-Hàng nguyên seal, ship từ amazon .
-Có kèm remove hỗ trợ tìm kiếm bằng giọng nói.
Fire TV Stick kết nối HDTV của bạn với một thế giới giải trí trực tuyến. Cho dù bạn có phải là thành viên Prime hay không, hãy thưởng thức rất nhiều bộ phim và tập phim truyền hình, tìm kiếm bằng giọng nói thực sự hoạt động và các tính năng độc quyền như ASAP. Fire TV Stick là một cách dễ dàng để thưởng thức Netflix, Amazon Instant Video, Hulu Plus, cho thuê phim giá rẻ, thể thao trực tiếp và theo yêu cầu, âm nhạc, hình ảnh, trò chơi, v.v.
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Voice search on Fire TV Stick is powered by the same voice search engine as Amazon Fire TV and is supported for the entirety of Amazon's video, app, and game catalog, plus for Hulu Plus, Crackle, Vevo and Showtime Anytime. We will continue to integrate additional content partners over time. Note that voice search does not work directly inside individual applications, like Netflix.
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text:
Nurses training, clinical support and confidence in management of tracheostomy patients in Jeddah, Saudi Arabia
Talal Al-Khatib1, Turki Bin Mahfoz2, Rawan Arif1
1 Department of Otolaryngology, Head Neck Surgery, Faculty of Medicine, King Abdulaziz University, Saudi Arabia
2 Department of Otolaryngology, Head Neck Surgery, Faculty of Medicine, Al Imam Mohammad Ibn Saud, Islamic University, Saudi Arabia
Date of Web Publication 7-Jan-2020
Turki Bin Mahfoz
P.O. Box 7544, Riyadh 4233-13317
Objectives: To identify nurses pre and post graduate clinical support and confidence level for tracheostomy management.
Methods: A cross sectional study was carried out in two tertiary care centers in Jeddah, Saudi Arabia; King Abdulaziz University and King Fahad Military Hospital, during the period from February to October 2014.
Results: Two hundred and six nurses were enrolled in the study. Majority of nurses (69%) had an experience of less than 11 years and they were mostly working for forty hours or more weekly (77.5%). The respondent nurses indicated that they were working in different departments with varied frequencies and they were confronted with different age group of patients. Sixty two point three per cent indicated that they had from 1-10 hours of formal training on managing patients with tracheostomy. It was observed that almost one half of the nurses (53.2%) perceived that they are up to date with the available evidence-based practice regarding tracheostomy management. However, only 11.4% of the nurses perceived that they were very confident in managing patients with tracheostomy and those who require ventilator assistance in addition.
Conclusion: Our study demonstrates the importance of formal training and exposure, which reflect on nurses training, clinical support and confidence in management of tracheostomy patients.
Keywords: Tracheostomy, post tracheostomy management
Al-Khatib T, Mahfoz TB, Arif R. Nurses training, clinical support and confidence in management of tracheostomy patients in Jeddah, Saudi Arabia. Saudi J Otorhinolaryngol Head Neck Surg 2017;19:51-7
Al-Khatib T, Mahfoz TB, Arif R. Nurses training, clinical support and confidence in management of tracheostomy patients in Jeddah, Saudi Arabia. Saudi J Otorhinolaryngol Head Neck Surg [serial online] 2017 [cited 2023 Jan 31];19:51-7. Available from: https://www.sjohns.org/text.asp?2017/19/2/51/275316
Tracheotomy is a surgical opening into the trachea, with an indwelling tube that is placed to overcome upper airway obstruction, facilitate mechanical ventilatory support and/or removal of tracheobronchial secretions. Most patients will be decannulated prior to discharge. However, others with permanent tracheostomy will need special care to provide effective tracheostomy care. Overall, the number of tracheotomies being performed internationally was increasing [1]. This increase had led to more patients being discharged to non-specialized areas with the need for tracheostomy care which made more of non-otolaryngology members to be involved in the management. For example, these patients are being nursed in general wards and in the community [2],[3].
Studies highlighted factors associated with inconsistencies in tracheostomy management, such as the lack of knowledge of care givers, including nurses, about the recommended updates in practice, which may result in staff making individual judgments. A number of them even demonstrated potentially unsafe practice [4],[5]. Another factor is the variation in the level of knowledge [6],[7], Moreover; the lack of confidence for non-otolaryngology health professionals involved in airway care may be a factor [8].
In general, researches are very limited in tracheostomy management outside specialized areas, and the focus on the nurses to further explore their experiences and to identify better methods of providing support and tracheostomy education was recommended [2],[3],[9]. Consequently, studies investigating both issues are needed.
The aim of this study was to identify the nurse's pre and post graduate clinical support and confidence level for tracheostomy management.
Ethical approval was obtained from the ethical committee of King Abdulaziz University (KAU) and King Fahad Military Hospital, Jeddah, Saudi Arabia. A pilot study was done to pre-test the questionnaire.
A cross sectional study was carried out in a two tertiary centers; King Abdulaziz University and King Fahad Military Hospital, Jeddah, Saudi Arabia, during the period from February to October 2014 via structured, anonymous self-administered questionnaire consisting of 20 questions. The target population was nurses who dealt with tracheostomy patients as part of their work. A multi-staged stratified random sample method was taken. And for ethical consideration a verbal consent was taken from the participants. All nurses who accepted to participate during the interview were included.
The questionnaire was used previously by Ward et al. (2007, 2008) [9], though only the subset of 21 of these questions that specifically related to the issues of clinician education and training, clinical support and clinician confidence levels were examined as per Ward et al. (2008) and followed either a multi-choice or 1-5 Likert response scale arranged in the following matter:
Section one (5 Questions): Demographic & socioeconomic Data.
Section two (4 Questions): Tracheostomy care exposure.
Section three (11 Questions): undergraduate and postgraduate Tracheostomy Training and confidence level.
The data were coded & entered into statistical computer program SPSS version 18 Descriptive and analytic statistics were conducted. P < 0.05 is considered statistical significance.
The total number of survey respondents was 204 nurses. The majority of the study group had either bachelor (72.4%) or diploma (23.4%) qualifications that were mainly from outside the Kingdom (77.7%). Slightly more than two thirds of the nurse (69%) had an experience of less than 11 years and they were mostly working for forty hours or more weekly (77.5%) [Table 1]. The respondent nurses indicated that they were working in different departments with various frequencies and they were confronted with different age group of patients [Table 2]. Moreover, the overwhelming majority of the nurses stated that they used to deal with tracheostomy patients in the past year. Almost one in every five nurses (18.6%) indicated that they spend 50% of their working hours in caring for tracheostomy patients, as it was noted that one third of the nurses (32%) dealt with more than 50 tracheostomised patients in the previous year [Table 3].
Table 1: Characteristics of the study group (n=204)
Table 2: Training and sources of information about tracheostomy care
Table 3: Self reported rating of nurses about their knowledge and confidence in managing tracheostomised patients
Almost two thirds of the nurses (62.3%) indicated that they had from 1-10 hours of formal training on managing patients with tracheostomy and one half of them (49%) had between 1-10 hours of clinical supervision prior to treating patients independently. In addition to 61.6% of the nurses who reported that they had formal training in their departments, there were 15.3% who expressed that they were currently developing one. Workshops (47.1%) and conferences (25.2%) were the most commonly tracheostomy- related professional development activities undertaken [Table 4].
Table 4: Relationship between confidence of the nurses in management of the majority of tracheostomized patients and different characteristics and training.
Almost one half of the nurses (53.2%) perceived that they were up to date with the available evidence- based practice with tracheotomy management with a lesser percentage (35.6%) who felt up to date with the advances in tracheostomy care. Although, less than one half of the nurses (42%) pointed that the work setting had an optimal team approach for the managing patients with tracheostomy, a much higher percentage (76.1%) of them indicated that within their teams they had expert clinical support for managing patients with tracheostomy only, and higher percentage (80.8%) had support for patients who had tracheostomy and required ventilator assistance. Lastly, it was observed that only 11.4% of the nurses who perceived that they were very confident in management of patients with tracheostomy and those who required ventilator assistance in addition [Table 5].
Table 5: Self reported rating of the nurses about their knowledge and confidence in managing tracheostomised patient
Nurses who graduated from universities others than that in Saudi Arabia (65.6%) were significantly more confident in their abilities in management of the majorities of the tracheostomy patients within their team p<0.05. It was noted that the level of confidence of the nurses were consistently escalating with increased number of the years of experience which is up to 15 years, however, it declined after 15 years. The percentage of nurses who were confident in their abilities were significantly higher among those who had previous training (62.8%) when compared to those who hadn't (39.1%). In the same line, it was found that the percentage of confident nurses was patients (70.4%) when compared to those who addressed that their department was whether currently developing one (41.9%) or there was no training (44.7%) p<0.05 [Table 6].
Table 6: Relationship between the years of working experience in relation to place of graduation. (Chi-Square Tests)
The percentage of confident nurses was higher among those who spent all or most of their time in intensive care unit (ICU) (67.8%) than those who were sometimes or not at all working in ICU (32.2%), however, this difference was not statistically significant p<0.05 [Table 7], [Table 8]. Saudi nurses had less experience than the non-Saudis, as two thirds (60.9%)of Saudi nurses had experience ranging between 1-5 years, while more than five years (77.5%) in non-Saudi nurses , and this difference was statistically significant p<0.05.{Table 7}{Table 8}
Improving tracheostomy care and providing a safe practice is achieved by combining best experiences, skills, knowledge, providing the best teaching methods and latest advances in its management and evaluating the outcome. Applying these recommendations will help nurses to be equipped with the needed skills, knowledge and support to meet the unique needs of each patient in every situation.
Multiple methods to enhance the performance, knowledge and confidence level had been postulated. First, the important rule of education was highlighted [2],[9] whether using theoretical or practical sessions with various results. In a study among new graduate nurses, the comfort level before and after a tracheotomy in-service educational session found no correlation between reported comfort level and knowledge in caring for patients with tracheostomies. The recommendations were toward more of hands on involvement [10]. On the other hand, a standardized theoretical educational module for tracheostomy care teaching among non-otolaryngology health care providers resulted in significant increase in provider knowledge and confidence [11]. Second the standardization of trache- ostomy education, protocols and care is essential in academic hospital medical centers [10]. Other methods including using a self-learning module (SLM) to teach nurses caring with tracheostomies yielded a statistical significant difference toward improvement learning after completion of the SLM. Another suggestion was to implement tracheostomy care in training in basic life support courses (BLS) to protect the abnormal airway [8].
In the current study, most nurses reported fewer than 11 hours of undergraduate and postgraduate formal training prior to treating patient independently (62.2 %), (49 %) respectively. A high statistical significant difference was found between previous training and confidence level, as the percentage of nurses who were confident in their abilities were significantly higher among those who had previous training (62.8%) when compared to those who had not (39.1%). Enhancing undergraduate training before any direct contact with patients as well as postgraduate training is recommended to maintain competency and to improve nurses confidence level. The rule of education was evident, with further exploration to determine the best method to deliver effective education was highlighted in a literature review conducted by Paul [2] when reviewing the adverse events associated with airway management and as we found that the percentage of confident nurses were significantly higher among those who reported that their department in which they were working while providing formal training in managing of patients with tracheostomy (70.4%) if compared to those who addressed that their department was whether currently developing one (41.9%) or there was no training (44.7%) p<0.05. The importance of hands-on experience was also evident by Day et al study and Smith-Miller [4],[10], showing no significant correlation between comfort level and knowledge before and after a tracheostomy in-service theoretical educational session. As a result we recommend to implement a scheduled formal training in each department which focuses on hands-on workshops more than theoretical educational sessions. In a randomized controlled trial on ninety- five qualified healthcare professionals (nurses and physiotherapists) in two acute hospitals were randomly allocated to receive either individualized performance feedback or no additional feedback after a standardized lecture and practical demonstration of tracheal suctioning, Those who received performance feedback had statistically significantly higher knowledge (P = 0004) and practice (P<001) scores. Further research is recommended to identify the amount and the type of the presented material as well as the different techniques of integration between theoretical and practical modalities, which ended by evaluating the feedback in many occasions to assess the sustainability.
On the other hand, the need for standardization of the clinical guidelines and the updates on the recommended practice cannot be underestimated as lack of knowledge of current best practice may result in staff making individual judgments regarding tracheostomy care [5]. In our study sample 46.8% were either not sure or they were not feeling up to date with the available evidence-based practice in tracheostomy management and the percentage increases to 64.4% regarding advances in tracheostomy. The lack of knowledge of the recommended practices noted in our study was also reported by Day T et al [4].
It was noted that the nurses' level of confidence increased with their years of experience, up to 15 years; however, confidence declined after 15 years of experience (46.9%, 65.4%, 72.7%, and 61.3%, respectively) [8].
We also found that nurses who graduated from universities outside of Saudi Arabia (65.6%) were significantly more confident in their ability to manage most tracheostomised patients within their team p<0.05. This greater confidence may be attributed to different educational systems, different curricula, or variations in the content during different phases of learning such as undergraduate, intern year, or postgraduate education. This difference could also be considered a confounding variable. First, the years of experience of Saudi nurses in our study were less that the other group of nurses studied, and there was a statistically significant difference between experience level and confidence level. Further limiting the findings about Saudi nurses was the small number of such nurses in the study sample (34.4%). We recommend further research to shed light on the details of different approaches used in nursing schools in Saudi Arabia and their effect on nursing performance and knowledge.
The majority of nurses were not very confident in the management of patients with tracheostomies, including patients who require ventilator assistance. Factors including experience level, presence of formal training in the department in which they were working, and the previous training levels were statistically associated with better confidence levels.
We thank the Department of Nursing staff, King Abdulaziz University Hospital and King Fahad Military Hospital, for their cooperation. Special thank for Mrs. Sharifah Mohidin who provided insight and expertise that greatly assisted the research, we also thank Dr. Adel Ibrahim for the comments regarding the statistical analysis that greatly improved the manuscript, although any errors are our own and should not tarnish the reputations of these esteemed persons.
Parker V, Giles M, Shylan G, Austin N, Smith K, Morison J, et al. Tracheostomy management in acute care facilities—a matter of teamwork. J Clin Nursing. 2010; 19: 1275-1283.
Paul F. Tracheostomy care and management in general wards and community settings: literature review. British Association of Critical Care Nurses. Nursing Critical Care. 2010;15:76-85.
Garner JM, Shoemaker-Moyle M, Franzese CB. Adult outpatient tracheostomy care: practices and perspectives. Otolaryngol Head Neck Surg. 2007; 136: 301-306.
Day T, Farnell S, Haynes S, Wainwright S, Wilson-Barnett J. Tracheal suctioning: an exploration of nurses' knowledge and competence in acute and high dependency ward areas. J Adv Nurs. 2002; 39: 35-45.
Lewarski JS. Long-term care of the patient with a tracheostomy Respiratory Care 2005; 50: 534-537..
Veelo DP, Schultz MJ, Phoa KY, Dongelmans DA, Binnekade JM, Spronk PE. Management of tracheostomy: a survey of Dutch intensive care units. Respir Care. 2008; 53: 1709-1715.
Al Sharhan S, Sohail M, Ahmad K, Siddiqui MI. Self-reported comfort with tracheostomy tube care. Cross- sectional survey of non-ear, nose and throat health care professionals. Saudi Med J. 2014; 35: 63-66.
Casserly P, Lang E, Fenton JE, Walsh M. Assessment of healthcare professionals' knowledge of managing emergency complications in patients with a tracheostomy. Br J Anaesth 2007; 99: 380-383.
Wards EC, Jones C, Solley M, Cornwell P. Clinical consistency in Australian tracheostomy management. J Med Speech-Language Pathol. 2007;15(1): 7-26.
Yelverton JC, Nguyen JH, Wan W, Kenerson MC, Schuman TA. Effectiveness of a standardized education process for tracheostomy care. Laryngoscope. 2015; 125: 342-347.
Haines S, Crocker C, Leducq M. Providing continuity of care for patients transferred from ICU. Professional Nurse. 2001; 17: 17-21.
Smith-Miller C. Graduate nurses's comfort and knowledge level regarding tracheostomy care. J Nurse Staff Develop. 2006;22:222-29.
[Table 1], [Table 2], [Table 3], [Table 4], [Table 5], [Table 6]
1 Assessment of Nurses' Knowledge and Confidence Regarding Tracheostomy Care in a Pediatric Long Term Care Hospital in Saudi Arabia
Rafat Mosalli, Gamal A Aboumoustafa, Wed Khayyat, Aziza N Bokhari, Mohammed A Almatrafi, Mohammed Ghazi, Bosco Paes
Risk Management and Healthcare Policy. 2022; Volume 15: 1809
Al-Khatib T
Mahfoz TB
Arif R
post tracheostomy management

redpajama_set_name: RedPajamaCommonCrawl


Dante is tired and sad but this kid makes everything a little brighter okay?
Dante gets used to having a kid around, and Nero gets used to living with someone.
They both get used to having someone they can call family.
A collection of random, non-chronological snippets.
Dante plays babysitter for a day. He can't help but think about the past.
— Вергилий — мой отец? — повторил Неро, запустив пальцы во взъерошенные волосы.
The destruction of the Saviour wasn't the end. Too many people had too much invested.
Spoilers, post-DMC5. Kyrie reaches out to Vergil in her own way.
Vergil refuses to give up on the woman who doesn't remember him or their baby.
Dante refuses to give up on Vergil.
Wherein Nero is subjected to the Ascension Ceremony, and wherein some minor Hell breaks loose in the following aftermath. Being a "handyman", Dante obviously has to go clean up the complicated mess left behind. And in the end, it was a family matter.
Lady threw away her old name, in part because of the actions of that man. Dante unexpectedly gave her a new one, that she later accepted. And now, she's offered another name.
Follows "Nibble, Nibble", after "Waraizome".
These happy moments, even if they felt that they didn't deserve it and feared losing it, they'll courageously defy those that would say otherwise and keep fighting to make more because these were theirs.
Leon had maxed out his hours, so what's a special government agent to do with enforced vacation time and no reports to go through? Go try to find a long lost relative.
Post RE: Degeneration, follows "Nibble, Nibble".
Thirty-one kisses, in so many ways and in so many fashions. How would they come about among devils and humans? Mixed collection of works from canon to AU.
They didn't had a body to bury, but Nero was able to find the closest thing to give him and Kyrie some closure.
Lady takes Nero to the Fair in Fortuna and meets a woman Vergil had never hoped to see again.
Vergil realy has his work cut out for him. Lady and Dante aren't helping this get any easier.
Basicly a fic based on my Neice.
In which Vergil's back, Nero is in awe, and Dante is Dante.


text:
SCREEN GUIDE: What's on in London this week [22 to 28 OCT 2021]
21st October 2021 22nd October 2021
In this week's indie attractions, it's great to see programming getting fully underway at The David Lean Cinema where you've got a choice of NOMADLAND (26 OCT) and SUMMER OF SOUL (26 & 28 OCT). It's also all systems go at The Cinema Museum where you can find The Gothique Film Society's grave-robbing double bill of THE BODY SNATCHER + BURKE AND HARE (22 OCT) followed by the return of the Kennington Bioscope with a packed programme of Soviet silent comedy, THE HOUSE OF TRUBNAYA (27 OCT).
Other silent cinema offerings include NOSFERATU at The Musical Museum (24 OCT) featuring a very special Wurlitzer live score played by Donald MacKenzie, resident organist at ODEON Luxe Leicester Square (you'll also get a Bloody Mary with your ticket!). If double bills float your boat, World Wide Weird! continues their regular horror schedule with a seasonal tribute to the family Bava: father and son efforts SHOCK + MACABRE screen for free at the King & Queen, donations are invited to raise funds for Macmillan Cancer Support (23 OCT).
Indie horror continues across the week, with We Are Parable introducing the new 4K restoration of BLADE at Genesis Cinema (24 OCT) and Ciné-Real 16mm Film Club doing their beautiful thing with MISERY (24 OCT) at The Castle Cinema. The Castle is also home to two excellent Persian horror shows projected by No Bollox Film Club, UNDER THE SHADOW and A GIRL WALKS HOME ALONE AT NIGHT (26 & 27 OCT). New monthly queer cinema club TAPPED screens JENNIFER'S BODY for free at The Real Al Co & Taproom (27 OCT), and The New Black Collective rounds off your week with a free screening of Nia DaCosta's CANDYMAN at Stratford East Picturehouse (28 OCT).
Looking a little further ahead, and after more than two years away from our screens, The Badlands Collective has announced their return with a 35mm presentation of William Wyler's THE BEST YEARS OF OUR LIVES 35mm (1946) at The Prince Charles (21 NOV). Which looks like a perfect Sunday afternoon of cinema to me.
Most rep seasons continue their attractions this week, with new arrivals in the form of TAKE YOUR POSITIONS, a pre-COP 26 programme of events at Bertha DocHouse. We've also listed ICA's various screenings of works by RENZO MARTENS to accompany the ongoing release of his WHITE CUBE (although the venue doesn't actually list this as a season…). Marking Black History Month, BFI Southbank screens all of Steve McQueen's SMALL AXE over one packed weekend (22 to 24 OCT). Their programme features various special guest appearances including a dedicated The Making of SMALL AXE with Steve McQueen, Tracey Scoffield, David Tanner and guests (23 OCT).
Film festivals taking the baton from the London Film Festival include Doc'n Roll Film Festival (28 OCT to 14 NOV), London East Asia Film Festival (21 to 31 OCT), and Raindance Film Festival (27 OCT to 06 NOV). Both Native Spirit Festival (12 OCT to 20 NOV) and Brazil Indigenous Film Festival (22 to 24 OCT) bring under-heard voices to London's real and virtual cinema screens.
In this week's revivals and new releases, LFF opener THE HARDER THEY FALL gets a limited release before appearing on Netflix later in the year. DUNE and another LFF alumnus, THE FRENCH DISPATCH, take over from where Bond left off (I've not listed the latter as it's pretty much everywhere…). The Prince Charles has a seasonal anniversary engagement of Wes Craven's SCREAM, projecting from 35mm. See our GRIND SHOW section for venue links.
For our Featured Attraction of the Week, I'm going to cheat slightly by choosing the current and former programming firepower of much-loved Shoreditch indie, Close-Up. Having a busy weekend, Stanley Schtinter presents his The Liberated Film Club vs. Important Books (or, Manifestos Read by Children) at LUX before launching The Liberated Film Club book with a special screening of György Fehér's TWILIGHT at Close-Up (both 23 OCT). Then, former Close-Up programmer Oliver Dickens presents two incredible events, A Masterclass with Dirk Schaefer at IKLECTIK (24 OCT) followed by The Films of Peter Tscherkassky 35mm at Cafe Oto (24 OCT). You really can't ask for much more than that.
See you in the darkness,
PS – Scala Cinema programmer and now chronicler of that notorious venue, Jane Giles, has been in touch to invite your support for the crowdfunding campaign to complete SCALA CLUB CINEMA. A feature-length documentary co-directed by Jane and Ali Catterall, SCALA CLUB CINEMA is based on Jane's excellent book, 'Scala Cinema 1978-1993' and will feature interviews with former members of the Scala audience including Adam Buxton, Caroline Catz, Mary Harron, Isaac Julien, Ben Wheatley and John Waters. You've got until just before midnight on 01 NOV 2021 to get this one over the finish line! Help if you can.
The Liberated Film Club vs. Important Books (or, Manifestos Read by Children) at LUX (23 OCT 15:00 – FREE!) followed by TWILIGHT d. György Fehér, 1990 + The Liberated Film Club Book Launch at Close-Up (23 OCT 20:15).
"Edited by Stanley Schtinter, The Liberated Film Club is a collection of transcriptions and special commissions anchored by a series of screening events held at Close-Up, from 2016 to 2020. A guest would be invited to introduce a film; an audience seated to watch it through. Neither of them would have any idea what would be shown. This event at LUX will pit the celebration of The Liberated Film Club against another Schtinter initiative: Important Books (or, Manifestos Read by Children). Children will be present to read various manifestos on cinema, including works by Werner Herzog, Peggy Ahwesh, Jean Marie Straub, Yvonne Rainer and Pope Pius XI. Followed by the premiere of the remastered TWILIGHT aka Szürkület, György Fehér's 1990 cult film at Close-Up."
A Masterclass with Dirk Schaefer presented by Sonic Cinema at IKLECTIK (24 OCT 11:00 – 14:00) followed by The Films of Peter Tscherkassky 35mm + Intro by Stanley Schtinter presented by Sonic Cinema at Cafe Oto (24 OCT 19:30).
"Celebrating the release of Dirk Schaefer: Peter Tscherkassky, All the Soundtracks (2005–2021) by purge.xxx, Sonic Cinema presents Peter Tscherkassky and Dirk Schaefer's four collaborations to date: TRAIN AGAIN (2021); THE EXQUISITE CORPUS (2015); COMING ATTRACTIONS (2010); INSTRUCTIONS FOR A LIGHT AND SOUND MACHINE (2005); as well as Tscherkassky's classic of avant-garde cinema, OUTER SPACE (1999). Dirk Schaefer will give a unique masterclass on his practice and methodologies at IKLECTIK prior to the screening at Cafe Oto."
FRIDAY 22 OCT
THE BODY SNATCHER d. Robert Wise, 1945 + BURKE AND HARE d. Vernon Sewell, 1971 presented by The Gothique Film Society at The Cinema Museum (22 OCT 18:45).
PIG d. Michael Sarnoski, 2021 at Screen25 Cinema at Harris Academy South Norwood (22 OCT 19:45).
SATURDAY 23 OCT
BABYMOTHER d. Julian Henriques, 1998 + Intro by actor Anjela Lauren Smith at South London Gallery (23 OCT 18:00).
Bava Time! SHOCK + MACABRE d. Mario Bava, 1977 + Lamberto Bava, 1980 presented by World Wide Weird at The King & Queen (23 OCT 18:30 + 21:00 – FREE!/Donations for Macmillan Cancer Support).
THE ELEPHANT MAN (4K RESTORATION) d. David Lynch, 1980 at Riverside Studios (23 OCT 12:00).
The Live Ghost Tent – Quarterly Meeting of the Laurel & Hardy Society at The Cinema Museum (23 OCT 15:00).
SUNDAY 24 OCT
BLADE 4k Restoration Premiere d. Stephen Norrington, 1998 + Intro by We Are Parable at Genesis Cinema (24 OCT 20:00).
The Edgar Wright Survival Guide screening & quiz night at Genesis Cinema bar paragon (24 OCT 18:00 – FREE!).
THE LOST RECORD d. Alexandra Cabral & Ian Svenonius, 2021 + Intro by the directors presented by Deeper Into Movies at MOTH Club (24 OCT 19:30).
MISERY 16mm d. Rob Reiner, 1990 presented by Ciné-Real 16mm Film Club at The Castle Cinema (24 OCT 19:30).
NOSFERATU d. F.W. Murnau, 1922 + Wurlitzer accompaniment by Donald MacKenzie at The Musical Museum (24 OCT 15:00 – A Bloody Mary or non-alcoholic alternative included in the ticket).
THE OUTSIDERS (4K RESTORATION) d. Francis Ford Coppola, 1983 + Recorded intro by the director at Riverside Studios (24 OCT 14:00).
RATTLESNAKES d. Julius Amedume, 2019 at Whirled Cinema (24 OCT 17:00).
Screen Epiphany: Adjoa Andoh introduces MANDABI d. Ousmane Sembène, 1968 at BFI Southbank (24 OCT 18:30).
THE SERVANT d. Joseph Losey, 1963 at Electric Cinemas Portobello (24 OCT 13:30).
WHITE CUBE d. Renzo Martens, 2020 at Bertha DocHouse (24 OCT 16:00).
MONDAY 25 OCT
French Impressions: BYE BYE MORONS aka Adieu les cons d. Albert Dupontel, 2020 at Watermans + Online discussion with Jon Davis (25 OCT 19:00 + 28 OCT 20:00).
Nan Goldin Documentary Screening presented by Deeper Into Movies at Farr's Dalston (25 OCT 19:30).
RELATOS SALVAJES d. Damián Szifron, 2014 presented by Spanish Marks at India Club Lounge-Bar (25 OCT 19:00).
SOCRATES d. Alexandre Moratto, 2018 at Whirled Cinema (25 OCT 20:00).
TUESDAY 26 OCT
LAWRENCE AFTER ARABIA d. Mark J T Griffin, 2021 + Q&A with the director at Genesis Cinema (26 OCT 18:00).
LOUISIANA STORY d. Robert J. Flaherty, 1947 presented by Sands Films Cinema Club at Sands Film Studios (26 OCT 20:00 – FREE/Donation requested).
NOMADLAND d. Chloé Zhao, 2020 at The David Lean Cinema (26 OCT 14:30).
THE RESCUE d. Elizabeth Chai Vasarhelyi & Jimmy Chin, 2021 + Recorded Q&A with the directors & special guests at: ArtHouse Crouch End (26 OCT 20:15); Bertha DocHouse (26 OCT 20:20); Peckhamplex (26 OCT 18:10); Picturehouse Cinemas (26 OCT various).
SUMMER OF SOUL d. Questlove, 2021 at The David Lean (26 OCT 19:30).
UNDER THE SHADOW d. Babak Anvari, 2016 presented by No Bollox Film Club at The Castle Cinema (26 OCT 19:00).
WAKE IN FRIGHT d. Ted Kotcheff, 1971 presented by Tufnell Park Film Club at The Lord Palmerston (26 OCT 20:00).
WEDNESDAY 27 OCT
A GIRL WALKS HOME ALONE AT NIGHT d. Ana Lily Amirpour, 2014 presented by No Bollox Film Club at The Castle Cinema (27 OCT 18:45).
Alternative Night of Experimental Film short film programme at The Fighting Cocks Bar & Venue (27 OCT 17:30 – FREE!).
AZOR d. Andreas Fontana, 2021 preview at ICA (27 OCT 20:45).
The Black Arts Movement on Film + Discussion with Amanda Holiday, Richard Hylton & Xavier Pillai at BFI Southbank (27 OCT 20:40).
DAUGHTERS d. Maria Speth, 2014 at Goethe-Institut London (27 OCT 19:00 – Also available FREE online).
THE DEVIL RIDES OUT d. Terence Fisher, 1968 + Short films by DaveBaby presented by Underground England & Rebel Reel Cine Club at Strongroom Bar & Kitchen Courtyard (27 OCT 19:00).
THE HOUSE OF TRUBNAYA aka Dom na Trubnoy d. Boris Barnet, 1928 + Supporting programme + Live piano accompaniment presented by Kennington Bioscope at The Cinema Museum (27 OCT 19:30).
JENNIFER'S BODY d. Karyn Kusama, 2009 presented by TRAPPED at The Real Al Company & Taproom (27 OCT 18:00 – FREE!).
LIMBO d. Ben Sharrock, 2021 at Screen25 Cinema at Harris Academy South Norwood (27 OCT 19:45).
PSYCHO d. Alfred Hitchcock, 1960 at The Birds (27 OCT 19:30 – FREE/Drinks packages available).
Short Sharp Shocks II + Intro, short film programme & blu-ray launch at BFI Southbank (27 OCT 18:10).
SMOG TOWN d. Meng Han, 2019 + Discussion presented by Lau China Institute at King's College London (27 OCT 17:30).
SWEENEY TODD: THE DEMON BARBER OF FLEET STREET d. Tim Burton, 2007 at Ricco Lounge (27 OCT 20:30).
THURSDAY 28 OCT
ANATOMY OF WINGS d. Kirsten D'Andrea Hollander & Nikiea Redmond, 2020 + Recorded Q&A at BFI Southbank (28 OCT 18:15).
CANDYMAN d. Nia DaCosta, 2021 + PANEL presented by The New Black Collective at Stratford East Picturehouse (28 OCT 20:00 – FREE!/Booking essential).
DEAD PRESIDENTS d. Albert Hughes & Allen Hughes, 1995 presented by Black Ink Cinema at The Castle Cinema (28 OCT 21:00).
JIMI HENDRIX IN MAUI d. John McDermott at Olympic Studios (28 OCT 20:30).
THE MERMAID d. Stephen Chow, 2016 + Discussion presented by Lau China Institute at King's College London (28 OCT 18:30).
QUANT d. Sadie Frost, 2021 + Q&A with the director at Picturehouse Fulham Road (28 OCT 19:00).
THE SECRET OF SINCHANEE d. Steven Grayhm, 2020 at Genesis Cinema (28 OCT 20:30) / Part of SCREAMDANCE at Raindance Film Festival.
SUMMER OF SOUL d. Questlove, 2021 at The David Lean (28 OCT 14:30 & 19:30).
Includes (check venue for full listings): SCREAM 35mm d. Wes Craven, 1996 (22 OCT 12:30 – digital / 24 to 28 OCT various); MANHUNTER 35mm d. Michael Mann, 1986 (22 OCT 18:00); THE EXORCIST 35mm d. William Friedkin, 1973 (23 OCT 12:40 / 27 OCT 20:30); HOCUS POCUS 35mm d. Kenny Ortega, 1993 (23 OCT 15:45); DEATH BECOMES HER 35mm d. Robert Zemeckis, 1992 (23 OCT 18:10); THE SHINING [UK Version] 35mm d. Stanley Kubrick, 1980 (23 OCT 20:30); BODY DOUBLE 35mm d. Brian De Palma, 1984 (23 OCT 20:45); EYES WITHOUT A FACE 35mm aka Les Yeux sans visage d. Georges Franju, 1960 (24 OCT 16:00); THE LOST BOYS 35mm d. Joel Schumacher, 1987 (24 OCT 18:05); DR. JEKYLL AND SISTER HYDE 35mm d. Roy Ward Baker, 1971 + Q&A with Martine Beswick (25 OCT 17:50); DEAD RINGERS 35mm d. David Cronenberg, 1988 (25 OCT 18:05); RETURN OF THE LIVING DEAD 35mm d. Dan O'Bannon, 1985 (26 OCT 13:15); WES CRAVEN'S NEW NIGHTMARE 35mm d. Wes Craven, 1994 (26 OCT 15:30); THE TEXAS CHAIN SAW MASSACRE 35mm d. Tobe Hooper, 1974 (26 OCT 15:50); THE KEEP 35mm d. Michael Mann, 1983 (27 OCT 18:10).
100 YEARS: SIMONE SIGNORET, THE POLITICAL STAR – PART I at Ciné Lumière
Includes (check venue for full listings): SHIP OF FOOLS d. Stanley Kramer, 1965 (24 OCT 14:00 / 27 OCT 17:40).
ANNIVERSARY SCREENINGS at The Prince Charles
Includes (check venue for full listings): POSSESSION d. Andrzej Zulawski, 1981 (22 OCT 15:00); MANHUNTER 35mm d. Michael Mann, 1986 (22 OCT 18:00); THE SILENCE OF THE LAMBS d. Jonathan Demme, 1991 (22 OCT 20:45 / 27 OCT 12:30); THE EVIL DEAD d. Sam Raimi, 1981 (22 OCT 21:00); LITTLE SHOP OF HORRORS [Director's Cut] d. Frank Oz, 1986 (24 OCT 13:00); DONNIE DARKO d. Richard Kelly, 2001 (28 OCT 13:15); CARRIE d. Brian De Palma, 1976 (28 OCT 16:00).
ARNIE CLASSICS at The Prince Charles
Includes (check venue for full listings): END OF DAYS d. Peter Hyams, 1999 (26 OCT 18:10).
A TRIBUTE TO JEAN-PAUL BELMONDO at Close-Up
Includes (check venue for full listings): A WOMAN IS A WOMAN d. Jean-Luc Godard, 1961 (22 OCT 20:15); LÉON MORIN, PRIEST d. Jean-Pierre Melville, 1961 (23 OCT 16:00); SEVEN DAYS… SEVEN NIGHTS d. Peter Brook, 1960 (24 OCT 18:15); PIERROT LE FOU d. Jean-Luc Godard, 1965 (24 OCT 20:15).
BIG SCREEN CLASSICS: WATCHING THE DETECTIVES at BFI Southbank
Includes (check venue for full listings): UN FLIC d. Jean-Pierre Melville, 1972 (22 OCT 14:20); MURDER ON THE ORIENT EXPRESS d. Sidney Lumet, 1974 (23 OCT 17:30); CHINATOWN 4k d. Roman Polanski, 1974 (24 OCT 11:50 / 27 OCT 14:15); HEAT 4k d. Michael Mann, 1995 (24 OCT 14:30); ILLUSTRIOUS CORPSES 4k aka Cadaveri eccellenti d. Francesco Rosi, 1976 (25 OCT 14:15); BLUE VELVET 4k d. David Lynch, 1986 (26 OCT 14:30); DIRTY HARRY d. Don Siegel, 1971 + Recorded intro by Hannah Hamad (27 OCT 18:00); DEVIL IN A BLUE DRESS d. Carl Franklin, 1995 (28 OCT 20:50).
BLACK FEMME FILM PRESENTS: MOVIES THAT MADE US at Picturehouse Cinemas
Includes (check venue for full listings): MOONLIGHT d. Barry Jenkins, 2016 + Intro (24 OCT 17:30 – Picturehouse Finsbury Park).
BRIAN DE PALMA at The Prince Charles
Includes (check venue for full listings): BODY DOUBLE 35mm d. Brian De Palma, 1984 (23 OCT 20:45); CARRIE d. Brian De Palma, 1976 (28 OCT 16:00).
CULTPIX SEASON at Everyman Cinemas
Includes (check venue for full listings): SHE FREAK d. Bryon Mabe & Donn Davison, 1967 + Intro by introduced by Karen Krizanovich (22 OCT 23:00 – Everyman Screen On the Green).
DARIO ARGENTO – NEW RESTORATIONS at The Prince Charles
Includes (check venue for full listings): THE BIRD WITH THE CRYSTAL PLUMAGE d. Dario Argento, 1970 (22 OCT 13:00 / 28 OCT 18:30).
DAVID CRONENBERG at The Prince Charles
Includes (check venue for full listings): DEAD RINGERS 35mm d. David Cronenberg, 1988 (25 OCT 18:05).
EDGAR WRIGHT'S LONDON AFTER DARK at BFI Southbank
Includes (check venue for full listings): BEAT GIRL 35mm d. Edmond T Gréville, 1960 (22 OCT 20:40); WEST END JUNGLE d. Arnold L Miller, 1961 (23 OCT 20:40); THE PLEASURE GIRLS d. Gerry O'Hara, 1965 (25 OCT 20:50); FRENZY 35mm d. Alfred Hitchcock, 1972 (27 OCT 20:45); DARLING 35mm d. John Schlesinger, 1965 (28 OCT 20:30).
EYES ON SPIES at Ciné Lumière
Includes (check venue for full listings): NO TIME TO DIE d. Cary Joji Fukunaga, 2020 (until 28 OCT); CASINO ROYALE 35mm d. John Huston, 1967 (28 OCT 20:10).
FATAL FEMMES at The Prince Charles
Includes (check venue for full listings): UNDER THE SKIN d. Jonathan Glazer, 2013 (26 OCT 18:00); CARRIE d. Brian De Palma, 1976 (28 OCT 16:00).
THE FEMALE OF THE SPECIES IS MORE DEADLY THAN THE MALE at The Prince Charles
Includes (check venue for full listings): DR. JEKYLL AND SISTER HYDE 35mm d. Roy Ward Baker, 1971 + Q&A with Martine Beswick (25 OCT 17:50).
Curated by Sophie Determan. Presented in partnership with the National Film & Television School.
FRIGHT NIGHT CINEMA at Rivoli Ballroom
Includes (check festival for full listings): A NIGHTMARE ON ELM STREET d. Wes Craven, 1984 (23 OCT 17:00); THE ROCKY HORROR PICTURE SHOW d. Jim Sharman, 1975 (23 OCT 20:00); THE CROW d. Alex Proyas, 1994 (27 OCT 19:30); THE WITCHES d. Robert Zemeckis, 2020 (28 OCT 17:00); THE ROCKY HORROR PICTURE SHOW d. Jim Sharman, 1975 (28 OCT 20:00); THE SHINING d. Stanley Kubrick, 1980 (29 OCT 20:00).
HALLOWEEN at Backyard Cinema
Includes (check venue for full listings): HOCUS POCUS d. Kenny Ortega, 1993 (19 OCT – 13 NOV various); WHAT WE DO IN THE SHADOWS d.Jemaine Clement & Taika Waititi, 2014 (25 OCT 20:00); THE ADDAMS FAMILY VALUES d. Barry Sonnenfeld, 1993 (27 OCT 20:00); THE ROCKY HORROR PICTURE SHOW d. Jim Sharman, 1975 (28 OCT 20:00).
HALLOWEEN SPECIALS at The Exhibit
Includes (check venue for full listings): THE SILENCE OF THE LAMBS d. Jonathan Demme, 1991 (24 OCT 20:00); THE OMEN d. Richard Donner, 1976 (26 OCT 20:00 / 27 OCT 20:00).
HORROCTOBER at The Prince Charles
Includes (check venue for full listings): SCREAM 35mm d. Wes Craven, 1996 (22 OCT 12:30 – digital / 24 to 28 OCT various); THE BIRD WITH THE CRYSTAL PLUMAGE d. Dario Argento, 1970 (22 OCT 13:00 / 28 OCT 18:30); POSSESSION d. Andrzej Zulawski, 1981 (22 OCT 15:00); MANHUNTER 35mm d. Michael Mann, 1986 (22 OCT 18:00); THE SILENCE OF THE LAMBS d. Jonathan Demme, 1991 (22 OCT 20:45 / 27 OCT 12:30); THE EVIL DEAD d. Sam Raimi, 1981 (22 OCT 21:00); ABBOTT & COSTELLO MEET FRANKENSTEIN d. Charles Barton, 1948 (23 OCT 12:30); THE EXORCIST 35mm d. William Friedkin, 1973 (23 OCT 12:40 / 27 OCT 20:30); HOCUS POCUS 35mm d. Kenny Ortega, 1993 (23 OCT 15:45); DEATH BECOMES HER 35mm d. Robert Zemeckis, 1992 (23 OCT 18:10); THE SHINING [UK Version] 35mm d. Stanley Kubrick, 1980 (23 OCT 20:30); BODY DOUBLE 35mm d. Brian De Palma (23 OCT 20:45); LITTLE SHOP OF HORRORS [Director's Cut] d. Frank Oz, 1986 (24 OCT 13:00); THE THING d. John Carpenter, 19812 (24 OCT 15:30); EYES WITHOUT A FACE 35mm aka Les Yeux sans visage d. Georges Franju, 1960 (24 OCT 16:00); A NIGHTMARE ON ELM STREET d. Wes Craven, 1984 (24 OCT 20:30); THE LOST BOYS 35mm d. Joel Schumacher, 1987 (24 OCT 18:05); PSYCHO d. Alfred Hitchcock, 1960 (25 OCT 12:30); DR. JEKYLL AND SISTER HYDE 35mm d. Roy Ward Baker, 1971 + Q&A with Martine Beswick (25 OCT 17:50); DEAD RINGERS 35mm d. David Cronenberg, 1988 (25 OCT 18:05); ALIEN d. Ridley Scott, 1979 (25 OCT 20:45); RETURN OF THE LIVING DEAD 35mm d. Dan O'Bannon, 1985 (26 OCT 13:15); WES CRAVEN'S NEW NIGHTMARE 35mm d. Wes Craven, 1994 (26 OCT 15:30); THE TEXAS CHAIN SAW MASSACRE 35mm d. Tobe Hooper, 1974 (26 OCT 15:50); UNDER THE SKIN d. Jonathan Glazer, 2013 (26 OCT 18:00); THE KEEP 35mm d. Michael Mann, 1983 (27 OCT 18:10); HOUSE aka Hausu d. Nobuhiko Obayashi, 1977 (27 OCT 21:00); DONNIE DARKO d. Richard Kelly, 2001 (28 OCT 13:15); CARRIE d. Brian De Palma, 1976 (28 OCT 16:00).
JAPAN 2021 at BFI Southbank
Includes (check venue for full listings): SOULS ON THE ROAD 35mm aka Rojô no reikion d. Minoru Murata, 1921 (22 OCT 18:00); A PAGE OF MADNESS aka Kurutta ichipeiji d. Teinosuke Kinugasa, 1926 (23 OCT 13:00); I WAS BORN, BUT… aka Otona no miru ehon – Umarete wa mita keredo d. Yasujirô Ozu, 1932 (23 OCT 15:00); OUR NEIGHBOUR, MISS YAE 35mm aka Tonari no Yae-chan d. Yasujirô Shimazu, 1934 (24 OCT 12:40); HUMANITY & PAPER BALLOONS 35mm aka Ninjô kami fûsen d. Sadao Yamanaka, 1937 (24 OCT 15:00); A Time of Change and How Japanese Film Bore Witness to It illustrated talk by co-programmer Alexander Jacoby (25 OCT 18:20); CHILDREN OF THE BEEHIVE 35mm aka Hachi no su no kodomotachi d. Hiroshi Shimizu, 1948 + Intro by season co-programmer Alexander Jacoby (25 OCT 20:45); THE LIFE OF MATSU THE UNTAMED (The Rickshaw Man) aka Muhomatsu no issho d. Hiroshi Inagaki, 1943 (26 OCT 20:40); THRONE OF BLOOD aka Kumonosu-jô d. Akira Kurosawa, 1957 (27 OCT 20:30).
JEAN-PAUL BELMONDO LE MAGNIFIQUE at Ciné Lumière
Includes (check venue for full listings): LÉON MORIN, PRÊTRE d. Jean-Pierre Melville, 1961 (24 OCT 17:00); BREATHLESS aka A bout de souffle d. Jean-Luc Godard, 1959 (25 OCT 20:45).
MIKE LEIGH at BFI Southbank
Includes (check venue for listings): THE KISS OF DEATH d. Mike Leigh, 1977 (23 OCT 12:50); HARD LABOUR d. Mike Leigh, 1973 (23 OCT 15:10); HAPPY-GO-LUCKY 35mm d. Mike Leigh, 2008 + Q&A with the director, Alexis Zegerman & Kate O'Flynn (24 OCT 14:50); MEANTIME d. Mike Leigh, 1983 + Q&A with the director, Marion Bailey & Phil Daniels (24 OCT 18:00); SECRETS & LIES d. Mike Leigh, 1996 (25 OCT 14:30); LIFE IS SWEAT d. Mike Leigh, 1990 + Q&A with the director (26 OCT 17:50); ABIGAIL'S PARTY d. Mike Leigh, 1977 (26 OCT 20:50); HIGH HOPES d. Mike Leigh, 1998 (28 OCT 14:30); BLEAK MOMENTS d. Mike Leigh, 1971 (28 OCT 18:00); Mike Leigh in Conversation (28 OCT 20:40).
MIKE LEIGH'S CHOICES at BFI Southbank
Includes (check venue for listings): RADIO DAYS 35mm d. Woody Allen, 1987 (23 OCT 13:20); H3 d. Les Blair, 2001 + Q&A with the director (25 OCT 18:00); A BLONDE IN LOVE (Loves of a Blonde) aka Lásky jedné plavovlásky d. Miloš Forman, 1965 (25 OCT 20:40).
ONE WORLD UNSPOKEN at Ciné Lumière & Genesis Cinema
Includes (check venue for listings): LATCHO DROM d. Tony Gatlif, 1992 + Intro by Garth Cartwright at Ciné Lumière (26 OCT 18:00).
Curated by Yvonne Wootton. Presented in partnership with the National Film & Television School.
RENZO MARTENS at ICA
Includes (check venue for listings): WHITE CUBE d. Renzo Martens, 2020 (22 to 28 OCT various); EPISODE 1 d. Renzo Martens, 2003 at ICA (23 OCT 15:00 / 28 OCT 17:20); EPISODE 3 – 'ENJOY POVERTY' d. Renzo Martens, 2009 at ICA (24 OCT 12:30).
SMALL AXE at BFI Southbank
Includes (check venue for listings): MANGROVE d. Steve McQueen, 2020 + Q&A with the director & consultant Paul Gilroy (22 OCT 17:30); LOVERS ROCK d. Steve McQueen, 2020 + Q&A with the director & actor Dennis Bovell (22 OCT 20:50); The Making of SMALL AXE with Steve McQueen, Tracey Scoffield, David Tanner and guests (23 OCT 16:00); RED, WHITE AND BLUE d. Steve McQueen, 2020 (23 OCT 18:30); ALEX WHEATLE d. Steve McQueen, 2020 (23 OCT 20:45); EDUCATION d. Steve McQueen, 2020 (24 OCT 18:10).
STEPHEN KING at The Prince Charles
Includes (check venue for full listings): THE SHINING [UK Version] 35mm d. Stanley Kubrick, 1980 (23 OCT 20:30); CARRIE d. Brian De Palma, 1976 (28 OCT 16:00).
TAKE YOUR POSITIONS at Bertha DocHouse
Includes (check venue for full listings): SMOG TOWN d. Meng Han, 2019 (22 to 27 OCT various); ANOTE'S ARK d. Matthieu Rytz, 2018 (23 OCT 18:20 / 27 OCT 14:00); 2040 d. Damon Gameau, 2019 (24 OCT 14:00 / 25 OCT 16:15 / 28 OCT 13:45).
TWISTED FOLK: THE BEST FOLK HORROR FILMS FROM THE LAST DECADE at Catford Mews
Includes (check venue for full listings): NOVEMBER d. Rainer Sarnet, 2017 (23 OCT 20:30 / 25 OCT 20:30 / 27 OCT 20:30).
WONG KAR WAI at BFI Southbank
Includes (check venue for full listings): 2046 4K d. Wong Kar Wai, 2004 (22 OCT 14:00 / 25 OCT 17:45); HAPPY TOGETHER 4k aka Chun gwong cha sit d. Wong Kar Wai, 1997 (22 OCT 20:55); IN THE MOOD FOR LOVE 4K aka Fa yeung nin wah d. Wong Kar Wai, 2000 (23 OCT 20:50 / 28 OCT 18:10).
Brazil Indigenous Film Festival (22 to 24 OCT).
London East Asia Film Festival (21 to 31 OCT).
Raindance Film Festival (27 OCT to 06 NOV).
Sci-Fi-London 21 (19 to 24 OCT).
Short Com Film Festival (28 OCT 20:30).
DUNE d. Denis Villeneuve, 2021.
Various venues, inc: Barbican / BFI IMAX / The Castle / Catford Mews / Chiswick Cinema / Curzon Cinemas / Electric Cinemas / Everyman Cinemas / Genesis Cinema / Kino Digital / The Lexi / Peckhamplex / Phoenix Cinema / Picturehouse Cinemas / Rich Mix / Regent Street Cinema / Rio Cinema / Riverside Studios
THE HARDER THEY FALL d. Jeymes Samuel, 2021.
Various venues, inc: Curzon Cinemas / Everyman Cinemas / Peckhamplex / The Prince Charles
SCREAM 35mm d. Wes Craven, 1996.
The Prince Charles
Also (22 to 28 OCT various dates/times): PLAYLIST d. Nine Antico, 2021 at: Curzon Cinemas // SMOG TOWN d. Meng Han, 2019 at: Bertha DocHouse // WHITE CUBE d. Renzo Martens, 2020 at: ICA.


text:
Opportunity for ACTION – Petition to free Gdeim Izik group of Saharawi prisoners
Forthcoming trial of 22 Gdeim Izik prisoners
Add your signature to Avaaz petition >>
The trial has been set for 24 October in Rabat of the Saharawis arrested in connection with the Gdeim Izik protest camp. These are the people believed by the Moroccan authorities to be the ring leaders of the peaceful month-long protest in which Saharawis left the towns of occupied Western Sahara and camped in the desert about 12km from the occupied capital El Aaiun.
This entry was posted in Human Rights, Political issues on September 28, 2012 by appleton.
Crowd funding campaign for documentary on Saharawi women's stories
We can contribute to the making of this important documentary about the experience of violence and oppression amongst Saharawi women
'JUST TO LET YOU KNOW THAT I'M ALIVE' is a multimedia 25 minutes documentary that for the first time collects Saharawi women's stories and voices with a feminine sensibility, combining video footage clips, photographs, music and valuable stock material.
The documentary makers, journalist Emanuela Zuccalà and award winning Italian photographer Simona Ghizzoni write "It's a new chapter of our personal research, that since longtime pushes the both of us to report – through photography, video and writing – the different forms of violence against women in several places of the world….." (continued)
GO TO CROWD FUNDING WEBSITE >>
At this page you can view footage and contribute to the campaign.
Morocco must do more to eradicate torture, says UN rights expert
UN News Centre, 24 September 2012
While a culture of human rights is emerging in Morocco, the authorities must do more to eradicate torture and ill-treatment, says an independent United Nations human rights expert.
"The situation on the ground regarding the practice of torture has generally improved from the past decades when there were widespread disappearances, secret detention and torture," said Juan E. Méndez, the Special Rapporteur on torture….(continued)
Western Sahara: It's time for the people to choose
5 September 2012: Carne Ross, Executive Director of Independent Diplomat.
Response by Carne Ross to the latest diplomatic dance on whether or not former US Ambassador Christopher Ross should be allowed to continue to mediate UN-led talks between the Frente Polisario and Morocco on the future of Western Sahara.
This entry was posted in Political issues on September 14, 2012 by appleton.
Phosphate plundering in Western Sahara:the illegal explotation goes on
09.09 – 2012
Western Sahara Resource Watch (WSRW) continues to monitor phosphate rock exports from occupied Western Sahara. This update report provides details of exports and vessels involved in the trade over the period from 1 June until 31 August 2012 (the Observation Period).
There are two Australian shipments on the list, Alycia to Impact Fertlisers in Hobart on 8 August and Maple Crystal to IPL, currently discharging 9000 tonnes of phosphate in Portland, Victoria.
Full report >>
This entry was posted in Phosphate importation, Political issues on September 11, 2012 by appleton.
AWSA press release: Shipment of Conflict Zone Phosphate arriving in Geelong Wednesday
4 September 2012: Australia Western Sahara Association PRESS RELEASE – for immediate release
As the Margiris super trawler arrives in Australian amid controversy, another ship, the bulk carrier, Maple Crystal is due at Lascelles wharf in North Shore Geelong on Wednesday 5 September, bringing a stolen cargo of phosphate rock from Western Sahara for the Australian Fertiliser company, Incitec Pivot (IPL).
The cargo is bought by IPL from the autocratic regime of Morocco which has no ownership of these phosphates.
"We do not see how IPL can have legal title to import this mineral", says Cate Lewis of the Australia Western Sahara Association.
This entry was posted in Phosphate importation, Political issues on September 4, 2012 by appleton.
RFK Center observes grave human rights violations in Western Sahara
(Washington–Sept. 3, 2012)
Following a human rights delegation to Western Sahara, the Robert F. Kennedy Center for Justice and Human Rights (RFK Center) is issuing a statement with preliminary observations evaluating the human rights situation in Moroccan-controlled Western Sahara and the Sahrawi refugee camps near Tindouf, Algeria.
Report about delegation's visit >>
Read delegation's Statement of preliminary observations >>
This entry was posted in Human Rights, Political issues on September 4, 2012 by appleton.


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Oscar winning actor Jeremy Irons had to apologise on Chris Evans' BBC Radio Two breakfast show this morning for using the word 'f****d' live on air.
The legendary film star, 67, let the word slip on Friday as he recalled a conversation with fellow actor John Hurt, who was giving him advice on how to stop up-and-coming actors taking future roles.
But new Top Gear host Evans, 49, refused to see the funny side, even as fellow guest singer Paloma Faith tried to make light of the awkward situation.
Irons was joined in the studio by One Show host Alex Jones, Evans and Paloma, 34, partly to discuss his role in the new film Batman v Superman: Dawn of Justice.
In a segment where guests are asked to quiz each other, Alex Jones - the 39-year-old Welsh television presenter - asks a question of Jeremy.
Jeremy replies: 'I remember when I was a young man, about 30, as an actor and John Hurt who was a neighbour of mine in Hampstead where we lived.
'We were having a coffee one morning and when you get to 30 you begin to get a bit edgy, you see, because you find there's young ones coming up who look rather better than you because they are younger and who are rather good as actors.
Twitter sparked into life following the conversation on the show, with users commenting on what they had heard.
In 1990, Irons won an Academy Award for best actor in his role as accused murderer Claus von Bülow in Reversal of Fortune.


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@end

redpajama_set_name: RedPajamaGithub


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6" x 6"steel posts used for mounting.
Aluminum court yard gate with Fleur de lis spears and locking latch.
Large wrought-aluminum drive gate with cast aluminum palm trees framed in centers of each half.
Aluminum "walk-gate" with rusted powder coat finish.
Wrought aluminum "walk-gate" with rust color powder coat finish.
Wrought iron gates with Pontalba castings.