babel": "^6.5.2",
    "babel-core": "^6.10.4",
    "babel-loader": "^6.2.4",
    "babel-plugin-transform-decorators-legacy": "^1.3.4",
    "babel-preset-es2015": "^6.9.0",
    "babel-preset-react": "^6.11.1",
    "babel-preset-stage-0": "^6.5.0",
    "gulp": "^3.9.1",
    "gulp-exec": "^2.1.2",
    "gulp-nodemon": "^2.1.0",
    "gulp-shell": "^0.5.2",
    "gulp-webpack": "^1.5.0",
    "react-hot-loader": "^1.3.0",
    "redux-devtools": "^3.3.1",
    "webpack": "^1.13.1",
    "webpack-dev-server": "^1.14.1"
  },
  "dependencies": {
    "express": "^4.14.0",
    "react": "^15.1.0",
    "react-dom": "^15.1.0",
    "react-redux": "^4.4.5",
    "redux": "^3.5.2"
  }
}

A: It's because you are using the connect on the same component where you use the provider.

<Provider store>
Makes the Redux store available to the connect() calls in the
  component hierarchy below. Normally, you can't use connect() without
  wrapping the root component in <Provider>.

https://github.com/reactjs/react-redux/blob/master/docs/api.md#provider-store
You should use the connect on the <Main> component.
EDIT:
Also, if the App component is your entry point, you don't need to export it, and you don't need to do this:
var app = new App;
app.render();
.
Instead, use ReactDOM to render the app. Like:
ReactDOM.render(
 <Provider store={store}>
  <Main txt='Fire test action' action={ fireTestAction} />
 </Provider>,
 document.getElementById('app')
)

A: Old question, but I ran into this error because I was trying to create a component from a given MyComponent: React.ComponentClass by calling new MyComponent(props), which is not the right way to create a React component. the correct way is to call  React.createElement(MyComponent, props)


We've asked members of the FedEx family to help guide you on your travel adventures this year. Here you will find insider advice from our team members on the places they frequent and why they think these locations are hot spots you should add to your road trip checklist. Check out this section, which highlights Bogotá, Colombia and all of the great things the city has to offer. Stay tuned for more cities!
Julian Zamora is a Driver for FedEx Express. He's worked for FedEx for five years and lives in Bogotá, Colombia.
Guadalupe Hill is located next to Monserrate, and is widely known for the statue celebrating the religious figure "Virgin of Guadalupe," which stands 15 meters tall and sits almost two miles above sea level.
The National Cathedral is the largest of its kind in Colombia, and one of the largest in all of South America. The elegant architecture houses the crypts of Colombia's most prominent historical figures including Gonzalo Jiménez de Quesada, the founder of Bogotá.
The Gabriel García Márquez Center is a great place to experience the literature of the famous Colombian author in an atmosphere made for learning and exploring new ideas. Grab a book inside and then enjoy your read in the gardens within the center's walls.
The Maloka Museum offers an interactive science and technology experience. Guests can experience life on other planets or stay grounded and explore Bogotá in 3-D.
Monserrate Hill is known across the globe for its epic views. Depending on the weather, you can choose to climb the hill or simply ride the funicular to the top.


This woman might be the Japanese version of Epic Meal Time. Even if Kinoshita Yuka describes her job as a "competitive eater", it's still very impressive to see how easily she eats those slices of bread.
Waiting over height pounds, the 100 pieces of bread count over 10,000 calories according to the female youtuber. How is it even possible to get all this down there? Well, with a toaster, some honey, jam and butter.


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Q: Delete all Thumbnail Pictures I messed up with the thumbnails folder, now those thumbnail pictures are all over the place.
How can I find all of the thumbnail pictures and delete them? Do they have a specific size? Or naming pattern?

A:
How can I find all of the thumbnail pictures and delete them? Do they have a specific size? Or naming pattern?

They do not have a specific size but they do have a somewhat** specific naming pattern in that they are .png files with 32-character long prefixes. The prefixes contain only lower case numbers and letters:
~/.cache/thumbnails/normal $ ls -l
total 976
-rw-rw-r-- 1 dkb dkb  5306 Dec 18 19:09 085c000fbbf0acf30a6cd10fba7840b6.png
-rw-rw-r-- 1 dkb dkb 17064 Dec 18 19:10 096f43aca7514b077af55837fa2e991f.png
-rw-rw-r-- 1 dkb dkb  1007 Jan  7 14:04 0dea5b174496fdc296eeab1c16d14890.png
-rw-rw-r-- 1 dkb dkb  1609 Dec 18 19:10 0f61d62142d309ac7217c2db97f461f7.png

**I found files fitting the naming pattern even in my ~/.config/google-chrome subfolders.
The prefix of this type matches the string generated using md5sum. For example,
echo -n "file:///home/dkb/Pictures/mogrify.png" | md5sum 5c876891579e1ddb68858fcd1285fa3e  -

That said, you can list these files and their locations with
find ~ -iname "*.png" -ls | grep -E "[[:alnum:]]{32}.png"

Given that there's no guarantee that only thumbnails will be recovered by the command, you'll need to use your judgement in deleting these files.
~ $ find ~ -iname "*.png" -ls | grep -E "[[:alnum:]]{32}.png"
   263512      4 -rw-------   1 dkb    dkb          68 Dec 19 18:47 /home/dkb/.config/google-chrome/Default/Extensions/cjpalhdlnbpafiamejdnhcphjbkeiagm/1.17.4_0/web_accessible_resources/c77d1c55bb336440de0677e841870dd2.png
   263514      4 -rw-------   1 dkb    dkb          83 Dec 19 18:47 /home/dkb/.config/google-chrome/Default/Extensions/cjpalhdlnbpafiamejdnhcphjbkeiagm/1.17.4_0/web_accessible_resources/70a7e8510b6031f0d7d6dbf4a6e70c3e.png
   263513      4 -rw-------   1 dkb    dkb          68 Dec 19 18:47 /home/dkb/.config/google-chrome/Default/Extensions/cjpalhdlnbpafiamejdnhcphjbkeiagm/1.17.4_0/web_accessible_resources/08bccca4f0b22bca18001da690ef0f6b.png
  4992634    104 -rw-rw-r--   1 dkb    dkb      105801 Dec 31 19:12 /home/dkb/.cache/thumbnails/large/50300a09e33e5f5708ff995ce8780bf0.png
  4982659     44 -rw-rw-r--   1 dkb    dkb       43937 Dec 19 14:13 /home/dkb/.cache/thumbnails/large/e0f35cdc15dfa67a127d63b02be6198b.png
  4981212      8 -rw-rw-r--   1 dkb    dkb        7467 Dec 18 19:10 /home/dkb/.cache/thumbnails/normal/7254f83b68182514fc7da15bc055e11b.png
  4981237      4 -rw-rw-r--   1 dkb    dkb         134 Dec 18 19:10 /home/dkb/.cache/thumbnails/normal/4bfa9f4ef307e8662c6e3575272b0176.png
...


Franziska Apprich, an assistant professor at the Canadian University in Dubai (CUD), just created a prototype of a chewing gum designed exclusively for astronauts. Apprich worked with a fellow professor from New York University to create the UAE space gum.
The UAE space chewing gum might prove very handy for the future plans the UAE have in store for outer space. As we previously reported, UAE is planning to build the first city on Mars by 2117. The 100% locally produced space gum will not be all about the flavor, as the focus of the invention will be on the health and nutritional benefits.
Chewing gum can relieve tension, something we here on Earth would desperately want. The space gum will also help maintain oral hygiene, which is a real concern for astronauts. The UAE space gum will contain natural gum, silver particles, date paste, honey and vitamin C, all wrapped up in a star-shaped shimmery, silver package.
The professor stated that "the gum is all-natural so that no harmful additives are absorbed into the system." The vitamin C is great as it supports the immune system, and the silver particles will be used to treat bacteria in the mouth to help prevent oral diseases. The honey and the date paste is there to provide an energy boost, tasty flavor, and a tribute to the UAE culture.
Apprich will showcase the product in Dubai Expo 2020, and will work with UAE Space Agency to execute this critical and exciting product.
WE SAID THIS: The real question remains, can they make gum bubble in space?


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text:
In This Article Manuel de Falla
Catalogues and Bibliographies
Writings, Iconography, and Memoirs
European Contemporaries
Falla and Spanish Music
Falla and Spanish Culture
Spanish Intellectual Life
Granada and Lorca
Early Critical Assessments
Orchestral and Chamber Music
Vocal Music and Arrangements
Spanish Folk Music, Musical Borrowings, and Nationalism
Spanish Folk Sources
Neoclassicism and Early Music
Analysis and Studies of Compositional Process
Aesthetics and Reception Studies
Nationalism in Western Art Music
Instrumentation and Orchestration
Michael Christoforidis
Manuel de Falla (b. 1876–d. 1946) is recognized as the leading Spanish composer of the 20th century, best known for his ballets The Three-Cornered Hat (1919) and El amor brujo (1915/1925). His music has appealed to a broad public, both in Spain and internationally, a unique position among Hispanic composers. Born in Cádiz, Falla's studies took him to Madrid, where he became part of the milieu of the Spanish musical renaissance that grew out of the late-19th-century Romantic nationalism of Tomás Bretón (b. 1850–d. 1923), Isaac Albéniz (b. 1860–d. 1909), and Enrique Granados (b. 1867–d. 1916) and the nationalist ideas of his teacher Felipe Pedrell (b. 1841–d. 1922). In Paris from 1907 to 1914, Falla became an integral member of the Franco-Hispanic milieu, and his music reflects the developments of the Parisian avant-garde. But Spanish nationalism remained a constant reference point throughout his career, and he continually reconsidered the ways in which it could be projected in his music. With the outbreak of World War I, Falla returned to Madrid and over the following years was closely associated with the circle of the Ballets Russes and Stravinsky. In 1920 Falla achieved his long-held dream of moving to Granada, which coincided with his neoclassical reorientation. The political turmoil of the 1930s exacerbated his creative impasse and instigated his emigration to Argentina in the aftermath of the Spanish Civil War, where he lived from 1939 until his 1946 death in Alta Gracia. Falla's compositional output ranged from late-19th-century salon and theatrical forms, notably the verismo-inflected opera La vida breve (1905/1913), to mature styles shaped by Debussyan Impressionism and Stravinskyan Primitivism, Neoclassicism and Monumental opera. He completed only a handful of minor works during the last two decades of his life and worked on the scenic cantata Atlántida, which remained unfinished at his death. Like some of the composers of his Parisian milieu, Falla wrote relatively few works, but each mature composition signals new conceptual aims and musical goals. Falla's oeuvre directly influenced two generations of Spanish composers as well as having an impact on a number of European and American musicians. He was involved in the intellectual debates of his time, collaborating with leading contemporary authors and artists, notably Federico García Lorca (b. 1898–d. 1936) and Pablo Picasso (b. 1881–d. 1973). The subject of both scholarly and general literature since the early 20th century, Falla has received more critical attention than any other post-Renaissance Spanish composer. Since the late 1980s, a new wave of research has been based on the wealth of primary sources made available through the Archivo Manuel de Falla (AMF), which opened to the public in purpose-built facilities in Granada in 1991.
There are a number of general overviews of Spanish music and culture for the period in which Manuel de Falla was active, many of which include significant chapters dedicated to the composer. These publications can provide useful introductions to Falla's music and the contexts in which it was created. Chase 1941, Starkie 1958, and Livermore 1972 are representative of mid-20th-century monographs on Spanish music by English-speaking Hispanists, all of whom knew or corresponded with Falla, and position his music at the vanguard of the modern Spanish school. Marcó 1993 provides a Spanish post-Franco era perspective of 20th-century music in that country, commencing with a chapter on Falla, while Alonso, et al. 2010 produces the clearest historically informed account of Spanish musical nationalism in the late 19th and early 20th centuries. Falla is situated within the discourses of Spanish musical nationalism in Persia 2003 and Pérez-Zalduondo 2007, while Parakilas 1998 concludes with a reading of Falla's music in relation to Parisian musical representations of Spain over the previous century.
Alonso, Celsa, Julio Arce, Teresa Fraile, et al., eds. Creación musical, cultura popular y construcción nacional en la España contemporánea. Madrid: Instituto Complutense de Ciencias Musicales, 2010.
Alonso's extended essay, which constitutes Part I of this multiauthored volume, presents the most coherent overview and nuanced synthesis of Spanish nationalism and its relation to musical identity in the literature, focusing on the period that spans Falla's lifetime.
Chase, Gilbert. The Music of Spain. New York: Norton, 1941.
This historic text plots the history of Spanish music from the medieval period, positing an evolution that climaxes with the appearance of Falla and his musical disciples. Chase's account is informed by Falla's perspectives on his career, as he sought and received feedback from the composer on the relevant parts of the manuscript.
Livermore, Ann. A Short History of Spanish Music. London: Duckworth, 1972.
Overview of Spanish music from the medieval period to the 1950s. Includes an extended chapter on Spanish folk music and discussion of Spanish composers who looked to European models, beginning with Isaac Albéniz. The section on Falla is informed by the author's direct contact with the composer and flavored by insightful anecdotes.
Marcó, Tomás. Spanish Music in the Twentieth Century. Translated by Cola Franzen. Cambridge, MA: Harvard University Press, 1993.
Originally published in Spanish as Volume 6 of Historia de la música española (Madrid: Alianza, 1983), this overview of Spanish music to 1980 was written by a composer, musical activist, and leading figure in Spanish music during the second half of the 20th century. Provides a reading of Falla's music shaped by the meanings it accrued for the post–Civil War generation under Franco.
Parakilas, James. "How Spain Got a Soul." In The Exotic in Western Music. Edited by Jonathan Bellman, 137–193. Boston: Northeastern University Press, 1998.
Parakilas explores various waves of Parisian musical exoticism based on Spanish themes, providing a narrative thread from the Napoleonic era to World War I. Concludes with a section on Falla's debt to this tradition, interpreting it in the light of auto-exoticism. However, does not engage with the preceding generation of Franco-Spanish musical exchanges in Paris, which range from popular theatrical entertainment to the music of Isaac Albéniz.
Pérez-Zalduondo, Gemma. "Racial Discourses in Spanish Musical Literature, 1915–1939." In Western Music and Race. Edited by Julie Brown, 216–229. Cambridge, UK: Cambridge University Press, 2007.
Pérez-Zalduondo, a leading Spanish scholar on music and politics, presents a critical overview of the idea of race and how it underpinned debates on Spanish musical nationalism from the onset of World War I to the end of the Civil War. Includes commentary on Falla's writings and their reception.
Persia, Jorge de. En torno a lo español en la música del siglo XX. Granada, Spain: Diputación de Granada, 2003.
Persia's monograph builds on his earlier publications to present an overview of the rise in Spanish musical nationalism in the first quarter of the 20th century. It is largely focused on the musical and cultural circles associated with Falla's artistic trajectory: Madrid, pre–World War I Paris, post–World War I Granada, and references to Barcelona.
Starkie, Walter. Spain: A Musician's Journey through Time and Space. 2 vols. Geneva, Switzerland: Edisli-at Editions Rene Kister, 1958.
Starkie was a prominent Hispanist, musician, and travel writer who met with Falla on several occasions (as documented in his travel writings). This survey of Spanish music from medieval times up to Falla includes major sections on Spanish folk music and flamenco, as well as recordings of some of this repertory.
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text:
Paolino Dimai (28 January 1931 – 5 February 2011) was an Italian speed skater. He competed in the men's 5000 metres event at the 1956 Winter Olympics.

References

External links

1931 births
2011 deaths
Italian male speed skaters
Olympic speed skaters of Italy
Speed skaters at the 1956 Winter Olympics
People from Cortina d'Ampezzo
Sportspeople from the Province of Belluno


text:
Tenant held for attempt to murder woman, brother-in-law
tenantriskverification January 27, 2014 0
A tiff over rent led to a tenant assaulting the landlord's daughter-in-law and a son, landing them in hospital in critical condition. The fight took place at landlord Shanta Jogi's residence at Santoshi Nagar, Pipla Road, on Friday afternoon.
Hudkeshwar police have arrested the tenant, Madhukar Mankar, 46, who earns his livelihood by taking welding contracts. He will be produced in the district court on Saturday.
The complaint filed by Jogi, 59, claims that Mankar has been a tenant at her house from last two months, but has been irregular in paying rent. He has paid Rs 2,000 as rent for the single room over two months, and had been asked to pay more. She told police that Mankar had been picking up arguments with them since last few weeks, after he was told to pay higher rent.
Friday's quarrel began after Mankar passed indecent comments on Jogi's daughter-in-law Amrapali, 28, whose husband was at work. Police said that only Jogi and her daughter-in-law were at home since her other son Ashish, 28, was undergoing treatment at a private hospital.
"On hearing the foul words uttered for Amrapali, Jogi warned Mankar against such behaviour, which led to an argument between them. Later, while Mankar was misbehaving with the two women, Ashish reached home. During the fight, Mankar hit Amrapali and her brother-in-law Ashish with a wooden rod," police said.
Neighbours helped Jogi to rush both the injured persons to hospital. Cops said Amrapali's condition is more critical than Ashish. On Jogi's complaint, police have booked Mankar for attempt to murder.
TAGS » background checks, background screening, Bad Tenants, criminal convictions, criminal records, tenant background check, tenant credit check, Tenant fraud, Tenant Screening


The index opened strong around 8260 and stayed strong on the back of short covering to scale 8300 but closed just below at 8287.75, gain of 83.75 points. The broader market was strong with 1040 advances to 528 declines. Range at the start of the series at 8000-8500.
Call option 7700-8800 added huge 53.10 lacs OI with short covering at 8200 strike price.
Put option 8400-7500 added huge 55.39 lacs OI.
Nifty Open Interest is at 1,14,94,350 up by 32,05,950, with increase in price, probably 100% rollover with huge long build-up.
Bank Nifty Open Interest is at 11,51,200 up by 3,43,280, with increase in price, probably rollover with huge short covering.
FII's bought huge 46802 contracts of Index Futures, which includes net 4415 contracts long build-up and 55304 contracts short covering, with decrease in net OI by 50889 contracts, includes 128184 longs to 81382 shorts for the day.
FII's Index future open contract as on date is 178422 Longs to 36525 Shorts, Net long 141897 contracts.
Initial support at 8200, with huge OI addition of 10.85 lacs and below that at 8100 with OI of 25.25 lacs.
Initial resistance at 8400, with OI of 29.28 lacs and above that at 8500 with OI of 38.02 lacs.
Day Range as per Option Table is 8204 - 8359 and as per VIX is 8217 - 8358 with 8279 as the Pivot.
The index opened weak around 8039 but saw smart recovery to the highs of the day at 8120.65 but closed flat for the day at 8094.70, gain of 6.10 points. The broader market was strong with 1221 advances to 337 declines. Expiry week range is at 8000-8300.
Call option 8100-8400 added 18.07 lacs OI with profit booking at 8500 and above strike prices.
Put option 8100-8000 added 13.49 lacs OI with short covering at 8200 and above strike prices.
Nifty Open Interest is at 1,21,18,500 down by 13,17,525, whereas next series added 22.88 lacs with no change in price, probably 100% rollover with huge long/short build-up.
Bank Nifty Open Interest is at 16,52,730 down by 1,12,140, whereas next series added 2.06 lacs with increase in price, probably 100% rollover with long build-up.
FII's sold 4822 contracts of Index Futures, which includes net 12451 contracts long build-up and 17273 contracts short build-up, with increase in net OI by 29724 contracts, includes 76416 longs to 81238 shorts for the day.
FII's Index future open contract as on date is 158461 Longs to 75137 Shorts, Net long 83324 contracts.
Initial and best support at 8000, with highest OI of 73.81 lacs and below that at 7900 with OI of 43.38 lacs.
Initial resistance at 8100, with OI of 40.29 lacs and above that at 8200 with OI of 49.59 lacs.
Day Range as per Option Table is 8002 - 8175 and as per VIX is 8016 - 8173 with 8085 as the Pivot.
The index opened weak around 8029 on the back of unfavourable Britain referendum and went on to touch the lows at 7927, but closed much higher at 8088.60, still a huge loss of 181.85 points. The broader market was also weak with 337 advances to 1241 declines. Going in to expiry week the range has expanded to 7800-8400.
Call option 7900-8200 added huge 42.97 lacs OI with profit booking at 8300 and above strike prices.
Put option 7900-7600 added 12.53 lacs OI with huge short covering at 8000 and above strike prices.
Nifty Open Interest is at 1,34,36,025 down by 24,52,125, whereas next series added 7.95 lacs with decrease in price, probably small rollover with huge long liquidation.
Bank Nifty Open Interest is at 17,64,870 down by 60,540, whereas next series added 0.41 lacs with decrease in price, probably rollover with some liquidation.
FII's sold 30614 contracts of Index Futures, which includes net 30941 contracts long liquidation and 327 contracts short covering, with decrease in net OI by 31268 contracts, includes 81801 longs to 112415 shorts for the day.
FII's Index future open contract as on date is 146010 Longs to 57864 Shorts, Net long 88146 contracts.
Initial and best support at 8000, with highest OI of 65.86 lacs and below that at 7900 with OI of 49.09 lacs.
Initial resistance at 8100, with huge OI addition of 20.46 lacs and above that at 8200 with OI of 44.06 lacs.
Day Range as per Option Table is 7962 - 8143 and as per VIX is 8010 - 8167 with 8039 as the Pivot.
The index opened flat to negative around 8214, and stayed mostly weak for the major part of the day to close at 8203.70, loss of 16.20 points. The broader market was weak with 513 advances to 1057 declines. Range for the series now at 8000-8400.
Call option 8200-8700 added 6.64 lacs OI with short covering at 8100 and below strike prices.
Put option 8000-7700 added 9.17 lacs OI with short covering at 8200 and above strike prices.
Nifty Open Interest is at 1,55,60,700 down by 13,33,500, with decrease in price, probably long liquidation.
Bank Nifty Open Interest is at 18,00,780 up by 21,900 with increase in price, probably long build-up.
FII's sold 7739 contracts of Index Futures, which includes net 7817 contracts long liquidation and 78 contracts short covering, with decrease in net OI by 7895 contracts, includes 24116 longs to 31855 shorts for the day.
FII's Index future open contract as on date is 170921 Longs to 56977 Shorts, Net long 113944 contracts.
Initial support stays at 8200, with OI of 35.96 lacs and below that at 8100 with OI of 54.78 lacs.
Initial and best resistance at 8300, with OI of 62.68 lacs and above that at 8400 with OI of 59.78 lacs.
Day Range as per Option Table is 8136 - 8263 and as per VIX is 8126 - 8282 with 8198 as the Pivot.
The index opened positive around 8255, but saw profit booking from the onset to close near the lows at 8219.90, loss of 18.60 points. The broader market was negative with 751 advances to 813 declines. Range for the series now at 8000-8400.
Call option 8400-8700 added 7.11 lacs OI with short covering at 8300 and below strike prices.
Put option 8200-8000 added 8.10 lacs OI with profit booking at 7900 and 7600 strike prices.
Nifty Open Interest is at 1,68,94,200 down by 5,84,025, with decrease in price, probably long liquidation.
Bank Nifty Open Interest is at 17,78,880 down by 13,080 with decrease in price, probably long liquidation.
FII's sold 9697 contracts of Index Futures, which includes net 6382 contracts long liquidation and 3315 contracts short build-up, with decrease in net OI by 3067 contracts, includes 14461 longs to 24158 shorts for the day.
FII's Index future open contract as on date is 178738 Longs to 57055 Shorts, Net long 121683 contracts.
Initial support at 8200, with OI of 39.57 lacs and below that at 8100 with OI of 58.34 lacs.
Initial and best resistance at 8300, with OI of 60.97 lacs and above that at 8400 with OI of 59.05 lacs.
Day Range as per Option Table is 8159 - 8288 and as per VIX is 8146 - 8294 with 8226 as the Pivot.
The index opened weak around 8116, but saw huge buying interest to be back in green within the first hour of trade to close strong at 8238.50, gain of 68.25 points. The broader market though was positive with 875 advances to 677 declines. Range for the series now at 8000-8400.
Call option 8400-8500 added 10.41 lacs OI with short covering at 8200 and below strike prices.
Put option 8300-8100 added 23.67 lacs OI with profit booking at 8000 and below strike prices.
Nifty Open Interest is at 1,74,78,225 up by 4,16,925, with increase in price, probably long build-up.
Bank Nifty Open Interest is at 17,91,960 up by 3,32,490 with increase in price, probably huge long build-up.
FII's sold huge 23756 contracts of Index Futures, which includes net 5196 contracts long liquidation and 18560 contracts short build-up, with increase in net OI by 13364 contracts, includes 40071 longs to 63827 shorts for the day.
FII's Index future open contract as on date is 185120 Longs to 53740 Shorts, Net long 131380 contracts.
Initial support at 8200, with huge OI addition of 9.10 lacs and below that at 8100 with OI of 56.82 lacs.
Initial and best resistance at 8300, with OI of 63.01 lacs and above that at 8400 with OI of 55.70 lacs.
Day Range as per Option Table is 8140 - 8277 and as per VIX is 8163 - 8314 with 8197 as the Pivot.
The index opened weak around 8180 and stayed weak for the entire session of trade dipping below 8100 but closed above at 8140.75, huge loss of 65.85 points. The broader market was weak with 542 advances to 1036 declines. Range for the series stays at 8000-8300.
Call option 8000-8700 added 9.95 lacs OI with small profit booking at 8400 strike price.
Put option 7800, 7600-7500 added 6.37 lacs OI with short covering at 8100 and above strike prices.
Nifty Open Interest is at 1,70,58,750 down by 15,12,825, with decrease in price, probably long liquidation.
Bank Nifty Open Interest is at 15,29,490 down by 1,17,930 with decrease in price, probably long liquidation.
FII's sold 7242 contracts of Index Futures, which includes net 10913 contracts long liquidation and 3671 contracts short covering, with decrease in net OI by 14584 contracts, includes 45528 longs to 52770 shorts for the day.
FII's Index future open contract as on date is 194562 Longs to 31162 Shorts, Net long 163400 contracts.
Initial support at 8100, with OI of 45.91 lacs and below that at 8000 with OI of 74.76 lacs.
Initial resistance at 8200, with OI of 41.89 lacs and above that at 8300 with OI of 61.25 lacs.
Day Range as per Option Table is 8068 - 8201 and as per VIX is 8065 - 8216 with 8132 as the Pivot.


text:
Q: Absolute value of a value in List in Python In Python, how do convert all the values in a list to their abs values? I would like a deep copy of the original list with the absolute values.
say
a=[['2.40', '1970-1990', 'Austria']]

I just want a[0][0] values to change into their abs values. Creating new list is a ok option for me.

A: A cleaner example I think:
a=[['2.40', '1970-1990', 'Austria']]

b = []

for i in a[0]:
    try:
        b.append(abs(float(i)))
    except:
        b.append(i)

print(b)

[2.4, '1970-1990', 'Austria']

A: a = ['2.40', '1970-1990', 'Austria'] #your old list (with the extra [] removed, they seem not to have a point... If you need them you can easily edit the code appropriately)
b = [] #a new list with the absolute values
for i in range(0, len(a)): #going through each of the values in a
     try:
          b += [abs(float(a[i]))] #trying to take the absolute value and put it in the new list (I have the float() because it appears that your 2.40 is a string. If you have it as an actual integer or float (such as 2.40 instead of '2.40') you can just use abs(a[i])
     except:
          b += [a[i]] #if taking the absolute value doesn't work it returns the value on its own.
print(b)