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S'anomena ceràmica àtica la producció de ceràmica de la regió de l'Àtica amb centre en l'antiga Atenes. El moment de màxima esplendor de la ceràmica àtica fou entre el  i la primera meitat del , moment de major domini polític i cultural d'Atenes. D'aquesta manera, hom fa referència als dos grans estils corresponents a la ceràmica de figures negres i la ceràmica de figures vermelles i es considera ceràmica protoàtica la ceràmica de l'estil geomètric.

La producció de ceràmica a l'Àtica representa la part millor de la ceràmica grega, ja sigui per la seva varietat o bé pel nivell artístic dels seus famosos ceramistes. La producció s'estén des de l'any 1.000 aC fins a finals del s. IV aC, amb una gran documentació per a cada període.

El primer es caracteritza pels vasos de grans dimensions i amb decoracions geomètriques en franges. Després, venen les ceràmiques de figures negres sobre fons vermell: l'àmfora de Neso (Museu Nacional d'Atenes) i el vas de François (Museu Arqueològic de Florència), són els exemples més notables.També en aquest període comença una gran exportació de ceràmica. Són coneguts el nom de Clities (autor del vas de François), Amàs. Exèquies i Nicòstenes.

Des de mitjans del s. VI s'inicia la ceràmica amb figures vermelles sobre fons negre, potser la producció més famosa, on destaquen Andòdides, Eufroni, Dúrides o Brigos. Més endavant, en el s. V, predomina l'estil conegut com a "grandiós", per la influència de la pintura de Poliglot: és famosa la cràtera dels Argonautes i la de les Niòbides. També és àtica la producció de lekythoi, vasos funeraris de fons blanc amb pintures vermelles o negres d'influència fidíatica.En època hel·lenística, la meravellosa ceràmica àtica finalitza la seva història i inicia un període de notòria decadència.

La periodificació de la fabricació de la ceràmica es podria dividir en quatre etapes:

a)   Període geomètric (1.000 a 700-650 aC): escola de Tera (Cíclades), l'escola àtica i l'escola beòcia.

b)   Període orientalitzant (700-650 a 600 aC i següents): vasos de Rodes, vasos corintis, vasos beocis, vasos protàtics, vasos de Milos i vasos plàstics.

c)   Període Jònic i Jònic-Àtic (600-530-520 aC i següents): l'escola coríntia, l'escola lacònica, l'escola jònica i l'escola àtica.

d)   Arcaisme tardà (530 o 520-450 aC): l'estil sever i l'estil grandiós.

Context històric

L'art prehel·lènic se sol dividir en dos períodes: el minoic i el micènic. L'etapa minoica té lloc en l'illa de Creta, situant-se cronològicament entre el 1.800 i el 1.450 aC, mentre que el període micènic es desenvolupa en la península del Peloponès i en les costes de l'Àsia Menor, entre els anys 1.400 i 1.100 aC.En ambdós moments s'usaven les estructures dintellades, apareixent la columna amb un paper denominant. Fins i tot sembla estar envoltada de cert culte religiós, com a Creta on apareix amb l'amulet de la destral doble (labris), o bé flanquejada per dos lleons a Micenes.

Les peces ceràmiques que trobem en la cultura minoica, són figures realitzades en ceràmica vidriada o llosa i reben el nom de les deesses de les serpents, tot i que hom pensa que es tractaria de sacerdotesses. Porten el pit al descobert i les serps s'enrosquen en els seus braços. També destaquen els caps de brau realitzades en esteatita negra amb els ulls de vidre de roca incrustats. Els relleus dels tres vasos procedents de Hàgia Triada, són el millor exemple de la qualitat dels artistes minoics. En el vas dels segadors podem contemplar un grup de camperols que tornen del treball amb les seves eines, apareixent en diversos nivells de profunditat, intentant donar la sensació de perspectiva. Els vasos de Vafia, realitzats sobre or, també tenen relleus. Representen escenes campestres. Així mateix han aparegut extraordinaris relleus ceràmics amb cabres i vaques amamantant les seves cries. Els recipients ceràmics estan decorats amb temàtiques vegetals i animals, essent característics els estils de Kamàres i de Palau

Són escasses les restes arqueològiques que han quedat de la cultura micènica, denominada d'aquesta manera per Schliemann en treballar les excavacions del Cercle A de tombes de Micenes. Potser que siguin els enterraments els monuments més característics d'aquesta civilització, on s'han trobat escassíssims exemples de la seva ceràmica. Les diferents invasions d'eòlics, jònics i dòrics, acabaran amb l'art prehel·lènic, assentant-se les bases per al desenvolupament d'un nou estil que es divideix en tres grans etapes: arcaica, fins al segle V aC; clàssica que correspon als ss. V i IV aC; i hel·lenística, que avarca des de l'etapa d'Alexandre fins a la colonització romana. La ceràmica grega va assolir un important desenvolupament, essent interessant per a conèixer com seria la gran pintura  i la vida quotidiana. Al llarg del s. VI aC els ceramistes atenesos imposarien el seu estil, caracteritzat per les figures negres sobre fons vermell. El cos de vas serveix per a representar tota classe de temes, imposant-se l'aspecte narratiu sobre l'aspecte decoratiu.

A finals del s. VI aC, es produeix un significatiu canvi en el cromatisme de les peces ja que les figures tindran el color vermell del fang i el fons es pintarà de color negre. Malgrat tot, no es produirà cap canvi en la disposició de les temàtiques en les peces.

Els lékythos, tenen un caràcter exclusivament funerari ja que serveixen per a guardar les cendres dels difunts. En ser allargat, deforma menys la figura i inclou policromia en colors blaus, grocs, ocres o morats.

El pas de la Grècia clàssica al món hel·lenístic no es caracteritza per haver-se produït una transformació revolucionària en la capacitat productiva en el terreny de les manufactures.Només cal esmentar, dins de l'especificat dels modes de producció integrats en el sistema dominant, el mateix que l'explotació agrària, ja que el desenvolupament de les corts va provocar un augment de la demanda dels objectes de luxe, la qual cosa va afavorir l'auge d'alguns tallers, generalment vinculats a les corts reials.Així en la producció ceràmica es va generalitzar l'elaboració de vasos amb relleus, a imitació dels metàl·lics, fet que servia per a difondre entre les classes propietàries dins de les ciutats els gustos refinats de la cort. Les terracotes i els vidres es troben dins del mateix terreny productiu.

La invasió de la Grècia continental per part dels pobles de la mar comportà l'esfondrament de la civilització micènica. Els habitants del territori sobreviuen en unes lamentables condicions durant l'edat fosca grega, però tres territoris destaquen per haver mantingut part de la tradició cultural: Xipre, Creta i Atenes. Atenes no fou saquejada per les invasions dòriques del ; malgrat això, patí un declivi econòmic durant dos segles. Ja al segle VI aC, Grècia dominava bona part del comerç de la Mediterrània mitjançant les seves colònies. Al , aquest domini és comandat militarment per Atenes, al capdavant de l'anomenada lliga de Delos.

La ceràmica en les antigues civilitzacions tenia un valor cabdal en ser un element imprescindible per a diferents negocis. Els tallers àtics de ceràmica eren indústries que generaven riquesa i prosperitat. Tot i el caràcter industrial de les diferents tipologies ceràmiques, el recobriment pictòric podia ser de caràcter exclusiu. És per això que a la via Sagrada que conduïa a l'Acròpoli, on s'enaltia els millors pintors i escultors, també es col·locà un acroteri d'Eufroni al costat d'una estàtua de Miró. La diversitat de pintures en la ceràmica ha servit als historiadors per establir els processos paral·lels que els artistes fan en la pintura i en l'escultura, branques de l'art en què han sobreviscut menys obres. En aquest sentit, cal recordar que fou la pintura l'art més prestigiat en la Grècia clàssica, però l'art del qual menys vestigis resten. És per això que la ceràmica acostuma a mostrar amb un cert retard les innovacions o avenços de la pintura.

Una indústria tan massiva disposa de jaciments destacables. En el cas d'Atenes destaquen el Ceràmic i el Dipilo, dues necròpolis properes. El Ceràmic se situa al barri dels terrissaires al nord-est del l'Acròpoli d'Atenes, i el Dipilo és un cementiri a fora de la muralla de la ciutat.

La ceràmica àtica tingué molt bona acollida a Itàlia, es considera que el sud peninsular rebé una immigració de terrissaires atenencs a la segona meitat del . Aquesta influència queda palesa en poblacions com Lucània, Apúlia i l'estil anomenat ceràmica campaniana. Així començà el fort davallament de l'economia atenenca, ja no s'exportava ceràmica, orfebreria o fins i tot material de construcció com maons i teules a antigues regions tributàries. La producció local satisfeia les pròpies necessitats i augmentava la independència respecte a Atenes.

Estils / Períodes
L'estil protogeomètric és un estil oriental, del nord de Síria, que arribà a Atenes per l'art micènic. Al Ceràmic, s'han trobat vasos que daten del 1075 aC. La ceràmica del Dipilo mostra com la tradició micènica s'adapta i millora les solucions formals anteriors. D'aquesta manera, les àmfores per a transportar oli o vi esdevenen més allargassades, aprimant-les, i l'obertura és més estreta per a facilitar-ne el tancament.

L'estil geomètric (900 aC - 700 aC) en l'anomenada fase del Dipilo, en referència a la necròpolis, ja es pot considerar un estil àtic. S'elaboren craters i àmfores de l'alçada d'una persona i es pinten de color negre amb faixes decoratives de color negre sobre fons clar. Acostumen a emprar-se com a monuments funeraris damunt de les tombes. És un estil sobri en què s'elaboren composicions només de línies, rombes, meandres, reticulats, triangles, cercles, etc. Els elements visuals s'empren per a ordenar els espais volumètrics de la ceràmica. Malgrat la simplicitat formal, no s'ha de desprestigiar aquest estil perquè suposa una alt referent per a l'art grec, ja en aquesta ceràmica s'observa una subordinació formal de les parts al conjunt (taxi) i, d'altra banda, l'ordre racional comporta i esdevé bellesa (cosmos).

En el geomètric mitjà junt amb les línies comencen a aparèixer animals i, durant el , figures humanes geomètriques, esquemàtiques i estilitzades damunt un fons clar o rosat de la terra cuita. Apareix la pretensió narrativa i, per altra banda, es comença a distingir l'autoria dels diferents artesans, com el mestre del Dipilo.

S'exporta ceràmica d'Etrúria fins a Síria, coincidint amb el moment en què la ceràmica àtica comença a singularitzar-se. En aquest sentit, destaquen els vasos protoàtics pintats en negre sobre argila clara entre el 700 aC i el 600 aC. L'exportació comporta que s'imiti la ceràmica en altres regions, adoptant estils diferents. Alhora s'importen objectes d'Orient i en la ceràmica s'introdueixen monstres i animals aliens a la tradició hel·lena.

La tradició de la ceràmica coríntia pintada entra en decadència a meitat ; paral·lelament, la ceràmica àtica va agafant preponderància. Els terrissers àtics es van beneficiar de l'excel·lent argila rica en ferro d'Atenes, milloraren la forma dels vasos i donaren un perfil continu a les àmfores ja des del .

A partir del 600 aC, emergeix el gran estil de figures negres sobre fons vermell. Època de la qual ja es coneixen els noms dels artistes més destacats, com Nicòstenes o Exèquies, ambdós grans virtuosos del traç. La temàtica està dominada per la mitologia èpica, però augmenta la representació d'atletes, banquets, escenes galants, casoris, enterraments i escenes de la vida quotidiana.

Del  fins al  es realitza la ceràmica de fons blanc que sorgeix paral·lelament a Atenes i Etrúria.

Finalment, s'esdevé l'estil de figures vermelles, quan es considera que els terrissaires assoleixen la màxima essencialitat expressiva de les línies de contorn i que mai més s'assolirà pels pintors de cap altra civilització. A Epictet, se li atribueix la capacitat d'adaptar el dibuix a les formes curvilínies de la ceràmica i especialment al l'espai circular del fons. Eutímides, competint amb els millors pintors del moment i en el camp de la ceràmica, inventa l'escorç. Es considera que aquest estil es desenvolupa durant tres etapes.

La primera etapa va del 530 aC fins a les guerres mèdiques. A la dècada dels anys trenta del segle VI aC, es descobreix una nova tècnica que permet el canvi de la figura negra a la vermella. Abans de consolidar-se el nou estil, es passa per un moment de transició quan s'elabora l'anomenada ceràmica bilingüe. Un dels pioners i més ben considerats terrissaires i pintors de la nova tècnica és Eufroni.

Una segona etapa comprèn les guerres mèdiques fins a finals del segle V aC. Es considera que els diferents pintors de terrissa queden sota la influència del pintor Polignot. D'aquesta manera, el pintor de terrissa Polignot, potser el més destacat, n'adopta també el nom perquè pinta a la manera d'aquell.

La darrera fase de la ceràmica de figures vermelles va des de finals del  fins a finals del , quan a Atenes l'estil entrà en decadència i fou substituint per la ceràmica del vessant occidental. En altres indrets de Grècia com a Creta, l'estil de la ceràmica de les figures vermelles pervisqué fins al .

Referències
  Jacobo Storch de Gracia, 1999, pàgina 108
  R Bianchi Bandinelli i E Paribeni, 1998, pàgines 35-36
  Jacobo Storch de Gracia, 1999, pàgina 118
  X Barral, 1988, pàgina 181
  R Bianchi Bandinelli i E Paribeni, 1998, pàgines 81 - 82
  R Bianchi Bandinelli i E Paribeni, 1998, pàgines 23-24

  X Barral, 1988, pàgina 76
  Julià de Jòdar, 1996, pàgina 21
  R Bianchi Bandinelli i E Paribeni, 1998, pàgina 39
  X Barral, 1988, pàgina 80

Bibliografia
 Jacobo Storch de Gracia, El arte griego (I), Historia del Arte, , Historia 16, 1999.
 Xavier Barral i Altet, Història universal de l'art, L'antiguitat clàssica, , Vol 2, Editorial Planeta, 1988.
 Enciclopèdia Catalana.
 J. F. Ràfols, Historia del arte, , Editorial Optima, 2002.
 R Bianchi Bandinelli i E Paribeni, El arte de la antigüedad clásica, Grecia, , Ediciones Akal, Madrid, 1998.
 Julià de Jòdar, Historia de la pintura y de la escultura, , Ediciones Altaya SA, Barcelona, 1996.

Ceràmica de l'antiga Grècia

redpajama_set_name: RedPajamaWikipedia


I'm finally back after a seemingly long hiatus from the Summer Bucket of FUN! It's been a bit chaotic around these parts since we've been having fun with visiting family and daily swimming lessons now that they've gone back home!
Today's Handprint Octopus Craft is a great activity for documenting hand size. It's always fun to look back to see how big we've grown!


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Barcelona activate £10.6m buy-back clause to re-sign Gerard Deulofeu from Everton
Spaniard moved to Goodison Park in the summer of 2015 having previously been on loan with the Toffees.
By Eduardo Fernandez-Abascal
Updated June 30, 2017 16:05 BST
Watch Barcelona youngster score an outrageous wonder goal	Storyful
Barcelona have confirmed the signing of Gerard Deulofeu from Everton after activating a €12m (£10.6m, $13.7m) buy-back clause inserted into his contract when he was sold to the Premier League side in the summer of 2015.
The 23-year-old winger was once considered the jewel of the Barcelona academy, breaking records within the club's youth ranks before enjoying a remarkable campaign with the second team in 2012-2013 where he scored 18 goals in the second division of Spanish football.
More from IBTimes UK
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The talented winger also helped Spain to win two consecutive Under-19 European Championships in 2011 and 2012 but failed to fulfil huge expectation in successive loan spells at Everton and Sevilla.
Barcelona thus decided to sell him to Everton, then managed by Roberto Martinez, in the summer of 2015.
Deulofeu showed glimpses of his talent on Merseyside but in January, Ronald Koeman decided to send him on loan to AC Milan for the second part of the 2016-2017 campaign.
The Spaniard managed to rediscover his best form in Serie A and in April Barcelona's technical secretary Robert Fernandez suggested the La Liga giants were ready to bring him back to the Nou Camp by triggering a €12m buy-back clause.
Deulofeu spent the second part of last season on loan at AC Milan. Getty Images
Deulofeu later put the deal under some scrutiny, amid suggestions that he wanted guarantees over his role at Barcelona before making a final decision.
The winger is currently focused on the Under-21 European Championship, having helped Spain to book a place in the final against Germany.
It had been said that he was hesitant to make the move back to Barcelona amid concerns that his playing time at the Nou Camp will be limited due to the presence of Lionel Messi, Luis Suarez and Neymar.
However, Barcelona have now confirmed his return to Ernesto Valverde's side, with the buy-back option included in his Everton deal set to expire at the end of the day ( Friday 30 June).
"FC Barcelona have activated the buy-back clause for Gerard Deulofeu. In the following days, the terms will be agreed with both Everton and the player. Deulofeu's contract will run until 30 June 2019," the club have confirmed.
Deulofeu becomes the Catalans' second signing of the summer having also activated an option to make Marlon Santos' loan move from Fluminense permanent.
Related topics : Barcelona FC Everton FC

redpajama_set_name: RedPajamaCommonCrawl


60 years have passed since the launch of the first artificial Earth satellite. During this time the space research has turned into one of the most dynamic and fruitful areas of science, developing in numerous fields - from the study of the atmosphere, space geodesy and Earth remote sensing to the study of the Universe in the whole spectrum of electromagnetic waves. In the article, the attention is paid to the emerging possibility of using the observations of satellites as targets for the studies of the Earth: its shape and gravitational field, the definition of fundamental astrometric and geodesic constants, determination and study of parameters of the Earth's rotation.
The necessity of reviewing the principles and methods of construction of basic reference frames has emerged. We briefly summed up the main stages of high-precision determinations of parameters of the Earth's gravitational field with the help of the specialized satellites, as well as an effect of deviations of the Earth from the uniformly rotating solid body on the satellite orbits, changes in the speed of the Earth's rotation. Satellites provide direct and accurate measurements of the Earth's flattening, data of its internal structure, terrestrial tides, and plate tectonics. The new problem has arisen, which is related to the intensive exploration of the near-Earth space. More than 50 countries participate in its exploration. The space industry has become an integral part of the world economy. The number of satellite launches for various purposes is now approaching 6000. Parts of launch vehicles, defunct satellites and their disintegration create the growing amount of space debris in the near-Earth space, which already poses a threat to space exploration. In this connection, the new research field arises in astronomy - the observation of the technogenic space debris, studying its distribution over the altitudes of orbits, its density at various altitudes, determination of its sizes, velocity and direction of its movement. All this leads to the development of methods and means of space debris removal from the near-Earth space to continue the space exploration.
1. Adushkin V. V., Kozlov S. I., Sil›nikov М. V. Vozdeystviye kosmicheskoy tekhniki na okruzhayushchuyu sredu. GEOS, 521—575 (Moscow, 2016) [in Russian].
2. Veniaminov S. S. Kosmicheskiy musor — ugroza chelovechestvu. IKI RAS, Ser. Mekhanika, upravleniye, informatika, 70—97 (Moscow, 2013) [in Russian].
3. Mikisha А. М., Rykhlova L. V., Smirnov М. А. Zagryazneniye kosmosa. Vestnik Rossiyskoy Akademii Nauk, 71 (1), 26—31 (2001) [in Russian].
4. Smith D. Е., Kolenkiewicz R., Dunn P. J. Geodetic Studies by Laser Ranging to Satellites. The Use of Artificial Satellites for Geodesy, 265—281 (Moscow, 1976).
5. Bakhtigaraev N., Levkina P., Rykhlova L., Sergeev A., Kokhirova G., Chazov V., et al. Features of geosynchronous space objects motion near 75E. Open Astronomy, 27(1), 139—143 (2018).
7. Pail R., Bruinsma S., Migliaccio F., et al. First GOCE gravity field models derived by three different approaches. J. Geod., N 85, 819—843 (2011).


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Forums > Newsgroups > Computing > DVD Video >
DVD Verdict reviews: FULL HOUSE: THE COMPLETE FIRST SEASON and more!
Discussion in 'DVD Video' started by DVD Verdict, Mar 9, 2005.
DVD Verdict Guest
Today, DVD Verdict posted reviews of DEADLY DUELS, THE FRESH PRINCE OF
BEL-AIR: THE COMPLETE FIRST SEASON, FULL HOUSE: THE COMPLETE FIRST
SEASON, GOD, THE DEVIL, AND BOB: THE COMPLETE SERIES, IN THE FOOTSTEPS
OF ALEXANDER THE GREAT, THE SHIELD: THE COMPLETE THIRD SEASON, SOMETHING
THE LORD MADE, STAR WARS: CLONE WARS, VOLUME 1, and STEPHEN KING
PRESENTS KINGDOM HOSPITAL:
DEADLY DUELS (reviewed by Erick Harper, overall score 72/100):
"Perhaps I am in the minority, but I would have enjoyed seeing more time
spent on tactics and weapons than on the nature of insults that might
lead to a duel. The whole enterprise loses some steam about halfway
through the second program with the introduction of firearms. Let's face
it: pistol duels aren't nearly as interesting or fun."
FULL REVIEW: http://www.dvdverdict.com/reviews/deadlyduels.php
THE FRESH PRINCE OF BEL-AIR: THE COMPLETE FIRST SEASON (reviewed by
Sandra Dozier, overall score 80/100):
"It was Will Smith's first acting job, and the sitcoms of the late
eighties and early nineties have a certain cheese factor that usually
dates them unkindly. However, while the show is still firmly dated by
its subject matter and you can clearly see how much Smith's craft has
improved since those early days, the show itself is still as much of a
gut-buster and all-out fun time now as it was then."
FULL REVIEW: http://www.dvdverdict.com/reviews/freshprinceseason1.php
FULL HOUSE: THE COMPLETE FIRST SEASON (reviewed by David Johnson,
overall score 80/100):
"This is a show with some staying power. For a marginally funny program
nearly two decades old, it seems to be ubiquitous on my television
screen. This I think is a testament to the bizarre, almost supernatural
appeal it holds. I've always found it strangely watchable, despite (or
maybe because of) the oppressive corniness."
FULL REVIEW: http://www.dvdverdict.com/reviews/fullhouseseason1.php
GOD, THE DEVIL, AND BOB: THE COMPLETE SERIES (reviewed by Patrick
Naugle, overall score 56/100):
"The show meanders from episode to episode as one of the title
characters (Bob) deals with not only his family issues, but also being
the pawn in a game of existence for God and the Devil's amusement. I
laughed maybe twice, and that was only because I'd been silent for so
long that I wanted to remember what laughter sounded like."
FULL REVIEW: http://www.dvdverdict.com/reviews/goddevilbob.php
IN THE FOOTSTEPS OF ALEXANDER THE GREAT (reviewed by Joel Pearce,
"Most of the areas depicted are still quite barren, so have not changed
much since Alexander's life. This is a far more vivid way to explore the
past than looking at the path on a map."
FULL REVIEW: http://www.dvdverdict.com/reviews/footsteps.php
THE SHIELD: THE COMPLETE THIRD SEASON (reviewed by David Johnson,
"It makes NYPD Blue seem like Blue's Clues."
FULL REVIEW: http://www.dvdverdict.com/reviews/shieldseason3.php
SOMETHING THE LORD MADE (reviewed by Joel Pearce, overall score 94/100):
"Something the Lord Made is set against a backdrop of prejudice, and
never glosses over the injustices done to men like Thomas, but it spends
more energy celebrating his remarkable accomplishments."
FULL REVIEW: http://www.dvdverdict.com/reviews/somethinglordmade.php
STAR WARS: CLONE WARS, VOLUME 1 (reviewed by David Johnson, overall
score 92/100):
"This disc is a must-own for Star Wars fans. That point is not
debatable. Even if you're one of the cranky coots who loathe every
nanosecond of the prequel trilogy, Clone Wars still qualifies as
top-notch."
FULL REVIEW: http://www.dvdverdict.com/reviews/clonewarsvol1.php
STEPHEN KING PRESENTS KINGDOM HOSPITAL (reviewed by Bill Gibron, overall
"While it may play like a retread of hundreds of other King creations,
Kingdom Hospital still manages to maintain its own individual integrity
thanks to the skill of the man behind the pen. In the long list of hits
and misses, flops and finery, this is one of our man from Maine's
shiniest hours."
FULL REVIEW: http://www.dvdverdict.com/reviews/kingdomhospital.php
Editor & Webmaster, DVD Verdict
www.dvdverdict.com
DVD Verdict, Mar 9, 2005
DVD Verdict reviews: THE DUKES OF HAZZARD: THE COMPLETE FIRST SEASON and more!
DVD Verdict reviews: HELLBOY, SPARTAN, THE A-TEAM: THE COMPLETE FIRST SEASON, and more!
DVD Verdict reviews: THE ANDY GRIFFITH SHOW: THE COMPLETE FIRST SEASON and more!
DVD Verdict reviews: LITTLE HOUSE ON THE PRAIRIE: THE COMPLETE SEVENTH SEASON and more!
DVD Verdict reviews: THE BOB NEWART SHOW: THE COMPLETE FIRST SEASON and more!
DVD Verdict reviews: FULL HOUSE: THE COMPLETE SECOND SEASON and more!
DVD Verdict reviews: FULL HOUSE: SEASON 3, SIX FEET UNDER: THE COMPLETE FIFTH SEASON, and more!
DVD Verdict reviews: THE SENTINEL: THE COMPLETE FIRST SEASON and more!


Olea europaea, Italian Olive, and Olive.
Apigenin, choline, cinchonine, luteolin, mannitol, olivin, tannins.
Olive leaf teas have been used for thousands of years to lower fevers, and olive leaf poultices are among the oldest therapies for infections of the skin. Olive leaf is associated with a variety of modern medical claims, some of them backed up with scientific evidence: ´ Antibacterial effects. Elenoic acid from olives is known to be antibacterial (killing both infectious and helpful bacteria), but the elenoic acid in olive leaf may be broken down in the process of making the tea. Olive leaf poultices may heal skin by encouraging circulation rather than by killing bacteria. ´ Cardiovascular effects. Oleuropein in olive leaf and in olives may prevent LDL cholesterol from oxidizing into a form that can form atherosclerotic plaques. The chemical also lowers blood pressure, although only slightly (3 to 8 mm/Hg after 3 to 4 weeks? use). ´ Diabetes. Olive leaf extracts have been shown in laboratory studies to lower blood sugars, but their use in treating diabetes in humans is not well documented.
Rebecca adds: From the March, 2009, issue of Alternative Medicine Review – "Natural antibiotics like olive leaf contain anti-fungal and anti-viral properties which may be the most effective means of combating many of today's new strains of colds and flus… Olive leaf works for you to prevent subsequent viral or bacterial infection(s)… Olive leaf is a powerful weapon against the common cold and flu, including many strains of influenza and para-influenza viruses… Olive leaf interacts with the protein in cold and flu virus particles to halt infection..."
Olive leaf tea should be taken with meals. Safety of the herb during pregnancy has not been established.


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Waterhole Three
Director: William A. Graham
Stars: James Coburn, Carroll O'Connor, Margaret Blye, Claude Akins, Timothy Carey, Bruce Dern, Joan Blondell, James Whitmore, Harry Davis, Roy Jenson, Robert Cornthwaite, Jim Boles, Steve Whittaker, Ted Markland, Rupert Crosse, Jay Ose, Robert 'Buzz' Henry
Genre: Western, Comedy
Rating: 3 (from 1 vote)
Review: A wagon containing four bars of gold is ridden into the town of Dolores by members of the Army, led by Captain Shipley (James Whitmore), to leave it in the care of a guard there, but what he doesn't know is the man he has given this responsibility to, Sergeant Foggers (Claude Akins), is not as noble as he seems. Once Shipley has left, a tunnel dug from the nearby shoemaker's offers access to the gold, and with the innocent shoemaker, Ben (Harry Davis), framed as the culprit, Foggers and his gang, who include the heavy, Hilb (Timothy Carey), make off with their ill-gotten gains. However, there is one man who might wish to relieve them of the treasure, a rogue known as Lewton Cole (James Coburn)...
Yes, James Coburn, one of the most charming of leading men with a demeanour that could lend itself to playing an engaging and capable hero to a more easygoing scoundrel, but no matter what side of the moral divide he was on, more often than not you found yourself warming to him. So what went so badly wrong with Waterhole Three? He wasn't doing much different in his performance than he usually did around this era, the nineteen-sixties when he really came to prominence as a star, yet the script was so misjudged and used him so poorly that you found yourself really taking against him. It was like hearing a song you like then listening to the lyrics to find they were unpalatable, an apt comparison in light of Roger Miller's sung narration courting comparison to the far better Cat Ballou.
The main bone of contention was Cole's antihero status. When we first meet him he is cheating others in a saloon with a game of find the lady, but then is challenged to as gunfight which he promptly wins by waiting for his opponent to stand in the street, ready to fire, whereupon Cole uses his horse as cover and blows the guy away with a shotgun. Ah, we see, this man does not play by the rules, and he is supposed to make us laugh in the process, but the trouble is we're not laughing because no matter how often he flashes that smile there's something about Cole that makes the skin crawl. It's not that Coburn was doing anything much different to his usual performance in such a movie, but the material he was working with severely let him down.
Cole is on the trail of that gold, with a map on a twenty dollar bill telling him it is buried in a waterhole some distance away, the waterhole of the title, but on the way he stops off at a different town to apparently do nothing more than make an enemy of the Sheriff there, Copperud (Carroll O'Connor), by locking him up naked in his own jail (he has company, too - Bruce Dern is in there with him). Before he steals his horse too, Cole is confronted by the Sheriff's daughter Billee (Margaret Blye of The Italian Job fame) in the barn, whereupon he turns the tables and rapes her. Now, you may be thinking that even for a comedy that's not especially hilarious for the protagonist to be doing, and you'd be damn right, it upsets the whole movie and leaves us despising the character we're presumably meant to be admiring.
At this point in the Western genre's history, the previous dominance of the Hollywood product was being overtaken by the flood of European efforts which had a grittier, more dissolute take on the conventions, so you had to assume the makers of Waterhole Three were trying to keep up with this competition by including scenes like that, but the repercussions of the rape echo through the rest of the movie. Billee wants revenge so chases Cole across the desert, just as her father has done, but nobody takes her seriously when she brings up the assault, least of all Cole who describes what he did as "assault with a friendly weapon", and when she tries to have him arrested by Shipley later on, the Captain dismisses the issue by telling her nobody would take her seriously in a court and the jury would want to rape her as well. Watching these attitudes from yesteryear today would be bad enough, but there's not one good joke in the movie otherwise either, not Joan Blondell as a madam yelling "bastards!" and not the way all the wrong people get rewarded. It's a nasty piece of work. Music by Dave Grusin.
Reviewer: Graeme Clark
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This catalog contains the information about institutions of the Battle Creek city. The detailed catalog contains addresses and phone numbers of all companies in the city. Welcome to the Battle Creek catalog, which is related to this city.


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Reign acquire Japan's Kawasumi on loan
The Equalizer Staff
After weeks of speculation, Nahomi Kawasumi has been loaned to Seattle Reign FC. (Photo: Zimbio)
Last year the Reign traveled to Japan as part of their inaugural preseason. This year, the Reign are bringing part of Japan to them. Late Monday night—early Tuesday in Japan—the Reign made the acquisition of Nahomi Kawasumi. The 28-year-old is joining the Pacific Northwest club on loan from INAC Kobe Leonessa, champions of the Nadeshiko League the last three seasons.
"Naho is a world-class talent who will add a different dimension to our front line in the coming season," Laura Harvey, coach and general manager for the Reign, said. "She is a proven winner in both league and international play and will bring that mentality and experience to our club."
Kawasumi was the MVP in Japan last season, finishing 2nd in goals to Beverly Goebel, who is also on loan to the Reign for the 2014 season. Kawasumi was also named MVP in 2011 and has been named to the league's Best XI the last four seasons. INAC defeated the Reign 2-0 during the Reign's 2013 trip to Japan.
On the international scene Kawasumi played a key role in Japan's win in the 2011 World Cup when she netted the tying and winning goals in a 3-1 semifinal victory over Sweden. Four days later she went the full two hours in Japan's penalty kick upset of the United States in the final.
"I'm very happy to be a member of Reign FC," the diminutive Kawasumi said. "Though it's my first time to live and play in the U.S. I will adapt myself to my new life as soon as possible. I'll try to do my best for the victory of Seattle Reign FC. You can count on my play."
Kawasumi is the latest in a long line of Reign additions during the offseason. Goebel, Kim Little, Danielle Foxhoven, and most notably Sydney Leroux have been acquired to bolster the attack and Megan Rapinoe terminated her contract in France and will join the team after the Algarve Cup.
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After three weeks traveling northeast Brazil, AC finally reached the geological anomaly of the Lencois Maranhense.
After three weeks traveling throughout northeastern Brazil we arrived in Atins during an unusual dry spell in the middle of the wet season. (Peak season usually starts around late June and July). We were here to ride 4×4 on the dunes of the Lencois but could see the disappointment in the locals' faces when we asked about the lagoons. Like all locals everywhere always say: "you should have been here last week". Nevertheless, after speaking to some folks around the beach and our local guide Joao, we decided on a westerly route from Atins into the middle of the formation. The locals that had been there recently mentioned some of the larger and deeper lagoons were still worth the trip. It was set – we would meet at 10:00 am for about eight hours of riding around in the Lencois and swimming the pools.
We woke up early on a Sunday to consistent 20 knots from the east with a high tide. With the less than stellar reports for the lagoons, we considered pushing the ride into the Lencois to the next day in order to enjoy the kiteboarding conditions. Ultimately, Joao convinced us to continue with our plan, so we got onto our green ATVs and rode west.
Local roads Inland from Atins are little more than low-grasses interspersed with the deep rutted tracks. This made the journey more active than we were expecting. Bobbing in and out of the paths, my skepticism of the whole thing quickly vanished as the dunes came into view. They are far more grand than I imagined – made of bottomless sand waves that stretch at some places for over 40 miles. In the best instances and the rainiest part of the year, dunes reach over 150-feet tall and at their base lie 30-foot deep fresh water lagoons. Per the legend of Jaoa, some pools grow fish after birds fly over dropping eggs that hatch – but we didn't see any.
About an hour west from Atins, we were in the middle of the Dune Field surrounded by mountains of sand and little else. Nothing seems to live on the dunes. The shrubbery quickly dies off and all that is left is the undulations of wind and sand. Driving 25 miles per hour up steep faces and faster on the way down. Switching from 4×4 to 2×4 on the Lencois, rising from the seat to better maneuver through narrow ridges, and opening up the throttle on the flats. We saw no one else and aside from the very rare old ATV track, there was no record of anyone before you. Words can't explain the feelings experienced while traversing this world.
For the first hour riding the dunes of the Lencois Maranhenses we went by dozens of lagoons. Any could have been good enough to spend the whole day in. Joao pressed on guaranteeing something special. Raised on a high promontory of sand was a lagoon about 1/4 of a mile long by 75 feet wide. Joao shared with us that the lagoons are formed from the rising water table during the wet season, not from rain. We stopped for a while.
After swimming in the water and walking around, Joao recommended we move to the next spot about 45 minutes away. So we rode on and reached a large lagoon where we setup camp to eat something and watch the sunset.
We sat, ate, played in the water and watched the sunset. Being one of the larger lagoons, it's perfect for kite surfing in high wet season. Another reason to come back and a future adventure that's now firmly on the list.
I was completely unprepared for this place and hated turning back for Atins. In retrospect, we should have planned an overnight trip. (They are technically illegal, but I'm sure we could have managed).
It took almost two hours to make it back to Atins the last 45 minutes in darkness. It was more than I could have ever imagined. Go see it.


The typical red and brown rhyolite rock patterns of Landmannalaugar in the background reflected in a shallow pond surrounded by common cottongrass (Eriophorum angustifolium). Landmannalaugar is in Suðurland in the highlands of Iceland. This photo was taken in the morning of a sunny day in September of 2013. This photo was taken with a digital camera.


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HIGHER ED TEACHING STRATEGIES FROM MAGNA PUBLICATIONS
Colleges Moving Slowly Toward State Authorization Compliance or Opting Out of States
A growing number of colleges obtained the necessary approvals in states in which they serve distance students, but many have a long way to go. As an alternative to seeking approval, an increasing number of institutions no longer accept students from some states. These are the findings of a survey of nearly 200 colleges conducted jointly by three leading distance education organizations.
"Two-thirds of responding colleges sought authorization in at least one state," according to Russell Poulin, deputy director of the WICHE Cooperative for Educational Technologies (WCET). When compared to a similar survey that we conducted in 2011, only about one-third had applied in any state. Institutions still have a long way to go as only 15% responded that they have all the approvals they need."
"Our members are struggling to see what the future is regarding state authorization compliance. By working together, our three organizations have stronger data and will be able to act on it more effectively," said Robert Hansen, chief executive officer of the University Professional & Continuing Education Association (UPCEA).
While more colleges are seeking to comply, they are also choosing to forego serving students in some states. Bruce Chaloux, executive director and chief executive officer of the Sloan Consortium noted, "As institutions have gained a greater understanding of the laws and regulations of each state, more have opted to bypass those states that they perceive as being too costly or the approval processes too cumbersome, for the number of students they enroll in certain states."
For more information on state authorization, check out State Authorization: Strategies for Online Providers, a new white paper from Magna Publications. Read an excerpt of this white paper now »
Given the state-to-state differences in authorization regulations and the courts vacating the federal rule on this issue, many institutional personnel have been confused about how to proceed. One of the purposes of the survey was to determine how that confusion may have altered institutional behavior.
Other major findings from the survey include:
Students are being turned away. Only ten percent of institutions said that they were not turning away any students. Nearly half (46%) are turning away at least 25 students per year and thirteen percent are denying access to more than 100 students. Of additional concern is that 34 percent said they were not notifying students about state authorization.
Institutions are in many states. On average, responding institutions serve students in 32 states. Larger institutions tended to have students in more than 40 states, while smaller institutions had a much smaller reach.
More staff dedicated to authorization. While a question about staffing levels was not asked in 2011, anecdotal evidence indicated that only for-profit institutions had staff dedicated to this task. Now, all types of institutions average about one-half of a staff person addressing state rules and regulations.
There is optimism about reciprocity. About half (52%) feel that the emerging reciprocity agreement will work and another 46 percent said that it depends on the details. Only two percent said that it will not work. Nearly two-thirds (63%) said that reciprocity can't come fast enough.
About the Organizations
The WICHE Cooperative for Educational Technologies (WCET) is a cooperative, membership-driven, non-profit provider of solutions and services that accelerate the adoption of effective practices and policies, advancing excellence in technology-enhanced teaching and learning in higher education. More information about WCET's institutional membership resources, services and common interest groups can be found on WCET's website, http://wcet.wiche.edu.
distance education leaders managing distance education programs state authorization state authorization issues State Authorization Reciprocity Agreement


In this paper, we explore the delivery of fast breathing interventions in a driving context, given the proven effects of high-paced breathing on autonomic arousal. Through in-lab simulator studies, we demonstrate the feasibility of using haptic guidance to increase breathing rate, intensity, and heart rate as well as subjective perceptions of alertness and focus. We also assess usability and user receptivity towards the approach across various simulated driving scenarios (highway, city), times of day (day, night), and traffic levels (low, heavy, fast). In doing so, we outline specific use cases where fast breathing interventions are more or less appropriate and beneficial, and we offer fertile future directions for the continued development of breathing systems for health and well-being.


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Die Elsava ist ein  knapp 25 km langer rechter Zufluss des Mains in den Landkreisen Aschaffenburg und Miltenberg im bayerischen Spessart.

Name

Der ursprüngliche Name Elsapha entstammt dem althochdeutschen Wort Els für Erle und dem indogermanischen Wort Ap – was Wasser bedeutet. Als Erklärung ergibt sich daraus ein von Erlen bestandener Wasserlauf. Der Fluss gab der Gemeinde Elsenfeld ihren Namen. Einen ähnlichen Namensursprung hat auch der in der Nähe fließende Fluss Aschaff (von Ascapha Eschenwasser) und die in der Rhön verlaufende Els.

Geographie

Elsavaquelle

Die Elsava entspringt im Landkreis Aschaffenburg nordöstlich von Hessenthal, einem Ortsteil der Gemeinde Mespelbrunn, in einem engen Tal auf etwa  am Fuße des Bergrückens der Eselshöhe. Sie entsteht aus zwei großen Quellen, dem Kaltebrunnen und dem als Elsavaquelle bezeichneten Springbrunnen. Der Kaltebrunnen befindet sich in einem versumpften Gebiet an der Staatsstraße 2308 und speist einen kleinen Weiher. Das Quellwasser der Elsavaquelle entspringt direkt einer Spalte im Fels am linken Hang. Sie ist eine der größten Quellen im Spessart. Nach Starkregenereignissen treten weitere Quellen im Uferbereich aus. Der sich bergwärts in Richtung Echterspfahl fortsetzende Grund liegt trocken, gehört aber zum Einzugsgebiet der Elsava. Der der Elsavaquelle entspringende Kaltenbach mäandriert durch eine Lichtung und vereinigt sich nach etwa 400 m mit dem Bach aus dem Kaltebrunnen.

Verlauf

Der Kaltenbach fließt am Rande des Waldaschaffer Forstes in nordwestliche Richtung nach Hessenthal. Von dort ab trägt der Bach den Namen Elsava, knickt nach Südwesten ab und unterquert die ehemalige Bundesstraße 8 (heute Staatsstraße 2312). Etwa ab der Wallfahrtskirche Hessenthal ändert der Fluss allmählich seine Fließrichtung nach Südosten. Die Elsava verläuft durch Mespelbrunn, wo in einem Seitental das Schloss Mespelbrunn liegt. Vorbei an der Gruftkapelle der Grafen von Ingelheim erreicht sie die Gemeinde Heimbuchenthal.

Gefolgt von der Staatsstraße 2308 knickt die Elsava im enger werdenden Tal in südwestliche Richtung ab und durchfließt das Dorf. Von dort ab begleitete bis 1978 die Spessartbahn den Fluss. Die Elsava überquert die Grenze nach Eschau im Landkreis Miltenberg und am Neuhammer (zur Gemeinde Dammbach gehörig) mündet der von Rohrbrunn herabfließende Dammbach, einer ihrer größten Zuflüsse, von links.

Die Elsava durchfließt dann den Ortsteil Hobbach. Dort wird sie vom an der Geishöhe (521 m) entspringenden und am Wasserschloss Oberaulenbach vorbei führenden Rosselbrunngraben verstärkt. Über Sommerau gelangt sie nach Eschau. Nach dem Ort fließt die Elsava in die Marktgemeinde Elsenfeld ein und erreicht an der Mündung des Aubaches ihren Scheitelpunkt, wo sie ihre Richtung nach Nordwesten ändert.

Vorbei am Kloster Himmelthal, verläuft der Fluss durch den Ortsteil Rück-Schippach und erreicht das Maintal. Die Elsava unterquert die Staatsstraße 2309 sowie die Trasse der Bahnstrecke Aschaffenburg–Miltenberg, durchfließt das Dorf Elsenfeld und mündet auf einer Höhe von  von rechts in den Main.

Zuflüsse
Direkte und indirekte Zuflüsse

Nur direkte Zuflüsse:

Von der Quelle abwärts fließen zu:
 Krebsbach (links)
 Hirtenbach (links)

 Dammbach (links)
 Aubachsgraben (rechts, zeitweilig trocken)
 Rosselbrunngraben (links)
 Brunnfloßgraben (links)
 Künzbach (rechts)
 Listgraben (rechts, zeitweilig trocken)
 Aubach (links)
 Erlengraben (rechts)
 Veilchenbach (links)

Hochwasser

Fauna
In der Elsava kommen Bachforelle, Bachneunauge, Gründling, Hasel, Mühlkoppe, Regenbogenforelle, Rotauge und Dreistachliger Stichling vor.

Siehe auch
 Liste der Nebenflüsse des Mains
 Liste der Flüsse im Spessart

Literatur
 Anja Zeller: Spessarter Flusstouren: Durch das Elsava- und Hafenlohrtal. Eine Genusstour in den Hochspessart. CoCon-Verlag, Hanau 2009, ISBN 978-3-937774-81-7, 64 S.

Weblinks

 Pegel bei Hobbach, HND Bayern
 Pegel bei Rück, HND Bayern
 Das Elsavatal
 Elsavatal-Radweg
 Die Elsava, Gewässerporträts bei  Wasserwirtschaftsamt Aschaffenburg 2016

Einzelnachweise

Fließgewässer im Landkreis Aschaffenburg
Gewässer im Landkreis Miltenberg
Fluss im Spessart
Geographie (Mespelbrunn)
Geographie (Heimbuchenthal)
Geographie (Dammbach)
Geographie (Eschau, Unterfranken)
Geographie (Elsenfeld)


Product categories of Door Skin, we are specialized manufacturers from China, Door Skin, HDF Door Skin suppliers/factory, wholesale high-quality products of Melamine Door Skin R & D and manufacturing, we have the perfect after-sales service and technical support. Look forward to your cooperation!
plain/white primed HDF door skins and 3.2 wood-veneered HDF door skins.


Sebastian AS operates world-wide and our services vary from small, simple tasks to more complex challenges that require high-level resources and expertise.
Since Sebastian AS was established in 1994 our services have been asked for by many companies and vessels around the world. We have had operations in many countries on almost every continent. This business is global and our customers expect us to come to wherever our services are needed. Going from a vessel survey in Singapore directly to an FMEA test preparation in Korea, travelling to the west coast of Africa for a week or two or boarding a vessel in a Texas harbour are all part of our normal work. However, our work can also be more local, such as carrying out FMEA proving trials a two-hours drive from our premises or attending a project meeting within walking distance in Ulsteinvik.
The needs varies and our staff are prepared to meet our customers' expectations.


Redwood Glen Apartments is a unique single-story apartment community in the popular Laurelglen neighborhood in southwest Bakersfield. Our ideal location places you within close proximity to terrific shopping, entertainment, schools and dining. Everything you need is located steps from your door. Choose from two spacious one and two bedroom floor plans offered at Redwood Glen Apartments. Tailored with amenities you deserve, our community strives to make your life a little easier. Spacious gourmet kitchens, breakfast bars, ceiling fans, plush carpeting, window coverings, patios and balconies, and energy efficient construction are just a few of the standard features included in each apartment home. Designed to be in harmony with the environment, Redwood Glen is surrounded by lush park-like grounds that provide an ambience not typically found in apartment home living. Residents take advantage of free time by enjoying a refreshing dip in our sparkling pool or walking the serene pathways. Visit our photo gallery to experience how pleasant life is at Redwood Glen Apartments.


Dubai, one of seven emirates in the United Arab Emirates, is taking a technological leap of faith this week as it introduces its first robot officer to the Dubai police force. Designed by the Spanish company PAL Robotics, the specialized REEM robot stands 5 feet 6 inches high and looks like a knight in shining white plastic armor, riding in on its wheels (rather than a horse).
This is just the first step for the Dubai police department. The department aims to have 25 percent of its police force composed of robot officers by the year 2030. "We are looking to make everything smart in Dubai Police. By 2030, we will have the first smart police station which won't require human employees," Brigadier Khalid Nasserl Al Razouqi, the General Director of Dubai Police's Smart Services Department, told Gulf News.
What can the robot police officer do? The prototype unveiled last year at GITEX, an annual Dubai-based electronics trade show, was basically a glorified kiosk, complete with a touch screen interface. Using an integrated tablet on the robot's midsection, people could report crimes, submit paperwork, and pay fines for traffic violations. It's unclear how or if the robot has been upgraded since then, though Dubai police were working with Watson, IBM's AI system, on voice command recognition. Eventually, the department plans on using the robots as full-fledged police officers, Endgadget.com reports.


text:
Transcripts, Season Three Transcripts
"Lost Girl" Transcript
< Lost Girl
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This page is the transcript for "Lost Girl". Feel free to correct any errors. If you need any help, please see our policies.
SCENE: Neverland. Present. Mr. Gold conjures a fireball to start a campfire. He freezes his shadow on a large rock and uses his dagger to cut his shadow from his feet.
Mr. Gold: You know what to do. Hide it where no one can find it, not even me.
SCENE: Neverland. Present. David, Emma, Hook, Mary Margaret and Regina trek through the jungle.
Hook: The ridge is just a few hundred paces up ahead.
Emma: You really think we're gonna be able to see Pan's hideout?
Hook: From there, we should be able to see everything, including where he's keeping your son.
Regina: You know, I could have just poofed us up here in an instant.
Hook: Where? Have you any idea what's up here or anywhere? There are dangers all about. Only I can guide us past them.
Emma: He's right. Hook's lived here before. If he says hiking up is the best way, then we listen.
Mary Margaret: Here. You need to stay hydrated. (Mary Margaret gives Emma some water)
Emma: Thanks, Mary Margaret.
Mary Margaret: You know, "Mary Margaret" is a bit formal. You could call me "mom" if you want. You've done it before.
Emma: That was...back when we--
Mary Margaret: ...we were about to die. Oh, no, I get it. (The two woman catch up with the rest of the group.)
(In the lead, David is cutting down branches blocking their pathway. He sees a patch of thorns and moves to slash them. Hook stops him.)
Hook: No. No!
David: I can handle a couple of thorns.
Hook: That's dreamshade. It's not the thorns you have to worry about. It's the poison they inject you with. This plant is the source of the toxins I used on the Dark One.
Emma: The poison that almost killed Gold?
Hook: Indeed. I used a concentrated dose. In its natural form, death would be much slower and far more painful. I suggest we go this way.
David: We'll go this way. (He goes off as Mary Margaret and Regina follow behind.)
Hook: Your father's a distrustful fellow.
Emma: He's just not used to working with the bad guys.
Hook: I can assure you, on this island, I am not the bad guy.
Emma: Yeah, well, Pan's not supposed to be one either.
Hook: What possibly gave you that idea?
Emma: Every story I ever heard as a child.
Hook: Well, they got it all wrong. Pan is the most treacherous villain I've ever faced. Tell me something, luv. In these stories...what was I like? Other than a villain. Handsome, I gather.
Emma: If waxed mustaches and perms are your thing.
Hook: I take it by your tone, perms are bad?
David: Up here! We made it.
Hook: Pan's lair should be just...right...
Regina: Where? All I see is jungle.
Hook: Aye. The Dark Jungle. (Hook takes out his telescope to survey the land.) It's, uh, grown so much since I last stepped foot in Neverland.
Regina: (sighs) So this nature hike was for nothing.
David: Hook may have led us astray, but at least we're in a good position to start combing the jungle.
Hook: Not exactly. The Dark Jungle's the last place you wanna set foot. We'll have to go around it. In order to do that, we're gonna need our strength. I suggest we make camp.
Regina: You wanna sleep while my son is out there suffering?
Hook: If we want to live long enough to save the boy...Yes.
Mary Margaret: You okay?
Emma: Regina's right. Henry's out there somewhere.
Mary Margaret: And Hook is right. We have to survive if we're going to get him.
Emma: I know. I just hope we're not too late.
Mary Margaret: After everything your father and I have been through, there's one thing we've learned. It is never too late.
SCENE: The Enchanted Forest. Past. Prince Charming is riding through the land on a steed. He comes upon the forest, and Snow White resting in death inside a glass coffin, surrounded by the Seven Dwarves.
Prince Charming: No. No! Open it. (The dwarves remove the coffin lid. Prince Charming kisses Snow White, and a burst of magic erupts.)
SCENE: The Enchanted Forest. Past. A guard rushes through the Evil Queen's palace, carrying a mirror channeling the Magic Mirror.
Magic Mirror: Careful! If you drop me I'll make sure you have fourteen years of bad luck! Your Majesty?
Evil Queen: I told you never to disturb me out here.
Magic Mirror: Trust me. I haven't disturbed you yet. Just wait until you see this.
Evil Queen: He woke her?
Magic Mirror: Indeed. True love's kiss apparently can break any curse.
Prince Charming: Will you marry me?
Snow White: What do you think?
Magic Mirror: That will be one hell of a wedding. There won't be a dry eye in the entire realm.
Evil Queen: Quiet!
Snow White: Let's take back the kingdom.
Evil Queen: We'll see about that.
SCENE: The Enchanted Forest. Past. At a village, Snow White, Prince Charming and the dwarves attempt to rally a group of commoners with a speech.
Snow White: The Evil Queen murdered my father, put me under a Sleeping Curse, but I am not the only one she has made to suffer.
Crowd: Yeah.
Snow White: She's terrorized us for far too long.
Crowd: Yeah!
Snow White: This kingdom doesn't belong to her. It belongs to us!
Snow White: So who is ready to stand beside me and fight for what's rightfully ours?!
(No one responds. The Evil Queen materializes behind the crowd.)
Evil Queen: Quite the courageous army you're building.
(The townspeople flee in fright while Snow White and her entourage do not move.)
Snow White: They may be afraid of you, but we are not.
Evil Queen: Why? Because you and the shepherd broke my sleeping curse?
(Snow White and Prince Charming draw their swords at her. The Evil Queen magically binds Prince Charming with a rope.)
Evil Queen: Lucky for you, I didn't come here to fight. I came to offer you a deal. Consider it an engagement present.
Prince Charming: Snow, don't listen to a single word!
Evil Queen: Are you really gonna marry that?
Snow White: What do you want?
Evil Queen: I want you to give up your claim to the throne. If you declare me the rightful ruler of this land, I'll let you, the dwarves, and your so-called prince escape back to the sheep farm he once called home.
Snow White: Exile?
Evil Queen: Well, I've tried to kill you. I've tried to curse you, and none of its worked. But then I realized I was going about it all wrong. You need to be alive. You need to be awake. So you can spend all your days knowing that I have taken everything that was supposed to be yours. Now get down on your knees and swear on your father's grave that this kingdom belongs to me.
Snow White: And if I don't?
Evil Queen: Well, then someone will pay the price. (Uses her magic to lift up one of the female villagers; choking her)
Snow White: Stop! (With sword in hand, she charges at the Evil Queen, who disappears in a cloud of smoke at the last moment, dropping the village girl.) (Prince Charming breaks out of his binds, aiding the villager.)
Snow White: Is she okay?
Prince Charming: Yeah.
Evil Queen: Next time she won't be. You have until sundown tomorrow to give up the throne. And for every day that you defy me, I will kill one of your loyal subjects. Stop denying who you are, Snow White. You may have been a princess, but you will never be a queen.
SCENE: Neverland. Present. The sound of crying children wakes Emma from her slumber.
Emma: (To Mary Margaret and David.) Guys, wake up! (They do not stir, so she treks into the jungle alone, following the sound. Pan appears behind her.)
Pan: You hear that, too? You're Emma, right? I wonder why they can't hear the crying.
Emma: Who are you?
Pan: Oh, did I forget to introduce myself? I'm Peter. Peter Pan.
(Emma pins Pan against a tree, holding her sword at his throat.)
Emma: Where's Henry?
Pan: You've got fire. I like fire.
Emma: Where's my son?
Pan: Henry's still alive, if that's what you're worried about.
Emma: Why the hell did you take him?
Pan: He's a very special boy, Emma.
Emma: I know. That doesn't answer my question. What do you want with him?
Pan: I came here to see who I was up against. The "Savior". Gotta say, I'm not disappointed.
Emma: What do you say now? You're gonna tell me how I'm never gonna see Henry again?
Pan: No. I'm going to help you find him. I'll give you a map. A map that will lead you straight to your son.
Emma: If this is some kind of trap...
Pan: I may not be the most well-behaved boy on the island, but I always keep my promises. The path to finding Henry is on this parchment.
Emma: Why are you giving it to me?
Pan: See, it's not about finding Henry. It's about how you find him. And, Emma you are the only one who can.
Emma: (Opens the parchment to reveal a blank map) It's blank.
Pan: You'll only be able to read that map when you stop denying who you really are.
SCENE: Neverland. Present. At their camp, Emma, Hook and Regina are talking.
Hook: He so likes his games.
Regina: What game? There's nothing there.
Hook: If he said there's a map on this parchment, then there is.
Emma: Great. So if I just stop denying who I really am, whatever that means, then we'll be able to read this thing.
Regina: But how do we know Pan won't use it to lead us straight into a trap?
Hook: Because he doesn't need to. This whole island's his bloody trap.
(David and Mary Margaret come back from searching the jungle.)
David: There's no sign of him anywhere.
Mary Margaret: Any luck with the map?
Regina: Don't hold your breath.
Emma: What's that supposed to mean?
Regina: Don't you see what he's doing? Every second we spend talking about this is another second we're not looking for my son.
Emma: You got a better idea?
Regina: Magic. If there's a lock on there, I'll find a way around it.
Emma: Pan said it had to be me.
Hook: I'd listen to Emma, love. Breaking Pan's rules would be unwise.
David: Sadly, I agree with the pirate.
Hook: I'm winning you over. I can feel it.
Mary Margaret: And your magic doesn't exactly have a gentle touch, Regina.
David: Use it on the map, it might blow up in all our faces.
Regina: Well, that's a risk I'm willing to take.
Emma: Well, I'm not. If I'm the one who's supposed to figure out this thing, I need to do what Pan said.
Regina: Great.
Mary Margaret: She'll get there. Hey. Don't give up. He's playing a game. You can win.
SCENE: The Enchanted Forest. Past. Snow White, Prince Charming and the dwarves discuss their options.
Snow White: We can't win. We have to leave the kingdom.
Prince Charming: How can you even consider giving in to that witch? When you're gone, do you think she's suddenly gonna stop menacing this land? And who will protect the people then?
Snow White: Did I protect them today? I couldn't even help that poor girl. And don't kid yourself. She isn't gonna stop with the peasants. She's going to come after the people who are closest to me.
Grumpy: I will stand by your side no matter what.
Happy: Even if it means our death.
Sleepy: Which it probably will. (Everyone looks at him in bewilderment.)
Prince Charming: You can't let her get into your head.
Snow White: She has a point. I'm no queen. I'm no leader. I'm just a girl who lost her parents, ran away into the woods, and became a bandit.
Prince Charming: You're Snow White.
Snow White: Yes. And the truth is, I don't even know who that is. But I know what I don't wanna be, and that's alone.
Prince Charming: That's never gonna happen.
Snow White: You're right. If we take her offer, we can all live together in exile, but at least we'll be alive. We should leave tomorrow. (She gets up to walk away.)
Prince Charming: Snow!
Grumpy: Let her go.
Prince Charming: This is her kingdom. We can't just let her walk away from it.
Grumpy: Why do you suddenly care so much about saving Snow's kingdom?
Prince Charming: What do you mean?
Grumpy: Well, if you have true love, what difference does it make whether you live in a castle or on a farm?
Prince Charming: Wait. You think I'm in this for her crown?
Grumpy: You said it, not me.
Prince Charming: Okay. Okay, I get it. I'm new. But trust me. I want what's best for Snow.
Grumpy: Look, handsome, she may love you, but that chiseled chin ain't foolin' us. We got our eyes on you.
Prince Charming: Are you dwarves with me or against me?
Sneezy: I think Grumpy was pretty clear.
Grumpy: Sorry brother. Snow's already made up her mind, so if you're looking to change it, you gotta do it without our help.
Prince Charming: Then I'll find another way.
SCENE: The Enchanted Forest. Past. The Dark castle. Rumplestiltskin spins at his spinning wheel when Prince Charming arrives.
Rumplestiltskin: You again? Didn't I just help you wake your princess?
Prince Charming: Now I need your help once more. Long ago you made Snow remember who she was when a spell blinded her. I need you to do it again.
SCENE: Neverland. Present. Mr. Gold gazes at the doll given him by Felix when there is rustling in the jungle.
Mr. Gold: (Puts down the doll and gets up to investigate) Who's there? Show yourself.
(A cloaked figure grabs the doll and flees.)
Mr. Gold: That doesn't belong to you, dearie. (He chases the culprit, catching him and removing his hood. To his surprise, it's Belle.)
Mr. Gold: Belle?
SCENE: Neverland. Present. Mr. Gold and Belle are talking.
Mr. Gold: Belle. I don't understand. How did you get here?
Belle: I thought you didn't dress like that anymore. I thought that was your past.
Mr. Gold: Well, this is now my future. Becoming this again, The Dark One, that's the only way I'll save my grandson.
Belle: But you haven't completely become him, have you? There's still hope. (She leans in to kiss him, but Mr. Gold breaks it off suddenly.)
Mr. Gold: You're not really here, are you?
Belle: No, of course not. I'm still in Storybrooke, right where you left me.
Mr. Gold: Are you okay? Did the protection spell work?
Belle: It-it did. We're all fine. Storybrooke's safe. We all are.
Mr. Gold: How do I know these aren't just lies meant to lead me astray? How do I know Pan didn't conjure up a vision of you?
Belle: He didn't. You did.
Mr. Gold: What?
Belle: The question is why.
SCENE: The Enchanted Forest. Past. The Dark Castle. Rumplestiltskin and Prince Charming are in the midst of a conversation.
Prince Charming: You must have something that can change Snow's mind.
Rumplestiltskin: If she doesn't wanna fight the Queen, there's nothing I can do to change that.
Prince Charming: I just need a way to make her believe in something that I already know. That she can face Regina and win.
Rumplestiltskin: Magic can't make someone believe, dearie. It works the other way around. Belief must come from within. You know, the Queen's offer was a fair one. Do yourself a favor and take it. Ruling a kingdom ain't all it's cracked up to be. Just ask your dear old brother. Oh, wait. He died. You see my point. (Giggles)
Prince Charming: No. I didn't come here to take "no" for an answer. Now you must have something. You always do. Just name your price.
SCENE: The Enchanted Forest. Past. Snow White practices her archery as Prince Charming returns. She fails to hit the target.
Prince Charming: Save those arrows for the Queen.
Snow White: I told you. I've already made up my mind. We're leaving.
Prince Charming: Not when you hear what Rumplestiltskin had to say.
Snow White: You more than anyone know that his deals always come with a price.
Prince Charming: And sometimes that price is worth paying. Without his help, you'd still be in that glass coffin.
Snow White: What did he say this time?
Prince Charming: He told me of a legend, a magical weapon, one that can help you reclaim your kingdom.
Snow White: Unless he can guarantee more lives won't be lost, I'm not interested.
Prince Charming: Weapon's only a half day's ride from here. We can be there before sundown.
Snow White: This weapon, you say it will help me defeat Regina. How?
Prince Charming: By showing her who you really are.
(Snow White lets her arrow fly, and it hits the center of the target.)
SCENE: Neverland. Present. Emma is holding the map and trying to "stop denying who she really is".
Emma: My name is Emma Swan.
Hook: I'd wager the solution to Pan's riddle is a bit more complicated than that.
Mary Margaret: Don't hold anything back.
Emma: I'm Henry's mother. I used to live in Boston, and I was a bailbondsperson. I'm now the sheriff of Storybrooke.
Regina: That election was a sham. Are we really doing this?
Mary Margaret: Don't you think maybe you're leaving some things out?
Emma: I'm the daughter of Snow White and Prince Charming, which apparently makes me the product of true love. I was born in the Enchanted Forest and I was sent through a portal in a tree so that I could break a curse.
David: And you were able to break the curse because you're the...
Mary Margaret: Come on. You don't need to be embarrassed to say it.
Hook: Say what?
Regina: The "s" word.
Emma: I'm the savior. (The parchment is still blank.) I don't get it. I said I'm the savior. There's nothing I've denied more than that.
Mary Margaret: No, it's okay. We'll figure it out.
Regina: No, you won't. (Grabs the parchment.)
Emma: Regina!
Regina: But I can. I'm beginning to think there isn't a map on here. That doesn't mean it can't lead us to Henry.
David: I thought we decided that using magic was a bad idea.
Hook: For once I agree with the prince. (David looks at him.) Well, I told you we're getting along.
(Regina uses magic on the map.)
Emma: What the hell are you doing?
Regina: The locator spell. This parchment belonged to Pan. It'll lead us to him.
Hook: So it appears we will be venturing into the Dark Jungle after all.
Emma: You mean the place you told us never to set foot?
Hook: That's the one.
Regina: Well, Emma, you said you wanted to be the leader. Lead.
SCENE: Neverland. Present. Mr. Gold and Belle walk to the cliff.
Belle: So do you know why you brought me to the island?
Mr. Gold: I thought you were gonna show me the answer.
Belle: Only you know that.
Mr. Gold: I've already told you.
Belle: No, you haven't.
Mr. Gold: I have no idea.
Belle: Yes, you do.
Mr. Gold: No.
Belle: You're holding back.
Mr. Gold: I'm not.
Belle: You are.
Mr. Gold: Belle.
Belle: What is it you're not saying?
Mr. Gold: I'm a coward. I'm just like my father.
Belle: You feel better now, don't you? You know why I'm here.
Mr. Gold: You always saw the good in me.
Belle: I still do. And as much as you deny it, I think you see it too. So why am I here? What are you wrestling with?
Mr. Gold: Pan offered me a deal. I let him keep Henry, and he allows me to live. The boy needn't be my undoing.
Belle: And you're afraid you'll make a selfish choice.
Mr. Gold: I generally do.
Belle: You abandoned your son, Baelfire, and regretted it your whole life. You don't need to do the same to Henry. Letting go of the past... it's the first step.
Mr. Gold: You know, this was the last thing my father gave me.
Belle: And what happened to him?
Mr. Gold: He left me.
Belle: If you don't want to repeat the mistakes he made, you need to let go.
(Belle departs from the cliff; leaving Mr. Gold with the ragdoll. He makes the decision to drop the doll off the cliff.)
SCENE: Neverland. Present. Emma, David, Hook, Mary Margaret and Regina trek through the Dark Jungle, following the map.
Regina: Ready to thank me?
Emma: Actually, yeah.
Regina: If you'd let me do it sooner, maybe we'd have found him by now. Wait. He's there. Pan. I can feel his smugness.
(David pulls out his sword.)
David: Shall we? While we still have the element of surprise on our side?
Hook: Careful. He may look like a boy, but he's a bloody demon.
Mary Margaret: Hey. We can do this. You can do this.
SCENE: The Enchanted Forest. Past. Prince Charming and Snow White travel through the forest on horseback.
Prince Charming: We're nearly there. We should take the rest of the way on foot. (They dismount their horses. Snow White gazes at Prince Charming)
Snow White: You know, this is the first time we've been alone since you proposed?
Prince Charming: Well, privacy is a hard thing to come by when you have seven big brothers keeping an eye on you.
Snow White: They're protective. (Prince Charming chuckles)
Prince Charming: That's one word for it.
Snow White: The dwarfs been giving you a hard time?
Prince Charming: Apart from accusing me of being a gold-digging, social-climbing shepherd...nah.
Snow White: I have faith that you'll charm them, just as you charmed me...eventually. (Prince Charming chuckles. They walk further into the woods until they reach a clearing)
Prince Charming: According to Rumplestiltskin, the weapon that will defeat Regina lies at the top of this hill.
Snow White: (exhales) This weapon...what does Rumple say of its power? Was it made with dark magic?
Prince Charming: No, it was forged by a benevolent mage. His name is Merlin, from a realm called Camelot. There it is. (They see the sword stuck in a stone) Excalibur.
Snow White: It's beautiful. (Prince Charming laughs. He attempts to pull the sword out but is unable)
Prince Charming: (grunts) It's stuck. You wanna try.
Snow White: If you couldn't do it, you really think I can?
Prince Charming: Well, the legend states only the kingdom's true ruler possesses the strength to free the blade.
Snow White: I've never ruled anything.
Prince Charming: Not yet. (whispers) Go on. (Snow White approaches the sword. She pulls at it and it releases. Snow White gasps with amazement) You see? You are this kingdom's true leader.
SCENE: Neverland. Present. Ominous sounds can be heard as Emma, David, Hook, Mary Margaret and Regina continue trekking through the jungle.
Mary Margaret: No one's here. Maybe your spell was wrong, Regina.
Regina: Yes. Blame me...again.
Emma: (Emma sees a familiar looking figure) Guys...Hold on. Is that...Henry! (He turns around to reveal himself as Peter Pan dressed up as Henry)
Pan: Hi, Emma.
Emma: Where the hell is Henry?
Pan: You broke the rules. That's not fair. Bad form. I expect more from you, Captain.
Hook: Aye, and you'll get it.
Emma: Give Henry to me.
Pan: Sorry. Can't. Don't you know? Cheaters never win. (The Lost Boys come from behind Peter Pan shooting and whooping. They surround the group armed with bow and arrows as Peter Pan looks on. The group prepare themselves)
Hook: Watch out for their arrows. They're laced with dreamshade. (The fight begins and the Lost Boys starting shooting their arrows. Arrows ricochet as David blocks them with his sword while Margaret shoots arrows herself. A boy shoots an arrow at Mary Margaret and David notices)
David: Mary Margaret! (David pushes Mary Margaret out of the way and gets nipped)
Mary Margaret: David!
David: I'm good. (A boy takes aim at Mary Margaret) Behind you! (Mary Margaret shoots the arrow and pins the boy to a tree while Regina electrocutes some boys with a blast of magic)
Felix: It's been a while, Captain.
Hook: Not long enough. (They ensue in their sword fight) You remember what I did to Rufio. Well, it's a far worse fate for you. (Emma races towards Pan pushing charging boys to the side. One finally tackles her down and they roll down the hill. She pins the boy down)
Emma: Where's Henry?! Where is he?! (She stares at the boy and then realizes something)
Mary Margaret: Emma, are you alright? (Pan whistles and the Lost Boys assemble)
Pan: Remember what I told you. That map will show you where Henry is...only when you stop denying who you really are. I'll make sure to send Henry your regards. (The Lost Boys retreat while whooping)
SCENE: The Enchanted Forest. Past. In the small village.
Man: The Queen! She's coming! (The Evil Queen's carriage approaches the village. All the commoners run to hide)
Prince Charming: Ready? (Snow White grabs the sword of Prince Charming)
Grumpy: What exactly were you two up to today?
Snow White: You'll see. I hope. (The carriage stops and the Evil Queen steps out)
Evil Queen: Well, dear, have you packed your bags. (Snow White glances at the sword and then steps forward)
Snow White: I thought about your offer. And everything you said was true. I could go off with Charming and the Dwarfs, and we could find some lovely corner of the world to live out our days, and it would be a wonderful life. But I can't leave my people, not...with..you.
Evil Queen: Well, in that case... (The Evil Queen magically picks up Grumpy and begins to choke him. The other dwarfs try to help without success. The dwarfs are all magically thrown back)
Snow White: Charming!
Charming: You can do this. You. You pulled that sword out of the stone.
Snow White: Let him go! (Snow White swings but the Evil Queen magically disappears but Snow White swings around and strikes the Evil Queen. Grumpy falls out of the Queen's grasp. Prince Charming helps him up. The Evil Queen touches her face and is surprised to see blood) You told me to stop denying who I really am. Well, that's exactly what I'm doing. This is my kingdom, and I will fight for it!
Evil Queen: Then I'll see you on the battlefield.
Snow White: We'll be ready. (The Evil Queen magically disappears and the crowd cheers)
Prince Charming: You okay?
SCENE: Neverland. Present. Emma, David, Hook, Mary Margaret and Regina return to their camp.
Mary Margaret: You sure you don't want me to take a look at that?
David: I was lucky. My jacket wasn't. Don't worry about it. I think we have bigger issues. (They approach Emma)
Mary Margaret: (To Emma) Don't let him shake your confidence. We've all had moments where we thought we couldn't prevail.
David: She's right.
Emma: Guys, not now. Please. (Walks away)
David: Emma, wait. (Mary Margaret holds David back. David nods in agreement. Mary Margaret approaches Emma and takes a seat next to her)
Mary Margaret: Please talk to me.
Emma: There's nothing to talk about. We had our chance and we lost--I lost.
Mary Margaret: Then you have to keep fighting.
Emma: You heard what Hook said. Pan is a demon.
Mary Margaret: And you are a--
Emma: What? A savior? Because if that were true, this map would of shown us the way already! (Mary Margaret receives a revelation)
Mary Margaret: Maybe who you think you are isn't who you really are.
Emma: What do you mean?
Mary Margaret: Sometimes we think we know ourselves, but we need a push to show us the reality. That boy with the knife—you stopped fighting him. Why?
Emma: 'Cause he was...just a boy.
Mary Margaret: No. There was something else. I saw it in your eyes. Why did you stop? (whispers) Why?
Emma: Because when I looked at his face, I saw me.
Mary Margaret: Go on.
Emma: That look in his eyes...(inhales sharply) the despair. I had it back when I was in the foster system. Just a lost little girl who didn't matter and didn't think she ever would. A little girl who cried herself to sleep at night 'cause...(voice breaks) she wanted her parents so bad. And could never understand...why they gave her up.
Mary Margaret: And then you found us. It was too late.
Emma: It's just, on this island...I-I don't feel like...(sniffles) a hero or a savior. I just feel like what I've always been. An orphan.
Mary Margaret: Emma.
Emma: What?
Mary Margaret: (whispers) Look. (Emma gasps as the map appears)
Emma: What happened?
Mary Margaret: You accepted who you are.
Emma: (exhales sharply)...I'm sorry.
Mary Margaret: It's okay. It's the truth. You were an orphan. It's my job to change that.
SCENE: The Enchanted Forest. Past. Snow White finds a secluded place in the woods.
Snow White: Rumplestiltskin! Rumplestiltskin!
Rumplestiltskin: What do you want?
Snow White: We need to discuss the deal you made with Charming.
Rumplestiltskin: Have to be a bit more specific, dearie.
Snow White: He came to you searching for something powerful enough to vanquish the Queen. You told him of Excalibur. Now whatever it is that he promised you in return, I am prepared to pay it. But I won't allow him to remain in your debt.
Rumplestiltskin: How nauseatingly romantic.
Snow White: What did he promise you? (Rumplestiltskin stares blankly) With you, everything comes with a cost.
Rumplestiltskin: It's true. Your prince came to ask for aid fighting the Queen. I told him I had nothing to give, and I didn't.
Snow White: Then how did he know where to find Excalibur?
Rumplestiltskin: Everyone knows it's in Camelot.
Snow White: But it's not. I possess it now.
Rumplestiltskin: If that were Excalibur, I wouldn't be able to do...this! (Rumplestiltskin disintegrates the sword) Sword's a fake, dearie. Shoddy craftsmanship, too. But then again, what can you expect from a shepherd? Lucky it wasn't made out of wool.
Snow White: I struck Regina! I drew blood!
Rumplestiltskin: Enough of your ramblings! (Rumplestiltskin tears Snow White's necklace from her neck)
Snow White: Please. That belonged to my mother.
Rumplestiltskin: And now it belongs to me. You're right about one thing, dearie. Everything comes with a cost, including wasting my time. (Rumplestiltskin disappears and Snow White is left alone in silence holding only the sword's hilt)
SCENE: The Enchanted Forest. Past. Charming sits by the river contemplating.
Grumpy: Mind if we join you?
Prince Charming: Please.
Grumpy: We may owe you a slight apology.
Prince Charming: Slight?
Grumpy: Don't get greedy. Take it.
Prince Charming: Okay.
Grumpy: We should of never have doubted your intentions. (Grumpy takes out a cup and pours Charming a drink)
Prince Charming: You were only looking out for her best interests. (Charming raises his cup) Here's to starting over. (Glasses clink)
Snow White: We need to talk. (Snow White walks past angrily. Charming follows behind. Snow White hands him the sword's hilt). I saw Rumplestiltskin.
Prince Charming: Snow, I can explain.
Snow White: So it's true. You planted the sword in that stone.
Prince Charming: I did.
Snow White: So you took me on an adventure to find a magically sword because...
Prince Charming: You needed to believe in something I already knew.
Snow White: So when I stood up to Regina--
Prince Charming: You did that on your own. You had it inside you that entire time. You just...needed some help to realize that.
Snow White: But you didn't. (Charming shakes his head. Snow White kisses him)
SCENE: Neverland. Present. The camp.
Emma: The map is working. We know where Henry is.
Regina: Where?
Hook: Uh...We're here at the southern tip of the isle, in the middle of the Dark Jungle, and Pan's camp lies due north.
Emma: That's where he's keeping Henry.
Regina: What are we waiting for?
Hook: Well, the terrains not easy. There will undoubtedly be some nasty impediments along the way.
David: We should prepare. We only made it out of our last encounter because Pan let us. We need a new plan.
Emma: Agreed. It's time we stop playing his game and he starts playing ours.
Regina: And if I disagree?
Emma: Go ahead, but I think you know our best chance is together.
Regina: You better be right.
Hook: Excellent show of patience, luv. And that's what defeats a nasty little boy.
Emma: I hope so. (Hook takes out a bottle of rum) Is rum your solution to everything?
Hook: It certainly doesn't hurt. (Hook takes a drink) Mmm. Hmm? (Hook gestures the rum to Emma. She grabs it and takes a drink) So just how did you unlock the map?
Emma: I did what Pan asked.
Hook: And just who are you, Swan?
Emma: Wouldn't you like to know? (Emma hands back the bottle)
Hook: Perhaps I would. (Emma walks away)
SCENE: Neverland. Present. Mr. Gold treks through the Neverland jungle. He hears a twig snap behind him. Rustling can be heard. Mr. Gold continues walking warily. There's a clank in the distance. Mr. Gold looks to the sky and the doll drops from it and lands in front of him. He picks it up drops it again and burns it with fire he conjures. He continues further and again it drops in front of him. He decides to keep it and tucks it under his jacket.
SCENE: Neverland. Present. Further away Emma picks some berries.
Pan: Don't eat the blue ones. Congratulations. You did it...orphan. You don't mind if I call you a lost girl, do you?
Emma: Call me what you like. It won't stop me from finding Henry.
Pan: (chuckles) Oh, I'm counting on that. There's a reason I tested you.
Emma: Really?
Pan: You haven't forgiven your parents for abandoning you. Don't deny it. You haven't. That's good. Really good. 'Cause when you find Henry, you'll understand him.
Pan: He hasn't forgiven you either. By the time you get to him, he'll never want to leave this island.
Emma: We'll see. (Emma picks up her berries and begins to walk away)
Pan: And as for you, Emma...when we're finished, you won't just feel like an orphan. You'll be one.
SCENE: Neverland. Present. David finds a secluded place in the jungle and he checks the damage the arrow caused. He has been affected by the dreamshade and he becomes deathly worried.
"Pilot" • "The Thing You Love Most" • "Snow Falls" • "The Price of Gold" • "That Still Small Voice" • "The Shepherd"
"The Heart Is a Lonely Hunter" • "Desperate Souls" • "True North" • "7:15 A.M." • "Fruit of the Poisonous Tree"
"Skin Deep" • "What Happened to Frederick" • "Dreamy" • "Red-Handed" • "Heart of Darkness" • "Hat Trick"
"The Stable Boy" • "The Return" • "The Stranger" • "An Apple Red as Blood" • "A Land Without Magic"
Once Upon a Time: Season Two
"Broken" • "We Are Both" • "Lady of the Lake" • "The Crocodile" • "The Doctor" • "Tallahassee" • "Child of the Moon"
"Into the Deep" • "Queen of Hearts" • "The Cricket Game" • "The Outsider" • "In the Name of the Brother" • "Tiny"
"Manhattan" • "The Queen Is Dead" • "The Miller's Daughter" • "Welcome to Storybrooke" • "Selfless, Brave and True"
"Lacey" • "The Evil Queen" • "Second Star to the Right" • "And Straight On 'Til Morning"
Once Upon a Time: Season Three
"The Heart of the Truest Believer" • "Lost Girl" • "Quite a Common Fairy" • "Nasty Habits" • "Good Form" • "Ariel"
"Dark Hollow" • "Think Lovely Thoughts" • "Save Henry" • "The New Neverland" • "Going Home"
"New York City Serenade" • "Witch Hunt" • "The Tower" • "Quiet Minds" • "It's Not Easy Being Green"
"The Jolly Roger" • "Bleeding Through" • "A Curious Thing"• "Kansas" • "Snow Drifts" • "There's No Place Like Home"
Once Upon a Time: Season Four
"A Tale of Two Sisters" • "White Out" • "Rocky Road" • "The Apprentice" • "Breaking Glass" • "Family Business"
"The Snow Queen" • "Smash the Mirror" • "Fall" • "Shattered Sight" • "Heroes and Villains"
"Darkness on the Edge of Town" • "Unforgiven" • "Enter the Dragon" • "Poor Unfortunate Soul" • "Best Laid Plans"
"Heart of Gold" • "Sympathy for the De Vil" • "Lily" • "Mother" • "Operation Mongoose Part 1" • "Operation Mongoose Part 2"
Once Upon a Time: Season Five
"The Dark Swan" • "The Price" • "Siege Perilous" • "The Broken Kingdom" • "Dreamcatcher" • "The Bear and the Bow"
"Nimue" • "Birth" • "The Bear King" • "Broken Heart" • "Swan Song" • "Souls of the Departed"• "Labor of Love"
"Devil's Due" • "The Brothers Jones" • "Our Decay" • "Her Handsome Hero" • "Ruby Slippers"
"Sisters" • "Firebird" • "Last Rites" • "Only You" • "An Untold Story"
Once Upon a Time: Season Six
"The Savior" • "A Bitter Draught" • "The Other Shoe" • "Strange Case" • "Street Rats" • "Dark Waters" • "Heartless"
"I'll Be Your Mirror" • "Changelings" • "Wish You Were Here" • "Tougher Than the Rest" • "Murder Most Foul"
"Ill-Boding Patterns" • "Page 23" • "A Wondrous Place" • "Mother's Little Helper" • "Awake" • "Where Bluebirds Fly"
"The Black Fairy" • "The Song in Your Heart" • "The Final Battle Part 1" • "The Final Battle Part 2"
Once Upon a Time: Season Seven
"Hyperion Heights" • "A Pirate's Life" • "The Garden of Forking Paths" • "Beauty" • "Greenbacks"
"Wake Up Call" • "Eloise Gardener" • "Pretty in Blue" • "One Little Tear" • "The Eighth Witch"
"Secret Garden" • "A Taste of the Heights" • "Knightfall" • "The Girl in the Tower" • "Sisterhood"
"Breadcrumbs" • "Chosen" • "The Guardian" • "Flower Child" • "Is This Henry Mills?"
"Homecoming" • "Leaving Storybrooke"
"Down the Rabbit Hole" • "Trust Me" • "Forget Me Not" • "The Serpent" • "Heart of Stone"
"Who's Alice" • "Bad Blood" • "Home" • "Nothing to Fear" • "Dirty Little Secrets"
"Heart of the Matter" • "To Catch a Thief" • "And They Lived..."
Once Upon a Time Comics
"Shadow of the Queen" • "Out of the Past"
Special Bonus
"Tales From The Underworld: A Knight With Cruella" • "Good Morning Storybrooke" • "Three Who Stayed"
Retrieved from "https://onceuponatime.fandom.com/wiki/Lost_Girl/Transcript?oldid=874507"
Season Three Transcripts


text:
fragrance launch Sept. 27, 2019
Thom Browne Is Launching 6 Vetiver Fragrances
By Jane Larkworthy
Thom Browne's new fragrances are all vetiver based. Photo: Thom Browne
Fashion designer Thom Browne is launching a collection of six gender-neutral fragrances next month, all of which are vetiver based. I can die now.
Earthy, grassy, crisp vetiver is hardly the most popular fragrance note. Traditionally, it has been used mostly in men's scents, but it has a timeless elegance that's much like one of Browne's iconic gray flannel suits — made to be worn by everyone. The designer seems to agree. He told WWD that he chose vetiver (which he spells vetyver. Maybe it's how the Brits spell it?) "because it is an iconic scent which served as a good base for my fragrance collection. I do appreciate fragrances that confidently and unabashedly stand on their own, fragrances that provoke a true emotion."
Each scent, which he created with perfumer Rodrigo Flores-Roux of fragrance house Givaudan, contains an accord of not one, but three vetiver extracts. And, while five are paired with another note (as in Vetyver and Cucumber or Vetyver and Rose), Vetyver Absolute stands alone and serves as the base for the others. (It is also Browne's personal favorite.)
The fragrances are all named after his date of birth. Photo: Thom Browne
The collection is so close to Browne's heart that he named all six of them after his date of birth — 09.27.65 — each differentiated only by a number, 01 through 06. They range from $200 to $250 and will be sold in his boutiques, on thombrowne.com, and at Dover Street Market.
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fragrance launch
'My Co-worker Hijacks Our Meetings With Endless Questions'


Cheyenne Police Chief Brian Kozak will deliver the department's annual report to the public tomorrow (Thursday).
"The 2017 annual report will be covered in detail along with other crime and community focused data," said Officer Kevin Malatesta.
"Chief Kozak will present the statistics of the Cheyenne Police Department and compare it with other benchmark cities around the nation," added Malatesta. "He will also cover the department's previous and current goals."
The presentation will be held at 11:30 a.m. at the Cheyenne Public Safety Center.


At St Stephen's we teach phonics daily using Letters and Sounds scheme throughout the EYFS and KS1. Phonics is a way of teaching children how to read quickly and skilfully. We teach children the letter name and sound and then begin to teach children how to blend sounds to read and segment to spell them.
Research shows that when phonics is taught in a structured way, starting with the easiest sounds and progressing through to more complex sounds, it is the most effective way of teaching children to read. It is particularly helpful for children aged 3‐7.
Children are taught to read by breaking down words into separate sounds or 'phonemes'. They are then taught how to blend these sounds together to read the whole word. Almost all children who receive good teaching of phonics will learn the skills they need to tackle new words. They can then go onto read any kind of text fluently, confidently and for enjoyment.
The National phonics screening check is a statutory assessment that was introduced in 2012 to all Year 1 pupils and is a quick and easy check of your child's phonics knowledge. All Year 1 pupils will take the phonics screening check in Summer Term 2019.
It contains of a list of 40 words and nonsense words. It will assess phonics skills and knowledge learnt throughout Reception and Year 1. Your child will read one-one with a teacher. It will be your child's current teacher or reception teacher so it is a familiar face. Your child will read up to four words per page and it will probably take around 10-15 minutes to complete. They will be asked to 'sound out' a word and blend the sounds together. The check is very similar to tasks the children will complete during phonics lessons in class.
These are words that are phonetically decodable but not actual words with an associated meaning e.g. brip, snorb.
These words are included in the check specifically to assess whether your child can decode a word using phonic skills and not their memory. The pseudo words will be shown to your child with a picture of an alien. The children will be asked what the aliens name is by reading the word. This will make the check a bit more fun and provides the children with a context for the nonsense word. Crucially it does not provide any clues, so your child has to be able to decode it. Children generally find nonsense amusing so they will probably enjoy reading these words. Again, children will be taught how to decode nonsense words in their phonics lessons.
How will the results from the screening be used in school?
You will be informed of your childs progress in phonics and how he/she has done in the screening check, towards the end of the summer term. All children are individuals and develop at different stages. The screening check ensures that teachers understand which children need support with decoding.
The screening check will identify children who have phonic decoding skills below the level expected for the end of Year 1 and who therefore need support. Schools are expected to provide extra support and children will then be able to re‐take the assessment in Year 2.