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text:
Vikings Kyle Rudolph, Eric Kendricks out against Buccaneers
By Jeff Wald
Minnesota Vikings tight end Kyle Rudolph (82) walks off of the field at the conclusion of a regular season game action between the Minnesota Vikings and the Detroit Lions on October 20, 2019 at Ford Field in Detroit, Michigan. (Scott W. Grau/Icon Sportswire / Getty Images)
MINNEAPOLIS - The Minnesota Vikings will be without key pieces on offense and defense in arguably their biggest game of the season Sunday at Tampa Bay.
The Vikings can get above .500 for the first time all season with a win, and inch closer to a spot in the NFC Playoffs. But they'll be without their top tackler on defense for the second straight week. Linebacker Eric Kendricks was among the inactives announced 90 minutes before kickoff. Kendricks leads the defense with 107 tackles, but didn't practice all week due to a calf injury. He had been dealing with it leading up to the Vikings facing the Jacksonville Jaguars last Sunday, then was ruled out just before kickoff.
Earlier this week, Kendricks was named the Vikings' nominee for the Walter Payton Man of the Year Award.
Also out for Sunday's game is tight end Kyle Rudolph, who didn't practice all week with a toe injury. Rudolph will have a streak of 98 consecutive starts come to an end. Irv Smith Jr. returns after missing three of the last four games with groin and back injuries.
K.J. Osborn is inactive for the second time in three weeks, which means punt and kick return duties will likely be up to Chad Beebe and Ameer Abdullah. No. 2 running back Alexander Mattison is also inactive after missing last week's game following an appendectomy.
The Vikings (6-6) are looking for their sixth win in seven games after entering the Week 8 bye at 1-5.

redpajama_set_name: RedPajamaCommonCrawl


The Deputy Chairman of Committees: Amendment proposed: page 97, line 43, at the end insert the words as printed on the Marshalled List.
Lord Renton: I was hoping to intervene before the noble Lord, Lord Carlile, sat down.
intervene when there is not a Motion before the Committee on which to intervene. That is why I pressed forward. There is now a Motion before the Committee.
Lord Renton: It is kind of the noble Lord to give that explanation. I would not in any sense blame him.
"and seriously persistent repeat offenders".
Well, that is an unusual expression.
There are serious cases of fraud and burglary. Vast sums are obtained by fraud. Huge numbers of valuable goods are obtained by burglary. Surely custody would have to be imposed for a first offender if the offence was very serious. Therefore, I fear that there is a very serious limitation on the use of Amendment No. 172LA. Indeed, it is such a serious limitation that we could not accept it.
Lord Carlisle of Bucklow: Perhaps I may say to my noble namesake that I do not think that he could have been sitting in his place yesterday when, as I understood it, the noble Lord, Lord Goodhart, publicly withdrew the words in this proposed subsection because of the very point that the noble Lord, Lord Renton, has made. I thought that the noble Lord implied that we would not see those words again. He accepted that they clearly did not cover many other serious forms of crime.
Viscount Bledisloe: I share the view of the previous two speakers that Amendment No. 172LA is far too restrictive. Is the noble Lord really suggesting that one cannot impose custody on the perpetrator of a major fraud or on a spy? I might remind him that Mr Blake received 42 years. Under this amendment, he would have to be given community service. Is that really what the noble Lord intends? Does he really intend that those who commit perjury or conspiracy to pervert the course of justice should be fined? Does he really intend that major drug smugglers shall walk free? Obviously the people mentioned here are very suitable candidates for custody, but surely it cannot be right to say that they are the only suitable candidates for custody.
to be taken into account in sentencing. No doubt the noble Lord can explain that. However, I would undoubtedly oppose Amendment No. 172LA.
Viscount Colville of Culross: On Amendment No. 172LC, may I suggest to the noble Lord, Lord Carlile, that perhaps what we want is not something as general as he has put forward. I understand what he is trying to achieve. However, what is really useful to the sentencer is a guideline decision, or the advice from the council in future, which says what, in the circumstances of that particular offence, are the mitigating factors and the aggravating factors. Then one can start to identify in the course of hearing the evidence the main issues that will eventually lead to a conviction and sentence. That is done at the moment and it is invaluable, but I do not think that it would necessarily be achieved by the generality of what is contained in Amendment No 172LC.
Lord Carlile of Berriew: Having spent at least one holiday travelling around Italy looking at some of the wonderful paintings of St Sebastian, I know exactly how he felt after the three pronged attack which I received from three noble Lords, including my noble namesake, all of whom I greatly respect. I am extremely grateful for the assistance that I was given by the noble Viscount a few moments ago.
The answer to the three questions I was asked is straightforward: No. It was not, of course, intended to create a situation in which George Blake could not be sent to prison. It was not intended to create a situation in which burglars could not be sent to prison. However, it has to be said—I am sure that Members of the Committee who have spoken in the past few minutes share my experience that most people who commit serious burglary offences are persistent repeat offenders—that it is rare for a burglar to graduate to the large-scale antiques burglary of one of your Lordships' stately homes, for example, without going through the university of crime.
I say to the noble Viscount, Lord Bledisloe, that so far as perjury, and particularly perverting the course of justice, are concerned, far too many people are sent to prison unnecessarily. As judges always say—I have said it myself—although those offences go to the root of the criminal justice system one has to ask the fairly sensible question whether someone who tells a lie about who was driving a motor car at the time of a breathalyser offence but who otherwise has an exemplary private and public record really needs to be sent to prison, or whether he or she could not be condignly punished in the community, probably most of all through the shame of conviction, which constitutes a great punishment for such people. Therefore, I do not apologise for seeking to keep that category of people out of prison.
is one that we all share. Prisons are overcrowded. They are constantly criticised by Her Majesty's entirely independent inspector of the Prison Service. In many cases they do very little to enable offenders to emerge from prison likely or able to lead law-abiding lives. We believe that the deficiencies in the present system should be tackled in some way in the legislation. I do not claim perfection for the amendment's wording and nor do those who drafted it. However, like my noble friends, I claim that the purpose of the amendments is useful and ought to be considered by the Government.
Baroness Scotland of Asthal: I thank the noble Lords, Lord Carlile of Berriew, Lord Carlisle of Bucklow and Lord Renton, for saving me the burden of dealing with many of these amendments. I say to the noble Lord, Lord Carlile of Berriew, that I understand why he wants these issues on the face of the Bill.
These amendments seek to add to the matters to which the council must have regard when framing or revising sentencing or allocation guidelines. Although each of the issues raised is both important and one that the council will expect to consider, it is not necessary to include that degree of detail on the face of the statute.
We want the council to do all the things that the noble Lord has just outlined. It will have the skill and the knowledge to address those issues. I am sure that it will take into account precisely the role that the noble Lord mentioned. The council will be able to determine the proper use of custody in relation to offences and what kind of offending history needs to be borne in mind. The noble Viscount, Lord Colville, said that what most assists sentencers is to know the aggravating and mitigating factors and what they have to take into account. That is precisely what we intend.
In respect of the sentencing guidelines, Amendment No. 172LA emphasises the importance of proper use of custody. The council will take into account the cost of different sentences, their effectiveness and the need to promote public confidence and it is better to leave the obligation at this level of detail and let the council discharge that duty.
Amendment No. 172LB seeks to require the council to have regard to other sentencing principles in the Bill. The guidelines will be for those passing sentence who must abide by the statutory principles which we mentioned when discussing Clause 135. Therefore, any guidelines must follow those principles and so there is no need for this provision.
Amendment No. 172LC emphasises the importance of the council having regard to potentially discriminatory actions—again the need for the council to have regard to confidence in the system will include this and it is not necessary to prescribe this level of detail.
thought that there might be such a need, the noble Lord's namesake, the noble Lord, Lord Carlisle of Bucklow, uttered strong words on verbosity on the previous occasion that we discussed the Bill. I believe that these amendments might well fall foul of his strictures. I for one took them very much to heart.


4. July 29th is National Lasagna day... are you celebrating? What kind of lasagna do you prefer?
My favorite lasagna is seafood lasagna with a creamy white sauce, but I will eat any lasagna - so yummy!
I've asked about Breakfast & Lunch, so what's for Dinner?


text:
Q: undefined index error using session on php I have a login.php file with a form to login.
I have a validation.php file to validate login, with this code:
<?php

session_start();

if(($_SESSION['user'] == "user123") && ($_SESSION['pass'] = "123"))
{

 header("Location: index.php");

}

else
{
 header("Location: login.php");
}

?>

And i have a index.php file, when i do the login i want go to index.php page, with this code:
<?php

session_start();
if(($_SESSION["user"]) and ($_SESSION["pass"]))
{
    ?>

<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN" "http://www.w3.org/TR/xhtml2/DTD/xhtml2-transitional.dtd">

<meta http-equiv="Content-Type" content="text/html; charset=u2f-5" />
<title>Untitled Document</title>

geageagge

egeageage

geagaegea

<?php
}
else
 echo "You didnt do login";

But i got this error: undefined index user user, in this line: if(($_SESSION["user"]) and ($_SESSION["pass"]))
Anyone know what im doing wrong?

A: 1) Little mistake in login.php (I guess)
This
$_SESSION['pass'] = "123" should be
$_SESSION['pass'] == "123"
2) Check if value isset
if(isset($_SESSION["user"]) and isset($_SESSION["pass"]))

Edit
After I saw your html form I think you have few mistakes.
in validation.php you have to check the value of the input, so you need to use $_POST and then if they are correct put them in the session.
So your code in validation.php should look somet
<?php

session_start();

if(($_POST['user'] == "user123") && ($_POST['pass'] == "123"))
{
 $_SESSION['user'] = $_POST['user'];
 $_SESSION['pass'] = $_POST['pass'];
 header("Location: index.php");

}

else
{
 header("Location: login.php");
}

redpajama_set_name: RedPajamaStackExchange


text:
Pallisters Reserve
this land, the Gunditj Mirring people.
As one of the largest remaining examples of remnant vegetation in the area, Pallisters Reserve is home to a number of grassland, woodland and wetlands plants including orchids, lilies and aquatic plants. The reserve also provides a range of habitats for birds, mammals and frogs.
The reserve is 254 ha and located off Masons Road, Orford.
Trust for Nature purchased the first section of Pallisters Reserve in 1989 with the second section purchased in 1993. The property is managed by the Friends of Pallisters Reserve Inc.
Explore Pallisters Reserve
The reserve contains four vegetation communities, three of which are endangered. These are the Damp Sands Herb-rich Woodland, the Damp Sands Herb-rich Woodland/Plains Swampy Woodland/Aquatic Herbland Mosaic and the Aquatic Herbland/Plains Sedgy Wetland Mosaic.
Manna Gum (Eucalyptus viminalis ssp. cygnetensis) and Peppermint (Eucalyptus falciformis) dominated woodlands provide habitat for Koalas and threatened woodland birds. The understorey in the woodlands is diverse with species such as Silver Banksia (Banksia marginata), Sweet Bursaria (Bursaria spinosa) and Wattles (Acacia spp). The groundcover, while dominated by Bracken (Pteridium esculentum), has a diverse array of flowering herbs and grasses.
The reserve is home two breeding pairs of brolgas (Grus rubicunda). These striking birds are listed as vulnerable in Victoria and will nest in the same area for up to 20 years. Also present is the endangered Powerful Owl (Ninox strenua) and the migratory Latham's Snipe (Gallinago hardwickii).
Notable plants on site includes the rare Western Peppermint (Eucalyptus falciformis) which can be recognised by its cream bark, often with rough, fibrous stripes of older bark at the base.
Greenhood orchids (Pterostylis spp), Donkey orchids (Diuris spp), Blue Pincushion Flower (Brunonia australis), Manna Gum (Eucalyptus viminalis ssp cygnetensis) and Grass trees (Xanthorrhoea sp.) provide habitat and diversity in the woodlands.
Pallister's Reserve is a 254 ha site at Orford in the south east corner of the Portland basin. The reserve, previously owned by Mr W Pallister, was purchased in 1989 thanks to donations from the RE Ross Trust, Victorian Conservation Trust (now Trust for Nature), the Department of Sustainability and Environment (now the Department of Environment, Land, Water and Planning) and local conservation groups. Soon after, the Friends of Pallisters Reserve was formed to manage the property.
The reserve was extended in 1992 when land adjoining the western boundary was purchased from the Hocking family.
The previous wool shed has been converted into a comfortable club house. Walking tracks traverse the areas of woodlands, wetlands and open grasslands across the property, from where you may catch a glimpse of wildlife in their natural habitat.
Waterbodies


Happy Thanksgiving Day for all our customers, vendors and friends! Our app reciation of your support over the years is deep and sincere.
Please note that we will be closed on Thursday, November 24, and Friday November 25, 2011. We will re-open, as usual, at 9:00 AM PST on Monday.
Enjoy your turkey and the time with your family and friends!


A certain merchant died. His son was nineteen years old at the time. He said to his mother: "Mother dear, I'm going to try my luck in the world."
His mother answered: "Go, dear son, but don't stay long there, for I am old, and should like some help in my old age." She fitted him out for the journey, and said good-bye to him.
Out into the world went the son, and he travelled on till he came into a forest. He had been going through it for three days, and no end appeared. On the third day he kept on and came at last to a cottage. He went into the cottage and he saw a horrible being seated on a stool. The fellow asked him where he was going.
"I don't know where I am going. I'm seeking my fortune in some service."
"Well, if you like, you can enter my service."
The lad was very hungry, so he took service with the other.
His master said to him: "You must serve me for a year at least."
So he served him for a year. He was treated very well, and he was a faithful servant to his master. The master was a sorcerer, but he didn't do any harm to the lad. He had a big pond, and three doves used to come there to bathe. Each of them had three golden feathers. These three doves were three enchanted princesses.
When the year's service was ended, the sorcerer said: "What wages shall I give you?"
The lad said he left it to him.
"You're a good lad," said the sorcerer. "Come with me to my cellar and take as much money as you like, gold or silver, just as you wish."
"When you get home, if you haven't got a house of your own, have one built, and then pluck those three feathers out of the dove, and hide them away so carefully that no human eye can see them. The dove will turn into a lovely princess and you may marry her."
So he took the dove and returned home. He had a house built and made a secret place in one of the walls for the three feathers. When he plucked out the feathers the dove became a beautiful princess, but she did not know where the feathers were. But his mother knew quite well, for he had told her all and showed her where the feathers were hidden.
When they had been living together for three years he went a-hunting one day with another lord, and his mother stayed at home with her daughter-in-law. The mother said to her: "Dear daughter-in-law, I can't tell you how beautiful I think you. If one were to search the whole world through, one couldn't find so beautiful a woman."
The daughter-in-law answered: "Dear lady, the beauty I have now is nothing to what I should have had I but one of my golden feathers."
The mother went straight off, fetched one of the feathers, and gave it to her.
She thrust it into her skin, and she was immediately far more beautiful than before. The mother kept looking at her, and said: "If you had the others as well, you would be even more beautiful." Then she fetched the other two feathers and gave them to her.
She thrust them into her skin, and behold! she was a dove again. She flew off through the window, thanking her mother-in-law: "Thank you, dearest mother, for giving me these three feathers. I will wait a little for my husband, to say good-bye to him."
So she perched on the roof to wait till her husband should return from the forest.
Now, the husband's nose fell to bleeding violently. He grew frightened, and began to wonder what great misfortune had befallen him at home. He mounted his horse and hastened home. As he was approaching the door the dove called out: "Good—bye, dear husband. I thank you for your true love, but you will never see me more."
"Aha! you have not followed my advice. I won't help you this time; the three doves are gone from here. But go to my brother, for all the birds and animals are under his power, and perhaps some of them might know where the doves are. I will give you a ball, and when you roll it three times, you will get there this evening. You must ask him whether he knows anything about the doves, and you must tell him, too, that I sent you to him."
The lad thanked him heartily and went on his way. He rolled the ball thrice and reached the other brother's by evening. He told him that his brother had asked to be remembered kindly to him, and then he asked whether he knew where the doves that used to bathe in his brother's pond were.
The brother answered: "My good lad, I know nothing at all about them. You must wait till morning. All the birds and animals are under my power, and if they know anything about it, it will be all right."
In the morning they went to the forest. The brother blew a whistle, and instantly swarms of birds gathered round, asking what was their master's will.
He said: "Tell me, does any one of you know about those three golden doves which used to bathe in my brother's pond?"
None of them knew, so he blew his whistle again and all manner of animals gathered round him: bears, lions, squirrels, wolves, every kind of wild animal, and they asked what was their master's will.
He said: "I would know whether any one of you knows anything about three golden doves which used to bathe in my brother's pond."
"My dear lad, I cannot help you any more in this matter, but I have another brother, and, if he cannot tell you anything about them, then you will never hear of them any more. He dwells twice seventy miles from here, and all the devils of Hell are subjected to him. I will give you another ball like the one you had yesterday, and, when you have rolled it thrice, you will get there before evening."
He rolled the ball thrice and got there the same evening. The sorcerer was sitting in his garden on the grass. His hair was all dishevelled like a mop, his paunch was bare like a pail, his nose reached to his middle, and was as bare as a stick—in fact, his appearance was terrible.
The lad was terrified, but the sorcerer said: "Don't be frightened, my boy; though I look so hideous, yet I have a good heart. What do you want?"
"I have come from your brother to ask whether you can tell me about the three doves which used to bathe in your brother's pond."
"My dear lad, I know nothing about them, but as soon as you get up in the morning I will call my apprentices, to find if any one of them knows anything about the doves."
In the morning they got up and went into the forest. The sorcerer blew a whistle, and at once hosts of devils appeared, such a multitude that they darkened the whole forest.
The lad was frightened, but the sorcerer said: "Don't be afraid; not a hair of your head shall be harmed."
The devils asked what was their master's will.
He said: "Does any one of you know anything about the three doves which used to bathe in my brother's pond?"
None of them knew anything. The sorcerer looked about him and asked: "Where is the lame one?"
The lame one had been left behind, but he was hurrying up for fear he should be too late. He came and asked what was his master's will. The sorcerer answered: "I want to find out whether you know anything about those three doves that used to bathe in my brother's pond."
"Of course I know about them, for I have been driving them before me. They are bathing in the Red Sea now."
"When the devil asks you how quick he is to take you, if he says: ′As quickly as the wind blows?′ say ′No′; and if he says, ′As quickly as the step goes?′ say ′No′ again. But if he says, ′As quickly as the air goes?′ say ′Even so.′ If your cap falls, do not look after it, and don't tell the devil about it, or he will let you fall and won't carry you to the palace. When you are seven miles from the palace you will see it, and the devil will ask you if you see it; but shut your eyes tight and say that you can't see it. When you are three miles from it, you will see it quite plainly, and he will ask you again whether you see it. But you must shut your eyes tight and say that you can't see it. Then you will be above the palace roof, and he will ask you again whether you see it. You must say again that you can't see it, or he will let you drop on the roof and you won't be able to get down."
The devil took the man and flew with him as the air goes. When they were seven miles from the palace, the devil asked: "Do you see the palace now? It is quite plain to see now."
The lad shut his eyes tight and said that he couldn't see it. So they flew on, and when they were three miles from the castle the devil asked him did he see it now. He shut his eyes tight and said that he couldn't see it. When they were right over the roof, the devil asked: "Surely you must see it now; we are just over the roof."
But he shut his eyes tight and said: "I don't see it."
The devil said angrily: "You must be blind if you can't see it; we are just above the roof." And he seized him in anger, and set him on the golden table in that royal castle.
The three princesses were sitting at the table, knitting with golden thread. His own wife was the middle one, and she knew him at once. She sprang up right gladly and welcomed him with joy. She nearly fainted, she was so pleased that he had been able to come so many miles in such a short time.
"Welcome, dear husband, welcome! Welcome, our deliverer! You will save us from the enchantment under which we are in this castle."
The time passed very slowly there. So one day his wife brought him the keys and showed him through all the rooms and closets, letting him see everything except one room, which she would not open for him.
The three princesses had to take the shape of doves for two hours in the morning and three hours before the evening, and they had to go to the Red Sea to bathe there. One day when they had gone out to bathe he thought: "Why don't you want to open that room for me?" So he went and searched among the other keys for the key, and opened the room for himself.
In the room he saw a three-headed dragon, and each of its heads was stuck upon a hook so that it hung down from it. Under the dragon were placed three glasses of water. The lad was terrified and started to run away. But the dragon kept on calling out: "Don't be frightened, don't run away, but come back again and give me that glass of water. Your life shall be spared this once."
50 he gave him the glass of water; the dragon drained it up, and instantly one of the heads fell from the hook. He begged again: "Now give me that other glass of water, and your life shall be spared a second time."
He gave it him; the dragon drank it up, and immediately the second head fell from the hook. Then the dragon said: "Now do as you like. But you must give me the third glass of water, whether you like it or not!"
In terror he gave him the third glass; the third head drank it up and fell from its hook. Now the dragon was quite free, and instantly he made for the Red Sea, and began to chase after the three doves until he caught one of them. It was the lad's wife.
The other two princesses came back again and began to weep and to wail.
"Thou luckless fellow! we were happy in the hope that thou wouldst deliver us, and now we are worse off than ever—now our torments will last till doomsday!"
He, too, burst into tears, for he was sad at heart that the dragon had carried off his wife, whom he had won at the risk of his life.
The princesses' three brothers were under enchantment too. One of them was in the castle, changed into the shape of a horse. One day the horse said to the sorrowing husband: "The dragon is away from home now. Let us go and steal the princess."
So they went to the dragon's castle, carried off the princess, and ran for home. The other brother of the three princesses was in the dragon's castle under enchantment in the shape of a horse.
When the dragon came home, he said to the horse: "Where is my princess?"
The horse answered: "They came and carried her away."
The dragon mounted the horse at once and said: "Now we'll ride as fast as we can. We must overtake them."
The horse answered: "We cannot possibly overtake them."
But the dragon said: "Only let us start; we shall overtake them."
They started, and they overtook them near the castle. The dragon snapped the princess away at once, saying to the lad: "I promised to spare your life in return for that glass of water; now I have spared it, but don't dare to come to my castle ever again."
And with that the dragon rode home, carrying the princess with him.
Some time after that the horse said to the sorrowing husband; "The dragon is away from home again. Let us go and steal the princess."
So they went and stole her again.
The dragon came home and asked the horse: "Where is my princess?"
The horse answered: "Hibad! They have stolen her again, but we cannot overtake them this time."
The dragon said: "We must overtake them."
He mounted the horse, and they went flying after them till at last they overtook them. The dragon snapped away the princess, saying to the lad: "There's your life spared for the second glass. But if you come again, I'll tear you to pieces."
"I will give you one more counsel. I know a place where there are some young ravens. We will go there, and you must take the young ravens from their nest on the tree. The old ones will fly at you and peck you—they won't want to let you have their young chicks; but tell them that you won't give them back their chicks unless they bring you the healing water and the water of life.
"When they bring the water, take one of the young ravens and pull its head off; then dip it in the healing water and put the head to the body again. That's how you will be certain that they have brought you the real water of life. If the wound grows together again, you may be sure it is the real water of life. As soon as the wound has grown together, take the water of life and pour some of it into the raven's bill, and when the bird revives, you will know quite certainly that it is the water of life."
The lad did all this. The old ravens brought him the water in leather bottles. He took one of the chicks, pulled its head off, dipped it into the healing water, and the wound grew together again. Then he poured some of the water of life into its bill, and it came alive again. Then he put the young ravens back into the nest again, took the water, and went home.
When he got there, the horse said to him: "The dragon is away from home to-day. Let us go and see if we can get the princess."
So off they went and carried away the princess. They ran off as fast as they could.
The horse replied: "She's gone from us. They've carried her off again, and this time we shall never catch up with them."
The dragon said in a rage: "What should prevent us from getting her back? Let's go at once."
So they flew after them, and they reached the castle just as the fugitives were going in through the gate.
The dragon snapped the princess away, saying to the lad: "You rascal! I told you I would tear you to pieces if you came a third time for her."
So he caught hold of him, and took a foot in each claw, and tore him in two. Then he went off with the princess and the horse.
The lad's horse took the healing water, dipped the two halves into it, put the one against the other, and they grew together. Then he took the water of life and poured it into the lads mouth, and he was alive again. Then they went into the castle.
"Well, I really don't know what advice I ought to give you now. We have been three times, and he caught up with us every time. And the last time you were torn in pieces. I don't know how things will turn out. But I have another brother across the Red Sea, and he is stronger than I or the dragon. If we could only get him, we should be sure to kill the dragon. But it's a hard thing to do, for he is in service with the Devil's grandmother. We will try it together, if only we can manage to cross the Red Sea. And, if you follow the advice I give you, you will get the horse.
"You must serve the Devil's grandmother for three days, and, when you have served the three days, you must ask for that lean horse as wages. You will have to herd twelve horses for three days. Nobody has ever managed to do it yet. When the first day's service is done, on the next day the Devil's grandmother always cuts off the servant's head and hangs it on a hook. Now, listen carefully. While you are herding the horses, anything the hag gives you to eat at home, eat your fill of it. But, if she gives you anything to eat in the field, do not eat it, but throw it away. If you were to eat it, sleep would come down on you, your horses would stray, and the Devil's grandmother would cut off your head and hang it upon a hook."
So off they went together till they came to the Red Sea. As they were drawing near to the sea, they saw a huge fly entangled in a cobweb and struggling to free itself. So the lad went up to it and said: "Poor fly! You can't get out of that cobweb; wait a bit, and I will help you."
The cobweb was as big as a sheet, but he tore it in two and the fly crept out.
The fly said: "Thank you for helping me out of the cobweb. Tear one of my feet from under my belly, and, whenever you are in need, think of me, and I will help you."
The lad thought: "Poor fly! how could you help me?" Nevertheless, he tore off one of her feet and kept it.
Then he went on his way, and he saw a wolf with his tail trapped under a heavy log, and he was unable to help himself, for wolves have stiff backs, and no wolf has ever been able to turn. The lad rolled the log away and released the wolf.
The wolf said: "Thank you for helping me. Take one of my claws, and, whenever you are in sore need, think of me, and I will help you." So the lad took one of his claws and kept it.
When he got quite close to the sea, he saw a crab as big as a barrel. The crab was lying on the sand with his belly upwards, and he couldn't manage to turn himself over again. So the lad went and turned the crab over again. The crab asked him where he was going. He said he was going to the Devil's grandmother across the Red Sea.
The crab said: "My dear lad. I'll make a bridge for you across the sea, so that you will be able to get across. But, besides that, you must pluck off one of my claws from under my belly, and when you are in sore need, think of me, and I will help you."
"Look to it that you herd them well, for if you lose one of them you will lose your head. Just look here at these twenty-four posts, with a hook on each one of them. There are heads on twenty-three of them. The last hook is waiting for your head. If you herd my horses badly, that hook is waiting for your head."
Then she fitted him out for herding the horses. She gave him a piece of bread, so that he might have enough to eat and not starve. He meant to follow the horse's advice, and threw the bread away. But a fierce hunger came upon him, and he had to go and look for the bread and eat it up.
The moment he had eaten it he fell asleep and all the horses were lost. When he awoke there wasn't a single horse there. Sorrowfully he said: "The Devil's grandmother was right; my head will hang from that hook." In his grief he thought of the fly, and it came flying up and called out: "Why are you weeping and wailing?"
He said that he had been hungry, and had been forced to eat the bread, so that he fell asleep and all the horses were lost.
The fly tried to comfort him, saying: "Don't be troubled, dear lad; I will help you."
So she called together all the flies, and they flew everywhere looking for the horses, and when they found them, they buzzed round them and plagued them till they drove them up to the herdsman. He drove them joyfully home.
The Devil's grandmother welcomed them, and when she saw that all the horses were there, she said: "You've herded them well enough, for you have brought them all back." Then she seized a hatchet and began to beat the horses with it, and most of all the lean one, till the flesh hung in strips from its body. The lad was sorry for the horse, for the bag was beating it hardest and it was the leanest of them all. But the Devil's grandmother took a salve and anointed the horses' wounds, and they were healed by morning.
The next day she fitted him out again for herding the horses, and gave him some more of the bread, telling him to eat it all. But when he came to the pasture he crumbled the bread and trampled the crumbs into the ground, so that it should be uneatable. But it was no good. He was forced to dig it up and eat it, earth and all, so great was the hunger that the Devil's grandmother had sent against him. In a moment he fell asleep and all the horses were lost.
When he woke he saw that there were no horses there. He wept and wailed. But he thought of the wolf, and the wolf came running up and asked him: "Why are you weeping and wailing? Don't be troubled; I will help you."
He went and summoned all the wolves. A great flock of wolves ran up, and they scattered everywhere, looking for the horses. When they found them, they drove them to the herdsman, each horse with a wolf at its side leading it by the ear. The herdsman was overjoyed. and took the horses and drove them home.
The Devil's grandmother was waiting for him in front of the house. She said: "Indeed you have herded them well; this is the second day that you have brought them all home." But she beat the horses with the hatchet far worse than the day before; then she anointed their wounds with the salve, so that they should be healed by morning.
On the third day she sent him out again to herd the horses, and gave him some more of the bread, telling him to eat it and not to throw it away. But when he came to the pasture he threw the bread down on the sand and trampled it in, so that it should be uneatable. But he had to search it out again, so great was the hunger the Devil's grandmother sent against him. The moment he had finished it he fell asleep and the horses were lost. When he woke he burst into tears. This time it was all up with him; the fly and the wolf had helped him before, but the crab had already made a bridge for him, so there was nobody to help him. The horses didn't know where to hide themselves to save themselves from being beaten by the Devil's grandmother, so they leapt into the sea, where nobody could find them.
The herdsman was in agony, and he kept on wailing that now his head must hang upon that hook. At last he thought of the crab. The crab turned round in the sea, and instantly all the crabs collected and began searching the sea for the horses, and they pinched them until they drove them out of the sea. But the lean one, since he couldn't think of a better hiding-place, crouched under the crab's belly. The other crabs set to work to look for him, and at last they found him. The big crab had to turn over, and then they drove the lean horse out. The herdsman took the horses and drove them home joyfully, because his three days of service were now over.
The Devil's grandmother was waiting for him, and she beat the horses with the hatchet so fiercely that their flesh hung in strips from their bodies. Then she anointed them with the salve, and the wounds healed by morning. In the morning she asked the herdsman what wages he wanted. He answered: "I want nothing but that lean old horse."
She said: "It would be a sorry thing to give you such a wretched horse in return for such good service; I will give you the best horse."
He answered: "I won't take any horse but the lean one."
She asked him why he wanted the leanest one. He replied: "Because I am sorry for him, for he always gets the worst beating. I will have that one, and no other."
So she said: "Well, I will give him to you, if you must have him, but I will give you this fat one too. You can ride on his back home and lead the lean one with you."
He mounted the fat horse and rode off. But when they were drawing near to the gate, the lean horse said: "Get down from that horse and mount me, or you will be the worse for it."
So he jumped down from the fat horse and mounted the lean one.
The fat horse growled: "It's the Devil gave you that advice."
And the lean horse said: "If you had gone under the gate on that horse's back, he would have dashed you against the vault of the gate, so that your head would have been knocked off, and you would have been killed."
So they came safely home. When the princesses saw him come back they were delighted.
The other horse said: "Now, brother, let us go. The dragon is away from home, and the princess will be ours." So they went and carried off the princess.
When the dragon came home, he asked his horse: "Where is my princess?"
The horse replied: "She has gone, and this time we shan't get her back. The horse from the Red Sea has come, and he will get the better of us all."
The dragon took no heed of that, but flew after them and caught them up just by the gate. He was going to snap the princess away, but this time he could not do it. For the horse from over the Red Sea kicked his nose with his hoof, so that the dragon fell down from his horse, and the other two horses fell upon him, and between them they killed the dragon.
They came to the castle with the princess, and they were congratulating one another on their victory over their enemy. Then the horse which had been giving good advice to his rider all the time said: "Now, dear brother—in-law, take my sword there hanging from the ceiling and cut my head off."
He was sad and said: "How could I do that, after all the acts of kindness you have done for me?"
The horse said: "My good friend, I cannot tell you why you must behead me, but you would do me a great wrong if you did not do it."
So he hesitated no longer, but cut his head off. The blood spurted up twelve feet high, and instantly the horse became a beautiful youth. Seeing that, the lad was quick to behead the other horses, and they all turned into handsome princes like the first one.
They all thanked him for delivering them, and they made him king of that castle, and there he lived with his wife and her two sisters in all happiness and harmony till they died. The three brothers took possession of the dragon's castle.
This page was last edited on 25 November 2018, at 20:14.


← Transient or Transformational Change?
Give Value or Gain Value?
Some people do not see any value in the people and things around them. They only care about themselves.
Some people do not care whether there is any value in the people and things around them. They do not want to invest in anything.
Some people not only do not invest in anything, they are good at putting people down.
Some people only want to invest in people and things that have value. They only find people and things that are worthwhile to invest.
Some people can transform and develop people and things of no value into people and things of value.
What kind of people are we today? The Bible tells us that while we are still sinners, Christ died for us. Jesus actually takes us who are of no value because of our sins and give us the highest value as God's beloved child. Are we prepared to do the same for others?
Posted on September 4, 2012, in TRANSFORM Nuggets. Bookmark the permalink.	Leave a comment.


<< I think I've found this year's halloween costume. And flotation device.
Ingrid becomes aroused by the first symptoms of her shoggoth transformation.
I recommend I am The Doorway, a short story in Stephen King's 1971 Night Shift collection.


The limp excuse that there just aren't enough good films made by women to crack the upper echelons of awards contention hasn't held water for a long time, but 2018 beat it into oblivion.
It's an old story: even as the entertainment industry continues to talk about the importance of diversity and inclusion behind the camera, female filmmakers remain routinely shut out of some of the year's most high-powered awards. This year, the Golden Globes, the Critics' Choice Awards, the Directors Guild Awards, and the BAFTAs all failed to nominate a single female director in their Best Director categories (the Globes, the Critics' Choice Awards, and the BAFTAs didn't even nominate a female-directed film in their various Best Picture categories, though Lynne Ramsay's "You Were Never Really Here" got a nod from the BAFTAs in its Outstanding British Film category).
As predictors of imminent Oscar nominations and a visible gauge of what work is getting affection from voters, the lack of attention paid to these films and creators provides insight into the way the rest of the race is likely to play out. As ever, plenty of films that should be contenders simply won't be, and that's a damn shame.
2018 played home to a number of worthy films directed by women, including buzzy offerings from Debra Granik, Tamara Jenkins, and Ramsay, who all recently earned Best Director nods from the Indie Spirit Awards. Other directors and their films have picked up some love on the awards trail, including Chloe Zhao and her "The Rider" (which recently won Best Picture from both the Gothams and the National Society of Film Critics), Marielle Heller's worth-the-wait second film "Can You Ever Forgive Me?," and more.
The limp excuse that there just aren't enough good films made by women to crack the upper echelons of awards contention hasn't held water for a long time, but this past year beat it into oblivion, with some of our very best directors making their best films yet. Here are seven of them.
Over the course of three decades in the industry, Granik has only made three narrative features, but each has been a unique gem bolstered by star-making performances (from Jennifer Lawrence in "Winter's Bone" to Thomasin McKenzie in "Leave No Trace") and an eye for depicting human behavior in all its joys and pains. Based on the novel "My Abandonment" by Peter Rock, Granik's 2018 effort debuted at Sundance last January and won instant affection for its stirring (and honest) tale about a PTSD-stricken father (Ben Foster) and his hopeful daughter (McKenzie) who live off the grid and find their fragile lives disrupted by a seemingly minor mistake.
Bleecker Street released the film in June, and though it made less than $8 million at the domestic box office, it made off with plenty of critical hearts: seven months after its release, it still holds a 100% Fresh on Rotten Tomatoes. Granik is one of the three female directors in the running for this year's Indie Spirit award for Best Director, where the film is also nominated for Best Feature. Other voting bodies have championed the film, too, including the Los Angeles Film Critics Association and the San Diego Film Critics Society, which both picked Granik as their Best Director.
Over a decade after earning an Oscar nod for Best Original Screenplay for her "The Savages" (she lost out to another female nominee, with Diablo Cody picking up the statuette for her "Juno"), Jenkins returned to the big screen with another Sundance premiere (not to mention she also co-wrote "Juliet, Naked" this year, another overlooked rom-com gem). Featuring Kathryn Hahn and Paul Giamatti as a couple struggling to conceive — and loosely based on Jenkins' own experiences — the Netflix film was a funny, flinty, disarmingly honest return for the filmmaker.
Like Granik's film, it was a hit out of Sundance, and when it was ultimately released in theaters and on Netflix's streaming platform, critical consensus was overwhelmingly positive: it still holds a 94% Fresh on Rotten Tomatoes. Jenkins has been nominated for both Best Director and Best Screenplay at this year's Indie Spirits, and the feature has earned accolades for both Hahn and Indie Spirit nominee Kayli Carter.
It was worth the wait: after winning both Best Actor for Joaquin Phoenix and Best Screenplay for Ramsay at the 2017 Cannes Film Festival, the Scottish filmmaker's take on the Jonathan Ames novella of the same name, finally hit American theaters in March of this year. The woozy, hard-hitting drama sees Phoenix as vigilante for hire who is often tasked with finding trafficked girls, and Ramsay's unshakable ability to weave together violence and emotion come to a head throughout the demanding feature.
Bolstered by a propulsive Jonny Greenwood score and full-bodied performance by Phoenix, "You Were Never Really Here" is a natural fit for the "Morvern Callar" and "We Need to Talk About Kevin" filmmaker, but it also shows off her incredible continued growth behind the camera. It's got an 89% on Rotten Tomatoes, and it was nominated for eight BIFAs late last year (it won two). Ramsay will compete against both Granik and Jenkins for Best Director at the Indie Spirits, where the film is also nominated for Best Feature, Best Male Lead, and Best Editing.
It was worth the wait, take two: three years after breaking out with her indelible "The Diary of a Teenage Girl," Heller returned to the big screen with the utterly charming true story "Can You Ever Forgive Me?" (co-written by fellow female filmmaker Nicole Holofcener, no less). The dramedy, based on the insane real-life exploits of author and forger Lee Israel, debuted at Telluride before its October release from Fox Searchlight.
The film earned a sterling 98% on Rotten Tomatoes, and while it only earned $8 million at the domestic box office, a massive list of continued accolades for stars Melissa McCarthy and Richard E. Grant (who both seem like a lock for Oscar nods) have kept it in the conversation. But why the lack of love for Heller's assured, amusing direction?
Even Grant, who recently picked up the New York Film Critics Circle's award for Best Supporting Actor, doesn't get it, using part of his acceptance speech to tout her talent. "She's an extraordinary young female director, who directed only one movie before," Grant said. "Despite … all the accolades at festivals, she has managed not to get a Best Director nomination in almost everything, which is astonishing. Had she not directed Melissa McCarthy and I, [there'd be no movie]." Can't argue with that!
After premiering in the Directors' Fortnight section for the 2017 Cannes Film Festival — where it won the Art Cinema Awards — Zhao's followup to her similarly inventive and personal "Songs My Brothers Taught Me" finally got a stateside release in April, thanks to Sony Pictures Classics. Like her 2015 breakout "Songs," Zhao's film blends fact and fiction by casting mostly non-actors in roles loosely based on their own lives. Zhao discovered her eventual "Rider" story Brady Jandreau when she was making "Songs," ultimately building her drama around Jandreau's own experiences trying to make his way back to the rodeo circuit after a traumatic accident.
No film would be the same in the hands of any other creator, but "The Rider" is a film that would literally not exist without Zhao's dedication to the story, modern auteurism with a big, beating heart. The film continues to pick up accolades from smaller voting bodies, including those big Best Picture wins from both the Gothams and the National Society of Film Critics. The film was eligible for last year's Indie Spirits, where it was nominated for four awards, including Best Feature and Best Director (Zhao was the only woman to be nominated in that category). It holds a 97% rating on Rotten Tomatoes.
Anchored by a transformative dual performance by Nicole Kidman, Kusama's "Destroyer" is a dark, deep, meditative take on film noir told against the backdrop of sunny Southern California. Solid supporting performances from Sebastian Stan, Bradley Whitford, and Tatiana Maslany set it a cut above, and the fascinatingly cyclical screenplay from Phil Hay and Matt Manfredi (who also wrote "The Invitation") ensure that nothing is surface level. But it's Kusama's assured direction that holds it steady, from wrenching dramatic scenes involving Kidman's ruined detective Erin Bell to hard-pounding chase scenes and a pair of bank robberies that will make your palms sweat.
How good is Alice Rohrwacher's third film? Good enough that Martin Scorsese saw it, loved it, and then signed on as an executive producer. The film premiered at last May's Cannes Film Festival, where Rohrwacher picked up the award for Best Screenplay. The film hit the festival road hard, screening at Zurich, New York, Chicago, London, Melbourne, and more, finally hitting Netflix in November.
A dreamy, fairy tale-like feature that spans time periods with ease (and without doubting that its audience is smart enough to keep up), the film follows the eponymous Lazzaro as he moves from impoverished farmhand to, well, something else. It's one of the most creative narratives of the year, but like Rohrwacher's other films (including the appropriately wonderful "The Wonders"), it feels deeply personal and true. The film holds a 90% on Rotten Tomatoes and has been nominated for Best International Film at this year's Indie Sprits, and was already name one of the year's best Foreign-Language Films from the National Board of Review.
That's hardly all. Another film that could have been in the running for Oscars attention: Jennifer Fox's remarkable "The Tale," which was a smash hit out of last year's Sundance, but ultimately landed at HBO, which put it into the running for television awards, not film. The semi-autobiographical film, which marked Fox's move from documentary to narrative filmmaking, earned one Golden Globe nod and two Emmys nominations.
Still, the 2019 Oscars might not be totally devoid of worthy nominees who just so happen to be women. A number of female-directed features are still in the running for Oscar glory, including documentaries like "Free Solo" (co-directed by Elizabeth Chai Vasarhelyi), "RBG" (directed by Betsy West and Julie Cohen), and "Shirkers" (directed by Sandi Tan), all of which made the shortlist cut.
The foreign-language shortlist also includes "Birds of Passage" (Colombia's entry, co-directed by Cristina Gallego) and "Capernaum" (Lebanon's pick, directed by Nadine Labaki. Claire Denis' "Let the Sunshine In" wasn't picked for France's entry, an honor that went to Emmanuel Finkiel's World War II drama "Memoir of War," which ultimately didn't make the shortlist cut. Similarly, Italy chose Matteo Garrone's "Dogman" for its entry, passing over Rohrwacher's Cannes hit, and ended up not making the shortlist at all. And while Lucrecia Martel's "Zama" was the Argentinian pick, it didn't land on the shortlist.
The Oscar nominations will be announced on Tuesday, January 22.


text:
Bothriochloa bladhii (commonly called, variously, Australian bluestem, Caucasian bluestem, forest-bluegrass, plains bluestem, and purple plume grass) is a Neotropic grass in the family Poaceae, found primarily in tropical Africa, and tropical and temperate Asia, and Australia. The type specimen was collected from China by Finnish botanist Peter Johan Bladh. The name of Bladh is honored in the specific epithet.

Distribution
Bothriochloa bladhii is native to Africa from Senegal and Ethiopia southwards to South Africa;  the Middle East; much of temperate and tropical, southern and eastern Asia, Malesia, and Australia  .

Bothriochloa bladhii has also become naturalized elsewhere in the neotropics.

Uses
Bothriochloa bladhii is used as stored food for local livestock, and as a grazing plant by both livestock and wild ruminants. It is sometimes planted as a revegetator, to restore disturbed land.

References

External links
GrassBase page for Bothriochloa bladhii
Picture of Bothriochloa bladhii from the Hawaiian Ecosystems at Risk project (HEAR) website, courtesy of the Bishop Museum, Herbarium Pacificum

bladhii
Grasses of Africa
Grasses of Asia
Grasses of China
Grasses of India
Grasses of New Zealand
Grasses of Pakistan
Grasses of Russia
Flora of Indo-China
Flora of East Tropical Africa
Flora of Southern Africa
Flora of South Tropical Africa
Flora of temperate Asia
Flora of Afghanistan
Flora of Armenia
Flora of Azerbaijan
Flora of Bhutan
Flora of Burkina Faso
Flora of Cameroon
Flora of the Democratic Republic of the Congo
Flora of Ethiopia
Flora of Ghana
Flora of Iran
Flora of Japan
Flora of the Ryukyu Islands
Flora of Kazakhstan
Flora of Kyrgyzstan
Flora of Malesia
Flora of Nepal
Flora of Nigeria
Flora of Papua New Guinea
Flora of Senegal
Flora of Sri Lanka
Flora of Taiwan
Flora of Anhui
Flora of Fujian
Flora of Guangdong
Flora of Guangxi
Flora of Guizhou
Flora of Hubei
Flora of Hunan
Flora of Shaanxi
Flora of Sichuan
Flora of Xinjiang
Flora of Yunnan
Poales of Australia
Plants described in 1781

redpajama_set_name: RedPajamaWikipedia


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Mick Hayes! at The Chadakoin Club
07/12/19 | 10:00 PM - 1:00 AM
The Chadakoin Club
104 W 2nd St, Map
12-07-2019 12:00:00 12-07-2019 12:00:00 America/New_York Mick Hayes! at The Chadakoin Club | 10:00 PM - 1:00 AM MUSIC BORN FROM GREAT INFLUENCE! International Recording Artist, Mick Hayes is the combination of "artist and entertainer" that we don't hear much about these days. In the past he's been recognized as a network reality TV star, a successful bandleader and frontman who spent years earning his stripes as the opening act for iconic rock bands such as the Doobie Brothers, Deep Purple, Cheap Trick and Peter Frampton. Mick is a fellow musician and accompanist who has graced the stage with a wide variety of artists from Billy Sheehan to Stevie Wonder. A songwriter who was recognized by the Grammy Nomination Committee in two different categories in 2017. A guitarist who received one-on-one guitar instructions from Steve Vai, who is back to being a student of the game while writing and recording a new album at the legendary Fame Studios in Muscle Shoals, Alabama. While all of this sounds extravagant or designed to impress you, it's one mans dedication to his artistry that you should really be hearing and take some time to experience it for yourself. This self-proclaimed, full-time musician performs regionally, nationally, internationally and also in his hometown music scene for well over 200 shows per year. Like the business model of the great Ray Charles, Mick Hayes don't fit into one box...but he'll fit right into your heart and soul for a lifetime full of music born from good influence. http://www.cityguideny.com/eventinfo.cfm?id=389484 The Chadakoin Club The Chadakoin Club
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MUSIC BORN FROM GREAT INFLUENCE! International Recording Artist, Mick Hayes is the combination of "artist and entertainer" that we don't hear much about these days. In the past he's been recognized as a network reality TV star, a successful bandleader and frontman who spent years earning his stripes as the opening act for iconic rock bands such as the Doobie Brothers, Deep Purple, Cheap Trick and Peter Frampton. Mick is a fellow musician and accompanist who has graced the stage with a wide variety of artists from Billy Sheehan to Stevie Wonder. A songwriter who was recognized by the Grammy Nomination Committee in two different categories in 2017. A guitarist who received one-on-one guitar instructions from Steve Vai, who is back to being a student of the game while writing and recording a new album at the legendary Fame Studios in Muscle Shoals, Alabama. While all of this sounds extravagant or designed to impress you, it's one mans dedication to his artistry that you should really be hearing and take some time to experience it for yourself. This self-proclaimed, full-time musician performs regionally, nationally, internationally and also in his hometown music scene for well over 200 shows per year. Like the business model of the great Ray Charles, Mick Hayes don't fit into one box...but he'll fit right into your heart and soul for a lifetime full of music born from good influence.
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Penumbra: Black Plague Gold Edition
Surrounded by enemies and assaulted by terror from all sides, Philip must collect clues and solve vexing puzzles while combating the gnawing psychological terrors that assail his mind and threaten to strip him of his sanity.
Developer: Frictional Games Publisher: Frictional Games
Genre: Action, Adventure, Indie
Tags: Horror (242), Adventure (165), First-Person (152), Psychological Horror (143), Stealth (122), Story Rich (112), Atmospheric (111), Indie (98), Singleplayer (97), Survival Horror (83), Puzzle (76), Lovecraftian (75), Action (69), Dark (68), Survival (61), Great Soundtrack (37), Classic (28), Nudity (25), Multiplayer (12), Gore (8)
Category: Single-player, Captions available
Release date: Jan 23, 2009
Owners: 200,000 .. 500,000
Peak concurrent players yesterday: 11
YouTube stats: 362 views and 45 comments for top 50 videos uploaded last week, 1 new videos uploaded yesterday.
1 English Country Tune Nov 25, 2011 $4.99 N/A (N/A) 200,000 .. 500,000 0% 00:00 (00:00)
2 The Turing Test Aug 30, 2016 $19.99 N/A (N/A/74%) 200,000 .. 500,000 0% 00:00 (00:00)
3 Welcome to the Game Jun 15, 2016 $4.99 N/A (N/A) 100,000 .. 200,000 0% 00:00 (00:00)
4 Pony Island Jan 4, 2016 $4.99 N/A (N/A/86%) 500,000 .. 1,000,000 2.44% 05:53 (01:57)
5 Five Nights at Freddy's 2 Nov 10, 2014 $7.99 N/A (N/A/62%) 500,000 .. 1,000,000 12.82% 00:45 (00:46)
6 Lucius II Feb 13, 2015 $2.99 N/A (N/A/48%) 100,000 .. 200,000 0% 00:00 (00:00)
7 Overcast - Walden and the Werewolf Apr 18, 2014 $0.49 N/A (N/A) 1,000,000 .. 2,000,000 0% 00:00 (00:00)
8 Serena Jan 30, 2014 N/A N/A (N/A) 500,000 .. 1,000,000 0% 00:00 (00:00)
9 The Evil Within Oct 13, 2014 $9.99 N/A (N/A/68%) 1,000,000 .. 2,000,000 2.38% 03:09 (02:05)
10 Doorways: Prelude Sep 20, 2013 $9.99 N/A (N/A) 100,000 .. 200,000 0% 00:00 (00:00)
11 Tetrobot and Co. Oct 22, 2013 $9.99 N/A (N/A/72%) 50,000 .. 100,000 0% 00:00 (00:00)
12 Kairo Apr 24, 2013 $4.99 N/A (N/A/76%) 100,000 .. 200,000 0% 00:00 (00:00)
13 Lucius Oct 26, 2012 $9.99 N/A (N/A/59%) 500,000 .. 1,000,000 0% 00:00 (00:00)
14 Rise of the Triad Jul 31, 2013 $14.99 N/A (N/A/67%) 100,000 .. 200,000 0% 00:00 (00:00)
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29 Wolfenstein 3D Aug 3, 1994 $4.99 N/A (N/A) 200,000 .. 500,000 0% 00:00 (00:00)


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MILLER: Paul Ryan's guns
← return to Guns
By Emily Miller The Washington Times - October 30, 2012, 08:22PM
Paul Ryan has become the most high-profile gun owner in the nation this year. The Republican vice presidential candidate is known as an avid hunter, but what's less known is that he exercises his right to own a handgun for self protection.
This is a new feature exploring the firearms owned by high-profile individuals. The series will be a fun way for gun owners to learn about the specific makes and models and their intended use.
Hopefully, these stories will dispel the myth perpetuated by gun grabbers that owning more than one gun is a sign a person is a danger to society. On the contrary, gun owners are thousands of times more likely to use their weapon to prevent a crime than to commit one.
Mark Olcott is Paul Ryan's brother-in-law, good friend and frequent hunting buddy. Mr. Olcott is married to the former Molly Little, who is Janna Little Ryan's younger sister. "Paul would agree with me. We both married up," Mr. Olcott said in an interview Friday before he went bowhunting for deer near his home in Frederick, Md. "Our wives are just incredible people. We're lucky men."
Mr. Olcott said the Wisconsin congressman got him interested in hunting. "When we met nine years ago, one of Paul's first questions to me was whether I had a problem with him hunting, since I'm a veterinarian," he explained "I said, 'No, I'd be interested to learn more about it.' And I've been hooked every since."
The two hunt mostly in Wisconsin and at their wives' family ranch in Oklahoma. I asked Mr. Wolcott what guns Mr. Ryan owns. He said the Wisconsin Republican usually hunts deer using his Remington Model 700 rifle which is chambered in .30-06. For duck and turkey hunting, Mr. Ryan uses his a 12 gauge shotgun. He owns the Super Black Eagle model made by Benelli, a company owned by Beretta.
Mr. Ryan also likes to challenge himself by shooting with his revolver. "He likes hunting with a handgun," Mr. Olcott said of his brother-in-law. "He'll carry his .357 in the stand — in a holster — and wait for a deer comes in range for a handgun, which is more like bow range, 30 yards or closer," said Mr. Olcott. "He's shot a lot of deer with his handgun. He really likes that."
Mr. Ryan also owns a 9mm Glock for home self defense. He sometimes brings the pistol from Wisconsin to the Oklahoma to do target shooting at the ranch's 100-yard outdoor range.
Mr. Olcott said the congressman occasionally goes target shooting when he's back in Washington for work. He shoots with the Capitol Hill Police at their range. A spokesman for the department did not respond to my questions for information on the location of the range or if other members of Congress use it.
The Ryan-Olcott families see hunting as a family activity. Mr. Olcott bought his son, Aidan, a Remington 700 .243 youth rifle with a scope. Mr Ryan brought the same gun for 10-year old daughter Liza last year for Christmas.
Mitt Romney's running mate also stopped at Bass Pro Outdoor World in Ohio on the campaign trail in September to buy camouflage clothing for his daughter since this is the first year she can hunt herself. The families are going to Oklahoma for Thanksgiving. They typically go back between Christmas and New Year for more "family hunting."
"When we're in Oklahoma, Paul will take one of the kids — Liza, Sam, Charlie — in the stand each day. Then he starts all over again. Hunting is very much part of the family. That's the way he grew up. That's important to him to take time with kids to teach them about hunting."
Hunters say you really get to know another person spending that much time closely together in the woods. "He's just a good, honest guy," Mr. Olcott said of Mr. Ryan, who is his son's godfather. "Honestly, as people get to know him, what you see is what you get. He's a genuinely nice guy. I'm fortunate to have him as a friend."
If the Romney-Ryan ticket wins the election next week, gun owners will have an ally in the White House.
More from this Story
Paul Ryan hunting deer. Photo by Mark Olcott. more >
Emily Miller is senior editor of opinion for The Washington Times. She is the author of "Emily Gets Her Gun … But Obama Wants to Take Yours" (Regnery 2013). Miller won the 2012 Clark Mollenhoff Award for Investigative Reporting from the Institute on Political Journalism.
Follow @emilymiller
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CCCA Recognizes Action to Combat Manufacturers of Non-compliant Structured Cabling Products.
network devices for signal routing (i.e. wall outlets, patch panels, switches, routers).
CCCA's patch cord testing program follows the communications cable testing program conducted in 2008 and 2009, which uncovered a serious fire safety hazard with non-compliant copper data communications cable imported into North America.
of this magnitude could contribute to significant network problems.
manufacturers in North America. All had a 100% pass rate.
controls, which can improve profit margin for the manufacturer.
the quality, performance and societal needs of the structured cabling infrastructure.
Connector Systems; Solvay Solexis; Superior Essex; Tyco Electronics.
Frank Peri, Executive Director at fperi@cccassoc.org or via phone at (904) 223-4100.


text:
color_themes_file = Rails.root.join("config/color_themes.yml")
# Check in case config/color_themes.yml does not exist.
if color_themes_file.exist?
  # Load the file specified by the generated path.
  color_themes = YAML.load_file(color_themes_file)
  # If the file contains one or more color themes, include them in AVAILABLE_COLOR_THEMES,
  # else include the original theme.
  AVAILABLE_COLOR_THEMES =
    if color_themes["available"].length > 0
      color_themes["available"]
    else
      {"original" => "Original Dark"}
    end
else
  AVAILABLE_COLOR_THEMES = {"original" => "Original Dark"}
end
# Get all codes from available themes into a separate variable, so that they can be called easier.
AVAILABLE_COLOR_THEME_CODES = AVAILABLE_COLOR_THEMES.keys

redpajama_set_name: RedPajamaGithub


text:
castles song meaning
build castles in the sky phrase. it's only castles burning i think means the power in the land such as the president or the current administration is changing. castle meaning: 1. a large strong building, built in the past by a ruler or important person to protect the people…. just find some one who is turning i think means someone who is changing the situation for the better. Nirvana and MCR made them scary, then Gwen, Avril and Madonna put on the pom poms. Spooner is also an accomplished songwriter, whose hits include "I'm Your Puppet" and "Cry Like A Baby.". Learn more. "Tammy" by Debbie Reynolds was the only US #1 single by a female act between July 1956 and February 1958. Castles were built by important... | Meaning, pronunciation, translations and examples ", On the "schizoid element" of his lyrics, and a famous line from "Everything Zen. Definition of build castles in the sky in the Idioms Dictionary. Obviously, this sounds like a bad memory for Sheera. Even if you promise yourself that you will change your body, the fact remains that you'll always be transgender. "Cum On Feel The Noise" was originally recorded by the British glam band Slade in 1973. He sued her for $250,000 and committed suicide before the trial. castle definition: 1. a large strong building, built in the past by a ruler or important person to protect the people…. Kenny Loggins co-wrote the Doobie Brothers hit "What a Fool Believes," which is about a guy who just can't accept that an affair from long ago was meaningless to her. No official artwork has been presented for the single. Find more of Lil Peep & Lil Tracy lyrics. In contrast, "Castles" speaks to the devastating destruction of a deeply emotionally impactful relationship. When Ridings sits at the piano, she finds it's easier to write sad songs than happier ones. Castle definition: A castle is a large building with thick , high walls . However, this song's message of "finding that inner phoenix-like fire to come back out of the ashes of that hard time and make your life better" was something she felt passionately about. It started with a bouncy MTV classic. Freya Ridings' mother didn't let her watch Disney "princess" films when she was very young, as she didn't want her daughter's goal in life to be a princess. The second is about the end of childhood - one day you dream of being a … This song has multiple interpretation. Quiet Riot had their first hit with the song when they recorded it in 1983. When Metallica performed in China in 2013, they were not allowed to play "Master of Puppets.". Definitions by the largest Idiom Dictionary. Writer(s): Daniel Nigro, Freya Ridings. ", On the "schizoid element" of his lyrics, and a famous line from "Everything Zen. I believe the core lies in the phrace " (and so) castles made of sand, fall/melt/simmilar into the sea, eventually" The metaphore as I understand it is that castles which are constructions, made of sand means built upon something weak (lies, false beliefs, etc) will never survive the test of time. Alice Practice by Crystal Castles is one of the song analyses presented in the PDF Songwriting.. Alice Practice was the first track ever released by Crystal Castles – it actually came from a casting of the singer/songwriter Alice Glass on the music of Ethan Kath (the two members of Crystal Castles), and the sound engineer secretly recorded her soundcheck. It also could be a term meaning everyday life. Soul music legend Bill Withers on how life experience and the company you keep leads to classic songs like "Lean On Me. A flower that is blooming and shedding petals at the same time; Someone that is growing up, but falling apart at the same time. However, young Freya still managed to fall in love with fairy tale movies. Build castles in the sky - Idioms by The Free Dictionary. Nothing can stop it's narrative". Perhaps he was being teased or bullied, and it resulted in him, at a very young age, breaking his leg. It started with a bouncy MTV classic. Castle on the Hill is a song that appears on English singer-songwriter Ed Sheeran's 2017 studio album titled ÷. I think this song has a spiritual meaning. The game Lana Del Rey sings about in "Video Games" is World of Warcraft - her ex used to play it all the time. That included his city-based love. ", His keyboard work helped define the Muscle Shoals sound and make him an integral part of many Neil Young recordings. The game Lana Del Rey sings about in "Video Games" is World of Warcraft - her ex used to play it all the time. Castles Lyrics: Everything I ever said / Everything that I have done / Tryna show 'em it's my time / Building mansions in my mind / Now that's all so yesterday / I'm just lighting up my fire AZLyrics. Castles Lyrics: You learn my love, you hit the target / You get that rush and then you walk out the door / You kept me small, it's what you wanted / I never noticed / You held my hand into the The song's music video is part of a one-hour film with the … Also known as 40minutes in which over half is Stana Katic/Katherine Beckett Hairporn. In the song, Sheeran talks nostalgically about his … Don McLean's manuscript for "American Pie" went up for auction at Christie's on Tuesday and sold for $1.2 million, and though he's never really spoken publicly about the song's cryptic meaning, he somewhat spilled the beans in the auction house's catalog. For quite a few people the interpretation of "Castles in the sky" changed to a more literal interpretation. The lyrics of the song pay homage to the English town Framlingham, Suffolk, where Sheeran grew up as a child. In the song's pre-chorus, the phrase "Agnus dei" is mentioned multiple times. Learn more. ", His keyboard work helped define the Muscle Shoals sound and make him an integral part of many Neil Young recordings. "Tammy" by Debbie Reynolds was the only US #1 single by a female act between July 1956 and February 1958. She told Apple Music the thought of writing an uptempo song like "Castles" was out of her comfort zone. ABC's Castle, a television show starring Nathan Fillion as Richard Castle and Stana Katic as Detective Kate Beckett. "Cum On Feel The Noise" was originally recorded by the British glam band Slade in 1973. Original lyrics of Castles song by Lil Peep & Lil Tracy. The song is off of her album Badlands, which she's described as an "angry, female pop record," and that gives us a lot to dissect right there. ? Thats why i believe the term ''castles burning'' refers to something dying, or death. "Sandcastles" is a song recorded by American singer Beyoncé for her sixth studio album, Lemonade (2016). The song is based on Jimi's life, but it's not the point of the song. I'm gonna build castles From the rubble of your love From the rubble of your love I'm gonna be stronger than You ever thought I was You ever thought I was Submit Corrections. You left my love, you hit the target You got that rush and then you walk out the door You kept me small, is what you wanted I never noticed Castle definition, a fortified, usually walled residence, as of a prince or noble in feudal times. Definitions by the largest Idiom Dictionary. This me… When Metallica performed in China in 2013, they were not allowed to play "Master of Puppets.". But he is able to find the good in the experience: "And tasted the sweet perfume of the mountain grass I rolled down." 1 user explained Castles meaning. So of course, for a lot of people, the meaning of the lyrics will have changed color too, especially for those being closer to the tragedy. Castles in the air are aspirations that are absolutely beyond reach. See more. The walls are (of his own making in his urban life) are commitments and lifestyle holding him back from moving to the country where he feels he can be free and unshackled. The Def Leppard frontman talks about their "lamentable" hit he never thought of as a single, and why he's juiced by his Mott The Hoople cover band. just find someone who is turning and you will come around. Culture castles castles Thick walls and strong towers are characteristic features of Britain's castles.When built, they were solid buildings with few comforts, designed for the defence of a town or region. 821 views therefor don't let it bring you down it's only castles burning. He almost sugarcoats the experience, remembering something beautiful that now outshines the memory of the pain. Soul music legend Bill Withers on how life experience and the company you keep leads to classic songs like "Lean On Me. The Def Leppard frontman talks about their "lamentable" hit he never thought of as a single, and why he's juiced by his Mott The Hoople cover band. Definition of castles in the air in the Idioms Dictionary. F. Freya Ridings Lyrics. And the Lamb of God is a title for Jesus Christ. ", The singer/bassist for Concrete Blonde talks about how her songs come from clairvoyance, and takes us through the making of their hit "Joey. Castle of glass An inspiring song for all the people serving the Army. Gramm co-wrote this gorgeous ballad and delivered an inspired vocal, but the song was the beginning of the end of his time with Foreigner. Quiet Riot had their first hit with the song when they recorded it in 1983. He sued her for $250,000 and committed suicide before the trial. 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Meaning: 1. a large building with thick, high walls to classic songs like castles. The other hand, it is the most immaculate interpretation of `` castles the... And Madonna put on the `` schizoid element '' of his lyrics, and a famous line from Everything... Your Puppet '' and `` Cry like a Baby. `` 's life but. Puppet '' and `` Cry like a Baby. `` print or download … castles in the song ' pre-chorus! Include `` i 'm Your Puppet '' and `` Cry like a Baby..... You will change Your body, the fact remains that you 'll always transgender., the fact remains that you will change Your body, the phrase Agnus. Dying, or death 2013, they were not allowed to play `` Master Puppets. Puppets. `` 1. a large strong building, built in the Dictionary... Find someone who is turning i think means someone who is changing the situation the! The pain the lyrics of castles in the English language, usually walled residence, as of deeply. 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Include `` i 'm Your Puppet '' and `` Cry like a bad memory for Sheera pom! Therefor do n't let it bring you down it 's only castles burning '' refers something., stories and added songs Neil young recordings usually walled residence, as of deeply. And you will come around she finds it 's easier to write sad songs than castles song meaning.. Pre-Chorus, the fact remains that you 'll always be transgender pom poms grew as! Definition, a fortified, usually walled residence, as of a prince noble. " Agnus dei " is a title for Jesus Christ recorded it in 1983 - Idioms by the glam.
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text:
Wells Fargo Purchasing Solar Capacity from North Carolina Project
By April 8, 2021 Category: Florida Solar News
Wells Fargo has become the latest large energy user to execute a renewable power agreement under Duke Energy's Green Source Advantage (GSA) program – building on the solar expansion in North Carolina.
Wells Fargo will purchase more than 58 MW of solar capacity from the Blackburn Solar project, a planned facility on 600 acres in Catawba County. It will be developed, owned and operated by a subsidiary of NextEra Energy Resources LLC. Subject to local and state approvals, the project is scheduled to come online as early as 2022. The power generated will offset about 50% of the bank's energy usage in the state.
"As large energy users look to expand their sustainability goals, many are finding Duke Energy's GSA program the perfect fit to accomplish that," says Stephen De May, president of Duke Energy North Carolina. "The program's flexibility allows the customer to modify it to best suit their needs. Our state benefits by reducing carbon emissions and using more renewable energy."
The GSA program is a result of 2017's solar legislation in North Carolina. The GSA program allows large customers to offset their power purchases by securing renewable energy from projects connected to the Duke Energy grid. The customer may keep the renewable energy certificates (RECs) of the projects to satisfy sustainability or carbon-free goals.
Duke Energy's GSA program made 600 MW of capacity available for large Duke Energy customers in North Carolina. A substantial portion of the available capacity has already been taken by the city of Charlotte, Bank of America and Duke University in previously announced projects.


All Honours students in Biology are required to take Biology 447 and 449.
For Biology 449 , "Directed Biological Research," students are expected to complete original research under supervision. The scope of the project will be decided between each student and his/her supervisor. It is anticipated that students will emerge from the program with basic skills in formulating and testing hypotheses, experimental design, data analysis and presentation, critical evaluation of published work and scientific writing; all of the skills required of a good graduate student. The project serves only as a specific focus on which to develop these skills. It is not essential that the project produce positive results leading to clear, definitive conclusions. Projects may yield negative results or no clear results at all. This is the nature of scientific research. It is expected, however, that each project will address a clearly defined hypothesis and that students will learn much about the scientific method in the process of completing the project. The mark in this course will be assigned based on the Final Thesis Examination.
For the Final Examination, students are required to submit a written thesis. This must be submitted at least one week prior to the Final Examination. The Final Examination will consist of a short (15 to 20 minute) presentation by the student of the major findings of his/her work, followed by a round of questioning by the Committee members. The Committee Chair will not normally ask questions and the Supervisor will be allowed to ask questions last. The exam should not exceed 60 to 90 minutes in length. All final examinations will be held between April 2nd and 30th. The actual date of the examination will have to be negotiated based on the schedules of all Committee members once the Committees have been set up.
The Chair will not normally assign a grade but will simply run the examination and compile the final grade.
Thus, all Honours students should be prepared to 1) submit a well written thesis in the proper scientific format, 2) present a well delivered research talk, and 3) answer questions of both a general and specific nature pertaining to their research project.
Biology 447, "Principles and Methodology in Biological Research II" is a companion course for Biology 449. It is designed to assist students during their research project and to prepare them for their Honour's Thesis Defense. A separate grade is given for this course based on a variety of assignments and on class participation.
For students only beginning their Thesis projects in September of their 4th year, a realistic appraisal of these deadlines is even more critical.
The Examining Committee for each student will consist of the Thesis Supervisor, one Nominee chosen by the Student and Supervisor (with an in depth knowledge of the student's research area), and one or two Members chosen from the Botany or Zoology Departments. The members chosen to sit on any given committee will not necessarily work in the student's research field, but will be chosen simply to assess the overall scientific ability of the student). One of the course coordinators for Biology 449 will serve as the Chair of the Examining Committee.
– If a student has a co-supervisor they may also be on the committee, but they may not act as the Nominee chosen by the student and supervisor, because the Nominee must be impartial to the thesis.


text:
est un village du district de Shimajiri, situé dans la préfecture d'Okinawa, au Japon. Son nom okinawaïen est Kushigiruma.

Géographie

Situation
Zamami occupe une partie de l'archipel Kerama, dont Zamami-jima, Aka-jima, Geruma-jima et Fukaji-jima, au Japon.

Démographie
Au , la population de Zamami s'élevait à  répartis sur une superficie de .

Transport
Zamami est accessible par avion et ferry.

Notes et références

Voir aussi

Liens externes

Village au Japon


Groundhog Day Reviewed by Gary Panton on Thursday, August 28th, 2003.
A touching, thoughtful and above all funny comedy. A real classic, featuring Bill Murray at his very best.
If you were to combine a Frank Capra-esque feel-good tale with some sharp, sarcastic and at times cruel humour, it's hard to imagine the result being too far different from Harold Ramis' delightful 'Groundhog Day'.
Bill Murray, in probably the most memorable role of his career outwith the Ghostbusting arena, shines as Phil Connors, the super-cynical TV weatherman forced to repeat the same day time and time again. It's February 2nd which, to the people of the small town of Punxsutawney, means Groundhog Day – an annual opportunity to watch an over-sized squirrel predict the weather. For Phil, though, it means waking every morning to Sonny and Cher, endlessly trying to explain his situation to his bemused workmates (Andie MacDowell and Chris Elliott), generally living through the world's most critical case of déjà vu.
This movie contains some remarkably dark moments, most notably when Phil loses all hope and begins daily making his way through all number of fruitless suicide attempts. What shows through, however, is the transformation in his character whilst all around him remain exactly the same, and of course his eventual romance with the bubbly but distrusting Rita (MacDowell). Murray's never exactly been one for playing the most lovey-dovey of characters, but the relationship between him and McDowell works surprisingly well.
Why is this happening to Phil? To this day, nobody knows – and to be honest it's not particularly important. But, much like that other Murray feel-good flick 'Scrooged', this is a film about changing your sneering ways and getting things right. And when Bill Murray gets things right, he really gets things right. This is easily one of the top comedies of the 90s.
It's Got: Some incredibly bad dancers – look out for them bopping away at the groundhog ceremony.
It Needs: To be watched by Jim Carrey – it could teach him a thing or three about how to be funny. Without just pulling faces, that is.
This entry was written by Gary Panton, posted on August 28, 2003 at 12:00 am, filed under Comedy, Fantasy, Romance. Bookmark the permalink. Follow any comments here with the RSS feed for this post. Trackbacks are closed, but you can post a comment.