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Causeway Coast and Glens Borough Council - Muddling Through?
Politicians often come under attack from other politicians as well as attention-grabbing elements of the mainstream and new social media; sometimes they have to sort out the mess created by bureaucrats and bureaucracy. Are the officers in the recently formed councils struggling with the paperwork left behind by the legacy councils - as well as possible pressure from vested interests?
Causeway Coast and Glens Borough Council has recently issued a licence for a temporary building in Dundarave car-park in Bushmills, a car-park that one of the legacy councils had issued a licence to the National Trust for use as a park-and-ride facility adjacent to the Giant's Causeway.
The temporary structure and metal cage clearly block the circular traffic flow. When I used the car-park a few days ago there were several large coaches and cars using the traffic bays and vehicles negotiated a path across vacant bays.
Added Saturday, February 4
There are many areas of outstanding natural beauty as well as special scientific and historical interest in the Council district and Portballintrae is no exception.
There's an area of special scientific interest on the west side of the main bay and alongside it lies the old lane that led to Seaport Lodge, now in a dilapidated state but once the summer residence of local landlords. The lane is a popular route for walkers, including those from the local district out exercising their dogs; it has also featured in exchanges in another of the legacy councils.
Recent conversations in social media would indicate that Council officers appear to be more concerned about the location of a few short and long resident concrete posts to the side of the lane than a more recent razor-wire erection further along.
Hopefully our elected representatives can sort out the muddle in the not too distant future and visitors as well as locals can enjoy the splendid scenic views that Portballintrae still retains.
David Speers Exhibition - "Light of the Antrim Coast" - Belfast, February 6-28, 2017
Linenhall Library
Donegall Square North, Belfast
6th - 28th February, 2017
Northern/Members' Room
Admission Free :: All Welcome
"David Speers, artist, bookman, and local historian, knows every corner of his north Antrim coast.
In this exhibition he brings together the mood, light and atmosphere of his northern heartland."
David's brother Neill Speers has three play readings running at the same venue during the exhibition's first week.
They mark the 75th anniversary of the arrival of American troops in 1942.
Dan Gordon of 'Give My Head Peace' and also with past Bushmills connections will be heading the cast.
Boys from Company L
who were stationed in Ballycastle.
Renewable Heat Incentive - Snippets from the Boardroom
Northern Ireland Governance
The Belfast Deficit
[Click the link]
These snippets from the minutes illustrate a paucity of information, some confusion over the management of risk, a promised update which doesn't appear and a lack of information provided to Independent Board members.
Only one of the two Independent board members was present in 2013 and 2014.
Treasury best practice stipulates that Ministers chair meetings of their Departmental Boards but Ministers aren't even present so that they could be advised and challenged by Independent members. The Ministers do receive regular briefings from their Permanent Secretaries but this falls far short of best practice. Also, I can find no minutes of such briefings or of those by the Departmental Executive teams [Permanent Secretary and senior colleagues].
The Office of the Information Commissioner should insist that Departments provide Model Publication Schemes so that anyone can easily search and peruse agendas, minutes and officers' report in order to offer constructive comment and, if necessary, sound the alarm. The DETI minutes are in image format ie non-searchable; the DfE minutes are searchable but, curiously, the minutes for July and September were created on 07/11/2016 but not modified. The October 25 minutes were created on 18/11/2016 and modified on 05/12/2016, one day before the BBC Spotlight broadcast.
Renewable Heat Initiative - Snippets From the Boardroom by Nevin on Scribd
I raised the issue of the deficit back in 2012 with an Independent member from another Department and got the following reply: "I note your comment relating to the structure of the departmental board in *******. I did understand that the model in Whitehall is not mirrored by Northern Ireland departments. I took up my appointment on this basis. This is therefore a matter for the devolved administrations to form a view on and change if felt appropriate."
Added 23 February 2019
The Scribd document has been removed from the Scribd site without any notification to me so here is the post in image format:
Causeway Coast and Glens Borough Council - Muddlin...
David Speers Exhibition - "Light of the Antrim Coa...
Renewable Heat Incentive - Snippets from the Board...


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The Q70 delivers an invigorating experience that ignites the senses. Acceleration Swell transforms the delivery of power into the smooth continual rush of a peaking wave. Zero-Lift Aerodynamics help keep the Q70 grounded, amplifying handling and driver control, while the FM Platform reduces body roll and increases stability, helping you move fluently through curves.
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INFINITI's Intelligent All-Wheel Drive (AWD) provides power where and when you need it, instantly adapting to changing conditions. By constantly monitoring wheelspin, throttle position and vehicle speed, this system automatically diverts up to 50% of the available power to the front wheels, enhancing traction and control in adverse conditions. When all-wheel drive is not needed, the system sends 100% of the power to the rear wheels for more responsive road performance.


text:
La Diamond Trading Company (DTC) è la filiale per la vendita e la distribuzione di diamanti grezzi da parte del gruppo De Beers. Il DTC classifica, valorizza e vende in valore circa il 75% dei diamanti grezzi. Il DTC ha una combinazione di operazioni interamente di proprietà e joint-venture in Sudafrica (DTCSA), Botswana (DTCB), Namibia (NDTC) e nel Regno Unito (DTC).

Il DTC vende diamanti che provengono principalmente dalle miniere di De Beers in Sudafrica e Canada e attraverso i suoi partner con i governi di Botswana, Namibia e Tanzania. I classificatori di Londra, Kimberley, Windhoek e Gaborone classificano questi diamanti in circa 12.000 categorie diverse in base a dimensioni, forma, qualità e colore. I clienti di DTC sono noti come Sightholder e il processo di selezione si basa sul prodotto della domanda e sui processi di consulenza da parte del Supplier of Choice (SoC) Sightholder.

Note

Altri progetti

Collegamenti esterni

Diamante

redpajama_set_name: RedPajamaWikipedia


text:
Home Films Reality TV About Us Equipment Rental	Contact
Two Cats Productions, Ltd.
info@twocatstv.com
About Two Cats
Andrew Goldberg
Executive Producer/Director
Emmy Award-winning producer/director and investigative journalist Andrew Goldberg is the founder and owner of Two Cats Productions in New York City. For more than 15 years he has Executive Produced and Directed documentary films, non-fiction television, news, reality TV, and development deals for such outlets as PBS, ABC News, CBS, National Public Radio, MSNBC, CNN, TLC, E!, Food Network, DIY, FYI, HGTV and many others.
Bridget Kenna
Bridget Kenna is most often found in her cave working on the next hottest sizzle reel for a major network. She uses Ditsy Kitty as a heating pad on her lap each day and almost always has a piece of cauliflower in her hand.
Diana Robinson
Diana Robinson really likes to talk about herself.
Ditsy Kitty
Office Visionary
Fun-loving and far more intelligent than her name suggests, Ditsy enjoys warming herself on top of computers and chasing laser beams.
Jillian Burghoff
Production Coordinator/Office Manager
Jillian's days with Two Cats are never dull. She can be found doing anything from planning international travel for the team, to sound proofing the ceilings, or snuggling with Ditsy Kitty. Before settling into New York City in 2017, Jillian lived in Denver and Austin, and filled her time practicing yoga, traveling the world and loving animals.
Maciej Bugajak
DP Maciej Bugajak has been shooting non-stop since finishing film school in Lodz, Poland. During his career, which began in 1978, he has worked for Polish TV, NBC News, ABC News and countless other networks worldwide.
Home Films Reality TV Rental Equipment About Contact
©2019 Two Cats Productions, Ltd.

redpajama_set_name: RedPajamaCommonCrawl


text:
5 Σειρές
Ημ Γέννησης Mar 5, 1989
Τόπος Γέννησης Houston, Texas, USA
Sterling Sandmann Knight enjoys playing the guitar, golfing and snowboarding. He began acting at the age of 10, and appeared in productions such as "On Golden Pond," "Lost in Yonkers," "Bye Bye Birdie" and "Mad Adventures of Mr. Toad." His breakout role was in the movie 17 Again, where he played Zac Efron/Matthew Perry's son, Alex. He currently stars as pretentious teen heartthrob Chad Dylan Cooper on the popular Disney Channel Television series "Sonny With a Chance". He also recently starred in the Disney Channel Original Movie "Starstruck", where he played pop star Christopher Wilde. He has guest starred on shows such as "The Closer", "Grey's Anatomy", and "Hannah Montana".
Different Flowers
The Man from Earth: Holocene
Landmine Goes Click
Elle: A Modern Cinderella Tale
Ty Parker
Chris Wilde
Alex O'Donnell
Έχει πρωταγωνιστήσει σε 5 Σειρές
Chad Dylan Cooper


The film based on the life and career of Journalists. Basically you can see inside story of media houses from the eye of a Journalist. The USP of film is that the characters of the film are to play their real life profession in the movie.


Etude No 2 (excerpt) by Juan Serrano - Duration: 53 seconds.
Etude No 2 (excerpt) by Juan Serrano.
Rest-stroke scale study by Vahagni - Duration: 23 seconds.
Rest-stroke study by Vahagni. Learned it from one of his videos.
Scherzo by Tomas Damas, adapted by Francisco Tarrega - Duration: 82 seconds.
Scherzo from "Amor Paterno" by Tomas Damas, adapted by Francisco Tarrega.
La Valse d'Amélie - Duration: 2 minutes, 22 seconds.
Study in e by Francisco Tarrega - Duration: 84 seconds.
Recuerdos de la Alhambra - Duration: 3 minutes, 48 seconds.
Study 7 - Carcassi - Duration: 86 seconds.
Study No 7 Op 60 by Mateo Carcassi.
Study in e minor by Mauro Giuliani - Duration: 55 seconds.
Right hand study employing pattern p i m a m i.
Estudio para Guitarra - Duration: 2 minutes, 21 seconds.
Toccata and Fugue in D minor by J S Bach - Philip Hii, guitar - Duration: 7 minutes, 42 seconds.
La Catedral - Philip Hii - Duration: 4 minutes, 20 seconds.


text:
Coast Guard crew rescues dog in distress off Florida coast
Dec. 6 (UPI) — A U.S. Coast Guard crew came to the rescue of a dog spotted struggling to swim off the coast of Florida.
The Coast Guard's Station Fort Myers Beach said the night crew were just started their shift Wednesday when they were alerted to a "dog in distress" off Bowditch Point.
The crew shared photos and video from the rescue of the disoriented swimmer.
"Thanks to the crew's expertise in intercepting non-compliant vessels (NCV) and recovering a person in the water (PIW), our 'star' of the night was safely recovered and returned to her owner," the station said.
Tim Allen: 'Nothing not to like' about Keanu Reeves
Commuters in 20 cities drop trou for No Pants Subway Ride
Ohio kids find sheriff's long-lost wallet in the woods
Pat Sajak's daughter serves as letter-turner on 'Wheel of Fortune'
Deadly snake found in Australian couple's dishwasher
Copyright © | AdibyNews.com


Geoff Dyer's expansive body of work has garnered significant praise, including the Infinity Award for Writing/Criticism, the Somerset Maugham Prize, and a National Book Critics Circle Award. His new book, "The Street Philosophy of Garry Winogrand," hit bookshelves this year. A recipient of a Lannan Literary Fellowship, the E. M. Forster Prize and, most recently, the Windham-Campbell Prize for nonfiction, Dyer is an honorary fellow of Corpus Christi College, Oxford; a fellow of the Royal Society of Literature; and a member of the American Academy of Arts and Sciences. Dyer is currently writer-in-residence at the University of Southern California.


text:
Karlton Index Recognition
Janice Gillam
5 1 1 1 1 1 Rating 5.00 (8 Votes)
The Lancashire Heeler Community and database websites have been recognised as "A notable achievement.." in the breed by The Karlton Index, a progressive measurement system seeking to measure progress in dog health improvement.
The Lancashire Heeler is one of a number of breeds seeing significant improvement in Karlton Index Scores since 2011. We would like to thank all contributors to this site for their articles and hard work in working together across a range of activities to provide the resources we have today. Particular thanks should go to individual owners and breeders providing health information about their dogs that is now shared with the Heeler Community both on this site and on our database.
The Database now has records for more than 6000 dogs added by individual owners and breeders. Many thanks go to Jen Walton for industriously adding thousands of dogs, sorting out anomalies and for providing a very active Facebook forum now offering more engagement for all interested in the breed and to Jacky Cutler for her expertise, advice and many hours of input. Others, too many to mention individually, have given time in testing and providing material from personal collections to help our efforts. The Lancashire Heeler Association have now commissioned a health survey which will build further on Breed health improvement and can be found here. This has already attracted almost 100 submissions - 50% more than the previous survey undertaken. The survey is still ongoing. Full details of the Karlton Index initiative and the full report can be found on the Karlton Index Website.
health	Karlton Index	Award


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40 giorni & 40 notti (40 Days and 40 Nights) è un film del 2002 diretto da Michael Lehmann.

Trama
Dopo la storia d'amore con Nicole conclusasi male, Matt non riesce più a vivere serenamente il sesso, infatti ogni volta che prova ad avere rapporti con altre ragazze, ha delle allucinazioni come crepe e buchi neri sul soffitto.

Dopo il colloquio col fratello sacerdote e un altro prete, decide di fare voto di astinenza nel periodo della Quaresima: per quaranta giorni e per quaranta notti dovrà dunque fare a meno di ogni attività riconducibile al sesso (dal rapporto completo alla masturbazione, dai baci alle semplici effusioni).

I suoi colleghi di lavoro vengono a sapere di questa decisione dal suo amico fidato Ryan e organizzano un sistema di scommesse per puntare sul giorno in cui Matt cederà. Il ragazzo sembra resistere, nonostante le continue pressioni degli amici, ma le cose si complicano ulteriormente quando conosce, in una lavanderia, Erica, che sembra davvero la ragazza giusta per lui, ma con la quale, a causa del voto, non può scambiarsi neanche un bacio.

La ragazza si rassegna ad aspettarlo, nel mentre che i giorni passano e le condizioni fisiche e psicologiche di Matt peggiorano sempre più. L'ultimo giorno utile per la scommessa, ovvero il quarantesimo, Nicole decide di puntare la sua quota, e sarà proprio lei a far terminare le scommesse andando a trovare Matt a casa ed approfittando del fatto che lui stesse dormendo e avesse le mani legate al letto. A mezzanotte meno due minuti Nicole conclude e se ne va, e sulla via d'uscita incontra Erica che aveva raggiunto Matt il quale, finita la Quaresima, poteva concedersi finalmente a lei. Erica rimane delusa dal fatto che Matt non l'abbia aspettata, ed il ragazzo, per farsi perdonare, le regala un cofanetto in ricordo dei bei momenti passati insieme. Erica capisce quindi che Matt è il ragazzo giusto per lei e una volta che si rivedono alla lavanderia si scambiano i primi baci della loro relazione.

La scommesse dunque ripartono, ma stavolta hanno un significato completamente opposto: si scommette l'ora continuativa in cui Matt riesce a stare dentro la sua camera da letto a far l'amore.

Colonna sonora
Di seguito è elencato l'elenco dei brani utilizzati nel film.

 Big Blue Sea - Bob Schneider
 Bad Dreams (Remix) - Arling & Cameron & Swarte
 Spank My Booty - Lords of Acid
 Loves Me Like a Rock - The Dixie Hummingbirds
 New Sensation - INXS
 Turn Off the Lights - Teddy Pendergrass
 Talking 'bout My Baby - Fatboy Slim
 Overload - Sugababes
 Chemistry - Semisonic
 Anthem - The Incredible Moses Leroy
 Strange Condition - Pete Yorn
 Neil's Blues - Frank Morgan
 Recondita Armonia (dalla Tosca) - Jussi Björling, Zinka Milanov, Leonard Warren, Rome Opera Orchestra e coro diretto da Erich Leinsdorf
 Do Me! - Bell Biv DeVoe
 Memory Gospel - Moby
 The One You Have Not Seen - Sophie B. Hawkins
 Space to Share - Scapegoat Wax
 Filthy Mind - Amanda Ghost
 Wonderful - Everclear
 Love Her for That - Teddy Thompson
 Fishinit - Steinski & Ill Chemist
 We're in Heaven - Sgt. Rock
 Strange Disease - Prozzäk
 Under Pressure - Queen e David Bowie

Accoglienza

Critica
L'aggregatore di recensioni online Rotten Tomatoes ha assegnato al film una percentuale di gradimento pari al 39% sulla base di 137 critiche con un voto medio di 4.9/10.

Riconoscimenti
40 giorni e 40 notti nel 2002 ha vinto il riconoscimento tedesco Bogey Awards, mentre gli attori Josh Hartnett e Shannyn Sossamon sono stati nominati ai Teen Choice Awards nella categoria "miglior coppia".

Slogan promozionali
La tagline italiana del film è «più passa il tempo più diventa dura...».

Note

Collegamenti esterni

Film commedia romantica
Film Universal Pictures
Film ambientati a San Francisco


text:
layout: page
title: Collins Family Reunion
date: 2016-05-24
author: Samuel Ray
tags: weekly links, java
status: published
summary: Pellentesque hendrerit nunc maximus tortor ornare aliquet. Sed vestibulum.
banner: images/banner/leisure-04.jpg
booking:
  startDate: 03/11/2017
  endDate: 03/15/2017
  ctyhocn: SJTCHHX
  groupCode: CFR
published: true
---
Fusce turpis nibh, lobortis vitae faucibus et, dapibus sed nisl. Aliquam faucibus nisl eu justo sodales dignissim. Vivamus ac nisl scelerisque, tincidunt eros ornare, luctus dolor. Quisque libero nisi, feugiat et mollis consectetur, commodo non felis. Fusce egestas enim sit amet vestibulum hendrerit. Nam ipsum magna, semper et lorem vitae, iaculis pellentesque nunc. Donec luctus enim elit, sit amet mattis est scelerisque vel. Donec hendrerit ultricies lectus id lobortis. Nullam non venenatis quam.
Donec sit amet eros justo. Etiam in urna magna. Aliquam erat volutpat. Curabitur at iaculis lorem. Maecenas non pretium ante. Integer condimentum vehicula interdum. Morbi varius metus elit, viverra sodales lorem condimentum sed. Proin a varius lectus, eu viverra odio. Etiam non libero sem. Quisque vel lorem eu lorem pulvinar vulputate. Vivamus non luctus eros. Vestibulum ipsum felis, iaculis ut nunc ac, vehicula fringilla nisl. Vestibulum laoreet, eros ac tempor lacinia, tortor arcu auctor arcu, vitae gravida sapien arcu sit amet ligula. Donec tincidunt pulvinar velit. Proin gravida semper sapien, fermentum viverra nisi mollis sit amet.

1 Nulla pharetra augue a lacus pretium, vel sodales dui tincidunt
1 Fusce rhoncus purus id enim sollicitudin elementum
1 Nunc sed velit sit amet quam sodales fringilla et ut magna
1 Nunc elementum sapien sit amet nulla accumsan pellentesque
1 Pellentesque dictum libero egestas ipsum sagittis, sit amet mollis nulla tempus.

Vivamus quis fermentum justo, hendrerit pulvinar massa. Suspendisse a nulla in leo dapibus bibendum. Pellentesque sed sapien id est aliquet porttitor. Pellentesque tristique libero libero, mollis tincidunt justo ultrices id. Aliquam tempor ante enim, ac eleifend dolor viverra ac. Integer imperdiet nulla ac arcu tincidunt, vitae auctor purus hendrerit. Vivamus nec sollicitudin nisl. Cras in urna velit. Ut eget ligula lectus. Maecenas luctus odio ut lorem maximus accumsan.

redpajama_set_name: RedPajamaGithub


text:
Бычковка — название населённых пунктов.

Россия
 Бычковка — деревня в Салаватском районе Башкортостана.
 Бычковка — деревня в Ирбейском районе Красноярского края.
 Бычковка — деревня в Майнском районе Ульяновской области.


Expert testimony on the communication, effectiveness & adequacy of product warning labels. Evaluation of warnings & precautionary labeling on diverse products including auto batteries, spray disinfectants, food products, pharmaceutical drugs, pesticides, ladders, toxic chemicals, solvents, & recreation products.
Director, Warnings and Instructions - InterCity Testing & Consulting Corp.
Provides expert witness testimony on the adequacy and communication effectiveness of product warnings and precautionary labels relating to product-liability litigation. Evaluates warnings and instructions on hazardous consumer and industrial products regulated by government agencies - EPA, FDA, CPSC, OSHA, DOT. Collaborates with technical experts in safety, chemistry, industrial hygiene, fire technology and explosives, mechanical, electrical, and industrial engineering, toxicology, medicine, and sports and recreation. In addition, evaluates the communication effectiveness and readability of travel documents, product recall letters, product literature, instructional manuals, insurance policies, and medical consent forms.
Graduate credits earned at Teachers College, Columbia University and the University of Chicago.
International Reading Association (IRA); National Conference on Research in English; National Council of Teachers of English; New York State Reading Association; Nassau Reading Council; American Association of University Professors.
Copyright Registration Certificate TXu 247 129, covering the wording of a battery warning, July 26, 1986. Additional Text, TXu 353-335. March 9, 1989.
Copyright Registration Certificate TXu 449 295, covering the wording of a drain cleaner, dated October 9, 1990.
Recipient of Hofstra University's Faculty Distinguished Service Award (1977-1978).
Consulted, presented or participated in more than two hundred conferences, seminars, and workshops. Presented papers at the following International Conferences of the Initial Teaching Alphabet: Oxford, 1964; Cambridge, 1965; Lehigh, 1966; McGill, 1967; Hofstra, 1968; York (England), 1969; London, 1970; St. Louis, 1972.
Has authored or co-authored numerous publications.
For more information about this expert email InterCity at expt1@aol.com or fill out our information request form and reference Consultant Dr. Harold Tanyzer.


text:
Resources Home
The Temple as the Maternal Place of the Church
by Cardinal Christoph Schonborn, O.P.
The Church must be a sacred space distinct from the profane, reserved for worship alone, for the sacred action of the liturgy.
Larger Work
Catholic Dossier
Publisher & Date
Ignatius Press, May-June 1997
What I want to say here is quite simple, but it is nonetheless somewhat delicate to express since it involves a very personal and, if I might so put it, intimate matter: I want to speak of that great image, so ancient yet so new, of Mother Church, of the Mater Ecclesia, the Church as the maternal place, the source of all that is living and thus the source of art as well.
The best way for me to do this is to speak to you of an unforgettable encounter that I had last October...
It was in mid-October, a sunny day filled with the sweet light of autumn. I was stopping at Coire, in the Grisons, and I went up to the cathedral on its impressive site, a rock seemingly suspended above the town. There, beginning in the Roman era, century after century, Christians have constructed their cathedral. It was going on noon when I entered the cathedral, silent, empty, flooded with a filtered light. Going up the nave I saw, far ahead, before a plaster statue of Saint Anthony, surrounded by flowers and candles, a young man on his knees, hands joined and raised toward "il santo," murmuring his prayer. His complexion suggested an Indian ... I was surprised, moved by the sight and I continued to watch him out of the corner of my eye.
After a moment I saw him get up, genuflect toward Saint Anthony, and go to the next statue, then the tabernacle on the altar. At each place it was the same rite, the same intense prayer, hands joined and raised, the same concentration in prayer. Finally he felt to his knees before a 14th century Pieta, she too quite surrounded by flowers and candles. That is when I approached and asked him where he was from. "From Sri Lanka!" He went on to explain, in bits of English and German, that he was Tamil and that he had come to seek asylum in Switzerland but that his family was still back there. After a bit I asked him, "Are you Catholic?" "No, I am Hindu, but it is the same God," he said, his eyes lifting.
What struck me in that meeting with the young Tamil in the old cathedral of Coire is that the poor foreigner found in that cathedral a maternal place, a place where he could find consolation and where he would no longer feel a foreigner. Seeing him pray, on his knees, to the Mother of Sorrows, the Pieta, I saw that the Church is truly the Mother of All, the mater ecclesia. The Fathers of the Church had called her Mother of all, the new Eve, mother of all the living, whether they know it or not, because she is the place of the presence of him who alone could say, "I am the Life."
THE CATHEDRAL PLACE OF PRAYER
What was striking about this young Tamil was that he, a pagan, a foreigner come from afar, had found spontaneously and immediately the attitudes and the gestures for which that cathedral, since centuries long gone, had been built, rebuilt, decorated, fashioned. That foreigner had the attitude of prayer, of supplication, on his knees before the God he adored without knowing him (see Acts 17:23). So it was he had found the meaning of the cathedral, the gestures from which it was born and that had caused it to rise over the centuries. That cathedral was born from the prayers of a people on its knees with their hands lifted as they went up to the high place to implore, to weep, to sing and then to go down again with their hearts lightened.
Our Tamil discovered the attitude of prayer of far off generations, of the 7th, of the 12th, of the 18th century; he had with a sure instinct discovered again the actions of ancient Christians in our ancient Christian land. Perhaps he had observed in the Christians as they came into the church on Sunday what had survived as vestiges of those old acts. But with him they had found a renewed strength and an immediacy that has become rare with us.
He went up to the cathedral simply to pray. For him, it was the temple to which one went to pray. He did not go there to look at the many works of art in that ancient cathedral. He had no Michelin Guide in his hand to track them down. Probably he ignored that it was a work of art. He did not know that the Pieta before which he prayed so long was a three star work of art and that the painted plaster statue of Saint Anthony was not, that it was even "Kitsch," out of place in this place of high ancient art, a statue which had survived an artistic cleansing during the last restoration of the cathedral. He had no idea either of the different stylistic epochs nor did he know that the cathedral is a must on the great sightseeing tours.
While our young Tamil was completely occupied in prayer, some tourists came into the cathedral. One hand in the pocket, the other holding the Michelin Guide, they strolled in order to see, following the Guide, objects of art "worth the trouble of seeing," the Pieta of the 14th century, the Gothic restorations, the archaic crypt. Their gestures were those of museum visitors, walking with slow steps, speaking in low tones, looking here and there as circumstances demanded, guided by artistic classifications, by the established reputations of historic monuments. Very likely they were baptized, Christians born of our ancient Christianity. Compared with the strolling tourists, our pagan at prayer made a strange figure, but he was at home!
Since the 19th century, the museum, a veritable temple of works of art, has been extended in such a way as to include cathedrals. Have our cathedrals, historical monuments, become museums where the vestiges of Christian worship and popular piety carry an air of folklore, and add a note of authenticity to the touristic experience?
I remember that in May of 1968 some Parisian priests proposed that Notre Dame be transformed into a museum. Were they entirely wrong? Some twenty years afterward, I would say Yes and No. Our cathedrals, completely integrated into the tourist visit, have become integral parts of the cultural consumer society, like the great Cistercian abbey near Vienna, nearer Meyerling, which has for that reason been included in the sight-seeing programs of buses which disgorge hordes before the tombs of the unhappy Prince Rodolphe and of Vetsera his beloved, and into the silent cloister of the Cistercian monastery next to them.
But there was something else involved in the 1968 proposal. It was not so much a criticism of the profanation of sacred places by tourism as a criticism of the very idea of a sacred place distinct from the profane, separated from other places and spaces, reserved for worship alone, for the sacred action of the liturgy. It was the very idea of a sacred place that seemed a museum piece, surpassed (in the jargon of yesteryear). Hence the idea of "polyvalent space," no longer a sacred place, but indiscriminately a meeting hall, a place for dancing and for the liturgical assembly. Since this space had to serve all that, it is not surprising that the liturgy came to resemble more and more a meeting than a liturgy.
However that be, I strongly doubt that our Tamil pagan would have sought a refuge for his heart in such a space. For it was not a "maternal place," and the cathedral of Coire, even transformed into a museum, would perhaps have been better able to speak to the heart of this stranger than a polyvalent space, even if it also served as a church. I say perhaps, for who can know for sure.
Indeed those who put forth the idea of transforming Notre Dame into a museum unintentionally got it right even while looking at it crooked: there are links between the cathedral and the museum, invisible ties which mysteriously bind the young Tamil with his hands joined in prayer and the tourists with their hands in their pockets. Those ties bind us all, invisibly but really, artists and priests, faithful and tourists, theologians and conservators of ancient monuments; they bind us all to a center, to a heart that that poor Tamil reveals to us. It is of this heart that I wish to speak.
THE FIRST INSPIRATION OF TEMPLES
I have heard it said that in Moscow people come to the Tretiakpv Gallery to pray before the celebrated Vladirmirskaja, the icon of Our Lady of Vladimir, and before the icon of the Trinity by Andrew Roublev. At first this seems a paradox: the museum — a place of prayer because of the works of arts which have emigrated from the cathedral to the museum, bringing along with them something of the "maternal" place that gave them birth. Even more, thanks to the museum, thanks to the "museal" restoration by specialists, the icons have found again in the middle of a museum a beauty and proximity they no longer have in churches. In a way they have become more "praying."
The museum built in the 19th century as a temple of culture retains secret links to the temple it seeks to imitate, continue and even represent. Hans Sedlmayer in his famous work The Loss of the Middle has magisterially brought to light the ties that bind our museums, our grand operas, our great stores, banks, stations and hangars, to this original place that is the temple, and for us westerners the cathedral. For Sedlmayer this genealogy is put forward as a progressive decadence, as that "loss of the center" that he sees most purely represented in the medieval cathedral to which he has devoted another important book, The Evolution of the Cathedral (Zurich, 1950).
I do not think that these displacements of the center can be interpreted simply as a loss or lapse. Having recourse to the form of the temple or cathedral can be read as an indication of the permanence of the idea of a sacred place, even if this idea has become foolish, fallen or simply banal. Foolish for example in the grandiose "cathedrals" in steel and glass of the 19th century (such as the project of Hector Horeau, in 1837, of an immense exposition hall); banal, in those banks that suggest a sacred place (like the hall of the new State Bank of Fribourg, built by Mario Botta) or in the gigantic Palace of the Republic in East Berlin which tries to be imposing by means of luxurious marble, lights and open spaces. Even such caricatures bear witness to the permanence of this idea of a maternal place of which the cathedral was one of the purest representations.
Unbreakable ties bind these new temples to the cathedral but when one compares the crowds wandering in the hollow pomp of a Palace of the Republic with those that go through our cathedrals "like sheep without a shepherd," apart from the apparent similarity, there is a difference, for the most part unperceived. The soul finds in these cathedrals a space that belongs to it, even if it remains unconscious, a place where it can breathe and where, secretly, it guesses that it is not in a foreign land. Charles Peguy put it wonderfully in one of his quatrains:
Princesse cathedrale,
O Notre Dame,
Recoise cette humble femme,
notre pauvre ame.[1]
These ties come together in a center, in a heart that holds them together and bonds them to one another. This knot is God's dwelling among men. Psalm 86, so often commented on by the Fathers of the Church, speaks openly of the place that, even unbeknownst, is each man's fatherland:
The Lord loves his foundation
in the holy mountains:
the gates of Sion,
more than all the dwellings of Jacob.
Glorious things are told of thee,
O City of God!
I will add Rahab and Babel
to them that worship me:
behold, Philistaea and Tyre
and the people of the Ethiopians:
these were born there.
And of Sion it shall be said:
"Man by man were born in her,
and the Most High himself made her strong."
The Lord shall write in the book of the peoples:
"These were born there."
And they shall sing as they lead the dance:
"All my fountains are in thee. "
Because God has his dwelling place among men, the place of his habitation is the fatherland of all. " Sion, each man calls you Mother,' whether or not he was born there, the true habitat of every man is where God dwells. But this place, this dwelling, God himself built, it is "his foundation in the holy mountains," "the gates of Sion," "the City of God," the secret fatherland of every man, because God loves it, it is the place of God's heart and man's heart has no other home but in that heart. The Apocalypse of St. John is fulfilled in the great vision of the celestial Jerusalem, the text that the Church reads in the liturgy for the dedication of churches:
And I saw the holy city, New Jerusalem, coming down out of heaven from God, made ready as a bride adorned for her husband. And I heard a loud voice from the throne saying, "Behold the dwelling of God with men, and he will dwell with them; and they will be his people, and God himself will be with them as their God. And God will wipe away every tear from their eyes; and death shall be no more; neither shall there be mourning nor crying nor pain any more, for the former things have passed away" (Rev. 21:2-4).
We know the role this vision has played in the history of Christian architecture. (See A. Stange, Das fuehchristliche Kirchengebaeude als Bild des Himmels, Cologne, 1950.) But this architectural transposition of the "spouse of the Lamb," of the heavenly Jerusalem, has only been possible because the Christian temple is the image or representation of the Church herself. It was of this Church that Saint Paul could say that it is "the Jerusalem on high" and that it is "our Mother" (Gal. 4:26).
MATER ECCLESIA
Mater Ecclesia — this image is a synthesis of what the Church had been during the first centuries of Christianity. "In the conception of the first Fathers, the Mother Church sums up the whole Christian aspiration," Karl Delahaye says at the conclusion of his beautiful study Ecclesia Mater (Paris: Cerf, 1964). So too in the chapter on "The Maternity of the Church," in Henri de Lubac, Particular Churches and the Universal Church (Paris, Aubier, 1977). The vision of the Church as the spouse of Christ, as the New Eve, as Mother of the living sums up the ancient mythic images of the Great Mother, integrates, purifies, gives them so to speak their true fatherland.
The Fathers of the Church never stopped singing the maternity of the Church. Is not the Church that woman of the Apocalypse who gives birth, under the menace of the beast, not only to Christ but also to all his brothers (cf. Rev. 12)? So in the 3rd century Hippolyte of Rome, to take but one example, read this text of the Apocalypse: "The Church never stops giving birth to the Logos of her heart, although, in this world, she is persecuted by non-believers. She is said to give to the world a male child who will feed all the peoples, Christ the perfect male, the Son of God, man and God at once ... And because the Church ceaselessly gives birth to Him, she teaches all the peoples" (De Antichristo 61).
This Church, mater et magistra, is not only the Church to come; it is certainly celestial, the Jerusalem on high, but at the same time it pursues its path here below "between the persecutions of the world and the consolations of God," in the phrase of St. Augustine (The City of God 18, 51). More precisely, the Church is where Christ is: she is in heaven with Christ, but she is here below where Christ comes, where, in the eucharistic celebration, he has "his dwelling among men." So it is not surprising that the title Ecclesia Mater should also be given to the buildings of the Church, as for example in the 4th century mosaic of Thabarca in North Africa which represents a Christian basilica bearing the inscription Ecclesia Mater, or the miniature on the Exultet roll of 1191 which shows a woman seated in the middle of a church surrounded by the clergy and people and designated as Mater Ecclesia.
It is no accident that so many cathedrals are dedicated to Our Lady, for if the Church is mother this is above all because Mary is in the Church, because she is the Church in its purity, sanctity, maternity. It is in her that the Church is already without stain and blemish, as the Council said (Lumen Gentium, no. 25).
SYMBOL OF THE HEAVENLY CITY
If our Tamil friend could find refuge in the cathedral of Coire, if he could pray there with all his heart, it is because that church, that cathedral, really represents the maternity of the Church of which she is a living image, a transparent icon of the Mater Ecclesia, of that holy city of God of which every man can say, "All my fountains are in thee."
All our sources, and those of art as well, not only of sacred art, but of all art. Is it not astonishing that so many churches still have today that quality that touches us? Whence comes it that centuries later these temples are maternal places? It was not the astuteness of the artists who knew how to produce such feelings, nor was it the ruse of the clerics who had secret recipes to overwhelm the simple and provoke such sentiments.
Scripture gives a quite different explanation which has become strange to us but of which the ancients were convinced. It is common to the great religions to see in the temple a visible sign of a heavenly prototype. Before putting up the Tabernacle of the Covenant with the help of the best artisans and artists, Moses was instructed by God himself on all the details of the tabernacle (Exodus 29:9; 40:26; 27:8; Numbers 8:4). God himself was the author, Moses was only the transmitter of this celestial prototype and it was according to his indications that the artists executed the visible tabernacle. Nor was it any different with the temple in Jerusalem (cf. Ez 40:4) and it will be the same with the great Christian churches. Their power, their "maternity" comes to them from their conformity with the celestial model. The Christian (and Jewish) liturgy too lives on this correspondence between heaven and earth.
That is the classical structure of sacred art. Because Moses saw the celestial tabernacle, the prototype, artists could faithfully follow his directions. In order to tell artists how to build a temple it is necessary to have seen its model with God. That was the conviction of the builders of the old basilicas, the medieval cathedrals and even of the great architects of the baroque churches. All churches were born of a vision of realities on high, from a vision strong enough to inspire a whole epoch.
Nowadays such an idea of church construction and, in a wide sense, of sacred art, seems somewhat surprising to us, if not aberrant. Nonetheless it really inspired whole epochs whose works continue to impress us.
THREE OBJECTIONS
In conclusion I should like to state three objections that one might make to this idea and propose some answers.
1. The idea of the artist's dependence on a vision of spiritual realities seems to deprive the artist of his autonomy and prevent the free flow of his creativity.
Ad 1. It is quite otherwise. In fact, the ideal case is that of an artist who himself has the mystical vision that he seeks to represent. In his admirable book on artistic creation, Ikonoastas (the Italian translation — Milan, Adelphi, 1977—calls it Le porte regali (The Royal Gates), the great Russian sage and theologian Pavel Florenskij fully develops this conception of the artist that he found realized in the case of Andre Roublev as of Raphael.
One could certainly compare it with theology. The ideal would certainly be that theologians should be saints, and that their sanctity would give them that connaturality with their object that would enable them to speak not only of theological ideas but, on the basis of experimental knowledge, of divine realities. If one is not a Saint Augustine or Saint Thomas one had better take inspiration from the vision of the great masters rather than wish to be original at the expense of being empty. If the artist is not a saint, if he does not have experimental knowledge of the things of Cod, let him be inspired by those who have.
2. Moses gives instructions, the artists execute them. But later, when Moses was no longer there and clerics who had neither the vision nor the experience become guardians and conservators of the orders inspired by Moses, is not the artist then caught in a strict and dry observance of old rules mechanically transmitted?
Ad 2. One cannot deny this danger and the history of relations between the Church and art could furnish examples. Nonetheless, it should be remembered that even a tradition transmitted in a somewhat mechanical fashion can still be a vehicle of the condensation of spiritual experience that can be rediscovered and take on new life. That I think is the importance today of the study of the old Christian architectural and iconographic traditions. They are authentic experiences of the faith, they are common expressions, tried, recognized over many generations. Their rediscovery could give rise to new and unsuspected light. Perhaps that is one reason for the undeniable success of the art of icons in the West. This art was in fact born of an artistic vision of the Christian mystery and is a particularly profound transcription of it. (See my book L'Icone du Christ: The Icon of Christ Paris, Cerf, 1986).
3. Isn't the exclusion of innovation typical of western art, above all since the Renaissance?
Ad 3. Paradoxically, fidelity to the vision of realities on high engenders both artistic continuity and innovation. In sacred art, in art simply, every true innovation arises from a new vision of the same realities. It is obvious that a taste for the new cannot as such be the criterion. In Christian art there have been ceaseless innovations, but each time there was need to be authenticated to see if they truly arose from a vision or experience of divine realities.
Suger of Saint Denis was a prodigious innovator (Cf. Otto von Simson, Die gothische Kathedrale, Darmstadt, 1966), but innovation proceeded from a vision looking toward the "celestial prototype." His innovation has been authenticated; Saint Denis, Chartres, the Gothic cathedral, has become a "maternal place." Roblev innovated with his ikon of the Holy Trinity and his vision has been recognized as authentic by a council (the Synod of Moscow, 1551) and by a whole people.
Sacred art can innovate if it is faithful to the celestial prototype. The vision of the artist or of the priest who is the mediator of this vision, will have need, once the work is realized, of being received and recognized as true. The most convincing reception of the work will perhaps be this: that in such a church, before such a work, a young pagan can kneel and pour out his whole heart. Then the artist will know that Cod is truly served by him. What a recompense!
1. Charles Peguy, Oeuvre poetique, Pleiade, p. 1306.
Archbishop Christophe Schonborn, O.P., of Vienna is the editor of the Catechism of the Catholic Church.
This item 500 digitally provided courtesy of CatholicCulture.org
Free eBook: Essays in Apologetics, Vol. II


text:
Third Joint Sitting Marked by Low Attendance
ISLAMABAD, April 8, 2015: The third sitting of the Parliament's joint session witnessed low attendance of lawmakers as the House continued to discuss the security situation in the wake of the crisis in Yemen, says Free and Fair Election Network (FAFEN) on Wednesday.
The sitting started 35 minutes behind the schedule with 71 (16%) lawmakers present at the start and 170 (38%) at the time of adjournment. Eight lawmakers – one each from PML-F, PkMAP, PTI, MQM, APML, PML-N, ANP and PPPP – participated in the debate which took up 90% of the total proceedings.
The Prime Minister attended 41% of the proceedings, while the Opposition Leader in the National Assembly was present for the entire duration. The Senate Chairman and Deputy Chairman did not attend the sitting. The National Assembly's Deputy Speaker was also absent.
Following are some key observations of the parliamentary business:
Members' Participation in House Proceedings
The joint sitting lasted two hours and 20 minutes.
The sitting started at 1105 hours against the scheduled time of 1030 hours.
The National Assembly Speaker chaired the entire sitting.
The Deputy Speaker was not present.
The Senate Chairman and Deputy Chairman were absent.
The Prime Minister was present for 58 minutes.
The National Assembly's Opposition Leader attended the entire sitting.
The Leader of the House in the Senate was present for 130 minutes.
The Opposition Leader in the Senate attended the sitting for 81 minutes.
71 lawmakers (16%) were present at the start and 170 (38%) at the end of the sitting.
A maximum of 248 parliamentarians (56%) attended the sitting.
The parliamentary leaders of PkMAP, MQM, JI, ANP, APML, BNP, AMLP and PML-Z in the National Assembly were present.
Seven minority lawmakers attended the proceedings.
Eight legislators applied for leave.
Representation and Responsiveness
The House continued its debate on the security situation in the wake of the crisis in Yemen.
Eight lawmakers – one each from PML-F, PkMAP, PTI, MQM, APML, PML-N, ANP and PPPP – participated in the debate for 126 minutes (90% of the proceedings' time)
Information on members' attendance was not available to observers and the public.
To download the document, click here
This publication has been prepared with the assistance of the European Union. The contents of this publication are the sole responsibility of FAFEN and in no way reflect the views of the European Union. This daily factsheet is based on direct observation of the parliamentary proceedings conducted by Centre for Peace and Development Initiatives (CPDI) – a member organization of FAFEN. Errors and omissions are excepted.
NA Passes Two Government Bills, Adopts Three Resolutions to Extend Ordinances
Session Prorogued ISLAMABAD, October 29, 2020: The National Assembly passed two government bills and adopted three resolutions to extend the timeline of as many ordinances, observes…
NA Leaves 98 Percent Agenda Unaddressed amid Walkouts, Quorum Issue
ISLAMABAD, October 28, 2020: The National Assembly left 98 percent of its agenda unaddressed on Wednesday due to the opposition's protests, walkouts and quorum issue, observes…
NA Condemns Publication of Blasphemous Caricatures in France
ISLAMABAD, October 26, 2020: The National Assembly unanimously adopted a resolution on Monday, condemning blasphemous caricatures as well as French President Emmanuel Macron's hateful comments…


text:
Q: Docker Image to run sql query I need to create dockerfile to create container to be able to run queries on my db from jenkins pipeline(do not wanna use jenkins plugin or db driver on slaves)
pipeline {
    agent {
        dockerfile { 'my_docker_file' }
    }
    stages {
        stage('Test') {
            steps {
                sh'''#!/bin/bash
                     USER='username'
                     PASS='password'
                     PORT=3160
                     HOST='hostname'
                     DBASE='mysqlDbName'

                     Query='SELECT * FROM table WHERE some=other LIMIT 10'

                     mysql -u$USER -p$PASS -P$PORT -h$HOST -D$DBASE <<EOF
                     $Query
                     EOF
                '''
            }
        }
    }
}

Do not bother too much about the shell script, it is just for illustration
So how should this dockerfile looks like to achieved this?
I tried(cannot use images outside company):
FROM our_nexus_url/ubuntu

RUN apt-get update -qq && apt-get install -y mysql-client

... or second option is to run the query inside the container and only return result to jenkins

redpajama_set_name: RedPajamaStackExchange


Explore hot glass mold blowing and casting into sand. Students will learn how to implement basic mold processes to capture form and detail. Starting with clay forms, students will follow the steps to create a blow mold to bring into the hotshop, allowing them to transform their clay piece in hot glass. Later, we will cast into impressions made in sand or on graphite, to ultimately build a visual vocabulary of ideas in glass.


text:
Q: Ant create android project I know that Ant is a build tool. We write script (steps while releasing android project) to build an android project and create a signed apk. Thats is one of the uses of Ant.  But I want a method/script to create a new project in Android and I also want to build it so that an apk file can be created through that method/script. Is it possible through Ant?i.e. Ant script create a new project with a package name and activity name provided in the script, build it and create an apk file ready to be loaded in the emulator or device.Is there any solution(method/script) to the above mentioned problem?

A: yes you can do this through ant via a command line call to 'android create project' which will in turn generate all the ant scripts.


Body Disconnected (2002) was written to accompany choreography by Lauren Lutrell. The process included importing video clips of dance movements into the music programs I was using and scoring music to them as one might with a film soundtrack. In many cases I attempted to synchronize visual and musical events, which created an interesting challenge with regard to musical pacing. There are a few basic musical ideas here: interlocking pulses vs. chaotic outbursts, persistent drones, and a recurring high melody that, along with the underlying pulse, ties the five main sections of the work together. Sound sources include samples of metal bowls, bells, and a thumb piano; and a variety of synthesized sounds, which were edited, arranged, and mixed at the Western Washington University Electroacoustic Music Studio (WWEAMS).
Uploaded August 18, 2010 2:21am .
This is a beautiful work. The various sections are interesting in themselves but I also love how you've blended them together, the changes work really well. Bravo!


Chill Factore is one of the north west's leading leisure destinations. Based at Manchester's Trafford Park, it is the perfect snow fun destination for families looking for a great day out.
Headland were briefed to redesign and build the attraction's new responsive website and booking engine front end.
Chill Factore offers slope time for experienced skiers and boarders, snow fun for kids and everything in-between - including a snow park, climbing wall, restaurants and retail outlets. A critical aspect of the brief was to deliver a simple intuitive user journey through what can appear to be a complex range of options, at the end of which is a user-friendly front end to the Chill Factore booking engine.
In the final design and subsequent build we have created a user experience that feeds off the colourful, fun Chill Factore brand guidelines, and fulfils the brief to make navigating the extensive range of fun leisure options simple and enjoyable.
In the responsive build we have taken advantage of the latest web techniques to present device agnostic content across all screen sizes. These include a sideways loading booking engine, accordion templates, image carousels and adaptive responsive navigation to provide a seamless user experience across mobile, tablet and desktop.


text:
Forthcoming Event: Career Turning Points: observations from my career in financial services
What are the key turning points in a career?
We will all have two or three key moments in our working life that define the direction of the remainder of our careers. In this talk we're delighted to welcome Stuart for this special edition in our Industry Insights series, where instead of focusing on developments in the Industry, we shift perspective and think about what it takes to build a career in finance. Stuart will share his insights on turning points in people's careers and how to seek out and make the most of opportunities for career development. It's not often we get the chance to hear somebody with such a long and illustrious background at the highest levels of retail banking talk about what shapes a career, so don't miss this unique talk.
ICMA 105
Stuart Sinclair, Non-Executive Director, Lloyds Banking Group
Stuart has been a member of the Lloyds' board since January 2016 and sits on the Risk Committee, the Remuneration Committee and the Responsible Business Committee.
He has extensive experience in retail banking and insurance and has had board and executive level roles at numerous firms, including TSB Bank, Swinton Group, GE Capital, Tesco Personal Finance and the Royal Bank of Scotland.
Stuart's profile is here and here


text:
import sys
import os
import os.path

# installation directory is relative to current script location
# DIRINST=os.path.dirname(sys.argv[0])+"/../"
def usage():
	MSG("usage mkax first_step step_incr n_step [ax_unit]")

DST=CURDATA()
if len(sys.argv)<4:
    usage()
    EXIT()
if len(sys.argv)==5:
	axunit=sys.argv[4]
else:
	axunit=None

try:
    p1=float(sys.argv[1])
except ValueError:
    MSG("First argument %s must be convertible to a float" % (sys.argv[1] ,))
    usage()
    EXIT()
try:
    p2=float(sys.argv[2])
except ValueError:
    MSG("second argument %s must be convertible to a float" % (sys.argv[2],))
    usage()
    EXIT()
try:
    n=int(sys.argv[3])
except ValueError:
    MSG("Third argument %s must be convertible to an int" % (sys.argv[2],))
    usage()
    EXIT()
axleft=p1-0.5*p2
axright=p1+(n-0.5)*p2

PUTPAR("1s AXLEFT",str(axleft))
PUTPAR("1s AXRIGHT",str(axright))
if axunit:
	PUTPAR("1s AXUNIT",axunit)
RE(DST)


text:
Belldown's Point foi uma vila localizada na província canadense de Terra Nova e Labrador. A vila ficava próxima a Cow Head. Tinha uma população de 52 habitantes em 1956.

Cidades de Terra Nova e Labrador


text:
La Costa dels Romanins és un pendent boscós del poble de Ceuró al municipi de Castellar de la Ribera (Solsonès) situada al vessant nord-occidental de la rasa de les Forques entre el Tossal Roig (a ponent) i la masia de Vilaprinyó (a llevant).

Referències

Geografia de Castellar de la Ribera


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I am a Licensed Mental Health Counselor with over 30 years' experience helping people identify solutions to their problems and choose changes which can bring them closer to the realization of their potential.
I received my doctorate (Ed.D) from Temple University.
I've been in private practice since 1983. In my work with individuals, couples and families I use a compassionate, client-centered approach combining insight-oriented psychotherapy with cognitive/behavioral techniques.


I'm switching to FeedbackWhiz from another Service, How do I transition and not send duplicate emails to my buyers?
Why am I getting "Active Listings Report" emails from Seller Central?
How do I setup my marketplace?
How long does it take for my listings to appear after setting up MWS?
How often is the dashboard data updated?
How do I change the time frame of dashboard?
Why are my Sales and Orders numbers less than expected?
What is a campaign and how many can I run at once?
Can I add images or attachments to my emails?
Why is the campaign preview showing me the wrong data for my campaigns?
How will Amazon's data protection policy impact your email template variables for past orders?
Why am I getting emails from Amazon about "your message to the buyer cannot be delivered"?
What kind of emails are permissible to send without violating Amazon TOS?


text:
Twelve Thirty Four
Portfolio Home Facebook Instagram Say Hello.
PortfolioHome
FacebookInstagramSay Hello.
" Go outside...amidst the simple beauty of nature...and know that as long as places like this exist, there will be comfort for every sorrow, whatever the circumstances may be." Anne Frank
A deep connection to nature guides all aspects of Patricio Rivera's life. Growing up in the lush, fertile surroundings of Honduras, Rivera spent his time outdoors engulfed in nature and by the ocean. Nature was his playground and it's beauty and power has since influenced Rivera's life in various and meaningful ways.
As a teenager, Rivera moved to California where he studied fashion. Not wanting to pursue a career in the industry, but still drawn to design and aesthetics, Rivera moved into the restaurant industry. After various managerial positions, Rivera began working for Lisa Garza Selcer at her restaurant Sissy's Southern Kitchen as a busser. Gaza quickly noticed Rivera's work ethic, drive, humility, and eye for design and promoted him to Visual Director. In this role, Rivera guided the restaurant's brand image and helped manage day to day operations while developing strong relationships with customers. He was an integral part of the restaurant's success.
With his new endeavor, Twelve Thirty Four, Rivera expands on this knowledge and brings his love for floral design, fashion, food and family together. The concept for Twelve Thirty Four comes from Rivera's interest in the connection between human and plant life; the progression of birth, growth, reproduction, and death.
With Twelve Thirty Four, Rivera brings the beautiful, mysterious, and calming elements of nature to his clients. Whether it's weddings, collaborations with fellow artists, or creating visuals and styling for fashion accounts such as Burberry, Versace or Louis Vuitton, Rivera's goal is to bring each clients personal vision to life while keeping the process as organic and fun as possible.
469 531 6723 thepatrickrivera@gmail.com


Internal medicine is the largest, most diverse specialty in the United States. Internal medicine doctors focus on comprehensive adult care, that is, they care for a person for the duration of his or her lifetime.
Internal medicine doctors specialize in diagnosis and treatment of adult diseases. Family practitioners treat people from age 0 through 100 and specialize in family practice. However, internists do not deliver babies nor perform surgery. Internists have a wide-range of knowledge based on complex diseases.
An internist focuses on the whole patient, no matter how simple or complex the issue. They treat a variety of conditions, from something as routine as a cold to in-depth care for chronic illnesses, such as diabetes.
Internists can coordinate various subspecialists order to treat a certain ailment. They solve complex diagnostic problems, including severe chronic illnesses and situations. Internists bring patients to an understanding of wellness, as well as treating substance abuse, women's health, mental health, and common problems of the ears, eyes, skin, reproductive organs, and nervous system.
If you are looking for internal medicine doctors, primary care doctors or house call doctors in San Diego, call Pacific Medical Care at 619-333-8114 Today. Mobile doctors treat urgent non-life-threatening emergencies, diagnose and treat chronic diseases, administer immunizations and more. All you have to do is make a phone call and the doctor will be at your doorstep within a short while!