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CONSOLE GAME DEVELOPMENT
HTML5 GAME DEVELOPMENT
UNITY3D GAME DEVELOPMENT
AR GAME DEVELOPMENT
CROSS-PLATFORM GAME DEVELOPMENT
ASSET PRODUCTION
VR & AR SOLUTIONS
AR APP DEVELOPMENT
VR APP DEVELOPMENT
WEBXR DEVELOPMENT
GAMIFIED APPLICATIONS
SIMULATION & VISUALISATION
ENTERPRISE APPS
VR & SIMULATION
Getting started on Game Development: What do you need?
By Juegostudio | Game Development | Comments are Closed | 24 June, 2020 | 1
In the old days, if you are interested in video game development, you must learn fundamental concepts of physics and mathematics and build your game engines.
But with today's advanced technology, game development platforms are now making it easier for the developers to develop more sophisticated and immersive. Many of the less complicated problems in game development can be easily solved using the lighting, graphics, and physics engines that these platforms provide.
What is game development?
Simply speaking, game development is the overall process of making a video game. But making a video game is not as easy as playing one. Game development involves a lot of moving elements such as Characters, Story, Art, Audio, Lighting, etc. these all merge, in the end, to create a whole new virtual world in a video game.
This process of developing a game is usually funded by publishing companies that have enough funds. Still, video games that are made independently are comparatively smaller and cheaper, which any individual can also support.
Major components of game development
Video games become more and more immersive if they have the right combination of many essential elements. Below is a brief introduction for each component,
Storytelling in video games is a lot different than in fictional stories. The player here is going through the story and needs to have a feeling that his actions are having an effect on the story and are taking it forward.
There are non-linear storylines, too, where the story takes shape depending on the choice the player makes. This adds complexity to the game, and as a game developer, you need to ensure that whatever choice the player makes, the story leads to a satisfying outcome.
To give the game a more realistic behavior, the developers choose AI for this. Here are some of the familiar places where AI is used in game development:
Pathfinding: It ensures that the characters in the game can get from point A to point B even when new obstacles are introduced in the game.
Combat: Tough combat situations enable the enemy bot in the video games to make smart tactical decisions based on the current conditions, such as seeking cover when they are being attacked.
Goal-oriented behavior: Artificial intelligence helps to set goals and actions that seem more natural to the game story than just scripting everything.
Adding music to the video game needs to be done by hand and layer by layer, it is prepared to sound lifelike. You also need to be careful about how the sounds are triggered by the characters, surrounding noises, and the music created by other environmental things in the game.
Music is the backbone of games they are used to create an emotional response from the player Music in video games need to be in a continuous loop. Also, it should be composed in such a way that transition to new composition should be smooth. It is useful in case any situation in the game changes, such as if the enemy spots you. Freesound.org offers a vast library of free sounds that you can use directly in your video games.
In video game development, you can't rely on the natural sources to illuminate your game. You need to add every light source manually, and they need to be appropriately configured. Light can be incredibly important for many things here is a list of few:
It controls the ability of the player to see through dark scenes, particularly in horror and survival type games. In these types of genres, the light becomes an important thing and needs to be correctly configured.
It controls the ability of the player to be seen. Action-packed games require many scenarios where a dimly lit environment is necessary. This can give the gamer a kind of challenge and make the game more interesting.
Setting the mood as per the storyline. The quality of light can make a lot of difference depending on what kind of scene is going on in the story. Bright lighting is associated with happy times, while broody lighting is related to dark times.
Guide the character using lighting. Light can be used to grab a player's attention and guide them in the right direction. Best designed games direct the players very cleverly in the right direction where otherwise they may get lost.
From where do you start learning?
As we have gone through the fundamentals needed for game development, here are the steps you should follow if you want to start making your video game:
Begin with computer programming:
The immersive world that you see in the video games is created using one or multiple computer programming languages. So programming is the mandatory first step that you need to take if you want to learn game development. There is no single language used for game development, but C++ is the most popular language for developing game engines right now. Some of the popular games such as Counter-strike, World of Warcraft, and many such titles are made using C++ only. Another popular language for developing games is Java, which has been used to make games like Angry Birds.
Choose a known Game Engine:
As you are a novice in game development, it is better to start with game engines that are popular and widely used. They are instrumental and efficient in game development as they offer inbuilt features such as 2D and 3D graphics rendering, animation, audio support, collision detection, artificial intelligence, networking, etc.The most popular options currently are Unity and Unreal engine. Both are great options, and you can use them as per your liking to create unique games. Whichever game engine you pick, you must stick with it and learn all you can about the engine. Also, there are multiple other game engines that developers use for developing mobile games.
Create a basic game:
Now that you have an idea about the fundamentals of game development, it is time to create a basic game. You will be excited to build a masterpiece game overnight, but it is crucial to start small. Try and keep your project around a week's length so that you can understand the basics properly.Start with a simple and less complicated game like Tetris. It will teach you about three essential steps of game development, i.e., initialize, update, and draw. All these three are at the heart of any possible game development that you will do in the future.
Understand the Game Design Patterns:
Game Design can be explained easily from an example here, suppose you are working on an action game, and some bots are supposed to make a surprise attack on the player. This scenario can happen multiple times. So, it is then wiser to create a code module that can be used again and again rather than focusing on one event.The above game designing pattern is called Object pooling. This is just one type of game pattern that we talked about. There are many similar modules for creating solutions to the problems that are repeated multiple times in the game.
Learn 3D Graphics and Associated Math:
While 2D graphics were popular in the 1990's today, most of the games are build 3D. It provides a realistic feeling to the game, whether it is a first-person perspective or a third-person perspective.The math that you commonly require for this is Linear algebra. It deals with linear equations, vectors, etc. you can easily manipulate the 3D world of your game.
what is game development
Juego Beginning a New Era with Facebook Games Development
By Juegostudio | 0 comment
Dethroning the existing game apps-Is Juego Studios beginning a new era in Facebook Games Development. The success lies in the details and wide ranging of platforms it can contribute its immense talent to. A GameRead more
How to Choose a Game Development Company If you Have a Fantastic Concept?
Chhota Bheem Up The Hill Game Developed by Juego Studios Game Development Company With the exponential growth of smartphones, the mobile gaming market is also shooting up. The trade of Android and iOS game developmentRead more
History of Mobile Games reached the next level with Cocos 2D & Box 2D
Almost everyone, regardless of their age, now seems to either own or have access to a smartphone. And the majority of them play games on their smartphones. As a result, mobile games are immensely popularRead more
The Future of iPhone Games will Lie with its Story Content
The Future of iPhone Games Some games are more engaging than others. Why? Because they are seen as a merchandise to promote a news story or an action flick or a romantic caper. Is theRead more
Impact of iPad on Game Industry-The Positive Transition Continues
In December 2012, many companies launched new games into market. The biggest retail therapy that people were going to have was in the electronic store that sold iPad. The coming of this device has changedRead more
A Close Look at Android Market – Develop Android Games & Apps
Android is the most widespread operating system in the world today. It has over 2 billion users with around the world. It is available on smartphones, tablets, and even smartwatches. Such a widespread user-base meansRead more
Why Facebook Games are So Popular
Facebook survey reveals that there are more than 1.86 billion active users in Facebook with 17% increasing rate in every year. The survey also includes, "There are 1.15 billion mobile daily active users (Mobile DAU)Read more
Future of Windows OS & Windows Games & Apps
In the last few months, it has been observed that the Microsoft Windows Mobile platform is becoming popular and has achieved an impressive market value with brand new operations and new designer models of cellRead more
What Makes The Multifaceted Unity3D Platform The Most Preferred Choice?
Crucial Stages in the Development of a Video Game
7 Ways to Keep Unity Project Organized: Unity3d Best Practices
HTML5 Gaming: Future of Online Gaming
7 Essential Steps To Outsource App Development With Flying Colors
Augmented Reality Trends
Casino Gaming Industry
Cross Platform Games & Apps
Facebook Games Development
iOS Apps & Games
Juego Studios
Virtual Reality and Augmented Reality
Windows Game Development
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On the agenda: At the 5 p.m. meeting, the council will consider final approvals for the Del Monte warehouse development and a list of other consent items. At the 7 p.m. meeting, the council will adopt resolutions commending outgoing Mayor Marie Gilmore and Councilmembers Stewart Chen and Lena Tam and swear in Mayor-elect Trish Spencer and Councilmembers Jim Oddie and Frank Matarrese.
More information: An agenda and materials are available on the city's website. The meeting will be broadcast live on Comcast cable channel 99 and AT&T cable channel 15 and webcast live on the city's website.


A couple of developments concerning copyright infringement and internet use have come up on the international radar, potentially both good and bad for those of us Canadians who like to go online and get stuff for free.
First, the European Court of Justice recently handed down its judgment on "fully loaded" Kodi boxes, declaring the media players with the added pirate streaming plug-ins to be illegal. The decision from the European Union's highest court states that "the temporary reproduction on a multimedia player of a copyright-protected work obtained by streaming is not exempt from the right of reproduction" — in essence, saying that accessing illegally copied movies and TV shows through pirate websites, even if it's just to stream them, should be viewed in the same light as illegal downloading.
And while the Canadian courts have yet to make a similar ruling, the day may be coming, as three cable TV companies, Bell, Rogers and Vidéotron have already launched a Federal Court case against retailers of the fully loaded media players.
Also known as Android TV boxes, the gadgets do what internet users can already do on their own —stream illegally-obtained content from third-party sites — but essentially makes the act a lot easier, with the right add-ons to connect you to the third-party sites already stocked (hence, "fully loaded") on your media player.
The process is seamless enough to make the enterprise of illegal streaming that much more tempting, and Canadians seem to be getting hooked. As reported in the Globe and Mail, tech company Sandvine has determined that currently over seven per cent of the home internet traffic in Canada involves the use of Kodi boxes with plug-ins to access content without paying for it.
The second development of note came from the United States when earlier this year the Center for Copyright Information made an abrupt change in tactics for dealing with illegal downloaders, saying that it would no longer be sending copyright infringement alerts to folks engaged in pirating.
But here in Canada, the letter writing continues. Established in 2015, the Copyright Modernization Act requires that internet service providers forward to their customers letters from copyright owners who believe an infringement has occurred. The so-called Notice and Notice regime was set up to take the responsibility of enforcing copyright rules out of the hands of the internet service providers (who, understandably, are not interested in haranguing their own customers) while at the same time getting the message through to individuals who may be partaking in illegal infringement activities.
Yet, many have voiced complaints about the system, as unsuspecting internet users are left receiving copyright infringement notices from private anti-piracy companies, letters which are often threatening in tone and typically demand cash settlements from users in order to make the problem go away. That amounts to a shakedown, says Meghan Sali of Open Media, a Vancouver-based internet advocacy group. "This letter is essentially asking people to pay money before any wrongdoing has been proven," Sali said to CBC News.
In fact, the government explicitly states that the Notice and Notice system is separate from any lawsuit for copyright infringement and that receiving such letters poses no obligation on individuals to, for example, pay settlement fees or take any specific action.
Thus, until the infringement rules are revised — or until the courts make a new decision on copyright — it looks as though Canadians are likely to keep on streaming and downloading.
Below: Is Using Kodi Illegal?


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Staining in Zwingle, IA
Staining Guys in Zwingle, IA feels using a high quality stain for your wooded fence especially if you intend on planting flowers and trees in front of it is very important. Though all stains will eventually fail and require future maintenance, there are many products on the market that simply outlast others. Often times, fences will be neglected because the plants around the wood are simply too big, so protecting the fence for as long as possible is key. This is achieved by using different applications along with top quality products.
The experts at Staining Guys in Zwingle, IA says it is necessary to protect both sides of the fence? This is a very popular question. Often times people will ask us to stain just one side of the fence. This does add some protection to the wood, however, the result is that the fence is still only half protected. Exposed wood vulnerable to UV rays and high moisture will discolour and be most noticeable in a very short time period.
Staining Guys in Zwingle, IA is available now to speak with you, 800-618-6838.
Home » IA » Staining in Zwingle
Zwingle, IA, USA
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Staining Experts in Zwingle, IA

redpajama_set_name: RedPajamaCommonCrawl


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Q: Testing create resource with curl return status code 500 I am manually testing the Api for Rails 3 create action with curl but i keep getting Internal server error(500). I have a product model and here is the create action in my controller and the commands I have tried....
#command
curl -i -H "Accept: application/json"  -X POST -d "product[product_name]=dvd"  http://localhost:3000/api/products

#controller
module Api
  class ProductsController < ApplicationController
    respond_to :json

     def create
       @product = Product.new(params[:product])
       respond_to do |format|
         if @product.save
           format.html { redirect_to @product, notice: 'Product was successfully created.' }
           format.json { render json: @product, status: :created, location: @product }
         else
           format.html { render action: "new" }
           format.json { render json: @product.errors, status: :unprocessable_entity }
         end
       end
     end
   end
 end

What am i missing here? Thank you in advance.

A: Based on the MassAssignmentSecurity error, it looks like you just need to make the product_name field accessible on your model:
class Product < ActiveRecord::Base
  attr_accessible :product_name
  #... other code...
end

redpajama_set_name: RedPajamaStackExchange


In Madagascar, a unit of quantity of bulrush peelings, as much as will fit in the circle made by touching the tip of the thumb to the tip of the forefinger. Cooks measure a quantity of spaghetti in a similar fashion.
La'mbana. s. As much of the peel of the bulrushes as would fill the space between the tip of the forefinger and the thumb joined. See Fihina.
La'mbànina, v. pass. (Imp. lambàno.) To be measured as above.
Mandàmbana, v. tr. (Imp. mandambàna, Rel. andambànana, Rei. Imp. andambàno.) To measure the peel of rushes by the Lambana.


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Верте́ба () — гипсовая пещера на территории Тернопольской области Украины. Находится в 2 км к северо-западу от села Бильче-Золотое. Геологический и археологический памятник общегосударственного значения. Расположена на левом берегу реки Серет.

Пещера объявлена объектом природного заповедного фонда распоряжением Совета министров РСФСР от 2 августа 1971 № 61-р и постановлением Кабинета министров Украины от 12 октября 1992 года № 584. В пещере Вертеба действует единственный в Украине подземный музей трипольской культуры эпохи энеолита. Название пещеры происходит от древнеславянского «вертеп», означающего пещера, овраг. Длина подземных ходов составляет 9 021 м (по другим данным — 8550 м). Среднегодовая температура в пещере составляет 9—10° при относительной влажности 92—100 %.

У трипольцев из пещеры Вертеба определены митохондриальные гаплогруппы pre-HV, HV или V (2 образца), H (2 образца), J, T4. В 2017 году были опубликованы митохондриальные гаплогруппы H, H1b, H5a, H5b, HV, T2b, U8b1a2, U8b1b, а также K и W.

У четырёх трипольцев из пещеры Вертеба определена Y-хромосомная гаплогруппа G2a (три носителя G2a2b2a и один G2a), характерная также для культур балканского неолита, у одного — Y-хромосомная гаплогруппа E.

У образцов эпохи энеолита (3789—3650 лет до н. э.) определили митохондриальные гаплогруппы T2, T2b, T2b+16362, T2c1d1, H+152, H15a1, H40, U5a2+16362, J1c2 (2 образца), J1c5, K1a1b1, K1b1+(16093), K1a2 (2 образца), N1a1a1a и Y-хромосомные гаплогруппы C1a, G2a2a1, G2a2a1a (2 образца), G2a2b2a3 (3 образца), G2a2a1a3~, I2a1a2a, I2a2a1, I2c.

У образца эпохи ранней бронзы VERT-113 (Site 7, 1952—1774 лет до н. э., Early Bronze Age, EBA) определили митохондриальную гаплогруппу HV+16311. Этот образец имеет профиль предков, связанных с экспансиями ямной культуры, но с 20% предков, связанных с другими трипольскими особями, что предполагает смешение между трипольцами и входящими популяциями, имеющими степное происхождение.

У образца эпохи поздней бронзы VERT-114 (Site 17, 980—948 лет до н. э., Late Bronze Age, LBA) определили митохондриальную гаплогруппу T2. Этот образец имеет генетический профиль, указывающий на близость к популяциям, связанным с традицией колоколовидных кубков.

См. также
 Список длиннейших пещер

Примечания

Ссылки
 Кадастр печер та порожнин України
 Печера Вертеба // Печери України
 Марина Гнатенко. Лабіринти без мінотаврів // Український тиждень, № 24 (137)
 Богдан Скаврон. Енциклопедія Наддністрянських Помпей // Збруч, 18.04.2014

 У палацах давньої Вертеби. Історія дослідження та опис печери

 Печера Вертеба (фото і відгуки)
 У Вертебі на Борщівщині — цікаві знахідки // Терен, 15 вересня 2015.

 Археологи знайшли трипільську піч-лежанку в печері на Тернопільщині // Укрінформ 26 жовтня 2018.

Открытия 1708 года
Пещеры Украины
Археологические музеи Украины
География Тернопольской области
Археологические объекты Тернопольской области
Музеи Тернопольской области
Открытия 1708 года

redpajama_set_name: RedPajamaWikipedia


text:
5-Minute Mystery added to Wiggles 3D game lineup
By Press Release on	 November 26, 2019 0 Comments
5-Minute Mystery, a fast-paced, co-operative, real-time board game, launches on Kickstarter November 26 at 11:00 am EST, from award-winning game publisher, and creators of 5-Minute Dungeon, Wiggles 3D.
The ideal blend of frantic chaos and careful deduction, 5-Minute Mystery is a perfect fit for casual and seasoned gamers alike. In this high-intensity game, players work together to find a culprit hidden in a line-up of suspects while racing against the clock.
The priceless MacGuffin was stolen from the Museum of Everything by some crafty criminal! Now it's up to you, a team of detectives, to crack the case, find the culprit, and recover the missing MacGuffin.
With no time for methodical observation, and a stack of shady suspects to sift through, communication and teamwork are the name of the game, crucial to recovering the stolen MacGuffin. Case files change the rules each time you play, making every game a new challenge.
$35 CDN (approx. $26.30 USD) Standard Edition – For 1-4 players, work with your friends to solve the mystery and catch the thief before time runs out.
$45 CDN (approx $33.80 USD) Mastermind Edition – For 1-6 players, includes everything from the standard edition, plus support for up to two extra players, additional scenes and cases for even more replayability, and ultra-challenging Mastermind Cases.
The excitement comes to Kickstarter November 26 at 11 am EST and runs until 1pm EST on December 19th, with an Early Bird Special of $5 off the first 500 copies of both the Standard Edition and the Mastermind Edition. The Wiggles 3D team is also offering all backers of their previous projects a free upgrade to the Mastermind Edition.
About Wiggles 3D
Two-time Mensa Award winner Wiggles 3D is a Canadian developer and publisher that has been creating board games, apps and syndicated puzzles since 2001. Based in Canada, the company is the creator of the popular magnetic game Bellz and the hit movie trivia game Pass the Popcorn. Their first Kickstarter game, 5-Minute Dungeon, was on the 2018 recommended list for the Spiel Des Jahres. Their games are licensed in 25 countries and featured in major newspapers and online game portals.
Kickstarter Link: 5minutemysterygame.com
Number of players: 1-4 for Standard Edition, 1-6 for Mastermind Edition
Time required: 5+ mins
Recommended ages: 8+
Category: Deduction, Party
Game Designer: Connor Reid
Artist: Cam Kendall https://camkendell.com/
5 Minute Mystery Cam Kendall Connor Reid Gaming kickstarter Press Release Wiggles 3D Games
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Dark Horse Comics announces Unfinished Business


Charles William Tollefson (February 28, 1917 – August 20, 1989) was an American football player. He played his entire career with the Green Bay Packers, winning one World Championship. Prior to joining the Packers, Tollefson attended the University of Iowa.
Tollefson is the Americanized spelling of the Norwegian "Tollefsen".


text:
1. Who authored 'Saundarananda' and 'Buddhacharita'?
(A): Bharata
(B): Vasumitra
(C): Aswaghosha
(D): Banabhatta
QA->Name the leader of the national movement who authored "Unhappy India"?....
QA->Who authored 'Sri Sri Ramakrishna Kathamrita (The Gospel of Sri Ramakrishna)' under the pseudonym of 'M' ?....
QA->International Red Cross and Red Cresent മ്യൂസിയം സ്ഥിതി ചെയ്യുന്നത്?....
QA->ചോരയും ഇരുമ്പും (Blood and Iron policy) എന്ന നയം സ്വീകരിച്ച അടിമവംശ രാജാവ്?....
QA->Oil and Natural Gas Corporation ആസ്ഥാനം എവിടെയാണ് ?....
MCQ->Who authored 'Saundarananda' and 'Buddhacharita'?....
MCQ->Who composed Buddhacharita?....
MCQ->Buddhacharita, the epic biography of Gautama Buddha in Sanskrit was written by__:....
MCQ->"Buddhacharita" was written by :....
MCQ->Read the following passage carefully and choose the most appropriate answer to the question out of the four alternatives. Translation is of immense importance today. With rapid commercialization, the narrow barriers between nations are fast disappearing. In the past, there used to be practically no communication amongst nations. The modern world, however, is no longer divided into water-tight compartments. We are heading towards one world, thanks to development in the fields of communication among nations today. Translation forges bonds of unity amongst people who speak different languages. Even if we do not know a particular language or the literature of a particular nation, we can know its richness and the depth of its ideas through translation. Translation also helps in understanding the rich cultural heritage of a nation. Thus a multi-lingual person has a multi-focal view of the world. Translation also serves as a mode of cultural excahnge in a multi-lingual country. It plays a pivotal role in the evolution of a pluralistic national identity. The achievement of translation is both the globalisation of culture and the promotion of intra and inter-cultural bonding. One may appreciate and enjoy through translation the plays of Shakespeare even if one does not know the English language. One may also know the rich world of Homer, Virgil, Dante, Milton, Dickens, Hardy, Leo Tolstoy, Zola and Munshi Prem Chand through translation. Translation responds to our intellectual, cultural and spiritual needs. It is necessary for information and for the exchange of ideas. Translation, which has hitherto been neglected and marginalized, has assumed importance with rapid globalization. It is now considered an art which requires mastery and perfection. A good translator is able to do away with superficiality and has a clear understanding of the text to be translated. He should have mastery over the subtle nuances of the language from which he is translating. Translating a passage of one language into another literally is not only impossible but would also result in incorrect grammar and syntax. What should be the primary concern while translating a passage from one language into another?....


This event is the perfect for meeting new members and reconnecting with old ones. You will be updated on the latest FACC news and have the opportunity to voice your opinion and give suggestions for future developments of the Chamber.
Not a member? Not to worry. Joining is easy! You can visit https://facc-ny.com/memberships/ for information on membership options and convenient payment.


Dr. Kamini Prakash Rege (Ph.D.) holds the position of an Assistant Professor, from the Department of Human Development, College of Home Science, Nirmala Niketan, Affiliated to University of Mumbai, India and holds Treasurers position in ECA -India. She has been teaching at the Graduate and Post-Graduate levels over the last 20 years. She's a recognized Ph.D. guide in the specialization of Home Science by the University of Mumbai. Expertise in the specialization of Human Development and Early Childhood Care and Education she has contributed her valuable knowledge and proficiency to various institutions and organizations as an academician, consultant, and researcher. Throughout her career, she has been awarded many accolades. Noteworthy among these are the "Rashtriya Vibhushan Award" for Outstanding Individual Achievement and Distinguished Services to the Nation in 2014, "Shiksha Rattan Puraskar" for outstanding performance and remarkable role in Education /Knowledge industry in 2012. She has been a consultant to several institutes and organizations associated with teacher training and education and deeply involved in the development of policy, programme and planning activities for young children. Having to her credit, several research papers, posters and publications at the State, National and International level, also had an opportunity to guide several research students in the area of Early Childhood Education, Parenting, Home-School Partnership, Marriage and Family Relations, Women Entrepreneurship, Celebrating Festivals and Multiculturalism, Innovative Teaching Techniques etc. She has developed innovative techniques for introducing curriculum, such as creative expression through role play, anecdotes, critically evaluating and sharing records, videos, and films, demonstrations, workshops and hands-on experience with several target groups such as administrators, supervisors, teachers, children, adolescents, parents, graduate, and postgraduate students. She's associated as a life member of multiple organizations, such as ECA (Early Childhood Association- India, designated as the Treasurer – India), AECED (Association for Early Childhood Education and Development), HSAI (Home Science Association of India), Bal Shikshan Parishad, ARAHE (Asian Regional Association for Home Economics), International Play Association (IPA), Indian Scientist Association (ISA).


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Mastering Mixes: Should the Mixing Engineer Master the Tracks?
by Serge Espitia | Aug 23, 2019 | Audio Mastering
If you're a musician, you understand recorded music is necessary to drive your career and gain a fanbase.
If you're shopping for an engineer to work on the mixes, you're probably wondering if the same professional can also handle your masters.
Here's how to know if your mixing engineer should handle the mastering — and why it may be safe to just find a mastering engineer.
The Difference Between Mixing and Mastering
Mixing and mastering are two different processes.
In the studio, you probably recorded several different elements of a song.
If you're a singer, you recorded the essential parts of the song as well as some harmonies and additional vocal melodies. If you're a guitar player, you recorded the rhythm and solos.
How do these pieces come together? This happens during the mixing process. The mixing engineer takes all of the audio layers and pieces them together for the final track.
The mixing engineer also adds other elements that will make a track stand out. This includes faders, effects, and EQ.
Mastering is the icing on the cake. A skilled mastering engineer can take your mixes and optimize the overall sound.
Let's use this as an example. Have you ever listened to an album where one song was barely audible but the next practically blew out your speakers? The answer is no, right? This is thanks to the mastering engineer.
The mastering engineer focuses on improving the sound of each track and also focuses on the broader picture of the full album.
This ensures the listener has an amazing experience listening to your music — whether it's one song or the album as a whole.
Should the Mixing Engineer Master Your Album?
Here's the million-dollar question — should the same engineer mix and master your album? Well, it depends.
Since mastering is all about improving the audio, it depends on the mixing engineer's experience with this skill.
Some mixing engineers make sound enhancements while they're mixing each track. However, this doesn't mean they have the keen ear of a mastering engineer.
There are many reasons why bands want the same engineer to mix and master their album. However, you also risk sacrificing quality.
If your album isn't mastered well, the listener may not be able to hear the amazing and unique qualities of your music.
Your guitar solos will be toned down, the bass will get lost in the rest of the mixes, and you won't hear every bell and whistle that the drummer is playing.
The same goes for hip hop artists and those in the electronic music genre. Bad mastering can tone down the vocals, beats, and other elements of your music.
If you're still confused, the best course of action is to listen to the previous albums a mixing engineer has done. If they also offer mastering, listen very carefully to their previous work and ensure the mastering quality is good.
But keep in mind, it's always best to just hire a mastering engineer who can take your recordings to the next level.
Hire a Mastering Engineer for the Album of Your Dreams
All musicians strive for the perfect recordings. To achieve this, you need great mixes and masters.
But should the mixing engineer master your album? While it sounds convenient, hiring a mastering engineer will ensure you get the highest-quality album.
If you're looking for a skilled mastering engineer, contact us today!
What's the Best Volume for a Hip Hop Mastered Song?
How well do you understand mastering? For something that's needed on every track, there's still a lot of mystery surrounding it.
The last step before releasing a track, mastering takes place after all the production and post-production has wrapped-up. Once all the levels are properly mixed and balanced, mastering adds that final polish and brings things up to the proper volume.
But what is the right volume for a hip hop mastered song? How do you get the right amount of low-end without things sounding too cluttered?
Keep reading for all you need to know before mastering a hip hop track.
Know the Genre
Every genre of music has its own characteristics that need to come through. For hip hop, it's a thumping low-end with a crisp high end. Think of the combination of an 808 kick and the chainsaw hi-hats found in modern hip hop and trap.
The challenge here is getting the right amount of bass without losing energy to compression and limiters. Luckily, you can balance that out by boosting the highs.
Get a Reference
Use reference tracks to help guide you through the mastering process. Having professionally produced tracks to compare your track against will reveal what areas you need to focus on to get the right sound.
There are different plugins that will allow you to easily A/B between your track and your reference tracks. These tools make it really convenient for you to compare and contrast your work.
Know Your Targets
Once upon a time, all mastered tracks were targeted toward radio broadcast levels. In today's marketplace, you need to consider the target levels of all the different platforms the track will be released on.
Spotify, Apple Music, Tidal, and the other streaming platforms provide their target LUFS (Loudness Levels relative to Full-Scale.) Produce a master at the target level for each platform.
Use Your Tools
By the time the track is ready for mastering, the tonality and shape of the track should be set. What's left for you is to make sure that things are balanced and set to the proper level.
Remember to dither the track if you're working at a lower rate than the session was recorded in. This will eliminate unwanted noise.
There are three primary tools to set your master. They are as follows.
EQ – Use an equalizer tool to boost the right frequencies for the genre. In hip hop, you'll want to make sure that the low-end and high-end come through the strongest. This should leave plenty of room to boost the vocals in the mids if needed.
Compression – A compressor keeps the loud parts from getting too loud and the quiet parts from being too quiet. A multi-band compressor lets you compress specific frequencies without affecting the overall track. This way you can tame wild frequencies without squashing the entire track.
Limiting – A limiter does exactly what it says. It limits the volume of the track. Putting a limiter at the end of your signal chain helps you control the loudness of the track, ensuring that it doesn't peak higher than your target level.
Hip Hop Mastered Song
Mastering hip hop isn't that different than mastering any other genre of music. The difference is that a hip hop mastered song is going to feature fewer mids than guitar-oriented music.
Instead, you'll want to boost your low-end and set a nice and crisp high-end, using compression to keep things from getting out of control.
For more articles on mastering, visit our blog.
How Do I Know if I Mastered a Track Correctly?
Top 7 Mixing Mistakes
10 Tips for Audio Mastering if You're Not a Mastering Engineer
How to Master Your Audio at Home
Audio 101: What's the Difference Between Mixing and Mastering


Dr. Adrian Siegel: "no one should fall below a certain level of integrity as Nigel Short has done"
The FIDE Election is coming up during the Chess Olympiad in Georgia. As usual, there are a lot of mudslinging and wild accusations. I am not on anyone's election ticket so and I do not know the day to day operation. Therefore, it would be irresponsible for me to comment on it.
However, here is the official response from FIDE Treasurer Dr. Siegel.
Following my letters dated February 12 and 15, respectively, I would like to update you with the past and current situation of FIDE's finances.
As I have announced in my previous letters mentioned above, UBS has accordingly closed our accounts for business activity. The bank gave us a final deadline of April 30, 2018, and by May 1 we were not able to use our accounts. Worse than that, for three days UBS froze our accounts and we couldn't make any payments or withdraw our money. Only last Friday, May 4, did the compliance division of UBS allow us to transfer money. This demonstrates that my warnings in the letters mentioned above were not 'fake news' as some people suggested.
For the past four months we have tried very hard to find a new bank without success. There were several banks who refused to speak to us. Of the few banks which allowed us to present our problem, all refused to open an account for FIDE as long as FIDE is connected with persons on the sanction list of the U.S. Department of the Treasury. Thus, pressurized by the imminent closure of the accounts, our lawyers found a solution via a trust company which has taken the money UBS unblocked on the 4th of May. Only today were the contracts with this trust company finalised and signed by FIDE and we shall be able to function normally very soon. Of course, we are still looking for a solution with a new bank.
In the last two days there were some tweets by Nigel Short which claimed (i) that "the administration, headed by Makropoulos, transferred millions out of the account, before it was closed on April 30th, (ii) then he wondered whether FIDE has a new account or whether the money is under a mattress, and finally (iii) he asked for a confirmation "that the FIDE millions have (not) been transferred to Qatar, as suggested by Makropoulos".
I have to admit that I wanted to wait with further news until all our contracts have been signed.
However, this flood of tweets with their obviously false and mischievous statements have to be answered now.
Firstly, the tweets mentioned above insinuate some financial irregularities yet Nigel has not asked me to comment as FIDE's treasurer. I am very surprised that Nigel should make accusatsions without having attempted to make the most rudimentary clarification.
Secondly, in these tweets it was written that FIDE has transferred millions. The interesting point here is that FIDE doesn't have millions (plural) at all. A quick look into the annual balances would have shown this. Once again, a thorough and constructive approach to FIDE's finances looks different.
Thirdly, in the tweets it is claimed that FIDE transferred the money prior to the closure on April 30. This is completely wrong. The money was transferred on May 4th after UBS froze our accounts for three days. There was no alternative but to transfer our money because UBS was not willing to keep our money and we had to consider the possibility and risk that the money will be frozen for even longer.
Fourthly, I won't comment on the ridiculous comments about the use of mattresses.
Fifthly, the money has not been transferred to Qatar. This was never intended, nor was it ever said by Makropoulos. This also is just a far fetched allegation.
Finally, in my view such allegations are not constructive at a very difficult time for FIDE which we face due to Kirsan Ilyumzhinov's presence on the sanction list of the US Department of the Treasury. Provided it is not just a polemic discussion, I am more than willing to discuss the current status of our financial situation with everyone.
In my personal view, these accusations must be seen against the background of Nigel Short's recently launched campaign for presidency. However, such allegations are very serious and insinuate criminal acts. If Nigel Short really wants to accuse me as the treasurer of having performed such acts, I would appreciate if he would tell me directly and, of course, we then have to bring this issue to another tribunal. Instead of getting information first hand from me he has chosen to accuse via Twitter. The question obviously arises, is this how a potential president should act?
Obviously in a pre-election phase, each candidate tries to present himself as the most electable but no one should fall below a certain level of integrity as Nigel Short has done.
This Nigel "Has-Been" Short is trying to get media mileage at the expense of other people, and a FIDE Treasurer at that. A very desperate attempt to get the Fide presidency, eh.. Mr. Long??


First-year head coach Steve Wilks told reporters after the loss that it was "premature" to talk about making any changes, but another listless offensive performance prompted the move to dismiss McCoy.
The Cardinals entered Thursday night's matchup ranked last in total offense, last in rushing offense, last in total first downs and last in third-down conversion percentage.
Wilks, who replaced the retired Bruce Arians during the offseason after serving as the defensive coordinator with the Carolina Panthers, also had been asked about McCoy's job status following Sunday's 27-17 loss at Minnesota.
"I would say all our jobs are in jeopardy, including mine if we don't win," Wilks responded.
Running back David Johnson also has been ineffective, failing to surpass 55 yards rushing in six of the seven contests and managing only 39 yards on 14 carries in Thursday's defeat.
The Cardinals hired Leftwich as a coaching intern in 2016 and named him the team's quarterbacks coach in January 2017.


Now underway from Prewitt Custom Homes! The Emilin plan at 510 Boulderbrook Parkway.
At 2,278 sq ft, this split style Ranch provides 3 bedrooms, 2 full baths, and a 2-car garage. You will love the open floor plan that boasts a large family room with lots of room to entertain. The kitchen features granite counters, a huge island, and a spacious breakfast area. Enjoy a separate dining room off the wide entry foyer. A covered front porch and screened deck provide outdoor living spaces.
For sales details, contact Claire Krzywinski at (919) 614-8239.


Periods of showers. High near 46. East wind 5 to 10 mph. Chance of precipitation is 80%. New precipitation amounts between a tenth and quarter of an inch possible.
Periods of showers before 7pm, then rain, mainly after 7pm. Widespread fog, mainly after midnight. Low around 38. East wind around 10 mph. Chance of precipitation is 80%. New precipitation amounts between a half and three quarters of an inch possible.
Rain. Patchy fog. High near 43. Northeast wind around 10 mph. Chance of precipitation is 80%. New precipitation amounts between a half and three quarters of an inch possible.
Rain likely, mainly before 2am. Patchy fog before 1am. Otherwise, cloudy, with a low around 34. Northeast wind around 10 mph, with gusts as high as 15 mph. Chance of precipitation is 60%.
A 30 percent chance of rain, mainly before 8am. Mostly cloudy, then gradually becoming sunny, with a high near 47. North wind 10 to 15 mph, with gusts as high as 20 mph.
Rain likely after 2am. Mostly cloudy, with a low around 40.
Rain likely, mainly before 8am. Mostly cloudy, with a high near 54.
A chance of rain. Mostly cloudy, with a high near 46.


text:
Lectures on Rhetoric and Belles Lettres
Por Hugh Blair
PROFESSOR OF RHETORIC AND BELLES LETTRES IN THE UNIVERSITY,
AND MINISTER OF THE HIGH CHURCH, OF EDINBURGH.
with a Memoir of the Author's 1.2.
TO WHICH ARE ADDED
Copious Questions; and in: Analgsis of each > Lecture,
BY ABRAHÁŇ MILLS;
TEACHER OF RHETORIC AND BELLES LETTRES.
Stereotype Üniversity, College and School Edition.
KAY & TROUTMAN, 193 MARKET STREET.
PITTSBURGH:-KAY & COMPANY,
Entered, according to the act of congress, in the year 1833, by James Kay, Jun. & Brother, in the office of the clerk of the district court of the United States in and for the eastern district of Pennsylvania.
PREFACE,
The following LECTURES were read in the university of Edinburgh, for twenty-four years. The publication of them, at present, was not altogether a matter of choice. Imperfect copies of them, in manuscript, from notes taken by students who heard them read, were first privately handed about ; and afterwards frequently exposed to public sale. When the author saw them circulate so currently, as even to be quoted in print,* and found him. self often threatened with surreptitious publications of thein, he judged it to be high time that they should proceed from his own hand, rather than come into public view under some very defective and erroneous form.
They were originally designed for the initiation of youth into the study of belles lettres, and of composition. With the same intention they are now published; and, therefore, the form of Lectures, in which they were at first composed, is still retained. The author gives them to the world, neither as a work wholly original, nor as a compilation from the writings of others. On every subject contained in them, he has thought for himself. He consulted his own ideas and reflections : and a great part of what will be found in these Lecturos is entirely his own. At the same time he availed himself of the ideas and reflections of others, as far as he thought them proper to be adopted. To proceed in this manner, was his duty as a public professor, It was incumbent on him to convey to his pupils all the knowledge that could improve them; to deliver not merely what was new, but what might be useful, from whatever quarter it came. He hopes, that to such as are studying to cultivate their taste, to form their style, or to prepare themselves for public speaking or composition, his Lectures will afford a more comprehensive view of what relates to these subjects, than, as far as he knows, is to he received from any one book in our language.
In order to render his work of greaier service, fè has generally referred to the books which he consulted, as. far as he remembers them; that the readers might be directed to any'fertheriðustration which they afford. But, as such a length of time has elapsed since the first composition of these Lectures, he may, perhaps have adopted the gentiments of some author into whose writings he had then lóðžed; without now remembering whence he derived them.
In the opinions which he has delivered concerning such a variety of authors, and of literary matters, as come under his consideration, he cannot expect that all his readers will concur with him. The subjects are of such a nature, as allow room for much diversity of taste and sentiment: and the author will respectfully submit to the judgment of the public.
Retaining the simplicity of the lecturing style, as best fitted for conveying instruction, he has aimed, in his language, at no more than perspicuity. In after the liberties which it was necessary for him to take, in criticising the style of the most eminent writers in our language, his own style shall be thought open to reprehension, all that he can say, is, that his book will add one to the many proofs already afforded to the world, of its being much easier to give instruction, than to set example.
Biographia Britanica. Article ADDISON.


The fair is celebrating the first anniversary of the historic march with an open call for artwork.
Yoshitoshi, Hangaku Gozen (c. 1885). Courtesy of the Outsider Art Fair.
When the Outsider Art Fair returns to New York later this month, it will acknowledge and celebrate the first anniversary of the Women's March, which was held in hundreds of cities around the world on January 21, 2017, the day after President Donald Trump's inauguration.
Demonstrators protest on the National Mall in Washington, DC, for the Women's March on January 21, 2017. Photo courtesy of Andrew Caballero-Reynolds/AFP/Getty Images.
All artists are eligible, "no matter their background, reputation, level of success or anonymity," according to the announcement, as long as they make a 2-D piece no bigger than 16 by 20 inches and submit it by January 15. The works will be for sale for $400 each at the fair, and the artist will receive half the proceeds of any sale.
The Outsider Art Fair will take place at the Metropolitan Pavilion, 125 West 18th Street, New York, January 18–21, 2018.


text:
HomeNewsDenver Facility to Use Wastewater Pipes to Generate Energy
Denver Facility to Use Wastewater Pipes to Generate Energy
DENVER (AP) — Officials say sewer pipes carrying wastewater from a Colorado meeting complex will be used to generate clean power as part of the largest sewer heat recovery system in North America.
The Denver Post reports that officials overseeing the redevelopment of the National Western Center campus said Monday they estimate the system will prevent the emission of 2,600 metric tons of carbon dioxide into the atmosphere yearly by not burning fossil fuels.
The agriculture, education and entertainment facility will use a pair of 72-inch (183-centimeter) sewer pipes carrying wastewater and human byproducts to a treatment facility north of downtown.
Officials say the system harvests heat from water going down the drains of sinks, showers, dishwashers, washing machines and toilets.
The closed-loop system isolates the soiled, sewer-pipe water while using a heat pump to transfer the warmth to pipes filled with fresh water. The heated, clean water powers heating and cooling machinery in campus buildings, officials said.
Seven new buildings are scheduled to be built on the National Western campus by 2024 as part of a $1 billion overhaul of the property.
Colorado Springs Agrees to Resolve Stormwater Management Violations in Settlement With U.S. DOJ
Yes, Joe Biden Really Does Want to End the Oil and Gas Industry in America
API Fact-Checks Presidential Debate Energy Positions
Biden Calls for 'Transition' from Oil


This course is designed as an introduction to issues of law, policy and institutional machinery for the promotion of human rights in the world community. The course will focus first on 20th century genocide against the Armenians and Jews and then study the following problems: (1) Are nations bound by human rights laws (such as treaties, customary international law, U.N. Charter, European Convention, etc.). (2) Are the courts of a nation so bound. (3) Where there is violation of human rights law, when and under what circumstances may diplomatic intervention, economic sanctions and/or military force be used to redress the wrongs or to cause compliance with human rights guarantees.
This course is offered as a "hybrid" course. Most students take it as an exam course. A limited number of students may take it as a writing seminar. Request course number 583 to take this course as an exam course. Request course number 841 to take this course as a writing seminar.


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The top 10 most annoying gym habits, according to the public
Alex Roberts
The summer season may well be in full swing, but it still isn't stopping folk from flocking to the gym.
Whether you're looking to lose some last-minute weight before your holiday or burn off a couple of cocktails, gyms are still packed to the rafters. With that, of course, comes the worst in gym habits.
Online golf store GolfSupport.com analysed thousands of tweets using hashtags relating to common gym pet peeves. This was then followed up with a survey of 1,250 gym goers.
The result is an extensive list of more than 50 of the most annoying gym habits. For the sake of brevity, we've narrowed it down to 10.
From loud, grunting lifters to inconsiderate people who don't put their weights away, the list contains some well-known faux pas, and some pretty surprising inclusions.
Here's a breakdown of the top 10 most annoying gym habits, alongside the percentage of people who see them as a pain.
1. Someone choosing the machine next to you, despite all the others being free (86%)
It's surprising to see this come out on top, as there are arguably far worse gym habits. Context is also an issue. In most gyms, there may only be one machine working a particular muscle group. You might have to move right next to someone.
There's a big difference between that, and having someone breathing down your neck when curling dumbbells in an empty free weights area.
2. People that stand and wait for you to finish on a piece of equipment or machine (82%)
Granted, the gym might be busy, but you at least need people to keep a safe distance. The only time you need someone invading your personal space in this way is when you're going for a one rep max.
3. People that try to 'reserve' machines or equipment (80%)
Workout at home this Christmas with these five easy exercises
Your favourite bodybuilder might incorporate tri-sets and giant sets into their training routine, but remember their job is to go to the gym. They can train when it's empty and have free reign over kit.
If you're training at rush hour when the gym is particularly busy, realise that machines may be difficult to get on. Share with others. Don't hog equipment or act like you've reserved it when someone else could use it.
4. Loud grunters (77%)
Making loud, grunting noises when you're setting a new deadlift PB is ok. When you're using the cable crossover? Get out.
Aside from the obvious noise annoyance, you don't want to put off new gym users if they think everyone in the free weights section acts like this.
Another trait highlighted at the gym that is sure to frustrate gym-goers are, 'People that come over and ask how many reps you have left', with 71% in agreement.
A disregard of basic etiquette seems to aggravate most gym-goers, with the following also ranking among the top 10 gym pet peeves:
People that 'Listen to music without headphones' (66%)
'Not putting equipment away' (60%)
'People watchers' (54%)
People that take 'Loud phone calls' (47%)
'People that spit in the water fountain' (44%)
Golf Support can also reveal that the following slightly more unusual gym pet peeves also ranked highly:
'Strangers that try to compete with you' (38%)
'People that video themselves working out' (36%)
'Couples that grope each other in between workouts' (31%)
Fitness and Health,
Annoying.
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The skipjack Rosie Parks, a Chesapeake Bay icon that almost disintegrated under the care of the very museum entrusted to save her, is about to begin a second life. A $500,000 restoration project of the Chesapeake Bay Maritime Museum comes to a happy ending this spring when the 51-foot (LOD) Rosie sets sail after decades in a terminal, nautical coma.
The three-year rebuild of the oyster-dredging skipjack in St. Michaels, Md., is the end of a prolonged embarrassment to the museum. Board members, forced to make a final decision on Rosie's fate, voted in 2010 to revive the project to preserve the deteriorating vessel, rather than capitulate and break her up. Financial resources had been in a slump, but generous supporters responded to the urgency and came forward to save the workboat.
She is now in her natural element — all 68 feet (LOA) of her with a long Douglas fir bowsprit and a beam of 17 feet. Fully rigged and resting contentedly in an outside museum slip, she faces out to the lovely Miles River from inside a cozy village harbor. Her Douglas fir mast, which came with her delivery in 1975, is refinished, and her yellow pine boom is freshly varnished. All running rigging is new, and the serviceable standing rigging has been retained. A full complement of Dacron sails from Force 10 Sails of Easton and Oxford, Md., will be in place by May.
Chief museum curator Pete Lesher remembers a depressing day some five years ago when Rosie was hauled to prevent the ignominious fate of a historic museum vessel sinking at a museum dock. With water pressure no longer holding her rotted bottom planks in place, those boards immediately began falling off once stored on land.
More than 10,600 board-feet of Douglas fir, local yellow loblolly pine and white oak were used for Rosie's new keel, frames, deck, deck beams, bottom, topside planking and so on. About 85 percent of her is a rebuild, so she barely met requirements to qualify as a historic restoration. Most of her replacement wood is from local forests and was cut at local mills. A red lead preservative coated the bare wood, but no fiberglass cloth or resin was used for sealing purposes.
Yard workers had no drawings or blueprints to guide them because Parks built his boats by "rack of eye" — that is, without plans. Rebuilding was accomplished by making patterns from the dismantled wood, then cutting and fitting the pieces back in place with exacting care. It was a difficult undertaking because Rosie has a graceful, beautiful sheer line rising toward the bow, leveling out amidships and rising again almost imperceptibly toward the stern. She sits low to the water to facilitate the manhandling of heavy oyster dredges.
His boats, about 400 in total, were launched into Fishing Bay by sliding them sideways over logs with the aid of a tractor or pickup truck — even oxen in the early days. Parks employed three dozen or so men in this watermen's hamlet, and if additional help was needed at a launch, the master builder would hand-crank a firetruck siren to summon volunteers from the tight-knit community.
"Bronzie" was a large, barrel-chested man — amiable and good- natured but direct in his speech, with a quaint way of addressing people as "honey," which is common in old Dorchester County parlance. He was the most prominent man in town in 1958 when he came to a violent end. At the age of 57 and in his prime, he was murdered by a disgruntled client over the contract building of an 18-foot skipjack. In an argument about money, the Washington, D.C., suburbanite shot Parks twice in the head and once in the chest with a .38 caliber pistol.
Cephas was Parks' right-hand man from 1956 until 1974, when the aging captain, at 78, was forced to retire from oystering after a heart attack. When Parks delivered Rosie to the museum in 1975, he insisted that his loyal mate come along. "It was a sad day," recalls Cephas. "When we left, he cried just like somebody shot him." The old first mate often visited Rosie at the museum but stopped when her condition became too upsetting for him.
Rosie was relaunched last November in a triumphant ceremony with nearly 100 members (four generations) of the Parks family in attendance. For most of the rebuild, master shipwright Marc Barto was project manager. Last summer, Mark Donohue assumed that position. Shipwrights, volunteers and apprentices are now working on Rosie's 13.5-foot pushboat and will replace her old Cadillac engine with a new 150-hp diesel power plant. A 1,000-pound centerboard is being fashioned out of white oak, and the rebuilt doghouse with varnished entrance doors awaits a new interior, to be re-created by using old photographs as a guide.
As an active member of the museum's floating fleet of nine historic Chesapeake vessels, Rosie will not carry paying passengers on daily outings. Her captains will hold a Coast Guard "six-pack" passenger license, with the boat used solely for "ambassador outreach tours," private sails and occasional skipjack races. The museum decided to keep her as an unaltered, uninspected workboat, not modified for passenger safety requirements.
It's unlikely the museum will ever take on another skipjack rebuilding project, since Rosie represents the best of the dwindling workboat fleet of aging oyster-dredgers still rigged for sail. A handful of mostly old "regulars" still show up for winter dredging, primarily in the Choptank River and Tangier Sound on Maryland's Lower Eastern Shore. Last winter turned out to be a good one for profitability and productivity.
In my informal head count of commercial, privately owned skipjacks dredging for oysters early this year, I found only seven — perhaps an all-time low. Among them was Wadie Murphy's Rebecca T. Ruark, the oldest (1886), which had been retired for 15 years and used only to carry daytime passengers. The others were the Fannie L. Daugherty (1904), Hilda M. Willing (1905), Thomas Clyde (1911), Somerset (1949), City of Crisfield (1949), and H.M. Krentz (1955).
Going where none ever sicken or die.


text:
Don't Fret That Winter Is Coming
The season of festivity should be celebrated rather than disparaged for its tranquil solace and calming climate.
As Sean Bean's character Eddard Stark said in Game of Thrones, "Winter is coming," and as this season rapidly approaches with no escape in sight, it's equally impossible to avoid the onslaught of adults lamenting the woes of winter. They cry out for their seasonal depression—also known under the appropriate acronym SAD for Seasonal Affective Disorder—when the supposed bleakness of winter arrives, or complain about how the frigid winds, iced roads, and few hours of light afford them few hours outdoors. The general view of winter is one of contempt and distaste for the most festive of holidays.
While those that take issue with winter have legitimate concerns, I tend to liken this attitude to that of Ebenezer Scrooge's hate of Christmas; it's a rejection of the season that you never really tried to appreciate. I might not show it since I've been conditioned as a teenager to hide the full extent of my emotions, but I experience a true joy when I see the first snowfall of the season or feel the temperature drop ten degrees. It's a sign that one of my favorite seasons—there's four of them—is on its way and ready to bring a busy year to its end with a peaceful solitude. The detriments that winter's detractors are apt to point out are what I view as its key strengths, cementing the time from late November through right before March as a pivotal portion of my year.
Do you take issue with the unpleasant cold? For one thing, this season is what jackets and winter clothing were made for, so just appreciate that you get to use that section of your wardrobe. Sure, the dark hours it means there's less hustle and bustle as everyone shies away from the outside, but that means there's more for me to enjoy. Less people means more peaceful walks and more gentle tranquility that stops me in my tracks to stare across an empty field of snow. Sure, that snow can fill your driveway and make commuting a pain, but hey, at least that provides a helluva workout and gives you more time to listen to your favorite morning playlist or podcast. And unlike some political figures, I get that I can't argue against science that declares seasonal depression a disorder, but it's not like having SAD means you perpetually have to be sad; there are treatment methods and procedures to take that can help overcome the condition. This means staying sad and chalking it up to seasonal depression is a choice and not a sign that winter is completely at fault for your sadness. Besides, while that melancholy itself is a kind of suffering, it lets you love the summer even more.
This is actually the crux of why winter is so important; it serves as a key contrast that makes other seasons and climates more meaningful to us. So many of us love the busy times and excitement of the summer, but without the benevolent desolation of winter, we wouldn't have this kind of love. We can only love the rise and regrowth of leaves in the spring after we've seen them fall and decay in the autumn. Even those who claim to abhor winter with a passion unconsciously appreciate its presence as it makes the summer all the more enjoyable. As Albert Camus said, "There is no sun without shadow, and it is essential to know the night." In order for us to love any season, any idea, any person, we must be able to appreciate a contrasting example for its differences and its hidden gifts as that solidifies our original passion. I don't just love the winter for the snowflakes offering up tiny yet plentiful kisses or the brisk winds challenging me to lift my spirits and walk with greater conviction, but also because its cold and darkness make the illuminating warmth of later seasons more meaningful to me.
Even if I couldn't escape to the summer, I'd still love the winter for the solace it provides me. For it is within this solitude that I can feel more connected with myself and reaffirm my inner thoughts and beliefs. This solitude can be lonely, yes, but it's a universal solitude that we all face and experience, and in that way none of us remain truly alone in our struggles. It's that common struggle that we face that allows us to get through the season and enjoy the more energetic times. That's why it's called win-ter and not lose-ter.


Our extended shop is looking stunning with all the colourful new spring ranges now in stock. It will soon be time to start putting away your winter clothes and thinking about your spring wardrobe.
We have versatile spring wedding outfits and accessories, including dresses, separates, shoes and fascinators.
Our fabulous shoes, available in sizes 3 to 8, are priced from just £25 and are so comfortable!
We have new stock arriving regularly so make sure you come and take a look.
Copyright © 2018 Crissan Clothes / All rights reserved.


Warner Brothers Interactive Entertainment and DC Entertainment unleashed today the first of three brand new gameplay videos on the highly anticipated Batman: Arkham Knight.
The video which has been titled: The Official Batman: Arkham Knight – Ace Chemicals Infiltration – Pt. 1 and can be found here or the video below.
The video shows Batman inspecting his new foe and utilising new abilities to learn about the enemy as he enters ACE Chemicals. There are also some brand new features added to game, such as the new Fear Takedown manoeuvre, as well as the flawless integration of the Batmobile, which has been added into gameplay and can also be used in combat mode.
This instalment of the award-winning Arkham Trilogy, brought to you all by Rocksteady Studios will bring the franchise to an epic close. Which means in this explosive finale Batman will have to fight a force that threatens the whole city that he has sworn to protect. As Scarecrow returns and attempts to reunite the super criminals of Arkham.
Batman: Arkham Knight has been specifically designed for the next gen consoles and the PC. and the release date for the final instalment is, June 2, 2015.


text:
Patriots Sweep Skeeters To Advance To Championship
September 20, 2013 SomPatriots General 0
Bridgewater, NJ- The Somerset Patriots defeated the Sugar Land Skeeters 5-4 in front of 7,453 fans in Game Three of the Freedom Division Championship Series at TD Bank Ballpark on Friday evening to advance to the Atlantic League Championship Series. The Patriots swept the three-game series over Sugar Land, who set an Atlantic League regular season record with 95 wins, to become the Freedom Division Champions.
Somerset jumped out to an early 3-0 lead in the first inning on a two run double by Cory Aldridge and an RBI single by Jeff Baisley.
The Patriots added to the lead with two runs in the bottom of the third inning on a two-run single by Eddy Martinez-Esteve that made the score 5-0.
Sugar Land scored in the top of the eighth inning on a wild pitch, a two run single by Brian Burgamy, and a passed ball to cut the lead to 5-4.
Roy Merritt (1-0) pitched 7.1 strong innings and allowed four runs, one earned, on seven hits. Doug Arguello (0-1) suffered the loss, allowing five runs on four hits in three innings pitched. Jon Hunton earned his third save of the playoffs with a scoreless ninth inning pitched.
The Patriots will take on the Long Island Ducks in the Atlantic League Championship after the Ducks swept the Southern Maryland Blue Crabs to become the Liberty Division Championship.
It is the Patriots first trip to the Championship Series since 2009, when they won their league leading fifth title.
The 2013 Somerset Patriots season presented by Ford will continue in the Championship Series beginning on the road in Long Island on Wednesday night. The Patriots will host Game 3 of the Atlantic League Championship at TD Bank Ballpark on Friday, September 27th at 7:05 pm. For tickets, call (908) 252-0700 or visit www.somersetpatriots.com.
Cory Aldridge
Freedom Division Champions
Jon Hunton Freedom Division Series
Roy Meritt
Swat The Skeeters
Game Three Postseason Notes/Preview: Sugar Land vs. Somerset
Audio Highlights from Game Three of Freedom Division Series


For these fields, you have to provide at least its average size.
Declare one index of type "Other" for each SORTKEY column of type INTERLEAVED. For instance, if you have a INTERLEAVED SORTKEY with columns (col1, col2), declare one index of type 'Other' for 'col1' and another for 'col2'.


Summary The byterange filter in the Apache HTTP Server 1.3.x, 2.0.x through 2.0.64, and 2.2.x through 2.2.19 allows remote attackers to cause a denial of service (memory and CPU consumption) via a Range header that expresses multiple overlapping ranges, as exploited in the wild in August 2011, a different vulnerability than CVE-2007-0086.
description The byterange filter in the Apache HTTP Server 2.0.x through 2.0.64, and 2.2.x through 2.2.19 allows remote attackers to cause a denial of service (memory and CPU consumption) via a Range header that expresses multiple overlapping ranges, exploit called "Apache Killer"
description This update includes the latest stable release of the Apache HTTP Server, version 2.2.21. Two security issues have been fixed : mod_proxy_ajp when combined with mod_proxy_balancer: Prevents unrecognized HTTP methods from marking ajp: balancer members in an error state, avoiding denial of service. (CVE-2011-3348) Fixes to the handling of byte-range requests to use less memory, to avoid denial of service. (CVE-2011-3192) A number of bugs have been fixed as well. See : http://www.apache.org/dist/httpd/CHANGES_2.2.21 http://www.apache.org/dist/httpd/CHANGES_2.2.20 Note that Tenable Network Security has extracted the preceding description block directly from the Fedora security advisory. Tenable has attempted to automatically clean and format it as much as possible without introducing additional issues.
description The Apache HTTP Server is a popular web server. A flaw was found in the way the Apache HTTP Server handled Range HTTP headers. A remote attacker could use this flaw to cause httpd to use an excessive amount of memory and CPU time via HTTP requests with a specially crafted Range header. (CVE-2011-3192) All httpd users should upgrade to these updated packages, which contain a backported patch to correct this issue. After installing the updated packages, the httpd daemon must be restarted for the update to take effect.
description Multiple vulnerabilities has been discovered and corrected in apache : The byterange filter in the Apache HTTP Server 1.3.x, 2.0.x through 2.0.64, and 2.2.x through 2.2.19 allows remote attackers to cause a denial of service (memory and CPU consumption) via a Range header that expresses multiple overlapping ranges, as exploited in the wild in August 2011, a different vulnerability than CVE-2007-0086 (CVE-2011-3192). The updated packages have been patched to correct this issue.
description This update fixes several security issues in the Apache webserver. The patch for the ByteRange remote denial of service attack (CVE-2011-3192) was refined and the configuration options used by upstream were added. Introduce new config option: Allow MaxRanges Number of ranges requested, if exceeded, the complete content is served. default: 200 0|unlimited: unlimited none: Range headers are ignored. This option is a backport from 2.2.21. Also fixed: CVE-2011-3348: Denial of service in proxy_ajp when using a undefined method. CVE-2011-3368: Exposure of internal servers via reverse proxy methods with mod_proxy enabled and incorrect Rewrite or Proxy Rules.
description Updated httpd packages that fix one security issue are now available for Red Hat Enterprise Linux 5.3 Long Life, 5.6 Extended Update Support, and 6.0 Extended Update Support. The Red Hat Security Response Team has rated this update as having important security impact. A Common Vulnerability Scoring System (CVSS) base score, which gives a detailed severity rating, is available from the CVE link in the References section. The Apache HTTP Server is a popular web server. A flaw was found in the way the Apache HTTP Server handled Range HTTP headers. A remote attacker could use this flaw to cause httpd to use an excessive amount of memory and CPU time via HTTP requests with a specially crafted Range header. (CVE-2011-3192) All httpd users should upgrade to these updated packages, which contain a backported patch to correct this issue. After installing the updated packages, the httpd daemon must be restarted for the update to take effect.
description The MITRE CVE database describes CVE-2011-3192 as : The byterange filter in the Apache HTTP Server 1.3.x, 2.0.x through 2.0.64, and 2.2.x through 2.2.19 allows remote attackers to cause a denial of service (memory and CPU consumption) via a Range header that expresses multiple overlapping ranges, as exploited in the wild in August 2011, a different vulnerability than CVE-2007-0086.
description From Red Hat Security Advisory 2011:1245 : Updated httpd packages that fix one security issue are now available for Red Hat Enterprise Linux 4, 5, and 6. The Red Hat Security Response Team has rated this update as having important security impact. A Common Vulnerability Scoring System (CVSS) base score, which gives a detailed severity rating, is available from the CVE link in the References section. The Apache HTTP Server is a popular web server. A flaw was found in the way the Apache HTTP Server handled Range HTTP headers. A remote attacker could use this flaw to cause httpd to use an excessive amount of memory and CPU time via HTTP requests with a specially crafted Range header. (CVE-2011-3192) All httpd users should upgrade to these updated packages, which contain a backported patch to correct this issue. After installing the updated packages, the httpd daemon must be restarted for the update to take effect.
description The byte-range filter in the Apache HTTP Server 1.3.x, 2.0.x through 2.0.64, and 2.2.x through 2.2.19 allows remote attackers to cause a denial-of-service (memory and CPU consumption) using a Range header that expresses multiple overlapping ranges.
description This update fixes a remote denial of service bug (memory exhaustion) in the Apache 2 HTTP server, that could be triggered by remote attackers using multiple overlapping Request Ranges. (CVE-2011-3192) It also fixes some non-security bugs : - take LimitRequestFieldsize config option into account when parsing headers from backend. Thereby avoid that the receiving buffers are too small. bnc#690734. - add / when on a directory to feed correctly linked listings. bnc#661597: * a2enmod shalt not disable a module in query mode. bnc#663359 - New option SSLRenegBufferSize fixes '413 Request Entity Too Large occur' problem. - fixes graceful restart hangs, bnc#555098.
description A flaw was discovered in the byterange filter in Apache. A remote attacker could exploit this to cause a denial of service via resource exhaustion. Note that Tenable Network Security has extracted the preceding description block directly from the Ubuntu security advisory. Tenable has attempted to automatically clean and format it as much as possible without introducing additional issues.
description Updated httpd packages that fix one security issue are now available for Red Hat Enterprise Linux 4, 5, and 6. The Red Hat Security Response Team has rated this update as having important security impact. A Common Vulnerability Scoring System (CVSS) base score, which gives a detailed severity rating, is available from the CVE link in the References section. The Apache HTTP Server is a popular web server. A flaw was found in the way the Apache HTTP Server handled Range HTTP headers. A remote attacker could use this flaw to cause httpd to use an excessive amount of memory and CPU time via HTTP requests with a specially crafted Range header. (CVE-2011-3192) All httpd users should upgrade to these updated packages, which contain a backported patch to correct this issue. After installing the updated packages, the httpd daemon must be restarted for the update to take effect.
description This update contains the latest stable release of the Apache HTTP Server. Note that Tenable Network Security has extracted the preceding description block directly from the Fedora security advisory. Tenable has attempted to automatically clean and format it as much as possible without introducing additional issues.
description The version of Apache HTTP Server running on the remote host is affected by a denial of service vulnerability. Making a series of HTTP requests with overlapping ranges in the Range or Request-Range request headers can result in memory and CPU exhaustion. A remote, unauthenticated attacker could exploit this to make the system unresponsive. Exploit code is publicly available and attacks have reportedly been observed in the wild.
description Apache HTTP server project reports : A denial of service vulnerability has been found in the way the multiple overlapping ranges are handled by Apache HTTPD server.
description This update fixes a remote denial of service bug (memory exhaustion) in the Apache 2 HTTP server, that could be triggered by remote attackers using multiple overlapping Request Ranges. (CVE-2011-3192) It also fixes a bug, where the LimitRequestFieldsize config option into account when parsing headers from backend, thereby avoiding that the receiving buffers are too small.
description Not long ago, httpd package updates were issued to clamp down on a denial of service bug that's seen some action in the wild. New packages are available for Slackware 12.0, 12.1, 12.2, 13.0, 13.1, 13.37, and -current.
description The byterange filter in the Apache HTTP Server 1.3.x, 2.0.x through 2.0.64, and 2.2.x through 2.2.19 allows remote attackers to cause a denial of service (memory and CPU consumption) via a Range header that expresses multiple overlapping ranges, as exploited in the wild in August 2011, a different vulnerability than CVE-2007-0086.


The default payment methods are Cash and Complimentary. You can view all the methods and turn the methods on/off in Settings under the Payments tab.
You can set some payment methods as only available to Staff. With this, you can set it so all you clients pay with Card through the apps but your staff can process payments as cash, pay later etc.
Connecting to a card payment provider is a different process depending on what provider you use. View the payment provider in your country here.
Once you connect to your provider Card will be turned on for Staff & Clients, you can turn these option off at any stage.
Cash payments can only be used by Staff. This option can be used by staff in the Cart on the dashboard.
If you would like your clients to book in and pay cash when are at the studio turn on the Pay Later option.
Complimentary payments can only be used by Staff. This option can be used by staff in the Cart on the dashboard.
Bank Transfer can be used to mark payments that have been sent to you manually by a customer, via Bank Transfer.
Bank Transfer does not integrate with a payment provider and cannot be used for recurring payment memberships.
Pay later can be used by clients and staff.
Pay later can also be used by staff. You can turn Pay Later on so only your staff can use it.


text:
3/9/16 – Return to Oz – Larry Grenadier
I made my first official Return to Oz this week, both to see world-renowned bassist Larry Grenadier play with the Oswego Jazz Project, and then to guest speak at a few journalism classes.
I made my first official Return to Oz this week, both to see world-renowned bassist Larry Grenadier play with the Oswego Jazz Project (who is Eric Schmitz on drums, Trevor Jorgensen on reeds, Rob Auler on piano), and then to guest speak at a few journalism classes.
I was fortunate to be able to make it to the master class that Grenadier held on Wednesday at 3:30pm in Sheldon Ballroom. Mostly bass players were in attendance, but pianists, drummers, and guitarists were there as well, much to Grenadier's delight.
"I wish more people thought like bassists," Grenadier said. "Every musician should be asking themselves, 'How can I make the band sound better?'"
This was the underlying theme of his whole discussion. Grenadier's approach to the bass is simple; the bass's ultimate job is to make the band sound better. This doesn't just mean playing the "right" notes, or playing in a way that is self-serving only to the bassist. Grenadier stressed many times that "anything can work," as long as it's appropriate to the song.
"And each person has their own sense of what is 'appropriate,'" Grenadier musingly quipped.
Unsurprisingly for someone who majored in English at Stanford, Grenadier had a couple touchstone words. In terms of playing the bass, he compared clarity, grounded, and "earth," meaning a functional, root-on-the-downbeat style, compared to an "air,"openness, and coloristic to a style of playing that is more rhythmically complicated and uses more extended.
He also discussed his influences from the music of the 60's and 70's and the great Motown arrangements and bassists, and he described how he approaches bass lines and soloing.
"I don't practice soloing," Grenadier said. "I practice technical things, so that when I'm playing, I have access to everything… Music is constantly asking, and you have to answer. Think about about tension and release, both harmonically and rhythmically."
His other big speaking about was thoughtfulness is music, when it comes to practice, writing out bass lines, and playing with a band.
He ended his talk with a solo performance of Thanks For the Memory, an Academy Award winning song for Best Original Song in the movie The Big Broadcast of 1938, sung by Bob Hope. Those in attendance got a glimpse at Grenadier's charming professorial habit of needing to push his glasses back up after playing high up on the bass.
At the concert, Danny Ziemann, who is an adjunct professor at Oswego and bassist for OJP, hosted a talk with Grenadier. They discussed his early life and education, one of his records, and looking forward in the world of music.
Ziemann and Grenadier began the concert with three bass duets, starting with a tune inspired by Oscar Pettiford's "Laverne Walks," whom Grenadier described as being "under appreciated and progressive," and "a bridge between swing and bebop." True to the analysis, the tune effortlessly combined bebop licks, swing sensibility, and a meld of the harmonic styles. With nice transitions, Grenadier soloed in a true bebop style, while Ziemann played with a more swinging feel.
The next tune, Ellington's "Sophisticated Lady," started with Grenadier playing a solo rubato open with bass "tricks" (such as string flicks, hammer-on, hammer-off, and unusual string harmonics), and smoothly transitioned into a meld of accompaniment and melody between Grenadier and Ziemann, ending with an amusing ending, in which the two musicians kept playing higher and higher, avoiding ending on the final root chord.
The final of the duets was "No Moon At All," a tune that was made famous by Nat King Cole, Julie London, and Mel Torme, and according to Grenadier, was inspired by Bach's Double Violin Concerto, something I wish I knew when I did my arrangement! The arrangement features a stark contrast betweem the descending chromatic harmonies in the A sections, and circle of fifths in the B section.
With the full group and Grenadier on bass, OJP played four tunes. The first was a composition by Grenadier called "State of the Union," which Grenadier described as "appropriate for the times." The piece featured a lilting 3 against 4 feel, causing the audience to sway and bob to the rhythm. Grenadier is considered a modern jazz bass player, and this was a great example of modern jazz.
Next was a modern tune ironically called "Dance." The piece subbed pianist Rob Auler for Ziemann, and featured unison and harmonized arco and reed lines, moving into a very modern melody with a miasmic form.
Following that, the band returned to Grenadier's roots and played a composition of his called "JJ," a dedication to bassist Jerry Jemmott, and borrowed ideas of a bass line Jemmott played for BB King. The piece had a "grimace groove" going on; everyone's facial expressions said "ugh" in the best possible way. There was a nice mix of rock, Motown, and jazz, with what sounded like a three hand piano solo by Auler, and a killer solo by Grenadier.
They ended the concert with an arrangement of Charlie Parker's "Chi-Chi," with Ziemann in addition to rest of the band. Featuring bebop licks and swing patterns, it was groovefest the whole time, and ended with a great interchange of bass solo and drums solos.
We all hope Grenadier comes back soon!
Tags: bass, Danny Ziemann, Editorial, Eric Schmitz, Larry Grenadier, master class, OJP, Oswego Jazz Project, Return to Oz, Rob Auler, SUNY Oswego, Trevor Jorgensen


Even though Hurricane Sandy pushed back the festivities by a few days, Brightcove's "Hollywood Halloween" party at our Boston headquarters yesterday was a major hit. This year, we had various teams within the office competing against each other and everyone definitely pulled out all the stops to ensure their group took the top prize. From recreating spooky scenes from "The Birds", to a lifelike replica of Andy's room in "Toy Story" and the forest in "Shrek", to the entire "Star Wars" and a cast of superheroes never before seen in one place, the Brightcove Boston team really brought their A game this year.
And of course we had enough candy, food and beer to feed an army. But not a Zombie army. No one wants to mess with that.
You can check out more pictures of the event on our Facebook page. Happy Halloween to all!


Music is the melody of life. Even in heaven there is a lot of singing. Music just like laughter and love, is food for the soul.This is an original one of a kind, hand carved stone sculpture made by one of the master stone sculptors of Zimbabwe.
Richard Mupumha is amongst one of the international and highly acclaim sculptors and elders in the industry. He currently resides in Chitungwiza and works from the Chtungwiza Arts Centre.


Patriotic Clothing for Men and Women.
This tank is the definition of Southern Style clothing. Featuring shotguns and empty shell casings, it's Old Glory at her finest. This is without a doubt the most comfortable (and stylish) patriotic tank top you'll ever own. We guarantee that you'll love all of our clothing so much that we offer a 30 day money back guarantee on all of our products. Not enough? It's also completely ready-to-wear straight out of the box. All of our coastal clothing is pre-washed and pre-shrunk for maximum comfort and durability. Can other brands say that? Didn't think so. What are you waiting for?


text:
import { DataType } from './data-types';

export type Primitive = 'string' | 'number' | 'boolean';

export interface Inflector {
  singularize(str: string): string;
  pluralize(str: string): string;
}

export function useInflection(inflection: Inflector): void;

export function camelizeIf(string: string, condition?: boolean): string;
export function underscoredIf(string: string, condition?: boolean): string;
export function isPrimitive(val: unknown): val is Primitive;

/** Same concept as _.merge, but don't overwrite properties that have already been assigned */
export function mergeDefaults<T>(a: T, b: Partial<T>): T;
export function spliceStr(str: string, index: number, count: number, add: string): string;
export function camelize(str: string): string;
export function format(arr: string[], dialect: string): string;
export function formatNamedParameters(sql: string, parameters: {
  [key: string]: string | number | boolean;
}, dialect: string): string;
export function cloneDeep<T>(obj: T, fn?: (el: any) => any): T;

/** Expand and normalize finder options */
export function mapFinderOptions(options: any, Model: any): any;

/* Used to map field names in attributes and where conditions */
export function mapOptionFieldNames(options: any, Model: any): any;

export function mapWhereFieldNames(attributes: any, Model: any): any;
/** Used to map field names in values */
export function mapValueFieldNames(dataValues: any, fields: any, Model: any): any;

export function isColString(value: string): boolean;
export function canTreatArrayAsAnd(arr: unknown[]): boolean;
export function combineTableNames(tableName1: string, tableName2: string): string;

export function singularize(s: string): string;
export function pluralize(s: string): string;

export function toDefaultValue(value: any): any;

/**
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 *
 * @param value Any default value.
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export function defaultValueSchemable(hash: DataType): boolean;
export function stack(): NodeJS.CallSite[];
export function now(dialect: string): Date;

// Note: Use the `quoteIdentifier()` and `escape()` methods on the
// `QueryInterface` instead for more portable code.
export const TICK_CHAR: string;
export function addTicks(s: string, tickChar?: string): string;
export function removeTicks(s: string, tickChar?: string): string;

export class SequelizeMethod {

}

/*
 * Utility functions for representing SQL functions, and columns that should be escaped.
 * Please do not use these functions directly, use Sequelize.fn and Sequelize.col instead.
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export class Fn extends SequelizeMethod {
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  public clone(): this;
}

export class Col extends SequelizeMethod {
  public col: string;
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export class Cast extends SequelizeMethod {
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export class Literal extends SequelizeMethod {
  public val: any;
  constructor(val: any);
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export class Json extends SequelizeMethod {
  public conditions: object;
  public path: string;
  public value: string | number | boolean;
  constructor(conditionsOrPath: string | object, value?: string | number | boolean);
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export class Where extends SequelizeMethod {
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  constructor(attr: object, logic: string | object);
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export { Promise } from './promise';

redpajama_set_name: RedPajamaGithub


text:
Home Authors Posts by Mary Harbert
Mary Harbert
The beginning of The Mirror: 100 years into the past
Mary Harbert - March 11, 2019
The first issue of The Mirror debuted on Feb. 28, 1919. With the advent of new technologies, the direction of journalism has...
A graduation story: looking back on four years at UNC
Mary Harbert - December 2, 2018
UNC senior Hannah Beebe discusses the duality of her English and communciation studies calling University of Northern Colorado senior Hannah Beebe saw a challenge and...
From writing code to writing thrillers: a publishing journey
Mary Harbert - November 13, 2018
After dropping his kids off at school, John Daly likes to start on his writing early in the morning. With a diet cola—he is...
Feinstein's university address emphasizes a 'rowing, not drifting' attitude
University of Northern Colorado President Andrew Feinstein concluded his State of the University address on Aug. 18 with a bit of wisdom passed down...
Nottingham field closed over the summer
Mary Harbert - August 24, 2018
Nottingham Field's west building was closed for over a month this summer due to a rabies incident. On July 11, a University of Northern...
Mirror gets new editor-in-chief in the fall
Mary Harbert - April 30, 2018
Erika Siebring has been interested in journalism since her sophomore year of high school. In Parker, a town close to Aurora, Siebring took an...
Andrew Feinstein to take UNC presidency in July
Standing in a circle with coffee and pastries in hand, students and campus community members met early in the morning on April 16 in...
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Q: Unable to install and launch APP on simulator Xcode 7 IOS 9 - calabash I just upgraded to Xcode 7 GM Seed, and I tried running my tests which were working on IOS 8.4
My app wouldn't install, and with a bit of googling I found this -
https://forums.developer.apple.com/message/51922
I have added the code below, which initiates the simulator and waits for it to launch, and then installs the app.

    launcher = LaunchControl.launcher
      launch_options = {
      :uia_strategy => :host,
      :timeout=>60}
      launcher.launch_simulator
      sleep 10
      `xcrun simctl install "iPhone 6s" ./build/ios/xxx-cal.app`

Is there another way of installing the app on to the iOS simulator and running a test app?

A: Please update to Xcode 7 final.
Calabash 0.16.3 will do the following:

*

*If the .app you are trying to test is different from the .app that is installed on the simulator, Calabash will re-install the new app.

*If you define RESET_BETWEEN_SCENARIOS=1, Calabash will reset the application sandbox on the simulator.

See this answer for details and this repo for examples.