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Bold Women in Print
NationalLibraryAustralia · Bold Women in Print
Recording date: 16 Jan 2018
Curator Dr Grace Blakeley-Carroll looks at the experiences of early twentieth-century Australian female writers Henry Handel Richardson, Miles Franklin and Christina Stead and the publishing industry, as revealed through a new display in the Treasures Gallery.
Image: Stella Miles Franklin, 190-?, nla.obj-229628581
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*Speakers: Dr Guy Hansen (M), Dr Grace Blakely-Carroll (G)
*Location: Nationa Library of Australia
*Date: 16/1/18
M: As we begin I'd like to acknowledge the traditional custodians of this land and thank their elders past and present for caring for the land we're now privileged to call home. This afternoon we'll be treated to an in-depth presentation from Dr Grace Blakely-Carroll. Grace has a PhD in history from the ANU – art history, sorry, and has previously worked at the National Portrait Gallery. We're now very lucky to have her here as part of the Library's exhibition curatorial team.
Grace's presentation today emerges from research that she's been doing for our Treasures Gallery. If you're familiar with the Gallery you'll know that this is a place where we present some of our most valuable treasures to the broader public. This gallery is organised chronologically, it does a broad sweep through Australian history from 1700s really up to the present. And we change this Gallery over quite regularly to try and bring out some of the other hidden treasures and put them on display and celebrate different aspects of Australian history and culture.
Last year when we were discussing what could be a potential new display it occurred to us that we have a fantastic collection of women's writers' materials from just not long after federation and this was a really important topic that we should be exploring and our collections could do it really well. And Grace dove into this material, read the books, searched the collections and put together a wonderful display which is on show now in Treasures. So I'd like you to join with me now and welcome Grace Blakely-Carroll talking about bold women. Thank you.
G: The period from the 1890s through to 1940 was a golden age for Australian literature. It saw the emergence of writing that reflected a growing sense of nationhood and concern with Australian life, history and social issues. This was particularly true of female novelists who published important works throughout the period but they rose to prominence in the late 1920s. The genre of the novel overtook that of verse as the most published form of literature at this time, and almost half of the novels published in Australia between 1928 and 1939 were by women.
Female writers arguably produced the best work from this period through to the end of the second world war. For this reason, as Guy mentioned, last year a display celebrating late 19th and early 20th century female writers was installed in our Treasures Gallery. I'll show you a picture if you haven't seen it. And the idea for the display was first initiated by my colleague, Matthew Jones. It focuses on three women writers, Henry Handel Richardson, Miles Franklin and Christina Stead. I'll just give you a bit of a closeup of some of the material. Drawing on the Library's rich holdings including the personal papers of the writers, portraits of them and first editions of their novels we celebrate their achievements and also shed light on their creative processes.
At the same time we explore some of the difficulties they experienced as writers as overcoming these difficulties demonstrates their commitment to their vocation as writers. It is important to stress that they have been chosen for inclusion in our Gallery because of their talent. Incidentally they all happen to be women and for that reason they experience particular challenges that reflect gendered attitudes of the time in which they lived and worked.
Some of these writers were under male pseudonyms, struggled to get their work published in Australia and received belated recognition. They were bold and determined authors who despite difficulties faced by leading a creative life, and the added challenges they experienced because of their gender, they persevered with their creative endeavours and as a result have made a substantial contribution to Australia's literary canon.
In this talk I'll speak about Richardson, Franklin and Stead's experiences as writers and I'll particularly focus on their dealings with the publishing industry and their sort of experience of getting their work published.
I'll also discuss some of their most renowned novels which are featured in our Treasures Gallery display – you might see some books in the showcase. It's always very exciting to have books on display in a library – and these novels including Richardson's trilogy, The Fortunes of Richard Mahony, Franklin's, My Brilliant Career, and Christina Stead's, The Man Who Loved Children.
Reading these novels, some for the first time and others with fresh eyes, I was struck by the recurrence of strong female characters who defied expectations of their eras. Each novel was informed by the author's family experiences, that they should not be treated as autobiographical and this personal context leads me to argue that their experiences and feminist outlooks can be seen in these strong characters so I'll look at some of those characters today as well.
Henry Handel Richardson was born Ethel Florence Lindesay Richardson in 1870. The oldest of the three she was one of Australia's most acclaimed novelists. She's best known for her coming of age classic, The Getting of Wisdom, 1910 and for the historical fiction trilogy, The Fortunes of Richard Mahony published in three volumes in 1917, 1925 and 1929 and then as a trilogy in 1930.
She was born in the Melbourne suburb of Fitzroy to Irish-born medical doctor, Walter Richardson, and his wife, Mary Bailey. Her parents had migrated to the Victorian goldfields during the gold rush of the 1850s and her – after her father's death when she was just nine years old she and her younger sister were raised by their mother.
Their mother supported the family by working as a postmistress in the Victorian town of Koroit and in 1883 Richardson was sent to Presbyterian Ladies' College as I'm sure many of you know. It's a very prestigious school that was established in 1875 and one of the first independent schools for girls and experiences from her time at the school informed The Getting of Wisdom.
In 1889 Richardson and her family moved to Germany so that she could study music and she never returned to live in Australia, only making one return visit to her homeland in 1912 and on that occasion she was here to research for her trilogy. And some of the notes from this trip are held in the Library's vast collection of her papers and they demonstrate the amount of research that she undertook. So she includes place names and historical events and there's other lists where she's detailed great Australian novels and also her works of historical works that she was reading and ticking off in order to inform her thinking and her writing.
Also on the trip she purportedly was banned from visiting Presbyterian Ladies' College as it was assumed that the unflattering depiction of a ladies' college from The Getting of Wisdom was based on her time at the school.
So Richardson spends most of her life in England where she lives with her Scottish husband, George Robertson, whom she married in 1894. Robertson became a <inaudible> 7:44 German at University College London and was a huge supporter of his wife's career and through his career they were brought into a very rich intellectual circle in London.
There Richardson continued her parents' interest in spiritualism, said to have sort of tried to contact her dead husband through a Ouija board after he passed away and she was also involved with the suffragette movement and her younger sister, Lillian, was particularly involved with the suffragettes.
Richardson published six novels between 1908 and 1938 and she also wrote a memoir and a number of short stories and she died of cancer in 1946.
Despite the critical acclaim her novels received for many years her profile in Australia did not match her talent and as scholar and author, Drusilla Modjeska, had argued, it really wasn't until well into the 1930s that she received proper recognition here. This was after she received the Australian Literature Society's Gold Medal for the third volume in her trilogy in 1929. In part this may have been because some of her novels such as her debut work, Maurice Guest, 1908, was set overseas and they were not considered Australian enough whereas novels within Australian setting like The Getting of Wisdom have proved much more popular here.
Like a number of other female writers of the era and in times preceding Richardson wrote under a male pen name. Hers was part truth and part fiction with the spurious names Henry Handel added to her maiden surname. Apparently she had an uncle called Henry and scholars have deduced that Handel might be a reference to her musical interests.
One of the reasons she adopted a male pseudonym was to enhance critical reception of her work as she explained in a letter in 1940. There had been much talk in the press of that day about the ease with which a woman's work could be distinguished from a man's and I wanted to try out the truth of the assertion. Sorry, I missed that slide.
Her identity including her gender remained a secret for many years and even her publisher wasn't aware that she was a woman when he accepted her first novel. Her husband took the manuscript to the publisher claiming it was from a friend.
All reviews of The Getting of Wisdom praised the author, who was still believed to be male, for writing a powerful book about the experiences of an adolescent girl. This was a source of great pride for Richardson who wrote to a friend that critics were in the dark as to my sex at present. The authorship has been kept a dead secret over here in England.
She was motivated by a desire to increase her chances of being published and being taken seriously as a writer at a time when female writers were frequently derided and she also wanted to protect her privacy. Women's writing is often considered to be more autobiographical than men's by critics and by the public, and women's private lives often, particularly at that time, received more critical attention.
And an extract from a 1917 letter to a friend attests to these dual motives and she says my own instinct is, I must confess, to remain entirely in the shade and let the books speak for themselves. But besides this I still think a book like Maurice Guest has a better chance if written by a man than a woman. [Hoi] 11:07 prejudice lingers, whatever one might say to the contrary.
Richardson's decision to adopt a male pen name marked a continuation of a long trend of women writers who likewise wrote under male pseudonyms. They too wanted to increase their publishing prospects while also protecting their privacy. The Bronte sisters wrote under the names Currer, Ellis and Acton Bell, Louisa May Alcott frequently wrote under the name A M Barnard, and Mary Anne Evans adopted the pen name George Eliot.
Women chose to write under male names because as scholar, Ann-Marie Priest, writes in her forthcoming book about Australian women writers and vocation in the 20th century, there was – and I quote – the assumption that a successful writer was by definition an unsuccessful woman, an attitude that dominated in the 19th century and very much continued into the 20th century. And indeed as Drusilla Modjeska has observed there was a fundamental contradiction between a woman's dependent social position and the mystique of the writer as a culturally transcendent being, a contradiction between their ability to write and their internal barriers against speaking out.
Adopting a male nom de plume at that time allowed Richardson to tackle more ambitious themes such as those explored in her celebrated trilogy. I'll have a bit of a look at The Fortunes of Richard Mahony now. Last year was the centenary of the publication of the first volume which was initially called The Fortunes of Richard Mahony but when incorporated into the trilogy the name was changed to Australia Felix which of course is Latin for The Lucky, Lucky Australia or The Lucky Country which is a term often used to describe Australia.
The blend of fact and fiction of her pen name is echoed in the plots of her novels and she drew on family circumstances when writing The Fortunes of Richard Mahony and also personal experiences were incorporated into other literary works. This ambitious trilogy mapped out a pivotal period of Australian life in the second half of the 19th century. It commences during the Victorian gold rush and chronicles the life of restless doctor, Richard Mahony, who was modelled on Richardson's father and indeed she dedicated the book to him.
So during periods of boom and bust he moves his family to various towns in Victoria and home to England. While the first volume received positive reviews the second flopped, it appeared eight years later so it was said to be too big a space between them. Determined to complete the trilogy she persevered, later confessing, to go on with volume 3 after such a failure was the hardest thing that I have ever done and it left a mark on me that no success will erase.
So of course the title of the trilogy is ironic as Mahony's is a tale of successive misfortunes. From the outset a curious picture of him emerges that suggests he's definitely not on track to prosper in Australia. Having turned his back on medicine he runs a shop in Ballarat with little success. He marries Polly Turner, an English migrant, who does not share her husband's longing for home. And the reader starts to observe his slow withdrawal from society and constant search for greener pastures so he moves back to England then back to Australia then back to England then back to Australia so there's a lot – a big sort of theme of the trilogy is this sort of migrant experience and the sense of being dislocated from a home. And this is something that Richardson felt herself and she said that she didn't really feel Australian, she actually felt Irish and didn't really like living in London, really liked living in Germany but lived in London. So that kind of – and other sort of scholars have argued that there's also a lot of herself in her father's character as well.
So in the final volume, Ultima Thule, which is sort of like the ends of the known earth, Mahony's drastic mental decline sees him unable to care for himself and his family. Medical professionals have praised the realistic way Richardson wrote of his health crisis and have suggested that he may have suffered from early onset dementia. Others have concluded that he was suffering from advanced syphilis and perhaps we'll never know.
So while Mahony is the trilogy's protagonist it's his wife, Mary, who undergoes the greatest transformation in the narrative and becomes its heroine. A shy teenager when she married Mahony – he's about 10 years her senior – she develops into an incredibly strong character who challenges her husband when his health and decision-making skills deteriorate. His decline sees her forced to provide for the family while caring for her dying husband. And there's a great passage where she sort of despairs about having – not being equipped to take on the role of the family breadwinner essentially.
There seems to be nothing a woman can do except teach and I'm too old for that, nor have I the brains. I was married so young and had so little schooling myself. Mary perseveres and she learns of opportunities for women in government service, in particular as postmistresses and she sets her sight on securing a job which she does and this saves the family.
Although she soon realises that there's a huge mental and physical drain associated with running a household, holding down a job and being a sole parent after her husband dies. She has a moment of great despair, fretting over what would become of her children and this turns into a moment of incredible strength.
In the character of Mary we are presented with a - strong and determined women based on Richardson's own mother who was also called Mary and did indeed become a postmistress to support the family. Mary does not dwell on the tragedy that surrounds her and instead she puts her middle-class pride to one side, takes up a profession and supports herself and her family.
So like Richardson Miles Franklin also chose against writing under her real name. Her masculine-sounding middle name, Miles, was a comfortable nom de plume that enabled her to disguise her gender and increase her chances of being published. She was born Stella Maria Sarah Miles Franklin in 1879 in Talbingo, New South Wales, and she was the eldest child of John Maurice Franklin and Susannah Margaret Eleanor Franklin nee Lampe. Now both her parents were Australian-born members of the squattocracy.
Franklin grew up on the Brindabella Station which is depicted here in this artwork in the Brindabella Ranges and later lived on the [Monero] 17:53 Plains and these areas informed her writing, great influence on her.
She completed her first novel, the feminist classic, My Brilliant Career, when she was just 19 and it was published a few years later in 1901. She went on to write more than a dozen novels, a memoir, two nonfiction books and of these it's her 1936 novel, All That Swagger, that is the most critically acclaimed after My Brilliant Career.
Franklin continued to write novels that draw on her experiences on the [Monero] Plains even while she lived in America and England between 1906 and 1932 and there she worked for women's trade unions so feminism was very important to her.
Of the pseudonyms under which she wrote she's generally remembered as Miles Franklin and her name has of course taken on a new significance through the Miles Franklin Award for Australian literature and she saved long and hard to leave enough of a bequest to set up that award and it was a great surprise to everybody when it was announced that there would be an award after her death in 1954. And it was first awarded in 1967 with Voss by Patrick White being the recipient.
In 2013 an award celebrating Australian women's writing, The Stella Prize, was named in her honour, pointedly taking on her first name. Today a literary classic, My Brilliant Career was rejected for publication in Australia. It did however find a supporter in the bush poet, Henry Lawson. In response to Franklin's request for aid he took the book with him to London and there his literary agent, J B Pinker, secured William Blackwood and Sons of Edinburgh to publish it. My Brilliant Career was met with immediate critical acclaim and I'm showing you a dust jacket – sorry, a cover from the first edition which I think is an excellent image. However few realised that the intended irony in the title or sort of sense of doubt in the title was altered by publishers changing in its meaning.
So this is what she wanted the title to be. The question mark in the original title adds a degree of uncertainty to protagonist, Sybylla Melvyn's decision to reject a marriage proposal in favour of pursuing a career as a writer and more importantly as an independent woman. When writing to Pinker Franklin, insisted that the question mark be included in the title and asked him to on no account allow Miss to prefix my name on the title page as I do not wish it to be known that I am a young girl, the desire to post as a bold-headed seer of the sterner sex. In fact it was perhaps a well-meaning Lawson who outed Franklin as a female writer as he wrote the preface to the book.
A few months before I left Australia I got a letter from the bush signed Miles Franklin saying that the writer had written a novel but knew nothing of editors and publishers, asking me to read and advise. Something about the letter which was written in a strong original hand attracted me so I sent for the manuscript and one dull afternoon I started to read it. I hadn't read three pages when I saw what you will no doubt see at once, that the story had been written by a girl and as I went on I saw that the work was Australian, born of the bush. I don't know about the girlishly emotional parts of the book, I leave that to the girl readers to judge but the descriptions of bush life and scenery came startlingly, painfully real to me and I know that as far as they are concerned the book is true to Australia, the truest I ever read.
So on the one hand he's giving her a huge compliment but on the other hand he's saying that it's a woman's book which certainly wasn't a compliment for Miles Franklin. So we can only speculate about what the book's reception would have been like if it was assumed to be written by a male author as she intended. It did sell well particularly in Australia but as scholar, Elizabeth Webby, has argued, Franklin certainly paid the price for having little in the way of authorial control over the final manuscript. Publishers softened the story because as her biographer, Jill Rowe, has observed and I quote, My Brilliant Career is an angry book and well brought up young women were still not supposed to express anger so a lot of the anger was taken out of the story and sadly the original manuscript has been lost so we can't recover what it would have been like.
These factors contributed to Franklin's decision to adopt other pseudonyms, mostly male, for a number of her subsequent novels and the best known of these is the ambiguous name, Brent of Bin Bin. Another factor that led her to adopt other pseudonyms was a desire to avoid comparison with My Brilliant Career. When her identity as the author became apparent My Brilliant Career was assumed to be autobiographical and in an era where traditional gender roles were upheld and women were expected to place marriage above all else, particularly in rural areas where she was raised, this assumption greatly embarrassed Franklin and her family. Indeed Rowe has drawn attention to the fact that Franklin always considered her first novel to be a juvenile work and she withdrew it from publication in 1910 and her will stipulated that it could not be reissued until a decade after her death. It's been continuously in print since 1965.
So the plot of My Brilliant Career centres on the headstrong and vibrant teenager, Sybylla Melvyn, who has ambitions for a brilliant career as a writer and I'm sure most people here are familiar with the story if not from reading the book but from the 1979 film directed by Gillian Armstrong which revived the story for a new generation. Strong female characters appear throughout Franklin's [erve] 23:58 and we also see this in the vivacious and assertive Dora Barry in Franklin's 1931 novel, Old Blastus of Bandicoot which is set on the [Monero] Plains and the original manuscript for this novel is on display in the Treasures Gallery and we have a number of notes and other material related to this novel.
In My Brilliant Career Sybylla is portrayed as being bored with family life and burdened by difficulties of drought and her father's alcoholism. She is sent to live on her grandmother's property where she meets Harry Beecham, a wealthy young man who falls in love with her. She rejects his marriage proposal believing he doesn't really love her. As her family's economic troubles deepen she is sent to be a governess and a housekeeper to a poor and illiterate family that her father owes money to. The grudging work takes a huge toll on her health and she is forced to return home. Harry visits her and once again proposes. Despite her feelings for him she again rejects his proposal explaining that she never intends to marry and plans to pursue her writing. And I love this passage where she's sort of talking about this great secret that she has and you know this horrible sort of thing about her that's going to shock him and make him not want to marry her that of course it's – she declares that she's going to be a writer.
So after hearing her confession Harry says that he'll gladly support her writing, he'll you know create a studio for her, doing whatever she needs but she still declines the proposal believing he doesn't really understand her creative drive or the realities of being a female writer and also believing that it – probably not practical if she were to marry that she really would have the freedom to write, particularly if she were to go on and have children.
Franklin concludes the novel by declaring her love for her brothers and sisters of Australia so this might be a bit of what Lawson was picking up on in the foreword and she aligns herself with the latter, saying my ineffective life will be trod out in the same round of toil, I am only one of yourselves, I am only an unnecessary little bush commoner, I am only a woman. So I find this comment revealing particularly when considered in light with the original title of the novel and that – sort of the doubt over her brilliant career. There's no certainty that she will have a career as a writer and particularly as her – the financial situation of her family means that it's very likely that she'll have to find paid employment in a service role, most likely.
Nonetheless I think the important part of the story is that she chooses to carve out her own path and be the master of her own destiny. It's a bold choice that reflect Franklin's own feminist views and the way that she chose to live her life.
A generation younger Christina Stead was not compelled to write under a male pseudonym in order to get her work published. She did however experience setbacks to her literary career, particularly in Australia. The degree to which her gender contributed to these is debatable however critics have argued that the fact she was an expatriate who set many of her novels overseas, lived with a married man and was engaged with Marxist thinking and also because she was a woman impacted on her reputation and certainly in Australia.
Indeed as Modjeska has argued, although the generation of writers from the 1930s onwards had greater support than their predecessors because there were more of them, it was still very challenging for women as she observes, and I quote, their situation was not always overtly oppressive but was hard and oppression can take many and subtle forms. Today Stead is considered by critics as one of the country's most important writers who also boasts an international reputation. And when preparing this display I was really amazed by how many people had never heard of her, particularly people who had you know a sort of deep engagement with Australian literature had never heard of Christina Stead and I think that's starting to change, there's more books coming out about her but I think it's interesting that she doesn't seem to be as well-known as the other writers.
Stead was born in Sydney, the daughter of marine biologist and conservationist, George – David George Stead. The only child from his first marriage, at the age of nine she moved to Watson's Bay where she lived until she was 26. It was a busy household, she had five half-siblings from her father's second marriage. In Australia she trained as a teacher and the occupations she was very ill-equipped for and eventually got her certificate of medical absence so she didn't have to complete her five years or repay her teacher training. And she also worked as a researcher assistant to a psychology lecturer.
So Stead left Australia in 1928 and this is a photo from her farewell and you can see her there and I love that photo so much, it gives me a real sense of how much she didn't really want to be a part of her family. It's great.
So she first went to London like her – in 1928 after saving for many years and – like her heroine, Teresa Hawkins in the 1944 novel, For Love Alone, Stead hoped in vain for a romance with a former tutor from the University of Sydney. She took a secretarial job at a grain exchange firm, working for American Marxist economist, Wilhelm Blech, who later changed his name to William Blake, great name for an author's spouse, I think. And she entered into a romantic relationship with him that was to last until his death in 1968. And Blake, himself a writer, was a great supporter of Stead's career.
Stead published the first of her 12 novels, Seven Poor Men of Sydney, in 1934 and only it and For Love Alone have Australian settings. She and Blake lived between London and New York with stints in several European cities and all of these places are reflected in her writing, the impact of these different cities are seen in her writing. They finally married in 1952 after Blake was able to obtain a divorce and they spent most of their time together living very frugally and some people have even said in a state of near poverty.
Though critically acclaimed Stead's novels were never bestsellers and from the late 1940s she found it harder to get her work published. Whereas Richardson was able to develop a literary reputation in Australia despite living overseas the same was not true for Stead. Letters held at the Library reveal her frustration at constant rejection from local publishers. As her books were published overseas they were more expensive than locally produced works so it was further inhibiting people from engaging with her literature because it was simply too expensive and they hadn't heard of her.
In 1939 while writing her masterpiece, The Man Who Loved Children, she wrote to her cousin and explained and you can see it in this letter. I should like to publish my next novel in Australia. The novel drew on her childhood experiences in a large blended family overseen by a domineering father. Ironically not only was the novel rejected in Australia but her American publisher insisted that the setting be changed from Sydney to Washington in order to broaden its appeal to Americans. And it's considered a great tragedy that one of Australia's greatest novels is not actually set in Australia even though that was what the author had intended.
Stead was largely overlooked in her country of birth during her lifetime. In 1946 her novel, Letti Fox: Her Luck, which was set in Manhattan during the second world war and dealt frankly with female sexuality, was banned here. Undeterred she kept trying to secure Australian publishers. A letter declining to publish her 1948 novel, A Little Tea, A Little Chat included the comment from the editor of Sydney's invincible press that they – and I quote – gravely doubt it is the sort of book that would be popular in Australia, adding, it represents a section of American life which I'm afraid our public would find very difficult to understand.
It was not until the 1965 reissue of The Man Who Loved Children with an insightful foreword by prominent American literary critic, Randall Jarrell, that she began to receive recognition as a literary giant both in Australia but particularly overseas and it's often said that she's perhaps well known – better known overseas, particularly in America, than in Australia.
When she returned permanently to Australia in 1974 she was awarded the inaugural Patrick White Award for established yet underappreciated writers and he'd set up that award through the prize money from his award – I think the Nobel Prize for Literature that he received in 1973. And Stead died in 1983.
So I'm showing you a first edition of The Man Who Loved Children and this is another item that's on display in our Treasures Gallery. In the past dust jackets weren't kept for a lot of collection material so it was very special to find this within original dust jacket.
Stead described The Man Who Loved Children as a novel about family life and that it is but certainly not an ordinary family. It's dominated by narcissistic father, Samuel Pollit, who calls himself Sam, the Bold and his depressed sarcastic wife, Henny, who was physically and mentally drained by six successive pregnancies and the problematic relationship with her husband.
The family lives beyond its means and martial tensions contribute to the dysfunction at home. The title of the novel is intriguing. In her biography of Stead, Hazel Rowley argues that – and I quote – what The Man Who Loved Children really loved more than the children as individuals was the power to form young minds. So this is why Sam insists on having so many children as it's a form of self-love.
While Sam is domineering it is Louisa, the 13-year-old daughter from his first marriage, who is the strongest character in the novel. Described as being plain and overweight Louie or Lou Lou, as her dad calls her, defies the traditional standards of the ideal girl. Indeed as her father's hatred of plainness enhances Louie's sense of being an outcast intensifies but it also strengthens her resolve to break free from the situation. And I quote, Sam was not only revolted by deformity and plainness but he actually saw a central evil in it and there's also a bit where he says to Louie, what can I do with a girl like you? You have no looks, I understand you. And apparently these are the sorts of things that Stead's father used to say to her.
So being the only child of his deceased first wife contributes further to her sense of isolation. It's very clear that she's the smartest person in the house, her intellectual interests are fostered by her father as long as they align with his and as soon as she begins to develop her own ideas and you know become a teenager she starts to keep a diary written in a code that he cannot decipher because he goes through all of her things. Sam becomes threatened by this and accuses her of disloyalty.
So as the narrative unfolds Louie increasingly assumes the role of a parent, not just to her step-siblings but also to her father and her stepmother as the adults in the house become further detached from reality and consumed by their own hopes and despairs. Sam's childish and domineering personality becomes unbearable. The novel is inflected with Sam's irritating, singsong, childlike manner of speaking which is if you haven't read the novel – when you do read it it's very irritating but weirdly compelling, it's like – it's just so well written. An example is this is a song that he's singing to his children when his seventh child is being delivered and he's sort of jubilant about this birth and I won't irritate you by singing it but you can imagine.
So at this point I should sound a warning that there's potentially a slight spoiler coming up so you might want to block your ears. So the most powerful scene at the novel comes at the very end when essentially Louisa makes the decision to leave the family and while that could be quite concerning for you know an adolescent sort of out there on her own, as a reader you're really reassured that she's somehow escaped. Letters in the Library's manuscripts collection reveal that the characters in the book were informed by Stead's recollection of her upbringing. In 1942 she wrote to Thistle Harris who was her father's third wife saying, yes, I feel the characters in The Man Who Loved Children are very, very real, recreated but real. Sam really did boil a fish for oil, a shark, not a [tip truck tourist] 37:19 – sorry, I pronounced that wrong – but I had to make it North American. And Henny really did play cards out of desperation and so on and so on. It did not happen exactly all on one day but what I did is a very real representation of life as it was then.
So in light of this I think there very much appears to be something of Stead in Louie, sort of like the ugly duckling who sort of flees the family and goes on and has a really rich life of her own, living it in her own way. She's clearly wiser than her years yet very confined at home and the theme of a young woman leaving behind a trying family situation is also echoed in For Love Alone when we see Teresa moving for London in pursuit of love but also moving away from difficult home life.
And I guess just on that sort of comment about – that sort of blend of fact and fiction, I think something that I read recently is this idea that we see history is factual but fiction is truthful so while these aren't autobiographies of any of these writers it was Christina Stead's truth of her family situation that makes the novel so compelling.
The Man Who Loved Children is regarded by many as one of the greatest novels of the 20th century and it's earned a new generation of fans as a result of American novelist, Jonathan Franzen's acclaimed 2010 essay about the book and some of you might have read this. It was published in The New York Times, circulated widely and it was also included as the foreword to Miegunyah's publication of the book that year. In it he included an interesting passage about why he feels the novel has still not received its proper recognition.
I suspect that one of the reasons The Man Who Loved Children remains exiled from the canon is that Christina Stead's ambition was to write not like a woman but like a man. Her allegiances are too dubious for the feminists and she is not enough like a man for everybody else. Stead wasn't content to make a separate space for herself in a room of her own, she was competitive like a son, not a daughter and she needed to go back in her best novel to her life's primal scenes and beat her eloquent father at his own game.
So while on the face of it it seems that Stead didn't really suffer the same degree of sexism that Richardson and Franklin did, I think in light of some of these comments and some of the challenges she faced, I think it does become clear that certainly her gender did impact on her writing and her dealings with publishers, particularly in Australia.
Another thing that she has in common with Richardson is that many of her novels were not deemed Australian enough and as one scholar says it sort of didn't pass the gumleaf test, there weren't enough references to gum trees in the novels.
Female novelists wrote some of the finest Australian literary works of the early 20th century. Today Henry Handel Richardson, Miles Franklin and Christina Stead rank among the country's greatest writers and these three names come up in every scholarly work about Australian literature at that time. During their lifetimes their literary careers were impeded by a number of factors, many of which related to gender stereotypes of the era. These experiences informed their literary works which feature strong female characters who go against societal expectations of women at that time.
Through their perseverance these writers have left a legacy that continues to inform our literary landscape and also that of the global literary landscape. The Library is the custodian of rich material related to each writer and it celebrates our achievements through the display in our Treasures Gallery. So if you haven't already seen the display I'd encourage you to go down and have a look and I also very much encourage you to read or perhaps reread some of the novels that I've spoken about today but some of the other works by these writers. So thank you very much.
M: Thank you very much, Grace, that's a wonderful talk. I like to think that exhibitions are like icebergs, displays the tip of the iceberg and underneath is all the research.
End of recording


Yatra offers exquisite Indian/Asian food in stunning surroundings in the heart of Mayfair. The décor is a cool fusion of Oriental and Indian with granite surfaces set against vibrant colours creating an interior which is minimalist but welcoming.
Water features further enhance the relaxed ambience providing the perfect setting to enjoy the exquisite and innovative food cooked by "young, energetic, Oberoi-trained chefs".
Reviewers have found it "difficult to find fault in any respect" and have referred to the "divine" menu. Marco Pierre White said that his "chicken on crab claw was delicious".


text:
Q: Is the error in a "5%" resistor consistent across measurements? One of my projects involves a number of voltage dividers... but if I'm worried about precision (which I'm really not, but I want to understand how these things actually work) can I realistically use "standard grade" 5% resistors for these dividers and calibrate around the error?
What I'm really saying is that if a given resistor is "off" by 3.5% I don't really care... as long as it's always off by the same 3.5%.  But if from one measurement (voltage?  current?) to another it might be +2% one time and -3% another time, then I need to get higher quality components...

A: The answer to your questions is mostly covered in the data sheets. A 5% tolerance resistor will also have a specification for temperature drift, "load life" (drift with time under certain environmental conditions) and so on. It's possible to make a 1% resistor that is just as crappy as a 5% resistor in stability, it's just trimmed closer to begin with (and at a certain temperature).
Calibration can reduce the initial inaccuracy, but it won't reduce the other kinds of drift. The drift will determine whether you can make a 0.1% circuit with 1% resistors or a 0.5% circuit with 5% resistors.
Here's a typical temperature characteristic for a cheap resistor.

There are many other types of drift described on page 6 of the above linked PDF file.
For example,

It's up to the designer to come up with an error budget and interpret the data sheet numbers to see if the part will fit the job, given the environment it will live in and the desired product life and required reliability.
Generally if a part has a close tolerance and a low temperature coefficient of resistance (TCR) the other drift specs will be good as well, but you do have to check the data sheet if it matters for your application. For a pullup resistor, a change of 20% makes little difference, but if it's a voltage divider on a measuring circuit, a 0.1% change might be very important.

A: There are many things that can cause a variation in a resistors resistance.
For the specifics of the OriginalPost IF a +-5% resistor actually was +3.5%, it will not, between operations change +2, -3% ... PURELY based upon tolerance.
Now there are other influences on such parts that do cause variation.
One is temperature not only from the local ambient (and thus similar resistors would additionally vary by the same amount) but from their own self-heating (a resistor operating at 99% power rating will obviously have a slightly different resistor value from one that was operating at 1% power rating.
There is also ageing which is related to temperature (rule of thumb we use is a 80% continually stressed 1% will be 4% over 25years, a 0.1% will be 0.2% for <50% stress over 25years) . Any decent resistor manufacturer will tell you all the information you need to know
Here is a good place to start.
http://www.vishay.com/docs/49562/49562.pdf
My advice if you have a bunch of voltage dividers is to create a spreadsheet and have a column per resistor.
Have different rows that then go:
MIN from tolerance ( ie R *0.95)
MAX from tolerance (ie R *1.05)
MIN_TEMP_MIN_RES ie TCR equ at min temp and lower tolerance
MIN_TEMP_MAX_RES
MAX_TEMP_MIN_RES
MAX_TEMP_MAX_RES
Then for the three temperatures (min, ambient, max) take the worst-case voltage divider combinations (upper_max & lower_min,  upper_min & lower_max) ...
for 5% resistors you will not get an overall accuracy spread better than 10% (just bear that in mind)

A: Purchasing a batch of ±5% resistors means that the resistors you receive will be anywhere between 95-105% of the intended value (@ std temperature).  For example, a batch of ±5% 100 Ω resistors are guaranteed to be anywhere from ~= 95 Ω to 105 Ω.
This will harm your accuracy,and as someone said before, ±1% resistors are pretty cheap.

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Madalynn. i am currently a student studying sociology/politics at one of the best universities in england. i am also currently learning spanish, as well as being an event planner and working with local charities.
There was even a special guest at the event as the victor of the billed 'fight of the century' over the weekend, Floyd 'Money' Mayweather, was in attendance fresh off of his win over Manny 'Pacman' Pacquiao. MPs vote down fresh bid to launch Leveson 2 inquiry into the press after unelected peers try to force the How to get FREE food and drink at four of the top high street market chains - and all you need is a phone Head of English, 47, who was sacked for showing rated horror movie Halloween to a class of year-olds The year-old and crew made the discovery shortly after arriving at his property in Agoura Hills, pictured here.
Alaya. being only 20, i am young full of life and hoping to learn.


Appears in the July 2018 issue.
Ready to move, stretch and break a sweat?
This high-intensity workout is a simple way to engage your whole body without any machinery or equipment.
The goal Improve fitness levels, flexibility, mental toughness, plyometric skills, agility and aerobic conditioning with these exercises from F45's Gravity workout.
The plan Perform 3 rounds of all 7 exercises. Each round should take 45 seconds, then add 15 seconds of rest before continuing with the next.
Hint Download a free interval timer app on your smart phone to avoid the distraction of watching the clock.
Start in a standing position with feet shoulder-width apart. Lower hands to floor and jump feet back into plank position. Do 2 pushups, then jump feet back under chest and return to standing. Lower torso, bending at the knees and driving hips back to squat position. Repeat 4 times but add a jump when coming back into standing position for the last 2; then start from the beginning.
Start in a bear crawl stance with hands on floor under shoulders, knees bent under hips and toes on floor. Bring left leg under right leg and take right hand off the floor, extending it toward the ceiling while lowering hip toward floor. Move back down to start position. Repeat on the other side.
Start in a standing position with feet shoulder-width apart. Lower into a squat, bending at the knees, keeping weight on heels with chest up. Step right leg forward into a lunge, keeping knee at a 90-degree angle. Bring right foot back to start position, staying low, then repeat with left leg.
In plank position, do a pushup, then rotate your right arm around as if swimming freestyle. Repeat on left side.
Start in plank position with hands directly under shoulders. Lower left elbow to floor replacing left hand. Lower right elbow to floor replacing right hand. You should now be in a forearm plank. Move left hand to replace left elbow and push up to raise body. Move right hand to replace right elbow and finish in original hand plank position. Repeat starting on the right side.
Start in standing position with feet shoulder-width apart. Jump to the right, landing on the right foot, while bringing the left leg behind you. Lower down slightly on the landing leg while the leg in the back remains suspended. Jump to the left with right leg back and repeat.
Start on your back with arms extended overhead and hands touching the floor. Bring arms and legs up, reaching hands to feet or shins while crunching abs. Lower back down.


text:
.jp (от  Japan) — национальный домен верхнего уровня для Японии. Регистрировать домены .jp могут граждане и организации любой страны без ограничений.

Зона .jp администрируется Japan Registry Service

Домены второго уровня
Любые участники с Японским почтовым адресом могут получить доменное имя второго уровня произвольного вида. Однако есть некоторые домены второго уровня, присущие отдельным сферам деятельности. К ним относятся:

 ac.jp: высшие научные учреждения, такие, как университеты
 ad.jp: члены JPNIC
 co.jp: большинство форм инкорпорированных компаний, включая иностранные компании, зарегистрированные в Японии
 ed.jp: учебные заведения для лиц моложе 18 лет
 go.jp: Японские правительственные министерства
 gr.jp: группы из двух и более людей или группы зарегистрированных компаний
 lg.jp: местные органы власти
 ne.jp: провайдеры сетевых услуг
 or.jp: зарегистрированные и некоммерческие организации

Ссылки
 Сведения whois для домена .jp на сайте IANA
 Japan Registry Service

Интернет в Японии
Национальные домены верхнего уровня
Появились в 1986 году в Японии

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This condensed three day course covers the same content as the IOSH four day course, simply makes it more convenient for companies and organisations to spare their employees from business to attend training.
The aim of the course is to ensure that safety requirements are appreciated by people employed as line managers and enable them to review their own departmental systems for safety, introducing new controls or implementing changes as appropriate to make their work place safer.
The IOSH Working Safely course is a basic introduction for all levels or personnel who are non-health and safety experts. The training will give staff the information they need to keep themselves safe at work.
UTN Training deliver a wide range of courses such as CITB, IPAF and PASMA. Some of the courses delivered include CITB Site Safety Plus, NEBOSH General and IOSH Managing Safely.


If Kendall Jenner had it her way, more people would focus on her booty. Vogue's September cover girl participated in the magazine's signature video series, "73 Questions," where an interviewer came out to momager Kris Jenner's Calabasas mansion to quiz her.
When asked what she wished more people focused on, she replied, "My a**." Of course, Jenner's sisters have received plenty of attention over the years for their famous behinds.
As for Kenny's own style, she isn't afraid to go bold. When asked what she wears when no one is watching, she replied, "Nothing." And her favorite thing to wear? "Anything controversial!" she gushed.
She also dished that she'd love to make a cameo on The Bachelorette and that the funniest Internet rumor she's ever heard about herself was that she was carrying Justin Bieber's spirit child.
For more on her favorite films, her hidden talent, and the wildest night she ever had with Gigi Hadid, watch the full interview above!


text:
Bill Mckinney Titles, Movies and Posters
Sort by: PopularityYear AscendingYear DescendingTitle (A-Z)Title (Z-A)
CAST: John Boorman, Jon Voight, Burt Reynolds, Ronny Cox, Ned Beatty, James Dickey, Bill McKinney, Ed O'Neill,
Outlaw Josey Wales
CAST: Clint Eastwood, Clint Eastwood, Chief Dan George, Sondra Locke, Matt Clark, John Vernon, Bill McKinney, Sam Bottoms, Will Sampson, Woodrow Parfrey, Royal Dano, John Quade, John Russell, John Mitchum,
The Shootist
CAST: Donald Siegel, John Wayne, Lauren Bacall, Ron Howard, James Stewart, Richard Boone, Hugh O'Brian, Bill McKinney, Harry (Henry) Morgan, John Carradine, Sheree North,
CAST: Bruce McCulloch, Molly Shannon, Will Ferrell, Elaine Hendrix, Glynis Johns, Mark McKinney, Harland Williams,
The Parallax View
CAST: Pakula, Alan J., Warren Beatty, Hume Cronyn, William Daniels, Paula Prentiss, Kenneth Mars, Bill McKinney, Anthony Zerbe,
CAST: Eastwood, Clint, Clint Eastwood, Sondra Locke, Bill McKinney, Scatman Crothers, Sam Bottoms, Geoffrey Lewis, Dan Vadis,
CAST: Kaplan, Jonathan, Bonnie Bedelia, Beau Bridges, Bill McKinney, Leo Rossi, Hoyt Axton, Dick Miller,
CAST: Clint Eastwood, Clint Eastwood, Chief Dan George, Sondra Locke, Bill McKinney, John Vernon, Paula Trueman, Sam Bottoms, Geraldine Keams, Woodrow Parfrey, Joyce Jameson, Sheb Wooley, Royal Dano, Matt Clark, John Verros,
City Slickers 2: The Legend of Curly's Gold
CAST: Weiland, Paul, Billy Crystal, Daniel Stern, Jon Lovitz, Jack Palance, Patricia Wettig, Pruitt Taylor Vince, Bill McKinney, Lindsay Crystal, Noble Willingham, David Paymer,
CAST: Hackford, Taylor, Jeff Bridges, Rachel Ward, James Woods, Alex Karras, Jane Greer, Richard Widmark, Dorian Harewood, Swoosie Kurtz, Bill McKinney,
CAST: Martin Scorsese, Leonardo DiCaprio, Margot Robbie, Matthew McConaughey, Jonah Hill, Jon Bernthal, Cristin Milioti, Jon Favreau, Ethan Suplee, Shea Whigham, Spike Jonze, Madison McKinley, Kyle Chandler, Joanna Lumley, Katarina Cas,
CAST: Hunter, Tim, Matt Dillon, Jim Metzler, Meg Tilly, Bill McKinney, Frances Lee McCain, Ben Johnson,
She Freak
CAST: Mabe, Byron, Claire Brennan, Lynn Courtney, Bill McKinney, Lee Raymond, Madame Lee, Claude Smith,
CAST: John Hughes, Kevin Bacon, Elizabeth McGovern, Alec Baldwin, James Ray, Holland Taylor, William Windom, Cathryn Damon, Reba McKinney, Bill Erwin, Paul Gleason, Dennis Dugan, Anthony Mockus Sr., John Ashton, Larry Hankin,
China Lake Murders
CAST: Metzger, Alan, Tom Skerritt, Michael Parks, Nancy Everhard, Lauren Tewes, Bill McKinney,
CAST: Bartel, Paul, Martin Scorsese, Roger Corman, Joe Dante, Paul Bartel, David Carradine, Bill McKinney, Veronica Hamel, Gerrit Graham, Robert Carradine, Jonathan Kaplan, Belinda Balaski, Judy Canova, Carl Gottlieb, Archie Hahn, Sylvester Stallone, Dick Miller,
CAST: Charles Oliver, Minnie Driver, Jeremy Renner, Bobby Coleman, David Denman, Adam Rodriguez, Bill McKinney, Emily Harrison, Griff Furst, Patrick Brennan, Tom Schmid, Jessica Stier, Rocky Marquette, Paul Schackman, Allison Miller,
Rock It!
CAST: Nicholas Stoller, Russell Brand, Rose Byrne, Tyler McKinney, Zoe Salmon, Lino Facioli, Lars Ulrich, Mario López, Pink, Billy Bush, Kurt Loder, Christina Aguilera, Colm Meaney, Ray Siegle, Chad Cleven,
Asylum of the Insane
CAST: Byron Mabe, Claire Brennen, Lee Raymond, Lynn Courtney, Bill McKinney, Claude Smith, Ben Moore, Van Teen, Madame Lee, Marsha Drake, Felix Silla, William Bagdad,
Witches' Night
CAST: Paul Traynor, Gil McKinney, Jeff Christian, Wesley Walker, Jeff Alba, Betsy Baker, Lauren Ryland, Meghan Jones, Elisabeth Oas, Stephanie Cantu, Paul Bentzen, Matthew S. Harrison, Chris Nolte, Siri Bell, Jolian Blevins,
Viewing Results: 01 - 20 / 20

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How Georgia Tech faculty and students draw inspiration from a pop culture phenomenon.
Guthman Competition, InVenture Prize, and Spring Arrival.
There's no place like home for this former Yellow Jacket softball standout who's now the head coach.
Crosland Tower, Tech at the State Capitol, and Technique Awards.
A group of students pays tribute to a fallen campus tree with 'Fall of a Champion,' an exhibit now on display in Clough Commons.
Joycelyn Wilson didn't just grow up around music, she grew up around the lyrics. She wanted to know what artists were singing and why.
Early Action, NASA Astronaut Mae Jemison, and the Periodic Table.
Tech the Halls, Midnight Breakfast, and Commencement.
Two students. Two very different journeys to Georgia Tech.
Ignacio Montoya is determined to get spinal cord injury patients out of wheelchairs, including himself.
After a five-year hiatus, Andrew Kell went through the process of readmission and academic renewal to come back to Tech at age 24.
Ethics events, a Faculty and Staff Art Exhibit, and going inside the Student Competition Center.
Through an innovative employment training program, Tech is helping veterans make a meaningful transition to civilian life in Georgia.
Free coffee is arriving on three wheels courtesy of Georgia Tech's Collegiate Recovery Program.
The fate of around a dozen pumpkins was to be smashed outside the Howey Physics Building in the late afternoon hours on Halloween.
Mary Tipton Woolley is senior associate director for Undergraduate Admission.
Georgia Tech's steam whistle cannot be ignored — so how does the piercing sound affect your day?
A Georgia Tech expert talks about workplace ethics and coming back from crisis.
Ivan Allen Prize, Robotics Roundtable, and Retirement Dinner.


India Today – Akshay Wadkar has replaced suspended Abhishek Gupta in the India Red squad for the upcoming Duleep Trophy competition, which starts from August 17.
Akshay Wadkar has replaced suspended Abhishek Gupta in the India Red squad for the upcoming Duleep Trophy competition, which starts from August 17.
The Board of Control for Cricket in India (BCCI) made this late change as Gupta is currently serving an eight-month ban for doping violation that ends in September and keeping that in mind the board announced the replacement for the Abhinav Mukund-led side.
"It was brought to notice by the BCCI anti-doping team that Abhishek Gupta who was initially added in the India Red squad is serving an 8-month ban for a doping violation," a BCCI statement read.
The senior selection committee has reached a consensus that Akshay Wadkar will be included in the India Red team as Gupta's replacement," it added.
It turned out to be a major faux pas for the governing body for cricket in India as Abhishek is banned from participation in cricket till September 14 while the Duleep Trophy is scheduled to take place from August 17 to September 8.


Come on, look at the menu and tell me how any of that ISN'T weird?! I enjoy 'the weird'.
Just take a step back and look at the world a little differently. You'll soon see that I'm not as wrong as you first thought.
Choose one of the options from the menu.


This spring, I am going to write a series of blogs entitled "Plant of the Week". It will bring you information about particular plants that are looking good at this time of year.
Today, I have chosen the Cowslip, Primula veris.
This includes the primrose (Primula vulgaris) and all the colourful hybrids sold in garden centres. In the wild, primroses are usually a pale yellow, but can also come in pink. This is because the Scottish biennial Primrose Primula scotica or the lovely Bird's eye primrose Primula farinosa have interbred with the perennial Primula vulgaris.
The cowslip is always yellow, and a brighter yellow than primroses.
Their flowers are smaller and their flower stems longer. They are loved by bees, and a particular joy at this time of year, especially when massed on a grass verge (as pictured right). They flower before the grass gets long, and needs cutting. Although, if you want cowslips in your grass, it is best to leave mowing until they have gone to seed, in early summer, and mow on the highest setting. If you are starting from scratch, you can sow a slow growing fescue grass that won't swamp the cowslips.
They are less common than primroses, slower growing, and less easy to propagate from seed. The seeds require a period of winter chill before they will germinate, and seeds can survive many years before germinating when conditions are just right for them. So if you try sowing them and they don't come up the first year, don't throw the compost out, as they may well just be taking their time – sometimes it can take two or three years before they eventually germinate, and in the wild, seeds will last for many more years than this.
Their natural habitat is dry chalky soil, meadows, grassy clearings in woods, and banks.
I planted a cowslip in 'The Sunny Front Garden', which is thriving, so they can do well in borders, as long as they don't get swamped by other plants and conditions are right. Cowslips would be more common on grass verges by the side of roads, if we altered our mowing regime to suit them, by mowing less often, later in the season, and, importantly, taking the clippings away. The grass cuttings act as a mulch, stifling the growth of wild flowers, except for the most robust, such as Cowparsley, nettles and dock.
There are also non-native members of the primulaceae family, which can make useful garden plants, particularly the Japanese drumstick primroses, such as Primula denticulata or candelabra primroses, such as Primula bulleyana, and Primula pulverulenta which like damp conditions and work well in bog gardens, as pictured below with Astilbes and ferns.
Next week I will be looking at another seasonal plant.


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text:
The Starboard Sea
April 2, 2012 by Steve Mentz Leave a Comment
When I saw the cover-page review in the Times Book Review, this seemed an obvious novel to read just before "Oceanic Shakespeares." It's a sailing and prep-school story, and while I don't always love the latter, the sailing-language in this book is fresh and precise:
You never sail with one wind. Always with three. The true, the created, and the apparent wind: the father, son, and Holy Ghost. The true wind is the one that can't be trusted. The true wind comes in strong from one direction, but then the boat cuts through the air and creates her own headwind in turn. (39)
The plot, in a way that may be so familiar it goes unremarked in in the two reviews I've read, limns The Tempest. Our hero is Jason Prosper, master-sailor, wind-seer, and young man with a dark past. His sailing partner & best friend Cal — surely we don't need to spell out the remaining syllables? — has committed suicide, which leads Prosper to a new school, where he finds Aidan — the name means fire, not air, but it seems close enough — a magical California spirit. A familiar trio.
The best parts press hard against the metaphorics of sailing. Jason almost drowns his prospective new partner on the first practice of the season, quits the team for the fall, then returns in spring. That plot seems rote enough, but the book's more interested in connections —
Knots are a form of control. The halyards, sheets, painter, and lines all run because of knots…. 'The funny thin about a knot,' [Jason] said, 'is that it actually weakens the rope.' (168).
When I read the Times review I wanted to play the etymology game that the author made me wait til almost the very end of the book to find:
We'd see who could come up with the most common words, sayings, and cliches that came from sailing. " Batten down the hatches," "give a wide berth," taken aback," "above-board," "true blue," "high and dry," "hand over fist," "know the ropes," three sheets to the wind," "walk the plank," "catch my drift," "on an even keel," "loose cannon," "miss the boat," "chew the fat," "let the cat out of the bag," "no room to swing a cat," "beat a dead horse," "shake a leg," "slush fund," "cut and run," "close quarters," "deep six," "scuttlebutt," "chockablock," "the cut of your jib"… (273)
The title comes from a term Cal invents to fill out this list —
…it means the right sea, the true sea, or like finding the best path in life. It's deep. I'm telling you, it's going to catch on. By this time next year, everyone will be using it. (274)
As that last quotation shows, this debut novel risks sentimentality, in the way that writing about near-children sometimes lets you get away with. (It reminds me a bit of The Hunger Games, another first-person teen novel that really has caught on.) Or is it writing about sailing that enables sentimentality? That deep sea of feeling?
Filed Under: Books, SAA 2012


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Society/Ethics/Politics
Should rape by deception be legal for trans people? To have sex without telling they are trans.
Thread starter john james
Rape is not a capital crime anywhere in the US, and the Supreme Court has explicitly said that while they are both serious, they are not "similarly serious".
Unless you count the 18 states in which it's a capital crime.
J regia
john james said:
Some trans people want the right to trick people into having sex with them and there not be any consequences. This is all horrible!!
What are the horrible consequences of having sex with a trans person?
And are there horrible consequences if you have sex with a bloke who has Swyer syndrome too?
Electric Skeptic
Thistle said:
You're really not having a good day, are you? That document is dated 1955; the SCOTUS ruled it unconstitutional in 1977, at which time Georgia was the only state in which it was still a capital crime. Now it's not a capital crime there, either.
If you'd bothered to actually read your citation (I've no idea why I thought you'd do so) you'd notice it also lists as capital crimes in some states such offences as kidnapping, robbery, (some cases of) perjury, train wrecking, arson and burglary. Are they all "similarly serious" to murder, too?
That's from 1955
interesting you used to get the death penalty for "train wrecking"
also surprised almost all states used to have the death penalty for kidnapping
My friend is a victim of this. The person didn't share they were trans until after wards. My friend stopped all communication with the trans person. And is trying to cope with traumatic experience. They dealing with a high level of anxiety now. They are afraid to have any social interactions with anyone male or female they don't already know because they are scared they can't tell the difference.
So what's the difference between a woman's vagina and the vagina of a bloke with Swyer syndrome or the vagina of a trans person?
How do you go about train wrecking? Doesn't seem to be the problem it once was.
Backup said:
The page or so above that table notes that several states had conditions on kidnapping being a capital crime - in some it had to be for ransom, in some it was capital if it was with the "intent to defile her, or ... a girl under sixteen years of age for the purposes of prostitution". Similar discussion of the other offenses is on the page after the table.
Reactions: Backup
So you would class none of the following as rape (assuming otherwise consensual sex):
- she says she's on the pill; she's not
- he says he's AIDS-free; he's not
- he says he'll pull out; he doesn't
- he says he'll wear a condom; he puts a nick in it so that it tears
- she says she's his girlfriend; she's not, she's her identical twin
I'm not disagreeing - just asking.
I'm torn about the 3rd scenario; the others I would say are decidedly NOT rape.
"The heading "Trainwrecking" is an accurate description of the crime that is madea capital offense in the states listed in the table, that is to say that there is no additional requirement that a person be killed as a result of the wreck. In many states,train wrecking is a capital crime if a person die thereby.3 In still other states, thetrain wrecking plus the death of a person is defined as "murder" in the statutes, butthe crime of murder in those states is divided into degrees. In other words, if thetrain wrecking and the death of a human are proved, it is not automatically murderin the first degree (and thus capital). These states are not listed, but West Virginiaand Virginia are examples of states that have this type of statute."
When I was a kid it was claimed (among all the knowledgable 'older' kids) that putting a penny on the tracks would do it (plus you'd get a squished penny out of it).
I'm curious as to how the third scenario is worse than the fourth. I'm also curious how the last - where the 'victim' is actually having sex with a different person - is not more serious.
yeah, but not disclosing to be trans is hardly rape or murder.
How some state chooses to define crimes like rape, is hard for me to figure out, on the ground there is quite a bit of variability. It would be nice to think that somebody made a very compelling case for the definition that each state adopts.
fundamental principle of sexual complementarianism
whatever dude
you can't just make up some random concept and claim it to be the be all and end all of sexuality
I'm flattered that you think I'm capable of making that up, but lest I be struck by lightning, I better properly attribute that to the Creator, don't you think?
Maybe I'm not into redheads and a ginger girl doesn't tell me she dies her hair. She disrupted the fundamental principle of sexual complementarianism!!!!
Sorry I didn't mean to use the technical language that you were not familiar with.
"And he answered and said unto them, Have ye not read, that he which made [them] at the beginning made them male and female, And said, For this cause shall a man leave father and mother, and shall cleave to his wife: and they twain shall be one flesh?" - Matthew 19:4–5 KJV
This is the principle of sexual complementarianism.
She's basically a rapist and a murderer!!
Hair color is not a fundamental aspect of sexual design.
Well, the question was about whether these were rape or not - not the relative levels of seriousness. The third scenario seems to hint at force more than the others, so as I said, I'm unsure about it.
Deceiving people into not recognizing the consequences of having sex with you - is about deception; not rape. Having sex with someone who doesn't want to have sex with you - is about rape.
The third scenario is tricky. If the couple is mid-coitus and the woman suddenly tells the man to stop and he doesn't - that's technically rape. If the woman is receptive right up to the point where the male fails to withdraw, I'd say "rape" would be a difficult charge to make in court.
"And he answered and said unto them, Have ye not read, that he which made [them] at the beginning made them male and female, And said, For this cause shall a man leave father and mother, and shall cleave to his wife: and they twain shall be one flesh?" - Matthew 19:4–5 KJV
And should men with Swyer syndrome cleave to a wife too, or cleave to a husband?
And what about men who lie on the breasts of men they love (John 21:20)?
Authentic Nouveau
what are you rambling about? You are really moving from rape to murder?
More like a woman claiming to be a virgin, when she's been with 50 guys.
She is a Democrate
You're really not having a good day, are you?
Actually I'm having a spectacular day but thank you for your concern.
That document is dated 1955;
the SCOTUS ruled it unconstitutional in 1977,
They also gave us the Dred Scott decision.
at which time Georgia was the only state in which it was still a capital crime. Now it's not a capital crime there, either.
I'm pretty sure that, that decision is ripe for overturning. Criminal law is a matter that the Constitution leaves to the states. The suggestion that a particular crime cannot be designated a capital crime by the state legislatures, does not strike me as well founded in the Constitution.
From which you draw what inference exactly?
I imagine a lead pole on a track may derail a train.
A penny won't do it. We used to get flat pennies that way when I was a kid. Harmless fun, if you stay a safe distance from the train. I'd like to try it again.
More beating around the bush to avoid yet another error. You claimed that rape is a capital crime in 18 states. It's not. It's not a capital crime anywhere in the US.
You were wrong.
Fenuay
I'm sorry for what your friend experienced. I think it's terrible for someone to hide that fact. Honesty is vital to any relationship.
This might be a bit too much for this forum, but I'm wondering how a person could have sex with another person who's trans without realising it. Wouldn't there be pretty obvious things in the private region you are or aren't expecting to find there?
Post op m to f is usually pretty easy to tell. But I imagine it is getting much better these days so perhaps it's more and more difficult to tell.
Rape by deception doesn't exist.
I get what you are saying but I still think it's horrible to lie to someone and not admit your gender. Especially if there is a serious relationship developing. If it's casual sex then you get what you get lol and I don't think the trans person is obligated to share in that case.


Amazed how this farm evolved. It was previously a private place owned by a family and now they happily shared and open it to public as a farm resort.
This is my third time here. First, when we were invited my Mam Lhourdes, the owner of the farm invited us to assist in the gift giving to kids of the school near their farm and giving some wheelchairs to some residents nearby during their farm blessing.
Second was the time when we just chill and did an overnight stay, played board games and enjoy the serene place. Then for the third time, when we celebrated our Travolunteer's Christmas party.
Nauvoo Farm is located at Orchard Village, Brgy Ayala, Magalang, Pampanga, Philippines.
Check out their Website and Facebook page for more information and updates.
Ride a bus bound for Dagupan via Five Star Bus in Cubao, Quezon City (EDSA). Fare is around Php 120.00 - Php 150.00. Drop off at Marquee Mall. Then ride a jeep Magalang-bound with fare around for Php 20.00. Better ask what color is the jeep since color-coded. You can and get off at the corner across Jollibee at the town proper.
Ride a tricycle to the resort. Fare is usually P100.
You can also opt to hire a van for more convenience and just google map it.
We have a city called Nauvoo here in Illinois. Never heard of anything called by this name anywhere else. Beautiful look place to stay and visit.
What an amazing place. Just reading your post, I too am amazed at the resort's growth, and also the spirit of giving to those in need. What an incredible thing to do. The resort is beautiful, and located in such a breathtaking location.
Great place to visit with your family or friends. The place looks awesome and wonderful to relax or unwind.
I have got to get the Philippines. This resort looks absolutely fabulous!
The Nauvoo Farm Resort looks like a very interesting place to stay. I like the idea of staying at a farm and I also love that they give back to the community.
Its been such a long time since I've stayed at a resort that had a pool or even temps outside warm enough for gracing the pool. This looks wonderful. Especially this time of the year.
This looks like an amazing place to stay. That pool is beautiful! Is it on an actual farm? Sounds like an interesting resort.
That resort looks so beautiful! I'd love to take my husband some day just so we could go and relax in that comfy looking bed.


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On This Day: Jordan turns out to be first to score 50 focuses in successive season finisher games
On May 1, 1988, Michael Jordan turned into the main part in NBA history to score in any event 50 focuses in successive season finisher games when the Chicago Bulls confronted the Cleveland Cavaliers.
Jordan first delivered 50 focuses in quite a while's 104-93 triumph at home preposterous in Game 1 of their Eastern Conference first-round arrangement. He followed that exhibition up with 55 focuses in Game 2 to lead the Bulls to a 106-101 success and a 2-0 arrangement lead.
After the Bulls won the initial two rounds of the arrangement, the Cavaliers at that point took the following two in Cleveland to set up an unequivocal Game 5 in Chicago. Jordan set up 39 focuses to lead the Bulls to the 107-101 success and a spot in the second round versus the Detroit Pistons.
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That year, which was Jordan's fourth in the association, the Bulls couldn't move beyond Isiah Thomas, Bill Laimbeer and the remainder of the Piston as they lost to Detroit in the second round. The Bulls, by then, were as yet on the ascent in the NBA and wouldn't win a title until three years after the fact.
Jordan won his first of five NBA MVP grants during the 1987-88 season.
Egyptian archeologists uncover 5,000-year-old burial places close to the Nile River
Man pulls hid convey weapon in firearm free shopping center to shield family and onlookers during shooting


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'An Outdoor couple shoot at Jaipur? Wait, how about Mahabalipuram?'. The sweet couple didn't bother to choose one but picked up both the destinations for their outdoor shoot. Two different cities meant two different stories and the mood was naturally high. Our idea was to coin one defining spot in each of the cities and capture memories. In Jaipur, it was the Jaipur City palace. With the frozen heritage in the background and beautiful pigeons in the foreground, we had a ball.
When it came to Mahabalipuram, our unanimous choice was the Shore temple. The couple had a rooted love for this timeless space of beauty and were excited about making pictures here. We pulled out few beautiful silhouette shots and had a casual stroll into the temple too.


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