text:
Building Something Great
"We tackle big world problems with smart people right here in North Carolina."
When Neal Fowler '84 (B.S. Pharm.), '88 (M.B.A.) rang the closing bell on the Nasdaq trading floor in August 2018 — marking Liquidia's initial public offering from the prior month, he thought about the people around him.
The CEO of Liquidia Technologies thought about the patients whose lives would benefit from the products his company was developing. He also thought about the scientists who had dedicated nearly 20 years to the nanotechnology they helped develop as post-doctoral researchers at the University of North Carolina at Chapel Hill.
"It was a moment of great academic work coming out of Carolina," Fowler said. "A lot of UNC knowledge and expertise went into it. It was a cool journey for a lot of people."
In 2004, the business had spun out of the University of North Carolina at Chapel Hill's chemistry department, where Joseph DeSimone and Ed Samulski had developed new means of altering the physical characteristics of particles. When Fowler first saw the technology in 2007, he immediately recognized its potential, "love at first sight" as he tells it. Liquidia could create nanoparticles smaller than a virus, change the size or shape, or change its chemistry. When Fowler became CEO in 2008, the company's strategy for the technology was shifting toward the life sciences.
"A particle's size, shape and chemistry matters a lot when thinking about how it trafficks in the human body," he said. "We can load the particles with drugs and deliver them in very specific and effective ways."
Today, Liquidia is pioneering an inhaled powder that holds the potential to treat pulmonary arterial hypertension, a rare, chronic and progressive disease that can lead to heart failure and eventually death. The company is also studying a sustained release injectable product that can potentially extend pain relief following surgeries, possibly diminishing or eliminating the need for opioids.
For Fowler, ringing that Nasdaq closing bell was more than just a celebration of a decade at Liquidia; it was a culmination of a 30-year career in the pharmaceutical industry rooted in experiences at Carolina and at the Kerr Drug store around the corner from his childhood home.
Growing up in Raleigh, the Kerr Drugs store in the Ridgewood Shopping Center and longtime pharmacist B.O. Lockhart showed Fowler the power of a career in pharmacy.
"Mr. Lockhart was an institution there. I looked up to him," Fowler said. "As I got older, I appreciated what he did for a living. I loved his medical understanding and thought, 'That's a great career, doing what he did day in and day out.'"
When Fowler set off to Carolina, he knew a career in the life sciences was ahead, but he wasn't sure which field.
"I knew if I decided to attend dental school or medical school, I would need to know everything about medicine and drugs," he said. "Why not go ahead and get the basis of that understanding as an undergraduate at the pharmacy school? I could be a pharmacist coming out of school and still have patient interaction. I never looked back."
The UNC Eshelman School of Pharmacy provided a technical and scientific foundation that has continued to guide Fowler throughout his career, but a single elective course, "Pharmacy Administration," opened his eyes to a different experience in the pharmacy world.
The late Mel Chambers, a professor and institution at the school and a mentor to Fowler, taught the class, which offered students the chance to run their own drug store in a computer simulation, teaching students the basics of accounting and marketing, among other things.
"Over the course of the semester, he was quietly teaching you business concepts," he said. "How to read an income statement, a balance sheet … things you didn't learn anything about when you were learning chemistry, physiology and anatomy.
"He brought in people from various parts of the drug industry, people who went into pharmaceutical research or people making a career in sales in the industry. I was exposed to an entire side of pharmacy that I had never considered."
All of a sudden, Fowler became fascinated in the business aspects of pharmaceuticals. He knew an M.B.A. was in his is future. So he graduated, took a job as a pharmacist at Kerr Drugs and worked his way up to store manager, and after two years, earned his M.B.A. at UNC Kenan-Flagler Business School. Combining a life science degree in pharmacy with an MBA was not an obvious path in those days, but it helped propel him through the pharmaceutical industry. He spent 13 years at Eli Lilly and another seven at Johnson & Johnson's biotech business, ultimately running their biotech business, Centocor.
After 20 years away from North Carolina, he wasn't sure he'd return. But those years set him up for what came next. The opportunity to helm the RTP-based Liquidia — putting together all of the things he learned at Carolina and in that career — brought him back to his home state and afforded him the opportunity to make patients' lives better and to advance a growing startup culture in his home state.
"I love building things that are sustainably great," he said. "It's what I've tried to do at Liquidia every day. We tackle big world problems with smart people right here in North Carolina."
UNC Eshelman School of Pharmacy Funding Priorities
Building a 21st Century Learning Environment
We are focused on creating a 21st century environment for learning and discovery. We know that learning environments improve learning outcomes. That is why we are not only rethinking how we prepare our future leaders, we are rethinking the walls around them — starting with the cornerstone of our school: Beard Hall.
Foster the Success of Tomorrow's Pharmacy Leaders
We are dedicated to recruiting and preparing the most promising students to become tomorrow's health-care leaders. Our graduates go on to assume leadership roles in community and independent pharmacies, hospitals, physician offices, clinics, government agencies, public health agencies, pharmaceutical and biotech industries, and academic institutions. With that in mind, we seek to enhance access to learning and to foster the success and prosperity of each student.
Focus on Faculty:
Investing in the Best
We are revolutionizing the possibilities for healthcare in our research labs every day. From treatments for diseases to discoveries that spark new companies, our school is setting the example for game-changing impact. The research taking place is groundbreaking and highly collaborative.
The Application of Innovation
In 2014, the school received a historic $100 million commitment—the largest gift from an individual in UNC's history and the largest gift ever made to a pharmacy school in the United States. The gift from Fred Eshelman, who graduated with a B.S. in pharmacy from Carolina in 1972 and went on to the University of Cincinnati to earn a Pharm. D., created the Eshelman Institute for Innovation. The institute is pursuing high-risk, high-reward ideas that advance education, pharmacy practice and healthcare.
Setting the Standard for a Global Pharmacy Practice
To fulfill the UNC Eshelman School of Pharmacy's commitment to lead the way in improving human health globally, we must provide opportunities for students and faculty to experience global issues firsthand.
Focused on helping people live longer, healthier lives
Renowned researcher and innovator in the fight against HIV/AIDS, Angela Kashuba is ready for a new challenge as dean of UNC Eshelman School of Pharmacy.
Minds meet hearts in the hunt for a cure
Developing personalized treatments for cancer patients is more than a professional path for these UNC researchers; it's a personal mission.
Pharmacy Without Borders
"It's incredible to see that kind of impact for our students in an international setting."
A Foot in Two Worlds
"We're not trying to treat cells in a dish; we're trying to treat people."
Giving to Future Generations
Making an impact on Carolina pharmacy students for years to come.
The Tools to Change the World
"I train students who aren't afraid to be different and strive to leave their own mark on society."


SUNWAYFOTO FB-36IIDL is based on FB-36II and replaces the Screw-Knob Clamp with DLC-42 Screw/Lever Combo Clamp. The screw knob side is for adjusting the width of the clamp, and the lever side is for locking the clamp quickly. The head is CNC-machined from light weight aircraft-grade aluminum, stain anodized surface finish for better abrasion and corrosion resistant. Compatible with all Arca-Swiss style plates.


15th Oct, 2011 in Pune.
Priya had asked me if I could invite one of her friends to BBG Meetup in Pune. Me and Sameer figured out the address and landed up at his home. And that was the first time we met Kedar. One word describes my meeting with him – Inspiring.
He is a spastic, wheelchair bound, and can not use his left hand but he types on computer with three fingers of the right hand. He was our special guest for the event. He has passed 10th from national open school and also Finished CDAC DIT course and Web page designing course.
Initially we were worried if it will be too inconvenient for him to spend time with all of us but his parents made all the arrangements so that he can have a good time. And those six hours were amazing. Kedar was overjoyed in the company of music lovers and all of us sang so many songs.
Despite his challenges, Kedar has undertaken the work translating books to Braille which helps other people who are visually challenged. It takes him unimaginable amount of effort to do this but he does this and sets an example for all of us. Each book translation costs 15-20K.
If any one of you is interested in sponsoring a book, please let me know. I can make arrangements for your contribution to reach him directly.


text:
The Moral Decoding of 9-11: Beyond the U.S. Criminal State, The Grand Plan for a New World Order
Adam Coate Sun, 03/03/2013 - 7:16am
We bring to the consideration of our readers this incisive and carefully formulated analysis by Canada's renowned philosopher Professor John McMurtry.
I was sceptical of the 9-11 event from the first time I saw it on television. It was on every major network within minutes. All the guilty partieswere declared before any evidence was shown.The first questions of any criminal investigation were erased. Who had the most compelling motives for the event? Who had the means to turn two central iconic buildings in New York into a pile of steel and a cloud of dust in seconds?[i]
Other questions soon arose in the aftermath. Why was all the evidence at the crime scenes removed or confiscated?
Who was behind the continuous false information and non-stop repetition of "foreign/Arab terrorists"when no proof of guilt existed? Who was blocking all independent inquiry?
Even 11 years on these questions are still not answered.
But those immediately named guilty without any forensic proof certainly fitted the need for a plausible Enemy now that the "threat of the Soviet Union" and "communist world rule" were dead. How else could the billion-dollar-a-day military be justified with no peace dividend amidst a corporately hollowed-out U.S. economy entering its long-term slide? While all the media and most of the people asserted the official 9-11 conspiracy theory as given fact, not all did.
http://www.globalresearch.ca/the-moral-decoding-of-9-11-beyond-the-u-s-criminal-state-the-grand-plan-for-a-new-world-order...
Adam Coate's blog
9/11 - Why the Facts of 911 are Suppressed - John McMurtry
http://www.youtube.com/watch?v=3FzeYQ5HT7k
Joe on Sun, 03/03/2013 - 11:27am.
This paper appeared in the
Journal of 9/11 Studies: http://www.journalof911studies.com/articles.html
carbon on Sun, 03/03/2013 - 9:38pm.

redpajama_set_name: RedPajamaCommonCrawl


text:
Math or Maths?
By Simon Kewin
Is "math" or "maths" the correct word to use as the shortened or colloquial form of the word mathematics? The answer is that it depends on where you are.
To North American speakers of English, the word to use is "math", as in "I majored in math", and "maths" would sound wrong. Speakers of British English, however, would always say "maths", as in "I took a degree in maths". They would never say "math".
There are logical arguments for both spellings. The word "mathematics" can be considered as a singular and as a plural noun. Both the Oxford and the Merriam-Webster dictionaries say the word is plural – hence the s on the end – but also that it is usually used as if it was a singular noun. So, most people would say "mathematics is my best subject" and not "mathematics are my best subject". The shortened form "maths", then, makes sense because the word is still a plural noun and so should still have the "s" on the end. On the other hand, it could be argued, "math" makes sense because it seems wrong to remove the letters "ematic" from the middle of the word and leave the final "s".
There are a number of other plural nouns that are used as if they were singular – for example economics, ethics, politics, gymnastics, measles and dominoes. These words, however, are not habitually shortened, making math/maths rather an unusual word.
It's sometimes surprising how much argument and disagreement small differences such as that single letter can make. Readers in the UK, for example, sometimes get very upset if someone writes "math" rather than "maths". No doubt the reverse is true in the US. In practice, it's simply worth being aware of the geographical differences so that you can use the correct form of the word in your writing.
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115 Responses to "Math or Maths?"
Charles Higginson on August 06, 2015 11:36 am
I'm late to this party, but I hope many of the posters above have acquired appropriate prescription medication. Jeez.
A quick read of the entry on "-ics" in Fowler/Gowers' 1965 "Modern English Usage" makes about 95 percent of the arguments above, whether pro, con, quasi-reasonable, jingoistic, idiotic, or incoherent, seem quite small.
Mike Applegate on December 13, 2015 10:56 am
Basically, the US is the only nation to use the term 'math'. Every other English speaking nation uses 'Maths'. The term that I hear a lot of US people using is 'You do the math' but if you expressed that fully it would read 'You do the mathematic' which just sounds wrong. I think if the US are the ONLY people saying 'Math' then you're clearly in the wrong, regardless of any convoluted explanation you try and apply to it. Besides, it's the 'English' language, so whatever we say goes because it's our language, 😝😝😝😝
Anonymous on May 20, 2016 9:43 am
Why don't we all just say the slightly more complicated version "mathematics" all the time, BOOM problem solved. If you disagree with me then I feel obligated to say you are lazy.
Potato on May 20, 2016 9:45 am
Is this really what you humans waste your little your time on?
– A very succesful potato
David Crawford on July 25, 2016 4:37 pm
Mathematics, There is no singular in Maths. You need two numbers to do mathematics therefore its MATHS. If you have only One its COUNTING.
Andy on October 17, 2016 3:32 am
It is "maths"! Just because you might be from North America doesn't mean you get to bastardise proper English!
Trevor Butcher on July 17, 2017 6:41 am
Well, I am English, and I use both math and maths. I do not care for the nationalistic hate messages: I will use the form I want to use, and not have my choices made for me like I was some kind of nation-robot fighting a robot-nation war, just because I am from one place on the globe.
Stuff that! My language is MY language.
I generally make my written choices based on what I think will most likely succeed with the reader, while my spoken language is whatever it is.
Barbara Albert on September 05, 2017 12:04 am
I'd just like to say that I grew up saying math, as in "I'm not very good in math." That said, I can see your point, those of you who argue for Maths vs Math, but don't you agree it's hard to say maths? When I say it, I think I have to exaggerate the word or I can't quite hear myself saying the plural, still only hearing math. So, itbfeels wrong on my tongue. I ask myself, what is the point? Still everywhere I turn now, I'm seeing maths being used like three to one over math. It just irks me as I believe I had a good education and this thing just seems to have taken over. If I give in, and I'm not saying I will, and I don't care who my audience is, I think I will default to saying mathematics, which, as cumbersome as it is, sounds better on my tongue than maths.
Richard Collett on October 27, 2017 8:44 pm
Boy, a lot of Anglo-snobbery here. Both math and maths is correct. Get over it. I will never use maths. It grates on the ear.
On the hand. An American checks into a hotel in London. He asks the desk manager where the elevators are located. The manager said, "Sir, the lift is to your right." The American said indignantly, "The elevator was invented in America, so the term is elevator."
The manager quip, "Sir, the language is ours, thus it is a lift."
Keith on February 10, 2018 4:51 am
1. There is no such word as "math" in relation to mathematics. Some Americans appear to enjoy annoying English people by attempting to bastardise the English language. They then broadcast (pollute) their misinformation via the internet, movies or books. It is disrespectful.
Example: many people in the Philippines have been taught English incorrectly by Americanised teachers. Now, the rest of the English speaking world needs to help them learn correct English.
2. There is no such thing as British English. It is just English. Why? It originates from England. ENGlish. ENGland. Pretty logical for a most people I would have thought. Also, because not everybody there speaks English. There are Scottish, Welsh and Irish too.
3. Why the "S" in "maths" is there.. The abbreviation is plural and not singular. How many types of mathematics are there? Several. Examples.. Geometry, Calculus, Statistics.
4. Why is "maths" and "mathematics" correct and other words such as "science" and "sciences" also correct? Because that is how the intricacies of the English language works.
5. Americans often say "different" where English speakers would often say "differently". For some unknown reason Americans omit the end of the word. Again they bastardise the English language.
6. Americans often say "off of" instead of "off" or "from". There is no sentence in English with "of off" in it. A very common American bastardisation and a very annoying one.
7. Then, it becomes worse. Much worse. Americans construct a sentence with the words in the incorrect order. They really need to start calling their language American, and not English or American English. At the current rate that they are bastardising English, in a few hundred years someone using English elsewhere in the world will not be able to understand much of what an American says or writes.
Michael Organ on March 01, 2018 12:57 pm
There are some things which are important with language and some things which are not and this fits perfectly in the Not bloody important category.
Language is wonderful but only if it able and allowed to develop naturally led by people power and not some self-appointed body who nit-pick about silly variations. I would rather leave to the French who have as good as killed their language playing this silly game.
I accept both Math and Maths but I grew up using the latter and so it just rolls of my tongue that way. If someone picks it up I will usually just say well I'm English so that's how we say it but if you want to say Math because I won't allow you to impose your fascist cultural ideas on me thank you.
There are a few things that get under my collar but this is not one of them. The annoying habit that so many in the US have of saying 'Have a nice day', because they don't realise it is built into the language (Good day is fine). Anyway when someone says Good day (or g'day's in the Antipodes which I love) it's a politeness but most of the time when someone says 'Have a nice day' it's through gritted teeth and you know bloody well they wish you anything other than a good day.
So get over yourselves and just enjoy the ride.
Edward J Cunningham on December 07, 2018 12:50 am
One slight comment on the difference between British and American English. There is one instance where the mother country is winning out, and that is in the spelling of "theatre." It used to be that the British spelling ended in "re" and the American spelling ended in "er." That has changed recently. Do a Google search on every Broadway and off-Broadway performing arts venue in New York. Each and every one of them now uses the spelling "theatre." LIkewise, take a look at every major cinema chain based in the United States. The last time I checked, they all ended in "theatre", including the Dolby Theatre, home of the Academy Awards. In the Washington, DC area where I live, I did a search and found only one place that used the "er" spelling, which was the Eisenhower Theater at the Kennedy Center.
Now I'm pretty sure that my fellow Americans can give me plenty of examples of places that still use the "er" ending. Furthermore, even in newspaper articles that have noted the shift, the media has been reluctant to say definitively that "theater" is dying out, but I think this is one place where Brits can chalk things up in the "win" column.
107489 on January 09, 2019 11:58 am
Mathematics, as a subject and a discipline. A singular topic. It's primary usage is singular. "Maths" implies plurality, as in, 'the whole range of disciplines involving mathematics', in the most intuitive sense of this spelling and how it carries. In this way, 'maths' perhaps is more inclusive of the meanings of the word, but 'math' I think will always feel more natural to me. It simply says to me: the subject and discipline (in all its forms) of mathematics. Notice I would conversely say. "The subjects and disciplines of mathematics", to include the plural format, and to me that's stretching the meaning in an obtuse way. All of those subject(s) and discipline(s) are involving one thing: mathematics.
Mark McKinney on April 09, 2019 7:00 am
@all (especially Dr. Paul Morton-Thurle)
There's no right and wrong for any given language. They are either living or dead. A dead language cannot change, therefore it becomes associated with the principals who last spoke it aloud natively. This is what acme of the Latin language and many others.
With a living language, it's care and upkeep are left in the hands of those in whom it has been entrusted. As there is a divide between the UK and America, it is natural that both are inheritors of the English language. Despite it's principle origin in England, neither country has legitimate claim as the natural successor. One need only look to old English (say Shakesperian) to know the even British English is no more English than American English.
Here's the simple truth. There isn't just one English language anymore. There are several. Every nation that speaks English is a microcosm unto itself. Each will grow into its own sub language in due course. Just as we know there are many Romance languages stemming from Latin, one day there will be many Anglic languages stemming from English. Consequently, both "math" and "maths" are correct. Al that's left is to let a point remain moot and move on.
To all my British cousins, I would like to single out a point of note: it was our collective ancestors who colonized the Americas. It is our language just as much as it is yours, and mere geographic bigotry is insufficient reason to lay exclusive claim to the right of origin and maintenance to the claim of entitlement. Were that to be true, then the differences between old English and modern British English are more than enough of an example to demonstrate that you yourselves have failed to preserve the language. Therefore, you do not have exclusive right to claim the language as your own, nor have you the mantle to claim sole stewardship of its progression.


text:
The 1995–96 Elitserien season was the 21st season of the Elitserien, the top level of ice hockey in Sweden. 12 teams participated in the league, and Luleå HF won the championship.

Standings

First round

Final round

Playoffs

External links
 Swedish Hockey League official site

Swe
1995–96 in Swedish ice hockey
Swedish Hockey League seasons

redpajama_set_name: RedPajamaWikipedia


text:
Q: Integration of Azure App Services with AD I have four Azure AppServices which are complete independent applications. I want to provide a kind of a portal that aggregates those four. When a user logs in he sees all applications he has access to depending on his scope. From the portal he can navigate to the other applications and do the user management stuff like adding new users and grant access to a specific application.

Is the picture above a good pattern to do it?
If I would start from scratch, what would be a better idea?

A: App services don't have access to different app's directories, so I do not think this is possible.
Your best bet might be to make a feature request to the product team on User Voice. https://feedback.azure.com/forums/169401-azure-active-directory

redpajama_set_name: RedPajamaStackExchange


Tony Toste's distinct voice alone can suffice for a variety of characters on both ends of the story spectrum. He also has the ability to manipulate his voice, accent and mannerisms to suit your project characters needs. He truly is "chameleon-like", the late Ralph Peduto; Mr. Toste's esteemed coach. Below are mp3 samples of his voice.
Tony Toste and his management are humbled to announce that Tonya Hensley, CEO of TDH Talent, will be representing Mr. Toste as his TV/FILM Agent in Atlanta, GA and the SouthEast United States. Tony is very humbled to be apart of such a highly esteemed roster of actors at TDH Talent.
Tony Toste and his management are excited and grateful to announce that Tony has Officially signed a 'Letter of Intent', to play the supporting role in the upcoming Feature Film, 'Devil's Dandruff' . Mr. Toste wanted to thank Mr. Jason Cook for this phenomenal opportunity. It is filming in London/United Kingdom.
Tony is in the following feature films: 'Chasing Mavericks' (2012), 'Steve Jobs' (2015), 'Jason Bourne' (2016), 'Lasso' (2016) and 'Rogue One: A Star Wars Story' (2016).
Tony Toste and his team are humbled to announce that Michelle Martinez & Frank Powers of SHH Talent, will be representing Mr. Toste as his TV/FILM Agent in Las Cruces, NM and the SouthWest United States. Tony is grateful to be apart of SHH Talent.
Actor Tony Toste signs with both Mr. Carlos Samudio, as his Executive Manager with Looknow Talent and also Luko Agency of Paris, France; Who will be representing Mr. Toste on an international basis for booking conventions for 2017. Mr. Toste is grateful to have Mr. Samudio managing all aspects of his career going forth.
Actor Tony Toste wrapped up his work on Season 8 of the award winning TV show, 'I Almost Got Away With It' . He played the main/lead protagonist (the good guy) in the premiere episode as 'Detective Daniel Mederos'. He also worked on the second episode as was cast as and played Police Officer #1.
Tony has had both Lead/Principle and Supporting roles, including protagonist and antagonist parts in the following International Television Shows: 'I (Almost) Got Away With It', 4 episodes, (2011-2016), TNT's 'Murder In the First' (2016), Netflix's 'Sense8' (2016) and HBO's 'Big Little Lies' (2016).


text:
from distutils.core import setup
from setuptools import find_packages

with open('README.rst') as readme:
    long_description = readme.read()

setup(
    name='vecc',
    version=__import__('vecc').__version__,
    author='Mathieu Agopian and more',
    author_email='mathieu.agopian@gmail.com',
    packages=find_packages(),
    include_package_data=True,
    url='https://github.com/ellimac54/vecc',
    license='BSD',
    description='Video Embed Code Cleaner',
    long_description=long_description,
    classifiers=[
        'Development Status :: 5 - Production/Stable',
        'Environment :: Console',
        'Intended Audience :: Developers',
        'Natural Language :: English',
        'Programming Language :: Python',
        'Programming Language :: Python :: 2',
        'Programming Language :: Python :: 2.6',
        'Programming Language :: Python :: 2.7',
        'Programming Language :: Python :: 3',
        'Programming Language :: Python :: 3.1',
        'Programming Language :: Python :: 3.2',
        'Programming Language :: Python :: 3.3',
    ],
    zip_safe=False,
    install_requires=['argparse', 'requests', 'python-dateutil', 'beautifulsoup4', 'facepy'],
    entry_points="""
        [console_scripts]
            vecc = vecc.vecc:main"""
)

redpajama_set_name: RedPajamaGithub


text:
Letters & Politics US History Collection
Mitch Jesserich curates a collection of his in-depth interviews on US History
The Warren Court
ListenDownload
By Mitch Jeserich
Guest: Geoffrey R. Stone is the Edward H. Levi Distinguished Service Professor at the University of Chicago. He is the co-author of the book Democracy and Equality: The Enduring Constitutional Vision of the Warren Court.
Justice Blackmun and Roe v Wade
Guest: Linda Greenhouse is Joseph Goldstein Lecturer in Law at Yale Law School and a Pulitzer Prize–winning Supreme Court journalist who is a contributing Op-Ed writer for The New York Times. She is author of several books including Becoming Justice Blackmun: Harry Blackmun's Supreme Court Journey
A History of Southern Border Immigration Laws
John Carlos Frey is the author of the new book Sand and Blood: America's Stealth War on the Mexico Border
A History of the Disability Rights Movement
Guest: Bess Williamson is Associate Professor of Art History, Theory and Criticism at the School of the Art Institute of Chicago. She is the author of the new book Accessible America: A History of Disability and Design.
The Life & Times of Edward Said
Guest: Timothy Brennan is the author of several books, including At Home in the World: Cosmopolitanism Now; Borrowed Light: Vico, Hegel, and the Colonies; and Salman Rushdie and the Third World: Myths of the Nation, and his latest, Places of Mind: A Life of Edward Said. Professor Brennan teaches in the humanities at the University of Minnesota.
The Life & Times of Adrienne Rich
Guest: Hilary Holladay is a biographer, novelist, poet, and scholar of modern and contemporary American literature. She is a former director of the Jack and Stella Kerouac Center for American Studies and professor of English at the University of Massachusetts in Lowell. Holladay is the author of several books, her most recent is The Power of Adrienne … Continued
The Later Years of Jack Kerouac
Guest: Gerald Nicosia, journalist, and author of several books including Memory Babe and his latest Kerouac: The Last Quarter Century.
The Chicago Defender
Guest: Ethan Michaeli is an award-winning Chicago based author, publisher, and journalist. He was a copy editor at the Chicago Defender for five years and has written a book detailing its history, achievements, and struggle, entitled The Defender: How the Legendary Black Newspaper Changed America, as well as Twelve Tribes: Promise and Peril in the New Jerusalem.
Martin Luther King Jr and the Black Social Gospel
Guest: Gary Dorrien is Reinhold Niebuhr Professor of Social Ethics at Union Theological Seminary and Professor of Religion at Columbia University in New York City. An Episcopal priest, he is the author of several books and over one hundred articles that range across the fields of theology, philosophy, social theory, politics, ethics, and history. Today's … Continued
The Lumpen: The Official Black Panther Band
Guest: Dr. Rickey Vincent, author of Party Music: The Inside Story of the Black Panther Band, and How Black Power Transformed Soul Music.


text:
Q: How to display data(images) from a local Json file I am new to React and am trying to figure out how to parse this data file to create a number of divs with the images as backgrounds and the text overlayed. Right now, I am having a hard time with even getting any data to display on the page without editing the json file to have export const = images instead of what it is currently. The images listed in my example code are different than actual.  Any help is greatly appreciated! Thanks!
images.json
{
  "images": [
    {
      "id": "1425ac9e-5718-4e2e-af43-132dcf58246b",
      "description": "Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua.",
      "thumb": "https://source.unsplash.com/user/erondu/1600x900.jpg",
      "title": "Lorem Ipsum",
      "subtitle": "sit amet"
    },
    {
      "id": "5427ake0-eb27-1bcb-84ds-d374e2098dd3",
      "description": "Sed ut perspiciatis unde omnis iste natus error sit voluptatem accusantium doloremque laudantium, totam rem aperiam, eaque ipsa quae ab illo inventore veritatis et quasi architecto beatae vitae dicta sunt explicabo.",
      "thumb": "https://source.unsplash.com/user/erondu/1600x900.jpg",
      "title": "Perspiciatis",
      "subtitle": "sed ut"
    },
    {
      "id": "23g8f61f-9heb-4d3b-a8e4-0b22c31deb0e",
      "description": "Nemo enim ipsam voluptatem quia voluptas sit aspernatur aut odit aut fugit, sed quia consequuntur magni dolores eos qui ratione voluptatem sequi nesciunt. Neque porro quisquam est, qui dolorem ipsum quia dolor sit amet, consectetur, adipisci velit, sed quia non numquam eius modi tempora incidunt ut labore et dolore magnam aliquam quaerat voluptatem.",
      "thumb": "https://source.unsplash.com/user/erondu/1600x900.jpg",
      "title": "Nemo Enim Ipsam",
      "subtitle": "sit aspernatur"
    },
    {
      "id": "6419ac9e-5718-4eee-af53-1d20cf58146b",
      "description": "At vero eos et accusamus et iusto odio dignissimos ducimus qui blanditiis praesentium voluptatum deleniti atque corrupti quos dolores et quas molestias excepturi sint occaecati cupiditate non provident, similique sunt in culpa qui officia deserunt mollitia animi, id est laborum et dolorum fuga. Et harum quidem rerum facilis est et expedita distinctio.",
      "thumb": "https://source.unsplash.com/user/erondu/1600x900.jpg",
      "title": "At Vero Eos",
      "subtitle": "quos dolores"
    }
  ]
}

thumbs.js
import React from 'react';
import { images } from '../../data/images.json';

export const Thumbs = () => {
  return (
    <>

      {images.map((data, key) => {
        reutrn (

            {data.thumb}

        );
      })}

    </>
  );
};

I also have a file that renders a .Thanks for reading!

A: You have return mispelled. That's the only error I can find in your code, I ran it in a brand new create-react-app app and it worked just fine. There could be an issue if you're not using a recent version of Webpack, but it would have to be a pretty old version to not have built in json loading. And here's my modified code, which is just showing the images rather than their URLs:
export const Thumbs = () => (

    {images.map((img, i) => )}

)


text:
Femmes du Feu
Ontario Contemporary Circus Showcase
Circus Sessions
TWEET TWEET! Accessibility Resource
Aer Time
CONTEMPORARY PERFORMANCES
Sabrina Pringle (President)
Melissa Fishman (Treasurer)
Estair Van Wagner (Vice President)
Artistic Director: Holly Treddenick
Technical Director: Peter Benedetti
Femmes du Feu Creations is a not-for-profit organization based in Welland, Ontario, founded in 2003 by Holly Treddenick (artistic director) and Lindsay Goodtimes as a fire dance company. Since 2007 we began creating and performing with aerial circus work. Since the inception, Femmes du Feu has been creating and presenting circus works, researching innovative ways to combine their contemporary dance and choreographic backgrounds with contemporary circus. We are always interested in how to blur the boundaries of the genre.
In 1999 Femmes du Feu created and produced their first full-length contemporary circus show, Head First, for the London, Toronto and Hamilton Fringe Festivals, winning Patron's Pick and Best of Fringe in
Toronto. In 2010, Femmes du Feu created and produced their second full- length production, The Plank to sold out houses at the London, Toronto, and Winnipeg Fringe Festivals. The Plank was extremely well received by both audiences and critics, with 5-star reviews, and again winning The Fringe Festival's Patron's Pick in Toronto. In 2011 Femmes du Feu produced Airship for the Rhubarb Festival (2011), also to all sold out shows.
In 2012 Femmes du Feu presented BoB at the Guelph Contemporary Dance Festival to great success. Airship was remounted and extended to a 60-minute full-length work and presented at Buddies in Bad Times Theatre as part of Queer Pride Toronto and then at the Winnipeg Fringe Festival, all to sold out houses.
In 2016 Femmes du Feu presented BIND, an aerial and dance work at Rhubarb Festival.
In 2016 & 2017, Femmes du Feu co-curated the HarbourKids Circus Festival and produced a new 12-minute aerial dance work for the main stage. Through 2017 Femmes du Feu had many performance opportunities, including a 15-minute performance and Circus Sessions 2018 (the 4th season), both at The Harbourfront Centre Theatre.
Through 2016 and 2018, Femmes du Feu was generously supported by Theatre Direct, Ontario Arts Council and Canada Council For The Arts in the development of TWEET TWEET, a circus show for early years (created with Lindsay Goodtimes, directed by Monica Dottor). TWEET TWEET premiered at WEEFestival May 2018. TWEET TWEET has since been presented at Soul Pepper Family Festival 2018, will return to WeeFestival Toronto 2019, Kids Fest Hamilton, and an Ontario tour for fall 2019. Through TWEET TWEET, Femmes du Feu have been able to undertake a research period, generously supported by The Canada Council For The Arts, investigating and integrating accessibility practices for the early years audience.
We are excited about moving into another development phase for 'In The Fire', generously supported by The Toronto Arts Council and Ontario Arts Council. 'In The Fire' was presented at a pitch session at Montreal Completement Cirque 2018 and Rhubarb Festival 2019 with great success.
The newest creation that Femmes du Feu has been involved with is Lonely Child Project, a collaboration with Stacie Dunlop and Angola Murdoch of Look Up Theatre. This is an aerial and operatic re-envisioning of Calude Vivier's Lonely Child opera piece. A development phase and studio showing took place February 2019, generously supported by The Canada Council For The Arts.
Femmes du Feu is committed to diverse inclusion through their curation opportunities. We are committed to offering accessible tools such as audio description and ASL. This practice for the company began in April 2018. Femmes du Feu have several non-performative activities. Since 2011 Femmes du Feu have been producing Aer Time, a contemporary circus performance series. We often work as outside eye to other artists, work in a mentoring role to other circus artists. Circus Sessions (now in it's
5th year) is another important activity we produce to connect and strengthen the Ontario circus sector.
Holly Treddenick
Artistic Director, project lead (Toronto, ON)
SABRINA PRINGLE
Performer, collaborator, technical consultant, rigger, teacher
ANGOLA MURDOCH
Performer, collaborator, teacher
JACKIE HOUGHTON
Alex Bulmer
LINDSAY GOODTIMES
Co-founder, performer, collaborator, teacher
NATALIE FULLERTON
LARA EBATA
Joanne Lynn Galligan
Performer, collaborator, teacher, graphic designer
CHARISSA WILCOX
Production Manager, Stage Manager
Sound creation
MARC RICHARD
Director, dramaturge
Originally from Winnipeg, Holly moved to Toronto in 1995 to study at The School of
Toronto Dance Theatre. Holly has been dancing since she could walk, and has been in
circus for more than 16 years. Holly is artistic director and co-founder of Femmes du
Feu (founded in 2003), under which she produces several sector development projects
including Circus Sessions (since 2014), Aer Times (since 2010) and teaches
workshops. Through Femmes du Feu, Holly has been performing and creating new
contemporary circus works and presenting them across Canada and the USA. She is
passionate about community and art, both as a creator and interpreter. She believes art can inspire, educate, build community and catalyse transformation. Holly is also an osteopath (DOMP), and a mother of two beautiful girls.
Sabrina joined Femmes du Feu as co-artistic director in 2006. She has choreographed and performed in many venues across Toronto over the last four years. Sabrina is currently being seen in film festivals across Canada and on the Olympic website as a solo aerialist/dancer in Elif Isikozlu's film "Let Go". Beginning in 2002 she toured several different productions extensively in the United Stated and Europe as choreographer and performer with the Caravan Stage Barge. She was also co-founder, performer and choreographer with the dance company D.I.X from 1999-2001; producing two full-length shows in Toronto and touring to Portugal. As an aerialist, dancer, fire and stunt performer she has also worked with companies such as Circus Orange, Zero Gravity Circus, A2D2, DNA Theatre, and Company Blonde.Sabrina began as a ballet, jazz and modern dancer and went on to graduate from The School of Toronto Dance Theatre in 1999. Eight years ago, she began to focus on training in the circus arts with many different coaches throughout North America and completed the International Stunt School by the United Stuntmen's Association in Seattle. Her aerial training includes silks, single and double pick harness, bungee, trapeze, dance trapeze, hoop and invented apparatuses. Sabrina is High Angle Rescue and Fall Arrest certified with experience rigging in theatres, conference halls, tall ships, high buildings (Toronto's City Hall) and steep rock faces. Sabrina also performs with fire, spinning, manipulating, and even eating it, using a vast array of props and techniques. She can also do a full body fire burn, and is a licensed pyrotechnician. In 2005 Sabrina began running her own aerial silks school and now proudly has many students performing as professionals in the community.
Angola's childhood was spent mostly upside down, dancing and doing gymnastics while growing up on her family farm in Grey County, Ontario. She has trained and performed in a multitude of movement disciplines including over fifteen years of capoeira, aerial circus and acrobatics. Her strength is creating new aerial equipment that make sense in a theatrical setting. Angola is an international performer. Some highlights include: Cirque Pacifica (Maui), Waiting for Calder (Art Gallery of Ontario), Planet Power (HarbourKids, Toronto), Maravilla (Second City, Toronto), Granmercy Theatre (NYC), Command Performance (Europe), and Zip Zap Circus (South Africa). Angola has graduated from the National Circus School in Montreal where she obtained the highest level of coaching certification for circus arts. She has taught all over the world offering social circus workshops and her unique master classes. Angola is thrilled and honoured to be part of the Femmes Du Feu team.
Since the inception of Circus Sessions, Jackie Houghton has had the opportunity to combine her love of writing and circus. As a writer for Femmes du Feu and Circus Sessions, Jackie has had articles about the residency published in American Circus Educators (A.C.E.) magazine, on the website Circus Talk, and various blogs. She has also provided social media content for Circus Sessions and Circus Talk, on platforms such as Facebook and Instagram.
As a participant in Circus Voices, a writing workshop hosted by the U.K.'s Circus Diaries, at the 2018 Edinburgh Fringe Festival, Jackie has continued to build her writing and critiquing skills. She hopes to continue to use her voice to bring the world's attention to the ever-burgeoning contemporary circus community in Toronto, Canada.
In her non-circus life, Jackie is an elementary school teacher. Before receiving her Masters of Education, she attended Ryerson University in Toronto, Canada, receiving her B.A., Journalism in 2001. Outside of the classroom, Jackie has been training circus arts for the past 9 years, focusing her practice on aerial silks, but dabbling in a little bit of everything!
Alex Bulmer, BA, A.D.V.s. MA, is an award-winning writer, art maker and access consultant. She is originally from Canada and has worked internationally in theatre, film, radio and circus arts for over 25 years. Alex has created art with numerous organizations including Buddies in Bad Times Theatre, CBC, The National Arts Centre, Royal Court, Graeae Theatre Company, APAE Brazil, and the London 2012 Cultural Olympiad.
As a freelance access consultant, Alex has offered her guidance and expertise to numerous arts organizations including Arts Council England, Red Dress Productions, Ontario Arts Council, Harbourfront Centre, and Tangled Art and Disability.
As an advocate for change in her home province of Ontario, Alex has worked with the National Arts Centre, the British Council Toronto, Ryerson University, Theatre Centre and CBC television on numerous arts projects which focus on the increased cultural inclusion of people with disabilities.
Alex has been a participant in the disability movement in Ontario since 1993, working at DNet CBC, co-founding Toronto's first disability cross arts organization Picasso Project, creating her groundbreaking stage play SMUDGE with Nightwood Theatre, and leading numerous public seminars on the subject of inclusion through Theatre Ontario, Actors Equity, The Abilities Centre, University of Guelph, Queens University, as well as publications in arts and academic journals.
Her artistic work in the UK has been recognized as she has been honoured as a fellow of The
Winston Churchill Trust and was named as one of the United Kingdom's most influential disabled artists by Power Magazine in 2014.
Alex welcomes participatory design for a more inclusive world and celebrates the infusion of
the disabled experience into the arts.
Lindsay Goodtimes has been entertaining audiences for the past two decades. After graduating from Toronto Dance Theatre in 1998 she spent many years performing and choreographing in the US, Canada and abroad. Her travels took her to South East Asia where Lindsay trained at the Thai fire school. It was there she was first introduced to the circus arts. Upon returning from her travels she was impassioned with a great desire to incorporate fire arts in dance, it was at that time that Lindsay co-founded Femmes Du Feu with Holly Treddenick as a vehicle to explore this fusion. Lindsay was honoured to be a part of the Circus Orange team for many years and participated in their trade mark spectacle performances at JFL Montreal, Winterlude Ottawa and Cavalcade Toronto to name a few. She began her aerial training with Sabrina Pringle in 2006 and is thrilled with the new direction that Sabrina and Holly have guided FDF into. A women of many interests, Lindsay has been a member of multiple bands over the years from Punk Rock to Kindie, Lindsay utilizes different types of performance mediums to explore human expression with the ultimate goal of entertainment.
Natalie Fullerton is a classically trained dancer who also holds a BFA in dance from York University. After completing her degree she discovered the circus arts and has never looked back. In addition to co-directing her own fire and aerial company, Goodness Gracious…, she has also performed across Canada, the USA, Europe and Asia with various companies and choreographers. Most recently she has been working with Circus Orange, Femmes du Feu, Les Coquettes and Lady Luck Productions on selected events including, Airship with Femmes du Feu as part of the 2011 Rhubarb Festival, City of Toronto Wintercity Festival 2010, Femmes du Feu's production Head First, winner of Toronto Fringe Festival 2009 Best of Fringe award and Patron's Pick, The Calgary Stampede 2008 and Just For Laughs 2006 (Montreal), 2007 (Toronto) with Circus Orange, as well as an ongoing residency at Revival with Les Coquettes.
Lara has been a dancer for over 25 years. Her formative training began with ballet with the Royal Academy of Dance. An insatiable appetite for dance has led to studies in modern, jazz, Indian dance, Afro-Caribbean, hip hop, Latin ballroom, tap, fire dance, stilts, and various aerial apparatus. Since graduating from the York University Dance Program in 2000, Lara has performed across North America in festivals such as the Toronto Fringe Festival of Independent Dance Artists, Dusk Dances, the Toronto, Ottawa, London, & Hamilton Fringe Festivals, the Yonge St. Festival, Just for Laughs (Montreal & Toronto), Cavalcade of Lights, the Calgary Stampede, Wintercity, the Rhubarb Festival, and the Second City Late Night Cabaret. Lara has had the opportunity to work with Toronto circus companies such as Circus Orange, Femmes du Feu, A2D2, and Suspended Animation, and is co-artistic director of her own small fire dance company, Goodness Gracious…
Joanne's has been training in the aerial & acrobatic world for over 12 years. Her training began at the Toronto School of Circus. She has been lucky enough to study in Canada and the US with such artists as Megan Gendell (Philadelphia), Niff Nicholls (Secret Circus), Elsie Smith, Serenity Smith-Forchion, Aimee Hancock & Jamie Hodgson (all of NECCA), Fred Deb (France) and April Moore Skelton (Frequent Flyers, Boulder). Her Foundation Trapeze Teacher Training was completed at NECCA under the incredible guidance of Elsie Smith (former aerialist for Cirque du Soleil). She has also studied Movement Fundamentals from former gymnast Carl Paoli, and has her CF Gymnastics Certification.
She began her coaching career at the Toronto School of Circus Arts, and was the head coach for their Static Trapeze program from 2010 – 2016. Although Trapeze is her first love, she enjoys coaching a variety of other disciplines including Silks, Hoop, Chinese Poles, Spanish web and Partner Balancing. Joanne worked with Disney Cruiseline and Norwegian Cruiseline for over five years, travelling the globe to coach their artists and dancers in aerial circus, harness work, stunts and stage combat. She is also a personal trainer and calisthenics coach.
Joanne currently teaches circus arts at Hercinia Arts Collective (Toronto) and Strength & Bar, the calisthenics class she developed at Reebok CrossFit Liberty Village (Toronto).
Erin Ball is a circus artist and coach based in Kingston, Ontario and she is the owner of Kingston Circus Arts. Her disciplines include aerial silks and trapeze, both solo and duo, wheelchair acrobatics and aerial wheelchair, flexibility and hooping. Erin is also experienced with aerial hoop, partner acrobatics and hand-balancing. She took a year off in March 2014 due to life changing events that resulted in the loss of her lower legs. She has returned to her passion of training, coaching and performing. She loves adapting and creating new/different ways of executing skills.
She has trained at many schools in Ontario, the New England Center for Circus Arts, and many more. She has many movement certifications, including several Fabric and Trapeze Teacher Trainings (NECCA), Hooping Instructor (Body Hoops), Mat Pilates Instructor (Balanced Body), Yoga Teacher Training (The Yoga Studio, Toronto), Handstands (Deflying Fitness) and many others. She also received a diploma in Fitness and Lifestyle Management from George Brown College in Toronto.
Erin loves to move and to connect with others through movement and play. She performs and teaches regularly in Kingston and the surrounding areas. Erin teaches all bodies, shapes, sizes and situations. She has worked with amputees, people who use wheelchairs, Autism Ontario, etc. She also teaches a workshop called Flying Footless, a course for aerial coaches working with lower limb amputees.
Some of Erin's current performance projects include LEGacy Circus with Vanessa Furlong (a show that is a combination of stilt dancing, prosthetic legs, synchronized acrobatics, partner acrobatics, duo trapeze and more) and Cyborg E.R.I.N , directed and co-created by Sonia Norris, aerial dramaturgy by Rebecca Leonard and performed with Chris Stroesser (a piece where Erin has various leg attachments such as smoke grenades, confetti cannons, light up legs etc and her cyborg character has been created by a scientist for the sole purpose of being an aerialist). Another project is called Creature, choreographed with Michele Frances (A combination of hand balancing, flexibility and hula hooping. The act explores a unique aesthetic and interesting physical possibilities that are created by amputation/ adaptability/innovation) and Cone Legs, a single point trapeze piece with leg extensions that are shaped like cones, choreographed with Aimée Hancock. Erin also regularly collaborates with Femme du Feu.
In early 2018, Erin began performing on her aerial wheelchair. The piece, called Suspended Disbelief, was choreographed and conceived by Heidi Latsky in collaboration with Erin and is an excerpt of the show D.I.S.P.L.A.Y.E.D.
Erin is interested in integrating accessibility for all into performances and has recently been working on creative audio description in her own work. She recently participated in Circus Sessions 2018, developing and performing creative audio description during the show, under the guidance of Alex Bulmer.
Erin also writes a column for The Kingston Whig Standard newspaper, called No Feet and a Heartbeat, about life since her accident.
Find out more about Erin's classes and performances at https://kingstoncircusarts.com.
Charissa has worked at Buddies In Bad Times Theatre (BIBT) for the past fifteen years. She has been the Head of Production for this Queer Canadian Theatre since 2005 and currently holds the same position. In addition to working at BIBT; she has been a freelance production manager/technical director for Nightwood Theatre, Studio 180, Theatre Rusticle and Summerworks' Theatre Festival. Her production stage management experience includes companies such as Outspoke Production, Operation Snatch and Cartier Danse. In 2010 Charissa joined Circus Orange Inc. as their production stage manager.
James Zirco Fisher is the Movement-Music Composer & the Blue-Prints Illustrator of the AIR SHIP. Zirco has a detailed history illustrating for numerous projects including the popular skeleton comic "Disifigures of Speech" featured monthly in Rue Morgue Magazine this past 7 years. Zirco completed the macabre soundtrack to his first feature film earlier this year called "Kenneyville". Zirco is also the spearhead of the circus electro music project Squid Lid. This project combines his artistic and musical skills seamlessly along with a live stage spectacle that features glowing creatures. To hear and see more of James Zirco Fisher visit zircocircus.com.
Marc Richard is a multi-disciplinary artist. He is a graduate of The School of Toronto Dance Theatre, where he had the pleasure of working with many of this country's finest choreographers. He worked for a time as an independent dancer and was seen in Bill James' Big Pictures with Arraymusic. As an actor Marc has appeared in theatre productions across Canada including the World Stage Premiere of Anne Marie MacDonald's Anything That Moves and Dorothy Dittrich's When We Were Singing (Buddies, Belfry, National Art Centre). As a director and choreographer he has worked on over sixty professional productions across Canada including Evita (Persephone) Funny Business – The Musical (Toronto Fringe, Diesel Playhouse) The Last Resort, Nunsense, Jasper Station, I Love You, You're Perfect (Drayton Entertainment) Plank (Toronto, London, Winnipeg Fringe) and Excuse me, would you like to buy a bar? (Toronto Fringe). As a writer he has written several full length scripts including Toad:The Anna Russell Story (Rhubarb Festival, Theatre Aquarius Stagewrite Series) Marc has taught in the Dance Department at York University and is currently a faculty member at Sheridan College in the Music Theatre Professional Training Program where he teaches, directs and choreographs (West Side Story, Berlin to Broadway, Company, Pippin). He holds a Master of Arts in Dance from York University with a specialization in dance education in elementary schools and is currently a PhD candidate in York's Faculty of Education.
© Femmes du Feu 2019 • Anchor Design | www.anchordesign.ca


This special custom unique, trench style casual mink fur shearling was cleaned, glazed, always stored professionally, and is in mint to like new condition (gift quality). The design details feature a notch collar with hook and eye closure, soft, supple, silky, shiny dark ranch mink pelts fully let out inside, outer shell is water repellent fabric, detachable belt, 2 side pockets, and furrier hooks for closure. Can fit size M, but please refer to measurements for proper fit. Minor adjustments free by request. This coat comes from a non smoking furrier storage room. Will make a great gift, or you can treat yourself to a unique super warm mink fur coat. The model is 5'4. Retail value $7900. This coat is sold for a private charity.
Sleeves - Collar to hem 28"
Underarm to underarm (inside) 19"
Length from collar to hem 44"


text:
James Earl Clark
December 22, 1949 - June 29, 2011
James Earl Clark, age 61 of Franklin, TN entered into eternity "peacefully and rejoicing" in the morning hours of Wednesday, June 29, 2011. James was a native of Franklin, KY and son of the late Raymond Ellis and Lourana Ann Morgan Clark. He was a 1967 graduate fo Fairview High School. The following year on November 28, 1968, he married Connie Steele, to whom he shared his life until the moment of his death. He served his country in the United State Army and made his career as a draftsman. In addition to his parents, he was preceded in death by two children: Elizabeth Diane Clark and Robert Paul Clark; and sister: Nancy Jean Chafin. He is survived by his wife: Connie of Franklin, TN; a son: James Todd "J.T." Clark of Franklin, TN; a brother: Rev. Raymond Ellis Shirley Clark Jr of Clarksville, TN; two sisters: Revs Judith "Judy" Raymond Brunet of Paola, KS and Shirley Jon Stewart of Burns, TN; three grandchildren: Edward Clark, Rose Clark, and Raymond Wagner; and numerous nieces and nephews. Under the direction of the Cremation Society of Tennessee, the family will celebrate James' life on Saturday, July 2, 2011 at 11:00 AM from the Concord Community Church of the Nazarene, 9826 Concord Rd, Brentwood, TN 37027. On Friday, July 1, 2011 they will receive friends at the church from 4:00 until 8:00 PM. You may share condolences at CremationSocietyofTN.com
20 responses to James Earl Clark
Terry Rogers says:
Dear Connie & Edward, My sympathies to you and the rest of your family. I consider myself blessed to have known James! He will be sorely missed by so many. Know that your Oak View family is and will be there for you! May his memory be eternal! Love in Christ, Terry Rogers
The Vinsons John, Paige, John Ross, And Lindsay says:
Dear Connie and Family, We are thinking of you at this time. Please give Edward a hug from us and let us know if there is anything we can do. We pray that you will receive comfort and healing during this time of sadness along with joy and hope as you remember Mr. Clark's life here and his life eternal. John, Paige, John Ross, and Lindsay
Tim Orr says:
Sorry to hear that has gone to be with his heavenly father. I worked with Jim at ESa. I will not be able to come by to pay my respects in person, but please know you are in my thoughts
Todd & Debbie Mullins says:
Connie, Debbie and are praying for you and your family and I also have asked that you be put on the prayer list in two churches. If there is anything that you need help with please let me know? Debbie is preparing soom food that we will be bring with us. God Bless
Trent Johnson says:
Connie & Edward, I was so sorry to hear of your loss. Your family is in our prayers. Please let us know if there is anything we can do. Sincerely, Trent Johnson Cubmaster Pack 135 ~ Oak View Elem.


Naadam's feminine aesthetic is subtly apparent in the scalloped-edge hem of this white textured sweater. It's knit from soft Peruvian cotton and has a relaxed shape with drop shoulders and long sleeves. Style it with cropped pants and a canvas tote for polished casual look.
Length 19" 20" 20.5" 21.5 22"
Shoulder Width 17" 17.5" 17.5"
Bust 39" 40" 41" 44" 46"
Waist 36" 38" 39" 42" 44"
Hip 34" 35" 36" 38" 40"
Sleeve Length 21.5" 22" 22.5" 23" 23"


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Sep. 27, 2012 1:00 p.m.
Submitted by the Sandspit Rod and Gun Club-Another great weekend of fishing and weather! A bit slow on Saturday and windy enough to keep most of the boats off the water, however Billy Y. managed to catch some and one of them is the biggest so far at 14 pounds. Sunday was a better day for fishing and weather with a bunch of fish weighed in and the shore fishers getting their share.A good weekend at 'the Shack' as Ray K. sold out of hamburgers early Sunday afternoon, the smokies and hot dogs kept things going till the end of the day. Ray's Sunday sourdough pancake breakfast (8-11 am) continues to draw a good crowd and Doug and Linda keep the plates full and served to the waiting horde. Thank you to all the volunteers that help at 'the Shack'.The weekend had its adventures it seems and most of them are tied to Billy Y. Seems on Saturday most of the boats stayed on shore but not Billy, however with the wind and waves he managed to break a tail light off the trailer and a fishing rod. On Sunday as he was driving to Copper Bay to catch the early bite he spotted a fishing rod and reel along the gravel road. He picked it up and unsure whether to catch the early bite or find the owner, he turned the rod and reel in at the end of the day. If the competition's rod and reel are down, take it – right Billy! It is not all luck and skill that wins the Derby. The owner of the rod and reel, after some stress of realizing it was gone and thinking the worst, was much relieved and thankful to get it back, thanks Billy!The halfway standingsBill Yovanovich 14 lbs.Alex Matson 13 lbs. 10 oz.Annie Schabernak 12 lbs. 10 oz.Tyler Jones 12 lbs. 3 oz.Berta Wagenstein 11 lbs. 15 oz.Cam Leslie 11 lbs. 10 oz.Shain Olson 11 lbs. 5 oz.Kim Goetzinger 11 lbs. 4 oz.Dana Jordon 11 lbs. 2 oz.Mike Leslie 10 lbs. 10 oz.Top LadyAnnie Schabernak 12 lbs. 10 oz.Berta Wagenstein 11 lbs. 15 oz.JuniorsDave Putterill 12 lbs. 12 oz.Matt Servatius 9 lbs. 4 oz.Weekend WinnersBill Yovanovich 14 lbs.(Jrs.) Dave Putterill 9 lbs. 13 oz.Lots of changes to the leader board and two weekends to go for some more. Dig deep into the old tackle box and get it out there. Make sure and check into 'the Shack' as Ray K. promises more and lots of his stuff for the next weekend.It's nice to see old friends that come back for the derby and even participate. Good to see new names amongst the familiar names on the board and there is room for yours. Enjoy the Derby as the second half begins and may the 'braggin rights' be yours!


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Prep Rally
Tim Tebow ignores Brady Quinn's slights while serving as dream date for 9-year-old
In recent days, comments putting Tim Tebow under friendly fire were released, with Broncos backup quarterback Brady Quinn, questioning Tebow's public displays of faith in an interview with Yahoo! Sports' own Michael Silver (and then swiftly apologizing for those very comments). So many have wondered why Tebow didn't speak up about the scathing commentary from a teammate. It turns out there's a good reason for that: He was preoccupied fulfilling the dream of a 9-year-old with a severe tumor disorder.
10-year-old Presli Collins and Broncos quarterback Tim Tebow — Facebook
As reported by Denver Fox affiliate KDVR, Tebow's Wish 15 Foundation stepped in to offer now 10-year-old Parker, Colo., resident Presli Collins (she turned 10 on Tuesday) a chance to be Tebow's date to the 2012 Cartoon Network "Hall of Game" awards in Los Angeles.
Presli Collins suffers from a rare condition called Neurofibromatosis-1, an inherited tumor disorder in which tumors can grow under a patient's skin and form in nerves that extend from the brain and spinal cord.
[Related: Broncos coach denies rift between Tim Tebow, Brady Quinn]
As it turns out, Collins and her father were invited to the Cartoon Network awards first after the TV station learned of her condition, but when Tebow learned the Parker youngster was a huge fan, he offered to accompany the tyke and serve as her first official date. Unsurprisingly, Collins was more than a bit excited to accept the invitation.
"[Attending the awards with Tebow was] very, very, very exciting," Collins told KDVR. "[Tebow] was a thousand times nicer than you think he is."
By stepping forward to chaperone a youngster in need, Tebow also served to highlight the differences between himself and some of his teammates. While disparaging comments from Quinn were hitting the airwaves, Tebow was quietly spending his own free time doing something for a child he had never met, helping to distract her from the strange medical condition which afflicts her and which can become severely degenerative.
As if he needed to, Tebow capped off the night -- in which he also introduced Collins to a number of other professional athletes, including Shaquille O'Neal -- with the classiest line available.
"Thank you for being an amazing date," Presli said with a wide smile.
No matter who else steps forward to try and attack Tebow's ability or prospects of future NFL success, no one can take away his penchant for class in charity work, or what it means to those who receive his time and aid.
"I can't even express how grateful we are for the opportunity she's had [and] the joy she's had," Collins' mother, Lisa Collins, told KDVR. "My husband last night said that the whole weekend he's never seen her smile and be as happy as she was."
Want more on the best stories in high school sports? Visit RivalsHigh or connect with Prep Rally on Facebook and follow us on Twitter.
Other popular content on the Yahoo! network:
• Blind prep wrestler steals show in state finals
• Breaking down the Linsanity phenomenon
• Man sues golf club for $13.2 million
• Y! News: Teenage girl dies after inhaling helium at party


The United States currently has the largest prison population in the world. Every week, over 10,000 people are released from US state and federal prisons back into their communities, and two thirds of these will likely be rearrested within three years of their release from prison. People released from incarceration face more significant barriers to successful engagement in the community than when they entered prison. Scholars have noted the lack of effective services for this population, leading to recidivism rates of about 70%. This study examines the ways innovative and effective practices can be implemented for people released from incarceration. It examines the factors that shape innovations at a community center (The Center for Carceral Communities, University of Pennsylvania) serving people with a history of incarceration. Observation and participant observation of public events were utilized to examine the implementation of innovation. Publicly available discussions, speeches, and interviews with public figures, Center brochures, field notes, and reflexivity journals were analyzed. A grounded theory approach, informed by sensitizing concepts drawn from the Theory of Institutional Logics was utilized to analyze the data, and explore the manner in which internal and external organizational factors shape innovation. The results indicate that the carceral field is shaped by competing logics, whereby multiple institutional fields, actors, social movements, and frames of understanding interact and result in opportunities to resist institutionally normative processes. These then allow innovative practices to emerge, flourish and establish themselves in the carceral institutional field.
Neff, Alison, "Reconstructing The Center: The Institutional Logics of a Structural Intervention for a Post Incarceration Community" (2017). Doctorate in Social Work (DSW) Dissertations. 97.


The view from the field is spectacular. Behind us rises the mountain, Round Seefin: domed, treeless, majestic. At the very top it is grey with scree, descending into dark brown scrubby heather, and then green patches of grass dotted with sheep. The pastures are chased with the thin lines of human activity, a palimpsest of walls and lanes. The lower slopes and hedgerows crackle with yellow whin bushes; the light breeze carries the faint scent of coconut from them. The field and lane are bordered by imposing dry stone walls. Built of round boulders and large rocks, there are gaps through which daylight can be seen, but this is not a sign of poor construction: they have impassively withstood scores of punishing Mourne winters. In front of us, beyond the neat white cottage and a scattering of ash trees, can be glimpsed the azure line of the sea, etched on the background of pale haze. The sky over us is almost cloudless, just a few thin wisps of cirrus.
Mercifully, summer had finally arrived for the wee girl's first camping trip. Up till yesterday the weather had been atrocious. I'd had visions of the rain bucketing out of the heavens, drumming off the flysheets; cold, miserable children running barefoot through the freezing downpour to snuggle up with their parents in the warmth of the house. But the girls had slept soundly, cosy in their sleeping-bags and layered blankets; no frights, no drama. She'd been excited; looking forward to it so much. I am happy that it had worked out perfectly; we'd all had a brilliant time. But now, in the early evening, it's time to go home to Belfast. We pack up and climb into the car.
My daughter is in the front next to me, and our friend in the back. As we crunch gingerly down the rutted, rocky, potholed lane, the stones rattling alarmingly on the bottom of the car, the scene in front of us changes constantly; in one place the whins have caught fire, and stand in charred clumps, some of them miraculously still flowering atop their blackened stalks. Further down, the view opens up and we can see the expanse of the sea more clearly – we are surrounded by bright primary colours: yellow flowers, blue sea and sky. The wee girl chats away to us; it's a proper six-year-old conversation: oh daddy! The car doesn't like this road; and, look! A pigeon! Then, as we roll gently onto smoother gravel, her tone changes and she enunciates solemnly, like a Victorian spiritualist: Deep and hollow, in a dark, weakening sky. I ask her where she got the quote from. I made it up, she says nonchalantly. Mary, in the back, is as stunned as I am, and asks her to say it again; she repeats it effortlessly. The line is totally out of context with the beauty all around us, and the light, cheerful talk. There is nothing melancholy about her; she's now happily chuntering on about swimming. I recall the sight of my dead, sunken eyes in the bathroom mirror this morning; it's a different landscape in there, alright. But how does she know?
This entry was posted in Uncategorized and tagged Belfast, camping, Co. Down, happiness, Jason O'Rourke, joy, Literature, Mourne Mountains, pain, Round Seefin, Savant, Savante, short story, sorrow, Whin, writing. Bookmark the permalink.
I was there in the back seat. it just came out of nowhere, and Jason didn't really think, nor did i because it was a beautiful blue sky and we were driving down to the sea and she just said "Deep and hollow, in a dark and weakening sky.." Jason and i sort of laughed a bit and then said nothing.
I think we were a bit gobsmacked. I remember asking her to say it again, after a while, which she did, and asking her where she got it. I thought maybe she'd heard it somewhere, but no, she made it up herself. The twist at the end is, of course, fictional.
Your opening paragraph would have been greatly admired by Percy French as he penned a certain song that I suspect you're agreeably familiar with Jason. This contrasts with the runic juvenile perspicacity and your intriguing closing words. Your lexicon here is only surpassed by the variegation it described – well done.
Thanks Mike, your feedback is very welcome. Yes, I know the particular song you have in mind. I'm glad the wee twist at the end intrigued you.
Thanks Ernie, I think it wasn't clear enough before. Got to have a twist at the end!
Good! Inspired by the trip to Minnie's?
I like the description of the car going down the lane. Reminds me of family holidays in Donegal in the wee old Suzuki jeep that we had, the boys sitting in the 'very back' (parents in front, girls in the back and the boys in the very back) where their heads would hit off the roof at each unexpected bump.
Great desicription of the rich visual stimulation provided on a sunny day in the Mournes. So many colours and shapes and snapshots, changing as you move or as the clouds move. Love it!
Sorry Jason, I saw this earlier and thought it was Susan's !
No swimming Ernie. Dead giveaway!


Let's face it, EEOC regulations (and there are plenty of them) are confusing. The Department of Labor and EEOC are slated to receive a record amount of funding in 2010 and this means more enforcement is imminent. Are you aware of your obligations in order to be an equal opportunity employer? How big of a company do you need to be to worry about this? What are the basics that you need to be aware of?
We'll cover these basic questions and more with Jonathan T. Hyman, a labor and employment law expert. Jonathan is a Partner at Kohrman, Jackson & Krantz, an industry blogger and a frequent guest on various employment law related podcasts.
About Jonathan: Jon joined the firm in 2006. Jon has spent his career developing a diverse background in innumerable litigation matters. He primarily concentrates his practice in the representation of companies in employment disputes, including litigation with terminated employees and disputes over trade secrets and non-competition agreements. He supplements his employment practice with complex commercial matters, such as fiduciary and shareholder litigation. His representation extends beyond the courtroom, into various state and federal administrative agencies.
Complementing his litigation practice, Jon also advises individuals and companies on a wide-range of employment, human relations, and labor-relations issues. Jon serves an "outside in-house counsel" role for businesses that lack an in-house labor & employment attorney. In this role, Jon drafts policies and handbooks, audits HR practices and procedures, and advises companies on day-to-day HR issues such as employee discipline and terminations and workplace investigations. This role also frequently requires Jon's service as an author and speaker on myriad employment-related issues.


Extractions: Jump to: navigation search Leslie Bassett (born January 22 in Hanford, California ) is an American composer of classical music , and the University of Michigan 's Albert A. Stanley Distinguished University Professor Emeritus of Composition. Dr. Bassett received the 1966 Pulitzer Prize for Music for his Variations for Orchestra. His notable students include Robin Cox and Gabriela Lena Frank Wikiquote has a collection of quotations related to: Leslie Bassett U.S. composer is a stub . You can help Wikipedia by expanding it Retrieved from " http://en.wikipedia.org/wiki/Leslie_Bassett Categories 1923 births 20th century classical composers ... United States composer stubs Views Personal tools Navigation Interaction Search Toolbox Languages Suomi This page was last modified 05:16, 25 December 2007.
bassett leslie ANN. Israel 1994 Botswana 2001 Mexico 2005. State Dept. Key Officers of Foreign Service Posts 1994SP (60); State Dept.
Sigma Alpha Epsilon biography with photograph, compositions, and links.
Extractions: T he Living Composers Project Bassett Leslie (b. January 22, 1923, Hanford, California). American composer of orchestral, chamber, choral, vocal, piano, and organ works that have been performed in the Americas, Asia and Europe. His honors include the Prix de Rome (1961-63), the Pulitzer Prize (1966, for Variations for Orchestra ), two Guggenheim fellowships (1973-74, 1980-81), and the Naumburg Foundation Recording Award (1974, for Sextet [piano, strings]). He has been a member of the American Academy of Arts and Letters since 1976 and has earned grants from the Koussevitzky Foundation, the National Endowment for the Arts and the Rockefeller Foundation. Prof. Bassett is also active in other positions. He worked as an arranger and trombonist in the 13 th Armored Division during World War II. He taught composition at the University of Michigan from 1952-91, where he was chair of the composition department from 1970-88 and the Albert A. Stanley Distinguished University Professor of Music from 1977-91, now emeritus. He was also a co-founder of its electronic music studio in 1964 and of its Contemporary Directions Performance Ensemble in 1966. Edition Peters publishes most of his music.
October 67, 2001. Programs, picture, and biography.
Extractions: Short Bio Leslie Bassett was born in Hanford, CA, January 22, 1923, the son of Archibald and Vera Bassett, and grew up on ranches in the San Joaquin Valley. His early music training in Fresno was on piano, trombone, cello and other instruments, and he spent 38 months in army bands during World War II as trombonist, arranger and composer. He enrolled at California State University, Fresno (then Fresno State College) and was principal trombonist with the Fresno Symphony Orchestra. Graduate study at the University of Michigan under Ross Lee Finney was interrupted by a Fulbright Fellowship to Paris and work with Arthur Honegger and Nadia Boulanger. He joined the Michigan faculty in 1952, then held the Prix de Rome at the American Academy in Rome, 1961-63. He has also worked with the Spanish-British composer Roberto Gerhard and with Mario Davidovsky in electronic music. At Michigan he became chairman of composition, the Albert A. Stanley Distinguished University Professor of Music, and the 1984 Henry Russel Lecturer, the university's highest faculty honor. He is a member of the American Academy of Arts and Letters. Bassett's music has been widely performed by the nation's orchestras, bands, choirs, soloists and ensembles. He has composed electronic music and written for plays, film, and all performing ensembles with the exception of opera. He frequently serves as guest composer with performing ensembles and universities.
leslie bassett CD music album and songs at CD Universe, with reviews, track list, top rated service, album cover art, sound samples, and more.
Hutchinson encyclopedia article about bassett, leslie. bassett, leslie. Information about bassett, leslie in the Hutchinson encyclopedia.
Top » Composition » Composers » B » bassett, leslie. Subcategories. Links (2). This category needs an editor. validate xml edit. Copyright © 20012005.
53, June 2004. Subjects, ComposersInternational aspects R/Con Barber, Samuel Con Bartok, Bela Con Con bassett, leslie Con.


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Q: In the gradient descent algorithm why do we use $r_k$ and $p_k$ for the same thing, namely the direction of the greatest descent? In the gradient descent algorithm $A$ is symmetric and we want to minimaze the function $\phi(x)={1\over2}x^TAx-x^Tb$ to get a solution of $Ax=b$
$x_{k+1}=x_k+\alpha_k p_k$ where $p_k=-\nabla\phi(x_k)=-Ax_k+b=r_k$
And $\alpha_k$ has to bo chosen such that $\phi(x_k+\alpha_k p_k)$ is minimal for a moving $\alpha_k$.
We get $\alpha_k=\frac{\langle r_k,r_k\rangle}{\langle r_k,Ar_k\rangle}$
And then we define $r_{k+1}=r_k-\alpha_kAr_k$. Why did we ditch $p_k$ and are using newly defined $r_k$ for the direction of the descent?