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Ludwig Hohl (nascut el 9 d'abril de 1904 a Netstal, † el 3 de novembre de 1980 a Ginebra, lloc d'origen Grub) fou un escriptor suís en llengua alemanya. Fora del mainstream literari, va passar la major part de la seva vida en la pobresa extrema. Encara és desconegut per al gran públic, però ha estat elogiat per diversos autors reconeguts per la seva redacció i el seu pensament radical sobre la vida i la literatura.

Biografia
Ludwig Hohl era fill d'un pastor. Va assistir a l'escola cantonal de Frauenfeld, que va haver d'abandonar abans d'hora a causa de la suposada mala influència sobre els seus companys de classe. Mai va treballar en una professió ordinària i va passar la major part de la seva vida en la pobresa i patint d'alcoholisme. Durant molts anys va viure només amb els pocs diners que obtenia per les seves petites contribucions als diaris, així com per donacions d'amics. De 1924 a 1937 va viure fora de Suïssa, primer a París (1924-1930), a continuació a Viena (1930/31) i a La Haia (1931-1937). Alguns coneguts d'aquests anys van ser sobre tot el fotògraf Heinrich Heidersberger i els escriptors Eduard Zak, Albin Zollinger i Rudolf Jakob Humm.

Després va tornar a Suïssa i va viure primer a Biel/Bienne i a continuació a Ginebra, de 1954 a 1974, en un apartament soterrani al barri de classe obrera de La Jonction. En la seva joventut, va ser un àvid alpinista, i en anys posteriors va posar èmfasi en l'exercici regular. Va reflectir ambdues coses, tant en la seva obra com en l'excessiu consum d'alcohol que volia utilitzar per augmentar la seva productivitat. Va estar casat cinc vegades, inclòs un matrimoni amb la pintora Hanny Fries, i va tenir una filla. En els seus últims anys, la seva situació financera va millorar, però va patir diverses malalties i va morir el 1980 d'una malaltia inflamatòria de les cames. Està enterrat al Cementiri dels Reis a Ginebra, així com la seva última esposa, Madeleine Hohl-de Weiss (1916-1993).

Les obres de Hohl mai no van aconseguir èxit comercial; va publicar diversos obres ell mateix. Els seus petits ingressos provenien de les seves contribucions per a revistes i periòdics, així com suport privat i públic. Als anys quaranta i cinquanta, va emprendre accions legals contra el seu editor que es va negar a imprimir el segon volum del seu Notizen (vegeu més avall) perquè el primer volum havia venut menys de dues-centes còpies. Hohl va guanyar, la qual cosa, segons algunes fonts, va millorar substancialment la posició dels autors davant els editors davant la jurisdicció suïssa, però el segon volum es va vendre malament. A la dècada de 1970, finalment va aconseguir un cert reconeixement del món literari. Siegfried Unseld, cap de la prestigiosa editorial alemanya Suhrkamp Verlag, havia estat presentat a Hohl per Adolf Muschg i Unseld i Hohl van acordar un contracte per a una nova edició de les obres de Hohl. En 1970 i 1976, Hohl va ser guardonat amb premis per la Schweizerische Schillerstiftung; el 1978 va rebre un premi especial dedicat al centenari del naixement de Robert Walser, i el 1980 va guanyar el Petrarca-Preis. La propietat literària de Ludwig Hohl està arxivada als Arxius literaris suïssos a Berna. La Fundació Ludwig Hohl, amb seu a Zúric, s'encarrega de la cura, el desenvolupament, la recerca i d'ampliar la difusió de la seva obra.

Obres
Hohl va publicar alguns poemes i relats. La seva millor obra de ficció pot ser la narració Bergfahrt (el mot alemany "Bergfahrt", literalment muntar la muntanya, és un terme antic per a "escalada"), que va escriure el 1926, es va reescriure diverses vegades durant les següents dècades. Va aparèixer per primera vegada el 1975. La narrativa descriu l'intent de dos joves molt diferents per escalar una muntanya, i es pot interpretar com una paràbola.

Menys conegut que el seu treball narratiu són una sèrie d'escrits en què les qüestions filosòfiques es tracten de manera notable d'una manera poc convencional. No obstant això, Hohl va subratllar que els suposats aforismes estan estretament relacionats entre si. Aquests inclouen Nuancen und Details, Die Notizen i Daß fast alles anders ist.

Molts consideren Die Notizen oder Von der unvoreiligen Versöhnung com l'obra mestra de Hohl. El títol es podria traduir com a Les notes o la reconciliació no prematura. Hohl el va escriure el 1934-36; els problemes amb el seu editor (vegeu més amunt) van retardar-ne la publicació fins al 1954; es va tornar a publicar, amb alguns afegits i en un volum, el 1981, pocs mesos després de la seva mort. El volum es divideix en dotze parts (amb títols com 'Sobre la feina', 'Sobre l'escriptura', 'Sobre la mort') que consisteixen en centenars de "notes" numerades en forma d'assaigs curts, aforismes, citacions, poemes, patrons per a contes, etc.

Hohl va insistir que aquestes notes no són una col·lecció dispar però tenen una connexió interior profunda. El pensament principal que hi ha darrere és que només hi ha un veritable significat de la vida, és a dir, l'exercici de les pròpies forces creatives. Això Hohl ho anomena 'Arbeit' ("treball", "feina"). Aquesta 'feina' inclou els conceptes filosòfics de coneixement i acció, que es converteixen en un en la persona que treballa. Hohl també polemitza contra les masses de persones que no "treballen" d'aquesta manera, però estan molt ocupades intentant "evitar" tal treball veritable. Hohl personifica aquesta manca de vida defectuosa en el seu antagonista, 'der Apotheker' ("L'apotecari") o 'Herr Meier' ("Senyor Mitjana").

Un segon volum amb format similar no es va publicar fins després de la mort de Hohl. Es titula Von den hereinbrechenden Rändern ('Sobre les vores que es tanquen') o simplement 'Nachnotizen' ('Després de les notes').

Hohl citava sovint els pocs autors i pensadors pels quals sentia una profunda admiració, com ara Goethe, Lichtenberg, Montaigne i Spinoza. Qualificava els escrits de Goethe com el "pa de cada dia". L'opinió de Hohl era que ja s'havien dit moltes coses bones i que no podia millorar la manera en què aquests pensadors les havien dites, però que era important tornar a pensar-les per a un mateix.

Hohl va rebutjar la major part de la literatura perquè no era producte de la "feina". Entre els pocs escriptors que va elogiar es troben Honoré de Balzac, Marcel Proust, Karl Kraus i Katherine Mansfield.

Influència
A hores d'ara, la influència de Hohl continua sent extremadament limitada. La majoria de les seves obres es troben exhaurides. No obstant això, hi ha hagut diversos autors que han elogiat l'escriptura de Hohl, inclosos els autors suïssos Friedrich Dürrenmatt, Max Frisch i Adolf Muschg així com l'escriptor austríac Peter Handke.

Citacions famoseszitateglas.de
 Die Bibliothek genügt nicht als Wissen / La biblioteca no és suficient per al coneixement.
 Ich will nie mehr sagen, dass ich ein Werk fertig habe: alles ist Werk / Mai vull dir que he acabat una feina: tot és feina.
 Kunst und Leben sind ein und dasselbe / L'art i la vida són un i el mateix.
 Der Geist schafft nicht, er verdeutlicht / La ment no crea, aclareix.
 Ein größeres Wunder als ein richtig gewähltes Wort gibt es nicht / No hi ha cap miracle major que una paraula correctament escollida.
 Ich habe keine Zeit ist immer gelogen. Jeder hat pro Tag genau 24 Stunden, und er setzt sie für das ein, was ihm wichtig ist. Wer keine Zeit sagt, meint keine / No tinc temps sempre és una mentida. Tothom té exactament les 24 hores del dia, i les utilitza pel que li preocupa. Qui diu que no té temps no vol dir res.
 Ärger ist wie Säure. Er zerfrißt vor allem das Gefäß, in dem er sich befindet / La ira és com l'àcid: es menja sobretot l'ampolla que la conté.
 Ein gewisses Maß an Selbstzweifeln ist immer ein Zeichen erhöhter Intelligenz / Un cert grau de dubtes sobre un mateix és sempre un signe d'elevada intel·ligència.

Enllaços externs
 Patrimoni literari de Ludwig Hohl a la base de dades d'arxius "Helvetic Archives" de la Biblioteca Nacional Suïssa
 Publicacions de o sobre Ludwig Hohl  al catàleg Helveticat de la Biblioteca Nacional Suïssa
 Pàgina d'inici de la Fundació Ludwig Hohl

Notes

Escriptors suïssos en alemany
Aforistes
Morts a Ginebra
Persones de Glarus

redpajama_set_name: RedPajamaWikipedia


text:
Q: div gets pushed down on hover of images I am using instafeed to pull in a few Instagram photos, and on hover I want the images' opacity to decrease and have text appear in the middle. I have it implemented, but once I hover over an image the entire div gets pushed down, and I can't figure out why.
fiddle: http://jsfiddle.net/50n9aj5o/1/
HTML:

CSS:
a {
   text-decoration: none;
}

.social--txt {
   display: inline-block;
   width: 100px;
   height: 100px;
}

.social--txt:hover::before {
   content: 'test';
   color:  black;
   font-weight: 500;
   position: relative;
   top: 50%;
   left: 20%;
   text-align: center;
}

.social--img {
   width: 100px;
  -webkit-transition: opacity 0.4s ease-in-out;
     -moz-transition: opacity 0.4s ease-in-out;
      -ms-transition: opacity 0.4s ease-in-out;
       -o-transition: opacity 0.4s ease-in-out;
          transition: opacity .4s ease-in-out;
}

.social--img:hover {
   filter: alpha(opacity=50);
   opacity: 0.5;
}

Any insight would be greatly appreciated!

A: Add position: relative; to social--txt
.social--txt {
   display: inline-block;
   width: 100px;
   height: 100px;
   position: relative;
}

then change .social--txt:hover::before to position: absolute;
http://jsfiddle.net/50n9aj5o/4/

redpajama_set_name: RedPajamaStackExchange


How many eggs to the quart?
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Home More Sports Athletics
From Virat Kohli to Neeraj Chopra, here are the most searched sports personalities in India in 2021
It is no surprise that the list of the most searched sports personalities in India in 2021 is dominated by cricketers.
Anshuman Mahapatra
Virat Kohli and Neeraj Chopra
The Yahoo Year Review shared the most searched sports personalities in India in 2021. For a cricket-loving nation like India, it is no surprise over the top two athletes. The pole position is captured by the Indian captain Virat Kohli and is followed by his predecessor MS Dhoni.
Kohli has been the talk of the town from the get-go this year. First, it was the birth of his daughter Vamika. The World Test Championship followed next before the speculation over the future of Kohli the captain started. The 33-year old's decision to step down from T20 captaincy acted like the icing on the cake as Virat trended on the Internet.
Former skipper MS Dhoni continues to command much popularity in the masses despite retiring from the sport last year. Dhoni continues to lead the Chennai Super Kings in the IPL and also won his fourth title with the franchise. Moreover, the master tactician was appointed as the mentor of the national team fo the T20 World Cup and the decision meant Dhoni was one of the most talked-about personalities in the country.
Neeraj Chopra breaks into top 5
India's 121 year-long wait came to an end at the Tokyo Olympics as Neeraj Chopra bagged India's maiden medal in track and field events. The gold medal not only put India on the global map when it comes to javelin throw but it has also sparked a revolution in the country when it comes to track and field events.
Chopra's feat in Tokyo made him a household name in India. As he went around the country attending ceremonies and functions celebrating the historic gold medal, Neeraj became the poster boy of Indian athletics. The 23-year-old was followed by two cricketing greats from Mumbai, Sachin Tendulkar and Rohit Sharma.
Prime Minister Narendra Modi topped the overall list as Virat Kohli came up second on the list. Dhoni grabbed the sixth spot on the overall list while Neeraj was 19th despite being arguably the most talked about person in the nation.
Most searched sports personalities in India in 2021
Also Read | 'It is a matter of a couple of metres': Neeraj "hopes" to breach the elusive 90m mark soon
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Anshuman Mahapatra is currently pursuing an engineering degree. Writing and sports are his fortes. He covers cricket as well as badminton, boxing and other Olympic sports. Anshuman is addicted to reading novels and cricket. He is a huge Chennai Super Kings fan.
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redpajama_set_name: RedPajamaCommonCrawl


text:
GOP sets vote to oust Democrat Omar from committee over Israel comments: live updates
India To Slap Higher Tariffs On Imported Cars, Including EVs
Alex de Minaur takes dig at Nick Kyrgios ahead of Novak Djokovic clash
Alex de Minaur is doing well at the 2023 Australian Open, and he's certainly in the spotlight as the only Australian left in the ATP tournament.
In the previous two Grand Slam tournaments, Nick Kyrgios was the player that held Australia's flag high. This time, he was forced to withdraw from the event, and so it was De Minaur, who became the highest-ranked home player at the event.
After advancing to the fourth round, where he will take on the reigning Wimbledon champion, Novak Djokovic, the Australian made an interesting remark. Relationship between De Minaur and Kyrgios was discussed in the past, but they both stated that there's no tension between the two.
However, when talking about his upcoming clash with the 21-time Grand Slam champion, De Minaur appeared to take dig at Kyrgios, who advanced to his first major final thanks to Rafael Nadal's withdrawal from their semifinal clash.
"These are the matches you want to be playing. You don't want a walkover into the final of a Grand Slam. You want to be playing the best in the world. That's what I've got. I'm going to probably have the best in the world in front of me, and I'm ready for the battle. I want to take it to them and show them what I'm made of, you know, in the biggest of stages and just test myself out there and really take it to them."
One of the main talking points of this year's tournament is a left hamstring injury of Djokovic, and naturally, De Minaur was also asked about that.
"I'm not going to read into too much of that injury. Ultimately, he's one of the best players in the world, and I'm just going to have to take it to him and not shy away from the occasion. I'm going to make sure to make it as tough as I can and just bring the recent experience I've had on court and how I've been feeling."
"Just ultimately, it's not shying away from the opportunity and the occasion. I mean, these are the matches I want. It's going to be exciting. I will get fired up, get the crowd behind me, and I'll definitely have a good time."
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Health professionals carry out many established interventions as part of caring for their patients. Established practices may be so familiar, and so widely accepted, that they aren't questioned. They should be. I consider this here in an area of everyday nursing practice, pressure ulcer management, but hope this will be read in the context of other areas of healthcare.
What would you need to know before using a new intervention with your patient?
Imagine that I'm writing here to tell you about an amazing new device (let's call it PressureGone) for treating pressure ulcers or, even better, one that its developers say will eliminate the risk of getting pressure ulcers in the first place. It uses cutting edge technology and you've never seen anything like it. Pause a moment before you grab the lovely shiny PressureGone with one hand and bin your patient's sheepskin with the other. What do you want to know about it?
New intervention: what do you need to know?
You'll certainly need to know how PressureGone should be used in order to do what it promises. How often, for example? If it's something that's applied intermittently, the impact on resources (staff time and maybe materials) will be much greater if it needs hourly use, as opposed to once daily. Having the PressureGone treatment frequently could be a considerable nuisance to your patients too, disrupting sleep, increasing pain and so on. Thinking of which, you'll want know if it has any potential harms associated with it and what patients feel about it. You'll need to know the methods or techniques required, to ensure it benefits your patients and does no harm. You might also be asking questions like 'does it work better with some types of patients than others?' I hope you're asking 'what's the evidence?' What's more, how do you know that PressureGone is better than what you do now unless you have robust evidence about the effectiveness and potential harms of both?
Now think about something you actually use as part of pressure ulcer management. Some of this is a very long way from using cutting edge technology, such as encouraging patients to change position, or repositioning those who can't do it by themselves. Repositioning is a recognized element of international best practice for managing pressure ulcers and first mentioned as a method of prevention in the mid-nineteenth century. Do you need to know the same things about it as you do about PressureGone, asking the same sorts of questions?
You might be quick to point out that in terms of the physiology of pressure ulcer development and healing, repositioning makes sense. Also, unlike PressureGone, repositioning has been used for a long time and it seems to work; in research-speak, it has 'face validity'. Tick, tick.
Now, how often should it be done? Your workplace has a really good track record for pressure ulcer prevention and healing, so your two-hourly repositioning regime seems to be working. So does hospital X and care home Y, where they turn people three- and four-hourly respectively. So actually how often do people need to be repositioned? How can we know? It matters, not just for your pressure ulcer incidence and healing rates but for the impact on patients, staff and resources.
The guidelines will tell us, won't they?
What's the evidence for what you do?
Good idea, let's check the guidelines. Well this can be problematic. The authors of a Cochrane review on repositioning said that lack of agreement between guidelines was one of the reasons why this review was necessary. They noted that, in the USA, the guidelines from the Agency for Health Care Policy and Research (now archived) advocated two-hourly repositioning (AHCPR 1992), while the European Pressure Ulcer Advisory Panel & National Pressure Ulcer Advisory Panel and the National Institute for Clinical Excellence advocated repositioning as required by the individual patient (EPUAP/NPUAP 2009; NICE 2005). The two-hourly recommendation was based on small, non-randomized studies carried out more than twenty years ago and their usefulness further compromised by the improved standard of hospital mattresses and support surfaces. And people still get pressure ulcers. How can we prevent that?
These guidelines have now been updated but things haven't really moved forward. The latest guidance from NICE leaves things fairly loose; adults at risk should change their position 'frequently and at least every 6 hours', and we should 'consider more frequent than every 4 hours for neonates'. There's no agreement on the optimal frequency of repositioning because we lack evidence to inform practice, as the NICE guideline highlights. If this was PressureGone and there were no instructions about how often to use it, I reckon you'd be demanding to know.
A Cochrane review on repositioning for treating pressure ulcers, which hoped to address these uncertainties, found no eligible randomized studies. Another looking at repositioning for pressure ulcer prevention found three randomized controlled trials, and one economic study, with just over 500 patients in acute and long-term settings. The evidence is of very low quality and the review authors conclude that "there is currently no strong evidence of a reduction in pressure ulcers with the 30° tilt compared with the standard 90º position or good evidence of an effect of repositioning frequency". They note that this doesn't mean that they are ineffective, but that high quality trials are needed to assess the effects of position on pressure ulcer incidence and optimal frequency of repositioning.
Preventing pressure ulcers, and promoting healing when they do occur, is bread-and-butter patient care. You're working with a knowledge of physiology and the effects of pressure on tissue and some basic techniques and equipment which have a sound theoretical rationale. But that's not enough.
Evidence matters; knowing what is most likely to work, what to use and how to use it and for whom, and how to avoid harm. Regrettably, there is a very poor evidence-base for most aspects of pressure area management, in terms of its assessment through reliable research. For funders, policy makers and health professionals, it's important to know what the best available evidence says and to advocate for its use, and for interventions to be tested in rigorous trials, so that today's best practice can become tomorrow's better, evidence-based practice.
On 17th November 2016, @SarahChapman30 guest hosted a #WeNurses tweetchat on pressure ulcer evidence. You can catch up with that here.


text:
Cinematic Chat: Marginalized identities in "The Sex Lives of College Girls"
By thelancerentertainment20 on February 10, 2022 • ( Leave a comment )
by Elsa Ying ('23) | February 14, 2022
Art by Cecilia Montgomery-Eder ('24)
In recent years, HBO Max has proven that it is no stranger to producing content for the teen demographic; however, the comedy-drama television series The Sex Lives of College Girls diverts from their traditional high school drama to depict college life through a refreshing new lens with self-awareness and genuine relatability. The representation of various races, ethnicities, sexualities, and social classes might lead some to write it off as overly-saturated with cringy virtue-signaling for the sake of appearing to be "woke." Nevertheless, because the show allows its characters to be three-dimensional humans instead of solely their marginalized identities, it creates spaces for unique interactions that provide a much subtler commentary than some might expect.
The show follows four freshman roommates from various backgrounds as they navigate life at fictional Essex College. The characters include Kimberly, a work-study student from a predominantly white small town; Bela, an Indian-American who aspires to be a comedy writer and proudly proclaims herself as "sex-positive"; Leighton, a rich legacy student trying to hide her sexual identity; and Whitney, a star soccer player and the daughter of a U.S. senator.
One of the show's primary ways of conveying intersectional themes involves the blunders and trials of the four protagonists. Kimberly, though school-smart, misses her coworkers' sarcasm and grim humor. Meanwhile, from the very start of the show, Leighton's privileged and often rude mindset as a wealthy white woman is consistently called out by the characters around her. Her roommates communicate with her when they feel offended or hurt by her actions, but since their confrontations center their personal feelings and never explicitly connect to a larger social justice movement, the focus stays on the characters as girls who are still learning and growing, rather than serving as a vessel for social commentary.
At the same time, these characters are allowed to succeed and cherish their achievements of all kinds, from Leighton discovering a hidden talent in math to Whitney winning soccer games and growing closer with her previously distant teammates. The roommates also band together to survive an uncomfortable dinner during parents' weekend, each acknowledging their own parents' biases and microaggressions, and supporting the other girls regardless.
The characters' marginalized identities could easily lend themselves to harmful stereotypes or an idealistic erasure of oppression; however, writers Mindy Kaling and Justin Noble center the show as a comedy-drama and allow their commentary to showcase through character interactions instead of the characters themselves. Heavy scenes about discrimination and systemic privilege are balanced with snapshots of the roommates being ordinary college girls and showing vulnerability that isn't tied to their marginalization.
Likewise, the characters' and the show's self-awareness allows the series to make social commentary without being preachy or egotistic. In fact, the script allows the characters to frequently acknowledge the thin line between socially aware and performative diversity with comedic relief quips. For example, when their gay floormate Travis invites Whitney and Leighton to his acapella concert with a preview of his objectively bad singing, he quickly adds that declining would call Whitney's intersectionality into question. Through similar throwaway lines, the show acknowledges that topics of social justice can easily get too heavy-handed in media, and offers a new take by portraying growing flawed characters.
Of course, some may argue that hard topics shouldn't be taken lightly and should be depicted to their full potential. There is always room for criticism from marginalized groups when it comes to their representation on screen and behind the scenes. Still, The Sex Lives of College Girls defines itself primarily as a show about the characters' growing pains during college, and thus frees itself to give genuine commentary.
Categories: Column, Entertainment
Indonesia's capital falls below sea level
Is "Tick, Tick… Boom!" overrated?


No, we do not. All of our suits and tuxedos are fully custom, and we don't have any ready-to-wear clothing available for rent.
As a from-scratch custom clothier, we're in the business of making clothing… not altering.
That said, if you're a current client we offer free and unlimited alterations within 30 days of your final fitting. From there, we offer wholesale rate alterations for life.
If you have a garment you're looking to alter that we did NOT make, we recommend the following alteration shops, just a few blocks from us. They do great work.
Let them know we sent you; they'll take great care of you.
We are by appointment only and can rarely accommodate walk-ins so we can give our clients proper, personalized attention during their reserved time. Please schedule a fitting here on our website, or by calling our shop at (801) 656-6525.
We offer honest, transparent pricing — with no hidden costs or fees. Once you pick your fabric, all customizations are on the house, including monograms, bold linings, accent buttonholes, pick stitching, and more. Our average suit costs $1500, but we have options on either side of that. View our full price list here.
Do you charge for fitting consultations? Is there an expectation to buy?
Fittings are 100% complimentary and there's no commitment to buy. Come, share a drink, and let's talk style. At our shop you can browse our collection of thousands of fabrics, see actual client suits, and meet our team.
How many fabrics do you have? Do you have a (fill in the blank) fabric?
We have thousands at every price point, so odds are… yes.
We proudly source the highest quality materials, primarily from the UK, Germany, Italy, and Sweden. Fabrics are sourced from all over the world, including Europe, Australia, and Asia. We make our clothing in Shanghai, China. All accessory products are sourced locally here in Utah.
How long does does the process take?
We make all of our custom suits and shirts precisely to your body measurements, and the lead time is 5-7 weeks. We occasionally offer rush services, so call our shop if you'd like to explore that option. For weddings or important events, we ask for 8-12 weeks. We guarantee everything about our product, like the fit, the quality, and your satisfection. But we do not guarantee the timeline. Please contact our shop directly if you have questions about the current lead time and and event you are hoping to wear your clothing by.
When do you collect payment for my custom clothing?
If you buy à la carte, we ask for full payment up front — before cutting fabric and beginning the process of making your clothing. When you purchase a package, we ask for at least 60% payment up front and the remainder collected at your second fitting. Worried about putting payment down? We back everything with our Perfect Fit Guarantee, which offers free, unlimited alterations and remakes within 30 days of your final fitting, and simple, no-questions-asked returns.


Since completing his degree in Criminology, Craig has worked for five years in Liverpool, UK, helping to engage young people in education and supporting them in schools and the community. In addition to this excellent work experience, he has worked alongside the Health, Police and Fire services enabling him to improve relationships towards young people and promote wellbeing and education.
To pursue this passion further, Craig moved to South East Asia and has been working in schools throughout South Korea and Vietnam for the past six years. He is passionate about the wellbeing of his students and actively promotes positive engagement and a love of learning.
Craig also has a passion for cooking and has promoted this in his previous schools as an extra-curricular activity. In his spare time, he enjoys cycling, swimming and martial arts.


Marion County Sheriff's Office Major Crimes detectives have closed the missing person case of Sherry Yon Petersen, Feb. 22, 1950, who was last seen on Christmas Eve, 1992.
Petersen was reported missing by her daughter Jan. 3, 1993 after she failed to show up for Christmas dinner and could not be contacted by her family. She was never found, and her case has been thoroughly reviewed by MCSO detectives multiple times throughout the last 26 years. However, recent contact from Sherry's remaining family spurred an effort by detectives to obtain a full confession from Sherry's killer.
updated point of contact for her family. After their phone call, Sgt. Buie became curious about Petersen's disappearance and started to review the case files and follow up on potential leads. His investigation led him to a man named Frank Crow, Dec. 22, 1949, who is currently serving a 30-year sentence in Zephyrhills Correctional Institution for the murder of his former roommate, who Crow bludgeoned to death with a sledgehammer.
Sherry's disappearance, during which he made several incriminating statements.
However, Crow refused to divulge further details of the crime without documentation granting him with immunity from prosecution.
Sgt. Buie conferred with Hicks and prosecutors with the State Attorney's Office on how to proceed with Sherry's case. Crow is currently 68-years old and will not be eligible for release until 2033. Due to Crow's deteriorating health and the fact that he would be 84-years old if released, detectives and prosecutors agreed that prosecuting Crow for Sherry's murder would be costly and somewhat futile. Sgt. Buie then spoke with Hicks and asked of the family's wishes.
After much consideration, Sherry's family gave detectives and prosecutors consent to not press criminal charges against Crow if he would provide them with answers so the family could have closure.
Sgt. Buie and Sgt. Mongeluzzo provided Crow with a letter of immunity and Crow agreed to disclose his account of Sherry's murder.
On Christmas Eve, 1992, Crow said he ran into Sherry at a convenience store at the corner of East Highway 40 and County Road 314A. He said Sherry went with him to the "White Forest Tavern," where they had a few drinks. Crow then convinced Sherry to go down to Lake Catherine with him, where they continued to drink and engage in conversation. It was at this time when Crow said he killed Sherry because she was a "snitch," however, detectives believe he made sexual advances on Sherry and she denied them.
Crow also told detectives that he had premeditated intent to kill Sherry that evening.
After Crow killed Sherry, he stated that he dismembered her and disposed of her body parts in multiple lakes in the Ocala National Forest.
Because Crow made statements during his testimony that only the killer could have known, detectives believe Crow murdered Sherry Yon Petersen and disposed of her body, which was not recovered.


Although it's the smallest hotel in Paris, Hôtel Particulier Montmartre is also the most charming. The former family home is hidden within a 9,500-square-foot garden. Originally built in the 19th century, the residence now offers five individually designed suites adorned with ornate wallpapers, custom furniture, and velvet finishes. The property's newest additions are a restaurant The Chef and a lower level lounge Le Très Particulier. Both are head by Thibaut Spiwack and offer breakfast, dinner, tapas, and weekend brunch that can be enjoyed inside or out among the verdant surroundings.
Part boutique hotel and part members-only club, the Caldera House is the perfect place to hibernate this winter. The resort is situated in Teton Village at the Jackson Hole Mountain Resort. Its prime, slope-front location makes it an epicenter for winter activities like heli-skiing and dog sledding. Their on-site gear shop The Mudroom will equip you for any adventure and with their ski-in/ ski-out facility, they all begin right outside the door. When you're taking a break from the slopes. cozy up in one of their luxe lodge suites. Each one offers up to four bedrooms, a full kitchen, expansive glazing, and a private outdoor balcony. The property also hosts a spa as well as the Old Yellowstone Garage, a Jackson Hole institution that has been revived to serve its modern Italian cuisine to the hotel's guest and members.
Climber or not, the American Alpine Club Lodges helps you bypass the State Park system by offering accommodations in some of the most incredible outdoor locations across the country. The non-profit organization operates a series of campgrounds, huts, and lodges near a few of the best ridges in the country and can hook you up even with little notice. Amenities vary from site-to-site but can include anything from a mere camp stove to wifi access. While a membership is not required, having one will get you a discount on the already super affordable rates.
People used to travel to Iceland's Blue Lagoon for its skin-healing properties. Now, they'll go for the sleek accommodations. The Retreat at Blue Lagoon is a brand new expansion consisting of 62 private suites, a restaurant, and spa. The addition takes cues from the natural landscape, embedding itself into the contours of the volcanic formations. Guests rooms are minimal in design, adopting a muted palette that mimics the hues of the encompassing rock while walls of glazing overlook the pools of vibrant blue water. The dramatic surroundings seep into the interiors where massive pieces of lava form the reception desk and the chef's table at Moss Restaurant. Head to the eatery's rooftop to find surreal views over the entire resort.


text:
Q: strftime( ) doesn't display the seconds correctly I tried strftime( ) to get a formatted time-stamp.
char ft[ 256 ];
struct tm *tmp;
strftime( ft, 256, "%D - %T", tmp );

My problem is that I get "13/02/60 - 03:07:-17958194" as a result. Is there a way to display the seconds properly? (I'm using Mac OS X and gcc)

A: You're using an uninitialized value in the code that you've posted, which would explain why you have this problem.  The following code results in what you're looking for:
#include <stdio.h>
#include <time.h>

int
main(int argc, char *argv[]) {
  char ft[256];
  struct tm *tmp;
  time_t curtime;

  time(&curtime);
  tmp = localtime(&curtime);

  strftime(ft, 256, "%D - %T %s", tmp);
  printf("%s\n", ft);

  return(0);
}

Then, compile and run the example:
cc -o time_ex time_ex.c
./time_ex
02/26/09 - 11:26:34 1235665594

ETA: Drop the %s if you just want the local time without UNIX time after it, of course.

A: "%D - %T" should give you proper results, assuming you want "mm/dd/yy - hh:mm:ss".
If your example is accurate to your usage, you may want to consider giving the function a real time instead of some random address in memory.

A: %s and %S are different formatting characters.

*

*%s is the number of seconds since the unix epoch.

*%S is the current time's seconds value (00-60) with a leading 0 for numbers < 10.

A: You aren't initialising struct tm *tmp; with anything - please could you post a complete example?


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text:
import { Component, ViewEncapsulation } from '@angular/core';

@Component({
  selector: 'native-style',
  template: `<h3>Native Style Component</h3>`,
  encapsulation: ViewEncapsulation.Native,
  styles: [require('./native-style.component.css')]
})
export class NativeStyleComponent {}

redpajama_set_name: RedPajamaGithub


This page displays sold house prices for Millers Croft in York.
Millers Croft in Copmanthorpe, York consists predominantly of detached houses. Properties on Millers Croft typically have values around £300,000 - £400,000, but larger detached houses can command upwards of £400,000.
Map showing Millers Croft in York.


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text:
Our Annual Reunion
Every year, the children that Action for Children (formerly The National Children's Home) cared for get together to talk about their childhoods.
In early July each year, over one hundred Old Boys and Girls from our former branches meet in Watford, our head office, for our annual reunion.
Action for Children used to be called The National Children's Home, and it ran dozens of children's homes all over England, Wales and Scotland, and even some overseas in Commonwealth countries. Each year, the people who were cared for in those branches come together to talk about their childhoods, catch-up, reminisce and remember. The youngest are in their fifties - the eldest are closer to 100 years old.
Annual Reunion 2019
The theme this year was a special one - Action for Children's 150th birthday. Over 130 guests got together at Methodist Central Hall and enjoyed an exhibition of our history as well as films about our archive search for the descendants of the first children in our care in 1869. A 150-birthday cake was cut by two of our Old Boys and enjoyed by everyone.
Sadly some regular guests were missing. Ray Trueman and Sister Maureen McKelvy had both passed away earlier in the year.
Our Chair of Trustees and host Sarika Patel welcomed a special guest - Sonia Sacadura and her mother. Sonia is the great great granddaughter of Francis Horner, who was worried about the plight of children in Victorian Britain and supported the Rev Stephenson in setting up our first home in 1869.
Next up was Julie Bentley, our Chief Executive who updated the gathering on our new Choose Childhood campaign and our archive search for the descendants of our first boys and girls.
"The love, care and guidance I received during my time within the NCH has stood me in good stead and recently (within the last 6 years), through a friend who has researched my family background, I have been able to make contact with and meet cousins in the USA and New Zealand."
A Guest
Although our work today has diversified from children's homes, we still have over 650 projects and services running throughout the UK, reaching 300,000 children and young people.
These services range from support for families and young people in need, disability care and short breaks centres to support for young carers, children's play centres and much, much more.
At the heart of our work is our founding belief that everything we do is 'in the service of the children'.
You can find out more about our history here
Data from all our services across the UK shows that:
96% reduced risk of physical, sexual or emotional abuse.
87% of children improved their emotional wellbeing.
97% of young people remained in education, employment or training after 16 years of age.
97% of children with complex health needs sustained maximum independence.
93% of carers believe we have made their job as a foster carer easier.
96% of our volunteers said they would recommend volunteering with Action for Children.
82% of parents and carers using our early years services say that their children were well prepared for school.
Find out more about our history
Help us do more.
Your support will help us make life better for the UK's most vulnerable children and young people.
With friends, with children, at home, at work - however you fundraise your efforts will help children in urgent need.
You'll learn new skills, have fun and feel good about what you've done.
You can help us campaign for changes that will make life better for vulnerable children and young people.


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text:
Q: Nginx: Hide .php extension but take PATH_INFO With Nginx, I want to add .php files at will to my document root and have them just work without the extension. Not only that, but I want these random .php files to also take a path_info after them.
So, if I add a file /path/to/root/apple.php I want www.example.com/apple to work, as well as www.example.com/apple/123 or www.example.com/apple/123/something or www.example.com/apple/123/something/something.
I want to be able to add files like this all of the time, all over the place, without having to add explicit Location blocks for each of them in the Nginx configuration. I want to go on to add /path/to/root/orange.php and /path/to/root/quince.php and anything else, and I want those paths to immediately work, without their .php extension, and with any arbitrary path_info.
In Apache, I can just do Options MultiViews. In Nginx, maybe this is not yet possible, but if so, I would just want to know that, so I can just stop trying to figure it out.

A: A common pattern is to look for the static file and if not found perform some default action. That default action might be to extract the first element of the URI and turn it into a .php. I do make one assumption, and that is with www.example.com/apple/123/something/something, the PHP file is always the first element of the path, in this case apple.php.
root /path/to/root;

location / {
    try_files $uri $uri/ @php;
}

location ~ \.php$ {
    try_files $uri =404;
    ...
}

location @php {
    rewrite ^/([^/]+)(/|$) /$1.php last;
}

I haven't addressed the path info issue. There are a number of ways that PHP scripts can access the path info. Some will look at the original REQUEST_URI, in which case you need to do nothing more than the above.


text:
Home/Musical/Hair – King's Theatre, Glasgow
MusicalReviewScotland
Hair – King's Theatre, Glasgow
Book and Lyrics: Gerome Ragni and James Rado
Music: Galt McDermot
Director: Jonathan O'Boyle
Reviewer: Lauren Humphreys
While Hair has lost its shock value and the antics seem risible to a 21st Century audience, the celebratory and catchy songs still stand the test of time and the committed cast of this 50th Anniversary tour throw themselves fully into the action.
After a 15 minute delay and an unannounced change of leading man, we're whisked to 1967 New York, where the shadow of the Vietnam War looms over the whole of the US, but particularly the East Village where Berger (Bradley Judge) and his band of subversive misfits are railing against the world. It's only Claude (Paul Wilkins) who doesn't fully buy in to the Hippie counterculture, conflicted between turning on, tuning in and dropping out (to paraphrase Timothy Leary) and fulfilling his duty to his country after being drafted into the Vietnam War.
The plot is scant and there are times when the dialogue is reduced to merely shouting out anti-establishment phrases, so the songs need to be strong to sustain interest. There are plenty of stand-outs: Aquarius, Easy to be Hard, Good Morning Starshine, Let The Sun Shine In and the title track Hair, to name a few. The only gripes would be that there are so many of them – several could be chopped without being detrimental to the show. There's also a lot less audience interaction – this is not as immersive as expected, at times, it seems more fun for those on stage than for the audience.
The rainbow design by Maeve Black, complimented by Ben M. Rogers' lighting does evoke a trippy hippie camp and the costumes are largely on point, these are the final dates of a long tour, so the increased tattiness adds to the atmosphere.
The energetic and accomplished cast clearly give their all and play a large part in bringing the audience in, particularly impressive is Paul Wilkins as Claude. Bradley Judge must also be praised for stepping seamlessly into the fray as leading man Berger, literally at the last minute.
It doesn't have the impact that it once had and the shock value has gone, even the full-frontal nudity barely raises an eyebrow, but it stands as a window to another time and provides some insight on a pivotal time in social history. It is still worth seeing as a cultural landmark – it, and the shows that followed in its wake, widened the boundaries, gave voice to the youth of the day and changed the theatrical landscape forever.
Runs until 10 August 2019 | Image: Contributed
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Aiesha Pease Bradley Judge Galt McDermot Gerome Ragni Glasgow Hair Hair The Musical James Rado Jonathan O'Boyle King's Theatre Musical Paul Wilkins Review
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The Reviews Hub - Scotland
The Scotland team is under the editorship of Lauren Humphreys. The Reviews Hub was set up in 2007. We aim to review all professional types of theatre, whether that be Commercial, Repertory or Fringe as well as Comedy, Music, Gigs etc.


A story about a girl's one-sided love for a boy that follows them until they bravely face their feelings for each other.
Luo Zhi (Hu Bingqing) and Huai Nan (Hu Yitian) were childhood playmates when they attended a wedding. Because of a family problem, Luo Zhi had been diligently focusing on her studies. She and Huai Nan were not close in high school though they both ended up in the same university. Destiny brings them together at an excursion in Red Canyon Valley. Their relationship develops as they start to hit it off. However, Ye Zhanyan and Ding Shui Jing's meddling as well as complicated personal matters lead to all sorts of misunderstandings.
The cast attended a function on November 29, 2018 leading to reports about the new drama before it was officially announced.
Filming began in Xiamen on December 5, 2018.
It is the second adaptation based on the novel of the same name by Ba Yue Chang An. The first one is the web drama Unrequited Love starring Zhu Yan Man Zi and Zhao Shunran. The two dramas are produced by different companies.


I've gotten old enough to just watch and wait.
When you call. Heel, u sombitch. Heel.
About rain. Is there anything else?
What's between the blades of grass?
making it appear they were holding hands.
Of the first graze of rain across a mouth.
Batteries. Prayers like expired medicines.
Feel free to get over writers block by acting in a newly crafted play.


text:
Theater review: 'Spongebob' musical makes a splash
By Iris Fanger/For The Patriot Ledger
The first national touring company of "The SpongeBob Musical" has landed in Boston at the Boch Center Wang Theatre for what feels like the party of year.
Wednesday's press night performance was a packed audience, ranging from children riding in strollers to gray-haired folks from Cape Cod. On stage was a recreation of Bikini Bottom, complete with ukuleles, Hawaiian shirts and special effects. It's a loud, lively and endearing evening bursting with talented players and a goofy sense of theatrical mayhem.
In case you haven't turned on your TV set for years, SpongeBob and his friends (and foes) are the wildly popular cartoon characters of a Nickelodeon show about fish who cavort in an infinite variety of behaviors from lovable to laughable to not-so politically correct. The show was written by Kyle Jarrow, based on the series by Stephen HIllenberg.
As conceived and directed on stage by Tina Landau, they have become outsize, streetwise urchins caught in a perilous adventure. It seems that Bikini Bottom is in danger of destruction from an undersea volcano about to explode in 48 hours. The corrupt mayor has her own agenda, so it is up to SpongeBob (Lorenzo Pugliese) and his friends, Patrick Star (Beau Bradshaw) and the water-logged squirrel Sandy Cheeks (Daria Pilar Redus), to foil the villains and swim to the rescue. The cast is young enough to rely on a breathless attitude of let's-put-on-a- backyard-show, rather than a more sophisticated theatrical gloss, all to the good of the production.
Following in the mythic footsteps of Frodo in J.R.R. Tolkien's "Lord of the Rings" cycle, the ordinary guy-fish SpongeBob becomes a hero, aided by his faithful friends. He climbs the mountain to drop in the "erupto-interrupter" (invented by Sandy, a woman scientist, no less) that calms the volcano. No need to spell out the useful lessons submerged under the song lyrics and antic choreography about the power of believing in yourself, displaying courage and counting on your loyal friends.
Landau has imagined Bikini Bottom in the here and now (with projections of fish swimming on the backdrop), populated by characters dressed as if they were walking the streets of downtown New York. The inventive sets, props and costumes were designed by David Zinn. The score, mostly commissioned for the show, has been provided by a company of pop chart stars, including Cyndi Lauper, John Legend, Sara Bareilles and Jonathan Coulton, composer of "Bikini Bottom Day," which sets the jaunty mood from the top.
The production style seems to be one, large improvisation by the cast, enhanced by Christopher Gattelli's clever choreography, a mix-up of disco dancing, acrobatics and hip-hop. The show-stopper comes in the second act when the consummate clown Cody Cooley as the tap-dancing four-legged Squidward Q. Tentacles makes his dream come true to belt out the number "I'm Not A Loser" (by They Might Be Giants), in a mirror-image of the finale of "A Chorus Line." Later on, there's a nod to "Fiddler on the Roof," but that's for the grown-ups to discover. In another hook for the adults, there's an overlay of politics, especially in the wide-girthed, pink-skinned, somewhat dim, Patrick Star who sports a bush of blond hair on top of his pointy-head. He's also adored by a pack of sardines swimming in unison that elevate him into their king.
I must mention that some of the older viewers sitting near me exited after the first act, leaving the children to cheer wildly at the end of a musical clearly targeted for their pleasure.


text:
The Bachelor with Spencer Matthews begins Tonight, 10pm, Channel 5
Channel 5's The Bachelor will return to our screens tonight.
The Bachelor – Spencer Matthews – is a reality star and one of the country's most eligible bachelors on a quest for the woman of his dreams.
The series will see twenty four girls compete to try and win his heart. There will be flirting, cat fighting and heartfelt emotion as the contestants do whatever it takes to impress Spencer.
Eton-educated Spencer Matthews started his professional career as a PR Manager for some of London's top clubs, before becoming a broker in the city. He is also a trained actor and attended film school in Los Angeles. His family own the exclusive Eden Rock Hotel, St Barts. Spencer has also run several marathons and loves to skydive and snowboard.
"I feel flattered to have been put forward to be this year's Bachelor," said Spencer Matthews.
"The concept surrounding the show is a great one and will certainly make for an interesting adventure at this point in my life. After much consideration, I truly believe that the time is right to look for, and hopefully find during the process of this series, someone with whom I can share a loving and meaningful relationship."
Spencer will have his pick of some of the most attractive women in the UK, from beautiful models to ambitious career women. Through a variety of group dates and intimate meetings, Spencer will decide who's the right girl for him. He will have to whittle down the group of girls from twenty four to the chosen one and, along the way, learn exactly what it is he's looking for in a soulmate.
The Bachelor, Friday's 10pm, Channel 5
Updated on Friday 29 June 2012 by TV Newsroom
Dermot O'Leary returns as host of X Factor 2012
The Apprentice 2013: Alex Mills


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Ticks are blood-feeding parasites of reptiles, birds, mammals and even amphibians (one tick species only). Ticks are generally much larger than other mites; engorged female ticks of some species reach 30 mm in size (Evans, 1992). Ticks transmit more infectious agents than any other blood-feeding arthropods (Hoogstraal, 1985), including Borrelia burgdorgeri (Lyme disease), B. recurrentis (relapsing fever), Babesia spp. (tick fever), and Rickettsia connorii (boutenneuse fever). Other forms of pathogenesis attributed to ticks are anaemia (e.g. Hyalomma asiaticum females consume more than 8 ml of blood per tick; Sonenshine, 1991) as well as dermatosis and paralysis (Roberts and Janovy, 1996).
There are approximately 860 spp. in 22 genera and three families (Keirans, 1992; Keirans and Robbins, 1999). The Ixodidae and Argasidae are large and cosmopolitan families, whereas the Nuttalliellidae has one species which has only been found in South Africa and Tanzania (Evans, 1992). The main host of Nuttalliella namaqua is uncertain, as is the life cycle (Oliver, 1989). Most ixodid ticks have three hosts, one for each stage of the life cycle (larvae, nymph and adult), but in some species this has been reduced (one- or two-host ticks spend two or more life cycle stages on the same host individual) (Oliver, 1989). Ixodid ticks need several days to feed, and once the female is engorged she drops from the host to lay eggs (up to many thousand). Argasid ticks only feed intermittently and do not remain attached to their hosts. They may feed many times over their lifetime on a number of different hosts and will often lay only a few hundred eggs. Argasid ticks also have remarkable longevity and have been observed to live for many years and long periods of starvation (Sonenshine, 1991).
Haemaphysalis bremneri mouthparts, showing toothed, sawlike hypostome.
Other prominent features of ticks are their large size, when compared to other mites, and Haller's organ, a complex sensory apparatus on tarsus 1 (the holothyridan mites have a homologous organ).
The phylogenetic relationships of the three families of ticks, the Argasidae, Ixodidae and Nuttalliellidae, are unresolved. The monospecific Nuttalliellidae (Nuttalliella namaqua) has morphological features of both the Argasidae and Ixodidae (Keirans et al., 1976), so its relationship to them phylogenetically is unclear. Although molecular analyses of the phylogenetic relationships of the Argasidae and Ixodidae have been done (e.g. Black and Piesman, 1994; Black et al., 1997; Dobson and Barker, 1999), these studies did not include the Nuttalliellidae because few individuals of N. namaqua have ever been found (Roshdy et al., 1983), and they have not been available for molecular applications.
Black, W. C., Klompen, J. S. and Keirans, J. E. 1997. Phylogenetic relationships among tick subfamilies (Ixodida: Ixodidae: Argasidae) based on the 18S nuclear rDNA gene. Mol. Phylogenet. Evol., 7:129-44.
Black, W. C. and Piesman, J. 1994. Phylogeny of hard- and soft-tick taxa (Acari: Ixodida) based on mitochondrial 16S rDNA sequences. Proc. Natl. Acad. Sci. USA., 91:10034-8.
Dobson, S. J. and Barker, S. C. 1999. Phylogeny of the hard ticks (Ixodidae) inferred from 18S rRNA indicates the genus Aponomma is paraphyletic. Mol. Phylogenet. Evol., 11 (2): 288-295.
Evans, G. E. O. 1992. Principles of Acarology. CAB International, Wallingford, England.
Hoogstraal, H. 1985. Argasid and nuttalliellid ticks as parasites and vectors. Adv. Parasitol., 24:135-238.
Keirans, J. E., Clifford, C. M., Hoogstraal, H. and Easton, E. R. 1976. Discovery of Nuttalliella namaqua Bedford (Acarina: Ixodoidea: Nuttalliellidae) in Tanzania and re-description of the female based on scanning electron microscopy. Ann. Entomol. Soc. Am., 69:926-932.
Keirans, J. E. 1992. Systematics of the Ixodida (Argasidae, Ixodidae, Nuttalliellidae): An overview and some problems. Pp. 1-21 in B. H. Fivaz, T. N. Petney and I. G. Horak (ed.) Tick Vector Biology: Medical and Veterinary Aspects, Springer Verlag, Berlin.
Keirans, J. E. and Robbins, R. G. 1999. A world checklist of genera, subgenera, and species of ticks (Acari: Ixodida) published from 1973-1997. J. Vector Ecol., 24:115-129.
Lehtinen, P. T. 1991. Phylogeny and zoogeography of the Holothyrida. Pp101-113 in F. Dusbabek and V. Bukva (ed.) Modern Acarology, SPB Academic Publishing, The Hague.
Oliver, J. H. J. 1989. Biology and systematics of ticks (Acari: Ixodida). Ann. Rev. Ecol. Syst., 20:397-430.
Roberts, L. S. and Janovy, J. 1996. Foundations of parasitology. WCB Publishers, Dubuque, IA.
Roshdy, M. A., Hoogstraal, H., Banaja, A. A. and El Shoura, S. M. 1983. Nuttalliella namaqua (Ixodoidea: Nuttalliellidae): Spiracle structure and surface morphology. Z. Parasitenk., 69:817-821.
Sonenshine, D. E. 1991. Biology of ticks. Volume 1. Oxford University Press, New York.


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text:
Q: C++ custom time date struct to utc epoch I use a library that uses the following struct to define a start timestamp as follows.
    struct SYSTEMTIME {
    /** year */
    WORD year;

    /** month */
    WORD month;

    /** day of week */
    WORD dayOfWeek;

    /** day */
    WORD day;

    /** hour */
    WORD hour;

    /** minute */
    WORD minute;

    /** second */
    WORD second;

    /** milliseconds */
    WORD milliseconds;
};

For every log entry after this time is specified in nanoseconds difference from this first timestamp.
Lets say its UTC 2017-12-19 14:44:00
And the first following log entries are 397000ns after this.
How do I create a chronos, time_t or unix time from epoch from the first SYSTEMTIME struct and then add the nanoseconds to it.
Printout should be for this first entry
2017-12-19 14:44:00.000397
Best regards

A: Updated
I've slightly modified the code below to convert between SYSTEMTIME and date::sys_time<std::chrono::milliseconds>, instead of date::sys_time<std::chrono::nanoseconds>.
Rationale:  So that there is no implicit precision loss in to_SYSTEMTIME.  Clients of to_SYSTEMTIME can explicitly truncate precision in any way that they desire (floor, round, ceil, etc.).  And failure to truncate precision (if needed) won't be a silent run time error.
The client code (in main) is not impacted by this change.

You could use Howard Hinnant's free, open-source, header-only date/time library for this:
#include "date/date.h"
#include <iostream>

using WORD = int;

struct SYSTEMTIME {
    /** year */
    WORD year;

    /** month */
    WORD month;

    /** day of week */
    WORD dayOfWeek;

    /** day */
    WORD day;

    /** hour */
    WORD hour;

    /** minute */
    WORD minute;

    /** second */
    WORD second;

    /** milliseconds */
    WORD milliseconds;
};

date::sys_time<std::chrono::milliseconds>
to_sys_time(SYSTEMTIME const& t)
{
    using namespace std::chrono;
    using namespace date;
    return sys_days{year{t.year}/t.month/t.day} + hours{t.hour} +
           minutes{t.minute} + seconds{t.second} + milliseconds{t.milliseconds};
}

int
main()
{
    using namespace std::chrono;
    using namespace date;
    SYSTEMTIME st{2017, 12, 2, 19, 14, 44, 0, 0};
    auto t = to_sys_time(st) + 397000ns;
    std::cout << floor<microseconds>(t) << '\n';
}

Output:
2017-12-19 14:44:00.000397

This converts a SYSTEMTIME to a std::chrono::time_point<system_clock, milliseconds> (which has a type-alias named date::sys_time<milliseconds>) by collecting the different parts out of the SYSTEMTIME.  It then simply adds nanoseconds to that time_point, truncates it to the desired precision of microseconds, and streams it out.
If it would be helpful, here is how you could use the same library to do the opposite conversion:
SYSTEMTIME
to_SYSTEMTIME(date::sys_time<std::chrono::milliseconds> const& t)
{
    using namespace std::chrono;
    using namespace date;
    auto sd = floor<days>(t);
    year_month_day ymd = sd;
    auto tod = make_time(t - sd);
    SYSTEMTIME x;
    x.year = int{ymd.year()};
    x.month = unsigned{ymd.month()};
    x.dayOfWeek = weekday{sd}.c_encoding();
    x.day = unsigned{ymd.day()};
    x.hour = tod.hours().count();
    x.minute = tod.minutes().count();
    x.second = tod.seconds().count();
    x.milliseconds = tod.subseconds().count();
    return x;
}

A: You can use mktime() from <ctime> to convert tm, to time_t, which is an integer type.
tm is very simmilar to your SYSTEMTIME struct. Therefore you sould be able to translate them easily back and forth.
translate your struct into tm and then use gmtime() like this.
#include <ctime>

struct tm time = fromSystemtime(...);
time_t timestamp;

timestamp = mktime(&time);

For more details see the following links:
struct tm
time_t
mktime


Inter-religious dialogue and peacebuilding are often seen, by religious and secular actors, as the natural antidote to religious violence or identity conflicts with a religious dimension. Interreligious peacebuilding can also be indispensable in conflicts where religious differences are not at issue in the conflict, as with the Lord's Resistance Army in northern Uganda. The goals of interreligious peacebuilding depend on the nature of the conflict and one's theory of change. They range from (1) repairing and/or deepening relationships, (2) improving mutual understanding, (3) finding common ground on beliefs and issues, (4) promoting common action, and/or (4) encouraging complementary action for peace and justice. In some cases, the most effective work of inter-religious peacebuilding is done alone within one's own faith community.
Learn about how the goals of inter-religious peacebuilding relate to one's understanding of the religious dimension of the conflict and one's theory of change.
Consider how inter-religious peacebuilding might be an effective response to extremist groups like ISIS or Boca Haram.
Evaluate, in conflicts with a religious dimension, what is more needed and effective: interreligious peacebuilding or intra-religious peacebuilding?
"Interfaith Dialogue: Assessing Theories of Change"
Reina Neufeldt, "Interfaith Dialogue: Assessing Theories of Change," Peace & Change 36:3 (July 2011): 344–372.
Jaco Cilliers, "Building Bridges for Interfaith Dialogue," in D. Smock, ed., Interfaith Dialogue and Peacebuilding (United States Institute of Peace, 2002): 47-60.
After providing a brief overview of the conflict, this brief examines the efforts of Catholic Relief Services to train the Filipino military in peacebuilding and the engagement of the Bishops-Ulama Conference in the peace process.
Brenda Fitzpatrick, "The Philippines: The Mindanao Bishops-Ulama Conference," in M. Rogers, T. Bamat, J. Ideh, eds, Pursuing Just Peace: An Overview and Case Studies for Faith-Based Peacebuilders (Catholic Relief Services, 2008): 117-132.
This case study looks at a formal effort of Christian leaders and Muslum ulama (Islamic religious scholars) to contribute to formal and informal peace processes in Mindanao, in the southern Philippines. This chapter describes the nature of the religious leaders' interventions, the implicit theories of change underlying these interventions, the results, and the challenges and limitations involved.
Peter Phan, "Peacebuilding and Reconciliation: Interreligious Dialogue and Catholic Spirituality," in R. Schreiter, S. Appleby, G. Powers, eds, Peacebuilding: Catholic Theology, Ethics, and Praxis (Orbis Books, 2010): 332-365.
This chapter, geared more for theology classes, provides an overview of a Catholic theology of interreligious dialogue, primarily focused on the writings of St. John Paul II. It then examines how this teaching has been put into practice by the Catholic Church in Asia in the service of peace and justice, focusing especially on the Philippines, Sri Lanka, and Indonesia. The final section draws some general conclusions on the role of interreligious dialogue in peacebuilding.
Mohammed Abu Nimer, "The Miracles of Transformation through Inter-faith Dialogue: Are you a True Believer?" in D. Smock, ed., Interfaith Dialogue and Peacebuilding (United States Institute of Peace, 2002): 15-32.
Building peace among people divided by religion involves programs that invite people to connect through dialogue and action. Forging a Path to Interreligious Action for Peace describes several efforts that CRS has used in Bosnia-Herzegovina with community members, government officials, and religious leaders. Author: USCCB Department of Justice, Peace & Human Development. Published: June 27, 2017.
In 'Interreligious Action as a Driver for Social Cohesion and Development' professor Atalia Omer explains the interreligious action (IRA) paradigm. Specifically, "(r)ather than limiting the scope of 'religion' in peacebuilding, IRA expands it by shifting the preoccupation from deadly violence toward sociocultural and structural concerns, opening up synergies with development foci on education, legal reform, food insecurity, and women's empowerment." Editors: Tom Bamat, Nell Bolton, Myla Leguro, and Atalia Omer. Source: Interreligious Action for Peace: Studies in Muslim and Christian Cooperation. Published: March 2017. 112 pages. pp 1 -20.
Learn how world class CRS Peacebuilders operate amidst challenging contexts to strengthen local communities' capacity to heal and build relationships that lead foster peace.
Supported by the United States Agency for International Development, the A3B Project is implemented through partners of the Catholic Relief Services. The project approach of using Binding, Bonding and Bridging to address land related conflicts is likewise a "first" in using a novel strategy which taps Traditional and Religious Leaders (TRLs) as bridge builders to connect conflicting parties.
USIP has found the documentary film "The Imam and the Pastor" useful as a resource for workshops and training programs exploring themes of religious peacebuilding and inter-group reconciliation. As such, USIP commissioned religion and peacebuilding specialist David Steele to produce a facilitator's manual so that others might use this documentary, and the follow-up documentary" An African Answer," in their own training and workshops. This manual is available for download free-of-charge here.
5) Bishop John H. Ricard, SSJ, presented a speech at a Conference on Catholic Peacebuilding entitled "How can the Church outside the Great Lakes region strengthen the capacity of the Church here to engage in peacebuilding?"
6) On July 22, 2014, Most Reverend Joseph E. Kurtz, D.D., Archbishop of Louisville, President, United States Conference of Catholic Bishops wrote a " Letter to US Bishops from Archbishop Kurtz Urging Solidarity ... to the Secretary of State." In it, he highlights Catholic Peacebuilding and sought to arouse in all an authentic desire for dialogue and reconciliation.
7) The Harvest Of Justice Is Sown In Peace is a Reflection of the National Conference of Catholic Bishops on the Tenth Anniversary of The Challenge of Peace, November 17, 1993.