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Speaking Tips: Mistakes happen; get over it
When speaking, you will screw up.
I can't say how many times I've talked to new speakers who watch speakers and are amazed at how effortless their flawless presentations seem to go. Folks, part of the reason they go that smoothly is because they're practiced, but part of it is also that the speaker is often ready for the mistake to happen.
A long time ago, when I was but a wee speaker learning the Art of the Technical Talk from the DevelopMentor Grand Master of Speakers (Ron Sumida), one of the things he told me was that "Everything that happens in that room, happens because you intended it that way." If a demo fails, you intended it that way, because you wanted to give the room a chance to see the failure, and then you intended to show them how to recover from it. If a slide is in the wrong order, it's because you wanted to get that point across before moving on to a different point. If water starts pouring out of the ceiling....
Yeah, that really happened to me once. While teaching a DevelopMentor open-enrollment class at the corporate office down in LA, one day I'm in the middle of class, just turned around to start doing a demo when water starts pouring out of the ceiling--literally through one of the ceiling tiles--like somebody had just turned on a faucet right above us.
That was not intended.
I ran out of the room, grabbed one of the fisherman-buckets in the lobby in which we kept snacks, dumped out the snacks, ran back to the room, and put it under the pouring water. Not a perfect solution, but it allowed me to deal with the problem temporarily, then get the class back on track. This time, to the soothing sounds of water rushing by.
Another time, I was doing a talk at Devoxx (back when it was still called "Javapolis") in Antwerp, and it was not going well. It was supposed to be a talk on the various ways that Microsoft Office and JavaEE (then called J2EE) could work togther (and you'd be surprised at how many different ways they could--it was pretty seamless), and just about every demo was bombing for one reason or another. I'd even carefully put all the demo code into a VMWare VM, so that it would be isolated from any other changes or environment updates on my laptop, but just one demo after another wasn't working. And it was odd--certain files were truncated in weird positions. Finally, in a fit of exasperation, I said, "OK, folks, let's try one more demo, and then if that doesn't work, I'm just going to surrender my laptop to the Demo Gods and go the rest of the way without demos."
And that's when the VM blue-screened in front of everybody.
Did I mention that Javapolis/Devoxx is held in a movie theater? You have never seen a blue screen of death until you've seen it on the big screen.
Fully expecting to get hammered in evals, I was surprised when I heard that I was actually doing quite well. I ran across one of the attendees from that talk later in the conference, and I flat-out asked him, "What did you think of my talk?"
"Oh, I loved it, I thought it was great!"
I was flabbergasted. "If you don't mind me asking, why? Why did you think it was great? Every single demo bombed!"
"Oh, but you never let it stop you. I believe you when you say the demo is supposed to work, so when it didn't, and you just kept going, it was great!"
I don't know if that attendee could see the shaft of enlightenment settle from the clouds above (Javapolis was still a smoking event back then, and there was always a thick haze of cigarette smoke near the ceiling in the hall), but in that moment, I truly understood Ron's precept.
It's not that you intended the demo to bomb, or the water to start pouring out of the ceiling.
It's that this is your room, and you are in full control of this presentation. It's really about your confidence in your knowledge, your skills, and your talk coming through: "I am fully ready to deal with whatever may come, and I will guarantee you that nothing will derail us from me taking you on this journey with me."
Not even a tornado warning, drunk co-presenter, or gastrointestinal difficulties. (All of which have happened to me, by the way.)
Everybody who has ever attended a tech talk has seen a demo bomb. Your demo failing is not anything new to them. It's really not. (What, you think you're special, that your demo is somehow better or more amazing than anybody else's demo? It's just a demo, fercryinoutloud!) And your demo is not the centerpoint of your talk, and it will fail in ways you could never have predicted. And that's OK.
But what if your demo is the one thing they were hoping to see? Hardly likely, but let's even assume that it is: You think those attendees whose career hangs on seeing your demo working aren't able to come up to you later and ask, "Do you mind if we try that demo again, I'd love to see it working" and sit with you at a table working through it if they cared that much? (Ironically, the only time that's happened to me is after that very same Javapolis presentation, which was when we discovered that my VM's virtual disk had corrupted. Fortunately I had a copy of the VM on another external hard drive, so it was easy to spin that one up and show the demo off as it was meant to be seen. They went away happy, and I went away educated.)
The key thing is, if you do live code demos, you need to be comfortable with two things:
Be ready to debug on the fly. You will forget a semicolon, you will misspell the name of the method you need to apply, you will forget that the file you're trying to load is one directory up or down from where you're looking to load it from, you will make mistakes. Most of them will be simple, stupid, and fixable. And frankly, there's value in showing attendees how to debug the very same kinds of mistakes that they're going to make when they get home and try to repeat your demo. But you have to be comfortable debugging on the fly. Even then....
Be willing to abandon the demo. Sometimes, it's just not going to happen. It's more subtle than you thought, it's trickier than you thought, or worse yet the version of the library you're using silently upgraded without you realizing it, and now they're looking for a differently-named method or the file is in a different place. Sometimes, it's just going to take more time than you've got to debug.
And in that moment, you have a choice--stay focused on the room, abandon the demo (my usual choice of words is, "Do you believe me that this is supposed to work?" which usually draws a chuckle or two), and move on with your talk. Or, you can stay focused on YOU, and your need to get this demo to work, and abandon the rest of the talk.
Remember, the audience is here to hear a story. They don't need your demo to hear the story. The demo is there to help them visualize and see the story play out in front of their eyes--but it's not the story as a whole, and if they have to use their imagination a little, that's not a terrible thing.
Mistakes will happen. Get over it. Fast.
PostScript. If you really don't want to deal with failing demos, try the "Milli-Vanilli" pattern from Presentation Patterns: record a video of the demo on your machine, and embed the video in your presentation and play it during your talk. That way you can talk about what you're doing in the video while it's playing, and you don't have to try and split your brain coding and talking at the same time. Of course, never discount the possibility that the video could fail during your talk... at which point you look at the audience and say, "Do you believe me when I tell you that this video was supposed to work...?"
Tags: industry speaking tips


However, there are limited data on adolescent nutrition, preventing a clear understanding of their nutritional issues and how to improve them.3 Global Alliance for Improved Nutrition (GAIN) is leading an effort by advocates, researchers and policymakers to improve nutrition for this growing segment of the population.
GAIN and the Shornokishoree Network Foundation (SKNF) brought 5,000 young people to the launch of Bangladesh's new "National Adolescent Nutrition Campaign and Convention" in December 2017.9 Photo courtesy of SKNF and GAIN.
Adolescent women in low- and middle-income countries are particularly vulnerable to malnutrition. Due to gender norms in Bangladesh, girls receive less food in the household and have limited control over their food choices.4 Insufficient dietary diversity leads to micronutrient deficiencies, anemia and obesity.
A dynamic network of young Bangladeshi women and men, known as Golden Girls and Sunny Boys, has stepped forward to advocate for better nutrition.
They are asking government leaders for more resources for nutrition and most importantly, a voice in the policies and programs to support these goals.
While the campaign is just beginning, the determination of these young women cannot be ignored by policymakers and will inspire their peers to be active participants in reducing malnutrition for their generation and those to come.
UNFPA. 2014. The power of 1.8 billion: adolescents, youth and the transformation of the future. The state of the world population 2014. New York: United Nations Population Fund.
Patton, G.C., S.M. Sawyer, J.S. Santelli, et al. 2016. Our future: a Lancet commission on adolescent health and well being, Lancet 387: 2423-2478.
Akseer N, Al-Gashm S, Mehta S, et al. 2017. Global and regional trends in the nutritional status of young people: a critical and neglected age group. Ann. N. Y. Acad. Sci. 1393: 3-20.
"The Golden Adolescent Girls Rally to Improve Nutrition in Bangladesh," GAIN, December 19, 2017.
Report on Consumer Insight Study on Adolescent Girls' food Consumption Behavior in Bangladesh.2017. GAIN.
HKI and JPGSPH, 2016. State of Food Security and Nutrition in Bangladesh 2014.
Bangladesh Demographic and Health Survey, 2014.
Black R.E., Allen L.H., Butta Z.A., et al. 2008. Maternal and child undernutrition: global and regional exposure and health consequences. Maternal and child undernutrition1. The Lancet Series.


On Friday, less than two weeks after refusing to unequivocally condemn the white supremacists and neo-Nazis in Charlottesville, Donald Trump granted former Arizona Sheriff Joseph Arpaio a rare presidential pardon, calling the notorious racist an "American patriot." The pardon is noteworthy for many reasons.
First, it demonstrates Trump's utter disdain for the rule of law. US District Judge Susan Bolton convicted Arpaio of criminal contempt for showing "flagrant disregard" of a 2011 court order that he cease racial profiling. Nevertheless, for 18 months, Arpaio, who called himself "America's toughest sheriff," continued his racist practice of detaining Latinos without reasonable suspicion.
"The fact that Arpaio is quite literally convicted of being in criminal contempt of the courts is a big selling point for a president who has evinced nothing but contempt for the judicial branch since before he took office," Dahlia Lithwick wrote at Salon.
Second, the pardon sends a clear message to Paul Manafort, Michael Flynn and anyone else whom special counsel Robert Mueller subpoenas to testify in his Russia investigation. Trump could pardon them, too, if they refuse to cooperate and are held in contempt of court. No need to make a deal and testify against the president or his family members in order to receive lenient treatment.
Third, the pardon telegraphs to Trump's right-wing base that he's still pursuing their racist, anti-immigrant agenda even though presidential advisors Steve Bannon and Sebastian Gorka, both widely associated with white nationalism, have left the White House.
"The white supremacists, Neo-Nazis and others the president excused heard his endorsement of racist and illegal policing loud and clear yet again," Vanita Gupta, president and CEO of the Leadership Conference on Civil and Human Rights, stated.
Perhaps most significant is what the pardon says about the president. It demonstrates beyond doubt that Trump and Arpaio share the same values. Both men are racist to the core. Neither has any respect for the law. And both retaliate against those who criticize their actions. Like Trump, Arpaio attacked judges who ruled against him.
Latino drivers in Maricopa County were four to nine times more likely to be stopped than similarly situated non-Latino drivers.
Roughly one-fifth of the stops of Latino drivers were conducted without probable cause or reasonable suspicion, in violation of the Fourth Amendment's prohibition against unreasonable searches and seizures.
Under Arpaio's leadership, deputy sheriffs treated Latinos "as if they [were] all undocumented, regardless of whether a legitimate factual basis [existed] to suspect" they were illegally present in the US.
Arpaio's office "engaged in a pattern or practice of retaliating against individuals for exercising their First Amendment right to free speech." People who mounted peaceful protests against the Maricopa County Sheriff's Office were illegally arrested.
For many years, Arpaio, who served as Maricopa County Sheriff for 24 years, housed detainees in what he called his personal "concentration camp," an outdoor jail in Phoenix. Temperatures reached 145 degrees in the camp, causing shoes to melt. In order to humiliate people incarcerated in the jail, Arpaio made them wear striped uniforms and pink underwear. They were forced to work on chain gangs.
A federal appeals court ruled that Arpaio's deputies unlawfully withheld adequate food and maintained dangerously high temperatures. The 9th US Circuit Court of Appeals determined those practices violated the Eighth Amendment's prohibition against cruel and unusual punishments.
Nathan Robinson, writing for Current Affairs, documented the beating and tasering of a man with schizophrenia. Arpaio's deputies "dragged Atencio's unconscious body back to his cell, where he was stripped naked and left on the floor." He never regained consciousness. Another man died after deputies beat and suffocated him in a "restraint chair." The families of these men received settlements of $8 million and $1 million, respectively.
Civil liberties organizations have lined up to denounce Friday's pardon.
The pardon imperils people of color, said Janet Murguia, president of UnidosUS.
"Every person of color in this nation has been put in harm's way because of this action and that is unconscionable," she noted.
Some leading Republicans, including Speaker of the House Paul Ryan (R-Wisconsin) and Sen. John McCain (R-Arizona), also criticized the pardon.
"Was Sheriff Joe convicted for doing his job?" they applauded.
Arpaio was not convicted for doing his job. He was convicted for violating the law he was sworn to uphold. Trump, a soulmate of the racist, sadistic Arpaio, pardoned him for shamelessly breaking the law.


Meg Freitag was born in Maine and has a degree in liberal arts from Sarah Lawrence College. She is currently pursuing her MFA in poetry at UT's Michener Center for Writers. She lives in East Austin with two parakeets, Jonathan and Anne, and a mischievous little black dog named Ramona.


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About startup culture and building great companies
Oribi raises $5.4 million, and you get the full story.
Iris Shoor
Last Friday, Oribi completed its first investment round. I'm very (very very) pleased to update you that I've raised $5.4 million from an investor 'dream team': Haim Sadger from Sequoia Capital (the world's leading venture capital fund, with whom I've already had the privilege of working with once), Rona Segev from TLV Partners and Zohar Gilon. I'm extremely grateful that this great team chose to believe in me and in the company's product, and to take part in building the company.
It's obviously exciting to start hiring and working on the company's main product with more resources.
Each week, at least one more item is published in the press about a startup financing round, containing all the 'usual' details – how much money was raised, who the investors were, what does the company do, and who's on the team. In this post, I chose to share the events behind the scenes – the investor presentation I used, why the product changed since the last time I wrote about it, what's next, how I chose which investors to contact, why did I choose to work with several investors and how did the financing round go for me.
With Nevo and Alon who've built the entire product from scratch with me, and Yuli, who joined the team this month (and, of course, Taki and Nina).
So, what are we developing? (now that we can tell)
A few months back, I talked about a product oriented at Facebook ads analytics. This has changed a lot since then, although in retrospect, I only went back to my roots. Advice I often give entrepreneurs making their first steps is that the most important thing is simply to start, rather than wait a year for the concept idea or the right partner; just start building a product, and so find the right direction. I'm glad that this advice was also helpful for me.
When I founded a new startup, it was clear to me that I wanted to address a field of B2B operations that still work in an outdated manner and create a simple product with unique technology which will completely change the way companies work. In the past, I mentioned being inspired by companies such as Zenpayroll, Zendesk, Stripe and Slack, which started out in an ostensibly saturated market, but managed to rapidly become billion-dollar market leaders by creating a simple product. The primary reason why they've been such a source of inspiration is that they've managed to make a solution accessible to the entire market, rather than only large, resource-rich companies. I think that the world of BI/analytics currently presents an amazing opportunity – think of the effort currently required to monitor basic data about product/website usage. There are currently dozens of successful, enterprise-oriented companies, with highly complex solutions requiring integrations and additions to the code. Simpler tools, such as MixPanel or Google Analytics require ongoing support from developers to add events and develop scenarios you would like to monitor. I've started working on Facebook analytics, rather than general analytics, because it was important for me to build a profitable company as quickly as possible, and I felt that the combination of a real need in this field and a major budget could make the company profitable fast. We launched a beta version in early February, and quickly reached a few hundred companies who used the product, and then several thousand. By working with customers, I came to understand that I'm capable of creating a tool that would change the way people work with data. I think I was also a bit scared to start big and the customers gave me the confidence to chase my major dream: a real industry game-changer. So, this is the product we've been developing:
Our objective is to enable marketing and product managers to get all the important data without having to rely on programmers at all. Consider the possibilities of writing data into a DB or of tools such as MixPanel, but without requiring technical personnel at all.
We are developing a technology that studies products and sites, in addition to a visual editor (yes, I understand that this doesn't tell you too much. When the product is in a more advanced stage, I will say more about the technology). This technology will enable marketing and product personnel to independently set dashboards, track various product uses, build complex queries, get audience cross sections, analyze usage patterns and track the effect of content or design changes.
Once we have launched the product in the coming months, this will become much clearer.
An investor presentation
Oribi deck from Iris Shoor
This is important – don't take this presentation as an example of a good presentation. I managed to complete the funding round first and foremost because of my experience and the investors' confidence in my ability to build a successful company. The presentation didn't achieve this. On the other hand, I did ask several entrepreneur friends to share their fundraising presentation, which helped me to determine the order of presentation and the manner in which to present the problem. Note that I've actually shown this presentation to investors face to face, and if some slides aren't very clear, it is only because I provided more details in person. In addition, this was also a very short presentation (about 10 slides) with more text which I could send via email. Here are few important notes:
I believe that the most important part of a presentation is showcasing the product's potential. It is easy to delve into solutions and technology, but it is considerably more important to clarify that there is a large market and a lucrative opportunity.
I tried to remove all the redundant parts. For example, the reasons companies need access to data and analytics is obvious, and I saw no reason to belabor the point by telling people about this again.
Before meeting with investors, I made a number of dry runs with other entrepreneurs and former investors, which was instrumental in making my message clearer and dropping unnecessary parts.
The entire presentation is attached. The only slides I've removed include the financial forecast and details about the technology. Although I usually focus extensively on design, in this presentation I chose to stick to a clean design, since I felt that an over-designed presentation would overshadow critical information, and that 'beautifying' the content was unnecessary.
What were my considerations in choosing investors?
I believe there to be three main types of investors. The first (which probably constitutes the smallest group) are added-value investors, the ones that help steer the company in the right direction and know how to push when things get a bit stuck. I think that their added value comes from their experience being involved with dozens of startups and their capability to provide proper guidance. I am not much of a believer in 'opening doors': this obviously helps, but also has constraints. The entrepreneurs themselves should open doors on a daily basis. Investors are instrumental in helping make inroads in the later stage of follow-on investments, acquisition or during crises, but not in gaining customers, hiring employees and routine operations.
The second group, which are probably the majority, are rather passive investors, which will not be too involved in the company. I also consider them worthy investors, since investors' primary importance, in my opinion, lies in providing financial backing.
The third group consists of investors that could be detrimental to the company, from extremely dominant individuals who do not let the CEO make decisions alone, to investors who generate much work for the company and the CEO with various demands.
Another criterion that matters to me is working with nice people. I don't know how much this will influence the company's future, but working with investors who could become good friends was just as crucial for as me as hiring nice employees.
Haim and Rona bring much experience to the table but even before that, they made me feel that they believe in me and will have my back in any decision I make, even the less standard ones.
Why work with two funds?
The primary reason I chose to raise investments from two funds was the opportunity it provided to work with two investors I had the utmost respect for, and not wanting to miss either one. Haim and Rona are good friends and have made joint investments in two companies in the past, both resulting in great exits. If they didn't have this prior relationship, I would have probably chosen one fund, with the aspiration being a simple and easily-manageable board of directors. Working with two funds also has another advantage: follow-on investments, which involve larger sums, where having two funds working with the company provides a significant advantage. In both startups I previously co-founded, our A round involved only one fund, which worked very well.
The emotional side of funding
This is a topic only rarely discussed. The only glimpses of a long funding process one gains is from optimistic articles in newspapers such as Calcalist, The Marker and Geektime, showing smiling employees and entrepreneurs. For most entrepreneurs, financing is the most emotionally difficult part of building a company. In my case, Oribi was the third company I've founded. The funding process was, relatively speaking, not that long (about a month and a half) and I was in contact with only few funds (five overall); however this was still not an easy process. Many investors are amazing people, but there are also enough of them who will shake your confidence and create highly unpleasant interactions. What kept me going during this process was my belief in the product and the confidence that, even if I fail to raise the target investment, I will still succeed in developing a good product. I kept reminding myself that raising funds is not the end but only the means to building a great product, and that there are many ways of reaching this objective.
What's now?
I have many roles and missions as the CEO of a startup, but in the past year I've really only considered two things to be crucial, burning issues – building a great product and an amazing team. Building a technically complex product that would still have a simple interface, building something that just works, that suits many users and mainly an addictive product, which users would rush to open in the morning.
Recruiting a great team is the company's heart. The people I hire now will shape the company's product, technology and marketing, but mainly its spirit. I believe that the first dozen employees will define the way the company looks when the team grows to a hundred. When it comes to employees, I constantly try to think about both sides of the coin – how they will be good for the company and at the same time how the company will be good for them. Or, more accurately, how joining me rather than another successful startup, will help them better realize themselves.
I believe that the company's culture will further develop in the coming months, but these will be the key principles within Oribi:
Personal development – for me, entering the startup world was primarily an amazing journey of self-change. Even before career and money came into the picture, startups were where I could overcome low self-esteem problems, learn much in different fields, meet fascinating people, start giving talks and write. I want to provide other people with a similar experience. One of the most important aspects of Oribi will be personal development – help all employees to conquer their summits – building the right track that will enable people to give talks, learn programming if you have a less technical job, learn product and UX aspects if you are doing a technical job, study finance and more. Every person will of course learn what they are interested in.
Sane working hours – a startup has to move quickly and make significant progress from quarter to quarter. This does not mean that you must be stressed out all the time and that any person leaving the office before 8 pm should get stared at. One of the principles I consider vital is to keep a calm working environment, while taking into account that my employees also have a life outside of the office.
Transparency and sharing – I firmly believe in full transparency within the company, and in all employees being involved in the product. I do not know if this is feasible in bigger companies, but one of the nicest things about early startup stages is that you can share everything and hear what the people who know the company best think. I believe that there is no reason to hide anything in a startup – business, financial, company- and product-related decision. Even if mistakes or failures happen (and they will happen), there is no point in hiding them, this is an inseparable part of building a company. One of the main reasons many people choose to join startups in their early stages is to learn how to found their own startups later on. Many startups do not give employees access to this information. In Oribi, we believe it is important that everyone learn and participate in the process.
We are currently starting to hire employees. Right now, we are looking for programmers and an UI/UX designer. If you are interested in other positions (marketing, customer success, product and more), you are more than welcome to leave your details and we will contact you once a relevant job becomes available. See more details below.
This blog is about startup culture: recruitment, management, productivity, building the right DNA, fundraising and more.
I'm Iris Shoor, CEO at Oribi and third-time entrepreneur. Although I studied architecture, I ultimately decided I was more suited to the startup life. I co-founded VisualTao, which brought engineering models (CAD) to mobile and web, and which was acquired by Autodesk. After two years at Autodesk, I co-founded Overops, a startup in the developer and DevOps space. Now, I lead Oribi; we've raised over $27M to date in our quest to reinvent marketing analytics. We provide a codeless alternative for tools like Google Analytics and work with thousands of companies around the world.
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Course Description: This workshop introduces educators to the development of the Asian horror genre, and methods of using horror films to teach critical reading and narrative styles. It also examines the aesthetics of horror based on theories from Edmund Burke and Mikhail Bakhtin. Participants will learn to critically read the aesthetics of horror on film and link them with horror in other art forms such as literature and paintings, use horror films to teach the narration of suspense, as well as to understand the development of the Asian horror genre and how horror and suspense are constructed on film.


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text:
Biografia
Originario di Rieti, è attivo come musicista, regista e attore. In teatro ha lavorato, tra gli altri, con Julian Beck, Marco Baliani, Giorgio Barberio Corsetti, Mario Martone e con la Socìetas Raffaello Sanzio di Romeo Castellucci, ricevendo tre candidature al Premio Ubu per il teatro. Esordisce nel cinema con il film Il nome della rosa, di Jean-Jacques Annaud, lavorando poi con registi come Bertolucci, Magni, Chiesa, Garrone, Troisi, Baricco, Manfredonia.

Negli anni novanta rappresenta opere avanguardistiche di ricerca teatrale in tutto il mondo, dall'America del Sud agli Stati Uniti, dall'Asia all'Europa dell'Est, in Australia.

Ha inoltre pubblicato quattro raccolte di poesie: L'acustica del Mar Egeo, Emporio di razza, Risonanze di costola e Delle nuvole ogni sera, resiste.

A partire dal 2012 diventa un personaggio televisivo partecipando al programma Avanti un altro! di Paolo Bonolis nel ruolo de Lo iettatore, ispirato al personaggio da lui interpretato nel film di Luigi Magni 'o Re. Il 1º aprile 2016 partecipa alla terza puntata della settima edizione di Ciao Darwin come rappresentante della categoria Brutti. Il 31 ottobre 2016 entra nella casa del Grande Fratello VIP durante la semifinale, nei panni de Lo iettatore.

Filmografia parziale

Cinema
Il nome della rosa, regia di Jean-Jacques Annaud (1986)
Luci lontane, regia di Aurelio Chiesa (1987)
The Barbarians, regia di Ruggero Deodato (1987)
Le vie del Signore sono finite, regia di Massimo Troisi (1987)
Se lo scopre Gargiulo, regia di Elvio Porta (1988)
'o Re, regia di Luigi Magni (1989)
Crack, regia di Giulio Base (1991)
Perduta, regia di Andrea Marfori (1991)
Confortorio, regia di Paolo Benvenuti (1992)
Poliziotti, regia di Giulio Base (1995)
La bomba, regia di Giulio Base (1999)
Foglie di cemento, regia di Fabio Sonzogni - Cortometraggio (2002)
Nero bifamiliare, regia di Federico Zampaglione (2007)
Lezione ventuno, regia di Alessandro Baricco (2008)
Si può fare, regia di Giulio Manfredonia (2008)
Imago Mortis, regia di Stefano Bessoni (2008)
Tutti al mare, regia di Matteo Cerami (2011)
God's Got His Head in the Clouds, regia di Gianluca Sodaro - Cortometraggio (2012)
Il racconto dei racconti - Tale of Tales, regia di Matteo Garrone (2015)
Ora non ricordo il nome, regia di Michele Coppini (2016)

Televisione
I ragazzi della 3ª C, serie TV, episodio "Il professore cerca casa" (Italia 1, 1988)
Don Matteo, serie TV, regia di Giulio Base (Rai 1, 2004)
Gli occhi dell'amore, regia di Giulio Base (2005) - film TV
Rino Gaetano - Ma il cielo è sempre più blu, regia di Marco Turco - miniserie TV (Rai 1, 2007)

Programmi televisivi
Avanti un altro! (Canale 5, dal 2012) Lo iettatore
Ciao Darwin 7 - La resurrezione (Canale 5, 2016) 3ª puntata
Grande Fratello VIP (Canale 5, 2016) 7ª puntata
Chi ha incastrato Peter Pan? (Canale 5, 2017) 6ª puntata

Riconoscimenti
 Premio Nazionale Poesia Levante '84 – Radar/Sei & Expo Levante di Bari
 Premio Genova Film Festival 2002 per l'interpretazione di Foglie di cemento
 Miglior attore protagonista al festival Arrivano i corti di Montelanico 2003 per l'interpretazione di Foglie di cemento
 Premio Jury des jeunes al 45º Festival di Locarno per l'interpretazione di Confortorio
 Premio Telesia Film Festival 2009 e Ciak d'oro 2009 per l'interpretazione di Si può fare

Doppiatori
Nonostante sia italiano, Franco Pistoni è stato doppiato da:
Francesco Vairano ne Il racconto dei racconti - Tale of Tales

Note

Altri progetti

Collegamenti esterni

Attori cinematografici italiani
Attori teatrali italiani
Attori televisivi italiani
Registi italiani del XX secolo
Registi italiani del XXI secolo

redpajama_set_name: RedPajamaWikipedia


Well, my first The 30 Day Gift has been completed and gifted, and the joy it brought both the giver and the receiver was amazing. Some people might be intimidated by a 30-day prayer commitment, but I want to encourage you that it's worth every single day, and so much more! I started thinking of other things that come with 30-day commitments, such as diets and workouts. For 30 days, you commit to get healthier or in better physical shape; and at the end of that time, you are proud of the work put in and the results that come out. Yes, there is a sacrifice to be made, but in the end, it's worth it. The same is true with The 30 Day Gift. The dedication I put in to pray for someone for 30 days was a commitment. But, just like those work outs, I gained momentum, and looked forward to that time of intercessory prayer. By the time I was done, my prayer life had been toned and strengthened, and I was so proud to gift the most powerful thing of all to my best friend... prayer. I know I may be biased, but this project totally blew me away with it's power. I hope you find the same thing to be true as you take on your very own The 30 Day Gift.
Happy New Year everyone! After a Christmas holiday full of binge eating, gift giving, and absolute clutter in our house, I love that I now get to regroup, refocus, and make commitments to kick off 2018. You know, I think the timing is great; last week we celebrated the birth of Jesus--the miracle of life, that would later be put to death to give us everlasting hope. Over the last two weeks I have soaked up that miracle, admiring manger scenes in people's homes, lights on trees, carolers singing the good news, and much more. Although nativity scenes freeze that precious moment in time, God wants us to set our admiration of that child into action. I love Christmas with the best of them, but to vacuum the last pine needle off my floor felt great. It's like that month of admiring the manger refuels us for a new mission. We need to go and tell the story, live out the grace and forgiveness, and resolve to live every day thanking God for the hope we have in Christ.
One way to do that is to recommit yourself to prayer. When I started this journey, God convicted me that I needed to pray more and with more appreciation for what a gift it truly is. I can approach God the All Knowing, All Healing, All Forgiving, and All Powerful because of that baby that was born in the manger. If you are looking for a tangible way to kick off a prayer resolution in 2018, look no further. The 30 Day Gift is not only a great way commit to prayer, but also a way to love others in a deep and sincere way. Let's commit to pray, not just in January, but every day of the new year!
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OEM stripes on GT cars?? Does anyone have them?
correct me if I'm wrong but there were OEM vinyl stripes that could be ordered on GTs. Is that right? If so, I don't think I have ever seen them.
Does anyone have them? How do they look? How are they holding up?
Were they installed at the dealership or at the factory?
My 2013 GT has the Over The Top stripes, which I ordered and they were installed at the factory. They are holding up great. But then my stang spends most of its time in a garage.
Last edited by SoFlaBoss; 4/23/14 at 01:00 PM.
i have oem super snake stripe.. actually they show up in the window sticker but they are installed at the dealership and they use third party vinyl installers to install it who use their own product.. this is what happened in my case... 1 yr now no issue though.
Mine were installed at the factory. Here they are when my stang arrived in So. Florida.
My 2011 came with factory OTT stripes. It's vinyl and they are holding up great. It's a daily driver with 25k miles. It's garage kept but it sits out in the sun every day. The dealership put crappy painted on pin stripes which have since been removed.
My 2013 GT has the Over The Top stripes, which I ordered and they were installed at the factory. They are holding up great. But then my stang spends most of its time in a garage. The OTT stripes weren't available on the 11-12 MY. However, there were other stripe options from the factory for yours.
I stand corrected! Yours is the first of the 11-12 MY I've seen with the OTT Racing Stripe. Cool! I even bought a 2011 and a 2012. However, they were a V6 MCA Package and a Boss 302, so a different stripe on either one wasn't an option.
My '11 GT/CS came with door fadeout stripes, kinda subtle and yeah, love them. they balance the sides perfectly.... been on since I bought it in October 2010 and holding up just fine!
They're also model specific to the GT/CS so I did not want to alter the original overall look FORD deemed as OEM equipment for these CS!
this confuses me.. your stripes are def. not OEM.
I have the 2013 OEM Appearance Pack decals on my car #DR3Z-6320000-DAF Silver Stripe Kit from Ford.
Last edited by 13Stang; 4/18/14 at 09:30 AM.
I thought that was a 2014 option? In 2013 there was no appearance pack available, was there?
I rented a new 2013 sterling silver GT last year and it had the same over the top stripe in black. No way Hertz installed aftermarket stripes on a rental car.
My '11 GT/CS came with door fadeout stripes, kinda subtle and yeah, love them. they balance the sides perfectly.... been on since I bought it in October 2010 and holding up just fine! They're also model specific to the GT/CS so I did not want to alter the original overall look FORD deemed as OEM equipment for these CS!
Agreed. That stripe looks awesome on any GTCS color. It sold me in person.
My window sticker says "tape stripe delete" on it. What style of stripe does this refer to?
I wouldn't do factory stripes. They never go bumper to bumper unless it's a Shelby. They also charge about $400 which is the same price any decal shop would charge for installation and you can get exactly what you want.
I'm thinking of striping my car when I get it. Is there any worry about uneven paint wear? I assume current clear coats block uv pretty well so in a few years if I get tired of them or want to change them the paint should be fine.
I hear you on this...but there's something inherently cool about a factory option where a custom stripe can come across as a bit too much. Personal taste...but it's easy to cross over into "ricer" territory if you over do it.
Yes. As far as I know, If your car gets a lot of weather exposure, the paint under the vinyl will always age differently. It might not be as noticable as it was on older cars with less fade resistant finishes but I suspect you'll still be able to see where the stripes "were" when you remove them.
It's probably worth the risk though. Just keep your whole car clean and waxed...and I suspect that you could have it compounded when the stripes come off to minimize the artifacts if necessary.
Hopefully someone with more specific experience can lend their opinion.
Thanks! I'm also wondering about how you deal with waxing the car. I would assume wax on the stripes might not look so great. Seems like a pain if that's the case.
Quick Reply: OEM stripes on GT cars?? Does anyone have them?


Study here the latest genetic therapies for cancer.
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Posted on December 2, 2018 at 6:51 am.
We're continuing the cycle we started last week, aiming to build up your long aerobic capacity. We'll continue this for the next 5 weeks, then will re-test to gauge how the progressions have gone.


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Herbert L. Hutner dies at 99; former chairman of President's Advisory Committee on the Arts
Dec. 19, 2008 12 AM PT
Times Staff Reports
Herbert L. Hutner, the Los Angeles private investment banker and lawyer who chaired the President's Advisory Committee on the Arts during the Ronald Reagan and George H.W. Bush administrations, has died. He was 99.
Hutner, a resident of Holmby Hills, died Dec. 7 at Cedars-Sinai Medical Center in Los Angeles, according to his wife, Juli.
The purpose of the committee is to advise and consult the board of trustees of the John F. Kennedy Center for the Performing Arts in Washington, D.C., on the center's existing and prospective cultural activities.
Hutner chaired the panel from 1982 to 1990 and also was engaged in fund-raising for the center.
In 1988, he hosted an event called "Hollywood Salutes the Kennedy Center Honors." The gala, which celebrated that year's Kennedy Center honorees including theatrical maestro George Abbott, actor Jimmy Stewart, comedian Lucille Ball and choreographers Katherine Dunham and Alwin Nikolais, was held in the grand ballroom of the Beverly Hilton and raised more the $2 million for the center.
A native of New York City, Hutner was born Dec. 21, 1908. He graduated from Columbia University in 1928 and earned his law degree, also at Columbia, in 1931. He was admitted to the New York state bar the next year.
In the 1940s, Hutner worked on Wall Street as a partner with Lester Osterman, who would become a prolific Broadway producer and theater owner, in the Osterman & Hutner brokerage partnership.
Over the next 20 years, Hutner was chairman of the boards of several leading manufacturing and engineering firms including Sleight & Hellmuth Inc., Pressed Metals of America, Struthers Wells Corp. and the Platinum Mining Co.
He also served for several years as president of the New England Life Insurance Co.
Hutner's life changed in the 1960s when he wed the often-married actress Zsa Zsa Gabor. It was Hutner's second marriage and Gabor's fourth.
The couple moved to Los Angeles and from then on his business endeavors were focused on investment banking. The marriage to Gabor ended in divorce in 1966 after nearly four years.
In 1969, Hutner married Juli Reding, a former actress. She survives him, as do his son Jeffrey J. Hutner, daughter Lynn M. Collwell and stepson Christopher D. Taylor. He also is survived by five grandchildren and four great-grandchildren.
Through his long life in Los Angeles, Hutner was devoted to philanthropic missions, donating to the Jules Stein Eye Institute at UCLA and the Young Musicians Foundation. He also was a founder of the Music Center of Los Angeles.
"Herb was one of the kindest, most thoughtful and most enjoyable friends I ever have known," said Tom Johnson, a former publisher of The Times and former chairman and chief executive of CNN.
"He cared, and cared deeply, about Juli, his family, his friends, and the many causes he quietly supported with his philanthropy."
Instead of flowers, the family has requested that donations in his name be made to either the Young Musicians Foundation, 195 South Beverly Drive, Suite 414, Beverly Hills, CA 90212, or the Jules Stein Eye Institute at UCLA for Dr. Stephen Schwartz Research, 800 Westwood Plaza, Los Angeles, CA 90024.
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Hey guys, in this video we will show you how to fix car remote control button that does not work. If both switches are off, both motors will be off, and the car will not move. The most common reason for a car key remote to stop working is a dead battery, but replacing the battery blindly might not fix the problem. Many remote-control problems can be fixed easily.
Through a handheld controller, a child can run a remote control car in many different directions, around corners and over obstacles. Here we will explain how remote control cars work via electrical impulses and contacts. I've done all there is - enabled bluetooth, AC plugged in, but every time I close it, it will sleep and not respond to my bluetooth keyboard or mouse. You can clean them with a pencil eraser followed by a nail file.
While you're checking the battery installation, make sure that the contacts for the batteries aren't corroded or bent. We want to hear your thoughts on this topic, how do you fix a remote control car. The excavation of Jericho, therefore, has thrown no light on the walls of Jericho of which the destruction is so vividly described in the Book of Joshua. We will have two switches in our remote control to power each motor of the car. A couch potato without a remote control is like a king or queen without a scepter, but what do you do if the scepter is broken.


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Self-driving cars need to be able to predict and react to human behavior, not an easy task for programmers to manage.
Cars that treat human drivers as strictly obstacles to be avoided can be overly defensive; giving self-driving cars the ability to test how people will react leads to better results.
SAN FRANCISCO — When you picture the future of transportation, you probably see lanes of autonomous cars driving highways full of humans hither and yon, with no carbon-based life forms taking control of the wheel.


This morning I called about my car and they said they would have the parts on Monday. Obviously, I don't believe them. Oh well, what can I do? My dad informed me that I was most likely on their blacklist for all the yelling that I do whenever I'm there. I don't know what else to say, though--I don't really understand how wanting a product to be fixed when it's built to be inferior is such a ridiculous request. I really just relaxed the rest of the day until about 6pm when Chris and Mike said they were coming over. The arrived around 7 and Chris and I went to Gordo's to pick up dinner for myself and Jamie. They really did not do a very good job with our order. Mine was (literally) a piece of bread with some turkey slices. Not even mayo or "Gordo's Sauce". And the fries, we figured, were fried in B.O. We also picked up a few drinks from the store and came back to dispose of them. We had a fun time and Chris took us all out to McDonald's around 11:30. One of the advantages of drinking early is that you feel pretty good the next morning because you feel asleep at 1am instead of 4am. That is especially good for days like tomorrow, when we have early rehearsal. Steve is also coming in tomorrow around 5pm. I need to do some heavy cleaning after the gathering last night. The plan is to have a bunch of people over for dinner to honor his arrival. Also staying with me for the week are: Abner (Chris' turtle with sweet turtle abs) and Mike's fish. Hmm, I guess that's not as much as I thought. If only The Ab was staying too. Alas, she's too crazed around Chompy to really not get me in trouble. If you want to come over and eat with us, this is your invitation.


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