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EAT THIS KITTEN – A Rabbit of an Entirely Different Sort
A Rabbit of an Entirely Different Sort
I miss that Jamie Delano doesn't do a lot of comic books anymore. His HELLBLAZER was a must read for me throughout high school. When I think of John Constantine, it's Delano that I think of. His voice. His strange jittery world. As an adult, his OUTLAW NATION, even while truncated by cancellation, is one of the great interesting alternate history works out there in any format. But, the comic world's loss is very much the book world's gain.
His second novel, LEEPUS: DIZZY, is a very dank, very personal, delving into a possible future for England nee Inglund. Our main man, Leepus, is a survivor. A "griz" in the vernacular of his world. Older. Perhaps doddered. Life tested. Burned out. Doing his best in a fascist word. Guiding his anarchist neighborhood as best as he is able. Drug addled. Poka addicted. And yes, dizzy. Dizzy by design. Dizzied by his world.
Delano pulls no punches with this novel. It's dark. It's depressed. It's depraved. You aren't given a chance to get your bearings. You are thrown off the deep end. Like Anthony Burgess' A CLOCKWORK ORANGE, it's sink or swim as you may. It's an aggressive and bold play. And I'll admit, the first few chapters were hard. The dialogue especially, opaque, the slang coming hard and fast, the future lingo mixed into the street patois, the Inglund dialect with it missing consonants blurring your eyes. And then, suddenly, beautifully, it opens – and you find yourself captivated, captured, bagged and dragged off, by Leepus and his constant machinations, his ever shifting world.
Much like OUTLAW NATION with its defined world philosophy teeming behind the action, even with an unreliable point of view like Leepus, Delano develops a viable, breathing, intricate world, with its own logical structure to it. Even amongst the chaos. Especially amongst the chaos. The government may be ghostly in the outer world of Leepus, but they have a real physical, tangible presence in every page. There is a world there, even if we the reader are only dimly seeing it. Not a paper world, but a deep, thick, ugly world. It's like a flipped coin of Alan Moore's V FOR VENDETTA. Not the city folk. Not where "England prevails." Where it does not. In the hinterlands. Where the spirit of chance is always there, taunting you.
What really strikes the reader is how brittle, how fragile, this world, this Inglund, and by extension our world, our own Englands, are. As fragile as Leepus himself. 2014 seems to have been the year of the future of England. When I thought about William Gibson's THE PERIPHERAL, I noted how it was infused with nostalgia, a true nostalgia. The characters that hearken back to the past are those who come off least damaged. They have an acceptance, and a reverence, for that past. In a real sense, Delano is the anti-Gibson. There is not even a veneer of longing for the past, it's simply one more commodity, one that comes covered in blood. Sentiment brings destruction here. Another dark alley to avoid. Leepus own acknowledgment's of the past, his past, cut him to the quick. Without giving too much away, in the end we are given a very dark meditation on what it means to live with your art. It's decidedly bittersweet.
The mystery within the mystery that Delano hangs the story on is extremely well-plotted. I kept thinking, there are too many threads unraveling, too many plots, too many spoons in the soup, too many aces in the deck, too many balls in the air. But Delano deftly weaves the characters and their narratives together. Like Leepus' addiction, the poka, the wandering cards of chance, I fell for his bluff several times. Leepus would have been able to fleece me in a second. Less than a second. He's not always right, but like all good poka players, and games, the bluff will sometimes get you over the hump. Delano carries that all the way through to the very last pages. I wouldn't play cards with Leepus, but I certainly would follow his lead.
LEEPUS: DIZZY is available through Delano's publishing company, lepus books at http://www.jamiedelano.co.uk/ in both eBook and print editions. Grab it. Buy it. As an aside, the print is a beautifully put together book. I love the sharp crisp thick white paper, the slick cover with the gradients you can feel. I do loves me something I can hold. The Luddite says, go paper, not paperless.
EAT THIS KITTEN – It's 1928, Do You Know Where the Ringer is??
EAT THIS KITTEN – Into the Future They Strode
EAT THIS KITTEN – The Art of the Future
EAT THIS KITTEN: A Pale Face in the Moonlight
EAT THIS KITTEN – Barrio Horror
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redpajama_set_name: RedPajamaCommonCrawl


Hi, my name is Lexi and I am new to Sircle Media. This is my first ever blog post at Sircle and I decided to reference this article about marketing trends on Instagram in 2019 that was put out by Socialbakers. We use Instagram all day long for clients and it was helpful to see some data around usage and consumption. I offer some personal and professional insight sprinkled on top of their list of the 5 platform trends that marketers must know. I hope you enjoy.
As a Social Media Manager and an avid Instagram user myself, I feel as though I understand Instagram's popularity as a social media platform and how it would be a huge miss for brands not to utilize it for marketing purposes. Whether I'm sending memes to my friends or seeing what Kylie Jenner is up to, I spend multiple hours in a single day on Instagram. I am sure that most people reading this are addicted to IG too!
Since launching in 2010, Instagram has evolved tremendously from a photo-sharing site to the powerful marketing channel it is today. I remember using Instagram solely as an editing tool back in 2011 when I wanted to have cool pictures of me and my friends to post on Facebook during our senior year of high school. Boy, have times changed! Since then, Instagram has grown at a rapid pace, with over 1 billion active users to date.
So, what does Instagram's dominance in the social media sphere mean for marketers? In this blog post, I am going to tackle and discuss the five Instagram trends marketers should know as 2019 unfolds.
First, high customer engagement is super important and you shouldn't be against using paid social to find those right customers. Because Instagram is a highly visual platform, this particular social network is perfect for getting your proper target engaged AND keeping them absorbed in your content. For me, Glossier does an amazing job at producing content I like to see on my feed, while also successfully selling me on their wide range of beauty products.
According to Instagram Business, 80% of accounts follow a business on the platform and 60% use it to discover new products. In addition, 72% users buy products after seeing them on the platform. With that being said, I feel that in order to move someone down a purchase funnel, your business must be utilizing all of Instagram's e-commerce features. For example, add a link to your bio to drive visitors to your website, include action buttons such as "shop," use Instagram Story links and highlights to show off new products, and create shoppable posts for a more seamless shopping experience within the app.
Not only can you leverage e-commerce features on Instagram, but their Instagram Story feature, in general, is key. I believe the ephemeral content craze began with the creation of Snapchat, but once Instagram Stories were rolled out, they clearly became much more popular. Ephemeral content encourages followers to interact with your brand, allows you to increase website traffic, create buzz surrounding a new product launch, and so much more.
Now when it comes to IGTV, I am still just getting my feet wet. For those who don't know, IGTV is Instagram's longer-form video hub displayed as a vertical video on an Instagram account. To be honest, sometimes I forget to check out IGTV, but just recently, IG pushed out a new update, where video previews can be published in the main feed. This is a big update and a clear indication that Instagram is focused on continuing to try and get users to adopt IGTV. I already see influencers actively using it for how-to videos and a behind-the-scenes look at their lives. Which brings me to my final Instagram trend to look out for in 2019….Influencer marketing.
According to eMarketer, 78% of influencers consider Instagram to be the best platform for brand collaborations. When well-respected influencers post about brands they are eating, wearing, drinking, you name it, followers are able to easily find and buy the featured items. I cannot even begin to describe the countless number of times I have purchased a product this way. For example, whenever Arielle Charnas posts about the clothes she is wearing, you bet I am going to swipe up and check it out nine times out of ten. Brands should be making sure they find the right influencer(s) that fits their target audience and that their performance metrics are on point. Since I started working at Sircle, I've made sure to keep my eyes peeled for influencers who are engaging with the brands that I manage in order to readily turn them into brand ambassadors.
So, to sum things up, Instagram, just like any other social media platform, is constantly evolving and we will see so many new trends in the future. I recommend that you take the time to apply these tactics now and stay on top of the latest trends! See you on The Gram!
1- Posting more, is not the answer. In fact, it seems to accelerate the fall off in organic reach and impressions.
2- Stories are the jam. If you want to post more, just post there instead and watch the numbers.
3- Video View campaigns are cheap and effective.
Instagram is the place to be for brands, but the game has changed a bit for sure. Don't be romantic about what got you here (i.e. Instagram Follower count, measuring likes and comments per post) and instead, go to where things are moving.
In this episode, we go a bit deeper into our current POV on Instagram. We have recently shared our take on what matters on Instagram, as well as why we love Instagram Ads so much right now. Here we frame how to rethink your strategy for the platform and be able to better explain the right approach to retailers, investors and/or even yourself.
Instagram (just like Facebook before it) has given away a lot for free to build their brand and user base. Now they are saying to brands that if they want to reach people and leverage the platform, they will need to pay. This is a good thing and if done right, it actually provides much more value than your follower count OR how many likes your last photo received ever did.
Instagram took another shot at their competitors last week, with the rollout of being able to add a guest to your Instagram Live broadcast. Live streaming is a major frontier and the ability to do so with a partner is very intriguing for both people and brands alike.
You can read about the product and watch the video put out by Instagram to visually showcase the concept here. What we like about it, is that it is super simple to execute and gives users another reason to stay and tinker around in an ecosystem they already know, rather than getting bored and poking around elsewhere. Instagram has proven to be a master of that move.
From a brand POV, you can strike up a dialogue with a fan/customer OR bring in an expert to hammer home a USP of your product or service. i.e.
Have a healthy CPG product? Bring in a dietician to discuss the positive attributes of the ingredients in a conversation with you.
Are you an apparel brand? Bring in a designer to discuss the cut, fit or general reasoning behind a design to help educate a consumer through some back and forth with your marketing team.
Working with an influencer? Perhaps bring in two at once, to offer their perspectives on a "shared with" broadcast and get a dialogue going rather than just a monologue promoting your product. A conversation brings much more depth to that positioning and was a big reason for Twitter Party success back in the day (and still we would argue)!
Users in all age brackets are spending more time on Instagram than Snapchat these days and 25% of that time is spent "above the feed" in Stories and Live broadcasts. Social networks are a competitive landscape, so it is important to experiment and to try and be an early adopter of new tools such as this. If you are a brand looking to market your wares, then you need to join the fray!
Instagram follower growth and engagement are down across the board, and that is OK. Brands have been seeing a slow down in their growth and engagement KPI's for awhile now and that has really accelerated over the past few months. There are various reasons for this that we break down below, but first let's explain why it doesn't matter.
First off, Instagram is a storytelling platform where we argue it is about depth and not width. Meaning brands should focus on putting out great looking content that helps convey their story, personality and USP in their vertical and make sure their house is in order and looks attractive when any individual comes to consume them on the platform. The quality of consumption is more important that the quantity here and you want to make sure you don't send someone backwards in the sales journey. By being dormant, non responsive (meaning pushing out content only but not engaging with users) or pushing out low quality imagery you are actually decreasing your chance of ever transacting with that individual. So your own content and brand side engagement are actually the most important.
Also, Instagram has a great advertising platform and you can specifically target any audience you want with your content. So we tell clients who are freaking out about Instagram follower growth and/or like and comment numbers, that they should really be focused on CPM's and Click Thru Rates on their Ads. We have talked about the importance and value of paid social here on this blog before and we are seeing CPM's below $5 on Instagram Ads optimized for video views, which is excellent on a platform where people spend the most time consuming content. I think it is really time for a shift in which KPI's to focus on.
First off, the user count continues to grow at a torrid pace. As more and more people are using Instagram, there is just more noise and only so much that can show up in feeds. For brands this means that consumers now have a lot of other distractions (more friends, celebrities, brands etc…) and it is just like having more TV channel options….it is harder to get their attention and loyalty because the supply is so high. If a user follows 500 accounts and they each post 1x per day that is 500 posts to sift thru, which just doesn't happen from the vast majority of users. All the more reason to focus on better imagery and videos, so when they do see it, it is compelling content that they remember.
Instagram Stories have also eaten up a lot of the platform attention. If each user has only a limited amount of daily time spent on IG, these unique content pieces right at the top will reduce engagements on your photos. Smart Instagrammers post many stories a day to keep their profile appearing at the top and as a direct result less of your followers may actually scroll until they reach your photos.
I explain to clients that Stories are like Netflix. They came on the scene and quickly starting chipping away at attention that was previously spent on IG proper (like traditional TV). Both have a place, but Stories/Netflix have an immediacy to them and are just so easy to access and consume. So our recommendation is that you don't just shut down and give up. You remain committed to putting out great looking content so the quality is always high AND you experiment with Stories to join them, if you cant beat them. Make sense?
In the end of the day, it is just a shift in POV and time to deploy different tactics. You don't run from a problem, you assess what you want to have happen and then deploy tactics to help you achieve that end goal. Having more followers and/or an extra hundred likes on your next post are not end goals, right? They are just one way to assess performance, which is quickly becoming outdated. It is like Nielsen Ratings being used to determine advertising rates on TV. An Ad might reach a lot of homes, but does anyone consume it?
Success on Instagram today comes down to great looking, quality content (no screenshots, no low quality or blurry images) depth of engagement (meaning closing our the comments and commentary you actually do get, even if less than before) and targeted exposure (advertising and Influencer and brand collaborations). Focus on these religiously and quality followers, likes and engagement will follow.
Instagram made another power move last week, by introducing the ability to publish a carousel of images or videos in one post on the platform. Now brands (and individuals) can share multiple pictures to better tell their story and not be limited to only one piece of content. This is a game changer for the social network that yields the best "attention grabbing" opportunities already.
While you were able to post up to 5 images as part of an advertising buy already, now you can post up to 10 and it doesn't need to be an Ad unit. As a result, you can add more context to any story and use a large grip of images and/or videos to do so.
You just select the pieces you want to share, and then post them as a grouping. Users will see small blue circles at the bottom, subtly telling them to scroll and consume. This represents another body blow to Snap, Inc., as it pulls more user attention inward with the newness of it. Also, by introducing the swiping of content, which has not historically been part of the IG interface, but has been part of the Snapchat ecosystem.
Over the coming months you are sure to see many carousel posts and lots of creativity, as brands and individuals look to stand out from the clutter. We are all in for sure.
If you are alive and have a smartphone (read: everyone) then you probably already know that Instagram rolled out their "Stories" feature in August as a way to compete with their growing competitor, Snapchat. By rolling out this easy to use feature, natively on the already popular Instagram platform, they took an increasingly growing and popular format (short term "must see" disappearing content) and served it up in a seamless way (via Instagram's app already on most users phones).
Facebook has historically either purchased their growing competitors (i.e. Instagram) or outflanked them and beat them at their own game (Facebook Live > Periscope and now Stories >Snapchat). Many influencers jumped right in, as did some major brands. Over the past couple of weeks smaller brands have dabbled, including us on some of our client accounts. Our approach (as it always is with these things) was to sit, watch and consume both content put out by brands AND the many articles written about the topic in the past three weeks before we jumped in with a recommendation for our clients. Now that we have done that and a new month and a new season is afoot, here it is.
We think Instagram stories are great for offering up context as opposed to content. Whereas we are big believers in using Facebook and Instagram proper for staging attractive looking content that stands out and is appealing visually, with stories we are much more about "documenting rather than creating". So it should feel raw and semi abstract. Less structured, no edits and just real deal storytelling about what the brand is up to.
1) Give followers more context into who you are and what your personalities are about? Are you fun? Do you clown around? Do you like dogs? Do you like memes?
2) Document growth and inertia. Palettes of product going out? Perhaps a shipment headed to a customer, a blogger or model visit to the studio etc.
3) Celebrate your fans, followers and even retail partners. Have some fan photos queued up on a screen and create a story saying "we see you @ABC and @DEF and @RST and we appreciate you!" OR go to some of your retailers and shoot on location!
4) Show off product being eaten in the office? Create a story about the making of the product. Show off your point of sale displays, so perhaps people recognize them when they see them in a store. Give an inside look into your warehouse or studio filled with product, or even your production line etc.
5) Show off ingredients and/or USP's with quick story clips. What is in it and/or what makes it different? Tell the followers first hand without the need for a fully stylized video shoot!
In the end of the day, be fun and whimsical. Don't feel the need to stage, light or refine. Experiment and remember, it doesn't last an eternity. So take some risks and be a bit more carefree and real. Instagram could be your buttoned up self at work, but Instagram stories can be you at home in sweats and a scrunchie. Got it?
Instagram is a fantastic social network and brands in all industries (especially fashion) have taken to it as a way to story tell and display their style. It is easy to use, mobile based and is a direct line to people's pockets. We like Instagram, because it is another platform to help brands sell product to customers.
Here is a screenshot from one of our client's Google Analytics dashboards, showing traffic over a the month of April from the link in their bio. Most brands think that Instagram is not a facilitator of traffic, and that is just not true. Here you see a healthy flow of users to their domain, an "off the charts" low bounce rate and these users are staying for 2+ minutes and visiting 6.5+ pages per session. These are unbelievable numbers!
What we like to see even more than that, is the sale for $104 that came from these efforts. When we started with this client they actually said "Instagram wont make us money, but we think it is important to post photos just to stay relevant" and we said- trust in the fact that the hard work and exposure will pay off and will ring the register. It is so satisfying to see that pan out!
We also manage Instagram Ads for this client and that has yielded much more revenue, but this organic, small ball sale is even more attractive to us. It is a combination of hashtag stuffing, influencer tagging and honing in on the best time of day, frequency and cadence in our content delivery. This surge in traffic and sale, came on a Saturday afternoon, from a post we made at an optimal time for this particular brand. Goes to show you that paying attention to data, being active on a weekend and deploying smart tactics can pay off.
To seal the deal on Instagram for this (and most of our fashion brands) we implemented the ability to have "shoppable Instagram" and in this client's case we set them up with Foursixty as a partner. This approach has helped them convert a lot of business on the gram and proven out that this platform can be a real driver of revenue. Like anything in life, it is all about the execution!


We're asking Sparta-Rogers Park for these dates to practice there at 6:30 pm. If these dates are approved by the Park, they probably won't change.
We're also planning dates for practice in Hudsonville – Hughes Park at 6:00pm. These dates can be changed by majority rules! If so and someone is left out, we could also do a weekend.
Pass it on to anyone interested.


October 2016 – Arduino, Raspberry Pi and ESP8266 Small Computers!
FPC IDE CodeTyphon for Raspberry?
Josef Tampl has announced the availability of an Oberon version for the Raspberry Pi running 32-bit Raspbian.
You can download it from http://www.software-templ.com/shareware.html.
This version of Oberon is based on ofront 1.4, an Oberon-2 to C translator.
on the Oberon V4 system.
from within the Oberon system.
A complete Oberon interface for the popular 'Wiring' library (libwiring.so) is included.
This library can be used for convenient access to the Raspberry's I/O hardware.
You may also want to download manual pages, additional fonts, and platform independent Oberon V4 source and resource files.
The Ofront source files as well as a makefile are hosted on Github.


The CLASSIC 4.5-inch Asian Utility Knife features a uniquely curved straight edge blade, which allows it to be used as a mini cook's knife as well as a paring knife. The new knife is perfectly designed for both low rock cuts that require moderate heft and precise balance, and close hand work that demands a razor sharp edge and exceptional agility.
The ideal size and shape for countless food prep tasks, the CLASSIC 4.5-inch Asian Utility Knife perform effortlessly when cutting, slicing or dicing a variety of ingredients, including small- and medium-sized fruits, vegetables and cheeses, and can even be used to trim meats and poultry.


text:
Q: SkiaSharp basic animation speed different on different screen sizes I'm trying to make a very basic animation with SkiaSharp in Xamarin. Basically a small point spinning in a circle.
A basic Timer does the job, however i can't keep a consistent speed for the animation across different devices. The speed of the animation changes drastically based on the screen size (for example if i switch to Landscape the animation is about half as slow).
This is my code:
protected override void OnPaintSurface(SKPaintSurfaceEventArgs e)
{
    base.OnPaintSurface(e);

    SKSurface surface = e.Surface;
    SKCanvas canvas = surface.Canvas;

    canvas.Clear();

    int width = e.Info.Width;
    int height = e.Info.Height;

    canvas.Translate(width / 2, height / 2);
    canvas.Scale(0.2f, 0.2f);
    canvas.Save();
    float radiusDot = radius * 8;
    canvas.DrawCircle((float)(radiusDot * Math.Sin(degree * (Math.PI / 180))), (float)(radiusDot * Math.Cos(degree * (Math.PI / 180))), 100, blueFillPoint);
    canvas.Restore();
    canvas.Save();
}

and the timers:
Device.StartTimer(TimeSpan.FromMilliseconds(5), () =>
{
    if (degree == 0) degree = 360;
    else degree -= 2;
    if (degreeTail == 360) degreeTail = 0;
    else degreeTail += 2;
    return true;
});

Device.StartTimer(TimeSpan.FromSeconds(1f / 120), () =>
{
    this.InvalidateSurface();
    return true;
});

redpajama_set_name: RedPajamaStackExchange


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But important in and food out all the stuff good nutritious for your dog-because how nature intended it.
You'll Receive Juice (1) Roasted - (1) Angus - (1) Top Sirloin Flavor, - Chicken Porterhouse Gravy Rotisserie Flavor, (1) New York Flavor, Prime Filet (1) Flavor, Egg, Cheese - (1) Bacon, and Cheese - (1) Reusable Lid Sizes).


text:
RIVERLIKESMUSIC
PG | Dave/Kurt | 1,186 | 20 Nov 2018 | English | archived from |
Kurt and Dave are back in Seattle after Kurt and Courtneys wedding. They are sitting in a restaurant and even though they came here to eat, neither of them are really hungry anymore.
There is a secret meeting tonight and I have to be there. Well, it isn't really a meeting. But it is secret. And i feel like such a fool, having to lie to people because telling them I am having dinner with my band mate and best friend isn't allowed. The streets of Seattle are dark and crowded. My heart feels strange in my chest, as if it changed it's way of beating since he said "I do" to her.
"Hey." He greets me as if nothing had happend. As if this were just another normal evening where we met up after bandpractise. As if nothing had changed between us.
"Hi Kurt." I hear myself say even though it doesn't even really sounded like my voice. It sounds different.
"Let's go inside." He suggests but it sounds more like an unsure question. Like he wouldn't be surprised if i answered no and just left. Two months ago that would've been unthinkable. Now i am surprised we still talk to each other at all. God, we're have we gone wrong?What happened?
We sit down at a table near the windows, maybe because it's prettier or maybe because then we'd both have an excuse for not looking each other in the eyes. You know, just casually staring outside when you feel like dying is an often used way of coping with unpleasant situations.
Kurt is the first one to say something once we're sitting. "Jesus, what is this?" He makes a noise after the question that is like a mix between an insecure laugh and someone sounding as if he's about to break down crying every second.
"I don't know Kurt. You were the one who wanted to meet up, weren't you?" My voice is shaking. I'm not sure how he does it- make me so emotional with every tiny thing he says. I'm really not.
"Yeah but i'm not the one acting weird ever since...-" He interrupts himself because he choked on his soda. He's coughing for a few seconds. I just stare at him. I am tired.
"You can't say it." I manage to whisper, "You can't even say it."
His eyes are closed as he answers "Dave, ever since I married Courtney you're acting as if I full on betrayed you." Then he opens them again, this beautiful shade of blue. I want these eyes to be everything in my life. Every minute of every day. I'd do anything for them. In a way it is like they own me.
"Wow you admit to it." I say and immediately regret it. Kurt frowns: "Then you should have said something. We...- What we did, we did it before I even met Courtney. We did it while I was dating her, sometimes. You were aware of all that. How could you possibly have thought that this was anything more to me than...-" he looks down.
"Say it." I demand. "You can't believe that I possibly thought we were more than what?! Nothing? Is that what you want to say. That all those nights meant nothing to you?" I'm about to start crying but my anger is even biggerthan my sadness.
He looks shocked: "No. Friends. That's what i wanted to say. We were friends..- god I hope we still are friends, and we did some stuff friends normally don't do but that doesn't at all change our relationship!" his voice is raspy and he kind of looks scared.
"So friends with benefits. You actually say that night in Chicago was nothing but a nice little trip together as besties to wach the sun rise and that you didn't have any intentions of..-" He interrupts me.
Now I feel actual tears in my eyes, this can't be true. He can't be serious. "I love you." I choke out. And again: "I love you, Kurt."
"Don't say that... you... you don't know what that does to me. I've just gotten married,you can't just.." his voice gets lost somewhere in the middle of the sentence. I wonder how he would've finished it.
I am about to answer again right away, when I can't hold back any longer. He is too beautiful. His eyes,his lips, his hair that he carefully tucked behind his ears on the one side, his sad and confused look, the dimple in this chin. I lean over the table and pull his face closer to mine. One hand behind his head, one on his arm.
I can see the surprise in his eyes as our lips crash against each other. He is shaking and staring into mine. Our lips are still locked. I wanna stay like this forever and ever.
Then only a second later he pulls away,my hands falling on the table. He stands up in a turmoil, still shaking his head as if it was impossible for him to believe what had just happend. His chair falls down with a bang as he makes his way out of the restaurant.
Immediately I run after him, not really caring about the fact that we have bsically just stolen two sodas and chips. Outside it's not hard to find him again as he's leaning against a brick wall directly in the next street. I approach him slowely.
"Sorry." I say "I didn't meant to do that."
"It's fine, Dave. Just don't repeat that...please. I've got enough problems with the heroin and the smoking. I don't need another thing killing me."
How does his voice manage to not tremble? How does he manage to look this carefree but so broken at the same time?
"I'd be the last person to kill you." I say even though it sounds silly and dumb, I can't think of anything else in that moment. He asnwers only seconds later.
"I know. You're the best friend i've ever had. But I can't do this affair thing. I can't live two lives. I can't do this to my wife."
Oh yes, your wife. I think to myself: Of course not. But you have no problem of doing it to me, i guess? But I don't say that out loud. I've had enough fighting for today.
"C'mon." I mumble and open my arms for a hug. "I've got you."
The blond man wipes away some tears from his cheek and then walks right into my embrace. "I love you, you know that?" I ask him quietly. He nods, his head brushing against my shoulder. That is the most important thing: He knows. He knows.
"Do you love her?" I ask, a bit hesitant and just as quiete. And again he nods. I close my eyes as I hear him cry against my jacket. "You're okay, I'm right here. You're okay."
And he feels so vulnerable and naiv in my arms. So innocent and kind. I think about Courtey, who is the exact opposite of him. Blunt, controlling. I want to tell him that she isn't good for him, but I don't. It doesn't matter at the moment. He is here, he is save. I'll keep him save.


text:
Q: Find a linear transformation $T:\mathbb{R}^2 \rightarrow \mathbb{R}^2$ which preserves angles but does not preserve the norm Find a linear transformation $T:\mathbb{R}^2 \rightarrow \mathbb{R}^2$ which preserves angles but does not preserve the norm
Any suggestions?
Thanks for help me :D

A: Consider scalar multiplication.


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You are at:Home»News»Asia News»Intl. Criminal Court set to investigate deportation of Myanmar's Rohingya
Rohingya refugees went through desperate measures to cross the Naf River to Bangladesh. (Photo credit: Andew McConnell/UNHCR)
Intl. Criminal Court set to investigate deportation of Myanmar's Rohingya
By Froilan Malit on November 15, 2019 Asia News, News
A request from the International Criminal Court (ICC) prosecutors to investigate crimes against humanity against Myanmar's Rohingya minority who were systematically driven across the border to Bangladesh has been approved on Thursday, November 14.
In a statement, the ICC said prosecutors were granted permission to examine acts that could qualify as widespread or systematic crimes against the Rohingya, including deportation, a crime against humanity, and persecution on grounds of ethnicity and/or religion.
More than 730,000 Rohingya Muslims have fled to neighbouring Bangladesh since a 2017 crackdown by Myanmar's military, which U.N. investigators say was carried out with "genocidal intent". Buddhist majority Myanmar denies accusations of genocide.
ICC judges also gave chief prosecutor Fatou Bensouda wider authority to look into crimes beyond the scope of her request and any future crimes within the court's jurisdiction.
Although Myanmar is not a member of the ICC, the world's permanent war crimes court has jurisdiction to examine alleged crimes that partially took place across the border in Bangladesh, which ratified the court's statute in 2010.
In July, Bensouda requested court permission to examine crimes in Bangladesh and two waves of violence in Rakhine State on the territory of Myanmar.
Citing estimates that between 600,000 and one million Rohingyas were forcibly displaced, "the chamber hereby authorises the commencement of an investigation into the situation in Bangladesh/Myanmar," the ICC statement said.
"There exists a reasonable basis to believe widespread and/or systematic acts of violence may have been committed that could qualify as the crimes against humanity of deportation across the Myanmar-Bangladesh border," it said. (Source: Thomson Reuters Foundation)


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Dudok Quartet Amsterdam & Lilli Maijala - Brahms: The String Quartets & String Quintet No. 2 (2021)
Posted By: ciklon5
FLAC tracks | 02:09:02 | 550 Mb
Genre: Classical / Label: RUBICON
The Dudok Quartet Amsterdam is forging a reputation as one of the most creative and versatile quartets of its generation. The Guardian commented on their "lithe, lively sound and alert sense of structure and detail". This recording, their first for Rubicon, of the Brahms Quartets and the second of the String Quintets for which they are joined by Finnish violist Lilli Maijala, will be eagerly awaited by their growing band of followers and chamber music fans generally. The quartet play with unwound gut strings and a set of bespoke classical bows.
01. String Quartet No. 1 in C Minor, Op. 51 No. 1: I. Allegro
02. String Quartet No. 1 in C Minor, Op. 51 No. 1: II. Romanze. Poco Adagio
03. String Quartet No. 1 in C Minor, Op. 51 No. 1: III. Allegretto molto moderato e comodo. Un poco più animato
04. String Quartet No. 1 in C Minor, Op. 51 No. 1: IV. Allegro
05. String Quartet No. 3 in B-Flat Major, Op. 67: I. Vivace
06. String Quartet No. 3 in B-Flat Major, Op. 67: II. Andante
07. String Quartet No. 3 in B-Flat Major, Op. 67: III. Agitato (Allegro non troppo). Trio
08. String Quartet No. 3 in B-Flat Major, Op. 67: IV. Poco allegretto con variazioni
01. String Quartet No. 2 in A Minor, Op. 51 No. 2: I. Allegro non troppo
02. String Quartet No. 2 in A Minor, Op. 51 No. 2: II. Andante moderato
03. String Quartet No. 2 in A Minor, Op. 51 No. 2: III. Quasi minuetto, moderato
04. String Quartet No. 2 in A Minor, Op. 51 No. 2: IV. Allegretto moderato
05. String Quintet No. 2 in G Major, Op. 111: I. Allegro non troppo, ma con brio
06. String Quintet No. 2 in G Major, Op. 111: II. Adagio
07. String Quintet No. 2 in G Major, Op. 111: III. Un poco Allegretto
08. String Quintet No. 2 in G Major, Op. 111: IV. Vivace ma non troppo presto
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Download from icerbox.com cd1
RUBICON Rubicon Rubicon Classics Classical Classical Music Box Sets Box Set FLAC Lossless MP3 Any Live 2020 2021 Compilation Various Artists


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Bir Nabala (; ) is a Palestinian enclave town in the West Bank located eight kilometers northeast of Jerusalem. In mid-year 2006, it had an estimated population of 6,100 residents. Three Bedouin tribes — Abu Dhak, Tel al 'Adassa and Jahalin — live in Bir Nabala. Bir Nabala has a built-up area of 1,904 dunams, which combined with nearby al-Jib, Beit Hanina al Balad and al-Judeira form an enclave in the Seam Zone, walled in by the Israeli West Bank barrier.

The enclave as a whole is home to approximately 15,000 Palestinians. It is linked to Ramallah by underpasses and a road that is fenced on both sides. From the Biddu enclave, residents travel along a fenced road that passes under a bypass road to Bir Nabala enclave, then on a second underpass under Bypass Road 443 to Ramallah.

Prior to the construction of the barrier, Bir Nabala was a commercial center linking Jenin and Tulkarm with the Jerusalem area and the town contained about 600 shops and six tyre factories. In 2007, there were 180 shops and two tyre factories.

History
The remains of a vault, dating to the Crusader era have been found here.

During the Mamluk era, a waqf stipulated that the whole of the revenue from Bir Nabala should got to the ad-Dawādāriyya Madrasa in Jerusalem. The building was completed in 695 AH/1295−1296CE.

Ottoman era
In 1517, the village was included in the Ottoman empire with the rest of Palestine and in the 1596 tax-records it appeared as Bir Nabala, located in the Nahiya of Jabal Quds of the Liwa of Al-Quds. The population was 4 households and 2 bachelors, all Muslim. They paid a fixed tax rate of 33.3% on agricultural products, which included wheat, barley, olive trees, vineyards, fruit trees, goats and beehives in addition to "occasional revenues"; a total of 1,300 akçe.

In 1738 Richard Pococke named it Beerna–billiah, seeing it "on a hill to the east".

In 1838 Edward Robinson noted Bir Nebala on his travels in the region, as a Muslim village in El Kuds region. In May, 1863 Guérin found it to have about 130 inhabitants. He further noted remains from the Crusader era and a few rock-cut tombs, one of them still in use by the locals. An official Ottoman village list sometime around 1870 listed Bir Nebala as having 24 houses and a population of 100, though the population count included only men.

In 1883, the PEF's Survey of Western Palestine (SWP) described it as "a village of moderate size, standing high, with a valley to the west. There are a few olives round the place."

In 1896 the population of Bir Nebala was estimated to be about 420 persons.

British Mandate era
In the 1922 census of Palestine conducted by the British Mandate authorities, Bir Nebala had a population of 367 Muslims, increasing in the 1931 census to 456 Muslims, in 106 inhabited houses.

In the 1945 statistics the population of Bir Nebala consisted of 590 Muslims and the land area was 2,692 dunams, according to an official land and population survey. Of this, 962 dunams were designated for plantations and irrigable land, 783 for cereals, while 21 dunams were built-up (urban) areas.

Jordanian era
In the wake of the 1948 Arab–Israeli War, and after the 1949 Armistice Agreements, Bir Nabala came under Jordanian rule. It was annexed by Jordan in 1950.

In 1961, the population of Bir Nabala was 850.

Post-1967

Since the Six-Day War in 1967, Bir Nabala has been under Israeli occupation. The population in the 1967 census conducted by the Israeli authorities was 935, 19 of whom originated from Israeli territory.

After the 1995 accords, 14.4% of Bir Nabala's land was classified as Area B, while the remaining 85.6% was classified as Area C. Israel has confiscated 675 dunums from Bir Nabala in order to construct Atarot Industrial zone, in addition to isolating 1,121 dunams of Bir Nabala land behind the West Bank barrier.

References

Bibliography

  (p. 209)

  (p. 5)

External links
Welcome To Bir Nabala
Survey of Western Palestine, Map 17:  IAA, Wikimedia commons
Bir Nabala Town (Fact Sheet),   Applied Research Institute–Jerusalem (ARIJ)
 Bir Nabala Town Profile, ARIJ
 Bir Nabala aerial photo, ARIJ
Locality Development Priorities and Needs in Bir Nabala

Towns in the West Bank
Municipalities of the State of Palestine

redpajama_set_name: RedPajamaWikipedia


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DC Collectibles January 2019 Solicitations
DC Collectibles has released their January 2019 solicitation information! The items featured in today's solicits will be available in August 2019. There are some really nice things coming from DC Collectibles in the future, and you can check them out right now. Check out all of the details below!
BATMAN: BLACK AND WHITE MINI FIGURE 7-PACK BOX SET TWO
DC Collectibles' long-running statue line, BATMAN: BLACK AND WHITE, has captured the hearts of collectors and comics fans alike with its interpretations of the World's Greatest Detective and select Gotham City characters by the industry's brightest stars.
Starting in 2019, DC Collectibles is creating an all-new offshoot of the beloved black-and-white collectibles line, this time offering 3.75″ tall PVC figures. Released in sets of seven, including resized rereleases of some of the most popular statues in the line's history, each set will come with six previously available mini figures plus one exclusive, never-before-released edition only available in this set.
Coming in July 2019, Box Set Two features figures from:
(All figures are Batman unless otherwise noted.)
– Bruce Timm (Harley Quinn)
– Frank Quitely (Robin)
– Mike Allred
– John Romita Jr.
– Gary Frank
– Eduardo Risso
– An exclusive mini figure based on the beloved Batman: The Animated Series Dark Knight
• Figures measure approximately 3.75″ tall
• Allocations may occur
• Final products may differ from images shown
• Approximately 6 units per carton
ON SALE JULY 2019
BATMAN: BLACK AND WHITE MINI FIGURE 7-PACK BOX SET TWO
BATMAN: THE ANIMATED SERIES: BATCYCLE AND ACTION FIGURE SET
Gotham City is a dense, sprawling city with tall buildings, busy highways
and dark alleys. In his quest to protect the city, sometimes Batman
needs a vehicle to go where the Batmobile cannot. Enter the Batcycle.
Based on the design from the beloved Batman: The Animated Series,
this stylish figure set comes with a sleek, art deco-inspired
light-up Batcycle and an exclusive Batman figure.
• Figure measures approximately 6″ tall
ON SALE AUGUST 2019
DC COVER GIRLS: BLACK CANARY BY JOËLLE JONES STATUE
designed by JOËLLE JONES
sculpted by JACK MATHEWS
Inspired by the powerful women of the DC Universe, DC COVER GIRLS is a long-running line that features dynamic depictions of the most famous superheroes and super-villains in premium 9″ statues, all based on art from some of the top talent in the comics industry.
The latest entry in the line is Black Canary. Coming from the Eisner-nominated artist and writer Joëlle Jones, this statue is a vibrant and modern take on DC's dangerous diva. With a rock 'n' roll fashion sense—featuring the leather jacket and corset-infused Rebirth-era character design—and a fearless attitude to take on any foe, this Bird of Prey is ready for whatever the night will throw at her. Measuring 9″ tall, this sharply detailed sculpt is cast in polyresin, and is a great piece for fans of Jones and Black Canary.
• Limited to 5,000 pieces and individually numbered
DARK NIGHTS: METAL BATMAN: THE DROWNED STATUE
based on art by GREG CAPULLO
sculpted by ADRIENNE SMITH
Rocking into our world from the pages of DARK NIGHTS: METAL comes a nightmarish fusion of a gender-flipped Batman and Aquaman—the Drowned. Bryce Wayne came from Earth-11 and harbored a deep hatred of the Atlanteans for their role in the death of her beloved, Sylvester Kyle. In a quest to avenge Kyle, she spliced her DNA with that of Atlanteans, becoming a super-powered Dark Knight capable of breathing and fighting underwater. This carefully detailed statue highlights the unique character design of this mashup, as the Drowned has her own trident and cape, and sports the flowing hair of a submerged and vengeful Dark Knight.
• Figures measure approximately 7″ tall
DC DESIGNER SERIES: NIGHTWING BY JIM LEE STATUE
based on art by JIM LEE
sculpted by ALEJANDRO PEREIRA
The DC DESIGNER SERIES line is born from the imaginative vision of the comics industry's top artists. Coming from the pages of the blockbuster series BATMAN: HUSH, this polyresin statue captures Lee's now-iconic take on Nightwing, complete with the former Boy Wonder's twirling escrima sticks. This statue is limited to 5,000 units.
DC DESIGNER SERIES statues are based on art from the comics industry's top creators and re-create their vision in vivid 3-D detail.
• Figures measure approximately 12.90″ tall
HARLEY QUINN RED, WHITE & BLACK: HARLEY QUINN BY JOHN TIMMS STATUE
designed by JOHN TIMMS
sculpted by PAUL HARDING
Since her first appearance in 1992, Harley Quinn has captured the hearts of both fans and comics artists alike. The HARLEY QUINN RED, WHITE & BLACK collection of statues are based on various depictions of Harley re-created in vivid 3-D detail.This latest statue in the series comes from famed artist John Timms.
Harley Quinn has come into possession of Batman's cowl, cape and utility belt. While there's surely a great story about how she got it, what's more intriguing is what mischievous adventures she can undertake while beneath the cowl. Will she frame the Batman in a crime spree? Or auction off these missing goods to the highest bidder? Whatever choice she makes, it's a good guess she'll be smiling when she does it.
• Figures measure 7.28″ tall
HARLEY QUINN RED, WHITE & BLACK: HARLEY QUINN BY JOHN TIMMS STATUE
About DC Collectibles:
DC Collectibles is the exclusive collectibles division of DC Comics, which manufactures and markets over 100 products each year. These fantastic items, ranging from action figures to cold-cast porcelain statues, are based on the world-famous DC Comics superheroes and other characters of the DC Universe. Each product is designed with the greatest attention to detail and authenticity. The DC Direct line is highly regarded and sought after by fans and collectors for its superior quality and limited availability. You can't miss with collectibles from DC Collectibles.
This entry was posted in DC Collectibles and tagged DC, DC Collectibles, Featured, Solicitations, toy news.
Aquaman Fandango Pre-Sales Outpacing Wonder Woman!
DC Comics January 2019 Comic Book Solicitations


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It's the U.S. Open, it's Mickelson, #mycrazyprediction
By Mike Stachura
It will be mine.
I'm officially picking Mickelson to win his long-awaited first U.S. Open at first-time major venue Chambers Bay. It would be the first time I've ever been right about anything remotely connected to predicting golf tournaments.
For those of you who haven't been following along...oh, never mind. Here's the deal: Every major I use a completely random and statistically magical (#madeup) method to select the player I think has a numerological certainty (#nochance) to win. So far that process has yielded a perfect record, assuming zero-for-ever is a perfect record.
At the U.S. Open this year, I calculated a number of factors. First, I looked at PGA Tour statistical performance numbers for the last five U.S. Open champions in three areas I think might matter at Chambers Bay. I could have chosen any collection of statistical criteria, but quite frankly this would imply some sort of academic intensity or scientific curiosity. My major wasn't math or science, it was philosophy, and my curiosity was and still is reserved for things that were, shall we say, less, err, "tangible" or actually "knowable," as the learned folks might put it. In other words, the theoretically metaphysical, spiritually speaking. Which after all is just what this is (#shutup).
Moving on: First, I considered the rankings for a stat called Good Drive percentage. This stat reflects the number of times a player hits a drive that either lands in the fairway or results in a green in regulation (in other words, a missed fairway with a playable result). Chambers Bay's links-like feel and the graduated rough that the USGA's Mike Davis has become known for may result in more playable shots for tee balls that only slightly miss the fairway. Plus, with its 9,000-yard (or so) length, driver would seem to be a necessary club more often than not.
I also looked at the averages for "birdie or better percentage from the rough" and putting from 3-5 feet. Again, I believe Chambers Bay may reward more aggressive decsions from off the fairway than a typical U.S. Open, somewhat like last year with reimagined, rough-less Pinehurst No. 2 and eventual winner Martin Kaymer. And, of course, the U.S. Open is always about a premium on par, and making those nasty, score-saving short putts could be the difference between a top-10 and a trophy, like with Graeme McDowell at Pebble Beach and Webb Simpson at Olympic Club, the last two West Coast U.S. Open sites, like Chambers Bay.
But with Chambers Bay's status as a completely new U.S. Open venue, I also figured it might be of some value to look at what kinds of players (according to the world rankings) have won at unique, rarely seen or first-time U.S. Open sites in the last generation or so, including Pinehurst in both 1999 and 2014 since the 2014 version was completely different than the 1999 version, but also Bethpage in 2002 but not in 2009, if you follow me (#ummsureyeah).
All of that makes sense. To me. Then, because I thought it might matter to the younger generation, I decided to add bonus points for the number of Twitter followers a player has. My theory, based on my experience with two teenagers in the house: The more support you receive from the social media universe, the more confidence you have. I give you Rickie Fowler, Bubba Watson and Ian Poulter.
That said, maybe too much socially infused confidence isn't that good a thing for a U.S. Open, which requires the kind of measured humility usually reserved for the sherpas of Everest. Maybe the most productive kind of self-confidence starts with true self-awareness of all your flaws, a true accounting that doesn't require counting up Likes and Followers or posting images of your . Maybe a virtual community is a false sense of security. I'll take living, breathing fist bumps over Favorites every day and twice on Sunday. This particular Sunday, as a matter of fact.
But I digress. So, taking all of those numbers together and finding my much-lauded super average, it produced the number 50. There were many players who hovered in that range. If you believe my system, Brooks Koepka, Jason Day, Jimmy Walker, Bubba Watson, Brandt Snedeker, John Senden and Ryan Palmer will be close. Jordan Spieth, Rickie Fowler and Rory McIlroy will not be factors (#uhoh).
Only one man had the number on the nose. Yes, the guy who's lost this thing six times. Now, Mickelson has been relatively terrible with his driver this year (a ghastly 164th in the "good drive" statistic), but he is among the best in birdie or better from the rough and putting from 3-5 feet. And as it turns out, his rally Sunday at the FedEx St. Jude Classic included play off the tee with a variety of clubs that found more fairways. Reminiscent of how he 3-wooded his way around Muirfield at the 2013 Open Championship to win his last major title (#whyhitdriverwhen3-woodgoes320).
But the one stat that gave him the edge: Twitter followers. Mickelson has zero. He doesn't do Twitter, preferring to stay out of it and keep some of his life private. And still he's the most popular figure in golf today, the most financially successful pro golfer, the most sought after personality and brand endorser in the game, and he doesn't need a Snapchat account to make him more relevant.
In my formula, Mickelson achieved the magic number of 50 based on his stats and world ranking. Factoring in his Twitter followers at zero, he stayed right on that number. Had he had an official Twitter account with just one Follower, the bonus points would have pushed him off the mark.
Too bad for Ryan Palmer that he has 6,443 followers, or he might have been the pick (as it was, he finished with 49.4). Of course, he's likely to be hampered by another reason: He thinks the Chambers Bay setup will be "a complete farce." By contrast, Mickelson said just the other day, "I really like the course." Winners adapt and believe, and no one considers all the angles the way Mickelson does, as anybody who remembers the 2010 Masters can surely attest. Or the 2005 PGA Championship. Or the 2013 Open Championship. Or the 2008 Colonial. Or the 2013 Scottish Open. Or any time he's spun a wedge shot from a cartpath/hospitality tent/Port-O-let. Or flopped a lob directly over your head while you're standing right next to him. Or, well, you know what I'm saying (#ratingsalert).
Now, I wouldn't necessarily say lack of Twitter presence is a reason to pick Mickelson. I wouldn't say any statistical scenario is a reason to pick Mickelson. And I sure wouldn't say me picking Mickelson to win is a reason to pick Mickelson. But more than any major championship, the U.S. Open is a test of resolve, one that requires not only skill but the accumulated wealth of the experience of its moments, particularly its despair. Sometimes you have to believe that surviving defeat makes you stronger. Despite what it feels like. Six times over.
Clearly, no one is more accomplished in that regard, in this event, than Mickelson is. That's reason enough for me.
Retweet that.
WATCH: GOLF DIGEST VIDEOS


Using GitHub in the Classroom Predicts Student Learning Outcomes and Classroom Experiences #GitHub #Education #Learning @GitHub « Adafruit Industries – Makers, hackers, artists, designers and engineers!
GitHub is a widely-used software development platform that supports version control, collaborative development, and project hosting. Currently, an estimated 18,000 educators use GitHub in programming classrooms.
Depending on how GitHub is implemented in the classroom, students may rely on GitHub for activities such as, submitting assignments, collaborating on group projects, and receiving feedback. Despite GitHub's growing presence in programming classrooms, to date, few studies have explored how GitHub and the design of its implementation shape students' learning outcomes and classroom experiences.
Building on previous research, we investigated how students in classrooms that used GitHub (GitHub classrooms), as opposed to classrooms that did not use GitHub (non-GitHub classrooms), differed across key variables. We surveyed 7530 students and 300 educators from GitHub and non-GitHub classrooms. Overall, we found that using GitHub in the classroom predicted better learning outcomes and classroom experiences. For example, students felt more prepared for the future, and they felt a greater sense of belonging in the classroom and in the field. Importantly, the design of implementation affected learning outcomes.
We discuss best practices for maximizing benefits to student learning when implementing GitHub in the classroom, study limitations, and future research directions. Our research is a step towards understanding how GitHub, a tool with a growing presence in programming classrooms, impacts students' learning experiences.
Vanessa (@mozzadrella), the General Manager of GitHub Education, presents this information in the video below.
Read the GitHub blog article.


Monica was recently called to the Bar of British Columbia after completing her articles at another family law firm in Nanaimo in 2017. She is thrilled to be on the Duncan Allen team and has an unbridled love and passion for the law. She has a thorough understanding of the ways in which the law affects her clients' daily lives and strives to assist them in navigating the complexities of the legal system as it applies to family law.
Monica was raised in Nanaimo and has lived here for most of her life. She chose to complete her undergraduate degree in her hometown, majoring in Criminology (with distinction) at Vancouver Island University. After graduating from VIU she was employed in the public service with the Government of Canada as a Citizen Services Officer, and soon after made the decision to pursue her law degree at Dalhousie University in Halifax, Nova Scotia. Following her first year of law school, Monica was employed as a law student by the Public Prosecution Service of Canada and Department of Justice. She also completed a clinical term for Dalhousie Legal Aid where she worked with clients on family matters and had a brief exposure to criminal law files. Monica couldn't wait to return to Vancouver Island to begin her career as a lawyer, and has since developed a compassionate, client-focused approach to family law and, as a result, a deeper understanding of the issues surrounding families in her community.
In her free time, Monica enjoys reading, travelling and exploring the Vancouver Island with her family.
Never blame any day in your life. Good days give you happiness, bad days give you experience, and the worst days give you a lesson.


* The beneficial effects are observed when taking, just before bedtime: 1 mg of melatonin (sleep); a minimum of 0.5 mg on the first day of travel, continuing for a few days after arrival at destination (jet lag).
Gumplant and eucalyptus exert an emollient and soothing effect on the oropharyngeal mucosa while horehound and elecampane promote free fluidity of bronchial secretions. In addition, cherry laurel plays an antioxidant role; German chamomile, lemon balm, passionflower and lavender have a calming effect; Roman chamomile, passionflower and feverfew are useful in combating menstruation complaints*.
Herbal supplement fortified with amino acids and vitamins. Valerian, passion flower, sweet woodruff, griffonia, hops and chamomile help induce sleep and, in association with bitter orange, support relaxation. Valerian and hops are useful for relieving stress whereas bitter orange, chamomile and griffonia help maintain mental well-being. Griffonia can maintain normal mood and vitamins B1, B3, B6, B12, C, folic acid and biotin support healthy psychological function*.
Passionflower supports sleep and relaxation in case of stress and can help maintain your mental health and wellbeing. Furthermore, it sustains gastrointestinal motility and gas elimination.
Herbal food supplement fortified with carnitine, minerals and vitamins. Hawthorn, motherwort, rosemary, lapacho, red grapevine and ginger maintain normal cardiovascular system's function whereas passionflower and valerian support relaxation in case of stress. In addition, Vitamin B1 contributes to keeping normal cardiac function.
Food supplement containing herbs and magnesium. Lemon balm, hawthorn, chamomile and tangerine promote relaxation and mental well-being. California poppy, linden and lavender exert a calming effect in cases of stress and, along with chamomile and passionflower, facilitate sleep. Furthermore, magnesium contributes to the nervous system function and maintains normal psychological functions.
Hypericum, lemon balm and griffonia contribute to maintaining normal mood, promote mental well-being and, in association with passionflower, stimulate relaxation.


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Brit shalom (hebr. – przymierze pokoju) – alternatywna dla brit mila ceremonia nadania dziecku płci męskiej imienia. Ma ona przeważnie charakter świecki, zaprasza się na nią gości, nie dokonuje się jednak obrzezania. Ceremonia została stworzona przez judaizm humanistyczny. Praktykują ją także niektórzy żydzi reformowani. Żydzi humanistyczni uważają, że rodzice nie mają prawa decydować o napletku dziecka i zadawać dziecku bólu. Uważają także, że praktyka ta narusza równość płci, gdyż Żydzi przeprowadzają tylko obrzezanie mężczyzn, a nie kobiet.

Linki zewnętrzne
 Jewish circumcision – żydowska strona krytykująca obrzezanie

Judaizm


The Wednesday night Downhill Series continued last week with a rip down Dirt Merchant, the World Cup single track, Crack Addict, a section of B-Line and Hornet.
Shannon Smith was the top junior woman, racing uncontested.
James McSkimming finished first among the junior men, followed by Marcus Jaheney, Ryan Thorpe, Jamie Mangon and Stephan Wheeler.
Jenn Ashton was the top woman, followed by Marilyn McSkimming, Julie Mountfield, and Amy Remark.
In the men's race, it was Adam Billinghurst, followed by Tyler Morland, Greg MacDonald, TJ Cowern and Chris Dewar.
The WORCA downhill series takes place every Wednesday night on different Whistler Mountain Bike Park courses. Meet at base of Whistler Mountain at 5:30 p.m.


Description: No pets allowed. End unit. Marble floors. Ocean view. Ocean frontage. Bay or ocean frontage. Bay view. Waterfront property. Style: Highrise, Condo. Central air conditioning. Central heat. Window treatments.


Starfall has been teaching kids to learn with phonics for properly over a decade. Together with these games at school might help you foster team spirit among your college students, as most of those video games will be played in pairs or teams. Assist your kids be taught math much faster than earlier than with the assistance of this effective educational recreation for teenagers. From the Army to the Navy to dealing with emergencies to disarming situations non-violently, these video games all concentrate on coaching for the real deal. Educational Skill Builders – A wonderful website w/ learning by way of the usage of multi-player games.
In Might of 2009, we launched the Starfall Kindergarten English and Language Arts Curriculum and in June 2013 the Starfall Pre-Ok Curriculum Our methodology motivates youngsters in an environment of imagination and play. Historical past video games might help by bringing history to life on a computer display screen or on a board recreation.
Instructional board video games embrace family favorites like the comical crime solver LineUp and the technique recreation Forbidden Island. A vocabulary game could be fun for hours when it's designed to be more enjoyable than concentrating solely on the tutorial functions. The objective is for your youngsters to sort out the maths coaching activities, and they will earn merits and achievements. When there's little room for bodily play, you may at all times help your children broaden their knowledge and maintain them knowledgeable, with trivia and quiz video games. It's the subject material and the materials which can be used that make the difference to the scholars who're taking part in the games. The PBS website has on-line games that teach fundamental studying and math readiness equivalent to letter sounds and counting.
These latest fun learning video games for teenagers will help them be taught the basic instructional stuffs in life with lots of enjoyable and studying actions. With the gathering of educational video games, sport video games, mystery games and technique video games obtainable, your youngsters will be ready to prove themselves a star in school. So only instructional video games for youths are designed to develop ability or potential and entertain together with. In case you are frightened about your youngster being ready for school or if you have a young elementary baby who's struggling with a few of the primary expertise, PBS children games may be value attempting out for both you and your child. Not only are video games fun, interactive , and social, however they're also great tools for studying.
Immediately all types of toddler video games can be found online, so to search out out a suitable and cheap toy or sport for your youngsters shouldn't be a tricky task. Gamequarium – A well-liked site w/ lots of video games in all kinds of topic areas. Every guardian's desire is to maintain their kids comfortable, wholesome and regular improvement of their toddler's childhood. Board video games for toddlers include the classic Get Up and Go Games: Puppy Pursuit, the original Spot it! Praise their work and enchancment which develops a positive self-esteem and confidence within the youngsters while learning. Yogome – An amazing website/company w/ plenty of revolutionary games and cellular apps on recycling and extra.


Submissions are now open for the Manitoba Book Awards/Les Prix du livre du Manitoba! November 23, 2018 is this year's submission deadline (post-marked). Guidelines can be found here. All entries must be submitted through our new online entry form.
The 31st annual Manitoba Book Awards will be held on the evening of Friday, May 3, 2019 at the Winnipeg Art Gallery. Watch for further event details and ticket information closer to the event.
The event celebrates local talent and diverse books! Many of the book award categories are bilingual (open to both French and English book entries).


Why are they so reflexively confrontational? They know that the uses we seek will not harm their market in any way. They know that whether the exemption is granted or rejected will have absolutely no impact on the level of infringement. They should welcome our use of their content in our classrooms. They should make our legal use as easy as possible. We shouldn't even have to apply for the exemption. They should proactively declare that they won't bring DMCA actions against higher ed institutions for assembling film compilations.
Instead, they insult us by treating us as potential infringers who can't be trusted to use a technology any 12-year old can download from the Internet.
Yowza. That was attorney Jonathan Band, brandishing his rhetorical sword in defense of American libraries. The last time this issue came up, college libraries won an exemption for film studies professors to rip DVD clips for use in the classroom, something that is generally illegal under the Digital Millennium Copyright Act. Nearly all "circumventions" of DRM are banned by the 1998 law, though every three years the Library of Congress can create narrow exemptions.
This time around, the libraries are reaching for more; they want to extend the DVD clips exemption to all university professors. Radical, we know, but even such small changes worry rightsholders, since they chip away at DMCA protections and set increasingly broad precedent for DRM cracking. Film companies are fine with professors using clips in classes—that's not the issue—but they would really prefer that people do it without cracking the CSS DRM that has already failed so spectacularly to stop the copying of DVDs. So rightsholders proposed a few alternatives, showing that cracking DRM wasn't needed.
Law professor Rebecca Tushnet, arguing for expanded circumvention rights when amateur videographers want to remix or critique movie clips, said that the DMCA's restrictions were a "digital literacy test" and that having to buy expensive camcording gear was a "digital poll tax."
The movie industry said (again) that camcording a film off the TV screen was a pretty good solution (and they should know, since they have plenty of experience busting camcorder-wielding pirates). In fact, a lawyer for the industry showed a video last week of how this could work and what incredible quality the camcorded version could have.
This led attorney Band to say, "If camcording can produce high-quality copies, why does the motion picture industry bother using CSS? Why does the industry support the DMCA, and why are we in this hearing? We should all go across the street together and ask Congress to repeal the DMCA because it is completely irrelevant."
Other suggestions (using screen recorder software, asking a movie studio for written permission each time a new clip would be used in class) would waste an untold number of hours of US professorial time and might not even work. Time Warner, for instance, said it be glad to offer permission to professors... so long as they also received publicity rights approval from the Screen Actors Guild. And Vista makes screen rips of DVDs more difficult.
But rightsholders at the meeting were determined not to give ground if possible. If some other solution to circumvention exists, it must be used instead.
One attorney for content owners even reminded the panel of government lawyers chairing the meetings, "The fact that you might have to spend something to take advantage of the alternative" doesn't matter; so long as some alternative can be dreamed up without cracking DRM, an exemption should not be granted.
Not all the action related to DVDs. Cell phone unlocking—which was granted the last time around—was on the table once more. Even though it has been legal, wireless trade groups still oppose the exemption. According to Public Knowledge's Rashi Rangnath, "Mr. Bruce Joseph, representing CTIA, the wireless industry association, maintained that cell phone unlocking might expose other copyrighted works such as games and ring tones contained on cell phones to infringement. However, other than in the case of Virgin mobile, he conceded that he did not know if software that locked cell phones also locked other content."
Copyright attorney Wendy Seltzer was also at the hearings, which she characterizes as a "perfect theater of the absurd. First, the [Library of Congress] is authorized to exempt non-infringing users of 'classes of works' from the circumvention prohibition, but not to legalize the tools needed to circumvent access controls (which are prohibited by 1201(a)(2)). That leaves all participants dancing around the question of how users are to exercise their rights, if granted—'surreal,' as Jon Band put it. Likewise, we all ignore the ready availability of DeCSS and the near-instant posting of DRM-free versions of anything issued in 'protected' format."
Marybeth Peters, the Register of Copyrights, will make her recommendations to the Librarian of Congress over the next few months. Any exemptions that the Librarian chooses to grant will go into effect on October 28 and will last for three years—at which point, the process begins all over again. DRM geeks can now listen to the sessions at the Copyright Office website.


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Did You Know Beijing Has Two Airports?
Some don't know this, but Beijing actually has two public airports. Everyone has heard of Beijing Capital Airport on the northeast side of town, which has the huge new terminal built to handle the influx of travelers for the 2008 Olympics. But did you know there was also another airport on the south side of Beijing?
The southern airport is called Nan Yuan Fei Jie Chong, and it was once a military airport. When I first started using that airport several years ago it had some amazing charm to it. One of the most interesting things about it was how a tractor with a flatbed trailer would haul the luggage, unloaded by hand, to a barn. The people would walk into the barn, and then the tractor would bring in the luggage. From there, you would exit into a parking lot, where you would argue and negotiate prices with a group of taxi drivers. Believe it or not, it really was a lot of fun going back and forth with those guys. It would always end with laughter, a couple of pats on the back, and a thumbs up. Another interesting thing about this airport was how you would see old military plans parked around the airport.
Now this airport has undergone massive renovations, and unfortunately, it has lost some of the charm it once had. Your luggage now comes into the terminal on a conveyor belt, so no more barn and tractor. Also, most of the vintage military plans have been moved. Additionally, there is an orderly system of getting a taxi now, and you don't have to negotiate with the taxi drivers.
The terminal itself is now much larger and more modern. There are several gates now where there was once only a couple, and there are many shops within the airport where there once were none that I remember. Ahhh, I guess this is progress!
One of the more interesting things that is still consistent with the updated facility is the loading process. You still exit the terminal's gate, get on a bus, and drive on the tarmac where you board your plane via portable steps! It truly is an interesting process to enjoy!
Have you ever been to either of the airports in Beijing?


For a long time now I've been trying to figure out why the live action superhero movies produced by Warner Brothers/DC Comics are so dour, so dark and so depressing. Technically they're great looking movies and I have no problem with the acting, which is often excellent. And they make money, no doubt about that. But for me they don't have the same thrill I get when I watch the animated movies. And for my money the finest superhero movies Warner Brothers/DC Comics are doing are not the live action but the animated ones.
There's "Batman: Mask of The Phantasm" which I consider the best Batman movie made to date. WB/DC is banging its collective head bloody against a brick wall trying to make a live action Justice League movie when the animation guys already have made the two best Justice League movies to date: "Justice League: The New Frontier" and "Justice League: Doom." What else? There's "Batman: Gotham Knights" "Green Lantern: First Flight" "Justice League: Crisis On Two Earths" "Batman: Year One" "Superman vs. The Elite." And "The Dark Knight Returns" all of which I recommend wholeheartedly.
Sure, they go into dark and dangerous waters emotionally occasionally and some of them may be a little too much for younger viewers. But they are so much more in tune with the spirit of these characters I've grown up reading about and love so much. In the animated DC Universe, the superheroes embrace their destiny as such and deal with it. In the live action movies, DC superheroes seem to be ashamed of being superheroes and spent most of their time trying to be reclusive and not accept the destiny they've inherited.
Which roundaboutly brings me to ALL-STAR SUPERMAN. I recently sat down to watch it again after I watched "Man of Steel" for the second time and I just wanted to watch a Superman movie I really enjoyed. I've seen "Man of Steel" twice now and have no desire to see it again. I've seen ALL-STAR SUPERMAN three times now and I no doubt will see it three more times as I enjoy watching it a lot more. Even though it's a movie where Superman makes the ultimate sacrifice to save Earth and his beloved friends, it's one of the most uplifting endings in any superhero movie because that's what Superman does. ALL-STAR SUPERMAN stays true to the spirit of Superman in a way that "Man of Steel" doesn't.
While rescuing the crew of a manned spaceship mission to the sun, Superman (James Denton) absorbs an overdose of solar radiation that boosts his superpowers to unreal levels (he can lift 200 quintillion tons one handed now) as well as increasing his intelligence. But his cells are oversaturated with power and ironically, the very thing that gives him his powers is now killing him. Superman resolves to spend whatever time he has left coming to terms with some unresolved issues in his life.
Two of those issues are the complicated relationships he has with Lois Lane (Christina Hendricks) and Lex Luthor (Anthony LaPaglia) who was the one who manipulated the crisis with the spaceship that exposed Superman to the increased radiation. Lex has been sentenced to death by the World Court and he cannot accept the idea that Superman will continue to live after him.
Superman reveals that he's really Clark Kent to Lois who doesn't believe it because if Superman really were Clark Kent, she'd have proved it years ago. He gives her a serum synthesized from his own DNA that gives her superpowers for 24 hours as a birthday present and they spend a wonderful day together going dancing in Atlantis and stopping an attack on Metropolis by intelligent dinosaurs living at the Earth's core.
Clark Kent interviews Lex Luthor in Stryker's Prison in one of the best scenes in the movie as Lex explains his philosophy of the world, himself, Superman and even Clark Kent who is is surprised when Lex admits to liking and even respecting Clark. Their interview is cut short by The Parasite (Michael Gough) breaking out of his cell and going on a rampage, freeing the other prisoners in the process. It's highly amusing to watch Clark having to keep both himself and Lex out of harm's way while covertly using his superpowers to do so.
After settling other affairs such as finding a home for the citizens of the bottle city of Kandor, Superman then faces his final challenge as Solaris (Robin Atkin Downes), the computerized tyrant sun turns Earth's sun blue. Can Superman defeat both Solaris and a now super powered Luthor before his final hour is done?
It couldn't have been easy for Dwyane McDuffie to adapt a twelve issue comic book series into a 76 minute film but that he was able to do so is a fitting testament to his amazing talent as a writer. And wisely he doesn't try to do so. What we get here is sort of a "greatest hits" of the comic book series. And those who watch this without having read the comic may be confused as to who Atlas and Samson are, where they came from and why they're here but let's face it, if you've bought into everything else that has happened so far, my advice is just to go with it.
And that's perhaps the strength in the story here: since it's a self-contained story told outside of the regular Superman continuity (whatever that is these days) the script can have Superman resolve how he feels about his friends, the greatest love of his life and his greatest enemy and thereby Just Go With It. Where lesser writers insist on bringing Superman down to human levels where we can 'relate' to him, Dwyane McDuffie's script finds the humanity in Superman and allows us to relate to him not by diminishing his power but emphasizing and elevating his heart, his compassion and his never ending battle for Truth, Justice and The American Way.
The voice actors do their job well. Christina Hendricks is no Dana Delaney (who is pretty much the definitive animated Lois Lane) but for me, she and Anthony LaPaglia are the standouts. James Denton doesn't really make much of an effort to give Superman and Clark Kent distinctively different voices and that's a no-no. And the animation does a great job of suggesting Quitely's artwork without imitating it. The music score I thought was rather exceptional as well.
So should you see ALL-STAR SUPERMAN? I certainly think so. It's not the twelve issue comic book series and doesn't try to be. But what it is a story about Superman's last days and his final adventure. It's about him dealing with own mortality and trying to resolve his relationship with two of the most important people in his life: one who loves him and one who hates him. It's simply a good movie and a great Superman story. Enjoy.
I've seen this and liked it as well. Though we don't agree in some areas, I must admit that when it comes to D.C., their animated films outshine their live-actions hands down.
In which case, I'll have to see this!


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Home » News » Houston man declared innocent after prosecutors say his drug case was built on lies by former police officer
A Harris County judge declared Otis Mallet is innocent after he was arrested on a drug delivery charge in 2008 and convicted three years later. Mallet was released from prison in February 2020 after Mallet's attorney and Harris County District Attorney Kim Ogg argued he was arrested based on false information.
According to the Houston Chronicle, former Houston police officer Gerald Goines had lied when it came to Mallet's case, which resulted in his prison sentence. Goines is believed to have lied in many other cases that led to innocent people being falsely imprisoned. The newspaper reports The Houston Police Department, the FBI and the Harris County District Attorney's Office is reviewing 14,000 cases that Goines has worked on in past years, looking for other potential convictions that may be built on lies.
"Anybody who was convicted as a result of Gerald Goines' testimony, or involvement in a case that is significant or relevant, will now be given a presumption when they file their writ that Goines' testimony or evidence in their case was false," Ogg told the Chronicle.
Mallet's case highlights the need for smart and experienced attorneys, especially when it comes to drug cases. They are often more complex than they appear and can sometimes hinge on other areas of the law, like search and seizure.
Police arrest for drug offenses more than any other type of crime. They annually outnumber murders, rapes, robberies, aggravated assaults, burglaries and thefts combined. If you're going to get arrested for a charge, it is most likely going to be for a drug charge.
The first thing to remember is that you have the constitutional right to remain silent. You do not have to answer any questions asked by police officers. The only information you are required to provide is identifying information, like your name, address and present some sort of identification.
The second thing to remember is that you do not have to consent to any search by the police officer. You do not have to consent to a search of your vehicle or your person. An officer is not allowed to threaten you with arrest if you do not consent.
When it comes to building a defense to drug charges, a skilled attorney will be able to poke holes in the prosecutor's argument. In Mallet's case, proving Goines lied in his reporting would have prevented him from being sentenced to prison. An attorney can also cite the Fourth Amendment, which protects individuals against unreasonable search and seizure of their property by the government. If information is obtained by the officers on the case in any way that violates this right, that information can be challenged and possibly dismissed.
A drug crime accusation in Houston can have serious direct and indirect consequences that can haunt you for years to come, but it doesn't have to be. Secure the representation of an experienced Houston criminal defense attorney today by contacting Matt Horak at (713) 225-8000, visiting his offices, or using the online contact form on this site and scheduling a case evaluation.
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Thomas Anthony Filla, age 53, entered into rest Friday, August 29, 2014 at his Festus residence. He had been a truck driver for Breckenridge Cement; he enjoyed camping, float trips, woodworking and riding motorcycles. Born July 4, 1961, in St Louis, Missouri, to Russel and Patricia (Wildhaber) Filla of St Louis, MO.
In addition to his parents he is survived by his wife of 21 years, Susan (Lipinski) Filla; son, Jason (April) Ramo of Festus, MO and daughter, Jennifer (Michael) Drennen of Festus, MO; brothers: Dave Filla of Arnold, MO and Scott Filla of O'Fallon, MO; sisters: Terri (Kenny) Leister of Olive Branch, MS and Deb (Kenny) Mueller of St Louis, MO; grandchildren: Melanie and Carlie; and nieces and nephews: Paul, Joe, Sarah, Andrea, Erica, Jacob, Josie and Gabby.
Pastor Jim Waymire will officiate service.