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In addition to the monetary settlement, Arbour will undertake a corrective action plan that includes one year of monitoring. The Office for Civil Rights (OCR) at the U. Department of Health and Human Services announces its seventeenth settlement of an enforcement action in its HIPAA Right of Access Initiative.
55 Batsmans Drive
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Neutral colors coordinating perfectly with a farmhouse them. 20x20x.75 acrylic on canvas. Edges are painted and finished with a UV/Moisture protectant, so framing is optional. Ready to hang. Ships to USA locations only.


4k00:29Summer timelapse of Prague, Czech Republic.
hd00:18Beautiful Panoramic View of Prague Bridges on River Vltava from Letna Park.
hd00:15Aerial view to the Prague bridges and Vltava river, Czech Republic.
hd00:08Bridges of Prague Including the famous Charles Bridge over the River Vitava Czech Republic, Europe. Timelapse video.


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: |                  ·Mo!/c!·    | .
i smell it,but what can it be?
i feel its strenght,but what can it be?
i sence its karma, but still...what can it be?
|  Welcome to another fine collection from me.Another day another!
:  tWiSTED productions label and my colly number 14.  Arent you  .
TONIGHT IM GONNA WATCH -SPECIES- URGN HOPE ITS COOL.AND IT WAS!!!
l E T S  d R O P  i T . . .
|  :.......:         \/  /                                    /_______l____.
\_______         \______\       \     ______    /      l_______________.
:.........       :  :..  ·:::::::::                     :..
..:   [L] Locate A File     [C] Comments        [A] Abandon Conf.    :..
l__.__          /   \_.___|_______  l    / :::·  ·::::·  ·:::: -T\________/ ·::.
!)       |     \_____     | )       |     /::::· :::::: ·::::.____       .:/:.:.
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text:
Mertanen is a Finnish surname. Notable people with the surname include:

 Martti Mertanen (1925–2001), Finnish artist and educator
 Terhi Mertanen (born 1981), Finnish ice hockey player and coach

Finnish-language surnames

redpajama_set_name: RedPajamaWikipedia


Olga Medvedeva was born in 1956 in Uralsk, Russia. In 1986 she graduated form the art faculty of the Pedagogical Institute in Gerzen, Leningrad, Russia. Since 1990 she has been a member of the Art Union of USSR. In 1994 became a member of the International Art Fund. Since 1995 Medvedeva has been a member of the Russian Art Association. Her paintings are found in private collections and galleries of countries throughout the world. She lives and works in Moscow.


text:
Q: Test jar dependency in Play? I have a maven module which has some common code for integration tests in test sources directory. I build a test-jar containing these classes.
in Maven I would use following (as said in http://maven.apache.org/guides/mini/guide-attached-tests.html):
<dependency>
  <groupId>com.myco.app</groupId>
  <artifactId>foo</artifactId>
  <version>1.0-SNAPSHOT</version>
  <type>test-jar</type> <!-- this is the important part-->
  <scope>test</scope>
</dependency>

in order to use this in another module.
How do I define such dependency on test-jar in Play (or SBT)?

A: You have to use the "tests" classifier, as explained in this doc:
"com.myco.app" % "foo" % "1.0-SNAPSHOT" % "test" classifier "tests"

redpajama_set_name: RedPajamaStackExchange


Did you ever try to set up to print from XP across your network to a Windows 7 computer with the printer attached?
If you've tried this, you already know it's not fun, and to call it frustrating would be generous. With some help from online research, I found a solution that worked, to my shock. It's not something you would guess—ever— so prepare to follow the instructions and be delighted at the results. And it's NOT in the on-screen instructions in Add-Printer!
After many frustrating hours of trying to connect our XP computer to our HP 2200D printer, which is connected to the newly upgraded Windows 7 computer, I discovered some unusual instructions online which worked perfectly. In fact, I found them in more than one place.
I realize that this is a rather obtuse post since we're usually talking about home design software. But really, if you can't print, what good is the software!
I'm posting this for anyone else who has had trouble getting network printing in order.
If you have a mix of Windows OSs, especially Windows 7 with XP, you are looking at some frustrating challenges if you try to install the Windows 7 printer at the XP machine following the normal instructions. In other words if you follow the instructions in add-printer, it will not work. (a most unusual occurance when following Microsoft instructions, right?), it will ask you to locate drivers (for the XP computer) but will not tell you the names of the drivers you need, nor where to find them. You get a little browse dialog that will take you anywhere you want to go to find that elusive .inf file. But even if you found it, you wouldn't know that you found it because you don't know its name. So it might be right in front of your face. But what good will it do. So succeeding with the ostensibly easy wizard instructions will only end in frustration. Forget that and follow along below. You'll be glad you did.
In our circumstances, Windows 7 initially led me into the installation for the HP 2200D and it installed the Microsoft driver (I'm pretty sure). And the printer works fine from Windows 7. [As an aside, I later installed some HP Universal drivers and they were much more limited than the Microsoft driver, so I through them out–no duplexing there.].
Make sure your network connections are working. I won't get into networking issues here. Just be sure that all of the computers belong to the same workgroup. And that you can see all of the shared items from one computer to another. This means you can see the shared printer on the Windows 7 computer from the XP machine (even though it's useless at this point for printing).
Here's how to do it and you will wonder how it can work. But it does, and in the end I din't really care how.
Here's a quick run through of all the instructions.
1. Be sure that the printer on the Windows 7 computer is shared. For this example, let's say the share name is THEPRINTER.
2. From the XP computer, browse your network and make sure you can see THEPRINTER.
4. Go back into the printer's Properties (right-click on the printer), select Properties, then select Ports, and add a NEW port for the printer and put it in this form and call it \\nameofwindows7computer\THEPRINTER.
XP will load some drivers.
Print a test page and you'll be cheering with glee. To be honest I was dumbfounded as I heard the printer rumbling in the next room! Yea me!
Note: from the Windows 7 computer you control the printer permissions for the remote computer (print, change printer settings, etc.) At first the XP only had permission to print. I changed this so that the XP has other permissions so that user can control the output a bit more. Double click the printer in Windows 7, click Customize Your Printer, click the Security tab click Everyone and set the permissions you want to give to Everyone.
Have you gone through this before? LMK!
You are currently browsing the Home Design Software, Etcetera blog archives for November, 2012.


Not sure if there was an issue at Charge TV or Detroit is getting another Sinclair TV channel,but I noticed last weekend and tonight Charge has been interrupted for a basketball game.
Any info if there's going to be a 50.5?
Those games where listed on the Charge TV listing, I saw them on both my channel guide and TitanTV listing. I see another listed for 1pm on Jan 5th, and another on Jan 12th at 2pm. Seems Charge TV has Patriot League Basketball games on Saturdays afternoons.
Makes sense. Free programming within the family.


A Call to Action (CTA) is a line of text, a phrase, or an image that evokes a response from a user.
How to develop and write a Call to Action?
Align the benefits with a response, so users take action.
Let us suppose you want users to click a link on your Articulate Storyline tutorial. The link will take users to a specific website (the target website).
First, start with DEFINING the specific benefit of the target website. In the following example, the target is the Skills4Study Campus website. You have identified a useful page on this website, which offers students advice on how to write assignments for different tasks.
To help users take action, you need to take a second step. You will need to ALIGN the benefits to actions. This means that the benefits should now be written (or designed) in a way that inspire users to take action (to click a link, in our case).
To do so, start with a verb, and then add words that relate to the website's benefit. In our case, students will need to read the content in the target website, so the words 'read more' are aligned to what they need to do in order to benefit from the target's website resource.
'Read' and 'Play video' are standard words in CTAs. More inspiring words and phrases to motivate users into actions are 'click for tips' or 'show me how'.
CTAs are made of short phrases that take little time to read. As such, they reduce overload of information, and can 'stick' to user's short memory easily, making it easier to follow. Being short they are also easier to work with when you want to 'convert' them into graphics. CTAs also fit small screens better.
CTAs 'inspire' learners to take actions. For exampls, 'actions' might include clicking a web link, doing a quiz or watching a video.
The first word in a CTA is usually an imperative verb, for example: 'click', 'download', or 'call'.
If you are trying to get users to do something, then you want to be specific and make it clear what you want them to do, and how they can do so. A CTA is a form of communication that is both specific and directive.
Gil Dekel. 14 February 2017. Update April 2017.
Megaphone photo – by GraphicMama-team/Pixabay. Used with permission. Edited by Gil Dekel.


Davo Custom Weapons & Shields!
A few txt files that should load into willow tree.
or you can download everything!
Re: Davo Custom Weapons & Shields!
Ok, lets try this again,as this forum signed me out when I went to post my reply, so it didn't post it :x , which means I have to retype everything, ugh.
First off, thank you for the encoding for the Gearbox Rider Davo, as that is going to help me alot as I have ideas for the weapon :mrgreen: . Also, I took notice that you created a Bloody Chimera. I have done so as well at one point and I took notice to something when I modified it I dunno why but putting in the Raw prefix actually does more damage than Bloody, so if you want it to do more damage, you can change the prefix from Bloody to Raw.
I have tested your variant of 'The Sentinel' and I must say I like the gun :) . All the pieces are present, good damage, and very nice fire burst, all without lagging the game. Kudos to you on this weapon Davo as I will be using this weapon again in the future.
I have tested your Vladof Glorious Rhino, and all I can say is wow, lol. Flamethrower? More like a speedy Inferno :twisted: . This weapon actually inspires me to create a caustic non rocket launcher like this. Kudos to you as I will use this gun in the future.
I have tested your Atlas The Sentinel Cyclops, and I didn't like this gun so much. As great as it was firing rockets from a Sniper Rifle, you had to be close range for the rockets to do any damage. Can't say this will be a weapon I will be using in the future.
I have tested your Whitting's Elephant Gun Chimera, and I didn't like this gun so much either, and it's for the same reason why I didn't like the original Atlas Variant: There is no Very High Elemental Effect Chance to go hand and hand with it. Don't get me wrong, the gun does superb damage without the elemental effect, but it's not a True Chimera with out the Very High Elemental Effect Chance ot go with it.
I have tested your variant of 'Sledge's Shotgun', and I can't say I liked this gun much either. It's great in all aspects except that it keeps firing until the clip is empty, and on Soldier Characters that can have a clip size of 100+ rounds before reloading, it is a bit inefficient, so I can't say I will be using this gun again in the future.
I have tested your Rainmaker, and it is another gun that I must say, wow, lol to. It keeps firing spread grenades for upto 20 seconds, lol, making it a very powerful weapon indeed. Sadly, as much as I like the weapon, I will not be using it in the future, as it nearly froze my PS3 when I used it .
I have tested your Cold Raven and once again, wow, lol. Yet anothet gun though that I like but I won't be using in the future as it nearly froze my PS3.
I have tested your Hostile Mongol, and I really like this gun. It is a SMG variant of my Cobalt Orion, and because the Cobalt Orion has a 99% Elemental Effect Chance, I don't worry about the elemental effect chance. Kudos to you on this weapon as well, and I will be using it in the future :) .
If I make updated variants of your weapons, would you allow me to post them, provided I give you credit for creating the original? Also, you wouldn't happen to have a working leveled unmodded encoding for the Torgue Boom Stick, would you?


Your wedding bouquet should reflect your personality, coordinate with the bridesmaids and complement your dress. The bridal bouquet is also an expression of love and a work of art. The flowers you carry down the isle should be carefully planned to coordinate with the colors and décor of the wedding.
The flowers the bride carries should add the special touch that completes the look. The bridal bouquet is typically larger than those carried by the bridesmaids. Since the bride is usually wearing white or off-white the color in the bouquet will be a nice contrast. The look of the bouquet should be of proper proportion to the size and intricacy of the gown. If the wedding gown is full and wide a small bouquet may get lost. Similarly, a large bouquet does not work well with a slim fitting dress.
Choose the type of flowers in the bridal bouquet to complement the dress as well. Larger types of flowers work well with larger dresses while smaller blooms look nice with more delicate dresses. A good floral designer can help you choose your flowers based on look and price to create the special look you want. Always try to view a sample of the actual floral work of a florist before you sign a contract. Reputable florists will give you permission to view their work at other weddings.


text:
"Black Caesar" Unisex Hoodie
Black Caesar (died 1718) was a legendary 18th-century African pirate. The legends say that for nearly a decade, he raided shipping from the Florida Keys and later served as one of Captain Blackbeard's, a.k.a. Edward Teach's, crewmen aboard the Queen Anne's Revenge. He was one of the surviving members of Blackbeard's crew following his death at the hands of Lieutenant Robert Maynard in 1718. Caesar's Rock, one of three islands located north of Key Largo, is named in his honor, and is the present-day site of his original headquarters. However, there is no historical evidence to support Caesar's existence.

redpajama_set_name: RedPajamaCommonCrawl


text:
Главная | Архив статей | The Fantastic Advirtisement of Uzbekistan from the Louvre
The Fantastic Advirtisement of Uzbekistan from the Louvre
The Louvre Museum is the former residence of the French kings, many of whom patronized the Muses of Art (Francis I, Louis XIV, and others.), so in the halls of the Palace visitors can see all the splendor of paintings and sculptures, tapestries and carpets, dishes and furniture and other luxury items (6 thousand exhibits and 300 thousand in the vaults) collected by kings from all over the world since the ancient times. The Museum's collection was also enriched by private collections of works and exhibits of archaeological excavations brought by famous French archaeologists and scientists from distant exotic countries, which were discovered and studied at the cost of many years of grueling work, health, and sometimes their own lives. Therefore, the Louvre is not only a unique architectural creation, built over several centuries, but also the largest treasury of the world culture, art and civilizations. In 2021 a significant event in the history of Uzbek-French relations will take place – for the first time masterpieces of art and rarities of national culture of Uzbekistan will travel to Paris to show on the walls of the Louvre halls not only to French visitors, but also to the world the great heritage of the Silk Road, the center of which in the ancient times was our country. Therefore, we give the floor to the Head of the Islamic Culture Department of the Louvre Ms. Yannick Lintz, who in her exclusive interview will tell the readers of our magazine about this mega-project.
– First of all, I would like to ask about the upcoming exhibition in the Louvre in 2021, which is now much talked about and written about. People are interested to know how the idea of holding the exhibition "Civilizations and Cultures on the Great Silk Road" came. Who was the initiator of the project and how, in fact, it all started?
– The intention first came in 2009, when we were conducting archaeological excavations in Bukhara, and was formulated into a specific idea when I headed the Department of Islamic Culture and I had the opportunity to implement it. I really wanted to show the results of our research, because they are of great interest to the science and history of ancient civilizations, artefacts of which we found during excavations in Bukhara. I presented the project to the President of the Louvre Mr. Jean-Luc Martinez, and he, having approved it, offered to make a synopsis for its justification and implementation, which was an excellent occasion for the first time to go to Uzbekistan in 2015 with a mission to visit the leading museums of Uzbekistan. But there are so many museums that it was necessary to go to Uzbekistan again in 2016 to study exhibits of other museums – in Shakhrisabz, Samarkand and other cities. At the same time, my joint work with the archaeologist Rocco Rante began to unite both museum and archaeological works of art, and by the end of 2017 after a painstaking work with the exhibits, we finally had a general idea of what the exhibition in the Louvre could be. But there remained the problem of partnership, within which it would be possible to organize an effective joint study of all the details and nuances of the upcoming exhibition. Then in 2018 during the visit of Ms. Gayana Umerova to Paris we learned about the new Foundation for the Development of Culture and Art. It was a fantastic information for us because she told us: "if you organize such an exhibition, we will be your partner". This has moved our project into an active stage of its implementation, becoming also the beginning of a new stage of Uzbek-French cooperation in the framework of advertising and exhibition activities to promote the ancient heritage of the Great Silk Road.
– What is the uniqueness and importance of the upcoming exhibition referred by experts and art historians as a phenomenal event in the history of exhibition activity in Uzbekistan.
– The current name of the exhibition, which is not final, is "Crossroads on the Silk Road". This is still a working title, justifying the main idea, which is to really show the cultural heritage of Uzbekistan, which was for many centuries an important crossroads of many ancient civilizations — Iranian, Indian, Chinese, as well as the original culture of local nomadic tribes and others who developed and flourished thanks to this great trade route. It is very important for us in the Louvre to show the historical heritage and the role of Uzbekistan in this process, because we work in the Department of Islamic Art, and visitors to the Museum, when they come to see the exhibits of our Department, always think that the Islamic culture is primarily Arab or Mediterranean civilization. Therefore, the exhibition for the first time hosted in the Louvre will be designed primarily to refute the stereotypes of one-sided concepts about the culture of the East and show the complexity and diversity of its traditions. For the first time in the history of our French-Uzbek relations, the Louvre exhibition will show millions of visitors from all over the world the historical significance and importance of the territory of Uzbekistan as a center of civilizations from the ancient to modern times at the crossroads of the Silk Road between China, India and Iran. Thus, the demonstration of this heritage of the past is very important not only for us from the cultural and historical point of view, but also for the whole world, because it will help to understand the fragility of the universe, in which we still coexist and develop as a whole since the ancient times, and the Great Silk Road was its main blood artery. It seems that this exhibition will contribute not only to the restoration of the ancient trade route, but also to peace and understanding between nations and peoples.
– Tell us how the process of preparation for the exhibition is going? What stages does it include?
– Preparation of such a large-scale exhibition is a long process with many steps. The first important step for us was the official agreement between the Uzbek Foundation for the Development of Culture and Art and the Louvre Museum during your President's official visit to Paris. The second stage, which we started two years ago and plan to complete by the end of this year, is the compilation of a list of exhibits, because any exhibition activity includes not only design, but also a description of the objects of display. That is, without a synopsis and a list of demonstration objects, there can be no exhibition. To study the works of culture and art, historical and archaeological artefacts of the Silk Road development period in order to select the most significant exhibits that optimally reveal the essence and theme of the exhibition, we, of course, had to visit not only all the museums of Uzbekistan, but also museum reserves and storage facilities, various private collections and galleries, as well as Uzbek collections outside Uzbekistan, mainly in Russia. Why this is so important – because with this list, we can start making budget estimates. At the end of this year, having a clear list of exhibits, we plan to finish the work on the estimate. The exhibition budget for us means mainly transportation costs, insurance of exhibits, catalog publication, advertising, use of communications and other lines. Once we have formed and completed the inventory of exhibition items, we can begin to calculate the budget. This is very important for both sides — for the Louvre and the Uzbek Foundation for the Development of Culture and Art.
– How big is this list? How many exhibits does it include and what museums are presented?
You can read the whole interview in the printed version of the magazine.
Культурное сотрудничество – перспективное направление узбекско-турецких отношений
Турция – важнейший партнёр Узбекистана
Для нас Турция – больше чем партнёр
UTID – эффективная площадка для бизнес-сотрудничества
Инвестиции в Узбекистан – путь к успеху
Uzbekistan – Turkey: New Format of Dialogue
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The Academy is the award-winning interdisciplinary performing arts training & development school of AREA for novices to pre-professionals, and is committed to grooming leaders in the arts community who are not only gifted artists but model citizens as well!
If youth are given the opportunity to become involved in a constructive activity, they will experience success not only in the specified activity but also in their academic studies! Focusing on the education of the whole person leads to them becoming a productive part of society. This is our primary goal for AREA Outreach, Arts Education!
AREA Outreach is a daytime or after school satellite or residency program that puts students in an arts filled environment and allows them to express their creativity in their respective after school setting!
Arts and Enrichment programming and activities is an essential human experience. Aligned with personalized and sophisticated service delivery models, AREA has designed arts initiatives and programming for notable Organizations and Schools that provides innovative, high-quality arts programming to stimulate learning, inspire creativity, and develop confidence in self-expression.
AREA provides a home for individual artist including but not limited to musicians, choreographers , directors, and/or emerging companies. Designed to allow artist to hone their creative voices, our artistic residency generally will last for one fiscal year, after which the artist(s) must reapply. Through this program, we hope to create a space for artist to create work that could be showcased in collaboration with AREAs ongoing initiatives, and also individually.


EarthShare Washington represents a lot of different conservation groups working together to make our planet and communities better, cleaner, and greener. To recognize Earth Day they're challenging companies, schools, community groups and individuals to support the environmental community in Washington state. You can give us a hand by making a donation to our team and help out all the great charities involved.


text:
Jonathan Baldwin Justice, LIFE, Prayer
Governor Brownback Requests Eight Hours of Prayer & Worship
Last week, on the National Day of Prayer, Governor Sam Brownback of Kansas opened the doors of the Capitol building to eight hours of continuous worship and prayer. He gave us the Old Supreme Court Room within the state capitol building. Governor Brownback has been a friend of the prayer movement for years. In fact, he and Lou Engle were roommates in Washington DC and have prayed and strategized together for the ending of abortion. Rick Rupp, one of the organizers of the event, an IHOPKC intercessory missionary, and a dear friend, asked me to lead an hour and a half of the worship. It was a powerful time of crying out to God for revival in the state of Kansas especially among Native Americans and for the government. At the end of my set, I sang a new song I have written from Psalm 82,
We worshiped and prayed in the Old Supreme Court Room. Covering the walls were pictures of all of the Kansas Supreme Court judges from the 1800s on.
God takes His stand in the assembly of the mighty / He judges in the midst of the rulers / How long will you rule unjustly? / And show partiality to the wicked? / Vindicate the weak / Vindicate the fatherless.
It is prophetic call from the heart of God to rulers to repent and do justice for the afflicted. It is also an intercessory cry to Jesus to hear the cries of the oppressed in our nation. It was sobering to sing this song for the first time publicly in this place of government.
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The International House of Prayer Missions Base (IHOPKC) is a 501(c)(3) non-profit organization based in Kansas City accredited with the Evangelical Council for Financial Accountability. Contributions are solicited with the understanding that IHOPKC has complete discretion and control over the use of the donated funds.


Bending and stooping over to clear debris from a magnetic sweeper becomes a thing of the past. Nail Hawg uses a unique hand or toe release which allows complete control over collection of all the nails into one location for easy disposal.
* Please call us with any questions about our magnetic sweeper in Mount Vernon WA and the Skagit County area.


text:
Marion Beverly Lay,  (born November 26, 1948) is a former competitive swimmer who represented Canada in the 1964 Summer Olympics and 1968 Summer Olympics.  Swimming the anchor leg for Canada's third-place team in the women's 4x100-metre freestyle relay, she won an Olympic bronze medal, together with teammates Angela Coughlan, Marilyn Corson and Elaine Tanner.

Swimming career
Through the 1960s and 1970s, Canada produced a remarkable number of world-class swimmers and Lay is notable for her contributions to that success. Despite a political squabble concerning her eligibility to compete for Canada, she reigned as Canadian 100 metres freestyle champion for four straight years from 1964 to 1967 and held the national record in the event for eight years, from 1964 to 1972. At the 1964 Tokyo Olympics, she finished fifth in 100m freestyle. Four years later in Mexico City, she placed fourth in the event. Other notable results include gold medals in 110yd freestyle and 4×110 yd freestyle relay, the latter in world record time, at the 1966 British Empire and Commonwealth Games. At the 1967 Pan American Games, Lay won four silver medals. She won the 1965 ASA National Championship 100 metres freestyle title.

TV career
Following retirement from competition, Lay was CBC's swimming colour commentator until 1973. As a coach of women swimmers, she held positions at California State Polytechnic College in Pomona, California  State University at Hayward, the University of Western Ontario, and the Ottawa Kingfish Swim Club.

Activism
Lay is a leading activist in eliminating inequities faced by women in sport. She was the consultant for the first women and sport program at Fitness and Amateur Sport Canada and later became Sport Canada's special advisor on gender equity. She is a founder of the Canadian Association for the Advancement of Women and Sport and Physical Activity (CAAWS; WomenSport International; PromotionPlus, British Columbia's organization for girls and women in physical activity and sport; the National Sport Centre Greater Vancouver (Canadian Sport Institute Pacific); and was founding President and Chief Executive Officer of 2010 Legacies Now. She was an organizer of Canada's first Women and Sport Conference in 1974 and a member of the steering committee for the 1st World Conference on Women and Sport, which developed the Brighton Declaration in 1994. In 2015, she was a member of the planning committee for the National Conversation on Women in Sport at Laval University in Quebec City. She served on the Executive Committee of the Canadian Olympic Committee and was President of Operations for Rick Hansen's Man in Motion World Tour.

Honors for advocacy
Over the years, Lay's advocacy has not gone unnoticed. Her honours include the 2001 International Olympic Committee's Women and Sport Trophy for the Americas; the inaugural Carol Anne Letheren International Sport Leadership Award in 2002, acknowledging a Canadian woman who has made an outstanding contribution to international sport leadership; the Order of British Columbia in 2012; the Leadership in Sports Award at the 2001 Canadian Sport Awards; and the 1995 Bryce Taylor Memorial Award for Outstanding Contribution to Canadian sport. Lay was inducted into Canada's Sports Hall of Fame as a Builder in 2012, the BC Sports Hall of Fame and Museum as a Builder in 2005; the BC Swimming Hall of Fame as a Builder in 2003, the California State Polytechnic College Sports Hall of Fame for swimming, basketball, and volleyball in 1991, and the Aquatic Hall of Fame and Museum of Canada as an athlete in 1972. She received the Vancouver YWCA Women of Distinction Award in 1991, the Bobbie Steen Award of Excellence for leadership in women in sport in 2001, and the CAAWS Women in Sport Herstorical Award (now the Marion Lay Herstorical Award) in 2002. She was a recipient of the Queen Elizabeth II Golden Jubilee Medal in 2002 and the Queen Elizabeth II Diamond Jubilee Medal in 2012.

Contributions to olympics and Paralympics
Lay was heavily involved with the Vancouver 2010 Olympic and Paralympic Winter Games, serving first as the Chair of the Vancouver 2010 Bid Committee and later as the City of Vancouver representative on the Board of Directors of the Vancouver 2010 Organizing Committee. She was also President and CEO of the 2010 Legacies Now Society. She is President of Think Sport Ltd., a Vancouver-based sport management and consulting firm specializing in event management, program planning, evaluation, and gender equity education.

Personal life
Lay is an adjunct professor in the School of Human Kinetics at the University of British Columbia, a member of the Board of Directors of ParticipACTION, and co-chair and honorary board member of the BC Games Society. She was a member of the steering committee for the Vancouver 2010 Pride House and sat on the advisory committee of the City of Vancouver LGBTQ mission to the 2014 Sochi Winter Olympic and Paralympic Games advocating that sexual orientation be included in the International Olympic Committee Charter.

An editor of Playing it Forward: Women and Sport in Canada, published by the Feminist History Society and Second Story Press in 2012,  Lay was also a contributor to Play Fair, the feature-length documentary on women and sport in Canada produced in 2015 by Donna Gall and based on "Playing it Forward".

Following the end of her competitive career, Lay came out as lesbian, and was a coordinator of the Pride House at the 2010 Winter Olympics. She is the partner of Penny Ballem, a civil servant who was the city manager of Vancouver.

See also
 List of Olympic medalists in swimming (women)
 List of LGBT Olympians

References
 Kelso, John G.  The History of Competitive Swimming In Canada  (1867-2002).  Published by:  DB Perks & Associates, N. Vancouver, BC.  .  May, 2003.
 Canadian Journal for Women and Coaching, April 2004, Vol. 4, No. 3: Meet Marion Lay, Sport Leader Extraordinaire by Sheila Robertson

External links
 Marion Lay at Swimming Canada

1948 births
Living people
Swimmers from Vancouver
Canadian female freestyle swimmers
Olympic swimmers of Canada
Swimmers at the 1964 Summer Olympics
Swimmers at the 1968 Summer Olympics
Swimmers at the 1967 Pan American Games
Swimmers at the 1966 British Empire and Commonwealth Games
Olympic bronze medalists in swimming
Olympic bronze medalists for Canada
Commonwealth Games gold medallists for Canada
Commonwealth Games silver medallists for Canada
Members of the Order of British Columbia
Canadian LGBT sportspeople
Lesbian sportswomen
LGBT swimmers
Medalists at the 1968 Summer Olympics
Pan American Games silver medalists for Canada
Commonwealth Games medallists in swimming
Pan American Games medalists in swimming
Medalists at the 1967 Pan American Games
Medallists at the 1966 British Empire and Commonwealth Games


text:
NIGHTBOOKS: Stylish Kid's Horror with a Focus on Acceptance
Nightbooks, the newest entry in children's horror, honors classic horror films, focuses on themes of acceptance, and has awesome production design.
Amanda Mazzillo
Nightbooks (1970)
Nightbooks, directed by David Yarovesky and written by Mikki Daughtry and Tobias Iaconis, is an adaptation of the children's book by J.A. White. The film follows Alex (Winslow Fegley), a young boy obsessed with scary stories and all things horror until one day, he doubts himself and vows never to write another scary story. This is the same day he is lured in by a witch Natacha (Krysten Ritter) and must write scary stories to survive. Once trapped, he meets up with another kid, Yasmin (Lidya Jewett) who has given up the hopes of escape.
Kid-Friendly Scares
The child-friendly horror is a somewhat rare thing, especially in the realm of movies with films like The House With a Clock in Its Walls and Goosebumps being some of the only somewhat recent releases. Having another addition to this small yet in-demand genre is wonderful. Also, the timing is perfect for parents and children wanting to start celebrating the spooky season. In this house, we celebrate Halloween through all of September and October.
Nightbooks succeeds in its ability to craft fun and scary moments that will keep horror-loving children entertained without going too far. But the biggest success is knowing that horror-loving kids want some amount of fright. So often films in this arena do not go far enough, assuming that any amount of fright is too much for every child.
Nightbooks is produced by Sam Raimi through Ghost House Pictures, and its blend of humor, memorable creature design, and POV forest shots brings to mind Evil Dead II. The scares in Nightbooks are well-crafted and the cinematography of the film captures different eras and styles of horror from the aforementioned Evil Dead style POV shots to silent horror and the art style of Fangoria covers and the nostalgic pull of Creepshow.
source: Netflix
When Alex starts to tell his stories, we are taken into a world of silent horror inspired title cards and narration over the top of sets resembling horror movies kids would make with their friends, exploring their adoration and love for horror.
Certain moments throughout the film are reminiscent of classic horror moments, but shown in a way children can feel the dread without running away. One especially memorable moment comes in the form of a character turned away, so we only see her back combined with the uncomfortable sound of eating. This takes a classic of the zombie genre in a family-friendly direction.
Nightbooks references The Lost Boys throughout from Alex's love for the movie and uses the song Cry Little Sister in a powerful scene showcasing Alex and Yasmin standing up for themselves. These moments referencing a classic horror help establish Alex's character while also giving nostalgic moments for older viewers to appreciate. Seeing Alex lured in with The Lost Boys playing on an old television and a slice of pumpkin pie on a plate made me know from the beginning that I was in for a fun and relatable film experience.
Theme of Acceptance in Nightbooks
Nightbooks deals heavily with feeling like an outcast and how this leads to not appreciating what makes us unique. At the center of Alex's story is his decision to stop writing scary stories and how this reflects on his feelings about himself. The film explores ideas of doubting ourselves and wishing we were more normal, highlighting the dangers that come from not staying true to yourself.
As the film progresses and we learn more about Yasmin, her Ethiopian heritage is brought into the narrative. She was captured by Natacha through the smells and comfort of Dora Wat, an Ethiopian chicken stew. Lidya Jewett is Ethiopian-American and it is wonderful to see her own culture represented in the character, especially when so many films ignore specific references to culture. Having the lead in a children's film embrace and discuss her culture is a memorable moment of diversity in cinema.
As the film progresses, Yasmin has more moments to shine. The film explores the different ways she had to overcome feelings of being an outcast because of her culture. The friendship between Yasmin and Alex develops naturally throughout the film and does a wonderful job of showing people coming together and accepting each other.
Yasmin and Alex both have memorable moments where they accept themselves and showcase their unique strengths. Nightbooks gives each character moments to shine, and this even includes Natacha's cat Lenore.
Costume, Creature, and Production Design
Nightbooks is a stylish entry into the children's horror lexicon complete with colorful costumes and wonderfully spooky locations. The film includes old, humongous libraries complete with thousand year old books, creepy gardens with deadly black-lit plants, and long, deserted hallways.
In the beginning of Nightbooks, we are introduced to Alex through his bedroom decorated floor-to-ceiling with odes to horror from the A Nightmare on Elm Street poster to Fangoria magazines stacked around his room and classic Universal Monsters figurines.
In addition to production design that perfectly captures the horror of the unknown, Nightbooks has captivating costume design, especially with the character of Natacha. Her various outfits throughout the film highlight the campy and fun nature of being a witch. Krysten Ritter plays the character so well, perfecting her witch cackle and showing the fun side of a character like Natacha.
The film also crafts creepy creatures that will both scare and entice horror-oriented children, maybe leading some adventurous viewers to want to explore more traditional horror films. The shredders have an especially memorable design and lead to a particularly frightening moment.
Nightbooks: Conclusion
Nightbooks is a perfect entry-level horror film for children showing interest in the genre with its well-crafted scares, references to classic horror, and theme of accepting yourself — no matter how different. Every frame of Nightbooks comes to life with a significant visual style celebrating horror and the nostalgia of different eras of the genre.
"The Slumber Party Massacre" Satirizes Slasher Tropes While They Are Still Being Established
The Slumber Party Massacre wonderfully combines the suspense of its horror with its commentary on gender, creating a memorable slasher classic that began a horror trilogy entirely written and directed by women.
Storm, Starfire, Colorism, and Black Women
How closely does an actor need to resemble a character or historical figure in order to portray them on the Silver Screen? The answer largely seems to depend on whether you are darkening the character's skin tone. We call this colorism. And in the case of Black women, misogynoir.
Andrew Joseph Tanner
A Gotham City Sirens Movie Needs To Happen, But Only With a Female Director
Afterlife of the Party: An Exploration of Female Friendship


text:
package logo

import (
	"github.com/garyburd/redigo/redis"
	"github.com/gorilla/mux"
	"gopkg.in/olivere/elastic.v2"

	"github.com/moo-mou/maingo/redisManager"

	"bytes"
	"crypto/sha1"
	"strconv"
	"strings"

	b64 "encoding/base64"
	"encoding/json"
	"fmt"
	"log"
	"net/http"
	"runtime/debug"
)

const ServiceName = "logo"

const ErrorJSON = `{
	"err": "Unable to process request"
}`

type handler func(http.ResponseWriter, *http.Request)

func handleErr(res http.ResponseWriter, err error) {
	debug.PrintStack()
	rawJSON := json.RawMessage(ErrorJSON)
	reply, _ := rawJSON.MarshalJSON()
	res.Header().Set("Content-Type", "application/json")
	res.Write(reply)
	return
}

func getUrls(logos []string) []string {
	srs := make([]*elastic.SearchRequest, len(logos))
	for i, logo := range logos {
		srs[i] = NewLogoSearchRequest(logo, "")
	}
	return searchLogos(srs...)
}

func parseCanvasQuery(query string) ([]string, string) {
	categories := strings.Split(query, "|")
	logos := []string{}

	for _, cat := range categories {
		var all []string
		result := strings.Split(cat, ":")
		if len(result) == 2 {
			all = strings.Split(result[1], ",")
		} else if len(result) == 1 {
			all = strings.Split(result[0], ",")
		}
		logos = append(logos, all...)
	}

	var buffer bytes.Buffer
	h := sha1.New()
	for _, s := range logos {
		buffer.WriteString(s)
	}
	h.Write([]byte(buffer.String()))
	canvasKey := h.Sum(nil)

	return logos, fmt.Sprintf("%x", canvasKey)
}

func renderImg(logos []string, width string) string {
	urls := getUrls(logos)
	base64String := renderViaPJ(urls, width, true)
	return string(base64String)
}

func canvasHandler() handler {
	return func(res http.ResponseWriter, req *http.Request) {
		client := redisManager.GetClient()
		defer client.Close()

		canvas := req.URL.Query().Get("q")
		noCache := req.URL.Query().Get("noCache")
		width := req.URL.Query().Get("width")

		logos, canvasKey := parseCanvasQuery(canvas)

		var img string
		if noCache != "true" {
			img, _ = redis.String(client.Do("GET", fmt.Sprintf("%s:%s", "maingo", canvasKey)))
		}

		if img == "" {
			img = renderImg(logos, width)
			client.Do("SET", fmt.Sprintf("%s:%s", "maingo", canvasKey), img)
		}

		outputBytes, _ := b64.StdEncoding.DecodeString(img)
		res.Header().Set("Content-Type", "image/png")
		res.Header().Set("Content-Length", strconv.Itoa(len(outputBytes)))
		res.Write(outputBytes)
	}
}

func logoHandler() handler {
	return func(res http.ResponseWriter, req *http.Request) {
		q := req.URL.Query().Get("q")
		urls := getUrls([]string{q})
		if len(urls) != 0 {
			http.Redirect(res, req, urls[0], 302)
		} else {
			http.NotFound(res, req)
		}
	}
}

func Register(router *mux.Router) {
	router.HandleFunc("/canvas", canvasHandler()).Methods("GET")
	router.HandleFunc("/direct", logoHandler()).Methods("GET")
	log.Printf(" - %s registered\n", ServiceName)
}

redpajama_set_name: RedPajamaGithub


text:
West Lynn services
West Lynn
7 more photos in the gallery
3 Trivia and History
A17/A47 at King's Lynn
Signposted from the road.
PE34 3LW
(Google Maps link)
Access/Layout:
Single site located at a junction.
A strange combination of two services. The official service area is the McDonald's and petrol station, but there is an additional Premier Inn and Brewers Fayre positioned down an adjacent entrance, albeit at the end of a long driveway.
COVID-19 update: Most service stations are open with fewer facilities. General advice here.
Catering: McDonald's Drive Thru Forecourt: Shell, Select, Deli by Shell, Costa Express, Air1 AdBlue, Car Wash, Free Cash Machine
🏢 Address:
Clenchwarton Road
🗺 Grid reference: TF608188
📌 what3words: ///swung.acted.pose
🌍 Operators (Official Websites):
Restaurant operated by McDonald's
Forecourt operated by Shell
Foursquare Page
Trivia and History
The services as a Little Chef and Total.
The original part of the service area was developed by Kelly's Kitchen and Petrofina in around 1989. Kelly's Kitchen became the West Lynn branch of Little Chef almost immediately. In 2012 it was deemed to be under-performing and closed, becoming the McDonald's after a while.
Meanwhile there was another branch about two miles to the east. The King's Lynn branch of Little Chef opened about a year earlier, probably hoping to compete with Kelly's Kitchen. It lasted until 1996 when it was closed in favour of the larger West Lynn branch (although the King's Lynn branch was briefly brought back as a Burger King).
The Petrofina became Total and then changed to Shell in December 2012.
Previous: Next:
Long Sutton (11 miles) Services on the A17 end of road
Eye Green (29 miles) Services on the A47 Swaffham (17 miles)
Offline services
Single-site services
Drivable bridge
A-roads
A-roads (no motorway)
Page updated 17 August 2020. © Motorway Services Online, except where stated otherwise
Most pages on this site can be edited by anyone - simply login or register


text:
"""
===============================
Filling holes and finding peaks
===============================

In this example, we fill holes (i.e. isolated, dark spots) in an image using
morphological reconstruction by erosion. Erosion expands the minimal values of
the seed image until it encounters a mask image. Thus, the seed image and mask
image represent the maximum and minimum possible values of the reconstructed
image.

We start with an image containing both peaks and holes:

"""
import matplotlib.pyplot as plt

from skimage import data
from skimage.exposure import rescale_intensity

image = data.moon()
# Rescale image intensity so that we can see dim features.
image = rescale_intensity(image, in_range=(50, 200))

# convenience function for plotting images
def imshow(image, title, **kwargs):
    fig, ax = plt.subplots(figsize=(5, 4))
    ax.imshow(image, **kwargs)
    ax.axis('off')
    ax.set_title(title)

imshow(image, 'Original image')

"""
.. image:: PLOT2RST.current_figure

Now we need to create the seed image, where the minima represent the starting
points for erosion.  To fill holes, we initialize the seed image to the maximum
value of the original image. Along the borders, however, we use the original
values of the image. These border pixels will be the starting points for the
erosion process. We then limit the erosion by setting the mask to the values
of the original image.
"""

import numpy as np
from skimage.morphology import reconstruction

seed = np.copy(image)
seed[1:-1, 1:-1] = image.max()
mask = image

filled = reconstruction(seed, mask, method='erosion')

imshow(filled, 'after filling holes', vmin=image.min(), vmax=image.max())

"""
.. image:: PLOT2RST.current_figure

As shown above, eroding inward from the edges removes holes, since (by
definition) holes are surrounded by pixels of brighter value. Finally, we can
isolate the dark regions by subtracting the reconstructed image from the
original image.
"""

imshow(image - filled, 'holes')
# plt.title('holes')

"""
.. image:: PLOT2RST.current_figure

Alternatively, we can find bright spots in an image using morphological
reconstruction by dilation. Dilation is the inverse of erosion and expands the
*maximal* values of the seed image until it encounters a mask image. Since this
is an inverse operation, we initialize the seed image to the minimum image
intensity instead of the maximum. The remainder of the process is the same.
"""

seed = np.copy(image)
seed[1:-1, 1:-1] = image.min()
rec = reconstruction(seed, mask, method='dilation')
imshow(image - rec, 'peaks')
plt.show()

"""
.. image:: PLOT2RST.current_figure
"""


USDA announced on April 24 it had confirmed that a dairy cow from central California was infected with bovine spongiform encephalopathy (BSE), the first case of what often is called mad cow disease in the U.S. since 2006.
The animal was found at a rendering plant that processes diseased or sick animals into non-edible products for use in things like soap or glue. It was never presented for slaughter for human consumption, so at no time presented a risk to the food supply or human health, USDA officials said. They added that milk does not transmit BSE.
"The carcass of the animal is being held under state authority at a rendering facility in California and will be destroyed," officials said. It is the fourth confirmed case of BSE in U.S. history.
"Evidence shows that our systems and safeguards to prevent BSE are working, as are similar actions taken by countries around the world," said USDA Chief Veterinary Officer John Clifford. "In 2011, there were only 29 worldwide cases of BSE, a dramatic decline and 99 percent reduction since the peak in 1992 of 37,311 cases. This is directly attributable to the impact and effectiveness of feed bans as a primary control measure for the disease.
BSE is a progressive neurological disease among cattle that is always fatal. It's believed transmissible to humans who eat infected parts from animals, resulting in the deadly brain disease Creutzfeldt-Jakob. BSE belongs to a family of diseases known as transmissible spongiform encephalopathies. Affected animals may display nervousness or aggression, abnormal posture, difficulty in coordination and rising, decreased milk production, or loss of body weight despite continued appetite.
The first U.S. case of BSE was discovered in December 2003. It set off shock waves of fear about the U.S. food supply and foreign bans on beef imported from the U.S. But it also resulted in a ban on ruminant material in cattle feed, removal of specified risk materials and a vigorous surveillance program that identifies and removes questionable animals.
Subsequent cases were discovered in June 2005 and March 2006.
"This detection in no way affects the United States' BSE status as determined by the OIE," said Clifford. "The United States has in place all of the elements of a system that OIE has determined ensures that beef and beef products are safe for human consumption. Consequently, this detection should not affect U.S. trade.


text:
/*

	== PHP FILE TREE JAVASCRIPT EXTENSION ==

		Based on the Expandable Listmenu Script by Daniel Nolan
		http://www.bleedingego.co.uk/webdev.php

		Modified by Cory S.N. LaViska
		http://abeautifulsite.net/

	== WHAT IT DOES ==

		This script makes the nested lists created by PHP File Tree expand and
		collapse dynamically.

	== USAGE ==

		Include the script into the <head></head> section of the appropriate
		page(s) as shown below:

			<script src="php_file_tree.js" type="text/javascript"></script>

		All file trees generated by PHP File Tree will automatically collapse to
		the top level (as specified by $directory) and become dynamic.

	== FAQS ==

		Q Can I have more than one file tree on one page?
		A Yes.  You can have as many as you want and they will all function as expected.

		*/

		function init_php_file_tree() {
			if (!document.getElementsByTagName) return;

			var aMenus = document.getElementsByTagName("LI");

			for (var i = 0; i < aMenus.length; i++) {
				var mclass = aMenus[i].className;
				if (mclass.indexOf("pft-directory") > -1) {
					var submenu = aMenus[i].childNodes;

					for (var j = 0; j < submenu.length; j++) {

						if (submenu[j].tagName == "A") {
							submenu[j].onclick = function() {
								alert(submenu[j]);
								var node = this.nextSibling;
						while (1) {
							if (node != null) {
								if (node.tagName == "UL") {
									var d = (node.style.display == "none")
									node.style.display = (d) ? "block" : "none";
									this.className = (d) ? "open" : "closed";
									return false;
								}
								node = node.nextSibling;
							} else {
								return false;
							}
						}
						return false;
					}

					submenu[j].className = (mclass.indexOf("open") > -1) ? "open" : "closed";
				}

				if (submenu[j].tagName == "UL")
					submenu[j].style.display = (mclass.indexOf("open") > -1) ? "block" : "none";
			}
		}
	}
	return false;
}

window.onload = init_php_file_tree;


text:
Q: Regex to match pattern but exclude matches with certain word inside I checked all relevant questions but it seems that lookbehinds do not allow words needed in my pattern.
  So this is my question:
i need to match this pattern:
  word1.*word3

but don't match if there is word2 inside, such as:
  word1 word2 word3

Is there a way to do this with one-liner regex? I ve done this with 2 regexes but i find it kind of messy :)

A: You are looking for a tempered dot:
word1(?:(?!word2).)*?word3
                    ^ un-greedy

Live demo
Inside non-capturing group, at each advance, negative lookahead should pass otherwise next immediate character isn't matched and whole prompt fails.

A: Regex (look at @revo's answer for more detail):
word1(?:(?!word2).)*word3

This doesn't use regex but it should work:
if word1 in your_string and word3 in your_string:
    w1 = your_string.index(word1)
    w3 = your_string.index(word3)

    if word2 not in your_string[w1, w3 + len(word3) - 1]:
        print(your_string[w1, w3 + len(word3) - 1])


The Wild Miles Relay is the legendary 183-mile non-stop team relay race located in San Diego County of California. Beginning at Borrego Springs, the relay race winds its way around ANZA-Borrego Desert State Park and Cleveland National Forest before ending at Pine Valley, California. Over its 183 miles, the course sees elevation changes ranging from the desert floor in Borrego Springs to 4200 ft. elevation. The relay can be run by either five-person or ten-person teams.
Team Thrown Together at the End of the Road is a ten-person team that eventually formed from the merging of two incomplete teams and assorted zany characters. Captained by Caleb Eames, the team began their experience at approximately 8:00 am (Pacific Time) from Borrego Springs on Saturday, April 29 and continued - non-stop - into Sunday, April 30 where they celebrated the conclusion of their experience at Pine Valley.
It is this website that records their gauntlet and adventure in the April 2006 Wild Miles Relay.


Pilates Career Institute is dedicated to supporting and promoting Pilates as a medically valid solution to help solve Average Daily Activity issues that can hinder a persons ability to have a healthy and balanced life. As the everyday results of clients practicing Pilates become consistent, the medical community is continuing to recognize the positive results of they're patients experiences while working with a well trained and knowledgeable Pilates teacher. Actually using Pilates exercises to help solve orthopedic issues in conjunction with the medical community requires a great deal of experience and detailed training for a Certified Pilates Teacher to be effective and not cause any harm to they're clients. From the very first lesson at the Pilates Career Institute our focus on teacher training begins with the study of the relationship of precautions and contraindications with every Pilates exercise and a thorough understanding of the uniqueness each client presents to the CPT. Very thorough knowledge indeed! Our policy of accepting 1 to 2 new students per quarter allows the teacher training to be detailed and effective for the PCI Certified Pilates Teacher to be recognized as skilled in classical, contemporary and post rehab Pilates.


A. Is the initial phase of the organizing process where the community/organizer looks for communities to serve/help.
B. It is considered the simplest phase in terms of actual outputs, activities and strategies and time spent for it.
1. Designing a plan for community development including all its activities and strategies for care development.
A. Sometimes called the social preparation phase as to the activities done here includes the sensitization of the people on the critical events in their life, innovating them to share their dreams and ideas on how to manage their concerns and eventually mobilizing them to take collective action on these.
B. This phase signals the actual entry of the community worker/organizer into the community. She must be guided by the following guidelines however.
1. Recognizes the role of local authorities by paying them visits to inform them of their presence and activities.
2. The appearance, speech, behavior and lifestyle should be in keeping with those of the community residents without disregard of their being role models.
3. Avoid raising the consciousness of the community residents; adopt a low-key profile.
A. Entails the formation of more formal structures and the inclusion of more formal procedures of planning, implementation, and evaluating community-wide activities. It is at this phase where the organized leaders or groups are being given trainings (formal, informal, OJT) to develop their skills and in managing their own concerns/programs.
A. Occurs when the community organization has already been established and the community members are already actively participating in community-wide undertakings. At this point, the different communities setup in the organization building phase are already expected to be functioning by way of planning, implementing and evaluating their own programs with the overall guidance from the community-wide organization.