If you haven't bought this palette, you NEED to. That's it, end of discussion and the end of this blog post...Just kidding! The Soph X palette is every pale skin, youtube lover girl's dream. The minute I knew this palette was coming out, I rushed over to Tam Beauty to buy it, and excited to review!
Starting with the eyeshadow palette (keep your eyes peeled for the highlighter palette), it's truly beautiful. SophDoesNails is an amazing youtuber. Her makeup and nails skills are amazing, and she has to be one of the most down to earth youtubers I happen to watch (which isn't many!) but even so, was it all I hoped for?
Fun Fact! The palette was meant to be "Soph X Revolution" but the designer mistaken the X as a kiss! Thankfully this design is cute too!
Packaging; Look at it! The packaging is a beige/cream colour, with Soph X in Rose gold. It suits Soph's aesthetic to a T, and compared to other collab palettes, is extremely pretty. Every blogger knows, a mirror in a palette is a MASSIVE success, highlighting Soph really thought this through. The palette can be taken on the go at a reasonable size, a mirror and many colours to touch up.
Product; Makeup Revolution never fail to get a perfect formula for palettes. Of course, there are some I can't like from Tam Beauty, but MUR seems to always be right for me. The colours are not only beautiful, but well matched. It comes with 10 shimmer shades, and 14 matte shades. There are so many looks you can create with these colours! Personally, it feels like an Autumnal palette, and I would find it hard to transition this palette into Spring or Summer, but I love a good warm eye look!
The pigmentation is great, feeling soft and easy to blend. The shimmer shades too, meaning I don't need to wet the brush to bring more of the shimmer out! There are so many colours that can come together to create looks, and highlight what Soph was going for and indicate she had a massive part in the production of the palette.
Price; The price of this palette is £10 meaning Soph kept to the MUR price range, which for many is un-real! In comparison to Morphe, who's palettes range from £20-23, they just released a collab with Jacqueline Hill at £37! Ridiculous! Although MUR is a drugstore staple, Soph could of went for a higher price value due to it being a collab (and who wouldn't buy it anyways?), but they kept it at an affordable price, and that's what makes me love this collab even more!
Recommend; I would recommend this to anyone who loves some warm tones or a good palette! It could also be a great palette for anyone who wants to experiment with colours, or wants to perfect their blending technique. These colours are so blendable I am shooketh!
Where can you buy? You can buy this palette alongside her highlighter palette (Review coming soon!) from Superdrug and Tam Beauty!


text:
Bisaufsmesser / Records / LP / DEAD IN THE WOODS - the sign of the son of man LP
DEAD IN THE WOODS
the sign of the son of man LP
Label: default
The Sign of the Son of Man is the final output of Dead In The Woods.
Formed in 2008 with personnel from Army of Flying Robots, The Blueprint and Moloch among others, Dead In The Woods 'music has evolved from the down tempo, crust influenced metallic hardcore of their debut split LP with Dietpills to a looser, space rock influenced take on heavy music.
The Sign of the Son of Man is a document of Dead In The Woods as the band was in its final moments: five songs and three improvised jams creating thirty seven minutes of heavy, theremin-infused hardcore, metal and psychedelic rock.
These songs were written during some very chaotic times (both good and bad) in our lives and represent five friends attempting to make sense of that chaos with music and words.
As it became clear that the band was going to be geographically scattered, we managed to converge to Stuck On A Name studios one last time and record all the material we had, five songs recorded in a live setting, capturing a looser, more energetic side of the band's sound and adding to this a recording of a series of improvised jams which had become an inherent part of the band's live set.

redpajama_set_name: RedPajamaCommonCrawl


text:
package integration

import (
	"testing"
	"time"

	"github.com/coreos/etcd/Godeps/_workspace/src/golang.org/x/net/context"
	"github.com/coreos/etcd/clientv3"
	"github.com/coreos/etcd/integration"
	"github.com/coreos/etcd/pkg/testutil"
)

func TestTxnWriteFail(t *testing.T) {
	defer testutil.AfterTest(t)

	clus := integration.NewClusterV3(t, &integration.ClusterConfig{Size: 3})
	defer clus.Terminate(t)

	kv := clientv3.NewKV(clus.Client(0))
	ctx := context.TODO()

	clus.Members[0].Stop(t)
	<-clus.Members[0].StopNotify()

	donec := make(chan struct{})
	go func() {
		resp, err := kv.Txn(ctx).Then(clientv3.OpPut("foo", "bar")).Commit()
		if err == nil {
			t.Fatalf("expected error, got response %v", resp)
		}
		donec <- struct{}{}
	}()

	select {
	case <-time.After(5 * time.Second):
		t.Fatalf("timed out waiting for txn to fail")
	case <-donec:
		// don't restart cluster until txn errors out
	}

	go func() {
		// reconnect so terminate doesn't complain about double-close
		clus.Members[0].Restart(t)
		// wait for etcdserver to get established (CI races and get req times out)
		time.Sleep(2 * time.Second)
		donec <- struct{}{}

		// and ensure the put didn't take
		gresp, gerr := kv.Get(ctx, "foo")
		if gerr != nil {
			t.Fatal(gerr)
		}
		if len(gresp.Kvs) != 0 {
			t.Fatalf("expected no keys, got %v", gresp.Kvs)
		}
		donec <- struct{}{}
	}()

	select {
	case <-time.After(5 * time.Second):
		t.Fatalf("timed out waiting for restart")
	case <-donec:
	}

	select {
	case <-time.After(5 * time.Second):
		t.Fatalf("timed out waiting for get")
	case <-donec:
	}
}

func TestTxnReadRetry(t *testing.T) {
	defer testutil.AfterTest(t)

	clus := integration.NewClusterV3(t, &integration.ClusterConfig{Size: 3})
	defer clus.Terminate(t)

	kv := clientv3.NewKV(clus.Client(0))
	clus.Members[0].Stop(t)
	<-clus.Members[0].StopNotify()

	donec := make(chan struct{})
	go func() {
		ctx := context.TODO()
		_, err := kv.Txn(ctx).Then(clientv3.OpGet("foo")).Commit()
		if err != nil {
			t.Fatalf("expected response, got error %v", err)
		}
		donec <- struct{}{}
	}()
	// wait for txn to fail on disconnect
	time.Sleep(100 * time.Millisecond)

	// restart node; client should resume
	clus.Members[0].Restart(t)
	select {
	case <-donec:
	case <-time.After(5 * time.Second):
		t.Fatalf("waited too long")
	}
}

func TestTxnSuccess(t *testing.T) {
	defer testutil.AfterTest(t)

	clus := integration.NewClusterV3(t, &integration.ClusterConfig{Size: 3})
	defer clus.Terminate(t)

	kv := clientv3.NewKV(clus.Client(0))
	ctx := context.TODO()

	_, err := kv.Txn(ctx).Then(clientv3.OpPut("foo", "bar")).Commit()
	if err != nil {
		t.Fatal(err)
	}

	resp, err := kv.Get(ctx, "foo")
	if err != nil {
		t.Fatal(err)
	}
	if len(resp.Kvs) != 1 || string(resp.Kvs[0].Key) != "foo" {
		t.Fatalf("unexpected Get response %v", resp)
	}
}

redpajama_set_name: RedPajamaGithub


text:
Variety Read Next: Curious Cribs: Boldly Rent Where No Man Has Rented Before
Real Estalker
Feb 21, 2019 2:09pm PT
Beck Lists Updated Vintage Traditional in Los Feliz (EXCLUSIVE)
By Mark David
Mark David
yourmamatweets
Early Frank Lloyd Wright for Sale in Windy City's Hyde Park 3 weeks ago
Television Titan Donald P. Bellisario Snags $5.2 Million Montecito Spread 4 weeks ago
'RHONJ's' Melissa Gorga Gets $2.5 Million for Glitzy Suburban Mansion 4 weeks ago
Rodeo Realty; Chelsea Lauren/REX/Shutterstock
Price: $2.45 million
Size: 2,099 square feet, 3 bedrooms, 3.5 bathrooms
Mononymically known indie music iconoclast Beck, who took home his sixth and seventh Grammys earlier this year for his 13th studio album ("Colors"), has put one of the three homes he and wife Marisa Ribisi own along the same, gated street in a coveted neighborhood of L.A.'s Los Feliz area for $2.45 million. The couple acquired the then down-on-her-heels 1930s traditional in September 2017 for $1.82 million and subsequently gave the property, both inside and out, a thorough cosmetic renovation that maintained many of the house's original details and fixtures along with a red-tile roof that gives it an unexpected and somewhat odd Mediterranean hybrid vibe. Perched on a high promontory at the end of a long and wide brick driveway above an undulating slope of fastidiously manicured lawn shaded by matures trees and woven with a serpentine fieldstone retaining wall, the two-story house measures in at a modest 2,099 square feet with three bedrooms and 3.5 bathrooms.
A small, center hall entry with a vintage powder room and original stone staircase that makes a tight curl up the to second floor bedrooms is flanked by a sunny living room with brick fireplace and a dining room with bay window. A cozily compact, completely pine-paneled den off the living room has inset bookshelves and backyard access while the pint-sized, virtually monochromatic kitchen features freshly installed checkerboard pattern flooring, an immaculately restored vintage range and probably original butter yellow and sage green tile countertops on butter yellow painted cabinets. Just off the kitchen an itty-bitty breakfast room has a built-in corner buffet and behind the kitchen there's a small en suite bedroom with wood-beamed ceiling that's perfectly fine for an overnight guest but much too tiny not to be a disrespectful punishment for a live-in domestic worker. The smaller of the two upstairs bedrooms has a vintage, black and white tiled en suite bathroom while the slightly larger master suite provides a separate dressing room with two walk-in closets plus a restored bathroom with vintage tile work and a funky-retro, blush pink bathtub.
Both bedrooms have direct access through French doors to a slender, slightly cantilevered veranda that stretches across almost the entire front of the house with leafy views over the affluent rooftops of the surrounding neighborhood while a covered patio at the back of the house outside the living and dining rooms is notched into the rocky hillside with a built-in brick barbecue/fireplace and a discreet stairway to a lighted and freshly resurfaced sport court scenically nestled into a ruggedly planted hillside behind the house.
Once the owners of a grand Hancock Park mansion they sold to Shonda Rhimes, who now has it on the market at almost $9 million, Beck and Ribisi's current holdings include two other homes on the same Los Feliz street. In late 2014 they made an off-market deal of just over $1 million for an unassuming 1940s red brick cottage and almost a year ago they paid "Gossip Girl" co-creator Stephanie Savage just under $3.13 million for a late-1930s Spanish Colonial Revival once owned and given a snazzy makeover by "Flipping Out" Bravolebrity Jeff Lewis. The couple also maintains a humbly proportioned mid-century bungalow on just over an acre on Malibu's prestigious, celebrity-packed Point Dume they scooped up in 2016 for $2.68 million.
listing photos: Rodeo Realty


In societies such as those in the Islamic world where chairs and sofas are not used, decorated cushions or pillows (yastiks) are provided for people seated on the floor or on the raised benches found in many Turkish homes. At the highest level of Ottoman society cushions were covered with costly velvets or were sometimes richly embroidered. In villages, piled yastiks, such as this example, were the norm. This yastik contains a central medallion motif strongly reminiscent of velvet Ottoman covers, while the designs of the corner pieces are significantly more ancient.


text:
Q: Why I can't lock two mutex with lock_guard I know I should use std::scoped_lock to lock two mutexes at the same time. But I don't why.
I've read this post std::lock_guard or std::scoped_lock?. But I don't find anyone explains why there would a deadlock in the std::lock_guard version.
#include <mutex>
#include <thread>

std::mutex mtx1;
std::mutex mtx2;

auto main(int argc, char* argv[]) -> int {
  std::mutex mtx1;
  std::mutex mtx2;

  const auto thread_func = [&] {
    std::scoped_lock lock(mtx1, mtx2);

    // Why I can't lock like this
    // std::lock_guard<std::mutex> lock1(mtx1);
    // std::lock_guard<std::mutex> lock2(mtx2);
  };

  std::thread th1(thread_func);
  std::thread th2(thread_func);

  th1.join();
  th2.join();

  return 0;
}

Can someone explain this to me? Thank you.
code in godbolt

redpajama_set_name: RedPajamaStackExchange


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Do you like public transportation? Why?
Is public transportation popular in your country?
Are you a student or do you have a jobs?
Do you have any difficulties when studying a new language? What are they?
And have you kept it until now?
Do you often use email?
Does email make people lazy? Why?
Do you think that you get more free time by using email?
Section 1. Hospital form filling for a new patient.
Passage 2. About species of wild dog in US.
Passage 3. About digital filming.
We were given a table showing the number of mobile phone users and personal computer users in six different countries in 2003.
Nowadays in many countries the proportion of older people is higher than that of younger people. Do you think this is a positive or a negative development?
- What kind of house do you live in?
- What kind of house do you want in the future?
- Do you like meeting new people? Why?
- Where do you usually meet new people?
- During childhood, where did you meet new people?
- How often do you use public transport?
- What do you usually do while using public transport?
- Do you feel disturbed by noises from other passengers?
- What product is it?
- What country is it made in?
- What are the specifications of the product?
- Why do you want to buy it?
- What imported products do people in your country like to buy?
- Why do they buy imported products?
- There are people that prefer a product made in their own country to an imported product. Why?
- How do corporations benefit from global economy?
- Is internet beneficial to these companies?
Some people believe that it is waste time to plan for future and they think that it is deserved to focus on present. Do you agree or disagree?
- Are you a student or do you have a job?
- Can you talk something about your job?
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What are the differences in life style between people living in cities and the ones in countryside?
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text:
Q: Galois cohomology groups given by étale cohomology What are cases when Galois cohomology groups are given by étale cohomology?
Example: $S = Spec(K)$ the spectrum of a field, $F \in Sh(K)$, then $H^p(K, F) = H^p(G_K, F_{\bar{K}})$.
What if $G = \pi_1(X)$ and $F \in Sh(X)$? Under what conditions do we have $H^p(X, F) = H^p(G, [F])$, where $[F]$ denotes a suitable $\pi_1(X)$-module associated with $F$? (Example for this: $X = Spec(O_K)\setminus S$)

A: All Galois cohomology groups are given by etale cohomology, but you seem to be asking the opposite. For an etale sheaf $F$ on $X$, there is a Hochschild-Serre spectral sequence $H^{p}(\pi_{1}(X),H^{q}(\tilde{X},F))\implies H^{p+q}(X,F)$ where $\tilde{X}$ is the "universal covering scheme" of $X$. Don't expect this to collapse to give isomorphisms $H^{p}(\pi _{1}(X),F)\approx H^{p}(X,F)$ except when $X$
is spec of a field or a henselian local ring. There are a few fragmentary results. For example, $H^{1}(\pi _{1}(X),A)\approx H^{1}(X,A)$ when $X$ is an open subscheme of the spec of the ring of integers in a number field and $A$ is an abelian scheme on $X$.


text:
Q: How can I change the display order? I have a form and on this form the user can change the display order. This is reflected on a page that shows all our employees and we want to be able to control which order they appear.

When the form is submitted, I want to alter the other display orders in the database to reflect the change.
Some example data:

When they save that form, everything is updated to the db except the display order. That is handled in a separate function call.
function updateDisplayOrder($eid, $display_order_old, $display_order)
{
  if ($eid > 0)
  {
    if ($display_order != $display_order_old)
    {
      $result = db_query("SELECT * FROM {help_employees} WHERE active = 1 ORDER BY display_order");
      while ($arr = db_fetch_array($result))
      {
        if ($display_order > $display_order_old)
        {
          if ($arr["display_order"] > $display_order_old && $arr["display_order"] <= $display_order)
          {
            db_query("UPDATE {help_employees} SET display_order = %d WHERE eid = %d", array($arr["display_order"] - 1, $arr["eid"]));
          }
        }
        else
        {
          if ($arr["display_order"] < $display_order_old && $arr["display_order"] >= $display_order)
          {
            db_query("UPDATE {help_employees} SET display_order = %d WHERE eid = %d", array($arr["display_order"] + 1, $arr["eid"]));
          }
        }
      }
      db_query("UPDATE {help_employees} SET display_order = %d WHERE eid = %d", $display_order, $eid);
    }
  }

}

What happens now:

A: If inserting a new employee:
db_query("UPDATE {help_employees} SET display_order = display_order + 1 WHERE display_order >= :display_order", $display_order);

Else if $display_order > $display_order_old
db_query("UPDATE {help_employees} SET display_order = display_order + 1 WHERE display_order >= :display_order AND id <> :id", $display_order, $id)`;

Else
db_query("UPDATE {help_employees} SET display_order = display_order + 1 WHERE display_order >= :display_order AND display_order < :display_order_old AND id <> :id", $display_order, $display_order_old, $id);

Where $display_order_old, $display_order and $id are values of the current modified employee

A: remove your item from its current position
 db_query("UPDATE {help_employees}
     SET display_order = display_order - 1
     WHERE eid != %d AND active = 1 AND  display_order > %d",
       $eid,  $display_order_old);

add some space for its new position
 db_query("UPDATE {help_employees}
     SET display_order = display_order + 1
     WHERE eid != %d AND active = 1 AND  display_order >= %d",
       $eid,  $display_order);

modify it:
 db_query("UPDATE {help_employees} SET display_order = %d WHERE eid = %d ",
       $display_order, $eid);


Tall 16 oz full colour hot paper cups with sturdy paper board. Price includes 1 colour imprint.
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Image file in .jpg or .png format at 300 DPI or higher.


text:
Q: plugin will not offer update even though a new version is available I made a plugin, made revisions to it, and commited it again, yet in the admin area under plugins, I do not see under my plugin that an update is available.
So I had, say, version 1.2.0 , and now I made a new version 1.9.0 and I commited it, and on the wordpress site if you click the download button you WILL get the 1.9.0 version, but people that already have version 1.2.0 installed won't see an update option.
Also, on the wordpress site, it always says "Download version 1.0", even though the current version is 1.9.5 (that's what it says in the readme.txt under the stable tag)
How to fix this?

A: It sounds like your trunk/stable tag setup is off. This is the way WordPress recommends releasing plugin updates on their site, and what I use for publishing new version of my plugins.

*

*Make changes to your plugin and commit to /trunk

*When you are ready to release a new version update your main plugin PHP file under /trunk with the new version number in the plugin header.

*Update /trunk/readme.txt to include the new changelog info and set the stable tag to the same version as in #2

*Create a tag of /trunk using the same version number specified in the stable tag

The new version of your plugin should not be automatically delivered to anyone who has your plugin installed.


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