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Q: Webpack 4 to 5: custom plugin: replacing compilation.assets mutation with compilation.hooks.processAssets I am having trouble using the compilation hook processAssets to mirror deprecated Webpack 4 functionality in a custom plugin.
The purpose of the plugin is to write the chunkhash for js/css files to a python file, which is used by a Flask server to separate the functionality of the webpage based on a user's session and roles (e.g. public, private, admin, etc).
The meat of the plugin (with direct mutation of the assets) is below.
compiler.hooks.emit.tapAsync("WriteHashesPlugin", (compilation, cb) => {
    //For each bundle, write the name and the corresponding hash.
    compilation.chunks.forEach(chunk => {
        lines.push("__" + chunk.name + "_hash__ = '" + chunk.renderedHash + "'")
    });
    const content = lines.join("\n");

    compilation.assets[this.filename] = { // <= this.filename = "{relative_path}/bundles.py"
        source: () => content,
        size: () => content.length
    }
    cb();
})

This code still "works" to create/update the python file, but of course I don't want to be using deprecated syntax. The warning message in the build output:
(node:38072) [DEP_WEBPACK_COMPILATION_ASSETS] DeprecationWarning: Compilation.assets will be frozen in future, all modifications are deprecated.
BREAKING CHANGE: No more changes should happen to Compilation.assets after sealing the Compilation.
        Do changes to assets earlier, e. g. in Compilation.hooks.processAssets.
        Make sure to select an appropriate stage from Compilation.PROCESS_ASSETS_STAGE_*.

I have implemented the compilation.hooks.processAssets instead of directly accessing the assets; however, I have not been able to get it to work as expected.
compiler.hooks.emit.tapAsync("WriteHashesPlugin", (compilation, cb) => {
    //For each bundle, write the name and the corresponding hash.
    compilation.chunks.forEach(chunk => {
        lines.push("__" + chunk.name + "_hash__ = '" + chunk.renderedHash + "'")
    });
    const content = lines.join("\n");

    // The below code block compiles but doesn't get run
    compilation.hooks.processAssets.tap({
        name: 'WriteHashesPlugin',
        stage: compilation.PROCESS_ASSETS_STAGE_ADDITIONAL,
        additionalAssets: true
    }, () => {
        compilation.emitAsset(
            this.filename,
            content
        );
    });
    cb();
})

I've tried using compilation.updateAsset with the stage PROCESS_ASSETS_STAGE_ADDITIONS as well with no success.
I am not a webpack expert by any means, but have spent the past few days scouring the documentation and attempting to understand the source code. Some ideas I have of what I'm doing wrong:

*

*compiler.hooks.emit is not the appropriate step in the compilation process to be modifying assets (perhaps at a certain point in the compilation process, assets are not to be altered?).

*compilation.emitAsset is not the appropriate compilation hook to be using.

*I have misunderstood the deprecation warning in the build output, and I should be doing something completely different.

*There is a better way to make the chunkhashes available to Flask.

*Something else that one of you could illuminate for me.

A: Thanks to the comment by @chiborg, I was able to get this code functioning with a few tweaks.
As written in this post,

First, you need to bring in the { sources } class from webpack, which will aid us in crafting raw source changes to an asset (regardless of its optimization or asset type):

const { sources } = require('webpack');

The appropriate hook to use was compiler.hooks.compilation.tap instead of compiler.hooks.emit.tapAsync; once that was changed, the rest of the code inside the hook had to be moved into compilation.hooks.processAssets:
/**
 * Writes build version and bundle hashes to a new file, with the dir
 * specified in this.filename.
 */
compiler.hooks.compilation.tap("WriteHashesPlugin", compilation => {
    compilation.hooks.processAssets.tap({
        name: 'WriteHashesPlugin',
        stage: compilation.PROCESS_ASSETS_STAGE_ADDITIONAL
    }, () => {
        const lines = [];
        // Write build version
        lines.push("__version__ = '" + this.version + "'");
        // For each bundle, write the name and the corresponding hash.
        compilation.chunks.forEach(chunk => {
            lines.push("__" + chunk.name + "_hash__ = '" + chunk.renderedHash + "'");
        });
        const content = lines.join("\n");
        // write bundles.py to assets
        compilation.emitAsset(
            this.filename,
            new sources.RawSource(content)
        );
    });
});

compilation.chunks was empty when accessed outside the processAssets hook, but moving everything into the hook made it work as expected.


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Expanding Minds Creatives (a Pittsburgh based creative design firm) specializing in brand development, strategic brand strategy and visual promotion.
Expanding Minds, recognizing the trend towards the internet and mobile, sought a partnership with a new technology and web company who could increase its service base and provide Expanding Mind's clients with web development, custom software and mobile marketing solutions.
Circa 2007, Expanding Minds partnered with The W.I.N. Project and began providing services to companies across the northeast including UPMC, GWP Peoples and many more. Expanding Minds now offers a full suite of digital and web based solutions. Our partnership has now been strong for over 10 years.


Can you manage your state when under pressure?
The ability to solve quadratic equations may be a function of a person's IQ, but the ability to deal with everyday stresses, shifting priorities, demanding people, and difficult situations is a function of EQ or emotional intelligence.
In fact, people who score high on the EQ scale operate with a different, yet vitally important kind of intelligence. That's not to say that intellect or IQ is not important. Incredible progress has been made over the years by applying our intellect to our toughest problems. We've engineered some of the very best equipment and machinery. We've reduced our costs. We've driven our productivity up. We've improved our processes based on sound facts. And, we've based our financial decisions on good solid data and reasoning power. So, make no mistake, intellect has proven invaluable and will continue to be invaluable to drive our businesses success. However, if we want to soar beyond our present horizons, we must blend the progress that we've made in business using intellect and IQ with the invaluable competencies of emotional intelligence or EQ. It is our emotional intelligence that will solve our retention and morale problems, improve our creativity, create synergy from teamwork, speed our information by way of sophisticated people networks, drive our purpose, and ignite the best and most inspired performance from our people.
So just what is emotional intelligence? With the risk of oversimplifying, emotional intelligence is the dimension of intelligence responsible for our ability to manage ourselves and our relationships with others. Included are skills that drive our internal world as well as our response to the external world. There are five components of emotional intelligence.
They include: a well-honed timing for emotional expression and emotional control; empathy for others; social expertise that allows us to develop strong relationships; personal influence that helps us advance our purpose with others; and an integrity that aligns us with our life's purpose.
In relationships it's important that you recognize that those reactions can also paralyze getting done. Underlying tensions and emotions make their way to every communication. Yes, I know, you have probably been taught that emotion doesn't belong on the "outside". But the reality is that it's inescapable. Emotion is present – everyday, everywhere. Therefore, as you have improved your life by way of applying intellectual resources, (education) now is the time to recognize that you can also make dramatic improvements that will help you reach your goals by improving you emotional intelligence. Unlike IQ, which tends to remain fixed throughout a person's lifetime, emotional intelligence can be improved over time.
To start with, its important to realize we have control over our emotions, in other words, we are not our emotions or (feelings) in the moment.
We are not our thoughts either. What we are is a complex evolving matrix of unlimited potential and it doesn't have to be driving by feelings.
A way to practice with managing our feelings/emotions is to use the 4:1 ratio of thoughts to feelings.
Four thoughts contemplating something easy and effortless, they don't even have to be associated with the subject at hand.
Just four thoughts that bring us peace and calm, and help us remain detached from those pesky feelings.
Then allow one check in with feelings – what am I feeling now ?
Find four loving kind feelings that bring you into a very different state from what your feelings are telling you.
How has that emotion changed?
#Leadership, Communications Skills, Corporate Training, Emotional Intelligence, Team Building. Bookmark.


The inspiration for this Retune violin stems from my mixed media series, The Monster of Me," part of an experimental facial collage photo series I have been working on this year – which is showing in East Nashville at Bongo Java during the month of October. "Not Quite Myself" asks the viewer to deconstruct and consider the elements of what makes us – just as each piece in the series brings about a visual separation of mind and person creating a certain vulnerability, an ugliness free from self-awareness. The answers to consider in the context of Nashville's May 2010 flooding; our instrument or the music we make with it.
Violin. Approx. (length body/total) 14"/ 23"
Acrylic paint, encaustic wax, carbon paper, 1916 sheet music.
The surface area on the front of the violin was first sponge painted with a dark brown stain and then using spiral stencils it was sprayed with a black thin layer of paint – this is still slightly visible only on the neck of the instrument. Portions torn from a page of 1916 sheet music were affixed to the violin at the base of the neck. The entire violin was then covered in a very thin layer of encaustic wax seal. The image of the face was etched into the wax using black carbon paper then each detail was retraced with a toothpick and scenic glue, creating a raised texture. The entire instrument was dry brushed in an antiqued gold, thin burgundy and deep brown acrylic before painting over the raised portions of the image again with a matte wrought iron black acrylic paint and finally sealed in a clear layer of acrylic.
This item will be up for auction on October 23, 2010 go to Retunenashville.org for more details.


Technology » How do I find my MAC address?
Note: You may have more then 1 Local Area Connection. If so, make sure you get the MAC address for the Ethernet/LAN card and also the Wireless adapter if your system is equipped with Wireless.
If you see a window asking for permission to continue, click Continue.
On the next screen, you will see a box near the top between the Connect Using text and Configure button that has the name of your Ethernet/Network card in it.
Move the mouse over this box and the MAC address will be displayed.
Click the section that says Connected to and the name of your network.
At the top of the box that appears, pick your network.
In the window that opens, the MAC address is the Hardware address.
Click on the Apple icon in the top left hand corner and select System Preferences.
On the Internet & Network section click on the Network button.
Select Ethernet from the list of network devices on the left.
Click the Advanced button in the bottom right corner.
Under the window that appears, click on the last tab labeled Ethernet.
The MAC address will be listed as the Ethernet ID.
From the Home Screen, go to your app dawer.
Scroll down to "About Phone", slect it.
Scroll down to "Wi-Fi MAC address" your MAC address will be listed below.
Scroll down to Wi-Fi Address. This is your iPhone's MAC address.


text:
Murder in the UK
The justice system in the UK and abroad
by Gavin » 27 Mar 2013, 13:23
I have been inspired to start this topic by a quick visit I just made to the local sandwich shop. It may be instructive for foreigners about the state of British society.
Me: Hi Claire [I'll call her Claire]! How's it going?
Claire: Oh good, good.
Me: You know, I was going to pop in last week. I actually came out here but on that day you were closed. It was a Thursday.
Claire: Oh yes, we were at an inquest. Turned out to be a complete waste of our time and money. [Already, with the British legal bureaucracy, I'm not surprised.]
Me: Oh.. really?
Claire: Yeah, my ex-husband was murdered.
Me: What?!
Claire: Yeah.. he was beaten to death in the street.
She was quite matter-of-fact about it. I asked more about this and she was very forthcoming, as forthcoming as she could be while working in the sandwich shop. This is only anecdotal, but I was told that the man had been refused entry to a nightclub and was then beaten up very severely by bouncers in a nearby alley, witnesses seeing what was going on.
Apparently the bouncer concerned then went on the run but eventually took himself to a police station and to some degree confessed. Apparently the police eventually told him they would not press any charges for the man's death (he died of his very severe injuries some weeks later). The inquest was to ascertain the cause of the man's death.
Claire said "You should have seen the bouncer - he looked like an animal". By this of course she means he was much worse than an animal. I have seen the type, all over the UK. Even if guilty, I suppose he'll walk.
There are a lot of uncertainties in the case above, of course, but it gives a flavour of life here, and this is only a small town. Another man was murdered outside a pub nearby (there are no guns in the UK and the carrying of knives is illegal - this was a fatal beating again). There's a plaque to commemorate him on a bench. I should think the assailants walked for that one, too.
Anyway, this brings up the topic of murder in the UK and there is a very interesting and well made site which deals with the topic. It has its hands full dealing only with London - just take a look at the map.
Location: Once Great Britain
Re: Murder in the UK
by Nathan » 27 Mar 2013, 17:06
I have to say, that startling as that exchange sounds and true I'm sure it is, suggesting that it might be instructive to an unknowing foreigner as to the state of British society or in any way typical is perhaps going a little bit far.
Crime figures for things like theft can be fiddled in various different ways (for example, if somebody breaks into an electronics shop and steals ten iPads in one go, is that to be counted as one theft or ten?), and because the proportion of theft victims reporting it to the police may go up and down over time, but because of its seriousness and because a coroner is involved I can't believe that more or less every homicide isn't reported to the police, investigated and recorded at least as much now as ever in the past, making year-on-year comparisons meaningful.
The latest figures for England and Wales show that the homicide total was 550, the lowest for nearly 30 years. The London murder figure was under 100 for the first time in decades.
Also, when doing a bit of research on this a while ago it was interesting to find out that even before 1965 when the death penalty was in place, it was rarely used, and murderers whose crimes were not deemed serious enough for it only served an average of nine years of their life sentence. The average time served by a convicted murderer now is 16 years, up from 13 in 1999. The sentencing guidelines are also much more rigid than in previous decades.
Our police murder clear-up rate of 95% is actually one of the highest in the world. (The equivalent rate in the US is 65%, and in Guatemala, which has the worst rate in the world I am aware of, allegedly less than 2%.)
They're very reassuring figures, Nathan (thanks), and it is certainly true that our murder rate is very low indeed compared with somewhere like, for example, South Africa.
Nonetheless, would you agree there is an almost tangible level of menace and low level antisocial behaviour across Britain now "at street level"? That's my impression, and just sometimes it flares over into a newsworthy event or an actual murder.
Gavin wrote: Nonetheless, would you agree there is an almost tangible level of menace and low level antisocial behaviour across Britain now "at street level"? That's my impression, and just sometimes it flares over into a newsworthy event or an actual murder.
Oh yes, though in my part of London I actually don't see it that much compared to what you'd expect to see on a night out in an average provincial city. It may just be my perception but I actually don't sense it as much as I did, say, eight or ten years ago, though perhaps it might just be where I live, or the different places I'd go to on a night out, or just me being older.
Reading this article in the Daily Mail about British students partying in Spain it just felt tame to me compared to the outraged, lurid stories of debauchery in the Mediterranean resorts you used to get in the papers practically every summer in the 90s. Likewise football hooliganism, whatever happened to that?
by Andy JS » 12 Apr 2013, 22:01
The MurderMap website endeavours to document homicides in London as they take place. So far this year there have been only 24 which is of course a very low level for a city of 8.2 million people. In 2012 there were 97.
Andy JS
by Jonathan » 18 Apr 2013, 06:18
Nathan wrote: ...but because of its seriousness and because a coroner is involved I can't believe that more or less every homicide isn't reported to the police, investigated and recorded at least as much now as ever in the past, making year-on-year comparisons meaningful
One must recall that improvements in emergency medicine have saved the lives of many severely injured people, who would have died thirty years ago. So if you had 100 murders both in 1980 and in 2010, this would actually reflect a large increase in violent crime.
Our police murder clear-up rate of 95% is actually one of the highest in the world. (The equivalent rate in the US is 65%
I suspect this is is more a reflection of the corruption of UK police statistics than of the competence of the force. I've read too many examples of criminals confessing to ten crimes under circumstances when they know they will only be punished for one; or of multiple crimes being logged over one petty brawl, so as to register 4 solved crimes in one go; or of complaints being dropped when apprehending the criminal is unlikely, or requires too much effort.
by Nathan » 18 Apr 2013, 09:38
Jonathan wrote: One must recall that improvements in emergency medicine have saved the lives of many severely injured people, who would have died thirty years ago. So if you had 100 murders both in 1980 and in 2010, this would actually reflect a large increase in violent crime.
Actually yes, you do have a point there. Shame we can't quantify the improvement in medical treatment to say how many 1980 murders equate to how many 2010 murders.
Jonathan wrote:
I can easily see the figures for minor offences being fiddled like how you mentioned, but I'm struggling to believe murders being taken so lightly. I don't know how other countries work, but the files on unsolved murder cases here are never closed, regardless of the difficulty.
To give one, fairly extreme example of how ineffective some police forces and legal systems can be, in Colombia a man named Luis Garavito was found guilty of raping and murdering up to 300 children over a seven-year period, and was only captured because he was caught in the act of attempted rape, not because of any thorough investigation of how so many children were going missing or being found killed as would certainly be the case here.
Another shocking thing about his case was that the maximum prison sentence allowed under Colombian law is only 30 years, and despite the scale of what he did, as Garavito admitted to his crimes he was given a reduction to just 22 years in prison, and despite the Colombian legal system's best efforts to find a way of keeping him in longer, it is likely he will be released.
by Andy JS » 08 Nov 2017, 00:35
BBC radio news has just reported the following information: Cressida Dick, the head of the London metropolitan police, has apparently stated that it's disappointing that every young murder victim in the capital so far this year has been either black or Asian.
Firstly, I find it a bit odd that this implies it would be preferable if the statistics were more evenly balanced between the races, and secondly the percentage of young white people living in London is pretty low these days and most of them live in low crime areas on the edge of the city, so it's not surprising that most victims are black or Asian.
For instance, one of the London boroughs with the highest homicide rate, Newham, was only 16% white British at the time of the 2011 census. But of course that data is already out of date given the fast demographic changes that are taking place in London, and also most of that 16% would have been elderly white people too poor to move anywhere else. The percentage of young white British people would probably be 10% or less even back in 2011, and lower today.
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redpajama_set_name: RedPajamaCommonCrawl


Following NCGE's successful week of events in March 2013, on the theme of 'Building the Evidence Base', we spoke to conference delegates and international experts to discover their opinions on what is the most critical aspect of Lifelong Guidance: Building the Evidence Base. The result has been the production of one introductory and 11 short opinion films which have great relevance to guidance in Ireland and Europe today. These films can be viewed here.
NCGE takes pride in the quality of the research it has undertaken both in-house and through commissioned work. The publication of NCGE's Research Code of Ethics provides an articulation of the values and principles underlying the Centre's investigative methodologies.
This edition of NCGE news looks at how guidance has been adapting to meet the changing needs of clients and students in today's rapidly altering world.
In response to changes to the guidance landscape in schools from September 2012, the Association of Community and Comprehensive Schools (ACCS), Irish Vocational Education Association (IVEA), Joint Managerial Body (JMB) and National Association for Principals and Deputy Principals (NAPD) issued a Framework for Considering Provision of Guidance in Post Primary Schools.
Koem Nomden, Policy Officer, DG EAC, European Commission spoke at the conference.
This presentation focuses on a paradigm shift in the conceptualisation of career. In the labour market a career is not chosen, it is constructed through a series of choices we make throughout our lives. This transformation in the concept of career has implications to the widening paradigm of lifelong guidance and how lifelong career management skills and transversal employability skills can be learned as a continuum from comprehensive education to higher education and adult learning. There is also evidence that in addition to learning outcomes on individual level, coherent career education programmes have wider economic and social outcomes. The beneficiaries include individuals, families, communities and the organisations where they study and work, as well as society as a whole. There is an extensive research base which indicates that lifelong guidance is most effective where it meaningfully connects to the wider experience and lives of individuals and provides services relevant to their needs. It should recognize the diversity of individuals and provide services relevant to their need by combining a range of different interventions. It should also encourage the acquisition of lifelong career management skills.


I read this quote long ago and somewhat understood its meaning. As a mom, its meaning hit me like a locomotive.
It started while I was pregnant. Already uncomfortable with my body, the weight gain made it so I did not have any interest in taking photos. I remember when a friend prodded me to post "baby bump" photos on social media. I cringed. There was no way I was posting photos of myself getting fatter with bigger arms and a double chin. I felt miserable and was certain I looked worse than I felt.
The worst self-loathing came from comparing myself to friends who were or had been pregnant. I watched as nothing on their bodies expanded except their bellies. They stayed cute and relatively thin. They seemed to wear the same clothing up until their third trimester. Meanwhile, I'd had to start buying maternity clothes early in the second trimester.
Once my son was born, this continued. Even though I felt mildly better after his birth, I didn't lose weight like I expected. Postpartum preeclampsia meant I retained water and, for weeks, my swelling was just as bad as during pregnancy. I was diagnosed with postpartum depression just a few months after my son was born. And for someone already feeling down on herself, depression is not good news!
The more I focus on my appearance or how little I'm doing from Pinterest or how few days I straighten my hair and apply full makeup, the less joy I find in my daily life.
So, if you, like me, are facing lots of "I'm not good enough because…" days, I have some words for you.
Moms, you are good enough. What will matter at the end of your life is the love and laughter you share with your children and your spouse, not what you weighed in your 30s. What will matter are the memories you make together, not whether you went diligently every six weeks for your root touch-up. What will matter is if you lived a life Jesus would be proud of, not whether you created all of the pins you saved on Pinterest to decorate your house.
When you start to compare yourself to that size two mom with the perfectly coiffed hair and expertly applied smoky eye look who just pinned the lunch totes she sewed herself for her four children on their first day of school (along with their perfectly posed first-day-of-school Instagram photos), just STOP. Jesus loves you just as you are, and there is nothing more important in life than that.


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Can shadow force break through sturdy?
Sturdy prevents the pokemon from being ko'd even from sheer cold. But shadow force breaks through protect. If thats so, can shadow force break through sturdy?
It will not break through Sturdy unless the HP of the opposing Pokemon isn't full.
it does break through protect. Personal experience.
Why is Giratina affected by hail when using shadow force?
In Generation 6 can Thunder break through Protect in rain?
What are all the moves that can break through Protect?


early period of Ontario. Learn strategies for using indirect evidence in order to draw conclusions about your Upper Canada and Canada West ancestors.
Can you use that photo you snagged from an online family tree? Is it okay to copy an obituary word-for-word onto a cemetery website? What you don't know about copyright might land you in trouble. Learn what intellectual property is, and who has a right to it. Discover how the Copyright Act of Canada affects you as a family history researcher.
How did your family get from Europe to the Prairies? Why did your ancestors migrate through Canada? What clues can be found in records to track your ancestor's migration? Why did so many Quebeckers leave the province during the 1800s? What was so appealing about the Prairie Provinces? Explore the reasons that motivated our ancestors to move and start over again. Learn the techniques and strategies to follow your ancestors from east to west and beyond.
Since 1869, Canada's immigration policies have determined who was eligible to immigrate to Canada and when. Who was the ideal immigrant settler? How did the government "sell" the Canadian West to immigrants? Settlement schemes, laws and policies that affected your ancestors' eligibility and decision to settle in Canada will be reviewed.
Library and Archives Canada website is an excellent resource for family historians but it can be confusing to find what you're looking for. This presentation is your personal tour of the Library and Archives Canada website. Learn how to find the records you want, discover strategies to get results from the databases, and explore new collections to further your family history research in Canada.
Stop wasting your time browsing online family trees and aimlessly searching records to find the answers about your ancestry. Learn how to write an effective research plan that will help you make better use of your time, focus your research efforts and help you find answers.
There is more to a historical directory than just finding the address where your ancestor lived. Discover all there is to explore and examine within the covers of historical directories to gain a better understanding of your ancestor's daily life.
All examples used are Canadian directories.
I demonstrate how I solved a brick wall mystery using city directories in my own family.
What's in Your Canadian Genealogy Toolbox?
Frustrated with online public family trees? Wish you could do more with your own family tree? WikiTree is the free world-wide family tree where genealogists collaborate. Discover why WikiTree is different, and how you can build exceptional ancestral profiles with biographies, sources, photos and more. Explore Canadian categories and projects you can contribute to and use to enhance your family tree.


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Home Lifestyle Mrs Brown's Boys star reveals his father never knew he was gay
Mrs Brown's Boys star reveals his father never knew he was gay
The actor who stars as Mrs Brown's gay son in the popular sitcom has revealed that his father never knew that he was gay.
In an interview with the Irish Mirror, actor Rory Cowan said that he kept his sexuality secret from his religious parents – but while his mother worked it out, his father remained oblivious.
Cowan said: "My father was totally oblivious. He was very religious so I never came out to my father.
"My mam knew but I never said it to my mam either. She just knew. She never spoke to me about girlfriends – always friends.
"But I never said it to her because she then would've had to say it to my father.
"And I was sharing an apartment with a girl at one stage and he thought I should've made an honest woman out of her."
Cowan added that it is unlikely that we will see the sequel to the Mrs Brown's Boys movie anytime soon.
He continued: "It is going to be at Brendan's pace. Brendan has to write it.
"We're doing two Christmas specials and then we're going to be doing a UK tour so I can't actually see it being out next year."
The interview follows the news that Mrs Brown's Boys was voted the UK's favourite sitcom of the 21st century – despite often being panned by the critics.
The show's creator and star Brendan O'Carroll said: "It vindicates fans' belief in the show. They kept us on the air. It certainly wasn't the reviewers.
"I can die happy now… but I'll take my time…"
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You Can Now Apply For A Tourist Visa to Dubai Valid For 5 Years!
The UAE has decided to issue a multiple-entry tourist visa scheme valid for 5 years for all nationalities, giving easier access to people from around the world to enjoy the stunning destination.
The news comes just in time after the UAE was ranked as the world's best travel destination according to a new research conducted by the online travel agency, Love Holidays.
Sheikh Mohammed bin Rashid Al Maktoum, Vice-President and Prime Minister of the UAE and Ruler of Dubai, made the announcement on Monday.
The tourist visas before were only valid for 30 to 90 days and now with this decision, it's obvious that the UAE would like to boost tourism economy even more by luring travelers from across the world to the gulf countries.
اعتمدنا اليوم تغيير نظام التأشيرات السياحية في الدولة .. لتكون مدة تأشيرة السياحة خمسة أعوام متعددة الاستخدام .. لكافة الجنسيات .. نستقبل اكثر من ٢١ مليون سائح سنويا وهدفنا ترسيخ الدولة كوجهة سياحية عالمية رئيسية .. pic.twitter.com/C4s26JjUE5
— HH Sheikh Mohammed (@HHShkMohd) January 6, 2020
Sheikh Mohammed took to his Twitter to announce the news saying, "Today we change the system of issuing tourist visas in the country, to make the duration of the tourist visa for five-years, multiple uses, for all nationalities. We receive more than 21 million tourists annually and our aim is to establish the country as a major global tourist destination."
Related Topics:FeaturedIn the UAe
The Kingdom Ranks the Second in Human Development Index
The Kingdom Through the Eyes of the World Traveler Daniel Herszberg
Dubai COVID-19 Center Is Now Providing Testing To Nationals & Expats For Free
Dubai to Host A Huge Music Event With A Good Cause And Hope to End Poverty
Ras Al Khaimah is Set to Break Guinness World Records With A Magnificent Fireworks
The 'Winter is Around You' campaign, which has been recently launched by the Saudi Tourism Authority, will highlight the stunning desert destinations and position it as the ultimate choice for winter break.
Most of the Kingdom is desert and it's divided to three part: Al-Dahna, Al-Nafud and the Empty Quarter. In these parts, visitors can find beautiful natural oases and parks, and also those interested in hiking can get to enjoy several activities at some of the desert's cliffs.
The campaign is also highlighting the desert camps, known as Kashtas, and shedding the light on it as a popular destination during this time of the year, it offers the perfect escape for tourists who are looking to get away from the hustle of urban life.
Other activities that suit adventure seekers are and skiing, motorbike riding and "dune bashing." If you're the explorer type, then you can take the time to explore and look into the history and heritage of these desert areas or try some chill activities such as camel and horse riding or camping.
The Saudi desert truly is the ideal destination for individuals, groups and family, it's a place worth promoting for and a place deserves to have people flood to from all over the world.
A photography competition kicked off earlier on World Photography day and five Saudi photographers were able through their lens to showcase the beauty of AlUla.
The winner of the #CaptureAlUla Photo Competition really did a wonderful job highlighting the beauty of the area that extends to 22,561km² and include a lush oasis valley, towering sandstone mountains and historical sites.
The competition, which the Royal Commission for AlUla (RCU) held in co-operation with Sony Alpha, aimed to support the local talents of the Kingdom. The winners were awarded with a compact Sony Alpha 6600M camera, which has the world's fastest Auto-focus, and a commission of 10,000 SAR from RCU.
The winners will also get to cooperate with RCU on upcoming projects, which is considered as a great opportunity for them.
Ziad Alarfaj, Sony Alpha Ambassador in KSA and another #CaptureAlUla judge commented: "The participants are all very creative, we chose those winners based on who we believe will have a brilliant future in photography. Each winner has a valuable opportunity to share their artistry with to the world, each picture was chosen not only for showcasing the beauty of its subject, but in telling the story behind it."
Aisha Alhjairi who loves cinematography, photography and listening to classical music, earned the Design grouping. "By using pottery and dry branches, using earthy colours, and through the harmony between the elements of this artwork and the harmony of lighting in it, I wanted to show and prove that from the drought we can create an artistic picture, as beauty is created from severity, and luxury is created from simplicity," she said while commenting on her winning image. "I made this idea specifically to show the sensual heritage (the pottery) in a different way from what is customary to touch the feelings of the recipient and bring them back to the memory."
Check out the incredible photos and see AlUla in a different perspective through the eyes of young talents!
Saudi Arabia has been ranked among the six safest travel destinations during the COVID-19 pandemic, according to Wego Travel Blog.
In the article "Safe Places to Travel During the COVID-19 Pandemic," which was published by Wego Travel Blog, the Kingdom was ranked the sixth safest country and it's also worth mentioning that it was the only Middle Eastern country in the group.
The travel blog chose the countries according to an EU methodology for its travel risk assessment.
Australia came first first in the global safe destinations for travel during the pandemic, followed by New Zealand, Singapore, Zambia, Cuba and Saudi Arabia.
The classification comes based on the country's ability in containing the pandemic and how efficient its health system is, regarding the number of ICUs and medical staff.


Where can I get help with creating or improving a resume?
Career and Employment Services offers a variety of resources, both online and in person, no matter where you are in your career planning or job search process. Your resume provides an overview of your individual skills and qualifications that employers seek. Career and Employment Services offers resume reviews as one of many services that Madison College provides.
To make an appointment for a resume review please call Career and Employment Services at 608.243.4598 or stop by our offices at D1624, right across from the Cafeteria. You can also visit the Career and Employment webpage for additional assistance.


Our four cabin vessels are from the Bavaria, Beneteau, Hanse, Jeanneau, Sun Odyssey and Dufour brands. Like all of our boats, they are serviced and maintained in accordance with the highest standards and are in top condition.
Elegant and powerful, the Jeanneau Sun Odyssey 479 is truly a seafaring sailboat. The Sun Odyssey 479 affords extraordinary comfort, whether at sea or at anchor. With a large galley, spacious saloon, beautifully finished chart table and navigation station, modern styling, abundant natural light and fresh air, the interior of the Sun Odyssey 479 offers an exceptional livable space and luxurious comfort.


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redpajama_set_name: RedPajamaGithub


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Sagitta kussakini är en djurart som tillhör fylumet pilmaskar, och som beskrevs av Kasatkina 1997. Sagitta kussakini ingår i släktet Sagitta och familjen Sagittidae. Inga underarter finns listade i Catalogue of Life.

Källor

Pilmaskar
kussakini

redpajama_set_name: RedPajamaWikipedia


An excellent three bedroom semi detached house with an integral garage, private parking and a beautiful large garden set within easy access of the town centre.
A semi-detached 4 bedroom house standing in desirable village location. The property boasts stunning outlook and offers potential to extend STPP. The property is offered with no onward chain.
A charming and stylishly presented mid-terrace two bedroom 18th century period home with light rooms, lovely garden and ideally located at the centre of the highly sought after Wiltshire village of Aldbourne.
World Heritage Village An attractive, modern mews style cottage offering light and airy accommodation, with three bedrooms, an attractive garden and parking set within The World Heritage village of Avebury.
Newly refurbished light and airy 2 bedroom terrace property with views over Marlborough town centre. No onward chain.


text:
Albemarle Corporation to Present at the Bernstein 34th Annual Strategic Decisions Conference
CHARLOTTE, N.C. , May 23, 2018 /PRNewswire/ -- Albemarle Corporation (NYSE: ALB), a leader in the global specialty chemicals industry, announced today that Luke Kissam , Albemarle Chairman, President and CEO, will present at the Bernstein 34 th Annual Strategic Decisions Conference in New York City
Albemarle Corporation to Present at the Deutsche Bank 9th Annual Global Industrials & Materials Summit
CHARLOTTE, N.C. , May 14, 2018 /PRNewswire/ -- Albemarle Corporation (NYSE: ALB), a leader in the global specialty chemicals industry, announced today that Scott Tozier , Albemarle Executive Vice President and Chief Financial Officer, will participate in a Fireside Chat at the Deutsche Bank 9 th
Albemarle continues double digit growth in first quarter on strong lithium results
CHARLOTTE, N.C. , May 9, 2018 /PRNewswire/ -- First quarter 2018 highlights: First quarter net sales were $821.6 million , an increase of 14% over the prior year; earnings were $131.8 million , or $1.18 per diluted share, an increase of 162% over the prior year First quarter adjusted EBITDA was
Albemarle Corporation Announces Quarterly Dividend
CHARLOTTE, N.C. , May 8, 2018 /PRNewswire/ -- The board of directors of Albemarle Corporation (NYSE: ALB) announces that it has declared a quarterly dividend of $0.335 per share. The dividend, which has an annualized rate of $1.34 , is payable July 2, 2018 , to shareholders of record at the close
Albemarle Named to Corporate Responsibility Magazine's 100 Best Corporate Citizens List
CHARLOTTE, N.C. , May 7, 2018 /PRNewswire/ -- Albemarle Corporation (NYSE: ALB), a leader in the global specialty chemicals industry, announced today that the company has been named to Corporate Responsibility Magazine's ( CR Magazine ) 19 th annual 100 Best Corporate Citizens List.
Albemarle and DuPont Announce Collaboration in Hydroprocessing
CHARLOTTE, N.C. , April 24, 2018 /PRNewswire/ -- Albemarle Corporation (NYSE: ALB), a leader in the global specialty chemicals industry, announced today that it is the primary hydroprocessing catalyst manufacturer for the DuPont™ IsoTherming® hydroprocessing technology, making clean fuels
Albemarle Corporation to Present at Goldman Sachs Basic Materials Conference
CHARLOTTE, N.C. , April 23, 2018 /PRNewswire/ -- Albemarle Corporation (NYSE: ALB), a leader in the global specialty chemicals industry, announced today that Scott Tozier , Albemarle Executive Vice President and Chief Financial Officer, and Eric Norris , Chief Strategy Officer, will participate in
Albemarle Declares Force Majeure Due to Shortage of Key Raw Materials in Urethane Supply Chain
CHARLOTTE, N.C. , April 19, 2018 /PRNewswire/ -- Albemarle Corporation (NYSE: ALB), a leader in the global specialty chemicals industry, announced today that it has declared force majeure due to the shortage of key raw materials in the production of diethyl toluene diamine (DETDA) curative
Albemarle Corporation to present at Barclays Electronic Chemicals Conference
CHARLOTTE, N.C. , April 18, 2018 /PRNewswire/ -- Albemarle Corporation (NYSE: ALB), a leader in the global specialty chemicals industry, announced today that Scott Tozier , Albemarle Executive Vice President and Chief Financial Officer, will present at the Barclays Electronic Chemicals Conference
Albemarle Corporation Announces Appointment of Dr. Glen Merfeld, Chief Technology Officer for Lithium Business
CHARLOTTE, N.C. , April 16, 2018 /PRNewswire/ -- Albemarle Corporation (NYSE: ALB), a leader in the global specialty chemicals industry, announced today that it has named Dr. Glen Merfeld as Albemarle's Chief Technology Officer for its Lithium business, effective immediately.
Albemarle Corporation to release first quarter 2018 earnings results on May 9, 2018
Conference call to be held on May 10, 2018 at 9:00 a.m. ET CHARLOTTE, N.C. , April 9, 2018 /PRNewswire/ -- Albemarle Corporation (NYSE: ALB), a leader in the global specialty chemicals industry, announced today that it will release its first quarter 2018 earnings after the NYSE closes on Wednesday,


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text:
Tit-for-tat clashes stain Colombia-South Korea friendly
Colombian Radamel Falcao throws the South Korean team's medical kit icebox during the friendly match at Seoul World Cup Stadium in Sangam-dong, Mapo-gu, Tuesday. The action cost him a yellow card. Screen capture from YouTube
By Ko Dong-hwan
The friendly football match in Seoul Tuesday between Colombia and South Korea wasn't so friendly after players clashed following the final whistle.
The Koreans, led by captain Son Heung-min, won the match 2-1 over 12th-ranked Colombia at Seoul World Cup Stadium in Mapo district's Sangam-dong. South Korea is ranked 36th.
Korea's first score came in the first half when Son's close-range shot beat the Colombian goalie. Colombia's Luis Diaz scored the equalizer in the second half, arching the ball to the right corner of the goal. Lee Jae-sung replied with a mid-range shot that flew past the Columbian goalie's outstretched hands.
After Lee's goal at 57 minutes, the match became fiercer as the Colombians increased their pressure while the Koreans battled to maintain their lead. The tension grew and Colombian James Rodriguez tried to provoke Korea's Jung Woo-young with a back-tackle. It was one of many tackle-and-fall actions in the last few minutes as Colombia struggled to overcome Korea's defense.
A controversial incident occurred at 89 minutes when Colombia's Radamel Falcao threw the medical kit icebox the Korean bench sent to treat Hong Chul off the field. Falcao received a yellow card for his action. Seconds before, Falcao's header was blocked by Korean goalie Cho Hyun-woo and he clashed with Hong while landing.
Colombia's Wilmar Barrios and South Korea's Son Heung-min exchange heated words after the so-called friendly match at Seoul World Cup Stadium in Sangam-dong, Mapo-gu, Tuesday. Yonhap
As players left the ground after the final whistle, a TV camera captured Son repeatedly making a hand gesture at his mouth imitating "talking too much" toward Colombian Wilmar Barrios. Korean news reports interpreted that the Tottenham Hotspurs attacker from the English Premier League mocked the Colombians for complaining too much during and after the match.
Son's gesture was picked up by Publimetro, the Peruvian, Chilean and Mexican edition of global newspaper Metro International.
The report said the match "ended with controversy" and "the Asians reacted in a very questionable way." Describing Son as "having a personal issue with the Colombian defenders," it said he "was annoyed…then made a gesture with his hand towards his mouth, meaning that the Colombians talked a lot."
The report mentioned Edwin Cardona from the2017 friendly, in which he made a slant-eye gesture to former Korean national captain Ki Sung-Yueng during a scuffle. FIFA banned him for five international games for the racially provocative action targeting Asians.
"Now, the one who had an ugly gesture was one of the Koreans," the report said.
aoshima11@koreatimes.co.kr More articles by this reporter


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Home » Authors » David Kaufman
Articles by David Kaufman
About David Kaufman (118 Articles)
David Kaufman has been covering the theater in New York since 1981. A former theater critic for the New York Daily News, he was also a long-time contributor to the Nation, Vanity Fair, the Village Voice and the New York Times. He is also the author of the award-winning Ridiculous! The Theatrical Life and Times of Charles Ludlam, the best-selling Doris Day: The Untold Story of the Girl Next Door, and his most recent biography, Some Enchanted Evenings: The Glittering Life and Times of Mary Martin.
Incantata
Some books and movies and poems do not lend themselves to theatricalization, and that's certainly the case with "Incantata," which is currently being given its American premiere at the Irish Repertory Theatre. Though it's only 80 minutes long, it felt like an eternity--and not only because of the story--but also the telling. What's even more annoying is that it tells the same poem, again and again, and seemingly again. [more]
The Confession of Lily Dare
The inestimable Charles Busch has come up with something of a dud, as well as redundant, with his latest play, "The Confession of Lily Dare." Even its title leaves a lot to be desired. Based on a seemingly endless parade of Hollywood movies of the pre-code era (from the late 1920's to the mid 1930's), Busch has pulled out all of his old tricks--cross-dressing, an homage and parody of old movies, long pink arm gloves--and produced something stale and feeble. [more]
Frankenstein (Classic Stage Company)
If it sounds challenging to do a two-performer version of "Frankenstein," it proves just that in the current production at the CSC, being performed in repertory with a new stage version of "Dracula." As adapted by Tristan Bernays from the novel by Mary Shelley, the first half-hour of the 80-minute show is more like performance art than a play, as very few words are spoken. During the first part of the play, there are more grunts and groans than there is anything resembling a script. [more]
The Sabbath Girl
The trite set-up makes all of the characters one-dimensional, with the Jewish Seth a "knish maker" and shop owner on "Hester Street, Angie groping to find herself--not to mention a partner--and Sophia, a loving and understanding "Nonna." Blake, of course, is a leather-clad roué, who also wears sunglasses throughout--until he loses them. What is somewhat surprising is to learn that Seth, an orthodox Jew, was in an "arranged" marriage before, and divorced his wife two years ago. But the play suffers from an inordinate lack of surprise. [more]
How to Load a Musket
An essay more than a play, with players as opposed to characters, "How to Load a Musket" is a racist diatribe that fails to make its points coherently. The costumes and appointments on the walls of a black box space say all that there is to say in a play that ultimately leaves one wanting for more. The scenic design by Lawrence E. Moten III is the show's best asset. [more]
The White Chip
Written by Sean Daniels, "The White Chip" is reportedly an autobiographical play, directed with an earnest finesse by Sheryl Kaller who sometimes has difficulty keeping her three different performers in character, in terms of whom they represent. If one has difficulty following the many tangents, Kaller has to be held principally responsible for that. [more]
Bad News! i was there…
The latest offering by JoAnne Akalaitis, "Bad News! i was there…" is something of a misnomer, since none of us was there for the "bad news" of the ancient Greeks, which is what Akalaitis focuses on. If the text is cobbled together with passages taken from Sophocles, Euripides, and Aeschylus, it can prove pretty tedious and at a far remove. But then, Akalaitis is more known for her spectacles than for her texts. [more]
Imported from London and directed with finesse by Jamie Lloyd, Tom Hiddleston (Robert), Zawe Ashton (Emma), and Charlie Cox (Jerry), all making their Broadway debuts, are practically choreographed as they move about on an otherwise spare if elegant stage that features two simple chairs, a small table and little else. (The startling scenery and apt costumes have been designed by Soutra Gilmour.) That, too, is an appropriate metaphor for three characters that keep shifting their positions. [more]
Two's a Crowd
Co-written by and starring Rita Rudner (who is not only a playwright and performer but also an author, film writer, producer and director, with many TV appearances to her credit), "Two's a Crowd" suggests that it's creator has run out of original ideas and is recycling old ones--not only others, but her own. It really lands with a thud, which also may have a lot to do with trying to present it as a musical. [more]
"the way she spoke"
Written by Isaac Gomez, who lives across the border in El Paso, Texas, "the way she spoke" is a one-woman show that fails to speak to us: it's performed by Mexican film star Kate del Castillo who attempts to give different accents and vocal mannerisms to the various characters she impersonates, without much success. She is no Whoopi Goldberg or Anna Devere Smith, who were--and in Smith's case, still is--masters or impersonation. [more]
Julie Madly Deeply
Andrews' worldwide success with the films "The Sound of Music" and "Mary Poppins" is well represented here, as is the Broadway musical that established her in the first place, "My Fair Lady," even if "The Boyfriend" preceded it. The current run of "Julie Madly Deeply" at 59E59 Theaters follows its playing first in London's West End and then in Toronto. It was written by Young, with contributions from Russell Lucas, who has also directed the show in a full-steam-ahead mode. [more]
Frankie and Johnny in the Claire de Lune
Given references to "Prizzi's Honor," "Looking for Mr. Goodbar, " Haagen-Dazs Vanilla Swiss Almond, and VCRs, the otherwise effective revival of "Frankie and Johnny"--now on Broadway at the Broadhurst Theatre--can feel rather dated. The play debuted, after all, in 1987, and McNally's ambition for realism makes such references natural, if not exactly necessary. But it's still a substantial look at a one-night stand between Frankie, a waitress, and Johnny, a short-order cook at the same off-stage restaurant. [more]
Posting Letters to the Moon
The epistolary "Posting Letters to the Moon" may, on the face of it, make one think of A. R. Gurney's "Love Letters" or Helene Hanff's "84 Charing Cross Road. "But unlike those two memorable plays, PLTTM as "compiled" by Lucy Fleming, whose mother was the British actress Celia Johnson and whose father Peter Fleming was a travel writer--as well as the older brother of James Bond creator, Ian Fleming--never really tells a story nor conveys what her parents' relationship was like. [more]
In the final analysis, "Ink" is too swift and too slick for its own good--or should I say, for our good? Even if you know some of the details it traffics in, they zoom by at such a rapid clip, that it's sometimes hard to follow. Director Goold is to be faulted for the pace, no less than the playwright, Graham: it's as if they both wanted to cram in too much information; and, despite the rave reviews this play and production continue to receive, some of it was lost on this particular reviewer. [more]
For one thing, it takes far too long for Pale, Wilson's most outrageous and flamboyant creation, to arrive on the scene. (Malkovitch was Pale in the original production and Adam Driver is Pale now, with different but equally effective results.) For another, the premise of the play requires Anna to be overly reserved and subdued, in contrast with Pale's constantly explosive character. The customarily sure-fire director Michael Mayer somehow seems to have accentuated those problems with lethargic consequences. [more]
After she won the Pulitzer Prize for "Topdog/Underdog," one approached a new play by Suzan-Lori Parks with great expectations--expectations that are strongly rewarded by her latest work, "White Noise." While the title refers specifically to the hissing sound made by sleep machines, meant to lull and keep you asleep, it also hints at the many racist issues this new, smart work traffics in. [more]
I Carry Your Heart
Though playwright Kelly strives for poetry at times--in addition to that last quote, consider Josh's mother calling him a "terminal optimist" and also learning that the play's title is taken from e. e. cummings--it's more or less done in by her contrivances. She also conveys too much of the exposition through her biggest contrivance of all: Debra, an author, has left behind a memoir for Phoebe to read, and she reads it aloud to Blake, thereby imparting much of Debra's story. [more]
Many of Blitzstein's melodic tunes are plunked out on the piano by several of the players at various points. But the fault is not only due to Doyle's direction: what's missing from Blitzstein's "The Cradle Will Rock" is the heart and or soul that every musical requires. It's a wannabe musical or opera that, ironically, lacks substance, given its heavy-hitting intentions. [more]
While many of the greats have tackled Kate over the years ever since it premiered in 1948, O'Hara brings a subdued charm to the usually more boisterous part of Lilli, even if she is positively beaming when she first arrives on stage. The first was Patricia Morison, and the most recent on Broadway--before O'Hara--was the late Marin Mazzie, who received a Tony Award for the 1999 revival, as did the revival itself. And then there was Kathryn Grayson in the 1953 film version. [more]
Hurricane Diane
Some plays are simply too complicated for their own good, defying comprehension. This is certainly the case with Madeleine George's "Hurricane Diane," in which the God Dionysus or Bacchus, famously incorporating both male and female characteristics--he went by many names--returns to earth--as a woman--at the present time, in Monmouth County no less, to haunt a bevy of what can best be summarized as "New Jersey Housewives." [more]
Usually considered one of Sondheim's lesser musicals, albeit with one of his best scores--and needless to say, that's saying a lot--this production provides a heft and a story that are sorely lacking in previous versions. There is no denying or gainsaying its power to impress, as each and every song comes through with its capacity to build characters and tell stories. If the stories are less than satisfying in earlier productions, that's due more to bookwriter George Furth (adapting the original play by George S. Kaufman and Moss Hart) than to Sondheim or to his other collaborators, each of who has provided an impeccable contribution to the current enterprise. [more]
Welcome to "The Waiting Game," a play by Charles Gershman, which has the makings for a meaningful drama, but never really amounts to much. A large part of the problem is the nondescript and dull staging, as directed by Nathan Wright, which doesn't really bring any of the characters alive. And then there's the writing, also nondescript and dull, does nothing to make the characters real--nor does it contain anything resembling exposition. [more]
Mies Julie
Yaël Farber's adaptation of Strindberg's classic "Miss Julie," "Mies Julie" shifts the scene and setting from 1880's Sweden to the Karoo in South Africa on Freedom Day in 2012--or the anniversary of Nelson Mandela's election in 1994--which is long after apartheid was outlawed. Such changes shift Strindberg's focus on the class system to matters of racism and apartheid today, when, despite any suggestions that we've transcended such problems, racist incidents continue to be in the news every day. They also make the play far more relevant than the antique penned by Strindberg, although ironically, it was far ahead of its time when it was written. [more]
Having seen it at least four times before, I can say with certainty that Sam Shepard's "True West" (1980) is a firm and solid play: a play to be pondered both while you're watching it and afterwards, when you consider what you saw. But the current Roundabout production leaves more than just a little to be desired: it's slow and plodding and contemplative, instead of explosive, which is what it's designed to be. [more]
The lit pumpkin on a ledge in the living room aptly suits the title of "Trick or Treat," a new play by Jack Neary. But despite the skeleton positioned on yet another shelf, the play's title refers to more than just Halloween, as the plot that unfolds is full of reversals and shocking developments that keep tricking you into thinking that you know what's going on, and treating you to some characters who don't. It isn't until the very end that you apprehend a story you thought you were following all along. There are startling surprises all along the way. [more]
Now playing at the MTC's Samuel J. Friedman Theatre on Broadway, "Choir Boy" is set at The Charles R Drew Preparatory School for Boys, a Catholic academy for young men of color. Written by Tarell Alvin McCraney (who shared the 2017 Academy Award for Best Adapted Screenplay for Moonlight), the problem with the play is that Pharus' colleagues and choir mates prove as generic as the student uniforms they all wear: blue blazers, white shirts, striped ties, and beige trousers. (The costume designer is David Zinn, who also did the scenery.) [more]
"The Prom" is giving Broadway something it's been lacking for years, which is a high-spirited, old-fashioned musical comedy, where the cast's energy spills out over the footlights, and is then reflected in all the smiling faces you encounter as you leave the theater. It's the equivalent of a standing ovation that moves out into the streets. [more]
C.S. Lewis' The Screwtape Letters
Some novels are more stage-worthy than others, and "C.S. Lewis' The Screwtape Letters" is not among those that are. As adapted for the stage by Max McLean--who also directs the production with a flair for the grotesque--and Jeffrey Fiske, "C.S. Lewis' The Screwtape Letters" is an unfortunate jumble of gibberish and gobbledygook, told at breakneck speed by Brent Harris, who is playing His Abysmal Sublimity Screwtape. [more]
Bitter Greens
Though it was common practice centuries ago, perhaps the final take-away from "Bitter Greens"--a new play by Clea DeCrane--is that an actor should not perform in her own work. In the play, DeCrane portrays Reyna, a character that is both confused and confusing. She's also more than a little aloof. When Reyna announces that she's going "to go on a cleanse," another character, Caitlin (Jessica Darrow), asks her, "A cleanse from what, vegan bites and vitamin water?" [more]
Two by Friel
The attempt to draw comparisons between two disparate one-act plays by Brian Friel proves forced and effortful. In a program note for "Two by Friel," now playing at the Irish Repertory Theatre, director Conor Bagley writes, "Although written over three decades apart, 'Lovers: Winners' and 'The Yalta Game' speak to each other in sacred whisperings." In the event of seeing them performed back-to-back, those 'whisperings' prove so faint, they can barely be heard. [more]
The Classic Stage Company's current revival of Bertolt Brecht's "The Resistible Rise of Arturo Ui" is not the first to draw comparisons between the sitting president and Hitler. In 2002, or the year after 9/11, National Theatre of Actors presented an all-star production in downtown Manhattan – featuring Al Pacino, no less - comparing Ui to Hitler and President George W. Bush. [more]
The Waverly Gallery
Even with the indelible impression of Eileen Heckart's magnificent, original Gladys intact, Elaine May overcomes any comparisons as the current Gladys. There is nothing inventive or even artful about her performance: May simply is Gladys and Gladys is May, tracing her deterioration into senility with a remarkable realism. [more]
Sakina's Restaurant
In an apparent effort to demonstrate that he's become one of us, Mandvi arrives in the theater by walking down the central aisle at the Minetta Lane Theatre, wide-eyed, as he peers and takes in the audience, on his way to the stage. And indeed, Azgi's had at least 20 years to become increasingly assimilated: "Sakina's Restaurant" was originally presented at the American Place Theatre in 1998. [more]


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Item consists of a meeting minutes from a Liverpool meeting on September 24, 1977 and from Halifax October 6, 1977. The two meetings aimed to fill the Director position that Garry Conway left. Items discussed at the meetings included Canada Council funding, members of the gallery and future exhibitions.


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/**
 * @file pixel.h
 * @author Kurt Normark
 * @brief PIXELS - A pixel represents a RGB color.
 * @see http://people.cs.aau.dk/~normark/impr-c/more-functions-slide-ppm-lib.html
 */

/** @brief A new type that represents a single RGB pixel */
typedef unsigned int pixel;

/** @brief The constructor of a pixel in terms of red, green and blue (between 0 and 255) */
pixel make_pixel(unsigned int red, unsigned int green, unsigned int blue);

/** @brief Access and return the red component of the pixel p */
unsigned int get_red(pixel p);

/** @brief Access and return the green component of the pixel p */
unsigned int get_green(pixel p);

/** @brief Access and return the blue component of the pixel p */
unsigned int get_blue(pixel p);


Looks like API for webextensions to add keyboard shortcuts is coming to Fx 60.0 - Mozilla bug #1421811!
Tree Style Tab uses it.
Example component used in TST addon.
I had mixed experience in TST as I couldn't assign any hotkey combination I wanted but most of it works.
Yep, they're slowly implementing some of the stuff they should've had working months before they did the switch. I'll start using it to re-implement pre-existing Flagfox features in the not too distant future.


Commercial Property Insurance is a subset of insurance usually found under Commercial General Liability Insurance coverage. This insurance type helps businesses replace lost, damaged or stolen equipment.
Replacement value versus cash value. "Cash value" is a bit cheaper, but only pays the depreciated value of your asset. This is a good option if you can quickly find second-hand replacements of your assets. "Replacement cost" is a bit more expensive, but pays the full cost to replace the asset.
Coverage for off-premises property. Quite often your property is only covered while it is physically located inside your office. However, you may take your laptop with you to meetings or inventory to a convention. If this is the case, get coverage for it.
Coverage for portable electronics. If you have laptops or cameras, you will need to specifically request that this be added onto your policy. Portable electronics are more expensive to insure than standard property (e.g., chairs, desks) because they tend to get stolen or lost more often.
You likely own home, auto or life insurance policies because they all serve different purposes. If you are running a business, you'll need to consider many different types of coverage—one of them being commercial property insurance.
An office has computers, laptops, printers and expensive office supplies that are costly to replace.
A contractor working with large and expensive equipment that is left overnight, commercial property insurance will cover costs associated with damage or theft.
An architectural firm that owns very expensive rendering software on your computers that is required to draft blueprints for your clients.
You are a tech start-up that created a prototype that is damaged.
Regardless of whether you own or rent your office, Commercial Property is likely required. If you're leasing or renting out a workspace, your landlord will want to make sure you have some basic level of coverage. Furthermore, any business that has expensive assets (e.g., specialized computers, machinery) should consider buying this coverage. A rule of thumb is that losses that jeopardize the existence of the business should be insured. For example, if a flood-damaged all your equipment, could you afford to replace all of it immediately? If not, consider buying Commercial Property Insurance to make sure you have immediate access to help.