text:
set -e

function clean_up() {
  set +e
  kill 0
  exit
}

if [ ! -f shared/secrets.py ]; then
    echo "Copying example secrets file"
    cp shared/secrets.py.example shared/secrets.py
fi

# Kill all child processes on script abort
trap clean_up SIGTERM SIGINT ERR

# TODO(mack): Could move to setup script
# First, make the necessary directory if it doesn't exist
mkdir -p mongodb
mkdir -p logs
echo "Starting mongodb"
mongod --config config/mongodb_local.conf &

echo "Starting redis-server"
redis-server config/redis_local.conf &

echo "Starting compass watch"
compass watch server &

echo "Starting jsx compiler"
node_modules/react-tools/bin/jsx --watch -x jsx server/static/jsx/ server/static/js/ &

# TODO(jlfwong): It seems to me like the --autoreload flag is being ignored
echo "Starting celery worker"
PARENT_DIR=$(dirname `pwd`) \
  PYTHONPATH="${PARENT_DIR}" \
  celery -A rmc.shared.tasks worker \
    --autoreload \
    --loglevel=INFO &

echo "Starting flask server"
FLASK_CONFIG=../config/flask_dev.py \
  PARENT_DIR=$(dirname `pwd`) \
  PYTHONPATH="${PARENT_DIR}" \
  python server/server.py

# Only exit on terminate or interrupt signal
while true; do
  sleep 1
done


We've been using our crockpot quite a bit lately. We've also discovered the wonderful boneless skinless chicken thighs from one of our favorite grocery stores (or go-see store as our toddler calls them). The benefit of cooking the thighs in the crockpot is they dry out less and are more flavorful than the traditional chicken breasts. Cooking Light's crockpot recipes have become a go-to source. I did not expect this recipe to be as good as it was. Even the toddler ate some of it!
1 pkg. cremini mushrooms quartered (the grocery store was out of these, so we just left them out), 8-oz.
8 bone-in chicken thighs skinned (about 3 lb.) (we only had three boneless ones left, it worked fine), 6-oz.
Stir in stock and next 8 ingredients (through mushrooms).
Add chicken thighs to the stock mixture; submerge in liquid.
Cover and cook on LOW 7 1/2 hours (ours cooked about 9).
Leave whole or chop if using boneless skinless. If using bone-in, wait for them to cool, then remove bones.
Divide pasta mixture and top evenly with chicken. Sprinkle with Parmesan cheese.
I didn't expect the capers to add so much to the dish. It was the right amount of salt and sweet from the tomatoes. The pasta cooked perfectly. Next time, I will use the corn starch and reduce the amount of liquid a little for the initial cooking phase. If we need more to cook the pasta, I'll add more at that time. All in all a good, flavorful dish that is perfect for a weeknight.


text:
Reactivitate chimică a unui element sau substanțe chimice este proprietatea de a reacționa în anumite condiții de temperatură sau presiune cu reactivi chimici precum acizi, baze, solvenți organici sau anorganici etc.

De exemplu diamantul este aproape inert din punct de vedere chimic, reacționând numai la temperaturi înalte cu oxigenul, hidrogenul sau acidul fluorhidric.

redpajama_set_name: RedPajamaWikipedia


text:
Q: DC.js Graphing Tags With the example data
var data = [
    {Name: 'Mr A', Spent: 40, Year: 2011, tags: ['a', 'b', 'c']},
    {Name: 'Mr B', Spent: 10, Year: 2011, tags: ['c']},
    {Name: 'Mr C', Spent: 40, Year: 2011, tags: ['a']},
    {Name: 'Mr A', Spent: 70, Year: 2012, tags: ['c', 'b']},
    {Name: 'Mr B', Spent: 20, Year: 2012, tags: ['b']},
    {Name: 'Mr B', Spent: 50, Year: 2013, tags: ['a', 'b', 'c']},
    {Name: 'Mr C', Spent: 30, Year: 2013, tags: ['a', 'b']}
];

I am trying to create a dc.js row chart that would show each unique tag and allow me to reduce the values graphed by each tag. So far I have this code which allows me to reduce the tags to their spent sums:
function reduceAdd(p, v) {
  v.tags.forEach (function(val, idx) {
     p[val] = (p[val] || 0) + v.Spent;
  });
  return p;
}

function reduceRemove(p, v) {
   v.tags.forEach (function(val, idx) {
     p[val] -= v.Spent;
  });
  return p;
}

function reduceInitial() {
  return {};
}
var tagsDim = ndx.dimension(function(d)  {return d.tags; } );
tagsGroup = tagsDim.groupAll().reduce(reduceAdd, reduceRemove, reduceInitial);
console.log(tagsGroup.value())
'{ a: 160, b: 210, c: 170 }'

This gives the reduced sums correctly. But, because this is a groupAll object dc.js can't graph it, so I am not quite sure where to go from here. Is it even possible for dc.js to access the tags in the array. Would it be better to calculate the sums a different way?

A: If it helps, here is the code I use to create a rowchart with multiple tags. It should work with your data.
You can have a try here : http://jsfiddle.net/ewm76uru/30/
var data = [
{id:1, author:'foo', tags: ['tag1','tag2','tag3']},
{id:2, author:'foo', tags: ['tag3']},
{id:3, author:'foo', tags: ['tag1']},
{id:4, author:'bar', tags: ['tag2','tag3']},
{id:5, author:'bar', tags: ['tag3']},
{id:6, author:'bar', tags: ['tag2','tag3']},
{id:7, author:'bar', tags: ['tag1','tag2']}
];

    var content=crossfilter(data);

    // table
    var idDimension = content.dimension(function (d) { return d.id; });
    var table = dc.dataTable("#idtable");
    table.dimension(idDimension)
        .group(function(d){ return "ITEMS" })
        .columns([
            function(d){return d.id+" : "; },
    function(d){return d.author+" "},
            function(d){return d.tags;},
        ])

    // author chart
    var authorDimension = content.dimension(function (d) { return d.author; });
    var authorgroup = authorDimension.group().reduceSum(function(d) { return 1; })
    authorChart = dc.rowChart('#idauthor');
    authorChart
        .width(300)
        .renderLabel(true)
        .gap(2)
        .margins({top: 10, left: 10, right: 20, bottom: 40})
        .group(authorgroup)
        .dimension(authorDimension)
        .elasticX(true)
        .transitionDuration(1000)
        .colors(d3.scale.category10())
        .label(function (d) { return d.key })
        .xAxis().ticks(5);

    // tags chart
    function reduceAdd(p, v) {
        v.tags.forEach (function(val, idx) {
            p[val] = (p[val] || 0) + 1; //increment counts
        });
        return p;
    }

    function reduceRemove(p, v) {
        v.tags.forEach (function(val, idx) {
            p[val] = (p[val] || 0) - 1; //decrement counts
        });
        return p;
    }

    function reduceInitial() {
        return [];
    }

    var tags = content.dimension(function (d) { return d.tags });
    var tags2 = content.dimension(function (d) { return d.tags });
    var groupall = tags.groupAll();
    var tagsGroup = groupall.reduce(reduceAdd, reduceRemove, reduceInitial).value();
    tagsGroup.all = function() {
        var newObject = [];
        for (var key in this) {
            if (this[key] && key != "all") {
                newObject.push({
                    key: key,
                    value: this[key]
                });
            }
        }
        return newObject;
    }

    var tagsChart = dc.rowChart("#idtags")
    tagsChart
        .width(400)
        .height(200)
        .renderLabel(true)
        .labelOffsetY(10)
        .gap(2)
        .group(tagsGroup)
        .dimension(tags2)
        .elasticX(true)
        .transitionDuration(1000)
        .colors(d3.scale.category10())
        .label(function (d) { return d.key })
        .on("filtered", function(c,f) {
            //tags2.filter(f)
        })
        .filterHandler (function (dimension, filters) {
            dimension.filter(null);
            dimension.filterFunction(function (d) {
                for (var i=0; i < filters.length; i++) {
                    if (d.indexOf(filters[i]) <0) return false;
                }
                return true;
            });

            return filters;
        })
    .xAxis().ticks(5);

    dc.renderAll();

redpajama_set_name: RedPajamaStackExchange


text:
Respect the point
Nolan pleased with Newport stalemate
Sign in to PiesPlayer
Kevin Nolan was pleased to see his side come away with a clean sheet from their trip to Newport County.
The Magpies played out a goalless draw against the Exiles at Rodney Parade and the manager was happy with how his men defended as they registered a first clean sheet in nine outings.
"You have to respect the point," he said. "It was a difficult game on a difficult pitch in difficult conditions but I thought the lads handled it well and we looked rock solid defensively.
"We needed a bit more patience and quality in the final third to take three points.
"But we've taken four points from our last two games, which I am really positive about, and I'm looking forward to another tough game at Cambridge on Tuesday.
"I'm delighted with the point and clean sheet - it had been a while - but we have to build on it now. If we continue to keep clean sheets it will give us an opportunity to get a lot of points on the board."
There was bad news on the injury front, however, with Mason Bennett returning to Derby for treatment after undergoing an operation on a hamstring injury sustained at Barnet last weekend.
"All we can hope is that the recovery from his operation goes well and he gets his opportunities when he comes back fit and well," said Nolan.
"If there is something to be done for next season then we will discuss it but Mason's health is the most important thing for now.
"We wish him well in his recovery."
Newport County vs Notts County on 17 Feb 18
Mason Bennett

redpajama_set_name: RedPajamaCommonCrawl


text:
» Credit Scoring
Credit Scoring Amd Fair Mortgage Lending
Last Updated on Wed, 28 Dec 2016	| Credit Scoring
Ihe Second Inslalkmenl aF a Five I Filial I men I aeries by ihe Fed-ern! Reserve System's Mo-rtgoge Credii PaMnerihip Credii
Scoring Commiflee #
Credit scoring is an underwriting tool used to evaluate the creditworthiness of prospective borrowers. Utilized for several decades in granting certain forms of consumer credit, scoring has come into common use in the mortgage lending industry only within the last 10 years. Scoring brings a high level of efficiency to the underwriting process, but it also has raised concerns about fair lending with regard to historically underserved populations.
To explore the potential impact of credit scoring on mortgage applicants, the Federal Reserve System's Mortgage Credit Partnership Credit Scoring Committee has produced a five-installment series of articles. This is the second. An important goal of the series is to provide the industry and concerned groups and individuals with the opportunity to comment on issues surrounding credit scoring.
This installment incorporates statements requested from representatives of three organizations, who were selected because of their interest in and differing perspectives on credit scoring and fair lending.
JAMES WHEATON
Neighborhood Housing Services of Chicago
Mr. Wheaton has worked for and with nonprofit community development organizations since the mid 1970s. He now serves as the associate director of Neighborhood Housing Services of Chicago, Inc. (NHS), a position he has held since 1993. Mr. Wheaton's responsibilities include administration of NHS's home-improvement and purchase/ rehab lending programs, as well as new program and product development. NHS of Chicago was established in 1975 as a nonprofit corporation that partners with financial institutions, community residents, city government, and Chicago businesses. NHS of Chicago has citywide lending programs as well as targeted neighborhood programs operating in 11 of Chicago's neighborhoods. NHS also recently created a program for victims of predatory lending. NHS of Chicago originates 500 loans annually, totaling $15 million.
THOMAS P. FITZGIBBON, JR.
Manufacturers Bank
Mr. Fitzgibbon is a senior vice president and chief retail banking officer for Manufacturers Bank, and is the president of Manufacturers Community Development Corporation. Mr. Fitzgibbon is a 30-year veteran of the banking industry, having served as a principal banking officer in lending and retail banking operations for institutions in Washington, D.C., and Minnesota prior to moving to Chicago in 1990. He has served on the Steering Committee of the Mortgage Credit Access Partnership and the Small Enterprise Capital Access Partnership for the Federal Reserve Bank of Chicago since 1995. Currently, Fitzgibbon is on the boards of directors for Bethany Hospital, DevCorp
North, NHS of Chicago, the Northwest Housing Partnership and Regional Redevelopment Corp., and the Woodstock Institute. Manufacturers Bank, a $1.4 billion community bank with 13 offices, is ranked as the 100th leading small-business lender in the nation (American Banker) and the third leading small-business lender in low- and moderate-income markets in Cook County, IL. Manufacturers Community Development Corporation is a six-year-old subsidiary of the bank, managing more than $40 million in direct-equity investments and loans in real-estate and small-business ventures.
ALEX STRICKER
Dr. Stricker is an economist for credit policy at Fannie Mae. He has worked on development of Fannie Mae's automated underwriting models for the past two years, with emphasis on fair-lending implications. Prior to joining Fannie Mae, Striker pursued doctoral studies at Syracuse University specializing in urban economics and housing discrimination. Fannie Mae is a stockholder-owned corporation chartered by Congress to create a continuous flow of funds to mortgage lenders in support of homeownership and rental housing. It serves as a secondary market for mortgage loans by purchasing mortgages from lenders across the country, aggregating groups of loans into mortgage-backed securities, and selling the securities to investors.
Each representative for this article received a request to comment on the following text:
Lending institutions face various pressures in the course of their credit operations. They must consistently achieve and increase profitability, comply with a complex regulatory framework, and contend with new sources of competition.
An institution's loan underwriting policy, and, in particular, its credit-scoring model, reflect the institution's appetite for risk, targets for profitability, and role in serving the credit needs of its market.
Credit-scoring models have predictive power; they give lenders the ability to expeditiously assess the likelihood of borrower default. There is general agreement that to retain their predictive power, models must be maintained and adjusted to reflect changes in loan performance, market demands and demographics. In addition, observers argue that absent proper maintenance, a lender risks using a model with diminished predictive capability, which may produce an unjustifiable disparate impact on prohibited basis groups.1
From your perspective and experience, what can lenders do to ensure that the credit-scoring models they develop or purchase will accurately predict the performance of their applicant base? What steps might lenders take to effectively update and maintain their models? Finally, what methods should lenders employ to monitor the performance of their credit-scored loans, particularly with respect to the fairness and accuracy of their models?
How To Boost Credit Score Fast
Statement Of Calvin Bradford
Statement Of Ellen P Roche
Statement Of Peter L Mccorkell
Statement Of William N Lund
Statement Of Michael Lacourlittle
Simple ways to improve your credit score, Credit Reporting and Consumer Credit Scoring, Improving Creditworthiness


Transcription of a TV interview on Danish TV3 Sport 1 on June 22, 2017.
Camilla Martin is a former world number one badminton player. She won every badminton Major at least once except the Olympics, where she won silver. Caroline Wozniacki needs no introduction.
Caroline, here we are in the Japanese Gardens [in Monaco] where you live. What's it like being Caroline Wozniacki right now?
What is it with that clay season?!
It's the part of the season I just need to get through and do as well as I can. I finished well at the French Open, and I'm glad to get back on hard courts and training up to the grass season which I'm looking forward to.
You seem happy and in good balance. What is it that is simply working well right now?
I think it's a combination of my body feeling really good and keeping in one piece, and I can train properly and get good results. I'm playing at my top level, my private life is good, my family is well and healthy, everything around me is working perfectly.
You've got a new boyfriend and he's also in the sport world. What does having met him mean?
I think it means a lot to have something different in my life, a calmness. He supports me. Whether I've had a good day or a bad day, he's there. He knows what it's like to be top-level professional athlete, and I think that means quite a lot.
You're in the spotlight most of the team. How do you happen to meet a guy like that?
I've known him for a very long time. We met through mutual friends and we just took it easy. It was under the radar and I think it's nice that we could keep the most private things to ourselves and I think it's meant that we've grown even closer to each other.
Do you think that this period you're in now, that looks a lot brighter than it did a year ago, do you think that's because there are other thoughts, things in your life, a different focus than just tennis?
— Then I put him in his place and now he doesn't want to play me any more!
If we look back a year, your tennis life looked a bit different than it does now. I remember talking with you last year up to Wimbledon, and you said 'it doesn't really matter to me whether I'm seeded or unseeded, because I'm just not playing very well'. When you look back at that time, what are your thoughts now?
Looking back, I think it was probably good I got injured. It gave me time to hone things, get my playing desire back, and to finally get rid of all the small injuries. It was a period where I didn't really miss tennis. I could get into top shape, and I thought, OK, I'm in the best shape of my life, and when I got back out on the practice court, I started to feel I was beginning to hit the ball really well, and it was really the best I'd ever hit the ball, and I thought it was just a question of time before I started to play well. When I had practice matches against the other players, I beat them every time, so it was just a question of time and staying with it.
During that time when things were a drag, you didn't think, 'it doesn't matter any more, I may as well just quit,' but there was something that kept you going.
— I think that as a sports person, when you've been number one in the world, you've been up there, you don't think it's cool to quit when you're number eighty or whatever I was. It's a bit of a dumb time to end your career. So I thought, I just have to fight my way back one way or another, whether it takes a month or half a year, I'll find a way to pull my self together and find my way back. When I'm really tired of it and think, OK, that's enough, then I'll say that's that.
What's Caroline Wozniacki like during that sort of time when it's not working?
Actually, when I got injured, it was like, you know what? Now I don't care whether I was number ten in the world or number 100, it didn't matter. I had good support from my family, and friends, it meant I had some perspective. In the beginning you're irritated, you can do better, you see people you beat and think, OK, that should be me, but then I thought, you know what? It's my chance to really come back and make my mark when I return.
I have to admit I had my doubts when I talked with you a year ago about whether we'd really see you back in the top 10 again. Have you ever personally had doubts?
— No. Like, at different times I thought, it's a drag going out onto the practice courts and playing matches, it's not as much fun as it was, and and I thought, OK, is it time to hang up my racquet? Or should I try and fight on, is it just a brief period? But really I thought, as soon as I'm fresh and if I'm playing well, I mean, I never really knew if I'd get back to the top ten or not, but I knew my game was good enough to beat those who were in the top ten. Serena is the only player, if she's in top form and playing at her top level, I feel OK, she's tough to beat.
You've been close to beating her a few times.
Exactly. I beat her once, but that was quite a few years ago. But she's the only player I think, OK, meeting her is an uphill slog.
You've always been super diligent during your training, I know, and you still are. When we stood on the practice court and talked earlier, you asked me how long I trained when I played, and I told you four hours a day, and you said that was almost too much. When you look back at that time, what have you learned and what have you done differently?
In the past, when I was younger, and actually until a couple of years ago, I trained every day four hours a day, with two hours of fitness on top of that, and when I got home, I was completely knackered. And a couple of times a month, I came to training and I had three training periods left, two on the court and one at the fitness centre, or twice fitness, and I could feel that it was a heavy load, and my body was starting to say stop. I started getting injuries here and there. And I couldn't understand it. It was something I normally could. Why is my body quitting on me? But then you have to remember you're getting older. You don't get younger. And my body had taken some knocks through time. And I think what I learned was that I needed to turn the volume of training down, the amount, but train intensively and put more thought into what I was doing. Now I train maybe two hours of tennis a day, or, on some days two hours of tennis in the morning and one hour in the afternoon. But that's the most I'll do in a day. I'll never train four hours again. Now it's a question of enjoying it while I'm out there, because you never know how long you'll be out there, or how long your body holds out, or how long you feel like playing. Right now I feel, OK, if my career ends tomorrow, or something happens, knock on wood it doesn't, then I'm fine with that, because I've really enjoyed playing, and the last months or year have been fun, and I've really done what I could. Ending your career thinking, oh, it's so horrible being out there every day, not thinking it's fun, I don't think I deserve that. Now I think, OK, you know what? What's the worst that can happen? I fall down the rankings again, so I just have to fight my way back up again.
You want to stop still thinking it's fun.
What are you most furious about of the things you can guaranteed do on the practice court, but have trouble taking with you to matches.
I saw you practising them today.
Yeah. Drop shots are something I've practised for years, and thought, NOW they're working, but every time I'm told, don't use drop shots during matches, they're not working. So I tried anyway, and hit the serve lines, and I was getting killed using them, so I just put them aside. But they're actually starting to work well lately, so … But something I've got better at now, maybe because I've got older and calmer, and better at seeing the court: volleying. It's something I've done really well in practice for several years, but in matches I've been at the net, and thought, what do I do now? Which side do I go to? It's where I'm happiest winning a point, and the most angry when I lose one. I've done everything right and there I am and I have no clue where the ball's coming from. I've got better at it as I've got older.
— It's think in general my game isn't based on being at the net so many times or at the end of every rally, and it's, like, OK, here I am at the net, I'm happy, I can finish the point off quickly, and then it's, Oh no, I'm at the net! And then it happens so fast, and the ball is past you.
What's it like to be judged and measured after every single match?
My attitude depends on how well I know the person. If it's someone who's grown up with me, and has seen me from when I was a junior, or a U-12, to now, or if it's someone who's never seen me practice or play matches, and suddenly has an opinion. There's a big difference. Like, if it's someone who's been a part of my training or my team at some point, then I respect what they say, they have the right to an opinion, and sometimes it super good, other times it's, she needs to do this or that better, then OK. If it's coming from a place where they've followed my practices, they've followed my matches, then I'm OK with it. But if it's people with an attitude, or aren't in tennis any more, or haven't had anything to do with tennis, have never seen me play or practice, or met me once when I was twelve, then it's, like, Come On! [said by both simultaneously] Just go away.
There are a lot of people who've had an opinion about your coaching set-up. You've had your father as your coach. During that time, when there have been an amazing number of opinions about it, has it been tough for you to stick with: he's the one you want, that's the way it is.
— I think, not really for me personally, but I think it's been tough for my father, always having to defend himself. I think it's been a shame. I know how much he puts into it, and how much he's helped me, he's been my coach since the beginning, and hasn't received the credit for it. I think that's been tough. The people closest know how much he's given. It's been tough seeing him sawed in half because I've lost a match or not done as well as some expect. It's more that I feel sorry for him than I question it.
What is the biggest reason you think it's the best thing for you to have your father as coach?
— For me, well, he's my father and wants what's best for me. I'm his daughter, so that's obvious. But also that he's been with me every step of the way since I was seven and picked up a racquet for the first time. And maybe we've parted ways at times, then come back together and decided this was the way to do things. There's that belief. We trust each other. We might go the wrong way so we can get on to the right way, but we do it together. It's given fantastic results. It's nice to have the family along when you travel alone so much. I'm a person who likes to be alone a lot, but, at the same time, but I also like that there's family, or people around you can relax with, where you don't feel you need to talk with them, or they don't need to talk with you, but just understand you.
Is it also with your dad being able to be the 'hysterical daughter' when it suits, and be Caroline the good tennis player when there's time for that?
For sure. It means a lot. As an athlete yourself you know there are days where you think, it's tough to be out here and you're playing terribly in practice or in matches, and you need to unload, other times you think it's the greatest thing in the world, and you want them to ride along and think it's just as much fun as you think it is. That's where it's good to have someone who knows you so well that they think, OK, it's going to be a long day, or it's going to be a good day.
You're in the spotlight a lot. Do you think it's hard – I know there were times when I thought it was – with that spotlight to be able to show who you also are, besides being Caroline the elite athlete.
I've been in the spotlight for so many years now. I think I was eight when I did my first interview. So it's been part of my everyday life. I've almost grown up with social media, it started to get big what, ten years ago?
Yeah, it's where you start to think, it's fun with the Internet, it's fun with Twitter and Instagram, but you've learned really a lot that there some things you want to share and other things you need to keep closer to yourself. At the same time, I had role models I wanted to know more about, so in that way I want to give something to my fans, but at the same time, it's important you protect yourself.
Do you think about what you're saying, even in this situation where you and I are sitting together talking?
Let's get into something I also know well – it wasn't quite as fancey as Sports Illustrated, but IN magazine I was involved with – there were many who busied themselves with saying you should take care of your tennis first, and stay away from that circus. What would you say to them?
I think that if people had the same chances I had, they would have done exactly the same. I got a huge opportunity, and it was obvious I'd take that chance. It's not like I train 24/7. I could do something I thought was fun and inspiring on the side. It could only help my tennis.
What did you think when you were asked?
I was totally excited! I thought, it can't be right they're asking me! I thought, now I really need to get into top shape, everything has to be in the right place, and there's Photoshop, and they said 'no no, we have cameras that follow you everywhere', and then I thought now I'll have to walk around and flex all day! But I thought it was a lot of fun. It was one of the most fun photo shoots I've ever been on. But to be asked three times in a row … no other athlete has been asked three times. It was big.
Wimbledon is closing in, Caroline. You won as a junior. Fourth round, you've been there five times. You like to play much more on grass than clay as you've mentioned several times. How much does it bother you that you haven't gone past that fourth round yet?
Every time I've gone out in the fourth round, I've thought, that bloody fourth round! It's irritating. Sometimes I've been close, other times I haven't been close to winning that match. But there have been a lot of different ways I've gone out of the tournament. And I thought, damned fourth round. But now it's , I've been there so many times, now at some point I'm going to break that fourth round code. It's has to happen at some point. And if it doesn't, then that's the way it is.
When you look at the Wimbledon field, then there's no player, like you said, you can't beat. What are your expectations, then? What do you want to succeed at Wimbledon this year? Besides that fourth round?
Obviously, every time I go into a tournament I want to win it. If I didn't want to win the tournament, I wouldn't play it, or train for it. It's about getting through one round at a time. There are seven rounds, it's over two weeks, so you have to be focussed and ready for every round, and you can play all sorts of different players. So I just want to go into it injury-free, and hopefully have some good matches in Eastbourne, and then I'll take it from there. I really don't want to put any pressure on myself, just enjoy being out there and hopefully play on the main courts.
Besides that fourth round, people ask about that Grand Slam win. Is it something you think about?
I have a list of candidates, but I don't want to reveal anything because I would not want to put anyone in an awkward position. He has to meet my wishes, but also Andre's – Agassi is my mentor, head coach, priority, and he needs to say OK before I hire anyone. Both of us have to be sure as that coach would spend more time than Andre with me. We have spoken to one man and I hope, ideally, that I will have someone by Wimbledon – if not, then after Wimbledon.
Image of the new coach?
He would have to fit in with our vision of life and tennis – Andre and I have a lot in common in terms of how we perceive the game and everything that surrounds it. We have to take everything into consideration as I am not the same person I used to be before I became a father, for example – it is a big change; family on the road, lot of obligations, different rhythm, so a new coach would have to adjust to that.
More specifically, I would like it to be someone with experience at the top level, preferably an ex-player because that is a bonus – because then the communication goes much easier: he already understands my mental state on the court, while I am preparing, travelling, recovering… Those type of conversations can be long or short, depending on the person. Also, I'd prefer someone younger because that is the kind of energy that drives me and inspires me.
I don't want to get too much into it because people read the papers and draw certain conclusions, yet they are not well-informedenough about the subject or they don't know much about the person. My diet is based on vegetables. You can find proteins in vegetables as well, not just in meat, but our people (in Serbia) know only about meat because it is our culture. I also eat fish and eggs as a source of protein, but I haven't been eating meat since August or September 2015. I've got my own reasons, both ethical and health. I don't want to succumb to pressure. I am not going back to meat at this time.
Novak has 12 hawks that symbolize Grand Slam titles, why hawks?
The hawk is my favourite bird, one of my favourite animals. It has something to do with my Montenegrin roots. My late grandpa used to call me "Hawk" (common nickname in Serbia, Montenegro…), so there is that as well. Also, I find hawks fascinating as they don't prey on the sick and the small. Besides, when it attacks, it does so with enormous speed, so I like to think of myself as a hawk when I attack a tennis ball. Yellow smilies symbolize Masters titles and blue smilies stand for World Tour Finals titles.
What must Novak have in his bag?
It happens often that I forget my wallet or phone. When I go to practice, especially during the tournament, I am focused on what I need to do, so people close to me often complain that they can't reach me. Aside from tennis shoes, rackets and lenses, there is nothing that HAS to be in my bag. I carry a cross that I got at the Ostrog monastery. I got a really nice gift from a girl in China that I used to carry around for a few years, but I am not attached to things and I am not superstitious. My day does not depend on whether I brought something with me or didn't; I won't feel depressed if I forget something.
I've got unconditional love for my country—it's my home, I belong there. In the last ten years or so, since I am not living there any more, I feel butterflies in my stomach every time I go back, and memories from my childhood start coming back to me. A man can go around the world, but there is no place like home.
It is normal that there are people who love me less and those who love me more. I try to do what I can—I am a human being also: I make mistakes, mature and try to learn from those mistakes, and I always stand up for values that I believe are right, values instilled in me by my parents and everyone who contributed to my maturing and evolving.


Discussion in 'Basses [BG]' started by chris643, Sep 27, 2003.
Sorry if this has already been asked, search function won't let me search for "51", it's not enough characters.
What are your opinions on the '51 Fender P-bass?
I think it has a pretty good feel and a nice punchy tone... vintage looks are cool too.
yeah but a 51 p bass is an extremley rare find, isint that when the first electric bass was invented?
I own one of each, the Sting 51 P bass and the 51 MIJ P bass. I love them both equally.
BTW here is a thread about '51 pre re-issue vs. Sting.
Do you have Thomastik Jazz flats on your 51, and 54 Pbasses GBP1? Can't imagine anything else working good on those-you know, to get "the" Fender Pbass sound.
Well, to be honest I have Ti's on the Sting P Bass and Ti power bass series strings on the 51 RI.
I do some slapping and popping now and then so I like the Power bass series strings for that style of palying!
how does it compare to the modern P bass, MIM or MIA in your opinions?
yes, i have heard that many ppl use flats on their '51s... do ppl do that for today's P-basses too?


text:
package main

import (
	"flag"
	"log"
	"math/rand"
	"net"
	"os"
	"strconv"
	"strings"
	"time"

	"github.com/google/netstack/tcpip"
	"github.com/google/netstack/tcpip/link/fdbased"
	"github.com/google/netstack/tcpip/link/rawfile"
	"github.com/google/netstack/tcpip/link/tun"
	"github.com/google/netstack/tcpip/network/arp"
	"github.com/google/netstack/tcpip/network/ipv4"
	"github.com/google/netstack/tcpip/network/ipv6"
	"github.com/google/netstack/tcpip/stack"
	"github.com/google/netstack/tcpip/transport/tcp"
	"github.com/google/netstack/waiter"
)

var tap = flag.Bool("tap", false, "use tap istead of tun")
var mac = flag.String("mac", "aa:00:01:01:01:01", "mac address to use in tap device")

func echo(wq *waiter.Queue, ep tcpip.Endpoint) {
	defer ep.Close()

	// Create wait queue entry that notifies a channel.
	waitEntry, notifyCh := waiter.NewChannelEntry(nil)

	wq.EventRegister(&waitEntry, waiter.EventIn)
	defer wq.EventUnregister(&waitEntry)

	for {
		v, _, err := ep.Read(nil)
		if err != nil {
			if err == tcpip.ErrWouldBlock {
				<-notifyCh
				continue
			}

			return
		}

		ep.Write(tcpip.SlicePayload(v), tcpip.WriteOptions{})
	}
}

func main() {
	flag.Parse()
	if len(flag.Args()) != 3 {
		log.Fatal("Usage: ", os.Args[0], " <tun-device> <local-address> <local-port>")
	}

	tunName := flag.Arg(0)
	addrName := flag.Arg(1)
	portName := flag.Arg(2)

	rand.Seed(time.Now().UnixNano())

	// Parse the mac address.
	maddr, err := net.ParseMAC(*mac)
	if err != nil {
		log.Fatalf("Bad MAC address: %v", *mac)
	}

	// Parse the IP address. Support both ipv4 and ipv6.
	parsedAddr := net.ParseIP(addrName)
	if parsedAddr == nil {
		log.Fatalf("Bad IP address: %v", addrName)
	}

	var addr tcpip.Address
	var proto tcpip.NetworkProtocolNumber
	if parsedAddr.To4() != nil {
		addr = tcpip.Address(parsedAddr.To4())
		proto = ipv4.ProtocolNumber
	} else if parsedAddr.To16() != nil {
		addr = tcpip.Address(parsedAddr.To16())
		proto = ipv6.ProtocolNumber
	} else {
		log.Fatalf("Unknown IP type: %v", addrName)
	}

	localPort, err := strconv.Atoi(portName)
	if err != nil {
		log.Fatalf("Unable to convert port %v: %v", portName, err)
	}

	// Create the stack with ip and tcp protocols, then add a tun-based
	// NIC and address.
	s := stack.New([]string{ipv4.ProtocolName, ipv6.ProtocolName, arp.ProtocolName}, []string{tcp.ProtocolName}, stack.Options{})

	mtu, err := rawfile.GetMTU(tunName)
	if err != nil {
		log.Fatal(err)
	}

	var fd int
	if *tap {
		fd, err = tun.OpenTAP(tunName)
	} else {
		fd, err = tun.Open(tunName)
	}
	if err != nil {
		log.Fatal(err)
	}

	linkID := fdbased.New(&fdbased.Options{
		FD:             fd,
		MTU:            mtu,
		EthernetHeader: *tap,
		Address:        tcpip.LinkAddress(maddr),
	})
	if err := s.CreateNIC(1, linkID); err != nil {
		log.Fatal(err)
	}

	if err := s.AddAddress(1, proto, addr); err != nil {
		log.Fatal(err)
	}

	if err := s.AddAddress(1, arp.ProtocolNumber, arp.ProtocolAddress); err != nil {
		log.Fatal(err)
	}

	// Add default route.
	s.SetRouteTable([]tcpip.Route{
		{
			Destination: tcpip.Address(strings.Repeat("\x00", len(addr))),
			Mask:        tcpip.AddressMask(strings.Repeat("\x00", len(addr))),
			Gateway:     "",
			NIC:         1,
		},
	})

	// Create TCP endpoint, bind it, then start listening.
	var wq waiter.Queue
	ep, e := s.NewEndpoint(tcp.ProtocolNumber, proto, &wq)
	if err != nil {
		log.Fatal(e)
	}

	defer ep.Close()

	if err := ep.Bind(tcpip.FullAddress{0, "", uint16(localPort)}, nil); err != nil {
		log.Fatal("Bind failed: ", err)
	}

	if err := ep.Listen(10); err != nil {
		log.Fatal("Listen failed: ", err)
	}

	// Wait for connections to appear.
	waitEntry, notifyCh := waiter.NewChannelEntry(nil)
	wq.EventRegister(&waitEntry, waiter.EventIn)
	defer wq.EventUnregister(&waitEntry)

	for {
		n, wq, err := ep.Accept()
		if err != nil {
			if err == tcpip.ErrWouldBlock {
				<-notifyCh
				continue
			}

			log.Fatal("Accept() failed:", err)
		}

		go echo(wq, n)
	}
}

redpajama_set_name: RedPajamaGithub


The 10th Anniversary Chesapeake Wine Festival. Helping local charities one sip at a time.
Purchase your tickets online. Buy now, sip later.
Thank You from The Chesapeake Rotary Club. Corporate Tables and Chalets are available.
Pick a theme and dress up or come as you are to the 10th Annual Chesapeake Wine Festival at Chesapeake City Park. Listen to live music, eat great food, shop, attend seminars, drink some excellent wines, and most importantly, help local charities.
Pre-order your tickets (check out our reserved tables and chalets), put Saturday, October 12, 2019 on your calendar, and join us to help charities as we raise a glass to food, fun and friends. With unlimited tastings from more than 20 premiere Virginia wineries and an extensive selection at our International Wine Village, there's something for every taste bud and palette.
Presented by Priority Automotive. Proceeds will benefit the community charities of the Rotary Club of Chesapeake.
Charitable organizations of The Chesapeake Rotary Club receive 100% of all ticket sales each year. Along with the phenomenal support of our community, corporate sponsors such as this year's presenting sponsor – Priority Automotive, and many others, we have been successful in donating over $1.5M to date. One of this year's main areas of support is the Chesapeake Regional Healthcare 3D Mammography Van.
discover how to maximize and customize your private chalet for clients and friends including catering.


Our dentists and staff at the Tooth Doc give special attention to making children's dental visits fear-free. We believe that a lifetime of good oral health begins when teeth first appear. Don't hesitate bringing children in before age three. Yes, baby teeth are eventually lost, but they need to be kept healthy to hold space open for a child's permanent teeth. We treat children gently to help them avoid anxiety when they become adults. We employ positive reinforcement techniques and "happy air" (nitrous oxide) as needed to ensure children can accomplish the dentistry they need.


text:
Map of Duck Soup's Imaginary Fredonia Discovered
by Stephen J. Gertz
LAURIE, R[ichard] H[olmes]. Fredonia. Or the United States of North America;
including also Cabotia, or the Canadian Provinces; The Western Territory To
the Pacific Ocean' And the Northern Part of the Mexican States.
An 1848 map of Fredonia, the nation whose bitter conflict with Sylvania was the subject of a celebrated 1933 Hollywood documentary, has surfaced and will be auctioned at PBA Galleries on November 18, 2010. It is estimated to sell for $4,000 - $6,000.
The nation was, until recently, thought to be, like the lost continent of Atlantis, strictly legend, the documentary a complete fake.
"Hail! Hail! Fredonia!"
At the time of the documentary's release, the political and economic crisis that gripped Fredonia and Sylvania required appropriate commentary. Cynicism, buffoonery, anarchy, disrespect for political institutions and leadership ran high. The Laws of the Administration of Fredonia were a scandal. The absurdity of government, diplomacy, and war as an answer to anything came sharply into focus.
Duck Soup is one of the great political documentaries yet with a title nonsensical in the context of the events it limned. In contrast to Duck Soup, The Sorrow and the Pity is a Loony Tunes cartoon. Things were certainly afoul in Fredonia, but more like a firkee of turkeys. Duck Soup concerned itself with the failure of diplomacy, the growing escalation of belligerence between the great nations of Fredonia and Sylvania, and the effect that open hostilities would have upon their respective nations and the world stage.
Curiously, however, there has been doubt about whether Fredonia and Sylvannia actually existed or were simply convenient constructs for the documentarians to provide context for the issues at stake.
Not too long ago, scholars discovered that Sylvania was, indeed a real place; it was located on a light bulb. Sylvania was known as The Land Where Ideas Begin, based upon the anatomical fact that all ideas originate in the brain's hypothalamus as a tiny bulb that lights up at that eureka moment when a notion evolves into the hint of an idea.
Another major find recently turned up at a garage sale, the national flag of Sylvania.
Flag of Sylvania.
The conflict with Sylvania began when Fredonia, known as the Land Where Ideas Start, claimed that it had more good ideas in an hour than Sylvania had in a month, and that all of Sylvania's ideas were bad, particularly the one about tax cuts and health care only for the wealthy or well-connected, which Fredonia claimed its own but was stolen by agents of the Sylvanian intelligence service.
Chicolini and Pinkie, master spies.
The Chicolini Affair brought matters to a head. Chicolini and Pinkie, officers in Sylvania's CIA, turned out to be double agents working for Fredonia's leader, the Hon. Rufus T. Firefly. Ambassador Trentino of Sylvania considered this casus belli and, in concert with a round of face slaps between Firefly and Trentino, led to the first shots fired, despite the intervention of Fredonia's matriarch, Mrs. Gloria Teasdale, The Mother of Her Country, and the object of Firefly and Trentino's romantic attention.
Rufus T. Firefly, Mrs. Gloria Teasdale, Ambassador Trentino,
and Vera Marcal, an Alaskan politico-provocateur-adventuress.
Fredonia. Real or imaginary? What was this strange nation? Where was it located?
The shots heard 'round the world.
Now we know.
LAURIE, R[ichard] H[olmes]. Fredonia. Or the United States of North America; including also Cabotia, or the Canadian Provinces; The Western Territory To the Pacific Ocean' And the Northern Part of the Mexican States, London: R.H. Laurie, 1848. Engraved map, hand-colored in outline. 64.5x97 cm. (25¼x38"). On 24 panels, mounted on linen, folding into 9x5" original(?) cloth case with gilt title.
"This map bears a legend explaining the origin of the word "Fredonia" to designate the United States of North America, 'hence Fredonian or Frede, a native of, and Fredish, of or belonging to the same territory'" (PBA catalog).
Image of map courtesy of PBA Galleries.
Sylvania logo and bulb image courtesy of Sylvania, with our thanks.
Posted by Stephen J. Gertz at 12:15 AM
Labels: Americana, Auctions, books, Cartography, Duck Soup, humor, Maps, Marx Brothers, Movies, Politics, Rare books, Satire
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bzimmer.ziclix.com / Submarine, pineapple express, Polar Bear.
Submarine, pineapple express, Polar Bear.
Polar Bear was chosen as today's ambassador for the great stuffed animal collection. While we've been experiencing some really heavy rains recently courtesy of a Pineapple Express today wasn't so bad. I'm a bit of foul weather junkie so this weather suits me for the most part.
I had two different people smile while I was propping up Polar Bear, one asking if I was a member of the Polar Bear Club (I'm not) and the other offered that she "won't even ask".
I'm cheating a bit — I took this photo last Friday. If you squint you can see the submarine returning from duty. My familiarity with submarines is generally limited to what I know of those built in Manitowoc, WI (well and The Hunt for Red October) and I never saw those in action — it's remarkable to me to be so close to one on active duty.


text:
Home » B&B Poultry announces new president
B&B Poultry announces new president
NORMA, N.J. – B&B Poultry Co. recently named Josh Fisher president of the privately-owned poultry company. He succeeds his father, Mark Fisher, who has taken the role of CEO and chairman of the board.
"I am committed to maintaining the core values and principles that our founders, my grandparents, Ben and Dorothy (Bobbie) Fisher, established when they founded the business," Josh Fisher said in a statement. "In particular, we at B&B Poultry take pride in our many long-term employees who have made B&B Poultry their life's employment. The company and I are committed to fostering hard earned relationships with our employees, suppliers, customers and community partners."
Josh Fisher is the third president in B&B Poultry's 72-year history. The company was founded by Ben and Dorothy (Bobbie) Fisher in 1945. Mark Fisher succeeded his father as president in 1998, and held the post for 20 years.
In a statement, Mark Fisher said, "…it was important to have committed to intentional conversations and be proactive in our planning to ensure a smooth transition to the next generation of leadership. I wanted to see the business fully transition to Josh's leadership while I was still actively involved in the business. It's a proud moment to experience. I'm proud to be Josh's father and business partner."
B&B Poultry specializes in ready-to-cook poultry, de-boned poultry and organically grown processed poultry, among other products. The company serves customers in the United States and international markets.
Food Products Chicken
H-E-B appoints Craig Boyan president, c.o.o.
B&G Foods names new executive VP, COO
Meeting demand for clean label poultry with phosphate alternatives


text:
Parafia pw. św. Wawrzyńca w Dolistowie – rzymskokatolicka parafia należąca do dekanatu Knyszyn,

archidiecezji białostockiej, metropolii białostockiej.

Historia parafii
Dolistowo Stare jest też najstarszą osadą ludzką wspominaną pod nazwą "Targowisko" leżącą nad rzeką Biebrzą, w najdawniejszym pisanym źródle określającym granice Mazowsza i Litwy z roku 1358. Do tradycji św. Brunona z Kwerfurtu w Dolistowie Starym należy nie spotykane w tym regionie wezwanie kościoła – św. Wawrzyńca Biskupa, wyraźnie odsyłające do benedyktyńskiej misji chrystianizacyjnej. Niewątpliwie w 1358 r. mazowieckie Targowisko posiadało obiekt sakralny przyciągający puszczańską ludność.

Za czasów króla Kazimierza Jagiellończyka (zmarł w 1492) istniał już kościół w Dolistowie. Parafia w Dolistowie została erygowana 6 lutego 1500 r. Pierwszym proboszczem był ks. kanonik Stanisław Dąbrówka i wtedy to drewniana kaplica pw. św. Stanisława BM została przemieniona na kościół parafialny pw. św. Wawrzyńca diakona i męczennika.

Inne źródła wśw. Wawrzyńcymieniają, że pierwszym proboszczem dolistowskim był ks. Jakub, który zmarł w roku 1506.

Obok kościoła w roku 1803 zbudowana została dzwonnica z kamieni. Plebanię murowaną pobudowano w roku 1930.

Miejsca święte
 Kościół parafialny

Obecny kościół z kamienia polnego został zbudowany latach 1789-91. Fundatorami tego kościoła byli: hetmanowa Izabella Branicka i proboszcz ks. Krzysztof Kapica. Świątynia została zbudowana według projektu Jana Bogumiła Zsczerniga, porucznika i architekta będącego na usługach Izabelli Branickiej. Konsekracji kościoła dokonał bp Piotr Toczydłowski 23 października 1791 r. W latach 70 XX wieku został przeprowadzony gruntowny remont wnętrza.

W ołtarzu głównym kościoła wielką czcią jest otoczony Krucyfiks pochodzący z XVIII wieku. Pod krzyżem znajduje się obraz Matki Bożej Pocieszenia z namalowany w stylu rokoko (XVIII w). W bocznym ołtarzu znajduje się barokowy obraz Matki Bożej Różańcowej (także z XVIII w).

 Kościoły filialne i kaplice
 kaplica pw. Wniebowzięcia Najświętszej Maryi Panny  w Dolistowie Nowym– przy drodze do Goniądza
 kaplica pw. św. Jerzego na cmentarzu grzebalnym w Dolistowie Nowym
 kaplica pw. Matki Bożej Miłosierdzia we Wroceniu
 kaplica pw. Miłosierdzia Bożego w Mikicinie
 kaplica pw. św. Stanisława Kostki w Zabielu
 kaplica pw. Niepokalanego Poczęcia Najświętszej Maryi Panny w Moniuszkach - kapliczka przydrożna (na granicy parafii) tzw. "Latarnia"

 Cmentarz parafialny
Na terenie parafii znajduje się cmentarz grzebalny założony w XVI wieku, powiększony w roku 1963, w odległości 2 km od kościoła o powierzchni 4 ha.

Obszar parafii
W granicach parafii znajdują się miejscowości:

Proboszczowie
 ks. Edward Szapel 1923-1939
 ks. Jan Przybiński 1939-1946
 ks. Antoni Bachurzewski 1946-1961
 ks. Michał Dalinkiewicz 1961-1974
 ks. Marian Malicki 1975-1989
 ks. Władysław Kulikowski 1989-1992
 kan. hon. Kol. Kap. Kryp. ks. Jan Popławski 1992-2005
 ks. mgr teol. Stanisław Łukaszewicz 2005-2010
 ks. kan. Jerzy Sidorowicz 2010-2012 (zmarł 18.02.2012)
 ks. Adam Sokołowski 2012-2022
 ks. Adam Szczesiul od 2022

Przypisy

Bibliografia

 Arkadiusz Studniarek, Przemysław Borowik JAŚWIŁY Z DZIEJÓW OBSZARU GMINY W XIX i XX WIEKU. Białystok – Jaświły 2011. .

Religia w gminie Jaświły
Parafie archidiecezji białostockiej
Parafie pod wezwaniem św. Wawrzyńca
Dolistowo Stare


Contact Us If you think you have reached this page in error or inquiries regarding previously placed orders, you may reach us at. The pace of global regulations is hard to predict, but we have the ultimate goal of being able to offer our products everywhere. Description Very nice antique oak dresser and tilting mirror. Matters of consumer privacy and rights are paramount to our brands and we will continue to work diligently to make our products available to you. There are 3 lockable drawers. We share your disappointment and greatly appreciate your understanding. Part of a 3 piece set.
Visit West Elm at and Pottery Barn Kids at. Restocking fee: We charge a 20% restocking fee after an item is purchased, even if it has not yet been shipped. May have been refinished at some point. Overall very good condition with. Very nice antique oak dresser and tilting mirror.
Page is not available in your region To our valued customers, We regret that due to technical challenges caused by new regulations in Europe, we can for the time being no longer accept orders from the European Union. The mirror has age spots. Overall very good condition with only minor marks and stains. There are 3 lockable drawers. Iif interested in purchasing more than one of my listings, contact Chairish. We will get you a free quote.
. Thank you for your patronage. . . .


text:
Nagy-Tóth Ferenc (Monó, 1929. december 31. – Kolozsvár, 2022. március 23. ) romániai magyar botanikus, algológus, a Magyar Tudományos Akadémia külső tagja.

Életútja
Középiskolai tanulmányait Szilágycsehben és a zilahi Wesselényi Kollégiumban végezte. 1954-ben tanári képesítést szerzett a kolozsvári Bolyai Tudományegyetem Természetrajzi Karán. 1954-től az egyetem növényélettani tanszékén gyakornokoskodott, 1957–1964 között pedig ugyanott tanársegéd volt. Ezt követően előbb tudományos kutatóként, majd 1990-től 1995-ig főkutatóként dolgozott a Román Akadémia kolozsvári fiókja biológiai osztályánál és a Kolozsvári Biológiai Kutatóintézetben. Ezzel párhuzamosan 1972-ben doktorált, 1975-76-ban a delfti Nemzetközi Hidraulikai Intézetben továbbképzésen vett részt. 1976 és 1987 között egyetemi docensként oktatótevékenységet folytatott a kolozsvári egyetem növényélettani tanszékén, 1990-től 1993-ig pedig az általános növénytan és növényszervezettan professzora volt.

Munkássága
Kutatási területe az algológiai növényélettan, azaz a moszatok életfolyamatainak vizsgálata. Behatóan foglalkozott a környezeti feltételeknek a szaporodásukra, szervesanyag-forgalmukra és alakváltozásukra gyakorolt hatásával. Vizsgálatai során jelentős eredményeket ért el a moszatok környezetszennyezési tűrésküszöbére és a vizek tisztításában betöltött szerepére vonatkozóan.

Algológiai munkássága mellett főként az 1990-es évek óta foglalkozik pomológiatörténeti kutatásokkal, erdélyi alma-, körte- és egyéb gyümölcstájfajták történeti áttekintésével.

Tanulmányait a Studii și Cercetări de Biologie Cluj, Studia Universitatis Babeș-Bolyai, Acta Botanica, Revue Roumaine Biologique, Acta Botanica Academiae Scientiarum Hungaricae, Acta Hargitensia szakfolyóiratok adták ki.

Társasági tagságai és elismerései

A rendszerváltozás után, 1990-ben újjáalakult Erdélyi Múzeum-Egyesület egyik alapító tagja, 1990 és 1995 között szakosztálytitkári feladatokat is ellátott, valamint az egyesület által kiadott Múzeumi Füzetek szerkesztőbizottsági tagjaként tevékenykedik. Ugyancsak 1990-től a Magyar Algológiai Társaság alapító és tiszteleti tagja.

1998-ban a Magyar Tudományos Akadémia külső tagjává választották, akadémiai székfoglalóját 1999-ben Fényhatásvizsgálatok egysejtű zöldmoszatokon címen tartotta meg.
2008-ban megkapta a Szilágysági Magyarok Díjat.

Főbb művei
 Pomologia R. P. R. 1964 (többekkel)
 Tratat de algologie II.: Rhodophyta, Phaeophyta. București: Academia RSR. 1976 (társszerkesztő)
 Tratat de algologie III.: Euglenophyta, Chlorophyta, Xanthophyta. București: Academia RSR. 1979 (társszerkesztő)
 Biologie generală. 1983 (többekkel)
Alge verzi unicelulare (Chlorococcales). Cluj-Napoca: Presa Universitară Clujeană. 1998.  (Adriana Barnával)
Régi erdélyi almák. Kolozsvár: Erdélyi Múzeum-Egyesület. 1998
Élettudományi kutatások Erdélyben. Kolozsvár: Erdélyi Múzeum-Egyesület. 2002 = Erdélyi Tudományos Füzetek, 237.  (Fodorpataki Lászlóval)
Régi erdélyi körték és más gyümölcsök. Kolozsvár: Erdélyi Múzeum-Egyesület. 2006.
Régi erdélyi szilvák, Kolozsvár: Erdélyi Múzeum-Egyesület. 2013.

Jegyzetek

Források

 *

További információk

1929-ben született személyek
2022-ben elhunyt személyek
Magyar botanikusok
Magyar algológusok
MTA-tagok
Romániai magyarok


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MWC 2015: The Vendor Messaging Has Officially Begun!
Vendor messaging and announcements in the run-up to Mobile World Congress (MWC) has begun.
Samsung's messaging – announcing new products and features before MWC – point to its continuing commitment to network infrastructure.


Vogue's Deputy Editor & Fashion Features Director Sarah Harris shares her weekly style agenda of what to buy and browse.
This belt, you see, is terrifically clever. (Bear with me.) It's clever because it immediately updates and elevates anything and everything you're wearing. A plain black midi dress? Belt it. A sweatshirt? Belt it. A white t-shirt? Belt it. An oversized lumberjack shirt? Belt it. A pleated long skirt? Belt it. It's a point reaffirmed by JW Anderson for autumn/winter 2019, where Jonathan Anderson cinched almost everything – from cosy knitted sweaters to smart tailored blazers – with a massive belt. Buy it now and wear it through winter and beyond; over a kaftan this summer, over a cashmere coat come autumn (just ensure you buy it in a size with plenty of holes for adaptability).
Prada reversible leather belt, £525, Alaïa laser-cut leather belt, £730, and Gabriela Hearst utility belt, £1,280; all at Net-A-Porter.com.
When you really start planning a belt wardrobe there are myriad options. My favourites include Gabriela Hearst's belt bags in white and black, and Prada's version on a reversible black and red strip of leather. I remember the purse belt I wore as a Brownie and how invincible it made me feel, carrying around my armoury on my waist (even if it was only a hairband and £1 subs money). Finally, six months after falling in love with it, the Valentino belt arrived in store this week. I don't think I will tire of that shouty logo buckle, but, if I do, I'll wear it back-to-front to make the most impressive of exits.
The jeweller Sabine Getty may be eight-and-a-half months pregnant, but that didn't stop her from showing up at 5 Hertford Street earlier this week to celebrate the launch of her collaboration with chic Spanish childrenswear brand, La Coqueta.
Sabine Getty with her daughter Gene, photographed in her capsule collection for La Coqueta.
The playful capsule collection is inspired by her love of the Memphis Group, which translates to cute rompers and Peter Pan-collared dresses in varying degrees of paintbox brights, decorated with contrast trims. No stranger to the brand (it's already Sabine's go-to for outfitting her two-year-old daughter, Gene) now she's just awaiting the imminent arrival of her baby boy to kit him out in the line-up, too – not long now.
Available at Lacoquetakids.com and at its Ledbury Road store in Notting Hill, W1.


text:
A guest review
Bento's Sketchbook—John Berger's "Way of Seeing" Spinoza
By Kamilla Vaski
Bento's Sketchbook, by John Berger, Pantheon Books, 2011 (in Great Britain, Verso)
A reader has submitted a review of a new work by the well-known cultural critic and historian, John Berger.
The more an image is joined with many other things, the more often it flourishes. The more an image is joined with many other things, the more causes there are by which it can be excited.
(Spinoza, Ethics, Part V, Proposition XIII, Proof)
Drawing is one of the earliest known forms of human art. The cave paintings of Chauvet, France, dating back at least 30,000 years, reveal a high level of aesthetic sophistication on the part of their creators. The viewer of these images can believe that the people who made them had an overwhelming need to create such works, as witness and record of how they saw their world. Later on in human history, a basic knowledge of drawing was widespread among educated men and women, and it was common practise to carry around a sketchbook in which to capture one's impressions, the same way a camera does today.
Cultural critic-historian and novelist John Berger's Bento's Sketchbook is a collection of stories, some of them simply vignettes, always connected to a drawing, either as the source of the story or the result of it. The "Bento" of the book's title is Baruch or Benedict de Spinoza (November 24, 1632—February 21, 1677), who holds an important place in the development of modern Western thought. A Jew of Portuguese descent, he was raised in Amsterdam, living alongside distinguished contemporaries such as Rembrandt.
In spite of the comparatively liberal attitude toward religious diversity that prevailed in Amsterdam—a port city that welcomed people from different ethnic and religious backgrounds—Spinoza was excommunicated from his synagogue for his heretical ideas. He left Amsterdam, eventually settling in The Hague, and while making a modest living as a lens-grinder, wrote the works that were to establish him posthumously as one of the great theorists of the Enlightenment.
His writings helped to replace the edifice of medieval scholastic thinking with a rational vision in which all things that exist, including minds, can be understood as parts of a whole ("nature") not influenced or controlled by anything outside itself. His Ethics, a remarkable document that he withheld from publication during his lifetime, was a refutation of the mind-body dualism of Descartes.
In the Tractatus Theologico-Politicus, Spinoza dissected religious and political attitudes prevailing at the time, rejecting nationalism along with the concept of Jews as the "chosen people," and asserted that the Bible was not a divinely revealed text, but one compiled from many sources. It was Hegel who said: "You are either a Spinozist or not a philosopher at all." Marx was also without question influenced by his reading of Spinoza, though the extent of that influence has been debated.
Spinoza is known to have kept a sketchbook of his own drawings, which has not survived. John Berger engages in a conversation with the philosopher, imagining himself together with Spinoza seeing and drawing the world around him. Having written extensively about the meaning of painting and photography, Berger here turns his attention to the reasons for drawing, why it is important for humans to draw. Objects, people and events are asking to be drawn, to be described by an articulate witness who can interpret their meaning and worth, and pass it on to others.
We who draw do so not only to make something observed visible to others, but also to accompany something invisible to its incalculable destination. (Page 14)
We are drawn into a variety of settings, including Berger's home village, a public swimming pool in Paris, a hard-discount megamart where employees and customers alike are trapped in a kind of managerial hell all too familiar to countless numbers of the urban poor. There is a humorous depiction of the author himself, an old man getting kicked out of the National Gallery in London for stubbornly leaving his pack on the floor while drawing a copy of Antonello da Messina's painting of the Crucifixion. Ordered to leave by a member of the contracted security staff—who has no sense of connection to the art works he is there to protect—Berger loses his temper and swears at him.
There is a tribute to Berger's first publisher, Erhard Frommhold of Dresden, who was accused of "formalism and bourgeois decadence" by the East German Stalinist bureaucracy and sacked from his position as director of the Verlag der Kunst…not imprisoned but sentenced to perform "socially useful work" in a public park as a gardener's assistant.
After each encounter, we are given a quotation from Spinoza that captures the essence of the experience.
We sense and experience that we are eternal. For the mind no less senses those things which it conceives in understanding than those which it has in the memory. For the eyes of the mind by which it sees things and observes them are proofs. So although we do not remember that we existed before the body, we sense nevertheless that our mind in so far as it involves the essence of the body under a species of eternity is eternal and its existence cannot be defined by time or explained by duration.
(Spinoza, Ethics, Part V, Proposition XXIII) (Page 15)
John Berger (born 1926) has produced a remarkable body of work, as art critic, novelist, essayist, and writer for stage and film. His previous works include The Success and Failure of Picasso (1965, updated 1989), which presents a daringly critical view of the celebrity artist while he was still alive, and Art and Revolution: Ernst Neizvestny and the Role of the Artist in the USSR (1969), in which the author describes the artist's effort to maintain his vision of the true social role of art in the face of official disapprobation and censorship.
In A Fortunate Man (1967, Vintage International Edition 1997) a photographic essay written in collaboration with the Swiss photographer Jean Mohr, Berger takes the efforts of a country doctor to articulate the meaning of his life and work as the basis for an exploration of the meaning of all human endeavour. Individual essays by Berger also stand out in the memory, including The Moment of Cubism (1969) and Ernst Fischer: a Philosopher and Death (1972).
It was the 1972 BBC television series Ways of Seeing, and the book based upon it, that established Berger as a public figure. (Many college students today are familiar with Berger's name only in connection with Ways of Seeing, which continues to be assigned as a text.) The series was a response to Kenneth Clark's Civilisation, and presented a critique of the view of Western art as it was set forth in Clark's program.
Berger examined the history of European art from a materialist perspective, influenced by the thought of Walter Benjamin (whose essay "The Work of Art in the Age of Mechanical Reproduction" he credited as a direct source for his ideas). In one episode, devoted to the role of the nude in Western art, Berger forcefully counters Clark's views by showing how the nude (mainly female) body has been commodified and exploited. There is also a delightful segment in which the views of children as interpreters of famous art works are treated with the utmost respect.
Ways of Seeing had a tremendous impact on art criticism at the time of its release. In the years since, the influence of post-modernism has had its negative effect. Berger's presentation, eye-opening to many at the time, of how the Western art tradition is bound up with the interests of the ruling classes and of capitalism, has been dismissed by reactionary commentators as old-fashioned, even quaint. From a socialist perspective, his apparent alignment with certain conceptions of the Frankfurt School and academic "left" (for example, his contention that capitalism can appropriate virtually any concept, including revolution, to serve its own ends) has its negative implications. His prolific output continues to be unknown to many who know of him only through Ways of Seeing.
Berger long ago left England to live in the French Alps, in a village set steeply into the mountains, allowing for only a limited amount of mechanization. He has written extensively about why he chose to commit himself to a simpler way of life: in particular, he has been at pains to explain that he did so in order to be a witness to the way in which a marginalized class of people (European peasants) manage to survive and make the transition to a new, urbanized way of life (as chronicled in his trilogy Into Their Labours).
Living in geographical isolation (though travelling extensively), Berger has continued to identify with others around the world who are marginalized, not by choice. He has written eloquently about migrant workers, people displaced by war and famine and the plight of the Palestinian people. He is adamant about his opposition to the present world order, and vocal in his support for those who are oppressed by it.
But Berger does not align himself with any clear program for the socialist transformation of society—a legitimate criticism. When asked, "Are you still a Marxist?" his response is, "I am still, among other things." Berger's political evolution took him from ambiguous support for the Stalinist oppression of the Hungarian uprising of 1956 (in an early novel, A Painter of Our Time), through the activist period of the 1960s, to the broad humanism of his more recent writings.
Unlike other radicals who enjoyed a measure of fame during the 1960s, he has not turned his back on the ideals that animated him from the beginning of his career; however, his belief in their realization appears to have wavered. There is an elegiac and wistful element now in much of his writing that often seems like a lament for a lost faith: "It was history then, not brand-names, that began with a capital letter." (Page 41)
But there is no doubt about his humanity and his heart, or his unique voice. Reading Berger can be an experience of the power of the written word in the hands of a gifted writer to create subtle and intense mental images and feelings. He has a devotion to the authenticity of sensual and emotional experience, and an ability to be present in several centuries at once, that brings to the reader a vivid sense of being part of a history of struggle for art and human dignity. His influence can be detected in the style of other writers (Canadian novelist Michael Ondaatje is a well-known example).
Berger is particularly eloquent in describing the process of attention and assimilation involved in creating a work of art, the need to face uncertainty and the mystery of experience, in a way that makes art an antidote to the degrading of human consciousness that characterizes capitalism. The words of the Swedish poet Gunnar Ekelöf come to mind: "The impractical is the only practical in the long run." The process of art can never be controlled by managers.
I live in a state of habitual confusion. By confronting the confusion I sometimes achieve a certain lucidity. You showed us how to do this. (Page 139)
It must be admitted that Berger's acceptance of uncertainty and confusion indicates that he has to some degree resigned himself to a less than complete commitment to real social change, or to a definite program for achieving it. Berger has faith in humanity, in our ability to save our creative potential from destruction by a system that is hostile to its realization. But his faith in the inevitable end of capitalism is not so apparent. His great gifts as a storyteller can be appreciated, while recognizing the inadequacy of his political vision.
Here is a link to John Berger reading excerpts from Bento's Sketchbook.
Little Women: The new film adaptation of Louisa May Alcott's famed work
Sigrid Nunez's National Book Award-winning novel, The Friend: One form of contemporary misanthropy
Sam Mendes' 1917: A technological step forward, several ideological and artistic steps back
Left-wing British film and television producer Tony Garnett dead at 83
Wozzeck at New York's Metropolitan Opera: Alban Berg's opera on the tragic fate of an impoverished soldier
A magnificent account of Stalin's opponents in the USSR
Skin Deep, Journey in the Divisive Science of Race, by Gavin Evans
A Warning: A manifesto of the pro-war "Resistance" in the American state
The Triumph of Injustice, by Emmanuel Saez and Gabriel Zucman: How tax cuts for the rich fuel inequality


While I love boots just as much as the next gal, there are some days and some pairs of jeans that just call for a great pair of flats.
Here are 5 pairs that look great with your favorite traditional denim or colored jeans and are perfect for days when you just don't want to wear boots.
1. Women's Mossimo Nella Ankle Strap Cap Toe Flat $25. Available at www.target.com.
I love the color of these flats, and the silver cap toe adds interest without being tacky or overly ornate. You could easily wear these with jeans or a dress.
2. CHERRY-11 Camouflage Round Toe Suede Ballerina Flats $15. Available at www.trafficshoe.com.
It's all about the camouflage this fall, and these flats are fun and inexpensive way to wear the trend.
3. Bold Plaid Flats. $17. Available at www.forever21.com.
I am loving fall's plaid trend, but not for a jacket or a pair of pants. These flats are right up my alley!
4. Ava Animal Print Ballet Flat by CIRCUS by Sam Edelman. $35. Available at www.lordandtaylor.com. You cannot go wrong with a pair of animal print flats. Animal print is a neutral!!! And it's perfect for a shoe!
I love the pointed toe and the cut-out detail on the sides. This flat is perfect for both dressy and casual outfits.
Be sure to check out Friday Fashion including these fabulous forest green finds from Jo-Lynne Shane!


text:
Jeremy Matthew Petranka
Associate Professor of the Practice of Business Administration
Dr. Jeremy Petranka is an Associate Professor of the Practice in the Fuqua School of Business. He received his Ph.D. in Economics from UNC Chapel Hill in 2009, and has since taught undergraduates and MBA students at Indiana University's Kelley School of Business and UNC Chapel Hill. Prior to his career in academia, Jeremy worked as a management consultant, working with multiple Fortune 100 companies to align their information technology with their business strategies, focusing heavily on the role of data within the organizations. His work now focuses on the intersection of business and academics, specifically targeting how economics informs managerial decision-making and business strategy.
Associate Professor of the Practice of Business Administration, Fuqua School of Business, Duke University 2019
Associate Dean for the MQM and MSQM Programs, Fuqua School of Business, Duke University 2022
jeremy.petranka@duke.edu
Fuqua Faculty Profile
Ph.D., University of North Carolina - Chapel Hill 2009
B.S., Virginia Polytech Institute and State University 1999
Associate Professor of the Practice of Business Administration, Fuqua School of Business, Duke University 2014 - 2019
Assistant Dean for the MMS and MQM Programs, Fuqua School of Business, Duke University 2017 - 2019
Instructor in the Fuqua School of Business, Fuqua School of Business, Duke University 2012 - 2014
Teaching & Mentoring
FUQINTRD 899Q: Independent Study 2023
FUQINTRD 531Q: Business Fundamentals 2022
FUQINTRD 532Q: Capstone Project 2022
FUQINTRD 683W: Global Markets and Institutions 2022
MGRECON 780: Managerial Economics 2022
MGRECON 899: Independent Study 2022
QM 899QB: Independent Study 2022
MGRECON 547F: Fundamentals of Business Economics 2021
Scholarly, Clinical, & Service Activities
Participant. Faculty Curriculum on Anti-Racism. Duke Office of Faculty Advancement. January 11, 2021 - January 14, 2021 2021


text:
Q: Dismiss not working in one of two Swift UI Views I am converting my UIKit app to SwiftUI.  The basic structure of the app is - TableView -> Simpler Table View -> Single View1 -> Single View2.
I have converted the last to "Single View"s to SwiftUI, but am experiencing strange behavior when I try to dismiss Single View1. I am using the same approach to show each view, but here's a simplified version of it -
struct View2: View {
    @Environment(\.presentationMode) var presentationMode
    var cardImage : UIImage
    var eventName : String
    var eventDate : String

    var body: some View {
        ZStack{
            Image(uiImage: cardImage)
                 .resizable()
            VStack{
                Spacer()
                Text(verbatim: eventName)
                Text(verbatim: eventDate)
            }
        }
        .overlay(
            HStack {
                Spacer()
                VStack {
                    Button(action: {
                        self.presentationMode.wrappedValue.dismiss()
                    }, label: {
                        Image(systemName: "chevron.down.circle.fill")
                            .font(.largeTitle)
                            .foregroundColor(.white)
                    })
                } .padding(20)
            }
        )
    }
}

and a simplified view of View1:
struct ViewAnEventView: View {
    @Environment(\.presentationMode) var presentationMode
    let eventName: String
    let eventDate: String
    let cardFront: UIImage
    let cardBack: UIImage

    @State var showFrontCardView = false
    @State var showBackCardView = false

    var body: some View {
        VStack{
            VStack(alignment: .center, spacing: 5){
                Text(eventName)
                Text(eventDate)
            }
            VStack{
                Button( action: {
                    self.showFrontCardView = true
                }) {
                    Image(uiImage: cardFront)
                        .resizable()
                        .aspectRatio(CGSize(width: 3, height: 4), contentMode: .fit)
                }
                .sheet(isPresented: $showFrontCardView) {
                    View2(cardImage: cardFront, eventName: eventName, eventDate: eventDate)
                }
                Button( action: {
                    self.showBackCardView = true

                }) {
                    Image(uiImage: cardBack)
                        .resizable()
                        .aspectRatio(CGSize(width: 3, height: 4), contentMode: .fit)
                }
                .sheet(isPresented: $showBackCardView) {
                    View2(cardImage: cardBack, eventName: eventName, eventDate: eventDate)
                }
            }
            Spacer()
        }
        .overlay(
            HStack {
                Spacer()
                VStack {
                    Button(action: {
                        self.presentationMode.wrappedValue.dismiss()
                    }, label: {
                        Image(systemName: "chevron.down.circle.fill")
                            .font(.largeTitle)
                            .foregroundColor(.red)
                    })
                } .padding(20)
            }
        )

    }
}

When I press the "chevron.down.circle.fill" button on View2, it is successfully dismissed, but when I press it on View1, it does not get dismissed.
This is how I call View1

        let event = events[indexPath.row]
        let formatter = DateFormatter()
        let yourDate = event.eventDate! as Date
        formatter.dateFormat = "MMM-dd-yyyy"  //check local settings and make it match
        let myStringAsDate : String = formatter.string(from: yourDate)

        let cardFront = (event.cardFrontImage ?? UIImage(contentsOfFile: "frontImage"))!
        let cardBack = event.cardBackImage ?? UIImage(contentsOfFile: "backImage")
        let eventName = event.event ?? "Unknown"

        let viewAnEventView = ViewAnEventView(
            eventName: eventName,
            eventDate: myStringAsDate,
            cardFront: cardFront,
            cardBack: cardBack!
        )
        let viewCtrl = UIHostingController(rootView: AnyView(viewAnEventView))

        present(viewCtrl, animated: true, completion: nil)

I am at stuck, is there something I should be seeing here?


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Cross-eye jamming causes the tracking radar aiming towards the false direction of the stronger jamming by means of wave-front distortion, then makes the radar angle measurement and tracking failure. In this article, based on random finite set(RFS), a label Probability Hypothesis Density(PHD)filter is used as an anti-cross-eye method by determining the position of the real target. This method builds two different models for target and jamming, assigns different labels to them by prediction, correction, resampling, state estimation and track extraction, and uses the labels to distinguish between target and jamming. The simulation refers that the label PHD filter can recognize and estimate the state information of the target correctly in the presence of cross-eye jamming, and the estimation error is small.
 MAHLER R. Statistical multisource-multitarget information fusion [M]. Norwood: Artech House, 2007.
 VO B T. Random finite sets in multi-object filtering [D]. Perth: TheUniversity of Western Australia,2008.
 MAHLER Rorald P S. Multitarget Bayes filtering via first-order multitarget moments [J]. IEEE Transactions on Aerospace and Electronic Systems. 2003, 39(4): 1152-1178.
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How far out do you go with the tractor?
is it on 6 weekly inspections or longer? restricted O licence?
Will do. We have an ops licence and it will have to have its six weekly checks.
No need for a CPC though.
Think it comes down to the milage you do.
Yeah it does but on a restricted o it's a max off 100k from Base so in this game just going to a job and back or possibly 2 your milage should be fairly low.
I thought that had changed. If your vehicle is 12 years or older a maximum of 6 weeks is recommended?
Not sure about old trucks to be honest.


Vanessa Simmons net worth: Vanessa Simmons is an American actress and a business lady who was born on August 1983 and she has earned herself a decent Net worth on account of her acting and business acumen. As of 2017, her net worth amounts to $8 million. Let's study some more interesting stuff from her life.
Vanessa has completed her Bachelor's degree in mass communications from the St. John's University. It is rumored that she was dating the famous Rapper J.Cole there. She has also earned herself the #82 spot on the on Maxim's Hot 100 list of 2006. Also, she has appeared in the Miss California USA pageant back in 2006. She has also been a part of the Reality TV shows on MTV back in 2005 and 2006 Run's House & Daddy's Girls.
She has also appeared in some significant roles in some of the famous movies named: Speed Dating, Boogie Town, and Dysfunctional Friends.
Talking of Business, in 2007 she initiated a Business Venture comprising of Footwear along with her sister, Angela.They named their Company as Pastry Footwear. This shoe company made huge sales of $15 million dollars back in 2007 alone. Pastry's first collection was branded as Cake and it comprised of shoes that looked like versions of strawberry shortcake, red velvet cake and related stuff.