text:
History of Literary Criticism »
Published December 20, 2014 | By cdh administrator
Timothy Steele
COLLECTIONS OF POEMS
Uncertainties and Rest. Baton Rouge: Louisiana State University Press, 1979.
Sapphics against Anger and Other Poems. New York: Random House, 1986.
The Color Wheel. Baltimore: The Johns Hopkins University Press, 1994.
Sapphics and Uncertainties: Poems 1970-1986. Fayetteville: The University of Arkansas Press, 1995.
Toward the Winter Solstice. Athens, OH: Swallow Press/Ohio University Press, 2006.
CHAPBOOKS AND LIMITED EDITIONS OF POEMS
The Prudent Heart. Los Angeles: Symposium Press, 1983.
Nine Poems. Florence, KY: Robert L. Barth, 1984.
On Harmony. Omaha: Abattoir Editions, 1984.
Short Subjects. Florence, KY: Robert L. Barth, 1985.
Beatitudes. Child Okeford, Dorset: Words Press, 1988.
SCHOLARSHIP AND LITERARY CRITICISM
Missing Measures: Modern Poetry and the Revolt against Meter. Fayetteville: University of Arkansas Press, 1990.
All the Fun's in How You Say a Thing: An Explanation of Meter and Versification. Athens, OH: Ohio University Press/Swallow Press, 1999.
BOOKS EDITED
The Music of His History: Poems for Charles Gullans on His Sixtieth Birthday. Edited by Timothy Steele. Florence, KY: Robert L. Barth Press, 1989.
The Poems of J. V. Cunningham. Edited with an introduction and commentary by Timothy Steele. Athens, OH: Ohio University Press/Swallow Press, 1997.
ARTICLES IN MAGAZINES, JOURNALS
AND ANTHOLOGIES OF CRITICISM
"The Structure of the Detective Story." Modern Fiction Studies 27 (Winter 1981-82): 555-70.
"The Dissociation of Sensibility: Mannered Muses, Ancient and Modern." The Southern Review 19 (Winter 1983): 57-72.
"Matter and Mystery: Neglected Works and Background Materials of Detective Fiction." Modern Fiction Studies 29 (Autumn 1983): 435-50.
"Let Thy Words Be Few: Remembering J. V. Cunningham." Sequoia 29 (Spring 1985): 104-8.
"Tradition and Revolution: The Modern Movement and Free Verse." The Southwest Review 70 (Summer 1985): 294-319.
"J. V. Cunningham: An Introduction and an Interview." The Iowa Review 15 (Fall 1985): 1-24.
"Janet Lewis and the Untranslatable Heart." Los Angeles Times: The Book Review (3 November 1985): 2.
"Writing in Meter." Crosscurrents 8 (Winter 1989): 101-4.
"Pattern and Substance in the Life and Work of Janet Lewis." Numbers 4 (Winter 1990): 79-90.
"On Meter." Hellas 1 (Fall 1990): 289-310.
"Excerpt," from Missing Measures. The Formalist 1 (Autumn 1990): 37-39.
"The Superior Art: Prose, Verse, and Modern Poetry." In Conversant Essays: Contemporary Poets on Poetry, edited by James McCorkle (Detroit: Wayne State University Press, 1990): 120-131.
"'Let Thy Words Be Few': Remembering J.V. Cunningham." Verse 7 (Winter 1990): 33-37. (This is an expanded version of the essay that initially appeared in Sequoia.)
"The Forms of Poetry." Brandeis Review 12 (Summer 1992): 28-33.
Three Entries: "Edgar Bowers," "Thom Gunn," "Vers Libre." In The Oxford Companion to Twentieth Century Poetry, edited by Ian Hamilton. Oxford: Oxford University Press, 1994: 62-63, 201-3, 558-59.
"On Edgar Bowers." La Fontana, special issue (March 1994): 44-45.
"Staunch Meter, Great Song." In Meter in English: A Critical Engagement, edited by David Baker. Fayetteville: University of Arkansas Press, l996: 221-47.
"Boundless Wealth from a Finite Store: Meter and Grammar." Michigan Quarterly Review 36 (Winter 1997): 161-80.
"Prosody, Elizabethan." In Encyclopedia of the Renaissance, edited by Paul F. Gendler. New York: Charles Scribner's Sons, 1999: vol. 5, 176-79.
"'Across Spaces of the Footed Line': the Meter and Versification of Robert Frost." In The Cambridge Companion to Robert Frost, edited by Robert Faggen. Cambridge: Cambridge University Press, 2001: 123-53.
"John Keats's Poems of 1817." The World from Here: Treasures of the Great Libraries of Los Angeles, 2001.
"'The Bravest Sort of Verses': The Heroic Couplet." An Exaltation of Forms, edited by Annie Finch and Kathrine Varnes. University of Michigan Press, 2002: 107-15.
Afterword to Helen Pinkerton's Taken in Faith. Athens, OH: Swallow Press/Ohio University Press, 2002: 119-29.
"Prosody for 21st-Century Poets." Website of The Academy of American Poets, 2006. (http://www.poets.org/viewmedia.php/prmMID/19294)
"Verse Satire in the Twentieth Century." In A Companion to Satire Ancient and Modern, edited by Ruben Quintero. Oxford: Blackwell, 2007: 434-59.
Introduction to Peter Stanlis's Robert Frost: The Poet as Philosopher. Wilmington, Delaware: ISI Books, 2007: i-x.
Introduction to Able Muse Anthology, edited by Alex Pepple. San Jose: Able Muse Press, 2011: xiii-iv.
Two short essays for "The Symposium on Form." In Think Journal 3 (Spring 2011):13-15; 33-35.
"Scansion," "Verse and Prose." Entries for The Princeton Encyclopedia of Poetry and Poetics, 4th Edition, Roland Greene, Editor-in-Chief, Stephen Cushman, General Editor. Princeton: Princeton University Press, 2012: 1259-63; 1507-13.
"Afterword." For Frank Osen's Virtue, Big as Sin. San José, CA: Able Muse Press, 2013: 63-66.
"No Shepherd of a Child's Surmises': J. V. Cunningham as a Montana Poet." In These Living Songs: Reading Montana Poetry. Edited by Lisa D. Simon and Brady Harrison. Missoula: University of Montana Press, 2014: 153-66.
"Keeping the Angels in Line": of Mary Baron, Letters for the New England Dead. Counter/Measures 3 (1974): 191-93.
"Sunbelly": of Kenneth Fields, Sunbelly. The Southern Review 11 (Spring 1975): 482-86.
"Curving to Foreign Harbors": of Turner Cassity, The Defense of the Sugar Islands. The Southern Review 17 (Winter 1981): 205-13.
"Conversations with Novelists": of Christopher Bigsby and Heide Ziegler, The Radical Imagination and the Liberal Tradition: Interviews with English and American Novelists and Dianna Cooper-Clark, Designs of Darkness: Interviews with Detective Novelists. Modern Fiction Studies 30 (Summer, 1984): 423-25.
Of The Oxford Book of Children's Verse in America, edited by Donald Hall. Los Angeles Times: The Book Review (29 March 1985): 3, 6.
Of Stevie Smith: A Selection, edited by Hermione Lee. Los Angeles Times: The Book Review (26 May 1985): 7.
Of Skeptical Engagements, by Frederick Crews. California Magazine 12 (January 1987): 80-81.
Two Poems: "Wait," "Homecoming in Late March." Poetry 119 (March 1972): 329
Three Poems: "Coda in Wind," "October Dusk," "September Noon." The Southern Review, 8 (Winter 1972): 170-72.
Two Poems: "Reading Habits," "Cowboy." Modern Occasions 11 (Winter 1972): 25-26.
Two Poems "At the Summit," "This Is." The Chowder Review (Winter 1973): 27.
Four Poems: "Night Transit," "For Ying Lew," "Epitaph," "For One Who Worked Polk Street." Counter/Measures 2 (1973): 79-80.
Poem: "Family Reunion." The Southern Humanities Review 8 (Summer 1974): 335.
Poem: "A Couple, A Domestic Interior." Southern Poetry Review 14 (Fall 1974): 45.
Three Poems: "Strictly Romantic: Coastal Town in Maine," "For My Mother," "This Time Around." The Greensboro Review 19 (Winter 1974-75): 101-3.
Two Poems: "One Morning," "Profils Perdus." The Southern Review 11 (Spring 1975): 421-22.
Four Poems: "With a Copy of Ronald Firbank," "Even Then," "Mornings in a New Apartment," "Don Juan: A Winter Convalescence," The Greensboro Review 19 (Winter 1975-76): 20-22.
Poem: "Summer Fairytale." The Chowder Review 6 (1976): 6.
Poem: "Jogging in the Presidio." Sequoia (1976): 74.
Poem: "Stargazing at Barton." The Southern Poetry Review 16 (Spring 1976): 47.
Four Poems: "Last Night as You Slept," "Learning to Skate," "Rural Colloquy with a Painter," "Baker Beach at Sunset." The Greensboro Review 22 (Spring l977): 3-5.
Three Poems: "Three Notes Toward Definitions: I: Of Culture, II: Of Faith, III: Of Friendship." Poetry 130 (July l977): 218-20.
Four Poems: "This Is," "Profils Perdus," "For my Mother," "With a Copy of Ronald Firbank." Sequoia 22 (Autumn 1977): 5-8.
Five Poems: "Sunday Afternoon," "Evening, after the Auction," "The Messenger," "History of a Friendship in Mattapoisett," "Poet at the Christmas Tree." The Southern Review 13 (Autumn 1977): 774-78.
Five Poems: "Jogging in the Presidio," "Two for the Road," "With a Copy of Ronald Firbank, "Family Reunion," "A Couple, A Domestic Interior." PN Review 5 (1977): 26.
Two Poems: "Names," "Apology." The Gramercy Review 3 (Spring 1979): 46-47.
Four Poems: "Murder Mystery," "In the King's Rooms," "Border Tramp," "From the Point." The Southern Review 15 (Fall 1979): 1003-6.
Three Poems: "The Sheets," "The Shortcut," "Coming Now." Canto 3 (May 1980): 73-75.
Two Poems: "Sunday Supplement," "Cory in April." The Gramercy Review 4 (Spring 1980): 3-6.
Four Poems: "Last Words on the Subject," "Toward Calgary," "Estrangements," "Old Letters." Occident (Winter 1981): 43-44.
Poem: "Near Olympic." The Threepenny Review 6 (Summer 1981): 12.
Two Poems: "Summer," "1816." Chicago Review 33 (Summer 1981): 58-59.
Poem: "Sapphics Against Anger." The Threepenny Review 11 (Fall 1982): 3.
Poem: "On the Eve of a Birthday." Poetry 141 (November 1982): 69-70.
Two Poems: "From a Rooftop," "Timothy." The Paris Review 88 (Summer 1983): 187-89.
Two Poems: "The Chorus," "Chanson Philosophique." Poetry 142 (August 1983): 259-60.
Two Poems: "The Treatise on Harmony," "Mockingbird." The Greensboro Review 34 (Summer 1983): 82-83.
Two Poems: "Angel," "The Library." Poetry 143 (December 1983): 127-29.
Three Poems: "The Skull at the Crossroads," "Guessing Game," "Social Reform," Triquarterly 58 (Winter 1984): 133-34.
Three Poems: "Love Poem," "Snapshots for Posterity," "Jacaranda." Sequoia 28 (Winter 1984): 1-3.
Three Poems: "Matthew 5.l5," "An L.A. Impromptu," "Sage Counsel." Nebo 2 (Spring 1984): 24.
Poem: "The Wartburg." The Threepenny Review 18 (Summer 1984): 12.
Poem: "Life Portrait." The Threepenny Review 19 (Fall 1984): 17.
Two Poems: "Eros," "Ethics." Poetry 145 (February 1985): 262-63.
Poem: "UCSB Pastoral." Daily Nexus 16 (May 23, 1986): 7A.
Poem: "Beatitudes, While Setting out the Trash." The Yale Review 75 (Spring 1986): 372.
Three Poems: "Joseph," "Education in Music," "Eros." Numbers (Autumn 1986): 35-38.
Two Poems: "Joseph," "Education in Music." Sequoia 31 (Centennial Issue 1987): 30-31.
Poem: "Portrait of a Woman in a Museum." Zyzzyva 3 (Spring 1987): 129.
Four Poems: "Aurora," "Youth," "Dependent Nature," "Pacific Rim." The New Criterion 6 (October 1987): 45-48.
Poem: "Scrapbook for my Sister." The Jacaranda Review 3 (Fall/Winter 1988): 118.
Two Poems: "Decisions, Decisions," "Practice." Crosscurrents 8 (Winter 1989): 15-16.
Two Poems: "On Wheeler Mountain," "Cosmos." The Greensboro Review 46 (Summer 1989): 135-36.
Poem: "For Thom Gunn, Thinking of Him in Vermont." PN Review 16 (Autumn 1989): 44.
Poem: "Advice to a Student." The Formalist 1 (Winter 1990): 27.
Poem: "Once." The Spectator (3 February 1990): 31.
Poem: "On his Cooking." Lullwater Review 1 (Spring 1990): 14.
Three Poems: "Jerusalem Delivered," "Once," "Joseph and His Brothers." The Epigrammatist 1 (April 1990): 22-23.
Two Poems: "A Shore," "Georgics." Zyzzyva 7 (Spring 1991): 69, 71.
Poem: "In Passing." Southwest Review 77. (Winter 1992): 56.
Poem: "One Binary Star Talking to Another." The Epigrammatist (April 1992): 22.
Poem: "Anecdote of the Sugar Bowl." The New Criterion 11 (November 1992): 40.
Two Poems: "Luck," "Just as Well." Hellas 3 (Fall 1992): 50-52.
Three Poems: "Beethoven's Ninth at the Hollywood Bowl," "Ars Poetica," "Curriculum Vitae." The Classical Outlook, 70 (Fall 1992): 20.
Two Poems: "December in Los Angeles," "Hortulus." Poetry, 161 (December 1992): 134-35.
Poem: "California Sea Lion." The Threepenny Review, 52 (Winter 1993): 11.
Poem: "Takeoff." The New Republic, 4090 (June 7, 1993): 40.
Poem: "Her Memory of the Picnic," Shenandoah, 43 (Fall 1993): 94-95.
Poem: "History of Morals, or The Old Curiosity Shop." The Epigrammatist (April 1994): 21.
Two Poems: "Luck," "Anecdote of the Sugar Bowl." Poetry Durham 35 (Summer 1995): 18-20.
Poem: "Millennial Visions." The Epigrammatist (December 1995): 4.
Poem: "For Wesley Trimpi." Hellas 7 (Fall/Winter 1996): 13.
Two Poems: "For Victoria, Traveling in Europe," "Charley." Pivot 45 (1997): 24.
Poem: "Going," Poetry 171 (October-September 1997): 81-82.
Poem: "For Joe Kennedy." Paintbrush 25 (Autumn 1998): 135.
Poem: "Toward the Winter Solstice." Poetry 177 (December 2000): 204-05.
Two Poems: "Starr Farm Beach," "Snow." The New Criterion 19 (January 2001): 37-38.
Poem: "Faustina." Poetry 177(March 2001): 370.
Poem: "Champlain Evening." Smartish Pace 4 (Spring/Summer 2001): 40.
Poem: "The Sweet Peas." Southwest Review 86 (Fall 2001): 510-11.
Poem: "Didelphis Virginiana." Bayou 38 (Winter 2002): 66-67.
Poem: "In the Memphis Airport." ZYZZYVA 18 (Spring 2002): 177.
Poem: "The Middle Years." Poetry 181 (October-November 2002): 82-83.
Poem: "Gym Evenings." Iambs and Trochees, 1 (Fall 2002): 12-13.
Three Poems: "Sepulveda Basin Mallards," "Jardin des Tuileries," "Freudian Analysis." The New Compass: A Critical Review 2 (December 2003): no pp. noumbers.
Poem: "Siglo de Oro." The Threepenny Review 97 (Spring 2004): 11.
Poem: "Joanna, Wading." The Philadelphia Inquirer (June 8, 2004): A19.
Two Poems: "Henry and Elvis," "In a Eucalyptus Grove." The Kenyon Review 27 (Winter 2005): 113-14.
Three Poems: "Daybreak, Benedict Canyon," "The Swing," "Ethel Taylor." The New Criterion 23 (April 2005): 25-30.
Three Poems: "Black Phoebe," "Hercules and the Poet," "A Short History of Post-Structuralism." Cadenza 14 (Fall 2005): 36; 44; 75.
Poem: "A Muse." The Threepenny Review 105 (Spring 2006): 12.
Two Poems: "April 27, 1937," "Herb Garden." Measure 1 (Spring 2006): 69-71.
Poem: "Love Letter." The New York Sun 123:150 (November 14, 2007):16.
Two Poems: "Flying Colors," "Opening the Camp." The Hopkins Review 1 (Spring 2008): 210-212.
Translation and Poem: "Demain, dès l'aube . . . " (Victor Hugo), "Anima." The Raintown Review 7 (May 2008): 109-11. ("Anima" is reprinted from Toward the Winter Solstice.)
Poem: "Caesar for a Day." First Things 193 (May 2009):28.
Poem: "For Kashmir." First Things 194 (June/July 2009):20.
Poem: "In Montmartre Cemetery." Able Muse (Winter 2009): http://wwwablemuse.com/v8/poetry/timothy-steele/montmartre-cemetery.
Poem. "At a Swimming Pool." Clearing the Sill of the World. Program of the 28th Annual Key West Literary Seminar (January 7 – 14, 2010):38.
Two Poems: "Arrangement for One Voice," "Pastoral at Rock Point." Sewanee Review 118 (Spring 2010): 197-98.
Poem: "Sentimental Education." The Hopkins Review 4 (Summer 2011): 399.
Poem: "Close Encounter." American Arts Quarterly 29 (Summer 2012): 64.
Poem: "The Stocking Feeder." First Things 228 (December 2012): 50.
Poem: "A Visitor." Alabama Literary Review 21 (2012): 107-08.
Poem: "Astronomical Aubade." First Things 229 (January 2013): 44.
Poem: "Haydn in Los Angeles." Classical KUSC Arts Alive Blog (posted May 2, 2013). http://www.kusc.org/blog/arts/blog/artsalive/blogentry.aspx?BlogentryID=10539586
Poem: "L. A. Story." The Evansville Review 23 (Spring 2013): 29-30.
Poem: "Now and Then." Light Poetry Magazine (Winter/Spring 2014). http://lightpoetrymagazine.com/revamp/timothy-steele/winterspring-14/
Poem: "Descent of Man." Smithsonian 45 (January 2015): 55.
Three Poems: "Changing of the Guard," "Café du Soir," "Squirrel among Sweet Gum Trees." The Yale Review 103 (July 2015): 18-21.
POEMS AND ESSAYS IN ANTHOLOGIES, TEXTBOOKS, AND FESTSCHRIFTEN
Poem: "Epitaph." In Introduction to Literature, 2nd. edition, edited by X. J. Kennedy. Boston: Little Brown, 1976: 65.
Poem: "Wait." In The Poetry Anthology: 1912-1977, edited by Daryl Hine and Joseph Parisi. Boston: Houghton Mifflin, 1978: 454.
Poem: "Night Transit." In Selections: University & College Poetry Prizes 1973-78, edited by Stanley Kunitz. New York: Academy of American Poets, 1980: 75.
Poem: "Epitaph." In Tygers of Wrath: Poems of Hate, Anger, and Invective, edited by X. J. Kennedy. Athens, GA: Univ. of Georgia Press, 1981: 140.
Poem: "Sapphics against Anger." In The Pushcart Prize, VIII: Best of the Small Presses, edited by Bill Henderson. Wainscott, NY: Pushcart Press, 1983: 479.
Poem: "Life Portrait." In Anthology of Magazine Verse & Yearbook of American Poetry, edited by Alan F. Pater. Beverly Hills: Monitor Book Company, 1985: 433.
Essay: "Charles Gullans." In Contemporary Poets, 4th edition, edited by James Vinson and D. L. Kirkpatrick. London: St. Martins, 1985: 331-33.
Poem: "Epitaph." In The Norton Book of Light Verse, edited by Russell Baker. New York: Norton, 1986: 423.
Poem: "Sapphics against Anger." In Strong Measures: Recent American Poems in Traditional Forms, edited by Philip Dacey and David Jauss. New York: Harper & Row, 1986: 349-50.
Two Poems: "Epitaph" and "Timothy." In An Introduction to Poetry, 6th edition, edited by X. J. Kennedy. Boston: Little Brown, 1986, pp. 65, 363.
Three Poems: "A Devotional Sonnet," "One Morning," "Rural Colloquy with a Painter." In Contemporary Religious Poetry, edited by Paul Ramsey. Mahwah, NJ: Paulist Press, 1987: 118-119, 190.
Translation: "Prayer" (Pater Benigne, Summa Semper Lenitas). In Samuel Johnson: Latin Poems Translated by Various Hands, edited by R. L. Barth. Florence, KY: Robert L. Barth Press, 1987: 3.
Poem: "Scrapbook for my Sister." Celebrations at Sixty for Turner Cassity, edited by R. L. Barth. Florence, KY: Robert L. Barth Press, 1987: 20.
Two Poems: "The Sheets," "Aurora." In The Direction of Poetry, edited by Robert Richman. Boston, Houghton Mifflin, 1988: 123-25.
Poem: "Beatitudes, While Setting out the Trash." In Anthology of Magazine Verse & Yearbook of American Poetry: 1987-1989, edited by Alan F. Pater. Beverly Hills: Monitor Book Company, 1986-1988: 150.
Essay: "Tradition and Revolution: The Modern Movement and Free Verse." In Expansive Poetry, edited by Frederick Feirstein. Santa Cruz: Story Line Press, 1989: 124-57.
Poem: "For Charles, on his Sixtieth Birthday" In The Music of his History: Poems for Charles Gullans on his Sixtieth Birthday, edited by Timothy Steele. Florence, KY: Robert L. Barth Press, 1989: 16.
Three Poems: "Youth," "Dependent Nature," "Decisions, Decisions." In A Few Friends: Poems for Thom Gunn's 60th Birthday, edited by Douglas Chambers. Walkerton, ONT: Stonyground Press, 1989: 44-47.
Four Poems: "Jacaranda," "Timothy," "From a Rooftop," "Sapphics against Anger." In Nine Years After: A Retrospective Anthology of the Robert L. Barth Press, edited by Robert L. Barth. Florence, KY: Robert L. Barth Press, 1989: 60-63.
Two Poems: "Aurora," "Pacific Rim." In The Uncommon Touch: Fiction and Poetry form the Stanford Writing Workshop, edited by John L'Heureux. Stanford: Stanford Alumni Association, 1989: 417-18.
Poem: "Homage to a Carnegie Library." In A Garland for Harry Duncan, edited by W. Thomas Taylor. Austin: W. Thomas Taylor, 1989: 86-87.
Two Poems: "Epitaph," "Waiting for the Storm." In An Introduction to Poetry, 7th edition, edited by X. J. Kennedy. Glenview, IL: Scott, Foresman, 1990: 69, 84.
Poem: "Cosmos." In A Garland for John Finlay, edited by David Middleton. Thibodaux, LA: Blue Heron Press 1990: 18.
Poem: "Fountain in the City." In Order in Variety: Essays and Poems in Honor of Donald E. Stanford, edited by Rebecca Crump. Newark, DE: University of Delaware Press, 1991: 182.
Poem: "At Will Rogers Beach." In Western Wind, 3rd edition, edited by John Frederick Nims. New York: McGraw Hill, 1992: 575-76.
Poem: "A Shore." In A New Geography of Poets, compiled and edited by Edward Field, Gerald Locklin, and Charles Stetler. Fayetteville: University of Arkansas Press, 1992: 287-88.
Poem: "Sapphics against Anger." In Poetry: A HarperCollins Pocket Anthology, edited by R.S. Gwynn. New York: HarperCollins, 1993: 314.
Poem: "Waiting for the Storm." In The Compact Bedford Introduction to Literature, 3rd. edition, edited by Michael Meyer. New York: St. Martin's Press, 1994: 539.
Two Poems: "Epitaph," "Summer." In An Introduction to Poetry, 8th edition, edited by X. J. Kennedy and Dana Gioia. New York: HarperCollins, 1994: 74, 89.
Poem: "Wait." In Articulations: The Body and Illness in Poetry, edited by John Mukand. Iowa City: University of Iowa Press, 1994: 285.
Poem: "Eros." In Formal Introductions, edited by Dana Gioia. West Chester, PA.: Aralia Press, 1994: 38.
Two Poems: "Near Olympic," "An Aubade." In Grand Passion: The Poets of Los Angeles and Beyond, edited by Suzanne Lummis and Charles Webb. Los Angeles: Red Wind Books, 1995: 196-99.
Poem: "Sapphics against Anger." In The Poetry Dictionary, edited by John Drury. Cincinnati: Story Press, 1995: 243-44.
Poem: "Havens." In Havens: An Intimate Collection of Exclusive Photographs of Celebrities and their Favorite Rooms, Michael McCreary, with an introduction by Whoopi Goldberg [a charity book whose proceeds benefit the Pediatrics AIDS division at the City of Hope and L.A. Shanti]. Los Angeles: General Publishing Group, 1995: 13.
Two Poems: "Epitaph," "Jogging in the Presidio." In Writing Poems, 4th edition, edited by Michelle Boisseau and Robert Wallace. New York: HarperCollins, 1996: 79, 86.
Seven Poems: "The Wartburg: 1521-22," "In the King's Rooms," "Timothy," "An Aubade," "Eros," "The Library," and "Joseph." In Rebel Angels: 25 Poets of the New Formalism, edited by Mark Jarman and David Mason. Brownsville, OR: Story Line Press, 1996: 210-20.
Poem: "Eros." In Sixty Years of American Poetry: Celebrating the Anniversary of the Academy of American Poets, edited by Bruno Navasky. New York: Harry N. Abrams, 1996: 336.
Poem: "Waiting for the Storm." In The Compact Bedford Introduction to Literature, 4th edition, edited by Michael Meyer. Boston: Bedford Books, 1997: 581.
Poem: "An Aubade." In Passionate Hearts, edited by Wendy Maltz. Novato, CA: New World Library, 1997: 70-71.
Two Poems; "An Aubade," "Waiting for the Storm," Poetry: An Introduction, 2nd edition, edited by Michael Meyer. Boston: Bedford Books, 1998: 92, 189.
Poem: "Waiting for the Storm." In Knock at a Star: A Child's Introduction to Poetry, revised edition, edited by X. J. Kennedy and Dorothy Kennedy, Boston: Little, Brown, 1999: 67.
Poem: "For My Mother." In The Yellow Shoe Poets, edited by George Garrett. Baton Rouge, LA: Louisiana State University Press, 1999: 177.
Poem: "An Aubade." In Western Wind, 4th edition, edited by John Frederick Nims and David Mason. New York: McGraw Hill, 2000: 547.
Poem: "Waiting for the Storm." In The Making of a Poem: A Norton Anthology of Forms, edited by Mark Strand and Eavan Boland, New York: Norton, 2000: 233
Poem: "Waiting for the Storm." In Thinking and Writing about Literature, 2nd edition, edited by Michael Meyer, Boston: Bedford/St. Martin's, 2001: 264-65.
Poem: "In the Italian Alps." In Profile, Full Face, edited by William Conelly, Hatfield, MA: The Van Zora Press, 2001: 19-20.
Poem: "Summer." In The Penguin Book of the Sonnet, edited by Phillis Levin. New York: Penguin, 2001: 303.
Two Poems: "Epitaph," "Summer." In An Introduction to Poetry, 10th edition, edited by X. J. Kennedy and Dana Gioia. New York: Longman, 2002: 88, 227.
Two Poems: "Waiting for the Storm," "An Aubade." In The Bedford Introduction to Literature, 6th edition, edited by Michael Meyer. Boston: Bedford/St. Martin's, 2002: 868-69, 1104.
Poem: "A Shore." In Poems of the American West, edited by Robert Mezey. New York: Everyman/Knopf, 2002: 222.
Poem: "An Aubade." In The Hudson Book of Poetry: 150 Poems Worth Reading. New York: McGraw Hill: 2002: 138-39.
Poem: "Sapphics against Anger." In Poetry: A Pocket Anthology, 3rd ed., edited by R.S. Gwynn. New York: Penguin/Longman, 2002: 401-02.
Two Poems: "Chanson Philosophique," "Three Notes Toward Definitions" (section ii, "Of Faith"). In The Poetry Anthology 1912-2002. edited by Joseph Parisi and Stephen Young. Chicago: Ivan R. Dee, 2002: 264-65, 305.
Poem: "Practice." In Three Genres: The Writing of Poetry, Fiction, and Drama, 7th edition, edited by Stephen Minot. Upper Saddle River, NJ: Prentice Hall, 2003: 33.
Two Poems: "Waiting for the Storm," "An Aubade." In The Compact Bedford Introduction to Literature, 6th edition, edited by Michael Meyer. Boston: Bedford/St. Martin's, 2003: 663, 867.
Poem: "Fae." In The Misread City: New Literary Los Angeles, edited by Scott Timberg and Dana Gioia. Los Angeles: Ren Hen Press, 2003: 157.
Two Poems: "An Aubade," "Sapphics against Anger." In California Poetry from the Gold Rush to the Present, edited by Dana Gioia, Chryss Yost, and Jack Hicks. Santa Clara: Heyday Books, 2004: 297-99.
Three Poems: "Sapphics again Anger," "The Sheets," "Summer." In Twentieth-Century American Poetry, edited by Dana Gioia, David Mason, and Meg Schoerke. New York: McGraw-Hill, 2004: 969-71.
Essay: "Tradition and Revolution: The Modern Movement and Free Verse." In Twentieth-Century American Poetics, edited by Dana Gioia, David Mason, and Meg Schoerke. New York: McGraw-Hill, 2004: 415-31.
Four Poems: "Aurora," Beatitudes, While Setting Out the Trash," "Portrait of the Artist as a Young Child," "Pacific Rim." In Words Brushed with Music, edited by John Irwin. Baltimore: Johns Hopkins University Press, 2004: 153-57.
Three Poems: "Life Portrait," "Sapphics against Anger," "Social Reform." In Contemporary American Poetry, edited by R. S. Gwynn and April Lindner. New York: Penguin, 2004: 354-57.
Two Poems: "Long Paces," "Takeoff." In 180 More: Extraordinary Poems for Every Day, edited by Billy Collins. New York: Random House, 2005: 248, 274.
Poem: "Walking Her Home." In Sonnets: 150 Contemporary Sonnets, edited by William Baer. Evansville, IN: University of Evansville Press, 2005: 126.
Poem: "Sapphics against Anger." In Western Wind: An Introduction to Poetry, edited by David Mason and John Frederick Nims, 5th ed. New York: McGraw-Hill, 2005: 243.
Poem: "Fae." In Visiting Frost: Poems Inspired by the Life and Work of Robert Frost, edited by Sheila Coghill and Thom Tammaro. Iowa City: University of Iowa Press, 2005: 123.
Poem: "Woman in a Museum." In Rhyming Poems: A Contemporary Anthology, edited by William Baer. Evansville, Indiana: University of Evansville Press, 2007: 104.
Poem: "Mockingbird." The Poets Guide to the Birds, edited by Judith Kitchen and Ted Kooser. Tallahassee: Anhinga Press, 2009: 188.
Five Poems: "Practice," "Beatitudes, While Setting Out the Trash," "Portrait of the Artist as a Young Child," Advice to a Student," "Joseph." In Dramatic Monologues: A Contemporary Anthology, edited by Samuel Maio. Evansville, IN: University of Evansville Press, 2009: 198-204.
Poem: "A Couple, A Domestic Interior." Don't Leave Hungry: Fifty Years of The Southern Poetry Review, edited by James Smith. Fayetteville: University of Arkansas Press, 2009: 94.
Poem: "Black Phoebe." Bright Wings, edited by Billy Collins, with paintings by David Allen Sibley. New York: Columbia University Press, 2010:127-28.
Poem: "Caesar for a Day." Grace Notes: Poetry from the Pages of First Things, edited by Paul Lake and Losana Boyd. New York: First Things, 2010: 96-98.
Poem: "In Montmartre Cemetery." Able Muse Anthology, edited by Alex Pepple. San Jose: Able Muse Press, 2011: 158-59.
Poem: "Sapphics Against Anger." The Broadview Introduction to Literature: Poetry, edited by Lisa Chalykoff, Neta Gordon, and Paul Lumsden. Ontario: Broadview Press, 2013: 389-90.
Two Poems: "Daybreak, Benedict Canyon," "April 27, 1937." Anthology of Contemporary American Poetry, 2nd ed. edited by Cary Nelson. Oxford: Oxford Univ. Press, 2014.
Two Poems: "Toward the Winter Solstice," "Haydn in Los Angeles." Wide Awake: Poets from Los Angeles and Beyond, edited by Suzanne Lummis and Liz Camfiord. Los Angeles: Beyond Baroque Books, 2015: 156-58.
Poem: "Sapphics Against Anger." Measure for Measure: An Anthology of Poetic Metres, edited by Annie Finch and Alexandra Oliver. New York: Everyman Library/Knopf, 2015: 222-23.
Poem: "In Passing." Published by Bernard Stone and Raymond Danowski. The Turret Bookshop, London, July 1992.
Poem: "For Victoria, Traveling in Europe." With an illustration by Abraham Brewster. The Oliphant Press, New York, for the Friends of the Amherst College Library, 1996.
Poem: "Birds in Spring." Program for The Fletcher Lecture Series of Nicholls State University. Thursday, March 22, 2001. Talbot Theater, Nicholls State University, Thibodaux, Louisiana.
"Poetry's Purist." Interview and article by Larry Gordon, Los Angeles Times, Section B, Monday, June 10, 1991: 1, 6.
"To Rhyme or Not to Rhyme." Interview and article by Debra J. Hotaling, Los Angeles Times, Section E, Thursday, January 19, 1995: 1, 7.
"Timothy Steele." Interview with Kevin Walzer for The Edge City Review, September, 1996: 3-7.
"Meter Man." Interview and article by Cynthia Haven for Stanford Magazine, November/December 1999: 81-82.
"An Interview with Timothy Steele." Interview with Kevin Durkin for Able Muse, April 2000.(http://www.ablemuse.com/2k/kdurkin-steele.html)
"Timothy Steele." Interview with Cynthia Haven for The Courtland Review, June 2000.(http://www.cortlandreview.com/features/00/06/index.html)
"An Interview with Timothy Steele." Interview with William Baer for The Formalist 14 (Winter/Spring 2003): 20-40.
"The Role of the Poet-Critic: Timothy Steele as Interviewed by Garrick Davis," Contemporary Poetry Review, 2005. http://www.cprw.com/timothy-steele-and-the-role-of-the-poet-critic
"Timothy Steele Interviewed by Cynthia Haven," in Three Poets in Conversation: Dick Davis, Rachel Hadas, Timothy Steele. London: Between the Lines, 2006: 91-141.
"Timothy Steele Interviewed by David Kosub," in Speaking of Poems, December 18, 2009. (http://speakingofpoems.blogspot.com/search?q=Timothy+Steele)
"Timothy Steele Interview," in The Nervous Breakdown, July 31, 2010. (http://www.thenervousbreakdown.com/category/poetry)
"Timothy Steele Interview," in Statement (Spring 2011): 67-74.
"A Brief Interview with Timothy Steele," in James Matthew Wilson, Timothy Steele: A Critical Introduction. West Chester, PA: Story Line Press, 2012: 85-93.
"Conversation between Timothy Steele and Alan Fox, in Studio City, California, March 3rd, 2012," in Rattle 18 (Winter 2012): 149-81.
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text:
Doctor Who preview: The Impossible Astronaut/Day of the Moon
Get a tantalising taster of the two-part series six opener...
By Patrick Mulkern
"You make Doctor Who to be frightening. That's how children rank the episodes – in order of 'frighteningness'," said Steven Moffat, the show's storyteller-in-chief, at last night's big-screen preview of the two-part season opener, which sees a return to proper, scary Doctor Who.
After a reception at the superb Doctor Who Experience in London's Olympia – jammed up against horrors from the series' past – fans young and old and just-as-eager ladies and gentlemen of the press piled into the auditorium. We sat pinned to our seats for 90 minutes or so of electrifying, bamboozling television, which might just be also the most unsettling since the series came back in 2005.
I certainly don't think my nearly-four-year-old niece, who's obsessed with Amy Pond but still creeped out by last year's relatively tame Prisoner Zero, will last long into episode one before quailing behind a cushion.
There's a creepy Nasa astronaut and new aliens the Silence, who lurk in tunnels, haunt a derelict children's home and hover at the fringe of our perception. Spookily, once seen, they are forgotten, and looks-wise they're hideous – drawn from Edvard Munch's The Scream. (Or is that vice versa? Mmmm, something to ponder.)
I can't even begin to summarise the plot, and you probably wouldn't thank me for doing so. Let's just say that much of the action revolves around the Moon landing in 1969. The time travellers befriend President Nixon, and though Amy and Rory haven't seen the Doctor for some time, their paths converge, along with River Song's, in the spectacular environs of Monument Valley, Utah. Where – rather shockingly – one of the quartet dies.
This is the first time Doctor Who has filmed wholeheartedly in the USA. Previous outings, The Chase (1965), the Paul McGann TV movie (1996) and Daleks in Manhattan (2007), were a bit of a cheat. Steven Moffat's script celebrates all that is great about America while having a few digs at our ally's expense. Hell, even Nixon gets a good press here.
The chills are leavened with laughs (the Doctor flits through history, upstages a timeless comedy duo, and dubs his chums "the Legs, the Nose and Mrs Robinson"). River makes two spectacular entrances. There's a new use for dwarf star alloy (conceived 30 years ago in Warriors' Gate, it enchained one of The Family of Blood in 2007). And the number 1,103 may be significant.
Moffat ladles mystery upon mystery, so that by the end we're gagging for answers. The second instalment concludes with a mouthwatering cliffhanger.
"But episode six has the biggest one," revealed Moffat, on stage afterwards with his lead actors, all four looking spruce and enthused. "There are so many cliffhangers and secrets," said Arthur Darvill (Rory), recalling the cast's reaction as each new script arrived. "We've been theorising ourselves," said Matt Smith, sitting alongside Karen Gillan (Amy).
Soon River Song's secret will be uncovered. Alex Kingston has known for some time, but remained sphinxlike last night. All she would say was: "Can she be trusted?"
Doctor Who (classic)
Doctor Who: The Pandorica Opens
Doctor Who: Day of the Moon
All about Doctor Who (classic)
Doctor Who: The Big Bang
Doctor Who: The Rebel Flesh

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text:
Der Färöische Fußballpokal 1966 wurde zum zwölften Mal ausgespielt. Im Endspiel, welches im Stadion Sarpugerði in Norðragøta ausgetragen wurde, siegte KÍ Klaksvík mit 4:2 gegen HB Tórshavn und konnte den Pokal somit zum zweiten Mal gewinnen.

KÍ Klaksvík und HB Tórshavn belegten in der Meisterschaft die Plätze eins und zwei, dadurch erreichte KÍ Klaksvík das Double.  Titelverteidiger B36 Tórshavn schied hingegen im Halbfinale aus.

Teilnehmer

Teilnahmeberechtigt waren folgende fünf Mannschaften der Meistaradeildin:

Modus

Für den Pokal waren alle Erstligisten zugelassen. Drei Mannschaften waren für das Halbfinale gesetzt. Die beiden verbliebenen Mannschaften spielten in einer Runde den letzten Teilnehmer aus. Alle Runden wurden im K.-o.-System ausgetragen.

Qualifikationsrunde

|}

Halbfinale

|}

Finale

Weblinks
 Färöischer Fußballpokal 1966 auf FaroeSoccer.com (färöisch)

1966
Faroischer Fussballpokal 1966

redpajama_set_name: RedPajamaWikipedia


StreetInsider.com reported Wednesday afternoon that the New York Stock Exchange (NYSE) was moving forward to delist SandRidge Energy's common stock. Trading in the company's common stock will be suspended immediately.
The Oklahoma Corporation Commission's move to reduce operations of five wastewater injection wells in an effort to curb the growing earthquakes in Edmond is getting strong support from some but lukewarm from others.
In the midst of a chapter 11 bankruptcy reorganization, Houston-based Swift Energy Company is selling 75 percent of its holdings in two oil and gas fields in central Louisiana to Texegy LLC.


text:
Problem Solving in a Cyber World
fredemcmichaels
The problem with labels
Is daydreaming really so bad for us?
When I was young, and I suspect it is still true for many kids today, I was frequently scolded for not paying attention in school. Often that happened when my mind wandered which it seemed to frequently do. But is daydreaming really so bad for us?
In my fictional "Quiet Little Town" story the character named Patrick often falls into daydreaming. When he is young he crawls between the racks of clothes in the department store where his parents shop, losing himself in his own private make-believe world. When he is older there are many scenes in the book where the boy falls into daydreaming to escape the stresses in his life.
The character Patrick in the story is very different from my own son who also happens to be named Patrick. I created the character in the book from my imagination based on real incidents I observed happening to my son as he was growing up, as well as incidents that happened to myself as I was growing up.
The Patrick in the story is an imagined character that struggles with self-confidence especially when faced with stressful situations. In the story, and in real life, daydreaming is a mechanism used to momentarily escape the stresses of daily living. Unfortunately, daydreaming is not viewed positively in many companies today. But there are some exceptions.
Take, for example, Amazon.com. In a recent interview Jeff Bezos, the CEO, said that he can't take credit for the day-to-day success at Amazon because he spends most of his time daydreaming about what the company will look like years into the future. To further support this positive perspective on daydreaming, according to research published in the Creativity Research Journal daydreaming has been associated with greater creativity in people.
So, this leads to a question:
Is there a way to determine when daydreaming is good for us and when it isn't?
David B. Feldman, PHD, tells us in an article entitled "Why daydreaming is good for us" appearing in Psychology Today, that one key could be the amount of realism in the daydream.
Feldman says,
"Fantasy-based daydreams can lead to disappointment, emphasizing how we wish our lives would be, but aren't. Realistic daydreams, on the other hand, show us what might actually be possible for our lives. They give us mental practice pursuing important goals before we have to invest any real time or effort."
When I read this article it struck home with me. My motivation for taking up science fiction writing wasn't to create stories that are unrealistic. But rather to create stories that are on the edge of being possible in the very near future.
In the story when Patrick's father, Fred, tells his son,
"You can think of your life as a practice run. A chance to try life out before you go for real," it isn't just a fantasy. As the story unfolds it becomes evident this is the realization of Fred's lifetime dream.
For me, writing science fiction is a natural extension of my own daydreaming that has been part of my life as long as I can remember. It is not a way to escape, but a way to envision, and hopefully influence, the world we will all find ourselves living in tomorrow.
Published by pemcmahon
Paul E. McMahon (pemcmahon@acm.org, www.pemsystems.com), Principal, PEM Systems has been an independent consultant since 1997 helping organizations increase agility and process maturity. He has taught software engineering at Binghamton University, conducted workshops on engineering processes and management and has published more than 50 articles and multiple books including It's All Upside Down: What I've Learned About Software Development and Why It Seems Opposite to Everything I was Taught; Integrating CMMI and Agile Development: Case Studies and Proven Techniques for Faster Performance Improvement; and 15 Fundamentals for Higher Performance in Software Development. Paul is a co-author of The Essence of Software Engineering: Applying the SEMAT Kernel. Paul is a Certified Scrum Master and a Certified Lean Six Sigma Black Belt. His insights reflect 24 years of experience working for companies such as Link Simulation and Lockheed Martin, and 20 years of consulting/coaching experience. Paul has been a leader in the SEMAT initiative since its initial meeting in Zurich. On the personal side Paul enjoys long distance running, golf and writing science fiction stories that could come true in the near future. His business and personal interests converge in the areas of cybersecurity, artificial intelligence and ethics. He writes science fiction under the pen name Fred E. McMichaels. Refer to fredemcmichaels.com.	View all posts by pemcmahon
daydreaming, problem solving
On the memories within our lives
2 thoughts on "Is daydreaming really so bad for us?"
Kevin Pasterchik says:
I like to read murder mysteries, authors like Lee Child, John Sanford, Robert B. Parker. To me, this is a form of daydreaming. I'm not trying to become like the people in the book, rather, just relax and take my mind of the day to day activities.
pemcmahon says:
Thanks Kevin. I agree that is another healthy form of daydreaming.


A total of 22 major projects are to be funded with a combined total of $4,700,000. The funding for larger projects follows an allocation earlier in the year of $800,000 to 24 projects in the under $50,000 category.
A total of $5.5 million has been allocated in the first round of funding from an available pool of $6 million. Unallocated funds from the first year will be available for distribution as part of the next funding round that will open later in the year.
The Authority is a co-governance body established between the Crown and Waikato River Iwi to restore the Waikato River. The government has committed $210 million over the next 30 years to ensure the Authority has the resources it needs to restore and protect the Waikato River.
Authority co chairs Mr Tukoroirangi Morgan and Hon John Luxton say the funding decisions were particularly rigorous and there is an opportunity for unsuccessful applicants to reapply.
"There are some parts of the funding process that can be improved for the next round, with the Authority likely to review its funding objectives with tighter criteria around what will be funded. The fact that we received $56 million in applications in the first round suggests there may be a benefit from a more well defined focus for our funding criteria," says Mr Luxton.
The largest undertaking to be funded as part of the first funding round is a project to be run by DairyNZ to reduce nutrient loads and sedimentation in the upper Karapiro catchment of the Waikato River. The project will be implemented over three years and will have additional funding coming from DairyNZ. The Waikato River Authority will fund $685,000.
"The Authority is extremely pleased with the calibre of the larger projects it is funding. The DairyNZ project in particular is an opportunity to partner with an industry that does have an impact on the environment, but through collaboration with land owners and the industry itself there is a real opportunity to reduce the level of that impact for the ultimate benefit of the Waikato River," says Tukoroirangi Morgan.
The upper Karapiro project will see the introduction of farm based environmental management plans that can be audited to measure a reduction in the environmental footprint of these farms through a change in farming management.
Other significant projects to be funded include the promotion of Lake Serpentine (Rotopiko) by the National Wetland Trust of New Zealand as a showcase site for visitors, education, training and research. This project is to receive $600,000.
The Waikato River Trails ($144,000) and the Waikato River Care ($400,000) have also been successful in their applications for funds for major riparian restoration work.


While technically not case of total foreign language immersion, a class trip to New Orleans offers students a chance to steep themselves in French culture and more. A former colony of France during its heights as a European power, the state of Loiusiana continues to display French influences in many ways. The city of New Orleans in particular, with its renowned French Quarter, displays considerable French influence in its architecture and cuisine. Some locals speak Louisiana French, which includes dialects like Colonial French and Lousiana Creole, and that allows us to organize opportunities for students to interact with native speakers of French-based languages.


text:
Q: Why display:inline-block can prevent margins collapse? Show a margins collapse here.

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background: red;
margin:40px;
border:1px solid;width:100%;
}

.ct2{
background: pink;
margin:40px;
border:1px solid;width:100%;
}

first

second

There will be a margins collapse between two divs ct1 and ct2,the distance between them is not 40px+40px = 80px ,instead of 40px.
Now i add a css statement display:inline-block; in ct1 or ct2,the distance between them will become  80px,the margins collapse dispear.Why display:inline-block; can prevent margins collapse ?

A: From this rule, Collapsing Margins

*

*Margins between a floated box and any other box do not collapse (not even between a float and its in-flow children).

*Margins of elements that establish new block formatting contexts (such as floats and elements with 'overflow' other than 'visible') do not collapse with their in-flow children.

*Margins of inline-block boxes do not collapse (not even with their in-flow children).

...

redpajama_set_name: RedPajamaStackExchange


'Lawless' is a Depression-era Western about real-life moonshine bootleggers who meet their match in a Chicago deputy eager to share their profits.
The Western is a genre that never really goes out of style because audiences never get tired of a good ol' fashioned story about good guys vs. bad guys. The line between right and wrong may be a little blurry, but it's always clear with which side your alliance should lie. In Lawless, the featured brothers are lawbreakers, but their enemy lacks a code of honour or any shred of humanity.
The Bondurant brothers are legends in Franklin, VA – or at least two of them are. Forrest (Tom Hardy), having survived a fatal bout of Syphilis, is considered indestructible; and Howard (Jason Clarke) was the only man in his unit to survive an explosion, returning home in one piece. Meanwhile the youngest Bondurant, Jack (Shia LaBeouf), unhappily lives in their shadow, scheming ways to make a name for himself. The Bondurant boys are also known for being excellent bootleggers, which eventually gets the attention of a prohibition lawman (Guy Pearce) from Chicago. What ensues is a brutal battle of wills from which only one man will emerge.
The film is based on real-life, Depression-era siblings who were widely known roughnecks and moonshiners at the centre of the "Great Franklin County Moonshine Conspiracy." Teaming again with John Hillcoat, the director of his first feature and Western, The Proposition, songwriter Nick Cave adapted the screenplay from the novel, The Wettest County in the World, written by the grandson of one of the main characters. It's difficult to know how much of the story is factual, but it is well-told visually and narratively.
What is an otherwise excellent picture is spoiled repeatedly by an insufficient performance by LaBeouf. Hardy is brilliant as the man of few words. With a single grunt, he conveys whole sentences; when he speaks, it's meaningful and attention-grabbing. Pearce's Charlie Rakes is a fearful villain, sporting the coldest stare and total lack of compassion. Barely recognizable, he intimidates most people into submission with threats that are from idle and gloves clearly meant to keep his hands clean during his dastardly deeds. Jessica Chastain plays a girl from the city come to bartend at the Bondurant's tavern. Always exquisite, she's obviously trying to escape a life in which her beauty had become a liability. Then there's LaBeouf who sticks out like a sore thumb in his inadequacy to carry the role. He never appears comfortable in the part; probably because he's not suited to play it.
Forrest is by far the best part of this film with a very memorable line in the last act related to the power of his own legend and Rakes is a close but disturbing second. In the end, the two men make formidable adversaries and give this film much of its strength.


Found in the middle of the Indian Ocean, Seychelles is formed by 115 small islands with connections worldwide and with lots of opportunities in varied industries. The fisheries sector is among the well-developed ones, and considering the importance of this field, the authorities implemented the Blue Economy concept which intends to sustain the ocean-based economy with the help of foreign investments and businesses. The aquaculture in Seychelles is seen as a solid sector where the foreign investments can be easily placed. In this sense, the authorities have implemented a series of incentives to attract even more foreigners to this prolific offshore jurisdiction.
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Seychelles is the second largest tuna exporter in the world, so the retail and distribution sectors in Seychelles grew rapidly. Because Seychelles is among the preferred tourism destinations in the world, the sports fishing and the yachting activities are numerous, so are the businesses which deal with the distribution of equipment. This can be an interesting and prosperous opportunity for those entrepreneurs who want to have a successful business start in the fisheries sector in Seychelles.
We invite you to contact our team of company incorporation representatives in Seychelles to benefit from tailored company formation services, in accordance with your investment plans in Seychelles.


text:
The Open Tour News
OPEN PREVIEW / Eight Australians to tee up at nasty Carnoustie
July 17, 2018 July 17, 2018 admin 0 Comments
Eight Australian will head to a dry, fast running Carnoustie this week for the The 147th Open Championship.
An eight-man contingent of Australian golfers will tee it up in the 156-man Open championship this week at Carnoustie Golf Links. Commonly thought of as the toughest golf course on The Open Championship rota, Carnoustie is already baked out in the largely rain-free Scottish that has already seen drives in excess of 400-yards.
Jason Day, Marc Leishman and Adam Scott once again lead the Australians into a major with several making their major debut.
Cameron Davis and Lucas Herbert head to Carnoustie for their first-ever taste of Open Championship golf and they will be joined by Matt Jones, Brett Rumford and Cameron Smith.
Perhaps not surprisingly Jason Day has a much better record at the majors in the US than The Open Championship. Day's copped the bad side of the draw a couple of times but his one top-5 finish came when he took a share of the lead into the final round only to finish a shot out of the playoff that saw Zach Johnson beat Louis Oosthuizen and Marc Leishman.
Day's form has been inconsistent; a missed cut at the US Open and a win are part of his last five tournaments. But since when did Jason Day ever need good form to win a big golf tournament?
Marc Leishman
Marc Leishman has been the leading Aussie in the last three of five majors and has three top-10's in his last three starts at The Open, including that heart-breaking playoff loss (thanks to a nasty divot) in 2015 at St Andrews. Leishman will be primed for this one and if he gets his irons dialed in, look out.
The 2013 Masters champion Adam Scott with the long putter at the 2018 US Open.
Adam Scott is now 82nd in the world. Staggering for someone of his talent, his swing and with a green jacket in the cupboard. But although it's easy to pin his troubles on a the putter, Scott's wayward driver aren't exactly helping either. Luckily driver won't be used much this week, and few people strike their irons better than Scott once they get going. And this is definitely a ball strikers golf course.
We love that Scotty has Nick Faldo's old caddie Fanny Sunesson on the bag this week. But picking Scotty for a win would be using our heart instead of our head. But just like when we tip against our footy team but they win, we couldn't be happier if Scotty proves us wrong at Carnoustie.
Talk about inconsistent. Matt Jones has four missed cuts in his last eight starts but has three top-25s in there too. Jones is ranked at 156th for both putting and approach shot stats on the PGA Tour which doesn't bode well at Carnoustie. Approach shots in particular will be vital but he hasn't missed the cut in his three appearances at The Open.
Cameron Smith
After a great start to the year including a top-5 finish for Cameron Smith at Augusta, things have been a little lean for the 24-year-old missing the cut in four of his last five starts. But things are looking up for Smith. His game at the Scottish Open looked really solid and he may surprise people this week in his second crack at the Open Championship.
Cameron Davis wins the 2017 Emirates Australian Open.
Cameron Davis
Big hitting Cameron Davis earned his spot in his first-ever major by winning last year's Emirates Australian Open, and got himself as high as 101st in the world after a win on the Web.com Tour in May. Since then results haven't been great but would have been studying the intricacies of Carnoustie for many months now. Davis has a good result at The Open in him if he can resist the temptation to pull out driver too often this week.
Brett Rumford
Brett Rumford returns to major golf for his sixth crack at The Open after winning the Australasian Order of Merit. We always thought Rumford would give The Open a shake one year after at solid performance at Royal Liverpool in 2006. But the Western Australian has only made the field in three more Opens, missing the cut in two of them. Two consecutive MCs including last week's Scottish Open won't help the confidence but there are few players in the field we'd like to see win more than Rumford.
Lucas Herbert
Lucas Herbert nearly grabbed a spot in The Open at the 2018 Emirates Australian Open after superb sixth place finish. But intent on playing in at Carnoustie, Herbert smashed through Open qualifying to grab a spot in the field.
THE OPEN / Carnoustie Course Preview from Golfing World AUSTRALIANS AT US PGA Championship: Tee Times and form guide Previewing the 8 Australians at the 2019 US PGA Championship VIDEO / Marc Leishman chats ahead of The Open at Carnoustie THE OPEN / Americans dominate as Spieth and Woods thrill Carnoustie
← WATCH / Comedian nails impressions of famous golfers including Tiger Woods, Dustin Johnson and Rory McIlroy
Phil Mickelson shows off sublime flop shot, trick shot: video →


Interesting Fact: The family name MITCHELL was ranked #41 in the distribution sample of the United States Census for 1990 prepared by the U. S. Census Bureau.
This page will only show the first 100 matching genealogy resources for the Mitchell surname. For a complete list of available images and records, along with surname variations, please visit the Search for Mitchell Family results page.


Myalgic Encephalomyelitis (ME), also called Chronic Fatigue Syndrome (CFS)* is a long term debilitating illness affecting adults and children. It is characterised by severe symptoms including long term fatigue, joint and muscle pain, cognitive dysfunction (poor memory and concentration), gastric and digestive problem and sleep disorders. It is a fluctuating, relapsing illness with varying degrees of severity.
There are estimated to be 250,000 sufferers in the UK, of whom around 25% are severely affected being housebound or bed bound and unable to look after themselves. It is a life changing and very isolating illness.
Prognosis is variable. The cause is still unknown and no cure has yet been found, treatment focuses on relieving symptoms. This a very real, debilitating illness affecting adults and children all over the world.
There is much discussion over the correct terminology for this condition. NICE guidelines currently refer to CFS/ME. Other terms include Myalgic Encephalopathy, Post-Viral Fatigue Syndrome (PVFS), Chronic Fatigue Immune Dysfunction Syndrome (CFIDS), Systemic Exertion Intolerance Disease (SEID).
Everyone suffers with ME differently so not everyone suffers with all the same symptoms or the same degree of severity in those symptoms. Some of the symptoms include..
Nerve pain – Skin often too painful to touch or to have clothing or bedding on.
Sadly, because of all the symptoms there is a loss of a normal existence so it can be lonely and isolating. It affects every part of your life including work, education, social life, hobbies, friendships and for some there is a battle against ignorance.
There are different degrees of severity of ME, mild, moderate and severe. You can fluctuate between the different degrees at different times which makes it even harder for other people to understand.
In mild cases you can care for yourself and still do a lot of 'normal' activities but with a struggle. You may still be able to be in education or work, but often have to take days off because your body doesn't cope or respond in the way it used to. In order to be able to continue education or work you are likely to have had to stop leisure and social activities to cope and weekends or other days off are used to rest.
In moderate cases you probably have reduced mobility and are restricted in most activities of daily living. You are likely to have had to stop work or education and require frequent rest periods. Moderate cases are usually housebound but able to get out of bed and be around the home albeit with a struggle. Occasionally able to get out of the house for short periods of time relying on disability equipment to do so.
In severe cases you are bed bound. You are forced to spend all your time in bed as you cannot physically do anything else. Unable to tolerate light, noise and movement so have to live in a dark and quiet room. All stimulus make your symptoms worse.
No symptoms, even following physical or mental activity. Able to work or study full time without difficulty and enjoy a social life.
No symptoms at rest. Mild symptoms following physical or mental activity, tire rather easily but fully recovered next day. Able to work or study full time without difficulty, but social life is slightly restricted.
No symptoms at rest. Mild symptoms following physical or mental activity. Work or study full time with some difficulty but social life rather restricted. Tire easily with gradual recovery over 2/3 days.
Mild symptoms at rest, worsened to moderate by physical or mental activity. Full time work or study is difficult, especially if it is a crowded, noisy or busy environment but may be possible. Unable to have much of a social life due to using all your energy working or studying.
Mild symptoms at rest, worsened to severe by physical or mental activity. Daily activity limited. Part time work or study may be possible for a few hours a day with careful pacing of activities and rest periods.
Mild to moderate symptoms at rest. Increasing symptoms following physical or mental activity. Daily activity very limited. Work or study outside the home is difficult unless additional support is available – quiet room, use of disability equipment, need rest breaks. Activities at home may be possible on good days. Quiet, non‐active social life.
Moderate symptoms at rest. Increasing symptoms following physical or mental activity. Rest times needed. Able to do some activities/home study for short periods of time. Not confined to the house, able to go out for short periods of time a few times a week but have to balance that in with rest times. Have to use disability equipment when out as may be unable to walk much more beyond 100/200m unaided.
Moderate to severe symptoms following any activity. Care must be taken not to overdo anything at this stage. Not confined to the house but unable to walk much more than 50/100m. May be able to leave the house once or twice a week for small outings but usually requiring aids such as wheelchair/walking stick/crutches. Regular rest periods during the day are needed. Only one 'large' activity possible per day – showering, friend popping round, doctors visit etc. Time before and after activity needed to rest.
Moderate to severe symptoms at rest. Severe symptoms following any physical or mental activity. Confined to the house but able to get downstairs. Most of the day spent resting. Small activities possible, watch TV/listen to music for short periods.
Fairly severe symptoms at rest. Weakness in hands, arms or legs may be restricting movement. Confined to bed/settee most of the day but able to sit in a chair for a few short periods. Small tasks possible for very short periods.
Severe symptoms following any activity. Weakness and pain in arms and legs. In bed most of the time but able to get the bathroom with help. Concentration very difficult. Only one very small task possible per day for only 5-10 minutes.
Severe symptoms almost continuously, but may be possible to be propped up in bed for very short periods. Weakness and pain in arms or legs can give rise to paralysis. Small personal care may be possible with help. Any stimulus worsens all the symptoms.
Severe symptoms on a continuous basis. In bed constantly, feeling extremely ill even with permanent rest. Severe pain throughout body. Unable to tolerate light, noise or movement. Unable to sit up in bed and unable to care for self. Occasionally, nasal feeding tubes are required when the energy to chew is completely spent. Any stimulus worsens all the symptoms. Sleep pattern often completely reversed.


Sometimes it is necessary to cancel cover. If you receive a cancellation request from a client then you will need to issue a Mid-Term Cancellation.
To cancel a Case, find the case you wish to cancel.
Change any coverage values to zero. Reverse any Fees/Loads/Discounts. If there are charges which are non-refundable, leave these in place.
Note: The return premium will now appear on your "Bordereau - Mid-Term Adjustments" report.
This page was last edited on 1 February 2017, at 13:12.


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The Great Day Out presenter Lauren Edwards has revealed she found out she was being axed by Channel 7 over a text message after more than 20 years on the network. Scientists have warned the Indian Ocean Dipole will come into effect from December and 'suck out' Australia's potential rainfall and cooler temperatures. Chelsea midfielder NGolo Kant is soccers ultimate artisan a player who does the running and the fetching and the retrieving so others can score the goals. That diligence has its rewards. Research shows that one of the most important differences between those who maintain their wealth and those who dont is communication. Methimazole order shop. Gather intel. Consult mentors. Make your case. Or society, for that matter. How did this preposterous idea leap to the forefront of conservative thinking? The app faced renewed questions about whether it censors material after it removed an Americans video about Muslims in China. In 1981, he was elected mayor of Burlington. But the citys bureaucracy showed him that winning wasnt everything. So he learned how methimazole to fight back. The practice of uphill skiing better known as skinning or alpine touring is everywhere in snow country these days. May 20 - A device that projects text or pictures onto scented bubbles has been created by UK-based computer scientists. SensaBubble uses a concept called 'chrono-sensory experiences' to deliver messages its creators say, could be adapted for gaming, education, or even email communication. Jim Drury reports. Princess Diana described how a young William and Harry were 'thrilled that Christmas was on the horizon' and went on to tell how the young princes had searched the Palace 'high and low' for their presents. Chris Hemsworth's wife Elsa Pataky has hit back at claims their recently renovation $20 million Byron Bay mega-mansion looks like a shopping centre. This is Money's top 50 - updated - money-saving tips may appear light-hearted but are deadly serious. Prince William and Kate Middleton hope to use methimazole the 323-year-old Grade I-listed Queen Anne's Orangery in Kensington Palace as a base for educating young pupils on Britain's royal heritage. The telecast's viewership drops and Patricia Arquette's comments draw fire. Renata Ranyelle Almeida was shot in the face Saturday at a store where works at northeast Brazil and miraculously survived the assassination attempt. She is currently listed in serious condition. Known for his radical restagings of classic works, Mr. Miller was also a doctor who periodically left the stage to practice medicine. If you've been hanging on to an ancient, half-dead handset with the obligatory smashed screen, waiting for the 'right' iPhone to upgrade to, this 729 handset is a decent choice Wreaking havoc and destruction, Hurricane Dorian battered the islands of the Bahamas in August and September. Winds reaching 180 mph killed 65 people and caused up to $3 billion in damage in the Caribbean. About 70,000 people were left homeless with more forever touched by the devastation. US building materials Arconic has been spending an astonishing 50,000 a day on lawyers and other advisers, sparking claims among relatives of the 72 dead that 'the systems are stacked against us'. U.S. investors last week pulled $4.1 billion from mutual funds and exchange-traded funds that hold domestic stocks, extending a pullback from the U.S. equities market that has now lasted for five of... methimazole The video,filmed in Qinhuangdao in northern China's Hebei Province, captures the hamster as it follows a line of treats laid out by pet shop ownerMeng Meng. The company, called Heliogen, says it uses artificial intelligence to help operate an array of mirrors capable of reflecting and focusing the sun's light and creating a type of solar oven. Today, Amazon announced Alexa users will now be able to use the virtual assistant to order prescription refills and set daily reminders for each type of medication they're on. One in five nursing home residents was involved in mistreatment of a neighbor in the previous month, a new study found. Arianespace CEO Stphane Israel has denounced the all-out offensive of American Elon Musk in an interviewing, stating the Starlink project is colonizing low-orbit and will create a 'Wild West'.


Re: Homeland Towers, LLC/Alfredo Landscaping & Development Corp. application appealing the Building Inspector's determination that an amendment to the existing Special Use Permit is required, and for an amendment to their Special Use Permit to permit a wireless telecommunication services facility.
We respectfully recommend that the Zoning Board of Appeals (the "Board") deny the above-captioned applications (together, the "Applications") for the reasons set forth below and other reasons the Board may find appropriate.
We respectfully request, moreover, that the Board make an unannounced site visit to Alfredo LDC, in connection with the company's application for an amendment to their Special Use Permit, to inspect the premises to determine whether the site is in compliance with the site plan created by that Special Use Permit.
This company's Special Use Permit allows it to operate a plant nursery in a residential zone. That Special Use Permit created a specific site plan that delineated what activities would be allowed and where on the site those activities could be conducted. Among other provisions, the site plan provides the acceptable location for mulch storage and for soil storage, specifies the number and types of trucks and other equipment allowed on the property, provided specific locations for employee parking, reflecting the permit's limitation on the number of employees allowed. The Board should ensure that there are no activities being conducted on the property that are not allowed by the Special Use Permit and that none of the activities that were allowed have expanded from their originally approved locations.
As the Board knows, a homeowner may make changes in a building with a permit from the Building Inspector, but a site plan, created by the Board, requires an amendment to the site plan by the Board itself before the Building Inspector can issue permits to make changes that are not in compliance with the site plan. There has not been an amendment to this original site plan, created with careful consideration of the importance of ensuring that this use was, and would remain, compatible with the residential zoning and use of the surrounding properties. The requirement that a plant nursery in a residential district can only operate pursuant to a Special Use Permit reflects the Town's recognition that such use should be carefully controlled to ensure that it is conducted in a manner which is compatible with the surrounding uses.
The Board has been provided with sufficient information of unsanctioned activities from neighbors of this property that surely require further investigation by the Board. The attached photographs, which were also attached to our March 18 letter, document some of the activities on the property. This property is not only in a residential district, but it is located within less than a mile of a County Park, Wampus Pond Park, and a Town Park, the Burden Preserve, as well as significant New York DEP holding along the road, and is in the Kisco River watershed, flowing directly into the Croton Reservoir, which watershed is listed by New York State as critical waters requiring special protection. When the Special Use permit was issued and the site plan was originally created the Board took into careful consideration the sensitivity of the site and of its responsibility to maintain the character of the neighborhood and the natural resources of the town in crafting the site plan. The Board should be no less vigilant in amending this Special Use Permit and Site Plan.
As a final note, the Board in Matter of Holy Spirit Association for the Unification or World Christianity v Gabriel Rosenfeld et al., Constituting the Zoning Board of the Town of New Castle, denied a Special Use Permit for a religious use on property opposite the Alfredo LDC property on Armonk Road because the applicants deceived the Board while their application for a Special Use Permit was pending by misrepresenting the activities they were conducting at the site. In this case, the applicant has represented, through his attorney at Board hearings, that the site was in compliance with the existing Special Use Permit, which created the site plan. Should this Board find that not to be accurate, such conduct would certainly be a sufficient basis to deny continuance of the plant nursery activities. At the very least the Board should deny any amendment of the Special Use Permit until the site is in complete compliance with the existing Special Use Permit and site plan.


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Q: messaging.send is not a function I'm trying to send a notification to an android device by sending it from a web app.
I tried to do it this way, but I get this error. I looked at many other questions but could not find an answer. I updated everything but it doesn't work anyway.
what am I doing wrong?
my code:
   const messaging = firebase.messaging();

    var message = {
       data: {
         score: '850',
           time: '2:45'
          },
       token: registrationToken
   };

messaging.send(message)
   .then((response) => {
     // Response is a message ID string.
      console.log('Successfully sent message:', response);
   })
   .catch((error) => {
       console.log('Error sending message:', error);
   });

A: You seem to be using the Firebase Admin SDK, which has the ability to send FCM messages.
The Admin SDK grants its user full administrative access to your Firebase project, meaning that this code can send any kind of message to all your users, but it can also access any other resources (files, database, user accounts) in your project at will. For this reason the Admin SDK is only meant to be used in a trusted environment, such as a server you control, your development machine, or Cloud Functions. It is explicitly not to be used within web pages.
A typical approach to accomplish your goal is to create a Cloud Function that sends the correct message, and then call that Cloud Function from your web page. Since only collaborators on your Firebase project can deploy Cloud Functions, this way you can be sure that the message that is sent is coming from your code.

A: You're trying to use admin as meant in here apparently. To do that, make sure firebase-admin is installed, if not, run npm install firebase-admin.
And then use as:
admin.messaging().send(message)
  .then((response) => {
    // Response is a message ID string.
    // Your logic here
  })
  .catch((error) => {
    console.log('Error:', error);
  });


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Washington State Gov. Jay Inslee has decided to plunge into the 2020 Democratic presidential primary race Friday. His decision mixed one part dire warning and three parts sunny optimism about a national campaign centered on halting catastrophic global climate change.
At the time of the announcement, before a crowd of perhaps 200 supporters at A&R Solar, a solar-panel-installation company based in South Seattle, he pointed to increasingly intense forest fires and other potential effects of rising global temperatures.
"The science on this is abundantly clear. We have a very short period of time to act, and whether we shrink to this challenge or rise to it is the vital question of our time," Inslee said, vowing to stand out as the only candidate who'd make climate change the number one national priority if elected president.
However, Governor Inslee did not roll out a detailed climate plan, saying he'll introduce specific proposals in the coming months. But he outlined four "pillars." They are a transition to a 100 percent clean-energy economy, creation of millions of good-paying jobs, ensuring equity for disadvantaged communities and an end to subsidies for fossil fuels.
"When I am president, not one nickel of taxpayer money will go to subsidize oil and gas," Inslee said.
The optimistic governor emphasized the positives of an energy-sector transformation as a jobs program, pointing to the event host, A&R Solar, which he said grew from two employees in 2006 to more than 70 today.
"Climate change is not more important than the economy. It is the economy," he said.
By this declaration, Inslee, 68, joins a throng of declared candidates for the Democratic nomination, including Sens. Bernie Sanders of Vermont, Kamala Harris of California and Elizabeth Warren of Massachusetts. Other big names like vice president Joe Biden and former Texas Rep. Beto O'Rourke, may join soon. John Hickenlooper, who just wrapped up two terms as Colorado governor, is also considering his own announcement as early as next week.
Inslee now plans to hit the road immediately, heading to New York City for media interviews, and to Iowa on Tuesday, which will be followed by a trip to Nevada and California later in the week.
However, in early polling, Inslee has sat at the bottom of the heap, registering zero percent in some surveys. But his focused message, potential financial and volunteer support from environmentalists has the potential to push his numbers up quickly, some backers at Friday's event said.
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It should be noted that Inslee has made climate change a signature issue throughout his political career, championing clean energy and efforts to tax carbon during more than a decade in Congress. He also assisted in writing a book, "Apollo's Fire," that called for a national emphasis on research and deployment of clean-energy technology akin to the Apollo project that led to the moon landing.
Inslee's climate agenda since taking office in 2013 has had mixed success. The State has now subsidized clean-power research and energy-efficiency projects, but the Legislature has refused to pass sweeping plans to impose carbon-pollution fees sought by Inslee. Last year, voters overwhelmingly rejected a carbon-fee initiative strongly backed by Inslee that drew $30 million in opposition spending by the oil industry.
In an interview, Inslee did not rule out proposing a national carbon tax but portrayed it as one option among many.
"The one thing we have learned, and it's good news, is there are multiple ways to skin this cat," he said, pointing to clean-energy proposals moving through the state Legislature. "I would not take that off the table at the moment, but as we have proved in Washington, we can make progress even without a carbon price."
With freshly powered Democratic majorities, the Legislature is pushing through Inslee's latest set of climate proposals. Even as Inslee was closing his speech on Friday, his proposal to phase out fossil-fuel based power in Washington electric utilities by 2045 passed the state Senate by a vote of 28-19.
Even kicking off a campaign for the White House, Inslee has not denied of a run for a third term as governor in 2020 if he drops out of the presidential race.
The state Attorney General Bob Ferguson and King County Executive Dow Constantine acknowledged they'd consider seeking Inslee's job if he does not run again.
"He's earned that right. I am excited he is running for president. We'll see how it works out for him and give him some time to decide about whether he wants to come back and run for a third term," said Ferguson.
"I could not be more excited about his candidacy," said Constantine, praising Inslee's speech as a genuine reflection of the governor's long-held values.
N.Y. Gov. Cuomo Speaks with Amazon CEO Bezos Trying to Win Back Campus
Judge Dismisses Defamation Lawsuit against Kshama Sawant Filed by 2 Police Officers
Russian Asylum Seeker's Death Mystery in Tacoma Prison
Tim Eyman Charged with Misdemeanor Theft; His Attorneys Calls it an Accident
Legislature Votes to Prepone Washington State's Presidential Primary
TSA Employees May Quit Soon


The Time-lapse Company creates a video of a road reconstruction project for Stabilor.
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text:
1 Actor/Actress / B
by follers · March 4, 2013
Israel Broussard in 2010, photo by Prphotos
Birth Name: Isaiah Israel Adams (likely)
Place of Birth: Gulfport, Mississippi, U.S.
Ethnicity: English, German, Scottish, some Irish, more distant Swiss-German, remote Cornish and Jersey [Channel Islander]
Israel Broussard is an American actor. He has starred in the films The Bling Ring (2013), Happy Death Day (2017), and Happy Death Day 2U (2019).
Israel was born to Angela and Lawrence Adams. His paternal grandparents had deep roots in New Hampshire, going back to the 1600s. Israel's surname, Broussard, comes from his adoptive stepfather, Gil, who is of almost entirely Cajun (French) descent. The Broussard surname goes back to Jean Francois Broussard and Catherine Richard, who were the parents of Acadian leader Joseph Broussard. Singer/actress Beyoncé Knowles is a descendant of this couple.
Israel has English, German, Scottish, some Irish, more distant Swiss-German, and remote Cornish and Jersey [Channel Islander], ancestry. While the name Israel has a Jewish association, Israel Broussard is not of Jewish heritage.
Israel's paternal grandfather was Richard Arnold Adams (the son of David Leslie Adams and Lettie Lester Woodman). Richard was born in New Hampshire. David was the son of William H. Adams and Narcissa A. Varney. Lettie was the daughter of True William Woodman and Harriet Helen/N. Thompson.
Israel's paternal grandmother was Dorothy Byrl Stilson (the daughter of Charles Henry Stilson and Mabel/Mable Lenori/Lenore Morrison). Dorothy was born in New Hampshire. Charles was the son of Sherman Stilson and Luella/Louella Almora/M. Bennett. Mabel was the daughter of Justin George Morrison and Maud/Maude Iola Glover.
Israel's maternal grandfather is Aubrey Allan Clapp (the son of Aubrey Austin Clapp and Norma Lucille Baumgardner). Israel's great-grandfather Aubrey was the son of Albert Austin Clapp and Edna Esther Bailey. Norma was the daughter of Frank M. Baumgardner and Jessie Mae Allen.
Israel's maternal grandmother is Valeria Lee Ebert (the daughter of William Walter Ebert, Jr. and Nancy Patricia Megee). William was the son of William Walter Ebert, Sr. and Margaret Mae Kidwell. Nancy was the daughter of Henry Edward Megee, whose father was Scottish, and of Myrtle Clifford Wilkerson.
Israel Broussard in 2013, photo by kathclick/Bigstock.com
Sources: The Broussard genealogy – http://worldconnect.rootsweb.ancestry.com
Genealogical information/genealogies and obituaries of Israel's paternal grandparents, Richard Arnold Adams and Dorothy Byrl (Stilson) Adams Hill – https://image2.findagrave.com
Israel's paternal grandfather, Richard Arnold Adams, on the 1920 U.S. Census – https://familysearch.org
Marriage records of Israel's paternal great-grandparents, David Leslie Adams and Lettie Lester Woodman – https://familysearch.org
https://familysearch.org
Israel's paternal great-grandfather, David Leslie Adams, on the 1870 U.S. Census – https://familysearch.org
David Leslie Adams on the 1880 U.S. Census – https://familysearch.org
Israel's paternal great-grandmother, Lettie Lester Woodman, on the 1880 U.S. Census – https://familysearch.org
Genealogy of Israel's paternal great-great-grandfather, True William Woodman – http://worldconnect.rootsweb.ancestry.com
Genealogy of Israel's paternal grandmother, Dorothy Byrl Stilson – http://worldconnect.rootsweb.ancestry.com
Marriage record of Israel's paternal great-grandparents, Charles Henry Stilson and Mabel/Mable Lenori/Lenore Morrison – https://familysearch.org
Israel's paternal great-grandparents, Charles Henry Stilson and Mabel/Mable Lenori/Lenore Morrison, on the 1930 U.S. Census – https://familysearch.org
Genealogy of Israel's paternal great-grandfather, Charles Henry Stilson (focusing on his own father's side) – http://worldconnect.rootsweb.ancestry.com
Israel's paternal great-grandfather, Charles Henry Stilson, on the 1900 U.S. Census – https://familysearch.org
Israel's paternal great-grandmother, Mabel/Mable Lenori/Lenore Morrison, on the 1910 U.S. Census – https://familysearch.org
Mabel/Mable Lenori/Lenore Morrison on the 1920 U.S. Census – https://familysearch.org
Genealogy of Israel Broussard (focusing on his mother's side) – http://www.geni.com
Marriage record of Israel's maternal great-grandparents, Aubrey Austin Clapp and Norma Lucille Baumgardner – https://www.familysearch.org
https://www.familysearch.org
Genealogy of Israel's maternal great-great-great-grandfather, Henry Harvey Clapp – http://worldconnect.rootsweb.ancestry.com
Information about Israel's maternal great-grandmother, Norma Lucille (Baumgardner) Clapp Nevins – http://s3.amazonaws.com
Tags: Channel IslanderCornishEnglishGermanIrishJerseyScottishSwissSwiss-German
Aly Landry (among others) is also a descendant of Francois Broussard and Catherine Richard
Kenny Wormald
mycarf123123 on Jessica Capshaw
Oaken05 on Mohombi
Crystle Stewart


text:
Маттиас Уорд (; 13 октября 1805, округ Элберт, Джорджия — 5 октября 1861, Уорм-Спрингс, Северная Каролина) — американский юрист и политик, сенатор США от Техаса, член Демократической партии.

Биография
Маттиас Уорд родился в округе Элберт, штат Джорджия, а вырос в Алабаме, где преподавал в школе и изучал право. В 1836 году он переехал в , штат Техас, в 1845 году — в Кларксвилл, где занялся торговлей.

Уорд был членом 7-го и 8-го конгрессов Техаса, а после переезда в Джефферсон — сенатором штата. В 1851 году он безуспешно баллотировался на пост вице-губернатора Техаса. Уорд был делегатом съезда Демократической партии в Балтиморе в 1852 году и в Цинциннати в 1856 году, где он был председателем.

В 1855 году Уорд был кандидатом от Демократической партии в Палату представителей США, однако проиграл выборы кандидату от партии «незнаек» . В 1858 году, за заслуги перед Демократической партией, его избрали в Сенат США, чтобы закончить срок скончавшегося Джеймса Хендерсона. В 1859 году Уорд повторно выдвинул свою кандидатуру в Сенат, однако съезд партии выбрал .

Уорд скончался 5 октября 1861 года в Уорм-Спрингс, штат Северная Каролина и был с почестями похоронен на масонском кладбище в Нашвилле, штат Теннесси.

Ссылки

Члены Демократической партии США
Сенаторы от штата Техас
Члены Сената Техаса


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Journal | Awards
SAILING WORLD BOAT OF THE YEAR
We have big news! The Grand Soleil 44 was selected by Sailing World's Boat of the Year judges as the Best Crossover for 2022! For the GS 44 this was the second award for 2022! The Sailing World Award is one of the most prestigious of the field. A double win is not common: it is important to have multiple ways to use the boat from a comfort and performance perspective. The GS 44 wins the two most important awards in the sailing industry. A heartfelt thank you goes out to the whole team behind this ambitious boat.
Awards 10.01.2022
GS 44 wins Best Boats 2022 title with Sail Magazine
The GS 44 has been chosen by Sail Magazine as one of the Best Boats of the year.
The GS 44 has won the Cruising World Boat of the Year Award
Best Performance Cruiser.
Two more nominations for GS 44
2022 Boat of the Year by Sailing World and Cruising World.


We are pleased to announce a new addition to our fleet for charter season 2018 in Malta. It's easy to relax and enjoy your party on our new boat party cruise, with delicious food and beverage packages and good music. Our expert team works to make your event stress-free, from start to finish. From Summer parties and birthday bashes, to school reunions, hens and bachelors, truly amazing parties start just 3km opposite Comino island. Our charter fleet accommodates celebrations up to 50 guests.


During this service we recognized some of our new members with a short ceremony. The service theme was an exploration on the theme of "love" using the tradition of valentines. To Listen to this creative exploration about this key element ( Love) of most religious faiths click here.
One of our members, a recently retired professor of geology looks at one of our UU Principles. To listen to this service click here.
We say we celebrate the inherent goodness in each person, but sometimes, when it comes right down to it, many of our interactions here at church have to do with business. What can we do to take the time to really sow our interest and care? To listen to this service click here.


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