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ESO, the European Southern Observatory
Survey Telescopes
Usage of ESO Images and Videos
About ESO
ESO News
Science Archive
eso1114 — Photo Release
A Disturbed Galactic Duo
20 April 2011: The galaxies in this cosmic pairing, captured by the Wide Field Imager on the MPG/ESO 2.2-metre telescope at the La Silla Observatory in Chile, display some curious features, demonstrating that each member of the duo is close enough to feel the distorting gravitational influence of the other. The gravitational tug of war has warped the spiral shape of one galaxy, NGC 3169, and fragmented the dust lanes in its companion NGC 3166. Meanwhile, a third, smaller galaxy to the lower right, NGC 3165, has a front-row seat to the gravitational twisting and pulling of its bigger neighbours.
Celestial Fireworks from Dying Stars
13 April 2011: This image of the nebula NGC 3582, which was captured by the Wide Field Imager on the MPG/ESO 2.2-metre telescope at ESO's La Silla Observatory in Chile, shows giant loops of gas bearing a striking resemblance to solar prominences. These loops are thought to have been ejected by dying stars, but new stars are also being born within this stellar nursery. These energetic youngsters emit intense ultraviolet radiation that makes the gas in the nebula glow, producing the fiery display shown here.
eso1112 — Organisation Release
President of Czech Republic visits ESO's Paranal Observatory
7 April 2011: On 6 April 2011, the ESO Paranal Observatory was honoured with a visit from the President of the Czech Republic, Václav Klaus, and his wife Livia Klausová, who also took the opportunity to admire Cerro Armazones, the future site of the planned E-ELT.
The Rose-red Glow of Star Formation
30 March 2011: The vivid red cloud in this new image from ESO's Very Large Telescope is a region of glowing hydrogen surrounding the star cluster NGC 371. This stellar nursery lies in our neighbouring galaxy, the Small Magellanic Cloud.
eso1110 — Science Release
A Very Cool Pair of Brown Dwarfs
23 March 2011: Observations with the European Southern Observatory's Very Large Telescope, along with two other telescopes, have shown that there is a new candidate for the coldest known star: a brown dwarf in a double system with about the same temperature as a freshly made cup of tea — hot in human terms, but extraordinarily cold for the surface of a star. This object is cool enough to begin crossing the blurred line dividing small cold stars from big hot planets.
The Drama of Starbirth
16 March 2011: A new image from ESO's Very Large Telescope gives a close-up view of the dramatic effects new-born stars have on the gas and dust from which they formed. Although the stars themselves are not visible, material they have ejected is colliding with the surrounding gas and dust clouds and creating a surreal landscape of glowing arcs, blobs and streaks.
The Most Distant Mature Galaxy Cluster
9 March 2011: Astronomers have used an armada of telescopes on the ground and in space, including the Very Large Telescope at ESO's Paranal Observatory in Chile to discover and measure the distance to the most remote mature cluster of galaxies yet found. Although this cluster is seen when the Universe was less than one quarter of its current age it looks surprisingly similar to galaxy clusters in the current Universe.
The Dusty Disc of NGC 247
2 March 2011: This image of NGC 247, taken by the Wide Field Imager on the MPG/ESO 2.2-metre telescope at ESO's La Silla Observatory in Chile, reveals the fine details of this highly inclined spiral galaxy and its rich backdrop. Astronomers say this highly tilted orientation, when viewed from Earth, explains why the distance to this prominent galaxy was previously overestimated.
Planet Formation in Action?
24 February 2011: Using ESO's Very Large Telescope an international team of astronomers has been able to study the short-lived disc of material around a young star that is in the early stages of making a planetary system. For the first time a smaller companion could be detected that may be the cause of the large gap found in the disc. Future observations will determine whether this companion is a planet or a brown dwarf.
Reflected Glory
16 February 2011: The nebula Messier 78 takes centre stage in this image taken with the Wide Field Imager on the MPG/ESO 2.2-metre telescope at the La Silla Observatory in Chile, while the stars powering the bright display take a backseat. The brilliant starlight ricochets off dust particles in the nebula, illuminating it with scattered blue light. Igor Chekalin was the overall winner of ESO's Hidden Treasures 2010 astrophotography competition with his image of this stunning object.
A Picture-perfect Pure-disc Galaxy
2 February 2011: The bright galaxy NGC 3621, captured here using the Wide Field Imager on the 2.2-metre telescope at ESO's La Silla Observatory in Chile, appears to be a fine example of a classical spiral. But it is in fact rather unusual: it does not have a central bulge and is therefore described as a pure-disc galaxy.
The Orion Nebula: Still Full of Surprises
19 January 2011: This ethereal-looking image of the Orion Nebula was captured using the Wide Field Imager on the MPG/ESO 2.2-metre telescope at the La Silla Observatory, Chile. This nebula is much more than just a pretty face, offering astronomers a close-up view of a massive star-forming region to help advance our understanding of stellar birth and evolution. The data used for this image were selected by Igor Chekalin (Russia), who participated in ESO's Hidden Treasures 2010 astrophotography competition. Igor's composition of the Orion Nebula was the seventh highest ranked entry in the competition, although another of Igor's images was the eventual overall winner.
ESO's Hidden Treasures Brought to Light
12 January 2011: ESO's Hidden Treasures 2010 astrophotography competition attracted nearly 100 entries, and ESO is delighted to announce the winners. Hidden Treasures gave amateur astronomers the opportunity to search ESO's vast archives of astronomical data for a well-hidden cosmic gem. Astronomy enthusiast Igor Chekalin from Russia won the first prize in this difficult but rewarding challenge — the trip of a lifetime to ESO's Very Large Telescope at Paranal, Chile.
VISTA Stares Deeply into the Blue Lagoon
5 January 2011: This new infrared image of the Lagoon Nebula was captured as part of a five-year study of the Milky Way using ESO's VISTA telescope at the Paranal Observatory in Chile. This is a small piece of a much larger image of the region surrounding the nebula, which is, in turn, only one part of a huge survey.
Brazil to Join the European Southern Observatory
30 December 2010: The Federative Republic of Brazil has yesterday signed the formal accession agreement paving the way for it to become a Member State of the European Southern Observatory (ESO). Following government ratification Brazil will become the fifteenth Member State and the first from outside Europe.
Light Dawns on Dark Gamma-ray Bursts
16 December 2010: Gamma-ray bursts are among the most energetic events in the Universe, but some appear curiously faint in visible light. The biggest study to date of these so-called dark gamma-ray bursts, using the GROND instrument on the 2.2-metre MPG/ESO telescope at La Silla in Chile, has found that these gigantic explosions don't require exotic explanations. Their faintness is now fully explained by a combination of causes, the most important of which is the presence of dust between the Earth and the explosion.
A Swarm of Ancient Stars
8 December 2010: We know of about 150 of the rich collections of old stars called globular clusters that orbit our galaxy, the Milky Way. This sharp new image of Messier 107, captured by the Wide Field Imager on the 2.2-metre telescope at ESO's La Silla Observatory in Chile, displays the structure of one such globular cluster in exquisite detail. Studying these stellar swarms has revealed much about the history of our galaxy and how stars evolve.
First Super-Earth Atmosphere Analysed
1 December 2010: The atmosphere around a super-Earth exoplanet has been analysed for the first time by an international team of astronomers using ESO's Very Large Telescope. The planet, which is known as GJ 1214b, was studied as it passed in front of its parent star and some of the starlight passed through the planet's atmosphere. We now know that the atmosphere is either mostly water in the form of steam or is dominated by thick clouds or hazes. The results will appear in the 2 December 2010 issue of the journal Nature.
Pulsating Star Mystery Solved
24 November 2010: By discovering the first double star where a pulsating Cepheid variable and another star pass in front of one another, an international team of astronomers has solved a decades-old mystery. The rare alignment of the orbits of the two stars in the double star system has allowed a measurement of the Cepheid mass with unprecedented accuracy. Up to now astronomers had two incompatible theoretical predictions of Cepheid masses. The new result shows that the prediction from stellar pulsation theory is spot on, while the prediction from stellar evolution theory is at odds with the new observations.
Planet from another galaxy discovered
18 November 2010: An exoplanet orbiting a star that entered our Milky Way from another galaxy has been detected by a European team of astronomers using the MPG/ESO 2.2-metre telescope at ESO's La Silla Observatory in Chile. The Jupiter-like planet is particularly unusual, as it is orbiting a star nearing the end of its life and could be about to be engulfed by it, giving tantalising clues about the fate of our own planetary system in the distant future.
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text:
Q: How to generate my python output as a HTML import dominate
from dominate.tags import *
doc = dominate.document(title='Cell Value report')
with doc:
    with div():
        attr(cls='body')
        h2('Values Missing in the files.....')
    with div(id='header').add(ol()):
        for i in unique_file:
            li(i.title())

I tried this, to generate my python output in a HTML. The HTML part is working fine if I hardcode the path in the os.listdirBut it shows error if I use path as input.
search_path = input("Enter directory path to search: ")#directory path
for fname in os.listdir(path=search_path):

This is the ErrorTypeError: listdir: path should be string, bytes, os.PathLike or None, not input_
I even tried a library yattag
I have a List[] in python, which I have to loop and  print as a list in HTML.I tried in yattag and I can't achieve, I'm not sure what I did wrong.Is there any other libraries I should use to achieve my output.Please give me some suggestions.

A: The error is because of the wildcard imports.from dominate.tags import *. dominate.tags defines an input class that shadowed the builtin input() function.
This code works fine without the error.
from dominate import tags
with doc:
    with tags.div():
        tags.attr(cls='body')
        tags.h2('Values Missing in the files.....')
    with tags.div(id='header').add(tags.ol()):
        for i in unique_file:
            tags.li(i.title())

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text:
erard's
[url=http://wordincontext.com/en/erard%27s]erard's[/url]
1 - 10 from 14
The man at Erard's told me that I should have it for £2 10s. a month, frankly owning that he hoped to get my custom. "But Mr. Moss is to pay nothing?" I asked. He swore that Mr. Moss would have to pay nothing, and leave what occurred between him and me. I don't think he will. £30 a year ought to be enough for the hire of a piano.
Anthony Trollope - The Landleaguers
It was so good of you to think of it! But it must go back." "No, no, no!" shouted Mr. Moss. "The piano is my affair. A piano more or less for a few months is nothing between me and Erard's people. They are only too happy." "I do not in the least doubt it. Messrs. Erard's people are always glad to secure a lady who is about to come out as a singer. But they send the bill in at last."
The good qualities of Erard's action, completed in 1821, the germ of which will be found in the later Cristofori, are not, however, due to repetition capability, but to other causes, chiefly, I will say, to counterpoise.
Various - Scientific American Supplement, No. 385, May 19, 1883
I find one of Erard's grand pianos standing in the boudoir, and am told that it was a favourite instrument of the late Queen. There are some fine specimens of vases: one an "Adam and Eve," some of Swiss make, and others of Dresden. Also I note an exquisite model of a ship, an inlaid Empire mirror, and other treasures too numerous to particularize.
Various - The Strand Magazine: Volume VII, Issue 37. January, 1894.
An Illustrated Monthly
Luttrell yesterday to La Muette to see M. Erard's fine collection of pictures, with which they were very much pleased. Our drive to the Bois de Boulogne was a very agreeable one, and was rendered so by their pleasant conversation. I have presented Mr. Rogers with some acquisitions for his cabinet of antique bijouterie, with which he appears delighted.
Countess of Marguerite Blessington - The Idler in France
Not so with "a most beautiful little machine" for making card wire-cloth, copied from America. Recognition of the supreme merits of the pianos of Chickering, Steinway and the rest was still wanting, Erard's Parisian instruments bearing the bell. Borden's meat-biscuit to revert to the practical caused quite a sensation, the Admiralty being overloaded with spoiled and condemned preserved meat.
Various - Lippincott's Magazine of Popular Literature and Science
Volume 17, No. 099, March, 1876
I went on without appearing to hear her words: "'My piano is one of Erard's best instruments; and you must take it. Pray accept it without hesitation; I really could not take it with me on the journey I am about to make. "Perhaps the melancholy tones in which I spoke enlightened the two women, for they seemed to understand, and eyed me with curiosity and alarm.
Honoré de Balzac - The Magic Skin
Moss, ma'am?" the waiter asked. "Yes, Mr. Moss," she answered in a loud voice, which told the man much of her story. "Where did that piano come from?" she asked brusquely. "Mr. Moss had it sent in," said the man. "And my father is paying separate rent for it?" she asked. "What's that, my dear? What's that about rent?" "We have got this piano to pay for. It's one of Erard's. Mr.
His grandfather placed his finger on Erard's lips, and kept it there, as if to enjoin upon the child the greatest secrecy; and Erard, with a sigh, turned his eyes again upon his father. "But it was he, it was Theobald, who commenced the combat.
Anonymous - Theobald, the Iron-Hearted
Love to Enemies
By taxing my memory I went half mad. Now, stupid fool that I am, it occurs to me that I need only have gone to "Erard's." In this manner I deprived myself of the pleasure of seeing them once more, which grieves me very much. Please let me have the address for my return journey. A thousand thanks to dear M. for her beautiful and kind lines. You all appear to me like a family of saints.
Franz Liszt - Correspondence of Wagner and Liszt — Volume 2

redpajama_set_name: RedPajamaCommonCrawl


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2018 Shannons Melbourne Late Spring Classic Auction
1960 Mercedes-Benz 220SE 'Ponton' Cabriolet
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2195cc in-line six-cylinder
Four-speed manual
Steel with hubcaps
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During the latter half of the 1950s, Mercedes-Benz offered a myriad of Ponton derivatives, ranging from trusty diesel-powered cars used by taxi drivers through to upmarket six-cylinder models driven by wealthy executives. The most luxurious version of all was announced at the 1955 Frankfurt Show, with the unitary construction 220S saloon adapted into a two-door cabriolet by Sindelfingen, Mercedes-Benz's coach building arm. The 220S coupe and cabriolet models were incredibly expensive, costing almost 75 percent more than the equivalent four-door saloon, and priced the same in the US as a Cadillac Eldorado Biarritz, the exclusive hand-crafted nature of their construction accounting for much of the price hike. Each panel was individually hand-fitted to the car and the general styling, although similar to the saloon, was actually quite different in almost every panel. The folding top of the cabriolet was a typically thorough Germanic piece of design, beautifully constructed and finished, while there was a choice of either a folding rear seat (for extra luggage space) or full size fixed rear seat. In 1958 the 220SE was introduced, with the well-proven six-cylinder engine now updated with Bosch mechanical fuel injection, classified as the M127 the engine displaced 2195cc and developed 115 bhp at 4800 rpm cutting the 0-60 MPH time by two seconds. Most were equipped with a four-speed all-synchromesh gearbox although a Hydrak automatic clutch was optional and the four-wheel drum brakes came with servo-assist. In late 1960 further changes were made with revised camshaft lubrication, a later Bosch injection system and some interior safety improvements. Always made in limited numbers, the 220SE cabriolet remained in production from 1959-60 and just 1112 were made, of which only 36 were built in right-hand drive form.
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text:
Johb: Spike in Sask. workplace fatalities is a crisis
Saskatchewan has the distinction of being the most dangerous place in Canada to be a worker
Saskatoon StarPhoenix
Nearly 600 delegates at the Saskatchewan Federation of Labour (SFL) annual convention, held in Regina Oct. 24-27, selected Lori Johb to be the next SFL president on Saturday, Oct. 27, 2018.	Jennifer Ackerman / Regina Leader-Post
By Lori Johb
Saskatchewan is experiencing a worker fatalities crisis.
Between Jan. 1 and Nov. 30, 2018, 48 people lost their lives because of their work. By comparison, the annual average number of work-related deaths between 2015 and 2017 was 30. That's a 60 per cent increase in fatalities in 2018.
Sadly, our crisis in worker fatalities is not new. Saskatchewan has the distinction of being the most dangerous place in Canada to be a worker; this province has the highest provincial fatality rate in the country.
While it is encouraging to know this crisis now has caught the attention of our provincial government and others that seem ready to work together to try and reverse the trend, we know that it will take a desire and much dedication to see the change we need. Our work will need to be focused and it needs to be done swiftly.
In addition to joining with the organization I represent — the Saskatchewan Federation of Labour — to develop a comprehensive Worker Fatalities Crisis Strategy, there are a few things the provincial government can do immediately to help protect workers and save lives:
— Begin a widespread public awareness campaign to inform Saskatchewan people of the current worker fatalities crisis, and educate workers on their three fundamental occupational health and safety rights: the right to know, the right to participate, and the right to refuse;
— Commit to publishing all incident reports in an accessible online format, as is done in British Columbia;
— Commit to publishing all investigation reports in an accessible online format, similar to the process in Alberta.
Public awareness and education are important first steps. We need people to recognize this as a crisis, and that we need action from all parties, especially employers and governments. Saskatchewan must follow other provinces and publish updated fatality statistics on at least a quarterly basis. The public must be aware so they can apply pressure to those in power to ensure workplaces are safe and healthy.
For example, in 2018 asbestos exposure claimed 13 lives and other work-related cancers claimed another 7. This is the type of information everyone should be able to easily access.
Public education is vital for preventing serious injuries and fatalities. Some employers are still either unaware or don't care about their responsibilities to keep workers safe. This needs to change. Public messaging directed toward employers about issues such as training, supervision, and preventing harassment in the workplace is urgently needed.
Employers, supervisors, and workers need to be aware of the three fundamental safety rights employees have: Right to Know, Right to Participate, and Right to Refuse. Bob Sass, a life-long champion for workers and safe work, authored these rights in the 1970s and they have become the benchmark in law across the country and beyond.
Importantly, Sass included a legal protection against discrimination for raising safety issues. Knowledge and use of these rights will save lives.
In order to prevent fatalities, we must increase enforcement, prosecutions, and the size of penalties for employers who do not take health and safety seriously. We should continue to hire additional safety officers, add resources to support OHS prosecutions, and provide training to police about how to apply the criminal code to workplace deaths.
To my knowledge, the provision in Saskatchewan's OHS legislation allowing for jail time for employers who kill workers has never been used. The threat of time in jail is a powerful deterrent.
I and the Saskatchewan Federation of Labour are committed to doing all we can to ensure workers in Saskatchewan come home safe and healthy to their loved ones every day. Lives depend on it. We need to do better. Saskatchewan has to do better.
Number of workplace deaths in Saskatchewan up by 10 compared to all of last year
'He had the right to return home safe': Carmont Construction fined $80,000 in workplace death of Austyn Schenstead
Lori Johb is president of the Saskatchewan Federation of Labour
Letter of the Day: Honouring Ritz is laughable Letter of the Day: Parking issues at Field House
'Was this really happening?' 50 years later, memories of Apollo 11 moon landing remain fresh
Five great events to take advantage of this weekend in Saskatoon
Tech company Vendasta lands $40 million in new venture capital funding
RCMP seek info about tarp-like material in connection to Sheree Fertuck case


President Carter campaigned for the first time Thursday -- just five days before the last primaries of 1980 -- and gave a speech to 10,000 supporters here , just blocks away from where Ronald Reagan was addressing a smaller crowd, estimated at 5,000. The President drew one of his loudest cheers when he said, "Knowing that it's going to hurt me if I'm wrong, I will predict that inflation will go down in the second half of the summer."
In Ohio, 17-year-olds can vote now. Will this help Sanders?


The Perma-Flex Mold Company, Inc.
Thank you for your interest in The Perma-Flex Mold Company, Inc. Since 1944, Perma-Flex Mold has supplied the mold making and casting industries and we would like to take this opportunity to introduce you to Perma-Flex and hope that you will consider Perma-Flex for your mold making material, casting material and release material supplier.
Perma-Flex is a formulator and a distributor of rubber mold materials for mold development. We are also a third-generation, family run business. Third generation is important because it means that you will get the expertise and experience of a long-running operation. Family-run translates to ethics, integrity, flexibility and impeccable customer service. It also means that if you have a special need or concern, a problem, or even a suggestion, all you do is pick up the phone can call, ask for Bob, he is the President.
We have rubber mold systems, such as all of the current synthetic rubber systems to include polyurethanes, polysulfides and RTV Silicones. As no one product is best, its nice to know alternatives are available.
Many factors must be evaluated when selecting a mold material plus keeping up to date on new materials and techniques. Rather than having a limited selection as with other suppliers, we offer and can discuss with you the advantages and limitations of all system and then very specific materials so that you obtain the maximum advantage from the mold. Most often, when limits are not known and observed, problems follow and we are good at solving problems.
Our purpose today and in the future is to offer assistance to you in this selection process, use and application. Perma-Flex began in 1948 as a mold company but quickly recognized better materials were required. We would like to add you to our list of happy customers, but for us to continue, you must be satisfied. Although we have systems available, if they do not provide to you a benefit or improve current operations, we will be frank in our recommendations to you. Perhaps in the future, we may earn your business or in an application where a special material is required.
The selection of the rubber mold material must be matched to the application and if we have a poor match, the mold will provide marginal service. Better alternatives may be and are often available. Therefore, the mold application must be matched from start to end less your valuable time is lost. This is one service we provide to our customers, our experience and expertise in materials and methods. Being realistic, when a mold fails or does not perform to its maximum, the cost to you is labor.
Give us a try, and experience why we have earned a reputation for high quality, dependable service and prompt delivery.
Where we may be of assistance, please feel free to contact us.


As Passport to Paranormal sets off for Beijing and Seoul, Kat is ready to take her ghostbusting abroad. She hasn't seen the Thing since Argentina, but weird things have been happening ever since.
Kat's handwriting is appearing in strange places and the film crew on P2P gets footage of two Kats. Mi Jin has a theory: it's a doppelganger. But Kat needs a solution, and fast, because whatever the Thing has become, it's lashing out at the people Kat cares about most. And what did the Thing mean when she promised Kat's mother that the old Kat would soon be gone, and the new Kat would come home... forever?
Final Girl #3 ePub (Adobe DRM) can be read on any device that can open ePub (Adobe DRM) files.


Sys Information 6.0 will be released on 3rd of July.
Al Clock Project as informed earlier is coming soon. It will be available for not only windows as well as Ubuntu Linux. We are developing seriously on Ubuntu from Monday. Thanks for all who support Arvin Soft. From now on some of the projects that we develop will be available for Ubuntu Linux also.
Just released Sys Optimizer 0.4. This is a bug fixed release. Many bugs fixed including the bug when clicking delete button. It now delete the history and website previews section of Safari browser. The feature to delete the safari's cache will be available with the release of sys optimizer 0.5 which will be released on 2nd july 2011.
Fixed a big bug in the software section of the software that is it don't support 64-bit operating system. The bug is when the 32-bit build run in 64-bit version then the software displays the installed software correctly. But when a 64-bit build runs it will not show the installed software properly (It pretty much not shows all the applications installed). Now this bug is fixed and it will now shows all the software installed in the system in 64-bit build. The beta 2 version will be released on 26.6.2011.
Check out the new version Sys Information 6.0 beta 1. This is a beta release of the Sys Information 6.0. Please download and give us the bug reports and suggestions, those who give us the more bug reports and suggestions will be given credit in the final release of Sys Information 6.0.
2. Now you can stop the running process from Sys Information.
3.You can uninstall softwares from Software section in Sys Information.
This is the latest build of Sys Information that is build 168.


Bashar Los Angeles Weekend Event – June 15 – 16 – 17, 2018!
Bashar returns to Los Angeles for a June weekend intensive event!
Bashar explains what's causing the growing debate at this time in our transformation about whether the Earth is a globe or whether it's flat.
*Early-bird discount expires 6-10-18. Regular price is $85. All ticket sales are final.


text:
<?php

namespace CountLang\Tests\Unit\Annotation;

use CountLang\Annotation\Map;
use CountLang\Tests\Unit\UnitTestCase;

/**
 * Unit test for CountLang\Annotation\Map class.
 *
 * @author    Andrii Bibena <countlang@gmail.com>
 * @copyright 2017 Andrii Bibena <countlang@gmail.com>
 * @license   http://www.opensource.org/licenses/mit-license.php MIT
 *
 * @package   countlang/Tests
 * @link      http://github.com/countlang/countlang
 *
 * @coversDefaultClass CountLang\Annotation\Map
 */
class MapTest extends UnitTestCase
{
    /**
     * @covers ::getAsArray
     */
    public function testCountLang()
    {
        $map = new Map();
        $expected = [
            'type'         => 'string',
            'source'       => null,
            'isIdentifier' => null,
            'isRequired'   => null,
        ];

        $this->assertEquals($expected, $map->getAsArray('string'));

        $map->type = 'string';
        $this->assertEquals($expected, $map->getAsArray('array'));
    }
}

redpajama_set_name: RedPajamaGithub


RICHMOND - Standing on the Richmond Coliseum court, Governor Bob McDonnell along with coaches, athletic directors and other officials from eight Virginia universities announced today the "Governor's Holiday Hoops Classic," a basketball doubleheader to benefit Virginia's Food Banks.
The "Classic" will take place in December 2012 and 2013 and feature in-state teams representing the ACC, CAA, MEAC and Atlantic 10.
Speaking about the "Governor's Holiday Hoops Classic" Governor McDonnell remarked, "Virginia has long been home to some of the nation's premier collegiate basketball programs. Virginia teams have appeared in Final Fours, won conference championships and are regularly ranked in national Top 25 polls. Unfortunately, given scheduling constraints and conference affiliations, we too rarely get to witness our in-state teams competing against each other.
The "Classic" will change that. In December 2012 and 2013 the Richmond Coliseum will be the site of what are certain to be exciting games which will allow Virginians to celebrate our great colleges and universities while supporting a great cause, the Commonwealth's Food Banks. I hope the Classic will become a long-lasting Virginia athletic tradition. And, as a father who has had children attend UVa, Virginia Tech, ODU, JMU and VCU, I'm definitely staying neutral in this one!"
The idea for the all-Virginia basketball doubleheader came from an appearance made by then Governor-elect McDonnell on "Sports Phone with Big Al" on ESPN 950AM in Richmond in December 2009. During the segment, host Al Coleman mentioned the Richmond Times-Dispatch basketball tournament that existed from 1976-1991 and regularly brought top Virginia programs to the Coliseum.
Coleman noted the broad interest in getting such a tournament back in action, especially given the recent and historical successes of Virginia schools on the court. The "Governor's Holiday Hoops Classic" is the result of that conversation.
Details regarding tickets and exact game times will be released in the spring of 2012 and 2013 for each year's "Classic." Corporations and individuals interested in sponsorship opportunities can email: GovernorsClassic@governor.virginia.gov for additional information.
Virginians can visit http://www.governor.virginia.gov/hoops-classic, to sign up for updates in the months ahead regarding the "Classic."


The tonsils are lymphatic tissue in the back of the throat above and below the tongue. The tonsils are relatively small in the first year of a baby's life and increase in size as a child grows older. They are usually at their largest between the ages of four and seven years. As part of the immune system the tonsils help fight infections.
Tonsils are prone to inflammation and enlargement. If bacteria or viruses infect the tonsils, the result is inflammation and swelling of the tonsils – or tonsillitis. Tonsillitis is often called acute, subacute, or chronic. Acute tonsillitis tends to be bacterial or viral in nature. Chronic tonsillitis generally lasts for longer than 3 months' time and is caused by bacteria.
The tonsils are part of our lymphatic system. The lymphatic system is a key protective system in our body, which is important in detecting harmful bacteria and viruses, which cause infections and can be likened to an anti-virus program on your computer. The lymphatic system helps initiate our immune systems' response to the infection, and involved in transporting dietary fats around the body.
Palatine Tonsils – these are what most people refer to as "the tonsils". The palatine tonsils are located on either side of the pharynx (throat), near the back of the oral cavity.
Pharyngeal Tonsils – the adenoids are an alternative name for the pharyngeal tonsils. The pharyngeal tonsils lie close to the point where the nasal cavity joins the pharynx.
Lingual Tonsils – the lingual tonsils lie over the surface of the back of the tongue.
These tonsils form a circle around the entrance of the throat and survey oral and nasal secretions for potentially harmful bacteria and viruses. Bacteria can enter the throat easily via food and drink, so it is important to have the tonsils guarding the entrance. If the tonsils encounter a harmful organism, the white blood cells of the immune system located within the tonsils become activated. Once activated, the white blood cells initiate an inflammatory response in order to kill the organism.
Tonsillitis may resolve on its own without the need for treatment. When caused by bacteria, tonsillitis can be treated with antibiotics; however, it is important to note that antibiotics are unnecessary for viral tonsillitis. In recurrent cases of tonsillitis, the tonsils may be surgically removed by a tonsillectomy procedure.
If you have questions about the tonsils make an appointment to see our ear nose throat surgeon.


Our Adult Literacy Program provides help with: academic skills and GED test preparation, English language development and computer literacy.
We partner with local organizations, government officials and our neighbors to enhance our lower Roslindale community.
Our door is open to immigrants and refugees. At Casserly they find support in their transition to their new environment, the workforce and on their path to US citizenship.
At Casserly House we help children in grades 2-5 develop study habits and healthy lifestyles. Our After-School program gives our children the insight, tools, and inspiration they will need to make an impact on the world.


text:
Filtering by Category: art
FOG design + art Fair
Added on January 13, 2017 by suzy baur.
Fog Fair in San Francisco: Fabulous!
In art, california, sf bay area, sculpture, flowers, interior design
Added on November 30, 2016 by suzy baur.
Looking East at the Asian Art, Bonnard at the Legion, Oscar de La Renta at the deYoung, Ed Ruscha at the deYoung, and Frank Stella at the de Young.....
FRANK STELLA @ DE YOUNG
Frank Stella, born in 1936 Malden MA, was encouraged early to pursue his artistic vocation. He attended Princeton University and moved to New York in 1958. Considered a protagonist of geometric abstraction, he strongly opposed abstract expressionims upon arriving in the Big Apple's art world and has been driven by a desire to push the envelope of abstract painting ever since. I have not come across an artist for quite some time that has been so strongly in dialog with the history of art and the contemporary art community surrounding him. Influenced and inspired by artists as Hans Albers, Jasper Johns, Bernett Newman, Franz Cline but also by Caravaggio, Wassily Kandinsky, El Lissitzky, Sonja Delaunay to name a few, he has been relentlessly searching for new color abstractions. I thoroughly enjoyed the pieces shown at the de Young retrospective. Love the way Stella plays with color perspective while juxtaposing different color strips in a deliberate, yet random pattern. You cannot help but try to find rime and reason. And his 3D paintings - an extension of his panting on canvas - never fail to capture the viewer's fascination with their unique shape, color and texture.
Through February 26, 2017.
To earn more, check out deYoung.
ED RUSCHA @ DE YOUNG
Text came out of my interest in books. I started looking at books and the pinning of books, so I learned to set type with a printer: clean presses did the dirty work early on, and it just sort of evolved. I began to look at printed words, and words, and saw them as potential for actress made with paint, I guess.
~ Ed Ruscha, 2016
Went to see Wild Wild West at the Legion and Ed Ruscha at the deYoung today. Loved both exhibits! If you get a chance, see them together.
Check out deYoung and The Legion of Honor.
Wild Wild West: through September 11th, 2016
Ed Ruscha: through October 9th, 2016
RENTA RETRO @ DE YOUNG
Sleek by day, lavish at night ~ Oscar de la Renta
Crazy beautiful fabrics, amazing textures, fabulous detailing........
Through May 30th, 2016.
Check out Oscar de la Renta at the deYoung; and also Mannequin Dressing.
BONNARD @ LEGION
Moi, j'observe ~ Pierre Bonnard
We will no longer separate the figure from the background of an apartment or street ~ Louis Edmond Duranty
Pierre Bonnard (1867 - 1947), painter, print maker and member of the Nabis, was already recognized as an artist at the age of 25 and produced during his 60 year career some of the most enigmatic works of art. Bonnard has not only been known for his boldness in color and iconography of intimsme but also for his amaizing rending of texture and pattern. Drawing from inspirations such as Gauguin's cloisonnism, Impressionistic landscape, Art Nouveau, James Morris'Arts & Craft Movement, Japonese ukioye woodblock prints, Rococo elegance, 17h century Dutch interiors, medieval tapestry and classical statuary, he developed a style that would stay with him throughout his oeuvre. Cubism and Surrealism for instance did not touch him. His keen skill of observing the quotidian translated over to asymmetric compositions, high angle views, a masterful capturing of shimmering sunlight, cropped framing and an implicit wit. Bonnard did not paint from life or en plain air. Instead he would sketch or photograph his objects and take notes on color. Back in his studio we would pin rolled-up canvases on the walls to work on several paintings simultaneously and thus avoid being cornered into a set size of the stretched canvas.
Bonnard's paintings are extraordinary contemplative masterpieces emitting a snap-shot like quality and a suggestive air. They are seductive invitations to look and explore beyond the first glance. Peripheral motives come gradually into focus and keep lingering on like an afterthought. The off-center composition and bird's eye view add dynamic while heightening the fact that we are secret on-lookers on a scene where gazes are turned inwards or towards a pet, a child or other person. These averted gazes are both fascinating and poetic - telling us a story about intimate moments and attachments. A wonderful compositorial connectedness is relieved in Bonnard's rhythmic use of color - tying together foreground and background, interior and exterior, horizontal and vertical, figure and fabrics. Along with a virtuous brushstroke these artworks never fail to evoke a strong sense of materiality and alluring atmosphere. In a time when artists were steering way from academically rendered illusionism in favor of the picture plane being an autonomous two-dimensional surface, Bonnard's paintings were not only revolutionary but also brilliant works of a groundbreaking color-charged, light-infused and texture-rich technique. Go and explore for yourself!
Through May, 15th 2016.
To learn more, check out Bonnard at the Legion.
LOOKING EAST @ ASIAN ART
"It is well to remember that a picture - before being a battle horse, a nude woman, or some anecdote - is essentially a plane surface covered with colors assembled in a certain way." ~ Maurice Denis, 1890
Looking East at the Asian Art Museum, San Francisco, is an alluring exhibit about the influence of Japanese art on the West. Forced out of a 220 year national seclusion by the Convention of Kanagawa in 1854, Japan opened its ports to international trade. With this a flow of Japanese artifacts - especially the ukiyo-e prints - made their way to the West. Regarded as mediocre to Western academic art with its focus on symmetry, one point perspective and naturalistic illusions, these captivating woodblock prints by Hokusai, Hiroshige and Kunisada were enthusiastically embraced by the French avant-garde and avidly collected by Manet, Degas, Bonnard, Toulouse Lautrec and Van Gogh amongst others. Their flatness in space rendering, asymmetric composition, unusual point of view and color schemes represented something never seen before in Europe.
The late 1800s were characterized by great changes brought on by the industrial revolution, advancement in technology, rapid growth of cities and the mixing of private and public life. The counter-culture of Western artists - following Baudelaire's call for the artist being of his own time - sought an alternative to the traditional forms of academic art by experimenting with a new artistic language to match the fast paced lifestyle of the modern swirling times. The pursuit of the autonomy of the art works - to view them on their own terms and not as a window into an illusionistic world - was reflected in a growing urge for simplification towards the abstract, a rejection of naturalistic rendering as well as photographic resemblance and an abandonment local color. These newly discovered Japanese woodblock prints depicting the fleeting moments of daily life in a uniquely dynamic and colorful way proved to be a great inspiration in this quest.
Thru February 6th, 2016.
Learn more, visit Looking East.
In art, sf bay area
Art + Wine
The wine country not only offers fabulous wine and delicious food for you to enjoy, but also notable art collections. Here are some must-see art galleries...
The Hess Collection, Napa CA
The Hess Art Museum, designed by Swiss architect Beat A. H. Jordi and built in 1989 in collaboration with Richard Macrae Architects, is one of my favorite places in the wine country to visit. The galleries house one of the finest pieces of contemporary art in Napa Valley. The amazing collection not only reflects Donald M. Hess' personal passion but also the dialogue with the artists he has built over the years. Immerse yourself and explore the worlds of Magdalena Abakanowicz, Georg Baselitz, Franz Gertsch, Rolf Iseli, Per Kirkeby, Robert Rauschenberg, Gerhard Richter and many others. There are quite a few pieces that are dear to my heart, Markus Raetz's Metamorphose, 1991 being one of them. Do not miss it on your way out.
To learn more visit Hess Collection.
Cornerstone Gardens, Sonoma CA
Cornerstone Gardens are a unique concept of gallery style gardens featuring innovative designs from the finest landscape architects and designer from all over the world. This site is another favorite of mine. For one both the works of art and the installations are splendid. Second the natural setting is beautiful, especially in winter. And last but not least, since the gardens keep changing with the seasons, they always offer something new to explore.
Free and open to the public seven days a week.
To learn more visit Cornerstone Gardens Designer.
Mumm, Napa
Mumm Napa Winery has one of the finest photography galleries in the wine country. In the main gallery they usually feature temporary exhibits paired with their amazing private collection of superb Ansel Adams photographs - the biggest outside Yosemite National Park.
To learn more, visit Mumm.
Di Rosa, Napa CA
Di Rosa is a non-profit art gallery featuring a broad range of contemporary San Francisco Bay Area art. The collection embodies the shared vision of Rene and Veronica di Rosa and consists of over 2,000 works by more then 800 artists. The Gatehouse gallery features current exhibits and is open on a drop-in basis. To visit the permanent collection, which is on view in the Main Gallery, historic residence and throughout the gardens, guided tours are available. Reservations are highly recommended.
To learn more visit diRosa Collection.
Paradise Ridge, Santa Rosa CA
Off the beaten path, Paradise Ridge Winery offers not only amazing views of Sonoma County but also a splendid sculpture garden. This inspiring exhibit site at home in the four-acre Marijke's Grove shows off the Byck family's passion for sculpture and invites everyone to embark on an explorational stroll. The art works by sculptors based locally and nationally are free to the public seven days a week. Their up-coming exhibit 20@20 will celebrate Paradise Ridge's 20th anniversary featuring 20 works of art installed throughout the winery.
To learn more visit Paradise Ridge Winery.
Stonescape, Calistoga CA
Norman and Norah Stone purchased the Stonescape property in 1991 and over years transformed it into a place for the enjoyment of art as well as the contemplation of nature. The site is both an art collaboration of multiple talents and an unconventional project whose catalyst was a sky space by James Turrell.
Tom Leader, Berkeley based landscape architect, designed the landscape of the property including a so called "land bridge" emerging from a forested hillside and a lavender garden. San Francisco based architect Jim Jennings was commissioned for the entertainment pavilion as well as the infinity edge pool working closely with James Turrell to realize the artist's vision. Stone Sky, 2005 is the culminating element of the pool and can only be entered by swimming underwater. Aligned with these components is the entrance to the Art Cave, the work of New York based architects Bade Stageberg Cox, a rare cavernous exhibition building and home for the Stone art collection.
Stonescape is quite unique is its overall design and art collection especially the Stone Sky by James Turrell, whose installations never cease to amaze me. If you get a chance, go to the LACMA in Los Angeles and check out James Turrell's Ganzfeld. It will transform your senses and perception of the natural world.
To learn more, visit Stonescape.
Please note: while the SFMOMA was fortunate enough to arrange a tour for members a few years back, they no longer have an on-going relationship with Stonescape in that capacity.
Maryhill, Goldendale WA
If you happen to be on the Oregon / Washington border driving east towards the Walla Walla wine country, make sure to stop by at the Maryhill Museum of Art on the Columbia River. This cultural resource offers insights into local history, current exhibitions and stunning views of the area. Originally design as a residence by Washington, D.C. architects Hornblower & Marshall for Maryhill Museum's founder Sam Hill (1857-1931), the mansion's destiny was altered in 1917 before it was completed. Hill determined that the mansion should become a museum.
To learn more, check out Maryhill Museum of Art and Sam Hill.
Check out Hornblower & Marshall.
Visit Walla Walla Wineries.
In art, sculpture, photography, wine country
First Look @Asian
Added on September 24, 2015 by suzy baur.
First Look at the Asian Art Museum of San Francisco is an exhilarating exhibit showcasing recent acquisitions to their growing contemporary art collection. These exciting explorations into various techniques, mediums and materials - pencil, oil, acrylic, ink, lacquer, paper, fabric, wood block, rattan, bamboo, metal, assemblage, photography, digital animation - radiate reflections on nature, urbanism, society, cultural history while mirroring dialogues with both Eastern as well as Western traditions.
Artists such as RongRong&irni, Pinaree Sanpitak, teamLab, Zhu Jinshi, teamLab, Zheng Chongbin, Yang Yongliang, Sopheap Pich and Chen Man among others are represented with eye-catching pieces that speak to the viewer with their mesmerizing technique and individual themes - engaging us on many levels. It is fascinating to trace how ink meets acrylic in Zheng Chongbin's creation or the contemplative nature of teamLab's animations! Chen Man's photographs are stunning. And Zhu Jinshi's thick sensual use of paint echoes a hint of Turner's groundbreaking technique of brushwork in a radically expressive way.
A must-see exhibit featuring works of art one cannot help but keep going back to!
To learn more, see press release.
Untitled, No. 25, 2008
By RongRong&inri (Chinese, born 1968 and Japanese, born 1973); Gelatin silver print
Cold Life, 2014
By teamLab (Japanese, est. 2001); Digital animation still (7:23min)
Iris, 2014
By Pinaree Sanpitak (Thai b. 1961)
Acrylic and pencil on canvas
Life Survives by the Power of Life, 2011
By teamLab, (Japanese est. 2001); Digital animation still (6:23min)
Four Seasons: Spring, 2011
By Chen Man (Chinese b. 1980); acrylic face-mounted print
First Drop of Water Series #2, 2014
By Zhang Jian-Jun (Chinese b. 1955); Ink, oil, acrylic, and paper fibers on canvas.
The Third Time Going to the Yellow Mountain
By Zhu Jinshi (Chinese, b. 1954); Oil on canvas, 2011.
Ended Season, 2011
By Zheng Chongbin (American, b. China, 1961); Ink and acrylic on paper
The Night of Perpetual Day, 2013 (detail)
By Yang Yongliang (Chinese b. 1980); Four-channel HD video with sound, still (8:32min)
In sf bay area, california, art
Turner @deYoung
Added on August 30, 2015 by suzy baur.
"Every glance is a glance for study, contemplating and defining qualities and causes, effects and incidents, and develops by practice the possibility of attaining what appears mysterious upon principle." - JMW Turner, 1809
James Mallord William Turner (1775 - 1851) was one of the greatest and most controversial painters of the Romantic era. He was born in 1775 London during the Industrial Revolution and the dawn of the French Revolution. As a landscape pioneer, Turner overshadowed the British landscape painting during the first half of the 19th century - a period of great change not just socially, politically and technologically but also culturally and artistically. Renowned for his oil paintings, watercolors, engravings and book illustrations, he would inspire generations to come.
Turner's success was immediate. Upon his father's encouragement to pursue his talents, he entered the Royal Academy of Arts in 1789 at the age of 14. In 1796 he exhibited his first oil painting from where his career took off. In 1802 he was elected to full academician status. Two years later he opened his own picture gallery to showcase his work; and in 1822 a second. His many admirers and collectors - among them a new generation of rich, private patrons - embraced his works not only for their audacity in form and style but also for their celebration of nature and choice of contemporary subject matter.
Turner was a passionate itinerant throughout his life. Prosperous by 1800, he was able to travel freely and independently. The outbreak of the war with France in 1793 made traveling through Europe unsafe, so Turner limited his voyages to Britain. En route he would always take notes and make pencil studies in a pocket-sized sketchbook; these visual records would serve him as aides-mémoires for his oil paintings and watercolors back at his studio. Academically trained, he did not paint from motif in oil nor watercolor en plein-air. Instead he focused on training his visual memory in such a way that color sketches deemed unnecessary to him.
The Peace of Amiens in 1802, allowed him to travel abroad. His first tour took him to Paris and Switzerland and proved to be extremely inspirational. First, it reenforced his endless fascination with the sea in relations to the sky. Second, the Musée de Louvre offered him a unique chance to study the old masters - Claude Lorrain, Nicholas Poussin, Salomon Ruysdael in particular. It also sparked in him the idea of opening his own gallery. Third, the Swiss alps with their heroic grandeur left an enduring impact on his conception of landscape painting.
The Dogano, San Giorgio, Citalla, from the Steps of the Europa
Oil on canvas; exhibited 1842
Steam Boat off a Harbour's Mouth making Signals in Shallow Water and going by the Lead. The Author was in this Storm on the Night the Arile left Harwich
Oil on canvas: exhibited 1842
1803 marked the beginning of the Napoleonic wars and it was not until 1817 that Turner was able to pursue his continental travels. In 1819 he made his first trip to Italy, where he fell in love with the mediterranean (sun) light in general and Venice in particular. For the next few decades his continental travels would take him to Luxembourg, Belgium, The Netherlands, Germany and Austria; he would return to France, Italy and Switzerland several times. After his final tour to France and a long, creative life, Turner's health began to deteriorate in 1845. He died in 1851; he was 76.
JMW Turner left behind a unrivaled volume of breath-taking works in regards to not only an immense diversity of subject matter but also a dazzling evolution of technique - a sixty year transition from topographically exact renderings to creations of visual audacity. It is a prolific outpour of his creative genius and limitless imagination - 540 oil paintings, 1,600 watercolors, 150 literary vignettes, and 19,300 sketches.
Turner's Bedroom in the Palazzo Giustinian (The Hotel Europe), Venice; Watercolor and gouache on paper
One of Turner's biggest legacies is how he accomplished to dislodge history painting from its privileged, highest rank within the academic genre hierarchy by challenging long-held beliefs such as landscape painting should solely be regarded as a record of a given location. By producing highly creative responses to contemporary life and showing how strong of a potential for imagination in both execution and contemplation landscape painting was capable to possess and evoke, he elevated this low genre to new heights. He was endlessly fascinated by the authenticity of a personal experience, the vulnerability of men vs elements and by nature's force.
Most importantly, Turner's oeuvre is a visual testimony of his fascination with atmosphere, light and color - he rendered atmospheric perspective in such a fluid and breathtaking. It is also a testimony to his compulsive exploration to break down conventional forms of representation while relentlessly searching for a new language of stylistic application. His water colors are superb and stand in a fascinating contrast to his oil paintings: they have an abstract, if not modern feel about them. Late in his work, both techniques - watercolor and oil painting - seemed to converge. Light effects were the primary focus with some details almost indiscernible.
By retracing Turner's supreme artistic technique over the picture plane - the painterly yet rough brushwork, the vibrant colors, the magical rending of the atmosphere - the canvas suddenly becomes alive. It is no longer a glossy, smooth surface, nor merely a structured window to on the world with a moral message trying to appeal to our intellect and reason. His luminous works try to reach us on an emotional level - much in the spirit of the romantic era. With their seemingly out-of-balance, fluid compositions they pull us right in and this with an invitation to experience Turner's persona coming through, his emotions, his thoughts, his personal experience.
By appealing to our senses with a turbulence of big waves, dark clouds, heavy rain, gleaming sun rays, blazing flames, Turner's creations cannot but evoke intense feelings such awe, drama, terror, horror, suffering and grief. And in this moment - when our gaze is turned to the surface of the painting - we happen to witness the truest form of the aesthetic and artistic intend: the manifestation of the creative journey, the thoughts and emotions involved - through which personal experience turns into art.
Norham Castle, Sunrise
Water on paper; ca 1845 (?)
What his critics decried as shockingly radical - the dazzling, sometime expressive use of color, the atmospheric light effects, the indistinct if not abstract blotches of shapes, the thick sensual paint application, the contemporary subject matter and the non-representational tendencies - are now seen as heralds of modernism.
JMW Turner: Painting Set Free is a feast for the eyes! Through September 20th, 2015.
Check out de Young.
Learn more about Turner, visit The Tate.
Sam Smiles, JMW Turner, Tate Publishings, 2000
Approach to Venice
Peace - Burial at Sea (detail)
Shipping Boats Bringing a Disabled Ship into Port Ruisdael (detail)
The Blue Rigi
Water on Paper; 1842
Ai Weiwei @Alcatraz
Today, I ventured out to Alcatraz, located in the San Francisco Bay, for the first time in my life and the reason was Ai Weiwei, a political activist and vocal critic of the Chinese government. Consisting of seven site-specific installations, @large was created exclusively for Alcatraz and poignantly raises questions about human rights, freedom of expression and liberty. By addressing the fate of people around the world, who have been deprived of their individual rights for something they believe in, this exhibit touches you at the core.
Greeting visitors is With Wind, a breath-taking dragon kite meandering through the entire first exhibition hall showing off not only its colorful coat but also many quotes by activists, who have been imprisoned. Trace consisting of 176 portraits entirely made of Lego is striking and especially touching through the corresponding stories each of them has to tell. Featuring a magnificent larger than life bird's wing, Refraction can only be viewed through cracked and rusty windows and left me wanting more. I thought it added a potent edge to the feeling of restriction. Stay Tuned, a sound installation occupying a series of cell, invites visitors to sit and listen to music, poetry and spoken words of activists, who have been detained. Again, I thought it was heartrending just as Illumination, which occupies the former hospital and pays respect to people who have resisted cultural oppression. @large is as stunning as it is poignant. An absolutely must-see. I left very inspired however also with a heavy heart.
To learn more visit Ai Weiwei on Alcatraz.
Or listen to How Alcatraz Became a Canvas for Chinese Artist Ai Weiwei: Forum Archive 10/22/14.
Have passport, will travel: where will Ai Weiwei go?
Centre Le Corbusier
Added on September 3, 2014 by suzy baur.
The Maison l'Homme of Zurich, Switzerland, today the Centre Le Corbusier / Heidi Weber Museum, is an inspiring art museum, which I always make a point of visiting when I am back home.
The center was commissioned on the initiative of Heidi Weber, owner of the interior design gallery Mezzanin. She met Le Corbusier (Charles-Eduard Jeanneret, 1887- 1965) in 1958 in Roquebrune Cap Martin and maintained a close professional relationship with the architect throughout last years of his life.
Thanks to her inspiration and tenacity, Le Corbusier completed his sketch of the kind of dream house he had been working on since 1950. Heidi Weber's vision was a museum / an exhibition hall serving as the perfect space to house Le Corbusier's works of art - a Gesamtkunstwerk reflecting all aspects of his oeuvre: architecture, sculptures, paintings, furniture, design and theoretical writings in unified harmony. Construction began in 1964. The center was completed in 1967, after the death of Le Corbusier.
To learn more, visit Heidi Weber Museum.
In architecture, art, europe, interior design, travel
With our hometown being out base, this trip took us to beautiful Alsace and Burgundy to enjoy fabulous wines, delicious food and medieval architecture.
~ EUROPE BOUND over the North Bay ~
~ ZURICH on a rainy day ~
~ ZURICH on a sunny day ~
~ ZURICH: Reliefs at the Grossmünster ~
~ BASEL: Kristof Kintera at The Museum Tinguely ~
The museum was designed by Mario Botta and opened in 1996. It houses a permanent collection of the works of Swiss artist Jean Tinguely (1925-1991), whose kinetic sculptures never fail to delight the young and the old to this day. Therefore the Museum Tinguely provides a fitting backdrop to the works by Czech artist and sculptor Kristof Kintera (1973*).
~ ALSACE ~
~ BURGUNDY ~
Please feel free to check out also my blog on the Abbeye of Fontenay (September 02, 2014).
~ HOMEWARD BOUND TO THE BEAUTIFUL SF BAY AREA ~
In art, architecture, europe, sculpture, travel
SFAI
This is one of the most interesting and inspiring places San Francisco has to offer. The San Francisco Art Institute, founded in 1871 and with the main campus being located on 800 Chestnut Street, is a two-story complex featuring two versions of exposed, reinforced concrete. The original, older part, designed by Bakewell & Brown (1926), was crafted as a Mediterranean Revival, a monastary complete with cloister. Its later companion was designed by Paffard Keatinge-Clay (1970) and cast as a brutalist addition.
Don't miss the Diego Rivera legendary mural The Making of a Fresco Showing the Building of a City (1931) inside the older building. And make sure to enjoy the magnificent views of San Francisco, The Russian Hill district and beyond.
Check out SFAI.
Check out Bakewell & Brown.
Check out Paffard Keatinge-Clay.
Check out Diego Rivera and Diego Rivera + SFAI.
Impressions from Edge Effect May 14-17, 2015 at Fort Mason, Herbst Pavilion
Artists at the SFAI's graduate exhibition presenting their eclectic visions: installations, panting, photography, film/video, sculpture, printmaking, performances and hybrid forms.
To learn more, visit SFAI.


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Green Bay Packers, Katherine Biskupic, Lambeau Field, National Anthem, Uncategorized, Whitney Houston
What so proudly we hailed
February 13, 2012 February 27, 2012 by Molly B and Me
On four occasions a performance of the National Anthem genuinely, memorably moved me.
The first happened in 1991, ten days after the Gulf War launched. A Black Hawk helicopter flew over us as my sisters, my Dad and I made our way into Tampa Stadium. The well publicized fact that this would be the first Super Bowl to take place during wartime left my dad uncharacteristically cautious and he pointed out the nearest exits as we took our seats.
Then Whitney Houston's powerful National Anthem swelled through the stadium and took away both our breath and our fear.
Nearly 10 years later, in honor of my dad, our daughter Katherine sang the National Anthem at Lambeau Field during the opening game ofthe 2001 Packer season. My dad's number 77 jersey hung past her knees as she sang sweetly and with great concentration, an innocent 12-year old in the waning days of an equally innocent time. Two days later, 9/11 soberly ushered in a new era of patriotism and suspicion.
Katherine sang the National Anthem at Lambeau Field again five years later. She, like the nation she represented, had grown older and far more aware. Tightened stadium security made the experience more somber, and an adjusted NFL pregame routine meant the players stayed on the field for the song. The intervening years had brought respect for the anthem and the struggles it represents to a wary, proud nation.
Last year, my son Vinnie and fellow members of the Appleton North varsity choir sang the National Anthem before a high school football game. Players, fans, band members and statisticians gathered from all corners of the stadium and they sang in unison, young men on the cusp of military eligibility.
All four of those versions of the national anthem resonate for their purity of purpose and honest interpretation of some powerful words and images.
12-year old Katherine sang during the season opener in 2001.
(Photo courtesy Daniel Kramer)
Same song, same jersey, but a grown up singer and nation.
Pre-game at Appleton North in 2010.
Photo courtesy Mike Panzer
From Burns with love and lang syne
A sweet, sweet holiday
One thought on "What so proudly we hailed"
Pingback: From Lambeau field, where glory stays | Molly B and Me


Some call it maple popcorn. Others call it maple flavored popcorn. We've even heard it referred to as maple syrup popcorn. Regardless of what you call it, the taste is all the same... outstanding! In fact, we'll tell you right off, order several packages. We say this not to make more money (nobody here is getting rich off of maple popcorn), but because it's so good that once a package is opened, it's gone in no time at all. If you can stop at just one handful of "maple sugar popcorn" (there's another one!) then you have a lot more willpower then we do. Two 4 oz. packages fills a medium salad bowl nicely. With a case of 12 packages you'll have enough maple popcorn for weeks!
Allergy Information - Shares equipment with Peanut/Nut Products.


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The Courage to Be Protestant by David F. Wells
May 27, 2010 December 21, 2018 Gary Gilley
David F. Wells, the Andrew Mutch Distinguished Professor of Historical and Systematic Theology at Gordon-Conwell Theological Seminary, is one prolific writer. For some forty years he has addressed some of the thorniest subjects in theology with a sincere pastoral heart for the church. Wells could well be considered the one Christian writer who over the past 20 years best articulates the pulse of evangelicalism in this world. Whether or not one agrees with Wells, one thing is for sure, he will make you think.
The current book under review, The Courage to Be Protestant, is a volume which builds on four previous books by Wells: No Place for Truth (1993); God in the Wasteland (1994); Losing Our Virtue (1999); and Above All Earthly Pow'rs (2005). In No Place for Truth Wells provides a keen study of evangelicalism in the 1990's. Then in God in the Wasteland the author rightly portrays the church within the "wasteland" of Western culture as having lost its sense of God's holiness and sovereignty. Wells issues a call for real change. Five years later in Losing Our Virtue Wells continues his cultural analysis of the late 20th century by explaining how the church has been shaped by an immoral culture. More recently Wells penned All Earthly Pow'rs: Christ in a Postmodern World in which he rightly mourns for the church's loss of the sense of the transcendent glory of God. Instead, the church has become too much like the post-modern culture in which it is planted.
Well's, rightly says of our culture today, "The constant cultural bombardment of individualism, in the absence of a robust theology, meant that faith that had rightly been understood as personal now easily became faith that was individualistic, self-focused, and consumer oriented." Today we have the emergence of the Emergents. Well's says that the Emergents are "doctrinal minimalists". He says further, "They are ecclesiastical free spirits who flit around a much small doctrinal center…"
Well's divides The Courage to Be Protestant into seven chapters. Chapter one, "The Lay of The Evangelical Land," Well's breaks the evangelical world into three constituencies: Classical Evangelicals, Marketers, and Emergents. The later two groups are, historically speaking, new. In chapter two, entitled "Christianity for Sale," Well's rightly accuses much of the modern church of marketing the gospel. The church today exists only to give the "customer" what he wants! In chapters three through seven Well's touches on five key concepts which modern day Christianity has corrupted: Chapter Three: "Truth," Chapter Four: "God," Chapter Five: "Self," Chapter Six: "Christ," and Chapter Seven: "Church." Well's explains that while our American culture is very "spiritual"—it is, however, a truthless spirituality. God, in this culture, has been "privatized." Truth is sacrificed on the altar of what the consumer wants. Bible preaching has fallen on hard times since the average postmodern person distrust what comes through anyone else and therefore the "self" is the sole arbiter of truth. Well's describes how this culture has made God an "inside God" and not an "outside God". He no longer is the transcendent and glorious Creator but very personalized to every individual's own concoction. He rightly says of today's culture, "What is sacred is within and indistinguishable from the self." "Self" is really the object of one's pursuit, not God. "Christ's" work on the cross is really of no consequence to today's postmodern. He wants what he wants and not what God has provided in the finished work of Christ. Since "faith" has been much privatized, the local church has little significance. Why join or participate in a local church?
In this reviewer's opinion, The Courage to Be Protestant is mandatory reading for anyone interested in obtaining a clearer understanding of today's American spiritual culture. Knowing our cultural mindset, as Well's has articulated it, will enable us to deal more effectively with people in the 21st century.
Reviewed by David J. Georgeff, Missionary/Pastor with Biblical Ministries Worldwide
A revised edition of The Courage to Be Protestant was published in 2017. In the preface, Wells tells his readers why he has updated his book:
In this, its second life, there are some other changes. One entire chapter has been eliminated and half of another. At the same time, some fresh material has been added. Why make these changes?
In the original edition of The Courage to Be Protestant, I drew a map of the evangelical world and made the argument that evangelicalism was made up of three large constituencies. Two of these–the church marketers and the emergents–were relatively new and, as I saw it, they were "transitional movements." I added that with their blasé attitude toward the biblical doctrine–what had been at the heart of the earlier, more classical form of evangelicalism–they were moving, "however unwittingly, toward a more liberalized Christianity."
Much has happened since I wrote these words even though this was less than a decade ago. The emergents have evaporated and their incipient liberalism has come out into the open. The marketers have morphed into the attractional church. Attitudes have changed, too. A little chastening has set in about the earlier and more brazen attempts at marketing Christian faith. Not only so, but the cultural environment has changed, too. It is becoming rather more hostile to traditional Protestant belief. So, with all of this in mind, I decided to eliminate the earlier focus on marketers and emergents. I have still given space to them, but all I have tried to do here is to put them in their recent, historical context.
We are now on the cusp of many changes, in our world and in evangelical faith, and we need to be looking ahead. But, in this book, I am also looking behind and keeping in mind what happened in the Reformation. The aim is to make at least a few connections between then and now. (p. xiv)
Book Reviews, Doctrine and TheologyDoctrine and Theology


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Home/NHL/Exploring alternatives to the NHL's loser point system
Exploring alternatives to the NHL's loser point system
Evan SchwartzAugust 24, 2021
The current NHL standings points system saw exaggerated outcomes during the shortened 2020–21 season. With 56 games being used to decide the regular season, that made each game worth relatively more in terms of the fraction contributed to overall standings points per game. As such, the loser point also had similar effects. How might a different standings point system affected the 56 game season?
Near the end of the 2020–21 season, I wrote an article on how the loser point affects league parity. In it, I talked about how playing to secure the loser point rather than playing to win was negatively impacting the quality of play in the league. When teams would rather play for a tie than a win to assure at least a single standings point, there is less incentive to score the winning goal in regulation, leading to less exciting third periods.
This problem is the cost of keeping more teams in the playoff race late into the season. Weaker teams can stay in the race further into the season because of the extra-time points they pick up, keeping fans engaged and ticket sales up. Still, the tradeoff bothers me. Ticket sales could also be driven up by an even higher quality on-ice product. In the long run, a better on-ice product can only be good for the league.
With that in mind, here are some point systems the NHL could explore to improve the game.
Alternative point systems
The 3-2-1 point system has been suggested many times before as an alternative to the current system. In this system, a regulation win is worth three points. If a game reaches extra time, the three points are split between the two teams- one for the loser, and two for the winner.
Admittedly, this would not be good for league parity. But, the differing incentives could improve the quality of play. With the risk of losing out on the full three points, teams would be more eager to push for regulation wins, creating exciting last minute pushes to win.
Another option would be to continue to award two points for a win in either regulation or extra time, and no points for a loss, regardless of whether it was in regulation or extra time. This is a glorified win-loss standings points system, with the reason for keeping it as two points for a win being to maintain familiarity in the standings compared to the loser point system. Just like the 3-2-1 system, this changes the incentive to make overtime less appealing, and should also promote offense.
Adjusting the 2021 standings
Here is what the league standings looked like in 2021, along with how each team would have done under the alternative point systems. Would-be changes in standings are indicated with numbers inside brackets.
3-2-1 System
2-0 System
Toronto 35 14 7 77 106 70
Edmonton 35 19 2 72 103 70
Winnipeg 30 23 3 63 87 60
Montreal 24 21 11 59 79 48 (-1)
Calgary 26 27 3 55 77 52 (+1)
Ottawa 23 28 5 51 69 46
Vancouver 23 29 4 50 67 46
3-2-1 Points
Pittsburgh 37 16 3 77 106 74
Washington 36 15 5 77 106 72
Boston 33 16 7 73 98 66
NYI 32 17 7 71 95 64
NYR 27 23 6 60 84 54
Philadelphia 25 23 8 58 75 50
New Jersey 19 30 7 45 60 38
Buffalo 15 34 7 37 48 30
Carolina 36 12 8 80 107 72
Florida 37 14 5 79 105 74
Tampa Bay 36 17 3 75 104 72
Nashville 31 23 2 64 85 62
Dallas 23 19 14 60 77 46 (-1)
Chicago 24 25 7 55 70 48 (+1)
Detroit 19 27 10 48 64 38
Colombus 18 26 12 48 60 36
Colorado 39 13 4 82 117 78 (-1)
Vegas 40 14 2 82 112 80 (+1)
Minnesota 35 16 5 75 102 70
St. Louis 27 20 9 63 82 54
Arizona 24 26 6 54 73 48
Los Angeles 21 28 7 49 68 42
San Jose 21 28 7 49 64 42
Anaheim 17 30 9 43 54 24
Of course, assigning different values to an already played season doesn't tell the whole story. It's impossible to account for the effects this system would have on team's strategies and how that would translate on the scoreboard. But still, in particular with the 2-0 system, we can see how the loser point affects the league, with Vegas, Chicago, and Calgary, all moving up in the standings.
The biggest drop in the standings came at Dallas' expense, as they went from being four points behind Nashville to a whopping 16. As the team that racked up the most points for overtime losses this past season, it is not surprising to see that big a drop, but it shows how a drastically a different system could change up standings and a team's perceived competitive abilities.
The 3-2-1 system clearly creates a much bigger gap between the top and bottom teams, as it should considering more points are being given out. But those larger gaps are easier to overcome for the same reason. This could lead to incredible playoff pushes by teams coming back from well outside the playoff picture.
Allowing bigger gaps to form between the top and bottom teams could also force teams to improve more and lead to innovation in the game. Teams like the Flames seem to be in a constant rut, not good enough to make a serious run but not bad enough to warrant a rebuild when mediocrity still fills the seats. If teams could no longer stick in the playoff picture by becoming more and more focused on slowing the game down and picking up extra-time points, they would have to become more focused on improving the roster and icing the best team possible.
Needing to constantly improve to avoid falling into the bottom group of teams could inspire more trades and transactions as well as other new ideas to improve team performance.
Other leagues using the 3-2-1 system
The 3-2-1 system is also used already in other leagues. In the SHL, one of the top leagues outside of the NHL, the 3-2-1 system is used. A quick look at their standings tables over the last several seasons shows that aside from the occasional outlier at the bottom or top of the standings, there is still a good amount of parity across the league.
Another example is the World Junior Championships. Each year from late December to early January we are treated to some of the most exciting hockey of the year. The brief tournament seems to always have at least a handful of memorable games involving comebacks or buzzer beaters (or both). Part of this can be attributed to the inexperience of the players, but not all of it.
The seeding round can have massive implications for the playoff, and teams need every point they can get. They have to push for regulation wins, and it creates intensity in the game that has lead to so many great moments over the years.
What's best for the NHL?
While there is no objectively correct answer to the question of what's best for the NHL, the loser point seems to always draw a bit of ire from fans and media each year—after all, it's pretty much guaranteed that at least a couple teams will miss out on the playoffs due to a team ahead of them getting more loser points.
Moving to one of the alternative options might cost teams money in the short run if they can't stay in the playoff race as long and lose ticket revenue, but the long run implications of becoming more competitive could help alleviate that loss.
The 3-2-1 system even allows teams to keep the loser point, in a way that continues to encourage playing hard till the final buzzer of regulation. While there is no reason to believe a change is imminent, its an interesting idea to think about for the future.
What are your thoughts on the loser point system? Let us know in the comments below or on social media!
Evan Schwartz