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text:
Taxes are the life source of the bureaucracy, the army, the priests, and the court – in short, of the entire apparatus of the executive power. Strong government and heavy taxes are identical. By its very nature, small-holding property forms a basis for an all-powerful and numberless bureaucracy. It creates a uniform level of personal and economic relationships over the whole extent of the country. Hence it also permits uniform action from a supreme center on all points of this uniform mass. It destroys the aristocratic intermediate steps between the mass of the people and the power of the state. On all sides, therefore, it calls forth the direct intrusion of this state power and the interposition of its immediate organs.
Finally, it produces an unemployed surplus population which can find no place either on the land or in the towns and which perforce reaches out for state offices as a sort of respectable alms, and provokes the creation of additional state positions. By the new markets which he opened with bayonets, and by the plundering of the Continent, Napoleon repaid the compulsory taxes with interest. These taxes were a spur to the industry of the peasant, whereas now they rob his industry of its last resources and complete his defencelessness against pauperism. An enormous bureaucracy, well gallooned and well fed, is the "Napoleonic idea" which is most congenial to the second Bonaparte. How could it be otherwise, considering that alongside the actual classes of society, he is forced to create an artificial caste for which the maintenance of his régime becomes a bread-and-butter question? Hence one of his first financial operations was the raising of officials' salaries to their old level and the creation of new sinecures.
(Karl Marx, The Eighteenth Brumaire of Louis Bonaparte, 1852, Chapter VII)
RAW MATERIAL EXPORT TAX
US non-consumable, nonperishable raw materials such iron ore, aluminum, precious metals, rare earth metals, lumber, paper products, etc., shall be taxed at 5% of the Wholesale value on the Bill of Lading for export. The Export tax is allocated to the Department of National Defense Budget.
All grain harvests such as wheat, corn, rice, soybean, and refined sugar from agriculture receiving annual subsidies from the US Department of Agriculture for more than (5) five years consecutively, will be taxed at 2% of the Wholesale price, per standard pallet or container unit upon export. If the exportation in bulk is purchased by Foreign subsidiaries of American owned Companies, then a 5% tax is levied on all Bills of Lading. The only exception is exclusive trade agreement with Foreign Government as called for International Trade Agreements notwithstanding. These taxes are allocated to maintain ports and freshwater systems across states.
The trigger for any of these taxes is simple. Once any product is harvested in a container, mined, excavated, weighed for distribution and palletized or containerized for delivery domestically or internationally, the respective charge is applied to the Bill of Sale or Bill of Lading.
NOTE: All consumable organic fruit produce such as apples, oranges, grapes, oranges, and vegetables: lettuce, asparagus, tomato broccoli, rice, corn, wheat farmed in the USA for Domestic consumption is tax-free. This product includes all processed packaged food to market. Milk products are also considered consumable raw material and thus tax-free at Wholesale and Retail.

redpajama_set_name: RedPajamaCommonCrawl


text:
Gauteng er geografisk den mindste af de ni provinser i Sydafrika, men en af de største og tættest befolkede. Både Sydafrikas største by Johannesburg og hovedstaden Pretoria ligger i Gauteng. Provinsen har et areal på 18.178 km² og en befolkning på 13.200.300 (2015) indbyggere. Den er landets økonomiske centrum, bygget på guldfund og minedrift. Gauteng blev grundlagt 27. april 1994 ved det første demokratiske valg i Sydafrika. Gauteng udgør en del af den tidligere Transvaalprovins.

Den kendte sydafrikanske kommunistleder Chris Hani boede i byen Boksburg i denne provins, da han blev dræbt.

Sydafrikas provinser

redpajama_set_name: RedPajamaWikipedia


Our guest today is Robin Schooling. Robin is a well-known influencer, speaker, blogger, and she's the VP of Human Resources at Hollywood Casino Baton Rouge. Robin has been actively involved in the professional recruitment sector since 1987, owning and running recruitment agencies since 1993. Robin explores what HR does (and why we do it) by discussing the intricacies, complexities, and absurdities.


Anyone been to the coin festival?
What was the launching price for the SARB silver anniversary set....R10000?
R 4500 on Silver, R 38 000 on Gold.
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text:
David Kurley
Index » Miscellany
David Kurley bears some credit for the lyrics in two of Pulp's songs, both from the album Freaks. He wrote the lyrics for Anorexic Beauty, for which he is credited, and in addition, Fairground apparently draws heavily on another of his songs.
The following information appeared in the Pulp People newsletter (February 1995):
Mr Kurley is the ex-lead singer of a drummerless Sheffield 3-piece from the 80s. The group was called New Model Soldier and had a song called Anorexic Beauty, whose lyrics Russell bought from their author for one pound. David Kurley went to school with Candida before forming NMS with Paul Fern and Migsy. The band's only release before splitting up onstage was Dance The Death Of A Thousand Cuts on Bunny Rabbit Catch The Man Records. Russ remembers that David appeared onstage in a black capped sleeve t-shirt that had a set in diagonal chiffon stripe through which you could see his pock marked body. He worked in a pub with Nick before becoming a Butlins redcoat.
Page last modified on February 07, 2008, at 12:33 AM


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This book presents the texts of selected lectures on recent work in the field of nonlinear partial differential equations delivered by leading international experts at the well-established weekly seminar held at the Collège de France. Emphasis is on applications to numerous areas, including control theory, theoretical physics, fluid and continuum mechanics, free boundary problems, dynamical systems, scientific computing, numerical analysis, and engineering. Proceedings of this seminar will be of particular interest to postgraduate students and specialists in the area of nonlinear partial differential equations.
A Nonlinear Lax-Milgram Lemma Arising in the Modeling of Elastomers. Regularity for Solutions to the Equation of Surfaces of Prescribed Mean Curvature Using the Coarea Formula. H-Convergence for Perforated Domains. Some Mathematical Problems in Marine Modelling. A Modelling of the Stability of Aluminium Electrolysis Cells. Dense Oscillations for the Compressible 2-d Euler Equations. The Hysteretic Event in the Computation of Magnetism and Magnetostriction. From Three-Dimensional Elasticity to the Nonlinear Membrane Model. Turbulence et structures cohérentes dans les fluides. Construction d'une base spéciale pour la résolution de quelques problèmes non linéaires d'Oceanographie physique en dimension deux. Homogenization of Lattice-Like Domains: L-Convergence. Time Decays: An Analogy between Kinetic Transport, Schrödinger and Gas Dynamics Equations. Théorème d'unicité et contrôle pour les équations hyperboliques. Shock Waves in General Relativity - A Generalization of the Oppenheimer-Snyder Model for Gravitational Collapse. Nonlinear Wave Equations. Mathematical Models of Hysteresis - A Survey.


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The Iron Knob crushing and screening plant was designed to have a 10 year life expectancy, making the use of mobile crushing and screening equipment as a more cost-effective solution compared to a fixed infrastructure solution. "The plant was originally estimated to cost approximately $40 million, but by using mobile.
Cement industry wear resistant High Chrome Iron castings machnined & match marked for installation. mining3 Castings in High Cr Steel for elevated temperatures. mining4 5,4ton Roller Yoke in Cast Iron Grade 220. mining5 Typical patterns for the production of 27% Cr Iron wear parts used in the cement industry. mining6.
This is my second mortar I own, but this is the first cast iron mortar. I think it's a good quality for my use so far of making rock into dust for art. It's stronger than the granite mortar, which is impervious to my need, however I'll admit that it is smaller than I thought it'd be. However the quality is sound thus far. I'm storing it indoor.
The old cast iron cleaning system at the Hillside smelter consisted of an impact crusher. The method was used to crush the cast iron before cleaning it with a barrel shot blaster. The impact crusher was a first for an aluminum smelter and probably the first for crushing cast iron. It was never tested for this application and did.
Iron Ore Jaw Crusher Machine is easy to install, debug and maintenance, the continuous improvement and refinement has made it the preferred jaw crusher among professionals and customers. Every feature of Zenith jaw crusher has been carefully designed to provide superior quality and performance. It is widely used in.
Maumee Valley Fabricators provides custom equipment fabrication for a variety of industries. This sprue crusher was designed for the foundry industry. The crusher is used to crush scrap and the sprue from iron, aluminum and brass castings. Crushing this waste increases the bulk density of the material and allows the.
Ore Crusher at Ruffner Mountain Nature Center | Encyclopedia of .
Ore Crusher at Ruffner Mountain Nature Center. This iron ore crusher in the forest at Ruffner Mountain Nature Center is a reminder of the preserve's past as a mining center. These crushers were used to break mined iron ore into smaller pieces for ease of processing in furnaces. Photograph by Bob Farley.
processing facility located on the Mesabi Iron Range of Minnesota. Creating steel from low-grade iron ore requires a long process of mining, crushing, . The equipment used includes diamond-bit rotary drills, hydraulic shovels and loaders, water wagons, production trucks and heavy-duty conveyors. National Steel Pellet.


British believe that gastric emptying in normal may be three times a day to three times a week. Domestic proctology believe that the rate may be only a daily colon cleansing, a deviation from this rule — is constipation. Ideally chair should to be every day in the morning, once.
The most common failure in a man's life — the so called impotence known psychotherapist Sigmund Freud. Since that time, medicine has achieved much in every detail worked out technology of diagnosis and treatment of impotence. But now, with potency problems — the strongest blow to the male ego.
The long-awaited pregnancy come, but from the moment of conception to the birth of a child must go through a long nine months. During this period, a woman could pose a serious test, the worst of which — the miscarriage, and as one of its variants — a frozen pregnancy.
For the period from the late 70's to early 90's rate of prostate cancer has nearly doubled. Prostate cancer (PCa) is currently the second leading cause of death from cancer of men. In the U.S., it is diagnosed every three minutes, every 15 minutes someone dies from it.
Enuresis — this is a problem faced by 10-15% Of children aged 5 to 12 years. Incontinence urinenight time, during sleep, difficult psychological and social adaptation of children in the family and children's groups, and persistent involuntary urination at night in adolescents often leads to complex health and social conflicts.
Is it time for a new anti-alcohol campaign?
A quarter-century after Gorbachev's "struggle with alcoholism," the Russian authorities to re looking for ways to solve the traditional problems of our country. The need to reduce the consumption of alcohol say the first person in the country, anti-alcohol propaganda returns to state television, the fight against alcoholism population joined the Public Chamber and the ROC.
Continue reading Is it time for a new anti-alcohol campaign?
Every other1 Russians concerned about bleeding gums, attesting to their inflammation. If you do not pay attention to the inflammation and bleeding gums, which may result in tooth loss. To avoid this, take great care of the gums. Take care of the need to protect them, while still with them all right, providing comprehensive oral health care to date.
The problem of halyazion? There is a solution!
Sometimes, you wake up with a feeling of discomfort when you blink. A glance in the mirror and notice: a site-century red and swelled. Perhaps barley? — You think and do nothing. It is known that barley brings anxiety for a few days and then usually goes away without consequences. But the swelling does not go away — eventually in the thickness of the century produced a rounded nodule, like a hailstone. Pain while gradually taper off as a cosmetic defect remains. "What is it?" — You ask a question ophthalmologist. Rather, a diagnosis that will deliver specialist: "halyazion."
Continue reading The problem of halyazion? There is a solution!
"Office" way of life, not full meals, stress, constipation, weight gain — all predispose to the development of hemorrhoids. Consequence — the discomfort, pain, and bleeding. We are looking for a solution!
The problem of hemorrhoidal disease can be safely ranked as one of the most controversial and mysterious, judging by the number of myths that exist around it. While the level of scrutiny of this problem in the practice of medicine is one of the highest. But this is only one of the contradictions.


Will you help care for Derrick? You monthly sponsorship of $38.00 helps provide nutritious meals, educational and spiritual support, medical and dental care. A small investment can change the life of this child!
He loves English and Mathematics because she scores high marks in them.


text:
Hatsune Miku experience coming to PSVR
Wave your glow stick like you just don't care
By Julia Alexander Aug 17, 2016, 3:00pm EDT
Share All sharing options for: Hatsune Miku experience coming to PSVR
Fresh off her North American tour, vocaloid Hatsune Miku has discovered a new way to entertain and engage with fans — virtual reality.
Sega announced at Gamescom today that it would be releasing a stand-alone Hatsune Miku experience exclusively for the PlayStation VR this fall. Hatsune Miku: VR Future Live essentially transports users to a venue where the vocaloid will be performing, transforming the Move controller they'll use into a glow stick that will add a more immersive experience for the player. Throughout the performance, there will be cues for players to get as energetic as possible, prompting them to swing their controller more frequently or at a faster rate. Once enough energy is collected, players will be transported on stage for a one-on-one encore with Hatsune Miku.
Hatsune Miku: VR Future Live will be released as a PlayStation Network title on Oct. 14 in both North American and European markets. Sega has not announced a price for the title yet.
Gamescom 2016: The biggest news out of Europe's massive convention
Little Nightmares looks like Tim Burton's idea of childhood
Yooka-Laylee gets adorable new Gamescom trailer


I was lucky enough to win an AX Paris goodie bag in etailPR's giveaway, and one of the lovely prizes was a Barry M Matte Nail Paint in the shade 'Mocha', an unusual (for nail polish) mid-brown. These photos show two coats with no base or top coat, and I have to say this was a pleasure to apply; it went on smoothly and easily, drying quickly to a lovely matte finish. I'm not 100% sold on the colour as I don't think it's quite right for my skintone, but I can't deny it's a lovely nail polish and I'll definitely be picking up a couple of other shades from Barry M's Autumn Mattes range - I've got my eye on the gorgeous deep burgundy of 'Crush'! In the photos, the left are in natural light and the right are with flash, which shows the colour a bit more true-to-life.
Do you own any of the new Barry M Matte nail paints? What do you think of brown nail polish? Are you a lover of matte nails?
I have the berry one from this range and love it, they're beautiful!
Ooh I've not seen much of this range before but it looks really good. I quite like the look of matte nails and I'm even surprised by how lovely this colour is, wouldn't usually go for a brown polish but it's perfect for this season!
Wow it looks great I've never found a nail varnish that has claimed to me matte before which actually lives up to its claims. I think I shall have to check this line out.
This looks really nice! I was never sure of matte nails as I was afraid they would look like poster paint but these look lush.


text:
Eduardo Viana (Lisboa, 3 de Maio de 1955) é um actor e cantor lírico português. Participou na novela Anjo Selvagem, nas séries Inspector Max e Casos da Vida e em Morangos com Açúcar.

Percurso
Para além de actor exerce também actividade como cantor lírico pertencendo ao Coro do Teatro Nacional de S. Carlos onde tem cumprido todas as temporadas desde 1985. É também produtor de espectáculos de música erudita, contando-se na sua actividade, produções de diversas operetas de Offenbach cantadas e representadas em Português e produções com partituras de Leal Moreira, Marcos Portugal, Augusto Machado, Massenet, Ibert e Ravel.

É marido da actriz Arminda Taveira.

Televisão
Actor convidado, em Sol de Inverno, SIC 2013
Actor convidado, Advogado em O Bairro, TVI 2012
Elenco adicional, em Doce Tentação, TVI 2012
Elenco adicional, Bancário no telefilme Síndroma de Estocolmo, TVI 2011
Elenco adicional, Varatojo em Laços de Sangue, SIC 2010
Elenco fixo, Raul Pinto em Sentimentos, TVI 2009/2010
Elenco adicional, Viciado em droga, em Conexão, TVG e RTP1 2009
Actor convidado, Tadeu em Liberdade 21, RTP 2008
Elenco adicional, Inspector Sampaio Botas em Morangos Com Açúcar, TVI 2008
Elenco adicional, Dr. Miguel em Casos da Vida (2008), TVI 2008
Participação especial, Marques em Chiquititas, SIC 2007
Elenco adicional, Dr. Venâncio em Floribella, SIC 2006
Actor convidado, Guedes em Inspector Max, TVI 2005
Elenco fixo, Marcelo em Anjo Selvagem, TVI 2001-2002
Actor convidado, Chico em Super Pai, TVI 2001
Actor convidado, Dr. Vasconcelos em A minha família é uma animação, SIC 2001
Participação especial, em Querido Professor, SIC 2000
Elenco adicional, em Ajuste de Contas, TVI 2000
Actor convidado, em Residencial Tejo, SIC 2000
Actor convidado, Filho de Baltazar em Jornalistas, SIC 2000
Participação especial, em A Loja de Camilo, SIC 1999
Elenco fixo, Henriques em Capitão Roby, SIC 1999
Actor convidado, em Médico de Família (série), SIC 1999
Elenco adicional, José Faria de Castro em novo em A Lenda da Garça, RTP 1999
Elenco principal, Ferrand d'Almeida em A Hora da Liberdade, SIC 1998
Participação especial, Canalizador em Esquadra de Polícia, RTP 1998
Actor convidado na 2ª temporada de Polícias, RTP 1997
Elenco fixo, Osório em Filhos do Vento, RTP 1996-1997
Actor convidado, Agente em As Aventuras do Camilo, SIC 1996
Actor convidado, em Vidas de Sal, RTP 1996
Elenco fixo, Júlio em Primeiro Amor, RTP 1995-1996
Actor convidado, Inspector em Nico D'Obra, RTP 1995
Elenco fixo, Pinguinhas em Desencontros, RTP 1994-1995
Participação especial, Agente Publicitário em Sozinhos em Casa, RTP 1993
Elenco adicional, Sequeira em Cinzas, RTP 1992
Participação especial, Caius em Clubíssimo, RTP 1988
Elenco adicional, José Manuel em Palavras Cruzadas, RTP 1986
Elenco adicional, Eduardo em Chuva na Areia, RTP 1984
Participação especial, Polícia em Origens, RTP 1983
Participação, em Vila Faia, RTP 1982
Actor convidado, em Gervásio não vai ao ginásio, RTP 1981

Filmografia
Francisca (1981)

Atores de Portugal


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The youngest Baby Boomers are 54 years old, in their prime earning years, and preparing for retirement. Children are usually on their own by this time. Education expenses are behind them. It's the time to maximize contributions to retirement accounts and take advantage of catch-up provisions. Individual disability insurance is attractive to this age group because an employer sponsored plan may have a maximum monthly benefit that means the benefit for someone highly compensated is less than the 60 percent of income. The average disability claim lasts almost three years. It is nearly impossible at this age to make up, prior to retirement, for the financial loss due to interruption in income. This age group may have additional interest in a disability plan that replaces the contributions to a retirement account.
The next age group is clients in the age group of 41 to 53. These are the Gen Xers. Compensation levels are still rising, future job changes are more likely, and they may be dealing with children and aging parents, the new sandwich generation. Many employers, especially those employing less than 500, do not offer long-term disability insurance. Without the assurance of an individual disability insurance, leaving an employer who offers disability benefits for one that doesn't, presents an added risk. Because salaries are likely to accelerate for forty-somethings, this age group may be particularly interested in a disability plan with inflation protection and a plan that provides protection for caregivers whose family obligations result in reduced working hours.
Recent grads to those just turning 40, are the third working group with a need for disability insurance. Challenges and financial concerns of this group cluster around income growth and student debt repayment. Making disability insurance affordable is always important, even more so for this group of people, who struggled to start or grow their careers during the Great Recession. A disability plan with the option to later purchase additional levels of coverage meets the affordability issue of today while anticipating future earnings increases of tomorrow. Student debt is the albatross around the neck of this generation. Carriers have responded to this financial stressor by adding an optional benefit that will continue established student loan repayments if an injury or illness sidelines a paycheck.
DIS knows the disability insurance market and is able to recommend carriers and benefits that address the unique financial position of your client. Call us today for a quote or to learn more about any of these optional benefits.


text:
Reporting Grants
Student Fellow Reporting
Kicking it in Kashmir
July 09, 2010 | National Geographic
Rebecca Byerly
Donate Now Donate
A black flag waved ominously over a pile of rocks next to a soccer goal, in Gani Memorial Stadium in Srinagar, Kashmir. It was June 11, the first day of the World Cup. Just hours before Argentina and South Africa were to kick off the games, Tufail Ahmad Matoo, 17, was brutally killed on this soccer field. A large portion of his head was blown off after a tear gas canister, allegedly fired by the Central Reserve Police Force (CRPF), shot him. His death was followed by over a dozen similar killings this summer.
Instead of remembering 2010 as the year of the World Cup, most young people in Kashmir will remember it as the year of the "Teenage Killings." After nearly two decades of bloody clashes between the Indian Army and Pakistani trained militants over control of Kashmir, this generation of young people has little to celebrate. This summer has been especially bloody. Since July 11, over a dozen Kashmiris' both men and women, one victim as young as nine, have been killed by police and the army. Some people were killed in protests other victims like Tufail were simply by standers.
Amid the chaos, some of these youngsters are finding refuge in a soccer program started by their South American coach, Marcos Troia. In 2007, Marcos and his family took a huge risk and moved to one of the most militarized areas in the world to build a soccer program in Kashmir.
Despite the incredible difficulties they face, his team has climbed to the highest divisions of Kashmiri soccer. Last year Marcos' team captain Basharat Bashir Baba 'Basha,' 19, and two other soccer players were selected to train with the Santos Soccer Club -- a world-renowned team in Brazil. But in Kashmir young people are often denied their most basic rights. The other boys were allowed to travel but Basha's opportunity to go abroad was almost dashed. His father was a militant nearly 20 years ago. As a result he was denied a passport. Luckily for Basha, local officials intervened and got him his travel documents. He's happy he can travel now but worries about the 60,000 Kashmiris who are still waiting for their passports. In a place as volatile as Kashmir, Basha's passport may be the least of his worries.
"It is very difficult to leave our homes and we do not know what will happen, whether we will come back or not," says Basha. So what does the passport give us? Nothing. If we have our life, then everything is with us. If we don't have our life, then there's nothing." Even with the challenges he faces Marcos says that his time in Kashmir is worthwhile because he's seeing a positive change in his players' lives. Like his coach, Basha is still pursuing his dream. He wants to play in Brazil, a country free of curfews, hundreds of thousands of armed soldiers, and harsh crackdowns.
"My first dream would be to play for India and then I want to open an academy in Kashmir," says Basha with a determined smile. "That is my dream."
As this summer's death toll rises, it's important that boys like Basha continue to chase their dreams. They can only hope that those dreams aren't destroyed by violence. In a few days the 2010 World Cup will come to an end. For me, etched in my thoughts is the black flag flying over the spot where Tufail was killed on opening day, just a few feet from a soccer goal.
This Story is a part of:
Paradise Lost: Kashmir's Vanishing Glaciers, Waters, and Forests
See more in this project
Rebecca Byerly is a free-lance journalist, producer, and adventure athlete. Reporting for Al Jazeera English, CNN.com, National Geographic, and Voice of America, she has covered stories...
Story funded by the Pulitzer Center – donate now to support more stories like this!
Environment, Water and Sanitation
Disappearing Himalaya
Pulitzer Center on Crisis Reporting
contact@pulitzercenter.org
Jeff Barrus
press@pulitzercenter.org
"We will illuminate dark places and, with a deep sense of responsibility, interpret these troubled times."
—Joseph Pulitzer III (1913-1993)


 Abe - Meaning of Abe, What does Abe mean?
[ 1 syll. a-be, ab-e ] The baby boy name Abe is pronounced EYB (English) †. Abe is of Hebrew and Germanic origin. It is used mainly in the English and Dutch languages.
Abe is an English contraction of the English, French, German, Portuguese, and Spanish Abel.
Abe is also a contraction of the English Abelard.
Abe is also a contraction of the English Abner.
Abe is also a Dutch and English contraction of the Dutch, English, German, and Hebrew Abraham.
Abe is also a Dutch and English contraction of the English, Russian, and Yiddish Abram.
See also the related categories, hebrew, dutch, and germanic (german).
Abe is rare as a baby boy name. At the modest peak of its usage in 1905, 0.045% of baby boys were given the name Abe. It was #241 in rank then. The baby name has fallen out of favor since then, and is used only on a very light scale now. Out of the family of boy names directly linked to Abe, Abel was the most commonly used in 2017.
Baby names that sound like Abe include Eb, Ep, Ev, Abie, Ahab, Ava, Ayub, Ebbea, Ebbee, Ebbey, Ebbi, Ebbie, Ebbo, Ebby, Eboe, Ebow, Ebowe, Effie, Evoy, and Eyab.
† Pronunciation for Abe: EY as in "ate (EY.T)" ; B as in "be (B.IY)"
A famous person named Abe is Actor, Abe Vigoda, born 24 February 1921, New York, New York.


The stars turned out for opening night of ON YOUR FEET!, the hit Broadway musical based on the life story of Gloria and Emilio Estefan. 2,000 fans attended the sold-out performance at the Arsht Center's Ziff Ballet Opera House which launched the show's first national tour. A highlight of the special evening – the Gloria Estefan Foundation and Adrienne Arsht Center Foundation raised over $75,000 from more than a dozen philanthropists and organizations to benefit the people of Miami.
Celebrity and VIP guests included: Emilio and Gloria Estefan; Emily Estefan; Lili Estefan; Il Volo, operatic pop group; Adrienne Arsht, philanthropist and Arsht Center benefactor; John Richard, Arsht Center president and CEO; Ira Hall, Arsht Center board chair; Ana Villafañe, Broadway actress who originated the role of "Gloria Estefan" on On Your Feet!; Ektor Rivera, Broadway actor who played "Emilio Estefan" on On Your Feet! on Broadway; Don Shula, legendary Miami Dolphins coach; Marc Buoniconti, president, Miami Project/Buoniconti Fund to Cure Paralysis; Karolina Kurkova, supermodel; Miami-Dade County Mayor Carlos Gimenez; Maria Celeste Arraras, host of Telemundo's "Al Rojo Vivo'"; Maria Elena Salinas, Univision news anchor; Raul de Molina, host of Univision's "El Gordo y La Flaca"; Alan Tacher, host of Univision's "Despierta America"; Enrique Santos, iHeartLATINO Chairman and radio personality; Marysol Patton and Alexia Echavarria, "Real Housewives of Miami" alumni; Danell Leyva, US Olympic gymnast; and more.
The 2017-2018 Broadway in Miami subscription season is presented by Florida Theatrical Association, Broadway Across America and the Adrienne Arsht Center along with presenting sponsor Bank of America and with support from Nicklaus Children's Hospital.
Mauricio Martinez and Christie Prades, lead cast members of On Your Feet!
Millie de Molina and Raul De Molina, host of Univision's "El Gordo y La Flaca"


text:
8 uSound speech, that cannot be condemned; vthat he that is of the contrary part wmay be ashamed, having no evil thing to say of you.
So 1 Tim. 6:3.
See 1 Pet. 2:12. Comp. Neh. 5:9. 1 Tim. 5:14.
See 1 Cor. 4:14.
Titus 2:8 — The New International Version (NIV)
8 and soundness of speech that cannot be condemned, so that those who oppose you may be ashamed because they have nothing bad to say about us.
Titus 2:8 — English Standard Version (ESV)
8 and sound speech that cannot be condemned, so that an opponent may be put to shame, having nothing evil to say about us.
Titus 2:8 — New Living Translation (NLT)
8 Teach the truth so that your teaching can't be criticized. Then those who oppose us will be ashamed and have nothing bad to say about us.
Titus 2:8 — The New King James Version (NKJV)
8 sound speech that cannot be condemned, that one who is an opponent may be ashamed, having nothing evil to say of you.
Titus 2:8 — New Century Version (NCV)
8 Speak the truth so that you cannot be criticized. Then those who are against you will be ashamed because there is nothing bad to say about us.
Titus 2:8 — American Standard Version (ASV 1901)
8 sound speech, that cannot be condemned; that he that is of the contrary part may be ashamed, having no evil thing to say of us.
Titus 2:8 — 1890 Darby Bible (DARBY)
8 a sound word, not to be condemned; that he who is opposed may be ashamed, having no evil thing to say about us:
Titus 2:8 — GOD'S WORD Translation (GW)
8 Speak an accurate message that cannot be condemned. Then those who oppose us will be ashamed because they cannot say anything bad about us.
Titus 2:8 — The Holman Christian Standard Bible (HCSB)
8 Your message is to be sound beyond reproach, so that the opponent will be ashamed, having nothing bad to say about us.
Titus 2:8 — The New Revised Standard Version (NRSV)
8 and sound speech that cannot be censured; then any opponent will be put to shame, having nothing evil to say of us.
Titus 2:8 — The Lexham English Bible (LEB)
8 a sound message beyond reproach, in order that an opponent may be put to shame, because he has nothing bad to say concerning us.
Titus 2:8 — New International Reader's Version (NIrV)
8 No one can question the truth. So teach what is true. Then those who oppose you will be ashamed. That's because they will have nothing bad to say about us.
Titus 2:8 — New American Standard Bible: 1995 Update (NASB95)
8 sound in speech which is beyond reproach, so that the opponent will be put to shame, having nothing bad to say about us.


text:
.class Lcom/samsung/android/settings/display/FontPreviewTablet$8;
.super Ljava/lang/Object;
.source "FontPreviewTablet.java"

# interfaces
.implements Landroid/content/DialogInterface$OnClickListener;

# annotations
.annotation system Ldalvik/annotation/EnclosingMethod;
    value = Lcom/samsung/android/settings/display/FontPreviewTablet;->badFontDialog(Ljava/lang/String;)V
.end annotation

.annotation system Ldalvik/annotation/InnerClass;
    accessFlags = 0x0
    name = null
.end annotation

# instance fields
.field final synthetic this$0:Lcom/samsung/android/settings/display/FontPreviewTablet;

.field final synthetic val$deletePackageName:Ljava/lang/String;

# direct methods
.method constructor <init>(Lcom/samsung/android/settings/display/FontPreviewTablet;Ljava/lang/String;)V
    .locals 0

    iput-object p1, p0, Lcom/samsung/android/settings/display/FontPreviewTablet$8;->this$0:Lcom/samsung/android/settings/display/FontPreviewTablet;

    iput-object p2, p0, Lcom/samsung/android/settings/display/FontPreviewTablet$8;->val$deletePackageName:Ljava/lang/String;

    invoke-direct {p0}, Ljava/lang/Object;-><init>()V

    return-void
.end method

# virtual methods
.method public onClick(Landroid/content/DialogInterface;I)V
    .locals 5

    :try_start_0
    new-instance v3, Ljava/lang/StringBuilder;

    invoke-direct {v3}, Ljava/lang/StringBuilder;-><init>()V

    const-string/jumbo v4, "package:"

    invoke-virtual {v3, v4}, Ljava/lang/StringBuilder;->append(Ljava/lang/String;)Ljava/lang/StringBuilder;

    move-result-object v3

    iget-object v4, p0, Lcom/samsung/android/settings/display/FontPreviewTablet$8;->val$deletePackageName:Ljava/lang/String;

    invoke-virtual {v3, v4}, Ljava/lang/StringBuilder;->append(Ljava/lang/String;)Ljava/lang/StringBuilder;

    move-result-object v3

    invoke-virtual {v3}, Ljava/lang/StringBuilder;->toString()Ljava/lang/String;

    move-result-object v3

    invoke-static {v3}, Landroid/net/Uri;->parse(Ljava/lang/String;)Landroid/net/Uri;

    move-result-object v1

    new-instance v3, Landroid/content/Intent;

    const-string/jumbo v4, "android.intent.action.DELETE"

    invoke-direct {v3, v4, v1}, Landroid/content/Intent;-><init>(Ljava/lang/String;Landroid/net/Uri;)V

    const/high16 v4, 0x34000000

    invoke-virtual {v3, v4}, Landroid/content/Intent;->setFlags(I)Landroid/content/Intent;

    move-result-object v2

    iget-object v3, p0, Lcom/samsung/android/settings/display/FontPreviewTablet$8;->this$0:Lcom/samsung/android/settings/display/FontPreviewTablet;

    invoke-static {v3}, Lcom/samsung/android/settings/display/FontPreviewTablet;->-get0(Lcom/samsung/android/settings/display/FontPreviewTablet;)Landroid/content/Context;

    move-result-object v3

    invoke-virtual {v3, v2}, Landroid/content/Context;->startActivity(Landroid/content/Intent;)V

    iget-object v3, p0, Lcom/samsung/android/settings/display/FontPreviewTablet$8;->this$0:Lcom/samsung/android/settings/display/FontPreviewTablet;

    invoke-virtual {v3}, Lcom/samsung/android/settings/display/FontPreviewTablet;->finish()V
    :try_end_0
    .catch Ljava/lang/Exception; {:try_start_0 .. :try_end_0} :catch_0

    :goto_0
    return-void

    :catch_0
    move-exception v0

    invoke-virtual {v0}, Ljava/lang/Exception;->printStackTrace()V

    goto :goto_0
.end method

redpajama_set_name: RedPajamaGithub


Hide your valuables... pirates will soon be invading your party! Hiring pirate entertainment for your next corporate event, birthday party or other special event is the perfect way to entertain your guests. From pirate bands, pirate decorations, and popular pirate characters, you can deck your event out with the best pirate entertainment in town. The ladies will want to take pictures with them, the men will share a glass of rum with them, and the kids can sword fight with a real life pirate! And if the guests get out of hand... you can make 'em walk the plank. Arghh! Search for Pirate Entertainment in Altoona, Pennsylvania above.
Please note that these Pirate Entertainment may also travel to Coupon, Hollidaysburg, Duncansville, Bellwood, Ashville, Loop, Gallitzin, Dysart, Newry, Tipton, Cresson, Fallentimber, Chest Springs, Williamsburg, Blandburg, Loretto, Glasgow, Flinton, Tyrone, Lilly, Roaring Spring, East Freedom, Claysburg, Patton, Cassandra, Spruce Creek, Alexandria, Carrolltown, James Creek, and Martinsburg.


text:
Thomas E. Hanson, Jr.
1000 N. West Street
Wilmington, DE 19801-1054
Email : thanson@btlaw.com
With more than two decades of advocacy and trial experience, corporate and commercial litigator Tom Hanson represents large and mid-sized companies in the resolution of complex business disputes. Tom pursues and defends claims involving breaches of fiduciary duty, corporate governance, breach of contract, purchase and sale agreements, limited liability company agreements, trade secret protection and restrictive covenants.
Tom frequently appears before the Delaware Court of Chancery, the U.S. District Court for the District of Delaware, and the Complex Commercial Litigation Division of the Delaware Superior Court. He has served as lead trial counsel in a number of sophisticated commercial litigation cases and recently secured a defense jury verdict in a breach of contract action involving a claim for $15 million in damages.
In addition, Tom is skilled in bringing and defending statutory corporate actions, including disputes regarding the appropriate composition of corporate boards under Section 225 of the Delaware General Corporation Law and requests for books and records and nonpublic company information under Section 220 of the DGCL and Section 18-305 of the Delaware Limited Liability Company Act. In a recent action, Tom obtained a ruling that his client was entitled to all of the requested books and records, plus attorneys' fees.
Dedicated to serving as a true legal strategist, fact-finder and effective counsellor, Tom seeks to prove time and again that he is able to formulate the right argument that can make a difference in both resolving the dispute at hand and conserving his client's time and resources. Tom understands the value of a favorable settlement, especially when swift resolution is imperative to his clients' objectives. Particularly experienced with the discovery phase, Tom is valued for his litigation prowess, deep understanding of corporate and commercial law, intellectual agility, honed negotiation skills, and willingness to take difficult cases to trial.
Professional and Community Involvement
Board member, Delaware Community Foundation
Board member, First State Community Loan Fund
Regional advisory board member, Salvation Army
Member, Delaware Diverse Law Partners Network
Member, Delaware State Bar Association
Member, American Bar Association
Torchbearer Award, DuPont Legal Minority Counsel Network, 2014
Multicultural Judges & Lawyers Section Leadership Award, 2011
Wilmington Award for Community Service, 2009
Thomas E. Hanson, Jr. Partner
P : 302-300-3447
thanson@btlaw.com
Boston College Law School, J.D., 1996
University of Pittsburgh, B.A., 1993
U.S. District Court for the District of Delaware
U.S. District Court for the District of New Jersey
U.S. District Court for the Eastern District of Pennsylvania
Appeals and Critical Motions
Entrepreneurial and Emerging Companies
Financial and Regulatory Litigation
Third Circuit Addresses Application of Inevitable Disclosure Doctrine
More than 200 Barnes & Thornburg Attorneys Named to 2020 'The Best Lawyers in America®' List
Blown Deadlines Doom Fertilizer Investor Suit, Chancery Told
Nearly 200 Barnes & Thornburg Attorneys Named to 2019 'The Best Lawyers in America®' List
DRI Commercial Litigation Committee - The Business Suit
Delaware Law Weekly - "Morris James Litigator Jumps to Barnes & Thornburg"
Delaware Online - "Delaware Achievers"


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Converse College Low-Residency MFA
The Place for Your Next Book is Here
Faculty Writers
Believe in the Power of Your Voice: An Interview with New Converse MFA Faculty Member Ashley M. Jones
March 7, 2021 / conversecollegelowresidencymfa
Converse MFA: You have a forthcoming book out soon. Can you tell us a little about your book and the process of writing it? How long have you worked on the collection? When and where can we find it?
Jones: My newest book, REPARATIONS NOW! will be published in September by Hub City Press–the pre-order link is here.This book, like my other two, took three years to write–I keep a pretty steady rhythm with writing poems, and it always turns out that three years is the magic number. This book, my third, examines the things we are owed: love, apologies, humanity, respect, and atonement by our nation and by white supremacy. Reparations of all kinds are in this book–so there's something for everyone to sink into, and to wrestle with. A mentor once told me that your third book is really your first book, and I really do feel that way–I love my first two books, and they represent me well, but this book found me in a place in life and career that left little room for the anxieties of self-doubt and left much more room for a confidence and appreciation of my own voice and perspective. I'm not looking to "prove myself" or "secure" my place in the literary world. Some of those anxieties existed with my first and second book. Now, I'm writing because the spirit leads me to it–no worries about the world around me and how I might fit into history. Just a poet with her words and the way those words move. That is, of course, not to say that I'm not concerned with the world around me–of course I am. I just mean that I feel like the world is big enough for so many of us, and I want to reject the traditional "fight for just one spot of shine" mentality by feeling confident in my literary existence and allowing the art-making not to be tainted by that.
Converse MFA: Can you talk a little bit about how you shaped this collection, the decisions that went into arranging the poems and selecting them?
Jones: I did not know, when I began writing the poems in RN! that they would become this book. My process, usually, for writing books is to just focus on each poem as it comes, not spending too much energy on what it could be. And, before I know it, there it is. Often, my poems speak to each other by pure virtue of the fact that they came out of me–I'm a rather obsessive person (I think, perhaps, all writers are) and what I write about for three years, yes, revolves around the same themes. So, shaping and selecting aren't too challenging for me. When ordering my books, I hold fast to what Denise and I worked on with my first book–telling a multilayered story through interweaving poems about history and the present. I like to give the reader the sense that all of these topics–the lynchings of Black people, having unlucky romantic love, loving God and family, asking for reparations–are related and inextricably linked. In my own body, all of these things have a place, and I work to erase this idea that we aren't multifaceted beings–Whitman said it, we contain multitudes.
Converse MFA: Can you tell us what informs your writing? How do you start a new poem? A new book project?
Jones: The whole world informs my writing–by which I mean that I'm influenced by so many things. Sometimes a poem gets born out of a song. Sometimes out of a 90s TV sitcom. Sometimes out of pain, and sometimes out of joy. Anything I encounter in the world goes into my art. My process is, perhaps, unconventional–I've never been able to write every single day at an appointed time. It's just not good for me. Instead, I just live my life as normal, taking in whatever comes my way or whatever I seek out. Ideas or lines for poems, or, even more exciting, the shape of a poem will start to form in my head, and when that shape starts becoming clear, that's when I know it's time to get to the page. Maybe it sounds a little new agey to say so, but I'm governed by Spirit in my art practice–I believe everything is spiritual, and I do think my writing talent was given to me by God. All of us have our own special gift, and this one is mine. So, I listen–I wait for that shape or those lines to come into view, and I obey the spirit that brings that poem and I write it down.
Converse MFA: When did you know you wanted to be a writer?
Jones: I knew I wanted to be a writer when I was seven years old. I remember, quite vividly, reciting "Harriet Tubman" by Eloise Greenfield, dressed as Tubman, in front of my second grade class. Speaking those words ignited something in me, and I was already a rather bookish child. We read a lot at home, and I had written some storybooks for class assignments, but when I recited that poem and the power of Tubman and Greenfield and the great expansive landscape of Black poetry washed over me (certainly I did not know all of this at seven–this is thirty year-old Ashley assigning language to what I felt), I knew I wanted to create that kind of art, too. I started carrying around a composition notebook after that–my "spy journal," as I had also been very attached to Harriet the Spy, which I had read around this time–and I do still have it. In it are little poems which are, I have to admit, way too angsty for a seven-year-old. I've been studying writing ever since–I went to the Alabama School of Fine Arts from 7-12th grade, and went on to study English and Creative Writing on the undergraduate and graduate levels.
Converse MFA: Is there anything you would advise an aspiring writer to do or not to do?
Jones: I would advise an aspiring writer to believe in the power of their voice. That's so much of the battle as a writer, believing that what you say has value and can impact someone. Staying authentic to yourself and to your unique voice and perspective is key, I think, to a fulfilling career as a writer. I'm not a veteran yet, so we'll see if my theory continues to hold true!
Converse MFA: You studied writing in college and received your MFA. What do you think you gained as a writer when you participated in a writing program?
Jones: I think the MFA gave me some tools I needed to learn who I wanted to be as a writer in a professional and literary capacity. Interacting with my instructors, who are active in the field, really showed me the possibilities of a poet's life, and meeting classmates whose work was always inspiring really pushed me to keep exploring new ways of creating art and expressing myself. The time I had to write and learn and write this first book was truly invaluable–those three years helped me develop my own writing practice, and it gave me the confidence to step out into the big writing world once I graduated.
Converse MFA: What advice would you give students for making the most of an MFA program?
Jones: I think what really helped me was to focus on what it was I wanted to get out of the experience. Some folks just want to meet other writers. Some folks need structured places to get feedback. Some folks need to learn more about the art form. Everyone has something they're looking for, and staying really committed to that can allow you to get the most out of your time. I knew I wanted to come out of my program with a publishable manuscript and knowledge about writing and teaching that I didn't have before. So, I learned as much as I could, I taught as much as I could, I volunteered and learned about ways to serve the community, and I took each assignment very seriously. That is, I treated each assignment as a fruitful opportunity, a chance to write a poem which could do something. Focusing in and giving my all to each piece is what I needed from my time, and I think I achieved my desired result! My graduate thesis became my first book!
Converse MFA: What are the top three things you try to get across to your students when teaching? How do you help them learn that?
Jones: I try to tell students that 1) they are already real writers. There is no magical diploma or even a magical publication that can make you more "real" than anyone else. Their work is already whole. They are already whole. I'm there to help as they move through that journey, but I'm not there to make them "real." 2) I try to teach them that writers are actually alive right now. There's a wealth of great contemporary work being written, and it actually matters a lot to realize that there are folks living and breathing and writing and maybe those people also reflect our backgrounds, too. For me, reading the work of Black writers and living Black writers really opened a door in my own thinking about my possibility. I try to offer this to students as well. and 3), I want students to feel like the learning process is reciprocal–they can teach me things, too–I'm not the keeper of all knowledge and I don't desire to be that. We all have knowledge to share, and I'm just as inspired by their work as they might be of mine!
Converse MFA: As a writing teacher, what advantages do you see to working in a low-residency program?
Jones: The biggest advantage would have to be the flexibility–I did a traditional MFA which was great, but if I were go to back now and get a degree, it would 100% be low residency just so I could continue living my full life in the state of my choosing. And, there is something to be said about living in a place/time away from school–there might be more material to work with because your life is not all-consumed by school or the city in which your school is located.
Converse MFA: Is there anything about you that you think people should know that can't be found in a biography?
Jones: Don't think so!
Converse MFA: Finally, What are you reading right now? Which books might we find on your bedside table?
Jones: On my mental bedside table, I'm still trying to get through Celia Cruz's autobiography (in Spanish!)–but most of my reading time is spent in the Submittable stacks at POETRY and Simple Machines, or with drafts of student work. I'm hoping to get back to ALL ABOUT LOVE by bell hooks, and I want to finally start PARABLE OF THE SOWER by Octavia Butler.
Ashley M. Jones received an MFA in Poetry from Florida International University (FIU), where she was a John S. and James L. Knight Foundation Fellow. She served as Official Poet for the City of Sunrise, Florida's Little Free Libraries Initiative from 2013-2015, and her work was recognized in the 2014 Poets and Writers Maureen Egen Writer's Exchange Contest and the 2015 Academy of American Poets Contest at FIU. She was also a finalist in the 2015 Hub City Press New Southern Voices Contest, the Crab Orchard Series in Poetry First Book Award Contest, and the National Poetry Series. Her poems and essays appear or are forthcoming in many journals and anthologies, including CNN, the Academy of American Poets, POETRY, Tupelo Quarterly, Prelude, Steel Toe Review, Fjords Review, Quiet Lunch, Poets Respond to Race Anthology, Night Owl, The Harvard Journal of African American Public Policy, pluck!, Valley Voices: New York School Edition, Fjords Review: Black American Edition, PMSPoemMemoirStory (where her work was nominated for a Pushcart Prize in 2016), Kinfolks Quarterly, Tough Times in America Anthology, and Lucid Moose Press' Like a Girl: Perspectives on Femininity Anthology. She received a 2015 Rona Jaffe Foundation Writer's Award and a 2015 B-Metro Magazine Fusion Award. She was an editor of PANK Magazine. Her debut poetry collection, Magic City Gospel, was published by Hub City Press in January 2017, and it won the silver medal in poetry in the 2017 Independent Publishers Book Awards.
Her second book, dark // thing, won the 2018 Lena-Miles Wever Todd Prize for Poetry from Pleiades Press. Her third collection, REPARATIONS NOW! is forthcoming in Fall 2021 from Hub City Press. She won the 2018 Lucille Clifton Poetry Prize from Backbone Press, and she is the 2019 winner of the Lucille Clifton Legacy Award from St. Mary's College of Maryland. Jones is a recipient of a Poetry Fellowship from the Alabama State Council on the Arts and a 2020 Alabama Author award from the Alabama Library Association. She was a finalist for the Ruth Lily Dorothy Sargent Rosenberg Fellowship in 2020. She currently lives in Birmingham, Alabama, where she is founding director of the Magic City Poetry Festival, board member of the Alabama Writers Cooperative and the Alabama Writers Forum, co-director of PEN Birmingham, and a faculty member in the Creative Writing Department of the Alabama School of Fine Arts. She currently serves as the O'Neal Library's Lift Every Voice Scholar and as a guest editor for Poetry Magazine.
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Deltek to be Acquired by Roper Technologies
Herndon, Va. – December 6, 2016 – Deltek, the leading global provider of enterprise software and solutions for project-based businesses, today announced that it will be acquired by Roper Technologies (NYSE:ROP), a diversified technology company and a constituent of the S&P 500. The acquisition is expected to close by the end of 2016.
Roper Technologies has a successful history of acquiring well-run technology companies in global niche markets that have strong, sustainable growth potential. Given Deltek's track record of revenue and profitability growth and its unmatched position within its core markets, Deltek is an excellent fit for Roper's long-term strategy.
"Roper's acquisition of Deltek is a great outcome for our employees, customers and partners," said Mike Corkery, President and CEO of Deltek. "Roper provides Deltek with a permanent home and a long-term foundation that we can use to further solidify our position as the worldwide leader in solutions for project-based businesses. Roper's commitment to aggressively investing in our products and employees means we will continue to deliver the solutions and expertise that drives significant benefits for our customers."
"We are excited to acquire Deltek," said Brian Jellison, Roper's Chairman, President and CEO. "Deltek offers everything we look for in a Roper company – a specialized focus, innovative products, loyal customers, and a talented team. We look forward to partnering with Mike and the management team to take all that is great about Deltek and accelerate its essential strengths moving forward. As part of the Roper family, Deltek is better-positioned than ever to deliver innovative solutions to the project-based industries that it serves."
Deltek will operate as a distinct company within Roper. Deltek's name, brand, office locations, strategy and global team will not change as a result of this acquisition.
Prior to being acquired by Roper, Deltek was owned by private equity firm Thoma Bravo which purchased the company in 2012.
About Deltek
Deltek is the leading global provider of enterprise software and information solutions for government contractors, professional services firms and other project-based businesses. For decades, we have delivered actionable insight that empowers our customers to unlock their business potential. 22,000 organizations and millions of users in over 80 countries around the world rely on Deltek to research and identify opportunities, win new business, recruit and develop talent, optimize resources, streamline operations and deliver more profitable projects. Deltek – Know more. Do more.® www.deltek.com
About Roper Technologies
Roper Technologies is a diversified technology company and is a constituent of the S&P 500, Fortune 1000, and the Russell 1000 indices. Roper designs and develops software (both software-as-a-service and licensed), and engineered products and solutions for construction, healthcare, transportation, food, energy, water, education and other niche markets worldwide. Additional information about Roper Technologies is available on the company's website at www.ropertech.com.
Roper Technologies Investor Relations Contact:
Rob Crisci
rcrisci@ropertech.com
Deltek Media Relations Contact:
Lauran Cacciatori
laurancacciatori@deltek.com