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An object moves along a coordinate line, its position at each time t≥0 is given by x(t)=−t2+t+2.
Find the position at time t0=5.
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They say that a fine wine gets better with age. In that respect, Jimmy Eat World is like a fine wine. With every new album they release, they get better and better. After missing their major tour in support of their new album Damage, I was able to get the chance to photograph them on this mini tour which brought them to Sayreville, New Jersey. To say I wasn't nervous would be a lie though.
Jimmy Eat World's set almost clocked in at 2 hours, which I was impressed by. Playing a good assortment of songs from their albums, Jimmy Eat World seemed to be excited to play Jersey on Friday the 13th. The excitement could be seen by each member in the band, so much so that they played "Night Drive". From what Jim Adkins said, it sounded like they never played this song live before.
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text:
Elderly can't use Senior Citizens Act to evict daughter-in-law, says Supreme Court
The Supreme Court has held that, the right of a wife to a shared household under the Domestic Violence Act will prevail against a decree obtained by her aged in-laws under the Senior Citizens Act.
The division bench of Justices DY Chandrachud, Indu Malhotra and Indira Banerjee has passed this Judgement while hearing a civil appeal filed by Smt. S Vanitha.
The bench analyzed both the laws and found that Section 3 of the 2007 Act had an overriding effect over any other law. It was this argument that the aged parents of the husband used to obtain an eviction order against their daughter-in-law from their Bengaluru home.
Protection of Women from Domestic Violence (PWDV) Act, 2005, which seeks to protect wives facing domestic violence, and the Maintenance and Welfare of Parents and Senior Citizens Act 2007, created to protect senior citizens by providing a speedy and inexpensive remedy to secure their interests at an advanced stage of life.
"The Tribunal under the Senior Citizens Act 2007 may have the authority to order an eviction, if it is necessary and expedient to ensure the maintenance and protection of the senior citizen or parent. Eviction, in other words would be an incident of the enforcement of the right to maintenance and protection. However, this remedy can be granted only after adverting to the competing claims in the dispute. It is necessary to recapitulate that the situation in the present case is that the eviction was sought of the daughter-in-law, i.e. the appellant," the Court said.
The court further noted that Section 3 of Senior Citizens Act observed that its provisions will have effect, notwithstanding anything inconsistent contained in any other enactment and that the principles of statutory interpretation dictate that in the event of two special acts containing non obstante clauses, the later law shall typically prevail.
The bench observed that both pieces of legislation are intended to affect salutary aspects of public welfare and interest. However, the definition of 'shared household' was exhaustive, the bench observed, quoting the October 2020 judgment gone by the highest court while handling similar facts where the wife was sought to be evicted through an attempt court decree by the aged in-laws who owned the house in question.
The Tribunal under the Senior Citizens Act, 2007 to grant such remedies of maintenance, as envisaged under S.2(b) of the Senior Citizens Act 2007 that do not result in obviating competing remedies under other special statutes, such as the PWDV Act 2005. Section 26/27 of the PWDV Act empowers certain reliefs, including relief for a residence order, to be obtained from any civil court in any legal proceedings.
Therefore, in the event that a composite dispute is alleged, such as in the present case where the suit premises are a site of contestation between two groups protected by the law, it would be appropriate for the Tribunal constituted under the Senior Citizens Act 2007 to appropriately mould reliefs, after noticing the competing claims of the parties claiming under the PWDV Act 2005 and Senior Citizens Act 2007.
Section 3 of the Senior Citizens Act, 2007 cannot be deployed to over-ride and nullify other protections in law, particularly that of a woman's right to a "shared household" under Section 17 of the PWDV Act 2005. In the event that the "aggrieved woman" obtains a relief from a Tribunal constituted under the Senior Citizens Act 200, she shall duty-bound to inform the Magistrate under the PWDV Act 2005, as per Sub-section (3) of Section 26 of the PWDV Act 2005.
This course of action would ensure that the common intent of the Senior Citizens Act 2007 and the PWDV Act 2005- of ensuring speedy relief to its protected groups who are both vulnerable members of the society, is effectively realized. Rights in law can translate to rights in life, only if there is an equitable ease in obtaining their realization."
The appellant is at liberty to move the Court to espouse her remedies under the PWDV Act 2005 for appropriate orders, including interim protections.
Read the judgment here;
44892_2019_36_1501_25104_Judgement_15-Dec-2020

redpajama_set_name: RedPajamaCommonCrawl


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Living > Food
At Gem, Chef Flynn McGarry Serves a Can't-Believe-It's-Not-Meat Beet
by Lilah Ramzi
If there's one thing you might already know about prodigal chef Flynn McGarry, it's his age. In March of 2014, the culinary wunderkind received his own New York Times Magazine cover story, "The Chef at 15." And two years ago, Vogue.com covered McGarry in a piece titled "Meet the Justin Bieber of Food: 16-Year-Old Chef Flynn McGarry." Countless others have done the same, going so far as to divvy up his years into halves and quarters, much like a loving aunt. But perhaps it's time headlines focused on McGarry's cooking.
This spring, McGarry opened up Gem, his first permanent restaurant in the Lower East Side. Previously, he had spent time sautéing and flambéing in Michelin star-studded kitchens: Eleven Madison Park, Alinea, and even at the White House. He'd dished out $160-a-head tasting menu dinners at his own restaurant, Eureka. Born out of the living room of his parent's San Fernando Valley home, Eureka evolved into a traveling pop-up, with flash culinary experiences available in Los Angeles and Manhattan.
The concept of Gem just might be a sly wink to his living-room roots. Stop in by day and you can enjoy coffee and pastries out of a portion of the restaurant, which calls itself the living room. As night falls, reservation holders will file in for a tasting-menu dinner (there's a 6:00 p.m. and a 9:00 p.m. seating), and kaffeeklatsch turns into a cocktail hour. The experience begins with a toast in the "living room" before you're summoned to the "dining room."
McGarry at work
Photo: Chloe Horseman Photography
The secondary space circulates around a kitchen island. Here, McGarry and his team can be seen garnishing and gracing dishes before they make the short trip to diner's tables—much like a fashion designer pats down his or her creations before they're launched onto the catwalk. It's as though you've been invited to a dinner party at McGarry's design-envy inducing downtown loft.
Josef Hoffman cane armchairs and Eames molded plywood chairs are pulled up to walnut wood tables, custom made in the Hudson Valley. Tables are intimately clustered together, some only separated by tea lights, a lovely selection of greenery (succulents, bonsai trees), and worldly trinkets. You place your drinkware on tiny etched silver coasters ("I actually found those on Etsy," says Flynn). Plates are custom from Jane Herold, flatware is Mepra and the wooden spoons came home with McGarry after his recent trip to Japan. On the wall, a rug is hung like a tapestry for added warmth.
During my visit, a well-orchestrated dinner unfolded. Culinary delight followed culinary delight; each course preceded by McGarry's succinct and modest introductions. The entire experience was just short of gluttonous and the standout dish was a single, humble beet.When McGarry announced the arrival of the "aged beet," the description perhaps oversimplified the care taken in this vegetable dish. The vegetable and its flavor profile, which I thought I had come to know in its full range, presented itself anew. The presentation resembled a pieced of steak, as did the actual dish. Tucking into my beet, I was sure it was laced with the fat of some delicious animal, but it was, in fact, 100 percent beet (with a bit of butter).
McGarry's Dry-Aged Beet
Photo: Courtesy of Gem
"What do I need to do to make my beets taste like this?" I asked McGarry as he returned with the subsequent course. He decided the explanation was better delivered via email, so a day later, the mystery was solved in my inbox.
"First, we take beets and smoke and juice them to make a charred beet stock. Then, we peel a bunch of beets and braise them in beet juice and the charred beet stock overnight. Then, we dehydrate the beets all day, and then roast them in the oven. Next, we grill and glaze them in a beet sauce (smoked beets that are cooked and reduced down with shallots, charred beet stock, red wine, soy sauce, and honey) and brown butter." The can't-believe-it's-not-meat reaction was of course his intent. "The idea started with wanting the beet to resemble a steak," he explained. "Essentially, we're trying to mimic a steak dish with bordelaise sauce and creamed spinach." (McGarry has received equal attention for his meatless Beet Wellington.)
Over the course of the meal, you'll find yourself chewing your way through other elements of playfulness, like the foie gras served on homemade "ritz" crackers. Some might say it's a nod to teen junk food habits, but really this lightheartedness speaks to McGarry's ability to not take himself too seriously, a marker of maturity. "We're taking humble ingredients like the beet and transforming it into really interesting dishes through technique and creativity. That is really how we approach a lot of our dishes on the menu."


In one of my many failed attempts at sobriety in Philadelphia in 2003 I came across a clubhouse I began to frequent. Clubhouses, like groups, tend to follow trends. The "group think" mentality often applies. This particular clubhouse loved the term "Don't leave before the miracle happens." Everyone there would say it, daily. It felt as if they were making a dollar per appropriately placing it into a conversation. Being that I heard that more than "Get a sponsor and work the steps." I went without a sponsor and eventually, my addiction caught back up to me, and the obsession got me again. I'm not blaming them. I could have done more. But the group didn't see my pain and confusion, take me by the hand and lead me into the program either.
I'm neither for or against one-liners or slogans. I believe they are neutral and most likely using them has the best of intentions. I'm disregarding the person that throws a "Keep coming back" as an insult the way a "Christian" would throw in a "Bless you" when they mean something else. The problem arises when they are misapplied, and a few are downright dangerous.
Yes, they do. Meeting makers make it to meetings. This slogan has nothing to do with the program though. Going to meetings all day won't help if they're not accompanied by step work, we get worse when we stop drinking and using regardless of meeting attendance. If you sit in a garage for 90 days, you will never become a car. It is also true that people who do well attend meetings regularly, and more often in the beginning of their recovery, hence the 90 days.
Easy does it is applied to the families, not the step work. Now that we are attempting to live on a spiritual basis and learning about resentments, we should not be attempting to use this to point out our loved one's faults or attempt to get them to change. When "easy does it" is applied to taking the steps it's counterproductive.
What miracle? I never knew what they were talking about in that clubhouse. It turns out the miracle is on page 85 concerning the 10th step promises. The "problem" (obsession) has been removed, "That is the miracle of it." This result is promised as a direct result of working steps 1 through 10, and I've never seen it fail. If someone is waiting around for a miracle related to not drinking or using missing that information they could be significantly disadvantaged.
Everything is done "one day at a time" who has ever eaten tomorrow's lunch today without it becoming today's meal. No one knows more about living one day at a time than a using addict. We try to reserve some of our stash for the morning and may even hide it from ourselves. We seem always to find and use the "wake up bag" telling ourselves, "I'll deal with getting more tomorrow." That is the very one day at a time. In a spiritual context, it means to stay in the present. Don't allow the fear of tomorrow or the resentment of the past to rob you of the present day. When someone says, "I have 10 years sober, and I did it one day at a time" the oversimplification of one day at a time can be very confusing.
It all comes down to context. If you're unsure, ask questions. Bill Wilson, the founder of AA, said: "Our chief responsibility to the newcomer is an adequate presentation of the program." Our primary purpose is to reach out the hand of A.A when someone needs it. That is all.


text:
Q: use named mapping type to resolve constructor parameter with Unity I want to garanty that unity resolve a constructor parameter using a named registration, for example:
I have two type registrations:
_container.RegisterType<IMyInterface, Implementation1>("implementation1");
_container.RegisterType<IMyInterface, Implementation2>("implementation2");

When unity resolve a class with the following contructor:
public class Example
{
    Example(IMyInterface args)
    {
    }
}

How should i specify to unity that must resolve using "implementation2" in this case only

A: You can configure a type registration in Unity to resolve a constructor argument to a specific named type using the following:
container.RegisterType<IExample, Example>(
    new InjectionConstructor(new ResolvedParameter<IMyInterface>("implementation2")));

redpajama_set_name: RedPajamaStackExchange


text:
package com.sankholin.vanilla.four;

import com.sankholin.vanilla.four.model.Product;
import com.sankholin.vanilla.four.service.ProductService;
import com.vaadin.annotations.Theme;
import com.vaadin.annotations.Title;
import com.vaadin.annotations.Widgetset;
import com.vaadin.data.fieldgroup.BeanFieldGroup;
import com.vaadin.data.fieldgroup.FieldGroup;
import com.vaadin.data.util.BeanItemContainer;
import com.vaadin.server.VaadinRequest;
import com.vaadin.spring.annotation.SpringUI;
import com.vaadin.ui.*;
import org.springframework.beans.factory.annotation.Autowired;

@SpringUI(path = "desktop")
@Theme("product")
@Widgetset("com.sankholin.vanilla.four.widgetset.Main")
@Title("Product Desktop - Single-page Application")
public class DesktopUI extends UI {

    @Autowired
    private transient ProductService productService;

    private BeanItemContainer<Product> beanItemContainer;

    @Override
    protected void init(VaadinRequest request) {

        Table table = new Table();
        beanItemContainer = new BeanItemContainer<>(Product.class, productService.getAllProducts());
        table.setContainerDataSource(beanItemContainer);
        table.setRowHeaderMode(Table.RowHeaderMode.INDEX);
        table.setColumnHeaders("ID", "Name", "Price", "Stock Count");

        Button button = new Button("Add");
        button.addClickListener(new AddButtonClickListener());

        CustomLayout customLayout = new CustomLayout("desktop");
        customLayout.setSizeFull();
        customLayout.addComponent(table, "product-table");
        customLayout.addComponent(button, "add-product");
        setContent(customLayout);

        Notification.show("Welcome to " + ProductUI.BRAND.concat(" ").concat(ProductUI.DESCRIPTION));
    }

    private void reloadTableContainerDataSource() {
        beanItemContainer.removeAllItems();
        beanItemContainer.addAll(productService.getAllProducts());
    }

    class AddButtonClickListener implements Button.ClickListener {

        @Override
        public void buttonClick(Button.ClickEvent clickEvent) {

            Window subWindow = new Window("Add Product");
            subWindow.setWidth("330px");
            subWindow.setHeight("250px");
            subWindow.center();
            subWindow.setModal(true);

            FormLayout subContent = new FormLayout();
            subContent.setMargin(true);

            Product product = new Product();
            BeanFieldGroup<Product> binder = new BeanFieldGroup<>(Product.class);
            binder.setItemDataSource(product);
            binder.setBuffered(true);

            subContent.addComponent(binder.buildAndBind("Name", "name"));
            subContent.addComponent(binder.buildAndBind("Price", "price"));
            subContent.addComponent(binder.buildAndBind("Stock", "stockCount"));
            subContent.addComponent(new Button("Submit", event -> {
                try {
                    binder.commit();
                    productService.addProduct(product);
                    //beanItemContainer.addItem(product);
                    reloadTableContainerDataSource();
                    subWindow.close();
                    Notification.show("Successfully added!");
                } catch (FieldGroup.CommitException e) {
                    //e.printStackTrace();
                }
            }));

            subWindow.setContent(subContent);
            addWindow(subWindow);
        }
    }
}


text:
N Engl J Med. 2015 Jul 2;373(1):23-34. doi: 10.1056/NEJMoa1504030. Epub 2015 May 31.
Combined Nivolumab and Ipilimumab or Monotherapy in Untreated Melanoma.
Larkin J1, Chiarion-Sileni V, Gonzalez R, Grob JJ, Cowey CL, Lao CD, Schadendorf D, Dummer R, Smylie M, Rutkowski P, Ferrucci PF, Hill A, Wagstaff J, Carlino MS, Haanen JB, Maio M, Marquez-Rodas I, McArthur GA, Ascierto PA, Long GV, Callahan MK, Postow MA, Grossmann K, Sznol M, Dreno B, Bastholt L, Yang A, Rollin LM, Horak C, Hodi FS, Wolchok JD.
From the Department of Medical Oncology, Royal Marsden Hospital, London (J.L.), and South West Wales Cancer Institute, Singleton Hospital, Swansea (J.W.) - both in the United Kingdom; Melanoma Oncology Unit, Veneto Region Oncology Research Institute, Padua (V.C.-S.), Oncology of Melanoma Unit, European Institute of Oncology, Milan (P.F.F.), University Hospital of Siena, Siena (M.M.), and Istituto Nazionale Tumori Fondazione Pascale, Naples (P.A.A.) - all in Italy; Division of Medical Oncology, University of Colorado, Denver, Denver (R.G.); Aix-Marseille University, Hôpital de La Timone, Assitance Publique-Hôpitaux de Marseille, Marseille (J.J.G.), and Hôtel Dieu Place Alexis Ricordeau, Nantes (B.D.) - both in France; Baylor Charles A. Sammons Cancer Center, Dallas (C.L.C.); Departments of Internal Medicine and Dermatology, University of Michigan, Ann Arbor (C.D.L.); Department of Dermatology, University of Essen, Essen, Germany (D.S.); University of Zürich Hospital, Zurich, Switzerland (R.D.); Cross Cancer Institute, Edmonton, AB, Canada (M. Smylie); Maria Sklodowska-Curie Memorial Cancer Center and Institute of Oncology, Warsaw, Poland (P.R.); Tasman Oncology Research, Southport Gold Coast, QLD (A.H.), and Westmead and Blacktown Hospitals (M.S.C.) and Melanoma Institute Australia (M.S.C., G.V.L.), University of Sydney, and the Mater Hospital (G.V.L.), Sydney, and Peter MacCallum Cancer Centre and University of Melbourne, Melbourne, VIC (G.A.M.) - all in Australia; Division of Medical Oncology, the Netherlands Cancer Institute, Amsterdam (J.B.H.); Servicio de Oncología Médica, Hospital General Universitario Gregorio Marañón, Madrid (I.M.-R.); Ludwig Center, Memorial Sloan Kettering Cancer Center (M.K.C., M.A.P., J.D.W.) and Weill Cornell Medical College (M.K.C., M.A.P., J.D.W.) - both in New York; Huntsman Cancer Institute, University of Utah, Salt Lake City (K.G.); Yale Cancer Center, Smilow Cancer Hospital of the Yale-New Haven Hospital, Yale University Sc
Nivolumab (a programmed death 1 [PD-1] checkpoint inhibitor) and ipilimumab (a cytotoxic T-lymphocyte-associated antigen 4 [CTLA-4] checkpoint inhibitor) have been shown to have complementary activity in metastatic melanoma. In this randomized, double-blind, phase 3 study, nivolumab alone or nivolumab plus ipilimumab was compared with ipilimumab alone in patients with metastatic melanoma.
We assigned, in a 1:1:1 ratio, 945 previously untreated patients with unresectable stage III or IV melanoma to nivolumab alone, nivolumab plus ipilimumab, or ipilimumab alone. Progression-free survival and overall survival were coprimary end points. Results regarding progression-free survival are presented here.
The median progression-free survival was 11.5 months (95% confidence interval [CI], 8.9 to 16.7) with nivolumab plus ipilimumab, as compared with 2.9 months (95% CI, 2.8 to 3.4) with ipilimumab (hazard ratio for death or disease progression, 0.42; 99.5% CI, 0.31 to 0.57; P<0.001), and 6.9 months (95% CI, 4.3 to 9.5) with nivolumab (hazard ratio for the comparison with ipilimumab, 0.57; 99.5% CI, 0.43 to 0.76; P<0.001). In patients with tumors positive for the PD-1 ligand (PD-L1), the median progression-free survival was 14.0 months in the nivolumab-plus-ipilimumab group and in the nivolumab group, but in patients with PD-L1-negative tumors, progression-free survival was longer with the combination therapy than with nivolumab alone (11.2 months [95% CI, 8.0 to not reached] vs. 5.3 months [95% CI, 2.8 to 7.1]). Treatment-related adverse events of grade 3 or 4 occurred in 16.3% of the patients in the nivolumab group, 55.0% of those in the nivolumab-plus-ipilimumab group, and 27.3% of those in the ipilimumab group.
Among previously untreated patients with metastatic melanoma, nivolumab alone or combined with ipilimumab resulted in significantly longer progression-free survival than ipilimumab alone. In patients with PD-L1-negative tumors, the combination of PD-1 and CTLA-4 blockade was more effective than either agent alone. (Funded by Bristol-Myers Squibb; CheckMate 067 ClinicalTrials.gov number, NCT01844505.).
Combined immunotherapy improves survival in metastatic melanoma. [BMJ. 2015]
Melanoma: CheckMate 067--frontline nivolumab improves PFS alone or in combination with ipilimumab. [Nat Rev Clin Oncol. 2015]
Combined Nivolumab and Ipilimumab or Monotherapy in Untreated Melanoma. [N Engl J Med. 2015]
10.1056/NEJMoa1504030
Progression-free Survival
Panel A shows the Kaplan–Meier curves for progression-free survival in the intention-to-treat population. Patients were followed for a minimum of 9 months. Panels B and C show the Kaplan–Meier curves for progression-free survival in patients with PD-L1-positive and PD-L1-negative tumors, respectively.
[Please note: the KM curves shown in the graph below are based on verified PD-L1 assay data. The graphs will be updated based on validated PD-L1 data, although it is expected that there will be little difference between the verified and validated graphs.]
Combined Nivolumab and Ipilimumab or Monotherapy in Previously Untreated Melanoma
N Engl J Med. ;373(1):23-34.
Tumor Burden Change in Target Lesions
The waterfall plots show the maximum change from baseline in the sum of the reference diameters of the target lesion in patients receiving nivolumab (Panel A), nivolumab plus ipilimumab (Panel B), and ipilimumab (Panel C). Data are shown for all the patients who had a response that could be evaluated in the target lesion at baseline and who underwent at least one tumor assessment during treatment. The percentage increase was truncated at 100% (rectangles). Symbols indicate patients who had a response to treatment according to the Response Evaluation Criteria in Solid Tumors, version 1.1. The vertical dashed lines indicate a 30% reduction in the tumor burden in the target lesion, and the horizontal dashed line indicates the inflexion point for the nivolumab plus ipilimumab group.
Publication types, MeSH terms, Substances, Secondary source ID, Grant support
Clinical Trial, Phase III
Antibodies, Monoclonal/adverse effects
Antibodies, Monoclonal/therapeutic use*
Antineoplastic Agents/adverse effects
Antineoplastic Agents/therapeutic use
Antineoplastic Combined Chemotherapy Protocols/adverse effects
Antineoplastic Combined Chemotherapy Protocols/therapeutic use*
Double-Blind Method
Intention to Treat Analysis
Melanoma/drug therapy*
Melanoma/secondary
Nivolumab
Skin Neoplasms/drug therapy*
Skin Neoplasms/pathology
Tumor Burden/drug effects
Antibodies, Monoclonal
ClinicalTrials.gov/NCT01844505
P30 CA008748/CA/NCI NIH HHS/United States
Full text from - Zurich Open Access Repository and Archive
Skin Cancer - MedlinePlus Health Information
Melanoma - MedlinePlus Health Information


Still plugging away at some textile and surface designs. I'm heavily considering showing at Printsource in January and so I'm seeing just how far I can push myself. It's a huge investment to get a booth at an art licensing trade show, but with some recent freelance work raising my confidence I'm thinking it might just be now or never.
Here is a sneak-a-peek at something I've been working on this evening.
Other then creating new work, I've also been busy catching-up on printing all the work I created in the last few months (year?!?). It's so nice to have this fresh, clean studio to some into and get crackin' on sunny mornings. Just having the space and the tools available 24/7 is inspiring in itself.


text:
Bob Ehrlich: There's Still Hope for Race Relations in America
Win McNamee / Getty ImagesPresident Donald Trump delivers remarks during a reception in honor of National African American History Month. (Win McNamee / Getty Images)
By Bob Ehrlich
Published May 1, 2019 at 2:15pm
Remember when President Obama called for a long-overdue national dialogue on race? Most of us recall the well-publicized call to arms. That a gauntlet had been thrown down by our first black president was without doubt, but few on either side of the aisle were willing to pick up the kryptonite and run with it.
The feeble response was not surprising. Discussions on race are so … awkward. Everyone is on edge, on guard. Too many of us are scared about how what we say will be interpreted that we just shy away from the really tough stuff — the thought-provoking opinions that challenge individual safety zones. As a result, we talk past one another far too often.
Our 44th president's challenge is never far removed from my mind these days, as race-based appeals carry us further away from Dr. King's vision of "character first" judgment.
It is indeed a disappointment, as many Americans (myself included) have long believed that race relations in America would improve over time. I was able to maintain this conviction throughout my public career, and not only because I wanted to believe it.
My rationale was solid: I thought the first black president would prove to be a moderating presence regarding race relations — that a growing African American middle class would generate more philosophical buy-in from self-appointed black leaders — that, in the end, green (as in dollars) would ultimately trump (excuse the pun) the black and white divide.
Today, I'm no longer so sure.
My pessimism centers on the emergence of two inter-connected but equally dangerous cultural movements — victimhood and identity politics. Each is destructive in its own right, but together they represent serious and perhaps permanent problems for the future of race relations in America.
Victimhood (and its consequences) is the new bright shiny thing on the left. It has the benefit of covering a lot of ground. For example, it's convenient as it explains/rationalizes negative life results through a racial lens. The narrative has especially metastasized on the extreme left where the country and culture are seen as bastions of unyielding racism, where life's uneven playing fields are offered as excuses, not explanations. Per this narrative, racism and racial insensitivity explain instances of failure, poor result, or lack of upward mobility.
Another iteration is equally available but so weak. Here, purveyors of the political trade who have enjoyed America's advantages — strong families, elite educations, high-paying jobs and professional success — unapologetically cling to their victimhood. Apparently, these children of privilege recognize no other rhetorical option — such is their shallowness.
Alas, while the specter of Ivy League graduates playing this card may be embarrassing to us, it will continue to be used until it doesn't work anymore.
A first cousin is identity politics — the theory that pre-supposes the color of one's skin or ethnicity or sexual orientation or religion must dictate one's political views. This affliction is the other rage among progressives because such a narrow perspective is easy to teach and too often politically rewarding (and expedient) as those whose political identities fail to conform are easily cast aside, marginalized as inauthentic.
For context, check out the treatment of black conservative intellectuals and politicians by the establishment left and their media allies. Here, defining down is so much easier than having to … think. It is accordingly easy to discern why the Thomas Sowells, Condoleezza Rices and Ben Carsons of this world are not appropriately celebrated. They are counterfeit. Their politics does not fit their assigned race or sex. Their high profiles are also mightily inconvenient for the narrative makers and sustainers on the left.
At the end of the day, their careers, life stories, and professional successes are sacrificed on the altar of identity politics. The message to young people is accordingly clear: no role models to be found here — keep turning left…
Some friends of mine believe my rose-colored glasses are blocking out the stark reality of racial politics circa 2019. Still, I have not given up my belief that demonstrable economic progress may indeed reduce racial tension in America.
RELATED: The Far Left's Racism Accusations Are Pure Poppycock
A good barometer may be the 2020 election. If the Trump economy holds up — and in the process the historic economic progress of minority communities, especially African Americans — it may at the very least help turn our racial dialogue in a more positive direction.
Such would be a timely development in a nation that remains far too divided by skin color.
The views expressed in this opinion article are those of their author and are not necessarily either shared or endorsed by the owners of this website.
Bob Ehrlich
Robert Ehrlich is a former governor of Maryland as well as a former United States congressman and state legislator. He is the author of "Bet You Didn't See That One Coming: Obama, Trump, and the End of Washington's Regular Order," in addition to "Turn This Car Around," "America: Hope for Change" and "Turning Point." Ehrlich is currently a partner at the firm of King & Spalding in Washington, D.C.
Bob Ehrlich: Acting Out
Bob Ehrlich: Media's Anti-Trump Obsession Could Backfire in 2020
Bob Ehrlich: How Trump's Surprising Election Triggered the Left's Spectacular Self-Destruction
Bob Ehrlich: This 'Murderers Row' Lineup Is Set on Destroying Donald Trump in 2020
Bob Ehrlich: Trump Is Making High-Stakes Foreign Policy Plays Like No President Before Him
Tags: Liberal Racism, race, race baiting, race card, race relations, Racism


I had read somewhere (probably on Pinterest) that if you chop up the green parts of spring onions, but leave the white parts intact, you can regrow the green parts simply by placing the remainder of the onions into some water and leaving them alone for some time. Someone even claimed that you can do this repeatedly! Needless to say, I was a bit skeptical about this miracle re-growth, but I decided to do a little science experiment anyway, just to test it out.
Spring onions, eight days later.
It was truly a miracle in the kitchen! Of course, no science experiment is complete until you eat it test it. (Ok, seriously now, kids. Don't eat your real science experiments!) Sure, the onions looked real and quite green, but would they still taste like onions? I had to find out. I took a couple of my miracle spring onions and chopped up the green parts into a salad. They tasted like onions, alright! If anything, the onion-y taste was even stronger than in the original spring onions. As I was chopping them up, I also noticed that the onions developed some gnarly looking roots.
Spring onions grew new roots in water!
All in all, I am calling this kitchen science experiment a success.
We finally bought D's suit! He looks quite handsome in it, and I can't wait to see it all done after alterations. D also already purchased a potential shirt, and I found him a tie that perfectly matches my dress. D also figured out what kind of ring he wants, and finally bought it. We were told that resizing will take up to four weeks, which makes me a bit nervous, but let's hope we get the ring on time.
The hair and makeup trial went really well, and we decided to take advantage of the opportunity and have our engagement photos taken the day I was all dolled up. We went to a park, and D's dad (who is a photographer) did the photoshoot. I've never had to "model" for an hour worth of photos before! It was tiring but absolutely worth it. The photos came out great, and we are hoping to use some of them for our wedding announcements.
I just did a dry run of my wedding bouquet using this tutorial from APW, and honestly, it couldn't have been easier. It took me all of fifteen minutes to make, and the result is a simple and pretty bouquet. I am very happy with how it turned out, and I'll post some photos of it soon.


It can be argued that a human is ultimately the sum of his experiences.
I am a geneticist through and through. I work as a PhD student in the "ITZ: Ecology and Evolution". Contrary to my colleagues I am neither working on Placozoa nor Insects but on fluffy sheeps. My project is a cooperation between the ITZ (Prof. Dr. Schierwater) and the Institute of Animal Physiology (Prof. Dr. Gerhard Breves). As inner values are most important to me I am investigating the influence of different diets on the microbial flora within sheep rumen.
Fig. 1-4: Sampling of rumen food particles and fluid from fistulated sheep.
While DNA barcoding has become quite popular around the world, we were not satisfied by the enforced use of distances as a means to classify species. That is why we, in cooperation with the American Museum of Natural History (New York) developed character-based barcoding. Character-based barcoding works with diagnostic characters and character combinations which permits a clear, unambiguous classification.
Investigation on the influence of different diets on the microbial flora within sheep rumen. The influence of the diet composition on the microbial flora is studied by analyzing the rumen food particles and fluid of quadruplet sheep. A combination of different genes (16S rDNA, rpoB, mcrA) were amplified by PCR and sequenced by NGS 454.
First steps in establishing a character-based DNA barcoding for microorganisms. Character-based DNA barcoding is an efficient tool for the characterization of species. Most rumen microorganisms are still unknown and this tool will provide insights in their relationships and identity.
Bergmann T, Rach J, Damm S, DeSalle R, Schierwater B and Hadrys H. The potential of distance-based thresholds and character-based DNA barcoding for defining problematic taxonomic entities by CO1 and ND1. MER. Received 6 July 2012; accepted 9 April 2013.
Reid BN, Le M, McCord WP, Iverson JB, Georges A, Bergmann T, Amato G, DeSalle R, Naro-Maciel E. Comparing and combining distance-based and character-based approaches for barcoding Turtles. MER. 2011 Jun 2. doi: 10.1111/j.1755-0998.2011.03032.x.
Bergmann T, Hadrys H, Breves G, Schierwater B. Character-based DNA barcoding: a superior tool for species classification. Berl Munch Tierarztl Wochenschr. 2009 Nov-Dec; 122(11-12):446-50.


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Q: How to store browser's network information into database? I want to store browser's network information into database. How can I do this in ruby on rails?

Network information like - All individual request that comes in network that I want to store into database.
Is there any gems or any api that I can get this information and store into database?
Thanks


text:
#OTRHoopsReport: Freshman U Recap -Aug 31, 2017
The Freshman U Camp featured some of the best prospects in the 2021 class.
Lawrenceville, GA – The inaugural Freshman U Camp provided a platform for many of the state of Georgia top players in the 2021 class. Here are a number of prospects that caught our eye from this weekend's tournament.
By @Donta_OTRH
Tyler Shirley – Pebblebrook (GA)
Shirley was one of the most dominant players at the Freshmen U showcase this past Saturday. He has improved his skills tremendously to go along with the great size he already possesses. The most noticeable improvement came from the perimeter as he was able to step out and hit the 3-point jumper comfortably all afternoon. His motor was outstanding from drills to game competition and he owned the paint by grabbing rebounds on both ends and blocking shots. He can put the ball on the floor and make plays around the basket, below and above the rim, which was something he may not have been comfortable doing this time last year. He will look to make an immediate impact for a young Pebblebrook Falcons squad this winter.
Bryce McGowens – Wren (SC)
McGownens is a scoring machine, he has a quick first step to the basket and can finish with a variety of shots, including a nice runner/floater. If the defense collapses he has the ability to find teammates for easy baskets. He also has the ability to play off the ball and does a good job of finding holes in the defense where he can connect on the deep ball. Our staff has had a chance to watch McGowen's over the past couple of years and he continues to get better. He is a name to remember nationally in the 2021 class.
Peyton Daniels – Tri-Cities (GA)
Daniels was one of the smoothest players at Freshmen U, really turning it on during the latter half of the day when games were being conducted. He's respected and liked by his peers off the court but goes after them with an competitive edge once he steps in between the lines. He has good size and a great overall feel for the game. He can get to the rim off the bounce and finishing with both hands almost comes naturally for this prospect. He impressed with his maturity on the floor and the ability to make plays for others when the time came. He's no point guard but does possess point guard qualities and with the ability to slash, puts him right there with the best in this 2021 class.
Ashton Malone – Norcross (GA)
Malone, on this day, continued what was already a successful summer campaign with the Georgia Stars and Norcross High School. He's everything you're looking for when searching for a true floor general. He has a very balanced game and knows when to pass the basketball or make plays for himself. He is very patient in pick & roll situations, possessing a great first step to get downhill and the craftiness to convert more times than not at the rim amongst the trees down low. He's another prospect that has a great feel for the game and is high level because of his ability to make those better around him, regardless of the team.
RJ Noord – Columbia (GA)
Noord, who's already been on the campuses of Auburn and South Florida, showed his promise again at Freshmen U. He's a lanky wing player that clearly loves the game of basketball and shows with his activity and communication on both ends. He is an effective scorer from 3-point range, proving that ability in the shooting drills early on, and has the size and tenacity to get past his initial defender and make plays once he gets downhill. He will be one to look out for in an competitive region with his Columbia Eagles and annual powerhouse Miller Grove.
Isaac Abidde – Westover (GA)
Abidde stood out at Freshmen U as soon as he walked into the gym because of his size and physique. But as games were going, he also showed the ability to put the ball in the basket in a number of ways inside. He is a natural athlete with good feet and looked comfortable on the break for rim run finishes. He also had an effective spin move that allowed him space to lay the ball in the basket also. He is a monster on the glass and double-digit rebounds should be a standard for the 6'6" forward. If he continues to grow and develop inside he could be one to watch for the big men representing the 2021 class.
Andrew McConnell – Mill Creek (GA)
McConnell is a prospect who I believe benefited greatly from the summer AAU season as he made a big impact on a talented Game Elite team. McConnell is one of the more cerebral players I saw over the weekend, using that IQ to his advantage on both ends of the floor. Whether it's making steals on defense or putting defenders guarding him in a spin cycle for transition buckets, McConnell is someone who will usually make his presence felt. He has good 3-point shooting ability which makes him dangerous from the outside and plays the game the right way, making him a pleasure to play and a headache to play and coach against.
Lucas Garabadian – Kings Ridge Christian School (GA)
A high-level player in his own right, Garabadian is an elite scorer on all three levels. He is a sniper with a great release from behind the arc and uses an effective shot fake to get defenders up in the air and into the lane to cause more havoc offensively. I liked the way he flew around the court, giving good effort all day on both ends of the floor. He can fill up a box score fairly quickly regardless of the style of play, which makes him valuable already at the High School level.
Davon Cottle – Westlake (GA)
Cottle, like Daniels, has great size and uses that size to his advantage in multiple ways. There were many prospects at Freshmen U that could put the ball in the basket but Cottle was a prospect that not only scored but impressed with his crisp passes and court awareness in both the half court and open floor. A tenacious defender in his own right, Cottle was another one of those players that you always knew where he was on the floor because he was in the middle of the action on both ends.
Donta Eberhardt is a contributor to On the Radar Hoops
Andrew McConnellAshton MaloneBryce McGowenDavon ZottelIsaac AbiddeLucas Garabadianotr reportPeyton DanielsRJ NoordTyler Shirley
2024 Bigs Making an Impression Heading to Spring


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REVIEW: Son of Scoregasm
by JimDeadlock12 December 20175 min readAdd comment
Twin-stick bullet-hell arcade shooter. The best I've played but hella hard!!
Steam: Released
Genre: Arcade, Action
Developer: R C Knight
Publisher: Charlie's Games
We've all played this type of shooter at one time or another. Steam is awash with games in this genre, and indeed the store page for this one looks no different from many others. Let me tell you though, this one is special.
The overall structure of the game is quite basic. Graphics for the main map and achievements are deliberately done MS-Paint-style and there are one or two minor glitches to be ironed out (nothing that affects gameplay).
It's when you start playing that you realise this developer really knows what he's doing. Levels involve swarms of colourful enemies perpetually chasing after you in patterns and randomly, as expected, but the unique mechanic of this game is the shooting method. You have the traditional right-stick chain gun as usual, but the shoulder button (controller is a MUST here) releases a pulse that not only kills all enemies within a certain radius, but when doing so all the dead bullets/enemies turn into energy which you pick up to improve your firepower and at the same time your score multiplier increases.
That may seem a bit complicated when you read it, but what it means is that you have to a) try to position yourself right in the middle of a swarm and then pulse right at the very last moment to maximise your kill zone and your multiplier – the closer they are, the more points you get – and b) carefully ration your pulses because they eat your energy but it gradually replenishes, so it also acts as a 'panic button' to escape overwhelming situations, of which there are many!!
There are 28 levels, each unlocked as you beat the previous one. There's always a target score to get a medal, and while you're trying to beat it you see your name rising up the leaderboard for the level (I'm currently the proud holder of the #1 rank for one of them). The level designs are imaginative, extremely diverse and absolutely spectacular. The enemies and obstacles test your skills in all kinds of different ways, and you're always looking for the right technique to tackle each type of enemy. In the end there's always one particular strategy that's a winner, but it can take hundreds of attempts to discover it and master the technique!
The challenge level of this game is: Oh. My. God.
There are two overall settings: Normal and Expert. Each level also has a choice of two exits after you beat it: green for easy and orange for hard. I'm not entirely sure if these difficulties are piled on top of the overall difficulty setting, or if it simply toggles. What I will say is that this game has NO EASY MODE. Even on the bare minimum Normal/green it's still effing HARD!!
I would say, without exaggeration, that at least 80% of all levels I've played have lasted less than five seconds. It's normal. Restart, die, restart, die, over and over and over multiple times every minute. With each attempt you learn a little more about the enemy patterns and get a little more cunning until you get that final breakthrough to victory. Persistence is the name of the game.
Despite being very hard, the controls are so intuitive and natural that it never feels unfair. You always want just one more try. Even now I'm fighting the urge to stop writing and play a few more. It's horribly addictive.
The MS Paint style for the icons and menus would normally be a detriment but in this case I think it adds charm and suits the game down to the ground. It portrays pure simplicity and good old British understatement. The neon colours within the levels hit just the right tone of being pretty without interfering with the visuals. You can always see what you're doing even when the screen is full of bullets.
Usually I rate a game's music based on whether or not it's too annoying to leave it on. In this case I love it, and I rarely say that about any game. I'd describe it as synthesised rhythmic rock with a nice melody and again, it suits the gameplay perfectly.
7 trading cards. 18 achievements, half of which involve finding various types of oh-so-British biscuits to fill the King's biscuit tin. How brilliant is that? And as if that wasn't fantastic enough, I'm playing this on my beloved Linux. Oh you beauty.
For this type of game, with the amount of content and unlimited (compulsory!) replay value I'd say the price is exactly right. However, once you factor in the high quality of the gameplay it becomes excellent value even at full price. It's the type of game that you'll want to keep in your favourites and dip into occasionally over a long period of time.
I don't normally opt for fast and furious games like this, I'm more into sedentary puzzlers, but I'm sitting here now with a pair of sore thumbs and nerves jangling like I've just chugged 20 shots of espresso. I feel so alive!
Tagged asaction, arcade, Charlie's Games, R C Knight, Son Of Scoregasm
JimDeadlock
I'm a rabid Linux user. My main focus is puzzlers or anything with puzzle elements in it. I also like forward-planning strategy and discovery/adventure. Games that engage your brain without too much urgency.
I don't go for multiplayer games in general, and you couldn't make me play FPS if you tied me to a chair and held a blowtorch to my toes. The big exception is Rust! I've played 3,000+ hours and I run a server for it, come and join us!


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Малликарджун Мансур (, ; 31 декабря 1910, Мансур близ Дхарвада, Бомбейское президентство, Британская Индия (ныне Карнатака, Индия) — 12 сентября 1992, Дхарвад) — индийский  хиндустани.

Биография

Представитель народа каннара. Обучался карнатической музыке. Вышел на сцену ещё будучи маленьким мальчиком, следуя по стопам своего старшего брата.

Пел более шестидесяти лет, в основном, не южно-индийский вокальный стиль карнатик, а гвалиорский и джайпурский (гвалиор и джайпур гхарана). В его пении всегда была особая напряженность, настойчивость и серьезный подход с мелодии. Завоевал не только уважение, но и любовь современников.

Был музыкальным руководителем His Master's Voice, позже — музыкальным советником станции Dharwad Всеиндийского радио.

Написал автобиографическую книг «Nanna Rasayatre» («Мой путь в музыке»).

Умер из-за проблем с дыхательными путями. Власти Индии устроили ему Государственные похороны.

Награды
 Падма Шри (1970)
 Падма Бхушан (1976)
 Падма Вибхушан (1992)
 Стипендия государственной академии музыки, танца и драмы Сангит Натак (1982)

Примечания

Ссылки
 Малликарджун Мансур: Человек и музыкант

Индийская классическая музыка
Биографы

redpajama_set_name: RedPajamaWikipedia


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Mayer Hawthorne – Impressions
IMPRESSIONS on Vinyl
Mayer Hawthorne released this 6-track covers EP strictly as an online release following his debut album A Strange Arrangement. Impressions is finally out on vinyl, with cover art by Alvaro Ilizarbe, who also did Mayer's I Need You single. Here's a track by track description for Impressions by Mayer Hawthorne:
1. Mr. Blue Sky
This one features my live band, The County: Quentin Joseph on drums, Topher Mohr on guitar, Quincy McCrary on piano, and Joe Abrams on bass. It was recorded live, in one take, in a tiny makeshift tent, at a festival in Dour, Belgium.
2. Don't Turn The Lights On
My favorite track from Chromeo's Business Casual LP. On the surface it's an electro-funk, dance floor filler, but underneath is a brilliant love ballad with lyrics that reminded me of something from Tyrone Davis. Dave1 (of Chromeo) told me the song is about a guy who falls in love with a ghost, so I wanted my version to have an eerie, ghostly feel to it. Quincy McCrary played the creepy piano solo at the end.
3. You've Got The Makings Of A Lover
Textbook Northern Soul from a little known Dallas, Texas group called The Festivals. I was digging for records in NY with my homey DJ Kurse, and the shopkeeper played the 45 in the store. Both of us immediately ran up to the counter and said "yo! what is THAT?!". The original version was recorded in the late 60s, and the mix isn't very good. I wanted a version that I could bump. Quentin Joseph played the drums and we recorded them at Sam Beaubien's studio in Detroit. That's Sam playing the trumpet as well.
4. Fantasy Girl
This song was recorded by an amazing man from Pasadena named Steve Salazar. He was born with a heart condition and passed away at the young age of 27. Before he died he recorded one incredible album of demos in the mid-70s with a band called Shorty's Portion. Peanut Butter Wolf found a copy of the album and I loved it so much that he gave it to me (thanks Wolf!). The vinyl had a handwritten note tucked in the sleeve that was addressed to anyone who could help the band with management, a record deal, radio airplay, etc. I'd estimate there were less than 300 copies pressed. That's my Dad playing pedal steel guitar and Topher Mohr shredding the guitar solo on my version. The songwriter is David Layne.
5. Little Person
Jon Brion is not from this planet. He penned this song for the soundtrack to Charlie Kaufman's film "Synecdoche, NY". I didn't get the film at all, but I really got the soundtrack. The original has only female vocal and piano, but I always heard a larger arrangement. Hubert Alexander played some of the piano and I did everything else.
6. Work To Do
This one also features The County. It was recorded live in a radio station studio somewhere during our Winter 2010 US tour. The tapes recently surfaced, but nobody can remember exactly where we were. The song is originally by The Isley Brothers, and that's the only version I was familiar with until we started playing it in our live shows and people would come up to us and say "hey, loved your cover of Average White Band!"
related artists Mayer Hawthorne
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No Junk. Just the Good stuff.


WHAT WILL YOUR GIFT ACCOMPLISH?
Improving the way people live, learn, and earn in Middle Tennessee.
Through sustained philanthropy, the NSCC Foundation helps to make the dream of attending and graduating college a reality. We bridge the financial gap and satisfy the educational needs of Nashville State students that are not met through state and federal funding.
Higher education changes lives and launches careers, and your involvement in our work makes you a vital participant in the provision of these transformational opportunities. We know that a rising tide lifts all boats, and we thank you for helping to make this sea change possible.
This year's Big Payback Day is May 2, 2019 so keep your eyes peeled for information about our Happy Hour get together!


Open to the whole school community is the Senior Arts Awards evening of St John's College. It is a 7:00pm for 7:30pm start in the school library on Wednesday evening, 14th September. Being a school night, we are looking to complete proceedings no later than 9:00pm. All SJC students and their families are welcome to observe, support and be part of this exciting event. We hope to build on the success of last year, the inaugural Senior Arts Awards.
It will be a modest event with no cost to those attending. There will be no keynote speaker and catering is a light supper only, co-ordinated by the PTFA.
The programme of events will include short music/drama performances between categories of awards presented. Drama students will guide us through the evening including as comperes. There will be a number of breaks for light supper and looking through the artwork on display including a silent art auction.
Grandparents and extended family are especially encouraged to come along to appreciate the flourishing Arts departments of the school; Music, Art and Drama. There is to be no reserved or allocated seating.
Similar to the annual senior sports evening, the Arts awards presented on this night are not curriculum or classroom based; rather boys will be recognised for contributions to the school through the Arts and to various groups within the Arts faculty.
Award nominees will be dressed in No.1s therefore others are requested to wear similarly smart/formal attire to compliment the relaxed but formal occasion of receiving official awards.


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VSS Sells TMP Worldwide
April 23, 2018 04:00 PM Eastern Daylight Time
NEW YORK--(BUSINESS WIRE)--VSS, a private investment firm, announced it has completed the sale of its portfolio company, TMP Worldwide ("TMP"), a global leader in talent acquisition technologies that leverages software, strategy and creative to build talent and enhance their clients' employer brands. The business was acquired by Gemspring Capital. Financial terms of the transaction were not disclosed.
VSS and management purchased TMP from Monster Worldwide in 2006.
"VSS recognized a world-class management team with extraordinary client relationships as well as the potential to accelerate TMP's digital transformation, scaling its solution and service offerings," said Trent Hickman, Managing Director and member of the TMP board. "Together with management, we focused on technology, acquisitions and transforming the company into a global digital recruiting company."
TalentBrew, launched in 2010, is the company's core subscription-based, multi-tenant software platform that seamlessly integrates candidate job search, employer branding, recruiter tools and advanced analytics.
VSS and TMP completed four add-on acquisitions that led to a significant expansion of TMP into both Europe and Asia.
"It has been a great honor for us to partner with Michelle Abbey and her team," added Trent Hickman. "What they have accomplished in developing the business over the years has been of enormous benefit to their customers, employees and shareholders. We wish them well in their next phase of growth."
"VSS shared our vision for the growth and development of the company and supported us every step of the way. We look forward to the company's growth and continued expansion in partnership with Gemspring Capital," said Michelle Abbey, President and CEO of TMP Worldwide.
VSS has extensive experience in the human capital management ("HCM") sector, having made six investments in the HCM sector.
Raymond James acted as financial advisor to VSS and TMP Worldwide. Proskauer Rose provided legal advice to VSS and TMP Worldwide.
About VSS
VSS (www.vss.com) is a private investment firm that invests in the information, healthcare services, tech-enabled business services, and education industries. VSS provides capital for growth financings, recapitalizations, strategic acquisitions and buyouts to lower middle market companies and management teams with the goal of building companies organically as well as through a focused add-on acquisition program. VSS makes privately-negotiated investments across the capital structure and has the ability to invest in situations requiring control or non-control equity, mezzanine securities and structured equity securities.
About TMP Worldwide
TMP Worldwide is a global leader in talent acquisition technologies, committed to finding new ways to leverage software, strategy and creative to build talent and enhance our clients' employer brands – across every connection point. From healthcare to government to retail to technology and everything in between – we've revolutionized the way companies and candidates connect.
Tanya Dessereau, +1-212-381-8556
dessereaut@vss.com
VSS Sells TMP Worldwide.


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A Susan Boyle Meltdown Hoax?
Did Susan Boyle self-destruct? Or is Simon Cowell tricking us again? At first we could hope it was all a misunderstanding and Susan Boyle didn't really scream and swear at the police. Or at her biggest "Britain's Got Talent" rival, 12-year-old Shaheen Jafargholi, as she watched him on the telly in her hotel bar. […]
Sondra Lowell Guest Writer
Last Updated: May 29, 2009 @ 3:22 PM
Did Susan Boyle self-destruct? Or is Simon Cowell tricking us again?
At first we could hope it was all a misunderstanding and Susan Boyle didn't really scream and swear at the police. Or at her biggest "Britain's Got Talent" rival, 12-year-old Shaheen Jafargholi, as she watched him on the telly in her hotel bar.
Or, worst of all, threaten to leave the show — only days before Saturday's finale, the most important day of her life.
Now it's all been confirmed — in the British tabloids that started the whole mess and in live interviews on American TV. For her mental health, Susan has been moved away from the London hotel swarming with tourists and tabloid reporters to some kind of safe house. And Susan herself (or the "BGT" publicity department, in her name) has released a statement that: "I want nothing more than to stay and sing in the "Britain's Got Talent" final."
Phew, that was a close one.
Ah, for the innocence of last Sunday's semi-final, when there were flaws in her performance but the fans knew the pressure she was under and chose to revel in the notes that she hit beautifully.
Susan was the clear winner of the night in the call-in voting, yet the best part was judge Piers Morgan's tribute after her song: "When the world was going through a pretty tough time and was looking for a bit of hope and inspiration, along came Susan Boyle to provide it and, on behalf of the whole world, 'cause they're all watching you tonight, thank you, Susan."
Even Simon came through for her: "I just want to apologize because of the way we treated you before you sang the first time. You've made me and everyone else look very stupid, and I'm very happy for you."
The British papers started calling her SuBo, raising her to the level of JLo and LiLo and Brangelina. And then, as the American press did with LiLo's drug, grand theft auto and girlfriend's-family-hires-five-security-guards-to-keep-her-out-of-a-party problems, the press looked for Susan's melting point and found it.
The first inkling that something was wrong was the Tuesday morning Sun
Report that Susan was practicing her singing till 2 a.m. in her London hotel room, and guests were complaining that the "cacophony" was keeping them up.
One guest griped, "She just sings all day and all night."
If only she'd left it at singing.
Under the headline "SuBo Goes Loco," the Sun reported that Susan was enjoying Shaheen's rousing semi-final song at the hotel bar … until Piers told the young contender, "I think that, pound for pound, that was the best singing performance we've seen so far."
As the ever vigilant Sun described it, "Hairy Angel Susan … stood and screamed 'f— off' before flicking a 'V' at the screen and storming out." What woman wouldn't feel slighted, coming only a day after Piersy blogged how Susan had rushed up to him after her own semi-final "and kissed me full on the lips for quite some time."
And what's a "V"? Isn't that a sign of peace?
The next day Susan "went berserk," complete with expletives, tears and
an intervention by police over an upsetting comment the Sun said was made
by a couple of "strangers [who] set out to 'wind her up.'"
In the Associated Press version, a spokesperson for "Britain's Got Talent" said, "Two journalists were harassing her." From, oh, the Sun, perhaps?
Piers tried to tone down the shock of it all on the "CBS Early Show": "I'm actually feeling more supportive today than I was before because I feel really sorry for Susan. From what I hear, she's been in tears the last two days. She even threatened to leave the show yesterday at one stage because of the pressure on her."
Psychologist David Wilson quit a job on the British "Big Brother" reality
show after discovering that the show's real purpose was "to attract viewers by manufacturing controversy and conflict." The BBC website quoted him as saying, "The harrowing week that Piers was describing hasn't been created by the press. The harrowing week has been created by the programme."
When the "Early Show's" Maggie Rodriguez asked Piers, "Who is looking out for her interests?" he mentioned production people from the show but only one by name, Simon Cowell. "No one knows better than him how to influence and control the media and try and keep things calm."
And does no one know better than Simon how to control the media and heat things up?
In a mid-April BuddyTV.com article, "The Dark Side of the Susan Boyle
Phenomenon," Oscar Dahl wrote that he heard Fox News' Bill Hemmer discuss an interview he did with Susan. "When he asked her if she had auditioned on her own or if the producers had discovered her, Boyle let slip that it was "Britain's Got Talent" who found her and not the other way around. There were no follow-up questions offered, but one gets the feeling that Boyle wasn't supposed to let this fact be known."
Bill's question and Susan's answer can be heard 4:49 into a phone interview on "America's Newsroom." When Bill follows up on how she felt about receiving the invitation, she answers, "I was very nervous and apprehensive … " and then says what, to my American ear, could be, "… because it was without an audition."
Oscar took Susan's alleged slip to mean that "BGT" producers were actively seeking a new Paul Potts — somebody shy and ordinary with extraordinary talent — and then manufactured the shock over her talent. He concluded, " … the implications aren't pretty."
It's easy to spin tales of conspiracy. There are always people who have a lot to gain if things turn out a certain way. For instance, a talent show, set to lose its worldwide audience because the frontrunner was a shoo-in, could revive interest and then some if the once unbeatable contestant were suddenly on the verge of tragically melting down live on TV, of all times, during her final song.
Would master showman and media controller Simon — or former tabloid editor Piers, who "quickly gained notoriety for his invasive, thrusting style and lack of concern for celebrities' right to privacy," according to Wikipedia — do this to the star they created? Even if they wanted to, can mere humans manipulate true life events so easily?
After all, it was Susan's confidant Piers who passionately blogged, "She's had to read stories and columns, and listen to radio and TV phone-ins, calling her arrogant, insincere, spoiled, fake, mad and so on … Let the increasingly unpleasant bitching and carping stop, right now. Please. She doesn't deserve it."
BIO Sondra Lowell
Sondra Lowell is the inventor of the Film Sleepy genre, movies that put the audience to sleep. Her first feature, "WebcamMurder.com," follows fictional yet unimaginative lifecasters who spend their time on webcams 24/7. Her second feature, Sublime Crime: A Subliminal Mystery, is the first entirely subliminal mystery in history.
Sondra Lowell


text:
2200.70 - Exhibits.
OSHA Review Commission
Exhibits.
2200.70(a)
Marking exhibits. All exhibits offered in evidence by a party shall be marked for identification before or during the hearing. Exhibits shall be marked with the case docket number, with a designation identifying the party or intervenor offering the exhibit, and numbered consecutively.
2200.70(b)
Removal or substitution of exhibits in evidence. Unless the Judge finds it impractical, a copy of each exhibit shall be given to the other parties and intervenors. A party may remove an exhibit from the official record during the hearing or at the conclusion of the hearing only upon permission of the Judge. The Judge, in his discretion, may permit the substitution of a duplicate for any original document offered into evidence.
2200.70(c)
Reasons for denial of admitting exhibit. A Judge may, in his discretion, deny the admission of any exhibit because of its excessive size, weight, or other characteristic that prohibits its convenient transportation and storage. A party may offer into evidence photographs, models or other representations of any such exhibit.
2200.70(d)
Rejected exhibits. All exhibits offered but denied admission into evidence, except exhibits referred to in paragraph (c) of this section, shall be placed in a separate file designated for rejected exhibits.
Return of physical exhibits. A party may on motion request the return of a physical exhibit within 30 days after expiration of the time for filing a petition for review of a Commission final order in a United States Court of Appeals under section 11 of the Act, 29 U.S.C. 660, or within 30 days after completion of any proceedings initiated thereunder. The motion shall be addressed to the Executive Secretary and provide supporting reasons. The exhibit shall be returned if the Executive Secretary determines that it is no longer necessary for use in any Commission proceeding.
2200.70(f)
Request for custody of physical exhibit. Any person may on motion to the Executive Secretary request custody of a physical exhibit for use in any court or tribunal. The motion shall state the reasons for the request and the duration of custody requested. If the exhibit has been admitted in a pending Commission case, the motion shall be served on all parties to the proceeding. Any person granted custody of an exhibit shall inform the Executive Secretary of the status every 6 months of his continuing need for the exhibit and return the exhibit after completion of the proceeding.
2200.70(g)
Disposal of physical exhibit. Any physical exhibit may be disposed of by the Commission's Executive Secretary at any time more than 30 days after expiration of the time for filing a petition for review of a Commission final order in a United States Court of Appeals under section 11 of the Act, 29 U.S.C. 660, or 30 days after completion of any proceedings initiated thereunder.
[51 FR 32015, Sept. 8, 1986; 52 FR 13832, Apr. 27, 1987; 74 FR 63987, Dec. 7, 2009]


I might be best if I gave you more detail as I am getting really worried I think it might be a burn of the heater but I can't be sure I am not David Bailey so pictures are not that good but i'm disabled and can't hold camera with two hands. the tank you see here is bare with a place to hide on the left and ii am feeding blood worms will he's sick but not loads only a little at a time any help would be great I think he's really stressed with all the moving. can anyone help please. I hope the pictures help you help me.
Welcome to the forum Tyson.
It's difficult to tell what it is. Probably not the heater. Some one will be on that might recognise it as a symptom.
He's a good looking fish!
Do you have another gourami in your tank? I am thinking it could be a bite wound.
What I will add is dont feed him too much blood worm a decent flake food is better too much bloodworm can cause health issues with its stomach.


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Nieuwe Schans is een buurtschap in de Nederlandse gemeente West Maas en Waal, gelegen in de provincie Gelderland. Het ligt aan een dode arm van de rivier de Maas tussen Greffeling en Maasbommel.

Van Nieuwe Schans vertrekt een veerpont over de Maas naar Oijen. In de dode Maasarm bevindt zich een jachthaven.

Geografie van West Maas en Waal
Buurtschap in Gelderland