text:
Deiva Thirumagal
Updated on Jan 13, 2018
Director A. L. Vijay
Music director G. V. Prakash Kumar
Genre Drama, Family, Musical
Language Tamil
Release date July 15, 2011 (2011-07-15)
Based on I Am Sam by Kristine Johnson and Jessie Nelson
Awards Vijay Award for Best Actor
Songs Kadha Solla Poren
Cast Vikram (Krishna), Anushka Shetty (Anuradha Raghunathan), Amala Paul (Swetha), Nasser (Bashyam), Santhanam (Vinod), Baby Sara Arjun (Nila)
Kadha solla deiva thirumagal movie video full song hd
Deiva Thirumagal (English translation: God's Daughter) is a 2011 Indian Tamil-language legal drama film written and directed by A. L. Vijay and produced by M. Chinthamani and Ronnie Screwvala that features Vikram in the lead role as a mentally challenged adult with the maturity of a six-year-old boy, while Baby Sarah, Anushka Shetty, Amala Paul and Nassar portray other pivotal roles. The film comprises director Vijay's 'regular' technical crew with G. V. Prakash Kumar as music composer, Nirav Shah as cinematographer and Anthony as editor. Audiography was done by M. R. Rajakrishnan. The film has its basic plot and lead character copied from the 2001 American film I Am Sam written and directed by Jessie Nelson, and starring Sean Penn as a father with a developmental disability and Dakota Fanning as daughter The film released on 15 July 2011 along with a dubbed version in Telugu titled Nanna. The film was later dubbed into Japanese as Kamisama ga Kureta Musume.
Deiva thirumagal 2011 full movie
Themes and influences
Critical response
Deiva thirumagal full tamil movie vikram baby sara anushka shetty amala paul santhanam 2017
Krishna (Vikram) is intellectually disabled and has the mental ability of a six-year old. He lives a peaceful life in the hill station of Ooty. He is cared for by Victor (Krishna Kumar), the owner of a chocolate factory where Krishna works. One day he excitedly announces to the village that he will become a father. That night, his daughter is born, but his wife Banumathy dies during childbirth. Unable to grasp the concept of death, he simply accepts that his wife has "gone to God" and starts life as a father. He names his daughter Nila, and raises her with love and care. She soon grows into a happy young girl (Sara). With the help of Victor and his other mentally challenged friends, Krishna enrolls Nila in school.
Nila adjusts herself to school life, and befriends the correspondent Shwetha Rajendran (Amala Paul), who develops a maternal bond with the girl. But when she sees Nila with Krishna and learns that it is his daughter, she recognises him from a photo her sister had shown of her lover. She realises Nila is her sister's daughter. She then refuses to let Nila stay with her dad as she is scared Krishna might unknowingly do something to his daughter. Soon a scuffle starts between Krishna and Shwetha's fiancé Karthik (Karthik Kumar). It is broken up by the entry of Shwetha's father Rajendran (Sachin Khedekar) who reveals that his other daughter was Banumathy, who became estranged from him by choosing to marry Krishna. He offers to take Krishna and Nila with him and claims that they are part of his family. Victor agrees and sends them with Rajendran.
At a distance from Chennai, Rajendran tricks Krishna into exiting the car, and abandons him. Distraught, Krishna wanders around the city asking passers-by where Nila is. He eventually arrives at a court, where he meets lawyer Vinod (Santhanam) who assumes that he is rich, and promises him that his boss will defend him. He introduces him to his boss/colleague Anuradha "Anu" Ragunathan (Anushka Shetty), who is hesitant to take up the case as she believes Krishna to be a lunatic. But soon, Victor arrives and explains Krishna's predicament and moved to tears, Anu agrees to help him.
She files a case against Rajendran, but loses hope when she learns that Rajendran's lawyer is Bashyam (Nassar), a feared senior lawyer who has never lost a case. The case is then heard in the high court, with both party arguing to the custody of the child.
Finally, Bashyam asks Krishna about how he can raise his daughter then to support her financially. Then after a quick show of father-daughter connection and affection, Bashyam withdraws and loses the case voluntarily. Giving Krishna his custody of his daughter, Bashyam leaves the court. After spending some time with his daughter, Krishna then takes her back to Shwetha, so that she will be raised financially stable and that she can become a doctor when she grows up. He returns to work at Victor's chocolate factory.
Vikram as Krishna
Baby Sara as Nila Krishna
Anushka as Anuradha Ragunathan
Amala Paul as Swetha Rajendran
Nassar as Bashyam
Santhanam as Vinod
M. S. Bhaskar as Murthy
Sachin Khedekar as Rajendran
Y. Gee. Mahendra as Ragunathan
Krishna Kumar as Victor
M. R. Kishore Kumar as Nandhakumar
Ravi Venkatraman as Dr Basheer
Surekha Vani as Murthy's Wife
T. M. Karthik as Krishna's Friend
Tulasi as Priya
Rethika Srinivas as Bashyam's Wife
Pandi as Muruga
Gadam Kishan as Muttakannan
Karthik Kumar as Karthik (Guest appearance)
The production of the film took five months from start to finish, however Vijay claimed that the film had been in his plans for four years, but he waited for Vikram to give him dates. With A. L. Vijay and Vikram confirming their presence in the project, the producers failed in attempts to persuade Vidya Balan to appear in the film. In October 2010, Anushka Shetty agreed to appear in the lead female role in the film after agreeing terms. Amala Paul, who appeared in the lead role in Mynaa, was signed in November 2010. She had signed on in place of Meera Jasmine, who opted out of the film before production began. Despite reports that Divya Spandana joined the cast of the film in early 2011, Vijay refuted the claim as a rumour. The film saw the collaboration of several technicians who had worked in Vijay's earlier film Madrasapattinam, with G. V. Prakash Kumar as music composer, Nirav Shah as cinematographer and Anthony as editor. Santhanam was appointed as art director, whilst Deepali Noor took charge of costumes. Sara had appeared in a commercial for Vijay when she was two but he then lost touch with Sara's family, before he met them and cast Sara in Deiva Thirumagal, following a visit to Mumbai.
The film proceeded without an official title until April 2011, with several possibilities announced during the production period. The film was tentatively titled Deiva Magan (Son of God), a title from a 1969 film featuring Sivaji Ganesan. However problems arose after Sivaji Productions claimed that they owned the rights of the title and expressed their interest on using the name for a future production featuring Sivaji's grandson, Vikram Prabhu. The title Pitha (Father) also ran into trouble after a debutant team announced that they had registered the title, and the title Deiva Thirumagan also created controversies, but subsequently the film was christened as Deiva Thirumagal in March 2011.
The film was predominantly shot across the hill country settings in Ooty throughout late 2010, with a chocolate factory being constructed as a set by art director Santhanam. Scenes were also shot within Chennai, with the Chennai High Courtroom being reproduced for a scene in the film. The team of the film returned to Ooty in February 2011 to complete the final schedule, after which the film was completed. In order to perfect his portrayal of a mentally challenged adult with the maturity of a five-year-old boy, Vikram visited Vidya Sagar, a school for children with special needs, to learn and study the behavior of such children.
After completing the film with little publicity, the film met the press at Raintree Hotel St Mary's Road in Chennai on 3 April 2011 to launch the title and logo, the teaser trailer and three twenty-second promotional videos of the film. The event was attended by technicians and actors from the film, with the teaser trailer drawing acclaim and positive reviews from film critics.
Despite film's director A. L. Vijay denying it, many critics believed the film was heavily inspired from Jessie Nelson's 2001 drama film I Am Sam. Malathi Rangarajan of The Hindu stated that "Those who have watched the Sean Penn stunner, I am Sam, and Dustin Hoffman's autistic travel in Rain Man can easily spot the similarities between them and DT" [..] and it "reminds you of Balu Mahendra's inimitable Moondraam Pirai. And at times Kamal's Guna".
The film score and soundtrack for Deiva Thirumagan is composed by G. V. Prakash Kumar, collaborating with director Vijay for the third time after the success of Kireedam and Madrasapattinam. The soundtrack album released on 14 April 2011, at the Chennai Trade Centre.
There are allegations that the song "Jagada Thom" has been taken from Amaan Ali Khan and Ayaan Ali Khan's 2007 song "Truth" from the album of the same name. The song "Pa Pa Pappa" is also supposed to be inspired by Walt Disney's Robin Hood song "Whistle-Stop".
Tamil track list
All lyrics written by Na. Muthukumar.
Telugu track list
The soundtrack album received positive reviews from music critics. Richard Mahesh from Behindwoods.com gave a rating of 3/5 and quoted "It's realms of G.V. Prakash again as the young music director strikes with a brilliant composition. On the whole, every song in 'Deiva Thirumagan' has chances of getting ennobled as the best numbers. As of now, 'Vizhigalil Oru Vaanavil', 'Vennilave' and 'Aarariro' deserve special mention for the heavenly work by entire team." describing the music as a "Genuinely pleasing piece." Pavithra Srinivasan from Rediff also gave a score of 3/5 and described the music as "touching" further saying "Deiva Thirumagan has numbers that fit in, almost formulaic fashion, with the angst and emotion that's required of a movie like this. The good thing is that G V Prakash, despite going with tried and trusted tunes, manages to make them melodious and touching. Go for it." Another portal, Indiaglitz said "It would be cliched to say that the duo has recreated its Kireedam and Madraspattinam magic in Deiva Thirumagan, the Vikram starrer. For the album sets a new benchmark in terms of a complete fusion and certain new things have been attempted all through. To sum it up, songs from Deiva Thirumagan is a treat to music lovers and a feast to the fans of Vikram and GVP."
The satellite rights of the film were sold to Sun TV. The film was given a "U" certificate by the Indian Censor Board. Though initially planned to be released in 400-500 screens in India alone, the film was released by UTV only across 250 screens in Tamil Nadu and another 50 in North India. The premier of the film took place in Dubai.
The film received generally positive reviews. CNN-IBN gave three and a half out of five, lauding Vijay for "having handled the emotional sequences with maturity", further adding that "his creative grip over the medium and the subject lifts the movie to higher levels despite some flaws and slow narrative." Behindwoods.com called it an "emotional tale between a father and a daughter well told", giving it three and a half as well. Sify noted that it was Vikram's "best work in years", further writing: "You can feel the earnestness of his intentions and the wetness of his tears. He is able to nail the character's boyish charm and innocence like sunshine and his restraint in the courtroom scene and his poignant dialogues in the climax, is heart breaking". S. Viswanath from the Deccan Herald stated that "Deiva Thirumagan, with A L Vijay [...] proving his mettle and supported by his glorious team, ensures it's worth the ticket money", labelling it as a "not-to-be missed, must-see movie." D.I. Aravindan from nowrunning rated it three and a half stating that "despite some flaws and slow narrative in the first half, the movie turns out to be worth watching -- thanks to some extraordinary performances and emotional strength". Chennai Online cited it was a "stand-out film" that "works a big way with its sensitive approach, good music, spectacular cinematography, and excellent performances". Malathi Rangarajan from The Hindu called it "a sensitive poem on celluloid" that "showcases paternal instinct in all its poignancy" further citing that "Vijay provides enough fodder for this veritable storehouse of talent, and the actor gobbles it up with glee". She heaped praise on Vikram stating "an antithesis almost, but temerity or timidity, the actor accomplishes the task assigned, with élan."
However, the film also received mixed response from other critics. Rohit Ramachandran of nowrunning rated it two and a half describing the film as a "well-made crowd pleasing family entertainer with a developmental disability that gets mentally taxing for the audience towards the end." Pavithra Srinivasan from Rediff also rated it two and a half, praising Vikram's performance, while citing that "if you're a fan of sentimental tear-jerkers, and have not seen I am Sam, Deiva Thirumagal might impress. For the rest, it might provide a sense of déjà vu, and towards the end, the meandering, weak screenplay is largely dissatisfying."
In Chennai, the film collected ₹80 lakh in the first three days with around 100% occupancy in theaters. After one week, the collections were around ₹2.53 crore with the average occupancy being 90%. After six weeks, it had collected ₹7.01 crore from Chennai and was declared a super hit. The film completed 100-day run at the box office.
Osaka film festival
Grand Prix award for Best film
Best Entertainer of the festival award
2011-Filmfare Critics Award for Best Actor – South – Vikram
Vijay Awards
Vijay Awards for Best Actor – Vikram
Special Jury Award – Baby Sarah
Vijay Awards for Favorite Heroine – Anushka Shetty
Nominated – Vijay Awards for Favorite Hero – Vikram
Nominated – Vijay Awards for Best Actress – Anushka Shetty
Nominated – Vijay Awards for Best Background score music – G. V. Prakash Kumar
Nominated – Vijay Awards for Best Cinematographer – Nirav Shah
SIIMA Awards
SIIMA Actor Award for Special Appreciation – Vikram
Vikatan Awards
Vikatan Award For Best Actor – Vikram
Vikatan Award For Best Comedian – Santhanam
Vikatan Award For Best Child Artiste – Baby Sarah
Tamilnadu state film awards Specia award forbest actress- anushka shetty
Deiva Thirumagal Wikipedia
Deiva Thirumagal IMDb Deiva Thirumagal themoviedb.org
Amala Paul
Anushka Shetty
Last Order: Final Fantasy VII


Join Paolo Cremonesi for a one day training session on gels in conservation of cultural heritage. The event is organised by the Conservation Committee of the Council of National Cultural Institutions (CNCI). It will focus on the theory behind using gels and is suitable for conservators of all disciplines.
9.30am Monday 13th November at the lecture theatre in the National Gallery of Ireland.
Currently working as free-lance cultural heritage chemist, Paolo's academic qualifications include a PhD in Chemistry from the University of Milan, a PhD in Bio medicinal Chemistry from the University of Nebraska Medical Center, and a Master degree in Restauration of Paintings on canvas and panel from the Instituto per l'arte e il restauro in Florence.
Over the past 20 years, Paolo has worked in the field of conservation of paintings, polychrome wooden sculpture and paper/library materials, collaborating with public institutions, universities, conservation schools, museums and private conservation studios in Italy, France, Spain and Switzerland in various activities such as research, teaching and consulting.
His research interests lie in developing materials and methods for cleaning. Since 1995 he has been teaching a cleaning workshop in more than 60 Italian cities, as well as in France, Switzerland, Spain, Croatia, Slovenia, Finland, Denmark, Norway and, Austria.


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We are the first to say that, while there is presently no cure for spinal pain, we at Manchester Chiropractic & Sports Injuries have a solid track record for controlling and relieving it.
If you're a Manchester-area resident and you've lost hope in other methods of pain relief, contact Manchester Chiropractic & Sports Injuries. We have the result-getting, evidence-based chiropractic care and services you've been seeking.


text:
struct AllwinnerEMAC {
    static const struct Instance {
        volatile AllwinnerEMAC* address;
        Natural8 interruptPort;
    } instances[];

    enum DMAStatus {
        TransmitStopped = 0,
        TransmitFetchingDescriptor = 1,
        TransmitWaitingForStatus = 2,
        TransmitPassingFrame = 3,
        TransmitSuspended = 6,
        TransmitClosingDescriptor = 7,

        ReceiveStopped = 0,
        ReceiveFetchingDescriptor = 1,
        ReceiveWaitingForFrame = 3,
        ReceiveSuspended = 4,
        ReceiveClosingDescriptor = 5,
        ReceivePassingFrame = 7
    };

    struct TransmitDescriptor {
        static const Natural32 errorMask = 0x00015706; // 0000 0000 0000 0001 0101 0111 0000 0110
        union {
            struct {
                Natural32 deferHalfDuplex : 1,
                          underflowError : 1,
                          deferError : 1,
                          collisionCount : 4,
                          pad0 : 1,
                          collisionError : 1,
                          contentionError : 1,
                          carrierError : 1,
                          pad1 : 1,
                          payloadChecksumError : 1,
                          pad2 : 1,
                          lengthError : 1,
                          pad3 : 1,
                          headerChecksumError : 1,
                          pad4 : 14,
                          DMAOwnership : 1;
            };
            Natural32 raw;
        } status;
        union {
            struct {
                Natural32 bufferSize : 11,
                          pad0 : 13,
                          chainMode : 1,
                          pad1 : 1,
                          CRCControl : 1,
                          checksumControl : 2,
                          first : 1,
                          last : 1,
                          completionInterruptEnable : 1;
            };
            Natural32 raw;
        } control;
        Natural32 bufferAddress,
                  next;
    };

    struct ReceiveDescriptor {
        static const Natural32 errorMask = 0x000048DB; // 0000 0000 0000 0000 0100 1000 1101 1011
        union {
            struct {
                Natural32 payloadChecksumError : 1,
                          CRCError : 1,
                          pad0 : 1,
                          phyError : 1,
                          lengthError : 1,
                          pad1 : 1,
                          collisionHalfDuplex : 1,
                          headerChecksumError : 1,
                          last : 1,
                          first : 1,
                          pad2 : 1,
                          overflowError : 1,
                          pad3 : 1,
                          SAFilterFail : 1,
                          truncatinationOccured : 1,
                          pad4 : 1,
                          length : 14,
                          DAFilterFail : 1,
                          DMAOwnership : 1;
            };
            Natural32 raw;
        } status;
        union {
            struct {
                Natural32 bufferSize : 11,
                          pad0 : 13,
                          chainMode : 1,
                          pad1 : 6,
                          completionInterruptDisable : 1;
            };
            Natural32 raw;
        } control;
        Natural32 bufferAddress,
                  next;
    };

    union {
        struct {
            Natural32 fullDuplex : 1,
                      loopBack : 1,
                      speed : 2;
        };
        Natural32 raw;
    } basicControl0;
    union {
        struct {
            Natural32 softReset : 1,
                      prioritizeRX : 1,
                      pad0 : 22,
                      burstLength : 6;
        };
        Natural32 raw;
    } basicControl1;
    const union {
        struct {
            Natural32 TXCompleted : 1,
                      TXDMAStopped : 1,
                      TXDMAOwnership : 1,
                      TXTimeout : 1,
                      TXUnderflow : 1,
                      TXEarly : 1,
                      pad0 : 2,
                      RXCompleted : 1,
                      RXDMAOwnership : 1,
                      RXDMAStopped : 1,
                      RXTimeout : 1,
                      RXOverflow : 1,
                      RXEarly : 1,
                      pad1 : 2,
                      RGMIIStatusChanged : 1;
        };
        Natural32 raw;
    } interruptStatus,
      interruptEnable;
    union {
        struct {
            Natural32 pad0 : 30,
                      frameLengthControl : 1,
                      enableTransmitter : 1;
        };
        Natural32 raw;
    } transmitControl0;
    union {
        struct {
            Natural32 flushFIFODisable : 1,
                      DMAFIFOThresholdDisable : 1,
                      undocumented0 : 1,
                      pad0 : 5,
                      DMAFIFOThresholdValue : 3,
                      pad1 : 16,
                      undocumented1 : 1,
                      pad2 : 2,
                      DMAEnable : 1,
                      DMAStart : 1;
        };
        Natural32 raw;
    } transmitControl1;
    Natural32 pad0;
    union {
        struct {
            Natural32 enable : 1,
                      zeroQuantaPauseEnable : 1,
                      pad0 : 2,
                      pauseTime : 16,
                      pauseFrameSlot : 2,
                      pad1 : 9,
                      pauseFrameActive : 1;
        };
        Natural32 raw;
    } transmitFlowControl;
    Natural32 transmitDMA;
    union {
        struct {
            Natural32 pad0 : 16,
                      flowControlEnable : 1,
                      unicastPauseFrameEnable : 1,
                      pad1 : 9,
                      checksumEnable : 1,
                      stripFCSOnShortFrames : 1,
                      jumboFrameEnable : 1,
                      truncateFramesDisable : 1,
                      enableReceiver : 1;
        };
        Natural32 raw;
    } receiveControl0;
    union {
        struct {
            Natural32 flushFrameDisable : 1,
                      DMAFIFOThresholdDisable : 1,
                      forwardShortFrames : 1,
                      forwardErroredFrames : 1,
                      DMAFIFOThresholdValue : 2,
                      pad0 : 14,
                      flowControlEnableThreshold : 2,
                      flowControlDisableThreshold : 2,
                      flowControlThresholdEnable : 1,
                      pad1 : 5,
                      DMAEnable : 1,
                      DMAStart : 1;
        };
        Natural32 raw;
    } receiveControl1;
    Natural32 pad1[2], receiveDMA;
    union {
        struct {
            Natural32 allPass : 1,
                      hybridFilterMode: 1,
                      pad0 : 2,
                      invertDA : 1,
                      invertSA : 1,
                      filterSAEnable : 1,
                      pad1 : 1,
                      hashUnicastEnable : 1,
                      hashMulticastEnable : 1,
                      pad2 : 2,
                      filterControlFrames : 2,
                      pad3 : 2,
                      allMulticastPass : 1,
                      noBroadcastPass : 1,
                      pad4 : 13,
                      addressFilterDisable : 1;
        };
        Natural32 raw;
    } receiveFrameFilter;
    Natural32 pad2, receiveHashTableUpper, receiveHashTableLower;
    union {
        struct {
            Natural32 busy : 1,
                      writeMode : 1,
                      pad0 : 2,
                      registerAddress : 5,
                      pad1 : 4,
                      deviceAddress : 5,
                      pad2 : 3,
                      MDCClockDivisor : 3;
        };
        Natural32 raw;
    } MIICommandRegister;
    Natural32 MIIData,
              MAC0High, MAC0Low;
    struct {
        struct {
            Natural32 high : 16,
                      pad0 : 8,
                      byteControlMask: 6,
                      sourceAddressMode : 1,
                      enable : 1;
        };
        Natural32 low;
    } MACx[7];
    Natural32 pad3[8];
    union {
        struct {
            Natural32 status : 3;
        };
        Natural32 raw;
    } transmitDMAStatus;
    const Natural32 transmitDMACurrentDescriptor;
    const Natural32 transmitDMACurrentBuffer;
    Natural32 pad4;
    union {
        struct {
            Natural32 status : 3;
        };
        Natural32 raw;
    } receiveDMAStatus;
    const Natural32 receiveDMACurrentDescriptor;
    const Natural32 receiveDMACurrentBuffer;
    Natural32 pad5;
    union {
        struct {
            Natural32 fullDuplex : 1,
                      linkSpeed : 2,
                      linkUp : 1;
        };
        Natural32 raw;
    } RGMIIStatus;

    void initialize() volatile {
        basicControl1.softReset = 1;
        while(basicControl1.softReset);

        basicControl0.fullDuplex = 1;
        basicControl0.loopBack = 0;
        basicControl0.speed = 0;
        basicControl1.burstLength = 8;
        MIICommandRegister.MDCClockDivisor = 1;

        if(MIIRead(0, 2) != 0x001C || MIIRead(0, 3) != 0xC915) {
            puts("[FAIL] RTL8211E-VB");
            return;
        } else
            puts("[ OK ] RTL8211E-VB");

        transmitControl0.frameLengthControl = 1;
        transmitControl1.flushFIFODisable = 1;
        transmitControl1.DMAFIFOThresholdDisable = 1;
        transmitControl1.DMAFIFOThresholdValue = 0;
        transmitFlowControl.enable = 0;
        transmitFlowControl.zeroQuantaPauseEnable = 0;
        transmitFlowControl.pauseTime = 0;
        transmitFlowControl.pauseFrameSlot = 0;
        transmitFlowControl.pauseFrameActive = 0;

        receiveControl0.flowControlEnable = 1;
        receiveControl0.unicastPauseFrameEnable = 1;
        receiveControl0.checksumEnable = 0;
        receiveControl0.stripFCSOnShortFrames = 0;
        receiveControl0.jumboFrameEnable = 1;
        receiveControl0.truncateFramesDisable = 0;
        receiveControl1.flushFrameDisable = 0;
        receiveControl1.DMAFIFOThresholdDisable = 0;
        receiveControl1.forwardShortFrames = 1;
        receiveControl1.forwardErroredFrames = 0;
        receiveControl1.DMAFIFOThresholdValue = 1;
        receiveControl1.flowControlEnableThreshold = 0;
        receiveControl1.flowControlDisableThreshold = 0;
        receiveControl1.flowControlThresholdEnable = 0;

        receiveFrameFilter.allPass = 0;
        receiveFrameFilter.hybridFilterMode = 0;
        receiveFrameFilter.invertDA = 0;
        receiveFrameFilter.invertSA = 0;
        receiveFrameFilter.filterSAEnable = 0;
        receiveFrameFilter.hashUnicastEnable = 0;
        receiveFrameFilter.hashMulticastEnable = 0;
        receiveFrameFilter.filterControlFrames = 0;
        receiveFrameFilter.allMulticastPass = 1;
        receiveFrameFilter.noBroadcastPass = 0;
        receiveFrameFilter.addressFilterDisable = 0;
    }

    Natural16 MIIRead(Natural8 deviceAddress, Natural8 registerAddress) volatile {
        MIICommandRegister.deviceAddress = deviceAddress;
        MIICommandRegister.registerAddress = registerAddress;
        MIICommandRegister.writeMode = 0;
        MIICommandRegister.busy = 1;
        while(MIICommandRegister.busy);
        return MIIData;
    }

    void MIIWrite(Natural8 deviceAddress, Natural8 registerAddress, Natural16 data) volatile {
        MIIData = data;
        MIICommandRegister.deviceAddress = deviceAddress;
        MIICommandRegister.registerAddress = registerAddress;
        MIICommandRegister.writeMode = 1;
        MIICommandRegister.busy = 1;
        while(MIICommandRegister.busy);
    }

    void enableTransmitter(bool enabled) volatile {
        transmitControl0.enableTransmitter = enabled;
        transmitControl1.DMAEnable = enabled;
        transmitControl1.DMAStart = enabled;
    }

    void enableReceiver(bool enabled) volatile {
        receiveControl0.enableReceiver = enabled;
        receiveControl1.DMAEnable = enabled;
        receiveControl1.DMAStart = enabled;
    }

    bool link() volatile {
        return MIIRead(0, 17)&(1<<10);
    }

    Natural32 linkSpeed() volatile {
        Natural32 speeds[] = { 10, 100, 1000, 0 };
        return speeds[MIIRead(0, 17)>>14];
    }

    void setMACAddress(Natural8 index, const void* buffer) volatile {
        auto dst = reinterpret_cast<volatile Natural8*>(&MAC0High)+index*8;
        auto src = reinterpret_cast<const Natural8*>(buffer);
        dst[4] = src[0];
        dst[5] = src[1];
        dst[6] = src[2];
        dst[7] = src[3];
        dst[0] = src[4];
        dst[1] = src[5];
    }

    void getMACAddress(Natural8 index, void* buffer) volatile {
        auto src = reinterpret_cast<volatile Natural8*>(&MAC0High)+index*8;
        auto dst = reinterpret_cast<Natural8*>(buffer);
        dst[0] = src[4];
        dst[1] = src[5];
        dst[2] = src[6];
        dst[3] = src[7];
        dst[4] = src[0];
        dst[5] = src[1];
    }
};

redpajama_set_name: RedPajamaGithub


Last Friday, a judge for the Foreign Intelligence Surveillance Court (FISC), denied a government motion to retain metadata that it collects as part of its dragnet approach. The judge cited that the government's argument for permission to retain the data was "unpersuasive".
The Court recognized that, while there is a need to protect and preserve data in litigations, the existing law is sufficient and there is no need to continue to expand the government's ability to spy on Americans. It also pointed out that the dragnet approach that the government uses to collect this data almost certainly includes data pertaining to individuals who are not the subject of an investigation.
The lawsuit is the latest in a series of decisions that are calling into question the spying practices that have been brought into light by the Edward Snowden document revelations. Toward the end of last year, another judge made a decision that calls into question the legitimacy of the government's metadata program as a whole. The judge granted an injunction that would require the termination of the metadata program and the government to destroy all of the metadata it had collected.
Now the decision about whether to continue with metadata collection rests with the Appellate Court and whether it will join the lower courts' decisions or not. It's no surprise, the data collection practices of the government are controversial, but finding that judges, some of whom are on the surveillance and security courts, are taking stances against these practices is important.
Not just a year ago, these programs would have been charging forward, unchecked. Now that we are engaged in a national dialogue thanks to Mr. Snowden, it's possible for the government to be opposed.


Our client is a listed MNC company which is focus on E-commerce. They are currently seeking for an IOS leader who has strong leadership.
Our client is a world famous CTA company. This C++ Developer role will focus on the development of trading system.
world Top1 DSP company and focus on new technology.
A global top 500 retail American company, DevoPs manager role with fluent English and communication ability.


text:
Be it zany, 'bookish', or surprising, it's art of interest; Three new N.Y. exhibits
By Theodore F. Wolff
An exhibition of wonderfully zany pictorial comments on our present-day civilization has just opened at the Galerie St. Etienne here. Included among these drawings and collages is a drawing of a cat with a listening device for mice; a man walking over a small bridge -- the central portion of which is a huge razor-blade; a delightful couple, elegant in every respect except for the fact that the man's head is a tuba, and the lady's hat is a large lock; and a wonderfully colored fruit stand open and operating in the middle of a blizzard.
These and many other slightly off-kilter images like them are the work of Eugene Mihaesco, the Rumanian- born artist-illustrator whose drawings and collages have graced numerous New Yorker magazine covers, and and even larger number of pages in the New York Times. While he is well known for his participation in group shows in Europe, and for his contributions to various international design magazines, this is his first comprehensive one-man show in this country.
There is nothing innocent about Mihaesco's art although it's easy enough to smile at his images -- even to see them as highly personal and witty cartoons. And neither is his vision of reality an easy one: The very worst this century has been able to do it itself lurks deep under the calm, even though eccentric, exteriors he shown us. What we see is merely the top layer of a highly complex, emotionally charged, and multilayered reality descending, in geological fashion, to depths incorporating a multitude of things and experiences. Among them are the caricatures of Grandvile, the detailed engravings of turn-of-the-century Sears, Roebuck catalogs, the surrealism of Ernst and Magritte, Mihaesco's experiences behind the Iron Curtain, his years spent in Switzerland, and his fascination with the landscape and character of New York.
But there's more, and what that is is hard to put into words. It has to do with mood and with cultural imagery, fr Mihaesco has a remarkable insight into this century's Zeitgeist, an extraordinary grasp of how to combine elements of Kafka's psychological atmosphere, the linear style and wit of Klee and Steinberg , the haunting emptness of di Chirico's space, the derisive anguish of Dada, the paradoxes of Ernst -- the list endless -- into pictorial ideas and images that then somehow leap beyond their historical inspirations and crystalize as highly personal and unique statements that direct themselves most immediately to a particular audience at a particular moment in time.
Mihaesco is a citizen of the world and of his century. Like his picture of the cat whose natural alertness to the activities of mice has been electronically augmented, he has found some special private means with which to perceive what lies under the surface of this complicated civilization of ours.
If I have any criticism at all of his work, it's that it still partakes a bit too much at times of Steinberg's idiosyncracies. But that's a small matter, and will, I'm certain, straighten itself out in time.
This excellent show at the Galerie St. Etienne will remain open to the public through April 11. Kubach-Wilmsen
At the other end of the art spectrum lies the sculpture at Wolfgang and Anna Kubach-Wilmsen on view at the Staempfli Gallery here. This husband and wife team is responsible for the creation of a veritable library of books made of marble, onyx, and granite. These are of all sizes and shapes, colors and textures, but what they all have in common is that they are made of stone and cannot be opened and read.
And yet, oddly enough, these pieces communicate a remarkable sense of "bookness." The smaller ones especially (and there is a large "bookcase" filled with roughly 60 of these), give one the impression that they could actually be petrified books containing Blakes's poetry or Elizabethan plays -- or possibly old medieval works on alchemy. These richly surfaced and/or old-looking works have been so subty shaped and polished, and their bindings and pages have been so delicately suggested, that they immediately feel familiar when picked up and held in our hands.
But they also look quite extraordinary as sculpture -- especially those that are oversized for books and thus have an existence that is more visual than tactile. Among these are some truly monumental pieces representing such things as a stone newspaper, and various large and ponderous-looking tomes.
It's quite a show -- and will remain on view at the Staempfli Gallery through March 28. Joyce Treiman
It is always a pleasure to follow the career of a painter who never stops working at his or her art -- and who thus keeps presenting us with one surprise after another.Such an artist is Joyce Treiman, an exhibition of whose sprightly and colorful paintings has just opened at the Forum Gallery here.
Treiman is a figurative painter -- but one with a difference. And that is that her paintings of people and things have linear elegance, a sly wit, and a gay abandon seldom found in a genre that usually takes itself extremely seriously. Her work does not partake of the glum expressions, the self-consciously ponderous attitudes toward life, or the heavy-handed attempts to be profound that characterize altogether too many of the figurative painters of her generation. Which is not to say that her art is not human or humane -- only that it concerns itself with the vitality of life and not with its destructions or erosions.
Her surprises this year are two magnificent forest landscapes. I call them landscapes although they are really explosions of sheer joy masquerading as color, the kind of riotous color the young Matisse burst forth with shortly after the turn of the century. To view these paintings is to share with the artist her wonderfully rich and exuberant sense of life. That would be quite enough, but we are given more: The lady also draws beautifully!
This lively and colorful show at the Forum Gallery will close March 26.
Bookish, a new website for readers by three major publishers, launches
Amazon acquires literary social media website Goodreads
2015 Challenger Hellcat: What's it like to drive Dodge's new muscle car?

redpajama_set_name: RedPajamaCommonCrawl


text:
Q: Get Excel to use column of numbers as labels (equally-spaced on x-axis) instead of as x values (x-axis co-ordinates) It could be an easy question but I can't find a proper way to accomplish my task.
I have a simple graph and all I want is to show the X values I wrote in the first column at the bottom of the graph (in X-Axis label). It's ok to have some kind of "scale marks" (20 - 40 - 60...) on a 1-100 scale, but I need those values to be shown.
In this Picture you can see what I get with a scatter graph (I've tried other types but without success). Values have a "gap" of 20 but my X values (first column) are not shown in the X-axis.
How can I add them? Thanks in advance

A: Add a column of zeros to the data.
The first chart below has your original data; the second includes these zeros, which appear along the X axis.
In the third chart I've added data labels below the second series of points (temporarily colored orange to match the series). These show the Y values, all zeros.
In the fourth chart I've formatted the data labels to show the X values instead of the Y values.
In the fifth chart, I've used the custom number format " " (double quote, space, double quote) for the X axis tick labels. This maintains the spacing below the chart for the labels, where using None for the label option would have squashed the chart and overlapped the data labels we've added.
Finally I've restored the data label font color, and formatted the added series so it uses no line and gray cross markers to indicate the position of the other points projected to the axis.

A: Ok, it was simple indeed. Scatter graph and similars can't display the values as I wanted.
Solution: Left click on graph -> change type -> Line Graph -> Here you go

redpajama_set_name: RedPajamaStackExchange


text:
Zoë Cooper
Contact Zoë
Previous shows.
Recent shows.
'You Can't Go Swimming With Your Ex-Husband'
zoealyssacooper@gmail.com
Selected press:
"The result is as an interesting and heart warming play."
- Broadway Baby.
"I think everyone should go and see at least one show based purely on its title. I'm drawn to You Can't Go Swimming With Your Ex-Husband."
- The Guardian, Laura Solon.
"Zoe Cooper is good...THIS play is exactly why Fringe theatre is a wonderful thing."
- The Henley Standard.
'Text Me When You Get Home'
Zoe was thrilled to return to The Henley Fringe with her theatre company Cooper Troupe and her recent piece Text me When You Get Home.
The show looks at the reality of the world we live in dominated by communication of all kinds. Shocked by the level of news stories that detail the trend of people going missing on nights out she wanted to take a look at the how much our constant stream of contact rules us and breaks us equally.
Friends in London are planning a night out, like every other. How often have you uttered those words 'Text Me When You Get Home'? How often have you followed them up? This one act play takes an honest look at this shockingly relevant topic and what can happen when the lines of communication break down when you need them the most.
"Every single line of dialogue rings so poignantly true" & "for a pin-sharp portrait of a modern relationship in meltdown, look no further" (The Scotsman 2010 ****)
Current news.
You Can't Go Swimming With Your Ex Husband has been accepted into The Strawberry One Act Festival, New York.
Zoe and all of Cooper Troupe are thrilled to announce that 'You Can't Go Swimming With Your Ex Husband' has been accepted into The Strawberry One Act Festival, New York. It is an honour to have been chosen to be a part of the festival and Zoe and the cast cannot wait to get out there and show off this production they are so proud of. The cast from Edinburgh Fringe, Will Huggins and Catherine Kirk, will be reprising their roles and Zoe is thrilled to have them on board. The first show will be 4th March at The Hudson Guild Theater, Manhattan. The way the festival works is that during each round there are three shows and through votes from the audience and professional panel alike they ultimately get whittled down to four plays that battle for the crown of best play. If you are In New York please come and support us. Not only because we would love to see you, but also because your vote counts! For more information about the festival and our place in it go to http://www.therianttheatre.com/index.php?n=strawberry_one-act_festival
Buy your ticket today!
The Strawberry One-Act Festival – Winter 2012. March 1st - March 11, 2012.
'You Can't Go Swimming With Your Ex Husband.'
The Riant Theatre, New York City.
Keep up to date on our adventures:
Tech rehearsal went really well yesterday. Its a fab space. Really looking forward to tomorrow! Keep those fingers crossed. Z
Its all getting a little real as I received the email saying which plays have gotten through so far. Happy we have some time to work on the show but starting to wish we were performing on an earlier night. I can tell the wait will stress me out. Tech today and looking forward to it. Z
We are through to the semi finals!!! Woo Hoo! Tuesday at 9pm is the next show. Thanks to all our supporters in the UK and to the Hager extensive family and friends and Eleanor & Ajmal and all who voted for us. Thrilled! Zx
Hello! Thank you all for your lovely good wishes! We have woken up, not too hung over and still really excited. The next show is at 7pm on Friday and then after that 1pm on Saturday. At that stage one of the shows will be knocked out (harsh!) and the four remaining plays will perform one final time on Sunday. There are also nominations for best actor, best actress and best director due to come out on Friday. More fingers being crossed please. Thank you all so much again for your support. Keep watching this space. Zx
When the lift stops the two office workers within await rescue. But as the minutes roll by and uncomfortable truths are laid bare there's a feeling that the walls are closing in around them. When you can't escape your reality are you open to making amends or will you close yourself off to change? Exploring what happens when situations beyond our control can change a lifetime. Who would you least want to be stuck in a lift with?
Relationships are an eternally fascinating subject. Bringing as much joy, as sorrow. As much passion, as heartache. We love to talk about it, strive to build new levels to the connections we have today and carry with us the memories of relationships past. The universe can serve us a strange hand at times and the best we can do is breath and take it one moment at a time.
Watching how two people cope with the situation forced upon them, the audience are given a window to watch what happens when there's nowhere to hide!
'Unidentified Baggage'
Every year Heathrow Airport holds an auction of all unclaimed luggage accumulated throughout the year. People attend the event through curiosity, trying to discover hidden treasures. The sale showcases bags holding business documents, tacky souvenirs and quite often a pair of naughty knickers! It's amazing how quickly we forget about these once indispensable items. Memories fade, details become hazy, life gets in the way. Can you ever just leave your belongings behind without a second glance?
Looking in on the lives of a couple in their public and private life and the shadows that follow them.
A story of chasing the future and facing the past. If life is a journey then how much will you pack for the ride?
Well holy smokes. The nominees are in - we have received nominations for Best Actor, Best Actress and Best Director! Woo hoo!!! So keep on keeping those fingers and toes crossed for us. Two of the six shows that are finalists are being eliminated tomorrow - but hopefully not us and then we'll be nominated in all categories which would be a little bit awesome. I'll keep you posted. Zx
For Immediate Release March 8, 2012
Van Dirk Fisher: 646-623-3488
Dramatic Bridges: Acclaimed Play from
Edinburgh Fringe Festival to Debut in the
Strawberry One-Act Festival Finals
Dramatic Bridges
By Jane Rubinsky
How do you get from here to there? Sometimes transitions are so easy and natural, we hardly notice until we discover ourselves in a new place. Others require a lot of gearing up and a huge leap. Most of us cross bridges at several points in our lives ... which is why the process is fertile territory for playwrights.
Zoe Cooper knows plenty about such leaps. The Oxfordshire native is bringing her one-act playYou Can't Go Swimming With Your Ex-Husband (which she directed to acclaim at the 2010 Edinburgh Fringe Festival) "across the pond" for this season's Strawberry One-Act Festival, along with its original cast. But it won't be her first theatrical experience in the Big Apple. After earning a degree with honors in performing arts from London Metropolitan University, Cooper came to New York to study at the American Academy of Dramatic Arts and then performed with The Negro Ensemble, touring schools with an educational production about gun crime. That experience prompted her to look more seriously at writing, and a year working as head reservationist at a "celebrity" Manhattan restaurant yielded plenty of characters.
Relationships and connections are at the core of most of Cooper's work. "I love to guess how people know each other," she says, "what they want from the other, what they want to share, what is their future. From the man passing change through a booth at the tube, to a couple embracing at the airport, it's equally intriguing." In You Can't Go Swimming With Your Ex-Husband (the title comes from a comment uttered by one of Cooper's friends after an ill-advised day at the beach), two office workers trapped in an elevator are drawn into revealing uncomfortable truths that change their lives forever. "The play certainly looks at the topic of misunderstanding," Cooper says, "and it's not just limited to romantic relationships." Cooper (and her cast, who will be acting in New York for the first time) are eager to see how American audiences respond to the work. "Even though New York and London are similar cities, both culturally aware and constantly on the go," she explains, "we are quite different cultures in lots of ways."
Hello to all lovely people who have kept up to date with our journey. We were given the award for best actor for Will - so proud. Sadly we didn't get best play. Ahhh, shit happens and we are chuffed to be the only show nominated for all four categories and are incredibly grateful to the people who came out to support us in NYC as well as our supporters at home. Zx
Take me back to NYC!!!!
Zoë's New York Diary.
Zoe & all of the Cooper Troupe gang would like to extend their most humble thanks to those who attended the Around The World in Eight Wines fundraiser. It was truly lovely to see so many people coming along to support us and having a glass of wine or eight! Many thanks to Roz Cooper for her fantastic commentary on the wines and finding the best even in some of the stranger options. Thanks must also go out to Drake & Morgan for giving us use of the fabulous private area at The Anthologist Bar it couldn't have been nicer. And finally many thanks to Chiltern Valley Vineyard and ESS Productions for their kind donations of wine and cheese respectively!
We are all set and ready for New York so wish us luck and we'll be sure to keep you posted on our journey.
February 23, 2012.
New York Trip Fundraiser.
We are through to the finals!!!!!!!! So proud of my actors. Zx
Emma Thompsons letter of luck:
Copyright © 2013 Zoë Cooper. All rights reserved.


I've had a tag cloud sat on the right-hand side of my blg (or down the bottom for those viewing on mobile devices, or computers with tiny screens) pretty much since I set it up on Orchard. The tag cloud is provided by a built-in module, and has been since February 2014 (according to the GitHub commit history) when it made its way in from the Orchard.Module.Vandelay.Industries module. I mention this because the solution to my tag cloud being a tag list came yesterday when I somehow landed on a question titled How to use vandelay tag cloud in Orchard CMS blog which was answered by Bertrand Le Roy way back in November 2012 giving me exactly what I needed to style the cloud to work for me! The answer's a little out of date with regards to class names but the principles of it are exactly what I needed. I'll document how I've styled my tag cloud so there's a reference that may be useful to others.
This is setup for the 5 buckets I've chosen and gives a reasonably distinct change in size between the first and last buckets. Of note is the fact that the names of the classes have changed since the answer given on Stack Overflow, though that was sufficient to push me in the right direction.


text:
What about the soil fauna?
A periodical cicada nymph emerging from belowground after 17 long years of subterranean life. They get to spend only a few weeks flying around as adults, but the rest of the time they are soil fauna. Photo courtesy of Roberto Carrera-Martínez.
ASHEVILLE, N.C. — When Southern Research Station research ecologist Mac Callaham and post-doctoral researcher David Coyle, D.B. Warnell School of Forest Resources, published a paper in Soil Biology and Biochemistry aimed to call attention to a subject that in recent years has received too little love from the scientific community: soil fauna and how various kinds of environmental disturbances affected soil invertebrates.
"The disturbances that nature and humans are throwing at ecosystems have an influence on soil fauna," says Callaham. "This is going to play out on the microbes. Yet no one's really paying attention to that right now."
Callaham, who has been studying soil fauna for the past 25 years, noticed a disturbing trend in the scientific literature. Researchers were focusing much more on the microbes in the soil than on any of the other creatures that live in it.
When they used indexing services to look up terms like "soil microbial ecology" and "soil fauna," the authors of the paper confirmed their fear — lots of new studies pertaining to the former, but only a few about the latter. "That's detrimental to gaining an understanding of what's really going on down there," Callaham says. "Soil fauna affect the microbial components of the soil."
As there are more environmental disturbances and their impacts get bigger, how will soil fauna respond? With fire, belowground fauna have an advantage, as the organisms on the surface that can't retreat to deeper cooler soil die from exposure. Fire also consumes part of their habitats and food resources.
The study goes on to describe more of these impacts, including the various effects of floods, wind, invasive species, and climate change. The findings are often complex and beg many more questions. They highlight the fact that there is still much we don't know about the creatures that live on and in our soil.
https://www.fs.usda.gov/inside-fs/delivering-mission/sustain/what-about-soil-fauna


text:
package com.centurylink.mdw.workflow.activity;

import com.centurylink.mdw.activity.ActivityException;
import com.centurylink.mdw.activity.types.SuspendableActivity;
import com.centurylink.mdw.constant.WorkAttributeConstant;
import com.centurylink.mdw.model.event.EventType;
import com.centurylink.mdw.model.event.EventWaitInstance;
import com.centurylink.mdw.model.event.InternalEvent;
import com.centurylink.mdw.model.workflow.WorkStatus;

import java.util.List;

/**
 * Base class for all the Wait Activities
 * This class will be extended by the custom activity
 * that do not want a completion event raised.
 * This will act as a stopper for the workflow
 * In cases where in case of an error or a manual task creation,
 * we can use this activity to pause the flow and the flow can be
 * restarted from an event.
 */
public abstract class AbstractWait extends DefaultActivityImpl implements SuspendableActivity {

    public List<String[]> getWaitEventSpecs() {
        return getAttributes().getTable(WorkAttributeConstant.WAIT_EVENT_NAMES, ',', ';', 3);
    }

    /**
     * Register activity wait event names.
     */
    protected EventWaitInstance registerWaitEvents(boolean reregister)
            throws ActivityException {
        return registerWaitEvents(reregister, true);
    }

    @Deprecated
    /**
     * Deprecated Pre-arrival check is handled separately.
     * Use {@link #registerWaitEvents(boolean) registerWaitEvents}.
     */
    protected EventWaitInstance registerWaitEvents(boolean reregister, boolean suppressNotify)
    throws ActivityException {
        List<String[]> eventSpecs = getWaitEventSpecs();
        if (eventSpecs.isEmpty())
            return null;
        String[] eventNames = new String[eventSpecs.size()];
        String[] eventCompletionCodes = new String[eventSpecs.size()];
        boolean[] eventOccurances = new boolean[eventSpecs.size()];
        for (int i = 0; i < eventNames.length; i++) {
            eventNames[i] = translatePlaceHolder(eventSpecs.get(i)[0]);
            eventCompletionCodes[i] = eventSpecs.get(i)[1];
            if (eventSpecs.get(i)[1] == null) {
                eventCompletionCodes[i] = EventType.EVENTNAME_FINISH;
            } else {
                eventCompletionCodes[i] = eventSpecs.get(i)[1].trim();
                if (eventCompletionCodes[i].length() == 0)
                    eventCompletionCodes[i] = EventType.EVENTNAME_FINISH;
            }
            String eventOccur = eventSpecs.get(i)[2];
            eventOccurances[i] = (eventOccur != null && eventOccur.equalsIgnoreCase("true"));
        }
        try {
            EventWaitInstance received = getEngine().createEventWaitInstances(
                    this.getProcessInstanceId(),
                    this.getActivityInstanceId(),
                    eventNames,
                    eventCompletionCodes,
                    eventOccurances, !suppressNotify, reregister);
            return received;
        } catch (Exception ex) {
            super.logexception(ex.getMessage(), ex);
            throw new ActivityException(ex.getMessage());
        }
    }

    protected final void deregisterEvents() throws ActivityException {
        List<String[]> eventSpecs = this.getWaitEventSpecs();
        if (eventSpecs.isEmpty()) return;
        try {
            getEngine().removeEventWaitForActivityInstance(getActivityInstanceId(), "activity completed w/o event");
        } catch (Exception e) {
            throw new ActivityException(-1, e.getMessage(), e);
        }
    }

    protected final Integer handleEventCompletionCode() throws ActivityException {
        Integer actInstStatus;
        String compCode = this.getReturnCode();
        if (compCode!=null && (compCode.length()==0||compCode.equals(EventType.FINISH.toString())))
            compCode = null;
        String actInstStatusName = this.getAttributeValue(WorkAttributeConstant.STATUS_AFTER_EVENT);
        if (actInstStatusName!=null) {
            if (actInstStatusName.equals(WorkStatus.STATUSNAME_CANCELLED)) actInstStatus = WorkStatus.STATUS_CANCELLED;
            else if (actInstStatusName.equals(WorkStatus.STATUSNAME_WAITING)) actInstStatus = WorkStatus.STATUS_WAITING;
            else {
                actInstStatusName = WorkStatus.STATUSNAME_HOLD;
                actInstStatus = WorkStatus.STATUS_HOLD;
            }
        } else {
            actInstStatusName = WorkStatus.STATUSNAME_HOLD;
            actInstStatus = WorkStatus.STATUS_HOLD;
        }
        if (compCode==null) compCode = actInstStatusName + "::";
        else compCode = actInstStatusName + "::" + compCode;
        this.setReturnCode(compCode);
        if (actInstStatus.equals(WorkStatus.STATUS_WAITING)) {
            this.registerWaitEvents(true);
        }
        return actInstStatus;
    }

    protected String getMessageFromEventMessage(InternalEvent eventMessageDoc)
        throws ActivityException {
        if (eventMessageDoc.getParameters()!=null) {
            String msg = eventMessageDoc.getParameters().get("ExternalEventMessage");
            if (msg!=null) return msg;
        }
        Long extEventInstId = eventMessageDoc.getSecondaryOwnerId();
        return this.getExternalEventInstanceDetails(extEventInstId);
    }

    public boolean needSuspend() {
        return true;
    }

    public boolean resume(InternalEvent eventMessageDoc)
    throws ActivityException {
        return true;
    }

}


text:
"And there was of the house of Saul a servant whose name was Ziba. And when they had called him unto David, the king said unto him, Art thou Ziba? And he said, Thy servant is he."
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2 Samuel 9:2 Context
1And David said, Is there yet any that is left of the house of Saul, that I may shew him kindness for Jonathan's sake? 2And there was of the house of Saul a servant whose name was Ziba. And when they had called him unto David, the king said unto him, Art thou Ziba? And he said, Thy servant is he. 3And the king said, Is there not yet any of the house of Saul, that I may shew the kindness of God unto him? And Ziba said unto the king, Jonathan hath yet a son, which is lame on his feet. 4And the king said unto him, Where is he? And Ziba said unto the king, Behold, he is in the house of Machir, the son of Ammiel, in Lodebar. 5Then king David sent, and fetched him out of the house of Machir, the son of Ammiel, from Lodebar.
Bible Verses like 2 Samuel 9:2
And there was of the house of Saul, a seruant whose name was Ziba: and when they had called him vnto Dauid, the king said vnto him, Art thou Ziba? And he said, Thy seruant is he.
- King James Version (1611) - View 1611 Bible Scan
Now there was a servant of the house of Saul whose name was Ziba, and they called him to David; and the king said to him, "Are you Ziba? And he said, "{I am} your servant.""
- New American Standard Version (1995)
And there was of the house of Saul a servant whose name was Ziba, and they called him unto David; and the king said unto him, Art thou Ziba? And he said, Thy servant is he.
- American Standard Version (1901)
Now there was of Saul's people a servant named Ziba, and they sent him to David; and the king said to him, Are you Ziba? And he said, I am.
- Basic English Bible
And there was of the house of Saul a servant whose name was Ziba; and they called him to David. And the king said to him, Art thou Ziba? And he said, Thy servant!
- Darby Bible
And there was of the house of Saul a servant whose name was Ziba. And when they had called him to David, the king said to him, Art thou Ziba? And he said, Thy servant is he.
- Webster's Bible
There was of the house of Saul a servant whose name was Ziba, and they called him to David; and the king said to him, "Are you Ziba?" He said, "Your servant is he."
- World English Bible
And the house of Saul hath a servant, and his name [is] Ziba, and they call for him unto David; and the king saith unto him, `Art thou Ziba?' and he saith, `Thy servant.'
- Youngs Literal Bible
Now there was of the house of Saul a servant whose name was Ziba, and they called him unto David; and the king said unto him: 'Art thou Ziba?' And he said: 'Thy servant is he.'
- Jewish Publication Society Bible
Discussion for 2 Samuel 9:2


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Ohana is much more than just a word for family. It is used not only for blood related family, but also close family friends. As you spend more time in Hawaii, you realize that Aloha is deeply rooted in each ohana. Hawaii Weeks wants to help you get to know that part of Hawaiian culture. The concept emphasizes that ohana families are bound together as if by blood. Hawaii Weeks members and guests are an ohana, and by cooperating and remembering one another, we will all feel the true aloha of Hawaii.
Great place to stay. Beachfront and an amazing pool and koi pond. Everyone is friendly and it is super close to Lahaina. I had an amazing time here!!
We had a wonderful stay! We could see whales jumping from our balcony, which was a pretty unique experience!
A good place to stay and nearby to most of the activities for west side of Maui. South Maui and Airport is 40 mins drive from this place. The resort has good spa and pool.
Thank you so much for this extra little slice of paradise. Loved the view and how quick it was to enter the lobby. It was also a lot more spacious then we thought... great place to stay and would def recommend it to others.
The booking process with Gordon and Hawaii Weeks was straight forward. They have a number of options for rooms at this resort and others. This resort was perfect for our family as it was not nearly as congested an area as where the Sheraton is at and is far enough from Lahaina town that you don't have to deal with all the congestion. The beach at the resort is "closed" for restoration so uou do have to either walk south or get in your car and explore. I actually preferred many of the beaches to drive to over Ka'anapali anyway. Hospitality was great. We were able to avoid the timeshare sales and really enjoyed the onsite bar and restarant. All of the staff at this resort are great. The room was amazing and had a nice sized lanai with furniture and the bathroom was very comfortable. Our family of four enjoyed our time here!
Gordon replied quickly to any questions we had! The view from the living room and bedroom was amazing! The property was cleaned and the pool and hot tub was over the top!! I would definitely recommend this place and stay again!!!
Kaanapali Beach Club is a Great resort. Good food at restaurant. Great views. Awesome pool/hot tub area.
We booked our recent stay in Kaanapali through Hawai'i Weeks. We booked two weeks at the Westin Ocean Resort Villas. The first week in a studio for my parents and the second week in a 2 bedroom unit. Gordon was great to work with, provided valuable tips that allowed my parents remain in the same unit for both weeks, worked with us while we booked flights and additional nights while in Maui.The booking went smoothly. Jennifer kept us informed on the progress of the booking. Thank you Hawai'i Weeks.
Clean premises, friendly staff, large rooms and an excellent gym overlooking the ocean.
Great location across the street from a small mall with everything you might need. Our room was large and very clean. While it is an older property it has been kept up to date nicely. Great pool and the gym is first rate with a super ocean view!! While the beach is undergoing some remediation work, it remains accessible with wonderful sand and pleasant swimming. Saw lots of fish while snorkeling. Great value compared to some of the neighbouring resorts. Happily stay here again.
Great Room The room itself was great and well stocked. The resort is a bit dated, but the room seems newly renovated so we didn't mind. Beach towels were provided by the resort. The beach adjacent to the hotel was under construction at the time... but it was a very short walk to the resorts next door that had access to the beach. The owner was very responsive to any questions we had. Just a heads up that this is a time share resort... so staff will try to sell you on timeshares as well as activities. They are very polite when you say no and don't bother you after that.
This was the first time that we were in Maui. The location of this facility was perfect. We had a balcony on the Main level with a perfect view of the water. I was so impressed when we opened the doors to our suite. Two large door walls, one from the living room and one in the bed room. The bed room was very large with a king size bed. Beautiful unit. The location is close to the boardwalk that has Dukes restaurant. The valet service was great. Definitely would stay there again.
The staff at the property were amazing, super friendly and great at fulfilling any request. The interior of the rooms were nicely appointed and were comfortable, bathrooms were clean and large and well appointed. Its not the Montage but your not paying $600-$1000 a night either. The Kaanapali Beach Club has a great location and amenities. We were staying in the Islands for 2 months and this place fit our needs perfectly so much so that we would totally stay again. Thank you for a great stay we will be back.
Gordon was very accommodating and provided great communication. Perfect spot for a relaxing, tropical vacation! We loved staying at the Marriott Ocean Club! Thank you for coordinating the stay - it was everything we hoped it would be. We would like to stay in touch as we are very interested in staying at this location again in the not-too-distant future!
We enjoyed working with Gordon for this trip. If we are ever able to visit Hawaii again, we will definitely try to book with Gordon again. Great communication. Great location. We were very pleased. Thank you for making our trip an easy process.


text:
I try to avoid places like Our Lady of Perpetual Outrage, but sometimes the stupid that emanates from them is like fluorescent light to the blogger's moth. This is one such occasion, because Malkin is outraged (as she generally is) that teh gay isn't being suppressed vigorously enough, and so some might get on her.
To be fair, the story she's gotten twisted about is one I'm ambivalent about at best. It's the eHarmony story, and Paul the Spud from Shakesville points out a few of the problems with the specific narrative, one of which is that the guy who filed the lawsuit isn't the best test case. But he filed, and eHarmony settled and will offer a separate (but equal, they claim--sound familiar?) service which will match up same-sex couples with the same degree of failure as their regular service does.
Oh, but Malkin doesn't see it that way.
So, this is "progress?" eHarmony, a Christian-targeted dating website, gets sued by a gay man demanding that the business match him up with a same-sex partner. The New Jersey Attorney General intervenes on behalf of the gay plaintiff and forces eHarmony to change its entire business model. To be clear: The company never refused to do business with anyone. Their great "sin" was not providing a specialized service that litigious gay people demanded they provide. This case is akin to a meat-eater suing a vegetarian restaurant for not offering him a ribeye or a female patient suing a vasectomy doctor for not providing her hysterectomy services.
See what I mean about how the stupid just draws you in? It's mesmerizing, isn't it?
Where to begin? Well, people who've dealt with eHarmony may know that the founder is a conservative Christian, and that he built his "system" around some version of how he understands the Bible, but that's not really clear from going to the website. For instance, if you click around on the links, specific religious points of view don't tend to pop up very often. In the section on their 29 dimensions of compatibility, they have a piece on "Values and Beliefs" that reads this way:
Values and Beliefs are at the center of most of our life experiences. How we feel about spirituality, religion, family and even politics influence how we think about the world and who we are going to be most comfortable sharing our lives with. The dimensions that determine your Values and Beliefs are: Spirituality, Family Goals, Traditionalism, Ambition, and Altruism.
And that's the most straightforward section on religion I could find. That's weak sauce if the site is targeting Christians primarily.
But the claim that the company never refused to do business with anyone is the one that really bugs me, because of the disdain that it represents. It's a modified form of the argument that current federal marriage law isn't discriminatory against LGBT people because they have the same right to marry a person of the opposite sex as straight people do. It's naked hate, an argument that refuses to acknowledge the biological desire of a significant group of people to pair up with each other and have their relationship accepted by society.
And here's where I lose my ambivalence about this case. See, it's possible to argue that there are plenty of other dating services that gladly offer matching for LGBT singles looking to get together, so why pressure eHarmony to do so? It all comes back to gay rights being the next major civil rights issue. eHarmony was discriminating against LGBTs by refusing to serve them. We wouldn't put up with a restaurant that refused to serve people of a certain skin color, or one that refused to serve gay people, so why should we put up with a dating company that similarly discriminates? Sure, LGBT's have other options for dating services, but African-Americans had other eating options in the 60's as well. That didn't stop them from sitting in at lunch counters and requesting service.
When eHarmony got into the matchmaking business, they took on the responsibility to be non-discriminatory. There would be great outrage if they refused to match people of different ethnicities because it conflicted with their belief system--the same should be occurring over their refusal to match same-sex couples. And if it continues to freak out Our Lady of Perpetual Outrage, then so be it.
Labels: discrimination, eHarmony, LGBT rights, Michelle Malkin, Shakesville


text:
Financial markets have waited patiently for fiscal stimulus. That might change soon
The headlines make the situation seem like a curiosity.
For investors, Wall Street analysts, and even some financial journalists, the reality of the damage to the economy, several weeks after the initial round of fiscal support expired, may indeed seem like a spectacle.
But it's not that way for millions of Americans out of work or struggling to pay the rent or buy food in the wake of this year's coronavirus pandemic.
It may not need saying that the longer the economy goes without another financial aid package, the worse the situation may become. But some analysts increasingly think it will also soon start to make an impact where it cannot be ignored: in the financial markets.
"Stimulus is the wrong word for this," said David Rosenberg, a long-time strategist now running his own firm, Rosenberg Research. "This not classic Keynesian stimulus. It's a lifeline to get us through. The stimulus has become what the Phase One Trade deal was last year."
Week after week, roughly 800,000 Americans file for first-time jobless benefits, the springtime Congressional stimulus money has run out, and things are generally growing more dire for businesses and households, Rosenberg thinks. "If they don't pass some sort of bill quickly, how many businesses will go under, how many missed payments will we see on rent, debt service, and utilities? The next few months are really critical. I'm quite amazed that there's quibbling over a hundred billion dollars here and there with so much at stake."
See: Yes, the U.S. economy really does need more fiscal stimulus – and the stock market knows it
It's important to note that Rosenberg and other analysts do believe that some sort of stimulus package will be enacted eventually. And so does the stock market, which has been gravitating toward areas investors expect to benefit under Democratic party leadership after the November elections, such as clean energy
CNRG,
+2.75%.
But waiting until January is too late, many think. "We're really in no-man's land now," Rosenberg said. "If we don't get a fiscal bill I think we could easily swing to a contraction in Q4."
In a research note Thursday, Oxford Economics said that "a delay would have a meaningful impact on the economy and could derail the earnings upgrade cycle."
"Our economists estimate that the expiry of additional unemployment benefits, coupled with a reduction in aid to businesses and state and local governments would reduce GDP by 1.5%," the Oxford economists wrote. "This would see US growth approach stall speed of around 1% annualized and would likely derail the nascent earnings recovery. With equity valuations elevated this is a key downside risk for the market."
To be sure, some analysts have a slightly different view. In a research note Thursday, Nancy Davis, founder of Quadratic Capital and portfolio manager of the Quadratic Interest Rate Volatility and Inflation Hedge exchange-traded fund
IVOL,
, wrote, "I feel like the market is Luke Skywalker, confidently proclaiming that he's not afraid. And I'm Yoda leaning in and quietly whispering, 'You will be.'"
But the fear investors should be preparing for is with inflation, not a stalling economy, Davis thinks. "We've been through a profound economic shock with the virus, but everything every policy-making body in the US is doing is inflationary. It is designed to be inflationary."
But if market participants realize there's no hope of a deal until after the election, Rosenberg thinks the market reaction could be abrupt. "I think that we already have the template from the last hour of trading on Tuesday and the huge bounce back on Wednesday," he said. "The market swung violently lower when Trump broke off talks and then we rallied the same amount when the talks were back on."
What about other asset classes? "Treasury yields
will rally hard, we will get a bull flattener in the yield curve and a classic move toward safety," Rosenberg said.
"Stimulus now means a weaker dollar
DXY,
and no stimulus means a stronger dollar because it's risk off," Rosenberg added. "Lower interest rates will be bad news for the financials and bank stocks. The most cyclical stocks will suffer the most. The sectors that will do the best would be utilities and consumer staples and anything in big tech having utility-like characteristics. "
U.S. stocks rose Friday to clinch weekly gains as investors monitored the prospects for another round of fiscal stimulus from Congress. The S&P 500 SPX, 0.88% rose 0.9% to 3,477.13. The Dow Jones Industrial Average DJIA, 0.57% advanced 161.39 points, or 0.6%, to 28,586.90, based on preliminary numbers. The Nasdaq Composite COMP, 1.39% gained 1.4% to end at 11,579.94.
For the week, the S&P 500 was up 3.8%, the Dow rose 3.3%, and the Nasdaq climbed 4.6%. The S&P 500 and Nasdaq enjoyed their best week since July, while the Dow had its biggest weekly gain since August.
Next week brings a heavy schedule of U.S. economic data, including the consumer price index, several readings on manufacturing, including the Federal Reserve's industrial production report, and retail sales figures for September.
Read next: 'Anything can happen:' Why the hottest investing trend is playing it safe
Tags: change, financial, fiscal, markets, patiently, Stimulus, waited
Top finance stories from the week of October 5
Long Bond Bears Should Fear a Huge Short Squeeze


When inspecting roofs as the winter weather wanes, check for these five potential problems.
Winter weather can wreak havoc for facility management teams. Snow, freezing rain, hail, and wind all pose significant threats to a building's roof — even one that looks like it is in good repair. Roof damage can cost a facility manager thousands of dollars, and it can become a safety concern, too. When inspecting facilities as the winter comes to a close, make sure to check out these five potential issues.
1. Flashing Leaks: The sheet metal that covers the joints in a roof is called flashing. It helps prevent water damage — especially during heavy rain or snow. Different roofs will have flashing in different areas, but flashing is usually found around corners, like on skylights or dormers. If a leak is suspected, or if it's been a hard winter, it may be worth checking the flashing to make sure there are no leaks. These leaks can be easily fixed if the holes are small or there is minimal corrosion. Roofing cement can be utilized to patch small holes. However, anything larger than 1/2″ in diameter should be checked by a professional and replaced as soon as possible. Since this is a problem that can be repaired when caught early, it is vital to check for problems often.
2. Ice Dams: These formations are very typical of residential structures, but may occur on commercial buildings as well. When heat escapes through the attic in winter, it can heat the roof decking. Then, a layer of ice will form on the roof itself, preventing ice and snow from draining from the roof properly. Water can become trapped beneath the ice layer and damage the shingles on the roof, too. Checking the roof for loose shingles and unexplained ice patches is the key to finding ice dams early. To prevent this from happening, the attic must be properly ventilated and insulated. Weatherproof shingles can be a smart investment to protect the roof surface as well.
3. Condensation: Indoor condensation is a serious problem in the attic or on the top floor of multi-story buildings. When the cold roof meets the warm air inside, condensation can occur. Water droplets on windows or inside the attic signal a condensation problem. Condensation is cause for concern, not just for the roof, but for the entire structure of the building. Condensation can cause mold and mildew that leads to remediation treatments or could potentially cause the need to rebuild. Checking the structure inside and out on a monthly basis — in summer and winter — can help in making certain there are no condensation issues, and adding quality insulation is an investment that helps prevent future problems from occurring.
4. Leaks In and Around Chimneys: Like any other part of a building, chimneys are prone to problems. Make sure they are inspected on a regular basis. This may mean investigating them from the outside with in-house staff, but hiring a professional to clean and inspect them from the inside. Not only will this help to prevent damage from winter weather, but it can also prevent the backflow of dangerous gasses if the building burns wood or uses other types of natural heating processes. A leaky chimney may not be evident at first since the leak could flow into the flue or elsewhere, but the damage is often as severe as any other type of leak. It is vital that these are monitored for damage and repaired on a regular basis.
5. Plumbing Vent Boots: The plumbing vent boot can be made of many different materials. There are plastic boots, metal boots, and units made of both materials. If a plastic unit is cracked or a metal unit is rotted or has a broken seam, there is a chance that water can enter the building along the pipe. Any problem like this means that the pipe must be replaced. There are also other, smaller issues, such as missing or loose screws that can simply be fixed. When inspecting a roof for leaks or missing shingles, staff should spend a few moments checking out the plumbing boots.
By knowing what to look for in terms of roof damage this winter, facility management staff can help to ensure their roofs remains in good shape. When the snow melts and the temperatures rise, begin yearly maintenance and put in a bit of extra protection so that there may be even less to worry about next year.
Fountaine is the owner of Premiere Works, a service firm offering commercial roof repair, construction, contracting, build outs, and building renovations. The company services clients in Washington D.C., southern Maryland, and northern Virginia.


Validation of the Limiting Antigen Avidity Assay to Estimate Level and Trends in HIV Incidence in an A/D epidemic in Rakai, Uganda. Laeyendecker O, Gray R, Grabowski M, Reynolds S, et al. AIDS Res Hum Retroviruses 2018 Dec 18. doi: 10.1089/AID.2018.0207.
Laeyendecker O, Gray R, Grabowski M, Reynolds S, et al. Validation of the Limiting Antigen Avidity Assay to Estimate Level and Trends in HIV Incidence in an A/D epidemic in Rakai, Uganda. AIDS Res Hum Retroviruses 2018 Dec 18. doi: 10.1089/AID.2018.0207.


"Inches disnae breck squares in a load o' whins."
Meaning: In insignificant matters, minute discrepancies are of little consequence.
The square referred to almost certainly refers to the military formation used by both the British and Roman armies among others. To break the square is also a military expression which means that an attack has managed to penetrate it.
A one-inch gap between the soldiers forming the square is of no consequence.