text:
Graham Reynolds and Golden Arm Trio
Called "the quintessential modern composer" by the London Independent, Austin-based composer/bandleader Graham Reynolds creates, performs and records music for film, theater, dance, rock clubs and concert halls with collaborators ranging from Richard Linklater and Jack Black to DJ Spooky and Ballet Austin. Heard throughout the world in films, on TV, on stage and on radio from HBO to Showtime, Cannes Film Festival to the Kennedy Center, and BBC to NPR, he recently scored "Bernie" featuring Jack Black as well as the Hulu TV series "Up To Speed" and his score to the Robert Downey, Jr. feature "A Scanner Darkly" was named 'Best Soundtrack of the Decade' by Cinema Retro magazine. With Golden Arm Trio, Reynolds has repeatedly toured the country and released five critically acclaimed albums including the simultaneous release of "The Difference Engine: A Triple Concerto" and "DUKE! Three Portraits of Ellington" on Innova Records wi...
Called "the quintessential modern composer" by the London Independent, Austin-based composer/bandleader Graham Reynolds creates, performs and records music for film, theater, dance, rock clubs and concert halls with collaborators ranging from Richard Linklater and Jack Black to DJ Spooky and Ballet Austin. Heard throughout the world in films, on TV, on stage and on radio from HBO to Showtime, Cannes Film Festival to the Kennedy Center, and BBC to NPR, he recently scored "Bernie" featuring Jack Black as well as the Hulu TV series "Up To Speed" and his score to the Robert Downey, Jr. feature "A Scanner Darkly" was named 'Best Soundtrack of the Decade' by Cinema Retro magazine. With Golden Arm Trio, Reynolds has repeatedly toured the country and released five critically acclaimed albums including the simultaneous release of "The Difference Engine: A Triple Concerto" and "DUKE! Three Portraits of Ellington" on Innova Records with distribution by Naxos, the world's biggest classical label. As Co-Artistic Director of the 501(c)3 Golden Hornet Project with Peter Stopschinski, Reynolds has produced more than fifty concerts of world premiere alt-classical music by more than sixty composers, as well as five symphonies, two concertos and countless chamber pieces of his own. With Forklift Danceworks, Reynolds has scored pieces involving 18 trash trucks, 200 two-steppers and a solo piece for traffic cop. Graham is an active company member, sound designer, and composer with the internationally acclaimed Rude Mechanicals and resident composer with Salvage Vanguard Theater.
Other achievements include the Lowe Music Theater Award, four Austin Critic's Table Awards, the John Bustin Award for Conspicuous Versatility, an AMP Award, five Austin Chronicle Best Composer wins, the B. Iden Payne Award, Meet the Composer and MAP grants as well as support from the National Endowment for the Arts for several projects.
http://grahamreynolds.com
Avant/Experimental
The show at Elephant Room on Thursday, March 19
⋆ 8:00PM John Mills Times Ten
9:00PM Graham Reynolds and Golden Arm Trio
⋆ 10:00PM Glenn White
⋆ 11:00PM Hailey Tuck
⋆ 12:00AM Jitterbug Vipers
⋆ 1:00AM ChihiroYamazaki+ROUTE14band


hijack this log file. please help?
Discussion in 'Virus & Other Malware Removal' started by croaker35, Jul 17, 2006.
I am getting a background theme with no icons and no taskbar. I booted in safe mode and am currently running spybot and norton. What needs to be deleted? Thanks so much for any help.
O4 - HKLM\..\Run: [LaunchPDeviceConn] "C:\Program Files\Philips\Philips Device Transfer Pop-up\PDeviceConn.exe"
O4 - HKLM\..\Run: [Hhl7RfpJ] "C:\WINNT\system32\ssn6tuu.exe"


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text:
A2 :Avengers the age of Ultron movie
By Mattallica, March 3, 2014 in Marvel Minimates
buffdog
Mini-Newbie
Regarding the lack of female presence... I think the worst examples are when they straight up leave off the female characters, like they don't even exist. It seems to happen mostly on the licensing items. Example: in the back of one of the FCBD Marvel books there is a Marvel Hot Wheels add. All the movie Avenges are there (even Hawkeye), but no Black Widow. Just straight up dropped her. And it wasn't like they were only showing the Avengers that there was cars for, since there was no Hawkeye.
Hasbro has been doing a great job getting more female toys out there. Almost 2 per series at this point in Marvel Legends! And there has always been great diversity in the Minimates brand. Other toy lines can't make the same claim though.
MisterPL
Good hunting.
There's still a mindset among even female licensing executives and retail buyers that girls aren't interested in these properties let alone toys aimed primarily at boys. It's sad. From my own professional and personal experience I can say females are huge fans of properties people think only appeal to males. (NASCAR, NBA, WWE, et al.)
How about toy manufacturers just make fun toys and anyone (anyone) who wants to play with them can simply play with them?
bigvis497
OHOTMU The Watcher
Location:Central New York
http://www.buzzfeed.com/ryanhatesthis/this-dad-couldnt-find-good-marvel-toys-for-his-daughter-so-h
In the comments section: "well why are there no black widow toys?"
Because you haven't mastered Google yet?
Valo487
Mini-God
This is the kind of thing that drives me crazy, I certainly sympathize with the fact that his daughter wanted a specific female character and there wasn't anything available, that's a shame. But to say that Marvel is having a huge problem getting female characters into toy form is just incorrect. And what bothers me about it is that people will read this article who don't look into it any further and they accept this incorrect information is accurate. And it propagates this idea that comic book merchandise is sexist. Are there examples that show there is still work to be done? Absolutely, the Hot Wheels story posted above is proof of that. But we have come a long, long way from when I was watching the Adam West Batman show and couldn't understand why I didn't have a Catwoman or Batgirl figure.
Edited May 15, 2015 by Valo487
homestar17
I can't think of a cool one right now.
Location:the Frigid Tundra of the North (a.k.a. Minnesota)
Interests:toys of all sorts, art (& art history), science, photography, giant robots
When I was younger, my brothers & their friends wouldn't let me play with them in anything that didn't have a girl in it. (Mostly because they didn't want me playing with their stuff. LOL)
I had Teela, I had Lady Jane (& Zartan's sister Zartanna), I had a mego WW, I had my mom's old Space 1999 people. Heck, I even had a Daisy Duke doll (& jeep). There have always, always been female figures. Sometimes, you just need to look.
Conversely, look at Frozen (which I have zero interest in). You see tons & tons of toys featuring the 2 chicks & the snowman. Where are the dolls of the 2 dudes?? I don't think I've ever seen any. Aladdin, Eric, Beast, Mulan's guy & Prince Charming all have dolls. So clearly the dudes don't matter to the story??
Off-topic, I saw the new Mad Max last nite. Weird, very weird, but Charlize gets more screen time than Tom Hardy. On top of this misogynistic groups are calling for male boycotting.
My daughter lost interest in Disney Princess figures immediately after finding out there were so few princes. (A lot like real life, I suppose. "Get used to disappointment, kiddo.")
I still recall the moment my mother took me aside and cautioned me from playing with my Uhura figure in front of my father because he probably wouldn't like the idea of me playing with dolls. (He didn't care.)
Don't even get me started on Bronies.
To me, I think a lot of it comes down to is there a reasonable representation of the property as a whole? Look at Age of Ultron. We got two waves, two TRU waves, an army builder box and an all-but confirmed box set coming, but there will still be characters and specific versions that don't make the cut. But a strong effort was made to cover all the major ones. And that's not cause for outcry, it's just the nature of business. It's only when a character is specifically ignored continuously that a second look is warranted, in my opinion.
I'm still very disappointed at how little Quicksilver was represented in merchandise overall. Especially considering....
karamazov80
Location:Louisiana
Interests:Film, jazz music, toys, international politics, dogs, Muppets
Kristoff does have a doll. I've seen it. But my daughters don't have him, and don't seem to care. They barely play with Sven or Olaf. But we have two Elsa's and probably need to get a third as an emergency backup. I think we have dolls for Beast and Prince Charming.
Gillbob316
He's That Guy
Location:Northlake, IL
Re: Frozen...
And see, that's a good example of the reverse. It goes BOTH ways, I mean it's not like toy manufactuers are sitting in an evil tower, cackling, "Mua ha ha, girls must play with princess dolls, boys must play with super heroes! And never shall one be sold to the other!" they just have... research. Sales figures. Decades of experience selling toy lines. And they make toys to follow suit with that data. Why do people not seem to grasp that?
Yes there are boys who want an Elsa or Olaf doll. Yes there are girls who want an Iron Man or Black Widow Action Figure. And for the most part... those items ARE available, and any modern free-thinking parent would buy them for their child. But I feel as though... people tend to believe there's some opressed majority out there that doesn't exist. Like EVERY little girl wants a Super Hero and EVERY little boy wants a Princess, which isn't the case. Frozen dolls will still be sold -mostly- to girls. Superhero action figures will still be sold -mostly- to boys. Exclusively? 100%? No! Certainly not. But to expect manufacturers to bend over backwards over-producing toys that aren't the most in-demand with their key sales demographic is... just dumb. imo.
There ARE figures of the female Marvel characters, they're just not heavily packed because that's not where most of the sales power lies for that line.
There ARE dolls of the male Disney characters, they're just not heavily packed because that's not where most of the sales power lies for that line.
My cousin, more or less tried to force "Boy" (notice my use of quotes) stuff on her daughter, because... that's what SHE (my cousin) wanted. She swore up and down, "My daughter won't wear dresses, or play with dolls or pink girly things" ... Guess how that worked out? Her daughter still likes dolls. Still wants dolls. Dresses. Ponies. Pink stuff. Oh, and she's in love with Frozen. And I think she has every right to want those things... as does any other child.
I feel like... the problem is less about what is/isn't available to kids and more about internet parents getting their shorts in a wad for the sake of it.
Sure Kristoff has a doll. But I'm betting a case of Frozen dolls is still packed about 6 Elsas, 5 Annas & 1 Kristoff... just like a case of Avengers is likely 6 Iron Man, 5 Cap & 1 Black Widow (I know, more characters in both cases. Simplifying to make a point). And that's BECAUSE Iron Man is always going to outsell Black Widow, just like Elsa is always going to outsell Kristoff. Boy. Girl. Doll. Action Figure. Doesn't really matter.
I'm betting Black Widow is a hell of alot better represented in Avengers Merch on the whole as a Female Hero in a "Male" line, than say, Hans is in Frozen, as a Male Villain in a "Female" line. But you don't see "Where the hell is all the Hans Merchandise!?" Articles on the internet.
As someone said earlier, I think what it should boil down to is reasonable representation of the property as a whole. And for the most part... with most toy lines these days... I think most properties ARE well-rounded. If a character doesn't get made in this internet-age... fans need only go online and bitch about it until he/she IS made. And that's not a phenomena that applies exclusively to male/female characters, just ANY character who... for whatever reason hasn't been made. Sales, demand, marketing, target demographics. Just look to the legacy of Kang on these very forums, sometimes a character just... doesn't make it for various reasons. And yes, being a female character in a line which markets mostly to boys can be one of those reasons, just as being a male character in a line that markets mostly to girls can. It is what it is.
I dunno. I'm not the wisest most all-knowing person on Earth, by any means... I just feel like... the internet, for all its pros, has... turned us as a society of bitchy, whiney, complain about-everything people. Finding problems places we don't need to go looking for them. Are there REAL gender equality problems in the world out there? Sure. Yes. And they should be addressed with care and respect.
But acting like it's a federal friggin' case that your son or daughter can't get a set of Honey-Lemon bed-sheets is... just stupid imo. Settle for the Baymax bed sheets and move the hell on. We ALL KNOW Baymax is where the selling power is, so why act surprised, dumbfounded & offended when the merch caters to him?
PS. Why the hell did Diamond not make Big Hero 6 minimates? Didn't occur to me til just now. I know the movie is highly Disney influenced, and wouldn't expect movie versions, but still... you'd think a comic-book themed boxed set or something? Weird...
Edited May 15, 2015 by Gillbob316
stack32
Personally, I tend to give the people who actually have their jobs on the line a lot of slack when it comes to character selection. They aren't perfect but on balance I think they do a far better job than their critics would if given the chance to run a line.
buttheadsmate
Defending airports since 1776.
I always forget homestar is a lass. It's irrelevant, really. We're all collectors, and that's the important part
Here ,on this board .............'homestar17' is my Jiminy Cricket . Think of that what you will .
SlushyFrog
Mini-Fiend
I remember thinking the biggest offender of no female figures was Mattel's Avatar: The Last Airbender toys. Half the main characters are female (Katara and Toph), yet neither got a single figure. So aggravating. You also couldn't get female figures from Naruto.
As far as Hasbro's Age of Ultron figures go, the biggest problem is that the toys just suck. Just browsing TRU the other day, there are like three different scales and zero consistency within a scale. I got the 3.75" Scarlet Witch so I could use her accessories à la toy showdown. The single pack figures are horrible, with only something like 5 POA, while the two-pack exclusives are super articulated Marvel Universe quality. As far as I know you can't even get the entire team. Horrible.
DSTZach
Marketing Supervisor, DST
I no longer debate with people about how many female characters we've made. It is either "not enough" or simply not mainstream enough to affect overall perception. But toy sales are a lot more quantifiable than box office receipts.
I can't believe people would even debate you on that, it's one thing if they are upset that the characters they want aren't getting made, but seriously. You guys made DARCY FROM THOR. We didn't just get the love interest, we got the love interest's friend. Name any other toy line that goes that deep.
Glantern
I have a PhD in Horribleness!
In the last few months I've had one thing reinforced for me several times: some people just want to be angry. It doesn't matter what the supposed cause, what sort of improvements are made, or what you do to try and fix things, some people will deliberately look for the negative, because that is all they want. You can't reason with them. The best you can do is just move on and not let it get you down.
And I think it should be noted that DST consistently offers the absolute best, most comprehensive movie tie-in assortments of anyone. That's a fact.
Edited May 17, 2015 by Glantern
We have four different versions of Psylocke. Only two are ninja version.
Along the same lines, we didn't get Darcy's male intern either. And we got Lady Sif (twice) without the full Warriors Three. And Aunt May (twice) with Uncle Ben only once.
Which always makes me think of the grocery-shopping Spidey gif.
Zexion_Armando
Uncanny Minimate!
Same goes for Pepper, every movie that's featured Widow has made her, we got Peggy Carter.
The only reason for the lack of female diversity is because of Marvel itself, not because of DST.
Nessex
Strong Guy is getting released!!!
Location:Oz. But not the prison. Or the yellow brick road place.
Getting a particular character who happens to be female in abundance when compared to a male character isn't an accurate representation of the problem that is being talked about.
The issue doesn't begin an end at being able to find female action figures *somewhere*. The issue comes from the perceived presence of that character. Individual female figures don't sell as well? Fine - i can't force toy makers to produce more of them. Short-packing Gamora/Capt. Marvel/ She-Hulk is acceptable.
The problem comes when female characters are not given as much exposure as other characters in ALL FORMATS.
In the example of Gamora: she is a central figure in the film, she is one of 5 main protagonists. She is also the direct link to two of the 3 main antagonists of the film. She is given as much screen time as the other 4 protagonists, and plays as important a role in the film. With that in mind,
here's some merchandise from the film:
In each of these cases, someone has made the conscious decision to NOT include 1/5 of the main cast, based on gender. This kind of exclusion actually contributes to a climate of sexism that we can't even notice sometimes as consumers. We just accept it and don't even think about it. Excluding the female character becomes the standard.
There is some-one in the marketing department who thinks that placing Gamora on a product will result in lower sales. Do any of you chaps have children? If so, how many of them are boys? Of those boys, how many would refuse to wear a back-pack or t-shirt of GotG because 'it has a girl on it'?
Every member of the Guardians gets a nice big close-up face-shot on the side of the merch stand.... except our girl Gamora. No-one has to buy the merch crate. It's purely decorative and an advertiser. There's no harm in including her as well, is there? Still, we're excluding a valuable cast member because of gender.
We're not just talking about being able to find a female action figure. We're talking about visibility in the media over-all. There is something to be angry about here.
I'm not suggesting that DST aren't producing enough female action figures. In fact - They did the right thing (imho) by making sure they included Gamora on their GotG package branding. And i'm pleased to see Black Widow appearing on the TRU Age of Ultron packaging.
However, she didn't appear on the Avengers 1 branding from DST (although, neither did Hawkeye, to be fair).
And there is no female character on the Comic wave branding either.
Part of the problem is that it's a subconscious thing too. It's not just the cases where someone is deliberately excluded (like Gamora), it's also the cases where someone doesn't think to include a female character. I do not for a second think that anyone at DST said 'Let's NOT include BW on our branding, despite her being a major character'. But we have to ask ourselves 'Why doesn't someone suggest adding Storm/Captain Marvel/Black Widow to this promo image?'.
In an ideal world, no-one would have to suggest the inclusion of women. It would just happen. Unfortunately, we have a few thousand years of entrenched patriarchy to over-come. And that's no easy feat. The up-side is, i think we will get there.... but someone has to be out there, making noise and asking questions.
/rant
Edited May 18, 2015 by Nessex
That I agree with, it's much more odious when the ONLY character absent is the one woman, that sort of thing completely justified that reaction. My only issue is that people confuse the fact that there ARE legitimate issues with the idea that ALL issues they find are legitimate.
I think it is a conscious decision made based on real or perceived market forces. Girls probably aren't going to sell as well to pre-pubescent boys as males will. And I think it works both ways. My oldest daughter has very little interest in toys based off of males. The only one I think she ever asked for so far is Beast from Beauty and the Beast, and that was on a whim. She always hones in on the females in movies or toys or whatever as the ones she likes best. Because those are the ones she can more easily relate to, probably. In that sense, I don't know if I see it as a sexist issue. I think it's just natural for little kids to be drawn to someone they can more easily relate to on a very basic level.
But sexism does legitimately exist in Hollywood and elsewhere (look no further than the shelf-life for even formerly top tier actresses like Julia Roberts, Catherine Zeta-Jones, Rene' Zellwegger, or Faye Dunaway vs. their male superstar counterparts), and it could be that this is having some effect on merchandising. But when you're talking toys for small kids, I'm inclined to chalk it up to a very basic cost-benefit calculation. And these companies aren't tasked with being socially responsible or helping to make kids think more progressively. They're tasked with making money.
DST's primary audience has historically been older geek collectors, right? And from that perspective, it makes more sense to me that they would be more open to including figures of females, and more obscure characters here or there, as those are things these kinds of collectors will have an interest in, by and large.
Edited May 18, 2015 by karamazov80
But why do you think your daughter is drawn to female characters in films? Why can she relate to them more? Is it because she knows that they have ovaries? Or is she perhaps taught by the world around her (her friends, her teachers, the TV, etc..) that she is a girl and that means that she should like dresses and princesses and dancing the way that boys are taught to like tools and wrestlers and trucks?
Don't get me wrong, there is no problem with little girls liking princesses or with boys liking super-heroes, but what happens when a little boy likes princesses or a little girl likes super-heroes and they feel like they're not supposed to because those products are marketed at a 'different gender'?
Wouldn't it be cool if we didn't make such a big deal over the minor differences between boys and girls?
Part of the problem is that we're not teaching our kids that pink is for everyone & Tonka trucks are for everyone. That's something that we as everyday people can do.
The other part of the problem is convincing manufacturers and marketers the same thing. That battle is gonna be a lot harder.
And you are spot on about sexism in Hollywood. You really can't argue with the paycheques of actors in their 40's, 50's and beyond as evidence for the sexism inherent in cinema.
EDIT: Sorry K80 - my rant is at the world, not at you. i hope it didn't come across that way.
mini nugget
Location:my house, which is in wales (originally from england though)
Interests:minimates, comics, music, films, toys
I had avoided this thread because I couldn't accurately word my opinion on the matter but luckily Nessex has done it for me, albeit unknowingly. So I'll add my other thoughts.
To say that there isn't a problem with sexism in the toy industry is simply wrong, and yes it does go both ways. While we are very lucky that DST is a prime example of how it should be done, and I have the utmost respect for them for consistently providing female characters (particularly in movie waves), it is worth considering that not everyone wants or even knows about Minimates. While I wish more people bought Minimates and they were more popular to say that there's no problem with the industry just because there's Black Widow and Scarlet Witch (I'm trying to keep this Avengers specific for now) Minimates is just silly, because a large part of the market either isn't seeing or doesn't want those figures.
In my opinion, and of course I could be very wrong about this, the main points of this market particularly for a younger audience is the Marvel Legends and those odd small 5 poa figures, and you cannot deny that there is a huge problem when it comes to equal representation in those fields (I'd also like to note that there is an equally large problem when it comes to figures of POC). Obviously it is largely due to the movie industry itself but looking at Marvel and the recent Mad Max the representation problem is very slowly being changed.
This last bit is just about me really, not the overall argument. When it boils down to it most of all I just think it's silly that a company like Hasbro has ignored the potential of these female characters simply on the basis of them being female. Admittedly I am bitter at not being able to get a Scarlet Witch legends figure (quicksilver and vision too). And before anyone says it, I don't think the comic based figures equally count. Sure there's a comic based scarlet witch figure, but can you honestly say she at all represents the movie version? At this point in time it's the movie version that people are looking for.
TLDR: while we're lucky DST isn't necessarily part of the problem, that doesn't exclude the existence of a problem.
Edited May 18, 2015 by mini nugget
That's the easiest part: Buy the stuff that does get made. Hasbro was able to sell the female figures they made last year so they tried it again this year. Based on Amazon prices and the amount of Scarlet Witch figures I'm seeing on the pegs I'm not confident that was a great idea, but it's much more likely they responded to dollars than claims that society is brainwashing children.

redpajama_set_name: RedPajamaCommonCrawl


Welcome to Penn State! This guide is intended to help students in First Year Seminar - Statistics (PSU 016, section 550) discover all the Penn State University Libraries have to offer. We have textbooks, study space, group rooms, and new technologies to help you succeed in your classes. I hope you have a chance to visit the Physical and Mathematical Sciences (PAMS) Library during our Open House. You can also visit the Statistics Research Guide for online sources of books, research articles, and career information.
When using information from another source you must give credit to the original author or you are plagiarizing. You give credit by citing the source. Make sure your citation contains everything you would need to backtrack and find the information again. It is best to pick one citation style and be consistent.
How can you trust information you find on the Internet? Where can you find an answer that is detailed enough to be useful, but not too complex for you to understand? Since anyone can publish information instantly on the World Wide Web distinguishing quality information can be very difficult. Before the coming of the information age, there were only a few options for research – books, magazines, and scholarly journals.
Scholarly journals (also called academic, peer-reviewed, or refereed journals) are the traditional method of communicating new scientific discoveries. Authors generally submit their articles to several other scientists for review and comment, and these reviewers must approve the article before it is published. Since the audience is other scientists, the language used is highly technical and specific to the field. Scholarly journals are one type of primary source for research.
Primary sources are newly created or recorded knowledge by a scientist or researcher. These can be scholarly journal articles, scientific reports or even an in-person presentation. Secondary sources review, discuss, or analyze primary sources and are written later. Some examples of secondary sources are encyclopedia articles, science news reports, and most books.
Both types of information sources may have citations, references to earlier research. Citations in a primary source are an acknowledgement of previous research and give a link between earlier knowledge and the current study. Citations in a secondary source indicate where the author got the information they used to write their review of the topic.
One example of a secondary source is the online encyclopedia, Wikipedia. There are many entries on mathematical topics such as the Monty Hall Problem. Each of these articles was written by many people, but they used primary sources to write it. You can find the source material used to write these articles in the References section of the article (see: Monty Hall Problem References). For each of these reference you can ask 4 questions to determine the quality and usefulness of each source.
Let's look at 3 of these references and evaluate them.
1. Adams, Cecil (2 November 1990). "On 'Let's Make a Deal,' you pick door #1. Monty opens door #2 – no prize. Do you stay with door #1 or switch to #3?". The Straight Dope. Retrieved 25 July 2005.
2. Barbeau, Edward (1993). "Fallacies, Flaws, and Flimflam: The Problem of the Car and Goats". The College Mathematics Journal. 24 (2): 149–154.
3. Behrends, Ehrhard (2008). Five-Minute Mathematics. AMS Bookstore. p. 57. ISBN 978-0-8218-4348-2.
Which would you consider the BEST help for you?


In 1968, George A. Romero established the modern zombie film with his raw and terrifying debut The Night of the Living Dead, one of the most well-regarded and influential horror movies of all time. He followed up his debut with two more zombie hits, Dawn of the Dead and Day of the Dead, an unholy trinity of zombie films often referred to as the 'Dead Trilogy'.
Now, 50 years after it all began, there's a new entry into the undying franchise. Day the Dead: Bloodline is a bold reimagining of his 1985 classic and will be released on DVD this October – just in time for Halloween. To mark the release of Day of the Dead: Bloodline, we're taking a bird's eye view of the 'Romero Zombie Universe' to stitch it all together.
Night of the Living Dead was the film that started it all. The classic film focuses on the outbreak of a zombie horde in a localised area of North America. To make his first feature, Romero and his team filmed in Pittsburgh (far away from the glamour of Hollywood), with a budget of just $114,000, a cast of unknown actors, and a short 30-day shoot. With only this, they put together one of the most memorable horror films in the history of cinema. Night of the Living Dead is a masterclass in low-budget filmmaking with creativity which famously included a roast ham covered in chocolate sauce used for bloody human flesh. The filmalso grossed $30 million on release making it one of the most profitable low-budget films of all time. The film has since been credited with creating the 'modern zombie' (a flesh-eating reanimated person seen in countless movies since) and for casting African American actor Duane Jones in the lead role when the Civil Rights movement was in full force. Night of the Living Dead is still a brutal and terrifying horror tale that is startlingly relevant today: a horror that no film-lover's shelf should be without.
Dawn of the Dead was Romero's second foray into the zombie genre, ramping up the splatter for a new, more brutal decade. Once again, the film dealt with a rampaging horde of monsters hell-bent on gobbling down humanity. Following the outbreak of the first film, the new film focuses on a plague of zombies that has now spread into the towns and cities of America. The film's fantastic make-up and gore effects were famously created by Tom Savini, much of it done spontaneously on set. Savini had recently returned from a photographic tour of Vietnam and said he was simply recreating the real-life horror he had seen there. Dawn of the Dead is an epic, gory and fun ride that has rightly achieved cult status in the years since its release and remains one of horror's best.
Day of the Dead took the Romero zombie formula into the "selfish" 1980's, complete with brash Army officers and a cracking 80's score. Following a few years on from the events of Dawn, the Dead have nearly taken over the world as only small pockets of humanity remain. We focus on a group of Army staff and scientists who lock themselves in an underground bunker, trying to figure out how to survive and defeat the zombies. Fans of the film will be familiar with Bub, a zombie who shows signs of intelligence and could be the key to reversing the plague. Day of the Dead sometimes gets overlooked when compared to the more bombastic previous entries in the Romero franchise, but this one is certainly vying for our affections as the dark horse of the original trilogy.
In the same year that Paranormal Activity took the box office by storm, Romero tried his hand at 'found footage'. It remains slightly unclear where Diary fits into the Romero 'Dead' world timeline. The film is apparently set on the same day that the original outbreak takes place in Night although the setting has been updated to the modern day. If you look and listen closely, in one scene you can hear the news report from Night. Whatever the calendar date is, Diary is an absolute hoot with more zombie carnage than you can shake a severed arm at.
Survival of the Dead is a spin-off from Diary, featuring a group of National Guardsmen who appeared in that previous adventure. In the film, tensions flare up between two families: one family that wants to eradicate all the undead and the other that wishes to keep their loved ones quarantined on an island until a cure can be found. Chaos then ensues for our enjoyment! Survival is Romero's last film in the franchise, as he sadly passed away in July 2017 before he could make any more nightmares. The film was meant to spawn two more sequels which he was going to film back-to-back: Road of the Living Dead and Rise of the Living Dead. One can hope that these two other entries still might be made one day.
Make-up and general horror movie legend Tom Savini stepped up to direct a remake of Night of the Living Dead in 1990 with a screenplay co-written by Romero himself. The film was made mainly due to rights issues with the original film and Romero's desire to remake it before someone else did. Savini was originally only going to do the FX but ended up directing after some persuasion. The gore was kept "realistic", inspired by real autopsies, forensic textbooks and Nazi death camp footage. Savini apparently found the shoot very difficult due to clashes with producers and he was unhappy with various edits he believed hurt the fans' response. The film was fairly poorly received on release but is rightly considered now as one of the best and most respectful horror movie remakes. It features Tony Todd who would make his name a couple of years later as the titular Candyman. Being so similar to the original film, Night of the Living Dead 1990 is an excellent curio.
Another highly respected remake, 2004's Dawn of the Dead was written by James Gunn (Guardians of the Galaxy) and launched the theatrical directorial career of Zack Snyder (300, Man of Steel). It's a much more action packed, modern take on the same trapped-in-the-mall story and it proved to be entertaining and popular with audiences. With fast-moving zombies and tense, gore-soaked scenes, this remake successfully updated the genre and brought a younger audience into Romero's world, whilst boosting the careers of its makers. In the UK the film was set to come out the very same day as Shaun of the Dead, which was pushed back two weeks as the names are so similar. Tom Savini also makes an appearance. The film proved to be good, fast and gory fun.
Day of the Dead: Bloodline is the debut English language feature from acclaimed Spanish director Hèctor Hernández Vicens (The Corpse of Anna Fritz), who is a longtime fan of George A. Romero's original 'Dead' series. Five years after an epidemic nearly wiped out the world's population, Dr Zoe Parker lives in an underground bunker among a small group of military personnel and survivalists, working on a cure while fighting armies of the undead. When a dangerous patient from Zoe's past infiltrates the bunker, Zoe discovers he just might hold the key to saving humanity… or ending it. Ramping up the action and epic bloodshed – and with plenty of nods to the 1985 classic – prepare for the next bloody chapter in one of horror's most beloved franchises.


It has been a wild winter across Atlantic Canada. The storm track has been and continues to be over our region. Why? Because the elusive jet stream – that imaginary highway in the sky along which storms travel – is overhead. The nearer the jet stream, the more unsettled the weather will be. Frequent systems with alternating cold and warm air masses create wind. Wind blows the snow around.
Now some of us have more snow that others. Right now, the depth of snow on the ground ranges from almost 100 cm in Gander, N.L., to not a flake in parts of Nova Scotia.
The other day I heard a weather presenter talk about the blowing snow in his area. Blowing and drifting snow are often misunderstood. They do share many similarities, but they can also be very different.
Blowing snow is defined as snow lifted by the wind at a height of 2.5 metres - eight feet - or more that will reduce visibility. This can take place during a storm or on a sunny day. A strong wind behind a snowstorm can still pick up the freshly fallen snow and blow it around enough to reduce visibility. Blowing snow can lead to snow drifts, or banks of deep snow built up by the wind, which brings me to drifting snow.
Drifting snow, like blowing snow, is defined as snow lifted from the surface by the wind. The key difference is that the snow remains below 2.5 metres.
Drifting snow generally doesn't reduce visibility as much as blowing snow does, since it's not lifted as high.
Despite their differences, they are both hazardous and can lead to serious problems for drivers. Be mindful of the wind, make sure your headlights and taillights are on and leave a few car lengths between you and the vehicle in front of you. Winter driving is tricky - it's important to adjust for the conditions.


Conductor 20 AWG - 8 AWG, solid or stranded copper.
Insulation Extruded PVC, Recognized Component (QMTT2) PVC Insulation Compound suitable for use in Type TW wire, 45 mils min average, 40 mils minimum at any point.
Use Internal Wiring of Electric Refrigerating Equipment or Room Air Conditioners or Room Cooler Units; Internal Wiring of Electric Refrigerating Equipment or Room Air Conditioners or Room Cooler Units or Internal Wiring of Remote Outdoor Condensing Units for Domestic Cooling Systems.


3/4 Length mid-rise legging in performance fabrics that breath and move with you.
These ¾ length leggings are made for the gym! Comfortable enough to wear every day, functional enough to push you through the hardest workout.


If you wish to carry out maintenance to your Alfa Romeo 33 1.3 Sportwagon 4x4 then it is usually a good idea to have access to a Workshop Manual for personal reference should you want to know easy methods to take off a particular part for instance the Door and install it again in the correct way.
Alfa Romeo 33 1.3 Sportwagon 4x4 Workshop Manuals can provide particular diagnostic facts with regards to your vehicle therefore if something is wrong it helps you discover what the situation is and tips on how to make it better. After that you can determine if this can be achieved yourself or if ever the job is too big you can book your 33 1.3 Sportwagon 4x4 right into a suitable garage.


text:
| BY Paul Toner
Giovanna Battaglia Engelbert Announced As Creative Director of Swarovski
Today, rather sparkly history was made. Swarovski, for the first time since its inception 125 years ago, has appointed a company-wide creative director. Giovanna Battaglia Engelbert joins the Swarovski family as the jewellery giant turns an exciting new corner. This Milanese fashion darling has dipped her toe into every aspect of the industry. Starting out her career as a model, Battaglia Englebert went on to be both a stylist and an editor. She has styled for the likes of Michael Kors and Carolina Herrera, and was both a senior editor of Vogue Japan and a contributing editor for W. She also worked alongside Anna Dello Russo as fashion editor at L'Uomo Vogue.
"For decades, Swarovski has been illuminating the world of fashion, design, entertainment, in general the whole creative industry. I am thrilled to be leading the creative vision of a cultural powerhouse like Swarovski in the future," wrote Battaglia Englebert in an Instagram post. "I am pleased to welcome a brilliant creative mind and strong female leader like Giovanna to our company," added Swarovski CEO Robert Buchbauer. "With her remarkable track record in the industry, she will explore new frontiers and become a vital part in writing the next chapter of our success story." Congratulations Giovanna!
swarovski.com
10 Things We Learnt About Yves Saint Laurent From The Newest Fashion Tome By Assouline
Bringing Sexy Back (Into Menswear): Per Götesson is Next In Our 10 Designers To Meet
Digital Dressing: How Virtual Clothing Is Changing Fashion As We Know It
Fashion Revolution Creative Director Orsola De Castro Takes Tamsin Blanchard Through Her Wardrobe


Sophia Chang is a graphic designer and illustrator. Originally from Queens, she credits her relentless drive with growing up among the non-stop hustle and ambition of New York City. Sophia received her BFA in Illustration from Parsons School of Design in 2010, and has since gone on to collaborate with big-name clients like HBO, Refinery29, Lululemon, Beats by Dre, and more. She co-founded the brand experience agency We Ascend and the online health and wellness publication UNDO-Ordinary. Sophia dives into how she got her start, what she does to stay creatively challenged, and how sharing in your success is often the most Extraordinary thing you can do.
HOW CAN WE ALL CHASE the CHECK? And BE the BEST WE CAN BE by WORKING TOGETHER?
I'm a New York City native, born and raised in Queens. I moved to L.A. a few years ago, but I travel back and forth. Growing up in New York has helped me realize how much of a New Yorker I am, and how much of the city's go-getter attitude is embedded in my DNA. I'm always thinking about how I can be as efficient as possible and make the most of my New York minute.
I stayed in New York for college, studying at Parsons School of Design. During my entire undergrad, I worked a part-time job, audited classes outside my major, and did internships. I was lucky to intern with a great artist (I was his silk-screen cleaner) and with an illustrator. I also had the chance to intern at Complex Media back when it was Complex Magazine. I got a window into how my favorite magazine worked across advertising, editorial, marketing — and what those words even mean. That internship taught me all that goes into designing a magazine and inspired me to start and run my own.
I recently launched UNDO-Ordinary, an online publication that's all about turning the health and wellness industry on its head. We don't write about $50 Pilates classes, juice cleanses, or how to get 6-minute abs — things that aren't interesting or relatable to people in the creative industry. Instead, we take real-life advice and package it in a way that's digestible and compelling. UNDO-Ordinary is more of a passion project for me; a way for me to create something for the greater good and challenge myself while showcasing the work of other creatives in my community.
This is also my intention behind my brand experience agency We Ascend. As a freelancer, I've had the chance to work with a lot of great brands, and I wanted to share those opportunities with all the amazing, talented people I meet every day. This is something I've always done: connect the dots between creatives so we can all benefit. In other words, How can we all chase the check? And be the best we can be by working together? I see We Ascend as the next step in my career. It's not just about me; it's about helping everyone rise up.
A high school teacher of mine once said: Whatever you do, be the best at it. If you're a janitor, be the best at it. If you're a dentist, be the best at it. I took those words to heart. When I start my day, I try to make each day count. And when I go to bed, I want to know that I took at least one step, or half a step, further in my goals. And if I'm ever feeling lazy or uninspired, I try to remind myself that I don't work under fluorescent lighting, that I've worked hard with the cards that were dealt to me, and thankfully have been able to sustain a living doing what I love. That's enough of a motivation for me to keep going.


As a current employee of Orlando Health and Rehab I can tell you so much as changed. The team is amazing, working together and making changes everyday to make Orlando Health and Rehab the best of the best! The renovations are endless, come see for yourself! Come see the changes, the beautiful therapy gyms, the resident rooms, the spa like showers, the dining rooms. We take pride in our facility! Our entire team all work together to give our residents the great care they deserve! Every resident is treated with dignity and respect. We go the extra mile for our residents and families. Orlando Health and Rehab has been a part of the community for over 50 years! We are honored to support our community. Our staff participate in community events such as walks at Lake Eola supporting Breast Cancer Research, AIDS Research and much more. If you are looking for employment stop in and complete an application and meet the team. If you are looking for skilled nursing care for your loved one, stop in and take a tour. You will be glad you did! I am very proud to a part of Team Orlando where everyone is treated like family!
I have been interning at OHRC for about 2 months and absolutely love it. The employees treat each other and the residents as if they are family. This allows for a compassionate environment to work in and live. The facility is always very clean and organized. The executive director is genuine and caring and you can see the way it affects the entire facility. I hope to continue my time here as an employee and grow as a person.
I have been with OHRC for 6 year and I can truly say I have seen this facility turn around. When I first started we were a 1 star facility with plenty areas for improvement! Although improvements are always being made, now a 5 star facility and we have carried it for months. Between the renovations and the new staff the building has made a complete change. You can truly see the love and compassion every employee has for their job but most importantly the residents! I couldn't be more proud to be a part of the Orlando team!
I started here as an intern back in January 2019 and have thoroughly enjoyed my experience. There are so many caring staff members that are more than willing to go the extra mile for residents and to help each other. The housekeeping and maintenance staff works especially hard to keep the facility clean and functioning smoothly. In the past two months alone I've seen so many improvements within the facility: a renovated and beautiful section of the facility, the dining room program that keeps meal times going has really kicked off and blossomed, new ideas being implemented into the activities department to improve patient experience, and a caring and responsive administrative team. It is a privilege to come into work everyday to see how much OHRC does for the community it serves.
I started as an Intern in this facility 7 months ago, and my overall experience was an extremely positive one. I was hesitant to start, however once learning the departments, and becoming more involved I learned how patient centered this facility is. The nurses and the CNAs have made care their top priority, as well as responding to call lights efficiently. The facility is kept to the highest standard of cleanliness, and Housekeeping responds immediately. This facility is unlike any other, and treat the residents like family. Each staff member has a positive attitude, and want you to reach your goals.
Legal Business Name Orlando Rehabilitation Group, Inc.
Orlando Health And Rehabilitation Center was reviewed by Medicare to have a rating of 4 out of 5 stars.
Medicare determines the expected staffing time per resident per day depending on level of care the residents of Orlando Health And Rehabilitation Center require. It is important to compare the reported time to expected time for a single facility instead of comparing the amount of time per resident of two facilities. Learn why.


text:
'use strict';

/**
 * @class
 * Initializes a new instance of the ResponseWithContinuationLabVhd class.
 * @constructor
 * The response of a list operation.
 *
 * @member {string} [nextLink] Link for next set of results.
 *
 */
class ResponseWithContinuationLabVhd extends Array {
  constructor() {
    super();
  }

  /**
   * Defines the metadata of ResponseWithContinuationLabVhd
   *
   * @returns {object} metadata of ResponseWithContinuationLabVhd
   *
   */
  mapper() {
    return {
      required: false,
      serializedName: 'ResponseWithContinuation[LabVhd]',
      type: {
        name: 'Composite',
        className: 'ResponseWithContinuationLabVhd',
        modelProperties: {
          value: {
            required: false,
            serializedName: '',
            type: {
              name: 'Sequence',
              element: {
                  required: false,
                  serializedName: 'LabVhdElementType',
                  type: {
                    name: 'Composite',
                    className: 'LabVhd'
                  }
              }
            }
          },
          nextLink: {
            required: false,
            serializedName: 'nextLink',
            type: {
              name: 'String'
            }
          }
        }
      }
    };
  }
}

module.exports = ResponseWithContinuationLabVhd;

redpajama_set_name: RedPajamaGithub


Like I said in this post, I didn't need to see any of our completed videos to give Dana + Jenna a magical, glowing review ✨ but after seeing this? We've never been more happy to have found between sleep and awake to be a part of our big day. I can't wait to see our longer film coming in the spring!


text:
Q: Проблема с сессией PHP Здравствуйте, проблема с сессией PHP:

Warning: session_start(): Cannot send session cookie - headers already sent by (output started at C:\Winginx\home\wc.loc\public_html\admin\index.php:1) in C:\Winginx\home\wc.loc\public_html\protect.php on line 2 Warning: session_start(): Cannot send session cache limiter - headers already sent (output started at C:\Winginx\home\wc.loc\public_html\admin\index.php:1) in C:\Winginx\home\wc.loc\public_html\protect.php on line 2 Warning: Cannot modify header information - headers already sent by (output started at C:\Winginx\home\wc.loc\public_html\admin\index.php:1) in C:\Winginx\home\wc.loc\public_html\protect.php on line 3

Кодировка UTF-8 без BOM стоит, ничего перед стартом сессии нет.
Вот начало кода самого index.php:
<?php
require_once('../protect.php');
require_once('../database.php');
$sql_connection = dbConnect();

Файл protect.php(также UTF-8 без BOM), в нём начало:
session_start();
header("Content-Type: text/html; charset=utf-8");
require_once('database.php');

Причём, проект этот делал довольно давно, и тогда всё работало, да и на хостинге также работало без проблем.
Версия PHP: 5.3.27.

A: Возможно есть невидимые символы в вашем редакторе. Открой через другой редактор. Или лучше всего переименуй текущий файл создай полностью новый файл и скопируй в него содержимое. По идее редактор не будет копировать символы которые не выводит.

redpajama_set_name: RedPajamaStackExchange


Kol haKavod to Leora for putting together the latest addition of JPIX - the Sukkot edition.
I'm still not brave enough (or comfortable enough with my editing skills) to offer to host a carnival.
Thanks for the link. I enjoy your photos.


Check in to your choice of accommodation and enjoy a peaceful nights rest and leisurely Saturday before we whisk you off to Safari Zoo for exclusive out of hours access starting with a VIP tour including hand feeding giraffes, lemurs, penguins, a "pawesome" meet and greet with Stanley the Sloth and a "su-purrrrr-b" opportunity to hand feed with one of our big cats.
Well then enjoy a mouth-watering buffet dinner, relax around the firepit listening to the sounds of the wolves howling and lions roaring as our keepers – who have the "koalafications" to make sure you have a "whale" of a time – tell campfire "tails" of their experiences over the years as we toast marshmallows and make everyones favourite campfire sweet treat – Smores!
We have some delicious accommodation options for you to choose from as part of your getaway. Prices are per party for 2 nights and include the roar, smores and snore activity and admission tickets for all the party.
SNUG (capacity 2) £225 Set in an elevated position in a scenic area on a working farm, just a few miles away from the historic market town of Ulverston these pods enjoy panoramic views of the Duddon Estuary and the southern Lakeland hills. The Snug Pod can easily sleep 2 adults. In this pod you will need to bring everything for camping, apart from the tent!
FAMILY (capacity 2A, 2C) £289 Set in an elevated position in a scenic area on a working farm, just a few miles away from the historic market town of Ulverston, these pods enjoy panoramic views of the Duddon Estuary and the southern Lakeland hills. The Family Pod will easily accommodate 2 adults and 2 children and includes a bespoke kitchen with fridge, microwave, sink, dining table with 4 chairs, built in double bed and double sofa bed.
FAMILY ENSUITE (capacity 2A, 2C) £319 Set in an elevated position in a scenic area on a working farm, just a few miles away from the historic market town of Ulverston, these pods enjoy panoramic views of the Duddon Estuary and the Southern Lakeland hills. The Luxury Pod offers unparalleled space, comfort and enjoyment, sleeping 2 adults and 2 children with ample living space, comfort and amenities including an en-suite toilet and shower, kitchen area with 2 electric hobs, fridge, microwave, sink and a dining table and 4 chairs, built in double bed and double sofa bed.
COUPLE (capacity 2) £325 set in a beautiful location overlooking the Duddon Estuary with views of Black Combe, these stunning, well-equipped pods offer a contemporary and modern environment – a real home from home. There is also a fully fitted kitchen area with mini hob and microwave oven and free wifi. Fitted with a patio, the units feature a flat-screen TV, a private bathroom with a hair dryer and double bed. There is also a microwave, toaster and a kettle.
COUPLE WITH HOT TUB (capacity 2) £405 set in a beautiful location overlooking the Duddon Estuary with views of Black Combe, these stunning, well-equipped pods offer a contemporary and modern environment – a real home from home. There is also a fully fitted kitchen area with mini hob and microwave oven and free wifi. Fitted with a patio, the units feature a flat-screen TV, a private bathroom with a hair dryer and double bed. There is also a microwave, toaster and a kettle. These pods have the added luxury of a hot tub, enclosed garden area and barbecue.
LUXURY COTTAGE (Ensuite, capacity 4) £475 a lovely slate clad stone two bedroomed cottage situated in the Town centre of the busy market town of Ulverston, where you will find all the amenities you need on your doorstep. The cottage is spread over two floors, sleeping four people. The cottage comprises modern kitchen/dining room including oven, hob, microwave, fridge-freezer, kettle and toaster. A light and airy living room, complete with plasma screen TV provides somewhere to relax and two double bedrooms ensure a good nights sleep. A hair dryer, ironing board and iron are provided for your personal convenience. Other facilities include; Free wifi, fresh bedding and towels, miniature toiletries.


Source: Gen. Tech. Rep. NC-265. St. Paul, MN: U.S. Department of Agriculture, Forest Service, North Central Research Station. 51 p.
Protecting natural areas in the face of urbanization is one of the most important challenges for conservation in the 21st century. The papers in this collection examine key issues related to growth management and selected approaches to managing urban growth and minimizing its social and environmental costs. They were presented at the 2004 annual meeting of the Society for Conservation Biology; July 30-August 2, 2004; Columbia University, New York, NY.


Recently I bought quite alot of baking and cooking book.One of the book is Bread Machine.Well, since I don't have bread machine with me right now,so what I can do is to knead the dough with my both of hands which I find it's a good exercise.
1:Pour warm water into yeast with some sugar.Wait for 5 minutes for the yeast to rise to bubbles.Add in milk,flour,sugar,salt and butter.Knead all the ingredient well until form into a dough.
2:Place the dough in a big bowl with lightly floured surface and cover the dough with lightly oil saran wrap.Leave in a warm place to rise for 2-3 hours.
3:Punch the dough down gently to release the air out.Roll the dough out to a thickness of 1/2 inch.Cut into circles using 3 inch cutter.Then make the dough circles into rings using a 1 1/2 inch cutter.
4:Place the rings on the remaining baking sheet,cover them with oiled saran wrap and leave them in a warm place for about 30 minutes or until doubled size.
5:Heat the oil for deep frying to 350F ,fry the doughnuts,3-4 at a time.Cook the doughnuts for about 4-5 minutes or until golden brown.
6:Remove from the oil by tongs or long chopstick and drain on a paper towels.
7:Toss the doughnuts in a sugar mixture ground cinnamon.Set a side to cool.
This is the Munchkin,the hole of doughnuts leftover.Usually,it's fill with jam or cream but I just toss with sugar mixture.I find this recipe suit to my taste..I'm not a doughnuts fan ,but I like this light and puffy doughnuts.Usually,what we bought in the store are heavy and very sweet.Elliot and Mishu keep coming for more.


text:
By Michael Schaeffer Omer-Man
+972 photographer Oren Ziv wins prize for Khan al-Ahmar coverage
Ziv spent countless days and nights in the village this year, documenting the nonviolent struggle against the Israel army's planned demolition and forcible displacement.
One of the winning photos: Children from the Bedouin village Khan al-Ahmar look on as an Israeli army bulldozer paves an access road to be used in the demolition of the West Bank village, July 4, 2018. (Oren Ziv/Activestills.org)
+972 Magazine and Local Call* correspondent Oren Ziv won a prize for his photography of the struggle against the demolition and forcible displacement of Khan al-Ahmar this week. Ziv won first prize for a series of photographs in the Society and Community category of the Local Testimony photography exhibition, which opens Thursday in Tel Aviv.
Photo of the year was awarded to Haaretz photographer Olivier Fitoussi for his photograph of Prime Minister Netanyahu and members of his Likud party taking a selfie to celebrate the passage of the Jewish Nation-State Law. The photo was widely circulated, and a long-time Jerusalem Post cartoonist was fired for parodying the photo in the image of George Orwell's "Animal Farm."
The Local Testimony exhibit, in its 16th year, runs concurrently with the World Press Photo exhibition. It features documentary and press photos from Israel and Palestine submitted by professional photographers working in the area.
Ziv, one of the founding members of Activestills, spent countless days and nights photographing and reporting on the Palestinian, Israeli, and international activists who set up camp in Khan al-Ahmar to nonviolently resist Israeli military plans to demolish the village and forcibly displace its residents. Ziv's reporting on Khan al-Ahmar was conducted on behalf of Hebrew-language site Local Call, where he is a staff writer, and was also published in English on +972 Magazine.
One of the winning photos: Palestinian, Israeli, and foreign activists attempt to block Israeli equipment from being brought in for the demolition of Khan al-Ahmar, July 5, 2018. (Oren Ziv/Activestills.org)
One of the winning photos: Israeli police arrest an international solidarity activist who had attempted to block a bulldozer brought to prepare for the demolition of Khan al-Ahmar, July 5, 2018. (Oren Ziv/Activestills.org)
Spending so much time in the village, Ziv wrote in October, showed him "that despite all of its previous losses, the popular struggle in the occupied territories is still alive."
When Prime Minister Netanyahu, under unprecedented international legal pressure, called off the demolition, "[f]or a moment, it was possible to see how a defiant, popular, nonviolent struggle could accomplish the impossible," Ziv added.
Another member of Activestills and +972 Magazine contributor, Keren Manor, won the same prize in last year's competition for her reportage documenting the Israeli police killing of a Bedouin man in the village of Umm al-Hiran.
The Local Testimony photography exhibition is open to the public from Friday, December 21, 2018 through February 2, 2019, at the Eretz Israel Museum in Tel Aviv.
*Local Call is a Hebrew-language site co-published by Just Vision and 972—Advancement of Citizen Journalism, the latter of which is the nonprofit that publishes +972 Magazine.
A previous version of this article mistakenly named photographer Keren Manor as Keren Ziv.
For additional original analysis and breaking news, visit +972 Magazine's Facebook page or follow us on Twitter. Our newsletter features a comprehensive round-up of the week's events. Sign up here.
Michael Omer-Man
Michael Omer-Man is the editor-in-chief of +972 Magazine and a regular contributor of both reporting and analysis. Prior to joining +972 he worked as the news desk manager for JPost.com.
Follow him on Twitter: @MikeOmerMan
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I recently received my yoga teacher training certificate from a 200-hr hatha yoga program that I completed in San Francisco at The Yoga Loft. The program ended in February, but it took me a few months to finish up the apprenticeship because of my move to Los Angeles. We were required to begin an apprenticeship with a teacher from the faculty, which involves attending 15 of their public classes and then observing them for 10 hours. Long story short, it took me a few extra months to finish the observation but I finally did it! Now here we are, 'diploma' in hand and I'm really not sure what to do next. Originally there was no doubt in my mind what I was going to do – begin an Iyengar program following the end of the current training and register with the Yoga Alliance as a 200-hour certified teacher in the mean time. That way I'd be legit, right? I assumed that most studios and gyms would expect a 200-hour certification at the very least and having my Yoga Alliance registration would mean I had some legitimacy in the field. Deep down I realize that there are plenty of amazing teachers that probably have never bothered to register with Yoga Alliance and on the flip side there are probably plenty of registered teachers that aren't qualified to teach. Nevertheless, it seemed like the right thing to do. Yoga Alliance is supposed to give me some kind of benefit, right? At least that is the impression I'm given when I go onto their website and wind through the laundry list of things I have to do to actually become registered with them. Ok, it's not horrific, but there are a few things that have to be done: fill out an application form, photocopy the completed certificate from the training program attended, pay a $25 application fee, and then a $55 registration fee. The registration is only good for one year, so subsequently you have to renew your membership each year, for another $55. There's another kicker, to keep in good standing with your registration you have to complete a certain number of hours of Continuing Education credits over a three-year period. 75 hours to be exact – 45 hours of teaching in a classroom setting and 30 hours of continuing education units, 10 of which have to be 'contact' hours. I think it's pretty much a given that I will continue my education in yoga far beyond the hours I spend in my current program, but it's kind of a pain to have to make sure I document them all and turn them in to the YA.
I guess my big question is IS IT WORTH IT? What do I get in return? Will I really not get hired by a studio because I can't hand over proof of my YA registration? Seeing as how being registered with the YA means absolutely nothing to the Iyengar community and my certification as an Iyengar teacher is this whole discussion totally moot? I imagined that I would begin to teach in some kind of casual setting between now and the time I actually reach certification as an Iyengar teacher. So that being said, I thought it might be handy to have the YA back-up plan. Especially since I would most likely end up teaching at a gym or some kind of similar setting.
There is so much debate happening right now in the yoga world over the YA and what they are and are not doing for their members. As many of you have probably heard, states are beginning to target yoga studios for regulation and licensing. There is a huge debate over this subject on the web, in blogs and forums. Some are saying that the YA is completely useless and is simply an empty institution taking our money for zero returns. I've even read from some that the current belief is the YA might cease to exist in the coming years because of their missteps in the whole state licensing debate. Many yogis are outraged that the YA has done nothing to step up and defend studios from being bullied by state legislators that want to charge them outrageous fees to become licensed. It wasn't until this current debate that I began to ask myself what's the point? If the YA may not even exist in the next few years should I just save my $55 and hope that I can find places to teach that will base their decisions on something more concrete than whether or not I have that piece of paper?
I'd love to hear what others think of this and if they are having the same issue.
Interested in yoga, design, dance, music, and dogs.
This entry was posted in Yoga and tagged certification, state regulation, teacher training, yoga, Yoga Alliance, yoga teacher certification. Bookmark the permalink.
16 Responses to Yoga Alliance Registration…Is it worth it?
I too have pondered the question – is it worth it? I've spoken about getting my yoga certification for years. I've also taught yoga for years. I've decided that I'm going to get certified this year, not necessarily for the certificate but for the knowledge gained through the intense study and disciplined yoga technique and methodology.
I've researched many YA certified schools as well as home courses. I've struggled with cost and distance (the nearest school is 2 hours from my home.) I've also struggled with do I get a certification that is YA compliant or do I register with YA after the fact, etc.
I've also researched Yoga Alliance and thus far I've I've come to NO conclusion that Yoga Alliance is the definitive way to go. I firmly believe in continued education and growth but I don't believe it should be dictated insofar as if I don't pay a fee I lose a 200 hour certification. That knowledge didn't get lost on the wind!
Dictated by an entity asking for a fee – No!
Yearly Registration Fee to stay certified -No!
Personally, I've been teaching full time since 1996 and have never been interested in joining YA. Do Gyms and studios ask you for a YA certification? I've never been asked. Let your body of work speak for itself. Practice, learn, go deeper, share. Don't let the illusion of YA and certification stop you.
I agree. I've been teaching since 2003. Not registered with YA. I have over 10,000 of documented teaching.
thanks for this Richard, i just became a teacher and i have been discouraged since i do not have the money right now to cover all cost to be registered . so i feel inspired !
Absolutely, the knowledge didn't get lost in the wind. I completed my Y-200 HR in May 2010 and was amazed to find that I had to pay 80 dollars US (I am Canadian) to be registered, and then follow it up every year with another 55 dollars. Moreover, I quickly discovered that YA doesn't bother to check whether or not the studios they also endorse (for a substantial fee) even follow their "standards." Worse, if you want to appeal to them about such matters, they have no protocol for dealing with it: they never even bothered to set one up.
Perhaps most surprising is that many YA certified studios here in Windsor, Canada, don't hire exclusively YA certified instructors, even those that paid them thousands of dollars to do their training there. One would have thought this was a basic element of any certification, but alas tis not the case.
All one can do I guess, is keep practicing and hope that eventually people will discover that the point of yoga is love, breath and compassion, rather than money, money, money!
In 14 years of teaching, I have never been asked to present YA cert for a yoga teaching job. It may be worth it for new teachers lacking other credentials – I am not sure. Personally, my teacher training programs (I've done two big ones), ongoing studies, and teaching experience have gotten me plenty of work. And if you continue on to get full Iyengar certification, that will certainly be enough street cred, IMO.
Thank you for posting, I am just two months from completing my 200 hr yoga teacher training and this is important to know.
Thank you very much for this discussion! I work full-time and have just completed a 30-hour teaching internship after 200++ hours of a 9-month-long training for certification (and after having had many, many years of rigorous practice). My teacher training program was excellent and held to a very high standard. On the other hand, I know of a YA registered, certified instructor who zipped through a very "soft" program in a matter of days. What does it signify? I too question the usefulness of an alliance with YA.
I attended a training program with a studio owner who would get visibly drunk during our sessions. Like, falling down, N Bomb dropping drunk. It was insane. A couple of other times, she cancelled because she was too hung over to teach. In our group of about seven or eight teachers in training she only gave two their certificate, but she never rescheduled her cancelled training classes! After her N Bomb night I told her I was done with her studio, which forfeited me receiving my certificate. I wrote a detailed letter to the Alliance, and met with them when they came to Arkansas. They flat out told me that they were an "online directory" and would not get involved with disputes concerning studio owners and members.
I still teach just fine without it; the Yoga Alliance is nothing but a scam.
I have been Certified since 2001. Never "bought" into the Yoga Alliance thing. Already paid a lot in training fees. Never stopped me from working. All my work has come from word of mouth. Prefer it that way.
There's supposed to be enough space for us ALL.
All the best to you on your pathway!
Your comments helped me as my renewal time arrived. Thanks guys!
I completed the YogaWorks 200 hour course this past July and I was very pleased with the training and our instructor. We received a certificate of completion PLUS a letter stating that we were now eligible for registration with YA. I have since been teaching regularly at a health club and at two different yoga studios. At all three of these I was only asked about my training and experience – never a question about YA registration. I purchased my own liability insurance policy through Philadelphia Insurance and their underwriting questions were also about training and experience with no requirement for YA registration.
I am also a Level 3 Certified Alpine ski instructor with the Professional Ski Instructors of America. PSIA defines itself as an educational organization and it provides a wide range of outstanding classes and workshops. PSIA also requires extensive testing for members to achieve the various levels of certification. PSIA and its regional divisions are a nationally-recognized organization within the snowsports industry. Certification requirements are rigorous and standardized, unlike Yoga Alliance, which seems to only require payment of dues.
I think the comparison between the two organizations might be useful for this discussion.


Kaaron Warren is a powerhouse writer. Still, I find her solution to burnout extreme!
I rarely suffer from creative burnout, and I think the reason is because, with a couple of kids, writing time is still precious. We just had the school holidays and I could not claw more than a few minutes a day at the keyboard, which means that first thing Monday morning, I fake a tear as the kids go to school and am raring to go. So, yeah. Have kids. Avoid creative burnout.


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Karleigh Moore contributed
Counting sort is an efficient algorithm for sorting an array of elements that each have a nonnegative integer key, for example, an array, sometimes called a list, of positive integers could have keys that are just the value of the integer as the key, or a list of words could have keys assigned to them by some scheme mapping the alphabet to integers (to sort in alphabetical order, for instance). Unlike other sorting algorithms, such as mergesort, counting sort is an integer sorting algorithm, not a comparison based algorithm. While any comparison based sorting algorithm requires Ω(nlgn)\Omega(n \lg n)Ω(nlgn) comparisons, counting sort has a running time of Θ(n)\Theta(n)Θ(n) when the length of the input list is not much smaller than the largest key value, kkk, in the list. Counting sort can be used as a subroutine for other, more powerful, sorting algorithms such as radix sort.
Counting Sort Implementation
Complexity of Counting Sort
An algorithm that maps the following input/output pair is called a sorting algorithm:
Input: An array, AAA, of size nnn of orderable elements. A[0,1,...,n−1]A[0,1,...,n-1]A[0,1,...,n−1]
Output: A sorted permutation of AAA, called BBB, such that B[0]≤B[1]≤...≤B[n−1].B[0] \leq B[1] \leq ... \leq B[n-1].B[0]≤B[1]≤...≤B[n−1].
Here is what it means for an array to be sorted.
An array AAA is sorted if and only if for all i<ji<ji<j, A[i]≤A[j]. □A[i] \leq A[j].\ _\squareA[i]≤A[j]. □
By convention, empty arrays and singleton arrays (arrays consisting of only one element) are always sorted. This is a key point for the base case of many sorting algorithms.
Counting sort assumes that each of the nnn input elements in a list has a key value ranging from 000 to kkk, for some integer kkk. For each element in the list, counting sort determines the number of elements that are less than it. Counting sort can use this information to place the element directly into the correct slot of the output array.
Counting sort uses three lists: the input list, A[0,1,…,n]A[0,1, \dots, n]A[0,1,…,n], the output list, B[0,1,…,n]B[0,1, \dots, n]B[0,1,…,n], and a list that serves as temporary memory, C[0,1,…,k]C[0,1, \dots, k]C[0,1,…,k]. Note that AAA and BBB have nnn slots (a slot for each element), while CCC contains kkk slots (a slot for each key value).
Counting sort starts by going through AAA, and for each element A[i]A[i]A[i], it goes to the index of CCC that has the same value as A[i]A[i]A[i] (so it goes to C[A[i]]C[A[i]]C[A[i]]) and increments the value of C[A[i]]C[A[i]]C[A[i]] by one. This means that if AAA has seven 000's in its list, after counting sort has gone through all nnn elements of AAA, the value at C[0]C[0]C[0] will be 777. Similarly, if AAA has two 444's, after counting sort has gone through all of the elements of AAA, C[4]C[4]C[4] (using 0 indexing) will be equal to 222. In this step, CCC keeps track of how many elements in AAA there are that have the same value of a particular index in CCC. In other words, the indices of CCC correspond to the values of elements in AAA, and the values in CCC correspond to the total number of times that a value in AAA appears in AAA.
Next, modify CCC so that each C[i]C[i]C[i] includes the number of elements less than it. This can be accomplished by going through CCC and replacing each C[i]C[i]C[i] value with C[i]+C[i−1]C[i] + C[i-1]C[i]+C[i−1]. This step allows counting sort to determine at what index in BBB an element should be placed.
Then, starting at the end of AAA, add elements to BBB by checking the value of A[i]A[i]A[i], going to C[A[i]]C[A[i]]C[A[i]], writing the value of the element at A[i]A[i]A[i] to B[C[A[i]]]B[C[A[i]]]B[C[A[i]]]. Finally, decrement the value of C[A[i]]C[A[i]]C[A[i]] by 111 since that slot in BBB is now occupied.
This animation illustrates counting sort:
[1,2,1,1,3,1,2,1,1,1][1, 2, 1, 1, 3, 1, 2, 1, 1, 1][1,2,1,1,3,1,2,1,1,1] [0,1,2,3,4,5,6,7,8,9][0,1,2,3,4,5,6,7,8,9][0,1,2,3,4,5,6,7,8,9] [1,1,1,2,2,4,2,1,2,1][1,1,1,2,2,4,2,1,2,1][1,1,1,2,2,4,2,1,2,1] [1,2,1,2,4,2,2,1,1,1][1, 2, 1, 2, 4, 2, 2, 1, 1, 1][1,2,1,2,4,2,2,1,1,1]
Given the array AAA, during the counting sort algorithm, what does the CCC array look like when it is first completed (before any modification)?
A=[0,4,1,7,5,5,6,4,3,3,4,2,1,9,8,4,6]A = [0,4,1,7,5,5,6,4,3,3,4,2,1,9,8,4,6]A=[0,4,1,7,5,5,6,4,3,3,4,2,1,9,8,4,6]
Here is one way to implement counting sort in Python:
def counting_sort(A, digit, radix):
#"A" is a list to be sorted, radix is the base of the number system, digit is the digit
#we want to sort by
#create a list B which will be the sorted list
B = [0]*len(A)
C = [0]*int(radix)
#counts the number of occurences of each digit in A
for i in range(0, len(A)):
digit_of_Ai = (A[i]/radix**digit)%radix
C[digit_of_Ai] = C[digit_of_Ai] +1
#now C[i] is the value of the number of elements in A equal to i
#this FOR loop changes C to show the cumulative # of digits up to that index of C
for j in range(1,radix):
C[j] = C[j] + C[j-1]
#here C is modifed to have the number of elements <= i
for m in range(len(A)-1, -1, -1): #to count down (go through A backwards)
digit_of_Ai = (A[m]/radix**digit)%radix
C[digit_of_Ai] = C[digit_of_Ai] -1
B[C[digit_of_Ai]] = A[m]
#alist = [9,3,1,4,5,7,7,2,2]
#print counting_sort(alist,0,10)
Counting sort has a O(k+n)O(k+n)O(k+n) running time.
The first loop goes through AAA, which has nnn elements. This step has a O(n)O(n)O(n) running time. The second loop iterates over kkk, so this step has a running time of O(k)O(k)O(k). The third loop iterates through AAA, so again, this has a running time of O(n)O(n)O(n). Therefore, the counting sort algorithm has a running time of O(k+n)O(k+n)O(k+n).
Counting sort is efficient if the range of input data, kkk, is not significantly greater than the number of objects to be sorted, nnn.
Counting sort is a stable sort with a space complexity of O(k+n)O(k + n)O(k+n).
Cite as: Counting Sort. Brilliant.org. Retrieved from https://brilliant.org/wiki/counting-sort/


I am trying the use the INDD parameters in the OUTDD parameter in IDCAMS utility.
Please let me know if ther is any option like DCB=*.SORTIN as like in sort which in IDCAMS where i prevent the LRECL changes in the future.
In the JCL, you want to refer back to an existing file to get an automatic copy of some information? Like you've already done in SORT?
Did you try it? Can't imagine it'll do any damage if you can't. Give it a go.
Look it up in the JCL manual. Try "Backward Reference" in the Index.
Of course, the bigger question is, if you already use and are familiar with your SORT tool, why bother with IDCAMS?
Please correct if am wrong.
Parallely As u suggested i tried to find the backward reference in the JCL guide in google search for IDCAMS . i didnt encounter get any example in search engine as like for my previous query.
1. Every data set name is limited to at most 8 characters between periods. Your last node on OUTDD has 9 characters.
2. Depending upon your release of z/OS and your site's storage management policies, be aware that your job may fail with a storage abend after you correct the data set name syntax error. Up through (IIRC) z/OS 1.10, sequential data sets were limited to 65535 tracks and 4900 cylinders as your primary for OUTDD is 73500 tracks.
I changes the dataset name as you suggested .
But i encountered the storage problem . It says like more than 100 cyl cant be allocated to TSO POOL.
So i chnged the Cyclinder size to 50,50 as prim and sec.
But when i tried to open the dataset it gives an invalid block size as a error message.
I even tried to comment out the DCB parameters so that i thought the system will take its own based on the input but still it gives maxcc=12.
Post the jcl and control statements for the sort process that works. Maybe there is some difference that is not obvious.
DSS5572W is an ASG JOB/SCAN message, not an actual IDCAMS message, isn't it?
You would do best by spending time with your site support group, team leader, or coworkers to find out the site standards. I don't recognize DSS5572W as an IBM message, which means your site is NOT using the usual IBM standard software. Since the site could be using anything, it is not possible to precisely identify the source of your problem.
And, please, learn to use the Code tag to post JCL -- it preserves spaces which your post didn't.
but based on what you've posted so far, I don't hink there's a high chance of this working.
posting any jcl checker messages is just a waste of time for everybody.
below code works perfectly for me, try removing the blksize and come back with your results.
Kindly let me know BLKSIZE=0 is the reason for JCL execution failure, BLKSIZE = 0 gives the sytem to decide the BLKSIZE at run time. or BLKSIZE not required parameter in IDCAMS utility ?
You have not posted any "jcl executon failure". As others have mentioned, the DSS5572W is a warning from a jcl checker - not a jcl error.
Once again, why are you not putting your effort into the better solution using sort?
Kindly let me know BLKSIZE=0 is the reason for JCL execution failure, BLKSIZE = 0 gives the system to decide the BLKSIZE at run time. or BLKSIZE not required parameter in IDCAMS utility ?
First, BLKSIZE=0 tells the system to determine the block size -- it is not going to cause any kind of problem.
Second, BLKSIZE is never used "in IDCAMS utility" -- IDCAMS requires control cards (such as DUMP, EXPORT, REPRO, PRINT, DEFINE). The BLKSIZE parameter is used in JCL, which can execute IDCAMS. Hence BLKSIZE is not even part of IDCAMS.
Third, you have not yet posted ANYTHING that indicates your JCL has any execution problem. All you have done is show that a JCL checker does not like something about your JCL, and that means nothing. The only thing that counts is when you submit the job and get the system messages.
Fourth, based upon your complete lack of understanding of (1) IDCAMS, (2) JCL, (3) batch processing, and (4) z/OS operation -- along with your refusal to understand what you are told -- I highly recommend you stop posting on this forum and start using the Beginners and Students Forum instead as it is more likely to get you answers that you can use. This forum is for professionals and you have, very completely, demonstrated that you are not a professional.
"below code works perfectly for me, try removing the blksize and come back with your results."
when i saw the above post i got doubt by removing blksize how he resolved the issue.
Perhaps Dsingh29 will explain what was meant -- especially since removing the block size would have nothing to do with getting a good REPRO, so the comments made in that post are pretty much useless and irrelevant to the issue. That you are focused on them, instead of paying attention to the advice and questions of the senior members and moderators of this board, is another indication that you need to go to the Beginners and Students forum.
Excuse me for replying to an old post. I don't mean to discount the "try the student' section part of Robert's reply". But BLKSIZE is used in IDCAMS. I didn't want people reading this thread to think BLKSIZE was never used in IDCAMS.


text:
Baltasar Kormakur
Movie Review: Everest (2015)
Greg Eichelberger
Many critics are calling Everest absolutely beautiful, but without the human emotion necessary to make it a truly great adventure movie. I take some exception to that, though, as I saw much emotional impact, but with the actors wearing googles, oxygen masks and heavy clothing, it was often difficult to distinguish one from the other…
Movie Review: 2 Guns (2013)
If ever a motion picture suffered enough schizophrenia for a roomful of Sigmund Freuds, it's 2 Guns, the newest effort from director Baltasar Kormákur ("Contraband") starring Mark Wahlberg ("Ted") and Denzel Washington (coming off of his Oscar-nominated turn in "Flight"). While the running thread of the mismatched black and white partners forced to work together…
Movie Review: Contraband (2012)
I have a friend who once wrote a novel about an entire minor league stadium (players and fans alike) which is suddenly transported through a wormhole to third century Palestine. There, the modern-day folks meet Barabbas (who was freed in Jesus's stead) roaming about the desert. The players and fans change Barabbas' name to Barry…
Movie Trailer: Contraband (2012)
Guy is a criminal. Guys cleans up his act, goes legit and starts a family. Guys gets pulled back in because someone in his family screwed up. Guy wages war on the perps when things go sour. We've seen the premise many times before so there isn't much to get excited about for Universal Pictures'…
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