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'He's not that f***ing good': Liam Gallagher and host of celebs claim Piers Morgan isn't the 'man' he thinks he is
Piers claimed he 'manned up' to make it into work with three broken ribs - but was ridiculed by stars at the GQ Awards
Liam Gallagher and a host of celebs claim Piers Morgan isn't the 'man' he thinks he is
Kyle O'SullivanTV Features Writer
Piers Morgan has been savagely attacked by a host of celebrities at last night's GQ Awards.
Good Morning Britain's showbiz reporter, Richard Arnold, took to the red carpet of the star-studded bash to get the thoughts of some famous faces about the outspoken presenter.
Piers claimed he 'manned up' to make it into work with three broken ribs - but was ridiculed by the celebrities who claimed he isn't the 'man' he thinks he is.
The hosy injured his ribs last month and was admitted to hospital, but bravely fought the 'agony' to present GMB this week, although he didn't get much sympathy.
Piers Morgan returns to Good Morning Britain in 'agony' with three broken ribs
Liam Gallagher had some harsh words for Piers (
ITV)
The GMB presenter was hammered with abuse (
And Liam Gallagher may have started a furious war of words with Piers after his foul-mouthed comments.
He said: "Yeah he's an Arsenal fan ain't he - so he's not that f***ing good."
The Oasis star wasn't the only celebrity to mock Piers, who burst out laughing after hearing the comments.
This came after Richard posed a very important question to the celebrities.
Dermot O'Leary clearly isn't a big fan of Piers (
The showbiz reporter said: "After a whole two days back in harness on the day job with broken ribs, we asked some of the most beloved men in showbiz if they thought that you Piers are quite the amazing man you think you are. Even Charli XCX got involved."
X Factor presenter Dermot O'Leary was the first to wade into the debate.
On whether Piers was an amazing man, he said: "No not at all, far too opinionated, needs to be nicer to people, wear nicer suits, how long you got
Actor Rob Brydon said: "Piers is a one off – I think we have to aim lower."
Rob Brydon thinks Piers if a 'one off' (
George Lamb had some nice words to say (
George Lamb, who was joined by famous dad Larry, seemed a bit of a Piers fan.
He said: "He's always been very nice with me and been very civil and I get on with him so he seems like a good guy, however I can totally understand why he rubs people up the wrong way for sure."
Boxer David Haye said: "I haven't been grilled by him yet. But he's up there for sure. I've been swerving him to be honest, he put too much heat on me."
David Haye has not been grilled by him yet (
Charli XCX would definitely not date Piers (
Clearly not having much luck with the gents, Richard then asked Charli XCX on her thoughts about Piers.
The singer said: "I mean yeah I wouldn't date him."
Piers, who was left in hysterics in the studio, finally got his say on the insults.
The presenter said: "I didn't ask you to date me love, god. Well as Oscar Wilde once said: 'If there's one thing worse than being talked about it's not being talked about."
* Good Morning Britain airs weekdays on ITV from 6.00am
ITVCharli XCXGeorge LambRob BrydonDermot O'LearyLiam GallagherPiers MorganRichard ArnoldDavid HayeGood Morning Britain
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No.10 party investigator Sue Gray WILL interview Cummings over explosive claims Boris Johnson LIED to Parliament Downing Street party


Every 15 Minutes is a two-day program that challenges SRVHS students to think about drinking, driving, distracted driving, personal safety and the responsibility of making mature decisions when lives are involved.
"Students of SRV: Behind the Fine"
"Students of SRV: Behind the Fine" is a panel of six diverse SRV students who will discuss their experiences and the challenges high school students are facing in today's world.
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text:
Shabir Pandor
Three complaints made about Kirklees leader's conduct in council meeting
Campaigners fighting to save Almondbury Community School have accused him of 'intimidatory' conduct
Tony EarnshawLocal Democracy Reporter
Almondbury Community School sign.
Parents fighting proposals by Kirklees Council to shut a Huddersfield secondary school have accused Council Leader Shabir Pandor of "intimidatory" conduct.
It follows a meeting of the council's Cabinet on Tuesday (April 16), at which supporters of Almondbury Community School presented a deputation backed by ward councillors Alison Munro (Lib Dem) and Bernard McGuin (Con).
They were "disgusted" at the "outrageous" behaviour of Council Leader Shabir Pandor, who they say interceded to harangue councillors seeking answers to key questions from education bosses.
They have now complained to the authority's chief executive, Jacqui Gedman.
They claim they were made to feel unwelcome - and that Clr Pandor intervened to prevent awkward questions being asked.
The meeting, which was captured on camera via the council's webcast, became heated.
Patricia Jennings, one of five parents who was present for the deputation in Huddersfield Town Hall, said they felt unwelcome.
"As soon as we sat down in the council chamber they were complaining about us being there.
Kirklees Council leader Shabir Pandor
"Then Shabir Pandor came over and said we weren't allowed to ask questions so it was weighted against us from the start. It made us all feel so uncomfortable. To be honest I felt like walking out."
Father-of-three Dave Burns went further. He said Clr Pandor's behaviour "was intimidatory verging on bullying".
He added: "It was the worst display I have ever seen at any kind of meeting in public whatsoever in my life.
"It was designed to be intimidating to the public that were there.
"It was an indication of how he was going to behave towards us if we had the cheek to ask questions directly. It was as if he was saying, 'This is what you're letting yourselves in for."
Kirklees Council has confirmed it has received three complaints.
Clr Pandor said he made parents aware that council procedure rules permitted them to speak but not to ask questions.
"What I said is on record. If they feel that they have been short-changed then they are at liberty to make a formal complaint to the chief executive.
"I have no problem with that."
The meeting got underway with parents relating concerns about the school, which is set to lose its secondary phase with 300 pupils aged 11-16 placed in nearby schools under proposals put forward by the council.
Clr Masood Ahmed, Kirklees Council Cabinet member and Dewsbury South Labour councillor. Pic by: Mike Clark (Image: Mike Clark)
Clr Masood Ahmed, the council's Cabinet member for Learning and Aspiration, urged parents to participate in a consultation, which began last month and runs until April 23.
Added Mrs Jennings: "The consultation is rubbish. They're still not answering our questions. This is why we're going back to the Cabinet because we're asking questions and nobody is answering us.
"Shabir Pandor told Masood Ahmed to be quiet, and that he would deal with us. You can see it on the video - he winks at him and tells him not to speak."
She said Clr Pandor's approach was to protect his colleague, who was unable to deal with councillors' questions.
Almondbury Community School
Meeting gets heated
School closure 'will improve education'
Refugee attack video
One, highlighting fears over inter-school rivalries and how pupils from ACS could be affected if they went to neighbouring King James's, was on behalf of parents.
"I gave Alison Munro a piece of paper with that question on it, but Clr Pandor attacked her for spreading disharmony.
"He even tried to stop Bernard McGuin from speaking.
"We were all disgusted at the way they spoke to Alison Munro and Bernard McGuin. It was outrageous.
"I've written to Jacqui Gedman to complain about how we were all treated. People in the Save Almondbury Facebook group are also disgusted."
Jacqui Gedman, chief executive of Kirklees Council
Writing online one woman commented: "Just watched the webcast of the cabinet meeting last night and all I can conclude from it is I have absolutely no faith in those responsible for the future of ACS.
"Not one single question was answered. How on earth do these people get elected?"
Clr Munro said: "Clr Pandor was really awful to both Bernard and myself.
"He keeps referring to 'rivalry' in my dressing down, but this was a question that was just handed to me at the last minute by a member of the public.
"His tone, attitude and total insensitivity towards the member of public who had passed me the question was unacceptable."
A Kirklees Council spokesperson said: "The chief executive has received three emails about the Almondbury Community School discussion at Cabinet.
"We take feedback seriously and, as with all feedback, we'll be responding to those individuals.
"The consultation on the future of Almondbury Community School remains open until April 23.
"We would encourage local residents to use that consultation process, as this will help us shape any future decisions."
Jacqui Gedman
Kirklees Council
Huddersfield Town Hall

redpajama_set_name: RedPajamaCommonCrawl


. . .aesthetic judgment is not currently seen as a central (maybe even an appropriate) aim of academic criticism. We are too aware of the shifting nature of such judgments, for one thing, and of the many reasons besides aesthetic ones for finding a text worth studying. If asked whether a book is good, an academic is likely to reply 'good at what?' or 'good in relation to what?' or 'good for what?' It may be that this insistence on refining the question, or examining its implicit assumptions, is part of what makes academic criticism less appealing to the 'average intelligent reader,' if what they are after is actually a recommendation. . . .
On the other, that "aesthetic judgment is not currently seen as a central (maybe even an appropriate) aim of academic criticism" is probably the ultimate reason why "academic criticism" as specifically an act of literary criticism is not likely to survive much longer.
The only period in the history of academic criticism (which runs roughly from the 1920s to the present) in which "aesthetic judgment" was seen as the "central" goal of criticism was really the period dominated by New Criticism, which was in turn the critical method that solidified academic criticism's place in academe's disciplinary structure. Before the rise of New Criticism, those who opposed converting English departments from philology (the study of the etymology of words) to literary study proper (the study of texts as texts) did so precisely because something as nebulous as "aesthetic judgment"--or "appreciation"--was not considered an appropriate focus of academic inquiry. New Criticism provided a plausible method of quasi-rigorous scrutiny of texts that finally satisfied most criteria of what constitutes a properly "academic" field of study.
Yet even New Criticism did not really rest on "aesthetic judgment" as its foundation. New Criticism's strategy of "close reading" was not primarily used to make judgments about the objects of its scrutiny, to declare some texts "good" and others not. The New Critics generally assumed the value of the works they examined (in fact mostly poems), although in some cases their readings did seek to demonstrate to perhaps skeptical readers that the work at hand possessed the requisite degree of "complexity" that New Criticism most fundamentally valued. (And in some instances, such as Cleanth Brooks's reading of Wordsworth's Intimations Ode, they also attempted to show that even works less generally esteemed according to New Critical standards could still be worthy of serious attention.) But the New Critics would never have conceded to the notion of "the shifting nature" of value judgments. The point of New Criticism was to establish that it was the critical method applying authentic "literary" criteria to the reading of literary texts. Some readers might find value in such texts for extrinsic reasons--political, historical, cultural--but for the New Critics, readers assessing them through the rigors of close reading would hardly come to the kind of relativistic conclusions Rohan's comment entails.
Still, as the New Critics implicitly recognized, it's difficult to justify the study of literature as part of an academic curriculum if the primary purpose is to arrive at "value judgments." Something more tangible than "appreciation" has to be the fruit of literary study or it does indeed become such a "soft" discipline that few serious-minded students will want to pursue it and even fewer scholars from other disciplines will consider it a respectable practice. However, the very fact that New Criticism was able to establish itself as a suitable "approach" to the study of literature utlimately became the seed of its own undoing. If appreciation is not the only possible goal of literary study, then neither is form-oriented close reading. "Refining the question," or even changing it altogether, is not only possible but, given the academic imperative to create "new" knowledge, almost inevitable. More than anything else, I would say, this changing of the critical guard, the cycling through of formalism, structuralism, post-structuralism, historicism, cultural studies, is what makes academic criticism "less appealing" to non-academic readers. It is a disciplinary debate between academics the ramifications of which are of importance only to academics.
However, I also think it's a little unfair to say that the "average intelligent reader" is interested merely in a "recommendation." This only reinforces the divide between "criticism," which is perforce practiced primarily in the academy, and reviewing, the goal of which is presumably to provide a recommendation. It is the existence of this divide, whereby the academy is considered to be the place where genuine literary criticism is practiced, while general interest book discussion involves. . . something else, that has helped to make academic criticism seem so insular, so reluctant to make itself intelligible to "ordinary" readers (no relevant recognition from other "experts" will ensue) and that has made what passes for general interest criticism so pallid and formulaic. (Although certainly academic criticism follows it own kind of formulas as well.) As I have suggested several times on this blog, what both contemporary literature and literary criticism need is not for academic critics to become more "accessible" but for literary magazines and journals to publish more non-academic criticism that goes beyond book chat and conventional journalistic reviews but that also avoids the navel-gazing "refinements" of academic criticism.
And even though there are "many reasons besides aesthetic ones for finding a text worth studying," I further believe that most readers of poetry and fiction are drawn to them for the aesthetic reasons first of all. Some may later on take an interest in all those other things a text is "good for," but in my opinion most habitual readers of literary works want most immediately to have a fulfilling reading experience and, to the extent that criticism is pertinent to this goal, to use literary criticism as a way of enlarging and enhancing this experience. Thus, if "many non-academic readers would in fact like to think in more careful ways about their reading," as Rohan acknowledges, and if that's "where academic expertise presented in an accessible manner comes in," then the kind of "expertise" such readers might find helpful would be an ability to describe the aesthetic strategies and effects at work in a text, based ultimately on the ability to pay careful and focused attention to the text, in effect to let it reveal its own aesthetic nature. A knowledge of literary history and of the ways in which all poetry and fiction is finally implicated in that history could also be valuable, as long as that knowledge is put in the service of illuminating the work at hand, not of demonstrating the critic's own superior powers of discernment.
Suffice it to say that academic criticism has long abandoned this modest though still worthwhile mission. It has almost abandoned literature itself, except where it can still be used to illustrate the critic's particular theoretical construct or cultural diagnosis. Pretty clearly, "literary criticism" as practiced in the academy has shifted its emphasis to an analytical perspective more like philosophy for some, more like sociology for others. Since most "non-academic" readers read works of literature for their literary qualities (which, although they can't be defined precisely, at least not to everyone's satisfaction, are still readily enough apparent to those who are looking for them) and not as opportunities to do philosophy or study social patterns, academic criticism isn't going to become more accessible to these readers, only less so. The real question becomes whether a new kind of literary criticism will arise, one less concerned with being "rewarded professionally" by the academy and more concerned with the elucidation of literature, less concerned with providing consumer guidance (buy this, don't buy that) and more concerned with assisting the consumers of fiction or poetry to guide themselves.


Expand view Topic review: Is it possible..
I found a solution to my problem, so I thought I'd post it here for anyone else searching for an answer.
The current script will update the rating in the database, but not edit the tags of the mp3 file.
I sync files between multiple locations so this wouldn't work for me.
Towards the end of the script, I have edited it to include the line "PreviousSong.WriteTags" so that it updates the rating in the database and writes the rating to the tag in the mp3 file.
Resurrecting a very old thread here - is there a more up-to-date place to discuss this script?
I've been using this script for a long time now, but it seems to have stopped working recently. I'm not sure when.
It's definitely not a permissions issue.
Manually setting a rating in MM sets the correct tag, but when rating using the script, nothing happens.
I think I'm blind - but is there any other action that can be taken except for turning the script on and off?
Plus: I need the possibility to stop the player after each song to rate a big bunch of songs over again.
Plus: I need the possibility to stop the player after [b][u]each[/u][/b] song to rate a big bunch of songs over again.
Oh my God - so easy... Thank you!
:oops: Oh my God - so easy... Thank you!
You should be able to go to Options > Hotkeys to see a list of hotkeys, ticking them as Global means they work when it is not in focus.
I often have to rate many songs, but to do this there is no need to hear the complete song. So I want MM to play a song in the playlist. While playing I want to input the rating via a shortcut or using some buttons - does not matter how. After receiving the rating I want MM to skip to the next song and start all over to rate this.
It would be great, if seomone wants to do that.
I know this is not a new script by any means but I think its great and I'm glad I found it. It deserves some real publicity. A lot of people would use ratings if they were prompted and in the end it would make them happier to have songs rated.
Guest wrote: This is a GREAT script for those who rate songs. My problem was that I found myself distracted and not listening to the songs every time. I needed a replay button. So I eliminated the OK button and replaced it with a Replay Song button. Now if you click a rating, the song is rated and the form exits. If you click replay song, the song replays and the form exits.
I could have never done this from scratch, so thank you Steegy and others.
'  Shows a dialog when a song is started, to rate the previous played song.
MI.Caption = "Rate Played Song"
MI.Hint = "Activate/deactivate dialog for rating played song"
GetForm.Caption = "Rate Previously Played Song"
[quote="Guest"]This is a GREAT script for those who rate songs. My problem was that I found myself distracted and not listening to the songs every time. I needed a replay button. So I eliminated the OK button and replaced it with a Replay Song button. Now if you click a rating, the song is rated and the form exits. If you click replay song, the song replays and the form exits.
' Shows a dialog when a song is started, to rate the previous played song.
Sorry to waste your time, everybody, but I think it's awesome you guys know how to do this kind of stuff. I guess I sound a little like a Luddite or something, but I think it's unbelievable what you guys can do with just a little bit of code.
Hi, is it possible to customize this script so that it keeps playing a song until the song gets a rate? I've been tinkering with the script with no luck.
This is a GREAT script for those who rate songs. My problem was that I found myself distracted and not listening to the songs every time. I needed a replay button. So I eliminated the OK button and replaced it with a Replay Song button. Now if you click a rating, the song is rated and the form exits. If you click replay song, the song replays and the form exits.
Oops. So my "updated" version wasn't completely fine.
Thanks for the script. I find it quite useful, but there was this annoying behavior: it would show the title and artist of the first song that had to be rated and it would not update afterwards.
I made some small modifications to the GetForm function (commented all he changes). Here it is - just swap it out with the current 'GetForm' with the help of a text editor to try it.
You can change the caption of the rating buttons by changing the contents of the BtnCapt array.
This script in an autoscript without installer. See the FAQ for installation instructions.
This script in an [i]auto[/i]script without installer. See [url=http://www.mediamonkey.com/faq/index.php?action=artikel&cat=373736&id=8&artlang=en]the FAQ[/url] for installation instructions.


I was delighted to receive a correspondents from Glenn Sacks and his fabulous Fathers and Families organisation telling me the highlights of what they have achieved and their appreciation to my contribution for their call for Parental Alienation Syndrome to become a recognised syndrome and along with other reports from psychiatrist and child welfare bodies it has now become recognised and is destined for the legislator some day soon.
I am pleased with the International awareness campaign I have pushed on Facebook and elsewhere and the number of people affected and who have come forward with interesting and complimentry feedback from the Washington DC campaigners,to Dadsonair in Australia ( Not forgetting Ken Thompson's one man crusade for justice from Melbourne to the Hague Courts for human rights!) the PAS campaign spearheaded in Singapore to the 3 musketeers in New Zealand my great concern for the Canadian system and the recent but just as significant advice from South America and South Africa. Maybe our Review here in London will influence other countries to follow suit even if it is on the same cost cutting premise. If it gets the justice we crave then so be it!
Finally, and referring back to our RFFJ friends, I am reminded of my wife and I travelling to Canterbury last year in support of the 'Fathers are for life not just Christmas campaign' aimed at the Archbishop of Canterbury who seemed more preoccupied at the time on how the BBC purveyed the image of the Church when perhaps if the religious leaders from all faiths in this country and beyond put their efforts into resolving the Family Law injustices then perhaps their reputations would preceded them as this still remains a powerful message everyone should consider when giving gifts (or not) to their Dad this Christmas!
A Father is for life....not just Christmas!


text:
Site Review: HypnoTube
Click here to visit HypnoTube
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A Hypno Tube dedicated to sissy hypno aka hypnosis videos? That's not something you get to see every day on porno websites…what the fuck is a Hypno tube? No one knows, exactly. Well, it's not really hard to explain, but it's still beyond my reasoning why any man would want to watch any of these videos. Well, assertive, dominant heterosexual men obviously don't want to watch these videos, because they're supposed to hypnotize you into becoming a submissive girl or something like that? I don't know, really.
It's what this page is seemingly about. This fetish is a bit hard to understand, but then again, it's perfectly reasonable, since there are tons of submissive dudes out there who would just love to get their holes filled by other men who they see as more worthy of being "men" why they want to take on a more feminine role. I like to see them as lesser girls or something like that, because that's what they're turning themselves into, essentially, Girls that cannot be impregnated. However, they aren't the same as a sterile girl, obviously. Furthermore, not all sterile girls will be this submissive, while these "hypnotized sissies" are almost exclusively always submissive. They are sometimes full-on traps, but these traps want to be on top sometimes, but they will try to be as submissive as possible, even when they are tops.
Now, there happens to be a whole lot of dick sucking involved in these videos, too. Often, it's all about getting the "sissy" to "cross the line" in order to embrace his femininity (what he was truly meant to be, according to what these videos say) and to take a cock inside of his (her?) body, whether it be in the ass hole or inside of his/her mouth, it doesn't really matter. What matters is that the feminine dude must submit to the one who is seen as more masculine.
The standards for masculinity are quite fucked up in these videos, seeing as hypermasculinity isn't exactly a thing here. "Gross" men are seen as men who are more masculine in here quite often even though they're not even strong, or muscular or anything. They're just fat and hairy. It sucks how people sometimes want to equate looking ugly and looking masculine, but oh well, it is what it is. Can't tell these people what the fuck they're going to get hard for, right? It's weird, but that's just how it is, and there ain't much we can do about it.
Then again, should we even want to do something about it? Obviously not, let these men live life the way they want to do it! Now, the HypnoTube is pretty fucking weird if you ask me because apparently, there are multiple types of (sissy) hypnosis. They come in all shapes and sizes, and in many formats. First off, there are obviously videos with tons of catchy songs and all that where fanboys and traps get their holes stuffed with large dicks, dildoes and stuff like that.
However, there are also tons of gifs where trans chicks get their holes stuffed, then there are videos that are all about sucking dick, videos that are all about taking dick from other men, and there are videos that are all about eating up cum. Hell, there are even loads of audio recordings, too. Not only that, but there are also videos about feminization where these guys would end up getting dressed in girl clothes. Sometimes they are even forced to change their behavior to act more feminine. Well, we'll talk about the various "genres" of hypnosis on Hypnotube a bit later when we talk about the categories.
They're fun. Raceplay is sometimes a big element in these videos as well. Men of other races are often portrayed as more masculine when compared to men of your own race. This can actually seem to be quite depressing if you're a hetero male that belongs to the race that is being "sissified," but hey, if you're absolutely hetero, you wouldn't still be reading this review, right? Well, some of you might be curious…if so, keep going, I promise that you're going to love every single bit of HypnoTube.com.
Now, I'd also like to mention that not only will you find many videos on this website, but there are also plenty of pictures as well. I've already mentioned the gifs, if you didn't miss that, seeing as I didn't pay proper attention to them. There are also loads of playlists for you to check out as well. Not only are there many playlists on the website, but there is also a way for you to register for free, and the process isn't even that complicated. Just give HypnoTube your email, come up with a password, and voila! Now, you're free to interact with one of the most perverted and deranged communities on the internet, doesn't that sound exciting? I bet it does!
Now that I've explained to you what the fuck this website is about and what kind of videos you're going to see here (don't worry, if you're a curious hetero guy these videos don't have the power to turn you into a submissive girl, these things don't really happen), it's best that I start talking about the little details of HypnoTube. There's not much to say, really, but I still have to mention these things. There are many places where I could start from, but it's best to start from the homepage and see what this section of HypnoTube.com is all about.
The wonderful sissyfying homepage
As soon as you make your way inside the HypnoTube, you will notice that there are tons of videos on the homepage, just like on any other tube website. Naturally, these videos are divided into a few sections, and there really aren't too many, but rather, I'd say there's just enough in here. First off, right off the bat, you'll notice the "being watched now" section. This is the section where you get to see videos that random dudes on the internet are jacking off to at this very moment. You get to see the number of views every single one of these videos has, and not only that, but you get to see how many likes the movies have as well. Obviously, you also get to see the duration of these videos, which is quite nice. It's very important information.
Now, right underneath this section, there's yet another one called "most viewed" videos, and these tend to be quite weird. I mean, there's one called "cock confusion," for example, and I'm still not sure what it's about, but there are some more understandable ones here. There are some videos that are called "sissy anal hypno," and these videos are supposed to convince you that you're supposed to take cock up the ass or something like that. The idea of "cumming like a girl" gets thrown around a lot in here as well, seeing as these "sissies" do not think that you're supposed to cum from masturbation, as you don't need your dick, as an inferior male, but rather, you're only allowed to have prostate orgasms, and that's that. That's some fucked up shit if you ask me, but each to their own, I guess.
Then, there's a section of the website called "free tube," and what you see in here can't really be defined by a single term, seeing as this section is filled with random videos of dudes in skirts, cut panties, thigh-high stockings and shit like that. Might as well call this section the "dudes in girl clothes" section, as unimaginative as that sounds. But hey, at least it's true, right? Right. What about the other parts of the website?
The "movies" and "albums" section
Basically, these sections of the website don't matter that much, as the "movies" section will show you the "most recent," "most viewed," "top-rated" and "most discussed" movies. Oh yeah, it will also show you the "longest" videos. I mean, you shouldn't really care about these things, except for the "top-rated" or the "longest" videos, maybe, but the rest of these are pretty pointless in my opinion.
The "albums" section of HypnoTube is also pretty pointless unless you're really into pictures of sissies and shit like that. First off, there's a section dedicated entirely to pictures that have been uploaded recently, a section where the most viewed pictures can be seen, and a section for the top-rated pictures. There's not much to say about this one, really.
They're trying to turn us into girls?
Well, the main idea behind this website isn't "turning straight men into feminine fuck toys," obviously. You can't get a straight dude to be into any of this shit unless you get off to the idea of forcing another man to be feminine for some reason, but that's an entirely different story. You wouldn't be watching these Hypno's if that was the case, right?
More like HypnoTube:
hcBDSM
KynkyFay
PornFD
Hypno Porn
FemdomXXX


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For the quarter ended December 2018, TREE HOUSE has posted a net profit of Rs 84 m (up 56.1% YoY). Sales on the other hand came in at Rs 5 m (up 17.4% YoY). Read on for a complete analysis of TREE HOUSE's quarterly results.
For the quarter ended June 2018, TREE HOUSE has posted a net profit of Rs 129 m (up 10.7% YoY). Sales on the other hand came in at Rs 12 m (down 64.3% YoY). Read on for a complete analysis of TREE HOUSE's quarterly results.


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Three constituencies cover the preserved county of Gwynedd for the House of Commons of the UK Parliament (Westminster), and are used also for elections to the Senedd.
The current boundaries have been effective since the 2007 National Assembly for Wales election and the 2010 United Kingdom general election..

The preserved county of Gwynedd shares its name with the southern bulk, the principal area, Gwynedd, Anglesey (Welsh: Ynys Môn), forms a second principal area, i.e. has its own local government council.

For Senedd elections, the constituencies each elect one assembly member and are grouped into additional-member electoral regions, in this instance the region is North Wales.

Westminster boundaries

From 2010

1997 to 2010

Proposed boundary changes
The Boundary Commission for Wales submitted their final proposals in respect of the Sixth Periodic Review of Westminster Constituencies (the 2018 review) in September 2018. Although the proposals were immediately laid before Parliament they were not brought forward by the Government for approval. Accordingly, they did not come into effect for the 2019 election which took place on 12 December 2019, and which was contested using the constituency boundaries in place since 2010.

Under the terms of the Parliamentary Voting System and Constituencies Act 2011, the Sixth Review was based on reducing the total number of MPs from 650 to 600 and a strict electoral parity requirement that the electorate of all constituencies should be within a range of 5% either side of the electoral quota.

On 24 March 2020, the Minister of State for the Cabinet Office, Chloe Smith, issued a written statement to Parliament setting out the Government's thinking with regard to parliamentary boundaries. They propose to bring forward primary legislation to remove the statutory obligation to implement the 2018 Boundary Review recommendations, as well as set the framework for future boundary reviews in time for the next review which is due to begin in early 2021 and report no later than October 2023. It is proposed that the number of constituencies now remains at the current level of 650, rather than being reduced to 600, while retaining the requirement that the electorate should be no more than +/- 5% from the electoral quota.

Assembly boundaries

From 2007

The North Wales region also includes seven Clwyd constituencies.
The Mid and West Wales region also includes five Dyfed constituencies and two Powys constituencies.

1999 to 2007

Historical representation by party
Before 1974 this table covers the historic counties of Anglesey, Carnarvonshire and Merionethshire. A cell marked → (with a different colour background to the preceding cell) indicates that the previous MP continued to sit under a new party name.

1832 to 1885

1859 to 1885

1885 to 1918

1918 to 1950

1950 to 2010

2010 to present

See also
 List of parliamentary constituencies in Wales

Notes and references
References

Notes

Gwynedd
Gwynedd

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Rock climber Sasha DiGiulian CC'16 has a penchant for doing what no woman — and in some cases, no person — has done before.
A series of unprecedented feats have propelled DiGiulian to the pinnacle of outdoor sport climbing. In July 2013, while exploring South Africa's Waterval Boven, a renowned climbing destination, DiGiulian stumbled upon an unconquered route that another climber had laid out more than 10 years before. A few days later, she made headlines as the first person to finish the route, which entitled her to name it. She chose Rolihlahla, Nelson Mandela's middle name. Two weeks later, DiGiulian notched a second first ascent — lingo for the first successful completion of a route — in Montagu, another South African climbing hotspot, and dubbed that route Miss-Behaving.
By then, DiGiulian had traveled the world while accomplishing some of the most difficult climbs ever by a woman, most notably Pure Imagination in Kentucky's Red River Gorge, which she conquered in October 2011 during a gap year between high school and college. Rated 9a on the widely used, open-ended French system of difficulty grading, it remains the hardest route any American woman has climbed. "It was the point at which I realized that impossible doesn't exist," says DiGiulian, the third female worldwide and the youngest to complete a 9a route. She added a second 9a route to her list in April 2012 when she became the first woman to summit Era Vella in Margalef, Spain.
Based on her last 10 climbs, DiGiulian was ranked at presstime as the top female sports climber in the world. Unlike traditional climbers, who shield themselves from falls by inserting and removing anchors as they work their way up, sport climbers attach a rope to anchors that have been affixed permanently to the rock, leaving them free to focus on executing gravity-defying, gymnastic-style moves. DiGiulian's achievements have attracted sponsors such as Adidas, Red Bull and Petzl. Each sponsor pays her a base salary and covers her expenses when she travels on its behalf.
DiGiulian has also earned cash prizes at major climbing competitions. In 2011, she emerged as the Female Overall Champion at the International Federation of Sport Climbing World Championships, in Italy. From 2010 to 2012, she won three Sport Climbing Series National Championships, and in 2012, she also finished first overall at the PanAmerican Championships in Venezuela.
At 12, DiGiulian began traveling to New York City on weekends to train on the rock walls at Chelsea Piers. Her affinity for the Big Apple was among the reasons she chose the College.
DiGiulian rents an apartment in Chelsea and typically practices five days a week for two to three hours at Chelsea Piers, Brooklyn Boulders or The Cliffs in Long Island City. Her workout program includes several hours a week of cardio and strength to bodyweight ratio exercises. She spends most weekends climbing out West, in Europe or even in Asia — trips that, combined with academic responsibilities, allow her little free time. "It comes down to time efficiency and not procrastinating," says DiGiulian, who is majoring in creative writing with a special concentration in business management.
This summer, DiGiulian traveled for the first time to South Korea, bringing the number of countries where she's climbed to 33. While chasing the next challenge, she also teaches clinics and promotes climbing as an athlete ambassador for several charities.
Read about, watch videos of and listen to DiGiulian.
Nathalie Alonso CC'08, from Queens, is a freelance journalist and an editorial producer for LasMayores.com, Major League Baseball's official Spanish language website. This article was originally published in Columbia College Today.


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Kiley Anderson scored once in the loss for the Seahawks.
Flynn (Williamstown, Mass./Mount Greylock Regional) paced all players with nine points on four goals and five assists. She also had four ground balls, a draw control and two caused turnovers. Baldwin (Florence, Mass./Northampton) had two tallies with four assists for six points, adding a game-best seven ground balls with six draw controls and two caused turnovers. Junior captain Julianna Rankin (Annapolis, Md./Annapolis) chipped in with two goals and an assist to go along with a game-high seven draw controls, while senior attackDeyscha Smith (Boston, Mass./Academy of the Pacific Rim) had three goals with a helper. Rookie Allie Brown (Burlington, Vt./Burlington) also notched a hat trick with three goals.
Despite the mometum for the Seahawks, Doherty's goal would be their last of the contest as MHC posted a 4-0 run with goals from Rankin, Brown, sophomore attack Meryl Phair(Stockbridge, Mass./Monument Mountain Regional) and Flynn (also added two assists in the stretch) to close out the game.
In goal, Lyons junior Mia Wysocki (Longmeadow, Mass./Longmeadow) moved to 3-2 on the season as she earned the win with six saves in the first half. Sophomore Sophia Brooks-Randall(Providence, R.I./St. Mary Academy - Bay View) came on in relief in the second half and recorded three stops. For Salve Regina, sophomore Christina Myers (River Edge, N.J./River Dell Regional) shouldered the loss in 39:33 with six stops. Junior Zoe Fava (Mahwah, N.J./Saddle River Day) came on for the final 20:27 of relief and made two saves.


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Paris: 2-Hour Musée d'Orsay Guided Tour with Options
Duration: 2 - 3 hours
The famous Orsay Museum houses the world's most complete collection of Impressionist and Post-Impressionist art. Take a two-hour guided tour and…
Musée d'Orsay: Tours & Tickets
Paris: 2-Hour Private Musée d'Orsay Guided Tour
Explore the Musée d'Orsay on a 2-hour private guided tour and admire its diverse collections of western art. Learn about the masterpieces you see…
Paris: Musée d'Orsay Skip-The-Line Guided Tour
See the world's largest collection of Impressionist art at the Beaux Arts Musée d'Orsay in Paris. Enjoy a 2-hour guided tour of many of the museum's…
Orsay Museum: Private Guided Tour of Impressionism Art
Fan of impressionism or simply looking for a cultural and historical tour? Then the place to go is Musee d'Orsay. See the largest collection of…
Musée d'Orsay: Guided Impressionist Tour & Gourmet Lunch
Take a guided tour through the famous Orsay Museum - home to the world's most complete collection of Impressionist art from Manet, Monet, Renoir, Van…
Paris: Musée d'Orsay 2.5-Hour Guided Tour with Skip-the-Line
Duration: 2 - 2.5 hours
Get an expert introduction to one of the most celebrated museums in Paris on a 2.5-hour private tour of the Musée d'Orsay. Skip the long lines for an…
Musee d'Orsay: Small Group Semi-Private Tour
Visit the Parisian's favorite museum, and the largest collection of Impressionist art in the world. The Musée d'Orsay is home to some of the world's…
Paris: Orsay Museum + Montmartre Skip-the-Line Guided Tour
Enjoy a private, half-day excursion in the beautiful Montmartre district of Paris and discover the charms of the Belle Epoque while exploring the…
Paris Musée d'Orsay Child-Friendly Private Tour for Families
Explore the amazing world of French impressionist art on a private tour of the Musée d'Orsay led by an expert guide. This kid-friendly tour will be…
See all tours & things to do in Musée d'Orsay
Top 5 artworks at the Musee d'Orsay
Situated at the former Gare d'Orsay railway station, the museum now bearing its name has gradually emerged as one of Paris' best art galleries – and that's saying something! Here are a few must-see masterpieces to factor in to your tour.
Dance at le Moulin de la Galette (1876)
Depicting a Sunday afternoon in a bygone Montmartre, Renoir's festive snapshot of Parisian social life is one of Impressionism's most celebrated paintings.
The Luncheon on the Grass (1863)
Inspired by old masters like Titian and Raphael, Manet's masterful treatment of the nude and the clothed courted controversy for highlighting the social divide between genders.
Apples and Oranges (1899)
The gallery boasts 56 Cézannes in its collection, however, this late still life composition shows an artist at the height of his powers, able to make magic out of the mundane!
The Gleaners (1857)
It seems bizarre now, but Millet's depiction of peasant women hunched over in search of leftover grain was once derided for its sympathetic portrayal of the lower classes!
Whistler's Mother (1871)
Few non-French artists are represented at d'Orsay, and although Van Gogh might take places 6, 7, and 8 on this list, James Whistler's Victorian Mona Lisa is a shoe-in!
Our insider tips
As large as the Musee d'Orsay is, there's not much filler. If you only have 3 or 4 hours to spare, stick to the Impressionist wing, otherwise don't expect to see it all in a day!
When to visit?
The Musee d'Orsay's opening hours are from 9:00AM to 6:00PM, except on Thursdays when it's open until 9:45PM, and Mondays when, as with May 1st and December 25th, the gallery is closed. Get there as early as possible and consider booking your tickets online to skip the long lines. If you plan to visit in a large group, pre-booking is mandatory.
When should I visit?
9:00AM to 6:00PM, Thursdays until 9:45PM, closed Mondays, May 1st and Christmas.
Tickets start at €11, but packages and concessions are available.
Will I need a guide?
It will definitely help. Might be worth it to check out our best-selling tours.
Take the Metro line 12 to Solférino, RER line C to Musée d'Orsay or buses 24, 63, 68, 69, 73, 83, 84, 94.
Cloakrooms are available free of charge but not recommended for large items or valuables.
All guests will need to pass through security to enter.
What people are saying about Musée d'Orsay
Valerie was a first-rate guide for the Museum. She taught us so much regarding the context of the artists/painters. She gave us all a fine and eeeper understanding of what we werre looking at. We continue to talk about what tremendous luck we had finding your organization and having Valerie as our guide.
Orsay Museum: Private Guided Tour of Impressionism Art Reviewed by Frank, 02/11/2020
An enjoyable and informative tour. A fantastic way to get a feel for the art, the museum and the history associated with both. About the right length too, not too short or long, and left us with the opportunity to explore more at the end of the tour.
Paris: 2-Hour Musée d'Orsay Guided Tour with Options Reviewed by Margaret, 11/25/2019
Our guide Delphine was very knowledgeable and communicated well in English. She provided great insights about the building itself, the various artists and their work without being obtrusive.
Paris: 2-Hour Musée d'Orsay Guided Tour with Options Reviewed by Neil, 10/29/2019
Tour started on time, meeting place was easy to find (just in front of the museum by the rinocerus statue), didn't had to queue, went through almost all sections of the museum.
Paris: 2-Hour Musée d'Orsay Guided Tour with Options Reviewed by Christina, 11/04/2019
Our tour guide, Herve, was knowledgable and engaging, and did a great job of navigating our group through a crowded museum with a confusing layout!
Paris: 2-Hour Musée d'Orsay Guided Tour with Options Reviewed by Susan, 01/01/2020
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Hands Off The Hollywood Theater - Keep Our Local Theater Out of National Hands!
We, the undersigned, respectfully request that the Theatre Historical Society and Kelly-Rielly-Nell-Barna Associates mutually agree to cancel the pending sale of the Hollywood Theater, and leave it in the hands of the Friends of the Hollywood Theater while they work toward purchasing the building themselves. After news of the sale broke, the response from the community on social media and in person was clear: Keep the Hollywood Weird!
With the stated goal of showing second-run films at the theater and programming being handled by someone out-of-state, the purchase would change the theater's integration into the fabric of the local community; without the one-of-a-kind films FOHT routinely screens, or the availability of the space for citizens to hold birthday parties, weddings, or fundraisers for other non-profits, Dormont (and Pittsburgh as a whole) would lose a cherished community space.
Whether giving those inside Dormont a neighborhood gem of which to be proud, or giving people outside of Dormont a reason to enjoy all of what Potomac Avenue has to offer, the Hollywood Theater under the direction of FOHT has given the community a true cultural and economic anchor. With so few art house theaters remaining in Pittsburgh, and a poor track record for second-run theaters in the region, it is imperative that the Theater continue to operate as it has.
Richard Fosbrink, the executive director of THS, has said he wants to focus on what is 'successful'. But we believe that the true success of art and community are not dictated by profit, but rather the extent to which they engage the hearts and minds of those who experience them. FOHT has realized that success, which is why we want its stewardship of the theater to continue unabated.
My story of the Hollywood Theater began over 50 years ago. In the 1950s and 60s, my paternal grandfather lived with his 8 siblings on Espy Avenue just a few yards from the theater. On Saturdays, they would attend the morning cartoons and feature show. In the 1970s, my dad lived on Kelton Avenue nearby and he would attend movies weekly with my paternal grandfather at the Hollywood and at the now demolished South Hills Theater.
In 2008, I moved with my family back to my dad's childhood home on Kelton. Just after I moved to Pittsburgh in 2009, the Friends of the Hollywood Theater reopened the theater. It was not long before I was going to see movies with my dad which included Jaws, Monty Python and the Holy Grail, and Sorcerer. As I got older, I started to go to the Hollywood more often by myself. Over time, I went more and more and got to know the staff. The theater became almost like a second home. The Friends of the Hollywood Theater have been successfully running the theater and they were planning on buying the theater this year.
This beloved theater of mine and of many is now in danger. The national non-profit organization Theatre Historical Society (THS) is planning to buy the building. The announcement was sprung on the Friends without warning.
Richard Fosbrink, executive director of THS, was originally on the Friends of the Hollywood Theater board. He proposed that the theater play second-run films. As such, we have reason to believe that he continues to want this. This plan would kill the theater.
Consider this: Do you know any second-run theaters in Pittsburgh? No? That is because every time a theater goes second-run, it fails. There is no need or want for such a theater. We have Netflix and MoviePass. The time between theatrical release and physical/digital release is shortening. People come to the Hollywood Theater not for a month-old Transformers movie but for the unique and eclectic programming that is only available at the Hollywood. Not only does the Hollywood provide a unique lineup of films but it is influenced and fueled by the people who visit.
If the sale goes through, the programming at the Hollywood will be handled by THS board member Joe Masher, who does not even live in Pittsburgh. Currently, the programming is set by Joseph Morrison, who lives in Pittsburgh and is often working at the theater during screenings. Morrison understands what local movie fans want to see, and is loyal to the Pittsburgh community.
The plan of showing second-run films is not their only problem. The members of THS have started a Change.org petition against the purchase of the theater and the overall transparency of the board. The board refuses to show anything about their financials to their members. This can mean one of two things: either they have little money and are going to ruin the group by buying and maintaining the expensive theater, or they have a lot of money which they refuse to talk about. Both possibilities are shady and bothersome to locals worried about the purchase.
We must take action now to help save the beloved Hollywood Theater. Don't let it fall into the wrong hands, and ruin the theater that so many of us have come to cherish. Please sign this petition, and let your voice be heard.
Please join in solidarity with the Friends of Hollywood Theater and the current staff of the Hollywood Theater. If the current purchase of the Hollywood Theater by THS goes through, fans of the theater will not support it until it is returned to owners with the best interest of local movie fans at heart.
Theatre Historical Society of America: Hands Off The Hollywood Theater - Keep Our Local Theater Out of National Hands!
Dean Robbins needs your help with "Theatre Historical Society of America: Hands Off The Hollywood Theater - Keep Our Local Theater Out of National Hands!". Join Dean and 7,431 supporters today.


Daily Reflections for Lent from our members and friends.
"Do you know what I have done to you?"
12 After he had washed their feet, had put on his robe, and had returned to the table, he said to them, "Do you know what I have done to you? 13 You call me Teacher and Lord—and you are right, for that is what I am. 14 So if I, your Lord and Teacher, have washed your feet, you also ought to wash one another's feet.
Jesus did not ask "What have I done for you? That would have been easy to answer. He had washed their feet. But instead Jesus asked a tougher question "Do you know what I have done to you?" Jesus went on to explain that by washing their feet, Jesus, the teacher, had lowered himself from a social level of their superior to the level of a servant, by doing a job reserved for a servant. Now Jesus expected his disciples to follow his example and to serve one another. From then on, no one would be considered better than another. What Jesus had done to his disciples was to set a new standard in the way they were to treat one another. Teacher and student, master and slave are to treat each other as of equal worth.
When I read the background scripture leading up to Jesus asking this question, what struck me the most was that the meal had started. Then Jesus stopped eating and got some water and a towel and began washing his disciple's feet. Why didn't he wash their feet before the meal started? I suspect that he had suddenly realized this was an extremely important lesson he needed to teach and he would not have another opportunity to teach this important point. So, he had to teach it right away even though the meal had started.
I remember a time when I was in grade school a couple of weeks before the end of the school year. My teacher had the textbook in her hand and was preparing to give us our homework assignment. Suddenly she started flipping quickly through the pages of the book. I remember this because I thought I saw the look of panic in her face. Then she seemed to calm down and calmly announced she wanted to get us to the end of our current section of the book before the end of the school year. Apparently, she had a goal to teach us certain things and had suddenly realized her time was running very short.
Did Jesus, like my teacher, have a sudden realization that this lesson had to be taught, and taught right away while he still had time? We will never know? But I think that is what happened. What do you think? Is this important for us to learn?
Thanks for giving me a focus point to think about.
Don't put off till tomorrow what you can learn today.
Until you pointed it out, I never noticed that Jesus said 'done to,' and not 'done for,' when he asked his disciples "Do you know what I have done to you?" Regardless of the word Jesus used, I would have continued to think he meant 'done for you,' and without your observation that it appeared Jesus suddenly realized his time was short, I would have missed the unspoken admonition that time is running short -- for all of us, to do as He demonstrated.
Most of us interact with others every day, on small and large matters. How can we "treat each other as of equal worth," as Don said? We could practice; today! Thank you for your thought-provoking words, Don.
Thanks Don, I do think it's important to learn that time is of the essence & that as Jesus said, we should wash each others feet.
Use the form at the bottom of today's reflection.
Don Ankeny is a long time member of First United Methodist Church of Des Plaines. He and his wife, Loryn, recently moved to Lombard, IL.
They have a son who was married this year and now also lives in Lombard.
Recently Don has discovered the fun to be had playing Pickle Ball.
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The Johns Hopkins School of Education Neuro-Education Initiative will host its second annual summit and roundtable discussion on the intersection of brain research and its practical application in schools, at home and in the community.
"Linking brain research to education is extremely valuable to our understanding of student development and learning," said Mariale Hardiman, interim dean of the School of Education and co-chair of the Neuro-Education Initiative, along with Susan Magsamen, author on family and learning topics.
The summit will bring together scientists, educators and advocates to explore current research on the topic of attention and student engagement and to develop a research agenda to inform educational practice at school and home and in the community.
Moderated by clinical psychologist Lynne Michael Blum, the research panel will include Martha Bridge Denckla, of the Kennedy-Krieger Institute and the Johns Hopkins School of Medicine; Hal Pashler, of the University of California, San Diego; Michael Posner, of the University of Oregon; Daniel Willingham, of the University of Virginia; and Steve Yantis, of Johns Hopkins. Speakers also include Kurt Fischer, of Harvard University and the International Mind, Brain and Education Society, and Susan Rome, a teacher at the Baltimore Lab School.
This summit is made possible, in part, by the generous support of L. Robert Kimball and Associates and Johns Hopkins Medicine's Brain Science Institute. For more information or to register, go to www.education.jhu.edu/nei.


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Q: react-navigation from 1.x to 5, how to migrate redux actions App has all old code which I am upgrading to latest versions. It was using Redux for state management with StackNavigator. Since that is not supported, I am not able to understand how to migrate my existing redux actions, which were changing screens on various events.
An example action:
export const goToHome = () => ({
  type: PUSH,
  routeName: 'projectList',
});

Which earlier reached navReducer, which handled POPing and PUSHing of screens.
export default (state = initialState, action) => {
  let nextState;
  switch (action.type) {
    case NAV_POP:
      nextState = AppNavigator.router.getStateForAction(
        NavigationActions.goBack(),
        state
      );
      break;
    ...

Please suggest.
Thanks.

A: you can navigate through navigation container ref
you can call navigation().navigate("Settings") or navigation().goBack() in reducer
here is the demo of export navigation: https://snack.expo.io/@nomi9995/2eb7fd
App.js
import React,{useEffect} from 'react';
import { StyleSheet, Text, View } from 'react-native';
import { NavigationContainer } from '@react-navigation/native';
import { createStackNavigator } from '@react-navigation/stack';

const navRef = React.createRef();

export const navigation=()=>{
  return navRef.current && navRef.current
}

const TestComponent=()=> {
  useEffect(()=>{
    setTimeout(() => {
      navigation().navigate("Settings")
      setTimeout(() => {
        navigation().goBack()
      }, 3000);
    }, 100);
  })
  return (
    <View style={styles.container}>
      <Text>TestComponent 1</Text>
    </View>
  );
}

const TestComponent2=()=> {
  return (
    <View style={styles.container}>
      <Text>TestComponent 2</Text>
    </View>
  );
}

const RootStack = createStackNavigator();

export default function App() {
  return (
    <NavigationContainer ref={navRef}>
      <RootStack.Navigator>
        <RootStack.Screen name="Home" component={TestComponent} />
        <RootStack.Screen name="Settings" component={TestComponent2} />
      </RootStack.Navigator>
    </NavigationContainer>
  );
}

const styles = StyleSheet.create({
  container: {
    flex: 1,
    backgroundColor: '#fff',
    alignItems: 'center',
    justifyContent: 'center',
  },
});

reducder.js
import { navigation } from 'path of App.js';

export default (state = initialState, action) => {
  let nextState;
  switch (action.type) {
    case NAV_POP:
      nextState = navigation().goBack()
      break;

A: The navigationRef is used for the scenarios like this.
You can refer the documentation here
It states

Sometimes you need to trigger a navigation action from places where
you do not have access to the navigation prop, such as a Redux
middleware. For such cases, you can dispatch navigation actions from
the navigation container

Which exactly is your requirement, here we create a navigationref and use call the navigation methods from there.
The below is the code for a simple example, you can use the 'navigate' inside your reducer. Also you will have to move it to a separate file just like they've provided in the documetation.
import * as React from 'react';
import { View, Button, Text } from 'react-native';
import { NavigationContainer } from '@react-navigation/native';
import { createStackNavigator } from '@react-navigation/stack';

const navigationRef = React.createRef();

function navigate(name, params) {
  navigationRef.current && navigationRef.current.navigate(name, params);
}

function Home() {
  return (
    <View style={{ flex: 1, alignItems: 'center', justifyContent: 'center' }}>
      <Button
        title="Go to Settings"
        onPress={() => navigate('Settings', { userName: 'Lucy' })}
      />
    </View>
  );
}

function Settings({ route }) {
  return (
    <View style={{ flex: 1, alignItems: 'center', justifyContent: 'center' }}>
      <Text>Hello {route.params.userName}</Text>
      <Button title="Go to Home" onPress={() => navigate('Home')} />
    </View>
  );
}

const RootStack = createStackNavigator();

export default function App() {
  return (
    <NavigationContainer ref={navigationRef}>
      <RootStack.Navigator>
        <RootStack.Screen name="Home" component={Home} />
        <RootStack.Screen name="Settings" component={Settings} />
      </RootStack.Navigator>
    </NavigationContainer>
  );
}

redpajama_set_name: RedPajamaStackExchange


FRYD Eliquid Watermelon is a zany ejuice inspired by carnival style concoction of watermelon covered in crispy fried dough and topped with powdered sugar. Each satisfying hit of our watermelon eliquid is a deep-fried county fair treat. Enjoy the taste of FRYD Eliquid Watermelon year round, and vape guilt free without worrying about the calories of a tasty snack.
A fried dough inhale with juicy watermelon and slight taste of powdered sugar with each exhale.


Marriott has always renewed the Gold or Platinum status if you have stayed at Marriott properties a lot in the past and just have been in short on nights one year.
I used to stay at Marriott hotels a lot and had couple of years with around 130 nights. My total lifetime nights are just above 500 at the present. For the most part, I stopped at staying at Marriott hotels few years ago and Marriott continued renewing my Platinum status for couple of years and then finally downgraded me Gold last year.
In 2012, I had only 16 Marriott stays and Marriott has just renewed my Gold status for 2013.
At how many nights did Marriott renew your Gold/Platinum status if you were short on required nights? Leave your comments below.
As I have written on the Marriott lifetime piece, I only need some points to qualify for the Marriott lifetime Gold status as I have already had the number of required nights.
I am planning to do the Taste of Platinum later this spring after it qualifies me all the way to 2015. In the last couple of years, I have only had the number of stays at Marriott properties to max out the free night certificate promos.


text:
Tim Hodler | April 17, 2012
Ryan Cecil Smith's week of cartoon diaries continues—today he meets a friend of his girlfriend, and awkward conversation ensues.
And Joe "Jog" McCulloch has the Week in Comics. It looks like a big week, with new (and solid) late Pekar, a long-awaited return from R. Kikuo Johnson, and the final brick in the complete Krazy Kat, a genuinely amazing thing to exist, and almost a reason all by itself to to have irrational hope for humanity's future. (Does that seem like an overstatement? It obviously is. But read more Krazy Kat and get back to me.) Joe also writes a lot about Garth Ennis, about whose work I remain extremely skeptical.
Chris Mautner attempts to perpetrate a Jeet in this collection of notes on the beginning of a new complete reprint of a canonical strip, Walt Kelly's Pogo. Like him, I found this first volume to be a strange mix of the brilliant and the off-puttingly whimsical, but I enjoyed it more by the end than the beginning so I'm expecting to get more out of future volumes. In any case, read Mautner.
Also at Robot 6, Tim O'Shea talks to Kevin Huizenga about the recent republication of Gloriana.
Neil Cohn talks about whether or not comics is a language (he says no) in response to a recent academic book, The Art of Comics.
Eric Stephenson at Image continues to call out DC over their treatment of Alan Moore in the Before Watchmen issue. It is interesting that another publisher is being so aggressive about this, and also heartening in the sense that the more publishers publicly announce high standards, the more likely it is that the readership will hold them all to it. (David Brothers has been writing about Before Watchmen a lot, too.)
The Forbidden Planet blog links to a fascinating series of posts in which the British cartoonist Dan Haycock is working his way through the exercises in Ivan Brunetti's Cartooning: Philosophy & Practice.
And last but not least, Peter Huestis has posted scans of an entire book by legendary early cartoonist "TAD" Dorgan: Indoor Sports.
Written by Tim Hodler
THIS WEEK IN COMICS! (4/18/12 – Everything Comes Due)
Ryan Cecil Smith: Day 3


TOCCATA opens with an arresting side drum figure and snatches of themes from various sections of the band, which try to develop until a broad and powerful theme from the middle of the band asserts itself. A central dance-like section soon gives way to the return of this theme, which subsides until faint echoes of the opening material fade to a close.
INTERLUDE takes the form of a sad and languid solo for trombone. A chorale for the whole band introduces a brief spell of optimism but the trombone solo returns to close the movement quietly.
FINALE is a real tour-de-force for the band with a stream of rapid semi-quavers running throughout the movement. The main theme is heroic and march-like but this is interspersed with lighter, more playful episodes. A distant fanfare to the sound of bells is introduced and this eventually returns to bring the work to a stirring close.


Exchange Traded Funds (ETFs) are open-ended mutual funds which are issued by Mutual Fund Management Companies (M.F.M.C.) and are admitted to trading on the Stock Exchange. Just like shares, ETFs can be traded, as easily, at any time-during open trading hours by Members-Brokerage firms. It is a product that offers to investors the benefits of a diversified portfolio, i.e. the risks involved are reduced by spreading them across a wide portfolio, while its main investment objective is to reproduce the performance of a specific index.


The ability to negotiate is an essential managerial skill, as well as a core leadership competency. Negotiations take place in every context of human interaction. The purpose of this class is to teach participants some of the essential techniques of negotiating with an emphasis on contract negotiations. During this 2-day workshop, participants will be fully engaged in applied learning exercises and self-assessments. The class is designed to be fun, challenging, and substantive.


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text:
Q: Passing variables to the sed command We have a file containing 6 columns:
FILEDESCRIPTOR . DESCR00001     FILEDESCRIPTOR  .  DESCRIPTIVENAME
FILEDESCRIPTOR . LSTUPDNAM      FILEDESCRIPTOR  .  LASTUPDATENAME
FILEDESCRIPTOR . LOCAT00001     FILEDESCRIPTOR  .  LOCATION_ID
FILEDESCRIPTOR . RETAILPRC      FILEDESCRIPTOR  .  RETAILPRICE
FILEDESCRIPTOR . LSTUPDTIME     FILEDESCRIPTOR  .  UPDTIMESTAMP
INDUSTRYDIVISION . DESCR00001   INDUSTRYDIVISION  .  DESCRIPTION
INDUSTRYDIVISION . DIVIS00001   INDUSTRYDIVISION  .  DIVISIONCODE
INDUSTRYGROUP . DESCR00001      INDUSTRYGROUP  .  DESCRIPTION
INDUSTRYGROUP . DIVIS00001      INDUSTRYGROUP  .  DIVISION_ID

All I need to do is treat the first 3 columns separated by a single space and store it in a variable as a single column, and then store the next three that are separated by a single space into another variable. Then, use sed to replace the first variable with the second.
I tried the below script but threw errors:
#!/bin/bash
while IFS='' read -r line || [[ -n "$line" ]];
do
        column2="$(echo -e "$line \n" | awk '{print $4, $5, $6}')"
        #column3="$(echo -e "$line \n" | awk '{print $3}')"
        column1="$(echo -e "$line \n" | awk '{print $1, $2, $3}' )"
        #echo " $column1"
        #echo " $column2"
                 sed  "s/${column1}/${column2}/g" IMS_Procedures.txt
done < file

The script is not working. The errors I got are:
sed: -e expression #1, char 23: unterminated `s' command
sed: -e expression #1, char 23: unterminated `s' command
sed: -e expression #1, char 20: unterminated `s' command
sed: -e expression #1, char 23: unterminated `s' command
sed: -e expression #1, char 23: unterminated `s' command
sed: -e expression #1, char 23: unterminated `s' command
sed: -e expression #1, char 23: unterminated `s' command
sed: -e expression #1, char 22: unterminated `s' command
sed: -e expression #1, char 22: unterminated `s' command
sed: -e expression #1, char 22: unterminated `s' command
sed: -e expression #1, char 23: unterminated `s' command
sed: -e expression #1, char 30: unterminated `s' command

What can be done?

A: No need to while read...
You could simply process your input file:
sed 's|[[:blank:]]\{1,\}|/|3;s|.*|s/&/g|' infile

and turn it into a sed script:
s/FILEDESCRIPTOR . DESCR00001/FILEDESCRIPTOR . DESCRIPTIVENAME/g
s/FILEDESCRIPTOR . LSTUPDNAM/FILEDESCRIPTOR . LASTUPDATENAME/g
s/FILEDESCRIPTOR . LOCAT00001/FILEDESCRIPTOR . LOCATION_ID/g
s/FILEDESCRIPTOR . RETAILPRC/FILEDESCRIPTOR . RETAILPRICE/g
s/FILEDESCRIPTOR . LSTUPDTIME/FILEDESCRIPTOR . UPDTIMESTAMP/g
s/INDUSTRYDIVISION . DESCR00001/INDUSTRYDIVISION . DESCRIPTION/g
s/INDUSTRYDIVISION . DIVIS00001/INDUSTRYDIVISION . DIVISIONCODE/g
s/INDUSTRYGROUP . DESCR00001/INDUSTRYGROUP . DESCRIPTION/g
s/INDUSTRYGROUP . DIVIS00001/INDUSTRYGROUP . DIVISION_ID/g

and pipe that to a second sed -f- to process your IMS_Procedures.txt:
sed 's|[[:blank:]]\{1,\}|/|3;s|.*|s/&/g|' infile | sed -f- IMS_Procedures.txt

I don't quite understand what "this is a file and this command prints it with single space" means so if fields in your infile are delimited by more than one space then you could use tr first:
tr -s '[[:blank:]]' ' ' <infile | sed 's| |/|3;s|.*|s/&/g|' | sed -f- IMS_Procedures.txt

A: In your $column1 and $column2 variable there is a newline at the end and the sed command looks then like this:
sed  "s/FILEDESCRIPTOR . DESCR00001
  /FILEDESCRIPTOR . DESCRIPTIVENAME
  /g" IMS_Procedures.txt

sed recognizes this as an unterminated s command.

Use this instead:
while read -r a b c d e f; do
  sed -i "s/$a $b $c/$d $e $f/g" IMS_Procedures.txt
done <file

*

*read store the 6 fields in the variables $a to $f

*

*Then sed replaces the first 3 fields as a space separated stringwith the last 3 in the file IMS_Procedures.txt. -i activates in-place editing, that the changes are written to the file, instead of printed to the screen.

Notice the . in sed will match any character not only the dot. That has to be esacped with \. in the input file.

A: I would try the obvious :
awk '{printf "s/%s%s%s/%s%s%s/\n",$1,$2,$3,$4,$5,$6} ' file |
sed -i -f - IMS_Procedures.txt

where sed file is generate by awk.
you can adjust space using
awk '{printf "s/%s %s %s/%s %s %s/\n",$1,$2,$3,$4,$5,$6}


Citynet - Awards & Recognition - Voice, Data, Internet Provider.
Our constant goal is to provide the best in customer service, bar none. Our customers know this. And now we have the proof! Our Technical Support Center received international attention as the recipient of the 2009 International Service Excellence Award.
The International Service Excellence Awards recognize the importance of exceptional customer service in today's competitive and fragile global economy. The judging criteria are based on the very rigorous International Customer Service Standard which was established in 1999 as a benchmark for customer service management systems around the world.
"Superb customer service is a benchmark that we strive for everyday at Citynet. We fully realize that this is one of the most important reasons why customers choose Citynet verses one of our many competitors. Our one-stop-shop with a personal approach to customer service is unique in our industry and we are heartened by our selection for this very prestigious International customer service award. We are very proud of all our teammates in the Citynet Customer Technical Support Center. Their skills and dedication have made this award possible."
Citynet is proud to have secured another prestigious specialization from Cisco Systems: Cisco Advanced Security – USA certification. "This will allow us to provide even more customer services, including the ability to protect the products and services that our customers rely upon", said Luther Toney, Chief Technology Officer for Citynet.
The Cisco Advanced Security Specialization recognizes Citynet for their knowledge and expertise in selling, designing, installing, and supporting comprehensive, integrated network security solutions. This specialization enables Citynet to address a wide range of customer needs--from enterprise-scale organizations to small and medium-sized business (SMB) customers. The focus of the specialization is on developing sales, technical, and services capabilities that distinguish Citynet as being among the industry's elite in providing integrated, collaborative, adaptive security solutions. Citynet also recently received additional specializations in Wireless, and Advanced Routing and Switching.
n 1993, The State Journal began its Who's Who in West Virginia Business as a way to tell the stories about people who bring strength and vitality to communities across West Virginia through their entrepreneurship and leadership. Each year, they recognize a new class of young professionals making a mark on their communities and in the state of West Virginia.
We are proud to have Citynet's Vice-President and General Manager of Managed Services, Craig Behr, selected as part of the 2009 class of honorees.
Because of its booming development, the Harrison County Chamber of Commerce presented Citynet with its 2008 Business of the Year Award.
The award is given each year to a business in Harrison County that demonstrates outstanding corporate citizenship, community involvement and commitment to the Chamber. "It's an important way for us to recognize our members for their outstanding achievements. Citynet has proven to be an outstanding force for good in our region, and we are thankful for that." said Kathy Wagner, president of the Harrison County Chamber of Commerce.


text:
Historic Odd Fellows Hall in East Providence could finally be ready for redevelopment
City signs P&S agreement with Indigo Holdings LLC
By Mike Rego
EAST PROVIDENCE — The dilapidated Odd Fellows Hall at the heart of what aspires to be East Providence's Arts center at Watchemocket Square on Warren Avenue may finally be ready for a reprieve …
Posted Thursday, August 22, 2019 11:16 am
EAST PROVIDENCE — The dilapidated Odd Fellows Hall at the heart of what aspires to be East Providence's Arts center at Watchemocket Square on Warren Avenue may finally be ready for a reprieve after the City Council during its Tuesday, Aug. 20, meeting approved a purchase and sale agreement submitted by the office of Mayor Bob DaSilva.
By a 5-0 vote, the council backed the mayor's request to sell the decaying 140-year-old structure to Indigo Holdings LLC for the sum of $1. The agenda item was sponsored on the August 20 docket by Ward 2 Councilor Anna Sousa, in whose district the hall is situated.
"This is a building that has been vacant for many, many years with multiple issues. And we have put it out to bid on numerous occasions without success. We do have someone interested who is going to preserve the historic nature of it to the best of their ability and bring life to the Arts district, which is necessary and vital to our community," Ms. Sousa said while introducing the ordinance.
The submission by Indigo Holdings to redevelop the Odd Fellows Hall was part of the most recent Request For Proposal (RFP) bid process, which began in March and closed in mid-April of this year.
No specific details on what the company plans to do with the 2.5 story, 12,000 square foot building were announced last week.
According to the city's RFP, among the suggested uses could be converting the Odd Fellows Hall, which sits on a 6,098 square foot corner parcel with frontage on Warren Avenue and Burgess Avenue, into such things townhouses, condominiums, apartments, offices, senior living, mixed-use commercial/residential space, live/work space or artist studios. The focal point of the hall is its second floor meeting room, which the RFP described it as one of the building's "historically significant features" that "possesses unique molding, decorative brackets, large arches and iron tension rods."
"It's been a blighted area, a blighted building. It's producing the city zero taxes right now and costing us money probably to insure it, maintain it," said At-Large Councilor Bob Rodericks in seconding the approval motion. He also credited the "aggressive" recruiting of a purchaser by Mayor DaSilva's office with the assistance of the city's Community Development Block Grant coordinator Dave Bachrach.
"They seem to have a purchase and sales agreement with someone who has the money. So it's kind of a win-win. And again it goes with this whole waterfront district of lower Warren Avenue where we're trying to fix it up," Mr. Rodericks added.
The purchase and sales agreement allows the property to qualify for East Providence tax stabilization program, establishing a single assessed value for five years. The city also has on offer a $100,000 interest-free loan to the buyer in order to conduct necessary repairs to the hall, which was built in 1889 and is listed on the National Register of Historic Places. The most glaring external defect is the roof, its shingles and water dispersement systems both in total need of replacement. In addition, the agreement allows Indigo Holdings to participate in the city's commercial loan and commercial microloan programs, both giving the developer access to low interest funds.
As well, the Odd Fellows Hall is in the city's federally backed "Opportunity Zone." The 2017 Tax Cuts and Jobs Act established the federal "Opportunity Zones" program and allowed states to nominate tracts by low income in areas where the program is intended to "spur investment through favorable capital gains treatment for investors who support eligible development projects." Governor Gina Raimondo and the Rhode Island Commerce Corporation announced last year that all 25 areas submitted by the state for designation as "Qualified Opportunity Zones," including in city, were approved by the U.S. Department of the Treasury and the Internal Revenue Service. East Providence Census Tract 104, including parts of the waterfront district and Warren Avenue, is the city's designated zone.
East Bay Property Sales – Jan. 5
East Bay Property Sales – Dec. 29


text:
Šnireljmanova gostota (tudi gostota zaporedja) zaporedja v matematiki pove, kako »gosto« je to zaporedje. Pojem iz splošne aditivne teorije števil je leta 1930 uvedel ruski matematik Lev Genrihovič Šnireljman.

Intuitivno se ve, da obstaja »več« lihih števil kot kvadratnih števil. Množica lihih števil v bistvu ni »večja« od množice popolnih kvadratov, saj sta obe neskončni in števni. Med njima zatorej obstaja bijektivna preslikava – vsakemu elementu ene množice tako ustreza točno en element druge množice. S Šnirejmanovo gostoto se točneje izrazi takšno intuitivno zapažanje.

Za vsako celo število n > 0 naj je število členov zaporedja:

Šnireljmanova gostota podmnožice A množice N nenegativnih celih števil je potem največja spodnja meja ulomkov A(n)/n:

Šnireljmanovo gostoto označujejo še z α ali δ(A).

Ta definicija razrešuje očiten problem z enostavno določitvijo gostote kot limite A(n)/n, saj ni nujno, da ta obstaja. Šnireljmanova gostota na drugi strani vedno obstaja.

Šnireljmanova funkcija gostote σ ima naslednje značilnosti:

 Za vsak n, A(n) > n · σA.
 σA = 1, tedaj in le tedaj A ⊇ N.
 Če 1  A, je σA = 0.
 Če 0 ∈ A ∩ B, je σ(A + B) ≥ σA + σB - σA · σB
 Če je σA + σB ≥ 1, velja σ(A + B) = 1.
 Če je σA > 0, je A aditivna baza.

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