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What Are Matthew Mcconaugheys Political Opinions? Particulars On His Potential Governor Run
Still, the actor's family members are grateful he passed on the stripper-themed smash, which starred Channing Tatum and Matthew McConaughey. Another celebrity with no political expertise toying with the thought of running for workplace did not sit alright, alright, alright with many on Twitter. Regardless of his political affiliation, McConaughey's love for the Lone Star state is evident in his many philanthropic tasks through his basis, the Just Keep Livin' Organization. When his house state was hit with a extreme winter storm in February, McConaughey hosted a digital profit via his foundation to supply Texans with the "bare necessities".
While serving, the governor could not hold another workplace or practice any profession or gather a wage from any individual or company, based on the Texas Constitution. McConaughey has been staunchly apolitical, making headlines recently for slamming both the "intolerant" Hollywood left and proper-wing election-outcomes deniers on British comedian Russell Brand's podcast Under the Skin. "Well, they don't have a selection now, he's our president," Matthew said at the time. "It's very dynamic and as divisive of an inauguration and time that we have ever had.
What Has He Mentioned About Politics Up To Now?
(He's voted solely twice since 2012, according to the Dallas Morning News.) As he's made greater than clear in his near-thirty-yr profession, Matthew is certainly one of a sort. The only field he's ever been prepared to place himself in is the cage the place he took peyote with a mountain lion. Expect marijuana, faculty football, and compromise to play central roles. Previously, I wrote for The Times-Picayune
News Corp is a network of main companies in the worlds of diversified media, information, training, and information providers. The billionaire and one-time presidential candidate reportedly included his own name in a listing of potential replacements for Newsom in a recent survey. The actor had a very on-model reaction when he watched Camilla Alves transfer throughout the membership in 2006. "The extreme left and the acute proper utterly illegitimize the other side," the actor said on "Good Morning Britain."
Yesterday afternoon, the internet and the Texas Monthly newsroom were all abuzz when we discovered that Matthew McConaughey mentioned he would consider a future run for the Texas governor's workplace. Well, it was extra like he stated he wouldn't not consider operating for governor, and he walked back his comments the next day. But nonetheless, our eyes were starry on the considered a potential 2022 campaign. Can you even think about how entertaining (and lengthy!) a Matthew McConaughey stump speech could be? It's hard to think about how it could possibly be anything apart from "Just Keep Livin'," but possibly he'd branch out with one thing about how we must always all vote for his hero from ten years in the future.
His Previous Comments About Republican Trump In 2017
This isn't the first time the 51-12 months-old Oscar winner has hinted on the concept. The actor revealed his intention on a latest episode of Crime Stoppers of Houston's The Balanced Voice podcast on Wednesday. He told the host, Rania Mankarious, that working for governor was a "true consideration". Despite calls for nationwide unity and bipartisanship, President Joe Biden and his prime aides have declined to offer the Trump administration credit score on the nation's COVID-19 vaccine rollout whereas relying closely on a system established by their predecessors. The public slight appears to have irked the former president, along together with his retired aides who advised ABC News they are baffled on the political jabs in what was imagined to be a nonpartisan effort to vaccinate America. Democrats bear memories of the last time a new president of their get together received a major precedence permitted early on, only to see a conservative revolt price them Congress the following year.
The Oscar-successful actor says the proper has been fed faux information and should not be expected to simply accept President-elect Joe Biden's victory. The Note is a day by day ABC News feature that highlights the key political moments of the day ahead. Stars look like setting their sights on roles as lawmakers as predications about who might bounce into 2022 races ramp up. Although many citizens have discovered themselves casting a ballot for a celeb-turned-lawmaker, many who float potential runs do not make it very far. "Had we had a good election, the outcomes would have been much different," Trump stated final month. In his first public address since leaving workplace, Trump continued to slam voting systems and falsely advised attendees of the Conservative Political Action Conference that he won the election.
She has also worked for PolitiFact NC and the Raleigh News & Observer.
The Breitbart web site reports and aggregates politics and leisure news, often injecting a conservative viewpoint, and it embraced Mr. Trump in the course of the presidential marketing campaign.
" it seems like Biden's our guy. Now you've received the right that is in denial, trigger their facet has faux news. And I perceive, they have been fed fake news. No one is aware of what the hell to imagine, right? So they're putting down their final bastion of protection."
Matthew McConaughey speaks during a Q&A occasion at the University of Texas at Austin on January 21, in Austin, Texas.
News Corp is a network of leading companies in the worlds of diversified media, information, training, and data providers.
When the actor appeared on The Project to promote his e-book, he was faced with a query about Trump from interviewer Carrie Bickmore. "No one is aware of what the hell to imagine, right? So they're placing down their final bastion of protection," the actor mentioned. "Now you've received the right that's in denial, as a result of their side has faux information," he stated. "And when politics redefines its purpose, I could be a hell of a lot more involved," he said. After talking about how him and his spouse "got here up with the idea of the profit," theHollywood heartthroband producersuggested a future in politics was not out of the query. MATTHEW McConaughey's politics have left fans to wonder whether he'll run for office on day.
Matthew McConaughey could also be following within the footsteps of Arnold Schwarzenegger and moving into politics. Here's what the actor needed to say about his potential run for Texas governor. Back in November 2020, whereas showing on The Hugh Hewitt Show, the actor and philanthropist, who has no experience in politics, said his running for office would ultimately be up to the individuals of Texas. Podcast host Rania Mankarious asked the True Detective actor what are his attainable political ambitions – together with a run for governor. Oscar-successful actor Matthew McConaughey, presently promoting his position in the film Gold, thinks it's time for Hollywood to "embrace" President Trump. The interview was launched two days after President Trump signed his govt order that bans immigrants from seven majority-Muslim nations and resurfaced within the U.S. after the Breitbart website covered it Wednesday night.
governor matthew mcconaughey talks texas


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Map of the Hittite Empire and Surrounding States
by Gordon Doherty
A map of the Hittite Empire and surrounding states, including the Assyrian Empire, the Egyptian Empire, and Ahhiyawa.
This map is an extract from the book Empires of Bronze by Gordon Doherty, republished with permission.
Original image by Gordon Doherty. Uploaded by Jan van der Crabben, published on 17 September 2019. The copyright holder has published this content under the following license: Copyright. You cannot use, copy, distribute, or modify this item without explicit permission from the author. Please note that content linked from this page may have different licensing terms.
Indian Princely States
The Indian Princely states (aka Native States or Princely India...
Crusader States
The Crusader States (aka the Latin East or Outremer) were created...
Warring States Period
The Warring States period (481/403 BCE - 221 BCE) describes the...
The Hittites
The Hittites occupied the ancient region of Anatolia (also known...
The Roman Empire, at its height (c. 117 CE), was the most extensive...
Five Key Historical Sites of the Hittites
Although mentioned several times in the Biblical texts, the actual...
Doherty, G. (2019, September 17). Map of the Hittite Empire and Surrounding States. World History Encyclopedia. Retrieved from https://www.worldhistory.org/image/11228/map-of-the-hittite-empire-and-surrounding-states/
Doherty, Gordon. "Map of the Hittite Empire and Surrounding States." World History Encyclopedia. Last modified September 17, 2019. https://www.worldhistory.org/image/11228/map-of-the-hittite-empire-and-surrounding-states/.
Doherty, Gordon. "Map of the Hittite Empire and Surrounding States." World History Encyclopedia. World History Encyclopedia, 17 Sep 2019. Web. 30 Jan 2023.

redpajama_set_name: RedPajamaCommonCrawl


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ABIS GlobalProjectsHealth As An Asset
Health as an Asset (Johnson & Johnson CCT, Rutgers University and ABIS)
Consumer BehaviourCorporate CitizenshipCorporate ResponsibilityCross-sector and Society CollaborationDeveloping CountriesDevelopmentGlobalisationHealthInnovationNon-governmental OrganisationsPartnershipsSocial DevelopmentSustainable Development
In 2010-2011, ABIS, Rutgers University and the Johnson & Johnson Corporate Citizenship Trust agreed to convene a series of thought leadership meetings around the advancement of health related decision-making in the global context. Over time, this became commonly known as "Advancing Health Decision-Making", and has recently evolved its name to "Health as an Asset".
The aim of this initiative is to create an international platform for experts drawing their expertise, passion & commitment from across the global spectrum – corporate, academic, donors, public policy and others – and all regions of the world, to meet in different "thinking spaces", under Chatham House rules, for a "voyage of discovery" which identifies decision making concepts, models and processes that lead to better health outcomes.
After three successful meetings, the international platform of individuals and organisations, has developed a vision recognising Health as an Asset as the common theme and is committed both individually and jointly to realize a world where health is managed as an asset for the benefit of people, communities and society. This initiative will lead us to rethink the choices we make as individuals, communities but also from a systems perspective.
The mission of the group is to:
Create a platform to support an enabling environment to promote its vision of Health as an Asset
Inspire innovative solutions through flagship projects
Drive awareness and education of Health as an Asset
Partner with others to realise scalable and sustainable change
Actions So Far
Upon its creation the aim of the initiative was to create an international platform for advancing the quality and impact of institutional decision-making. It focused in particular on enhanced sharing, use and interpretation of data on global health challenges, as well as building capacity for coordination and collaboration across public, private, and civic sectors.
From 2011-2013 the programme engaged a select group of leaders –– who understand the complexities of these decision-making processes, and who share a strategic commitment to advancing health and wellness in developed and developing markets alike. Its objective was to generate a co-designed, forward-looking agenda for research and innovation that will inspire and inform business strategy, policy formulation, civic activity and education.
First meeting: Launch of the Initiative & construction of an international platform of experts
Rutgers University - New Jersey - May 20th & 21st, 2011
The inaugural AGHDM event, hosted by Rutgers University in New Jersey on May 20 – 21, 2011, convened a group of more than 80 thought leaders from business, government, academia and civil society.
Supported by renowned health pioneers such as Peter Piot, former Director of UNAIDS, Joseph Jasinski of IBM, and Noshir Contractor of Northwestern University, the objective of AGHDM was to establish an international platform to improve the quality and impact of institutional decision-making on critical health issues.
In parallel, working groups were established to create the forward-looking knowledge agenda, publicly launched at INSEAD Business School in France on 27-28 October, 2011 at the ABIS Annual Colloquium.
Subsequent meetings were hosted by INSEAD (France), Johnson & Johnson Corporate Citizenship Trust.
At a meeting in April 2013 hosted by Sharjah University, UAE, four work streams were identified:
Health credits project: Health credit entity as an opportunity to incentivize healthy choices across the sector while identifying the health cost of consumables.
Health potential empowerment project: modelling health as a complete eco system including (health curricula, interactive games)
Improving access project: design new decentralized channels of healthcare delivery for a patient-centered and patient-driven approach.
Impact and scalability: better management of investors' expectations The initiative, having identified focused areas of work will now transition to Phase II. This will initiative discussions on governance, identity and visibility of the stand-alone initiative.
The initiative, having identified focused areas of work will now transition to Phase II. This will initiative discussions on governance, identity and visibility of the stand-alone initiative.
Outcome Of Phase I
So far, the Health as an Asset initiative has touched around 120 global members from different sectors, functions.
During the first phase the initiative has succeeded to:
Develop a common vision, mission and statement of purpose and values
Create a pool of committed and devoted individuals with a shared vision and motivation to reconvene and work together to explore unlikely alliances and innovative approached
Elaborated a case study mapping of inspiring projects that meet several or all of the values and criteria of the initiative (e.g., unlikely alliances, challenging traditional concepts, inclusive decision making, creative-collaborative action, etc, that support new decision-making approaches).
Work started on the four different thematic work streams mentioned above
Members Involved
Lead: Johnson & Johnson Corporate Citizenship Trust (corporate funding partner) and Rutgers University, USA (academic member)
Engaged ABIS academic, corporate and affiliate members: Microsoft, Unilever, Heineken and Heineken African Foundation, Hewlett Packard, IBM, KPMG, TNT Global, Accenture, Kingston University, Audencia École de Management, American University in Cairo, Bocconi University, Witten-Herdecke University, Peking University (ex CEIBS Shanghai), Manchester Business School, Sharjah University, Warwick Business School, London School of Economics, Imperial College London, Solvay Business School, Fordham University, Aspen Institute, University of Cape Town, INSEAD and CSR Europe.
18 Dec 2020 Call for proposals for 13th ALTIS International Social Innovation Research Conference We are pleased to share the Call for proposals for the 13th International Social Innovation… 21 Sep 2020 ABIS has changed offices ABIS´ new address is in Silversquare, Avenue Louise 231, 1050 Bruxelles 21 Sep 2020 Call for Best Teaching Practices We are inviting submissions for Best Sustainability Teaching Practices for the 19th ABIS Annual…
27 Jan 2021 Online - ZOOM Meetings ABIS & AMS Value Creation Roundtable The aim of the event is to convene a group of senior figures from the business and academic communities for an in-depth debate and critical review on existing value creation approaches and sustainability integration models.


She Was Ready For A Selfie. What The Boyfriend Did? Wonderful!
Having An Autistic Brother Is Not A Burden, In Fact It Is…Find Out Below. Unbelievable!
Here's The Guy That Stunned Everyone At The Airport With His Piano Performance. Must Watch!


protection spell | Broomsticked The Life and Times of a Real Witch.
Love Spell , Money Spell and Protection Spell photos.
Was inspired to share photos of some live work I've been doing. Just for fun!
Btw I do this about once or twice weekly on my Facebook page!
All of these and many more can be found at my Artfire shop!


ADED 4010/4013 LEARNING RESOURCES IN AREA OF SPECIALIZATION (3) LEC. 3. Departmental approval. Selecting, developing, utilizing, and evaluating instructional resources and technology for teaching.
ADED 4050/4053 METHODS OF TEACHING IN ADULT EDUCATION (3) LEC. 2. LAB. 2. Methods and techniques of instruction using appropriate instructional materials; planning and evaluation of instruction for programs within adult education.
ADED 4600/4603 NATURE OF ADULT EDUCATION (3) LEC. 3. History and principles of adult education applied to the development and implementation of programs in remedial, occupational, continuing, and life-long learning.
ADED 4610 DIRECTED WORK EXPERIENCE (3) LEC. 3. SU. Departmental approval. In-service, supervised work experience individually designated for part-time or summer work experience.
ADED 4620 COMMUNITY CONCEPTS, PROGRAMS, AND RESOURCES IN ADULT EDUCATION (3) LEC. 3. Departmental approval. Processes by which adult education is merged with community organizations to maximize the effective use of physical and human resources.
ADED 4650/4653 TEACHING THE DISADVANTAGED ADULT (3) LEC. 3. Departmental approval. Problems of the disadvantaged adult with emphasis on the unique sociological, psychological, and physiological factors that influence learning and participation in remedial learning activities.
ADED 4660 TEACHING IN THE NON-SCHOOL SETTING (3) LEC. 3. Departmental approval. Planning, conducting, and supervising instruction for adults in varied non-school settings.
ADED 4900 INDEPENDENT STUDY (1-6) IND. Departmental approval. Independent study directed toward desired objectives. Includes evaluation at regular intervals by professor and student. Course may be repeated for a maximum of 6 credit hours.
ADED 4910/4913 PRACTICUM (1-6) PRA. SU. Departmental Approval. Experience relating theory and practice, usually carried on simultaneously. Course may be repeated for a maximum of 6 credit hours.
ADED 4920 PROFESSIONAL INTERNSHIP IN ADULT EDUCATION (9) INT. 9. SU. Departmental approval. Supervised internship experiences in a school or other appropriate setting. Evaluation and analysis of the internship experience. Or Minor.
ADED 4970 SPECIAL TOPICS (1-6) LEC. Departmental approval. Current or special topics within adult education. Course Course may be repeated for a maximum of 6 credit hours.
ADED 7010/7016 LEARNING RESOURCES (3) LEC. 3. Selecting, developing, utilizing, and evaluating instructional resources and technology for teaching. May count either ADED 7010 or ADED 7016.
ADED 7050/7056 METHODS OF TEACHING IN ADULT EDUCATION (3) LEC. 3. Methods and techniques of instruction using appropriate instructional materials; planning and evaluation of instruction for programs within adult education. May count either ADED 7050 or ADED 7056.
ADED 7060/7066 CURRICULUM AND PROGRAM PLANNING IN ADULT EDUCATION (3) LEC. 3. Introduction to principles and practices involved in designing education programs in the area of specialization. May count either ADED 7060 or ADED 7066.
ADED 7600/7606 NATURE OF ADULT EDUCATION (3) LEC. 3. History and principles of adult education applied to the development and implementation of programs in remedial, occupational, continuing and life-long learning. May count either ADED 7600 or ADED 7606.
ADED 7620/7626 CONCEPTS, PROGRAMS, AND RESOURCES IN ADULT EDUCATION (3) LEC. 3. Processes by which adult education is merged with community organizations to maximize the effective use of physical and human resources. May count either ADED 7620 or ADED 7626.
ADED 7640/7646 WORKFORCE EDUCATION (3) LEC. 3. Identification and evaluation of basic skills problems in the workplace. Strategies for addressing workplace education issues. May count either ADED 7640 or ADED 7646.
ADED 7650/7656 TEACHING THE DISADVANTAGED ADULT (3) LEC. 3. Problems of the disadvantaged adult with emphasis on the unique sociological, psychological, and physiological factors that influence learning and participation in remedial learning activities. May count either ADED 7650 or ADED 7656.
ADED 7670/7676 ADULT EDUCATION IN COOPERATIVE EXTENSION (3) LEC. 3. Exploration of the unique relationship between adult education and the Cooperative Extension System. May count either ADED 7670 or ADED 7676.
ADED 7680/7686 LEARNING STYLES IN ADULT EDUCATION (3) LEC. 3. This course is designed to provide students with an understanding of the various learning styles perspectives in Adult Education. May count either ADED 7680 or ADED 7686.
ADED 7690/7696 MEETING DIVERSE NEEDS IN ADULT EDUCATION SETTINGS (3) LEC. 3. This course provides an innovative look at disability services in post-secondary institutions. Learners will study the history of disability services, legislation, campus accessibility, assessment of the accessibility of adult education settings and other topics of interest.
ADED 7900 DIRECTED STUDIES (1-3) IND. SU. Departmental approval. Independent study directed toward desired objectives. Includes evaluation at regular intervals by professor and student. Course may be repeated for a maximum of 3 credit hours.
ADED 7910/7916 PRACTICUM (1-3) PRA. SU. Departmental approval. Experiences closely relating theory and practice, usually carried on simultaneously. Course may be repeated for a maximum of 3 credit hours.
ADED 7920/7926 INTERNSHIP (1-10) INT. SU. Supervised internship experiences in a school, college or other appropriate setting. Evaluation and analysis of the internship experience. May count either ADED 7920 or ADED 7926. Course may be repeated for a maximum of 10 credit hours.
ADED 7950 SEMINAR (1-3) SEM. SU. Presentation of research projects, analysis of procedures, and findings. Course may be repeated for a maximum of 3 credit hours.
ADED 7960 READINGS (1-3) IND. Departmental approval. Critical analysis of current and classical research and writings. Course may be repeated for a maximum of 6 credit hours.
ADED 7970 SPECIAL TOPICS (1-6) LEC. Departmental approval. Current or advanced topics within area of specialization. Course may be repeated for a maximum of 6 credit hours.
ADED 7990/7996 RESEARCH AND THESIS (1-10) MST. Departmental approval. Individualized support and direction for students writing their thesis. Course may be repeated with change in topics.
ADED 8900 DIRECTED STUDIES (1-6) IND. SU. Departmental approval. Independent study directed toward desired objectives. Includes evaluation at regular intervals by professor and student. Course may be repeated for a maximum of 6 credit hours.
ADED 8910 PRACTICUM (1-6) PRA. SU. Departmental approval. Experiences closely relating theory and practice, usually carried on simultaneously. Course may be repeated for a maximum of 6 credit hours.
ADED 8920 INTERNSHIP (1-10) INT. SU. Departmental approval. Supervised internship experiences in a school, college, or other appropriate setting. Evaluation and analysis of the internship experience. Course may be repeated for a maximum of 10 credit hours.
ADED 8950 SEMINAR (1-6) SEM. SU. Presentation by graduate students of research projects and/or analysis of procedures and findings. Course may be repeated for a maximum of 6 credit hours.
ADED 8960 SPECIAL PROBLEMS (1-6) IND. Departmental approval. Critical analysis of current and classical research writings. Course may be repeated for a maximum of 6 credit hours.
ADED 8970 SPECIAL TOPICS (1-6) LEC. Departmental approval. Current or advanced topics within adult education. Course may be repeated for a maximum of 6 credit hours.
ADED 8980/8986 FIELD PROJECT (1-10) FLD. SU. Field project formulated, planned, conducted, evaluated, and reported in appropriate written form and oral formats under the direction of the student's major professor. Course may be repeated for a maximum of 10 credit hours.


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B-Sides + Guest Spots, Hip-Hop
Curated By: Sam Chennault
Published By: The Dowsers
Post By: Sam Chennault
Be sure to subscribe to our playlist, The 40 Best Nas Tracks Not on Illmatic, right here.
Nas' 1994 debut Illmatic is not only considered his best album, but is regarded as the best hip-hop album ever, full stop. And with good reason: that album revolutionized the genre. Nas captured the ruinous glory of post-crack N.Y.C.. By suggesting that drugs were both empowering and destructive, his lyrics alternately embraced and rejected the idea of ghetto glamour, etching out bits of hard-won wisdom amongst Nas' piercing observational storytelling. His word-drunk, casual cadences redefined how emcees could rap. And this was all done over peak boom bap production from DJ Premier, Pete Rock, and Q-Tip, among others.
But, at this point, it's boring to talk about Illmatic, or to say that Nas lives it its shadow. It's a boilerplate narrative, and a lazy, rote mythologization. To be honest, many of the ideas and even a few of the observations I made in the first paragraph were recycled from the various times in my career when I've been tasked with paying homage to that particular lodestar. But what happened after Illmatic, and the various ways that his fans and critics have reacted to that output, is a lot more interesting.
In the ensuing years (and decades), Nas continued to evolve and experiment, cycling through different personas and tackling difficult concepts, both personal and political. He wasn't always successful; there are peaks and valleys, and he failed as often as he succeeded. At times, his work has been baffling and self-annihilating, full of contradictions and strange discursions. For every blazingly brilliant observational detail, there's a weird sex rap or a confounding historical inaccuracy. And Nas, himself, is frequently unlovable. He's aloof and enigmatic. He's flirted with messianic imagery and has been accused of abusing his ex-wife. Sometimes it seemed that his fans — and I count myself among them — spent as much time apologizing for him as listening to his music.
But, the truth is, we've hung on. We've bought into the idea of his brilliance; we've subscribed to his narrative. Sure, it's a messy and uneven journey, and it's frequently hard to stomach him, much less listen to his music, but, in a way, that makes him feel more human. He's not a face on Mt. Rushmore, and he doesn't carry the extra-human weight of aDylan or B.I.G., but his flaws ground him, and bring his flashes of otherworldly brilliance into stark relief.
There has effectively been five distinct Nas periods. The first is Illmatic, which is a deeply autobiographical work that captures key parts of Nas' childhood. By the time that he re-entered the studio to record 1996's It Was Written, he had largely abandoned this direct approach. Taking a cue from Raekwon and Ghostface — who had, the year before, released Only Built for Cuban Linx — Nas took on the persona of drug lord Nas Escobar. His cadences seem were more calculated and precise, alternately more accomplished and less poetic, and though some of the imagery from that album was still culled from Nas' childhood in the Queensbridge projects, tracks such as "Live Nigga Rap" and "Street Dreams" were conscious fictions — Miami-sized coke rap fantasies that were cinematic in scope. He would continue mining this persona over his next two albums, Nastradamus and I Am.
The artistic failure of those two albums has been widely overstated — it's hard to entirely dismiss albums that produced tracks like "Project Windows," "Nas is Like," and "NY State of Mind, Pt. II" — but by the turn of the millennium, there was little doubt that the Nas' Escobar persona had run out of steam, so Nas switched it up, beginning with 2001's comeback album Stillmatic and continuing with 2002's mid-period high-water-mark God's Son. His narrative strategy here was more straightforward and reflective, which many took to be a return to the autobiographical raps of Illmatic, but tracks like "Get Down" and "2nd Childhood" were older, wiser, and less nihilistic. They were the stories of a survivor, and not a soldier. And though the role of the "street prophet" was always part of Nas' persona — see "Black Girl Lost" from It Was Written — this period also saw him increasingly turning to socio-political themes. It felt that Nas had reclaimed his glory, and, for at least a minute, his fans reemerged from their closets and re-appointed Nas as the GOAT.
This particular stylistic era reached a climax on 2004's Street's Disciple. There were moments of greatness on that album, but it was a messy, sprawling double album, and was a relative commercial disappointment. When, in a 2011 interview between Nas and Tyler, The Creator for XXL magazine, the Odd Future frontman admitted that Street's Disciple was his favorite album, Nas seemed shocked. But Tyler's reaction is understandable. The album contains some genuinely brilliant material, and the fact that it's been overlooked makes it seem more personal to his fans. It's something that we, and we alone, own.
Still, the lukewarm reception caused Nas to recalibrate. To put it bluntly, Nas was aging. He was a wealthy, veteran rapper who, at that point, was over 10 years removed from the street life and struggling to adopt a credible public persona. In lieu of this, he withdrew himself from his music, and released a string of high-concept albums that were oriented around a series of thematic conceits. Hip-Hop Is Dead, from 2006, looked at the supposed-demise of hip-hop. It was a moody album that mourned the genre's childhood innocence and the inondation of commercialism. It was by no means brilliant, and I can't imagine anyone putting it in their top 3 Nas albums, but its melancholy made it compelling.
The follow-up, 2008's Untitled, looked at race relations in America. The album was originally called Nigger, which, as you can imagine, garnered a sharply mixed response. Nas was still considered a commercial and cultural force, and the title drew criticism from camps as disparate as Al Sharpton and Bill O'Reilly. Eventually, Nas conceded to the pressure, and named it simply Untitled.
Putting the controversy aside, it wasn't a particularly great album, but there are some crucial tracks, including the spare lyrical workout "Queens Get the Money," and the crunchy, aggressive "Money Over Bullshit." But it's legacy was tainted by allegations that Jay Electronica had ghostwritten some of the tracks. Though never proven, it put Nas fans in a familiar space, making excuses and equivocating.
Regardless of the album's authorship, at this point, in his career and in his life, it's fair to say that Nas had lost his narrative. He was no longer at forefront of hip-hop, either culturally or commercially, and his marriage to R&B singer Kelis had produced a child but ended in a divorce (years later, Kelis would claim that Nas had abused her; and regardless of whether or not that is true, at the very least, it pointed towards a tumultuous relationship). He did what many of us would in his situation: he took some time off.
2012's comeback album Life is Good was Nas' most personal work to date, and one of his most compelling. It's a deeply ambiguous work — the cover finds him clutching Kelis' wedding dress, and the entire album is coated in ennuie and disappointment. The opening track, "No Introduction," is a biography-in-miniature and directly tackles the dissolution of his marriage. Over a lush production from Miami production unit (and frequent Rick Ross collaborators) J.U.S.T.I.C.E. League, the song begins with Nas embarrassed, standing in line for a free lunch at elementary school, and ends with the admission that he's aging and seeking an ever-elusive closure. This sense of melancholy is present throughout that album. The track "Bye Baby" tackles his divorce head-on, while "A Queens Story" traces the arcs of his friendships, and ends with the starkly ambivalent image of Nas the "only black in a club of rich yuppie kids," getting hammered as he recalls the images of his dead friends.
Life is Good would've made an appropriate swan song, and he could've rode out in the sunset at this point with his legacy intact, but, of course, this didn't happen, and the follow up, 2018's Nasir, felt like a retreat of sorts. It was billed as a collaborative album with Kanye West, which seems like every hip-hop fans wet dream (at least in 2005). And while there are certainly flashes of greatness (most notably on "Adam and Eve," where Nas wrestles with his legacy, both to his public and his children), the emcee sounds strangely detached. He's abandoned his narrative raps, and his ability to twist the details of his life into poetic imagery fail him. "Not for Radio" more-or-less recycles the vibe and themes of "N.I.*.*.E.R" from Untitled wholesale, except with much-diminished returns, while the seven-minute-long "everything" feels maudlin, and strangely anchors itself around an anti-vaccination rant.
But most of all, it's what's missing that's important. Considering that Nas has always been such an honest and forthcoming emcee, it's odd that he didn't address Kelis' allegations of domestic abuse. Nas is far from the only pop culture figure to suffer from such allegations, and there has been no supporting evidence, but his silence reads as guilt. Nas fans have defended him many times over the years for a variety of transgressions, but this is probably the most troubling.
But, like I said in the beginning, it's not easy being a Nas fan. At times, he seems god-like and invisible, while at others, he's impossibly bitter and even loathsome. But you take the good with the bad, and hope the former outweighs the latter, as it frequently does. If he would've ended his career after It Was Written, he would've left the hip-hop with two concise, blazingly brilliant albums, and would've been talked about in the same breath as Biggie or Pac, but his subsequent material has revealed him as being merely human, but, in the end, we're still here, for better and worse.


We all know that backing up your iPhone is not an option, it's mandatory. We also know that having just one backup of your data isn't enough. This week's sponsor, DearMob, helps to solve that problem, and uses US Military-Standard Encryption in the process.
By "evil genius stuff" he of course refers to mathematics. That's what encryption is, just a bunch of fancy math.
The proposed law, which would force companies like Apple, Google, and Facebook to build backdoors into their encrypted platforms, betrays the Australian government's baffling lack of understanding.


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Home / Elgar / BOULT conducts English Music (1954) - PASC193
BOULT conducts English Music (1954) - PASC193
€15.00 - Mono Mono 24-bit FLAC€15.00
€9.00 - Ambient Stereo 16-bit FLAC€9.00
Sold Out! - CD with case & artwork (+MP3)
€10.00 - CD only in plastic sleeve (+MP3)
ARNOLD Eight English Dances
BAX Tintagel
ELGAR Three Bavarian Dances; Chansons de Nuit & Matin
HOLST The Perfect Fool, Ballet Suites
BUTTERWORTH A Shropshire Lad; The Banks of Green Willow
WALTON Siesta
Recorded 1954
London Philharmonic Orchestra
conducted by Sir Adrian Boult
Sir Adrian Boult in his element with the London Philharmonic
Eighteen superb Decca recordings newly transferred and remastered
As is made clearer in his biography (see below - abridged on our CD cover), Sir Adrian Boult was inextricably linked with the flowering of English music in the late-19th and early-20th centuries. As a conductor he had not only promoted numerous English compositions, but was personally acquainted with all of the composers represented in this magnificant collection - even the young George Butterworth, a composer tragically lost to us in the trenches of World War One.
All of these recordings were made by Decca during 1954, and include one of the label's very late (and by then, rare) 78rpm issues - Elgar's Chansons de Nuit & Matin - which was subsequently issues as a 45rpm single before finally making it onto a long player a year after its original release, on Decca LW5174.
What struck me, when remastering these recordings, was the quite striking difference in sound quality between the sessions. Despite each sharing not only the same orchestra, conductor and venue, but also the same producer (James Walker) and engineer (Kenneth Wilkinson), the tonal balances between the sessions were often quite different. I took the decision, therefore, to utilise the XR remastering system in a slightly different manner to my usual approach.
Having established, first of all, that the tonal balance acheived in the sessions of 1-2 November 1954 coincided most closely with what one might expect from an optimal modern recording, I set about equalising the recordings gleaned from the earlier sessions to more closely match those of the final session. The aim was to produce not only a continuity of excellent sound quality throughout the collection, but also to - I believe - more accurately represent the sound of the orchestra in those earlier recordings.
Despite his extensive recording career, it's also worth pointing out that this collection includes Boult's only recordings of both the Malcolm Arnold English Dances and William Walton's Siesta.
Andrew Rose
ARNOLD Eight English Dances Op.27 & 33
1. Andantino (2:44)
2. Vivace (1:45)
3. Mesto (2:17)
4. Allegro risoluto (1:36)
5. Allegro non troppo (2:47)
6. Con brio (1:33)
7. Grazioso (2:20)
8. Giubiloso (2:20)
Recorded Kingsway Hall, London, 1-2 November 1954
Originally issued in March 1955 as Decca LW5166
BAX Tintagel (13:30)
Originally issued in February 1955 as Decca LXT5015
ELGAR Three Bavarian Dances, Op. 27
1. The Dance (3:45)
2. Lullaby (3:16)
3. The Marksman (4:46)
Recorded Kingsway Hall, London, 21 October 1954
Originally issued in January 1955 as Decca LW5157
ELGAR Chansons de Nuit & Matin, Op. 15
2. Chanson de matin (3:18)
1. Chanson de nuit (4:06)
Recorded Kingsway Hall, London, 18-19 February 1954
Originally issued in May 1954 as Decca 78rpm X574
HOLST The Perfect Fool, Ballet Suite Op. 39 (10:46)
A Shropshire Lad (8:41)
The Banks of Green Willow (5:25)
WALTON Siesta (4:48)
Originally issued in January 1955 as Decca LXT5028
Transfers from the collection of Edward Johnson
XR remastering by Andrew Rose at Pristine Audio, September-October 2009
Cover artwork based on a photograph of Adrian Boult
Shows a fine sense of urgency added to his other gifts of sensitive phrasing, structural mastery, and orchestral balance
These recordings aren't taken from tape originals or metal stamps, but from items in a private collection. As such, they reveal the wear and distortion often associated with mildly worn copies of analog recordings, as well as the tubby, poorly defined bass and dry, x-ray treble that were features of some Decca 1950s releases. Add to that the fact that these selections were engineered in mono instead of the mellow stereo EMI and Lyrita provided for the conductor's later re-recordings, and the question naturally arises: why bother with these efforts, at all?
There are a couple of good reasons, in my opinion. For one, not all of Decca's mono studio efforts were sonically problematic. The bass is strong and well defined in The Perfect Fool here, with good lower strings, brass, and percussion. The upper strings and winds, too, possess a slight but attractive sheen that is a world away from the heavy reverb of many modern CDs, where it is employed as a remedy for personal defects of tone. The overall sound of this group of items is actually better than what I consider Decca's average for the time, as period re-releases confirm and my own LP collection seconds—though the caveat remains regarding some distortion from worn copies.
More important, Boult's recordings made during the 1950s continued to show a fine sense of urgency added to his other gifts of sensitive phrasing, structural mastery, and orchestral balance. Those made in the late 1960s and early 1970s have sometimes been faulted for lacking that same urgency, with comparisons between the conductor's two cycles of Vaughan Williams's symphonies held up as examples. Without wishing to indulge here in lengthy comparisons, consider The Banks of Green Willow, a work whose premiere Boult gave in 1914 (two years, be it noted, before Butterworth's death fighting on the Somme). Certainly there's much to be said for the recording made during the 1970s for Lyrita, with its warm and spacious ambiance; but the anxious trumpet-like motif heard repeatedly on the strings starting around two minutes into the work becomes a sharply faster and more pressing interruption in this 1954 version, launching in turn a more impassioned climax half a minute later. This makes for a more effective contrast with the final section, given its Lark Ascending mood.
I don't wish to denigrate that later release, once again available on Lyrita 245. Its sound is excellent, despite the analog originals, for one thing. For another, it supplies fine performances led by Boult in several short works of Herbert Howells, including the best performance available of the beautiful Elegy for viola, string quartet, and string orchestra. But Pristine Classical's examples of a "youthful" Boult, still in his sixties, furnish a corrective to the image provided solely by his late EMI albums. Recommended. You can purchase the CD or download it from www.pristineclassical.com.
This article originally appeared in Issue 33:5 (May/June 2010) of Fanfare Magazine.


text:
North America Talent Cup Set For 2022
Post author:MotoAmerica
(From left to right) Aprilia Racing Technical Director Romano Albesiano with Rise Moto CEO Brandon Cretu.
The following is from Dorna…
Dorna Sports is delighted to announce a new path on the Road to MotoGP™: the North America Talent Cup. Following the blueprint of other Talent Cup programs, the series will be a one-make competition, with race weekends set to take place across the USA. The promoter and organizer will be a collaborative effort between MotoAmerica and Rise Moto. Rise Moto is an integral partner to MotoAmerica in the FIM MiniGP North America Series.
The new North America Talent Cup will partner with MotoAmerica and aims to provide riders across the continent with a vital link on the Road to MotoGP™, creating the stepping-stone between the FIM MiniGP North America Series and the Red Bull MotoGP Rookies Cup or FIM Moto3™ Junior World Championship. The sanctioning body will be the American Motorcyclist Association and FIM North America.
Riders will race on equal Aprilia RS 250 SP2 machinery and be between 13 and 16 years of age for the first season, with the minimum age raising to 14 from 2023 – as it will globally for similar competitions.
Rob Dingman, AMA and FIM North America President: "The North America Talent Cup is a perfect complement to MotoAmerica's development efforts and will provide a critical element to the development of young road racers in North America."
Wayne Rainey, MotoAmerica President: "The new North America Talent Cup will most definitely help us with our goal of developing more young riders who aspire to compete and represent the U.S. internationally, and we're happy to be working with Dorna, Aprilia and Rise Moto to help make this happen. This program ensures that we will continue to build a system where young racers can advance their talents in a program designed to give them the tools they need to succeed. We look forward to the first race at Circuit of The Americas in April and to having the North America Talent Cup join us in our season finale at Barber Motorsports Park in September."
Massimo Rivola, CEO of Aprilia Racing: "The North America Talent Cup, as a forge of future talent, fully reflects Aprilia's racing philosophy of training technicians and riders who have gone on to make sports motorcycling history. Promising young American talent can count on a product we are proud of, the RS 250 SP2, already extremely popular as an intermediate step between MiniGP bikes and 'high wheel' bikes, thanks to its combination of performance and easy operation. I'm certain that we'll see fun and educational races truly capable of launching new talent."
Carmelo Ezpeleta, CEO of Dorna Sports: "We are delighted to announce this new project with Rise Moto and MotoAmerica, creating a vital new path on the Road to MotoGP. With the incredible success of the first FIM MiniGP World Series, we are more committed than ever to creating the best possible pathway for young riders from all over the world to further their careers, and the new North America Talent Cup, along with the MotoAmerica Championship, will complete the Road to MotoGP for riders across that continent.
"The support of Aprilia sees a new manufacturer become a key player on the Road to MotoGP, and all our partners will ensure the series is competitive and affordable – removing as many barriers as we can for those who wish to begin a career in racing and ensuring young talent has the best possible stage on which it can shine."
THE EQUIPMENT & PARTNERS
Riders will race on equal Aprilia RS 250 SP2 machinery, with an affordable, complete race package to be priced especially for competitors.
The sole, official tire supplier will be Dunlop. Seven sets of tires will be provided per rider, per season.
KYT will be the helmet provider, providing two helmets per rider per season along with trackside support.
The North America Talent Cup will be run across the USA as an Amateur National Series. The series will be limited to 20 riders for the first year with aims to expand the amount of riders permitted to 26 by 2023.
The season opener is planned to take place alongside MotoGP™ at the Circuit of The Americas. The remaining rounds will be held in partnership with AMA-sanctioned racing organization WERA, and the final round will be with MotoAmerica at their season finale at Barber Motorsports Park.
OPPORTUNITIES ON THE ROAD TO MotoGP™
Riders accepted into the North America Talent Cup will benefit from trackside coaching at each round from professional riders, as well as training in communication, fitness and nutrition.
The Champion of FIM MiniGP North America Series will automatically gain a place on the North America Talent Cup grid the following season.
The top two in each season of the North America Talent Cup will be invited to take part in the selection event for the following season of the Red Bull MotoGP Rookies Cup.
Applications for the inaugural Cup will open on the 1st of December and close on the 31st of December, 2021.
https://www.16.server2.motoamerica.com/author/motoamerica/
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Tags: ama, Aprilia, carmelo ezpeleta, dorna, FIM, motoamerica, motogp, north american talent cup, wayne rainey
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Olympic gold medal sprinter Usain Bolt has left the Central Coast Mariners after a trial at the A-League club.
Bolt's representative and the Mariners have advised his indefinite training period has ended, effective immediately.
Bolt's representative Ricky Simms and the A-League club had been in conversations with external partners to find a "commercial solution" for the sprinter to continue playing.
Bolt arrived in Australia in August and scored two goals in a practice match last month against South West United.