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Posted on June 5, 2017	by tengrain
Before DADT…
Happy Pride Month from World Nut Daily!
On June 1, the official Facebook page for the United States Navy posted an image of the its official seal superimposed over a rainbow flag under a banner reading "Lesbian, Gay, Bisexual, Transgender Pride Month" and above a caption reading "Navy Celebrates 2017 LGBT Pride Month." The accompanying message states: "The Lesbian, Gay, Bisexual and Transgender community is a part of our #OneNavyTeam that contributes their diverse talents, skills and service to the strength of our #USNavy."
…Same Sex Attraction Disorder is not "gay," it is SSAD, and there is absolutely nothing to be proud of in "LGBT" history. It is commendable that President Trump did not issue an endorsement of the moral atrocity called "Gay Pride Month" as Obama did each year, but he sends a mixed message by allowing the U.S. Navy to do so under his watch.
…June was chosen for Gay Pride Month because June 28 is "Gay" Pride Day, the anniversary of the Stonewall riots of 1969, when "gay" rioters violently attacked police officers responding to an incident involving a boy prostitute.
The LGBT movement was birthed in depravity and violence and has never changed. Behind the facade of ubiquitous pro-LGBT propaganda in the media and academia is a community of deeply troubled people, rife with drug and alcohol abuse, domestic violence, self-destructive behaviors, "hate crime" hoaxes, Machiavellian political manipulations at every level, pathological self-centeredness and seething hatred for anyone who dares oppose the "gay" agenda. While many strugglers manage to live decent and orderly lives despite their dysfunction, far too many others do not, and all of society suffers for failing to face that fact openly. Their cynical exploitation and degradation of our military for political gain is just one example of this enormous problem.
This entry was posted in DADT, Homophobia, The Closet of Lindsey Graham, Transphobia. Bookmark the permalink.
10 Responses to News That Will Drive You To Drink
Nora Daly says:
What hubris and crap!
roket says:
Fake news.
osirisopto says:
His boyfriend just raised his rates.
It's so over the top, it may be satire. But whatevs, celebrate Gay Pride Month!
MDavis says:
Reads like he is describing Trump's party.
Pharmakeus Ubik says:
Unparalleled projection by these dickheads.
M. Bouffant says:
SsssssssAD! And sssssseeeething!!
Pupienus Maximus says:
Hey world nut daily, suck on it! No really, you know you want to.
Ivory Bill Woodpecker says:
I call that site Weird Nuts Daily. 😛
Retiredeng says:
Hmm. This speaks volumes about WNT. Most homophobes are complete closet cases ashamed of their "urges". Asshats all.


The high level of anger could push up absence levels, a workplace management analyst says.
Just 35 percent of U.S. managers said they felt engaged on the job.
If you're miserable in the workplace, take solace in the fact that you've got a lot of company.
Half of all U.S. employees have at some point in their career quit their jobs to get away from their boss, according to a new Gallup study of 7,272 adults. If workers loathe their higher-ups, the feeling may be mutual. Gallup also found that managers weren't thrilled with their work situation, either. Just 35 percent of U.S. managers said they felt engaged on the job. Fifty-one percent said they weren't engaged, and 14 percent confessed that they actively tune out at work.
The numbers suggest that there are relatively few Americans who don't feel like they're corporate cogs straight out of a Kafka novel. "I'm continually surprised at these numbers—they're a lot lower than they need to be," says Jim Harter, Gallup's chief scientist of workplace management and well-being.
Unhappy workplaces aren't just pushing employees toward gloomy happy hour drinks. "When managers aren't engaged, it affects their employees, which in turn affects productivity, whether people stay or leave, how often they're absent, and then ultimately productivity," Harter says.
Plus, given how much time Americans spend at work, hating your job can take a hit on your overall well-being, Harter added. Being stressed out at work can heighten the risk of developing depression, anxiety, and obesity, a 2007 study found. And when the cause of that stress is a terrible coworker, your likelihood of quitting soars.
One possible fix: Be more selective about who gets promoted. "Obviously, organizations can't just change out all their managers in the short term, but they can control who they name [as manager] next, based on their natural talent to motivate others and engage workers," Harter says.


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Insurify is an online car insurance shopping platform, which instantly verifies a drivers data to provide real-time quotes. By analyzing millions of records, identifying patterns and building models to match a drivers profile, they are able to provide personalized recommendations which save users time and money. Insurify is a content partner of Townsquare Media, this website's parent company. Its content is produced independently of this website.
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Over the past year, drivers in these nine states have stood out in many noteworthy ways, but not necessarily for all the right reasons. It's no secret that drivers in certain parts of the U.S. have notorious reputations amongst their peers on the road. Decr...
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Everyone must do their part to give back to the community, and residents in these cities go above and beyond to lend a helping hand. After yet another long year, plenty of Americans are hoping to turn over a new leaf in 2022. As the new year begins, it's essential to acknowledge all the people across the nation that have striven day-in and day-out to support the rest of their community members. M
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redpajama_set_name: RedPajamaCommonCrawl


The Winner Picks Up Their Cragar Camaro!
Truck Tech Wraps Up Their Classic C10!
Engine Power Installs A 200mph Capable Suspension On The Galaxie!
Not Even Ford GT Test Drivers Are Exempt From The Law...Or Are They?
A 1946 Ford Woody Wagon!


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Persons born 14 February 1891
ANNA LYSAK to BECKIE MOSKOWITZ Providing for free what some websites charge money for. Home page ... ... 14 February 1891 page
ANNA LYSAK was born 14 February 1891, received Social Security number 172-22-4736 (indicating Pennsylvania) and, Death Master File says, died June 1976. Research in ZIP Code 18410. Source: Social Security Death Master File (public domain).
ANNA MASHNOUK was born 14 February 1891, received Social Security number 091-18-9381 (indicating New York) and, Death Master File says, died December 1965. Research in ZIP Code 12550. Source: Social Security Death Master File (public domain).
ANNA MELLAS was born 14 February 1891, received Social Security number 044-44-6966 (indicating Connecticut) and, Death Master File says, died August 1975. Research in ZIP Code 06605. Source: Social Security Death Master File (public domain).
ANNA MIKSIS was born 14 February 1891, received Social Security number 338-22-8689 (indicating Illinois) and, Death Master File says, died January 1968. Research in ZIP Code 60629. Source: Social Security Death Master File (public domain).
ANNA MOSKAL was born 14 February 1891, received Social Security number 074-34-0469 (indicating New York) and, Death Master File says, died 30 January 1990. Source: Social Security Death Master File (public domain).
ANNA NIELSON was born 14 February 1891, received Social Security number 377-32-5882 (indicating Michigan) and, Death Master File says, died June 1974. Research in ZIP Code 48227. Source: Social Security Death Master File (public domain).
ANNA PEAKER was born 14 February 1891, received Social Security number 281-48-5222 (indicating Ohio) and, Death Master File says, died September 1976. Research in ZIP Code 45205. Source: Social Security Death Master File (public domain).
ANNA PICKETT was born 14 February 1891, received Social Security number 456-10-7455 (indicating Texas) and, Death Master File says, died July 1973. Research in ZIP Code 75216. Source: Social Security Death Master File (public domain).
ANNA PITSCH was born 14 February 1891, received Social Security number 286-46-0552 (indicating Ohio) and, Death Master File says, died January 1985. Research in ZIP Code 44321. Source: Social Security Death Master File (public domain).
ANNA POKORNY was born 14 February 1891, received Social Security number 297-40-1132 (indicating Ohio) and, Death Master File says, died July 1972. Research in ZIP Code 44112. Source: Social Security Death Master File (public domain).
ANNA RAMSIER was born 14 February 1891, received Social Security number 261-54-1745 (indicating Florida) and, Death Master File says, died October 1978. Research in ZIP Codes 15221 and 15344. Source: Social Security Death Master File (public domain).
ANNA SCHMIDT was born 14 February 1891, received Social Security number 358-20-2583 (indicating Illinois) and, Death Master File says, died February 1984. Research in ZIP Code 52804. Source: Social Security Death Master File (public domain).
ANNA SHADELL was born 14 February 1891, received Social Security number 374-24-0402 (indicating Michigan) and, Death Master File says, died July 1978. Research in ZIP Codes 33701 and 33731. Source: Social Security Death Master File (public domain).
ANNA TRALIS was born 14 February 1891, received Social Security number 047-07-2038 (indicating Connecticut) and, Death Master File says, died April 1983. Research in ZIP Code 11746. Source: Social Security Death Master File (public domain).
ANNA WETENDORF was born 14 February 1891, received Social Security number 060-20-7595 (indicating New York) and, Death Master File says, died August 1978. Research in ZIP Codes 10472 and 10028. Source: Social Security Death Master File (public domain).
ANNA WILKINSON was born 14 February 1891, received Social Security number 148-30-8404 (indicating New Jersey) and, Death Master File says, died July 1976. Research in ZIP Code 08104. Source: Social Security Death Master File (public domain).
ANNABEL BARBO was born 14 February 1891, received Social Security number 511-22-0536 (indicating Kansas) and, Death Master File says, died March 1972. Research in ZIP Code 67645. Source: Social Security Death Master File (public domain).
ANNA C KNIGHT was born 14 February 1891, received Social Security number 566-28-6553 (indicating California) and, Death Master File says, died 15 February 1966. Research in ZIP Code 95060. Source: Social Security Death Master File (public domain).
ANNE KING was born 14 February 1891, received Social Security number 083-05-4492 (indicating New York) and, Death Master File says, died April 1979. Research in ZIP Codes 32750 and 32789. Source: Social Security Death Master File (public domain).
ANNE PORTERFIELD was born 14 February 1891, received Social Security number 409-46-4225 (indicating Tennessee) and, Death Master File says, died May 1984. Research in ZIP Code 36201. Source: Social Security Death Master File (public domain).
ANNIE BLAND was born 14 February 1891, received Social Security number 413-82-3784 (indicating Tennessee) and, Death Master File says, died October 1973. Research in ZIP Code 38108. Source: Social Security Death Master File (public domain).
ANNIE DUSEK was born 14 February 1891, received Social Security number 451-88-1358 (indicating Texas) and, Death Master File says, died May 1972. Research in ZIP Code 77471. Source: Social Security Death Master File (public domain).
ANNIE HARLEY was born 14 February 1891, received Social Security number 262-43-3377 (indicating Florida) and, Death Master File says, died July 1980. Research in ZIP Code 32446. Source: Social Security Death Master File (public domain).
ANNIE HELM was born 14 February 1891, received Social Security number 275-24-7992 (indicating Ohio) and, Death Master File says, died April 1974. Research in ZIP Code 45640. Source: Social Security Death Master File (public domain).
ANNIE HOHENSTEIN was born 14 February 1891, received Social Security number 093-30-3121 (indicating New York) and, Death Master File says, died June 1984. Research in ZIP Code 14305. Source: Social Security Death Master File (public domain).
ANNIE JONES was born 14 February 1891, received Social Security number 464-38-8804 (indicating Texas) and, Death Master File says, died October 1974. Research in ZIP Code 90019. Source: Social Security Death Master File (public domain).
ANNIE NORMAN was born 14 February 1891, received Social Security number 439-66-0568 (indicating Louisiana) and, Death Master File says, died March 1977. Research in ZIP Code 71351. Source: Social Security Death Master File (public domain).
ANNIE PETWAY was born 14 February 1891, received Social Security number 239-32-4236 (indicating North Carolina) and, Death Master File says, died June 1979. Research in ZIP Code 27893. Source: Social Security Death Master File (public domain).
ANNIE SCHWARTZ was born 14 February 1891, received Social Security number 019-40-0207 (indicating Massachusetts) and, Death Master File says, died December 1978. Research in ZIP Code 02169. Source: Social Security Death Master File (public domain).
ANNIE SMITH was born 14 February 1891, received Social Security number 260-80-9786 (indicating Georgia) and, Death Master File says, died June 1983. Research in ZIP Code 30669. Source: Social Security Death Master File (public domain).
ANNIE M SHERARO was born 14 February 1891, received Social Security number 277-48-8040 (indicating Ohio) and, Death Master File says, died 15 November 1987. Research in ZIP Code 45042. Source: Social Security Death Master File (public domain).
ANNIE V HARDING was born 14 February 1891, received Social Security number 560-21-3745 (indicating California) and, Death Master File says, died 09 October 1988. Research in ZIP Code 94565. Source: Social Security Death Master File (public domain).
ANTHONY BIESZCZAD was born 14 February 1891, received Social Security number 292-05-7872 (indicating Ohio) and, Death Master File says, died August 1969. Research in ZIP Code 43607. Source: Social Security Death Master File (public domain).
ANTHONY PEPE was born 14 February 1891, received Social Security number 151-07-2528 (indicating New Jersey) and, Death Master File says, died November 1970. Research in ZIP Code 07036. Source: Social Security Death Master File (public domain).
ANTHONY PEREIRA was born 14 February 1891, received Social Security number 557-52-8826 (indicating California) and, Death Master File says, died January 1977. Research in ZIP Code 95376. Source: Social Security Death Master File (public domain).
ANTHONY YASKO was born 14 February 1891, received Social Security number 322-10-6031 (indicating Illinois) and, Death Master File says, died April 1971. Research in ZIP Code 90201. Source: Social Security Death Master File (public domain).
ANTOINETTE PEZDA was born 14 February 1891, received Social Security number 150-36-5966 (indicating New Jersey) and, Death Master File says, died October 1981. Research in ZIP Code 07106. Source: Social Security Death Master File (public domain).
ANTON BECK was born 14 February 1891, received Social Security number 308-32-0599 (indicating Indiana) and, Death Master File says, died March 1980. Research in ZIP Code 94563. Source: Social Security Death Master File (public domain).
ANTON ROSSBACH was born 14 February 1891, received Social Security number 392-09-2990 (indicating Wisconsin) and, Death Master File says, died April 1970. Research in ZIP Code 53186. Source: Social Security Death Master File (public domain).
ANTONETTA RAMPONI was born 14 February 1891, received Social Security number 170-50-8367 (indicating Pennsylvania) and, Death Master File says, died January 1973. Research in ZIP Code 16141. Source: Social Security Death Master File (public domain).
ANTONINA LABARBERA was born 14 February 1891, received Social Security number 052-10-4549 (indicating New York) and, Death Master File says, died August 1978. Research in ZIP Code 11358. Source: Social Security Death Master File (public domain).
ANTONIO CAPUTO was born 14 February 1891, received Social Security number 345-40-5008 (indicating Illinois) and, Death Master File says, died 15 February 1967. Research in ZIP Code 60616. Source: Social Security Death Master File (public domain).
ANTONIO RAMIREZ was born 14 February 1891, received Social Security number 563-26-3334 (indicating California) and, Death Master File says, died November 1972. Research in ZIP Code XX745. Source: Social Security Death Master File (public domain).
APPLONIA DZUR was born 14 February 1891, received Social Security number 315-54-2633 (indicating Indiana) and, Death Master File says, died January 1975. Research in ZIP Code 46227. Source: Social Security Death Master File (public domain).
AQUILLA LEEDY was born 14 February 1891, received Social Security number 348-03-0413 (indicating Illinois) and, Death Master File says, died December 1974. Research in ZIP Code 45209. Source: Social Security Death Master File (public domain).
ARCHER HUDSON was born 14 February 1891, received Social Security number 009-16-5340 (indicating Vermont) and, Death Master File says, died December 1979. Research in ZIP Code 05001. Source: Social Security Death Master File (public domain).
ARCHIE GRAHAM was born 14 February 1891, received Social Security number 517-01-1703 (indicating Montana) and, Death Master File says, died October 1975. Research in ZIP Code 59101. Source: Social Security Death Master File (public domain).
ARCHIE ROE was born 14 February 1891, received Social Security number 713-14-5225 (indicating Railroad Board) and, Death Master File says, died October 1971. Research in ZIP Code 32741. Source: Social Security Death Master File (public domain).
ARCHIE TICE was born 14 February 1891, received Social Security number 228-22-6523 (indicating Virginia) and, Death Master File says, died March 1976. Research in ZIP Code 22967. Source: Social Security Death Master File (public domain).
ARCHIE VANDEWARK was born 14 February 1891, received Social Security number 555-05-8114 (indicating California) and, Death Master File says, died May 1964. Source: Social Security Death Master File (public domain).
ARCHIE YULE was born 14 February 1891, received Social Security number 517-05-9660 (indicating Montana) and, Death Master File says, died November 1962. Source: Social Security Death Master File (public domain).
ARTHUR ALLEN was born 14 February 1891, received Social Security number 457-16-3757 (indicating Texas) and, Death Master File says, died August 1973. Research in ZIP Code 75215. Source: Social Security Death Master File (public domain).
ARTHUR BELL was born 14 February 1891, received Social Security number 136-03-5464 (indicating New Jersey) and, Death Master File says, died March 1973. Research in ZIP Code 07003. Source: Social Security Death Master File (public domain).
ARTHUR BURMEISTER was born 14 February 1891, received Social Security number 469-03-7908 (indicating Minnesota) and, Death Master File says, died March 1970. Research in ZIP Code 56145. Source: Social Security Death Master File (public domain).
ARTHUR CROZIER was born 14 February 1891, received Social Security number 126-52-7841 (indicating New York) and, Death Master File says, died February 1980. Research in ZIP Code 10528. Source: Social Security Death Master File (public domain).
ARTHUR DAVIS was born 14 February 1891, received Social Security number 093-10-1962 (indicating New York) and, Death Master File says, died January 1970. Research in ZIP Code 07940. Source: Social Security Death Master File (public domain).
ARTHUR FLORES was born 14 February 1891, received Social Security number 559-07-5078 (indicating California) and, Death Master File says, died May 1974. Research in ZIP Code 94124. Source: Social Security Death Master File (public domain).
ARTHUR HUMMEL was born 14 February 1891, received Social Security number 355-16-8467 (indicating Illinois) and, Death Master File says, died July 1981. Research in ZIP Codes 62278 and 62221. Source: Social Security Death Master File (public domain).
ARTHUR PENN was born 14 February 1891, received Social Security number 496-09-0506 (indicating Missouri) and, Death Master File says, died October 1965. Source: Social Security Death Master File (public domain).
ARTHUR SEMLOW was born 14 February 1891, received Social Security number 355-01-1564 (indicating Illinois) and, Death Master File says, died August 1973. Research in ZIP Code 62203. Source: Social Security Death Master File (public domain).
ARTHUR SHEAD was born 14 February 1891, received Social Security number 441-30-7503 (indicating Oklahoma) and, Death Master File says, died June 1968. Research in ZIP Code 73069. Source: Social Security Death Master File (public domain).
ARTHUR SMITH was born 14 February 1891, received Social Security number 227-10-2711 (indicating Virginia) and, Death Master File says, died June 1971. Research in ZIP Code 22030. Source: Social Security Death Master File (public domain).
ARTHUR TSONIS was born 14 February 1891, received Social Security number 033-44-0466 (indicating Massachusetts) and, Death Master File says, died November 1984. Research in ZIP Code 01960. Source: Social Security Death Master File (public domain).
ARTHUR WHALEN was born 14 February 1891, received Social Security number 196-05-5290 (indicating Pennsylvania) and, Death Master File says, died June 1967. Research in ZIP Code 19602. Source: Social Security Death Master File (public domain).
ARTHUR WHEATLEY was born 14 February 1891, received Social Security number 082-05-2328 (indicating New York) and, Death Master File says, died September 1979. Research in ZIP Code 32771. Source: Social Security Death Master File (public domain).
ARTINA GIONFRIDDO was born 14 February 1891, received Social Security number 042-58-6619 (indicating Connecticut) and, Death Master File says, died May 1978. Research in ZIP Code 06082. Source: Social Security Death Master File (public domain).
ARTURO DIAZ MORALES was born 14 February 1891, received Social Security number 582-56-3816 (indicating Puerto Rico) and, Death Master File says, died January 1982. Research in ZIP Code 00928. Source: Social Security Death Master File (public domain).
ASIE EASTOM was born 14 February 1891, received Social Security number 445-14-8624 (indicating Oklahoma) and, Death Master File says, died September 1964. Source: Social Security Death Master File (public domain).
AUDREY STEELMAN was born 14 February 1891, received Social Security number 450-36-8477 (indicating Texas) and, Death Master File says, died March 1968. Research in ZIP Code 75227. Source: Social Security Death Master File (public domain).
AUGUST KOWALSKE was born 14 February 1891, received Social Security number 390-09-2194 (indicating Wisconsin) and, Death Master File says, died November 1977. Research in ZIP Codes 53714 and 53716. Source: Social Security Death Master File (public domain).
AUGUST KRUGER was born 14 February 1891, received Social Security number 345-12-4989 (indicating Illinois) and, Death Master File says, died June 1986. Research in ZIP Code 46383. Source: Social Security Death Master File (public domain).
AUGUST LATSCH was born 14 February 1891, received Social Security number 386-10-0642 (indicating Michigan) and, Death Master File says, died June 1975. Research in ZIP Code 49442. Source: Social Security Death Master File (public domain).
AUGUST SELL was born 14 February 1891, received Social Security number 390-03-7806 (indicating Wisconsin) and, Death Master File says, died December 1966. Research in ZIP Code 53403. Source: Social Security Death Master File (public domain).
AUGUSTA CASSIDY was born 14 February 1891, received Social Security number 274-48-7923 (indicating Ohio) and, Death Master File says, died March 1974. Research in ZIP Code 44087. Source: Social Security Death Master File (public domain).
AUGUSTA FELDMAN was born 14 February 1891, received Social Security number 121-20-4973 (indicating New York) and, Death Master File says, died October 1967. Research in ZIP Code 11211. Source: Social Security Death Master File (public domain).
AURELIA KAPPEL was born 14 February 1891, received Social Security number 288-05-7234 (indicating Ohio) and, Death Master File says, died June 1980. Research in ZIP Code 45209. Source: Social Security Death Master File (public domain).
AURELIE PRIMEAUX was born 14 February 1891, received Social Security number 436-07-0978 (indicating Louisiana) and, Death Master File says, died September 1966. Research in ZIP Code 70510. Source: Social Security Death Master File (public domain).
AURELLA EBERT was born 14 February 1891, received Social Security number 399-70-1735 (indicating Wisconsin) and, Death Master File says, died December 1975. Research in ZIP Code 54230. Source: Social Security Death Master File (public domain).
AVA CRUSE was born 14 February 1891, received Social Security number 466-80-6462 (indicating Texas) and, Death Master File says, died November 1971. Research in ZIP Code 77025. Source: Social Security Death Master File (public domain).
AXA FALCONER was born 14 February 1891, received Social Security number 365-68-2078 (indicating Michigan) and, Death Master File says, died June 1976. Research in ZIP Code 48154. Source: Social Security Death Master File (public domain).
AZELIA RIEL was born 14 February 1891, received Social Security number 044-44-2190 (indicating Connecticut) and, Death Master File says, died July 1983. Research in ZIP Code 06382. Source: Social Security Death Master File (public domain).
BALBINA FREISINGER was born 14 February 1891, received Social Security number 561-68-2977 (indicating California) and, Death Master File says, died May 1976. Research in ZIP Code 93710. Source: Social Security Death Master File (public domain).
BALLARD HODGES was born 14 February 1891, received Social Security number 449-03-3213 (indicating Texas) and, Death Master File says, died January 1975. Research in ZIP Code 76574. Source: Social Security Death Master File (public domain).
BANISTER MORROW was born 14 February 1891, received Social Security number 448-16-5345 (indicating Oklahoma) and, Death Master File says, died September 1971. Research in ZIP Code 74429. Source: Social Security Death Master File (public domain).
BARBARA KEHOE was born 14 February 1891, received Social Security number 140-30-8594 (indicating New Jersey) and, Death Master File says, died June 1975. Research in ZIP Code 07003. Source: Social Security Death Master File (public domain).
BARBARA REYNOLDS was born 14 February 1891, received Social Security number 471-76-6608 (indicating Minnesota) and, Death Master File says, died March 1978. Research in ZIP Code 55104. Source: Social Security Death Master File (public domain).
BARBARA WILHELM was born 14 February 1891, received Social Security number 279-64-1636 (indicating Ohio) and, Death Master File says, died October 1974. Research in ZIP Code 45224. Source: Social Security Death Master File (public domain).
BARNETT KASLOW was born 14 February 1891, received Social Security number 076-14-3723 (indicating New York) and, Death Master File says, died November 1969. Research in ZIP Code 11203. Source: Social Security Death Master File (public domain).
BATTIE CANNON was born 14 February 1891, received Social Security number 412-60-7458 (indicating Tennessee) and, Death Master File says, died January 1977. Research in ZIP Code 38220. Source: Social Security Death Master File (public domain).
BATTISTA SANFILIPO was born 14 February 1891, received Social Security number 123-16-4428 (indicating New York) and, Death Master File says, died June 1983. Research in ZIP Code 11701. Source: Social Security Death Master File (public domain).
Battista Sanfilippo, War: WORLD WAR I, was born 14 February 1891, died 5 June 1983, and was buried in Section 10, Site 2563 in Calverton National Cemetery in Calverton, New York, United States of America.
BATTISTA ZOLESIO was born 14 February 1891, received Social Security number 053-07-7701 (indicating New York) and, Death Master File says, died December 1973. Research in ZIP Code XX700. Source: Social Security Death Master File (public domain).
BEATRICE CATENACCI was born 14 February 1891, received Social Security number 128-38-9206 (indicating New York) and, Death Master File says, died 01 April 1988. Research in ZIP Code 10701. Source: Social Security Death Master File (public domain).
BEATRICE JACQUITH was born 14 February 1891, received Social Security number 026-22-7694 (indicating Massachusetts) and, Death Master File says, died December 1963. Source: Social Security Death Master File (public domain).
BEATRICE MALECHA was born 14 February 1891, received Social Security number 344-36-9715 (indicating Illinois) and, Death Master File says, died November 1972. Research in ZIP Code 60650. Source: Social Security Death Master File (public domain).
BEATRICE MILLER was born 14 February 1891, received Social Security number 553-21-6349 (indicating California) and, Death Master File says, died March 1979. Research in ZIP Code 92106. Source: Social Security Death Master File (public domain).
BEATRICE TATE was born 14 February 1891, received Social Security number 415-68-3461 (indicating Tennessee) and, Death Master File says, died February 1971. Research in ZIP Code 38019. Source: Social Security Death Master File (public domain).
BEATRICE ZIMMERMAN was born 14 February 1891, received Social Security number 071-42-0493 (indicating New York) and, Death Master File says, died January 1971. Research in ZIP Code 14572. Source: Social Security Death Master File (public domain).
BEATRICE V MCGARRY was born 14 February 1891, received Social Security number 521-34-9077 (indicating Colorado) and, Death Master File says, died February 1975. Research in ZIP Code 80220. Source: Social Security Death Master File (public domain).
BECKIE MOSKOWITZ was born 14 February 1891, received Social Security number 072-20-5812 (indicating New York) and, Death Master File says, died March 1964. Source: Social Security Death Master File (public domain).


text:
Q: Inequality. $ab^2+bc^2+ca^2 \geq a+b+c.$ Using rearrangement inequalities prove the following inequality:
Let $a,b,c$ be positive real numbers satisfying $abc=1$. Prove that
$$ab^2+bc^2+ca^2 \geq a+b+c.$$
Thanks :)

A: I think I have the solution using arrangements inequalities.(source: http://www.artofproblemsolving.com/Forum/viewtopic.php?f=51&t=497213)
We make the substitution $\displaystyle a=\frac{y}{x}, b=\frac{z}{y}, c=\frac{x}{z}$. We have now:
$$\frac{z^2}{xy}+\frac{x^2}{yz}+\frac{y^2}{xz} \geq \frac{y}{x}+\frac{z}{y}+\frac{x}{z}.$$
So:
$$z^3+x^3+y^3\geq y^2z+z^2x+x^2y.$$ And this inequality can be solved using rearrangements inequality.
Let $x \geq y \geq z$. Using rearrangement inequality for $(x^2,y^2,z^2)$ and $(x,y,z)$ we conclude that
$$x^2 \cdot x+ y^2 \cdot y + z^2 \cdot z \geq x^2 \cdot y+y^2 \cdot z+ z^2 \cdot x.$$

A: For fun, let us do this one also with Lagrange multipliers:
In[33]:= f = a b^2 + b c^2 + c a^2 - a - b - c

Out[33]= -a - b + a b^2 - c + a^2 c + b c^2

In[34]:= sol = Solve[
  {D[f, a] == k b c, D[f, b] == k a c, D[f, c] == k a b, a b c == 1,
   a > 0, b > 0, c > 0},
  {a, b, c, k}
  ]

Out[34]= {{a -> 1, b -> 1, c -> 1, k -> 2}}

In[35]:= f /. sol[[1]]

Out[35]= 0

One has to check that my $f$ can only have a minimum, but that is easy.

A: To reiterate my comment above, Rearrangement Inequality needs some ordering in the variables, and hence cannot be applied here as the given inequality isn't symmetric wrt a,b,c.
To give a simple proof by AM-GM just note that $$a^2c + a^2c + ab^2 \ge 3 \sqrt[3]{a^5b^2c^2} = 3a$$ so adding the two other similar inequalities we get $ab^2 + bc^2 + ca^2 \ge a + b + c$.

A: Just by Hölder inequality;
$(ab^2+bc^2+ca^2)(\frac1a+\frac1b+\frac1c)\ge(a+b+c)^2\tag1$
If $(\frac1a+\frac1b+\frac1c)\le(a+b+c)$ we're done. Otherwise;
$(ab^2+bc^2+ca^2)(a+b+c)\ge(ab+bc+ca)^2=(\frac1a+\frac1b+\frac1c)^2\tag2$
since $(a+b+c)<(\frac1a+\frac1b+\frac1c)$ we're done again.

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16 Jan Coming to McKinley Beach in 2018!
Beachhouse will be completed along with an attached coffee shop and wine bar, which will be open to the public.
Beachhouse Phase 2 will be launching this year and will include 7 exclusive new townhomes.
Our beautiful 92 slip Marina will be expanded to 110 slips.
The new road from Glenmore leading through to the Hilltown Community will be completed.
Construction will begin on a new subdivision in the Hillside Community.
Also in the Hillside Community – Multiple townhouses, row-houses, and Forest Hills Phase 2 will be available for purchase.
We'll be adding all new trails to our existing network that will run throughout the Hillside and Hilltown communities.
Arrowroot Drive, Kelowna's hottest new lakefront lots will officially launch.
Watch for exciting new events taking place on site throughout 2018!


For Old World charm and medieval splendour, it's hard to beat Croatia. Now imagine living there like the locals do — with full€cess to local wine and olive oil, a farm villa to reside in, and day trips to Dubrovnik and the Adriatic Sea among other legendary locales. All this and more is waiting for you on this weeklong sojourn to rural Croatia, where you'll walk, bike, and sail all over Dubrovnik before retiring to your rustic villa home for the evening. Seize the opportunity to live the Croatian way and make memories that will last a lifetime.
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Producer Dan Vinci on gentrification, latest single & why "The Dandadda isn't actually reggae music"
Reggae | Friday 10th November 2017 | Patience
danvinci
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Producer Dan Vinci is a man on a mission, inspired by reggae's message of unity & peace he created The Dandadda, a Brixton act to bring people from all walks of life together. This reasoning was behind The Dandadda's debut single 'Heart Attack' in 2016, a reggae-tinted dance track that touched on the dangers of gentrification.
Now back with their latest single 'Last Man Standing' featuring The Ragga Twins, Vinci lets us know what makes the legendary duo tick, future projects & the iconic names to be featured on The Dandadda's upcoming album.
Describe your current state of mind in 5 words or less?
Currently filming in Havana Cuba, so my current state of mind would be one big relaxed, rumtastic revolution!
What was it like growing up in Brixton?
Brixton is pretty much the entire catalyst for this whole project. I don't think you ever realise at the time, but the area you grow up in has so much impact on the rest of your life. My grandfather started a bakery there and that's where my parents both met too. I have distinct memories of a thriving market full of worldly foods and smells, Rastas selling reggae cassette tapes and selling incense on the corner. I just thought that was what all of London was like, really. I've seen lots of crime and gang activity but you could see that in other parts of London too, I didn't like the fact that it seemed to overshadow the great community spirit.
It was never boring and the big sound system coming from the old Red Records shop on the high street always had such a buzz. Now there's a Foxtons…
So in the early days how did it come about that a rasta man saved your life from a random knife attack?
I was walking with my mate down the back streets of Brixton towards his place when a gang started following us. It was at a time when stabbings and robberies in the area were becoming out of control. I didn't have anything worth robbing on me, but my friend had his phone and some money so we decided to leg it. We split up and he ran into a newsagents but I was on the other side of the road, so when I realised I ran back towards the newsagents but the gang had caught up with us and the main guy landed me one right in the face.
A surge of adrenaline came over me and I managed to defend and deflect any other hit from the gang members but then a bigger gang came from the nearby estate, who started coming towards me making knife and punching gestures. At that moment everything started to happen in slow motion and I instantly knew I was in deep trouble.
Just as they came closer to me though, an elderly Rasta man came flying down on a bicycle from nowhere and immediately started talking heavy patois to them. At this point, I was entirely surrounded in a circle by at least 15 people. But suddenly it went from a crazy and dreadful situation to the whole gang just dispersing and started walking away. I literally just stood there astonished. I didn't know what that elder Rasta said, but it totally diffused the situation like I've never seen before. They were all pumped up 16-20 year olds desperate for a fight. I was just a young teenager at the time but I hung around my local estate every day after school and knew the kind of stuff that went on. I had never seen a situation dissolve as quickly as this though.
The strange thing was that as soon as they all walked off, I went to say thank you to the Rasta man but I looked over my shoulder and everywhere but couldn't see him anywhere. It was a really long road so I should've seen him either at the top or bottom, so I started searching frantically for him but there was no sign of him whatsoever. He seemed to be my guardian angel that day and his sudden disappearance still kind of freaks me out a bit.
Did you ever see the Rasta man again?
No…but if he is still living, he is probably one of the only people on this earth I would genuinely love to meet and properly thank. I would literally buy him the best vinyl player and high-grade known to man!
So is that what inspired you to get into Reggae?
I guess that may have been one of the reasons I leaned towards reggae and Rastafarianism, but it was most probably hidden in my subconscious rather than an active decision to starting liking the music and culture. Brixton was a big hub for reggae music so it was only natural to be intrigued by that sound. I have been drumming since the age of 10 and am a total bass junkie but it was only when I started getting a bit older that I started appreciating the bass line being at the forefront of the music rather than the western culture of guitars being the main rhythm.
But even then you can't help but gravitate towards the music that makes your head nod. For me, reggae has that undeniable sense of rhythm that can just flow through your body at around a convenient 70bpm, which can feel both fast and slow at the same time depending on what instrument you're listening to. It's like surfing a wave, getting a buzz each time. But The Dandadda isn't actually reggae music, it's just inspired by its message and feeling. There are so many great reggae records out there, I wanted to try something new and help the scene move forward in an interesting direction.
When did the idea for The Dandadda come about?
Friends and industry around me said I should start making my own records for a long while, but I didn't really know what my sound would be as I was into so many different types of music. One day I'd be heading to a drum n bass rave and the other I'd be chilling in a blues bar or at a reggae night. I think I have musical ADHD and couldn't just listen to one genre. There are so many interesting rhythms and styles so it seems that just liking one genre is reading one page of a book. Different music entertains different senses and each genre has its own environment to enjoy it in.
There's so much good music in each genre when you know where to look. You just have to be willing to be shown or go searching for it. My previous managers loved my production style and told me to give them anything I felt like making. Around that same time, I had already started having a vision for the Dandadda project and already had quite a few beats prepared, so the timing made sense and I finally had a deadline to get something done. So I went into the studio and recorded 4 tracks in a day with a whole load of Rasta musician friends and one of the tracks was 'Heart Attack'. It instantly seemed like the perfect song to get The Dandadda ball rolling!
So where does the name The Dandadda come from?
I worked with many reggae musicians over the years mainly from Brixton and Jamaica, and I was often the only white guy in the room engineering the records. With my name being Daniel Vinci, I was coined with the term the "Dan dadda" from being similar to the patois expression "Don Dada", meaning the godfather in reference to the Italian Godfather. So it really just went from a fun nickname to being the actual name representing the whole project. I then stuck two D's in the name so that the second D could be inverted and become a symbol of peace, something I thought was fundamental to the core message of the project. I have an art college background so presentation is just as important as the music to me.
I have also read that The Dandadda stands for unity & peace, why do you think that is so important in today's current world?
Where do I start! The world today is such an increasingly small place as we can openly find out information on just about any place or thing with the touch of a finger. We have come so far from the gruesome horrors of history but still, have far to go. If you listen to The Dandadda music, it's actually more rebellious than peaceful, but that's because the aim is to lift people off their chairs and out their beds and be inspired by the world around them.
There's time for resting, then there's time for doing. I'm trying to unify people in one big get together to celebrate world cultures rather than build barriers as what is seemingly going on in much of the world. It's, of course, more a mental change rather than physical. When you can open your mind and experience different ways of life, the world suddenly starts to be so much more enjoyable. I think people tend to dislike what they don't know, so I'm trying to get all types of people to our show and see how powerful it is when different cultures and people unite. What a feeling it is to be human!
In 2016 when you launched the project The Dandadda you wrote the song 'Heart Attack' which bought a spotlight to gentrification in Brixton, why is that particular issue so close to your heart?
The rapid change of Brixton was (and is) crazy to witness. We filmed and documented the area over a 3 year period and interviewed locals about the change. Not one person complained about the fact that places inevitably go through changes and get developed, but it was the fact that the locals and people who helped make the area grow popular were being totally shut out. As a community and area, we need the fishmongers, the carpet sellers, the handymen etc…their rents were being tripled and businesses which were there for generations were simply told to get to the back of the queue for re-application. Instead, they were being replaced by an overload of fancy champagne restaurants and luxury style flats.
People were newly moving into the area right next to a music venue and then tried to get it shut down because of noise. Did they not do their research or realize where they were moving to?
All of the things that made Brixton exciting and vibrant were rapidly falling like dominoes. If you care about community, culture and peoples livelihoods, these things are worth fighting for. This record tried to bring a voice to those people. This is not a hate record, more of a positive protest. We created street parties and even when council members came down because of noise complaints, even they said they saw nothing wrong with the party and saw people having a good time. It's sad times if we live in a world where anything that is a bit of fun or creative expression gets shut down. 'Heart Attack' was about pushing people to the edge, where people all around London and the UK felt they were suffocating and had to protect the life and soul of the city.
So what are you doing to bring awareness to the dangers of gentrification cause it's not just happening in Brixton these days, it seems to be happening all over London?
Exactly. That's an important point. Brixton is just one of those places that never gives up the struggle easily and tends to create lots of media attention. But it's rife throughout London and the UK. We've gone to a whole variety of protests, street parties and used social media to help London keep its diverse culture. I honestly believe that the youth of today are much more open to a multicultural upbringing and often more open-minded, and we are trying to build the following of trying to convince councils and communities that it is not OK to just trample on the hearts and lives of the many. We have regularly explained the meaning of the project and the story behind 'Heart Attack' at our gigs.
We aren't against change, it was just the blatant stripping and cleansing of certain areas. At the end of the day, if you don't stand for something, you'll fall
for anything!
Now, let's get to the music, tell us about your latest single 'Last Man Standing'?
'Last Man Standing' still gets me excited every time we play it. It's one of the best tracks live, gets the crowd going and I usually jump right in there for those drops. The Ragga Twins are personal heroes of mine and it is a total honour to have them on there. I honestly don't know how they can continuously bring such quality bars to each track over so many years. I am probably biased but I reckon those bars are some of the best they've ever spat on a tune. Gets me gassed every time! They are absolute fire both in the studio, out of the studio and on stage.
The last show we played together in Brixton was one of the best vibes we've ever had. Such respect to them, and we had an absolute blast making the video despite getting knee deep in British winter rain and mud. Their work ethic and vibe is always great to be around - I can't believe they both have grandchildren and are still playing mad Bristol raves at 3 am and touring world festivals and jungle raves…I hope they soon get a telegram from the Queen for their incredible life dedication and what they've done for the music scene. It's about time she enjoy a good Jamaican patty!
You've worked with some big names but did working with the Ragga Twins on this track teach you something new that you hadn't realised before?
Definitely. Working with The Ragga Twins is like looking into a keyhole into the past when people had that fire in their bellies. When they lay their bars down, it feels like they are just as fired up as they would have been early in the scene. Many of the young or mainstream artists I've worked with tend to be a little more on cruise control and lose their spark a bit as things get easier for them. The Ragga Twins have such passion for what they do and such love for the scene, that no matter what job someone has, if they are great at it then that vibe is infectious and will make you strive to be better at what you do too. I did about 30 versions of that record because I wanted it to be the best it could be.
We actually recorded it almost 3 years ago but I was waiting for the project to evolve some more and plan the entire campaign. I'm also excited to release the drum n bass remix and dub version of it. I had so much fun making them and felt compelled to create them, as it was a crime to have just one version of such wicked vocals!
Is there a particular message you would like to get across with this song or with The Dandadda music in general?
In the forefront, the 'Last Man Standing' video seems a bit violent, but really the whole theme we based it on was a fun and cheeky theme of a Lion representing being true to himself and not falling victim to money and the system, versus the Gorilla, the merchant banker who steals all the money which eventually leads to his downfall.
'Last Man Standing' is actually a lighthearted play on ethics but staying true to the energy of The Dandadda live show, and I could have made the song a typical trap record, or reggae record, or hip hop etc, but in essence I stayed true to the 'Last Man Standing' theme because those genres are put in a box and may eventually wash away with a certain trend, but I wanted to try something different and make it stand out in its own way.
In each Dandadda tune, you've got a whole load of genres mashed together and have saved the more genre specific styles for the remixes. There's an underlying theme to represent the full circle of life. And sometimes it's not always roses!
So can we expect a new album soon as well?
You might not believe me when I say this, but I'm actually already working on the second album. The whole debut Dandadda album blueprint has been in progress for almost 3 years now. But the project needed time to grow, it wasn't the right feeling or timing to just put it out quickly. It will be a full concept album and expect some very exciting features and tracks. I am so overwhelmed with the help and support from artists, friends and the industry. Big artist friends of mine have even asked me how I've managed to get the likes of Horace Andy on the album (who they've been after for years), let alone the others – to which I am still a bit surprised myself!
But I have combined some luck with extremely hard work and positive work ethic to land each one. These features are absolute legends, but I won't reveal anymore just yet as the final changes are still being tweaked and swapped round. Expect it around mid-2018 but for the moment we're just having fun putting out singles and some videos to wet the taste buds and get a feel for the buzz.
As you are in Cuba at the moment what is your take on the current crisis there, what do you see happening?
To be honest, it's extremely hard to tell anything ever happened here – the Cuban military and organisation of natural disasters are incredible. When there is just a burst pipeline down my road in Brixton it sometimes takes over a week to get sorted, but somehow they managed to get a hurricane load of water filling the Havana streets look like a minor blip…there's only a few bits of debris around, but other than that life seems back to normal already. We've been giving out old watches, wallets and headphones to some of the community and they've been super grateful, but really we'd like to do so much more because of the rationing everyone has. A local told us they were only allowed 5 eggs per month and there is such limited choice of everything out here, but the vibe is still great and the live Cuban music is always amazing – it feels a bit like a mini Carnival every day!
So what do you bring that's special?
This is a trilogy movement. Each track comes as a drum n bass remix and a dub version. I don't think that has ever been done before as an entire record and platform. You often get dub sides on a reggae record but I am providing 3 different versions of each track. It's an insane amount of work but I have such passion for each genre that I just had to do it.
Live, I think we bring an energy and excitement that you used to see with big rock bands or festival acts that have seemingly turned to a bit more laptop orientated event these days. I don't play shows with a laptop and fear that one day I might have to, but for the moment everything is mixed live and with live musicians, where we bring a heavy tribal element to the live show that mixes with deep psychedelic visuals that you may see at an old acid house rave.
I'm also trying to merge lots of different exciting elements together so that whatever music or vibe you're into you should enjoy the show and witness something new and bonkers. We have a younger live team from 18 years old right the way to 60+ years old for the more purist scene - it's entirely organic and non-exclusive so we're trying to have a full representation of life at the show.
I think older musicians are often getting elbowed out of commercial radio and the mainstream media, so when people see an elder Rasta move on stage it is so exciting and people's eyes are glued to them on stage. They can often out-dance many of the youths of today too - no fear, just confidence….and a whole lot of that old magic spark inside them!
What ideas changed your life?
There are so many. But for this project, perhaps the idea that colour is literally only skin deep. We are all made up of almost identical bones, blood, muscles but the thing that seems to divide us the most is the thinnest. I am such a lover of diversity and culture and I am honestly mesmerized when I look into many different faces, whether it's an old Peruvian grandma or a toddler from the Philippines, or witness the incredible story of a face from an old Jamaican elder.
There's so much to learn from each culture, and I am just trying to help show the incredible world and people all around us via this project. Also the fact that no one can answer the basic question of where a thought or idea comes from...it literally just pops into your brain like magic. It's mental!
If you could fill a swimming pool up with anything, what would it be?
Probably seeds. That pool would soon be filled with fruits, trees and much-needed oxygen. That's a good start. Either that or fill it up with all the biggest corrupt bankers, war mongers and corporations ruining the world...if you could get a pool big enough!
Using The Dandadda as a platform to really inspire and open minds, promoting unity and a voice of the people via music. We are finishing shooting more videos, exciting remixes and a whole load of crazy events and shows with incredible features, musicians and breathtaking visuals. Expect the Dandadda train to get bigger, stronger and a whole lot more crazy. We have big plans for 2018 and beyond. We are just trying to find the right live agent to take the show on the road and get the message out there far and wide. Just know that what is out there online is just a tiny snippet of what's to come…and man are we all excited!
Follow The Dandadda on Facebook - Instagram - Twitter
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Phil Bobel, assistant director of the Palo Alto Public Works Department, tells Weekly journalists the city's plans for an annual report to determine where disposed paper and plastics end up overseas and what happens to them. Image by Jamey Padojino.
China recently established a 0.5% contamination standard, meaning any recyclable materials more than that level of non-recyclable material will not be accepted. This new regulation has discouraged GreenWaste of Palo Alto, a company that manages compost and recycling, from sending the country shipments.
In an interview Friday with Palo Alto Online journalists for the webcast "Behind the Headlines," Bobel said the city has stopped sending recyclables, such as paper and plastics, to China because it doesn't want the material rejected and returned, which would cost the city money.
GreenWaste is now redirecting its waste to other Asian countries, even though the hauler is expecting those countries to also enforce tougher standards. For now, Bobel said, those countries are one workaround to China's regulations.
"We are trying to find domestic markets (for recyclables), but we know just finding a market in the U.S. isn't good enough," Bobel said. "That market could just be a vendor who's going to sell it to someone (in Asia), and it could end up out of our control."
This could lead to a lot of mismanagement of plastic and uncertainty of where things are ending up, Bobel said. Greenpeace recently reported that southeast Asian villages are becoming the dumping ground for waste that included in shipments of recycled items.
Starting this July, GreenWaste will need to provide Palo Alto with an annual report stating where exactly paper and plastics are going overseas and what's happening to them, according to Bobel. Right now, there is no tracking system in place, and the recyclables could be creating a social or environmental issue in some countries.
Bobel cited a lack of public awareness as the reason why the contamination of recyclables is happening. A failure to separate recyclables from trash and composting will worsen if it isn't addressed.
One problem is that cities in the Bay Area have different systems for how they deal with recycling, and CalRecycle, a state agency, has not been able to figure out how to help cities respond to the contamination issue, Bobel said.
"We are not getting help from them ... yet."
With the restrictions on contamination increasing, processing centers such as those run by GreenWaste are having to process their material more carefully, and the costs to the cities of recycling will go up, Bobel said.
He emphasized the importance of residents and business alike helping to make it easier for workers at sorting stations to do their jobs.
Not getting water on paper, not putting food in the recycling bin and being more careful with sorting plastic from trash or compostables are just some of the ways people can help with the process.
In particular, plastic film — such as shrink wrap — and bags can get stuck inside sorting machines. Facility workers must shut the machines down throughout the day to remove the plastic.
GreenWaste currently has a campaign for "clean recycling," according to Bobel, and is encouraging residents to help out in two main ways: clean out the recyclables by wiping or scraping them off first and put items in the correct bin (garbage, recycling or composting).
He also explained how grouping smaller pieces of plastic into one giant bag and avoiding throwing loose and smaller plastic pieces helps sorters identify it and actually pull that material out for recycling.
"Yes, we can recycle that stuff, if you bag it," said Bobel. "But if you don't bag it, it just creates a big headache for us."
Hear Bobel expand on the uncertainty facing Palo Alto's recycling operation on an episode of "Behind the Headlines," now available on our YouTube channel and podcast page.


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Sara Forestier (Copenhague, 4 de outubro de 1986) é uma atriz, diretora de cinema e roteirista francesa.

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César de melhor atriz
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"Now, I came to this idea of bliss because in Sanskrit, which is the great spiritual language of the world, there are three terms that represent the brink, the jumping-off place to the ocean of transcendence: sat-chit-ananda. The word 'Sat' means being. 'Chit' means consciousness. 'Ananda' means bliss or rapture.


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Hey wrist geeks, hold on because Toolwatch is back and we've got some novelties coming in the shop!
We are glad to introduce the adventurous blue shark leather strap that is also a great alternative for all the watch maniacs out there!
You will be amazed by the nubuck look alike finish, the leather flower has been manually polished to get an exclusive peach skin feeling. A solid leather that will resist to heavy sweat, give it a try with your timeless Rolex Submariner! Of course, any watch with 18, 20 or 22 mm lugs can appreciate the strap as well, adding an unusual look to your watch!
Still crafted by hand with love in the French countryside, 100% made in France by our uniquely skilled craftsman with an unbeatable quality/price ratio. Again coming in Toolwatch's signature blue, the straps remain hand-stitched (also called saddle-stitching) with blue linen thread and edges are finished with bee wax and hot-applied water-based dye.
In case you were wondering about the leather origin (we are accurate people who tend to love accurate things here at Toolwatch): blue shark from South American Pacific coast (no endangered species and CITES certified).
Kindly note this strap is handmade to order, i twill require a few days for our Artisan to build the whole thing for you. And again, the shipping worldwide is on us. Yup, you read it well: worldwide.


text:
<!DOCTYPE html>

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    <meta name="description" content="">
    <meta name="author" content="集团UAP中心人力与运营管理部 刘南">
    <link rel="icon" href="../favicon.ico">

    <title>邀约面试</title>

    <link href="bootstrap-3.3.5/css/bootstrap.min.css" rel="stylesheet">
    <link href="bootstrap-datetimepicker/css/bootstrap-datetimepicker.min.css" rel="stylesheet" media="screen"/>
    <link href="tagsinput/bootstrap-tagsinput.css" rel="stylesheet">
    <link href="treeview/bootstrap-treeview.min.css" rel="stylesheet">
    <link href="Font-Awesome-3.2.1/css/font-awesome.min.css" rel="stylesheet">

          <button type="button" class="navbar-toggle collapsed" data-toggle="collapse" data-target="#navbar" aria-expanded="false" aria-controls="navbar">
            Toggle navigation

          </button>

首页

候选人登记

邀约面试

录用

入职登记

设置

              User

修改密码

注销

          <form class="form-inline" style="display:inline-block;">

                状态
                <select class="form-control"  id="status">
                  <option value="0" selected>全部</option>
                  <option value="1" >未邀约</option>
                  <option value="2">待面试</option>
                  <option value="3">面试通过/待定</option>
                  <option value="4">邀约失败</option>
                  <option value="5">面试未通过</option>
                </select>

                HR
                <select class="form-control"  id="hr">
                  <option value="0" selected>全部</option>
                </select>

              <button type="button" class="btn btn-default" onclick="init_pagination();loadList(1);">过滤</button>
            </form>

  	              «

1

2

3

4

5

  	              »

            序号
            操作
            姓名(性别)
            投递职位
            年龄/工龄
            电话
            上份工作/职位
            登记/面试时间
            简历来源
            HR
            状态

                    <button type="button" class="close" data-dismiss="modal" aria-label="Close">×</button>

邀约面试

                  <form class="form-horizontal">

                      候选人

                      邀约结果

                        <input type="radio" id="AppointModal-AppointResultTypeRadioOpts" name="AppointResultType"  value="邀约成功" checked="checked">邀约成功
                        <input type="radio" id="AppointModal-AppointResultTypeRadioOpts" name="AppointResultType" value="邀约失败">邀约失败

                      面试部门

                            <input type="text"  class="form-control" value="" data-role="tagsinput" id="AppointModal-DeptName" >

                              <button class="btn btn-success " type="button" onclick="$('div#AppointModal-DeptTree').toggle();">

                              </button>

                      面试官

                          <input type="text"  class="form-control" value="" data-role="tagsinput" id="AppointModal-Interviewer" >

                            <button class="btn btn-success " type="button" onclick="$('div#AppointModal-InterviewerTree').toggle();">

                            </button>

                      面试方式

                        <input type="radio" id="AppointModal-InterviewTypeRadioOpts" name="InterviewType"  value="现场" checked="checked">现场
                        <input type="radio" id="AppointModal-InterviewTypeRadioOpts" name="InterviewType" value="电话">电话

                      面试时间

                        <input class="form-control" size="16" type="text" value="" id="AppointModal-Time" >

                      面试地点

                        <input type="text" placeholder="" class="form-control" id="AppointModal-Location">

                       说明

                         <textarea class="form-control" rows="3" id="AppointModal-Comments" name="AppointModal-Comments"></textarea>

                      失败原因

                          <input type="text"  class="form-control" value="" data-role="tagsinput" id="AppointModal-AppointFailTags"  >

                            <button class="btn btn-success " type="button" id="AppointModal-AppointFailSelBtn">

                            </button>

                              <button type="button" class="close" onclick="$('div#AppointModal-TagBox').hide();">
                                ×
                              </button>

                              <button type="button" class="btn btn-success AppointModal-TagBtn"  style="margin: 5px;">名花有主</button>
                              <button type="button" class="btn btn-success AppointModal-TagBtn" style="margin: 5px;">人各有志</button>
                              <button type="button" class="btn btn-success AppointModal-TagBtn" style="margin: 5px;">庙小和尚大</button>
                              <button type="button" class="btn btn-success AppointModal-TagBtn" style="margin: 5px;">逗你玩</button>
                              <button type="button" class="btn btn-success AppointModal-TagBtn" style="margin: 5px;">其他原因</button>

                                <input type="text" class="form-control" id="AppointModal-OtherTag" placeholder="其它" style="margin:5px;">

                                  <button class="btn btn-success AppointModal-TagBtn" type="button" >添加</button>

                  </form>

                    <button type="button" class="btn btn-default" data-dismiss="modal">取消</button>
                    <button type="button" class="btn btn-primary" id="AppointModal-SubmitBtn">确定</button>

                    <button type="button" class="close" data-dismiss="modal" aria-label="Close">×</button>

面试结果

                  <form class="form-horizontal">

                      候选人

                      面试结果

                        <input type="radio" id="ResultModal-ResultTypeRadioOpts"  name="ResultType" value="面试通过" checked="checked">面试通过
                        <input type="radio" id="ResultModal-ResultTypeRadioOpts"  name="ResultType" value="面试结果待定">面试结果待定
                        <input type="radio" id="ResultModal-ResultTypeRadioOpts"  name="ResultType" value="面试未通过">面试未通过
                        <input type="radio" id="ResultModal-ResultTypeRadioOpts"  name="ResultType" value="爽约">爽约

                      标签

                          <input type="text"  class="form-control" value="" data-role="tagsinput" id="ResultModal-ResultTags"  >

                            <button class="btn btn-success " type="button" id="ResultModal-ResultTagsSelBtn">

                            </button>

                              <button type="button" class="close" onclick="$('div#ResultModal-TagBox').hide();">
                                ×
                              </button>

                              <button type="button" class="btn btn-success ResultModal-TagBtn"  style="margin: 5px;">能用</button>
                              <button type="button" class="btn btn-success ResultModal-TagBtn"  style="margin: 5px;">学霸</button>
                              <button type="button" class="btn btn-success ResultModal-TagBtn"  style="margin: 5px;">水平高</button>
                              <button type="button" class="btn btn-success ResultModal-TagBtn" style="margin: 5px;">经验丰富</button>
                              <button type="button" class="btn btn-success ResultModal-TagBtn" style="margin: 5px;">有潜力</button>
                              <button type="button" class="btn btn-success ResultModal-TagBtn" style="margin: 5px;">颜值高</button>
                              <button type="button" class="btn btn-success ResultModal-TagBtn" style="margin: 5px;">性价比优</button>
                              <button type="button" class="btn btn-warning ResultModal-TagBtn" style="margin: 5px;">分数低</button>
                              <button type="button" class="btn btn-warning ResultModal-TagBtn" style="margin: 5px;">太水</button>
                              <button type="button" class="btn btn-warning ResultModal-TagBtn" style="margin: 5px;">逗比</button>
                              <button type="button" class="btn btn-warning ResultModal-TagBtn" style="margin: 5px;">没激情</button>
                              <button type="button" class="btn btn-warning ResultModal-TagBtn" style="margin: 5px;">太贵</button>
                              <button type="button" class="btn btn-warning ResultModal-TagBtn" style="margin: 5px;">不匹配</button>
                              <button type="button" class="btn btn-warning ResultModal-TagBtn" style="margin: 5px;">不靠谱</button>
                              <button type="button" class="btn btn-warning ResultModal-TagBtn" style="margin: 5px;">RP差</button>

                                <input type="text" class="form-control" id="ResultModal-OtherTag" placeholder="其它" style="margin:5px;">

                                  <button class="btn btn-success ResultModal-TagBtn" type="button" >添加</button>

                     面试部门

                            <input type="text"  class="form-control" value="" data-role="tagsinput" id="ResultModal-DeptName" >

                              <button class="btn btn-success " type="button" onclick="$('div#ResultModal-DeptTree').toggle();">

                              </button>

                      面试官

                          <input type="text"  class="form-control" value="" data-role="tagsinput" id="ResultModal-Interviewer" >

                            <button class="btn btn-success " type="button" onclick="$('div#ResultModal-InterviewerTree').toggle();">

                            </button>

                      实际面试时间

                        <input class="form-control" size="16" type="text" value="" id="ResultModal-Time" >

                      面试地点

                        <input type="text" placeholder="" class="form-control" id="ResultModal-Location">

                      笔试成绩

                        <input type="text" placeholder="" class="form-control" id="ResultModal-ExamScore">

                       备注

                         <textarea class="form-control" rows="3" id="ResultModal-Comments" name="ResultModal-Comments"></textarea>

                  </form>

                    <button type="button" class="btn btn-default" data-dismiss="modal">取消</button>
                    <button type="button" class="btn btn-primary" id="ResultModal-SubmitBtn">确定</button>

                    <button type="button" class="close" data-dismiss="modal" aria-label="Close">×</button>

候选人简历

                  <form class="form-horizontal">

                      人选信息

                      简历附件

                      转发

                        <input type="text" class="form-control" placeholder="邮箱,分号分隔" id="ResumeModal-EMail">

                          <button class="btn btn-success" type="button" id="ResumeModal-SendBtn">发送</button>

                  </form>

                    <button type="button" class="btn btn-default" data-dismiss="modal">关闭</button>

                    <button type="button" class="close" data-dismiss="modal" aria-label="Close">×</button>

发送面试提醒

                  <form class="form-horizontal">

                      发送范围

                          <input type="checkbox" id="NotifyModal-CandidateChk" > 候选人

                          <input type="checkbox" id="NotifyModal-InterviewerChk" > 面试官

                          <input type="checkbox" id="NotifyModal-DestClerkChk" > 面试接待

                          <input type="checkbox" id="NotifyModal-RecruiterChk"> 招聘经理

                          <input type="checkbox" id="NotifyModal-OtherChk" onchange="$('input#NotifyModal-Other').fadeToggle();"> 其他
                          <input type="text" id="NotifyModal-Other" placeholder="手机号码,分号分隔" style="display:none;width:300px;">

                        <button class="btn btn-success" type="button" id="NotifyModal-SendBtn">发送</button>

                  </form>

                    <button type="button" class="btn btn-default" data-dismiss="modal">关闭</button>

                    <button type="button" class="close" data-dismiss="modal" aria-label="Close">×</button>

删除候选人

                  <form class="form-horizontal">

                      候选人

                      删除原因

                          <input type="text"  class="form-control" value="" data-role="tagsinput" id="RemoveModal-Reason"  >

                            <button class="btn btn-success " type="button" id="RemoveModal-ReasonSelBtn">

                            </button>

                              <button type="button" class="close" onclick="$('div#RemoveModal-TagBox').hide();">
                                ×
                              </button>

                              <button type="button" class="btn btn-success RemoveModal-TagBtn"  style="margin: 5px;">查无此人</button>
                              <button type="button" class="btn btn-success RemoveModal-TagBtn" style="margin: 5px;">就是约不上</button>
                              <button type="button" class="btn btn-success RemoveModal-TagBtn" style="margin: 5px;">没能力没潜力</button>
                              <button type="button" class="btn btn-success RemoveModal-TagBtn" style="margin: 5px;">人各有志</button>
                              <button type="button" class="btn btn-success RemoveModal-TagBtn" style="margin: 5px;">RP有问题</button>
                              <button type="button" class="btn btn-success RemoveModal-TagBtn" style="margin: 5px;">其他原因</button>

                                <input type="text" class="form-control" id="RemoveModal-OtherTag" placeholder="其它" style="margin:5px;">

                                  <button class="btn btn-success RemoveModal-TagBtn" type="button" >添加</button>

                  </form>

                    <button type="button" class="btn btn-default" data-dismiss="modal">再考虑一下呗</button>
                    <button type="button" class="btn btn-primary" id="RemoveModal-SubmitBtn">永不相见!</button>

成功


The Autism Spectrum is the collective term for a range of conditions that impact on the development, learning, processing and perceptions of individuals. People with autism tend to have a wide range of skill sets including different strengths and difficulties, however autism is characterised by people typically finding challenges with aspects of understanding social communication, social interaction and social imagination / flexible thinking. People with autism also tend to share common traits such as sensory processing difficulties, special interests, and some may have repetitive and stereotyped behaviours. Many can have significant difficulties with sleeping, eating, toileting and personal hygiene.
Autism Spectrum Disorder can occur in association with any level of general intellectual/ learning ability, ranging from subtle problems of understanding or processing of information, impaired social function to severe disabilities (SIGN 98) It is a condition in which there are also impacts from the environment and sometimes from the stresses of daily life. Whilst certain areas of daily life can be a challenge it is important to build on each pupil's unique strengths and learning styles.
As autism is a lifelong condition its impact is likely to change throughout a person's lifetime. While they often share common features, every pupil with autism is unique. Each has particular strengths and individual requirements for support to enhance their wellbeing, improve life skills and self-esteem. The key to providing this support lies in taking the time to get to know them, understanding their difficulties and how they impact on learning and behaviour.
Recent studies suggest that the prevalence of autism spectrum in the U.K. is about one in 100. Estimates of male/female ratio can vary, usually around 4:1. However, there appears to be a steady increase in the number of females referred. (Gould J and Ashton Smith J, 2011). Within our multicultural and diverse population there are a number of young people with autism who have English as an additional language.
It is likely that almost every school in Scotland will have at least one child with autism.
In 2014, there were 10805 pupils with ASD (almost 1.6% of the total pupil population).
Registered in Scotland No. 81123. Scottish Charity No. SC 009068.


I got to see the beautiful restoration of the Jefferson Theatre in Charlottesville, VA today. Between talks by the old owner and the man in charge of the current restoration the Albemarle Charlottesville Historical Society's Quarterly Meeting was a great success. The thought and care that went into the reconstruction plus learning about the history of the original building made for a great afternoon of local history. Thanks to Hawes and Kirby.


Newspaper, being the most traditional form of media in Kurnool constitutes a commendable newspaper readership providing ample scope to the Advertising Agency in Kurnool focusing on the importance of Recruitment Advertisement.
Why book Vaartha Recruitment Advertisement in Kurnool ?
What are the types of Vaartha Recruitment Advertisement in Kurnool?
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