text:
3. Part 2: Alicia Thompson on self-reinvention after a job loss and bad PR.
In Part 2, Alicia Thompson discusses how to prepare for and bounce back from losing a job and why PR has such bad PR.
Rudy: Hey, this is Rudy Fernandez from Creative Outhouse. In part two of my conversation with Alicia Thompson we talk about the biggest professional upheaval any of us can experience, losing your job. How do you bounce back from that and how do you prepare for it? Alicia also shares her thoughts on why PR has such bad PR. And lastly, we talked about the qualities of people who are in marketing and why we like them. Check this out.
Earcon: You're listening to Marketing Upheaval from Creative Outhouse.
Rudy: So, I want to talk to you about sensitive subject. I know we've talked about this before in terms of upheaval and you've experienced an enormous upheaval by the worst upheaval that we all have nightmares about in that you lost your job.
Alicia: Yup.
Rudy: I travel around a lot, I've worked in a lot of different companies, and that is the single most unwritten fear everyone has. And of course it always is there. If you have a job, you're always worried about keeping the job. But the difference, and this is my opinion, the difference was always if I work hard, if I do my job, if I, unless we lose business, if I do what I'm supposed to do, I'm going to keep my job but …
Alicia: Not true anymore.
Rudy: Now it's like, "Well guess what we just changed." Instead of, "We've had the strategic plan working for two years." Like, "No, we're going somewhere else." That's what I'm seeing and it sounds like you've experienced that very thing.
Alicia: Yeah.
Rudy: So, you want to talk a little bit about that?
Alicia: Yeah. I mean it's become so commonplace and I can't tell you how many of my friends and colleagues were all in the same boat but yeah my job was eliminated in April and I think it's one of those situations where in the back of your head you always know it's a possibility but when you get called to the office in HR and say, "Your job's been eliminated." You have this moment of like, "Oh wait, wait, you're joking right? I wasn't expecting this." And then, you go to this moment of panic where like, "Okay." So then you start thinking about your, all these things go through your head within a ten second span and then you have one of two reactions and you either go, "Okay, I'm going to embrace this for what it is and let's talk about the financial part." Or, you have a meltdown.
Rudy: Or you do both.
Alicia: Or you do both, one first and then the other. And that's why one of the things I always tell young women, especially, when I speak is having your financial house in order. You can't predict the future. And I know kids graduate, kids, sound old, young people graduate from college and now they finally have income and they want to buy this. I'm like, "That old adage your parents tell you pay yourself first. It's really important." Because these days you don't know if you're going to have a job. You can be great at what do to your point and the next day you don't have a gig.
Alicia: So, I think part of the other thing that was important to me is over the course of my career making sure I had built good relationships, not just made me get contacts because good contacts are great but the relationships are important because when you find yourself in a situation like this you need to be able to call on good colleagues that you've worked with in the past. And don't be embarrassed and don't be afraid to tell people, "Hey, I'm out of work." A lot of people go through that, they're embarrassed. And I'm like even firings are as taboo as they used to be, certainly getting laid off and transitioned out isn't a bad thing. So, feel free to tell people that, take that burden off of yourself and let people help you.
Alicia: We have a really hard time letting people help us. Be open to people saying, "Hey, let me contact this person to let them know you're out of a job. Let me connect you with so-and-so. You guys have coffee. I don't know if they have anything but it's good for you to meet more people." And so, you have to work your network and that's exactly what I've done and have some good leads and have skills to fall back on with signature leadership being able to do some special projects and some freelance gigs that way. And you just, keep your head up, it is what it is. Life is just too short to let a blip, and it is a blip in the greater span of your life, get you down.
Rudy: Well, I think two things. The relationship thing is very important. I have found for as much as advertising and PR gets sort of, have bad PR. I want to ask you about that later. But we have this reputation of being these manipulative, sleazy people. I've been in this for 30 years. I really, most everyone I've met in this business has been wonderful.
Alicia: Good people.
Rudy: And whenever I've needed anything you reach out and you say, "Hey, I need this." Or even if it's, "I need work or I need … Can you recommend that?" Always fast to help. I've never, because everybody's been there and even if you haven't been there you're worried that you're …
Alicia: You're worried that you're next. So, good karma comes back if you help people. So yeah, I mean I just think one again don't be embarrassed. It is what it is. It's the trend now unfortunately. And in our industry, marketing PR and ad dollars are the first to get cut so we're usually the first ones out the door.
Rudy: Well, I'm in creative and my background is advertising so now that's changed quite a bit.
Alicia: Yeah. And the running joke is that, the running joke used to be that the PR people were the last ones out the door because we had to send out the final communication but that's not true anymore.
Rudy: So, you had mentioned not being embarrassed when you lose a job. I wonder how our role and how our view of work has changed. So, it used to be like my mom, my mom had a job, she had family, she had a job and that was, she had to pay the bills. It's moved from job, then you have a career, and it's almost now it's a calling. How much of our egos are wrapped into what we do for a living?
Alicia: Huge, huge amount. We get caught in having the title, and the corner office, and the assigned parking space, and the stock options. I call them the golden handcuffs. And I think what's crazy is when you lose a job or when you opt to leave a job there is this mourning that goes along with that where you're like, "Oh, who am I?" Without all the trappings of what you had you have to take the time to figure out who you are because work has become, for most of us, the center around, everything else in our lives revolves around work and the fact that we are attached to some device that allows us to check email and for people to get in touch with us at all times, it makes it challenging.
Alicia: And I remember when I left Popeye's of my own accord and when I left because I was the face of the brand in the community there were people in Atlanta that called me Ms. Popeye's and I was like, "Oh God. They don't even know my name." And so when I'd run into them they'd go, "Hey Ms. Popeye's." "Well actually I'm not with Popeye's anymore, my name's Alicia." It was a momentary lapse of like, "I don't know who I am without that." And I think a lot of people struggle with that because that has become such a core part of ego for people to be able to say, "I am the X, Y, Z of X company." That it's a very difficult transition when that's no longer their situation.
Rudy: So how do you adjust to that? First of all, how do you avoid that? How do you avoid making that be such an integral part of your identity?
Alicia: I think it's part of how you're wired and I think our world today has made those types of things important and relevant and that's what gives people their sense of self but I think it's a personal reflection that you have to go, "Whoa." You have to reprioritize things in your life. And I think it's a lot easier for people with families than it is for those of us that don't have spouses, and children, and things like that. And that's why some people say when something traumatic happens in their family finally the light bulb goes off that, "Oh wait, my wife's having surgery. I can't be at that meeting. You don't understand. This is what's important to me."
Alicia: And so, I think it's a situation that happens or it's just a self reflection where people reach a point in life and go, "I can't do it." But I see a lot of millennials that aren't buying that. They are not drinking that Kool-aid. They are like, "No, I want to go hang out with friends, and I want to see my family, and I want to have work life balance. I want to go run in the evening. I want to go do this." And so I think we're seeing a generational shift. I think baby boomers, and Gen X'ers, we were all in that space but the generations behind are like, "You people are crazy."
Rudy: Now, I hope that's right. And part of it may be, and I've brought this up before, they started to come into the workforce during the economic collapse and the ones younger than them saw their parents lose everything in a moment. So I imagine that those sorts of trappings, maybe they're more cautious of. I hope so because I think I've spent too much of my career worried about my career and not as much enjoying my career. So, I'm trying to change that now.
Alicia: And, I have a couple of colleagues that I knew were like, "When I retire I'm going to do X." And, "When I retire I'm going to do this. I bought a plane. I bought a boat. I'm going to travel with my family." And then they retire and six months later they're dead. That happened to two of my colleagues. Within six months of retiring they were gone. And I'm like, "You spent 40 years working your fingers to the bone, not spending time with your family, and now when you thought you were." And, you have those moments where you go, "I will not be that person. I promise you. I just can't be that person." So, I do believe we're seeing a generational shift and we're seeing millennials and those folks really saying, "Yeah those things aren't as important to me as they were to my parents." And I'm hopeful that that sentiment will continue in the generations that follow and we aren't just in a pendulum swing that will come back the other way at some point down the line.
Rudy: That's the good part of the upheaval.
Alicia: Yes, absolutely. Maybe there'll be some positive change, some change for good in people's behaviors.
Rudy: PR has such bad PR. So, whenever anybody, let's say a government organization hires a PR agency people lose their minds, "PR, why do you need that?" In a movie the PR guy is, he's never the hero.
Alicia: No.
Rudy: Why is that? Why does PR have such bad PR?
Alicia: I think it all starts with a really prominent person in the history of PR which is PT Barnum.
Rudy: Of course.
Alicia: Duh. But I think people don't like to be manipulated. It is human nature not to like to be manipulated which is I think why advertising is not, we're leading the crowd by advertising slightly behind us, is that people sometimes feel that spin or the stories that PR people place with the media are only put there to put their brand, client, product, service, in a wonderfully glowing light. And we are, that's exactly what we're supposedly, that's what we're hired to do. But people really take offense to that until a crisis happens and then we're the heroes. But I do believe it's this just human nature of not liking to be manipulated and they see what we do in broad strokes as some type of a manipulation.
Rudy: And yeah, I've seen more and more in creative and in marketing how letting people in, like the Wendy's example. People know that that is a team of writers. They know it's not really. They let people in on the secret so they don't feel like they're being manipulated. But I was actually having this conversation with a friend about advertising, PR, manipulation. And we were at a Starbucks and she ordered a coffee with soy milk in it. There's no such thing as soy milk because it doesn't come from a mammal. It's actually soy juice but if they call it that you wouldn't put it in your coffee and she didn't like hearing that by the way.
Alicia: Well, it's the same with almond milk, and cashew milk, and all the other kind of milks that we've buy.
Rudy: It's a manipulation but it's a way to sell.
Alicia: Yeah absolutely.
Rudy: It's all around us all the time
Alicia: And you buy it, that's the problem. You can't be mad at us because you buy the messages that we put out. So, it makes me laugh. My brother is very much a big brother conspiracy theorist kind of person and he hates what I do.
Rudy: Oh really?
Alicia: He hates PR. "You're always putting this, adding this extra layer fluff that nobody really cares about." I'm like you are still listening even if you're complaining about it you heard it so.
Rudy: Mine, I have a better one. My mother met someone, this is a woman who was helping her, she met her maybe five or six months ago and she said, "She used to be in marketing. What's marketing?" Okay mom. She just, I guess it was a mystery how I've paid my bills these last several years.
Alicia: It's okay.
Rudy: So if you look ahead at things that are changing, what are you most excited about in this upheaval and what scares you the most?
Alicia: So, I think the innovation that is ahead and it's going to be moving at even more increasingly faster speeds is something that I'm looking for because even though I'm out of it at the moment, maybe short term or long term, but just watching that is going to be fascinating. Because the generations coming up behind how they with "media" is so different than what I even, how I even engage, and to innovate, to be able to keep up with their short term attention spans and things like that is going to be fascinating. And then, that same speed of innovation terrifies me because as someone still working in the industry I can't keep up that fast.
Rudy: I can't either.
Alicia: So it's like what happens to those of us that still have a lot to bring to the table but just can't keep up with the pace of how things are moving forward. And so, where do the lines blur and where do we try to find a happy medium of appreciating the old while embracing the new?
Rudy: I was talking to someone yesterday, he's an art director, I asked him what he was working on. He said, "Well, I'm just creating some social content." And I said, "What is that?" He said, "Ads."
Alicia: Just new terms.
Rudy: Just say ads. It's like, "Yeah, they're 15 second ads they're going to run."
Alicia: But they're running it on social. And so, I think a lot of the skillsets that we still have it's just now where the portals and the media by which they're being pushed out. But if you don't know the right terminology I mean my team at Edible Arrangements are millennials and they'd say something and I've probably got that strange look on my face like, "That's something I'm going to have to Google when they leave my office."
Rudy: Yeah, I've done that.
Alicia: And they would go, "Do you know what we're talking about?" And I'd go, "No, why don't you explain it?" And = both of them would just roll their eyes. Like, "How can she not know that?" And it's like it's not the world I live in.
Rudy: Yeah. Some things stay the same.
Rudy: But some things obviously change. But I think a lot of the things that say the same just have different names.
Alicia: They do. They absolutely do. And I think the world of marketing is a very interesting world that I would say probably has evolved more so than a lot of other industries. It's had to to keep out.
Rudy: Oh gosh yes.
Alicia: And I have a six year old niece and a three year old niece and I sometimes look at them when they're playing on their iPads and things and wonder, "What is the world going to, how are we going to advertise to you guys when you're 25? What does that even look like?" And it just blows my mind because I know it's going to be something I probably couldn't even fathom today.
Rudy: My youngest daughter's never watch TV really. I mean everything's on a little screen.
Rudy: So how do we talk to your nieces?
Alicia: You know I don't know and I probably could tell you better after next week when the oldest one comes and spends a week with me. To your point, everything in her world is on a screen. It's not on a TV screen. They know how to work the remote control but only to get to Netflix on the big television. Embedded messages which I find very interesting.
Alicia: Because I have, when I've spent time with him, watched or listened to Dora the Explorer albums and things like that with them and the subliminal little ads that could pop up in between the songs. And I'm like, "Wait, what was that?" [inaudible 00:18:02] And they're like, "No Auntie we want to hear this song." And I'm like, "I'm trying to hear the 15 second ad that just played." So it'll be I think a lot more, which I think it already is a lot subliminal. But I just, I have no idea what it's going to be like. I'm going to be extremely fascinated to see the evolution that will happen over the next 15 to 20 years because it's gonna be something that like I said we couldn't even imagine.
Rudy: In the end we stopped to solve a problem in a creative way. So, hopefully that'll keep us employed.
Alicia: Well, I don't know given my experiences but I think the cool thing about marketing people is that we truly know how to recreate ourselves. And I think even when we're laid off, or even when we decide to make a transition, or the industry continues to change and we find ourselves catching up we have a odd ability to be able to take a breath, step back, reassess the landscape, and dive right back in. And I think that makes us pretty special people because a lot of other folks can't do that so.
Rudy: Well that is a perfect way to end this episode. Thank you so much.
Alicia: Thank you. This was fun.
Rudy: Yeah, let's do it again.
Alicia: Yes, absolutely.
Rudy: Hey, thanks for listening to Marketing Upheaval from Creative Outhouse. If you'd like to learn more about how to train the next generation of leaders at your company contact Alicia Thompson. Her email is AThompson@SignatureLeadershipllc.com. For show notes, previous episodes, and previews to upcoming episodes visit us at CreativeOuthouse.com/podcast. And if you liked this podcast please give us five stars, subscribe, and share it with others. And that's it for this episode of Marketing Upheaval. Remember if the current state of marketing has got you confused don't worry it'll all change. See ya.
Listen to Part 1 of our interview with Alicia here: https://www.buzzsprout.com/380554/1398304-2-part-1-alicia-thompson-on-food-brands-crisis-and-women-leaders
www.creativeouthouse.com
https://www.linkedin.com/in/aliciarthompson/
Transcript by www.Rev.com.


Streaming giant Spotify has filed a notice of appeal to the 9th Circuit concerning a federal judge's recent decision not to force two of its users into arbitration. Gregory Ingalls and Tony Hong are looking to lead a class action lawsuit over a common feature in entertainment subscription services.
They signed up for Spotify's premium service upon a three-month discount offer and claim that Spotify failed to adequately inform them that it would automatically renew their subscriptions at the full price once their trial period had ended. After a lawsuit was filed contending that their affirmative consent was need under California law, Spotify moved to compel arbitration pursuant to a Terms and Conditions agreement.


Hello, a reminder that this friday 16 february we visit the Tate Modern. The guided tour starts at 2pm, we meet on the ground floor, in front of the clore education centre (near the bookshop's main entrance). the aim is to examine the installation of works by artists that interpret archives. We will visit the gallery's collection displays and the level 2 gallery's exhibition media burn. Please come prepared with a notebook and pencil as photography is not allowed in any of the displays or exhibitions.


text:
Hovland sure of game, not about being JDC favorite
Dispatch Argus
SILVIS — He has only been a professional golfer for a month now, but Viktor Hovland is quickly understanding the grind that goes with it.
The Norwegian admits that
"it's been a blur,"
but he has been enjoying his first foray into PGA Tour life, playing on his seven allowed sponsor exemptions.
John Deere Classic: The future is now for young stars Wolff, Hovland, Morikawa, Suh
SILVIS, Ill. — The newest PGA Tour champion had his back to the TPC Deere Run clubhouse door Tuesday afternoon as he contemplated a professional golfing life with his...
Golf Week 2019-07-10
JDC sponsor exemptions set the bar high
SILVIS — When it comes to finding the right guys to receive sponsor exemptions into the local PGA Tour field, John Deere Classic officials have a simple formula — find good...
Dispatch Argus 2019-07-09
There are few star names at the John Deere Classic, but there's still plenty to ...
With only one week before the British Open at Royal Portrush Golf Club, the John Deere Classic tournament field is understandably light on big names. Most top-ranked...
John Deere Classic Odds: Matthew Wolff, Viktor Hovland, Collin Morikawa among favorites
The PGA Tour is offering its own futures tournament this week at the John Deere Classic. Five golfers age 21-or-under are among the oddsmakers' favorites to win in the Quad...
20-Year-Old Phenom Matthew Wolff Eagles 18 to Win First PGA Tour Event
The question wasn't if Matthew Wolff would become a star on the PGA Tour, it was when. The answer: a lot sooner than we ever could have imagined. The 20-year-old with the deliciously unique swing and buckets upon buckets of talent eagled the 18th hole to win the inaugural 3M Classic by a single stroke over Bryson DeChambeau and Collin Morikawa. Wolff, who left Oklahoma State...
John Deere Classic: Viktor Hovland, Collin Morikawa To Attack TPC Deere Run
( CBS Chicago /CBS Local) — The PGA Tour rolls into TPC Deere Run in Silvis, Illinois for the 2019 John Deere Classic. It's the last stop before The Open Championship, the season's fourth and final major. While many of the Tour's biggest names chose to rest this week (or play in the Scottish Open), some of the game's rising stars will tee it up. This is, after all, a PGA Tour...
Young stars surge up leaderboard at 3M Open
BLAINE, Minn. - It's not exactly a 'Hello, world' moment but it's close. Granted, Matthew Wolff and Collin Morikawa didn't turn pro with the same kind of fanfare as Tiger Woods did in 1996 when he opened his press conference at the Greater Milwaukee Open with those words. Shoot, neither of them was even born when Woods made his debut. But surging to the top of a crowded...
Rookies charge into lead and everything you missed from Round 3 at the 3M Open
While the story on Friday centered around Bryson DeChambeau, it was two PGA Tour rookies who took center stage with stellar third rounds Saturday at the 2019 3M Open. Here's everything you missed from Round 3 at TPC Twin Cities: Wolff makes gutsy charge Matthew Wolff, the Oklahoma State standout and reigning NCAA individual champion, isn't waiting to make his mark on Tour....
Tad Reeve: The future of golf breaks out at the 3M Open
The gallery at the TPC Twin Cities watching the third round of the inaugural 3M Open on Saturday got to see the future of golf. Perhaps 60-year-old Minnesotan Tom Lehman had the best view of all, playing alongside 20-year-old Matthew Wolff, who torched the Blaine course with a third-round 62 to move into a tie for the lead at 15-under 198 with former high school golf...
South African Dylan Frittelli becomes another first-time winner at John Deere Classic
SILVIS — The future of the John Deere Classic was revealed on Sunday. South African Dylan Frittelli became the 23rd first-time winner of the annual PGA Tour stop in the Quad-Cities, giving the tournament yet another young standout to hitch the tournament wagon to as it heads into the 50th anniversary year in 2020. Also, Clair Peterson, JDC tournament director, announced during...

redpajama_set_name: RedPajamaCommonCrawl


text:
Declining an unreasonable request from a superior
I've been involved in the publication of a volume, as a collaborator. I did all the typesetting, among plenty of other things. After the publication, a few authors asked me to send them a PDF of the final version of their article. I obliged. Some other authors asked the same thing to the scientific editor of the volume, who in turn asked me to send her the requested PDF files.
I then learned from a third party that the authors who have received their article put it online on a well-known academic platform, and that there might be legal issues about this with the publisher. I told the scientific editor about this and asked her whether I should create new files with a publisher notice or something. She answered me to "please tell these researchers to wait a bit before putting their articles online", so that she can examine the issue.
There's no way I'm going to do that. The scientific editor is a well-known researcher, and these authors are well-established professors. I'm a PhD student with zero authority, who got paid for doing the kind of menial/boring work nobody wants to do.
How should I go about this? I'd tempted to just ignore the request and go on with my life, but I'm not sure this is the best way to proceed. I don't want to be in bad terms with the editor of the volume.
kfookfoo
Perhaps the title of the question could be made more specific? I'm not even sure a journal editor counts as a "superior". – Daniel R. Collins May 28 '19 at 2:29
Your reluctance is understandable.
Write to the editor and let him know that while his/her reputation would have standing with these authors, your own would not. It does no one any good if your letter to the authors is sent but ignored.
Offer to write a letter to them, but for the signature of the editor to be sent officially. The authors are much more likely to wait given a request from the editor. Include anything you think needs to be said, but from the editor's standpoint, not your own.
An alternative, perhaps nearly as good, is to start out your own letter as "I have been instructed by Dr X, editor, to write to you with the following request and instructions...."
BuffyBuffy
Yes, a message that does not pretend to invoke your authority, but that of the editor, would make vastly more sense. For that matter, no need to make it depend on your personal authority: you're just the messenger. – paul garrett May 28 '19 at 0:26
Not the answer you're looking for? Browse other questions tagged publications or ask your own question.
Re-typesetting an old paper, what to do with the result?
How to deal with an unreasonable reviewer asking to cite irrelevant articles?
Should a PhD student be credited in supervisor's article that is based on a book chapter by both?
How does a book editor's scientific reputation affect how the work of the chapter authors is evaluated?
Is increasing the DPI of a low resolution image a good idea?
Publication Approval Letter
Co-author wants to remove herself in author list after revisions
How to escalate a complaint about errors produced by a journal from the Nature publishing group when Editor doesn't respond


text:
Q: Automatic1111 not working again for M1 users https://github.com/AUTOMATIC1111/stable-diffusion-webui/wiki/Installation-on-Apple-Silicon
After some recent updates to Automatic1111's Web-Ui I can't get the webserver to start again. I'm hoping that someone here might have figured it out. I'm stuck in a loop of modules not found errors and the like, Is anyone in the same boat?
Something that looks like this when I try to run the script to start the webserver.
Traceback (most recent call last):
File "/Users/wesley/Documents/stable-diffusion-webui/stable-diffusion-webui/webui.py", line 7, in
from fastapi import FastAPI
ModuleNotFoundError: No module named 'fastapi'
(web-ui) wesley@Wesleys-MacBook-Air stable-diffusion-webui %
I have tried pip and conda installing every one of these types of errors that come up but no dice.
I have tried pip and conda installing every one of these types of errors that come up but no dice.
I've tried cleaning my env, tried trashing it all and reinstalling it. Tried running scripts found in the issues section on the repro. https://github.com/AUTOMATIC1111/stable-diffusion-webui/issues?q=is%3Aissue+is%3Aopen+m1

A: I believe I had the same issue a while ago. And I resolved it by pip installing the missing components but, in order for this procedure to work, I had to, first, activate the LDM virtua environment, which is the one that 1111 uses.

redpajama_set_name: RedPajamaStackExchange


Willis gambier antoinette ap3041d wide 3 4 drawer can be found in noticeable electronic furniture several colours and materials. To begin with, you have to understand what colour of noticeable electronic furniture granite countertops. It may be utilised to ascertain the kind of back splash that will likely noticeable electronic furniture be set up. Dark granite countertops will likely be good for you unite together with white stone back splash. White rock has light color that is contrast into the granite countertops. Besides, the stone material may stability the Furniture design composition. This gives the room the natural ambiance. Moreover, back splashes to get Furnitures with granite counters are tile style. If you prefer to exhibit different style for the Furniture, it'll soon be good to combine the tile shades such as black or white, brown & white, and so forth.
Your wood Furniture cabinets have worn outside? Want to make them enjoy a new again? The answer is by Willis gambier antoinette ap3041d wide 3 4 drawer back again. Is it complicated? Obviously no, what you will need is just following the tips under. Rather than laminate, wood would be your ideal material surfaces to paint each unfinished and finished. If your cabinets are stained and finished with glossy, you want to de glossed, hence the paints can consume easily. Before start painting, you want to get ready tools and materials for example paints, sandpaper, paint brush, prime sealer, and also tack cloth. Following that, you want to fully drain the cabinets and wash out the top from dirt or grease. Keep on with eliminating all the components including hinges, handles and knobs.
As a way to re examine your Furniture cabinets, then you're able to paint it. However, before you begin the project, you probably need to understand Willis gambier antoinette ap3041d wide 3 4 drawer? If you are using professional provider, then you probably need to think about not merely the funding for the stuff, but also the budget for those labors. If you opt to paint your Furniture cabinets, the very first few things you will need to prepare are these gear. Screwdriver, drill, patty knife, paint brush, and paint spray.
The most special and trendy ideas are combination of imagination and also receptive thinking. The frequent material to utilize for backsplash is glass, tile, granite, rock, etc. ., why don't you merge a few of the materials with unused stuff in your home including bottle, and also make production with that combination of material. As an instance you may apply tile which contour square and square then place the bottle in every border of this tile.


Is a Loss or Severe Stress Making You Holiday less than Merry?
Are you experiencing this holiday as a happy family time? If you are going through the loss of a loved one through death (or divorce, etc.) or are in the midst of dealing with a severe life stressor, even a health care professional might just not be in the holiday spirit!
Whether you are experiencing the full effect of a loss or a family member is going through it and you want to try to be there to support her/him emotionally, what you can do to help has to be tailored to the grieving/stressed out individual's personality and needs.
While no one technique or support behavior works to help a person through this time of year, here are some suggestions that can be of help to ease the grief/stress (and that could also be modified to help another family member deal with this challenge).
How Can a Healthcare Professional Help Herself Through a Stressful/Grief ridden Holiday Season?
Be realistic—you may be a professional nurse or other healthcare professional, but still are human and feelings aren't like a water faucet that can easily be turned on and off.
Grief pangs are common, so letting family members know you may suddenly become teary-eyed for no apparent reason at a family gathering may help you not feel embarrassed or family members to feel confused.
Make sure to get adequate sleep and nourishment which are both great stress combaters. While I wish chocolate qualified in all four food groups, and moderate intake in fact can give women a feeling of well-being, too much can cause weight gain, which can then contribute to feeling more stressed or depressed.
Remember the five stages of grief are not necessarily sequential and sometimes people who feel they are in the final stage of acceptance find themselves during the holidays returning to feeling depressed or angry, at least temporarily. Trying to stay in the present moment distracting yourself with conversation, food preparation, etc, and practicing self-acceptance can help.
You may wish to leave a deceased loved one's favorite chair empty at a family gathering or in some other way honor the person's memory.
Trying some of the above suggestions, I hope, will help bring you at least some holiday peace if not "cheer". I try to remember also that tough times do pass, and time does tend to heal.
If this holiday season is not ideal, and in fact might be emotionally challenging, please make sure to extend the same compassion and acceptance to yourself as you do to your clients!


Our class's next project deals with taking the slideshow I did a few weeks ago and expanding the idea into a 5 minute video. I've done video projects before for different classes and organizations, so I'm banking on that experience to help me with this one.
I'm going to take the diversity idea and try to expand it to a more current depiction. I'll definitely talk a bit about the history of diversity at Furman, but I want this project to focus more on the student body, faculty members, and diverse programs. I sketched out a story board…… its quite rough.
Basically, I don't know exactly what I'm looking for. The only things that I'm sure of are that I'm going to interview different faculty members who are knowledgeable about the history of diversity at Furman, as well as our current standing with diversity. I'm also going to interview the heads of different multicultural organizations and see how active they are on campus.
That's where I draw a blank. I guess I'm going to gather footage and see where it takes me.


text:
Q: How to set delay for each ImageView separately? I wrote the following method for a Blackjack app that I'm working on.
public void showCard(View view){

    startButton.setVisibility(View.INVISIBLE);
    hitButton.setVisibility(View.VISIBLE);
    standbutton.setVisibility(View.VISIBLE);

    Card dealtCardOnePlayer = deck.dealACard();
    Card dealtCardOneDealer = deck.dealACard();
    Card dealtCardTwoPlayer = deck.dealACard();
    Card dealtCardTwoDealer = deck.dealACard();

    player.getCardsInHand().add(dealtCardOnePlayer);
    dealer.getCardsInHand().add(dealtCardOneDealer);
    player.getCardsInHand().add(dealtCardTwoPlayer);
    dealer.getCardsInHand().add(dealtCardTwoDealer);

    playerCardOne.setImageResource(dealtCardOnePlayer.getCardImagePath());
    dealerCardOne.setImageResource(dealtCardOneDealer.getCardImagePath());
    playerCardTwo.setImageResource(dealtCardTwoPlayer.getCardImagePath());
    dealerCardTwo.setImageResource(R.drawable.back);
}

It basically deals first two cards to the player and the dealer. The last four lines of code set image resources to the ImageViews. I want to set each image resource one second after the previous one. How do I achieve this?

A: You can use Handler's postDelayed() method for delay specific codes:
new Handler().postDelayed(new Runnable() {
    @Override
    public void run() {
        //execute code here after 1000 milliseconds
    }
}, 1000);

Statically:
new Handler().postDelayed(new Runnable() {
    @Override
    public void run() {
       playerCardOne.setImageResource(dealtCardOnePlayer.getCardImagePath());
    }
}, 1000); //1 second

new Handler().postDelayed(new Runnable() {
    @Override
    public void run() {
       playerCardOne.setImageResource(dealtCardOnePlayer.getCardImagePath());
    }
}, 2000); //2 seconds

...and so on

A: You can try placing this between the lines:
Thread.sleep(1000);

This will stop the execution for one second after each imageview is updated.


More than 14,000 of Alabama's most vulnerable children are attending court hearings, adjusting to new homes and navigating the child welfare system every day. CASA volunteers are trained to advocate for the best interests of these children.
Our goal is to provide a dedicated CASA volunteer for every abused and neglected child to give them a voice and help them thrive in a safe and lovng home. With your support, Together We Will achieve that goal. Learn how you can help.
Nick Saban, head football coach for the University of Alabama, supports Alabama CASA volunteers who make a positive impact on the lives of abused and neglected children.


Doctor Richard di Natale is many things, beyond being a general practitioner and public health specialist. He's an Australian Senator in the Federal Government, and leader of the Australian Greens Party, a powerful third party. The Greens are a fascinating party with an amazing story, and this episode could easily have dived solely into politics, as Richard of course has a ringside perspective. But, instead of doing that, this is a conversation with a powerful politician about being a person, who, in the face of climate change, is just as fragile and small as everyone else. We talk about how Richard keeps motivated, what he's doing in his life to be sustainable and have a lighter footprint, and how he feels about the future. But it's also extremely hopeful, and Richard's perspective is a welcome dose of optimism, and practical pragmatism. He lays out a way forward. We greatly appreciated his time, and generousity, and we're so happy to be bringing this to you.


Two months on from their May convention, Canada's Conservatives have spoken: the anti-immigration sentiment that has been gaining ground internationally is not going have a place in Canada.
By electing Andrew Scheer as their new party leader, the Conservatives chose a moderate approach. This is especially true when compared to other candidates in the running. Tougher immigration policies, including screening for Canadian values during the immigration application process, got attention, but that type of populist agenda goes against actual Canadian values. Embracing Canadian immigration and our diverse multicultural society have won out for now.
Anti-immigration sentiments have been at the forefront of international election campaigns recently. U.S. President Donald Trump vowed to toughen immigration policies in the U.S.; Britain voted to leave the European Union in order to slow down immigration; and one of France's presidential candidates—Marine Le Pen—is a far-right nationalist. And while some Canadians hold these beliefs as well, Canadian leaders and lawmakers will hopefully not be pushed in that direction any time soon, even within the Conservative party.
Leading up to the CPC convention, Leitch saw comparison to Trump and Le Pen for her anti-immigration stances. But since Canada has always relied on immigration to be a strong country (socially, economically, and culturally), tougher immigration policies, such as those proposed by Leitch, would hurt Canadian society. Anti-immigration would only strengthen divisions between cultures, causing Canada to take a giant leap backwards social and economic progress.
With the current anti-immigration climate in Europe and the U.S., immigration is still a divisive topic, even in Canada. Canada, though, can continue to grow as an inclusive country. After all, welcoming newcomers from diverse cultural backgrounds is always more productive than turning people away because they are different.


text:
Доктор Богдан Петрович Гнатевич (4 березня 1894, м. Кольбушова, Королівство Галичини та Володимирії — 28 березня 1968, Братислава) — український військовий і політичний діяч, командант УВО, член ОУН, історик, редактор.

Життєпис
Був поранений в бою на горі Лисоні 2 вересня 1916 року.
Брав активну участь у Визвольних Змаганнях 1917—1921. Сотник УСС, член Українського генерального військового комітету у Львові в жовтні 1918, командант (у званні сотника; після Осипа Микитки) групи «Старе Село» УГА, начальник оперативного відділу I корпусу УГА.

Після невдачі етапу Визвольних змагань у 1921 році активно включився у діяльність УВО, став начальником штабу Начальної Команди.

У вересні 1921 р. заарештований польською поліцією, засуджений, однак був виправданий судом і вийшов на волю.

З грудня 1928 по лютий 1929 та з осені 1930 по 1931 р. обіймав посаду крайового команданта УВО.

Засуджений на Львівському процесі 1936 року до 4 років ув'язнення, однак на підставі амністії термін покарання зменшено до 2 років. Вийшов на волю у лютому 1939.

У 1940 року заступник голови УЦК в Кракові. Згодом представник ОУН в Третьому Рейху.

Після Другої світової війни на еміграції.

Вшанування пам'яті
Ім'ям Б. Гнатевича названа вулиця у Львові.

Доробок
 Редактор альбому «Українські Січові Стрільці 1914—1920» (разом з Левом Лепким, доктором Іваном Німчуком; Львів, 1935 р.).
 Співавтор праці «Історія Українського війська» (під керівництвом Івана Крип'якевича, кілька видань).

Примітки

Література
 Мірчук Петро. Нарис історії ОУН 1920—1939 роки. — К. : Українська Видавнича Спілка, 2007. — 1006 с. — ISBN 966-410-001-3.
 Науменко К. Гнатевич Богдан  //  — Т. 5. — С. 700.

Посилання
 Квазіенциклопедія ОУН.
 Останній крайовий провідник УВО

Українські історики
Діячі ОУН
Крайові команданти УВО
Український націоналізм
Діячі УВО
Діячі УЦК
Уродженці Підкарпатського воєводства
Вояки Січових стрільців
Сотники УГА
Уродженці Кольбушови
Персоналії:Львів
Померли в Братиславі

redpajama_set_name: RedPajamaWikipedia


text:
Roger Federer enjoys his 2nd charity match with Bill Gates
Roger Federer Facebook
SAN JOSE, Calif. -- From his knees at the middle of the net, Roger Federer struck volley after volley right back at Jack Sock until the American star finally faltered. Federer just smiled. It was all in fun.
And how could Federer not be loving life?
He's the best in the world at age 36. That even sounds a bit strange to Federer himself.
"Those are definitely special times in my life and my career," Federer said. "The dream as a little boy was to make it one day to world No. 1, but not at 36 years old I can tell you that. It was probably at some point at 25 maybe if things went really well.
"I had a tough year in 2016 with my knee and stayed positive, was resilient and fought to come back and really believed I could actually win again. I didn't think it was going to be at this level. It's been an unbelievable journey the last 14 months and my team has been incredible. I'm loving every moment that I can still stay on tour because you never know when it's going to end."
While this doubles match didn't officially count Monday night, it sure mattered to all of the children in Africa who Federer is committed to helping through his foundation.
Federer emerged from the tunnel of smoke and walked onto the court greeted by roars and thousands of camera phones held high for the first Bay Area appearance of his career.
Federer waved every which way, held his racket in the air and beamed when introduced during warm-ups with the announcement at the sold-out SAP Center that he had regained the No. 1 world ranking.
"For me to stand right here as world No. 1 in San Jose is very, very special for me," Federer said.
He entertained from the start, too, praising Microsoft billionaire Bill Gates as a perfect partner.
"He knows numbers very well. He never makes mistakes on the scores," Federer cracked. "I'll do the running and Bill does the thinking."
He joked to opponent Savannah Guthrie of NBC's "TODAY" show: "You have to start looking at the ball and stop looking at me."
Federer called off Gates with, "That's mine ... that's mine, too," before Sock lobbed a winner over Gates that Federer couldn't chase down.
Federer's "The Match for Africa" exhibition sold more than 15,000 tickets to benefit his foundation that supports education for children in Africa.
The Swiss star, who at 36 is the oldest men's player to be No. 1, won the Australian Open in January for his 20th Grand Slam title.
Federer and Gates also teamed up last year in Seattle.
After the doubles, the 25-year-old Sock -- ranked 10th in the world -- pushed Federer to an 11-9 tiebreaker in the first set before dropping the second set 6-4.
At one point in the opening set, Sock showed his respect by overturning a fault call. He walked toward the service line, pointed that it was an ace and went to the changeover.
Sock joked beforehand, "Don't hit it to Roger ... I'm winless against him for my career."
"This match for Africa is something extraordinary," Sock said.
A video promoting the match featured Federer training Gates, from weight lifting -- lunges with a heavy bar over his shoulders -- to studying a tennis book and both ping-pong and tennis practice to work on his reflexes and skills.
"You'll train like I do," Federer said. "You are ready."
And Gates, dressed in a bright pink polo, drew oohs and aahs as he impressed with his shot-making and hustle to keep points alive.
"I think I'm good at picking partners," Gates said after he and Federer won 6-3.
Labels: Roger Federer, tennis
Roger Federer confirms he's skipping entire clay s...
Roger Federer and Juan Martin Del Potro could have...
Roger Federer reflects after first loss of the yea...
Roger Federer fights from the brink of defeat to r...
Roger Federer moves into semis and retains his #1 ...
Roger Federer faces Chung in the quarters of India...
Roger Federer races into 4th round at Indian Wells...
Rain fails to stop Roger Federer from prevailing i...
Roger Federer doesn't want to be 'Bubble Boy'
Roger Federer reveals post career plans
Roger Federer enjoys his 2nd charity match with Bi...
Roger Federer March form an ATP Rankings indicator...


Fall Nuthatch by Russell Cobane is another beautiful example of his work which highlights the beauty of nature. As a Michigan artist, Cobane knows how to depict life in our great state. Wrapped canvas glicee print, 11″ x 8.5″.


I want to upgrade my MacBook pro mid 2012 Hard disk to 512 SSD, I opened my MacBook back and took photo see below.
the size of my hard drive is 2.5 inch and 9.5 mm which is currently inside my MacBook, the below picture is of the one I am thinking to buy its also SSD SATA and 2.5 inch 7mm.
I am not an hardware expert, please recommend 512 SSD SATA is also very expensive. So I will order if it will fit in my MacBook and good one!
Any quality ssd would be fine, I've had great luck with Samsung 850/860. Don't worry about mm size all are 7mm and will fit..Be sure to remove the silver studs on old HHD and reinstall on your new SSD.. Ifixit.com has great tutorials..
Good luck PS While you have it open you may want to upgrade ram, replace battery and or fan.
Not the answer you're looking for? Browse other questions tagged macbook hard-drive ssd hardware-recommendation sata .
New HDD or SSD in MacBook with failed hard drive?


text:
We Designed Voice User Interface for StarCraft II - Here's What We Learned
Rafal Cymerys
If you look at the Alexa Skill store, you'll find plenty of games. Most of them are however either simple trivia games or text-based adventure games from the 70s ported into voice interface.
For some time we were wondering if it's possible to build something beyond that.
When we attended the Talk to Me, Berlin hackathon last week, we came up with a concept (and with a working prototype) that showed how VUIs can fit into video gaming.
When Voice Works Best
Due to their invisible nature, VUIs are very limited compared to graphical interfaces.
One of the things that we discovered when working with them is that they do a really great job when they provide a hands-free experience to existing mobile or desktop apps.
This allows us to multitask and perform simple actions without shifting the whole attention into them.
Whether you're driving a car or making yourself a sandwich, it's usually more convenient to talk to a virtual assistant rather than to stop what you're doing and grab your phone.
And if the assistant fails to understand you... well, you can always fall back to the phone option.
Now, what's the hands-free experience for video games like?
The Marshall Experience
A common theme for strategy games is commanding an army.
As a player, you almost always see game's world through the eyes of highly ranked army officer, like a general for example.
You maintain full control over your units and buildings and it's up to you what strategy you'll use.
But there's one thing that's stopping you from feeling as a general - the chain of command doesn't exist.
You have to manage all the units by yourself, without the possibility to delegate executing parts of the strategy to your subordinates.
We decided to "fix" this by turning Amazon Alexa into a smart in-game assistant.
To explore idea further, we picked StarCraft II. There were a few great reasons for that:
It's futuristic, just like virtual assistants.
It's a strategy game that's focused on military, so giving commands fits in perfectly
It requires a lot of multitasking, with great opportunities for bringing in hands-free interactions
And finally, it has an API that allows us to connect to the game
Picking the Right Use Cases
The key to building a great voice user interface is focusing on building the right features. To keep it simple, we focused on one particular type of situation.
When fighting with the enemy, the player needs to focus on the combat.
At the same time they need to be actively involved in things that are happening at their base.
They need to keep training new soldiers, constructing new buildings and checking if workers are collecting the right resources.
Even though such multitasking is the domain of professional StarCraft players, VUIs bring a huge opportunity to let the casual players focus on what's important.
Simple Actions vs Complex Tactics
During research, we quickly learned that executing single in-game actions with voice, while appearing quite cool, is not very handy.
It's way faster to perform actions like selecting units or directing them to attack with mouse and keyboard.
What made a lot more sense was using voice as a shortcut for more complex actions. Sounds a bit like Apple's new feature for Siri, doesn't it?
Example shortcuts that we came up with were:
Training more troops and sending them to the battlefield once ready. That's especially helpful when you realize that you realize that the army you sent to the battle is too small. You can focus on the fight, knowing that more of your soldiers will show up soon.
Evacuating workers to the base. When you see the enemy marching towards you, you can quickly order the most vulnerable units to back off to the safety. This can also extend to moving marines into bunkers, to give them advantage over enemy's units.
With such shortcuts, the player can use voice to execute tactics without focusing on every single step.
Meet Kate Blackwater
Finding the right use cases is a part of designing a good VUI.
Another aspect worth mentioning was designing the personality of our virtual assistant.
When people use you product on desktop or mobile, they perceive the product through its colors, graphics and copy.
With voice interfaces, it's all about how they speak, what words they use and what personality they have.
While such details aren't that important for utility voice applications, they turn out to be crucial for entertainment products.
Building the Right Persona
Alexa didn't fit well into the game universe. People see her as a warm and cheerful "person", which is exactly the opposite of what you'd expect from a military officer.
To better fit our Voice User Interface into StarCraft, we designed an alternative "virtual assistant" that replaces Alexa when you're controlling the game.
Kate Blackwater is your subordinate, a captain that you can delegate some tasks to.
She's stationed at your base, executing your tactics and keeping track of what's happening there.
All you have to do is to tell her what needs to be done.
Alexa, tell captain to send more soldiers
Alexa, tell captain to evacuate everyone
Alexa, ask captain what's the status
She's very professional in her job. She shows you the respect that you'd expect from a subordinate and doesn't try to be funny.
She's a bit cold and replies in a short and precise manner.
Roger that Marshal
Affirmative
Alexa's Voice is Too Warm
When testing the initial prototype with other people, the greatest finding was that Alexa's voice wasn't right for Captain Blackwater.
With such a rich personality, it became confusing for people when replies sounded like warm and funny Alexa.
Fortunately, Alexa allows to play short recordings, instead of reading out loud response text with her voice.
This allowed us to use other Text-to-Speech services and prepare responses that sound more like Kate Blackwater - they feel cold and precise.
Pretty awesome, isn't it?
If you're interested in implementation details, see how to build this Alexa Skill using Python and AWS Lambda.
To sum up our takeaways:
Providing shortcuts for complex commands works a lot better than simple voice remote control. The latter can often be achieved faster in other ways.
The right assistant personality can make a difference, especially in VUIs made for entertainment. Without visual clues, it's the major aspect of how users will perceive your voice assistant.
Multimodal experiences have a huge potential. While voice assistants enable a lot of new possibilities, it's worth to think of them as complementary to other types of interaction rather than the only way to interact with a product.
Do you have any other inspirations worth sharing?
Feel free to post them in comments!


Here are a few different ways that you can tell when SQL Server was last started.
This DMV, sys.dm_os_sys_info, contains a column that holds the startup time for SQL Server. You can run the following command to find the start time.
If you open the current SQL Server error log in SSMS under Management > SQL Server Logs and scroll to the bottom of the error log you can see when the server was started. Note the highlighted text below "SQL Server is starting". You will want to look for this to make sure the error log was not cycled and give you a false impression of the start time.
Here is an example of a cycled error log and note the highlighted text. If you see this you will need to look at a previous error log until you find the log that contains the information in the image above.
Note: if you are running the Express edition of SQL Server you cannot read the error logs directly from SSMS, but you can use xp_readerrorlog or navigate to the folder where the log files are stored and use a text editor to read the SQL Server error log files.
Another option is to use the SQL Server Dashboard Report. Right click on the server name in SSMS and select Reports > Server Reports > Server Dashboard and you will get a report similar to the following.
Another option is to use Windows Event Viewer to look for the startup time. If you open Windows Event Viewer and filter your Event Sources (in our case MSSQL$SQL2008) for the SQL Server instance and Event ID 17162 you can find all of the startup times that are still in the Event Viewer log.
Here is a partial listing of the startup times for this instance.
Hopefully this information comes in handy the next time you want to find out when SQL Server was started.
I think the DMV is the easiest way, but this wasn't introduced until SQL Server 2008. Also, the Dashboard Report is probably new for SQL 2008 as well.
The error log method can be used for pretty much any version of SQL Server.
Not sure. I would have suggested the things that you already looked at.
If some windows user had restarted the sql server from ssms by using sql server authentication (eg. sa) then how we can find out his local windows or domain username?
Thanks for great this article.
"The instance of SQL server has been using process ID of xxxxx since <date in local time> <date in UTC>. This is an informational message only; no user action is required."
Thanks Paul for these additional items.
Greg, thanks for a great article.
This is because tempdb is always created afresh with every start up of the instance.
This works because the login_time and last_batch times of any spid under 51 have the start-up time.
3) Executing sp_who2 will give essentially the same info as (2).


Picture this: Your besties lounging in your living room at your annual holiday get together, sipping vino, noshing on a homemade platter, and asking how you possibly managed to whip this up after a crazy 6 p.m. commute.
Your hack for prepping a restaurant-worthy spread without leaving the office early (or caving and ordering less-than-healthy takeout)? Leaning on the shortcut of dinner-party mavens everywhere—CAULIPOWER's frozen cauliflower pizza crust.
For real: Just top the superfood crust with seasonal ingredients like butternut squash, cremini mushrooms, and baby kale—plus generous spoonfuls of cheese (or nut-based cheese for a dairy-free option), pop it in the oven, and you're ready for guests.
Say goodbye to the classic Pinterest fails of DIY cauliflower pizza crust.
As a result of her attention to detail, you'll never have to worry about the classic Pinterest fails of DIY cauliflower pizza crust like soggy bottoms or crust that instantly falls apart. You just get pizza crust that tastes and feels like, well, pizza crust. And since the crust is gluten-free and dairy-free, you don't have to worry about your guests' dietary restrictions.
Preheat oven to 400°F. Place butternut squash on baking sheet. Drizzle with one tablespoon olive oil. Roast 20 minutes or until tender.
Meanwhile, in a medium skillet over medium-high heat, add one tablespoon olive oil and kale. Cook for two minutes or until wilted. Remove and set aside.
In same skillet, heat one tablespoon olive oil. Add mushrooms and cook for about five minutes, until soft. Remove and set aside. In small skillet, cook sage in one tablespoon olive oil. Cook for one minute one each side, then flip. Sage should be crispy.
Remove CAULIPOWER crust from package. Brush with one tablespoon olive oil. Top with cooked kale, butternut squash, and mushrooms. Spoon ricotta cheese over pizza and sprinkle with Parmesan cheese. Bake for about 10 to 13 minutes. Remove from oven and serve!


text:
Colvile, James William (DNB00)
←Colvile, George
Colvile, James William
by John Andrew Hamilton
Colvill, Alexander→
Colvile, James WilliamJohn Andrew Hamilton1887
COLVILE, Sir JAMES WILLIAM (1810–1880), judge, eldest son of Andrew Wedderburn Colville of Ochiltree and Crombie in Fifeshire by his wife, the Hon. Louisa Mary Eden, daughter of William, first lord Auckland, was born in 1810, and was educated at Eton and at Trinity College, Cambridge, where he obtained the third place in the second class in mathematical honours, and graduated B.A. in 1831 and M.A. in 1834. He was an intimate friend at Cambridge of Monckton Milnes, afterwards Lord Houghton. In Hilary term 1835 he was called to the bar at the Inner Temple, and practised in Lincoln's Inn as an equity draughtsman. In 1845 the influence of his friend Lord Lyveden, then president of the board of control, procured him the appointment of advocate-general in Calcutta to the East India Company. In 1848 he became a puisne judge, and in 1855 the chief justice of the supreme court of Bengal. He was knighted in 1848, and in 1859 retired and returned to England. He acquired in India a great knowledge of Indian systems of law, and of scientific and economic questions affecting India, and was president of the Asiatic Society of Calcutta. On his return home he was at once on account of these special attainments sworn of the privy council, and acted with Sir Laurence Peel as Indian assessor to the judicial committee. In November 1865 he was appointed a member of that committee, and took a large share in its decisions, and in 1871, under the Judicial Committee Act, was appointed one of the four paid judges. He continued to act in that capacity until on 6 Dec. 1880 he died suddenly at his town house, 8 Rutland Gate, and was buried on the 11th at his Scotch seat, Craigflower, near Dunfermline in Fifeshire, of which county he was a justice of the peace and deputy-lieutenant. He was a bencher of the Inner Temple, and a fellow of the Royal Society. He married in 1857 Frances Elinor, daughter of Sir John Peter Grant, K.C.B., G.C.M.G., of Rothiemurchus, lieutenant-governor of Lower Bengal, by whom he had one son, Andrew John Wedderburn, born in 1859, who died in 1876.
[Times, 8 Dec. 1880; Law Times, 11 Dec. 1880.]
J. A. H.
Retrieved from "https://en.wikisource.org/w/index.php?title=Colvile,_James_William_(DNB00)&oldid=3847549"


Freeway Estates Community Orchard (FECO) is a neighborhood attempt to create a productive, attractive, and peaceful space on public property. Neighbors and friends are working together to create a desirable community asset from an underutilized piece of land.
Our ongoing project shows that residents of Seattle can create opportunities for urban agriculture, consistent with the Seattle Food Action Plan. We are creating a destination for area residents to experience beauty, sit quietly, enjoy the plants and their produce, learn about urban food production, meet each other and gather for neighborhood events. This project offers a way for neighbors to bond to enhance neighborhood stability and security.
The space is 12,500 square feet and located next to I-5, near the corner of NE 60th St and 6th Avenue NE in Seattle.
The land is owned by the Washington State Department of Transportation (WSDOT).
In 2010, with the permission of WSDOT, volunteers purchased and planted fruit and nut trees. They continue to work on developing the property and removing invasive plants. The maintenance and the improvements are the work of a strong core of dedicated volunteers plus well over 100 other volunteers who have been part of major infrastructure projects.
Our main annual event is our fall Cider Fest. More than one hundred people attend each year. We have also sponsored classes in fruit tree pruning, invasive plants, edible plants, pollinators and composting.
This ongoing project serves as a template for others who are interested in making the most of publicly owned land.
If you are visiting the site and have an idea about how it can be more useful, don't hesitate to leave a reply. We would be delighted if you want to become involved.
Seattle residents have nearby access to a beautiful public space where they can learn and participate in food growing, connect with neighbors, and nurture the environment.
c/o 608 NE 63rd St.


Click HERE for information about advertising in the print edition of The Scott County Times.
In general, a full page ad will be about $1,108. A half page ad will be about $555, and a quarter page ad will be about $277. Prices may vary based on frequency discounts.


text:
Q: Create List without similar crossovers I am trying to build a list of length = 120, which shall include 4 numbers.
The tricky thing is that the numbers shall not appear in a row and each number should occur exactly to the same amount.
This is my script.
import random
List = [1,2,3,4]
seq_CG = random.sample(List,len(List))
for i in range(121):
    randomList = random.sample(List, len(List))
    if randomList[0]!=seq_CG[-1]:
        seq_CG.append(randomList)
        i = len(seq_CG)
print List, randomList, seq_CG

I am pretty close. However something does not work. And maybe there is even a shorter and more random solution?
In the big list seq_CG i do not want that numbers appear in a row. In my example it is filled with a lot of smaller lists. However it would be even nicer to have a random list of 120 numbers with an equal distribution of each number, where numbers do not appear in a row.

A: Here are a couple of solutions.
The first algorithm maintains an index idx into the sequence and on each call idx is randomly modified to a different index so it's impossible for a yielded value to equal the previous value.
from random import randrange
from itertools import islice
from collections import Counter

def non_repeating(seq):
    m = len(seq)
    idx = randrange(0, m)
    while True:
        yield seq[idx]
        idx = (idx + randrange(1, m)) % m

seq = [1, 2, 3, 4]
print(''.join(map(str, islice(non_repeating(seq), 60))))

ctr = Counter(islice(non_repeating(seq), 12000))
print(ctr)

typical output
313231412323431321312312131413242424121414314243432414241413
Counter({1: 3017, 4: 3012, 3: 2993, 2: 2978})

The distribution of values produced by that code looks fairly uniform, but I haven't analysed it mathematically, and I make no guarantees as to its uniformity.
The following code is more complex, but it does give a uniform distribution. Repeated values are not discarded, they are temporarily added to a pool of repeated values, and the algorithm tries to use values in the pool as soon as possible. If it can't find a suitable value in the pool it generates a new random value.
from random import choice
from itertools import islice
from collections import Counter

def non_repeating(seq):
    pool = []
    prev = None
    while True:
        p = set(pool).difference([prev])
        if p:
            current = p.pop()
            pool.remove(current)
        else:
            current = choice(seq)
            if current == prev:
                pool.append(current)
                continue
        yield current
        prev = current

seq = [1, 2, 3, 4]
print(''.join(map(str, islice(non_repeating(seq), 60))))

ctr = Counter(islice(non_repeating(seq), 12000))
print(ctr)

typical output
142134314121212124343242324143123212323414131323434212124232
Counter({4: 3015, 2: 3005, 3: 3001, 1: 2979})

If the length of the input sequence is only 2 or 3 the pool can get quite large, but for longer sequences it generally only holds a few values.

Finally, here's a version that gives an exactly uniform distribution. Do not attempt to use it on an input sequence of 2 (or fewer) elements because it's likely to get stuck in an infinite loop; of course, there are only 2 solutions for such an input sequence anyway. :)
I'm not proud of this rather ugly code, but at least it does the job. I'm creating an output list of length 60 so that it fits nicely on the screen, but this code has no trouble generating much larger sequences.
from random import shuffle
from itertools import groupby
from collections import Counter

def non_repeating(seq, copies=3):
    seq = seq * copies
    while True:
        shuffle(seq)
        result, pool = [], []
        for k, g in groupby(seq):
            result.append(k)
            n = len(list(g)) - 1
            if n:
                pool.extend(n * [k])

        for u in pool:
            for i in range(len(result) - 1):
                if result[i] != u != result[i + 1]:
                    result.insert(i+1, u)
                    break
            else:
                break
        else:
            return result

# Test that sequence doesn't contain repeats
def verify(seq):
    return all(len(list(g)) == 1 for _, g in groupby(seq))

seq = [1, 2, 3, 4]
result = non_repeating(seq, 15)
print(''.join(map(str, result)))
print(verify(result))
print(Counter(result))

typical output
241413414241343212423232123241234123124342342141313414132313
True
Counter({1: 15, 2: 15, 3: 15, 4: 15})

A: A slightly naive approach is to have an infinite loop, then scrunch up duplicate values, using islice to cap the total required output, eg:
from itertools import groupby
from random import choice

def non_repeating(values):
    if not len(values) > 1:
        raise ValueError('must have more than 1 value')
    candidates = iter(lambda: choice(values), object())
    # Python 3.x -- yield from (k for k, g in groupby(candidates))
    # Python 2.x
    for k, g in groupby(candidates):
        yield k

data = [1, 2, 3, 4]
sequence = list(islice(non_repeating(data), 20))
# [3, 2, 1, 4, 1, 4, 1, 4, 2, 1, 2, 1, 4, 1, 4, 3, 2, 3, 4, 3]
# [3, 2, 3, 4, 1, 3, 1, 4, 1, 4, 2, 1, 2, 3, 2, 4, 1, 4, 2, 3]
# etc...


text:
Promoting Korean Musicians Since 1984
Sejong SoloistsNext Gallery
Korean Symphony Orchestra
Orchestra Ensemble
Concert Date: Tuesday, June 1, 2010, 8pm; Isaac Stern Auditorium/Perelman Stage at Carnegie Hall
Program: Brahms Violin Concerto in D major, op.77; Soonjung Suh Yu Hyun; Rachmaninoff Symphony No2. E minor, op.27 (Conductor: Eunseong Park; Violin: Judy Kang)
Biography: The Korean Symphony Orchestra was founded in March 1985 as a private orchestra by its conductor Yun Taik Hong. About 90 concerts – regular concerts, Youth concerts, Opera- and Ballet-performances as well as local area concert-tours and other special concerts – were played annual. In 1987 Korean Symphony Orchestra signed an exclusive agreement with the National Theatre. Now the orchestra became partner of the National Opera, the National Ballet and the National Choir, and two years later it was approved as a corporation of the Ministry of Culture and Sports.
In March 2001, when the Seoul Arts Centre at its 16th anniversary got a new status as a foundation the new company took the Korean Symphony Orchestra as its permanent orchestra.
Now the orchestra has about 80 members and is one of the "top three"orchestras in Seoul. The schedule is as pretentious as ambitious. Different Concerts alternate with Operas and Ballets and demand an extensive repertoire for every musician.In 1990 it performed the largest musical event ever held in Korea "The Grand Choir" with more than 5,000 chorists participating in chorus at Jamsil Gymnasium. It also realized more than 50 records and accompanied world famous singers as "Placido Domingo" in 1995, 2009 "José Carreras" in 1999 and 2005 and the "Three Great Tenors' Concert in Korea" in 2001. "Dame Gwyneth Jones" in 2003. The Korean Symphony Orchestra has contributed to the development of classical music in Korea by its sphere activities.
Going through many difficulties over the years, it has proved that a private orchestra can reach highest level of quality and so give an example for other private orchestras. The orchestra achieved a remarkable standard not only under musical aspects but also with a view on administration and operation of a professional orchestra.
Email us at: info@koreamusicfoundation.org
Korea Music Foundation
Sung-Won Yang & Enrico Pace record Brahms & Schumann May 3, 2018
Upcoming: Korea Music Foundation Fellowship May 2, 2018
KMF Announces Fellowship Winner May 1, 2016
Korea Music Foundation © 2019 | Managed by Piggybackdesign.com


text:
TV ReviewsGrimmSeason 2
Grimm: "Bad Teeth"
Kevin McFarland
GrimmSeason 2
"Bad Teeth"
There was a time not so long ago that the prospect of a second season premiere for Grimm seemed impossible. Well, that time was pretty much every minute that Grimm existed right up until NBC ordered the back nine episodes of its first season and realized that a supernatural procedural in a Friday night time slot of doom was the network's only minor scripted hit of the season. Rushing into production on season two to hit a post-Olympics premiere didn't strike me as the best way to right the narrative upheaval the show went through in its debut season, and NBC putting the show on Monday nights for the first five episodes this summer/fall before yanking it back to anchor Friday nights after Whitney and Community doesn't seem like a very confident movie either. So here Grimm stands: a success despite all prognostication otherwise, more convoluted and mythology-based than ever before.
At the end of last season, Grimm surveyed everything it had laid out in 21 episodes, and picked the least interesting continuing thread, a trio of coins that a bunch of creatures obsess over, as the focus of the overarching plot of the show. It tied that plot to the murder of Nick Burkhardt's parents, and as he investigated that "car crash," he discovered Wesen on the hunt for the coins he took possession of earlier in the season. In a climactic battle, he fought Kimura, one of the men presumably responsible for the crash, when a mysterious woman in black entered the fray, fighting Nick and Kimura. But then, in the final moments, Nick discovered that the Woman in Black is his mother. It's a telegraphed twist that forces the show to rewrite one of its fundamental conceits—that Nick was an orphan, and left alone in the world after the death of his Aunt Marie in the show's second episode.
In five minutes, Grimm explains away the inconsistencies. It wasn't her in the car crash; it was a friend. They couldn't compare dental records because whatever creatures caused the crash took her head as a trophy, believing the dead woman to be a Grimm. She's been in hiding ever since, Aunt Marie even knew she was alive and in hiding. The whole ordeal gets glossed over with pancakes and burnt toast, and Nick's girlfriend/fiancée-but-not-yet Juliette is still in a mystical coma, Hank is bunkered down in his house each night with a shotgun, and Nick just sort of goes about his life, just with his mother there now.
Mary Elizabeth Mastrantonio (yes, that one, from Scarface) does provide a lot of information on the history of the Grimms and scope of the Wesen world, but it comes out complicated and involving a lot of sevens. Grimms were used by seven royal families as wranglers for Wesen, keeping them in line. It's the kind of alliance that shows why the Wesen have been so wary of Nick. She also espouses the mystery of the key Aunt Marie left Nick. It's one of seven that belonged to ancestors of the Grimms, who fought for the seven royal families in the fourth crusade. There are seven pieces of a map, and a really old Grimm diary page is a hint to that mystery, but at this point its just a big tease. So in addition to the warring families, competing underground Wesen communities, and Nick's personal discoveries, there's also a treasure hunt to be had. Oh, and don't forget about the fucking coins, those are still in the Magic Winnebago somewhere, stashed away for later.
The real episodic issue at hand is a Mauvai Dentes (I don't speak French, so I honestly kept spelling this Movedon. Please forgive me.), a saber-toothed Wesen assassin that arrives in Portland via a shipping container on a boat from Rotterdam. The guy murders brutally, with giant puncture wounds and savage slashes. Nick and Hank investigate the case a bit, but this premiere deviates from last season the most in terms of structure. This isn't a police case that spills over into Wesen territory. It just introduces the episodic villain that Nick has to deal with as part of a larger serialized plot. The CGI hasn't improved much and still looks kind of silly, but the gruesome violence the Mauvai Dentes leaves in its wake actually looks severe.
On the good side, Silas Weir Mitchell's Monroe is still the much-needed pinprick to the balloon of super-serious posturing that deflates the show's ego and provides much-needed comic relief. His reactions to Nick's mother showing up are really the only laughs in the episode, and Grimm's best episodes found a way to leaven the darkness with Monroe's humor. (Best line: "Our last family reunion, we lost two cousins and a sheepdog. I mean, nobody missed the cousins, but…") It's nice to have Rosalee there on a permanent basis, since she provides some more technical knowledge to round out Monroe's friendship and general sounding board for Nick.
Speaking of new things, James Frain shows up (yes, he's been in True Blood, The Tudors, and The Cape, but I'll only remember him as Villefort from the Jim Caviezel Count Of Monte Cristo) in a faraway castle, torturing a member of the Wesen resistance. He's the one who sends the sabertooth over to Portland, and perhaps on his instruction, Kimura meets an unfortunate end just before Nick can really interrogate him.
One of the dramatic bright spots is that this premiere sets up two relationships that need revealing: Nick and his mother, and Captain Renard and Frain's character. There's a lot of possibility for back-story on the Grimms and the royal families and how Nick has seemingly bucked the trend of Grimms as the foot soldiers of those families meant for controlling the Wesen population. For some reason, he's the first person to make friends with Wesen instead of fight them, since his mother and Monroe fight briefly when they first meet.
At one point, I thought that Grimm was thinking too small by just revealing a tiny bit of the mythology with each case that Nick and Hank investigated, but now it seems the supernatural procedural has been abandoned entirely—or at least for this two-part arc. This is now Nick's story as he navigates the Wesen world with his newfound creature friends, and there are too many competing serialized plots to competently navigate without leaving something out. The coins, the royals, the treasure, Juliette, and the resistance are all floating around out there, with no sense of priority.
To David Giuntoli's credit, I don't really notice his wooden acting much anymore. Only Mitchell's performance even stands out; the weight of the show's suddenly encyclopedic mythology flattens everyone else. Maybe adding this much to the world (and subtracting Juliette for the time being) will make Grimm a hell of a lot more interesting week-to-week, and Nick having to decide which of the many important parts of this world is the key each week will be thrilling. But right now I don't have faith in Grimm to tie things up on the other half of "To Be Continued…" next week. I've got the second half of this premiere on a screener right now, and it killed me to wait and write this review before watching it. This is an incomplete picture of how the show is starting out its second season with the next episode, but for now, it has its hooks in me to keep watching next week, and that kind of narrative power counts for something.
Welcome back to weekly Grimm coverage! Thanks for reading. I'm cautiously optimistic, despite my lukewarm feelings about this premiere.
The epigraph comes from a W.B. Yeats poem entitled "The Second Coming." I didn't like it as much as quotes ripped from Grimm fairy tales and other folk stories.
Remember that stretch of time when Sgt. Wu went missing for a while last season? Well he had a pretty good excuse, considering he had a part in The Dark Knight Rises. That was pretty awesome to see.
I'm 100 percent certain that I would rather watch a Monroe/Rosalee spinoff than this show, that's how much more compelling they are than the central plot of Grimm.
This may be a bit of a SPOILER: Apparently, Frain plays Renard's brother, which is an interesting development. Let's see how long it takes for him to set foot in Portland.
Monroe and Rosalee have some kind of antidote to help save Juliette, but they're sadly not as much of a part of the premiere as they could be. Seriously, this show needs more Monroe.
Adalind's mother still plays a bit part as the recipient of Renard's ire, though Adalind is missing. I hope she comes back; she was a lot of fun.
Recent from Kevin McFarland
American Dad: "The Longest Distance Relationship"
Grimm: "Blond Ambition"
Ratatat's debut is a time capsule from a Brooklyn bedroom


Hello! My name is Alexander Green. In fact, it is not a real name, because this site doesn't related to any specific photographer. It's just a very good example of how the photographer's site can look if it created with the Impreza theme.
Impreza is a multipurpose premium WordPress theme with great functionality and many flexible content elements. It also includes convenient drag & drop visual page builder, so there is no coding required. Start your website today with Impreza!
Element placement, color combinations and animations are balanced to create the best web-experience at any modern device. We spent a lot more time than others on it, because we value the beauty in the details.


If you're looking for a delicious meal in a relaxed, family-friendly atmosphere, look no further than Las Asadas Fresh Mexican Grill & Taqueria.
Your best choice for authentic Mexican food!
Try our Award-Winning tacos today!


text:
Trains from Manchester Piccadilly to Nuneaton
Manchester Piccadilly
Home Destinations Nuneaton Trains from Manchester Piccadilly to Nuneaton
Travel from Manchester Piccadilly to Nuneaton by train. Use our Journey Planner to access downloadable timetables, live departures and important information about upcoming timetable changes.
Train journey information from Manchester Piccadilly to Nuneaton
How much is a train ticket from Manchester Piccadilly to Nuneaton by train?
Catch the train from Manchester Piccadilly to Nuneaton from just £33.50 one-way when you book in advance.
How long does it take to travel from Manchester Piccadilly to Nuneaton by train?
The fastest train to Nuneaton takes 1 hour 10 minutes. Journey times may be slightly longer on weekends or public holidays. Use our Journey Planner to access downloadable timetables, live departures and arrivals. Stay connected while on the move with our free on-board WiFi and entertainment service. Access a range of entertainment, including TV programmes, magazines, short films, news and more!
How many trains a day are there from Manchester Piccadilly to Nuneaton?
There are up to 19 trains per day from Manchester Piccadilly to Nuneaton.
Are there any direct trains from Manchester Piccadilly to Nuneaton?
Yes, you can travel from Manchester Piccadilly to Nuneaton without having to change trains. Find direct trains to Nuneaton using our Journey Planner.
What time is the first train from Manchester Piccadilly to Nuneaton?
The first train departs from Manchester Piccadilly to Nuneaton at 05:05. Book your tickets in advance and enjoy a few more minutes of hitting snooze.
What time is the last train from Manchester Piccadilly to Nuneaton?
The last train from Manchester Piccadilly to Nuneaton departs at 22:07.
Fastest train
More trains from Manchester Piccadilly
Manchester Piccadilly to Stafford
Manchester Piccadilly to Lichfield Trent Valley
Manchester Piccadilly to Tamworth
Manchester Piccadilly to Watford Junction
Manchester Piccadilly to Rugby
More trains from Nuneaton
Nuneaton to Bangor (Gwynedd)
Nuneaton to Liverpool
Nuneaton to Liverpool Lime Street
Nuneaton to Acton Bridge (Cheshire)
Nuneaton to Harrow And Wealdstone
Alvechurch to Spring Road
Earlswood (West Midlands) to Rowley Regis
Adderley Park to Landywood
Atherstone to Kidsgrove
Leamington Spa to Apsley
More tickets types between Manchester Piccadilly to Nuneaton
Anytime Single


Flamingo and Playa Conchal offer world class sport fishing, boasting world records in marlin, sailfish, wahoo and roosterfish. The area is also great for sea-kayaking and snorkeling with its many inlets, secluded virgin beaches and clear waters. This is the perfect base as well for golf, mountain biking, trekking, bird and turtle watching, river rafting, and it is located only one hour away from 7 National Parks and Reserves!!
Fishing International is pleased to offer accomodations at two of the Flamingo area's loveliest resort destinations – the Flamingo Marina Resort and the Paradisus Playa Conchal.
A top-notch, all-suite resort on 2,400 lush tropical acres.
Rates based on international arrival at Liberia and a 27-ft cruiser (other sizes available).
Note:Customized packages for a different number of nights and days fishing are available on request. Transportation between the resorts and San Jose or anywhere in Costa Rica can be arranged at additional cost.


In April 21018, before our leaders Willow and Rowan Songsmith left, we recorded 21 of our favourite songs which we had sung with them. The CD is available for purchase and we hope to upload a sample of the songs shortly.
On 25 March 2018, Kaleidoscope Community Choir performed a Georgian song, Heya moli at the Community Choirs Festival in Stratford. Follow this link to hear and see us performing.
And here we are in 2017 at the same festival, performing 2 songs with the Tutbury Local Vocals. Svatba is a Bulgarian song, and Change was written by our then leader, Willow Songsmith.


Government debt yields were higher on Thursday despite data showing anemic wholesale inflation in the U.S. and mixed economic figures from China.
At around 3:30 p.m. ET, the yield on the benchmark 10-year Treasury note which moves inversely to price, was higher at around 2.628 percent, while the yield on the 30-year Treasury bond was also higher at 3.045 percent.
On Wednesday, yields rose despite the Labor Department indicating that wholesale prices barely increased in February after falling for three straight months. Overnight, data showed China's industrial output expanded at its slowest rate in 17 years.
Investors also grappled with ongoing trade negotiations between China and the U.S. CNBC learned through multiple sources that China wants to link a formal state visit to the U.S. to a trade-deal announcement. The sources said Beijing wants a deal to be fully ironed out before Chinese President Xi Jinping sat down with President Donald Trump. They also said, however, Trump prefers to close the deal himself with Xi in person.
Bloomberg News reported earlier in the day that China and the U.S. are trying to push back a meeting between the countries' two leaders from late March to April at the earliest. This comes after Trump said he was in no rush to form an agreement. Bloomberg's report comes after China's industrial output expanded at its slowest rate in 17 years.
Stateside, investors are likely to closely monitor another fresh round of economic data Thursday.


text:
August von Froriep (* 10. September 1849 in Weimar; † 11. Oktober 1917 in Tübingen) war ein deutscher Anatom.

Leben
August Froriep kam aus einer Medizinerfamilie – er war der Sohn des Anatomen Robert Friedrich Froriep (1804–1861) und der Enkel des Chirurgen und Verlegers Ludwig Friedrich von Froriep (1779–1847).

Froriep studierte Medizin in Göttingen, Tübingen und Leipzig. 1869/70 war er Konkneipant beim Corps Saxonia Göttingen. Da er einmal auf die Sachsenfarben gefochten hatte, erhielt er nach seinem Weggang von Göttingen die Corpsschleife.

Nach dem Staatsexamen arbeitete er als Assistent von Christian Wilhelm Braune (1831–1892) in Leipzig. Später war er als Prosektor in Tübingen tätig, wo er schließlich eine Professur für Anatomie erhielt. Er beschäftigte sich vor allem mit der Morphologie und Entwicklung des Kopfes und der Wirbelsäule. Im Jahr 1885 wurde er zum Mitglied der Leopoldina gewählt. 1906 wurde er zum korrespondierenden Mitglied der Bayerischen und 1911 der Göttinger Akademie der Wissenschaften gewählt. Kurz vor seinem Tod wurde er als korrespondierendes Mitglied in die Preußische Akademie der Wissenschaften aufgenommen.

1911 behauptete Froriep in einer viel beachteten Publikation (Der Schädel Friedrich von Schillers und des Dichters Begräbnisstätte), den echten Schädel Friedrich Schillers gefunden zu haben. Damit meinte er den jahrzehntelangen Streit um die Echtheit des Schädels, der bis dahin für Schillers gehalten wurde, zu beenden. Neuere Untersuchungen konnten jedoch zeigen, dass es sich bei dem von ihm gefundenen Schädel um den Schädel Luise von Göchhausens, einer Hofdame Anna Amalias, handelt. Der echte Schädel Friedrich Schillers wurde indes nie gefunden.

Schriften (Auswahl)
 Anatomie für Künstler. Breitkopf & Härtel, Leipzig 1880 (Digitalisat).
 Anatomie für Künstler. Kurzgefasstes Lehrbuch der Anatomie, Mechanik, Mimik und Proportionslehre des menschlichen Körpers. Barth, Leipzig 1913 ().
 Der Schädel Friedrich von Schillers und des Dichters Begräbnisstätte. Barth, Leipzig 1913.
 Schädel, Totenmaske und lebendes Antlitz des Hoffräuleins Luise von Göchhausen. Barth, Leipzig 1917.

Literatur

Weblinks
 August von Froriep bei whonamedit.com (englisch)

Einzelnachweise

Anatom
Mediziner (19. Jahrhundert)
Mediziner (20. Jahrhundert)
Hochschullehrer (Eberhard Karls Universität Tübingen)
Corpsstudent (19. Jahrhundert)
Mitglied der Leopoldina (19. Jahrhundert)
Mitglied der Preußischen Akademie der Wissenschaften
Mitglied der Akademie der Wissenschaften zu Göttingen
Mitglied der Bayerischen Akademie der Wissenschaften
Deutscher
Geboren 1849
Gestorben 1917
Mann


4. What are EPA's drinking water regulations for barium?
The MCLG for barium is 2 mg/L or 2 ppm. EPA has set this level of protection based on the best available science to prevent potential health problems. EPA has set an enforceable regulation for barium, called a maximum contaminant level (MCL), at 2 mg/L or 2 ppm. MCLsare set as close to the health goals as possible, considering cost, benefits and the ability of public water systems to detect and remove contaminants using suitable treatment technologies. In this case, the MCL equals the MCLG, because analytical methods or treatment technology do not pose any limitation.
The Phase IIB Rule, the regulation for barium, became effective in 1993. The Safe Drinking Water Act requires EPA to periodically review the national primary drinking water regulation for each contaminant and revise the regulation, if appropriate. EPA reviewed barium as part of the Six Year Review and determined that the 2 mg/L or 2 ppm MCLG and 2 mg/L or 2 ppm MCL for barium are still protective of human health.
States may set more stringent drinking water MCLGs and MCLsfor barium than EPA.


We would like our children to walk, scoot or cycle to school wherever possible.
This link provides detailed information on sustainable methods of travelling to school, including detailed maps of local footpaths and alleyways.
In order to facilitate this for those children that don't live in the vicinity of the school we offer a Walking Bus which leaves from the Lesley Sears car park (at the end of Reeves Way) every day at 08.20. Children are accompanied across Viking Field, down Tanners Row and along Evendons Lane to school. The children are given high visibility jackets to wear and it is suggested that they wear wellie boots during wet weather.
Children are able to leave their scooters and bikes at school in the cycle racks provided. They are able to use their bikes and scooters at break and lunch times.
There are many park and stride options available please click on this link for more information.
There isn't any parking in the car park for parents at any time due to lack of spaces. Parking is available in the surrounding streets. We would ask that you park carefully and considerably for the residents of these streets. In order to stagger the effect of parking, parents are allowed to accompany their children into their classrooms from 08.30 onwards. Parents are able to leave their children in the classroom at this time or can stay and read with their children before the school days starts if they wish.


text:
Pic Feb 25, 2017 8:50:25 GMT -5
Post by kleinesc on Feb 25, 2017 8:50:25 GMT -5
I was wondering whether Sydney could be tempted to visit Valence, ahinton, if only for some cookery classes!
Feb 25, 2017 8:50:25 GMT -5 @kleinesc said:
I thought that we'd been around that one before and, although I do not recall Sydney actually declining to consider doing so, his enthusiasm for what Anne-Sophie does is by his own admission pretty thin (and it's not as though he's located around the corner from Valence)...
All right! I accept defeat, ahinton. Curiously, 'The Sunday Times' leads today with some editorial comment on these foodish things.
"After objecting to a statue of Cecil Rhodes at Oxford and an African bronze cockerel at Cambridge, students have found a new symbol of oppressive imperialist hegemony — beef stew. The catering staff at Pembroke College, Cambridge, have been criticised for referring to a dish of beef and mango as Jamaican stew. It is also disputed whether the cauliflower, date and tofu tagine is sufficiently Tunisian.
If students are now finding offence on the lunch menu, what are they to eat? Obviously beef Wellington is out of the question in case it upsets French students and there will be no croissants for breakfast because they were invented to celebrate a Turkish defeat at the 1686 siege of Budapest. Should we boycott Earl Grey tea because it celebrates an aristocratic member of the feudal classes or drink up because it was named after the British Prime Minister who abolished slavery in the British Empire?"
The leading article concludes that there is danger everywhere. Just think what might happen at Pembroke the next time a sensitive young student from Derbyshire is asked if he fancies a little Bakewell tart. Now I should perhaps admit that I did not go to Pembroke, nor enjoy its Jamaican stew! In multicultural Britain, I would recommend jerk chicken followed by a Duke of Cambridge tart. Not the Duchess! Nevertheless, Anne-Sophie Pic's cookery classes are even more tempting, Sydney!
Anne-Sophie Pic - Scook
Last Edit: Feb 26, 2017 14:30:52 GMT -5 by kleinesc
Waste Not!
Pic Mar 20, 2017 14:25:00 GMT -5
Post by kleinesc on Mar 20, 2017 14:25:00 GMT -5
Writing in the FT, Harriet Agnew reports that a chef takes her place at the top table of gastronomy.
Anne-Sophie wants to know, Sydney, whether there are any Australian wines you could recommend for the wine list?
Last Edit: Mar 20, 2017 15:09:53 GMT -5 by kleinesc
Post by ahinton on Mar 20, 2017 17:56:37 GMT -5
Mar 20, 2017 14:25:00 GMT -5 @kleinesc said:
Somehow I cannot imagine that Sydney would be especially interested in recommended the best of Penfolds' Grange but of course I could be wrong about that...
sydgrew
Pic Mar 22, 2017 4:10:49 GMT -5
Post by sydgrew on Mar 22, 2017 4:10:49 GMT -5
We had thought Mr. c's French cook/boiler at least respectably covered, but to-day we were delighted to find one of her younger sisters even more so.
Pic Apr 3, 2017 8:14:20 GMT -5
Post by kleinesc on Apr 3, 2017 8:14:20 GMT -5
Despite Mandeep's Tasmanian charms, I shall be heading to Valence to cook during Holy Week! Due to unprecedented demand from around the world, everyone reading 'The Third' is cordially invited to join us! The choice (of course) is yours!
Pic - Scook
Pic Apr 4, 2017 10:16:25 GMT -5
Post by kleinesc on Apr 4, 2017 10:16:25 GMT -5
What I would therefore recommend to you next Tuesday evening, ahinton, is DUO DE CHEFS : LE SAUMON A 4 MAINS. I doubt that the former Sydney would be prepared to offer two additional hands, but you never know your luck!
As for everyone else reading 'The Third', I can only suggest that next Wednesday morning we all try LES SOUPES FROIDES REVUES PAR ANNE-SOPHIE PIC.
Cold soup, anyone?
Last Edit: Apr 4, 2017 10:18:07 GMT -5 by kleinesc
Post by ahinton on Apr 4, 2017 10:23:41 GMT -5
Apr 4, 2017 10:16:25 GMT -5 @kleinesc said:
All sounds and looks wonderful! If only!...
We are on our way! There has been much debate about what to drink with all this food, so Anne-Sophie has added a tasting on Easter Saturday at 10:00 (CET) for everyone reading 'The Third'.
SOMMELLERIE PASSION : QUEL VIN POUR VOTRE REPAS DE PÂQUES ?
A good question, Anne-Sophie! Whatever you're drinking?
Last Edit: Apr 9, 2017 6:01:12 GMT -5 by kleinesc: 10:00-12:00 on Saturday 15 April 2017
Pic Aug 19, 2017 6:50:24 GMT -5
Post by kleinesc on Aug 19, 2017 6:50:24 GMT -5
Writing in today's 'Times', Anne-Sophie Pic explores the rich food heritage of her home region — and where to enjoy it. Anne-Sophie begins thus:
"Valence is the beginning of my story — or I should say my grandfather's story. But it goes back farther than that, to the Ardèche countryside, on the road between Saint-Péray and Vernoux.
My great-grandmother Sophie opened a restaurant called L'Auberge du Pin in 1889 and it became famous for its chicken fricassee, black pudding and stewed rabbit. In 1920 her son André, my grandfather, continued the business, fine-tuning those traditional dishes — so much so that he was awarded one of the first Michelin stars granted (there were only two stars in 1933 and three in 1934).
Then my grandfather moved the business to the nearest big city, Valence, and the restaurant became very successful. And this is where we are still located today, albeit with a slightly larger operation ... "
The Times - Anne-Sophie Pic: A chef's guide to the Rhône Valley
Chef Baptiste Poinot has been awarded one Michelin star for his cooking at Flaveurs, his Valence eatery. Think laid-back jazz atmosphere in the restaurant and an impressive focus in the kitchen.
Last Edit: Aug 19, 2017 6:53:24 GMT -5 by kleinesc
Much as I would love to accept your kind invitation, I am sadly unable to do so; that said, "deadlock in Brussels" is hardly likely to last a mere weekend, for it's been going on for quite some time already and looks set to continue indefinitely - or at least until UK comes to its senses (assuming that it has any left) and abandons the entire Brexit shambles at a stroke...