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Muhammadu Buhari Gets New Presidential Appointment
Justina Otio
President Muhammadu Buhari has gotten a new appointment as the president of the great green wall.
The minister of state for environment, Chief Sharon Ikeazor disclosed the new appointment at the 4th Ordinary Session of the Conference of Heads of State and Government (CHSG) of the Pan African Agency for the Great Green Wall on Thursday, December 2nd in Abuja.
She said that the new appointment translated to the president working hard to tackle problems such as climate change, food security, desertification and Land degradation.
She said: "At the end of the 4th Ordinary Session of the CHSG, Nigeria took over the Presidency of the PAGGW. So for the next two years, Nigeria and President Buhari will be the President of the Great Green Wall Initiative in Africa.
"This means that within the period, Nigeria will work assiduously towards addressing the problems of land degradation, food security, desertification, Climate Change, depletion of the forest ecosystems and biodiversity in Africa, among others".
The minister stated that she was certain the president would carry out his assignment properly as he was dedicated to addressing issues on climate change and desertification.
She also maintained that Buhari's decision to restore over 100 million hectares of the degraded landscape for productive agriculture in Africa which he made public at the Climate Change Summit (COP 26) Side Event on the Great green Wall (GGW), showed he was capable of handling his position effectively.
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The Indiana bat is primarily a winter resident of Sauta Cave. The Indiana bat is 6-9 grams and has a 24-28 cm (9-11in) wingspan. This bat also has an average 14 year lifespan. Matiing occurs in mid August and early September. One baby is born June and is raised under loose tree bark primarily in wooded streamside habitat. Nearly 85% only hibernate in 9 locations.
In addition to the rare fauna within the cave, the federally threatened Price's potato bean occurs on the Refuge.


The Board of Neighborhood Commissioners is responsible for policy setting and policy oversight with respect to the Neighborhood Council system. Their operating policies and procedures, resolutions and Rules of Order are detailed below.
Factual Basis Stakeholders (06-07-11) The "Factual Basis" policy is not an existing policy and is based on an outdated definition of a stakeholder.


US quits UN Human Rights Council - rightly so?
The United States has terminated its membership of the UN Human Rights Council. Washington has justified its decision by saying that the Council is prejudiced - especially against Israel. Some commentators criticise the decision as a further step towards American isolation, while others show understanding for the move.


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ANNOUNCING POINT MURAL – Call for Artists!
STEVENS POINT, Wis. (February 23, 2017) – As part of our 160th Anniversary celebrations, the Stevens Point Brewery, in partnership with CREATE Portage County, is eager to announce an open call for artists interested in developing an original public art piece for the west-facing wall of the Galaxy Comics Games & More building (925 Clark Street) in downtown Stevens Point! We welcome artists and designers of all forms to apply but specifically encourage those who work in murals, public art, and mosaic.
This project is designed to commemorate our rich 160 years of exceptional beverage-making in Stevens Point. As such, artwork should focus on the story of the brewery and its impact on the Stevens Point Area. We are also eager to contribute to the placemaking goals of the growing downtown mural collection and thus encourage artists to envision contemporary public art that will draw people to the downtown. Our ideal is an iconic mural that becomes a staple for both locals and visitors taking pictures to celebrate their time in Stevens Point.
Initial applications are due at or before 5:00PM on Friday, April 7th, 2017 and should be emailed to gregw@createportagecounty.org. These applications should include:
Artist's resume (listing all public art projects),
2 to 3 letters of recommendation (please have them speak to the timeliness of your work),
5 to 10 representative digital images of your work,
AND a written proposal with initial imagery to demonstrate your concept for the space.
The selection committee will judge proposals on the following criteria:
Quality, originality, and appeal of the concept
Concept's capacity to capture the spirit of the Stevens Point Brewery
Concept's appropriateness for a public setting
Artist's proven capacity for timely completion of the project
Artists, designers, studios, and teams may submit multiple concepts for this project, and artists from any location are encouraged to apply. However, preference will be given first to local and then to regional or Wisconsin artists.
Timeline & Fine Print
The selection committee will choose three to five finalists to make a presentation between May 15 – 19 that will include the following:
Finalized images of your project (preferably shown on the space),
Explanation of the concept and its goals,
AND a budget and timeline for the completed work.
The Stevens Point Brewery has set aside a stipend of up to $10,000 (depending on the scope of the project) to cover materials and artist compensation. Budgets should speak to the quality of materials and the execution of both surface preparation and a lasting, high-quality public art piece.
Artist must be available to begin this project on June 1st, to complete the project in July of 2017, and will agree to work with the Stevens Point Brewery on events that highlight and celebrate both the brewery and the creation of the public art piece. The selected artwork and its likeness will become the property of the Stevens Point Brewery, which reserves the right to use the image for promotional and retail purposes.
Thank you in advance for your thoughtful submissions. We are eager to find the right partner for this project.
–Julie Birrenkott, Director of Marketing, Stevens Point Brewery
–Greg Wright, Executive Director, CREATE Portage County
Previous Press Release

redpajama_set_name: RedPajamaCommonCrawl


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Defense win! Trial counsel ineffective for omitting winning argument from suppression motion
State v. Rosalee M. Tremaine, 2016AP1963-CR, 2/27/20, District 4, (1-judge opinion, ineligble for publication); case activity (including briefs)
An officer stopped Tremaine for a traffic violation and called another car to bring some warning forms. While the officer was filling them out, another officer arrived with a dog. The first officer handed Tremaine the forms, but did not allow her to leave. Then the third officer conducted a sniff, which led to a search of Tremaine's purse revealing marijuana and a pipe. Defense counsel filed a suppression motion, but made the wrong argument. The court of appeals now finds him ineffective.
Defense counsel's motion contended that the delay caused by waiting for the warning forms violated the 4th Amendment. Tremaine claimed that defense counsel missed the winning argument–i.e. the stop ended once the first officer delivered the warning to her. At that point, the reason justifying the initial stop ceased to exist. Her continued detention for a dog sniff was not "reasonably related in scope to the purpose of the stop." See State v. House, 2013 WI App 111, ¶¶5, 10, 350 Wis. 2d 478, 837 N.W.2d 645; State v. Jones, 2005 WI App 26, ¶¶2-4, 7 & n.4, 278 Wis. 2d 774, 693 N.W.2d 104.
The circuit court held that trial counsel did not perform deficiently because the "missed" argument would have failed based on State v. Arias, 2008 WI 84, ¶39, 311 Wis. 2d 358, 752 N.W.2d 748. Arias held that a 78-second dog sniff conducted during a traffic stop did not unreasonably prolong the stop. But the court of appeals explained that Arias is limited to ongoing stops, not to the extension of an already completed stop like the one in Tremaine's case. Opinion, ¶18.
After the purpose of the initial stop has concluded, the continued seizure of a person, regardless of duration, is unlawful, unless it is justified by reasonable suspicion or some other independent legal ground. See House, 350 Wis. 2d 478, ¶¶6-10. Thus, to the extent that the circuit court read Arias as permitting brief seizures after completed stops, it did so in error. Opinion, ¶18 (footnotes 6 and 7 omitted).
¶20 In short, because Tremaine's continued detention to conduct the dog sniff was unlawful, the evidence obtained as a result of the dog sniff would have been suppressed had a motion been properly raised. See State v. Gammons, 2001 WI App 36, ¶24, 241 Wis. 2d 296, 625 N.W.2d 623. As a result, Tremaine's trial counsel was ineffective for not raising this issue. Had Tremaine's counsel made the proper argument, the only evidence against her would have been suppressed and there is at least "'a reasonable probability that … [she] would not have pleaded guilty and would have insisted on going to trial.'" See Cooper, 387 Wis. 2d 439, ¶29 (quoting Hill, 474 U.S. at 59).
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How do the characters of Lady Macbeth and Napoleon change in 'Macbeth' and 'Animal Farm'?
The two texts 'Animal Farm' by George Orwell and 'Macbeth' by William Shakespeare both witness change in their characters and ideas. Both Lady Macbeth and Napoleon, two key characters in both of the texts, begin as egotistical, greedy and avaricious.


We are Historic Sistrunk Boulevard's Premier Destination. In an effort to continually improve natural settings, the City has successfully renovated and beautified local parks and historic buildings to reflect the up-and-coming vibrant change for the area. The Midtown Commerce Center is nestled within the Midtown Commercial District. It is conveniently located next to Downtown Fort Lauderdale and Broward County Government Center and a bike ride away from an array of entertainment and dining destinations including Las Olas, Riverwalk Arts and Entertainment, and the Fort Lauderdale Museum of Discovery and Science featuring the IMAX Theater, minutes from I-95.


· Attention 6th, 7th & 8th Grade Students…Math Matters Tutoring Center will be available today from 3:30 to 4:30 p.m. in Ms. Glaeser's room, #204.
· Attention All Students... The PTA Scholastic Book Fair starts today through this Friday in the MCS Multi-Purpose Room!! The Book Fair is open daily this week from 8:30 to 3:00 p.m. We will accept credit/debit cards, checks and cash. We look forward to seeing everyone!!
· Attention Beta Club Members…All Returning Beta Club Members have a meeting next Thursday morning at 7:45 a.m. in Mrs. Alt's Room.
· Attention Students…. Millstadt Consolidated School District is having a Drive 4 UR School event at Mertz Ford @ 100 East Washington in Millstadt this Saturday, September 22, from 10:00 a.m. to 3:00 p.m. For every person who takes a test-drive in a Ford vehicle during our event, Ford Motor Company will donate $20 to Millstadt School. In total, as much as $6,000 could be raised!! All funds from this even will go towards our Education Fun and will benefit ALL students!! Please mark your calendars and invite family, friends and neighbors to join in supporting Millstadt School District #160 and your local community!
· Attention 6th, 7th & 8th Grade Students…The 1st School Dance is this Friday, September 21st from 7:00 to 9:00 p.m. The cost will be $5.00 a person. You need a permission slip to attend the dance.
· Attention Kindergarten – 5th Grade Students… Sign-up for Mad Science after-school program today! Deadline to sign-up is Today! Cost is $83.00. Register online at http://register.madscience.org/stlouis/ You can pay either by check or by credit card. It will be at the Millstadt Primary Center every Wednesday starting September 26th to November 7th from 3:30 – 4:30 p.m.
9:15 – 10:15 a.m. 1:15 – 2:15 p.m.


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Home » Reviews » Review - The Boy Friend at the Menier Chocolate Factory
Menier Chocolate Factory, London
Our Review 5 / 5
Review - The Boy Friend at the Menier Chocolate Factory
Our critics rating:
Wednesday, 04 December, 2019, 10:29
Review by:
Mark Shenton
London's Menier Chocolate Factory has an enviable track record with its Christmas musicals, many of which have subsequently transferred to the West End, including Little Shop of Horrors, Sweet Charity, Merrily We Roll Along, Funny Girl and last year's entry Fiddler on the Roof (which has just ended its run at the Playhouse), and some that have moved to both the West End and then Broadway, including Sunday in the Park with George, A Little Night Music and Sweet Charity. And while every one of those titles has more cultural and dramatic weight than this year's revival of The Boy Friend, I'm not sure any have been as downright fun and utterly joyous as this.
I can already confidently predict a fast transfer to the West End for what has to be the happiest (and downright silliest) show in London right now. Sandy Wilson's musical, originally premiered at the Players Theatre in 1953 before transferring to the Wyndham's, where it ran for over 5 years, was a gleeful throwback to an earlier age even when it was written, resembling a 1920s musical comedy (even the title was an acknowledgement of one: Rodgers and Hart's 1926 show The Girl Friend).
But as filtered through a post-millennium lens - which has it performed now with a knowing combination of sincerity and sass - it is the perfect antidote to the breadth and depth of more recent musicals like Hamilton. In fact, it barely merits comparison: this is a show with hardly a thought in its giddy head, merely a determination to delight and entertain.
Though it may be very possible for some to resist such entreaties, for me it did so in spades. I found it entirely an effervescent delight. I can even report that my reaction was noted: a person sitting on the opposite side of the auditorium to me remarked afterwards that he watched me wrapped in a constant smile.
Of course it's silly, it's a tale of romantic entanglements on the French Riviera, where the young attendees of a finishing school of young ladies find themselves pairing off, while their elders embark on other liaisons. But it's also irresistibly bright, hilariously funny, and gorgeously tuneful. Sandy Wilson's songs are, almost without exception, ear-worms that instantly burrow (and occasionally pummel) their way into your senses.
Under the bouncy musical direction of Simon Beck of an onstage nine-piece band, it is performed with sparkling allure by a cast who sing it blissfully and dance through the show with unstoppable movement by choreographer Bill Deamer, who returns to the show after previously choreographing London's last major revival at Regent's Park's Open Air Theatre in 2006. The dancing, which stretches from Charleston to tango, is tightly drilled, exhilarating and perfectly in period.
So are all the performances. There isn't a weak link in the company. If Tiffany Graves threatens to steal the show as the French maid Hortense, everyone has their moment to be a scene-stealer, from the dancers to Janie Dee's supremely effortless performance as the stylish Madame Dubonnet, who runs the school, and Amara Okereke as pupil Polly Browne, a millionaire heiress who tries to disguise her background when she falls for a young man, himself pretending to be a delivery boy but who is in fact the son of a Lord.
I said it was silly, but there's also something profound in the sheer joy it generates. It is all handsomely housed in Paul Farnsworth's delightful French Riviera settings of bandstands and sky vistas, while his beautiful costumes are a treat themselves.
The Boy Friend is at the Menier Chocolate Factory to 7th March 2020.
Photo credit: Manuel Harlan
The Boy Friend closed on 07 March 2020.
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YUM! Brands Inc. (YUM) Reorganizes Business Units
Posted By: Zacks Nov 22, 2013, 9:26 am
Louisville, Kentucky-based restaurant giant, Yum! Brands Inc. (YUM – Analyst Report) recently announced a complete restructuring of its business divisions. According to the reshuffling, the company will be merging its Yum! Restaurants International (YRI) and the U.S. divisions for each of its three brands — KFC, Pizza Hut and Taco Bell.
However, the company will continue to operate its other two divisions — Yum! Restaurants China and Yum! Restaurants India — separately on expectations of potential growth. This reorganization is an attempt by the Yum! Brands to improve its brand recognition and concentrate on individual geographical markets, thus boosting its business.
These structural changes are expected to take effect from Jan 1, 2014. From the beginning of fiscal 2014, Yum! Brands will be posting its financial results for the following divisions — KFC, Pizza Hut, Taco Bell, Yum! Restaurants China and Yum! Restaurants India. The company will no longer be providing separate results for the U.S. and YRI divisions.
As part of the realignment, Yum! Brands also announced few executive changes. Rick Carucci, the President of Yum! Brands, will step down in Mar 2014.
Niren Chaudhary — President of Yum! Restaurants India — and Sam Su — vice chairman of Yum! Brands and chairman as well as Chief Executive Officer (CEO) of Yum! Restaurants China — will be reporting to David C. Novak — CEO of Yum! Brands. Additionally, the CEOs of all the three brands will now be directly working under Novak. These leadership changes are in line with YUM! Brands' focus on streamlining its organizational structure.
YUM! Brands' initiative to restructure its business comes in the wake of witnessing disappointing financial results for the past few quarters due to weak performance in its China division. China, which once played a pivotal role in the company's growth story, began to falter after fourth-quarter 2012 due to bad publicity resulting from the quality issue. Moreover, poor sales performance at KFC China in September compelled YUM! Brands to state that the China comps will continue to be down in the fourth quarter.
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The spirit of talented designer L'Wren Scott lives on: her partner of 13 years, Mick Jagger, has established a scholarship in her name, which will cover the cost of tuition and living expenses at London's Central Saint Martins University.
The late designer, who was known for evocative, feminine silhouettes and a favorite among the A-list crowd, shocked the fashion world last spring, when she committed suicide amidst rumors that her eponymous label was $7 million in debt and in danger of shutting its doors.
Additional details about the fund aren't yet available, though its fashion course director, Fabio Piras, said he's "very grateful to receive this extremely generous scholarship package."


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Fangs For The Memories: The Lost Boys And The Infantilization Of The Vampire
Jeremy Allen , July 26th, 2017 12:26
Jeremy Allen looks back at the history of the vampire film and analyses one of the genre's most influential entries, Joel Schumacher's The Lost Boys. And, no, we haven't used that headline already.
The vampire as we know it is unrecognisable from the folkloric apparitions of Eastern Europe that grew up over a time long before Catholicism and the Eastern Orthodoxy took hold. "An impressive body of lore dealing with powerful vampire-like creatures dates back to ancient and primitive times," according to the academic A. Asbjørn Jon in his Vampire Evolution paper - and such legends were prevalent amongst societies that were "pre-industrial, pre-Christian and primarily illiterate". According to Jon, these creatures usually manifested as "plump peasant[s] living within a rural community", a far cry from the gaunt, beautiful, etiolated eidolons that present themselves on the big screen in the 21st century. The vampire has evolved to reflect the fears and prejudices of the age, becoming less remote and phantasmagorical, and in many ways more childlike as time has worn on.
Indeed the most radical transformation of the vampire in recent history can be traced to Joel Schumacher The Lost Boys, an inadvertent recasting of the parameters, where a gamble on casting some unknown teenagers reshaped an entire genre. If vampire folklore has played on the clandestine fears of society, then in 1987, all a teenager had to worry about was moving into a house without a television. Upon arriving in Santa Carla, the sybaritic seaside setting of the picture, Michael and Sam Emerson are horrified to discover Grandpa doesn't own a set.
"Have you seen a TV, Mike?" asks the younger brother Sam, played by Corey Haim. "Do you know what it means when there's no TV? No MTV. "
Home entertainment is thin on the ground in Santa Carla, and outside seems hostile too. When Sam asks Grandpa if it's true what they say about it being the murder capital of the world, his elder doesn't pull any punches: "If all the corpses buried around here were to stand up all at once we'd have one hell of a population problem". Santa Carla, shot on the Santa Cruz Beach Boardwalk on the northern edge of Monterey Bay, is crawling with vampires (the Santa Cruz tourist board apparently objected to the use of the name as they didn't want the adverse publicity).
Sam goes exploring and finds a comic store, and after complaining to the teenage proprietors about the city's stench, he sets about verbally rearranging the Superman comics, earning begrudging respect. It's becoming clear that Sam is on the hipster / geek continuum, and we also soon learn that Edgar and Alan Frog are not all they appear to be; comic book vendors by day, at night they're vampire slayers (allegedly). Edgar, played by the other Corey (Feldman) in splittertarn camouflage and candy red headband, and Alan in sleeveless Airbourne t-shirt, are a far cry from Peter Cushing's dashing and impeccably mannered Dr. Van Helsing from the Hammer pictures. (The Frog Brothers might have been a world away from Cushing, but they wouldn't have made him turn in his Canterbury plot, unlike 2004's Van Helsing, starring Hugh Jackman and Kate Beckinsale in a CGI monstrosity of a movie with a cringeworthy fantasy plot arbitrarily stealing from Frankenstein and Jekyll and Hyde along the way; a contender for worst film ever made).
The brothers offer Sam a comic called "Vampires Everywhere!" to take home with him. He protests but they insist that it might save his life. The comic book is full of the usual Stokerian apotropaics: crucifixes, rosaries, holy water, garlic around the neck to protect one's dreams etc. To kill a vampire you must drive a stake through the heart, and then there's the stuff about the drinking of blood, the having no reflection, the business of being invited in…
Not all of the shibboleths come from Bram Stoker's Dracula though: death by sunlight first occurred at the conclusion of the groundbreaking German feature Nosferatu, and it clearly made quite an impression on viewers, becoming essential vampiric movie-lore. Nosferatu was a faithful visual rendition of the 1897 epistolary novel but for some name changes: Dracula becomes Count Orlok; Mina Harker becomes Ellen Hutter, and so on. Certainly the wool wasn't pulled over the eyes of the courts, who ordered all of Prana Pictures' copies to be destroyed after Stoker's estate sued in the 1920s. The studio was forced to declare bankruptcy and wind up its business after just one outing. Thankfully a few reels got away and were restored at a later date, and attitudes regarding what constitutes plagiarism changed dramatically. Nosferatu, with its chiaroscuro trickery and stunning makeup, is rightly regarded as a seminal masterpiece with nearly all movies of the genre borrowing from it. Francis Ford Coppola acknowledged as much in his 1991 version of Dracula, with scenes from the 1922 picture appearing on the big screen in homage, when Gary Oldman's Count goes with Winona Ryder's Mina to the cinema.
The Emersons' arrival in Santa Carla subverts the original story, as they're the strangers in town rather than the exotic nightstalkers. In Stoker's Britain - which his native Ireland was a part of at the time - everything is present and correct, and anything beyond its monarchical realm is regarded as a deviation from Victorian Christian values. As Jonathan Harker traverses through the Carpathian Mountains to meet the Count for the first time, an eastern European Romani woman warns that evil awaits, but that it can't possibly take place on England's day of national celebration: "It is the eve of St. George's Day. Do you not know that tonight, when the clock strikes midnight, all the evil things in the world will have full sway?"
"We are in Transylvania," Dracula reminds his captive just before he sets off himself for Whitby, "and Transylvania is not England. Our ways are not your ways, and there shall be to you many strange things." (Thankfully with English pluck, Harker is eventually able to escape after a torrid month sleeping with three undead bisexual vamps). Dracula sails from Transylvania to the north eastern shores of Whitby, murdering the crew on the ship he's aboard one by one. Stoker's fin de siècle blockbuster was published during the peak years of the British Empire at a time of high immigration, largely driven by pogroms in Russia and Eastern Europe. At one point Dracula pointedly claims "a stranger in a strange land, he is no one", sounding not unlike our incumbent Prime Minister. Dracula is keen to pitch himself as an outsider, living on the fringes of society - albeit in a massive castle - and you suspect a lot of that is down to his appearance. The count isn't a louche, comely strapling with a sixpack and cool bed hair.
"His face was a strong, a very strong, aquiline, with high bridge of the thin nose and peculiarly arched nostrils, with lofty domed forehead, and hair growing scantily round the temples but profusely elsewhere. His eyebrows were very massive, almost meeting over the nose, and with bushy hair that seemed to curl in its own profusion. The mouth, so far as I could see it under the heavy moustache, was fixed and rather cruel-looking, with peculiarly sharp white teeth. These protruded over the lips, whose remarkable ruddiness showed astonishing vitality in a man of his years. For the rest, his ears were pale, and at the tops extremely pointed. The chin was broad and strong, and the cheeks firm though thin. The general effect was one of extraordinary pallor."
Later the Count transmogrifies "as if his youth had been half restored [my italics]," although he's still no oil painting - even if Stoker's description makes him sound just like an oil painting: "For the white hair and moustache were changed to dark iron-grey. The cheeks were fuller, and the white skin seemed ruby-red underneath. The mouth was redder than ever, for on the lips were gouts of fresh blood, which trickled from the corners of the mouth and ran down over the chin and neck."
After the otherworldly Orlok, whose frightening visage was a meticulous and uncanny representation of Stoker's description, the next Count of note on the big screen was Bela Lugosi, an Austro-Hungarian stage actor approaching 50. The imposing six footer had already donned the cape and fangs on Broadway when he took the lead role in the "talkie" version of Dracula, released in 1931. Lugosi laid down the aesthetic blueprint for male vampires in film for the next half century. 58-year-old Austrian-born Francis Lederer, a statuesque 6 ft 2, maintained the slick-haired eastern European nobleman with the exotic twang in 1958's Return of Dracula. The same year, a younger man in his mid-30s, a strong and silent Englishman standing at 6 ft 5", began making the role his own, starring in Dracula (or Horror of Dracula in the US). Curiously Christopher Lee, in his second outing as Dracula: Prince of Darkness in 1965, refused to say any of the lines, having read the awful script. He hissed at the camera instead, and his mute, mysterious and serpentine Count became perhaps his most terrifying of all. Watch a YouTube montage of Lee approaching his female victims and it's impossible not to be overwhelmed by the darkly sexual intent as he stealthily approaches, silent and mesmeric, before the violation takes place. He's powerful and imposing, slightly ungainly and yet magnetic, but never pretty. His replacement in 1960's The Brides of Dracula was. David Peel's camp libertine Baron Meinster had nothing of Lee's sinister presence, and Peel soon quit the acting business altogether to sell antiques.
Christopher Lee played Dracula nine times over the years, and Peter Cushing reprised the role of Van Helsing five times, the last time in the so-so kung-fu crossover movie The Legend of the 7 Golden Vampires, and he also took similar roles, like General Von Spielsdorf in The Vampire Lovers (1970), as vampire films entered their faintly ridiculous erotic lesbian phase. To suggest sapphic vampire pictures are a subgenre is a misunderstanding though - the inspiration was provided by a book that predated Dracula by 26 years and was undoubtedly an influence on Stoker, Joseph Sheridan Le Fanu's Carmilla. The homoerotic undertones of 1936's Dracula's Daughter are startling, in what is supposedly a sequel to Lugosi's Dracula. Cult directors like Jean Rollin made a career out of Carmilla, and the lesbian vampire genre even went mainstream in 1983's The Hunger, a caliginous and grotesque pantomime with plenty of crimson and a cool soundtrack, starring Susan Sarandon and Catherine Deneuve (and David Bowie of course). This promotion of female homosexually might have been considered laudable and certainly subversive for the times, though the scenarios in such films, soft focus, soft porn simulacrums of pictures made by their concomitant harder porn contemporaries, were almost entirely about male gratification.
So to briefly recap, until the mid-80s, vampire films were mostly concerned with middle-aged noblemen of the night suckling on the blood of younger women, and young vampiric women sucking on other young women, but 1987 presented a fork in the road, and director Joel Schumacher, who'd just had a massive hit with Saint Elmo's Fire, crossed the rubicon. The film's title was a reference to J.M. Barrie's Peter Pan; or, The Boy Who Wouldn't Grow Up, with the Lost Boys of Neverland, a tribe of children who fall out of their prams when the nurse isn't looking. The cast was supposed to be much younger than it ended up being, while the film was pitched as a goofball comedy in the style of The Goonies.
"We really didn't know what we were doing then!" Schumacher told The Hollywood Interview in 2012. "We made it up as we went along. The studio was incredibly patient and supportive considering they'd never heard of Kiefer Sutherland, or Jason Patric, or Jami Gertz or Corey Haim. It was another big chance taken by a studio. We were very lucky. A lot of people at the studio didn't think you could mix horror and humour."
Turning "a sort of a cutesy 'G'-rated movie aimed at young kids" into a baroque comedy horror for teens would begin a seismic shift in the way nearly all vampire pictures were made in future, with the debonair, sexually sadistic European older gent consigned to history in favour of franchises of impossibly good looking young Americans with perfect Mormon smiles and beautiful skin and hair. The Lost Boys certainly wasn't the first movie to feature hip young high schoolers in a comedy horror - Fright Night from 1985 pitches a popular student against a handsome vampire who's moved next door, although Chris Sarandon was still in his mid-40s at that time. Watch Fright Night again and you'll feel uncomfortable with the notion that Sarandon's Jay Dee might actually be a paedophile as well as a murderer.
What The Lost Boys did though was take a gang of handsome young reprobate actors and models and turned them into louche, nightstalking gods, and all under the classic, watchful gaze of Michael Chapman, the cinematographer for the Scorsese / De Niro pictures Taxi Driver and Raging Bull, the beautifully shot Carl Reiner / Steve Martin comedies The Man With Two Brainsand Dead Men Don't Wear Plaid, as well as the classic 1978 version of Invasion of the Body Snatchers. As well as looking great, The Lost Boys had it all: motorbike chases, a giant Big Dipper, gothic flasks of crimson blood, noodles that turn into worms, a cave with a giant mural of Jim Morrison, a hip soundtrack (sans creepy "sax man"), exploding stereos, a cabal of vampires who fly out of trees and tear their victims brains out soundtracked to Run DMC's 'Walk This Way', a beautiful Alaskan Malamute called Nanook, and so on. The whole ride had a visceral impact on teenagers at the time, of which I was one, and it made you want to grow stubble, sleep all day and not care about your bad breath. Despite the fact it has remained one of my favourite films - partly because of the memories it invokes when I watch it - there's no doubting its impact on the direction of vampire films.
Hot on The Lost Boys heels came Near Dark (1987), a tenebrous Katherine Bigelow picture set in the dirty south, full of hot dust, hot lust and vampires who look even more like rock stars. The gaunt, older Lance Henriksen is a spit of Keith Richards, and even Bill Pullman somehow looks like an undead Julian Casablancas. Like Laddie Thompson in The Lost Boys and later Claudia in 1994's Interview With The Vampire, there's a child character who is turned before adolescence. Homer smokes and shoots people, but he's cursed to walk the earth for eternity (or until he gets fried by the sunlight) having never experienced full sexual potency.
Suddenly Dracula is not nemesis enough, vampires now have to come in gangs, and the more chiselled or nubile the better. Buffy the Vampire Slayer bombed at the cinema but was turned into an incredibly successful TV franchise combining vampire comedy and horror. Bram Stoker's Dracula and Interview With The Vampire were big summer hits with A list ensemble casts. ER's George Clooney was introduced to cinema audiences in the preposterous Romero-homage From Dusk Til Dawn, written by Quentin Tarantino and directed by Robert Rodriguez. Blade starts with an illegal rave where the sprinklers fire blood onto a dancefloor of writhing vampires, and Wesley Snipes became the vampire action sub genre's first credible black lead (1972's blaxploitation thriller Blacula blazed trails of course, but wasn't particularly good). Meanwhile Anne Rice's remarkably successful Vampire Chronicles would inspire other literary sagas, and you and I both knew we wouldn't get through this article without mentioning The Twilight Saga - four books published between 2005 and 2008 that spawned the hugely successful film franchise, making stars out of its leads, Kristen Stewart and Robert Pattinson.
"It definitely laid the groundwork for Twilight," says Cigarette Burns' Josh Saco, who will be showing a special 30th anniversary screening of The Lost Boys at Regents Street Cinema, London in August. "Schumacher picking pretty boy members of the brat pack was a definite change of direction. It follows that lineage of movies like Fright Night, Salem's Lot and The Monster Squad that takes The Goonies recipe and darkens it. It's über-80s legacy is undeniable, and über-80s is all about impossibly good looking high school students who are so much cooler than you. And then you get Twilight."
The first Twilight movie isn't quite as awful as you might imagine it to if you haven't watched it, but it's difficult to see what it has to do with vampires. Edward Cullen is less incubus, more emo übermench, able to stop speeding vehicles with his bare hands, read people's minds and clatter baseballs into orbit whilst listening to his favourite band Muse. Like Dracula he's an outsider, but in a stroppy, misunderstood, teenage kind of way. "Your mood swings are kinda giving me whiplash", complains his soon-to-be human girlfriend Bella Swan, and he flicks his sexy Jedward hair in disdain. Soon they will attempt interspecial love, because pale and interesting Edward is a nice vampire who only drinks the blood of dead woodland animals while Debussy plays in the background. Bella is just as self-obsessed; "I tell you I can read minds and you think there's something wrong with you," admonishes Edward at one point. Christopher Lee's Dracula was never emotional or moody or co-dependant, he just wanted to defile and drink dry a random woman and sleep it off in his coffin.
"It's all about the cheapening of the genre, or what some might say is broadening its appeal," says Saco. "The younger the vampire the lower the rating, and then you can get the kids through the door. The horror genre goes through phases and the days of hard horror banking are theoretically behind us. So we go for glam horror, Twilight: $393m at the box office, or cerebral horror: Let the Right One In, $11m at the box office."
Let The Right One In (2009), or Låt den rätte komma in in its original Swedish, takes the infantilization of the vampire to its logical conclusion, by casting Lina Leandersson, a 12-year-old girl, in the lead role. Vampire Eli forms a bond with another 12-year-old, Oskar, who is being bullied at his suburban Stockholm school. "It's such a pure story about childhood fears," says Saco, "and all children at some point want a monster to be their friend." Austere and atmospheric, eschewing special effects for bleakness and beauty, Let The Right One In subverts the genre simply by rejecting its usual tropes and cliches. It's not just a brilliant vampire film, it's a brilliant film full stop.
What We Do In The Shadows (2014) subverts too by being caustically funny. The New Zealand-made mockumentary, directed by comedians Taika Waititi and Jemaine Clement (he of Flight of the Concords fame), follows the lives of four vampires sharing a flat and the woes that accompany such an arrangement. Outside of the flat, they're unable to get into the local nightclub because the bouncers won't invite them in, and they keep getting into fights with the local werewolves, spoofing the Underworld series (though with slightly less sheen and considerably less budget). One character, Jacqueline, is desperate to be turned, and has spent the last four years doing chores for one of the vampires in the hope he'll one day bring her in from the cold and grant her eternal life. "It's just a homoerotic dick-biting club and I'm here ironing their frills," she complains. In another scene, the vampires invite some potential victims around to their house for dinner, and serve up two tins of cold spaghetti. "Please Nick, eat some bisgetti", says the vampire Deacon, still using an infantile word from his childhood. A few moments later he declares "I didn't realise you enjoyed eating worms, Nick!" - the character jumps up from the table in surprise, although there's no hint of trompe l'oeil. Cut to a talking head of Deacon telling the camera, "We stole that idea from The Lost Boys but I put a twist on it." The next shot cuts back to the dinner table where Deacon stands and boldly asks, "Nick, how does it feel having a snake for a penis?"
In 2017 vampires are everywhere, but the more of them there are, the more identikit they become, and the fewer surprises there seem to be on offer. One suspects there are few vampire flicks being made right now that are likely to tempt us to the cinema, although they might pass the time on TV. Or, if you're like Grandpa, just check the listings and don't bother with the telly.
"Read the TV guide, you don't need a TV."
An archival 35mm print of The Lost Boys will be shown at Regent Street Cinema on August 19th as part of a 30th anniversary screening by Cigarette Burns (including a Q&A with The Story Of The Lost Boys author Paul Davis)
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As the Edukick side travelled to Tameside for the fixture against Curzon, it was a debut for many of the lads in the side, some of them only arriving earlier in the week and having just two or three sessions with the team. In very hot Manchester conditions the instructions to the players from Nigel, head coach, were to go out and be organised, disciplined and express themselves as they have done in training for the past few weeks. The first half was very tight with the Edukick side sticking to their individual roles and responsibilities well, not allowing Curzon to play through the middle of the field.
At the break the deadlock hadn't been broken, going in all square and no goals but the visiting side looking fresh. As the second half kicked off, the home side pressed and ten minutes into the second half Curzon took the lead from a misplaced pass by the Edukick side. The visitor's attitude remained positive and they continued to create and pass the ball well, creating some great chances and being the dominant side.
As the game went on and the confidence grew in the Edukick side, Aldo picked up the ball from deep inside his own half, some great passages of play through the thirds ended with Ibrahim slotting home an equaliser from the left hand side.
The game finished all square at 1 – 1. A great result for a side that have only been together for a few weeks and some a few days, with so many positives to take.


text:
The Inflation Rate in the U.S.: Past, Present, and Future
Posted on February 8, 2022 February 8, 2022 by Mary Pat Campbell
Link:https://advisor.visualcapitalist.com/the-inflation-rate-in-the-u-s-past-present-and-future/
There are a number of periods in history where the inflation rate in the U.S. was heightened. For instance, a booming economy in the late '60s led to rising prices. President Nixon implemented wage-price shocks to halt inflation, but this eventually caused a recession.
In the years that followed, surging oil prices were a primary culprit behind periods of higher inflation. The early '70s were impacted by the oil embargo, when OPEC countries stopped oil exports to the United States. At the same time, U.S. oil producers didn't have additional capacity and non-OPEC oil sources were declining as a proportion of the world oil market. This meant the U.S. was unable to increase supply to meet demand, and OPEC countries had more power to influence oil prices.
Fast forward to 2021, and the COVID-19 recovery has again led to a higher inflation rate in the United States. A number of factors are responsible, including surging consumer demand, supply chain problems, and a labor shortage.
Author(s): Jenna Ross
Publication Site: Visual Capitalist
Posted in EconomicTagged CPI, inflation, Jenna Ross, Visual Capitalist
Previous Post COVID Waves in 2020 Caused Bigger U.S Death Rate Spike Than 1918 Flu: Actuaries
Next Post New York May Develop Life Policy Disclosure Rules
Actuarial Topics
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June 2022(125)
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Home Forums > Everything Else > Nonsense Anything Boards >
No God is Welcome in San Diego.......per U.S. District Judge Larry Burns
Discussion in 'Nonsense Anything Boards' started by Saluki, Dec 13, 2013.
JFK said: ↑
Victims of private schools need a grammar and punctuation lesson now and then.
I think what he's trying to say is the Public schools teach an agenda now and not the History of Our Country.....
ConSeaMate, Dec 17, 2013
JFK Well-Known "Member"
14' Livingston skiff
Yeah I got that. Having been through the public school system and being fairly familiar with it (my mom is a teacher in public school and my fiance just got her masters in education and CA credential) I will say that there is no "agenda." Public schools have core material they have to cover but no central control, and don't posess the resources to coordinate a mass revision of history. Similarly, the teachers come from different backgrounds and you will get different view points. My high school history/government teacher was the head of the Republican's club. While it may not be the end all, be all of a US history education, you will get the basics and they actually paint the US history in a pretty favorable light. People on either end of the political spectrum will take issue with it because it doesn't comply with their BS revisionist ideal, but that's actually a good read on where the truth lies. If you piss people on the far right and far left off, you're probably pretty close to the truth. I don't deny that the founders had a lot of great ideas, but it's lame to not acknowledge certain contradictions in what they said, versus what they actually did.
I would be interested to learn how private schools do a significantly better job at this, especially when their teacher turn-over rate is so high, with most only teaching there until they can get employment at a more desirable, more secure, public school?
JFK, Dec 17, 2013
stairman ......
ramona /ca/usa
yak and lowe duck hunting skiff but they identify as sportfishing crusiers
I'm a victim too!But thanks for pointing out my grammar deficiencies...it always lets me know you have no other point to make.
If you have read any of the history books being used today in public schools and you say there is no agenda then I don't know what to say to you other then your education in those schools worked.
stairman, Dec 17, 2013
Rauterki The worst fisherman on the boat
Capistrano Beach, CA
I'm in the market. Make me an offer I can't refuse.
I will say that there is no "agenda." Public schools have core material they have to cover but no central control QUOTE]
I'm honestly not trying to go too far off track or start an argument but....if there is no central control then what the hell does the Department of Education do????
I also have several teachers within my family and each and every single one of them despises Common Core.
Rauterki, Dec 17, 2013
stairman said: ↑
You liked the old ones where Columbus was a hero, we did the indians a favor by teaching them how to be civilized and the founders were a bunch of benevolent, kind hearted old men?
@-EZ Fail, try again.
San Diego, CA.
Trophy Pro, @-EZ
Damn, I really love wintertime conversations...
@-EZ, Dec 17, 2013
thank you for the example
OILAGER Hecho en Estados Unidos
M Class Planet / Riverside
Grady White 228 Seafarer "GOTTA GET'M"
It's a war memorial for American servicemen that fought under the American flag.....and the American flag is the only thing that should be honoring them as a group. If there is a religious preference for a headstone ect.... that's okay, but these servicemen didn't fight in the Crusades under the cross, they fought for the principles set forth in the Constitution and all of its amendments.
There is a lot of wrangling over monuments, mottos etc... that were erected or inscribed during the early/ mid-1950's, most of them an overreaction to the "Red Scare" and "godless communists", and unlike the many unused bomb shelters built during the same era that were eventually filled in, these state sanctioned religious references have managed to to survive when they shouldn't have.
OILAGER, Dec 17, 2013
Marcus "Oddjob"
Tuna Jihad toilet cleaner/Intrepid
OILAGER said: ↑
Marcus, Dec 17, 2013
What she said.
Tues, Dec 17, 2013
yes quickly...burn all the associations with Christianity from our country's history.....we just can't have that stuff poisoning children's minds...homo parades in san Francisco are so much better for them to see.
Cutt Newbie
Woodland Hills, Calif.
Tim Cutt
Well it appears he's a… ?
http://www.youtube.com/watch?v=CLAuO7Gsg8U
Cutt, Dec 17, 2013
It's a war memorial for American servicemen that fought under the American flag.....and the American flag is the only thing that should be honoring them as a group.
Unfortunately, the American flag offends some Americans too......[h=1]Petty tyrants across America try to ban the American flag[/h]
<!-- .entry-meta -->	In May 2010, a FoxNews poll found that an astonishing 33% of people in the United States wanted the American flag to be banned. Some among that 33% are actually successful at getting the flag banned even when it's someone else who's displaying the flag.
Here are some instances chronicled by FOTM:
A shopping mall in Portland, Oregon, forced the manager of the children's train to remove American flags that are used to decorate the train ride.
An apartment complex in Springfield, Oregon, served an eviction notice to a Navy veteran because he put up an American flag in a common area of the complex on Navy Day.
A neighborhood association banned a 90-year-old veteran from flying the American flag outside his suburban Virginia home.
An Olive Garden restaurant in Oxford, Alabama, banned a woman from bringing an American flag into the restaurant for a planned Kiwanis Club meeting because the flag would "disrupt the dining experience for all other guests."
The principal of Denair Middle School in California ordered a 13-year-old boy to remove the flag from his bike for fear the flag of the United States of America would "incite<del> racial incidents"</del> Hispanic outrage.
The Live Oaks High School in Morgan Hill, California, sent three students home for wearing American flag t-shirts to school on Cinco de Mayo because the t-shirts might provoke "violence" on the Mexican holiday.
It's called a teachers Union that is corrupt and nobody ever gets fired.......and if you don't see the agenda your already lost......and socialism is for you.....
[h=1]Public Education is Socialism[/h] [h=2]by Jeffry R. Fisher[/h]
"It's time to admit that public education operates like a planned economy, a bureaucratic system in which everybody's role is spelled out in advance and there are few incentives for innovation and productivity. It's no surprise that our school system doesn't improve; it more resembles the communist economy than our own market economy."
Albert Shanker, President, American Federation of Teachers
[h=4]What is Socialism?[/h] I am amazed at how often my online arguments must detour to define socialism for people who vehemently support its principles yet just as vehemently deny that they are socialists. Therefore, to head off confusion, I'll put a working definition up front:
Socialism: "Government mandated social engineering (shaping society or shaping individuals to conform to a societal ideal)."
On the political left, that especially involves economic control up to and including collective ownership and operation of commercial enterprise. If you have a different or better definition, or if you can help me to refine mine, please let me know.
[h=4]Social Engineering[/h] Ever since public schools were first organized, various groups have used (or attempted to use) them to mold future citizens and thereby shape society to their own ideals. You can probably think of a few yourself. I bet it's easy to think of the abuses that run counter to your own ideals. Are you open minded enough to confess any applications by your philosophical allies? There are so many dimensions to ideological school content that I plan to write about them separately in Propaganda.
In addition, as agents of the state, teachers are sometimes asked to do more than teach. State legislators are also trying to draw them into the police state and the nanny state. See Reason Magazine's Mental Detector, and Home Invasion.
[h=4]Government Ownership[/h] By taxing residents in advance and then giving away education at no additional charge, government is able to claim a virtual monopoly on K-12 education in almost every school district. The government owns the land and the buildings. With very few exceptions, government operates the facilities and employs all of the teachers.
[h=4]QED[/h] Public education is government owned and operated, and ideologues of various stripes work continuously to effect social engineering by controlling curricula, text books etc. Therefore, public education is socialism.
I feel like the cow in Gary Larsen's Far Side cartoon who suddenly realizes, "Hey! This is grass! We've been eating grass!"
To defend public education, you must first prove that socialism is superior to capitalism. You will never do that. Every tactical claim you make about some classroom level detail will be moot because capitalism can always do better or do the same for lower cost. Always.
We wouldn't allow the government to dispense religion or monopolize food, and we came to our senses in time to avoid nationalizing health care. Why do we continue to tolerate government monopolization of K-12 education? Why to we tolerate a government institution overseeing and second guessing the raising of most families' children? It's an abomination. We should kill it.
Total government control is too extreme. A system where government pays while free enterprise owns and operates it is a much more balanced and moderate compromise between the society's collective interests and citizen's individual liberties.
[h=4]Unintended Consequences[/h] Is it any wonder that all of today's public education problems look just like the plagues on every socialized business ever to exist anywhere?
It has big, self-perpetuating bureaucracy and large, centralized facilities instead of smaller, convenient ones.
It induces uniformity and inhibits variety.
Costs are high, but many facilities and equipment are poorly maintained and wages are low.
Tedious teacher certification selects the bureaucratic and protects them from competition from the intelligent. Read Thomas Sowell's article.
Resource allocation is heavily unbalanced toward the politically strong, and there's a go-to-hell attitude toward everyone else.
There are shortages: overcrowding and lack of materials both trivial and critical.
Employees are unhappy
Customers (parents) are unhappy
Powerful, entrenched political organizations like the teachers' union (moguls) shriek continuously about the unknown dangers of changing to anything else. If you ask me, their fear of structural change makes them way too conservative.
Perhaps worst of all, a politicized system compromises teaching by adding various social engineering and police tasks to teachers' job descriptions, and the control is becoming more centralized every year.
Is it any wonder that the organizational structure and delivery mode are mostly unchanged after almost two centuries? How many generations of America's disadvantaged must suffer the cycle of ignorance begetting poverty before education's self serving elite confess that the solution is in liberty, not bureaucracy? America needs a radical liberal to liberate American schools the way Margaret Thatcher liberated Britain's nationalized industries in the 1980s.
[h=4]Free Market Power[/h] A competitive free market will give many immediate and far ranging benefits, some going far beyond education:
Economy: If we were wise enough to reduce the government's involvement to just investigating reported fraud and recording quarterly enrollment (not daily or hourly attendance taken by hand like the idiotic bureaucracy does now), we could then eliminate 99% of the government education bureaucracy, thereby eliminating over 50% of the cost of K-12 education in this country. Trimming the bloated bureaucracy would yield tax cuts, higher teacher salaries, and improved facilities/equipment in schools.
Secondary economic effects: Reforming a major segment of our economy would spread economic dividends far and wide. Putting all of those former bureaucrats to work in productive enterprises (like picking lettuce) would fuel explosive economic growth all around. Government waste is mind boggling, and every year we allow that waste in education costs all of us dearly.
Investment Induction: Private enterprise buys its own land, buildings and equipment. That means no more tax levies to build new schools. Not only that, but most communities will get a huge, one-time windfall when it auctions off all of its schools and the land under them.
Improved Facilities: Private Enterprise tends to buy better stuff and take better care of it, at least when and where it makes a difference. Government stuff tends to be crap, unless they paid too much for it. If you ever see top quality government property, then you should ask how much it cost, but first make sure you are sitting down.
Liberty: Consumers rule directly over what they choose to buy, voting with their feet and their dollars. It is the most free and democratic system devised by human kind.
Motivation: Entrepreneurs are motivated not only by the quest for profit but by the risk of bankruptcy (Note: The profit margin in any sector tends to be proportional to its perceived level of risk). Managers must tread a fine line between cutting costs and maintaining high quality. Contrarily, in government, bureaucrats are motivated to build as big of an agency under themselves as they can. Big departments mean promotions, and spending all of one's budget is rewarded by increased funding in subsequent years.
Culling: Unnecessary or overly costly versions of goods and services are ruthlessly driven out of existence by bankruptcy or submission to competing management. That includes schools that yield to extreme activists, unlike public school boards that can be compromised by special interest groups and just go on taxing. In government, unpopular goods and services persist year in and year out as politicians make promises they can't keep, and bureaucrats waste ever bigger bundles of money building ever expanding empires to fail to solve problems they themselves created, and then tell taxpayers to cough up another lung to pay for the same things they were supposed to get from the last tax increase.
Participation: Even apathetic parents will need to make an occasional decision, inducing them to pay at least some attention. The odds are high that they'll stumble into a school that encourages them further.
Structural Evolution: The system will become much more dynamic than when centrally controlled, rapidly adapting to new technologies and other changes. Government inertia is mind boggling, and its strangle hold on education is costing our society dearly. See Innovation.
Diversification: Many providers can bring many variations of a product or service to market simultaneously to satisfy a wide variety of tastes. In government, one complex compromise is imposed on nearly everyone, and it satisfies almost nobody. With a free system, we would no longer be saddled with a lowest common denominator curriculum designed to offend nobody. Instead, we could give full flower to each and every culture that has a following. A free system will promote a wide variety to choose from. Instead of everyone being stuck with their school board's decision on whether to have a football team or a theater program (or both), each family will be free to choose a school that caters to its own tastes. As long as government isn't dictating design choices, it doesn't force consensus where none is needed.
Peace: When every family can get what it wants, then none will need to force their preferences on others just to get something for themselves. The school board fights over religion and budgetary trade-offs should end forever.
[h=4]What about charter schools?[/h] They're a slight reversal of government centralization, but they are still at the mercy of government (see Reason's "Threatened by Success"). Therefore, charter schools merely turn back the clock a few years without curing the fundamental flaw in the system: As long as government owns and operates the schools, education decisions will be driven by political dynamics to the detriment of prosperity and independent citizenship.
Government is like ivy; merely trimming it back is but a temporary respite from its stranglehold. The signs of government's willingness to incrementally creep into charter programs are already appearing. Just keep watching, and you'll realize that charter schools merely demonstrate the economic benefits of independence; they are not a permanent, long term solution. Charter schools are an improvement, so they're worth having, but they should not deter us from demanding the correct solution of total, irrevocable privatization.
[h=4]Why can't public and private coexist, as with colleges?[/h] When I was younger, I couldn't understand why anyone would pay big bucks for a private college when public was available for next to nothing. Only later did I realize that not everyone could get into top public universities, that I had been very fortunate to get high test scores and grades in one of the very best public school districts in the nation.
At the college level, public and private coexist, but there are some special forces at work, and still there are cracks:
There have been extreme shortages at the few public universities that have high rankings. If you can't qualify, then paying dearly for an obscure private college is a way to get a good education in spite of weak scores.
Public universities are under some pressure from privates, so some are not as horrible as their K-12 counterparts.
Public universities aren't as "free" as K-12 schools; they charge some fees and sometimes tuition.
Truancy laws don't force people to go to college based on age. People are free to work first and go to college later, if ever.
A college education has a shorter payback period.
Snobbery: Some families simply don't want their kids mixing with riff raff. They can control that somewhat in K-12 by living in exclusive suburbs, but college is a regional mixture.
Government and other institutions offer grants and loans that students can take to private colleges, even religious ones. So I turn the question back at whomever asks it: Government grants money to students to go to private college, so why don't we do the same thing for K-12?
Where public universities are highly regarded, they are horribly expensive. While I attended UC Berkeley, I was shocked to learn that its budget per student was higher than Stanford's. Of course, that included all of the bureaucracy. Berkeley's overhead was much, much more than Stanford's. The Berkeley is only able to be as decent as it is because it is fabulously costly to the taxpayers of California.
Ironically, it was because of California's high taxes that I took myself and my knowledge elsewhere as soon as I started earning above average money in my career. Perhaps the State of Washington should thank California for first financing my education and then driving me out.
[h=1]First Obamacare, Now Obamacore – Part 1: Common Core Sows Seeds of Socialism in Young[/h]
by Nancy Thorner
For over 100 years an educational system was in place that served this nation well. Those of us who can relate back to the 1950′s and before remember a time when the curriculum was left to individual teachers, or to department personnel in larger school systems, and where textbooks were likewise selected by individual teachers or department committees from a state-approved list of school textbooks.
It was an era when if teachers weren't doing their jobs, they were usually let go after having a chance to improve. This same accountability existed from grades K through graduate school until the 60′s when teacher unions were organized and took hold in states. The Illinois Education Association (IEA) is one of the strongest in the nation. Its influence is far reaching in setting teacher salaries and in determining rules and regulations under which teachers work in local school districts.
Young men, having been educated under an educational system that some now view as haphazard, were prepared for work and for college. They further acquitted themselves well on the battle field when serving in World War I and II. After the wars these same ordinary men and women built businesses and proved to be productive in many ways.
What happened in the interim, despite all the money this nation has plowed into education, when fast forwarding to 2010 a new education program, Common Core, was conceived and created by the National Governors Association? President Obama and his administration wasted no time in embracing the new Common Core program.
Concluded by the NGA and the SCSSO was that for children to be properly educated there must be national standards, or a national curriculum, with lock-step performance testing curriculum to enable this nation to catch up with the rest of the world in science, math, and engineering. This despite that during much of the last hundred years this nation led the world in the disciplines of science, math and engineering and produced a large number of competent and brilliant scientists, doctors, engineers, architects, etc.
According to an article published on December 4th at Breitbart.com, Barack Obama didn't simply embrace a concept that others had developed. Rather, the very roots of Common Core are in the early ideas generated by Obama and his fellow radical community organizer, Bill Ayers. It was Obama who headed the Chicago Annenberg Challenge from 1995 to 1999, a school "reform" organization founded by Bill Ayers, which funneled more than $100 million into community organizations and radical education activists.
Regarding the National Governors Association and the Council to Chief State School Officers, who are often cited and given credit for being the originators of Common Core standards, the real architect behind Common Core was David Coleman. As such, Coleman is responsible for bringing change to the entire American education system, even in the absence of any teaching experience.
In applying for a high school teaching job Coleman was turned down, after which he worked for a consulting firm where he advised public schools and became a fixture at NYC Department of Education meetings.
Coleman's agenda:
Transforming the American education system to fit his lofty ideas of what "real" education is. And it has nothing to do with learning useful skills to help you say, write a cohesive and grammatically correct resume or long division.
Of great concern is that Coleman was hired this past summer to lead the College Board organization. He is now redesigning the SAT'sand AP Program. In this position Coleman has the opportunity to tie what kids are learning to what colleges are expecting.
I knew you would like that one Chris...... .....
Since this thread has gone all over the place. Ebonics forever!


Tim, I have started this topic for your Barth pictures. Our host and Bill NY will post you on the map soon. Pictured here is this classic Barth when still on American turf.
Hi Tim! Please keep in mind, that you are speaking to almost 4000 members and countless want to be members. Did you mean that you are picking your Barth at a Seaport in Denmark? Where is Aarhus located. Some members may know, but I have no clue. When you get around to it please help me out.
2670 Greve Strand, Denmark? Tim, Is this the correct location for your coordinates?
How is it going? Send pictures when you can.
This is epic and takes WOW to a entirely new level! We need a new emoji!
A body off resto-mod Barth.
Serious work and seriously cool!
I can't wait to see this little Barths saga continue and the finished product.
A beautiful coach and a top notch restoration.
Talk about an ambitious fellow. more power to you!!!!!
All of the above and the photos were sent all the way from Denmark to Photobucket.
I am without words, Tim. This will be the finest Barth anywhere in the world.


According to results published in the Journal of Clinical Oncology, patients with limited small-cell lung cancer who continue to smoke while they are being treated with chemotherapy and radiation therapy have a decreased survival compared to patients who don't smoke during treatment.
Lung cancer remains the leading cause of cancer-related deaths in the United States. Small-cell lung cancer (SCLC) refers to the type of cell within the lung that the cancer originated. SCLC is a very aggressive type of lung cancer, and accounts for only approximately 20% of lung cancers in the U.S. It is most often diagnosed in smokers or former smokers. Limited SCLC refers to cancer that is present in only one location in the chest and has not spread to distant sites in the body. The most common form of treatment for patients with limited SCLC is combination chemotherapy plus radiation to the chest and sometimes, preventive radiation to the head.
Researchers recently reviewed data from 189 patients with limited SCLC treated between 1989 and 1999 at the London Regional Cancer Center in Canada. Patients were treated with chemotherapy consisting of cyclophosphamide, doxorubicin, epirubicin, vincristine, etoposide and Platinol®, as well as radiation therapy. Seventy-nine patients continued to smoke during treatment, and 107 quit smoking during treatment. The average duration of survival was 18 months for patients who had quit smoking, and only 13.6 months for patients who continued smoking. At 5 years, overall survival rates were nearly 9% for patients who had quit smoking during therapy, compared to only 4% for those who continued to smoke. Death rates from causes other than cancer were similar between the two groups of patients. Patients who continued smoking did not have an increased incidence of delays in treatment due to side effects.
The researchers concluded that patients with limited SCLC who continue smoking during treatment with chemotherapy and radiation have a decreased survival compared to patients who quit smoking during treatment. Patients with SCLC who are to undergo treatment and are still smoking may with to speak with their physician about possible smoking cessation programs.
Reference: Videtic G, Stitt L, Dar A, et al. Continued cigarette smoking by patients receiving concurrent chemoradiotherapy for limited-stage small-cell lung cancer is associated with decreased survival.
Journal of clinical oncology. 2003;21:1544-1549.


text:
Letter to Hubert James Foss from Thomas H. Hamilton, 05 March 1942
Identifier: Coll-411/1/1/L2206
University of Edinburgh Library Heritage Collections
The Tovey Collection (Coll-411)
Papers of Donald Francis Tovey, 1887-1951
Letter, 5 March 1942, Illinois, Thomas H. Hamilton to Hubert Foss. Memories of Tovey's tours of America and of Tovey's hospitality. Typescript signed.
1 Letter [1]p. 28 x 21cm
From the Series: 13 boxes
[1]p. 28 x 21cm
Foss, Hubert James (music publisher and composer)
Hamilton, Thomas H (Thomas H)
Monmouth (Illinois, United States)
Tovey, Sir Donald Francis, 1875-1940 (Reid Professor of Music, University of Edinburgh)
Voyages and Travel
From the Sub-Fonds: Tovey, Sir Donald Francis, 1875-1940 (Reid Professor of Music, University of Edinburgh) (Person)
From the Sub-Fonds: Grierson, Mary Gardner (pianist and conductor) (Person)
From the Sub-Fonds: Weisse, Sophie, 1852-1945 (Scottish music teacher) (Person)
Part of the University of Edinburgh Library Heritage Collections Repository
http://www.ed.ac.uk/is/crc
Centre for Research Collections
University of Edinburgh Main Library
George Square
Edinburgh EH8 9LJ Scotland
is-crc@ed.ac.uk
Letter to Hubert James Foss from Thomas H. Hamilton, 05 March 1942, Coll-411/1/1/L2206. University of Edinburgh Library Heritage Collections.
Letter to Hubert James Foss from Thomas H. Hamilton, 05 March 1942, Coll-411/1/1/L2206. University of Edinburgh Library Heritage Collections. http://lac-archivesspace-live1.is.ed.ac.uk:8081/repositories/2/archival_objects/23368 Accessed January 29, 2023.
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A Linux on POWER question I frequently hear: How can I find out the hostname or IP address of the HMC that is managing the partition I'm currently using?
HmcStat=1 indicates that an HMC is currently active (if the HmcStat value is some other value, the partition is not currently using–or in touch with–the HMC in that slot). Note that HSC is an older term for HMC: "Hardware Service Console" instead of "Hardware Management Console". Any time you see HSC, think HMC.
RedHat combines the powerpc-utils package with powerpc-utils-papr into a package called ppc64-utils.
SuSE also combines powerpc-utils with powerpc-utils-papr, and calls it powerpc-utils.
Gentoo provides the packages as ibm-powerpc-utils and ibm-powerpc-utils-papr.
serv_config -e partition_auto_restart: determines if the partition will automatically restart after an abnormal termination (like a kernel panic). Read/write; possible values are 0 or 1.
serv_config -e platform_auto_power_restart: determines if the platform restarts automatically after a loss of power. Read/write; possible values are 0 or 1.
serv_config -e platform-processor-diagnostics-run-mode: configures the schedule the platform uses for running automatic processor diagnostics. Read/write; possible values are 0 (disable processor diagnostics), 1 (stagger diagnostics so that only one processor is diagnosed at a time), 2 (immediately diagnose all processors), or 3 (diagnose processors on the schedule determined by the hypervisor).
serv_config -e sp-current-flash-image: which of the two firmware banks is currently booted? Read only; 0 indicates that the permanent side is booted, and 1 indicates that the temporary side is booted.
serv_config -e platform-dump-max-size: specifies the maximum filesystem space that can be used by platform (hypervisor, service processor, etc.) dump data. Read only.
An important note: not all systems and configurations will provide all of the possible parameters. To set one of the read/write parameters, use the following syntax: serv_config -e <parameter>=<value>.
There are a number of other parameters that control service processor features such as surveillance, call home, wake-on-LAN, remote power-on, etc. These can be a little more complicated to configure, but serv_config provides a simple command-line interface for configuring them. Run man serv_config for more details.
This entry was posted in Linux, POWER. Bookmark the permalink.
CRUX PPC provides them as powerpc-utils and powerpc-utils-python.


Founder of Heal Yourself™ - a comprehensive yoga method, which gives you the tools you need to truly heal from the inside out. Based in New York City, Bee Bosnak brings her vast knowledge of yoga and meditation through classes, workshops and retreats worldwide.
Her guidance helps practitioners find a deeper connection with their body and psyche as well as empowering them to live life gracefully on all levels.


Weekends are worth waiting for! ❤ Whether in our bedroom or somewhere outside our comfort zone Quezon City, quality time with these two is a perfect breather. Out of my 32 years as a QC girl (exagg, I'm definitely older than this mall), it's my 1st time to visit Venice Grand Canal or Venice Piazza….


text:
'Mac case study' for semiconductor equipment servicer
Internetweek.com turns its attention to an interesting case study that speaks well for both the Mac and Linux in a recent article entitled Why Mid-Size Company Is Sticking By The Mac.
Antone Gonsalves writes about Pentagon Technologies Group Inc., a Livermore, Calif.-based company that services equipment used in semiconductor plants. In addition to an IT infrastructure that leverages Mac OS X system and Linux boxes almost exclusively, "… the majority of office and factory workers use Apple Macs," said Gonsalves.
The one holdout is a Windows-based accounting system, according to the report. Pentagon uses custom applications running on Xserves. Some data processing happens Linux boxes, which the company's CIO said aren't a big switch from OS X because "MySQL would run on the OS X server in just the same way." He added that deploying Windows in their IT environment would require skills they're not familiar with.
Pentagon also uses GridTalk from GridNote Inc. to pass invoices and purchase orders to its customers. It uses XML-based documents with data stored in a FileMaker database. Customer-facing apps are based on Java, through Orion Application Server from Ironflare AB.
Despite some limitations involving software selection, Mac OS X has some advantages, Gonsalves noted — like less likely hacker intrusions. "… for a company the size of Pentagon, Apple, and now Linux, works. And [it's] unlikely the company will change anytime soon."


text:
{| align="right" style="border:1px solid #808080;background-color:#808080; margin-left:15px" cellspacing="1" cellpadding="3"
|- bgcolor="#808080"
| colspan="3" align="center" | Endstand
|- bgcolor="#fFfF00" align="center"
| Toursieger || bgcolor="#fFfF00" align="left" |  Pasquale Fornara || 46:13:25 h
|- bgcolor="#FFFF80" align="center"
| Zweiter || align="left" |  Ferdy Kübler || + 4:57 min
|- bgcolor="#FFFF80" align="center"
| Dritter || align="left" |  Carlo Clerici || + 6:56 min
|- bgcolor="#FFFF80" align="center"
| Vierter || align="left" |  Pino Cerami || + 12:49 min
|- bgcolor="#FFFF80" align="center"
| Fünfter || align="left" |  Pietro Guidici || + 15:49 min
|- bgcolor="#FFFF80" align="center"
| Sechster || align="left" |  Jean Goldschmit || + 19:14 min
|- bgcolor="#FFFF80" align="center"
| Siebter || align="left" |  Fritz Schär || + 20:26 min
|- bgcolor="#FFFF80" align="center"
| Achter || align="left" |  Marcel Demulder || + 20:27 min
|- bgcolor="#FFFF80" align="center"
| Neunter || align="left" |  André Brulé || + 21:16 min
|- bgcolor="#FFFF80" align="center"
| Zehnter || align="left" |  Ugo Fondelli || + 22:00 min
|- bgcolor="#FF8666" align="center"
| Bergwertung || bgcolor="#FF8666" align="left" |  Ferdy Kübler || 56 P.
|- bgcolor="#ffcccc" align="center"
| Zweiter || align="left" |   Martin Metzger || 42 P.
|- bgcolor="#ffcccc" align="center"
| Dritter || align="left" |  Pasquale Fornara || 41 P.

|}
Die 16. Tour de Suisse fand vom 14. bis 21. Juni 1952 statt. Sie führte über acht Etappen und eine Gesamtdistanz von 1608 Kilometern.

Gesamtsieger wurde der Italiener Pasquale Fornara, der die Tour de Suisse in der Folge noch dreimal – 1954, 1957 und 1958 – gewinnen sollte und damit Rekordhalter ist (bis 2014). Die Rundfahrt startete in Zürich mit 75 Fahrern, von denen 45 Fahrer ins Ziel – ebenfalls in Zürich – kamen.

Wie schon in den Jahren zuvor lähmten sich die beiden Schweizer Rivalen (die zwei «K») Ferdy Kübler und Hugo Koblet, wovon deren Konkurrenten Désiré Keteleer und Jean Goldschmit auf den ersten vier Etappen profitieren konnten. Koblet war an einer Nierenbeckenentzündung erkrankt, und der Tour-Chef Carl Senn schickte einen Arzt zu ihm mit dem Auftrag: «Koblet fit machen, à tout prix.» Bei dieser Gelegenheit soll Koblet gegen seinen Willen und ohne sein Wissen eine Spritze mit dem Amphetamin Akzedron verabreicht worden sein, die sein Herz gesundheitlich nachhaltig schädigte.

Tatsächlich brach Koblet auf der fünften Etappe, einem Einzelzeitfahren, ein, aber auch Kübler verlor fünf Minuten auf Fornara, der das Goldene Trikot übernahm. Tags darauf gab Koblet auf. Sein guter Freund Fornara behielt die Führung bis zum Ziel in Zürich, nachdem er noch zwei Etappen gewonnen hatte.

Etappen

Weblinks
 Website der Tour de Suisse

Einzelnachweise

1952
Radrennen 1952

redpajama_set_name: RedPajamaWikipedia