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Fine, I Assume I recognize Data Room, Currently Show me In relation to Data files Bedroom!
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Profitable small companies can rapidly fail if they lack money. Similarly, struggling unprof small companies can be kept afloat for a long period of time if they have a good money balance. To puts it simply, money is the life blood of American small businesses.
Naturally, when times are difficult, failure to acquire capital to pay daily business expenses often ends up being a source of worry, stress and anxiety and interruption for small business owners.
Sadly, most of huge city and village standard lenders have stiff and strict requirements that their clients should fulfill.
Companies have a different credit score from the business owner. Even if business owner has a high credit rating, the business might not have an established credit history (particularly if newly established). For that reason, potential lenders need to use solutions with that take the business owner's individual credit into factor to consider and that accepts applicants with less than perfect credit.
Oftentimes, physical loan providers just service businesses doing 20k or more in monthly income. This disqualifies smaller sized businesses doing 10k-15k in monthly profits.


text:
How old are the characters at the beginning and end of the show?
With all the anarchy in the Gallagher house, it can be difficult to keep track of the age of the characters in Shameless They are from the beginning to the end of the show. When the comedy-drama series debuted on Showtime in 2011, all of Gallagher's children (except Fiona) were still minors. By the time the series wrapped up with the season 11 finale in the spring of 2021, everyone except Liam was adults with jobs and, in some cases, children.
Monica Gallagher had six children in total before abandoning the family and letting Fiona take over most of the parenting (even more than she already had). In a spiel in season 1, Frank kindly explains the age differences between the children, saying that Monica left when Fiona was 14, Lip was 11, Ian was 10, Debbie was seven, Carl was five, and Liam was four months old. Of course, being Frank, there is probably room for error in calculating the ages of the children. Other clues on the show indicate that Fiona is actually around five years older than Lip, not three.
the Shameless The timeline is notoriously plagued with continuity issues, often making it difficult to keep track of how much time passes between seasons and how old the various characters are. In an interview with THAT, creator John Wells joked that the show is written in "Shameless weather, "with the stories of some characters that unfold over a few days, while others unfold over several weeks. However, thanks to the mentions of their age in the dialogue, it is possible to pin down their ages when the story begins and the age what they have when things wrap yourself in it Shameless end of season 11.
On Shameless Season 1, Fiona is 21, Lip is 16, Ian is 15, Debbie is 11, Carl is nine, and Liam is around 18 months old. Debbie's daughter Franny, who was born when Debbie was 15 years old, celebrates her fifth birthday in Shameless season 11, by which time Liam is about 11 years old. Putting these details together, it seems that about nine years elapse between the start of Shameless season 1 and season 11 finale. At the time of the series finale, Fiona is 30, Lip is 25, Ian is 24, Debbie is 20, Carl is 18, and Liam is 11. It should be noted that all these ages are approximate and could vary by approximately one year. This is because the program not only operates on its own time, but also Shameless' Television series status means that the number of seasons does not always equal the number of years that have passed since its debut. And due to occasional continuity issues, it wasn't always clear the age of the characters at certain times. However, there were enough clues and information for the ages to be clearer at the end of Shameless' to run.
At the end of Shameless season 11 the Gallagher family got even bigger. Mickey Milkovich is roughly the same age as Lip Gallagher, which would make him around 25 years old when the story ends. As mentioned above, Debbie's daughter, Franny, is five years old and was born at the Gallaghers' kitchen table in season 6. Lip's son, Freddie, was born in the first episode of season 10 and, for Therefore, he must be at least a year old by the end of the series, as Ian and Mickey are celebrating their first wedding anniversary since the end of season 10. Fred is probably the same age in the ending as Liam in the beginning. from Shameless season 1. That essentially brings the full circle of the Gallagher family regarding their ages, as another generation is born.
Moving next door, Kevin and Veronica's ages are never explicitly given at any point in the series, but they appear to be in their 20s and 30s in Shameless season 1. That puts them in their 30s by the time they pack up and prepare to move to Louisville in Shameless season 11. His twin daughters, Amy and Jemma, were born in the season 4 finale, and Franny was conceived only a few episodes later, which means that Kevin and Veronica's twins are around 6 years old at the end of the series. .
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redpajama_set_name: RedPajamaCommonCrawl


या सदरात आम्ही आपणास, महाराष्ट्र सरकारनी आयोजित केलेल्या रोजगार मेळाव्याची माहिती देऊ. त्याचा सर्वानी लाभ घ्यावा, धन्यवाद !!
Rozgar Melava 2019 – Following are the Latest Job Fairs In Maharashtra. You Can check the Latest News about Job Fairs In Maharashtra From this Section. List of the Job Fairs in All Over Maharashtra State are given on this page. We also try to publish the Job Fairs organized by various NGO's & Government departments. You can Appear for these job fairs Or Rozgar Melava From this page. The Online Links & Address of Job Fairs are given for your help. For More Details please keep visiting GovNokri.in, where all job updates are given. For all Rozgar Melave keep visiting GovNokri.in. The Latest Jobs & news 2019.


text:
package de.iritgo.aktera.address.ui;

import java.lang.reflect.InvocationTargetException;
import java.util.*;
import java.util.List;
import lombok.Setter;
import org.apache.commons.beanutils.PropertyUtils;
import javax.inject.Inject;
import de.iritgo.aktera.address.AddressManager;
import de.iritgo.aktera.address.entity.*;
import de.iritgo.aktera.model.*;
import de.iritgo.aktera.permissions.PermissionManager;
import de.iritgo.aktera.persist.PersistenceException;
import de.iritgo.aktera.ui.listing.*;
import de.iritgo.aktera.ui.tools.UserTools;
import de.iritgo.simplelife.data.Tuple2;
import de.iritgo.simplelife.math.NumberTools;
import de.iritgo.simplelife.string.StringTools;

public abstract class AbstractAddressListingHandler extends ListingHandler
{
	@Setter
	@Inject
	protected AddressManager addressManager;

	@Setter
	@Inject
	protected PermissionManager permissionManager;

	@Override
	public Map<String, String> createSearchCategories(ModelRequest request, ListingDescriptor listing)
		throws ModelException
	{
		Map<String, String> addressStores = new TreeMap<String, String>();
		addressStores.put("", "$opt-");
		try
		{
			String userName = getActualUserName(request);
			for (Tuple2<Integer, String> store : addressManager.listAddressStoresIdAndTitle())
			{
				if (permissionManager.hasPermission(userName, "de.iritgo.aktera.address.view",
								AddressStore.class.getName(), store.get1()))
				{
					addressStores.put(store.get1().toString(), store.get2());
				}
			}
		}
		catch (PersistenceException x)
		{
			throw new ModelException(x);
		}
		return addressStores;
	}

	@Override
	public String getCurrentSearchCategory(ModelRequest request, ListingDescriptor listing) throws ModelException
	{
		AddressStore addressStore = addressManager.getAddressStoreById(NumberTools.toInt(listing.getCategory(), - 1));
		if (addressStore.getId() == - 1)
		{
			addressStore = addressManager.getDefaultAddressStore();
		}
		return addressStore.getId().toString();
	}

	@Override
	public ListFiller createListing(ModelRequest request, ListingDescriptor listing, ListingHandler handler,
					ListContext context) throws ModelException, PersistenceException
	{
		AddressStore store = addressManager.getAddressStoreById(NumberTools.toInt(
						getCurrentSearchCategory(request, listing), - 1));

		final long addressCount = store.countAddressesByOwnerAndSearch(UserTools.getCurrentUserId(request),
						request.getParameterAsString(listing.getId() + "Search", ""));

		context.setFirstResult(Math.min(context.getFirstResult(), context.getResultsPerPage()
						* (int) (addressCount / context.getResultsPerPage())));

		final List<Address> addresses = store.createAddressListing(UserTools.getCurrentUserId(request),
						request.getParameterAsString(listing.getId() + "Search", ""), listing.getSortColumnName(),
						listing.getSortOrder(), context.getFirstResult(), context.getResultsPerPage());

		return new ListFiller()
		{
			Iterator<Address> i = addresses.iterator();

			Address address = null;

			@Override
			public long getTotalRowCount()
			{
				return addressCount;
			}

			@Override
			public int getRowCount()
			{
				return addresses.size();
			}

			@Override
			public boolean next()
			{
				boolean more = i.hasNext();

				if (more)
				{
					address = i.next();
				}

				return more;
			}

			@Override
			public Object getId()
			{
				return StringTools.trim(address.getAnyId());
			}

			@Override
			public Object getValue(String column)
			{
				try
				{
					return PropertyUtils.getNestedProperty(address, column);
				}
				catch (IllegalAccessException x)
				{
				}
				catch (InvocationTargetException x)
				{
				}
				catch (NoSuchMethodException x)
				{
				}

				return "";
			}
		};
	}
}

redpajama_set_name: RedPajamaGithub


text:
Claressa Shields likens herself to Muhammad Ali
by Eoin Harte
Undisputed female world middleweight champion Claressa Shields has claimed she is the greatest female boxer ever and has compared herself to Muhammad Ali.
Shields currently holds world titles at both middleweight and light middleweight at the age of 25, having won her first 10 professional fights.
The American boxer won gold medals at the 2012 and 2016 Olympic Games, beating Russian boxer Nadezhda Torlopova for the middleweight medal at the age of 17.
Shields was speaking to Sky Sports about her next bout against Marie-Eve Dicaire and likened her greatness to former heavyweight world champion Ali.
It's an important #boxing battle of ?????
Which woman will be triumphant when undefeated superstars @Claressashields and @EveDicaire clash with all the gold on the line in the 1⃣5⃣4⃣ division.
Who will write #HERStory?
Only 3⃣ days away on #FITE
? https://t.co/IGGMcPigut pic.twitter.com/JoEhmPXcjm
— FITE (@FiteTV) March 2, 2021
"If I didn't say how great I am, no one in this room would have ever called me great because they don't recognise it. Only the greats know that they're great," Shields explained.
"If he had never said he was the greatest of all time, he would have never been considered the greatest. No matter what boxer comes along, nobody can get in front of Muhammad Ali. That's how I feel about myself.
"Muhammad Ali is first, and Claressa Shields is second. I am the greatest woman [boxer] of all time, and 98 per cent of men in the world can't beat me.
"I want you to know I'm not taking prisoners. This is a new era for me. My name from now on is Claressa 'The Wolf' Shields.
"'T-Rex' [her previous nickname] has long gone. 'T-Rex' was aggressive, but the greatest of all time has so much more. She possesses poise, power, and punch placement."
'I'm hoping she can take me to level 10'
Shields is aiming to become an undisputed champion at two weights when she takes on IBF female middleweight champion Dicaire on Friday night.
The Michigan boxer explained that she wanted DiCaire to push her to her limits, as she hasn't been truly challenged in her professional career to date.
"In an interview, I saw [Dicaire] is not worried about the outcome; she's worried about the task. Well, I'm worried about the outcome. I've known what the task is for the last 13 months," Shields said.
"I'm concerned about the outcome because I don't particularly appreciate losing. When I lost my first fight when I was 17, I didn't sleep until I was 21 when I won my second Olympics. That's how personally I take this fight.
"I'm hoping she can bring out a different side of me because many girls haven't been able to take me to level three. I'm hoping she can take me to level 10."
Read More About: claressa shields, Marie-Eve Dicaire, muhammad ali
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text:
Open Every Day from 9 a.m. - 5 p.m.
A Gift for a New Bride
May 16, 2014 Valerie Seiber
by Valerie Seiber
May 25th marks an important anniversary in the lives of Milton and Catherine Hershey – their wedding day. The couple met in 1897 at A.D. Work's Confectionery shop in Jamestown, New York. Mr. Hershey was there tending to business matters for the Lancaster Caramel Company, while Catherine Sweeney was socializing and enjoying confectionery sweets with friends.
Catherine Sweeney Hershey, c.1910 (Courtesy Hershey Community Archives)
On July 6, 1871, Catherine Elizabeth Sweeney was born in Jamestown, NY to Irish-Catholic immigrant parents, Michael and Catherine (Maloney) Sweeney. The Sweeney family had a son and three daughters to support. As the oldest daughter, Kitty, as she was known, left high school during her senior year to help support her family and gained employment as a shop girl. Her wit and bubbly personality were well suited for attracting customers to the jewelry store where she worked. These same traits are probably what caught Milton Hershey's eye.
Hair brush, Gorham Manufacturing Company, 1898
As a successful businessman, Milton Hershey had the means to woo his young sweetheart with candy and flowers. Never one for writing letters, Milton sent telegrams to Kitty between visits. Their courtship continued even after Kitty moved to New York City and found work in the ribbon department of Altman's department store. On May 25, 1898 the couple married in the rectory of Saint Patrick's Cathedral.
A 20-piece toiletry set given to Kitty Hershey as a wedding present
In the museum's collection is a 20-piece silver toiletry set engraved with Catherine's initials, "KSH," the K for Kitty. The set, manufactured by the Gorham Manufacturing Company in 1898, is believed to be Milton's wedding gift to his new bride. The set consists of a jewelry box, hair brush, hand mirror, curling iron, nail file, nail cleaner, buffer, manicure scissors, puff box, soap case, pin tray, cosmetic container, buttonhooks for gloves and shoes, shoehorn, and five different brushes for clothes, collars, coats, and hats! Basically everything an Edwardian lady needs for personal grooming and dressing. (Think Lady Mary and her maid, Anna in Downton Abbey!)
Left: coat brush. Right: hat brush
Made in repoussé[1], the set is decorated with roses, Kitty's favorite flower. Founded by Jabez Gorham around 1831 in Providence, Rhode Island, the Gorham Company initially made spoons and other small wares such as combs, thimbles and jewelry. Jabez's son John took over the company in 1847 and sought to expand manufacturing. He mechanized production and consulted with Europe's master silver craftsmen to train his American workers. During the heyday of American silver manufacturing, the Gorham Company became quite influential, opening a store in Manhattan, New York in 1884.
Left: buttonhooks for gloves and shoes. Right: nail file and cleaner
Curling iron with alcohol burner for heating the iron
A loving relationship, Milton and Kitty's marriage was cut short when she died in 1915. Mr. Hershey never remarried and is said to have kept her photograph with him at all times. Many years later in 1941, the toiletry set was given again as a wedding gift, but this time to the daughter of Ezra Hershey, Mr. Hershey's cousin. The set remained in the family's possession until it was donated to the museum in 2005. Select pieces of the set are displayed in The Hershey Story's permanent exhibits.
[1] Repoussé: shaped or ornamented with patterns in relief made by hammering or pressing on the reverse side
Previous PostFrom Osterhase to Chocolate Eggs: Easter in PennsylvaniaNext PostAnd This You See, Remember Me
What is Hershey's in Chinese?
Clothing and Adornments from the Plains American Indian Collection at The Hershey Story
A Rare Piece of Hershey Lumber Company History
Time Traveling: The Rise and Fall of the American Pocket Watch
Fancy Hats and Other Things
Of the Earth: Pueblo Pottery
Hershey and Pasta: An Interesting Relationship
The Development of the Modern Christmas
Amateur Archaeologist's Collection Remains Noteworthy
How Trolleys Helped Hershey Thrive
Henry William Stiegel – Ironmaster and Glass Maker
A Small Piece of the Past: Relic Hunting and Souvenir Collecting in the 1800s
Playtime in the Past
The Cover Girl and the Chocolate King
Hershey's Chocolate Takes Flight


text:
Current Events in Context: Connecting Asian American History and Anti-Asian Racism
Thursday, April 8, 2021 @ 5:00 pm - 6:00 pm EDT
« Data Storytelling with Infographics
A Framework for Individualization in Mathematics »
Presented by Cathlin Goulding, Ed.D., Co-Director, YURI: An Asian American Education Project, and Teacher, Adolescent Social Studies Program, City University of New York; Freda Lin, Co-Director, YURI: An Asian American Education Project; and Kristina Kirtley, Senior Producer, Content and Youth Engagement, WNET New York Public Media
Sponsored by The WNET Group
This recorded presentation comes at a particularly challenging time in contemporary American life. With content for elementary, middle, and high school teachers, along with resources for principals, school librarians and curriculum leaders, this edWebinar uses media and specially developed lesson plans from WNET's Mission US interactive game Prisoner in My Homeland, the PBS Asian Americans series, Unladylike2020, and other PBS and WNET-produced materials to help teachers answer students' questions and contextualize current events through a broader understanding of Asian American history.
The presenters share strategies and approaches for framing conversations, using writing prompts and encouraging civil discourse and critical thinking about anti-Asian racism.
This recorded edWebinar will be of interest to teachers, librarians, and school leaders of the elementary through high school levels.
Cathlin Goulding, Ed.D. is the co-director of YURI: An Asian American Education Project. As the daughter and granddaughter of Japanese Americans incarcerated during World War II, the history and reverberations of the camps are key areas of her research, curriculum work, and writing. She teaches in the Adolescent Social Studies program at the City University of New York and lives in Queens.
Freda Lin is the co-director of YURI: An Asian American Education Project and creates educational resources through an Asian American lens. This work focuses on developing curricula, youth workshops, and professional learning for organizations and K-12 schools. Her professional goal to transform people's perspectives on marginalized stories began as an undergraduate of Northwestern University, where she led a campus-wide, community-supported movement for an Asian American Studies program. Freda was a history and leadership teacher in Chicago and San Francisco Bay Area middle and high schools, where she implemented new curricula and diversity programs to support more equitable schooling. After leaving the teaching field, she consulted with UC Berkeley History-Social Science Project on teacher coaching, curricula and grants research with the Center for Asian American Media, and social movement history tours with Freedom Lifted. Freda also served as the education program director of the nonprofit organization, the Fred T. Korematsu Institute, where she designed and implemented new projects and programming.
Kristina Kirtley is a senior producer in Kids' Media and Education at WNET New York Public Media, New York's flagship PBS station. She creates education resources for PBS LearningMedia and manages outreach to support WNET productions like Mission US, American Masters, and Films BYkids. She also leads WNET's Youth Collective, a youth media and engagement initiative that aims to amplify youth voice and provide a platform for young people to engage in the important work of building a more ethical world. Previously, Kristina worked for eight years as a project manager at International Cinema Education, an NGO at the United Nations that uses film to teach students about global issues, and she also taught high school English for five years in the Bronx as part of the New York City Teaching Fellows Program. Kristina holds a BA in English from Stanford University and MA in education from City College.
Join the Diversity, Equity, and Inclusion community to network with educators, participate in online discussions, receive invitations to upcoming edWebinars, and view recordings of previous programs to earn CE certificates.
The WNET Group creates inspiring media content and meaningful experiences for diverse audiences nationwide. It is the nonprofit parent company of New York's THIRTEEN – America's flagship PBS station – WLIW21, THIRTEEN PBSKids, WLIW World and Create; Long Island's only NPR station WLIW-FM; and ALL ARTS, the arts and culture media provider. The WNET Group also operates NJ PBS, New Jersey's statewide public television network, and newsroom NJ Spotlight News. Through these channels and streaming platforms, The WNET Group brings arts, culture, education, news, documentary, entertainment and DIY programming to more than five million viewers each month. The WNET Group's award-winning productions include signature PBS series Nature, Great Performances, American Masters, PBS NewsHour Weekend and Amanpour and Company and trusted local news programs MetroFocus and NJ Spotlight News with Briana Vannozzi. Inspiring curiosity and nurturing dreams, The WNET Group's award-winning Kids' Media and Education team produces the PBS KIDS series Cyberchase, interactive Mission US history games, and resources for families, teachers and caregivers. A leading public media producer for nearly 60 years, The WNET Group presents and distributes content that fosters lifelong learning, including multi-platform initiatives addressing poverty, jobs, economic opportunity, social justice, understanding and the environment. Through Passport, station members can stream new and archival programming anytime, anywhere. Community-supported, The WNET Group represents the best in public media. Join us.
Asian American history, culturally responsive teaching, current events, diversity
Tue 01 Feb
Best Practices for a Culturally Responsive Learning Community
Your Diversity May Not Be My Diversity


text:
Sunday June 23rd, 2019 Rhys Payne	Leave a comment
Kinetic Theatre arts youth academy's production of Into The Woods Jr was performed in the Atrium USW. Having seen many of Kinetic's productions in the past, including many of their Jr shows, my expectations were already set very high. Kinetic always produce high quality and professional productions that receive the highest praise and Into The Woods is no different. In fact, I personally think that this is one of Kinetic's Youth's best performances. At first, I thought it was strange to perform this show as it is one of Disney's more dark and mysterious stories but the children managed to execute the show perfectly. One of the best things about this production specifically was that you can see the enjoyment and passion that these children have for performing. You can see many of the children getting very involved and having a good time which is so nice from the audience's perspective, especially if you are a parent of one of the cast members. The children managed to balance the sinister and dark nature of some scenes with the fun and happy aspects of others which is not an easy thing to do. The show opened with a dark song in which the children wore black capes and moved in a sinister fashion. This scheme was actually spooky for the audience which means both the directors and the cast did what they meant to do.
All of the cast clearly worked very hard with the ensemble always being in character and providing beautiful vocals when required. Each child knew their role within the story and performed it the best they could. One of my favorite performers in this show was Tilly Birch who played Milky White (the cow) while she was primarily there for 'awh' factor moments but also she was clearly trying her best and having loads of fun in the meantime. A highlight for this character was when they swallow all the items and have to 'milk' the cow, obviously as Tilly is a girl in a costume I was confused as to how they would do this. What they did was place the cup down and Tilly what I can only describe as the cutest little dance I have ever seen which had both awhhs and laughs from the audience. She appeared very confident on the stage and I believe that she is a star in the making. The baker and his wife, played by Sam Walter and FFion Morris, helped drive the entire narrative of the musical. The role of Baker in the film version was James Corden (who I was a little disappointed with) but Sam, in this performance, really made the character relatable and his wife acted with emotion which built a great sense of sympathy from the audience. The stand out in this show was Lexi Ricketts who played the witch. Lexi managed to own the stage every time she was on it and actually made the character very scary. Her acting and singing were both incredible and she clearly has a very bright future in the performing arts. Her rendition of Last Midnight was perfect and was definitely on a professional level. The narrator in this performance, played by Amelia Francis, also helped move the story along but also sounded fantastic while singing her songs. The princes and Jack, played by Theo Birch, Harry Smith and Ben Page were fun to watch and again were clearly enjoying their time on stage. The princes had great chemistry together and performed like a double act which caused many laughs from the audience. The wolf, played by Ben Cogan, had a jazz-esque manner (similar to the movie) and was also very entertaining to watch.
Overall, this is a family-friend show that shows the talent and skills of the young cast while creating atmosphere and emotion like a professional show. I would rate this performance 4 out of 5 stars and I would encourage you to watch this show to see the full potential of every child on display while at the same time supporting a local theatre company.
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XRefer is the number one option when you need to find a high quality forklift rental at a great rate in Milford, Connecticut. Whether you are looking for a short-term warehouse forklift rental in Milford during the busy season, or you need to get a quote for a long-term Milford forklift lease, XRefer's got you covered. With an unmatched selection of forklift rentals to choose from, XRefer makes it easy to get the perfect equipment for your needs. Here at XRefer we make it easy to rent popular 3,000 lb forklifts as well as more difficult to find 40,000 lbs. large capacity forklifts, while at the same time saving you money with the lowest rates around. Our goal at XRefer is to make renting forklifts in Milford, hassle-free, affordable and fast which is why we offer quote comparison tools and only partner with the top forklift dealers in Milford.
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Does a Milford forklift operator need to be certified?
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This is one of the original old houses at the Old Settlement in Thompsons Bay on Rottnest Island.
This is the main lighthouse on Rottnest Island you usually come across it when you ride around the Island on a push bike.
This is a photo of the Basin with the Bathurst lighthouse and the city of Perth in the background.
Old door and wildflowers on out building behind a Rottnest Cottage, with a poster effect.
Silhouette of Bathurst lighthouse at sunset in sepia.
A quokka at Sunset in Geordie Bay.
The jetty in Geordie Bay at dawn.
This stingray was just gliding around in the crystal clear water in Geordie Bay.
A pelican at dawn in Gerodie Bay.
A Tern at bath time.
~ by laro1 on March 18, 2012.


The two telephone conversations between United States President Barack Obama and Russian President Vladimir Putin on March 2 and February 22 marked a dramatic deterioration of relations caused by the near-complete collapse of common ground in managing the crisis in Ukraine. The first discussion about the implementation of the crisis-defusing compromise reached in Kyiv turned out to be devoid of practical sense because President Viktor Yanukovych had to flee from rebellious Kyiv and go into hiding in Russia. Putin was obviously irked by such an outcome to the confrontation he had triggered when he forced Yanukovych to cancel the pre-scheduled signing of an association agreement with the European Union last November. And the Russian president's irritation informed his decision to discontinue further financial aid to Ukraine and to launch large-scale military exercises near the country's border (Nezavisimaya Gazeta, February 28).
This sort of reaction was more or less expected, but the West was completely unprepared for Russia's even more provocative move of sending dozens of Spetsnaz (special forces) troops to take control of administrative building and the airport in Simferopol, the capital of the resolutely anti-Maidan Crimea (http://ej.ru/?a=note&id=24560). On Friday (February 28), Putin had a series of telephone conversations denying any wrongdoing to German Chancellor Angela Merkel, British Prime Minister David Cameron and President of the European Council Herman Van Rompuy (http://president.kremlin.ru/news/20350). Obama, however, had more than enough information about troop movements to see through those denials and so opted to deliver a stern warning about the "costs for any military intervention in Ukraine," though stopping short of establishing the fact of a Russian projection of military power (http://ria.ru/world/20140301/997625391.html).
He probably wanted to leave Putin an opportunity to step back, but the enterprise of intervention was not to be stopped. Before the presidential motion for using military force in Ukraine was approved by the enthusiastic Federation Council, Russian troops had taken control over the central part of Simferopol (http://newsru.com/world/01mar2014/simferopol.html). The newly and dubiously appointed Crimean prime minister, Sergei Aksenov, made a formal appeal for Russian help even if nobody in Kyiv was contemplating any forceful measures for restoring control over the mutinous autonomy. The international and economic consequences of this exercise in dismembering a major European state are so predictably bad for Russia that the question about Putin's motivations loom large.
President Putin's animosity to the revolutionary uprising in Kyiv is so intense that it prevails over all pragmatic assessments of necessary measures aimed at stabilizing Russia's most important neighbor. This antagonism is certainly rooted in fears about a possible Maidan revolution erupting in downtown Moscow—and translates into Putin's obsessive desire to prove that nothing good could possibly come out of the "extremist" rebellion in Ukraine (or any other state for that matter) against the legitimate rulers, corrupt and despotic as they may be (http://www.gazeta.ru/comments/2014/02/28_e_5930577.shtml).
Such an ideological viewpoint could have been expected to result in a Kremlin policy of undermining and bankrupting the new authorities in Kyiv, but not necessarily of armed intervention. Instead, Putin pushed the Federation Council to approve the use of the Russian army in Ukraine, thus creating ex post facto domestic legitimacy for Russia's already ongoing intervention abroad (http://echo.msk.ru/blog/svanidze_n/1270012-echo/). This uncharacteristically adventurous behavior may be partially explained by Putin's bitter feelings of having been "cheated" by the EU and US with the deal that was presented as a compromise between Yanukovych and the Maidan—which turned out to be a mandate for the victory of the latter. His deep conviction that the "extremist riots" in Kyiv were directed and sponsored by the West was massively reinforced by the official propaganda that has produced a distorted impression among a majority of Russians (http://www.levada.ru/26-02-2014/rossiyane-o-sobytiyakh-v-ukraine-maidan). This induced public attitude is, in turn, generating strong political pressure to do something about the spectacular victory of "evil nationalists" in Kyiv. And that pressure makes it exceedingly difficult for Putin to pursue a calculated "wait-and-see" policy marked by measured trips and pushes that could have surreptitiously set revolutionary Ukraine on a downward spiral.
There is, however, a more existential and therefore a more dangerous explanation. It is possible that Putin sees Ukraine's possession of Crimea as a grave historic injustice, which is rejected by the majority of the peninsula's inhabitants and is profoundly offensive to the feelings of Russian patriots (http://echo.msk.ru/programs/beseda/1269352-echo/). The de-facto collapse of the Ukrainian state presents a unique opportunity to undo this injustice—and grants Putin a chance to become a historic leader who returned the Crimea to Russia (http://www.colta.ru/articles/society/2243). To accomplish such a historic mission, he needs to silence and sweep away those "traitors" who would challenge his authority to decide what is right for Russia—hence the unprecedented police zeal in throwing behind bars every protester in Moscow (Novaya Gazeta, February 25).
Putin's readiness to act on the "historic opportunity" is based on the premise that the response from the West would be limited to hollow protestations and demonstrative gestures like canceling the G8 summit in Sochi scheduled for early June (http://echo.msk.ru/programs/code/1269316-echo/). This damage pre-assessment is informed by Russia's experience of re-establishing "business-better-than-usual" relations with the West after the August 2008 war with Georgia and on Moscow's conviction that the North Atlantic Treaty Organization's (NATO) capacity to act was severely damaged by the defeat in Afghanistan and the economic crisis—and is yet to be proven wrong. One important difference with the Georgian war is that President Mikheil Saakashvili allowed himself to be manipulated by Moscow into providing the casus belli, while in Crimea no violent clashes have created even a flimsy pretext for sending the proverbial "limited contingent" of Russian troops. So Putin is executing an intervention of choice. The immediate risk here is that when a bloody incident is required, it usually happens.
Enraged by the Ukrainian revolution and blinded by a vision of "greatness," Putin has boldly broken through the boundaries of international law, which he used to praise so highly. Obama now faces a difficult task of mobilizing every responsible world leader to ensure that the "outlaw" is treated accordingly. It will, however, be up to Russian society to rid itself of this delusion of "patriotism" and restore the good name of the country—in peace with Ukraine.


The multifamily residential project at The Reserve at Burlington began construction in the fall of 2017. The project consists of a leasing lobby, multiple lounge areas, Solarium with living green wall, large fitness, pet wash and indoor pet play area, and bike storage. At the exterior of the residences there are 3 exterior raised courtyards and 1 at grade courtyard.


We've made it to the end of another week, which means it's time for And finally — your place to catch up on the best rumours from the past seven days.
This week, we've heard whispers of Alexa growing smarter, a bizarre Google broadcasting hat and an Amazon security camera.
Read on for the tidbits that didn't make it into our dedicated news section.
Amazon preparing home security camera?
Amazon has already drifted into our homes through its Echo range, and now appears set to protect them with its own security system.
That's after AFTVnewsuncovered an image from Amazon's own servers which appears to show a camera featuring two microphones and multiple sensors - a bit like Nest's own indoor cam.
Of course, Amazon's smart speaker is already compatible with various security and camera systems, though this apparently won't stop the company from getting involved with its own offering.
Since Google Glass never really managed to gain liftoff, the search engine giant may look to hats in order to rebound.
That's after a patent surfaced, which details a wearable hat/broadcasting system which would, we guess, allow you to capture and share your view with the world.
The device includes a camera, microphone and Bluetooth connectivity to allow for smartphone pairing, though just how serious the company is about the idea is, of course, unknown.
Hopefully, if it does one day make it to production lines, it won't look like that giant spy camera sombrero from The Simpsons.
Amazon is developing a new feature for its Alexa voice assistant which would allow for individual voice recognition.
According to the folks at Time, the feature is currently known as Voice ID and would allow for certain commands to be locked to a specific voice - a feature that would be handy for avoiding any accidental voice purchases.
The company has allegedly been working on the feature for almost two years, likely ironing out issues involving the chain of command within a household.
Alexa isn't content to simply know who it's talking to, apparently, with Yale Locks announcing that its smart systems are now compatible with the voice assistant when used in conjunction with a Samsung SmartThings Hub or Wink Hub.
The skill allows Yale Z-Wave or ZigBee users to lock their door and check current lock status, with voice commands like, "Alexa, can you lock my front door," or "Alexa, is the back door locked?".
Don't worry about your security, though, as any potential tech-savvy burglars won't be able to unlock anything with voice commands.


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German debt charges return to optimistic territory
F1 season countdown: these are reveal dates and take a look at days
Home»WORLD»AFRICA»In the Sahel, it is increasingly difficult for journalists to report
In the Sahel, it is increasingly difficult for journalists to report
The last areas still accessible to Westerners are shrinking in the region, and most of them have been "greatly discouraged" by the European Prime Minister's regiment.
"He is not only a colleague, but also our friend. This may happen to us, because the risks on the ground are becoming more and more important.", Said Nicolas Réméné, a French photojournalist who has lived in Mali for ten years. The rumors of the kidnapping of journalist Olivier Dubois were confirmed from May 4 (Tuesday) to May 5 (Wednesday), which have been circulating in Bamako for several weeks.In a video posted on social networks, the Frenchman specifically Africa Point with freed, He said he was kidnapped by a local branch of Al-Qaida, the Islamic and Muslim Support Organization (GSIM) in Gao, northern Mali, on April 8.
A week after the assassination of two Spanish journalists, they were killed by "terrorists" in eastern Burkina Faso on April 26. This was a blow. "very difficult" For this profession, Arnaud Froger, head of the Africa Office of Reporters Without Borders (RSF), was emphasized. According to data from the non-governmental organization Acled, violence in the Sahel region will kill more than 2,400 civilians by 2020, seven times the number in 2017. "Armed groups continue to advance, but news and intelligence are dwindling", Expressed regret to Mr. Frog.
Kidnapping, targeted assassinations, landmines… these risks are well known to correspondents, most of them are freelancers who work in the area, such as the 46-year-old Olivier Dubois (Olivier Dubois) lived in Mali for 6 years. "His network is very good, there are many contacts within the armed groups in northern Mali, and he often exchanges information with them", Reported by Boubacar Sidiki Haidara, editor-in-chief of "Weekly" Mali Daily, The French used to work in it.
According to the information freed, Olivier Dubois is about to meet with GSIM executives in Gao. "He must be trapped", Some settings in Bamako. In an article, the Daily reported that it rejected the interview offer at the end of March. "Too risky".
On November 2, 2013, the trauma of the assassination of two French journalists Ghislaine Dupont and Claude Verlon from RFI in Kidal, northern Mali, continued to haunt the editorial staff, and they became increasingly reluctant Send their reporters to the "red" area.
Journalists arrested in Togo: Amnesty Worldwide condemns their "arbitrary detention"
In Tunisia, President Stated introduced {that a} constitutional referendum can be held in the summertime of 2022
Abuse and looting: the strategy of the Wagner militia in Africa
Guinea elections: ECOWAS calls for respect for its calendar set for February 2022


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(-) Company Equity
(-) 201-500 employees 27
Casual Dress, Company Equity, 201 - 500 employees
Tala is a mobile technology and data science company that is opening up financial access for underserved people around the world. Tala's smartphone app instantly evaluates customers for credit using only the data on their devices and delivers customized loans in minutes.
Verifi
Verifi is an innovative company, leading the FinTech industry with payment protection and management solutions for ecommerce merchants. Our SAAS based service is an end-to-end secure technology providing merchants immediate results. We continue to invest in our product suite to ensure we stay ahead of ever-changing payment methods.
Logistics • On-Demand
Clutter is an on-demand, physical storage and moving, technology company that is disrupting the $50B/year self-storage and moving industries. We've built an end-to-end logistics and supply chain platform, enabling us to offer consumers a much more convenient solution at price parity with the incumbents!
Appetize
Hardware • Information Technology
Appetize is a modern point of sale technology company transforming how sports, entertainment, education and professional service industries manage and process customer transactions at scale. Our enterprise-level solution has grown more than 125 percent year-over-year, increasingly gaining a larger percentage of the total POS market.
Prodege LLC
Prodege, LLC, parent of rewards community Swagbucks.com & cash-back shopping sites MyPoints.com & ShopAtHome.com has awarded over $500 million to its members. Our business solutions brands, ProdegeMR (market research), ProdegeDR (direct response) & ProdegeVN (video network) allow our partners to reach, influence and acquire consumers online.
Founded in 2010 by Andy Puddicombe and Rich Pierson, Headspace was created with one mission in mind: to improve the health and happiness of the world. With nearly 20 million users in more than 190 countries, the Headspace app offers hundreds of guided meditations designed to help with everything from stress and anxiety to relationships and sleep.
Wpromote
Agency • Digital Media
Wpromote has helped hundreds of clients from Fortune 500 companies to small startups grow their businesses online through search marketing, social, email, and programmatic. With unmatched experience in search marketing and an unrivaled dedication to our clients' results, Wpromote helps companies small and large act and move like large enterprises....
PatientPop
PatientPop is a rapidly-growing start-up in the heart of Silicon Beach. Our office knows how to play, and we're also serious about pursuing excellence and owning the results of everything we do. We value innovation and collaboration, and believe in empowering our team to build and drive their own careers.
Connexity Inc.
For over twenty years, Connexity has been building solutions and businesses that help clients better understand and connect with their consumers. Using proprietary technologies in segmentation, activation and ecommerce, our companies are global leaders in data-driven insights and marketing solutions.
TeleSign
Security • Software
TeleSign is the leader in Mobile Identity solutions, helping customers secure more than 3.5 billion end user accounts worldwide and prevent registration fraud, while improving user experience and managing support costs. TeleSign delivers account security and fraud prevention with two-factor authentication based on each user's Mobile Identity.
eCommerce • Retail
Loot Crate's mission is to discover, create and share the best content experiences in the world and transform the way people connect with pop culture both on and offline. Working here means that you're super innovative and endlessly creative. We craft solutions via cutting-edge technology, we design with a human-centered approach and we make...
Cannabis • Consumer Web
Formed in 2008, Weedmaps is the largest technology company focused on servicing the legalized marijuana industry in the United States and internationally by providing backend services for dispensaries, doctors, and deliveries. Our website gives over 4 million monthly visitors the ability to review and discuss these services while building a sense o
Scopely
Digital Media • Gaming
Headquartered in Los Angeles, California, Scopely is a global interactive entertainment company and leading mobile games publisher. Scopely's diverse game portfolio provides immersive experiences to both casual and core gamers around the globe. Scopely has operations in LA (HQ) and Barcelona with studios in eight countries across four continents.
We designs, builds and supports innovative technology solutions that create lasting experiences where people live, work and play. We specialize in Audio-Visual, Information Communication Technology and Security, with extensive experience in designing, project managing, engineering and service support.
Fair.com
Automotive • Fintech
Fair is an automotive FinTech company that's revolutionizing car buying by offering unprecedented freedom, flexibility and an end-to-end mobile experience. We believe fairness matters. That's why we've created a game-changing new app that lets you shop, get approved and pay for a car all on your phone with just a driver's license and bank account
The Honest Company® is a mission-driven consumer products company dedicated to empowering people to live happy, healthy lives. Consumers seeking thoughtfully formulated, safe and effective baby, personal care and beauty products can find The Honest Company products across North America via honest.com and at more than 17,000 retail locations.


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Search - The Cutting Edge - The Magic of Movie Editing on DVD
The Cutting Edge - The Magic of Movie Editing
Actors: Kathy Bates, Zach Staenberg, Jodie Foster, Michael Tronick, Anthony Minghella
Director: Wendy Apple
Genres: Documentary
Bullitt's dynamic editing, highlighted by its twisting, squealing, hill-leaping chase sequence that leaves viewers whooping and woozy, earned a 1968 Best Film Editing Oscar and helped make the film an action classic. How d... more »o film editors work this kind of magic? This fascinating program lets you in on the secrets. "What makes a movie a movie is the editing," says Zach Staenberg, Academy Award-winning* editor of the Matrix trilogy. Closeups, flashbacks, parallel action, slow motion, juxtaposition of images - these are just a few tools that make clips from Birth of a Nation to Pulp Fiction, The Battleship Potemkin to Gladiator indelible. Narrated by Kathy Bates and with interviews of a who's who of contemporary directors and editors, The Cutting Edge: The Magic of Movie Editing is, shot for shot and frame after frame, reel magic. « less
Creators: Alan Heim, Barry Rebo, Jeff Pickett, Jennifer Waldo, Nick Ware, Nobuo Isobe, Mark Jonathan Harris
Sub-Genres: Film History & Film Making
Format: DVD - Color,Widescreen - Closed-captioned,Subtitled
Screens: Color,Widescreen
Capturing Reality The Art of Documentary
Director: Pepita Ferrari
A Personal Journey with Martin Scorsese Through American Movies
Directors: Martin Scorsese, Michael Henry Wilson
Visions of Light The Art of Cinematography
Directors: Arnold Glassman, Stuart Samuels, Todd McCarthy
Director: Peter Webber
Director: Michael Rymer
R 1999 2hr 3min
Unrated Version
Director: Mary Harron
Street Fighter Alpha - The Movie
Director: Joe Romersa
Blood - The Last Vampire
Director: Hiroyuki Kitakubo
National Geographic - Lewis Clark - Great Journey West
Directors: William Kronick, Jack Kaufman, Bert Haanstra, Terry Sanders, Nicholas Clapp
Does not live up to billing
Stanley D. Williams, Ph.D. | Northville, MI USA | 09/20/2005
"I'm a filmmaker, university film instructor, and author/writer of film topics. I was excited to hear about this DVD because, to quote it's own blurb "this fascinating program lets you in on the secrets..." of film editing I had presumed. I expected an educational presentation that would dissect the cuts and the tricks, and show the development of a scene from the multiple takes and camera angles, and how an editor selects, massages, and makes it come together visually and aurally. There is a little of that... maybe 10%. The rest of it is talking heads about the "secrets" and the pontificating by directors and editors about how amazing they both are. Good Grief! Save me the self-aggrandizement. I think you've heard the adage: "Don't tell me, show me." There is far too much talking head about what is done, but there are no examples of scenes "in process" but only the final cut. The examples are only referential. Very disappointing. And Tarantino's gushing and hugging his editor has nothing to do with how editing works. This is a blatant ACE promotional piece masking as a documentary. Especially disappointing was the Sharon Stone crotch shots from Basic Instinct that destroys the DVD for high schools and makes it inappropriate for most other audiences. Even the director admits that the inclusion of these shots was NOT at the editor's discretion, but was his intent all along, no doubt to get at the audience's "basic instincts." The shots have everything to do with the story... but little to do with a secret of editing... more to do with the secrets and tricks of marketing. I had hoped to use this in my classes, but I cannot. I am returning the two I ordered. Can't use 'em."
This is a fascinating documentary
Paul McElligott | Lake Forest, CA | 08/03/2005
"if you are interested in the art of film. Note that this is the same documentary that was included as an extra in the recent DVD of Steve McQueen's "Bullitt" so if you already have that DVD, you don't need this. Of course, if you want to spend a few extra bucks, you can get this some documentary and a kick butt Steve McQueen movie to go with it."
Nice intro to editing
Bob Costa | FL United States | 10/04/2005
"It's NOT a technician's viewpoint of how to edit. It IS a great overview of the history of editing style and film. If you have never looked took film history classes, this may be the best intro to the art of editing I have seen. It is interesting for non-editors and editors alike. I watched the cable version several times, learning new things each time. It was especially interesting to see how and when editing broke the rules and forged new styles. It has made me much more connected with the art of my craft. WHhen I watch old movies now, I can place them in the correct "editing era" easily. I am now ordering the DVD since it supposedly has some extra material not covered in the broadcast version, and since it has already proven to be a good review for watching multiple times. The material on the relationships between director and editor are also very interesting to me. I would say that things I learned in this one video have improved my editing style by double."
Not enough Technique!
KayCee | 04/26/2006
"This DVD is a nice overview of editing history but the time spent with the talking heads (especially the "I love editing/editors" segments) could have been put to better use showing more sequences of editing choices and how the final selection was made to what effect. When one watches a program/film on editing, isn't the point to LEARN more than to be entertained? I wanted a film that explained the language of editing, the aesthetic/artistic process, the technical process and the end result on film viewer/reader so that my literature class could learn more about the unique elements of film as an artform in our examination of interpreting theme from narrative forms (including narrative film). Years ago, I could just copy segments from my VHS tapes to show my students exactly what I wanted so we didn't use two full class meetings with filler and still need to view something else to discuss lighting, sound and mise-en-scene!"
A decent introduction to the importance of the movie editor
Lawrance M. Bernabo | The Zenith City, Duluth, Minnesota | 07/31/2007
""The Cutting Edge: The Magic of Movie Editing" is a 2004 documentary celebrating the first century of film editing. Those expecting a fitting counterpart to "Visions of Light: The Art of Cinematography" are going to be a bit disappointed because this documentary is not on that same level. What you will find is part history lesson on the development of movie editing and part introduction to the things film editors do. The emphasis at the beginning is all about cutting, but we will learn that film editors make a lot of other decisions and there are lots of film editors and directors appearing as talking heads to explain these things with accompanying examples from lots of classic (and not so classic) films. Quentin Tarantino speaks to the importance of a single frame and his reasons for deciding to work with a female film editor, and Steven Spielberg talks about the objectivity of the film editor. But you have to wish that this documentary could have let these points be made by the film editors themselves since one of the premises here is that film editors are often forgotten when people think about how a film is made.
The history lesson begins with not only the creation of movie editing when Edwin Porter, one of Thomas Edison's employees, first cut scenes together to create a story in 1903, first in "The Life of an American Fireman" and then the more famous "Great Train Robbery." A theoretical distinction between the polar approaches of D.W. Griffith's seamless editing, as in "The Birth of a Nation," versus the more manipulative approach of Russian documentary filmmaker Dziga Vertov and his team in "Man with a Movie Camera" and later Sergei Eisenstein in "Battleship Potemkin." The history of film editing seems to come down to certain individuals who were in the right place at the right time, but there is also the interesting observation that originally women were film editors because the task was seen as being akin to knitting, and it was not until sound was introduced and the process became so "technical" than men started doing the job instead. Ultimately the goal in this documentary is not just to be informative but to persuade viewers that after the director and the stars the film editor is the most important person involved in the production of a film and in creating "the final script."
Sections are devoted to the general idea of cutting action, suspense, or sex, as well as cutting for the studios or to make the actor a star. At one point "The Rules" are established, and then the documentary looks at how successful film editors have broken all of those rules. Specific examples of editing that look at the specific choices that were made are fairly rare in this documentary. There is a brief example from "Home for the Holiday" where we actually get to see some of the choices for cutting a scene where a turkey falls on Cynthia Stevenson, but usually all you get is the editor describing after the fact what they did, as with Walter Murch and the hotel sequence at the start of "Apocalypse Now." There are a couple of choice examples of how sound comes into play with Pietro Scalla in "Black Hawk Down" and Tina Hirsch in "Dante's Peak," that helps to expand our notion of film editing. Then you have the extreme case of Alan Heim convincing director Bob Fosse to cut 20 minutes following the climactic courtroom scene in "Lenny" to get to Bruce's death. The problem is every time you get one of these specific examples you want more and the documentary is more likely to get back to a general topic (I was waiting for a section on the concept of American montage exemplified by the baptism scene in "The Godfather," but that never came). Still, you do get a decent introduction to the topic."


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MAXKO Has been the established year 2008 at Commercial Court in Zagreb, and it's based in city Sisak, Croatia.
From the beginning, we have been based on making video games. After first completed MMORPG game we have opened doors for web and software developing. Since we use five of our own servers and view of the datacenter insight we have space for expansion we decide 2011 open dedicated server hosting and web hosting. Since then we have more than 10.000 satisfied clients and the number continues to grow, because of our hard work and dedication for our clients that we guarantee. Our team is made of programmers, designers, technicians, all the way to help you with the toughest moments. Our datacenter is equipped with the latest technology and security systems that are following servers 24 hours a day.
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Although the action of a spatial light modulator (SLM) is usually restricted to certain locations on the operating curve of the complex plane, NASA is planning to use architectures that allow two continuously variable SLMs to function jointly so as to access the full interior of a closed curve in the complex plane. This paper describes three fundamental methods for attaining full complex modulation. The mathematics for two of these methods is presented, and signal decomposition in their terms is outlined.


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Laurynas Birutis (born 27 August 1997) is a Lithuanian professional basketball player for Žalgiris Kaunas of Lithuanian Basketball League (LKL) and the EuroLeague.

Professional career

BC Zalgiris junior team and debut in LKL
Birutis started his professional career when he signed with BC Žalgiris-2 in summer 2014. On January 5, 2016, in a match  against BC Petrochema he made a National Basketball League record by rebounding 23 balls. Later, that season he won silver medals with Žalgiris-2, who lost the final game against BC Sūduva.

On 14 April 2017, after dominating in the second-tier National Basketball League with 17.4 points, 9.0 rebounds, 1.4 assists and 2 blocks averages per game, Birutis was invited to join the top-tier Lithuanian Basketball League playoffs team Vytautas Prienai–Birštonas. Birutis powerfully debuted on 15 April 2017 by scoring 17 points and grabbing 4 rebounds, but his team lost 92–89 after Justas Tamulis buzzer-beater. Two days later, he achieved his first 96–89 victory in LKL versus the Neptūnas Klaipėda, and he was second-best Vytautas' scorer with 19 points and 6 rebounds.

BC Šiauliai
On 1 August 2017, Birutis joined his hometown team BC Šiauliai. During the 2018 Karaliaus Mindaugo taurė quarter-final versus the Lithuanian champions Žalgiris Kaunas, Birutis played his career-best game by scoring 35 points, grabbing 11 rebounds, dishing out 2 assists and blocking one shot, however his team lost 85–78. On 18 April 2018, Birutis entered his name into the 2018 NBA Draft. During his second LKL season, he led all three main statistical lines of his position in the league: 14,9 points, 7,3 rebounds and 1,3 blocks. After his astonishing season, Birutis has received the LKL Most Valuable Player Award. Moreover, with his help BC Šiauliai recovered from having the worst record in the league last season (6–30) and became a solid playoffs participant by finishing in the 5th place during the regular season (16–20). During the season closing ceremony he was also named as the best young player of LKL. It was announced at the end of the season that Birutis would return to Žalgiris for the 2018–2019 season.

BC Žalgiris
Birutis joined Lithuanian champions BC Žalgiris and had debut in EuroLeague on 12 October 2018 against Saski Baskonia. He scored 7 points in 10 minutes. Birutis struggled all season from start with injury, couldn't practise because of pain, which led to surgery on 14 February 2019. On 1 June he won his first Lietuvos krepšinio lyga title.

BC Prienai
On 23 November he came back after recovery from injury, and had 9 points and 4 rebounds including game-winning shot in 16 mins in a thrilling win 81:79 against BC Pieno žvaigždės. Later he earned player of the month award in February. He had his best game on 1 February 2020 against BC Neptūnas in which he scored 25 points and gathered 36 efficiency value. In that season he averaged 15,2 points (2nd in the League), 7 rebounds (2nd in the League) and 20,4 efficiency (1st in the League).

Monbus Obradoiro
On July 24, 2020, he has signed with Monbus Obradoiro of the Spanish Liga ACB. On 28 September 2020, after averaging 19.3 points, 8 rebounds and 1 block per game, Birutis was named Liga ACB MVP of September.

National team career
Laurynas Birutis debuted for the Lithuania men's u-16 basketball team in the 2013 FIBA Europe Under-16 Championship in Ukraine. He won bronze medals with Lithuania men's u-18 basketball team in the 2015 FIBA Europe Under-18 Championship. Birutis, together with his age teammates: Tadas Sedekerskis and Martynas Varnas, was invited to play in the FIBA's Youth All-Star Game during EuroBasket 2015. On February 26, 2018, Birutis debuted as a member of the Lithuania men's national basketball team by scoring 8 points and grabbing 6 rebounds, and helped to crush the Kosovo national basketball team 106–50 during the 2019 FIBA Basketball World Cup qualification.

He had his second chance with Lithuania men's national basketball team in game against Czech Republic men's national basketball team in come-back win 97:89 in EuroBasket 2022 qualification game. He scored 17 points and 3 rebounds in 15 mins and had best +/- value in the team (+20).

Personal life
Laurynas is the son of former long-term BC Šiauliai player Sigitas Birutis.

References

External links
 FIBA profile

1997 births
Living people
BC Prienai players
BC Šiauliai players
BC Žalgiris players
Centers (basketball)
Liga ACB players
Lithuanian expatriate basketball people in Spain
Lithuanian men's basketball players
Obradoiro CAB players

redpajama_set_name: RedPajamaWikipedia


We've heard tons of great feedback from librarians who've checked out LibGuides v2 – and as always, thanks so much for getting in touch and letting us know what you think! One feature in particular generated more kudos and "Oh wow, that's awesome!"s than the rest – we've heard your overwhelming enthusiasm for the new LibGuides A-Z Database Management tool loud and clear!
Your enthusiasm was, frankly, contagious. It inspired us to improve the A-Z Database Management tool even further, and we can't wait to show you what we've cooked up! We've redesigned the A-Z Databases page and added two major classification facets – Databases by Type (full-text, abstracts, e-books, etc.) and Databases by Vendor. These features are available to everyone on the LibGuides v2 platform.
Holy cannoli, that's right – we've heard a lot of love out there for the new subject based classifications for databases & electronic resources, so we thought, why not take it a step further and offer even more finely grained classifications and filters? A scan of existing A-Z database guides confirmed that many folks already use classifications for "Type" of database/resource and "Vendor/Provider" of the database. These classification options are now a standard part of the "Databases" asset type in LibGuides v2 – huzzah!
Best of all, these filters work together. Let's say a patron needs full text sociology articles – just select Subject: sociology and Database Type: Full Text, and bang – a targeted list of resources appears!
Select Manage Database Types -> Add Database Type.
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Together with the rest of the new A-Z functionality, including the ability to highlight Best Bets for each subject, and the ability to assign permalinks/friendly URL to databases, the A-Z functionality in LibGuides gives you everything you need to effectively manage your A-Z databases list. We're confident your patrons will love the new A-Z page as well!
Am I limited to including only paid resources in this list? Currently our definition of database is broad and government resources as well as professional association pages are in our A-Z list. Cleaning up the list to prepare for migration is a great exercise – I'm wondering if it's necessary to remove the non-paid databases from this list. Thanks.
Hi Accacia – apologies for the delayed reply! Don't worry about limiting your list to just paid resources – your A-Z list can contain whatever links you want. 🙂 I'm glad to hear that cleaning up the list has been a good exercise!
I assume we'll still be able use HTML within the database descriptions to hyperlink to other pages? For instance, within our description to Academic Search Premier, we hyperlink to a tutorial on how to search it.
Yes, you're right – you'll still be able to use HTML in the database descriptions to link to other pages.
Is there/Will there be a link to Summon/360 Core resources in LibGuides 2.0 as there was in v1.0? Apologies if it is there and I just can't find it. Thanks!
Apologies for the delayed reply Jason! What do you mean when you say link to Summon / 360 Core resources? Can you point me to / describe what you mean in v1?
There will be an import option eventually. We're also going to be working on the Summon Discipline integration. We'll be working on both of these this summer. Does that help answer your question, or was it something different you were looking for?
Under Admin Stuff -> Link Management, there is an option for the A-Z list to import from Serial Solutions. I can't find a similar option in v2 of LibGuides. I realized that I meant to type "Serial Solutions" rather than "Summon" in my question above.
That is something we're planning on adding to the system, but (as you noticed), isn't currently there.
The best thing folks can currently do in terms of database import into LGv2 is use the tools in the migration admin area of their v1 site to choose which links should be imported into their v2 site as Database Assets. More on that can be found in our guide on updating to v2 – log into your v2 site, click Help, then choose the "Updating to LibGuides v2 (including Migration)" guide.
In the new LibGuides v2 can you explain how you update the database list once its in LibGudies v2? Do you re-import everything and then libgudes will keep the dupes and get rid of the broken links for you?
Apologies for the delay in our response!
If you're asking about the Serials Solutions import, that works just as it did in v1 with regard to re-running the import: any changes / new databases in the list will be flagged (checked off) and those databases will be updated (or imported, in the case of new items). Anything that hasn't changed will be ignored. You can choose to uncheck items before processing the updates, if you do not wish to update those databases at that time. Nothing is ever deleted – so if you marked a database as cancelled in Serials Solutions, the import will not remove that database from your list. You must make any deletions manually within LibGuides.
If you're asking about the Excel import, if you run a subsequent import, it will only import new items and will ignore all previously added databases – it will not update or delete any of them. So once you import your databases via the Excel import, you must update databases manually.
If you were asking something completely different from this, please email us at support@springshare.com with as many details as possible about what you're looking to do / what you're curious about, and we'll get you an answer as quickly as we can!


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Are you craving a vegetarian burger to stuff your bun with?
Well, this Quinoa veggie burger with tofu and aubergine recipe may be something for you.
It's C50-P25-F25, Vegetarian, Egg-free, Dairy-free and most of all it's really inexpensive.
How much does this recipe cost **?
I always make these quinoa veggie burgers in advance, let them cool and store in the fridge. During the day when I need a snack or a proper meal I have them ready to go. Just heat them up and put them in a couple of corn cakes or rye buns.
This way the mid-afternoon snack is easy peasy and I only need one or two. So nourishing and complete.
Quinoa is so versatile I use it both in savoury and sweet stuff.
For instance, these Quinoa and philadelphia mini-cheesecakes are a must all year round.
with baked potatoes or a cup of rice and so much more, just be creative.
Since I switched to a pescatarian diet, even if most of my meals are actually plant-based, I've been in love with all kind of vegetarian burgers, veggie patties and tots. It's fun, effortless and, last but don't least, flavoursome.
I'm used to making these easy veggie burgers in bulk, and then put them in the freezer saving time for afterwards….obviously only if everything is originally fresh, I mean not thawed before hand…in that case refreezing is banned.
The calories of these vegetarian burgers are pretty low, around 110 each so it's basically a mid-afternoon or post-workout snack. Otherwise, you can pick up as many as you need for a more nutritious lunch or dinner.
To make this dish, I spent a total of € 1.92 and € 0.38 each burger. Cheap and put together in +/- 30 minutes!
Rinse the quinoa and cook it as written on the box, mine required 10 minutes.
Roughly chop the aubergine and the carrot and soften them in the microwave for 5-7 minutes in a proper microwaveable container.
Let them cool a little and put them in the food processor, don't blend till completely smooth, but pulse gently instead.
Mince the tofu in the food processor and place it in the mixing bowl along with the previously cooked quinoa and all the blended veggies.
Add 2 tbsp of soy flour and stir well.
Season with salt, ground pepper, chopped parsley, and powdered nutmeg and mix everything evenly.
Set in the fridge for 10-15 minutes to make it firmer.
Line the baking tray with baking paper.
You could shape the burger using a round dough cutter filling it with 2 spoons or an ice cream spoon and then press gently the surface to the bottom, as I do…it's easier and quicker.
Otherwise, if you haven't this tool just shape 5 balls helping yourself with 2 spoons or an ice cream spoon and gently press them down with the palm of your hand.
Cook in the oven for 20-25 minutes at 180°C.
Let them cool a little and put them in the food processor, don't blend till completely smooth, but pulse gently instead.
You could shape the burger using a round dough cutter filling it with 2 spoons or an ice cream spoon and then press gently the surface to the bottom, as I do...it's easier and quicker.
Otherwise, if you haven't this tool just shape 5 balls helping yourself with 2 spoons or an ice cream spoon and gently press them down with the palm of your hand.
When you make one of my recipes, take a picture, tag me on instagram@lemabor, I'll be very glad to see your creations !


text:
Joseph McKee (1867 – 1946)
Joseph McKee was born in Balyihoridan, Armagh, Ireland 24 May 1867 to Joseph McKee, a labourer and Margaret (nee Gorman)1.
He married his wife, Mary King, in Belfast on 25 April 1886 when he was just 19, still a minor under Ireland's rules. At that time, he was working as a labourer. The fathers of Joseph and Mary served as witnesses5.
By 1891, Joseph, his wife Mary, his mother-in-law Ellen and their young son were living at 52 Main Street in Rutherglen where he was working as a labourer2. In 1901, Joseph and his expanded family, which now included William, Teresa, Ellen, Maggie and his mother Margaret had moved 61 King Street3, where he would live the remainder of his life. He was now working as a brusher in coal mining. Annie and Dennis increased the family size and Joseph continued to work as brusher in 19114. A brusher was the person who gets the mineral down by blasting in the working face after it has been holed (sounds like a dangerous job). By 1922 he had changed jobs and was working as a steel furnanceman8 and was listed as a steelworker on his death6.
Joseph died 1946 at the age of 78 from chronic bronchitis (likely caused by the years in the coal mine) and cardiac failure6. He is buried in St. Peter's Cemetery, Dalbeth, Glasgow7.
Link to Joseph McKee in Genealogy
1Births (CR) Ireland. Armagh. 24 May 1867. MCKEE, Joseph. 02281810 43 birth #445, group registration id 7858143. http://irishgenalogy.ie: accessed 08 Jan 2018.
2Census. 1891. Scotland. Rutherglen. 654/10/12. http://www.scotlandspeople.gov.uk: accessed 2018 April 01.
3Census. 1901. Scotland. Rutherglen. 654/19/2. http://www.scotlandspeople.gov.uk: accessed 2017.
4Census. 1911. Scotland. Rutherglen. 654/5/3 http://www.scotlandspeople.gov.uk: accessed 2017.
5Marriages (CR) Ireland. RD: Belfast, Antrim. 12 May 1886. MCKEE, Joseph and KING, Mary. 08951661 475, group registration id 2372071. http://www.irishgenalogy.ie: accessed 08 Jan 2018.
6Deaths (CR) Scotland. Rutherglen, Lanark. 29 March 1946. MCKEE, Joseph. 654/104. http://www.scotlandspeople.gov.uk: accessed 2018.
7Burials (NPR) Scotland. Glasgow. St. Peter's Dalbeth Cemetery. 1 April 1946. MCKEE, Joseph. CSP 115 234. http://www.scotlandspeople.gov.uk: accessed 2018.
8Marriages (CR) England. Barnet, Middlesex and Hereford. 28 February 1922. ROSS, Charles and MCKEE, Ellen Mary. 167.


text:
Q: Type The nested type CubeRanks cannot hide an enclosing type I have a problem with my java plugin.
This is never i had before. Normal it went all good.
Here is the code:
package me.brian.CubeRanks;

import me.brian.CubeRanks.CubeRanks;
import org.bukkit.plugin.java.JavaPlugin;
import java.util.ArrayList;
import java.util.logging.Logger;
import org.bukkit.ChatColor;
import org.bukkit.command.Command;
import org.bukkit.command.CommandSender;
import org.bukkit.entity.Player;
import org.bukkit.plugin.PluginManager;

public class CubeRanks {

    public class CubeRanks extends JavaPlugin {

        public static CubeRanks plugin;
        public final Logger log = Logger.getLogger("Minecraft");
        public boolean enabled = false;
        public final PlayerListener pl = new PlayerListener(this);
        public final ArrayList<Player> OreHunterUsers = new ArrayList<Player>();
        public String cr = "[CubeRanks] ";

        @Override
        public void onEnable() {
            log.info(cr + "is now enabled.");
            PluginManager pm = getServer().getPluginManager();
            pm.registerEvents(pl, this);

        }

        @Override
        public void onDisable() {
            log.info(cr + "is now disabled.");
        }

        @Override
        public boolean onCommand(CommandSender sender, Command cmd, String commandLabel, String[] args) {
            if(commandLabel.equalsIgnoreCase("CubeRanks")) {
                if(args.length==0) {
                    if(!enabled) {
                        enabled = true;
                        ((Player) sender).sendMessage(ChatColor.GREEN + cr + "is now enabled");
                    }
                    else {
                        enabled = false;
                        ((Player) sender).sendMessage(ChatColor.RED + cr + "is now disbaled");
                    }
                }
            }
            return false;
        }
    }
}

Can someone see whats wrong?
Whole Error Code:
Description Resource    Path    Location    Type
The nested type CubeRanks cannot hide an enclosing type CubeRanks.java  /CubeRanks/src/me/brian/CubeRanks   line 16 Java Problem
Photo of the error: This is the error

A: You have a class enclosing a class of the same name. I'm not sure why you have that outer CubeRanks class, but either get rid of the outer one, or rename one of them.
public class CubeRanks { // remove or rename

    public class CubeRanks extends JavaPlugin { // or rename this
        ...
    }

}

Syntactically, the reason why you can't have an inner class that is the same name as its outer class is to remove the following ambiguity:
public class Ambiguous {
    public class Ambiguous {
        Ambiguous a; // <-- which type is Ambiguous referring to here?
    }
}

You could argue that the most recent enclosing type name could take precedence, but then how would you refer to the outer type? While there are theoretically ways to design a language around all of that, it's easier to just disallow it.

redpajama_set_name: RedPajamaStackExchange


If I just had a coffee bean for every time someone asked me what is the "PERFECT BEAN" . The number of factors required to obtain a consistent bean from one source could fill a book. Coffee is an agricultural product that changes with weather, preparation, shipping, storage and a whole host of other factors. In order to regularly be able to produce a certain "CUP" you need to blend both coffees and roasts. This is where the fun really begins. Now you are not just taking the beans someone else has chosen and roasting them to your preferred roast profile, you are making blends that are your very own based on your unique coffee preferences.
We in the Specialty Coffee business look for 4 main things when cupping coffee. Number one, DEFECTS. This is simply flavors that have gotten into the beans that shouldn't be, re: ferment, musty, chemically and many other flavors that could have been picked up along the way to your cup. The three that concern your blending are: AROMA, BODY and ACIDITY the combinations of which give us the CUP. All of these are desired characteristics in a great cup of coffee and there are many coffees from single origin that have a very nice balance of all three. When you desire to build a "better cup" that is when you look for the characteristics you desire and fill your cup with them by blending.
Here is a great starting point: Costa Rica has, in my opinion, the most perfectly balanced coffee in the world with an aroma which is strong and delightful. Sumatra which also has very nice aroma, is known for its very heavy body and brings interesting flavors to your cup which are developed by the method of preparation at source. The most acidic coffees come from Ethiopia and add zip to your cup. I compare Ethiopians (I like the Yirgacheffe) to adding tobasco to chicken soup it gives just that little extra to brighten up the cup.
Always roast these coffees separately and change the proportions to suit your desired "cup". Here is where I would start if you like dark roasted coffee. 40% French roasted Costa Rican (very hard bean, takes dark roast well), 40% Vienna/Full City roast Sumatra and 20% Cinnamon/City roast Ethiopian. Get your green beans here.
Buy a set of pyrex custard bowls to do your testing. After you have roasted, blended and ground the beans, put a heaping Tablespoon into a custard bowl, add 6 fl oz boiling water and investigate. Smell the aroma then with a spoon break the crust of coffee grounds floating on top. Catch the burst of aroma that explodes out of the cup when you break the crust. Strain the grounds out and taste by slurping off a spoon in order to spread the coffee across your palate (you may want to then spit it out, we do when cupping). You are looking for body and acidity making up the balance you desire for your personal cup. Keep notes as to what you find and how you grade each concoction. Do this often and you will learn tons about what makes up this nectar of the gods and easily be able to find the secret coffee that is your "perfect cup".
This is the new larger capacity roaster from Fresh Beans.The Fresh Roast SR340 is a larger version of the plus 8. It will roast twice the capacity of the Plus8 and features a digital time display. The maximum timer setting is 9.9 minutes.At any point during the roast time can be added or subtracted in 6 second intervals by a tap on the button. The timer can be overridden by pushing the cool button which will put the unit into the 3 minute cool cycle. This is a simple to operate unit and is a great value for the money. It will roast 4 scoops of beans, about 5 oz. of green coffee beans per roast. It is highly recommended that when roasting multiple batches of beans to let the roaster cool for 20-30 minutes in between roasts. The Fresh Roast SR340 Coffee Bean Roaster will give you unlimited possibilities for formulating your own blends from our extensive selection of the finest quality green beans. And your Fresh Roast SR340 Coffee Bean Roaster will roast coffee for any type of coffee maker, including espresso machines. This machine carries a manufacturer's one-year limited warranty. For on-line manual, replacement parts and roasting tips, see www.freshbeansinc.com.
Clean, crisp bags that have the look to match the quality of your freshly roasted coffee beans. The glassine keeps the oxygen at bay and the beans fresh. Make your own label and they're perfect for gift-giving. These smart looking bags are 4 1/4 inches wide, 2 1/2 inches deep and 10 inchess high and easily hold a full pound of your freshly roasted coffee beans.
Roasting your own coffee beans at home is: EASY, FUN and produces the best coffee in the world at a fraction of what you would expect to pay.
All you need to roast your own coffee at home is: Coffee Beans (buy your green coffee beans from U-Roast-Em, we know you will enjoy them), an oven, cookie sheet, colander and an oven mitt. You can also use a skillet, a popcorn air popper, our FRESH ROAST coffee roaster or our new BLUE MOON POTTERY Roaster (see below).
Pre-heat your oven to 500 degrees F. Spread beans evenly one layer deep on a cookie sheet, airbake is best. Place sheet on the middle shelf of your pre-heated oven. In about 8-10 minutes, there should be a crackling noise along with smoke and an essence of burnt coffee. From this point the roast moves quickly, pay attention. 2-3 minutes after the crakling noise the coffee should be reaching the shade you like. When the beans reach your desired shade, quickly and carefully remove sheet from your oven and dump into the colander. Stirring with a wooden spoon will speed up the cooling. Over a sink, or outside, gently toss beans to remove chaff separated during the roasting process.
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Make sure you check out our coffee blending instructions to create a coffee blend that is uniquely you.
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Perfect for the beginning home roaster!