Ruby red Swiss chard (Beta vulgaris "Ruby Red") complements several garden designs using its large crinkly green leaves that add texture and bright colour to late-fall gardens in which it rises round in mild winters. It gives new, easy-to-grow nutritional greens throughout the growing season. As this has a cheerful appearance, ruby red Swiss chard also packs nutritional value similar to the popular garden yearly, spinach. Both the leaves and the bright crimson stalks are edible.
Although Swiss chard isn't poisonous, all parts of the plant — including the stalks and leaves — contain some oxalic acid that can crystallize in people sensitive to oxalic acid, forming oxalate urinary tract stones. This may be a concern particularly in those with kidney and gallbladder issues. Confusion around its toxicity may also abound because Ruby red Swiss chard leaves resemble those of the perennial rhubarb (Rheum rhabarbarum), that grows in U.S. Department of Agriculture plant hardiness zones 3 to 7. Rhubarb leaves — although not other parts of the rhubarb — contain high levels of oxalic acid and are considered poisonous.
Many varieties of Swiss chard are available for gardeners. All are grown as annuals, but ruby red Swiss chard has turned into among the most popular for both gardeners and landscapers. Sow "Ruby Red" seeds in containers, vegetable gardens and flower beds in spring, after the last frost. If you plan to harvest entire plants, continue to plant seeds during late summer, suggest the experts on Cornell University's internet Gardening Guide. It's a vigorous grower and, even if harvested often, this plant will provide months of tasty treats.
Gently harvest Swiss chard to support leaf production. Once the leaves reach a height of 10 inches, outer leaves may be removed and cooked or added to your salad. The entire plant may be harvested by cutting on the very best. Catch 2 inches and the plant will regrow from that foundation. Young leaves, particularly thinned seedlings, can be added to salads.
Cook and revel in eating both the leaves and stalks. The leaves have an earthy flavor while the stalks are a little tart. The leaves may be blanched, steamed or stir fried; the stalks are excellent on pizza and in soups, sauces and stews. Chop and mix Swiss chard leaves and comes with ancient spring greens for a very simple salad. Many enjoy steaming mixtures of greens with a little bacon fat. After harvesting, carefully rinse before cooking, as Swiss chard frequently conceals silt in its wrinkled leaves.
Rushes (Juncus spp.) Tend to grow in moist or wet soil in areas with complete sun. Common rush (Juncus effusus) and also propagating rush (Juncus patens), both of which develop in U.S. Department of Agriculture plant hardiness zones 4 through 9, are sometimes grown as ornamental plants but they can become invasive in some areas. Rushes need periodic pruning to look their very best.
Rushes stay evergreen in mild climates where temperatures rarely dip below freezing. The plants form clumps of erect green stems. Common rush flowers in midsummer, while spreading rush may blossom anytime from late spring through late summer. When the plants go completely dormant for winter, the stems will yellow and then turn brown in late fall or early winter. Plants that go dormant require complete pruning every year, while those that remain green only need a light trim.
Pruning shears and rubber gloves will take care of any pruning requirements. Shears are only necessary once the rush requires a complete cutting back. Prior to using the shears, wipe the blades using isopropyl alcohol to disinfect them, and then wash them each time you move to the another plant. Although rush stems are not annoying and the stems of common rush are soft, you must wear gloves for light annual pruning because the rubber gloves hold the rush leaf much better. Use complete rubber gloves or cloth gardening gloves with latex, nitrile or rubber finger and palm pads.
Individual stems inside a clump of evergreen rush die annually, while the main clump stays healthy and green. In late summer, remove the dead material to enhance the clump's appearance. Put on the rubber gloves and comb through the leaf together with your fingers, gently pulling on the stems. The gloves will grip the dead stems, which easily pull free from the foundation of the plant. You can repeat this at any moment during the summer and spring growing season if there are a large number of dead stems combined in with the dwelling.
In locations where hurry dies back each winter, cut the whole clump with disinfected shears in late winter or early spring. Evergreen clumps only have to be cut every three or four years in late winter, or when they start to look sparse and ragged. Cut all the leaf stems right back to a 1 inch tall, removing and disposing of the dead foliage. New growth will emerge in the base of the plant when growth resumes in spring.
Hydroponic culture involves growing plants in nutrient solutions, without using artificial substrates like rockwool, peat or sand to give support for root development. Cucumbers (Cucumis sativa) grow well and have few difficulties under house gardening hydroponic conditions. They are a common business greenhouse hydroponic crop worldwide. Cucumbers are hardy in U.S. Department of Agriculture plant hardiness zones 9 through 11, though they are usually grown as annuals.
Choosing a substrate isn't difficult. Cucumbers grow acceptably in almost every substrate accessible to hydroponics, besides being able to grow in just nutrient solution. However, studies have indicated that hydroponic cucumbers are more sensitive to drought stress when grown on polyurethane foam rather than rockwool.
Hydroponics pro Dr. Howard Resh suggests that dwelling growers utilize general hydroponic formulations rather than creating a specific formulation, which can be harder. Easily obtainable non-specific formulations still give satisfactory production.Avoid problems by using hydroponic fertilizers rather than general-purpose fertilizers. According to B. A. Kratsky of the University of Hawaii, hydroponic fertilizers contain proper amounts of nutrients and also help stabilize the nutrient solution's acidity and alkalinity. He proposes adding 1/2 pound of a hydroponic fertilizer which has an N-P-K ratio of 10-8-22, plus 2 ounces of magnesium sulfate to ten gallons of water. An alternative mixture utilizes 3 ounces of a 3-16-36 hydroponic fertilizer, 3 oz of soluble level potassium nitrate and 2 ounces of magnesium sulfate.
Home gardeners can grow most types of cucumber hydroponically. Consider interesting cultivars like lemon cucumbers, apple cucumbers, Lebanese cucumbers, and the newer, little, sweet Beit Alpha cucumbers. A problem with old, open-pollinated cucumber varieties is the fruit can get bitter if left too long on the vine before you choose it or when the plant gets stressed. To duplicate commercially grown hydroponic antioxidants, develop hybrid that are parthenocarpic — producing seedless fruit without fertilization — and thin-skinned, like "European" and "Long English," also sometimes called Dutch-type cucumbers. These are more difficult to grow because they need continuous, careful training and pruning to grow and produce well.
Hydroponic cucumbers need high to medium light levels and warm temperatures, so growing difficulties can happen during cloudy or cool weather. Dutch-type Herbs need temperatures between 60 to 82 degrees Fahrenheit.Good growth takes place when daytime temperatures are between 75 to 80 degrees F and night temperatures don't fall below 65 degrees F. Beit Alpha cucumbers have a larger temperature range, tolerating temperatures between 50 and 100 degrees F. If you don't have a greenhouse with temperature and light control, grow hydroponic cucumbers throughout the summer when appropriate conditions occur.
A downside to hydroponic cucumbers is the fact that most are big plants. Space hydroponic growing containers so cucumbers don't crowd each other. In restricted distance, trellis the plants or grow bush-type cultivars. In commercial greenhouses of Dutch-type cucumbers, growers stretch a cable over the row of cucumbers and dangle lengths of twine to the top of the growing containers, pruning and shaping the vine on the twine and cable.
Fall is here, and with it a fresh season of action as a prelude to the holidays. If you can find a free afternoon, spend just a couple hours sprucing up your porch or patio with seasonal soul before your trick-or-treaters arrive.
Natural textures layered next to found items can make a comfy outdoor seat for seeing the leaves change. Employing a hay bale as a temporary coffee table is an inexpensive and functional approach to cozy up your outdoor area. Try using a little tray or basket as a solid, level surface to hold a drink or book.
Here, a rustic chair doubles as a side table to get a vintage cola crate holding pink mums.
Make more tin cans with paint and fill them with your favourite seasonal flowers. A generous neighbor let me select these from her garden. Utilize your order to freshen up any space, from an entry to a tabletop.
A wood crate provides additional display space and storage. A stack of old paperbacks reinforces some mini pumpkins. Lavender sprigs in a vintage milk jug add a nice aroma and elevation to a wooden-crate-turned-side-table.
Burlap or linen sacks make for an easy pillow cover throughout the vacations. This little burlap sack was among the "I will find something to with this one day" items that found a brand new (and temporary) function as our porch swing cushion. If you don't own one, you can simply cut some burlap to length and sew up one.
Stuff your pillow to the sofa and tuck leftover fabric to the open end, hiding the pillow inside.
Wrap a ribbon around the sofa and tie it. Obviously, if you are using an indoor pillow as the filler, then bring your pillow indoors if the weather gets too damp.
How are you currently sprucing up your porch this year? Let us know and discuss a photograph in the Comments.
Here's how Glassman opened the landscape and made it function for the family.
AFTER: Glassman first addressed the parking situation. He created an ingenious parking bay that allows guests to pull right up into the front part of the home, safely off the road. And because guests didn't know where to enter the home before, frequently drifting into a driveway-side entrance instead of the front door, Glassman established a clear route to the entryway.
Steps today lead directly from the parking bay to the front door, and there is a terrace with a water feature. To take care of the erosion issues, Glassman installed acid-stained-steel retainer walls that terrace the landscape. He then took the Goldbergs on a trip to the nursery to hand pick plants trees and blossoms for the home.
The tree on the right is a crape myrtle, the only one on the house. On the left of this is a purple smoke tree. Reddish barberry plants operate their way.
The grayish tree on the far left is a fruitless olive, among three. The spiky dark bronze plant below it is a flax. The green pots hold kangaroo paw, sedum, succulents and Red-Hot Poker.
The tree nearest the parking bay is your myrtle, revealed here. The one to the right is another fruitless olive. A little ollie and an ice-blue shore juniper adorn the steel corner in the foreground. Ornamental grasses fill from the remainder. The plants repeat in odd numbers throughout the raised beds.
Today's smart kitchen designers have storage options to fulfill every nook and cranny in a variety of kitchens. These helpers can allow you to take advantage of every inch.
When you are grappling with backsplash material choices, consider something that can help you snag some excess storage, also. This stunning kitchen includes a secret that warms up the storage possibilities without taking away from its tidy look.
The designers put shelving and installed sliding doors in the marble backsplash behind the stove. The beauty of the technique is that you can achieve the best of both worlds — a beautiful backsplash and storage.
Hint: You'll need to have enough space in your walls to make this work, which means you'll need to get this discussion quite early on with your contractor.
Corner dividers are a excellent alternative to the lazy Susan. Cut on a diagonal, they simply pull out like standard drawers to make use of an otherwise hard-to-reach corner space.
Hint: Have your drawers made in varying sizes to keep things organized. Pot lids and smaller items may go in the smaller drawers, and containers and pots and pans at the larger drawers.
Bill Fry Construction – Wm. H. Fry Const. Co..
If you would rather a cabinet door in the corner of a pedestal cabinet, and you don't like Susans, sliding and rotating shelves might help you access corners with ease.
Hint: Unlike corner drawers, these pullouts may be installed in both upper and lower cabinets.
Even the toe kick area wasted space, can be utilized for storage when you add a shallow drawer for smaller items.
Hint: you'll have to bend a whole lot to get a toe kick space, so look at storing items here you'll need to access only one or two times a year — such as serving dishes, chargers and holiday napkins.
Open shelving is often the most budget-friendly method to deal with the space left in the ends of upper and lower cabinets. If custom cabinets are in your finances, shutting those shelves with a curved doorway is a great way to keep things neat and clean without installing two separate doors to cover the corner.
Go beyond basic shelving for your foundation cabinetry. Today's kitchen organization additions come in every kind imaginable to help you form and store your belongings. Utilize a mix of slide-out drawers and shelving to get heavy items, and custom pullouts to house mixers, spices, cutting boards and baking sheets.
The end cabinets in a kitchen layout get fitted with a doorway facing for a look. The homeowner has found a smart space for keys, a pegboard and a dry erase board for notes and to-do lists, and installed slats for magazines and cookbooks.
I've written before about laundry room envy, however laundry rooms that pull double duty as office spaces, potting areas, wrapping stations and more take it to a whole new level.
It makes total sense to squeeze some additional use in the laundry space, as it is most likely designed for durability and already outfitted with plumbing. And if you're fortunate enough to have an island for folding, they can moonlight as flat surfaces for wrap presents, arranging flowers or doing almost any other job you can imagine.
Have a look at these laundry rooms have enlarged their role with grace.
Mudroom. What is more efficient than having a washer and dryer at precisely the exact same room where dirty socks, wet gloves and soiled jackets land? This attractively incorporated space does a decent job of keeping the laundry stack to a dull roar. Bonus points to get that gorgeous sky-blue ceiling, a trick borrowed from the traditional front-porch technique.
Linen cupboard. Tucked into a shore home, this laundry room also houses towels and other gear for days at the sand and surf.
Office. Do your laundry while you pay bills or response messages, and you're going to check two tasks off your list at the same time. The cushioned benches are an extra-nice touch — you could stretch out and read or rest while the washer spins.
Potting room. Make the most of the pipes lines set up and put in another sink for watering plants, washing empty containers and draining garden tools.
Wrapping channel. It can be challenging to find a flat expanse of space large enough to allow for wrapping gifts easily. Laundry rooms lend themselves to roomy countertops for both wrap and folding.
Breakfast nook. What a wonderful beginning to the day: a cup of coffee and a muffin or scone in this light-filled space, with the comforting scent of clean laundry in the air.
Pantry. The interior design in this combination laundry room and pantry makes for an especially smart utilization of space.
Pet area. This laundry space incorporates a custom dog shower, convenient if you have the square footage. However, you don't need to be that elaborate. Just add a comfy dog bed, litter box or other designated place for your furry family members.
All-purpose room. This lovely, comfy laundry space adapts nevertheless it is needed — as a butler's pantry, potting channel and much more. It is so attractive that I would probably just hang out in there with a novel while the laundry was going.
Who has the hardest-working laundry room in land? Publish your photo here!
Electricians refer to the rigid pipe that electric wires and wires run through as conduit. "Conduit" has lots of different definitions too, all associated with channeling; it can be an enclosed duct to transfer liquids or even a individual or vessel that communicates a message from one spot to another.
Electrical conduit is typically visible only in houses in which the walls are masonry or in which the ceiling and flooring are one unit (that is, the ceiling of a room is also the flooring of the upper room), leaving no room in which electric can hide. The electrical conduit inside this kitchen runs across the underside of wood beams.
In wood-framed constructions, holes are drilled through wood studs along with the electric cord is pulled. Nail plates are inserted on the outside of the stud prior to any wallboard is put up, to avoid anyone from hammering nails into the electric cable.
Conduit protects and conveys electrical wires to all outlets and fixtures requiring electricity. The electricity starts at the utility business, travels via a meter at every home and enters the house in the circuit breaker. Individual circuits distribute electricity in 100 or 200 amps across the house with a series of junction boxes and panels. The main breaker is a change that can turn off all electricity, and indivdual circuits command smaller regions of the house. Circuits automatically turn off if overloaded, to reduce the risk of fire.
Industrial and commercial architecture often uses electric conduit because the the walls are strong CMU (concrete masonry blocks), making outside electricity inevitable.
Exposed ducting and electrical conduit are also typical in urban attic spaces, in which exposed brick walls don't have any inner wall through which the mechanicals can be routed from perspective. A junction box is a metal box in which wires are tied together. The faceplate of the junction box is removable, providing access to the wires.
Conduit has an industrial appeal. Conduit may or may not have been necessary to put in within this entryway, but it fits in with the edgy raw materials.
Electrical conduit is routed around the large windows of the painted brick room because there is nowhere else to run the plumbing. But a little color coding makes the pipe work with the design of the room.
This light fixture is created out of electric conduit and junction boxes.


Phillies' Rhys Hoskins follows through on a two-run home run off Miami Marlins starting pitcher Vance Worley, Thursday, Sept. 14, 2017 in Philadelphia.
PHILADELPHIA -- Rhys Hoskins homered again and Freddy Galvis and Jorge Alfaro also went deep in the Phillies' seven-run second inning to lead Philadelphia to a 10-0 victory over the slumping Miami Marlins on Thursday night.
Hoskins' two-run shot gave him 18 home runs in 34 games since his call-up from Triple-A on Aug. 10. The Yankees' Gary Sanchez previously held the record for fastest to 18 homers. Sanchez needed 45 games.
Cesar Hernandez had four hits and Cameron Perkins also homered for the Phillies.
Brian Anderson had three hits, including two doubles, for the Marlins, who lost their fifth in a row and 15th in their last 17 games. After watching his team slump through another defeat on Wednesday night, manager Don Mattingly decided to sit outfielders Christian Yelich, Giancarlo Stanton and Marcell Ozuna in order to give the Marlins' power hitters a chance to "reset." That's 104 homers and 299 RBIs out of the lineup.
Vance Worley (3-5) got a spot start for Miami, as Mattingly wanted to push ace Jose Urena back a day. Urena will start Friday night's game in Milwaukee. That contest originally was scheduled to be played in Miami, but it had to be relocated because of Hurricane Irma.
Alfaro led off with a 459-foot homer to the upper deck in left. Galvis then made it 5-0 with a two-run shot to right-center. And Hoskins awed the crowd of 16,302, as well has his teammates, with a two-run homer to right on an 0-2 pitch. Replays showed Phillies players and coaches making faces of amazement when the ball left the yard. J.P. Crawford hit a two-run single to center to make it 9-0.
Dee Gordon of the Marlins extended his hitting streak to 17 straight games with a fifth-inning single to left.
Philadelphia's Nick Williams singled in the fourth inning to give him a hit in 12 consecutive games.


text:
Ernest Thomas Gilliard (23 November 1912 – 26 January 1965) was an American ornithologist and museum curator who led or participated in several ornithological expeditions, especially to South America and New Guinea.

Gilliard was born in York, Pennsylvania. He began a lifelong association with the American Museum of Natural History (AMNH) in New York in 1932 by working there as a volunteer. In 1933 he was employed there as an assistant and subsequently passed through the full range of promotions to become Curator of Birds in 1963,  unexpectedly dying in office two years later, in his 53rd year, of a sudden heart attack.

During the 1930s Gilliard was involved in expeditions to Quebec, Newfoundland and Venezuela, and in the 1940s to Brazil, the Philippines and New Guinea. The 1950s saw more expeditions, not only to New Guinea, but also to Nepal and the West Indies. New Guinea, and especially its birds-of-paradise and bowerbirds, kept drawing him back, and he led a total of five expeditions there, his final one in 1964.

In addition to numerous papers in the scientific publications of the AMNH, he wrote many illustrated articles for Natural History and the National Geographic Magazine. He wrote Living Birds of the World (1958), Birds of Paradise and Bower Birds (1969), and coauthored (with Austin L. Rand) the Handbook of New Guinea Birds (1967). Gilliard was an expert photographer and cinematographer; he was involved in making the documentary Search for Paradise (1957), which was directed by Otto Lang.

References
 Lawrence, Jenny. (1998). The passionate naturalist – ornithologist E. Thomas Gilliard. Natural History (October 1998). Downloaded 13 March 2007
 Mayr, Ernst. Foreword in: "Gilliard, E. Thomas. (1969). Birds of Paradise and Bower Birds. Series: The World Naturalist. Weidenfeld & Nicolson: London".

Gilliard, Tom
Gilliard, Tom
Gilliard, Tom
Gilliard, Tom
People associated with the American Museum of Natural History
20th-century American zoologists

redpajama_set_name: RedPajamaWikipedia


text:
Politics & Polls #183: Economic Inequality and Covid-19 Featuring Sir Angus Deaton
Covid-19 has had a disproportionate impact on at-risk populations, shining the spotlight on economic inequality and instability. Issues such as…
Politics & Polls #182: Economic Turmoil During Covid-19 Featuring Cecilia Rouse
The Covid-19 pandemic continues to have devastating impacts on the global and U.S. economy. As a result of quarantines and social distancing, the…
Macrofinance Lab Receives National Science Foundation Funding
Funding from the National Science Foundation will support the work of a Macrofinance Lab at the Julis-Rabinowitz Center for Public Policy &…
Universal Childhood Allowance Could Reduce Childhood Poverty, Edin Testifies
Today, about 15 million children in the United States live in families with incomes below the federal poverty threshold. This is why reducing…
Moll Receives 2017 Bernácer Prize
Politics & Polls #108: How Money Restricts Access to Political Office
Working-class citizens have been historically underrepresented in American politics.In this episode, Julian Zelizer and Sam Wang discuss the…
Q&A: EuroTragedy: A Drama in Nine Acts
In his new book, "EuroTragedy: A Drama in Nine Acts," Ashoka Mody offers a historical narrative of how European leaders decided to adopt the euro as…
Politics & Polls #80: Are Corporations Remaking America?
The recently passed tax bill included a sizable tax break for many American corporations, slashed from 35 percent to 21 percent. While the tax cuts…
In India, Subtle Corruption Robs Villagers of Roads
Examining a major road-building program in India, researchers at Princeton University and the Paris School of Economics used an innovative technique…
Booms & Busts: How the 1980s Could've Predicted the Great Recession
Many argue the Great Recession could have been ameliorated through strategic policies, but the government ignored warning signs of coming economic…
Boost in Collateral, Rather Than "Feeling Richer," Drives Consumers to Borrow as Home Prices Rise
When home prices rise, households tend to borrow and spend more. But economists have had trouble identifying exactly what causes that relationship…
WWS Reacts: Trump's Tax Proposal
President Donald Trump released a nine-page outline of a tax plan last week, which included proposed tax cuts for corporations and individuals.
Balance Forgiveness Programs More Effective at Reducing Credit Card Debt Than Lowering Monthly Minimum Payments
According to data recently released by the Federal Reserve, the amount of outstanding debt that Americans hold — often in the form of credit card…
Felten, Krueger Join Rework America Task Force
Princeton professors Edward Felten and Alan Krueger will serve on a new task force aimed at transforming America's labor market to a 21st century,…
Princeton Professor Calls for Federal Guarantee of Quality Education for Kids
American children, no matter where they live or what school they attend, deserve to be guaranteed a quality education, much as we guarantee a safety…
Lower-Income Children Raised in Counties With High Upward Mobility Display Fewer Behavioral Issues, Perform Better on Cognitive Tests
Children who grow up in urban counties with high upward mobility exhibit fewer behavioral problems and perform better on cognitive tests, according…
Study Links Unhealthy Segregated Neighborhoods to Childhood Asthma
Researchers have had trouble explaining why black children are much more likely than other children to suffer from asthma. A new study by Princeton…
Exposure to Violence Hinders Short-Term Memory, Cognitive Control
Being exposed to and actively remembering violent episodes — even those that happened up to a decade before — hinders short-term memory and cognitive…

redpajama_set_name: RedPajamaCommonCrawl


The Benefits of Exercise on Mental Health - Madeline Polonia, Psy.D.
Exercise is so important for our body, mind and spirit. In other words, exercise has many benefits on our mental health. Research shows that the link between exercise and mood is pretty strong. Some research even shows that you receive a mood enhancement within five minutes of moderate exercise. Physical exercise is also shown to alleviate long term depression. Another study suggests that people who are highly sensitive to anxiety showed significant improvements in anxiety sensitivity. The following are some of the many benefits of making exercise a priority in your life.
1. Exercise can help boost your self esteem, especially the feeling of accomplishment.
2. Taking a fitness class or going to a gym surrounds you with other people who are also trying to improve their health and a opportunity to meet like minded people.
3. Physical exercise can help with mild to moderate anxiety and depression.
4. Time spent exercising can help you unplug from the busyness of life and in turn can help you feel better.
5. Regular exercise can enhance your quality of sleep which can help you feel more energized during the day.
6. Performing different types of physical activity can change how your brain is wired, which can help to improve your mental acuity and overall cognition.
7. Physical exercise can help you feel better and have a better outlook on life.
8. Exercise can be done anywhere not just in a gym so be creative with your time at home or in your neighborhood.


text:
Q: what is wrong with my code syntactically? when my code is run, I'm getting 3 errors:

*

*"expected expression before return"

*"expected expression before }"

*"expected ',' or ';' before ')' for(Node *node=q->head)

int queue_length(queue_t* q){
    if(q==NULL) {
        return -1;
    }
    int size = 0;
    for(Node *node=q->head)
  {
        size++;
    }
    return size;

}

A: Your for loop isn't correct. Ideally, you want something similar to the following:
for (int countingVar = 0; countingVar < 10; countingVar++)
{
...
}
Maybe your goal is to count the number of elements within your queue. If so, maybe you want something similar to the following and this is a stretch given that I do not know what your queue_t struct looks like:
while (NULL != q->head)
{
...
}

A: for(Node *node=q->head)
  {
        size++;
    }

This loop is syntactically wrong. Google syntax for For loops. It should be for(initialization;condition;increment/decrement){ //body  }
I can see you are coming from a higher level language. C doesn't have stuff like foreach or for..in.. etc. For your case, you should be doing it in while, something like
while(q!=NULL)
{
    size++;
    q=q->next;
}

redpajama_set_name: RedPajamaStackExchange


St. Michael announced it has raised 4.1 million dollars in private solicitations for its multi-purpose athletic complex.
The school principal, Faustin Weber, made that announcement as part of the public kick-off for the campaign on April 1, with 300+ in attendance.
Weber took advantage of the date to make the announcement. He originally unveiled a thermometer showing the school had raised only $800,000. But then, saying "April fools!" he encouraged the crowd to make noise as he filled in the thermometer slowly from the bottom up to the 4.1 million dollar mark. He then announced he had a donor who was willing to give the school another $250,000 if the community could get to the 4.75 million before June 1 to finish out the campaign.
"People have been incredibly generous," Weber said to crowd. "And now I ask you, and all of our supporters, to be generous also."
The campaign is over in June.
For more information on the athletic complex plans, including the campus master plan, a blow up of the athletic design below, and the campaign video, go here.
The plans include an all sports field house with male and female locker rooms, weight room facilities, coaches' offices and a physical training rooms. They include a baseball field, a combination football/soccer stadium, a concessions/bathroom/pavilion building, an out door "commons" area, an amphitheater for student outdoor performances, a cross country course, an additional practice field, side-walks and additional parking. Future phases will include a softball field and track.


text:
Seventy-four (ship)
(Redirected from 74-gun)
The "seventy-four" was a type of two-decked sailing ship of the line which nominally carried 74 guns. It was developed by the French navy in the 1740s and spread to the British Royal Navy where it was classed as third rate. From here, it spread to the Spanish, Dutch, Danish and Russian navies. The design was considered a good balance between firepower and sailing qualities, but more importantly, it was an appealing ideal for naval administrators and bureaucrats. Seventy-fours became a mainstay of the world's fleets into the early 19th century when they began to be supplanted by new designs and by the introduction of steam powered ironclads.
Scale model of Achille, a typical French seventy-four of the Téméraire class at the beginning of the 19th century.
Name: 74-gun
Builders: Numerous
Real Marina of the Kingdom of the Two Sicilies
Royal Danish Navy
Swedish Navy
Venetian Navy
Numerous others
In commission: 1740s–1810s
Type: ship of the line
Tons burthen: 2,000–3,000 bm
Length: 161–182 ft (49–55 m)
Beam: 46 ft (14 m)
Draught: 23 ft (7 m)
Sail plan: ship rig
Complement: 500–700 men
28 × 24-36-pounders
28–30 x 18-24-pounders
14–18 x 6-12-pounders
As a standard type, the seventy-four was only an ideal construction. There was great variation between seventy-fours of different navies. In the period 1750–1790, different ships could measure from just under 2,000 to 3,000 tons burthen. The armament could also vary considerably, with everything from 24-pounder to long 36-pounder guns, and some seventy-fours of the Danish navy actually had only 70 guns.[1]
1 First 74-gun designs
2 74s in the Royal Navy
3.1 British
3.2 French
3.3 Russian
First 74-gun designsEdit
The first 74-gun ships were constructed by the French as they rebuilt their navy during the early years of the reign of Louis XV. The new ship type was a very large two-decker big enough to carry the largest common type of gun (36-pounders) on the lower gun deck, something only three-deckers had done earlier. This great firepower was combined with very good sailing qualities compared to both the taller three-deckers and the shorter old-style 70-gun two-deckers, making the 74 the perfect combination of the two. A disadvantage of the 74 was that it was relatively expensive to build and man compared to the older type of two-decker.
Broadside of a French 74-gun ship from 1755
The 74-gun ship carried 28 (24-pounders- to 36-pounders) on the lower gun deck, 28–30 (18- to 24-pounders) on the upper gun deck, and 14–18 (6- to 12-pounders) on the upper works.[2] Crew size was around 500 to 750 men depending on design, circumstances and nationality, with British ships tending to have smaller crews than other navies. The French had large and small seventy-fours, called "grand modèle" and "petite modèle", the waterline length of a "grand modèle" seventy-four could be up to 182 feet.[3] This was copied by the Royal Navy in about two dozen such ships of its own, such as HMS Colossus where they were known as Large, while the other seventy-fours built to be between 166–171 feet (51–52 m) were known as Common.[4]
Inner arrangement of a Russian 74-gun ship. Elements of Sané's design are present, but with a British-style layout.
Given the construction techniques of the day, the seventy-four approached the limits of what was possible. Such long hulls made from wood had a tendency to flex and sag over time. Increased maintenance could counter this to some extent, but this was of course costly. This limited the success of the even bigger two-deck 80-gun ships that were built in small numbers after the seventy-four had been introduced. Three-deckers did not have the same problem due to their additional deck giving more rigidity.
The significance of the 74s however is hard to overstate, as a summary of the ships of the line for all nations that were in commission at any time during the Revolutionary/Napoleonic Wars period.
1st & 2nd rates (130–90 guns) 156
3rd rate 74s (70–90 guns) 408
4th rate (60–68 guns) 199
74s in the Royal NavyEdit
The Royal Navy captured a number of the early French 74-gun ships during the War of the Austrian Succession (for example, Invincible, captured at the first battle of Cape Finisterre in 1747) and the Seven Years' War and was greatly impressed by them compared to its own smallish 70-gun ships. As a result, it started building them in great numbers from about 1760, as did most other navies. Navies that were restricted by shallow waters, such as the Dutch and Scandinavian navies, at least early on tended to avoid the 74-gun ship to a certain degree due to its size and draught, preferring smaller two-deckers instead. Even so, the seventy-four was a standard feature in all European navies around 1800. Only a handful of 74-gun ships were commissioned into the United States Navy; the US Navy's early sea power concentrated on its frigates.
The type fell into disuse after the Napoleonic Wars, when improved building techniques made it possible to build even bigger two-deckers of 84 or even 90 guns without sacrificing hull rigidity.
The last seventy-four, the French Trafalgar veteran Duguay-Trouin, was scuttled in 1949. Her stern ornamentation is on display at the National Maritime Museum, Greenwich. In addition, dozens of ship models exist, produced as part of constructing the real ships, and thus believed accurate both externally and internally.
ClassesEdit
BritishEdit
Dublin-class ship of the line (7 ships)
Hercules-class ship of the line (2 ships)
Valiant-class ship of the line (2 ships)
Bellona-class ship of the line (5 ships)
Arrogant-class ship of the line (12 ships)
Canada-class ship of the line (4 ships)
Ramillies-class ship of the line (9 ships)
Albion-class ship of the line (1763) (5 ships)
Elizabeth-class ship of the line (8 ships)
Royal Oak-class ship of the line (6 ships)
Culloden-class ship of the line (8 ships)
Alfred-class ship of the line (4 ships)
Ganges-class ship of the line (6 ships)
Courageux-class ship of the line (6 ships)
Mars-class ship of the line (2 ships)
Ajax-class ship of the line (2 ships)
Pompée-class ship of the line (2 ships)
America-class ship of the line (2 ships)
Fame-class ship of the line (4 ships)
Repulse-class ship of the line (8 ships)
Swiftsure-class ship of the line (2 ships)
Vengeur-class ship of the line (40 ships)
Black Prince-class ship of the line (4 ships)
FrenchEdit
Annibal-class ship of the line (2 ships)
Téméraire-class ship of the line (107 ships)
César-class ship of the line (3 ships)
Séduisant-class ship of the line (2 ships)
RussianEdit
Yaroslav-class ship of the line (19 ships)
Tsar Constatine-class ship of the line (4 ships)
Svyatoy Petr-class ship of the line (7 ships)
Selafail-class ship of the line (23 ships)
Anapa-class ship of the line (11 ships)
Three Saints-class ship of the line (7 ships)
Ezekiel-class ship of the line (25 ships)[5]
HMS Bellerophon
^ Glete (1993), pp. 83–86
^ Glete (1993), p. 84
^ Jean Boudriot, Hubert Berti, Les vaisseaux de 74 à 120 canons : étude historique, 1650–1850, ANCRE, Paris, 1995, p. 12
^ Dodds, James & Moore, James, Building the wooden fighting ship, Hutchinson, London, 1984, p. 10
^ "Парусный флот - Типы Кораблей". web.archive.org. Dec 26, 2008. Retrieved Aug 24, 2019.
Glete, Jan, Navies and nations: Warships, navies and state building in Europe and America, 1500–1860. Almqvist & Wiksell International, Stockholm. 1993. ISBN 91-22-01565-5
Wikimedia Commons has media related to Seventy-fours (ships).
Jean Boudriot, transl. David Roberts, The Seventy-Four Gun Ship (Naval Institute Press, 1986) originally Le Vaisseau de 74 Canons, 1973. Four volumes document every aspect of the French 74, from shipyard construction techniques to handling under sail. Many large diagrams and drawings.
A seventy-four gun ship scaled model
A seventy-four gun ship model
Retrieved from "https://en.wikipedia.org/w/index.php?title=Seventy-four_(ship)&oldid=912328129"


It's not uncommon for an album to suggest the influence of another band's recent release. It happened regularly in the sixties as that decade's top acts...The Beatles, The Rolling Stones, Bob Dylan, The Beach Boys...were constantly responding to what the others had just put out.
But it's rare for an entire album to feel like a direct response to a single song, let alone just the first two-thirds of a single song, and yet, that's exactly what seems to have happened on Oxford-based Foals fantasitic sophomore LP Total Life Forever.
Somewhere between the release of their 2007 debut Antidotes , and the release of this album, the members of Foals fell in love with Radiohead's In Rainbows , or more specifically, fell in love with the opening two-thirds of that album's mesmerizing fourth track, the shimmering, swirling Weird Fishes/Arpeggi .
The result was one of the best UK albums of 2010.
It's a dramatic stylistic shift for the band. Where Antidotes was nearly all fast, jittery, assaultive, math-rock meets punk meets the dance floor buzzsaws, Total Life Forever is calm, soulful, immersive, anthemic...many of its songs, most notably the brilliant centerpiece Spanish Sahara, starting in extreme quiet before building to massive crescendos.
And yet, what's most surprising about this stylistic shift, is rather than feel derivative, the closer the album's tracks hue towards Weird Fishes/Arpeggi's haunting underwater sound, the better they are.
I attribute this to the sense that the band was never interested in mimiography. Instead, Weird Fishes, with it's complicated, interweaving, percussive guitar harmonics, opened Foals's eyes to how techniques they themselves had already employed could be put in the service of a radically different mood...a mood they repeatedly capture on tracks like Blue Blood, 2 Trees, Black Gold, Alabaster, the aforementioned Spanish Sahara, and epic jam After Glow.
The material that less specifically references In Rainbows is by and large livelier, but of slightly lesser quality, though a number of these tracks, particularly the title track, the Madness-tinged This Orient, and the jaunty, early Cure-ish Miami still impress.
So if your in the mood for a Radioheadish album that is in many ways more appealing than Radiohead's most recent release, King Of Limbs, definitely check Total Life Forever out.
Cherry Picker's Best Bets: Blue Blood , Spanish Sahara , After Glow , 2 Trees .
Here's the official video for album opener Blue Blood, and yes, that's the band playing in the opening moments before the kid takes the stage.
What are your thoughts on Foals and Total Life Forever. Let readers know with a comment below.


portions of) MySQL.  That's what "zero cost" means.
the customers say, and then doing it to spec".
True, MySQL gets the advantage of being focused on what it must do.
spectacular loss (by FSB standards, at any rate).
Ben> both owned and open source.
earn it again tomorrow.  I don't understand what you are talking about.
and that should be enough to defend Oracle's market from MySQL.
I'm sorry, you're responding to something I should not have written.
to penetrate, and never will?
Ben> source businesses have thinner profit margins.
about is when open source becomes a threat to Oracle's margins.
Ben> accustomed to.  I could be wrong.
healthy margin to his successor.
he decides to buy it so he can get its programmers.


Cybercrime is an industry, and it's thriving.
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With diligent observation and the application of conventional intelligence methodologies by certified intelligence professionals, it is possible to anticipate and respond to this new breed of specific cyber threats and targeted attacks.
Our Cyber Threat Intelligence Assessment outlines the key threats facing your organisation, and describes the most likely and most dangerous threat scenarios, providing a detailed narrative of how threat actors could attack the organisation.
Cyber security threats are not a static risk. The motivations and capabilities of threat actors evolve with your organisation, and your resilience depends on the continuous acquisition and analysis of cyber threat intelligence.
As a Cyber Threat Intelligence consultancy, Security Alliance provides a range of consultancy services that fortify cyber security programmes against the specific threat actors and vulnerabilities unique to your organisation.
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The CBEST framework was created, developed, and is run by The Bank of England. CBEST provides a structured and controlled approach for intelligence-led security testing of critical functions within key financial institutions.


. Annual report. Entomological Society of Ontario; Insect pests; Insects -- Ontario Periodicals. 1912 ENTOMOLOGICAL SOCIETY. 57 Sandra and xVndromeda) before coming out upon the broad open marsh which borders the creek near its mouth. The deposits from the creek at its mouth and the action of the winter ice have formed a patch of drier land here, which is continued along the shore as a narrow marginal ridge. Here the trees are different from those in the swamp behind, being mostly cedar, balsam, white spruce, silver maple, black and green ash, with large willows about the margin of the creek.


Any chance this Johnson 115 not in 1969 to 1972 range?
what year is my evinrude?
I need help identifying my evinrudes year model please.
25 hp Evinrude what year?
Just picked up this 6 hp.
Plate missing from motor - need help identifying year.


text:
Select a City All Cities Auckland Basel Beijing Bergen, Norway Berkeley, CA Berlin Brussels Chicago Düsseldorf Houston Istanbul London Los Angeles Mayo, Ireland Medellín, Colombia Mumbai Naples New York Newport Beach, CA Paris Porto Alegre, Brazil Reykjavík, Iceland Rio de Janeiro São Paulo Waltham, MA Wolverhampton, UK Wrocław, Poland
Mayo, Ireland
Wolverhampton, UK
View of "Mark Hagen," 2013.
Mark Hagen
China Art Objects Galleries
"Paleo Diet," the title of Mark Hagen's second solo exhibition at China Art Objects, plays on notions of primitivism from a very up-to-date perspective whereby only that which is most remote from the present moment holds out any promise of health. But in attempting to go back to basics, to ancient grains and bygone methods of cultivation and food preparation, we find ourselves all the more estranged from the natural world that we've gradually ruined. One registered the fraught relationship between our environment and ourselves immediately upon entering the gallery, thanks to the masking of the skylights with a film that split the sun's increasingly punishing rays into spectrums of color, at once sublime and ominous, that traveled through the space over the course of the day.
Dominating the gallery's first room was The Alhambra, 2013, a massive, canopy-like construction that occupied an uneasy zone between abstract sculpture and architectural intervention. This work is pieced together from regular interlocking units according to the endlessly adaptable logic of the space-frame templates developed by speculative hippie-era figures such as Yona Friedman and Constant in the aim of democratizing the architecture of dwellings. Today, however, the idea that such products of industrial standardization could possibly serve the expressive desires of the individual consumer seems somewhat dubious. Appropriately, then, the sleekly modular Alhambra greeted visitors in much the same manner as the frivolous decor of the hotel lobby or corporate boardroom, while simultaneously evoking the utterly unyielding post-and-lintel structure of prehistoric sites like Stonehenge.
Three smaller space-frame pillars, each titled Ramada, 2013, occupied the gallery's second room. Poised somewhere between Constructivist kiosks and cell-phone towers, these were partly sprayed with a rough, gray-brown substance consisting mainly of cement and pulped paper, a recipe printed in the pages of the Y2K Survival Handbook—which was itself thrown into the mix—as a home-construction tip for end times. Once this coating is applied to the pristine lines of the underlying aluminum-and-steel skeleton, its excremental quality is thrown into sharp relief, and the tension between these two elements reflects Hagen's abiding interest in the often abysmal limits of techno-scientific positivism right alongside those of its aesthetic equivalents.
In particular, Hagen's works speak to the postwar period, especially the 1960s, when the modernist time line began to unravel. His gray-scale paintings, six shown here, nod to the interim point between the fulfillment and betrayal of an artistic program given to radical reduction and the pursuit of objective autonomy. As Clement Greenberg, among others, cautioned, the work that has nothing left to show us but the stuff it is made of constitutes a dead end for advanced art, and Hagen plays out this dismal scenario to the point of parody by painting his monochromes back to front. He pushes acrylic paint through lengths of burlap into underlying arrangements of tiles, electrical tape, and plastic sheeting whose outlines are then topographically imprinted on the work's surface. Once the paint dries and this bric-a-brac is removed, the resulting compositions appear as ghost images, haunting the gross materiality of the underlying support with faintly shimmering allusions to a history of geometric abstraction. The willful blindness of Hagen's process carries allegorical implications: Turned toward the painting's backside in the process of making it, he enables the dyspeptic resurgence of those parts of the medium's past that have not been fully digested.
These ingeniously executed objects display an undeniable compositional integrity that one could easily appreciate in its own formal right were it not so alarmingly layered with historical reference. Also included was a stack of small polished cubes made of obsidian, which conflate the cool look of Minimalist sculpture with volcanic activity. Intimations of disaster abound, and yet, as Hagen well knows, the wreckage of failed utopias always becomes fertile ground on which to seek the next frontier. Every assault on a prior order of things also gives rise to alternate configurations, whether pragmatic (countercultural), eccentric (subcultural), or outright delusional (acultural). Hagen's newly made works double as recycled ruins, together constituting an archaeology of a future that might still be redeemed by the mud from which it is drawn.
—Jan Tumlir


Quiz, by the Olivier Award-winning James Graham, dramatises the trial of Major Charles Ingram and his wife Diana, who were found guilty of conspiring to deceive the ITV show's producers, after Ingram won the jackpot in 2001.
Ingram was assisted by a third accomplice, Tecwen Whittock, who indicated the correct answers through a series of coded coughs from the studio audience.
Quiz, running at the Noël Coward Theatre, raises doubts about trio's guilt.
The theatre audience is asked to vote on the Ingrams' guilt after the prosecution case and again following the defence.
The numbers have changed significantly in the final vote. "We can all be manipulated by a play," adds Graham, who has had co-operation from the Ingrams, who are expected to attend a performance.
The Ingrams were convicted of "procuring the execution of a valuable security by deception" and given suspended sentences, two years after Charles won £1,000,000 on the programme.
Tarrant, who didn't hear the coughing himself because of the "tension of the studio", maintains little sympathy for the couple.
Graham said he welcomed Tarrant's intervention since the purpose of the play was to provoke a debate.
Who Wants to Be A Millionaire? will return with a new host, Jeremy Clarkson.


text:
The Messinger Home was built near 1894 on South Street in Ridgway, PA as a residence that was used for nearly 100 Years; at which time it was converted into a bed and breakfast until the present time. In early 1999, it was purchased by a local lumbering family with hopes of restoring the complete property; at which time it would become a fresh flower and gift shop.
Luckily enough, in a town as small as Ridgway, we found a local contractor raised in the area to head the project, Mr. Thomas Fitch of F & A Contracting. The first thing to do was to tear down a separate two-stall garage that was built in the fifties, not coordinating with the home's architecture.
This was later replaced with a carriage porch roof, adding a much-needed dimension to the immense home's proportions. A wrap around porch tied both the side carriage entrance and the front porch together providing greater accessibility. The columns and balustrade work and trim was duplicated from the front porch. The front porch, in bad need of revamping was stripped of years of paint and rotten boards.
The column bases, spindles, and railing were in a state of decay; needed areas were replaced to exactly duplicate the original look.
After getting a grip on these areas, F & A contracting proceeded to begin on the roof. Years of neglect to the in-roof gutters had caused much damage to the roof edge, plaster, and trim of the interior. After deciding to remove the Yankee gutters, they repaired the entire roof rafters, soffit, and fascia. They repaired all defective sheathing and installed a slate composite roof with copper valleys and flashing should give years of peace of mind. They installed firestone-roofing products (rubber) in the remaining difficult areas of flat design.
Now that they had everything dryed in; weather approached masonry, shake shingles, and trim were the remainder of the exterior problems. After duplicating trim, replacing shake shingles, and staining the masonry; the finish paint was applied. Leaded beveled glass windows were repaired and installed in the sashes where they were removed for sale in the previous years.
After getting the exterior in hand, we moved inside for the winter. A new H.V.A.C. system was a must and all plumbing was updated and retrofitted to accommodate the new business plan without compromising the overall project.
The interior trim and raised panels of white had been painted which now required stripping; a difficult project as it required meticulous stripping and special tooling to complete the project. It was definitely worth it to see the finished project. We had quite a bit of millwork to do to replace the moldings and doors that disappeared through the years. We stripped and refinished all the hardwood floors at the same time to bring them back to original quality.
The lighting and chandeliers took a little more time and attention along with retrofitting the electric to meet the requirements of our business plan. With a little diligence, however, it paid off.
The finishing touches, after the plaster repair of papering and painting to give the house a touch of the past, was done with the help of an interior decorator. She also proved invaluable in window treatments and other small details. Accompanied by the assistance of qualified landscape professional, our project was nearing completion. It was a monumental project with gratifying results: to see a great house that was left to the ravishes of time be brought back to its day of original grandeur.


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Home › Methadone Maintenance Treatment Resources › Does Methadone Still Have a Place in Addiction Treatment?
Methadone is a narcotic pain reliever that is used together with medical supervision and counseling for treatment of narcotic drug addiction. It is similar to synthetic drugs such as heroin, morphine, codeine, or other substances derived from the opium plant. When taken once a day, methadone eases opiate withdrawal for 24 to 36 hours, decreasing the chance of relapse.
Alternative medicinal treatments have been discovered since the inception of the use of methadone for opioid addiction, but methadone is still very much in use, and there is little evidence that its efficacy is diminishing or that it will be completely replaced by another pharmaceutical any time soon. In fact, the Centers for Disease Control and Prevention have said that methadone maintenance treatment is the most effective treatment for opiate addiction.
Methadone blocks the "high" brought on by drugs such as heroin, by working on parts of the brain and spinal cord and prevents the euphoric rush that such drugs create. A primary benefit of the drug is its ability to help reduce cravings and withdrawal symptoms caused by opiate use. This allows an addict to avoid the physical and psychological highs and lows caused by changing levels of opiates in the blood, in turn decreasing the chance of relapse. In some cases of opiate addiction, it can take several years of methadone treatment to help an addict recover.
Methadone maintenance treatment (MMT) is a comprehensive program that involves the long-term prescribing of methadone as an alternative to the opioid to which the patient was addicted. Central to MMT is the counseling, case management and other medical services.
Heroin which is short-acting (about three to six hours), is often injected several times a day, while in MMT, methadone is administered only once a day.
Tolerance to methadone develops slowly, so clients can be maintained in MMT indefinitely. If it is prescribed properly, methadone is considered medically safe as a treatment for opioid dependence.
Methadone is a long-acting medicine; each dose remains in the body for a long time. It is for this reason that dosages should be adjusted with caution, by an addiction specialist. It can take several days after the medicine is started before the dose of methadone is fully effective.
Methadone can impair balance, coordination, or the ability to think in some people. You should not drive or operate any type of equipment if you are taking methadone. Also, do not drink alcohol or use other drugs while you are taking methadone.
Methadone can slow or stop your breathing, especially when you first start using it, or when your dose is changed. Never use the drug in larger amounts or for longer than prescribed. It can be habit-forming, even at regular doses. For this reason, you should never share this medicine with anybody, especially someone with a history of drug abuse or addiction. Keep it in a safe place, where others cannot get to it.
Aside from methadone, there are at least two alternatives to methadone for the medicinal treatment of opioid dependence: Bupernorphine and LAAM.
Buprenorphine is an alternative to Methadone.
Buprenorphine is a semi-synthetic narcotic substance that is 30-50 times more potent than morphine, but after extensive research, has been approved to help treat heroin and opioid dependency. The opioid effects of Buprenorphine increase with increasing doses of the drug until it reaches a plateau and no longer continues to increase with further increases in dosage. This is called the "ceiling effect." Thus, Buprenorphine carries a lower risk of abuse, addiction, and side effects compared to full opioid agonists. And unlike the other treatment drugs, Bupernorphine produces far less respiratory depression and is thought to be safer in the event of an overdose. In addition, it does not produce significant levels of physical dependence or discomforting withdrawal symptoms; so discontinued use is easier than methadone.
In 1994 the FDA approved L-alpha-acetyl-methadol (LAAM) as a Schedule II drug for use in the treatment of opioid addiction. LAAM has longer lasting effects than methadone, and instead of daily visits to treatment, addicts may only need to take the drug three times a week. Like methadone, LAAM does not produce euphoric effects; however, patients may initially be more anxious and need more counseling and support when receiving LAAM than they would with methadone because most are not familiar with LAAM. Users may also experience to a number of side effects such as abnormal liver functioning, rashes, nausea, and elevated blood pressure.
Some question whether using any of these drugs just results in trading one addiction for another. This is not true. When being treated for addiction with methadone, buprenorphine or LAAM, these drugs are administered in precise doses, by an addiction specialist, and medicinal treatment is accompanied by counseling as well.
The protocol for stopping treatment with LAAM is patient-specific. Because LAAM has a long half-life, withdrawal symptoms will have a delayed onset and will probably not be as severe as with opiate medications.
However, the use of LAAM is being phased out because of safety concerns, which further ensures that methadone will remain in use as a treatment for opioid addiction for the forseeable future.


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text:
package java.io;

import org.apache.harmony.luni.internal.nls.Messages;
import org.apache.harmony.luni.util.SneakyThrow;

/**
 * Wraps an existing {@link Writer} and buffers the output. Expensive
 * interaction with the underlying reader is minimized, since most (smaller)
 * requests can be satisfied by accessing the buffer alone. The drawback is that
 * some extra space is required to hold the buffer and that copying takes place
 * when filling that buffer, but this is usually outweighed by the performance
 * benefits.
 *
 *
A typical application pattern for the class looks like this:

 *
 *

 * BufferedWriter buf = new BufferedWriter(new FileWriter("file.java"));
 *

 *
 * @see BufferedReader
 */
public class BufferedWriter extends Writer {

    private Writer out;

    private char buf[];

    private int pos;

//    private final String lineSeparator = AccessController
//            .doPrivileged(new PriviAction<String>("line.separator")); //$NON-NLS-1$
    private final String lineSeparator = "\n";

    /**
     * Constructs a new {@code BufferedWriter} with {@code out} as the writer
     * for which to buffer write operations. The buffer size is set to the
     * default value of 8 KB.
     *
     * @param out
     *            the writer for which character writing is buffered.
     */
    public BufferedWriter(Writer out) {
        super(out);
        this.out = out;
        buf = new char[8192];
    }

    /**
     * Constructs a new {@code BufferedWriter} with {@code out} as the writer
     * for which to buffer write operations. The buffer size is set to {@code
     * size}.
     *
     * @param out
     *            the writer for which character writing is buffered.
     * @param size
     *            the size of the buffer in bytes.
     * @throws IllegalArgumentException
     *             if {@code size <= 0}.
     */
    public BufferedWriter(Writer out, int size) {
        super(out);
        if (size <= 0) {
            throw new IllegalArgumentException(Messages.getString("luni.A3")); //$NON-NLS-1$
        }
        this.out = out;
        this.buf = new char[size];
    }

    /**
     * Closes this writer. The contents of the buffer are flushed, the target
     * writer is closed, and the buffer is released. Only the first invocation
     * of close has any effect.
     *
     * @throws IOException
     *             if an error occurs while closing this writer.
     */
    @Override
    public void close() throws IOException {
        synchronized (lock) {
            if (isClosed()) {
                return;
            }

            Throwable thrown = null;
            try {
                flushInternal();
            } catch (Throwable e) {
                thrown = e;
            }
            buf = null;

            try {
                out.close();
            } catch (Throwable e) {
                if (thrown == null) {
                    thrown = e;
                }
            }
            out = null;

            if (thrown != null) {
                SneakyThrow.sneakyThrow(thrown);
            }
        }
    }

    /**
     * Flushes this writer. The contents of the buffer are committed to the
     * target writer and it is then flushed.
     *
     * @throws IOException
     *             if an error occurs while flushing this writer.
     */
    @Override
    public void flush() throws IOException {
        synchronized (lock) {
            if (isClosed()) {
                throw new IOException(Messages.getString("luni.A7")); //$NON-NLS-1$
            }
            flushInternal();
            out.flush();
        }
    }

    /**
     * Flushes the internal buffer.
     */
    private void flushInternal() throws IOException {
        if (pos > 0) {
            out.write(buf, 0, pos);
        }
        pos = 0;
    }

    /**
     * Indicates whether this writer is closed.
     *
     * @return {@code true} if this writer is closed, {@code false} otherwise.
     */
    private boolean isClosed() {
        return out == null;
    }

    /**
     * Writes a newline to this writer. A newline is determined by the System
     * property "line.separator". The target writer may or may not be flushed
     * when a newline is written.
     *
     * @throws IOException
     *             if an error occurs attempting to write to this writer.
     */
    public void newLine() throws IOException {
        write(lineSeparator, 0, lineSeparator.length());
    }

    /**
     * Writes {@code count} characters starting at {@code offset} in
     * {@code cbuf} to this writer. If {@code count} is greater than this
     * writer's buffer, then the buffer is flushed and the characters are
     * written directly to the target writer.
     *
     * @param cbuf
     *            the array containing characters to write.
     * @param offset
     *            the start position in {@code cbuf} for retrieving characters.
     * @param count
     *            the maximum number of characters to write.
     * @throws IndexOutOfBoundsException
     *             if {@code offset < 0} or {@code count < 0}, or if
     *             {@code offset + count} is greater than the size of
     *             {@code cbuf}.
     * @throws IOException
     *             if this writer is closed or another I/O error occurs.
     */
    @Override
    public void write(char[] cbuf, int offset, int count) throws IOException {
        synchronized (lock) {
            if (isClosed()) {
                throw new IOException(Messages.getString("luni.A7")); //$NON-NLS-1$
            }
            if (offset < 0 || offset > cbuf.length - count || count < 0) {
                throw new IndexOutOfBoundsException();
            }
            if (pos == 0 && count >= this.buf.length) {
                out.write(cbuf, offset, count);
                return;
            }
            int available = this.buf.length - pos;
            if (count < available) {
                available = count;
            }
            if (available > 0) {
                System.arraycopy(cbuf, offset, this.buf, pos, available);
                pos += available;
            }
            if (pos == this.buf.length) {
                out.write(this.buf, 0, this.buf.length);
                pos = 0;
                if (count > available) {
                    offset += available;
                    available = count - available;
                    if (available >= this.buf.length) {
                        out.write(cbuf, offset, available);
                        return;
                    }

                    System.arraycopy(cbuf, offset, this.buf, pos, available);
                    pos += available;
                }
            }
        }
    }

    /**
     * Writes the character {@code oneChar} to this writer. If the buffer
     * gets full by writing this character, this writer is flushed. Only the
     * lower two bytes of the integer {@code oneChar} are written.
     *
     * @param oneChar
     *            the character to write.
     * @throws IOException
     *             if this writer is closed or another I/O error occurs.
     */
    @Override
    public void write(int oneChar) throws IOException {
        synchronized (lock) {
            if (isClosed()) {
                throw new IOException(Messages.getString("luni.A7")); //$NON-NLS-1$
            }
            if (pos >= buf.length) {
                out.write(buf, 0, buf.length);
                pos = 0;
            }
            buf[pos++] = (char) oneChar;
        }
    }

    /**
     * Writes {@code count} characters starting at {@code offset} in {@code str}
     * to this writer. If {@code count} is greater than this writer's buffer,
     * then this writer is flushed and the remaining characters are written
     * directly to the target writer. If count is negative no characters are
     * written to the buffer. This differs from the behavior of the superclass.
     *
     * @param str
     *            the non-null String containing characters to write.
     * @param offset
     *            the start position in {@code str} for retrieving characters.
     * @param count
     *            maximum number of characters to write.
     * @throws IOException
     *             if this writer has already been closed or another I/O error
     *             occurs.
     * @throws IndexOutOfBoundsException
     *             if {@code offset < 0} or {@code offset + count} is greater
     *             than the length of {@code str}.
     */
    @Override
    public void write(String str, int offset, int count) throws IOException {
        synchronized (lock) {
            if (isClosed()) {
                throw new IOException(Messages.getString("luni.A7")); //$NON-NLS-1$
            }
            if (count <= 0) {
                return;
            }
            if (offset > str.length() - count || offset < 0) {
                throw new StringIndexOutOfBoundsException();
            }
            if (pos == 0 && count >= buf.length) {
                char[] chars = new char[count];
                str.getChars(offset, offset + count, chars, 0);
                out.write(chars, 0, count);
                return;
            }
            int available = buf.length - pos;
            if (count < available) {
                available = count;
            }
            if (available > 0) {
                str.getChars(offset, offset + available, buf, pos);
                pos += available;
            }
            if (pos == buf.length) {
                out.write(this.buf, 0, this.buf.length);
                pos = 0;
                if (count > available) {
                    offset += available;
                    available = count - available;
                    if (available >= buf.length) {
                        char[] chars = new char[count];
                        str.getChars(offset, offset + available, chars, 0);
                        out.write(chars, 0, available);
                        return;
                    }
                    str.getChars(offset, offset + available, buf, pos);
                    pos += available;
                }
            }
        }
    }
}

redpajama_set_name: RedPajamaGithub


text:
Tag Archives for Janet Hobhouse
Janet Hobhouse: The Furies
Hobhouse, Janet (1993, 2004), The Furies, NYRB Classics
I've been reading two books on mothers and daughters this year and this is the one I finished first. And what an excellent book it is. A posthumous autobiographical novel about Janet Hobhouse's life. It ends badly, and doesn't tell a joyous story, but Hobhouse's luminous writing, elegant, well paced, always balanced -if barely- above the abyss of despair, makes for a deeply satisfying reading experience. Janet Hobhouse died in 1991, at the age of 40. She died having published multiple novels, and having lived quite the life on different continents. I have not – let me admit this in advance- read any of her other novels, so I cannot say how this unfinished book compares to her more polished published work, but, apart from the odd lapse in style, and the occasional gaps in the narrative, this novel reads fairly polished, the product of a finely tuned literary mind. I assume that people might enjoy unraveling all the allusions and hidden names (Philip Roth is one celebrity among several that makes an incognito appearance in the book), but the joy of reading The Furies goes far beyond the typical appeals of romans à clef. In a way it is a (post)modern take on Portrait of a Lady, or, in many places, a dark revision of The Dud Avocado. It's a book about being a woman and a daughter in the 20th century, and not quite fitting in with any of its fashions and movements. A book about being beautiful but desperate, brilliant but lost, a novel about secrets, about private and public lives. What an extraordinary novel Janet Hobhouse wrote, in a style that may seem conventional, but it's a style that's exceptionally malleable and convincing at the hands of Hobhouse. It's an honest book – and by honest I do not refer to its autobiographical moorings. It doesn't aim to manipulate or deceive, it stacks life's events according to its own inescapable logic and not according to some narrative. Despite Hobhouse's old fashioned, 19th-century pen, the novel is fantastically precise. It doesn't ask us for pity. "I have survived," she says near the end. The book asks us to respect her, that is all. Honestly. Just go and read the damn thing.
That the project at hand is one about 20th century feminity becomes clear as we are charmed and transported by the first parts of the book, which read like a condensed, melodious family saga, as we follow the narrator Helen's ancestors from 19th century Germany to New York. This history is primarily a history of difficult and complicated women. Of ugly women, beautiful women, of headstrong women and women more happy to be part of larger family narratives. This early section ("Prologue") doesn't span a large amount of pages, and it certainly deviates from the rest of the book as far as style and pacing is concerned, but it establishes the parameters of what is to come. Being a headstrong, intelligent woman is a difficulty in a society that primarily follows the narratives of men. Families are units united by the husbands, the fathers, and continued by the sons. Mothers and daughters are cogs in a system, made to conform to expectations. Some, like the narrator's grandmother, run away for a time, but families always catch up. Emma, the runaway grandmother, eventually "succumbed," as her mother had done, settled down, married, and soon became mother to (eventually) three daughters. That particular household is remembered by Bett, Helen's mother as profoundly unhappy. "I remember nothing but fear in that house. […] I was afraid of my father's hitting me." Being made to fit in the patriarchal mold is not a kind process, and not all the women in Helen's family took well to it. As the years passed, the men died or were divorced so that, ultimately, the family became "its complete, exclusively female, self." Soon after, the family's matriarch died and the daughters and granddaughters spilled into the world. We barely need all this history, because few of the characters return in the rest of the book. But it serves as a foil for Bett's and, later, Helen's life. The connection to a larger family whole, which the matriarch had provided through her acts of "angelic" servitude to the larger concerns of everyone else, is severed by her death, and none of the daughters and granddaughters is pliable enough to knot these ties again. Willfulness, non-conformity and independence are behind many of the problems besetting Brett and Helen – struggling through lives not due to any personal faults but due to the hostility of the narratives that are expected of them.
Mutlu Blasing has pointed, in a discussion of Marianne Moore and Elizabeth Bishop, to a line in Moore's work: "Turn to the letter M […] / and you will find / that 'a wife is a coffin'" Blasing later adds that "[t]he "letter M" links matter, mother, and mortality" – neither Bett nor the narrator, Helen, are comfortable being in that kind of coffin but the outside pressures do not make that life easy for them. That said, there's also no comfort in each other – Bett is an awful mother, captivated by her own misery, her bad luck with men and money. In some ways, Bett lives a Holly Golightly life, only with child and the diminishing charms of middle- and then old age. She cannot provide sustenance to her daughter, whom she initially sends to a boarding school, described by Helen as "a kind of depository for the strays and the detritus of misfired adult lives." Eventually, Helen gets to leave boarding school to live with her mother full time in New York. I say "gets to" because young Helen practically swoons with love for her mother, whose distance and neglect hurt her like mortal wounds. As readers, we find that distance, and the hurt contained therein, masterfully rendered in Hobhouse's frequently long sentences, her offhand observations and her way of putting devastating revelations at the beginning of unassuming paragraphs. When eventually, her mother dies of suicide, the inattentive reader is apt to mis-read, to miss that moment. Her reaction to it is also telling: "The very first, clearest sensation is of weight lifting off my head and shoulders." She is relieved, first, and then crumbles. Immediately before that scene, we are shown the last conversation between the two, a conversation that ends in a minor act of violence. This is the end point of a long and arduous mother-daughter relationship that shapes much of the book. Maybe my Holly Golightly association was unfair. In fact, Bett is a complex character. He distance is a sign of untreated depression. During her early years with her daughter, Bett retreated to the bathroom to deal with her incipient panic attacks, turning the radio up loud enough to drown out her sobs and sadness. What's more, Bett is a talented, possibly brilliant woman who worked in jobs "below or outside her capacities" and "[n]ever once ask[ed] for a raise." She even taught herself economics, wrote a 400 page book on privatization "which one NYU professor to whom she sent it pronounced 'a work of genius'."
Bett was abandoned by her own mother, and this loss, this alienation, she hands down to her daughter. Decades later, mourning the death of her mother, Helen would destroy her clothes, swear off sex, because "[m]en were hers, and if she couldn't have them any longer, then nor could I." The late, great Barbara Johnson once wrote that poetry is "an attempt not to address the mother but to hear her voice" and suggested that the loss of the mother is the "primal scene" at the heart of much literature. This primal scene is repeated several times in the book, through abandonment and death, as well as small forms of abandonment, as when Helen waits for Bett to come visit her in boarding school. The book, consequently, is an attempt to find Bett in her life. We don't hear Bett's voice a lot, but we are walked through a lot of rooms, straining our ears for traces of Bett. The loss of her mother to suicide and the more general, at this point practically genetic, feeling of alienation pervades Helen's attempt to make sense of her life. She constructs her past in long, flowing sentences, searching for memory, for help, for support. For, at least, some form of explanation. The first half of the book is called "Women" and it contains most of Helen's time in schools, and her life with her mother, moving from apartment to (smaller) apartment. It ends with a family reunion of sorts, with all the surving women of the family meeting at Helen's graduation. It's important to note, if I haven't made that clear so far, that The Furies is no fashionable ode to sisterhood, no belligerent attack of the patriarchy with a feminine model of solidarity. And support, any gesture of love is hard won, and a Pyrrhic victory more than anything else, considering the investment of emotional capital. At the same time, the book doesn't contrast the cohesive big family with the fractured modern assemblage of single women. Hobhouse is extremely clear that the so-called unity not only produced its own share of depression and alienation, but was also only possible because one woman gave herself up to become the family's Angel. Bett, while a bad mother due to situations and losses, is not a bad, lazy or stupid person. She fails, when she fails, because of a society that will not recognize her gifts and strengths and skills for what they are. Living a life considerably below one's considerable talents would drive many people to depression.
The second part of the book is called "Men" and mostly follows Helen's sexual adventures, starting during her time at Oxford. It's called men in part because she moves away from her mother to live with her father, a similarly distant man in England. Hobhouse's observations of England, of Helen's place in it, and the way her presence manipulates and changes the places around her are absolutely astonishing. In a way it is as if we were privy to Isabel Archer's voice instead of the narrator's condescending drone. Helen's way of dealing with men is, on its face, not unlike her mother's ill-fated procession of dates. But in this case, we are hearing the story from Helen herself, and it is one of learning to deal with men while attempting to keep a sense of independence and self-respect. Helen, subjected to a cold kind of love from both her parents, needs amorous attention, and not just the romantic kind. And she passes it on. A lonely boy, Edward, who has so far only known "the expensively procured abuses of public school, the brute assault of the elders," is taught a gift, "sex undivorced from love," thus becoming part of "the lover's ecosystem." Helen's heart does not get broken, instead she breaks a few, moves back to the US, marries, gets divorced, etc. I am loath to offer too many details, because while the main tension of the first half is in the dark mother-daughter relationship, the second half is more eventful. As readers, we can breathe more easily, although the end of the book constricts our hearts again. Given that the novel is openly and famously autobiographical we know what's coming. The cancer diagnosis and the fight through it. At some point, she has dinner with one of the women from her family, her mother long dead at this point, and, asked for details regarding her health, declares herself to be well, noting: "Oh yes, this is exactly how it's going to be. You cannot reach out. People will be frightened. This is something you have to go through entirely alone." A bleak statement in a book with few joys.
There are many parts of the book where a reader would be reminded of the harsh and punishingly glittering work of Jean Rhys, but none as much as the last chapters. It is in these parts, the presumably least revised ones, that we find fewer and fewer of the beautiful, sloping sentences, just attempts at song, abandoned. Statements, and a queer hope, towards the very end. The Furies is one of the most beautiful books I have read all year and a book I can recommend to anyone. I have, unusually for my reviews, quoted quite liberally from the book because I can't stop typing up lines and remarks. What a remarkable achievement this book has turned out to be: intelligent, harsh and sumptuously beautiful.
November 30, 2015 by Shigekuni - Book Blog	Categories: Literature (U.S.), Reviews	| Tags: Janet Hobhouse | 2 Comments


text:
Essay on Status of Women
Essay, Home
Let's know about Essay on Status of Women. Women were highly respected in ancient India. But as time passed by, there was a drastic change in the status of women. People's attitude towards women had started changing. Cases like polygamy, sati system, dowry system, female feticide etc. were becoming a common practice. Seeing the deteriorating conditions, great leaders and social reformers decided to work in this direction. It was the result of her hard work that the deteriorating condition of women could be overcome. After that the Indian government also worked in this direction. The government reserved 33% seats in the Panchayati Raj system for women so that they could come forward and work for the betterment of the society.
Short and Long Essay on Status of Women in India
Status of Women in India – Essay 1 (250 words)
The condition of women in medieval India was very poor economically, socially and practically. In ancient times, even after giving the status of a goddess to the woman, her condition was similar to that of a maid of a king-maharaja. Theoretically, even though women were given a high position in the society, but from a practical point of view, it was nothing more than a mere formality.
Women were forbidden to work at the social level. It was not considered necessary to take their opinion before starting any work. Before marriage, girls had to live under the pressure of their parents, whereas after marriage, they had to follow the wishes of their husbands. During the Mughal Empire, the situation was even worse. Women had to live in shackles like the practice of Sati and living in a veil.
After the Mughal period, the condition did not improve even under the British Raj, but after that the system had deteriorated even more. After this Mahatma Gandhi took the lead and called upon the women to take part in the freedom movement. It was only after this that great women like Sarojini Naidu, Vijay Lakshmi Pandit and Aruna Asaf Ali emerged who themselves contributed significantly in improving the condition of women.
After this, with Indira Gandhi becoming the Prime Minister, emphasis was placed on the development of women on a large scale. Indira Gandhi herself was a source of great inspiration for women. Following his path, many women reached proud positions in the society.
Status of Women and their Rights – Essay 2 (300 words)
In the last thousands of years, the status of women in the society has changed in a big way. If we look at the last forty-fifty years, then we come to know that a lot of work has been done on women to get equal rights as men. In earlier times there was a strict ban on women coming out of the house. She was forced to live inside the boundary wall of the house. Her only goal in life was to take care of her husband and children. Women were neither treated like men nor given the same importance as men. If we talk about the time of Vedas, then at that time special care was taken for the education and initiation of women. We can see examples of this in the books of ancient times also.
If we study the Vedas, then we get to see it clearly that the women of that time were allowed to complete their education and they were also married with their consent. The examples of two female sages named Gargi and Maitrayi are given in the Rigveda and the Upanishads. According to history, the decline of women started with the smritis (Manusmriti). Gradually, with the arrival of Islamic and Christian women in India, their rights were taken away from women. Women started living in social shackles, the main ones being the practice of Sati, child marriage, child labor, prohibition on remarriage of widows, etc.
Purdah system started after the arrival of Muslim religion in India. The custom of the name Gauhar was followed by the Rajput society of Rajasthan. The women who were in the temple were sexually harassed by rich and influential persons. But talking about today's time, women are giving their contribution in every field (like politics, social work, technical department, sports etc.) without any fear. Women are seen leading everywhere, but in other words, they are two steps away from men. We cannot say that there has been a hundred percent change in the condition of women, but we can definitely say that now women have become even more aware of their rights.
Improving the Status of Women – Essay 3 (400 words)
The condition of women has improved a lot after India's independence. Women are now getting equal rights as men. Women can now freely do all those tasks which they previously felt incapable of doing. In the Constitution of India made after independence, women have been given all those benefits, rights, freedom to work, which were previously enjoyed only by men. Despite the bad treatment with them for years, today women are getting themselves free from the social shackles and are working continuously to make the future of their family, society and country bright with more confidence.
Women represent half the population of our country. This means that half of the progress of the country depends on the women and half on the shoulders of the men. We cannot even imagine the time when this half of the population could not even get the basic rights which they are entitled to. He did not even have the freedom to live his life happily. But with the changing times, this new age woman has achieved that place in the society, which one will be surprised to see. Today women are a successful social reformer, entrepreneur, administrative servant, diplomat etc.
The improvement in the status of women has also changed the meaning of economic and social reform of the country. The condition of women in our country is much better as compared to other developing countries. Although we cannot say that the condition of women has changed completely, but there has been a lot of progress in this field as compared to earlier. In today's competitive era, women are more conscious about their rights than ever before. Women are now more conscious about their professional life (social, political, economic) so that they can easily meet the expenses related to their family and daily routine.
Women are now doing a very good job in the work related to democracy and voting, due to which the administrative system of the country is improving. The participation of women in every field is increasing day by day. For example, on the day of polling, we will see more women than men at the polling station. Indira Gandhi, Vijayalakshmi Pandit, Annie Besant, Mahadevi Verma, Sucheta Kriplani, PT Usha, Amrita Pritam, Padmaja Naidu, Kalpana Chawla, Rajkumari Amrit Kaur, Mother Teresa, Subhadra Kumari Chauhan, etc. are some of the names that gave meaning to the lives of women. has been changed. Today women as daughter, mother, sister, wife in different fields like social, political, economic, education, Providing its services in science and other departments. Along with her professional life, she is fulfilling her family responsibilities very well. Even after doing all this to improve the condition of women, we get to hear news related to their mental and physical harassment somewhere.
The Government of India has recently made important changes in the laws related to women's safety. Replacing the old Juvenile Act 2000, the new Juvenile Justice (Children Care and Protection) Bill 2015 has been implemented. It has been specially designed keeping in mind the Nirbhaya case. Under this law, any juvenile who is between the age of 16 to 18 years and is involved in heinous crime, then strict action will be taken against him.
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Carol Carter was born in Sumter, South Carolina, received her BFA at Principia College in Elsah, Illinois and her MFA at Washington University in St. Louis, Missouri. Having spent several years of her childhood in Florida, Carter's work often includes images of water and tropical themes. She works in watercolor and acrylic media and is recognized internationally in both. She has exhibited in numerous countries and has received many international awards and accolades. Carter's work is represented in many public and private art collections. Carol Carter lives in St. Louis, Missouri. She splits her time between painting in her studio, teaching, and traveling.


text:
Carmella In Bikini Enjoys AC Breeze
Mar. 12 2022, Published 3:47 p.m. ET
WWE star Carmella knows a video opportunity when she sees one. The pro wrestler and social media favorite went for a fun and flirty bikini as she let the cool AC all over her back in 2021 - posting all bombshell-like from a hotel room, Carmella sent out her famous figure and her sense of humor, reminding fans that despite her love of high temperatures, she appreciates a cool breeze.
Carmella, 34, posted in selfie mode and with her hair blowing around her face, and it looks like the post went down a hit.
Thanks, AC!
Scroll for the video. The mean wrestling outfits were out the window as Carmella posed in a polka-dot bikini top in white and black, complete with cute and feminine matching sleeves. The Raw brand face fluttered her eyelashes while wearing a full face of makeup, showing off her bronzed and highlighted cheekbones, plus defined brows.
Also on show was the athlete's rock-hard abs, but this wasn't about the gym sessions as Carmella enjoyed the AC and wrote: "Shoutout to the ac in my hotel room for providing me with the perfect windy moment for this selfie."
Over 170,000 views have been clocked. Not long after, Carmella posted with far less provocation as she shared a mom-and-me snap for Mother's Day, writing: "Happy Mother's Day to my best friend. No sappy caption will truly explain how much I love and appreciate you. 💕"
The breeze mentions were back, though, in May 2021 as Carmella shared a stunning sports bra snap from a Florida street and wrote: "The struggle of long hair and lip gloss on a windy day."
'Favorite' Thing About Being Carmella
The star, born Lean Van Dale, has opened up on her ring persona, telling Uproxx:
"I still like to think that Carmella has a pretty big attitude. And I keep that part, obviously, because that's like my favorite thing about Carmella. But who knows? I don't know what the future holds." She added: "I'm not going to say that one day I wouldn't enjoy turning into a bad guy again, but as of right now, I'm totally embracing this. I love being with Truth! It's so much fun."
Insta Following Climbing
Carmella boasts 3 million Instagram followers, including WWE star Sasha Banks. Social media star B Simone also keeps tabs on her. For more, give her account a follow.


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