Over the last few weeks there has been a great deal of discussion regarding the methods by which players can enter and manage 100's of lineups on DraftKings as well as interest in what customers can do to reduce the time commitment necessary to do so. As you all know our policy until now has been to disallow automated access or scripting on the site in all cases. After a long internal discussion we have made the decision to change our terms to allow our customers to use scripts to automate a short list of time consuming behaviors on the site.
There is no other scripted or automated behavior that will be tolerated and we will be monitoring for any behavior that violates our terms. There will be no warnings for violations and the penalty for such a violation will be at the sole discretion ofDraftKings up to and including forfeiture of all winnings/balances on the site.
We appreciate your patience as we've worked to solidify a reasonable and enforceable set of rules as DFS and the size of contests has grown. We hope this will provide clarity for those looking to save some time on a day to day basis while playing on DraftKings.
For more information on this update please visit our terms and conditions page for full language regarding access and of course feel free to email us at support@draftkings.com with any questions you have related to this change.
Would be awesome if BBM Lineups could be imported.
Honestly, I don't have access to these type of scripts so My Draft Kings account will remain dormant until I do. Not gonna compete with Auto bots when i have to manually enter hundreds of lineups to have a chance.
I don't completely understand the issue here. How are people getting an advantage with these bots? Is it just the ability to make massive changes quickly? And is this more relevant for DK where lineups can be altered once the contest begins?
Its the ability to import lineups directly to the site in a matter of minutes where it takes the non script users several hours to do so.
I have attempted to play 200 lineups in a GPP in NASCAR, PGA and MLB. Not as much of an advantage NASCAR and PGA where the player pool is known days in advance of roster locks but with MLB it is a huge advantage to be able to upload, edit or cancel hundreds of entries in minutes.
An example would be yesterday with the WASH/CIN game. 10 mins before lock game is canceled. I was not in any GPPs but if i had 200 lineups out there i would have been screwed. No way i could have made changes before lock.
When i have attempted to play 200 or more lineups in a GPP it takes me HOURS to just click through and enter the lineups once i find my player pool. To be able to do that in a matter of minutes is HUGE in my opinion.
In my opinion this is a rocky road DK is traveling.
With thousands of folks already out there trying to label DFS as gambling, this just gives them ammunition to use.
In a few months you will see script writers taking advantage of this by cashing in on the ability to sell software to build and edit lineups.
Not much skill involved with pulling out a credit card buying an algorithm based program to choose your lineups and import them to the site.
Guess we all have the ability to choose where we play and for me I choose to not play at DK. I just hope they don't fook it up for all of us.
I've always thought that DFS would eventually jump the shark, but I didn't think it would happen this soon.
Why in the world would DK do this? It's impossible to overcome their vig, unless you're a pro. They must think they can attract enough guppies to feed the sharks, and keep recycling new people with advertising. Soon enough, everyone will know that DFS is a scam, impossible to win even a little bit, and it will collapse under its own weight.
Say I run a script to enter 10 lineups in a multi-entry game. I enter the exact same lineup 10 times. The lineup ties for 1st place with one other user who entered only ONE lineup. So basically, he gets 1/11th of the total prize, while I get 1/11th for each entry (10/11ths total). Now, multiply those entries by 10 different lineups. So now, I'll basically have 10 different lineups, entered 10 times each, to have 100 chances at winning a bigger prize OR more of that prize. Not sure if that's coming across right and making sense, but that's how I see there being any kind of "advantage" to running a script. If you have the money to enter, you could give yourself a better chance to not only win a top prize (by picking the right lineup of course), but also win MORE of a share of that prize (in case you tie with anyone else).
And I say "advantage" (as in "unfair") because I can see the advantages of using a script if you were to enter ONE lineup into 100 different contests, and needed to change that lineup quickly. However, the site's functionality pretty much does that action just as easily as a script could (at least on FD). Just change one lineup, and export it everywhere else.
So coming full circle from that thought, my question is...why not just stop running multi-entry games? That would pretty much put an end to the bots and their "advantage", right? Or, is that just too simple a solution?
They need the big prize pools that mutli entry provides to bring in the new members. 10 entries is not a problem to manage....even 100 is not too bad. The people that are using the bots to generate and upload lineups are entering 500/1000 entries per contest. Basically they are generating their player pool and then creating hundreds of different combinations of that player pool to cover all their bases, Generally when they hit, they hit very big. Not only will they cash top prize but several instances where they cash more than 50% of the top 10 prize places. Makes for a good payday when you have the bankroll to do it.
FD will allow it as well but permission has to be requested and granted.
To make it fair to everyone, DK and FD could make a script so everyone can use it. However, the guy with the bigger bankroll will still be able to make hundreds of entries that most players can't so they have a differential advantage with the scripts. I would think that the big players pick one or two pitchers for the day and create a players pool they think has the most chance of winning and run combinations of hitters off of it.
One trouble with leaving FD and DK is that they are the biggest DFS operators and offer the biggest payouts. You can't just run to Yahoo and expect the same payouts.
That's what the FD and DK are saying and beside the point. Do you trust them with your money to run a fair game?
What's motivating them to change is they make more money with the scripts and not the interest of the majority of players.
Furthermore, you can do what you just said, but you'll have to write a script or have someone write it for you. The sites do not provide the script. That's an uneven playing field, for one. What if you run a script to gather data (data mining) and then use that data to make your selections? Oh, if that happens, then the company is suppose to stop it behind the scenes. Will they say something against their best customer who is making them money?
Already, I'm seeing one player get multiple wins and taking a good chunk of the pool. They do not have to end up being the big winner to rake it in.
1. High volume multi entry players (which I have done on occasion) are the only way to support the large field tournaments. If there weren't people submitting hundreds of lineups these tournaments would have to shrink in total size.
3. I am not sure why scripting is considered an unfair advantage when it's available to anyone. It's not as if only certain players are allowed to do it which I think would then be considered an issue or an advantage.
Welp, my basic issue is #3. If FD and DK can provide a script for everyone that will only do what they allow (for managing multiple entries) and not let other scripts run, then that would level the playing field.
It still takes skill to enter multiple lineups. Multi entry does give you an advantage but it isn't as easy as just enter a bunch of lineups and be successful. You still have to have skill. I have no issue with it because people are playing by the rules and paying for each entry.
My issue is allowing the late swap. They other night Liriano was scratched right before his start. If you had a script you could get him out all over. That is my issue. We all do not have access to this so there is a huge advantage here. If a player goes down or in the NBA is a late scratch you should have to scramble like everyone else. Running a script to allow changes then gives you a huge advantage. I would have less of a problem if you could enter but not edit. That or allow something where we all had access to it.
I'm not here to argue or put what anyone is saying down. They're entitled to their own opinion. Mine is my own, too.
I suppose I am SKEPTICAL of the FD and DK companies who aren't up front about things. Things such as scripts should be made available to all. That way, I know what is being run and companies can keep track.
I do not want managers to gather which player is being played info, see the players that I am playing, gather a history of what others have played and so on. Most of all, not be able to change their players while the game is going on. What???!!!???!!! Read on.
I can only go by what has happened to the online poker industry. It used to be a game of skill and legal in the US. It isn't anymore and all the companies have gone offshore.
Here is a script anybody can use for mass entering lineups. Good luck!
I did find a situation for avoiding FD and DK which allow scripts two days ago. One of the key games was SEA vs COL at "Coors field." One could run multiple teams to get all combos of six players from one team. Do you think there is validity to this or is it just my paranoia talking lol?
I just downloaded the chrome extension to try it. It is downloaded yet there is no icon on my extension and I can not access it at all. Anyone having this problem?
Sorry I should have explained when I posted the link. The importing is found through the draftkings website the extension doesn't show up on the tool bar. Didn't see your post until now I hope this helps or that you've already figured it out clown shoes. Did you get it working?
fantasycruncher.com has built into their website the ability to export lineups to draftkings. With the ability to generate 100 lineups and the ability to use a custom player pool with custom projections, you too can try you luck with 100 entries in the 1/4 arcade challenge.
Are there going to be any DFS projections up this year?


The Giant Segmented Mirror Telescope (GSMT), a ground- based telescope with a mirror approximately 30 meters in diameter, will provide a major advance in ground-based astronomy over the world's largest optical telescopes. The GSMT will have 10 times the light-collecting area of each of the twin Keck Telescopes in Hawaii, which now rank as the world's largest, and more than 20 times the collecting area of the NGST. With its much greater mirror size, the GSMT will play the same role with respect to the NGST that the Keck Telescopes do for the Hubble Space Telescope. The GSMT will investigate in greater detail the cosmic sources of radiation that the space-borne telescope discovers.
Because the GSMT will remain on Earth, it can profit from ongoing improvements in its complement of instruments, including marvelously precise spectrographs that will measure the amounts of radiation at different wavelengths. While it observes the cosmos in visible light and infrared radiation,the GSMT will employ an advanced system of adaptive optics. This system will continuously monitor the atmospheric fluctuations that would blur the telescope's vision, and it will then readjust the mirror surface many times per second in order to compensate for these ripples in the air. With this approach, and with a much larger mirror, the GSMT can obtain deep images in the short-wavelength portion of the infrared domain that are even crisper and deeper than those obtained by the NGST. Although it cannot observe galaxies as early in their history as the NGST can, the GSMT will have the infrared observing capability to follow the evolution of galaxies through all eras after the formation stage. It will be able to trace galactic history back to 10 billion years ago or earlier. In addition to galaxies, the GSMT will observe the closest planetary systems and star-forming regions within our Milky Way Galaxy.
The GSMT's great primary mirror will consist of individual segments, each as large as a good-sized astronomical telescope. The pioneering development of the Keck Telescopes' 10--meter mirrors, each of which consists of 36 individual segments, has led to the construction of other segmented-mirror instruments within a now highly developed technological framework. Technological progress should enable production of a 30-meter mirror capable of adaptive-optics readjustments at a reasonable cost.


text:
Q: dynamic operations with 2 tables and 1 insert SQL Server I have 2 tables:
table1
id someval someatt
-------------------
1      23   name1
2      56   name2
3      76   name3
4     456   name4
5      53   name5
6      67   name6
7      12   name7
8      43   name8
9      99   name9
10    567   name10

table2
    id someval someatt
    -------------------
    1     23.3   name1
    2     5.6    name2
    3     8.76   name3
    4     4.56   name4
    5      5.3   name5
    6      6.7   name6
    7      1.2   name7
    8      4.3   name8
    9      9.9   name9
    10    56.7   name10

I need to insert to a new table some operations of various fields of both tables so, for example
iteration1
x = get value from table1 where id 1
y = get value from table1 where id 2
a = get value from table2 where id 1
b = get value from table2 where id 2

iteration2
r =  get value from table1 where id 2
s =  get value from table1 where id 3
u = get value from table2 where id 2
v = get value from table2 where id 3

iterationn.
q =  get value from table1 where id n-1
p =  get value from table1 where id n
o = get value from table2 where id n-1
e = get value from table2 where id n

Then insert into NEWTABLE
(a*b + x+y), (r*s + u*v) ...(q*p+o*e)

sO I was thinking (IF I have to do this 100 times):
SET @counter  = 1;
SET @template = '';
SET @N = 100;
WHILE(@counter < @N)
  Select @x =  value from table 1 where id = @counter
  Select @y =  value from table 1 where id = @counter + 1
  Select @a =  value from table 2 where id = @counter
  Select @b =  value from table 2 where id = @counter + 1
  @template = @template + ' (@x*@y + @a*@b), '
end

so at the end of the loop I have a full template
and then EXEC(@template) ,

*

*How could you optimize this?

*How to do something like I described?
(table1 and table2 are samll examples of my tables)

*Is there a way The 4 select
statements are avoided?

output table:
result1  result2 result3 .... result100
---------------------------------------
 float     float   float  ...    float

where float is a result of calculating  (a*b + x+y) for each value in table1 and table2

A: This will work with SQL 2005 & up, using the same data you listed.
SELECT  t1x.id AS smaller_id,
        ( t1x.someval * t1y.someval ) + ( t2a.someval * t2b.someval ) AS result
FROM    dbo.table1 AS t1x
        INNER JOIN dbo.table1 AS t1y ON t1x.id + 1 = t1y.id
        INNER JOIN dbo.table2 AS t2a ON t2a.id = t1x.id
        INNER JOIN dbo.table2 AS t2b ON t2b.id = t1y.id

If you want it horizontal, you'll have to PIVOT the results.
SELECT  'Calculation Result' AS CalcRes,
        [result1], [result2], [result3], [result4], [result5], [result6], [result7], [result8], [result9]
FROM    (
            SELECT  'result' + cast(t1x.id AS varchar(4)) AS result_name,
                    ( t1x.someval * t1y.someval ) + ( t2a.someval * t2b.someval ) AS result
            FROM    dbo.table1 AS t1x
                    INNER JOIN dbo.table1 AS t1y ON t1x.id + 1 = t1y.id
                    INNER JOIN dbo.table2 AS t2a ON t2a.id = t1x.id
                    INNER JOIN dbo.table2 AS t2b ON t2b.id = t1y.id
        ) AS Results
PIVOT (
    min( result ) --there needs to be an aggregate function here
    FOR result_name IN ([result1], [result2], [result3], [result4], [result5], [result6], [result7], [result8], [result9])
) AS PivotedResults

You'll need to use dynamic SQL for this, because you need to know the names of your result colums before you pivot.

A: Might you try something like
    INSERT INTO SomeTable
    SELECT
        (x.value * y.value) + (a.value * b.value)
    FROM
        Table1 x
        Table1 y on y.id = x.id + 1
        Table2 a on a.id = x.id
        Table2 b on b.id = x.id + 1
    WHERE
        x.Id = @counter

A: Join all the records together:
insert
    NEWTABLE (theid, newval)
select
    t1_p.id as theid
    (t2_p.someval * t2_n.someval) + (t1_p.someval * t1_n.someval) as newval
from
    Table1 t1_p
inner join
    Table1 t1_n on t1_p.id + 1 = t1_n.id
inner join
    Table2 t2_p on t1_p.id = t2_p.id
inner join
    Table2 t2_n on t1_n.id = t2_n.id

A: Not sure I understand your question fully but....
;with cte1 as
(
  select
    T1_1.id,
    T1_1.someval as x,
    T1_2.someval as y
  from @T1 as T1_1
    inner join @T1 as T1_2
      on T1_1.id = T1_2.id-1
),
cte2 as
(
  select
    T2_1.id,
    T2_1.someval as a,
    T2_2.someval as b
  from @T2 as T2_1
    inner join @T2 as T2_2
      on T2_1.id = T2_2.id-1
)
select (a*b + x*y)
from cte1 as T1
  inner join cte2 as T2
    on T1.id = T2.id

redpajama_set_name: RedPajamaStackExchange


text:
Un bastidor és una estructura formada per elements sòlids units entre ells amb el fi de suportar, com si fos un esquelet, alguna cosa. En principi un bastidor pot ser bidimensional (pla), com els bastidors que sostenen teles per a brodar, o bé tridimensionals.

Enginyeria
Un bastidor és una estructura sense graus de llibertat, que funciona com a sòlid rígid i que serveix de bastiment o suport a elements (dispositius, aparells, instruments) que poden formar una màquina, per exemple. Normalment es parla de "bastidor" quan aquesta estructura és més aviat plana, mentre que quan és tridimensionals parla més sovint de "xassís", si és interior, o de "carcassa", si és exterior. Per exemple, en el cas d'alguns vehicles grans (camions, trens) es considera que estan bastits sobre una plataforma o bastidor, en comptes de xassís com típicament als cotxes.

Els bastidors poden ser de diferents materials: plàstics, metall, fusta, etc.

Computació
Als centres de processament de dades els bastidors estan normalitzats per a suportar 41 U.

Teatre

En els antics teatres a la italiana, les bambolines eren les cortines disposades a banda i banda de l'escenari, per on entraven i sortien els actors a escena. Posteriorment les cortines de roba es van substituir per bastidors, estructures de fusta recolzades a terra que subjectaven certicalment un llenç o un paper, que podia ser pintat per a formar part del decorat.

Pintura
En l'àmbit de la pintura, un bastidor és un assemblatge de fusta on es munta i tiba la tela abans de pintar-la. Disposa d'unes falques per retensar la tela si cal.

Hi ha unes mides numerades universals de bastidors, de tres formats diferents: "figura" (el que s'atansa més a la forma d'un quadrat), "paisatge", i "marina" (el més allargat). Per exemple, el "40 Figura" mesura 100 x 81cm, el "40 Paisatge" fa 100 x 7cm, i el "40 Marina" fa 100 x 65cm.

Referències

Bibliografia
 Glossari de termes artístics

Materials artístics
Escenografia
Mecànica
Components de l'automòbil
Components de la motocicleta

redpajama_set_name: RedPajamaWikipedia


text:
#ifdef HAVE_CONFIG_H
# include "config.h"
#endif

#include "p_spindle-generate.h"

/*
 * The 'media' table tracks information about media items (digital assets):
 *
 *  id       The UUID of the digital asset
 *  uri      The complete URI of the digital asset
 *  class    The DCMIT member for this asset (:Image, :Sound, etc.)
 *  type     The MIME type of the asset
 *  audience If known to be restricted, the URI of the audience it's
 *           restricted to.
 *  duration For timed media, the length in seconds
 */

static int spindle_index_media_refs_(SQL *sql, const char *id, SPINDLEENTRY *data);
static char *spindle_index_media_kind_(SPINDLEENTRY *data);
static char *spindle_index_media_type_(SPINDLEENTRY *data);
static char *spindle_index_media_duration_(SPINDLEENTRY *data);
static char *spindle_index_media_license_(SPINDLEENTRY *data);

/* If this entity is a digital object, store information about it the "media"
 * database table.
 *
 * Invoked when TK_MEDIA is set
 */
int
spindle_index_media(SQL *sql, const char *id, SPINDLEENTRY *data)
{
	size_t c;
	char **refs;
	char *kind, *type, *license, *duration;
	int r;

	r = 0;
	if(!data->classname || strcmp(data->classname, NS_FOAF "Document"))
	{
		twine_logf(LOG_DEBUG, PLUGIN_NAME ": item is not a digital asset\n");
		/* This isn't a digital asset */
		return spindle_index_media_refs_(sql, id, data);
	}
	/* Find the source URI (there can be only one) */
	refs = spindle_proxy_refs(data->spindle, data->localname);
	if(!refs)
	{
		twine_logf(LOG_ERR, PLUGIN_NAME ": failed to retrieve co-reference set for digital object\n");
		return -1;
	}
	if(!refs[0] || refs[1])
	{
		twine_logf(LOG_DEBUG, PLUGIN_NAME ": will not track media for a digital object with multiple co-references\n");
		for(c = 0; refs[c]; c++)
		{
			free(refs[c]);
		}
		free(refs);
		return 0;
	}
	kind = spindle_index_media_kind_(data);
	if(!kind)
	{
		twine_logf(LOG_DEBUG, PLUGIN_NAME ": media: cannot determine media kind\n");
		free(refs[0]);
		free(refs);
		return -1;
	}
	type = spindle_index_media_type_(data);
	duration = spindle_index_media_duration_(data);

	/* XXX TODO: handle multiple licenses */
	license = spindle_index_media_license_(data);
	if(license)
	{
		twine_logf(LOG_DEBUG, PLUGIN_NAME ": media: license URI for <%s> is <%s>\n", refs[0], license);
		spindle_trigger_add(data, license, TK_MEDIA, NULL);
		r = spindle_index_audiences(data->generate, license, id, refs[0], kind, type, duration);
	}
	else
	{
		twine_logf(LOG_DEBUG, PLUGIN_NAME ": media: <%s> has no license associated with it\n", refs[0]);
		r = sql_executef(sql, "INSERT INTO \"media\" (\"id\", \"uri\", \"class\", \"type\", \"audience\", \"duration\") VALUES (%Q, %Q, %Q, %Q, %Q, %Q)",
						 id, refs[0], kind, type, NULL, duration);
	}
#if SPINDLE_ENABLE_ABOUT_SELF
	if(r >= 0)
	{
		r = sql_executef(sql, "INSERT INTO \"index_media\" (\"id\", \"media\") VALUES (%Q, %Q)", id, id);
	}
#endif
	free(refs[0]);
	free(refs);
	free(kind);
	free(type);
	free(license);
	free(duration);
	return r;
}

/* Add information about references from this entity to related digital objects
 */
static int
spindle_index_media_refs_(SQL *sql, const char *id, SPINDLEENTRY *data)
{
	librdf_statement *query;
	librdf_statement *st;
	librdf_stream *stream;
	librdf_node *node;
	librdf_uri *uri;
	const char *uristr;
	char *tid, *localid;
	int r;

	if(!(query = librdf_new_statement(data->spindle->world)))
	{
		return -1;
	}
	if(!(node = librdf_new_node_from_node(data->self)))
	{
		librdf_free_statement(query);
		return -1;
	}
	librdf_statement_set_subject(query, node);
	r = 0;
	for(stream = librdf_model_find_statements_in_context(data->proxydata, query, data->graph); !librdf_stream_end(stream); librdf_stream_next(stream))
	{
		if(!(st = librdf_stream_get_object(stream))) continue;
		if(!(node = librdf_statement_get_predicate(st))) continue;
		if(!librdf_node_is_resource(node)) continue;
		if(!(uri = librdf_node_get_uri(node))) continue;
		if(!(uristr = (const char *) librdf_uri_as_string(uri))) continue;
		/* XXX this should be controlled by the rulebase or config */
		if(strcmp(uristr, NS_FOAF "page") &&
		   strcmp(uristr, NS_MRSS "player") &&
		   strcmp(uristr, NS_MRSS "content"))
		{
			continue;
		}
		if(!(node = librdf_statement_get_object(st))) continue;
		if(!librdf_node_is_resource(node)) continue;
		if(!(uri = librdf_node_get_uri(node))) continue;
		if(!(uristr = (const char *) librdf_uri_as_string(uri))) continue;
		localid = NULL;
		if(!spindle_db_local(data->spindle, uristr))
		{
			localid = spindle_proxy_locate(data->spindle, uristr);
			if(!localid)
			{
				spindle_trigger_add(data, uristr, TK_MEDIA, NULL);
				continue;
			}
		}
		if(!(tid = spindle_db_id(localid ? localid : uristr)))
		{
			free(localid);
			spindle_trigger_add(data, uristr, TK_MEDIA, NULL);
			continue;
		}
		spindle_trigger_add(data, uristr, TK_MEDIA, tid);
		if(sql_executef(sql, "INSERT INTO \"index_media\" (\"id\", \"media\") VALUES (%Q, %Q)", id, tid))
		{
			free(tid);
			free(localid);
			r = -1;
			break;
		}
		free(tid);
		free(localid);
	}
	librdf_free_stream(stream);
	librdf_free_statement(query);
	return r;
}

/* Determine the kind of object we're dealing with
 * XXX should be driven by the rulebase
 */
static char *
spindle_index_media_kind_(SPINDLEENTRY *data)
{
	librdf_statement *query;
	librdf_statement *st;
	librdf_stream *stream;
	librdf_node *node;
	librdf_uri *uri;
	const char *uristr;
	char *kind;

	kind = NULL;
	if(!(query = librdf_new_statement(data->spindle->world)))
	{
		return NULL;
	}
	if(!(node = librdf_new_node_from_node(data->self)))
	{
		librdf_free_statement(query);
		return NULL;
	}
	librdf_statement_set_subject(query, node);
	if(!(node = librdf_new_node_from_uri_string(data->spindle->world, (const unsigned char *) NS_RDF "type")))
	{
		librdf_free_statement(query);
		return NULL;
	}
	librdf_statement_set_predicate(query, node);
	for(stream = librdf_model_find_statements_in_context(data->proxydata, query, data->graph); !librdf_stream_end(stream); librdf_stream_next(stream))
	{
		st = librdf_stream_get_object(stream);
		if((node = librdf_statement_get_object(st)) &&
		   librdf_node_is_resource(node) &&
		   (uri = librdf_node_get_uri(node)) &&
		   (uristr = (const char *) librdf_uri_as_string(uri)))
		{
			if(!strncmp(uristr, NS_DCMITYPE, strlen(NS_DCMITYPE)))
			{
				kind = strdup(uristr);
				if(!kind)
				{
					librdf_free_stream(stream);
					librdf_free_statement(query);
					return NULL;
				}
				break;
			}
		}
	}
	librdf_free_stream(stream);
	librdf_free_statement(query);
	if(!kind)
	{
		kind = strdup(NS_FOAF "Document");
		if(!kind)
		{
			return NULL;
		}
	}
	return kind;
}

/* Determine the duration, in seconds, of the media we're dealing with
 * XXX should be driven by the rulebase
 */
static char *
spindle_index_media_duration_(SPINDLEENTRY *data)
{
	librdf_statement *query;
	librdf_statement *st;
	librdf_stream *stream;
	librdf_node *node;
	librdf_uri *uri;
	const char *uristr, *value;
	char *endp;
	char duration[32];
	long long val;

	duration[0] = 0;
	if(!(query = librdf_new_statement(data->spindle->world)))
	{
		return NULL;
	}
	if(!(node = librdf_new_node_from_node(data->self)))
	{
		librdf_free_statement(query);
		return NULL;
	}
	librdf_statement_set_subject(query, node);
	if(!(node = librdf_new_node_from_uri_string(data->spindle->world, (const unsigned char *) NS_PO "duration")))
	{
		librdf_free_statement(query);
		return NULL;
	}
	librdf_statement_set_predicate(query, node);
	for(stream = librdf_model_find_statements_in_context(data->proxydata, query, data->graph); !librdf_stream_end(stream); librdf_stream_next(stream))
	{
		st = librdf_stream_get_object(stream);
		if((node = librdf_statement_get_object(st)) &&
		   (uri = librdf_node_get_literal_value_datatype_uri(node)) &&
		   (uristr = (const char *) librdf_uri_as_string(uri)))
		{
			/* We don't really perform type-checking here, we just want to know if
			 * it's an ordinal value
			 */
			if(!strcmp(uristr, NS_XSD "integer") ||
			   !strcmp(uristr, NS_XSD "long") ||
			   !strcmp(uristr, NS_XSD "unsignedLong") ||
			   !strcmp(uristr, NS_XSD "int") ||
			   !strcmp(uristr, NS_XSD "unsignedInt") ||
			   !strcmp(uristr, NS_XSD "short") ||
			   !strcmp(uristr, NS_XSD "unsignedShort") ||
			   !strcmp(uristr, NS_XSD "byte") ||
			   !strcmp(uristr, NS_XSD "unsignedByte") ||
			   !strcmp(uristr, NS_XSD "nonPositiveInteger") ||
			   !strcmp(uristr, NS_XSD "negativeInteger") ||
			   !strcmp(uristr, NS_XSD "nonNegativeInteger") ||
			   !strcmp(uristr, NS_XSD "positiveInteger"))
			{
				value = (const char *) librdf_node_get_literal_value(node);
				if(value)
				{
					endp = NULL;
					val = strtoll(value, &endp, 10);
					if((!endp || !endp[0]) && val >= 0)
					{
						snprintf(duration, sizeof(duration), "%llu", (unsigned long long) val);
						break;
					}
				}
			}
		}
	}
	librdf_free_stream(stream);
	librdf_free_statement(query);
	if(duration[0])
	{
		return strdup(duration);
	}
	return NULL;
}

/* Determine the MIME type of object we're dealing with */
static char *
spindle_index_media_type_(SPINDLEENTRY *data)
{
	librdf_statement *query;
	librdf_statement *st;
	librdf_stream *stream;
	librdf_node *node;
	librdf_uri *uri;
	const char *uristr;
	char *type;
	size_t l;

	type = NULL;
	if(!(query = librdf_new_statement(data->spindle->world)))
	{
		return NULL;
	}
	if(!(node = librdf_new_node_from_node(data->self)))
	{
		librdf_free_statement(query);
		return NULL;
	}
	librdf_statement_set_subject(query, node);
	/* XXX The predicate here should be specified via the rulebase */
	if(!(node = librdf_new_node_from_uri_string(data->spindle->world, (const unsigned char *) NS_DCTERMS "format")))
	{
		librdf_free_statement(query);
		return NULL;
	}
	librdf_statement_set_predicate(query, node);
	l = strlen(NS_MIME);
	for(stream = librdf_model_find_statements_in_context(data->proxydata, query, data->graph); !librdf_stream_end(stream); librdf_stream_next(stream))
	{
		st = librdf_stream_get_object(stream);
		if((node = librdf_statement_get_object(st)) &&
		   librdf_node_is_resource(node) &&
		   (uri = librdf_node_get_uri(node)) &&
		   (uristr = (const char *) librdf_uri_as_string(uri)))
		{
			if(!strncmp(uristr, NS_MIME, strlen(NS_MIME)) &&
			   strlen(uristr) > l)
			{
				type = strdup(uristr + l);
				librdf_free_stream(stream);
				librdf_free_statement(query);
				return type;
			}
		}
	}
	librdf_free_stream(stream);
	librdf_free_statement(query);
	return NULL;
}

/* Determine the URI of the licensing statement used by this object */
static char *
spindle_index_media_license_(SPINDLEENTRY *data)
{
	librdf_statement *query;
	librdf_statement *st;
	librdf_stream *stream;
	librdf_node *node;
	librdf_uri *uri;
	const char *uristr;
	char *license;
	size_t l;

	license = NULL;
	if(!(query = librdf_new_statement(data->spindle->world)))
	{
		return NULL;
	}
	if(!(node = librdf_new_node_from_node(data->self)))
	{
		librdf_free_statement(query);
		return NULL;
	}
	librdf_statement_set_subject(query, node);
	/* XXX The predicate used here should be configurable via the rulebase */
	if(!(node = librdf_new_node_from_uri_string(data->spindle->world, (const unsigned char *) NS_DCTERMS "rights")))
	{
		librdf_free_statement(query);
		return NULL;
	}
	librdf_statement_set_predicate(query, node);
	l = strlen(NS_MIME);
	for(stream = librdf_model_find_statements_in_context(data->proxydata, query, data->graph); !librdf_stream_end(stream); librdf_stream_next(stream))
	{
		st = librdf_stream_get_object(stream);
		if((node = librdf_statement_get_object(st)) &&
		   librdf_node_is_resource(node) &&
		   (uri = librdf_node_get_uri(node)) &&
		   (uristr = (const char *) librdf_uri_as_string(uri)))
		{
			license = strdup(uristr);
			break;
		}
	}
	librdf_free_stream(stream);
	librdf_free_statement(query);
	return license;
}

redpajama_set_name: RedPajamaGithub


text:
Jessica Biel & Justin Timberlake's Relationship History Has Ups & Downs
Jessica Biel and Justin Timberlake: What to Know About Their Relationship
Chris Evans Almost Married Jessica Biel and Other Surprising A-Listers Captain America Has Dated
A Complete List Of Jessica Biel's Ex-Boyfriends
Breakup, Rough Birth & Another Gal! Justin & Jessica's Relationship Timeline Exposed
Justin Timberlake and Jessica Biel Reportedly Secretly Welcomed a Second Baby
Justin Timberlake and Jessica Biel: A Complete Relationship Timeline of the Superstar Couple
Justin Timberlake and Jessica Biel: A timeline of their romance amid cheating rumors
What you didn't know about Jessica Biel's past
Ellen and Jessica Biel Surprise Justin Timberlake!
Since then, the two have been through a lot together as they started dating, broke up once, but also go back together not long after their breakup, realizing that they were meant to be together. Justin and Jessica built their lives together, eventually getting engaged and then married , before announcing that Jessica was pregnant and having their son a few years later. Although Justin and Jessica have had a rough patch as of late, the two have managed to work through things for the sake of their marriage and their son, and are now stronger than ever. Justin Timberlake met Jessica Biel about thirteen years ago, which is hard to believe. The two met in early at a party that Justin was throwing for one of his friends. After getting her phone number, Justin finally called Jessica and asked her out on a date, and as we know, the rest is history. Like any other celebrity couple, as soon as Jessica and Justin were caught hanging out, all of the rumors about the two of them started to swirl, as the tabloids and the fans were wondering if Justin and Jessica truly were a thing or not. Everything seemed to be going really well for Jessica and Justin.
Justin Timberlake and Jessica Biel have reportedly welcomed their second child , after having kept their pregnancy secret. According to reports from the Daily Mail, Jessica, 38, gave birth to a baby boy earlier this week. The couple are yet to comment on the claims. They have not been photographed in public since March, and are said to have been staying at their home in Big Sky, Montana during the coronavirus lockdown. The news comes eight months after Justin, 39, was pictured getting close to his Palmer co-star Alisha Wainwright.
As Mary Camden on 7th Heaven and the curly-haired frontman of *NSYNC, respectively, Biel and Timberlake are basically a match made in pop-.
Happy birthday to the most timeless man I know. You somehow grow up without growing old. The insider also told Us Weekly that the couple, who are parents to a 4-year-old son, have talked to lawyers about the possibility of a split. But Timberlake deeply regretted losing Biel, as he suggested to Vanity Fair in a June cover story.
A month later, Timberlake and Biel were back together, and by the end of , he had proposed. They married in October But Biel was reportedly concerned enough about his commitment issues before they married.
Choosing my favorite Hollywood couple is impossible, but Jessica Biel and Justin Timberlake are definitely strong contenders. These two have been going strong for over 13 years now, and they only seem to fall more in love by the day. Of course, no partnership is perfect, and when you're together for 13 years, it's inevitable that you're going to hit a few bumps in the road.
She dated Chris Evans. Getty Images. Before Chris Evans was Captain America, he was Jessica Biel's boyfriend. The Marvel hunk dated Biel.
Justin Timberlake will have love for his wife Jessica Biel until the end of time. This was not that," he said Dec. Afterwards I asked my friend if I could call her and ask her out. My friend called Jessica and Jessica said yes, and so I called her," he said at a press conference with the Hollywood Foreign Press Association, according to Us Weekly.
And the Casanova proved that chivalry isn't dead: "I did it the old fashioned way — by telephone. I had to be pretty persistent in order to get her to say yes. The pair went public with their relationship that summer after paparazzi pictures showed them sharing a smooch during the European leg of his world tour. Timberlake and Biel called it quits in March , their reps confirmed to People. But that wasn't the end of their love story, because the duo reunited months later and got engaged in December of that year.
Timberlake popped the question in the picturesque mountains of Montana. The proposal inspired the song "Montana" on his album, "Man of the Woods. In , Biel told the Associated Press that marriage is "actually not anything I ever really thought was going to happen to me. Or that I really wanted. She continued: "And when it happened, it just seemed … It just was right.
Justin Timberlake and Jessica Biel will reportedly wed this week in southern Italy, more than five years after they first began dating. But it hasn't always been smooth sailing for the couple. The two have been plagued with all kinds of rumors over the years from his cheating to her neediness, leading them to break up in March before reconciling four months later. Their relationship even got off on the wrong foot.
At the Golden Globes, just weeks after Timberlake ended his four-year romance with Cameron Diaz, the new couple got a taste of their first negative press. Although Diaz and Timberlake, then a burgeoning actor, were cordial with one another during the awards ceremony, at an afterparty thrown by Prince, the "Charlie's Angels" actress was incensed when she spotted her ex and Biel chatting in a corner — and she confronted them very loudly in front of the entire soiree.
July – PresentJustin Timberlake and Jessica Biel reportedly got back together over the summer of , when they were photographed on vacation.
TBT: Check in every Thursday as we throw it back to some of our favorite celebrity couples of all time. When They Peaked: In a interview with Cosmopolitan , Biel opened up about what Evans was like as a boyfriend, revealing that he surprised her on her 21st birthday by scattering rose petals on her bed. The Breakup: By , Chrissica Jiss? In a interview with W , Evans admitted that he could be argumentative in his past relationships.
Speaking of his character from the film London , in which he starred opposite Biel, the actor admitted he could relate to the "narcissistic drug addict" he played. In an Esquire profile in , the actor discussed the strain of his field of work on a relationship, explaining, "Letting someone go to work with someone for three months It really, it certainly puts the relationship to the test. Just this year, Evans admitted that retaining his independence is key in a relationship.
Jessica Biel and Justin Timberlake have always seemed like a match made in celebrity heaven! Fans know Jessica from her stint as Mary Camden on the family-friendly show 7 th Heaven. However, Justin is definitely more famous for his musical work, with his album Man in the Woods finishing as the sixth-best-selling album of the year.
Justin Timberlake and wife Jessica Biel have been together for over 10 years. See their relationship timeline from getting married to having.
The actress shares her best advice for a happy union. Every relationship is different, but many happy couples agree that open conversation greatly benefits their marriage. That goes for celebrity spouses , too, including Jessica Biel and Justin Timberlake. Biel, who appears in her husband's new music video for "Man of the Woods," just discussed the secret to their success with People.
According to the actress, it's all about "communication, communication, communication. Just be able to communicate really honestly with your partner. That's worked for us so far," she explains. Biel and Timberlake tied the knot back in the fall of , which means that they're no strangers to married life. With over five years of experience under their belts, it's safe to say that their advice comes well-informed.
Aside from speaking each other's language, we'd venture to guess that their mutual support strengthens their bond. From the looks of it, the two are as blissful as ever, and frequently honor each other on social media.
This will always be one of our favorite celebrity weddings! To us, it seems like only yesterday that Jessica Biel and Justin Timberlake said "I do" in the Italian countryside surrounded by family and friends—and with Jessica in a seriously trendsetting wedding dress. But today marks six years since their nuptials.
Justin Timberlake will love his wife Jessica Biel until the end of time. But recent cheating rumors shook things up. Here's a timeline of their.
Jessica stepped out a few days later with her wedding ring on full display. When they first met in , the couple couldn't act on it because they were both dating other people fair. Once they each split from their respective exes, however, they made their relationship official. And when Justin went on tour shortly after, he and Jessica found a way to make it work over the phone until they could be together in person.
The duo reunited a few months later and closed out the year by getting engaged in Wyoming that December. They married a year later. Even when life's obstacles have tried to keep them apart, Jessica and Justin have always made their way back to each other. Walking in unison a sign they're moving toward a joint future , the intense look meaning they've got a deep bond, Justin's smile, and that tight handhold—these are all positives pointing to a strong relationship.
Even Jessica's expression, which could mean she's listening intently to Justin or she disagrees with him—something which, let's face it, is bound to happen over the course of seven years of marriage—doesn't faze Orbuch at all. Justin's arms around Jessica and their joined hands are signs that these two are "strongly linked" and deeply connected. Jessica's closed eyes, her smile, and her lean on Justin are evidence that she trusts him fully.
She knows she can rely on him and she's more than happy to do so, because she's confident he'll always be there. Jessica dancing on JT at a packed basketball game shows how proud they are to be together. Jessica's closed eyes mean she's going to bring out her best moves for her husband and she doesn't care who's watching.
Once upon a time, the long view wasn't looking rosy for Justin Timberlake and Jessica Biel. The tabloid-magnet couple had broken up after almost four years of dating, and J. That's the art of staying together, is changing together.
Justin Timberlake and Jessica Biel will reportedly wed this week in southern Italy, more than five years after they first began dating. But it hasn't.
Singer and actor Justin Timberlake and actress Jessica Biel began dating in Their relationship was kept relatively low key until they split in They reunited in December of the same year, when Justin proposed and she accepted. They married in October Justin Timberlake and Jessica Biel. Justin Timberlake. Behind the scenes at the Oscars The Oscars.
The Golden Globes. Jessica Biel. Justin Timberlake plays paparazzi as he snaps wife Jessica Biel on the red carpet during rare night out Justin Timberlake. Jessica Biel admits fear over trying to get pregnant with Justin Timberlake after so many years on contraceptive pill Jessica Biel. Justin Timberlake shares first picture of baby Silas as he is cradled by mum Jessica Biel Justin Timberlake and Jessica Biel The gorgeous family cheered on a basketball team in the first snap of the newborn since he arrived over a week ago.
Justin Timberlake "so excited" to be a father to son Silas: "He doesn't know what to do with himself" Justin Timberlake and Jessica Biel The couple are reportedly taking care of their new arrival at their home in Montana. Justin Timberlake and Jessica Biel become first time parents as they welcome baby boy Justin Timberlake and Jessica Biel The couple, who have been married for two years, are now parents to a son.
Fox News Flash top entertainment and celebrity headlines are here. Check out what's clicking today in entertainment. Jessica Biel celebrated her 38th birthday on Tuesday and husband Justin Timberlake threw her a sweet pajama party-themed event for the special occasion. But before Biel met Timberlake, she dated a few other Hollywood stars.
Once upon a time, the long view wasn't looking rosy for Justin Timberlake and Jessica Biel. The tabloid-magnet couple had broken up after.
Justin Timberlake and Jessica Biel have been married for about eight years, but they have been together for over a decade! They have had their ups and downs, though. The couple met for the first time through mutual friends at a party held in early As Timberlake himself explained in his book "Hindsight," Biel, who has been an actress since the early 90s, was the only person who got one of his sarcastic and dry comments, and that's when he noticed that he liked her.
After having a fun night together, they went their separate ways without even exchanging phone numbers. A while later, a mutual friend offered Timberlake to take Biel to one of his shows. When Timberlake finished his performance, he invited Biel and her friends on a ride in his tour bus, and he finally asked for her number. Since he was on tour, they couldn't date for about two weeks, so they just kept texting each other.
When you think of Jessica Biel, you probably think of her husband, Justin Timberlake. The same way, J. Believe it or not, Jessica has dated some big Hollywood stars. The actor even made cameos on 7th Heaven , the show Biel is best known for. Funny thing, LaVorgna stopped appearing on 7th Heaven around the time his relationship with Biel ended.
The Daily Mail reported on Saturday that Jessica Biel and Justin Timberlake welcomed a second son into their family.
Biel began her career as a vocalist appearing in musical productions until she was cast as Mary Camden in the family drama series 7th Heaven — , in which she achieved recognition. She received further recognition for her lead role as Erin Hardesty in the horror film The Texas Chainsaw Massacre While growing up, Biel played soccer [18] and trained as a level six gymnast. Biel initially trained to be a vocalist.
At age 14, after auditioning for several television pilots, Biel was cast as Mary Camden , the oldest daughter and second-oldest child in the family drama 7th Heaven. Biel landed her first feature film role as Peter Fonda 's granddaughter in the critically acclaimed drama Ulee's Gold , released in Her performance earned her a Young Artist Award.
Producers of 7th Heaven were outraged and brought legal action against Gear. In , she starred as promiscuous college student Lara in the ensemble film The Rules of Attraction , an adaptation of the Bret Easton Ellis novel. The movie received mixed reviews, became a box-office hit, and has since gained a cult following.
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redpajama_set_name: RedPajamaCommonCrawl


text:
<?php

namespace HealthCareAbroad\LogBundle\Listener\Institution;

use Symfony\Component\DependencyInjection\ContainerInterface;

use HealthCareAbroad\HelperBundle\Classes\ApplicationContexts;

use HealthCareAbroad\LogBundle\Entity\Log;

use HealthCareAbroad\HelperBundle\Event\BaseEvent;

use HealthCareAbroad\LogBundle\Listener\BaseCommonListener;

/**
 * Common Log system listener for events dispatched in the Admin bundle. Logs for this events will be specifically marked as ApplicationContext::INSTITUTION_ADMIN
 *
 * @author Allejo Chris G. Velarde
 */
class InstitutionBundleCommonListener extends BaseCommonListener
{
    public function __construct(ContainerInterface $container)
    {
        parent::__construct($container);
        $this->applicationContext = ApplicationContexts::INSTITUTION_ADMIN;
    }
}


text:
<?xml version="1.0" encoding="UTF-8"?>
<!-- This file can be an empty text file (0 bytes) -->
<!-- We're declaring the schema to save you time if you do have to configure
   this in the future -->
<beans xmlns="http://java.sun.com/xml/ns/javaee" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
       xsi:schemaLocation="
        http://java.sun.com/xml/ns/javaee
        http://java.sun.com/xml/ns/javaee/beans_1_0.xsd">
    <interceptors>

    </interceptors>
</beans>


Military gear and american flag. Military equipment and american flag.
23 February. Day of defenders of fatherland. Military soldiers in military gear. Protective army helmet and body armor. background of Russian flag. Patriotic holiday in Russia. Group of soldiers. Text Russian: 23 February.
Greeting card poster showing hand drawn sketch illustration of an American soldier in full battle gear carrying stars and stripes flag with words Happy Veterans Day.


text:
https://www.wsj.com/articles/who-wrote-the-book-of-nature-1463170890
Who Wrote the Book of Nature?
The author doesn't believe in God, but presumably believes in a parallel universe in which he does.
By Andrew Crumey
May 13, 2016 4:21 pm ET
As a boy, Sean Carroll enjoyed going to church in his hometown of Trenton, N.J. He liked "the hymns, the imposing wood pews . . . the mysteries and the doctrine." He also liked the pancakes afterward. But as he grew older, he lost his faith. "My transformation to naturalism wasn't dramatic or life-shaking; it just kind of crept up on me." Mr. Carroll is now a professor of theoretical physics at the California Institute of Technology, and "The Big Picture"—grandly subtitled "on the origins of life, meaning, and the universe itself"—is a manifesto that will divide reader opinion along familiar lines. But unlike some of the participants in the science-versus-religion debate (most notably Richard Dawkins ), Mr. Carroll is not on a mission to show that believing in God is as futile as writing letters to Santa Claus. Never hectoring, always tolerant, the author presents a seductively attractive picture of a universe whose ultimate laws lie within our grasp. He might even make a few converts. So why do I, an atheist and physicist myself, find so much of what he says fishy?
Mr. Carroll describes his philosophy as "poetic naturalism," a term that immediately seems set to lure in those of a syncretic disposition who see art and science as a unity. He quotes the poet Muriel Rukeyser writing that "the universe is made of stories, not of atoms," which sounds like the sort of poststructuralist orthodoxy that has long held sway in fields of academia remote from Mr. Carroll's own. But he inverts Rukeyser's maxim: The universe is made of "stuff"—not atoms but something more fundamental. That's the "naturalism" part. We tell stories about the stuff: That's the "poetic" aspect. So really, a better term might be "prosaic naturalism" or even just good old-fashioned materialism.
By Sean Carroll
Dutton, 470 pages, $28
"What is the fundamental nature of reality?" Mr. Carroll asks. "Philosophers call this the question of ontology—the study of the basic structure of the world." Alert students of Metaphysics 101 will at this point raise a hand to say that ontology is instead the question of what "being" means. For most of us, the study of the basic structure of the world is called theoretical physics. The question of how exactly even that superbly successful science relates to "the fundamental nature of reality" is left begging.
And what about all those "stories" we tell? Since they're about real stuff, some are presumably more true than others. Mr. Carroll invokes the metaphor of scientific theory as a "planet of belief": a body of knowledge held together by the "gravitational pull" of mutual consistency. According to Mr. Carroll, "we should be constantly testing and probing our planets of belief for inconsistencies and structural deficiencies." Of course, "the real problem is that we can imagine more than one stable planet." So how do we choose which to mentally inhabit? A "habitable" theory environment, says Mr. Carroll, "necessarily includes some shared convictions about evidence and rationality, as well as the actual information we have gathered about the world." Put succinctly, his position is that science is the only authentic way to access genuine knowledge about reality and that science expresses its findings in a hierarchy of "stories," with theoretical physics sitting at the foundation.
So what, then, is the basic "stuff" about which all consistent, coherent stories are ultimately told? It is not, of course, the atoms that were long ago smashed into smaller pieces, nor even the quarks and leptons whose speeding tracks are spotted in particle accelerators. It is instead, Mr. Carroll says, the quantum fields whose vibrations we detect as matter and radiation.
And here it is I who must raise a hand from the back of the class and ask: Is a quantum field "stuff" or "story"? Does it really exist or is it a useful way of talking about the observed phenomena? An anecdote that may or may not be true says that the great theorist Paul Dirac, when once asked what an electron was, wrote an equation on the blackboard, pointed to a symbol in it and said: "That's an electron." This is essentially Mr. Carroll's view, and as the anecdote shows, it is of noble lineage. But it remains debatable, and the author's evasion of that issue undermines his version of materialism.
To an extent, Mr. Carroll's idea of real stuff and stories about real stuff resembles the work of the contemporary French philosopher Alain Badiou, who has sought to ground materialism in a quasi-mathematical (and considerably more abstruse) framework. Badiou's protégé Quentin Meillassoux has also developed a highly sophisticated approach to what has been termed "speculative materialism." Mr. Carroll's poetic naturalism is naive by comparison, in a technical and not a pejorative sense.
Once we accept his book's ground rules, he gives us a highly enjoyable and lucid tour through a wide range of topics. Theoretical physics takes center stage, but there are also excursions into evolution, consciousness and the ultimate fate of the universe. Even if you don't agree with what he says, you are unlikely to be enraged by such an urbane and engaging a lecturer; more likely, you will be enthralled.
Still, no matter how sympathetic I am toward his position, I can't help feeling that in some cases—notably, his opposition to religion—he's shooting at straw men. "For the sake of keeping things simple," he writes, "let's divide all of the possible ways of thinking about God into just two categories: theism (God exists) and atheism (no, he doesn't). . . . For the sake of being definite, let's imagine we're talking about God as a person, as some kind of enormously powerful being who is interested in the lives of humans." That leaves out a lot of possibilities.
Mr. Carroll appeals to evidence but interestingly expresses faith in the speculative "many worlds" interpretation of quantum theory. He doesn't believe in God but presumably believes in the actual existence of another universe containing another Sean Carroll who does. I wonder what sort of book his other self would write?
—Mr. Crumey is a novelist and theoretical physicist. His most recent book is "Sputnik Caledonia."
Appeared in the May 14, 2016, print edition.
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text:
Vladimiras Volčiok (* 8. Oktober 1963 in Grigiškės, Litauische SSR) ist ein litauischer Verwaltungsjurist und ehemaliger Politiker sowie Mitglied des Seimas.

Leben
1980 absolvierte er die Mittelschule Grigiškės und lernte am Technologietechnikum Vilnius. Von 1981 bis 1983 leistete er den Sowjetarmeedienst. 1992 absolvierte das Diplomstudium der Rechtswissenschaft an der Vilniaus universitetas. 1991 war er Jurist des Landwirtschaftsbetriebs "Pergalė" Trakai, von 1994 bis 1995 Jurist in der Verwaltung der Rajongemeinde Trakai, von 1997 bis 2004 Oberspezialist in der Bezirksverwaltung Vilnius und danach Mitglied des Seimas.

Er ist Mitglied der Darbo partija.

Quelle

Mitglied des Rechtsausschusses (Litauen)
Jurist in der Kommunalverwaltung (Litauen)
DP-Mitglied (Litauen)
Litauer
Geboren 1963
Mann


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Comments:- Recording of a performance in the Staatstheater, Stuttgart (26 October 1958). The cast listed above is that given on the Fritz Wunderlich website (hyperlink in CLORLINK.HTM). The recording issued by the Omega Opera Archive is listed in their online catalogue and that issued by Premiere is listed in «Premiere Opera New Releases» September 2007 (hyperlinks in CLORLINK.HTM).
Comments:- The recording on the LPs issued by EJS and on the CDs issued by Walhall appears to be that listed in the «Historischer Katalog - Gesangaufnahmen» published by the Bayerischer Rundfunk Schallarkiv (Hauptteil A Band III 5614a) where the year is given as 1952.
Comments:- The following excerpts are performed: Prolog; Einzug und Chor des Bauern; Szene und Glockenchor; Wie flammte auf sein Auge; Jetz spielen! Hüllen in Tand nur; Nedda! Silvio; Nein! Bin Bajazzo nicht bloß; Finale.
Comments:- Recording of a performance broadcast on 20 September 1953. The recording issued by the Omega Opera Archive is listed in their online catalogue (see CLORLINK.HTM) where it stated that their recordings are available «on CD, cassette or reel-to-reel tape».
Comments:- Recording of a performance by the Württembergische Staatsoper, Stuttgart (9 March 1956).
Comments:- Recording of a performance in Montevideo (25 August 1959).


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Funding now open to help Northern Rivers and Coffs Coast experience our national heritage
Funding now open to help…
Federal Member for Page Kevin Hogan is encouraging community groups across the Northern Rivers and Coffs Coast to apply for more than $330,000 in funding through the Coalition Government's Community Heritage and Icons Grants program.
Grants of between $2,500 and $10,000 are available to support community engagement and awareness raising activities that promote places on Australia's National Heritage List.
Mr Hogan said the Northern Rivers and Coffs Coast currently has one national heritage listed site – Gondwana Rainforests of Australia.
Overall the 107 places on this prestigious list represent our amazing natural places, our rich Indigenous heritage, and the historic places and stories that reflect our development as a nation.
The grants are part of the Coalition Government's $1.4 million commitment to provide opportunities for local community groups to promote the heritage values and stories of places recognised on Australia's National Heritage List.
"Our heritage contributes to our sense of place, community and personal wellbeing, it informs us about where we have come from and who we are, and is fundamental to our national identity," Mr Hogan said.
The National Heritage List records our national story and protects places so they continue being part of our shared heritage.
Some of the places on the list are not well known and the Program is designed to help more people engage with these places and understand their importance and values.
The types of activities available for support through the program may include:
development of signage, brochures and pamphlets
development of web content, smart phone applications or virtual tours
development of interpretive heritage trails and walks.
Local community organisations interested in the conservation, promotion, and awareness raising of places on Australia's National Heritage List are strongly encouraged to apply.
Applications for funding are open until 23 March 2017.
Further information about Community Heritage and Icons Grants, including the application guidelines and application form, is available at www.environment.gov.au/heritage/grants-and-funding/community-heritage-icons-grants/2016-17
Category: Media Releases 1 March 2017
Tags: Coalition GovernmentCoffs CoastCommunity HeritageKevin Hogan MPNorthern Rivers
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Uber boss Travis Kalanick has resigned as CEO after pressure shareholders.
Five major investors wrote to Mr Kalanick saying that he must leave Uber immediately and that the company needed a change in leadership.
His resignation comes after a review of practices at the firm and scandals including complaints of sexual harassment.
Mr Kalanick will remain on the board of the ride-hailing firm, retaining control of a majority of Uber's voting shares.


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Huize Welgelegen (Amsterdam), een dienstwoning van Artis
Huize Welgelegen (Hardenberg), een landhuis in Heemse
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The Weeknd is among those headlining Coachella in the spring. One can expect it won't be the only festival he will headline in 2018.
The Coachella Valley Music and Arts Festival – or Coachella, for brevity's sake – is the premier, or at least the most noteworthy, annual music festival in the United States. Taking place over two weekends in April, it's also one of the earlier festivals on the calendar, meaning it sort of sets the table for other festivals to come throughout the year; often times, these festivals are run by the same companies, and certain artists almost designate certain years as festival-centric ones.
Point being, in taking a look at the Coachella lineup, which was unveiled last week, certain things are evident. If anything, the lineup itself provides a pretty clear indication as to what is to follow with area festivals like Austin City Limits and Voodoo Fest.
No, of course not. But, as festivals go, rock as we traditionally know it isn't faring so well. Rather, hip-hop, EDM and more standard pop fare have fully taken over the festival scene in recent years. Take a look at the more noteworthy acts on this year's Coachella bill. Beyoncé is arguably the biggest pop star in America. Eminem is arguably the most successful hip-hop musician of all time. The Weeknd is one of the hottest stars in the pop/R&B game. Post Malone is an up-and-comer on the hip-hop scene. Same for Migos. Sure, Coachella didn't shun rock altogether; no festival worth its salt would do such a thing. And while Portugal. The Man, A Perfect Circle and HAIM are all quality rock outfits, the bill is lacking in terms of noteworthy traditional rock outfits. Jack White (more on him in a bit as well) is playing Governor's Ball in June in New York, and it's a safe bet he will play either ACL or Voodoo Fest in the fall, but notwithstanding that speculation, rock has seen better days as festivals go.
Beyoncé was supposed to headline Coachella last year, but once Queen Bey announced she was pregnant with twins, she postponed her set but vowed to headline in 2018. True to her word, Houston's own Beyoncé will serve as the Saturday headliner on April 14 and 21. This is great news for anyone attending Coachella; Beyoncé puts on one hell of a show. But don't expect it to be a trend in 2018. With newborn twins at home, it's likely (and certainly understandable) that Beyoncé will keep her calendar somewhat clear in 2018 before rolling out new music next year.
Jack White rose to fame as one half of the White Stripes. He's played in the Raconteurs. He turned heads with the Dead Weather. He's even experienced success as a solo musician. In short, White (along with Dave Grohl) easily ranks among the two or three most prolific, hard-working musicians in mainstream rock over the past decade or so. However, White or any of his bands haven't released a proper studio album in more than two years, a lifetime in Jack White terms. White isn't playing Coachella, but he is headlining Governor's Ball, which makes sense, considering a new solo album is apparently imminent. It will be nice to have Jack White back in our lives, considering his live show is an experience unto itself.
Yes, Eminem just released a new album, and contrary to consensus critical opinion, Revival is not a disappointment. Is it on par with the first three records that launched his career into the stratosphere? Of course not, but good luck topping that trio. Sure, Revival is a bit bloated, and some of the tracks are borderline comical, but tracks like "Arose," "Castle" and the misunderstood "Walk on Water" showcase an artist who can still bring his A game. Even so, Revival was fairly maligned upon its release, and while it debuted at No. 1 on the Billboard Top 200, sales were a relative disappointment as Eminem sales go. Eminem is already booked for Coachella and Governor's Ball, and I'd be surprised if he's not at ACL or Voodoo Fest later this year, and these dates all make sense. Eminem is about as big a draw as you'll find for a festival, but let's not pretend people are here to see what he'll do next. Rather, they'll be on hand to experience what he's already done.
I've said it before, but it bears repeating – a festival is only as good as its headliner. And while Coachella absolutely nailed that end with The Weeknd, Beyoncé and Eminem, festival organizers didn't scrimp on mid-carders either. Major acts like SZA, St. Vincent, The War on Drugs, Vince Staples, Fleet Foxes, Migos, and Cardi B fill out the festival lineup, and it stands to reason those artists will find themselves on other bills throughout the year, a year that is looking quite promising on the festival front.


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Freedom Fry Launch North American Tour
by flaunt
The Parisian/Angeleno husband and wife and musical duo talk life and condiments
Freedom Fry would like to make you dance. Preferably at one of their shows, but also in your car, or at anytime the absurdity of our world becomes too overwhelming and you'd like to bask in a joy equivalent to that of a summer's day. They tell me about this as we take a seat outside on one of these particular days in early August. Parisian Marie Seyrat greets me with a hug, Bruce Driscoll buys me a cup of iced vanilla coffee, and I'm already feeling the joy of which they talk so genuinely of spreading.
The duo, now three years married, have been creating indie pop-folk tracks together under the moniker Freedom Fry since they first met in 2011. Nearly five years after those early days spent bonding while recording in Driscoll's cramped New York studio apartment, the band has transformed this love into a full-fledged career. Their upbeat melodies, danceable rhythms, and reassuring lyrics have earned them licensed spots on TV shows including Judd Apatow's 'Love', and 'Grey's Anatomy', as well as landed them in high profile ads from brands such as Madewell and Lanvin.
From the way they speak about music, It's clear that Freedom Fry works hard to achieve the laid-back ambience of which they seem to generate so breezily. The music making process, although a shared passion, is a job that requires every bit of their attention and energy. It's seen most visibly in their live performances, the band dances and jumps to the beat of their own sound in the hopes of reciprocating a similar positive energy from the crowd. It's not easy, but it's worth it when they're unparalleled enthusiasm is able to establish the desired secluded environment of love, music, and optimism.
From tours across the west coast to shows in Paris, London, and even sold out sets at SXSW, Freedom Fry have been able to showcase their vitality all over the world, and very soon, the couple will be able to continue to spread their spirit throughout the US during their exclusive tour sponsored by Madewell. I was able to meet up with Freedom Fry before they set off. Over our iced coffees and tea, we discussed music, marriage, and the swimming pool of their dreams.
FF-PS04-2016
How did Freedom Fry come together? What's your origin story?
Marie Seyrat: I was a stylist previously, I wasn't in music at all five years ago. The last job I did was actually a music video of a another band he did called blondfire with his sister. And I met him and I played him a couple of songs I'd been singing that I had recorded on my phone.
Bruce Driscoll: Yeah, we were on set and she had these cover songs that she'd done in french on her iphone and I just thought she had a really cool voice, and I always loved french music, and french bands, and I thought it would be kind of cool to do something in french.
Seyrat: Which didn't happen [laughs].
Driscoll: So we started dating pretty soon after that. She fled to New York where I was living at the time, and we wrote our first EP in a week. It was that thing where I was like 'ok I don't really know this person that well yet, here's an activity we can do. We're both making music, let's just do like three hours a day writing songs'. And then at a certain point it got really serious, it's funny how it flips. At first you're like 'oh we'll just do it for fun', and then after that you live and breathe it, you're checking your email at 3am. It's our baby now. Also, because of the fact that we're in a relationship together, we care so much about it because we created it together, and it kind of takes on it's own life.
What do you hope your music conveys? After someone has listened to a song you've created, what do you hope they take away from it?
Seyrat: I feel like we live in a world where things are not easy everyday. Honestly it's kind of a fucked up world, and I feel like we kind of want to do music to make people happy. I love when I listen to a song in the car and I'm like 'I want to dance' and I want to just have fun and I feel like that's what we like to do. Even though there's a message definitely underneath, but it's basically like don't waste your time. It's positive messages.
Driscoll: Yeah, we want people to feel good. Also we write a lot tailoring it to our live show to make it fun for us too, so people are having a good experience.
What does success mean to you? What's your version of success?
Seyrat: To us, honestly we don't really see too far. I think for us we already feel pretty lucky to be able to do what we're doing.
Driscoll: To be able to survive off what we're doing is the main goal.
Seyrat: Just to be able to live comfortably, and not have to struggle from month to month to pay the bills, or whatever. I don't think we really talk about having big goals, I don't really think that's what we do this for, it's just to be together. To be able to live together.
Driscoll: I think I'll be able to say we've really made it when we have a swimming pool.
Seyrat: That's true [laughs]. That might be the one thing. One day.
Does the fact that you're married affect your music making process in anyway?
Seyrat: It's like being in two relationships.
Driscoll: Yeah, you got to manage your band relationship with your romantic relationship and make sure that one doesn't overpower the other.
Seyrat: Sometimes it's difficult because it's like we have our own company, and when you have your own company you want it to do well so you work on it non stop, and our home is our studio, so basically there's no like 'ok I'm working during the day, and then I'm leaving this behind tonight', it's not that at all. We basically think about music all the time.
Driscoll: Sometimes we have to remind ourselves to set down the laptops, the instruments, the phones, and just exist as a couple.
Tell me about your song 'Shaky Ground'. What's the story behind it?
Driscoll: Some friends of ours lent us their Simon and Garfunkel Bridge Over Troubled Water CD, and it had a dvd that was about the making of the album, like a little documentary, and Paul Simon was talking about The Boxer and how when he got to the chorus he just felt like he didn't need lyrics. We thought 'wow that's really cool we should try to write something without lyrics', cause we tend to write a lot of lyrics in our songs.
Seyrat: And I do know whenever that chorus comes, whenever that song is getting played somewhere, you see everyone singing, and I thought that that was always fun.
Driscoll: There's no thought, it's just human instinct. Once you have that melody in your head, you don't have any words to memorize, It's just simple and it feels good. And they were talking about Cecelia and how they were just sitting around their apartment banging on stuff and making a loop of rhythm, and so that also inspired us to do something similar where she was banging on a cupboard in the studio and I mic'd it up, and I was raking a guitar, and we kind of made a rhythm track. We just got super inspired by it. She was like dropping keys.
Seyrat: That was fun actually [laughs]. Sometimes you have to find other kinds of inspiration, because in the end you get comfortable in writing the same kind of songs.
You guys are also going on tour with Madewell pretty soon. Is that going to be different from other tours you've been on?
Seyrat: It's actually going to be very different. It's going to be every weekend. So usually when you go tour it's from night to night, but with this tour we're going to have a week in-between to come back home, or to do radio shows. So it's going to be much more cool, much more calm.
Driscoll: And I'm just excited to play for these audiences and these cities. We've played most of these cities before, but we've never played in Chicago. It's a different vibe. We don't really know what to expect, we think it'll be a different audience, but I still think it's an audience that will get what we do, and hopefully respond well to the music. We're really excited about it.


text:
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Uber, but for being able to pay the rent
Here in New York, Mayor de Blasio signed major legislation that reigns in the unchecked growth of ride-hailing apps, which have latched on to American infrastructure and workers like a greedy, slickly designed succubus. The law freezes the number of new Uber and Lyft drivers for a year while the city studies the effects of the massive increase in drivers on the road — there are nearly 40,000 more "cab" drivers since 2015, and at any given time, 40% of those on the road do not have any passengers.
The flood of drivers with nothing to do has cut deeply into the earnings of traditional cab drivers, and Uber and Lyft drivers have fared no better, earning about $11 an hour thanks to the flood of drivers. Because they're still considered independent contractors, they get no benefits from Uber or Lyft, either. So the new law also establishes a minimum wage for the drivers in the city, which will hopefully help the cycle of false hope, poverty, and all too often, suicide, which has become an epidemic here.
I'm not a cab driver, but the Uber problem is not limited to the livery industry. The "Uber for" construct of startup pitches became so ubiquitous a few years ago that it became a punchline, but the impact has been real. As a writer, even with a good full-time job, I am always looking for ways to supplement my income, largely to pay off medical bills. (I've had four heart surgeries and even with insurance, medicine costs hundreds a month and a quick annual checkup runs $500. Donate to my Patreon here?) I often look to pick up freelance work, whether it's journalism unrelated to my day job or copywriting.
The latter is kind of a murky industry, but it has moved more and more towards platforms like Upwork, which function as a mass job posting board. Which would be fine, but the mechanics of the thing and the desperation of writers has led to an incredible plunge in payment rates — we are talking a dollar for a thousand words. It's brutal. It feels more and more like this is the future — I've seen a lot of friends laid off from journalism jobs over the last few years. The uptick in digital media unionization at least gives me some hope. Right now editorial employees from Thrillist, the network of travel and culture sites, are striking after a year of management refusal to recognize and negotiate with their union.
The hard part is that you can't blame the Upwork writers, just as you can't blame the drivers. People don't work for those rates for fun. And you can't even blame many of the very small businesses and individuals that hire writers on the cheap — times are tight; wages after inflation are down. In the same way, you can't blame people who take Uber and Lyft — I'd be a real hypocrite if I did that, since I've used both myself, especially when the subways were down. Regulating, not eliminating, the platforms is key, so that convenience doesn't destroy sustenance.
The real solution to the Uber problem would be a more reliable mass transit system, but as New Yorkers and anyone who follows us on Twitter know, that does not appear imminent. It's one of the big issues animating state elections this fall, which we've covered heavily here.
But those frustrating infrastructure battles aside, this really is a momentous occasion. Silicon Valley employs fleets of lobbyists and Uber has especially leaned into trying to shape public policy and opinion. Their ads plaster the subways and they bombard the media with AstroTurf campaigns. It has largely avoided regulation — and been able to get the few laws that have passed repealed — but their money and aggression did not work in New York.
Instead, defiant unions and progressive activists won the day. It's a landmark event, and already lawmakers elsewhere are taking notice, with aldermen in Chicago also now suggesting a minimum wage for drivers.
Regulating the gig and sharing economy is a national priority for progressives, even if they aren't linked on it the way Medicare for All has become a unified cause. And without that urgency, it's an uphill climb. The GOP hates regulation already and states are largely controlled by Republicans. Should the midterm elections go our way, we could see a lot more of these kinds of laws, though even a lot of Democrats are sympathetic to tech interests, even as scrappy startups become international behemoths without much interest in the public good.
This New York Times piece is a great look at the fight Facebook and other internet monopolies put up against even a modest set of regulations. Airbnb is also an aggressive lobbying force, waging rhetorical and financial war against any legislator that dares suggest perhaps it's not a great idea to have every home available for rent. Neighborhoods are being transformed and housing is at a premium thanks to gentrification, and landlords are frequently kicking people out of their homes in order to turn them into pseudo-hotel rooms. Rents go up with every Airbnb unit; one study found that "New York City renters had to pay an additional $616 million in 2016 due to price pressures created by Airbnb."
Again, it's complicated, because Airbnb does make things easier for travelers, and it's nice side income for some people. But it's the exploitation that makes it troublesome. Every good idea comes with bad actors who try to take advantage of the system.
Author progressiveseverywherePosted on August 17, 2018 Categories News, Worker RightsTags New York
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