The Bermuda Weather Service (BWS) is a section of Bermuda Airport Authority's Aviation Services Delivery Unit.
The BWS has evolved substantially since its inception in 1995, following the departure of the US Navy, which previously provided a skeleton meteorological service for the Island, in addition to their own operational requirements at the former Kindley Field US Naval Air Station airfield, now known as the L. F. Wade International Airport. The BWS is officially recognized as the island's National Meteorological and Hydrological Service, providing public, marine, tropical and aviation weather forecasts, warnings and climatological services.
The BWS Director manages the service along with the Deputy Director, a Senior Technician and an IT Systems Administrator. The 24-hour operational weather service has a staff comprising of five Meteorologists (Forecasters) and five Meteorological Technicians (Observers). Inexperienced trainees undergo training and certification in close coordination with the Met Office, UK, in addition to rigorous in house training at BWS. The US National Weather Service and the United Nations World Meteorological Organisation also provide specialist forecaster training at the National Hurricane Center in Miami Florida.
The BWS supplies weather information to the media, including two local weather-dedicated TV channels and a variety of marine users, including the many visiting yachts. Bermuda Maritime Operations Centre staff relay our forecasts on Marine VHF radio, weather channel 2. The BWS works in close liaison with Bermuda's Emergency Measures Organisation and the US National Hurricane Center. The BWS also operates a comprehensive web site www.weather.bm which is extremely popular with both local residents and visitors. To promote awareness about weather phenomena, BWS hosts tours and endeavours to educate the community by means of public presentations.
Operational staff at the BWS gather information from a variety of sources. International weather observations, bulletins and World Area Forecast System products are obtained via the UK Met. Office, and U.S. National Weather Service. Due to the sparseness of marine observations from the surrounding ocean, forecasters in Bermuda have to place much reliance on the various numerical weather prediction models, imagery and other products from geostationary and orbiting weather satellites. Computer model data and observations are processed and displayed on Visual Weather workstations, supported by both the UK Met. Office and IBL Software Engineering. Observers take surface observations at least every hour, provide synoptic summary observations every few hours and release a weather balloon for radiosonde observations at least once a day.
Weather radar capabilities at BWS were upgraded to an S-Band Doppler radar system in August 2005. This system facilitates the improved tracking and prediction of weather systems, including hurricanes, winter storms and other severe weather types. In addition to the radar, automated weather observing systems (AWOS) have been installed at various locations throughout Bermuda, and have also been providing valuable data since August 2005. Radar imagery and the AWOS data are available through the BWS website, www.weather.bm.


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HOME ESSAYS Physics: Acids and Bases are Everywhere
Physics: Acids and Bases are Everywhere
Nov 24th, 2018 Published
Every solution has either has an acid or basic trait. The acid or basic trait in a solution are called pH level. pH is a scale that is used to determine if solution is acidic ,basic, or neutral. During Living Environment class, we conducted a experiment that allowed us to measure the pH levels of 3 solutions. We were split into groups and each person had to bring a household solution from around the house. There certain materials that were needed to conduct the experiment .The following materials are litmus papers, pH paper, pH indicator, a sheet of paper towel and a dropper. The household solutions that my group brought were nail polish remover, vinegar, and water. Then we would lay the three litmus papers and three pH papers space them away from each other. After that, a person my group would take the dropper and put drops of each solution on the three litmus papers and the three pH papers. There are solutions which have the property of changing their color when they come in contact with an acidic or basic environment. An example of this was vinegar, when it contact the litmus and the pH paper, it became red. Then ,we check the pH indicator and find out that vinegar was acidic on both paper ,also , that the pH level was 2.4.Also the same thing happen with the water and nail polish remover. The color it became when it contact the paper was dark blue, which is basic ,and the pH level is 10.9. The water turn green on the litmus and pH paper when it contact the paper, which is neutral, and the pH level is 7. With these experiments, you saw that there are acid substances , basic substances, and, neutral substances. All solutions are one of these . Finding the pH level is an easy and educational
Acids and Bases Lap Report
Acids and bases are really important in our daily day life. So let's start with telling the definitions of them. Starting with acids, they are a substance which dissociates in water in order to produce one or more hydrogen ions. Also we can write H+ instead of hydrogen ion. Bases have the same definition, although the difference is that it firm hydroxide ions instead of hydrogen ions. We can write OH- instead of hydroxide ion.…
Characteristics Of Water: Acids And Bases Are Everywhere
Every liquid you see will probably have either acidic or basic traits. Water (H2O) can be both an acid and a base, depending on how you look at it. It can be considered an acid in some reactions and a base in others. Water can even react with itself to form acids and bases. It happens in really small amounts, so it won't change your experiments at all. It goes like this:…
Acid Base PH Lab
The pH is the measurement of how acidic or how basic a substance can be. The pH scale is used to measure how acidic or basic a living cell can be. The pH scale ranges from 0-14; 0-6 being acidic, 8-14 being basic and 7 being neutral. There are many factors that could be accounted for that might influence the pH of cells. The location of a cell might affect the pH of it. For example, a cell living in an acidic environment might have a pH level ranging from 0-7. Also cellular metabolism may affect the cytoplasmic pH and as a result also affect the surrounding medium (Biohazard, 2007). Because of the change in pH levels, cells will have to maintain a constant pH because of enzyme activity. Most human enzyme work best with pH ranges of 6-8 (Biohazard, 2007). Some function in acidic environments, such as, stomach enzymes. Cells regulate by controlling their pH levels for proper functions of enzymes.…
The pH Scale is a scale made to show how acidic or alkaline a substance is. The pH of something is measured with pH paper which can vary from wide range paper, which covers all ph's, but is not as accurate at some others. There are pH papers that get very specific that can have a range such as 2 or 3 and get much more precise. The neutral on the scale is 7. Anything that is below 7 is considered acidic and anything above 7 is considered alkaline. Acidic substances contain more H+ than OH-. H+ stands for a positively charged hydrogen ion and OH- stands means a negatively charged hydroxide ion. This means something with the pH level of 4 is more acidic than something with the pH level of 9.…
What Is Ph Balance In The Human Body
As we all know every solution is either acid or alkaline. Alkaline is often called base. These solutions can be anything from body fluids, to fruits, vegetables, seawater, beverages you name it. Acid and alkaline is measured in pH. It starts as low as zero being very acidic and works its way up to fourteen being the most basic. The pH of our stomach is 2, obviously to digest food, wine is 3.5,water is 7(neutral), arterial blood is 7.4, and seawater is 8.5. Baking soda is 12.…
What Is Acid Rain
Describe the ph range and list various things that correspond to the various ph levels.…
Difference Between Tea And Tea
Acids are acrid and destructive. They turn out to be more unbiased when blended with a base (soluble). The pH scale depicts chemicals extending from extremely neutral (7.0), acidic (0) and to a great degree soluble (14.0).…
Chemistry: Terms and Description
In chemistry, pH is a measure of the acidity or basicity of an aqueous solution. Solutions with a pH less than 7 are said to be acidic and solutions with a pH greater than 7 are basic or alkaline. Pure water has a pH very close to 7.…
Acid and Drops Litmus Paper
2. Using dropper, get a little amount of coke, vinegar, milk, beer, and distilled water then drop to red and blue litmus paper. Record the result.…
Represented on a scale of 0 to 14, pH is the measurement of the acidity of something—in this case, your soil. In a nutshell, the pH is the comparative measure of hydrogen and hydroxide ions present.…
Food Sanitation
PH level: This stands for hydrogen, referring to how "acid" or " alkaline" a substance is. The scale ranges from 0 (strongly acidic) to 14(strongly alkaline). A pH of 7 is neutral.…
Aphy 101 Midterm Study Guide
• Define Acid, Base, and Neutral compound. How are acids and bases represented on the pH scale? How do hydrogen ion concentrations change as the numbers change?…
Apes- Water Study Guide
pH is the measure of hydrogen ion concentration in a substance and is used to test how basic or acidic water is.…
Acids, Bases, Buffers and Respiration
Homeostasis is the tendency of a system, especially the physiological system of higher animals, to maintain internal stability, owing to the coordinated response of its parts to any situation or stimulus that would tend to disturb its normal condition or function. This is essential for the human life. Every piece of this experiment was to prove the slightest change can through your body off balance.…
Student Exploration: pH Analysis
The strength of an acid or base is measured on the pH scale. The term "pH" is short for "potential of hydrogen." It is a measure of how many excess H+ ions there are in a solution. The pH scale runs from 0 to 14, with 0 representing the highest concentration of hydrogen ions. Acidic substances have a pH below 7, while alkaline substances (bases) have a pH above 7. Pure water has a pH of 7 and is considered neutral.…

redpajama_set_name: RedPajamaCommonCrawl


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Q: Magento import products with images I have tried all afternoon to import some products in Magento, but all without any success. After trial and errors it all came down an "Image does not exist" error. I have read a few posts about it, most of them outdated, but then a recent one talks about putting everything in /media/import and having all files named like /image.png in the CSV file.
It does not work and I still get the same error.
I'm using Magento 1.6.2 and I have tried putting the files in
/var/import/image.png
/var/import/i/m/image.png
/media/import/image.png
/media/import/i/m/image.png
/media/catalog/product/i/m/image.png

I have tried to name the file in the CSV as
/image.png
/1/m/image.png
/media/import/image.png
/media/import/i/m/image.png

...and a bunch of combination of them all (not exactly sure which ones as I used a random approach at first, trying what the forums suggested, but without any luck). I have tried to located the piece of PHP code where the image file is checked, but failed... again.
So, what folder does the importer looks for the file anyway? What is the way of doing this? There are a lot of people with the same problem and it does not seem to be any official solution for this. Any help appreciated.

A: I ftp'd the images into media/import and then in the actual CSV file, the image was /image.jpg.
Here is an example of my working import CSV file. I wrote a php script to hash the database which fed our then catalog and assemble the below output. It did take lots of trial and error to get it working. Do a mysqldump before you try importing so you can blow away mistakes with restores.
"sku"|"price"|"special_price"|"brand"|"weight"|"cost"|"name"|"section"|"description"|"short_description"|"make"|"fitment"|"product_name"|"store"|"websites"|"attribute_set"|"type"|"has_options"|"gift_message_available"|"custom_design"|"options_container"|"image_label"|"small_image_label"|"thumbnail_label"|"page_layout"|"meta_keyword"|"custom_layout_update"|"manufacturer"|"color"|"status"|"tax_class_id"|"visibility"|"enable_googlecheckout"|"is_recurring"|"is_imported"|"special_to_date"|"custom_design_from"|"custom_design_to"|"news_from_date"|"news_to_date"|"qty"|"min_qty"|"use_config_min_qty"|"is_qty_decimal"|"backorders"|"use_config_backorders"|"min_sale_qty"|"use_config_min_sale_qty"|"max_sale_qty"|"use_config_max_sale_qty"|"is_in_stock"|"low_stock_date"|"notify_stock_qty"|"use_config_notify_stock_qty"|"manage_stock"|"use_config_manage_stock"|"stock_status_changed_automatically"|"use_config_qty_increments"|"qty_increments"|"use_config_enable_qty_increments"|"enable_qty_increments"|"store_id"|"product_type_id"|"product_status_changed"|"product_changed_websites"|"material"|"category_ids"|"image"|"small_image"|"thumbnail"
"TEE BLACK LONG LG"|"28.41"|"25.00"|""|"0.60"|"12.15"|"Ca Cycleworks Lg black cotton longsleeve logo t-shirt Cycleworks Brand Gear!!"|""|"Ca Cycleworks Lg black cotton longsleeve logo t-shirt Cycleworks Brand Gear!! for Ducati Everyone"|" Ducati Everyone"|""|""|"Ca Cycleworks Lg black cotton longsleeve logo t-shirt Cycleworks Brand Gear!!"|"admin"|"base"|"Other Accessories"|"simple"|"0"|"Use config"|""|"Block after Info Column"|""|""|""|"No layout updates"|""|""|""|""|"Enabled"|"None"|"Catalog, Search"|"Yes"|"No"|"Yes"|""|""|""|""|""|"1.0000"|"0.0000"|"1"|"0"|"0"|"1"|"1.0000"|"1"|"0.0000"|"1"|"1"|""|""|"1"|"0"|"1"|"0"|"1"|"0.0000"|"1"|"0"|"0"|"simple"|""|""|""|"36"|"/tee.jpg"|"/tee_sm.jpg"|"/tee_th.jpg"
"LANYARD"|"2.27"|"2.00"|""|"0.05"|"1.05"|"Ca Cycleworks Cycleworks lanyard Cycleworks Brand Gear!!"|""|"Ca Cycleworks Cycleworks lanyard Cycleworks Brand Gear!! for Ducati Everyone"|" Ducati Everyone"|""|""|"Ca Cycleworks Cycleworks lanyard Cycleworks Brand Gear!!"|"admin"|"base"|"Other Accessories"|"simple"|"0"|"Use config"|""|"Block after Info Column"|""|""|""|"No layout updates"|""|""|""|""|"Enabled"|"None"|"Catalog, Search"|"Yes"|"No"|"Yes"|""|""|""|""|""|"1.0000"|"0.0000"|"1"|"0"|"0"|"1"|"1.0000"|"1"|"0.0000"|"1"|"1"|""|""|"1"|"0"|"1"|"0"|"1"|"0.0000"|"1"|"0"|"0"|"simple"|""|""|""|"36"|"/"|"/_sm"|"/_th"
"PVC TAPE"|"13.64"|"12.00"|""|"0.50"|"1.05"|"Ca Cycleworks White pvc duck tape - all 4 panes - 2in x 110yds Cycleworks Brand Gear!!"|""|"Ca Cycleworks White pvc duck tape - all 4 panes - 2in x 110yds Cycleworks Brand Gear!! for Ducati Everyone"|" Ducati Everyone"|""|""|"Ca Cycleworks White pvc duck tape - all 4 panes - 2in x 110yds Cycleworks Brand Gear!!"|"admin"|"base"|"Other Accessories"|"simple"|"0"|"Use config"|""|"Block after Info Column"|""|""|""|"No layout updates"|""|""|""|""|"Enabled"|"None"|"Catalog, Search"|"Yes"|"No"|"Yes"|""|""|""|""|""|"1.0000"|"0.0000"|"1"|"0"|"0"|"1"|"1.0000"|"1"|"0.0000"|"1"|"1"|""|""|"1"|"0"|"1"|"0"|"1"|"0.0000"|"1"|"0"|"0"|"simple"|""|""|""|"36"|"/ductape.jpg"|"/ductape_sm.jpg"|"/ductape_th.jpg"

A: For those who bored with endless bugs of Magento's out of box Dataflow profiles and considers paid solutions: check this one. With it you simply avoid 99% popular errors raising during importing products with images:
-- no BOM character problem (as it's going to happen through online CSV editor)
-- no "wrong paths" problems (you can set the path where to pick up images in settings, if the image is missing - the log will inform you immediately)
-- no "multiple images" problem: you can import small_image, thumbnail, image fields along with "media_gallery" field containing multiple paths separated by semicolon.
Also, it can EXPORT, so if something goes wrong and you can't figure out what happened - just create your product manually, upload image manually via magento admin, and then just EXPORT this products. It will populate the CSV with proper paths to the images, it will also copy all the required images into the folder that  you set in settings as "Media folder". So you can import them back without taking care if the images are in correct folders.
I know most people are looking for free stuff, but if you spent already dozen hours struggling with Dataflow to achieve a simple task of bulk assigning images to the products - I bet you understand what I'm talking about :)

A: In my case, i need to import 10000 records with same image.
After i search on Google but it didn't work. I must to collect all of resolvers and it work.
My resolver is:

*

*the minimum attributes :
store, sku,    qty,    is_in_stock,    attribute_set,  description,    model,  price,  tax_class_id,   visibility, websites,   weight, status, type,   short_description,  name,   category_ids,   image,  small_image,    sku,
You can see two "sku". one is character and anther one is number. I dont know why. But when i remove the last. it shows "image does not exist". Maybe, it is the sku for image if the name of images are same.

*

*Create import folder under $MAGENTO_HOME/media/var

*Upload  your images in this folde via  ftp/scp.

*in the csv file: add /name_image.jpg (png or whatever format images you upload)

It will match with the images you uploaded
so, when you import. the error "image does not exist don't show.

redpajama_set_name: RedPajamaStackExchange


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This Is Anfield • Liverpool FC News • LFC Women •
Liverpool players criticise club after "retracting" contract offers
Liverpool FC Women players Kirsty Linnett and Becky Jane have both criticised the club for their treatment, alleging contract offers were retracted without informing them.
Linnett and Jane are now due to leave the Reds this summer following the expiry of their deals, after the club finishing third in the Women's Championship.
There is likely to be another overhaul in personnel, led by the appointment of Matt Beard as new manager, as Liverpool plot a return to the top flight.
But the manner in which they have approached those due to be released has been criticised, with forward Linnett and defender Jane taking to social media to confirm their exit.
"After three years at Liverpool my time has sadly come to an end," Linnett wrote.
My time at Liverpool has come to an end… I have seen a lot of similar experiences to what I have explained below in women's football recently. Something needs to change, people need to be treated better, it's not good enough. pic.twitter.com/jkzqcuf1ww
— Kirsty Linnett (@kirsty_linnett) May 21, 2021
"It would have been nice if someone from the club had the decency to tell me that they were retracting the contract offer they'd previously sent to my agent.
"I feel that after three years at the club the least I deserved was a face-to-face meeting the moment they knew they wanted to let me go, instead of calling my agent, telling him and then asking him to decide whether to tell me or the club call me!
"It's also sad that the situation was only brought to light after my agent had emailed the GM to further the negotiations.
"Football is football but where does it stop? I've no hard feelings with being let go, it's part of the game.
"What upsets me is the club support campaigns for mental health yet treat their own players with such little regard and respect.
"I'm not the only one who's felt like this either. Let's hope clubs can do better by their players during these difficult times and act with more care for the people involved, as manners and morals cost nothing."
Jane shared Linnett's statement, writing that "the least we deserve is to be treated better and with respect":
Unfortunately, similar to @kirsty_linnett the club have retracted my contract offer in a similar way. As female footballers with zero security as it is; the least we deserve is to be treated better and with respect. It takes nothing to be kind. Thank you to my teammates ?? https://t.co/yfYhKmFE0v
— Becky Jane (@beckjane18) May 21, 2021
Linnett made 16 appearances for Liverpool this season, scoring once, while Jane featured 17 times, netting three times in her last seven outings for the club.
A club statement, shared by BBC Sport's Emma Sanders, insisted they had followed "standard practice" when it came to informing players of their release, and that they had done so "as early as possible":
Full statement from an #LFC spokesperson following tweets from players Becky Jane and Kirsty Linnett. pic.twitter.com/3cyQx0lMVv
— Emma Sanders (@em_sandy) May 21, 2021
This is not the first time outgoing players have criticised Liverpool's women's setup, with Courtney Sweetman-Kirk having pointed to "a slow but definite decline" in investment following her exit last summer.
In an interview with Sky Sports, she added: "Money is obviously one thing and makes the world go around but [also] in terms of how you make people feel and what your place is within the club as a whole hasn't been fantastic."
Midfielder Christie Murray alluded to similar as she confirmed her exit in 2020, saying she was "looking forward to…the opportunity to be in an environment that challenges me" and "to be able to enjoy what I love again."
Tags LFC Women


After failing to halt the Elad organization's archaeological work at Ir David, leftists are decrying the 'privatization of archaeology'.
A group of 150 archaeologists and students sent a petition Tuesday to Environment Minister Gilad Erdan and Sport and Culture Minister Limor Livnat, asking them to drop their support for a law that formalizes private archaeological digs and research at national parks and historical sites. The petition says that the law would "politicize archaeology in Israel and damage the independence of researchers," and calls for the ministers to oppose the "privatization of archaeology," which, they write, would be the death knell of archaeology in Israel.
But supporters of the law said that there were already hundreds of independent and private groups conducting archaeological research around the country. In fact, supporters say, there is only one dig that the group is interested in halting – the one going on in Ir David (the City of David), conducted by the Elad organization.
The law, proposed by MK Yisrael Hasson (Kadima) and other MKs, has already passed its first reading, and is being discussed in Knesset committees prior to its second and third reading, which should take place soon after the Knesset reconvenes after the upcoming Jewish holidays. The law states that organizations which seek to preserve historical, archaeological, or architectural sites, either natural or man-made, and do not operate as for-profit groups, will be able to carry out work at sites.
Elad has been conducting work at Ir David under this formula – which, until recently, was unchallenged – for years. In recent months, leftist groups filed a petition with the High Court against Elad's work – prompting Hasson to propose his law. Hasson said that he was unconcerned with the charges by left groups that Elad was politicizing the work at the site. "We MKs are aware of the issues and we will know how to ensure a proper balance between the work that can save important sites, and political agendas," Hasson said.
The law has a good chance of passing on its second and third readings, since coalition MKs support it, as do most Kadima MKs. As a result, the leftist groups were reduced to filing a petition, as a last recourse to convince the government not to support the law.


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Ready At Dawn Integrates Perforce With Internal Game Engine
God of War: Chains of Olympus dev Ready At Dawn is integrating its recently-introduced console game engine with Perforce's software configuration management system, the studio said Friday.
Kris Graft
God of War: Chains of Olympus dev Ready At Dawn is integrating its recently-introduced console game engine with Perforce's software configuration management system, the studio said Friday. "Our entire asset management behind is basically Perforce," Ready At Dawn president Didier Malenfant told Gamasutra in a recent interview, prior to the official announcement of the software-technology partnership today. Ready At Dawn said it will "fully integrate" the Perforce SCM solution with the Ready At Dawn Engine's asset management system. "The integration complements Ready At Dawn's proprietary code-base plus its integrations with 3D content editing, audio and user interface systems," Ready At Dawn said in a statement. Ready At Dawn, which made its name creating the critically- and commercially-successful PSP games Daxter and God of War: Chains of Olympus, announced in October last year that it would begin licensing its own game engine. While the studio specialized in PSP game development, the Ready At Dawn engine supports Xbox 360, PlayStation 3, as well as PSP. "By leveraging Perforce's SCM server technology, the Ready At Dawn Engine is able to take advantage of unlimited scalability, fast SCM operations and versioning of an entire game project, both code and data, all in one place allowing for flexible, fast and intuitive branch and merge capability," Ready At Dawn said. "Furthermore, all art related asset management functionality is integrated into the platform's toolset allowing for a completely transparent and intuitive workflow." Malenfant added, "Using Perforce's proven server technology as a back end for both our code and data asset management systems allows you to work in a complete sandbox environment while easily keeping track of every single change of their entire game project."


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Image by Anastasia Higginbotham/The Feminist Press, © All Rights Reserved.
Death Is Stupid, and Other Lessons Children Teach Us About the Inevitable End
Courtney E. Martin
Death is stupid. Or so says Anastasia Higginbotham, the author and illustrator of a new book for kids with that title. She goes on:
Every life comes to an end. Dying is not a punishment. But it mostly doesn't feel fair.
It's a beautiful assemblage of a book — as if Romare Bearden himself rose from the dead and created a sequel to Alexander and the Terrible, Horrible, No Good, Very Bad Day. Thumbing through it, I was once again reminded of how dumb we are at a grief in this country, generally speaking, and how much we have to learn from even the most basic instincts of children.
Higginbotham, for example, warns her tiny readers:
Beware of the lies.
You know, the ones we tell that we think somehow kids won't interrogate even though we have every shred of evidence that they are intuitive sleuths from day frickin' one. My two-year-old daughter Maya found a dead bird on the beach and became completely transfixed by it. She squatted nearby, staring, for minute after minute after minute and demanded to know what happened. When her Oma (grandmother) and I stumbled over our words, she wouldn't move on.
"Some people think animals have spirits that can move outside of their bodies," Oma tried to explain. "Maybe he's in a better place."
"Like over there?" Maya asked, pointing to the tall grasses just north of where we were huddled around the lifeless bird. She looked unconvinced. If there was a spirit, where exactly was Oma purporting it might be hanging out? She wanted answers, not abstraction. She asked to take a picture of the dead bird with my iPhone. I let her.
Image by Maya Elizabeth Martin Cary.
I could tell it was part of her process for working out what this was all about.
Higginbotham, perhaps having experienced the inadequacies of adult explainers like Oma and me, advises her readers:
If you have questions for the one who died, ask them in your imagination or right out loud.
My maternal grandfather, Cork, he was called, died while my mother was pregnant with me. But he lived on in the epic stories I heard around the Thanksgiving dinner table. He played football for the University of Nebraska and twisted the glass necks clean off of beer bottles when he didn't realize they required an opener. He was a traveling salesman and once had my grandmother sew a collared shirt with Velcro along the seams so he could dramatically rip it off as he promised a potential client: "We'll give you the shirts off of our backs!"
I used to pray to him while lying in my little canopy bed at night. No one told me to do it. I don't think I even mentioned it to my mom, who missed him terribly. It was just an instinct.
As it turns out, it is a healthy one. In researcher George Bonnano's The Other Side of Sadness, he finds that the people who weather the erratic ups and downs of grief the most gracefully are those that don't shy away from having an ongoing relationship with the dead. Ask them your questions. Treasure the things they left behind. Look for them in peculiar places.
Because while death, the ultimate end, is inevitable, remembering lasts. That's what Higginbotham says.
I'm so grateful she's right. In the case of my grandfather, a man I never even knew, the stories have made him eternal. Maya was born on his birthday. Pretty soon we will get a big white piece of paper out and put it on the kitchen table and draw a likely unwieldy and imbalanced family tree and I'll show her the branches that reach up to Cork and tell her about the tear-away shirt and the beer necks and we'll laugh, and maybe I'll even tell her how robbed I know Oma feels of getting to spend more time with him, and he will still be dead, but very much alive too, and that will make it all far less stupid.
"The other place" that spirits go, it turns out, is into the creative power of our own hearts and minds, the people we conjure up with our stories, the connections we weave which transcend our corporeal limitations and tragic losses. This is what kids already know. If only we'd let them, let ourselves, keep knowing it.
Courtney E. Martin was a columnist for On Being. Her newest book, The New Better Off: Reinventing the American Dream, explores how people are redefining the American dream (think more fulfillment, community, and fun, less debt, status, and stuff). Courtney is the co-founder of the Solutions Journalism Network and a strategist for the TED Prize. She is also co-founder and partner at Valenti Martin Media and FRESH Speakers Bureau, and editor emeritus at Feministing.com.
Courtney has authored/edited five books, including Do It Anyway: The New Generation of Activists, and Perfect Girls, Starving Daughters: How the Quest for Perfection is Harming Young Women. Her work appears frequently in The New York Times and The Washington Post. Courtney has appeared on the TODAY Show, Good Morning America, MSNBC, and The O'Reilly Factor, and speaks widely at conferences and colleges. She is the recipient of the Elie Wiesel Prize in Ethics and a residency from the Rockefeller Foundation's Bellagio Centre. She lives with her partner in life and work, John Cary, in Oakland, and their daughters Maya and Stella. Read more about her work at www.courtneyemartin.com.
death, grandparents, grief, memory, pain, parenting, sorrow
Sheryl Sandberg + Adam Grant
Resilience After Unimaginable Loss
Sheryl Sandberg is synonymous with Facebook and Silicon Valley success, and she's the voice of Lean In. She joins us, frank and vulnerable, together with the psychologist Adam Grant. His friendship — and his research on resilience — helped her survive the shocking death of her husband while on vacation. They share what they've learned about planting deep resilience in ourselves and our children, and even reclaiming joy. There is so much learning here on facing the unimaginable when it arrives in our lives and being more practically caring towards the losses woven into lives all around us.


text:
Фёдор Данилович Чулков (умер между 1609 и 1614/1615 годами)— российский полковой воевода. Участник событий Смутного времени. Впервые назван среди дворян намеченных к участию в зимнем походе на Швецию. Продолжил службу
в 1589-1608 как голова, помогая на этой должности воеводам в Одоеве, Мценске, Ливнах, Черни, Орле, Ельце. Назван среди основателей Царёв-Борисова. После взятия Крапивны в 1608 году был там  поставлен воеводой. В 1609 году как полковой воевода и дипломат участвовал в русско-шведских переговорах и совместных боевых действиях против сторонников Лжедмитрия II и польских интервентов.

Имя и идентификация
В конце XVI-начале XVII в России было несколько Фёдоров Чулковых. Кроме Фёдора Даниловича Чулкова принадлежавшего к потомкам Семёна Фёдоровича Кобылы, был князь Фёдор Чулков Ушатый и два представителя рода Чулковых принадлежавшего к потомкам Ратши Фёдор Алексеевич Чулков и Фёдор Иванович Чулков. В одних источниках их указывают с отчеством в других без и возникает проблема идентификации. Разрядные книги в большинстве случаев писали, когда упоминаемый деятель принадлежал к княжескому роду и если он не назван князем, то вероятно речь шла о другом тёзке. Фёдор Алексеевич достоверно упомянут в 1547 году, Фёдор Иванович как воевода упомянут в 1560-е годы. Фёдор Данилович как тульский дворянин в 1580-е и как голова в 1590-е. Некий Фёдор Чулков (с пропущенным отчеством) фигурирующий как голова в XVI-начале XVII века это Фёдор Данилович Чулков, так как Фёдор Иванович жил значительно раньше, а для Фёдора Алексеевича после воеводы стать головой означало бы понижение по службе. В. И. Буганов в указателе к Разрядной книге 1475—1598 года все упоминания головы Фёдора Чулкова как в случае указания отчества Данилович, так и без указания отчества объединил как относящиеся к одному человеку Фёдору Даниловичу Чулкову. У С. А. Белокурова есть четыре упоминания Фёдора Чулкова: в трех он назван без отчества, а в четвертом описывающем совместные действия Михаила Скопина-Шуйского со шведами назван Фёдором Васильевичем Чулковым. И поэтому в указателе к книге все четыре упоминания С. А. Белокуров ошибочно всех именует под этим отчеством. Но в тексте «Договорной записи князя Михаила Шуйского с шведским воеводой Христиерном Зоме» опубликованной в «Актах исторических собранных и изданных археографической комиссией» соратником Скопина-Шуйского назван дворянин воевода Фёдор Данилович Чулков.

«Русский биографический словарь» и полкового воеводу действовавшего в 1609 году вместе со шведами и полномочного представителя подписавшего через несколько месяцев от имени Михаила Скопина-Шуйского с секретарем шведского короля Карлом Олофсоном считал одним и тем же человеком — Филиппом Чулковым (не указывая отчество).

Так как Фёдор Чулков с отчеством Данилович упомянут не только в русско-шведском договоре 1609 года, но и Боярских списках, а также Разрядных книгах, а Фёдор Чулков с отчеством Васильевич упомянут только Разрядной книге (где кроме него в этом абзаце фигурируют ещё два других Васильевича) и иным источникам не известен (что странно для человека ставшего воеводой) очень высока вероятность, что городского голову, а потом полкового воеводу звали Фёдор Данилович Чулков.

Происхождение
Фёдор Данилович Чулков принадлежал к тому дворянскому роду Чулковых, что вели своё происхождение от Семёна Фёдоровича Ковылы-Вислого служившего великому князю Василию Дмитриевичу. Сын Семёна Фёдоровича — Семён Семёнович был боярином Василия II Васильевича Тёмного, а сын Семён Семёновича — служил Фёдору Ольговичу Рязанскому. Сын Якова — Иван Тутыха был рязанским боярином (у Ивана Фёдоровича). Внук Ивана Тутыхи — Григорий Ивашкович Чулок был дедом Фёдора. Отцом Фёдора был основатель Тобольска Даниил Григорьевич Чулков. Имевший двух сыновей Данила Даниловича и Фёдора Данилович Чулков.

Служба
Указан в Боярском списке 1588—1589 года среди дворян намеченных к участию в зимнем походе на Швецию. Среди тульских дворян перечислен среди дворян в 500 четей. Притом среди всех российских дворян он относился к тем, что должны были раньше выступить в поход («ехать наперед»).

1590 году (7098 год) распределяя разряды «на осень» в воеводой сторожевого полку Одоева был назначен Лука Осипович Щербатов, а головой при нём Фёдор Чулков (отчество не указано). Летом 1590 года Фёдор Данилович Чулков был назначен осадным головой Тулы, а вторым осадным головой был назначен Яков Вельяминов. Тот затеял местнический спор, решение которого отложили до окончания службы.

Весной 1591 года (весна 7099 года) воеводой Мценска был назначен Борис Петрович Татев, а головой при нём Фёдор Чулков (отчество не указано).

В 1591 году крымский хан Казы-Гирей II совершал поход на Москву, но под её стенами 5 июля был разбит войском под командованием бояр князя Фёдора Ивановича Мстиславского и Бориса Фёдоровича Годунова. Крымские войска отступили. Войска Ф. И. Мстиславского и Б. Ф. Годунова их преследовали, но 10 июля большая часть войска повернули назад. Лишь отряд дворянина Ивана Васильевича Мясного продолжил преследование до Судбищ. Также из армии Ф. И. Мстиславского на «крымскую украину» были посланы воеводы и головы среди них был Фёдор Данилович Чулков.

В 1591—1592 году (7100 год) воеводой Ливн стал Иван Михайлович Бутурлин, а головой при нём Фёдор Чулков. В мае 1592 года (18 мая 7100) царь Фёдор Иванович приказал И. М. Бутурлину вместе с Артемием Колтовским и Афанасием Зиновьевым «идти на поля за крымскими царевичами». В июне 1592 (1 июня 7100) воевода Иван Михайлович Бутурлин, с Артемием Ивановичем Колтовским и Афанасием Фёдоровичем Зиновьевым пошли воевать «в поле», а в Ливнах (на случай возможной осады) остался Федор Данилович Чулков.

И. М. Бутурлин и Ф. Д. Чулков вместе были в Ливнах до 1595 года (7103 года).

Бутурлина в 1595 году (7103 году) в Ливнах сменил новый воевода Иван Осипович Полев. Этот воевода по царскому приказу направил письменных голов князя Григория Константиновича Волконского, Степана Борисовича Колтовского, а Федора Чулкову и Григория Тургенева во главе боярских детей и ливенских казаков вооруженных пищалями к Осколу на Козью Поляну, чтобы они оповестили ближайшему воеводе если подойдет крымское войско.

В 1596 году (7104 год) Фёдор Данилович Чулков  голова Черни.
Весной 1596 (весна 7104 года) в ожидании набега в Орёл был направлен воевода Василий Тимофеевич Плещеев, головой при нём был Фёдор Данилович Чулков, отправленный из Черни.
В 1597 году (весна 7105 года) в Орле при новом воеводе князе Фёдоре Васильевиче Туренине головой остался Фёдор Чулков.

Фёдор Данилович Чулков был головой в Ельце при воеводе князе Василии Ивановиче Горбатом Мосальском. Где был головой и в 1598 году (7105). В июле 1598 воевода Мосальский и голова Чулков сообщили в Москву новому царю Борису Годунову о том что из Крыма возвращаются русские послы Леонтий Ладыженский и Иван Бунаков сопровождаемые ханскими послами. Вскоре Фёдор Чулков был отозван в Москву и заменён в Ельце головой «Микитой Щепотовым».

В 1599 году воеводы Богдан Яковлевич Бельский и Семён Романович Алферьев посланы на Северский Донец строить город Царёв-Борисов. А головами у этих воевод были: Федор Чулков и Истома Михнев.

В 1608 году (7116) Василий Шуйский направил под Крапивну воевод князя Юрия Петровича Ушатого и князя Семёна Кропоткина. После взятия Крапивны в неё был поставлен воеводой. В разрядных книгах приводимых С. А. Белокуровым запись о воеводстве менее явная на л. 559 «и на Крапивне велено быть Федору Чюлкову» или л. 660 «А на Туле оставил воевод боярина Михаила Федоровича Нагова да Судока Мясново. На Кропивне Федор Чюлков», но разрядной книге 1550—1636 гг. он назван воеводой: «И на Кропивне велено быть воеводе Федору Чюлков.». Фёдор Чулков.

В начале 1609 года начались русско-шведские переговоры о союзе. В марте 1609 года (28 февраля по старому стилю и позже) было подписано несколько договоров по которым шведы предоставляли военный контингент, а Российское государство передавало Карелу и окрестности. В Россию прибыл отряд Якоба Делагарди.

Весной в 1609 года русские полки под командованием воевод Фёдора Чулкова и Семёна Головина в союзе со шведским отрядом под командованием Эверта Горна и Андреем Боем пошли на Русу, а затем в Торопецкий уезд где у села Каменка разбили один из отрядов тушинцев под командованием Яна Кернозицкого, захватив 9 пушек, знамёна и пленных. А затем заняли Порхов и Торопец. В это время другой отряд русского воеводы Корнилы Чоглокова и шведов Клауса Боя и Отогельмера Фарменера занял Торжок, вскоре к нему присоединился отряд из Торопца где был и воевода Фёдор Чулков (у С. А. Белокурова он назван Фёдором Васильевичем Чулковым. Битва под Торжком закончилась победой русско-шведского войска.

Из Калязина в сентябре 1609 года (в августе 7117 года) Фёдор Данилович Чулков в качестве полномочного представителя князя Михаила Скопина-Шуйского вместе с секретарем шведского короля Карла IX Карлом Олофсоном был отправлен к Якобу Делагарди, чтобы «раздать ратным людям деньги». Другой полномочный представитель Ефим Григорьевич Телепнёв должен был поехать со шведами и передать им Корелу. Но жители Корелы заперлись в крепости и отказались подчиняться. Узнав об этом Фёдор Чулков и Ефим Телепнёв не поехали в Корелу, а остановились в Ладоге.

Владения
Во время смуты Федор Данилович Чулков в залог получил деревню Попово (Чулкова). Она располагалась в Пятницком стане под Новосильским большим лесом на Колпенском отвершке в Новосильском уезде. После его смерти этой деревней владел племянник Филипп. Но в ходе ревизии 1614—1615 года деревню конфисковали и вернули церкви.

В Тульском уезде Федор Данилович Чулков владел селами Чулково, Прудное, Головёнки, сельцами Елькино, Малахово, Озерцы. Его дочь в качестве приданного получила «Тульского уезда, в стану Старом городищи, под самым городом Тулою село Рожественское, Чулково тожь». В 1643 году Феодосия Фёдоровна умерла, а её муж Лев Иванович Долматов-Карпов умер в 1652 году. Из-за села развернулась многолетняя тяжба между с одной стороны правнуками Даниила Даниловича брата Фёдора и Абакумом Ивлеевым с другой стороны.

Семья
У Федора не было сыновей, а только дочь Феодосия и племянник Филипп. Феодосия Фёдоровна вышла замуж за Льва Ивановича Долматова-Карпова Даниловича.

Комментарии

Примечания

Литература
 «Разрядная книга 1475—1598 годы»
 «Разрядная книга 1475—1605 годы»
 Белокуров С. А. «Разрядные записи за Смутное время 7113-7121 гг»
 Акты исторические собранные и изданные археографической комиссией. Т 2 стр. 303, 305—307
 Боярские списки последней четверти XVI-начала XVII вв. и Роспись Русского войска 1604 г. Часть I
 Соловьёв С. «История России», кн. II. Т. 8 Глава пятая
 В. Каргалов Московские воеводы XVI—XVII вв
 Н. Карамзин Глава III Продолжение Василиева царствования. г. 1608—1610
 Савосичев А. Ю. Церковная инфраструктура Новосильского уезда в начале XVII века // Ученые записки Орловского государственного университета. Серия: Гуманитарные и социальные науки. 2019 стр. 59
 Бритенкова Л. В. «Дела давно минувших дней… (Как Чулково и его окрестности стали городом)»
 Лобанов-Ростовский, А. Б. Русская родословная книга : в 2 т
 М.Г. Спиридов. Сокращенное описание служб благородных российских дворян, расположенное по родам их, с показанием, от кого те роды начало свое получили, или откуда какие родоначальники выехали, или которых их происхождение….. М. Унив. тип. 1810. Ч. 1. 1810 г. Долматов-Карпов Лев Иванович. стр. 148

Ссылки
Воеводы Крапивны
Фёдор
Персоналии:Смутное время

redpajama_set_name: RedPajamaWikipedia


text:
package com.rackspace.com.papi.components.checker

import com.rackspace.cloud.api.wadl.Converters._
import org.junit.runner.RunWith
import org.scalatest.FlatSpec
import org.scalatest.junit.JUnitRunner

@RunWith(classOf[JUnitRunner])
class GivenAWadlWithSparseNestedResourcesMasked extends FlatSpec with RaxRolesBehaviors {

  val configs = Map[String, Config]("Config With Roles Enabled" -> configWithRolesMaskedEnabled,
    "Config With Roles Enabled and Messsage Extensions Disabled" -> configWithRolesMaskedEnabledMessageExtDisabled,
    "Config With Roles Enabled and Duplications Removed" -> configWithRolesMaskedEnabledDupsRemoved,
    "Config With Roles Enabled and Header Checks Disabled" -> configWithRolesMaskedEnabledHeaderCheckDisabled,
    "Config With Roles Enabled and Defaults Enabled" -> configWithRolesMaskedEnabledDefaultsEnabled,
    "Config With Roles Enabled and Dubplications Removed and Defaults Enabled" -> configWithRolesMaskedEnabledDupsRemovedDefaultsEnabled)

  for ((description, configuration) <- configs) {

    val validator = Validator((localWADLURI,
      <application xmlns="http://wadl.dev.java.net/2009/02"
                   xmlns:rax="http://docs.rackspace.com/api"
                   xmlns:xsd="http://www.w3.org/2001/XMLSchema"
                   xmlns:tst="test://schema/a">
        <grammars>
           <schema elementFormDefault="qualified"
                   attributeFormDefault="unqualified"
                   xmlns="http://www.w3.org/2001/XMLSchema"
                   xmlns:xsd="http://www.w3.org/2001/XMLSchema"
                   targetNamespace="test://schema/a">
              <simpleType name="yesno">
                 <restriction base="xsd:string">
                     <enumeration value="yes"/>
                     <enumeration value="no"/>
                 </restriction>
             </simpleType>
           </schema>
        </grammars>
        <resources base="https://test.api.openstack.com">
          <resource path="/a">
            <method name="PUT"/>
            <resource path="/z">
              <method name="PUT"/>
            </resource>
            <resource path="/b" rax:roles="b:creator">
              <method name="PUT"/>
              <resource path="c" rax:roles="c:creator">
                <method name="POST"/>
              </resource>
            </resource>
          </resource>
        </resources>
      </application>)
      , configuration)

    // PUT /a has resource level a:admin, method level a:observer
    it should behave like accessIsAllowed(validator, "PUT", "/a", List("a:admin"), description)
    it should behave like accessIsAllowed(validator, "PUT", "/a", List("another:admin"), description)
    it should behave like accessIsAllowed(validator, "PUT", "/a", List("a:observer"), description)
    it should behave like accessIsAllowed(validator, "PUT", "/a", List("a:observer", "a:admin"), description)
    it should behave like accessIsAllowed(validator, "PUT", "/a", List("b:observer"), description)
    it should behave like accessIsAllowed(validator, "PUT", "/a", List("b:creator"), description)
    it should behave like accessIsAllowedWhenNoXRoles(validator, "PUT", "/a", description)

    // PUT /a/z has resource level a:admin, method level a:observer
    it should behave like accessIsAllowed(validator, "PUT", "/a/z", List("a:admin"), description)
    it should behave like accessIsAllowed(validator, "PUT", "/a/z", List("another:admin"), description)
    it should behave like accessIsAllowed(validator, "PUT", "/a/z", List("a:observer"), description)
    it should behave like accessIsAllowed(validator, "PUT", "/a/z", List("a:observer", "a:admin"), description)
    it should behave like accessIsAllowed(validator, "PUT", "/a/z", List("b:observer"), description)
    it should behave like accessIsAllowed(validator, "PUT", "/a/z", List("b:creator"), description)
    it should behave like accessIsAllowedWhenNoXRoles(validator, "PUT", "/a/z", description)

    //  Should be not found on /a/b/z
    it should behave like resourceNotFound(validator, "PUT", "/a/b/z", List("b:creator"), description, List("{z}","'c'"))

    //  Should be not found on /a/b/c/z
    it should behave like resourceNotFound(validator, "PUT", "/a/b/c/z", List("b:creator"), description, List("{z}"))

    // DELETE /a has resource level a:admin, method is not defined
    it should behave like methodNotAllowed(validator, "DELETE", "/a", List("a:admin"), description)
    it should behave like methodNotAllowed(validator, "DELETE", "/a", List(), description)

    // POST /a/b has parent resource level a:admin, resource level b:creator
    it should behave like resourceNotFound(validator, "POST", "/a/b", List("a:admin"), description, List("{b}"))

    // PUT /a/b has parent resource level a:admin, resource level b:creator, method level b:observer
    it should behave like resourceNotFound(validator, "PUT", "/a/b", List("a:admin"), description, List("{b}"))
    it should behave like resourceNotFound(validator, "PUT", "/a/b", List("another:admin"), description, List("{b}"))
    it should behave like accessIsAllowed(validator, "PUT", "/a/b", List("b:creator"), description)
    it should behave like resourceNotFound(validator, "PUT", "/a/b", List("b:observer", "a:foo"), description, List("{b}"))
    it should behave like resourceNotFound(validator, "PUT", "/a/b", List("a:creator"), description, List("{b}"))
    it should behave like resourceNotFound(validator, "PUT", "/a/b", List(), description, List("{b}"))
    it should behave like resourceNotFound(validator, "PUT", "/a/b", List("observer"), description, List("{b}"))
    it should behave like resourceNotFoundWhenNoXRoles(validator, "PUT", "/a/b", description, List("{b}"))

    // POST /a/b/c has parent resource level a:admin, another:admin, b:creator, c:creator
    it should behave like resourceNotFound(validator, "POST", "/a/b/c", List("a:admin"), description, List("{b}"))
    it should behave like resourceNotFound(validator, "POST", "/a/b/c", List("another:admin"), description, List("{b}"))
    it should behave like accessIsAllowed(validator, "POST", "/a/b/c", List("b:creator"), description)
    it should behave like accessIsAllowed(validator, "POST", "/a/b/c", List("c:creator"), description)
    it should behave like methodNotAllowed(validator, "PUT", "/a/b", List("c:creator"), description)
    it should behave like resourceNotFound(validator, "DELETE", "/a/b/c", List("a:admin"), description, List("{b}"))
    it should behave like resourceNotFound(validator, "PUT", "/a/b/c", List("a:admin"), description, List("{b}"))
    it should behave like resourceNotFoundWhenNoXRoles(validator, "POST", "/a/b/c", description, List("{b}"))
  }
}

redpajama_set_name: RedPajamaGithub


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A blog for Small Business Consultants and the distributors who serve them. A business (additionally known as an enterprise, a company, or a agency) is an organizational entity and approved entity made up of an affiliation of individuals, be they pure , licensed , or a mix of each who share a normal function and unite in order to focus their varied expertise and prepare their collectively on the market experience or belongings to understand explicit declared targets and are involved within the provision of goods and suppliers to buyers 1 2 A business will also be described as an organisation that gives items and services for human desires.
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If you are looking for tranquility, but the retreat is focused on physical fitness, you need … Read More..
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Numerous web prospects search on-line about recommendations on easy methods to earn or earn money on-line. It's a new groundbreaking form of journalism. It is known as citizen journalism. A present TEDTalker Paul Lewis talks about how he began out getting a degree in journalism but realized that the degree isn't going to get him wherever. He obtained up and out into the world and began following the stories and posting them on his social media. And one morning he woke as much as a tiny blue check mark by his Twitter handle. That is how he knew that he would be taken seriously.
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text:
Detail from George Baldessin MM of Rue St Denis 1976charcoal and black chalk 119.9 x 80.6 cm. National Gallery of Victoria, MelbournePurchased with the assistance of The Docking Drawing Fund (NGV), 2001 (2001.537)© The Estate of George Baldessin
Here's looking at: George Baldessin's Mary Magdalene on Rue St Denis
November 12, 2018 2.00pm EST
Ted Snell, The University of Western Australia
Ted Snell
Professor, Chief Cultural Officer, Cultural Precinct, The University of Western Australia
Ted Snell does not work for, consult, own shares in or receive funding from any company or organization that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.
University of Western Australia provides funding as a founding partner of The Conversation AU.
The extraordinary sculpture of Mary Magdalene by the 15th century Bavarian carver Tilman Riemenschneider focuses our attention on her hair, which twists, curls and cascades down and around her body. This is the hair that caressed Jesus' feet, and that grew to cover her modesty in the years after his crucifixion when she lived her reclusive life in the desert.
Ascension of Mary Magdalene from the Magdalena Altarpiece, Münnerstadt (1490–92) by Tilman Riemenschneider. Bayerisches National Museum, Munich, Wikimedia Commons
While historians now believe this later life is a conflation of Magdalene with that of Saint Mary of Egypt, a 4th-century prostitute turned hermit, the focus on hair serves to identify her as someone outside acceptable society.
Women 2000 years ago in Jerusalem would have covered their head and never shown their hair in public. Yet Magdalene had long hair, and in many depictions of her in art, literature and theology, she has been portrayed as revealing this hair and using it to anoint Jesus' feet. These acts of devotion identified her as a woman of ill-repute.
Although this intepretation was recently comprehensively debunked by theologian Dorothy Ann Lee, it was orthodoxy in the 15th century. The narrative unfolded through the metaphor of her hair is crucial to Reimenschneider's depiction of Magdalene as she ascends to heaven to be reunited with her saviour.
Read more: Friday essay: who was Mary Magdalene? Debunking the myth of the penitent prostitute
Hair is also a defining feature of George Baldessin's portrait of Mary Magdelene on the Rue St Denis: MM of Rue St Denis, 1976. She stands awkwardly, her arms and legs crossed, one hand protecting her modesty, the other cradling a skull wrapped in her long tresses.
George Baldessin MM of Rue St Denis 1976, charcoal and black chalk, 119.9 x 80.6 cm. National Gallery of Victoria, Melbourne. Purchased with the assistance of The Docking Drawing Fund (NGV), 2001 (2001.537)© The Estate of George Baldessin
Rue St Denis was a street notorious for prostitution. When Baldessin was working at the Lacourière printworks in Paris in 1975, he and his wife Tess had direct experience of the street and its inhabitants. The girls and their pimps meshed with his newfound interest in medieval images of Magdalene.
The resulting series of drawings and etchings depict a very contemporary Magdalene, either locked into angular architecture or hovering in the open void of the page. She is often alone, in one image spread-eagled on a table, in others in shimmering silver but mostly in prickly black.
Read more: An ape in anguish: Brett Whiteley's Sacred baboon
The images of Magdalene made in the last years of his life - before his sudden death in a car accident in 1977 - are some of Baldessin's most powerful works. The ambition of his draughtsmanship fully realises the profound intent of his subject matter. In the best of these works, his penchant for mannerist gestures is restrained, and Magdalene's figure is rendered emotively, without compromising anatomical accuracy. His elegant line is rooted in its descriptive trajectory around the body.
George Baldessin at RMIT, Melbourne c. 1965. Unknown.
Peering out from the spiky tangle of her hair, the MM on the Rue St Denis seems to be entreating us to empathise with her plight. Unlike Reimenschnieder's Magdelene, already on her way to heaven, Baldessin's is plying her trade and enduring the vicissitudes of life. She is aware of her impending death if salvation doesn't come, evidenced by the skull in her left hand. She has been found guilty by society, and her pleading gaze is unlikely to assuage that judgement.
Many artists have brought the scriptures to life by re-siting them in familiar territory. Arthur Boyd's relocation of biblical narratives to the streets of Melbourne, Salvatore Zofrea's resetting of the Psalms in Sydney, and English artist Stanley Spencer, who chose his village of Cookham as the mise en scène for his transcriptions, all contemporise the Bible in this way. Yet Baldessin's relocation is more literary than factual.
There are no visual indications of Paris, nothing to identify the street or any buildings or landmarks. The yawning gulf of the blank page, with minor geometric intrusions, is the space MM inhabits. The Rue St Denis is a title, a textual frame within which to locate this person. It relies on the viewer providing context to interpret MM's predicament.
To this drawing, we bring our knowledge of the street as both a route of pilgrimage leading to the medieval Basilica of St Denis and a site of sexual exploitation, which adds poignancy and pathos to our reading.
This drawing and others in the series construct a moral tale. The contemporary Magdalene is vulnerable and at risk, yet she is judged and found wanting like so many others who are ostracised for their beliefs or their situation.
When asked what he was trying to express, Baldessin explained: "I think human weakness through the vulnerable figure, without extracting its dignity, no matter how uncertain."
It is something he achieved in this image of MM, searching for salvation while confronting her mortality.
Baldessin/Whiteley Parallel Visions is at NGV Australia, Melbourne, until 28 Jan, 2019.
Here's looking at


Posted on March 1, 2015 by .
Blazing BlacksmitHERs are ladies that are forging their own path in blacksmithing and sharing their story.
How did you start blacksmithing? Did you take classes?
I started when I was 16 and studying horse grooming. I got in a farriery course and an opportunity opened up to try forging. It was love at first sight! I did 2 years of farriery studies and now I have done 3 years in Ikata College of Crafts and Designs. I am about to graduate as a metal artisan in few months. I have been an apprentice for 3 metal artists, master bladesmith Hankala, master blacksmith at Häijään Paja and at Jurkka Design.
Are you a beginner, hobby or professional blacksmith?
My favorite part is when I manage to do something through for the first time. It is better when it has taken a few try outs before getting the first grip of a new skill. I also love the part when an awesome idea rushes through me and I run with pen and paper to light up the forge.
Specific favorite technique would be forge welding, every time I do it and sparkles fly, burning tiny holes to my clothes, I feel like there is strength in me to do what it takes to learn.
Do you have a favorite tool? What is it?
Oh, this is difficult one! There are so many I like, definitely those that are in good shape and do their job…. I'm going to say welding pliers, those that have lock-mechanism on them. Or maybe the anvil!
What is the worst thing about blacksmithing?
Getting something in my eyes! I have learned to wash eyeballs, that is handy, but seriously, those are moments I dislike so much. And burning hands, too, when it stops me for a while from what I do.
I get often offensive comments, but the more I learn about blacksmithing, the more I see we are all just here to learn and those who want to lash out would do it anyways. I can't be anything more from their point of view than a trigger. On the flip-side of that, I've met some awesome creative personas, too!
Are you a member of a blacksmithing association? If so, which one? What does it do for you?
Love and hugs to all of you who are on this journey of on-going learning!


text:
music / / poetry / / philosophy / / -ology by Nick Courtright
Exclusive Interview: Battles
November 18, 2007 at 11:27 am	· Filed under Interviews, Music
So there's this band. They're called Battles, and they're getting pretty damn big pretty damn fast. The reason for this burgeoning bigness is at least three-fold: their critically-adored debut album Mirrored, the YouTube sensation known as the "Atlas" video (watch it after the jump), and, not least of all, their ferociously energetic live show. While there's no doubting that their music can be a bit challenging, and isn't for the faint of heart, this is one of those bands you just know is going to get huge.
At Battles' sonic center is John Stanier, a former member of Helmet who could be seen destroying the drums at Fun Fun Fun Fest with an impressive combination of machine-like precision and animalistic stamina. We got a chance to talk to John about the (undesirable) genre ascribed to Battles, the band's investment that's really starting to pay off, the future, and the most difficult question to answer during an interview.
So you just finished talking to some Australians?
I just did two really lame interviews, super horrible interviews, like "Are you happy that you're being well-received?" Of course I'm fucking happy.
Like, do you know how to play the drums.
Yeah, you know.
I'd read around and I've heard some rumors that you're getting kind of sick of this classification, so I just wanted to hear your—
Math rock?
Yeah, math rock.
The M-word. Yeah, we never liked that. That was lame since day one.
Who came up with that shit anyway?
To be honest, I think it was the fucking English. I think the fucking English press did it. It's always their fault, one way or another, but I think they—because to me, it's such a nineties word. Like that's a really old word, isn't it? Seems I've been hearing math rock in indie circles since the early to mid nineties.
If you had to describe your music, what term do you think you would use?
Big time party music. Anything but math rock.
What about chemistry rock, or physics rock?
Ha. Come on man, it's not that brainiac. We kind of went out of our way to make it more fun sounding, more palatable. Not dork, not nerd…but then it's just math rock. God.
When you think of math rock, you think of a bunch of people twisting knobs and messing around with a calculator.
It's being complex for the sake of being complex. When you think of math rock it's the same thing—it's got unbelievably negative connotations. That's the last fucking image we want to portray.
But there is a technical precision to your work, and people confuse that with not being loose.
I can see that, but it seems like a lazy category. Like, I don't know what this is, but it sounds totally crazy, so I'm going to call it math rock. I can totally understand someone not understanding the music, and someone thinking it's way over the top complex. And of course it is. But that is such a not fun word. Math is not fun.
But the complexity to your work, a lot of stuff that relies on timing—and there is a lot of fun to it, like it's tailor-made for live performance. How much of your writing process happens on stage versus in the studio?
Well, it's all in the studio. It's all planned out for live, there's no improv, maybe little tiny parts here and there, but ninety percent of it's very, very scripted.
Obviously, a lot's been said and written ad nauseum about what bands the members of Battles have played in previously, so I won't burden you with that, but how does it feel going through this whole "band getting big" process for you again? As opposed to with Helmet or with Tomahawk. Is there a different kind of satisfaction that comes from starting from scratch and doing it all over again?
Yeah, absolutely. There's a hugely different form of satisfaction, especially with something like Battles where it just took so long to get off the ground and there was no plan in the beginning. It was kind of this anything-goes project that took literally a year before it really started to form. I mean, we've worked so hard. We went bankrupt. We sacrificed everything for this thing to happen, put a lot on the line. We were in New York. It's a hard place to live, a hard place to be in a band, everything's super-expensive. It's pretty fucking hard. So for it to be this well received, it's, wow, awesome. It's great. I mean, thank god.
What about you guys' rapport, you seem to have a lot of fun on stage, playing together, giving each other shit. What's it like working with those three guys?
I mean, each person is totally different all across the board. So yeah, it's definitely an interesting thing, lots of pushing and pulling, lots of arguing, but actually everyone sees eye-to-eye for the most part. It's extremely democratic. For me, I've never been in a band that worked like that. Definitely not. So that alone is really refreshing.
unattributed press photo
You were saying that it took awhile to get stuff off the ground, with it being three or four years before Mirrored came out. How do you think the LP process is going to happen this time?Well, it took Mirrored about a year to get off the ground, and I was doing a lot of touring with my other band. Then we did those EPs, and then we toured for at least two years off those EPs. We toured in the U.S., and then we signed with Warp, and then we toured all over again as a new release in Europe. We've been to Japan like five times now. Battles has been doing stuff every single day for the last three years. It's been a lot of work. But it's not like our next record is going to be out in 2012. We're going to start in the beginning of the year, but we need to take a little time off because everybody's starting to get burnt. Lots of work to do.
What groups have you seen lately that have opened your eyes or caught your attention in any way?
Um. I don't know, man. That's the question that always stumps the hell out of me. The really crazy complex questions I can talk about for three hours, but the "what bands do you like now…?"
Yeah, it's an asshole question. Like whenever you want to rent a movie, and you always know of thirty movies that you want to watch, but as soon as the question comes up, of course you're screwed.
Exactly. That's why I started writing down movies I want to see when I'm on the road, and taping them to the door. But what new bands do I like? It's really across the board. But the new Radiohead record—I've never been a big Radiohead fan, so it's refreshing to hear that. And I like the whole pay whatever you want thing. That's pretty groundbreaking.
You think you might try something like that in the future?
Oh, I have no idea. I think if you're in the position for it, it's kind of smart. Everyone's just going to copy it anyway. Nobody's selling records anyway. In the last two years, nobody is selling records.
Okay, so give me a sentence summarizing your thoughts on Austin.
I'll give you one word: brown.
Austin?
Brown.
Brown?
Brown. No matter what time of year it is, it's always kind of brown here. You think so? It's the University of Texas Longhorns, it's kind of brown. It can be in the middle of the summer, it can be in the middle of winter, it always has kind of a dusty feel to it. Although it's quite beautiful. I was walking around today, I like it. Went to the state capital.
Oh yeah, exciting place. That's where the magic happens, right?
Yes. Definitely. Lots of magic.
THE NEW NEWS
"The Human Experience" and "St. Valentine in America," from the just-completed Dear Successful Accidents, were accepted by Quarterly West.
Verse Daily came through, and "Elegy for the Builder's Wife" was the official poem of the day for August 3rd. That poem originally appeared in the Spring issue of The Iowa Review, which was a great read--check out Patrick Madden's essay "Finity" if you get the chance.
If you haven't caught your vitamin C at the Kenyon Review yet, this is for you.
I now have a weekly music column for Transmission Entertainment. It's called Hot Off the Press, and it's not too shabby.
And if you're particularly deprived of poeticism, here's some love from New Orleans Review.
Connecticut Review is publishing "The Circuit," while Gulf Coast has accepted "This Quiet Complex" for future publication. Also, Third Coast has accepted "The Surveyor" for their Fall 2008 issue, and "Sheets" will be coming out in Inkwell, a nice journal out of Manhattanville College.
The poem "Hourglass" is in the current issue of The Cincinnati Review.
After a couple months of back-and-forth editing, the poem "Peer Into" has been accepted by Massachusetts Review, based out of UMass at Amherst. The poem "A Man Who Could Have Been" has been accepted for the 2008 issue of Parthenon West, and three poems--"Lesson," "This Is a Clarification, pt. 3," and "This is a mountain of silence and vindication"--have been accepted for American Poetry Journal.
Many music posts on this site originally appeared on Austinist.com. Go there for great culture, arts, news, music, and everything else.
LESS NEW NEWS
Identity Theory, the journal of art, culture, science, and politics, published my poem, "The traveler awakes. Her train awakes." in their Fall 2007 Poetry Collection.
Ninth Letter, issue 8, the second most recent issue of perhaps the most sleekly-designed journal in the country, has on its 48th page my poem "Preparing for the Fire."
The Fall 2007 Redivider, out of Emerson College features my poem "Anything but String Theory," as well as Rebecca Hall's "La Maison du Fada."
Part II. of "Where the Workers Lived," a long poem regarding the aftermath of Chernobyl, appears in the new issue of David Hadbawnik's Kadar Koli.
The poem "July" is in issue 7.1 of Harpur Palate, while "Ukraine Love Song" is in the Winter 2007 issue of Denver Quarterly. The Florida Review published in Fall 2007 "The Smallest Room," a poem about Natasha Kampusch.
A couple strange poems are in issue 5 of Barrelhouse, and Flyway published in 2007 "Aubade (The Explorer's Faith)".
My writing has also previously appeared in Caketrain, Court Green, Salamander, The Portland Review, Diagram, Siren, The Pebble Lake Review, Phoebe, Ghoti, Cranky, Lilies & Cannonballs, Astropoetica, Zone 3, and The Literary Review, among others.
ABOUT TIER 3
Tier 3 is a blog-style journal/launchpad that aims to be a venue for issues ranging from the philosophic to the musical to the poetic to the topical, the sociological, the psychological, genetic, developmental, and biological, as well as the physical and non-physical realms of being or reality, not to mention the photographic or otherwise artistic or thought-provoking. It is also a dumping ground for pre-published writing, and me keeping track of myself.
MySpace here. Facebook here.
If you would like to submit an item of interest to post on Tier 3, please send material and a bio in the body of an email to nmcourtright1981@yahoo.com. Please query before sending creative writing. But of course, feel free to make comments on any and all posts.
As a concept, Tier 3 is the difficult-to-define state/stage of human cognitive awareness that comes after Integralism (which itself comes after Postmodernist Relativism and Modernist Hierarchicalism). Hopefully someday we will know what the hell Tier 3 really is.
Nick Courtright listens to too much music and doesn't drink enough for the scene. His poetry has been published here and there--see the column to the left for more info. He muses on music for the Austinist and Soundcheck Magazine, as well as for Transmission Entertainment and Little Radio. When he's not typing or jotting or otherwise fretting, he teaches young collegians at Southwestern and Texas State Universities, as well as Northwest Vista and St. Philips Colleges. A native Ohioan and the eldest of six children, he finds composing third person biographical information ridiculous.
Email: nmcourtright1981@yahoo.com
Archives Select Month July 2011 October 2008 August 2008 February 2008 January 2008 December 2007 November 2007
Elegy for the Builder's Wife
Hot Off the Press: Archives of an Overworked Music Critic
Because I Can't Not Comment: The Issue 1 Controversy
The Nature of Publication: Misreading Bidart
The Nature of Publication: The Morals of Submission
Band Interview: Caribou
Album Review: Forces by Silver Pines
Band Interview: Matthew Houck of Phosphorescent
Band Interview: Doug Martsch of Built to Spill
Band Interview: Yoni Wolf of WHY?
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Micah Robbins
Michael Agresta
Michael Levan
Oliver de la Paz
Owen Egerton
Paul Guest
Paula Mendoza-Hanna
Reb Livingston
Rigoberto Gonzalez
Robert Lee Brewer
Ron Silliman
Sam J. Miller
Sara Kearns
Sarah E. Smith
Sarah Sloat
Seth Abramson
Shanna Compton
Steve Mueske
Steven Karl
Suzanne Frischkorn
Zachary Schomburg
Austinist
Blogotheque
Flux=Rad
Soundcheck Magazine
Transmission Entertainment
Achewood
Nietzsche Family Circus
Show Lush Abstaining


Brand New 300cm x 150cm x 200cm (118"x60"x79") (Approx. 10x5x6.5Ft) Upgraded Large Door Grow Tent with Improved Reflective Interior. All steel construction with 1 inch x 1mm thick poles. These are the strongest poles in the industry.
It's a great tent. Would recommend to anyone that wants the quality of gorillagrowtent at half the price.
I bought the 10x5 it's a solid tent.
I would recommend it. Half the price of a gorilla grow tent and just as good. I've opened the door zippers hundreds of times, no issues. Light tight. Holds heavy equipment from the roof supports.
I shopped around and decided to go with Fusion Hut.
Not disappointed at all. Same thickness as a gorilla grow tent at a fraction of the price. Excellent customer service at grow lights Canada. Shipped super fast. I would recommend the tent to anyone.
Buy it, i'm a real customer that owns one. This is a real review.
This tent would stand toe to toe with a Gorilla a Grow tent in my opinion.
The price is a lot less than a super premium tent but same quality. Very sturdy.
Only complaint is 3 out of about 36 spring push buttons that insert into the other pole arrived broken in the packaging. And it would be nice if the seams were double stitched.
I haven't contacted the seller yet about the broken push buttons but I'm sure they'll make it right. I'll report back with the solution.
Overall it's worth buying. I'm happy.


Published 04/18/2019 10:35:26 am at 04/18/2019 10:35:26 am in Rollaway Bed Storage Cover.
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My name is Mary. People in this Village call me Mary-Mathilda. Or, Tilda, for short. To my mother I was Mary-girl. My names I am christen with are Mary Gertrude Mathilda, but I don't use Gertrude, because my maid has the same name.
Whenever a book opens with a character introducing herself, it's usually indicative of a mystery and/or epic tale of their life. I think this is both. It could be a hit or miss. While not far into this read, I love Clarke's writing style but the pace is questionable.
Because if I got up there they would boo or laugh or throw rocks at my head. Because I wasn't made for the pedestal, I was unsuitable for display. No crowd would ever accept Chris Jones held up above them.
This sums up the disillusion and angst of the novel's protagonist.
Sounds horrible and wonderful all at once.
I haven't heard of this one, but you're right about how this kind of opening signifies mysterious events.
I like it when first person narrative let's you in on the inner-thoughts of the narrator. I have a suspicion that Mary or Tilda is going to encounter an event that sets her up for a name change.
It certainly gives us quite a bit of info right off the bat without making it seem so.
Hope it's a good read.
I'm not sure that that beginning really draws me in, but that cover is really eye-catching. Very pretty.


A pack of activities and ideas for children who require a staged approach to develop their understanding of language and their expressive skills.
A pack of activities and ideas for children who require a staged approach to develop their understanding of language and their expressive skills. The development of children's communication skills through play is at the core of all language teaching.
Parents, Early Years Practitioners and Speech and Language Therapists have a wide range of opportunities to create language‑enriched play using real objects, action games, toys and symbolic play materials.
While toy/object play should always be the prime focus, this pack of materials provides an additional visual support for children who require a more staged approach to develop their understanding of language and their expressive skills.
Such children would be those exhibiting a receptive and/or expressive language delay; children who have learning difficulties; and children who are learning English as an additional language.
Sentence Builder contains 8 large colourful background pictures e.g. street; farm; beach, with accompanying sets of smaller pictures.
Clear instructions provide suggestions on using the pictures to develop comprehension and expressive language skills from one key word level e.g. "Show me the car" up to six key word level e.g. "Put the green fish and the blue spade on the sandcastle".
A useful information resource to facilitate repetition, modelling and reinforcement.
Aims: To develop and extend verbal comprehension and expression.
Additional Targets: Word finding; categorisation; narrative therapy; signing practice.
Age Range: Early Years – KS 1+, 3years – 7years.
Contents: 48 pages of colour pictures and black and white duplicates pictures, 6 page of instructions.
Format: PDF file, Available by download, 29 MB or on CD.


Among the 20 most populous countries, Japan had the lowest rate of diet-related deaths, with salt being the top risk factor. The U.S. ranked 43rd.
People across the world are eating too much of the wrong food and much too little of the healthy types, a study in the journal "The Lancet" says.
Afshin said these findings have major health implications.
The study also pinpointed the key elements of a healthy diet that not only prevents those deaths, but can actually actively protect consumers' bodies from the illnesses measured: nuts, seeds, seafood, fiber, fruits and vegetables. "That should be the focus of public health interventions". While the research uses the best available data, there are gaps in the data available for intake of key foods and nutrients around the world, which increases the statistical uncertainty of these estimates.
The report noted that in some poorer countries, the elements of a healthy diet are too expensive for many people to access, and urged policy changes to improve that access.
The band announced Saturday that Jagger was told by doctors "he can not go on tour at this time". Doctors said that if the surgery goes well, Jagger could be back on his feet relatively rapidly.
Commenting on the issue, Vivek said, "Such big lawyers like Abhishek Manu Singhvi is wasting so much of time on a small film". Yadav's counsel said the court had refused to interfere as the Election Commission had already taken cognisance of the film.
The president's abrupt about-face, announced on Twitter on Monday night after talking with Mr. And a clear majority (59 percent) said they have little or no trust in Trump on health care.
The ability will be available on any device that supports Google Assistant , such as Google Home devices and smartphones. Over the next few weeks, the service is expected to roll out to more and more shoppers.
Sophie Turner carries 'Game of Thrones' spoiler in her wallet It's exciting. (Executives are) more willing to listen to people saying, "I want the same amount of money". Kit said: "I told my wife a year ago how it ended, and she wouldn't talk to me for about three days".
Black hole BREAKTHROUGH: Event Horizon Telescope to reveal 'FIRST RESULT' So while we can understand black holes by proxy, because of the way they affect the space that surrounds them, they cannot be directly seen.