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Bolgatanga is the centre of handicrafts in the Upper East Region of Ghana: from basketry and pottery to leatherwork and decorative house painting, numerous crafts are represented in the region and its capital. It is also there, in and around Bolgatanga, that the bolga baskets, which are well-known far beyond the country's borders, are made. The large baskets with round bottoms are often decorated with bold stripes or geometric patterns, but can also be found in other shapes, patterns and colours – ranging from very colourful to natural baskets.
Bolga baskets are made by Frafra women in the villages around Bolgatanga. The Frafra (also called Gorse or Gurune) are an ethnic group in the northern part of Ghana and southern Burkina Faso, but live mostly in the north-eastern part of the Upper East Region in Ghana. Bolgatanga is not only the most important urban centre and trading town in the Upper East, but also the most important Frafra town. Although the Frafra are primarily engaged in agriculture, they are also known for their handicraft products such as baskets and hats made of straw.
The Frafra in the Bolgatanga district have passed down the technique of basket weaving for generations, using the local veta vera straw to make the baskets. For the bolga baskets, the veta vera straw, also called elephant grass, is collected from the tips of the grass stalks and then each piece is split vertically into two halves. Each half of the split straw is then tightly twisted through rolling it together to give it strength. Unless the veta vera straw is left in its natural colouring for a basket or pattern, it is dyed in boiling water, often in bright colours, before weaving. Once the material has been prepared, the basket weavers start with the bottom of the basket and build up the sides towards the top. The edges of the bolga baskets are generally flat or wrapped with straw to form a tubular rim. There are different variations for the handles of the baskets, all of which the weavers make with a robust wrapping technique around a grass core. Any leftover straw that sticks out of the basket is cut off in the last step.
With the striped baskets and the u-shaped shopper, you will find a small selection of bolga baskets in our shop. These are woven by Frafra women artisans in the villages outside Bolgatanga (only occasionally men are also active in making baskets) and sold by them to the export company Geolicrafts. The Accra-based company buys and exports handicraft products from local producers and artisans, including baskets in various colours and shapes, masks and instruments, especially drums. Geolicrafts was founded by George Akologo, who himself comes from upper east Ghana.
Available at FOLKDAYS: Products by Frafra People x Geolicrafts.
AMELMALO x SHIMENA WEAVING FRIENDSHIPS


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SkillPass App
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Mosaic Management Systems > Case Studies > London Power Tunnels
London Power Tunnels is an eight year project to replace 32km of tunnels housing 400,000V transmission line cables across London. It is being delivered through a Costain and Skanska joint venture with Halcrow leading on design.
The aim of the project is to enhance the power supply and replace cables, some of which have been operational for over 40 years, on behalf of the National Grid.
With close to 200 workers working on the project's 7 to 13 sites at any one time, it's hugely important to ensure there is an accurate picture of who is on site and what they are competent to do. This is not only to reduce safety risks but also to maximise efficiency.
Prior to implementing Mosaic, the precise requirements that include qualifications, attendance at training course had to be manually checked using a paper based system, which would be both time consuming and has the potential for errors with recording the information.
The Mosaic system has empowered National Grid to:
Ensure all worker's details are logged when they receive their initial project induction and drug and alcohol test at the project's head office
Ensure that any worker that has been removed from one site doesn't immediately start working on another site if it's inappropriate for them to do so
Access and updates data on site – as and when necessary, to ensure that people are working competently and safely
Identify and highlight competency gaps, so they can be flagged up on the worker's record.
Martin Dodd, Project Safety Manager states,
"We had seen Mosaic being used at another site and were impressed by its flexibility, which means that we can meet the specific competence requirements of individual sites and what it takes to perform an effective job".
Mosaic Management Systems is the leading name in ERP and business intelligence solutions, focusing on the construction project and site management industry.
Mosaic Management Systems offer comprehensive solutions for optimising safety and productivity through a cloud based platform.
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redpajama_set_name: RedPajamaCommonCrawl


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FNSS Savunma Sistemleri A.Ş.
Country United Kingdom United States Afghanistan Åland Islands Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua and Barbuda Argentina Armenia Aruba Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia and Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory Brunei Darussalam Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Cape Verde Cayman Islands Central African Republic Chad Chile China Christmas Island Cocos (Keeling) Islands Colombia Comoros Congo Congo, The Democratic Republic of The Cook Islands Costa Rica Cote D'ivoire Croatia Cuba Cyprus Czech Republic Denmark Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Ethiopia Falkland Islands (Malvinas) Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-bissau Guyana Haiti Heard Island and Mcdonald Islands Holy See (Vatican City State) Honduras Hong Kong Hungary Iceland India Indonesia Iran, Islamic Republic of Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Korea, Democratic People's Republic of Korea, Republic of Kuwait Kyrgyzstan Lao People's Democratic Republic Latvia Lebanon Lesotho Liberia Libyan Arab Jamahiriya Liechtenstein Lithuania Luxembourg Macao Macedonia, The Former Yugoslav Republic of Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia, Federated States of Moldova, Republic of Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands Norway Oman Pakistan Palau Palestinian Territory, Occupied Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Poland Portugal Puerto Rico Qatar Reunion Romania Russian Federation Rwanda Saint Helena Saint Kitts and Nevis Saint Lucia Saint Pierre and Miquelon Saint Vincent and The Grenadines Samoa San Marino Sao Tome and Principe Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia and The South Sandwich Islands Spain Sri Lanka Sudan Suriname Svalbard and Jan Mayen Swaziland Sweden Switzerland Syrian Arab Republic Taiwan, Province of China Tajikistan Tanzania, United Republic of Thailand Timor-leste Togo Tokelau Tonga Trinidad and Tobago Tunisia Turkey Turkmenistan Turks and Caicos Islands Tuvalu Uganda Ukraine United Arab Emirates United States Minor Outlying Islands Uruguay Uzbekistan Vanuatu Venezuela Viet Nam Virgin Islands, British Virgin Islands, U.S. Wallis and Futuna Western Sahara Yemen Zambia Zimbabwe
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PARS 4×4 Anti Tank
The PARS 4X4 has been designed to undertake special operational roles such as advanced surveillance, antitank and command and control.
The PARS 4X4 has a power-to-weight ratio of 25 Hp/ton, a low silhouette and amphibious capabilities. The vehicle with its crew of 4 can operate in deep and fast flowing water without any preliminary preparation. Two propellers located at the rear provide the vehicle's enhanced maneuverability in the water.
The PARS 4X4 can operate on any rough terrain with a low center of gravity, fully independent suspension system, ABS-assisted hydraulic disc brakes, low ground pressure and increased angles of approach and departure. The PARS 4X4 can climb vertical slopes of 70%, and can hold on horizontal slopes of 40%. It can also pass over 40 cm vertical obstacles with ease. Thanks to the hydraulic recovery winch, located at the front of the vehicle, it has the ability to provide self-recovery when required.
The mobility of the PARS 4X4 is enhanced by its central tire inflation system, and it also has a run flat capability thanks to its in-tire solid disc system. The PARS 4X4 has a maximum speed of 110 km/h on asphalt and a range of 700 km, as well as an automatic transmission with an axle lock for use on slippery surfaces and soft soil.
The driver's cabin features a transparent ballistic armor which offers a wide field of view for both the driver and the crew. The PARS 4X4 also provides the driver and the commander with integrated night and day vision cameras that enable operations in night drives with or without using blackout lights. The command and warning panels and the height-adjustable mine-protected seats have been specifically developed for the commander, driver, gunner and dismounts.
The vehicle offers a remarkable load carrying capacity. With its open architecture, and significant design, the vehicle is capable of carrying out various missions.
The PARS 4X4 can be transported using any kind of military transport aircraft including the CH-47 Chinook heavy load helicopter.
In order to reduce operating costs, many parts have been designed to have the same life-expectancy as the vehicle. Thanks to its power pack, which can be removed and installed quickly on the field, the vehicle offers ease of maintenance and logistic support.


While it is important to be comfortable with your skin color, wouldn't it be nice to know how you can have fair skin if you wanted it? The market today is inundated with fairness products of all kinds that promise to lighten your skin but a great number of them are filled with harmful chemicals that may cause damage to your skin in the long run. If you want fair, radiant skin, your best option is to use home remedies. These remedies are natural and safe and give you the results you desire.
When it comes to skin lightening tips, you will find that lemon is always a key ingredient. This is due to the fact that it is one of the most effective skin-lightening remedies. Lemon contains components that bleach the skin and also reduce pimples, dark spots and blemishes. It also contains Vitamin C, a powerful antioxidant helps in fighting free radical damage. If you want fair skin that is clear of any blemishes, lemon is the best natural remedy.
Squeeze fresh lemon juice and apply on to the areas you want to lighten.
Wash off thoroughly with cool water.
Repeat every alternate day until you see results.
Note: Remember that you must avoid exposure to the sun when using lemon to lighten your skin. It can also irritate cuts and wounds so you need to be careful as well. If you have sensitive skin, mix equal amounts of water to the lemon juice to dilute it before applying it on your skin.
Turmeric is an important ingredient in Ayurvedic medicine as it contains powerful medicinal properties. It is also considered one of the best home remedies for fair skin. Turmeric helps in evening out the skin tone, making it brighter. It also eliminates free radicals that cause damage to the skin and improves skin elasticity. Want a tried and true natural remedy for fair skin? Try turmeric – it is sure to work wonders.
Mix 1 teaspoon of turmeric powder and 3 teaspoons of fresh lemon or lime juice.
Combine the two ingredients well to form a paste.
Apply the paste to the areas you want to lighten.
Leave it on for 15 minutes and then rinse off well with water.
Repeat 2 to 3 times a week for best results.
Note: If you have sensitive skin, add a bit of water to the paste to dilute it. Also, remember that turmeric can stain your clothes so be careful while applying it.
As you know, milk has many benefits and lightening the skin to give you fair, bright skin is one of them. It is a gentle ingredient that does wonders for the skin. Milk contains natural enzymes that are effective in lightening your skin and evening out your skin tone. A great thing about this home remedy is that you always have milk at home, so it is always readily available.
Mix 1 tablespoon of milk and 1 teaspoon of honey to make a smooth paste.
Apply the paste all over your face and other areas you want to lighten.
Massage it in using gentle circular motions.
Note: If you have dry skin, use full cream milk. For oily skin, low-fat milk is best.
When it comes to getting fair skin, nothing works quite as well as tomatoes. They contain lycopene, a compound that helps in instantly reducing pigmentation. They also reduce tan, lighten the skin tone and remove dead skin cells. This home remedy is excellent as your skin benefits in many ways, and you get the fair skin you desire in no time at all.
Blend 1 or 2 tomatoes and 2 teaspoon of lemon juice to make a smooth paste.
Apply the paste all over your face and other areas and leave on for 20 minutes.
Repeat every day before your bath or shower.
Fruits are known to work miracles on the skin and can make it clear and radiant. If you want to lighten your skin and make it healthy and glowing, a fruit pack may be the perfect home remedy. For this remedy, you will need avocado which has a rich fat content to nourish your skin, papaya that contains enzymes to help in lightening your skin and cucumber to soothe it. With these three ingredients, you can have fair, flawless skin in just a few weeks.
Mix the pulp of an avocado, a small papaya and half a cucumber.
Mash the ingredients properly and then add 2 teaspoons of milk cream.
Apply the paste all over your face and other areas.
Repeat once a week for quick and noticeable results.
Note: If you have oily or combination skin, use Fuller's earth (multani mitti) instead of the milk cream.
Papaya is rich in papain, an enzyme that is known to help in exfoliating the skin which in turn allows new skin cells to emerge. It is also a good source of Vitamin C, an antioxidant that rejuvenates the skin, fights free radical damage and makes the skin firm and supple. If you want a skin-lightening home remedy that uses the goodness of fruits, papaya is the best one for you.
Peel and slice a green papaya and blend it to make a smooth paste.
Apply the paste on your skin and leave on for about 20 minutes.
Apply this paste 2 times a week.
Home remedies for fair skin may take longer than products in stores to give you the results you want, but they are safer and more effective in the long term. They also save you quite a bit of money! If you want to lighten your skin, try these natural remedies – you are sure to find one that works perfectly and gives you fair skin that glows with health.


Definition - What does Social Networking Site (SNS) mean?
A social networking site is also known as a social networking website or social website.
Social networking sites have different rules for establishing connections, but they often allow users to view the connections of a confirmed connection and even suggest further connections based on a person's established network. Some social networking websites like LinkedIn are used for establishing professional connections, while sites like Facebook straddle the line between private and professional. There are also many networks that are built for a specific user base, such as cultural or political groups within a given area or even traders in financial markets.
Social networking websites are easy to confuse with social media sites. A social networking site is any site that has a public or semi-public profile page, including dating sites, fan sites and so on. A social media site has profiles and connections, combined with the tools to easily share online content of all types.


Now in its second generation, the Audi Q5 is aimed right at the heart of the luxury SUV segment. Its evolutionary design hides a more spacious cabin, a lighter platform, and a more powerful engine.
Audi also sells a more powerful version named SQ5. Buyers who need three rows of seats can look at the bigger Q7.
For the latest model year, Audi has added more standard features to the Q5, including heated front seats, electric rear child locks, aluminum window surrounds, and aluminum cross bars on the roof.
The Q5 falls in line with Audi's current design language, as seen on models like the A5 and the aforementioned Q7. It wears a sharp rendition of Audi's singleframe grille, more angular lights, and a swoopy belt line that reduces visual mass. The strong shoulder line gives Audi's mid-range SUV a muscular appearance. Out back, it gets triangular tail lamps integrated into an extra-wide hatch. Loading and unloading bulky items is a breeze.
The dashboard also falls in line with current Audi models. The central part of the dashboard is tilted towards the driver and topped by a wide, high-resolution screen that displays the infotainment system. Audi does interiors well, and the Q5 is no exception. It's a brew of soft-touch plastics, leather upholstery and, in select models, real wood trim that makes it feel like a much more expensive model.
Audi's infotainment system is straight-forward to use. We were impressed with the resolution it offers and its quick response time. Note the software is also compatible with Android Auto and Apple CarPlay.
The Q5 offers space for five passengers and 26.8 cubic feet of trunk space. Folding down the rear seats yields 60.4 cubes.
The only engine currently offered is a 2.0-liter four-cylinder that uses a turbocharger to make 252 horsepower from 5,000 to 6,000 rpm and 273 pound-feet of torque between 1,600 and 4,500 rpm. It shifts through a seven-speed automatic transmission and Audi's time-tested quattro all-wheel drive system.
The Q5 hits 60 mph from a stop in a respectable 5.9 seconds, and it goes on to 130 mph if you give it enough tarmac. Fuel economy checks in at 23 mpg in the city, 27 mpg on the highway, and 25 mpg in a combined cycle. Note the 2.0-liter requires premium fuel, according to Audi.
Buyers can choose from three trim levels named Premium, Premium Plus, and Prestige, respectively.
Premium models come with 18-inch alloy wheels, automatic Xenon headlights, LED daytime running lights, heated exterior mirrors, aluminum roof rails, a power tailgate, heated windshield washer nozzles, tinted rear windows, three-zone automatic A/C, a three-spoke multi-function steering wheel, shift paddles, walnut inlays, an auto-dimming rear-view mirror with an integrated compass, leather upholstery, eight-way power-adjustable front seats, a 10-speaker sound system, a seven-inch screen on top of the dashboard, cruise control, Bluetooth connectivity, a Homelink transceiver, Audi's pre-sense basic and pre-sense city technologies, a keyless ignition, and automatic windshield wipers.
Stepping up to the Premium Plus model brings Audi's side assist and pre-sense rear technologies, rear cross traffic alert, Audi connect, full LED headlights, heated front seats, and a hands-free tailgate.
Finally, the Prestige model gains Audi's virtual cockpit, navigation, a head-up display, a Bang & Olufsen sound system with 19 speakers, handwriting-recognition technology, and a top-view camera.
The list of optional equipment includes navigation (on models that don't come with it), 19-inch alloy wheels and rear side airbags. Buyers also have several option packages to choose from, though their content largely depends on the trim level. Some of the features that come standard on the top-spec variants can be bundled together on the base model.
Every Q5 comes with front, side, and curtain airbags in addition to a tire pressure monitoring system, electronic stability control, traction control, and hill descent control.
The numerous electronic driving aids the Q5 is available with are listed in the previous section.
Audi jettisoned the Q5 into one of the most crowded segments of the market. Its main rivals include the Mercedes-Benz GLC, the BMW X3, the Volvo XC60, the Acura RDX, and the Infiniti QX50, among others.


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Book Review: Cities Alive
Read about the book Cities Alive: Jane Jacobs, Christopher Alexander, and the Roots of the New Urban Renaissance, by Michael W. Mehaffy, reviewed by Emily O'Brien.
Cities Alive: Jane Jacobs, Christopher Alexander, and the Roots of the New Urban Renaissance
By Michael W. Mehaffy
Sustasis Press, Sustasis Foundation, Portland, OR
Paperback; various color photos & illustrations;
290 pages; $19.95
Cities are undergoing a renaissance; what was once an American lean toward suburban sprawl, the U.S. is now experiencing a rebirth of many of its cities. Michael Mehaffy's new book, Cities Alive, explores why this rejuvenation is happening—"because we've begun to understand how they really work—and what they will need to work better in the years ahead."
The premise of the book discusses two main heavyweights who have helped shape this resurgence—American-Canadian urbanist Jane Jacobs and the English-American architect Christopher Alexander, both whose significant insights have formed multiple generations of professionals, scholars and activists alike. Mehaffy takes us on a journey of where Jacobs' and Alexander's lines of thought run parallel and intersect.
When cities are spoken of throughout the book, Mehaffy is not only referring to the vast compressed cores of major metropolises but also to smaller cities and towns. He tackles tough topics like "Why cities are the problem, but cities are the answer too," systems reform, diverse opportunities, connectivity, environmental sustainability, pattern languages, threats and more. Points are often illuminated by references to Jacobs' and Alexander's published pieces and sometimes illustrated by photos, charts or diagrams to further drive home key elements.
The book is divided into five main sections, the first two covering Jane Jacobs and Christopher Alexander, respectively. Sections three and four delve in to philosophical roots, mereology and the structuralist renaissance, as well as opportunities and threats, including the New Urban Agenda, "artistic sprawl" and more. The book closes with the fifth section discussing fundamental lessons and optimistic examples.
Overall, Cities Alive features a comprehensive view of city structure, what works and what doesn't, and most importantly, how we can make it better. At the back of the book, you'll find references and suggestions for further reading, plus a detailed index. What's most remarkable is that in the latter half, Mehaffy pulls from his curated pot of somewhat rather abstract ideas, garnered from Jacobs and Alexander, and transforms them into solutions that can be implemented in very tangible, realistic ways.
The problems are not just with the city structures but also of issues on a much deeper level. Mehaffy states, "In all of our current challenges, cities—again, in the broad sense of urban settlements—loom very large. It is within the structures of these urban settlements that we consume, interact, create, and ultimately generate the impacts that now prompt such growing concern. But it is also within them that we develop as human beings and as a species—that we create, innovate, adapt and problem-solve. It is in these settlements that we create a civic framework by which we may work together on shared opportunities and challenges."
He also adamantly argues the reawakening is still in its adolescence form with more work needing to be "done to achieve its promise—especially in an age of rapid, often sprawling urbanization."
He warns, "I will argue that this renaissance is, in fact, a transformation in the way we think of beauty, of quality, and of life. It is a determined mastery of the technological abstractions that are, on the one hand, our powerful agents, but if we are not careful—and we have not been nearly careful enough—our destructive masters."
An alluring and thought-provoking read for students, government officials, architecture professionals and more, Cities Alive will have you nodding your head as you read along, offering an intricate and intelligible understanding of city structure as it examines essential philosophical ideas about cities and what they offer their inhabitants. Hint: It's so much more than you can rattle off the top of your head.
An urbanist and design theorist, author Michael W. Mehaffy, Ph.D., is the executive director of Portland, Oregon-based Sustasis Foundation, editor of Sustasis Press and currently has appointments in teaching and/or research in seven graduate universities in six countries and three disciplines (architecture, urban planning and philosophy).
A distinguished scholar on both Jane Jacobs and Christopher Alexander, Mehaffy has also acted as a consultant to UN-Habitat on the development of the outcome document of Habitat III, the New Urban Agenda, a historic United Nations agreement emphasizing the pivotal role of cities and towns in meeting the challenges of the future, which has been adopted by consensus by all 193 member states of the United Nations. As discussed in the book, Jacobs and Alexander were monumental in formulating conceptual insights behind the New Urban Agenda and whose teachings continue to offer guidance as we forge ahead.
Mehaffy says, "Both authors leave us today free to test their ideas, to falsify, modify, combine with others—and then, if we find them useful, proceed to apply the ideas constructively, or alternatively, revise them as needed. Both authors have frequently urged us to follow an evidence-based approach, and continue the journey of learning and growth." He points out that their teachings have "offered us a useful roadmap" and now it's up to us to decide which way to go.
(This page contains affiliate links.)
Michael MehaffyBook ReviewApril 2018
Book Review: The Classicist No. 14: New York City
Clem Labine reviews The Classicist No. 14: New York City by Charles D. Warren.
Book Review: Classic Columns
Clem Labine's book review of Classic Columns: 40 Years of Writing on Architecture.
Book Review: Street Design for Great Cities and Towns
The book laments the way our city streets have been turned into "traffic sewers," shoving pedestrians to the sidelines.


Cal Poly civil and environmental engineering students competed with 17 schools in the American Society of Civil Engineers' Pacific Southwest Conference on April 4–6.
Congratulations to the Concrete Canoe Team for winning first place in all seven of their events, and to the Transportation and Design Build Teams for winning first place overall in their categories. Cal Poly teams placed in nine out of the seventeen team competitions, winning first place in the overall conference.
Our concrete canoe team will advance to the national championship in Florida June 6-8, 2019 and compete for their third consecutive national title.
2019 Concrete Canoe team will advance to the national championship.


One mile North of The Scottish Rite Cathedral in New Castle, PA.
Our mission is to provide our customers in the New Castle Area and beyond with insurance protection. Our success is built on a foundation of shared values including quality service, personal relationships, integrity, and the careful analysis of insurance and financial services needs, goals and dreams.
Servicing State Farm policyholders for 18 years. Call Leann for a Homeowners quote.


This deluxe handmade one and a quarter bowl sink can be installed as an undermount or as an inset sink. Inset installation removes the worry of chipping around the edge of the benchtop material while undermount installation gives a sleek appearance.
The deep 190mm, 30 litre & 12 litre capacity bowls are ideal for washing pots, pans and tray and the 10mm radius corners making cleaning easier.


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Amazon Cloud Facing Data Tsunami, Competitive Challenges as IoT Looms
Christian de Looper, Tech Times 23 January 2015, 03:01 pm
Amazon Web Services, the e-tailer's cloud business, has been holding tight to a leadership position but all that could change as the Internet of Things, with all its data, arrives like a gale force into the consumer and enterprise environments.
One industry watcher is questioning whether Amazon will survive as a cloud services provider given the e-tailer has a short window to re-strategize its cloud business model due to the Internet of Things (IoT), which is the interconnection of uniquely identifiable embedded computing devices collecting data from every point possible.
According to a recent study from the Internet of Things Consortium (IoTC), almost 65 percent of U.S. consumers are moderately or extremely open to the idea of adopting smart home technology, which is a big focus of current IoT innovation.
"As IoT continues to grow, Amazon is playing a larger role in cloud storage. We'll be up to 25 billion devices connected this year, and each of these devices is producing massive amounts of data," Curtis Peterson, of RingCentral, tells Tech Times.
"I'd argue that Amazon's cloud storage is not sustainable because the amount of data consumers will need to store will require more of a business-to-business storage model that includes data security, safety and real-time access. I'd argue that 2015 will be the year of business-to-consumer cloud," says Peterson.
While other industry watchers agree Amazon is facing challenges this year in cloud services, they say it's not as much about IoT but the fact Amazon's Web Services (AWS) remains a complex services strategy tied to rates and usage that users can often find frustrating.
In comparison, competitors have been simplfying and streamlining services for consumers and businesses, and consistently lowering prices in favor of paid services offerings for users and developers. Microsoft continues concocting ways to draw organizations to Azure, its cloud platform offering, and IBM now loans out Watson's machine-learning abilities. In response, Amazon in November unveiled a compute service that will enable developers to create apps that respond to users with insights from the cloud.
Known as AWS Lambda, the compute service will change how developers create and scale cloud-connected apps.
At some point soon, say analysts, data storage will be a free commodity with customers replacing today's cloud storage bill with the cost of professional tools and features associated with data storage needs.
Marty Puranik, president and CEO of Atlantic.Net, a hosting services provider, says as customers begin to be more aware of alternatives to AWS, they will start to "graduate" to easier and more flexible options.
Possibly seeing such a trend, and eyeing the tsunami of data coming fast with IoT technology adoption, Amazon has been boosting new features in its AWS platform. Last April it debuted new tools to help users track cloud usage and spend. The Cost Explorer feature provides users a clear view into what they're paying, so users can adjust services if needed.
But such features could very well be a scenario of too little too late, says Peterson.
"I think we're at the crux of cloud storage innovation, and Amazon could be dethroned, when it comes to cloud storage, if the amount of data we have from IoT surpasses the capability of its systems," he says. "Everyone knows Amazon is king when it comes to consumer cloud storage, but change is in the air thanks to IoT and connected devices that are producing more data."
Tags: Amazon Amazon Web Services IoT Cloud Storage
Amazon Series 'Transparent' Will Be Free For Non-Prime Members This Saturday
This New Amazon Pilot Packs An Issue Of 'The New Yorker' Into A Half-Hour TV Show
Amazon Plans To Produce And Release Original Movies
Review: Amazon's 'The Man In The High Castle' Is Compelling And Surreal


Tubular X 2.0 PK Shoes: '90s basketball-inspired Tubular shoes with a coated adidas Primeknit upper. Making possible what was impossible in the '90s, these Tubular shoes modernise a retro, high-top basketball look. These shoes get updated with an ultra-comfy coated adidas Primeknit upper with a sock-like fit. An X-shaped panel gives ankle-hugging support. The outsole has a tyre-inspired design.


Could Stinson Surprise Be Iconic Tower?
Harry Stinson has a surprise.
On April 11 at the AGH, Stinson will make an announcement regarding the Hamilton Grand Hotel Condo, to be built on John Street between King and Main.
The current design calls for an 11-story building with an early 20th century architectural style. The original plan was five stories, but soon after the height was increased and capped with a striking roofline because of positive sales prospects.
Stinson claims the new form is "significant and very real". Could this be on the scale of the super-tall Connaught tower plan?
Fans of Stinson's buildings know that he likes to build tall, impossible-to-ignore buildings with a "wow factor". Could this be the building that changes Hamilton's skyline?
Not a tower Trey. But something that could tower over this city and just do something very significant in the process.
If 'everywhere' actually has some inside info, then I'd say we could be talking about a 40+ storey tower. Any building that could 'tower over this city' would have to be 40+. So, perhaps not a 100 storey dream like the Connaught plan, but a significant building nonetheless.
I'm going to assume that whatever he is increasing the height to is based on sales and reservations, which is a good sign. Much more concrete than plans for a 100 storey building with no sales or reservations.
While I'm excited about something a little higher, I think the current design at 11 floors would have been best because it would have matched the height of the existing Royal Connaught Hotel, making a nice, uniform "wall" of buildings along John South. I don't think anything taller than 15 stories is even going to work on the small plot of land that Harry purchased (or plans to). I doubt the footprint would accomodate anything taller than 20 stories.
ultimately, I just want to see the darn thing built. As far as footprints go, it's actually a decent size and based on his work at 1KW, a tall tower can easily be built on a sliver of land. I would expect that if this thing is turning into a tall tower he'll use the heritage style design on the bottom floors to match Connaught and then go modern for the upper floors....like 1KW.
I'm looking forward to the announcement, I only regret I can't be there in person.
Everywhere says "Not a tower Trey. But something that could tower over this city and just do something very significant in the process." seems to suggest to me it's not a tower, but something very big nevertheless.
I don't think he'll put a tower on the Hamilton grand, it would be out of character for the building.
Anyone think it's possible that he's been so successful that the Connaught developers have decided to team up for a smaller scale project? No tower, just redevelop the whole block at the same height as the current connaught plus a floor or two?
If the announcement is anything other than: "We have presold enough units and have the financial backing to break ground on this project within the next year", Prepare to be disappointed.
Absolutely BE, that's the announcement I'm waiting for. This is a well-designed, high quality project that could become an example for Hamilton as well as raise the bar (which has been dragging along at ground level for years) for other developers in this city.
I was thinking the same thing RobertD, that maybe this will have something to do with the Connaught. Check out google maps and you'll see the Hamilton Grand property backs onto the Connaught. Maybe joining the two together or the majority of the block into a development.
It's a quality project that keeps getting better.
I think the announcement will be significant from the point of view of it being more 'wow'. I think for sure it'll be taller. If it is selling well, adding more floors to the current design would start to look awkward. It'll have to have a modern glass tower component.
I'm hoping it'll be around the 20-story mark.
maybe we should have a contest for folks to guess how many floors they will announce next week. Lol.
I'll put my money on 30.
I'll put my money on 100 because that would match Harry's ego.
This is another one of his pie in the sky pipedreams.
Dundasguy you are ridiculously cynical and negative. If it wasn't for people like Harry Stinson this city would have no chance of turning around. You should be thankful we have someone who is willing to risk their reputation on actually building something significant in our city.
I was talking about Harry Stinson. The same guy who took the Mirvish's to the cleaners and blew the 1 King project. The same guy who lost $100K of his investors money on a gamble to buy a property he could not afford.
Don't praise this guy as a savior, he is a snake-oil salesman.
I think Dundas guy needs to become Oakville Guy or something instead.
Dundasguy, we're all waiting for your downtown Hamilton development announcement.
Anyone know if this meeting is open to the public? Also what time is this happening at?
I'm pretty sure it's invite only.
We'll cover the announcement here.
Stinson lost $ and Mirvish walked away with millions. who got ripped?
I love the people that are waiting for Stinson to fail.
guys, andrew dreschel has an update on the surprise.
Some "update". 600 words, lots of innuendo, an unflattering picture of Stinson - and all for only two tidbits of information. Dreschel must be so conflicted over this. On the one hand, Stinson wants to do something truly impressive downtown, so Dreschel wants to squelch on principal. On the other hand, Dreschel's favorite pet politician (Diianni) Stinson's business partner. What to do, what to do?
I personally hope that the entire building is bought by folks moving here from Toronto. They know how to live city life. Walking the streets, shopping at local shops and cafes. Not running for the hills if someone asks for change. If Hamiltonians were buying into this they'd probably be demanding a big parking lot next door with a Hortons on the main floor. Lol.
Actually, Jason, it's those moving into Downtown Toronto from outside of the City that make it so exciting. As far as I know plenty of 'Torontonians' have moved to the suburbs, and it's most Young Urband Professionals (aka YUPPIES) from smaller towns/communities who desire an urban lifestyle that make Downtown Toronto so lively.
If you had nothing but Torontonians moving downtown, everyone would walk all over eachother, no one would say 'Hello', and that friendly 'Hamiltonian' attitude will be wiped from existance... or into the suburbs.
Would you REALLY want to live in a city full of Rushed, Rude & Arrogant Torontonians? Really? I live downtown and I know I don't!
If this announcement is nothing other than, "The Hotel has sold enough units to start contstruction", then I will stop having faith in Stinson and his radical ways!
I don't know if you've got your eyes open. People are maaadd rushed in Hamilton, especially in cars, which makes outdoor space constantly treacherous and tense. A lot of H'ians display crassly bourgeois attitudes, despite a lack of riches.
I'm a born and raised Hammertonian from the lunchbucket class. A lot of the LL comrades would probably denounce you as being classist or petty bourgeois or a damn yuppie. But I really relate to what you're saying, even if I think you need to look beyond shopping and walking for new urbanist values.
Hamilton has creative people. But the overall vibe is uber-conformist. I think that's because the class that made Hamilton such a vibrant place in the past - the industrial working class - has been decomposing in NA since the seventies.
For Hamilton's sake, I welcome TO commuters as a source of reinvigorated energy. People who decry gentrification forget that white collars are still working class. They have their own economic stresses and concerns, including precarious employment and a workweek that has transcended the clock.


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Q: Are iterators from a concurrent hash map safe? I am currently using Facebook's concurrent hash map and I am wondering if something like this would be possible:
folly::ConcurrentHashMap<std::string, some_class> m;

// add some elements

const auto it = m.find("a");

// during this time, another thread removes the "a" element

if (it != m.end())
    it->second.something(); // it is now an invalid iterator

After reading through the source of the hash map, I came across this:

Iterators hold hazard pointers to the returned elements.  Elements can only be accessed while Iterators are still valid!

This is pretty unsettling and it feels like using any returned iterators are unsafe, is this so?

A: The returned iterators are safe to use; however, the iterator object must be alive for the dereferenced value to be safe to access.
The 'hazard pointer' keeps the referenced value alive until the iterator is destructed.
operator[] and at() return the actual value for the given key, and so can't return a proxy object containing the hazard pointer. To ensure that they never return a reference to a dead object they instead return a copy of the value.
Whether you use iterators, or operator[]/at(), you will be operating on the value for the key at the time that you accessed the data, rather than the latest value for the given key.

redpajama_set_name: RedPajamaStackExchange


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Q: polylang plugin shows all site pages on one page when switching to second language I am trying to switch to a second language using polylang plugin in my Wordpress test site.
I don't have relevant code to show, I haven't identified problem code associated with this error.
What I expect is to find myself on the Home page equivalent in the second language no matter which English page I was on previously.
Instead I am taken to the Spanish version of the About page, not Home page equivalent. Also, the page content is made up of not just that page's content but all of the content from every page on the site is stacked on top of each other - including old versions of pages.
If I subsequently click on the Spanish menu which displays as expected, the next page displays perfectly. When I click back to the About page (the page previous acting as a site catch-all) everything is as it should be. So the problem only manifests on the initial switch to a second language.
Switching back to English does not cause the problem to reoccur, everything is fine in this case. It is only when initially switching from English (site primary language) to Spanish that the problem occurs.
I am using the 'X' Wordpress theme for this 'local' version of my site. My Wordpress & free polylang versions are up to date.
Any help with this problem would be much appreciated.
Thanks, Brent.

A: I have come up with a solution for my problem.
This isn't the most elegant solution but I need something that works now so here goes.
I noticed that when switching to Spanish I was taken to the page: http://localhost/www.ecia.com/es/ i.e. no specific page, fine if I had an index.php file in that location but I don't. The result is I am taken to the page with the bloated content.
My work around was, use a redirection for that URL to the page I want the switcher to go to i.e. instead of http://localhost/www.ecia.com/es - I redirect to http://localhost/www.ecia.com/es/casa
This is not the best fix, but I have found it difficult going any deeper into how Polylang plugin works so it will suffice for my purposes.
Brent

A: I have solved this by:
Go to language/setting/url settigs
Uncheck "Hide URL language information for default language "


Our guide on starting a sports photography business covers all the essential information to help you decide if this business is a good match for you. Learn about the day-to-day activities of a sports photography business owner, the typical target market, growth potential, startup costs, legal considerations, and more!
What happens during a typical day at a sports photography business?
Your services will be in demand by schools and community organizations. Parents and local leaders will have the most input into whether you are the right photographer for their children.
How does a sports photography business make money?
You are essentially selling a service, not a product. You should expect to charge a fee up front for the shoot and editing that will compensate you for your time. You will also receive a percentage of any pictures ordered for print or those burned to a DVD or drive.
What is the growth potential for a sports photography business?
While capturing the kids on the ball field will be a part time endeavor dependent on sport seasons, if you expand into other event photography it is possible to expand this into a full-time endeavor. You may decide to freelance some shots as well. In general, your success will depend on whether your local parents will recommend your services for other sports leagues or even school events.
What are some skills and experiences that will help you build a successful sports photography business?
What are the costs involved in opening a sports photography business?
You will need a website. If used for basic advertising, it is only a few dollars a month. If you are using it as a portal to upload images for review and ordering by customers, that can run a few hundred dollars a month. Your photography equipment is your greatest investment. You should expect to have a high-quality DSL camera with a variety of lenses able to shoot portraits, action, and landscapes. $5,000 will get you decently equipped. You need reliable transportation able to carry all your lights and cameras, too.
What are the steps to start a sports photography business?
Form a legal entity. Establishing a legal business entity prevents you from being personally liable if your sports photography business is sued.
Open a business bank account. A dedicated checking account for your sports photography business keeps your finances organized and makes your business appear more professional to your customers.
What are some insider tips for jump starting a sports photography business?
Start out small by contacting sports leagues with which you have a relationship. In order to build a portfolio, offer to waive your fee for the opportunity to share the images with potential future clients. Make sure to get waivers from any parent who agrees. Once you have developed a sample website and portfolio, attend the sign-ups for Little League, neighborhood BBQs, and community events with a table that offers your business card along with free snacks or sodas to get your name out there.
Parents, teachers, and administrators will return for more once they find a quality photographer. If you target your startup for young children, your business will grow along with the kids, possibly extending into college. Promotion includes sending home flyers with all the players, issuing email newsletters through the entire year, and taking out advertisements for league programs. Sponsoring the concession stand or uniforms are another way to drive awareness of your business. Offer a discount for customers that refer new business your way. Get involved in the league Facebook Group and continually post pictures of sporting events with your name on them. Promotion will be a year-round project.
While you are busy promoting your business by appearing at local events, your happy customers are showing the latest pics of their kids to their friends. Your crystal clear images are the fastest way to attracting a new client. Ensure your website reflects exactly the types of images you are offering to your clients with clear pricing. Once proud parents receive their beautiful pictures, they will be loyal to you for the next decade as long as you maintain a high quality of artwork and customer service.
If you are full-time, you might need an assistant to schedule shoots, manage your books, and help with setting up equipment. Otherwise, this business tends to be run as a one-man show.
Certain state permits and licenses may be needed to operate a sports photography business. Learn more about licensing requirements in your state by visiting SBA's reference to state licenses and permits.
Sports photography businesses should consider requiring clients to sign a service agreement before starting a new project. This agreement should clarify client expectations and minimize risk of legal disputes by setting out payment terms and conditions, service level expectations, and intellectual property ownership. Here is an example service agreement.
Recommended: Rocket Lawyer makes it easy to create a professional service agreement for your sports photography business when you sign up for their premium membership. For $39.95 per month, members receive access to hundreds of legal agreements and on call attorneys to get complimentary legal advice.
You are not just charging for the time it takes to complete the shoot--usually two or three hours. You should also include in your fee the time it will take to review and edit images. Professionals will charge between $500 and $1000 for a team/individual shoot, with prices increasing depending on the difficulty of the shoot and the amount of time spent at the event. Printed photo packages range from $20 to $50.
What are the ongoing expenses for a sports photography business?
Your regular expenses will be maintaining your equipment, transportation, and computers. You will also need a small budget for promotion. It is truly your time and talent that is of greatest value.
How much profit can a sports photography business make?
The annual income for a full-time photographer is between $45,000 and $62,000. Small startup photography businesses average between $16 and $20 per hour once all the time and materials are taken into consideration.
Smart scheduling can be your best friend. If you are able to schedule multiple teams for a single-afternoon, you save on transportation and setup time. Large teams and groups offer a better return for your efforts, with more opportunities for sales of prints. Think of offering addition individualized items such as books, albums, coffee mugs and T-shirts to further personalize your business brand.


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NEWSCOP26GREEN ECONOMYTRANSPORTWORLD
EU Lays Groundwork for a European Green Deal
In an effort to meet the goals of the Paris Agreement, the European Union is pushing to phase out petrol and diesel car sales by 2035, and pursuing trade reforms which will likely raise carbon prices. The European Commission recently published these proposals in its "Fit for 55" package, a reference to the bloc's legally binding target to cut emissions to 55% below 1990 levels by 2030. The package includes a whole slew of policy proposals:
Electric vehicle charging stations must be available every 60 km (approximately 37 miles).
The scope of the EU's cap-and-trade system will be expanded to cover emissions from shipping, buildings and road transport.
A parallel EU Emissions Trading System (EU ETS) that is more aggressive and prohibitive than the current system will be set up.
Ditching Fossil-Fueled Transportation
Although emissions by cars and vehicles have long been scrutinized by the EU, planes and cargo ships will now face similar scrutiny. Both sectors will be compelled to increase the share of cleaner fuel in their portfolios, and shipping companies will enter the new carbon market.
While this is all promising, more aggressive steps will also be necessary to achieve the EU's goals. Transportation emissions -- including aviation and shipping -- must fall by 90%, and rising transportation emissions must be sharply curtailed.
While most transportation sectors are increasingly taxed and regulated, the EU's transportation package largely benefits trains, and for good reason. "Burning carbon in airplanes is more than three times worse for the environment than burning it at ground level," Jean-Pascal van Ypersele, a professor of environmental sciences at the Université catholique Louvain in Belgium, told DW. "Increasing taxes on kerosene for flying would be a good way to stop people flying when they could take a train."
A Greener Market
While the EU's current carbon market deals mostly with electricity generation and industry emissions, the shift to electric vehicles might be unaffordable for many individuals. To make sure the market doesn't punish people who cannot afford an electric car, the EU has set aside €72bn (more than $85 million) for a "social climate fund."
The EU's focus on the affordability of the shift away from diesel and petrol recognizes the unpopularity of unaffordable climate policies, particularly in the wake of France's gilet jaunes (yellow vest) protests against increasing diesel prices.
According to the Columbia History Professor, Adam Tooze:
The lesson of the "gilet jaunes" crisis is not that carbon pricing is impossible, but that it has to be done with an awareness of the distributional effects … If you want to adjust energy prices you have to offset the higher costs with redistributive payments to those whose incomes are squeezed most severely.
euronews: Brussels plans overhaul of EU carbon market as part of green push, July 12, 2021.
Into Europe: The European Union's Green Deal, Explained, February 20, 2021.


Satellite image of Indonesia in August 2004. Border to East Timor is missing.
Screenshot from NASA World Wind, Blue Marble Next-Generation layer.
This image are in the public domain because it is a screenshot from NASA's globe software World Wind using Blue Marble, Landsat or USGS layer, all of which are in public domain.


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Q: Wireless Connection Dropping Frequently Ubuntu 14.04 My Ubuntu 14.04 is finally installed on this dell emmc machine and the internet does work, but it drops after a few minutes of use (especially downloading).
Here's the link to my wireless_script run I found via the forums: http://pastebin.com/6qpFDLx3
Any help is very much appreciated!
Thanks,
Duff

A: I notice that your access point is on channel 6 and your wireless_script reports:

31   APs on   Frequency:2.437 GHz (Channel 6)

I recommend that you change to channel 1.
Second, I recommend that your regulatory domain be set explicitly. Check yours:
sudo iw reg get

If you get 00, that is a one-size-maybe-fits-all setting. Find yours here: http://en.wikipedia.org/wiki/ISO_3166-1_alpha-2 Then set it temporarily:
sudo iw reg set IS

Of course, substitute your country code if not Iceland. Set it permanently:
gksudo gedit /etc/default/crda

Use nano or kate or leafpad if you don't have the text editor gedit.
Change the last line to read:
REGDOMAIN=IS

Proofread carefully, save and close the text editor.
Finally, I worked on a case a couple of weeks ago where connectivity was impossible because there were spaces in the name of the access point. Yours is named Casa De Messi. I suggest you experiment by changing it to CasaDeMessi or Casa_De_Messi, or some such.


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Holy Cross Village
Imagine a beautiful historic village set like a jewel in the heart of the Golden Vale.
Peaceful, yet with an inner vitality that is unique.
Imagine also an ancient Abbey casting a long shadow by the beautiful river Suir – such is the village of Holycross, proclaiming a way of life that the visitor will find memorable.
Stay with the friendliest people in Ireland. Take a stroll and chat with the locals about hurling, horse racing and history. You'll never forget your visit.
Holycross Abbey was founded in 1180AD by King Donal Mor O' Brien and was renovated and added to during the 15th Century. It became a place of Pilgrimage when a relic of the true Cross was presented to the Cistercians Monks.
The Monasteries were suppressed by King Henry VIII during the 16th Century. The Abbey was abandoned circa 1650 and fell into ruin. The late Dr. Morris, Archbishop of Cashel and Emly, inspired the reconstruction of the Abbey, which was roofed by a team of local craftsmen, reopened in 1975.
The best known events of the year include;Padre Pio Pilgrimage Day last Sunday in May, Fatima Devotions Day Last Sunday in August.
Admission to the Abbey is free, guided tours available.
Please see the Shop Section of this Website for the opening hours.
Solemn Novena to our Lady of Perpetual Succour 8th Sept. to 16th Sept. inclusive.
Sunday Masses 11am and 4pm.
Sat night. 7pm Weekly morning Mass 10 am.
Tel: 0504 43241/43124 Website: http://www.holycrossabbey.ie/
Farney Castle
Open Monday to Saturday 10 am-6pm Free parking.
Tel: 0504 43281. Fax: 0504 43357 Email: farneycastle@eircom.net
Historic Farney Castle, featured in the Michelin Guide, was built in 1495 and added to in 1795. It is the house of Irish international designer Cyril Cullen, his wife Margie and their four daughters, the renowned"Cullen Harpers". At the Castle Shop one may purchase Cyril's unique handmade knitwear designs and his fine porcelains, which are produced int he Castle Courtyard.
The unique sweaters from the natural undyed fleece of the Jacob Sheep are a speciality. Tours of the castle daily.
Harp recitals by appointment.
Cathedral of the Assumption
Consecrated in 1879, it is the most impressive edifice in Thurles, the building of which commenced in 1861 during the time of archbishop Dr.Patrick Leahy.
His monument now stands in the cathedral forecourt. The Cathedral was renovated in 1979, and again in 2005. It has splendid features and a strong presence of the Romanesque style similar to Cormac's Chapel on the Rock of Cashel.
Croke Memorial
This memorial statue to Most Rev.Thomas William Croke, D.D. Archbishop of Cashel and Emly, was erected in 1922, as a tribute to one of the great founders and supporters of the G.A.A. and indeed all organizations of Irish nationality. He retired from public life in 1896 and died on 22 of July 1902.
1798 Memorial
This monument features a life-size figure of a pike-man. Busts of Wolfe Tone, Lord Edward Fitzgerald and Robert Emmet are to be found on the sides of the base. The statue was unveiled on the 17th of March 1900.
Hayes Hotel
The Gaelic Athletic Association was founded here on November lst 1884 by Most Rev.Thomas William Croke, Michael Cusack and Maurice Davin. The plaque at the entrance to the hotel was erected during the Golden Jubilee celebrations in 1934.
St Mary's Famine and War Museum
Located off Cathedral Street by St Mary's Lane the exhibitions are numerous and give an insight into the conditions of the Great Famine Period (1845-1850) and how it affected Thurles and its neighbourhood during that period.
Hours of opening: Mid May – Mid Sept.
2:00pm – 5:00pm or by Special Appointment
Tel: 0504-21133.
Sunday Services: Third Sunday of each month at 9:00am
Lár na Pairce
Lár na Pairce is an exciting visitor centre designed and equipped to tell the story of Gaelic Games from earliest times. Officially opened by former Úachtaran na hÉireann Mary Robinson in 1984 the centre serves as a location for commercial and cultural interests. Located just 200 metres from the town square in a most imposing 19th century former bank building. Lár na Pairce also houses a G.A.A. Shop offering a wide range of merchandise.
The exhibits housed in the centre display Hurling, Gaelic, Football, Camogie, Handball and extend to Cuchulainn, Landlords, Hurley Making and broadcasting. Of particular interest is the famous Sam Melbourne Collection, a personal lifetime collection of sporting memorabilia.
Thurles town is an appropriate location for Lár na Pairce for it was here in Hayes Hotel that the Gaelic Athletic Association, the worlds largest amateur association was founded on 1st November 1884. Indeed there is special reference to the founders in the centre. However the ancient game of hurling was popular long before the foundation of the G.A.A.
The Source Arts Centre
This fabulous centre opened in Autumn 2006 and sits on the bank of the River Suir in central Thurles – the heart of Tipperary. A year round programme of events for all, ranging from drama, music, dance, ballet, film, children's events and visual art make this The Source of Entertainment in Tipperary!
The Source Arts Centre, Cathedral Street, Thurles, County Tipperary
Call for free brochure ·
Box Office: 0504 90204
www.thesourceartscentre.ie
Thurles PublicLibrary atThe Source
Open 10:00am-5:30p.m
Late opening Tues/Thurs 8:30
Fri/Sat 10:00am – 1:00pm & 2:00pm – 5:00pm
COMPUTER INTERNET FACILITIES
Tipperary Libraries is also the home of the County Tipperary Historical Society.Tipperary Local studies and Archives collection located at the Source.
Genealogy, valuable information, records, census manuscripts returns, maps, etc.
Staff members are happy to offer help to visitors interested in genealogy and tracing the family roots


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I will be writing about the events I attend with The Vintage News, as well as posts about vintage fashion and design, hair and beauty as well as anything else I find interesting!
Pip, Pip and a Merry Christmas!
On Thursday, upstairs at the Prince Albert played host to a slightly more refined gathering than it's used to, as Mr B brought his sold-out show to Brighton just in time for Christmas.
The evening started with an opera singer gliding through the G&T sipping crowd. The Gentleman Rhymer's yuletide show features many Chap-Hop staples taken from both his latest release 'The Tweed Album' and earlier offerings such as 'I Say'. There were a few festive treats thrown in, including new single 'Oh, Santa!' and a brand new take on 'Do They Know It's Christmas'.
Showing his multi-instrumentalism, Mr B '[took] to the pianoforte, as all cabaret performers must do' and then joked that the set was rather more smut-filled than he had intended, (after a particularly saucy ditty played on his table-top piano).
Mr B was joined onstage by his trusty Gentleman's personal Gentleman, Carshalton, who performed his own below-stairs take on a blues classic.
Excellent support from We AreGoose brought the perfect mix of comedy and music, a highlight being their song about a fight to the death of all the 'Tims' in the world (with an obligatory Timothy Dalton breakdown of course).
As always, the Brighton-based Mr B engaged the audience and encouraged audience participation and had everyone laughing as he proclaimed that he was definitely "chappy number 1 in Portslade".
In the words of Mr B, 'pip, pip and Merry Christmas'.
p.s. Mr B is hoping to get the 'Christmas no. 42' with 'Oh Santa'. I beleive you can get it from itunes, but I don't really understand all that (it's still records and CDs for me) but do have a look.
Posted by Miss Doherty at 19:28 No comments: Links to this post
Labels: Brighton, Mr B the Gentleman Rhymer, Music, Music Review, Review, The Vintage News
Southern Retro
Back in May, Mat Keller asked if I would sit for his project SouthernRetro, a photographic project 'about individuals for whom reviving the past is part of their daily lives'. I was quite honoured and of course said yes, but didn't do anything for a few months as I didn't have anywhere suitably 'vintage' to have the photoshoot.
Fast forward to me moving into my new house (with my lovely '50s kitchenette) and I was ready for my close-up, as they say. So here are the photos. Be sure to have a look on Mat's website to peruse lots of marvellous portraits and familiar faces (a fair few of whom I've interviewed!)
Posted by Miss Doherty at 14:57 6 comments: Links to this post
Labels: Modelling, Photoshoot, Southern Retro
As I imagine you all know by now, I work for the Vintage News and this week we are running a competition to win a rather fabulous new album. What could be better just before Christmas?
If you've read our review of The Jazz Age by The Bryan Ferry Orchestra, we're sure you're all eager to hear it. Well, you are in luck! We have one copy to give away to subscribers of our website. Not already subscribed? Just click here and fill in the form.
After you've subscribed, to be in with a chance of winning just answer the following question:
Which 1927 collection of illustrations is the album artwork taken from?
hint: it might be worth taking another peek at the review ;)
Email your answer to newsdesk@vintagenews.tv with 'The Jazz Age Competition' as the subject
The competition ends midnight, Friday 21st December and the winner will be announced before Christmas – good luck!
Labels: 1920s, Competition, Music, Music Review, Review, The Bryan Ferry Orchestra, The Vintage News
The Man who Made the Men who Made Menswear
I'd heard about this tour for a couple of months but had never managed to orchestrate it so that I was in London on the right day. And then as luck would have it (or more a case of the tour guide, Russell Nash, being clever and knowing his audience) a tour was planned for the same day of the Chap's Grand Anarcho-Dandyist Ball (more of that later).
On the steps of the Athenaeum Club with George V
in the background (he didn't join us for the tour)
Meeting on the steps of the Athenaeum Club just off Piccadilly, we were treated to almost two hours of anecdotes and facts about some of the greatest figures in the history of menswear. The tour takes you round St James' and Mayfair, making stops at Jermyn Street, Savile Row and Burlington Arcade, among many other sartorially significant locations.
Russell Nash is clearly very passionate about his subject and this comes across in the engaging way in which he reveals interesting details about people you may already know a little about (such as Beau Brummel, Tommy Nutter and Bunny Roger).
With the statue of George 'Beau' Brummel at the bottom of Piccadilly Arcade
The tour charts the history of menswear over the past 200 years, starting with George IV and is brought up to date by the injection of (relatively) new talent on Savile Row such as Ozwald Boateng and Richard James.
I thoroughly enjoyed the tour and would like to see what Russell's other walking tours of London are like. I won't reveal anymore about this one as I think you should all go and see it for yourselves!
Outside Lock & Co, St. James' Street
The last tour of this year – 'Mayfair: High Born and Low Life' will be running on 12th December at 11am. The Men Who Made Menswear and other tours, will be running again in the New Year.
For more information, see Russell's website, or else follow him on twitter or instagram @MrRustyWoo
Let me know what you thought of the tour if you've already been or are planning on going - or even if you just like the pictures!
Labels: Bespoke, Chap Magazine, Design, Edward VII, Fashion, Grand Anarcho-Dandyist Ball, London, Savile Row, Shopping, Tailoring, The Vintage News, Tweed
"The Jazz Age" or why I started watching Roxy Music on youtube
I can't admit to be overly familiar with Bryan Ferry's oeuvre, apart from a few songs (notably, 'Love is the Drug', 'Virginia Plain' and 'Let's Stick Together') as well as a beautifully haunting version of 'The Only Face' on one of Jools Holland's albums. So when I heard that he was releasing a new album, it didn't stir much excitement within me. When I heard that all of the songs were covers of 11 of his hits from the last 40 years, re-recorded in the style of a 1920s dance band, I was suddenly interested.
In what I think is quite a brave step, Bryan Ferry's distinctive vocals are absent from this album, as all of the songs are instrumentals. The remarkable change in style may also leave some of his more die-hard fans a little disappointed. However, they should put their reservations aside and listen to what has immediately become my favourite album of the year!
After hearing the songs of 'The Jazz Age', I must say I did go through my mum's record collection and listen to some of the originals, which really enhanced my appreciation of the reworked tracks.
Produced by Ferry and long-time collaborator Rhett Davies, The Jazz Age truly is a love letter to the music of the 1920s, not a half-hearted attempt to jump on the vintage bandwagon. Bryan Ferry said "I loved the way the great soloists would pick up a tune and shake it up - go somewhere completely different...", a statement which is played out to great effect on the record.
Highlights are the joyously upbeat 'This is Tomorrow', the lovely lilting refrain on 'Avalon' and 'The Only Face' – in which I half expected Cab Calloway to start singing about a tragic woman's demise!
The album's artwork is taken from the 1927 collection of illustrations 'Le Tumulte Noir' by the French artist, Paul Colin. These illustrations were inspired by La Revue Nègre, which included among its stars, Josephine Baker (Colin's muse and lover).
I for one would love to see this album performed live, although I'm not sure how the show would work as Bryan Ferry wouldn't be singing and of course, they would have to play in venues with an ample dance floor, not the stadiums I'm sure he normally commands!
The album was released on 26th November 2012 with the 10" vinyl folio set for release on 3rd December (hint, if anyone fancies buying one of the folios for me, I dare say I wouldn't refuse it!)
Keep an eye out on The Vintage News facebook and twitter as we will be announcing a competition to win a copy of The Jazz Age next week*.
*should point out that the competition ran in December 2012
Labels: 1920s, Music, Music Review, Review, The Bryan Ferry Orchestra, The Vintage News
Amidst Communists and showgirls, The Hour returns
When first announced, The Hour was (somewhat unfairly) billed as the British Mad Men, a comparison that I think did it a disservice. I am a huge fan of both series' but they are worlds apart in both subject and tone. While Mad Men is very insular, with occasional references to the outside world (the deaths of JFK and Marilyn Monroe for example), The Hour seemed to have a much wider scope, perhaps helped by the fact that the ever familiar BBC was the main setting for the show. Series one of The Hour took place against the background of the political turmoil surrounding the Suez Crisis in 1956.
I can imagine some people started watching for the clothes and design, but then stayed for the intrigue of this Abi Morgan-penned cold war thriller. Bel (played by Romola Garai) is the (somewhat overly) glamorous producer of the eponymous news show, with a wardrobe not dissimilar to a certain Joan Holloway.
The chain-smoking foreign correspondent Lix Storm (a bond-girl name if ever I heard one, played by Anna Chancellor) has a wardrobe reminiscent of Katharine Hepburn, lots of simple tailored trouser suits and blouses in a muted autumnal palette.
As the show is set mainly in the workplace, the majority of the men are of course wearing suits. However, as the characters differ, so do the suits; from the arrogantly elegant Hector Madden (played with aplomb by Dominic West) to the straight-laced government press advisors, Angus McCain (in a sterling turn from Julian Rhind-Tutt). Also interesting to see is the transition of Freddie Lyon (played by Ben Whishaw) from local hack (quite tweedy and scruffy) to co-anchor (still individual but deeper, crisper colours).
A thread of Communism wove its way throughout the first series, a theme that is given greater prominence in the second with the Britain of 1957 preoccupied by the Soviet launch of Sputnik 2 and a fear of impending nuclear disaster.
The second series will also involve a lot of excursions to El Paradis, a Soho club and from the trailer I can see there will be a fair few showgirls– so lots more gorgeous costumes! Peter Capaldi and Hannah Tointon are joining the cast as the new Head of News and Kiki the showgirl (I'll let you decide which is which!)
I am very much looking forward to the new series starting – I mean I work for a vintage news crew and it is as though they were filming a day in the life of The Vintage News (apart from all the murder, spies, government interference and a proper studio)! Apart from the obvious parallels with my life, I also enjoyed that The Hour has a much grittier storyline than is afforded most period dramas (although with a few slightly shy-making pieces of dialogue) and of course I loved the costumes (designed with remarkable detail by Suzanne Cave).
Actually, this one is quite a lot like my job!
The second series of the Hour will start on BBC2 on the 14th of November.
Labels: 1950s, Review
Book review of 'Wartime Farm', based on the BBC show
After being told by three separate people I'd love Wartime Farm, I thought it was probably worth a look. Having missed Victorian Farm and Edwardian Farm, I had no idea what format the show would take but my friends were right, I did love Wartime Farm! Presented by historian Ruth Goodman and archaeologists Peter Ginn and Alex Langlands, the show is a year in the life of a Hampshire farm under wartime restrictions, which got tougher and tougher as time went on.
However, I am not here to review the programme but the accompanying book (which was kindly sent to me by Octopus books).
L-R Peter Ginn, Ruth Goodman, Alex Langlands
The book is split into eight chapters covering different aspects of the wartime experience on a farm ranging from the livestock and growing food, to where all the labour came from and how people they made everything go that little bit further.
How to darn stockings – hair was often used in place of thread
The tone of the book is very similar to the show, very relaxed and friendly – not just a series of regurgitated facts. I think because the presenters experienced some of the wartime difficulties personally, it gave the book a much more engaging tone. I was also impressed at how humbled the writers seemed to be, acknowledging that no matter how hard they found it, at least they were never living in fear of being bombed and knew that it would eventually end. Also, the course of the show condensed the six years of war into just 12 months.
Comparing the military timeline with what was happening on the home front
The layout of the book is very good, everything is very clearly set out and all of the information is very easily accessible. Stills from the show abound, as do many contemporary photographs and government posters, a few of which I'd not seen before.
One thing I particularly liked about the book, is that even if you have read the original government issue books and pamphlets such as Food Facts for the Home Front and Make-do and Mend, having all the different topics collected in one volume really shows how the war really affected every aspect of a person's life.
There is a whole chapter entitled 'Make Do and Mend'
For those readers that are feeling a little creative, there are instructions on how to make a toy spitfire from scrap metal, how to darn stockings and how to make your own shampoo, roof tiles and soft cheese for starters!
Ruth making the dubious-looking
'Baked Potato Pudding'
Overall, I am rather impressed with this book as I think some people will find it a very good resource as it combines many different elements of the social and agricultural history of the countryside. As it covers so many topics, it may not go into enough depth for some, however I think it is a good starting off point for many.
Alex making a 'skep' for bee-keeping
I'm not sure where the series can go from the Second World War, as the country has not faced the same shortages of food since – I can't imagine how the country would cope with the threat of impending starvation nowadays. However, I would really like to see any subsequent series' – and indeed books – from Peter, Ruth and Alex.
Peter making a camouflage 'ghillie' suit, as used by the Home Front
Labels: Book review, CC41, Make do and Mend, WWII
Just Like a Chap
Hello, this is just a quick post as I am awfully tired after a rather wonderful Halloween (thanks to the Vintage Mafia girls for putting on a splendid party).
Mr B has just released his video for his new song Just Like a Chap and I thought you might like to take a peek.
Filmed in the dying days of the summer at the headquarters of the New Sheridan Club, it involved sitting in a pub for five hours with like-minded sorts (mostly members of the aforementioned club) and standing outside for approximately 10 minutes. We were joined by such esteemed chaps as Gustav Temple (Editor of the Chap) Mr Bruce of the Correspondents, (who had very recently broken his foo).
Featuring lots of fabulous people including Clayton, Pandora, Auntie Maureen, as well as a certain Vintage News presenter...
Labels: Halloween, Mr B the Gentleman Rhymer, Music Video, New Sheridan Club, Vintage Mafia
Eating invisible pocorn and drinking Cosmos on the bonnet of a car...
We thought it was about time we got some professional shots of us at the Vintage News, and we could think of no-one better than our good friend Hanson Leatherby (assisted by his girlfriend, the lovely Jeni) to take them.
Our first stop was the amazing Worthing Dome cinema. It is the most splendid and sumptuous cinema I have ever been to. The luscious, plush crimson seats, the gold balconies and mirror adorned walls really make you feel as though you have stepped back in time to when the studio system ruled the silver screen. Add to that the fact that I had accidentally dressed as an usherette (albeit with a slightly more ostentatious hat) and you had the complete effect. We had a lovely spot of lunch in the adjoining vintage tearooms before heading to our second location.
I was quite nervous when the photos were being taken at the cinema, but by the time we had found the perfect country lane for the second half of the shoot, I was more relaxed (the Cosmopolitan cocktail I had for a 'prop' may have helped). Jeni and I had wisely sat in their car while the boys were outside in the cold setting up the shot. The original plan of me changing a tyre (!) was quickly put aside and I chose instead to sit on the bonnet of our trusty car Betsy (I couldn't very well do anything effortful like standing).
I'm so pleased with how the photos came out, especially the one above - I think Hanson is right, it looks like an Edward Hopper scene.
Thank you so much to Hanson and Jeni and the lovely people of the Worthing Dome for opening up the cinema early for us.
©Hanson Leatherby
I'd love to hear what you think of the pictures, feel free to leave a comment.
Look at the acting!
Labels: Cinema, Hanson Leatherby, Photoshoot, The Vintage News, Vintage, Vintage Clothing
Hollywood Costume at the V&A
I had been looking forward to the Hollywood Costume exhibition at the Victoria and Albert for at least a year – whenever it was that I heard it was opening. So when I found out we were going to the press launch I was understandably rather happy.
Like a child in a sweetshop, I was running from costume to costume, catching my breath at the names of who wore some of them: Joan Crawford, Katharine Hepburn, Ginger Rogers, Mary Pickford and Claudette Colbert to name but a few. Not only is the calibre of actors who inhabited these costumes the highest you could imagine, to be able to see costumes from luminaries of design such as Adrian, Edith Head, Travis Banton, Orry-Kelly and Travilla was amazing.
The exhibition is split into three sections 'Deconstruction', 'Dialogue' and 'Finale'. Deconstruction deals with how a designer can create a character from just a few clues in a script, even if the effect goes unnoticed by most of the audience. Highlights for me were Kim Novak's green ensemble from Vertigo and Vivien Leigh's 'curtain' velvet gown from Gone with the Wind.
The second room, 'Dialogue' examines the collaboration between directors and costume designers. It also looks at how the role of the costume designer has changed with advances in film-making and how the aesthetics of each era influence period films made at the time. Claudette Colbert's green satin gown from Cleopatra and Joan Crawford's red-beaded dress from The Bride Wore Red are absolutely exquisite.
The Senior Guest Curator, Deborah Nadoolman Landis (the Oscar-nominated costume designer on films such as Raiders of the Lost Ark, The Blues Brothers and Coming to America) said of the finale, "it's just meant to blow your mind". There were some wonderful costumes (particular favourites in room 3 were that green dress from Atonement, Marlene Dietrich's top hat, white tie and tails from Morocco and two of Marilyn's dresses, from The Seven Year Itch and Some Like it Hot).
The exhibition is full of digital displays of the creative processes the designers go through, interviews with directors, designers and actors as well as clips from the films themselves.
The exhibition marks the first time a pair of the Ruby Slippers from the Wizard of Oz have ever been displayed outside of the US (only for a month though!) The V&A was also able to announce that they have just been given 700 costumes from the British Film Institute, making them the national archive of cinematic costume overnight.
The end of the exhibition seems a little cramped with Kate Winslet's incredible hobble-skirted white suit from the beginning of Titanic was also sadly lost at the back of a scene. The final costumes of the exhibition (two dresses that will possibly draw the crowds more than any others), the iconic white halter dress work by Marilyn Monroe in The Seven Year Itch and Judy Garland's Dorothy outfit from The Wizard of Oz, are just tucked away at the end which seemed a bit of a shame.
The exhibition is absolutely amazing, and for anyone interested in cinema, design, fashion history or just pretty things it is a must. I can't wait to go back!
Oh, and I was interviewed for Chinese TV while we were there!
Hollywood Costume opens tomorrow, 20th October and runs until 27th January 2013 and tickets start at £9.00. You can find more information here.
Labels: Costume, Design, Exhibition, Hollywood, Hollywood Costume, Launch, London, Private view, The Vintage News, Victoria and Albert, Vintage Clothing
Miss Doherty
I spend my days consumed by all things vintage, whether I'm working at The Vintage News, dancing (mainly Lindy but a few others get a look in), baking, sewing - I'm a bit of a vintage cliché really!
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Book review of 'Wartime Farm', based on the BBC sh...
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Norfolk-born Alexandra Atkinson began selling old pieces she had inherited at vintage fairs as a way of earning a living and gaining work experience in event management – but she soon realised her hobby could be a fantastic business.
Five years ago she set up her company Britain Does Vintage and now her specialist fairs are held nationwide – including two in Norfolk this May at the Stody Estate, near Holt, and at the Houghton Horse Trials.
What is her advice for someone wishing to embrace the vintage look?
The Stody Boutique Festival on May 22 is set in the estates' rhododendron and azalea gardens. As well as stalls, demonstrations, food and drink, classic cars and activities for children, there is a great programme of live music – including a set from Katrina Leskanich of Katrina and the Waves.
Britain Does Vintage at the Houghton International Horse Trials, May 26 to 19, will run throughout the equestrian event, which is celebrating its 10th anniversary.
Norfolk-based Zoe Durrant runs Little Vintage Lover Fair, which organises pop-up events at small village halls, barns and stately homes.
When she left London 14 years later, she brought that spirit back to Norfolk by organising her first Little Vintage Lover Fair.
The next Little Vintage Lover Fair is at Mannington Hall, Saxthorpe on Sunday, May 8. The Heydon Summer event in is on Sunday, August 7.
It isn't just what you wear - many people choose a hairstyle from a certain era, a style of make up or even body art - and there are now plenty of traditional barbers, creative hairstylists, make up experts and tattoo artists on our high streets.
Norwich vintage hairstylist Amy Taylor – known as Flamingo Amy - became enthralled by the 1950s after going to a music event in Hemsby.
"Feverishly I researched what to wear and how to do my hair. After that weekend it wasn't only the look I was hooked on, but the music too. I started to become drawn to other 20th Century fashions too.
"My advice is start a mood board, Pinterest is my favourite, of looks you love. It's important you choose things that make you feel confident. You don't want to feel like you have fallen into a dressing up box. It could be as simple as a cool brooch or a neck scarf. Most 'vintage' hair is reasonably high maintenance for every day but I have always adored the headscarf, so to save spending a long time doing my hair when I need to get to work I wear one of these…I have a lot," she laughs.
When it comes to shopping for vintage fashion, Norwich is excellent and there are also little gems to be found out and about around the county.
Lulu Vintage and Finch, both on St Benedicts Street; pop up nightwear and accessories specialist Wake Up Little Susie and the many eclectic stalls on the back of Norwich market are just a few. Retreat Vintage in Norwich was opened by by Joline Freestone six years ago.
"Norfolk's vintage scene is great - especially Norwich. We have an excellent student community and lots of interesting, diverse and individual people who have unique style.
Her advice for anyone wanting to buy a few vintage pieces is simple.
Retreat Vintage, 26 Magdalen St, Norwich NR3 1HU.
It isn't just fashion which has been shaped by the different eras - there are plenty of other vintage inspired businesses which have popped up around the county - from classic VW Campervan hire; back-to-basics campsites, wedding venues, homemade homewares and photographers.
The Big C Cancer Charity has also launched a mismatched crockery hire service, so you can raise money to help others while holding your own vintage event. (www.big-c.co.uk).
Then there is food and drink. Norfolk is awash with traditional locally made or brewed produce, as well as a wonderful selection of quirky cafes serving delicious afternoon teas, including Biddy's in Norwich, Margo's Lounge in Gorleston and the Folly Tearoom in Holt.


text:
Friends of Nettlebed School (FONS)
Welcome to the Friends of Nettlebed School (charity no. 1091177)
FONS is responsible for organising a range of fun fundraising and social events throughout the school year. We are committed to being an inclusive body that delivers our vision:
"to work together to promote a strong sense of school community while simultaneously raising funds which will be used to enhance every child's experience at Nettlebed School".
Although all parents are part of FONS, it is run by a small, committed group of parent volunteers who always welcome the support and involvement of others to deliver our goals. We work hard to bring together the school, families and staff to promote a real sense of school community, fun and achievement.
Recent events we have held include school discos, quiz nights, colour runs, a Christmas present room and the annual fete. We are now developing plans for larger sponsored events including a dad's night walk, camp outs and a possible community-wide event. FONS takes pride in our school and so each term we also arrange a community day during which families come together to paint, fix and clear up in a fun and cost-effective way.
This year we will be raising funds to support developing outdoor learning at the school, increasing music provisions, providing transport to sporting events and much much more. We have also launched a new and ambitious goal to raise an additional £20,000 (over two years) to give the playground a complete overhaul! Previously, FONS have contributed heavily to installing the all-weather pitch and interactive white boards.
If you have any questions about FONS, please e-mail us at fonscommittee@gmail.com . You can also follow us on Facebook.
We hope to see you at future events!
Your FONS Committee
The 2020/21 Committee Members are:
Co-Chairs: Diana Mills and Sarah Soles
Treasurer: Melissa Roberts
Secretary: Louisa Tarling
Fons News - Autumn 2022
Welcome to the Friends of Nettlebed School


I can honestly say I haven't heard this one before. I have heard its total BS, that it's the work of the devil, that it is wrong to varying degrees, that it's God's will and other things but never that it was a religion. I have even heard atheism is a religion many times. I am honestly at a loss as how to begin responding to this. Here is the post I stumbled across. I am not going to bother replying to this one but I would love to hear some ideas about how to respond to this in the future.
I have some ideas already such but would love to hear from someone who has encountered and debated this already.
The thing about evolution theory is that it is an attempt to fit an explanation for the origin of species into an overall scientific view of the world. Religion has a magical view of the world. Now, evolutionary theory isn't fully developed and some questions remain (we can see how the horse developed step-by-step, ditto to some extent for man, but what about the cow, to take one example?). Even so, evolutionary theory tries to fit the origin of species into a rational view of the world, no magic allowed.
Is there some reason to why you chose cows as an example? I gather that it is not relevant to your point about questions remaining, I agree, but I am not aware that cows were extra mysterious.
I think someone mentioned to me once that while there is that chart showing the evolution of the early horse-like creatures to the modern horse, there is no similar chart for the contemporary beef or dairy cow. I've looked and haven't found one, so as far as I know cows evolved rather suddenly, which in evolutionary terms can be hundreds of thousands of years.
Thanks, that's interesting. I wasn't aware of that at all. I already found some articles on genetic studies corroborating your view. The genome of a Hereford cow has been sequenced (2009) and it seems we're more closely related to cows than to our favorite lab animal.
Right on Bob! Can I have the goat meat afterward? I love it in gyro's!
cool, I'll take the virgins.
What? They're good in gyros too.
It's easy enough to demonstrate that evolution is not a religion simply by comparing the typical characteristics of religions and showing that evolution has none of them. Can I ask you to specify exactly (characteristic by comparable religious characteristic) in what way evolution is a religion then I/we can deal with it directly?
What's the betting it won't get approved or it will be deleted?
Well my last appeared to be wrong ... I shall humbly abase myself before the god of evolution (if someone can tell me who it is), LOL.
Duh, it's Darwin! Didn't you get the memo? Upon his death, he was taken up into heaven by a flock of finches where he rules over all the atheists & evolutionists that worship Him.
Hogwash! Evolution is a scientific discipline. It is no different from the gravitational theory; the germ theory, the heliocentric theory, the electromagnetic theory; the heliocentric theory; quantum theory, the light propagation theory, etc. The only difference is that the theory of evolution supplies, by many orders of magnitude, more actual, solid, empirical evidence than any of them. Evolution HAPPENED; has ALWAYS happened, IS happening, and WILL always happen. Why? Because life, in all its variety, could not exist without it.
The Theory of Evolution offers mountains of virtually irrefutable evidence, including, among others, that diseases evolve resistance to antibiotics. Around 1935, evolutionary biologists unanimously predicted that bacteria would evolve resistance. No pastor, priest, rabbi, imam, or holy book predicted it; and it wasn't foretold in the Bible. That alone leads me to put more trust in science than blind faith in the ignorant ramblings of bronze age sheepherders or modern day charlatans who pass the plate on Sundays.
Religion? I can't see, hear, smell, taste, or touch anything that could remotely be called a god. There is ZERO evidence for any kind of god.
I don't have faith in Charles Darwin. He was wrong about a lot of things. Faith in God, conversely, is that He is wrong about nothing. He can't be wrong about anything. That is true faith – blind faith.
If there is such a thing as "faith" in evolution, it is better termed "trust" – trust that, based on myriad observable phenomena as presented by a variety of sciences, including biology, paleontology, geology, archeology, immunology, bacteriology, and, most recently, genetics, that one's best odds for making rational, efficacious decisions in life is through a reliance on (a trust in) science. Religion is based on NOTHING BUT FAITH! Faith in what? That you will live forever, despite abundant evidence to the contrary, of course. What does God look like, sound like, smell like, taste like, or feel like? Conceptions of God, although they are multifarious, tend to be highly anthropocentric – the magic man in the sky, who is usually white, male, bearded, white-robed, and avuncular. Hey, show Him to me and I'll believe.


Vancouver bass producer Ekali has today announced a huge world tour in support of his new single 'Babylon (ft. Denzel Curry)'.
In great news for Australian fans of the recent OWSLA signing, Ekali will be heading back down under for his biggest shows in this country to date, including a festival set alongside What So Not and Peking Duk at The Grass is Greener Festival in Cairns and Mackay.
Check out the dates below and stay tuned for more ticketing information!
Ekali launches new sample pack for a very good cause!