Red House School, along with several others, has agreed to participate in a very important Health Behaviour Survey amongst young people. We have been asked to support the work of the Local Authority and Public Health and we stand to benefit substantially through our participation in the survey.
The survey method being used has been developed by the Schools Health Education Unit, Exeter and has been in use now for over 30 years. Over 3000 schools have used the survey, many of them regularly repeating the survey.
The Local Authority and Public Health will have a reliable database upon which it can objectively plan health care provision for young people. Links between the school and the Authority can be strengthened.
Both the Local Authority and the school find the content of the questionnaire acceptable; it has been customised to suit our local setting.
Each questionnaire is anonymous and confidential, and no pupil will be identified when the data is returned to your school. The Local Authority will receive only the summary of all schools in which individual schools are not identified.
I hope you will agree with us that this is an exercise in which we wish to co-operate fully. I will assume you do approve unless I hear otherwise and I look forward to working with you in planning improved health promotion for our pupils. We hold a copy of the questionnaire in the school office, and if you would like to examine it, you are welcome to do so by appointment.
The survey will be carried out next Wednesday.


Over 40 kitesurfers have gathered to race 40km in open sea, from Island paradise Tahiti to joint sister island Moorea. Organised by Moorea kiteboard club in extreme weather condition, strong wind (30kn plus) and 3 meters waves.
The race is a down wind course; going with the wind is a real challenge. It is really hard to keep the kite in power without over speeding and no edging with the board. Strait down! Such races are great to compare flying quality of kites. For that race I choose to be over powered with the 11m Edge II and an asymmetric speed board.
The technique is simple 40km looping the kite and playing with the great depower when feeling over speeding. It was incredible to be able to control so much power on my 11 edge2 in so much wind, never loosing contact with the water. Searching for the best line in open sea to not fight the waves but going with them, catching the next one after another.
I was going faster than the wave speed in open sea. Thanks to my Edge II that made it possible. It was almost effortless and after only 15 minutes I had a comfortable advantage over the other riders.
Only 18 riders manage to finish the race. A few of them got tangle lines (kite inverted) after crashing the kite in the water, others lost their boards and couldn't body drag back up wind. My 11m Egde II allow me to finish the race in 1hour and 2minutes. 12 minutes in front before the second.


Generally, escalator falls happen in two ways. The person may trip and fall on the escalator itself, which can result in broken bones and other severe injuries. The other fall situation is one in which the passenger falls over the side of an escalator. This can result in severe injury or even death.
Escalators work with a counterweight system. When they are stalled or turned off, it doesn't take very much weight to make the steps start moving if the brake is damaged or not set. In this case, it would be very easy for someone to slip and fall if they are attempting to use the escalator as steps.
In some cases, a fall on an escalator could result in paralysis and the falls have been fatal as well. The actual liability of the escalator injury can depend on a number of factors. The blame could fall on the manufacturer, the maintenance team, or the owner of the system. If codes are not followed, then someone is being negligent. If the escalator is in disrepair, then the owner or maintenance team could be held responsible. If you or a loved one has been the victim of an escalator accident of any type, you will need an experienced attorney to look into your case. You may be entitled to compensation if premises liability can be proven. However, you won't receive any of that compensation if you don't hire an experienced and dedicated attorney. You need someone to fight for your rights so choose your legal representation carefully. Call the attorneys at Thompson | Wedeking to discuss a free evaluation of your case. This will help you determine if you need to proceed and who you need to proceed against.


I tried two recipes today: A green smoothie recipe from Buzzfeed and avocado pesto from Tastemade. I had to double both recipes to make enough to share with my family, but overall, these were very quick and easy recipes I'd highly recommend. They are both gorgeous green colors that are practically too pretty to consume.
Put all of the ingredients into a blender and blend until the ingredients are completely liquified.


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Die Thailand Division 2 League () war die dritthöchste Fußball-Spielklasse Thailands. Sie wurde erst 2006 eingeführt um im darauf folgenden Jahr, für die Saison 2008, gleich wieder reformiert zu werden. So teilt sich die Liga in der Saison 2008 in zwei Gruppen mit je elf Mannschaften. Die Teams wurden nach geographischen Gesichtspunkten eingeteilt: In der Gruppe B stammen fast ausnahmslos alle Mannschaften aus der Stadt Bangkok. In der Gruppe A befinden sich Mannschaften aus den übrigen Provinzen Thailands. Auswärtsfahrten über größere Distanzen müssen aus Kostengründen häufig per Überlandbus zurückgelegt werden.

Am 7. September 2008 fand der letzte Spieltag der Saison 2008 statt. Nach Abschluss der 22 Spieltage währenden Saison stehen als Aufsteiger in die Thailand Division 1 League fest: FC Prachinburi, FC Songkhla, das Army Welfair Department und der FC Si Saket.

Aufstiegs- / Abstiegsregelung
Die beiden bestplatzierten Mannschaften der jeweiligen Gruppen steigen in die Thailand Division 1 League auf. Aus den Mannschaften, welche die Plätze 7 bis 11 der jeweiligen Gruppe belegen, plus zwei Aufsteiger aus der Regionalliga, wird die neu zu gründende Thailand Division 3 League gebildet. Die Thailand Division 3 League soll ab 2009 eingeführt werden.

Die Vereine und ihre Stadien

Gruppe A

Gruppe B

Abschlusstabellen der Saison 2008

|

|}
|}

Historie der Aufsteiger

Siehe auch
 Football Association of Thailand
 Fußball in Thailand

Weblinks
  (thailändisch)
 Football Association of Thailand (thailändisch)
 Thai football Blog (englisch)
 Korat FC Blog (englisch)

Thai League 3

redpajama_set_name: RedPajamaWikipedia


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Home > Article > She Loves Doing New Work, Even Though It's Fraught with Disappointment
She Loves Doing New Work, Even Though It's Fraught with Disappointment
By RAVEN SNOOK
Friday, June 14, 2019 •
Fri Jun 14, 2019 •
Acting • 1 comment Share This
"If there's not work, make work."
Megan Hill stars in the world premiere of Open, her third new play in six months
It's fitting that Megan Hill is currently playing a magician of sorts because over the past six months she's pulled off quite the hat trick. After almost a decade of being a busy character actress in under-the-radar black boxes, she landed two profile-boosting Off-Broadway gigs back-to-back. In January, she channeled '80s pop-metal god David Lee Roth in the gender-bending romp Eddie and Dave at Atlantic Theater Company, a gonzo turn that earned her rave reviews and her first Drama Desk nomination. A few months later, she garnered more critical love as a hilariously high-strung office drone in the absurdist workplace satire Do You Feel Anger? at the Vineyard Theatre.
Now she's completing the trifecta as the star of Crystal Skillman's Open, a heart-wrenching one-woman play about Kirsten, an aspiring writer and amateur magician trying to save the life of her lover Jenny. Initially presented as a magic show, with Kirsten miming various feats and encouraging the audience to believe in things we cannot see, the show transforms into an exploration of how romance opens you up, and leaves you both stronger and more vulnerable. To reveal more would break the spell of the piece, which unfolds like a mystery on an empty stage, with Kirsten painting vivid pictures of her life with Jenny through lush language.
Skillman and Hill first worked together eight years ago on a reality TV show send-up called Cut, but the playwright admits she didn't initially pen Open with the actress in mind. Once Hill did a reading of an early draft, however, Skillman knew she wanted to develop the show with her. "It was absolutely electric," Skillman recalls. "Something extra happened in the script."
Hill specializes in collaborating with dramatists on new plays -- she even went to school for it. "I went to undergrad at Cornish College of the Arts and was an original works major," she says. "You do all the acting training but you also do playwriting and directing and your thesis is to produce a full production. The mentality was always, if there's not work, make work."
Crystal Skillman, Megan Hill and director Jessi D. Hill; photo by Craig Mungavin
During the lean years, Hill did just that. In 2016, she wrote and appeared in The Last Class: A Jazzercize Play, about a downsized exercise instructor's existential crisis. Her costar was Amy Staats, who wrote Eddie and Dave, and the director was Margot Bordelon, who directed Eddie and Dave and Do You Feel Anger?.
"This season all the productions I've been part of I helped develop," Hill says. "We workshopped Eddie and Dave for three and a half years, and Amy wrote that for me. When the Atlantic said they were going to do it, I kept waiting for the phone call saying they wanted someone fancier. But they understood that it was a package deal: me, Amy and Margot. With Anger, I did a first draft reading of that script and I thought it was so special. A few months later they got the Humana production and I auditioned for that. That play haunted me -- I couldn't let go of it. And I was lucky enough to continue to do it with the NYC production. You just never know what's going to happen, whether you'll move with a show or not."
Hill is speaking from experience. Back in 2011, she originated the role of Jessica in the world-premiere production of Robert Askins' Hand to God at Ensemble Studio Theatre. The raunchy dark comedy about a group of misfits trying to put on a church puppet pageant became a surprise hit, transferring Off-Broadway and, eventually, to Broadway -- but Hill was replaced by Sarah Stiles along the way. (Stories like this are what prompted Actors' Equity to pressure commercial producers into a groundbreaking deal earlier this year, which gives performers who help develop successful shows a percentage of the profits.)
"It was definitely a very painful experience, but we were so close as a company, so as sad as I was for myself, I was happy for them," Hill says. "As an actor, even if you've developed something, you're lying to yourself if you think you're the only person who can play that role. You like to think you have ownership over work you helped create but, ultimately, you don't. It's a good lesson in letting go. The last thing I want to do is become bitter. What's cool is I helped create something and it's gone on and lived an incredible life beyond me."
Open, which is running at The Tank and co-presented by All for One Theater, is a world premiere, and Skillman acknowledges that Hill's input over the years has been invaluable. "Megan is an incredible actor who can straddle the worlds of naturalism and non-naturalistic storytelling," the playwright says. "Whatever she's portraying, there's a realness and an honesty to it, but she's not afraid to push the envelope and be edgy and show the ugly side of a character as well. For the stories I create, it's a perfect match. Also, Megan is a great writer herself, so I appreciate her feedback. She doesn't hesitate to tell me what she thinks."
Having that chance to build a piece of theatre from the ground up is why Hill relishes what she does, despite the disappointments. Perhaps there will be fewer of those now considering the last six months she's had.
"I love being in the room and switching on my dramaturgical brain," Hill says. "It's like a big nut to crack and it's so satisfying when you crack it open. That's when I'm like, doing new work is worth it."
Raven Snook is the Editor of TDF Stages. Follow her at @RavenSnook. Follow TDF at @TDFNYC.
Top image: Megan Hill in Open. Photo by Maria Baranova.
Timcgeever said:
This woman is an American treasure.
Posted on 6/15/2019 at 9:10 PM

redpajama_set_name: RedPajamaCommonCrawl


Experience Summer Dunsmore's immersive installation In other Words, Other Worlds while sitting down for a delectable feast created by Chef Lalo of Tostadas North Park. You'll also have the first look at Zaquia Mahler Salinas' immersive dance film experience, the loneliest part of here is now, in the Community Room.
Come experience artistic & experimental filmmaking in the incredible Joan & Irwin Jacobs Theater inside the Museum of Photographic Art for the 2nd year. This 50 min. program of short film will be followed by a discussion with filmmakers & festival curators - addressing audience questions and comments about experimental dance filmmaking.
A new first for 40 NORTH – San Diego's resident dance film festival presents two works of interactive and immersive dance media installation. Artists, Summer Dunsmore, Duke MFA '18 & Zaquia Salinas, Saint Mary's College MFA '17 present two distinct works housed in the same building at Art Produce in North Park, San Diego.
In the Art Produce gallery (located off of University and the corner of Herman - entrance through Tostada's) Dunsmore presents a live & interactive video collage with audience as dancer - at times inserting a dance artist into the audience to activate the video environment through movement.
In the Art Produce Community Room (entrance on Herman through Chuckalek Beirgarten) local performer Salinas presents a contrasting environment - constructing an environment which brings her projected film to the viewers' fingertips.
40 NORTH Dance Film Fest is an international dance film festival based in San Diego, CA – programming a wide range of dance films which join multiple disciplines and genres. The 4th annual 40 NORTH Fest will take place September 21st - October 6th, 2018.
Featuring a visual feast of dance on camera in curated environments and intimate screenings, 40 NORTH is thrilled to showcase a growing number of programs which include: Curated Film Screenings, Immersive Dance + Media Installations, Panels and new Community Workshop + Collaborative Gallery.
Create a forum to share the diverse genres of both dance and film, providing a platform for all voices to speak and be heard & a communal space for cross-disciplinary artists and audiences alike.


Erik Larsen himself was the main reason I put my faith in this company.
Last edited by Kazu on Fri Oct 08, 2004 1:08 pm, edited 1 time in total.
nice of him to bring up the book in the interview. promotion always helps. hehe.
Hm. Interesting interview. And you guys do know it's 'Larsen' and not 'Larson,' right? Just checkin'.


text:
This directory holds the code that relates to reading the config files
that Nova uses

redpajama_set_name: RedPajamaGithub


text:
Секач () је амерички слешер хорор филм независне продукције из 1984. године, редитеља, сценаристе и продуцента Бадија Купера, Метом Митлером, Рут Мартинез, Билом Хичкоком, Кони Роџерс, Франсес Рејнс и Морејем Ламплијем у главним улогама. Радња прати групу тинејџера који за јесењи распуст одлазе у рибарску колибу, где их прогони серијски убица.

Филм је премијерно приказан 6. јануара у Ралију. Добио је претежно негативне оцене критичара и дели сличне делове радње са осталим слешерима из периода 1980-их. Помоћни монтажер филма био је Хјуз Винборн, који је касније награђен Оскаром за рад на филму Фатална несрећа (2004).

У децембру 2021. најављено је да је у изради наставак, а након тога је потврђено да је снимање завршено у јуну 2022.

Радња

Студент колеџа по имену Ед, који је као дете случајно убио своју мајку из пушке, одлучује да са пријатељима оде у рибарску колибу свог оца током јесењег распуста. Међутим, због психичких проблема који потичу још од смрти његове супруге, Едов отац почиње да прогони и убија тинејџере.

Улоге

|-
| Мет Митлер || Ед млађи
|-
| Рут Мартинез || Пем
|-
| Бил Хичкок || Ралф
|-
| Кони Роџерс || Су
|-
| Франсес Рејнс || Линда
|-
| Мореј Лампли || Мајк
|-
| Џек Чатам || Ед старији
|-
| Бени Мур || полицајац
|-
| Трејс Купер || Ед млађи као дете
|-
| Памела Ведл Купер || мајка
|-
| Џон Боди || заменик шерифа
|}

Референце

Литература

Спољашње везе

 Секач на сајту -{ihorror}-

Филмови 1984.
Амерички филмови
Филмови на енглеском језику
Амерички хорор филмови
Амерички слешер филмови
Амерички тинејџерски филмови
Амерички независни филмови
Амерички сплатер филмови
Хорор филмови 1980-их


GEA supplies comprehensive system engineering and project management for the production of creams and ointments in the pharmaceutical, biotechnology and personal care industries.
Mixing is the most demanding unit operation in today's process industries — and a high-quality end product is dependent on efficient and successful mixing. One of our core applications is mixing solutions for liquid/liquid or liquid/powder, and we are proud to say that we have many years of experience in this field. Choosing the right mixing technology is crucial — as the mixing process not only has an impact on the processing — but also on the batch cycle times and the total cost of ownership. One of the success criteria related to mixing processes is ending up with a homogenous final product without 'fish eyes' and lumps of powder — in the shortest possible time. Our technology will make you rethink the traditional way of mixing.
Process integration: we integrate equipment, systems and components into your operating process plant. We can design and deliver equipment for powder mixing, liquid mixing and blending, fermentation lines, ferment separation, GMO kill plants, intermediate storage, temperature treatment (pasteurization/UHT) and membrane filtration, separators, dryers or freeze dryers.
Cleaning technology: for Cleaning-in-Place (CIP) and Sterilisation-in-Place (SIP), we are able to offer the optimal system for every task, from stationary spray balls and rotating jet cleaners to universally used modular SRS standard cleaning systems. We have developed single use, recovery, CIP systems and automatic washing cabin systems to clean and dry mobile bulk containers. The product recovery system has been developed to reduce valuable product loss by integrating this with the process.
Process automation to monitor and control all process steps, including information and management systems developed in accordance with the customer's detailed requirements.
In addition, we can participate in PQ.
Micronization using high pressure homogenization is used to obtain a homogenous and stable product emulsion, with better active ingredient dispersion than can be achieved with conventional stirrers, rotor-stator devices or colloid mills. High pressure homogenization can effectively reduce the particle size down to nanometer scale with uniform dimensional distribution, forcing the product through a special homogenizing valve using high pressure energy through fluid-dynamic effects like shear, turbulence, cavitation, acceleration and impact.
The stabilization of emulsions containing different oils is often required for semi-solid applications, and droplet micronization and efficient dispersion eliminate water phase separation, improve both active ingredient and excipient distribution. Effective particle size reduction with high-pressure homogenization is used to obtain a better quality product that can be easily and more effectively absorbed by the skin.


Anyways, since I couldn't buy anything, I decided to go to Jumeirah Beach to take pics again with the Burj Al Arab as the background. While waiting for the driver, I was mesmerized by the valet parking lot! It was like a motor show, I tell you. The cars that were being valeted were just out of this world; but then again, if a Porsche Cayenne Turbo S cost only AED200k, anything is possible here.


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tag: vladivostok - Page 1
Women's World Championship 2020 - Game 11 drawn
1/22/2020 – Chinese defending champion Ju Wenjun and her challenger Aleksandra Goryachkina from Russia are playing a twelve-game match at locations Shanghai and Vladivostok. Game 11 of the Women's World Championship Match ends in a draw after 40 moves. Defending champion Ju Wenjun is leading 6-5. In the final game on Jan 23, the challenger Aleksandra Goryachkina has White in a must-win situation. Ju Wenjun took the lead with back-to-back wins in Game 9 and Game 10. The second half in Vladivostock starts two hours earlier with games commencing at 5:30 UTC (6:30 CET, 12:30 AM EST). | Photos: Zhang Yanhong, Eteri Kublashvili (FIDE / official site)
More... Comments 34
Russian Higher League: Lysyj and Girya win
6/14/2014 – The Russian Higher League finished with a flurry as many of the strongest Russian players fought for both a spot on the podium, and more importantly a seat in the Super Final later this year. For many this was both one and the same, since five players would pass the test of fire, but not all, since even a fourth or fifth place would be good for the coveted prize. Illustrated report.
More... Comments
Fedoseev and Girya dominate Russian qualifier
6/11/2014 – Being favorite is a double-edged sword as anyone can attest to. After six rounds, the Russian Higher League, qualifying to the Russian Super Final later this year, is finally taking shape and the leaders are also clear. In the men's section, 19-year-old Vladimir Fedoseev started like a rocket with 5.0/6 and a 2835 performance, while Olga Girya dominates the Women's. Illustrated report.
Russian Higher League starts strong
6/7/2014 – With a lineup of dozens of grandmasters, at least one rated 2700, and many rated in the very high 2600s, it would sound like a national championship at least, but not so. This prodigious platoon actually comprises the field for the Russian Higher League, held in Vladivostok, Russia, at the eastern-most border of Russia, and is the qualifier for the Russian Super Final. Report and pictures.
Fritz 17 - The giant PC chess program, now with Fat Fritz
The most popular chess program offers you everything you will need as a dedicated chess enthusiast, with innovative training methods for amateurs and professionals alike.
ChessBase Magazine Extra 193
Videos by Mihail Marin, Adrian Mikhalchishin and Georgios Souleidis. "Lucky bag" with analyses by Alireza Frouzja, Peter Heine Nielsen and many more. Plus over 35,000 new games for your database!
A nightmare for the Najdorf
Fighting against the Najdorf is always difficult, but GM Tiviakov demonstrates a very effective way to combat this popular opening. Crafty players take the fight to their opponents on their own terms, and starting with 2.Nc3 you'll learn how to take Najdo
Analyses by Caruana, Giri, Duda, Wang Hao, So, Vidit, Vitiugov, McShane and many more. Plus videos by Williams, King and Shirov. 11 opening articles with new repertoire ideas and training sessions in strategy, tactics and endgame!
Videos by U18 World Champion Praggnanandhaa and Mihail Marin. New "Lucky bag" with analyses by Adhiban, Koneru, Pähtz, Edouard and many more. Plus over 23,000 new games for your database!
Mastering Pattern Recognition in the Opening
Pattern recognition is an important tool in modern chess, as it helps you to understand better the characteristics of a position. Particularly when you have been confronted with a surprise opening system played by your opponent, it helps when you can just
The ChessBase Mega Database 2020 is the premiere chess database with over eight million games from 1560 to 2019 in high quality.


LH Brubaker Appliances Inc. in Lancaster, PA is an authorized dealer of Broan Products. Broan-NuTone LLC leads the industry with forward-thinking residential ventilation products, customized climate, communications and storage solutions and superior customer service. Broan-NuTone is proud to acknowledge that over 80% of homeowners in the United States rely on one or more BROAN®, NuTone®, or BEST® products every day to provide them with superior indoor air quality and lifestyle conveniences.
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"Лошо възпитание" () е испанска драматичен филм от 2004 г. на режисьора Педро Алмодовар. Във филма участват Гаел Гарсия Бернал, Феле Мартинес, Даниел Хименес Качо, Луис Хомар и Франсиско Бойра.

Филмът е пуснат по кината в Испания на 19 март 2004 г. и на 10 септември 2004 г. в Мексико.

Източници

Външни препратки

Филми от 2004 година
Филми на Уорнър Брос
Испански драми
Испански филми


text:
G. H.
Thirty men arrived to work – took on 25 and started to dig again and some progress was made. The pottery is more perfect, but the ordinary Graeco Roman type-lamps and various small pots, finer fragments of red pottery and 2 pieces of glass. Picked up various fragments of thin red painted pottery, a base and part of a rim – all on the surface and in different parts of the S. side of the site.
Examined the graves found in Wadi Turkomaniya [sic] and made notes in last part of the morning – doubtful as to their antiquity. In afternoon spent some time on dig – it was uninteresting. The top of the Scarp has appeared on the left hand side – so that now the rock surface is appearing across the whole width of the cut. Pottery is scarce.
Examined the Nabataean wall from El Habis as far as the dig, and noted it all. There is a grave yard at the El Habis end which contains graves on the surface of the same type as those in the Turkamaniya Wadi – presumably Christian – many are orientated E & W.
Money is running short – more is to be obtained – the problem is how? Mahmud is doubtful about riding in, as it takes a long time and an equally long time to return. Took on a scullion (Ali) and seems to have satisfied the cook's wants for the moment. He has quarrelled with the Circassians and removed to the kitchen to sleep. We now have 3 Arabs as servants, Deifullah the night watchman and general go-between – Huaymil, wood and water fetcher and the scullion. We seem more settled down, but I am constantly worried by idiotic domestic details which require settling, but it is often difficult to make the necessary politic decision, so that the matter is arranged and no one is disgruntled.
Dr. Canaan continued his long walks, picking up place-names, and found two High Places on Al Qantara. Dr. Nielsen went to El Ma'aisera No III sanctuary and was greatly impressed.
A.E.C. visited the circle on the mount with the American party, who thought the masonry either very early or Byzantine, and probably the former. After leaving Colonel Armstrong at Sextus Florentinus, she explored the N.W. wall beyond, finding Dalman's Sanctuaries under el Hubta, which seemed to her to belong to a Hadrianic suburb. She climbed the S. peak of El Habis in the afternoon to see Dolman's [sic] Sanctuary I, which seemed to bear no signs of cult but was inexplicable. (Certainly a quarry).
Reference: Horsfield, G. [and probably Conway, A] 1929 (transcribed by A. Thornton). Petra Exploration Fund Diary. "Business Papers to be Kept", Horsfield Collection Box 8, UCL Institute of Archaeology, 31 March: 17-18.
[By Agnes Conway and George Horsfield]
A.E.C. took Mr. Horsfield to see Al Najr, and he pronounced the whole place to be a quarry, probably temp [sic] Hadrian to build the Hadrianic city. The horned altar and niche would just have been put up by the quarrymen to amuse themselves. All the surrounding cult places, recommended by Kennedy for examination, are quarries as well, and to have fixed this definitely will save us all a great deal of time. We walked through Al Nasara, also full of old quarries which looked like cult objects, to the suburb on the N.W. face. Here Mr. Horsfield agreed that the tricliniums, niches, rooms etc all included by Dalman in his account of the 6 sanctuaries under El Hubta, are houses. One room is particularly fine and considered by him to be the earliest specimen of a typical Arab house.
G. Horsfield Spent the morning with Miss Conway visiting Northern area, in which I dashed all her hopes, as the alleged Higher Places are all quarries and the crude symbols the products of the leisure of quarrymen, visited some of the rock cut chambers on the S side, many of which seem to have been houses. The facade without a door, in front of which is a wall, seems to have been a Nymphaeum.
Spent the afternoon on the dig – a wall has appeared on the W. side which seems early. Pottery same as before and scarce but the house debris, bones, pottery and ashes are in evidence. The work is going better and with more of a swing, as the men are broken to organized labour – 26 men employed – taking on 10 more tomorrow.
In the afternoon A.E.C. investigated the caves around El Habis which all seem to be houses of different dates. One has remains of a very fine black plastering on the walls and ceiling.
Reference: [By Conway, A.] and Horsfield, G. 1929 (transcribed by A. Thornton). Petra Exploration Fund Diary. "Business Papers to be Kept", Horsfield Collection Box 8, UCL Institute of Archaeology, 2 April: 20-21.
[By George Horsfield, Agnes Conway and Tawfiq Canaan]
Spent two hrs. with Dr. Nielsen and Miss Conway in N.W. side of El Habis examining the High Place approaches, also the underlying quarry with its tombs. Spent the rest of the morning at the dig and completed my survey of the South Wall which runs from El Habis to the Castellum in the middle, and is the highest point of the South side of the city, then to the side of Zubb Atuf on the E. In the afternoon cleaned up the high place on El Habis in part; found nothing but sane [sic] and sheep droppings covered with thin grass to a depth of 30 centimetres. Visited the dig and saw the exposed side of the wall which has appeared in it and its junction with the S wall; its outer face, in the fragment exposed, is the same as the wall which limits the Town on the Wadi Farasa. The wall in the dig projects beyond its face and is broken away, which seems to suggest that there was a Tower or at any rate a change in plane of the wall. The pottery is the same and scarce. At the side of the wall inside are the remains of another, crudely built of small shapeless stones, without a foundation, about a meter high. Three Nabataean coins turned up of the common sort with crossed cornucopias which I have often seen and sometimes bought.
I have decided to go to a deeper level and shall proceed to cut off another meter from the front.
A.E.C. spent most of the day making a prismatic compass plan of the circle of old unhewn stones surrounding the rock which she found on March 28th.
J. [sic] B. Canaan: Before noon went through the siq to Wadi-el-Muslin, followed its course and the course of its tributaries up to Wadi-el-Mataha. Made a plan of the Siq, el-Mataha and the surroundings.
Reference: Horsfield, G., [Conway, A.] and Canaan, T. 1929 (transcribed by A Thornton). Petra Exploration Fund Diary. "Business Papers to be Kept", Horsfield Collection Box 8, UCL Institute of Archaeology, 3 April: 21-22.
G. H. No work to-day, spent the morning on Ez Zantour making notes, the afternoon on S. end of El Habis visiting the By-Zantine [sic] fort and examining the site lying below – which I discover has at some time been tilled, the evidence being the piles of stones forming rough walls enclosing fields – very much as is found on other sites in T.J. This has happened after the desertion of the site.
A.E.C. went to Dalman's El Habis Sanctuary No. 1 with Dr. Nielsen, and both agreed that it was nothing but a quarry. It is certainly far earlier than Al Najar, as the markings have worn away; It was perhaps Nabataean and furnished the stone for the old houses on El Habis and possibly the Castle, which Mr. Horsfield thinks at every period must have been the main citadel of Petra – the present ruins he thinks Byzantine or pre-Byzantine. A.E.C. went on to the theatre district to examine the house and tombs, and found tombs of every internal arrangement mixed up together and what seemed like a magnificent house and cistern underground in the middle of them. The sandstone is so weathered that the late types of facades look extremely primitive. In the afternoon she went to the tomb area above the Circassian camp again, and feels it to be far earlier than the Theatre district, even in the sections that face E. and are not weathered. She went to the head of the Wady where the 2 Ma'aiseras meet and thinks that very early caves and tombs may be silted up there.
Reference: Horsfield, G. 1929 [and probably Conway A] 1929 (transcribed by A. Thornton). Petra Exploration Fund Diary. "Business Papers to be Kept", Horsfield Collection Box 8, UCL Institute of Archaeology, 5 April: 23-24.
[By George Horsfield]
Went to El Barid in 1 ½ hours and explored the site and surroundings. The site has Hadrianic monuments and innumerable cisterns and contrivances for catching and holding water. To the west is a stair in a nick in the rock which is almost blocked at the top; beyond it descends into the Wadi which falls to the West. Higher up east is another which falls S.W., so this is the head of the Water shed. To the East outside are many Bedouin graves outlined with stones and 2 built ones – one of which was roughly roofed in – with a small low door to W. This area has apparently been built on – all the rocks surrounding contain cisterns – some of large size. There are extensive quarries and the stone seems of good quality and similar to that used in the 2nd century Petra buildings. To the North is a wider wadi which has the remains of walls extending the whole width one behind the other – on North side is a building and another in the NW Angle: the second court or serai is approached from the E. side and a wall cuts off a passage about 5 m. wide towards the cliff. Probably a caravanserai for camels and pack mules for bringing stones to Petra.
A quarry in El Barid (Little Petra), photographed in the mid 1930s. Copyright UCL Institute of Archaeology
At 11.15 Drifullah brought news of an accident to one of the workmen who had his leg broken at the thigh by a fall of earth. He sat under the working face at the breakfast interval, and a short time before the whistle blew a heavy fall buried him and another man - who escaped injury. Dr Canaan returned; found the man in the police tent at Cooks Camp and set the leg. On my instruction he offered to send the man to Amman to Hospital; it was repeated several times, but he preferred to stay in the village. It is a simple fracture of the thigh. Dr Canaan improvised a stretcher – and the man was carried to his house. The digging continued, the pottery same as before with one inscribed jar handle. The lower depth is being attacked – so the depth is now six metres.
Reference: Horsfield, G. 1929 (transcribed by A. Thornton). Petra Exploration Fund Diary. "Business Papers to be Kept", Horsfield Collection Box 8, UCL Institute of Archaeology, 10 April: 30-31.


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Prepayment premiums are alive and well, although sometimes subject to some courts' willingness to strictly construe them against secured lenders, usually to find "value" for other creditors of the lender's borrower. Recent decisions leave a fairly clear road map for lenders preparing loan documents. The documents must contain language expressly providing for payment of a premium, as one cannot rely on the courts to imply the existence of such a right or to find a right to damages for violation of the perfect tender rule.
Prepayment or "make-whole" provisions should be tied to a formula aimed at calculating the lender's anticipated losses due to early payment, should recite the sophisticated nature of the parties, and acknowledge the parties' understanding that it will be difficult to calculate the lender's damages in the event of a default. The documents should clearly state that the premium shall become due and owing upon acceleration, whether voluntary or involuntary.
Finally, the prepayment or "make-whole" provision should clarify that it is due and owing upon acceleration regardless of whether any actual prepayment is made.


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Q: pyspark code working in console but not in zeppelin I have an EMR (emr-5.28.0) with Spark 2.4.4 and python 2.7.16.
If I ssh to the cluster and execute pyspark like this:
pyspark --jars /home/hadoop/jar/spark-redshift_2.11-2.0.1.jar,/home/hadoop/jar/spark-avro_2.11-4.0.0.jar,/home/hadoop/jar/minimal-json-0.9.5.jar,/usr/share/aws/redshift/jdbc/RedshiftJDBC.jar --packages org.apache.spark:spark-avro_2.11:2.4.4

and execute this code:
url = "jdbc:redshift://my.cluster:5439/my_db?user=my_user&password=my_password"
query = "select * from schema.table where trunc(timestamp)='2019-09-10'"
df = sqlContext.read.format('com.databricks.spark.redshift')\
.option("url", url)\
.option("tempdir", "s3a://bucket/tmp_folder")\
.option("query", query)\
.option("aws_iam_role", "arn_iam_role")\
.load()

Everything works fine and I can work with that df.
But if I open a Zeppelin notebook in the same EMR, with the same version of everything and execute a cell with:
%dep
z.load("/home/hadoop/jar/spark-redshift_2.11-2.0.1.jar")
z.load("/home/hadoop/jar/spark-avro_2.11-4.0.0.jar")
z.load("/home/hadoop/jar/minimal-json-0.9.5.jar")
z.load("/usr/share/aws/redshift/jdbc/RedshiftJDBC.jar")
z.load("org.apache.spark:spark-avro_2.11:2.4.4")

and in the next cell the same piece of code (startint with %pyspark), when I try to do a df.count() I get the following error:
java.lang.ClassCastException: cannot assign instance of scala.collection.immutable.List$SerializationProxy to field org.apache.spark.rdd.RDD.org$apache$spark$rdd$RDD$$dependencies_ of type scala.collection.Seq in instance of org.apache.spark.rdd.MapPartitionsRDD

I've tried to restart the interpreter several times, and I've tried to add to the interpreter args the --jar options that I use in the console when I ssh, but no luck.
Any ideas??

A: I think this is an issue with how z.load works (or rather, doesn't work) for Pyspark queries.
Instead of loading your dependencies this way, go to settings -> interpreters, find pyspark and load your dependencies there, then restart the interpreter. This is the 'Zeppelin version' of --jars
Here's the official docs link to this - https://zeppelin.apache.org/docs/0.6.2/manual/dependencymanagement.html
I know that for Spark SQL z.deps doesn't work, so this may be the same issue.

redpajama_set_name: RedPajamaStackExchange


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Celebrities Entertainment Nicolas Cage: Top 10 Must-Know Facts About Movie Actor
Nicolas Cage: Top 10 Must-Know Facts About Movie Actor
Nicolas Cage (Movie Actor) was born on the 7th of January, 1964. He was born in 1960s, in Baby Boomers Generation. His birth sign is Capricorn and his life path number is 1. Nicolas's birth flower is Carnation and birthstone is Garnet. What does this all mean? Let's find out!
Discover all the facts that no one tells you about Nicolas Cage below ↓
NAME: Nicolas Cage
REAL NAME: Nicolas Kim Coppola
NICKNAME: Nicolas Cage, Nick, Nicholas Kim Coppola
PROFESSION: Movie Actor
BIRTHPLACE: Long Beach, California, USA
RELIGION: Roman Catholic
Nicolas Cage, best known for being a Movie Actor, was born in Long Beach, California, USA on Tuesday, January 7, 1964. Longtime actor who won the Academy Award for Best Actor in 1995 for his role in Leaving Las Vegas. He has also starred in such films as Gone in Sixty Seconds, Con Air, The Rock, National Treasure, Face/Off, Raising Arizona, Kick-Ass, Matchstick Men, Moonstruck, and Adaptation, and he provided the voice for Grug in The Croods.
Family: His uncle is director Francis Ford Coppola. His brothers are Marc and Christopher Coppola. He was married to Patricia Arquette from 1995 to 2001 and Lisa Marie Presley from 2002 to 2004, and he married Alice Kim in 2004. He has sons named Weston and Kal-El. Nicolas Cage father's name is August Coppola and mother Joy Vogelsang. We will continue to update details on Nicolas Cage's family.
Joy Vogelsang
Education: Nicolas Kim Coppola attended Beverly Hills High School, Beverly Hills, California, United States (Dropped Out) and UCLA School Of Theater, Film, And Television, Los Angeles, California, United States.
Dating: According to CelebsCouples, Nicolas Cage is single .
Net Worth: Online estimates of Nicolas Cage's net worth vary. It's easy to predict his income, but it's much harder to know how much he has spent over the years. CelebsMoney and NetWorthStatus does a good job of breaking most of it down.
2. Nicolas Cage's zodiac sign is Capricorn
Nicolas Cage zodiac sign is a Capricorn. Dates of Capricorn are December 22 - January 19. Those born under the Capricorn zodiac sign are talented at applying their intelligence and ambition to practical matters. Stability and order are important to them - and this makes them good organizers. They are driven, patient, strategic, determined, disciplined, responsible, and persistent. On the other hand, they can also be pessimistic, greedy, cynical, fearful, ruthless and rigid.
BORN IN THE YEAR OF THE: Dragon
The American movie actor has been alive for 21,573 days or 517,761 hours. There were precisely 731 full moons after his birth to this day.
GENERATION: Baby Boomers Generation
Nicolas Cage was born on a Tuesday. People born on Tuesdays come with a fiery, fighting spirit. They are brave, impatient, energetic, active, and driven to succeed, sometimes to a fault.
Countdown to Nicolas Cage's next birthday.
Nicolas Cage will be turning 60.
4. On Nicolas Cage's birthday
The world's population was 3,273,670,772 and there were an estimated year babies born throughout the world in 1964, Lyndon B. Johnson (Democratic) was the president of the United States, and the number one song on Billboard 100 was "There! I've Said It Again" by Bobby Vinton.
5. Nicolas Cage's height and weight
We're currently in process of confirming all details such as Nicolas Cage's height, weight, and other stats. If there is any information missing, we will be updating this page soon. If you any have tips or corrections, please send them our way.
HAIR COLOR: Dark Brown
6. The Year of the Dragon
Nicolas Cage was born in the Year of the Dragon. People with Chinese zodiac Dragon sign are usually a group of people who are lively, intellectual and excitable. They can clearly tell right from wrong. Their strengths are decisive, inspiring, magnanimous, sensitive, ambitious, and romantic. But they can also be eccentric, tactless, fiery, intolerant, and unrealistic. Their lucky numbers are 1, 7, 6, and lucky colors are gold, silver, hoary.
7. Nicolas Cage's life path number is 1
Life Path number 1 represents 'The Leader'. Those who walk a Life Path with Number 1 have an inner zeal that pushes them to constantly climb towards goals others think unreachable. Number 1 gives birth to all other numbers. Its energy is that of the Master Creator. The values are individuality, independence, and autonomy. The challenges are to develop a voice of your own and a greater sense of self-confidence.
8. Baby Boomers Generation
Nicolas Cage was born in the middle of Baby Boomers Generation.
9. Nicolas Cage's birthstone is Garnet
10. Nicolas Cage's birth flower is Carnation


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Q: How to hide keyboard while keeping cursor in swift I am making a calculator and using my own keypad and i want there to be no keyboard that pops up when the textview is activated but i want the user to be able to move the cursor around. Any ideas are greatly appreciated.

A: you can change the inputView for the textfield to custom UIView. Something like below.
@IBOutlet weak var myTextField: UITextField!
let customView = UIView()

override func viewDidLoad() {
    super.viewDidLoad()

    myTextField.inputView = customView
}


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Selected 2019: STREETS
Selected 2019: PEOPLE
Selected 2019: SPACES
Selected 2019: CREATIVE
Single Pictures
URBAN unveils the City and its Secrets – Vol. 04
Jury, Jury 2019 0
Nick Turpin
[Great Britain] Nick Turpin is a London based street photographer. In 2000 he was the founder of the iN-PUBLiC street photographers group which played a significant role in the modern resurgence of interest in street photography as an approach.
Nick is the Art Director of STREET LONDON and creator of the #canpubphoto initiative to identify candid public photography online. Nick is also an experienced advertising, design and editorial photographer with major campaigns under his belt for brands such as IBM, Toyota, Barclays Bank and Jaguar. His recent book On The Night Bus explores the lives of London Bus commuters traveling home in the winter months. Nick has taught Street Photography for The Tate Gallery, Sony World Photography Organization, The Discovery Channel and Apple.
https://nickturpin.com
© Nick Turpin
Manfred Baumann
Jérôme Sessini
2018 Exhibitions (55)
2014 Exhibitions (9)
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If your last name is Bacharach or Bachrach (or Bacherach, Backrack, Bachrack or something similar) and your family is or was at one time Jewish, please join our project to see whether all the different Bacharach families which originated in different parts of Germany originate from the same male progenitor. Even if you're not interested in genealogy, you might be interested in finding out where your ancestors came from.
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Every woman wants to look elegant and tempting. Namely skirt is a habitual and casual item of wardrobe we cannot do without. It is considered that knee-length skirt is ideal and suits everybody. However, its length depends on proportions of your figure. Knowing your own type of figure helps to get an idea of appropriate models. Choosing fashion of skirt helps to create correct proportions. Work with details, colours and texture of fabric is also an excellent way of creating an illusion of more bouffant shapes and slim hips. Nevertheless you can wear a skirt which you like in case of creating correct proportions of your figure.
Women of medium height can wear skirts of practically any length. There are two fashions of universal skirt which are suitable for any situation. The first skirt is so called pencil skirt and the second variant is A-line skirt. Choosing skirt you don`t have to chase after fashion. It`s necessary to choose a model that match namely your type of figure, emphasize your advantages and disguise drawbacks.
Short in height girls and women should avoid floor-length and tea-length skirts. Besides, they won`t look great wearing A-line, flippy skirts and bouffant models. A perfect skirt that visually increases height is a skirt made of one-colour fabric with high or medium waist. Tall girls should exclude short mini-skirts from their wardrobe as they will make their figure disproportionate. Tall women and girls will look nice wearing skirts practically of any cuts but the best variants are skirts which higher than knees or floor-length models with bright pattern as they visually reduce height. Another variant lessening height is a pencil skirt with high waist.
If you have pear-shaped body the most successful models will be skirts made of hosiery or draped skirts and A-shaped models. Print on skirt should be quiet otherwise your hips will look massive. Pencil skirt and peg-top skirt will suit ideally if you want to emphasize bends of your body. It`s necessary to focus on skirts adding volume to your hips and thus attracting less attention to your to shoulders. If you have apple-shaped body appropriate variants will be asymmetrical skirts as they attract attention to legs, skirts with high waist hide belly and make figure more feminine. A-line skirt will provide figure with harmonious proportions. It`s possible to try a circular skirt that will help you to look slender in combination with a semi-fitted top.
Owners of rectangular figure should achieve the effect of volume below waistline. They can wear the majority of fashions which don`t suit women with other types of body. The following models will suit rectangular figure: V-shaped skirt, any skirt which lower part is broader – full circle skirt, semi-circle skirt, A-line model and low-rise skirts. Besides, such details as pockets, visible stitches and slide fasteners will make your figure more proportionate.


This sign helps mightily blessed and consecrated to accelerate the healing of all moral and physical diseases. We defended from all danger, by all odds, against a known enemy, the risks of fire, water, storms, thunder, snakes and all the dangerous beasts, famine, plague and other infectious diseases, loss of money, sudden death, and eternal damnation. This sign is also used to obtain the benefit of larger in a particular case.


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