If it is true that most songs are composed in moments of blue mood, it sounds reasonable for many of them to refer to crying - and that is indeed the case. The selection has been tough but worthwhile. Gimme 10 reminds you of 10 great songs about crying.
The first, and proven last, album by the supergroup Blind Faith (Eric Clapton, Ginger Baker, Steve Winwood, Ric Gretch) opens with this composition by Winwood, dominated by blues riffs and blue mood, as it demonstrates the flawless interaction among the four musicians.
One of the most popular songs by the Guns 'N' Roses, Don't Cry, has been released in three different editions. According to Axl Rose, along with Estranged and November Rain, make a trilogy based on the short story Without You by Del James.
Lazy guitars, sensual performance and 'shady' female vocals in one of the most recognizable songs by the artist from Oklahoma. From the album 5 in 1979.
The debut by Lolek, Alone (2009), included several beautiful and interesting songs, most of which bended to the 'dark' side. One of the best ones is definitely this one, with beautiful instrumentation, varying between undertone and electrical explosion.
Only few manage to demonstrate melancholy like the Americans Mazzy Star. Especially in the album Among My Swan (1996), which includes this song, they accomplish the perfect combination of economy and intense expression.
A kind of 'retro' composition by Garbage, from their third studio album, Beautiful Garbage (2001). The sound remains towards modernism.
A few notes from the electric piano, string instruments, discreet percussion and a sensual performance by the composer Neil Finn: that is how easy it is for someone to create a beautiful song. From the album Time On Earth (2007).
John Lennon has got the blues in this song from A Hard Day's Night (1964) but the music, originating from a country & western attitude, almost conceals it. The magic of Beatles concentrated in just 1 minute and 43 seconds.
The second side of the single Peggy Sue Got Married that was released in 1959. It has been very popular in Merseybeat, and the Beatles covered it in some of their appearances in several BBC shows.
We close our review of this sad topic trying not to cry. We are assisted by old-Macca in a song from Run Devil Run (1999). See you again in a week. Be there!
* Photos from vatopaidi.wordpress.com and www.wikipedia.org.


KOTA KINABALU: After finally taking his oath as Sipitang Member of Parliament, it is hoped that Yamani Hafez Musa will be around to serve the constituency and people.
It is amazing what Hafez has done. He went missing since he won the P178 seat. It is really irresponsible of him as an elected representative, said Pritchard Gumbaris, who is the political secretary to Datuk Darell Leiking, Minister of International Trade and Industry.
Hafez, Pritchard said went missing for eight months without any reason and has neglected his responsibility.
"I would like to remind him that his job is to take care of his constituency and constituents. The people and his area need his attention, this is not a golf game where you can disappear as you like.
"Other constituencies are already in full swing…eight months is a long time and there are so many things he could have done. In Penampang, we have achieved much within five months and these do not include charity and welfare activities," stressed Pritchard.
"I hope he doesn't do another disappearing act after he is sworn in. In fact, I am of the opinion that he should step down and allow re-election for the people to vote for a more responsible representative," said Pritchard.


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Q: Choosing font size for a web form I am building some Web forms with ms-access. For the most part the fidelity of the form inside of ms-access and the same form when published to the web and run from a web browser looks very good.
However I the problem is with some list boxes. Here is a screen shot of the client form.

And, then the same form when published to Access Web services.

The form when run in a browser looks better sized then in the access client. The font I am using for the 4 list boxes (time picker)  is "MS Sans Serif", point size 8.
As the two screen shots show, the 2 form in a web browser looks quite different.   I sized the list boxes larger then needed in the client side to get the good looking results in the web browser.
I would rather size the form in the client to much like this screen shot:

It certainly possible that I might have to live with this size and rendering difference. I am wondering if anyone has any suggestions in regards to picking a different font that might improve this situation? I included the SharePoint tag in this question since Access Web services does run on SharePoint. Perhaps there is some Web Server settings I don't know about that might improve this situation?
I tried about 10 different of the most common fonts (Calibri, Arial, Times New Roman etc.) and the sizing issue did not really improve much.
I am new to the web world so issues like what font to choose or what a long time web developer would choose in this case is much breaking new ground for me.
Is there a particular font (and size) that would be a better choice for those 4 list boxes? Or am I wasting my time looking at fonts and hould e looking else where such as anchoring of controls etc.?

A: This is not really a font issue, but a styling issue. Unfortunately, if you are new to the web, you have managed to get dropped into a rather complicated corner of. With Access publishing web pages hosted in SharePoint, it is about as complicated as it gets CSS/HTML styling wise.
So, debugging what is going on is pretty hard without access to the particular html and css used to render this page. Even then there is no guarantee that there is going to be an easy solution.
Your first port of call should be installing the Internet Explorer Developer Toolbar, this will allow you to inspect the html rendered on that part of the page and attempt to change the styling applied to different tags.
While learning this stuff is not going to be a waste of time, it will take a huge amount of time to get the hang of.
Over all I would recommend just living with it until you have some CSS knowledge available to help out.

redpajama_set_name: RedPajamaStackExchange


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Society for Catholic Life and Culture endeavours to support and promote authentic Catholic culture and way of life in Canada
About kevinang 2018-05-09T22:30:29-04:00
VALUES WE UPHOLD
The Society for Catholic Life and Culture will support activities that advance the development of authentic Catholic culture, with an emphasis on families and youth.
Society for Catholic Life and Culture (SCLC) was the brainchild of Professor Dr. Leo Zawadowski, an active Catholic in the Archdiocese of Toronto. Together with John Stone, Dr. David Dooley and Dr. John Shea the organization was created to support grass roots Catholic Apostolic initiatives. The goals laid out in our constitution include "To initiate and support activity conducive to the preservation, creation, development and spread of truly Catholic Culture" and "To study, develop, uphold and spread truly Catholic Culture in all and any field of human life and activity, including learning, science, literature, art, music, education, family, medicine, social and economic life, law and other aspects of public life, etc."
Soon after the founding of SCLC, Fr Alphonse de Valk took over as Board Chair until his retirement. Under Fr de Valk's leadership, SCLC supported Catholic writers with an emphasis on providing Catholic commentary and reflection on issues affecting Canadian Society. SCLC has also supported Catholic educational institutions at Elementary, High School and Post Secondary levels and recently supported a Private Catholic post-secondary college with seed money to develop Catholic leaders for the future.
Our board continue to enjoy the faithful service of several active and faithful Catholics including Rev. Fr. Daniel Callam C.S.B. (retired Professor of Theology at St. Thomas More University College and currently assistant editor of The Chesterton Review, among many other noteworthy achievements).
Rev. Alphonse de Valk
SCLC is a registered charity 893350561 RR0001
3080 Yonge St, Ste 4040, Toronto, ON M4N 3N1
info@catholicculture.ca
© 2018 SOCIETY FOR CATHOLIC LIFE & CULTURE

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Tag Archives: unpaid work
Internships are a mix of exploitation and privilege, says Ross Perlin
On Radio 4 this morning Andrew Marr spoke to Ross Perlin, the author of a new study into the issue of unpaid internships. It was an interesting topic of debate in light of an announcement last month by the National Union of Journalists of its first victory in its Cashback for Interns campaign.
Speaking on Start the Week, Perlin argued that the older idea of work experience is giving way more to an "American notion" of multiple months of serious but unpaid work with an "unspoken barter deal" with the understanding that there may be a paid-position at the end. But more often this is not the case, he claims.
It is a curious mixture of exploitation on the one hand and privilege on the other. People who can afford to do these internships are in once sense privileged, they are lucky to have their foot in the door. People who can't pay to get into the system, just in terms of the expenses or rent or food, are essentially left out and therefore barred from a whole range of professions which have made internships a virtual prerequisite.
Perlin calls for existing internships to be reformed, adding that he is not calling for their abolition, but the development of a fairer system.
I would say wade very carefully into the internship morass if you must. If you feel you must work unpaid and you can manage to do it, for any individual it might make sense in a particular situation to do this for a brief period of time, but don't get caught in the internship trap. Know your rights and once you're doing real work that you should be paid for under the national minimum wage act you should be receiving that pay, you should amend that.
Follow this link to hear the full programme. The discussion on internships starts at about 30 minutes in.
Also today, the Frontline Club website has published an anonymous piece by an intern detailing their experiences of unpaid work.
In most of my experience, however, they rarely amount to more than the routine execution of mundane activities that could and should be done by a paid member of staff or which add little meaningful value either to the intern or to the organisation/publication for whom they are working.
This entry was posted in Editors' pick, Jobs, Legal and tagged internships, Ross Perlin, unpaid work, work experience on June 6, 2011 by Rachel Bartlett.
What makes you an arts journalist? The Stage on a changing profession
Mark Shenton shares his thoughts on the world of arts journalism over on the Stage's blog today, putting a spotlight on a profession being transformed by amateur critics online and an industry yet to fully accept the opinions of an unpaid commentator.
Of course, no special qualifications are required to be a theatre critic: just the fact that someone employs you to do so makes you one. But in the new online environment, no such appointments are necessary anymore; you can start a blog and call yourself one in the click of a mouse. It's an increasing challenge amongst theatrical PRs to work out who they should extend the courtesy of free theatre tickets to.
The problem, according to Shenton, is that there are still organisations who put up barriers to those not yet being paid for their work.
The Edinburgh Fringe's press office runs a media accreditation process to validate the numerous people claiming to be critics, so that there's at least some kind of filter; but they've caused a little bit of a stir this year by denying accreditation to one particular website, The Public Reviews, which as its name suggests, uses members of the public to review shows as opposed to professionals. And being paid for your writing isn't, of course, a pre-requisite either anymore to call yourself a critic. One of the best reviewing sites out there is theartsdesk.com, set up by a team of established print journalists, and it isn't paying its contributors at the moment yet, either. (Neither does one of the biggest and most influential news and opinion sites in the US, The Huffington Post). But they've all noticed that the market is changing, and are taking a proactive step to be out there with a well-produced site that may, in turn, start making money in due course.
See his full post here…
This entry was posted in Editors' pick, Magazines, Online Journalism and tagged arts journalism, critics, Freelance, the stage, unpaid work on July 29, 2010 by Rachel Bartlett.
Can working for free ever pay? Fire & Knives founder responds to Twitter backlash
Last year, a new quarterly print-only food magazine launched, designed, it says, to give established writers "a place for work that would not be published elsewhere; new writers a place to show themselves and experts in other fields an opportunity to write about our favourite subject".
Behind the project is Fire & Knives founder and freelance food writer Tim Hayward. To the annoyance of some photographers, Hayward recently tweeted: "Would like to commission some foodblogger photographers for an @FireandKnives project. Odd brief. No money."
The Twitter backlash from professional photographers came (a selection):
@Timgander: "Guardian's @timhayward is looking for a food photographer with independent means of income as there's no pay for the work. #fail"
@ABCphoto: @timhayward What's the difference between a plumber and a photographer? You don't expect plumbers to work for free.
@chickenthieves: @timhayward sorry, Cant seem to pay the bills when I work for free…
@jhphotographer: @timhayward – if you can't afford photography for a food magazine then you can't afford to be in business.
Tim Hayward responded to all, at length, via Twitter. He's not in business yet, he says. Think of it like a 'blog someone had the brains to put through a printer,' he adds.
Here's how he responded to the criticism in full, when Journalism.co.uk got in touch:
Responding to the backlash:
The intention was to recruit a few foodbloggers to collaborate on a shoot which would amusingly subvert mainstream foodporn.
As with the written material in the magazine, it would be unpaid and would credit the blogger and his/her site. If any of the photographers (or more accurately agents) who snapped at the story had cared to discuss it sensibly they might have seen that.
Fortunately, writing for the Guardian food blog for so long has given me a pretty realistic idea of how much thought punters engage in before hitting the send key. It also makes me entirely resilient to flaming.
It's important to reiterate how we're working at Fire & Knives. About one third of our features come from established foodwriters, most of whom are happy to supply the kind of long form, specialised foodwriting that none of the mainstream food press are paying for at the moment. The rest of the features come from food bloggers or new food writers, also keen to show off their best work in a good looking format.
We have a large circulation list of influential media people with commissioning powers and the magazine is distributed to them for free. This means that, though we can't offer money at this stage, we can offer everyone involved an excellent showcase for their work.
The funny thing is that since the tweet went out I've had 75 responses from foodbloggers all over the world plus a dozen from professional food photographers who think the idea of being involved in something like this might be fun and good for their profile.
The mainstream media dilemma that inspired Fire and Knives:
Most of us in the food field are now having to work across all media. We're doing on and offline work, TV, radio and books in an attempt to make a living doing what we love. All of us give work away in some form or another. We appear on TV shows as 'pundits' for nothing or for risible 'sofa fees' and the producers tell us it's 'good for our profile'.
We answer phonecalls from subs at national newspapers asking for 'just a quick hundred about what spring salads mean to you – it's good for profile' only to find our unpaid contribution has been glued in with nine others to magic a 1000 word feature out of nowhere for nothing.
Book advances have dropped to a stage where agents are telling us we need to maintain journalistic and educational work in order to afford to play. At the very least we're supposed to stick our work out there for nothing on our blogs in the hope that some editor will pick us up in a desperate trawl for a last minute idea – though what more often happens is that the idea is lifted whole and passed on to a staff writer. In my own case, I spend all the time I have between paid work – and believe me there's plenty – editing a bloody magazine and stuffing envelopes for nothing.
Raising foodie writers' profiles
But it's not 'for nothing'. I do it for the same reason the contributors do. It helps to raise profile and I'd rather my best work was out there being read by food lovers than being rejected by an editor who wants all the complicated bits taken out and as many references as possible to celebrity chefs jammed back in.
Of course, there would be money for everyone if we took advertising – but we don't take advertising because then we'd have to worry about increasing our audience and dumbing down to do so.
So we use the subs to pay for production, printing and distribution and right now, that doesn't leave any change – in fact I'm still putting money in.
We will, of course, pay as soon as we can. But looking at the figures, that's unlikely to be this year.
Fire & Knives: the story so far
On the positive side, what this little spat has proved is in itself interesting. We are tiny.
We've yet to sell the last quarter of our first print run of 2000 copies (and bear in mind the huge list that gets it gratis) – they're sitting here in my office as I type this – but because we've used digital print technology, great design, we're working with enthusiastic writers with an intelligent attitude to their own careers, we've thought cleverly and we've used new media to promote ourselves and raise profile: people like the rabid photographer contingent are fooled into thinking we're a major player.
We're out there, creating a fuss like a national magazine while we have the scale, business model and budget of a bedroom printed fanzine, by and for a microscopic audience of like-minded geeks. If it helps, think of us as a blog someone had the brains to stick through a printer.
The funny thing is that I trained originally as a photographer and freelanced for several years. I'm totally versed in the 'never do anything for free' logic drummed into us since birth.
But I also spent many years working in media and marketing and I know that the only way any of us can hope to survive is by efficient management of personal brands. Our contributors are doing that well.
As am I by continuing to be involved in this discussion – for which, by the way, I assume I'm not getting a fee – [no, you're not, Ed.] instead of getting back to writing a bloody recipe for sorrel soup which may or may not, make me £20.
No. A foodie can't live on fresh air. On the other hand, any creative working in the media at the moment can't afford not to promote themselves and their work at its very best.
Maybe you have an agent getting the work in, in which case you're paying 15 per cent. Me, I prefer to give away a little work and raise profile with interesting and creative projects. Do I think special interest writing will become something done for love not money? In the traditional sense of 'writing' absolutely.
If anyone thinks they can make a living sitting at a keyboard writing about food they'd better have a private income. If, on the other hand, they want to make a living involved in the food media, they can if they think broadly enough about how they sell themselves.
When you think about doing it for free, ask yourself this, would I rather write rubbish for a lifestyle magazine for a laughable fee, or a) write something great and shove it in the public domain on my blog, b) write a series of proposals and pay an agent to flog them or c) write something beautiful, the way I want it, put it in a beautiful magazine and know it's going to seen by everyone of any importance in my industry.
If you're still sat at an Underwood, troubling the Tippex then the answer is probably a) if you want to eat, the answer is c). It's not working for free, it's where I'm choosing to put my marketing effort.
But then, I would say that. I'm not a proper writer. I'm a working food hack.
That's Tim Hayward's take. Over to you, in the comments, or by tweet.
This entry was posted in Journalism, Photography, Press freedom and ethics, Social media and blogging and tagged fire and knives, food magazine, food photographers, freelance food writer, photographer, The Guardian, tim hayward, unpaid work on March 16, 2010 by Judith Townend.


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TV ReviewsShamelessSeason 9
A decent premiere can't escape the shadow cast over Shameless' future
Filed to:Shameless
If you're reading this review, there's a good chance that you're the type of person who consistently reads about the television show Shameless on the internet. As a result, I feel like it would be disingenuous if I pretended as though the Showtime series' ninth season doesn't have a recent piece of news hanging over it. Some would argue that it constitutes a spoiler, and if you didn't hear any recent news about the show's cast and really want to avoid any foreknowledge of where this season is heading, I hope this introduction has offered you enough time to realize that you shouldn't be reading this.
ShamelessSeason 9
"Are You There, Shim? It's Me, Ian"
However, it is impossible for me to write reviews of this season of Shameless without acknowledging that everything is changed by the news that Emmy Rossum is departing the season early next year at the conclusion of the second half of the ninth season (which will be broken up into two parts, each running seven episodes).
We don't know if Showtime or the show's producer Warner Bros. would have released news of Rossum's departure if she hadn't done so herself—based on the fact that no immediate statements were released by those parties, it would appear that Rossum surprised everyone when she implicitly announced her decision to leave the show at the end of this season on her social media accounts. It was her choice, then, that we read everything we see on the show this season through the lens of its most important character exiting stage left. There's still a lot of season to go before that happens, but our knowledge means that every part of Fiona's storyline will be under more scrutiny than ever before. Beyond anything else, this season needs to provide a good reason for Fiona Gallagher to leave her family behind, while proving that the show—as valuable to Showtime now as it's ever been thanks to the Netflix deal and its stand-alone streaming service—can go on without her.
No one episode is going to be responsible for that work, but "Are You There Shim? It's Me, Ian" creates an immediate test of Fiona's loyalty to her family. When the episode begins, Fiona is busy trying to organize Ian's bail, looking into getting a loan using her apartment building as collateral. In the past, an issue with the building might have undone this scheme—when they brought up the mechanical room, for example, my brain flashed back to that weird red herring with the guy who moved in all the computer equipment last season that the show never did anything with. But there's no problem with the appraisal: Fiona can easily get the $50,000, just as she can easily stock up in bulk at Costco. The question is whether or not Fiona should be bailing out her brother in the first place.
It's impossible not to read this decision through the lens of Fiona's departure from this series. It's Ford who first raises the idea of Fiona not bailing out Ian, after rightfully questioning the logic of bailing out someone who committed a violent and dangerous act and has shown signs of instability while in prison (like telling Fiona there's no rush on bail since he has to see through the strike he organized among the gay and trans inmates who were being abused by the prison's ruling class). Can she trust Ian to show up for his trial? Can she trust that he won't continue to commit crimes as part of his religious crusade, one tinged with a Jesus complex that has only been further reinforced during his time in prison, and exacerbated by the fact he doesn't seem to be taking his meds? Fiona's answer is yes, because this is just what her life has been: being a Gallagher means bailing your family out of trouble, at least as Fiona understands it. But has Ian gone too far? Even Lip and Debbie question whether it's the right course of action, leaving Fiona doubtful up until she makes her decision to bail him out but returns to the prison to find Ian is unwilling to promise that he won't find himself back on the same violent path as he follows "Shim"—we can't know if God is a he or a she—into the battle ahead.
I remain frustrated by the way the show has handled Ian: I'm glad the rest of the family is now acknowledging how dangerous Ian's behavior became last season, but they should have done more to address the situation while he was on the edge of self-destruction, and the idea that only Fiona seems overly concerned about the fact he's in jail strikes me as a bit strange. While the show has become increasingly siloed in its storytelling over the course of its run, with fewer moments of convergence with the entire family, Ian being in jail feels like something that would bring everyone together, but it doesn't. Some of this has to do with the fact the premiere seems entirely unmoored from time. I have no idea how long Ian is supposed to have been in jail, or how long Xan has been living with Lip, or how long Kassidi was stalking Carl at military school—every story is dealing with the aftermath of last season, but only in the abstract, without any sense of how long these things have been going on, or what took place in the immediate moments after Ian's arrest, or Svetlana's off-screen departure from Kev and Vee's life, for example. It feels like we missed crucial parts of this story, skipping to moments that are thematically coherent but rendered dramatically inert by their atemporality.
In Fiona's case, this is further complicated by the fact she spends the episode oscillating between the complex question of whether she should be responsible for Ian after he has gotten himself into this much trouble and the trite paranoia when she discovers Ford has a second phone. I don't understand why this story exists: even if I cast aside my disinterest in Ford—who is sticking around since Richard Flood is now in the main credits—as a love interest, it diminishes Fiona's story to have her brother be in jail and have her focus so much of her time on a jealous girlfriend story. I was similarly disinterested in Frank's overnight STD intervention with the PTA, but at least that story wasn't distracting Frank from something else important—it was just another kind of worthless Frank story, occasionally worth a laugh but doing little to push the character in any meaningful direction. And so when we know that Fiona is heading in a meaningful direction, and the episode is dealing with a significant thematic part of that direction, to have her also be dropping phones in toilets just seems like a waste of time and Emmy Rossum's talents.
This is not a new problem for Shameless, but it's going to be tough to be as patient with the show—and let's be honest, I haven't had much patience the past couple of seasons—knowing what we know. I don't necessarily love Lip's story right now, but there's no pressure on it, and so it's fine that his own responsibility story with the guardian-less Xan mostly just becomes about how awful it is to hook up sober when you're at a wedding. The show never bothered to explain who is taking care of Franny with Debbie working as she is, but I think using her as a way into gender in the workplace is a perfectly cromulent instinct. I'm not sure Carl's military school story has a whole lot to offer the show, but if the young cadet did actually murder Kassidi off-screen, I'm not going to complain about the end of that awful storyline. And as much as Kev and Vee's storylines continue to be an entirely separate show in ways that do them no favors, I'm appreciative that they acknowledged how Svetlana's absence would complicate their magical off-screen child care instead of just ignoring the kids altogether. Nothing in this premiere is especially great, but for all of these characters there's probably still two full seasons to get them to someplace more interesting. The same is not true for Fiona, and it's impossible to ignore that.
For the record, I'm almost relieved that Fiona is leaving the show. As much as I question what will be left behind when Emmy Rossum and the character she's brought to life for nine seasons is gone, the idea of the show finally exploring what happens when one of the Gallaghers achieves social mobility and leaves the South Side behind is thrilling in a way the show hasn't been in years. It means that this season, unlike the last, will add up to something significant, even if that something could also sink the show around it. But it also means it must live up to the expectations that we as viewers have built up for what it will take for Fiona to leave her family behind, and simultaneously work to keep us invested for the post-Fiona Shameless that Showtime will no doubt be looking to order early next year.
That's a lot of pressure for a season of television, and based on the premiere I'm not sure the current trajectory of Shameless is going to be able to withstand it. I'd love to be proven wrong.
I have so many questions about the decision to open the episode with two CGI rats having sex and then the male rat getting run over by a police car. What is that supposed to mean? Who thought those CGI rats were acceptable? Just such a choice.
I completely lost track of whatever logics led to the closeted bisexual husband outing himself, but I thought William H. Macy had some fun with that story, all told. I just don't care about a stitch of it, and am waiting for the Liam privileged school story to come back to being about Liam.
I was super confused by Debbie suddenly realizing once she gets equal pay that her boss has been calling her Jugs this whole time. Did she just not notice before? I am perplexed.
I'm curious how everyone is responding to Ian's prison storyline. On the one hand, the palpable absence of any actual danger seems to be a huge stretch given the nature of his crimes, and the off-screen establishment of what amounts to a union of sex workers is absurd. On the other hand, though, does the altruism of his actions generate sympathy that makes us side with Fiona on bailing him out, as opposed to everyone else? Personally, I have no trust for Ian and no respect for the turn to violence within his cause, but I'm curious how everyone else feels.
So it's one thing to not change the credits to reflect the characters aging, but I feel like they'll need to change the credits when Fiona leaves, right?
In case you're wondering why Showtime is splitting the season over two blocks: it means that if you're a Netflix Shameless viewer who subscribes to Showtime in order to watch new episodes as they air, they can get a couple of extra months out of you by stretching out the period over which the season airs.
Welcome to another season of Shameless reviews here at The A.V. Club. If you're a returning reader, thanks for coming back. If you're new, welcome, and I hope you'll find these reviews and the comments a productive space to work through your feelings on the season. And for all of you: I hereby solemnly swear that not every review will be a treatise on the impact Emmy Rossum's departure will have on the show. Just every second review. Pinky swear.


The Hump Bar, Kunming. A small shrine to the Flying Tigers, Allied airmen who kept supply lines between India and China open by flying across a 500 mile stretch of Himalayan peaks which they christened 'The Hump'. Photos, maps, and a great place to drink.
The next port of call on our journey will be over the other side of the Himalaya, where the planes landed and the Burma Road broke out of the jungle.
Two last good memories of China, both meals. A lunch of fish in lemon grass, asparagus, chicken and delectable pork cooked beneath a vegetable crust, and a last evening thank you to our long-suffering Chinese fixers, minders and helpers in a chic restaurant, with photos of the old Kunming railway on the walls.
So I'm very happy tonight, and only wish John Pritchard were here to share our enormous sense of relief at having, in not much more than a month, crossed the hardest terrain we've ever travelled.


The Pulitzer Barcelona is a 4-star boutique hotel housed in a historic building located right next to the Plaza Cataluna close to 2 of the city's most famous avenues, the Paseo de Gracia and Las Ramblas. Accommodations are decorated with avant-garde design and equipped with air-conditioning/heating, LCD TV with satellite channels, mini bar, in-room safe, work desk, free WiFi access and a marble bathroom with bath or shower, hairdryer and toiletries. The in-house restaurant features a glass conservatory area which opens out onto an interior garden where guests can enjoy Mediterranean dishes made from local produce. In addition, a wide selection of light snacks, signature cocktails as well as DJ sessions are available at the bar or at rooftop terrace during the spring and summer months. Guests have access to the recreational facilities available at the Holmes place located just a few minutes walk from the hotel, free of charge. Bicycle rentals and tours can also be arranged on requests.


Recently, Sudeshna Banerjee, a column writer from The Telegraph, an Indian newspaper, came to interview Sadbhuja das, the Managing Director of the TOVP. She wrote a very positive and colorful article detailing the plans for the temple and particularly the planetarium.
The Telegraph is an English newspaper in India that is published and distributed in all the major cities of India. The article was published in all of them, as well as on their website.


Let us know the colour you require and confirm model / engine code/number or your exact model at checkout in the notes.
This set of leads is for 6 cylinder models as displayed.
Includes 12 Month Manufactures Warranty, These High Performance ignition leads are the best there is, custom made for us, for you, for your Jag Got a question before purchase ? Just ask we're happy to help.
Error: Error validating access token: Session has expired on Saturday, 09-Jun-18 08:00:00 PDT. The current time is Saturday, 20-Apr-19 00:17:31 PDT.


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Q: How to get the absolute path to the public_html folder? $_SERVER['DOCUMENT_ROOT']

returns
/usr/local/apache/htdocs/

is there a way to get
/home/user/public_html/

The problem is that I have to write a script which can be in the public_html folder or a sub-folder of the public_html folder. The script should save uploaded files into a folder inside public_html directory(say images). In other words let us say that my file is test.php and the path to it is
/home/user/public_html/test/test.php.

And there is a folder
/home/user/public_html/images

where files uploaded via test.php have to be saved. I don't know where the test.php file will be run. For example it can be at the path
/home/user/public_html/test/another-dir/test.php

How do I get the path to the images folder without knowing where the test.php file will be?

A: something I found today, after reading this question and continuing on my googlesurf:
https://docs.joomla.org/How_to_find_your_absolute_path
<?php
$path = getcwd();
echo "This Is Your Absolute Path: ";
echo $path;
?>

works for me

A: put anyfile on the directories you wanted to find, in this case, place 'root' at public_html
/home/user/public_html/root <- note that 'root' is not a folder (you can use root.txt if u want)

And use this function
function findThis($get){
    $d = '';
    for($i = 0; $i < 20; $i++){//this will try 20 times recursively on upper folder
        if(file_exists($d.$get)){
            return $d;
        }else{
            $d.="../";
        }
    }
}

and get the value by calling it
$pathToRoot = findThis('root');

And it will return, for example the the dir of php script is
/home/user/public_html/test/another-dir/test.php

so the $pathToRoot will be
$pathToRoot => "../../../"

Is this the one you want??

A: Where is the file that you're running?  If it is in your public html folder, you can do echo dirname(__FILE__);

A: Out of curiosity, why don't you just use the url for the said folder?
http://www.mysite.com/images
Assuming that the folder never changes location, that would be the easiest way to do it.

A: Whenever you want any sort of configuration information you can use phpinfo().

A: This is super old, but I came across it and this worked for me.
<?php
//Get absolute path
$path = getcwd();
//strip the path at your root dir name and everything that follows it
$path = substr($path, 0, strpos($path, "root"));
echo "This Is Your Absolute Path: ";
echo $path; //This will output /home/public_html/
?>

A: You just need to create an offset bypass to how far you want the backwards reading to go. So, we use getcwd() to get the path and explode (split into array) to fetch the data between $root and the ending of the path.
function getRoot($root = "public_html") {
    return explode($root, getcwd())[0].$root."/";
}

A: Let's asume that show_images.php is in folder images and the site root is public_html, so:
echo dirname(__DIR__); // prints '/home/public_html/'
echo dirname(__FILE__); // prints '/home/public_html/images'

A: <?php

    // Get absolute path
    $path = getcwd(); // /home/user/public_html/test/test.php.

    $path = substr($path, 0, strpos($path, "public_html"));

    $root = $path . "public_html/";

    echo $root; // This will output /home/user/public_html/

A: with preg_replace function to find absolute path from __FILE__ you can easily find with anything home user. Here short my code :

$path_image_you_want = preg_replace('#/public_html/([^/]+?)/.*#',
  '/public_html/$1/images", __FILE__);

A: You can also use dirname in dirname to get to where you want to be.
Example of usage:
For Joomla, modules will always be installed in /public_html/modules/mod_modulename/
So, from within a file within the module's folder, to get to the Joomla install-root on any server , I could use:
$path = dirname(dirname(dirname(__FILE__)));
The same goes for Wordpress, where plugins are always in wp-content/plugins/
Hope this helps someone.


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Six Signs Of Body Dehydration review.
Lear about Five Vitamins That Fight Cancer.
Reasons Why People Go Bald review.
© 2019 Interesting Health articles..


This pattern is a PDF.
This PDF pattern is for the snowball block shown in Picture 1.
Frosty windows, billowing snow, and sleigh bells...the hustle and bustle of the holiday season is on its way. With Christmas just around the corner; this little project is the perfect thing to get you thinking about Christmas. Featuring classic pine green, holly red, and a delicious frost all from the timeless Midnight Clear by 3 Sisters for moda; this project measures only 33 x 39 and is perfect for tucking into a basket or crock, using over the staircase, above a mantle or as a table cloth.
Over on our blog...we hosted the Christmas Morning Quilt Along.
This wall hanging measures 33 x 39 inches finished.
Thank you for stopping by...we hope you have a wonderful holiday season!


Decode UniPro over M-PHY HS-G1 to HS-G3 and PWM-G1 to PWM-G7.
Provides frame and symbol decoding (L1, L1.5 and L2) of UNIPRO waveform across four lanes of up - and/or downstream data.
Decode Cyclical Redundancy Check (CRC) data and highlights CRC errors.
Decoded frame and contents data are conveniently shown in searchable, color-coded tables.
Table shows decoded Data and Control frames from the acquired analog waveforms.
Symbolic decode table shows color-coded frame contents.
Protocol frames and data can be quickly located using the Search dialog.
Decoded UniPro data is annotated on the physical layer waveform.


text:
Kenyan trio up for IAAF 2018 Male Athlete of the Year
By Matthews Mutai For Citizen Digital Published on: October 23, 2018 03:31 (EAT)
World Marathon record holder Eliud Kipchoge is among three Kenyans nominated a 10-man shortlist for the 2018 Male Athlete of the Year as revealed by global governing body IAAF on Tuesday.
Diamond League champions Timothy Cheruiyot (1500m) and Emmanuel Korir (800m) join Kipchoge in vying to become only the second Kenyan to win such individual honour after double Olympic champion and 800m record holder David Rudisha.
The announcement comes after IAAF published a list 10 female nominees where World 3000m steeplechase record holder Beatrice Chepkoech was the only Kenyan that made the cut following the announcement in Monaco.
"This week marks the opening of the voting process for the 2018 World Athletes of the Year ahead of the IAAF Athletics Awards 2018 in Monaco on Tuesday 4 December.
The IAAF is pleased to confirm a list of 10 nominees for Male World Athlete of the Year who were selected by an international panel of athletics experts, comprising representatives from all six continental areas of the IAAF," IAAF wrote on their website.
Kipchoge underlined his claim as the greatest marathon runner of all time when he ran 2:01.39 at the Berlin Marathon, shaving 78 seconds off the previous mark held by Dennis Kimetto for a single greatest improvement in 51 years.
The Olympic champion also won in London in April to complete a hatrick of titles at the English capital in what has been yet another unforgettable year for the 33-year-old.
Cheruiyot has also enjoyed a stellar year, retaining his 1500m Diamond League trophy as well as winning silver medals at the Commonwealth Games in Australia and African Championships in Asaba, Nigeria.
Korir won his maiden Diamond League trophy this year, claimed silver in Asaba and went on to win the Continental Cup title in Ostrava, Czech Republic.
Other nominees include World long jump champion Luvo Manyonga, US sprinters Christian Coleman and Noah Lyles, Swedish pole-vaulter Armand Duplantis, French heptathlon athlete Kevin Mayer, 400m hurdler Abderrahman Samba of Qatar as well as shot put star Tomas Walsh of New Zealand.
A three-way voting process will determine the finalists.
The IAAF Council and the IAAF Family will cast their votes by email, while fans can vote online via the IAAF's social media platforms. Individual graphics for each nominee will be posted on Facebook, Twitter and Instagram this week; a 'like' on Facebook and Instagram or a retweet on Twitter will count as one vote.
The IAAF Council's vote will count for 50% of the result, while the IAAF Family's votes and the public votes will each count for 25% of the final result.
Voting for the Male World Athlete of the Year closes on 13 November. At the conclusion of the voting process, five men and five women finalists will be announced by the IAAF.
The male and female World Athletes of the Year will be announced live on stage at the IAAF Athletics Awards 2018.
NOMINEES LIST:
Timothy Cheruiyot (KEN)
Christian Coleman (USA)
Armand Duplantis (SWE)
Eliud Kipchoge (KEN)
Emmanuel Korir (KEN)
Noah Lyles (USA)
Luvo Manyonga (RSA)
Kevin Mayer (FRA)
Abderrahman Samba (QAT)
Tomas Walsh (NZL)


text:
9Honey: Kate Middleton Learned from Diana but Didn't Dive into Fashion as Her Late Mother-in-Law
By Rebelander Basilan
https://news.amomama.com/256331-9honey-kate-middleton-learned-diana-didn.html
Over the past decade, since Kate Middleton became Prince William's fiancée, many comparisons have been made between her and her late mother-in-law Princess Diana.
Albeit Kate Middleton finds inspiration from Princess Diana at important moments in her life, author Bethan Holt told 9Honey that the pair have very different approaches in their styles.
"I think Kate was really careful not to dive into the fashion in the way that Diana did," said Holt, the author of "The Duchess of Cambridge: A Decade of Modern Royal Style."
Diana, Princess of Wales, at home in Kensington Palace, in an undated photo. | Photo: Getty Images
In the author's opinion, Princess Diana immediately became a fashion icon. As for Middleton, she said the duchess was timider because she realized she didn't want it just to be about her clothes.
Holt noted that Middleton's comfort level in the public eye has grown along with her fashion sense. Her clothing choices are more daring, and she has also picked up some tricks from Princess Diana.
Kate Middleton in Battersea Park on September 22, 2020 in London, England. | Photo: Getty Images
Holt said Middleton has understood that people can put hidden messages to their clothing just like Princess Diana, and usually, she has bowed to her when she feels it extra special to do that.
Several decades later, Middleton also followed her late mother-in-law's lead in Pakistan.
Princess Diana and Prince Charles pose for photographs in the grounds of Buckingham Palace in 1981. | Photo: Getty Images
In a meeting with Ukraine's President and First Lady, the Duchess of Cambridge paired her Gabriela Hearst dress with the reworked pieces she was presented by Prince William in 2010.
Those earrings were originally a wedding gift from Crown Prince Fahd of Saudi Arabia to Princess Diana on her wedding day in 1981, and the People's Princess wore them repeatedly since.
In 2020, Middleton referenced Princess Diana once more at the BAFTA awards. She wore an Alexander McQueen dress that referenced Princess Diana's dress at the German Embassy in 1986.
Several decades later, Middleton also followed her late mother-in-law's lead in Pakistan. They both wore traditional shalwar kameez dresses in bright colors and embroidered with beautiful patterns.
Meghan Markle, Prince Harry, Prince William, and Kate Middleton on July 10, 2018, in London, England. | Photo: Getty Images
Princess Diana Wore Grandma Knits like No One Else — See Lady Di's Iconic Sweaters
Princess Diana's Style Evolution In Photos Reveal Hidden Things That You Might Have Totally Missed
Kate Middleton's Children Bake Her a Cake in Honor of Mother's Day — See Their Cute Gift
Meanwhile, while streetwear soared alongside the pandemic that has left everyone in sweatpants for days, a new fashion appreciation for Princess Diana emerged: for her casual pullovers.
The hit television series "The Crown" makes Princess Diana's outrageous sweaters a hit with pop culture. The late princess was once photographed in her grandma-style Fair Isle sweater.
Parents Refuse to Terminate Their Conjoined Twins — They Graduate Preschool Six Years Later


For folks wanting a LibreOffice Writer template with a default set of high-quality, vector-based watermarks good to go, head on over to www.apertura.co.nz/libreofficewatermarks and download/share away. Any feedback or suggestions, let me know.
This entry was posted in LibreOffice, Misc, Open Source and tagged LibreOffice, Open Source on March 12, 2016 by Dave Koelmeyer.


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'Hanging out on a Limb,' a watercolor by Jeffrey Hull, is available at the Jeffery Hull Gallery.
For many on the north Oregon coast, March is a month of considerable frustration — it is so near spring, and yet the weather is so unpredictable and often violent.
Spring vacationers often spend a bulk of their time indoors, watching the storms roll in. Thank goodness for Cannon Beach's art galleries to ward off the stark weariness of March and provide warmth, color and a reminder that change is indeed coming.
The Bronze Coast Gallery is looking forward to Savor Cannon Beach Wine and Culinary Festival March 6 through 9 and will host Elk Cove Vineyard during the wine walk on Saturday, March 8.
The gallery has two new sculptures by Jack Kreutzer — one is aptly named "Spring Time," depicting a female figure. The other, "Song of the Violin," shows a woman standing in a canoe holding a violin behind her back.
At Haystack Gallery, Rie Muňoz will be the featured artist in March. The gallery is fortunate to be able to offer some rare limited editions and silkscreens that Munoz' son kept when the edition officially sold out.
During the wine walk March 8, Haystack Gallery will feature the images of Bart DeGraaf. His gicleés portray wine and frogs in a variety of ways. "Evolution" shows a tadpole in a glass of white wine gradually evolving to a full-fledged frog in a glass of red wine.
DragonFire Gallery carries the photography of the remarkable grandfather and grandson duo, Neal Maine and Michael Wing.
All sales proceeds from their work will benefit the North Coast Land Conservancy, an organization that works to conserve and protect the coastal landscape for people, plants and wildlife. What makes Maine and Wing's work so special is that all their photos are locally shot, and each image has a great story.
The pictures are available in gallery-wrapped gicleés on canvas or matted prints.
The Cannon Beach Gallery hosts a new exhibition during March titled "Abstraction Revisited." An artists reception will be held from 5 to 7 p.m. March 1.
This will be a three-artist show, featuring Cannon Beach painter, Clement Lee; sculptor, Tom Small from Friday Harbor, Wash.; and printmaker, Barbara Mason from Portland.
Jeffrey Hull, of Jeffrey Hull Gallery, has a new watercolor of brightly colored floats hanging from tree branches. "Between these crab floats and the limb someone hung them on…. there are stories of storms to be told," Hull said.


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BgB Supply offers a selection of miniature cable ties from Panduit. Miniature cable ties are great for applications that have small cable bundles in which a normal sized cable tie would have excess length that would stick out and be a hazard for workers. Since they are designed for small cable or wire bundles they do not have the high tensile strength of other cable ties, so make sure to check the specifications of miniature cable ties to ensure they will work for your application.


text:
Miconia demissifolia is a species of plant in the family Melastomataceae. It is endemic to Peru.

References

demissifolia
Endemic flora of Peru
Vulnerable flora of South America
Taxonomy articles created by Polbot

redpajama_set_name: RedPajamaWikipedia


text:
Nitin Gadkari's two simple norms for tyre manufacturers to help curb road accidents
Last Updated: Tue, Jul 09, 2019 11:14 hrs
New Delhi: The Central government may mandate mixing of silicon in rubber used to manufacture tyres to reduce road accidents caused due to tyre bursts on highways, Parliament was told on Monday.
Answering a question in the Rajya Sabha in wake on the tragic accident on Yamuna Expressway that left 30 dead, Road Transport and Highways Nitin Gadkari said that the government is mulling such a move which can potentially reduce tyre bursts.
The minister, in his written reply, outlined two measures that the government is considering, including addition of silicon in rubber used to manufacture tyres and usage of nitrogen as an inflator gas in tyres.
Technically, nitrogen adds more stability, provides better pressure and aids in maintaining a normal tyre temperature in adverse conditions.
Besides, the minister mentioned that a National Road Safety Policy has been formed which outlined various policy measures such as "promoting awareness, establishing road safety information data base, encouraging safer road infrastructure including application of intelligent transport, enforcement of safety laws".
"The Ministry has formulated a multi-pronged strategy to address the issue of road safety based on 'Education, Engineering (both of roads and vehicles), Enforcement and Emergency Care," he said in his reply.
"Further, the Ministry of Road Transport & Highways has constituted a District Road Safety Committee in each district of the country to promote awareness amongst road users...."
At least 30 people were killed in the accident on Monday morning, when a double-deck bus with 53 passengers on board hit a divider and fell into the 40-feet-deep gap between two flyovers on the Yamuna Expressway.
The bus was on its way to Delhi from Lucknow.
silver rate
Cities Price (10g)
Gold Rate in Chennai Rs. 38120.00 (0.26%)
Gold Rate in Mumbai Rs. 38910.00 (0.45%)
Gold Rate in Delhi Rs. 38956.00 (-0.55%)
Gold Rate in Kolkata Rs. 38770.00 (0.36%)
Gold Rate in Kerala Rs. 37626.00 (0.22%)
Gold Rate in Bangalore Rs. 37686.00 (-0.35%)
Gold Rate in Hyderabad Rs. 38120.00 (0.28%)
Cities Price (1 kg)
Silver Rate in Chennai Rs. 50400.00 (0.4%)
Silver Rate in Mumbai Rs. 50400.00 (0.4%)
Silver Rate in Delhi Rs. 50400.00 (0.4%)
Silver Rate in Kolkata Rs. 50400.00 (0.4%)
Silver Rate in Kerala Rs. 50400.00 (0.4%)
talking point on sify finance


text:
Bharatiya Janata Party Will Compete For 55 Seats In The Tripura Assembly Election
Janab: A 16-Year-Old Rising Singer has Owned the Stage by Unique voice and passion
By: Borok Times
Harshit Purohit (born 20 November 2005), known professionally as Janab or simply Harshit Purohit, is an Indian music producer, rapper, singer, and songwriter. He started out in 2021 as an artist and became a hip-hop music producer. Later, he became successful with his own songs and started making songs.
Harshit Purohit Professional Journey.
At the age of 16 years, he discovered his passion for singing. He used to experiment with his lyrics by striking different music genres. After class 10th he started on his journey as a music artist from scratch. He made sure he has his own flavor of uniqueness in his music and a subtle fusion of Indian and International music. At the same time. The profession he chooses is quite unpredictable, in terms of finance but he still believed that he can achieve that benchmark by working furiously on his talent. He started his career as a producer and produced songs that gave his career the boost it required. He also received the award for Best Music Director in India Entertainment & Music Awards 2020. He was happy with his career stability but wasn't ready to settle for one. He never has a favorite music artist in particular. Be it the Tranquil to groovy beats of different artists, helped him to understand music in a better way. He understood, Music requires ease in the flow of thoughts.
Harshit Purohit
Janab
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Faizan Khan - January 29, 2023
Dr. Manik Saha, the chief minister of Tripura stated...


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Concrete and clay roof tiles are located within a remarkably huge collection of finishes and colors, which range from 1 color to a matrix of up to five colors. Which vary from flat to barrel-shaped, and offering dramatic differences in layout, concrete tiles can simulate traditional clay tiles, wood shake, slate and rock. Lots of men and women prefer tile because of its unmatched beauty, flexibility and security. Additionally it is extremely economical due to its own lifespan of 50 — 100 decades or more.
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Among the fastest growing sections of the roofing business, metal roofing is growing in popularity everywhere because of its many favorable qualities — it's long lasting, energy efficient, and safer than other kinds of roofs. This also indicates that in some areas, metal roofing can reduce the homeowner's insurance premiums considerably.
Elegance and beauty aren't qualities which individuals are accustomed to attributing to metal roofs, but through the years, technology has combined what has always been outstanding durability with contemporary elegance and attractiveness as a result of wonderful capability to replicate such roof fashions as Spanish tile, wood shake and slate. Architectural designs have standing seam and stone coated metal roofs.
While the initial investment is higher, metal roofing saves money in the long term. Furthermore, metal can be made to look like virtually any roof materials. Unlike other forms of roofing materials, like aluminum, asphalt roofing doesn't absorb warmth; it reflects warmth, making it incredibly energy efficient. In addition, metal roofing is very wind resistant, doesn't crack, peal, break or rust. Metal roof is amazingly lightweight, and does not stain or flow.
There are plenty of myths about metal roofing which will need to be dispelled. By means of example, metal roofing does not increase the probability of light striking your dwelling. It truly disperses the energy during the building. It isn't noisy as it's installed with solid sheathing, which silences rain, hail and other bad weather. The coatings in metal roof stop rusting and take long-term paint colors. Providing a 150 mph wind rating, it will not dent.
Your office is the lifeblood of your business. Sometimes it can be easy to forget about the condition of your company's roof. Over the course of time, your roof requires a beating from Saint Johns Park's harsh, hot climate, torrential rain and wind. But when your office building's roof is leaking, it can make life miserable for everybody. Employee moral goes down and so does production, which affects your bottom line. Saint Johns Park Roof Repair can offer commercial roofing repair in Saint Johns Park regardless of how large or small the job.
Why should your company choose Saint Johns Park Roofing? Unfortunately, roofs don't select a day or period when to start leaking. We supply 24-hour emergency service in addition to roofing maintenance contracts. The sooner your roof gets fixed, the better your odds of minimizing any additional harm.
Wherever where the leakage is happening isn't necessarily a direct correlation regarding in which the roofing system is leaking. Locating the source needs a roof expert.
Saint Johns Park Roof Repair Company's inspectors are not sales personnel. They're qualified to become licensed Roofing Contractors or so are actually licensed Roofing Contractors since they have passed the State of Florida testing demands.
Our inspectors will fix the main reason supporting the roof fixing. This frequently necessitates an investigation of the crawl area, inside ceilings, and the present roofing. These kinds of inspections will notify us as to if repairs and/or upkeep will fix your own problems.
As soon as we supply our typical fix installation or prolonged service arrangement, you are going to be certain you will postpone the inevitable — complete reroofing. Our diagnostic repair staff will tenaciously fix your immediate concern whilst limiting future issues. Upon comprehensive review, in case reroofing is essential, you'll be advised prior to paying cash for upkeep or repairs.
Saint Johns Park Roofing provides the finest in top quality roofing services for your home or business. Our job is to provide our customers premium quality goods and services which can give peace of mind and make the financial investment a valuable one.
Our licensed Saint Johns Park roofing experts are seasoned professionals. The mix of in-depth instruction and extensive hands-on expertise ensures they'll be no missteps in the services you get. Our staff works closely together with our customers to be certain they prerequisites are fulfilled.
Clients may create a customized strategy that communicates to their precise needs. Our sales and service team are available by phone or email to offer complete details about our services.
There is many reasons that roofing services are necessary. A severe thunderstorm or other weather related dilemma could lead to harm to a roof. As an alternative, you are building a new house from the floor up and need an entirely new roof. Not only are we experienced in these and other areas, we can guarantee you will be happy with the reliability, efficiency, and affordability of our services.
For all your tile, shingle, metal and flat requirements, Saint Johns Park Roofing is the premier choice. Contact us now for a comprehensive consultation.
If you're having leakages or several other difficulties with your roof, then we're here for you. We are going to rapidly recognize the problem and manage the roof fix at the mandatory short time frame as we know how inconvenient this is for you.
After careful evaluation of these issues of your roof, we will indicate roof replacement if we are absolutely certain that this really is the best and only option. Your safety is the top priority, and we would not jeopardize it to save you a couple of bucks. Roof replacement might be more costly, but sometimes that's the only possible alternative. With the experience that we have, you can be certain that everything will be handled perfectly.
With years of professional experience, we are capable of tackling different roof installation undertakings with swiftness and vigor. Our company is perfectly able to carry out various installations, both residential and commercial. This will give you a perfect solution which is tailored to your need. Furthermore, we are going to get it done at the least amount of time so as to ensure your convenience and well-being.
From creating new constructions into adding solar panels, we're capable of tackling all sorts of different appliances. We lay a huge amount of focus on the building of your roof because this is the basis that's going to make sure the stability of the roof. Our goal is to make sure that the executed job demand solves all your roof construction needs.
This is something that's usually required for industrial buildings. We have specialized in building metal roofing options for the industry, and we have a broad portfolio of finished jobs behind our backs.
The significance of commercial roofing is unquestionable. A correctly executed roofing solution will dramatically increase the energy efficiency of the building — something that's going to provide the corporation with a substantial amount of savings. With this in mind, our company is well aware of how to manage complex business roofing solutions.
We use a broad range of roofing materials and roofing products in order to solve the issues with your roof. Regardless of what the problem may be regarding your roofing, whether its roof repairs, maintenance, or replacement, our roofers can fix the issue with minimal house disruption. Our Saint Johns Park roof company has the most advanced roofing services on the market.
We are a locally owned roofing company that's been in business for over 20 years and headquartered in Saint Johns Park, Florida.
There are rather a great deal of different things which you may wish to consider when it comes to your own roof. Regardless, relying upon professionals is absolutely essential because this will make sure that everything is handled as per the maximum business standards.
With years of experience, insurance, and highly-skilled professionals, Saint Johns Park Roofing and Construction is the roofing repair company that you are searching for.
"Saint Johns Park Roofing Company is very professional and extremely knowledgeable. They do incredible work and truly had my best interest at heart."


One owner builder's super insulated home on an acre lot. Quality wood Christian doors & custom crafted eat-in kitchen w/ spacious bar, for those on the run meals. Recessed lighting abounds. Sliding doors lead to a private deck overlooking the quiet backyard. Hardwood floors in the sun-filled living room w/ an efficient Jotul wood stove. Ample sized bedrooms & daylight basement for further expansion. A ROW to Thomas Pond for kayaking or boating is just the icing on the cake for this wonderful home. Come see!


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Top of the page News Rana Plaza three years on: the struggle for justice and safety is not over
Rana Plaza three years on: the struggle for justice and safety is not over
On April 24th 2013 the deadliest tragedy in the history of garment industry happened in Dhaka. Three years later, all of the victims finally have received compensation. But despite public pressure, factories remain blatantly unsafe.
Laucnh video "Drei Jahre nach Rana Plaza". Press ENTER to lauch YouTube player. Control the player with TAB key.
More than 1'100 people died when the eight-storey Rana Plaza building collapsed in Savar near Dhaka, Bangladesh's capital, on April 24th 2013. Most of the victims were female garment workers. Where are we, three years on?
Over the past three years the Clean Clothes Campaign has fought side by side with the survivors and the families of those killed to demand and win compensation for their losses. We have also worked with our colleagues in the trade union movement to push for the signing of the Bangladesh Accord; a legally-binding agreement to ensure Bangladesh garment factories are inspected and made safe. Since then we have worked with all the signatories and staff of the Accord to ensure its implementation. Lastly, we have supported our trade union partners in Bangladesh, and their members, who face sometimes brutal retaliation and harassment simply for exercising their right to organise and negotiate for better work.
The new report: Rana Plaza Three Years On: Compensation, Justice and Workers' Safety(summary)provides an overview of the progress made in these areas and the considerable work still to be done before we can call Bangladesh garment industry a safe place to work. Daniela Kistler, Berne Declaration/ Clean Clothes Campaign Switzerland collaborator, summarizes today's situation in a short video, released on the 3rd anniversary of the disaster.
>>> Report (PDF)


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Q: GraphQL schema definition - Can encapsulate object in a Input/Type? Can I encapsulate object in an Input/Type? Assuming that we have this schema definition :
input MyChildInput {
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}

input MyInput {
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I would like to have something like the code bellow, is it even possible ?
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A: GraphlQL does not support anonymous types. All object types in GraphQL need to have a name.
Having named types has a lot of benefits. It allows type reuse, it also makes it possible to apply fragments against them. Type names are also used by various GraphQL clients to cache data fetched from the API.


The volcano in the western district of the island is called Mauna Loa and it creates excellent growing conditions for coffee trees. The slopes produce coffee beans that are known for being full bodied and well balanced in flavor. Kona 'Volcanic Estate' coffee is grown on these slopes from 800 and 2,500 feet in the rich volcanic soils. Kona produces the highest yield of any other Arabica variety in the world at 2,000lbs per acre. With the perfect mixture of sunlight, shade, rain, and humidity, this Arabica produces exceptional coffee. Smooth in body, Kona has a light acidity that is complimented by slight chocolate and fruit undertones. The Kona we offer is medium roasted to brew into a light bodied cup that is both vibrant and flavorful.


Description: Pdf Fractional Order Transfer Function For Eddy Current Simulation Pdf Fractional Order Transfer Function For Eddy Current Simulation Transfer Function Of Electrical Circuit #4463 from the above 850x1202 resolutions which is part of the "DIY Needed" directory. Download this image for free in HD resolution the choice "Save full resolution" below. If you do not find the exact resolution you are looking for, then go for a native or higher resolution.
One among by far the most common electrical wiring queries is on how to wire a switch. While employing switches at your house is quite straightforward, wiring 1 may well not be that uncomplicated for everyone. An ON-OFF switch is actually quite simple to wire. You'll find different kinds of switches, but for this example, let us say you might be setting up a single-pole toggle switch, an extremely prevalent switch (as well as easiest).
You will find three shades of wires in the normal single-pole toggle switch: black, white, and inexperienced. Splice the black wire in two and hook up them around the terminal screws - a single on top as well as the other around the bottom screw from the change. The white wire serves as being a source of uninterrupted electric power and is particularly commonly connected to your gentle coloured terminal screw (e.g., silver). Link the inexperienced wire into the ground screw of the switch.
These ways would usually be adequate to produce a standard swap get the job done and not using a challenge. Nevertheless, when you are certainly not assured you can execute the task correctly and properly you greater enable the pros get it done as an alternative. Just after all, there is certainly a motive why this task is probably the most frequent electrical wiring inquiries requested by many people.
For many rationale, how you can wire a ceiling fan can also be among quite possibly the most frequent electrical wiring questions. To simplify this task, you can utilize one change for the single ceiling fan. To wire the fan, it's just a issue of connecting the black wire from the ceiling fan for the black wire of your swap. When there is a lightweight, the blue wire should be related into the black wire in the change at the same time.
You will find factors why these are probably the most normally asked electrical wiring inquiries. Just one, numerous assume it truly is straightforward to carry out, and two, these are definitely the frequent electrical responsibilities in the home. But then you definitely should not set your safety at risk within your target to save cash. The stakes could even be considerably larger when you seek to lower your expenses and do an electrical wiring job without ample information or experience.