text:
Q: Quebra de Linha Boa noite, faço uma consulta e na minha consulta não consigo fazer quebra de linha, os resultados aparecem um do lado do outro, já tem \n, \\n,
,
 no PHP e não funcionou... Alguém pode me Ajudar ?
JavaScript
function autocomplet() {

    var min_length = 1; // min caracters to display the autocomplete
    var keyword = $('#cfuncionario').val();
    if (keyword.length >= min_length) {
        $.ajax({
            url: "php/cfuncionario.php",
            type: 'POST',
            data: {keyword:keyword},
            success:function(data){
                var availableTags = [data];
            alert(availableTags);
            $("#cfuncionario").autocomplete({
                 source: availableTags

             });

            }
        });
    }

}

PHP
<?php
require 'connect.php';

$keyword = $_POST['keyword'].'%';
$query = "SELECT nome_funcionario FROM funcionarios WHERE nome_funcionario LIKE '$keyword' LIMIT 10";

$result = mysqli_query($connect,$query);

if($result)
 {
  while($row = mysqli_fetch_array($result))
  {
    echo $row['nome_funcionario'].'\n';

  }
 }
?>

A: Talvez o problema seja você usar '\n' ao invés de "\n" com aspas duplas.
Existe uma pequena diferença entre ambas.
Outra solução é concatenar com a constante PHP_EOL.
echo $row['nome_funcionario'] . PHP_EOL;

Leia:
Diferença entre aspas simples e duplas em PHP

A: Consideremos que seu código PHP gere o seguinte resultado:
Kevin T. Sullivan

Nicolash Correia Cunha

Lavinia Azevedo Lima

Isabelle Lima Silva

Kauan Silva Almeida

Victor Costa Carvalho

Sophia Pinto Barbosa

Vitor Goncalves Barros

Daniel Sousa Melo

Davi Gomes Correia

Nota: os nomes acima foram gerados aleatoriamente através do sistema Fake Name Generator e qualquer semelhança com a realidade será mera coincidência.

Podemos tentar resgatar estes valores com JavaScript utilizando uma requisição assíncrona da seguinte forma:

$(() => {
  $("#name").on("keyup", function () {
    $.ajax({
      url: "https://gist.githubusercontent.com/acwoss/25f02a59086ecc1d11fd2201586420db/raw/1d372b624d4cc2416685c0c438eff75c0912747c/SOpt-200357-response.html",
      type: 'GET',
      success: function(data) {
        $("#name").autocomplete({source: [data]});
      }
    });
  });
});

<input id="name" name="name" placeholder="Digite seu nome" />

Nota: o código da requisição foi minimamente alterado para funcionar conforme o contexto do exemplo, porém, manteve-se a ideia original da pergunta.

Veja que o resultado é exatamente o código HTML gerado pelo PHP, mas é uma raw string, isto é, o JavaScript não saberá como tratá-la. Para que ele possa interpretar o resultado, você deve indicar como isso deve ser feito; e a maneira mais fácil é utilizar formatos conhecidos, como o JSON.

$(() => {
  $("#name").on("keyup", function () {
    $.ajax({
      url: "https://gist.githubusercontent.com/acwoss/bba40268dd678cb4ee3b2291cdede7e2/raw/8586099a9451f44d3ef86046023bbe8c8f9ba202/SOpt-200357-response.json",
      type: 'GET',
      dataType: 'json',
      success: function(data) {
        $("#name").autocomplete({source: data});
      }
    });
  });
});

<input id="name" name="name" placeholder="Digite seu nome" />

Indicando que o retorno será do formato JSON, com dataType: 'json', e o PHP gerando, de fato, uma resposta neste formato, o resultado obtido no JavaScript já será uma lista de valores que poderá ser passada ao plugin de autocomplemento.
Eu não tenho condições de criar aqui um exemplo que se aproxime ao da sua pergunta, mas acredito que se não for exatamente o código abaixo, será algo muito próximo.
PHP gerando JSON
<?php
require 'connect.php';

$keyword = $_POST['keyword'].'%';
$query = "SELECT nome_funcionario FROM funcionarios WHERE nome_funcionario LIKE '$keyword' LIMIT 10";

$result = mysqli_query($connect, $query);

if($result)
{
  $output = array();

  while($row = mysqli_fetch_array($result))
  {
    $output[] = $row['nome_funcionario'];
  }

  header('Content-Type: application/json');
  echo json_encode($output);
}
?>

JavaScript recebendo JSON
function autocomplet() {
    var min_length = 1;
    var keyword = $('#cfuncionario').val();

    if (keyword.length >= min_length) {
        $.ajax({
            url: "php/cfuncionario.php",
            type: 'POST',
            data: {keyword: keyword},
            success:function(data){
                console.log(data);
                $("#cfuncionario").autocomplete({
                    source: data
                });
            }
        });
    }
}


With the sustainability conversation having moved from an "if" to "how and when," the GWI has launched a new Sustainability Initiative, chaired by Bonnie Baker, managing partner and co-founder, Satteva Spa and Wellness Concepts and board member of the Green Spa Network. The Initiative's mission: spur a provocative, global discussion about how wellness intersects on a personal level and on a wider social, economic and environmental scale.
Read about this important project and its expert members.
Hmmmm….hopefully the program's efforts are authentically GLOBAL and not simply another initiative that uses the word within its title and sprinkles a few leading people of color to justify it! No… not cynical…just skeptical of the use of the word when Westerners create "diverse"-driven initiatives but demonstrate very little inclusion to help lead those very programs. Nevertheless, it SOUNDS great!
I would like to talk to you about an interesting project in Cabo,MÉXICO.


text:
Chris TaylorTravel, Commentary, Reviews
GROOVE IN THE MAP
THE ROAD – ON KHAO SAN
LOST (IN) TIBET
March 4, 2013 by Chris Taylor
TOM VATER, author of The Cambodian Book of the Dead, asked me to take part in The Next Big Thing, a short interview that highlights authors and their new or forthcoming books. Tom was invited by Janet Brown, author of Tone Deaf in Bangkok.
SO IT GOES LIKE THIS: I answer the questions below, post the interview, and then I ask five other writers to answer the same questions on their blogs. Those writers then ask five more writers to do the same. And so on. This arguably is part of the new publishing economy in which countless writers comment on and "like" each others books, but let's give it a shot—and, also, I'm afraid I've cheated, because I'm not entirely sure any of the authors I've included will respond in kind …
I've been meaning to blog about Simon's novel, Border Run, for ages now, and will get around to it over the next month. For one, it's the only English-language novel I know of, besides mine, that is set in Yunnan, Southwest China, and, two, it is the only travel fiction I've enjoyed in the past year or so. Simon's Yunnan is not mine—his is the Southeast Asian border flatlands known as Xishuangbanna. home to the Dai people.
It's a claustrophrobic, haunting narrative with a cast of just three—with some "tribal" cameos—who take a day-trip to a waterfall that goes terribly—murderously, in fact—wrong. Lewis is also the author of the pioneering travel fiction debut (there were two others, The Beach and Are You Experienced?) Go, which has recently been re-released in Kindle format.
China veteran Paul French has penned a historical, nonfiction—though novelistic at times—whodunnit, in which the author does his own sleuthing more than half a century after the crime. On 8 January 1937, the body of a 19-year-old English girl was found near the so-called Fox Tower in Peking. Her heart was missing, her ribs prized apart. In Midnight in Peking, French revisits the scene of the crime and the thwarted joint investigation between British and Chinese troops in a decadent city under the shadow of a looming war with Japan—and uncovers details that were lost in the chaos that eventually led to the Chinese Communist Revolution of 1949. Gripping.
Tony doesn't need much in the way of introduction, and I'm bending the rules here somewhat—I think, at least—because Bad Lands is nonfiction, and if someone had to play the lead role in a movie of his book, it would have to be Tony himself. That's besides the point. Bad Lands is an irreverent romp—literally, really—through all the hot-spots of trouble and terror that have been ideologically tar-brushed and fenced off from the travel circuit.
In the spirit of the now age-old Lonely Planet catch-cry, "Don't worry how your trip will work out, just go," Tony goes and discovers it's not as scary out there as "they" would have you think. And, by the way, while I'm at it, Tony and I will both be appearing at the Australian Festival of Travel Writing, 22-24 March.
I don't care what anyone says, Lawrence Osborne's Bangkok Days is nearly fiction, and I found myself frequently wondering as I read this winsome, idiosyncratic journey through the Bangkok cityscape—with forays into medical tourism, among other things—why he didn't just take the plunge and make it a novel.
Anyway, the perfect antidote to all that noir and and private dicks with bargirls on their laps that clutter the Thailand section at Asia Books.
I'm cheating again, because Pico is highly unlikely participate in this. As far as I know, he doesn't really do the internet, and I was surprised to discover that he has a website.
But I decided to put him here because he is one of the best travel writers around, and The Man Within My Head is a tribute to the master, Graham Greene, who wrote the Asia novel, The Quiet American.
The Next Big Thing Interview—Harvest Season
Q What is the title of your book?
A Harvest Season (available in both print and digital versions on Amazon).
Q What is the one-sentence synopsis of your book?
A Retired travel writer retreats to a village in the mountains of Southwest China on a kind of Year in Provence quest, falls in love with the wrong girl, and watches his tiny slice of paradise yield to the forces of the travel scene he thought he was escaping from—and with ultimately tragic results.
Q What genre does your book fall under?
A I've never really thought of Harvest Season as genre fiction, but "travel fiction" if you need a label.
Q Where did the idea come from for the book?
A A surprisingly unusual scene in China that I discovered on a writing assignment. I almost never left, and for a while I was worried I would wind up dead for staying as long as I did—for reasons I think the novel ultimately makes clear, even though it's a very fictionalized version of events.
Q How long did it take you to write the first draft of the manuscript?
A Six weeks
Q Who or what inspired you to write this book?
A The madness of modern China.
Q Will your book be self-published or represented by an agency?
A This is a re-release. It was first published in October 2010, with a small Hong Kong, Shanghai-based publisher, Earnshaw Books. It's currently self-published through Amazon in print and Kindle formats, but that may change in the near future.
Q What other works would you compare this book to within your genre?
A I hate questions like this. They're rather like, what's your favorite color? Simon Lewis, in his latest—see above—is in similar territory. I think James Hamilton-Paterson is a sadly neglected literary exile who has written extensively about Asia. It's difficult to get his books, but try The Bell Boy, set in an imaginary Asian country, and poignant on the subject of culture clash, much as Paul Bowles was in Under the Sheltering Sky. There were endless comparisons to The Beach when Harvest Season was first released. I found it tiresome. I think they're totally different beasts.
Q What actors would you choose to play the part of your characters in a movie rendition?
A I seriously can't imagine Harvest Season as a movie, although some readers, I know, disagree. If it were to happen, I would hope the casting isn't left to me. I'd never make up my mind.
Q What else about your book might pique the reader's interest?
A As far as I know—in English or in Chinese—it's the first drug novel set in China.
Bad Monkey, good brew
The Satoshi factor
Travels in an empty land
©Chris Taylor 2020

redpajama_set_name: RedPajamaCommonCrawl


text:
Ballard School Principal retaliated against student for questioning racist appointment, investigation revealed
When Ballard High School graduate Eric Anthony Sousa-Ponce first heard his English teacher describe a class assignment – to write about the Frankenstein monster in Mary Shelley's novel representing oppressed people – he was amazed.
Sousa-Ponce, a Hispanic, asked students to write in an essay about "why oppressed people do bad things," he said. "It perpetuates that people of color do bad things."
He and then his parents, starting in December, repeatedly approached the teacher Wendy Olsen, challenging the ideas underlying the assignment. School decision: Headmaster of the Ballard School, Keven Winkup, transferred Sousa-Ponce to a different class.
His mother and father, Dr. Amy Ponce de Sousa and Eric Sousa, filed a complaint against Olsen and Winkup with public schools in Seattle on January 31, citing harassment, intimidation, bullying, retaliation and discrimination.
It took the district eight months to reach a conclusion. In September, a 36-page investigation report revealed that Wincoop was "involved in retaliation" when he transferred Sousa-Ponce to a different class, in violation of board policy.
As for other allegations, the investigation did not find Olsen's curriculum "blatantly racist." After the parents of Ponce de Sousa and Sousa and Sousa appealed the decision, district investigators further found that Olsen and Wincoop created a "hostile school environment" and violated the district's policy on harassment, intimidation and intimidation by "engaging in behavior that significantly interfered." activities of Souza-Ponce. education.
Seattle school officials did not find that Sousa-Ponce was discriminated against because the appeal did not "allege that action was taken against your son because of his race."
"So for your information, people of color in Seattle – if you are filing a discrimination claim, be sure to indicate that it has to do with your race," said Ponce de Sousa.
This isn't the first time students have questioned whether Ballard High, where nearly 74% of students in the 2020/21 school year were white, is doing enough to combat racism.
This finding shows how the district authorities make "the process as opaque as possible and demonstrate that they will take whatever steps they can to avoid dealing with real issues," Ponce de Sousa said. "So they say we didn't specifically say that he was injured because of his race, even though that was the whole class issue."
The documents show that district officials are still determining whether Olsen's curriculum "and the way it is taught" was racist and violated board policy.
Interim Superintendent Brent Jones and other county officials declined to be interviewed. In a statement emailed, district officials said Seattle schools "believe and are committed to fighting racism to ensure that race is not a predictor of student achievement."
Olsen completed the class assignment in November 2020 when lessons were taught remotely. Essay question: "How do oppression, ignorance and trauma affect a person's personality?"
According to Sousa-Poncet, the assignment was not racist at first glance; problematic were the answers to the questions for the essay and discussion in the class.
During a class discussion, Sousa-Ponce said that Olsen compared the black and brown communities that have historically been oppressed by racist systems to the Frankenstein monster, who in the novel kills people, including a child. Making this comparison is racist and portrays marginalized groups as "subhuman," he said.
Ponce de Sousa, her son, and her husband emailed her, hoping that Olsen could understand why the essay question and class discussion were "inherently racist."
"All we wanted was for Miss Olsen or Mr. Wincoop or someone with anti-racism training to come up to the class and tell them why this (essay and class discussion question) was so harmful and how it could be. avoided and treated differently, "said Ponce de Sousa.
Responding to emails from Sousa-Ponce and his parents, Olsen wrote that she was "heartbroken," and her curriculum led to that result. She said she was glad they brought this to her attention and that she was looking for "mentoring from teachers to try to be more effective in the future."
In response to the reporter's questions by e-mail, Olsen said that she "will never intentionally teach anything harmful" and does not plan to teach this lesson again.
"I evaluated my curriculum and made changes so that I would not be misunderstood, as I believe it happened in this case," said Olsen. "I tried to discuss a student's concerns with my class the same day I received an email from Eric Anthony and his mother. I also discussed this issue with my colleagues and the administrator and did my best to fully understand it and respond accordingly. "
Eight Olsen students, including Souza-Ponce, were interviewed as part of the Seattle Schools investigation. Some students recalled how Olsen made a "vague" apology without explaining what the problem was.
Most of the students surveyed did not consider Olsen or her curriculum to be racist, but she made some offensive and inappropriate comments. For example, Olsen said that she liked Malcolm X because he was "eloquent."
"I think it would be offensive because it says, 'Wow, you are really eloquent,' meaning that you can see that these people, or people like him, cannot speak," the student said. interviewed during the investigation.
While investigators did not conclude that Olsen's assignment was racist in its initial findings (Ponce de Sousa and her husband have appealed the decision and are awaiting a response), they found that Olsen said about racial abuse of blacks when she read an excerpt from the book. book out loud to class.
During the apology, Olsen explained how she had "tunnel vision" when she brought her Frankenstein ideas to class and she "asked questions that led people to fallacious and hurtful conclusions," the report said.
Two Seattle County employees, Kathleen Vasquez, a literacy program manager, and Lisa Rice, one of Franklin High School's English teachers, reviewed the incident. They found that the students' responses did not mention the black and brown communities, but they admitted that they could not determine what was said during the class discussion.
After the incident, Olsen took a two-month break from teaching; this year she teaches again.
County officials said they are still identifying "corrective actions."
"We offer our sincere apologies to the students and families involved in this case for the situation they are facing," the statement said. "As a district, we will continue to work hard to ensure that our students receive a quality education that supports their growth and respects their experiences."
Wincoop believes he made the right choice by transferring Sousa-Ponce to a different class, according to a statement that Wincope's union representative sent on his behalf. He also "strives for continuous improvement in matters of race and justice, as well as improvement as an anti-racist educator."
"The facts show that the student made great strides in the same course after the director of Wincoop transferred the student to a new teacher's class," the statement said. "The Wincoop Director is constantly thinking about how to improve his response to such situations in the future, for example, to attract more resources to make additional contributions."
'Deep fundamental flaws'
Souza-Ponce said the incident had a lasting impact on him. He said that after school he felt "defeated" and "every time I talk about it, my pulse quickens, and it overwhelms me." He graduated from Ballard High School in the spring and is now a freshman at Western Washington University.
About a year ago, Addie Svek, who graduated from Ballard High in the spring, launched a petition on change.org urging employees to be held accountable for allegations of sexual harassment, racism, homophobia, and transphobia. It has over 1400 signatures.
Ballard Grad Dhani Srinivasan, now attending college in California, said she saw disturbing racist behavior at school.
"My story is like many of the stories in Ballard (from students of color), and my story shouldn't be the most heard," Srinivasan said. "In Ballard, it was not me who suffered the most. Many black students who don't get the platform I work on today are unable to share their stories because of retaliation and power. "
Souza-Ponce said the incident highlighted "profound fundamental flaws in that our education system fails to protect students of color and other marginalized identities."
Ponce de Sousa said she was "tentatively encouraged" by the outcome, but said the grievance process was time consuming and cumbersome. She believes that the system is designed to make it difficult to make complaints, creating an equality issue for parents who lack the resources or who must overcome language barriers.
"I am a non-black cis man with no language barrier and no accent and I work for the NAACP and it took all the privileges I really have to get to where I am right now where I am. some reaction. started happening, "said Sousa-Ponce. "Colored students are overwhelmingly unheard, our voices are constantly drowned out, and we are constantly punished for speaking for ourselves in the face of horrific racism."
Ponce de Sousa said she spoke to county officials about the fact that there is someone other than Vincup at Ballard High who will be looking at racial justice complaints. The person should be trained in restorative justice and ethics, she said.
Editor's Note: The comment thread for this story is closed to new submissions because too many recent comments violated our Code of Conduct.
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text:
TRAVEL & REGISTRATION ASSISTANCE
AIDC and Screen Australia Indigenous Department are partnering with state agencies Film Victoria, Create NSW, Screenwest, Screen Territory, Screen Queensland, South Australian Film Corporation and Screen Tasmania to bring emerging Indigenous practitioners to AIDC.
During the conference, AIDC will be running for the first time its Indigenous Creators Program, a strand of AIDC 2019 sessions designed specifically for Aboriginal and Torres Strait Islander practitioners.
These sessions, which will be private and open only to Indigenous-identifying delegates, will provide targeted information and skills around pitching, storytelling, funding, legal considerations and distribution.
While the sessions can be attended by anyone identifying as Indigenous, they are aimed at filmmakers who are early-career practitioners across documentary, factual television or interactive non-fiction; and those who have their first or second project ready for the AIDC marketplace.
SESSION 1: Sunday March 3, 16:15 – 17:30
SESSION 2: Monday March 4, 15:45 – 17:00
SESSION 3: Tuesday March 5, 11:30 – 12:45
SESSION 4: Wednesday March 6, 11:30 -12:45
The optional program will be made available to all Indigenous practitioners registered to attend AIDC with an All Access Pass or Focus Pass. AIDC will contact registered Indigenous practitioners with more details relating to the program as well as an invitation to participate in February.
To register for AIDC go to https://www.aidc.com.au/register/passes.
Screen Australia's Indigenous Department is partnering with state agencies Film Victoria, Create NSW, Screenwest, Screen Territory, Screen Queensland, South Australian Film Corporation and Screen Tasmania to assist the attendance of Indigenous practitioners with a limited number of travel grants and registration assistance being made available across the country. For those who would like to seek assistance, click on the READ MORE section below for information on how to apply for funding.
For those applying from Victoria please go to:
https://www.film.vic.gov.au/funding/business-skills-support/#aidc-passes-call-out
Victorian Indigenous practitioners who are regionally based may be eligible for additional travel support via a partnership between Film Victoria and Screen Australia. For more information, contact Jana Blair, [email protected].
For those applying from New South Wales please go to:
http://screen.nsw.gov.au/funding/industry-support/aidc-indigenous-creative-program
For those applying from Tasmania please go to:
https://screentas.smartygrants.com.au/
For those applying from Western Australia please go to:
https://www.screenwest.com.au/funding-support/screenculture-production-company-practitioner-support/#section-aidc-2019-travel-funding
For those applying from South Australia please contact:
Satu Teppo at [email protected]
For those applying from Northern Territory, please contact:
Sebastian Angborn [email protected]
For those applying from Queensland please go to:
https://screenqueensland.smartygrants.com.au/aidc2019indigenous
Image Credit: Elements: Lardil Earth (2018)


As undocumented immigrants grapple with Trump's plan to end DACA, one who should be safe could be deported for a gram of pot.
The pungent scent and smoke of weed mingled with that of jerk chicken on the grill in Brooklyn's Crown Heights on Monday. It was New York's annual Caribbean Carnival Parade, a Labor Day tradition known for drawing up to 2 million spectators. As steel bands and reggae music played from floats, a man worked a sidewalk hawking small clumps of marijuana from a Styrofoam take-out box.
While savoring the festivities, I was grappling with a paradox. New York is not one of the nine U.S. states (including the District of Columbia) to have legalized recreational marijuana use. But if the many police officers there noticed its presence, they weren't bothered.
Back in Des Moines, a 19-year-old has been in jail for five months after being caught with a lump of pot of about one gram — about the size of two bottle caps —- and now faces deportation to Mexico for it.
This is where the politics of marijuana meets the debate over the Deferred Action for Childhood Arrivals (DACA) program. That's the Obama-era policy of granting temporary legal status for immigrants who were brought here as children by their parents, if they apply and meet age and other criteria. But President Donald Trump announced last week he would end the program unless Congress acts. Iowa is one of several states suing Trump over that, saying the action is unconstitutional.
Luis Quintana Alvarez, an East High student who came to the U.S. with his mother and siblings at 11 months old, was granted DACA status. Then a year ago, he was riding in a car to Ames with his cousin when they were stopped for speeding. Police found a gram of marijuana (worth about $10, according to online testimonials) in the car.
Quintana and his attorney, Ta-Yu Yang, say he claimed the pot was his to protect his cousin, a U.S. citizen, from getting kicked out of college. Quintana, who had just turned 18, thought he'd get off easier because of his age.
The pot charge itself resulted in a year of probation, but triggered federal involvement because of his DACA status. That was revoked, he was slated for deportation and denied bail.
More than 100 attend a rally supporting immigration reform in downtown Des Moines following the Trump administration's DACA announcement.
Quintana appealed, arguing a gram of marijuana is not a serious controlled-substance crime as defined by immigration law. People are ineligible for DACA if they've been convicted of a felony, significant misdemeanor or multiple misdemeanors. But Yang says the Immigration and Naturalization Act makes an exception for possession of 30 grams or less of marijuana.
But the appeal was rejected. Yang then filed for asylum on Quintana's behalf, which requires convincing a judge someone would face persecution in the homeland because of race, religion, nationality, political opinions or membership in a particular social group. Quintana's claim is based on a novel argument: that having been a DACA recipient would make him a target for violence and exploitation in Mexico.
Quintana says it would identify him as someone who had residence and family ties in the United States because Mexican cartels are known to target people with U.S. ties for kidnap and ransom demands. Yang says there's not yet a record of that happening because DACA kids have not been deported.
But an immigration judge in Omaha late last month ruled that DACA doesn't qualify as a social group, rejecting that claim.
Last October another Mexican national, Constantino Morales, was deported from Des Moines and shot to death by a cartel in Mexico.
Quintana is American by all obvious measures except his passport. If deported to Mexico, "My world would just be over," he said by phone from the jail Thursday. "...I would feel like a foreigner because I've been here in America all my life. I pledged allegiance from kindergarten to 12th grade."
Despite his ruling, the judge found Quintana "sincere, responsive and forthright." Also testifying for him were his mother, twin brother, and sister (both students at Iowa State University) and a friend.
His mother, who works as a housekeeper and asked not to be identified, told me she is so anxious and depressed about his arrest she is barely able to function. Speaking through an interpreter, she said Quintana was the victim of physical and sexual abuse by his father, and that left him with anxiety and insecurities. The father also abused her and the other children, she said. He left when Quintana was 3 1/2 and hasn't been heard from since.
Quintana said he still suffers emotionally from the abuse. His mother sent him for counseling when he was younger, "but I never opened up to any counselor. I just had so many walls built up." He said he had fallen in with a bad crowd but isn't friends with them anymore. He has long dreamed of playing professional soccer but lately has also been considering law.
Yang is appealing the latest denial to the Board of Immigration Appeals.
Quintana said he has seen people bond out despite much more serious crimes or long criminal histories. "I really don't understand how they could want to deport me, who has been here all his life, over a small amount of marijuana," he said.
There is no good explanation, other than that he's a casualty of immigration politics. Congress needs to pass immigration reform. Meanwhile, let's hope the next judge shows independent judgment, recognizes Luis Quintana has been through enough, and gives him the chance to build a life free from fear in the place he has always known as home.


text:
No second vote if Kingston school budget fails
By William J. Kemble, William J Kemble news, William J Kemble newsfreeman, William J Kemble newsfreemanonline, William J Kemble newsfreemanonline.com, William J Kemble newsfreemanonlinelcom and William J Kembler |
PUBLISHED: April 23, 2009 at 11:25 a.m. | UPDATED: July 22, 2021 at 5:31 a.m.
KINGSTON — The Board of Education on Wednesday adopted a $140.5 million budget proposal for the 2009-10 school year and agreed there will be no second vote on the spending plan if voters reject it. The proposal, adopted 8-0 with one member absent, is $3.87 million, or 2.8 percent, larger than the district's 2008-09 budget; calls for raising the property tax levy by 5.68 percent; and would eliminate about 44{ jobs. In adopting the budget, board members decided there will be no revote on the spending plan, or a revised version of it, if district voters defeat the proposal on May 19. Instead, the board would move to immediately implement an austerity budget. "We would take out non-essential maintenance, we would take out equipment purchases," said Robert Pritchard, the district's assistant superintendent for business and operations. "The tax levy is not going to change significantly (from the budget that will be on the May 19 ballot), but it will be damaging because there will be things like not allowing the (to be used by the public) for free. I think that will be hurtful to the community." Prior to revisions that were made last week, the budget called for a 6.78 percent increase in the property tax levy. The board knocked more than a percentage point off that figure by moving money from the district's fund balance to its general fund; reducing the amount of money in a fund that serves as a reserve for contract negotiations; and adjusting upward the district's projected revenues for the 2009-10 school year. KEY ELEMENTS of the budget that was adopted on Wednesday include: o Teacher costs: $41.5 million, up $145,758, or 0.35 percent, from 2008-09. o Employee benefits: $37.21 million, up $2.35 million, or 6.73 percent. o Educating students with disabilities: $21.78 million, up $752,432, or 3.58 percent. o Central services: $7.86 million, up $74,097, or 0.95 percent. o Pupil transportation: $7.45 million, down $80,628, or 1.07 percent. o Operations: $5.27 million, up $136,480, or 2.66 percent. o Instructional administration and improvement: $4.46 million, up $194,189, or 4.55 percent. o Occupational education: $2.9 million, up $110,512, or 3.95 percent. o Maintenance: $2.38 million, down $11,071, or 0.46 percent. o Guidance: $1.49 million, up $63,903, or 4.48 percent. o Health services: $1.26 million, down $1,367, or 0.11 percent. THE BUDGET also calls for $51.92 million in state aid, which is $292,201, or 0.57 percent, more than the district received for the 2008-09 school year.
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Explore : war
How the U.S. Designed Overseas Cemeteries to Win the Cold War
From France to the Philippines, Stunning Landscapes of Infinite Graves Displayed American Sacrifice and Power
by Kate Clarke Lemay
Americans commemorate our fallen soldiers differently than other countries do. You can see the difference most clearly overseas. While innumerable war cemeteries in Europe and the Philippines account for the dead from all participating nations of World War I and World War II, only the American war cemeteries feature highly designed landscapes and major works of art and architecture.
The decision to build these monuments and place them in park-like cemeteries reflects the Cold War of the 1950s as much as …
The Union Army Regiment That Survived Andersonville
Defeated and Humbled in Battle, the 16th Connecticut Volunteers Gained a Measure of Redemption by Enduring a Year in a Brutal Confederate Stockade
By Lesley J. Gordon
More than 40 years after the Civil War ended, machinist George Q. Whitney, formerly a private in the 16th Connecticut Volunteer Infantry, helped to dedicate a monument to his state's prisoners of war. The statue, nicknamed "Andersonville Boy," was a duplicate; the original had been erected at the site of the former Confederate prison in Andersonville, Georgia in October 1907. Whitney told a crowd assembled in Hartford that, "many of you know nothing of the Men whom I represent, so …
The Sarcastic Civil War Diarist Who Chronicled the Confederacy's Fall
Raised in Plantation Privilege, Mary Boykin Chesnut Was Unprepared for the Trauma of War and Defeat
By Mary DeCredico
"February 18, 1861…. I do not allow myself vain regrets or sad foreboding. This Southern Confederacy must be supported now by calm determination and cool brains. We have risked all, and we must play our best, for the stake is life or death."
With that entry, Mary Boykin Chesnut began her diary, chronicling the momentous four years that encompassed the American Civil War. Chesnut's diary is one of the most significant and intimate sources for understanding the Southern Confederacy. Chesnut …
The Black Nurses Who Were Forced to Care for German Prisoners of War
Prohibited From Tending to White GIs, the Women Felt Betrayed by the Country They Sought to Serve
By Alexis Clark
On the summer afternoon in 1944 that 23-year-old Elinor Powell walked into the Woolworth's lunch counter in downtown Phoenix, it never occurred to her that she would be refused service. She was, after all, an officer in the U.S. Army Nurse Corps, serving her country during wartime, and she had grown up in a predominantly white, upwardly mobile Boston suburb that didn't subject her family to discrimination.
But the waiter who turned Elinor away wasn't moved by her patriotism. …
The Revolutionary War Couple Who Shed Their British Loyalty—One Letter at a Time
Henry and Lucy Knox Sacrificed Family, Home, and Beliefs to Adopt Their New American Identity
By Phillip Hamilton
In late 1783, General Henry Knox, formerly a bookseller from Boston who had become a trusted military subordinate to George Washington, wrote the first draft of an address to be presented to the commander-in-chief by his officers. Their Revolution won, the Continental Army's leaders wanted to express their heartfelt gratitude to the general, "under whose auspices," as Knox wrote, "the Army have been led to glory and victory, and America to Freedom and Independence." Young Knox also urged his comrades …
When the Great War Reached Wisconsin, Free Speech Was the First Casualty
President Wilson's Government Criminalized Dissenters, Socialists, and German Immigrants as Traitors
By Richard L. Pifer
Woodrow Wilson did not want to go to war. On two different occasions during the weeks leading to the 1917 declaration of war that brought the United States into World War I, the president expressed reservations regarding the course he was contemplating.
Because war is autocratic, he feared that free speech and other rights would be endangered. The President told Frank Cobb of the New York World: "Once lead this people into war, and they'll forget there ever was such …
The Reporter Who Helped Persuade FDR to Tell the Truth About War
After Witnessing the Bloody Struggle with Japan, Robert Sherrod Thought the Public Should Face the 'Cruel' Facts
By Ray E. Boomhower
Betio, part of the Tarawa Atoll, is a small, bird-shaped island along the equator in the central Pacific. Early in the morning on November 20, 1943, elements of the Second Marine Division boarded tracked landing vehicles ("amtracs") and headed for Betio's beaches. As part of an operation codenamed Galvanic, the Marines hoped to clear the heavily defended island of Japanese forces under the command of Rear Admiral Keiji Shibasaki and capture its vital airfield. The Japanese commander had boasted to …
In Atlanta, Honoring Two Civil War Generals Opens a Discussion on Race and History
Restoring Twin Monuments to the Blue and Gray Unites a Changing Neighborhood
By Henry Bryant
One hundred and fifty years ago, my colorful East Atlanta neighborhood sat two miles outside of the city limits. By July 22, 1864, Union troops had set up their front lines along a trail that later became our main street. When the Confederates decided to bring the fight to their enemy, these quiet woods became the location of the devastating Battle of Atlanta, where some 12,000 men were killed—including, rather unusually, two opposing generals.
Today, a short walk from my house, …
The American Revolution Story Has a Hole the Size of Spain
While the Marquis de LaFayette Gets a Share of the Glory, Names Like Gardoqui and Gálvez Are All But Forgotten
By Larrie D. Ferreiro
Americans like to think of our nation as exceptional in nature, a dramatic break from all that came before it. Being exceptional, it's inconvenient to acknowledge that two European powers provided invaluable assistance in our struggle for independence from Britain. So we usually don't. The American origin story thus has scrappy colonists fighting the British alone, with little outside help except for France's Lafayette, and a cameo by General Rochambeau at the very end. But Americans could have never won …
Coming of Age Under a Flying Fortress
Being a Teenager in L.A. During World War II Meant Blackouts, Rations, and B-17 Bombers
By Manuel H. Rodriguez
That Sunday, as on most Sundays, the family was gathered around the kitchen table listening to the radio. It was too early in the day for drama and comedy programs so we listened to a music show. The date was December 7, 1941. I was 11 years old.
"We interrupt this program to bring you this important news bulletin, 'The Japanese have attacked Pearl Harbor by air, the White House announces!'"
The world war that followed was …


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How Rhode Island Fell to the Coronavirus
by LessDaily.Com March 7, 2021, 2:14 am 1.9k Views
PROVIDENCE, R.I. — The numbers started ticking up in September. After a quiet summer season, medical doctors at Rhode Island Hospital started seeing one or two sufferers with Covid-19 on every shift — and shortly three. Then 4.
Circumstances climbed steadily till early December, when Rhode Island earned the doubtful distinction of getting extra circumstances and deaths per 100,000 individuals than some other state within the nation. The case charge nonetheless places it among the many high 5 states.
The place did this tightly knit state go fallacious? Former Gov. Gina Raimondo's "pauses" on financial exercise have been short-lived and partial, leaving open indoor eating, buying malls and bowling alleys. However the shutdowns have been no patchier than these in lots of different states.
Till late summer season, she was lauded for reining within the virus. Even now, few residents blame her for the grim numbers. (Ms. Raimondo was sworn in because the secretary of commerce on Wednesday evening.)
Specialists level as an alternative to myriad different elements, all of which have performed out elsewhere within the nation however converged into an even bigger disaster right here.
The autumn chill despatched individuals indoors, the place threat from the virus is highest, and the vacations introduced individuals collectively. Rhode Island is tiny — you possibly can traverse it in 45 minutes. However crammed into that smallish space are one million individuals, for a inhabitants density second solely to that of New Jersey. If everybody on this planet is linked by six levels of separation, Rhode Islanders appear to be linked by possibly two.
Central Falls, the epicenter of Rhode Island's epidemic, has a density of 16,000 individuals per sq. mile, virtually twice that of Windfall. "Simply think about, 16,000 individuals per sq. mile — I imply, that's superb," mentioned Dr. Pablo Rodriguez, a member of the federal government committee that guides Covid vaccine distribution in Rhode Island. "It doesn't take a lot for the spark to create an outbreak."
Other than its density, Rhode Island has a excessive share of aged residents in nursing houses, accounting for the majority of deaths. Packed into the state are a number of city areas — Central Falls, Pawtucket, Windfall — the place language obstacles, distrust and jobs have left immigrant households in multigenerational houses significantly weak. The state can be house to a number of schools that set off chains of an infection within the early fall.
For months, the hospitals in Rhode Island have been understaffed and overwhelmed. Docs and nurses have been attempting to deal with rising caseloads, usually with out the protecting tools they wanted, with continuously shifting pointers and with their very own resilience stretched to the restrict.
Dr. Megan Ranney, a researcher and public well being advocate, can be an emergency room doctor at Rhode Island Hospital who has witnessed the complete scope of the state's disaster firsthand. What she noticed unfold over a single shift presents a window into what occurred.
Plowing Via It
Someday in late December, because the disaster reached new heights, Dr. Ranney girded for an extended eight-hour shift. The sores behind her ears, the place her glasses and the straps of the N95 and surgical masks dug in, nonetheless had not healed. However how might she complain, Dr. Ranney mentioned, when her medical residents "eat, sleep, breathe Covid" 5 days per week?
The sufferers had it worse, she knew. Anxious and remoted, they turned much more discomfited by the masked and unrecognizable medical doctors and nurses dashing round them. Throughout Dr. Ranney's shift the prior week, she had seen a broad spectrum: aged individuals on a downward spiral, in any other case wholesome younger Latino males, Cape Verdean immigrants with restricted English comprehension.
These demographics are partly what made Rhode Island significantly inclined, mentioned Dr. Ashish Jha, dean of the Faculty of Public Well being at Brown College in Windfall: "Plenty of poverty, and loads of multigenerational poverty."
As in a lot of the nation, the Latino neighborhood has borne the brunt of the epidemic. In Rhode Island, Latinos have 6.7 instances the chance for hospitalization and a pair of.5 instances the chance of demise, in contrast with white individuals.
Within the days earlier than her shift, Dr. Ranney had been working in part of the hospital meant to take care of non-Covid circumstances. However even individuals with different illnesses, like ankle fractures, turned out to be optimistic for the virus, she discovered.
"I by no means know from each day how dangerous the surge can be," she mentioned. "I've simply acquired to plow by means of it."
It turned out to be a very busy day. "The E.R. is full, the hospital is full, the intensive care unit is full," Dr. Ranney mentioned. "All of our models are transferring as rapidly as they'll, however the sufferers hold coming in."
Each time she took off masks throughout a shift, she ran the chance of contaminating herself. She had had 4 cups of espresso earlier than this shift, and nothing since.
The typical age of the sufferers that evening was about 70. One aged girl who had hassle respiratory couldn't isolate as a result of she lived together with her kids and grandchildren. At any charge, she arrived on the hospital 10 days into her sickness, too late for isolation to matter.
March 7, 2021, 9:35 p.m. ET
Rhode Island's epidemic has been disastrous for immigrant households in multigenerational households. "How do you isolate from somebody when you have got one lavatory?" Dr. Ranney mentioned.
It's an issue all through this numerous state. When Djini Tavares, 60, turned contaminated in July, she was ready to spend about $120 an evening at a resort — a sum many in her Cape Verdean neighborhood can not afford — to isolate from her weak 86-year-old father.
Even earlier than the pandemic, Ms. Tavares was fastidious about hygiene, holding mounds of wipes and cleansing provides in the home always. She couldn't think about the place she had picked up the virus. The lack of her godmother and a buddy to Covid-19 had shaken her.
Cape Verdeans are a close-knit neighborhood, and never having the ability to mourn the useless has been painful, Ms. Tavares mentioned: "Culturally, I feel it's inflicting us to harm much more."
On her shift, Dr. Ranney encountered Covid-19 sufferers who had blood clots or coronary heart issues, or who nonetheless wanted oxygen weeks after their analysis. Many sufferers had been very cautious — or mentioned they'd — however have been contaminated after a member of the family introduced the virus into the family.
The story is advised too usually in Rhode Island. Abby Burchfield, 58, misplaced her mom and stepfather to Covid-19 inside days of one another at an assisted dwelling heart in New Jersey in April. Devastated and afraid, she and her household stayed away from eating places, washed their fingers usually, and tried to put on masks in every single place. It wasn't sufficient.
Ms. Burchfield's youthful daughter, Lily, 21, turned contaminated at her faculty in Virginia in August and was hospitalized. Then, in late October, her husband, Jimmy, 58, caught the virus from a co-worker who was contaminated however didn't put on a masks.
Regardless of Ms. Burchfield's greatest efforts she, too, was contaminated. She was hospitalized after she collapsed all of a sudden within the household kitchen. She recovered, however her husband, who was additionally admitted to the hospital, nonetheless has no style, a restricted sense of odor, and persevering with fatigue.
"My greatest worry proper now could be defending my older daughter," Ms. Burchfield mentioned.
Office exposures have particularly harm the Latino and Cape Verdean neighborhood, a lot of whom maintain jobs that can not be performed from house. However in state surveys, it additionally turned apparent that folks nonetheless have been holding get-togethers of 15 to twenty individuals even because the virus unfold, mentioned Dr. James McDonald, medical director of the Covid-19 unit on the Rhode Island Division of Well being.
What You Must Know In regards to the Vaccine Rollout
"Individuals weren't prepared to reside otherwise throughout the pandemic," he mentioned.
Dr. Ranney mentioned there have been a number of such circumstances within the emergency room that evening.
"It's irritating to see sufferers are available in from automobile crashes after they weren't sporting a seatbelt, or to see sufferers with a firearm damage as a result of the firearm wasn't saved safely," she mentioned. "It's like that to see people with Covid."
The Masks 'Have been Disgusting'
Some nights in emergency drugs, the diagnoses and coverings are instantly apparent.
However on this shift, Dr. Ranney mentioned, "there was very, little or no that was simple or clean." Plenty of sufferers with substance abuse issues appeared, in addition to individuals with psychological sickness who had develop into a hazard to themselves. And "we're seeing lots of people who're simply lonely," she mentioned.
Dr. Ranney would get a respite, however many medical residents and nurses in Rhode Island have been already burning out. Some felt that hospital directors had not protected them.
Early within the pandemic, most well being care employees in Rhode Island, as in different components of the nation, didn't have N95 masks. The masks are single-use, however when the nurses obtained an N95 every, they have been requested to position them in paper luggage on the finish of their shift and put them again on once more the following day.
"They stunk, they have been slimy, they have been disgusting. They made your face get away," mentioned a nurse at Rhode Island Hospital, who spoke on situation of anonymity as a result of the hospital had instructed workers to not communicate to the information media.
If a strap broke, the masks can be returned with new straps stapled on. "The staples would dig into your face," the nurse mentioned.
Many nurses acquired simply 40 hours of sick time a 12 months, which roughly translated to a few 12-hour shifts; a fourth time out would possibly earn a reprimand.
Due to this, many nurses weren't examined, and a few got here to work even after they have been sick. At Eleanor Slater Hospital in Cranston, R.I., ailing employees members led to an outbreak of not less than 29 workers and 9 sufferers. It's a phenomenon seen in hospitals all through america.
The foundations for sufferers don't at all times accord with the science, mentioned one nurse at Rhode Island Hospital. At first, the hospital didn't enable anyone up from the E.R. till take a look at outcomes have been again. However as the primary surge ebbed, the foundations turned lax.
Sufferers have been despatched up with pending take a look at outcomes, probably exposing different sufferers in addition to the nurses who cared for them. After treating one such affected person, not less than 9 nurses examined optimistic for the virus, the nurse mentioned.
The coverage at most hospitals in Rhode Island now could be to have well being care employees put on N95 respirators or related reusable masks always, and to check anybody suspected of getting Covid-19. However that doesn't account for sufferers who is likely to be asymptomatic and who are available in for different illnesses.
Rhode Island has adopted one uncommon method: Officers are distributing vaccines to anybody who will take them in Central Falls, no matter age. It's a method that few different jurisdictions have tried.
"We determined to do this due to the horrific toll of the pandemic in these communities," mentioned Dr. Rodriguez, the vaccine committee member. Twenty p.c of the grownup residents have obtained not less than one dose at native clinics, not together with those that might have been immunized at work or elsewhere.
The state's plan to immunize these at highest threat by age and geography, he added, "will put out the hearth the place it's burning probably the most intensely."
In latest weeks, the variety of circumstances in Rhode Island have fallen, as they've in the remainder of the nation. And fewer well being care employees are getting sick as a result of they've been immunized, so hospital shifts are higher than they was once, Dr. Ranney mentioned.
However circumstances within the state are nonetheless the third highest per capita within the nation. And medical doctors are persevering with to see sufferers who've so-called lengthy Covid, she mentioned: "The difficulty is that after sufferers get admitted, they don't go away."
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Adobe After results is the trade-common for desktop video publish-creation purposes, however does After consequences CS5 deliver enough new to the desk to justify an improve? They wreck it down in this evaluation.
For those uninitiated, Adobe's After consequences is an immensely effective piece of utility that any budding video zealot should soundless acquaint themselves with in a rush. while top of the line received many aspects from After consequences when it went professional (together with advanced keying and matte capabilities among many other video consequences), and you'll regain a fitting volume of grunt labor performed in top-rated professional or last reduce pro, After effects is industry generic for a cause.
It's actually impossible to articulate every Little thing After consequences CS5 can do. It's advantageous for animation (a minuscule note for a vast array of features), for cleaning up compositing and matte work, in-depth color-correction, and extra. chances are if you're gazing television and you discern loopy, glowing animation in commercials, as a minimum a few of it turned into wrung through After consequences.
I've additionally organize After outcomes CS5 profitable for my own work. I comfortably can't endure enough money to finance my filmmaking on some grandiose scale. So when i want a bunch of americans for a picture, or a scene to occupy region someplace that doesn't exist, (see left) i will subsist able to shoot a number of americans on a blue monitor, matte out the blue, Put a time-lapsed video of clouds relocating in the heritage, Put each person together, and presto. Does it appear ultimate? No. however does it regain the job done?
in addition, my faculty with After results is relatively insignificant compared to what I've considered some americans do; render explosions, flames, lightning, and even endure it look halfway good. a friend of mine Put collectively a complete lightsaber fight in After consequences and truthfully, the lightsabers scrutinize fairly rattling decent. So suffice to say, After consequences is marvelous, highly positive, and on the identical time in dire exigency of an replace.
When Adobe dropped CS4 and brought with it a sixty four-bit version of Photoshop, my massive query become…where's their 64-bit video enhancing utility? It's bona fide the megapixel race keeps elevating the sheer measurement of uncooked photo files, however the leap from ordinary definition to unreasonable definition video has been nothing in exigency of devastating. It's actual that lots of the video being edited on a laptop is compressed in some vogue, however prerogative here's the element: it has to subsist uncompressed at some point, too. You furthermore deserve to sound that video in remembrance along with the entire tweaks you're doing with it.
In most excellent seasoned you may probably regain away with just letting the program expend the 2GB of RAM and contact it a day. many of the labor you're going to execute there can subsist minor animation or color correction. but in something fondness After outcomes? gold gauge professional permits you to play again your photos in true time, simplest gradually genesis to chop when your processor simply can't address the weight. After effects doesn't labor that approach.
I harp continually in regards to the leap to 64-bit and how "omigosh brilliant" it is, however After effects CS5 is the first set you're going to definitely contemplate it. should you're doing labor in AE, you utilize what's known as a "RAM preview." The application renders out portion of your composition (despite the fact a entire lot you've chosen) to RAM so that you can discern it the way it will ultimately appear. This turned into high-quality for ordinary definition video, for the judgement that an excellent fifteen or thirty seconds of as a way to slot in the 2GB of RAM a 32-bit application is going to confine you to.
excessive definition video brings the application to its knees. I've achieved composites in 1080p which endure gotten maybe ten seconds of footage to fitting into RAM tops. If any software in Adobe's inventive Suite essential to depart 64-bit, After outcomes did with a vengeance, and that's going to subsist the large draw for CS5.
Adobe delivered a brace of extra points, usually involving tweaks in how it handles rudimentary 3D animation along with streamlining the common procedure of the usage of the utility. They've delivered extra capitalize for tapeless editing for extra codecs, carrying on with the Adobe tradition of being in a position to edit very nearly anything else.
I'll sever to the chase: After outcomes CS5 is value purchasing for the 64-bit executable on my own. in case you've ever used After effects, and you honestly don't keeping about anything else that's been added (and indeed, CS5 is in the main refinements outside of that), going sixty four-bit is going to subsist a tremendous boon for you. Hope you upgraded to 8GB of RAM on your laptop when it turned into more affordable (however in case you're working off a computing device with simply two slots for RAM you had been probably screwed on rate to start with), as a result of After consequences will soak it up fondness a sponge. I remember seeing the 4GB I had when i was the usage of CS4 redline the rapid I clicked "render." Now at least I don't must scrutinize at various render any set immediate as often.
I've additionally organize After consequences CS5 to subsist snappier general, and while I went from an Intel Core 2 Quad Q6600 at 3 GHz to an Intel Core 2 Quad Q9650 at three.6 GHz in the intervening period between principal compositions, testing CS5 has in spite of this proven a much more massive evolution in render times than can subsist attributed to the quicker processor.
I did try the one massive characteristic Adobe touts with CS5, the Roto Brush, which means that you can in reality colour out portion of your photograph and the application mattes round it. It's very specific, will occupy extra experimentation, and isn't the sort of freakish witchcraft the content material-conscious Fill in Photoshop CS5 is, however appears fondness it has the talents to subsist an exceptionally valuable tool for handling frustrating matte work.
I've gone on without End about sixty four-bit for this evaluate, however there's a fine explanation why. After consequences CS5 remains more often than not unchanged from CS4 other than offering enhanced performance and a just a Little extra streamlined workflow. Being in a position to exploit greater than 2GB of RAM makes a massive change in the program's gauge functionality and usefulness, even though. i contemplate that by means of making that jump, it helped Adobe multiply the application's threading enormously, permitting it to greater occupy abilities of further processing cores. CS4 brought superb parallelization to the complete suite, providing near-linear improvements in efficiency with the addition of each core in most commandeer and After results, but the extra RAM afforded in CS5 really helps solidify these advancements.
in case you don't expend After results but are a budding video enthusiast, it's value trying out. For After consequences CS4 users, After results CS5 is a exigency to-buy. It's pricy, but if you're spending that a lot you may are looking to max out the RAM for your simple laptop whilst you're at it. You're going to want it.
examine more in the full article here.
MacDailyNews Take: inaccurate tidings is eyeing a potential realm day.
Adobe has launched After effects CS5, a brand new version of its professional utility for movement photographs designers and visible results artists.
The software is now 64-bit indigenous to occupy talents of the total reminiscence of the CPU, even when users are engaged on excessive-resolution projects.
a new Roto shave tool, which works in a similar vogue to the short alternative tool in Photoshop, means that you can easily segregate foreground facets in tangled scenes.
After consequences CS5 aspects indigenous sheperd for the brand new AVC-Intra 50 and AVC-Intra one hundred codecs, as well as improved indigenous sheperd for photos from purple cameras.
The new version also&#one hundred sixty;presents an auto-keyframe mode, supports customized colour look to be-up tables, comprises an up-to-date version of simulated Aperture's color Finesse 3 LE colour correction tool, and now contains the Digieffects FreeForm plug-in.
After effects CS5 includes an upgraded edition of Mocha for After results, a planer monitoring gadget that ships in the box, as neatly because the Mocha shape plug-in, which permits you to expend tracking information in new approaches.&#a hundred and sixty;the brand new Mocha free up furthermore comprises the capacity to exercise action tracking at hand-drawn masks.
covered for the primary time in After outcomes CS5 is the Mocha profile plug-in, which lets you reproduction and paste dissimilar action-tracked masks from Mocha to any After effects layer, whereas conserving every bit of their qualities. this is profitable for shots that contain digital camera movements or affecting objects that require overlaying.
Adobe After effects CS5 is $999 with an better fee of $299. it's additionally accessible as portion of the production top class and grasp collection.
Soundbooth CS5, an better of the suite's audio editing program, offers improvements in multitrack modifying and an improved library of royalty-free sounds and sound outcomes.
Soundbooth CS5 points an more desirable workflow in multitrack edit mode, the set which you can combine and edit multitrack projects quicker and with extra handle. you can resize tracks to view complete multitrack initiatives without leisurely or zoom in on selected tracks. split, movement, and copy audio clips more comfortably with improved clip editing to improved align clips to selected elements in a scene, or movement clips between distinct tracks.
Soundbooth CS5 now offers entry to an improved useful resource principal (an Adobe online carrier) panel, where more than 10,000 sound outcomes and more than a hundred thirty customizable Soundbooth rankings are available.
Soundbooth is $199, with an better cost of $99. or not it's furthermore purchasable as portion of the creation top rate and master collection.
each After results CS5 and Soundbooth CS5 ship within 30 days.
This story, "After effects CS5 elements New Roto Brush" changed into at the start posted by way of Macworld.
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Adobe After Effects is the industry-standard for desktop video post-production applications, but does After Effects CS5 bring enough new to the table to justify an upgrade? They shatter it down in this review.
For those uninitiated, Adobe's After Effects is an immensely powerful piece of software that any budding video enthusiast should acquaint themselves with in a hurry. While Premiere acquired many features from After Effects when it went Pro (including superior keying and matte functions among many other video effects), and you can regain a sound amount of grunt labor done in Premiere Pro or Final sever Pro, After Effects is industry gauge for a reason.
It's honestly impossible to articulate everything After Effects CS5 can do. It's useful for animation (a minuscule word for a vast array of functions), for cleaning up compositing and matte work, in-depth color-correction, and more. Chances are when you're watching television and you discern crazy, glowing animation in commercials, at least some of it was wrung through After Effects.
I've furthermore organize After Effects CS5 invaluable for my own work. I simply can't afford to finance my filmmaking on some grandiose scale. So when I exigency a bunch of people for an image, or a scene to occupy set somewhere that doesn't exist, (see left) I can shoot a few people on a blue screen, matte out the blue, Put a time-lapsed video of clouds affecting in the background, Put everyone together, and presto. Does it scrutinize perfect? No. But does it regain the job done?
Moreover, my skill with After Effects is pretty insignificant compared to what I've seen some people do; render explosions, flames, lightning, and even endure it scrutinize halfway decent. A friend of mine Put together an entire lightsaber battle in After Effects and honestly, the lightsabers scrutinize pretty damn good. So suffice to say, After Effects is awesome, incredibly useful, and at the identical time in dire exigency of an update.
When Adobe dropped CS4 and brought with it a 64-bit version of Photoshop, my large question was…where's their 64-bit video editing software? It's upright the megapixel race keeps raising the sheer size of raw image files, but the jump from gauge definition to high definition video has been nothing short of devastating. It's upright that most of the video being edited on a computer is compressed in some fashion, but here's the thing: it has to subsist uncompressed at some point, too. You furthermore exigency to fitting that video in remembrance along with every bit of the tweaks you're doing with it.
In Premiere Pro you could probably regain away with just letting the program expend the 2GB of RAM and convene it a day. Most of the labor you're going to execute there will subsist minor animation or color correction. But in something fondness After Effects? Premiere Pro lets you play back your footage in true time, only gradually starting to chop when your processor just can't exploit the load. After Effects doesn't labor that way.
I harp constantly about the jump to 64-bit and how "omigosh amazing" it is, but After Effects CS5 is the first set you're going to really feel it. When you're doing labor in AE, you utilize what's called a "RAM preview." The program renders out a portion of your composition (however much you've selected) to RAM so that you can discern it how it will finally look. This was Great for gauge definition video, since a fine fifteen or thirty seconds of that will fitting in the 2GB of RAM a 32-bit program is going to confine you to.
High definition video brings the program to its knees. I've done composites in 1080p that endure gotten maybe ten seconds of footage to fitting into RAM tops. If any program in Adobe's Creative Suite needed to depart 64-bit, After Effects did with a vengeance, and that's going to subsist the large draw for CS5.
Adobe added a brace of extra features, mostly involving tweaks in how it handles rudimentary 3D animation along with streamlining the overall process of using the software. They've added additional support for tapeless editing for more formats, continuing the Adobe tradition of being able to edit virtually anything.
I'll sever to the chase: After Effects CS5 is worth buying for the 64-bit executable alone. If you've ever used After Effects, and you honestly don't keeping about anything else that's been added (and indeed, CS5 is mostly refinements outside of that), going 64-bit is going to subsist a major boon for you. Hope you upgraded to 8GB of RAM in your workstation when it was cheaper (although if you're working off a notebook with just two slots for RAM you were probably screwed on charge to initiate with), because After Effects will soak it up fondness a sponge. I remember seeing the 4GB I had when I was using CS4 redline the instant I clicked "render." Now at least I don't endure to test render anywhere near as frequently.
I've furthermore organize After Effects CS5 to subsist snappier overall, and while I went from an Intel Core 2 Quad Q6600 at 3 GHz to an Intel Core 2 Quad Q9650 at 3.6 GHz in the intervening period between major compositions, testing CS5 has nonetheless shown a far more substantial improvement in render times than could subsist attributed to the faster processor.
I did try the one large feature Adobe touts with CS5, the Roto Brush, which allows you to basically color out a portion of your image and the program mattes around it. It's very particular, will occupy more experimentation, and isn't the kindly of freakish witchcraft the Content-Aware Fill in Photoshop CS5 is, but it looks fondness it has the potential to subsist an extremely useful tool for handling troublesome matte work.
I've gone on ceaselessly about 64-bit for this review, but there's a fine judgement why. After Effects CS5 remains mostly unchanged from CS4 apart from offering improved performance and a slightly more streamlined workflow. Being able to address more than 2GB of RAM makes a massive contrast in the program's overall functionality and usability, though. I suspect that by making that jump, it helped Adobe better the program's threading tremendously, allowing it to better occupy odds of additional processing cores. CS4 brought excellent parallelization to the entire suite, offering near-linear improvements in performance with the addition of each core in Premiere and After Effects, but the extra RAM afforded in CS5 really helps solidify those improvements.
If you don't expend After Effects but are a budding video enthusiast, it's worth trying out. For After Effects CS4 users, After Effects CS5 is a must-buy. It's pricy, but if you're spending that much you may want to max out the RAM in your primary workstation while you're at it. You're going to exigency it.
In 2010, Adobe introduced one of Photoshop's first upright 'smart' features: A tool called Content-Aware Fill that could intelligently remove and supersede objects in a scene.
Today, Adobe is now bringing a version of that tool to its compositing software, After Effects, that does essentially the identical thing but on affecting video clips, which is far more challenging.
One of the many reasons Adobe's photography and video software has remained so preeminent over the years is the company's hefty investment in research and development, and the fact that many of the seemingly magical automated tools born from its R&D efforts actually manufacture their way into its software.
Admittedly, when it was initially rolled out in Photoshop CS5, Content-Aware Fill rarely worked as effortlessly or flawlessly as it appeared to in the company's demos. But over time, and several versions of Photoshop, the tool was refined and improved to the point where, more often than not, its automated corrections became impossible to detect.
Adobe is now bringing Content-Aware Fill to After Effects, its digital compositing software that can subsist used for everything from creating animated graphics, to integrating CG animations with live footage, to replacing green screens. But intelligently erasing and replacing a portion of a static image is one thing; doing it on a video, across multiple frames of changing content, is an entirely other challenge.
Adobe says it's made practicable by not only the improvements made to the original Photoshop version of the tool over the years, but furthermore by Adobe's Sensei platform; the company's AI and machine learning framework introduced a few years ago that now powers many of the company's apps.
Photoshop CS5's Content-Aware Fill tool handled every bit of of the image processing on the local machine—which limited its capabilities—but the latest version of After Effects Creative Cloud should subsist able to pass at least some of the image processing workload to the AI in the cloud, which is ever-improving.
Removing an remonstrate from a video won't subsist as straightforward a process as it is for a photo. Users will endure to create masks that define the region of a video that's to subsist erased, either using hand-animated or painted masks, or After Effects' automated tracking tools. It will subsist even more challenging for the software, as regions of a frame it uses to fill in holes after an remonstrate is removed might not actually soundless subsist in frame a few seconds later.
So for optimal results, AE furthermore allows a user to point the software to specific areas of a frame that will subsist best suited as filler for holes, or users can create reference soundless frames in Photoshop, that AE will expend to sheperd its own edits.
Don't expect flawless results prerogative away, but over time this will undoubtedly become a powerful, and potentially controversial, tool. If you settle to rush for office in 2020, there's probably a few karaoke videos you wouldn't judgement disappearing from.
After Effects CS5 is Adobe's powerful motion graphics software for designers and visual effects artists. The program is one of three in the new version of Adobe's Creative Suite to depart 64-bit native, taking full odds of the multi-core processors and expanded RAM capacity of the newest Macs.
The new version introduces some high-end features: The Roto shave tool lets you easily segregate foreground elements in tangled scenes. It furthermore features indigenous support for the new AVC-Intra 50 and AVC-Intra 100 codecs, as well as expanded indigenous support for RED camera footage.
It furthermore offers an auto-keyframe mode, supports custom color look-up tables, includes an updated version of Synthetic Aperture's Color Finesse 3 LE color correction tool, and now includes the Digieffects FreeForm plug-in.
The most significant feature of this update is the 64-bit indigenous performance boost Adobe has given After Effects CS5. Adobe engineers endure touted 20 to 40 percent shorter render times on single-core machines and 30 to 50 percent shorter render times on multi-core processors.
My personal comparisons for RAM previews on similar projects, on the identical MacBook Pro (a 2.6GHz Intel Core Duo with 4GB of RAM) gave me an incurious of about 35 percent faster RAM previews and project rendering time. RAM usage is optimized to give you longer RAM Previews too. This is huge tidings for post-production and motion graphics pros, especially if you endure a loaded multi-core workstation.
One caveat: you must subsist running OS X 10.5.7 for After Effects CS5 to install. And you will exigency to upgrade every bit of of your third-party plug-ins to 64-bit versions, which will most assuredly cost you extra--and that's assuming the plug-in manufacturer has a 64-bit version available.
After Effects is not backward compatible with older versions, so it's a fine thought to sustain your copy of After Effects CS4 installed so you can labor on your existing projects and access your 32-bit plug-ins.
As the popularity of tapeless HD digital video workflows increases, so execute the demands for post-production to accommodate these new formats with a minimal amount of pre-processing and data wrangling. After Effects CS5 can now read indigenous AVC-Intra files from Panasonic's P2 cards, and raw R3D (RED Cam) footage. With improved color management and the included plug-ins fondness Synthetic Aperture's Color Finesse 3 and Apply Color LUT, it's effortless to add these indigenous formats to your production directly from the source.
The most publicized new feature in After Effects CS5 is the Roto shave tool. At first glance, it appears similar in role to the worn Photoshop Extract plug-in, but it works much differently, since it spans several frames of footage at a time. You start by selecting the foreground remonstrate with broad strokes of the green brush, and then reduce the shave size to pick up stray elements such as edge highlights, hair, ears, and so forth. Then expend the red shave to identify the background.
When you first apply the Roto shave tool to a footage sequence, it creates a keyframe point and then looks for edges and changes across several frames forward and backward from the point at which you apply it. You can manufacture adjustments on each frame as needed, but mastering this workflow takes time and practice. I was able to expend the Roto shave tool on about 20 shots for a commercial in which I needed to execute color grading on the background. After working on the first few shots, I was continuing to perfect my process.
The new Refine Matte effect, which is furthermore applied when you expend the Roto shave tool, can subsist used with any matte layer as a standalone effect. It affects edge smoothness, feathering, chatter, and even motion blur--which is critical when matting people and objects when they're moving. The only downside is that the Roto shave is looking at pixels in a sequence, instead of drawing vectors that can easily be edited along the timeline. A simple change on one frame may affect 10 to 15 frames after it, so it's best to create short sections of about 15 frames instead of a full footage sequence from the beginning. Also, don't expect the identical property matte results that you would regain from shooting your theme against a green screen.
Depending on your footage, if you endure a sedulous background or the lighting is uneven and dark, the Roto shave tool has a arduous time distinguishing between foreground and background. Locked-off shots with a soundless background and contrasting colors and lighting look to labor best. This tool is Great for separating your foreground elements from the background to apply affects and execute simple composites and color grading, but it won't labor miracles and it is soundless quite time-consuming to achieve a fine extraction.
Mocha for After Effects CS5 v2 ships as a standalone application along with Mocha Shape for creating roto-mattes. Mocha provides 2.5D planar tracking of your footage and creates tracking and corner-pin data that can easily be imported back into your After Effects project. The Mocha Shape plug-in is now included, which allows you to create roto-mattes in Mocha 2 and import the rotoscope data, with variable, per-point edge feathering.
There has been some confusion regarding Mocha for After Effects CS5 v2 and the full version of Mocha 2 from Imagineer Systems. The full version of Mocha 2 that does not ship with After Effects CS5 has a newly designed interface, motion blur mattes, an image stabilization module, and is 64-bit optimized. The Mocha for After Effects 2 is soundless 32-bit. There is a product comparison chart available on the Imagineer Systems Website that describes the differences in detail.
Using displacement maps and meshes that you can distort and animate, the Digieffects Freeform upshot (formerly known as Forge Freeform by Mettle.com) plug-in allows you to add simulated depth and distortion to flat 3D planes in After Effects CS5. You can apply either a displacement map to the 3D layer or sub-comp, or exploit the distortion mesh to create engaging effects in 3D space. It soundless doesn't create upright volumetric 3D modeling or extrusions, but the distortions execute react to the After Effects' 3D lighting and shadows appropriately, and interact with other 3D layers in your composition, unlike imported Live 3D layers from Photoshop.
Starting with After Effects CS4, you've been able to import 3D layers from Photoshop through the Live 3D feature. Photoshop CS5 ( Macworld rated 4.5 out of 5 mice ) has a new feature called Repoussé, which creates volumetric extrusions from text and any layer with an alpha channel. These 3D layers can subsist imported into After Effects CS5 fondness any other Live 3D layer.
However, as with every bit of imported 3D objects from Photoshop, there is no true 3D interaction with After Effects lights or other 3D layers. every bit of of the lights on the objects must subsist applied in Photoshop and remain static on the surface of the object, regardless of how you set this 3D layer in your After Effects scene. You can soundless animate the position of the 3D remonstrate in After Effects, but there will subsist no interaction or shadows on or from other 3D layers. This is an zone in After Effects that I feel Adobe needs to focus on in future versions.
After Effects CS5 is a much-needed and critical upgrade for hasten and productivity in a 64-bit workflow. The Roto shave is handy once you regain the hang of it, and the added plug-ins offer advanced capability prerogative within the program. manufacture positive you sustain your CS4 version installed, though, for updating your worn projects and to expend with every bit of of your older 32-bit plug-ins.
This story, "After Effects CS5" was originally published by Macworld.


For weeks, we've been hearing rumors of the new Apple tablet computer. There was much speculation about what Apple would call its sure-to-be-revolutionary device–I heard suggestions like iTab and iTablet but Apple went with iPad (which makes me think of sanitary pads but I'm sure that's not what they had in mind). The hype today has been amazing (but not unprecedented) to me. In his announcement of the product, Steve Jobs said that it is "magical" and "at the intersection of technology and liberal arts" (whatever that means).
The hype reminds me of what happened in 2001 when Dean Kamen announced the development of the product he was then calling "Ginger." I heard report after report about how this product (whatever it was going to be–no one knew) was going to revolutionize our everyday lives, allowing us to live and work in new, never before imagined, ways. The hype continued after the product was revealed but now, several years on, we realize that it's a cool product but our lives have remained just about exactly the same as before. What did that product turn out to be? The Segway. Very cool but also very, very over-hyped. The hype about the iPad feels very similar to me. Only time will tell.
Google has received lots of criticism from human rights activists since it started to do business in China in 2006. The criticism is focused on Google's willingness to comply with Chinese official demands for censorship of information. For example, when the Olympics were held in Beijing in 2008, Google censored criticism of the Chinese government from groups such as Human Rights Watch. When presenting search results, they put a disclosure statement on the search page that said something like "in compliance with local laws or regulations, some search results are missing." This has been a case of the lure of a huge Chinese marketplace triumphing over principles. The lure of money can do that to even the best of companies.
Today, however, Google has decided to change its policies in China. Apparently, the decision to change came when Google discovered their systems had been the target of hacker attacks attempting to break into the GMail accounts of Chinese human rights activists. Although the official statement never explicitly accuses the Chinese government of being behind these attacks, the implication is there. Imagine the disillusion in the Google front office when they realized that even though they were cooperating with the Chinese government, that cooperation was not appreciated, was not enough. And so now, Google has said that they will stop censoring search results and may even end up pulling out of the Chinese market altogether. If they do pull out, it could mean the loss of billions of dollars. This is a significant decision and I hope Google benefits in other parts of the world for having made this decision. In other words, I hope we hear as much praise for Google having made this decision as we heard criticism of their censorship concessions.
US companies continue to cooperate with the Chinese government in maintaining control of information getting into China. The next company that should receive pressure to stop collaborating is Cisco Systems, which builds the hardware for the Great Firewall of China, run by the Chinese government to block information deemed offensive or dangerous from getting to the average Chinese Internet user.
So hooray for Google. Let's hope their experience is a lesson for other telecommunications companies.


text:
El picot aladaurat (Campethera maculosa) és una espècie d'ocell de la família dels pícids (Picidae) que habita boscos de les terres baixes al sud de Mauritània, sud de Mali, Senegal, Gàmbia, Guinea Bissau, Guinea, Sierra Leone, Libèria, Costa d'Ivori i Ghana.

Referències

Campethera

redpajama_set_name: RedPajamaWikipedia


text:
is a Japanese pair skater who now works as an ISU Technical Specialist. Competing with Rena Inoue, he placed 14th in the 1992 Winter Olympic Games. They are two-time Japanese National Champions. He also competed as a single skater.

Competitive highlights

Men's singles

Pairs with Inoue

References
Profile

External links
Japan Figure Skating Instructor Association

1971 births
Living people
Japanese male pair skaters
Olympic figure skaters of Japan
Figure skaters at the 1992 Winter Olympics
International Skating Union technical specialists


Jerry's Artarama was looking for a unique, creative angle for their 2012 catalog cover. In the initial discovery phase, they reached out to us to help explore possible directions. The designers at here at Picture Mosaics knew straight away that our trendsetting Multi-size Mosaic technique would result in an extraordinary cover. Utilizing images that Jerry's Artarama gathered over the years, the very first Multi-size Mona Lisa photo mosaic was born.
This entry was posted in Art, Fine Art, Magazines, Mosaics, Multi-size Mosaics, Photo Mosaics and tagged art, Jerry's Artarama, magazine covers, mosaics, multi-size, photo mosaics, picture mosaics on December 20, 2012 by Robert DeCarolis.
To celebrate the 40 year anniversary of Jimi Hendrix's final studio album, Electric Ladyland, Guitar World magazine turned to Picture Mosaics for inspiration. The final photo mosaic design featured a collection of images of Jimi Hendrix to create the original album artwork of Electric Ladyland. The mosaic was featured on the cover of Guitar World's September issue of 2008.
This entry was posted in Art, Magazines, Mosaics, Photo Mosaics and tagged covers, Guitar World Magazine, Jimi Hendrix, magazines, mosaics, photo mosaics, picture mosaics on October 20, 2008 by Robert DeCarolis.