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Redundant Array of Independent Disks (RAID) is a storage technology that combines multiple hard disks into a single logical unit to provide fault-tolerance and/or.
Specification Value; Lifecycle: Active: Distrib. Inventory : No: RAID-on-Chip Controller: LSISAS2108 RAID-on-Chip (ROC) RAID Management Software: MegaRAID Management.
RAID 10 is a combine of RAID 0 and RAID 1 to form a RAID 10. To setup Raid 10, we need at least 4 number of disks. In our earlier articles, we've seen how to setup.
Logical Volume Management on Debian Linux. Debian Linux is a popular Linux distribution and caters to end user workstations as well as network servers.
Storage Solutions Guide. Storage products provide the building blocks for solutions that help customers understand, prioritize, store and protect critical data.
This time around, I will show you how to configure the software RAID using Debian. This also can be applied to Ubuntu system as their are based on Debian platform anyway. Do you need a file server on the cheap that is easy to setup, "rock solid" reliable with Email Alerting? RAID setup 5.1 General setup. This is what you need for any of the RAID levels: A kernel. Preferably a kernel from the 2.4 series. Alternatively a 2.0 or 2.2.
Debian is often praised for being a very stable Linux distribution. Debian's stability paired with the flexibility of LVM makes for a highly flexible storage solution that anyone can appreciate. Before continuing with this tutorial, Tecmint offers a great review and overview of the installation of Debian 7. Aside from the easy expandability of LVM, some data resiliency features are also built into LVM.
Hybrid RAID implementations have become very popular with the introduction of inexpensive RAID controllers, implemented using a standard disk controller and BIOS.
Features such as snap- shot abilities and data migration from failing drives, provide LVM with even more abilities to maintain data integrity and availability. Setup LVM on Debian. Installation Environment. Operating System .
Root/administrative access to the system is needed. This can be obtained in Debian through the use of the su command or if the appropriate sudo settings have been configured, sudo can be used as well.
However this guide will assume root login with su. At this point the LVM2 package needs to be installed onto the system.
This can be accomplished by entering the following into the command line. At this point one of two commands can be run to ensure that LVM is indeed installed and ready to be used on the system. Check LVM Installation Status. Now that the LVM software is installed, it is time to prepare the devices for use in an LVM Volume Group and eventually into Logical Volumes. To do this the pvcreate utility will be used to prepare the disks. Normally LVM would be done on a per partition basis using a tool such as fdisk, cfdisk, parted, or gparted to partition and flag the partitions for use in a LVM setup, however for this setup two 5. RAID array called /dev/md.
This RAID array is a simple mirror array for redundancy purposes. In the future, an article explaining how RAID is accomplished will also be written. For now, let's move ahead with the preparation of the physical volumes (The blue blocks in the diagram at the beginning of the article). If not using a RAID device, substitute the devices that are to be part of the LVM setup for . Issuing the following command will prepare the RAID device for use in an LVM setup. Once the RAID array has been prepared, it needs to be added to a Volume Group (the green rectangle in the diagram at the beginning of the article) and this is accomplished with the use of the vgcreate command.
The vgcreate command will require at minimum two arguments passed to it at this point. The first argument will be the name of the Volume Group to be created and the second argument will be the name of the RAID device prepared with pvcreate in step 3 (/dev/md. Putting all of the components together would yield a command as follows. At this point, LVM has been instructed to create a volume group called . However, at this point there still aren't any Logical Volumes to be used for data storage purposes. Two command can quickly be issued to confirm that the Volume Group was successfully created. Now that the Volume Group is confirmed ready, the Logical Volumes themselves, can be created.
This is the end goal of LVM and these Logical Volumes are were data will be sent in order to get written to the underlying physical volumes (PV) that make up the Volume Group (VG). To create the Logical Volumes, several arguments need to be passed to the lvcreate utility. The most important and essential arguments include: the size of the Logical Volume, the name of the Logical Volume, and which Volume Group (VG) this newly created Logical Volume (LV) will belong. Putting all this together yields a lvcreate command as follows. L 1. 00. G - n Music storage.
Effectively this command says to do the following: create a Logical Volume that is 1. Music and belongs to the Volume Group storage.
Let's go ahead and create another LV for Documents with a size of 5. Volume Group. # lvcreate - L 5. G - n Documents storage.
The creation of the Logical Volumes can be confirmed with one of the following commands: lvdisplay .
How to Setup Software RAID for a Simple File Server on Ubuntu. Do you need a file server on the cheap that is easy to setup, "rock solid" reliable with Email Alerting?
So before you clear out a place in your budget for a storage solution, consider a configuration that is licensing free with Linux. With that said, going cheap/free does not mean "throwing caution to the wind", and to that end, we will note points to be aware of, configurations that should be set in place in addition to using software RAID, to achieve the maximum price to reliability ratio. Image by Filomena Scalise.
About software RAIDAs the name implies, this is a RAID (Redundant Array of Inexpensive Disks) setup that is done completely in software instead of using a dedicated hardware card. The main advantage of such a thing is cost, as this dedicated card is an added premium to the base configuration of the system. The main disadvantages are basically performance and some reliability as such a card usually comes with it's own RAM+CPU to perform the calculations required for the redundancy math, data caching for increased performance, and the optional backup battery that keeps unwritten operations in the cache until power has been restored in case of a power out.
With a software RAID setup your sacrificing some of the systems CPU performance in order to reduce total system cost, however with todays CPUs the overhead is relatively negligible (especially if your going to mainly dedicate this server to be a "file server"). As far as disk performance go, there is a penalty. The Tom's Hardware guide "Tom's goes RAID5" is an oldie but a goody exhaustive article about the subject, which I personally use as reference, however take the benchmarks with a grain of salt as it is talking about windows implementation of software RAID (as with everything else, i'm sure Linux is much better : P). Prerequisites. Patience young one, this is a long read. It is assumed you know what RAID is and what it is used for.
This guide was written using Ubuntu server. Debian based system to work with as well. You will see me use VIM as the editor program, this is just because I'm used to it.
Doing so allowed me to use sda. RAID array, so adjust accordingly to your setup. Depending on the type of RAID you want to create you will need at least two disks on your system and in this guide we are using 6 drives. Choosing the disks that make the array. The first step in avoiding a trap is knowing of it's existence (Thufir Hawat from Dune). Choosing the disks is a vital step that should not be taken lightly, and you would be wise to capitalize on yours truly's experience and heed this warning: Do NOT use "consumer grade" drives to create your array, use "server grade" drives!!!!!! Now i know what your thinking, didn't we say we are going to go on the cheap?
Despite of their attractive price, consumer grade hard drives are not designed to be used in a 2. Trust me, yours truly has tried this for you. At least four consumer grade drives in the 3 servers I have setup like this (due to budget constraints) failed after about 1. While there was no data loss, because the RAID did it's job well and survived. That may be true, however despite these claims, server grade drives still have a higher level of S. M. A. R. T restrictions and QAing behind them (as can be observed by the fact that they are not released to the market as soon as the consumer drives are), so i still highly recommend that you fork out the extra $$$ for the upgrade.
Choosing the RAID level. Downloadable Free Movie Picture Wallpapers. While I'm not going to go into all of the options available (this is very well documented in the RAID wikipedia entry), I do feel that it is noteworthy to say that you should always opt for at least RAID 6 or even higher (we will be using Linux RAID1. This is because when a disk fails, there is a higher chance of a neighboring disk failure and then you have a "two disk" failure on your hands. Moreover, if your going to use large drives, as larger disks have a higher data density on the platter's surface, the chance for failure is higher. IMHO disks from 2. T and beyond will always fall into this category, so be aware.
Let's get cracking. Partitioning disks. While in Linux/GNU, we could use the entire block device for storage needs, we will use partitions because it makes it easier to use disk rescue tools in case the system has gone bonkers. We are using the "fdisk" program here, but if your going to use disks larger then 2.


It is our preference that school forms be submitted online. If, however, you are experiencing technical issues and are unable to upload school forms, recommendations, and/or transcripts, Beloit College will accept paper copies of these documents.
The name of the applicant should appear on each page of the document(s) you send, and these can be faxed to 608.363.2075 or mailed to the Admissions Office, Beloit College, 700 College St., Beloit, WI 53511. If you prefer to scan and email the documents to us, please send them to schoolforms@beloit.edu.
Questions or comments? Please contact the admissions office at 608.363.2500 (or 800.9BELOIT). Better yet, contact the admissions counselor who works with students from your area.


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The Tribunal
Basic Texts and Other Documents
Reports of Judgments, Advisory Opinions and Orders
Pleadings, Minutes of Public Sittings and Documents
The Contribution of the International Tribunal for the Law of the Sea to the Rule of Law: 1996-2016
The first edition of the Basic Texts was published in 1998. A second edition with an index appeared in 2005, a third in 2015. This volume contains a selection of documents that are basic to the work of the Tribunal, in parallel presentation in English and French. It reproduces the following documents:
Statute of the Tribunal;
Rules of the Tribunal as amended;
Resolution on the Internal Judicial Practice;
Guidelines concerning the Preparation and Presentation of Cases;
Guidelines concerning the Posting of a Bond or Other Financial Security with the Registrar;
1982 United Nations Convention on the Law of the Sea;
Agreement relating to the Implementation of Part XI of the Convention on the Law of the Sea;
Agreement on the Privileges and Immunities of the Tribunal.
In addition, it contains the 1995 Agreement for the Implementation on the Provisions of the United Nations Convention on the Law of the Sea of 10 December 1982 relating to the Conservation and Management of Straddling Fish Stocks and Highly Migratory Fish Stocks, as well as an index to the documents published, in English and French.
This bilingual (English and French) series of annual publications reproduces the texts of the Tribunal's decisions. The series started with ITLOS Reports 1997.
Abbreviated reference: ITLOS Reports, with an indication of the year covered by the volume, e.g., ITLOS Reports 1998.
This series of publications reproduces the pleadings in cases before the Tribunal as well as the minutes of the hearings and other relevant documents. The documents are reproduced only in the official language(s) of the Tribunal in which they were submitted to the Tribunal. The series started with ITLOS Pleadings, Minutes and Documents 1997, M/V "SAIGA" (Saint Vincent and the Grenadines v. Guinea), Prompt Release.
Abbreviated reference: ITLOS Pleadings, Minutes and Documents, with an indication of the year, the volume and the abbreviated title of the case, e.g., ITLOS Pleadings, Minutes and Documents 1998, Vol. 2, M/V "SAIGA" (No. 2) (Saint Vincent and the Grenadines v. Guinea), Provisional Measures.
The Yearbook gives an account of the work of the Tribunal during the relevant calendar year. It presents information about the judges and the organization, jurisdiction, procedure, practice, finances and privileges and immunities of the Tribunal. A select bibliography of articles and books on the settlement of law of the sea disputes is also included.
The Yearbook started with the ITLOS Yearbook 1996-1997. Unlike subsequent yearbooks, the first volume covered a period of 17 months, from 1 August 1996 to 31 December 1997, and dealt with the preparatory work that preceded the constitution of the Tribunal on 1 October 1996.
Volumes 1 to 11 were published separately in English and French. The twelfth volume in the series was the first bilingual volume.
Abbreviated reference (vol. 1 to 11): ITLOS Yearbook, with an indication of the year covered by the volume, e.g., ITLOS Yearbook 1998.
Abbreviated reference (from vol. 12): ITLOS Yearbook - TIDM Annuaire, with an indication of the year covered by the volume, e.g., ITLOS Yearbook - TIDM Annuaire 2008.
On the occasion of its 20th Anniversary, the International Tribunal for the Law of the Sea held a one-and-a-half day international symposium at the premises of the Tribunal on 5 and 6 October 2016, on the theme "The contribution of the Tribunal to the Rule of Law".
The aim of the symposium was to highlight the role played by the Tribunal over the last 20 years in the system for the peaceful settlement of law of the sea related disputes, set out in Part XV of the United Nations Convention on the Law of the Sea. Approximately 180 international guest attended the symposium, which was designed for academics and legal practitioners. The symposium was organized with the financial support of the Government of Japan. This publication reproduces the statements presented during the symposium, in the order in which they were delivered and in their original language.
The question and answer sessions have not been transcribed for this volume.
This volume was financed by the Federal Foreign Office of Germany.
>> Complete list of ITLOS publications
These volumes are published by and available from Brill Nijhoff. The Yearbooks (since 2010), the Reports (since 2011), the Pleadings (since 2012) as well as the Basic Texts 2015 are also available as e-books.

redpajama_set_name: RedPajamaCommonCrawl


Our office is located at McClellan-Palomar Airport, approximately 3 miles east of I-5 and approximately .5 miles west of El Camino Real.
From I-5 (north or south) take Palomar Airport Road east for approximately 3 miles. Turn left at the light at Yarrow Drive. Follow the road around to the left and proceed to the second stop sign. Turn right. Our office is located on the left side of street.
From El Camino Real (north or south), take Palomar Airport Road west to Yarrow Drive. Turn right. Continue as above.


Congressman Mike Michaud, a Member of the House Transportation and Infrastructure Committee, voted for the Conference Report on H.R. 4348, the Surface Transportation Extension Act of 2012, which included an extension of federal surface transportation programs through September 2014. The Conference Report also included provisions to prevent an increase in federal student loan interest rates scheduled to take effect July 1.
The Conference Report will maintain Maine's funding for transportation and infrastructure projects at $178.8 million for fiscal year 2013 and increase it to $180.3 million in fiscal year 2014. The bill also included provisions pushed for by Michaud, including language to close a loophole to Buy America standards; to incentivize the research and development of innovative bridge designs; and to improve the safety of high-risk rural roads.
The Conference Report also reauthorizes the National Flood Insurance Program (NFIP) for five years. Michaud has strongly supported reauthorization of the NFIP to ensure that Mainers are able to purchase affordable insurance to protect their homes from flooding.


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Three Empirical Studies From ESEC/FSE'11
Posted Oct 22, 2011 by Greg Wilson
| Quality | Quantitative Studies | Tools |
As our previous post said, a lot of interesting work was presented at the joint ECSE/FSE conference in September. Three of my favorites reporting empirical studies are:
Sven Appel, Jörg Liebeg, and Christian Kästner: "Semistructured Merge: Rethinking Merge in Revision Control Systems".
An ongoing problem in revision control systems is how to resolve conflicts in a merge of independently developed revisions. Unstructured revision control systems are purely text-based and solve conflicts based on textual similarity. Structured revision control systems are tailored to specific languages and use language-specific knowledge for conflict resolution. We propose semistructured revision control systems that inherit the strengths of both: the generality of unstructured systems and the expressiveness of structured systems. The idea is to provide structural information of the underlying software artifacts — declaratively, in the form of annotated grammars. This way, a wide variety of languages can be supported and the information provided can assist in the automatic resolution of two classes of conflicts: ordering conflicts and semantic conflicts. The former can be resolved independently of the language and the latter using specific conflict handlers. We have been developing a tool that supports semistructured merge and conducted an empirical study on 24 software projects developed in Java, C#, and Python comprising 180 merge scenarios. We found that semistructured merge reduces the number of conflicts in 60% of the sample merge scenarios by, on average, 34%, compared to unstructured merge. We found also that renaming is challenging in that it can increase the number of conflicts during semistructured merge, and that a combination of unstructured and semistructured merge is a pragmatic way to go.
Almost all version control systems treat files as lines of text, ignoring whatever program structure they contain. The few that diff and merge at the logical level only work that way, and are usually only available as part of all-or-nothing programming environments. In this paper, the authors look at a hybrid approach that tries to combine the good features of both pure alternatives. The tool itself is interesting, but I was equally interested in the empirical study they did to see how much of a difference they were making. That study told them that when their tool underperformed, it was most often because it couldn't handle renamings well, which in turn tells them what they need to work on next.
Andrew Meneely, Pete Rotella, and Laurie Williams: "Does Adding Manpower Also Affect Quality? An Empirical Longitudinal Analysis".
With each new developer to a software development team comes a greater challenge to manage the communication, coordination, and knowledge transfer amongst teammates. Fred Brooks discusses this challenge in The Mythical Man-Month by arguing that rapid team expansion can lead to a complex team organization structure. While Brooks focuses on productivity loss as the negative outcome, poor product quality is also a substantial concern. But if team expansion is unavoidable, can any quality impacts be mitigated? Our objective is to guide software engineering managers by empirically analyzing the effects of team size, expansion, and structure on product quality. We performed an empirical, longitudinal case study of a large Cisco networking product over a five year history. Over that time, the team underwent periods of no expansion, steady expansion, and accelerated expansion. Using team-level metrics, we quantified characteristics of team expansion, including team size, expansion rate, expansion acceleration, and modularity with respect to department designations. We examined statistical correlations between our monthly team-level metrics and monthly productlevel metrics. Our results indicate that increased team size and linear growth are correlated with later periods of better product quality. However, periods of accelerated team expansion are correlated with later periods of reduced software quality. Furthermore, our linear regression prediction model based on team metrics was able to predict the product's post-release failure rate within a 95% prediction interval for 38 out of 40 months. Our analysis provides insight for project managers into how the expansion of development teams can impact product quality.
The Mythical Man-Month is the most-quoted book in software engineering. Here, the authors test its central claim by looking at what effect expanding a development team has on downstream fault rates; in particular, they look at how the rate of team expansion correlates with defects later on. Their finding is that growth on its own doesn't hurt quality: it's rapid growth that causes problems.
Zuoning Yin, Ding Yuan, Yuanyuan Zhou, Shankar Pasupathy, and Lakshmi Bairavasundaram: "How Do Fixes Become Bugs?"
This paper presents a comprehensive characteristic study on incorrect bug-fixes from large operating system code bases including Linux, OpenSolaris, FreeBSD and also a mature commercial OS developed and evolved over the last 12 years, investigating not only the mistake patterns during bug-fixing but also the possible human reasons in the development process when these incorrect bug-fixes were introduced. Our major findings include: (1) at least 14.8%-24.4% of sampled fixes for post-release bugs 1 in these large OSes are incorrect and have made impacts to end users. (2) Among several common bug types, concurrency bugs are the most difficult to fix correctly: 39% of concurrency bug fixes are incorrect. (3) Developers and reviewers for incorrect fixes usually do not have enough knowledge about the involved code. For example, 27% of the incorrect fixes are made by developers who have never touched the source code files associated with the fix. Our results provide useful guidelines to design new tools and also to improve the development process. Based on our findings, the commercial software vendor whose OS code we evaluated is building a tool to improve the bug fixing and code reviewing process.
This paper's starting point is something every seasoned developer knows: bug fixes are often buggy themselves. But how buggy? And are fixes for some kinds of bugs more error-prone than others? This papers examines 12 years of data from four operating systems to produce the statistics and recommendations summarized in the abstract. (Not surprisingly, concurrency and memory-management bugs are the hardest ones to fix correctly.) Given that testing and code review resources are always in short supply, this kind of information can help teams focus their efforts where they'll do the most good.


As always, your photo's inspire! Beautiful gardens. Thank You.
I so love your blog and all your photography. My husband Cyril MacPhee was born and raised in Charlottetown but the military took him away from home and now he lives here in North Bay Ontario, my home town. I show him your pictures and he says I am coveting your home and property and I say it's a little piece of heaven right here in Canada. We still have so much snow in Northern Ontario this year. Snow is slowly receding from my flower gardens. I can't wait to get my fingers in the soil. Thank you for responding to my previous message about when you might have your garden tour this year. As it turns out my husband has just started a new job (he is retired from military now)and won't get vacation time this summer as a new employee so we likely won't be able to travel to PEI this year. Maybe next year! I was wondering how you keep your gardens watered and so beautiful. Do you let the rain take care of it or do you have a sprinkling system? Also do you fertilize your plants? Look forward to hearing from you.
I love your garden, pond and boathouse. So very beautiful and peaceful. Thank you!
É um lugar abençoado. Parabéns por conservá-lo.
Your photos are so beautiful and love the transition from Spring to winter shot... Your pond and setting is such a lovely spot to daydream ...an Artists paradise...beautiful...Thanks for sharing.
I dream of visiting your beautiful garden. Carolyn, you are ALWAYS a favorite.


Spruce up your front door with a simple embellishment that captures the scents of the season.
Love the idea of all-day breakfast? Brighten up any table with these egg-shaped cement candle holders.
Make this grown-up holiday brew at your monster bash—and leave other hostesses green with envy.
Mom's original Halloween decorations are still the best.
Diana Yen shares a scary sandwiched sweet that's completely otherworldly.


The amount you will need to pay for prescription drugs depends on the Funds Plan in which you are enrolled. The copayment year, the copayment amount and the maximum out-of-pocket amount is different for each Plan listed below. If you have any questions, please call the Call Center at 1-800-291-1425, option 2.


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Portrait: Princesse de Broglie, by Ingres
Ages back, I did a poll on what sort of posts I ought to do, and while costume drama reviews came out as the most popular (and ... I've since done one), portrait costume analyses proved to be the second most popular choice. Ive never gotten around to writing any, partly because I get anxious that I don't have anything really impressive to say, but I hope to get around that with practice. Due to the chemise pattern I recently posted, I thought I'd start with a mid-nineteenth century example: Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn, Princesse de Broglie, by Jean-Auguste-Dominique Ingres.
Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie, Jean-Auguste-Dominique Ingres, ca. 1852; MMA 1975.1.186
Joséphine is wearing an evening dress of a light blue silk taffeta, very reminiscent of the mid-eighteenth century. The broad v-neckline and armscyes are trimmed with box-pleated strips of taffeta, and the front appears to be decorated with matching bows, also eighteenth century touches. Her short taffeta sleeves might be puffed, with the puff folded out into a kind of flat fin; each of these is covered with a wide lace oversleeve and trimmed with blue silk ribbons, and there are also two wide lace ruffles at the bottom of each (and a similar narrow lace ruffle inside the neckline). The lace resembles the engageantes worn by eighteenth century women. This period was fascinated with the mid-to-late eighteenth century, in part for the history (Marie Antoinette and her contemporaries had become interesting to French high society almost as soon as the Terror was over) and in part for the aesthetic. Wide, supported skirts, frothy lace ruffles, self-fabric trim, and pale fabrics were all seen as attractive aspects of Rococo clothing to imitate.
Due to the extreme spring of her skirt from her waist, it's likely that she's wearing a cage crinoline. At this point, the cage was beginning to be worn by the very fashionable - and as a French princess, one would expect Joséphine to be at the forefront of fashion. She is obviously also wearing a corset and a chemise, which has a very wide neckline to allow it to be worn off the shoulders.
Joséphine's hair is parted in the center and arranged (probably using rats) in a fashionable, sleek style that focused on an impression of heaviness and mass, widening the head. Her headdress is made of the same blue silk taffeta of her dress; it's in the form of a ruched and textured band or semicircle trimmed with a floaty white fringe, which was a fashionable trim for clothing and accessories in the 1850s. In this era, it was very common for headgear to sit at the back of the head and show at the sides, adding to the impression of width already given by the hair.
None of Joséphine's jewelry matches. She is wearing a pair of drop earrings, a gold necklace, a gold and amber bracelet, a triple strand of pearls wrapped around one wrist, and a gold ring. The earrings are silver hooks, each with a ball and a fringe of loops, beaded with clear glass seed beads, echoing the trim on the headdress. Her gold pendant hangs on a gold cord; the pendant is in the shape of a disk with a raised cross patonce (all the arms end in scallops, used in heraldry), with flared tubes on top for the cord and a cylinder on the bottom. This was probably considered in the antique style at the time, or a revival of medieval style. The bracelet on her right wrist also appears to be in the antique style: gold-bordered amber squares, attached to each other with curved gold bars (possibly studded with diamonds?). The pearls could possibly be a necklace, as the three strands are long and wrapped twice around her wrist; the large silver sunburst or floral ornament might be a clasp. Pearls were often worn in the eighteenth century around the neck or wrist in single or multiple strands, making this another Rococo reference. The gold ring may be a wedding band, as it is on the left hand, but it is more elaborate than modern wedding rings - it's molded with a twisted cord pattern and a figure-eight motif, and studded with small stones, possibly amethysts.
While I'm not sure about the black fabric on the chair, the white cloth embroidered with gold thread is most likely a shawl. A pair of white gloves are draped over the arm of the chair, probably elbow-length, given Joséphine's evening dress. The folded fan tucked into the cloth on the chair looks like it has mother-of-pearl sticks, and is decorated with some kind of Neoclassical motif in red and gold paint. The top of the fan's leaf appears to be gilded or bound (as a raw edge of fabric can be bound) with a strip of silver or gold foil, as was seen on very fine fans at the time.
1850s 19th century portrait analysis
ZipZip September 5, 2012 at 10:52 AM
Dear Cassidy,
Well done! I was especially interested in the headdress, having no idea that fringes were popular. I suppose the fringe is of silk, perhaps with tiny beads along portions of he strands?
Very best,
Cassidy September 5, 2012 at 11:02 PM
Yes, you can find fringe on a lot of dresses, shawls, parasols, etc. from that period - it can be a helpful characteristic for dating. I'm honestly not entirely sure exactly what that fringe is made of; silk seems the most likely, but I would think if it were beaded it wouldn't look so light and slightly wavy. (At the same time, it seems even lighter than other silk fringe Ingres painted, so ...)
April IV January 8, 2019 at 1:13 AM
The black fabric on the chair is actually a feathered hat. According to wikipedia, the de Broglie family sold the marabou feathers that were on the hat (you can see them in the painting) to the Costume Institute of the Metropolitan Museum, but kept all the other accessories and jewelry seen in the painting.


All implementations of Blink OMS are accessed via https. That means that data passed between your practice and the web server is encrypted during the transfer process. So anybody, who may try to intercept pieces of data being passed across the internet will be unable to read what they intercept.
Much of the user identifiable data that we store on the Blink servers in encrypted before it is written to the database. This provides additional security and peace of mind that you patient's data is safe.
Blink OMS has, as standard, the ability for you to create multiple users – each with their own unique username and password. Every time one of your staff members wants to access the system they must login. Configurable permissions built into the system allow you to restrict access to certain parts of Blink to specific users.
When we set up your Blink system we offer you the option to force restrictions on the ip addresses that are able to access your data. This means that we can set up your system to only allow access to users from specific locations, i.e. your practice, or maybe the home of your system administrator. In order to make use of this optional security feature, you must have a fixed ip address – which you will need to obtain from your internet service provider.


text:
Sutton's Place
Living, loving, learning, caregiving
Sutton's Place
New York report
Distance, we are told, lends enchantment. Living as we do on the 46th floor of a high-rise in Manhattan, I have seen the enchantment: the pearly glow of the moon on the East River, four bridges laced with necklaces of diamonds and a tapestry of ruby, emerald, sapphire, topaz lights as far as the eye can see, illuminating LaGuardia and JFK airports, casting a glow over the borough of Queen's, and stretching into the ocean towns of Long Island.
Then Hurricane Sandy came, extinguishing all those lights as well as our own. For 48 hours we had no power, no phone, no water, and for 24 of those, I was marooned in an island of silence with an elderly husband with Alzheimer's, and no elevator.
Our electricity was speedily returned and our life quickly assumed its normal rhythm. But outside the windows now, distance offers not enchantment but perspective. Hurricane Sandy has left behind flooded communities, deaths, homes, hopes, destroyed, hospitals evacuated. It brought out the best of us — volunteers, by the thousands, many of them would be Marathon runners making floor to floor, door to door, calls, manning distribution centers to give out food, water, blankets, others, rolling up their sleeves to wield shovels and rakes, tackling mounds of mud and debris. And it brought out the worst of us. If there is a Dante-like roster of worst crimes, surely looting your neighbour's home, gouging prices, or pretending to be a caregiver only to be a robber, is close to the top of the list. Fortunately, this group is outnumbered by the good guys, but that there are any is despicable.
I can tell you the numbers — 48 dead in New York alone, more than half of them on Staten Island. But these are not numbers — they are two little boys, swept from their mother's arms by a hungry wave; they are a father and daughter, tossed into the marshes in their pajamas; a man who after moving his family to a higher floor drowned in his own basement; a couple who ventured out to walk their dog, only to be killed by a falling tree. On and on, down the list, lives lived and lost. Real people. Real families. Prayers said. Prayers unanswered.
Now, we see pictures of what is called a mountain of debris. Surely it is a mountain of heartache: photo albums, wedding pictures, a christening dress, a baby's mug, a teddy bear, a doll, grandma's favorite cup and saucer, a baseball glove, a precious book, tapes of the bar mitzvah, an heirloom tablecloth, hard-earned furniture and carpets. Look around you at what you think is precious and imagine it buried under water, mud, and in Breezy Point, turned to ashes in a fire, now scooped up by the sanitation department to be addd to the mountain of debris. Some call it garbage but it is the essence of your life, all that yo have worked for, created, held dear. Imagine that you are one of the 600 New York Police Department employees whose homes are in the Rockaways, working day and night to save lives when you know your own home and family are in the path of danger but you cannot reach them.
Distance brings perspective. Our little adventure was nothing compared to all this. But it also brings perspective to the need for society to understand what it is to grow old. They were told to evacuate, implored to evacuate, but many did not. Some are still stranded on higher floors without power, heat, elevators, dependent on volunteers to bring them water, food, warmth, connection with the outside world. And now, with a Nor-Easter roaring into New York, they are being told again to evacuate. From a distance you may ask, why don't they?
Meet them, what they are really like. Yes, you may know someone ninety who is bright as a tack, still drives and lives an independent life. But for everyone like that, there are the others, whose arthritic bones move slowly, who think slowly, process information slowly, make decisions slowly.They move with an array of "stuff". Every aging body carries with it all or a combination of the following: dentures, distance and reading glasses, hearing aids and batteries, medications, some of which have to be taken several times a day, ointment for thin, easily bruised skin, diapers, a cane, walker or wheelchair, oxygen, catheters, injections. The thought of trying to move all that, with help, let alone by yourself, or with an ailing partner,to say nothing of a dog, a cat, a bird, is surely daunting. To go where? To a shelter with hundreds of others, to be in noise and confusion.
Old age: let me tell you, it is definitely not for sissies. And nature: nature doesn't give a damn. It makes no distinction between babies and grandparents, the frail and the strong, it just sends its waves and its winds. Beware those who do not, or cannot, get out of its way.
eacuations, East River, Elderly care, Evacuations, Hurricane Sandy, Long Island, New York, New York City, New York City Police Department, NY deaths, Rockaway Queens, Staten Island
« And the Lord said:
Alzheimer's: Old Folks talking »
Lionel Schipper
Hi Joan, Very moving and powerful. You said it: "old age is not for sissies"
While so many,many have a long way to go to recover from this horror I hope that you and Oscar have recovered.
Leave a Reply to Lionel Schipper Cancel reply
Dementia or?
The Touch Me Nots
A Mother's Day Penance
Antisemitism, from Kristallnacht to Pittsburgh
alzheimer's research
dogs, dog's death,
foolish old age
Holocaust, International Court, Nuremberg Trials, Human rights, war crimes, crimes against humanity
Israel, BDS movement, antisemitism, antisemites,
mothers, Mother's day
myths of old age
recognizing dementia
touch, Biden, touching,
walls,


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Recently, I participated in the Jimmy Carter-Habitat for Humanity work project. Each day as I drove from Howard County to Sandtown, the great divide between the "haves" and "have-nots" became more real.
It was disheartening for me to deal with the skepticism of some of my peers who really couldn't see the point of my becoming involved in this project.
It was also distressing that some of our new homeowners' neighbors did not know what we were about and littered some of the very buildings we were working on.
Knowing what's going on in your neighborhood and throwing trash away properly demonstrates pride and caring. Writing off the urban poor as too far gone to help is uncaring and naive. Bigoted people on both sides of the divide feed on such attitudes.
Those of us who worked together, black and white, Christian and Jew, Sandtown residents and people from all parts of the country, still believe every effort counts and actions speak louder than words.
The causes of poverty and racism are complex and often seem unsurmountable. But like most problems, solutions are often simpler than we think. Continuing to care is part of the solution; giving up becomes part of the problem.
I just read Wiley Hall's column, "No way to mark a day for fathers" (The Evening Sun, June 23). I think Mr. Hall really missed the boat on this one.
He was upset that Harford County, as well as some other counties, chose Father's Day to arrest men who were delinquent in child support payments.
I don't think any county was celebrating putting fathers behind bars. I believe the chosen day was a reminder that there is more to being a father than just "fathering" a child. There is an obligation to be fulfilled.
I wasn't celebrating putting those fathers behind bars, but I was celebrating the fact that now the children of these fathers have a chance to receive what they deserve. Remember, without the support of the fathers, most of these children are deprived.
Mr. Hall also said we should ignore this problem on Father's Day weekend and arrest the alleged deadbeats on the other 51 weekends of the year. Obviously, he hasn't seen mothers struggle to support their children without the help of the father, or the tears of a child who can't have something he or she may need or want because a father has failed to fulfill his obligation.
These fathers do not deserve to have a weekend off. After all, their children aren't getting a weekend off from feeling deprived.
I feel that the Supreme Court should not negate the race factor in picking juries.
All juries should be made up of a mixture of blacks, whites and other races. There should never be a situation where a jury is all white or all black because this society is not made up exclusively of any one particular race.
To have a jury set up that way is unfair and not a representation of society as a whole.
There was an article in "Other Voices" June 23 from Beth Smith of Hunt Valley who is having a problem with a cardinal continually pecking on her window.
I experienced this with a robin about three years ago. He would strike our bow window at the top and slide down for hours at a time and every day. This required much cleaning.
I was at Cape Cod in a small store in a museum and they had the answer. I purchased two images of black birds with wings spread and pasted one on each side of the window. It should be placed at the top of the window like a bird in flight diving down on its prey.
It is made of a black waterproof paper and they are still on my window. No problem since first day -- three years ago.
I feel sure some place locally must sell a similar product. Good luck!
The tranquillity and beauty of a heavenly summer night are completely overcome by a car radio blaring rap music outside my window at 10:30 p.m. This also happens many mornings and afternoons, and especially now that school is out.
When will this outrageous noise be considered disturbing the peace; when will offenders either be warned or ticketed by the police?
For days I have read how our vice president is so dumb he can't even spell the word "potato." Give me a break. How can such an insignificant issue get coverage three days in a row?
For weeks, Dan Quayle lambasted Hollywood and the liberal media, and the media was losing. So it was time to pull out something to belittle our vice president and blow it way out of proportion. Thus we have the "potato" story.
For months, when talking about Dan Quayle, I have asked those who have a negative opinion of him why they do. Nine out of 10 could offer no reason other than that the media say he is stupid.
Why do people in the media dislike Mr. Quayle?
They have never liked any conservative. The pro-family, moral and patriotic views of conservatives contradict everything those in the media wish us to believe, so they try to discredit them. For years they have used issues like racism, rich lovers and now idiocy to try to discredit conservatives.
Imagine being hounded on every word you say for four years, being ridiculed and watched for your every mistake while all your successes are covered up.
Imagine dealing with the pressures of fulfilling your duties of vice president in a presidential election year when your boss is not highly favored.
Now place yourself at the spelling bee in which you are holding a card with a misspelled word prepared by a teacher volunteer whose job it is to spell correctly.
How many of you still know without a shadow of a doubt you wouldn't have made the same mistake?
I've seen misspellings printed in your own newspaper. I've corrected English teachers in the past who have made worse spelling mistakes. I've corrected college professors. I've even caught myself a couple of times. None of us is without flaws.
If people in the media are so much more intelligent than Vice President Quayle, how come the only complaint you can come up with about Mr. Quayle's handling of the job is that he can't spell the word "potato?"


On sunday the 15th april 2018, the Red Sappers won their second game of the 2018 Baseball Verbandsliga Südwest (SWBSV) on the Beckerich Baseball field against the Worms Cannibals 18-1.
The team seems to be at a midseason form, although it has been only two games in the tournament so far. Keep up the good work and we'll be just fine when it's all set and done.
Juan Gonzalez and Jakcar Valenzuela with both 2 Homeruns each. Manuel del Orbe with his first Homerun for the Red Sappers and last but not least: Fernando Pena with his eczellent Pitching performance, allowing only 1 hit.
Written by Christoph Kühnemund, 16/04/2018 15:12.


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Richard D. Winters – amerykański oficer, służący w 101. Dywizji Powietrznodesantowej
Miejscowości w USA:
 Winters – miasto w stanie Kalifornia, w hrabstwie Yolo
 Winters – miasto w stanie Teksas, w hrabstwie Runnels

redpajama_set_name: RedPajamaWikipedia


FQB "Glorious" Collection draws you in with its elegance and colour range to the cherished memories we all have of our past Christmases.
1 Cluster of Christmas leaves tied with a gold bow and a festive message of "Noel"
6 Unique floral corners with transparent backgrounds to easily place onto any paper or other element to add such class. Use it as you would a stamp.....play and enjoy!
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1 Journal card - "Always keep Christmas in your Heart"
1 Journal card - "The Miracle of Christmas"
2 Mistletoe elements....a kiss may not be just a kiss??
7 Ornaments with a vintage feel. Which one will you "hang" on your Christmas creation??
1 Sentiment circle - "Merry Christmas to You"
1 Sentiment label - "Wishing you a Merry Christmas filled...."
1 Sentiment label - "Merry Christmas"
1 Word strip = "Have yourself a Glorious Christmas"


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Home > News & Events > Blog > To drupa and beyond
To drupa and beyond
Thursday, 14 June 2012 | By Hazel Spiro
After ten years of research, engineering and intensive planning, the elements were in place for a successful drupa tradeshow. But there were no guarantees.
Six weeks ahead of the opening of drupa, Landa's build-up team arrived in Düsseldorf equipped with over sixty tons of new printing technology, several tons of NanoInk® and a team of carpenters, electricians and engineers.
While they came with a game-changing vision for the future of the printing industry, would the analysts, the media and the customers understand, accept and share the vision? The first breakthrough came on April 27, 2012, when Komori, a print market leader, entered into a strategic partnership with Landa to manufacture and market digital presses based on Landa Nanographic Printing®.
Then by the time drupa began on May 3, 2012, Landa had already acquired the endorsement of another two industry heavyweights, manroland sheetfed and Heidelberg – and the second digital printing revolution was well and truly on its way.
During the two weeks of the show, Benny Landa presented his new category of printing called Nanography® and 40,000 visitors to the Landa stand watched the presentation from inside the theater and on the big screen outside the theater where it was streamed for those who could not get a seat inside; the press covered the Landa story in 350 articles spanning 20 different languages; and hundreds of customers signed letters of intent despite the fact that the presses will only become available at the end of 2013. The positive response of the industry was astounding and customer demand was beyond expectations!
The lightning fast developments of the past months have been thrilling. The positive reaction of industry players, and the level of interest from printers and the trade press strengthen our conviction and commitment to supplying Landa Nanographic Printing® technology to the market at the end of 2013.
Whoever had the chance to see Benny Landa's "Nano. Bigger than you think." at drupa or perhaps has seen it on YouTube, might remember his concluding sentence, "I hope that you leave today saying to yourself: 'I have seen the future – and it's worth waiting for.'"
Judging by the reaction so far, the glimpse of the future Landa provided at drupa has certainly fired the imagination of the industry, and many people are waiting and have even put their money on it.
For an overview of the Landa drupa experience, watch "IT'S TIME – Landa drupa 2012 Highlights".


Thanks for the input! I had some issues myself when using Pear in combination with Drush for Omega 4. Omega 4 needed the 7.0-dev version of Drush, which wasn't an option in combination with Pear. Therefore I did a manual install of Drush recently. I changed the tutorial accordingly by removing the Pear commands.


We are opinionated, yet we cannot offer our opinions. We have a right to the echo, not to the voice, and those who rule praise our talent to repeat parrot fashion. We refuse to accept this mediocrity as our destiny.
In school, he hated history and was a lousy history student. He wanted to be a soccer player, a saint, and a painter. He abandoned the first two ambitions, and achieved the third only by learning to use words in place of paint.
He wrote not from duty but from joy, always waiting until "his hand began to itch."2 Immune to the obsessions of established literary critics, he casually combined literary styles and ignored the (alleged) border between journalism and literature. His most famous work, "Open Veins of Latin America," (1971) only won honorable mention in the House of the Americas literary competition because the judges felt that a history book that wasn't boring couldn't be a serious work. Fat, dry tomes dominated the social sciences at the time (they still do), and Galeano's lush and lyrical prose was anything but boring, so he had to settle for a consolation prize.
The book was going nowhere on sales charts – even Galeano's family wasn't reading it – until Latin America's ubiquitous dictatorships did it the honor of banning it. The Uruguayan dictatorship, relatively unpracticed in the repressive arts, lagged behind its authoritarian brothers, mistakenly classifying the book as an anatomy text at first, before making up for lost time by jailing the author along with the book. Upon his release, Galeano fled to Spain, where almost ten years of intense research led to the publication of his magnificent trilogy on the history of the Americas: Memory of Fire. In these microhistories he found his permanent style – richly textured vignettes portraying historical characters and events in the present tense – as though glimpsed through a keyhole. Galeano's vividly creative prose was too much for the jealous guardians of literary boundaries, who classified the English translation of Memory of Fire as fiction, albeit with a bibliography and index.
Even horrible scenes, all too familiar in history and politics, could not deflate his good humor, or cause him to avert his gaze. He once paid tribute to the "skill" of the torturers who worked for former Nicaraguan dictator Anastasio Somoza by highlighting the precision of their work: "Armed with pincers and spoons, these lads can tear out fingernails without breaking the roots and eyes without injuring the lids."3 Simple denunciation would not capture the horror nearly as well as Galeano's detached irony.
Detached though he might sound, uncommitted he was not. With relentless application (he once re-wrote the entire manuscript of a book eleven times) he dedicated himself to revealing the most painful realities, drawing on a deeply thoughtful joy that became his trademark. Nevertheless, he shunned the title "thinker," as though he were merely a disembodied head, pointing out that he wrote with his whole being, not just from his neck up. He delighted in the name a Colombian fisherman once gave his work – "senti-pensante"4 — feeling-thinking — which was much more in line with how Galeano regarded himself and his writing. He recognized that, dualistic conventions notwithstanding, thought and feeling cannot ultimately be divorced, and was astute enough to avoid the twin dangers of sentimentality and frigidity, as all too many other writers do not.
Now we mourn the man that gave voice to those moving words, a superb writer finally indeed reduced to an echo, though not that of a lickspittle parroting official cliches, but of a free man who spent his life telling the truth.
Let that echo sound long, and loud, and often.
Michael K. Smith is the author of The Madness of King George from Common Courage Press. He co-blogs with Frank Scott at www.legalienate.blogspot.com. Read other articles by Michael.
This article was posted on Monday, April 20th, 2015 at 8:39pm and is filed under Obituary.


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Outta This World - drugi album studyjny brytyjskiego boysbandu JLS wydany w 19 listopada 2010 roku. Krążek zadebiutował na miejscu drugim UK Albums Chart, rozchodząc się w 152,474 egzemplarzy w pierwszym tygodniu. Od czasu ukazania się zespół sprzedał 650,000 kopii albumu.

Lista utworów

Notowania i certyfikaty

Notowania

Notowania końcowo-roczne

Certyfikaty

Historia wydania

Przypisy

Linki zewnętrzne
 Okładka

Albumy JLS
Albumy muzyczne wydane w roku 2010
Albumy popowe
Albumy Epic Records
Albumy wyprodukowane przez Stargate


"We just want to let you know; we are awkward in front of a camera." And if by awkward Lucy meant beautifully shy, then, yes, I agree. We couldn't ask for a better evening to shoot their Lakeshore Toronto engagement photos. It was the first real summer night of this year. We walked, a lot, and while taking some photos, I got to know these two a little bit better. I can tell you one thing; they are the cutest. They share such a kind and beautiful love. When I told them that they don't need to pose for the camera, they just need to be with each other on this first real evening of the summer; they got me. completely.
Lucy and Andrew met at the University of Toronto while studying in the same program. They were classmates and acquaintances for four years. It was only until after when Andrew began hanging out with Lucy's group of friends that they began to talk. "And then love happened!!!" Lucy told me. They love long walks and very long bike rides in and out of the GTA. I guess we are lucky that Toronto has such a beautiful Lakeshore trails for lovers to walk in.
Colours of blue and white matching the background , beautiful ! Love this picture !!


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The Darlingtons
Joe Food
on 30th July 2014 at 10:31 am
Exposed has taken a pew inside a small recording studio on the outskirts of the city centre, situated amongst the rusting warehouses and factories which represent the rattling gasps of Sheffield's once alive and kicking manufacturing industry.
Sat directly across are four young lads who've provided a breath of fresh air for the local music scene. The Darlingtons now look set to deliver a spot of wider resuscitation to the sound of British alternative music with their atmospheric, brooding, post-rock vibes.
Hi chaps, let's kick off by discussing the tracks you've chosen to play today?
Chris: We've gone a bit stripped back today. We chose to play a track called 'Sunflowers' – which is an old track, and also 'Fiction Is Not Imagination' – a new one of ours, which we haven't really played live yet.
Could you briefly tell us a bit about each track?
Chris: Sunflowers was written a while ago. (to Kiran) What did you write it about?
Kiran: Sunflowers. (Laughter)
Chris: I think it's kind of a depressing take on being a sunflower. How they always face the sun until the end of summer when they wilt away – I'd like to add that we're not actually as depressing as we sound!
Ah, the irony of sunflowers. What about the second track?
Kiran: 'Fiction Is Not Imagination' took a while to get to the stage in which it sounded right. We spent a lot of time developing it in the studio.
Chris: We were working on it for a good few months. I think we're getting there with it now. It used to sound horrendous, but now it's probably our strongest live track.
How did you guys start playing music together?
Kiran: We went to school together. Simple as that, really.
Chris: We were all part of the same friendship groups, but strangely all began by playing in separate bands. We started jamming together and stuff towards the end of college.
Daniel: I think it's been about six years that we've been playing and writing together.
That gives you a lot of time to hone your sound. Do you feel the gradual improvement in your music over time?
Daniel: Yeah, you definitely notice the sound getting stronger.
Chris: Song writing can take a while to perfect, especially when you're working with four people, you need to know how each other works musically. So, yeah, I think we've become a lot more aware of that.
You've played a few interesting gigs recently: The Great Escape festival, supporting Catfish And The Bottlemen, then performances in Belgium and France. It's been a busy month…
Kiran: It has. It's been awesome. To play Great Escape then support Catfish in the same weekend at another cool venue was a great experience.
Chris: Playing Belgium and France was great. We played some good gigs, got treated really well, and met some really interesting people.
The beer in Belgium isn't bad, either?
All: *Loud resonances of agreement*.
Kiran: They don't even shut the pubs! They stay open all night and in to the morning. We ended up being banned from drinking this 9% beer called Chimay. It was incredible.
I've read that your name derives from the Anglo Saxon period…
Chris: Well, it's based on the surname of a guy called Bob Darlington – who used to help us out loads. However, we read in to it and then found the Anglo Saxon link.
Did you know that Sheffield originated from a settlement built by a family of Angles, on the banks of the River Sheaf, near where Commercial Street is today? We're talking early 9thcentury here.
Chris: We didn't know that! Now, thankfully, we do. We can pop that in our bio now.
Yup. They were described as 'barbaric, warlike characters' – which member of the band does this represent the most?
Daniel: I think that's probably all of us when we're on a stage.
Chris: Yeah, our live set is very energetic – so I think you could apply that to all of us.
Alex: It's a good job we play a short set. You see some bands going at it for about an hour and a half and I'm thinking, if we did that, we'd need A & E. It's quite nice having the opportunity to strip back our sound today and hear the music a bit differently.
It's funny you should mention a softer sound, because the instrument of choice for most Anglo Saxons was the harp. Do you reckon there's a way you could incorporate one of those in to your set?
Kiran: It could be part of our new campaign.
Chris: My auntie plays the harp – let's get her in.
I'm feeling the Anglo Saxon vibe here. Let's have another. It was tradition to bury Anglo Saxons with 'grave goods', personal possessions to take in to the afterlife. What would you choose?
Daniel: Guitar
Kiran: Yeah, I'd say guitar. Dan would probably take his phone. *Laughter*
Daniel: Well, you've got catch up with what people on Earth on are up to…
Chris: I'd take clean pants. If you're going to the afterlife, you'd want to make a good impression. I'd also take a football, so I can react the scene from Castaway, draw a face on it and call it Wilson.
Finally then, what's on the horizon for The Darlingtons?
Chris: Exciting times, hopefully. We've just signed to a booking agency today!
Kiran: We've also got a single recorded – and the video shot for that. Our latest single, Rotations, is out now. We've also got a couple of gigs left before our tour finishes.
Chris: Our next single will be called 'Whoever Really Knows' – and it looks like that will be out around July time.
Joseph Food
Helene Michaelides
Tufty
Timm Cleasby
Editor of Exposed Magazine & Producer of the Exposed In Session feature. High Greener. Mardy sod.
Exposed Magazine August 2014


text:
Q: Evaluating a Triple integral where one bound is a function of two variables Problem:
Evaluate the following triple integral:
$$ \int_1^3 \int_1^3 \int_1^{\min(8 - x - y,3)} 2 \, dz \, dy \, dx $$
Answer:
The problem is the bound $\min(8 - x - y,3)$. I would like to write it as the sum of two triple integrals with simple bounds. I could try something like:
$$ \int_1^3 \int_1^3 \int_1^{\min(8 - x - y,3)} 2 \, dz \, dy \, dx = \int_1^2 \int_1^2 \int_1^{3} 2 \, dz \, dy \, dx + \int_2^3 \int_2^3 \int_1^{8 - x - y} 2 \, dz \, dy \, dx $$
but I know that is wrong. What is the right approach to evaluate this integral?
Based upon comments I received, I am updating my post.
Using Wolfram, I find:
$$\int_1^3 \int_1^3 \int_1^{\min(8 - x - y,3)} 2 \, dz \, dy \, dx = \frac{47}{3} $$
Using Wolfram, I find:
$$ \int_2^3 \int_1^{5-x} \int_1^3 2\,dz\,dy\,dx = 2 $$
Using Wolfram, I find:
$$ \int_2^3 \int_{5-x}^3 \int_1^{8-x-y} 2\,dz\,dy\,dx = 4 $$
Since $4 + 2 = 6$ not $\frac{47}{3}$ My answer is wrong.

A: We have
$$\min(8 - x - y,3) = \begin{cases} 8-x-y & \text{if } x+y\ge5, \\ 3 & \text{if } x+y \le 5. \end{cases}$$
 when the triangle $x+y \leq 5 $ contains some points out of the rectangle, to fix this we have to split it into two parts: $1\leq y \leq 3 $ when $1\leq x \leq 2$ and $1 \leq y \leq 5-x$ when $2\leq x \leq 3$
So:
$$\int_1^3 \int_1^3 \displaystyle \int_1^{\min(8-x-y,3)} 2\,dz\,dy\,dx \qquad= \int_1^2 \int_1^3 \int_1^3 2\,dz\,dy\,dx \qquad + \int_2^3 \int_1^{5-x} \int_1^3 2\,dz\,dy\,dx +\int_2^3 \int_{5-x}^3 \int_1^{8-x-y} 2\,dz\,dy\,dx \qquad $$
I think that you can take it from here.

A: Draw a picture of the rectangle $1\leq x\leq 3, 1\leq y\leq 3$ and of the boundary line $8-x-y=3 \Leftrightarrow y=5-x$. Notice that below the line (and staying in the rectangle) $\min(8-x-y,3)=3$ and above the line in the rectangle $\min(8-x-y,3)=8-x-y$. Also notice that $\min(8-x-y,3)=3$ in the rectangle $1\leq x\leq 2,1\leq y\leq 3$. So, we can split it up as:
$$\int_1^2\int_1^3\int_1^32\,\mathrm{d}z\,\mathrm{d}y\,\mathrm{d}x+\int_2^3\int_1^{5-x}\int_1^32\,\mathrm{d}z\,\mathrm{d}y\,\mathrm{d}x+\int_2^3\int_{5-x}^3\int_1^{8-x-y}2\,\mathrm{d}z\,\mathrm{d}y\,\mathrm{d}x $$

A: $$
\min\{8 - x - y,3\} = \begin{cases} 8-x-y & \text{if } x+y\ge5, \\ 3 & \text{if } x+y \le 5. \end{cases}
$$
$$ {} $$
\begin{align}
& \overbrace{ \iint\limits_{\begin{smallmatrix} (x,y) \,:\, 1\,\le\,x,y\,\le 3 \\[3pt] \&\ \ x\,+\,y\,\le\, 5 \end{smallmatrix} } \left( \int_1^3 2 \, dz \right) \, d(x,y)}^\text{This one says "$\le~5$''.} {} \,\,+\,\, {} \overbrace{ \iint\limits_{\begin{smallmatrix} (x,y) \,:\, 1\,\le\,x,y\,\le 3 \\[3pt] \&\ \ x\,+\,y\,\ge\, 5 \end{smallmatrix}} \left( \int_1^{8-x-y} 2\,dz \right) \, d(x,y)}^\text{This one says "$\ge~5$''.} \\[10pt]
= {} & \int_1^3 \left( \int_1^{\min\{3,5-x\}} \left( \int_1^3 2\,dz \right) \, dy \right) \, dx + \int_1^3 \left( \int_{\min\{3,5-x\}}^3 \left( \int_1^{8-x-y} 2 \, dz \right) \, dy \right) \, dx.
\end{align}
And then
$$
\int_1^3 \left( \int_1^{\min\{3,5-x\}} \cdots \, dy \right) \,dx = \int_1^2\left( \int_1^3 \cdots \, dy \right) \, dx + \int_2^3 \left( \int_1^{5-x} \cdots \, dy \right) \, dx
$$
and
$$
\int_1^3 \left( \int_{\min\{3,5-x\}}^3 \cdots \, dy \right) \, dx =  \int_2^3 \left( \int_{5-x}^3 \cdots\,dy \right) \, dx.
$$

redpajama_set_name: RedPajamaStackExchange


text:
Beijing readies for an explosive new year
SHARE Beijing readies for an explosive new year
Chinese performers dressed in traditional lion costumes display banners and dance in Beijing Saturday.
Elizabeth Dalziel, Associated Press
A man holds a traditional spring festival toy as he watches a performance during the opening of the Temple of the Earth Park temple fair.
BEIJING — The Chinese capital prepared to usher in the Lunar New Year with a bang Saturday, after authorities lifted a 12-year ban on fireworks.
As residents stocked up on fireworks, officials were urging caution, fearing the sharp rise in injuries and fires that accompanied the holiday period before the ban was imposed.
About 4,000 firefighters were placed on standby, with 21 fire engines and 129 firefighters dispatched to the most densely populated areas of Beijing, the Beijing Youth Daily newspaper reported.
The city's hotline for reporting fires told the newspaper it had expanded its regular team of four to 40 to cope with the expected flood of calls after midnight.
The new rules allow Beijing residents to explode fireworks all day on Jan. 28 and 29 — New Year's Eve and New Year's Day — and from 7 a.m. to midnight every day from Jan. 30 to Feb. 12.
About 3,000 police and community officers will patrol off-limits areas such as schools, retirement homes and historic relics, the Beijing Daily newspaper said.
The thundering explosions of fireworks were expected to reach their peak just before and after the start of New Year's Day, as millions take part in a thousands-year-old tradition meant to drive away bad luck and scare off evil spirits.
But it seemed many residents couldn't wait, and by 6 p.m. Saturday the capital's streets echoed with the sounds of exploding firecrackers.
Beijing lifted the ban after a survey last year found that 70 percent of residents felt fireworks made the holiday period more festive.
"We have had this ban for more than a decade, but lifting it shows that the government is considering the ordinary person's desire to set off fireworks in the traditional way," said a 23-year-old waitress who gave only her first name, Anna.
"Now it is safer, as we can buy legal fireworks in designated stores," she said.
Earlier this month, 585 shops in the city center received permits to sell fireworks from Dec. 1.
"Sales have been very good," said a Beijing store manager who gave her name only as Zheng.
Zheng said she had already sold $12,500 worth of fireworks, with the cheapest being the most popular.
But not everyone was so keen on lifting the ban.
"It causes pollution and injuries and too many paper scraps, causing heavy work for cleaners," said the manager of a Beijing hotel, who gave his name only as Zhang.
"They should find some other way to celebrate the new year," he said.
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text:
Bogdan Marchenko
Teo Marcelo is art geek from Ukraine. He is a passionate rock- and movie-lover since childhood and has a profound knowledge in this topics.
Why is Francois Truffaut's "The 400 Blows" considered as classics of world cinema?
Why is it still remembered? The history of this film is inextricably linked with such art film movement from 50-60's years of 20th century as the "French New Wave". "The 400 Blows" became a film that began the period of domination of "new wave" films on the movie screen and became the embodiment of the manifesto of this art movement. But what is the innovation of this picture?
But what is the innovation of this picture?
Firstly, Truffaut himself became a director only after "The 400 Blows" and all heroes of that time, such as Jean-Luc Godard and Claude Chabrol, were originally film critics in "Les Cahiers du cinéma", under the auspices of a prominent cinema theorist and historian Andre Bazen. The main enemy of the "new wave" they chose was French studio cinema, which they contemptuously called "parental cinema". They branded it for lack of idea, pretentiousness and falsity. It seemed to them to be a pathetic compromise between studio and film director. Although Bazen himself, as a theorist in this field, did not make a single movie, and his students and followers, like the same Truffaut, we are talking about, began to implement the innovative and avant-garde ideas of their ideological godfather. Bazen, as a true cinephile nihilist, denied everything from the actors' acting to "editing", consistently following the same path that a Soviet-Ukrainian film director with Jewish origin Dzyga Vertov had outlined in the 1920s. After dying of leukemia at the age of 40, Andre Bazen left behind a great theoretical legacy, on the basis of which future talents created a "French New Wave".
Secondly, although all these "future talents" had very revolutionary ambitions, they were still fascinated by Hollywood studio films, albeit more authorial, concept and individual. Such artists like Alfred Hitchcock and Howard Hawks immediately became Truffaut's favourites. Francois Truffaut was particularly attracted to Hitchcock's approach to filmmaking. According to Hitchcock, the director must control the process of making movie from beginning to end. The film is not a product of a studio or a group of people, but a work of a specific director-artist – a demiurge in the world of cinema. We all know Hitchcock's authoritarian obsession with controlling editing, camera work, and acting on his own.
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But still, how did "The 400 Blows" turn the world of cinema?
Although it would be more correct to ask – due to what? Given the canons that had appeared in French cinema at the time, Truffaut was the first who broke them with his cinematic hammer.
The first thing that Truffaut eradicated from cinema in "The 400 Blows" is the theatricality of the actors' play and the playfulness of their emotions. Many scenes of the film were completely improvisations of the actors. The characters behave like real people. You believe them, so the idea that this is just a picture on the screen disappears. There is a synergy between the viewer and the film. It also follows that Truffaut didn't use extras and sets in his film. He shot the film right on the streets of Paris, using, as a background, the bustling city life. But this required a new approach to cinematography, which was nicknamed the technique of "camera-pen", and exactly this film was chosen to be the manifesto of this technique. That is why the directors of the "new wave" have always used a hand-held camera, with which you can move much faster through the streets of a busy city. In addition, it fit well with their personal philosophy: cinema is life, and life is cinema.
Nevertheless, each time needs its own heroes and its own stories. The protagonist of "The 400 Blows", 13-year-old Antoine Doinel, played by Jean-Pierre Léaud, became face of the era. The plot of "The 400 Blows" is based on the childhood of the film director personally. He himself is familiar with all these quarrels with his parents, running away from school and severe punishment for guilt. One of the themes raised in the film, namely: "Is Antoine's mother's husband the real father of the son, or stepfather?" - taken directly from the life of Francois Truffaut. For the first time, the camera's focus is on the teenager, not the adult. The film naturally shows the process of growing up and the difficult puberty period in the life of each of us. The whole plot of "The 400 Blows" consists almost entirely of guilt and punishment, which fall on little Antoine. Although, can we at least say that the film has a plot? This is another feature of "new wave" films - they either don't have a structured plot, or it seems that it is completely absent. In addition, Truffaut gave us the character of "baseless rebel". This image will roam from film to film of "new wave" artists.
However, the main asset of "The 400 Blows" was that this film removed all restrictions. Since then, for modern artists, it has not mattered how you shoot and what you shoot. Anyone could make a movie, regardless of budget and experience. And the final frame of the film will forever remain one of the most famous movie quotes in the history of cinema.
Criterion forum.org
The 400 Blows (The Criterion Collection) [Blu-ray]
© 2021 Bogdan Marchenko
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text:
I'm spending a couple of days up north, on Lime Lake, with a friend talking philosophy and theology while we fish and I help with some stuff around his cabin. I have read a number of books recently that I would like to review... this is one of them.
Scott Russell Sanders, A Private History of Awe (New York: North Point Press, 2006), 322 pages.
This is a beautiful book. Sander's writing is graceful and eloquent, even though I did not always find myself in agreement with his theology. It is evident that Sanders has left his childhood faith behind. Yet, and it may seem strange for me to suggest this from a man who questions the deity of Christ, his writings appear to me to be incarnational. Sanders experiences the Creator's hand throughout the world and especially in other people. In this memoir, Sanders weaves together the story of his first twenty-five years (up to the birth of his daughter) with the present (experiencing the world through his granddaughter and the decline of his own mother).
Although born in the rural South, Sanders' family moved north when he was just a boy. His father took a position at the Arsenal, a huge military compound in Ohio where they build bombs for the Korean and Vietnam Wars. Later, the family moved outside the Arsenal, to a home with land along a creek (that would later be dammed for reservoir, requiring the family to move again). Here, Sanders began to love nature. Sanders' father often drank and could be abusive, especially to his mother. As a young boy, Sanders hated his father for how he treated his mother, but in later years he seems to have made some peace and realized there were good characteristics to his father. For one, his father challenged racial assumptions that were common in America during the 1950s and early 60s. The contractor he worked for also saw this and when Sanders was older, they sent his father to Louisiana to help foster peace between African-American and white workers. Sanders himself grew up admiring Martin Luther King, and he relates much of what was happening in his life to national and international events including the Civil Rights movement, the Cold War and Vietnam.
As a high school student, Sanders attended a camp for students who showed promise within the sciences where he met a girl named Ruth, from Indiana. The two of them struck up a close friendship that lasted through their senior year in high school and through their college years. (Ruth stayed back in Indiana for school while Sanders headed to Brown University in Providence, Rhode Island). While in college, Brown changed majors, leaving science behind for English. After college, Sanders had a scholarship to study in Great Britain while Ruth had a scholarship for graduate study at Harvard, but they ended up marrying and both going to Britain where Sanders earned a PhD, focusing his dissertation on the writings of D. H. Lawrence. Coming back to America, the couple decided to settle in Indiana, with Sanders teaching at the University. This decision went against the suggestions of many of their friends who questioned such wisdom of attempting to become an established author in the Midwest. However, the decision reflected the role of place and the importance of family in the Sanders' lives.
This book contains many wonderful stories. We learn about how Sanders first encountered and later dealt with racial issues, with the Vietnam War and the possibility of being drafted, with the two-sides of his father, with his place in the created world and awe for nature and a desire to do no harm. Grace is seen throughout these pages. Sanders may have moved away from the childhood faith of his parents, but he retains the awe and is disturbed that awe is often missing from churches today.
There were two places where Sanders got me questioning his understanding of nature or remembrance of an event. Both are minor mistakes, but I will note them. He speaks of the seed heads of poisonous sumac turning brilliantly red in the fall (92), but that plant doesn't have a seed head and its berries don't turn red don't turn red but a grayish white. I think he is referring to staghorn sumac. On another occasion, he tells about going to a room at the university (in Great Britain) to watch the first man on the moon. As they walked to the building, the clouds parted long enough for him to see the waxing crescent of the moon… Early that next morning, as he's walking back from having spent most of the night watching the moon footage, he also sees the crescent moon setting. If it was truly a crescent (new moon), it would have long set when he headed home. As a said, both of these are minor and really don't distract from the power of Sander's prose.
"A moment of awe"
before sunrise at Lime Lake
Jim and Todd (notice my busted seat)
Things have been rather crazy in my sageless domain recently. Michigan seems to be void of sage except in gardens. I haven't even finished writing about my trip to sageland (Nevada and Utah) back in July. But the leaves are beginning to change color and the temperature is dropping. Yesterday, I had the last sail of the year with two friends who helped me take down the mast. The boat is out of the water now. Before storage, I have some work to do on it--cleaning the hull and repairing a seat that busted. It was a good summer with lots of days on the water with all kinds of wind.


text:
Q: Passing a ' character as a command line argument seems to start a prompt in C on Ubuntu hope someone can help.
I'm working on a problem set passing arguments in C99 on Ubuntu, part of the problem set specifies that non-integer characters should lead to an early return from the main function and program termination.
For example:
#include <stdio.h>

int main(int argc, string argv[])
{
    // code
}

I've discovered that if I pass the program a ' character at the end of a series of digits e.g. ./runme 12345' it seems to open some kind of shell/prompt.
Can anyone help with what this is?

A: This is not related to C, but to your shell. In bash, a single quote has special meaning to the shell, and if you want to pass it to some other program, you have to quote it, for instance
./runme 12345\'

or
./runme "12345'"

This applies of course to all shell meta-characters.

A: As John3136 wrote in a comment:

It's the shell interpreting the quote and expecting you to enter more stuff then a clo[s]ing quote.


Following its creation in 1948, Israel was confronted with the challenge of establishing relations with key players in the Middle East, in the face of opposition from most of the Arab states. Patten explores the genesis and development of Israel's foreign relations with Iran, Turkey and Ethiopia, known as the 'Policy of the Periphery'. Highlighting the pragmatism and Realpolitik at the heart of this policy, Israel and the Cold War analyses the national interests and mutual concerns which shaped relations and strategy at the United Nations during the critical moments of the establishment of the State of Israel and the following forty years, before the ramifications of the Iranian Revolution became apparent. Based primarily on UN documents, this is a vital primary resource for those researching the period, as well as the formulation of foreign policy in the Middle East.
The ''peripheral policy'' is an important, if all too-often forgotten, as pect of Israeli foreign policy. It is also a policy that has veryobvious and important relevance in the current era, just as it did during its formal period in the Cold War. The Israeli relationship with Iran and Turkey still dominates the regional, and even international agenda and this book though by no means claiming to be the first to deal with Israeli-Turkish-Iranian ties, has a distinct perspective- it looks at the multi-faceted relationships through the prism of the United Nations. Comparing and contrasting the UN approaches of the parties involved with their other public (and private) policies on the same issues. In this way the work adds value to the general debate on Israeli foreign policy and Israeli relations with Turkey and Iran, as well as Ethiopia. As such, I believe it will be of interest to students and scholars dealing with Israeli foreign policy.
Professor Rory Miller, Department of Middle East and Mediterranean Studies, King's College, London.
Howard A. Patten has chosen to explore an important, albeit surprisingly neglected, aspect of the ''peripheral policy''- the political and diplomatic manoeuvring and wrangling at the United Nations. The result is a well-researched and argued piece of work that makes a real contribution to the field through the utilization of hitherto untapped documentation and original line of argument.
Professor Moshe Gat, Department of Political Studies, Bar-Ilan University, Israel.
In this book, Dr Patten explores Israel's ''peripheral policy'' of relying on non-contiguous and non-Arab, mainly Muslim, states- notably Turkey and Iran (but also Christian Ethiopia). I have little doubt that it will become a standard text for students of Middle Eastern interntional affairs in general and Israeli foreign policy in particular.
Professor Efraim Karsh, Department of Middle East and Mediterranean Studies, King's College London and Editor of Middle East Quarterly.
In this highly researched book Dr Howard Patten examines the history and detail of Israel's complicated political versus pragmatic relationships with traditionally hostile, mainly Muslim, states and the various diplomatic negotiations and manoeuvres carried out within the forum of the United Nations, and behind the scenes.
The "peripheral policy", which has become a long standing and important aspect of Israel's foreign policy is meticulously documented in a comprehensive and insightful book that, although first published in 2013, remains as highly relevant as ever, particularly with regard to the relationships between Israel, Turkey and Iran.
Israel and The Cold War provides a fascinating read for anyone interested in the complex and often opaque politics of Israel and the Middle East.
This well-written book provides an excellent summary of Israel's foreign policy during the first 40 years of its existence. I highly recommend it to anyone interested in understanding Israel's current geopolitical predicament vis-à-vis Iran. By illustrating how Israel was able to develop diplomatic, military, and commercial ties during the Cold War, this book provides a prelude to Israel's underreported contemporary strategy of counterbalancing Iranian influence. The author effectively illustrates how the rhetoric of Israel's allies is often calculated to make political concessions to broader audiences while masking ongoing ties with the Jewish state. The book also provides a number of historical surprises, including that Israel shipped arms to Iran in the first few years following Khomeini's revolution, that fewer than ten Turks knew the extent of Turkey's ties with Israel, and that Turkey and Iran continued to cooperate with Israel despite voting in 1975 for UN Resolution 3379 equating Zionism with racism.
The author brings order to otherwise chaotic historical events in descriptive prose that is clear, concise, and devoid of the polemics that too often pervade discussions of Israeli history.


text:
Brett Young Celebrates His Fifth No. 1 Single with "Here Tonight"
by countrymusicrocks April 22, 2019, 2:13 pm 1 Comment
© by Photo Credit: Jon Currier
Multi-PLATINUM selling artist Brett Young's "Here Tonight" is officially a multi-week No. 1 hit, remaining atop the Billboard Country Chart for two consecutive weeks, while summiting Mediabase/ Country Airplay this week, bringing Young's No. 1 tally to five.
Highlighting "a breezy feel and a classic melody" (Billboard) and co-written alongside Ben Caver, Justin Ebach and Charles Kelley, "Here Tonight" is quickly approaching 100 million streams in the US.
"We wanted to write a song about living in the moment and trying to enjoy what is happening, while it's happening," said Young. "That's very much what I'm trying to do right now. I don't think it's fully sunk in yet that this is my fifth number one, it's an incredible feeling and I'm beyond grateful."
Young's sophomore release, TICKET TO L.A. (BMLG Records), debuted atop the Billboard Country Albums chart and follows his PLATINUM self-titled debut, which dominated the Top 20 on the Country Albums chart for 37 weeks. Delivering five consecutive No. 1 hits, along with MULTI-PLATINUM certifications for "In Case You Didn't Know"(4X PLATINUM), "Mercy" (2X PLATINUM), "Sleep Without You" (PLATINUM) and "Like I Loved You" (PLATINUM), Young was named ASCAP's 2018 Country Songwriter-Artist of the Year for his "melodic craftsmanship" (Billboard). He has also garnered nominations from ACM, Billboard, Teen Choice, CMT and CMA Awards as he continues to rack up nonstop hits as "one of country's most consistent radio stars" (Rolling Stone).
Young has amassed more than 1.7 billion streams of his catalog globally. He continues to bring his "big stage presence" (OC Register) and "engaging and vocally strong" (Providence Journal) live show coast-to-coast as part of the recently-launched MISS ME MORE TOUR. He will also perform at multiple festivals throughout summer including the stadium at CMA Music Festival, Country LakeShake in Chicago, IL on June 22 and Faster Horses in Brooklyn, MI on July 19.
For additional information, visit BrettYoungMusic.com.
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Brantley Gilbert & Friends To Set Sail On His "Kick It In The Ship" Cruise
by countrymusicrocks June 14, 2019 0 Comments
Chris Young, Kelsea Ballerini and LoCash To Set Sail with Country Cruising
teresita edna munsayac says:
Amazingly gorgeous Brett Young, your unique voice and beautiful music makes you #1…Love you and wil follow you to the top.
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