This proposal aims to reduce unnecessary verbosity. Switch statements and enumerations are very frequently used together. A case label's constant expression must be convertible to the (adjusted) type of the switch statement's condition; when the condition is an enumeration, each case label's constant expression must be convertible to that enumeration. When an enumerator belonging to that enumeration appears in a case label, it therefore seems unnecessarily pedantic to require the programmer to explicitly qualify the enumerator name when the enumerator is not presently visible in the enclosing scope.
This proposal extends the visibility of enumerators to cover case labels when the condition of the associated switch statement is of the type of the enumeration.
Some pathological examples of existing code could change in meaning. In order for this to happen, an existing case label would need to reference a named constant in an enclosing namespace (outside of the function definition) that has the same name as an enumerator and a value distinct from that enumerator. This should be extremely rare, and may actually be indicative of a bug in existing code.
This proposal extends the potential scope of enumerators to cover case labels in switch statements where the codition of the switch statement has the same type as the enumeration. This carries with it new potential for name collisions when the name of an enumerator already carries different meaning in the scope of the case label. This paper takes the position that an enumerator name appearing in a case label is more likely to refer to the enumerator than to another entity, but gives deference to function-local entities that can't be referenced any other way. An enumerator name is therefore allowed to hide entities at class and namespace scope, but is itself hidden by entities at function and block scope.
When a case label appears in a switch statement and the adjusted type of the switch statement's condition is an enumeration, the enumerators belonging to that enumeration are visible in case label's constant-expression.
Enumerators made visible in a case label hide competing names at class scope and namespace scope.
The potential scope of an enumerator additionally includes some case labels as described in 6.4.2.
Within the constant-expression of a case label where the potential scope of an enumerator has been extended to include the constant-expression (6.4.2), a name declared at class or namespace scope can be hidden by the enumerator, and the enumerator can be hidden by a name declared at function or block scope.


text:
Dating admin November 27, 2017
Ethiopian Observer
Books on the tradition and culture of the country – On old age and adolescence – Customs and traditions of Ethiopia Books, which show writings of compositions – The composition or writing of one of the criminals outlaws , who was hanged with Jesus – On the Miracles of St. Mary and many other apocryphal books are to be found. Ancient grammatical books There are very many grammatical books written by different people and found at different places in the world. The above noted are but a very few examples from among the different books numbered by the thousands that the Ethiopian Orthodox Tewahido Church has. In the past, at present and even in the future either in the church or at the schools what the church uses for educational services was and will not be outside of these books. In the past, the Ethiopian Orthodox Tewahido Church had not much opportunity to expand and propagate the above, noted doctrine and orders of the church inside and outside the nation; this is because of the different circumstances prevailing in the surroundings of the country. Because of the advent of European Colonialism upon its neighboring African countries and the great monetary support that other religious groups received to convert Africans. The Ethiopian Orthodox Church had no other choice but to defend on and preserve all here Christian legacy. Henceforth, she was unable to raise her apostolic voice louder among her African brothers and sisters.
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It has a population of almost million people, and many of the women here are truly stunning thanks to their Arabic, Indian and some European influences. Ethiopian women are naturally nurturing. They don't view caring for other people as a burden, or something to be avoided. They also want to have a full-time relationship with a man, one that ultimately leads to marriage and kids.
Krar Begena Massinko. Traditional musical instruments in widespread use include the massinko, a one-stringed violin played with a bow; the krar, a six-stringed lyre, played with the fingers or a plectrum; the washint, a simple flute; and three types of drum – the negarit (kettledrum), played with sticks, the kebero, played with the hands, and the atamo, tapped with the fingers or palm.
November 25, By Afua The world is plentiful of genuine men, with successful careers and lives, simply seeking love in new ways or from new places. While each man has his own unique personality, sometimes it leads a man to want to find love or try something new such as a woman from a place very different than his own—such as a country or culture. While there are many different women in the world available to choose from, quite a few men have a fascination with women from Ethiopia.
Although such a country seems so far away from home from the commonly interested man, obtaining a bride to marry from such a faraway place is by no means necessarily impossible. In fact, getting in touch with, writing back and forth to, and ultimately meeting the Ethiopian woman of your dreams is not so far-fetched of an idea after all. As the world of technology continues to evolve, women from countries such as Ethiopia find new ways to communicate and seek a man or husband from a faraway place in which she perhaps believes will make a better husband than her own native country or culture.
In fact, it may very well be much more common and simpler of a process than you expect. Putting money down such as deposits, and paying endless amounts of money to a mail-order bride website without much of a promise or genuine guarantee can be a very, although tempting at times, haphazard decision. Most accredited websites that can offer you an Ethiopian mail order bride will start with the feature of registering and creating your own profile, conducting searches to find your best fit, and then creating a correspondence between you and your new prospective Ethiopian bride.
While the process might seem very complex and intimidating at first, any accredited website and business of such will help walk your through the process and make it less intimidating for you. Remember, communication is key. Make sure you both want the same thing. Not every person wants the same thing, mail order bride or not.
Ethiopian Dating & Marriage Customs by Bekelu Negash on Prezi
Could not subscribe, try again laterInvalid Email First impressions are important, not least in the restaurant world. Eagle-eyed diners will spot that Habesha is accessed through a set of discouragingly dirty steps in the corner of the takeaway, although many probably give up and buy a kebab. Aside from a small Habesha sign on the side of the first floor dining room, the Ethiopian joint is almost invisible from street level.
Unsurprisingly, the restaurant lay hidden for years, ticking over on a reliable stream of regulars. The waiter and co-owner tells me and my pal: Food lists his favourite Manchester restaurants Over the years the clientele may have grown and evolved, but the interior seems to have remained the same.
3. Lola Monroe. The Ethiopian-American hip-hop artist, model and actress, Fershgenet Melaku, better known as Lola Monroe was born on October 25, , in Addis, started her modelling career in for some urban magazines and her model name was Angel Lola Luv.
Samuel Goodman Sam is just a regular, normal man who humbly requests: Please don't shoot the messenger. One interesting effect of the obesity epidemic has been an increase in the desirability of Asian women. Thirty years ago, nailing an Asian chick was a consolation prize for a white guy who struck out with his own kind. Sociologists talk about all sorts of possible explanations: All these explanations are probably wrong. Why does a dog lick its genitals?
Dating Ethiopian Ladies
Origins of Ethiopian Jews The People of Ethiopia, Jewish and Christian, share the belief that they are descendants of King Solomon and the Queen of Sheba, through their son Menelik, who returned to Ethiopia with his attendants after studying in Jerusalem. Supposedly, they brought with them the original tablets of the law of Moses, purloined from the temple of Solomon, which are hidden in the city of Axum.
The evidence for this is rather tenuous.
Information about Ethiopia and its people. Home. This site was last updated 05/26//26/
Now they speak Amharic and Tigrinya , both Semitic languages. Their liturgical language is Ge'ez , also Semitic. Oral traditions[ edit ] Many of the Beta Israel accounts of their own origins stress that they stem from the very ancient migration of some portion of the Tribe of Dan to Ethiopia, led it is said by sons of Moses, perhaps even at the time of the Exodus, or perhaps due to later crises in Judea, e.
Though all the available traditions [33] correspond to recent interpretations, they reflect ancient convictions. According to Jon Abbink; three different versions are to be distinguished among the traditions which were recorded from the priests of the community. The Falashas [ sic ] migrated like many of the other sons of Israel to exile in Egypt after the destruction of the First Temple by the Babylonians in BCE the time of the Babylonian exile.
This group of people was led by the great priest On. They remained in exile in Egypt for few hundred years until the reign of Cleopatra. When she was engaged in war against Augustus Caesar the Jews supported her. When she was defeated, it became dangerous for the small minorities to remain in Egypt and so there was another migration approximately between 39—31 BCE. Some of the migrants went to South Arabia and further to the Yemen.
How to Date Ethiopian Women in 5 Easy Steps
Beautiful Ethiopian Women Exposing 40 Million Beautiful Ethiopian Women Like a lot of African countries, Ethiopia is an under developed country where the gap between rich and poor is immense. However, on the bright side, Ethiopia is home to some of the most beautiful black women in the world. Out of almost 90 million residents only thousand of them have internet access as of More than half the population has no running water.
As for the women, studies are few and far between but it is obvious that they face physical hardship. Her worth is based on her role as mother and wife.
Ethiopian Dating Welcome to LoveHabibi – the Web's favorite place for Ethiopian dating worldwide. Whether you're new to this or finding out about LoveHabibi for the first time, signup free today and connect with other people from Ethiopia looking for free online dating and find your very own LoveHabibi.
Mystical Divas Ethiopian Women: Mystical Divas Interested in dating beautiful women from Africa? If yes, Ethiopian women should be your number one choice. Here is everything you need to know about these gorgeous women from Africa. Ethiopian Women Characteristics Beautiful Ethiopian women are not only gorgeous but morally upright as well. Modesty is evident in the way they dress, address people and even behave. They are also very submissive and look up to the men in their lives for support.
They are very family oriented and are good homemakers. Ethiopian girls are very loyal to their marriage partners and they love being married. They are very reliable and supportive of their husbands.
Ethiopia Dating, Ethiopia Singles, Ethiopia Personals
In the Bible against the Quran: The Lord God said, "Go, take to yourself an adulterous wife and children of unfaithfulness. The Lord God commanded Hosea to take an adulterous wife, because the land is guilty of the vilest adultery in departing from the Lord. Hosea obeyed Jehovah God and married an adulterous wife and she conceived and gave birth to a son.
A woman named Ariana Austin began dating a man she met in a nightclub. He eventually told her he was actually Prince Joel Makonnen, an Ethiopian prince. They've been together 12 years and got.
The name of this region has been derived, through the Greek form, aithiopia, from the two words aitho, "I burn", and ops, "face". But a different origin is claimed for the name by many modern writers, some of whom say that the Greeks borrowed the word from the Egyptians, and that as early as the Twelfth Dynasty the Egyptians knew the land under the name Ksh, or Kshi. Others maintain that it is derived from the Arabic word atyab, the plural form of tib, which means "spices", "perfumes" Glaser, "Die Abissinier in Arabien und Afrika", Munich, , or from an Arabo-Sabean word, atyub, which has the same meaning.
Geography It is not easy to determine to what part of the world the name Ethiopia properly applies in the course of history. The territory it covered, and even the use of the word to denote a territory, have varied in ages and at the hands of different writers. In the early pages of the Bible Ethiopia is used to designate the lands inhabited by the sons of Cush , and is therefore applied to all the scattered regions inhabited by that family. Such a use of the word is purely ethnographical.
Elsewhere, however, in the Bible it is applied to a definite region of the globe without consideration of race, and is thus used geographically.
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redpajama_set_name: RedPajamaCommonCrawl


text:
Here Are the Best and Worst Moments From the 2017 Tony Awards
By Jennifer Calfas
Updated: June 12, 2017 11:39 AM ET | Originally published: June 12, 2017 12:44 AM EDT
Move over, Hamilton. The tear-jerking Dear Evan Hansen dominated the 71st Annual Tony Awards on Sunday night, scooping up six awards including Best Musical, Best Score and Best Actor.
The modern musical that explores depression, loneliness and teen suicide edged out its top competitor Come From Away, a Canadian musical about a Newfoundland town's effort to help diverted travelers on Sept. 11, 2001. Come From Away still left with the title for Best Director of a Musical.
The Bette Midler-led Hello, Dolly! won Best Revival of a Musical, Oslo won Best Play and Jitney won Best Play Revival. The most nominated show this year, Natasha, Pierre & the Great Comet of 1812 won two creative awards.
Kevin Spacey hosted the show, which was held in Radio City Music Hall in New York City and included a slew of appearances from celebrities in and out of the Broadway world like Stephen Colbert, Tina Fey, Lin Manuel Miranda and Whoopi Goldberg. A Tony winner himself, Spacey held his own in the theatre world and delivered an opening number that channeled each of the nominees for Best Musical. And while the number of political jokes were less frequent than those seen in other awards shows, nominees and winners voiced their support for funding for the arts in schools and around the country as potential cuts face the National Endowment for the Arts.
Here are the best — and worst — moments from the show:
Ben Platt: At just 23-years-old, Ben Platt won Best Actor in a Musical for his emotional performance of the titular character in Dear Evan Hansen. Platt stunned while leading his cast in a performance of "Waving Through a Window" before accepting his Tony. Platt's mannerisms during his acceptance speech, of course, mirrored those seen in the character he plays eight times a week: A lot of tears, and an ability to talk really, really quickly. But perhaps his most memorable message came at the end of his speech, when he highlighted a key theme from the musical: You will be found. "Don't waste any time being anyone but yourself because the things that make you strange are the things that make you powerful," he said.
Kevin Spacey's impressions: Spacey was not the the first pick to host the awards show. Singing and dancing isn't his best known method of acting, and he made many self-deprecating jokes in his opening performance to make that clear. But Spacey threw in some remarkable impressions throughout the night, taking the stage as Johnny Carson and Bill Clinton. He made one of only a few political jokes throughout the night as Clinton, speaking to Dear Evan Hansen's Platt, who in the musical creates a fake email account: "Now, between you and me, you might be a better singer, but after seeing your show, there's no doubt that Hillary is much better at creating fake email accounts than you." While Spacey had many good moments, his role as host likely won't top performances from past hosts James Corden or Neil Patrick Harris.
Benj Pasek and Justin Paul: These two have had quite a year. The songwriting duo won Best Score for Dear Evan Hansen just months after winning an Academy Award for Best Original Song for La La Land.
Rebecca Taichman: One of few women who have one the Best Direction of a Play, Rebecca Taichman took home the Tony for her work on Indecent, a play that retells the history of a controversial Yiddish play. "I hope this amazing thing that just happened helps encourage women all over—of every color and taste and style and viewpoint—to make theatre to tell stories that matter to them," Taichman told the media of her win.
Alex Lacamoire: While his speech wasn't televised, Alex Lacamoire won Best Orchestrations for the second year in a row — having a hand in both of the most recent Tony dominating musicals Dear Evan Hansen and Hamilton. He also won his first Tony in 2008 for the same category for In the Heights.
Cynthia Erivo and Leslie Odom Jr.: The two 2016 Tony Awards winners returned for a stunning performance of "New York, New York" with the Radio City Rockettes. In 2016, Odom won Best Actor in a Musical for his complex portrayal of Aaron Burr in Hamilton, and Erivo won Best Actress in a Musical for her groundbreaking performance as Celie Harris in The Color Purple.
Falsettos reunion: The star-studded cast of the revival of Falsettos reunited in a performance at the Tonys this year, where it was also announced a taped version of the musical will hit movie theaters around the country this summer. Led by Christian Borle and Andrew Rannells, the cast performed the upbeat "A Day in Falsetto Land."
Great Comet performance: While the most-nominated musical missed out on all of the top awards for the night, the cast of Natasha, Pierre & the Great Comet of 1812 left its mark with a vibrant performance led by its star Josh Groban.
Bette Midler's absence from Hello, Dolly! performance: Due to some behind-the-scene drama, the iconic star did not represent Hello, Dolly! in its Tonys performance. (David Hyde Pierce instead performed "Penny in a Pocket" from the musical's revival.) Midler's absence came as a result of a disagreement between the producers of the Tonys and Hello, Dolly!. Producer Scott Rudin offered Midler's performance on the condition that it would be done at the Shubert Theatre — where it is performed. But the Tonys producers declined, Playbill reported. As expected, Midler won Best Actress in a Musical — and outlasted the orchestra trying to play her off during her acceptance speech. ("Shut that cr—p off!")
Very predictable: Predictability with the Hamilton-dominated 2016 awards wasn't surprising. But with a slew of competition this year it would've been nice to see some surprise wins for musicals. Though Dear Evan Hansen lost Best Director to Come From Away, it beat its fiercest competitor in every other top category. Even in the highly competitive Best Actress in a Musical field this year, the expected winner Bette Midler beat out performances from legends Patti LuPone and Christine Ebersole.
Weak jokes: While Spacey did a decent job in his role as host, a few jokes fell flat. In his opening number, Billy Crystal offered some advice to the nervous host to "wear a dress" if all else fails. Spacey then immediately donned a dress and turban, a la Glenn Close's Norma Desmond in Sunset Boulevard. "I'm coming out," Spacey belts. "No. Wait." Especially during Pride Month, it's unclear if jokes about coming out and cross-dressing were warranted.
Correction: The original version of this story misstated the category Christian Borle was nominated for at the Tony Awards. He was nominated for Best Actor in a Musical, but he did not win, nor did he win for Best Featured Actor in a Musical.
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Today, businesses are largely Internet-dependent and that changes how things work and operate. Data centers utilize applications that work together via the web and cloud services. That shift has given birth to the hyperscale data center.


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text:
Mohamed Bourouissa
LaM—Lille Métropole Museum of Modern, Contemporary, and Outsider Art
Rudolph Burckhardt, Isamu Noguchi with a study for Luminous Plastic Sculpture, 1943. The Noguchi Museum Archives, 03766. © The Isamu Noguchi Foundation and Garden Museum, New York / Adagp, Paris, 2023.
Left: Fernand Léger, Femme au bouquet (Woman with bouquet), 1924. © Adagp, Paris, 2023. Right: Aloïse Corbaz, César, 1948. LaM permanent collection. Photo: F. Iovino.
Mohamed Bourouissa, Sans titre, 2022. © Adagp, Paris, 2023.
Anselm Kiefer, Ich halte alle Indien in meiner Hand TBC (I hold all the Indies in my hand), 2011. Mixed media on photographic paper, 104 x 160 x 17 cm. Anselm Kiefer Studio, Austria. © Anselm Kiefer, 2023. Photo: Ulrich Ghezzi.
1 allée du Musée
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In 2023, the LaM celebrates its 40th anniversary and proposes extra-special programming, worthy of a museum that has cultivated over the past four decades a committed and decompartmentalized approach, widely open to the world.
Exhibition/event
Isamu Noguchi: sculpting the world
March 15–July 2, 2023
Creator of the famous Japanese Akari light sculptures and of the iconic Coffee Table, Isamu Noguchi (1904-1988) is usually associated with design in the collective imagination. He was nonetheless and above all an "absolute" artist whose prolific body of work includes sculpture, drawing, painting, scenography and design, along with landscaping and architecture. To celebrate its 40th anniversary, the LaM will be hosting the Japanese-American artist's first major retrospective in France.
Noguchi spent his life in constant movement between East and West, committed to the most traditional forms of craftsmanship and the most avant-garde discoveries alike. He was one of the leading actors who brokedown art boundaries and their integration into our everyday surroundings.
The diverse and varied facets of the artist's personality are set to be revealed in this very special exhibition, co-organized by the Barbican Centre (London), the Museum Ludwig (Cologne) and the Zentrum Paul Klee (Berne), in close collaboration with the Isamu Noguchi Foundation and Garden Museum (New York).
Curated by Sébastien Delot, Director-Curator / PhD, LaM, assisted by Grégoire Prangé, Curatorial Department & Publications Coordinator.
New display of the permanent collection
True to its determination to write a history of art and modernity that takes full account of marginal and unusual artistic practices, the Museum is undergoing top-to-bottom transformation on the occasion on its 40th anniversary, providing a brand new display combining modern art, contemporary art and art brut in the same galleries.
Conceived chronologically and thematically, this new hanging will set emblematic works dialoguing in an unprecedented way and also includes a number of its collections' lesser known pieces.
Curated by Jeanne-Bathilde Lacourt, Curator Modern Art and the Curatorial Department.
September 29, 2023–January 21, 2024
Franco-Algerian artist, Mohamed Bourouissa was born in Blida in 1978. He lives and works in Paris. His work has been shown across the world and he is one of the major artists of his generation.
In addition to photography, which is his favourite means of expression, the artist also explores drawing, sculpture and video. His work blurs the boundaries between fiction and documentary, seeking to take stock of present-day social realities through observation of society from its margins.
In this exhibition, organized in partnership with the Palais de Tokyo (Paris), the artist will question our contemporary society's relationship with authority, control, confinement and surveillance.
Curated by Marie-Amélie Senot, Contemporary Art, LaM.
Major temporary exhibition
Anselm Kiefer: Photography at the beginning
October 6, 2023-March 3, 2024
To conclude its anniversary year, the Museum will be presenting an exhibition devoted to one of today's greatest German visual artists: Anselm Kiefer.
Kiefer was born in Germany two months before the Nazi capitulation and his work continues to summon up the Second World War memory in a cathartic way. Internationally known and recognized for his monumental pieces and his work on European memory, his upcoming exhibition at the LaM will present a series of works highlighting his practice of photography and the prurpose of images, both essential in his body of work but very little discussed in the context of exhibitions.
Curated by Jean de Loisy, Art Historian and Independent Curator.
In this context, Agnès Thurnauer gifted a major painting to the collection to celebrate LaM's 40th anniversary. This donation follows her 2022 exhibition, A comme Boa.
National and international press: Claudine Colin Communication
Pénélope Ponchelet: T +33 (0)1 42 72 60 01 / lam [at] claudinecolin.com
Regional press: LaM
Florentine Bigeast: fbigeast [at] musee-lam.fr
The entire program of the 40th anniversary of the LaM benefits from the exceptional support of the Métropole Européenne de Lille and from the patronage of the Fondation Crédit Mutuel Nord Europe, Grand Patron of the 40th anniversary of the Museum.
RSVP for 40th anniversary celebration
LaM—Lille Métropole Museum of Modern, Contemporary, and Outsider Art will be in touch.


text:
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	GENERATED_BODY()

public:

	UPROPERTY(EditAnywhere, Category = "Python")
		FString ScriptPath;

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		FString FunctionToCall;

	UPROPERTY(EditAnywhere, Category = "Python")
		TArray<FString> FunctionArgs;

	UFUNCTION()
		void Run();

	void CallSpecificFunctionWithArgs();
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redpajama_set_name: RedPajamaGithub


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text:
Q: Passing javascript variable from one html page to another page Hello All i started working on html recently,but iam struck in this situation where i want to send a value from one html page to the next html page just like,how websites shows our name after sign up success.Here i have written two html pages with,

pageOne.html

<!DOCTYPE html>

<title>
Home
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<meta charset="UTF-8">

DataSend

and my second

pageTwo.html

<!DOCTYPE html>

<input type="text" id="tBox">

But when i tried the above solution,the element with id = "tBox" was empty but i wanted it to be filled with value = "DataSend" which is from pageOne.html.
Please help me with the promblem.
Thanks in advance.

A: The problem is with this line
document.getElementById("tBox").innerHTML = localStorage.getItem("message");

Here tBox is a an input element. So you have to use value instead of innerHTML
document.getElementById("tBox").value= localStorage.getItem("message");

A: You can do it using querystring parameters
In page one:
function myFun(){
  document.getElementById("p1").style.color = "blue";
  var textprevi=document.getElementById("p1").innerHTML;
  window.open("pageTwo.html?data=" + textprevi,"_self");
}

In page 2
function getParameterByName(name, url) {
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        results = regex.exec(url);
    if (!results) return null;
    if (!results[2]) return '';
    return decodeURIComponent(results[2].replace(/\+/g, " "));
}

var data = getParameterByName('data');

A: You made two mistakes in pageTwo.html.
<!DOCTYPE html>

<input type="text" id="tBox">

These changes should make your code work.

redpajama_set_name: RedPajamaStackExchange


Passenger traffic throughout the winter season increased by 4.5 per cent, Malta International Airport announced today.
Malta gained more than 52,000 passengers between November 2014 and March 2015 over the same winter period last year.
This shows that the co-ordinated effort of tourism stakeholders is paying off, and the island's strategy to attract more visitors during the winter months is working.
For the first quarter of 2015, passenger movements at Malta International Airport registered an increase of 5.6 per cent, while aircraft movements grew by 1.4 per cent.
Meanwhile, passenger traffic in March also grew by 4.5 per cent, reaching a record of 275,334 passenger movements.
This was brought about by a 1.6 per cent increase in aircraft movements which translated into an increase of 2.2 per cent seat capacity.
The average seat load factor, which measures the percentage of filled seats on each flight, grew by 1.8 PPD last month when compared to March 2014, reaching 79.9 per cent.
The UK and Italian markets once again grew remarkably in March by 9.6 per cent and 9.8 per cent respectively. The German market shrank by 7.4 per cent, due to reduced capacity on the Frankfurt route, whilst France grew by 2.7 per cent. Traffic from Turkey also rose significantly with a 74.4 per cent increase over 2014.
The maximum take-off weight (MTOW) and Cargo and Mail decreased by 0.4 per cent and 5.2 per cent respectively.
Meanwhile, Malta International Airport plc continues to invest in its infrastructure and will this month complete a €1 million infrastructural investment which will see the rehabilitation and resurfacing of pavements on Taxiway Charlie.


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text:
Emre Can's Versatile Germany U21 Display Gives Liverpool Options
Deployed as a centre-back in Germany U21s' 2-0 victory over Republic of Ireland U21s, Emre Can added another string to his bow, writes Jack Lusby.
#454722464 / gettyimages.com
With the international break in full flow, thus signals a miserable period for Liverpool fans as a long wait for Premier League action ensues, cruelly so soon after the summer's inactivity.
The Reds' England internationals have so far endured a torrid time away with Roy Hodgson's Three Lions, with the 67-year-old set to blow a casket any time he is presented to a baying media.
However, a host of other Liverpool stars are in action for their respective national teams throughout this break.
Naturally, these sides have performed more admirably.
One outstanding character is summer signing Emre Can, who played the full 90 minutes as Germany's U21s side ran out 2-0 victors over the Republic of Ireland U21s.
https://twitter.com/AshTJay/status/508063319388094464
Contrary to the above graphic, Can was deployed as a right-sided centre-back alongside VfL Wolfsburg defender Robin Knoche.
With this performance, the 20-year-old may well have shown a likely restless Brendan Rodgers that he has another string to his bow.
Against a mixed bag in the young ROI charges, Can's performance was dominant.
This is particularly impressive given the creative attacking prowess possessed by Aston Villa playmaker Jack Grealish, who excelled in the central role.
Throughout the 90 minutes, Can underlined his passing ability, his raw defensive capabilities and his devastating bursting runs through the centre of the field.
One such run on two minutes saw the 20-year-old make his way from the central defensive position to a wide right role with terrifying ease.
This is similar to the way in which Can tore through the Spurs midfield, shaking the attentions of Moussa Dembele, in the recent 3-0 victory.
Liverpool need players, particularly defenders, that are front-footed in their approach, and Can continued these forays throughout the 90 minutes, his energy key.
Can's confidence in possession was evident throughout, with the former Bayer Leverkusen man often adopting the deep-lying role whilst his teammates probed forward.
Accepting and recycling possession with a series of short, sharp passes, Can kept things moving in the early stages; most impressive however, was the way in which the centre-back switch play with a raking, long-range ball to find striker Philip Hoffman on 21 minutes.
A particular quality rather reminiscent of Liverpool's current deep-lying playmaker, Steven Gerrard.
These attacking qualities were paired with a defensive brutality, and this would be paramount should Can be considered a central defensive option for Liverpool this season.
Can was dominant in the air as the ROI switched to a persistent long-ball style of play, as can be seen with a towering header to win the ball ahead of three Irish midfielders on 58 minutes.
On the deck, Can was equally as impressive.
Liverpool's style under Rodgers feature a notorious, high-energy pressing game, and a ruthless pursuit of Ireland's No. 7, Grealish, on 68 minutes outlined just how suitable Can is to this system.
To cap a great performance, Can utilised his strength to thwart Ireland's forward Conor Wilkinson as the No. 9 made a dangerous run into the Germany box on 86 minutes.
A meaty block tackle stopped the Bolton Wanderers man in his tracks, and ensured a clean sheet for Horst Hrubesch's side.
Last season, over 29 Bundesliga appearances for Leverkusen, Can made an average of 2.6 tackles (T), 1.5 interceptions (I) and 1.5 clearances (C) per game, according to WhoScored.
Comparing this to Dejan Lovren (2T, 2.7I, 7.8C) Mamadou Sakho (1.5T, 1.5I, 7.6C), Martin Skrtel (1.4T, 1.7I, 11.4C) and Kolo Toure (1.7T, 0.8I, 7.4C), Liverpool's new No. 23 is comparable on all fronts apart from clearances made.
This is understandable given the 20-year-old made just one appearance as a centre-back last season.
This was a performance that echoed this defensive prowess, but will Can be able to replicate this within a central defensive capacity for Liverpool, if required?
Can as a Centre-Back for Liverpool?
This performance outlined the encouraging prospect of Can as a centre-back for Liverpool, and with the right-hand side of the defence arguably the Reds' weakest area, the youngster could be a welcome option for Rodgers.
Partnering Lovren with Sakho could well be the way forward for Liverpool, and Skrtel can provide sufficient cover as third-choice, but there remains the potential for Can to oust Toure as de facto fourth choice.
Toure turned down a move to Turkish side Trabzonspor this summer, but will unlikely feature often under Rodgers this season.
Emre Can: "Carragher wore No.23 & was a legend playing here. I want to become a great LFC player too & maybe the No.23 can help with that."
— Viktor Fagerström (@ViktorFagerLFC) September 7, 2014
Can follows somewhat in the footsteps of the retired Jamie Carragher, taking his famous No. 23 shirt, and the youngster may be deployed in the Englishman's famed role this season for the Reds.
It should be a limited measure, and it is still early days, despite a promising display outlining a dominant defensive mind and a classy, hurtling attacking prowess.
Nevertheless, the option is there for Rodgers.
Granted this was a prominent display against unconvincing opposition, but perhaps Emre Can has shown Brendan Rodgers that he is capable of filling this position for the Reds in the future.
Can Emre Can overtake Kolo Toure as Liverpool's fourth-choice centre-back option this season? Let us know in the comments below.
Tags Emre Can, Tactical Analysis
Liverpool 0-0 Man United: Player Ratings – What the media and statistics say


text:
Malí Wu en chino: 吳瑪悧, (Taipéi, 1957), es una artista taiwanesa, especializada en arte conceptual y socialmente comprometida. Ha sido descrita como la "'madrina' de Taiwán por su arte comprometido socialmente por el escritor y crítico de arte Bo Zheng.

Trayectoria
Wu completó su grado universitario en Cultura y Lengua alemanas en la Universidad de Tamkang en 1979. Se trasladó a Viena a principios de los años 1980s y después  a Alemania para estudiar escultura en la Academia de Artes de la Ciudad de Düsseldorf con Günther Uecker. Después de graduarse en 1985, regresó a Taiwán, donde la ley marcial provocó significativos cambios socio políticos y económicos. Cuando la sociedad afrontó cambios, rápidamente, Wu tomó un interés fuerte en la emergencia social, las jerarquías políticas e históricas.

En 1995 realizó una exposición de grupo, Balanceakte en  Ifa-Galerie del Instituts für Auslandsbeziehungen de Bonn. En el mismo año presentó su obra en la 46.º Bienal de Venecia (Palazzo delle Prigioni) con la instalación Biblioteca. En 1997 presentó la Multiplicación de Segmentación en la exposición colectiva Tres Artistas taiwaneses, con Marvin Minto Fang (范姜明道), Tsong Pu (莊普). En 1998 presentó en el museo de las mujeres de Bonn en la exposición "A medias el cielo" con la Historia de trabajo del vídeo Una historia de Mujer por Hsing-Chang.

Desde los años 1990s ha producido una serie de proyectos, y criticó el estado de asuntos sociales y políticos desde una perspectiva feminista en sus trabajos. Paralelo a su obra,  dirigió la traducción de dos textos importantes, de Suzanne Lacy  Mapeando el Terreno: Nuevo Género y Arte Públicos, de Grant Kester, Temas de conversación: Comunidad y Comunicación en Arte Moderno, a chino. En 2007, organizó una conferencia de Esfera y Arte Públicos: trabajando en comunidad y más tarde editó un volumen del mismo título, para unir prácticas locales, teóricas y oficiales. Es también profesora de arte, y encabeza el Instituto de Arte Interdisciplinario en la Universidad Normal Nacional Kaohsiung en Kaohsiung. En 2014 coordinó una exposición de Arte titulada Interacción Social, exhibiendo proyectos de 30 artistas y grupos de Taiwán y Hong Kong. Es también activa en construir redes regionales.

También impulsó una serie de proyectos comunitarios de arte público, incluyendo un taller de arte participativo, Juega con la ropa, organizado por la Fundación Despertar como parte de Despierto en Vuestra Piel (2000-2004), que cuestionó la tradición de mujeres y las vidas de las mujeres a través de ropa. Arte cuando Entorno: Una Acción Cultural en el Trópico de Cáncer (2005-2007) en Chiayi qué promovió la igualdad de derechos de participación cultural en áreas rurales. Por el Río, en el Río, del Río, una comunidad basada en eco proyecto de Arte (2006). Restaurar nuestros ríos y montañas a lo largo del río Keelung, una colaboración con una comunidad universitaria para estimular discusión sobre ríos y asuntos medioambientales actuales. Wu ha tratado asuntos ecológicos con el arte como un puente hacia la naturaleza, demostrando el potencial del arte contemporáneo y el poder vital de la artista.

En 2018 fue una artista residente en NTU, el Centro de Arte Contemporáneo de Singapur y co-curadora de la 11º Bienal de Taipéi con Francesco Manacorda.

Reconocimientos

 2013 Premio Taishin de Artes (el premio de arte más prestigioso en Taiwán) por su obra Arte y Entorno, una acción cultural en el riachuelo del ciruelo (conjuntamente producido con Estudio Cortina del Bambú).
 2016 Premio Nacional de Arte. Taiwán

Bibliografía

 Katy Deepwell: Malí Wu. Un Perfil. En: n.paradoxa. Revista de Arte Feminista internacional. Ed. Katy Deepwell, Vol. 5, noviembre de 1997, ISSN 1461-0434, S. 45–53. (inglés)
 Malí Wu (2015) ¿Quién está escuchando y qué historia?, Arte Mundial, 5:1, 187-197, DOI: 10.1080/21500894.2015.1070744
 Tung Wei Hsiu, Cuándo la práctica del Arte social vence la globalización: atendiendo al entorno y la localidad en cultura. Taiwán y Diálogo 6, (2018) 223-250.

Referencias

Enlaces externos

Taiwaneses del siglo XX
Personas vivas
Wikipedia:Artículos con texto en chino
Artistas de Taiwán
Artistas conceptuales

redpajama_set_name: RedPajamaWikipedia


text:
from mayavi import mlab
import numpy as np
import linear_algebra as la
import os
import sys
from matplotlib import pyplot as plt

#from Rippe 2001
kl = 289	#Kuhn length (nm)
bpPerKL = 30000.	#base pairs per Kuhn length
chromatinDiameter = 30	#diameter of heterochromatin (nm)

default_colors = np.array([[255,0,0], [0,255,238], [255,238,0], [0,102,255], [255,0,170], [255,102,0], [204,255,0], [0,238,255], [0,68,255], [255,0,102], [255,136,0], [0,255,34], [0,204,255], [34,0,255], [255,0,68], [255,170,0], [0,255,136], [0,170,255], [204,0,255], [255,204,0], [0,255,204], [0,136,255], [255,0,238]])/255.
default_colors = [tuple(color) for color in default_colors]	#convert to tuple

def plot_structures_interactive(structures, all_enrichments=None, colors=default_colors, radius=None, cut=False, out_path=None):
	mlab.close(all=True)
	mlab.figure(bgcolor=(1,1,1))
	if radius is None:
		radius = calculateRadius(structures)
	for i, structure in enumerate(structures):
		coords = np.array(structure.getCoords())
		xs = coords[:,0]
		ys = coords[:,1]
		zs = coords[:,2]
		if cut:
			midpoint = np.mean(xs)
			indices = np.where(xs > midpoint)[0]
			xs = xs[indices]
			ys = ys[indices]
			zs = zs[indices]
		if all_enrichments is not None:
			mlab.plot3d(xs, ys, zs, all_enrichments[i], tube_radius=radius, colormap="bwr")
		else:
			mlab.plot3d(xs, ys, zs, tube_radius=radius, color=colors[i])
	if out_path:
		mlab.savefig(out_path)
	mlab.show()

	fig, ax = plt.subplots()
	ax.axis("off")
	for i, color in enumerate(colors):
		plt.text(0.5, i, "structure {}".format(i+1), color=color)
	plt.savefig("structures_legend")
	plt.close()

def plot_structure_interactive(structure, enrichments=None, color=(1,0,0), radius=None, out_path=None):
	if radius is None:
		radius = calculateRadius([structure])
	coords = np.array(structure.getCoords())
	xs = coords[:,0]
	ys = coords[:,1]
	zs = coords[:,2]
	mlab.figure(bgcolor=(1,1,1))
	if enrichments is not None:
		mlab.plot3d(xs, ys, zs, enrichments, tube_radius=radius, colormap="bwr")
	else:
		mlab.plot3d(xs, ys, zs, tube_radius=radius, color=color)
	if out_path:
		mlab.savefig(out_path)
	mlab.show()

def plot_structures_gif(structures, outname, all_enrichments=None, colors=default_colors, radius=None, increment=10):
	if 360%increment != 0:
		print("Error. Increment must be factor of 360.")
		sys.exit(0)
	if radius is None:
		radius = calculateRadius(structures)
	mlab.figure(bgcolor=(1,1,1))
	for i in range(0, 360, increment):
		for j, structure in enumerate(structures):
			coords = np.array(structure.getCoords())
			if all_enrichments is not None:
				s = mlab.plot3d(coords[:,0], coords[:,1], coords[:,2], all_enrichments[j], tube_radius=radius, colormap="bwr")
			else:
				s = mlab.plot3d(coords[:,0], coords[:,1], coords[:,2], tube_radius=radius, color=colors[j])
		mlab.view(i)
		mlab.savefig("{}_{:>03}.png".format(outname, i))

	mlab.close()
	os.system("convert {}_*.png {}.gif".format(outname, outname))
	os.system("rm {}_*.png".format(outname))

	fig, ax = plt.subplots()
	ax.axis("off")
	for i, color in enumerate(colors):
		plt.text(0.5, i, "structure {}".format(i+1), color=color)
	plt.savefig("structures_legend")
	plt.close()

def plot_structure_gif(structure, outname, enrichments=None, color=(1,0,0), radius=None, increment=10):
	if 360%increment != 0:
		print("Error. Increment must be factor of 360.")
		sys.exit(0)
	if radius is None:
		radius = calculateRadius([structure])
	coords = np.array(structure.getCoords())
	mlab.figure(bgcolor=(1,1,1))
	if enrichments is not None:
		s = mlab.plot3d(coords[:,0], coords[:,1], coords[:,2], enrichments, tube_radius=radius, colormap="bwr")
	else:
		s = mlab.plot3d(coords[:,0], coords[:,1], coords[:,2], tube_radius=radius, color=color)
	for i in range(0, 360, increment):
		mlab.view(i)
		mlab.savefig("{}_{:>03}.png".format(outname, i))

	mlab.close()
	os.system("convert {}_*.png {}.gif".format(outname, outname))
	os.system("rm {}_*.png".format(outname))

def calculateRadius(structures):
	"""Calculate to-scale radius based on Kuhn length and diameter of chromatin"""
	conversionFactors = np.zeros(len(structures))
	for j, structure in enumerate(structures):
		totDist = 0
		coords = structure.getCoords()
		n = len(coords)
		for i in range(1, n):
			totDist += la.calcDistance(coords[i-1], coords[i])
		avgDist = totDist/(n-1)		#average distance between neighboring loci
		physicalDist = kl * (structure.chrom.res/bpPerKL)**(1./2)		#physical distance between neighboring loci (nm)
		conversionFactors[j] = avgDist/physicalDist
	conversionFactor = np.mean(conversionFactors)
	return chromatinDiameter/2 * conversionFactor


If you happen to be Kindle user, you can subscribe to The Complex Litigator at Amazon.com. Two comments come to mind. First, I'm mildly amazed that it is so easy to provide this blog in that way. I'd be "very" amazed, but that would be disingenuous after configuring my own DNS settings with a new registrar, putting Windows 7 RC1 on a netbook, and so on. Second, I had nothing to do with setting the $1.99 subscription price. That is Amazon.com's business.


People who have a lot to accomplish feel that they don't have time to accomplish everything so end up not accomplishing much. People who don't have a lot to accomplish don't have to worry much about time but won't accomplish much anyway.
If you are reading this or other similar articles, I assume that you are in the first category — you have too many things to accomplish and you think you have too little time.
As it has been told many times, you can't manage time (everyone has only 24 hours) — you can only manage yourselves. If you believe in that and start working on your discipline, a lot of progress can be made. For me, this part is the obvious part. The only real resource that you have control over is you — manage it well and you can "sort of" manage time.
Lack of time is a really a manifestation of a bigger problem — lack of leverage in your life. So my proposal is this: Amp up your leverage and you solve your time management problem.
Leverage is anything for which you get a disproportionally high positive return on investment. If all else is equal between two professionals, the person with a higher leverage always wins — and he or she wins with far less effort than the other person.
So, if you work on increasing your leverage you automatically get a cure for your time management problem.


text:
Classic GI: Retrogaming
Sunday, Dec 1st, 2002 | Issue: 116 | Volume: 1 | Read the Full Article
The very concept of Classic GI is based on the assumptions that the old consoles are history; that their stories have ended, and thus can be dissected and retold in these pages. However, assumptions are frequently wrong – none more so than the one that suggests that the systems of yesterday are dead. In fact, in the last few years, there has been a steady stream of new and previously unreleased titles published for consoles, ranging from the legendary Atari 2600 to the all but forgotten Phillips CD-i. While industry giants like Electronic Arts and Square Soft labor to pull off even more graphically complex feats on the Xbox, PlayStation 2, and Gamecube, a devoted and growing subculture of "homebrew" developers are spearheading a revival in old-school gaming.
The retrogaming movement (as it is called by many of its enthusiasts) is gaining momentum, as evidenced by the 20 new titles that made their debut at the recently held Classic Gaming Expo in Las Vegas. Like many grass-roots pop culture phenomena, it is a subculture based not on the profit motive that fuels the mainstream game industry, but a genuine love of the art and craft of video games. In many ways, it is a throwback to the early days of gaming, when all it took to create a groundbreaking title was a little ingenuity, a little imagination, and a lot of hard work. This "Do-It-Yourself" ethic is really a return to the era when a few California hackers turned the world on its ear.
As you might expect, publishing a game without the benefit of millions of dollars and the aid of a huge staff is a mammoth undertaking. R.W. Bivens, co-founder of OlderGames – a company that has published a slate of previously unreleased Phillips CD-i games like Jack Sprite vs. The Crimson Ghost and Plunderball – comments that securing the rights to long-lost titles requires some ace detective work to track down the copyright holder. "A lot of the stuff we do doesn't rely as much on our business skills as our investigative skills. When you're talking about stuff this old, it's like finding a needle in a haystack." Still, companies like OlderGames (and their partner Good Deal Games) have been successful in rescuing many forgotten prototypes from the dustbin of history.
For homebrew enthusiasts intent on creating their own original titles, the challenges are even greater. Some systems, like the Atari 2600, are supported by relatively stable PC emulators. Other more obscure systems, like the Sega CD, require the home developer to track down an original development kit. Even more daunting is the task of overcoming the myriad vagaries and bugs embedded in the hardware of the systems themselves. with no technical support from the original console manufacturers, problems must be solved with a combination of ingenuity and advice from fellow amateur developers. Carl Forham, the owner of Songbird Productions who has programmed several Atari Lynx and Jaguar games commented, "The Jaguar had some very well known bugs in its architecture. So, sometimes we run into things that I don't understand, and there are very few people to go ask anymore, when you don't know what the answer is."
R.W. Bivens concurs, "Not only is it next to impossible to find a Sega CD original dev kit, but, even worse than that, you try to find some really in-depth documentation and it's almost non-existent. It's not just the tools, it's the knowledge."
Once completed, getting the game into a playable form in another laborious step in the process, especially for cartridge based systems like the Lynx or Atari 2600. "It's fairly easy, it's just time consuming," observes Joe Grand, programmer of the homebrew classic SCSIcide. "If you use old cartridges, you can strip the old labels using a heat gun and paint stripper, then, you put on a new label." Modifications must also be made to the original circuit boards. In hopes of making things easier for fellow home developers, Grand is now marketing his own line of 2600 circuit boards which are available online at www.atariage.com, and plans to debut a line of custom colored cartridge casings in the next year.
This laundry list of developmental hurdles begs the question: Why are so many people willing to sacrifice so much of their time and personal resources to create titles for systems that most Americans have long since filed away in some dusty corner of their closets? For most of the homebrew developers we talked to, this hobby is simply an outgrowth of a lifelong love of games and programming. "I came from a background where i was a huge fan of games. but at the same time I could turn around and do something that I really enjoy," reminisces Bivens. "Plus, I get to be a part of that whole process of creating and putting them out. That's priceless to me; it's really a dream job."
Joe Grand, an electrical engineer by trade, attributes his love of classic development to the challenge inherent in overcoming the technical constraints of these now primitive systems. "The constraints are what makes the Atari so great, and it's what makes the games and programming the games a challenge. It's a puzzle…If you're given the latest and greatest hardware with the best hardware accelerators, a gig of RAM, and unlimited ROM size, where's the fun?"
Talking to the leading lights of the retrogaming scene, it's also obvious that the movement is tied together by a very real sense of community, inspired by a mutual love and admiration for the early days of video games. "The classic gaming community seems to be a real genuine group of individuals," said Michael Thomasson of Good Deal Games. "We are a fairly close group and our love of the hobby makes us pretty aware of what is happening in the retro scene…Over the years, I have met some absolutely fantastic individuals, all with unique stories to tell. Just walk around with an Atari shirt on for a single day, and you'll be surprised how many individuals approach you and tell you of their fond times with their VCS just like it was yesterday.
Interest in the homebrew development, and classic gaming in general, is growing with each successive year. It's tempting to wonder if this garage industry might soon grow into a money-making enterprise in its own right. On this issue, the people we talked to were somewhat divided. "It would be nice to make a little bit of money, but I'm not expecting to," says Joe Grand, "I think that this community is fairly small, as far as classic games go. There are a lot of collectors, but even that number is fairly small. The amount of developers is even smaller. If that's my target audience, then there are only so many people that are going to buy my circuit board or buy my cartridge casings."
R.W. Bivens is more optimistic, and feels that the retrogaming scene will one day rival even the current systems in popularity. "I definitely guarantee that it's going to both [profitable and a labor of love], because of the way our business has become. It started off as fun, but we've received a million page views our first month, so there is definitely a lot of consumer interest out there. One thing to think about is this: How many 8-bit Nintendos, how many Super Nintendos, how many Sega Genesis units are out there? How many units of those systems were sold worldwide? When you think about it, we, in all actuality, have the largest market share in the game industry; it's just about that people don't know about it yet."
Even if retrogaming never becomes a force in the marketplace, it is already a success, if only for the fact that it shows that there is still a place for the dedicated hobbyist who wants to bring his vision to life. "I think that's the appeal here; You can take a system and pretty much do it from start to finish yourself, or maybe just you and an artist. It's not at all like a Playstation 2 or Gamecube budget where you need all the full motion video, thousands of hours of gameplay, or a massive fantasy world," observes Carl Forhan.
For Joe Grand, the reward is in the process itself, and the appreciation of the devoted video game collectors out there. "It's rewarding to release a game, to sell a game to people – to have people actually play your piece of work. So, I think [retro gaming is] partly nostalgia, and partly just wanting to provide something new to people and your fellow collectors." This simple urge to create, to conceive unique and fun gameplay experiences, is certainly the most admirable part of the homebrew movement, and something that today's market-driven video game industry would be wise to learn from.


CCTV images have been released of a man police would like to speak to as part of their enquiries into several thefts from builders' merchants in Cuffley and Berkhamsted.
Between 10.45am and 11am on February 11, an offender entered the same Travis Perkins and put a selection of hammers up his jumper before leaving without paying for them.
He then returned to the store and did the same again before staff became aware of what he was doing.
PC Sue Desmond from the Berkhamsted Safer Neighbourhood Team said: "We believe the man pictured may have information that can assist our ongoing investigation.
"If you recognise him or have any information that could help our enquiries please contact me by emailing susan.desmond@herts.pnn.police.uk, calling the non-emergency number 101, quoting the relevant crime number, or report information online at www.herts.police.uk/Report.


A Year of Being Here: Suheir Hammad: "talisman"
"talisman" by Suheir Hammad. Published online by TheScreamOnline.com (date unknown).
Image credit: "Amulet, 11th century, Fatimid, Egypt," ink on paper (originally color). Note from source: "Centuries before block printing was introduced in Europe, the technique was used in the Islamic world to produce miniature texts consisting of prayers, incantations, and Qur'anic verses that were kept in amulet boxes. The text on this amulet is in the angular kufic script. The six-pointed star, a familiar symbol in Islamic art, is usually called `Solomon's seal.'"


text:
Laparoscopic correction of vesicoureteral reflux
A. Atala, L. R. Kavoussi, D. S. Goldstein, A. B. Retik, Craig A Peters
Major advances have been made in the area of laparoscopic surgery. The advantages of this approach include smaller incisions, shorter hospitalizations, a more rapid convalescence and decreased postoperative discomfort. To explore the technical feasibility of performing antireflux surgery laparoscopically, we conducted a pilot study in 4 mini-pigs in which bilateral vesicoureteral reflux had been created surgically. We applied a modification of the Lich extravesical ureteral approach to perform laparoscopic antireflux surgery. All mini-pigs underwent successful unilateral mobilization, creation of a bladder wall trough and creation of a new ureteral tunnel laparoscopically. Examinations were performed postoperatively, and then serially at 1, 2, 3 and 5 months after repair. Fluoroscopic cystograms demonstrated the resolution of reflux in the corrected ureters and persistence of reflux in the uncorrected control ureters in all animals. Excretory urography showed no evidence of obstruction. Laparoscopic correction of vesicoureteral reflux appears to be technically feasible in the animal model. Long-term followup is necessary to determine the possible applicability of this technique in humans.
2 SUPPL.
Vesico-Ureteral Reflux
Urography
Cystography
peritoneoscopy
replantation
Atala, A., Kavoussi, L. R., Goldstein, D. S., Retik, A. B., & Peters, C. A. (1993). Laparoscopic correction of vesicoureteral reflux. Journal of Urology, 150(2 SUPPL.), 748-751.
Laparoscopic correction of vesicoureteral reflux. / Atala, A.; Kavoussi, L. R.; Goldstein, D. S.; Retik, A. B.; Peters, Craig A.
In: Journal of Urology, Vol. 150, No. 2 SUPPL., 01.01.1993, p. 748-751.
Atala, A, Kavoussi, LR, Goldstein, DS, Retik, AB & Peters, CA 1993, 'Laparoscopic correction of vesicoureteral reflux', Journal of Urology, vol. 150, no. 2 SUPPL., pp. 748-751.
Atala A, Kavoussi LR, Goldstein DS, Retik AB, Peters CA. Laparoscopic correction of vesicoureteral reflux. Journal of Urology. 1993 Jan 1;150(2 SUPPL.):748-751.
Atala, A. ; Kavoussi, L. R. ; Goldstein, D. S. ; Retik, A. B. ; Peters, Craig A. / Laparoscopic correction of vesicoureteral reflux. In: Journal of Urology. 1993 ; Vol. 150, No. 2 SUPPL. pp. 748-751.
@article{298fc0480dac4bb6bf2dc7680b949b5a,
title = "Laparoscopic correction of vesicoureteral reflux",
abstract = "Major advances have been made in the area of laparoscopic surgery. The advantages of this approach include smaller incisions, shorter hospitalizations, a more rapid convalescence and decreased postoperative discomfort. To explore the technical feasibility of performing antireflux surgery laparoscopically, we conducted a pilot study in 4 mini-pigs in which bilateral vesicoureteral reflux had been created surgically. We applied a modification of the Lich extravesical ureteral approach to perform laparoscopic antireflux surgery. All mini-pigs underwent successful unilateral mobilization, creation of a bladder wall trough and creation of a new ureteral tunnel laparoscopically. Examinations were performed postoperatively, and then serially at 1, 2, 3 and 5 months after repair. Fluoroscopic cystograms demonstrated the resolution of reflux in the corrected ureters and persistence of reflux in the uncorrected control ureters in all animals. Excretory urography showed no evidence of obstruction. Laparoscopic correction of vesicoureteral reflux appears to be technically feasible in the animal model. Long-term followup is necessary to determine the possible applicability of this technique in humans.",
keywords = "peritoneoscopy, replantation, ureter, vesico-ureteral reflux",
author = "A. Atala and Kavoussi, {L. R.} and Goldstein, {D. S.} and Retik, {A. B.} and Peters, {Craig A}",
number = "2 SUPPL.",
T1 - Laparoscopic correction of vesicoureteral reflux
AU - Atala, A.
AU - Kavoussi, L. R.
AU - Goldstein, D. S.
AU - Retik, A. B.
AU - Peters, Craig A
N2 - Major advances have been made in the area of laparoscopic surgery. The advantages of this approach include smaller incisions, shorter hospitalizations, a more rapid convalescence and decreased postoperative discomfort. To explore the technical feasibility of performing antireflux surgery laparoscopically, we conducted a pilot study in 4 mini-pigs in which bilateral vesicoureteral reflux had been created surgically. We applied a modification of the Lich extravesical ureteral approach to perform laparoscopic antireflux surgery. All mini-pigs underwent successful unilateral mobilization, creation of a bladder wall trough and creation of a new ureteral tunnel laparoscopically. Examinations were performed postoperatively, and then serially at 1, 2, 3 and 5 months after repair. Fluoroscopic cystograms demonstrated the resolution of reflux in the corrected ureters and persistence of reflux in the uncorrected control ureters in all animals. Excretory urography showed no evidence of obstruction. Laparoscopic correction of vesicoureteral reflux appears to be technically feasible in the animal model. Long-term followup is necessary to determine the possible applicability of this technique in humans.
AB - Major advances have been made in the area of laparoscopic surgery. The advantages of this approach include smaller incisions, shorter hospitalizations, a more rapid convalescence and decreased postoperative discomfort. To explore the technical feasibility of performing antireflux surgery laparoscopically, we conducted a pilot study in 4 mini-pigs in which bilateral vesicoureteral reflux had been created surgically. We applied a modification of the Lich extravesical ureteral approach to perform laparoscopic antireflux surgery. All mini-pigs underwent successful unilateral mobilization, creation of a bladder wall trough and creation of a new ureteral tunnel laparoscopically. Examinations were performed postoperatively, and then serially at 1, 2, 3 and 5 months after repair. Fluoroscopic cystograms demonstrated the resolution of reflux in the corrected ureters and persistence of reflux in the uncorrected control ureters in all animals. Excretory urography showed no evidence of obstruction. Laparoscopic correction of vesicoureteral reflux appears to be technically feasible in the animal model. Long-term followup is necessary to determine the possible applicability of this technique in humans.
KW - peritoneoscopy
KW - replantation
KW - ureter
KW - vesico-ureteral reflux
IS - 2 SUPPL.


text:
Gloria Trevi właśc. Gloria de los Ángeles Treviño Ruiz (ur. 15 lutego 1968) – meksykańska piosenkarka i autorka tekstów piosenek.

Życiorys
Urodziła się w 1968 roku w Monterrey w Meksyku. W 1985 została członkinią grupy muzycznej Boquitas Pintadas, jednak grupa rozpadła się w 1988 roku. Po rozpadzie grupy Trevi zdecydowała się na karierę solową. W 1989 roku ukazał się jej album ¿Que hago aqui? (Co ja tu robię?), który okazał się sukcesem i zapewnił jej duży rozgłos. Od tej pory Trevi często była nazwana Madonną z Meksyku.

Kolejne albumy piosenkarki Tu Ángel de la Guarda oraz Me siento tan sola także okazały się hitami i umocniły pozycje Trevi na meksykańskim rynku muzycznym. Dodatkowo zapewniły jej rozgłos także w innych krajach hiszpańskojęzycznych.

W 1994 roku wydała single El Recuento De Los Danos i La sin papa katsup z albumu Más Turbada Que Nunca, oba trafiły na szczyt listy przebojów Billboard Latin.

W 2000 Trevi została aresztowano w Rio de Janeiro w Brazylii, pod zarzutem gorszenia nieletnich. W 2004 roku została zwolniona z aresztu, ze względu na brak dowodów, po spędzeniu w nim czterech lat i ośmiu miesięcy.

Prywatnie Trevi od 2009 roku ma męża Armanda Gomeza, prawnika. Mieszka w McAllen w Teksasie.

Dyskografia
 1989: ¿Qué hago aquí? (Ariola)
 1991: Tu ángel de la guarda (Ariola)
 1992: Me siento tan sola (Ariola)
 1994: Más turbada que nunca (Ariola)
 1995: Si me llevas contigo (Ariola)
 2004: Cómo nace el universo (Ariola)
 2007: Una rosa blu (Univision Records)
 2011: Gloria (Universal Music Latino)
 2013: De película (Universal Music)
 2015: El amor
 2016: Inmortal

Filmografia wybrana
 1991: Pelo suelto
 1993: Zapatos viejos
 1995: Una papa sin catsup
 1997: XE-TU Remix
 2011: Pequeños gigantes
 2013: Libre para Amarte
 2014: A toda Gloria

Przypisy

Meksykańskie wokalistki
Urodzeni w 1968
Meksykańskie aktorki filmowe
Ludzie urodzeni w Monterrey


When the IBM 360 tools project started running late managers hired more programmers. And then they iterated this process, eventually boosting team size from the projected 150 to over a thousand developers. They found that each new batch of hiring slowed the project dramatically. Fred Brooks recounts in his seminal must-read "The Mythical Man-Month" that the effort eventually ran years late and dramatically over-budget.
As a result of this debacle he formulated the thesis now known as Brooks Law: adding people to a late project makes it later.
Barry Boehm's Constructive Cost Model (COCOMO), used for estimating software schedules, mirrors this finding. As projects grow in size individual productivity plummets. There's an exponential relationship between the schedule and the size of the project as measured in thousands of lines of code. Typically COCOMO predicts that as a program swells to the million line of code mark programmers will each crank just 17 lines of code per month.
The reason is communication, of course. A small project done by one lone developer has zero comm channels. it's all in Joe's head. Two folks have a single link. The number of channels is N(N-1)/N, practically an n**2 rate. Pretty soon, with enough people, everyone is so busy attending meetings, responding to email, writing reports and it's rare they have time to leak out a line or two of code.
Microsoft puts armies of developers on big projects like Windows and Office. Could this be contributing to the embarrassing delays in Vista (ne' Longhorn)?
Of course it's impossible to deliver 50 MLOC with only a dozen people on the team. But it is possible - perhaps mandatory - to partition projects into small bits and pieces, each logically distinct, each of which can be implemented by a handful of programmers.
What's the situation in the embedded world? One 2001 survey found that the average embedded project used about 7 developers, a surprisingly small number. Yet firmware content doubles every 10 months to two years, depending on who you believe, so this data may not represent the situation today. It's not uncommon to have a million lines of code anymore, which is a huge effort likely to consume the efforts of hundreds of developers.
Yet teams of that size are fairly rare. A lot of these giant projects are organic, having evolved over the years from smaller apps as features and functionality get added from one release to the next. Sometimes a newly acquired company has a big code base that gets integrated into the buyer's products. I've run into a couple of groups managing humungous chunks of code with only a handful of developers.
Today's business mantra dictates doing more with less. But that doesn't square with skyrocketing code sizes.
How big are your projects. and how many developers do they use? Are there enough. or too many?


text:
Q: Multiple external clients for users on identityserver4 I am working on a project that allows a user to create a user to create app keys or secrets so that specific services can be used by external clients. A user can create multiple secrets that they can choose to use across multiple clients.
For this I am planning to create a decoupled auth server that will use identityserver4.
What really holding me back is that I am not sure whether or not I should create an API layer at the auth server. The reason I am considering API at auth server is so that I can create sort of an admin portal client that will give the users a front-end for creating, renewing, and accessing their app keys/secrets. Even the admin portal is going to be a de-coupled angular application.
There are two things that are holding me back at the moment:

*

*I am not sure if it's a good or safe idea to serve this data via
an api layer. From what I understand, identityserver will not be able to provide functionality that allows me to access a list of a user's clients through an endpoint but please correct me if I'm wrong and there's a better way to approach this.

*I know we can easily create new clients and persist it into the database with identityserver4 and I am planning to use ClientCredentials grant types for user clients, but is there a link at the database and identity level between a user and a client? Or will I need to create that functionality by myself?

So far I've looked but I have not bee able to find examples that are similar to my situation with identityserver4
Sorry for the noob question, I am just getting into identityserver and web security in general so many of these concepts are still very new to me.

A: For number 1, I would say yes you can create an API layer to server data. If you check the IdenttiyServer4 AdminUI, Rock Solid has also use the admin API behind the UI. But you must consider encryption, TLS and other security mechanism to keep this safe.
AFIK for number 2, there are no links at identity level between a user and a client. You have to create that by yourselves.
Basically, you need a system that supports Multitenancy. I have achieved that by adding a TenantId field in the AspNetIdentity user table. And also added the tenant Id to claim list.
Please do not hesitate to correct me if i am wrong.


text:
Q: How do I line up the Age and Name input boxes without using javascript or tables I'm trying to find a way to line up the input boxes for Name, Email, Age. The boxes are lined up for name and email. However, how do I change the width or margin to line up the input box to match that of name and email.
Also, how do I make the option value box bigger that accompany "Which option best describes your current role" label?
I have tried to adjust the width, margin to try to get the box to line up to email/age however it does not work. It seems that when I do margin-left it moves the label further away from the input box.

#Title{
  text-align: center;
}
#description{
  text-align: center;
}
body{
  background-color: #a9d7d1;
  margin: 50px 200px 20px 200px;
}
#Survey-form{
  background-color: #f0f0f0;
  text-align: center;

}

#Name{
  text-align: left;
  width: 200px;
  height: 25px;
  display:inline-block;

}
#Email{
  text-align: left;
  width: 200px;
  height: 25px;
  display:inline-block;

}
#Age{
  text-align: left;
  width: 200px;
  height: 25px;
  display:inline-block;
}

label[for=role]{
margin-left: -345px;
width: 40px;

select required {
    width: 450px;
    margin: 10px;
}

div{

}

  <title>Survey Form </title>

<link href="SurveyForm.css" rel=stylesheet>

 Survey Form

  <form id="Survey-form">

Let us know how we can improve freeCodeCamp

  Name:
    <input type="text" name="Name" id="Name" placeholder="Enter your name">

  Email:
    <input type="email" name="Email" id="Email" placeholder="Enter your email">

   Age:
  <input type="number" min = "18" max="110" name="Age" id="Age" placeholder="Age">

  Which option best describes your current role?
    <select required>
      <option value="selected disabled">Select an option </option>
    <option value="Student">Student</option>
    <option value="FullTimeJob">Full Time Job</option>
    <option value="FullTimeLearner">Full Time Learner</option>
    <option value="NotToSay">Prefer Not to Say</option>
    <option value="Other">Other</option>
  </select>

How likely is that you would recommend

freeCodeCamp to a friend?

<input type="radio" name="recommend" class="recommend" value="Definetly"> Definetly

  <input type="radio" name="recommend" class="recommend" value="Maybe"> Maybe

  <input type="radio" name="recommend" class="recommend" value="NotSure"> Not Sure

  What do you like most in FCC:
    <select required>
      <option value="selected disabled">Select an option </option>
    <option value="Challenges">Challenges</option>
    <option value="Projects">Projects</option>
    <option value="Community">Community</option>
    <option value="Open Source">Open Source</option>
  </select>

Things that should be improved in the future.
(Check all that apply):

  Front-end Projects: <input type="checkbox" name="sports" value="Front-end Projects">

  Back-end Projects: <input type="checkbox" name="sports" value="Back-end Projects" >

  Challenges: <input type="checkbox" name="sports" value="Challenges">

  Open Source Community: <input type="checkbox" name="sports" value="Open Source Community">

  Gitter help rooms: <input type="checkbox" name="sports" value="Gitter help rooms" >

  Videos: <input type="checkbox" name="sports" value="Videos" >

  City Meetups: <input type="checkbox" name="sports" value="City Meetups" >

  Wiki: <input type="checkbox" name="sports" value="Wiki" >

  Forum: <input type="checkbox" name="sports" value="Forum" >

  Additional Courses: <input type="checkbox" name="sports" value="Additional Courses" >

  Any Comments or Suggestions?
  <textarea rows="4" cols="44" name="comment" form="usrform">
     Enter your comment here...</textarea>

<input type="submit" value="Submit">

</form>

The boxes should line up and I want to make the select an option box bigger for the label Which option best describes your current role?

A: Here you go, Wrap your input elements using wrapper .row then divide into two columns .right, .left set relevent widths accordingly and use display: inline-block; to create grid.
You can use ul to create radio and checkbox list like I did below and get rid of

.form {
  max-width: 900px;
  width: 75%;
  padding: 10px;
  background: #fff;
}

div.row {
  display: block;
  margin-bottom: 10px;
}

div.right {
  width: 45%;
  display: inline-block;
  text-align: left;
  vertical-align: middle;
}

div.left {
  width: 30%;
  display: inline-block;
  text-align: right;
  vertical-align: top;
}

.input-list {
  display: block;
  list-style: none;
  padding: 0;
}

.radio-li, .checkbox-li {
  display: block;
  padding-bottom: 10px;
}

.radio, .checkbox {
  float: left;
  margin-right: 5px;
  background: #000;
}

             Name:

             <input type="text" name="name" class="input" placeholder="Enter your name">

             Which option best describes your current role?

              <select>
                 <option value="selected disabled">Select an option </option>
                 <option value="Student">Student</option>
                 <option value="FullTimeJob">Full Time Job</option>
                 <option value="FullTimeLearner">Full Time Learner</option>
                 <option value="NotToSay">Prefer Not to Say</option>
                 <option value="Other">Other</option>
              </select>

             How likely is that you would recommend freeCodeCamp to a friend?

Definetly<input type="radio" name="recommend" class="recommend radio" value="Definetly">

Maybe <input type="radio" name="recommend" class="recommend radio" value="Maybe">

Not Sure <input type="radio" name="recommend" class="recommend radio" value="NotSure">

             Things that should be improved in the future.(Check all that apply):

Front-end Projects: <input type="checkbox" name="sports" class="checkbox" value="Front-end Projects">

Back-end Projects: <input type="checkbox" name="sports" class="checkbox" value="Back-end Projects" >

Challenges: <input type="checkbox" name="sports" class="checkbox" value="Challenges">

              Any Comments or Suggestions?

             <textarea rows="4" cols="30" name="comment" form="usrform">Enter your comment here...</textarea>


Located in the heart of Tuscany, Florence is a stunning location for your wedding abroad in Italy. By getting married in Florence, you will be able to take full advantage of the gorgeous stone buildings, rolling hills and unbeatable views that this gorgeous destination has to offer.
SHOWING 2 HISTORIC WEDDING VENUES "in Florence"
If you are planning a wedding abroad in Italy then Florence just has to be on your list of destinations to explore. A wedding abroad in Florence will be absolutely stunning and you can take full advantage of this gorgeous location as many of the wedding venues boast spectacular views and backdrops that will look simply stunning in your wedding photos. Florence is also a popular choice with the A-listers – with Kim Kardashian and Kanye West celebrating their nuptials in a romantic Florence ceremony. If you dream of a traditional Italian wedding day then make your vows in one of the many beautiful churches in Florence and then celebrate your reception in one of the stunning stone palaces or luxurious hotels where you and your guests can really celebrate in style. For the ultimate Italian wedding celebration you simply can't beat the luxury, glamour and style that Florence has to offer.


I love all of these, as they rock different trends-you have all white strapless, floral strapless, tiered (ra-ra) style and the shift is so Marni!!
Thank you so much for calling me stylish and creative! It really means something to me, because I love your style so much!
From your choice of dresses I'd like to get the first and the third one, because I need something romantic so hard. Perhaps I'll make something like this by myself.
Although it wouldn't suit me, I love the frilly monsoon one!
that bottom one from H&M is really really cute! love the pattern and shape!
Ooo excellent choices! Why is the darned dollar so weak... le sigh.
Hi charlotte-yes these ones you like are very romantic looking!! That would be ace if you can make one for yourself-I'd love to see the end result!!
Hi Ida-you would so rock in this first one!! I don't think I've seen you in all white! The last one is short, but you would look stunning in it with your legs!!
Hi ladies who lunch-thats just what I thought!!
Hi ash1314-it is cute, but I love that one you showed us in your last post-its adorable on you!
Hi pamcasso-I agree, its so cute and vibrant!!
Hi wendy-yes i like this one too-it has a grown up marni vibe to it!!
o love the h&m dress most, fortunatly its the cheapest one :D i also like the white one. i need such for the summer! its gonna be a extremely hot one and i want to be prepared.
Love the house of fraser number. I've seen the H&M one and find the material too synthetic for my taste.
oh, love the one from monsoon!
Love the last h&m dress, it's so cute!!!
Hi fashion puppy-these are great styles-I hope you find what you're looking for!!
Hi Silje-I'm so pleased you had a wonderful weekend and now you can look forward to the next ten years-ha ha!! You also get amazing finds Silje-this last dress is so reminiscent of your vintage one- you did look so lovely in it!!
Hi cate-wow!! I hope you do get it (or something similiar!)-I'm sure it will look gorgeous on!!
Hi kate-thats the downer of internet shopping-you can't get a feel or fit of things!!
I really like the H&M dress! The print is so pretty, girly & fun :D & yes of course I'd like to exchange links! :) Added you!
Oooh I love the last 2, thanks for sharing!
Hi times of glory-thanks for stopping by my blog and I'm also adding you right now too!! Yes, these dresses are so inspirational for summer!
Hi yiqin-thanks for stopping by my blog-yes, the h&m one is cute! I'm adding you to my list too-thanks!!
Hi fashion chalet-Yes-it is gorgeous!!
Hi Danz-I know what you mean-they are all simply lovely-I'd have them all-ha ha!!
Hi Nic-yes I'm loving them too!!
Hi angie hearts-it is gorgeous, so frilly and romantic-ha ha!!
Oh my, I have such a crush on that H&M dress!
Hi vain and vapid-it is soo cute, I agree!
very nice, i really like the last one!
Hi studentstil, Mira and Emma-The H&M dress wins the vote then, girls!!!
I was about to say I like the H&M, but in fact, I need it! it's soooo cool! great find;)! really. BTW, I don't know if I've ever mentioned before, but I really like your header;)!
Hi atelier-yes the H&M one is a popular choice!! Thanks so much about my header!!
Hi marte and winnie-thanks so much for your comments, sorry I didn't reply earlier!!
Hi chrystle-thanks for stopping by with your lovely comment!
Hi annaura-thanks for stopping by with your lovely comment!!


Special feature is the large presence of suppliers throughout the whole automotive value added chain, including special interest media, workshop equipment, engineering services, tuning and telematics solutions.
The origins of the IAA can be traced back to more than 115 years. In 1897, 8 motor vehicles were exhibited to the public at the Bristol Hotel in Berlin. From these humble beginnings, a regular exhibition was established. Due to its high visitor and exhibitor turnout, the IAA was developed into a yearly alternating exhibition of passenger cars and commercial vehicles in 1991.


A mum pregnant with twin boys gave birth to both at home when they arrived early – with one popping out on the toilet.
Olivia Abrahams, who has cerebral palsy which affects her ability to walk, was 37 weeks into her pregnancy when she was suddenly desperate for the loo.
She sat on the seat and was stunned when the first baby dropped out and was left dangling from its umbilical cord just above the water.
Shocked Olivia, 36, managed to manoeuvre herself off the seat and crawled to the nearest phone in her bedroom clutching her newborn son.
She rang husband Dean, 41, who had taken their three year-old son Noah to his swimming lesson.
He called an ambulance and paramedics rushed to the house in Shenley, Herts where they cut the umbilical cord and checked the baby over.
They were preparing to take Olivia to hospital an hour later when the second twin suddenly arrived.
Around a dozen medical staff, including three midwives, flocked to the house to make sure all was well.
Olivia and her babies eventually reached hospital where they were all declared healthy and allowed to return home three days later.
The first twin Jonah was born at 6lbs 15oz while baby Cole weighed 6lbs 10oz.
Childminder Olivia said: "At the time I thought I just needed the toilet. I pushed and suddenly I was in dire pain, but it wasn't enough to think I was having a baby.
"I heard a noise and I looked down and there was this baby and he was already crying.
"He was curled up with his bottom touching the water and he kept trying to move.
"I was there for about ten minutes trying to work out how to take him out, it was really scary.
"I picked him up and crawled to get the phone on my knees.
"I laid him on our heated tiles in the bathroom with a towel round him to keep him warm until paramedics came.
"I was put on the bed and eventually they tried to get me into the ambulance to go to hospital.
She added: "The doctor said I'd been really lucky. If he hadn't been in a perfect position I would have been in a lot of trouble.
Dean, a bank project manager, missed the double births and returned home to find it crowded with health workers.
He said: "When I saw the first baby I couldn't believe it.
"Over the next few minutes more and more people came in including three midwives. It was almost like a pantomime.
He added: "Both babies are fine and eating and sleeping well. Noah has been chatting to them and he enjoys holding them.


Every year, SICOT holds a congress which attracts thousands of clinicians and researchers from all over the world. Scientific papers and lectures are presented in the traditional fields; world-class invited speakers provide contemporary thought on the latest concepts as well as on conservative and surgical treatment methods. They provide a forum for presentation of original work and for education.
Trainees' Meetings offer trainees a unique opportunity to present papers and to meet for instruction by leading orthopaedic surgeons. Where possible, Trainees' Meetings are held together with Orthopaedic World Congresses.
Information about future scientific meetings being organised by SICOT can be found here.


"What separates human from animal?" asks ceramist and mixed-media artist Lindsay Pichaske. "What borders exist between real and imagined, beautiful and repugnant, animate and inanimate?" These are among the questions underlying the strange menagerie that has recently taken up residence at Duane Reed Gallery in the artist's intimate new solo exhibition. Through each one of the carefully crafted animal sculptures on view, she challenges biological taxonomies, busting boundaries between species by merging their features and forms to create hybrid beings that are much more than the sum of their manifold parts.
There is, for example, The One That Got Away (2014), a wall-mounted head, which, at first, looks like a gazelle. But something, many things, are subtly off: its pelt is oddly mottled and fluffy; its face is too purely white; its eyes are blue and uncannily human; and its gracefully curving horns seem to go on for too long. Closer inspection reveals that where there should be fur there are chicken feathers, a jarring avian-mammalian juxtaposition made all the more extreme by their seamless integration into one form. Chicken feathers also grow out of a standing, deer-like creature, oppositely titled, The One That Stayed (2014). The feathers cover only its ears and hooves. The rest of its body, including its impossibly elongated legs, is a hairless, deep charcoal black, causing it to appear otherworldly, ghostlike, hovering between life and death, or, perhaps, an afterlife. The Hare (2014), a crimson sculpture of a reclining hare, also seems at once alive and dead. While its lush coloring and articulated musculature suggests alertness, it also looks like it has been skinned.
"Lindsay Pichaske" is on view at Duane Reed Gallery May 23 – June 21, 2014.
Follow Duane Reed Gallery on Artsy.