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Tag Archives: sebastian stan
In Whitley County covers BroadwayWorld recognition – PLUS, video of numbers from "Life is a Cabaret" #cabaret4relay
Thank you, Bridgett Hernandez and In Whitley County, for this lovely coverage of my recent BroadwayWorld Detroit / BroadwayWorld / Cennarium Award for Ann Arbor Civic Theatre's Mystery of Edwin Drood. And for the connections you make between play and work and how important it is to have both.
Plus, enjoy these videos of numbers from the final dress rehearsal of "Life is a Cabaret" – click to view. Thanks, Lia, for capturing! You can also view as a continuous playlist here – more videos will be added as available.
Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital).
In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan.
My mom Susie Duncan Sexton's Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.
Posted By: Roy Sexton (Reel Roy Reviews)	Category: Americana, Musical, Must See, Pop!, Theatre Review	Tags: #metoo, #timesup, aimee chapman, Aimee Kat, AJ Kosmalski, allison janney, american cancer society, ann arbor, august: osage county, Barry Cutler, Ben Kiehl, beth kennedy, bethany basanese, Bethany Jean, bookbound, bradley arant, Bruce Hardcastle, canton, cathy mcdonald, cathy skutch mcdonald, chicks for charity, Christina Bair, christine bair, Christopher Tremblay, cobo hall, coen brothers, corner of the sky, craig gillespie, dear evan hansen, Denise Isenberg Staffeld, denise staffeld, detroit, diane dimauro, Diane Pessefall DiMauro, fargo, goodfella, greatest showman, green acres, gus van zant, hugh jackman, I get hit every day but Nancy Kerrigan gets hit once and the whole world shits, i tonya, i tonya review, ice skating, Jacqueline Madarang, jaffe, Janine Patrick Creedon, jeff gillooly, Jeff Steinhauer, jennifer romano, Jim Paglino, john mola, julianne nicholson, kathryn holmes johnson, Kelvin Elvidge, kerr russell, Kevin Robert Ryan, kevin ryan, legal marketing association, leo babcock, les miserables, Lia De Biasi, life is a cabaret, logan lucky, margot robbie, me too, megan blackshear, michelle burtley, nancy kerrigan, old-type-writer, olympics, Peggy Lee, peter blackshear, pippin, poetry, putting it together, Rachel Biber, raising arizona, rebecca winder, reel roy reviews, relay for life, roy sexton, russ schwartz, sebastian stan, She skated better when she was enraged, Shirley Addison Auty, sternes kessler, steve rogers, Steven Wilson, suicide squad, sunday in the park with george, susie duncan sexton, technical solace, the help, this is the life, Tim Chanko, times up, to die for, Toby Tieger, Tracy Neil, tracy neill, vivian hood, Wendy Maine Sielaf, wolf of wall street, you will be found
Canton Chamber of Commerce Business Spotlight on "Life is a Cabaret," February 7, benefiting American Cancer Society's Relay for Life (VIDEO)
Enjoy this video coverage of our upcoming cabaret performance: https://youtu.be/B5HoWBkM3wU – the Canton Chamber sure did a lovely job covering our event. Cabaret producer/director Denise Staffeld is exceptional, isn't she? As is music director Kevin Robert Ryan – and, yes, you get to hear me sing in this clip. (And, to my animal loving friends, I have nothing to do with that coyote commercial in the middle of this, nor am I particularly thrilled with the guidance it offers toward the end.) Tix for Feb 7 are going fast! Click here.
A live musical fundraiser featuring Broadway tunes. Hosted by Relay for Life in partnership with Women's Life Society Chapter 827, Chicks for Charity. Enjoy delicious desserts & a Cold Stone Creamery Ice Cream Bar; while bidding on the Silent Auction. Cash Bar will also be available. Join us with residents of Canton, Plymouth and surrounding communities to kick-off the annual fund-raising season. All proceeds and donations will benefit the American Cancer Society's Relay For Life of Canton and Plymouth to attack cancer from every angle. Be entertained at 'Life is a Cabaret' while attacking cancer. Relay For Life of Canton and Plymouth is May 19, 2018 in Heritage Park, Canton. Relay for Life is a team fundraising event where team members take turns walking around the pond in Heritage Park. A complementary luncheon for Cancer Survivors is also held during the event. Relay is the signature fundraising event of the American Cancer Society. Reception 6pm-7pm. Performance 7pm-9pm.
www.cantonvillagetheater.org
Adults $22.00
Senior $22.00
Youth $22.00
Tickets: Online or visit or call the theater 10am-2pm Monday-Friday. 734-394-5300 ext 3. PLEASE LEAVE A MESSAGE. CALLS WILL BE RETURNED WITHIN 24 HOURS OR WEEKEND CALLS BY END OF DAY MONDAY. All ages must have a ticket. No refunds or exchanges.
Posted By: Roy Sexton (Reel Roy Reviews)	Category: Americana, Musical, Must See, Theatre Review	Tags: #mettoo, #timesup, Aimee Kat, AJ Kosmalski, allison janney, ann arbor, august: osage county, Barry Cutler, Ben Kiehl, beth kennedy, Bethany Jean, bookbound, bradley arant, Bruce Hardcastle, cathy skutch mcdonald, Christina Bair, Christopher Tremblay, cobo hall, coen brothers, craig gillespie, Denise Isenberg Staffeld, denise staffeld, detroit, Diane Pessefall DiMauro, fargo, goodfella, greatest showman, green acres, gus van zant, hugh jackman, I get hit every day but Nancy Kerrigan gets hit once and the whole world shits, i tonya, i tonya review, ice skating, Jacqueline Madarang, jaffe, Janine Patrick Creedon, jeff gillooly, Jeff Steinhauer, jennifer romano, Jim Paglino, john mola, julianne nicholson, kathryn holmes johnson, Kelvin Elvidge, kerr russell, Kevin Robert Ryan, legal marketing association, leo babcock, Lia De Biasi, life is a cabaret, logan lucky, margot robbie, me too, megan blackshear, nancy kerrigan, old-type-writer, olympics, Peggy Lee, peter blackshear, poetry, Rachel Biber, raising arizona, rebecca winder, reel roy reviews, roy sexton, russ schwartz, sebastian stan, She skated better when she was enraged, Shirley Addison Auty, sternes kessler, steve rogers, Steven Wilson, suicide squad, susie duncan sexton, technical solace, the help, Tim Chanko, times up, to die for, Toby Tieger, Tracy Neil, vivian hood, Wendy Maine Sielaf, wolf of wall street
"She skated better when she was enraged." I, Tonya (Plus, poetry readings, resolutions, and cabarets, oh my!)
I, Tonya is a troubling film … and not for just the obvious reasons. Yes, director Craig Gillespie's take on the Tonya Harding/Nancy Kerrigan scandal does a good job highlighting America's obsessive and misogynistic need to pit women against one another, regardless the tragic outcomes that may result. Yes, Steve Rogers' script addresses the notion that competitive ice skating is a sport that often favors artifice over reality, faux-elegance over athleticism. The film nails the tragic economic disparity in this country that can toxify and curdle unfulfilled and unrecognized raw talent into resentment, rage, and unbridled violence.
Yet, it's the film's tone that I found most unsettling. There is probably no other way to go than "dark comedy" for an insane and still-somewhat-unresolved story like this: one skater from the "wrong side of the tracks" and one skater with a perceived "princess complex," surrounded by a band of male idiots who thought it would be a nifty idea to turn the lead-up to the 1994 Winter Olympics (with an eventful stop at Detroit's Cobo Hall) into a road-show Goodfellas as performed by the cast of Green Acres.
The cast is beyond reproach. Deserving Golden Globe winner Allison Janney (Spy, Tammy, The Help) dazzles and horrifies as Tonya's "mommie dearest" LaVona whose intentions may be noble but whose approach to child rearing is two shades to the right of the Marquis de Sade. Sebastian Stan (Captain America: Winter Soldier, Logan Lucky) is perhaps a bit too pretty but nonetheless gives us a hauntingly comic portrayal of an abusive milquetoast in Jeff Gillooly. Ethereally engaging Julianne Nicholson (August: Osage County) is suitably and allegorically icy as Tonya's coach.
Of course, Margot Robbie (Suicide Squad, Wolf of Wall Street) rocks the title role. Robbie is an absolute firecracker of a performer, and, while exceptional as Harding, I'm not sure we've yet seen that one landmark career-making turn from her. I'm certain it's on the horizon, but I, Tonya in its entirety doesn't quite rise to the commitment of what Robbie is doing here.
I also admit that, while Robbie gets Harding's swagger and little-girl-lost qualities just so, she doesn't quite have the look. I, like most of America, have wearied of Amy Adams, but watching a documentary of Harding following the film, it was clear that Adams is more of a doppelganger for the troubled athlete.
And that brings me back to the film's tone: a bit Coen Brothers (Raising Arizona, Fargo), a bit Gus Van Sant (To Die For), and a heaping helping of postmodern cynicism, but not nearly enough heart. The tragic circumstances of Harding's upbringing are bandied about as cutesy one-liners, and the choreographed sequences of domestic abuse (Harding's mother and husband both dish out brutal beatings on the poor soul) are almost treated like musical interludes. Even the heartbreaking yet admittedly hilarious lament from Robbie's Harding that "I get hit every day, but Nancy Kerrigan gets hit once, and the whole world sh*ts!" comes off more like a punchline than an authentic assessment of America's trivialization of violence toward women.
Perhaps I am overly sensitive in this moment of "#MeToo/#TimesUp. Perhaps I have seen too often how insidious and destructive the evil-that-men-do can be to the self-esteem and self-worth of women. Perhaps I just thought I, Tonya was trying to have its cake and eat it too -painting Harding as this heartbreaking misunderstood ice queen Icarus while lobbing spitballs at the back of her head, just in case America wasn't quite ready to forgive her yet.
As Janney's LaVona intones in one of the many "mockumentary" style interviews sprinkled throughout the film, "She [Tonya] skated better when she was enraged." The film gives us an ugly, bruising, arguably self-indulgent depiction of why Harding should be and was enraged, but it is never quite brave enough to offer her much sympathy or redemption. That may be the saddest crime of all.
Miscellany …
[Biber with – clockwise – Sexton, Rachel Biber, & Rebecca Winder]
Had a great time Saturday, January 14 with these crazy kids celebrating the launch of pal Rebecca Biber's first book of poetry Technical Solace from Fifth Avenue Press. [Photos by Rebecca Winder here.] Enjoyed playing Johnny Carson to Rebecca for the reading/Q&A at lovely Megan and Peter Blackshear's exceptional store Bookbound in Ann Arbor. Thanks to a great crowd including Rebecca Winder, Rachel Biber, Barry Cutler, Beth Kennedy, Toby Tieger, Russ Schwartz, Peggy Lee, Steven Wilson, John Mola, and more. You can purchase the book at Bookbound or via Amazon. Click here. Ann Arbor District Library's Pulp reviews the event here.
https://reelroyreviews.files.wordpress.com/2018/01/20180113_192127.mp4
[Jaffe's Vivian Hood pictured]
Thanks, Vivian Hood and Jaffe for the opportunity to pontificate a bit … and in such esteemed company! "The turning of the calendar page to January always offers a chance for new resolutions or goals for the coming year. In this Q&A, Roy Sexton, Director of Marketing at Kerr Russell; Kathryn Holmes Johnson, Director of Marketing and Communications at Sterne, Kessler, Goldstein & Fox; and Jacqueline Madarang, Senior Marketing Technology Manager of Bradley Arant Boult Cummings LLP, weigh in with their thoughts about the important legal marketing challenges and issues on which they will be focusing." Read more.
Latest Talk of the Town Whitley County "Old Type Writer" column by my mom Susie Sexton … is actually by me this month: my review of Greatest Showman. Thanks to publisher Jennifer Zartman Romano; proud to support my mom's longstanding contributions there. ❤ Excerpt: "This may seem a quaint notion, but sometimes it's nice to have a movie that is simply affirming and joyous and a celebration of what can be best in the human spirit. That is The Greatest Showman's raison d'etre. The subject of PT Barnum's now-controversial life may seem an unlikely vehicle for such a film, but that is indeed what we have with Hugh Jackman's latest. I absolutely loved this movie." Click here.
[Musical director Kevin Robert Ryan and Sexton – photo by Denise Staffeld]
Thanks, Jennifer Zartman Romano and Talk of the Town Whitley County, for running this announcement! Whitley County native Roy Sexton is among the cast of "Life is A Cabaret," a live musical theatre fundraiser for the American Cancer Society. The performance is planned for February 7, 2018, at 7 p.m. in Canton, Michigan at Canton Village Theater. The live musical fundraiser will feature Broadway tunes. The event is hosted by Relay for Life in partnership with Women's Life Society Chapter 827, Chicks for Charity. Attendees will enjoy delicious desserts from a Cold Stone Creamery ice cream bar while bidding on the silent auction. A cash bar will also be available. All proceeds and donations will benefit the American Cancer Society's Relay For Life of Canton and Plymouth, MI to attack cancer from every angle. Tickets are $22. For ticketing information, click here or call 734-394-5300 ext 3. If there is no answer, leave a message and your call will be returned within 24 hours.
Thanks, Legal Marketing Association, for this shout out in the latest Strategies magazine.
[Biber & Sexton, photo by Rebecca Winder]
Posted By: Roy Sexton (Reel Roy Reviews)	Category: (Dark) Slice-of-Life, Action, Americana, Australians, Biography, Film Review, Home Viewing	Tags: #mettoo, #timesup, allison janney, ann arbor, august: osage county, Barry Cutler, beth kennedy, bookbound, bradley arant, cobo hall, coen brothers, craig gillespie, denise staffeld, detroit, fargo, goodfella, greatest showman, green acres, gus van zant, hugh jackman, I get hit every day but Nancy Kerrigan gets hit once and the whole world shits, i tonya, i tonya review, ice skating, Jacqueline Madarang, jaffe, jeff gillooly, jennifer romano, john mola, julianne nicholson, kathryn holmes johnson, kerr russell, legal marketing association, life is a cabaret, logan lucky, margot robbie, me too, megan blackshear, nancy kerrigan, old-type-writer, olympics, Peggy Lee, peter blackshear, poetry, Rachel Biber, raising arizona, rebecca winder, reel roy reviews, roy sexton, russ schwartz, sebastian stan, She skated better when she was enraged, sternes kessler, steve rogers, Steven Wilson, suicide squad, susie duncan sexton, technical solace, the help, times up, to die for, Toby Tieger, vivian hood, wolf of wall street
"When I saw Gummi Bears was our secret ingredient … I wasn't thinking science." Logan Lucky
Steven Soderbergh's directorial return Logan Lucky is no Hell or High Water (not sure much could be), but it is a capable new entry in a genre I can only think to dub "21st Century tragicomedies of the American marginalized." Both films (and others like them – Nightcrawler comes to mind; heck, one could argue Soderbergh's first Magic Mike too) take an almost Dickensian view of modern America, where satire and melodrama meet, showing the ramshackle desperation of the economically sidelined, and where criminal misdeeds are a logical course correction for those lost in a soulless system that prizes cash over humanity.
Channing Tatum continues to turn a blind eye himself toward commerce by taking one oddball role after another. He stars as Jimmy Logan, a divorced but devoted papa whose life began and ended on the football field, a failed quarterback who placed his faith in the white hot hyperbole of American high school only to make the sad realization in his real-world 30s that indeed his sh*t does stink after all. He's saddled both with a knee injury that keeps him from gainful employment and with a lovably deadpan one-armed crackpot brother Clyde (Adam Driver, light years from the slithering petulance of Star Wars' villain Kylo Ren) who keeps him from sanity. Clyde is convinced the family is cursed (hence the ironic "lucky" in the title), and all evidence does tend to support his conclusion.
The two brothers plot an "Ocean's 7-11" (the film's description, not mine) take-down of the Charlotte Motor Speedway – a Rube Goldberg-esque scheme to tap into the pneumatic tubes funneling cash from one tacky elephant ear and t-shirt vendor after another underground into the NASCAR's institution's vault. Jimmy's idea of researching this plan? "I looked it up on 'the google.'" Logan sister Mellie (an impishly sullen Riley Keough, Lisa Marie Presley's daughter finally evidencing genuine talent in that family's DNA) is a tacky hairstylist by day, getaway driver by night, and she helps the boys stay on track in their shaggy scheme.
As the overly episodic flick unspools, the Logans' rogues' gallery expands to include safe-cracking and explosives expert (on-the-nose-named) Joe Bang, a wonderfully daffy Daniel Craig, happily jettisoning his sleek Bond-James-Bond glower. "When I saw Gummi Bears was our secret ingredient [for Joe's homemade munitions], I wasn't thinking about science," Jimmy observes ruefully as their plot kicks into high gear.
Joe insists on the involvement of his two lights-are-on-but-no-one-is-home brothers Sam (Brian Gleeson, son of Brendan Gleeson) and Fish (Jack Quaid, son of Randy Quaid and Meg Ryan). Gleeson and Quaid do fine, broadly comic work, but their Hee-Haw-grade depictions of two educationally challenged Southerners are a bit of a disservice to the more finely calibrated lampooning from the balance of the cast.
A veritable Cannonball Run's worth of guest stars sashay through the film, to varying degrees of success. Dwight Yoakam, as a lazy but controlling prison warden, and Katie Holmes, as Jimmy Logan's gum snapping ex, fare best in underwritten parts. Sebastian Stan (Captain America: Winter Soldier) and Katherine Waterston (Fantastic Beasts and Where to Find Them) have spark in blink-and-you'll-miss-them roles as a fussy NASCAR driver and a warmhearted charity clinic doc respectively. Hilary Swank is nails-on-a-chalkboard grating as a robotic FBI agent assigned to the case, and an unrecognizable Seth MacFarlane (thank goodness for him, I guess) draws the short-straw in the Dom DeLuise scenery-chewing punching bag slot.
Dropped to a lean 90 minutes, this two hour enterprise would have been a breezy hoot (and a likely blockbuster). As with most of Soderbergh's films, however, it rambles past a clear-cut denouement into overstaying-its-welcome territory. Swank's entire subplot should have hit the cutting room floor and stayed there. There is something essential that films like this can (and should) say about the human condition in America, about whole swaths of people left behind as Wall Street soldiers on. Unfortunately, as good as this film is (and it is a sharp-eyed assessment of economic disparity), it never quite reaches the dizzying heights of a film that makes you laugh to keep from crying. As the last point on Jimmy Logan's fool proof heist plan states, "Hang up and know when to walk away."
Posted By: Roy Sexton (Reel Roy Reviews)	Category: (Dark) Slice-of-Life, Americana, Comedy	Tags: adam driver, brendan gleeson, brian gleeson, cannonball run, captain america winter soldier, channing tatum, clyde logan, dom deluise, dwight yoakam, fantastic beasts and where to find them, fish bang, Hang up and know when to walk away, hee haw, hell or high water, hillary swank, I looked it up on the google, jack quaid, jimmy logan, joe bang, Katherine Waterston, katie holmes, lisa marie presley, logan lucky, logan lucky review, magic mike, meg ryan, ocean's 7-11, randy quaid, riley keough, roy sexton, sam bang, sebastian stan, Seth MacFarlane, star wars force awakens, steven soderbergh, When I saw Gummi Bears was our secret ingredient I wasn't thinking about science
"I can do this all day!" Captain America: Civil War
Marvel's latest offering Captain America: Civil War made me a bit cranky. The film is perfectly fine – good-to-great, in fact. So, why do I feel bowed and broken by the 2.5 hour superhero slugfest?
Returning to this fan-favorite character – after their exceptional work raising the genre to dizzying, political potboiling heights with Captain America: The Winter Soldier – director brothers Anthony and Joe Russo now take on the unenviable task of adapting a year-long Marvel Comics event (2006's Civil War) that encompassed hundreds of characters and decades of lore and centered on a contentious feud between Captain America and Iron Man over the very civil liberties that are sliding off the rails in the present-day 2016 presidential election.
Importing this plot, that benefited extensively from comic readers' knowledge of Marvel Comics' 50+ years of canon, into a popcorn blockbuster cinematic universe still in its infancy is no mean feat.
More or less, the Russos succeed brilliantly. The directors deftly juggle a baker's dozen of colorfully clad Avengers, throwing some new ones into the mix (Marvel has to set up Phase 27 of this merchandising empire, naturally!), yet somehow still retaining focus on the character (Chris Evans' Captain America) around whom the film ostensibly revolves.
Thank heavens for THREE factors which prevent the enterprise from becoming the kind of overpopulated, unholy, confusing movie slog we tend to associate with Marvel's Distinguished Competition: 1) the Russos balance their reverence for the comics source material with a surgical ability to excise the nerd-centric minutiae, capturing the essence of this allegorical battle for the soul of America; 2) the filmmakers smartly realize Captain America works well onscreen as a sweet-natured, noble everyman whose motivation will always be, first and foremost, that of a 98-pound weakling out-of-touch with the ways of the modern world yet not giving one damn if his desire to put down bullies of every stripe sets him at odds with current mores; and 3) Chris Evans.
Yes, Robert Downey, Jr.'s motormouth Tony Stark (Iron Man), whose oily hustle as a Tin Woodman on steroids is all sparkle and no soul, slapped the verve into the Marvel Cinematic Universe in the first place. (He is dynamite, and, while his rust is starting to show, it plays well through that character's arc as the cynical pragmatist of The Avengers.) However, my money for the heart and soul of these films is and always will be on Evans' Captain America.
The best bits of the extended Marvel television universe (Agent Carter, later seasons of Agents of S.H.I.E.L.D.) took root in the Captain America films, and the strongest humor and the most heart-tugging pathos have always centered around the character. Captain America: The First Avenger is as kind, humane, and inspiring a film as Marvel has produced, and Winter Soldier was a crackling spin on America's obsession with a stalwart greatness we've never actually possessed.
So why am I a bit crabby this afternoon after viewing Civil War? Maybe it's just because the pollen count is woefully high here in Michigan. Or the fact that summer is suddenly barreling down upon us, with the idea of five months of yard work less-than-thrilling.
It's certainly not because there are any issues with Civil War's cast, a collection of champs as fine as they come: Scarlett Johansson (bringing Black Widow new levels of compelling internal conflict), Sebastian Stan (a haunted, hulking Winter Soldier), Anthony Mackie (his gleaming loyalty cut with a sly anxiety as Falcon), Jeremy Renner (a world-weary Hawkeye), Don Cheadle (a world-wearier War Machine), Paul Bettany (with a nice touch of metallic angst as The Vision), Paul Rudd (welcome comic relief as Ant-Man), Elizabeth Olsen (dodgy Slavic accent notwithstanding as the tortured Scarlet Witch), newcomers Chadwick Boseman and Tom Holland (a glowering, intense Black Panther and a cagey yet-wheeling Spider-Man respectively) and a whole busload of "non-supers" caught in (or causing) the cross-fire (William Hurt, Emily VanCamp, Martin Freeman, Daniel Bruhl, John Slattery, Alfre Woodward, Marisa Tomei, Hope Davis).
There is not one false note among them – which is remarkable given that many of these pros receive mere minutes (if not seconds) of screen time. They all make the most of every moment, neither chewing the scenery nor fading into the background amidst all the pyrotechnics. That is a testament as much to the Russos' direction as it is to the respective actors' abilities.
I guess I'm a bit sour because the Marvel Cinematic Universe has started to feel like all work, no play. (And we know what effect that had on Jack Nicholson in The Shining. Not good.) The early films were rife with a joy of discovery and a whimsy that is starting to dissipate around the edges. The evolution of this vast Marvel machinery – all the cogs and spokes and wheels and widgets from the movies to the ABC shows to the NetFlix series to the tie-in books and cartoons and merchandise – is a wonder to behold but can also seem stiflingly corporate. It's become terribly self-serious, all gravity, no air – each Marvel film trailer now peppered with phrases like "nothing will ever be the same," "forget everything you know," "this is the moment everything changes."
The unrelenting bigness seems antithetical to the "little guy taking on the world" joie de vivre that makes Captain America such a special and uniquely American creation. As Evans' Cap often declares in these films, to comic effect under the most dire of circumstances, "I can do this all day!" Unfortunately, where the Marvel empire is concerned, that sounds like more of a menacing declaration of war than a scrappy assertion of hope.
Posted By: Roy Sexton (Reel Roy Reviews)	Category: Action, Americana, Comic Books, Disney, Must See	Tags: abc, agent carter, agents of SHIELD, Alfre Woodward, ant-man, anthony mackie, anthony russo, black panther, black widow, captain america, captain america civil war, captain america review, chadwick boseman, chris evans, civil war review, clinton, Daniel Bruhl, disney, don cheadle, elizabeth olson, Emily VanCamp, falcon, Hope Davis, iron man, jack nicholson, jeremy renner, joe russo, John Slattery, joseph russo, Marisa Tomei, martin freeman, marvel, marvel cinematic universe, marvel studios, netflix, paul bettany, paul rudd, presidential election, reel roy reviews, robert downey jr, roy sexton, russo brothers, sanders, scarlet witch, scarlett johansson, sebastian stan, spider-man, the avengers, the shining, the vision, the winter soldier, tin woodman, tom holland, trump, war machine, William Hurt
"It has been seven days since I ran out of ketchup." The Martian (2015 film)
So, does everyone at NASA fist-bump and wave their hands around and holler every time something goes well? "Hey, gang, I ordered a pizza!" Orgy of bourgeois whooping and wailing. "Look, I just got this snazzy shirt at Kohl's!" Crowd goes wild; face-painting ensues. "Well, I'll be … we actually got a rocket launched without showering the American south-land in carcinogenic debris!" Crazy dancing in the aisles, with Clint Howard, Billy Bob Thornton, Gary Sinise, and Bill Paxton sharing a do si do to Lee Greenwood's "Proud to be an American."
If the movies are to be believed, NASA is just rife with bro-tastic little celebrations every time anyone reboots their computer without a minor incident. Who is to blame for this cinematic cliche? Ron Howard with the exceptional-but-not-aging-well Apollo 13? Michael Bay with the DOA-turd-about-a-deadly-meteor-with-an-even-turdier-theme-song-by-Aerosmith Armageddon? Golden-Girls-in-space Space Cowboys with a mincing manopausal crowd of Clint Eastwood, Tommy Lee Jones, Donald Sutherland, and James Garner? Or is it all some form of jingoistic retribution for Kurbrick's incisive and timeless Dr. Strangelove? Whatever may have started it, I hate it. Please make it stop.
Yet, if those are the only false moments (and they are) to sully Ridley Scott's otherwise (mostly) great film adaptation of Andy Weir's bestseller The Martian, so be it.
(But there are a lot of unwarranted fist bumps in the flick. Ridley Scott, you know better.)
I went into the Matt Damon starrer accompanied by a clutch of folks who'd read and loved the book (I hadn't read it; nor do I plan to). I was dreading the dissection that would follow – "why was this left out?" or "I can't believe they cast so-and-so as so-and-so" or "that moment was just ruined…" Blessedly, the literary-minded in our happy band were pleased with the Hollywood outcome; FYI for those of you who are like-minded peeps.
I also approached this film thinking, "Do we really need another Robinson Crusoe in space. I've already lived through Sandra Bullock and George Clooney as 'no-no-no-no'-ing astronauts (Gravity) and then Matthew McConaughey as an 'all-right-all-right-all-right-ing' space-farer (Interstellar). And now Matt Damon with his snub-nosed, soccer-coach-next-door glib bullsh*t?!" No, no, no, no, no!!
(Let it be said, that I liked both of those blockbusters, though you might not catch that from my snark.)
Well, Damon is plenty glib and snub-nosed in The Martian, but Scott knows how to compose and depict a narrative (e.g. Gladiator, Alien, Blade Runner, Silence of the Lambs, even Exodus: Gods and Kings) about an intrepid soul, relying on nothing but wits and moxie surviving extreme circumstances. This is a film that benefits, rather than suffers, from Damon's workaday commonality.
It helps that Scott has stacked the supporting cast deck with pros like Jessica Chastain (is she typecast to appear in every space exploration and/or paramilitary movie now?), Kristen Wiig, Jeff Daniels, Michael Peña, Kate Mara, Sean Bean, Sebastian Stan, Aksel Hennie, and Chiwetel Ejiofor. They all do quite well with very little to do, striking just the right balance of collaborative indifference and knowing tension as they work round the clock to bring Damon's Mark Watney home.
You see, in the not-too-distant future, we figure out how to get a series of manned missions to Mars to explore the landscape and to escape Fox News (ok, I made that last part up). A nasty storm kicks up on the Red Planet, and Chastain has to make the tough decision to grab her crew and head back to Earth, after Damon's Watney is swept away in a squall of crimson dust.
Except … Watney isn't dead. And he has to spend the next year surviving on his own, terra-firming the alien landscape, growing potatoes (subtle immigrant, stranger-in-a-strange-land metaphor there), listening to the horrid (to him) disco music his crew-mates left behind, and maintaining an acerbic video diary so that he doesn't sail completely off the deep end.
I'm not a fan of Damon's (could you tell?). He seems like someone with whom I would have gone to high school. Doesn't make him a bad soul (I appreciate his politics, generally, though he's had some goony missteps lately), but I just don't ever see him as an actor or a movie star.
In this case, though, that blah everydude quality suits the film nicely. Damon's Watney is an average guy with an exceptional level of scientific and engineering knowledge, and his unyielding desire to survive comes not from some pixie-ish joie de vivre but from an obsessive need to solve one mathematical conundrum after another. Damon plays those notes beautifully, and it is only in those rare instances when deep-feeling angst is required that Damon becomes a caricature of himself. (I do wonder what someone more gleefully, introspectively nebbish-y could have done with the role? Alas, we shall never know.)
Fortunately, those "actorly" moments are few and far between, and the script gifts Damon with some delightful deadpan zingers, like, "it has been seven days since I ran out of ketchup" while he is coating one of his ubiquitous potatoes in Vicodin.
I enjoyed The Martian, but I wasn't enthralled by The Martian. I feel (not unlike the recently reviewed Black Mass) that I've seen this story told a few too many times lately, and I don't know that there is much wonder or ingenuity left in the telling.
What I enjoyed about the film most? The edgier, more satiric bits – like a Vonnegut novel waiting to burst from the middle-America conventionality of the plot. Daniels notably has a winking quality that would have fit nicely in the aforementioned Dr. Strangelove, and a number of Damon's video diary asides take some lovely swipes at our insular privilege as a culture.
Naughty me, but if we'd gotten just a smidge more of that, this movie would have been a knockout.
Drawing of yours truly as a superhero by Lee Gaddis of Gaddis Gaming
Reel Roy Reviews is now TWO books! You can purchase your copies by clicking here (print and digital)In addition to online ordering at Amazon or from the publisher Open Books, the first book is currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan and by Green Brain Comics in Dearborn, Michigan. My mom Susie Duncan Sexton's Secrets of an Old Typewriter series is also available on Amazon and at Bookbound and Common Language.
Posted By: Roy Sexton (Reel Roy Reviews)	Category: Action, Americana, Film Review, Must See, Sci Fi	Tags: aksel hennie, alien, andy weir, apollo 13, armageddon, bill paxton, billy bob thornton, black mass, chiwetel ejiofor, clint eastwood, clint howard, donald sutherland, dr. strangelove, exodus gods and kings, fox news, gary sinise, george clooney, gladiator, golden girls, gravity, interstellar, james garner, jeff daniels, jessica chastain, kate mara, kristen wiig, lee greenwood, mark watney, matt damon, mattew mcconaughey, michael bay, michael pena, NASA, proud to be an american, ridley scott, robinson crusoe, ron howard, sandra bullock, sean bean, sebastian stan, space cowboys, the martian, the martian review, tommy lee jones
"The world as it is … not how we'd like it to be." Captain America: The Winter Soldier
As all the Marvel movies go, my hands-down favorites feature Captain America. So I approached Captain America: The Winter Soldier with some trepidation that it wouldn't live up to my expectations. How wrong I was.
The first Captain America film did a lovely job borrowing nostalgic pixie dust from films like Dick Tracy and The Rocketeer, and director Joe Johnston grounded those proceedings in postmodern yet earnestly American messages of anti-bullying and of championing the underdog. The follow-up, directed by Anthony and Joe Russo, takes that Americana quilt-work and ups the ante, delving deep into the dark heart of post-millennial U.S. society.
In the years since September 11th, we have seen fear and anxiety chip away at the most American of values: tolerance and courage, freedom of thought and sincere kindness. The film attacks that dilemma square on, albeit with Marvel Studios' now-trademark escapism, wit, and whiz bang effects.
I dare not spoil any of the twists and turns, and, while some have compared this sequel to 70s government conspiracy classics like Three Days of the Condor, it is more of a pulpy roller coaster ride than a tightly coiled potboiler. Regardless, it is smart and well done and expertly paced.
Chris Evans returns as Steve Rogers/Captain America, and, unlike his flippant work as another superhero Johnny Storm in The Fantastic Four series, he exudes a soulful sadness as a man quite literally out of his own time and depth. His heartache over an America that has strayed so far afield from his World War II-era "Greatest Generation" perspective is palpable.
The plot details the explosive corruption that runs through all levels of the S.H.I.E.L.D. organization – that CIA/Interpol-hybrid that has been a unifying element in all Marvel's cinematic output. This sequel draws cleverly on thematic elements established in the first Captain America entry, specifically the Nazi villains' monstrous notion that ethnic, spiritual, intellectual cleansing will bring about order in a chaotic world. Winter Soldier neatly turns that concept on its head, alluding to how some Americans today seem to share that same nefarious concept: that the only way to avoid anarchy, violence, and societal decay is to quite literally eliminate all those people who threaten "order" in their questioning of the powers-that-be.
Robert Redford is a fascinating and welcome addition to the Marvel Universe, playing Alexander Pierce, a Washington bureaucrat whose Machiavellian intentions are simultaneously noble and suspect. Bringing a nuance we don't always get to see in these movies (with nary a glib moment), Redford telegraphs sincere, profound, and arguably misdirected concern for a world that he feels has gone totally off the rails. He is the kind of comic book heavy that only a steady diet of FoxNews and MSNBC could inspire.
The other supporting players, including Scarlett Johansson, Emily Van Camp, Cobie Smulders, Hayley Atwell, Frank Grillo, Samuel L. Jackson, Toby Jones, Jenny Agutter, and Anthony Mackie, rise to the material, providing gravitas and the occasional (much-needed) lighter moment (or two). Sebastian Stan as the titular Winter Soldier is a heaping helping of imposing glower, and he makes the most of a rather underwritten role (not unlike Tom Hardy's Bane in Dark Knight Rises).
Unfortunately (and this is the only minor quibble I had with the film), the movie does little with the Winter Soldier's fascinating, Terminator-meets-Manchurian Candidate back story. Hopefully, the inevitable third film will fill in those gaps.
Superhero flicks have, in aggregate, become an ever-expanding cinematic metaphor for the angst that blankets our planet – movies of note include Bryan Singer's X-Men films (e.g. civil rights/tolerance), Christopher Nolan's Dark Knight trilogy (e.g. class warfare, Orwellian nanny states), and now both Captain America entries. These films employ a kind of four-color funnies code with larger-than-life heroes and villains standing in for the mundane, insidious cruelties we enact daily.
Samuel L. Jackson notes at one point early in the film, "This is the world as it is … not how we'd like it to be" – nailing a haunting fear and sadness most of us over 40 grapple with daily. Not sure where the movie Marvel Universe goes from here as the studio's architects are clearly picking poignancy and punch over popcorn and pizzazz. But I for one can't wait to see what's next.
Bonus! ( … apropos of nothing … )
This Thursday, April 10 at 7 pm, Common Language in Ann Arbor (317 Braun Ct.) will host a mixer. I will be signing books, and theatre colleagues from The Penny Seats (including Rachel Murphy, Lyn Weber, Rebecca Biber, Nick Oliverio, Barbara Bruno, and now John Mola) will offer interpretive readings of some of my wilder essays. Light refreshments will be provided. See you there! Nice coverage from Sarah Rigg and MLive here.
Thanks to Ryan Roe and the Tough Pigs: Muppets Fans Who Grew Up website for this shout-out to Reel Roy Reviews and my review of Muppets Most Wanted. Be sure to check out the site – it's a lot of fun!
Finally, enjoy this video interview of yours truly from last week's Legal Marketing Association conference. Thanks to Lexblog and the Lexblog Network and Kevin McKeown for this opportunity!
Reel Roy Reviews is now a book! Please check out this coverage from BroadwayWorld of upcoming book launch events. In addition to online ordering at Amazon or from the publisher Open Books, the book currently is being carried by Bookbound, Common Language Bookstore, and Crazy Wisdom Bookstore and Tea Room in Ann Arbor, Michigan; by Green Brain Comics in Dearborn, Michigan; and by Memory Lane Gift Shop in Columbia City, Indiana. Bookbound and Memory Lane both also have copies of Susie Duncan Sexton's Secrets of an Old Typewriter series.
Posted By: Roy Sexton (Reel Roy Reviews)	Category: (Dark) Slice-of-Life, Action, Americana, Comic Books, Disney, Film Review, Thriller	Tags: alexander pierce, anthony and joe russo, anthony mackie, bane, barbara bruno, bryan singer, captain america, chris evans, christopher nolan, cia, Cobie Smulders, comic books, dark knight, dick tracy, disney, Emily Van Camp, fantastic four, fox news, Frank Grillo, greatest generation, Hayley Atwell, human torch, interpol, Jenny Agutter, joe johnston, john mola, johnny storm, keith orr, kevin mckeown, legal marketing association, lexblog, lexblog news network, lyn weber, manchurian candidate, marvel studios, mlive, msnbc, muppet fans who grew up, muppets most wanted, nazi, nick oliverio, orwell, penny seats, rachel murphy, rebecca biber, robert redford, ryan roe, s.h.i.e.l.d., samuel l jackson, sarah rigg, scarlett johansson, sebastian stan, september 11, shield, steve rogers, superheroes, terminator, the rocketeer, the winter soldier, three days of the condor, toby jones, tom hardy, tought pigs, washington, world war II, x-men

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Speaker insists Vermont Legislature will go home May 7
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Anne Galloway is editor of vtdigger.org by Anne Galloway, www.vtdigger.org(link is external) April 27, 2011 Spring is in the air, and the internal atmosphere of the Golden Bubble is a little odd at the moment. Lawmakers have finished their hardest exams (the budget, tax and health care bills), but they still have all these assignments left that must be finished in order to avoid getting an incomplete. That doesn't mean there won't be changes made to bills in conference or that there won't be differences of opinion over legislation that is still in motion on the House and Senate sides over the next 10 days.But, Smith said, 'I don't think we've seen the bill that could blow up.'The bills still in the hopper most likely to launch a volley once they're in play: telecomm, energy, recidivism and the jobs bill. Several issues attached to those bills, namely a retroactive current use penalty reversal for a logging violation by the national corporation Plum Creek, and the governor's plan to fund the Clean Energy Development Fund using a grant program instead of a tax credit could be trouble.Smith says it all comes down to timing. He'd like to get the energy and jobs bills out, but he seemed to indicate there could be a few incompletes in the offing. 'Time is getting short,' Smith said. 'Energy is currently on the list. I hope it will pass.'There are still a number of items to check off the list, including the medical marijuana dispensaries bill (passed by the Senate, passed out of House Human Services on Tuesday, 8-2), the public records bill (expected to come out of Senate Government Operations today), the open meeting bill (passed by the Senate, now in the House), the palliative care bill (passed by the House, now in the Senate), and the childcare worker unionization bill. The latter, which Smith supports, is expected out of committee next Monday, whether it will meet muster before adjournment is an open question.Smith said he will ask lawmakers in the House to come in on Monday, which they typically have off, in order to make the May 7 deadline.Them's the rulesThe House GOP, is small (48 members) and consequently unable to turn bills, but at the beginning of the session, Rep. Don Turner, R-Milton, minority leader, and Rep. Patti Komline, R-Dorset, assistant minority leader, made two demands of the Democratic leadership that have had lasting impact. One was a requirement that every bill come with a 'fiscal note,' a rundown of any budgetary impacts a piece of legislation might have from the Vermont Joint Fiscal Office.The second is a 24-hour rule for all legislation that comes to the floor. By rule, that's the standard time in which legislation must be presented to members. Typically, though, as is the case in the Senate, rules are suspended in the interest of expediency. Turner has said members need a full day to read bills before they come to a vote.The House GOP has said, in no uncertain terms, that it will not allow the House Democratic leadership to suspend the rules to rush bills through the same day. Period. And, because the House needs a three-quarters majority to do so, it can't move to suspend without GOP votes.A case in point? The health care reform bill, H.202, which was held up today because the House GOP wouldn't suspend the rules to allow the bill to go to conference committee.House Speaker Shap Smith said his schedule has built-in the 24-hour rule in place.Turner is unshakable on this score. If it gets late in the session, and rule suspensions are called for to meet the May 7 deadline for adjournment, too bad. They remain immutable. 'The Speaker controls the schedule,' Turner said. 'If bills sat in committee for three to four months we get blamed ' then we hear you didn't suspend the rules, so it's your fault.'Both the House and the Senate have named 'conferees,' or the representatives for conference committee.Another sticking point between the Speaker and the minority party is likely to be the appointees for the health care conference committee. Turner wants to make sure there is a GOPer in the mix, and he seems to think the Speaker won't name a Republican on the committee. (Smith has yet to name the members.)Turner is ready to invoke the Mason's legislative manual and call for a point of order if the Speaker makes that omission.Is the Speaker required to name a member of the minority party on conference committees? No, according to Smith. Will he name a Republican to the committee? 'Someone from their team should have voted for the bill,' is his ready response. Mason's rules are trumped by the practice of the House, and in practice, lawmakers from the minority party who voted for the bill are appointed. Problem is, not a single member of the House GOP cast a yea for H.202. Smith said to expect a skirmish over that one.Turner points to an exception in 2009 when Rep. John Morley was named to the budget conference, even though he voted against it. Smith said he broke with practice that one time because he needed someone on the committee who could communicate directly with the administration ' the year the House overrode the budget over Republican Gov. Jim Douglas' veto.Here's a list of the conferees for the money bills.AppropriationsHouse: Heath, Johnson, Acinapura (R)Senate: Kitchel, Sears, Snelling (R)Miscellaneous taxHouse: Ancel, Branagan (R), SharpeSenate: Cummings, MacDonald, Ashe (P/D)Capital construction billHouse: Emmons, Myers (R), HooperSenate: Harwell, Mazza, Benning (R) read more
Lakers snap losing streak with narrow win over Celtics
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In a game that featured seven ties and eight lead changes, the finish fueled a heated rivalry that once rested on championships.With the Lakers nursing a 105-104 lead with 18.3 seconds left, forward Wesley Johnson drew a swarm of Boston defenders that forced a jump ball. Much to the dismay of Boston, officials determined the replays showed the ball equally bouncing off the finger tips of Johnson and Gerald Wallace."I said it was for us so you have to have evidence to overturn that," D'Antoni recalled telling the officials. "So I just asked, 'Where's the evidence?" There's no evidence if you can't see what happened."Johnson then won on the second jump ball attempt."Once they told me to jump it again," Johnson said, "I knew I was going to get it." BOSTON — Amid the persisting losses, endless injuries and bleak playoff fortunes, the Lakers can at least pinpoint this accomplishment during the 2013-14 season on their resume.The Lakers beat the Celtics. The cast of characters didn't feature Hall of Famers. The implications hardly provided an NBA Finals preview. But the Lakers' 107-104 victory Friday over Boston at TD Garden snapped a six-game losing streak and suddenly gave a team losing 12 of its past 14 games renewed confidence. "It's a big rivalry and we experienced so much against them," said Pau Gasol, who posted 24 points on 9-of-15 shooting, 13 rebounds and six assists. "Even though the teams have changed quite a bit, it's still great to come in and beat this team here. With the losing streak we had going on, it's more meaningful." Lakers rookie forward Ryan Kelly then grabbed the ball and nailed two free throws that both secured the win and polished off a career-high 20 points on 6-of-12 shooting. In his first appearance since rehabbing a torn anterior cruciate ligament in his right knee for the past year, Boston All-Star guard Rajon Rondo then missed a potential game-tying 3-pointer before time expired. He finished with eight points on 4-of-9 shooting and four assists in 19 minutes."I'm confident in my game," Kelly said. "I've been working my butt off with our coaching staff and putting in the extra time. I'm growing every game I step on the floor."So did Kendall Marshall, whose 19-point effort included a 3-pointer that put the Lakers up 105-104 with 1:09 left. Marshall's play coincided with his apology earlier Friday toward Nick Young, who served a one-game suspension for committing a "punching foul" on Suns guard Goran Dragic in Wednesday's loss Phoenix. Young called out his teammates for not helping him in an altercation."It got to the point where we have to put our foot down," Marshall said. "We'd like to have Nick with us, but he lit a fire in us and he got us going." The Lakers (15-25) believe such a mindset secured a win against the hated Celtics (14-27) despite several variables. Long-term injuries to the Lakers' backcourt. Manny Harris posting seven points on 2-of-7 shooting in his first game since dominating the Development League earlier this week. The Lakers' 19 turnovers. Boston rookie Kelly Olynyk posting a career-high 29 points. But the Lakers won the rebounding battle, 46-44. The Lakers held Boston scoreless for the last three minutes. The effort presumably put injured star Kobe Bryant in a better mood."It's been very difficult and very frustrating. I try to detach from it as much as possible. I feel like Bruce Banner and putting him in the middle of a bar fight and hope he doesn't become the Hulk," Bryant said, referring to the popular comic book series. This time, the Lakers felt much different. Newsroom GuidelinesNews TipsContact UsReport an Error read more


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You are here: Home > Environment > Environmental data > SPRI > SPRI Activity & SIC codes
SPRI Activity & SIC codes
In order to complete a SPRI return, operators must obtain the relevant codes.
Standard Industrial Classification (SIC) codes
Every registered company in the UK has a SIC, which can be found through Companies House website.
The SIC code for a registered company reflects the economic activity of the company. The SIC code reported in SPRI should represent the main economic activity of the site and not the registered company. The current SIC codes are available to download.
Scottish Pollutant Release Inventory (SPRI) activity codes
The SPRI code reflects the activity or activities permitted to take place on a site as specified in the site authorisation. The SPRI codes allow Scottish sites to be compared to European sites by providing a common system of categorising industrial activities. Most SPRI codes are the same as those listed in the European Pollutant Release and Transfer Register Regulation. Only the Radioactivity codes are different.
The table below provides complete details of the reporting activities and capacity thresholds in SPRI.
SPRI Activity Code
Capacity Threshold
1 Energy sector
1(a) Mineral oil and gas refineries *
1(b) Installations for gasification and liquefaction *
1(c) Thermal power stations and other combustion installations With a heat input of 50 megawatts (MW)
1(d) Coke ovens *
1(e) Coal rolling mills With a capacity of 1 tonne per hour
1(f) Installations for the manufacture of coal products and solid smokeless fuel
2 Production and processing of metals
2(a) Metal ore (including sulphide ore) roasting or sintering installations *
2(b) Installations for the production of pig iron or steel (primary or secondary melting) including continuous casting With a capacity of 2.5 tonnes per hour
2(c) Installations for the processing of ferrous metals:
2(c).i Hot-rolling mills With a capacity of 20 tonnes of crude steel per hour
2(c).ii Smitheries with hammers With an energy of 50 kilojoules per hammer, where the calorific power used exceeds 20 MW
2(c).iii Application of protective fused metal coats With an input of 2 tonnes of crude steel per hour
2(d) Ferrous metal foundries With a production capacity of 20 tonnes per day
2(e) Installations:
2(e).i For the production of non-ferrous crude metals from ore, concentrates or secondary raw materials by metallurgical, chemical or electrolytic processes *
2(e).ii For the smelting, including the alloying, of non-ferrous metals, including recovered products (refining, foundry casting, etc.) With a melting capacity of 4 tonnes per day for lead and cadmium or 20 tonnes per day for all other metals
2(f) Installations for surface treatment of metals and plastic materials using an electrolytic or chemical process Where the volume of the treatment vats equals 30m3
3 Mineral industry
3(a) Underground mining and related operations *
3(b) Opencast mining Where the surface of the area being mined equals 25 hectares
3(c) Installations for the production of:
3(c).i Cement clinker in rotary kilns With a production capacity of 500 tonnes per day
3(c).ii Lime in rotary kilns With a production capacity of 50 tonnes per day
3(c).iii Cement clinker or lime in other furnaces With a production capacity of 50 tonnes per day
3(d) Installations for the production of asbestos and the manufacture of asbestos-based products *
3(e) Installations for the manufacture of glass, including glass fibre With a melting capacity of 20 tonnes per day
3(f) Installations for melting mineral substances, including the production of mineral fibres With a melting capacity of 20 tonnes per day
3(g) Installations for the manufacture of ceramic products by firing, in particular roofing tiles, bricks, refractory bricks, tiles, stoneware or porcelain
With a production capacity of 75 tonnes per day, or with a kiln capacity of 4m3 and with a setting density per kiln of 300 kg/m3
4 Chemical industry
4(a) Chemical installations for the production on an industrial scale of basic organic chemicals, such as: *
4(a).i Simple hydrocarbons (linear or cyclic, saturated or unsaturated, aliphatic or aromatic) *
4(a).ii Oxygen-containing hydrocarbons such as alcohols, aldehydes, ketones, carboxylic acids, esters, acetates, ethers, peroxides, epoxy resins *
4(a).iii Sulphurous hydrocarbons *
4(a).iv Nitrogenous hydrocarbons such as amines, amides, nitrous compounds, nitro compounds or nitrate compounds, nitriles, cyanates, isocyanates *
4(a).v Phosphorus-containing hydrocarbons *
4(a).vi Halogenic hydrocarbons *
4(a).vii Organometallic compounds *
4(a).viii Basic plastic materials (polymers, synthetic fibres and cellulose-based fibres) *
4(a).ix Synthetic rubbers *
4(a).x Dyes and pigments *
4(a).xi Surface-active agents and surfactants *
4(b) Chemical installations for the production on an industrial scale of basic inorganic chemicals, such as: *
4(b).i Gases, such as ammonia, chlorine or hydrogen chloride, fluorine or hydrogen fluoride, carbon oxides, sulphur compounds, nitrogen oxides, hydrogen, sulphur dioxide, carbonyl chloride *
4(b).ii Acids, such as chromic acid, hydrofluoric acid, phosphoric acid, nitric acid, hydrochloric acid, sulphuric acid, oleum, sulphurous acids *
4(b).iii Bases, such as ammonium hydroxide, potassium hydroxide, sodium hydroxide *
4(b).iv Salts, such as ammonium chloride, potassium chlorate, potassium carbonate, sodium carbonate, perborate, silver nitrate *
4(b).v Non-metals, metal oxides or other inorganic compounds such as calcium carbide, silicon, silicon carbide *
4(c) Chemical installations for the production on an industrial scale of phosphorous-, nitrogen- or potassium-based fertilizers (simple or compound fertilizers) *
4(d) Chemical installations for the production on an industrial scale of basic plant health products and of biocides *
4(e) Installations using a chemical or biological process for the production on an industrial scale of basic pharmaceutical products *
4(f) Installations for the production on an industrial scale of explosives and pyrotechnic products *
5 Waste and waste-water management
5(a) Installations for the recovery or disposal of hazardous waste. Receiving 10 tonnes per day
5(b) Installations for the incineration of municipal waste With a capacity of 3 tonnes per hour
5(c) Installations for the disposal of non-hazardous waste With a capacity of 50 tonnes per day
5(d) Landfills (excluding landfills of inert waste) Receiving 10 tonnes per day or with a total capacity of 25,000 tonnes
5(e) Installations for the disposal or recycling of animal carcasses and animal waste With a treatment capacity of 10 tonnes per day
5(f) Municipal waste-water treatment plants:
5(f).i Municipal waste-water treatment plants With a capacity below 100,000 population equivalent
5(f).ii Municipal waste-water treatment plants With a capacity of 100,000 population equivalent
5(g) Independently operated industrial waste-water treatment plants which serve one or more activities of this list With a capacity of 10,000m3 per day
6 Paper and wood production and processing
6(a) Industrial plants for the production of pulp from timber or similar fibrous materials *
6(b) Industrial plants for the production of paper and board and other primary wood products (such as chipboard, fibreboard and plywood) With a production capacity of 20 tonnes per day
6(c) Industrial plants for the preservation of wood and wood products with chemicals With a production capacity of 50m3 per day
7 Intensive livestock production and aquaculture
7(a) Installations for the intensive rearing of poultry or pigs:
7(a).i Installations for the intensive rearing of poultry With 40,000 places for poultry
7(a).ii Installations for the intensive rearing of pigs With 2,000 places for production pigs (over 30 kg)
7(a).iii Installations for the intensive rearing of pigs With 750 places for sows
7(b) Intensive aquaculture:
7(b).i Intensive aquaculture
Not exceeding 1,000 tonnes of fish and shellfish per year
7(b).ii Intensive aquaculture
With 1,000 tonnes of fish and shellfish per year
8 Animal and vegetable products from the food and beverage sector
8(a) Slaughterhouses With a carcass production capacity of 50 tonnes per day
8(b) Treatment and processing intended for the production of food and beverage products from:
8(b).i (i) Animal raw materials (other than milk) With a finished product production capacity of 75 tonnes per day
8(b).ii (ii) Vegetable raw materials With a finished product production capacity of 300 tonnes per day (average value on a quarterly basis)
8(c) Treatment and processing of milk With a capacity to receive 200 tonnes of milk or more per day (average value on an annual basis)
9(a) Plants for the pre-treatment (operations such as washing, bleaching, mercerization) or dyeing of fibres or textiles With a treatment capacity of 10 tonnes per day
9(b) Plants for the tanning of hides and skins With a treatment capacity of 12 tonnes of finished product per day
9(c) Installations for the surface treatment of substances, objects or products using organic solvents, in particular for dressing, printing, coating, degreasing, waterproofing, sizing, painting, cleaning or impregnating With a consumption capacity of 150 kg per hour or 200 tonnes per year
9(d) Installations for the production of carbon (hard-burnt coal) or electrographite by means of incineration or graphitization *
9(e) Installations for the building of, and painting or removal of paint from ships With a capacity for ships 100m long
10 Radioactive Substances Act Activities
10(a) Activities at Band A premises under the Radioactive Substances Act 1993 Fees and Charging (Scotland) Scheme 2004
10(b) Activities at Band B premises under the Radioactive Substances Act 1993 Fees and Charging (Scotland) Scheme 2004
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Q: Check if text in form is correct, and if so, go to another page I would like to see if there is a way to do this without JS, and if not, then to make it as easy as possible.
I have a form (sort of like a password form, but not really) and I want to make it so that if the typer types in a certain thing (aka something like "password1") they are sent to a page with information. Is there a easy way to do this?

A: HTML5 allows to make simplest validation using so attributes as required, type, pattern, maxlength, min, max, step and others (see HTML Input Attributes and HTML  type Attribute for details). If you need to use a complex logic, then use JavaScript or server-side validation.

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Hours: Tu-Th 11A-2:30P/ 4P-9P; Fr 11A-2:30P / 4P-10P; Sa: 11:30A-3P/4P-10P Su:11:30A-3P/ 4PM-9P. Lunch buffet daily during regular hours.
A new international cuisine venue with friendly and attentive service, reasonable pricing, and great food just emerged on the East Shore! Offering Indian and Nepalese dishes, Himalayan fusion opened two weeks ago. Seeing the signs for this specialty restaurant "coming soon", we drove by almost daily until finally, on a Tuesday, we heard from a neighbor – "It's open, and food's great!" The first Friday evening, we were there! We found it delightful. Vegetables were exceptionally fresh and crisp; nothing exhibited the soggy texture of food prepared and held in the kitchen. My entrée took a bit longer than others' but these short minutes were worth the wait, as we quickly realized upon presentation, that the dumplings were being prepared to order on site, real time.
The traditional samosas (no nuts) were delicious, as were the Chili Mo-Mo (beware if you don't well-tolerate hot peppers). The garlic naan was light, airy, and well… perfect – not over garlicky. The bhagan bharta (slow cooked eggplant) and shrimp pakora (made with chick pea flour) were favorably reviewed by their consumer. The mango chicken ordered by another was also rated thumbs up. Our spicier dishes paired well with a 2008 Allegro Cadenza (Bordeaux style blend) and the lighter dishes nicely with a 2016 Fabre Rosé from Provence. Riesling would also be a good varietal to grab on your way to dinner here. Wine glasses available if you forget to pack your Riedel.
This establishment seems VERY allergy-aware and careful – menu items are coded (V) vegan; (N) contains nuts; and (GF) gluten free – very much appreciated by our team! There are plenty of vegetarian and vegan-friendly entrees. Any dish can be prepared to your preferred level of heat as well. We plan to catch Sunday brunch there at our next opportunity!


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Adalbert Busl (* 10. Dezember 1950 in Beidl) ist ein deutscher Heimatforscher und pensionierter Grundschulrektor.

Leben
Busl wurde in Beidl, heute ein Ortsteil von Plößberg, geboren und lebt in Wiesau, wo er hauptberuflich bis zu seiner Pensionierung im Jahr 2016 als Grundschulrektor tätig war. Sein Abitur legte er 1971 am Augustinus-Gymnasium Weiden ab. Nach seinem Lehramtstudium war er zunächst als mobile Lehrkraft und ab 1979 dann fest an der Grundschule in Wiesau eingesetzt. 1995 wurde er zum Schuljugendberater ernannt. Nach einigen Grundschulrektorverwendungen ab dem Jahr 2000 wurde er 2011 großer Rektor der drei Grundschulen in Wiesau, Falkenberg und Friedenfels. An der Grundschule Wiesau war er Initiator der Miniphänomenta, ein MINT-Projekt der Bildungsinitiative Technik – Zukunft in Bayern 4.0.

Busl belegte Seminare für Bayerische Landesgeschichte und verfasste zahlreiche heimatkundliche Schriften über Themen der Region Oberpfalz. Seit 1990 ist er Chefredakteur der wissenschaftlichen Zeitschrift Oberpfälzer Heimat des Oberpfälzer Waldvereins sowie die ergänzende Reihe der Weidner Heimatkundlichen Arbeiten. Für seine Verdienste um die Heimatpflege wurde er im Juli 2018 vom bayerischen Innenminister und Schirmherrn des Nordgautages Joachim Herrmann mit dem Nordgaupreis des Oberpfälzer Kulturbundes ausgezeichnet.

Publikationen (Auswahl)
 mit Manfred Steinberger: Chronik des Marktes Wiesau. Verlag Markt Wiesau, Wiesau 1984.
 mit Marc Spoerer et al.: 500 Jahre Flachglas. 1487–1987. Von der Waldhütte zum Konzern. Hofmann, Schorndorf 1987. ISBN 978-3-778-01091-4
 Wiesau – Pfarrkirche St. Michael. (= Peda-Kunstführer Nr. 009; Fotos: Gregor Peda)., Kunstverlag Peda, Passau 1989. ISBN 978-3-927-29610-7
 mit Bernhard M. Baron (Mitw.): Weiden in der Literaturgeographie. Eine Literaturgeschichte. (= Weidner heimatkundliche Arbeiten Nr. 21), herausgegeben vom Heimatkundlichen Arbeitskreis im Oberpfälzer Waldverein, Karl Knauf Verlag, Weiden i.d.Opf. 1995 [2., erg. Aufl.]. ISBN 978-3-928-90104-8
 Bärnau. Stadt und Land. Geschichte bis zum Ende des Alten Reichs. Herausg. von der Stadt Bärnau, Bärnau 2004. ISBN 978-3-937-11724-9

Ehrungen
 1997: Johann-Andreas-Schmeller-Medaille des Landkreises Tirschenreuth
 2016: Bürgermedaille in Silber des Marktes Wiesau
 2018: Nordgaupreis des Oberpfälzer Kulturbundes in der Kategorie "Heimatpflege"

Weblinks

 Schriften von Adalbert Busl in der Bayerischen Bibliographie
 Beiträge von Adalbert Busl bei Onetz.de
 Beiträge von Adalbert Busl bei Oberpfalz TV

Einzelnachweise

Heimatforscher (Bayern)
Chefredakteur
Schulleiter (Deutschland)
Träger des Nordgaupreises
Person (Oberpfälzer Waldverein)
Person (Landkreis Tirschenreuth)
Wiesau
Deutscher
Geboren 1950
Mann

redpajama_set_name: RedPajamaWikipedia


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Announcing Imagine 2018 Keynote Speaker and Futurist, Jason Silva
Magento is thrilled to announce Jason Silva, Futurist and Host of Brain Games, as an Imagine 2018 Keynote Speaker.
Jason Silva is an Emmy-nominated television host, storyteller, filmmaker, and futurist. He is known for presenting the global hit Brain Games on the National Geographic Channel, a show enjoyed by viewers in over 171 countries, and the eight-part series, Origins: The Journey of Humankind.
Born in Venezuela, Silva started his career as a presenter on Current TV, the Emmy-winning, independent cable network then owned by former U.S. Vice President Al Gore. There he wrote, produced, and hosted more than 100 hours of original content, before leaving to become—according to the Atlantic— "a Timothy Leary of the viral video age…a part-time filmmaker and full-time walking, talking TED Talk."
Online, Silva's inspirational YouTube channel, Shots of Awe, has explored topics including disruptive innovation, technology, creativity, the science of awe, metaphysics, existentialism, and the human condition. Over 30 million viewers have watched and shared his videos, including Leonardo DiCaprio, Richard Branson, and NASA.
The Imaginary Foundation, a think tank, recently described Silva as "like some kind of Ontological DJ…he recompiles the source code of western philosophy by mixing and mashing it up into a form of recombinant creativity, which elevates understanding from the dry and prosaic, to a sensual cognitive romance." In short, he delivers philosophy, science, and art for the YouTube generation.
We look forward to hearing from him at Imagine 2018 on April 23-25 in Las Vegas.
Join Us at Imagine 2018
Imagine is the largest gathering of Magento experts and innovators in the world. Don't miss this opportunity to connect with 3000+ commerce peers. Visit the Speakers page to learn more about our Imagine 2018 speakers.


In efforts to gain flexibility, scalability, efficiency, and cost savings, your organization, like many others, is probably considering some kind of a migration to the cloud. But making the jump to a cloud solution can seem like a daunting task with the time and expertise that your organization may not have.
Computerland of Silicon Valley can provide the guidance you need for every aspect of the cloud solution, starting from the assessment of your current environment all the way to the post migration management. We have the knowledge and the expertise to analyze, prioritize, recommend, and implement the cloud solutions that are secure, reliable, and scalable.
Whether you are trying to centralize your storage and data access, or looking to give around the clock secure and reliable access to your computing services and resources, our certified staff and our strategic partnership with the leading cloud solutions vendors can meet your needs. We provide in-depth consultation and recommendations based on your unique requirements whether you are considering a public, private or hybrid cloud computing solution.
ComputerLand has also achieved a Microsoft Gold Small and Midmarket Cloud Solutions competency, demonstrating our expertise and commitment to delivering Microsoft Office 365 cloud and hybrid solutions that tailored to mid-sized and small business customers' evolving needs and requirement.
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Can a shift to the cloud improve your information security posture?
Keeping up with changes to the security landscape is one of the unique advantages of the Cloud. There are a number of properties that make the Cloud inherently different versus managing your own IT services. These go well beyond security, but have important security implications and benefits.


THE RALEIGH TWENTY - Why Small Wheels?
Today, it seems that the bicycle industry has settled on wheels of about 26 or 27 inches in diameter for all adult bicycles. In recent times things have been muddied with the new 29-inch MTB wheel size, which is really just 700C, traditionally a road-bicycle size, with big balloon tyres.
26" - 559mm rim diameter. Traditionally with 2" wide tyres. Has it's origins with cruiser bicycles before moving into the modern MTB era.
650B - 584mm rim diameter. A French size which has regained popularity in recent years.
700C - 622mm rim diameter. A French size which became virtually standard with road and racing bicycles.
27" - 630mm rim diameter. Most of the old 10-speed bicycles were fitted with this size, usually with 1-1/4" tyres.
29" - 62mm rim diameter. Basically 700C designed for modern Mountain Bikes.
The large bicycle wheel size has it's origins in the 19th century when few roads were paved, and those that were paved were usually cobblestone! At the end of the 19th century, the "Penny-Farthing" with it's huge wheels, often up to five feet in diameter were an extreme example of the large-wheel popularity.
However, Paul de Vive, known often as "Velocio," didn't think that the large wheel size was optimal. He was the first to advocate the use of smaller wheels, saying that a rim of 500mm in diameter and 50mm tyres were equally good. Funnily enough, this is almost the same as the "Junior MTB" 24" size, with 507mm rims.
The next major proponent of small wheels was Alex Moulton of the Moulton bicycle fame. He found that 16" wheels with mechanical suspension made for an ideal bicycle wheel size. In fact he used 16" x 1-3/8" wheels, with a rim diameter of only 349mm. This system worked well, but suspension made the bicycle more expensive.
The Twenty-Inch size establishes itself.
Raleigh tried to compete with the original Moulton bicycle with the RSW-16 (Raleigh Small Wheel) without the suspension they used 16" x 2" balloon tyres on an even smaller 305mm rim diameter. The idea was that the balloon tyres would compensate for the lack of suspension. It had mixed success. Whilst it was certainly much cheaper to manufacture, the performance was extremely poor.
At about the same time, other manufacturers were looking to muscle-in on the small wheel concept. Some notable examples were Dawes with the Kingpin and Royal Enfield with the Revelation. Dawes used the French 440mm rim size, whilst Royal Enfield used the slightly larger 451mm (20" x 1-3/8") on their bicycle. Dawes' bicycle was an excellent machine, but the unusual French wheel size and the fact that they were a premium brand limited their sales. Royal Enfield designed the Revelation in a very short period, and it was a most excellent bicycle, but the company was already in decline. The Revelation was their last new bicycle model before all production ceased in 1966. It is unclear how many were made. Some estimates are that they only manufactured a couple of hundred before the company wound up.
Raleigh were a little late on the scene with the Twenty, but a combination of marketing and manufacturing might saw this become the singularly best-selling small-wheel bicycle. They adopted the 451mm rim size, but for some reason also used the 406mm rim size, which would go on to be a popular BMX size. The Twenty had the advantage of being cheap to make, and came along at the right time to ride the craze for small-wheel bicycles through the late 1960s through to the early 1980s.
Like most Raleighs, it was built with something of a Victorian engineering mindset. Everything was over-engineered. The main tube was thicker than the Dawes Kingpin, and when the folding version came along the hinge was massively over-built. Despite being an inferior design (from an engineering viewpoint) it worked well, and continues to do so to this day. The Twenty wasn't an inferior bicycle by any means though. For the average rider of the time, it was lighter than the usual roadster bicycles which had been more or less the standard for over 50 years. It was trendy and practical, particularly as a shopping bicycle. So many were made that they are still a common-place item.
The Raleigh Twenty really deserves the credit for keeping Raleigh in business through the bicycle slump of the 1970s. In 1977 over 170,000 Twenties were sold in the UK alone! That works out as one being sold every 3 minutes 24 hours a day 7days a week for the entire year! And that was only one year out of the 18-year production run.
The small wheel bicycle faded from popularity as from the 1980s a series of fads or crazes washed through the cycling world. These include the 10-speed, the BMX, and the Mountain Bike just to name a few. Small wheels became associated with children's bicycles and were for a long time regarded as mere toys.
With the increase in urban living, and private motor car transport become less and less convenient as populations increase and roads become more crowded, cycling and the small-wheel bicycle is making a big come-back. Small wheels have several advantages over large ones. A small-wheel bicycle takes up less room on a train when you are mixed-mode commuting. Small wheels keep the size down for folding bicycles, best exemplified today perhaps by the Brompton Bicycle. Even when I take my Twenty on the train, I do not often fold it as it takes up so little room compared to a regular bicycle it doesn't inconvenience other passengers. They are also a God-send for smaller people. My own sister is a petit 5'2" and only just fits on a lady's roadster with 27" wheels.
There are also many technical advantages with small wheels. A lesser rotating mass makes for quicker acceleration. There are no problems with toe over-lap, particularly for bicycles with short top-tube lengths.
There is now also an increasing number of excellent rims and tyres available, partly thanks to "racing BMX" and to recumbent bicycles, which often make use of the smaller 20" wheel sizes. Just from practical experience, it has been found that a 20" wheel with a tyre between 38 and 47mm gives a working combination of light weight, good acceleration, good cushioning and good grip.
The classic Raleigh Twenty design has become popular once more. In fact, Raleigh now manufacture a bicycle almost identical to the original Twenty design. Two other companies have also started manufacturing extremely similar bicycles. The design is able to accommodate the very small and very large rider in one simple frame size.
Many Twenties are still being ridden just as they came out of the factory all those years ago. Many are also heavily modified and customised with all sorts of weight-saving and performance-enhancing features, such as alloy rims, new cranks, lightweight mudguards, drop-handlebars, high-performance hubs, etc.
The Twenty will keep going for many years to come. Perhaps due to a certain fashionability, nostalgia or any other number of reasons. But perhaps best surmised by: "If it works, why change it?"
Small-wheel bicycles present several advantages in bicycle design for shorter riders, particularly for the ladies. The small wheels allows for a shorter top-tube length, without toe-overlap on the front wheel, a common problem for smaller bicycles. It also means that the seat-tube and head tube can be at the same angle of about 72 degrees, rather than a steep angle for the seat-tube and a shallow angle for the head-tube.
The Raleigh Twenty's H-frame is ideal for smaller riders.
The lady (pictured below) who rides this Twenty normally rides a 47cm Trek Lexa SL T road bike.
Come again to see more updates!


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Phtheochroa descensa es una especie de polilla de la familia Tortricidae. Se encuentra en Jalisco, México.

Referencias

descensa


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Home invasion victim angry at police response
York Regional Police are searching for suspects after a daylight home invasion in Vaughan that left the home's owner angry at what she said was a slow response.
CBC News · Posted: Dec 10, 2011 1:33 PM ET | Last Updated: December 10, 2011
Vaughan homeowner Asha Bali said it took police close to an hour to respond to a 911 call. (CBC)
The incident happened slightly before 2 p.m. ET Friday afternoon at a home on Conley Street, near Bathurst Street and Steeles Avenue.
Five men and one woman were armed with a gun when they forced their way into Asha Bali's home. Her 61-year-old husband, 82-year-old mother-in-law and a family employee were home.
Bali said it took police close to an hour to send help.
"Right away I called 911 and they did not respond very good," she said. "After 50 minutes."
Bali said she hung up on the 911 dispatcher because, she said, the dispatcher was asking too many questions.
Bali said the dispatcher phoned her back and said she was rude.
"I said, 'Madam, it's life and death, they're tied up [at] gunpoint. Send dispatch right away.' "
No one was hurt, but Bali believes police could have caught the suspects if they had arrived
Sgt. Laurie Perks said the call that first came in was for a ''break and enter."
"If it's a home invasion, it's an incident that involves violence and an incident that may involve a weapon of some type, and obviously that would have been a higher priority call for us than a regular break and enter," she said.
When police learned there was a weapon involved, they upped their response, Perks said.
Bali said she has no idea why her home was targeted. A small amount of cash was stolen from the home.


Cavities can be fixed one of two ways: basic dental fillings or a root canal. Learn how dentists determine what type of dental treatment is needed when a patient needs to have a cavity fixed.
Location of the cavity is the biggest factor a dentist will consider when assessing which type of dental treatment to recommend. If the decay that is causing the cavity is only located on the surface of the tooth, a dental filling is typically all that will be needed. However, if the decay has destroyed the surface of the tooth and reached the root of the tooth a root canal is needed.
Why is a Root Canal Needed if the Cavity or Decay is Close to the Root?
When a cavity has reached close to the root of the tooth, a root canal is needed to not only remove the tooth decay but to fight any infection that may have formed and prevent future infections. While a filling will remove the decay, it doesn't provide the protection against future infections that is needed.
How Do Dentists Determine if a Root Canal is Needed?
The only way for a dentist to really determine if a root canal is needed is to conduct an examination. If you are experiencing a toothache or believe you have a cavity, call Chehalis Dental Care to schedule an appointment for a routine examination. During the examination, our dentist will be able to provide you with recommendations for how to properly treat your cavity.


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Economic Calendar Holiday Calendar Earnings Calendar Dividends Calendar Splits Calendar ICO Calendar IPO Calendar Future Expiry Calendar Crypto Converter Satoshi to USD Converter
On Cyber Monday, online shoppers spent a record $11.3 billion on toys, electronics, and more.
2022/11/30 (Nov 30th, 2022 1:43 am)
According to Adobe Analytics, online shoppers broke records on Cyber Monday, spending $11.3 billion, contributing to a growth of 5.8% year over year and making the day the biggest online shopping day ever.
The spending binge in the face of persistent inflation comes three days after another record-breaking Black Friday online shopping haul of $9.12 billion.
Toys, where online sales increased by 684% in comparison to an average day in October, were the main driver of spending on Monday, according to Adobe. Pokémon cards, Legos, Hot Wheels, Disney Encanto, LOL Surprise dolls, Cocomelon, and Hatchimals were among the best-selling items.
FIFA 23, God of War Ragnarök, Madden 23, NBA 2K23, and Pokémon Scarlet & Violet were among the top games for gaming consoles like the PlayStation 5, Nintendo Switch, and Xbox Series X.
Smart TVs, Apple AirPods, Apple MacBooks, tablets, smart watches, instant pots, and air fryers were among the other top sellers.
Thanksgiving through Cyber Monday brought in $35.27 billion overall, up 4% from the previous year, according to Adobe.
Vivek Pandya, lead analyst at Adobe Digital Insights, stated in a news release that retailers made the right decision this season to drive demand through heavy discounting due to oversupply and a softening consumer spending environment. It increased online spending to higher than anticipated levels and reaffirmed e-commerce as a key channel for generating volume and capturing consumer interest.
 25.65%
 13:00:30 - Real-time Data
Bitcoin holds steady around $19,000 amid growing signs of institutional adoption
Human Error Triggers Wild Fluctuations in Stock Prices on NYSE, Causing Chaos and Losses
Record Drop in Money Supply Signals Continued Abatement of US Inflation Pressures
NYSE Reveals Human Error as Cause of Tuesday's Stock Glitch Chaos
Wall Street Braces for Impact as Tech Giant Microsoft's Earnings Report Mixed, Tesla's Earnings to Provide Insights
It has been determined that human error is to blame for the problem that occurred on Tuesday at the New York Stock Exchange (NYSE), which led to extreme price swings in shares. What Caused the Glitch? The disaster-recovery system is checked every day after the closing bell as part of normal maintenance, according to Bloomberg News, but a NYSE employee located in the exchange's backup data center in Chicago apparently forgot to shut it off. When trading started on Tuesday at its customary hour of 9:30 a.m. Eastern time, the backup system, which is designed to be triggered in case of calamity, was still operational. Effects of the Blunder The opening auction of the exchange, which occurs at 9:30 a.m. on typical days, determines the first pricing of shares that are listed. The problem on Tuesday, however, caused significant changes in the stock prices of almost 250 firms, including Altria, Mastercard, McDonalds, Uber, Wells Fargo, and Verizon, by as much as 25%. According to a database maintained by Nasdaq that records stock halts, trading in the impacted equities was suspended for around 15 seconds before starting again about five minutes later. Investigation and Compensation by NYSE After hours of investigation, NYSE authorities are convinced they know what caused the error, according to Bloomberg News. In the case of difficulties like the one that happened on Tuesday, brokers will be compensated from a $500,000 monthly fund that is managed by the NYSE. Responses from retail investors But other small-time investors voiced their worries about the occurrence. "Unfortunately, the NYSE has not owned up to their full role and ordinary investors will have to go through a lengthy procedure to rectify orders, with no certainty of an acceptable resolution," a Charles Schwab representative told Bloomberg News. Mayura Hooper, the spokesperson, added: "If Exchanges will not accept responsibility when they clearly commit a mistake, it further heightens our concerns that routing even more retail orders to the exchanges will dramatically lower the quality of the investing experience for America's retail investors."
Money Supply in the US Economy Dips Record Lows The quantity of money in circulation in the US economy decreased last year for the first time in history, according to figures made public by the Federal Reserve. As the main indicator of the country's money supply, or M2, December saw a decline for the fifth consecutive month, falling by a record $147.4 billion to a seasonally adjusted $21.2 trillion from November. The pressures of inflation are still declining. Cash, coins, checking and savings accounts, other small time deposits, and cash held in money market funds decreased by about $300 billion from the prior year, and by more than $530 billion since last March. Since last June, the Federal Reserve has actively reduced the amount of liquidity in the economy to battle excessive inflation. This has resulted in a $400 billion reduction in the amount of Treasury and mortgage bonds that the Fed now holds, bringing the total to around $8.5 trillion. Changing economic trends In the past two years, this tendency has changed, with changes in the money supply going in the same direction as inflationary pressures. Inflation soared along with the money supply's fast growth up until the beginning of 2022, and when M2 started to steadily drop last summer, inflation pressures decreased. James Bullard, president of the Federal Reserve Bank of St. Louis and a proponent of tighter monetary policy, claimed that M2 "exploded during the epidemic, and accurately anticipated that we would have inflation." views of economic analysts As they assess monetary policy and inflation, economists are still debating whether they should pay more attention to the money supply. The link between changes in the money supply and inflation is significantly less linear than previously thought, according to Thomas Simons, an economist at the investment firm Jefferies. However, compared to prior decades, it appears the Federal Reserve's vigorous balance sheet growth during the pandemic had a major effect on inflation.
A technical issue on Tuesday at the New York Stock Exchange (NYSE) resulted in the temporary suspension of trade for a number of equities. The NYSE has officially admitted that a human mistake was at blame for the tragedy. Systems are running. All exchange systems are now functioning, according to a statement from the NYSE, and a regular opening is anticipated for January 25, 2023. Numerous equities were impacted by the temporary problem, including 3M, Verizon, and Wells Fargo. Shares Fall at Opening Nike's stock witnessed a massive 8% decline at the opening bell without any apparent cause, but it soon rebounded. The NYSE stated that all systems were now operating on its market status website. Research Update In the late afternoon, FOX Business received an update on the probe from the NYSE, which is controlled by Intercontinental Exchange. According to the statement, a system flaw prevented the NYSE from holding opening auctions for a portion of its listed equities. As a result, the equities started trading continuously at 9:30 am without an opening auction print. As a result, some trades during the Core Trading Session took place before the Limit Up Limit Down bands were received. According to NYSE Rule 7.10(c)(1), the NYSE will examine these deals as Clearly Erroneous (B). Additionally, the Exchange is considering labeling deals as anomalous on the consolidated tape for equities that entered a LULD pause before 9:30:45 and did not perform an opening auction.
Wall Street is anticipated to begin on a weaker tone as the financial markets prepare for yet another batch of corporate earnings releases. Microsoft, a major player in the technology industry, had a conflicted second quarter, with profitability exceeding forecasts but revenue falling short. Market Signals Indicate a Declining Trend Pre-market trade on Wednesday saw declines in the Dow Jones Industrial Average futures of 0.5%, the larger S&P 500 index futures of 0.7%, and the Nasdaq-100 index futures of 1.1%. Job cuts at Microsoft and a warning from Johnson & Johnson Mould, a market expert, claims that Johnson & Johnson's recent warning of sustained inflation effect and Microsoft's recent news of significant job losses have not helped to lift market mood. Mould continued by saying that Microsoft's forecast for its near-term prospects did not offer any encouraging hints for the market. Earnings and Outlook Statement for Tesla Investors will learn more about the company's choice to lower pricing in order to stimulate sales, as well as the ramifications for profitability, from Tesla's earnings and outlook announcement today. Mould made a remark. GDP data and core inflation data A gentle landing for the American economy may be confirmed or refuted by Thursday's fourth quarter US GDP numbers, according to Mould. Furthermore, the Federal Reserve's decision-making ahead of its critical meeting next week will be partially revealed by the core inflation figures released on Friday.
Due to increased demand and refinery problems, jet fuel costs have increased.
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US extends Huawei ban for another year
By Steve McCaskill
Trump signs extension that prevents US firms from dealing with Huawei and ZTE
US President Donald Trump has extended the order he signed in June 2019 that banned American companies from doing business with Huawei.
The original order did not name any companies specifically, only those that threatened the national security of the US. However the action was widely interpreted as a sanction against Chinese telecoms equipment manufacturers Huawei and ZTE.
Under the terms of the bill, suppliers are banned from selling products to Huawei which is also prevented from working with US tech firms. Reuters says the order will now be in place for another 12 months.
ARM stops 'all work' with Huawei
Huawei Android restrictions temporarily eased
What does Huawei US ban mean for you?
Huawei US ban
The US has never produced any evidence to support its claims and Huawei has persistently denied any allegations of wrongdoing. A legal challenge against the ban failed in court earlier this year.
The US ban forms part of a wider assault on Huawei by the US government in recent years. Although Huawei has effectively been frozen out of the US market to date, it does supply a number of smaller, rural operators who rely on the firm's relatively inexpensive gear.
Washington has approved a funding package for these carriers to strip out this equipment and replace it with alternatives from the likes of Ericsson and Nokia.
Until this process is complete, the US Department of Commerce has issued several temporary licences to allow carriers to work with Huawei on essential maintenance and support, while other tech firms have been given permission to sell "non-sensitive goods" to the Shenzhen-based firm.
The ambiguity of the Washington's stance has led to confusion, with some firms banning their engineers from collaborating with Huawei in global firms to determine networking standards. It is believed the US is working on rules to permit such discussions in order to ensure the US is not put at a disadvantage in 5G.
TechRadar Pro has contacted Huawei for comment.
Here are the best deals for Huawei mobile phones in May 2020
Via Reuters (opens in new tab)
Steve McCaskill
Steve McCaskill is TechRadar Pro's resident mobile industry expert, covering all aspects of the UK and global news, from operators to service providers and everything in between. He is a former editor of Silicon UK and journalist with over a decade's experience in the technology industry, writing about technology, in particular, telecoms, mobile and sports tech, sports, video games and media.
PayPal confirms data breach, sends warning emails to users
The Lenovo Smart Paper does the one thing I wish my Kindle Scribe could do