Every since she was the Scottish correspondent for TV AM, back in the 80s. Lorraine Kelly has travelled all over Scotland. In her latest book, Lorraine Kelly's Scotland, she talks about the places she loves in her homeland and the one's she wants other people to experience.
I would start off with Barra, in the Outer Hebrides. Of course, you could go to Oban by the ferry – a drive-on, drive-off ferry – but it takes five hours and it can get a bit bumpy if the weather gets a bit bad. The way I go, and the best way to go, is to fly.
You fly from Glasgow. It takes just under an hour. And you land on the beach. It's the only place in the UK where the airport timetable is subject to the tide. It's this beautiful flat white white sand beach. And the water is incredibly clear. If you get a good day for that flight from Glasgow, you pass over some amazing islands and the views are just extraordinary.
Barra is a magical wee island. It's absolutely gorgeous. It's at the bottom of the Outer Hebrides. Very small, very quite. But a very friendly place. They've got a couple of great hotels, but fabulous B&Bs as well. It's a great place if you like sailing, if you like birdwatching, if like just walking, if you like sitting by a fire with a glass in your hand. If you're thinking 'I'm stressed! I'm hassled!' it's the perfect place for you.
Again, you can get the ferry. Drive up to the north of Scotland, to Scrabster, and you can get the ferry across. The joy of the ferry is that you pass the Old Man of Hoy, so you get that fantastic view of that amazing rock formation.
The light in Orkney is extraordinary. If you like taking photographs, or you're in any way artistic, it's an amazing place to go.
The history is extraordinary, starting at Skara Brae. People were there before the pyramids were built. There's an amazingly preserved neolithic village you can go and see.
Orkney is a really quirky place too. There's lots of wee islands, each of them with their own strange ways. Like the flight from the island of Westray to the island of Papa Westray. It's the shortest flight in the Uk. It's under a minute. You can see the flight socks of the runway on the other island. And the pilot does his landing checks before he takes off.
Then there's the island of North Ronaldsay, in the far north of the Orkneys. The sheep are kept off the land and fed seaweed. So there are pies that they make from the mutton that has quite a briny taste.
If you're into history, you'll want to see the Churchill Barriers that link all the south islands. They were built during the Second World War to stop the German fleet from coming up to Scapa Flow.
I'm from Glasgow original, but Dundee is my adopted city. It's going through a a renaissance at the moment. We're getting a V&A Museum by the waterfront and the whole waterfront is getting completely transformed.
It's a brilliant place, with an amazing history. You know when you live somewhere you kind of take it for granted a little bit? I was a bit like that with Dundee. But when I was researching this book, it was great to rediscover it and find out a bit more about the history of Dundee.
I support the local football team, Dundee United. The really interesting thing is that Dundee United and Dundee, the city's other football team, are actually on the same street. They're the closest clubs anywhere. When Dundee was in the same league as us, if you were going to an away game, it was almost like a home game. You literally walked across the road.
Glasgow was my home town. It's friendly and a bit cheeky. If you're standing at the bus stop, waiting for a bus, somebody from Glasgow will talk to you. You'll get their whole life story.
Glasgow is really thriving culturally. It has amazing museums. Fantastic restaurants and clubs. Also, Glasgow is gaelic for 'great green place', so there are lots of parks. Go for the parks, the museums, go for the Burrill Collection, the Kelvin Grove Museum. And for the pubs. Glasgow has great pubs.
Inverness is a great city and a great base. There are so many place you can go to from Inverness. We hired a boat and went on Loch Ness when my daughter was really young, looking for the monster. That was really good fun.
ICulloden battlefield is very near Inverness too. It's very eerie and atmospheric. And there is a brilliant visitors centre there that really explains the background and the history. They've tried very hard to restore it so it's like it was when the battle took place.
Beautifully illustrated with stunning original photographs, Lorraine Kelly's Scotland, can be ordered on Amazon now.


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Sidney Poitier Was Also 'Not Your Negro'
Zaron Burnett III January 7, 2022
The legendary actor just passed away at age 94, leaving behind an iconic body of work as an actor, director and producer — but his greatest legacy was how he lived on his own terms, without any shortage of grace or dignity
How Frankenstein's Monster Came to Be the Grinch
On its 55th anniversary, let's remember that 'How the Grinch Stole Christmas!' wouldn't be the holiday classic it is without Boris Karloff's surprisingly warm performance
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The Monkees didn't write the song, and most of them didn't even appear on the track, but it remains an anthem for any young person in love
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Though he no longer has his own TV show, the lively, green clay lad lives on in the hearts and memes of the extremely online
The Government's Gay Witch Hunt of Pat Patterson
David Bixenspan October 19, 2021
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Comprehensive review of Sephora Gradual Self Tanning Body Lotion. See what real experts and actual users have to say about this self tanning product.
I gave Sephora Gradual Self Tanning Body Lotion 2.75 out of 5 stars, so it was pretty average.
This one comes out with a slight shimmer to it, which I liked, but men definitely won't.
I also liked that it only took 15-20 minutes to dry, and there's no dark guide you have to worry about.
It smelled decent, but I could still smell a little DHA, especially when I woke up the next morning.
I got a light to medium shade tan after 3 days of applying it. The color was too light for my liking, but it was a nice shade. I just think it's a lot of work to apply a self tanner almost daily.
Some areas of my body ended up looking very streaky and uneven, which pretty rarely happens with gradual tanners.
Overall, this one is pretty average…I definitely think there are better gradual tanners out there.
This gradual tanner is a slick, white lotion with a shimmer in it.
You can tell the product is geared towards women due to the shimmer in it.
The lotion is thick and smooth; it feels a bit like sunscreen.
Applying this lotion is very easy and clean.
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You can use a tanning mitt if you'd like to, but with this one it isn't absolutely necessary.
It comes out white so you don't need to worry about it staining your palms, as long as you wash them immediately afterwards.
Sephora Gradual Self Tanning Body Lotion took about 15 to 20 minutes to completely dry.
That's not too bad as far as drying times go, I've definitely seen longer.
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You can definitely smell DHA, but you can also smell some fragrance, which smelled nice.
So it's not a great smelling product, but it's not the worst either.
It kind of smells like sunscreen a bit.
The next morning I could smell more DHA than fragrance.
I didn't like how it smelled after it developed.
This is a gradual tanner so you're directed to apply it a few days in a row.
I applied it 3 days in a row and got a light, medium shade tan.
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Surprisingly this one lasted about 3-4 days, which is longer than most gradual tanners last.
I was happy that I didn't have to maintain my tan by reapplying it everyday.
Unfortunately, it faded a bit splotchy and uneven.
I don't think men will like this one.
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That's really cheap and works out to $2.37 per ounce.
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Brief mention: our modest medicos »
Today's dreadful pun
Today's Bizarro:
Grotesque, but then the strip is called Bizarro.
The pun turns on word division: wi-fi /waj faj/ vs. wife eye /wayf aj/; compare I scream vs. ice cream. (There are also prosodic differences, which, however, are variable along several dimensions.) At a phonemic level, then, the two words are segmentally identical, making a perfect pun.
But along with the differences in word division go phonetic differences: the phonetic realizations of /aj/ in an open syllable (as in wi) are somewhat different from the realizations in a closed syllable (as in wife), for example. Some of these differences are widely shared, but others are associated with regional or social dialects. In particular, for some speakers the nucleus of /aj/ is higher before a voiceless consonant in its syllable than it is otherwise (in an open syllable, or before a voiced consonant), and this difference is large enough to count as a difference in "accent".
The raising of /aj/ (to [ɐɪ] or on to [ʌɪ]) before voiceless consonants is often treated as a case of so-called Canadian Raising and lumped together with the raising of /aw/ in this context, but /aj/-raising (though it's common throughout Canada and the northern border of the U.S.) is much more widespread geographically than /aw/-raising (for some discussion, see here, with a later note on /aw/-raising here).
A further refinement: when scholars of variation distinguish one dialect from another (in part) on the basis of a phonetic difference, they're inclined to say that one dialect has variant X where another has variant Y. But this is a kind of shorthand: in fact, speakers of each of the dialects have a range of phonetic realizations for X and Y, with variation between speakers and according to occasion. X and Y count as different for some set of speakers if the means for X and Y are significantly different phonetically on relevant dimensions.
I mention this because it's tempting to try to get at dialect differences by just pronouncing some words (like wi and wife), out of context, and reflecting on the pronunciations: "I have [aɪ] in wi, but [ɐɪ] in wife". That's quick and easy, and net discussions of variation often proceed on that basis, but it's not the same thing as looking at the phonetic facts.
That's the sociolinguist's standard warning — relevant in this case because self-reports on the pronunciation of /aj/ are often unreliable, for a number of reasons.
This entry was posted on October 7, 2012 at 8:35 am and is filed under Linguistics in the comics, Phonology, Puns, Variation.	You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.


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LiveRC.com » News » Special Features » TALK IT UP TUESDAY: Mugen Seiki Racing's Mike Truhe
TALK IT UP TUESDAY: Mugen Seiki Racing's Mike Truhe
Tuesday, Jul 2, 2019 08:00am
Welcome to LiveRC's weekly column, "Talk-It-Up Tuesday!" Here we spend a little time talking with industry icons including racers, manufacturers, team managers, developers, promoters, and everyone in between! Sit back, relax, and go behind the scenes as we interview them all!
For this week's Talk It Up Tuesday we sit down with multi-time National Champion and seasoned pro Mike Truhe to discuss his career, the evolution of R/C, his opinion of the industry, and so much more!
LiveRC: Welcome Mike to this edition of "Talk It Up Tuesday"! Let's start by asking who, what, when, where, how, and why did you get started in R/C car racing in the first place?
Truhe: I started racing R/C back in the late 90s. I was very into R/C airplanes and got a job at the local hobby shop when and the car guys sold me a Team Losi XX buggy to go with them to the track. I spent many of my early years at SoCal Raceway racing. That's where I became good friends with Brian Kinwald and that whole crew. He was a very pivotal person and influence to my success as he was with so many of us! R.I.P. Dirtinator!
LiveRC: When did you realize that R/C car racing is something you wanted to do seriously as a career?
Truhe: I learned to love the racing and competition very early on. In the early 2000's I felt like I had a chance of doing it as a career, and really pursued hitting the racing scene hard and traveling to more and more races. At the 2003 World Championships I was able to finish 3rd in 4wd, and it was then that I really thought I could do this full time.
(Photo by RC Car Action - Chilly Duncan)
LiveRC: What accomplishments in your career are you most proud of?
Truhe: I am very proud of all my National Championships. To be able to have two 2wd modified titles as well as a 1/8t scale title is very special to me. I was always proud to have titles in both disciplines. I am also very proud of my 2008 1/8 scale worlds TQ and runner up. I will always wish I could go back and re-drive the last 15 minutes of that final, but hindsight is always 20/20.
LiveRC: You have worked for various companies over the years as a paid driver as well as in product development. What are your current roles at Mugen Seiki Racing?
Truhe: These days I have started working outside of the R/C industry so my roles at Mugen aren't near what they used to be. I still am involved with product development and testing with the team. Adam Drake, Ryan Maifield and myself still strive to better the product for ourselves and ultimately for the customers. I am very happy with the core group of guys we have, and we all work very well together.
LiveRC: We had a bit of time to catch up and chat after this year's ROAR Nationals at Thornhill. You mentioned a lot has changed in the R/C industry over the years, especially in off-road racing. Let's start by asking what are your thoughts on today's 1/8-scale off-road racing tracks and track surfaces?
Truhe: The industry definitely has changed from what it was 7-10 years ago. The cars, engines and everything else in the cars has definitely improved to make it more of a plug and play situation so the times of having a mechanical advantage or "trick" things in your car are things of the past. I also think that the tracks and surfaces have changed dramatically in terms of them being "off-road". A lot of the tracks now are trying to make the surfaces grooved and super smooth which can be nice, but also at the same time in my opinion takes away from the racing that happens on them. They become a very one lined track and instead of racing each other you end up just racing the clock and the track itself. In the past you didn't necessarily have to have the best lap times to win a race if you had a good race craft, but now if you don't have the lap time you really don't have much of a chance to show off whatever race craft you may have.
LiveRC: The "tire game" was very different 10-15 years ago, as there were far less tread patterns, compounds, and companies to choose from. Do you think the advancements and increased options in treads and compounds over the years has helped or hurt off-road R/C racing?
Truhe: I don't mind the evolution of the tires so much. I definitely don't like the surfaces that bring upon the "tire game" though in my opinion. Once again, these types of surfaces don't allow for racing each other to happen as much as the only place these prepped tires work is in the narrow groove that forms on the track. You cannot take a slightly different line than your competitors in attempts to setup a pass. All you can do is follow and try and force or hope for a mistake.
LiveRC: Headsets used by drivers and mechanics are also "new" to the 1/8 scale off-road scene as of recent years. What is your opinion of headset communication during the race between the drivers and mechanics?
Truhe: Once again I don't necessarily hate the ability to communicate with your pit crew, especially pre-race for last minute tuning or adjustments. The one thing that can get annoying to me is when the person next to you is having a full conversation for 45 minutes during the final. I always joke that there should be a rule that once the race starts the driver should have to raise his or her microphone so the communication is only from pit guy to driver.
LiveRC: When you first turned professional, becoming sponsored (let alone getting paid) was not an easy task. It's not nearly as difficult to receive sponsorship support from brands in the industry today. What are your thoughts on sponsorship today?
Truhe: Sponsorship today is definitely a way different ball game from back in the day. The thing that got me sponsored by a chassis company back in the day was getting 3rd at the World Championships. The other big difference was you didn't really pursue sponsorships back than like you do now. It was more of you make a name for yourself by doing good at the big races and the companies would approach you. It is really a shame how it works these days mostly for the hobby shops and tracks. They are the ones that are really getting the short end of the stick with all the companies sponsoring or having "guaranteed customers" as some may call it. I really wish that everyone would get together and agree to not do it so direct as it's done today, but maybe run these sponsorships through some of these hobby shops so they are not completely left out of the circle and could benefit from the drivers influence. Could be a win-win for everyone in my opinion, but would take agreement from all which may be tough.
LiveRC: One thing you wish you could change about the R/C car racing industry?
Truhe: I wish the sponsorship situation could change. I really believe it's the biggest thing the industry is doing to shoot itself in the foot as it directly effects the local hobby shops and tracks. Without those we don't really have a racing industry.
LiveRC: You have traveled the world racing R/C cars. What is the best place on earth to race R/C cars?
Truhe: The USA is definitely a great place to race. California treated me very well with so many tracks and fast people to race with on a weekly basis. It was on top for sure back in the day. The rest of the world has definitely done a great job catching up to us though in off-road racing for sure.
LiveRC: Worst place on earth to race R/C cars?
Truhe: I don't think that there can be a worst place to race R/C cars. I mean no matter what your still racing R/C cars [laughs].
LiveRC: If you weren't in the R/C industry, what would you be doing?
Truhe: I recently started a new career working in the semiconductor industry and I have been very intrigued by it. If it wasn't for my R/C career though I was on the path to become a pilot. I got my pilots license at 18, and was pursuing that but after the 9-11 tragedy that industry really stalled for people in my position, and that's about when the R/C opportunity presented itself so I ran with that.
LiveRC: Who is your favorite person to race against?
Truhe: I have always liked racing against Cavalieri and Maifield. They definitely will bring out the best in you, and if you faulter in any way they will expose it quickly. To win against them really makes it special because of that.
LiveRC: Who is your least favorite person to race against?
Truhe: Masami was probably one of the toughest people I raced against. He definitely will run you hard and sometimes maybe a little too hard in some people's opinion. He is definitely one that you drove looking in your mirrors against (no disrespect).
LiveRC: What is your most memorable R/C racing trip/adventure/journey to date?
Truhe: I would have to say the 2008 IFMAR 1/8 Worlds in North Carolina. It was an awesome week for me where everything seemed to be firing on all cylinders for the most part. Like I've said before, I wish I could redo the last 15 minutes of the final, but at the same time I definitely learned a lot from the mistakes I made there and it made me a better person and racer in the end.
(CLICK HERE to view the full 2008 IFMAR World Championship photo gallery by NeoBuggy.net)
LiveRC: What is your most embarrassing moment as a professional R/C car racer?
Truhe: I would like to think I haven't had to many embarrassing moments, and if I did I for sure wanted to forget about them [laughs].
LiveRC: Greatest R/C car racing class of all-time?
Truhe: 1/8-scale off-road.
LiveRC: Dumbest R/C car racing class of all-time?
Truhe: For the top-level guys I would have to go with short course trucks. This is kind of a double-edged sword as it was an awesome class for the entry level or even local racing scene, but to trying and race them at the pace we were trying to race them at it was kind of a nightmare for me [laughs].
LiveRC: What is one thing that most people don't know about Mike Truhe?
Truhe: I got my pilots license when I was 18.
LiveRC: Mike, it has been a pleasure getting to chat with you today, hear your opinions, and have a good laugh or two. Is there anything you would like to add before we let you go?
Truhe: I would really like to thank you for reaching out to me for this interview. I would also like to thank all my sponsors for giving me the opportunities that I have racing and enjoying R/C racing. Huge thanks to Mugen Seiki, Futaba, Pro-Line, O.S. Engines, MKS servos, Flashpoint, Stick It 1, Tekin, Max Amps batteries, MIP, Avid, Lunsford and Hobby Action Raceway.


There were 236,100 jobs in Lansing, Michigan in February 2019 according to the CES survey of employers. The CPS survey of households showed 241,047 employed persons for the month. Lansing lost 100 jobs in February 2019 according to the CES survey while the broader CPS measure of employment rose by 154 (Comparing CES and CPS employment numbers.). You can also compare Lansing job growth to job growth in other cities.
The charts below show the monthly job growth for Lansing as measured by the CES and CPS surveys. To illustrate the trend, the 3 month moving average change in employment is shown in green.
CES employment for Lansing peaked in October 2000 at 238,600. Since then 2,500 jobs have been lost in Lansing according to the employer survey. From a trough of 212,300 in July 2009, Lansing has gained 23,800 jobs according to CES employment figures.
CPS employment reached a maximum of 242,911 for Lansing in May 2018. 1,864 jobs have been lost in Lansing since then according to the household survey. From a January 2019 low of 240,893, Lansing has added 154 jobs according to the CPS survey.


Our handcrafted stills are made of 100% high quality copper. All welding / soldering islead free (the body welds are brass wire, smaller connections are tin-silver).This still kit includes everything that is pictured: pot belly (still bottom), onion head (onion top), the worm (condensing unit), thermometer rated in Fahrenheit and Celsius and an instruction guide. Please note that we cannot offer distillation advice or help without proof of Federal Distillers Permit.


text:
using System;
using System.Collections.Generic;
using System.Linq;
using AllReady.Controllers;
using AllReady.Models;
using AllReady.ViewModels;
using Microsoft.AspNet.Hosting;
using Microsoft.Data.Entity;
using Microsoft.Extensions.DependencyInjection;
using Xunit;
using Moq;
using System.Security.Claims;
using System.Security.Principal;
using Microsoft.AspNet.Http;

namespace AllReady.UnitTest
{
    public class ActivityApiControllerTest : TestBase
    {
        private static IServiceProvider _serviceProvider;
        private static bool populatedData = false;
        private static int activitiesAdded = 0;

        public ActivityApiControllerTest()
        {
            if (_serviceProvider == null)
            {
                var services = new ServiceCollection();

                // Add EF (Full DB, not In-Memory)
                services.AddEntityFramework()
                    .AddInMemoryDatabase()
                    .AddDbContext<AllReadyContext>(options => options.UseInMemoryDatabase());

                // Setup hosting environment
                IHostingEnvironment hostingEnvironment = new HostingEnvironment();
                hostingEnvironment.EnvironmentName = "Development";
                services.AddSingleton(x => hostingEnvironment);
                _serviceProvider = services.BuildServiceProvider();
            }
        }

        [Fact]
        public void GetAllActivities()
        {
            // Arrange
            ActivityApiController controller = GetActivityController();

            // Act
            var activities = new List<ActivityViewModel>(controller.Get());

            // Assert
            Assert.Equal(activitiesAdded, activities.Count());
        }

        [Fact]
        public void GetSingleActivity()
        {
            // Arrange
            ActivityApiController controller = GetActivityController();

            // Act
            int recordId = 5;
            var activityViewModel = controller.Get(recordId);

            // Assert
            Assert.Equal(activityViewModel.Id, recordId);
            Assert.Equal(activityViewModel.CampaignName, string.Format(TestActivityModelProvider.CampaignNameFormat, recordId));
            Assert.Equal(activityViewModel.CampaignId, recordId);
            Assert.Equal(activityViewModel.Description, string.Format(TestActivityModelProvider.ActivityDescriptionFormat, recordId));
            Assert.Equal(activityViewModel.EndDateTime, DateTime.MaxValue.ToUniversalTime());
            Assert.Equal(activityViewModel.StartDateTime, DateTime.MinValue.ToUniversalTime());
        }
        [Fact]
        public void ActivityDoesExist()
        {
            // Arrange
            ActivityApiController controller = GetActivityController();

            // Act
            int recordId = 1;
            var activityViewModel = controller.Get(recordId);

            Assert.NotNull(activityViewModel);

        }

        [Fact]
        public void HandlesInvalidActivityId()
        {
            // Arrange
            ActivityApiController controller = GetActivityController();

            // Act
            int recordId = -1;
            var activityViewModel = controller.Get(recordId);

            Assert.Null(activityViewModel);

        }

        [Fact]
        public async void UnregisterActivityShouldRemoveActivitySignup()
        {
            // Arrange
            int recordId = 5;
            var controller = GetActivityController()
                .WithUser(recordId.ToString());

            // Act
            var result = await controller.UnregisterActivity(recordId);

            // Assert
            Assert.NotNull(result);
            var context = _serviceProvider.GetService<AllReadyContext>();
            var numOfUsersSignedUp = context.Activities
                .First(e => e.Id == recordId)
                .UsersSignedUp.Count;
            Assert.Equal(0, numOfUsersSignedUp);
        }

        [Fact]
        public async void UnregisterActivityShouldRemoveTaskSignup()
        {
            // Arrange
            int recordId = 5;
            var controller = GetActivityController()
                .WithUser(recordId.ToString());

            // Act
            var result = await controller.UnregisterActivity(recordId);

            // Assert
            Assert.NotNull(result);
            var context = _serviceProvider.GetService<AllReadyContext>();
            var numOfTasksSignedUpFor = context.TaskSignups
                .Where(e => e.Task.Activity.Id == recordId)
                .Count();
            Assert.Equal(0, numOfTasksSignedUpFor);
        }

        #region Helper Methods

        private ActivityApiController GetActivityController()
        {
            var allReadyContext = _serviceProvider.GetService<AllReadyContext>();
            var allReadyDataAccess = new AllReadyDataAccessEF7(allReadyContext);
            var controller = new ActivityApiController(allReadyDataAccess);
            PopulateData(allReadyContext);
            return controller;
        }

        private void PopulateData(DbContext context)
        {
            if (!populatedData)
            {
                var activities = TestActivityModelProvider.GetActivities();

                foreach (var activity in activities)
                {
                    context.Add(activity);
                    context.Add(activity.Campaign);
                    activitiesAdded++;
                }
                context.SaveChanges();
                populatedData = true;
            }
        }

        private class TestActivityModelProvider
        {
            public const string CampaignNameFormat = "Campaign {0}";
            public const string CampaignDescriptionFormat = "Description for campaign {0}";
            public const string OrganizationNameFormat = "Test Organization {0}";
            public const string ActivityNameFormat = "Activity {0}";
            public const string ActivityDescriptionFormat = "Description for activity {0}";
            public const string UserNameFormat = "User {0}";
            public const string TaskDescriptionFormat = "Task {0}";

            public static Activity[] GetActivities()
            {
                var users = Enumerable.Range(1, 10).Select(n =>
                    new ApplicationUser()
                    {
                        Id = n.ToString(),
                        Name = string.Format(UserNameFormat, n)
                    }).ToArray();
                var campaigns = Enumerable.Range(1, 10).Select(n =>
                    new Campaign()
                    {
                        Description = string.Format(CampaignDescriptionFormat, n),
                        Name = string.Format(CampaignNameFormat, n),
                        Id = n
                    }).ToArray();

                var organizations = Enumerable.Range(1, 10).Select(n =>
                    new Organization()
                    {
                        Name = string.Format(OrganizationNameFormat, n),
                        Campaigns = new List<Campaign>(new[] { campaigns[n - 1] })
                    }).ToArray();

                var activities = Enumerable.Range(1, 10).Select(n =>
                    new Activity()
                    {
                        Campaign = campaigns[n - 1],
                        EndDateTime = DateTime.MaxValue.ToUniversalTime(),
                        StartDateTime = DateTime.MinValue.ToUniversalTime(),
                        Name = string.Format(ActivityNameFormat, n),
                        Description = string.Format(ActivityDescriptionFormat, n),
                        Id = n,
                        UsersSignedUp = new List<ActivitySignup>()
                        {
                            new ActivitySignup()
                            {
                                User = users[n - 1],
                                SignupDateTime = DateTime.Now.ToUniversalTime(),
                                PreferredEmail = "foo@foo.com",
                                PreferredPhoneNumber = "(555) 555-5555"
                            }
                        },
                        Tasks = new List<AllReadyTask>()
                        {
                            new AllReadyTask()
                            {
                                Id = n,
                                Name = string.Format(TaskDescriptionFormat,n),
                                NumberOfVolunteersRequired = 1,
                                Organization = organizations[n - 1],
                                AssignedVolunteers = new List<TaskSignup>()
                                {
                                    new TaskSignup()
                                    {
                                        User = users[n - 1],
                                        StatusDateTimeUtc = DateTime.Now.ToUniversalTime(),
                                        Status = "Ready To Rock And Roll"
                                    }
                                }
                            }
                        }
                    }).ToArray();
                return activities;
            }
        }
        #endregion
    }
}

redpajama_set_name: RedPajamaGithub


text:
On the Road to Recovery - Saginaw, MI
February 17, 2010 at 2:45 PM ET by Annie Maxwell
Annie Maxwell with the Office of the Vice President walks us through the VP's trip, and what he saw of the Recovery Act in action on the ground.
As a White House Fellow in the Office of the Vice President, part of my job is monitoring how the Recovery Act is helping put communities across the county on a path toward economic recovery. Yesterday I had the opportunity to see the Recovery Act in action when I traveled to Saginaw, Michigan with Vice President Biden ahead of the program's one-year anniversary.
Saginaw has been hard hit by the economic downturn and changes in the automotive industry, but it is quickly reinventing itself to be competitive in the 21st century economy with investments in the renewable energy industry.
We started the day at Delta College where students, with support from the Recovery Act, are getting trained for jobs in manufacturing in the solar industry. The Vice President received a heartfelt introduction from Justo Gonzalez, a recent graduate of the job training program. Justo began by explaining how almost one year ago, he was laid off from his job in the automotive industry. But after going through training at Delta College, he was recently hired at Hemlock Semiconductor as a Reactor Care Operator. Justo looked to his wife and two daughters in the crowd and nodded as the Vice President later spoke about how a job is more than just a pay check, it's about dignity and knowing you can care for your family.
Vice President Joe Biden talks about the Recovery Act at Delta College where students are being trained for jobs in the solar industry, outside Saginaw, Michigan February 16, 2010. (Official White House Photo by David Lienemann)
Then we were off to Fuzzy's Diner in downtown Saginaw for a discussion with local business leaders and community members over lunch. Paul Furlo, the CEO of Morley Companies Inc., spoke about how a recent loan that was backed by the Small Business Administration through the Recovery Act, has allowed him to expand his company's capacity and hire another 650 associates.
Vice President Joe Biden meets with local business leaders over lunch at Fuzzy's Diner in Saginaw, Michigan February 16, 2010. (Official White House Photo by David Lienemann)
And it all came full circle when we ended the day at Hemlock Semiconductor, Justo's new employer and a recipient of an energy manufacturing tax credit. Justo's words from that morning came alive, "This is a new era. Like when the automotive industry took over the lumber industry here in the Saginaw Bay Region, the solar industry is now taking us forward into the future. We are just at the early stages and with the sky not just being the limit, it's another source of energy. With solar and wind energies our growth is unlimited. Michigan has a vast knowledge of manufacturing products. We need to stay positive."
Vice President Joe Biden and SBA Administrator Karen Mills meet Justo Gonzalez who introduced the Vice President at Delta College where he was a student, outside Saginaw, Michigan February 16, 2010. (Official White House Photo by David Lienemann)
We're only part-way through the Recovery Act and there is still much work to do – but it's clear it's making a difference for people like Paul and Justo all over the country.
Annie Maxwell is a White House Fellow in the Office of the Vice President


text:
Salem, NH man found dead on Boston rail tracks…
Salem, NH man found dead on Boston rail tracks identified
PUBLISHED: June 26, 2012 at 12:00 a.m. | UPDATED: July 12, 2019 at 12:00 a.m.
BOSTON (AP) — Transit officials have identified a 40-year-old New Hampshire man who was found dead on commuter rail tracks at North Station in Boston.
A spokesman for the Massachusetts Bay Transportation Authority says Robert Ramsdell of Salem, N.H., was found early Sunday on Track 5, and his injuries were consistent with being struck by a train.
The Eagle-Tribune reports (http://bit.ly/MWypFK) the spokesman said it's not known why Ramsdell was on the tracks and exactly when he was hit since there were no trains at the station when his body was found.
Three people who missed their train Saturday night discovered Ramsdell's body. They had gone down the platform from the concourse in order to smoke.
Information from: Eagle Tribune (North Andover, Mass.), http://www.eagletribune.com


text:
The Best Non-Disney/Universal Themed Lands In The World
When talking about theming it's always hard to get a clear perspective of how to categorise 'best' - mostly because the majority of parks have neither the budget not the creative team power behind delivering world class themed experiences that Disney and Universal do. Therefore when having these discussions I tend to isolate Disney and Universal and look at the rest of the world as a separate category, as often it can uncover hidden gems that maybe don't get the appreciation they deserve or just allow for a more level playing field in general which more often than not sparks a more varied discussion as opposed to us all just agreeing that Tokyo DisneySea is the best looking theme park in the world conversation over ok done.
And this approach made this topic really interesting to consider, because once you remove the Disneys and the Universals from the picture, it's actually REALLY hard to think of world class themed lands across a variety of different attractions. Like yes, Phantasialand's theming is excellent but it's like that across the board so wouldn't make for a very interesting list. Likewise somewhere like Efteling is stunning but the park isn't really broken down into 'lands' in the classic sense. Then you have big coasters like The Swarm which no doubt are impressively themed but when it's just concentrated around one attraction I'd argue that that theming is the ride's theming as opposed to a land with several attractions to be discovered within. So yes, a long hard think was necessary to come up with a list I felt satisfied with, but I think I'm there now and ready to share it with you. Here are my picks for the best non-Disney/Universal themed lands in the world!
Kicking it off with a UK theme park favourite, Forbidden Valley, home to the notorious Nemesis B&M invert coaster at Alton Towers Resort in Staffordshire. With the infamous twisted metal Nemesis monster as the centrepiece of the land, Forbidden Valley is a post-apocalyptic wasteland that tells the story of a military site set up to contain the furious alien creature and the entire area is peppered with items that feed into telling that story and bringing it all to life. From the rusty red, green, grey and brown colour palette combined with twisted metal fences, shrapnel and metallic cast-offs used to create fencing and signage and a generally grungy almost 'gasoline punk' vibe, the entire land always feels alive and like you're right in the centre of a story that is still unravelling and developing. It's dark and foreboding but not in a traditional way and I think what's most impressive about Forbidden Valley is that it is entirely unique - I've never even seen another park attempt to emulate what Towers have here, most likely because they perfected it first time round so why bother! I adore a themed land that doesn't just choose to redo one of the classic Disneyland tropes but instead dives head first into something unexplored, and Forbidden Valley nails that wholeheartedly!
I mean, of course Klugheim was going to feature here. It still to this day is probably my favourite themed land in any theme park in the world solely because of the way the architecture swallows you up and envelops you into its narrative from the second you step foot into its territory. The whole land is alive with kinetic energy, from the furious Taron racing around you at all angles to the slightly more mysterious Raik slithering around at a lower level. The pathways feel like an M.C.Escher painting with different pathways coming from all angles to form a stone labyrinth thick with adventure and intrigue waiting to be discovered. I'm trying really hard to not overuse the word immersive here but FUCKING HELL is Klugheim immersive - as a big Game of Thrones fan Klugheim is the closest I've come yet to feeling like I'm on a quest in Westeros and nothing fills me with more joy. And the detail! My god. You look at those rocks the first time and just see rocks, yet you look again and see dragon-like creature's faces protruding in twisted shapes, ancient symbols carved into wooden beams overhead and even HUGE set pieces like A GIANT BLOODY BOLT splintering through Taron's station as if the beast is still under attack. It's transcendent, the only problem Phantasialand have with Klugheim is how the hell they're going to top it!
We all know I don't particularly love Port Aventura but I do think it'd be a travesty to leave their themed lands off of this list because they are particularly gorgeous. As I've said previously, I don't really enjoy theme parks that just try to do a Disney and go for 'typical' themes for their lands but I'll make an exception for any park that can do it spectacularly and Port Aventura definitely fits that bill with their Far West land. What I love about this is how differentiated each section of the land is - it's absolutely huge and instead of going for a more generic 'Wild West' themed for its entirety we instead get different sections - we begin with beautifully landscaped rockwork emulating the Grand Canyon before moving through to a typical 'Wild West Town' setting before thematically moving south towards a more Texana stylisation which seemlessly makes way into the Mexico themed land. It's very clever and once again, extremely detailed - the area is full of little carts and shops and photo opportunities with the attractions peppered throughout so you never feel like you're walking through a dead space. It's not quite Frontierland at Disneyland Paris but it's not exactly far from it either which isn't a feat many parks can boast of!
Now I actually had to look up the name of this land but I distinctly remember standing in the centre of it when I was there and doing a kind of 360 spin to take it all in and how gorgeous it was! Chinese parks tend to suffer from a weird thing with their theming - they'll have one MASSIVE, incredibly detailed centrepiece but when you look a little closer you can see where the corners have been cut to save costs. It'll be strange things like something that looks like a door with a knocker is actually just carved out of concrete and isn't the real thing, it's an imitation of the real thing. And that's the problem with theming - we know it's pretending but when it's something pretending to be something that's pretending to be something else we add in an extra layer between our perception and the real thing it's trying to emulate and the result is disenchantment and disengagement with this thing that wants so very much for us to be enchanted and engaged with it. The human senses are actually not that easy to trick as we might think! BUT THAT SAID, none of that here on Mt.Walrus - we obviously have the ridiculous huge kitsch central piece of theming being the mountains shaped like walruses which is as fabulous as it sounds, but then you have this supported by gorgeous foliage and plantwork, some fun animal exhibits to give the area an extra layer of depth and some immersion created with Nordic-inspired buildings surround the edges of the land, all interwoven with large expanses of water to set off its beauty. It's just a very pretty and well put together land that really nails what a lot of the other Chinese parks don't seem to manage.
There's been a stark absence of traditional 'fantasy' themes on this list so far so that's quite enough of that - enter Avalon, the new for 2018 land at Toverland! Themed around the traditional myth and legend of Merlin, Avalon provides the perfect setting for Toverland to further explore the worlds of lore and magic through their incredible attractions, this time the huge B&M wing coaster Fenix and a dark boat ride called Merlin's Quest that takes riders on a mythical journey Tir na nÓg, the source of eternal life. Since my first visit to Toverland I fell in love with their quirky interpretation of fairytales, the stylisation they use to bring these world's to life reminds me very much of Brian Froud's illustrations, an artist I've adored since I was 11 years old so these designs very much speak to a deep-set nostalgia within me. As an adult I find it's very hard for parks to truly feel 'magical' to me nowadays but walking into Avalon for the first time certainly accomplished that for me! Perhaps the most magical area of the entire land is the dark ride section of Merlin's Quest - that sparked a joy in me I haven't felt since the first time I rode Drumvlucht at Efteling, it's just perfectly whimsical and extraordinary and truly makes you forget the outside world for just a few minutes as you're wrapped up inside the story of Avalon. I think the music helps a lot in transporting you into this fantastical world but the kooky fairytale architecture and gorgeous landscaping certainly help too!
Ending with another one that's very close to home and that is of course the wonderfully wacky and kooky kitsch land that is Amity at Thorpe Park Resort. I adore that quirky beatnik 50s diner aesthetic as it is, but add in some world class theme park rides in there too and you've got a recipe for success. What I adore about Amity is all the little bits of nuance that help you understand what kind of town Amity Cove really is. It's when you stop and really listen to what Big Bob is talking about on WWTP radio (he's actually outrageously rude to a lot of his callers), or when you realise that the slogan of the press house that hosts Amity Kebabs is 'Your Misery Is Our Trade' - the little bits of detail that go into creating an entire identity around the town plagued with natural disasters and yet still finds time to host a drag race. I love it mostly for its sense of humour but stay for all of the little bits of detail like the flood-marked waterline around the buildings at the edge of town. Plus I mean, come on, we all know how much I adore Stealth but honestly I truly believe every ride experience in Amity is amplified by the setting and narrative you're drawn into with the surrounding theming and details that all intertwine to tell the story.
Man I could write about themed lands I love all day haha! But you'll be glad to hear that I won't. What are your favourite non-Disney/Universal themed lands?


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A Prairie Home Companion
The Writer's Almanac
NOTICE: Orders can take up to 2 1/2 weeks since we are shipping out of our shipping manager's home due to Covid. Orders generally hit the post office within a few days and a tracking number is sent via e-mail. For questions related to orders, please email orders@garrisonkeillor.com
by Garrison Keillor October 23, 2018
Known worldwide as a country music superstar, Ricky Skaggs has recently been returning to his musical roots: bluegrass. He's even created his own record label to service his bluegrass music and that of other artists. Since 1998, Ricky Skaggs has collected an amazing 8 Grammy™ Awards and 11 International Bluegrass Music Awards with his group Kentucky Thunder. His most recent album is a collaboration with his wife Sharon White titled Hearts Like Ours which featured the song "When I'm Good and Gone."
Watch "When I'm Good and Gone"
Ricky Skaggs is a long-time favorite guest on A Prairie Home Companion who graced the show with his presence almost every year. In 2018, he will be inducted into the Country Music Hall of Fame, as well as the International Bluegrass Music Hall of Fame. Thus, we are taking a look back and updating a guest interview he did for the show a few years back.
How did you get your start in music and who were your biggest influences?
I started out playing the mandolin when I was 5. My father bought me a mandolin, and I grew up listening to the Stanley Brothers, Flatt and Scruggs, and Bill Monroe—they were kind of my heroes. So I did study the classics. I got to play with Bill Monroe when I was 6 years old, and got to play with Flatt and Scruggs when I was 7. I met Ralph Stanley when I was 9. So I was ruined after that. Those guys influenced me so strong and so deeply that my music really took roots in those early days — so roots music has always been strong in my life.
Watch "Sis Draper"
In your experiences, what would you say is the major difference between recording for a major country label versus a self-published or independent bluegrass label?
When I was on the major labels, there was always this stress. There was no stress for the first record because I didn't have any idea what I was doing. There were really no goals other than to make a great record. But from the second album on, we had to start making hit records because we had already had some from the first one — there was a lot of pressure there to continue having hit records. So once we did that — later on — I would wake up and I would think, Well, I wonder if George Strait is gonna jump me this week. Or, I'd wonder if Dolly or Kenny Rogers was gonna knock me outta the #1 spot this week. There were always those things, and so you would second-guess yourself going into the studio — or at least I would anyway. Now, recording for my own label, there's so much freedom to go in and record what's in my heart. I never ever consider anymore whether the radio is going to play it or not, because radio has never really dictated what's cool and what's not cool about bluegrass music the way it does with country.
A lot of new attention is being paid to the father of bluegrass. What's your opinion on the importance of Bill Monroe to bluegrass music in general?
He was so influential; I think he's probably the only musician that had a whole style of music named after his band, and what he was doing. Bill Monroe influenced everyone from the Everly Brothers to the Beatles to Buck Owens, George Jones, Carl Perkins, Buddy Holly and Elvis Presley. Elvis's first hit was Blue Moon of Kentucky. And Terry Stewart, from the Rock and Roll Hall of Fame, cites Bill Monroe as being the major influence behind rockabilly music.
Listen to Ricky's tribute to Bill Monroe on A Prairie Home Companion >>>
Can you tell us a bit about the Big Mon CD? How did it come about, and how were the guest performers chosen?
Well this album is something I've wanted to do for a long time. Even before Bill Monroe passed away I wanted to do a tribute to him. Then after he did pass away, we were up at the Rock 'n' Roll Hall of Fame for his induction and I met a lot of rock 'n' rollers that really loved Bill Monroe. They cam up and were talking about how much his music really influenced them. So I got to thinking — I've gotta do this record, it's gotta be done. To me, the whole purpose of the album was to show how Monroe's music influenced a whole generation and a whole culture of music. And he really did. I think on a hand of five fingers, he is definitely a thumb if you were counting people of the last century who really influenced American music.
You have appeared on A Prairie Home Companion as a featured guest many times over the past years. Do you have any favorite memories from your guest performances or of the show? Are there any favorite guest performances that you recall hearing that stand out?
I always love the letters from Lake Wobegon. It's like getting letters from Cordell, KY, my hometown. You guys always have great guests, and I really love hearing the band rip. They're great!
Watch 'Infinite Eyes' with Keb' Mo':
Tell us a bit about the Grammy Award-winning album Salt of the Earth. How did the album come about?
I've known the Whites since 1972. They are some of the first friends I made when I was traveling with Ralph Stanley. Sharon and I got married in 1981. I was having quite a bit of success producing my own records for Epic, so The Whites asked if I would consider producing their records, which was an easy answer. They were already singing on a lot of my country hits, "I Wouldn't Change You If I Could", "Honey Open That Door" and Buck was playing piano on quite a few of my hits, so it was a perfect fit for me to be involved in their production. So as the years passed by, we realized we hadn't really done a project just the two of us, so we got some great old gospel songs together that we had both wanted to do, and that was the birth of Salt Of The Earth.
How did you go about choosing the songs on the album? Do any of the songs have a personal story or meaning behind them?
Songs like "Blessed Assurance" and "The Solid Rock" were personal favorites of both Sharon's mother Patty and my mother Dorothy, who've both passed away, so we thought it would be a great way to honor their memory.
How was it working with your wife's group The Whites, who are incredible — I had the pleasure of catching them on A Prairie Home Companion, but also as part of the O Brother/Cold Mountain bluegrass tour...
The Whites are just the very best people in the world. I'm thankful to be in their family. They're not just great people but they are so talented too. I love their work on "O Brother" as well.
How can fans keep in contact with your touring schedule/appearances; or that of other artists on Skaggs Family Records?
Fans can keep up with me at www.rickyskaggs.com as well as www.skaggsfamilyrecords.com. News, tour dates and information on the Whites and Cherryholmes can also be found at www.skaggsfamilyrecords.com.
Songs My Dad Loved
Ricky's been working on a solo project of songs that he's always loved, songs his father loved, etc. He is the only musician on the project — he plays every instrument and sings every vocal — so, this project is 100% Ricky Skaggs. Songs My Dad Loved is available now.
More upcoming projects:
We're also very excited about a series of Ricky's country albums (9 total) reissued through Skaggs Family Records. We're calling it the "Reissue Series". We just released Highways & Heartaches and are looking forward to releasing Waitin' for the Sun to Shine June 9th. The next in the series is Don't Cheat in Our Hometown, which will be the last one in the series to be released this year. With each release, we're including a bonus retrospective, which feature Ricky, in his own words, reminiscing about the making of that particular album. (Highways & Heartachesincludes an audio retrospective CD, the rest include DVD retrospectives.)
Back to Garrison Keillor


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The drivers, who will be known as "Hotdoggers," will be invited to spend one year traveling the country while taking part in radio and television appearances, newspaper interviews, and visits to grocery stores, military events, and charity functions as the brand's new goodwill ambassadors.
Drivers chosen for the position will create their own "traveling public relations firm" and will be responsible for pitching media outlets themselves in addition to meeting and greeting locals from across the nation.
Six of these vehicles are known to tour the U.S. at any given time. Some versions are now on display in museums; you can see the 1952 model at Michigan's Henry Ford Museum.


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Home / Mobile Productivity / Phones
Make the most of Microsoft Office on Galaxy Z Fold4
Rugged smartphone, premium features: How to get the best of both worlds for your business
Your guide to Samsung's Galaxy A Series smartphones
Doing more with mobile in the hybrid workplace
Published Feb 9, 2022 By: Jason Redmond
Is the hybrid workplace working? Unequivocally, yes. Is it perfect? No, but in the face of adversity, we've found new ways to work effectively, and the ability to adapt to the "new normal."
However, it is a little more complicated. While the hybrid workplace delivers many benefits, it also presents challenges. It creates complexities and concerns for business leaders — especially small and midsize business (SMB) owners — such as hiring new talent, keeping the team productive and collaborating while securing your business data. These are just some of the challenges that need to be addressed to succeed both today, and in the future of hybrid work that lies ahead.
In designing our new Galaxy S22 series, headlined by Galaxy S22 Ultra, we listened to the priorities of SMB leaders, and recognized their teams' needs. We've identified pain points, and applied lessons from years past to help mobilize the hybrid workplace. Together with our business customers, we're working to put the next generation of mobile technology in motion.
Here are a few areas in which the all-new S22 series excels.
In Techaisle's survey of the "Top 10 SMB and Midmarket business issues, IT priorities and challenges for 2022," SMBs listed improving workforce productivity as a key business issue.
But isn't the hybrid workplace shown in studies to boost employee morale and, in turn, productivity? Yes — but again, the full picture is a bit more complicated. The hybrid workplace does improve productivity, but can also add other complexities into daily workflows.
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Flexibility provides benefits to employees, that's clear — but something else that has become clear is that the devices employees use to stay connected and productive are more important than ever. Business leaders and their teams need a device that lets them work productively and more effectively on the go. And when they set up at a workstation, whether at home or the office, the transition from mobile to desktop will ideally be frictionless with a bridge like Samsung DeX.
Enabling collaboration
Our mobile devices keep us more connected than ever, but they don't always lend themselves to real-time collaboration for business. Oftentimes, we may find ourselves waiting until we get to a workstation to jump on a video call, or open a document. Galaxy S22 Ultra helps rewrite that story with the embedded S Pen — a stylus that is highly effective to mark up a document, make notes, edit slides, grab text and share the latest and greatest version of what's in progress with just a few taps. Meanwhile, the full-day battery, brilliant screen and our best camera system ever — features included across the S22 series — bring video calling capabilities and more along with you, wherever your day may lead.
The S22 series comes with Microsoft and Google integration, answering two of the top three IT priorities in the Techaisle survey — cloud access and collaboration — with a mobile device that has business productivity features natively integrated. (We'll talk about the number one IT priority shortly.) We continue to optimize the Microsoft Office experience, and with the S Pen you can create documents, and collaborate across the cloud more easily, right from your phone. The S22 series also features live sharing, powered by Google Duo. Duo's live sharing will first support collaboration on Jamboard, group notetaking in Samsung Notes and image sharing through the Gallery app. You can also watch live video, together — even while apart.
Streamlining workflows
One person getting work done is one thing. An entire organization working fluidly is another thing altogether. When everyone is working in the office, it's relatively easy to hide workflow hindrances. With employees working remotely, seemingly small inefficiencies can become noticeable weaknesses that breed daily frustration. The acceleration of the hybrid workplace forced business owners to retool their systems and processes so that everyone can access everything from anywhere. As a result, we have a pivotal opportunity to make our workflows more mobile-friendly, if not mobile-focused.
Ensuring security
Migrating to modern IT is the top IT challenge uncovered in the Techaisle survey, ranking alongside improving Security solutions as the top IT priority. Mobile device management comes in second on a separate list for adoption growth.
Retrofitting a surface-level mobile strategy to outdated technology infrastructure can leave your IT team hamstrung in keeping your business protected from cyber threats. For example, employees using older smartphones might not be able to run important security updates. Meanwhile, IT staff can't properly monitor those vulnerable devices.
What's the best phone for your business?
Take this quick assessment to discover the smartphone most tailored to your business needs. Download Now
If you are finding yourself investing in a hybrid workplace model, it's time to upgrade to new devices rather than patch up old ones. All S22 series devices include defense-grade Samsung Knox so you're protected against intrusion, malware and malicious threats from the chip up.
Not only does Knox come built-in, but these devices also provide access to Knox Manage — an MDM platform that is flexible and intuitive enough to help support device rollouts of any size, from the earliest stage startups with only a few employees, on upward to large enterprises.
Staying a step ahead
Dr. TM Roh, President and Head of MX Business at Samsung, gives an enlightening history lesson on how we got to where we are today with the release of the S22 series. More importantly, he speaks to why Samsung keeps pushing the boundaries of smartphones for business.
"It's not enough for mobile innovation to just evolve with the world," Dr. Roh says. "We have to be a step ahead, so our technology can help transform the way we experience everything around us and make our lives easier."
It's not just a phone you're looking for. It's a solution. A difference maker. A game-changer. We're staying a step ahead so you can, too.
Pre-order Galaxy S22 now and get a $200 instant credit per device towards eligible devices and accessories. Plus, enjoy exclusive volume pricing, bulk trade-in discounts, free shipping and more with a Samsung Business Account.
Jason Redmond
Jason Redmond is the Senior Director of Marketing Communications for Samsung Electronics America. He is an experienced and passionate marketer, with a special focus on business technology, an area in which he is a true expert and passionate evangelist. At Samsung, Jason leads an integrated marketing team focused on helping businesses of all sizes reach their full potential through the effective use of the right technology. Jason has held various leadership positions throughout Samsung over his more than 15 years with the company, always with a deep focus on how technology can help businesses achieve their goals. Prior to Samsung, Jason held increasingly senior roles at several marketing agencies. Jason graduated from the University of Maryland College Park, and aims to give back to his community in his free time through organizations like Habitat for Humanity of Bergen County.
View more posts by Jason Redmond
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Watch the Samsung Unpacked Livestream on February 1, 2023
Capture your business' epic moments no matter when they occur, and catapult your organization into the spotlight. Join us at Samsung Unpacked to find
5 tips to get the most out of Samsung DeX
Here are five tips and tricks to leverage the Samsung DeX platform for ease and efficiency.
Tips from Samsung for getting the most from Microsoft Office applications on your Galaxy Z Fold4.
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This quick comparison of key features on Galaxy A03s, A13, A13 5G, A23 5G and A53 will help you choose which is best for you.
View all Mobile Productivity


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The RuneScape Wiki also has an article on: rsw:King Black Dragon's LairThe RuneScape Classic Wiki also has an article on: classicrsw:King Black Dragon lair
24 September 2002 (Update)
Attack 5
The King Black Dragon Lair, abbreviated as the KBD lair, is a multi-combat area, allowing groups of players to fight him simultaneously. The lair can be accessed via the western entrance to the Lava Maze Dungeon in level 42 Wilderness near the Lava Maze. (WARNING: Watch out for PK'ers!) The dungeon may be accessed via a ladder in a fenced area on the west end of the Lava Maze containing four lesser demons. The ladder leads to an area with poison spiders, and a lever which will teleport the player to the King Black Dragon's lair. The lair itself isn't in the Wilderness, but players are in the Wilderness until they pull the lever. As with all Wilderness levers, if a player is teleblocked, they can't pull the lever. As the lair itself is not considered the Wilderness, players can use any means of teleportation to leave.
The quickest way to reach the KBD lair is by rubbing a burning amulet and teleporting to the Lava Maze.
The former KBD Lair, visible by using the oculus orb.
Originally, when RuneScape 2 was released, the lair was mapped by the Temple of Ikov. It was later changed due to safe-spotting.[1] It still exists in-game, although it cannot be reached by any means. Players who are in the icy area of the Temple of Ikov dungeon can see some of the old KBD lair's tiles on their minimap, and even hear the lava bubbling if they stand close enough to the western wall. Like the current lair, the KBD was located in the centre accompanied with an uncut sapphire and scattered coin spawns. The teleport lever was located one tile west of the southernmost skeleton.
↑ Jagex. Mod Ash's Twitter account. 7 August 2014. Mod Ash: "When RuneScape 2 came out, the KBD lair was mapped by the Temple of Ikov. It changed due to safe-spotting."
Retrieved from 'https://oldschool.runescape.wiki/w/King_Black_Dragon_Lair?oldid=9838348'


El Ansia II. (The Hunger II: Perfect Couple) Capitulo 3 Pareja Perfecta.
Long Ago, Far Away & FAR OUT!
What does a woman need from a man ?
Notches on her belt ?
Who are we doing it for ?
Why take it lying down ?
Who told you life was fair ?
Albums has song "Sexual Terrorist"


Instagram awards MakeMeReach with the 'Partner Innovation Award' at Cannes Lions!
Instagram recently rewarded MakeMeReach for our collaboration with Disney on their Ads in Instagram Stories campaigns! We were recognised for the exceptional results we helped our clients to achieve on this new ad format. We were praised for our Stories Center feature, developed for our users to visually evaluate the performance of their stories and respond with a single click.
It's hard to believe Ads in Instagram Stories have been live for nearly three months. As an Instagram Partner, we had the privilege to give our clients the opportunity to beta test the new format!
With 250M+ unique daily users, Instagram Stories is a must-use ad format for marketers. Stories can include a single image or a video of up to 15 seconds long. The latter is particularly interesting for Disney as the format offers them the possibility to display high-quality video ads, inspired and created from trailer movies.
On April, 26th 2017, Disney premiered the sequel of its 2014 blockbuster, "Guardians of the Galaxy". In order to cover the demand for seats at the cinema, the distributor decided to offer the possibility to pre-order seats online through the movie's dedicated website. To push this opportunity and avoid long queues, Disney's marketing teams decided to leverage Instagram's new ad format; Ads in Instagram Stories.
They created three videos and wanted to test them in order to see which creative performed best with MakeMeReach's optimization tools. Then, they allocated their budget on the creatives with the best KPIs.
To help them to do this MakeMeReach's Stories Center feature was very helpful. This custom solution is an online pinboard on which advertisers can see all their stories at once and visually assess which creative best. It is driven entirely by visuals, making it easier for users to retrieve specific creatives, and to directly perform actions on the associated campaigns. Not only can users filter and sort creatives based on performances, but they can also directly perform actions such as edit the bid or to pause the ads using a specific creative.
and they are in yellow when they don't.
The results of the campaign speak for themselves! Ads in Instagram Stories reached a CPM lower by 38% compared to ads on the Instagram Feed. The marketing team at Disney were especially impressed with the CPL as it was 5 times lower on Instagram Stories compared to the Instagram Feed!
The overall Disney campaign was phenomenal both in terms of creative quality and performance, which convinced Instagram to award MakeMeReach with the 'Partner Innovation Award' during the Cannes Lions for its Stories Center feature and overall work as an Instagram Partner on Ads in Instagram Stories!
Congratulations to all the people at Disney and MakeMeReach for this award!


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