text:
Mr Graeme Brown
Address: Geelong Orthopaedics
Suite 7, Level 2, 83 Myers Street
Geelong 3220 VIC
Website: http://www.geelongorthopaedics.surgery/
Mr Graeme Brown graduated from the University of Melbourne and completed his orthopaedic training in 1994. Further experience was gained with a Fellowship in joint replacement surgery in Exeter, UK and in knee, shoulder and sports orthopaedic surgery at The Orthopaedic Sports Hospital, Salt Lake City, USA.
Mr Brown has been practising in Geelong since 1996. He specialises in disorders of the knee and shoulder, as well as sporting injuries. With his public hospital appointment he is also involved in management of acute trauma. With knee disorders he manages a wide range of conditions both traumatic and degenerative, including ACL and other ligament injuries such as meniscal injuries, patellofemoral instability and knee osteoarthritis.
He therefore performs knee reconstructive surgery as well as knee arthroplasty. With shoulder conditions he also cares for and operates on patients with a wide range of shoulder conditions including traumatic injuries, instability and rotator cuff pathology.
Mr Brown has a strong interest in teaching and is a clinical senior lecturer at Deakin University involved in undergraduate teaching. He has also been heavily involved in training future orthopaedic surgeons.
Arthroplasty
Upper limb surgery
FRACS
Telehealth consultations: No


text:
10th APSE Diversity Fellowship launch in Nashville is a revelation for 5 fellows and me
Don Shelton
NASHVILLE, Tenn. – The weekend conference in Music City USA included some fun – loud music, hot chicken, cold beers and even a dramatic overtime victory for the NHL Nashville Predators.
But this was no ordinary weekend, nor was this a normal conference.
The December weekend included a sobering film in the Nashville Library's Civil Rights Reading Room and a foot-tapping, thought-provoking stop at the National Museum of African American Music. There were lively discussions about the 50th anniversary of Title IX, five nervous speakers and a parade of experts talking about everything from sports journalism hiring and deciphering reader analytics to becoming a newsroom leader.
For five sports journalists, it was a once-in-a-career chance to become better journalists, managers, leaders and people. For me, it was an eye-opening glimpse of a program I'd heard about but had never seen close up.
Welcome to the launch of Class X of the APSE Diversity in Leadership Program in Nashville.
As the executive director of the APSE Foundation, a nonprofit created in 2020, I coordinate fundraising for this program, which began a decade ago with a simple but lofty mission: Build and support the next generation of sports editors while promoting diversity and inclusion in sports journalism. The fellowship is the foundation's anchor, an in-depth course for working, midcareer professionals interested in pursuing a path as a manager (typically a sports editor, assistant sports editor or sports reporter) in sports journalism.
Before retiring in 2019 from a career in newspapers, I'd always believed in that mission and I'd heard a lot about the program. I knew both founders, former APSE President Michael Anastasi and APSE First Vice President Jorge Rojas. I'd met many of the graduates, hired one and watched another of my Seattle Times colleagues go through the program. Everything I'd heard was good, but I'd never attended a session. This was my chance to see it for myself.
For me, this trip was a fact-finding mission. That it took me to Music City USA was a draw, but little more than background noise on Bourbon Street. This was no junket. I wanted to hear, see and feel if the Diversity in Leadership Fellowship Program was as good as I'd heard.
Take it from a career journalist and lifelong skeptic: It is.
The weekend allowed me to meet five sports journalists, most early in the careers, destined for bigger and better things. It allowed me to see the business and craft that I'd devoted my life to through their eyes, hear about the obstacles our profession must overcome to become truly inclusive and diverse through their ears. And it took me back to the start of my own career, which turned out to be an unexpected gift.
The five fellows represent the bright future of journalism, but also its uncertain present and lamentable past. Three women and two men of color came to Nashville hopeful and excited, but probably a bit skeptical.
All the fellows are impressive in different ways and had to go through a difficult application process that included a personal essay. They came from different cities, backgrounds and points in their career.
Mauro Diaz, who has a master's degree from Texas-Rio Grande Valley in language interpretation, is a bilingual journalist at ESPN.com.
J.T. Keith, who has a master's from Texas Tech, won three APSE best-section awards as sports editor at the Roswell (N.M.) Daily Record, where he was the only African-American in the newsroom, and now has started his own media company.
Sarah Kelly is a Kansas graduate who landed on the copy desk at Sports Illustrated in September after being laid off five times in six years.
Maria McIlwain is an Auburn grad and two-time APSE award winner who transitioned from reporting at small newspapers to the copy desk at the Houston Chronicle.
Em Poertner has worked at the Gannett Design Center since 2016 and is part of the company's Diversity Steering Committee, which flags issues in stories and headlines and works to reduce bias.
Members of Class X of the APSE Diversity Fellowship Program pose before the famed Ryman Auditorium in Nashville in December 2021. From left, Mauro Diaz, Em Poertner, Maria McIlwain, Sarah Kelly and J.T. Keith.
Individually, they are impressive. Together, they represent the future of sports journalism.
I got to know them, chatting over hot chicken and cold beers, talking shop between sessions and listening to their 10-minute personal speeches, the nerve-wracking rite of passage every fellow must go through.
Those speeches were uncomfortable yet uplifting. The fellows fretted and fidgeted, but finally found their voices while revealing their insecurities, strengths and personal stories. One sweated profusely, another greeted us in fluent Spanish and yet another broke into song at the end.
"The speeches have evolved to become perhaps the most memorable rite of passage of the fellowship program," said Anastasi, one of the founders. "Public speaking is a crucial skill for leaders and most of the fellows have limited experience doing so. It's intimidating for most of the fellows, and the speech is meant to launch them on that journey in an environment of friends. It's so rewarding to see them conquer their fears and everyone always does a terrific job. I think going through that experience also makes them feel a little closer."
Anastasi planned the weekend and watched Class X like a proud father.
"The 10th class of the Diversity Fellowship Program marks a milestone that all who have supported the program — and that is a remarkably broad group of people — should be proud of," he said. "It's been remarkable to see our 43 prior graduates progress in their careers and become supporters of this work themselves, and I know this class of five will follow in their paths.
"We work hard to continually update our curriculum, to ensure the lessons we provide in strategic leadership, career development and audience science are cutting edge. We also work hard to have fun and develop the close bonds that have characterized every one of our classes and the culture of the program overall."
The presence of Sean Henry, president and CEO of the Predators, was no accident. He has supported the program for five years, allowing fellows inside his boardroom and day-to-day job as a highlight to each group launch. When the program resumed after a year-long pause because of the pandemic, Henry showed his commitment by traveling to the APSE Conference in Las Vegas last August to greet the new class, voice his support and participate in the conference. Adding financial support in the past year is a diverse group that includes the NFL Foundation, Major League Baseball, the Gannett Foundation, McClatchy, the Tennessean, APSE and its members and past diversity fellows.
Day 2 was bookended by a discussion on women leading newsrooms by Jessica Davis, digital director of USA Today, and a talk about the personal side of leadership from Mark Russell, executive director of the Commercial Appeal in Memphis. There were deep dives into analytics, audience, leading for the first time, planning and strategy. The weekend was an APSE national conference, an APSE regional meeting, a newsroom huddle and a leadership seminar crammed into two intense days.
"One of my goals during this fellowship involves developing an overall vision as a leader, so the sessions in Nashville on management philosophy, metrics and audiences really resonated," said Diaz, the diversity fellow who works for ESPN.com. "I also enjoyed spending time with the other Fellows and picking the brains of established leaders during the Diversity Weekend, especially during the more relaxed moments."
McIlwain, from the Houston Chronicle, agreed.
"The diversity weekend experience was a great way to get to know my classmates better and learn from some of the industry's thought leaders," she said. "I hope to apply these lessons soon in my newsroom and continue developing bonds with the rest of Class X."
Keith, who lives in New Mexico, called the weekend "one of the best in my professional life. Only through a program like this is it possible to pick the minds of people who have been where we are trying to go in our career."
Yet this is only the first stop for Class X. Next they gather in Orlando, Fla., Feb. 21-23 as judges evaluating the work, sections and websites of journalists from around the country alongside some of the top sports editors in the nation. They also will participate in virtual training sessions, and their final stop is the APSE National Conference in Indianapolis June 15-18, when they will attend more sessions, have more conversations and make more connections.
Where will it lead? Based on my two days in Nashville, it will be one more step toward making sports journalism what I've hoped it could be since a naïve kid from Idaho joined a small newspaper in Yakima, Wash., 45 years ago and stumbled into management eight years later. More diverse, more inclusive, more prepared, stronger, better. When I began my career, we only covered men's sports. The few women in sports departments weren't even allowed in locker rooms. Few women and journalists of color were in leadership roles back then. Diversity was rarely discussed.
We're a long way from where we need to be, of course, but we've made progress. I'll go back to my home in Seattle with renewed energy and focus so we can not only fund but expand this important program.
Nine previous classes from APSE's Diversity in Leadership Fellowship program, 43 journalists in all, are working around the country, making a difference. They are reporters, editors and leaders at newspapers, websites and nonprofits.
Now five sports journalists who traveled with me to Nashville are following in their footsteps. Today they are back in their newsrooms, effecting change.
Don Shelton retired in 2019 after 43 years as a newspaper journalist, the past 32 with The Seattle Times, where he was sports editor and executive editor. He now is the executive director of the APSE Foundation and an adjunct professor of journalism at the University of Idaho.
Previous articleAPSE Diversity Pledge: The Gainesville Sun is seeking a Florida Gators beat reporter
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redpajama_set_name: RedPajamaCommonCrawl


text:
Antonio Agri (* 5. Mai 1932 in Rosario/Santa Fe; † 17. Oktober 1998 in Buenos Aires) war ein argentinischer Geiger, der als klassischer und Tangomusiker aktiv war.

Leben und Wirken
Agri war in seiner Heimatstadt Schüler von Dermidio Guastavino. Mit fünfzehn Jahren debütierte er als professioneller Musiker in einem Tangoquartett, später wurde er Mitglied der Orchester von Julián Chera, Lincoln Garrot und José Sala, des Quartetts Los poetas del Tango (mit Antonio Ríos, José Puerta und Omar Murtagh) und des Quintetts Arcos Torres-Agri.

Durch Nito Farace wurde Agri mit Astor Piazzolla bekannt, der ihn 1962 in sein Quinteto Nuevo Tango und 1963 in das Nuevo Octeto aufnahm. 1968 spielte er die Solovioline in Piazzollas Oper María de Buenos Aires. Daneben spielte er in den Orchestern von Osvaldo Fresedo, Horacio Salgán, Mariano Mores, Alberto Caracciolo und Roberto Pansera. Nach fast 15 Jahren der Zusammenarbeit mit Piazzolla gründete er 1976 ein eigenes Streicherensemble.

In den 1990er Jahren spielte er Aufnahmen als Gast des Royal Philharmonic Orchestra ein, begleitete Yo-Yo Ma auf einer Konzertreise durch die USA und trat in Paris mit dem Flamenco-Gitarristen Paco de Lucía auf. Er gründete ein eigenes Quartett mit Sitz in Paris, das er mit Juan José Mosalini leitete und mit dem er Duos mit seinem Sohn Pablo Agri spielte. Außerdem war er Mitbegründer des Nuevo Quinteto Real mit Horacio Salgán, Ubaldo De Lío, Leopoldo Federico (später Néstor Marconi) und Omar Murtagh (später Oscar Giunta). Wenige Monate vor seinem Tod nahm er die CD Antonio Agri-Tango Sinfónico auf. Zu seinen Kompositionen zählen Titel wie Retrato de Alfredo Gobbi, Ciudad triste, Los mareados, Éxtasis, Romance del diablo, Milonga del ángel,
Otoño porteño und SP de nada.

Antonio Agri erlag 66-jährig einem Krebsleiden.

Sein 1968 geborener Sohn Pablo Agri ist ebenfalls ein renommierter Tango- und Klassikgeiger.

Quellen
 Todo Tango - Antonio Agri

Weblinks

Einzelnachweise

Geiger
Tango
Musiker (Argentinien)
Argentinier
Geboren 1932
Gestorben 1998
Mann

redpajama_set_name: RedPajamaWikipedia


See also previous list on AR loops at MPAe.
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Only an hour and a half from Glasgow, in 22 acres of private grounds, with a heated indoor swimming pool and a tennis court, children's play areas, separate games cottage, and hot tub, Ormidale House is simply stunning.
Ormidale House lends itself ideally to big groups for family celebrations, weddings, anniversaries, or corporate bonding sessions. There are three other properties on site which you can also rent. Mill House (9 bedrooms), The Old Barn (7 bedrooms) and the Garden Cottage (4 bedrooms). Ormidale House was built as a seat of Clan Campbell in 1696. After ongoing minor changes through the centuries, in 1900 the house was substantially extended by the renowned Scottish architect Robert Lorimer to form the house it is today. It's been pretty luxuriously equipped and nicely furnished, mostly with antiques. The new, comfy beds feature fabulous quality goose-down and feather duvets and gorgeous bed-linen, we've put some original Scottish art on the walls, bought crystal for the table and generally tried to ensure that it's a comfortable and well-equipped place to stay, without having any of the formality or grandeur of a castle or stately home.
Although just an hour and a half from Glasgow, Ormidale sits in some of the loveliest scenery in Scotland. The Kyles of Bute are renowned amongst both walkers and sailors as amongst the most stunning bits of coast in Scotland. Detailed driving directions provided on booking.
With a drawing room, TV room / snug, full-size Billiard Room, playroom, large kitchen with AGA and breakfast room downstairs - as well as the impressive dining hall seating 22 - Ormidale has sufficient accommodation to cater for any large house party and can sleep up to 31 in 13 bedrooms. We have laid out the bedrooms to offer real flexibility; two rooms are set up as twins, three as king-size doubles, and one as a quadruple bunk room. The other seven bedrooms can be set up either as super-kingsize doubles, as twins, or even sometimes as triples. All bar two of the bedrooms have either an ensuite bathroom or a basin. There are four further bathrooms, two separate loos, and a sauna. Altogether, the house has nine showers and ten wcs. We have an indoor heated swimming pool which is shared between the three houses on the estate.


I don't know when this started, but today is Giving Tuesday.
Make sure if you give, that it is at a reputable site.
If you have a Paypal account, Paypal has a section that allows you to give to charities and other places securely.
If you go to my Web Site and click on the donation link, I have a Paypal button. When you click or press enter, you'll see that it redirects to a secure page. While I'd appreciate if you do donate to this network, I'm illustrating here what you should be looking for, a site that has a secure page. It should have the S after the HTTP as shown when you click on the paypal link on my page.
Remember to ask questions if you aren't sure. Look for a contact link or a telephone number.
Criminals would love to have your hard earned money, even on this day. Look for the signs that might set them apart of other sites.
If you give to the network this year, we thank you. I want people to donate and shop securely whether it is with me or anyone else on the Internet. Thanks for reading.
Today is Giving Tuesday was released on November 27, 2018 at 8:37 am by tech in General commentary.
Last modified: November 26, 2018.


text:
Decision No. 14,168
Appeal of EDWARD R. DICKINSON, on behalf of TODD E. DICKINSON, from action of the Board of Education of the North Greenbush Common School District regarding transportation.
(July 22, 1999)
Whiteman Osterman & Hanna, attorneys for respondent, Beth A. Bourassa, Esq., of counsel
MILLS, Commissioner.--Petitioner appeals the determination by the Board of Education of the North Greenbush Common School District ("respondent") denying his request for transportation for his son, Todd, between petitioner's home in North Greenbush and a nonpublic school in Guilderland. The appeal must be dismissed.
Petitioner and his former wife, Jane Dickinson, share joint legal and physical custody of their son, Todd. Pursuant to a Family Court order dated November 27, 1996, Todd divides his time between his mother's home in Guilderland and his father's home in North Greenbush. Although the order does not designate either parent's address as Todd's legal residence for purposes of the Education Law, the order provides that Jane Dickinson is entitled to make the final determination as to which elementary school Todd will attend if the parties cannot otherwise agree. For several years, Todd has attended Christ the King School, a nonpublic school in Guilderland, and the Guilderland Central School District ("Guilderland") has provided textbooks and transportation for Todd from his mother's Guilderland residence.
During the 1996-97 and 1997-98 school years, respondent provided transportation for Todd between his father's North Greenbush home and Christ the King on days when Todd stayed with his father. However, prior to the start of the 1998-99 school year, respondent's district clerk sought the advice of counsel and was told that it was not obligated to provide transportation services for Todd. On or about August 27, 1998, school officials advised petitioner that Todd was not entitled to transportation services. Petitioner appealed this determination to respondent on September 8, 1998, and the appeal was denied by letter dated September 14, 1998. This appeal ensued. A request for interim relief was denied on November 6, 1998.
Petitioner asserts that the Family Court order designates the days that Todd resides with him, and that petitioner is entitled to transportation services from respondent on those days. He seeks a determination that Todd is a resident of respondent's district, and is entitled to transportation to and from Christ the King. Petitioner also requests compensatory damages for inconvenience and personal losses allegedly caused by receiving only two weeks notice that respondent would no longer provide transportation for his son.
Respondent contends that it is under no obligation to provide transportation services for Todd because he is a resident of another school district, that such services are being provided by Guilderland, and that parents cannot designate two school districts as Todd's legal residence at the same time for purposes of obtaining transportation. Respondent also raises three procedural objections. Respondent contends that Ms. Dickinson is a necessary party, because a determination in petitioner's favor in this appeal would affect her rights to obtain books and transportation services from Guilderland. Respondent further alleges that the Commissioner lacks jurisdiction to award monetary damages, and that the notice of petition failed to comply with "276.1 of the Commissioner's Regulations because it failed to mention petitioner's stay request.
I will first address respondent's procedural objections. The objection regarding the sufficiency of the notice of petition is moot, as petitioner's request for interim relief was denied on November 6, 1998. However, I sustain respondent's jurisdictional objection insofar as petitioner seeks compensatory damages. I have no authority to award monetary damages in an appeal brought before me pursuant to Education Law "310 (Appeal of Calhoun, 38 Ed Dept Rep 542, Decision No. 14,089).
Respondent further contends that Ms. Dickinson is a necessary party, since she is receiving textbooks and transportation services from Guilderland and a decision in petitioner's favor could result in the termination of those services. A party whose rights would be adversely affected by the determination of an appeal in favor of petitioner must be joined as a necessary party (Appeal of Soukey, 38 Ed Dept Rep 626, Decision No. 14,106; Appeal of Neufang, 38 id. 567, Decision No. 14,095). If petitioner were to prevail on his claim that Todd is a resident of respondent's district, Ms. Dickinson's right to obtain textbooks and transportation services from Guilderland would be impacted, because boards of education are only obliged to provide textbooks and transportation services to children who reside within the district (Education Law ""701[3] and [4], and "3635[1][a]). Thus, petitioner's failure to join Ms. Dickinson as a necessary party requires me to dismiss this petition (Appeal of Neufang, supra).
The appeal must also be dismissed on the merits. Education Law "3202(1) provides, in pertinent part:
A person over five and under twenty-one years of age who has not received a high school diploma is entitled to attend the public schools maintained in the district in which such person resides without the payment of tuition.
The purpose of this statute is to limit the obligation of school districts to provide tuition-free educational services to students whose parents or legal guardians reside within the district (Appeal of Razzano, 38 Ed Dept Rep ___, Decision No. 14,142; Appeal of Morgan, 38 id. 207, Decision No. 14,016; Appeal of Bogetti, 38 id. 199, Decision No. 14,014). A child's residence is presumed to be that of his parents or legal guardians (Appeal of Morgan, supra). Where a child's parents live apart, the child can have only one legal residence (Appeal of Plesko, 37 Ed Dept Rep 238, Decision No. 13,850; Appeal of Juracka, 31 id. 282, Decision No. 12,643; Appeal of Barron, 31 id. 1, Decision No. 12,545). Where a court order awards joint legal custody to both parents, and the child's time is essentially divided between two households, it is the parents' prerogative to designate the child's residence for education purposes (Appeal of Razzano, supra; Appeal of Cortes, 37 Ed Dept Rep 114, Decision No. 13,818).
In an appeal to the Commissioner, the petitioner has the burden of demonstrating a clear legal right to the relief requested and to establish the facts upon which petitioner seeks such relief (8 NYCRR "275.10; Appeal of Ogbunugafor, 38 Ed Dept Rep 105, Decision No. 13,994; Appeal of Robert D., 38 id. 18, Decision No. 13,975). In the instant case, the November 1996 Family Court order provided that the Dickinsons should try to reach agreement on all important aspects of their son's education. However, if no agreement could be reached concerning the elementary school that Todd was to attend, the Order authorized Ms. Dickinson to make the final determination. The record indicates that a decision was made to enroll Todd in a nonpublic school located in Guilderland where Ms. Dickinson resides, and Guilderland has been providing textbook and transportation services. There is no indication in the record, however, as to whether that decision was made by mutual agreement of the parties or unilaterally by Ms. Dickinson. Furthermore, there is no indication that the parents have ever made a specific designation that respondent's district would be Todd's district of residence for educational purposes, and the evidence in the record supports the opposite conclusion.
In sum, on the record before me, I find that petitioner has failed to sustain his burden to demonstrate a clear right to a declaration that Todd is a resident of respondent's district and is entitled to transportation services. A school district is not required to provide transportation for nonresident pupils (Education Law "3635; Appeal of Cline, 23 Ed Dept Rep 45, Decision No. 11,129). Respondent is thus not required to provide transportation services for Todd on the days that he stays with his father in East Greenbush (Appeal of Cline, supra). It is unavailing that respondent previously provided such transportation. A board of education is not required or authorized to continue to provide transportation that was previously supplied in error (Appeal of Rheaume-Wellenc, 37 Ed Dept Rep 83, Decision No. 13,811; Appeal of Pauldine, 35 id. 54, Decision No. 13,463; Appeal of McMillan, 31 id. 343, Decision No. 12,661).
THE APPEAL IS DISMISSED.
END OF FILE


We will sell your listings, as you can see!! Give us a call and let's talk about selling your property.
Beautiful rolling acreage with frontage on a pond near Lake Livingston. Concrete slab, water well, septic system. Established trails running through the property. Great to get away and commune with nature or build your dream home!
The information contained herein is furnished by the owners to the best of their knowledge, but is subject to verification by the purchaser, and neither agent nor DataLink assume responsibility for correctness. The sale offering is made subject to errors, omissions, change of price, prior sale or withdrawal without notice. In accordance with the law, this property is offered without respect to race, color, creed, national origin, physical limitation, or familial status.


text:
'use strict';

const FixturifyProject = require('../../helpers/fixturify-project');
const expect = require('chai').expect;

describe('models/instatiate-addons.js', function() {
  let fixturifyProject;

  beforeEach(function() {
    fixturifyProject = new FixturifyProject('awesome-proj', '0.0.0');
    fixturifyProject.addDevDependency('ember-cli', '*');
  });

  afterEach(function() {
    fixturifyProject.dispose();
  });

  it('ordering without before/after', function() {
    // this tests ordering is very important to maintain, it tests some naunced
    // details which must be maintained
    fixturifyProject.addAddon('foo', '1.0.0');
    fixturifyProject.addAddon('bar', '1.0.0');
    fixturifyProject.addAddon('qux', '1.0.0');

    // duplicates
    fixturifyProject.addDevAddon('foo', '2.0.0');
    fixturifyProject.addDevAddon('bar', '2.0.0');
    fixturifyProject.addDevAddon('qux', '2.0.0');

    // unique devDependencies
    fixturifyProject.addDevAddon('a', '2.0.0');
    fixturifyProject.addDevAddon('b', '2.0.0');
    fixturifyProject.addDevAddon('c', '2.0.0');

    fixturifyProject.writeSync();

    let project = fixturifyProject.buildProjectModel();

    project.initializeAddons();

    expect(project.addons.map(a => ({ name: a.pkg.name, version: a.pkg.version }))).to.deep.eql([
      { name: 'a', version: '2.0.0' },
      { name: 'b', version: '2.0.0' },
      { name: 'c', version: '2.0.0' },

      { name: 'bar', version: '1.0.0' },
      { name: 'foo', version: '1.0.0' },
      { name: 'qux', version: '1.0.0' },
    ]);
  });

  it('ordering with before specified', function() {
    fixturifyProject.addAddon('foo', '1.0.0');
    fixturifyProject.addAddon('bar', '1.0.0');
    fixturifyProject.addAddon('qux', '1.0.0', a => (a.pkg['ember-addon'].before = 'foo'));

    fixturifyProject.writeSync();

    let project = fixturifyProject.buildProjectModel();

    project.initializeAddons();

    expect(project.addons.map(a => a.name)).to.deep.eql(['bar', 'qux', 'foo']);
  });

  it('ordering with after specified', function() {
    fixturifyProject.addAddon('foo', '1.0.0');
    fixturifyProject.addAddon('bar', '1.0.0');
    fixturifyProject.addAddon('qux', '1.0.0', a => (a.pkg['ember-addon'].after = 'foo'));

    fixturifyProject.writeSync();

    let project = fixturifyProject.buildProjectModel();

    project.initializeAddons();

    expect(project.addons.map(a => a.name)).to.deep.eql(['bar', 'foo', 'qux']);
  });

  it('ordering always matches package.json name (index.js name is ignored)', function() {
    let foo = fixturifyProject.addAddon('lol', '1.0.0');
    foo.files['index.js'] = 'module.exports = { name: "foo" };';
    fixturifyProject.addAddon('qux', '1.0.0', a => (a.pkg['ember-addon'].before = 'foo'));

    fixturifyProject.writeSync();

    let project = fixturifyProject.buildProjectModel();

    project.initializeAddons();

    expect(project.addons.map(a => a.name)).to.deep.eql(['foo', 'qux']);
  });

  it('errors when there is a cycle detected', function() {
    fixturifyProject.addAddon('foo', '1.0.0', a => (a.pkg['ember-addon'].after = 'qux'));
    fixturifyProject.addAddon('qux', '1.0.0', a => (a.pkg['ember-addon'].after = 'foo'));

    fixturifyProject.writeSync();

    let project = fixturifyProject.buildProjectModel();

    expect(() => project.initializeAddons()).to.throw(/cycle detected/);
  });
});

redpajama_set_name: RedPajamaGithub


text:
La Zona Monumental del Rímac es el casco histórico ubicado en el distrito del Rímac, en la Provincia de Lima, Perú. La zona monumental es «Patrimonio Cultural de la Nación» desde 1972 mediante el R.S.N° 2900-72-ED.

La zona monumental del Rímac está comprendida dentro de los siguientes límites la ubicación de la Zona monumental del Rímac, está determinada por dos declaraciones:
"1.- R.S.N° 2900-72-ED del 28/12/1972 (El Peruano 23/01/1973. p. 4): Es el área comprendida dentro del perímetro
formado por el cauce del río Rímac entre le Puente Balta y el Puente Santa Rosa, la prolongación de la Av. Tacos, la
Alameda de los Bobos, el perímetro exterior del Convento de los Descalzos, el Cerro San Cristóbal y la prolongación del Jr.
Marañón desde el Cerro San Cristóbal hasta el Puente Balta.
2.- R.J.N° 191-89-INC/J del 26/04/1989: Es la zona comprendida dentro del perímetro formado por el cauce del río
Rímac entre el Puente Balta y el Puente Santa Rosa; prolongación Tacna, Jr. Virú, Pasaje El Agur"., Av. Francisco Pizarro, Jr.
Villacampa, Jr. San Germán, la línea imaginaria que une el Jr. San Germán con la prolongación de la Av. Tacna que pasa
por los límites exteriores de la Quinta de Presa, prolongación Tacna, Alameda de los Bobos, perímetro exterior del Convento
de los Descalzos, Cerro San Cristóbal y prolongación del Jr. Marañón desde el Cerro San Cristóbal hasta el Puente Balta.
Según plano No. 89-0189."

Lugares de interés
Plaza de Acho
Alameda de los Descalzos

Referencias

Bibliografía

Lima
Zonas Monumentales de Perú


text:
Search - The Hunger on DVD
Actors: Catherine Deneuve, David Bowie, Susan Sarandon, Cliff De Young, Beth Ehlers
Genres: Horror, Music Video & Concerts, Science Fiction & Fantasy
No Description Available. Genre: Horror Rating: R Release Date: 5-OCT-2004 Media Type: DVD
Sub-Genres: Horror, Bowie, David, Classic Rock, Science Fiction & Fantasy
Format: DVD - Color,Widescreen - Closed-captioned,Subtitled
Members Wishing: 31
MPAA Rating: R (Restricted)
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The Hunger [Blu-ray]
Director: Paul Schrader
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The Hunger The Complete Second Season
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Burn Witch Burn
Director: Sidney Hayers
NR 2015 1hr 30min
Director: Marc Forster
PG-13 2007 1hr 53min
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National Treasure 2 - Book of Secrets
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Fur - An Imaginary Portrait of Diane Arbus
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Good art film that's entertaining
Thomas Lapins | Orlando, Florida USA | 10/17/2004
"I saw 'The Hunger' when it was in the movie theatre in 1983. I didn't know what to expect but David Bowie's presence in the film made me go into the theatre.
Esthetics! Esthetics! Esthetics! Beautiful people, beautiful set, beautiful music wrapped into the warm womb of blood sucking and immortality and escapism. The storyline doesn't move me, though every performance is stellar. I never develop any empathy for the characters, though I would like to sit down and have lunch with them (on the condition I'm not on the desert menu.)
This is the kind of film one might call a guilty pleasure. No social or intellectual message or value, but imprints itself upon the emotional psyche. It provides a window into another side of one's usual self. Do I believe in vampires and the creature feature scifi world, no. But it can be fun.
The dvd quality is excellent. Much better transfer than the video we've had all these years. Really glad it's available and in our film library. Enjoy this world where beauty and pointlessness meet for no other reason than to entertain you."
Sexy and sinful
Brett D. Cullum | Houston, TX United States | 06/22/2000
"Horror movies are not usually lush, well-photographed or erotic. Yet this one is! David Bowie, Susan Sarandon, and the immortal Catherine Deneuve all sport trendy clothes and buckets of blood in this vampiric love triangle. It is well-produced, and though it has been criticized for its "languid" pace -- I think it moves at just the right tempo for what the movie is...one long slow seduction. Much is made of the lesbian sex scene, but it's actually pretty tastefully done and tame by today's standards. It's a nice reversal of the Dracula myth -- Catherine Deneuve as a bi-sexual immortal who choses her mates alternating sexes through the centuries. It's a fun idea! And who would say no to her anyway? It's got more style than substance, but oh what a joy to see a movie that captures a sense of elegance and beauty and wrap it around a horror story! And the music is divine -- from the underground gothic stylings of Bauhaus (Peter Murphy actually lip-synchs "Bela Lugosi's Dead" over the opening credits) to the beautiful duet from Delibes (the selection from LAKME it seems everyone used after this movie). It's an excellent movie, and one worth buying since it seems to be disappearing from rental shelves. And the price is the lowest you will find here at AMAZON as opposed to retail outlets!"
Softly, brilliantly crafted, but certainly not for everyone
K. Carpenter | St. Petersburg, FL | 10/11/2000
"This cult art film classic is the quintessential vampire film of the 1980s and is one of my favorite vampire fliks of all time.THE HUNGER is a very good film, even though, at times, it moves rather slowly. Deneuve plays Miriam, a stone-faced centuries-old vampire who has had a string of lovers of the many years of her life. As the film opens, she and her longtime bloodsucking paramour, John (played by Bowie), are coping with their own mortality. That's right, I said mortality. In THE HUNGER, vampires can die of old age.Bowie's appearence in the film is somewhat brief, but he makes the most of the time he has with a well-developed character. The makeup used to age him into a shriveled old man is complemented by Bowie's ability to play age well, both physically and emotionally. There is a quiet poignancy to the romance of between Miriam and John, but when scientist Sarah Roberts (Susan Sarandon) visits the Blaylock mansion one day, Miriam's real romance begins.As I mentioned, the movie can sometimes feel slow, but it's well worth sitting through as the film is not so much horror and gore (although when it's bloody, it's nicely bloody), but erotic and intellectual. Sarandon and Denueve are both excellently cast and create some rather arousing scenes together. Although there is little action, there are many themes and ideas to be explored in this story. As such, I would say THE HUNGER is definitely for fans of art films, rather than those who are attracted to Hollywood productions."
A question of Hemoglobin
Tintin | Winchester, MA USA | 07/07/2006
"Among the 674 films (so far) that have vampires as subject matter, Tony Scott's The Hunger (1983) distinguishes itself with its romantic, mythic, and erotic atmosphere, and of course the torrid sex scene (at least for the time) involving Catherine Deneuve and Susan Sarandon. The film is dark; its aesthetic is cold and sophisticated. In the years following its first screening, the acting, beauty of its images, and rather complex intrigue have transformed this unusual film into a major milestone of American film production of the 1980s, and for the fantastic and gay cinema genres.
As the film credits roll and the film begins, the gothic rock group Bauhaus is heard playing their famous song, Bela Lugosi's Dead, a nod to one of the most famous interpreters of Count Dracula in vampire films.
The action takes place in present-day New York. The beautiful and elegant Miriam Blaylock (Catherine Deneuve) shares a life of luxury and indolence with her husband John (David Bowie). Miriam, born in Egypt some 4,000 years ago, is an immortal being. Her continued survival depends on a diet of human blood, which she must consume once every seven days. She is also able to pass along, through "friendly" bites, some of her genetic material to human beings, thereby turning them into creatures like herself, in exchange for their eternal love. Miriam belongs to an ancient race of vampires, but since in life nothing is perfect, her progeny are not truly immortal as she is, and sooner or later, usually after 300 years or so, they find themselves suddenly and rapidly getting old. However, the progeny are unable to die, but continue to live forever withered, in a fully conscious, vegetative state. Miriam "packs" their decaying, aging bodies in caskets that she keeps in the attic of her residence. In the 18th century, Miriam offered this "gift of immortality to John, who eagerly accepted, as had all her previous lovers through the ages.
Every seven days, Miriam and John hunt the trendy New York night clubs, searching for victims. These, they escort back to their sumptuous townhouse where they satisfy their hunger for human blood. They carry around their necks matching Egyptian Ankh pendants that conceal the razor-sharp blades with which they cut the jugular of their victims. After, they dispose of their victims' bodies in an incinerator located in the basement of their residence.
Suddenly, John develops trouble sleeping, and starts aging at a tremendous rapid rate. Miriam and John are both aware of the significance of this happening. Miriam goes looking for a famous gerontologist, Dr. Sarah Roberts (Susan Sarandon), desperately seeking her help for a cure for John's fast deterioration. She makes contact with Dr. Roberts, and through her psychic powers, finds out that the doctor is just "guessing," and that her research is inconclusive. Therefore, John, as all her lovers before him, is doomed to extinction. John also attempts, unsuccessfully, to meet with Dr. Roberts. Eventually, John falls down a flight of stairs at the townhouse, his legs no longer able to support his own weight. Miriam carries John's withering body up to the attic and puts him in a casket, next to several other caskets containing her earlier lovers.
Later on, when Dr. Roberts shows up at Miriam's door looking for John, Miriam sees in the doctor a replacement for John in her life; it is love at first sight for Miriam, and she immediately proceeds to seduce the good doctor. I will not recount the details of the rest of the film, but just mention that the remainder of the film consists of Sarah's seduction by Miriam who takes her as her new lover, their temporary and uncertain relationship, Sarah's unwillingness to live as an "addict," and Miriam's subsequent "punishment."
The Hunger is adapted from Whitley Strieber's novel of the same title (Strieber is also the author of Wolfen) by Ivan Davis and Michael Thomas, who wrote the scenario. Following the deconstruction and alteration of the vampire legend with Anne Rice's book, Interview with the Vampire (1979), and Frank Langella's film, Dracula (1979), Tony Scott made a definitely "modern" film by doing away with all the old clichés and myths attached to the commonly accepted vampire lore. Scott's vampires move about in full daylight, there is no mention of garlic or crucifixes, the vampires have no fangs, and the word "vampire" is not even pronounced once in the entire film. Scott proceeds by opposition: the rhythm is at times dry and nervous, and at other times tender and lascivious; the protagonists inhabit an elegant, airy townhouse located in a large metropolis instead of a traditional dark, gloomy castle. Scott prefers the beauty and sophistication of the trio whose elegant garments are in stark contrast to the inherent hideousness and monstrosity of the traditional characters and their tattered, grimy attire. He substitutes a delicate daylight chiaroscuro for the night, and he replaces the traditional funereal music with one of J.S. Bach's graceful Suites, an aria from DeLibe's opera, Lakmé, trios by Lalo and Schubert, and the unsettling Ravel's Le Gibet.
The cinematography by Stephen Goldblatt gives to the image a combination of the gloss of a deluxe art magazine and the sensation of a gothic novel. The subdued, vaporous blues and greens colors of the interior scenes are awe-inspiring, and Tony's editing is MTV-like. The original music by Michel Rubini and Denny Jaeger comes and reinforces the morbid, gothic atmosphere of the film.
David Bowie appearance is relatively brief, and it is his charismatic presence rather than his acting which is memorable, although the scene of his rapid aging as he waits for Sarandon's return is unforgettable (and so is his withering, thanks to Dick Smith's make-up wizardry). A seductive, frightening, and thoroughly elegant Catherine Deneuve, "La Belle Catherine," is sublime in one of her most sophisticated roles. Her enigmatic presence dominates the film from its very beginning to its end. Susan Sarandon is remarkable undergoing her incongruous evolution from a dedicated, successful doctor to a somewhat willing participant in her transformation into a blood-lusting vampire.
Of course, The Hunger became notorious for its Sapphic erotic scene between these two famous actresses. The scene is tactfully rendered, although still rather shocking to American audiences at the time. The seduction of Sarah proceeds with Miriam injecting her with some of her genetic material through a tender bite in the hollow of Sarah's arm, to the music of the (too) well-known women's duet from Léo Delibes' Lakmé. While this beautiful music may seem appropriate, I find it a bit too obvious, and somewhat too "cliché." But, contrary to the usual seduction of the damsel found in the more classic vampire films, we clearly get the feeling that her seduction is not necessarily against her nature, and that she surrenders willingly to this forbidden love. In The Celluloid Closet (1995), a documentary film on the homosexuality in the cinema, Susan Sarandon comments on this particular scene, which made Catherine Deneuve somewhat of an lesbian and gay icône (which, it is said, the actress enjoys immensely).
The film's ending is a great disappointment. It parts totally from the Strieber novel's ending, which most likely was what Tony Scott intended. The studio, thinking that Strieber's original conclusion would be immoral, imposed instead on the Director an ending where Miriam is actually being "punished," violating in the process all the themes and rules on which the film was based.
Although one would not expect in most cases a worthwhile theme(s) to be associated with a vampire film, except with Bram Stocker's original Dracula (1897), there are several themes in The Hunger. The first theme is that of addiction, in this particular situation, an addiction to blood in exchange not for a high, but for immortality. The second theme is that of the fear of aging and death. This theme is explicitly present in the first half of the film, when John realizes that time is catching up with him at an alarming speed, and he mounts a desperate and vain effort to stop its ravages. It is also implicit in the second half of the film, as Miriam had found "the solution." However, this "solution" has become the raison d'être of her apparently endless life, to the exclusion of everything else.
The Hunger is a very experimental film and more than twenty years following its first screening, it remains a unique cinematographic experience. I would have given it at least a four-star rating, but for its ending, I give it three stars.
Miriam In Manhattan! Tony Scott's "The Hunger"
Sheila Chilcote-Collins | Collinswood, Van Wert, OH USA | 07/01/2004
"From the novel by Whitley Strieber and directed by Ridley Scott's little brother, Tony. (Top Gun & Beverly Hills Cop II)
Miriam (Deneuve)and John (Bowie) Blaylock seem like the perfect "eternal" couple. A couple of chic, clubbing 80's vampires, that is! Until John inexplicably starts aging right before Miriam's eyes.
The once young, sexy John is liked to Dustin Hoffman's 120 year-old Jack Crabb at end scene of "Little Big Man". The quickly aging John seeks help from Dr. Sarah Roberts (Sarandon) but, indeed, it is too late to regain his youth.
Miriam packs crumbly old John away in a coffin along with her other ancient lovers and moves on with just a single tear shed to more younger flesh and the sexy seduction of Dr. Sarah Roberts.
Lots and lots of exchanges and changes go on all played out with some really beautiful cinematography, breathtaking set design and setpieces, and great classical music to boot.
I got a kick out of some of the other cast members like Dan Hedaya, Beth Ehlers (The Guiding Light), Ann Magnuson, Jane Leeves and Willem Defoe.
I won't spoil the twisty and ironic ending for you as it is a doozy! Watch and see what the Blaylock's are up to!
The Hunger a pleasantly different, 80's uptown twist on vampirism and is not to be missed!
Happy Watching and Unpleasant Dreams!"


text:
Rafik Tlili (), né le  à Chebba et mort le , est un homme politique tunisien.

Biographie

Études
Rafik Tlili effectue ses études primaires et secondaires dans sa ville natale de Chebba jusqu'à l'obtention de son baccalauréat au lycée Abou el Kacem Chebbi. Il intègre ensuite la faculté de charia et théologie à la Zitouna, où il obtient une maîtrise en sciences islamiques, avec une spécialité dans le Coran.

Carrière politique
Actif sur le plan politique et syndical, il fonde en 1984 le Courant nationaliste progressiste et participe en 2001 à la création du Congrès pour la République.

Après la révolution de 2011, il se présente à l'élection de l'assemblée constituante en tant que tête de liste du Congrès pour la République dans la circonscription de Mahdia. Il est élu et y siège en tant que membre du groupe parlementaire de son parti, avant de faire défection puis de participer à la création du Mouvement Wafa .

En 2014, il se présente sur une liste du Mouvement Wafa aux élections législatives mais ne parvient pas à se faire élire.

Victime d'une crise cardiaque, Rafik Tlili meurt le . Il est inhumé le même jour dans sa ville natale de Chebba.

Notes et références

Voir aussi
 Liste des membres de l'Assemblée constituante tunisienne de 2011

Constituant à l'assemblée constituante tunisienne de 2011
Personnalité du Congrès pour la République
Naissance en novembre 1961
Naissance à Chebba
Décès en février 2015
Décès à 53 ans


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· Coordinate and maintain Industrial Country division billing and collection record.
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· Responsible to send ageing format to all co-coordinator and Manager.
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· Up -date Log Book for Collection.
· Collection of all debts within given Ledger in line with Departmental targets.
· Monitoring clients long-term open positions and where necessary contact for Margin payments.
· Preparing files for Lawyers and Identify Bad paymaster for LOD preparation.
· Review client credit limits and status.
· Responsible in sending all check to Citibank and up-date reports to account (HQ) by email.


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Home Blog Streaming Best TV shows 2022: Our streaming experts' top picks
Best TV shows 2022: Our streaming experts' top picks
Ready to settle in for a holiday binge? If you're not in the mood for Christmas movies or holiday specials, why not catch up on one of the many, many shows that came out this year that you might have missed?
A record 559 original scripted series aired in 2021, and through the first half of this year 2022 was on pace to surpass that. But then in the spring things started going pear-shaped at Netflix; now Disney and Hulu have raised their prices, HBO has an ad tier, and already-produced movies and shows are getting canned before ever seeing the light of day.
Bottom line: the golden age of peak TV might be drawing to a close. Of course there will still be plenty of great stuff to stream in the year to come (check out our 2023 streaming calendar for all the deets we know so far), but there will almost certainly be less of it.
But in the meantime, we asked two of our most streaming-obsessed colleagues, Mac and Marcus, to list their favorite shows of 2022. Would you believe that there is not one single overlapping show? That's how you know it was a good year of TV. And if you strongly disagree with one of them, chances are you'll like the other list a lot better. Read on for our top picks, and let us know in the comments what you think we missed!
Best TV shows 2022: Mac's picks
Whereas Marcus is very clearly a sci-fi guy, I tend to prefer comedy (I'd say all but one of the shows on my list features plenty of laughs, even if there's occasional deadly violence mixed in). And, because I just can't help myself, I've also listed out some honorable mention shows that I highly enjoyed, even if they don't quite make the top 10 list.
Without further ado, in alphabetical order:
1. The Bear (Hulu)
Anyone who's ever worked in a restaurant will appreciate the manic realism of this show about a fine dining chef (Jeremy Allen White) who returns home to Chicago to take over his family's sandwich restaurant following his brother's suicide. It sounds heavy and intense—and it is—but it's the show's extremely well-drawn characters (in particular an ambitious sous chef played by Ayo Edibiri and an aspiring pastry chef played by Lionel Boyce) and naturalistic dialogue that truly set it apart. On a related note, the second episode features what was absolutely my favorite line from any show this year: "Surge rates, fucko!" Season 1 is a tight eight episodes that I binged over two days, and word is Season 2 will return in Summer 2023.
Rotten Tomatoes rating: 100% Fresh
2. Better Call Saul Season 6 (AMC / Netflix)
Can you believe the journey we took from the wisecracking lawyer who provided comic relief on Breaking Bad to black-and-white film noir police chases in Omaha? There is so much to praise about the sixth and final season of the BB prequel: the stunning cinematography and intricate plotting (a Vince Gilligan hallmark); the diabolical charisma of Lalo Salamanca (Tony Dalton); the subtle, riveting performances of Giancarlo Esposito (that scene in the wine bar!), Rhea Seehorn (basically everything), and even Bob Odenkirk (who'd built his career—and even this character—on over-the-top-ness); the final twist in the series' closing minutes. Saul could be slow at times (the early seasons are sometimes referred to as extended doc review), but it absolutely pays off.
Rotten Tomatoes rating: 99% Fresh
3. Hacks Season 2 (HBO)
There aren't nearly enough women-created shows on TV, and every so often I'm reminded of this when a show like Hacks (co-created by Lucia Aniello and Jen Statsky) comes along with such a refreshingly different perspective. TV legend Jean Smart (who's earned two Emmys and counting for her performance) stars as a successful septuagenarian comedian in Las Vegas who's basically been put out to pasture, and Hannah Einbinder plays a disgraced millennial TV writer she hires to write jokes. There are many levels to the show: their vicious zingers and the standup sets themselves really are excellent (thank goodness, because what's cringier than a supposed comedy that isn't funny?), while their oil-and-water relationship (and their relationships with others) are handled with a great deal of depth and sensitivity. And then there's all the subtext about women in entertainment. Special shoutout to Lori Metcalf, whose brief appearance as a frank tour manager had me in stitches.
Rotten Tomatoes rating: 100%
4. Ramy Season 3 (Hulu)
After a too-long hiatus, this semi-autobiographical series about a Muslim-American millennial (Ramy Youssef) living in New Jersey finally returned with 10 new episodes. There are many things I love about Ramy: the well-drawn side characters (I can't believe how much I care about his parents!), the meandering side plots (should Ahmed take a second wife?), and the fact that every single episode features at least one laugh-out-loud moment, even as the show often deals with heavy subject matter. To wit, few shows could mine the plight of Palestinians in East Jerusalem, teenage abortion, or violent refusal to come out of the closet for absurd comedy, but Ramy mostly nails it. I take issue with one rather unbelievable plot twist, but will allow it for the future potential it's enabled. Shoutout to (checks notes) Bella Hadid for a somewhat amusing guest turn.
Rotten Tomatoes rating: 90%
5. The Rehearsal (HBO)
This super-weird show from Nathan Fielder is basically impossible to describe (at least to the point that I could make you want to watch it): it's part reality show (kind of?), part (many parts) cringe comedy, part ethics study, part deep dive into the absurdity of human behavior. It was absolutely the most riveting thing I watched all year, and at times had me crying with laughter. Be sure to watch at least the first two episodes before deciding whether or not to proceed. I absolutely cannot wait to see what direction Fielder takes the show in for Season 2.
6. Slow Horses (Apple TV+)
Spies in London. Gary Oldman and Kristin Scott Thomas. Wicked comedy. Need I say more? Apple has already ordered four seasons of this show based on the Slough House spy novels by Mick Herron (Season 1 came out earlier this year, and Season 2 is airing right now), and I can only hope they'll make one for all eight books in the series. The hook is that Oldman's cantankerous Jackson Lamb heads up an office of MI-5 screw-ups too inept to do real spy work, yet they seem to frequently get mixed up in the highest level of intrigue. The setting and characters are superbly vivid, and the dialogue crackles. Just be warned, there are occasional bouts of graphic violence, and Herron is not shy about killing off main characters.
7. Succession Season 3 (HBO)
Just as with the first two seasons of this show about a dysfunctional family of media moguls (loosely based on the Murdochs, who surely aren't anywhere near as funny), Season 3 featured a dizzying array of plot twists and sumptuous settings (Italy! The Hamptons! Switzerland!). The final double-cross in the finale's closing moments was perhaps the most shocking yet, but honestly I enjoy the show less for the rollercoaster fortunes of the Roy family and more for the absolutely vicious dialogue and insults. Matthew Macfadyen's performance as Tom Wambsgans has always been among my favorites on the show ("You don't really hear much about syphilis these days. Very much the myspace of STDs"), but he took things to another level in Season 3. (NB: Season 3 of Succession actually concluded in December 2021, but whatever, that was within this calendar year so I'm going with it.)
8. We Own This City (HBO)
Absolutely the saddest and most serious show on my list (not least because it's based on a true story), the miniseries We Own This City features an absolute powerhouse performance from Jon Bernthal as a charismatic (and oh-so crooked) Baltimore cop. The fact that he wasn't even nominated for an Emmy makes me question the very nature of their existence, but I digress. Surely no one could have done more justice to this nuanced, knotty story about corruption, greed, racial inequality, government bureaucracy, and general American decline than David Simon and George Pelecanos (two of the great minds behind HBO's all-time amazing show The Wire). The series is constructed such that it jumps around in time; we basically know how it ends up, but uncovering all the ugly details along the way is what makes it such a compelling watch. Special shoutout to Jamie Hector (who played The Wire big bad Marlo) for his heartbreaking performance as a cop trying mightily to do the right thing.
9. The White Lotus Season 2 (HBO)
There may be some recency bias here, but to my mind no show captured the zeitgeist this year quite like The White Lotus (sorry, House of the Dragon), and that's no easy feat in this time of fractured niche streaming. Season 2 of Mike White's anthology series about horrible rich people staying at a luxury hotel brought us to Sicily; you know these people are awful because they eat dinner every night at the hotel restaurant, rather than venture out to eat… in ITALY. Like so many of the other shows on this list, to me what sets White Lotus apart is its impeccably drawn characters (right down to their brilliant wardrobes) and its deft combination of satire and pathos. Sure, these people suck and we love to root against them, but just maybe do we also see some of ourselves in them? Just me? Ok, cool. How about that ending, though?!
10. Winning Time: The Rise of the Lakers Dynasty (HBO)
I almost forgot about this one because it aired all the way back in March, but as a sports fan I'm a sucker for any show or movie that can depict the stories of real larger-than-life characters. Creator Adam McKay's "break the fourth wall" style is not for everyone, but he uses it to great effect here with John C. Reilly playing the role of a lifetime as eccentric Los Angeles Lakers owner Dr. Jerry Buss. The 1980s-set show is delightfully stylish and fun; even as a lifelong Celtics fan I laughed hysterically at the (porn) mustache-twirling villainy of Larry Bird and Red Auerbach, and Quincy Isaiah and Solomon Hughes are brilliant as Lakers legends Magic Johnson and Kareem Abdul-Jabbar, respectively. As with many of the shows I most enjoy, there's just nothing else quite like this on TV.
Minx, HBO Max (RIP)
Only Murders in the Building, Hulu
Pam & Tommy, Hulu
Reboot, Hulu
Heartstopper, Netflix
The Dropout, Hulu
The Woman in the House Across the Street from the Girl in the Window, Netflix (I never actually watched this, I am just obsessed with the name)
Best TV shows 2022: Marcus's picks
1. The Orville Season 3 (Hulu)
The Orville, the true heir to the Star Trek crown (fight me), returned with its third—and perhaps its best—season. Coming off a three-year hiatus, the series shifted from Fox to Hulu—a move that came with a bigger budget, longer runtime, and less restrictions of free-to-air TV (i.e., they can swear now). While initially marketed as a satire on Star Trek, the series has evolved beyond that into something far more mature.
In an era where most current incarnations of Star Trek aren't recognizable as Trek, The Orville has honestly captured the feeling of '90s Star Trek down to a tee. Series creator Seth MacFarlane (Family Guy, American Dad) is known for being a longtime Star Trek fan and even pitched a series idea to CBS a while back. While that pitch was unsuccessful, MacFarlane decided to pivot that energy into creating his own Trek-like universe—and now we have The Orville.
2. The Righteous Gemstones Season 2 (HBO)
The combination of Jody Hill and Danny McBride just keeps getting better and better. Continuing the winning streak of Eastbound and Down and Vice Principals, the second season of The Righteous Gemstones was warmly welcomed after a two-and-a-half year hiatus. The series, which follows a dysfunctional family of well-meaning—but ultimately shady—televangelists, is imbued with the same sassy dialogue and comedic violence we've all come to love and expect from Hill and McBride.
The series stars McBride, John Goodman, Adam DeVine, Edi Patterson, and Walton Goggins and along for the ride this season were Eric Andre, Jason Schwartzman, and Eric Roberts.
3. Euphoria Season 2 (HBO)
Did season 1 of Euphoria mess you up? Well strap in for something worse—and by "worse" we mean more intense. Like The Shield and Breaking Bad before it, the lives of pretty much every character go from bad, to worse, to abysmal. After a two-and-a-half year hiatus, the series' return began with an absolute smack to the face (you'll know what we mean) and only got more uncomfortable from there. The entire sophomore season maintains this discomfort, simmering with an undercurrent of heavy anxiety, before bubbling over to an explosive closer.
Drugs? ✓ Sex? ✓ Violence? ✓ It's almost as if Euphoria is HBO's take on a high school series.
4. Atlanta Season 3 and 4 (Hulu)
After a four-year break, Atlanta came back with not one but two new seasons, and now the series has effectively come to a close. Without going into any details at all, the final two seasons are so different to the two that came before that it's hard to articulate what that means without spoilers. That said, seasons 3 and 4 of Atlanta maintained—and honestly surpassed—the quality of comedy, surrealism, reality, and horror of the first two seasons. There's no doubt in this writer's mind that the series will go down as one of the best contemporary dramedies of this era. Donald Glover really outdid himself here—now fingers crossed he'll jump on the upcoming Community movie!
5. The Afterparty (Apple TV+)
In an era of whodunnit revivals like Knives Out, See How They Run, and the Kenneth Branagh-led Hercule Poirot films, The Aftermath shines as an interesting twist on the genre. The series follows a group of friends convening at a high school reunion afterparty and employs a Rashomon-style narrative where each episode is dedicated to the perspective of a different character—in different genres! Like all good murder mysteries, there's a solid cast of characters and a hefty dose of twists and turns. At eight episodes in length, The Afterparty is perfect to sink a lazy weekend into.
While the series has been renewed for a second season, it isn't clear whether it'll involve any of the existing cast or become an anthology series with an entirely different premise.
6. Only Murders in the Building Season 2 (Hulu)
What's this? Another whodunnit? You know it! Only Murders in the Building is back with another mystery. This time, our intrepid team of Charles (Steve Martin), Oliver (Martin Short), and Mabel (Selena Gomez) are on the case of who killed Bunny, the board president of the Arconia—the fancy New York City apartment building in which they all reside. Like season 1, the sophomore season of Only Murders in the Building maintains the charm and chemistry between its leads, and expands on the intrigue in fun ways that are too spoilery to mention here.
Will there be a third season? You betcha! And you'll love what they've got in store for the next mystery.
7. Werewolf by Night (Disney+)
Starting from phase 4 of the MCU, Marvel Studios have introduced a new series of TV specials that are designed to showcase new characters or concepts to the franchise. The first entry, Werewolf by Night, is perhaps the most unique entry into the MCU thus far thanks to its use of practical visual effects, black-and-white cinematography, and 1930s-'40s inspired editing. The special is set in a single night and follows several hunters as they compete to become the leader of a clandestine group by hunting a mysterious monster.
It's definitely worth mentioning that Werewolf by Night is the directorial debut of composer Michael Giacchino, responsible for Up, Lost, Ratatouille, Jurassic World, Zootopia, Coco, and Doctor Strange among others.
8. The Resort (Peacock)
Are we seriously recommending yet another whodunnit?!? Yes. Yes we are. The Resort follows a couple, Emma (Cristin Milioti) and Noah (William Jackson Harper), while they stay at a resort for their 10th wedding anniversary. While there, Emma stumbles upon a long unsolved missing persons case involving two people who vanished 15 years prior. What sets The Resort apart from other whodunnits on this list is the science fiction/metaphysical aspects of wider mystery. Let's leave it at that…
9. Star Trek: Strange New Worlds (Paramount+)
Yes, we know we threw shade at the current state of Star Trek in The Orville entry above, but Star Trek: Strange New Worlds (SNW) has a spark to it that modern Trek is sorely lacking. SNW follows the crew of the USS Enterprise before it was captained by James T. Kirk, and stars Anson Mount as Captain Christopher Pike, Rebecca Romijn as Una Chin-Riley, and Ethan Peck as Spock.
Unlike other modern Trek shows like Star Trek: Discovery and Star Trek: Picard, SNW has adopted an episodic format (over serialized) of storytelling and gone right back to the franchise's 1960s roots to bring us something bright, colorful, positive, and most importantly: hopeful.
10. Derry Girls Season 3 (Channel 4 / Netflix)
The girls are back after a three-year hiatus for the series' final season. Taking place at the end of the Troubles in Northern Ireland, Season 3 of Derry Girls is set against a decidedly more optimistic backdrop than the previous two seasons. In addition to the standard six episodes, the last season also includes a special extra episode to cap off this particular chapter in the girls' lives. And keep your eyes peeled for some fun cameos!
Can't get enough of the Derry Girls? Be sure to check out the special episodes of Crystal Maze and Great British Bake Off on Channel 4 guest starring the cast of Derry Girls. Trust us, it's the perfect chaser!
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Leona says:
I have not watched any of those shows, most of which I have never heard of. Oh well, I like Chicago Wednesday's and The Neighborhood!
I think that's the beauty of the streaming landscape right now – there is so much to choose from that it's easy to exist in almost parallel universes. I agree that Wednesday was a fun watch!
Doug Wate says:
Do read and where possible view on screen these best in class espionage thrillers:
Fiction – Mick Herron – Slow Horses in The Slough House series – an anti-Bond masterpiece laced with sardonic humour
Fiction – Len Deighton – Funeral in Berlin – shame they chose The Ipcress File for a remake rather than this
Non-fiction – Bill Fairclough – Beyond Enkription in The Burlington Files series – a raw noir sui generis novel
Non-fiction – Ben Macintyre – The Spy and The Traitor + A Spy Among Friends – must reads for all espionage cognoscenti
Well noted!
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Home / Topics / Human rights in Estonia / Human Rights Report / Human Rights in Estonia 2014 – 2015 / Rights of refugees and asylum seekers
Rights of refugees and asylum seekers
Anni Säär
There are several reasons why people change their place of residence – for example, to go live with their spouse, or because they have accepted an offer for a better job. However, for a lot of people leaving their country of origin is not a choice, but they are forced to leave in order to guarantee the life or health of themselves, and often also their family. Refugees need special protection precisely because they have not chosen this fate for themselves. Estonia has been providing international protection since 1997 when we acceded to the UN Convention relating to the Status of Refugees (1951)[1] and the Protocol Relating to the Status of Refugees (1967). In years 1997–2013 Estonia received 446 applications for asylum; 93 persons were granted international protection and permission for family reunification.
Political and institutional developments
In 2014 and 2015 guaranteeing the rights of unaccompanied minors in asylum proceedings has been organised better – for example, since 2014 the partner to the Estonian National Social Insurance Board is the Estonian SOS Children's Villages Association, with whom there is a contract under public law for offering the service of replacement home for unaccompanied minors.
In 2014 and 2015 the Chancellor of Justice made the Police and Border Guard Board two proposals relating to enabling communication for detainees at the detention centre. On 19 April 2014 the Chancellor of Justice made the proposal to remove the infringement regarding opportunities for living together and spending time together for unmarried partners at the detention centre. The Chancellor of Justice pointed out that a man and a woman in a sustainable relationship must be considered family members and when possible unmarried partners should be accommodated together at the detention centre.[2] Neither did the Police and Border Guard Board follow the Chancellor of Justice's earlier recommendations about enabling single women detained on the women's floor to communicate with other persons at the centre, manly with their unmarried partners.[3] The Chancellor of Justice is of the view that the activity of the Police and Border Guard Board in so far as it did not enable detained unmarried partners to communicate and spend time together at the detention centre, was not lawful.
The 2015 proposal came about from the fact that a person was not enabled to meet their unmarried partner at the detention centre. The Chancellor of Justice emphasized that enabling meetings may be necessary in order to guarantee the person's fundamental right to inviolability of family and private life.[4] The Chancellor of Justice was of the opinion that the activity of the Police and Border Guard Board in forbidding the meetings was unlawful and unconstitutional.
On May 12th and 14th of 2014 the advisers to the Chancellor of Justice carried out a verification visit at the Vao Accommodation Centre for Asylum Seekers.[5] The Chancellor of Justice recommended the accommodation centre, after the arrival of the asylum seeker, carry out an initial medical examination, conclude a contract with the family physician for providing health services for the inhabitants of the centre, organise interpretation into an understandable language upon providing the health services, and if possible, include a professional interpreter, cover the children's dental treatment expenses, organise the service of psychological counselling at the accommodation centre on site, and organise language learning in a more effective way.
The move of the accommodation centre from Illuka rural municipality in Jaama Village to Väike-Maarja rural municipality in Vao village in 2014 should also be pointed out as progress, since the access to services necessary for the asylum seekers is much better there. Also, in 2015, upon statements of a person about refugees and displaced persons in social media, misdemeanour procedure was initiated on the section of the Penal Code to do with incitement to hatred.
Legislative developments
On 4 July 2014 an amendment was made to the Act on Granting International Protection to Aliens, which came into force 1 January 2015, changing the amount of aid given to family members who are minors. When earlier the second family member and all the following members received 80% of the aid given to the first family member, then as of 1 January 2015 each under age member of the family receives aid equal to that of the first family member.
One of the most remarkable developments of 2015 was the provision of the Act on Granting International Protection to Aliens that came onto force on April 2nd, according to which the applicant of international protection is allowed to work in Estonia, if within six months of submitting the application no decision about the application has come into force for reasons not to do with him or her. The applicant of international protection may work in Estonia until the end of proceedings for his or her application, including during contestation of the decision of refusal to give international protection. The amendment to the act, which the refugee organisations lobbied for is remarkably more favourable towards asylum seekers. The only problem area in realising this right is the inability of asylum seekers, who have no documents, to open a bank account, which limits their access to labour market. Additionally, on 1 August 2015 the provision of the Act on Granting International Protection to Aliens came into force, according to which the Police and Border Guard Board will send foreigners who have been granted international protection to participate in an adaptation programme.
Court practice
Most of the court practice has to do with detention of asylum seekers, there is a lot less court practice related to contestation of refusal to grant international protection. Asylum seekers are often detained referring to the danger that they may abscond. The risk of absconding has not been defined in Estonian legislation, therefore it is hard to dispute in court. The presence of risk of absconding is reasoned with that the person has crossed the border illegally when coming to Estonia or has passed through several safe countries in order to reach Estonia. Smugglers are used more and more in order to reach safe countries, which is often accompanied by irregular border crossing.
Tartu Circuit Court has said that if an asylum seeker has no identity document or other documents, which is why it cannot be claimed that the person is who he says he is, then bases are present according to which the asylum seeker can be detained for the unavoidable necessity to identify the person, to verify or find out his citizenship.[6] Tartu Circuit Court has also stated that if it has been reasoned that the person wishes to abuse the procedure by applying for asylum and delay his expulsion, then there is reason to believe the person has submitted the application for asylum in order to delay his obligation to leave or avoid being deported.[7]
In the beginning of 2015 the Supreme Court made public the court rulings of the Administrative Law Chamber regarding placing two Belorussian and one Syrian asylum seeker at the detention centre.[8] The Chamber found that placing the asylum seekers at the detention centre is justified if risk of absconding has been detected. Also, appropriate reasons for detention are, for example, destruction of evidence or risk of influencing witnesses. The Chamber pointed out that the asylum seeker ought to be released immediately as soon as the basis of detention cease to exist. Otherwise the applicant has the right to apply for revocation of authorisation of the court or challenge the administrative authority's failure to act in finding out the circumstances. He also has the right to claim compensation for damages caused by detention for the time that detention was no longer necessary, or for the administrative authority's unlawful failure to act in finding out circumstances while the person was at the detention centre.
Tallinn Circuit Court made an important decision on 10 April 2015 regarding annulment of the decision to rejection an asylum application and refusal of a residence permit, denying the appeal of the Police and Border Guard Board and concurring with the Administrative Court judgment reasons.[9] The Circuit Court explained that existence of contradiction does not always mean inauthentic testimony as the person may not understand how important it is to exhaustively show all the reasons for applying for an asylum already in the asylum application. The court added that as a rule there is a significant time delay between asylum application and the events that caused the application, which is why the person's memories may be unclear and distorted. The Circuit Court emphasized that it is important to consider that the interviews took place via an interpreter, in this instance via two interpreters, and even in the best operation of all parties, the differences between the initial statement and what was written down were possible, also adding that these differences could possibly not be removed even by re-reading the record. The Circuit Court remarked that only significant contraventions can be decisive.
Statistics and surveys
117 men and 40 women applied for international protection in Estonia in 2014; in 2015 (as of 30.09.2015) 124 men and 66 women did the same. The largest number of asylum seekers (from 01.01.2014 until 30.09.2015) have come from Ukraine (136), Russia (31), Sudan (31) and Syria (21). In 2014 refugee status was given to 20 persons (2 from Bangladesh, 4 from Syria, 7 from Sudan, 4 from Kosovo, 2 from Palestine, 1 from Russia), nobody was granted subsidiary protection. In 2015 (as of 30.09.2015) refugee status was given to 16 persons (10 from Sudan, 6 from Ukraine) and 40 persons were granted subsidiary protection (38 from Ukraine, 1 from Yemen, 1 from Russia). In 2014 residence permit for family reunification was given to 3 persons, and 18 persons in 2015 (as of 30.09.2015).
As a result of verification visit to the accommodation centre carried out by advisers to the Chancellor of Justice on May 12th and 14th of 2014 the good practices were noted to be the open and helpful attitude of workers at the accommodation centre towards the residents of the centre, organisation of English language lessons for asylum seekers and the contribution of the centre and the NGOs in creating opportunities for asylum seekers in spending their free time.[10] Donations were collected in the course of the "Ukraina heaks!" (for Ukraine) campaign initiated in 2014 by three Estonian NGOs, helping people who had suffered and fled from their homes because of the Ukraine conflict.[11] The campaign is still ongoing, as is providing the help.
In 2015 the movement Sõbralik Eesti (friendly Estonia) was created, promoting tolerance through their activities. Sõbralik Eesti is a movement that started in civil initiative, uniting people and undertakings that wish to keep the state helpful and open. On 6 September 2015 the "Sõbralik Eesti" support concert took place, with national dishes' areas and several well-known people making speeches inviting people to be more open and tolerant.
Another good example of a good practice is the yearbook of the NGO Estonian Refugee Council, which was published on 24 March 2015 for the first time, analysing Estonian refugee policy and the system for accepting refugees in detail.[12]
Noteworthy public discussions
The biggest public discussion of 2015 arose in the summer in relation to the proposed European Commission action plan on migration. Several groups (including Facebook groups) arose in relation to the topic, which were against refugees or mass immigration, and the content context and calls were (and still are) at times racist. Fear and lies have also been created by speeches of politicians – for example, Margus Tsahkna, the Minister of Social Protection and chairman of Pro Patria and Res Publica Union, wrote an opinion piece in August of 2015 on preservation of Estonian culture in the face of current immigration problems, remarking that: "The fact that the police in Sweden is not allowed to enter certain areas for their safety gives reason to worry. The talk that it doesn't endanger us cannot be taken seriously."[13] The press officer for Swedish police later refuted this statement. Sõbralik Eesti, Delfi and Eesti Päevaleht in cooperation carried out discussion marathons on the topic of refugees at the end of 2015, where sceptics' questions were responded by specialists; and opinion pieces were also published.
In 2014 and 2015 several asylum seekers who had crossed the Russian-Estonian border irregularly were punished pursuant to criminal procedure, or by having to make a payment to public revenues. This practice has not been altered, although the UNHCR has condemned it. Access to kindergarten placements is complicated for the asylum seekers at the accommodation centre because of their financial situation. As the asylum seekers staying at the accommodation centre are not registered there as residents, then they should pay a larger kindergarten fee than the locals whose place of residence is registered in Väike-Maarja rural municipality. However, this fee is more than the asylum seekers can afford. Even though each year the Estonian Human Rights Centre has emphasized the importance of publicity campaigns on refugees there was been no systematic activity on this topic. The level of awareness on this topic is low, if not fearmongering and creating stereotypes.
On 1 July 2015 the refugee legal aid clinic with the Estonian Human Rights Centre folded as the Ministry of Internal Affairs decided not to announce the previously planned competition for guaranteeing the service of early legal counselling for asylum seekers from July on. Since 1 October 2015 the state legal aid in regards to international protection proceedings and/or detention is provided to asylum seekers by six lawyers of law offices from LMP and LEXTAL, who provide legal aid in administrative proceedings as well as administrative court proceedings.
Consider and implement the recommendations of verification visit to the accommodation centre carried out by the Chancellor of Justice on May 12th and 14th of 2014, as well as the proposal of 29 April 2014 and of 30 March 2015.
Carry out publicity campaigns about refugees, thereby raising the public's awareness.
Enable the asylum seekers a kindergarten placement and fee on the same grounds as registered residents.
Do not place asylum seekers at the accommodation centre on the assumption that the person will abscond, since he has entered the country irregularly.
Create a regular information exchange and cooperation between the Ministry of Interior Affairs, the Ministry of Social Affairs and NGOs working with refugees in order to create mutual trust and facilitate solutions based on coproduction.[14]
[1] Convention relating to the Status of Refugees (1951) – State Gazette RT II 1997, 6, 26.
[2] Ettepanek rikkumise kõrvaldamiseks [Proposal to remove infringement]. Kinnipidamiskeskuses elukaaslaste koos elamise ning ajaveetmise võimaldamine [Enabling living and spending time together for unmarried partners at the detention centre]. P 4. 29.04.2014. Available at: http://oiguskantsler.ee/sites/default/files/field_document2/6iguskantsleri_ettepanek_rikkumiste_korvaldamiseks_kinnipidamiskeskuses_elukaaslaste_koos_elamise_ning_ajaveetmise_voimaldamine.pdf.
[3] Ibid. P 1.
[4] Ettepanek rikkumise kõrvaldamiseks [Proposal to remove infringement]. Kinnipidamiskeskuses kokkusaamise võimaldamine [Enabling meeting at the detention centre]. 30.03.2015. Available at: http://oiguskantsler.ee/sites/default/files/field_document2/6iguskantsleri_ettepanek_rikkumise_korvaldamiseks_kinnipidamiskeskuses_kokkusaamise_voimaldamine.pdf.
[5] 12.05.2014 ja 14.05.2014 kontrollkäik Varjupaigataotlejate Majutuskeskusesse [verification visit at the Accommodation Centre for Asylum Seekers]. Available at: http://oiguskantsler.ee/sites/default/files/field_document2/kontrollkaigu_kokkuvote_varjupaigataotlejate_majutuskeskus.pdf.
[6] Tartu Circuit Court ruling of 29.11.2013 no. 3-13-2162, Tartu Circuit Court ruling of 03.12.2013 no. 3-13-2163.
[7] Tartu Circuit court 18.03.2014 administrative case no. 3-13-2470.
[8] 29.01.2015 Administrative Law Chamber of the Supreme Court rulings in cases no. 3-3-1-52-14 and 3-3-1-48-14; 03.02.2015 Administrative Law Chamber of the Supreme Court ruling in case no 3-3-1-56-14.
[9] Tallinn Circuit Court judgment of 10.04.2015 in administrative case no. 3-13-1596.
[10] 12.05.2014 ja 14.05.2014 kontrollkäik Varjupaigataotlejate Majutuskeskusesse [12.05.2014 and 14.05.2014 verification visits at the Accommodation Centre for Asylum Seekers]. Pages 9-10.
[11] NGO Estonian Refugee Council. More than 13,500 euros have been gathered for the aid of Ukrainian people in the course of the campaign "Ukraina heaks!". 04.11.2014. Available at: http://www.pagulasabi.ee/ukraina-humanitaarabi-programm.
[12] NGO Estonian Refugee Council. Varjupaiga aastaraamat 2014 [Refugee yearbook 2014]. 23.03.2014. Available at: http://www.pagulasabi.ee/varjupaiga-aastaraamat-2014.
[13] Mellik, J. "Rootsi politsei: Tsahkna jutt on väärtõlgendus." [The Swedish police: Tsahkna's words are a misinterpretation] Postimees. 17.08.2015. Available at: http://maailm.postimees.ee/3297041/rootsi-politsei-tsahkna-jutt-on-vaartolgendus.
[14] Delfi. Eesti pagulasorganisatsioonid pöördusid rahastamisküsimuses peaministri poole [Estonian refugee organisations turned to the Prime Minister with the question of funding]. 02.06.2015 Available at: http://www.delfi.ee/news/paevauudised/eesti/eesti-pagulasorganisatsioonid-poordusid-rahastamiskusimuses-peaministri-poole?id=71612805.
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text:
Showrocka P. Newton Presents... Kunta Freakin Kinte
Black people are quick to claim they know sh*t about black history, then go on and start talking about Kunta Kinte.
Don't get me wrong, expecting us to know everything about Black History is like expecting all white people to know everything about U.S and European history, however, I figured I could help us all sound a little bit more intelligent AND maybe even get you some pu**y from an Africana studies major...that is, if you're into those peazy headed, natural haired headwrap bi*ches...I'm not.
In case you didnt know, Kunta Kinte wasn't a real ni**a. Now I don't mean, "he wasn't a real nig*a" in the same way I say it about people like Yung Berg who talk tough then get robbed for their diamond jewels...I mean it like "Kunta Kinte was a fictional Character."
Yep....They got him.
Then he got robbed for this one. SMH because both times he got robbed by rappers...and without guns....PUNK. Anyways....
Sure we all Loved Roots and thought that the characters were based on a true story, but fam....slaves couldn't read...who the fu*k you think wrote this sh*t down? The facts and historical references (i.e. slave ship names) don't really correspond and Alex Hailey was even sued for plagiarism, having jacked the book's idea and storyline from Harold Courlander's 1967 FICTION book the African.
What's my point?
Just because something is fiction, doesn't mean that its not important. This, my friends is a life lesson. We all grew up watching / reading Roots and it meant a lot to us. It taught us about slavery and put all too real images alongside the history often lightly touched upon in standardized text books. Roots was a true story, just not of one person. It was a symbolic truth which told the forgotten stories of many forced to endure the harsh realities of slavery. Roots made us aware of our Ancestors plight and what it means to be black. In essence, it was the Black man's Diary of Anne Frank. I just wish Spike Lee's funny glasses wearin ass had a hand in it.
I reiterate.
Just because something isn't real doesn't make it important.
Nikki Minaj's ass isn't real, but it's important...to other females striving for recognition in a male dominated world.
Sheyla Hershey's boobs aren't real, but they're important...to anyone with a "larger than life" sized goal or aspiration.
Rick Ross's Diamonds aren't real, but they're important...to a generation of impoverished children who never had shit.
Just remember that the next time a hater tries to downplay the social importance of something like Roots, calling it a fraudulently fabricated fictitious farce. Tell them that it may not have been real, but it was real to us...and in the end, it awakened a stream of black consciousness which was indeed real. Very motherfucking real.
-Showrocka "Showey" P. Newton
mandy ;) said...
i like it a lot (jim carey dumb and dumber voice
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Showrocka P. Newton Presents... Kunta Freakin Kint...
You're selling whaaaaaaat???
Be an Adult for once and give up the pu**y


Each year we pour our hearts into the Logan Square Arts Festival, and each year we see all the effort and support from artists, musicians, vendors, sponsors, and attendees manifest itself into an ever-growing, ever-changing, phenomenal 3-day cultural event, and 2017 was no different.
Check out some photos from LSAF 2017!!!
Você escreve e pensa imitante comigo. Eu sabor muito de falar o que penso e também ajudar alguém se eu souber muito do asunto.


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