At DumpsterWise, we strive to bring you the best service at the best price available. We have a wide selection of dumpster sizes in stock in Higginsville, MO, with flexible & timley pickup and delivery. Give us a call today for all your dumpster rental and roll off needs.
You will need a dumpster to throw out the actual paneling and aged carpeting with. You will need to dispose of the old opportunities as well if you are replacing these individuals.
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As of This year, televisions, pcs, laptops and monitors tend to be banned through the garbage in accordance with Brand new Jersey's Electronic Waste Management React (Act).
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When you rent a dumpster look for one that is on small wheels to make the work much easier available for you and/or your contractor hired to deliver the results.


Hi, I'm new to this and have been desperate to find a place where i can speak freely without being called a nutter. It doesn't look like there is much activity in this local group but it would be great to know I will get a response from a like minded individual. I experienced my first trip down the rabbit hole about 10 years ago, and knew instantly something was wrong with the world. I avoided it then for a few years as it got my feeling down and really changed the way I was looking at things. It's only been recently that I decided to take another plunge into it and now there is no coming back for me. I haven't spoken with the people I'm close to about it in detail as I can already see the looks on their conditioned faces are ready to judge and dismiss me.
What I guess I am looking for is some kind of hope that there is a way of avoiding or destroying the new world order. I'm already looking into moving off grid eventually and stripping my life back to bare basics. Are there any other useful videos or sites that can perhaps enlighten me with the fact things can be changed, because it all looks very bleak to me..
I hope this gets read as I look forward to the reply.
Slandrews Thank you for your reply, a and thank you for that recommendation to that confrence. I will definitely think about planning my trip there. I think this would be great for me to meet others with similar perceptions because at the moment I feel slightly isolated, I know that other people can't help the way they think, to them life is just normality and it's hard to get someone to step outside of that box to see the bigger picture. I'll keep trying as I believe it's important to wake up as many people as we can.
Justin Case Greetings Slandrews from Canada. For the 5th year the annual Anarchapulco event will be held at the end of February in Mexico. Every year attendance has grown significantly 2019 is no exception.This is the premiere place to be for freedom loving peace makers.


Stream line your casual to formal wear style with this striped top from Rigo. The playful contrast between the horizontal and vertical stripes at the front gives this top an edgy appeal. Team with black pants and jacket for any formal event or keep it casual by pairing it with boyfriend jeans for a day out with friends.


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Q: Firebase Dynamic Link Android iosParameters setFallbackUrl ('ifl') doesn't set I have just an Android app and no iOS app. So I was trying to set a fallback url (to our web content) when any iOS user clicks on the dynamic link.
I am constructing a firebase dynamic link using the dynamic-links-ktx apis like this:
Firebase.dynamicLinks.shortLinkAsync(ShortDynamicLink.Suffix.SHORT) {

   androidParameters(BuildConfig.APPLICATION_ID) {
     fallbackUrl = Uri.parse(webUrl)
   }

   iosParameters(BuildConfig.APPLICATION_ID) {
      setFallbackUrl(Uri.parse(webUrl)) // Show web content. <- This doesn't work
   }

   link = Uri.parse(finalUrl)

   domainUriPrefix = "https://prefix-url"

   socialMetaTagParameters {
     ...
   }

}.addOnSuccessListener { result ->
   onSuccess(result.shortLink)
}.addOnFailureListener {
  // Log error
}

So, this way I create the deep link. I don't have an ios app so obviously I cannot set ios bundle name etc so I am setting just setFallbackUrl in iosParameters.
Somehow this doesn't work. On viewing the deeplink flowchart, ios doesnt resolve to the fallback url. Am i missing something here?

A: You need to have ibi (iOS ID) set for the ifl (iOS fallback link) to work.
I think this is an oversight by the Firebase team, it makes sense to either use ofl or let us set ifl instead of the deeplink when the app doesn't exist on iOS, but it  is what it is.

redpajama_set_name: RedPajamaStackExchange


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Q: Set without Datatype mentioned Is it fine to write following?
Set<Integer> integs = new HashSet<>();
Inside <>, is it fine to leave it as empty?

A: As from Java 7, the compiler will infer the data type of the hash set without the need to write it twice.
Note though that there are some scenarios where the compiler might fail to infer the type, so you could get compilation errors for more complex scenarios.
More of that here.

A: Yes this is a feature introduced in Java 7 where the <> is called the diamond operator. See http://docs.oracle.com/javase/7/docs/technotes/guides/language/type-inference-generic-instance-creation.html.

A: Yes if you're using java 7 or higher as described in documentation

You can replace the type arguments required to invoke the constructor of a generic class with an empty set of type parameters (<>) as long as the compiler can infer the type arguments from the context. This pair of angle brackets is informally called the diamond.

A: Yes. In your case, It'll take it as integer in Java 7 and later versions. Please find the confirmation from the Java documentation. http://docs.oracle.com/javase/7/docs/technotes/guides/language/type-inference-generic-instance-creation.html


Ask the Board Compensation Committee to integrate sustainability metrics, including metrics regarding diversity (gender, racial, and ethnic diversity) among senior executives, into the performance measures of the CEO under the Company's compensation incentive plans.
Numerous studies suggest that companies that integrate environmental, social, and governance (ESG) factors into business strategy reduce reputational, legal, and regulatory risks and improve long-term performance.
A leading group of companies has integrated sustainability metrics into executive pay incentive plans, among them Unilever, Walmart, and Mead Johnson. Guidance issued by the UN Principles for Responsible Investment (2012) states that including ESG factors in executive incentive schemes can help protect long-term shareholder value.
McKinsey & Company research shows that companies in the top quartiles for gender and racial/ethnic diversity were more likely to have above average financial returns ("Diversity Matters," McKinsey, 2015).
In a 2013 Catalyst report, diversity was positively associated with more customers, increased sales revenue, and greater relative profits.
A 2016 study by Intel and Dalberg estimates the technology sector could generate $300–$370 billion in additional annual revenue if tech companies reflected the racial diversity of the talent pool.
Yet technology companies have not seized this opportunity. Underrepresented people of color hold just 9 percent of technical roles in the sector (Intel/Dalberg, 2016). Women hold 36 percent of entry level tech jobs and just 19 percent of C-Suite positions ("Women in the Workplace," McKinsey, 2016).
"A Google engineer who bemoaned racial diversity has sparked anger in Silicon Valley," Washington Post, August 2017.
"Women say they quit Google because of racial discrimination: 'I was invisible,'" Guardian, August 2017.
"3 Female Former Employees Sue Google Over Alleged Gender Pay Discrimination," NPR, September 2017.
Investors seek clarity regarding how Alphabet is driving improvement on diversity and how that strategy is supported by C-Suite accountability. Integrating diversity metrics into executive compensation assessments would enhance Alphabet's approach. Peers (e.g. Microsoft, Intel, IBM) have set diversity goals and begun tying parts of executive pay to such goals.


The cream restores the youthful appearance, brightness and luminosity of skin by a gentle, yet efficient peeling. The Papaine Microcapsules, active at the moment of skin massage, remove the dead cells and impurities and stimulates the regeneration of skin. The Superoxidine Dismutase together with Boswellia Serrata, Vitamins A and E regenerate, protect, calming the sensitive skin and removing the destructive effects of free radicals.
Apply on face, neck and decolletage, previously cleansed, avoiding the area around the eyes. Use only on healthy skin, with no lesions. Massage gently, to release the Papaine inside the microspheres.From the moment of application using massage, leave the product act for 10 minutes top and remove it by washing with warm water. Then apply an emollient cream.


Be Part of the Solar Economy!
Sojourner Solar offers homeowners the opportunity to own a solar panel system through a process that is consumer friendly, easy to understand, and more importantly, very affordable. With Sojourner Solar, you own the solar panel system instead of leasing it, which qualifies you to directly benefit from available solar tax credits.
As a social enterprise of a non-profit organization, Sojourner's mission is to create sustainable homeownership by providing the opportunity for homeowners to be part of the solar economy. Sojourner offers high-quality, top of the line solar panels designed and installed by professional solar integrators. By "making solar affordable" and passing down the savings to homeowners, you can benefit from energy cost savings as well as other benefits from owning solar panels. Purchase your Sojourner Solar system today and start saving money on your energy costs, help promote an inclusive solar economy, and lessen the carbon footprint of the environment.
Power from the Sun is Free… Don't Pay a Premium to Access It!
Qualified homeowners may purchase a solar panel system directly from Sojourner Solar at significantly below retail price with no down payment requirements or any other upfront costs. We are not a marketing or referral service, so by dealing directly with Sojourner Solar you will save on purchasing and installation costs. Call for more information and a free estimate from one of our community friendly solar consultants. There is absolutely no obligation and we will never sell your contact information to a marketing company.
While partnering with many manufacturers, Sojourner Solar offers our customers convenient access to an extensive line of quality solar panels systems at an affordable price. Below is a list of solar panel brands that we currently offer.
Solar Saves You Money: Going solar will eliminate or greatly reduce your energy bill by generating free power over the 25 year life of your solar system. Although your system may not offset your energy consumption by 100%, your net savings will help you reduce your monthly expenses to help you manage your household budget more effectively. You can use your new disposable income to pay off debt or building your savings.
Solar Protects the Environment: Did you know that the average household creates about 20 metric tons of carbon pollution each year! Going solar will reduce your home's carbon footprint and help protect the environment and reduce health problems by limiting greenhouse gas emissions. Using renewable solar energy is 100% emissions free, and reduces the demand of electricity from your utility company that produces carbon emissions.
Solar Increases your Property Value: Real estate studies have shown that homeowners can increase their property value 3 to 4% by installing solar panel systems. Homes with solar also sell twice as fast as homes without panels, and have a larger impact in areas with high rates of electricity usage, such as the Inland Valley. Going solar has a great return on investment! Click Here to read the full report.
Solar Protects You Against Rising Energy Costs: Energy costs are clearly increasing each year as fossil and other carbon fuels become depleted. Going solar helps protect you from fluctuating energy costs by generating your own renewable energy. Your energy costs become more predictable and consistent over time, and are impacted less by utility company rate hikes.
Solar Creates Sustainable Jobs: By becoming part of the solar economy, you can contribute to creating better paying quality jobs and help improve the local economy. Solar jobs pay living and sustainable wages which cannot be outsourced. Many solar integrators are small business owners who create jobs for other working families and live in your communities. The solar industry is one of the nation's fastest growing job-creators that are greatly contributing to the national economy.
Sojourner Solar offers 100% financing for eligible Southern Californian households to finance the purchase and installation of solar panels for their home. The loan is intended to help homeowners finance a solar panel system to help reduce their monthly energy costs. A 15-year secured loan with fixed rates from 2.99% to 5.99% financing options are available to homeowners.
The 2.99% interest rate option is available for homeowner's purchasing panels directly from Sojourner Solar.
The 5.99% interest rate option is available for homeowners who only want to finance the purchase of solar panels from a third-party source.
Additionally, the financing interest may be tax deductible, so inquire with your tax professional.
Talk to a Sojourner Solar Consultant. One of our solar consultants will ask you a few simple questions to determine if your home is right for solar.
Home Assessment & System Design. If your home qualifies, we'll provide a customized quote and a free design of your home's new solar system with no obligation to purchase. Upon approval, a technician will visit you in your home to confirm your system design, verify measurements, and finalize your home assessment.
Apply for financing if needed. Affordable and flexible financing is available from 2.99% to 5.99%.
Installation. We submit your solar design for city review and approval. Once we have the permits, one of our certified solar integrators will install your system.
Connect to the grid. Finally, your utility company will install a net meter that connects your system to the grid, and give you the green light to turn it on so you can start saving.


Over at Left Lane News, their spy shot photographers were able to catch the upcoming Cadillac ELR plug-in driving about. Although the model has heavy body stickers to confuse some of the current vehicle lines, it is clear in the pictures that this is not a Chevy Volt.
Cadillac ELR. Picture from Left Lane News.
Personally, it looks like a slightly shrunken version of the awesome Cadillac CTS coupe with its hatch back rear look, however the front grill and nose is a lot less violent looking. According to Left Lane News the front will have the signature Cadillac grille and similar headlights and tail lights that are on the new ATS model.
Inside, the Cadillac ELR plug-in will offer the caliber one expects from a Cadillac including leather-wrapped steering wheel, the CUE infotainment system, and possibly an LED instrument panel.
Under the hood, the plug-in will be similar to the previous Voltec power train, but the it will supposedly have more power and newer technology and could be dubbed the Voltec 1.5.
To learn more about the Cadillac ELR and see the complete photo gallery, check out Left Lane News.


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Q: Pasar datos de una fila (tabla) a otra pagina PHP Busco su ayuda con el siguiente caso. Tengo una tabla HTML la cual cargo de manera dinámica desde mysql, cada fila de la tabla tiene un boton con el cual pretendo llevar los datos de la fila seleccionada a otra pagina y recoger los datos en un formulario y para esto utilizo un input hidden. El problema que tengo es que siempre me lleva el ultimo registro de la tabla a la siguiente pagina y no el que selecciono. Este es el código de mi tabla:

<form action="servicio.php" method="post">

                                Ticket
                                Nombre

                                <?php foreach($consultaTicket as $datos): ?>

                                        <?php echo $datos->getTicket(); ?>

                                        <?php echo $datos->getCliente(); ?>

      <input type="hidden" name="ticket" value="<?php echo $datos->getTicket(); ?>">
      <input type="submit" class="btn btn-primary btn-sm" value="Seleccionar">
                                    <?php
                        endforeach;
                        ?>

</form>

Gracias por la ayuda que me puedan dar, no se que hacer.

A: Cada uno debe ser único, puedes usar identificadores únicos o formularios independientes por tupla para que el submit envíe los datos de su correspondiente formulario. Como sólo quieres los datos de la tupla te pongo un ejemplo con el segundo caso.

     Ticket
     Nombre

     <?php foreach($consultaTicket as $datos): ?>
       <form action="servicio.php" method="post">

              <?php echo $datos->getTicket(); ?>

              <?php echo $datos->getCliente(); ?>

           <input type="hidden" name="ticket" value="<?php echo $datos->getTicket(); ?>">
           <input type="submit" class="btn btn-primary btn-sm" value="Seleccionar">
        </form>
      <?php endforeach; ?>


Brendan Heppner has completed a university level course of studies in general insurance. He is now qualified to use the C.A.I.B. (Canadian Accredited Insurance Broker) Designation. Rempel Insurance Brokers management and staff strive to constantly upgrade their knowledge and professionalism through continuing education to achieve personal and industry accreditation. Congratulations Brendan!


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Education Nigeria Features
List of State Universities In Lagos Nigeria
February 9, 2022 February 9, 2022 Gistafrica 0 Comments Lagos, UNIVERSITIES
Following the Nigerian University commission NUC approval Lagos state now has three State owned Universities.
Lagos State University of Education
Lagos State University of Science
Lagos State University (LASU)
Lagos State University of Education is now the 56th State University and 204th University in Nigeria, as well as the second University of education in Nigeria while Lagos State University of Science and Technology is 57th State University and 205th University in Nigeria.
The two Universities, which are are new will help out the already congested Lagos State University (LASU), Ojo, established in 1982 by the first Civilian Governor of Lagos, late Alhaji Lateef Jakande.
Brief history of these Universities
The new Lagos state University of Science and Technology was formerly known as Lagos State Polytechnic, Ikorodu.
Lagos State University of Education was formerly known as Adeniran Ogunsanya Colleges of Education, Ijanikin and Michael Otedola College of Primary Education, Epe.
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I do reviews on all nail related products, from polishes and lacquers to treatments, nail art products, lotions, and nail health. Please check my FAQ's and my disclosure policy for more information. Please know that, while I try my best, I cannot guarantee that a review of your product will be posted immediately after I receive it, and also know that I have the right not to post a review if I feel as though the product isn't something that I would like to feature. That being said, I will do my best to post reviews quickly and I rarely don't post upon receiving a product. Thanks!


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John Carpenter's "Alive After Death" ; 'Lost Themes III' out February 5th
Posted on January 11, 2021 by J. Hubner
I can't think of a better way to ring in the new year than with a new John Carpenter album. Lost Themes III will be dropping next month on February 5th and I couldn't be happier about it. It's not like the Master of Horror hasn't kept himself busy since Lost Themes II dropped in 2016. Working on two scores for two new Halloween movies that David Gordon Green directed, Anthology : Movie Themes 1974-1998 in 2017, "Skeleton" single, and some touring with his musical partners, son Cody and Godson Daniel Davies.
It just seems like it's been a long time since we've heard new music from the man is all. With singles "Weeping Ghost" and "The Dead Walk" we got a taste of what Lost Themes III has in store for us; a mixture of dark techno and Gothic melodies all ready to move us like only Carpenter and Co can. There's plenty of dread-inducing vibes, but also a lot of heart and melodious movements in these tracks. Rock guitar coalesces with piano and synth, all moved along with a propulsive rhythm section.
On the newest single "Alive After Death" there's an almost Slasher Film Festival Strategy feel at first. Things quickly evolve into something more. Carpenter, along with Cody Carpenter and Daniel Davies, locks into some amazing 80s vibes in this track. A mysterious rhythm rises from the synth structure here as an almost mournful feel takes over. I'm reminded of Steve Moore's work on Joe Begos' VFW. Davies captures that 80s rock guitar tone, playing a tasteful solo over the proceedings while the song winds down.
Listen, it's the beginning of the year. It's the lean time when it comes to new music, so while I work on some new and fantastic content why don't you belly up at the bar and give this new John Carpenter a listen? I love the Master of Horror and I'm excited about this new record. I'm digging the vibe of these tracks, especially "Alive After Death". The video is pretty cool, too. Check it out below.
Lost Themes III is out February 5th on Sacred Bones Records. Preorder it here.
Tags: cody carpenter, daniel davies, john carpenter, lost themes III, sacred bones recordsCategories: new music
3 thoughts on "John Carpenter's "Alive After Death" ; 'Lost Themes III' out February 5th"
That's quite a build, deceptive in its simplicity. That guitar bit was scorching.
Really looking forward to digging into that. I was getting back into the first set towards the end of last year… seemed like the perfect soundtrack for the beginning of the end times (I know, just a bit cheery).
Definitely a great end times score.
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11:10 AM / Thursday July 18, 2019
A conversation with Philadelphia Association of Black Journalists president Manuel McDonnell Smith
May 10, 2019	Category: Local	Posted by: Philadelphia Sun Staff
ABOVE PHOTO: PABJ president Manuel McDonnell Smith speaking at monthly PABJ meeting.
Mindful of the organization's history, Smith has gone back to basics with a strong push toward the future.
By Amy V. Simmons
The Philadelphia Association of Black Journalists was founded in 1974, not long after the findings of the National Advisory Commission on Civil Disorders (also known as the Kerner Commission after chairman Otto Kerner) were published in 1968. President Lyndon Johnson charged the commission with uncovering the underlying factors behind the 1967 race riots.
As a result of the report's recommendations, many of those who once restricted African Americans from the nation's mainstream newsrooms and other mediums began to make small improvements regarding their hiring practices.
The founders of PABJ envisioned their new organization as a safe space where these reporters could compare notes, receive professional development training and advocate for each other. Everything they did was also for the communities they covered and lived in.
Following years of deregulation, media consolidation and technological advances, the modest gains made in those early years have been lost. However, new opportunities have been created via technology-based vehicles such as blogs, nonprofit newspapers, live streaming and more. African Americans have more control of the narrative about their own community than ever before.
These innovations present a question of balance – the ability to produce relevant, engaging content that reflects the realities of modern society, yet which remains true to the basic tenets of professional journalism.
This is a challenge that Manuel McDonnell Smith — PABJ's current president — relishes. The SUN recently had a chance to speak with him about his own vision for the organization going forward.
SUN: How did you first become involved with PABJ and why? What attracted you to the organization?
MMS: It's an interesting story. I always tell people that I really did not decide to become a journalist until my senior year of high school. Because I had a bit of a sheltered childhood, when we moved to West Philly, I went to University City High School, and kind of went crazy socially…I was late for school every day. Turns out that Mr. Pinto, who was the English teacher, was the sponsor of the detention room. He said, 'You're here all the time, so you might as well write for the school paper.'
To me, that was the first time I [realized that] this was an industry and something I could do. I came out of high school and had some really good internships here in town. I [then] worked for Fox and was commuting back and forth to New York, and heard about this group, the Philadelphia Association of Black Journalists. I went to my first meeting in the Flamingo Room [at the Philadelphia Daily News] and saw all of these Black journalists that were engaged and fell in love with it from that point…to me, this was the greatest thing in the world. To see these folks be so passionate about their community and be so passionate about each other was something I had never had a chance to actually experience.
SUN: Is it safe to say that there is a process underway that could be considered a "rebranding" of this organization?
MMS: Yes, there is a rebranding. It's an unintentional rebranding. That wasn't what I expected to do, but I think that PABJ needed to get back out there and have a conversation, start talking to people, and let them know that we're here. I'm willing to partner. Even in the [business] relationships we have now, I'm really intentional about people just not funding us. Where does that relationship go?
[For example], we did the mayoral forum at Community College because we needed some space, but I want to make sure that it's a two-way street. So, what I really want to get from Community College [long term] is a training program for entrepreneurial journalists. They [CCP] do some business training; how do we get a reinforcement of business training for entrepreneurial journalists who are really good at writing stories, who are really good at getting content, who are really good at doing interviews, but not necessarily good at balancing the books at the end of the month? How do we bring those resources together? That's something we're going to work on together.
SUN: African American media professionals have always had to take the lead regarding coverage of the issues and events that impact the community. How is PABJ helping to assist them in this task in 2019, either through training, workshops or other professional development initiatives?
MMS: I think the way you level the playing field [is to consider] when we talk to people who fund organizations — for example, like the grant we got from the Lenfest Institute — that instead of funding around it, or sending someone to a training, [to ask] 'why don't we fund the same infrastructure?' So [for example], on Election Night, we're going to have a community newsroom at Pipeline, right across from City Hall for independent and freelance journalists. We're going to have pizza, there will be Facebook Live [opportunities] and free Wi-Fi. You'll have a collaborative newsroom environment, because I feel like that is the same environment that the other reporters in the mainstream publications will have.
To me, that's a worthy investment…that's the place PABJ needs to be. I'm not saying that other companies don't have a role in helping to support diversity, but really, I'm the only guy coming to the table for the craft and for the people. You [organizations] invest in Philly.com, and yes, there's probably some people there who are really invested in diversity, but at the end of the day, they want to boost Philly.com's numbers. My job is to get journalists the tools they need to tell stories.
That's what I want to use the bully pulpit of PABJ for; I'm less interested in fighting about one editorial that offended everybody, and more interested in having that conversation about how do you have these big companies and there's no on-ramp for journalists from Philadelphia who have been trained here to do big business with you? Why aren't you hiring more qualified editorial people who have boots on the ground and know this neighborhood like anybody else, instead of hiring people from out of town?
SUN: Would some of these trainings and programs be open to journalists who aren't members of the organization?
MMS: I have been very liberal in not forcing people to get memberships. If people are interested in PABJ, I want them to come to one meeting, two meetings. What has been happening is that people come, and they feel like, 'hey, I have to be a part of this!' You can join online; we made it easier to join the organization. But I want people to see the value. [For example], you don't have to be a member to join any of PABJ's committees. I launched three task forces around three key areas. I felt like people were being underserved by PABJ.
PABJ president Smith with Ric Harris, president and general manager of NBC10 Philadelphia / WCAU and Telemundo62, and Jacqueline London, news anchor at NBC10
We have an associate member task force which connects media related members to our organization. The real deal is that [while] I know "journalism" is on the front door, and that as a journalist sometimes I'm very [passionate] about my organization, because I can't go to other ones and be served, or even be elected to office in any other organization, but they [associate members] are a big part of what we do.
We also started an arts and entertainment task force, because I think that a lot of journalists in this town covering arts and entertainment end up feeling marginalized by folks in news. That's not the way it should be. One of the things I want to do is to make sure that diverse journalists have a place at the table when it comes to these bigger arts and entertainment events in town. When you bring a big concert into town, there's no reason why you should not have Black journalists on your list for invitations in a serious way, where they can do interviews and have opportunities to talk to people.
But the task force that has my heart is the entrepreneurship journalism task force. [For instance], we have Camari Ellis. Camari is really a financial planner, but is passionate about media and Black wealth. He's always on Facebook Live, he has a book club, he has a really robust blog. I love the way that he almost feels like a media entrepreneur more than just having a business; he gets it. Then we have another guy, Michael Butler, who is a music reporter and a millennial. Mike's really into creative writing and writing about things that inspire him. Mike's the artist, Camari is the business guy, and they're creating programming that will attract those entrepreneurial members.
We just did a training with Facebook. We got a person from Facebook to come and talk to our members. We're going to do the same with Google. We want to bring top notch writers; it's an open invitation. The role of PABJ is that [while] I can't give every member money to go to a class, I can certainly pay for a train ticket for a top notch journalist to come down, meet with our members, and give them training that they might not have otherwise.
SUN: How does PABJ as a private membership organization help the community at large? I know for a fact that the annual Media Access Workshop has been very important in this regard.
MMS: We're doubling down on that; our Media Access Workshop is in May. We went away from a model that wasn't free [of charge] anymore; it's back to being free. We're doing it at West Philadelphia High School, in the community. We're being intentional about it; we have the capacity to invite 100 people that day. I know that there's going to be panels and there's going to be talks, but the [original] idea of the Media Access Workshop that I remember is not only for them [the general public in attendance] to get information from us, but for us as journalists to get connections with [for instance], that local pastor, so that you have someone in that neighborhood that you know, or they have resources. You may not know it, but this person [could] become an eventual source for you, or they'll be able to give you a tip, or you'll be able to give them a tip, or come back and do something for them.
SUN: In spite of the continued consolidation of traditional media and as the growth of technology driven models increases, accuracy, proper sourcing and consistency all still matter. How is PABJ helping to support all current media models?
MMS: I think that citizen journalists certainly come to the table with the right intentions and with the right spirit…it has been important for me to bring them to the table to give them opportunities to cover things with [professional] journalists. But, [for example], if the mayor gives you an answer and you don't like it, that doesn't mean you get the right to hiss and snap; that's not what journalists do. They're not going to learn that in college, they're not going to learn it in a seminar, they're going to learn that at PABJ.
We are up to 132 members; a good majority of them are bloggers and freelancers. It's funny, because I feel like it's a culture shift. Sometimes I have to convince them that the work they're doing is journalism. [I tell bloggers], 'I know that you just do this blog for fun, but you're talking to our people about our people – that's journalism. You have a responsibility'. So, I need to convince them and get them to take that on, just like we take it on as journalists.
I think that what is different — especially when talking about these new media technologies — is that the traditional business is shrinking. That's why we need to pivot to these new opportunities…I feel that millennials and young people really get that message.
We're also going to do some programming [that is] intentional about older journalists [finding their voice] in that same space. Here's the unfortunate thing about the business – you do get aged out at some point. This is a stressful, tough business, too. At some point, being out at 10 o'clock at night because you're chasing down a story is not what you want to be doing. I think that people feel like, 'If I'm not at that mainstream publication, then the value of my journalism is less, and I can't contribute as much'. So, while I love the fact that millennials listen to this message and are all into technology, the greater loss to the African American community is when an older, trained journalist puts down their pen.
SUN: On a personal level, how does your own life philosophy influence your work as a reporter and now as president of PABJ?
MMS: Everybody knows that at my job, I work every shift, so I work weekend overnights. I go to church on Sunday. It always bothers me as a Black man here in Philly that unfortunately the level of violence here is so extreme, that you never go to every shooting. I feel guilty sometimes, especially on Saturday nights…I try to keep my own personal score card. I say, every time I get a chance to do a good story [about the community] that may not be that same day, I'm going to go for it, and put as much energy into it as I did into covering that bad story.
At PABJ, everybody asks, 'when do you sleep?' But I feel that it is kind of like God's mission, an opportunity that when my members say, 'we want to have this training, we want to go to this event, we want to have a place at the table,' I need to put as much energy into it as I can and pay back the system for the journalism that I've been able to do. I'm excited about it, about what's to come, for this opportunity.
For more information about the Philadelphia Association of Black Journalists, visit: http://www.phillyabj.com/ .
KYW Community Affairs Reporter Cherri Gregg named Journalist of the Year by the Philadelphia Association of Black Journalists The Philadelphia Association of Black Journalists mourns the loss of past president Monique Oliver Gregory Lee elected as 19th President of the National Association of Black Journalists
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text:
Heightened Perceptions
Time seems obvious: the thing there's never enough of, the thing that marches on relentlessly, on every scale from minutes to years. But is it so straightforward? Just think of all the ways we use to talk about time. Common metaphors for time make it into something moving towards you ('the event passed without incident'), a landscape you move through ('Christmas was looming on the horizon'), a pursuer ('time was catching up with us'), a moving object ('we were behind schedule'), a resource/money ('she spends her time wisely'), a container ('he managed a lot in two minutes'), a changer ('time the great healer')… It seems to be the grand abstraction we can only think of in terms of something else.
I've already leapt from talking about time to talking about how we talk about time. One reasonable way of approaching time is through the ways in which we, given all our human limitations, make sense of it – indeed arguably this is the only way. And this approach has pedigree in other contexts: after millennia of philosophical arguments about free will, there's more research happening now on whether and why we feel like we have free will: what factors affect that feeling and how.
So, how do our minds process time? And how might works of art alter or reveal aspects of how we do so? The cliché is that linguistic art has a temporal extent while pictorial art is a single moment frozen out of time, but that's easy to find exceptions to: a haiku, say, or an impressionist painting of a stormy sea. I know more about the interesting games literature plays with time, so I'll be giving examples primarily from literature to try and prod us into thinking about how time unfolds, if that's what it does, while engaging with works of art in any medium.
We meet an instant stumbling block, though: generally we don't have as much insight as we'd like to think into how our minds work. A lot of my research has been about the convergences and divergences between the cognitive realities (how our minds actually work), the folk psychology (how we think they do), and the way cognition is evoked in works of art (specifically literary ones). The framework I've come up with for considering these interactions is cognitive realism. A work of art is cognitively realistic in one area of cognition (say, memory) if it evokes that faculty in a way that corresponds to how it operates in our minds. It's not better to be cognitively realistic than unrealistic, and a single work could be cognitively realistic and unrealistic in different respects. The interesting thing about identifying these (un)realisms is that they let us make predictions about audience responses – especially when we bring in folk psychology as the third pole in the constellation, since as we'll see, the realities and the intuitions often diverge.
Folk psychology ('what people think' about how their minds work) is something we don't know nearly enough about, but ordinary language use (like the kinds of conceptual metaphors we considered at the start) can often be a helpful source of clues. So can our responses to statements or phenomena that fit or counter our expectations (e.g. if something surprises you, that's a pretty good indication you thought otherwise).
One aspect of the mind which obviously links visual art and literary art is visual perception: we use our visual systems to look at visual art, and to read text on pages or screens; we read about characters in books, and look at characters on canvas or in sculptures or photos, who are engaging visually with their surroundings or other figures; and we engage in acts of visual imagination in response to both. Visual perception and visual mental imagery are known to be linked neurally and behaviourally: you get similar patterns of activation in the early visual pathway (specifically primary visual cortex) when seeing and imagining something, and eye movements are also similar for the two; even the thickness of the lens of the eye seems to change equivalently when imagining something close up or far away.
The structures of perceptual engagement through time are interesting. The standard scientific view (which as it happens coincides with the standard folk-psychological view) is that we take in information from the world which ends up as an image on the retina, the information is transmitted up the optic nerve to the brain, and there it's used to build up a neural representation of what we're seeing: a detailed (hyper-Realist) picture of the world. In a basic sense, this sequence is obviously true, but the problem comes with the role of the representation.
Various conceptual problems are raised by the notion that a representation of what is being seen (the percept) is responsible for our seeing it. First, what is the information in the representation doing? For what or whom is anything being represented? We risk having to create some 'mind's-eye function' to read off what's on the display (a function actually described in those scare-quoted in the traditional scientific account). This is the so-called 'homuncular fallacy'. And if I have a little man in my head looking at my display, doesn't he need one in his head looking at his? The homunculus leads also to an infinite regress: pushing back and back the point at which anything is actually explained. The other conceptual barrier relates to what's known as the 'hard problem' of consciousness: why neural activity should give rise to conscious experience at all. No one has a solution to this problem (or a completely convincing explanation of why it isn't really a problem), but the 'pictorialist' view of vision comes up against it particularly violently.
There are also reasons to question this account that come from our experience itself – not least its temporal structures. The pictorialist account entails that we build up information about a scene gradually, through successive eye movements, to create that detailed representation. But seeing doesn't feel like that. We feel we come into a room and just see it, all at once, even if we can't possibly have had time to look at it all. We also tend to see in far less detail than this account would suggest: the widely researched phenomenon of change blindness confronts us with the extent to which we are happy with gaps, even gaps where we would assume there couldn't be. Surprise comes back here: you're surprised when a change-blindness demo works and you don't see the salient thing that changes. That is, your intuitions tell you: that's really obvious, I should definitely have noticed that. We all have 'change blindness blindness': lack of insight into the gappiness of our visual experiences.
An alternative is to take an interactive, action- rather than representation-based view, in which seeing means having knowledge of the relationships in play between you and what you're looking at – in which you know, at the lowest level of visual features, what will change in your visual input if you or the object moves in a certain way, knowledge built up over a lifetime's worth of experiences of seeing through exploration of the environment. You can't get rid of neural representation of what is being seen altogether (you still need to know where to look, so you don't start from scratch with each eye movement), but an interactive ('enactive', or 'sensorimotor') account gives us a better way of acknowledging the nonlinearities in experience, including seeing without having had time to look and looking without seeing, and the indeterminacies in experience: much less detail is needed than we tend to think for us to operate reliably in the world.
This way of thinking also allows us to better appreciate the role of potentiality – the flipside of indeterminacy: the fact that we have no need to build up a detailed representation of the world because the world is always there for us to look again if we need to. The world is its own representation; we don't need another one. There has been some debate about how this model of vision applies to the imaginative case (is the exploration actual or can it remain potential?), but there seems to be something experientially right about this idea of indeterminacy, and specifically the idea that we know it's there without having to look. Potential access means we don't always feel the need to make use of that potential and actually fill in the gaps, actually look.
For me all this is brilliantly illustrated by the opening of Franz Kafka's novel The Trial. We get extremely little detail about the details of the room in which the protagonist, K., wakes up to an inexplicable arrest, and yet nothing seems lacking, because we are given the requisite detail at the point when it becomes relevant to the character to interact with it. This cognitive realism of perception is in sharp contrast to the 19th-century Realist mode of description, in which we might get 10 pages about the bedroom before anything actually happens. This assumes that the imagination works 'pictorially': that the more detail we're given, the better mental pictures we'll be able to paint. But ease with gaps and with the knowledge that we could fill them if we wanted to may do better justice to the realities of how we engage with real and fictional worlds.
Nonetheless, gap-filling is a crucial part of our mental landscape, and we get uneasy when we realise there are gaps that we should have filled but didn't, or when we feel gap-filling is being too obviously obstructed. Kafka's characters often get uneasy about missing things that should seemingly be obvious, and resolving to do better, be more attentive, in future – even though this is just how perception is. For us as readers, the basic cognitive realism may often prevent us realising how little we're actually getting, but sometimes there's something that confronts us forcefully, or subtly, with the need to work out a gap-filling story, or with the difficulty of doing so – whether that's through a shift of perspective that pulls out the rug from under us as regards the subjective or objective status of some aspect of the fictional world, or a textual gap that remains stubbornly unfillable. Cognitive realism in this case has two faces: it's compelling because it corresponds to the cognitive realities, but it's also unsettling because it goes so firmly against our intuitions.
Colour phi demo
http://www.yorku.ca/eye/colorphi.htm
Please click on the link above. It leads you to an illustration of the old and familiar illusion called the Phi Phenomenon. As you probably know, the moving ball is really a static ball presented in sequence, first on the left and then on the right, even though it appears like one ball moving across the screen. The principle behind this phenomenon lies behind all the moving pictures you see on any screen, whether at the cinema, on tv or on your computer screen now.
But if you see a moving dot that changes from green to red as it moves, how do you know it is going to be red before it 'gets there'? This example has been used by the philosopher Daniel Dennett to argue (as part of his 'multiple drafts' theory of consciousness) that subjective experience is a story we tell after the fact. There is no fact of the matter about any moment of experience until we probe it in a particular way, afterwards: whether by asking a question or performing a task. One consequence of this is that the idea of 'now' in my experience starts to slip away.
Try asking yourself 'what am I conscious of now?', and you might find (especially if you do it often over days and weeks) that you stop being sure what the question means, or what counts as now, or how you could ever get close enough to now to find out. People who do a lot of meditating often find that while the effort at first is to be 'in the now', at some point now stops seeming to exist. So maybe there's nothing there at all at 'the moment of experience'; maybe all that we ever do is create retrospective accounts of something about which there was, before we did so, no single truth. So then every experience is always already a memory.
Remembering the past and imagining the future are much more similar than we thought, and perhaps there's nothing substantial in between them. We use language to make narratives that spatialise time, turn it into something comprehensible, but maybe that's all they are: stories after the non-fact. This is rather like dreaming, where it's usually very obvious that the story we make up on waking is just one of many stories we could have chosen – hence maybe why Kafka's work is so often described as dreamlike. Maybe trying to inquire into your experience is like trying to open the fridge to see what the darkness looks like.
So some art may help us explore the many things we find uncomfortable and baffling and intriguing about time. Maybe this is one of the reasons that time can simply pass so differently when we're reading a novel – though I've never had it happen with a painting. Have you? Do you think any of the reasons you seek out any kind of art have anything to do with the passing, or not passing, of time, and how you try to make sense of it?
Dr Emily Troscianko is a member of the Faculty of Medieval and Modern Languages at the University of Oxford. Her research addresses the intersections between mental health and reading fiction. She writes a regular blog on eating disorders https://www.psychologytoday.com/blog
Her most recent book is Cognitive literary science: Dialogues between literature and cognition, coedited with Michael Burke
https://global.oup.com/academic/product/cognitive-literary-science-9780190496869
Emily Troscianko
Images by Jolyon Troscianko
Geoff Dunlop
ARTIST CURATOR


text:
growing hydroponically not organic according to new EU plans
"There are wonderful sustainable initiatives, they are just not organic"
Like in the US, the debate on whether hydroponic grown vegetables can be classified as organic is ongoing in Europe. That's partly because of the surcharges organically certified produce yields, but there's more. Growing hydroponically is truly sustainable, industry suppliers and growers say. "There are wonderful sustainable initiatives, they are just not organic," is the answer of the organic industry.
Example from the US
Earlier this month a US court decided that the USDA organic label can be applied for produce grown using containers or other hydroponic systems. In Europe, plants still have to be grown in the soil to be classified as organic. It was decided in the summer of 2017 and remains intact in the Organic Action Plan 2021-2027 of the European Commission, presented last week, that soil born remains a necessity for the organic industry.
Surcharges and sustainability
In Europe too, there's interest in growing certified organic products hydroponically, industry suppliers say. That's partly because of the surcharges organically certified produce yields, but there's more. "With today's techniques, it is outdated to call only soil-grown crops organic. Europe should take an example from the US," says Peter van den Dool with Van der Knaap - a substrate supplier. His opinion is supported broadly, but organic growers think differently. "There are wonderful sustainable initiatives, they are just not organic," says organic grower Wim van Marrewijk.
"I fully understand why the European organic sector is anti. It's probably partly economic and partly a matter of principle," says Jelte van Kammen, CEO at Dutch grower cooperative Harvest House. "Nevertheless, it's a pity that we, as Europe, aren't seizing such an enormous, sustainable opportunity. Certainly, when Europe indicates in its green deal that it wants to scale up to organic."
'Unfortunately, we haven't yet succeeded in getting this farming method positioned separately in the Retail Association. The reason is that the retail sector's purchasing focuses on the p of price. At Harvest House, we've repeatedly appealed to retailers to take up the challenge with us. To this day, we haven't received a response. So we now fly it to the USA, where we sell it as organic. And we do get the surcharge needed for this cultivation technique. This is purely economic because it is, of course, not sustainable."
Organic action plan
Also according to Dutch industry body Glastuinbouw Nederland, a greater focus on organic cultivation ignores the fact that conventional, sustainable greenhouse horticulture causes less emissions than various types of organic cultivation. The trade association stated this in response to the Organic Action Plan. "Organic cultivation often involves less production per square meter, which means that more cultivation area is needed to maintain the production level," explains director Ruud Paauwe. "As a result, organic cultivation can actually lead to more environmental impact and loss of nature and biodiversity. Moreover, the available cultivation area worldwide is not sufficient to feed all mouths in the coming decades. "
According to Paauwe, Glastuinbouw Nederland strives for a sustainable production method, with a low environmental impact per harvested product. "Greenhouse horticulture has the ambition to grow healthy vegetables, flowers and plants by 2030 in an ecosystem based on a water-efficient, circular greenhouse. This has virtually no residue on the product and emission of crop protection agents and nutrients to the environment," says Paauwe. "The modern greenhouses enable intensive cultivation methods, with a high yield per square meter, use of high-tech to limit the environmental burden and the continuous development of green solutions."
Organic site
A set case then? Well, no, not according to the organic greenhouse growers. "What happens in the US is up to the government there. The European government has previously made a clear statement about substrate cultivation and organic. We are really pushing from the organic sector to connect with mainstream agriculture," says Michaël Wilde with organic industry body Bionext.
"The organic sector is very enthusiastic about the sustainable developments that are going on in the regular sector, they are working very hard there to become more sustainable. However, there remain clear differences between this more sustainable regular farming and the certified organic farming, organic is really a system farming. Organic farming is anchored in the soil. We will never let go of that aspect."
He emphasizes the importance of soil for biodiversity. "Organic has a clear connection to soil not only on the basis of legislation. It also plays an essential role in the basic principles of care, ecology, health and fairness."
Michael also wonders how consumers view this discussion. "It's also important to ask yourself how the consumer stands on this. I don't think consumers would accept calling substrate cultivation organic."
"Organic is called organic for a reason"
The organic glass growers of the Nautilus Organic cooperative let it be known that organic is called organic for a reason. "It's about coherence, about life, about good stewardship, soil management, strong plants, biodiversity, ingredients and health. 'Organic' is a method of cultivation in which the plant forms a symbiotic system in conjunction with the earth from which the plant is nourished and given natural resilience. This is part of the basic principles of organic cultivation and it is also important to be able to continue to offer consumers this certainty. And fortunately, this will also remain the standard when the new EU regulation takes effect on 01-01-2022."
Not comparable
Wim van Marrewijk, cultivation manager of Biokwekerij Frank de Koning, responds, "Organic vegetables and vegetables grown on substrate are simply not comparable. Growing them in the ground results in more nutritious products with more vitamins. The link between food and human well-being is, as far as we are concerned, pushed aside far too easily in this discussion. It has been shown that there is a clear link between organically grown vegetables and healthy human gut flora. This has to do with the living soil and the biotope in which organic greenhouse vegetables grow."
'Sustainability should not lead to tunnel vision'
"What is certain is that sustainable conventional horticulture has taken many steps in recent years to make their crops more sustainable and to further reduce the use of chemicals, fertilizers, plant protection products, substrate and so on. There are undoubtedly beautiful, sustainable initiatives and that is great news for the environment. They are just not organic."
"As organic greenhouse vegetables are in the ground, a soil biotope develops that allows plants to feed naturally, contain more contents and develop more vigorously. This takes place in a soil up to the groundwater environment and that is easily 500-700 liters of soil per plant, while on cultivation gutters we still talk about a substrate quantity of about 5-7 liters. Thanks to all the fungi and bacteria present, a soil has a self-correcting ability, which can never develop in a cultivation gutter due to the lack of matter and time and therefore can't increase resilience."
Furthermore, according to the organic growers, there is the question: What is sustainable? Wim: "When we look at the direct input of energy per kilogram of product, substrate cultivation perhaps wins. But only the costs of the supply of raw materials, the energy costs of extraction and melting of aluminum casts and production of plastic are being looked over, as is the environmental impact all of this. Sustainability should not become tunnel vision; we should look at the whole picture. What really contributes to our well-being and that of our planet? Again: there are wonderful sustainable initiatives, they are just not organic."
Enforcing added value
In response to the discussion that arose online in response to the ruling, it was also about price. The costs of land cultivation and other forms of cultivation that could possibly become organic differ greatly.
If the rules were to be changed in Europe to ensure a significant growth in the organic sector, there would be doubts about maintaining a good price for organic producers and about whether consumers would follow the demand.
The sector itself should command a higher price with a sustainable, organic product, some believe. "If this is successful, even with an increase in supply, the 'resistance' to additional organic certification of fruit and vegetables would largely subside. But that, enforcing the added value/supplementary price, is where the problem sometimes lies."
Publication date: Wed 31 Mar 2021
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In one of the world's amazing cultural traditions, Japan's most venerated shrines, the Ise Shrines, are rebuilt from scratch every twenty years. This custom of keeping the shrines fresh and pure has been continued for over 1300 years with almost no interruptions since the late 7th century. This year marks the 62th rebuilding of the shrines, with the deities scheduled to move into their new homes in early October.
The Ise Shrines consist of two main shrines, the Inner Shrine (Naiku) and the Outer Shrine (Geku). The Inner Shrine is the more important one and enshrines the Sun Goddess Amaterasu, Shinto's most important deity. The Outer Shrine enshrines Toyoukehime, the deity who provides Amaterasu with food. Both shrines are located in dense forests and exemplify the essence of Japanese aesthetics and spirituality with their simple, graceful structures and natural surroundings.
The process of rebuilding the Ise Shrines takes tremendous efforts and actually has already started eight years ago with the gathering of building materials and preparatory ceremonies. The new shrine buildings are constructed on sites adjacent to the current buildings. While still hidden by scaffolding on our visit last year, the new buildings were now mostly uncovered and provided an intriguing contrast to their aged predecessors.
In early October, the deities of the Inner and Outer Shrines will be moved from their old into their new homes. Afterwards, shrine visitors will have the exclusive opportunity to see both the old and new buildings for a limited time before the old structures are torn down and their material reused at shrines across the country. Some of the Inner Shrine's old pillars, for example, will be reused as the shrine's next generation torii gate.
Ise Shrine's main buildings are surrounded by four fences, and regular visitors are only allowed beyond the first from where the main hall is still almost 100 meters away and barely visible. Furthermore, photography is not allowed beyond the first fence. The Sengukan Museum, which was opened last year at the entrance of the Outer Shrine, is highly recommended especially to visitors who wish to take a closer look at the shrine buildings. Besides many other interesting exhibits related to the shrine's rebuilding, the museum allows for unobstructed views onto a 1:1 replica of a fourth of the Outer Shrine's main hall. Picture taking, however, is not allowed here, either.


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JSW Group
About JSW
Coal properties
Coke and By-Products
Values that we follow...
We respect natural resources
Stock - market reports
Presentations and webcasts
Public offering
Mineral Reserve Reports
Contacts dedicated to investors
Contact for the Press
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Time for nanotubes
Technology of the future soon in Poland. Carbon nanostructures will be produced through international cooperation. Today, JSW Innowacje SA and AGT Management & Engineering AG in Switzerland signed a cooperation agreement for the development and implementation of production technology of carbon nanostructures.
[Translate to English:] fot. Dawid Lach
This innovative project assumes the production of carbon nanostructures, including carbon nanotubes using a technology involving low temperature conversion and chemical vapour deposition in the presence of properly prepared catalysts. The nanotubes will be produced with the use of coal mine methane, natural gas, refuse-derived fuel and plastic.
The cooperation agreement calls for the implementation of the CNT (Carbon Nanotubes) Project in three stages. First, research and analyses will be conducted with respect to the applications of the nanocarbon technology supplied by AGT aimed at checking its effectiveness on the industrial scale. This part will be carried out at the St. Andrews University in Scotland with the participation of an external partner, Eisenmann Anlagenbau GmbH & Co. KG, which will provide technical infrastructure. Then a special-purpose vehicle will be established jointly by JSWI and AGT to continue to develop the project. It will build the first carbon nanostructure production line on the post-industrial land of the former Dębieńsko Coking Plant in the Śląskie Voivodeship. Ultimately, additional production lines of carbon nanostructures will be build in the special-purpose vehicle. Thus, through international cooperation, the product portfolio of the JSW Group will expand significantly by valuable materials for the production of composites and for specialist applications.
What are carbon nanostructures? It is one of the forms of carbon, hollow cylinders where walls are built out of a rolled-up graphene (single-atom graphene layer). Single-walled carbon tubes, that is graphene rolled-up in cylinders, may be 1 to 1.5 nm in diameter. Double-walled and multi-walled nanotubes are also produced. They are extremely light but very durable, even one hundred times more than steel and they are excellent conductors of heat and electricity. Carbon nanostructures improve the characteristics of materials, improving their durability and decreasing their wear. Extended life cycle of the material makes it more environmentally-friendly by reducing the amount of waste. They are also added to structural materials, reducing their weight, which is extremely important among others in the automotive industry, contributing to the reduction in exhaust emissions. Nanotubes are used most frequently in electronics, power industries, environmental protection, medicine and composite production.
Appointment of the President of the JSW Management Board
Earlier today, the Supervisory Board of Jastrzębska Spółka Węglowa made a decision to appoint a new President of the JSW S.A. Management Board.
JSW's cooperation with schools continues
Jastrzębska Spółka Węglowa maintains its cooperation with schools involved in educating future miners.
First disbursements of compensation
Widows and orphans of deceased miners and other eligible persons who have applied for compensation for their withdrawn free coal allowance are already receiving their payments. Other applications are still being processed.
JSW for Children
A group of forty children from orphanages in Pszczyna and Cieszyn spent happy moments in the Masurian Lake District.
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Russian Women - Are They Worth Dating?
If you're a man looking to finally settle down, get married, and find a woman you believe is fit for you, then it's time you start doing some online dating. You can chat with women online very easily through the web, and you can instantly meet some people with just a click of a button. Joining Hot Russian Brides will bring you ten times closer to some of the most beautiful women in Russia fast, and it makes it easier to chat women without any judgement. Sometimes, most foreigners and guys in the United States or Canada will think about dating Russians but with the fear that they may not be the right person to date. This ends up delivering the question on whether they are worth dating or not.
Russian Women - Are They Worth Dating? Are They Russian Brides Material?
They are definitely worth dating if you are looking for a women who can make you a happy fellow every single day of your life. Russian women are worth having as a wife simply because they can make you happy with the way they treat you and the love that they can share with you. There are so many people who usually miss out on having great relationships because they don't look in the right places. Russian women have that special thing which makes Russian brides a possibilities.
Most of them love men who are burly and can provide them with the manly love they deserve. Most women from this country will gladly move to your country not only for the opportunities, but for the chance to experience living in another country and be with someone that can show them a new life. They love meeting and falling in love with Americans and Canadians, so you can easily find somebody to consider being with you very easily in Russia. You can easily chat women from Russia with our site very easily as well.
The best thing worth remembering is the fact that they are truly loving and exciting women to live with, and the key is to make sure that you are always looking for ways to make them happy. Russian women are usually very loving and caring, and they want a man who can give them that manly love. You should be a fast paced and loving man who is ready to go after the most beautiful women, and you will surely find a girl who will come right for you.


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Security deposit: $400. Application fee: $50. Other fees may apply, please contact property for details.
Welcome home to Belmar Villas Apartment Homes located in Lakewood, CO. Your pet-friendly community features a resort-style heated pool, a resident business center, and a state-of-the-art fitness center. Not only do one-, two-, and three- bedroom apartment homes at Belmar Villas offer top quality amenities, your new Lakewood address is situated in the sought after South Alameda neighborhood! Belmar Villas is convenient to 6th Avenue offering easy access to popular dining, shopping, and entertainment. Spend a day shopping close to your new Lakewood apartment at Larimer Square or Colorado Mills Shopping Center. Your pet-friendly community at Belmar Villas is in the center of it all with Bear Creek Park, University of Colorado Denver, and the US Air Force Academy just around the corner! Call or visit today to learn more about how you can call Belmar Villas home! Welcome Home – This is Choice Living.
Apartments at Belmar Villas are equipped with Carpeting, Air Conditioner and Stainless Appliances and have rental rates ranging from $1,307 to $3,449. This apartment community also offers amenities such as Basketball Court, BBQ/Picnic Area and Business Center and is located on 700 South Reed Court in the 80226 zip code. Browse through 1 Bedroom Apts, 2 Bedroom Apts or 3 Bedroom Apts with floorplans ranging from 580 Sq.Ft to 1114 Sq.Ft., choose your next home in the Belmar Villas community and apply for a lease online! The Steadfast Management Company property management company will verify your lease application and send you a timely response. Once you become a resident of Belmar Villas, you will be able to pay your rent online, submit maintenance requests, and get community news by logging in securely to your Resident Portal.
Hi, I found the listing for Belmar Villas on RENTCafe.com and I am interested to find out more or schedule a visit.


Jack Murphy of Fairfield, Connecticut hucks off the first jump of the slopestyle course during the youth boy's finals at the 2016 USASA National Championships for skiing in Copper on April 12.
A skier airs over the first jump in the Copper slopestyle course during the youth boy's finals at the 2016 USASA National Championships for skiing on April 12. Nationals drew nearly 300 skiers from across the nation and globe for four days of competition in slopestyle, halfpipe, skiercross and rail jam.
Matthew Denham of Henniker, New Hampshire spins off the first jump of the slopestyle course during youth boy's finals at the 2016 USASA National Championships in Copper on April 12.
Nathan Alldredge of Farmington, Utah unwinds after leaving the lip of the first jump on the slopestyle course during the youth boy's finals at the 2016 USASA National Championships for skiing in Copper on April 12.
Luke Ryder of North Conway, New Hampshire spins over the first hit on the slopestyle course during the youth boy's final at the USASA National Championships for skiing in Copper on April 12.
Finn Bilous of New Zealand gets inverted in the halfpipe during the men's open halfpipe finals at the 2016 USASA National Championships for skiing on April 12. Bilous swept the men's halfpipe and slopestyle division.
Hunter Hess of Bend, Oregon throws a massive 900 on his first hit of the men's open halfpipe finals at the 2016 USASA National Championships for skiing in Copper on April 12. Hess ended the day in third behind Finn Bilous of New Zealand and Sammy Schuiling of Steamboat Springs.
Sammy Schuiling of Steamboat Springs airs over the deck during the men's open halfpipe finals at the 2016 USASA National Championships for skiing in Copper on April 12. Schuiling took second behind New Zealand's Finn Bilous.
Carly Marguiles of Mammoth Lakes, California transitions during the women's open halfpipe finals at the 2016 USASA National Championships in Copper on April 12. Marguiles took first overall with a score of 83.75.
Felix Coudouy of Edwards spins over the deck during the men's open halfpipe finals at the 2016 USASA National Championships for skiing on April 12.
Hunter Hess of Bend, Oregon makes his first hit during the men's open halfpipe finals at the USASA National Championships for skiing in Copper on April 12. Hess took third in halfpipe.
Dawson Hodgson of Carbondale spins off the shotgun pipe during the youth boy's slopestyle final at the 2016 USASA National Championships for skiing on April 12.
Mark Colafranceschi of Park City, Utah airs to down over the kink during the boy's youth slopestyle finals at the 2016 USASA National Championships in Copper on April 12.
Tyler Black of Bend, Oregon slides through the kink rail on the slopestyle course during the youth boy's final at the 2016 USASA National Championships of skiing on April 12.
Michale Kennedy of Lakeville, Minnesota gets inverted off the shotgun pipe on the slopestyle course during the youth boy's finals at the 2016 USASA National Championships in Copper on April 12.
Andre Kemink of Sandpoint, Idaho spins off the shotgun tube during the youth boy's slopestyle finals at the 2016 USASA National Championships in Copper on April 12.
There's something inspirational about watching young-and-hungry skiers compete on the biggest stage of their burgeoning careers — even if they still have a long, long way to go before reaching the absolute top.
From April 9-12, nearly 300 freeskiers from across North America, New Zealand and Australia came to Copper Mountain for the 2016 USASA National Championships. The youth and adult athletes competed in four disciplines — slopestyle, halfpipe, skiercross and rail jam — to crown the next generation of up-and-coming freeskiers. There was Breck's Axl Bonenberger, the 10-year-old phenom who placed sixth in halfpipe and 10th in slopestyle to claim the boy's overall freeski title for the second year in a row. Then there were Ethan Swadburg of Dillon and Benjamin Smith of Frisco, two open-class competitors who dominated on the slope course and at the after-dark rail jam. All three might have a long way to go, but one thing is for sure: The future of the sport was on full display right here in Summit County.
With competition now finished for the season, we take a look at where locals from Team Breckenridge, Team Summit Colorado and independent clubs (aka mom and dad) fit into the mix after four days on the slopes.


Each semester, instructors of 1000- and 2000-level classes submit Midterm Progress Reports, based on students' performance in the first six weeks of the term. Below are frequently asked questions about Midterm Progress Reports and how to respond to Unsatisfactory grades.
1. What are midterm progress reports, and what are the consequences for a U?
Midterm progress report grades are required for all 1000- and 2000-level classes at Georgia Tech and are intended to alert you to problems with your academic performance. Generally speaking, a grade of Satisfactory (S) indicates a performance at the level of C or better; a grade of Unsatisfactory (U) indicates a performance at the level of D or F. However, an instructor may assign a U to indicate possible trouble (because of poor attendance or recent quiz grades), even for students who have a passing average. Midterm progress reports do not appear on your transcript and do not affect your GPA; they are intended solely as an early warning to help students who are in academic peril to get back on track.
2. What should I do if I have a midterm U?
Schedule an appointment with your academic advisor! Academic advisors are interested in your academic well-being and will have guidance for you about next steps. Your advisor will require that you visit if you have more than one midterm U. Please schedule this appointment promptly, so that you will not have registration holds placed on your account that might prevent you from registering or dropping a class.
You should also see the professor or TA for the course or courses for which you received a U. Professors want students to succeed in their courses and can provide explanations about course content that you might not have fully understood. When you visit your professors, you should respect their time and approach them with specific questions about the content of the course (e.g. "I seem to have missed the questions that involve integration by parts. Can you show me where I'm going wrong?").
3. What resources are available to help me with specific subjects?
1-to-1 Tutoring: CAS offers free peer tutoring for more than 80 courses, but you must schedule appointments at least 24 hours ahead of time.
PLUS—Peer-Led Undergraduate Study: Twice-weekly group study is facilitated by a student who has already made an A in the class. Students who regularly attend PLUS sessions are much more likely to earn an A or B in the course than peers who do not attend those sessions.
Commons Tutoring: Come see your TAs and get help with exercises in CS 1371, Chemistry, Physics, and Math classes.
In addition to the CAS-sponsored tutoring and academic success programs, tutoring services are available through other campus departments.
The Communication Center on the fourth floor of Clough offers one-to-one tutoring in written, oral, visual, or electronic communication.
OMED offers tutoring in several subjects Sunday-Thursday, 5:00 pm-10:00 pm. See the OMED web site for specific times, locations, and subjects.
4. What resources are available to help me with study skills such as time management, test preparation, preparing for class, and note-taking?
The Center for Academic Success offers free Academic Coaching appointments with our professional staff. These one-on-one appointments can help you set goals, find motivation, and address specific study skills.
Reboot is an academic recovery program for students who are not meeting their own academic expectations. This is a voluntary, non-credit program that includes both a weekly seminar-style group session and opportunities to work individually with Center for Academic Success staff.
5. What resources are available to help me with personal problems that are interfering with my academic performance?
The Counseling Center offers a variety of services, including individual and group counseling, as well as self-help materials, to help students succeed academically and personally.
Hall Directors in the Department of Housing are another good resource for students who want some individual attention. They are available to hear your concerns and direct you to appropriate resources on campus.
The Center for Career Discovery & Development (C2D2) can help you to set goals and find motivation by counseling you on possible careers to suit your values and interests.
6. What if I believe I cannot pass a class?
Please speak to professors, advisors, and other campus professionals to ensure that you are making an informed decision about dropping a course. The last day to withdraw from a single course or from all courses with "W" grades is usually the tenth week of the term. See http://www.registrar.gatech.edu/calendar/index.php for the exact date.
The Center for Academic Success offers "To Drop or Not?" workshops to help students reason through the advantages and disadvantages of dropping a course. See success.gatech.edu for specific dates.
7. Does Georgia Tech care about my academic success?
Yes. Faculty members, advisors, CAS professionals, and student affairs staff are all committed to your academic wellbeing. Georgia Tech has implemented many programs to help you succeed academically, and we are always looking for new strategies. If you have ideas or suggestions for resources that are not featured here, please let us know by contacting success@gatech.edu.


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Q: What is the recommended upgrade path from Wii and 3DS to Wii U? I've just got a WiiU and am going to dust off my Wii and transfer my Wii data to it.
I've connected to the new store and Nintendo network via my 3DS.
Is there an order to transfer my Wii data and log in to my existing account to prevent any data loss? Which Mii will take precedence, the Wii Mii or the 3DS Mii?

A: Transferring data from Wii to Wii U should be safe, since the Wii U's Wii mode is completely separate from the rest of the Wii U. However, the transfer is one way only, and all the Wii's data will be removed upon transfer. It is recommended you do not interrupt the transfer at any time, or you might end up losing your Wii's data completely.
Games you bought on Wii are not directly compatible to the Wii U, you can still play and possibly download them using Wii mode. Games that are available on both the Wii's Shop Channel and the Wii U's E-shop, can be bought on the Wii U with a price drop if you own the Wii version and have transferred that Wii's data onto your Wii U. Keep in mind, that unlike Steam, PSN/SEN, and XBLM, purchases made on Nintendo's consoles are bound to the console, which is what makes data-transfer so important, and is also the reason why the old console's data is wiped afterwards.
As for which Mii takes precedence: you decide.
When you try connecting to an existing NNID with your 3DS, your 3DS will ask you if you wish to keep your Streetpass Mii, or overwrite it with the Mii already associated to your NNID. Unfortunately, I don't know if it's true for the Wii U as well. I suspect it might be similar, though. In any case, I'd recommend creating a simple Mii as your personal Wii U Mii first, then overwriting it with the existing one.