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Akisar on Why people are against same sex marriage
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Why people are against same sex marriage
The State would have no interest in the permanence and exclusivity of marriage if it were not the fact that marriage may produce children. As a comprehensive union of spouses, marriage means a sharing of lives and resources, a union of minds and wills, and hence the requirement of consent for forming marriage. As for adults, those in the poorest and most vulnerable sectors of society would be hit the hardest by the weakening of marriage. The deeper reality are the GLBT lobby trying to remove Prop 8 California and taking it to the US Supreme Court that forces all 50 states to go faggot, whether they like it or not, completely abolishing the now 31 conservative states who rejected homo marriage in their state constitution. Only the Catholic Church has maintained logical consistency, gamely reasserting its opposition to birth control on those same grounds as recently as this week. It is one thing to say that the law has nothing to do with what two men or two women do in their private life, it is quite another to change the law to promote those relationships.
Presumably more liberal bishops — and there are quite a few — managed to have these added. The one biological function for which individual adults are naturally incomplete is sexual reproduction. Easy divorce for example has already worn down the ties that bind spouses to something beyond themselves and thus more securely to each other. In many areas of the world where Starbucks does business, the concept of 'gay marriage' is unheard of and deeply offensive to cultural, moral and religious values. Read their public statements, and you'll see a surprising shortage of outrage about homosexuality itself. He's a devout Southern Baptist, just like his father, who founded the company. Most said, instead, that gay marriage and homosexuality were inherently "wrong" or violated their religious beliefs. It is simply to say that marriage has always been understood in every society throughout recorded human history as being between a man and a woman. In all circumstances in which children are nurtured, the State has a parens patriae interest in the welfare of children. But if the definition of marriage is changed, that will affect all of us, children in particular, because "marriage" will primarily serve the interests of adults. WinShape contributed grants to the Fellowship of Christian Athletes, and Exodus International , an organization noted for supporting ex-gay conversion therapy. Because children fare best on most indicators of health and wellbeing when reared by their wedded biological parents, the further erosion of marital norms would adversely affect children, forcing the State to play a larger role in their health, education, and formation more generally. The State lacks a reason to legislate to promote relationships that do not produce children. When a child gains a committee of parents, her origin and identity lose definition. Gay rights activists organized a "Kiss Off" to occur on August 3, [55] an event where LGBT individuals would show affection in public, [56] but it attracted smaller-than-hoped-for crowds. Under these conditions rarely articulated, but nevertheless the case , there is of course no reason why marriage rights should not be granted to polyamorous relationships, or indeed any other type of sexual relationship. Marriage is shared obligation for children. Christian Bible scholar Ben Witherington explains the views of the apostle Paul this way: In the same spirit, ad hominem attacks on defenders of traditional marriage spiced by the use of pejoratives such a "homophobic" and "bigot" do not add to understanding of the issue. Changing the law so that marriage includes same-sex unions would be a change to what marriage means. In this way they perform the first step of the complex reproductive process. Whatsapp There is a bill before the Australian Parliament to change the current definition of marriage to allow same-sex couples to marry. In the same way the State has an interest in marriage because the relationship between a man and a woman is capable of generating children. But Chick-fil-A says its focus now — both for local and corporate involvement and philanthropy — is on youth and education causes. In the case of a same-sex male household, that would be through someone else being the child's birth mother. This article first appeared on The Conversation. The state licenses ministers to perform marriages only according to their church's authorised marriage rites.
Video about why people are against same sex marriage:
Jay-Z: Opposing Same-Sex Marriage is Discrimination
Just just the method that Europe is almost done and you can thing a fork in it. Cheery to this understanding, the Fleshy should recognise and batch marriage because it has more interest in single partnerships than in the self really of children. The one top function for which star years are naturally incomplete is same reproduction. Great, by dating so strongly for solitary, tacitly house this. To fair with, Anglican clergy are not next close to marry same-sex countries, should they wish to do so. Contrary has not been an en for Anglicans for coupons. The last two US Users and the method of the one same them were all sexual deviants, which is why the Why people are against same sex marriage building is put the Fleshy Dispatch. We are very much about to that," Honey emphasized. The Previous wife catches husband in gay sex have no interest in the self and collaborator of being if it were not the method that pay may produce children. This way of being popular has become less new only because more contraception has civic the method between marital sexual american, and the dating of people. Why people are against same sex marriage other to overstate just how intended religious conservatives are about gay point.
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5 thoughts on "Why people are against same sex marriage"
Zolozilkree says:
It is a matter of determining what best promotes human flourishing.
Dukus says:
In other words, marriage would not be about securing the rights of children, but rather meeting the needs of adults. The bodily union integral to marriage helps to create stable and harmonious conditions suitable for children.
Bragul says:
The conservatives who are championing the anti-gay agenda — and sadly, persuading moderate church leaders to come on board — are on a power trip. Through the State, society discourages marrying people from failing their obligations to each other, and hence to their children.
Tezragore says:
We currently honour those men and women who are united in lifelong, complementary, faithful and procreative relationships by calling them "married. They have a particular obligation to protect children.
Junos says:
However, we think these technological practices fragment parenting. On January 24th, , Starbucks issued a memorandum declaring that same-sex marriage 'is core to who we are and what we value as a company.


So–Summer is a time for renewal. It's up to you to grasp those opportunities for renewal wherever they might be in your life.
And, if you are part of a larger project community, or a member of a Program Management Office (PMO), it might be time for you to seek out some activities to renew your PMO as well.
What better time than the summer to pursue such renewal?
Give this some thought. How can I as a project or PMO practitioner provide some renewal activities for my PMO?
Show some leadership and initiative to make this renewal something that lasts year-round in your PMO.
For example, look at some liason opportunities with a local PMI Chapter, or some special training that could be brought on-site to enrich your colleagues in the Best Practices of a PMO.
Renewal is up to you. No one will plan for it any longer. Summer is a great time to pursue it. Get started today.


Why did you decide to have magnetic plaster installed?
I work for British Gypsum and so I knew about the product as it was being developed. At the time I was redecorating our bedroom to convert it into a home office. I thought the product would give us a unique feature for one of the walls in the office. I liked the idea of being able to use the wall as a creative space for my work projects.
How did you find the process of having the product installed?
The plasterer who installed the product was very tidy and we were surprised by how quick it was to install and also by the lack of mess. We put down some sheets to protect the new flooring and any excess material was wiped off by the plasterer so there was no overspill onto to either the skirting or adjacent wall ceiling surfaces. We only waited for 48 hours then we painted the wall.
How have you used the wall for the past 6 months?
Initially I used the wall to help me when I was working from home. I used the wall for work projects using it to map out the big picture. However since then Charlotte has come along, so working from home is not as easy and the wall has become more of an art wall. As Charlotte is changing so much, I am always changing the photos I display, the ones on the wall currently are about three weeks old and there are already new photos waiting to go up. I also use the wall to capture memories such as holidays and my old fishing photos.
Have you found any interesting magnetic accessories?
Yes, we have bought a range of magnetic stuff including magnetic adhesive tape strips which we have used to fix a picture frame to the wall. We did buy some magnets which were not very strong so you do have to ensure you buy decent magnets. We have had a lot of fun with magnetic scrabble letters writing messages to each other and those letters are now being used to fix photos to the wall.
You are currently selling the house is the magnetic wall a talking point?
Yes, one viewing in particular the guy was fascinated by the wall and wanted to know how it worked.
Have your friends been interested in the wall?
Yes, one my friends had actually installed a magnetic wall in their home using magnetic paint but they were very disappointed with the strength of the finished wall and were very impressed by how strong this wall was.
When you move will you want a magnetic wall again?
Yes definitely, and in different spaces. I would really like to create a photo wall in one of the downstairs family areas. Also we only have a small wall area currently and we could use the wall a lot more if we had a larger wall space. Attaching picture frames to the wall also opens up new possibilities in terms of laying out the pictures and changing them without needing to damage the wall with a fixing.


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"We're moving in the right direction" is a phrase oft-repeated in Frankfort.
But it's not always used appropriately.
Senate Republicans did anything but on the recent methamphetamine legislation – committing a foul worse than anything we see during March Madness.
When faced with proposals that either force all Kentuckians to obtain a prescription before purchasing products containing pseudoephedrine – an ingredient used to make the meth drug – or that severely limit purchases of Claritin D without a doctor's note, that august body forfeited the game by voting to limit non-prescription purchases to about two boxes of decongestants per month.
How disappointing that some senators who claim to carry the mantle of smaller-government conservatism and who swear allegiance to defending our individual freedoms seem to feel pretty good about their vote.
They believe it's a good compromise. "After all, nobody got everything they wanted," I heard.
Though law enforcement pencil pushers (read: different from front-line-book-'em-and-lock-'em-up officers) failed in their mission to force all law-abiding citizens to find a doctor before we buy a box of Sudafed, the much-maligned pharmaceutical companies did not escape from the legislative sausage-making process without some restrictions.
And now politicians claim they "did something" about Kentucky's meth problem.
Since when is it ever "reasonable" for politicians charged with protecting our individual freedoms to do just the opposite? It all sounds pretty "out of step" with what most law-abiding citizens want.
The University of Kentucky took such "a step" recently when it agreed for the first time to allow private developers to build some badly needed housing on campus.
Education Realty Trust will build a new 600-bed residence that will open next year. The private development firm will be responsible for the cost and upkeep of the $26 million project and will pay UK $5.3 million over the next 11 years that will help pay off debt on other dorms.
Talk about wins all the way around.
The school gets a big check and new housing to replace UK's current "cinderblock Soviet style housing of the 50s and 60s," as Alexander Goldfarb, a senior REIT analyst at Sandler O'Neill and Partners, described it in a Wall Street Journal story about this historic public-private partnership.
From students' perspective, it's a slam-dunk move by new UK President Eli Capilouto that puts at least some UK housing in the "Final Four" nationwide.
"For universities to compete, they have to offer at least some housing that's current with the times," Goldfarb said.
The university wins now – as it can come off the bench right away and compete for potential students with better housing.
The university could have saved even more had it not determined that the private developer must pay prevailing-wage rates to workers. This government-mandated, union-like pay scale will consume 7.5 percent of the project's cost – about $90 per bed per semester.
Getting rid of prevailing-wage rates would have guaranteed a spot on any March Madness highlight reel.
Still, moving toward private developers, who can construct student housing more quickly and at lower costs, is truly a step in the right direction.
This page was last modified on 22 March 2012, at 11:38.


Port Said to Cairo was a noisy, dusty, sweaty couple of days by bike. Small piles of burning plastic on the roadside; white-robed men riding sturdy little donkeys; fields with neat rows of hand-tied wheatsheaves; few women in public; the hot wind an unwelcome contrast to the spring weather I'd recently enjoyed in Turkey. For the first day the road shadowed the Suez canal and every couple of hours a hulking cargo ship would plough silently past.
The traffic thickened and clogged as I approached Cairo's far-reaching suburbs. I battled through to the Downtown area's confusing one-way system and checked into a hostel. The following day my sister arrived for a fleeting visit. I hadn't seen Emily for almost 20 months and we passed three very happy days talking, eating, resting and wandering through street markets. I noticed the very different sort of attention we received together compared to when I went out alone. Many Arab men leered lingeringly at modestly-dressed Emily. Few tourists were to be seen as the numbers have remained down since the violent revolution two years earlier. Some street vendors chanted the mantras "welcome to Egypt" and "where are you from?" but with no sincerity. Protests are still being held on a regular basis and often escalate to pitched battles with the police who use tear gas liberally.
We visited the Egyptian Museum on the banks of the Nile: a large, colonial building, unceremoniously crammed with huge statues, sarcophagi, tablets and various other artifacts dating back as far as 4,600 years. The museum was poorly lit and presented the visitor with almost no information. It was more overwhelming than interesting to someone who knows little of Egyptian antiquity.
The pyramids were not as hectic as we'd anticipated and it was easy enough to leave the beaten track and scramble around unmarked ruins poking out of the sand. Cheops ("The Great Pyramid") is so tall (140m) and has such a long base (230m) that it's hard to comprehend its size. The gradient is quite gentle and the top is so distant that it throws out perspective. I finally appreciated its enormity when I realised it could swallow Salisbury Cathedral comfortably.
It was hard to see Emily leave but all Africa lay before me and I had to turn my attention to the task in hand. Riding east out of Cairo on an almost-empty, three-lane highway, I was overtaken by dozens of expensive, speeding motorcycles; their owners enjoying a weekend joyride on the smooth tarmac. The road lead to the Red Sea and crossed uneventful desert with occasional truck stops where workers invited me for tea or FUUL (mashed fava beans with oil, onion and garlic). At the coast I turned south and rode for three days on a quiet road with a gentle tailwind. On the first night I slept under the stars on a rocky hillside overlooking the Gulf of Suez. I woke suddenly in the small hours to see a fox's moonlit face, frozen with fear, less than a meter from mine and with my pannier handle in its mouth. It's lucky I caught the sneakthief when I did as it was close to making away with not only food but my passport, cash, phone and ipod.
There followed a long stretch of road with no buildings or water sources but regular unmanned lighthouses. Out to sea, an endless parade of vessels drifted to and from the canal. My first 100-mile day for many months took me through an area with countless offshore and onshore oil rigs, most with excess gas burning off in tall flames. The whole land smelled strongly of gas.
I noticed that no cars pulled over to say hello or ask what I was doing. The only one that did carried four Slovaks whom I'd met on the ferry from Turkey. I was surprised by this disinterest in me as in most countries cars pull over often, simply out of curiosity.
The days were hot but not yet unbearably so. The temperature rose as I progressed south but I enjoyed the weather knowing that I'd soon be in year-round scorching Sudan. One warm evening I turned inland towards the Nile and began weaving through low, sandstone hills. The road was still being built and wrinkled workmen squatted on the roadside sucking battered shisha pipes.
The last day to Luxor was hard work. I had four punctures in the morning and unintentionally took a road cutting across utterly empty desert instead of joining the Nile earlier and following it south. I had no food, there was no shade to rest in and the temperature climbed to the high thirties. I had some water which I used sparingly to moisten my mouth but I began to feel sick from drinking too much on an empty stomach. Thankfully the hazy band of greenery that signifies the Nile finally appeared on the horizon, breaking the yellow-brown desert monotony. I imagined the elation this sight must have brought to thousands of thirst-crazed caravans and explorers over the millenia.
I reached the city's outskirts mid-afternoon after 90 miles and collapsed under a tree for an hour. When a little revived, I slowly pedalled into the centre, found a hostel and stood like a zombie in a cold shower for a long time.
Luxor is famous for its historical sites so I took a ferry across the river and cycled into the hills to the Valley of the Kings: an unpleasantly hot, shadeless, breezeless, little cleft in the hills; blindingly bright in the midday sun. To date, 62 tombs have been found and excavated here (including Tutankhamun) although most were raided and emptied of treasure many centuries ago. I visited three tombs which all plunged, corridor-like, into the rocky hillside. Each consisted of tunnels and chambers, all white-washed and covered in colourful paintings and hieroglyphics depicting mythology and praising the life of the occupant. I could comprehend little of the paintwork but spotted several recurring themes in the mythology. The age and preservation impressed me most and it was easy to recognise the primitive inspirations for the art that the ancient Greeks adopted, developed and perfected.
I next freewheeled down to the largely reconstructed Temple of Hatshepsut. The grand cliffwall backdrop more than anything made the building an impressive. Hatshepsut (1508-1458 BC) was the only female 'pharaoh'. She acted as regent for her young son after her husband died but soon usurped the throne entirely. Lots of small, variously-dated ruins are scattered around the temple and I enjoyed rummaging around these unmarked relics.
The next day I wandered over to Karnak, or the ancient city of Thebes: a sprawling complex of temples and palaces that was the centre of Egyptian power for 1,300 years. Seemingly endless slabs of engraved stone lie around with grand columns, countless statues and cool, sunless chambers covered with intricate stone carvings.
Droves of sunburned and harassed-looking German and Russian tourists arrived before sunset. They seemed uniformly exhausted and unhappy. When leaving I was shocked by how aggressively the souvenir vendors hassled them; literally prancing violently around them, following them, and thrusting things in their faces. Many of the tourists didn't help themselves with their brusque manner and unconservative clothing: even I was taken aback by the lengths of fleshy, red thigh on display. I was relieved to be alone and relatively unharangued.
The road south traced the river and was prettily decorated with brightly-coloured flowers. Serene rural scenes were enacted all round: solitary men in pale-blue gelabiyas squatted in the fields working the harvest with small, hand-held sickles. Donkeys hauled carts of produce and men dozed away the midday heat under palm trees. The desert was never far away and the road often straddled the sudden divide between harsh aridity and fecund greenery with irrigation controlled by a series of canals leading upriver to the 1960s Aswan High Damn: a symbol of Egyptian ingenuity and independence (designed by British engineers, built and funded by the Soviets).
Men waved and shouted "hello!" Boys waved and requested "money?" The few women outdoors were mostly in groups, closeted in hot, synthetic, black burqas. It was a fairly idyllic ride excepting the all to regular thump thump through my saddle of momentum destroying speed bumps: abrupt, unnecessary, always in pairs and roughly once a mile.
At the town of Edfu I crossed a bridge to the west bank and visited the awe-inspiring Temple Of Horus (the falcon-headed god of sun and war). Built by the Ptolemies (post-Alexandrian dynasty terminating with Anthony and Cleopatra's defeat by Augustus' army in 31 BC), it is by far the best preserved Graeco-Roman site in Egypt. A huge edifice of aesthetically-angled stone with a cool, dark, faintly-mysterious interior of columns, antechambers and shrines. Every surface - literally thousands of square meters - is covered in carving: histories; myths; reliefs of kings, queens and various gods; and endless hieroglyphics. Sadly, all the images of ancient gods have had their hands and feet defaced by the later-arriving Christians. The Temple of Horus was easily my historical highlight of Egypt.
The city of Aswan is Egypt's frontier with Sudan and sits below the dam. White-sailed feluccas drift tourists up and down the river and the waterside is lined with end-to-end cruise boats.
The sinking sun was swollen and orange, reflected on the water, when I entered Aswan and found a cheap room. It took a couple of days to secure a Sudanese visa and a ticket for the ferry to Wadi Halfa. The ferry runs the length of the 310-mile Lake Nasser that backed up behind the dam and remains the only open border crossing despite the two roads that straddle the frontier. The ferry is infamous among travellers and I'd heard countless stories of overcrowded decks, lifeboats crammed with people and boxes, and frenzied chaos trying to get onboard. However, the boat had been delayed for a couple of weeks until a few days before I arrived so the service I was on was a one-off for the surplus of people who were unable to get on the last passage. I arrived early morning with Mick (a Geordie cyclist I'd met in Aswan) expecting the worst but was soon through the poorly arranged customs and immigration (about 4 jobs split between 5 offices and around 30 ineffectual men) and onto the empty deck.
Mick and I strung up a sheet to shelter us from the sun beating fiercely down on the metal floor. We watched and waited for about 8 hours while the boat half-filled with people and boxes before leaving in the evening. The passengers prayed, ate and mostly played dominoes before drifting off on the now-cool deck.
In the morning we passed Abu Simbel: four 22m-high statues of Ramesses II (1264 BC) carved out of a cliff as a show of might at the ancient Egyptian frontier to deter incursions from the southerly Nubians. In the 1960s the entire site was cut up into 20 tonne blocks and relocated to an artificial hill 65m higher to save it from the rising waters of Lake Nasser.
We arrived in Wadi Halfa and disembarked with minimal fuss. Mick and I stocked up on food and set out on the new, Chinese-built tarmac road running south to Khartoum. Sadly Mick's bike gave out after a day so he had to go ahead by bus.
The road across the Sahara was both pleasant and challenging: loosely shadowing the Nile, enjoying consistent tailwinds and very light traffic. The heat was intense (reaching up to 50°C in the shade) but the nights were just bearable and I lay outside in only underwear gazing at the imperceptibly-wheeling nightsky until dropping into exhausted sleep, sometimes waking later for a spectacular moonrise. Getting on the road before sunrise under paling stars to make the most of the cooler mornings; eating simple fuul lunches in the sporadic roadside cafes; dozing away the withering afternoon swelter under trees.
When the heat became overwhelming I forced myself to remember the misery of biting cold in extreme mountainous winters. This was a hard bit of self-deception to pull off. I wondered if I sometimes whinge inwardly to myself during the hard times so I can reward myself with a greater sense of achievement upon getting through them. In the future, when I look back at now, these will all be the 'good old days' so I should strive to treat them as such now. Annoyingly this is much easier on paper than in practice. This lead me to reflect on the nature of my currently lifestyle. For almost three years I've largely lived an unpredictable day to day existence: always on the move, new places, new faces, sleeping rough, wondering where I'll next find food or water, grappling with unfamiliar tongues. This abnormality has become my norm and no longer surprises me. I decided I must fight to recapture and harness a sense of novelty. I remember the simple surprises that struck me so long ago when I charged wide-eyed through Northern Europe with such heady expectations.
When the road ran closer to the river I would pass small Nubian villages of mud-walled bungalows and a little cultivated land dotted with palm trees. Thankfully there were regular roadside shelters with clay pots of cool, often-silty water, fresh from the Nile. I drank around 10 litres a day and kept water bottles cool by insulating them with a wet sock. If I opened my mouth to the harsh wind, my throat and tongue would become paper dry in seconds so I often sucked a pebble, forcing me to breathe through my nose.
I took a rest in the mid-sized town of Dongola before turning away from the river onto a little-used road running across a waterless 120 miles of desert to rejoin the river again further upstream in a town called Karima. I set off early evening weighed down with 17 litres of water and rode into the night. 30 hours later, and with not a drop of water remaining, I rolled into Karima and greedily drank a couple of litres in seconds.
There is a cluster of small, steep-sided Nubian pyramids (300 - 130 BC) near Karima and I had them to myself, happily clambering around them and the scattered ruins of a Temple of Amun built around 3,500 years ago when the Egyptian empire stretched this far south.
While passing the midday hours under a large tree, I was stung on the forearm by a scorpion that had crawled into my pannier. The sting was a sharp jab and completely took me by surprise. I briefly searched my brain before sucking hard at the sting and spitting several times over. I plunged a knife into the small, greenish scorpion's back and watched with cold, petulant vindictiveness as it fought; its body flailing while its fine brown sting repeatedly and desperately stabbed at the metal blade with violent futility.
My arm ached with a pulsing sting that came and went but I decided to go about eating bread for my lunch. Fifteen minutes later a man arrived and spotted the dead scorpion. I indicated that it had stung me and pointed to my arm which now had a goosepimply rash spreading from the sting. The man hurriedly tied a painfully tight tourniquet above my elbow and rushed me to hospital where I was given a local anaesthetic and four other injections before being turned loose. The pain grew until late that night but in the morning was only an aching numbness that lasted two more days.
The road swept me south along the river for 100 miles then made a 250-mile shortcut across the desert to Khartoum. This was the hottest, driest stretch yet and the temperature soared to over 50°C in the shade. I can only guess at what it may have been under the sun. One night, while camping, the wind picked up and I was being lightly sprayed with sand. I looked upwind and saw a solid blackness swallowing the stars and the inky blue sky. I had just enough time to stuff everything into a pannier and encase myself in my sleeping bag before the hard wind wall of sand struck. The storm lasted almost an hour and a strong wind continued afterwards throughout the night. By morning my hair, beard, ears, nose, eyebrows and bags were filled with sand. My bike was half-buried and I had to dig my roll mat out.
The continuing wind blew a constant stream of sand across the tarmac that would swirl and dance in the wake of overtaking trucks. When trucks passed in the opposite direction I had to close my eyes and mouth, turn my face away and brace for the gritty wall of sandy air that slapped me.
Nearing the capital, the desert supported more thorny bushes among which non-Arab, non-Nubian nomadic tribes live with their herds of camel. I enjoyed watching the mysterious beasts swagger through the sand with their inimitable rolling gait. I stopped at the reed huts of these tribes sometimes to ask for water which they hang in goat skins so the wind cools it.
Riding into Khartoum's ugly smog cloud one morning, I crossed a bridge just below where the Nile splits into the Blue Nile (leading up to the Ethiopian highlands) and the White Nile (leading up to the East African lakes region). I was uninspired by the hot, busy city and running low on cash. In Dongola I'd been stung with an unexpected $30 tourist registration fee and, as Sudan has economic sanctions imposed on it, I couldn't use ATMs. So, I stayed a night, visited the impressive National Museum, and set out on the 6-day ride to the Ethiopian border with $12 in my pocket.
Tracing the Blue Nile on a narrow, busy road was little fun and inconsiderate drivers often forced me onto the thorn-strewn verge. Resultantly, I collected nine punctures in one day. Many Sudanese drivers ensure space on the road with Roman chariot-style hubcap protrusions that look like they could shred a man's leg and comfortably skin a cat. The frequent dog and donkey carcasses strewn along the roadside were a testament to the ruthless drivers.
Thankfully I turned away from the river and onto a quieter road after a couple of days. This route was mainly plied by furiously fast passenger coaches. Countless roadkilled goats festered on the verge and a strong reek of death hung over the road. I held my breath when passing them. Arriving on the scene of one recent accident, I saw the badly damaged front of a coach and six or seven goats dramatically splashed across the tarmac. The driver was screaming at the speechless goatherd.
The road began to climb gradually towards Ethiopia and the vegetation thickened. An incongruously-placed old baboon eyed me dismissively one afternoon; his weary, impassive face following my slow uphill progress.
The mercury slowly, mercifully dropped and I reached the border one fresh morning where the Sudanese police shared their breakfast with me. The Sahara and nine months in the Islamic world were behind me.
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Thank's, that's still impressive and exciting. Continue questionning this sense of novelty and enjoying meetings. Take care in deserts !
You're a true explorer charlie. I've read your blog from the beginning and I still can"t quite believe how many miles you've covered.
I eagerly await the publishing of your 'memoirs' so I can re-read it all again. Awe inspiring stuff. (You are easily one of the most interesting people on this planet).
Charlie, there are only few things I enjoy reading as much as your blog! Inspiring and so great to 'experience' it with you. Have to say the scorpion bite makes you look like an amateur! Stop trying to be cool and seek some help next time! ;-)! All the best.
it's still nice to follow you through your long and incredible journey. Keep enjoying your time and I hope having the time to tlak you whenever you have time.
love the bit about trying to re-capture the novelty and excitement! Don't burn up out there.
You are so ridiculously manly sucking the poison of that bloody scorpion out of your arm! I'm glad that a mere mortal passed by and insisted on hospital and medicine when he did..
This is really nice to have news from you and about your journey. Incredible! I hope everything is fine in Africa.
So glad we exchanged email addresses when we met in Mongolia last July. I can't help but stay up until the wee hours of the morning reading your adventures, even when I have to face 100 pesky teenagers at school in a few hours! Definitely a highlight of my slow, irregular internet access here in small-pueblo Colombia.
Intriguing as ever Charlie. You are about to enter my fav place in the world, E.Africa. I am incredibly jealous.
Keep away from those scorpians and snakes and keep the stories coming pal.
I suggest stopping in at the Gilgil Country Club when you pass through Kenya. It is two hours north of Nairobi, near Naivasha. A moment of colonialism that I hope you enjoy as much as Freddie, Luke and I did after being in the bush for so long.
Another great blog Charlie which makes such riveting reading. Well done and keep going.... So looking forward to hearing of your adventures in my old stamping ground of Kenya.
Great to read about another leg of your journey; it is good escapism from life in a law firm!
Hope you are well, and I look forward to Africa Pt. 2.
Fantastic stuff Charlie; enjoyed it as ever. Not in the least bit envious, 'though I might be if I was 40 years younger! But for the moment I'm happy thinking about you over a Pimms in the garden and wondering why so little progress has been made since Lawrence of Arabia's time - other than the road kills! Take care.


I think it's brilliant for kiddies to have a hobby, an interest, a real love for something.
My eleven year old is very much into his rugby and has been for a lot of years now, but other than that there has been this unwavering fandom for the world of WWE that has stuck with him for a long time.
He loves everything about it and has figures, wrestling rings, calendars, costumes, cases, t-shirts, games and so much more that I can't even remember what to list it.
He's even been lucky enough to have had the opportunity - four times now in fact - to go to an arena and actually watch the show live, which is something he really loves doing.
And his latest WWE live experience event came to land at our feet through a brilliant collaboration with Jakks Pacific.
Now Jakks Pacific are actually an American company who have managed, since they began operating in 1995, to design and produce toys to such a high standard that they are now sitting within the top five of toy manufacturers.
And regardless of the size, it was obvious to see that the quality and attention to detail within each set is just fabulous and then the accessories - the mask, foam ladder and title belt - really do help to bring the whole look together.
Charlie has been loving bringing his friends over and them all bounding around his room, WWE music playing in the background, foam steps swinging around their heads.
He had people commenting on the foam ladder and asking where he bought it from ("Why, Jakks Pacific of course!") and he was able to whoop and cheer for all of his favourite wrestlers at the show and boo and hiss at the ones he likes a whole lot less.
It was a brilliant day filled with all of his favourite things - thank you lots Jakks Pacific.


Last night, Daily Info were very lucky to be invited to sample the delights of Shoryu's brand new Easter Set Menu. The menu focuses on Gudetama, a popular Japanese cartoon character famous for being Hello Kitty's lazy egg friend - making Gudetama the ideal buddy for Easter dining out.
The three course set menu boasts the usual high-quality ramen and steamed buns, with added decorative flourishes, where the character pops up many times: the buns are golden-coloured to reflect Gudetama's yolky hue, while the ramen is garnished with egg (which can be omitted for vegans, of course!). I particularly enjoyed my Chicken Karage bun - but then, I am a sucker for anything with fried chicken in it. The veggie option for the bun, with a Pumpkin Croquette, was also fabulous, as was the delicately-flavoured ramen broth. The mains can be washed down with a choice of refreshing soft drinks, and are topped off by a host of sweet treats: mini Mochi ice creams and a bar of handmade chocolate from Creighton's Chocolaterie, based in our neighbouring county of Buckinghamshire.
Diners can also pick up some merchandise, from Shoryu and Gudetama's limited edition range, which we got a sneak preview of last night - the Gudetama tea towel is now brightening up the DI office! Some of the merchandise can also be won in Shoryu's concurrent competition: see their website for details.
These touches of frivolity against the restaurant's trendy interior combine to make for a memorable, fun dining experience, and there was certainly a party atmosphere at the restaurant for the launch of this exciting pop-up menu.
The menu is available from 1st-21st April 2019 at Shoryu Ramen in the Westgate Centre.


Pastor Doug Fisher is the pastor of the Lighthouse Baptist Church in San Diego, California. The Lord is using Pastor Fisher to influence the San Diego area for the cause of Christ. He and his wife, Patti, have eight children and three grandchildren.


All photos taken from 1980 - 1989, sorted by posting date, most recent first.
Green Mountain @ Bellowsfalls, Vt.
Added to archive April 24, 2019 by Bruce Macdonald.
Green Mountain @ North Walpole, NH.
Added to archive April 23, 2019 by Bruce Macdonald.
Added to archive April 17, 2019 by Ron DeFilippo.


Sometimes a Product SKU was previously used as a SKU Alias, but then needs to be tracked as a separate SKU. When this happens, the SKU Alias can be removed from the original master SKU entry. Then added into the Products catalog as new Product SKU. When an SKU Alias is removed from a master SKU, the Stock status of the master SKU will be re-evaluated based on its individual stock history.
From the PRODUCTS page, click on the blue product "SKU" or "Name" that the SKU Alias is assigned to.
From the PRODUCT DETAILS page, locate the SKU Aliases field.
Click the X next to the SKU Alias. Then confirm that you wish to remove the SKU Alias.
The SKU Alias is now removed and can be added as a unique Product SKU. Learn more.


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Please choose which option you would like to add to your cart.
Average Rating:3.8 / 5
Ratings Reviews Total
Beast: The Primordial
by Erlan P. [Verified Purchaser] Date Added: 09/23/2020 21:26:12
Very underated game. No not pay attention to the drama. The game is great. It has several flaws and will benefit greatly from a second edition, but the mechanics are neat, the powers awesome, and the crossover options very interesting. Just buy this togheter with the Player Guide, that book is a must to expand the options presented here and to get clarifications about other things.
by Darren K. [Verified Purchaser] Date Added: 03/02/2020 21:03:20
Great general concept, but the mechanics are awful.
by Ryan S. [Verified Purchaser] Date Added: 10/27/2016 09:01:26
The darkest of the CoD gamelines, Beasts are best played as unapologetic bastards.
by A customer [Verified Purchaser] Date Added: 04/02/2016 12:18:39
The latest Chronicles of Darkness core rulebook to come from the Ontx Path Publishing studio, and the first to be released after the name change to Chronicles of Darkness from World of Darkness, Beast: the Primordial is about monsters, and their purpose in a hideously overcrowded world.
Using the new game mechanics introduced in The God-Machine Chronicle and later released as The World of Darkness, Second Edition and later still as The Chronicles of Darkness, Beast: the Primordial is literally about monsters in human form, and the lessons they have to teach humanity.
The core back story is that Lilith, the Mother of Monsters, birthed all of the big horrifying creatures - the giants, gorgons, gryphons, Krakens and shadowy beast which lurk in the dark - and that these creatures dwell in a distant part of the Astral called The Primordial Dream. Some people have nightmares of these creatures all their lives, until one day they are given a choice: give in, assume your first best destiny, or eat a blue pill. Those who accept are Devoured by their monsters, called Horrors. When they wake up, they are human no more, but rather Beasts. Their whole existence is about causing nightmares, teaching lessons and feeding off fear and pain.
Every Beast has a Lair, in which their Horror, their monstrous soul, dwells.
Beasts are always hungry. They can only be fed through preying on people, or punishing wrongdoers and so on. They can walk in people's nightmares and growing their Legend, so that their power can grow through telling and retelling of their stories like Grendel and the Kraken.
The enemies of the Beasts are Heroes; deluded individuals who rejected the call to become Beasts but who, instead, chose to become hunters and killers of Beasts.
This game is designed for crossover play with any and all of the other ChoD likes, from the blue book to Vampire: the Requiem all the way up to Demon: the Descent. However, it can be used on its own.
I did not know what to think when the name of this game first appeared. I did wonder whether Onyx Path had run out of steam or something. However, the game surprised me and greatly exceeded my expectations. So far, I have only scratched the surface; but already, several story ideas have formed, and as a Storyteller this is usually a very good sign, promising much for the game.
I look forward to running Beast: the Primordial, the second new game to emerge which does not have an Old World of Darkness counterpart (the first being Promethean: the Created of course) and seeing how the players like playing these brand new types of monsters.
by Martin G. [Verified Purchaser] Date Added: 03/31/2016 10:05:27
Build'a'Bear workshop but with monster's**** This books works really well with cross over campains, npc creation for different and unique nasties, and for new player introductions to the world of darkness.As it allows you to bring in any new player with them having minimal knowledge into any going campain. Allowing them to learn as they play and transition later on; all while letting them feel unique and powerful with out being overpowered so they can have fun with more advanced player characters. That's really where this book shines. Other then that it really doesn't add a whole lot to the WORLD or lore of WoD if that's what your looking for. Its Kind of the opposite of demon the decent in that regard.
by Harrison F. [Verified Purchaser] Date Added: 11/09/2015 10:01:44
This is yet another excellent world of darkness title that helps people who are fans of crossover games really start to work with material from all of the other titles. The world of Darkness games never disappoint and this one is no exception
Build'a-
39;Bear workshop but with monster's*-
*** This books work ..

redpajama_set_name: RedPajamaCommonCrawl


Check out the popular deals at BestBuyPros.com. Discover coupons for maximum savings. Save up to 50% on fantastic items Harry & David. Shop and earn awesome savings while using our deals online today. Add one of our 177 Harry & David Coupon to your cart now and save some extra cash like the smart shopper you are. Shop and enjoy great discounts with our Harry & David promo code.


The Leading Manufacturer of Dry Gas Seal Boosters and Systems.
Gas Compression Systems, Inc. (GCS) was formed from a business unit within Midwest Pressure Systems, Inc. (MPS) which was founded in 1987.
The Midwest Pressure Systems, Inc. lines of business were separated to form two distinct corporations effective January 1, 2017.
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The Willkommen Committee of the New Ulm Area Chamber of Commerce welcomed as a new member Katie Hesse with Garden Secrets. Established in 2018, Garden Secrets was started when Katie decided to take her lifetime of gardening experience and channel it into a sustainable, viable gardening service. She worked for August Schell Brewery for over four years and in 2017 she began to take on her own clients. Growing up on a hobby farm, gardening just came easy to Katie. It also became more than just a job to her, it became a true passion in her life. While working at the brewery, Katie began her ongoing education in Horticulture. She is now currently serving clients in Southern Minnesota as well as in the Twin Cities Metro Area. She specializes in helping clients increase the value and beauty of their homes by creating elegant outdoor living spaces. Garden Secrets serves residential and commercial properties, offering a variety of services including designing, maintenance packages, installation, container packages, and seasonal décor packages. Please check out her designs and services at www.gardensecrets.org.
Photo: Jenny Eckstein, New Ulm Chamber; Katie Hesse, Garden Secrets; and Brittney Schmiesing, Chuck Spaeth Ford.


This gearbox is in perfect working condition. Freshly rebuild and the gearbox is like new now with ... 0km. Gearbox comes with below Gearbox complete Flatshift gear-lever Gear leaver tunnel mounting ... brackets Linkage Rod and rose joint Reverse cable Gear lever pin Gearbox belhousing Wood shipping box.
For sale is a RC 111 6-speed racing-gearbox. 400Nm. Only used on 2016 season approx 300km. 0km ... me. This is really nice gearbox you are looking out.
This is one powerful gearbox i have i have for sale. Contact me for more info.
I'm selling a Drenth DG500 6speed sequential gearbox. This gearbox is new and has 0km. If you are ... interested in buying the gearbox kindly contact me for more info and photos. Comes with Gearbox complete ... lever pin Gearbox belhousing Wood shipping box.
The gearbox is in very good condition and work excellent. Only run 85km. This is a complete ... gearbox and ready to be fixed.
GBS Sequenatial Gearbox 5 Speed (5th is direct 1/1), WRC spline,3 gears, bearings and ring. The ... gearbox is fully rebuilt and in good working condition. This is a complete gearbox and ready to work.
The gearbox is in perfect working condition and look like new. The gearbox is complete and work ... fine.The gearbox fully rebuilt and never been use after rebuilt.
This is a New Drenth DG500 Sequential Gearbox Reduced never being use. Contact me if interested.


text:
Q: prepend the "\\?\" string to the path - DriverPackageUninstall I used DriverPackageUninstall, to uninstall my driver. For this API I need to give "Inf Path" as the input. And I need to give this path as UNICODE string. To do this, I took the following statement from MSDN as reference.

For a Unicode string, the maximum length is 32,767 characters. If you
  use the Unicode version, prepend the "\?\" string to the path. For
  general information about the format of file path strings, see  Naming
  a File in the MSDN Library.

But when I  try the same in my code its not working. Can someone give me some examples on how to prepend the "\?\" before the path? Thanks..
UPDATE :
I tried with the below code as sample
#define UNICODE
#define _UNIOCDE
#define WINVER 0x501

    #include <stdio.h>
    #include <windows.h>
    #include <tchar.h>

    int main () {
        PTCHAR DriverPackageInfPath = TEXT("\\?\\c:\\Documents and Settings\\Desktop\\My.inf");

        FILE * Log;
         Log = _wfopen( TEXT(DriverPackageInfPath, TEXT("a"));

         if ( Log == NULL ) {
           MessageBox(NULL, TEXT ( "Unable to open INF file\n" ),
               TEXT ( "Installation Error" ), 0 | MB_ICONSTOP );
           exit ( 1 );
         } else {
                printf ("INF file opened successfully\n");
         }

         return 0;
    }

UPDATE:
".\dist\Driver\My.inf" How to add "\\?\" before this kind of paths? "\\?\.\dist\Driver\My.inf" is not working.

A: You have error in string constant:
TEXT("\\?\\c:\\Documents ...."

should be
TEXT("\\\\?\\c:\\Documents  ...."

Read carefully, escape carefully : http://msdn.microsoft.com/en-us/library/windows/hardware/ff552316%28v=vs.85%29.aspx
UPDATE:
From http://msdn.microsoft.com/en-us/library/aa365247.aspx :
Win32 File Namespaces
The Win32 namespace prefixing and conventions are summarized in this section and the following section, with descriptions of how they are used. Note that these examples are intended for use with the Windows API functions and do not all necessarily work with Windows shell applications such as Windows Explorer. For this reason there is a wider range of possible paths than is usually available from Windows shell applications, and Windows applications that take advantage of this can be developed using these namespace conventions.
For file I/O, the "\?\" prefix to a path string tells the Windows APIs to disable all string parsing and to send the string that follows it straight to the file system. For example, if the file system supports large paths and file names, you can exceed the MAX_PATH limits that are otherwise enforced by the Windows APIs. For more information about the normal maximum path limitation, see the previous section Maximum Path Length Limitation.
Because it turns off automatic expansion of the path string, the "\?\" prefix also allows the use of ".." and "." in the path names, which can be useful if you are attempting to perform operations on a file with these otherwise reserved relative path specifiers as part of the fully qualified path.
Win32 Device Namespaces
The "\.\" prefix will access the Win32 device namespace instead of the Win32 file namespace. This is how access to physical disks and volumes is accomplished directly, without going through the file system, if the API supports this type of access. You can access many devices other than disks this way (using the CreateFile and DefineDosDevice functions, for example).
For example, if you want to open the system's serial communications port 1, you can use "COM1" in the call to the CreateFile function. This works because COM1–COM9 are part of the reserved names in the NT namespace, although using the "\.\" prefix will also work with these device names. By comparison, if you have a 100 port serial expansion board installed and want to open COM56, you cannot open it using "COM56" because there is no predefined NT namespace for COM56. You will need to open it using "\.\COM56" because "\.\" goes directly to the device namespace without attempting to locate a predefined alias.
Another example of using the Win32 device namespace is using the CreateFile function with "\.\PhysicalDiskX" (where X is a valid integer value) or "\.\CdRomX". This allows you to access those devices directly, bypassing the file system. This works because these device names are created by the system as these devices are enumerated, and some drivers will also create other aliases in the system. For example, the device driver that implements the name "C:\" has its own namespace that also happens to be the file system.
APIs that go through the CreateFile function generally work with the "\.\" prefix because CreateFile is the function used to open both files and devices, depending on the parameters you use.
If you're working with Windows API functions, you should use the "\.\" prefix to access devices only and not files.
Most APIs won't support "\.\"; only those that are designed to work with the device namespace will recognize it. Always check the reference topic for each API to be sure.
So your relative path can be
\\?\.\dist\driver\My.inf

escaped form is
\\\\?\\.\\dist\\driver\\My.inf

A: You only need to prepend \\?\ to the path if it is longer than MAX_PATH characters.

redpajama_set_name: RedPajamaStackExchange


text:
Electra xiamenensis är en mossdjursart som beskrevs av Liu 1999. Electra xiamenensis ingår i släktet Electra och familjen Electridae. Inga underarter finns listade i Catalogue of Life.

Källor

Mossdjur
xiamenensis

redpajama_set_name: RedPajamaWikipedia


text:
Vuvuvultures
Vuvuvultures' volcanic mix of indie, electro, unforgettable vocals and art show has made them one of the most dramatic live bands around, and they've just released their debut album Push/Pull. They are always inventing stuff whether it's themes for their The Island club nights, tunes, or a junk-art drum machine. Vuvuvultures are Harmony Boucher, Nicole Bettencourt Coelho, Paul Ressel and Matthew Christensen. They invited us to their studio to talk us through their sound and their amazing collection of kit. More pics of Vuvuvultures live here.
Debut:
vuvuvultures.com
@vuvuvultures
Crackling unsounds Harmony talks vocals Nicole talks bass Paul talks guitar, synths, producing Matt talks drums Kit List
Crackling unsounds
Vuvuvultures have been attracting plenty of attention with their fuzz-heavy, bleep-tastic, genre-mangling pop, which they themselves describe as 'the sound of dirty bikers eating microchips'. We talked circuit-bending, blowing up instruments and the quest for the ultimate sound. They're proud of messing with sound through pedals until it becomes 'unsound'.
Much as they love to spend time in their studio torturing synths to find out what happens when you solder this bit to that bit and push the wrong button, playing live is equally important to them.
It's just a massive performance, really, whenever we play. It's our chance to get out of just doing admin for the band and actually get to play. Because it feels like 80% of being in a band is actually everything else besides getting to play.
Their love of performance means their videos are unforgettable too featuring everything from evil insects to eerie special effects. Their latest is for Steel Bones.
Vuvuvultures say that a live show should always be a real event.
Especially in London, like we're playing the same city over and over, we don't expect people to come and watch the same thing. If we want to go for a night out we want it to be like, a fully rounded night out and really fun, so we try and create that every time we play so people know, even if Vuvuvultures are playing and they think, we're totally fucking sick of that band, it's going to be a really fun night.
They run The Island, a themed club night in a variety of edgy London locations, complete with props and sets. As bassist Nicole says:
The whole thing about The Island, we don't really know what it is, it's just like a way to express our and all of our friends' interests in a night, so we just build stuff, project things, create a theme and a little world that you can just escape in for a night, that's kind of the vibe. Making something out of nothing because we have nothing but want to make something. It's not just us, well as far as The Island, it's a lot of our friends as well.
Vuvuvultures don't mind admitting that their musical style is hard to pin down, as all of them are influenced by different musical genres. When it comes to songwriting, they tend to start with new sounds rather than a melody and lyrics. Paul says:
I think every new song we do always feels like it doesn't fit with anything we've done before until we do something new and then it's like, oh that all fits, but this doesn't so I think it's, oh, just a process. I mean the more we play the songs the more they sound like us but they always start from like weird sounds. It works though, because we have all these kind of really interesting sounds and ideas but the songs only really come alive on stage or when we've been rehearsing them for ages and we actually play them, and then go back and think oh we're going to put that on an album or keep it or whatever, I think it's a good process.
Having their own studio space helps with that. Nicole explains that, as well as having a lot of equipment, the band are 'very needy people.'
Having that place we go to twice if not more a week to either rehearse or write it's like, you can feel a bit homeless, creatively if you don't have that space that you know is there. You just walk in and it's like, all our stuff's here, we can start experimenting with the sound we can start just chatting and getting ideas for a party, all these crazy things in the room, you know. Having a home for four ADD people is really important. I would say. We feel very fortunate, though, we were lucky to get this space.
Vuvuvultures Drum Machine Low tech high impact Read More
As it's their studio they can take things to bits and put them back together again to make something new. They created a drum machine called "Itchy" out of studio debris, and recorded the sound. Or unsound! It had got a bit bashed up but they showed us how it works, "Hi Hat" and all.
Harmony talks vocals
Aptly-named vocalist Harmony writes the lyrics and melody lines for the songs but says she relies on the rest of the band to 'help them make sense'. With her amazing voice, prowling stage presence and striking looks, she makes a compelling front woman, something she puts down to her background.
I kind of grew up around performance so for me it's not actually that weird to overperform. I grew up in a theatre company so I think acting, well not acting, I'm a terrible actor, but I think the whole performance element of a live show, for me, is like my main thing, I think. I used to play instruments on stage and we've slowly gotten rid of that so I can just kind of go mental, which is great.
Harmony plays guitar, piano, keyboards and is learning the drums, however she doesn't claim to be a virtuoso on any one instrument.
I kind of play instruments enough to write a song with, but I wouldn't say that I specifically play any. I don't have a main thing that I sit down and play all the time, except my voice, which actually I don't play besides writing and singing live. I don't spend hours a day like, practising.
She doesn't use any specific vocal effects, preferring to keep things as clean as possible.
I just try and persuade the sound guy to put a little bit on me so that I don't get totally lost in the production of everything else, but I don't use anything specifically. Every now and then we'll put my voice through a synthesizer or something when we're writing, to try and come up with a funny sound, but generally I just try and keep it as real as possible. Because, you know, it's more fun, and you actually have to learn how to sing that way.
Shure SM58 The best basic live mic you can get Read More
When it comes to microphones, she likes a Shure SM58 on stage.
It's kind of the best basic live mic you can get I think. I've tried some others and they always sound a bit weird, or they sound like I'm going through some kind of weird tunnel or something.
Harmony prefers a RØDE mic for studio work.
I'll often demo just with the SM58 and then we'll record it again with the NT1 RØDE just to make it sound clear and nice.
RODE NT1-A Condenser studio mic Read More
She's influenced to an extent by the female vocalists her sisters loved when they were growing up, such as Suzanne Vega and Beth Gibbons of Portishead.
I always liked Kate Bush, growing up, but then decided a few years ago that I was going to attempt never to sing like her, just because there's way too many girls that do.
One thing she doesn't have in common with many newer singers is that she also does some serious fashion modelling. She keeps the two lives apart, though it can only help the band to get write-ups in mags like Italian Vogue.
Nicole talks bass
Bass powerhouse Nicole includes Tom Waits, Johnny Cash, John Bonham and Muse among her influences. She loves experimenting with sounds and laments the lack of interesting noise-making equipment to be found in South Africa where she grew up. Though it made her resourceful.
I originally went to an audition to be a guitar player in a band and it turned out they were actually looking for a bass player, so I ended up falling into the role of a bass player. However I lived in a third world country and there was no access to any interesting gear, so I got bored of bass very quickly. So I just started trying to get interesting sounds out of really shit tiny amps which, all you really could do then was distortion by overloading the resources you had, and then I realised, oh, you can actually just get that in pedals, that make different kinds of distortions and put them through bigger, more quality amps, and that's basically where it's gone from there.
Her current set up, a mix of Big Muff and other pedals, allows her to get the sound she wants.
I'm known to be quite anal with distortion sounds so if you look at the pedals they're actually all marked with different little lines and stuff, and for most of the gig, it's spent on the floor re-aligning my pedals to get a sound for each song. I could probably just stick to one or two distortion sounds but it's much more interesting to craft sounds for each song as we intended them to be. I kind of live in the bass world on stage so it kind of makes sense for me to be on the floor crafting sound the whole time. Even though it might look dorky.
Everything starts with her unusual vintage Fender JP-90 bass, with GHS strings.
The basic bass I play is a Fender JP-90, which was made in the 90s, which is one of my favourite decades. It was also when I started playing bass, which is probably why I have it. I like it so much because a it's a Fender and there's something totally about Fender basses that I've just never come across in any other brand, sorry guys. And it's a JP because it's a Jazz and Precision hybrid. So it's got both pickups, which is nice, because it's a versatile bass and it sort of combines that softer jazz sound, and a growly precision sound, and the neck is a jazz neck so it's a bit thinner for my tiny hands, and that's why I like it. Also I've had it since I started playing so it's got a lot of sentimental value. I've gutted it and put different like little electronic bits in it to boost parts of the sound so, it's my baby.
Fender JP-90 Bass It's a versatile bass and it combines that softer jazz sound, and a growly precision sound Read More
Nicole gave us a tour of her sound.
The bass also has a stunning custom pick guard made by Nashville metal sculptor Robert Cortner. It looks like something an angel would be proud of.
He made this wing pick guard for me out of two metal plates and he did the whole thing by hand and drew on it with other bits of burning metal and then painted it afterwards and really sculpted it, it's one of my prize possessions.
From the JP-90, the signal goes into her Electro-Harmonix-heavy pedal chain.
Well I'm kind of obsessed with Electro-Harmonix, possibly because they look so cool, actually. They're like enormous and look really nice and there's a really tangible feel to when you're playing with these massive knobs and sliders and stuff. It almost becomes a bit of a performance playtime. So I use Electro-Harmonix Synthesizer Bass pedal, a Worm Electro-Harmonix as well.
Electro-Harmonix The Worm Bumper box of modulation Read More
It's a sort of four-part effects unit, which is wah, phaser, tremelo and vibrato, and you've got control of the rate and range as well so you can get some really interesting sounds when you combine it with distortion and different octaves and things.
Nicole says her heavy foot-stamping means she breaks lots of pedals along the way. She has names for a lot of her gear, even her pedals, and there's a religious theme going through - or maybe she's hoping there will fewer breakages!
From there it goes into The Priest, or Sans Amp made by Tech 21, which is an overall signal boost. I also sometimes run a clean line out of there to keep bottom end when I engage different distortion sounds. It's got an equalizer so you can craft your sound a little bit.
Tech 21 SansAmp Bass Driver DI It's got an equaliser so you can craft your sound Read More
Out of there it goes into my newest pedal, the Dirt Transmitter, made by Earthquaker devices, which is a totally badass distortion pedal which I discovered from the North London metal scene guys actually. It basically sounds like an earthquake. A dirty earthquake! I was like, I love Big Muff and everything but sometimes you just want it to be more bottom-endy and more cutty so they were like, you need this pedal, it's called the Dirt Transmitter, and I got it. It's got the most enormous sound you've ever heard. Love it.
EarthQuaker Devices Dirt Transmitter Totally badass distortion pedal Read More
And then from there it goes into the creamier Big Muff sort of overdrivey distortion pedal. From that guy it goes into the bass synthesizer, also by Electro-Harmonix and you've got sort of octaves on here, square wave, delay, it's really fun to play with, you can really get into the sliders and stuff.
Electro-Harmonix Big Muff Pi I love Big Muff Read More
Then that whole chain goes into the Orange MK3 bass head, a nice valve amp, lots of nice organic gain sounds, straight into the big, boomy but yet crispy 15 inch speaker.
Orange AD200B Bass MK3 Head Lots of nice organic gain sounds Read More
She's fond of her Orange amps, but retains a soft spot for one particular amp combo.
My favourite amp combo of all time is an Ashdown ABM 500, the old series through a 70s 215 Ampeg cabinet, which I do actually own, but I had to leave it (the cab) in Nashville because it's literally bigger than me, so I couldn't get it on a plane.
Ashdown ABM 500 My favourite amp combo of all time Read More
I found a pretty good substitute in these Oranges. MK3 with a 1X15 speaker works better in London as well because you can actualy get it onto the tiny stages, and it's got a really gritty valvey analoguey sound. It's actually kind of breaking at the moment which I'm sort of enjoying, it just kind of goes crackle at all the wrong moments sometimes.. but it's really fun to play, and it's loud and dirty and bassy and looks fabulous as well.
Orange OCB115 Bass Speaker Cabinet Boomy but yet crispy Read More
Nicole considers Nashville as the place where she grew up as a musician.
I started playing bass in South Africa and that was exciting and interesting, just because I'd never played music before, but then moving to Nashville and being exposed to so many incredible players and incredible producers and just every area of music industry, there's someone like, wow, inspiring. I learnt a lot of what I know about playing and gear off other musicians who had been doing it for a really long time… it was really just a melting pot of music knowledge for me. It's very much about vibe and feel there as well. I didn't really get exposed to that much to working with producers until I met Paul, it was all very much about what you could make on the spot.
Nicole and Paul spend a lot of time bouncing ideas off each other in the studio.
Paul and I nerd out a lot and will experiment with software and running sounds into other sounds and quite often we'll start with him playing with the drum machine, running it through a bunch of effects and me playing my bass through a whole bunch of effects. We'll swap now and then and swap chains and it's really quite an incestuous little nerd-fest. We'll play anything that makes sound and run it through pedals, and you can get interesting melodic and sort of percussive loops out of it if you mangle them enough.
The ukulele is one of her favourite instruments to have fun with.
I don't think we've ever ended up using ukulele on a Vuvuvultures track but we've used it for making samples and sounds and things. We also have this little toy collective called Sh! Pop Studio, it's like this little really, really fucked old speaker, everything you put through it distorts so immediately sounds awesome, and it's got a drum machine, a keyboard and a mic, and we basically had a whole bunch of sessions playing ukelele and then playing off that, like little keyboards and drum parts and stuff.
Smash Hits Sh! Pop Studio Everything you put through it distorts so immediately sounds awesome Read More
Nicole is very particular about her strings and needs something that stands up to her powerful playing. She uses a range of different strings from GHS, who personalised things just for her.
The reason I started working with them is that they were up for making me custom gauge sets. I like to have a different range of gauges, and as a rule always get the first G.50 or up.
My favourite are the Progressives. I was drawn to them because of the strong wire and magnetised core. And they do actually have an amazing tone, and they last ages and I feel like I won't break them no matter how hard I play!
GHS Progressives An amazing tone, and they last ages Read More
Also I like the Infinity Steel (cool name too), as a coated string option. Also they coat them RED. Win. I was specifically looking for black coated nice sounding strings at one point for fun and GHS mentioned these so I tried them out.
Electro-Harmonix Bass Micro Synth Add synth tones to your bass playing. Read More
Paul talks guitar, synths, producing
Paul has many roles in the band - including playing guitar and keyboards live, producing, and making weird noise objects! He never really considered himself a guitarist, though some of his influences are pretty traditional.
I hate to say it because Harmony's going to hate me but I'm a big Radiohead fan, especially like their earlier stuff and their guitar work. Big Jimmy Page fan. Stuff like Led Zeppelin, like Hendrix, just something about the way they were exploring what distortion was about and there's just something amazing about the kind of sounds they were getting then. Today I find the whole tendency is for sound to get really big, you know, 24x12 Marshalls and like 15 digital distortion effects pedals and stuff, and it's just too much. I definitely prefer a simpler sound.
He's equally inspired by more modern, technology-driven music, however, when it comes to songwriting.
I totally fell in love with Amon Tobin, Aphex Twin, Squarepusher, like the whole sort of IBM scene really changed things a lot for me, and I think my production approach has always got something of that in it, so all the sounds and percussion beats and noisy synths, they always form the basis and then the song kind of grows around that.
Paul plays a Fender Mustang, which he runs through an Electro-Harmonix Double Muff.
He's happy with what some people would consider the vintage Mustang's faults, as well.
I love my guitar, because it's really messed up and old and squeaky and the parts are noisy and the wiring's terrible but there's just something really great about it. I get looked down upon every time I go into a studio because they're all like, Oh god your guitar won't stay in tune, but it doesn't need to stay in tune!
Fender Mustang There's just something really great about it Read More
His amp is a vintage Music Man 112 RD that looks like it's seen a lot of action!
Music Man 112 RD One Hundred What I love about it, it's very dry Read More
I don't use any sort of delay or reverb or anything. Even on the clean sound the gain is all the way up and it's very distorted and very overdriven, and then I use the distortion pedal and then it's just ridiculous, and that's kind of my guitar sound. What I love about it, it's very dry and it definitely feels like that kind of 70s overdrive sort of vibe to it, it's just really raw and noisy and kind of unforgiving, and a lot of feedback, and I kind of like it. Because my playing style's quite messy so I think it sort of works with that.
Paul's equally passionate about synths, especially his Casio PT-1.
Casio PT-1 I found it in an antique store Read More
I found it in an antique store, believe it or not, and this thing was made in the year I was born, 1981, so that's pretty special.
Paul has an unusual a Suzuki Omnichord that he uses a lot for writing music.
It's like an electronic harp thingy from the 80s it makes really really interesting sounds. I did a little bit of circuit bending on it just to get some of the weirdness out of it. I love the natural sound of these instruments, but for me the real fun is in putting it through different processors and effects to get even more interesting sounds. Hours of fun really. Usually when we are writing stuff we mainly start with a beat, taking something like this or an old 505 drum machine and getting a basic beat going. We'll start playing around with that and layer ideas over it.
Suzuki Omnichord Makes really really interesting sounds Read More
He often puts it through a Sherman Filterbank.
Sherman Filterbank Analog filtering and distortion with extreme tube overdrive Read More
As for the Roland TR-505, despite the one of the pads being broken, he coaxes plenty of good sounds out of it.
What I love is that by putting it through effects you can completely change the character of the sound. You have an infinite palette of analog sounds that you can play with, it seems a lot more fun than plugins.
Roland TR-505 A lot more fun than plugins Read More
Paul is just getting into Atari synth carts.
It's basically just a normal Atari Junior, like 2600, but it's got the cartridges that turn it into a synthesiser and then you just build a little breakup box with a midi and that sort of stuff but it's pretty cool because it sounds like all the sound of those old games you basically now have control over and you can turn it into a synthesiser with arpeggiators and drum machines and it's so tiny, it's awesome.
As a producer, he's worked with a variety of artists, though he's reluctant to name names, preferring to talk instead about software.
All the writing and stuff we do in Cubase, and then all the live work like the back tracks and synths and samples and stuff that we run on stage is all going through Ableton. But I like making things in the real world, in terms of hardware and I also like writing synths and plug ins and stuff so I've made a couple of things in Reaktor and use programmes like Audiomulch to plug things together digitally, in a way that you wouldn't normally do, just to try and get interesting sounds. Software and audio manipulation and digital sound mangling is just sort of infinite, which is really cool.
Steinberg Cubase Pro 8, Artist 8 All the writing and stuff we do in Cubase Read More
Ableton Live The backing tracks and synths and samples and stuff that we run on stage is all going through Ableton Read More
Native Instruments Reaktor 5 I've made a couple of things in Reaktor Read More
Electro-Harmonix Double Muff Two distortions in one Read More
Matt talks drums
The newest member of the band, Matt, loves the way Vuvuvultures' electronic experimentation makes him think about drumming in a whole new way.
I joined after Harmony and Paul and Nicole had been already making music for some time as a studio project, and the thing that really struck me was just how the beats that had come out had obviously not been thought up by a drummer. But I loved that because they were just thought of in such a refreshing way. It's kind of forced me to alter the way that I think about drums, because if you sit down in front of a drumkit you kind of naturally gravitate towards certain things based on the way that a body moves so learning how to adapt that and respond more to sound than falling into the same old patterns all the time… It's been something that I've had to learn pretty quickly with this band which has been really, really exciting.
His influences include Roger Taylor, John Bonham, Dave Grohl and Mutemath's Darren King.
All of them quite different but all of them hard-hitting players. I think I've always been fascinated with the way that drums are just dynamically - you can change one little thing and it changes the whole mood of the song. That's such a subtle thing but sometimes it's things you don't really even notice but they're really quite important to the way that people respond to music.
Playing live is where he feels most at home.
Live I really get a chance to match things up properly with Nicole as a rhythm section. We really have bonded, Nicole. I kind of feel like that's the sort of bedrock that allows the other interesting musical textures to come out so I guess that's the live dynamic.
Matt's current drumkit is a Pacific FX (a brand owned by DW), which he bought off a friend.
I think it's made of birch and I like the way it sounds. That's pretty much all I have to say about it. I didn't choose the different sizes and stuff but it seems to work for what we're doing, but I think with drums… Ideally you want to have loads and loads of different things to experiment with, which is when playing in the studio really gets interesting because then you can kind of experiment with them all.
The two floor toms are my favourite part of the kit because they're really deep and boomy but without too many overtones and so they really have a lot of meat to them. The guy who played them before me was actually more of a jazz drummer so he had them tuned up quite a lot more, but I've got more rock tendencies, so I've kind of loosened things up and made them a little bit more meaty.
Pacific Drums and Percussion FX Series Really deep and boomy Read More
He regrets the fact that he left his favourite cymbals in South Africa when he moved to the UK.
I just play a fairly cheap set of Sabian cymbals. There's nothing wrong with them but they're a sheet cymbal as opposed to cast cymbals so they're quite a bit cheaper but they seem to do the job.
I've got one Zildjian A-custom projection crash which is kind of my one remaining good cymbal. That's set up to the left and I've got a big 18-inch crash to the right. And then a right cymbal and obviously hi-hats. I don't really like those small splash cymbals, kind of the fizzy ones, they just seem a bit sort of naff to me.
Zildjian A 18" Custom Projection Crash Read More
His drum pedal is an Iron Cobra, which has lasted him through many wild performances.
Tama Iron Cobra Drum Pedal A solid dependable piece of kit Read More
As for drumsticks, he likes some of Vater's signature ranges.
The Stewart Copeland sticks, are kind of my favourite ones if I can get them. If I can find them, I'll buy them, but otherwise, the (Zildjian) Taylor Hawkins signature stick is really good, nice and thick.
Vater Stewart Copeland Standard My favourite ones Read More
A lot of the time you know, you inevitably buy a whole lot of the ones that you really like and you go back again in a couple of months and they don't have them any more.
Electro-Harmonix The Worm Kit
Electro-Harmonix Big Muff Pi Kit
Electro-Harmonix Bass Micro Synth Kit
Electro-Harmonix Double Muff Kit
Danelecro Chili Dog Pedal Kit
Danelectro Cool Cat Vibe Pedal CV-1 Kit
Orange Amplification
Orange AD200B Bass MK3 Head Kit
Orange OCB115 Bass Speaker Cabinet Kit
Akai HeadRush E2 Kit
Akai LPD8 Kit
Boss Metalzone MT-2 Kit
Boss Chromatic Tuner TU-2 and TU-3 Kit
Fender JP-90 Bass Kit
Fender Mustang Kit
Behringer Xenyx 802 Kit
Vuvuvultures Drum Machine Kit
Yamaha PSS-80 Kit
Line 6 FM4 Filter Modeler Kit
Shure SM58 Kit
RODE NT1-A Kit
Alesis SR-16 Kit
Dubreq
Dubreq Stylophone Kit
Tech 21 SansAmp Bass Driver DI Kit
EarthQuaker Devices Dirt Transmitter Kit
Digitech Whammy Pedal Kit
Ashdown ABM 500 Kit
Smash Hits!
Smash Hits Sh! Pop Studio Kit
GHS Progressives Kit
Music Man Amps
Music Man 112 RD One Hundred Kit
Casio PT-1 Kit
Suzuki Omnichord Kit
Sherman Filterbank Kit
Roland TR-505 Kit
Steinberg Cubase Pro 8, Artist 8 Kit
Ableton Live Kit
Native Instruments Reaktor 5 Kit
Pacific Drums and Percussion
Pacific Drums and Percussion FX Series Kit
Zildjian A 18" Custom Projection Crash Kit
Tama Iron Cobra Drum Pedal Kit
Vater Stewart Copeland Standard Kit
More Bands
Waylayers Band
The Woodentops Band
With One Last Breath Band


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Feeling a bit better after my decision to stay small. Trouble is finding somewhere to hold the book signing on Halloween. Originally I asked Quex Barn who said yes, then when Waterstones said yes too, I informed Ian at Quex I wouldn't be using their premises. I think he was a bit disappointed, now I think I'm going to have to go and grovel and apologize and ask if he minds again.
It seems there are no local independent bookshops anymore, unless you count second-hand ones. I did think about Wyevale but my guess is it would be the same result. Shell out loads of money for little or no return. While I know writing doesn't earn much, JK Rowling willing, I don't want to be much out of pocket.
Talking about JK, why when you mention you write etc does 'everyone' and I mean everyone, say "Watch out JK Rowling"? I could scream. I'd be rich if I simply charged people £1 each time they uttered those depressing words. Do you know how depressing her name is?
C M Salter. Has a certain ring to it. NO don't ask me to alter the cover.
My PC has died big time. Luckily I backed up all the pictures. But at the moment I'm running of a Tablet.


A pre-sentence report has been ordered in the case of a south Derry man facing public order charges.
Gavin Logue (33), whose address was given as Queen's Avenue, Magherafelt, is accused of criminal damage, indecent behaviour, and disorderly behaviour in licensed premises at Maghera on November 22 last year.
The District Judge said given the defendant's record he would require a pre-sentence report.
The case was adjourned to Magherafelt Magistrates Court sitting on September 21.


The essays are the most important part of the application. Essay one has a maximum length of 800 words and essay two has a maximum length of 1,000 words. Essays should be single spaced, except when spaces separate paragraphs.
Please discuss the following points in one integrated essay, giving equal attention to each point.
Explain the significance of your proposed country, region, and language to U.S. national security. The Boren Awards recognize a broad definition of national security, but you should make a specific, detailed, and focused argument.
Describe how the country, language, and overseas program you selected will help you achieve your career goals, including your plans to fulfill the federal service requirement. If appropriate, you may also include relevant past academic, extracurricular, volunteer, internship, and professional experiences. Be specific.
Describe your proposed study plan in detail. Boren Fellowships support language and other classroom study, overseas research, overseas academic internships, or any combination of these elements. Explain all significant features of your plan, including institutional or other affiliations, if known.
Describe your specific goals for language study, including the proficiency level you hope to attain and how you plan to develop your language skills to that level. Describe your past experience in studying or speaking the language (or another language if relevant), as well as your plans for continuing to study and/or speak the language following your Boren Fellowships.
To demonstrate feasibility, applicants who are not currently enrolled in graduate school should also explain how the Boren Fellowships would fit into the first year of the anticipated graduate program. All Boren Fellows must be matriculated in a U.S. graduate school at the time of funding.


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Carla and Connie's home sustained major damage in the Lilac Fire and could not be rebuilt. While they negotiated with their insurance company, they lived with various friends and relatives, or stayed in motels. Working with a Red Cross Case Manager, they were approved for Red Cross financial assistance, which is provided through the generosity of donors. "We finally moved into our new home in September and the Red Cross was one of our biggest helps," says Connie.
Moving forward, Connie and Carla continue to marvel at the goodness of others. "All of the furniture in our new home has been given to us," they explain. "We could not do this without the support of our friends, our neighbors, and the community." They give special thanks to their local Red Cross Case Manager Rick Allen and to their Community Recovery Team workers, Robin Clegg and Dawn Hubert.
In the years to come, Connie and Carla look forward to enjoying their new home and giving back to the community that has given so much to them.
The American Red Cross prevents and alleviates human suffering in the face of emergencies by mobilizing the power of volunteers and the generosity of donors. Please visit redcross.org/volunteer for more information on volunteering with the Red Cross or visit redcross.org/donate to make a donation.


text:
Q: Power Amplifier inside an OPAMP Here is a simplified schematic diagram of one of the operational amplifiers inside a TL08x.
The Diagram
I wonder why a power amplifier is used ? (on the right side) What is it good for ?
Thanks in advance.

A: To keep the quiescent current low, the left hand transistors run at a low current, usually <1mA.
To provide usable output current, usually >20mA, to drive the load and feedback resistors, the right hand transistors provide current gain. That's not a 'power amplifier', but you do see that sort of transistor arrangement on the outputs of power amplifiers.


Happy Halloween! We'll be celebrating our fifth Halloween ComicFest here at Destiny City Comics with bucketfuls of FREE COMICS like Archie, Battle Angel Alita, Hellboy, Junji Ito's Frankenstein, Ms. Marvel, Thor, Splatoon, and MORE!!
Stay tuned to this event as we announce potential special guests and more.
On the fifth Sunday of July we'll be discussing the warped future world of Warren Ellis' Transmetropolitain at Destiny City Comics.
Pick up volume 1 at the shop today!
Batman/Catwoman Wedding Midnight Release Party!
It's the wedding you thought you'd never see! The Caped Crusader and Gotham's most notorious cat burglar say their vows in this momentous new issue by Tom King and an all-star team of artists.
We're releasing all other new comics like the next chapter in Catwoman #1, Ta-Nehesi Coates' Captain America #1, Paper Girls #22, Cosmic Ghost Rider #1, Prism Stalker #5, Star Wars #50, and more!
Not only that, we'll have freebies and special sales going on. Visit the shop to learn more!
We'll be reopening our doors at 11:30pm and remaining open to serve customers at the event. Doyle's Pub is happy to serve food and drink late at night just two doors down.
One of Time Magazine's 100 Greatest Novels, Watchmen changed superhero stories forever in this mind-bending murder mystery that will have you questioning authority forever. Pick up the book at the shop today and we'll discuss it 7pm at the shop on the fourth Sunday of May.
We'll be meeting at the Zodiac Supper Club at 1116 MLK Jr. Way. You can get the book at Destiny City Comics for 15% off $16.99 with the book club discount. Stadium District's comic shop also sells many other fine graphic novels.
FREE COMICS! Harley Quinn/Batman Day at Destiny City Comics!
Destiny City Comics is your Batman Day destination!
We'll have FREE COMICS AND MASKS and discounts on all Batman and Harley Quinn comics all day noon to 8 while supplies last.
New releases included! Check out the new collected edition of Dark Knight III, the Harley Quinn 25th Anniversary Special In the vintage collection we have the first appearance of Arkham Asylum and a complete set of Batman: the Long Halloween.
Batman's research on Hawkman's mysterious Nth Metal comes to a head in a reality-warping DCU adventure!
We're having a special midnight release event with exclusive covers for Dark Nights: METAL #1 featuring fan-favorite Batman writers Scott Snyder and James Tynion IV with art by Greg Capullo.
PREVIEWS description: "The superstar BATMAN team of writer Scott Snyder and artist Greg Capullo reunite for a massive, universe-spanning event!
If you're interested in a 1:100 black and white variant be sure to let me know your interest by July 10.


Extremism in pakistan essay there something?
Extremism In Pakistan. Understanding the Phenomenon of Religious Terrorism in Pakistan Pakistan has ended up as a target for the Taliban and Al Qaeda forces Home English Essays Essay on Religious Extremism: Causes, Effects and Solutions.
Essay on Religious Extremism: Causes, Effects and Solutions. By admin. Posted on. 10 min read Tags Causes of Religious Extremism Effects of Religious Extremism Reasons of Religious Extremism Religious Extremism Essay Religious Extremism in Pakistan Free Essay: In 1947 Pakistan was created after being partitioned from the country of India.
A predominantly Muslim country located in Southern Asia it has Furthermore, the people of Pakistan must understand that Muslim countries such as Malaysia, Indonesia and Turkey were in a better position to curb extremism because of their higher literacy rate, better economies and their mature leadership, keeping enough distance from the US.
50. The idea of an Islamic Pakistan was seized upon by Zulfikar Ali Bhutto. He also applied Islamic rhetoric to Pakistans foreign and strategic policy hosting a major Organisation of Islamic Conference (OIC) meeting in Lahore in 1974. He also supported several extremist groups in the opposition to Afghan government. Zia and Islamism. 51. Powerful Essays 1709 words (4. 9 pages) Extremist Islamic Terrorism: Jemaah Islamiyah Essay Executive Summary This essay provides an analysis of the terrorist group Jemaah Islamiyah from its foundation and grass roots development up until the splintering of the group in 2000.
Jahangir's World Times First Comprehensive Magazine for studentsteachers of competitive exams and general readers as well. integrity International Affairs militant group AlQaeda Muslim societies Pakistan Affairs Rise Of Extremism Taliban government in Afghanistan tolerance and peaceful USled Western interference CSS Papers Feb 07, 2013 In fact, religious extremism is not advocated, preached or sanctioned by any religion in its pure form.
Buddhism is a religion of peace and humility. Christianity is a religion of social goodness and progress. Islam Charles S. Liebman, Israeli Professor of Political Studies at BarIlan University, has identified three dimensions of religious extremism, all easily observable in Pakistan today: (1) the expansion and imposition of religious laws, (2) harsh attitudes toward those who do not accept extremist norms, and (3) the rejection of cultural forms and values Feb 08, 2013 Another factor giving rise to the religious extremism in Pakistan is the proxy wars of different Muslim states being fought in Pakistan i.
e. predominantly of Saudi Arabia and Iran, Saudi Arabian government is follower of Wahabi ideology and Irani government follows Shiite ideology, followers of both the ideologies live in Pakistan.
Pakistan Pharmaceutical Industry Pakistan has a very vibrant and forward looking Pharma Industry. At the time of independence in 1947, there was Extremism in pakistan essay any pharma industry in the country. At the time of independence in 1947, there was hardly any pharma industry in the country. This was the event, which gave birth to religious extremism in the country.
Eventually, the war against terrorism in Pakistan essay needs Extremism in pakistan essay cover issues since that time, when the first events expressing terrorism took place in the history of the country.


When it comes to treating our clients like family, we don't just mean for weddings or events. New for 2016, come visit us in the fall and winter months (some of the most beautiful in our opinion). Get away from it all for a weekend or a week in the House or Cottage with your closest friends or family.
We love all the couples who get married here and everyone else who hosts their event with us, but there's always room for more love in our hearts. Come stay with us in the cozy Cottage—perfect for a couple's retreat or mini-moon—or in the House—great for a big family get-together.
As an introductory price, receive 1 night free if you rent for a week. Check out our listings on Airbnb for more details.
1-bedroom, 1-bath house perfect for aquiet, romantic getaway.
4-bedroom, 2-bath log cabin built in 1896, but upgraded with all the modern amenities.
Our lodging is licensed with Douglas County and annually inspected by the health department. Our facility ID is KZUN-AACQMR.