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DON NARVESON
Waterloo | Inducted 1991 | Category: Benefactor
In his thirty-two seasons as the Waterloo West golf coach, Don Narveson's teams achieved unparallel success. The Wahawks won an unprecedented nine boys' state golf titles over four decades, starting in the 1950's. A life member of the PGA of America, Narveson's teams won more than 300 dual meets and lost just 20. He was honored as national high school coach of the year in 1978. Five of his players won state medalist honors, including Jack Rule, a two-time winner on the PGA Tour; Clark Burroughs, the only Iowan to win medalist honors at the NCAA Championship, Ken Schall, who was on the PGA Tour, and Dale Kniss, the state's first two-time medalist.
1978 National Coach of the Year
Coached Waterloo West to 9 State Titles
Over 300 Dual meet Victories


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European Commission: Kosovo fulfils all required benchmarks for visa liberalisation
Written by The Sofia Globe staff on July 18, 2018 in Europe - Comments Off on European Commission: Kosovo fulfils all required benchmarks for visa liberalisation
The European Commission said on July 18 that it had confirmed that Kosovo had met the two outstanding visa liberalisation requirements on the ratification of the border demarcation agreement with Montenegro and a strenghtened track record in the fight against crime and corruption.
This means that Kosovo has fulfilled all the benchmarks set out in the visa liberalisation roadmap, the Commission said.
In May 2016, the European Commission proposed to the European Parliament and the Council to grant EU visa-free travel for the people of Kosovo, on the understanding that the two requirements would be met by the time of the adoption of the proposal.
"The Commission now encourages the European Parliament and the Council to move forward on its proposal."
Commissioner for Migration, Home Affairs and Citizenship Dimitris Avramopoulos said: "Kosovo has made great progress over the last two years to fulfil the two remaining visa liberalisation requirements.
"Today, we can confirm that both outstanding benchmarks have now been met, and that all other benchmarks continue to be met. I also count on Kosovo to continue addressing both migration and security challenges, including the fight against corruption.
"I now call on the European Parliament and the Council to swiftly adopt our proposal on lifting visa requirements for Kosovo citizens. This will be an important moment for Kosovo, for the entire Western Balkan region, and for Europe as a whole," Avramopoulos said.
Since the launch of the visa liberalisation dialogue with Kosovo in 2012, the Commission has continuously monitored the fulfilment of the requirements contained in the Visa Liberalisation Roadmap, its statement said.
"Today's report confirms that Kosovo has met the two remaining benchmarks, since the Commission presented its fourth progress report in May 2016."
These were border demarcation – following a positive vote by the Kosovo Assembly on the border demarcation agreement with Montenegro, this benchmark was met on 21 March 2018 – and a track record in the fight against organised crime and corruption.
"The Commission has been monitoring this last remaining benchmark for the past two years and held a technical mission to Kosovo on May 3-4 to further assess the progress made. The Commission can now confirm that the Kosovo authorities have established and strengthened a steady track record of investigations and final court rulings in cases concerning organised crime and corruption, thus successfully meeting the final benchmark."
The July 18 2018 report also confirms that Kosovo continues to fulfil all other benchmarks set out in the Visa Liberalisation Roadmap relating to readmission and reintegration, document security, migration and border management, public order and security, and fundamental rights related to the freedom of movement.
The Commission's proposal from May 2016 to lift the visa requirements for Kosovo citizens now needs to be adopted by the European Parliament and the Council.
"The Commission will continue to monitor the implementation of all requirements set out in the visa liberalisation roadmap. Once visa-liberalisation is adopted for Kosovo, the Commission will further monitor the continuous implementation of the requirements through the visa suspension mechanism and the Stabilisation and Association process," the European Commission statemen said.
Vetevendosje Movement wins largest share of votes in Kosovo parliamentary election
Bulgarian, Serbian foreign ministers hold talks over Kosovo row
Bulgarian PM Borissov discusses Kosovo issue with Serbian counterpart Brnabić
Dačić's comments about Borissov unacceptable, Bulgaria's Foreign Ministry tells Serbian ambassador

redpajama_set_name: RedPajamaCommonCrawl


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Painting by Russian artist Pokhitonov among auction lots from private London club
A private members' club in London is selling a collection of paintings that once hung on the walls of its grand dining room, drawing room and corridors.
Laura Chesters
This 1885 Ivan Pokhitonov, 6 x 10in (15 x 25cm), called 'Duck Hunters on a Lake' will be offered by Harry Moore-Gwyn at 25 Blythe Road's British and Continental Pictures auction on April 5. It carries an estimate of £60,000-£80,000.
The 140 pictures will be offered for sale by Harry Moore-Gwyn at 25 Blythe Road's British and Continental Pictures auction on April 5.
The collection comprises a range of Victorian pictures by artists including Charles Napier Hemy and Sir Joseph Noel Paton.
However the highlight of the sale is a work by Russian artist Ivan Pavlovich Pokhitonov (1851-1924), carrying an estimate of £60,000-£80,000.
Pokhitonov's Duck Hunters on a Lake (1885) is typical of the hunting and shooting scenes that the artist is known for.
Pokhitonov expert Olivier Bertrand has confirmed the authenticity of this work and its inclusion in his catalogue raisonné.
A significant number of the paintings from the club feature animals, in keeping with the traditional pursuits of the gentleman's club members of hunting and shooting.
The sale includes around 25 pictures of dogs, more than 10 equestrian pictures and a number of 19th century oil paintings of rabbits, foxes and stags.
19th Century British Art
19th Century European Art
Olympia Auctions
Titanic survivor was luckier serving on land in wartime
Artist Wyatt captures Byron's wild corsair


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Hockey's left us with broken eggs but not an omelette in sight - Published in The Guardian
Posted by Andrew Leigh Mp 50sc on May 14, 2014
In her terrific book Dirt Cheap, the late Elisabeth Wynhausen decided to take leave from her journalism job and try life as a low-wage worker. In one job, Wynhausen moved to a country town and worked packing eggs. She earned near minimum wage in a job that started at 6am, left her body aching at the end of the day, and where the smell from the nearby chook sheds was constant. Three weeks in, the manager, a millionaire several times over, came to tell the workers they were losing their jobs.
I thought of Wynhausen's story again last night as I looked at the budget papers.
For the billionaires: a mining tax cut and a parental leave scheme that gives most to those who have most. For the battlers: cuts to the pension, cuts to family support, and a punitive regime for young jobseekers.
After a generation of rising inequality, the Abbott government has delivered a budget that will widen the gap. In an environment when the three richest people in Australia have more wealth than the bottom one million, the government is cutting foreign aid and student support to make room for tax breaks to multi-millionaire superannuants and multinational firms.
Budgets are about priorities. This is a budget that has plenty of goodies for cigar-chomping plutocrats, but not much for a minimum wage worker at an egg factory, who will be forced to work till 70 before getting the pension. For Canberrans, it will be particularly brutal, with many of the 16,500 public service job cuts sure to fall on the nation's capital. These include people like the unemployed constituent who contacted me yesterday, fearful that if her husband lost his job too, they wouldn't be able to pay the mortgage.
What Joe Hockey didn't tell people last year was that his own decisions had doubled the deficit. What he didn't tell people last night was that he couldn't even manage to halve it again. He's left Australia with a whole lot of broken eggs, but no omelette in sight.
This piece was published by The Guardian, Wednesday 15 May 2014.


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CERAMICS & PRINT Exhibition November 2012
CERAMICS & PRINT 2012
Exhibition 29 October - 24 November 2012
Ceramic Print in Contemporary International Ceramic Art
In the twenty years since the first edition of Paul Scott's handbook CERAMICS AND PRINT appeared, printed surfaces have become commonplace in contemporary ceramic art practice.
LINK - The book: amazon.com/Ceramics-Print-New-Paul-Scott
Paul Scott is an artist best known for his research into ceramics and print.
His practice is diverse, so as well as making individual artworks, installations and artefacts for exhibition, he also works to commission, writes, teaches and curates.
To coincide with the imminent publication of a completely new edition of the book CERAMICS AND PRINT, this exhibition on ceramic print involves a representative group of international artists in the field:
Paul Scott, Stephen Dixon, Ane-Katrine von Bülow, Richard Shaw, Megumi Naitoh, Charlotte Hodes, Lesley Baker, Cathy Terepocki, Evelina Wojtowicz, Laura McKibbon and Matthew Raw.
SEE the exhibition: CLICK PHOTO = LARGE formats
ABOUT THE EXHIBITORS:
Paul Scott (UK) www.cumbrianblues.com
Paul Scott creates individual pieces that are exacting and critical, blurring the boundaries between fine art and design.
Research has always played a key role in all aspects of his work - from investigating the technical methodologies of print transfers to the synthesis of historical form and contemporary artefact embodied in his Cumbrian Blue(s) artworks.
As a result, he has ongoing connections with a number of Universities and Ceramic Research Centres around the world.
In 2010 Paul was awarded a Doctorate by Manchester Metropolitan University for his MIRIAD funded research project into printed landscape patterns on tableware Ceramics Landscape Remediation and Confection. In 2011 appointed Professor 2, Ceramics at Oslo National Academy of the Arts (KHIO), Norway. www.khio.no
Twitter: twitter.com/cumbrianblues - Blog: web.me.com/cumbrianblues
'A Willow for Ai Weiwei' Blue print on willow pattern porcelain serving plate - Stiegsnaes & Barsebaeck plates - Trees, Cups & Bowls
Ane-Katrine von Bülow (DK) www.anekatrinevonbulow.dk
Ane-Katrine von Bülow was educated at the Danish Academy Design School and is one of Denmark's leading ceramic print artists, who has long worked with form and graphic surface, mixing digital mapping with low-tech paper transfer print processes.
"At the exhibition, I will show Serigraphic Fragments on simple geometrical three-edged forms.
The black/white graphic ornamentation is softened in grey tones by raster; - a raster in the form of nets, a repeating pattern, an ornament in infinite compositions ever-changing between positive and negative."
Slip-cast porcelain, under glaze oxide pattern, mat glaze outside, shiny inside. Computer designed silk screen/serigraphic full body printed. H 24cm W 20cm
Stephen Dixon (UK) www.artdes.mmu.ac.uk/p/sd
Professor Stephen Dixon is head of craft research at MIRIAD (Manchester Institute for Research and Innovation in Art and Design) and is well known for his research into ceramic print processes as well as his political works.
Dixon has recently become interested in the evocative, narrative qualities of historic and archive documents. This interest began during a six month ceramics residency at the Victoria & Albert Museum, London (2009-10) and has developed over subsequent projects.
Inventory a series of digitally printed porcelain plates made during the V&A residency, combines drawings from the sculpture collections with original archive documents relating to the collections. Letters from Tripoli was the result of a chance find in an Italian flea-market. It was created for the project Memoranda at the Craft Study Centre, Farnham, UK in 2011, and consists of a series of found ceramic shards, over-printed with fragments of authentic archive documents and photographic images, which collectively piece together the story of an Italian prisoner of war in WW2. Janus Head is a large, composite head, based on the two-faced Roman God, a metaphor of the V&A ceramic collections."
Richard Shaw (USA) www.richardshawart.com
Richard Shaw based in Berkley California is best known for his pioneering, surreal, trump l'oeil sculptural forms. He has been a significant figure in American ceramics for over forty years and has an international reputation.
3 pieces: Bray Show (edition 3)- Willow ware with Pin Cyshion - Letter to Alice.
Lesley Baker (USA) www.lesleybaker.com
Lesley Baker works as Assistant Professor of Ceramics at Herron School of Art and Design IUPUI, Indianapolis, USA. She graduated from Rhode Island School of Design.
"My work is about creating pieces with a level of subtle social statement and much like how we are presented information through mass media, the true message is not always obvious. I use floral imagery to represent the past and the power of nature, and also as a device to entice the viewer. The themes include but are not limited to global warming, war, mass media, and things that in general feel like they are beyond our control. The messages are subtle because I want the viewer to be engaged and not immediately confronted.
Layering of imagery has developed from my background in architecture and the idea of façade, a skin on a piece that informs the viewer and provides multiple levels of meaning. To achieve my desired results I utilize traditional ceramic image transfer methods from screen print of ceramic media to newer digital processes."
3 wall pieces: Declaration - Sheriff's in Town - El Dorado.
Charlotte Hodes (UK) www.charlottehodes.com
Charlotte Hodes is Professor in Fine Art at London College of Fashion, University of the Arts London.
She studied at the Slade School of Art, University College London as a Fine Art undergraduate student (1978-82) and postgraduate student in Painting (1982-84).
She has worked in a variety different media, including paper, textiles and ceramics. She made a significant body of work in collaboration with the Spode factory before its closure and is working with Paul Scott on new research into the Spode Archive.
Charlotte Hodes' ceramics are informed by her practice as a painter. She utilizes the ceramic surface as a three dimensional canvases onto which she draws her images. Her iconography is centred on the female figure within a contemporary context depicted as a silhouette juxtaposed with motifs loaded with female associated references. It questions the position of the female figure as represented in art history, as a decorative motif and as being inextricably linked to the domestic. The ceramic platters, plates and vessels, as objects themselves refer to the feminine and domestic whilst also offering up visual motifs which in turn form part of her imagery.
The dishes represented in this exhibition were made during Charlotte's short placements at the ceramic factory Spode (1998-2004) in the UK, where she had open access the Spode historical archive of copper engraved sheet and chintz transfers. For her, this was a usable archive of collage material to be cut up and reconstructed for the creation of new incarnations.
2 unique one-off pieces made at the UK ceramic factory Spode.
Material/technique is copper engraved tissue transfer from Spode archive in Cranberry on Spode china. 29 cm diameter.
Megumi Naitoh (USA) www.meguminaitoh.com
Megumi Naitoh is an emerging American artist working with screen printed imagery sourced from cyber-space, collaged with personal imagery. Her artwork plays with surface, media, technology and our perceptions.
"Since 2001, I have been interested in Roman mosaics and their narrative depiction of daily life. I am intrigued by how the mosaics consisted of small pixel like squares that were structured in a non-grid, free form manner. I responded to the Roman mosaics by creating portraits with visible pixels. The tightly configured grid structure of the digital pixilated portraits is contrasted against the more free-formed Roman mosaic aesthetic. The portraits are abstracted and made indefinite by pixilation and present anonymity. The landscape format, size, and frames reference smart phones or computer monitors and suggest internet communication and online activities.
My current work references mosaics and tile murals. My main interest in online activities continues to manifest in this series, exploring the relationship between technology and our lives. In 2007, I became concerned with Second Life, a 3D virtual world. Second Life is created by its residents and inhabited by millions of users from around the globe who create many communities for entertainment, friendship, education, businesses, etc. Although users can express their identities by creating custom avatars, the environment is established to keep the residents' anonymity.
Anonymous blogs, forums, and social sites are a new way of social interaction. They are quite unique to our contemporary lives. By creating two vantage points and presenting images from both the real and virtual worlds in one piece, the work expresses the integration of real life and virtual life, and how we quickly weave through these two worlds on a daily basis."
'January 9th 2010' 40cm x 25cm x 5cm screen-printed earthenware 2010
'December 20th 2009' 43cm x 25cm x 5cm screen-printed earthenware 2010
Laura McKibbon (CA) www.culdesacdesign.com
Cul de sac products are all handmade in Vancouver, BC solely by designer/maker Laura McKibbon. With an academic background in sciences, she is a self-taught ceramic artist, whose work is not bound by labels or tradition. Her work incorporates hand built, functional ceramics with photography and printmaking.
"My work explores a sense of belonging; the feeling of home that connects us to our physical environment. Inspiration comes from the world around us; highlighting the unique yet universal personal experiences we have, embodying them in the ceramic surface as a way to make the temporary permanent.
This series is part of an ongoing inquiry into the relationship between landscape and culture. I am fascinated by the structure and predictability of the natural world and how the human experience; emotional, impulsive and irrational, exists within this ordered environment. My work features a strong graphic element, referencing the historical tradition of ceramic surface decoration, while reflecting aspects of contemporary life and celebrating the elements we inhabit."
Cups and plate. Graphic print and color/glaze vary, textural imagery.
Matthew Raw (UK) www.matthewraw.co.uk
Matthew Raw graduated from the Royal College of Art in London 2010.
His impressed ceramic artworks are variously political and commemorative in nature. In 2011 he completed a commission for El-værket in Holbæk, Denmark.
"Working Title: An Artist Has Produce.. My talk at the Ceramic & Print Seminar will focus around art as a product, with the artist having/being/creating produce. I will create the pieces for this exhibition in the week leading up to the seminar, exploring these issues in three-dimensions.
Discussing and exploring this at Guldagergaard is special to me, as it was the first institution where I felt, and was treated like, a professional. The fact that it was in a different country appealed to me as someone who loves to travel, and was brought up in a house full of international people and global concerns. I have continued to work in other country's, and strive as an artist to discover exciting opportunities and experiences all over the place!"
Three wall mounted pieces, 40 x 40cm. Print/text stretched and distorted.
Cathy Terepocki (CA) www.cathyterepocki.com
www.hornofplentynews.blogspot.co.uk
Cathy Terepocki is a ceramic artist living in Saskatoon, Canada. She graduated from Alberta College of Art and Design in 2004.
"I have always been interested in collecting anachronistic objects. These objects, whether clothing, furniture or a patch work quilt act as catalysts for a myriad of imagined stories. They are clues about the society from which they came while allowing us to see the evolution of contemporary culture. My admiration of these objects has naturally transcended into my ceramics practice.
The search for images is a key element to my work. Ephemera, textbooks and other didactic sources are primarily where I find images, they are then re-contextualized on my ceramic pieces. What is of interest to me is how adding a layer of colour, texture, pattern and collaged print can disrupt their intended meaning, heighten their idiosyncratic nature as well as provide fragments of a narrative. Placing these images onto functional objects takes this a step further. It also allows the viewer to engage with the work on a different level when it becomes part of everyday use.
The forms I use are usually wheel-thrown. The surfaces are developed by building up layers of print including basic mono-printing techniques when the clay in wet, in-glaze or laser decals after the pieces are glazed and repurposed commercial decals to finish off the piece and provide one more layer of complexity, beauty and nostalgia."
Small tumblers - underglaze, inglaze, laser and commercial decals
Evelina Wojtowicz www.evelinawojtowicz.com
Evelina Wojtowicz is a young artist living in Northern Ireland. She has studied Geology and Fine Art in Wroclaw, Poland, and continued her studies in Northern Ireland with a BA Hons Course of Fine & Applied Arts, 2009-2012, Diploma in Industrial Studies, University of Ulster, Belfast, 2010-2011, and BA Art & Design - Ceramics, Galway-Mayo Institute of Technology, Ireland, 2007-2009.
"In my art practice I am working with aspects of the feeling of space in between images, form, their layers and meanings. In experimenting with space, layers of allegories and their composition, my work draws the line between time and space through narrative, form and display.
Living, working and studying in different places such a Poland, Sweden, Ireland and the UK over the years, my biggest inspirations come from how we build our individual and collective identity of space between the present moment and memories.
A big part of my own art practice is based on the use of print techniques in the field of ceramics. Over the years I have developed a technique of applying the images by printing between very thin layers of porcelain, which allows me to get a unique effect of ghostly images seen through porcelain and within the form; unfolding the stories through certain light.
We find ourselves on the journey from the present into the past and the future and it is the just unpredictable NOW that I have been trying to capture in my work, so we can find ourselves between the layers of our own existence with its translucent meanings of life."
3 cups - The project BEING BETWEEN is about being between the layers of our own being, between translucent meanings of life.The porcelain with printed drawings and archive images bring the story written between the past, present and future. The dialogue between high fired porcelain and glass stained together contains a real life of light in a very present moment as an example of contemporary lithophanes. The character of the girl shaded between all become to be again a witness, looking through, in and out of everything..


The 9-Line Medevac Request: Get it right the first time!
Probably the most important thing for a young solider to learn is how to properly call in a Nine-Line Medevac request for serious or life-threatening injuries. In these circumstances every second counts, so there's just not enough time to learn on the job. Protect your battle buddies by studying the Nine-Line Medevac request form regularly. Commit it to memory, and always keep a copy written on a nearby reference!
Also, here's just one more thought to keep in mind: Try to keep your radio traffic brief so that you don't tie up the entire frequency. Other people might need to put out critical information such as the location of the enemy. Get in the habit of opening the microphone every two or three lines or so, just in case the dispatchers need to confirm your information.
Line 1- Your first information needs to be the location of the pickup site. It's important to put this out first, so that helicopters can start scrambling and heading your way as soon as possible. Make sure to give exact GPS coordinates if you can, but don't forget that any route names or landmarks will be a big help too.
Line 2- The next information to pass along is your radio frequency and issued call sign, along with the proper suffix. The command center needs to know exactly which unit they're dealing with so that they can notify your chain of command as soon as possible.
Line 4- Next, take a few seconds to list any special medical equipment that might be needed. The flight crew and the medics will start preparing their gear while they're in the air and en route to your location.
NOTE: During times of peace, Line 6 is used to list the type and number of wounds. This isn't an excuse to get long-winded, though: Remember, every second counts.
Line 7- Describe your method of marking the pick-up site.
Line 9- Last, describe any possible Nuclear, Biological, or Chemical (NBC) contamination around your location. Use the letters for the appropriate threat.
The actual Nine-Line Medevac form states that in peacetime, this line should be used to deliver a brief description of the terrain at the landing site. However, you should always be aware of any radiation or chemical contamination concerns. Make sure to relay any hazards to your flight crew so that they can plan accordingly and protect themselves.


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2010 Dodge Ram 1500 ST For Sale in Ashburn, VA
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Alumni Can Now Create Two-Step Login Accounts
Alumni will be able to create Two-Step Login accounts as of July 22, 2020, in order to access their records on Cornell Health's patient portal.
Confluence Version 7.4 Upgrade Scheduled for August 7-12, 2020
Please visit UPDATE: Confluence upgrade to version 7.4 rescheduled to August 21-23, 2020 for the latest information about this update.
Protect Yourself from Internship or Job Scams
Be cautious about any unsolicited offers you receive for internships or jobs. Cornell students are continuing to receive a large of number of fraudulent (phishing) emails with these scam offers, and some students have fallen victim.
Microsoft Teams for Cornell
Microsoft Teams is being introduced to Cornell in stages.
Two-Step Login Authentication Will Be Added to Office 365 Login for Students Monday, July 20, 2020
Starting July 20, 2020, students who use Office 365 productivity tools will need to authenticate using Two-Step Login when they log in.
IT Security SIG Meeting July 8
The next meeting of the IT Security SIG is Wednesday, July 8, 2020, from 10:30am-noon on Zoom. The IT Security SIG is sponsored by the Cornell IT Security Office.
New App for IT Statements of Need
IT Statements of Need are now easier to submit and, if you have access, to view and search. Using the new IT Governance web app, you can enter all the information needed for an ...
Microsoft Bookings Now Available for Faculty and Staff
CIT has enabled Microsoft Bookings for Cornell faculty and staff who request it. The service is part of the Office 365 Productivity Bundle and allows small organizations and groups to better schedule and coordinate customer appointments.
Static Web Hosting Service to Be Retired and Replaced
Beginning soon, CIT Custom Development will launch phased retirement of the Static Web Hosting service. In preparation, no new websites will be added to the service as of July 1, 2020. After that date, existing site owners will continue to be supported, however no new instances will be created...
Confluence Migration: Inactive Spaces to Be Archived and Removed June 15, 2020
The Confluence migration team would like to follow up on our previous update to let you know it is proceeding to the next step in moving the Confluence service to an externally hosted environment. If you are a Confluence space administrator whose space has been flagged as "_to_be_archived,"...
Cority Is Live!
The Cority enterprise Environmental Health, Safety and Quality (EHSQ) software service is now live at Cornell.
Additional Zoom Features Available Starting May 24, 2020: Audio Transcriptions and Google Calendar App
Also beginning May 24, 2020, Zoom users will have access to two features: audio transcriptions for cloud recordings and Zoom app for Google Calendar.
Upcoming Changes to Data Centers Used By Cornell Zoom Service
Zoom now provides system administrators with the option to customize which regional data centers are allowed to handle data for an organization's meetings and webinars. Beginning May 24, 2020, CIT will opt out of using the mainland China and Hong Kong data centers for data transit.
Starting May 24, 2020, Zoom Will Require Passwords for All Meetings and Webinars
Starting May 24, 2020, all Zoom meetings and webinars will require passwords. After this date, you will no longer have the option to schedule a meeting or webinar without a password, and these passwords will be embedded in Zoom Join links. In addition,...
Project Management Institute to Host Online Talk - June 10, 2020
The Ithaca Branch of Project Management Institute (PMI), Rochester, will host an online talk by Dana Lynn Bernstein, Wednesday, June 10, 2020, at 5:45pm. The topic will be "Mastering the Art of Humanness in Project Management: Serving Others Through Powerful Communications." Find the...
Latest Zoom Security Updates: New Password Requirements, Zoom 5.0, and New User Support Process
Zoom's ongoing response to users' security and privacy needs will result in important new updates and policy changes to the application over the coming weeks. Because some of these changes may require action on your part, please review each upcoming change carefully.
Zoom Continues to Improve Security Features in Version 5.0
Zoom has released version 5.0 this week as the next step in its continuing efforts to improve meeting video and data security. Most notably, the update adds support for improved encryption, which Zoom plans to activate on its networks May 30, 2020. In preparation for this important change, CIT...
Cority Launch Reconfirmed for Mid-May
Cornell leadership has confirmed that the COHSEC project will continue on schedule for a mid-May launch for EHS and Occupational Medicine.
Zoom Meetings: Suggestions for Basic Security Measures
When you're organizing a Zoom session, it's important to take steps to prevent unwanted attendees and unwanted behavior ("zoombombing"). Options include setting passwords, limiting who can enter your meeting, restricting what attendees can do in the...
Zoom API v1-Related Changes April 22 and 26, 2020
On April 26, 2020, Zoom will turn off v1 of its API. To reduce the number of changes that day, CIT will turn off an old integration between Google Calendar and Zoom on April 22.


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carnevalemanfredonia.it » Political » Liberalizing India: Progress and Problems (South Asian Studies)
eBook Liberalizing India: Progress and Problems (South Asian Studies) download
by Dietmar Rothermund
Dietmar Rothermund Politics and Government English
Author: Dietmar Rothermund
Publisher: South Asia Books; 1 edition (December 1, 1996)
Other formats: azw mbr mobi azw
Subcategory: Politics and Government
Are you sure you want to remove Liberalizing India from your list? There's no description for this book yet.
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The essays reflect the span of Rothermunds academic productivity. South Asia's location presents China with significant strategic opportunities as Beijing seeks to expand its. economic presence in the subcontinent by providing resources in infrastructural development, particularly the construction of seaports.
Liberalising India book. Start by marking Liberalising India: Progress and Problems as Want to Read: Want to Read savin. ant to Read. This volume is devoted to four specific problems which must be tackled. Read by Dietmar Rothermund.
Legitimacy and Conflict in South Asia (South Asian studies, South Asia Institute, New Delhi Branch, Heidelberg . Liberalizing India: Progress and Problems (South Asian Studies). Published by South Asia Books (1996)
Legitimacy and Conflict in South Asia (South Asian studies, South Asia Institute, New Delhi Branch, Heidelberg University). Published by Manohar Publishers and Distributors (1998). ISBN 10: 8173042004 ISBN 13: 9788173042003. Published by South Asia Books (1996). ISBN 10: 8173041725 ISBN 13: 9788173041723.
Dietmar Rothermund is professor emeritus of South Asian history, University of Heidelberg, Germany. I would say that this book is essential for anyone wanting to understand the state of Indian economic policy as of 2008, when this book was printed. This book's clever use of stories to explain the motives for aspects of India's political landscape can make a casual reader very informed with little effort.
Dietmar Rothermund was born on 20 January 1933 in Kassel. He studied history and philosophy in Marburg and Munich, and received his PhD from the University of Pennsylvania in 1959. His PhD dissertation centered on the social history of America.
Liberalizing India: Progress and Problems (South Asian Studies). by Dietmar Rothermund. Geschichte ALS Prozess Und Aussage: Eine Einfuhrung in Theorien Des Historischen Wandels Und Der. An Economic History of India: From Pre-Colonial Times to 1991. Mahatma Gandhi (Perspectives in history). Aspects of Indian and Global History: A Collection of Essays. Companion Decolonization: The Routledge Companion to Decolonization.
Dietmar Rothermund broadens the conventional focus of the great . I was amazed at the problems faced by the Indian peasantry in the 1930s and found out that there were parallels elsewhere.
Dietmar Rothermund broadens the conventional focus of the great depression to include its impact on the countries of Africa, Asia and Latin America. Global historiography is still in its infancy, but this little book may serve as a contribution to this new venture.
South Asia: Journal of South Asian Studies, Vol. 15, Issue
South Asia: Journal of South Asian Studies, Vol. 15, Issue.
Covers four specific problems on liberalization in India; the privatization of public sector enterprises, provision of food security, poverty alleviation by means of social safety nets and the reorganization of employment and labour relations. Should be of interest to scholars as well as policy makers who have to deal with the unfinished agenda of economic reforms.
Related to Liberalizing India: Progress and Problems (South Asian Studies):
Fiscal Policy Developments in India - 1947 to 2007 epub
Public Sector Reform: Rationale, Trends And Problems epub
Policy Windows and Livelihood Futures: Prospects for Poverty Reduction in Rural India epub
State, Economic Reform and Social Security: Micro-Level Experiences in India epub
Electricity Sector in India: Policy and Regulation epub
India's Economic Reforms and Development: Essays for Manmohan Singh, Second Edition (Oxford India Perennials Series) epub
Rural India Facing the 21st Century: Essays on Long Term Village Change and Recent Development Policy (Anthem South Asian Studies) epub
Economic Reforms and Social Exclusion: Impact of Liberalization on Marginalized Groups in India epub
Land Reforms in India: Computerisation of Land Records (Land Reforms in India series) (Vol 10) epub
Managing under Pressure: Industrial Relations in Local Government (Public Policy and Politics) epub


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Between 2007 and 2011 the helpline was launched as The National Bullying Helpline and became a registered Charity. Since 2012 the helpline has run as a Voluntary Organisation and today it is a member of the NCVO (VC/17761).
Whilst this helpline has so far been privately run and funded, it recognises the need for change. The helpline is currently looking for Volunteers, expertise and fundraisers in order to ensure stability and continuity moving forward. If you, or someone you know is able to Volunteer or can donate funds to our cause, we would like to hear from you.
We acknowledge with sincere gratitude the support received from our Ambassador Debbie Arnold, from Band 441 and the above named team who produced our Song. We also acknowledge and thank Jamie Dry, Amanda Stocks (PR), Thomson Local, Simon Hayward and other individuals who have gifted monies to the helpline. Past supporters include: CJ de Mooi, Infotec, Accord, Hinton Newport, HR & Diversity Management Limited, W H Smith, Swindon Wildcats, Sainsbury's Stratton, Zurich, Masterclass, NASUWT, various NHS outlets, GP surgeries across the UK, Morgan Crucible, Charles Lucas & Marshall Solicitors, Taylor Fordyce Solicitors, Monahan's, The BBC and Swindon 105.5 FM (Community Radio), VAS Swindon - and many others. A big thank you goes out to our Volunteers and supporters, past and present, especially to the late Tim Field, the late Phil Smith, to Cher, Sue and Richard.
Our helpline is completely reliant on donations and the funds raised from our step by step help guides. We ask for a small contribution of £10.00 for each download that goes directly to the National Bullying Helpline and helps us maintain our free dedicated helpline. Click the button below to read more about our guides.
Our Mission is to continue to work towards eradicating anti-social behaviour in all corners of our society and occasionally that involves campaigning, speaking out and raising awareness.
"When you decide to call" was written by songwriters David MIndel and Adrian Bax and the Video, marketing and release involved Trevor Eyles and Jon Diamond. Debbie Arnold coordinated the entire project during her first month as Ambassador for the helpline and gifted the song to us. 441, the singers, are an extraordinarily talented and exciting group of four diverse young musicians who have formed a band to both make music and make a positive difference to the world we live in today. They have a tremendous future – so watch out for them.
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Altruist, a Writer and a Voice Artist. She has raised millions for charity. Apart from a distinguished stage abs voice-over career she has appeared in every UK TV soap over the last 30 years as a regular character. We are delighted to have her on board as Ambassador as she will help us convey some of the more important messages where harassment and sexual abuse is alleged. We want people to feel safe and comfortable and able to speak out.


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Samikhsya TV
'Indian women prefer men aged 30-40 for extra marital affairs'
Fri Dec 27, 2019 4:27 pm IST
New Delhi, Dec 27 Indian women prefer older men aged between 30-40 as partners for extra marital affairs, while men mostly prefer women partners aged between 25-30, shows data from the extra-marital dating app Gleeden.
As per the kind of relation, men are 'open to everything' and mostly look for 'anything exciting', while Indian women are more cautious and mostly prefer 'virtual' exchanges, according to the data revealed on Friday.
Indian users prefer to connect from their smartphones, and they favour the app vs the mobile website, it said.
The spend on chat an average of 1.5 hours, split in 3 visits, and connect mostly between 12pm and 3pm, during lunch break, and between 10pm and midnight, when the spouse is distracted or asleep, the company said.
The report also showed that Delhi ranked 4 in the Top 5 'unfaithful' cities in the country and subscribers from Delhi represent the 18 per cent of Gleeden's community in the country.
While Bengaluru ranked 1st, Mumbai and Kolkata is on 2nd and 3rd, followed by Delhi and Pune.
The most relevant thing about Delhi is that the ratio men: women is 65:35, which is the highest percentage of women vs men compared to the country's average (70:30).
Women from Delhi are also the most active online and spend in chat over two hours daily.
They are aged between 30 and 40 years old and they seek mostly men with the highest income, such as doctors, dentists, higher-up managers and chartered accountants.
On Gleeden, overall, 12 per cent of subscribers are married people looking for an extramarital exchange with a person of the same sex. Out of this 12 per cent the majority are women (18 per cent of the overall community vs six per cent of men).
The company also revealed that only three per cent of married subscribers selected 'homosexual' as their sexual orientation, and one per cent 'bisexual'.
Despite the numbers being lower in India than in other countries of the world, the company did witness an increase of same sex encounters during the past six months (+45 per cent), which means that after the abolition of the section 377 people feel freer to express their sexual preference and to pursue homosexual or bisexual encounters outside their wedlock.
ExtramaritalAffairs IndianWomen
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PFAS contamination leaves fruits and veggies to wither
By Jim Malewitz/Bridge Magazine • Aug 30, 2018 at 2:00 PM
PARCHMENT — Stepping through her backyard garden on a recent Saturday, Amber Adams-Fall winced as she pointed out the crops she's leaving to wither.
"It did not look like this two weeks ago," the 33-year-old said.
Here were her strawberries. Through most of July, she and her husband Dustin Adams-Fall, 34, picked a quart per day. Over there, raspberry bushes. They usually produce twice a year — once in June and again in the fall. The couple ate the first batch.
There won't be a second.
After sweating four hours each spring day cultivating produce that could fetch hundreds of dollars at farmers markets, Amber Adams-Fall is leaving them to die — asparagus, onions, cherry tomatoes and all.
The doomed plants are casualties of PFAS contamination in this town of roughly 1,800. Nestled alongside Kalamazoo, Parchment is among the latest Michigan communities to learn perfluoroalkyl and polyfluoroalkyl substances (PFAS) — industrial chemicals linked to a litany of health risks — had infiltrated its water supply.
Communities nationwide are only now coming to grips with the pervasive group of chemicals used to manufacture everything from Teflon and Scotchgard water repellent to firefighting foam. Michigan has flagged PFAS at about three dozen sites, a list that keeps growing as regulators test more water.
Beyond more obvious questions of when tap water will be safe to drink and how big a danger it poses to residents, the episode has prompted other worries. Among them:
After years of using tainted water, can Parchment residents safely garden again?
Amber Adams-Fall said emails to public officials and calls to the state's toxics hotline have yielded few answers beyond broad advice not to eat home-grown fruits and vegetables now.
"I feel like, my concerns are not being addressed by the government," she said.
Michigan regulators say they don't believe occasionally eating produce grown in PFAS-exposed soils is particularly risky, but they are advising residents not to do so out of caution and acknowledgement that research continues to evolve.
In other states that are grappling with the issue, recommendations are mixed and sometimes vague.
Lt. Gov. Brian Calley in late July declared a state of emergency in Parchment, known as "Paper City" because of a now-closed paper mill, after a test detected PFAS at more than 20-times an EPA health advisory level.
Residents are receiving bottled water as they await an all-clear to drink from a system that will draw water from Kalamazoo.
The news jolted the Adams-Falls family.
The couple bought a home nearly a decade ago, seeing Parchment as a cozy place to live with easy access to Kalamazoo's bigger-city amenities.
Dustin grew up in Parchment, drinking its water, so the contamination revelation has prompted his family to ponder whether PFAS caused any health problems.
"I've just been applying that question to all of the people that I've known Parchment," he said.
Still-evolving research has linked PFAS compounds to developmental and behavioral problems for infants and children, thyroid disorders and even certain cancers.
And what about the garden? Amber, who grew up in Metro Detroit, worked on it for years, inspired by her parents. They each had farm ties and would serve copious amount of fruit and vegetables, some from a home garden that would eventually transform their yard.
That's why state officials' advice for Parchment's green-thumbed residents proved so crushing.
"Out of an abundance of caution and concern, our recommendation is that anyone who has irrigated their gardens with city water — that those fruits and vegetables not be consumed," Brad Deacon, director of legal affairs and emergency management coordinator for the Michigan Department of Agriculture and Rural Development, told residents during a town hall meeting last month, acknowledging that the state was still learning more about the issue. "Especially if they've been canned. That is of even greater concern."
The couple immediately stopped tending the garden. They stopped eating what they had picked. They also made painful calls to friends and relatives who had accepted the canned produce the couple had sent as gifts.
"I honestly can hardly talk about it," Amber said of the phone calls. "It was really, truly awful."
She hasn't had the heart to toss the hundreds of items she's canned over the years. Before she does that, she wants more information — including studies — detailing the risks of gardening with PFAS-laden water. And she wants to know whether the contamination has permanently tainted her soil.
State and local officials have yet to offer those details, she said.
The Michigan Department of Health and Human Services referred a Bridge Magazine reporter to the Department of Agriculture and Rural Development. That agency referred Bridge to a Department of Environmental Quality spokesman who said he had nothing to add to what state officials have relayed at public meetings and published online.
A state web page describes what's thought to be a "low" risk from occasionally eating produce grown in soils exposed to PFAS but said more research is needed.
And since the chemicals can accumulate in the body and people face exposure from many sources, the state recommends avoiding such vegetables or any other known PFAS source.
When it comes to canning, the state uses stronger language. "Only safe drinking water should be used for canning vegetables or fruits," the web page says. Water not meeting state standards "should not be used for preparing, cooking, or preserving food."
What other states say
Outside of Michigan, states grappling with PFAS have offered mixed messages to worried growers.
In Rhode Island: "Gardens watered with PFAS‐contaminated water will have higher levels of PFAS in the soil, however, PFAS does not stick to soil very well. The more clean water you add to your garden, the lower the soil PFAS will be," a state department of health fact sheet advises.
In Alaska: "Some studies have shown that vegetables grown in soil with high levels of PFAS may absorb the chemicals. But this could depend on a lot of different factors," the state Department of Health and Social Services said in after the discovery of PFAS compounds at Fairbanks International Airport.
Minnesota has probed PFAS contamination for more than a decade. Experts at the state's Department of Health published their own studies on how the chemicals affect homes and gardens in the Twin Cities.
Deanna Scher, an epidemiologist with the agency and author of some of the research, said PFAS compounds can linger in the soil for years, if not decades. Fruits and vegetables in the gardens her team studied absorb some PFAS chemicals but did so at varying rates. (The PFAS group comprises thousands of different chemicals.)
The good news, Scher said: Produce tended to absorb little of the "long-chain" PFAS chemicals regulators are most wary of — PFOA (perfluorooctanoic acid) and PFOS (perfluorooctane sulfonate).
The produce she studied absorbed significantly more "short-chain" PFAS, but experts are less concerned about those chemicals because they don't accumulate in people's bodies like their longer-chain cousins.
Considering all the pathways for PFAS to enter the body, Minnesota regulators say the benefits of eating home-grown produce in the Twin Cities "greatly outweigh" the potential risks from PFAS.
The Minnesota findings may not completely answer questions in Michigan communities, Scher said, but they are in line with other emerging research.
The more sobering news?
Because PFAS is so prevalent in the environment, Scher's team struggled to find any soil completely devoid of the chemicals while doing quality control for the analysis.
"Due to their ubiquity in the environment worldwide, PFAS are found — at least in trace levels — in nearly all surface soils," she said.
Amber Adams-Fall said she hopes more residents will push for information about gardening in Michigan's PFAS-contaminated communities.
She's never considered leaving Parchment. This is the only issue that could change that.
"It's a massive part of our lifestyle," she said. "If I can't ever plant in my yard again or eat the produce here, that would be a massive concern."


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Our mission is to organize cultural events in the streets of NE to meet our neighbors and show the diverse cultural aspect of our local communities.
(BOSTON, MA, 08/17/17) The second annual New England Muslim Festival will be held on September 17th, 2017, at Cambridge Health Alliance. The Festival will follow upon the success of last year's festival, which was attended by over 3,000 community members, including numerous elected officials.
This year's Festival will include live performances featuring; "Deen Squad" an international sensation from Canada, a grand bazaar with International food stalls, the Kid's Zone with rides and activities, an informational booth with our signature "Try on Hijab" table, professional henna artist, and opportunities to meet local Muslim residents of New England.
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Software Developers, Testers, Designers, Technical Managers and Architects interested in understanding the role dynamic languages (and Groovy in particular) play and how they can be used effectively during agile development. Attendees will come away with an example-rich exposure to Groovy and will be able to start using Groovy in their own workplaces.
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10 Hidden Gems & Secret Spots in Dijon You Must Visit
Posted on Last updated: 14th September 2021
Categories France, hidden gems
Thanks to a UNESCO world heritage listed historic city centre, you'd be forgiven for thinking that Dijon has no forgotten locations left to uncover. However, search for long enough between the timber-framed houses and you'll soon discover that the capital of mustard has plenty of hidden gems. Here's your guide to the best secret spots in Dijon. Or, as they say in French, the most interesting lieux insolites…
La Chouette (the owl of Dijon)
La Fleur Qui Pousse à l'Interieur (bookshop and tea rooms)
Crypt of Cathedrale Saint-Benigne de Dijon
Musée de l'Art Sacré (Museum of religious art)
La Maison Sans Toit Dijon (the house without a roof), Place Bossuet
Birthplace of Gustave Eiffel, 16 Quai Nicolas Rolin
Le grand lavoir des Chartreux, Les sources du Raines
Puits de Moïse (Well of Moses)
La Chapelle des Élus
Maison Maillard, 38 Rue des Forges
Discover the wider Burgundy region
Enjoyed reading about the best secret spots in Dijon? Pin it now, read it again later:
Of all the unusual things to see in Dijon, one of the best-known is a little carving of an owl. A good luck symbol of the city throughout the centuries, the owl has graced the side of the 13th-century Notre Dame cathedral, close to Maison Fallot, for centuries.
Although no one knows quite how the Dijon owl came to be on the side of the ecclesiastical building, local legend suggests that if you stroke the own with your left hand (that closest to the heart), you'll be blessed with good luck…
When you combine books and coffee, you're sure to be on to a winning formula! Such is the case with La Fleur Qui Pousse à l'Interieur (the flower which grows inside) bookstore in the heart of Dijon's old town. Overall, La Fleur Qui Pousse à l'interieur is easily one of the most beautiful places to visit in Dijon.
And so, if you're looking for a quiet place to stop, sip on a tea, and read a book, then the pretty bookshop is the place to visit. Independently owned and run since 2016, the bookshop sells all manners of tomes, novels, and books; over 10,000 to be precise!
Conveniently set into several different sections (travel, philosophy, Anglophone works, kid's books) and set across three rooms, there's also indoor and outdoor seating where you can enjoy a coffee or cake surrounded by books!
Down several sets of stairs and straight into the cold underbelly of Dijon, the crypt of the city's cathedral offers a rare glimpse into the period of history directly after the Gallo-Roman period.
For a fee of just €2, which you pay in the main part of the cathedral, you can visit the crypt which dates all the way back 511 and was constructed for Saint Gregory of Langres.
Housed within a former church, the Museum of Religious Art can be found right beside the Musée de la Vie Bourguignonne. Free to visit, though only open upon request at the reception desk for the Museum of Burgundy Life during the winter months, the culture space is set across several rooms.
Located next to a timber-framed building that's so synonymous with the region and houses a traditional spiced cookie shop, the 'house without a roof' has a rather sinister tale behind its 'roofless' state. According to local legend, the story goes that a patissier named Jean Carquelin lived in the house during the Middle Ages.
That wasuntil children started to go missing from the area. No one knew where they had gone until one day someone found a finger in the pie maker's products! Carquelin was condemned to death and the roof of his house was removed to commemorate the terrible events.
While Gustave Eiffel (the man who didn't actually design the Eiffel Tower) quite literally needs no introduction, what you may not know is that he was born in Dijon!
Though the very building where the famous architect was born has since been demolished to make way for a modern housing/ shopping complex, a small plaque announces the very site where Eiffel was born on the 15th of December 1832.
On the fringes of the city, further away from the train station, and still further away than the Natural History Museum with its well-manicured garden, there's a small winding path.
A little overgrown, the asphalt breaks in places and yet this is where you should head. Past a set of allotments and past a well-organised set of compost bins. For it's here, in a long forgotten corner of the outskirts of Dijon where you'll find the ancient Lavoir.
Built in 1756, this clean water was used to wash clothes. By 1782, the washing station (or lavoir as it is so-called in French) had come into the possession of the town of Dijon. Today, five basins still survive, a small remnant of times gone by.
Fairly close to the lavoir and far away from the historic city centre, the Puits de Moïse is a 14th-century sculpture that combines the Gothic style with Northern realism. Today, the well (with the exception of a few nearby crumbling ruins) is pretty much all that remains of the monastery of Chartreuse de Champmol.
This grand religious complex was originally constructed to serve as a funerary location for Philip the Bold and other Dukes of Burgundy. The monastery then carried on throughout the centuries when it was dissolved during the French Revolution.
Now, you can visit the Well of Moses and adjacent chapel for a few euros and learn about what life might have been like in Dijon during the Middle Ages. Purchase your ticket to the Well of Moses here. Note that the ticket includes the chance to see the Well of Moses statue and a chapel with roots dating back to the Middle Ages.
Located at the back of the tourist office, the entrance to the pretty Renaissance chapel of Chapelle des Élus is easy to miss if you don't know where to look. Constructed between 1738 and 1739, the chapel is only identifiable as an ecclesiastical building via the exterior thanks to a small pointed dome. Otherwise, this chapel dates back to the reign of Louis XV and incorporates marble flooring with sumptuous decor.
Close to the tourist office and not far from the Tour Philippe le Bon (guided tours from the tourist office allow you to enjoy this fantastic view from the top of one of the most important astrological towers in France), Maison Maillard is a typical mansion of the region.
Complete with a wooden staircase and timber-framed façade, this dwelling dates back to 1561 and was constructed for mayor of the time, Jean Maillard, hence the building's current name! Today, you can wander into No. 38's courtyard during the daytime and admire the typical Burgundy architecture in this oasis of calm in the heart of the city.
Some of the best of Dijon is not to be found within the city itself but instead can be discovered by heading out of town. During a week-long visit several years ago, I soon discovered that Dijon is a great place from which to base yourself in order to explore the wider Bourgogne (Burgundy) region. After all, you can easily take plenty of day trips from Dijon.
However, if you're looking for a hands-off experience where you have minimal planning, then you might well want to consider booking a group tour. For example, this day trip from Dijon includes the chance to see the medieval town of Semur-en-Auxois and the opportunity to visit the Abbaye de Fontenay, which dates back to the Middle Ages. Find out further information here.
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Hidden Gems & Secret Spots in Étretat
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Nice juxtaposition of the rustic vintagy studio (love the tableau with the aqua deer) and modern (yet organic) work.
Beautiful work and video! I discovered Mariele a while back through her Instagram feed. When we left Brooklyn and headed west for the mountains (we live in Denver, not Boulder), I was committed to searching out local artisans and crafters…and she popped onto my radar! In fact I love her work so much that I even featured her Wave plates in my "Friday Favorites" post last week. SO glad she's getting attention here! Now come out to the mountains already….great things are happening here! Loved this post. Her work is stunning!
LOVE her work. It's gorgeous. And love that she works with all-natural materials. Def have a new instagram feed to follow!
Mariele is a true beauty and a genuine soul of the West. Her work is fantastic and I'm so happy to see her studio here on DS!
As a visual artist I love these glimpses into another creator's working space.
Those were probably some of the most uncomfortable position I could ever lay on..
AIME son travail. C'est merveilleux. Et aime qu'elle travaille avec des matériaux naturels.


Aug. 1919 – Garabed, stepson, 18 months old (4-years old, other sources), was found dead in a shallow pool.
Jun. 1923 – Setrak, her husband died after a brief illness.
Oct. 1923 – Margaret, 17, stepdaughter, died after a brief illness.
Oct. 1923 – Gordon (Gorkan, Goorkan), 26?, stepson, poisoned but recovered.
Oct. 30, 1923 – Eliza confession, arrested.
Nov. 5, 1923 – Attempted bribery following arrest.
Nov. 7, 1923 – Attempted suicide following arrest.
Mar. 1, 1924 – Found guilty of murder of Margaret.
Nov. 5, 1923 – Suicide, fearing arrest.
FULL TEXT (Article 1 of 6): Fresno, Nov. 1. – Charged with first degree murder, Mrs. Eliza Potigan [sic], 33, who lives on a ranch near Fresno is in the county jail here today, auspected of having poisoned her 17-year-old Stepdaughter, Margaret Potigaion [sic], who died two nights ago at a hospital here.
According to Sheriff W. F. Jones she confessed last night that she had administered poison both to the girl and to Margaret's brother, Goorken, 21 years old. The latter did not suffer serious effects.
Officers, believe Mrs. Potilan also caused the death of her husband, Setrak Potigian, 45, by poison last June and today te directing their investigation to clearing up the circumstances of his last illness. It was similar to that of Margaret Potigan, to whom it is thought a subtle poison was administered in small doses over a period of weeks.
Efforts are also being made to ascertain if Mrs. Potigan had any connection with the death of a baby that was beaten on the head and thrown into the San Joaquin river more than a year ago.
The Potigian children were joint heirs to the estate of their father that includes at $125,000 ranch. The wife has only a life interest in the property. Her motive of poisoning the brother and sister is believed to have been a desire to obtain all the property for herself.
According to her confession, made to District Attorney George R. Lovejoy, Sheriff Jones and other officials last night, she placed arsenic about eight weeks ago in food that she gave to the Potigian children and that she ate herself, with the intention of ending all their lives. The act was committed, she said, after forty days of prayer for the death of her stepchildren, following her husband's demise. But, after they had all eaten the poisoned food, she related, she relented and administered an antidote, that the boy and herself took in large quantities, but which the girl only drank of sparingly.
Dr. C. F. Dickinson of this city was called and told that the girl had ptomaine poisoning. During the weeks she was ill he became suspicious. It iis believed that the poison was not administered at once, as Mrs. Potegian says, but in small quantities.
When she died Tuesday night Dr. Dickenson refused to sign a death certificate. Other physicians called in consultation before her death agreed that the girl seemed to have been poisoned and nothing could be done to save her.
FULL TEXT (Article 2 of 6): Fresno, Cal., Nov. 8.—A close guard is being maintained today over Mrs. Eliza Patigian [error, "Potegian" in most sources], charged with poisoning her step-daughter, following an attempt to commit suicide by strangulation in the county jail here yesterday afternoon. The attempt by Mrs. Patigian to end her life followed receipt of word that her mother, Mrs. Maria Torosian had committed suicide by hanging at the Torosian ranch home west of Fresno.
An alleged attempt of Mrs. Patigian to secure her freedom by bribing officers, was revealed last night by Deputy Sheriff Ed Melchonian. The officer claims that the suspect offered him all her jewels as well as some $2500 which she is to derive annually from her husband's estate, for her freedom.
It was declared by officers today that she planned a wholesale bribery to gain her freedom. Mrs. Patigian declared she desired but $500 which she would use in making her escape from this country, the officers said.
Officers investigating the suicide by hanging yesterday of Mrs. Torosian, mother of Mrs. Patigian, said who feared arrest in the poison ruse.
The authorities said Mrs. Torosian was the widow of six husbands, each of whom died under mysterious circumstances.
This is the picture given to a jury here February 4, in the trial of Mrs. Elize Potegian, accused of murder.
She fled massacres in Armenia and came to America, bringing Choran, a boy whom she says is not her son.
In California she met Sestrak Potegian, widower with three children, owner of vineyards valued at $125,000. She married him for his money, charges the prosecutor.
In August, 1919, her stepson, 18 months old, was found dead in a shallow pool.
In June, 1923, her husband died after a brief illness. He willed the bulk of his estate to his two children, Margaret, 18, and Gordon, 21.
Then, the state contends, Mrs. Potegian called upon the power of Armenian mysticism to destroy the stepchildren. She built an altar on ashes and gave herself to prayer for 40 days and nights.
But the children lived on.
Failing by this means, it is charged, she resorted to more certain means to accomplish her end.
Late in October, 1928, Margaret died after a brief illness. At this time Gordon, too, was mysteriously stricken but he recovered. Autopsy of Margaret's body disclosed arsenic poison in her stomach.
Mrs. Potegian under arrest, accused her mother, Mrs. A. Torosian. When the police went to arrest the woman they found her body dangling from a rafter in her home. She had hanged herself. On the same day Mrs. Potegian tried to kill herself in her jail cell, slashing her wrists.
Grape juice, candy and sweetcakes, containing arsenic poison, were found in the Potegian home.
Interest in the case, in which Gorden, the surviving son, will be the principal prosecution witness, is widespread throughout California. Mrs. Potegian has engaged able counsel and a bitter legal battle is expected.
FULL TEXT (Article 4 of 6): Fresno, Feb. 23. – The third week of the trial of Mrs. Eliza Potegian, charged with the murder attempts by the prosecution to fasten onto the defendant threats against her husband and his family and statements with presaged their eventual doom.
It was a background of bitter enmity and hatred with definite touches of oriental fatalism and mysticism, which neighbors and friends of the family painted as the strained atmosphere in which the Potegians lived for months.
These witnesses, all women, testified in different conversations which depicted the supposed hatred of Mrs. Potegian of her husband and his children and her eventual hope to control the estate herself.
Martha Garabedian, a guest at the wedding of the Potegians and frequently their house guest, said Mrs. Potegian reviled George and Margaret Potegian, calling them dogs and using other such epithets, and said she would never accept them.
Mrs. Potegian, for the first time since her trial began, showed live interest in the proceedings, closely followed the testimony and frequently coaching her son, who sat next to her, on questions to suggest to her attorney.
FULL TEXT (Article 5 of 6): Fresno, Cal., March 1.—Mrs. Eliza [sic] Potegian, charged with the murder of her stepdaughter, Margaret by administering a poison, was found guilty of murder in the first degree by a jury after an hour's deliberation today. Life in prison was recommended.
EXCERPT (Article 6 of 6): For the third time Eliza Potegian, convicted central figure in Fresno poison murder case in 1923, is seeking a parole from state prison, where she is serving a life sentence for the murder of her 17 year-old stepdaughter, Margaret.
Mrs. Potegian, now 41, is one of twenty-two women inmates, including six slayers, who have applied to the state hoard of prison terms and paroles for freedom from the prison at Tehachapi. She filed similar appeals in 1931 and in 1935 while in San Quentin.


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Classical Music To Clean To
August 26, 2019Love Music AlwaysComments: 0
The genre is string quartett, and that particular music is a lutheran hymn. Ludwig van Beethoven: String Quartet No.6 in B flat major, Op.18 No.6.
Litter pickers begin the job of clearing the fields at this year's Glastonbury festival. Photograph: Matt Cardy/Getty Images The annual clean-up of the Glastonbury festival site is 90% completed with.
Shop for Classical Music on CD or Vinyl in Music. Buy products such as Lover ( CD), Camila, Relaxation: Soothing Sounds of Classical Music at Walmart and.
He was 15 or 16 when music bobbed to the top of his consciousness. "I was surrounded by incredible musicians, almost all of whom have careers in classical music today," he says. "I spent a lot of time.
We want to make sure people paying this money had a facility that was clean and open and continue to use it in. Three years ago Lake Worth Beach tried using soft classical music all day and night.
2 Aug 2014. Despite classical music's poor performance in vinyl sales, purveyors of. "a clean hoarder," never turns down classical records in decent shape.
It's very tempting to compare Helseth with the pianist Leif Ove Andsnes, her distinguished countryman—perhaps a predilection for clean lines. s "Dichterliebe": Russell Platt was the classical music.
29 Mar 2013. Clean Bandit. Clean Bandit's 1st marquee single, about mixing electronic and classical music. read more ». 12.3K. 1.
Until then, any opportunity a classical music lover gets to hear some great music written. The music, on the other hand, is just good, clean fun.
Hey, don't look at me sideways. I'm just repeating how brothers who make up Black Violin described their music when they took to the stage for their sold-out show at The Sheldon Sunday night. And I'm.
TuneCore is unable to deliver albums under the "Classical" genre to iTunes, as we currently do not have the interface to add.
A music video tribute to the national anthem. Aurovillian artiste Nadaka rendered a concert fusing elements of Indian and Western classical on the raga guitar, a customised guitar that combines.
Looking back, some of the fill is not quite as clean as what I might allow in a puzzle today. I've always been a fan of.
The conductor has different vocal parts repeat measures, at one point emphasizing the critical importance of a clean break. back to work on the music. Back to tackling the "Chichester Psalms.".
Apple strives to present your content in a clean, pure, and accurate form. We know it. Ringtones of classical music must include the composer in the title.
"This season will be one to remember," the pianist said. "Some of the finest classical music artists in the world will be here in Manchester and their performances will surely bring audiences to their.
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Well, prepare for them to be knocked clean off by the majestic horn theme in this. The opening of Beethoven's Fifth Symphony is one of the most recognisable moments in classical music: a solemn,
27 Mar 2019. Listening to classical music on popular radio is very much hit and miss, some brilliant music and is presented in a popular but clean format.
A classical guitar uses nylon strings with an extremely wide string. IV 15 amp, and the 'Clean' preset sounds just like my classical guitar.
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3 Jul 2019. With that comes a unique set of challenges for sound engineers when recording, mixing, and mastering classical music. Choral music, as a.
He did more than perhaps any other musician of his generation to scrub classical music clean of the fustiness that ruins it for so many, and he still does that. There have always been plenty of.
The most exciting phenomenon to hit the Scottish classical music world this year has been the accession. standing in for an indisposed Krzysztof Penderecki, a refreshingly clean-spirited.
Feed them some large-scale classical music in the form of Holst's Jupiter and the R5s have no trouble generating high volume.
Blues Vs Swing Musicality Aaab Moe Baby Blues Full Episode In his 2016 autobiography, Steven Bochco, who died Sunday at age 74 after a battle with cancer, describes the episode of "Hill Street Blues" that he considered. Kojak is famous for saying "who. Watch The Simpsons Season 14 Episode 21 – The Bart of War full episodes. Moe Baby Blues
12 Apr 2018. Studio Renaissance-man Mark Ralph (Clean Bandit, Jax Jones, Years. Grace [ Chatto] and I all have a real appreciation of classical music.
The Royal Ballet Gala is one of the finest RCAs recorded in London's Kingsway Hall, with great ballet music well served by orchestra, conductor and engineer.
Sara Su Jones A Flair For Opera Comedian, writer and actor Griff Rhys Jones also received an OBE. Former world record marathon holder Steve Jones, from Ebbw Vale, has been appointed an MBE for services to sport. Sarah Waters. Index Holdings, a mobile communications and media group, has launched a China office, Index China, through group company Index Asia Pacific, the company
Mixed Classical music, Chamber music and Symphonies. 50 000 78 rpm records, cylinders and discs of Edison and Pathé that we have to clean and digitize.
FREMONT – Enjoy a musical performance by a flutist and accompanist playing classical music in the large parlor of the historic Hayes Home during Music in the Parlor on Sunday, May 19. The performance.
30 Apr 2019. Spotify can be frustrating for avid classical music listeners. Janczukowicz points to Idagio's clean, complete profiles of orchestras and artists,
I tried to find good, clean, quality hotels with a restaurant on site — not. Lovingly prepared pot luck dinners in innumerable small towns everywhere. Music and life, shared." Teamwork and outreach.
If you are a classical or light singer or instrumentalist yourself, or if anyone in your family is practicing classical/light music, you could gift them something simple, yet great that they will.
I'm looking for good, "simple," engaging, beautiful "classical" music. looking for , but for me they're the epitome of "clean" classical music.
7 Aug 2017. Music in the classroom, played at the right time and in the right way, can set. music that students will recognize from movies plus classical and.
4 Mar 2019. How did classical music in movies and television become. heart-stopping words than when a polite, clean-shaven man asks in a vaguely.
Download this page as a clean pdf: Music Composer Do and Do not. a. Play some classical music first, if you have no idea what to write. j. It is not the task of a.
The series is sponsored by First Southern Bank. The name "classical guitar" refers not to the music being played — which can be any music from Bach to rock 'n' roll and beyond — but to the type of.
Compared to recording other genres, classical music is performed as a. microphones, microphone preamplifiers, clean analog-to-digital conversion, etc.


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Q: Canvas Painting app not drawing (Javascript) I'm trying to make a basic painting app using javascript. When, and only when, the mouse is pressed down should the mouse draw to the canvas. My issue seems to be with the variables lastX and lastY. These variables should be the mouse pointer's current coordinates but they pick up the coordinates when the mouse is clicked and not when the mouse moves. These variables should be dynamic as the mouse moves and thus paints.
I know if I set the lastX and lastY to integers then when I click on the canvas it draws a straight line to those coordinates. I must be missing something as I'm not getting any errors with the code when testing, just not working!
Could someone help explain where I've gone wrong?
var mycanvas= document.getElementById("canvas");
var Line = mycanvas.getContext("2d");

// Mouse Coordinates
var x;
var y;

// Mousedown - Drawing
mycanvas.addEventListener("mousedown",function(e){console.log("Draw");

    x = e.pageX - this.offsetLeft;
    y = e.pageY - this.offsetTop;

    mousePressed = true;

    Draw(x, y, true)

            return false;
    });

// draw function

function Draw()
{

 Line.beginPath();
 Line.strokeStyle = "#000000";
 Line.lineWidth =10;
 Line.lineJoin = "round";
 Line.moveTo(lastX, lastY);
 Line.lineTo(x, y);
 Line.closePath();
 Line.stroke();

var lastY = y;
var lastX = x;

};

A: You will need to use the mousemove event instead of mousedown.
There are several other issues with your code though. You are calling Draw(x, y, true), but you defined Draw without any parameters. Also, you are declaring lastX and lastY as local variables at the bottom of Draw, but using them above where they are declared in Line.moveTo(lastX, lastY). You're also missing a semicolon after your call to Draw(x, y, true).

redpajama_set_name: RedPajamaStackExchange


Real 'Indiana Jones' mystery at U. of C.
The admissions department at the University of Chicago traffics a ton of mail every day: applications, letters, research projects; senior admissions counselor Grace Chapin said the office is often the college's catch-all for confused senders. A package they received a couple days ago, though, left them confused.
The parcel was addressed to a "Henry Walton Jones, Jr." at the university, and when the office couldn't find the name in the directory, gave it to a student worker to figure out. He returned laughing and with an unusual answer.
"We gave it to a student worker, and the kid came back laughing once he googled it. Some of us are in a haze with finals, you know, so he said it was Indiana Jones' name," said Chapin, a 24-year-old Hyde Park resident. "Then we opened it, and it was very bizarre. There was no explanation as to why it was with us, so we talked about it and decided to put it online."
"The book itself is a bit dusty, and the cover is teal fabric with a red velvet spine, with weathered inserts and many postcards/pictures of Marion Ravenwood (and some cool old replica money) included. It's clear that it is mostly, but not completely handmade, as although the included paper is weathered all of the "handwriting" and calligraphy lacks the telltale pressure marks of actual handwriting."
Once they threw pictures of the package up on their Tumblr, responses starting pouring in. Chapin said several different publications called about the story, and many people offered potential explanations behind the mystery.
A very similar imitation journal is available on eBay, and one suggested explanation, however unexciting, is that this package broke free of any other packaging, and the faux-postage on the interior journal package caused the mailman to simply bring it to the university.
Chapin said other people have guessed that the journal is part of a large-scale "alternate reality" game, where players plant clues for other players in the game that often follow unusual methods and find their way onto the Internet. Another is that it's part of an Indiana Jones promotion, but she said the office hadn't heard back from the studio in regard to that. The last reason they've had suggested is that the book is an art abandonment project, where an artist alters an existing work to be their own, then leaves it for someone else to find.
None of these have been confirmed, however, and Chapin said she's never received any kind of mail like this before.
"They aren't in the quality of ridiculous, but we do get art projects and research projects from people. This is very, very different," she said.
While the office hasn't decided what to do with the package yet (they're considering trying to archive it in the library's special collections), Chapin said if they find out it was part of an admission package, they would be impressed with something so intricate and interesting. She was quick to add, "I don't want to get everyone sending us elaborate Indiana Jones creations, though."
Chapin said the excitement has made for a nice change of pace at the office, but the university just wants to unearth the mystery of journal.
"It's been wild for us today [Thursday]," she said. "We're going to be posting a follow-up with all the explanations we've been getting and what we know later."


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Resource Capital Funds...
Resource Capital Funds
Resource Capital Funds (RCF) is a "mining-focused private equity firm" with offices in Denver, Perth, Toronto, and Long Island. Its website shows that it invests in a variety of mining companies around the world, including coal, uranium, copper, gold, and more. According to Bloomberg News, it specializes in "buyouts, development capital, rollup, and distress situations."
RCF is listed as a member of the National Mining Association, which has led efforts by the coal industry to lobby against rules to reduce carbon pollution, regulations to protect mine workers from coal dust, and other coal industry priorities. Resource Capital Funds boosted its involvement with coal export proposals in November 2014 by taking control of Ambre Energy's coal mines and export proposals.
Resource Capital Funds is pushing controversial coal export proposals that would disrupt communities in the Pacific Northwest, fuel climate change and air pollution, and interfere with tribal fishing rights on the Columbia River.
Resource Capital Funds is a private equity fund with offices in Denver, New York, Canada, and Australia - though it is registered in the Cayman Islands for tax purposes. The company has played a quiet but important role in the coal industry's efforts to export coal to Asia bybankrolling Ambre Energy, the company behind the Millennium Bulk and Morrow Pacific coal export proposals in Oregon and Washington. But while some investors like Goldman Sachs have dropped their support of coal exports amid a declining global coal market and widespread community opposition, Resource Capital Funds has done just the opposite - in November 2014, it boosted its involvement by taking control of Ambre Energy's coal mines and export proposals. That's why thousands of people are calling on Resource Capital Funds to drop its investment in coal exports.
Learn more about Resource Capital Funds' controversial plans, the environmental damage from coal mining and exports, and the widespread opposition to coal exports from communities and tribes at http://www.resourcecapitalfunds-exposed.com/
Links and Resources:
Resource Capital Funds website
ResourceCapitalFunds-Exposed.com
Resource Capital Funds profile on Bloomberg
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